DOGMA (director/director: Kevin Smith; cinematographer: Robert Yeoman; cast: Ben Affleck (Bartleby), George Carlin (Cardinal Glick), Matt Damon (Loki), Linda Fiorentino (Bethany), Janeane Garofalo (Liz,clinic nurse), Salma Hayek (Serendipity), Jason Lee (Azrael), Jason Mewes (Jay), Alan Rickman (Metatron), Chris Rock (Rufus), Kevin Smith (Silent Bob), Bud Cort (John Doe Jersey), Alanis Morissette (God), 1999)
Reviewed by Dennis Schwartz
It was hard to believe how bad this sophomoric spoof on Catholicism is, but seeing is believing. Kevin Smith (Clerks/Mallrats/Chasing Amy) has shown what it takes to make a satire that isn't funny and one that doesn't have enough bite in it to be subversive (it is not shocking to know that the director is a practising Catholic).  It is also a film that left me disgusted not only because of its banal argument against Catholicism, but because it was a wise-guy film, shot with a sneer, by someone without the temperament and intellectual stability to make such a metaphysical film. The filmmaker is way over his head in this attempt to combine serious argument with one of silliness, spending most of his time lecturing and moralizing the audience with his half-baked knowledge of theology and then resorting to shock techniques to get across his laborious point of view, as if it is a startling revelation he was revealing, that there is politics in the Catholic Church.  That is not the way a director who cares about what he is doing probes his subject matter, unless he is a child trying to get the ire of his parent and thinks his vulgarity counts for satirical genius.
The film's original distributor, Miramax, ran into trouble with the Catholic League who complained about the film's sacrilegious content and therefore forced it to be distributed by a smaller studio, Lion's Gate. The protestors were right about one thing, the film is offensive. But they are wasting their time protesting, this movie shouldn't be banned (I don't want to see films banned). This film's only crime is that it is a revolting film and there is no reason to make it a martyr, we have enough martyrs in the world already.
This simple-minded tale begins on the boardwalk of Asbury Park, New Jersey, as a homeless man (Bud Cort) is beaten unconscious by three young thugs, who are rollerbladers, clad in hockey garb. It is important for the story to note that the homeless person is put on life-support and will later be shown to hide-in-him the body of God, who will come out of him as real as sunlight and will be in appearance a woman (Morissette). Take my word for it, seeing God in this film is anticlimactic. The scene then shifts to a neighboring New Jersey seashore community, Red Bank, and a Cardinal Glick (Carlin) is trying to get a bigger audience for his church, by starting a movement to make Christ a happier symbol for his congregation. That Carlin, a natural comedian, is not funny in this role, a role that is ready-made for comedy, indicates how poorly things are going for Smith.
The main plot revolves around the tale of two fallen angels, Loki (Damon) and Bartleby (Affleck), who were banished to Wisconsin (which is supposed to be worst than hell--yuk, yuk) by God for disobeying him. They have found a loophole in church dogma to get them back into heaven against God's will and therefore must go to Cardinal Glick's church in Red Bank. The premise of "Dogma," is that Glick's church re-dedication will allow the banished angels to re-enter heaven, thus proving God fallible and, thereby, negating all existence.
Linda Fiorentino plays Bethany, a young divorced Catholic woman, questioning her faith, who works in an abortion clinic with Liz (Janeane Garafalo). She is evidently a special person, a distant relation of Jesus, and will become the human agent chosen to save the Earth.
The angel who speaks for God; you see, God can't speak to us directly, his voice is too powerful for humans, so it is through Metatron (Rickman) that this is done. He locates Bethany in her bedroom and orders her on a holy mission to stop the two fallen angels from Wisconsin from entering Glick's church. Fiorentino and Rickman are flat and unconvincing in their roles, getting neither comedy nor drama out of their performance, just giving me a mild headache listening to them deliver their vacuous lines. For those who care, Bethany in the Bible, is the home of Lazarus.
Bethany, while returning from the abortion clinic that night (it's never explained why she is there alone at night, but then again, if one was to look for holes in this story, the entire film would be full of holes), is pounced upon by the same trio of thugs who did in the homeless man in Asbury Park. To her rescue comes Jay (Mewes) and Silent Bob (Smith), the director himself, who is so full of hubris, he will even speak a few lines during the course of the film. They fend off the attackers and attach themselves to Bethany, showing themselves to be earthly morons not tainted with religion, but horny guys interested in getting laid.
Catholic dogma declares God's word to be unquestioned and to be a good Catholic one has to accept the dogma without questioning it. So Bethany decides to go along with Metatron's story, never having left the church completely, just disagreeing with its politics, and therefore she reluctantly goes to New Jersey to restore her faith in God.
In any case, even if the the two earthbounds are misfits, they are now considered by her to be prophets and, anyway, even if they are not exactly what she thinks prophets should be, she could use their company for protection. On the highway to Jersey, her car breaks down and Rufus (Rock) falls nude from the sky hitting the road with a thud. You see, he fell from heaven and tells them his tale about being the unknown 13th apostle, but because he was black, the church fathers wrote him out of the Bible. A few more diatribes go on about the church fathers, because they were men, blamed women for sin in the world, and the more modern faults of the church, such as going along with government policies on slavery and remaining silent during the Holocaust, which compromised their teachings for universal love. The problem with these revelations, is that they are not exactly fresh news and they seemed to be delivered in such a jarring manner, as if the actors were puppets just mouthing words that seemed out of place. There was just no flow in this film, just long periods of schlock comedy and boredom and endless talking.
Another helper is enlisted to the cause, on the road to Jersey, in the the person of a stripper- muse named Serendipity (Salma), who is discovered in a strip-tease lounge by the crew heading to Red Bank.
There is also an angel trying to play both sides of the fence, covering all his bets, in the person of Azrael (Lee), a muse of Lucifer, who is in charge of the menacing rollerbladers. You see, Lucifer, also has a lot to lose if God is proven not to be infallible, after all, who would then listen to him, especially after he couldn't get back into heaven himself. So Azrael is seen as playing a double-edged game, helping God and God's enemies.
What goes for comedy, is something like this, the crew is in a bar and Azrael, equipped with horns on his head, tells the bartender to make him a holy bartender and when he responds that he doesn't know what that is, he is shot full of holes.
To take this film seriously is a big mistake, which is why I have no sympathy for protestors of this film. If you got some laughs out of this mishmash, then you got more than I did from it. I just felt relieved that I sat through it and didn't walk out.  It was one of the most disappointing films I have seen, so far, in 1999, especially noting how it got some favorable comments when shown in film festivals in America and abroad. What is particularly disturbing for me, is that his religious message isn't wrong -faith should not be a burden but a blessing, and his view on the corporate heads who finance films, who worship only money, is not something that I entirely disagree with, I just don't see him as the one delivering this message.
REVIEWED ON 11/27/99 GRADE: D
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Bootstrap 4 Class Reference
Complete List of All Bootstrap 4 Classes
Complete list of all Bootstrap 4 CSS classes with description and examples:
| Class | Description | Example | Category |
|---|---|---|---|
.active |
Adds a white text color to the active link in a navbar. | Try it | Navbar |
.active |
Adds a blue background color to the active list item in a list group | Try it | List Groups |
.active |
Adds a dark-blue background color to simulate a "pressed" button | Try it | Buttons |
.active |
Adds a blue background color to the active dropdown item in a dropdown | Try it | Dropdowns |
.active |
Adds a blue background color to the active pagination link (to highlight the current page) | Try it | Pagination |
.active |
Displays/shows the current carousel item | Try it | Carousel |
.alert |
Creates an alert message box | Try it | Alerts |
.alert-danger |
Red alert. Indicates a dangerous or potentially negative action | Try it | Alerts |
.alert-dark |
Dark alert. Dark grey alert box | Try it | Alerts |
.alert-dismissible |
Indicates a closable alert box. Together with the .close class, this class is used to close the alert (adds extra padding) |
Try it | Alerts |
.alert-heading |
Adds color:inherit to the specified element |
Try it | Alerts |
.alert-info |
Teal alert. Indicates a neutral informative change or action | Try it | Alerts |
.alert-light |
Light alert. Light grey alert box | Try it | Alerts |
.alert-link |
Used on links inside alerts to provide matching colored links | Try it | Alerts |
.alert-primary |
Blue alert. Indicates an important action | Try it | Alerts |
.alert-secondary |
Grey alert. Indicates a "less" important action | Try it | Alerts |
.alert-success |
Green alert. Indicates a successful or positive action | Try it | Alerts |
.alert-warning |
Yellow alert. Indicates caution should be taken with this action | Try it | Alerts |
.align-baseline |
The element is aligned with the baseline of the parent. This is default | Try it | Utilities |
.align-bottom |
The element is aligned with the lowest element on the line | Try it | Utilities |
.align-middle |
The element is placed in the middle of the parent element | Try it | Utilities |
.align-top |
The element is aligned with the top of the tallest element on the line | Try it | Utilities |
.align-text-top |
The element is aligned with the top of the parent element's font | Try it | Utilities |
.align-text-bottom |
The element is aligned with the bottom of the parent element's font | Try it | Utilities |
.align-content-around |
Align gathered items "around" | Try it | Flex |
.align-content-*-around |
Align gathered items "around" on different screens | Try it | Flex |
.align-content-center |
Align gathered items in the center | Try it | Flex |
.align-content-*-center |
Align gathered items in the center on different screens | Try it | Flex |
.align-content-end |
Align gathered items at the end | Try it | Flex |
.align-content-*-end |
Align gathered items at the end on different screens | Try it | Flex |
.align-content-start |
Align gathered items from the start | Try it | Flex |
.align-content-*-start |
Align gathered items from the start on different screens | Try it | Flex |
.align-content-stretch |
Stretch gathered items | Try it | Flex |
.align-content-*-stretch |
Stretch gathered items on different screens | Try it | Flex |
.align-items-start |
Align single rows of items from the start | Try it | Flex |
.align-items-*-start |
Align single rows of items from the start on different screens | Try it | Flex |
.align-items-end |
Align single rows of items at the end | Try it | Flex |
.align-items-*-end |
Align single rows of items at the end on different screens | Try it | Flex |
.align-items-center |
Align single rows of items in the center | Try it | Flex |
.align-items-*-center |
Align single rows of items in the center on different screens | Try it | Flex |
.align-items-baseline |
Align single rows of items at the baseline | Try it | Flex |
.align-items-*-baseline |
Align single rows of items at the baseline on different screens | Try it | Flex |
.align-items-stretch |
Stretch single rows of items | Try it | Flex |
.align-items-*-stretch |
Stretch single rows of items on different screens | Try it | Flex |
.align-self-start |
Align a flex item from the start | Try it | Flex |
.align-self-*-start |
Align a flex item from the start on different screens | Try it | Flex |
.align-self-end |
Align a flex item at the end | Try it | Flex |
.align-self-*-end |
Align a flex item at the end on different screens | Try it | Flex |
.align-self-center |
Align a flex item in the center | Try it | Flex |
.align-self-*-center |
Align a flex item in the center on different screens | Try it | Flex |
.align-self-baseline |
Align a flex item at the baseline | Try it | Flex |
.align-self-*-baseline |
Align a flex item at the baseline on different screens | Try it | Flex |
.align-self-stretch |
Stretch a flex item | Try it | Flex |
.align-self-*-stretch |
Stretch a flex item on different screens | Try it | Flex |
.badge |
Creates a circular badge (grey circle - often used as a numerical indicator) | Try it | Badges |
.badge-danger |
Red badge. Indicates a dangerous or potentially negative action | Try it | Badges |
.badge-dark |
Dark badge. Dark grey alert box | Try it | Badges |
.badge-info |
Teal badge. Indicates a neutral informative change or action | Try it | Badges |
.badge-light |
Light badge. Light grey alert box | Try it | Badges |
.badge-pill |
Makes a badge more round | Try it | Badges |
.badge-primary |
Blue badge. Indicates an important action | Try it | Badges |
.badge-secondary |
Grey badge. Indicates a "less" important action | Try it | Badges |
.badge-success |
Green badge. Indicates a successful or positive action | Try it | Badges |
.badge-warning |
Yellow badge. Indicates caution should be taken with this action | Try it | Badges |
.bg-danger |
Adds a red background color to an element. Represents danger or a negative action | Try it | Colors |
.bg-dark |
Adds a dark grey background color to an element | Try it | Colors |
.bg-info |
Adds a teal background color to an element. Represents some information | Try it | Colors |
.bg-light |
Adds a light grey background color to an element | Try it | Colors |
.bg-primary |
Adds a blue background color to an element. Represents something important | Try it | Colors |
.bg-secondary |
Adds a grey background color to an element. Indicates a "less" important action | Try it | Colors |
.bg-success |
Adds a green background color to an element. Indicates success or a positive action | Try it | Colors |
.bg-warning |
Adds a yellow/orange background color to an element. Represents a warning or a negative action | Try it | Colors |
.blockquote |
Styles quoted blocks of content from another source (adds a larger font-size (1.25rem)) | Try it | Typography |
.blockquote-footer |
Styles the source title inside the blockquote (light grey text with indentation) | Try it | Typography |
.border |
Adds a border to an element | Try it | Utilities |
.border-bottom-0 |
Removes the bottom border from an element | Try it | Utilities |
.border-danger |
Adds a red border to an element (indicates danger) | Try it | Utilities |
.border-dark |
Adds a dark border to an element | Try it | Utilities |
.border-info |
Adds a teal border to an element (indicates information) | Try it | Utilities |
.border-left-0 |
Removes the left border from an element | Try it | Utilities |
.border-lg |
Adds a large border to an element | Try it | Utilities |
.border-light |
Adds a light grey border to an element | Try it | Utilities |
.border-primary |
Adds a blue border to an element | Try it | Utilities |
.border-right-0 |
Removes the right border from an element | Try it | Utilities |
.border-top-0 |
Removes the top border from an element | Try it | Utilities |
.border-secondary |
Adds a grey border to an element | Try it | Utilities |
.border-sm |
Adds a small border to an element | Try it | Utilities |
.border-success |
Adds a green border to an element (indicates success) | Try it | Utilities |
