XPROP
Section: User Commands (1)Updated: xprop 1.1.0
Index Return to Main Contents
NAME
xprop - property displayer for XSYNOPSIS
xprop [-help] [-grammar] [-id id] [-root] [-name name] [-frame] [-font font] [-display display] [-len n] [-notype] [-fs file] [-remove property-name] [-set property-name value] [-spy] [-f atom format [dformat]]* [format [dformat] atom]*SUMMARY
The xprop utility is for displaying window and font properties in an X server. One window or font is selected using the command line arguments or possibly in the case of a window, by clicking on the desired window. A list of properties is then given, possibly with formatting information.
OPTIONS
- -help
- Print out a summary of command line options.
- -grammar
- Print out a detailed grammar for all command line options.
- -id id
- This argument allows the user to select window id on the command line rather than using the pointer to select the target window. This is very useful in debugging X applications where the target window is not mapped to the screen or where the use of the pointer might be impossible or interfere with the application.
- -name name
- This argument allows the user to specify that the window named name is the target window on the command line rather than using the pointer to select the target window.
- -font font
- This argument allows the user to specify that the properties of font font should be displayed.
- -root
- This argument specifies that X's root window is the target window. This is useful in situations where the root window is completely obscured.
- -display display
- This argument allows you to specify the server to connect to; see X(7).
- -len n
- Specifies that at most n bytes of any property should be read or displayed.
- -notype
- Specifies that the type of each property should not be displayed.
- -fs file
- Specifies that file file should be used as a source of more formats for properties.
- -frame
- Specifies that when selecting a window by hand (i.e. if none of -name, -root, or -id are given), look at the window manager frame (if any) instead of looking for the client window.
- -remove property-name
- Specifies the name of a property to be removed from the indicated window.
- -set property-name value
- Specifies the name of a property and a property value, to be set on the indicated window.
- -spy
- Examine window properties forever, looking for property change events.
- -f name format [dformat]
- Specifies that the format for name should be format and that the dformat for name should be dformat. If dformat is missing, " = $0+\n" is assumed.
DESCRIPTION
For each of these properties, its value on the selected window or font is printed using the supplied formatting information if any. If no formatting information is supplied, internal defaults are used. If a property is not defined on the selected window or font, "not defined" is printed as the value for that property. If no property list is given, all the properties possessed by the selected window or font are printed.
A window may be selected in one of four ways. First, if the desired window is the root window, the -root argument may be used. If the desired window is not the root window, it may be selected in two ways on the command line, either by id number such as might be obtained from xwininfo, or by name if the window possesses a name. The -id argument selects a window by id number in either decimal or hex (must start with 0x) while the -name argument selects a window by name.
The last way to select a window does not involve the command line at all. If none of -font, -id, -name, and -root are specified, a crosshairs cursor is displayed and the user is allowed to choose any visible window by pressing any pointer button in the desired window. If it is desired to display properties of a font as opposed to a window, the -font argument must be used.
Other than the above four arguments and the -help argument for obtaining help, and the -grammar argument for listing the full grammar for the command line, all the other command line arguments are used in specifying both the format of the properties to be displayed and how to display them. The -len n argument specifies that at most n bytes of any given property will be read and displayed. This is useful for example when displaying the cut buffer on the root window which could run to several pages if displayed in full.
Normally each property name is displayed by printing first the property name then its type (if it has one) in parentheses followed by its value. The -notype argument specifies that property types should not be displayed. The -fs argument is used to specify a file containing a list of formats for properties while the -f argument is used to specify the format for one property.
The formatting information for a property actually consists of two parts, a format and a dformat. The format specifies the actual formatting of the property (i.e., is it made up of words, bytes, or longs?, etc.) while the dformat specifies how the property should be displayed.
The following paragraphs describe how to construct formats and dformats. However, for the vast majority of users and uses, this should not be necessary as the built in defaults contain the formats and dformats necessary to display all the standard properties. It should only be necessary to specify formats and dformats if a new property is being dealt with or the user dislikes the standard display format. New users especially are encouraged to skip this part.
A format consists of one of 0, 8, 16, or 32 followed by a sequence of one or more format characters. The 0, 8, 16, or 32 specifies how many bits per field there are in the property. Zero is a special case meaning use the field size information associated with the property itself. (This is only needed for special cases like type INTEGER which is actually three different types depending on the size of the fields of the property.)
A value of 8 means that the property is a sequence of bytes while a value of 16 would mean that the property is a sequence of words. The difference between these two lies in the fact that the sequence of words will be byte swapped while the sequence of bytes will not be when read by a machine of the opposite byte order of the machine that originally wrote the property. For more information on how properties are formatted and stored, consult the Xlib manual.
Once the size of the fields has been specified, it is necessary to specify the type of each field (i.e., is it an integer, a string, an atom, or what?) This is done using one format character per field. If there are more fields in the property than format characters supplied, the last character will be repeated as many times as necessary for the extra fields. The format characters and their meaning are as follows:
- a
- The field holds an atom number. A field of this type should be of size 32.
- b
- The field is an boolean. A 0 means false while anything else means true.
- c
- The field is an unsigned number, a cardinal.
- i
- The field is a signed integer.
- m
- The field is a set of bit flags, 1 meaning on.
- o
- The field is an array of icons, packed as a sequence of 32 bit numbers consisting of the width, height and ARGB pixel values, as defined for the _NET_WM_ICON property in the Extended Window Manager Hints specification. A field of this type must be of size 32.
- s
- This field and the next ones until either a 0 or the end of the property represent a sequence of bytes. This format character is only usable with a field size of 8 and is most often used to represent a string.
- t
- This field and the next ones until either a 0 or the end of the property represent an internationalized text string. This format character is only usable with a field size of 8. The string is assumed to be in an ICCCM compliant encoding and is converted to the current locale encoding before being output.
- x
- The field is a hex number (like 'c' but displayed in hex - most useful for displaying window ids and the like)
An example format is 32ica which is the format for a property of three fields of 32 bits each, the first holding a signed integer, the second an unsigned integer, and the third an atom.
The format of a dformat unlike that of a format is not so rigid. The only limitations on a dformat is that one may not start with a letter or a dash. This is so that it can be distinguished from a property name or an argument. A dformat is a text string containing special characters instructing that various fields be printed at various points in a manner similar to the formatting string used by printf. For example, the dformat " is ( $0, $1 \)\n" would render the POINT 3, -4 which has a format of 32ii as " is ( 3, -4 )\n".
Any character other than a $, ?, \, or a ( in a dformat prints as itself. To print out one of $, ?, \, or ( precede it by a \. For example, to print out a $, use \$. Several special backslash sequences are provided as shortcuts. \n will cause a newline to be displayed while \t will cause a tab to be displayed. \o where o is an octal number will display character number o.
A $ followed by a number n causes field number n to be displayed. The format of the displayed field depends on the formatting character used to describe it in the corresponding format. I.e., if a cardinal is described by 'c' it will print in decimal while if it is described by a 'x' it is displayed in hex.
If the field is not present in the property (this is possible with some properties), <field not available> is displayed instead. $n+ will display field number n then a comma then field number n+1 then another comma then ... until the last field defined. If field n is not defined, nothing is displayed. This is useful for a property that is a list of values.
A ? is used to start a conditional expression, a kind of if-then statement. ?exp(text) will display text if and only if exp evaluates to non-zero. This is useful for two things. First, it allows fields to be displayed if and only if a flag is set. And second, it allows a value such as a state number to be displayed as a name rather than as just a number. The syntax of exp is as follows:
- exp
- ::= term | term=exp | !exp
- term
- ::= n | $n | mn
The ! operator is a logical ``not'', changing 0 to 1 and any non-zero value to 0. = is an equality operator. Note that internally all expressions are evaluated as 32 bit numbers so -1 is not equal to 65535. = returns 1 if the two values are equal and 0 if not. n represents the constant value n while $n represents the value of field number n. mn is 1 if flag number n in the first field having format character 'm' in the corresponding format is 1, 0 otherwise.
Examples: ?m3(count: $3\n) displays field 3 with a label of count if and only if flag number 3 (count starts at 0!) is on. ?$2=0(True)?!$2=0(False) displays the inverted value of field 2 as a boolean.
In order to display a property, xprop needs both a format and a dformat. Before xprop uses its default values of a format of 32x and a dformat of " = { $0+ }\n", it searches several places in an attempt to find more specific formats. First, a search is made using the name of the property. If this fails, a search is made using the type of the property. This allows type STRING to be defined with one set of formats while allowing property WM_NAME which is of type STRING to be defined with a different format. In this way, the display formats for a given type can be overridden for specific properties.
The locations searched are in order: the format if any specified with the property name (as in 8x WM_NAME), the formats defined by -f options in last to first order, the contents of the file specified by the -fs option if any, the contents of the file specified by the environmental variable XPROPFORMATS if any, and finally xprop's built in file of formats.
The format of the files referred to by the -fs argument and the XPROPFORMATS variable is one or more lines of the following form:
name format [dformat]
Where name is either the name of a property or the name of a type, format is the format to be used with name and dformat is the dformat to be used with name. If dformat is not present, " = $0+\n" is assumed.
EXAMPLES
To display the name of the root window: xprop -root WM_NAME
To display the window manager hints for the clock: xprop -name xclock WM_HINTS
To display the start of the cut buffer: xprop -root -len 100 CUT_BUFFER0
To display the point size of the fixed font: xprop -font fixed POINT_SIZE
To display all the properties of window # 0x200007: xprop -id 0x200007
ENVIRONMENT
- DISPLAY
- To get default display.
- XPROPFORMATS
- Specifies the name of a file from which additional formats are to be obtained.
SEE ALSO
X(7), xdpyinfo(1), xwininfo(1), xdriinfo(1), glxinfo(1), xvinfo(1)AUTHOR
Mark Lillibridge, MIT Project Athena
Index
This document was created by man2html, using the manual pages.
Time: 05:29:12 GMT, December 24, 2015


