Kate Beckinsale shoots down Jamie Foxx dating rumors
by Nate DayKate Beckinsale is setting the record straight on rumors that she and Jamie Foxx are dating.
The actress, who recently finalized her divorce, was seen speaking with Foxx, 51, at the Golden Globes Ambassadors Party in Hollywood on Thursday night, and rumors began to swirl.
Beckinsale isn't the only eligible person at the table, either, as Foxx and Katie Holmes' relationship recently ended.
TOM BRADY OPENS UP ABOUT MARRIAGE TO GISELE BUNDCHEN
On Friday, however, Beckinsale, 46, took to Instagram to address the rumors about her relationship with Foxx.
In the photo, Beckinsale stands with Foxx and actor Adewale Akinnuoye Agbaje.
7 CELEBRITY COUPLES WITH BIG AGE GAPS
"Lads night at #hfpa party with @therealadawale @iamjamiefoxx..." she said in the caption. "I would like to point out that standing next to someone does not mean I am dating them."
"Currently in line at the dry cleaners, and if that's true, I've got one hell of a problem," she said.
CLICK HERE TO GET THE FOX NEWS APP
Most recently, Beckinsale has been romantically linked to Pete Davidson, who is now linked to Kaia Gerber.


Halifax police apology to black community for street checks set for Nov. 29
by The Canadian PressHalifax's police chief has set the date for a formal apology to Nova Scotia's black community over the practice of street checks.
Chief Daniel Kinsella says by email that he'll make the apology Nov. 29 at the Halifax Central Library and he will further outline plans for “meaningful action” to follow the apology.
Kinsella had announced an outline for his plan to the city's board of police commissioners on Oct. 21, saying African Nova Scotians have endured generations of inequity, and street checks deepened the divide between police and the community.
The Nova Scotia government has announced it will permanently ban the practice after retired chief justice Michael MacDonald issued a formal opinion that it is illegal as practised in Nova Scotia.
MacDonald's report defined street checks as stopping citizens without specific reasons and asking for personal information, then keeping those records.
The retired jurist's analysis concluded the practice contravenes citizens' constitutional and common law rights.


Credential
public struct Credential
Single credential from Shared Web Credentials Store.
-
Fully qualified domain name of the website
Declaration
Swift
public let domain: String
-
Account name
Declaration
Swift
public let account: String
-
Password
Declaration
Swift
public let password: String


Gecode::BoolVarArgs Class Reference
[Argument arrays]
Passing Boolean variables. More...
#include <int.hh>
Constructors and initialization | |
|
| |
| BoolVarArgs (void) | |
| Allocate empty array. | |
| BoolVarArgs (int n) | |
| Allocate array with n elements. | |
| BoolVarArgs (const BoolVarArgs &a) | |
| Initialize from variable argument array a (copy elements). | |
| BoolVarArgs (const VarArray< BoolVar > &a) | |
| Initialize from variable array a (copy elements). | |
| BoolVarArgs (const std::vector< BoolVar > &a) | |
| Initialize from a. | |
| BoolVarArgs (std::initializer_list< BoolVar > a) | |
| Initialize from a. | |
| template<class InputIterator > | |
| BoolVarArgs (InputIterator first, InputIterator last) | |
| Initialize from InputIterator first and last. | |
| BoolVarArgs (Space &home, int n, int min, int max) | |
| Initialize array with n new variables. |
Detailed Description
Passing Boolean variables.
We could have used a simple typedef instead, but doxygen cannot resolve some overloading then, leading to unusable documentation for important parts of the library. As long as there is no fix for this, we will keep this workaround.
Definition at line 712 of file int.hh.
Constructor & Destructor Documentation
| Gecode::BoolVarArgs::BoolVarArgs | ( | void | ) | [inline] |
| Gecode::BoolVarArgs::BoolVarArgs | ( | int | n | ) | [inline, explicit] |
| Gecode::BoolVarArgs::BoolVarArgs | ( | const BoolVarArgs & | a | ) | [inline] |
| Gecode::BoolVarArgs::BoolVarArgs | ( | const std::vector< BoolVar > & | a | ) | [inline] |
| Gecode::BoolVarArgs::BoolVarArgs | ( | std::initializer_list< BoolVar > | a | ) | [inline] |
template<class InputIterator >
| Gecode::BoolVarArgs::BoolVarArgs | ( | InputIterator | first, | |
| InputIterator | last | |||
| ) | [inline] |
| Gecode::BoolVarArgs::BoolVarArgs | ( | Space & | home, | |
| int | n, | |||
| int | min, | |||
| int | max | |||
| ) |
Initialize array with n new variables.
The variables are created with a domain ranging from min to max. The following execptions might be thrown:
- If min is greater than max, an exception of type Gecode::Int::VariableEmptyDomain is thrown.
- If min is less than 0 or max is greater than 1, an exception of type Gecode::Int::NotZeroOne is thrown.
The documentation for this class was generated from the following files:


{include file="public/header" /}
{include file="public/nav" /}
{include file="public/footer" /}
- 基本参数


FILM TITLE: SEUL CONTRE NOUS (I STAND ALONE) DIRECTOR: GASPAR NOE COUNTRY: FRANCE 1998 CINEMATOGRAPHY: DOMINIQUE COLIN CAST: Philippe Nahon, Blandine Lenoir SUPER FEATURES: Is this reality, or neo-realism? Is a live butcher shop on the stage in the theater the only way we will wake up to "reality"?
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
(Seen at the 22nd Portland International Film Festival in Portland, Oregon)
Several years ago, another film maker came around, and went to work doing things that no one else did, in a manner that no one else did, with little regard for how we felt, or how we would react to the picture that he had made. He became the darling of sur-neo-realism, if there is such a thing, in that his films were always strange, obscure, but always managed to make a point by the way things appeared in the film. Not at all because he wanted to create a philosophy, or a thinking, about anything he did. But his intuitive side of things, created a harrowing reality for movie go'ers. How is one supposed to feel about these things?
No sooner had the director heard us discussing his stuff and us believing he was making a film because ... , he concluded that he didn't want "...to make a film about politics. He just wanted to make a political film...", where the situations and people took on themselves, be them actors or not. Not a story, not a foolish Hollywood fantasy, but something that might get a solid reaction out of us. In other words, he DID NOT make film to tell us how he felt, or how we are supposed to feel. To this day, I believe that this film really helped define something in film the world over, that few of us may really understand. This may be the same mentality that gave us the Reign of Terror, but 30 years later, what has it arrived to? The same, and more. The film maker was Jean-Luc Godard. This film delivers a Reign of Terror, but one that we may not wish to deal with.
I would imagine that for anyone unfamiliar with these kinds of things, a film like this is a massive shocker. This film never stops at the words, or just a symbol or an idea. It plunges right ahead, in front of us, and brutally so. It's hard to fathom that anyone would be this bitter, or disappointed in life, to create such a film, and such an experience for any audience to sit through. But it will get your attention if you can sit through it.
In the fifties, it took the acting of those now known as giants in the Acting Studio, and the English Angry Young Men to express the displeasure that many of us have in the society we live in. In the sixties, it seemed that drugs and music were the channels for the same thing, of which Godard also took part, although differently so. The seventies and eighties were sedate by comparison. Then in the nineties, one sees something like this and it makes one wonder, if things in France are in such a stupor and such an edge, that another revolution may be in the offing. A film like this, is a vicious attack on the social mold that has pretty much destroyed the worker, or at least this man. It's hard to imagine that this is just a "film", and that its power stops at "film". How real is all this? How close to reality is it really? How much of this is the man's imagination? One can hear psychologists blaming the man's problems on his inability to blah, blah, blah. And society as a whole can not be at fault. Or one can hear film critics attacking these things as not films, or the favorite American word (heaven forbid) - Entertainment.
The story is simple enough, as if there were any need for a story to be there at all when one thinks about it. A man that had grown up being a butcher, all of a sudden finds himself out of work, and not in favor with anyone. He has just finished serving jail time for an incident, when he thought that a man had raped his daughter, when in fact it had been her time of the month. His return from jail to society, was not favorable. He takes on a mistress, and one day leaves her and her mother, after making an awful mess of things. As his anger builds, he finds the need in himself to go visit his daughter and perhaps reclaim her from the institution that she is in. And the film kinda stops here, though the man's mind doesn't.
And here is the astounding part of this film, the most difficult thing to deal with as it is totally uncensored in any way, shape or form -- a film that would get a guaranteed X rating in this country if it went beyond the portals of Film Festivals. It's a wonder that it got that far unnoticed, that's for sure. Right from the start, we are treated to the man's story and his opinions. The question is where is his temper and mind going to take him. The inevitable suggestion, is that he is strong and capable of doing something horrible, and the film seems to make it clear that he does just that with his mistress, but in the end, it gives us the total opposite. Maybe he did not do what the film showed he did to the mistress since he could just as easily have done a similar thing here to his daughter.
So, in the end, all we can think is that most of it has taken place in his mind, or at least we hope so, because it is hard to believe that he could not control himself well enough to learn the harsh lessons that life has to offer ... well, I imagine that we in the audience want to think so, because seeing something that brutal usually merits very stiff penalties in the societies that we live in. He is visibly angry, but it is not like he does not remember the silly affair that got him in jail.
Few films, ever, are so powerful, and do not stop pulling their punches for a minute, so the audience can take a deep breath. It is difficult to think of this film as bad, since the design and concept is well thought out, and extremelly well done. It may not be our favorite theme, or film, but it is very hard to dismiss its obvious points. Most films can only give "opinions" by comparison. This one punches your gut with it with its realism.
This is one of those films that is best seen by those that have a stomach for harsh stuff. This film is harsh and then some. Sort of like the day we saw Sam Peckinpah do the killing spree in slow motion, so we could witness the mass orgy of madness that we take ourselves into - that we refuse to learn, or accept and continually repeat in so many countries the world over. Our love affair with hate, and destruction. Or our belief that something is more important than another, to the point where human life is secondary to the cause. And maybe this is the point that Gaspar Noe wants to make, which the character mentions. We have become too weak and have no courage to do something about it as a country anymore. We have resigned, and are left with nothing but an act of animalistic desire that allows us to cleanse ourselves for a small period of time. But with all due respect, to this point of view, could this be a sign of the serious dis-satisfaction with the way things are shaping up in France? Or in many parts of the world, hidden by toys that we think make us happier?
Very powerful film that is not for the weak stomach. Very brutal, mentally and physically so. A film that really could be said speaks for our angers much more than we care to admit.
4 of 5 GIBLOONS Reviewed by Pedro Sena, Copyright (c) Pedro Sena 1999. All Rights Reserved.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


APPRENTICESHIP SUPPORT & KNOWLEDGE FOR SCHOOLS AND COLLEGES
The Apprenticeship Support and Knowledge for schools and colleges programme (ASK) is funded by the National Apprenticeship Service, part of the Department for Education. The programme is designed to give schools and other establishments in England free support to transform how your students think about apprenticeships.
What that support looks like for you will depend on your establishment’s size, focus and requirements. There are a whole range of options, including:
- inspiring apprenticeship awareness assemblies
- apprenticeship application workshops
- careers fair attendance
- free resources
- teacher CPD sessions
Fill in our quick online form and we’ll connect you with your local ASK delivery partner organisation. They’ll work with you to deliver a support package that’s tailored to your needs.
Request support


With solid experience in programming, team coordination, and effective communication, I am prepared to become an engineer in the workforce.
 In the winter, I am enjoy hiking and climbing. During the warmer months here in Arizona, I usually escape to California for the beach.
When forced indoors, I follow a number of sci-fi movies such as Star Wars.