.border-warning |
Adds a orange border to an element (indicates warning) | Try it | Utilities |
.border-white |
Adds a white border to an element | Try it | Utilities |
.border-0 |
Removes all borders from an element | Try it | Utilities |
.breadcrumb |
A pagination. Indicates the current page's location within a navigational hierarchy | Try it | Pagination |
.breadcrumb-item |
Styles list items or links inside the breadcrumb | Try it | Pagination |
.btn |
Creates a basic button (gray background and rounded corners) | Try it | Buttons |
.btn-block |
Creates a block level button that spans the entire width of the parent element | Try it | Buttons |
.btn-dark |
Dark grey button | Try it | Buttons |
.btn-danger |
Red button. Indicates danger or a negative action | Try it | Buttons |
.btn-group |
Groups buttons together on a single line | Try it | Button Groups |
.btn-group-lg |
Large button group (makes all buttons in a button group larger - increased font-size and padding) | Try it | Button Groups |
.btn-group-sm |
Small button group (makes all buttons in a button group smaller) | Try it | Button Groups |
.btn-group-vertical |
Makes a button group appear vertically stacked | Try it | Button Groups |
.btn-info |
Teal button. Represents a neutral informative change or action | Try it | Buttons |
.btn-light |
Light grey button | Try it | Buttons |
.btn-link |
Makes a button look like a link (get button behavior) | Try it | Buttons |
.btn-lg |
Large button | Try it | Buttons |
.btn-outline-dark |
Dark grey bordered/outlined button | Try it | Buttons |
.btn-outline-danger |
Red bordered/outlined button. Indicates danger or a negative action | Try it | Buttons |
.btn-outline-info |
Teal bordered/outlined button. Represents a neutral informative change or action | Try it | Buttons |
.btn-outline-light |
Light grey bordered/outlined button | Try it | Buttons |
.btn-outline-primary |
Blue bordered/outlined button. | Try it | Buttons |
.btn-outline-secondary |
Grey bordered/outlined button. Indicates a "less" important action | Try it | Buttons |
.btn-outline-success |
Green bordered/outlined button. Indicates success or a positive action | Try it | Buttons |
.btn-outline-warning |
Orange bordered/outlined button. Represents warning or a negative action | Try it | Buttons |
.btn-primary |
Blue button. Indicates a something important | Try it | Buttons |
.btn-sm |
Small button | Try it | Buttons |
.btn-secondary |
Grey button. Indicates a "less" important action | Try it | Buttons |
.btn-success |
Green button. Indicates success or a positive action | Try it | Buttons |
.btn-toolbar |
Combine sets of button groups into button toolbars for more complex components | Try it | Button Groups |
.btn-warning |
Orange button. Represents warning or a negative action | Try it | Buttons |
.card |
Creates a card | Try it | Cards |
.card-body |
Container for card content | Try it | Cards |
.card-columns |
Container to create a masonry-like grid of cards | Try it | Cards |
.card-danger |
Adds a red background color to the card. Represents danger or a negative action | Try it | Cards |
.card-dark |
Adds a grey background color to the card | Try it | Cards |
.card-deck |
Container to create a grid of cards that are of equal height and width | Try it | Cards |
.card-footer |
Card footer | Try it | Cards |
.card-group |
Container to create a grid of cards that are of equal height and width, without side margins | Try it | Cards |
.card-header |
Card header | Try it | Cards |
.card-header-tabs |
Styles navigation tabs inside the card header | Try it | Cards |
.card-header-pills |
Styles navigation pills inside the card header | Try it | Cards |
.card-img-bottom |
Place the image at the bottom inside a card | Try it | Cards |
.card-img-overlay |
Turns an image into a card background. Often used to add text on top of the image | Try it | Cards |
.card-img-top |
Place the image at the top inside a card | Try it | Cards |
.card-info |
Adds a teal background color to the card. Represents some information | Try it | Cards |
.card-light |
Adds a light grey background color to the card | Try it | Cards |
.card-link |
Adds a blue color to any link and a hover effect inside the card | Try it | Cards |
.card-primary |
Adds a blue background color to the card. Represents something important | Try it | Cards |
.card-secondary |
Adds a grey background color to the card. Represents something "less" important | Try it | Cards |
.card-subtitle |
The .card-subtitle is used after a .card-title , and adds the following to an element: margin-top: -.375rem; margin-bottom: 0; |
Try it | Cards |
.card-success |
Adds a green background color to the card. Indicates success or a positive action | Try it | Cards |
.card-text |
Used to remove bottom margins for a p element if it is the last child (or the only one), inside .card-body |
Try it | Cards |
.card-title |
Adds a title to any heading element inside the card | Try it | Cards |
.card-warning |
Adds a yellow/orange background color to the card. Represents a warning or a negative action | Try it | Cards |
.carousel |
Creates a carousel (slideshow) | Try it | Carousel |
.carousel-caption |
Creates a caption text for each slide in the carousel | Try it | Carousel |
.carousel-control-next |
Container for "next" carousel/item link | Try it | Carousel |
.carousel-control-next-icon |
Used together with .carousel-control-next to create a "next" icon/button (right-pointed arrow) |
Try it | Carousel |
.carousel-control-prev |
Container for "previous" carousel/item link | Try it | Carousel |
.carousel-control-prev-icon |
Used together with .carousel-control-prev to create a "previous" icon/button (left-pointed arrow) |
Try it | Carousel |
.carousel-indicators |
Adds little dots/indicators at the bottom of each slide (which indicates how many slides there is in the carousel, and which slide the user are currently viewing) | Try it | Carousel |
.carousel-inner |
Container for slide items | Try it | Carousel |
.carousel-item |
Specifies the content of each slide | Try it | Carousel |
.clearfix |
Clears floats | Try it | Utilities |
.close |
Styles a close icon. This is often used for alerts and modals. Often used together with the × symbol to create the actual icon (a better looking "x"). It floats right by default | Try it | Utilities |
.col-auto |
Make form columns automatically size themselves based on their content | Try it | Forms |
.col-* |
Creates a column layout for extra small devices (and up/all devices, if not combined with other column classes). The * can be a number between 1 and 12 |
Try it | Grid System |
.col-sm-* |
Creates a column layout for small devices (and up, if not combined with other column classes). The * can be a number between 1 and 12 |
Try it | Grid System |
.col-md-* |
Creates a column layout for medium devices (and up, if not combined with other column classes). The * can be a number between 1 and 12 |
Try it | Grid System |
.col-lg-* |
Creates a column layout for large devices (and up, if not combined with other column classes). The * can be a number between 1 and 12 |
Try it | Grid System |
.col-xl-* |
Creates a column layout for extra large devices. The * can be a number between 1 and 12 |
Try it | Grid System |
.collapse |
Indicates collapsible content - which can be hidden or shown on demand | Try it | Collapse |
.collapse show |
Show the collapsible content by default | Try it | Collapse |
.container |
Fixed width container with widths determined by screen sites. Equal margin on the left and right. | Try it | Containers |
.container-fluid |
A container that spans the full width of the screen | Try it | Containers |
.container-* |
Responsive containers | Try it | Containers |
.custom-checkbox |
A wrapper/container for custom checkboxes | Try it | Custom Forms |
.custom-control |
A wrapper/container for custom forms | Try it | Custom Forms |
.custom-control-input |
Customized form control | Try it | Custom Forms |
.custom-control-inline |
Inline (horizontally - side by side) customized form controls | Try it | Custom Forms |
.custom-control-label |
Customized label, when used together with a custom form control | Try it | Custom Forms |
.custom-file |
Customized file upload | Try it | Custom Forms |
.custom-file-input |
Customized file upload | Try it | Custom Forms |
.custom-file-label |
Customized file label | Try it | Custom Forms |
.custom-radio |
A wrapper/container for custom radio buttons | Try it | Custom Forms |
.custom-range |
Customized range control | Try it | Custom Forms |
.custom-select |
Customized select menu | Try it | Custom Forms |
.custom-select-lg |
Large customized select menu | Try it | Custom Forms |
.custom-select-sm |
Small customized select menu | Try it | Custom Forms |
.custom-switch |
Customized toggle switch | Try it | Custom Forms |
.disabled |
Disables a button (adds opacity and a "no-parking-sign" icon on hover) | Try it | Buttons |
.disabled |
Disables a dropdown item (adds a grey text color and a "no-parking-sign" icon on hover) | Try it | Dropdowns |
.disabled |
Disables a pagination link (cannot be clicked - adds a grey text color and a "no-parking-sign" icon on hover) | Try it | Pagination |
.disabled |
Disables a list item in a list group (cannot be clicked - adds a light grey color and removes the hover effect on list item links) | Try it | List Groups |
.dropdown |
Creates a toggleable menu that allows the user to choose one value from a predefined list | Try it | Dropdowns |
.dropdown-divider |
Used to separate links in the dropdown menu with a thin horizontal border | Try it | Dropdowns |
.dropdown-header |
Used to add headers inside the dropdown menu | Try it | Dropdowns |
.dropdown-item |
Creates a dropdown item (added to links or buttons inside .dropdown-menu) | Try it | Dropdowns |
.dropdown-item-text |
Used to add plain text to a dropdown item, or used on links for default link styling | Try it | Dropdowns |
.dropdown-menu |
Adds the default styles for the dropdown menu container | Try it | Dropdowns |
.dropdown-menu-right |
Right-aligns a dropdown menu | Try it | Dropdowns |
.dropdown-toggle |
Used on the button that should hide and show (toggle) the dropdown menu | Try it | Dropdowns |
.dropleft |
Left-aligns the dropdown | Try it | Dropdowns |
.dropright |
Right-aligns the dropdown | Try it | Dropdowns |
.dropup |
Indicates a dropup menu (upwards instead of downwards) | Try it | Dropdowns |
.d-block |
Creates a block element (adds display:block ) |
Try it | Utilities |
.d-*-block |
Creates a block element on a specific screen width | Try it | Utilities |
.d-inline |
Makes an element inline | Try it | Utilities |
.d-*-inline |
Makes an element inline on a specific screen size | Try it | Utilities |
.d-inline-block |
Makes an element inline block | Try it | Utilities |
.d-*-inline-block |
Makes an element inline block on a specific screen size | Try it | Utilities |
.d-flex |
Creates a flexbox container and transforms direct children into flex items | Try it | Flex |
.d-*-flex |
Creates a flexbox container on a specific screen size | Try it | Flex |
.d-inline-flex |
Creates an inline flexbox container | Try it | Flex |
.d-*-inline-flex |
Creates an inline flexbox container on a specific screen size | Try it | Flex |
.d-none |
Hides an element | Try it | Utilities |
.d-*-none |
Hides an element on a specific screen size | Try it | Utilities |
.d-table |
Makes an element display as a table | Try it | Utilities |
.d-*-table |
Makes an element display as a table on a specific screen size | Try it | Utilities |
.d-table-cell |
Makes an element display as a table cell | Try it | Utilities |
.d-*-table-cell |
Makes an element display as a table cell on a specific screen size | Try it | Utilities |
.d-table-row |
Makes an element display as a table row | Try it | Utilities |
.d-*-table-row |
Makes an element display as a table row on a specific screen size | Try it | Utilities |
.embed-responsive |
Container for embedded content. Makes videos or slideshows scale properly on any device | Try it | Images |
.embed-responsive-16by9 |
Container for embedded content. Creates an 16:9 aspect ratio embedded content | Try it | Images |
.embed-responsive-3by4 |
Container for embedded content. Creates an 3:4 aspect ratio embedded content | Try it | Images |
.embed-responsive-item |
Used inside .embed-responsive . Scales the video nicely to the parent element |
Try it | Images |
.fade |
Adds a fading effect when closing an alert box | Try it | Alerts |
.fade |
Adds a fading effect when showing tab/pill content | Try it | Navs |
.fade |
Adds a fading effect when opening a modal | Try it | Modal |
.fixed-bottom |
Makes an element stay at the bottom of the screen (sticky/fixed) | Try it | Utilities |
.fixed-top |
Makes an element stay at the top of the screen (sticky/fixed) | Try it | Utilities |
.flex-column |
Display flex items vertically | Try it | Flex |
.flex-*-column |
Display flex items vertically on different screen sizes: | Try it | Flex |
.flex-column-reverse |
Display flex items vertically, reversed | Try it | Flex |
.flex-*-column-reverse |
Display flex items vertically, reversed, on different screen sizes | Try it | Flex |
.flex-fill |
Used on flex items to force it/them into equal width columns | Try it | Flex |
.flex-*-fill |
Force flex items into equal widths on different screens | Try it | Flex |
.flex-grow-0|1 |
Used on a single flex item to take up the rest of the available space | Try it | Flex |
.flex-nowrap |
Don't wrap flex items | Try it | Flex |
.flex-*-nowrap |
Don't wrap items on different screens | Try it | Flex |
.flex-shrink-0|1 |
Used on a single flex item to shrink it if necessary | Flex | |
.flex-row |
Display flex items horizontally (side by side) | Try it | Flex |
.flex-*-row |
Display flex items horizontally on a specific screen size | Try it | Flex |
.flex-row-reverse |
Display flex items right-aligned and horizontally | Try it | Flex |
.flex-*-row-reverse |
Display flex items right-aligned and horizontally on a specific screen size | Try it | Flex |
.flex-wrap |
Wrap flex items | Try it | Flex |
.flex-*-wrap |
Wrap items on different screens | Try it | Flex |
.flex-wrap-reverse |
Wrap flex items, in reversed order | Try it | Flex |
.flex-*-wrap-reverse |
Wrap flex items, in reversed order on different screens | Try it | Flex |
.float-left |
Floats an element to the left | Try it | Utilities |
.float-*-left |
Floats an element to the left on different screens | Try it | Utilities |
.float-none |
Remove floats from an element | Try it | Utilities |
.float-right |
Floats an element to the right | Try it | Utilities |
.float-*-right |
Floats an element to the left on different screens | Try it | Utilities |
.font-italic |
Italic text | Try it | Typography |
.font-weight-bold |
Bold text | Try it | Typography |
.font-weight-bolder |
Bolder text (font-weight:bolder) | Try it | Typography |
.font-weight-light |
Light weight text (font-weight:300) | Try it | Typography |
.font-weight-lighter |
Lighter weight text (font-weight:lighter) | Try it | Typography |
.font-weight-normal |
Normal text (font-weight:400) | Try it | Typography |
.form-check |
Container for checkboxes. Adds proper padding | Try it | Forms |
.form-check-inline |
Makes checkboxes appear on the same line (horizontally) | Try it | Forms |
.form-check-input |
Styles checkboxes with proper margins | Try it | Forms |
.form-check-label |
Ensures proper margins for labels used together with checkboxes | Try it | Forms |
.form-control |
Used on input, textarea, and select elements to span the entire width of the page and make them responsive | Try it | Forms |
.form-control-file |
Adds display:block and width:100% to input filed with type="file" |
Try it | Forms |
.form-control-lg |
Large form control | Try it | Forms |
.form-control-plaintext |
Styles a form control as plain text | Try it | Forms |
.form-control-range |
Adds display:block and width:100% to input filed with type="range" |
Try it | Forms |
.form-control-sm |
Small form control | Try it | Forms |
.form-group |
Container for form input and label | Try it | Forms |
.form-inline |
Makes a <form> left-aligned with inline-block controls (This only applies to forms within viewports that are at least 768px wide) | Try it | Forms |
.form-row |
