Romantic Christmas gifts: Unique present ideas for your boyfriend or girlfriend
by Precious AdesinaA lovely gift for one of the loveliest humans you know. Blow your other half away with these romantic Christmas gifts that will leave them blushing for the rest of the year.
It's hard to find a romantic gift that perfectly sums up how much you love someone AND also either outshines last year's present or is a unique Christmas gift. But, you're determined to find a way.
You can have them stargazing in Wales, drinking gin from the top of the Shard in London or simply watching cheesy romantic comedies on Netflix at home. Here's our round-up of the very best romantic christmas gift ideas - unique enough to impress your boyfriend or girlfriend.
1. Stargazing Experience for Two with Dark Sky Wales
Enjoy a romantic evening looking up at the stars with this special gift you can share with your partner in Wales. Astronomers will also be available to help you correctly spot all well-known stars and constellations.
2. Love Letters of Great Men
If you find it hard to say how you feel, let Mark Twain, Robert Browning and Mozart do it for you. Their letters will resonate with anyone who has ever been in love and might even inspire a swoon or two from the object of your affection.
3. Smythson Bordered Kings Writing Paper
Or why not write some love letters of your own? Enter into a secret correspondence and start by providing the paper and envelopes to write on. The anticipation of receiving their next missive will keep you both on your toes.
4. Diptyque Large Indoor & Outdoor Feu de Bois Scented Candle
This sultry candle from luxury brand Diptyque will help to set the mood for your next night in. According to John Lewis, the scent is "a sophisticated accord of wood." We couldn't imagine a better gift.
5. Anthropologie Tufted Mila Throw Blanket
Up the Hygge factor by huddling under a stylish wool blanket from Anthropologie. The two of you will be toasty despite the wintry chill outside.
6. Love Inc. Large White Heart LED Neon Light
Romantic decorations needn't be naff and a neon light will add a cool design edge your other half's home. What a way to show you care.
7. SLIP Silk Eye Mask
Give the gift of a good night's sleep to your beau. Seriously, they'll love you forever. And they'll be a lot happier now they're consistently well-rested.
8. Carine Gilson Lace-trimmed silk-crepe slip dress
Sticking to bedtime, this slinky silk slip will make them feel like a languorous seductress. The ultimate in sleepwear luxury. The dust-blue silk and beige floral lace very much compliment each other.
9. Fortnum & Mason The Champagne & Chocolate Gift Box
An oldie but a goodie. Not many people can resist this classic combination and it's a great option for a fairly new partner in crime.
10. Tiffany Champagne Flute Set
Toast each other with this set of sophisticated crystal glass flutes from the iconic Tiffany & Co. You'll both be prepared to celebrate your next anniversary.
11. Mr & Mrs Smith Presents The World’s Sexiest Bedrooms
With a title like that, Mr & Mrs Smith's hotel guide is a must for any couple with a stylish coffee table. Featuring 35 inviting rooms handpicked by trusted tastemakers like Lauren Laverne and Stella McCartney, you'll be able to choose from safari lodges, Venetian pallazzos and urban retreats. Head off for a romantic adventure you'll never forget.
12. Horizn Studios SoFo Weekender
You'll both be needing some chic luggage for all those sexy weekends away, so why not buy a Horizn Studios SoFo Weekender? Water-resistant waxed canvas with lightweight and durable finish, it's the ideal size for a mini-break and comes in three stylish colours.
13. Netflix Gift Card
Give them the ultimate gift o a year's supply of Netflix (or just a month's since you can fill in the amount yourself). You could've bought them a box set, but with this, they'll have a decent amount of choice and you can argue about what to watch for longer...
14. The White Company Resin Photo Frame
Go old school and actually display a picture of yourselves in a sleek frame, rather than just your Instagram. Now, you just have to pick what photo you'd like to go in!
15. London's Highest Gin Masterclass for Two at The View from The Shard
If they love gin, this is the ultimate gift. They can experience a gin masterclass for two (hopefully with you) at the top of the Shard. They'll get to enjoy premium gin and tonics in the VIP area too.
16. 10 Things I Love About You Light Box
Let them know all the little things you love about them with a personalised lightbox, emblazoned with their cutest qualities. Maybe it's how they always bring you a cup of tea in the morning or the way they laugh. Whatever you include, it'll be a good reminder on the days when they're driving you insane...
17. Weekend Hideaway Retreat at Lime Wood
You won't want to leave after a secluded getaway at the Lime Wood Hotel in Hampshire. Enjoy incredible treatments at the spa, delicious food from Angela Hartnett and hide away with your sweetheart in one of the beautiful suites, cabins or forest lodges. Hope for bad weather and you won't even have to leave your room. Read our review here.
18. Soho Home Barwell Cut Crystal Martini Set
Mix up some stylish drinks with this dapper cut crystal set. With two martini glasses and a shaker, you can create cocktail hour in the comfort of your own home.
19. Lola Rose Portobello Friendship Bracelet
Buy each other a friendship bracelet which you can rebrand as a love bracelet. Lola Rose's Portobello style comes in blue, green, white and peach so you can match or mix it up.
20. Dinner at Clos Maggiore
Consistently voted one of the most romantic restaurants in the world, Clos Maggiore's cherry blossom filled conservatory in London's Covent Garden is a gorgeous setting for whispering sweet nothings over a delicious dinner. It's notoriously difficult to get a table so be prepared to book months in advance.
View latest offers from Virgin Experience Days
For more Christmas features and gift guides, see www.telegraph.co.uk/christmas
All the products mentioned in this article are selected independently by our journalists. The Telegraph makes money by adding affiliate links to some of the products.


My Awesome Cat Blog!
I love cats! Not really, I'm more of a dog person, but cats are cute and hilarious.
Recent Posts!


This scenario provides an example of managing your credential through account setting. You can swipe the edge to setting pane then select "Accounts", or you can click "Manage" to show your credential. If there are no credentials, please go to Scenario 1 to add some credentials.


Supply monitoring system. Intendant's Suite
The scenario of Intendant activities
Query All Groups in Squadrone
ID
GroupName
GroupDescription
{{group.Key}}
{{group.groupName}}
{{group.description}}
Add new group into squadrone
Error: Please enter a valid group data.
The new croup added successfully.
Enter a group name:
Enter a description:
All Fighters in Squadrone
ID
Fighter Id
Fighter Name
Group
Description
Register TS
{{user.Key}}
{{user.userId}}
{{user.userName}}
{{user.groupName}}
{{user.description}}
{{user.registerTS}}
Add fighter into repository
Error: Please enter a valid fighter data
Congratulation: The new fighter has been added to repository!
Enter a fighter Id ( or scan the QR/token/RFID label ):
Enter a fighter name:
Enter a group name:
Enter a description:
Generate empty group's item list and put into Ledger
Success! Tx ID: {{generated_set_for_group}}
Error: Please enter a valid data
Enter a group name (from available list above):
Enter item name:
Enter deliveryman name:
Switch to Page
Main
Deliveryman
Fighter


The current time is:
In this demo, points are rotated around the z-axis using the engine's transform functions.
The hour, minute, and second indicators are positioned by converting the parts of the current time to radians and using those values to calculate a rotation on each tick.
The hour and minute hands are heavily quantized — this is because they are calculated by dividing hours by 12 and minutes by 60 before converting to rotation. We could fix this by converting them to seconds and dividing by (12×60) and (60×60) instead.


We enhance networks!
- target sticky networks
- engage holistic communities
- reintermediate 24/7 paradigms
- syndicate B2B e-markets
- leverage efficient infomediaries
- innovate cross-platform content
- reintermediate sticky infomediaries
- facilitate intuitive methodologies
- reintermediate interactive solutions
- unleash extensible portals
- utilize world-class vortals
- syndicate seamless channels
- benchmark best-of-breed experiences
- scale next-generation networks
- deploy sticky initiatives


The mission of the WSU World War II Commemoration Project is to revive and complete President Holland’s original vision of honoring WSC’s war dead, but this time in digital form accessible to a twenty-first century audience. By presenting the photos and life stories of the generation of Cougars who died in the fight against fascism and militarism, the project aims to restore the humanity and the spirit of these @190 WSC war dead, transforming them from names on a plaque to young men that contemporary Cougars and the public can readily relate to. It is thus intended to serve both as a scholarly resource and as a means to advance public understanding and appreciation for the service and legacy of these former Cougars in this defining moment of American and world history.
For more background on the project and project team members please view the WWII Community Service Project video available on Youtube and look below to the More information section of this site.


Several schemes for fisheries sector: Minister
by Special CorrespondentThe government is trying to create a new developmental dimension in the fisheries sector through an integral approach involving conservation of marine resources, protection of the rights of fishing communities, and meeting the growing public demand for fish, Fisheries Minister J. Mercykutty Amma has said.
In a message issued to mark World Fisheries Day on November 21, Ms. Mercykutty said the government had launched several schemes for the development of the sector. As part of this, a legislation was being framed for banning the import and sale of fish containing chemicals harmful to health. This was meant to ensure that the public had access to quality fish.


Come join us for a game of Dominion during the lunch break. Newcomers welcome.
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It's the weekend. Why are you at work?


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Contact
Please feel free to use any of the following methods to contact the artist, whether it be regarding sales of current work, or an interest in commissioning a future piece. All enquiries are welcome.
All prices listed on the site are for the canvas only, shipping within the UK and overseas is available.


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This website is designed to help those of all knowledge/experience levels with data mesh find useful information and join the growing data mesh community.
We are committed to fostering communities of empathy, sharing, and open feedback. If you have suggestions for additional content, we want to hear it. If you want changes, we want to hear it. Feel free to make suggestions in the Slack channel or directly to Scott Hirleman or email us community@datameshlearning.com.


This project template is the basis of an PCB for the
Hammond Manufacturing RM2055L Enclosure
Board Dimensions: 184mm x 128mm
Case Dimensions: 190mm x 140mm x 70.75mm
Panel Dimensions: 180.5mm x 62.7mm
(c) 2019 Kai Raphahn
(c) 1997-2019 Hammond Mfg Co Inc


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Play
A gripping play focused on the lives of different people during the pandemic, including how they deal with it.
A gripping play focused on the lives of different people during the pandemic, including how they deal with it.
Various presentations by artists and researchers relating to the pandemic and related subjects
An open panel discussing the impact of the pandemic on our society and what can be done about it.
Founder and President of Hearts of Art Theatre Group
alter Sitati has had an accomplished career as a communications consultant, actor, director, writer, and producer. At Hearts of Art, he often casts a critical but humorous lens on modern day society, expressing the zeitgeist through the language of art.
Actress and Sales & Marketing Consultant
Patience Akinyi has had first-hand experience of the impact of the pandemic on the service sector, and has done extensive research into different approaches to adapt the industry to the changing times. She also has a passion for acting.
Actress and Social Media Influencer
The story of Azziad Nasenya's rise to fame is as tragic as it is encouraging, and her stardom is partly influenced, if not entirely caused by, the changing moods of Kenyans on social media as the pandemic takes hold. She has deep insight into the shifting attitudes of Kenyans online, as well as the different ways they are dealing with the pandemic.
Actor and Molecular Biologist
Elvis Gatere's career is a crossroads between perhaps the unlikeliest of fields: acting and molecular biology. One of these fields, however, has given him a deep insight into the workings of the pandemic, and the other allows him to communicate them in an accessible way.
Actress and Nutrionist
Tracy Amadi explores the impact of the pandemic on our eating habits, both positive and negative. She also offers valuable advice on how to stay healthy and boost our immunity in these trying times.
Founder and CEO of Sanaapost
Sanaapost is an online directory of various talents in the entertainment industry, and has taken a frontline position in raising awareness about the pandemic. Peter Kawa talks about its efforts, successes, and struggles.


