| Top |
You may wish to begin by reading the text widget conceptual overview which gives an overview of all the objects and data types related to the text widget and how they work together.
Tags should be in the GtkTextTagTable for a given GtkTextBuffer before using them with that buffer.
gtk_text_buffer_create_tag() is the best way to create tags. See “gtk3-demo” for numerous examples.
For each property of GtkTextTag, there is a “set” property, e.g. “font-set” corresponds to “font”. These “set” properties reflect whether a property has been set or not. They are maintained by GTK+ and you should not set them independently.
GtkTextTag *
gtk_text_tag_new (const gchar *name
);
Creates a GtkTextTag. Configure the tag using object arguments,
i.e. using g_object_set()
.
gint
gtk_text_tag_get_priority (GtkTextTag *tag
);
Get the tag priority.
void gtk_text_tag_set_priority (GtkTextTag *tag
,gint priority
);
Sets the priority of a GtkTextTag. Valid priorities
start at 0 and go to one less than gtk_text_tag_table_get_size()
.
Each tag in a table has a unique priority; setting the priority
of one tag shifts the priorities of all the other tags in the
table to maintain a unique priority for each tag. Higher priority
tags “win” if two tags both set the same text attribute. When adding
a tag to a tag table, it will be assigned the highest priority in
the table by default; so normally the precedence of a set of tags
is the order in which they were added to the table, or created with
gtk_text_buffer_create_tag()
, which adds the tag to the buffer’s table
automatically.
gboolean gtk_text_tag_event (GtkTextTag *tag
,GObject *event_object
,GdkEvent *event
,const GtkTextIter *iter
);
Emits the “event” signal on the GtkTextTag.
void gtk_text_tag_changed (GtkTextTag *tag
,gboolean size_changed
);
Emits the “tag-changed” signal on the GtkTextTagTable where the tag is included.
The signal is already emitted when setting a GtkTextTag property. This function is useful for a GtkTextTag subclass.
Since: 3.20
GtkTextAttributes *
gtk_text_attributes_new (void
);
Creates a GtkTextAttributes, which describes a set of properties on some text.
GtkTextAttributes *
gtk_text_attributes_copy (GtkTextAttributes *src
);
Copies src
and returns a new GtkTextAttributes.
void gtk_text_attributes_copy_values (GtkTextAttributes *src
,GtkTextAttributes *dest
);
Copies the values from src
to dest
so that dest
has
the same values as src
. Frees existing values in dest
.
void
gtk_text_attributes_unref (GtkTextAttributes *values
);
Decrements the reference count on values
, freeing the structure
if the reference count reaches 0.
GtkTextAttributes *
gtk_text_attributes_ref (GtkTextAttributes *values
);
Increments the reference count on values
.
struct GtkTextAttributes { GtkTextAppearance appearance; GtkJustification justification; GtkTextDirection direction; PangoFontDescription *font; gdouble font_scale; gint left_margin; gint right_margin; gint indent; gint pixels_above_lines; gint pixels_below_lines; gint pixels_inside_wrap; PangoTabArray *tabs; GtkWrapMode wrap_mode; PangoLanguage *language; guint invisible : 1; guint bg_full_height : 1; guint editable : 1; guint no_fallback: 1; gint letter_spacing; #ifdef __GI_SCANNER__ /* The scanner should only see the transparent union, so that its * content does not vary across architectures. */ union { gchar *font_features; };
Using GtkTextAttributes directly should rarely be necessary.
It’s primarily useful with gtk_text_iter_get_attributes()
.
As with most GTK+ structs, the fields in this struct should only
be read, never modified directly.
GtkTextAppearance |
GtkTextAppearance for text. |
|
GtkJustification |
GtkJustification for text. |
|
GtkTextDirection |
GtkTextDirection for text. |
|
PangoFontDescription * |
PangoFontDescription for text. |
|
gdouble |
Font scale factor. |
|
gint |
Width of the left margin in pixels. |
|
gint |
Width of the right margin in pixels. |
|
gint |
Amount to indent the paragraph, in pixels. |
|
gint |
Pixels of blank space above paragraphs. |
|
gint |
Pixels of blank space below paragraphs. |
|
gint |
Pixels of blank space between wrapped lines in a paragraph. |
|
PangoTabArray * |
Custom PangoTabArray for this text. |
|
GtkWrapMode |
GtkWrapMode for text. |
|
PangoLanguage * |
PangoLanguage for text. |
|
guint |
Hide the text. |
|
guint |
Background is fit to full line height rather than baseline +/- ascent/descent (font height). |
|
guint |
Can edit this text. |
|
guint |
Whether to disable font fallback. |
|
gint |
Extra space to insert between graphemes, in Pango units |
|
gchar * |
struct GtkTextAppearance { GdkColor bg_color; /* pixel is taken for underline color */ GdkColor fg_color; /* pixel is taken for strikethrough color */ /* super/subscript rise, can be negative */ gint rise; guint underline : 4; /* PangoUnderline */ guint strikethrough : 1; /* Whether to use background-related values; this is irrelevant for * the values struct when in a tag, but is used for the composite * values struct; it's true if any of the tags being composited * had background stuff set. */ guint draw_bg : 1; /* These are only used when we are actually laying out and rendering * a paragraph; not when a GtkTextAppearance is part of a * GtkTextAttributes. */ guint inside_selection : 1; guint is_text : 1; /* For the sad story of this bit of code, see * https://bugzilla.gnome.org/show_bug.cgi?id=711158 */ #ifdef __GI_SCANNER__ /* The scanner should only see the transparent union, so that its * content does not vary across architectures. */ union { GdkRGBA *rgba[2]; };
GdkColor |
Background GdkColor. |
|
GdkColor |
Foreground GdkColor. |
|
gint |
Super/subscript rise, can be negative. |
|
guint |
||
guint |
Strikethrough style |
|
guint |
Whether to use background-related values; this is irrelevant for the values struct when in a tag, but is used for the composite values struct; it’s true if any of the tags being composited had background stuff set. |
|
guint |
This are only used when we are actually laying out and rendering a paragraph; not when a GtkTextAppearance is part of a GtkTextAttributes. |
|
guint |
This are only used when we are actually laying out and rendering a paragraph; not when a GtkTextAppearance is part of a GtkTextAttributes. |
|
GdkRGBA * |
“accumulative-margin”
property“accumulative-margin” gboolean
Whether the margins accumulate or override each other.
When set to TRUE
the margins of this tag are added to the margins
of any other non-accumulative margins present. When set to FALSE
the margins override one another (the default).
Flags: Read / Write
Default value: FALSE
Since: 2.12
“background”
property“background” gchar *
Background color as a string.
Flags: Write
Default value: NULL
“background-full-height”
property“background-full-height” gboolean
Whether the background color fills the entire line height or only the height of the tagged characters.
Flags: Read / Write
Default value: FALSE
“background-full-height-set”
property“background-full-height-set” gboolean
Whether this tag affects background height.
Flags: Read / Write
Default value: FALSE
“background-gdk”
property“background-gdk” GdkColor *
Background color as a GdkColor.
GtkTextTag:background-gdk
has been deprecated since version 3.4 and should not be used in newly-written code.
Use “background-rgba” instead.
Flags: Read / Write
“background-rgba”
property“background-rgba” GdkRGBA *
Background color as a GdkRGBA.
Flags: Read / Write
Since: 3.2
“background-set”
property“background-set” gboolean
Whether this tag affects the background color.
Flags: Read / Write
Default value: FALSE
“direction”
property“direction” GtkTextDirection
Text direction, e.g. right-to-left or left-to-right.
Flags: Read / Write
Default value: GTK_TEXT_DIR_NONE
“editable”
property“editable” gboolean
Whether the text can be modified by the user.
Flags: Read / Write
Default value: TRUE
“editable-set”
property“editable-set” gboolean
Whether this tag affects text editability.
Flags: Read / Write
Default value: FALSE
“fallback”
property“fallback” gboolean
Whether font fallback is enabled.
When set to TRUE
, other fonts will be substituted
where the current font is missing glyphs.
Flags: Read / Write
Default value: TRUE
Since: 3.16
“fallback-set”
property“fallback-set” gboolean
Whether this tag affects font fallback.
Flags: Read / Write
Default value: FALSE
“family”
property“family” gchar *
Name of the font family, e.g. Sans, Helvetica, Times, Monospace.
Flags: Read / Write
Default value: NULL
“family-set”
property“family-set” gboolean
Whether this tag affects the font family.
Flags: Read / Write
Default value: FALSE
“font”
property“font” gchar *
Font description as string, e.g. \"Sans Italic 12\".
Note that the initial value of this property depends on the internals of PangoFontDescription.
Flags: Read / Write
Default value: NULL
“font-desc”
property“font-desc” PangoFontDescription *
Font description as a PangoFontDescription struct.
Flags: Read / Write
“font-features”
property“font-features” gchar *
OpenType font features, as a string.
Flags: Read / Write
Default value: NULL
Since: 3.18
“font-features-set”
property“font-features-set” gboolean
Whether this tag affects font features.
Flags: Read / Write
Default value: FALSE
“foreground”
property“foreground” gchar *
Foreground color as a string.
Flags: Write
Default value: NULL
“foreground-gdk”
property“foreground-gdk” GdkColor *
Foreground color as a GdkColor.
GtkTextTag:foreground-gdk
has been deprecated since version 3.4 and should not be used in newly-written code.
Use “foreground-rgba” instead.
Flags: Read / Write
“foreground-rgba”
property“foreground-rgba” GdkRGBA *
Foreground color as a GdkRGBA.
Flags: Read / Write
Since: 3.2
“foreground-set”
property“foreground-set” gboolean
Whether this tag affects the foreground color.
Flags: Read / Write
Default value: FALSE
“indent”
property“indent” gint
Amount to indent the paragraph, in pixels.
Flags: Read / Write
Default value: 0
“indent-set”
property“indent-set” gboolean
Whether this tag affects indentation.
Flags: Read / Write
Default value: FALSE
“invisible”
property“invisible” gboolean
Whether this text is hidden.
Note that there may still be problems with the support for invisible text, in particular when navigating programmatically inside a buffer containing invisible segments.
Flags: Read / Write
Default value: FALSE
Since: 2.8
“invisible-set”
property“invisible-set” gboolean
Whether this tag affects text visibility.
Flags: Read / Write
Default value: FALSE
“justification”
property“justification” GtkJustification
Left, right, or center justification.
Flags: Read / Write
Default value: GTK_JUSTIFY_LEFT
“justification-set”
property“justification-set” gboolean
Whether this tag affects paragraph justification.
Flags: Read / Write
Default value: FALSE
“language”
property“language” gchar *
The language this text is in, as an ISO code. Pango can use this as a hint when rendering the text. If not set, an appropriate default will be used.
Note that the initial value of this property depends on the current
locale, see also gtk_get_default_language()
.
Flags: Read / Write
Default value: NULL
“language-set”
property“language-set” gboolean
Whether this tag affects the language the text is rendered as.
Flags: Read / Write
Default value: FALSE
“left-margin”
property“left-margin” gint
Width of the left margin in pixels.
Flags: Read / Write
Allowed values: >= 0
Default value: 0
“left-margin-set”
property“left-margin-set” gboolean
Whether this tag affects the left margin.
Flags: Read / Write
Default value: FALSE
“letter-spacing”
property“letter-spacing” gint
Extra spacing between graphemes, in Pango units.
Flags: Read / Write
Allowed values: >= 0
Default value: 0
Since: 3.16
“letter-spacing-set”
property“letter-spacing-set” gboolean
Whether this tag affects letter spacing.
Flags: Read / Write
Default value: FALSE
“name”
property“name” gchar *
Name used to refer to the text tag. NULL for anonymous tags.
Flags: Read / Write / Construct Only
Default value: NULL
“paragraph-background”
property“paragraph-background” gchar *
The paragraph background color as a string.
Flags: Write
Default value: NULL
Since: 2.8
“paragraph-background-gdk”
property“paragraph-background-gdk” GdkColor *
The paragraph background color as a GdkColor.
GtkTextTag:paragraph-background-gdk
has been deprecated since version 3.4 and should not be used in newly-written code.
Use “paragraph-background-rgba” instead.
Flags: Read / Write
Since: 2.8
“paragraph-background-rgba”
property“paragraph-background-rgba” GdkRGBA *
The paragraph background color as a GdkRGBA.
Flags: Read / Write
Since: 3.2
“paragraph-background-set”
property“paragraph-background-set” gboolean
Whether this tag affects the paragraph background color.
Flags: Read / Write
Default value: FALSE
“pixels-above-lines”
property“pixels-above-lines” gint
Pixels of blank space above paragraphs.
Flags: Read / Write
Allowed values: >= 0
Default value: 0
“pixels-above-lines-set”
property“pixels-above-lines-set” gboolean
Whether this tag affects the number of pixels above lines.
Flags: Read / Write
Default value: FALSE
“pixels-below-lines”
property“pixels-below-lines” gint
Pixels of blank space below paragraphs.
Flags: Read / Write
Allowed values: >= 0
Default value: 0
“pixels-below-lines-set”
property“pixels-below-lines-set” gboolean
Whether this tag affects the number of pixels above lines.
Flags: Read / Write
Default value: FALSE
“pixels-inside-wrap”
property“pixels-inside-wrap” gint
Pixels of blank space between wrapped lines in a paragraph.
Flags: Read / Write
Allowed values: >= 0
Default value: 0
“pixels-inside-wrap-set”
property“pixels-inside-wrap-set” gboolean
Whether this tag affects the number of pixels between wrapped lines.
Flags: Read / Write
Default value: FALSE
“right-margin”
property“right-margin” gint
Width of the right margin in pixels.
Flags: Read / Write
Allowed values: >= 0
Default value: 0
“right-margin-set”
property“right-margin-set” gboolean
Whether this tag affects the right margin.
Flags: Read / Write
Default value: FALSE
“rise”
property“rise” gint
Offset of text above the baseline (below the baseline if rise is negative) in Pango units.
Flags: Read / Write
Default value: 0
“rise-set”
property“rise-set” gboolean
Whether this tag affects the rise.
Flags: Read / Write
Default value: FALSE
“scale”
property“scale” gdouble
Font size as a scale factor relative to the default font size. This properly adapts to theme changes etc. so is recommended. Pango predefines some scales such as PANGO_SCALE_X_LARGE.
Flags: Read / Write
Allowed values: >= 0
Default value: 1
“scale-set”
property“scale-set” gboolean
Whether this tag scales the font size by a factor.
Flags: Read / Write
Default value: FALSE
“size”
property“size” gint
Font size in Pango units.
Flags: Read / Write
Allowed values: >= 0
Default value: 0
“size-points”
property“size-points” gdouble
Font size in points.
Flags: Read / Write
Allowed values: >= 0
Default value: 0
“size-set”
property“size-set” gboolean
Whether this tag affects the font size.
Flags: Read / Write
Default value: FALSE
“stretch”
property“stretch” PangoStretch
Font stretch as a PangoStretch, e.g. PANGO_STRETCH_CONDENSED.
Flags: Read / Write
Default value: PANGO_STRETCH_NORMAL
“stretch-set”
property“stretch-set” gboolean
Whether this tag affects the font stretch.
Flags: Read / Write
Default value: FALSE
“strikethrough”
property“strikethrough” gboolean
Whether to strike through the text.
Flags: Read / Write
Default value: FALSE
“strikethrough-rgba”
property“strikethrough-rgba” GdkRGBA *
This property modifies the color of strikeouts. If not set, strikeouts will use the forground color.
Flags: Read / Write
Since: 3.16
“strikethrough-rgba-set”
property“strikethrough-rgba-set” gboolean
If the “strikethrough-rgba” property has been set.
Flags: Read / Write
Default value: FALSE
Since: 3.16
“strikethrough-set”
property“strikethrough-set” gboolean
Whether this tag affects strikethrough.
Flags: Read / Write
Default value: FALSE
“style”
property“style” PangoStyle
Font style as a PangoStyle, e.g. PANGO_STYLE_ITALIC.
Flags: Read / Write
Default value: PANGO_STYLE_NORMAL
“style-set”
property“style-set” gboolean
Whether this tag affects the font style.
Flags: Read / Write
Default value: FALSE
“tabs-set”
property“tabs-set” gboolean
Whether this tag affects tabs.
Flags: Read / Write
Default value: FALSE
“underline”
property“underline” PangoUnderline
Style of underline for this text.
Flags: Read / Write
Default value: PANGO_UNDERLINE_NONE
“underline-rgba”
property“underline-rgba” GdkRGBA *
This property modifies the color of underlines. If not set, underlines will use the forground color.
If “underline” is set to PANGO_UNDERLINE_ERROR
, an alternate
color may be applied instead of the foreground. Setting this property
will always override those defaults.
Flags: Read / Write
Since: 3.16
“underline-rgba-set”
property“underline-rgba-set” gboolean
If the “underline-rgba” property has been set.
Flags: Read / Write
Default value: FALSE
Since: 3.16
“underline-set”
property“underline-set” gboolean
Whether this tag affects underlining.
Flags: Read / Write
Default value: FALSE
“variant”
property“variant” PangoVariant
Font variant as a PangoVariant, e.g. PANGO_VARIANT_SMALL_CAPS.
Flags: Read / Write
Default value: PANGO_VARIANT_NORMAL
“variant-set”
property“variant-set” gboolean
Whether this tag affects the font variant.
Flags: Read / Write
Default value: FALSE
“weight”
property“weight” gint
Font weight as an integer, see predefined values in PangoWeight; for example, PANGO_WEIGHT_BOLD.
Flags: Read / Write
Allowed values: >= 0
Default value: 400
“weight-set”
property“weight-set” gboolean
Whether this tag affects the font weight.
Flags: Read / Write
Default value: FALSE
“wrap-mode”
property“wrap-mode” GtkWrapMode
Whether to wrap lines never, at word boundaries, or at character boundaries.
Flags: Read / Write
Default value: GTK_WRAP_NONE
“wrap-mode-set”
property“wrap-mode-set” gboolean
Whether this tag affects line wrap mode.
Flags: Read / Write
Default value: FALSE
“event”
signalgboolean user_function (GtkTextTag *tag, GObject *object, GdkEvent *event, GtkTextIter *iter, gpointer user_data)
The ::event signal is emitted when an event occurs on a region of the buffer marked with this tag.
tag |
the GtkTextTag on which the signal is emitted |
|
object |
the object the event was fired from (typically a GtkTextView) |
|
event |
the event which triggered the signal |
|
iter |
a GtkTextIter pointing at the location the event occurred |
|
user_data |
user data set when the signal handler was connected. |
TRUE
to stop other handlers from being invoked for the
event. FALSE
to propagate the event further.
Flags: Run Last


