Story by: David Crane & Marta Kauffman
Teleplay by: Jeff Greenstein & Jeff Strauss
Transcribed by: Mindy Mattingly Phillips
With Minor Adjustments by: Dan Silverstein
[Scene: The hospital, Ross, Rachel, Chandler, Joey, and Monica are in the waiting room, waiting for Carol and Susan to arrive.]
Ross: She's not here yet. She's not here. She's having my baby and she's not here.
Monica: I'm sure everything's fine. Has her water broke yet?
Ross: I don't know, but when I spoke to her, she said she had already passed the mucus plug.
(Joey makes a sound of absolute disgust.)
Joey: Do we have to know about that?
Monica: Joey, what are you gonna do when you have a baby?
Joey: I'm gonna be in the waitin' room, handing out cigars.
Chandler: Yes, Joey's made arrangements to have his baby in a movie from the 50's.
Ross: God, I don't believe this. She could be giving birth in the cab.
Rachel: Oh, Ross, relax. It's probably like two dollars for the first contraction, and then fifty cents for each additional contraction.
(Everyone looks at Rachel as though she made a tasteless comment.)
Rachel: What, it's ok when Chandler does it?
Chandler: You have to pick your moments.
(Phoebe arrives, guitar in hand.)
Phoebe: Did I miss it, did I miss it?
Ross: She's not even here yet.
Monica: What's with the guitar?
Phoebe: I just thought we might be here for awhile. You know, things might get musical.
(Carol and Susan arrive.)
Ross: (to Carol) Where the hell have you been?
Susan: We stopped at the gift shop.
Carol: I was looking at stuffed animals, and Susan wanted a Chunky.
Ross: Susan wanted a Chunky. We're having a baby, ok, a baby, you don't stop for Chunkys.
Chandler: I used to have that bumper sticker.
(Everyone is amused by Chandler's comment.)
Chandler: (to Rachel) You see what I mean.
Opening Credits
[Scene: Carol's Hospital Room, Carol is on the bed, Ross and Susan are at her side.]
Ross: Stopped for a Chunky.
Carol: Let it go, Ross.
Susan: I got an extra one. You want this? (holds the candy in front of Ross' face)
Ross: (weakly) No.
(Carol's doctor, Dr. Franzblau arrives.)
Dr. Franzblau: Hey, how's my favorite parenting team doing?
Ross: Dr. Franzblau, hi.
Dr. Franzblau: So, I understand you're thinking of having a baby? Well, I see you're nine months pregnant. That's a good start. How you doing with your contractions?
Carol: Oh, I love them. Each one's like a little party in my uterus.
Susan: They're every four minutes and last 55 seconds.

Susan: Swiss quartz, ha, ha.
Carol: Am I allowed to drink anything?
Dr. Franzblau: Ice chips, just ice chips. They're at the nurses' station.
Ross: I'll get it.
Susan: No, I'm getting it. I'll be right back.
Ross: I got itI'm getting it!
(They both leave just as Rachel enters the room, holding a cup.)
Rachel: Hi, I thought you might like some ice chips.
Carol: Thanks.
Rachel: And if you need anything else, I(notices the handsome Dr. Franzblau)do not believe we've met. Hi. I'm, uh, Rachel Green. I'm Carol's... ex-husband's... sister's roommate.
Dr. Franzblau: It is nice to meet you. I'm Dr. Franzblau. I'm your roommate's... brother's... ex-wife's obstetrician.
Rachel: Oh, that's funny!
[Scene: The Waiting Room, Chandler is falling asleep on Monica's shoulder.]
Monica: I want a baby.
Chandler: Mmmm. Not tonight, honey. I got an early day tomorrow.
 Come on. Let's get some coffee.
Chandler: Oh, ok, 'cause we never do that.
(Chandler and Monica leave. Cut to Joey, watching the Knicks/Celtics game on television.)
Joey: (to the screen) Shoot! Shoot! Shoot! Shoot, or just fall down. That's good too.
(A young pregnant woman enters.)
Lydia: Knick fan?
Joey: Oh, yeah.

Joey: Hey, listen, lady....(sees that she's pregnant)...whoa.
Lydia: Look, look at your man, Ewing. Nice shot. You know what, he couldn't hit water if he was standing on a boat.
Joey: Oh yeah? And who do you like?
Lydia: The Celtics.
Joey: The Celtics? Ha. They couldn't hit a boat if...wait. They suck, alright?
 You know, it's a rebuilding year. You... waah!
Joey: Wha? Wha..aa? Let me get the father. Hey, we need a father over here! We need a father!
Lydia: There is no father.

Lydia: Ok, that's ok. I'm fine. I'm... oh!
Joey: Oh, uh, ok. Right this way. All the other pregnant women seem to be goin' in here.
Lydia: Ok.
(Joey accompanies Lydia to a hospital room.)
[Scene: The Waiting Room, Phoebe is playing a song. Chandler, Monica, and Ross are there as well.]
Phoebe: (singing)
They're tiny and chubby and so sweet to touch,
and soon they'll grow up and resent you so much.

(Ross gives Phoebe a dollar.)
Phoebe: Thanks, Ross.
Ross: Yeah. I'm paying you to stop.
Phoebe: Ok.
(A woman passes by, carrying newborn twins.)
Phoebe: Oh, look, twins. Hi, guys. Oh, cute, cute.
Monica: No fair. I don't even have one.
Chandler: You'll get one.
Monica: Oh yeah? When?
Chandler: All right. I'll tell you what. When we're 40, if neither one of us are married, what do you say you and I get together and have one?
Monica: Why won't I be married when I'm 40?
Chandler: Oh, no, no. I just meant hypothetically.
Monica: Ok, hypothetically, why won't I be married when I'm 40?
Chandler: No, no, no.
Monica: What is it? Is there something fundamentally unmarriable about me?
Chandler: (trapped) Uh, uh.
Monica: Well?
Chandler: Dear God! This parachute is a knapsack! (throws himself over the back of the chair he was sitting in)
(Rachel enters, in a formal dress.)
Rachel: Hey.
Phoebe: Hey. Ooh, look at you, dressy-dress.
Monica: Did you go home and change?
Rachel: Yeah, well, it's an important day. I wanna look nice. Um, has uh Dr. Franzblau been by?
Monica: No, I haven't seen him.
Rachel: Well, where is he? He is supposed to be here. (Pause) What if the baby needs him?
Chandler: Rachel, what is the deal with you and doctors, anyway? Was, like, your father a doctor?
Rachel: Yeah, why?
Chandler: No reason. (turns around, makes an 'Oh my God' gesture with his eyes)
[Scene: Joey and Lydia in the hospital room. Lydia is on the phone with her mother.]
Lydia: Mom, we've been through this. No, I'm not calling him.  No, I'm not alone. Joey's here. (pause) What do you mean, Joey who? (covers the phone, to Joey) Joey who?
Joey: Tribbiani.
Lydia: Joey Tribbiani. Yes, ok. Hold on. (to Joey) She wants to talk to you. Take the phone.
Joey: (takes phone) Hi, yeah, it's me. (Listens) Oh, no no no, we're just friends. (Listens) Yeah, I'm single. (Listens) 25. (Listens) An actor. (Listens) Hello?
Lydia: She's not much of a phone person.

Lydia: Hey, Knick fan, am I interested in your views on fatherhood? Uh, no.
Joey: Ok, look, maybe I should just go.
Lydia: Maybe you should.
Joey: Good luck, and uh, take care, huh?
(He leaves, but then returns a moment later.)
Joey: You know what the Celtics problem is? They let the players run the team.
Lydia: Oh, that is so not true.
Joey: Oh, it is.
Lydia: It isn't.
Joey: It is.
Lydia: Isn't!
[Scene: Carol's Hospital Room, Ross and Susan are coaching Carol.]
Ross: Breathe.
Susan: Breathe.
Ross: Breathe.
Susan: Breathe.
Ross: Breathe.
Susan: Breathe.