Javascript Quiz
Test your knowledge in
Javascript Fundamentals
1. In which html element do we put in javascript code?
a. <js>
b. <script>
c. <body>
d. <link>
2. Which html attribute is used to reference an external javascript file?
a. src
b. rel
c. type
d. href
3. How would you write "Hello" in an alert box?
a. msg("Hello");
b. alertBox("Hello");
c. document.write("Hello");
d. alert("Hello");
4. Javascript is directly related to the "Java" programming language?
a. True
b. False
5. A variable in javascript must start with which special character?
a. @
b. $
c. #
d. No special Character


{{ include:metadata }}
{{ include:header }}
{{ include:breadcrumb }}
{{ $layoutBody }}
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{{ include:footer }}


#include <SynchronousStatus.h>
Inheritance diagram for WFAPI::SynchronousStatus:
Public Member Functions | |
| SynchronousStatus (wf_uint32 statusCode, const WFString &statusMessage, const WFString &statusURL, const WFString &statusData=WFString("")) | |
| virtual | ~SynchronousStatus () |
| wf_uint32 | getStatusCode () const |
| const WFString & | getStatusMessage () const |
| const WFString & | getStatusURL () const |
| const WFString & | getStatusData () const |
| bool | operator() () const |
| WFAPI::SynchronousStatus::SynchronousStatus | ( | wf_uint32 | statusCode, | |
| const WFString & | statusMessage, | |||
| const WFString & | statusURL, | |||
| const WFString & | statusData = WFString("") | |||
| ) |
Constructor with values of members.
| statusCode | The StatusCode for the request function call. | |
| statusMessage | The string message for the status. | |
| statusURL | An URL to open for the status. | |
| statusData | Status data for the status. May be empty. Used to indicate an appropriate client side action in order to handle an error. For instance it can be used to indicate which product id that could be purchased for expired rights. See BillingInterface for further documentation about this. |
| virtual WFAPI::SynchronousStatus::~SynchronousStatus | ( | ) | [virtual] |
Destructor.
| wf_uint32 WFAPI::SynchronousStatus::getStatusCode | ( | ) | const |
Get the StatusCode. It can either be one of the error codes in StatusCode or one of the error codes that the specific type of request sent has defined.
| const WFString& WFAPI::SynchronousStatus::getStatusData | ( | ) | const |
Get the status data for the status. May be empty. Used to indicate an appropriate client side action in order to handle an error.
The status data string is formatted as "<status data type>;<status data value>".
The status data can for instance be used to indicate which product id that could be purchased for expired rights.
Currently the only supported action is client side billing through third party APIs, and the only supported platform for this is the iPhone, with App Store (in app) billing.
For the iPhone platform the status data type is "iPhoneAppStore" and the status data value is the corresponding App Store product id. This product id corresponds to the product that can be purchased in order to be able to perform the previous action succesfully (causing the error). After completed client side billing requests, BillingInterface::verifyThirdPartyTransaction must be called in order to register and verify the purchase with the server.
| const WFString& WFAPI::SynchronousStatus::getStatusMessage | ( | ) | const |
Get the status message of this error.
| const WFString& WFAPI::SynchronousStatus::getStatusURL | ( | ) | const |
Get the status URL of this error, is empty if there is no URL the user can go to to resolve this error, like purchase access to more regions. If this URL is not empty the status message can be used to query the end user if the URL should be opened or not. This URL can be opened in an browser.
| bool WFAPI::SynchronousStatus::operator() | ( | ) | const |


I'm a senior at the University of Illinois Urbana-Champaign. I study computer science with a passion for Web development and Android programming. I'm a full stack developer largely focused on creating beautiful and user-friendly front ends.
Other things I'm often thinking about include
HTML, CSS/SASS, JS+jQuery, AngularJS, Node.js, Flask, Bootstrap, D3.js, Yeoman, Git, Heroku, Grunt/Gulp + Bower + npm, Vim, Brackets, Sublime Text
Python, Java, C++, C, Bash, Subversion, Eclipse, Xcode, LaTeX
If you have a neat idea and want to work with me, give me shout! I'm also always game for meeting new people, so don't hesitate to drop me a line.


Left mouse button: pick up and place point (in the domain)
Right mouse button: place differential (in the domain) or gradient (in the range)
It seems that Javascript is not enabled


2 Columns layout is the most common and popular layout, it has a navigation with content section. This layout use the common navbar and footer sections, however you can add customized header or footer on page level.
This table contains all classes related to the 2 columns layout. This is a custom layout classes for 2 columns layout page requirements.
All these options can be set via following classes:
| Classes | Description |
|---|---|
.2-columns |
You can create 2 columns layout by adding .2-columns class in  tag. |
This section contains HTML Markup to create 2 columns layout. You need to add the .2-columns
class in the
tag as show in below markup on line no 4. This layout has a navigation and content sections with common header & footer.
Modern has a ready to use starter kit, you can use this layout directly by using the starter kit pages from the modern-admin/starter-kit
folder.
<!DOCTYPE html>