Villanelle is an elegant, talented killer who clings to the luxuries her violent job affords her.


ASSIGNMENT: build a personal site in the class archive describing you and your final project.
project_management/index.htmlDuring the first week of the Fab Academy we were asked to make a personal webpage and present an idea for our final project.
The first step for me was to get familiar with HTML5 and CSS3. Before that, I had no idea how this stuff works.
To design this website, I started from a template startbootstrap.com and I customized it. I used a free editor: Text Wrangler.
Then I got in touch with Github Repository. I had uploaded my website in the Academy Archive via terminal loading with Mac system. I made also a personal repository to host all the files made whithin the FabAcademy assignments.
FREE EDITOR: TextWrangler.html
HTML5 TUTORIALS: www.html.it; www.3wschools.com
GIT DOCUMENTATION: www.git-scm.com/doc
To challenge myself in the creation of a website was very interesting. I understood the great work that is needed to realize a simple HTML page, and I have got familiar with a new language. Today, if you're not online you do not exist, so I believe that all this work will be useful for me in the future.
I decided to begin describing me and my idea for the final project: a responsive facade. I'm an architect, a maker as well as CEO for M3p Industrial marmi. I've worked for 8 years within the construction industry, recently my main interest has shifted towards the connections between smart materials and architecture. I'm the co-founder of FabLab Frosinone – Officine Giardino and the founder of MarbleEcoDesign project. Whit Henka project I won Reshape, digital craft competition. I often have to project installations for trade fairs, museums, public spaces and private homes. Having no knowledge of electronics, I have never gone further. I would like to take this opportunity to project a movable wall that responds to external stimulations, such as humidity, light and sounds.


Tween only Demo
This example shows TweenJS without using Canvas/EaselJS, to showcase legacy support for IE8.


Fast Forward
Loop
!<10
If this video doesn't work provide this value:
X
Space Station Radio
Streak:
0
Title:
0
Change flow
Sick New Music
P. of L.Y.P.S.


Aaron Macdonald - Dev Academy Blog
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MR. HOLLAND'S OPUS A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): ***
MR. HOLLAND'S OPUS is the classic fictional story about a teacher who uses rock 'n' roll to teach untalented kids to appreciate music. The twist in this version is that the teacher wants to be a composer and only takes a teaching position so that he can have the time and money to be able to compose, but he finds teaching to be more than a full-time job leaving little time for outside interests. When he finally does finish his American Symphony, he demonstrates, in my opinion, that teaching was the right profession for him anyway.
As the movie starts, Mr. Glenn Holland (Richard Dreyfuss) is beginning his first year at John F. Kennedy High School by teaching music to the class of 65. As someone who was a member of another high school class of 65 (Garland, Texas), I can attest to the careful accuracy of the sets (David Nickolas) and the costumes (Aggie Guerrard Rodgers). Mr. Holland finds he has a group of lethargic and untalented students, and their attempt at music results in a horrible cacophony. He hates his job, and at first he is terrible at it. He uses little witticisms like "There's more to music than notes on a page" and "Playing music is supposed to be fun" in attempts to awaken and inspire his stoic students.
In a great performance W. H. Macy is Vice Principal Gene Wolters. He is the tuff principal with a flat top that you remember from high school. You know, the one that measures girls skirts and sends them home if their skirts are not regulation length. Wolters does not approve of Mr. Holland's unorthodox methods and tells him sternly that "Rock 'n' roll by its very nature leads to a breakdown in discipline." Olympia Dukakis plays Principal Jacobs who supports Mr. Holland. Jay Thomas is excellent as football Coach Bill Meister and Mr. Holland's best friend at school. In a story with a plethora of cliches, the coach gets his students to dance at the school play and thus boost ticket sales.
The corny but fun script (Patrick Duncan) is peppered with great little one liners. The coach wants his wrestling star Louis Russ (Terrence Howard) to play an instrument in the band so he can get his grade point average high enough not to get kicked off the wrestling team, but Mr. Holland has trouble finding an instrument for him. When offered a tuba, Russ complains that, "Tubas are for fat guys with pimples."
The secondary theme in the show surrounds Mr. Holland's family. His wife Iris (Glenne Headly) has a son whom Mr. Holland names Col after his idol John William Coltrane, the innovative American jazz saxophonist and composer. Mr. Holland loves music and wants his son to be just like him. Well, his son turns out deaf. In a scene that will tear your heart out, Col throws a temper tantrum at age 6 because he can not communicate with his parents enough even to tell them his most basic needs. Mr. Holland is too busy at school to pay much attention to his son or to learn minimal competency in sign language so he can talk to his son.
Hands down, the best actor or actress in the whole movie is Jean Louisa Kelly who has a small but important role as Rowena Morgan. Rowena is a surprise star for the school musical. When she sings or acts she casts a spell on people in the movie and in the audience. A great voice and a mesmerizing smile. I'd love to see her up for an award for supporting actress, but I am sure she will be ignored in favor of Olympia Dukakis's more traditional performance.
I find Richard Dreyfuss an uneven and hence frustrating actor to watch, but in MR. HOLLAND'S OPUS, director Stephen Herek has him in perfect control. Dreyfuss never overacts as he has been known to do, see for example, THE AMERICAN PRESIDENT or LET IT RIDE. Here Dreyfuss is a master at manipulating the audience's emotion for maximum effect, but yet he gives a restrained rendition of the character.
MR. HOLLAND'S OPUS is sappy and predictable. It uses a lot of stock film footage of the Vietnam war to remind the audience of the tragedy of that era. Since I had friends die in Vietnam, I found the burial scene extremely moving. The editor (Trudy Ship) is quite adept at cutting at just at the right moment between tragedy and joy and between the movie and the old film clips of that period.
This is definitely a message movie. Principle Wolters sums it up with, "If I'm forced to choose between music and reading, writing, and long division, I choose long division every time." This is contrasted with Mr. Holland's view that "the day they cut the football budget in this state, that will be the end of Western Civilization as we know it!"
The ending is a full blown tearjerker. Save a spare batch of hankies for the conclusion. At least it ends on a complete high note (pun intended).
MR. HOLLAND'S OPUS runs an incredibly long 2:22. I think this is completely unnecessary since this is not GANDHI, but I must admit it did keep my attention, and I never looked at my watch. The movie is incorrectly rated PG. This is a G movie where I think they said a couple of cuss words just to keep it from getting a G rating. There is no sex, nudity, or violence. There is a key scene where one character kisses another on the cheek. I recommend the movie to you and give this sweet, upbeat tearjerker ***.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: January 31, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


WITNESS LIST Redistricting Committee July 2, 2003-2:00P HB 3 Committee Substitute (Proposed by King) For: Zafereo, Mark (Self) Against: Bartholomew, Dana (Self) Blumberg, Mary (Self) Craven, Jr., Don (Self) Edwards, Congressman Chet (Self) Hidalgo-Sotelo, Barbara (Self and the Hidalgo Family) Jones, Marguerite (Self and My Family) Perry, Rev. Dr. Paul F. (Self) Robbins, Paul (Self) Roland, Jon (Coalition for Non-Partisan Redistricting & Constitution Society) Salomon, Roberto (Self and Dora L. Salomon) On: Dixon, Patrick (Self and Travis County Libertarian Party) Hanna, David R. (TLC Texas Legislative Council) Howard, Robert (Travis County Libertarian Party & Coalition for Non-partisan Redistricting)