Container for responsive columns (less left and right margins than .row /overrides default column gutters) |
Try it | Forms |
.h1 - .h6 |
Makes an element look like a heading of the chosen class (h1-h6) | Try it | Typography |
.h-25 |
Sets the height of an element to 25% | Try it | Utilities |
.h-50 |
Sets the height of an element to 50% | Try it | Utilities |
.h-75 |
Sets the height of an element to 75% | Try it | Utilities |
.h-100 |
Sets the height of an element to 100% | Try it | Utilities |
.img-fluid |
Responsive image (adds max-width:100% and height:auto) | Try it | Images |
.img-thumbnail |
Shapes an image to a thumbnail (thin light grey borders) | Try it | Images |
.initialism |
Displays the text inside an <abbr> element in a slightly smaller font size |
Try it | Typography |
.input-group |
Container to enhance an input by adding an icon, text or a button in front or behind the input field as a "help text" | Try it | Input Group |
.input-group-append |
Input group container for adding help text behind an input field | Try it | Input Group |
.input-group-lg |
Large input group | Try it | Input Group |
.input-group-prepend |
Input group container for adding help text in front of an input field | Try it | Input Group |
.input-group-sm |
Small input group | Try it | Input Group |
.input-group-text |
Styles the specified help text in an input group | Try it | Input Group |
.input-lg |
Large input field | Try it | Input Sizing |
.input-sm |
Small input field | Try it | Input Sizing |
.invalid-feedback |
Creates a custom validation message used in validated forms (red text color) | Try it | Forms |
.invalid-tooltip |
Creates a custom validation message used in validated forms (red tooltip) | Try it | Forms |
.invisible |
Make an element invisible | Try it | Utilities |
.is-invalid |
Validates a form element (adds a red border to input fields). Note: for server side | Try it | Forms |
.is-valid |
Validates a form element (adds a green border to input fields). Note: for server side | Try it | Forms |
.jumbotron |
Creates a padded grey heading/box with rounded corners that enlarges the font sizes of the text inside it. Used for calling extra attention to some special content or information | Try it | Jumbotron |
.jumbotron-fluid |
Creates a full-width jumbotron (grey padded heading) without rounded borders | Try it | Jumbotron |
.justify-content-* |
Aligns flex items from the start, at the end, centered, in between and "around" | Try it | Flex |
.justify-content-*-around |
Aligns flex items "around" on different screen sizes | Try it | Flex |
.justify-content-*-between |
Aligns flex items in "between" on different screen sizes | Try it | Flex |
.justify-content-*-center |
Aligns flex items in the center on different screen sizes | Try it | Flex |
.justify-content-*-end |
Aligns flex items at the end on different screen sizes | Try it | Flex |
.justify-content-*-start |
Aligns flex items from the start on different screen sizes | Try it | Flex |
.lead |
Increase the font size and line height of a paragraph | Try it | Typography |
.list-group |
Creates a bordered list group for <li> elements |
Try it | List Group |
.list-group-flush |
Removes some borders and rounded corners from list items in a list group | Try it | List Group |
.list-group-horizontal |
Display list items horizontally instead of vertically (side-by-side instead of on top of each other) | Try it | List Group |
.list-group-horizontal-* |
Display list items horizontally instead of vertically on different screen sizes | Try it | List Group |
.list-group-item |
Added to each <li> element in the list group |
Try it | List Group |
.list-group-item-action |
Added to links inside the list group to make them stand out on hover (darker background) | Try it | List Group |
.list-group-item-danger |
Red background color for a list item in a list group | Try it | List Group |
.list-group-item-dark |
Dark grey background color for a list item in a list group | Try it | List Group |
.list-group-item-info |
Light-blue background color for a list item in a list group | Try it | List Group |
.list-group-item-light |
Light grey background color for a list item in a list group | Try it | List Group |
.list-group-item-primary |
Blue background color for a list item in a list group | Try it | List Group |
.list-group-item-success |
Green background color for a list item in a list group | Try it | List Group |
.list-group-item-warning |
Yellow background color for a list item in a list group | Try it | List Group |
.list-inline |
Places all list items on a single line (used together with
.list-inline-item on each <li> elements) |
Try it | Typography |
.list-inline-item |
Places all list items on a single line (used together with
.list-inline on the parent <ul> element) |
Try it | Typography |
.list-unstyled |
Removes all default list-style (bullets, left margin, etc.) styling from a
<ul> or <ol> list |
Try it | Typography |
.mark |
Highlights text: Highlighted text | Try it | Typography |
.media |
Aligns media objects together with content (like images or videos - often used for comments in a blog post etc) | Try it | Media Objects |
.media-body |
Container for media content | Try it | Media Objects |
.modal |
Identifies the content as a modal and brings focus to it | Try it | Modals |
.modal-body |
Defines the style for the body of the modal. Add any HTML markup here (p, img, etc) | Try it | Modals |
.modal-content |
Styles the modal (border, background-color, etc). Inside this, add the modal's header, body and footer, if needed | Try it | Modals |
.modal-dialog-centered |
Centers the modal vertically and horizontally within the page | Try it | Modals |
.modal-dialog-scrollable |
Adds a scrollbar inside the modal | Try it | Modals |
.modal-footer |
The footer of the modal (often contains an action button and a close button) | Try it | Modals |
.modal-header |
The header of the modal (often contains a title and a close button) | Try it | Modals |
.modal-lg |
Large modal (wider than default) | Try it | Modals |
.modal-sm |
Small modal (less width) | Try it | Modals |
.modal-xl |
Extra large modal | Try it | Modals |
.m-# / m-*-# |
Responsive margin classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.mt-# / mt-*-# |
Responsive top margin classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.mb-# / mb-*-# |
Responsive bottom margin classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.ml-# / ml-*-# |
Responsive left margin classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.mr-# / mr-*-# |
Responsive right margin classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.mx-# / mx-*-# |
Responsive left and right margin auto (horizontal) classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.my-# / my-*-# |
Responsive top and bottom margin auto (vertical) classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.mx-auto |
Centers an element horizontally | Try it | Utilities |
.nav nav-tabs |
Creates a tabbed menu | Try it | Tabs |
.nav nav-pills |
Creates a pill menu | Try it | Tabs |
.nav-justified |
Justifies tab/pill links with an equal width | Try it | Tabs |
.navbar |
Creates a navigation bar | Try it | Navbar |
.navbar-nav |
Container for navigation links inside the .navbar container | Try it | Navbar |
.navbar-brand |
Added to a link or a header element inside the navbar to represent a logo or a header | Try it | Navbar |
.navbar-collapse |
Collapses the navbar (hidden and replaced with a menu/hamburger icon on mobile phones and small tablets) | Try it | Navbar |
.navbar-expand-* |
Responsive collapsible class - stacks the navbar vertically on small (sm), medium (md), large (lg) or extra large (xl) screens | Try it | Navbar |
.navbar-dark |
Adds a white text color to all links in the navbar | Try it | Navbar |
.navbar-light |
Adds a black text color to all links in the navbar | Try it | Navbar |
.navbar-text |
Vertically align any elements inside the navbar that are not links (ensures proper padding) | Try it | Navbar |
.navbar-toggler |
Styles the button that should open the navbar on small screens. Automatically styled as a hamburger/three bars | Try it | Navbar |
.nav-link |
Used to style links/anchors inside the navbar | Try it | Navbar |
.nav-item |
Used to style list items inside the navbar | Try it | Navbar |
.needs-validation |
Adds validation styles to a submitted form | Try it | Forms |
.no-gutters |
Remove gutters/extra space from columns | Try it | Grid System |
.page-item |
Styles list items inside a pagination | Try it | Pagination |
.page-link |
Styles links inside a pagination | Try it | Pagination |
.pagination |
Creates a pagination (Useful when you have a web site with lots of pages | Try it | Pagination |
.pagination-lg |
Large pagination (each pagination link gets a bigger font-size and more padding) | Try it | Pagination |
.pagination-sm |
Small pagination (each pagination link gets a smaller font size and less padding) | Try it | Pagination |
.pre-scrollable |
Makes a <pre> element scrollable (max-height of 350px and provide a y-axis scrollbar) |
Try it | Helpers |
.progress |
Container for progress bars | Try it | Progress Bars |
.progress-bar |
Creates a progress bar | Try it | Progress Bars |
.progress-bar-animated |
Animates the progress bar (used together with stripes) | Try it | Progress Bars |
.progress-bar-striped |
Adds stripes to the progress bar | Try it | Progress Bars |
.p-# / p-*-# |
Responsive padding classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.pt-# / pt-*-# |
Responsive top padding classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.pb-# / pb-*-# |
Responsive bottom padding classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.pl-# / pl-*-# |
Responsive left padding classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.pr-# / pr-*-# |
Responsive right padding classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.py-# / py-*-# |
Responsive top and bottom padding classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.px-# / px-*-# |
Responsive left and right padding classes. * can be sm, md, lg or xl. # can be a number between 0 and 5 | Try it | Utilities |
.rounded |
Adds rounded corners to an element | Try it | Utilities |
.rounded-bottom |
Adds bottom rounded corners to an element | Try it | Utilities |
.rounded-circle |
Shapes an element to a circle (not supported in IE8 and earlier) | Try it | Utilities |
.rounded-left |
Adds left rounded corners of an element | Try it | Utilities |
.rounded-right |
Adds right rounded corners to an element | Try it | Utilities |
.rounded-top |
Adds top rounded corners to an element | Try it | Utilities |
.rounded-0 |
Removes rounded corners from an element | Try it | Utilities |
.row |
Container for responsive columns | Try it | Grid System |
.row-cols-* |
Set the number of columns that should appear next to each other | Try it | Grid System |
.shadow |
Adds a shadow to an element | Try it | Utilities |
.shadow-lg |
Adds a large shadow to an element | Try it | Utilities |
.shadow-none |
Removes shadows from an element | Try it | Utilities |
.shadow-sm |
Adds a small shadow to an element | Try it | Utilities |
.small |
Creates a lighter, secondary text in any heading | Try it | Typography |
.spinner-border |
Creates a spinner/loader | Try it | Spinners |
.spinner-border-sm |
Creates a smaller spinner/loader | Try it | Spinners |
.spinner-grow |
Creates a spinner/loader that "grows" | Try it | Spinners |
.spinner-grow-sm |
Creates a smaller spinner/loader that "grows" | Try it | Spinners |
.sr-only |
Hides an element on all devices except for screen readers | Try it | Utilities |
.sr-only-focusable |
Hides an element on all devices except for screen readers | Try it | Utilities |
.sticky-top |
Makes an element stay sticky/fixed at the top of the page when you scroll past it | Try it | Utilities |
.stretched-link |
Added to a link to make its containing block (parent) clickable (works only for parent elements with position:relative) | Try it | Utilities |
.tab-content |
Used together with .tab-pane to creates toggleable/dynamic tabs/pills |
Try it | Tabs |
.tab-pane |
Used together with .tab-content to creates toggleable/dynamic tabs/pills |
Try it | Tabs |
.table |
Adds basic styling to a table (padding, bottom borders, etc) | Try it | Tables |
.table-active |
Adds a grey background color to the table row (<tr> or table cell (<td> ) (same color used on hover) |
Try it | Tables |
.table-bordered |
Adds borders on all sides of the table and cells | Try it | Tables |
.table-borderless |
Remove borders from a table | Try it | Tables |
.table-condensed |
Makes a table more compact by cutting cell padding in half | Try it | Tables |
.table-dark |
Adds a black background with white text to the table | Try it | Tables |
.table-hover |
Creates a hoverable table (adds a grey background color on table rows on hover) | Try it | Tables |
.table-responsive-* |
Makes a table responsive (adds a horizontal scrollbar when needed). By default, the scrollbar is added to the table on screens that are less than 992px wide (if needed). There's no difference when viewing anything lager than 992px wide. However, you can use sm|md|lg|xl to decide WHEN the table should get a scrollbar, depending on the screen width | Try it | Tables |
.table-striped |
Adds zebra-stripes to a table | Try it | Tables |
.text-break |
Prevents long text from breaking layout | Try it | Typography |
.text-capitalize |
Indicates capitalized text | Try it | Typography |
.text-center |
Center-aligns text | Try it | Typography |
.text-*-center |
Center-aligns text on different screens | Try it | Typography |
.text-danger |
Red text color. Indicates danger | Try it | Colors |
.text-dark |
Dark grey text color | Try it | Typography |
.text-decoration-none |
Removes the underline from a link | Try it | Typography |
.text-hide |
Hides text (helps replace an element's text content with a background image) | Try it | Typography |
.text-info |
Light-blue text color. Indicates information | Try it | Colors |
.text-light |
Light grey text color | Try it | Colors |
.text-justify |
Indicates justified text | Try it | Typography |
.text-left |
Aligns the text to the left | Try it | Typography |
.text-*-left |
Left-aligns text on different screens | Try it | Typography |
.text-lowercase |
Changes text to lowercase | Try it | Typography |
.text-muted |
Grey text color | Try it | Colors |
.text-nowrap |
Prevents the text from wrapping | Try it | Typography |
.text-primary |
Blue text color. Indicates something important | Try it | Colors |
.text-secondary |
Grey text color. Indicates something "less" important | Try it | Colors |
.text-reset |
Resets the color of a text or a link (inherits the color from its parent) | Try it | Typography |
.text-right |
Aligns text to the right | Try it | Typography |
.text-*-right |
Right-aligns text on different screens | Try it | Typography |
.text-success |
Green text color. Indicates success | Try it | Colors |
.text-uppercase |
Makes text uppercase | Try it | Typography |
.text-warning |
Yellow/orange text color. Indicates warning | Try it | Colors |
.text-white |
White text color | Try it | Colors |
.thead-dark |
Adds a black background color to table headers | Try it | Tables |
.thead-light |
Adds a grey background color to table headers | Try it | Tables |
.toast |
Creates a toast (alert box that disappears after a few seconds) | Try it | Toast |
.toast-body |
Toast body | Try it | Toast |
.toast-header |
Toast header | Try it | Toast |
.valid-feedback |
Creates a custom validation message used in validated forms (green text color) | Try it | Forms |
.valid-tooltip |
Creates a custom validation message used in validated forms (green tooltip) | Try it | Forms |
.visible |
Make an element visible | Try it | Utilities |
.was-validated |
Adds validation styles to a form element | Try it | Forms |
.w-25 |
Sets the width of an element to 25% | Try it | Utilities |
.w-50 |
Sets the width of an element to 50% | Try it | Utilities |
.w-75 |
Sets the width of an element to 75% | Try it | Utilities |
.w-100 |
Sets the width of an element to 100% | Try it | Utilities |
The table above shows all available Bootstrap 4 classes.
Tip: To see the full list of all Bootstrap 3 classes, go to our All Bootstrap 3 CSS Classes Reference.