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Useful for visualizing the best solver configuration.
| Solver | Total | Average | Standard Deviation | Problem |
|---|---|---|---|---|
| MultipleAgents | ||||
| Late Acceptance 0 | 0hard/0medium/-384soft | 0hard/0medium/-384soft | 0.0/0.0/0.0 | 0hard/0medium/-384soft 0 |
Useful for visualizing the scalability of each solver configuration.
Useful for zooming in on the results of the best score summary.
| Solver | Total | Average | Problem |
|---|---|---|---|
| MultipleAgents | |||
| Late Acceptance 0 | 0hard/0medium/0soft | 0hard/0medium/0soft | 0hard/0medium/0soft 0 |
Useful for visualizing the return on investment (ROI) to decision makers.
| Solver | Average | Problem |
|---|---|---|
| MultipleAgents | ||
| Late Acceptance 0 | 0,00%/0,00%/0,00% | 0,00%/0,00%/0,00% 0 |
Useful for comparing different score calculators and/or score rule implementations (presuming that the solver configurations do not differ otherwise). Also useful to measure the scalability cost of an extra constraint.
| Solver | Average | Problem |
|---|---|---|
| MultipleAgents | ||
| Problem scale | 2.450 | 2.450 |
| Late Acceptance 0 | 0/s | 0/s |
Useful for visualizing the performance of construction heuristics (presuming that no other solver phases are configured).
| Solver | Average | Problem |
|---|---|---|
| MultipleAgents | ||
| Problem scale | 2.450 | 2.450 |
| Late Acceptance 0 | 601.456 | 601.456 |
Useful for extrapolating the scalability of construction heuristics (presuming that no other solver phases are configured).
Useful for visualizing trade-off between the best score versus the time spent for construction heuristics (presuming that no other solver phases are configured).
Entity count: 80
Variable count: 30
Problem scale: 2.450
Memory usage after loading the inputSolution (before creating the Solver): 3.682.840 bytes on average.
<solver> <solutionClass>org.optaplanner.examples.vehiclerouting.domain.VehicleRoutingSolution</solutionClass> <entityClass>org.optaplanner.examples.vehiclerouting.domain.Standstill</entityClass> <entityClass>org.optaplanner.examples.vehiclerouting.domain.Task</entityClass> <scoreDirectorFactory> <scoreDefinitionType>HARD_MEDIUM_SOFT</scoreDefinitionType> <easyScoreCalculatorClass>org.optaplanner.examples.vehiclerouting.solver.score.VehicleRoutingEasyScoreCalculator</easyScoreCalculatorClass> <initializingScoreTrend>ONLY_DOWN</initializingScoreTrend> </scoreDirectorFactory> <termination> <minutesSpentLimit>10</minutesSpentLimit> </termination> <constructionHeuristic> <constructionHeuristicType>FIRST_FIT</constructionHeuristicType> </constructionHeuristic> <localSearch> <unionMoveSelector> <changeMoveSelector/> <swapMoveSelector/> <subChainChangeMoveSelector> <selectReversingMoveToo>true</selectReversingMoveToo> </subChainChangeMoveSelector> <subChainSwapMoveSelector> <selectReversingMoveToo>true</selectReversingMoveToo> </subChainSwapMoveSelector> </unionMoveSelector> <acceptor> <lateAcceptanceSize>200</lateAcceptanceSize> </acceptor> <forager> <acceptedCountLimit>1</acceptedCountLimit> </forager> </localSearch> </solver>
| Name | 2015-08-31_125216 |
|---|---|
| Aggregation | false |
| Failure count | 0 |
| Starting timestamp | 31-ago-2015 12:52:16 |
| Warm up time spent | 30.000 ms |
| Parallel benchmark count / available processors | 1 / 4 |
| Benchmark time spent | 638.113 ms |
| VM max memory (as in -Xmx but lower) | 1.834.483.712 bytes |
| OptaPlanner version | 6.2.0.Final |
| Java version | Java 1.7.0_79 (Oracle Corporation) |
| Java VM | Java OpenJDK 64-Bit Server VM 24.79-b02 (Oracle Corporation) |
| Operating system | Linux amd64 3.13.0-32-generic |
| Report locale | es_ES |


Welcome to the OBJ3 source tree.
The source code for the OBJ3 system is found in the obj3 directory. In particular, note that the standard OBJ3 prelude is included as obj3/prelude/obj3sp.obj.
The source code for the TRIM system is found in the trim directory. The TRIM example code and documentation are found there as well.
Many OBJ3 examples are included in the examples directory. See the README there for more information.
A few miscellaneous support programs (coded in C) are available in the support directory.
The OBJ3 system is written in Common Lisp. Modern Common Lisp systems can compile Lisp code to C, thus a compiled implementation of OBJ3 is quite efficient.
The last major release of OBJ3 (2.0) took place in April of 1992 and was built by Timothy Winkler, one of the primary OBJ3 developers. At that time, OBJ3 built properly on several Common Lisp implementations including:
The world of Common Lisp implementations has changed over the last eight years. The primary free implementation that is widely used and available today is GNU Common Lisp. This release of OBJ3 is only guaranteed to run under GNU CL (GCL) and CMU Common Lisp. You can obtain GCL via the the GCL home page; CMU Common Lisp is available via the Cons.org website. Linux users can obtain references to various RPMs for GCL via RPMfind.net's excellent auto-index.
We are currently finishing a "port" of OBJ3 version 2 to CLISP 2.31.
Thanks go primarily to Sula Ma at Oxford for the OBJ3 2.04 port to GCL 2.2.2.
We are interested in hearing if anyone ports OBJ3 to other Common Lisp implementations, in particular, LispWorks and Franz Allegro CL.
For a good breakdown of modern Common Lisp implementations, see this informative page. All other questions about Common Lisp implementation are probably addressed in the Lisp FAQ.
To build OBJ3, you need GCL or CMU CL and GNU make. Set the shell variable 'lisp_compiler' to the executable of the CL compiler you wish to use, then type "make" in the OBJ3 root directory. After the build completes, the OBJ3 and TRIM executables will be found in the bin directory.
Please email<EMAIL_ADDRESS>[ Index ] [ Readme ] [ FAQ ] [ Release Notes ] [ To-Do List ] [ Bug List ] [ Papers ] [ Source ] [ Bibliography ] [ License ]