Unfortunately, your browser does not support all of the required features. You can still view a
video.
PARTICLE COUNT
66K
131K
262K
524K
1M
2M
SPEED
TURBULENCE
COLOR


%ReportDate% ➤ %JobName%
Helpdesk | Hotline: +420 511 133 830 | Twitter: @storagecz • Intro | About Us | Portfolio | References | Partners | Specialized Section | Contacts Created: %ReportTime% © 2006 - 2016 3S.cz, s.r.o. All Rights Reserved | Using materials of these webpages including their parts is not allowed without


info registers
or
i r
info registers
Print the names and values of all registers except floating-point and vector registers (in the selected stack frame).
info all-registers
Print the names and values of all registers, including floating-point and vector registers (in the selected stack frame).
info registers reggroup …
Print the name and value of the registers in each of the specified reggroups. The reggoup can be any of those returned by maint print reggroups (see Maintenance Commands).
info registers regname …
Print the relativized value of each specified register regname. As discussed in detail below, register values are normally relative to the selected stack frame. The regname may be any register name valid on the machine you are using, with or without the initial ‘$’.
GDB has four “standard” register names that are available (in expressions) on most machines—whenever they do not conflict with an architecture’s canonical mnemonics for registers. The register names $pc and $sp are used for the program counter register and the stack pointer. $fp is used for a register that contains a pointer to the current stack frame, and $ps is used for a register that contains the processor status. For example, you could print the program counter in hex with
p/x $pc
or print the instruction to be executed next with
x/i $pc
or add four to the stack pointer11 with
set $sp += 4


Registration was requested {{ email }}. Open the link below to confirm e-mail address and continue registration.


Kelleyia:
Am I wasting my time here or what? Do you want to see if you got what it takes, or am I going to have to go speak to some other adventurer who can stop annoying me?
Accept the challenge.
Keep annoying her.


