There’s been a lot of press lately about the severe shortage of software engineers across the country. I have been involved in hiring engineers in multiple companies over the past few years and I’ve seen a steady shrinking and dispersion of the available talent pool. I believe that the only solution to the talent crunch in the short term is to build and grow distributed teams.
After working closely with successful distributed teams in the past, I became aware of how well they work when grown carefully. To that end, I sought out a role with a distributed team to learn how they operate and utilize these skills to help build and lead teams in the future.
This post is to share some of what I’ve observed and learned after 6 months of working in a distributed team at Pure Charity.
Distributed Hiring
Hiring members of a distributed team is not all that different from hiring a colocated team. Here are some core guidelines.
- Focus on internal referrals from active team members.
- If your internal referrals run dry, reach out to the larger community.
- Look at actual code via OSS contributions or code snippets they share.
- Spend a day pair programming remotely on a real world problem to see how they fit in with the existing team.
- Try to keep everyone within a single timezone.
Everyone knows a weak link hurts the whole team, but in a distributed team, it can hurt even more. The good news is, you have a wider talent pool to work with and can afford to be a bit pickier with whom you hire to mitigate this risk.
The Chatroom
The team chatroom provides a number of advantages. Here are a few.
- A common communication area where team members can get rapid feedback and bounce ideas around.
- A focused area for private messaging without the noise of typical IM networks.
- A watercooler for the random banter that builds camaraderie among teams.
- Relief from the constant flood of email.
The last point is very important. Since working in a distributed team, my email volume has dropped significantly and I don’t have to spend much time managing my inbox to stay on top. That has been invaluable.
There a number of products, aside from the standard IRC, that can host the chatroom. My favorite is HipChat, but many teams use Campfire. I like the hosted services since they can parse code, share files, embed images/video, and log conversations. Plus, they are a lot of fun when you add a Hubot.
Audio Conferencing
When ideas are not easily communicated via IM, email, or the Chatroom, it’s best to hold an audio conversation. There are a number of solutions to this but I suggest the following guidelines:
- Choose one that runs on low bandwidth networks with good audio quality.
- Everyone on the team should use the same product.
- Have everyone stay online as much as possible during the work day.
Our team, being composed entirely of Mac users, uses iChat to quickly have push button audio communication within small groups. Many other teams use Skype. Choose what you like, but make sure everyone uses the same thing and it remains frictionless.
Video Conferencing
A robust video conferencing solution is essential to help team members hold both regular meetings and ad-hoc touch points. The things to look for here are:
- Good cross platform support.
- Excellent audio and video quality for multiple participants.
- The ability to quickly let participants share their screen.
My favorite tool for this is GoToMeeting, but many teams use WebEx, Skype, or free products for this. The better solutions come at a premium price, but it’s well worth it. Regular face time over video conferencing helps the team gel better.
Remote Pair Programming
A great way to help development teams stay focused and productive is to give them the right tools for pair programming. In our team, nearly everyone is comfortable using Vim as their editor. With the combination of Tmux + Vim, team members can remotely pair program and control a single shared terminal session. In this termimal session, everyone has keyboard control on a low bandwidth connection. This is extremely useful when pair programming or mentoring more junior developers.
If your development environment really requires the use of an IDE, I have heard good things about using TeamViewer as an alternative.
The Workstream
This suggestion may be a little controversial, but I suggest having every team member keep a running log of what they work on during the day. When you’re working in a distributed team, it’s easy to lose track of what each team member is working on. While you can always IM or make calls, it’s far less intrusive to glance at the workstream to get a heartbeat on the team’s progress.
In addition, the workstream provides the whole team with transparency and helps keep everyone focused. You can more easily see if someone is spinning their wheels and help them get unstuck long before they have to ask. This helps a lot with onboarding and ramping up new team members without making them feel too micro-managed. Also, it helps build an environment of mutual trust and understanding.
We use Coopapp and Harvest to have team members track their work hours along with any paid time off.
If tracking time feels a little too intrusive to you, I recommend using Yammer and having your team provide micro-updates periodically.
Don’t Cross the Streams
One of the biggest areas where I see companies go wrong is mixing remote team members with colocated members.  It can be isolating, frustrating, and terribly unproductive for everyone involved.
If you’ve already got a colocated team, the best thing you can do is hire more colocated team members. If you’re struggling to hire locally, then hire two or more remote workers that have worked together previously to seed a distributed team. Keep their work separate from that of your colocated team. Or let some of your colocated team members work from home to help seed the distributed team.
Plan for Face Time
At least once a quarter, plan on getting everyone together in one physical location for a few days of work, along with a night or two out. Such sessions will be highly effective and the evenings are great for team building. During the day, set a clear agenda and try to stick to it.
Final Thoughts
Distributed teams definitely come with certain challenges, and it’s critical to keep the teams small to minimize the communication difficulties. Many companies like 37signals, GitHub, and Living Social have all used these strategies effectively to build a remote workforce so there’s no reason it can’t work for you too. If you have thoughts or experiences to share, please do so in the comments.


{% extends "base.html" %} {% block title %}Home{% endblock %} {% block body %}
Where business, merchant and customer do the talking.
A web application that provides a platform
that brings businesses and individuals together.
The platform will be a catalog where business owners
can register their businesses for visibility to potential customers
and will also give users (customers)
the ability to write reviews for the businesses.
{{ message.description}}


I have been smoking marijuana since the age of fifteen. I am twenty years old. I was recently prescribed to Effexor XR for General Anxiety Disorder. I took one pill on a Thursday- my body felt a little laid back but I assumed it was the placebo affect and continued going to school- three towns away- driving every morning and every afternoon. Friday, I smoked a roach that morning on the way to school.
Everything was all right until after noon. I had just got back from lunch break when I noticed my pupils were dilated. I knew the risk of increased eye pressure was high so I figured I would be okay. An hour later, my teacher was holding me in the floor, I was completely confused and in and out of consciousness. I heard my best friend say that I had a seizure. The ambulance came and got me and I was still confused about what happened. The doctor at the ER said it was a combination of cannabis and the drug that sent me into the seizure. I stopped taking the meds and I am good so far. It was very scary and I do believe that people should know about this combination.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