Ross: 15 more seconds, 14, 13, 12...
Carol: Count faster.
Susan: It's gonna be ok, just remember, we're doing this for Jordie. Just keep focusing on Jordie.

Susan: Your son.
Ross: No-no-no. I don't have a son named Jordie. We all agreed, my son's name is Jamie.
Carol: Well, Jamie was the name of Susan's first girlfriend, so we went back to Jordie.
Ross: What? Whoa, whoa whoa whoa, what do you mean, back to Jordie? We never landed on Jordie. We just passed by it during the whole Jessy, Cody, Dylan fiasco.
Carol: Ow, ow, ow, ow, leg cramp, leg cramp, leg cramp.
Ross: I got it.
Susan: I got it.
Ross: I got it! Hey, you get to sleep with her, I get the cramps.
Susan: No, you don't.
Carol: All right, that's it. I want both of you out.
Ross: Why?
Susan: He started it!
Ross: No, you started it.
Susan: You did!
Carol: I don't care. I am trying to get a person out of my body here, and you're not making it any easier.
Ross: But...
Carol: Now go!
Ross: (to Susan) Thanks a lot.
Susan: (to Ross) See what you did.
Ross: (to Carol) Yeah, listen...
Carol: Out!
(Ross and Susan both angrily leave the hopsital room.)
[Scene: Lydia's Hospital Room, Joey is helping Lydia go through labor, a nurse is now present in her room as well.]
Nurse: Breathe, breathe, breathe...
Lydia: Oh, no.
(Joey looks down at Lydia.)
Joey: Ew! What is that? Something exploded!
Nurse: It's just her water breaking. Calm down, will you?
Joey: (panicked) Water breaking, what do you mean? What's that, water breaking?
Nurse: (to Joey) Breathe, breathe, breathe.
[Scene: The Hall, Ross and Susan are arguing.]
Ross: Please. This is so your fault.
Susan: How, how is this my fault?
Ross: Look, Carol never threw me out of a room before you came along.
Susan: Yeah? Well, there's a lot of things Carol never did before I came along.
Ross: You tryin' to be clever? A funny lady?
Susan: You know what your problem is? You're threatened by me.
Ross: Oh, I'm threatened by you?
Susan: Yes.
(Phoebe has heard them arguing and comes down the hall, taking them into a broom closet.)
Phoebe: Hey, hey, ok, all right, that's it! Get in here. Come on.  There are children coming into the world in this very building and your negative fighting noises are not the first thing they should be hearing. So just stop all the yelling, just stop it!
Ross: Yeah, Susan.
Phoebe: Don't make me do this again, I don't like my voice like this.
(Phoebe goes to leave the room, but the door is locked.)
Phoebe: Ok, who wants to hear something ironic?
Commercial Break
[Scene: The Broom Closet, Ross and Susan are trying to get out.]
All: Help!
Ross: I'm having a baby in here! Ok, everyone stand back. (Walks backwards as if he is going to break down the door, but steps in a bucket and falls) Ow.
[Scene: Carol's room, Rachel and Dr. Franzblau are there with her.]
Carol: Are they here yet?
Rachel: No, honey, they're not, but don't worry, because we are going to find them, and until we do, we are all here for you, ok?
Carol: Ok.
Rachel: Ok?
Carol: Ok.
Rachel: (to Dr. Franzblau) Ok, so anyway, you were telling me about Paris, it sounds fascinating.
Dr. Franzblau: It really was. There was this great little pastry shop right by my hotel. (Carol sits up in pain, Rachel and Dr. Franzblau casually lay her back down) There you go, dear.
[Scene: Lydia's Room, Joey is helping her deliver.]
Joey: Come on, Lydia, you can do it. Push! Push 'em out, push 'em out, harder, harder. Push 'em out, push 'em out, way out! Let's get that ball and really move, hey, hey, ho, ho. Let's (notices the nurse looking at him strangely) I was justyeah, right. Push! Push!
[Scene: The Broom Closet, Ross has picked up a vacuum and is holding it at the door.]