| DOSE: |
1 hit |
smoked |
Cannabis |
(plant material) |
I have never tried acid or any other mind altering drugs apart from pot, alcohol, and 12 cold and flu tablets (not recommended), so this phenomenal experience was definitely not a flashback of an acid trip.
Several weeks ago on a Thursday afternoon before sport at school, my good friend and I decided that we should alter our state of mind ever so slightly through a complex ritual we like to call ?getting shitfaced.? I was not particularly in the mood to get stoned, as I tend to become very uneasy when I am the only one stoned in a large group, and my friend and I both do different sports, so I decided to only have one lungfull of mildly potent grass, spun with some crushed rose petals (they do nothing to change the experience in any way, my friend is just a bit strange).
We then proceeded to the yard where everyone was already lined up to go to sport.
By this time the effects were minimal, only a slight light-headed feeling, and that?s all that I was expecting, not in the slightest way able to foresee the incomprehensible psychological events which were about to take place.
Waiting outside the bus I was completely capable of participating in a ?normal? conversation with a friend who was not on any drugs. I didn?t even have any fragmented thoughts; apart from the occasional illogical thought, I was totally straight. I was later told that if I had not told them that I just smoked some pot, they would not have known.
(now this is the good bit)
I suddenly felt the urge to kneel down. It wasn?t an overpowering compulsion to get closer to the ground, rather a feeling of, ? i'll be a bit more comfortable if I kneel.? So I did.
The way down seemed to be the turning point for the experience. The time dilation I experienced was incredible. What seemed to me an hour was only the time it took to get from a standing position to a kneel.
I studied the warm sun?s rays, which splashed onto the semi-dried grass where I knelt. It seemed to remind me of a time in my childhood that I had long forgotten, when my parents would take me to the river where we used to live. And for an instant I was once again there, filled with the same uninhibited innocent bliss that only childhood (and apparently now drugs) could evoke.
This total bliss, although indescribably pleasant, came as a shock. I had experienced an emotion similar to this before, yet on a much higher dose. I stood up, and just as mysteriously and unexpectedly as the emotion came it dissipated, leaving me pondering what had just taken place.
I made my way onto the bus and sat by the window.
I was joined by a friend, who upon sitting down next to me sparked up a meaningless conversation, in which I involved myself for awhile. However, in my current state of mind I knew I would benefit more if I just turned and looked out the window, so I told him in a very polite way that I am incredibly sorry but I must turn and look out the window now. (He thought I was joking, but after seeing that I did not turn back to him he found another victim to bore with pointless chatter.)
As I was trying to figure out what had caused my bliss just a few minutes ago, I started to take greater notice of the lush green trees outside. Then just as suddenly a wondrous feeling came over me. This was many times more profound than before and it lasted for most of the 15-minute bus ride. During this time I lost my entire internal monologue, apart from the occasional ?wow? and ?what?s going on.? My mind was empty of verbal thought, instead filled with raw emotion, a type of bliss or ?nirvana,? if you will, so profusely mind-blowing that it brought tears to my eyes.
An endless psychological orgasm is perhaps the closest verbal description I can put to it.
Every stimulus from the outside world conveyed a type of wonder and pure undivided happiness that I have never seen the likes of before.
This utopia stopped when we reached the pools, but then an hour later on the bus home I experienced the same phenomenon as before, on the same amazingly vivid scale.
And to this day I occasionally have a glimpse into this state without any drugs and find that the world seems to have much more wonder and beauty than it once had.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Vampire
Medium undead (shapechanger), lawful evil
Armor Class 16 (natural armor)
Hit Points 144 (17d8 + 68)
Speed 30 ft.
| STR | DEX | CON | INT | WIS | CHA |
|---|---|---|---|---|---|
| 18 (+4) | 18 (+4) | 18 (+4) | 17 (+3) | 15 (+2) | 18 (+4) |
Saving Throws Dex +9, Wis +7, Cha +9
Skills Perception +7, Stealth +9
Damage Resistances necrotic; bludgeoning, piercing, and slashing from nonmagical attacks
Senses darkvision 120 ft., passive Perception 17
Languages the languages it knew in life
Challenge 13 (10,000 XP)
Shapechanger. If the vampire isn’t in sunlight or running water, it can use its action to polymorph into a Tiny bat or a Medium cloud of mist, or back into its true form. While in bat form, the vampire can’t speak, its walking speed is 5 feet, and it has a flying speed of 30 feet. Its statistics, other than its size and speed, are unchanged. Anything it is wearing transforms with it, but nothing it is carrying does. It reverts to its true form if it dies. While in mist form, the vampire can’t take any actions, speak, or manipulate objects. It is weightless, has a flying speed of 20 feet, can hover, and can enter a hostile creature’s space and stop there. In addition, if air can pass through a space, the mist can do so without squeezing, and it can’t pass through water. It has advantage on Strength, Dexterity, and Constitution saving throws, and it is immune to all nonmagical damage, except the damage it takes from sunlight.
Legendary Resistance (3/Day). If the vampire fails a saving throw, it can choose to succeed instead.
Misty Escape. When it drops to 0 hit points outside its resting place, the vampire transforms into a cloud of mist (as in the Shapechanger trait) instead of falling unconscious, provided that it isn’t in sunlight or running water. If it can’t transform, it is destroyed. While it has 0 hit points in mist form, it can’t revert to its vampire form, and it must reach its resting place within 2 hours or be destroyed. Once in its resting place, it reverts to its vampire form. It is then paralyzed until it regains at least 1 hit point. After spending 1 hour in its resting place with 0 hit points, it regains 1 hit point.
Regeneration. The vampire regains 20 hit points at the start of its turn if it has at least 1 hit point and isn’t in sunlight or running water. If the vampire takes radiant damage or damage from holy water, this trait doesn’t function at the start of the vampire’s next turn.
Spider Climb. The vampire can climb difficult surfaces, including upside down on ceilings, without needing to make an ability check.
Vampire Weaknesses. The vampire has the following flaws:
Forbiddance. The vampire can’t enter a residence without an invitation from one of the occupants.
Harmed by Running Water. The vampire takes 20 acid damage if it ends its turn in running water.
Stake to the Heart. If a piercing weapon made of wood is driven into the vampire’s heart while the vampire is incapacitated in its resting place, the vampire is paralyzed until the stake is removed.
Sunlight Hypersensitivity. The vampire takes 20 radiant damage when it starts its turn in sunlight. While in sunlight, it has disadvantage on attack rolls and ability checks.
Actions
Multiattack (Vampire Form Only). The vampire makes two attacks, only one of which can be a bite attack.
Unarmed Strike (Vampire Form Only). Melee Weapon Attack: +9 to hit, reach 5 ft., one creature. Hit: 8 (1d8 + 4) bludgeoning damage. Instead of dealing damage, the vampire can grapple the target (escape DC 18).
Bite (Bat or Vampire Form Only). Melee Weapon Attack: +9 to hit, reach 5 ft., one willing creature, or a creature that is grappled by the vampire, incapacitated, or restrained. Hit: 7 (1d6 + 4) piercing damage plus 10 (3d6) necrotic damage. The target’s hit point maximum is reduced by an amount equal to the necrotic damage taken, and the vampire regains hit points equal to that amount. The reduction lasts until the target finishes a long rest. The target dies if this effect reduces its hit point maximum to 0. A humanoid slain in this way and then buried in the ground rises the following night as a vampire spawn under the vampire’s control.
Charm. The vampire targets one humanoid it can see within 30 feet of it. If the target can see the vampire, the target must succeed on a DC 17 Wisdom saving throw against this magic or be charmed by the vampire. The charmed target regards the vampire as a trusted friend to be heeded and protected. Although the target isn’t under the vampire’s control, it takes the vampire’s requests or actions in the most favorable way it can, and it is a willing target for the vampire’s bite attack. Each time the vampire or the vampire’s companions do anything harmful to the target, it can repeat the saving throw, ending the effect on itself on a success. Otherwise, the effect lasts 24 hours or until the vampire is destroyed, is on a different plane of existence than the target, or takes a bonus action to end the effect.
Children of the Night (1/Day). The vampire magically calls 2d4 swarms of bats or rats, provided that the sun isn’t up. While outdoors, the vampire can call 3d6 wolves instead. The called creatures arrive in 1d4 rounds, acting as allies of the vampire and obeying its spoken commands. The beasts remain for 1 hour, until the vampire dies, or until the vampire dismisses them as a bonus action.
Legendary Actions
The vampire can take 3 legendary actions, choosing from the options below. Only one legendary action option can be used at a time and only at the end of another creature’s turn. The vampire regains spent legendary actions at the start of its turn.
Move. The vampire moves up to its speed without provoking opportunity attacks.
Unarmed Strike. The vampire makes one unarmed strike.
Bite (Costs 2 Actions). The vampire makes one bite attack.


 When a person goes to a web page like Google, their computer sends a HTTP Request to a server.
SERVERS are computers optimized for hosting data and HTML or HyperText Markup Language is the protocol used for communicates between all those elements
The server finds the appropriate HTML document and sends it back to the user's computer where a WEB BROWSER, a local software on everyone's computer, interprets the page and displays it on the user's screen.
This video
does a good job of explaining.
A web page is a text document written in a language called HTML. Web browsers read these documents, and then interpret and display them.
HTML documents contain text content which describes "what you see" and markup which describes "how it looks". This video gives a good overview.
HTML documents are made of HTML tags, elements and attributes.
When writing HTML, we tell browsers the type of each element by using HTML tags. This video
explains the distinction well. An HTML tag is always contained within angled brackets. Most tags have an opening tag "< p >" for example and a closing tag, "< / p >". Some tags (called "void" tags) do not require a closing tag (like the < br > tag).
Attributes are the properties of an HTML element. For example, to set the href attribute of an anchor tag to the Udacity URL, you would write "< a href="www.udacity.com" >"
Coding happens when programmers write text in a language that a computer can understand. The computer can then follow the instructions the programmer wrote.
There are too many details to keep everything in head but search engine are our friends. Coding is a state of mind, knowing how to speak to a computer, with the appropriate language.
Computers aren't smart, they interpret litteraly what the programer says to him, small mistakes can lead to huge consequences


Installation
Fork Chirpy on GitHub, rename the repository to USERNAME.github.io
(where USERNAME
is your GitHub username), and then open terminal and clone the fork to local by:
1
$ git clone https://github.com/USERNAME/USERNAME.github.io.git -b master --single-branch
Setting up the local envrionment
If you would like to run or build the project on your local machine, please follow the Jekyll Docs to complete the installation of Ruby
, RubyGems
, Jekyll
and Bundler
.
Before running or building for the first time, please complete the installation of the Jekyll plugins. Go to the root directory of project and run:
1
$ bundle install
bundle
will automatically install all the dependencies specified by Gemfile
.
Setting up Docker environment (optional)
If you’re a loyal fan of Docker or just too lazy to install the packages mentioned in Setting up the local envrionment, please make sure you have Docker Engine installed and running, and then get Docker image jekyll/jekyll
from Docker Hub by the following command:
1
$ docker pull jekyll/jekyll
Usage
Initialization
Go to the root directory of the project and start initialization:
1
$ bash tools/init.sh
Note: If you not intend to deploy it on GitHub Pages, append parameter option
--no-gh
at the end of the above command.
What it does is:
- Remove some files or directories from your repository:
.travis.yml
- files under
_posts
- folder
docs
-
If you use the
--no-gh
option, the directory.github
will be deleted. Otherwise, setup the GitHub Action workflow by removing extension.hook
of.github/workflows/pages-deploy.yml.hook
, and then remove the other files and directories in folder.github
. - Automatically create a commit to save the changes.
Configuration
Generally, go to _config.yml
and configure the variables as needed. Some of them are typical options:
url
avatar
timezone
theme_mode
Run Locally
You may want to preview the site contents before publishing, so just run it by:
1
$ bundle exec jekyll s
Then open a browser and visit to http://localhost:4000.
Run on Docker
Run the site on Docker with the following command:
1
2
3
4
$ docker run --rm -it \
--volume="$PWD:/srv/jekyll" \
-p 4000:4000 jekyll/jekyll \
jekyll serve
Deployment
Before the deployment begins, checkout the file _config.yml
and make sure the url
is configured correctly. Furthermore, if you prefer the project site and don’t use a custom domain, or you want to visit your website with a base url on a web server other than GitHub Pages, remember to change the baseurl
to your project name that starting with a slash. For example, /project
.
Assuming you have already gone through the initialization, you can now choose ONE of the following methods to deploy your website.
Deploy on GitHub Pages
For security reasons, GitHub Pages build runs on safe
mode, which restricts us from using plugins to generate additional page files. Therefore, we can use GitHub Actions to build the site, store the built site files on a new branch, and use that branch as the source of the Pages service.
-
Push any commit to
origin/master
to trigger the GitHub Actions workflow. Once the build is complete and successful, a new remote branch namedgh-pages
will appear to store the built site files. -
Browse to your repo’s landing page on GitHub and select the branch
gh-pages
as the publishing source throught Settings → Options → GitHub Pages: -
Visit your website at the address indicated by GitHub.
Deploy on Other Platforms
On platforms other than GitHub, we cannot enjoy the convenience of GitHub Actions. Therefore, we should build the site locally (or on some other 3rd-party CI platform) and then put the site files on the server.
Go to the root of the source project, build your site by:
1
$ JEKYLL_ENV=production bundle exec jekyll b
Or, build the site with Docker by:
1
2
3
4
5
$ docker run -it --rm \
--env JEKYLL_ENV=production \
--volume="$PWD:/srv/jekyll" \
jekyll/jekyll \
jekyll build
Unless you specified the output path, the generated site files will be placed in folder _site
of the project’s root directory. Now you should upload those files to your web server.