Modern Admin use PUG as template engine to generate pages and whole template quickly using node js, for getting start with PUG usage & template generating process please refer template documentation.
This table contains required PUG variables to generate 2 columns layout.
| Block | Variable | Datatype | Value | Description |
|---|---|---|---|---|
pageConfig |
contentLayout |
string |
'2-columns' |
pageConfig block has a page configuration variables, for 2 columns layout you need to define variable - var contentLayout = '2-columns' |
To generate 2 columns layout page or template, you need to use following PUG code.
Line no 19-20: Default value of contentLayout
variable is '2-columns'
. Its is optional to set contentLayout
variable value as '2-columns'
in pageConfig
block.
If you want to use this layout on page level you need to define it on page it self. This template has one example pug file for 2 columns layout-2-columns.pug
, however you can use it on template level but it will generate whole template as a 2 columns.
block pageVars
- var pageTitle = "2 Columns"
- var pageSubTitle = "2 columns layout with navigation"
- var description = "The full width 2 columns layout with content & navigation section."
- var activeMenu = "layout-2-columns"
extends template
append pageConfig
- var contentLayout = '2-columns'
append breadcrumbs
+breadcrumbs([{url:"index.html",name:"Home"},{url:"#",name:"Page Layouts"}, {name:"2 Columns"}])
//- Include page content in page block
append content
include ../contents/layout-2-columns.html
//- Vendor CSS
//------------------------------
//- Add Vendor specific CSS
append vendorcss
//- Page CSS
//------------------------------
//- Add custom page specific CSS
append pagecss
//- Vendor JS
//------------------------------
//- Add vendor specific JS
append vendorjs
//- Page JS
//------------------------------
//- Add custom page specific JS
append pagejs


User wmic/other to enumerate patches. Look for privilege escalation exploits and look up their respective KB patch numbers.
Search for configuration files that may contain passwords:
Search for Group Policy Preference saved passwords
Search files for passwords
Search services for access misconfiguration
Unquoted paths: place an .exe anywhere along the executable path
Folder permissions: replace the service's .exe
binpath permissions: replace the service's binpath variable
regkey permissions: replace the .exe path in the service's regkey (may be ImagePath)
AlwaysInstallElevated
Scheduled Tasks


--- title: this is the home world layout: epoch ---
>>> Kyle Parker Cunningham
····> Beginnings
····> Major Projects
····> About, FAQ & Help
····> Works Available
····> Inquiry & Purchase
····> SPECIAL PROJECTS
····> Shop Desert Archaic
····> see also: Jeannie Ortiz
····> by: Kyle Parker Cunningham
==> Catalogue Raisonne
==> Paintings
····> Portraits
····> Tomorrow
++++> Circle, Triangle, Square
++++> Topo (landscapes)
++++> Arm Fauna
==> Printmaking
++++> Outer Space Ephemera
==> Sculpture
==> Adornment
==> MeTeORiC
==> Stone
==> Tools, Materials, Methods
==> Adventure
==> Elephants Nest
==> Mushroom Palce
==> Rigs
==> Nomad Methodology


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---
layout: slides
title: "On representing objects"
category: hidden
type: course
semester: Fall 2018
college: Wellesley College
permalink: /cognition/objects/
---
# On representing objects.
???
---
class: center, middle, statement, dark
< recap >
---
class: center, middle, statement, dark
The mind faces many maddeningly hard engineering problems, and we have an arsenal of mental faculties for solving each of them approximately.
---
class: center, middle, statement, dark
We have representations of space, quantity, value, the future, and the past.
---
class: center, middle, statement, dark
We can also represent time.
---
class: center, middle, statement, dark
Perception is bounded temporally, with events that are too quick or too slow. We create technologies to perceive temporal scales beyond these bounds (e.g., Muybridge's photos of a galloping horse).
---
class: center, middle, statement, dark
We represent the past, the present, and the future.
---
class: center, middle, statement, dark
The present moment is a physical reality, but the present as an extended interval is a psychological construction (the "specious present").
---
class: center, middle, statement, dark
"Living systems contain self-sustaining biochemical and biophysical oscillations,
whose periods range from fractions of a second to a year and perhaps
more" — Gallistel
---
class: center, middle, statement, dark
We have a circadian rhythm (e.g., that guy in a cave).
---
class: center, middle, statement, dark
We have neural oscillations at a range of frequencies.
---
class: center, middle, statement, dark
And disorders, such as Parkinson's, seem to affect the timescale of experience and action.
---
class: center, middle, statement, dark
We can also represent cause and effect.
---
class: center, middle, statement, dark
Causation does not equal correlation, but even so, from correlations we can infer causality.
---
class: center, middle, statement, dark
Michotte's studies of launching events were some of the early experiments on the perception of causality. Manipulating the timing and other factors affect perception of causality.
---
class: center, middle, statement, dark
From Heider & Simmel's movies of correlated movements of shape, we infer a whole world of causal factors, such as chasing and hiding.
---
class: center, middle, statement, dark
Causal graphical models (Bayes nets) are a useful tool for representing the causal structure of probabilistic events. They are made up of nodes that represent events or properties, directed edges that represent causation, and (conditional) probability tables that attach to nodes.
---
class: center, middle, statement, dark
One can draw a casual model that reflects our best understanding of causality, or instead one that reflects a person's incorrect theory about how a particular causal system works.
---
class: center, middle, statement, dark
Occam's razor is the idea that simpler explanations are better explanations. But what is "simpler"? Fewer root causes? Fewer nodes in the casual graphical model? It's up for debate.
---
class: center, middle, statement, dark
Networks aren't useful only for representing causality through Bayes nets.
---
class: center, middle, statement, dark
We can use networks to represent the structure of our knowledge.
---
class: center, middle, statement, dark
We can use networks to describe social ties.
---
class: center, middle, statement, dark
We can use networks to learn.
---
class: center, middle, statement, dark
Networks are made up of {nodes, vertices, entities} and {edges, links}, and can be directed or undirected, weighted or unweighted.
---
class: center, middle, statement, dark
We can also represent other people, their thoughts, their thoughts about our thoughts, &c.
---
class: center, middle, statement, dark
Theory of mind is the spark of social cognition, as seen in the Sally-Anne task.
---
class: center, middle, statement, dark
There is a debate as to whether theory of mind is best thought of as an intuitive theory ("Theory theory") or rather is the result of simulating what others would think using your own mind ("Simulation theory").
---
class: center, middle, statement, dark
Many social scenarios benefit from social reasoning and their essences are captured in economic games.
---
class: center, middle, statement, dark
Consider Keynesian beauty contests.
---
class: center, middle, statement, dark
Schelling coordination games and focal points ("Schelling points").
---
class: center, middle, statement, dark
And the El Farol Problem / minority game.
---
class: center, middle, statement, dark
But social reasoning has its limits — it is bounded.
---
class: center, middle, statement, dark
One such limit is a recursion limit, how many nested layers of thinking about think we can do.
---
class: center, middle, statement, dark
recap >
---
# Administrivia
- Attendance sheet
---
# Overview
- Vision as inference, not direct perception
- Representations of objects
- Neural networks for recognizing objects
???
Three levels, drilling down from the computational to the representational to the implementation level.
---
# The purpose of vision
"Vision is a process that produces from images of the external world a description that is useful to the viewer and not cluttered with irrelevant information." — Marr
---
# An old debate about the nature of perception
- Direct perception vs. perception as inference
"Light and colours, heat and cold, extension and figures — in a word, the things we see and feel — what are they but so many sensations, notions, ideas?" — George Berkeley
- Consider pain and itching.
???
Recap "The sting of intentional pain".
Atul Gawande's "The itch"
---
class: middle, center
---
class: middle, center
---
# Amodal completion
???
- Modal completion
- Amodal completion
- Third interpretation
- Note multistability
---
# Bistable perception, I
---
# Bistable perception, II
---
# Spelke objects
- Cohesion
- Boundedness
- Rigidity
- No action at a distance
---
# The cohesion principle
???
Talk about habituation as method.
According to the cohesion principle, two surface points lie on the same object only if the points are linked by a path of connected surface points. When two surfaces are separated by a spatial gap (as in Figure 4a) or undergo relative motions that alter the adjacency relations among points at their border (as in Figure 4i), the surfaces lie on distinct objects.
---
# The boundedness principle
???
According to the boundedness principle, two surface points lie on distinct
objects only if no path of connected surface points links them. That is, every
path between two points on distinct objects includes at least one pair of twodimensionally
adjacent surface points that either are separated in depth or
become separated over motion. These points define an object boundary.
When surfaces are neither spatially separated nor separately moving (as in
Figures 4b, 4d, 4f, and 4j), no boundary lies between them, and they are
part of the same object.
---
# The rigidity principle
???
According to the principle of rigidity, objects are interpreted as moving rigidly if such an interpretation exists. Thus, two surfaces that undergo different rigid motions are perceived as distinct bodies rather than as one body with a non-rigid center, unless such a center is detected directly (Figures 4g and 8b).
---
# The no-action-at-a-distance principle
???
According to the no-action-at-a-distance principle, separated
objects are interpreted as moving independently of one another if such
an interpretation exists. Thus, two surfaces that undergo a common rigid
motion are perceived as connected, in the absence of a detectable separation
between them (Figures 2a, 2e, 2f, 4h, and 8a; compare Figure 41).
---
# Why represent objects in this way?
Well, consider the input:
"Bodies move as connected wholes, they move on connected paths, they do not interpenetrate
as they move, they tend not to deform as they move, and they tend to
move separately from one another unless they come into contact." — Spelke
---
# Implementation level, two principles
- Retinotopy
- Hierarchy
---
# Retinotopy
???
ophthalmologist Tatsuji Inouye and the neurologist Gordon Holmes of visual field scotomas
---
# Hierarchy
Felleman & Van Essen, 1991
???
- Mention spatial metaphor
- Mention link to specific visual deficits
---
# Deep neural networks
---
class: center, middle
# Fin.