Version: {{version}}
www.jsxc.org
Released under the MIT license
Real-time chat app for {{app_name}} and more.
Requires an external XMPP server.
Credits: David English (Ringtone), CameronMusic (Ping), Picol (Fullscreen icon), Jabber Software Foundation (Jabber lightbulb logo)
Libraries: <$ dep.libraries $>


| DOSE: |
25 mg |
oral |
2C-T-7 |
(powder / crystals) |
| |
250 mg |
oral |
Piperazines - Nefazodone |
(pill / tablet) |
2ct7 25mg in gelcap. Mixed powder in liquid, then chased with empty caps. Mostly empty stomach. We both had a soy milk/protein powder smoothy about an hour before. I also took my evening dose of Serzone (nefazodone HCI) (400mg BID, this one was 250) shortly after taking the 2ct7.
6:30pm = 00:00
00:30 - Very first alarms
02:00 - Body buzz not unsimilar to foxy. Some slight visual crawling, but only very slight. Nothing going on emotionally. Eyes aren't even dialated. Music enjoyable, but not especially enhanced. Nothing is especially enhanced. Very aware of belly. It's almost slightly sedative in it's effects. David is chilled but sweaty. He says it's like foxy with 2c-b-ish visuals. Colors are more vivid, especially yellows.
02:30 -- David is having serious body tremors. It moves around from his center to his extremeties. Massive shaking. Not unpleasant, just intense. He's very warm and shivering cold. I am where I was before. I smoked a bit of pot, and now I'm a little stoned. I do believe that the Serzone is muting this a great deal. I'm just a little little bit tripping. Mostly just mellow. I'm not tremoring at all. David says he's flat-out tripping. I am not.
03:00 -- I can feel the tremor but only very slightly. It does move from my heel to my arms to my center. David wanted some time to sort it out on his own. I do realize, now that I'm trying to operate my computer and be on IRC and all that I am zooming a bit. The Pot (I smoked more) has brought it out a bit, tremor included. It's so so mild tho.
04:00 -- I am no longer tripping at all. I do have some energy tho and am alert and well. David is up and about and is not shivering and tremoring as intensely. He's quite hungry and eating well. It's like in cartoons when the Coyotee got those ACME Earthquake Pills. It's exactly like that for him.
06:00 -- sleepytime
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


| Name | Total Lines | Lines of Code | Total Coverage | Code Coverage |
|---|---|---|---|---|
| /Users/cgb/appscale/AppDB/zkappscale/zookeeper_helper.rb | 74 | 56 | 20.27%
|
10.71%
|
Code reported as executed by Ruby looks like this...and this: this line is also marked as covered.Lines considered as run by rcov, but not reported by Ruby, look like this,and this: these lines were inferred by rcov (using simple heuristics).Finally, here's a line marked as not executed.
1 require 'djinn' |
2 |
3 ZOOKEEPER_PORT="2181" |
4 |
5 def configure_zookeeper(nodes, my_index) |
6 # TODO: create multi node configuration |
7 zoocfg = <<EOF |
8 tickTime=2000 |
9 initLimit=10 |
10 syncLimit=5 |
11 dataDir=/var/appscale/zookeeper |
12 clientPort=2181 |
13 leaderServes=yes |
14 maxClientsCnxns=0 |
15 EOF |
16 myid = "" |
17 |
18 zoosize = nodes.count { |node| node.is_zookeeper? } |
19 |
20 if zoosize > 1 |
21 # from 3.4.0, server settings is valid only in two or more nodes. |
22 zooid = 1 |
23 nodes.each_with_index { |node,index| |
24 if node.is_zookeeper? |
25 zoocfg += <<EOF |
26 server.#{zooid}=#{node.private_ip}:2888:3888 |
27 EOF |
28 if index == my_index |
29 myid = zooid.to_s |
30 end |
31 zooid += 1 |
32 end |
33 } |
34 end |
35 |
36 Djinn.log_debug("zookeeper configuration=#{zoocfg}") |
37 File.open("/etc/zookeeper/conf/zoo.cfg", "w+") { |file| file.write(zoocfg) } |
38 |
39 Djinn.log_debug("zookeeper myid=#{myid}") |
40 File.open("/etc/zookeeper/conf/myid", "w+") { |file| file.write(myid) } |
41 |
42 # set max heap memory |
43 Djinn.log_debug(`sed -i s/^JAVA_OPTS=.*/JAVA_OPTS=\"-Xmx1024m\"/ /etc/zookeeper/conf/environment`) |
44 end |
45 |
46 def start_zookeeper(initialize = true) |
47 Djinn.log_debug("starting ZooKeeper") |
48 if initialize |
49 Djinn.log_debug(`rm -rfv /var/lib/zookeeper`) |
50 Djinn.log_debug(`rm -rfv /var/appscale/zookeeper`) |
51 Djinn.log_debug(`mkdir -pv /var/appscale/zookeeper`) |
52 Djinn.log_debug(`chown -v zookeeper:zookeeper /var/appscale/zookeeper`) |
53 end |
54 # myid is needed for multi node configuration. |
55 Djinn.log_debug(`ln -sfv /etc/zookeeper/conf/myid /var/appscale/zookeeper/`) |
56 Djinn.log_debug(`service zookeeper start`) |
57 end |
58 |
59 def stop_zookeeper |
60 Djinn.log_debug("stopping ZooKeeper") |
61 Djinn.log_debug(`service zookeeper stop`) |
62 end |
63 |
64 # This method returns ZooKeeper connection string like: |
65 # server1:2181,server2:2181 |
66 |
67 def get_zk_connection_string(nodes) |
68 zlist = [] |
69 nodes.each { |node| |
70 zlist.push("#{node.private_ip}:#{ZOOKEEPER_PORT}") if node.is_zookeeper? |
71 } |
72 return zlist.join(",") |
73 end |
74 |
Generated on Tue Dec 11 11:59:27 -0800 2012 with rcov 1.0.0


Login
email:
Password:
Login
Do you like cats or dogs
Dogs:
Cats:
What's your favourite colour?
Red
Orange
Blue


Search existing question sets that suits your course or subject. Test yourself with it if you can pass.
Are you a teacher or student? Upload and share your question sets anytime.
Do you have a need to create a new question set to test or challenge yourself? Upload and share now by signing up or upload it anonymously.
AngryQuiz 2017


One way to think about the differences between HTML and CSS would be to think about a website as a house. The HTML would be the structure of the house and would contain the foundations, the roof, concrete, pillars etc.
The CSS is how the house would look and how it was decorated. The style of wallpaper, the colour of the carpet, the size and finishing of the kitchen etc would all be the equivalent to the CSS of a website.
In basic terms control flow, as it relates to computer science, is the order in which a set of instructions or functions are executed. We can change that order by using loops. A loop is a piece of code that will keep repeating until a specified condition is met. Loops are important because they help us to simplify tasks, instead of repeating a set of instructions over and over again we can create a loop which will do this for us.
An everyday analogy could be when I am cooking dinner. I like to complete all of my preparation work and do all of the chopping before moving onto the next stage of the cooking. You could think of this as the control flow because I know I cannot move onto the next task until this is completed.
Now what if I wanted to make the chopping easier? I could do it all by hand and individually chop each vegetable one at a time or I could get myself one of those fancy vegetable choppers! This way I can chop multiple vegetables at the same time and save myself some time and effort. This would be the equivalent of using a loop when programming.
If the HTML defines the structure of a website and CSS provides the appearance and Javascript is the interactivity you could think of the DOM as the glue that binds it all together. The DOM consists of nodes which are made up of all the elements, attributes, content etc. It is essentially a different representation of the the HTML format and turns it into a tree format so that the Javascript can then interact with it.
With the DOM developers can build documents, navigate their structure and add, modify, or delete elements and content when writing Javascript.
An object is something that is made up by a number of characteristics. These characteristics are called properties and they consist of a key and a value. You could think of an object as a person or a car or even a movie. The code would look something like this;
style="font-size: 20px"In this example the keys would be Name, age and likesIceCream. We then have the corresponding values of each with a string, number and boolean.
Arrays are special variables that are used to store multiple values in one single variable. They are a way for us to use Javascript to store a list of multiple items. They look like this;
To think about the difference between Objects and Arrays and how they are used think of the array as a book and the object as a newspaper. You use an array when the order of the information is the most important to you. Books are generally laid out in chapters and meant to be read sequentially and the order matters.
Objects on the other hand are like newspapers. You very rarely read them cover to cover and often will flip around. You can flip to each section immediately and see the relevant information for that section.
A function in Javascript is a section of code that is written to perform a task. A function happens when it is ‘called’ or ‘invoked’. All functions are objects and they should always return a value.
They are useful because they allow programmers to pass different values into the function over and over again to see the results which can save a lot of time.


In Pictures: Royal couple enjoy traditional greetings at tribal meeting ground
The Prince of Wales and Duchess of Cornwall are on the sixth day of their visit to New Zealand.
The Prince of Wales and Duchess of Cornwall received a traditional welcome when they visited a tribal meeting ground during their visit to New Zealand.


ABSTRACT
Gorbunovich I.V., Levkivska L.V. Investigation of rotational and longitudinal motions of a super long string in inclined bore-holes. Visnyk National Transport University. Series «Technical sciences». Scientific and Technical Collection. - Kyiv: National Transport University, 2020. - Issue 1 (46).
The article deals with a super long elastic tubular rod with an internal fluid flow. The rotational and longitudinal motions of straight and curved rods in inclined bore-holes are studied. The bifurcation states of the rod at these motions are investigated.
The purpose of the study is to detect at the beginning of bifurcation states of straight and curved rods taking into account their friction interaction with the inner surface of a bore-holes.
The reasons of appearance of bifurcation protrusion of the rod are stated. Among these reasons, an internal longitudinal force and torque are identified and described as main ones.
Research methods are based on the construction of boundary-value problems determining the stressstrain state and stability of super long straight and curved rods in an inclined bore-hole. Solving the problems allows detecting the beginning of bifurcation states of rods.
KEY WORDS: SUPER LONG ROD, STRIGHT AND INCLINED BORE-HOLE, ROTATIONAL AND LONGITUDINAL MOTIONS, BIFURCATION STATES, LONGITUDINAL FORCE, TORQUE.
REFERENCES
«Suchasni problemy mekhaniky ta matematyky - 2018». Instytut prykladnykh problem mekhaniky i matematyky NAN Ukrainy, Lvivskyi natsionalnyi universytet. Materialy konferentsii - International scientific conference «Modern Problems of Mechanics and Mathematics». Institute of Applied Problems of Mechanics and Mathematics of NAS of Ukraine. Lviv National University. Conference theses. (pp.86-88). Lviv. [in Ukrainian].
AUTHOR
Gorbunovich Iryna Valentynivna, Ph.D., National Transport University, associate professor department of high mathematics, e-mail<EMAIL_ADDRESS>tel. +380676001177, Ukraine, 01103, Kyiv, Boychuka str.,42, of. 514, orcid.org/0000-0002-6859-0663.
Levkivska Liydmyla Volodymyrivna, Ph.D., National Transport University, associate professor department of high mathematics, e-mail<EMAIL_ADDRESS>тел. +380975475724, Ukraine, 01103, Kyiv, Boychuka str.,42, of. 514, orcid.org/0000-0002-5589-5257.
REVIEWER
Meish V.F., Physics and Mathematics (Dr.), Professor, S.P. Timoshenko Institute of Mechanics of the National Academy of Sciences of Ukraine, Kyiv, Ukraine.
Mozgovyy V.V., Engineering (Dr.), Professor, National Transport University, Head of Department of road construction materials and chemistry, Kyiv, Ukraine.
Article language: Ukrainian
Open Access: http://publications.ntu.edu.ua/visnyk/46/092.pdf
Print date: 15.04.2020
Online publication date: 27.10.2020


Login
Enter Adhar No and password to login.
Adhar No
Password
Remember me
Login
Forgot Your Password?


Nissan recalls 394,000 vehicles due to fire risk
by Jared Leone, Cox Media Group National Content DeskA brake fluid leak on certain Nissan cars and SUVs could lead to risk of fire prompting the automaker to recall about 394,000 vehicles in the United States.
An antilock brake actuator pump can leak onto a circuit board, causing electrical shorts and fires. Because of the risk, Nissan recommends owners park the vehicles outside and away from buildings if the antilock brake light is on for more than 10 seconds.
The recall covers 2015 to 2018 Nissan Murano SUVs, 2016 to 2018 Maxima sedans and 2017 to 2019 Infiniti QX60 and Nissan Pathfinder SUVs, according to the National Highway Traffic Safety Administration.
This is the second recall for some of the same vehicles. In 2018, Nissan dealers inspected parts but did not replace the pumps if fluid wasn't leaking.
Dealers will now replace pumps on all of the vehicles.
The Associated Press contributed to this report.