|
| int | Playback0Count [get, set] |
| | The number of users who made it to less than 25% of the video. This reflects the number of quartile views across all Tweets in which the given video has been posted. This is the total count of video view quartiles from both organic and paid contexts. More...
|
| |
| int | Playback25Count [get, set] |
| | The number of users who made it to 25% of the video. This reflects the number of quartile views across all Tweets in which the given video has been posted. This is the total count of video view quartiles from both organic and paid contexts. More...
|
| |
| int | Playback50Count [get, set] |
| | The number of users who made it to 50% of the video. This reflects the number of quartile views across all Tweets in which the given video has been posted. This is the total count of video view quartiles from both organic and paid contexts. More...
|
| |
| int | Playback75Count [get, set] |
| | The number of users who made it to 75% of the video. This reflects the number of quartile views across all Tweets in which the given video has been posted. This is the total count of video view quartiles from both organic and paid contexts. More...
|
| |
| int | Playback100Count [get, set] |
| | The number of users who made it to 100% of the video. This reflects the number of quartile views across all Tweets in which the given video has been posted. This is the total count of video view quartiles from both organic and paid contexts. More...
|
| |
| int | ViewCount [get, set] |
| | The count of how many times the video attached to this Tweet has been viewed. This is the number of video views aggregated across all Tweets in which the given video has been posted. That means that the metric includes the combined views from any instance where the video has been Retweeted or reposted in separate Tweets. This returns the total count of video views from both organic and paid contexts, in order to maintain consistency with the counts shown publicly on Twitter. More...
|
| |
◆ Playback0Count
| int CoreTweet.V2.MediaGroupingMetrics.Playback0Count |
|
getset |
The number of users who made it to less than 25% of the video. This reflects the number of quartile views across all Tweets in which the given video has been posted. This is the total count of video view quartiles from both organic and paid contexts.
◆ Playback100Count
| int CoreTweet.V2.MediaGroupingMetrics.Playback100Count |
|
getset |
The number of users who made it to 100% of the video. This reflects the number of quartile views across all Tweets in which the given video has been posted. This is the total count of video view quartiles from both organic and paid contexts.
◆ Playback25Count
| int CoreTweet.V2.MediaGroupingMetrics.Playback25Count |
|
getset |
The number of users who made it to 25% of the video. This reflects the number of quartile views across all Tweets in which the given video has been posted. This is the total count of video view quartiles from both organic and paid contexts.
◆ Playback50Count
| int CoreTweet.V2.MediaGroupingMetrics.Playback50Count |
|
getset |
The number of users who made it to 50% of the video. This reflects the number of quartile views across all Tweets in which the given video has been posted. This is the total count of video view quartiles from both organic and paid contexts.
◆ Playback75Count
| int CoreTweet.V2.MediaGroupingMetrics.Playback75Count |
|
getset |
The number of users who made it to 75% of the video. This reflects the number of quartile views across all Tweets in which the given video has been posted. This is the total count of video view quartiles from both organic and paid contexts.
◆ ViewCount
| int CoreTweet.V2.MediaGroupingMetrics.ViewCount |
|
getset |
The count of how many times the video attached to this Tweet has been viewed. This is the number of video views aggregated across all Tweets in which the given video has been posted. That means that the metric includes the combined views from any instance where the video has been Retweeted or reposted in separate Tweets. This returns the total count of video views from both organic and paid contexts, in order to maintain consistency with the counts shown publicly on Twitter.
The documentation for this class was generated from the following file:


thirsty.plant
Posts
Followers
Following
thirsty plant
turns out i'm 100% that plant...
thirsty.plant
New York, New York
thirsty.plant
i'm just feeling a bit... thirsty
November 11th


${select_grant(rule)}
if character
% if rule.kind == "c":
one of these characters:
% elif rule.kind == "o":
in one of these corporations:
% else:
in one of these alliances:
% endif
${stringlistinput("names", [o.name for o in rule.target_objects()])}
%def>
<%def name="aclkey(rule)">
${select_grant(rule)}
if we
a(n)
key for this character
%def>
<%def name="acltitle(rule)">
${select_grant(rule)}
if character
of these titles:
${stringlistinput("titles", rule.titles)}
%def>
<%def name="aclrole(rule)">
${select_grant(rule)}
if character
of these roles:
${stringlistinput("roles", rule.roles)}
%def>
<%def name="aclmask(rule)">
${select_grant(rule)}
if we
a key for this character supporting permissions:
%def>
<%def name="rule_row(rule)">
${aclrule(rule) if rule else ""}
%def>
${group.id | h} - ${group.title | h}
Rules:
% for rule in group.rules:
${rule_row(rule)}
% endfor


| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| animation-utils.js | 44.74% | 17/38 | 33.33% | 6/18 | 33.33% | 2/6 | 51.61% | 16/31 | |
| axis-utils.js | 94.44% | 17/18 | 87.5% | 7/8 | 66.67% | 2/3 | 94.12% | 16/17 | |
| chart-utils.js | 85.71% | 18/21 | 50% | 4/8 | 33.33% | 1/3 | 85.71% | 18/21 | |
| data-utils.js | 100% | 21/21 | 100% | 6/6 | 100% | 6/6 | 100% | 21/21 | |
| react-utils.js | 51.16% | 22/43 | 29.17% | 7/24 | 83.33% | 5/6 | 94.44% | 17/18 | |
| scales-utils.js | 88.89% | 216/243 | 68.46% | 89/130 | 94.44% | 34/36 | 89.09% | 196/220 | |
| series-utils.js | 75.34% | 55/73 | 37.04% | 10/27 | 69.23% | 9/13 | 76.67% | 46/60 |


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HBAboutListController
Objective-C
@interface HBAboutListController : HBListController
Swift
class HBAboutListController : HBListController
The HBAboutListController class in CepheiPrefs provides a list controller with functions that would typically be used on an “about” page. It includes two class methods you can override to provide a developer website and donation URL, and a class method to provide an email address so the user can send the developer an email right from the tweak’s settings.
There is a sample of an HBAboutListController implemented in the Cephei demo preferences. See the Cephei readme for details.
Example Usage
<dict>
<key>cell</key>
<string>PSLinkCell</string>
<key>cellClass</key>
<string>HBLinkTableCell</string>
<key>label</key>
<string>Visit Website</string>
<key>url</key>
<string>https://hashbang.productions/</string>
</dict>
<dict>
<key>cell</key>
<string>PSGroupCell</string>
<key>label</key>
<string>Experiencing issues?</string>
</dict>
<dict>
<key>action</key>
<string>hb_sendSupportEmail</string>
<key>cell</key>
<string>PSLinkCell</string>
<key>label</key>
<string>Email Support</string>
</dict>
<dict>
<key>cell</key>
<string>PSGroupCell</string>
<key>footerText</key>
<string>If you like this tweak, please consider a donation.</string>
</dict>
<dict>
<key>cell</key>
<string>PSLinkCell</string>
<key>cellClass</key>
<string>HBLinkTableCell</string>
<key>label</key>
<string>Donate</string>
<key>url</key>
<string>https://hashbang.productions/donate/</string>
</dict>
-
Deprecated
Use an HBLinkTableCell instead.
The website URL to open when tapping the “visit website” cell. Override this method to return your own URL.
Deprecated. It is encouraged to use an
HBLinkTableCell
instead.Declaration
Objective-C
+ (nonnull NSURL *)hb_websiteURL;
Swift
class func hb_websiteURL() -> URL
Return Value
By default, https://hashbang.productions/.
-
Deprecated
Use an HBLinkTableCell instead.
The website URL to open when tapping the “donate” cell. Override this method to return your own URL.
Deprecated. It is encouraged to use an
HBLinkTableCell
instead.Declaration
Objective-C
+ (nonnull NSURL *)hb_donateURL;
Swift
class func hb_donateURL() -> URL
Return Value
By default, https://hashbang.productions/donate/.
-
The email address to use in the support email composer form. Override this method to return an email address.
If this method returns nil, the package’s author email address is used.
Declaration
Objective-C
+ (nullable NSString *)hb_supportEmailAddress;
Swift
class func hb_supportEmailAddress() -> String?
Return Value
By default, nil.
-
Deprecated
TechSupport is no longer supported.
No longer supported.
Declaration
Objective-C
+ (nullable NSArray *)hb_supportInstructions;
Swift
class func hb_supportInstructions() -> [Any]?
Return Value
By default, nil.
-
Deprecated
Use an HBLinkTableCell instead.
Opens the user’s browser to the URL specified by
-hb_websiteURL
.Deprecated. Use an
HBLinkTableCell
instead.Declaration
Objective-C
- (void)hb_openWebsite;
Swift
func hb_openWebsite()
-
Deprecated
Use an HBLinkTableCell instead.
Opens the user’s browser to the URL specified by
-hb_donateURL
.Deprecated. Use an
HBLinkTableCell
instead.Declaration
Objective-C
- (void)hb_openDonate;
Swift
func hb_openDonate()
-
Displays a support composer form.
The
-hb_supportEmailAddress
and-hb_supportInstructions
methods are used to provide the appropriate parameters toHBSupportController
.Declaration
Objective-C
- (void)hb_sendSupportEmail;
Swift
func hb_sendSupportEmail()


The most important thing if you keep crypto - to choose the right way to store and manage it. In this guide we will show you different types of wallet and make a comparison among them.
You need to use a program to manage your Litecoins, it will keep your private keys and provide additional functions such as sending, receiving, exchanging, and more. With these programs, you’re able to manage and control your funds.
There are many types of cryptocurrency wallets to manage LTC: desktop, mobile, web wallets, hot wallets, cold wallets and hardware wallets.
Hot Wallets, the most popular for users. These wallets work as interfaces providing you with a service for management, exchange, buy crypto and cryptocurrency trading.
Examples: Coinbase, Bittrex, Binance, BitPay and others…
Cold Wallets, work as a software application that enables you to sign transactions and store funds offline with low risks of hacking.
Examples: Paper Wallets, Bitcoin Core, etc.
Hardware Wallets, represent a special USB device that stores your LTC offline on it and can sign transactions to send them to other addresses. They usually have an additional software application allowing you to manage your cryptos and sign transactions. Basically, it’s the same thing as regular cold wallets, except for that your private keys are encrypted in a hardware wallet.
Examples: Trezor, Ledger.
Light Wallets, are desktop / mobile or web applications that require stable internet connection and provide many options to manage different cryptocurrencies. They can also support different services (exchange options, buy crypto, trading desks and more). In general, light wallets are non-custodial and keep your private keys on your device. This allows to use light wallets as a cold storage.
Examples: Atomic Wallet, Exodus, JAXX, Electroneum.
1. Security. Wallet security means the way your Litecoins and other cryptos are protected from frauds and hacking, how you manage private keys and what security technologies a particular wallet supports.
2. Accessibility. This feature implies simplicity in use and the ability to withdraw your funds from the wallet. A friendly user interface is a vital point for new users. When choosing a litecoin wallet, pay attention to its interface and the amounts you are able to operate with.
3. Functionality. If you want to choose a good LTC wallet, check it for additional services support, such as an ability to exchange cryptocurrency or buy crypto with a bank-card/paypal, etc.) In some wallets, like Atomic or Exodus, it’s possible to exchange Litecoin right in the application without visiting third party websites. Cryptocurrency will be transferred directly on your address after the exchange.
4. Customer Support. This is a vitally important to receive a fast reply on users concerns and help with troubleshooting. Good customer care is a sign of a good product. How fast will the support team help you, if you have any troubles? Crypto market is too volatile to wait days/weeks till someone will the issue. It is a good practice to reply within 24 hours.
Rule #1: Always check who are behind the project. Do they have previous experience in managing projects? Try to link in what projects they have already participated.
Rule #2: Ask about the wallet on Quora, Reddit or at any social media. Try to find what users experienced while using it.
Rule #3: Contact team if their website do not provide the necessary information for you. If they are welcome to chat, then they are take care of the project reputation and trust.
Rule #4: Always try with the small deposits and with different crypto.
Rule #5: Never store your seed phrase online (on the google drive, email, on the .txt file, etc.) Use a keystore, or a piece of paper.
Rule #6: Make sure you will be able to withdraw at any time. Crypto prices are too volatile to wait.
Rule #7: Never trust, verify!
Manage your Litecoin wisely!
Learn how to setup Atomic Wallet to send, receive, exchange and buy LTC.