C O L O R P A T T E R N S
A game of colors and squares
Welcome! Memorize patterns and repeat them using the buttons.
START
END


| | |
- as_batch(flow, feature_field_name='features', label_field_name='label', batchsize=16)
- Split input datastream into a sequence of batches suitable for keras training.
:param flow: input datastream
:param feature_field_name: feature field name to use. can be string or list of strings (for multiple arguments). Defaults to `features`
:param label_field_name: Label field name. Defaults to `label`
:param batchsize: batch size. Defaults to 16.
:return: sequence of batches that can be passed to `flow_generator` or similar function in keras
|


This demo uses a UI SDK based bundle that exposes a window variable GDRC which is an object containing:
The bundle has been created using this webpack config and a custom entry file.
The drop down below allows you to switch between the Checkouts and Impressions metric from the SDK Tests project from the whitelabeling.gooddata.com domain.
Please scroll down for troubleshooting.
Problem: The demo does not show any number or chart. The console shows an error message mentioning the 'Access-Control-Allow-Origin' header.
Solution: Set up CORS by following this tutorial
Problem: The demo does not show any number or chart. The console shows an error message mentioning '401 (Unauthorized)'
Solution: Log into your white labelled domain before accessing the demo.
Problem: The demo does not show any number or chart. The console shows an error message mentioning '403 (Forbidden)'
Solution: Follow the instruction in the README file (section "configuring the index.html"). The demo includes a hardcoded reference to a specific GoodData domain, please replace whitelabeling.gooddata.com and specific project workspace and metric identifiers with your domain and your project workspace.