RT @RogueAles: Garage Sale going on right now, through Monday! Great deals on all of your favorite stuff... http://bit.ly/18B7Lq
9/4/2009, 12:21:45 PM
Favs: 0
Retweets: 0
link--- layout: tweet ---
RT @RogueAles: Garage Sale going on right now, through Monday! Great deals on all of your favorite stuff... http://bit.ly/18B7Lq
9/4/2009, 12:21:45 PM
Favs: 0
Retweets: 0
link


Welcome to DIScover
DIScover (hereafter referred to as DIScover) is a powerful browsing and modeling tool that enables you to navigate and analyze your software development project’s source code. DIScover operates on a database called the information model that captures the relationships between all entities in the code base. This provides a detailed view and high-level architectural perspective of the entire application for you and your development team.
As projects mature, source code grows in size and complexity, resulting in poor quality and long release cycles. As a software developer, you have many day-to-day tasks (for example, navigation, analysis, code review) that are tedious, difficult to perform, and often do not yield complete or accurate results.
DIScover automates labor-intensive tasks by providing you with knowledge about your source code, faster than traditional techniques, facilitating understanding of the software at all levels. By improving overall comprehension, DIScover frees your time for critical tasks and improves your team’s overall productivity.
This online help covers the following topics:
• Roles


Home
About Me
Curriculumn Vitae
Portfolio
Contact Me
Hi, I'm BlueToad!


"Screwed" -- If You Don't Expect Too Much, It Hurts Less by Homer Yen (c) 2000
Watching "Screwed," an underwhelming comedy, is like trying to drive a car 10 miles in 2nd gear. You can only go so far before you become frustrated with the pace and progress.
In fact, this film has such little momentum that at some point, the movie almost stops from its own lack of inertia. "Screwed" primarily fails because it has no ambition. It doesn't try to offer anything new as far as comedies go. Instead it relies too heavily on an atmosphere of tomfoolery and inherently silly characters that bumble their way through the plot.
Yet, when it goes for a laugh, its method is to evoke a sense of queasiness. One such joke involves a creepy mortician (Danny DeVito) who displays way too much enjoyment for his job. He comments, "It's amazing what you dig out of dead people's bodies," as he proceeds to play a recently acquired harmonica. Another joke involves a wrinkly, semi-naked, 80-year old woman. And another one involves seeing Sherman Hemsley (TV's George Jefferson) in a thong. These sights are more apt to make you cringe with discomfort rather than chuckle.
The story revolves around a disgruntled butler named Willard (Norm MacDonald) and a dognapping scheme gone awry. Willard has been toiling for fifteen years as a butler for the miserly Miss Crock (Elaine Stritch).  But for anything and anyone else, she's a mean-spirited tightwad. She seems especially put off by Willard's request for a new butler suit. His is tattered and frayed. In fact, it's the same suit that his father used to wear. On Christmas day, when he receives a Crock brand mincemeat pie, he can no longer stand the humiliation. So, with the help of his bumbling friend, Rusty (David Chappelle), they devise a plan to kidnap Crock's precious canine. "I'd bet she pay $1 million for that sack of fleas," he derisively says.
Of course, criminally inept fools like Willard and Rusty don't become skilled dognappers overnight.  But then they think about all the things they can do with that kind of money and are instantly motivated. Willard wants to escape to a tropical paradise. Rusty, who is more simple-minded, hopes to laminate the menus in his restaurant. They proceed with the dognapping, which they completely botch. And then in a twist stranger than bizarre, the police believe that Willard is the one who is kidnapped. Now, the jittery butler must find a way to 'unkidnap' himself and avoid being exposed by a tough-looking but soft-spoken detective (Daniel Benzali).
"Screwed" is the kind of mediocre filmmaking that sacrifices story for hammy acting. The only likable character was Miss Crock as the apathetic, crotchety old woman who debates whether to pay the ransom money for Willard's release. The others were just plain silly, though watching Rusty hit people with desk lamps might illicit a chuckle or two. And the story has the consistency of rice pudding. The film's direction saunters from one idea to another, and as a result, it becomes a melange of half-baked ideas in a now-you-see-it-now-you-don't kind of way. The film starts off as a revenge flick, transforms into a story where Willard must cover his tracks, and then ultimately introduces an angle of reconciliation and forgiveness. Slowly paced and completely unremarkable, this film is more than enough to make you feel screwed.
Grade: C-
S: 1 out of 3 L: 1 out of 3 V: 1 out of 3
Do You Yahoo!? Send instant messages & get email alerts with Yahoo! Messenger. http://im.yahoo.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{{#unlesspage '_sliders' '_footers' '_banners' '_forms' '_icon-text' '_item-side' '_product-details' '_product-cards' '_features' '_filter' 'air' 'auth-forgot-password' 'auth-reset-password' 'auth-register' 'auth-login' '_headers' }} {{> categories}} {{> _cart}} Delivering the latest product trends and industry news straight to your inbox Subscribe {{/unlesspage}}
Delivering the latest product trends and industry news straight to your inbox


Sets in Motion runs under the Windows operating system. It reads and writes several kinds of files, but is primarily limited to manipulating .CDF (Call Definitions) and .DNC (Dance) files. These files are text files that you could view in Notepad if you were so inclined, so that if they become corrupted it is possible to manually repair damage to them. The information is coded, however, in such a way that this wouldn't be a lot of fun. A .CDF file contains definitions of calls, word synonyms, formations and other phrases that are used to interpret and implement calls. Sets in Motion itself has almost no complete call defined entirely in program code. Most calls are defined in terms of other calls or basic functions called primitives that the program does directly understand.
You don't need to know anything about how definitions are written to get started using Sets in Motion. If you are interested in the definitions, look in the Call Writer's Guide.
You will most likely be using DNC or Dance files. These usually consist exclusively of sequences, although they can be expanded to include definition information when necessary (see under Exporting Dance Files). Sequences in a dance file can all be the same level or can be assigned different levels depending on your preference. Most of the information in a sequence is the list of calls. Sets in Motion records a creation date for each sequence and tracks when you made the last change to a sequence. It also allows you to include notes and comments that will be kept with the sequence and shown or printed whenever you look at the sequence again.
While you can select individual files from your disk or create new ones, the program is set up to recognize three special files: default Definitions, My Definitions and My Library. These will automatically be loaded whenever you start Sets in Motion. My Definitions and My Library are both stored in a folder under your personal Documents and Settings area, along with your preferences. The default Definitions are fetched from where you ran the program and are shared by all users that use the same installation of the program.
While there is nothing to prevent you from changing definitions in the default file, those changes will be overwritten the next time you update the program, so use your judgement before doing so. It is generally better, if you want to replace the default definition of a call, to simply write your replacement in My Definitions. Any call defined in My Definitions will take precedence over calls in the default Definitions even if they use the same words in the call. Moreover, this replcacement happens even when the call is referred to from within another definition, even one in the default Definitions. That way, if you decide that you don't want to use the default Definition for a call in some future release, you can easily keep the one in My Definitions as long as you want.
My Library is a dance file that is intended to hold all of your material, if you so wish. Currently, Sets in Motion gives you the ability to browse through the list of sequences, but in the future you will have more capabilities to search and organize your sequences.
Once you have a definition or sequence loaded into an edit window, you may edit the entries more or less in any order you like. You can use the Tab key to move around from field to field or you may click in an editable field with the mouse.
You can generally cut/copy and paste text between this program and other Windows applications just as you would with any other. Text fields can be selected using your mouse and keyboard as you might expect.
Sets in Motion also supports full Undo for edit operations. From any edit field you can type ctrl-Z to undo the last change or ctrl-Y to redo a change you just undid. All changes from the moment you started the program are retained, even after you have saved a file. If you undo changes past the last save point, the program will consider your file as different from the on-disk copy and you will be prompted to save if you leave Sets in Motion without saving first. Note that if you make a bunch of changes and then undo them all, the file will revert to 'unchanged' state and you won't be prompted to save it on exit.
Each file has a separate undo history. So, for example, you may undo a change to a sequence in My Library and that will have no effect on edits to a definition you made in My Definitions.
Sets in Motion has a very simple mechanism for performing sequences during a dance. You will need separate software to run your music and time the tip. This program will only give you a window showing the current sequence and includes the ability to read the sequence or move to the next sequence or re-start the current one, amongst a few other functions. In the future you will have more flexibility in managing a performance and analyzing the results.
Currently, you start a performance by selecting one or more sequences in a Dance file (including My Library, of course) and then click on the right mouse button to bring up the context menu in the Dance Editor and select the option to Perform the select sequences.
When you launch Sets in Motion the program brings up an initial screen that looks something like the illustration on the right. A vertical line separates the window into two parts. The left-hand pane will contain the contents of definitions files, as well as the area where you can read and edit sequences. The right-hand pane will contain lists of sequences as well as the animation and drill-down analysis screens for an individual call plus the preferences you assign that are global to the whole program.
The program uses a tabbed interface to allow you to conveniently navigate among the various sub-windows of the program. Across the top of the main program window you will see tabs with labels like "Definitions" or "My Library". You can bring these sub-windows to the forreground by simply clicking on those tabs with your mouse.
You can adjust the spacing between the left and right panes by simply dragging the separator bar to where you want it. Do this by moving the mouse cursor over the separator bar. You will see the mouse cursor change shape to a double-headed horizontal arrow. That indicates that you are over the separator bar. When you see the arrow-headed cursor press and hold down the left mouse button and then move the mouse. You will see the separator bar move with the mouse until you let up the mouse button.
Until you move the separator bar, you will notice that it will automatically change position as you resize the whole program window. The program is set up to put the bar one third of the way from the left side of the program window. Once you move the separator bar yourself, however, it will stay at the same distance from the left edge of the window where you last set it.
In the upper right corner of the main window you will see a single button. This is the "More" button. If you click that button, the program will pop up a menu of additional choices, such as opening an existing dance file or creating a new one. In the future other functions will be added to this menu.
Normally the tabs at the tops of windows will be colored white. If however, the tab corresponds to some file it will change to tan to indicate that the file needs to be saved (usually because you have changed or added some data in that file). If you try to close the program when there are unsaved files, you will be prompted to save or discard the changes.
Across the very bottom of the screen is a status area where messages may be displayed to let you know something about what just happened or why something you tried to do didn't work.
When you have a dance file loaded in the right pane of the main window, if you click on any sequence, that will open a sequence editor window in the left pane. If you then click on any of the calls in the sequence (including the 'home' marker at the top of each sequence) this will bring up the animator window in the right-hand pane, showing the dancers as they would be after completing the call you just clicked on.
You can press the Play button on the animation window to then start animating the remainder of the sequence. For more details on using the animator window see Animations.
To the left of each call in a sequence you will see a small button with a question mark on it. This is a 'drill-down' button. If you click this button it will bring up a Call Analysis window in the right-hand pane of the main program window. This view will break the call down into its individual parts, showing you before and after diagrams of each stage of the execution. You will see further drill-down buttons and they will take you further into the details of the call.
The Call Analysis window behaves much like a browser. There are forward and back buttons at the top of the window to let you navigate back to the previous screen you were in before you pressed the last drill-down button, or forward again as you like.
For more details on how to interpret the contents of the Call Analysis window see Call Analysis.
Pressing or clicking the right mouse button will bring up a context menu over some items in some windows. These special menus offer you options specific to the item your mouse cursor is over. Experiment to see what options you have. Opening one of the menus and clicking outside the menu will dismiss it without making any changes, so it is pretty safe to poke around.