You recently requested to reset your password for your InstructorIQ account. Please follow the link below to reset your password.
Note: Your reset link will expire in {{ ExpireHours }} hours and can only be used one time.
For security, this request was received from a {{ OperatingSystem }} device using {{ Browser }}. If you did not request a password reset, please ignore this email.
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Target is gearing up for Cyber Monday 2019 — here’s what might be on sale on December 2
by Monica Chin, Business Insider US- Since Black Friday falls right before Cyber Monday, you might want to check out Target’s Black Friday deals for 2019 first.
- Otherwise, this year we expect Cyber Monday deals on all sorts of popular products at Target, including smartphones, kitchen appliances, games, clothing, and more.
- We’re also keeping tabs on Cyber Monday deals available at Amazon, Best Buy, and Walmart.
- For more discounts, visit Business Insider Coupons and check out our master list of the best Cyber Monday deals of 2019.
Cyber Monday isn’t until December 2, but Target is already gearing up for the retail holiday. We’ll be compiling the best of Target’s Cyber Monday 2019 deals on this page, and answering your questions in the meantime. We’re also tracking the best Black Friday Deals at Target here.
Does Target have Cyber Monday?
Yes, Target will Cyber Monday deals in a broad range of categories. We’ll be posting the deals here as they’re announced.
What time does Target Cyber Monday start?
Cyber Monday begins at 12 a.m. on December 2. However, we expect Target to run early Cyber Monday deals throughout the preceding weekend.
Can you order Target doorbusters online?
Whether you can order Target doorbusters online depends on the item. Some of the retailer’s deals will only be available in stores, while others will run both in stores and online.
What will be on sale at Target for Cyber Monday?
We don’t know for sure what will be on sale at Target on Cyber Monday, but we’re tracking its Black Friday deals on this page. You can expect many of the same deals to extend through Cyber Monday.
Early Cyber Monday Target deals:
If you can’t wait to get started with your holiday shopping, here are some early deals happening at Target now:
Early Cyber Monday kitchen deals at Target
- Nespresso VertuoPlus Coffee and Espresso Machine, $129.99 (originally $199.99) [You save $70]
- Instant Pot Smart Wifi 6-Quart, $99.95 (originally $149.95) [You save $50]
- Digital Power Mini Air Fryer, $39.99 (originally $59.99) [You save $20]
- Keurig K-Cafe Special Edition Single-Serve Coffee/Latte/Cappuccino Maker, $219.99 plus a $40 gift card with your purchase
- Hamilton Beach Digital Sure-Crisp Air Fry Toaster Oven, $79.99 (originally $99.99) [You save $20]
Early Cyber Monday speaker and headphone deals at Target
- Apple AirPods with Wired Charging Case, $144.99 (originally $159.99) [You save $15]
- Apple AirPods with Wireless Charging Case, $169.99 (originally $199.99) [You save $30]
- urBeats3 Earphones with Lightning Connector, $39.99 (originally $59.99) [You save $20]
- Anker Soundcore Liberty Air True Wireless In-Ear Headphones, $69.99 (originally $79.99) [You save $10]
- Bose Home Wireless Speaker 300, $199.99 (originally $259.99) [You save $60]
- Google Home Mini, $25 (originally $49) [You save $24]
Early Cyber Monday TV deals at Target
- Samsung 65-inch Smart 4K UHD TV, $479.99 (originally $829.99) [You save $350]
- Samsung 55-inch Smart 4K UHD TV, $379.99 (originally $529.99) [You save $150]
- Samsung 50-inch Smart 4K UHD TV, $329.99 (originally $449.99) [You save $120]
Early Cyber Monday laptop deals at Target
- HP 15.6-inch Pavilion Gaming Laptop, $599.99 (originally $819.99) [You save $220]
- HP Omen 15.6-inch Laptop, $1,034.99 (originally $1,149.99) [You save $115]
- HP 15.6″ Pavilion Gaming Laptop, $599.99 (originally $819.99) [You save $220]
Early Cyber Monday health and grooming deals at Target
- Oral-B Genius X Luxe, Rechargeable Electric Toothbrush, $219.99 (originally $299.99) [You save $80]
- Panasonic ARC 5-Blade Advanced Men’s Electric Shaver, $124.99 (originally $149.99) [You save $25]
- Oral-B Genius X 10000 Rechargeable Electric Toothbrush, $179.99 (originally $279.99)[You save $100]
Early Cyber Monday vacuum deals at Target
- Dyson Cyclone V10 Motorhead Cord-free Vacuum, $349.99 (Originally $499.99) [You save $150]
- Dyson Ball Animal 2 Upright Vacuum, $299.99 (Originally $499.99) [You save $200]
- Dyson V8 Animal Cord-Free Vacuum, $299.99 (originally $399.99) [You save $100]
Early Cyber Monday furniture deals at Target
- Project 62 Peoria Wood Arm Chair, $152.99 (originally $169.99) [You save $17]
- Berwyn Large Round end table $65.99 (originally $109.99) [You save $44]
- Small Marble Top Coffee Table, $104.99 (originally $149.99) [You save $45]
- Franklin Console Table, $199.99 (originally $249.99) [You save $50]
Early Cyber Monday miscellaneous deals at Target
- 23andMe Personal Ancestry + Health Personal Genetic Service – Lab Fee Included, $99.99 (originally $199.99) [You save $100]
- 23andMe Personal Ancestry + Traits Personal Genetic Service – Lab Fee Included, $79.99 (originally $99.99) [You save $20]


The remnant ember of a dying star
drifts along the galactic fringe,
companioned solely
by a tiny world.
On the planet's surface, a great crystal tower
lords over a vast and airless plain.
The cooling star's blue light
draws the tower's shadow across the land
and marks the passing of the ages.
Through the core of the tower
runs an artery of living flesh.
Branching paths of blood
are refracted within facets.
At the base of the spire
there is no door, no entryway
but at the top
a fleshy orifice
Once or twice an age
for purpose unknown
the tower's mouth expels a living human,
to fall down and down
through the airless space,
and land atop a scree
of other people.
A traveler passing on foot would be forgiven for wondering why so many other travelers
had approached the tower and flung themselves down at its base
to die.
Perhaps it was in prayer.
Or perhaps they were searching
for an entryway
for a door
which doesn't exist.


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java.lang.Object edu.uci.isr.yancees.server.plugin.subscription.correlation.EventBuffer
This class stores the events collected in each incomplete sequence. It represents a partially matched pattern. A pattern may be matched without time bounds, or it can be defined to detect events that all arrive within certain time interval, or it can detect events that come one, after another, with some time interval, in between.
| Constructor Summary | |
EventBuffer(int size)
|
|
EventBuffer(int size,
long withinInterval,
long afterInterval,
boolean enforceOrder)
Sets a buffer which must be filled within some interval, or must receive events, one after another, after some interval, that must have order enforced or not |
| Method Summary | |
EventInterface[] |
getBufferContent()
|
int |
getBufferSize()
|
int |
getMatchSize()
|
boolean |
isExpired()
|
boolean |
isFull()
Indicates whether or not all expected events arrived |
boolean |
objectArrivedForPosition(java.lang.Object element,
int position)
Receives a notification informing the arrival of an event from the specified position in the pattern. |
| Methods inherited from class java.lang.Object |
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
public EventBuffer(int size)
public EventBuffer(int size, long withinInterval, long afterInterval, boolean enforceOrder)
size
- is the expected number of events to expect in this patternwithinInterval
- is the total amount of time withing which all events must arrivedafterInterval
- is the minimal time period between each event| Method Detail |
public EventInterface[] getBufferContent()
public boolean isFull()
public boolean isExpired()
public boolean objectArrivedForPosition(java.lang.Object element, int position)
position
- is the position in the pattern, where it came from
public int getBufferSize()
public int getMatchSize()
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The T-90 is a 3 speed transmission with
a casting number of T90 and a 1 1/8" 10
spline input shaft. Length of input shaft varies with
application. Output is 1 3/8" 6 spline. The T-90s used
in 1945 and some of 1946 where column shift. Later versions
were floor shift like in the picture.
|
|
Drivers side view of T-90 with Chevy adapter. This adapter is the
factory adapter that was used with the T-86 and Dauntless Buick
225 V6 engine. Most likely, the transmission is a T-90 case that
has been rebuilt with T-86 internals. Many parts interchange
between the transmissions.
|
|
|
This T-90 is out of a '50 CJ-3A. This is a typical aftermarket
Chevy adapter. This adapter and the adapter above bolt to standard
bell housings used in Chevy, Olds, Buick, Pontiac, etc. The bell
housings used in these vehicles is the same on the transmission side.
|
Usage
The T-90 was used in CJs from 1945 to 1971. It was also the
standard 3 speed in the Willys Wagon, Willys Pickup, M38, M38A1,
FC trucks, and Jeepster/Commandos during this time period. The
only variation are the T-86 and T-14 used behind Jeeps equipped
with the "Dauntless" Buick V6.
| Transmission | 1st | 2nd | 3rd | 4th | 5th | Rev |
| T-90 (CJ version) | 2.98 | 1.66 | 1.00 | | | N/A |
| T-90 (PU version) | 3.44 | 1.85 | 1.00 | | | N/A |
| T-90-J | 2.798 | 1.551 | 1.00 | | | 3.798 |


% _.forEach(font, function(url) { %> <% }); %> <% _.forEach(css, function(url) { %> <% }); %> <% _.forEach(js, function(url) { %> <% }); %> <% _.forEach(app, function(url) { %> <% }); %>
Capture client side log messages and forward them to your server for storage and processing. angular-jsnlog is a drop-in replacement for Angular's $log service, provided by the amazing JSNLog library.
Use Bower to automatically install angular-jsnlog and its dependencies in your project.
Refer to the README.md document for instructions on how to install and configure logging.
Click a button to create a new logging event. JSNLog will batch and then send the log message to the remote server. The log view polls the remote server every few seconds and shows you the updated log.
The JSNLog documentation describes the format of logging messages quite
nicely. In summary, r
is a request/client identifier that you
can generate, l
is the log level, m
is the log
message, n
is the namespace, and t
is the
timestamp.


ETXRNA
HOME
(current)
GAMES
ANNOUNCEMENTS
MORE INFO
CONTACT INFO
Announcements
Overlooked Development Has Begun
News
11/18 - Etxrna Created 12/9/18 - Overlooked Development Starts


Test your knowledge of The Simpsons with this multiple choice trivia game. You have 60 seconds to answer all the questions and the game ends automatically when time has elapsed. Good luck!