Ross: Help! Help!
Phoebe: (singing) They found their bodies the very next day, they found their bodies the very next...(sees Ross and Susan staring at her) la la la la la la.
Susan and Ross: (even louder) Help!
[Scene: The Waiting Room, Monica is on the phone with her mother, Chandler is standing behind her.]
Monica: Now, Mom, everything's going fine, really. (Listens) Yeah, Ross is great. He's uh, he's in a whole other place. (Listens) No, he's gone. (Listens) No no, you don't have to fly back, really. (Listens) What do you mean this might be your only chance? (Listens) Would you stop? I'm only 26, I'm not even thinking about babies yet.
(Monica sees a woman pass by with a baby, puts the phone to her chest, and starts to cry. Chandler takes the phone, makes a noise in it resembling static, and hangs up. Joey enters.)
Chandler: Where have you been?
Joey: Oh, just had a baby.
Chandler: Mazel tov!
[Scene: The Waiting Room, Rachel and Dr. Franzblau have gone to get coffee.]
Dr. Franzblau: I don't know, could be an hour, could be three, but relax, she's doing great. So, uh, tell me, are you currently involved with anyone?
Rachel: (anxiously) No, no, not at the moment, no, I'm not. Are you?
Dr. Franzblau: No, it's hard enough to get women to go out with me.
Rachel: Right, yeah, I've heard that about cute doctors.
Dr. Franzblau: No, no, really.
Rachel: Oh.
Dr. Franzblau: I try not to let my work affect my personal life, but it's hard, when you... do what I do. It's like uh...Well, for instance, what do you do?
Rachel: I'm a waitress.
Dr. Franzblau: Ok, all right, well aren't there times when you come home at the end of the day, and you're just like, 'if I see one more cup of coffee'...
Rachel: (getting the point) Yeah. Gotcha.
Dr. Franzblau: I'm gonna go check up on your friend.
Rachel: Ok. That's fine. (takes her earrings out)
[Scene: The Hall Outside Lydia's Room, Joey is walking up to Lydia's room with balloons, but before he enters he sees that the baby's father has arrived. He listens at the door.]
Lydia: So how did you know I was even here?
Guy: Your mom called me. So is this her?
Lydia: No, this is a loaner.
Guy: I'm sorry you had to do this by yourself.
Lydia: I wasn't by myself. I had a doctor, a nurse, and a helper guy. (Joey smiles) So, did you see who won the game?
Guy: Yeah, the Knicks by 10.
Lydia: Yeah, they're not so bad.
(Joey closes the door and ties the balloons to the knob. Then he walks away, holding the hand of an inflated balloon animal he had brought.)
[Scene: The Broom Closet, Ross is trying to open the door with a credit card, with no success.]
Ross: Come on, come on. Damnit, damnit, damnit, damnit. (to Susan) This is all your fault. This is supposed to be, like, the greatest day of my life, y'know?
Susan: The woman I love is having a baby today. I've been waiting for this just as much as you have.
Ross: No no no, believe me. No one has been waiting for this as much as I have, ok? And you know what the funny thing is? When this day is over, you get to go home with the baby, ok? Where does that leave me?
Susan: You get to be the baby's father. Everyone knows who you are. Who am I? There's Mother's Day, there's Father's Day, there's no... Lesbian Lover Day.
Ross: Every day is Lesbian Lover Day.
Phoebe: This is so great.
Ross: You wanna explain that?
Phoebe: I mean, well, 'cause when I was growing up, you know my dad left, and my mother died, and my stepfather went to jail, so I barely had enough pieces of parents to make one whole one. And here's this little baby who has like three whole parents who care about it so much that they're fighting over who gets to love it the most. And it's not even born yet. It's just, it's just the luckiest baby in the whole world. (pause) I'm sorry, you were fighting.
[Scene: Carol's Room, she is ready to give birth. Everyone is there except for Phoebe, Ross, and Susan, who are in the broom closet.]
Carol: Where are they?
Monica: I'm sure they'll be here soon.
Rachel: Yeah, honey, they wouldn't miss this.
Joey: Relax. You're only at nine centimeters. And the baby's at zero station.
Chandler: (to Joey) You are really frightening me.
(Carol suddenly screams in pain and grabs Chandler by the shirt.)
Chandler: Somebody wanna help me, tryin' to rip out my heart. (they pull her hand off of him) Uh, that's great. (looking around) Anybody seen a nipple?
Dr. Franzblau: All right, ten centimeters, here we go.
Nurse: All right, honey, time to start pushing.
Carol: But they're not here yet!
Dr. Franzblau: I'm sorry, I can't tell the baby to wait for them.
Carol: Oh, god.
[Scene: The Broom Closet, Ross has used a broom to open the air vent in the ceiling. Phoebe is wearing a janitor's uniform, ready to go up in the vent.]
Ross: Ok, got the vent open.
Phoebe: (reading the nametag on the uniform) Hi, I'm Ben. I'm hospital worker Ben. It's Ben... to the rescue!
Ross: Ben, you ready? All right, gimme your foot. Ok, on three, Ben. One, two, three. Ok, That's it, Ben.
(Ross and Susan lift Phoebe up into the vent.)
Susan: What do you see?
Phoebe: Well, Susan, I see what appears to be a dark vent. Wait. Yes, it is in fact a dark vent.
(A janitor opens the closet door from the outside.)
Ross: Phoebs, It's open! It's open!
(Ross and Susan run to the delivery room, leaving Phoebe dangling from the vent.)
Janitor: (to Ross and Susan) Wait! You forgot your legs!
[Scene: Carol's Room, Ross and Susan rush in.]
All: Push, push!
Ross: We're here!
Carol: (irked) Where have you been?
Ross: Long story, honey.
Dr. Franzblau: All right, Carol, I need you to keep pushing. I need(reaches for an instrument, Rachel's hand is on it) Excuse me, could I have this?
Nurse: All right, all right, there's a few too many people in this room, and there's about to be one more, so anybody who's not an ex-husband or a lesbian life partner, out you go!
All: Good luck!
(Everyone heads for the door.)
Chandler: (to nurse) Let me ask you, do you have to be Carol's lesbian life partner?
Nurse: Out!
Dr. Franzblau: All right, he's crowning. Here he comes.
Ross: Let me see, I gotta see, I gotta see. Oh, a head. Oh, it's, it's huge. Carol, how are you doing this?
Carol: (straining) Not.... helping!
Dr. Franzblau: You're doing great, you're doing fine.
Ross: (puts his head near the baby) Hello! (to Dr. Franzblau) Oh, sorry.
Susan: What do you see? What do you see?
 It's a boy, definitely a boy! All right! Ok, legs, knees, and feet. Oh, oh. He's here. He's a person.
Susan: Oh, look at that.
Carol: What does he look like?
Ross: Kinda like my uncle Ed, covered in Jell-o.
Carol: Really?
Phoebe: (from the air vent overhead) You guys, he's beautiful!
Ross: Oh, thanks, Pheebs!
(They look up towards the vent and wave at Phoebe.)
[Scene: The Delivery Room, Carol is holding the infant.]
Susan: No shouting, but we still need a name for this little guy.
Ross: (thinking) How 'bout Ben?
Susan: I like Ben.
Carol: Ben. Ben. Ben's good. How come you never mentioned Ben before?
Ross: We uh, we just cooked it up.
Susan: That's what we were off doing.
(Monica opens the door.)
Monica: Hi.
Ross: Hey.
Monica: Can we come in?
(The whole gang enters.)
Ross: (to Ben) I know, I know. Everybody, there's someone I'd like you to meet. Yeah. This is Ben. Ben, this is everybody.
Phoebe: Susan, he looks just like you.
Susan: Thanks.

Chandler: I know, I still am one of these.
Monica: Ross, can I?
(Monica holds Ben.)
Ross: The head, the head. You gotta...
Monica: (getting choked up) Hi, Ben. Hi. I'm your Aunt Monica. Yes I am. I'm your Aunt Monica. I...I will always have gum.
Closing Credits
[Scene: The Hospital, the camera is placed as though it were Ben's eyes.]
Ross: Ben, I want you to know that there may be some times when I may not be around, like this. (walks out of the picture) But I'll still always come back, like this. (returns) And sometimes I may be away longer, like this. (walks away) But I'll still always come back, like this. (returns)
(Chandler comes into the picture.)
Chandler: And sometimes, I'll want you to steal third, and I'll go like this. (Does a baseball sign.)
(The rest of the group come into the picture.)
Monica: He is so amazing.
Rachel: Oh, I know. Look at him.
Joey: Ben, Ben, hey Ben. Nothing. I don't think that's his name.

Ross: No, this is pretty much it.
(long moment of silence)
Rachel: You guys wanna get some coffee?
All: Yeah.
Ross: All right, I'll see you guys later.
(They all leave but Ross, but they all come back a few seconds later. They make faces at the baby.)
Phoebe: Oh, look, he's closing his eyes again.
(The screen fades to black.)
End


#include <b3AlignedObjectArray.h>
Public Member Functions | |
| b3AlignedObjectArray (const b3AlignedObjectArray &otherArray) | |
| Generally it is best to avoid using the copy constructor of an b3AlignedObjectArray, and use a (const) reference to the array instead. | |
| B3_FORCE_INLINE int | size () const |
| return the number of elements in the array | |
| B3_FORCE_INLINE void | clear () |
| clear the array, deallocated memory. Generally it is better to use array.resize(0), to reduce performance overhead of run-time memory (de)allocations. | |
| B3_FORCE_INLINE void | resizeNoInitialize (int newsize) |
| B3_FORCE_INLINE int | capacity () const |
| return the pre-allocated (reserved) elements, this is at least as large as the total number of elements,see size() and reserve() | |
| template<typename L> | |
| void | downHeap (T *pArr, int k, int n, const L &CompareFunc) |
| heap sort from http://www.csse.monash.edu.au/~lloyd/tildeAlgDS/Sort/Heap/ | |
| int | findBinarySearch (const T &key) const |
| non-recursive binary search, assumes sorted array |
Definition at line 47 of file b3AlignedObjectArray.h.
| B3_FORCE_INLINE void b3AlignedObjectArray< T >::resizeNoInitialize | ( | int | newsize | ) | [inline] |
resize changes the number of elements in the array. If the new size is larger, the new elements will be constructed using the optional second argument. when the new number of elements is smaller, the destructor will be called, but memory will not be freed, to reduce performance overhead of run-time memory (de)allocations.
Definition at line 203 of file b3AlignedObjectArray.h.
00204 { 00205 int curSize = size(); 00206 00207 if (newsize < curSize) 00208 { 00209 } else 00210 { 00211 if (newsize > size()) 00212 { 00213 reserve(newsize); 00214 } 00215 //leave this uninitialized 00216 } 00217 m_size = newsize; 00218 }


This project aims to be one of the most accessible vim guides available. We made sure to support mobile, desktop, and other languages.
You can read about how to contribute (and help improve) by viewing our README. There you can see how to set up this project, or how to contribute a new language. Here is a big thank you to our contributors!
This project is licensed under The MIT License (MIT).
This project strongly believes in having a code of conduct. Please see the code of conduct page for more information.
This document was embedded in DuckDuckGo.
Checkout the source on Github