COM3301 Experiencing Genesys
| Summary |
This module is an introduction to the processes involved in working with real customers and solving business problems, using agile practices. Students work in teams to develop an effective landing page and marketing strategy, supported by staff from epiGenesys. In a marketing context a landing page is a web page (or a small website) designed for a single objective; in this module the purpose is to inform and persuade customers of the benefits of a commercial software product. The landing page will form a key component of a marketing strategy that has the goal of increasing sales of the product. |
| Session |
Academic Year 2018/19 |
| Credits |
30 |
| Assessment |
20% individual assessment (breadth of knowledge tests, and reflections on performance).
80% team assessment (presentations, and a project, with peer review).
This module has the explicit objective of developing teamwork skills. Participation in teamwork is mandatory and absence will result in deductions of marks and eventually loss of credits. |
| Lecturer(s) |
Harriet Holman (module co-ordinator), Ryan Bibby, Chrissie Elliott, James Gregory, Chris Murray, Lauren O'Hara & Mr Andrew Stratton. |
| Resources |
|
| Aims |
This module aims to:
- Prepare students for working in a team in a professional environment
- Raise students’ awareness, abilities and knowledge relating to the activities involved in the development of an effective landing page and marketing strategy, and in particular the relevant aspects of software engineering
- Provide students with experience of developing an effective landing page and marketing strategy using agile practices and industrial tools
|
| Objectives |
By the end of the module, students will be able to:
- Explain some of the organisational and technical issues that underlie the development of an effective landing page and marketing strategy
- Apply agile practices, and make use of industrial tools, during the development of an effective landing page and marketing strategy
- Identify valuable requirements by having conversations with, and gaining feedback from, project stakeholders
- Design usable landing pages that demonstrate an awareness of user needs
- Facilitate the prioritisation of requirements by collecting and interpreting appropriate data
- Build and release an appropriately secure and robust landing page using Ruby on Rails
- Critically reflect on performance as an individual, and as a team, and adapt behaviours and processes appropriately
- Create an effective landing page and marketing strategy as part of a team.
|
| Content |
The precise experience of students will depend on the nature of their project, but will always involve developing an effective landing page (using Ruby on Rails) and marketing strategy whilst exploring the following topics:
- Coding (pair programming, standards)
- Design (mockups, parallel prototyping, personas)
- Marketing (customer research, landing pages, metrics, strategy)
- Process (Agile, burnup charts, continuous delivery, Kanban, planning, process improvement, retrospectives, risk management)
- Quality (accessibility, error handling, reliability, security, user experience)
- Requirements (acceptance criteria, estimation, prioritisation, story mapping, user stories, value statements)
- Testing (automated testing, manual testing)
|
| Restrictions |
Only available to students on one of the following: COMU27, COMU37, COMU47. |
| Teaching Method |
During the year students will work in teams to create an effective landing page and marketing strategy. In the first 7 weeks of each semester training will be provided in a flipped classroom style. Students will study material in the online learning environment and attend training sessions, whilst also working on their team project. For the remainder of each semester students will continue to work on their project. Students are expected to be proactive in developing their knowledge and skills, using the training as a foundation and seeking guidance from their mentor as needed. |
| Feedback |
Students will meet weekly as a team with their mentor to discuss their progress and plans. The mentor will offer feedback and guidance, and encourage the students to be proactive in developing their knowledge and skills in appropriate areas. Students will be required to provide draft submissions for elements of their team project throughout the semester so that mentors are able to review these.
Students will hold regular retrospectives as a team where they will review their own practices and identify opportunities for improvement. Mentors will facilitate and/or observe these retrospectives as needed to ensure they are effective, and offer feedback and guidance to students on their facilitation of and participation in retrospectives.
At the end of each breadth of knowledge test a score will be provided in the online learning environment. Following this, explanatory comments will be emailed for the questions that are most frequently answered incorrectly by the cohort.
Following the end of each semester, students will be emailed both team and individual marks and feedback sheets. These will include marks and explanatory comments for appropriate activities as described in the module mark scheme. Much of the feedback and guidance provided will relate to the performance of the team (which accounts for 80% of the assessment) rather than the individual. However, individual feedback and guidance will also be provided where issues are highlighted in peer reviews or where mentors have specific observations. |
Recommended Reading
|
- Programming Ruby 1.9 & 2.0, Dave Thomas, Pragmatic.
- Agile Web Development with Rails 5.1, Sam Ruby and David Bryant Copeland, Pragmatic.
- Agile Retrospectives, Esther Derby and Diana Larsen, Pragmatic.
|
|


Display all data provided by the Concept2 Performance Monitor 5 (PM5) using Bluetooth.

This application only runs on Chrome on the desktop.


--------------------------------------------------------------------------------
XYZ Consulting, Inc.
Transactions for Account cc.hsbc.visa -- Visa Credit Card (Liability)
Total: -107.25
--------------------------------------------------------------------------------
2018-01-01 hsbc_visa -257.25 cc.hsbc.visa Visa Credit Card
257.25 supplies Supplies
Office Supplies
Receipt: 01/2018-01-01-sample-receipt.jpg
2018-01-02 hsbc_visa -750.00 cc.hsbc.visa Visa Credit Card
750.00 insurance Insurance
Professional insurance for the year 2018, Hartford Insurance
Receipt: 01/2018-01-02-hartford-insurance.pdf
2018-01-02 hsbc_visa -100.00 cc.hsbc.visa Visa Credit Card
100.00 cowork.fees Coworking Fees
New Work City coworking fee for the month of January
Receipt: 01/2018-01-02-nwc.pdf
2018-01-05 ck.hsbc.disb -2000.00 ck.hsbc HSBC Checking
2000.00 cc.hsbc.visa Visa Credit Card
2018-01-06 hsbc_visa -500.00 cc.hsbc.visa Visa Credit Card
500.00 conf.fees Conference Fees
Phoenix conference registration fee
Receipt: 01/2018-01-06-phoenix-conference-registration.pdf
2018-01-20 hsbc_visa -400.00 cc.hsbc.visa Visa Credit Card
400.00 tr.lodging Travel - Lodging
Hampton Inn Phoenix (conference)
Receipt: 01/2018-01-20-phoenix-hampton.pdf
2018-02-01 hsbc_visa -100.00 cc.hsbc.visa Visa Credit Card
100.00 cowork.fees Coworking Fees
New Work City coworking fee for the month of February
Receipt: 02/2018-02-01-nwc.pdf
Totals
------
-107.25 cc.hsbc.visa Visa Credit Card
-2000.00 ck.hsbc HSBC Checking
500.00 conf.fees Conference Fees
200.00 cowork.fees Coworking Fees
750.00 insurance Insurance
257.25 supplies Supplies
400.00 tr.lodging Travel - Lodging
------------
0.00


Installation¶
This installation guide assumes you have installed ROS already. If you have not done this, follow this guide to install it.
If you have already a catkin workspace, VIKI can be installed in that workspace. If not, you have to create one using this guide. It is also possible to create a new workspace, just for the VIKI modules or even extend your old workspace.
If you want to have the most clean configuration, we suggest creating a new workspace for VIKI. ROS packages that are not defined as a module can not be used anyway in VIKI and setting up a new workspace allows for a clean installation with up-to-date package versions. If you just want some functionality from the modules of VIKI, while not using the GUI, you can also just get a module repository and use ROS packages directly in your base workspace.
VIKI consists of a core and at least one module repository. Right now, there is only one main repository, but this design makes it easy to create your own repository of modules for use easy sharing. This installation will setup the core and the main module repository for you. Adding extra module respositories is quite easy and discussed in Module repositories.
Requirements¶
VIKI uses ROS for all its main functionality and therefore builds on top of those dependencies. In line with ROS, VIKI only supports Ubuntu as its platform and is tested on LTS versions 12.04 and 14.04. Other Ubuntu (and even Linux) distributions may work just as well, but are not supported.
Installation¶
Installation is as easy as pulling the repository into your (or a new) catkin_workspace. The repository can be found on https://github.com/UT-RAM/viki/. VIKI is a standalone tool and therefore, by default, does not live in your catkin workspace. We recommend installing it in your home folder, but you’re free to install it where you like.
cd ~
git pull https://github.com/UT-RAM/viki
This will create a new folder /home/<user>/viki, where all the VIKI magic lives.
Configuring VIKI¶
VIKI has a self-configuring tool, which setups the folder directories for you. This is done by launching the configure application from the terminal.
cd <viki_dir>
./viki configure
Running this will install some extra dependencies, setup a config.json file for the right directories and setup a .desktop file such that you can launch VIKI from the Unity Dash.
Module repositories¶
To be able to really use VIKI, a module repository needs to be added. VIKI works with module repositories, such that you can get started quickly by automatically adding a set of packages. Using the command line, you can add the default repository as follows
./viki add-module-repository
This will pull the repository and automatically install all dependencies that might be needed for the modules so they can be launched. Furthermore, VIKI should be able to run catkin_make instantly, but this does not work as well,
ROS package dependencies¶
If you followed the steps above, you should be all set. VIKI tries to handle all its ROS package dependencies by using the rosdep tool. However, since this is not optimized for different ROS versions, this may sometimes not work that well. To get an overview of what your missing packages are, run
./viki check-packages
based on this, you might find out you’re missing the libuvc_camera package when using ROS jade. Since this package is not available for jade, it may not automatically install. To install this by hand, you can run
sudo apt-get install ros-indigo-libuvc-camera
as the package is available for ROS indigo. It should not be that hard to figure this out for your packages and we are working to find a way to neatly resolve this. In the meantime, if you’re still experiencing any problems, please do not hesitate to contact The developers