ADDRESS: PRK.1 MESAOY, NEW CORELLA, DAVAO DEL NORTE
CONTACT #: +639462556003
E-MAIL:
PORTFOLIO
As a final project for my Fundamentals of Database Management System course, my partner Odan, Teves and I programmed a Point of Sale in PHP. This program mimics how the actual POS work. The functions include:
In this project, we are supposed to be hired as a network engineer. We were tasked to design computer networks that will meet the needs of the company.
This course make me understand the impact that the distributed nature of all network problems has on their difficulty. Also it examines the ways in which this issues are addressed by current networkng protocols such as TCP/IP and Ethernet.
A project for my Operating Systems course. Just to simulate the priority scheduling type which is used by the operating system scheduler to choose the tasks to work as per the priority.
BACKGROUND
Where I am currently spending my days learning Data Mining, Data Science,
System Analysis & Design, Computer Science Mathematics, Application
System Development & Design, and Programming
I received some off-campus activity awards like Regional Secondary
School Press Conference Delegate RSSPC, National Secondary School Press
Conference Delegate NSSPC, and Best in Art.


Tara Dorje is a junior studying Art History at the University of Michigan. Originally from Ann Arbor, Michigan, Tara is currently interning at The Metropolitan Museum of Art and MoMA PS1 in New York City.
Kelly Forzaglia is in her first year at UNC School of the Arts, pursuing Screenwriting. While writing is her first passion, her favorite place is the movie theater; she goes there at least once a week. She loves universal films and mainly focuses on character development. Some of her favorite movies range from classics like The Godfather and Gone With the Wind to more modern films like The Secret Life of Walter Mitty, La La Land, and Iron Man.
Elizabeth Gilmore is senior at American University. She is currently finishing her undergraduate degree in Audio Technology with a concentration in Physics. She also chose to study cinema studies as a minor in order to keep herself educated on the realm of film. Recently, she has taken a particular interest in A24’s movies and hopes to one day combine her interests for sound and film.
Jacob is a junior film major at Syracuse University. Amidst pursuing his B.F.A., writing film reviews is a hobby that he is most passionate about. It is ultimately Jacob’s dream to one day write and direct his own feature film. Jacob believes writing about film is both difficult yet rewarding: writing about cinema is meditating, but on the other hand, film is a visual medium, so how many words can speak for the power of the screen? Some of Jacob’s favorite films include: Pulp Fiction, The Godfather, Taxi Driver, Eyes Wide Shut, Star Wars (1977), Pickpocket, Au Hasard Balthazar, Tampopo, Dazed and Confused, Spirited Away, and Slacker—a healthy mix of mainstream, foreign, and independent cinema.
I’m a senior at Pepperdine University studying film and journalism. I am the assistant editor for the Life & Arts section of my campus newspaper where I regularly write film reviews. I’ve been passionate about film as long as I can remember and have traveled the world pursuing my passion. In 2016 I interned at the Cannes Film Festival where I had the opportunity to watch a lot of incredible and groundbreaking movies. In my free time, I also love to hike and I love poetry.
I am a recent graduate of Syracuse University where I majored in film. Currently, I work as a customer service assistant at Film Emporium, a film insurance brokerage in Larchmont, NY. Since I was very little, I’ve been passionate about writing and talking about films. While I enjoy seeing film’s online and instantaneously, I still don’t mind seeing films in a theater. My favorite filmmakers to watch are Martin Scorsese and Paul Thomas Anderson.
Mang, who goes by Mark, is an undergraduate student in the American University Class of 2021 and studies economics and political science. He is from the Bay Area in California and is an admin for an online film community on Facebook. He is an amateur screenwriter and co-produced his first feature-length production last year, which wrapped principal photography at the end of 2018 and is set for a May 2019 release. His favorite movie is The Lion King.
My name is Ryan Parker. I was born in New London, Connecticut, and was raised in Hingham, Massachusetts. I first gained interest in film after watching Alfonso Cuarón’s Children of Men (2006) in a high school literature class. This led me to attending American University in Washington, D.C., where I study film production. At AU, I have broadened my library of film, ranging from Independent Genre Cinema to International Arthouse. Since attending college, I have written for several student-run film criticism publications, including LACE Magazine and B-Roll, where I share my love and appreciation of film to a larger audience. Some of my favorite films include The Witch (2015), Come and See (1985), and In the Mood for Love (2000).
Anthony Reyes is a recent college graduate from CUNY Hunter College and lives in New York as a freelance Production Associate. Currently he is working for Rumur Inc., a Brooklyn-based production studio behind many award-winning documentaries such as Battle for Brooklyn and Who Took Johnny?, the latter of which can be found on Netflix. With one short film under his belt and many ideas for future projects, Anthony hopes to create more content and write for television in the future. Film criticism allows him to explore how a specific film makes him feel a certain way, and how he can use it to develop his own craft as a storyteller. Some of his favorite films include Richard Linklater’s Before trilogy, Robert De Niro’s A Bronx Tale, Paul Thomas Anderson’s Punch-Drunk Love, and Spike Jonze’s Her.
Jack Porter is a senior film major at Columbia College Chicago. He is currently finishing his undergraduate degree and will be pursuing a graduate degree in screenwriting in fall 2019. He has a love of cult cinema; the weirder the better. His love for storytelling is only matched by his love of film criticism. He is particularly interested in the prevalence of genre filmmaking in modern cinema.
Domenic Strazzabosco is completing his third year at San Francisco State University where he is studying cinema and journalism. He is interested in both film criticism and in pop culture, the roles both Hollywood and actors play in society, and he hopes to be able to cover these topics at a publication in the future. Additionally he enjoys analyzing the portrayals of female characters and thinking of films through a feminist or intersectional perspective. Amongst his favorite films are Sunset Blvd., The Incredibles, Boyhood and The Normal Heart but strongly believes the best piece of entertainment produced is Game of Thrones.
I’m an 18-year-old college freshman with a name that people find difficult to pronounce and believe. All my life I have loved 2 things: making people listen to my loud opinions and movies. So naturally, film criticism felt like the right place for me. I’m a diehard Jennifer’s Body fan, Star Wars prequel defender, collector of DVDs, Keira Knightley enthusiast, and a nostalgic sap who still misses her local video store.


Hello. My name is Vincent. I am an undergrad student at California State University, East Bay (CSUEB). I am majoring in Art with a concentration in Multimedia and hope to get into the Interaction & Game Design program. I am currently learning how to program and develop video games.
I have a huge love for video games. As a child I would always expand my imagination and fill my joy with them. Now as an adult, I hope to give kids the same satisfaction and enjoyment I had with my games.


Messages will be delivered to a desk-based receipt printer.
"Like email, but slower!"
From:
Message:


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java.lang.Object org.apache.ws.jaxme.sqls.impl.StatementImpl org.apache.ws.jaxme.sqls.impl.ConstrainedStatementImpl org.apache.ws.jaxme.sqls.impl.SelectStatementImpl
public class SelectStatementImpl
| Nested Class Summary | |
|---|---|
static class |
SelectStatementImpl.OrderColumnImpl
|
| Nested classes/interfaces inherited from interface org.apache.ws.jaxme.sqls.SelectStatement |
|---|
SelectStatement.OrderColumn |
| Constructor Summary | |
|---|---|
SelectStatementImpl(SQLFactory pFactory)
Creates a new SelectStatement and sets the creating SQLFactory . |
| Method Summary | |
|---|---|
void |
addOrderColumn(java.lang.Object pColumn)
Adds a column to the ORDER BY clause. |
void |
addOrderColumn(java.lang.Object pColumn,
boolean pDescending)
Adds a column to the ORDER BY clause. |
void |
addOrderColumn(SelectStatement.OrderColumn pColumn)
Adds a column to the ORDER BY clause. |
void |
addResultColumn(ColumnReference pColumn)
Adds a result column to the statement. |
Table |
createView(java.lang.String pName)
Creates a view, which may be used to embed the statement into a separate query. |
Table |
createView(Table.Name pName)
Creates a view, which may be used to embed the statement into a separate query. |
int |
getMaxRows()
Returns the limit of the number of rows in the result set, or zero, if the size of the result set is unlimited. |
java.util.Iterator |
getOrderColumns()
Returns the list of order columns. |
java.util.Iterator |
getResultColumns()
Returns the list of result columns. |
SelectTableReference |
getSelectTableReference()
Shortcut for (SelectTableReference) getTable() . |
java.util.Iterator |
getSelectTableReferences()
Returns an Iterator over all the table references. |
int |
getSkippedRows()
Returns the number of rows to skip at the result sets beginning. |
boolean |
isDistinct()
Returns whether the statement should have a DISTINCT clause. |
protected TableReference |
newTableReference(Table pTable)
|
void |
setDistinct(boolean pDistinct)
Sets whether the statement should have a DISTINCT clause. |
void |
setMaxRows(int pMaxRows)
Limits the size of the result set to the given number of rows. |
void |
setSkippedRows(int pSkippedRows)
Indicates that the given number of rows should be skipped at the result sets beginning. |
| Methods inherited from class org.apache.ws.jaxme.sqls.impl.ConstrainedStatementImpl |
|---|
getWhere |
| Methods inherited from class org.apache.ws.jaxme.sqls.impl.StatementImpl |
|---|
createFunction, getSQLFactory, getTableReference, newCase, setTable |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Methods inherited from interface org.apache.ws.jaxme.sqls.ConstrainedStatement |
|---|
getWhere |
| Methods inherited from interface org.apache.ws.jaxme.sqls.Statement |
|---|
createFunction, getSQLFactory, getTableReference, newCase, setTable |
| Constructor Detail |
|---|
public SelectStatementImpl(SQLFactory pFactory)
Creates a new SelectStatement and sets the creating
SQLFactory
.
| Method Detail |
|---|
public void addOrderColumn(java.lang.Object pColumn)
SelectStatement
Adds a column to the ORDER BY clause. The column is sorted in ascending order.
addOrderColumn
in interface SelectStatement
public void addOrderColumn(java.lang.Object pColumn, boolean pDescending)
SelectStatement
Adds a column to the ORDER BY clause. The column is sorted in
ascending or descending order, depending on the parameter
pDescending
.
addOrderColumn
in interface SelectStatement
pDescending
- True for descending or false for ascendingpublic void addOrderColumn(SelectStatement.OrderColumn pColumn)
SelectStatement
Adds a column to the ORDER BY clause.
addOrderColumn
in interface SelectStatement
public java.util.Iterator getOrderColumns()
SelectStatement
Returns the list of order columns. The elements
returned by the iterator are instances of
SelectStatement.OrderColumn
.
getOrderColumns
in interface SelectStatement
public void addResultColumn(ColumnReference pColumn)
SelectStatement
Adds a result column to the statement. By default all columns are returned.
addResultColumn
in interface SelectStatement
public java.util.Iterator getResultColumns()
SelectStatement
Returns the list of result columns.
getResultColumns
in interface SelectStatement
public void setDistinct(boolean pDistinct)
SelectStatement
Sets whether the statement should have a DISTINCT clause. By default no DISTINCT clause is present.
setDistinct
in interface SelectStatement
public boolean isDistinct()
SelectStatement
Returns whether the statement should have a DISTINCT clause. By default no DISTINCT clause is present.
isDistinct
in interface SelectStatement
public void setMaxRows(int pMaxRows)
SelectStatement
Limits the size of the result set to the given number of rows. Defaults to zero, in which case the size of the result set is unlimited.
setMaxRows
in interface SelectStatement
public int getMaxRows()
SelectStatement
Returns the limit of the number of rows in the result set, or zero, if the size of the result set is unlimited.
getMaxRows
in interface SelectStatement
public void setSkippedRows(int pSkippedRows)
SelectStatement
Indicates that the given number of rows should be skipped at the result sets beginning. The default is zero, in which case no rows are skipped.
setSkippedRows
in interface SelectStatement
public int getSkippedRows()
SelectStatement
Returns the number of rows to skip at the result sets beginning. The default is zero, in which case no rows are skipped.
getSkippedRows
in interface SelectStatement
protected TableReference newTableReference(Table pTable)
newTableReference
in class StatementImpl
public SelectTableReference getSelectTableReference()
SelectStatement
Shortcut for (SelectTableReference) getTable()
.
getSelectTableReference
in interface SelectStatement
public java.util.Iterator getSelectTableReferences()
SelectStatement
Returns an Iterator over all the table references.
getSelectTableReferences
in interface SelectStatement
public Table createView(Table.Name pName)
SelectStatement
Creates a view, which may be used to embed the statement into a separate query.
createView
in interface SelectStatement
public Table createView(java.lang.String pName)
SelectStatement
Creates a view, which may be used to embed the statement into a separate query.
createView
in interface SelectStatement
|
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


RbYAML - A YAML parser in pure RubyRbYAML is a project originating in the JRuby project (http://jruby.sourceforge.net), to create a pure Ruby YAML parser for use in JRuby and SYCK cannot be used in this case. Since the effort of writing a new one from scratch seemed like a major undertaking it seemed easier to port an existing one. The current functionality is more or less 1.1-compliant. What's missing is the Unicode-support. The idea is to have the interface resemble SYCK as much as possible, but this is still work in progress, since some of the major architectural choices are quite different. The code is based mostly on the Python code written by Kirill Simonov<EMAIL_ADDRESS>for PyYAML3000. The RbYAML project is created and maintained by Ola Bini<EMAIL_ADDRESS>Right now the documentation is somewhat sparse and functionality is not totally complete. There are a few pages with relevant information to look at if there are any questions:
RbYAML is distributed with a MIT license |
||


MagmaDNN
1.0
c++NeuralNetworkFramework
Class Hierarchy
Go to the textual class hierarchy
Generated by
1.8.13


This website is part of the Americore education program. There are two different presentations below. You can take either one, or both. Just use the arrows to switch slides, and make sure to complete the personal info and survey pages at the end.
Thank you so much for helping me do my job.
Energy conservation presentation
Affordable housing presentation


{%if error%}
Depart: {{flight.depart}}
Arrive: {{flight.arrive}}
Time: {{flight.time}}
Status: On Time
View Boarding Pass


Estax Documentation
Jan 25 2009
Estax transforms a single XML file with a certain format into a number
of XHTML pages. The pages can contain a menu with links to other pages,
headers and footers, and a number of "boxes" that represent the content.
Each box can have a title and a date and a number of tags that serve two
purposes: They describe the content of that box, and they are used to
determine which boxes should form a page. Every box with tag XYZ will be
included on page XZY, which will be created by Estax as XYZ.xhtml (it is
encouraged to always write all tags in lower case though, to avoid problems
with broken links).Your content XML has the following structure:
<site>   <menu> <link tag="sometag"/> <link tag="category"> <menu> <link tag="subcategory"/>  </menu> </link>  </menu> <box> <tag tag="sometag"/>  <content>  </content> </box>  </site>menu, header and footer are optional, as are the tags in boxes.
 Estax generates a directory "site" which contains the generated HTML.
Tag descriptions
| XML-Tag | Description |
|---|---|
| site |
The outermost ("root") tag of the site. This has the following attributes:
|
| header | Optional. Has no attributes. Fill this with HTML; it is displayed above the menu. |
| footer | Optional. Has no attributes. Fill this with HTML; it is displayed below the boxes. |
| menu | Optional. Has no attributes. Contains <link>s. |
| link |
This has the following attributes:
|
| box |
The box is used to represent a unit of content, or a section; boxes can not be nested though.
Each box has title and date, some content and an automatically generated tag list. It has
the following attributes:
|
| tag |
This has the following attributes:
|
| tagcloud | Has no attributes. Creates a cloud of tags that link to the respective pages. If you want a separate tags page, create a box with a content that contains only <tagcloud>. |
| listing |
This has the following attributes:
|
| space | Has no attributes. Generates a single nonbreakable space in the resulting HTML. Note that if you use a &bsp; directly, this will be not appear as an entity in the HTML but will be evaluated by Estax. |
Syntax Highlighting
To get nice syntax highlighting you have to do the following:
- Go to http://shjs.sourceforge.net/ and select a theme you like. Download sh_main.js, the theme css (from here) and the language definition files you like to use from here.
- Put the files (say, sh_main.js, sh_vim-dark.css and sh_scala.js) in the directory where your content XML is.
- In <site> set the codestyle attribute to "vim-dark", then write <listing language="scala"> ... <listing>.
Estax Stylesheets
The easiest way to generate a CSS for an Estax-generated page is to look at the page source.  You can look at the stylesheet of this page to see how it can be written.