Try out our Premium Member services: Virtual Legal Assistant, Query Alert Service and an ad-free experience. Free for one month and pay only if you like it.
IN THE HIGH COURT OF KERALA AT ERNAKULAM PRESENT: THE HONOURABLE MR. JUSTICE A.MUHAMED MUSTAQUE FRIDAY, THE 25TH DAY OF SEPTEMBER 2015/3RD ASWINA, 1937 WP(C).No. 28970 of 2015 (U) ---------------------------- PETITIONER(S): -------------- M.P.GEORGE, MATTAKKATTIL HOUSE, THAMARACHAL, KIZHAKAMBALAM P.O., ERNAKULAM DISTRICT. BY ADVS.SRI.DEVAN RAMACHANDRAN SRI.K.M.ANEESH SRI.SANTHOSH KUMAR K SRI.ADARSH KUMAR SRI.BIJU VARGHESE ABRAHAM SRI.DILEEP CHANDRAN RESPONDENT(S): ------------- 1. THE KERALA STATE POLLUTION CONTROL BOARD, DISTRICT OFFICE (ERNAKULAM-II), IST FLOOR, MANNA RESIDENCY, M.C.ROAD, PERUMBAVOOR, ERNAKULAM, PIN-682 542. 2. THE ENVIRONMENTAL ENGINEER, KERALA STATE POLLUTION CONTROL BOARD, DISTRICT OFFICE (ERNAKULAM-II), IST FLOOR, MANNA RESIDENCY, M.C.ROAD, PERUMBAVOOR, ERNAKULAM, PIN-682 542. BY SRI. M.AJAY, SC, KERALA STATE POLLUTION CONTROL BOARD. BY GOVERNMENT PLEADER SRI.BIJU MEENATTOOR.  WP(C).No. 28970 of 2015 (U) APPENDIX PETITIONER(S)' EXHIBITS : ------------------------ EXT. P1:- TRUE COPY OF THE LICENCE ISSUED BY THE PANCHAYAT FOR THE YEAR 2003-2004. EXT. P2:- TRUE COPY OF THE FEE RECEIPT EVIDENCING LICENSE FOR THE YEAR 2014- 15. EXT. P3:- TRUE COPY OF THE RECEIPT ISSUED BY THE PANCHAYATH ACCEPTING THE APPLICATION FOR RENEWAL OF LICENSE. EXT. P4:- TRUE COPY OF THE APPLICATION MADE BY THE PETITIONER TO THE RESPONDENTS SEEKING CONSENT TO OPERATE. EXT. P5:- TRUE COPY OF THE BANKER'S CHEQUE DATED 18/03/2015. EXT. P6:- TRUE COPIES OF THE UNDERTAKINGS GIVEN BY THE PETITIONER. EXT. P7:- TRUE COPY OF THE REPORT GIVEN BY THE AGENCY. EXT. P8:- TRUE COPY OF THE NOTICE DATED 24/08/2015 ISSUED BY THE RESPONDENT. RESPONDENT(S)' EXHIBITS : ----------------------- NIL. /TRUE COPY/ P.A.TO JUDGE RVS. A.MUHAMED MUSTAQUE, J. ---------------------------------------- W.P(C)No. 28970 of 2015 ---------------------------------------- Dated this the 25th day of September, 2015 J U D G M E N T
Petitioner approached the Pollution Control Board with Ext.P4 application to obtain consent. The petitioner has been served with Ext.P8 notice, to show cause against violation of the provisions of the Air (Prevention and Control of Pollution) Act,1981. In view of Ext.P4 application, there shall be a direction to the Pollution Control Board to consider the same within one month from the date of receipt of a copy of this judgment, after notice to the petitioner and other affected parties. Till a decision is taken by the Board, no coercive steps have been taken in the matter.
This writ petition is disposed of as above.
sd/-
A.MUHAMED MUSTAQUE, Judge MBS/


Ayoob Tarish
Singer
Nationality
Yemen, Taiz
Date of Birth
05 Aug 1944
Occupation
Traditional Singer/ Composer
Biography
Ayoob Tarish Absi is a Yemeni singer and musician
from the area of Al-Aboos in the Ta'izz Governorate.
He brought to the world a spectacularly wonderful and
colorful portrait of traditional Yemeni songs and
music. His songs accompanied us during happy and sad
days. His patriotism was clearly resembled in the
national anthem and other national works he
contributed to the country. Even now as the Arab world
is going through critical times, we find the best
elements that comfort us and encourage us to go on in
Ayoob’s national songs.
Musical Instrument
Oud
Notable Work
Yemeni Anthem
Number of Works
More than 80 songs
"
Art with no mission is no art and an artist has to have a case to fight for and present decent ideas to the world through his art and music.
"


4th Year Economics Major from California Polytechnic State University in San Luis Obispo. Looking to enter the world of data analytics. Wanting to relocate after I graduate in December 2018. After a couple of years thinking of going to grad school to get my masters in business analytics or data analytics depending on which the school offers. Always looking to improve and be challenged.


Chris Berghoff (born March 1995, CT USA) is a Game Designer and Digital Artist primarily based in creative development, algorithms, and data. With backgrounds in Computer Science, Visual Arts, Social Media, and even Technical Theatre, he tackles a multitude of various projects and ambitions. He is currently pursuing a degree in Digital Arts and Sciences at Clarkson University.
Chris is a jack of all trades in creative mediums and design. Primarily geared towards Game Design, he conceives inspiration and ideas from creative brainstorming, almost as if he were daydreaming. These ideas are then quantified or documented, allowing them to be flushed out primarily in programs like Google Sheets and Docs. Beyond game design, Chris dabbles in multiple artistic and design-based platforms, such as Maya, Photoshop, Unity, Premier, and Java coding. Whether it be games, art, or media, he implements algorithms and data analysis/interaction in almost everything he does. His philosophy is that no matter how beautiful, complex, or abstract an idea or visual is, there are procedures and equations influencing the content whether they be designed or unintentional. Melding wild creativity and mathematical practice into a cohesive design is a challenge Chris excels at, striving to achieve a unique yet methodically calculated product.
Excel/Sheets
Youtube
Maya
Word/Docs
Powerpoint/Slides
Photoshop/Paint.NET
Premier/VideoPad
Eclipse
GitHub
Matlab
English
Java
Spanish
HTML/CSS
JavaScript
C
XML
C++
Prolog
Scheme
Copyright ©Chris Berghoff 2017


The director package is responsible for managing and loading resources in some fixed directory structure. It has support for tracking changes between consecutive loads of resources (so that we can tell if a script was modified since we last ran it) and defining parsers that allow us to generalize from the pernicious simple linear execution that is common to R.
A director is an R6 class responsible for a collection of file-traversal related responsibilities.
director_
Throughout, a "resource" refers to an R script
with possible helper functions. A resource with helpers is identified
by the following heuristic: if a filename sans extension is identical
to its directory name, it is considered the primary accessible "resource"
with any accompanying helpers (files in the same directory) natively
invisible to the directory. For example, a file called "foo.R"
residing in directory "foo"
will be accessible from the director
object using director_object$resource('foo')
, but any other R scripts
in the "foo"
directory will not be visible to the director object.
With this definition of resource, a director manages all of the following relative to a root directory.
Grabbing resources relative to the root directory
using the resource
method. This also provides information
about the last time the resource was grabbed (modification time,
previous body).
Besides tracking information about the loaded resource
(and any previous versions of the loaded resource), the director also
maintains a stack of resources that have been loaded so far. This allows
one to, for example, force clear the stack, execute some code, and have
a list of resources that were relevant to the computation. The current
stack is available with director_object$stack(all = TRUE)
, which
will also clear it.
Some resources are not intended to be merely executed,
but also parsed. For example, if we define several functions in an
R script, we have access to those functions if we had sourced it
with base::source(script, local = some_environment)
as they
are now present in some_environment
. A parser is a wrapper
around loading of resources that allows one to do some further
computation with this information. For example, we may define
a read
and write
function, but parse this information
into some IO object when fetching the resource. Thus, a resource
can function as inputs to some parser that produces some final
resource object. Parsers can be defined for full directories or
specific files.


The type array can be used to store a list of objects.
Here a sample using array
You can initialize an array with a reference of another object. This way you can use an object inside a d-for


---
title: "Getting Line Drawing to Work with putty"
date: "2010-09-30"
redirect_from: "/post/4921811286/getting-line-drawing-to-work-with-putty"
categories:
- "putty"
---
putty
If you are having trouble getting solid lines to draw in your putty session, you may need to change the following:


Dermal filler injections may be used in many areas of the face to fill and smooth lines, wrinkles, deep folds and to improve the appearance of scars. They may also be used to restore and enhance the youthful curves of the face by adding volume to cheeks and lips and defining the natural contours of the jaw, chin and nose.
Process
Prior to your first treatment, our aesthetician will consult with you to assess your suitability for dermal filler and discuss any concerns or questions you may have.
The procedure involves a small amount of the prescribed product being administered into the selected areas using a very fine needle, or in some instances, a cannula. The injections may sting for a few seconds, and in some instances a numbing agent will be used.
Results
Results are visible immediately and optimal in one to two weeks. They last six to twelve months, depending on the area treated and the product prescribed. The dermal filler will gradually and naturally degrade in the body. Regular treatments will help to maintain results.
Post Treatment
Keep the injection site clean.
Take anti-histamines as required to reduce swelling.
Apply a cool compress to the site for ten minutes every hour, on the day of treatment but do not apply ice.
Avoid facial treatments immediately after treatment.
Avoid excessive exercise and exposure to heat for the first 24 hours
£180 for One Area £200 for Two Areas £250 for Three Areas
Duration 30-45 mins
Description
Anti–wrinkle injections are a powerful non-surgical treatment that smooths dynamic wrinkles and unwanted lines, resulting in a more youthful and rejuvenated appearance.
Process
Prior to your first treatment, our aesthetician will consult with you to assess your suitability for anti-wrinkle injections and discuss any concerns or questions you may have.
The procedure involves a small amount of the prescribed product being administered into the selected facial muscle/s using a very fine needle. The injections may sting for a few seconds, but no anaesthetic is required.
Results
Anti-wrinkle injections contain botulinum toxin type A (BTX-A) which relaxes and weakens the muscles that are responsible for wrinkles and frown lines.
Anti-wrinkle injections are used to treat the face, neck and décolletage and some areas of the body. Most people notice a difference after three days with optimum results visible at two weeks. Results typically last for three to four months. Regular treatments will help to maintain results.
Post Treatment
Avoid touching the injection sites for four hours
Avoid ‘facing-down’ or local pressure treatments (e.g. massage, facials, motorbike helmets, swimming goggles) for 12 hours. Avoid strenuous exercise and heat (e.g. saunas, LED) for 24 hours and avoid applying make up for 24 hours.
We will be offering more treatments as part of our service in the next couple of months. If there are any treatments you are interested in, please contact us at any time.