Submission of Japan’s Intended Nationally Determined Contribution (INDC)
Japan is pleased to communicate its intended nationally determined contribution, as well as information to facilitate the clarity, transparency, and understanding of the contribution.
Climate change is a global challenge. To solve the problem, it is essential to establish a fair and effective new international framework which is applicable to all major Parties. Japan will contribute, in cooperation with other Parties, to the establishment of such an international framework at the twenty-first session of the Conference of the Parties (COP) to the United Nations Framework Convention on Climate Change (UNFCCC).
Thereunder, Japan will, together with all major emitters, undertake domestic emission reductions and also contribute to reducing global greenhouse gas (GHG) emissions through Japan’s leading technologies and support for developing countries.
Having faced a drastic change in its circumstances with regard to energy due to the Great East Japan Earthquake and the accident at the Tokyo Electric Power Company’s Fukushima Dai-ichi Nuclear Power Station, Japan decided the new Strategic Energy Plan last year as a starting point for reviewing and rebuilding our energy strategy from scratch.
Japan’s INDC towards post-2020 GHG emission reductions is at the level of a reduction of 26.0% by fiscal year (FY) 2030 compared to FY 2013 (25.4% reduction compared to FY 2005) (approximately 1.042 billion t-CO2 eq. as 2030 emissions), ensuring consistency with its energy mix, set as a feasible reduction target by bottom-up calculation with concrete policies, measures and individual technologies taking into adequate consideration, inter alia, technological and cost constraints, and set based on the amount of domestic emission reductions and removals assumed to be obtained.
Fairness and Ambition
- Japan’s GHG emissions per gross domestic product (GDP) are 0.29 kg-CO2eq./U.S. dollar in 2013 and per capita are 11t-CO2eq./person in 2013, while the energy efficiency of the country as a whole (primary energy supply/GDP) is 95 t of oil equivalent/U.S. million dollars in 2013, all of which are already at the leading level among developed countries.
- While it is generally analyzed that the marginal cost of reducing GHG emissions is high in Japan due, inter alia, to the measures taken so far, the indicators noted above are projected to improve by around 20 to 40% by 2030 with further measures to reduce emissions.
- Japan’s INDC is highly transparent and concrete, as it has been drawn up by accumulating concrete policies and measures for major sectors with clear breakdowns. Each Party’s submission and sharing of information on each sector in this manner would contribute to improving transparency, ensuring fairness, and also enabling effective reviews. This would promote sector-by-sector actions, which would lead to fair and efficient reductions of global emissions.
- For example, with regard to Japan’s industrial sectors, both steel (converter steel production) and cement (clinker production) have attained the world’s highest level of energy efficiency, but further improvement is planned through specific policies and measures listed in the attached documents, such as promotion and enhancement of the industries’ action plans towards a low carbon society.
Contribution towards achieving the objective of the Convention as set out in its Article 2
- Towards achieving the ultimate objective of the UNFCCC, in order to hold the increase in global temperatures below 2 degrees Celsius, it is indispensable to take measures for long-term emission reductions globally. Japan’s INDC is consistent with the long-term emission pathways up to 2050 to achieve the 2 degrees Celsius goal as presented in the Fifth Assessment Report of the Intergovernmental Panel on Climate Change (IPCC), and with the goal the country upholds, namely, “the goal of achieving at least a 50% reduction of global GHG emissions by 2050, and as a part of this, the goal of developed countries reducing GHG emissions in aggregate by 80% or more by 2050”. Japan will contribute proactively to these long-term reductions, through its GHG emission reduction measures presented in its INDC, and through actions that will be continuously taken into the future such as development and diffusion of low-carbon technologies and transition to a low-carbon socio-economic structure.
Japan’s Intended Nationally Determined Contribution (INDC)
Japan’s INDC towards post-2020 GHG emission reductions is at the level of a reduction of 26.0% by fiscal year (FY) 2030 compared to FY 2013 (25.4% reduction compared to FY 2005) (approximately 1.042 billion t-CO2 eq. as 2030 emissions), ensuring consistency with its energy mix, set as a feasible reduction target by bottom-up calculation with concrete policies, measures and individual technologies taking into adequate consideration, inter alia, technological and cost constraints, and set based on the amount of domestic emission reductions and removals assumed to be obtained.
Information to facilitate clarity, transparency and understanding
Base years:
- FY 2013 and FY 2005; FY 2013 is the base year mainly used for presenting Japan’s INDC.
Target year: Japan’s FY 2030
Period for implementation: from April 1, 2021 to March 31, 2031 (FY 2021 to FY 2030)
Scope (Sectors, Gases, Coverage)
- Sectors: All sectors and categories encompassing the following:
- (a) Energy
- Fuel Combustion (Energy industries, Manufacturing industries and Construction, Transport, Commercial/Institutional, Residential, Agriculture/Forestry/Fishing, and Other)
- Fugitive emissions from fuels
- CO2 transport and storage
- (b) Industrial processes and product use
- (c) Agriculture
- (d) Land Use, Land-Use Change and Forestry (LULUCF)
- (e) Waste
- Gases: CO2, CH4, N2O, HFCs, PFCs, SF6 and NF3
- Coverage: 100%
Planning process
- Japan’s INDC has been developed, taking into account, inter alia, decisions of the COP, actions by other countries, progress in deliberations on a future framework under the Convention, and domestic consideration of the energy policies and its energy mix.
- The INDC was considered through discussions open to the public at the Joint Experts’ Meeting of the Central Environment Council (Subcommittee on Global Warming Measurement after 2020, Global Environment Committee) and the Industrial Structure Council (INDC WG, Global Environment Subcommittee, Committee on Industrial Science and Technology Policy and Environment).
- Energy policies and the energy mix were considered through open discussions at the Advisory Committee for Natural Resources and Energy.
- The main policies and measures that are expected, at this time, to be implemented for reduction of GHG emissions and removals are listed in the reference information attached.
- Based on the discussions above, the Global Warming Prevention Headquarters (ministerial decision-making for global warming countermeasures) developed a draft INDC. After going through public comment procedure, it made a final decision on the INDC.
- Japan is to develop the Plan for Global Warming Countermeasures based on the Act on Promotion of Global Warming Countermeasures.
Assumptions and methodologies
- Methodologies are in line with the Guidelines for National Greenhouse Gas Inventories prepared by the IPCC, and adopted by the COP.
- The metrics used for the total GHG emissions and removals is the Global Warming Potentials of a 100-year time horizon which were presented in the IPCC Fourth Assessment Report.
- Removals by LULUCF sector are accounted in line with approaches equivalent to those under the Kyoto Protocol.
- The Joint Crediting Mechanism (JCM) is not included as a basis of the bottom-up calculation of Japan’s emission reduction target, but the amount of emission reductions and removals acquired by Japan under the JCM will be appropriately counted as Japan’s reduction.
- These methodologies are subject to change depending on the progress of future international negotiations on estimating and accounting rules.
Reference information
1. GHG emissions and removals
1. GHG emissions reductions
(1) Energy-Originated CO2
Approximately 90% of GHG emissions in Japan is covered by energy-originated CO2. Emissions of energy-originated CO2 will be reduced by 25.0% compared to FY 2013 level (24.0% reduction compared to FY 2005 level) (approximately 927 million t-CO2). The estimated emissions in FY 2030 in each sector are shown in Table 1.
Table 1 Estimated emissions of energy-originated CO2 in each sector
|
Estimated emissions of each sector in FY 2030 |
FY 2013 (FY 2005) |
| Energy Originated CO2 |
927 |
1,235 (1,219) |
| Industry |
401 |
429 (457) |
| Commercial and other |
168 |
279（239） |
| Residential |
122 |
201（180） |
| Transport |
163 |
225（240） |
| Energy Conversion |
73 |
101（104） |
[Value: million tCO2]
(2) Non-energy originated CO2
The target is set as 6.7% reduction compared to FY 2013 level (17.0% reduction compared to FY 2005 level) (approximately 70.8 million t-CO2).
(3) Methane The target is set as 12.3% reduction compared to FY 2013 level (18.8% reduction compared to FY 2005 level) (approximately 31.6 million t-CO2eq.).
(4) Nitrous oxide The target is set as 6.1% reduction compared to FY 2013 level (17.4% reduction compared to FY 2005 level) (approximately 21.1 million t-CO2eq.).
Table 2 Estimated emissions of non-energy-originated CO2, methane and nitrous oxide
|
Estimated emissions of each gas in FY 2030 |
FY 2013 (FY 2005) |
| Non-energy originated CO2 |
70.8 |
75.9 （85.4） |
| Methane（CH4） |
31.6 |
36.0 （39.0） |
| Nitrous oxide （N2O） |
21.1 |
22.5 （25.5） |
|
|
[value: Million tCO2eq |
- Fluorinated gases (HFCs, PFCs, SF6 and NF3): The target is set as 25.1% reduction compared to Calendar Year(CY) 2013 level (4.5% increase compared to CY 2005 level) (approximately 28.9 million t-CO2eq.).
Table 3 Estimated emissions of fluorinated gases
|
Estimated emissions in CY 2030 |
CY 2013 (CY 2005) |
| Fluorinated Gases |
28.9 |
38.6 （27.7） |
| HFCs |
21.6 |
31.8 （12.7） |
| PFCs |
4.2 |
3.3 （8.6） |
| SF6 |
2.7 |
2.2 （5.1） |
| NF3 |
0.5 |
1.4 （1.2） |
[value: Million tCO2eq]
* Fluorinated gases are estimated on a CY basis.
2. Removals by LULUCF
The target for removals is set as approximately 37 million t-CO2 in FY 2013 (corresponding to 2.6% reduction of total emissions (corresponding to 2.6% reduction of total emissions in FY 2005)) (approximately 27.8 million t-CO2 by forest carbon sinks measures (corresponding to 2.0% of total emissions in FY 2013 (corresponding to 2.0% reduction of total emissions in FY 2005)), and approximately 9.1 million t-CO2 by cropland management, grazing land management and revegetation (corresponding to 0.6% reduction of total emissions in FY 2013 (corresponding to 0.7% reduction of total emissions in FY 2005))).
3. JCM and other international contributions
Japan establishes and implements the JCM in order both to appropriately evaluate contributions from Japan to GHG emission reductions or removals in a quantitative manner achieved through the diffusion of low carbon technologies, products, systems, services, and infrastructure as well as implementation of mitigation actions in developing countries, and to use them to achieve Japan’s emission reduction target. Apart from contributions achieved through private-sector based projects, accumulated emission reductions or removals by FY 2030 through governmental JCM programs to be undertaken within the government’s annual budget are estimated to be ranging from 50 to 100 million t-CO2. As part of international contributions other than the JCM, worldwide emission reduction potential in FY 2030 through the diffusion of leading technologies by Japanese industries’ actions is estimated to be at least 1 billion t-CO2.
Japan will also actively contribute internationally towards, inter alia, human resource development and promotion of development and diffusion of technologies relating to emission reductions in developing countries.
2. Energy mix used for the bottom-up calculation of the emission reduction target
|
FY 2030 |
| Final energy consumption |
326 M kl |
| (Energy efficiency measures) |
50 M kl |
| Total power generation |
approx. 1065 billion kWh |
| Renewables |
approx. 22-24% |
| Nuclear power |
approx. 22-20% |
| Coal |
approx. 26% |
| LNG |
approx. 27% |
| Oil |
approx. 3% |
| (within renewables) |
|
| Solar |
approx. 7.0% |
| Wind power |
approx. 1.7% |
| Geothermal |
approx. 1.0-1.1% |
| Hydro power |
approx. 8.8-9.2% |
| Biomass |
approx. 3.7-4.6% |
3. Measures which form the basis for the bottom-up calculation of the GHG emission reducation target
|
FY 2030 emission targets (million t-CO2) |
FY 2013 (FY 2005) (million t-CO2 ) |
Measures |
| Energy-originated CO2 |
927 |
1,235 (1,219) |
|
| Industry sector |
401 |
429 (457) |
- Promotion and enhancement of the industries’ action plans towards a low carbon society
Iron and steel industry
- Efficiency improvement of electricity-consuming facilities
- More chemical recycling of waste plastic at steel plants
- Introduction of next-generation coke making process (SCOPE21)
- Improvement of power generation efficiency
- Enhanced energy efficiency and conservation facilities
- Introduction of innovative ironmaking process (Ferro Coke)
- Introduction of environmentally harmonized steelmaking process (COURSE50)
Chemical industry
- Introduction of energy efficiency and conservation process technology in petrochemicals
- Introduction of energy efficiency and conservation process technology in other chemical industry
- Introduction of energy efficiency and conservation technology using membranes for distilling process
- Introduction of technology which uses CO2 as a feedstock
- Introduction of chemical product production technology with inedible plant-based material
- Introduction of electricity-generating waste water processing with microbe catalysis
- Introduction of sealed plant factory
Ceramics, stone and clay products industry
- Introduction of conventional energy efficiency and conservation technologies (waste heat power generation, slag crusher, air-beam cooler, separator improvement, vertical roller coal mills)
- Introduction of technology for using waste (e.g. waste plastic, etc.) as alternative thermal energy
- Introduction of innovative cement production process
- Introduction of glass melting process
Pulp/paper/paper products manufacture industry
- Introduction of high-efficient pulp production technology using old paper
- Introduction of high-temperature and pressure recovery boilers
Cross-sectoral/Other
- Introduction of high-efficient air conditioner
- Introduction of industrial HP (heating-drying)
- Introduction of industrial light
- Introduction of low-carbon industrial furnace
- Introduction of industrial motor
- Introduction of high performance boiler
- Direct use of recycled plastic flakes
- Introduction of hybrid construction machine, etc.
- Introduction of energy efficiency and conservation farming machinery
- Introduction of energy efficiency and conservation equipment in horticultural facility
- Switch to energy efficiency and conservation fishing vessels
- Promotion of cooperative energy efficiency and conservation measures across the industries
- Promote low-carbonization in special vehicles
Factory energy management
- Thorough implementation of energy management in the industry sector
|
| Commercial and other sectors |
168 |
279 (239 ) |
- Promotion of compliance of energy saving standards for newly constructed buildings
- Energy efficiency and conservation buildings (remodeling)
- Introduction of commercial-use water heater (latent heat collection water heater, commercial -use heat pump water heater, high -efficient boiler)
- Introduction of highly efficient light
- Introduction of refrigerant control technology (F-gases)
- Improvement of energy efficiency and conservation performance of equipment by the top runner program , etc.
- Thorough implementation of energy management in commercial sector with BEMS and energy efficiency diagnosis
- Efficient use of light
- Promotion of nationwide campaigns (thorough promotion of Cool Biz/Warm Biz, repair of local government buildings)
- Expansion of shared use of energy
- Promotion of measures for energy efficiency and conservation of/energy generation from sewerage systems Promotion of measures for energy efficiency and conservation/renewable energy in water business
- Promotion of activities based on action plans of local governments (administrative business section)
- Promotion of sorted collection and recycling of plastic containers and packaging
- Low-carbonization of cities by improving urban thermal environments through measures against the urban heat island effect
- Promotion of inter-ministry collaborative measures following the Roadmap of Global Warming Counter -measures, etc.
|
| Residential sector |
122 |
201 (180 ) |
- Promotion of compliance of energy saving standards for newly constructed housing
- Promotion thermal insulation in renovation of existing houses
- Introduction of high -efficient water heater (CO 2 refrigerant HP water heater, latent heat collection water heater, fuel cell, solar water heater)
- Introduction of high -efficient light
- Improvement of energy efficiency and conservation performance of equipment by the top runner program , etc.
- Thorough implementation of energy management in houses with HEMS and other smart meters
- Promotion of nationwide campaigns (thorough promotion of Cool Biz/Warm Biz, and encouragement of purchase of upgraded, Home CO 2 advisor)
- Increasing Johkasou energy efficiency and conservation
- Promotion of inter -ministry collaborative measures following the Roadmap of Global Warming Counter -measures, etc .
|
| Transport sector |
163 |
225 (240 ) |
- Improvement of fuel efficiency
- Promotion of next-generation automobiles
- Other measures in transport sector (traffic flow improvement, promotion of public transport, modal shift to railway, comprehensive measure for eco -friendly ship transportation, reduction of land transportation distance by selecting nearest port, comprehensive low -carbonization at ports, optimization of truck transport, energy consumption efficiency improvement of railways, energy consumption efficiency improvement of aviation, accelerated promotion of energy saving ships, making vehicle transport business more eco -friendly by eco -driving, promotion of collective shipment, promotion of Intelligent Transport Systems ITS (centralized control of traffic signals), development of traffic safety facilities (improvement of traffic signals, and promotion of the use of LED traffic lights), promotion of automatic driving, eco -driving and car sharing)
- Utilization of the special zones system for structural reform for global warming measures
- Promotion of inter -ministry collaborative measures following roadmap of global warming measures, etc
|
| Energy conversion sector |
73 |
101 (104 ) |
- Expanding renewable energy introduction to the maximum extent possible
- Utilizing nuclear power generation s whose safety is confirmed
- Pursuit of high efficiency in thermal power generation (USC, A-USC, IGCC , etc.)
|
| Cross-sectional strategies |
― |
― (― ) |
- Promotion of the J-Credit Scheme
|
| Non energy-originated CO2 |
70.8 |
75.9 (85.4) |
- Expansion of blended cement use
- Reduction of municipal solid waste incineration
|
| CH4 |
31.6 |
36.0 (39.0) |
- Measures to reduce CH4 emissions from agricultural soils (reduction of CH4 emissions from paddy rice fields)
- Reduction of municipal solid waste disposed of by direct landfill
- Introduction of semi-aerobic landfill system for final disposal site of municipal solid waste
|
| N2O |
21.1 |
22.5 (25.5) |
- Measures to reduce N2O emissions from agricultural soils (reduction of N2O emissions originated from fertilizer application)
- Promote the advanced technologies in the sewage sludge incineration facilities
|
| Fluorinated gases |
28.9 |
38.6 (27.7) |
- Measures to control overall emissions of fluorinated gases (Act on Rational Use and Proper Management of Fluorocarbons, emission control through industries’ voluntary action plans, etc.)
|
| HFCs |
21.6 |
31.8 (12.7) |
| PFCs |
4.2 |
3.3 (8.6) |
| SF6 |
2.7 |
2.2 (5.1) |
| NF3 |
0.5 |
1.4 (1.2) |
| LULUCF sector |
37.0 |
― (―) |
- Promote measures for greenhouse gas removals through the promotion of forest management/forestry industry measures
- Promotion of soil management leading to the increase of carbon stock in cropland
- Promotion of revegetation
|
| Forest management |
27.8 |
― (―) |
| Cropland management /Grazing land management |
7.9 |
― (―) |
| Revegetation |
1.2 |
― (―) |