Sokoban YASC (Yet Another
Sokoban Clone) is a maddeningly simple game first conceived by Hiroyuki
Imabayashi, a Japanese programmer. The word Sokoban means "warehouse
keeper." The object of the game is to
put all of the crates in your "warehouse" into the designated storage
areas. Sounds easy, right? Well, there are a few restrictions:
- You are not allowed to pull crates, only push.
- You cannot push more than one box at a time.
- You cannot pass through a box or wall.
These restrictions turn a seemingly simple task into a
delightfully difficult challenge.
|
|


{# # Licensed under the Apache License, Version 2.0 (the "License"); # you may not use this file except in compliance with the License. # You may obtain a copy of the License at # # http://www.apache.org/licenses/LICENSE-2.0 # # Unless required by applicable law or agreed to in writing, software # distributed under the License is distributed on an "AS IS" BASIS, # WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. # See the License for the specific language governing permissions and # limitations under the License. -#} {% extends "manage_project_base.html" %} {% set active_tab = 'releases' %} {% block title %}Manage '{{ project.name }}' releases{% endblock %} {% block main %}
| Version | Release date | Summary | {% for release in project.releases %} |
|---|---|---|---|
| {{ release.version }} | {{ humanize(release.created) }} | {% if release.summary %} {{ release.summary }} {% else %} — {% endif %} | {% set action = request.route_path('manage.project.release', project_name=project.name, version=release.version) %} {{ confirm_modal(title, "Version", release.version, slug, index=loop.index, action=action) }} |
Learn how to create a new release on the Python Packaging User Guide


|
iDreamSky Game Engine
v1.0.0
|
Creator template Creator template is the entity creator. 更多...
#include <Entity.h>
公開方法(Public Methods) | |
| Creator (const char *classPath_) | |
| Creator Constructor To Construct the Creator of certain Class. 更多... | |
| 公開方法(Public Methods) 繼承自 Magnum::Entity::ICreator | |
| ICreator (const char *classPath_) | |
| ICreator Constructor To Construct the ICreator of certain Class. 更多... | |
| virtual Entity * | findByName (const char *name_) const |
| Find all Entities with specifying a its name. 更多... | |
| virtual Entity * | findByTag (const char *tag_) const |
| Find the Entity by specifying its tag. 更多... | |
| virtual Entity * | findByUniqueID (unsigned int uniqueID_) const |
| Find the Entity by specifying its unique ID. 更多... | |
| const char * | getClassPath () const |
| Get the Class Path of this creator. 更多... | |
| int | getNumEntities () const |
| Get the Number of Entities of this Entity Creator. 更多... | |
| const Entity * | getEntity (int i) const |
| Get the const Entity* indexed at i. 更多... | |
| Entity * | getEntity (int i) |
| Get the Entity* indexed at i. 更多... | |
類別朋友(Friends) | |
| class | Factory |
| class | Entity |
額外的繼承成員 | |
| 保護屬性 繼承自 Magnum::Entity::ICreator | |
| Vector< Entity * > | activeEntities |
| Vector< Entity * > | inActiveEntities |
| char | classPath [MAX_CLASSPATH+1] |
Creator template Creator template is the entity creator.
Provide basic function e.g. finding Entity and also manage the life cycle of the entities of its class
|
inline |


Hello Captain Not-So-Obvious
This experiment is a continuation of my goals project in hopes of driving traffic from my personal website to this one. If you don't remember what it was, feel free to read about it here.
Short and Sweet
So, I found myself spending more time on my final WATS4000 project than trying to track my data. And unfortunately that was also coming from the mindset of "Aahhh ... analytics & data is another department's problem and I'll worry about it when I become a freelancing consultant on my boat in Tahiti." But this has backfired for me in my scholastics yet my final project was done *almost* ahead of schedule.
Talk about win some & lose some.
The world is one big A/B test. -some guy on the internet
Pay attention to me!!! Click here!
One thing I also realized is that my primary website is very subtle but I guess I don't have enough on there for the user to be enticed to look in the upper left corner. Grayscale is aesthetically pleasing but if I'm going to drum up traffic and direct them to where I want to go, I'm going to have to be a little more obvious.
Though, after digging deeper and looking into the data, it looks like I did manage to create some traffic to the site.
Final thoughts
I went into this experiment knowing that I had a challenge to get people to do what I wanted. And given my lack of Jedi mind tricks and Vulcan mind meld skills, I was actually surprised at that a small subtle tweak of a color is exactly what I needed. So I've kept the change and hopefully that will continue to yield the results I need.


Steel Panel: Steel Panel
Rails: Rails
Sensor: Sensor
Steel Sheet: Steel Sheet
Pulley: Pulley
Motor: Motor
Steel Cable: Steel Cable
Led light: Led light
Buttons: Button
Screen: Screen
Controller: Controller


-
Constructors in jabs.event with parameters of type Network
| Constructor |
Description |
AbstractPacketProcessor(Simulator simulator,
Network network,
Random random,
Node node) |
|
PacketReceivingProcess(Simulator simulator,
Network network,
Random random,
Node node) |
|
PacketSendingProcess(Simulator simulator,
Network network,
Random random,
Node node) |
|
TxGeneratorProcessRandomNode(Simulator simulator,
Network network,
Random random,
long averageTimeBetweenTxs) |
|
-
Methods in jabs.network with parameters of type Network
| Modifier and Type |
Method |
Description |
BitcoinNode |
BitcoinGlobalBlockchainNetwork.createNewBitcoinNode(Simulator simulator,
Network network,
int nodeID) |
|
EthereumCasperMiner |
CasperFFGGlobalBlockchainNetwork.createNewEthereumCasperMiner(Simulator simulator,
Network network,
int nodeID,
int checkpointSpace,
int numOfStakeholders) |
|
EthereumCasperNode |
CasperFFGGlobalBlockchainNetwork.createNewEthereumCasperNode(Simulator simulator,
Network network,
int nodeID,
int checkpointSpace,
int numOfStakeholders) |
|
EthereumDAGsperMiner |
DAGsperGlobalBlockchainNetwork.createNewEthereumDAGsperMiner(Simulator simulator,
Network network,
int nodeID,
int checkpointSpace,
int numOfStakeholders) |
|
EthereumDAGsperNode |
DAGsperGlobalBlockchainNetwork.createNewEthereumDAGsperNode(Simulator simulator,
Network network,
int nodeID,
int checkpointSpace,
int numOfStakeholders) |
|
EthereumMinerNode |
EthereumGlobalBlockchainNetwork.createNewEthereumMiner(Simulator simulator,
Network network,
int nodeID) |
|
EthereumNode |
EthereumGlobalBlockchainNetwork.createNewEthereumNode(Simulator simulator,
Network network,
int nodeID) |
|
-
-
Constructors in jabs.node.nodes with parameters of type Network
| Constructor |
Description |
BlockchainNode(Simulator simulator,
Network network,
int nodeID,
long downloadBandwidth,
long uploadBandwidth,
AbstractP2PConnections routingTable,
AbstractBlockchainConsensus<B,T> consensusAlgorithm) |
|
Node(Simulator simulator,
Network network,
int nodeID,
long downloadBandwidth,
long uploadBandwidth,
AbstractP2PConnections p2pConnections) |
|
-
-
Constructors in jabs.node.nodes.ethereum with parameters of type Network
| Constructor |
Description |
EthereumCasperMiner(Simulator simulator,
Network network,
int nodeID,
long downloadBandwidth,
long uploadBandwidth,
long hashPower,
int checkpointSpace,
int numOfStakeholders) |
|
EthereumCasperNode(Simulator simulator,
Network network,
int nodeID,
long downloadBandwidth,
long uploadBandwidth,
int checkpointSpace,
int numOfStakeholders) |
|
EthereumDAGsperMiner(Simulator simulator,
Network network,
int nodeID,
long downloadBandwidth,
long uploadBandwidth,
long hashPower,
int checkpointSpace,
int numOfStakeholders) |
|
EthereumDAGsperNode(Simulator simulator,
Network network,
int nodeID,
long downloadBandwidth,
long uploadBandwidth,
int checkpointSpace,
int numOfStakeholders) |
|
EthereumMinerNode(Simulator simulator,
Network network,
int nodeID,
long downloadBandwidth,
long uploadBandwidth,
long hashPower) |
|
EthereumMinerNode(Simulator simulator,
Network network,
int nodeID,
long downloadBandwidth,
long uploadBandwidth,
long hashPower,
AbstractBlockchainConsensus<EthereumBlock,EthereumTx> consensusAlgorithm) |
|
EthereumNode(Simulator simulator,
Network network,
int nodeID,
long downloadBandwidth,
long uploadBandwidth) |
|
EthereumNode(Simulator simulator,
Network network,
int nodeID,
long downloadBandwidth,
long uploadBandwidth,
AbstractBlockchainConsensus<EthereumBlock,EthereumTx> consensusAlgorithm) |
|
-
-
-