reads text from disk
More...
|
| def | __init__ (self, textfile, max_length, coder, base_pos=0, end_pos=None) |
| | TextReader constructor. More...
|
| |
| def | get_utt (self) |
| | read the next line of data specified in the scp file More...
|
| |
| def | read_line (self) |
| | read the next line of data specified in the scp file More...
|
| |
| def | split (self, numlines) |
| | split of a part of the textreader More...
|
| |
|
def | as_dict (self) |
| | return the reader as a dictionary
|
| |
|
|
| max_length |
| |
|
| coder |
| |
|
| base_pos |
| |
|
| pos |
| |
|
| end_pos |
| |
|
| textfile |
| |
§ __init__()
| def nabu.processing.text_reader.TextReader.__init__ |
( |
|
self, |
|
|
|
textfile, |
|
|
|
max_length, |
|
|
|
coder, |
|
|
|
base_pos = 0 , |
|
|
|
end_pos = None |
|
) |
| |
TextReader constructor.
- Parameters
-
| textfile | the path to the file containing the text |
| max_length | the maximal length of a line |
| coder | a TargetCoder object |
| base_pos | the base postion where to start reading in the file |
| end_pos | optional maximal position in the file |
§ get_utt()
| def nabu.processing.text_reader.TextReader.get_utt |
( |
|
self | ) |
|
read the next line of data specified in the scp file
- Parameters
-
| pos | the desired position in the scp file in bytes |
- Returns
- the line identifier
- the read line as a [length x 1] numpy array
- whether or not the read utterance is the last one
§ read_line()
| def nabu.processing.text_reader.TextReader.read_line |
( |
|
self | ) |
|
read the next line of data specified in the scp file
- Parameters
-
| pos | the desired position in the scp file in bytes |
- Returns
- the line identifier
- the read line as a string
- whether or not the read utterance is the last one
§ split()
| def nabu.processing.text_reader.TextReader.split |
( |
|
self, |
|
|
|
numlines |
|
) |
| |
split of a part of the textreader
- Parameters
-
| numlines | number of lines tha should be in the new textreader |
- Returns
- a Textreader object that contains the required number of lines
The documentation for this class was generated from the following file:


Enumeration
ScenarioLayout.Sizing
public enum Sizing: Equatable, ExpressibleByIntegerLiteral, ExpressibleByFloatLiteral
A sizing strategy for the horizontal or vertical dimensions.
Relationships
Member Of
ScenarioLayout
Represents how the component should be laid out.
Conforms To
Equatable
ExpressibleByFloatLiteral
ExpressibleByIntegerLiteral
Initializers
init(integerLiteral:)
public init(integerLiteral value: Int)
Creates a fixed
sizing with the specified value converted to a CGFloat
.
Parameters
| Name | Type | Description |
|---|---|---|
| value | Int |
The actual value of |
init(floatLiteral:)
public init(floatLiteral value: Float)
Creates a fixed
sizing with the specified value converted to a CGFloat
.
Parameters
| Name | Type | Description |
|---|---|---|
| value | Float |
The actual value of |
Enumeration Cases
compressed
case compressed
Compresses to the intrinsic size of the component.
fill
case fill
Fill to the size of the canvas on which to layout the component.
fixed
case fixed(CGFloat)
Layout with given fixed size. Note: There are cases that to compressed to the size of the canvas on which to layout it when it can't be displayed on the UI.


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code {{ error['code'] }}
error {{ error['error'] }}
Your are logged in as:
{{ json.dumps(handler.current_user, indent=4) }}
You are not logged in.
{% end %}Your session expires in {{ '{:,.0f}'.format(handler.session['_t'] - time.time()) }} seconds
You can log in below as alpha
with password alpha
.
When you log in, your session will expire in
{{ '{:,.0f}'.format(handler.kwargs.session_expiry * 24 * 60 * 60) }} seconds.
But when you log in through other login pages like simple,
the session will expire only after {{ gramex.conf.app.session.expiry }} days.


Conflict Urbanism: Aleppo is a project in two stages.
First, we have built an open-source, interactive, data-rich map of the city of Aleppo, at the neighborhood scale. Users can navigate the city, with the aid of high resolution satellite imagery from before and during the current civil war, and explore geo-located data about cultural sites and urban damage. We will add data as it becomes available; currently we are grateful for datasets from from Human Rights Watch, the United Nations Operational Satellite Applications Programme (UNOSAT), and the Humanitarian Information Unit (HIU) at the U.S. Department of State. Second, the map is a platform into which additional data of all sorts can be integrated. It is an invitation to students and invited collaborators to record and narrate urban damage in Aleppo — at the cultural, infrastructural, or neighborhood scale — and to present that research in case studies which will be added to the website over time. We invite ideas and propositions, and hope to build on the data that we have compiled here to develop further research on and engagement with the situation in Aleppo. It is a call for inquiry and a call to action. Since 2012, the people of Aleppo — one of the oldest continuously-inhabited cities in the world — have been exposed to catastrophic violence. Many thousands have been injured, died, or fled. Our project focuses on their city and what has been done to it and what might happen to it in the future.Conflict Urbanism: Aleppo


Features for Release VPP 17.01¶
This section lists those features that became available in VPP Release 17.01:
Features¶
Integrated November 2016 DPDK release
Complete rework of Forwarding Information Base (FIB)
- Performance Improvements
Improvements in DPDK input and output nodes
Improvements in L2 path
Improvements in IPv4 lookup node
- Feature Arcs Improvements
Consolidation of the code
- New feature arcs
device-input
interface-output
- DPDK Cryptodev Support
Software and Hardware Crypto Support
DPDK HQoS support
Simple Port Analyzer (SPAN)
- Bidirectional Forwarding Detection
Basic implementation
IPFIX Improvements
L2 GRE over IPSec tunnels
Link Layer Discovery Protocol (LLDP)
- Vhost-user Improvements
Performance Improvements
Multiqueue
Reconnect
- LISP Enhancements
Source/Dest control plane support
L2 over LISP and GRE
Map-Register/Map-Notify/RLOC-probing support
L2 API improvements, overall code hardening
- Plugins:
New: ACL
New: Flow per Packet
- Improved: SNAT
Mutlithreading
Flow export
Doxygen Enhancements
Luajit API bindings
- API Refactoring
file split
message signatures
- Python and Scapy based unit testing infrastructure
Infrastructure
Various tests
Packet Generator improvements
TUN/TAP jumbo frames support
Other various bug fixes and improvements


POSTED ON 15 DES 2013 / DESSERTS
Chocolate Pizza
For the fig-swirl:Melt butter over medium heat in a saucepan. Add brown suger and stir to dissolve. Halve all of the figs and toss in the saucepan with water and lemon juice. Cook over medium heat,stirring frequently,until you have a chunky-jammy mixture. Add salt with one or two stirs,set aside and let cool completely.
Ice cream: In a small pot over medium heat,combine milk,and granulated suger until suger is completely dissolved and milk is just barely lukewarm.Whisk in the egg yolks.Set mixture in the fridge and wait until the fig mixture is cooled.
Using an ice cream machine,pour liquids into the frozen basin and process according to manufacturer instructions,i.e.,let spin and thicken for 20 minutes before adding mascarpone,fig jam mixture,and the nuts.Continue to process for +/- 10 minutes.Pour semi-frozen mixture into a pyrex dish or glass tupperware.Freeze for at least two hours before serving.