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Plugin Information |
|---|
View TwilioNotifier on the plugin site for more information. |
The Twilio Notifier Plugin is a plugin that can send build status notifications as Text messages and phone calls using Twilio.
Features
- Send text messages with build notifications
- Call phones and have build notifications read to the callee
- Customized messages
- Send explicit messages to those whose check-ins resulted in build breakage
Installation and configuration of the plugin
- Download and install the Twilio Notifier plugin from the Plugin Manager within Jenkins.
- Go to www.twilio.com and sign up for an account AND purchase a phone number
- Go to Jenkins->Manage Jenkins->Configure System and set the following attributes
- Account SID - the SID for your Twilio Account can be found on your Twilio account page
- Auth token - can be found on the same page
- From phone number - set the phone number you just purchased as the From phone number
Per job configuration
Go to your job configuration page.
- Select the TwilioNotifier checkbox
- In the To field, add phonenumbers that always will receive messages
- In the Message field write the message you want to send. Special variables you can use:
- %PROJECT% - references the name of the current project
- %STATUS% - the current status of the project
- %CULPRITS% - lists the display names of the users who did the check-ins associated with the current build.
- If you want to send text messages, check the Send Text (SMS) message? checkbox
- If you want to receive a call and have the message read to you, check the Call? checkbox
- If you only want to send messages on failures and recovery, check the Only send message on failure or recovery? checkbox
- If you want to send to the culprits who made the build fail through a check-in, check this box
- And you can also specify a special Culprit message for the culprits
- %PROJECT% - references the name of the current project
- %STATUS% - the current status of the project
- %CULPRITS% - lists the display names of the users who did the check-ins associated with the current build.
- %CULPRIT-NAME% - the display name of the culprit that the current message is being sent to.
- For the text message, you can elect to add the build url by checking the Include the Build URL in the message? checkbox
- The User list is used to map check-in identifiers (typically user names from a scm system) to phone numbers and display names. The format to use is the following: user-name:phone-number:display-name,user-name2:phone-number2:display-name2


The Math.log1p()
function returns the natural logarithm (base e) of 1 + a number, that is
Math.log1p(x)
x
If the value of x
is less than -1, the return value is always NaN.
Because log1p()
is a static method of Math
, you always use it as Math.log1p()
, rather than as a method of a Math
object you created (Math
is not a constructor).
Math.log1p()
Math.log1p(1); // 0.6931471805599453 Math.log1p(0); // 0 Math.log1p(-1); // -Infinity Math.log1p(-2); // NaN
This can be emulated with the following function:
Math.log1p = Math.log1p || function(x) { return Math.log(1 + x); };
Created by Mozilla Contributors, license: CC-BY-SA 2.5


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This site won't be very useful without javascript. Please enable scripting for this site before continuing.


|
pico]OS
1.0.4
|
Task info structure. More...
#include <picoos.h>
Data Fields | |
| struct PICOTASK * | next |
| Pointer to the next task info structure. | |
| struct PICOTASK * | prev |
| Pointer to the previous task structure. | |
| POSTASK_t | handle |
| Handle value of the pico]OS task. | |
| POSTASKFUNC_t | func |
| First function that ran in the task context. | |
| const char * | name |
| Name of this task (ASCII string) | |
| PTASKSTATE | state |
| Current state of the task (see PTASKSTATE for details). | |
| struct PICOEVENT * | event |
| Cross-reference to the involved event. | |
| UINT_t | timeout |
| State of the task's timeout counter. |
Task info structure.
This structure can be used by a debugger IDE to display task status information. (used for debugging when POSCFG_FEATURE_DEBUGHELP is set to 1)


Software #
Research #
BoboCEP
A fault-tolerant Complex Event Processing engine designed for edge computing in Internet of Things systems.
In Development
Repo | Info | Paper
BirdCNN
A predictive model to identify four species of bird from their vocalisations. It is my contribution to a Hackster competition.
Repo | Info
Tools #
Software Quality Checklist
A Markdown checklist for documenting software quality.
In Development
Repo
Education #
Lancs SCC Thesis Format
A thesis template for the School of Computing and Communications at Lancaster University.
Repo
Just for Fun #
Caravan
A CLI version of the Caravan card game from Fallout: New Vegas.
In Development
Repo
CE-GEN
A program for generating surreal videos in a popular meme format.
Repo
Memeoff
A Discord bot for fast meme creation.
Repo


Aliensonhigh - artist - tiles/sprite/animation art
Bagel03 - coder - camera/maps
Chizel9000 - artist/coder - character/starfield
Nashborn - coder - UI State Machine
Nemo - coder? - story?
Ribera[Aldehyt] - coder - Menu Start
Sebi - coder - Pause Screen / Collision Detection
and You the Player Thank You for playing!


Acadia
Carleton
McGill
Ottawa U
Queens
U of T
Waterloo
Western
Time of Day
Invert Selection
Days of Week
Invert Selection
Weeks of Year