I deem it to be a duty which I owe to God and his church, to express my feelings and bear my testimony unto you, concerning certain things that are presented to you for your consideration; especially, the claims of elder XXFIRSTNAME XXLASTNAME to the exclusive right to lead and govern the church of XXLDS. I have carefully examined the trial which elder XXLASTNAME has had before the authorities of the church in XXCITY, as given in the Times and Seasons, Vol. V No XXNUMBER, and I am satisfied that a righteous decision has been given in his case.  Has he stood by the side of the prophet and patriarch as a true friend, to assist in carrying them through their trials, tribulations, and persecutions? Has he walked up into his place as a man of God, and stood beside the prophet as his counsellor? Has he in any way, been a pillar or support to the church, from that day until this? Has he sustained the cause, and used an influence to spread the work abroad with dignity and honour, for the last five years of his life? Or has the prophet, in any point of view, leaned upon him as a counsellor, a staff, or support, for the last five years? Or has the prophet Joseph found elder XXLASTNAME in his councils, where he organized the quorum of the Twelve a few months before his death, to prepare them for the endowment? And when they received their endowment, and actually received the keys of the kingdom of God, and oracles of God, keys of revelation, and the pattern of heavenly things; and thus addressing the twelve, exclaimed, "..." I say, has this been the case with elder XXLASTNAME, in any wise. No, no, verily no; but the reverse, until he had become like a millstone upon the back of XXFIRSTNAME XXLASTNAME, the prophet, seer, and revelator. And I hereby bear my testimony, that I heard the said XXFIRSTNAME XXLASTNAME declare, that elder XXLASTNAME had become like a millstone upon his back--a dead weight--and he had carried him long enough, and must throw him off; and in my hearing requested one of the quorum of the Twelve to bring him up before the Church, that he might be dealt with according to the law of the Church, that he might be cut off as a dead branch, and no longer encumber the tree, as there was sufficient testimony against him. But through the pleadings of brother XXFIRSTNAME XXLASTNAME and others, he has been spared. Elder XXFIRSTNAME XXLASTNAME has been his friend--spoke in his favor, in consequence of his age and former standing, hoping that he might reform, get the spirit of the work, and magnify his calling. Upon this principle he has been sustained long, until the branch became twice dead, and necessary to be severed from the tree. XXFIRSTNAME XXLASTNAME, for the last five years of his life, has mostly been shut up in the post-office; confined himself mostly to his own temporal affairs, manifesting but little interest in the affairs of the church; and when any harm or report was in circulation unfavorable to the cause, if we could judge at all from the course he pursued, it had a tendency to increase trouble and disturbance, instead of decreasing it. It is true, that elder XXLASTNAME attended some of the councils that president XXLASTNAME held with the Twelve and others, before his death, while giving them instructions; but I heard president XXLASTNAME say, that he came in without his wish or invitation, as he had no confidence in him. XXFIRSTNAME XXLASTNAME and his friends would now claim, before the church and the world, that he holds the keys of the kingdom of God of the last dispensation, above the Twelve, the church, etc. I am ready to admit before the whole church and the world, that he does hold one key beyond the Twelve; one that they do not hold--one that God never held, nor XXJESUSCHRIST, nor any true prophet, patriarch, or apostle; Joseph and XXFIRSTNAME XXLASTNAME were utter strangers to it. And if we can judge from his own mouth, according to the testimony given on his trial, we would suppose that Lucifer, who made war in heaven, was its author; and that it had been handed down unto the present day, and with it elder XXLASTNAME has unlocked his heart, and pourtrayed before our eyes what was in it. What is it? Hear it, all ye XXLDS! Listen, O Earth, and judge the fruits of this Key. He threatens to turn traitor, publish against the church in public journals, intimating that he would bring a mob upon the church, stir up the world against the saints, and bring distress upon them, etc. This ought to be a sufficient reason for any true hearted Latter-day Saint to turn away from him with disgust, and treat all such men and principles according to their dessert, which is, to let them entirely alone; for a more despicable principle never existed in heaven, earth, or hell, than to prove a traitor to our God, our cause, and our friends, and bring distress upon the innocent, and that too by turning against the very cause that a man has spent a portion of his life to build up, and declared, while in the faith, that it was true and righteous; for in all such cases there is entirely a misrepresentation of truth and facts, in order to accomplish the intended evil, while a true statement of facts would advance the cause.


It can lead to:
- heart disease and stroke
- loss of feeling and pain (nerve damage) – causing problems with sex
- foot problems, like sores and infections
- eye issues, like vision loss and blindness
- miscarriage and stillbirth
- problems with your kidneys
Diabetes health problems links
Controlling your blood sugar level and having regular diabetes check-ups is the best way to lower your risk of complications.
Getting your heart checked
You should have your cholesterol (blood fats) and blood pressure checked at least once a year. Diabetes increases your risk of heart disease and stroke, so it's important that high blood pressure and high cholesterol are spotted and treated early.
If you're already being treated for high cholesterol and high blood pressure, keep taking your medicine.
Diabetes also worsens the effects of smoking on your heart.
Heart problems links
Loss of feeling
You should let your GP or diabetes nurse know if you notice any changes in your body.
Diabetes can damage your nerves (neuropathy). This usually affects your feet, but it can affect other parts of your body, causing:
- numbness
- pain or tingling
- problems with sex
- constipation or diarrhoea
Early treatment can prevent nerve damage getting worse.
Looking after your feet
You should check your feet every day. Diabetes can reduce the blood supply to your feet and cause a loss of feeling.
This means foot injuries don't heal well and you may not notice if your foot is sore or injured. These problems can lead to ulcers and infections.
Simple things are important, like:
- keeping feet clean and dry to avoid infection
- trying not to go barefoot outside to avoid nicks and cuts
- wearing shoes that fit well
Speak to your GP or diabetes nurse if you notice any changes in your feet, including:
- cuts, cracks or blisters
- pain or tingling
- numb feet
Diabetes UK: how to check your feet
diabetes.org.uk
Your feet should also be checked every year by your GP, diabetes nurse or podiatrist.
Sores or infections that aren't treated early can lead to gangrene. More than 135 amputations resulting from diabetes are carried out every week in the UK.
Checking your eyes
Your eyes should be checked every year for damaged blood vessels, which can cause sight problems (diabetic retinopathy) and blindness.
Eye checks can detect damage before it affects your sight. Treating damaged blood vessels early can prevent sight problems.
Speak to your GP immediately if you notice changes to your sight, including:
- blurred vision, especially at night
- shapes floating in your vision (floaters)
- sensitivity to light
Eye problems links
Pregnancy and diabetes
Speak to your GP or care team if you're thinking of having a baby.
You can have a safe pregnancy and birth if you have type 2 diabetes. But you will need to take extra precautions and have more appointments before and during pregnancy.
Page last reviewed: 8 August 2017
Next review due: 8 August 2020


peerflix
Stream video- or audio-based torrents to a media player.
More information: home page
- Stream the largest media file in a torrent:
peerflix "torrent_url|magnet_link"
- List all streamable files contained in a torrent (given as a magnet link):
peerflix "magnet:?xt=urn:btih:0123456789abcdef0123456789abcdef01234567" --list
- Stream the largest file in a torrent, given as a torrent URL, to VLC:
peerflix "http://example.net/music.torrent" --vlc
- Stream the largest file in a torrent to MPlayer, with subtitles:
peerflix "torrent_url|magnet_link" --mplayer --subtitles subtitle-file.srt
- Stream all files from a torrent to Airplay:
peerflix "torrent_url|magnet_link" --all --airplay