Answer : We are non-profitable group who want to promote the Necessity of Cleanliness
and provide some features through which someone can acquire healthy habits and clean solutions.
Answer : If you didn’t found any answers through the above FAQs and you have query,
please feel free to contact with us at<EMAIL_ADDRESS>or at+91-6514312555.


Start your business off right with investors that got your back
Manage and message entrepreneurs through your own private dashboard


Periodically checks for new chapters in books on archiveofourown.com without requiring a registered account (which are hard to get because of the waitinglist)


A pattern that’s becoming more common is to give function expressions names to aid in debugging. For example:
Foo.prototype.bar = function bar() {};
Adding the second bar
in the above example is optional. If you leave off the function name then when the function throws an exception you are likely to get something similar to anonymous function
in the stack trace. If you provide the optional name for a function expression then you will get the name of the function expression in the stack trace.
Examples of incorrect code for this rule:
/*eslint func-names: "error"*/
Foo.prototype.bar = function() {};
(function() {
// ...
}())
Examples of correct code for this rule:
/*eslint func-names: "error"*/
Foo.prototype.bar = function bar() {};
(function bar() {
// ...
}())
This rule was introduced in ESLint 0.4.0.


| Class and Description |
|---|
| ExternalSystemConfiguration
This abstract class defines an external system configuration
|
| LdapConfiguration
Describes a Configuration to create an LDAP Authenticator.
|
| Class and Description |
|---|
| LdapConfiguration
Describes a Configuration to create an LDAP Authenticator.
|
| LdapGroupSyncConfiguration
configuration data for synchronizing groups of the defined LDAP
|
| LdapSearchBaseDefinition
represents an LDAP search base definition
|
| Class and Description |
|---|
| ConfluenceConfiguration |
| Class and Description |
|---|
| ApplicationConfigurationSetting |
| Configuration |
| ConfluenceConfiguration |
| ExternalSystemConfiguration
This abstract class defines an external system configuration
|
| LdapConfiguration
Describes a Configuration to create an LDAP Authenticator.
|
| Class and Description |
|---|
| ApplicationConfigurationSetting |
| Configuration |
| ConfluenceConfiguration |
| LdapConfiguration
Describes a Configuration to create an LDAP Authenticator.
|
| Class and Description |
|---|
| LdapConfiguration
Describes a Configuration to create an LDAP Authenticator.
|
| LdapSearchBaseDefinition
represents an LDAP search base definition
|
| LdapSearchConfiguration |
| Class and Description |
|---|
| ConfluenceConfiguration |
| LdapConfiguration
Describes a Configuration to create an LDAP Authenticator.
|
| Class and Description |
|---|
| ExternalSystemConfiguration
This abstract class defines an external system configuration
|
| Class and Description |
|---|
| ConfluenceConfiguration |
| Class and Description |
|---|
| ExternalSystemConfiguration
This abstract class defines an external system configuration
|
| Class and Description |
|---|
| ConfluenceConfiguration |
| Class and Description |
|---|
| LdapConfiguration
Describes a Configuration to create an LDAP Authenticator.
|
| Class and Description |
|---|
| ApplicationConfigurationSetting |
| ClientConfiguration |
| Configuration |
| ConfluenceConfiguration |
| ExternalImageApiUrlProvider |
| ExternalSystemConfiguration
This abstract class defines an external system configuration
|
| LdapConfiguration
Describes a Configuration to create an LDAP Authenticator.
|
| LdapGroupSyncConfiguration
configuration data for synchronizing groups of the defined LDAP
|
| LdapSearchBaseDefinition
represents an LDAP search base definition
|
| LdapSearchConfiguration |
| Setting |
| Class and Description |
|---|
| ApplicationConfigurationSetting |
| ClientConfiguration |
| Configuration |
| ConfluenceConfiguration |
| ExternalSystemConfiguration
This abstract class defines an external system configuration
|
| LdapConfiguration
Describes a Configuration to create an LDAP Authenticator.
|
| LdapGroupSyncConfiguration
configuration data for synchronizing groups of the defined LDAP
|
| LdapSearchBaseDefinition
represents an LDAP search base definition
|
| LdapSearchConfiguration |
| Setting |
| Class and Description |
|---|
| ExternalSystemConfiguration
This abstract class defines an external system configuration
|
| Class and Description |
|---|
| ExternalSystemConfiguration
This abstract class defines an external system configuration
|
| Class and Description |
|---|
| ExternalSystemConfiguration
This abstract class defines an external system configuration
|
| Class and Description |
|---|
| ExternalSystemConfiguration
This abstract class defines an external system configuration
|
| Class and Description |
|---|
| ConfluenceConfiguration |
| LdapConfiguration
Describes a Configuration to create an LDAP Authenticator.
|
| LdapGroupSyncConfiguration
configuration data for synchronizing groups of the defined LDAP
|
| LdapSearchBaseDefinition
represents an LDAP search base definition
|
Copyright © 2019 Communote team. All rights reserved.


Creates simple user interfaces to display a message or request an input from the user.
User interfaces can include labels, text fields, file/directory selections and check boxes. The input elements are defined by the nested elements of this task. Each input element defines an associated property that is set to the element value when the user interface is validated.
The user will be able to continue the build only when inputs of all elements are considered as valid. The user can otherwise choose to abort the build.
A file
attribute can be set to load the properties from / save the properties to
before / after the user interface is displayed. This enables to automatically retrieve values
entered by the user in subsequent builds.
| Attribute | Description | Required |
| title | The title of the window. | No |
| file | The properties file where to read/save the properties. | No |
Nested elements allow several (input) interfaces to be specified. The order of the nested elements defines the order of the graphical elements (from top to bottom) in the user interface.
<label>
element
Displays some text with an optional icon on the left.
Advanced styling can be obtained by using HTML tags. The text must then start and end with an
<html> tag.
| Attribute | Description | Required |
| text | The text to display. | Yes, unless text is included in a character section within this element. |
| icon | The icon to display. This can have one of four values ("question", "information", "warning" or "error"). | No |
<checkbox>
elementDisplays a check box.
| Attribute | Description | Required |
| text | The text of the check box. | Yes, unless text is included in a character section within this element. |
| property | The name of the property that will be set to the value of the check box. | Yes |
| default | A default value to initialize the check box to (only if the property wasn't loaded from the properties file). | No; defaults to false. |
<buttongroup>
element
Defines a button group. The button group element manages the selected/unselected state for a set of radio buttons. For the group, it
guarantees that only one button can be selected at a time.
A button group is relevant only with <radiobutton>
children.
| Attribute | Description | Required |
| property |
The name of the property that will be set to the index of the selected radio button. The selection index starts from 0 and identifies children radio button from top to bottom. |
Yes |
| default | A default value to initialize the selection to (only if the property wasn't loaded from the properties file). | No; defaults to 0 (first radio button selected). |
<radiobutton>
element
Displays a radio button. Radio buttons can be displayed on their own or managed inside a <buttongroup>
to ensure
only one button is selected at a time.
| Attribute | Description | Required |
| text | The text of the radio button. | Yes, unless text is included in a character section within this element. |
| property | The name of the property that will be set to the value of the radio button. | Only required if not part of a button group. |
| default | A default value to initialize the radio button to (only if the property wasn't loaded from the properties file). | No; defaults to false and ignored if part of a button group. |
<textfield>
elementDisplays a text field with a label on the left.
| Attribute | Description | Required |
| text | The text of the label. | Yes |
| property | The name of the property that will be set to the value of the text field. | Yes |
| allowempty | Allow empty value. Note: If the value is empty, the property won't be set. | No; defaults to false. |
| default | A default value to initialize the text field to (only if the property wasn't loaded from the properties file). | No |
| tooltip | The text to display when the cursor lingers over the component. | No |
| icon | The icon of the label. This can have one of four values ("question", "information", "warning" or "error"). | No |
<passwordfield>
elementDisplays a password field with a label on the left.
| Attribute | Description | Required |
| text | The text of the label. | Yes |
| property | The name of the property that will be set to the value of the password. | Yes |
| allowempty | Allow empty value. Note: If the value is empty, the property won't be set. | No; defaults to false. |
| tooltip | The text to display when the cursor lingers over the component. | No |
| icon | The icon of the label. This can have one of four values ("question", "information", "warning" or "error"). | No |
<fileselection>
elementDisplays a file (or directory) selection interface.
| Attribute | Description | Required |
| text | The text of the label. | Yes |
| property | The name of the property that will be set to the value of the text field. | Yes |
| mode | The selection mode. This must whether be "file" or "directory". | No; defaults to "directory". |
| allowempty | Allow empty value. Note: If the value is empty, the property won't be set. | No; defaults to false. |
| allownotexist | Allow to enter file / directory path that do not exists. | No; defaults to false. |
| default | A default value to initialize the selection to (only if the property wasn't loaded from the properties file). | No |
| tooltip | The text to display when the cursor lingers over the component. | No |
| icon | The icon of the label. This can have one of four values ("question", "information", "warning" or "error"). | No |