Feathers 客户端¶
One of the most notable features of Feathers is that it can also be used as the client. In contrast with most other frameworks, it isn’t a separate library; instead you get the exact same functionality with a client and on a server. This means you can use 钩 and configure plugins. By default, a Feathers client automatically creates services that talk to a Feathers server.
In order to connect to a Feathers server, a client creates 服务 that use a REST or websocket connection to relay method calls and allow listening to 活动 on the server. This means the Feathers application instance is usable the exact same way as on the server.
Modules most relevant on the client are:
@feathersjs/feathers
to initialize a new Feathers 应用@feathersjs/rest-client to connect to services through 表达.
@feathersjs/socketio-client to connect to services through Socket.io.
@feathersjs/primus-client to connect to services through Primus.
@feathersjs/authentication-client to authenticate a client
重要
You do not have to use Feathers on the client to connect to a Feathers server. The client chapters above also describe how to use a REST HTTP, Socket.io or Primus connection directly without Feathers on the client side. For details on authentication, see the Authentication client chapter.
This chapter describes how to set up Feathers as the client in Node,
React Native and in the browser with a module loader like Webpack or
Browserify or through a <script>
tag.
The examples are using the Socket.io client.
For other connection methods see the chapters linked above.
重要
Feathers can be used on the client through the individual modules or the [@feathersjs/client](#feathersjsclient) module. The latter combines all modules mentioned above into a single, ES5 transpiled version.
Node¶
To connect to a Feathers server in NodeJS, install the desired client
connection library (here, socket.io-client
), alongside the Feathers
core library, and the connection-specific library:
npm install @feathersjs/feathers @feathersjs/socketio-client socket.io-client --save
Then initialize like this:
const io = require('socket.io-client');
const feathers = require('@feathersjs/feathers');
const socketio = require('@feathersjs/socketio-client');
const socket = io('http://api.my-feathers-server.com');
const client = feathers();
client.configure(socketio(socket));
const messageService = client.service('messages');
messageService.on('created', message => console.log('Created a message', message));
// Use the messages service from the server
messageService.create({
text: 'Message from client'
});
React Native¶
React Native usage is the same as for the Node client. Install the required packages into your React Native project.
$ npm install @feathersjs/feathers @feathersjs/socketio-client socket.io-client
Then in the main application file:
import io from 'socket.io-client';
import feathers from '@feathersjs/feathers';
import socketio from '@feathersjs/socketio-client';
const socket = io('http://api.my-feathers-server.com', {
transports: ['websocket'],
forceNew: true
});
const client = feathers();
client.configure(socketio(socket));
const messageService = client.service('messages');
messageService.on('created', message => console.log('Created a message', message));
// Use the messages service from the server
messageService.create({
text: 'Message from client'
});
Since React Native for Android doesn’t handle timeouts exceeding one
minute, consider setting lower values for pingInterval
and
pingTimeout
of feathers-socketio
on your server. This which will
stop warnings related to this
issue. For
example:
const app = feathers();
const socketio = require('feathers-socketio');
app.configure(socketio({
pingInterval: 10000,
pingTimeout: 50000
}));
Module loaders¶
All modules in the @feathersjs
namespace are using ES6. They must be
transpiled to support browsers that don’t completely support ES6. Most
client-side module loaders exclude the node_modules
folder from
being transpiled and have to be configured to include modules in the
@feathersjs
namespace and the debug
module.
Webpack¶
For Webpack, the recommended babel-loader
rule normally excludes
everything in node_modules
. It has to be adjusted to skip
node_modules/@feathersjs
and node_modules/debug
. In the
module
rules
in your webpack.config.js
, update the
babel-loader
section to this:
{
test: /\.jsx?$/,
exclude: /node_modules(\/|\\)(?!(@feathersjs|debug))/,
loader: 'babel-loader'
}
create-react-app¶
create-react-app uses Webpack but does not allow to modify the configuration unless you eject. If you do not want to eject, use the [@feathersjs/client](https://github.com/feathersjs/client) module instead.
npm i --save @feathersjs/client
You can then import the transpiled libraries from this package:
import feathers from "@feathersjs/client";
Browserify¶
In Browserify the babelify transform must be used. All Feathers packages indicate that they need the transform and should be transpiled automatically.
Others¶
As mentioned above, node_modules/@feathersjs
and all its subfolders
must be included in the ES6+ transpilation step when using any module
loader that is using a transpiler. For non-CommonJS formats (like AMD)
and an ES5 compatible version of Feathers and its client modules you can
use the [@feathersjs/client module](#feathersjsclient).
@feathersjs/client¶
$ npm install @feathersjs/client --save
@feathersjs/client
is a module that bundles the separate Feathers
client-side modules into one providing the code as ES5 which is
compatible with modern browsers (IE10+). It can also be used directly in
the browser through a <script>
tag. Here is a table of which
Feathers client module is included:
Feathers module |
@feathersjs/client |
|---|---|
@feathersjs/feathers |
feathers (default) |
@feathersjs/errors |
feathers.errors |
@feathersjs/rest-client |
feathers.rest |
@feathersjs/socketio-client |
feathers.socketio |
@feathersjs/primus-client |
feathers.primus |
@feathersjs/authentication-client |
feathers.authentication |
重要
The Feathers client libraries come transpiled to ES5
and require ES6 shims either through the
babel-polyfill
module or by including
core.js in older browsers
e.g. via
<script type="text/javascript" src="//cdnjs.cloudflare.com/ajax/libs/core-js/2.1.4/core.min.js"></script>
重要
When you are loading @feathersjs/client you do not have to install or load any of the other modules listed in the table above.
When to use¶
@feathersjs/client
can be used directly in the browser using a
<script>
tag without a module loader as well as with module loaders
that do not support CommonJS (like RequireJS) or React applications
created with a default create-react-app
.
If you are using the Feathers client with Node or React Native you
should follow the steps described in the Node and React
Native sections and not use
@feathersjs/client
.
注解
All Feathers client examples show direct usage and usage
with @feathersjs/client
.
Load with a module loader¶
You can use @feathersjs/client
with other browser module
loaders/bundlers (instead of using the modules directly) but it may
include packages you may not use and result in a slightly larger bundle
size.
import io from 'socket.io-client';
import feathers from '@feathersjs/client';
// Socket.io is exposed as the `io` global.
const socket = io('http://localhost:3030');
// @feathersjs/client is exposed as the `feathers` global.
const app = feathers();
app.configure(feathers.socketio(socket));
app.configure(feathers.authentication());
app.service('messages').create({
text: 'A new message'
});
// feathers.errors is an object with all of the custom error types.
Load from CDN with <script>
¶
Below is an example of the scripts you would use to load
@feathersjs/client
from unpkg.com.
<script type="text/javascript" src="//cdnjs.cloudflare.com/ajax/libs/core-js/2.1.4/core.min.js"></script>
<script src="//unpkg.com/<EMAIL_ADDRESS><script<EMAIL_ADDRESS><script>
// Socket.io is exposed as the `io` global.
var socket = io('http://localhost:3030');
// @feathersjs/client is exposed as the `feathers` global.
var app = feathers();
app.configure(feathers.socketio(socket));
app.configure(feathers.authentication());
app.service('messages').create({
text: 'A new message'
});
// feathers.errors is an object with all of the custom error types.
</script>
RequireJS¶
Here’s how to load feathers-client using RequireJS Syntax:
define(function (require) {
const feathers = require('@feathersjs/client');
const io = require('socket.io-client');
const socket = io('http://localhost:3030');
// @feathersjs/client is exposed as the `feathers` global.
const app = feathers();
app.configure(feathers.socketio(socket));
app.configure(feathers.authentication());
app.service('messages').create({
text: 'A new message'
});
return const;
});


By applying the Nifty Toggle skin, the Repository module can be used to display of list of files with a corresponding image. This repository skin is similar to the Default and Nifty skins however it includes a summary field. Each listing displays the item title, image, summary, file size, number of times the file has been downloaded, and the date and time when the item was last updated. Users can click the Show Details button to display the full description of the item. A link to DOWNLOAD the file is displayed to users in the download role.
Categories, sorting ratings and comments are enabled on this skin.
The Nifty Toggle Repository


Target
Choose the URL to load test
Time Elapsed:
The application has detected that previous results are still residing on the server.
Please choose between displaying previous results and starting a new test.
Note that if you decide to run a new test, the previous results will be erased.
This is a web UI wrapper over Vegeta functionality.