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| Name | Description |
|---|---|
@Input()
active: number = 0
|
The inititially active step. |
@Input()
completeIcon: string = 'ngx-icon ngx-check'
|
The icon to display when all steps in the component have been completed. |
@Input()
large: boolean
|
Whether the component is displayed larger. See Examples tab. |
@Input()
position: StepperPosition = StepperPosition.Top
|
The position of the component relative to the trackbar. |
@Input()
progress: boolean
|
Whether the component displays a progress indicator. See Examples tab. |
@Input()
readonly: boolean = true
|
Whether the component is readonly. Applies basic CSS styling. |
@Input()
removeHighlight: boolean
|
Whether background highlight styling is displayed for previously completed steps. |
@Input()
trackBar: boolean = true
|
Whether the trackbar is displayed underneath the current step. See Examples tab. |
| Name | Description |
|---|---|
@Output()
activeChange: EventEmitter<number>
|
Event emitted when the active ngx-step changes. |
| Name | Description |
|---|---|
@Input()
active: number
|
The active component, zero indexed. |
@Input()
completeIcon: string
|
The icon to display when the component is complete. |
@Input()
icon: string
|
The icon to display for the component. |
@Input()
label: string
|
The label for the component. |
@Input()
step: number
|
The numerical value assigned to each ngx-step component, zero indexed. Used to determine if the ngx-step component is complete. |
@Input()
total: number
|
The total number of ngx-step components. |
| Name | Description |
|---|---|
@Output()
activeChange: EventEmitter<number>
|
Event emitted when the active component changes. |


{% extends "master.html" %} {% block content %}
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My next task was to implement the stats feature in Mailman3.It had three parts.This is the detailed report of the implementation.
Overview
Problem: Monthly reports are executed at the first of the month for prior month. Details in the report include, total number of members, subscription requests, digest members, and unsubscribes.
Desired Solution: Add additional stats for the following:
- Number of unsubscribers for :
- Members option page
- Disabled address
- Member mgt page
- Admin mass Unsubscription
- email confirmation (I am still working on the task of counting unsubscriptions through email confirmation.)
- Number of total unique subject lines
- Number of subscribers that posted
Product
These are the products’ images.
- This is the list subscription page.There is a "stats" button on the top right corner of the page which redirects to the stats page.
- This is the form where the admin can view either the monthly stats by pressing the "Monthly Stats" button or can view the stats according to the start and end date entered through the form.
- This is the page where the admin can view all the monthly stats.The default page shows the stats of the present month.The admin can see the stats of any month by selecting it from the left sidebar.
Github
GitHub code changes can be seen here.
The pull request for the code changes can be seen here.
Functional Changes in Postorius
- Modal class 'UnsubscriberStats' that stores the details of the user unsubscribed through different channels.
- Added class'UnsubscriberStatsForm' in forms.py that takes start and end date as input and filters the stats between the given dates.
- Modified list.py to store the value of unsubscribed users through different channels in database.
- Provided 'Monthly Stats' button on the form page that takes the user to the page where stats are listed month-wise.
- Used 'Hyperkitty Api' to fetch the data of emails sent to a particular mailing list in the form of json file.
- Counted the unique subjects discussed in the mailing list and filtered them according to month for displaying the stats of 'Unique Subject Lines'.
- Counted the number of subscribers that posted by filtering the json file fetched from the Hyperkitty Api.
Files changed
- src/postorius/forms.py
- src/postorius/models.py
- src/postorius/templates/postorius/menu/list_nav.html
- src/postorius/urls.py
- src/postorius/views/list.py
- src/postorius/views/user.py
Files created
- src/postorius/static/postorius/js/datepicker.js
- src/postorius/views/stats.py
- src/postorius/templates/postorius/lists/stats_form.html
- src/postorius/views/monthly_stats.py
- src/postorius/templates/postorius/lists/monthly_stats.html


liquid intelligence
An online repository for brewery recipes.
login
welcome back.
email address
password
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Join


(Chorus)
Yo Ho, haul together
Hoist the Colours High
Heave Ho, Thieves and Beggars,
Never Shall we Die
The King and his men stole
the Queen from her bed
and bound her in her bones
The seas be ours
and by the powers
where we will we'll roam
(Chorus)
Some men have died
and some are alive
and others sail on the sea
with the keys to the cage
and the Devil to pay
we lay to the fiddler's green
(Chorus)
The bell has been raised (ring bell)
from it's watery grave...
Do you hear it's sepulchral tone?


checks if the current value is valid
Some utility methods for vfsStream.
Base stream contents container.
Interface for stream contents that are able to store other stream contents.
Iterator for children of a directory container.
Interface for stream contents.
Directory container.
Exception for streamwrapper subpackage.
Stream wrapper to mock file system requests.


Crypto Indicator Signals Huge Spike in Bitcoin (BTC) Profit Taking – Plus Ethereum, XRP and Ripple Updates
by Daily Hodl StaffFrom a flashing Bitcoin signal to a push to expand decentralized finance on the Ethereum network, here’s a look at some of the stories breaking in the world of crypto.
Bitcoin
An analyst at the crypto data firm Glassnode says a sudden spike in a little-known Bitcoin indicator suggests crypto traders are currently taking profits at a higher rate than at any other point in 2019.
A chart of Bitcoin’s average spent output lifespan (ASOL) shows Bitcoin that has been dormant for as long as 250 days is now being moved.
According to Rafael Schultze-Kraft, the spike is a sign that traders may be moving their BTC to exchanges in order to cash out.
“There is a huge spike in the Average Spent Output Lifespan (ASOL) for Bitcoin today.
It’s the highest we’ve seen this year. On the hourly chart, bitcoins as old as 250 days are being moved. This corresponds to mid-March when the price was at ~$4,000. Profit taking here?”
Daily analyst Josh Rager says BTC now needs to stay above $8,325 in order to prevent a larger shift to the downside.
“[The chart shows a] bounce off of $8,370’s. This area acted as resistance for during the previous range (outside the fake-out pump in early Oct).
This area needs to hold, a weekly close below $8,235, in my opinion, would lead to more downside. Currently, every time frame under monthly looks ugly.
Ethereum
The Ethereum-based decentralized finance (DeFi) platform Compound just raised $25 million in a funding round led by venture capital goliath Andreessen Horowitz, reports Fortune.
Compound is a decentralized crypto lending platform that allows people to use Ethereum as collateral to borrow capital, which is distributed in the form of stablecoins.
“…founder Robert Leshner said Compound now has over $150 million worth of assets on its platform, and that it plans to use its new investment to make the service more accessible to ordinary people.
DeFi is designed to replace traditional financial instruments with a decentralized alternative that’s not controlled by corporations or governments.
Ripple and XRP
Brazilian payments startup BeeTech Global is revealing how it’s currently using Ripple’s cross-border payment messaging system to pass savings on to its customers.
The company’s chief strategy officer Alexandre C.R. Liuzzi says it’s using the tech, which is designed to be faster than Swift, in order to power remittances in the Euro Zone.
“With Ripple, we’ve standardized the process for integration across different rails and increased efficiency in settlement.
We’re saving our customers more than $14 million in transaction fees. We’re talking about families who are sending money to their children studying abroad and small businesses whose main source of income comes from exports. This is huge for them.”
Rumors that BeeTech is exploring Ripple’s XRP-powered On-Demand Liquidity have persisted for months, but so far the company has not made an official statement on whether it plans to test the technology.


Section titles function as identifiers for groups of elements.
The standard, static section title is designed to support a single line on desktop and wrap only when displayed on narrow screens such as mWeb or native.
The subtitle is designed to support any additional information. This text should be concise and fit onto a single line.
An arrow icon gives visual affordance that the title is a link. A linked section title can also have a subtitle.
The optional overflow control can house less frequently accessed controls, (e.g., personalization feedback).


-
Persson E, Ståhlberg C (2006). P/E and EV/EBITDA Investment Strategies vs. the Market (Master's thesis, Linköping University, Linköping, Sweden). Online Copy
-
Fama, Eugene F. and French, Kenneth R., Multifactor Explanations of Asset Pricing Anomalies. J. OF FINANCE, Vol. 51 No. 1, March 1996. Available at SSRN: https://ssrn.com/abstract=7365


Multi-territories view will show the territories that are available according to your search on a map. You just need to point out the dates, terms and exclusivity you need.
Single-territory view will show the calendar with availabilities for the territories and rights you've pointed out. Just select the start and end date and your term will be created.


- Configuration Name
- {{ name }}
- Configuration Created By
- {{ $store.state.config.createdBy }}
- Configuration File
- {{ $store.state.configFile }}
The type of map viewer for this application
The type of device this application is to be used on
Select the default basemap for your application


A Polymer web component.
<modal-widget>
Modal content here
</modal-widget>
<modal-widget fullscreen>
Fullscreen content
</modal-widget>
<modal-widget open>
Modal content is immediately shown
</modal-widget>
<modal-widget initialfocus="email-addess">
<input id="email-address" type="email">
Element is focused when the dialog is shown.
</modal-widget>
Id of an element to focus on when the dialog is shown.
<button id="trigger" onclick="document.querySelector( 'modal-widget' ).toggle()">Open</button>
<modal-widget closefocus="trigger">
Modal content here
</modal-widget>
Id of an element to focus on when the dialog is hidden.
var modal = document.querySelector( 'modal-widget' );
modal.show();
modal.hide();
modal.toggle();
var modal = document.querySelector( 'modal-widget' );
modal.addEventListener('show', function () {
// `this` is the modal context.
});
Style like any other HTML element.
<modal-widget>

Yo

<modal-widget>
modal-widget h1 {
font-size: larger;
}
The modal-element
's Shadow DOM may also be targeted.
modal-widget::shadow #mask {
background: rgba(0, 0, 0, .9);
}


Poroshenko comments on Giuliani's promises
The ex-president said Giuliani had not raised the issue of Burisma or a probe into Hunter Biden.
Former Ukrainian President Petro Poroshenko said he had twice met with U.S. President Donald Trump's lawyer Rudy Giuliani, who promised to help raise the level of bilateral cooperation between the United States and Ukraine in cybersecurity.
During the 2019 Halifax International Security Forum in Canada, responding to clarifying questions, whether Giuliani asked for anything in return for such services, the former president of Ukraine first responded vaguely, but later gave a more definite answer, according to Voice of America's Ukrainian service.
"Look, I am a president of Ukraine, the great European country, a largest European country, with a largest territory in Europe. And, of course, I can't imagine such type of talks with me as a president of Ukraine," he said, according to a report delivered in Ukrainian.
Poroshenko also noted that Giuliani had "definietely not" raised the issue of Burisma or a probe into former U.S. Vice President Joe Biden's son, Hunter Biden.
He also urged not to forget about Russian aggression and Russian interest behind the "Ukrainegate".
"Who is interested in not seeing Ukraine as an object of Russian aggression, which led to the imposition of sanctions against Russia until it leaves Ukrainian territory? Now our attention is being shifted toward the so-called 'Ukrainegate.' Who is interested in this? Ukraine? Definitely not. The United States? Definitely not. There's only person – the one sitting in Russia," Poroshenko said.
As UNIAN reported earlier, the U.S. State Department on Friday evening released nearly 100 pages of records in response to American Oversight's lawsuit seeking a range of documents related to the Trump administration's dealings with Ukraine.