GOD SAID "HA!" (United States) A review by Mark R. Leeper in bullet-list form from the Toronto Internation Film Festival
CAPSULE: This is a one-woman show. Julia Sweeney (who played the androgynous Pat on Saturday Night Live) relives the humor and horror of having her brother and parents move in with her just before her brother was diagnosed with lymph cancer. Not all of the humor works and some of the telling style seems a little artificial. But most seems sincere and is frequently moving. Rating: 6 (0 to 10), 1 (-4 to +4)
- Sweeney got a divorce and a house by herself when her brother was diagnosed to be in the last phase of lymph cancer. He moves in with her and so do her parents. This would have been a trying time in anybody's life. Her humor concerns jokes made about her parents, her brother, her attempts to date, and generally how her life was going. Some moments are very funny, some touching, some not quite on the mark. - Performance in the style of Spaulding Gray's SWIMMING TO CAMBODIA and MONSTER IN A BOX. - The show seems sort of artificial in some ways. After a particularly trying moment the lights change and she turns her back to the audience and gets a glass of water. It is as if the emotion has all been orchestrated. Of course this is really a performance of a stage play that she had enacted hundreds of times before this version was filmed. It has to have a different emotional impact once it has been performed on the stage for years. Still parts do still pack a wallop. - One wonders how much the stories have been embellished. - Balancing her love life and her parents living in while taking care of her brother.  - Sweeney does have a nice self-assured style.
Mark R. Leeper<EMAIL_ADDRESS>Copyright 1998 Mark R. Leeper
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


public WorldModule
@NotNull java.lang.String getMapID()
Get current map ID.
@NotNull org.bukkit.Location getLocation(double x, double y, double z, float yaw, float pitch)
Get Location of this world.
x
- X-coordinatey
- Y-coordinatez
- Z-coordinateyaw
- Yaw anglepitch
- Pitch angleMapNotFound
- is thrown if world is not generated yet.@Nullable CoordTag getCoordTag(@NotNull java.lang.String name)
Get class CoordTag
by searching for name
.
One tag can store as many locations as you want. Tags are captured via '/ctag capture' in editor mode.
class CoordTag
,
name
@NotNull org.bukkit.WorldBorder getWorldBorder()
Get WorldBorder of this world.
MapNotFound
- is thrown if world is not generated yet.@Deprecated void setBorderCenter(@NotNull java.lang.String blockTag, int index)
Set center of WorldBorder for this world.
blockTag
- Name of the block coordinate tag which represents the center of border.index
- Index of capture (This is optional).IllegalArgumentException
- is thrown if blockTag
does not indicate a block coordinate in this world.MapNotFound
- is thrown if world is not generated yet.void setDifficulty(@NotNull org.bukkit.Difficulty difficulty)
Set difficulty for every world. (Defaults to Difficulty.NORMAL)
difficulty
- The new difficultyvoid setStormyWeather(boolean storm, boolean thunder)
Set world weather to storm
or not.
storm
- should it rain?thunder
- should it thunder?MapNotFound
- is thrown if world is not generated yet.storm
long getTime(boolean absolute)
absolute
- If true, absolute time is returned. Relative in otherwise.MapNotFound
- is thrown if world is not generated yet.void addTime(long time)
Add up the amount of time
to this world.
MapNotFound
- is thrown if world is not generated yet.time
void setTime(long time, boolean absolute)
Set time for this world.
See World.setTime for relative time.
See World.setFullTime for absolute time.
time
- New time.absolute
- If true, absolute time is returned. Relative in otherwise.MapNotFound
- is thrown if world is not generated yet.void setGameRule(@NotNull java.lang.String rule, @NotNull java.lang.Object value)
Change Minecraft GameRule.
void fillContainers(@NotNull java.lang.String blockTag, @NotNull org.bukkit.loot.LootTable loot)
Fill a container block with loot table.
blockTag
- designates the container location.loot
- describes the contents of items to fill.MapNotFound
- is thrown if world is not generated yet.void fillBlocks(@NotNull java.lang.String tag, @NotNull org.bukkit.Material material)
Fill blocks at the spot pointed by a tag
.
tag
- Name of a Block or Area tagmaterial
- Type of blocks to fillIllegalArgumentException
- is thrown if tag is irrelevant.tag
void placeSchematics(@NotNull java.lang.String tag, @NotNull java.lang.String path, boolean biomes, boolean entities, boolean ignoreAir)
Place blocks by reading a schematic file where the path
points to.
The blocks will be placed relative to the coordinate of tag
.
tag
- The target(s) of blocks to be placed.If tag has multiple captures, the same amount of clones will be generated.path
- Path to schematic file. Root directory is same as where layout.yml resides.biomes
- Whether or not to copy biomes.entities
- Whether or not to copy entities.ignoreAir
- Whether or not to ignore air blocks.MapNotFound
- is thrown if world is not generated yet.path
,
tag


{% extends "templates.html" %} {% block body %}
PyThaiNLP is a python module similar to nltk , but it's working primarily on Thai language instead of English. It supports both Python 2.7 and Python 3.
GitHub : https://github.com/PyThaiNLP/pythainlp


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I think code reviews are a good thing, but when a friend posted this article it made me realise that they can sometimes suck. And for the wrong reasons. These are some comments that I’ve seen in reviews, they range from the nit-picky to the insane.

Disclosure: I admit it - I’m guilty of one or two of these (not admitting to which tho).
09. You Don’t Need To Initalize That.
“You know shared_ptr default to null anyway so you don’t need to bother initalizing it.” Yes, yes I did know that. However since you’ve typedef’d everything to hide the fact its a shared_ptr I’ll just go and make it super obvious to anybody reading code.
08. Standard Bashing
“I know in some cases we use the ‘qw’ prefix, but in this case it should be ‘ddw’, it clearly states it in <IP_ADDRESS>.34a in the 4th version of the standard doc.” You know what the problem might actually be?
07. Non Standard Bashing
“Its not in the standard doc but it’s what I do.” In other words I should code against your preference because you are doing the review!
06. You Don’t Need To Use .at(i)
“Since you are looping over the size of the container .at(i) isn’t required! It’s also slower!” Oh how shortsighted you are. Yes it isn’t ‘required’ today, but functions you know have this habit of being modified beyond their original purpose. So I’ll just leave that in.
05. Don’t Use Init Lists.
“Don’t use init lists because they are unreadable.” Are we speaking the same language? Do you do a da chacha?
04. Make It A shared_ptr
“Make it a shared_ptr, it will solve the ownership.” NO IT WILL NOT SOLVE THE OWNERSHIP - IT WILL MAKE IT MORE COMPLICATED!
03. You Don’t Need To const Everything.
“A const isn’t a guarantee that the value wont change.” I never knew that was possible in C++ - you can change the value of a const variable! NO - WAY! Or perhaps I const’d it for the readers benefit (of which I am now regretting).
02. You Shouldn’t memcpy Becuase Of Vector Of Bools.
“What if the vector changes to a vector of bools, its a specialization you know, then your memcpy is dangerous.” I’m now stressing that I hadn’t considered that my 3D floating point positional data could be represented with bools (yes yes binary blah blah).
01. Don’t Use C++11 Because We Don’t Know It.
“You shouldn’t use C++11 because not everybody knows it.” Yep you’re in the right industry!
00. assert() Is Too Brutal
“assert() is detrimental to the user if it gets triggered you know.” o_O you went to uni right? With a real building and teachers and exams and stuff?
Final
I look at these in jest, and some of them are valid to a point given the right context. However far too often I’ve seen 40 comments on the correct prefix useage and zero on the overall structure and safety of the program. Reviews serve a point, which is not pointing out the blatantly obvious, or getting out your big nerd hammer, and if you didn’t know assert was a debug tool there are more serious issues.


If you want to use these icons just as simple PNG or SVG file, click the icon in the list and download the PNG/SVG image file (This function is available for Chrome / Firefox / Edge only).
Following steps are for 'iron-icon' tag usage.
2. Install 'webmusic-icons.html' and depended files.
webmusic-icons is a Polymer's custom icons with iron-iconset-svg.
Though it need some preparation to use, icons can be used with simple <iron-icon> tag.
If you use bower, use the command below. It automatically solve the dependency and place files to 'bower_components' folder :
> bower install --save webmusic-icons
Otherwise,
download 'webmusic-icons.html' from this link : webmusic-icons.html
Add script & link tags for polymer, iron-icon, iron-iconset-svg and webmusic-icons to your HTML.
In this description, all of the components assumes be placed under 'bower_components' folder by bower command.
To the extent possible under law,
g200kg
has waived all copyright and related or neighboring rights to
webmusic-icons.
This work is published from:
Japan.


public class SuspendingCommandElement
| Constructor and Description |
|---|
SuspendingCommandElement(NonExistentClass pluginContainer,
NonExistentClass text) |
| Modifier and Type | Method and Description |
|---|---|
java.lang.Object |
complete(NonExistentClass src,
NonExistentClass args,
NonExistentClass context,
java.lang.Object p)
Fetch completions for command arguments.
|
NonExistentClass |
getKey()
Return the key to be used for this object.
|
java.lang.String |
getUntranslatedKey()
Return the plain key, to be used when looking up this command element in
a CommandContext. If the key is a TranslatableText, this
is the translation's id. Otherwise, this is the result of
Text.toPlain.
|
NonExistentClass |
getUsage(NonExistentClass src)
Return a usage message for this specific argument.
|
void |
parse(NonExistentClass source,
NonExistentClass args,
NonExistentClass context)
Attempt to extract a value for this element from the given arguments and
put it in the given context. This method normally delegates to
.parseValue for getting the values.
This method is expected to have no side-effects for the source, meaning
that executing it will not change the state of the CommandSource
in any way.
|
java.lang.Object |
parseValue(NonExistentClass source,
NonExistentClass args,
java.lang.Object p)
Attempt to extract a value for this element from the given arguments.
This method is expected to have no side-effects for the source, meaning
that executing it will not change the state of the CommandSource
in any way.
|
NonExistentClass |
toCommandElement()
Converts this
class SuspendingCommandElement to a Sponge-Api compatible CommandElement. |
public SuspendingCommandElement(NonExistentClass pluginContainer, NonExistentClass text)
public NonExistentClass toCommandElement()
Converts this class SuspendingCommandElement
to a Sponge-Api compatible CommandElement.
class SuspendingCommandElement
,
CommandElementpublic NonExistentClass getKey()
Return the key to be used for this object.
public java.lang.String getUntranslatedKey()
Return the plain key, to be used when looking up this command element in a CommandContext. If the key is a TranslatableText, this is the translation's id. Otherwise, this is the result of Text.toPlain.
public void parse(NonExistentClass source, NonExistentClass args, NonExistentClass context)
Attempt to extract a value for this element from the given arguments and put it in the given context. This method normally delegates to .parseValue for getting the values. This method is expected to have no side-effects for the source, meaning that executing it will not change the state of the CommandSource in any way.
source
- The source to parse forargs
- The args to extract fromcontext
- The context to supply topublic java.lang.Object parseValue(NonExistentClass source, NonExistentClass args, java.lang.Object p)
Attempt to extract a value for this element from the given arguments. This method is expected to have no side-effects for the source, meaning that executing it will not change the state of the CommandSource in any way.
source
- The source to parse forargs
- the argumentspublic java.lang.Object complete(NonExistentClass src, NonExistentClass args, NonExistentClass context, java.lang.Object p)
Fetch completions for command arguments.
src
- The source requesting tab completionsargs
- The arguments currently providedcontext
- The context to store state inpublic NonExistentClass getUsage(NonExistentClass src)
Return a usage message for this specific argument.
src
- The source requesting usage