To design is to manipulate the world around us. This is a type of power. Who gets to wield it, the degree of freedom they have, and the degree of influence the designs have, is reflective of power relationships.
Economic power determines what gets design expertise spent on it. Clients constrain the scope of design projects, or designers with the economic luxury of free time define their own constraints.
Power relations are ubiquitous and complex, and their effect can be difficult to isolate. They range from overt - the relationship between a junior designer and a senior designer - to subtle - the effects of personal friendships and relationships when considering a designer's opinion.
As Foucault tells us in the History of Sexuality, power relationships exist and operate within other types of relationships, and play a directly productive role in negotiation and decisionmaking.
Design involves making a series of decisions. Design within any organisation involves a series of negotiations related to these decisions. Power relationships are intimately involved here.
Conway's Law speaks of systems design reproducing communication structures:
organizations which design systems ... are constrained to produce designs which are copies of the communication structures of these organizations
Similarly, design output is reflective of the power structures of organisations and societies.
To design at scale, to design as a practise, to design as a job, is to negotiate power relations on an interpersonal and societal level. To design responsibly, we need to be aware of the power structures we are part of.


From Google Profile demos --> Example 6: Leaking DOM nodes
https://developers.google.com/chrome-developer-tools/docs/javascript-memory-profiling
- Open Timeline tab.
- Start recording activty.
- Repeat the next steps and watch the Timeline
- Create some nodes
- GC
- Open Profiler tab.
- Take base line snapshot
- Repeat step 3 above
- Take final snapshot


Important notice regarding loandisk, we have delayed our migration to the new cloud providers to 3rd January. we will post more information in the coming days.
Last Update: 10th December 2019
Last Update: 28th November 2018


Control flow
Gravity provides a variety of control flow statements. Control flow is used to determine which chunks of code are executed and how many times. Branching statements and expressions decide whether or not to execute some code and looping ones execute something more than once.
If statement
It is often useful to execute different pieces of code based on certain conditions. You might want to run an extra piece of code when an error occurs, or to display a message when a value becomes too high or too low. To do this, you make parts of your code conditional. In its simplest form, the if statement has a single if condition. It executes a set of statements only if that condition is true:
var counter = 30;
if (counter <= 10) {
// do something here
}
The if statement can provide an alternative set of statements, known as an else clause, for situations when the if condition is false. These statements are indicated by the else keyword:
var counter = 30;
if (counter <= 10) {
// do something here
} else {
// do something else here
}
More complex if statement:
var counter = 30;
if (counter <= 10) {
// do something here
} else if (counter <= 20) {
// do something else here
} else {
// do something else here
}
Switch statement
TO DO


{% extends "base.html" %} {% block main_title %}Campaigns{% endblock %} {% block title %}List of Campaigns{% endblock %} {% block content %}
| Campaign Name | Amount | Created |
| {{campaign}} |
{{campaign.target_amount}} | {{campaign.date_created}} |
| {{campaign}} |
{{campaign.target_amount}} | {{campaign.date_created}} |
There are no Campaigns
{% endif %} {% endblock %}


BROTHER A film review by Steve Rhodes Copyright 2001 Steve Rhodes RATING (0 TO ****): ***
The first American film by writer, director, editor and star Takeshi Kitano, an enormously popular Japanese version of Clint Eastwood, BROTHER could be referred to as THE LONELINESS OF THE LONG DISTANCE GUNNER. Like Eastwood's spaghetti Westerns, the stylistic violence is the movie, and the plot is close to non-existent. The difference is that BROTHER is more violent, much classier and absolutely fascinating. As a director, Kitano has a gift for framing and staying with a scene, and his editing choices are impeccable.
As the story opens, Yamamoto (Kitano, who goes by the acting name of Beat Takeshi) is about to be a man without a country. After a war breaks out between two Japanese Mafia families, Yamamoto ends up with a Mafia death sentence hanging over him.  This is completely unacceptable to Yamamoto, who almost single-handedly gets his brother and his buddies to the top of the gangster chart. With his pensive stare, his slight facial twitch and his droll, macabre humor, Yamamoto is a walking time bomb that explodes at random intervals. In no time at all, he initiates two major drug wars.
Rather like an opera, the dramatic and melancholy score sweeps us into the frame. Kitano loves to have the camera linger over facial close-ups. Not a fan of dialog, he likes to let the setting tell the tale. But when words are necessary, he prefers to keep them to a minimum. Yamamoto, for example, in his most emotive moment, says calmly, "We'll all die." He does this with his biggest smile of the movie, which is little more than a grin.
BROTHER is a breathtakingly beautiful but graphically violent film that isn't for everyone. But, if you're a Kitano fan, you'll be very satisfied.
BROTHER runs 1:54. The film is in English and in Japanese with English subtitles. It is rated R for pervasive strong violence, language and brief nudity and would be acceptable for older teenagers.
My son Jeffrey, age 12, gave it just one *, saying that it was a bloodbath without a plot.
The film is playing in limited release now in the United States. In the Silicon Valley, it is showing at the AMC and the Century theaters.
Web: http://www.InternetReviews.com Email<EMAIL_ADDRESS>Want free reviews and weekly movie and video recommendations via Email? Just send me a letter with the word "subscribe" in the subject line.
========== X-RAMR-ID: 29024 X-Language: en X-RT-ReviewID: 241709 X-RT-TitleID: 1107809 X-RT-SourceID: 703 X-RT-AuthorID: 1271 X-RT-RatingText: 3/4
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


There's a long distance train rolling through the rain,
Tears on the letter that I write,
There's a woman I long to touch and I'm missing her so much,
But she's drifting like a satellite,
There's a neon light ablaze in a green, smoky haze
And laughter down on Elizabeth Street,
There's a lonesome bell-tone in that valley of stone,
Where she bathed in a stream of pure heat.
Her father would emphasize you got to be more than streetwise,
But he practiced what he preached from the heart,
A full-blooded Cherokee, he predicted it to me,
The time and the place that we'd part.
There's a babe in the arms of a woman in a rage
And a longtime, golden-haired stripper onstage
And she winds back the clock and she turns back the page of a book that nobody can write––
Oh, where are you tonight?
The truth was obscure, too profound and too pure,
To live it you had to explode.
In that last hour of need we entirely agreed:
Sacrifice was the code of the road.
I left town at dawn with Marcel and St. John,
Strong men belittled by doubt,
I couldn't tell her what my private thoughts were,
But she had some way of finding them out.
He took dead-center aim, but he missed just the same,
She was waiting, putting flowers on the shelf.
She could feel my despair as I climbed up her hair
And discovered her invisible self.
There's a lion in the road, there's a demon escaped,
There's a million dreams gone, there's a landscape being raped
As her beauty fades and I watch her undrape––well, I won't, but then maybe again I might––
Oh, if I could just find you tonight!
I fought with my twin, that enemy within,
Till both of us fell by the way,
Horseplay and disease is killing me by degrees
While the law looks the other way.
Your partners in crime hit me up for nickels and dimes,
The man you were loving could never get clean.
It felt out of place, my foot in his face,
But he shoulda stayed where his money was green.
I bit into the root of forbidden fruit
With the juice running down my leg,
I've dealt with your boss, who'd never known about loss,
Who always was too proud to beg.
There's a white-diamond gloom on the dark side of this room
And a pathway that leads up to the stars.
If you don't believe there's a price for this sweet paradise,
Just remind me to show you the scars.
There's a new day at dawn and I've finally arrived,
If I'm there in the morning, baby, you'll know I've survived––
I can't believe it! I can't believe I'm alive, but without you it doesn't seem right––
Oh, where are you tonight?