THE 13TH WARRIOR RATING: 5.5 / 10 --> Not good enough to recommend
For more reviews and movie screensavers, visit http://www.joblo.com/
After lying on the shelf for over a year, this epic tale based on Michael Crichton's novel is released with little fanfare right before the Labour Day weekend, a time generally reserved for servings of crap cinema. Is it that bad? Not really. In fact, it does generate several scenes of decent combat, but all in all, a wasted opportunity.
PLOT: An exiled Arab is chosen to be the 13th warrior in a pack selected to defend a king's homeland against the legendary half-man/half-bear predators from the mist. The man is reluctant at first, but slowly acclimatizes himself to the group and acquires the aptitudes of a true warrior.
CRITIQUE: This movie starts off real slow and boring, has way too many scenes hidden by darkness, way too many lines lost due to badly spoken dialogue, but does offer a few invigorating sequences of violent battle and a couple of gory scenes as well. If you are expecting another epic classic a la BRAVEHEART, you may as well save your money right now, and rent a quick & easy pornos instead. But if you don't mind a rinky-dink story and enjoy seeing Viking-like men kick bear ass, this film might be of healthier interest to you. I thought the second half of the film was much more enjoyable than the first, but could not help but feel like there could have been so much more. For one thing, it would have been nice to SEE many more of the battle sequences, most of which were unfortunately masked by the darkness and lost to my weak eyes. It also would have been nice to toss some speech therapists the way of Antonio Banderas and the mighty Nordic men who all seemed to be mumbling their incoherent lines through the entire gig.
On top of that, this is not necessarily a picture that needs to be seen on the big screen. In fact, you may want to check it out on a lonely video evening sometime next year, when the bad blood behind the making of the film has all but dissipated. It may just go down better at that point. I also think this film would have benefited from a name change. Forget THE 13TH WARRIOR, which centres around the Banderas character, who to me, seemed little more than a whiny beeyatch. How about the original novel title of "Eaters of the Dead"!? Yeah, now there's a cool title! And those crazy man-bears sure were creepy enough to merit that designation. Which reminds me of a film that came out earlier this year, a cannibal tale it was, which entertained me so much more than this sub-par offering. It was called RAVENOUS (7.5/10) and supplied plenty of narrative, action and cannibalism to whet anybody's bloody appetite. Now there's a movie to see! This one, well, see it if you like films which start off slow, have plenty of scenes in the dark, a few good battle sequences and incomprehensible men talking bunk. Otherwise, stick to the cooler cannibal tale of 1999 and check out RAVENOUS!
Little Known Facts about this film and its stars: Antonio Banderas' full name is José Antonio Domínguez Banderas. Born in Málaga, Spain, Antonio originally wanted to play soccer professionally. His dream crashed when he broke his foot at the tender age of fourteen. That's when he started acting. He was a staple in the Pedro Almodovar films of the '80s, and he crossed over to American films in 1992 with THE MAMBO KINGS, which he did phonetically. He is a Libra, and currently married to big-breasted actress Melanie Griffin. Actor Omar Sharif's birth name was Michael Shalhoub. He was born in 1932, in the city of Alexandria, Egypt. He is also known to be a world-class bridge player. Author Michael Crichton stands 6'9" and was apparently exorcised in 1986. He may be best known for having written the novels upon which the hugely successful JURASSIC PARK films were based. Director John McTiernan is probably best known for directing the original DIE HARD movie with Bruce Willis. He also directed the third and crappier one, called DIE HARD: WITH A VENGEANCE. After an earlier version of this film performed badly in sneak previews, new scenes were reportedly shot under the direction of author Michael Crichton. The budget of this film apparently ballooned close $100 million. Screenwriter William Wisher Jr. is known to have written the screenplay for TERMINATOR 2: JUDGMENT DAY. This film's title was changed from THE VIKINGS to THE EATERS OF THE DEAD to THE THIRTEENTH WARRIOR. Ironically, much of the movie was shot on location in British Columbia and other parts of Canada.
Review Date: September 5, 1999 Director: John McTiernan Writers: William Wisher Jr. Producer: Michael Crichton, John McTiernan and Ned Dowd Actors: Antonio Banderas as Ahmed Ibn Fadlan Genre: Action Year of Release: 1999 --------------------------------------- JoBlo's Movie Emporium http://www.joblo.com --------------------------------------- (c) 1999 Berge Garabedian
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


SACP set to rally behind Ramaphosa's ANC leadership | IOL News
Johannesburg - The SACP looks set to rally behind President Cyril Ramaphosa's leadership of the ANC.
The party is also likely to review its decision to contest local government elections, saying internal battles in the ANC forced members to review a decision they took at their national congress in 2017.
This is contained in the SACP's discussion document of its special national congress which starts in Kempton Park on Monday.
The SACP said it had played an “absolutely” critical part in the run-up to the ANC December 2017 national conference “in opening up space for the anti-state capture platform centred around Ramaphosa being able to hold public meetings and rallies in localities that were otherwise no-go areas”.
The party, however, admits in the discussion document that there were people who were going to raise the question of contesting elections independently for the 2021 local government elections.


Enum Token
The smallest unit of the Noise handshake language.
Namespace: Noise
Assembly: Noise.dll
Syntax
public enum Token
Fields
| Name | Description |
|---|---|
| E | The sender generates a new ephemeral key pair and stores it in the e variable, writes the ephemeral public key as cleartext into the message buffer, and hashes the public key along with the old h to derive a new h. |
| EE | A DH is performed between the initiator's ephemeral private key and the responder's ephemeral public key. The result is hashed along with the old ck to derive a new ck and k, and n is set to zero. |
| ES | A DH is performed between the initiator's ephemeral private key and the responder's static public key. The result is hashed along with the old ck to derive a new ck and k, and n is set to zero. |
| PSK | Noise provides a pre-shared symmetric key or PSK mode to support protocols where both parties have a 32-byte shared secret key. In a PSK handshake, a "psk" token is allowed to appear one or more times in a handshake pattern. This token can only appear in message patterns (not pre-message patterns). |
| S | The sender writes its static public key from the s variable into the message buffer, encrypting it if k is non-empty, and hashes the output along with the old h to derive a new h. |
| SE | A DH is performed between the initiator's static private key and the responder's ephemeral public key. The result is hashed along with the old ck to derive a new ck and k, and n is set to zero. |
| SS | A DH is performed between the initiator's static private key and the responder's static public key. The result is hashed along with the old ck to derive a new ck and k, and n is set to zero. |


- NAME
- still image formats supported by the photo interface added by
QuickTimeTcl
- SYNOPSIS
- package require QuickTimeTcl ?version?
- image create photo ?imageName? -file fileName
?-format formatName?
- imageName write fileName ?-format formatName?
- DESCRIPTION
- KEYWORDS
image create photo formats option.
- package require QuickTimeTcl ?version?
- image create photo ?imageName? -file fileName
?-format formatName?
- imageName write fileName ?-format formatName?
The QuickTimeTcl package supports a number of still image formats via the
standard photo command. Only file import/export is supported. No string
based import/export is supported. This excludes commands as imageName
data, and image create photo imageName -data
string.
The import format supported is quicktime. Use
image create photo imageName -file fileName
-format quicktime to specify a QuickTime graphics importer.
Since both Tk and QuickTimeTcl supports GIF images, it is necessary to
specify -format gif in order to use the Tk's image importer, and
-format quicktime to use QuickTime.
When exporting via the write command, there are several ways to do it.
If no format is specified, then Tk's standard method is used which means
that a GIF image is written.
With QuickTimeTcl you may specify the
precise image format wanted. The following values for the -format option
are supported:
- quicktimebmp : BMP format
- quicktimejfif : JFIF format
- quicktimejpeg : JPEG format
- quicktimemacpaint : MacPaint format
- quicktimephotoshop : PhotoShop format
- quicktimepng : PNG format
- quicktimepict : QuickDraw PICT format
- quicktimequicktimeimage : QuickTime image format
- quicktimesgiimage : Silicon Graphics format
- quicktimetargaimage : Targa format
- quicktimetiff : TIFF format
For each of these formats you may display a compression dialog for setting
various format specific parameters by appending a list element -dialog
to the format name. For instance, to export an image into a JPEG file
using a dialog, use -format {quicktimejpeg -dialog}. Not all formats
support dialogs.
Sorry for the syntax being a bit nonstandard, but that's because the
image command has limited customization possibilities.
The other alternative is to use -format {quicktime -dialog}.
Then a "Save As..." dialog is shown, where the initial file name is the one
given in the command, possibly with an extension appended. In the dialog
the user can select from a number of image formats, and for some of them,
additional characteristics may be given in separate dialogs. It is also
possible to change the file name and directory. If the user cancels,
the imageName write fileName command returns an error,
with the result string {0 {User canceled}}
. If the user saves
it, the selected file path is returned.
image, photo,QuickTime
Copyright © 2001-2003 Mats Bengtsson


'Really tough' - Huddersfield Town boss points out Birmingham City's biggest threat
Birmingham City latest - Huddersfield Town boss Danny Cowley has been discussing Blues ahead of Saturday's meeting at the John Smith's Stadium.
by Jamie KembleHuddersfield Town boss Danny Cowley has pointed out what he believes to be Birmingham City's biggest threat.
Blues head to Yorkshire to take on the Terriers on Saturday afternoon, and the home team are looking to bounce back from their first defeat in eight games.
Huddersfield slipped up against high-flyers Preston before the international break, and they will have to be on their guard against City to ensure they don't suffer back-to-back defeats for the first time since September.
That's according to manager Danny Cowley, who said in his pre-match press conference: "I think it will be a really tough game.
Birmingham City on social media
If you want to follow all things Birmingham City via social media then this is the place to find out how.
Transfers, injuries, match-day videos and photos and the thoughts of the manager and his players, we’ve got you covered.
We’ll be bringing the very latest throughout the week and around the clock.
Make sure you keep yourself updated with our social media accounts...
Blues on social media...
Facebook: News, debate and nostalgia
Twitter: All the latest news as it happens
For all your latest Blues news, opinion, analysis and transfer gossip, click here
You can follow our reporter Brian Dick on Twitter, and his email address is<EMAIL_ADDRESS>"I think you’ll find a team that have got the option to go quite quickly to Jutkiewicz, who is a point of reference for them.
“Physically he is really tough for centre-halves to handle but also they’ve got some really technical midfield players.
“They like to roll their wide players in and like to overload you in other areas. They’ve got some really technical players that can unlock even organised compact defences and they’ve got some full-backs that are particularly athletic on the overlap.
“We understand the complexity of the challenge in front of us, I think it’s going to be a really tough game, but we’re back home and we’ve worked really hard these last two weeks.
“I don’t think there will have been another Championship team who worked as hard as we have this international break. We feel fit and strong at this moment.”