Dr.
MacPhil
Murder, Deceit, and Betrayal:
The True Story of Lady Macbeth
VIDEO
Watch the full episode here
STORY
Read Lady Macbeth's thrilling tale
VIDEO
Murder, Deceit, and Betrayal:
The True Story of Lady Macbeth
STORY
Murder, Deceit, and Betrayal:
The True Story of Lady Macbeth


Internal flow¶
Introduction¶
The module internalflow
contains functions related to fluid flow inside circular
pipes/tubes and annular spaces. It contains methods to compute:
Nusselt number
Entry length, friction factor, and pressure drop and other quantities
How to use
It is recommended that the module be imported
as from pychemengg import internalflow as intflow
The following examples demonstrate how the module internalflow` can be used to solve heat transfer problems.
Examples¶
Example 1: Internal flow circular tube, entry lengths
¶
Example 1.
Engine oil is to be cooled from 100 to 80 C by passing through
a tube maintained at a uniform surface temperature of 40 C. Oil flows
at a velocity of 0.03 ms/. Tube inner diameter is 2 cm. What is the
desired tube length. Ans: 2.67 m
# EXAMPLE 1 from pychemengg.heattransfer import internalflow as intflow import math # Identify properties at mean buld fluid temp = (100+80)/2. # All units are in SI system density = 846 specificheat = 2176 kinematicviscosity=2.81e-5 thermalconductivity = 0.138 viscosity = kinematicviscosity * density velocity = 0.03 diameter = 2e-2 # Model the tube as CircularTube from module internalflow tube=intflow.CircularTube() # Note, do not use () after CircularTube # To use correlations in internalflow, Reynolds number and Prandtl number is needed # This is provided in module 'commonmethods' from pychemengg.heattransfer import commonmethods as hcm Re = hcm.calc_Re(characteristic_length=2e-2, velocity=velocity, density=density, viscosity=viscosity) Pr = hcm.calc_Pr(viscosity=kinematicviscosity*density, specificheat=specificheat, thermalconductivity=thermalconductivity) # Print Re to see whether flow is laminar or turbulent print(f"Reynolds number = {Re: 0.0f}") # Re = 21, which is < 2300 and flow is laminar # NOTE: # The user needs to examine intermediate results and accordingly # select the path forward. # Now check if flow is developed or not. # Use correlation for laminar flow. thermalentrylength = tube.thermal_entrylength_laminar(Re=Re, Pr=Pr, diameter=diameter) print(f"Thermal entry length = {thermalentrylength}") hydrolength = tube.hydrodynamic_entrylength_laminar(Re=Re, diameter=diameter) print(f"Hydrodynamic entry length = {hydrolength}") # hydrolength = 0.021 m, which means flow should be developed hydrodynamically. # thermalentrylength = 8 m, and since tube length is not known, # it is not feasible to conclude that the flow is thermally developed. # Therefore, thermally developing flow relation should be used to find Nu. # The following method can be used. # Nu_thermallydeveloping_laminar_edwards(Pr=None, length=None, diameter=None). # This requires 'length' as input, and this is precisely what has to be # computed. This indicates a function should be created that takes 'length' # as input and returns some 'equation' that can be solved for 'length' # Create function # Note that other variables needed such as Pr, diameter are not part of # function definition below. Based on Python variable 'scope' the function # is able to reach out to access these other variable. def func(length_guess): Nu = tube.Nu_thermallydeveloping_laminar_edwards(Re=Re, Pr=Pr, length=length_guess, diameter=diameter) # What equation can be formulated to return via this function # so that 'length' can be computed. # Enery balance can be used # change in internal energy = Energy gained via convection # m Cp deltaT_internalenergy = h A delta T_conv # These deltaTs are not the same # deltaT_internalenergy = In - out # deltaT_conv = LMTD # Internal energy change function is in module commonmethods # hcm.calc_internalenergychange(mass=mass, specificheat=specificheat, deltaT=deltaT) areacrosssection = math.pi/4 * diameter**2 massflowrate = density * velocity * areacrosssection rate_deltainternalenergy = hcm.calc_internalenergychange(mass=massflowrate, specificheat=specificheat, deltaT=100-80) h = Nu*thermalconductivity/diameter deltaT1 = 100-40 deltaT2 = 80-40 deltaT_conv = hcm.calc_LMTD(deltaT1=deltaT1, deltaT2=deltaT2) heatrate_conv = h * (math.pi * diameter * length_guess) * (deltaT_conv) equation = rate_deltainternalenergy - heatrate_conv return equation from scipy.optimize import fsolve guess_length = 1 solution = fsolve(func, guess_length) print(f"Length of tube needed = {solution[0]: 0.2f} m") # Notice that L = 2.67 < 8, thus the original assumption # of using equation of Nu for thermally developing flow was correct # PRINTED OUTPUT Length of tube needed = 2.67 m


DR.WAHID MALLAM CITI TRUST BANK PLC FAX: 234-1-7592758 E-MAIL<EMAIL_ADDRESS>ATTN: THE PRESIDENT/CEO I AM THE DIRECTOR IN CHARGE OF FOREIGN OPERATIONS AND FOREIGN REMITTANCE DEPARTMENT OF THE CITI TRUST BANK OF NIGERIA PLC. I AM WRITING FOLLOWING THE IMPRESSIVE INFORMATION ABOUT YOU THROUGH ONE OF MY FRIENDS WHO RUNS A CONSULTANCY FIRM.  IN MY DEPARTMENT, WE DISCOVERED AN ABANDONED SUM OF US$20.5M (TWENTY MILLION FIVE HUNDRED THOUSAND UNITED STATES DOLLARS ONLY) IN AN ACCOUNT THAT BELONGS TO ONE OF OUR FOREIGN CUSTOMERS WHO DIED ALONG WITH HIS ENTIRE FAMILY IN NOVEMBER 2001 IN A PLANE CRASH SINCE WE GOT INFORMATION ABOUT HIS DEATH, WE HAVE BEEN EXPECTING HIS NEXT OF KIN TO COME OVER AND CLAIM HIS MONEY BECAUSE WE CANNOT RELEASE IT UNLESS SOMEBODY APPLIES FOR IT AS NEXT OF KIN OR RELATION TO THE DECEASED AS INDICATED IN OUR BANKING GUIDELINES.   THE BANKING LAW AND GUIDELINES HERE STIPULATED THAT IF SUCH MONEY REMAINED UNCLAIMED AFTER FOUR YEARS, THE MONEY WILL BE TRANSFERRED INTO FEDERAL GOVERNMENT ACCOUNT AS UNCLAIMED FUND.  WE AGREE THAT 30% OF THIS MONEY WILL BE FOR YOU AS FOREIGN PARTNER AND 10% FOR EXPENSES INCURRED DURING THE COURSE OF REMITTANCE. THEREAFTER TO THE PERCENTAGES INDICATED. THEREFORE TO ENABLE THE IMMEDIATE TRANSFER OF THE FUND TO YOU AS ARRANGED. YOU MUST APPLY FIRST TO THE BANK AS A RELATION OR NEXT OF KIN OF THE DECEASED INDICATING YOUR BANK ACCOUNT NUMBER AND LOCATION WHERE THE MONEY WILL BE REMITTED.   YOURS FAITHFULLY, DR.WAHID MALLAM HEAD: FOREIGN OPERATIONS.


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Why javascript?
What "was" js all about?
- To make the web more 'feely'.
- HTML + CSS + *JS* = Total Interactivity
- Mainly used for validation stuff
What js can do today?
- Create games
- Make animations
- Make awesome UI effects
- Awesome webapps
- Make this presentation :D
And the "big" things?
Enough noise now...
So let's get our hands dirty on some JS
Difference between Javascript and other languages?
javascript syntax
Variables
Loosely typed language
- var x = 5;
- var y = 3;
- var z;
- z = x+ y;
- var lang = "javascript"
Javascript Syntax
Arrays
- var clubs = new Array();
- clubs[0] = "GDG";
- clubs[1] = "EHD";
- clubs[2] = "MSTC";
Javascript Syntax
Javascript Object Notation(JSON)
var tweet = {id: 1,
tweet-content: "This is a tweet",
tweeted-by: "Persona"};
Accessed by: tweet.id, tweet.tweet-content, etc.
javascript syntax
Functions
function foo() {
//Body goes here
}
OR
var foo = function() {
//Body goes here
}
javascript syntax
Functions
Functions are treated as objects, can be passed as parameters to other functions. Useful in callbacks
javascript syntax
Conditions
(Same as C)
if(condition) {
//If body here
} else {
//Else body here
}
- Same for else if and switch
javascript SYNTAX
Loops
for(statement1 ; statement2 ; statement3) {
//Loop body goes here
}
while(condition) {
//While body goes here
}
Using libraries for saving time
canvas
Let's draw something using the canvas
the power of <div>
Let's look at a simple Game using just divs
The changing role of javascript
Boot to gecko / gaia
aka firefox os
thank you
(All source code for the examples and this presentation is available at


About Me
Let me tell you few things about me...
BIO
My name is Chukwu ( Chijioke ) Peter, a tech enthusiast and Software Engineer. I have explored years of experience working in software solution companies, I have been able to integrate and building full-stack solutions for clients; I am a life long learner, researcher and I am currently a postgraduate student of the Federal University of Technology Owerri (FUTO), Imo state Nigeria. I have worked with several programming and scripting languages; which are, but not limited to: kotlin, PHP , Java, C++, Google Go, JavaScript, Python. I am proficient in the use of Mobile Technologies (React-Native, Jetpack Compose, Flutter), Backend Technologies(Laravel, Gin, Django, ExpressJs) and also Front end web Technologies(React, JQuery,Bootstrap) etc. I have also used some cloude services such as Google firebase ,Heroku, AWS; I have also integrated many third party APIs such as Google map, Google Vision, Square payment, Flutterwave, Paystack (Payment API) and others took numerous to mention. I'm a life long learner and researching in the area of software engineering and mobile computing. My goal is to be a better version of my self every day and also make positive contribution that brings growth wherever I find myself.
123 webshop
Lorem ipsum dolor, sit amet consectetur adipisicing elit. Magnam tempore accusantium, odit delectus numquam fuga incidunt harum! Earum, delectus eos.
Designers ABC
Full Stack Developer
Lorem ipsum dolor, sit amet consectetur adipisicing elit. Magnam tempore accusantium, odit delectus numquam fuga incidunt harum! Earum, delectus eos.
Web Works
Graphics Designer
Lorem ipsum dolor, sit amet consectetur adipisicing elit. Magnam tempore accusantium, odit delectus numquam fuga incidunt harum! Earum, delectus eos.