EventServer()
语法
Server = EventServer()概要
This function returns the number of the server which has received data, allowing multiple servers to be managed on one computer. It is only needed on the server side.
参数
无.
返回值
Returns the #Server number of the server causing the event.
参阅
NetworkServerEvent(), EventClient()
已支持操作系统
所有


Bubble radius is .6 miles as the crow flies.
A
DsA
production, by
Gabe
and
Aaron
.
Fork it
.
From
...
To
...
Number of trips from
...
A heatmap of aggregate bike trips throughout the city from a selected station. Each region roughly corresponds to the area within 3/5ths of a mile from the Divvy station (i.e. places you'd walk from/to).
Show Voronoi Bubbles


Before Change
"load_resources function" % language)
if resource_name not in _RESOURCES[language] \
or _RESOURCES[language][resource_name] is None:
raise MissingResource("Resource "{}" not found for language "{}""
.format(resource_name, language))
return _RESOURCES[language][resource_name]
def _get_stop_words(resources_dir, stop_words_filename):
After Change
def _get_resource(resources, resource_name):
if resource_name not in resources or resources[resource_name] is None:
raise MissingResource("Resource "%s" not found" % resource_name)
return resources[resource_name]
def _get_stop_words(resources_dir, stop_words_filename):


Main Dashboard
Manage Servers
Logout
Dashboard
Bot Details
-
Commands Ran
-
Users
-
Servers
-
Songs Played


This is a floating Bar chart that could be used in order to indicate a range of sorts. It's actually a regular stacked Bar chart but just has the first color set to transparent
. The background color has been set to a gradient going from white to slightly gray.
 Put this where you want the chart to show up:

This is the code that generates the chart - it should be placed AFTER the

tag:


England CWC winner joins Paarl Rocks
Cape Town - England World Cup winner James Vince has joined the Paarl Rocks in time for their second Mzansi Super League (MSL) game on Friday against the Durban Heat.
Vince arrived on Thursday after England’s dramatic victory over New Zealand in Auckland over the weekend in their T20 series.
During the series Vince made his maiden T20I fifty and will hope to emulate that form in his first appearance in the MSL.
The Paarl-based side started the MSL with an emphatic win against local rivals Cape Town Blitz on Sunday.
The Paarl Rocks’ next game is against the Heat on Friday before they return home for their third game against Tshwane Spartans on Sunday at Boland Park.
Vince, who played three games at the 50-over World Cup while regular opener Jason Roy was sidelined with a hamstring injury, hit 59 in England's series-opening, seven-wicket win against the Black Caps in Christchurch at the beginning of the month.
Captain Faf du Plessis said after Sunday’s win against the Blitz the Paarl Rocks were a batsman short in the balance of the team.
"We are a bit challenged with two batsmen (Markram, Duminy) being injured, but Vince is back for the next game which will help to sort things out," he said.
Vince and Sri Lankan, Isuru Udana, are the Paarl Rocks’ two international players for the 2019 MSL.
- Cricket South Africa


How is the dragon portfolio affected if you take money out of it? With the low volatility you expect it to perform rather well. But, lets check it with data. I’m using the same portfolio and data as in the backtest and I’m rebalancing every month.
The numbers I’m going to use is the 25X annual expenses that’s popular with the “FIRE-community”. The start date is again november 2007. Not the best of months to retire if you were planning to live of off your capital for the rest of your life.
Expenses are adjusted with the Swedish CPI-numbers (as I am Swedish).
We start with 5 000 000 and take out 200 000 (+inflation) at the end of every year (to cover next years expenses).
The dragon portfolio tackles this scenario well. A slight blip in the beginning of the financial crisis before it was of to the races:
As was presented in the paper, it surely looks like an excellent choice for a retire.
We can compare it to the classic 60/40 portfolio (global equities/US bonds). Using the same data we get this situation:
You would’ve been under the 25X mark for 7 years, but the bull market would’ve eventually have saved you. If you were a Swedish retiree who put your 40% part in to Swedish bonds the situation would’ve been different:
As late as march 2020 you would’ve been under the 25X mark. Maybe a better representation of where we are today as Swedish bonds had lower to fall.
Yeah, this sounds reckless. But it’s actually a fairly common strategy for people devoted to the “FIRE-strategy”. If you consider 25X as a safe limit to retire, reached that in November 2007 and retired with all money in a global equity fund. You would’ve been down to 15X your yearly expenses after less then two years. Only a record long stock market rally would’ve taken you up to 25X your yearly expenses again.
If I had retired at say 35, I would not have been very comfortable in the period 2008-2013:
If I had plans to retire I would definitely try to implement the dragon portfolio.
If you have any comments about my implementation, feel free to reach out. If you’ve found any errors in my reasoning, no one would be happier to hear them then I.