Adyen API Library for .NET
Set up a client and set the credentials to the Adyen platform.
var client = new Client("WebserverUsername", "WebserverPassword", Environment.Test, "YourApplicationName");
$client = new \Adyen\Client();
$client->setApplicationName("Adyen PHP Api Library Example");
$client->setUsername("YOUR USERNAME");
$client->setPassword("YOUR PASSWORD");
$client->setEnvironment(\Adyen\Environment::TEST);
The example connects you to the Adyen test platform. If you want to use our live platform use:
$client->setEnvironment(\Adyen\Environment::LIVE);
You can now use the following services:
By default the input and output parameters are of type array. If you would like to use JSON you can doing the following thing:
$client->setInputType('json');
$client->setOutputType('json');


LibExtraTip
LibExtraTip is a library of API functions for manipulating additional information into GameTooltips by either adding information to the bottom of existing tooltips (embedded mode) or by adding information to an extra "attached" tooltip construct which is placed to the bottom of the existing tooltip.
Copyright (C) 2008, by the respecive below authors.
This library is free software; you can redistribute it and/or
modify it under the terms of the GNU Lesser General Public
License as published by the Free Software Foundation; either
version 2.1 of the License, or (at your option) any later version.
This library is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU
Lesser General Public License for more details.
You should have received a copy of the GNU Lesser General Public
License along with this library; if not, write to the Free Software
Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA
Author: Matt Richard (Tem)
Author: Ken Allan<EMAIL_ADDRESS>Version: 1.0
Adds the provided tooltip to the list of tooltips to monitor for items.
tooltip: GameTooltip object
Returns: true if tooltip is registered
Available since v1.0
Class Method LibExtraTip:IsRegistered(tooltip)
Checks to see if the tooltip has been registered with LibExtraTip
tooltip: GameTooltip object
Returns: true if tooltip is registered
Available since v1.0
Class Method LibExtraTip:AddCallback(callback, priority)
Adds a callback to be informed of any registered tooltip's activity.
Callbacks are passed the following parameters (in order):
tooltip: The tooltip object being shown (GameTooltip object)
item: The item being shown (in ItemLink format)
quantity: The quantity of the item being shown (may be nil when the quantity is unavailable)
return values from GetItemInfo (in order)
callback: the method to be called
priority: the priority of the callback (optional, default 200)
Available since v1.0
Class Method LibExtraTip:RemoveCallback(callback)
Removes the given callback from the list of callbacks.
callback: the callback to remove from notifications
Returns: true if successfully removed
Available since v1.0
Class Method LibExtraTip:SetEmbedMode(flag)
Sets the default embed mode of the library (default false)
A false embedMode causes AddLine, AddDoubleLine and AddMoneyLine to add lines to the attached tooltip rather than embed added lines directly in the item tooltip.
This setting only takes effect when embed mode is not specified on individual AddLine, AddDoubleLine and AddMoneyLine commands.
flag: boolean flag if true embeds by default
Available since v1.0
Class Method LibExtraTip:AddLine(tooltip, text, r, g, b, embed)
Adds a line to a registered tooltip.
tooltip: GameTooltip object
text: the contents of the tooltip line
r: red component of the tooltip line color (optional)
g: green component of the tooltip line color (optional)
b: blue component of the tooltip line color (optional)
embed: override the lib's embedMode setting (optional)
See also: SetEmbedMode
Available since v1.0
Class Method LibExtraTip:AddDoubleLine(tooltip, textLeft, textRight, lr, lg, lb, rr, rg, rb, embed)
Adds a two-columned line to the tooltip.
tooltip: GameTooltip object
textLeft: the left column's contents
textRight: the left column's contents
r: red component of the tooltip line color (optional)
g: green component of the tooltip line color (optional)
b: blue component of the tooltip line color (optional)
embed: override the lib's embedMode setting (optional)
See also: SetEmbedMode
Available since v1.0
Class Method LibExtraTip:GetMoneyText(money, concise)
Creates a string representation of the money value passed using embedded textures for the icons
money: the money value to be converted in copper
concise: when false (default), the representation of 1g is "1g 00s 00c" when true, it is simply "1g" (optional)
Available since v1.0
Class Method LibExtraTip:AddMoneyLine(tooltip, text, money, r, g, b, embed)
Adds a line with text in the left column and a money frame in the right.
The money parameter is given in copper coins (i.e. 1g 27s 5c would be 12705)
tooltip: GameTooltip object
text: the contents of the tooltip line
money: the money value to be displayed (in copper)
r: red component of the tooltip line color (optional)
g: green component of the tooltip line color (optional)
b: blue component of the tooltip line color (optional)
embed: override the lib's embedMode setting (optional)
See also: SetEmbedMode
Available since v1.0
Calls a tooltip's method, passing arguments and setting additional details.
You must use this function when you are setting your own tooltip, but want LibExtraTip to display the extra tooltip information and notify any callbacks.
tooltip: GameTooltip object
method: the tooltip method to call (or nil to not call any)
args: table of arguments to pass to tooltip method
detail: additional detail items to set for the callbacks
Returns: whatever the called method returns
Available since v1.0
Get the additional information from a tooltip event.
Often additional event details are available about the situation under which the tooltip was invoked, such as:
The call that triggered the tooltip.
The slot/inventory/index of the item in question.
Whether the item is usable or not.
Auction price information.
Ownership information.
Any data provided by the Get*Info() functions.
If you require access to this information for the current tooltip, call this function to retrieve it.
tooltip: GameTooltip object
Returns: table containing the additional information
Available since v1.0


open yourself account without Displacement
Because we care, the app employs the use of the latest cutting-edge technology in crafting the rich user interface
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KGDops is a remixed sci-fi fantasy first-person shooter that takes place in a distorded galaxy with an unknown future. The game follows a squad of recruits, that get lost and stuck on a far away planet where they will make new friends and face a new kind of evil.
Visit Game Website


5 references to WriteLine
System.Management.Automation (5)
DscSupport\CimDSCParser.cs (1)
920
s_tracer.
WriteLine
(
engine\ParameterBinderBase.cs (1)
608
bindingTracer.
WriteLine
(
FormatAndOutput\common\DisplayDatabase\XmlLoaderBase.cs (2)
107
s_formatFileLoadingtracer.
WriteLine
("ERROR:\r\n FilePath: {0}\r\n XPath: {1}\r\n Message = {2}", entry.filePath, entry.xPath, entry.message);
111
s_formatFileLoadingtracer.
WriteLine
("TRACE:\r\n FilePath: {0}\r\n XPath: {1}\r\n Message = {2}", entry.filePath, entry.xPath, entry.message);
namespaces\FileSystemProvider.cs (1)
5086
s_tracer.
WriteLine
("result = {0}; isDriveRoot = {1}; isUNCRoot = {2}", result, isDriveRoot, isUNCRoot);


DECEMBER 14
(1542-1591). Born
in
ENTRANCE ANTIPHON
May I never
boast, except in the Cross of our Lord Jesus Christ, through which the world
has been crucified to me, and I to the world.
COLLECT
O God, who
gave the Priest Saint John an outstanding dedication to perfect self-denial and
love of the Cross, grant that, by imitating him closely at all times we may
come to contemplate eternally your glory. Through our Lord Jesus Christ, your
Son, who lives and reigns with you in the unity of the Holy Spirit, one God,
for ever and ever.
PRAYER OVER THE OFFERINGS
Look upon the
sacrificial gifts we offer, almighty God, in commemoration of
Preface of Pastors or of Advent
COMMUNION ANTIPHON
Whoever
wishes to come after me must deny himself, take up his cross, and follow me,
says the Lord.
PRAYER AFTER COMMUNION
O God, who in


Cf/Radial is the most recent format to be developed at NCAR/UCAR for handling radial data from modern radar and lidar platforms.
Cf/Radial is a collaborative effort between EOL, RAL and UNIDATA.
Cf/Radial is a CF-compliant netCDF format. Because of its CF-compliance, CfRadial will allow researchers familiar with CF to read the data into a wide variety of analysis tools, models etc.
The Proposed Cf/Radial Convention is published in PDF.
The CF community requires that proposals for new CF-compliant data formats undergo a review process.
See CF Trac to view the proposal, number 59.