To search across multiple target words, enter each, separated by a space. To search by phrase, place multiple words in quotation marks.
Multiple word handling: Contains any word Contains all words| Search query | Instances in matching texts ⓘ |
Normed (per 1 million) ⓘ |
Texts containing term |
|---|---|---|---|
| {{ i.token }} | {{ i.raw | number}} | {{ i.normed | number:'1.2-2' }} | {{ i.texts | number }} |
| (combined) | {{ frequencyTotals.raw | number}} | {{ frequencyTotals.normed | number:'1.2-2' }} | {{ frequencyTotals.texts | number }} |
| Number | Excerpt | Term | Course | Assignment Topic | Draft | Wordcount | Link to text |
|---|---|---|---|---|---|---|---|
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Written by: R. Lee Fleming, Jr.
Transcribed by: Eric Aasen
Dutch Phrases by: Kenny Walgraef
[Scene: Monica and Chandler's, Chandler is sitting in the living room as Monica enters.]
Monica: Hey.
Chandler: Hey.
(Monica notices something.)
Monica: Oh my God! You cleaned! (Gasps) Look at these floors! You did the windows! Oh, I have been begging you for months and you did! You cleaned! And nagging works!
Chandler: Yknow uh, I didnt actually do this.
Monica: Oh no, was I cleaning in my sleep again?
Chandler: No, it wasnt you.
Monica: Well then who?
Chandler: I got a maid. Yay!
Monica: (shocked) I hope by maid you mean mistress, because if some other woman was here cleaning then
Chandler: Uh honey, I know you dont like to relinquish control
Monica: Oh, relinquish is just a fancy word for lose!
Chandler: Look, shes really nice. Okay? And she mentioned that she adored the way that you arranged the sponges.
Monica: Did she really say that?
Chandler: Yes, I distinctly remember cause I thought it was a joke. Now just give her a chance, okay?
Monica: Fine, I can do it. (Gets anxious.) Whew.
Chandler: Whats the matter?
Monica: Well, usually when Im this anxious, I clean!
Opening Credits
[Scene: Central Perk, Ross, Rachel, and Phoebe are there as someones cell phone starts to ring with one of those fancy ring tones.]
Phoebe: (looking around) Whos cell phone is that? Its just so annoying; everywhere you go.
Ross: I think its coming from your bag.
Phoebe: (checks) I never get calls!! (Answers the phone) Hello?
Eric: Hi, its Eric. From the Halloween party, Ursulas fiancée.
Phoebe: Oh my God Eric hi! Wait, howd you get this number?
Eric: Oh, I have a friend whos a cop and he got it for me.
Phoebe: Wow! What an incredible violationand wonderful surprise.
Eric: Uh listen, I justI thought you should know I broke up with Ursula.
Phoebe: Oh you did? (To Rachel) He did it! He did it!
Rachel: Wow! What did he do?
Phoebe: Shhh! Im talking.
Eric: Anyway, I was wondering if, you were the sort of person who eats lunch.
Phoebe: Are you asking me out? Cause it would be kinda weird since you just broke up with my sister.
Eric: Yeah uh okay. Im-Im sorry. Bye.
Phoebe: No! Wait! I was just saying that so youd think I was a good person. Fight for me.
Eric: Uhh, I wont take no for an answer.
Phoebe: Not great, but we can work on it at lunch. Okay, I can be at your apartment in two hours.
Eric: Great! But wh-whHow do you know where I live?
Phoebe: Ive got friends too. Okay, bye.
Eric: Bye.
(She hangs up.)
Phoebe: Oh my God! Im going out with Eric! Ooh, this day is really gonna be so much better than I thought it was gonna be. Oh Ross, I cant make lunch. (Exits.)
Ross: So apparently Im available for lunch.
Rachel: I cant. Im busy. Im apartment hunting.
Ross: Youre moving?
Rachel: Yeah, I cant live with Joey once the baby comes. I dont want my childs first words to be, (in a babys voice) "How you doin?"
Ross: So does-does Joey know youre moving?
Rachel: Well, I havent discussed it with him yet, but I know hes gonna be relieved. Last week, he brought this girl over and I started talking to her about morning sickness and then I showed her pictures from my pregnancy book.
Ross: Thats not really porn.
Rachel: Not so much.
Ross: Hey, yknow what and if youre looking for a place? I just heard in the elevator this morning that a woman in my building died.
Rachel: Oh my God! Was she old? Does she have a view?
Ross: Well I dont know, but how-how great would that be huh? You living in my building. I could help take care of the baby. I can come over whenever I want. (Rachel looks at him.) With your permission.
Rachel: Yeah that would really be great.
Ross: Yeah.
Rachel: Well can we see it?! Oh maybe we shouldnt. I mean if she just died this morning out of respect.
Ross: Yeah. No. No youre right.
(Pause as they both take another sip of coffee.)
Rachel: Shall we?
Ross: Yeah.
(They both exit.)
[Scene: Rosss Building, they are approaching the apartment of the woman who died. Ross knocks on the door and a woman answers it.]
Mrs. Verhoeven's Daughter: Yes?
Ross: Hi. Im Ross Geller. I live in the building.
Rachel: And Im Rachel, an admirer of the building.
Ross: I-I heard about Mrs. Verhoeven passing away and Im so sorry for your loss.
Mrs. Verhoeven's Daughter: She didnt pass.
Ross: What?
Mrs. Verhoeven's Daughter: My mothers still alive.
Ross: Oh, thank God!
Mrs. Verhoeven's Daughter: It looked like we were gonna lose her this morning, but shes a tough old bird.
Rachel: Ahh.
Mrs. Verhoeven's Daughter: Are you close with her?
Ross: Of course! Uh yeah, she and I would talk all the time in-in (Rachel pokes her head in and starts to look around) the laundry room. (Pushes Rachel out of the way.)
Mrs. Verhoeven's Daughter: You speak Dutch? (In Dutch) Zeer vereerd een vriend van mijn moeder te ontmoeten. (Translation: Im very honored to meet a friend of my mother.)
Ross: Yknow I would its just painful.
Rachel: So shes really not dead.
Mrs. Verhoeven's Daughter: No, shes hanging in there.
Rachel: Hmm. Do you thinkCould you tell me if shes hanging in, in a one bedroom or a two?
[Scene: Monica and Chandler's, Monica is observing the new maid, Brenda, clean.]
Brenda: Mrs. Bing, this tile cleaner is incredible! Whered you get it?
Monica: Oh well umm, I make it myself! Its two parts ammonia and one part lemon juice. And now the secret ingredient is yknow what? We just met.
Brenda: Okay. Uhh, Im gonna go get the clothes from the laundry room now. And, when I come back Ill clean behind the refrigerator.
Monica: (To Chandler) I love her.
Brenda: Ill be back in a minute.
Monica: Okay. (As Brenda exits Monica notices something.)
Chandler: See? I told you.
Monica: She stole my jeans!
Chandler: (pause) What?
Monica: I have been looking for them all week and she is wearing them!