Apple Pay
Before you start, you need to:
- Add a payment method to your browser. For example, add a card to your Wallet for Safari.
- Serve your application over HTTPS. This is a requirement both in development and in production. One way to get up and running is to use a service like ngrok.
- Verify your domain with Apple Pay, both in development and production.


This website is a search engine. It looks at other websites that have Auslan sign videos, and creates search results including videos from other websites. This search system uses Artificial Intelligence research to understand what words and signs mean, and find signs with similar meaning.
Try any English word. This website will try to understand what the word means, and find sign videos with similar meaning. It's different to how other Auslan search systems work. You don’t need to type the same words the authors of sign videos used in their English descriptions. If the meaning is similar, it should find it!
I think it’s useful for two people:
My name is Phoenix. I’m Hard of Hearing, and I love Auslan! English is my first language, but Auslan is my favourite language. I created Find Sign to help make it easier for people learning this beautiful language, and launched this website in 2019.
I want to help spread Auslan to people who cannot learn it.  I think a lot of people can live better lives by learning some Auslan, and there are lots of ways to help spread information and grow our community! Even if they only learn vocabulary and use signed english style, it can still help improve their life!
The simplest thing is to type some words in to the search box, and see signs from all around Australia. But Find Sign can do some more advanced searches:
#hashtags allow you to limit the search results, so only results with the tags you asked for appear. Every search result has a list of #hashtags under the web link. You can put any of these in to the search box, and then your results will only be ones which include every hashtag you searched for. For example, you can search for "#asphyxia" to only see results from Asphyxia's youtube series, or "#qld" to only see results which are listed as being used in Queensland. You can also search for a hashtag, with a minus in front of it, like "-#toddslan" to show results which do not include #toddslan. This can be very powerful with SignBank searches. You can search for "#signbank #phonology.symmetrical" to find results where both hands do the same thing.


(HTML "\n (BODY "\n (FORM "\n (SPAN Aid span1 (SPAN Aid span2 (SELECT )SELECT )SPAN )SPAN "\n )FORM "\n )BODY )HTML


This platform serves to assist in the communication between administrative users. The communication can take place between two or more individuals.


We offer services and support for every step of your project - from low rise elevator design to construction.
READ MORE Price EstimationWe offer space, energy efficient and superior ride quality elevator for mid to high rise buildings up to 100 floors.
READ MORE Price EstimationWe take pride in our commitment in providing a well rounded service to our customer by producing the best quality elevators.
Mathieu Houde CEO, Rocket ElevatorsEmployee of the Month (May 2020)
Herbert Magramo Rocket ElevatorsOffice hours from 8am to 9am
Address: 725 Boulevard Lebourgneuf, Québec, QC G2J 0C4 Phone:<PHONE_NUMBER> Email: info@codebox.biz


In this project we present a software tool designed and implemented in Java to generate VHDL code for Convolution-->Pooling-->Fully connected style of deep convolutional neural networks (CNN). The implementation represents a a hardware accelerator on an FPGA platform. The hardware accelerator and generation tool have the following features:


Hassle-free HTML to PDF conversion abstraction library.
composer require asyncphp/paper
// async
$async = new DomDriver();
$result = yield $async
->html($sample)
->size("B5")
->orientation("landscape")
->dpi(300)
->render();
// sync
$sync = new SyncDriver(new DomDriver());
$result = $sync
->html($sample)
->size("B5")
->orientation("landscape")
->dpi(300)
->render();
| dompdf | wkhtmltopdf | prince | |
|---|---|---|---|
| Requires command-line utilities | no | yes | yes |
| Supports modern CSS | no | yes | yes |
| Supports modern JS | no | yes | yes |
| Produces vector files | yes | yes | yes |


Make changes, See changes. Instantly see what your Markdown documents look like in HTML as you create them.
While you type, LivePreview will automatically scroll to the current location you're editing.
The good old GitHub Flavored-style Markdown. So, you don't feel out of the place.
Syntax highlighting in fenced code blocks with language identifiers and Markup languages
Change the color scheme of the editor based on your preferences. i.e to choose between Dark mode/Light mode
Supports emojis in the preview mode for when you need to express yourself via one
To clone and run this application, you'll need Git and Node.js (which comes with npm) installed on your computer. From your command line:
# Clone this repository
$ git clone https://github.com/amitmerchant1990/electron-markdownify
# Go into the repository
$ cd electron-markdownify
# Install dependencies
$ npm install
# Run the app
$ npm start
Markdowinfy is built using Electron, Node.js and some more awesome software packages.


Default [grid]
Changes ammount of displayed items based on screensize and input type. Mouse based PCs can fit more items.
<div>[card]
<div>[card]
<div>[card]
<div>[card]
<div>[card]
[grid][spaced][colums="4"]
<div>[card]
<div>[card]
<div>[card]
<div>[card]
<div>[card]
<div>[card]
<div>[card]
<div>[card]
<div>[card]
<div>[card]
[grid][fullbleed][columns="3"][spaced="2px"]
[fullbleed] offtets the grid, edge-to-edge.
[columns="3"] sets exactly three columns. Does not change, isn't responsive.
[grid] with prominent item
First item has [colspan="2"] and [rowspan="2"]. CSS and display:grid takes care of the rest.
Default spacing


Find what people are contributing
Powerd by:
VodafoneYour kheer guide in Ramadan
Find what people are contributing
Your kheer guide in Ramadan
View details of every contribution
Your kheer guide in Ramadan
Pin your donation on an interactive map
Share your contribution to encourage others to donate


Computes the surface area and the enclosed volume of a surface mesh enclosing some 3D space.
Input Ports
in Mesh[+Node_Data] input field with trianglar or quad 3D cell sets Parameters
conversion Spatial units coordinate space conversion factor, default = 1.0 Output Ports
area Float resulting surface area value in units **2 volume Float resulting enclosed volume value in units **3
This module accepts a geometry mesh of triangle or quad cell sets and outputs the object's volume and surface area. The input is assumed to be a 3D connected mesh enclosing some single volume, where the triangle or quad cells define the surface boundary of the area. This is typical of the isosurface module or isovolume followed by external faces. If the area does not enclose a single volume, then the volume calculations may be incorrect, however the surface area calculation always should report the overall surface area described by the input mesh shape. If the geometric units defining the object are not the desired units, then a conversion factor can be entered, for instance to convert feet to meters. The internal volume of the shape is computed using Gauss' Theorem, rather than by explicitly looking at all cells in the interior. The module will report an error if anything other than linear triangle or quad cell sets are connected. The local Mesh Xform transformation matrix is applied to all coordinates prior to area and volume computation, so if the object is scaled this will be reflected in the resulting computation.This module uses a form of Gauss' Theorem, or Greens' Theorem in Space. This allows a direct computation of the volume enclosed by a single valued continuous closed surface. All surface normals must point "outwards" for this operation to be correct. See notes section for details. The output of external faces may be used under special circumstances, such as for the simple one-cell test cases. If the enclosed volume can be assumed to contain homogeneous material of unit density, then the volume integral will also equal the mass. This module does not attempt to integrate node data, it only operates on the geometric mesh information.
This module is a re-implementation of work described in the paper:
"Quantitative Analysis of Reconstructed Rodent Embryos" Andy R. Haas, Richard A. Strelitz, William S. Branham, Daniel M. Sheehan, R.O.W Sciences Inc., and Division of Reproductive and Developmental Toxicology, National Center for Toxicological Research, Jefferson Arkansas. The paper was presented at the International AVS User and Developer Conference, April 1995, Boston Mass, appearing in the proceedings on page 263.
The original AVS5 module "compute volume" described in the paper is also available at the International AVS centre web site at:
http://www.iavsc.org/repository/avs5/output.html#compute_volume
in
The input field for this module should be the direct output from isosurface or external_faces.
area, volume
The output scalar values are the result of the area and volume calculations on the input mesh.
An example application VolintegralEg is provided. The dataset water.fld that comes with AVS/Express is used. The values can be seen by float objects in the network editor. The surface mesh used to compute surface area and volume in this example is generated from the isosurface module.
This module makes some critical assumptions about the input triangle mesh. The surface must be closed. It must not self-intersect. All normals must point outwards. The surface must describe one connected volume. None of the triangles or quads can be hidden inside the enclosed volume, that is the interior must be empty. The surface is not restricted to a convex shape. Note that the "external faces" module cannot be relied apon to meet these conditions. If ANY of these assumptions are invalid, then the resulting numerical computation will be invalid.
Ian Curington, AVS Inc., derived from original AVS5 module byAndy R. Haas R.O.W. Sciences National Center for Toxicological Research
Tobias Schiebeck, International AVS Centre


Game of Thrones: Main Theme and The Children Arrangement for cello, 3 soloists, (percussion) and SATB choir by Chris Bartley MEI Project: Code score and tie to web videos to display sources for arrangement
This arrangement, performed by the Pitt-Greensburg Chorale in December 2014, brings together two music themes from the HBO series Game of Thrones: The Main Titles, and The Children. Original music for the series was composed by Ramin Djawadi.
Composer Malukah created an arrangement of The Children for voices and instruments. The arrangement for Chorale begins and ends with inspiration from her work, complete with her nonsense syllables as lyrics, used with her permission.
Into this arrangement I inserted music from the famous main titles, featuring cello as lead instrument.
Thus, the score below is an amalgamation of the two sources:
m1-30: Malukah (slow, contemplative, haunting - featuring 3 solo voices but no cello)
m31-61: Main Titles (faster, driving, with theme in cello and voices)
m62-end: Malukah (key change, nonsense syllables)
MEI permits rendering of clickable scores. In this case, the goal was have, at click of the starting measure of each of the three sections, to load and play youtube videos that demonstrate source. These clicks would be keyed to the correct moments within the videos.
This page successfully permits clicking on m1 for the start of the video, and m2 to get to the latter section of the Malukah video (ideally this is on m62, but this measure can't be displayed today. Ah well...).
The next step would be to have the video switch on click to the Main Title video to show the middle section. Or, have the page load with two video players, and have the correct video and time play for each click.


olitico
Government
Services
Forgot your password?
Enter your email address and click the button below.