This is a simple Game , all you have to do is reach the goal , you will be forwarded to the page Upon completion.
You can either use the arrow keys to move
or if you're on a touch screen device just swipe to the wanted direction
Press the Start button to generate the maze and start the game
Page Loading


Hamilton wants clarification on Wolff future before new contract
by Joseph TyrrellLewis Hamilton's contract is up for renewal in 2020, but the six-time Formula 1 World Champion wants clarification on the future of Toto Wolff before he commits his future to Mercedes.
Hamilton sealed his sixth World Championship at the US Grand Prix and his fifth at Mercedes, all under the leadership of Toto Wolff. The Mercedes team principal has been linked with the top job at Formula 1 with Chase Carey's future not set in stone.
Hamilton has a contract at the Silver Arrows until 2020 and is expected to commit further but he wants some clarification on Wolff's future first.
"It's a difficult one because I know being stuck in one position for too long can not always be a positive so I always want people to spread their wings and do what is best for their careers. Only he knows what that is," Hamilton told the BBC.
"But as a business you need to have the right people in place and he has been the right person - it has been the perfect match.
"So I don't particularly want him to leave if I'm staying in the sport but ultimately that's going to be his choice.
"This team is not one person. It's a huge group of people. But it is important to me and I am waiting to see where his head is at. The sport could also be in a good place with someone like him running it but I don't know if that's more of a fun experience."


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Choosing the right social media platforms for your business and reaching your target group is important. You not only create a brand value, you connect with your customers and can track your result oriented marketing is a great opportunity in digital marketing and there is no dearth of visibility, as the whole globe is your market place. It is digital marketing that helps you to position your business globally.
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Our team understands your business and works on strategies to build your brand and how to position it in the market. We understand that the design is all about what and how you would like to convey to your customers. It is an effective communication medium to get the best visibility, mileage and engagement from your customers. And we ensure of our best graphic designing.
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It is the outcome of collaborative work with dedication. We are happy with the way....have taken up our project and executed it with precision.
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This team has the understanding of minute details and keeps focus on customer engagement and that can be seen in the solutions that have been proposed and delivered for us.
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Archives for Mandaris Moore
- July 31, 2028
- Theme Tour
- November 29, 2018
- Two Authors
- November 21, 2018
- Simple rst example
- July 27, 2018
- Table of Contents
- May 22, 2018
- Article with description meta data
- March 17, 2018
- code block
- March 17, 2018
- Definitions and abbreviations
- March 17, 2018
- tables, tables, tables
- March 15, 2018
- images and links within blocks of text
- March 15, 2018
- footnote city
- March 06, 2018
- Longer Text with Headings
- December 28, 2017
- Open Graph Image in article
- December 26, 2017
- No Figure Testing
- December 01, 2017
- Figure Testing


This is a demonstration of rendering a Salesforce.com chatter feed using backbone.js and require.js. It is intended for my experimentation purposes only. Other ideas: mobile (mobile boilerplate, jquery mobile, iscroll), Foundation, unit testing, integration with hootsuite dashboard, more cowbell, publisher, perf testing, app building using phonegap and/or trigger.io, perf enhancement in js, css compiler, offline, secure offline with salesforce.com smartstore.
Login to fetch a live chatter feed. You may have to tap login again after succesfully logging in due to a simple redirect bug.
Prior to login, the feed below is a static prefetched feed.
Some random thoughts:
having to cache bust to get .js updates is really awful for debugging. adding debugger; statements then upload each bp is unusable.
require.js behaves randomly on loading a js/newsfeedstatic.js file. On localhost it loads but on Heroku the reference fails. I'll load staticly for now
the forcetk UI for doing the auth in a separate window then catching the reload URI seems broken.  Adding a /m/index.html and a different main.js as mobile-main.js has the result that the mobile specific code like mobile-main can't be in a separate directory because the js references in main are all off on the dir structure. Maybe there's a require.js equivalent of base href that can be passed in to a main?
modularity with salesforce login is also harder than it ought to be. Because the oauth redirect uri is hardcoded on the server in oauth2 (oauth_callback in oauth 1.0 is deprecated), you can't have a "/index.html" and a "/m/index.html" for the same endpoint. Cookies and/or query params seem to be the solution.


{% for post in site.posts %} {% if post.categories contains "biography" %} {{ post.title }} {% endif %} {% endfor %} Who am I? An AI lover.
Summary of Question Answering task Question and Answering vs Machine Reading Comprehension (QA vs MRC)


The "C" is for Accessibility
María Evangelina Ferreira Kuzminski
Web Accessibility, a.k.a A11y
Accessibility is hard
It is a big responsability
There's a LOT of misleading information
Myths
- "A11y is just blind people"
- "SR don't read JavaScript"
- "A11y destroys performance"
Myths
- "That's not my target user"
- "You should use ARIA"
- "You shouldn't use ARIA"
"A11y is simply a matter of good HTML and solving interactivity with JavaScript"
Sure, say that to
display: none;
CSS is part of accessibility
7 times CSS broke Accessibility
It's the keyboard user's cursor
Don't delete the outline
There are a lot of keyboard users.
You are probably one of them.
It doesn't have to be a snowman
Outline
Don't delete the outline
... Unless you replace it.
a:focus{
outline: none;
background-color: pink;
}
Outlines are cool, anyway!
- They don't take any space
- You can make them look awesome!
- It's known to the user
Hidden from whom?
- All users: Completely hidden
- SR users: Semantically hidden
- Sighted users: Visually hidden
Completely hidden
.element{
display: none;
}
.element{
visibility: hidden;
}

Element

Semantically hidden

Element hidden from Screen Readers

Visually hidden
.visually-hidden {
display: block;
height: 1px;
width: 1px;
overflow: hidden;
clip: rect(1px 1px 1px 1px);
clip: rect(1px, 1px, 1px, 1px);
clip-path: inset(1px);
white-space: nowrap;
position: absolute;
}
CSS Generated content
.element::before{
content: "Hola mundo";
}
.element::after{
content: "Chau mundo";
}
Do screen readers... read it?
About ~80% do.
IE11 doesn't
CSS Generated content
- Avoid using them to provide content
- Separation of concerns
- Use aria-hidden if it's decorative
Order & flex-direction properties
Visual presentation
DOM order
Not a CSS Reset
Accidentally gets rid of semantics
This is a bug
display: contents;
- Re-check semantics
- Add roles if you have to
Reduced Motion
@media (prefers-reduced-motion: reduce) {
/* Toggle off animations */
}
Firefox Developer Edition
Demo
Why is this useful?
- Vestibular disorders
- Attention deficit hyperactivity disorder (ADHD)
- Low battery
- Low-end technology
- Anxiety
Light Level
- Normal: Natural / artificial light
- Dim: At night / low light
- Washed: Sunlight, the vampire slayer
Light level
@media (light-level: dim) {
p {
background: #222;
color: white;
}
}
@media (light-level: washed) {
p {
background: white;
color: black;
font-size: 2em;
}
}
This doesn't work anywhere (yet)
Inverted colors
@media (inverted-colors: inverted) {
img{
filter: invert(100%);
}
input{
border: 2px solid skyblue;
}
}
Currently works in Safari browser
High Contrast mode (Windows)
- Active
- Black on white
- White on black
-ms-high-contrast
@media (-ms-high-contrast: active) {
/* All high contrast styling rules */
}
-ms-high-contrast
@media (-ms-high-contrast: black-on-white) {
/* Specific */
.el { background-image: url(image2.png); }
}
@media (-ms-high-contrast: white-on-black) {
/* Specific */
.el { background-image: url(image3.png); }
}
Works in Microsoft Edge ¯\_(ツ)_/¯
Inverted colors Vs. High Contrast mode
- Inverted colors doesn't fix a bad contrast
- High Contrast mode doesn't invert images
- High Contrast mode doesn't... invert colors.
@media (-ms-high-contrast: active) {
body{
/* This will be pink */
background-color: pink;
}
}
@media (inverted-colors: inverted) {
body{
/* This will NOT be pink */
background-color: pink;
}
}
From OS to the Browser
User's choice with developer control
Not only about size anymore
Two most complicated things in computer science
Two most complicated things
- Naming things
- Cache invalidation
- Off-by-one errors
Impact of lack of proper i18n
- SR get lost
- Cognitive disabilities
- Non-native English speakers
Final words
- Separation of concerns
- Content is the queen
- "Move fast, break things" - NOT on my watch.
- Uncle Ben was right.
"With great power comes great responsibility"