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/idiom.html ---
Is there an idiomatic way to flatten a list (option A)
to a list A
?
join (to_list o l)
okay
err.. what? What are your o
and l
?
oh, that was composition but it should be map
or you can use bind
l.bind option.to_list
should work
perfect, thanks
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


| Total net profit | -0.74 | Gross profit | 14.28 | Gross loss | -15.02 |
| Profit factor | 0.95 | Expected payoff | -0.05 | ||
| Absolute drawdown | -2.92 | Maximal drawdown (%) | 7.17 (130.84%) | ||
| Total trades | 14 | Profit trades (% of total) | 9 (64.29%) | Loss trades (% of total) | 5 (35.71%) |
| Long positions (won %) | 9 (55.56%) | Short positions (won %) | 5 (80.0%) | ||
| Largest | profit trade | 3.22 | loss trade | -3.51 | |
| Average | profit trade | 1.59 | loss trade | -3.0 | |
| Minimum | profit trade | 0.77 | loss trade | -2.13 | |
| Maximum | take profit in pips | 78.8 | stop loss in pips | -35.1 | |
| Average | take profit in pips | 18.9 | stop loss in pips | -30.5 | |
| Minimum | take profit in pips | 6.5 | stop loss in pips | -21.3 | |
| Maximum | Reward-Risk | 2.6 | Duration in minutes | 3172 | |
| Average | Reward-Risk | 0.6 | Duration in minutes | 402.0 | |
| Minimum | Reward-Risk | 0.2 | Duration in minutes | 6 | |
| Maximum | consecutive wins (profit in money) | 4.0 (8.4) | consecutive losses (loss in money) | 2.0 (-5.43) | |
| Average | consecutive wins | 4.0 | consecutive losses | 1.0 |
| Total net profit | -5.14 | Gross profit | 6.96 | Gross loss | -12.1 |
| Profit factor | 0.58 | Expected payoff | -0.57 | ||
| Absolute drawdown | -6.09 | Maximal drawdown (%) | 8.95 (312.94%) | ||
| Total trades | 9 | Profit trades (% of total) | 5 (55.56%) | Loss trades (% of total) | 4 (44.44%) |
| Largest | profit trade | 2.15 | loss trade | -3.51 | |
| Average | profit trade | 1.39 | loss trade | -3.02 | |
| Minimum | profit trade | 0.77 | loss trade | -2.13 | |
| Maximum | take profit in pips | 22.0 | stop loss in pips | -35.1 | |
| Average | take profit in pips | 12.2 | stop loss in pips | -31.0 | |
| Minimum | take profit in pips | 6.5 | stop loss in pips | -21.3 | |
| Maximum | Reward-Risk | 0.7 | Duration in minutes | 3172.0 | |
| Average | Reward-Risk | 0.4 | Duration in minutes | 582.3 | |
| Minimum | Reward-Risk | 0.2 | Duration in minutes | 8.0 | |
| Maximum | consecutive wins (profit in money) | 2.0 (2.86) | consecutive losses (loss in money) | 2.0 (-5.43) | |
| Average | consecutive wins | 2.0 | consecutive losses | 2.0 |
| Total net profit | 4.4 | Gross profit | 7.32 | Gross loss | -2.92 |
| Profit factor | 2.51 | Expected payoff | 0.88 | ||
| Absolute drawdown | 0.0 | Maximal drawdown (%) | 0.0 (0.0%) | ||
| Total trades | 5 | Profit trades (% of total) | 4 (80.0%) | Loss trades (% of total) | 1 (20.0%) |
| Largest | profit trade | 3.22 | loss trade | -2.92 | |
| Average | profit trade | 1.83 | loss trade | -2.92 | |
| Minimum | profit trade | 0.8 | loss trade | -2.92 | |
| Maximum | take profit in pips | 78.8 | stop loss in pips | -31.2 | |
| Average | take profit in pips | 31.1 | stop loss in pips | -29.7 | |
| Minimum | take profit in pips | 8.1 | stop loss in pips | -27.0 | |
| Maximum | Reward-Risk | 2.6 | Duration in minutes | 272.0 | |
| Average | Reward-Risk | 1.0 | Duration in minutes | 77.4 | |
| Minimum | Reward-Risk | Duration in minutes | 6.0 | ||
| Maximum | consecutive wins (profit in money) | 4.0 (7.32) | consecutive losses (loss in money) | 1.0 (-2.92) | |
| Average | consecutive wins | 4.0 | consecutive losses | 1.0 |


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HTMLEscapeOptions
struct HTMLEscapeOptions
Global HTML escape options
-
Specifies if all ASCII characters should be skipped when escaping text
Declaration
Swift
public static var allowUnsafeSymbols: Bool
-
Specifies if decimal escapes should be used instead of hexadecimal escapes
Declaration
Swift
public static var decimal: Bool
-
Specifies if all characters should be escaped, even if some are safe characters
Declaration
Swift
public static var encodeEverything: Bool
-
Specifies if named character references should be used whenever possible
Declaration
Swift
public static var useNamedReferences: Bool


[§355D-4] Hearings. The director of public safety and the director's authorized subordinates and agents shall hold such hearings as may be requested by any other party state pursuant to article IV(f) of the Interstate Corrections Compact. [L 1996, c 57, pt of §1]


Document
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I am naturally an anxious person/born worrier
but I saw a dr because panic attacks were waking me in the night and my chest pain was hard to cope with.
SENT2
I explained to the dr that I didn't feel depressed but I worried constantly through the night about things, and would also wake suddenly with chest pain. The dr sent me for ECG but I knew the pain was linked to anxiety. Anyway, after the ECG came back clear, he prescribed Pregabalin (a much lower dose than most people on here) and I only take one at night. I now sleep better, I have not woken with a panic attack since taking them, and my anxiety is no longer controlling me. I've been on them 6 months.


INTRO
Play against your favorite draughts engine like MobyDam.
Move pieces on the board by point and click.
This browser client and a draughts engine can be directly connected if the engine uses the Websocket protocol.
Often draughts engines use the Tcp Socket protocol.
But browser clients do not understand this protocol.
To solve this problem an intermediate server has to put between client and engine.
This server acts as a bridge for the messages between the client and the engine.
One great advantage of using a browser client is that you are independent of the operating system (Linux, Windows, Mac).
The price you have to pay is the use of a bridge server.
Until draughts engines are designed to communicate directly with a browser client.
But it does not cost you anything, because the bridge server application is free to download.
HELP
The user interface consists of sections.
You can make them visible by pressing the buttons left.
1. Game control.
You setup a position by entering a FEN string.
Examples of a FEN string are:
- W:B1-20:W31-50 (starting position)
- W:W:B. (empty position)
- W:W17,28,32,33,38,41,43:B10,18-20,23,24,37.
- W:WK3,25,34,45:B38,K47. (two Kings)
A button allows you to toggle between setup mode and move mode.
In setup mode you can setup pieces by mouse clicks.
To indicate setup mode the board has a red touch.
Each move can be undone by the button "Move back".
This is different if you play a game against a draughts engine.
Then you send a back request message to the engine.
An info box displays information about the game.
2. Connection control.
To play against a draughts engine you have to communicate with the engine.
It is easy to setup a default connection where the communication between all applications are on the same computer.
Three steps to setup a default connection (in this order).
- Start the draughts engine (use port 27531).
- Start the bridge server with the auto option.
- In the browser client open a default connection.
Now you are able to play a game against the draughts engine.

See the section "Sending messages".
The text boxes "Receive log" and "Send log" shows important info about the exchange of messages.
3. Sending messages.
Once you have a connection with a draughts engine, you can send messages and play a game against the engine.
The messages follow the rules of the
damexchange protocol.
This browser client acts as initiator.
The messages you can send are:
- CHAT:
Send a message to the engine.
- GAME REQUEST:
This is the most important message you can send. You ask the engine to start a game. Before sending this message, setup the position to start the game and set the color you wish to play.
After this message is send, the engine confirms the start of a new game.
- GAME END:
You can formally end the game by sending a game end message.
- BACK REQUEST:
If it is your turn, you can ask the engine to play back some number of plies (ply denotes a half-move). Wait until the engine confirms the play back option. It does not always support it.
Keep eyes on the info box. It has important info about the exchange of messages.
4. And further ...
At the bottom of the page, a line displays status info.
- The name of the engine, if connected.
- If a websocket connection is active.
- If a game is started against the engine.
- Who is in turn.
Download the bridge-server at:
Web2Tcp Bridge.
The readme gives information how to setup a connection.
The draughts engine must fulfill the following conditions:
- application protocol: Tcp Socket or Websocket protocol
- messageing protocol: Damexchange (DXP)
- the draughts engine has the role of follower
Last change: 2018-04-30
© Copyright: Arthur Kalverboer