Monica: Dont you see? Its the perfect crime!
Chandler: She mustve been planning this for years!
Monica: I will prove it to you! Okay? About a week ago I was wearing those jeans and I dropped a pen in my lap and it left an ink stain on the crotch. Now when she comes back I will find it and show you that stain!
Chandler: Honey, isnt it possible that the company that sold the jeans made more than just the one pair?
Monica: I guess.
Chandler: So, shouldnt we go give her the benefit of the doubt before we go snooping around her crotch?
Monica: Fine. Im just glad I didnt give her my secret ingredient.
Chandler: Out of curiosity, what is your secret ingredient?
Monica: Yeah! (Laughs.)
[Scene: Erics Apartment, hes opening the door to reveal Phoebe.]
Phoebe: Hi!
Eric: Come in, Im so glad youre here.
Phoebe: Yeah, me too. Not in the shaky angry way you are though.
Eric: Sorry, I just saw Ursula. I had to give the engagement ring back.
Phoebe: Oh.
Eric: Just seeing her brought it all back. All the lies, the way she used me. I just I got so angry just looking at her (Looks at Phoebe) face.
Phoebe: Yeah. (Covers her face with her hand.) Yeah.
Eric: Im sorry. I just when I look at you I see her. When I see her I get a little bit angry.
Phoebe: Maybe this is too weird.
Eric: No wait! Theres only a problem when I look at you. (Sits down on the couch.) Oh I got it! I got it. (Puts his hands to his eyes.)
Phoebe: No dont tear out your eyes!!
Eric: I was just, I was just gonna take out my lenses.
Phoebe: Oh, yeah try that. (He finishes and looks at her.) So, is that better?
Eric: Not really.  Youre Blursula. Okay wait. Maybe If I-if I just dont look at you for a while. (Stands up and turns his back to her.) See? It it works. Im not, Im not angry at all anymore! This is a great date!
Phoebe: Look Eric, turn around. (He does so.) Look, I like you, but it shouldnt be this hard. Yknow? This is our first date yknow? First dates are supposed to be about excitement and electricity and Ooh, he just touched my hand, did he mean to touch my hand? and yknow first kisses and (He kisses her) second kisses. (Motions for him to kiss her again which he does and they start to make out.)
[Scene: Central Perk, Ross is reading some book and Gunther serves him a cup of coffee.]
Ross: Thanks for the coffee, or bedankt voor de koffie, Gunter. (He translates that phrase into Dutch.)
Gunther: Jij spreekt Nederlands? Dat is te gek. Heb je familie daar? (Translation: You speak Dutch That's cool. Do you have relatives there?)
Ross: Yeah, were done.
Gunther: Ezel. (Translation: Donkey)
Ross: Ezel? Ezel? Ezel? (Looks it up in his book.)
Joey: (entering) Hey Ross! Listen, do you want to go see that new Imax movie on tide pools?
Ross: Really?!
Joey: (laughs) No. But I got Knicks tickets for you, me, and Chandler.
Ross: Sweet!
Joey: All right, well finish your coffee; lets go.
Ross: Okay I-I just have to stop by my place first.
Joey: To tape the game?
Ross: No-no, I-I have to see if this apartment became available.
Joey: Oh, youre switching apartments?
Ross: Its not for me, its for Rachel.
Joey: But Rachel has an apartment.
Ross: Yeah, but when the baby comes shes gonna want to move.
Joey: She is?
Ross: Yeah, you didnt expect her to live there with a baby did you?
Joey: I guess I didnt really think about it.
Ross: (finds the word in the book) Ezel! (Reads the translation.) Hey Gunther! Youre an ezel!
Gunther: Jij hebt seks met ezels.
Ross: Damnit!
[Scene: Monica and Chandler's, Brenda is sweeping and Monica is sitting at the kitchen table.]
Monica: Nice jeans!
Brenda: Oh thanks! I like your top.
Monica: Oh. (Holds on to it.) (To herself) Youre not gettin it.
(Brenda bends down to use the dustpan and Monica leans over to look for the stain, but leans so far over she falls out of the chair.)
Brenda: What happened?!
Monica: Oh, I fell asleep.
Brenda: I was thinking about taking my lunch break.
Monica: Oh, will you do the top of the cabinets? Thatll really work up your appetite for lunch.
Brenda: All right.
(Brenda pulls a chair to the counter and uses it to get up on the counter in order to clean the top of the cabinets. Monica sneaks over, bends over, and tries to see the stain. That doesnt work so she sticks her head between Brendas legs. Suddenly Brenda changes her stance and traps Monicas head between her legs.)
Monica: Hello.
Brenda: Whats going on?!
Monica: Im sorry. Ive never had a maid before, is this not okay?
Commercial Break
[Scene: Joey and Rachel's, Rachel is eating pizza as Joey returns from the Knicks game.]
Rachel: Hey!
Joey: Hey!
Rachel: How was the game?
Joey: Oh, okay. I I ate way too much.
Rachel: Oh.
Joey: Ooh. (Notices the pizza, grabs a slice, and takes a bite.) So umm, I was talkin to Ross and he said you were looking for a new place.
Rachel: Oh yeah! Hopefully across the street if certain Dutch people would just let go.
Joey: I was kinda hoping youd stay.
Rachel: Oh but Joey, I have to go. Theres no room for a baby here.
Joey: No room? Its a baby. Its like this big. (Holds his hands about a foot apart.) Yknow, I mean you-you could you could put it over here. (A desk.) Or-or-or we could put it right here. (The chair.) Aw, its cute, right? Or-or we could put it over here. (By the bathroom door.) You wouldnt even notice it. Wheres the baby? (Mumbles that its over in the corner.)
Rachel: Honey, its not just a matter of where you put it. I mean a baby changes everything. They cry all the time. I mean imagine bringing home some girl and trying to score when theres a screaming baby around.
Joey: I could use a challenge! Its getting pretty easy.
Rachel: Honey, its so sweet that you want me to stay, but I-I cant do that to you.
Joey: I love living with you so much. I just wish things didnt have to change.
Rachel: I know.
Joey: Yknow I blame Ross for this.
Rachel: I do too a little bit.

[Scene: Erics Apartment, he and Phoebe are still making out.]
Phoebe: Ooh, oh no! I have to go! I have a massage appointment.
Eric: Oh no, stay here well keep doing this. Ill pay you.
Phoebe: No, I got in trouble for that before. Ill see you later.
Eric: Absolutely. (They kiss and Phoebe heads for the door.) I love the way you kiss.
Phoebe: Really? Thats the thing Im worse at! Youll see. (Exits.)
[Scene: Monica and Chandler's, Brenda is shaking out the rugs on the balcony as Monica pouts in the living room.]
Chandler: (entering) Hi!
Monica: Hey! Umm, I think Brenda needs a raise.
Chandler: How come?
Monica: Because I put my head between her legs.
Chandler: To see her pants?
Monica: Theyre my pants!
Chandler: Are you sure? Did you see the stain?
Monica: No! I was just getting into position and then everything went dark.
Chandler: God! She is not stealing from us! Okay, will you let this go?
Monica: Fine. (Brenda comes in to use the bathroom and adjusts her pink bra strap on the way.) Shes wearing my bra!
Chandler: Oh dear God!
Monica: My pink flowered bra! I recognize the strap!

Monica: Heres the plan! Okay? Im going to leave you get a look at Brendas bra!
Chandler: Heres another plan No!
Monica: I would do it but she thinks Im attracted to her!
Chandler: Why?
Monica: Did you not hear where my head was? Come on! Come on were a team! Were in this together!
Chandler: I fear a jury will see it the same way!
Monica: Do this for me! Come on, I catch you looking at womans breasts all the time!
Chandler: You see that?
Monica: Do you see this? (Mimics him drooling over a womans breasts.)
Chandler: All right. Yes. Okay. I get your point. But if its not your bra will you just let the woman clean the apartment?!
Monica: Yes! Absolutely. Okay? Look, youll know its mine because on the right cup, the lacey part, theres a very noticeable rip.
Chandler: You need new clothes.
[Scene: Mrs. Verhoevens Apartment, Ross is back to inquire about the elder Verhoevens health or lack there of.]
Ross: Hi. How is she?
Mrs. Verhoeven's Daughter: Its not looking good.
Ross: (happily) Oh. (Realizes then sadly) Oh. Well I uh, I brought her some bloemen. (Flowers in Dutch.)
Mrs. Verhoeven's Daughter: Thats so sweet. (Takes the flowers.) Would you like to come in and say good-bye? Im sure it would mean a lot to her.
Ross: Oh I dont know that it would.
Mrs. Verhoeven's Daughter: Well, her memory is pretty much gone.
Ross: All right then. (Follows her in and checks the place out.)
[Scene: Erics Apartment, hes resting on the bed as Phoebe enters.]
Phoebe: (entering) Hey!
Eric: Welcome back!
Phoebe: Hey! (Jumps on the bed with him.) Can we pick up where we left off?
Eric: I dont know, Im still pretty tired out from this afternoon.
Phoebe: Why?
Eric: Uh, the sex.
Phoebe: What sex?
Eric: Our sex.
Phoebe: We didnt have sex.
 Ew! Ew! Ew! Ew! Ew!
Eric: (simultaneously as Phoebe) Oh no! Oh no! Oh no! Oh no! No! No! No!

Eric: Uh, a little bit. She-she-she walked in and I thought she was you and I kissed her and
Phoebe: You didnt notice she was wearing different clothes?!
Eric: Well I was just so excited to see you.
Phoebe: Oh. Ew! Ew! Ew! Ugh! Yknow what? This is too weird.
Eric: No-no its not! I dont want to lose you! Its-its like I was saying to Ursula when I was making love to her and I thought she was youYeah it is too weird.
Phoebe: So I guess this is it.
Eric: Yeah. (They hug.) Maybe its for the best.
Phoebe: Yeah, so do you.
[Scene: Monica and Chandler's, Brenda is wiping the coffee table and Chandler is trying to look at her bra and leans over on the coffee table to get a good look.]
Brenda: (noticing him) What are you doing?
Chandler: Im leaning. This is where I lean.
Brenda: Okay. (Goes over and fluffs up the pillows on the couch.
Chandler: Brenda a bee!
Brenda: What?
Chandler: Yes! Its flown into your blouse and youd better undo your buttons lest it sting you!
Brenda: I think I know whats going on here.
Chandler: You do?
Brenda: Look, I know it must be hard that your wife is a lesbian, but its wrong. Youre married.
Chandler: I totally understand. (They both laugh.) Can I just see your bra?
[Scene: The Hallway, Monica is sitting on the step as Rachel returns.]
Rachel: Hi!
Monica: (looking at Rachels jeans) Where did you get those jeans?!
Rachel: You gave them to me!
Monica: No I didnt!
Rachel: All right, I took them. But I figured it would be okay because you got a big ink stain on the crotch.
Monica: Oh no! Did you take my bra too?!
Rachel: What bra?
Monica: The pink one with the flowers?!
Rachel: You mean the one that youre wearing? (Adjusts Monicas pink bra strap as Monica looks down her shirt.)
Brenda: (entering) I quit! (Storms off.)
Monica: Sounds about right.
[Scene: Joey and Rachel's, Rachel enters and notices that Joey has set up a space for the baby where the couch was, complete with a crib.]
Rachel: What is this?
Joey: Hey! Uh, this is just to give you an idea. Okay well, we can put screens here, (In front of the crib.) so that the baby has privacy, and-and-and maybe a mobile over the crib. And uhOh look! Heres a baby monitor (Holds it up), which until the baby comes we can use as walkie-talkies. Huh?
Rachel: Youre so sweet. (Notices something in the crib.) Oh my God! And you gave the baby Hugsy! (A stuffed penguin wearing a ski jacket, goggles, and hat.)
Joey: Ahhhhhhhhhhhh . That-that-thats really just to show where the baby would go. Yknow why dont I hold on to him so that theres no confusion? (Takes him back, sets him on the chair, and apologizes to him.)
Rachel: But Joey the baby is going to be crying, its going to be loud.
Joey: Im loud!
Rachel: Its gonna be up all night!
Joey: Im up all night!
Rachel: Its gonna poop!
Joey: Hello!
Rachel: What about all the women you want to bring home?
Joey: Look, if Im bringing home a woman who cant stand being around a baby, then maybe I dont want to be with that woman! Or maybe well just do it in the bathroom of the club!
Rachel: Joey, are you sure?
Joey: Yeah! All rightLook, I know sometimes itll be hard, okay? But, itll also be really really great. Please Rachel! I-I-I really want you to stay.
Rachel: I want me to stay too.
Joey: Ohh!
Rachel: Thank you. (They hug.) Oh Joey and look at this crib! Its so cute!
Joey: I know! I found it on the street.
Rachel: Are you seriousReally?! Its in such good condition.
Joey: Yeah.
Rachel: Wow! Whoa-whoa whats under the covers?
Joey: I dont know.
Rachel: Its moving.
Joey: Ew.
Rachel: Its still(Screams)Its got a tail! Get it out of here! Get it out of here!!
Joey: Ooh! Ah! Okay! (Quickly drags the crib outside.)
Dedicated to the Memory of Pearl Harmon
Closing Credits
[Scene: Joey and Rachel's, Joey and Rachel are toasting her staying put.]
Ross: Well, the old lady died. And how do I know? Her dying wish was for one last kiss. But I dont care, (To Rachel) because you got the apartment. Yes!
Rachel: Ewww. Yeah. Umm. I think Im gonna stay here.
Joey: Isnt that great?
Ross: (stutters looking for words) Ezels!!
End


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