Three days ago I decided to mix three of my favorite psychedelic drugs together. I had no idea what to expect, each of the substances and had given me such a different trip individually. Mushrooms always give me a happy trip, and to me they are a very fun trip. So i started by eating 3.5 grams of mushrooms at 9:00 p.m. and then headed down to my friends room, she lives three floors down, she was already tripping(3.5 grams of mushrooms), as was her boyfriend(2 hits of acid).
I waited for the mushrooms to hit me, and they did rather quickly. It was 9:25 and i already was feeling the effects. I felt sick, as mushrooms always make me feel, but i knew i wouldn't puke because i never have off of mushrooms. So at 9:40 we smoked a mixed bowl of saliva and cannabis. I got four hits off the bowl(i held each hit in for 30 secs and then exhaled), and i was instantly set off. I could feel the saliva working, my mind began to wonder about life, and it was overwhelming at first. I began to look around the room, the lights were off, but she had little lights that were in the shape of butterflys all over the room, they were glowiing to me, and the room was breathing. I began to see visuals, the butterflys were moving, and it caught me off guard, so i quickly closed my eyes.
The most amazing CEV appeared and i just kept my eyes closed. I did this for a while, i looked at the clock and saw that it was only 10:20, so i decided it was time for my DXM dosage. I slowly ate 8 triple c pills(i got the ones that had only DXM in them, they contain 30 mg/ pill) So ingested 240 mg of DXM, and then smoked a bowl of saliva by myself. The trip was getting more intense now, i was hearing auditory sounds that werent there. My friends were both echoing very badly. I gave up on communicating with them and turned the music up. We were listening to morning view(whole album) by Incubus.
I could slowly feel the DXM being digested, it always upsets my stomach and gives me cramps. I felt like i wanted to puke, but i didnt. i held it in. It was 10:50 now and the mushrooms were in full effect. I smoked another bowl of saliva and when i finished i couldnt see straight, visuals were flying at me everywhere. Her room was alive, and i was thinking about how tripping always brings out the craziest thoughts in my head, I began to remember previous trips and reflect on them. Suddenly i felt the DXM creep up. I was still laying on the bed, and i could feel the dopamine dripping down my spine, i always feel it when i take DXM. The texture of the bed felt so good, and i was so excited, I could feel the uplifting effect of the DXM. Mushrooms always make me mellow, as does Saliva too. But now i really felt alive.
I wanted to go out and do something. So i got up from laying down, and instantly was hit with a head rush, i sat back down quickly, and started looking around, everything was spinning, visuals were everywhere. I looked in the mirror and my pupils were very dilated. I began to worry that i might start to trip too hard. Suddenly i realized that i had to go to the bathroom, but didnt wannt to leave the room. I didnt want anyone to know that I was tripping. So I just sat there in confusion, debating the pros and cons of not going to the bathroom. Finally I decided to make a quick run to the restroom, and took care of buisness. When I got back to the room, my friends were just looking at me and laughing. I decided it was time for more saliva, so i packed another bowl, and we smoked it.
It was around 11:30 now, and i could feel the peak of mushrooms taking effect, the DXM was getting stronger too, the visuals were more intense, both with my eyes open and closed. I felt so alive. We put on a new cd, I picked out a old phish show, and we chilled to that. Incubus had me feel discontent with my life. i felt sad, after listening to it. I was having fun on my tip, but it was a sad trip. I knew phish would set me off and out me in a great mood. So listened to it, nothing spectacular happened for a while. we all just laid around and listened to music, We packed another saliva bowl, and as we began to smoke, 'Harry Hood' started playing. Once we finished the bowl, i laid down and looked at the ceiling. Visuals covered the ceiling, the butterflys were flying everywhere. It was getting more intense and i was enjoying.
Suddenly i was tapped and it scared me. I looked over and my friend said she had said my name three times. I was in my own world. They said they were hungry and were going to walk up to the cafeteria, I said i would stay in the room. So they left and i was alone in the room. The visuals kept getting more intense, they were makling me feel sick, the music didnt sound right, i was hearing distortions and echos that I knew shouldnt be there, i was getting scared.  I began to feel really sick, my stomach was churning horribly. I couldnt stand up, i tried several times but couldn't. I simply didnt have the ability to stand.
Around 1:15 a.m. they got back and found me laying on the bed, totally out of it, i said was going to my room, they both said they would drop by in a little while, i went straight to bed, as i was laying there with my eyes closed, the room felt like it was spinning, i could hear voices outside echoing, and i was seeing the people who were talking, it was other friends who live on my hall.  I was still tripping, immeditely i saw visuals on the ground and on the ceiling. I got up and looked in the mirror, my eyes were still very dilated.
I awoke again around 11:00 a.m. the visuals were gone but i still felt the mental effects of the DXM. I just sat around waiting for the effects to die down. It ended up taking the whole day for them to leave. Overall I enjoyed the first part of the trip, but i think DXM and mushrooms are not meant to ingested together, it was too much for my stomach. That ruined my trip at the end.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


This package contains utility components used by package Examples. Each component is built up hierarchically by components of the Gates package. In this way the Gates components were tested, and their usage is demonstrated.
| Name | Description |
|---|---|
| MUX4 | 4 to 1 Bit Multiplexer |
| RS | Unclocked RS FlipFlop |
| RSFF | Unclocked RS FlipFlop |
| DFF | D FlipFlop |
| JKFF | JK FlipFlop |
| HalfAdder | Half adder |
| FullAdder | Adding circuit for binary numbers with input carry bit |
| Adder | Generic N Bit Adder |
| Counter3 | 3 Bit Counter |
| Counter | Generic N Bit Counter |