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Project Guidelines
Updates
- 1397/12/21: First release.
- 1397/2/9: Added a presentation part to progress report section
- 1397/4/21: Latex templates are uploaded.
The course project is one of those great opportunities in which you can apply your newly learned skills towards real-life problems. It offers you the chance to build a Deep Learning pipeline, tune and debug a machine learning model, and experiment with one of the world’s most successful Computer Science approaches. It is also responsible for a significant portion of your final grade.
We strongly suggest you do the project in a team. A team can have a maximum of two members and remember we will review each member’s contribution individually. For the project topic, there are two options, you can either define the project based on our default topics or implement your own idea. It is OK to use your thesis as the course project but keep in mind that you still need to match up our requirements such as writing a final report, submitting the project proposal, and reporting the progress on the corresponding milestone.
Additionally, we have to make sure your idea is feasible and also in the scope of the course. Thus before starting to work on your project, the proposal should be approved by us.
This document will guide you through milestones as well as their evaluation policy. Please read them carefully and reach us if you have any question.
Proposal
No matter how you came with the project idea (whether it’s towards your Master/PhD thesis or one of the pre-defined topics), we need you to complete the proposal. It shows how well you have understood the problem and how well you have explored the problem space. We’ll review the proposal and inform you whether we think the scope of the project is too narrow or too wide.
- Title: A statement to briefly explain the problem/task and a solution you’re going to propose. Example: “Grammatical error corrections using an augmented sequence to sequence model”.
- Problem definition: Describe what problem you are going to solve. What goal(s) you’re trying to achieve. Why do you think it is important/challenging? Explain the inputs and outputs of your system in detail. Give us an example if applicable.
- Dataset: A high-quality dataset is a critical prerequisite for deep learning. Please specify the dataset you will use, also include its size and license (if you want to evaluate your model on several datasets, go ahead and list all of them). If you need any preprocessing step, please describe it. Sometimes it is necessary to collect data yourself. Explain how you are going to do that and how you plan to label the collected data (if applicable).
- Evaluation metric: This is a measurement of how well your model performed its desired task. It should be a well-defined, numerical, comparable, automatic evaluation metric (for example: F1-measure or BLEU score).
- Baseline method: Describe a baseline method for solving this problem. Make it clear that you will implement it yourself, or will use a previously published score. Baseline is a trivial approach. The first idea that can be thought. You suggest an algorithm that should be better than the baseline at least. For example feeding a word with its neighbors is a baseline to name entity recognition task.
Your submission is first examined in terms of an accurate description of the required fields. It will also be judged on creativity in defining the problem and the quality of your write-up.
We will post pre-defined topics on our Google Group page.
# Deliverables:
- You need to submit the propsoal here: https://goo.gl/forms/0Qtd8K7zVBTxscQ12
Progress Report (30%)
Up until this point, you should have implemented a preliminary and simple version of your idea, this implementation doesn’t have to be fully optimized at this point, and it doesn’t have to contain all the features you want yet. You must report these items:
- Proposed algorithm: Describe your proposed algorithm for solving the problem in detail, use a concrete example to show how your model and algorithm work. Your description must be precise and specific (what are your model’s inputs, outputs, variables, etc.).
- Results: Report the experimental results of using this basic version of implementation and compare the results with the baseline methods. Descriptions should be quantitative (using tables, metrics, plots, etc.). Explain whether you were expecting these results or not.
- Performance improvement plan: Explain your plan for improving the results in the future (e.g. you can look for the flaws in the proposed method, try to find a way to fix them, or you can simply search for a more advanced model than what you already have). Note that you must implement these suggestions and put them to use for the final version.
# Deliverables:
- A write-up in PDF format.
- Submit the PDF file via https://goo.gl/forms/obXWuTjijTxgOoQO2.
- 5 minute presentation on the current state of your project (no slides)
Scores:
- PDF Report: 20%
- Presentation: 10%
Final Report (50%)
Your final report is the most important part of your project, and it must be comprehensive, precise, and clear. It demonstrates how well you understood the problem and the changes that you might face to solve such a problem. It also conveys your understanding of the course’s materials. Your report should contain the following parts.
- Abstract: You should give a brief introduction of your problem and the solution that you have provided
- Introduction: In this part, you should explain the problem or the task you want to solve and demonstrate the challenges that you may face during solving this problem.
- Related work/Background: A concise explanation of two to three recent works that had proposed an approach to overcome or solve the problem. These works might have found a solution for different settings of this problem.
- Proposed method: In this section, you must provide a comprehensive explanation of your final improved method to solve this problem. Some of the things that you should describe in the report are the following items:
- Any kind of preprocessing or normalization (if you have used).
- The architecture of the neural network that you have used. It is better to demonstrate this with a graph.
- Results: At first, you should describe the dataset that you have used, and then, you must describe the experiments that you maid, and its results. It is better to test your proposed method in different settings and with various parameters.
- Discussion: In this section, you will discuss your proposed method to solve the problem. Some of the questions that you might find useful to answer are:
- Why is this specific type of Deep Neural Networks suitable for this task?
- What are the benefits of your proposed model against other approaches?
- References: You must cite all of the papers and codes that you have used in your project.
You will not be penalized if your system performs poorly, if you analyze the model output and explain why it failed which is much more important to us. Your report will be graded based on its quality. By quality, we mean how well you explained, expanded, and conveyed your problem and its challenges; how well you could persuade usage of a specific model for solving a particular task, your results and implementation, your writing quality, and your understanding of the problem and Deep Learning tools.
To have an estimate of how much and how well you should write this report please look at the here and here
Note: If you have used any paper or code in your project you must cite that paper/code, and you also must clarify your contribution to the code/paper.
Note: We have prepared a template for your final report, and you should put your report in this template. This template has been prepared in Persian and English, and you are free to write in any language you are comfortable with.
Download LaTeX Templates:
# Deliverables:
- Your write-up in PDF format.
- Github repository for your project, Put a link to this website on the description.
- Jupyter notebook of your project with reproducable experiments.
- Detailed description of each member’s responsibilities.
- Submit the package via https://goo.gl/forms/7KCVOHCHymL45XeE2
Presentation (20%)
After all you should present your research, developments and results in a 15-minuet presentation. You have to present the problem, describe the solution, challenges, show the results and a demo. We are interested in seeing charts, graphs and various examples. The main factor for score calculation is the quality of presentation.
For examples consider “Question answering super model” as the subject of project.
- First you have to define the problem and explain why it is needed: The question answering super model receives an input context (~300 words) and a question. Then, the system has to search the context and find an answer. In this step of presentation it’s good to quickly show the demo and test it for audience.
- Then explain the applications; for example one can ask a a bot a question and the bot should look up all relevant web page in search of an answer. Then, the answers should be represented in terms of a few meaningful sentences that may not have existed in those web pages.
- Then you should answer this question: Is deep-learning suitable for solving this problem?
- Explain the specific method that you used and why it is suitable (LSTM in this example). After this you can show charts of results and how you measure this model. This is when we are interested in listening to details about your network. Also you can be creative in your presentation to make it more interesting.
- Show us the analysis you have performed on the outputs of your model. Explain the weaknesses and strengths of your model. Describe the challenges you faced and how you have overcome them. Also, if applicable, explain how you collected the dataset?


{% extends "_flatpage.html" %}
{% hyde
title: "Résumé"
exclude: True
%}
{% block article %}
I'm Steve. I'm a programmer from Rochester, NY. I graduated from [Rochester
Institute of Technology][rit] in 2008 with a Bachelor's degree in [Computer
Science][ritcs].
I'm currently most interested in rapid web development, version control, and
artificial intelligence. I'm not looking for full time work at the moment but
I'm available for interesting freelance projects.
If you'd *really* like to get to know me you should look at the [projects][]
and [blog posts][] I've written, or cut to the chase and look at my [code][].
[rit]: http://rit.edu/
[ritcs]: http://www.cs.rit.edu/
[projects]: /projects/
[blog posts]: /blog/
[code]: http://bitbucket.org/sjl/
## Skills & Interests
I'm passionate about programming. It may sound odd, but there are aspects of
programming that I find beautiful (in every sense of the word).
### Languages
My favorite programming language at the moment is [Python][]. It's elegant,
readable, powerful, and makes it easy to *get things done*.
I've also had experience with [Java][], [C][], [C++][], [Lisp][], [SQL][] and
[PL/SQL][], [JavaScript][], [Groovy][], and [bash scripting][]. I've used a
number of markup and templating languages, including [XHTML][], [XML][],
[CSS][], [JSON][], [Markdown][], [Django][]'s template system, and [Jinja2][].
In my free time I'm working on learning [R][].
[Python]: http://www.python.org/
[Java]: http://java.sun.com/
[C]: http://en.wikipedia.org/wiki/C_(programming_language)
[C++]: http://en.wikipedia.org/wiki/C%2B%2B
[Lisp]: http://en.wikipedia.org/wiki/Lisp_(programming_language)
[SQL]: http://en.wikipedia.org/wiki/SQL
[PL/SQL]: http://en.wikipedia.org/wiki/PL/SQL
[JavaScript]: http://en.wikipedia.org/wiki/JavaScript
[Groovy]: http://groovy.codehaus.org/
[bash scripting]: http://www.gnu.org/software/bash/
[XHTML]: http://www.w3.org/TR/xhtml1/
[XML]: http://www.w3.org/XML/
[CSS]: http://www.w3.org/TR/CSS/
[JSON]: http://www.json.org/
[Markdown]: {{links.markdown}}
[Jinja2]: http://jinja.pocoo.org/2/
[R]: http://www.r-project.org/
### Web Development
For web development I gravitate toward the [Django][] framework. Django bills
itself as "The Web framework for professionals with deadlines" and this
strikes a chord with me.
I've used the [CherryPy][] framework for smaller (but still dynamic) projects
that don't need the additional functionality of Django.
 Even when writing
completely static websites I prefer to take advantage of templating languages.
To do that I use [Hyde][] and [Blatter][], both of which generate static HTML
from templates.
I've used several CSS frameworks including [Blueprint][], [Tripoli][] and
[aardvark legs][]. Of these I now prefer aardvark legs because it makes
setting up a beautiful vertical rhythm simple and doesn't impose itself on the
horizontal layout.
When writing [JavaScript][] I use [jQuery][] to eliminate a lot of the
tediousness and create elegant code.
[Django]: {{links.django}}
[CherryPy]: {{links.cherrypy}}
[Blueprint]: http://www.blueprintcss.org/
[Tripoli]: http://devkick.com/lab/tripoli/
[aardvark legs]: {{links.aardvarklegs}}
[Hyde]: http://github.com/lakshmivyas/hyde
[Blatter]: {{links.blatter}}
[jQuery]: http://jquery.com/
### Version Control
I think version control is essential for a project of almost any size, and
lately the concepts behind it have captured my interest.
In my personal work I use [Mercurial][] (usually with [BitBucket][]). I've
[contributed][] several minor patches to the Mercurial core and written two
extensions: [hg-prompt][] and [hg-paste][].
I know my way around [Subversion][], [CVS][], and [git][] as well.
[Mercurial]: {{links.mercurial}}
[BitBucket]: http://bitbucket.org/
[Subversion]: http://subversion.tigris.org/
[CVS]: http://www.nongnu.org/cvs/
[git]: http://git-scm.com/
[contributed]: http://selenic.com/repo/hg/log?rev=Steve+Losh
[hg-prompt]: /projects/hg-prompt/
[hg-paste]: /projects/hg-paste/
### How I Work
For my personal work I use [Mac OS X][]. I'm comfortable in [Linux][] and can
deal with [Windows][] (though I don't enjoy it).
I use [TextMate][] and [vim][] for coding, [CSSEdit][] when designing,
[Mercurial][] for version control, [t][] to manage my personal tasks, and
deploy through [SSH][] with [fabric][].
[Mac OS X]: http://www.apple.com/macosx/
[TextMate]: http://macromates.com/
[SSH]: http://en.wikipedia.org/wiki/Secure_Shell
[fabric]: {{links.fabric}}
[Linux]: http://www.linux.org/
[Windows]: http://www.microsoft.com/WINDOWS/
[vim]: http://www.vim.org/
[CSSEdit]: http://macrabbit.com/cssedit/
[t]: /projects/t/
## Personal Projects
You can find some of my pet projects on the [projects][] page.
Lately I've been working on a few new things that aren't quite ready for
general use, but are getting close:
* [hg-review][]: a code-review extension for Mercurial.
* [LindyHub][]: a site like BitBucket or GitHub for dancers.
* [gorilla][]: a packaging system for Python.
* [tinpan][]: a language-agnostic, vcs-agnostic continuous integration system.
[hg-review]: http://bitbucket.org/sjl/hg-review/
[LindyHub]: http://test.lindyhub.com/
[gorilla]: http://bitbucket.org/sjl/gorilla/
[tinpan]: http://bitbucket.org/sjl/tinpan/
## Full-Time Work Experience
I completed two six-month [co-ops][] while at [RIT][]. Since I graduated I've
worked full time for about a year and a half.
[co-ops]: https://www.rit.edu/about/coop_careers.html
[RIT]: http://rit.edu/
### Senior Software Engineer at [Dumbwaiter Design][DWD]
*Henrietta, NY since January 2010.*
At [Dumbwaiter][DWD] I work with our amazing designers to create beautiful websites backed by [Django][] and [Python][].
[DWD]: http://dwaiter.com/
### Software Engineer at [PAETEC][]
*Fairport, NY from June 2008 to January 2010.*
At [PAETEC][] I maintained and implemented new features for web applications
in [Java][] using the [Oracle E-Business Suite][oebs] and worked on underlying
[SQL][] and [PL/SQL][] code for our databases.
[PAETEC]: http://paetec.com/
[oebs]: http://www.oracle.com/applications/e-business-suite.html
### Data Architecture Co-op at [Excellus BlueCross BlueShield][]
*Rochester, NY from June 2007 to November 2007.*
At [Excellus][] I developed software in [Java][] to interact with and manage
databases of customer and provider information stored on a mainframe. I also
created and updated [JUnit][] and [Jemmy][] tests for this software.
[Excellus BlueCross BlueShield]: https://www.excellusbcbs.com/
[Excellus]: https://www.excellusbcbs.com/
[JUnit]: http://www.junit.org/
[Jemmy]: http://jemmy.dev.java.net/
### Managed Services Programmer at [RightNow Technologies][]
*Pittsford, NY from June 2006 to November 2006.*
At [RightNow][] I developed a set of tools to test the effectiveness of
voice-automated telephone systems. These tools were written in a combination
of [bash scripting][] and [Python][]. I assisted in generating statistics
about the effectiveness of these systems for customers.
[RightNow Technologies]: http://www.rightnow.com/
[RightNow]: http://www.rightnow.com/
## Contact Me
If you'd like to get in touch with me, you can use any method you like.
My **email address** is:
My **phone number** is:<PHONE_NUMBER>
My **skype username** is: steve.losh
My **mailing address** is: 150 Park Avenue, Apartment 7, Rochester, NY 14607
You can also find me on [Twitter][], [Flickr][], [BitBucket][], [GitHub][],
[BrightKite][], or [DjangoPeople][].
[Twitter]: http://twitter.com/stevelosh/
[Flickr]: http://www.flickr.com/photos/sjl7678/
[BitBucket]: http://bitbucket.org/sjl/
[GitHub]: http://github.com/sjl/
[BrightKite]: http://brightkite.com/people/stevelosh/
[DjangoPeople]: http://djangopeople.net/stevelosh/
{% endblock %}