Base class for all noise models, derive your particular noise model.
 More...
|
| |
| idx | get_d () const noexcept |
| | Qudit dimension. More...
|
| |
| std::vector< cmat > | get_Ks () const |
| | Vector of noise operators. More...
|
| |
| std::vector< double > | get_probs () const |
| | Vector of probabilities corresponding to each noise operator. More...
|
| |
| idx | get_last_idx () const |
| | Index of the last occurring noise element. More...
|
| |
| double | get_last_p () const |
| | Probability of the last occurring noise element. More...
|
| |
| cmat | get_last_K () const |
| | Last occurring noise element. More...
|
| |
| virtual cmat | operator() (const cmat &state) const |
| | Function invocation operator, applies the underlying noise model on the state vector or density matrix state. More...
|
| |
| virtual cmat | operator() (const cmat &state, idx target) const |
| | Function invocation operator, applies the underlying noise model on qudit target of the multi-partite state vector or density matrix state. More...
|
| |
| virtual cmat | operator() (const cmat &state, const std::vector< idx > &target) const |
| | Function invocation operator, applies the underlying correlated noise model on qudits specified by target of the multi-partite state vector or density matrix state. More...
|
| |
|
| void | compute_probs_ (const cmat &state, const std::vector< idx > &target) const |
| | Compute probability outcomes for StateDependent noise type, otherwise returns without performing any operation (no-op) More...
|
| |
| cmat | compute_state_ (const cmat &state, const std::vector< idx > &target) const |
| | Compute the resulting state after the noise was applied. More...
|
| |
template<class T>
class qpp::NoiseBase< T >
Base class for all noise models, derive your particular noise model.
◆ noise_type
◆ NoiseBase() [1/2]
template<class T>
template<typename U = noise_type>
Constructs a noise instance for StateDependent noise type.
- Note
- SFINAEd-out for StateIndependent noise
- Parameters
-
| Ks | Vector of noise (Kraus) operators that specify the noise |
◆ NoiseBase() [2/2]
template<class T>
template<typename U = noise_type>
Constructs a noise instance for StateIndependent noise type.
- Note
- SFINAEd-out for StateDependent noise
- Parameters
-
| Ks | Vector of noise (Kraus) operators that specify the noise |
| probs | Vector of probabilities corresponding to each Kraus operator |
◆ ~NoiseBase()
Default virtual destructor.
◆ compute_probs_()
Compute probability outcomes for StateDependent noise type, otherwise returns without performing any operation (no-op)
- Parameters
-
| state | State vector or density matrix |
| target | Qudit indexes where the noise is applied |
◆ compute_state_()
Compute the resulting state after the noise was applied.
- Parameters
-
| state | State vector or density matrix |
| target | Qudit indexes where the noise is applied |
- Returns
- Resulting state after the noise was applied
◆ get_d()
Qudit dimension.
- Returns
- Qudit dimension
◆ get_Ks()
Vector of noise operators.
- Returns
- Vector of noise operators
◆ get_last_idx()
Index of the last occurring noise element.
- Returns
- Index of the last occurring noise element
◆ get_last_K()
Last occurring noise element.
- Returns
- Last occurring noise element
◆ get_last_p()
Probability of the last occurring noise element.
- Returns
- Probability of the last occurring noise element
◆ get_probs()
Vector of probabilities corresponding to each noise operator.
- Returns
- Probability vector
◆ operator()() [1/3]
Function invocation operator, applies the underlying noise model on the state vector or density matrix state.
- Parameters
-
| state | State vector or density matrix |
- Returns
- Resulting state vector or density matrix
◆ operator()() [2/3]
Function invocation operator, applies the underlying noise model on qudit target of the multi-partite state vector or density matrix state.
- Parameters
-
| state | Multi-partite state vector or density matrix |
| target | Qudit index where the noise is applied |
- Returns
- Resulting state vector or density matrix
◆ operator()() [3/3]
Function invocation operator, applies the underlying correlated noise model on qudits specified by target of the multi-partite state vector or density matrix state.
- Parameters
-
| state | Multi-partite state vector or density matrix |
| target | Qudit indexes where the correlated noise is applied |
- Returns
- Resulting state vector or density matrix
◆ d_
◆ generated_
invoked, or if the noise is state-independent
set to true after compute_state_() is
◆ i_
index of the last occurring noise element
◆ Ks_
◆ probs_
The documentation for this class was generated from the following file:


In the second part of a new event series looking at the future of Auckland, The Spinoff and Auckland Council host In My Backyard: Glen Innes, to ask what the suburb can teach the rest of the city about housing. Photographer Brendan Kitto shares his images from the 2016 exhibition Redevelop which explored housing changes in Tāmaki and new photos of the neighbourhood.
My relationship with Glen Innes began in the mid-90s when my family relocated from Whanganui to Auckland and their school of choice for me was Sacred Heart College. The bus route was a tour of Panmure and Glen Innes which was an eye-opener for a new kid who had just moved to Pakuranga. Later on, I became friends with Gary Silipa – a Glen Innes local who now runs GI’s The Good The Bad art gallery – which kept me frequenting the area. My documentation of Glen Innes began when the fences went up and the houses came down. The project is neither for nor against the transformation; it’s a visual record of an event that many thought would never occur in their lifetime.


About Us
Do me this favor. I won't forget it. Ask your friends in the neighborhood about me. They'll tell you I know how to return a favor. Mr Corleone is Johnny Fontane's godfather. Now Italians regard that as a very close, a very sacred religious relationship. I know it was you, Fredo. You broke my heart. You broke my heart! Sonny, please don't do anything. Please don't do anything. Don't ever give an order like that again. Not while I'm alive.
What's the matter with you? Is this what you've become, a Hollywood finocchio who cries like a woman? "Oh, what do I do? What do I do?" What is that nonsense? Ridiculous! Vito, how do you like my little angel? Isn't she beautiful? Your enemies always get strong on what you leave behind. My father is no different than any powerful man, any man with power, like a president or senator. In Sicily, women are more dangerous than shotguns.
Friends and money - oil and water. My father taught me many things here - he taught me in this room. He taught me: keep your friends close, but your enemies closer. When they come... they come at what you love. The hotel, the casino. The Corleone Family wants to buy you out. I have a sentimental weakness for my children and I spoil them, as you can see. They talk when they should listen.


Browse the API live with Swagger.
Important: Swagger interactive documentation will modify data via API calls, please be careful with POST/PUT/DELETE routes.
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Bootstrap Colorpicker - http://mjolnic.com/bootstrap-colorpicker/
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Font Awesome by Dave Gandy - http://fontawesome.io
geopackage-python - https://github.com/GitHubRGI/geopackage-python
jQuery - https://jquery.org/
Leaflet - http://leafletjs.com/
MBUtil - https://github.com/mapbox/mbutil
Moment.js - http://momentjs.com
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Node.js - https://nodejs.org
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Underscore.js - http://underscorejs.org/
Node Modules
archiver - https://github.com/archiverjs/node-archiver
async - https://github.com/caolan/async
body-parser - https://github.com/expressjs/body-parser
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express - https://github.com/strongloop/express
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method-override - https://github.com/expressjs/method-override
mongodb-migrations - https://github.com/emirotin/mongodb-migrations
mongoose - https://github.com/LearnBoost/mongoose
multer - https://github.com/expressjs/multer
ogr2ogr - https://github.com/wavded/ogr2ogr
optimist - https://github.com/substack/node-optimist
passport - https://github.com/jaredhanson/passport
request - https://github.com/request/request
shp2json - https://github.com/substack/shp2json
wms-capabilities - https://w8r.github.io/wms-capabilities
xmldom - https://github.com/jindw/xmldom
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Pivot4D lets you place your own content on the planet like no other application!Our Media Tour provides an easy way create tours in Google Earth allowing you to insert your own 3D models, audio recordings, music, video, photo images and more.