--- layout: default title: "COSC 460: Advanced Data Science and Visualization" shorttitle: "COSC 460" --- Syllabus Schedule Slack Group


{include file="public/include"}
{include file="jdyzm/head"} {if condition="!$obj.childids eq '' "} {include file="jdyzm/t-show"} {else } {include file="jdyzm/t-shaixuan"} {/if} {include file="public/foot"}


Wave 4
A work-in-progress library of responsive music simulations for children with hearing impairments or on the autism/ADHD spectrum.
This is an ocean simulation, that simply maps amplitude to a smaller wave height. The appearance of turbulent motion is consistent with lightening, such as in a storm. It is nonetheless more calming than the ripple.


Eric Bollens
/<EMAIL_ADDRESS>/ ebollens [GitHub]
/ @ericbollens [Twitter]
Lloyd Nicks
/<EMAIL_ADDRESS>/ lnicks [GitHub]
/ @lloydnicks [Twitter]
a discipline concerned with the design, evaluation and implementation of interactive computing systems for human use and with the study of major phenomena surrounding them
We will focus on...
How people interact with our sites,
and how computers interact with our sites
In particular...
The technologies that enable these interactions,
not the complementary UX or IA practices
Provide universal access to information, allowing equal access & opportunity.
Equality extends beyond access to content, experience and usage should provide the same levels of access
Alt text should convey information that is equivalent to the meaning or purpose of the image
Bad Alt Text Example

Good Alt Text Example

Bad Label Example
Name:
<input id="name" type="text">
Good Label Example
Name:
<input id="name" type="text">
Interactivity must support alternative controls
Scripted clicks should also support keyboard activation
Be mindful of focus location when using javascript
Bad Header Usage
Good Header usage
WCAG 2.0, 1.2.2 Captions (Prerecorded) - Level A
Captions are provided for all prerecorded audio content in synchronized media, except when the media is a media alternative for text and is clearly labeled as such
Youtube provides a free automatic transcription service
Structure is critical, but it doesn't fix everything (javascript)
Accessibility elements provide information but can be used wrong (poor alt text)
We often rely on the assumption that proper structure will provide clear context (header overuse)
Assistive Technology is implemented each having different ways of presenting information
Gray areas often take on the form of custom, heuristic solutions, making consistent translation of semantics more difficult
Requires developers to have to jump through hoops to manage multiple technologies, not unlike browser wars
Standards lag behind, development of AT bottlenecked
Hard to machine test, many false positives
Poor implementation can make situations worse
Privacy
Several accessible features have been around since the beginning of HTML
HTML was not concieved with the nature of today's web in mind
HTML5 has evolved to have many more features that add to accessibility...
Two types of markup in HTML
title
, form
, strong
, em
center
, font
, b
, i
, u
, strike
, marquee
, blink
Web content can be viewed in numerous ways...
Traditional browsers
Printed page
Minimal browsers
Assistive technology
Style sheets meant to define presentation for a media type
Separation of content and presentation

I have a dream for the Web [in which computers] become capable of analyzing all the data on the Web - the content, links, and transactions between people and computers - a "Semantic Web"
~ Tim Berners-Lee (1999)
Page landmarks
Sectioning types
Widget components
Computer Comprehension
Assistive Technologies
Site masthead/banner ( commonly #header
),
and also the head for any section of the page

Usually contains an h1-h6 or hgroup tag
but may be used to wrap a table of contents, logo, search, etc.
Site footer ( commonly #footer
),
and also the footer for any section of the page

Similar content model to header
Usually info like author, related documents and copyright data
May include section
s for appendices, indexes, colophons, etc.
Not always at the bottom of a page/section
Until recently...
content that is directly related to or expands upon the central topic of a document or central functionality of an application.
But now...
can be used as a container for the dominant contents of another element

a component of a page that consists of a self-contained composition...that is intended to be independently distributable

Web Human Computer Interoperability

by Eric Bollens and Lloyd Nicks

Copyright © 2014 UC Regents.

Often includes header
and footer
Should make sense independent of the page context
a generic document or application section... not a generic container element... appropriate only if the element’s contents would be listed explicitly in the document’s outline.
Usually shouldn't be used if no natural heading
Don't use it when you need solely for styles or scripts
Most generic of the sectioning elements
article if the content would make sense on its own
section if the content is related
div otherwise
section of a page that links to other pages or to parts within the page... only sections that consist of major navigation blocks are appropriate
Site navigation
Table of contents
Previous/next buttons or pagination
Search form
Breadcrumbs
Usually contains a list, but sometimes just buttons, forms or links
UAs may omit on initial rendering, and make it easy to skip to
content that is tangentially related to the content around [it]... often represented as sidebars in printed typography
Pull quotes
Sidebars
Glossary
Blogroll
Advertisements
Not for parentheticals, as they're still part of the main flow
Within a sectioned element, tangential to section (like glossary)
unit of content... that is self-contained... typically referenced as a single unit from the main flow... can be moved away from the main flow
Diagrams
Illustrations
Photos
Code examples
Audio and video
If the content is simply related and not essential, use aside
If the content is essential but its position isn’t, use figure

A cheeky macaque, Lower Kintaganban River, Borneo.
Original by Richard Clark

Australian Birds. From left to right, Kookburra, Pelican and
Rainbow Lorikeet. Originals by Richard Clark

The details
element represents a disclosure widget from which the user can obtain additional information or controls.
A widget the user can show and hide
Hidden by default, overridden by the open
attribute
Profiles
FAQ Items
About the Author
Comments
The summary
element represents a summary, caption, or legend for the... element's parent details
element
When no summary
, browser uses some default text

About the author

Eric Bollens, an open source architect at UCLA, ...

Eric Bollens, an open source architect at UCLA, ...

When is article appropriate?

if the content would make sense extracted on its own

Explicit dates
<time datetime="2014-09-19T16:00Z">Today 9:30 AM at UCLA</time>
<time datetime="2014-09-19T09:00-07:00">Today 9:30 AM at UCLA</time>
Fuzzy dates
<time datetime="2014-09-20">Tomorrow</time>
<time datetime="2015">Next year</time>
<time datetime="2015-W1">First week next year</time>
Durations
<time datetime="PT23H 9M 2.343S">23 hours, 9 minutes, 2.345 seconds</time>
Cannot represent dates before 1 BC
Cannot indicate date ranges
The progress
element represents the completion progress of a task.
max
defaulting to 1
value
between 0 and max
<progress id='p' max='70'>0%</progress>
var updateProgress = function(value) {
var p = document.getElementById('p');
p.value = value;
p.getElementsByTagName('span')[0].innerHTML = Math.floor((100/70)*value);
}
Captions are intended for deaf / hard-of-hearing audience
Subtitles are usually to assist in understanding the dialogue
For HTML audio and video, they're implemented the same way
<video id="video" controls preload="metadata">
<source src="s.mp4" type="video/mp4">
<source src="s.webm" type="video/webm">
<track label="English" kind="captions" srclang="en" src="s-en.vtt" default>
<track label="Deutsch" kind="captions" srclang="de" src="s-de.vtt">
<track label="Español" kind="captions" srclang="es" src="s-es.vtt">
</video>
for (var i = 0; i < video.textTracks.length; i++) {
video.textTracks[i].mode = 'hidden';
}
<button type="button" data-state="captions">CC</button>
AddType text/vtt .vtt.
There are over 100 elements in HTML 5
But what about when an element doesn't exist?
How do we extend the vocabulary?
How do we avoid namespace conflicts?

Mobility & Modern Web Conference

University of California, Los Angeles

<time datetime="2014-09-17T08:00-07:00">Sep 17 8:00 AM</time>

<time datetime="2014-09-19T17:00-07:00">Sep 19 5:00 PM</time>

<event>
<title>Mobility & Modern Web Conference</title>
<location>University of California, Los Angeles</location>
<start><time datetime="2014-09-17T08:00-07:00">Sep 17 8:00 AM</time></start>
<end><time datetime="2014-09-19T17:00-07:00">Sep 19 5:00 PM</time></end>
</event>
Except that this wouldn't work...
HTML will never have vocabulary for everything
Namespace conflicts unless new scoping rules are introduced
Scope

Name/value pairs

Mobility & Modern Web Conference

<time datetime="2014-09-17T08:00-07:00" itemprop="startDate">
Sep 17 8:00 AM</time>
<meta itemprop="alternateName" content="MMWCON">

Mobility & Modern Web Conference

University of California, Los Angeles

<time datetime="2014-09-17T08:00-07:00">Sep 17 8:00 AM</time>

<time datetime="2014-09-19T17:00-07:00">Sep 19 5:00 PM</time>

Mobility & Modern Web Conference

University of California, Los Angeles

<time datetime="2014-09-17T08:00-07:00" itemprop="startDate">
Sep 17 8:00 AM</time>

<time datetime="2014-09-19T17:00-07:00" itemprop="endDate">
Sep 19 5:00 PM</time>

<meta itemprop="alternateName" content="MMWCON">

Eric Bollens

Open Source Architect at UCLA OIT

5308 Math-Sciences

Los Angeles, CA 90095-1557

Eric Bollens

Open Source Architect at

UCLA OIT

5308 Math-Sciences

Los Angeles,
CA
90095-1557

Usually, microdata should be visible
but sometimes we want to encode additional data
Consider longitude/latitude for relating a map