http://www.susangranger.com/
Susan Granger's review of "SHAFT" (Paramount Pictures)
When Samuel L. Jackson learned that director John Singleton was doing "Shaft," his first reaction was, "Why do we need a remake?" - which was mine, too. Gordon Parks's 1971 original, based on Ernest Tidyman's novel, starring Richard Roundtree, was emblematic of the vitality of the blaxploitation genre, plus Isaac Hayes' thematic music. But Roundtree is back as the original Shaft, 29 years older - and so's the theme. Jackson plays his nephew, NYPD detective John Shaft, a different hero for a different time, fighting against hate crimes and drugs. His character's more volatile, ruthless and violent. And he views violence in a different way. When things get dangerous, Jackson's Shaft kind of smiles, indicating, "I can handle this." The plot revolves around a racially motivated homicide.  When Walter sneaks back home, Shaft finds him - but his father, once again, posts bail, so Walter's back on the streets only, this time, he's after Shaft - along with two corrupt cops (Dan Hedaya, Ruben Santiago-Hudson) and a Dominican drug lord (Jeffrey Wright). Shaft's only allies are a colleague (Vanessa Williams) and a streetwise buddy (Busta Rhymes). Director John Singleton and writer Richard Price delve into the usual urban crime scene, predictably punctuated by street-smart profanity, and come up with a disappointing conclusion. On the Granger Movie Gauge of 1 to 10, "Shaft" is a stylish, slick 6. It's hip and cool - if you dig that "It's my duty to satisfy the booty" action. And a sequel's already in the works.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% load bootstrap4 %} {% include "core/header.html" only %}
Mix and match languages and ideas to inspire and showcase projects.


The Voyages of Doctor Dolittle
by Hugh Lofting
Part 1, Chapter 13: A Traveler Arrives
Additional Information
- Year Published: 1922
- Language: English
- Country of Origin: England
- Source: Lofting, H. (1922). The Voyages of Doctor Dolittle. London, England: Lippincott Publishing.
-
Readability:
- Flesch–Kincaid Level: 4.2
- Word Count: 764
- Genre: Fantasy
- Keywords: 20th century literature, british literature, children's literature
- ✎ Cite This
Downloads
The next day I was sitting on the wall of the Doctor's garden after tea, talking to Dab-Dab. I had now learned so much from Polynesia that I could talk to most birds and some animals without a great deal of difficulty. I found Dab-Dab a very nice, old, motherly bird—though not nearly so clever and interesting as Polynesia. She had been housekeeper for the Doctor many years now.
Well, as I was saying, the old duck and I were sitting on the flat top of the garden-wall that evening, looking down into the Oxenthorpe Road below. We were watching some sheep being driven to market in Puddleby; and Dab-Dab had just been telling me about the Doctor's adventures in Africa. For she had gone on a voyage with him to that country long ago.
Suddenly I heard a curious distant noise down the road, towards the town. It sounded like a lot of people cheering. I stood up on the wall to see if I could make out what was coming. Presently there appeared round a bend a great crowd of school-children following a very ragged, curious-looking woman.
"What in the world can it be?" cried Dab-Dab.
The children were all laughing and shouting. And certainly the woman they were following was most extraordinary. She had very long arms and the most stooping shoulders I have ever seen. She wore a straw hat on the side of her head with poppies on it; and her skirt was so long for her it dragged on the ground like a ball-gown's train. I could not see anything of her face because of the wide hat pulled over her eyes. But as she got nearer to us and the laughing of the children grew louder, I noticed that her hands were very dark in color, and hairy, like a witch's.
Then all of a sudden Dab-Dab at my side startled me by crying out in a loud voice,
"Why, it's Chee-Chee!—Chee-Chee come back at last!  I'll give the little imps something to laugh at!"
And she flew right off the wall down into the road and made straight for the children, squawking away in a most terrifying fashion and pecking at their feet and legs. The children made off down the street back to the town as hard as they could run.
The strange-looking figure in the straw hat stood gazing after them a moment and then came wearily up to the gate. It didn't bother to undo the latch but just climbed right over the gate as though it were something in the way. And then I noticed that it took hold of the bars with its feet, so that it really had four hands to climb with. But it was only when I at last got a glimpse of the face under the hat that I could be really sure it was a monkey.
Chee-Chee—for it was he—frowned at me suspiciously from the top of the gate, as though he thought I was going to laugh at him like the other boys and girls. Then he dropped into the garden on the inside and immediately started taking off his clothes. He tore the straw hat in two and threw it down into the road. Then he took off his bodice and skirt, jumped on them savagely and began kicking them round the front garden.
Presently I heard a screech from the house, and out flew Polynesia, followed by the Doctor and Jip.
"Chee-Chee!—Chee-Chee!" shouted the parrot. "You've come at last! I always told the Doctor you'd find a way. How ever did you do it?"
They all gathered round him shaking him by his four hands, laughing and asking him a million questions at once. Then they all started back for the house.
"Run up to my bedroom, Stubbins," said the Doctor, turning to me. "You'll find a bag of peanuts in the small left-hand drawer of the bureau. I have always kept them there in case he might come back unexpectedly some day. And wait a minute—see if Dab-Dab has any bananas in the pan-try. Chee-Chee hasn't had a banana, he tells me, in two months."
When I came down again to the kitchen I found everybody listening attentively to the monkey who was telling the story of his journey from Africa.


People sometimes ask me “are there any philosophers alive today?” On the one hand, I totally get it. They are asking whether there is a modern day Plato or Socrates or Aquinas. On the other hand, after studying philosophy the last 6 years, this sounds to me like asking, “are any phycisists alive today or was Newton it?”
The answer is there are thousands of philosophers alive today. Will any of them be the next John Locke or David Hume? The answer is probably Yes, we just don’t know exactly whose influence will last the next 2000 years. But here’s a good start.
The Best Schools.org has compiled a list of 50 most influential philosophers alive today. They say:
Contemporary philosophers are enormously influential right now. Take Princeton’s Peter Singer and his work on animal ethics. How society sees its responsibilities to nonhuman others owes much to Singer. Though usually not household names, contemporary philosophers have radically altered the way we think about all sorts of things — from the nature of God to the role of race in democracy.
Take a look at what 50 great philosophers are up to… Who will survive the sands of time? Only time will tell.
(Alphabetical Order):
(The methodology for building the list is here.)
I would add Alvin Plantinga and Richard Swinburne to the list – but it’s a pretty good list.