When you have an alert in a tight or small width screens
When you want the close button to be times
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App Level Alert --> which means you want all your errors to be at one central location, usually the top of your app
Just simply place the ng-alert
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Review of Legally Blonde
by Taunya Lovell Banks, University of Maryland School of Law
Legally Blonde, a summer comedy, raises the not-so-novel
question, "do blonde women have problems being taken seriously?".
Although this tongue-in-cheek comedy takes deliciously hilarious
jabs at sorority life, Southern California, and law school culture,
especially Harvard Law School, it contains a serious message
about life and law school. There are many roads to success, even
in law school.
Elle
Woods (Reese Witherspoon), the blonde protagonist in Legally
Blonde, is a fashion merchandizing major at UCLA with a 4.0
grade point average. On the surface she seems to reflect LA cultural
stereotypes - trendy materialism and hedonism. It is no accident
that she shares her name with a fashion magazine and a fashion
model, Elle Macpherson. Elle's family even lives across the street
from television producer Aaron Spelling of Beverly Hills 90210
fame.
At the beginning of the film
Elle's only focus seem to be on getting married to her long-time
WASPy boyfriend Warner (Mathew Davis II). Instead of the much-anticipated
marriage proposal, Warner dumps Elle. In Warner's words, Elle
is not "marriage material" for a future U.S. Senator.
She is a "Marilyn," not a "Jackie." Determined
to win Warner back, Elle decides to follow him to Harvard Law
School. By this time, viewers already know that despite the California
bubble gum music, and Elle's over-the-top love of the color pink,
she is not your stereotypical blonde.
When Elle announces her intent
to attend law school, her friends and family are surprised. They
describe law students as boring, ugly and serious - not characteristics
they value. Elle studies hard and earns a 179 (out of a possible
180) on the Law School Admissions Test. The male, all-white Harvard
Law School Admissions Committee, although troubled by her fashion
merchandizing major, admits Elle using a "diversity"
rationale - not enough bubbly, buxom blondes in the class! Ironically,
Warner, initially wait-listed, gets admitted after his father
calls the school - wealth-based affirmative action?
From the very beginning Elle
seems out of place at Harvard. She comes to her first law school
class armed only with a pink heart-shaped note pad and matching
pink pen. Even when she decides to take law school seriously,
she still seems out of step.
Elle clearly marches to the
beat of a different drummer, as evidenced by a scene where her
pink-colored Apple computer sticks out among a sea of black PCs.
She hands out her resume on pink scented paper and comes into
the court in full pink ensemble. Perhaps, the intent again is
to reinforce the message that looks can be deceiving. You should
not judge a book by its color?
Legally Blonde also causes us to question some stereotypes
by sometimes reinforcing stereotypes about law school and lawyers.
Professor Stromwell (Holland Taylor), her only female professor,
seems like a female version of One L's infamous Professor
Kingsfield. Professor Callahagan (Victor Garber), also a partner
in a prestigious law firm, holds the keys to a prestigious clerkship;
he also is a sexual harasser. No one, including her fellow students,
takes Elle seriously. She even is denied entry into a study group.
Nevertheless, Elle finds power
in her blonde beauty, using it as an asset as opposed to a liability.
She uses this power to help Dorky David (Oz Perkins), an overweight
nerdy law student, get a date; and again to disarm the lawyers
in the court who assumed it would be an easy win with her as
opposing counsel. Ultimately, Elle succeeds in court because
of her knowledge about fashion and hair, not necessarily because
of her legal acumen. She happens to be the right "lawyer"
at the right time. Perhaps, this is the true beauty of diversity--
a stereotypical law student might be much too bookish to have
time for a perm.
There also is a feminist undertone
to the movie. Elle's sorority sisters, although questioning her
decision to attend law school, are supportive. She in turn supports
and keeps secret the confidences of another sorority sister,
a defendant in a murder trial. There also is a broader camaraderie
among women in the film - especially working women (from the
nail tech to Professor Stromwell). They help each other and seem
to know that no matter what you look like, some men treat all
women the same -- badly.
Yet Legally Blonde is
not an anti-male film. There are positive male figures. Emmett
Richmond (Luke Wilson), the promising associate, gives up a partner-track
job to maintain his own integrity and support Elle. Dorky David
aids Elle in court. Even the UPS man comes across as supportive.
Legally Blonde conveys a serious and somewhat subversive
message: you can rise above everyone's expectations or imposed
limitations (even and especially your own) to become something
more - even if your initial reasons for going in that direction
are not the reasons that cause you to continue to go in that
direction. This message is not limited to blonde women, but applies
to anyone who tends to be judged by stereotypical assumptions.
Legally Blonde suggests that you do not have to be
mean-spirited, unattractive, or want your enemies to fail to
be successful. For Elle, success on her own terms is the best
revenge. This is a refreshingly different take on law school
and life.
Posted September 14, 2001
|


The interface is pretty spare, I'm afraid, but should be pretty easy to navigate -- it's in alphabetical order. Just find a talk you like the sound of and vote for it! You can vote as many times as you like, for as many talks as you like -- if you're really keen on something, I figure we should take that into account :-)


Manoj Kumar
About Me
I Am Manoj Kumar
I am Final Year Computer Science And Engineering Student.🚀 You can find me more on Stackoverflow, Github, Linkedin, Youtube than in the real world.
<EMAIL_ADDRESS>Degree:B.Tech
Phone:07761802234
City:Patna
Skills
Web Development
Python
JavaScript
Java
Flask
PHP
Education
2017-2021
Bachelor In Computer Science and Engineering
I am pursuing B.tech from a.k.u University and studied in Bakhtiyarpur College Of Engineering (8.40/10)
Intermediate
Intermediate
12th from S V P HIGH School Maduban,East Champaran with first division (73.80%).
2014 - 2015
Matriculation
10th from S V P HIGH School Maduban,East Champaran (71.20%).
Experience
Aug/2020-sep/2020
Software Developer Intern
InternshipGeminid Systems, Inc
Pharmalite App, Worked on Pharmalite which is developed in Apex and lightning web component and deployed on Salesforce
April - May 2020
Web Developer
InternshipElemental Design
Worked on WordPress, Implemented Meeting Scheduling System, Implemented LMS
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Alex Marquez close to 2020 works Honda MotoGP deal alongside Marc
by Oriol PuigdemontHonda is close to signing Alex Marquez to join brother Marc at the works team for the 2020 MotoGP season in place of the retiring Jorge Lorenzo, Autosport has learned.
Triple MotoGP world champion Lorenzo announced on Thursday ahead of the Valencia Grand Prix he would be retiring after this weekend's race, following a miserable season on the RC213V plagued by injury and difficulties in adapting to the bike.
- Jorge Lorenzo retires
- From destabilising Rossi to a painful farewell
- Lorenzo apologises for "disappointing" Honda
Speculation has been rife since that LCR's stand-in rider Johann Zarco - who was HRC's first choice for this year before it signed Lorenzo - and his team-mate Cal Crutchlow would be most likely to succeed the departing Spaniard.
But rumours soon began to circulate that reigning Moto2 champion Alex Marquez was also in the frame, despite already agreeing a year extension with Marc VDS in the intermediate class.
Although the agreement "is not yet closed," according to Autosport's sources with knowledge of the negotiations, the situation seems to indicate that the deal will be signed soon.
Both Honda and Marquez already openly contemplated the possibility of Alex - who at 23 is three years younger than the champion - becoming part of the MotoGP grid in 2020 in the Repsol-backed team.
"Of course, Alex's option will be valued. You have to consider him on his own merits, not his last name," commented Honda team manager Alberto Puig.
Marc has insisted whenever asked about it that he would not pressure Honda to sign his brother, having not pushed for that in the past despite having the possibility to do so.
"I would lie if I said that I don't want my brother [as a team-mate], but I insist that I have never forced the situation and now I will not either," the elder Marquez brother said.
"Whoever my team-mate is will be compared to me. And my brother has always been compared to me."
- Assessing Alex Marquez
- More than just a 'brother of...'?
It is thought Alex will be placed on a one-year deal with Honda so the manufacturer remains aligned with the other factory teams on two-year rider contract cycles.
It is unclear yet if he would jump straight onto the Honda in Tuesday's post-race Valencia test if the deal is signed quickly.
Alex first rode the RC213V at that test in 2014 as a gift from HRC for winning that year's Moto3 title.
Alongside the Marquez situation, Zarco has now been linked with a shock switch to the Ducati fold and a 2020 seat at the Avintia team.
It is not yet clear who this will be in place of, as both Tito Rabat and Karel Abraham have contracts that extend into next year.


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This is a conditional in Jinja
The number is {{ variable }}
{% if variable == 5 %}
Equal to 5
{% elif variable < 5 %}
Less than 5
{% else %}
Greater than 5
{% endif %}
Retry
Go home


Jethro Nathaniel D. Santos
November/06/1997
19
Masculine
<EMAIL_ADDRESS>09464973764
Leonard Wood, Salud Mitra, Baguio City
School year:2003
Gabaldon, elemetary school
School year:2004-2007
Ortiz, Naguilian La Union
School year:2007-2008
Pantar, Naguilian La Union
School year:2008-2010
Governor Pack Road Baguio City
School year: 2010-2014
Decibar Building, 65 Lower Bonifacio Street, Baguio City
Bachelor of Information Technology
School year: 2014
Governor Pack Road,Baguio city
Bachelor of Information Technology
School year: 2014