This example gives the user a basic understanding of the capabilities of the fuse.gui package. A simpler example would be possible - it would simply return null instead of a Collection of Shapes in the paintClickable method and would not implement the Reflector interface at all.
Warning: setting the Bug's location via the GUI outside of the defined Space may render the bug not Viewable as he will be out of the displayed bounds.


Pizza 3k1
happy Pizza Odysseys this week!
Hours of Operation
8:00am to
2:00am
Tue - Sun
Closed Mon
Happy Hour
2pm - 5pm
Locations
Hillsboro
Pearl
DowntownPDX
Buckman
PDXairport
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See Map -->


Call for Dundee’s libraries to join dog-friendly revolution
Dogs could be allowed inside Dundee’s libraries one day a week to help tackle social isolation and loneliness.
by Jake KeithLibrary bosses at Leisure & Culture Dundee say they are considering trialling the idea.
It comes after Perth and Kinross announced last year that “well-behaved” dogs would be permitted inside its local libraries on Fridays.
Broughty Ferry councillor Craig said many Dundee businesses already had a positive attitude to pooches and libraries could also see the benefits.
“This kind of thing would add to all the dog-friendly pubs and cafes in the city,” he said.
“One of the biggest things for me is that it could tackle loneliness, which is on the rise, particularly among the elderly. It’s an icebreaker and makes it so much easier to start a conversation.
“It has certainly got mileage and I hope a trial can be introduced. I know not everyone is a dog lover but if we test the water with a few of these sessions we’ll be able to see how it goes.”
Mr Duncan added: “In this day and age in order to fund things you do have to look at raising income streams and getting more people in libraries with an idea like this can help.”
Just last month, three libraries in Edinburgh launched Dog Friendly Thursdays, designed to make them friendlier places to visit.
There and in Perth and Kinross, bowls of water are set out and free biscuits are handed out to the first dogs through the door each day.
There has already been some movement towards local pet-friendly sessions at Dundee’s Hub Library, where staff have been working in partnership with Therapet to offer Reading Dogs sessions to pupils from Rowantree Primary School.
Children choose and share stories with Pearl, a registered Therapet border collie.
The strategy has been shown to build confidence and self-esteem in even the most reluctant readers, as the children feel relaxed and motivated to read in a less formal environment.
A Leisure & Culture Dundee spokesperson said: “We are aware of similar initiatives at other authorities and are always open to new ideas.
“We will give this consideration alongside other suggestions to improve the customer experience in due course.”


{% extends "home/base.html" %} {% load static %} {{staticfiles}} {% block addon_css %} {% endblock %}
{% block content %} {% csrf_token %}All interactions in ContactMaps have been calculated using GetContacts. In this page we explain the criteria used in GetContacts to calculate non-covalent interactions. Images by Rasmus Fonseca and Anthony Ma.
| Van der waals | |
|---|---|
|
|AB| < Rvdw(A) + Rvdw(B) + 0.5 A and B are any non-hydrogen atoms Ligands supported |
| Hydrophobic | |
|---|---|
|
|AB| < Rvdw(A) + Rvdw(B) + 0.5 A, B: ALA+CYS+PHE+GLY+ILE+LEU+MET+PRO+VAL+TRP and element C or S Ligands supported |
| Hydrogen bond | |
|---|---|
|
|AD| < 3.5Å ∠AHD < 70° Where A (acceptor) and D (donor) are any atom except hydrogen, carbon or sulphur. Ligands supported |
| Water bridge | |
|---|---|
|
Consists of two different residues forming an Hydrogen bond with the same water molecule Ligands supported |
| Extended Water bridge | |
|---|---|
|
Consists of two different residues forming an Hydrogen bond with two different water moleucules which also form an hydrogen bond between them Ligands supported |
| Salt bridge | |
|---|---|
|
|AC| < 4.0Å
A (anion): ASP/OD1+OD2, GLU/OE1+OE2 Ligands not supported |
| Pi-cation | |
|---|---|
|
|AC| < 6.0Å ∠CAn < 60°
A (aromatic): center(PHE/CG+CE1+CE2), center(TRP/CD2+CZ2+CZ3), center(TYR/CG+CE1+CE2),
center(HIS/CG+CD2+CE1) Ligands not supported |
| Pi-stacking | |
|---|---|
|
|A1A2| < 7.0Å ∠(n1, n2) < 30° ∠(n1, A1A2) < 45° ∠(n2, A1A2) < 45°
A1, A2 (aromatic rings): center(PHE/CG+CE1+CE2), center(TRP/CD2+CZ2+CZ3),
center(TYR/CG+CE1+CE2), center(HIS/CG+CD2+CE1) Ligands not supported |
| T-stacking | |
|---|---|
|
|A1A2| < 5.0Å 60° < ∠(n1, n2) < 90° ∠(n1, A1A2) < 45° ∠(n2, A1A2) < 45°
A1, A2 (aromatic rings): center(PHE/CG+CE1+CE2), center(TRP/CD2+CZ2+CZ3),
center(TYR/CG+CE1+CE2), center(HIS/CG+CD2+CE1) Ligands not supported |


|
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java.lang.Object it.essepuntato.earmark.core.io.EARMARKBaseLogger it.essepuntato.earmark.core.io.JenaWriter
public class JenaWriter
A concrete EARMARK input/output writer using Jena as framework.
| Field Summary |
|---|
| Fields inherited from interface it.essepuntato.earmark.core.io.EARMARKWriter |
|---|
N3, NTRIPLE, RDFXML, RDFXMLABBREV, TTL, TURTLE |
| Constructor Summary | |
|---|---|
JenaWriter()
|
| Method Summary | |
|---|---|
void |
addPrefixes(java.util.Map<java.lang.String,java.lang.String> prefixNsPair)
Add a map of prefix-namespace map to the writer. |
com.hp.hpl.jena.rdf.model.Model |
getModel(EARMARKDocument document)
Store an EARMARK document as a Jena model. |
boolean |
getRemoveOWLStandardStatements()
|
void |
setRemoveOWLStandardStatements(boolean value)
|
java.lang.String |
write(EARMARKDocument document)
Store an EARMARK document as a string in a default format. |
boolean |
write(EARMARKDocument document,
java.io.File file)
Store an EARMARK document in a file, in a default format. |
boolean |
write(EARMARKDocument document,
java.io.File file,
java.lang.String format)
Store an EARMARK document in a file, in a particular format. |
java.lang.String |
write(EARMARKDocument document,
java.lang.String format)
Store an EARMARK document as a string in a particular format. |
| Methods inherited from class it.essepuntato.earmark.core.io.EARMARKBaseLogger |
|---|
getLogger, getPlainText, getXML |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Methods inherited from interface it.essepuntato.earmark.core.io.EARMARKIOLogger |
|---|
getLogger, getPlainText, getXML |
| Constructor Detail |
|---|
public JenaWriter()
| Method Detail |
|---|
public java.lang.String write(EARMARKDocument document)
EARMARKWriter
write
in interface EARMARKWriter
document
- the document to be stored.
public boolean write(EARMARKDocument document, java.io.File file)
EARMARKWriter
write
in interface EARMARKWriter
document
- the document to be stored.file
- the destination file.
public java.lang.String write(EARMARKDocument document, java.lang.String format)
EARMARKWriter
write
in interface EARMARKWriter
document
- the document to be stored.format
- the format in which the document will be store, to be chosen among those defined in
this class.
public boolean write(EARMARKDocument document, java.io.File file, java.lang.String format)
EARMARKWriter
write
in interface EARMARKWriter
document
- the document to be stored.file
- the destination file.format
- the format in which the document will be store, to be chosen among those defined in
this class.
public com.hp.hpl.jena.rdf.model.Model getModel(EARMARKDocument document)
EARMARKWriter
getModel
in interface EARMARKWriter
document
- the document to be stored.
public void setRemoveOWLStandardStatements(boolean value)
public boolean getRemoveOWLStandardStatements()
public void addPrefixes(java.util.Map<java.lang.String,java.lang.String> prefixNsPair)
EARMARKWriter
addPrefixes
in interface EARMARKWriter
prefixNsPair
- a prefix-namespace map to be added.
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You will be presented with the starting sentence of an article, story, or other document. This sentence will ALWAYS be written by a human. Then, you will be shown continuation sentences one at a time. As some point, the sentences will transition from being written by a human writer to being generated by the computer. Your goal is to guess this boundary by clicking the appropriate button as soon as you are confident.
| Problem | Example |
|---|---|
| Repetition | -The cat slept on the window and on the window and on the window. - To make a good cup of tea, you first have to make a good cup of tea. |
| Common-sense errors | -The unicorn had four horns. - Shortly after sunset, the sun was bright in the sky. |
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1 reference to SubscribeEvents
System.Management.Automation (1)
engine\remoting\server\ServerSteppablePipelineDriver.cs (1)
146
eventSubscriber.
SubscribeEvents
(this);