Empire State Building

<meta itemprop="latitude" content="40.75" />
<meta itemprop="longitude" content="73.98" />

Search Engines
Enhanced version of meta author, keyword, etc.
Present structured data in results
Establish relations between data structures
Web Browsers
Javascript DOM API
Present structured data in UI
Additional data for assistive technologies
HTML 5 semantics for a wide range of elements
Microdata extending available semantics
But what if we could merge these two?
Web Components
Create new HTML elements
Define properties and methods
Extend existing elements
<x-foo></x-foo>
var XFooProto = Object.create(HTMLElement.prototype);
Object.defineProperty(XFooProto, "foo", {value: 5});
XFooProto.bar = function() { alert('bar() called'); };
XFooProto.addEventListener('click', function(e) { this.bar(); });
XFooProto.createdCallback = function() {
this.innerHTML = "Some Content"
};
var XFoo = document.registerElement('x-foo', {
prototype: XFooProto
});
<schema-event>

</schema-event>
var SchemaEventProto = Object.create(HTMLElement.prototype);
SchemaEventProto.createdCallback = function() {
this.itemScope = true;
this.itemType = "http://schema.org/Event";
};
var SchemaEvent = document.registerElement('schema-event', {
prototype: SchemaEventProto
});
<schema-event itemscope itemtype="http://schema.org/Event">

</schema-event>
<schema-event>

Mobility and Modern Web Conference

</schema-event>
SchemaEventProto.createdCallback = function() {
this.itemScope = true;
this.itemType = "http://schema.org/Event";
var eleName = $(this).children('h1,h2,h3,h4,h5,h6').get()
.reduce(function(prev, cur){
return prev.tagName <= cur.tagName ? prev : cur
});
eleName.itemProp = "name";
};
<schema-event itemscope itemtype="http://schema.org/Event">

Mobility and Modern Web Conference

</schema-event>
Until recently, no...
Search engines used to only look at raw text content
But today, they do!
googlewebmastercentral.blogspot.com/2014/05/understanding-web-pages-better.html

Reading 1

Reading 2

No guidance here...
which nav is the site nav
that the nav and articles relate
And this isn't even a bad one!
Built to map to OS native accessibility APIs
semantics when not otherwise representable such as banner, contentinfo and search
widgets not otherwise available such as sliders, tabs and dialogs
role="navigation"
Landmarks are regions on a page, common elements that have an expected set of behaviors or properties
header content of the document
role="banner"
footer content of the document
role="contentinfo"
main content of a document
role="main"
menus / list of links
role="navigation"
Roles that provide content relevance
container for an image and its related parts such as a caption
role="img"
content ordered in a list, non-interactive
role="list"
content separator, like an image based horizontal rule
role="separator"
Widgets are roles that are more specific to the type of action being taken
time sensitive information, will interrupt user
role="alert"
content within a tab, part of a larger tablist
role="tabpanel", role="tablist"
tick tock, tick tock
role="progressbar"
characteristics such as draggable, required, or an associated pop-up
used with elements such as check boxes or radios, but not exclusively
aria-controls="elementid"
identifies the label related to the current element
aria-labelledby="labelid"
signifies the current element will create a pop up when activated
aria-haspopup="true"
current interactive state such as disabled, hidden or live
used with elements such as check boxes or radios, but not exclusively
aria-selected="true"
indicates contained elements are not visible / usable to any user
aria-hidden="true"
used on elements that can be seen, but not used / changed
aria-disabled="true"

User Login

<form action="/user" method="post" id="user-login">

User Name
<input type="text" id="user-name" aria-labelledby="user-name-label"/>

Password
<input type="password" aria-labelledby="password-label" id="edit-pass">

<input type="submit" value="Log in">
</form>

Reading 1

Reading 2

Directly-implied roles
main → main
nav → navigation
section → region
and many more ...
Context-implied roles
header → banner
footer → contentinfo
aside → complementary
when not in sectioning element or main
Browsers and ATs will catch up (somewhat)
Automatic mapping of your semantics
github.com/ebollens/jQuery.ariaMapper
Custom elements with ARIA
Spin a scroll wheel
Drag a scroll bar
Press a scroll arrow
Slide a finger across the screen
Verbally state "scroll" and a direction
CTRL + Z
CMD + Z
Press down and select action
Shake or swipe
document.addEventListener('keydown', function(e){
if(navigator.userAgent.match(/Macintosh/g) && e.which === 90 && e.metaKey)
doUndo();
else if(e.which === 90 && e.ctrlKey)
doUndo();
});
if(navigator.userAgent.match(/(iPad|iPhone|iPod)/g))
window.addEventListener('shake', function(e){
doUndo();
});
(function (window, document) {
function Shake() {
this.hasDeviceMotion = 'ondevicemotion' in window;
this.threshold = 15;
this.lastTime = new Date();
this.lastX = null;
this.lastY = null;
this.lastZ = null;
if (typeof document.CustomEvent === "function") {
this.event = new document.CustomEvent('shake', {
bubbles: true,
cancelable: true
});
} else if (typeof document.createEvent === "function") {
this.event = document.createEvent('Event');
this.event.initEvent('shake', true, true);
} else {
return false;
}
}
Shake.prototype.reset = function () {
this.lastTime = new Date();
this.lastX = null;
this.lastY = null;
this.lastZ = null;
};
Shake.prototype.start = function () {
this.reset();
if (this.hasDeviceMotion) { window.addEventListener('devicemotion', this, false); }
};
Shake.prototype.stop = function () {
if (this.hasDeviceMotion) { window.removeEventListener('devicemotion', this, false); }
this.reset();
};
Shake.prototype.devicemotion = function (e) {
var current = e.accelerationIncludingGravity,
currentTime,
timeDifference,
deltaX = 0,
deltaY = 0,
deltaZ = 0;
if ((this.lastX === null) && (this.lastY === null) && (this.lastZ === null)) {
this.lastX = current.x;
this.lastY = current.y;
this.lastZ = current.z;
return;
}
deltaX = Math.abs(this.lastX - current.x);
deltaY = Math.abs(this.lastY - current.y);
deltaZ = Math.abs(this.lastZ - current.z);
if (((deltaX > this.threshold) && (deltaY > this.threshold)) || ((deltaX > this.threshold) && (deltaZ > this.threshold)) || ((deltaY > this.threshold) && (deltaZ > this.threshold))) {
//calculate time in milliseconds since last shake registered
currentTime = new Date();
timeDifference = currentTime.getTime() - this.lastTime.getTime();
if (timeDifference > 1000) {
window.dispatchEvent(this.event);
this.lastTime = new Date();
}
}
this.lastX = current.x;
this.lastY = current.y;
this.lastZ = current.z;
};
Shake.prototype.handleEvent = function (e) {
if (typeof (this[e.type]) === 'function') {
return this[e.type](e);
}
};
var myShakeEvent = new Shake();
myShakeEvent && myShakeEvent.start();
}(window, document));
And how about tap highlight undo?
Make it easier for web developers to author consistently usable interfaces that are input-agnostic and independent of a user's particular platform, hardware, locale, and preferences.
Enable every type of control in these interfaces to be programmatically determinable and controllable by both mainstream and alternate forms of user input, including assistive technologies.
Provide a clear path for web developers to smoothly transition from currently existing physical events to IndieUI events, during the period when implementations of IndieUI are incomplete.
element.addEventListener('undorequest', function(){
doUndo();
});
No keypress detection
No UA sniffing or OS consideration
No complex hacks to detect interaction
No undetectable actions
undorequest
redorequest
expandrequest
collapserequest
dismissrequest
deleterequest
moverequest
panrequest
rotationrequest
scrollrequest
zoomrequest
valuechangerequest
Eric Bollens
/<EMAIL_ADDRESS>/ ebollens [GitHub]
/ @ericbollens [Twitter]
Lloyd Nicks
/<EMAIL_ADDRESS>/ lnicks [GitHub]
/ @lloydnicks [Twitter]


--- title: Argam Converter kochtitle: Argam Converter goto: /index.html extracss: argam extincludes: https://cdn.jsdelivr.net/npm/bignumber.js/bignumber.min.js includes: argam/argam, argam/converter ---


Stats for when members of the Live Coders Twitch team are live during a given week.
Repo
Max Streams at once:


We especially love this recipe because it has both the crunch from the regular potatoes, and the silky sweetness from the sweet potatoes. And who doesn't love caramelized onions? Enjoy!
Notes
serves 4-5
preptime: 25 min
cooktime: 25 min
totaltime: 50 min
Ingredients
- 6 yukon potatoes, sliced
- 1 sweet potato
- 1 onion, sliced
- 1 clove garlic, sliced
- 1 unbroken sprig of rosemary
- 2-3 tsp olive oil
- couple pats of butter
- pinch of salt
- pinch of black pepper
Steps
Peel and slice the all of the potatoes into medium-thick slices. Soak them in a large bowl of salted, luke warm water for 20 minutes.
While the potatoes are soaking, slice the onion into medium slices, and slice the clove of garlic into thin slice.
Put a cast iron on high heat, with the olive oil and a couple pats of butter. Put the yukon potatoes and the onions in first, and shake them around around so they are coated.
Then add the sweet potato and continue coating the potatoes on high heat for 5 minutes. Add salt and papper to taste. Put the sprig of rosemary in - leave it just on top, unbroken.
Put pan in the oven at 375 degrees for 20 minutes. When done, take pan out, and enjoy!


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The OneLab team


--- layout: post title: This is the end of capitalism date: '2009-08-24T08:05:00.000Z' author: tknv tags: - earth modified_time: '2009-08-24T08:07:49.091Z' blogger_id: tag:blogger.com,1999:blog-11459759.post-1960629217657171291 blogger_orig_url: http://phichyudebow.blogspot.com/2009/08/this-is-end-of-capitalism.html ---
Now many country is going down. Alas I think soon more bad after 2,3 years. This is the end of capitalism. And the time to know ourself what is enough. All adults should know enough and share them. Someone said who wants make it free. Yes I agree it. But someone can not get it by their salary. Because they did not get fair salary to buy it. Someone took too much before reach them. This is reason what happen now in globe.