Braithwaite
This page contains an index of all the individuals in the database with the surname of Braithwaite. Selecting the person’s name will take you to that person’s individual page.
| Given Name | Birth | Death | Partner | Parents |
|---|---|---|---|---|
| Braithwaite, Edward Taylor, Margaret | ||||
| Ada I. | 1877 | Allen, Herbert M. S. | Braithwaite, Henry Fowler, Elizabeth | |
| Agnes M. | 1895 | Braithwaite, William Riley, Annie R. | ||
| Albert Ernest | 1879-02-27 | 1962-03-11 | Flood, Anna Irene | Braithwaite, Edward Taylor, Margaret |
| Alfred Ernest | 1878-02-02 | 1957-04-25 | Davidge, Esmeralda | Braithwaite, Daniel Ashcroft, Selina "Win" |
| Alma | 1905 | Weiley, William R. | Braithwaite, Robert Charles Power, Catherine | |
| Angus | 1872 | Braithwaite, William Bridle, Agnes | ||
| Ann | 1836-10-06 | 1839-06-18 | Braithwaite, Edward Crowley, Mary | |
| Annie | 1888 | Braithwaite, William Bridle, Agnes | ||
| Annie M. | 1896 | Braithwaite, Sydney Aird, Mary | ||
| Annie M.Z. | 1899 | Braithwaite, William Riley, Annie R. | ||
| Annie Victoria Winifred | 1869 | Pollock, Reginald | Braithwaite, Henry Fowler, Elizabeth | |
| Arthur | 1901 | Marriages ??, Three | Braithwaite, Robert Charles Power, Catherine | |
| Arthur A. | 1896 | 1967 | Mowbray, Irma G. K. | Braithwaite, Edward Henry Blaikie, Alice |
| Arthur Hubert | 1880-08-15 | 1972-01-24 | Honey, Millie E., Honey, Millie E. | Braithwaite, Edward Taylor, Margaret |
| Brian Edward | 1932-09-02 | 1979-08-08 | Coulcher, Margaret Shirley | Braithwaite, Daniel Keough Pratt, Phyllis Harriet |
| Bruce Ashcroft | about 1932 | 1985-03-29 | Chant, [Living] | Braithwaite, Harry Ashcroft Riley, Leila Jane |
| Charles | 1903 | 1968 | Marriages ??, Two | Braithwaite, Robert Charles Power, Catherine |
| Daniel | 1854-01-20 | 1931-12-21 | Ashcroft, Selina “Win” | Braithwaite, Edward Crowley, Mary |
| Daniel | 1868-09-06 | 1929 | Braithwaite, William Bridle, Agnes | |
| Daniel | 1870-08-15 | 1927 | King, Mary | Braithwaite, Edward Taylor, Margaret |
| Daniel | 1886-06-22 | 1964-02-21 | Booth, Lillian | Braithwaite, Daniel Ashcroft, Selina "Win" |
| Daniel “Lenny” | 1929 | 1934 | Braithwaite, Daniel Keough Pratt, Phyllis Harriet | |
| Daniel Keough | 1908-03-00 | 1984-04-25 | Pratt, Phyllis Harriet | Braithwaite, Edward Keogh, Florence A. M. |
| David B. | 1867 | Braithwaite, Henry Fowler, Elizabeth | ||
| Edgar | 1885-07-15 | 1964-06-16 | Corneliuses, May J. | Braithwaite, Edward Taylor, Margaret |
| Edward | 1803-11-12 | 1873-09-20 | Crowley, Mary | Braithwaite, Henry & Kenion |
| Edward | 1842-07-12 | 1916-03-10 | Taylor, Margaret, Taylor, Elizabeth | Braithwaite, Edward Crowley, Mary |
| Edward | 1874 | Keogh, Florence A. M. | Braithwaite, William Bridle, Agnes | |
| Edward Guy | 1894-09-09 | 1894-10-26 | Braithwaite, Thomas Beachim, Jeanne | |
| Edward Henry | 1864-02-19 | (1938)12 Oct 1940 | Braithwaite, Henry Fowler, Elizabeth | |
| Edward Henry | 1864-02-19 | 1940-10-12 | Blaikie, Alice | Braithwaite, Edward Taylor, Margaret |
| Edward Powell | 1892 | 1971 | Braithwaite, Edward Henry Blaikie, Alice | |
| Edward Thomas Ashcroft “Ted” | 1876-10-03 | 1954-07-17 | Wright, Evelyn Ann | Braithwaite, Daniel Ashcroft, Selina "Win" |
| Ellen | 1844 | 1844 | Braithwaite, William ????, Hannah | |
| Ellen R. | 1898 | Phillips, Richard | Braithwaite, Robert Charles Power, Catherine | |
| Emeline Margaret “Emmie” | 1880-11-23 | 1957-06-22 | Freeman, George John | Braithwaite, Daniel Ashcroft, Selina "Win" |
| Emmeline F. | 1916 | Braithwaite, Alfred Ernest Davidge, Esmeralda | ||
| Ernest Alfred | 1902-03-27 | Braithwaite, Alfred Ernest Davidge, Esmeralda | ||
| Frank Harold | 1884 | 1954 | Brown, Elsie M. | Braithwaite, Henry Fowler, Elizabeth |
| George Albert | 1874 | 1919 | Ivens, [Living] | Braithwaite, Henry Fowler, Elizabeth |
| George Taylor | 1884-06-06 | 1960-05-08 | Lewis, Ethel Elizabeth | Braithwaite, Edward Taylor, Margaret |
| Hannah | 1843 | Braithwaite, William ????, Hannah | ||
| Harry Ashcroft | 1899-08-20 | 1981-09-30 | Grearson, Ellen Mary, Riley, Leila Jane | Braithwaite, Daniel Ashcroft, Selina "Win" |
| Henry | 1840-02-23 | 1926-07-20 | Fowler, Elizabeth | Braithwaite, Edward Crowley, Mary |
| Henry & Kenion | ||||
| James Ashcroft “Jim” | 1884-02-15 | 1956-11-27 | Newman, Maxwell Mary | Braithwaite, Daniel Ashcroft, Selina "Win" |
| Joan Lillian | 1927 | 1929-09-25 | Braithwaite, Daniel Keough Pratt, Phyllis Harriet | |
| John | 1833-12-08 | 1896-09-11 | Mangan, Ellen | Braithwaite, Edward Crowley, Mary |
| John | 1870-06-05 | 1907 | Braithwaite, William Bridle, Agnes | |
| John | 1877-01-05 | 1963-04-20 | Hobson, Marian L. | Braithwaite, Edward Taylor, Margaret |
| John Blaikie S. | 1899 | 1970 | Braithwaite, Edward Henry Blaikie, Alice | |
| John Herbert | 1871 | 1940 | Black, Elsie M. | Braithwaite, Henry Fowler, Elizabeth |
| John Wright “Jack” | 1907 | Barnett, Maria Kathleen | Braithwaite, Edward Thomas Ashcroft "Ted" Wright, Evelyn Ann | |
| Kathleen M. | 1899 | Whyte, Ian | Braithwaite, Robert Charles Power, Catherine | |
| Leslie | Dulcie, Married | Braithwaite, Edward Thomas Ashcroft "Ted" Wright, Evelyn Ann | ||
| Lily A. | 1892 | Braithwaite, William Bridle, Agnes | ||
| Lorna E. | 1908 | Cribb, Charles O. | Braithwaite, Robert Charles Power, Catherine | |
| Mabel Mary | 1890-02-26 | 1970-08-02 | Orr, Harry Edward Ashcroft | Braithwaite, Daniel Ashcroft, Selina "Win" |
| Marcia Y. | 1903 | , Aubrey E. Hardes | Braithwaite, Edward Henry Blaikie, Alice | |
| Margaret Florence Ruth | 1897 | 1974 | Braithwaite, Edward Henry Blaikie, Alice | |
| Margaret R. | 1894 | 1895 | Braithwaite, Edward Henry Blaikie, Alice | |
| Marjorie Alice | 1901 | Perkins, Norman Percy Douglas | Braithwaite, Edward Henry Blaikie, Alice | |
| Mary | 1838-03-08 | 1918-09-21 | Hamon, Elias John Joseph | Braithwaite, Edward Crowley, Mary |
| Mary | 1880 | Braithwaite, William Bridle, Agnes | ||
| Mary E. | 1882 | Rollings, Thomas | Braithwaite, Henry Fowler, Elizabeth | |
| Mary Jane | 1872-09-30 | 1970-08-19 | Watts, Charles C. | Braithwaite, Edward Taylor, Margaret |
| One | Braithwaite, Walter Thomas Stewart, Hellen | |||
| Peter Noel | about 1942 | 1964-08-07 | Braithwaite, Harry Ashcroft Riley, Leila Jane | |
| Rita Marie, Irene? | about 1930 | 1992-11-30 | Gillett, Reginald James | Braithwaite, Daniel Booth, Lillian |
| Robert Charles | 1865-11-05 | 1947-01-09 | Power, Catherine | Braithwaite, Edward Taylor, Margaret |
| Ruth | 1849-06-09 | 1929 | Hamon, George | Braithwaite, Edward Crowley, Mary |
| Ruth | 1869-05-00 | 1892-04-25 | Stewart, Edward | Braithwaite, Edward Taylor, Margaret |
| Ruth | 1878 | Braithwaite, William Bridle, Agnes | ||
| Sarah A. | 1847 | 1847 | Braithwaite, William ????, Hannah | |
| Sydney | 1886 | 1906 | Aird, Mary | Braithwaite, William Bridle, Agnes |
| Thomas | 1846-12-11 | 1926-11-13 | Taylor, Sarah, Beachim, Jeanne | Braithwaite, Edward Crowley, Mary |
| Thomas Farrington | 1893-06-24 | 1971-11-17 | Neuhaus, Ivy M. A. | Braithwaite, Thomas Beachim, Jeanne |
| Three more | Braithwaite, Walter Thomas Stewart, Hellen | |||
| Vera | 1907 | Braithwaite, Robert Charles Power, Catherine | ||
| Vera E. | 1913 | Braithwaite, Edward Thomas Ashcroft "Ted" Wright, Evelyn Ann | ||
| Walter Innis | 1904 | Cross, Jean Caroline | Braithwaite, Edward Henry Blaikie, Alice | |
| Walter R. | 1894 | Braithwaite, Walter Thomas Stewart, Hellen | ||
| Walter Thomas | 1867-07-02 | 1953-11-17 | Stewart, Hellen | Braithwaite, Edward Taylor, Margaret |
| William | about 1806 | ????, Hannah | Braithwaite, Henry & Kenion | |
| William | 1844 | 1916-06-18 | Bridle, Agnes | Braithwaite, Edward Crowley, Mary |
| William | 1846 | 1846 | Braithwaite, William ????, Hannah | |
| William | 1867-03-14 | Riley, Annie R. | Braithwaite, William Bridle, Agnes | |
| William | 1874-07-12 | 1958-03-19 | Anderson, Ada S., Perkins, Jessie | Braithwaite, Edward Taylor, Margaret |
| William E.R.J. | 1896 | Braithwaite, William Riley, Annie R. | ||
| William J. | 1897 | Braithwaite, Walter Thomas Stewart, Hellen | ||
| William John F. | 1881 | Braithwaite, Henry Fowler, Elizabeth | ||
| [Living] | Miller, [Living] | Braithwaite, Brian Edward Coulcher, Margaret Shirley | ||
| [Living] | Braithwaite, Brian Edward Coulcher, Margaret Shirley | |||
| [Living] | Braithwaite, Brian Edward Coulcher, Margaret Shirley | |||
| [Living] | Selby, [Living] | Braithwaite, Daniel Keough Pratt, Phyllis Harriet | ||
| [Living] | Foster, [Living] | Braithwaite, [Living] Selby, [Living] | ||
| [Living] | Braithwaite, [Living] Selby, [Living] | |||
| [Living] | Braithwaite, Robert Charles Power, Catherine | |||
| [Living] | Preston, Leslie W. | Braithwaite, Alfred Ernest Davidge, Esmeralda | ||
| [Living] | Coutts, Donald Alexander | Braithwaite, Harry Ashcroft Riley, Leila Jane | ||
| [Living] | Braithwaite, Harry Ashcroft Riley, Leila Jane | |||
| [Living] | Braithwaite, Harry Ashcroft Riley, Leila Jane | |||
| [Living] | Collins, Married Mr. | Braithwaite, Harry Ashcroft Riley, Leila Jane | ||
| [Living] | Braithwaite, Bruce Ashcroft Chant, [Living] | |||
| [Living] | Braithwaite, Bruce Ashcroft Chant, [Living] | |||
| [Living] | Braithwaite, Bruce Ashcroft Chant, [Living] | |||
| [Living] | Braithwaite, Edward Keogh, Florence A. M. | |||
| [Living] | Braithwaite, Edward Keogh, Florence A. M. | |||
| [Living] | Braithwaite, John Hobson, Marian L. | |||
| [Living] | Braithwaite, John Mangan, Ellen | |||
| [Living] | Braithwaite, George Taylor Lewis, Ethel Elizabeth | |||
| [Living] | Braithwaite, John Hobson, Marian L. | |||
| [Living] | Braithwaite, Arthur Hubert Honey, Millie E. | |||
| [Living] | Braithwaite, Edgar Corneliuses, May J. | |||
| [Living] | Braithwaite, Arthur Hubert Honey, Millie E. | |||
| [Living] | Braithwaite, George Taylor Lewis, Ethel Elizabeth | |||
| [Living] | Braithwaite, John Mangan, Ellen | |||
| [Living] | Braithwaite, Edgar Corneliuses, May J. | |||
| [Living] | Braithwaite, Thomas Farrington Neuhaus, Ivy M. A. | |||
| [Living] | Braithwaite, Thomas Farrington Neuhaus, Ivy M. A. | |||
| [Living] | Braithwaite, Albert Ernest Flood, Anna Irene | |||
| [Living] | Braithwaite, Albert Ernest Flood, Anna Irene | |||
| [Living] | Braithwaite, Albert Ernest Flood, Anna Irene | |||
| [Living] | Braithwaite, Albert Ernest Flood, Anna Irene | |||
| [Living] | Braithwaite, Albert Ernest Flood, Anna Irene | |||
| [Living] | Braithwaite, Albert Ernest Flood, Anna Irene | |||
| [Living] | Braithwaite, Albert Ernest Flood, Anna Irene | |||
| [Living] | Braithwaite, Albert Ernest Flood, Anna Irene | |||
| [Living] | Braithwaite, Albert Ernest Flood, Anna Irene |