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Is directive that tells Angular to do two-way data binding. It works together with input
,
select
, textarea
. You can easily write your own directives to use ngModel
as well.
ngModel
is responsible for:
input
, textarea
or select
require,ng-valid
, ng-invalid
, ng-dirty
, ng-pristine
),form
.For basic examples, how to use ngModel
, see:
<input ng-model> ... </input>
<input class="ng-model"> ... </input>


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Mobile Phone${customer.phoneMobile}
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Currently I am pursuing B.Tech in EEE from GEC Sreekrishnapuram.
"I just find myself happy with the simple things. Appreciating the blessings God gave me."
Bring to the table win-win survival strategies to ensure proactive domination. At the end of the day, going forward, a new normal that has evolved from generation X is on the runway heading towards a streamlined cloud solution. User generated content in real-time will have multiple touchpoints for offshoring.
And Hoping to get experience from a reputed firm
Passed With First Class
Apart from being an Engineer, I enjoy most of my time being outdoors. I am an active Social Worker helping those who are in trouble.Actively works in many Organisations.


There was a great rave happening about 90k's out'a town, in a valley (middle of nowhere) so me and some of my friends had decided that we would go. I had been working about 9 hours that day and was a little bit tired so I decided that I neede a little bit of help to stay awake. Wnt to the local pharmacy and bought some of this stuff called 'Vig' wich has a combo of Guarana, Ginseng, and Ginko. The packet said to take about 2 a day but I thought 'what the hell, I'm tired!' so I took about 7 an hour beore arriving at the site.
Once there, in the tradition of things I had quite a bit of vodka and then there's a gap of about 30 minutes where I don't remeber too much. The next thing I knew, I was sitting down on one of the hills amongst the crowd to just listen to the goovy muzac...I was very decently trashed on the vodka by then but suddenly things started spinning sound like the whole planet was in fast forward and that really freaked me out so I stood up as quickly as possible and the spinning stopped after a few minutes. It was then that I felt 'awake' while being drunk...not really sure how to describe it...kind'a felf a little invincible and although my motor skills weren't all that good my mental condition was brilliant. I decided to dance for a short while...6 hours later I was still going at it without a single break. I was amazed so I went to my friend's tent to tell him of what I was experiencing. He was not there so I thought I'd have a lie down and went out like a rock.
About 3 hours later I woke with the a very calm but very rich euphoric feeling. ALL the alcohol had left my blood, or at least it felt like it did and I felt absolutely at peace with everything for the rest of the day, like I could never be sad or upset. Never repeated the experience so I don't know what it really was.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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--- layout: page title: About header-img: "img/about-bg.png" ---
I created this for school and hope to keep up with it, to help document my learning and growing through the rest of my life and maybe help others.


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Madi Acharya-Baskerville is an Asian born diaspora artist, living and working in the UK. Broadly speaking, the themes explored in her work range from environmental concerns, migration and exile and gender issues. What unities them is the found element, matter that already exists around us, an enduring reflection of the human condition. Her practice involves the synthesis of unlikely elements which she sources from different locations, the coastline, woodlands and vintage markets. Using objects, textiles, song, conversation and magazine cuttings which resonate with her on some level, she creates works which move fluidly between different media. Some of the materials have had a past life such as wooden panels previously part of furniture or embroidered textiles which have seen better occasions. Through joyous transformative processes these objects and materials are reborn as part of something new.
Work & Process- A film by Nicola Josse about my work
Selected for UAL Decolonising Art Institute 20/20 Program, Residency at Lightbox, Woking as part of this
Winner of First Plinth Award 2023, Royal Society of Sculptors
Winner of The Primary Residency Prize awarded following selection for New Art Exchange Open 2023
Recipient of Developing Your Creative Practice grant from Arts Council England for the project 'Developing ceramics as part of sculptural work in the context of museum collections'.
'If objects could speak what would they tell us?' My blog about DYCP activity
My sculpture ‘Here to stay’ has recently been acquired as part of the Art Fund New Collecting Award, selected by Uthra Rajgopal (Independent Curator) and is now part of the permanent collection at the Whitworth, University of Manchester
New Art Exchange Open 2023, New Art Exchange, Nottingham, May 20th- September 23rd
'Fragments of our time', British Textile Biennial 2023, The Whitaker, Blackburn, September 29th-October 29th
The Stuff of Life The Life of Stuff, Sainsbury Centre, University of East Anglia, Norwich, 8 September –14 January 2024
'What we leave behind' an essay by Uthra Rajgopal, Independent Curator and Writer Specialist in South Asian Textiles
'Something to do with Art' Interview for podcast by Robert Good
'I wish my hair was as long as yours' brochure includes 'Somewhere Else' an essay by Dr Stephanie Straine, Senior Curator of Modern and Contemporary Art at the National Galleries of Scotland, Edinburgh


The research paper provided as an Assignment in the course CS F364 Design and Analysis of Algorithm, offers us with an excellent opportunity to understand how divide and conquer algorithms work. The paper poses 2 problems based on Iso-Rectangles (rectangles having sides parallel to the coordinate axes).
Assuming we have the region divided into stripes the measure problem simply becomes the sum of all the x_unions * y_intervals through all the stripes. Similarly assuming stripes, the contour problem reduces to find if a particular horizontal edge of a rectangle contributes to the contour or not, and if it does, which intervals of it actually contribute to the contour. To implement this easily a binary tree is built such that the leaf nodes contain the endpoints of the intervals in s.x_union . A leaf also contains an indication whether the represented point is a left or a right endpoint.
Stripes is computed using a divide and conquer strategy. We divide the input (Set of verticle edges ) until there is only one edge in the set .
In case the input has only one verticle edge 3 stripes are created with the middle stripe having non-empty x_union.
Obviously all operations in Case 1 take only constant time, hence
T(1)=O(1) (1) .
Dividing can be done in constant time and the conquer step yields
two terms T(n/2).
In the merge step we call three sub routines namely, copy, blacken, concat.
Copy funtion takes creates consolidated stripes of both left and right Stripes.
Blacken function blackens an entire stripe incase the partner of the edge isnt present in the opposite side of stripes.
Concat function contacts the stripes of left and right that are already aligned(done in copy function).
All the above functions are of time complexity O(no . of stripes + no of edges ) which is O(n).
T(n) = O(1) + 2 T(n/2) + O(n) (2)
It is well known that the recurrence Eqs. (1) and (2) have solution
T(n) = O(n log n)
Since the algorithm employs a divide and conquer approach to the problem, we observe that the worst-case time complexity is O(nlogn) , n being the number of rectangles. Test cases and their results with timing analysis has been shown below.


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Tomas Marco studied violin and composition while at secondary school, and in 1963 he graduated in Law at the University of Madrid. He extended further his music composition education in Germany and in France with Boulez, Stockhousen, Maderna, Ligeti and Adorno. He was assistant of Stockhousen in 1967. Marco has been awarded with many prizes. Some of them are Premio Nacional de Música (1969), the Honor Prize at the VI Paris Biennal, Golden Harp (1975), Casal Award (1976), UNESCO's International Rostrum of Composers Award (1976). He recently received the Premio Nacional de Musica for his whole work (November 2002), and in 2004 the Premio de Musica of the Community of Madrid.
He has been a promotor of contemporary music through his position as professor of composition at the Conservatorio Superior de Musica de Madrid, and as professor of History of Music at UNED. He had an important role in the diffusion of contemporary music repertoir during his music service at Radio Nacional. He was director of Centro para la Difusión de Música Contemporánea (1985 - 1995), where he created the Electroacoustic Music Lab. In 1985 Marco founded the International Festival for Contemporary Music held in Alicante, and was its director during the first 11 editions.
Tomas Marco has composed 6 operas, 1 ballet, 10 symphonies, chamber and choral music. He is now exclusively dedicated to composing music and writing essays about music.