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Live Like a Monarch in a Townhouse Featured in The Crown
Avid watchers of The Crown, take note: you can now experience the ultimate Royal stay, complete with corgis, jewels and a personal butler, at a London townhouse featured in the second series of the cult Netflix show.
To celebrate the third chapter of The Crown reaching our screens, Plum Guide (the premium short-term home rental company) is offering a truly decadent chance to get one step closer to living like the Royal family.
Large enough to accommodate up to 16 guests, the Earl of Fitzroy is a Grade I-listed Georgian townhouse in London’s Fitzrovia. It features a fully stocked library, Robert Adam fireplaces, an indoor pool, sauna and gym, as well as a spacious double garage.
Excitingly, you can stay in the wonderful townhouse throughout December, which would set the tone for a very merry Christmas indeed. Plus, you can curate your visit by booking an array of activities that are fit for a Royal…
These include:
- A personal butler
- A Royal etiquette workshop with the world-renowned coach William Hanson
- Horse-and-carriage transportation
- Afternoon tea in the company of corgis (the Queen’s favorite breed)
- A Royal banquet dinner
- A selection of regal jewels, fit for the Duchess of Sussex
- A hamper filled with the Queen’s favorite brands
Afterwards, you will be able to enjoy an exclusive, private tour of the Stately Rooms at Buckingham Palace.
This unique opportunity is special even for the Plum Guide’s standards, which are so high that the brand only accepts the top one per cent of luxury homes. Bookings for this stay are available on a limited, first-come, first-served basis for a minimum of one week.
Starting at £50,000 (about $64,800), the price reflects the highly luxurious experience, but for Royal enthusiasts wanting to get as close as they can to the Queen’s lifestyle, it’s certainly a once-in-a-lifetime opportunity.
For more information and to book, visit www.plumguide.com.
From: Town & Country UK


Pick a trip
picATrip is a web platform for sharing experiences from trips in a form of photos
Team members:
Amir Miller
Shoval Ovadia
Leead Arbetman
Ma'ayan Hadar
Nadav Spinco
Shira Ostrinsky


"A defining condition of being human is that we have to understand the meaning of our experience."
What are three new things you have learned about yourself and your ego as a result of the core learning?
- I'm enjoying problem-solving and challenging myself, trying new features while writing the code.
- I feel so good when I see the result of my work. It's very inspiring.
- I need to change my Fixed Mindset into a Growth Mindset. I can't say I've got a 100% Fixed Mindset, but I have what I'd like to change.
What are the role of values, empathy and self awareness in learning and programming?
Self-awareness is the ability to see yourself clearly and objectively through reflection and introspection. It allows us to see things from the perspective of others, practice self-control, work creatively and productively, and experience pride in ourselves and our work as well as general self-esteem. Self-awareness can make us better at our jobs, better communicators in the workplace, and enhance our self-confidence and job-related wellbeing.
If we are talking about Empathy, it allows us to build social connections with other people. Empathy can help you better understand other people, their feelings and what’s driving their behavior if you look at them without any judgment. Also empathy can help us to learn how to regulate our own emotions. It allows you to manage what you are feeling in the difficult situation or even in times of great stress without becoming overwhelmed.
So, as you can see Self-awareness and Empathy are very important and powerful tools that you can use in your learning process and promote high commitment and cooperation in the workplace.
What has surprised you the most about the core learning?
Growth Mindset Theory. It gives a hope. Love it.
What were the most challenging aspects of the core learning?
Practicing meditation. It's not easy for me, so it seems I need more practice.
Why do you think we, a programming school, are spending so much time focusing on core learning in a web development bootcamp course?
Studying programming is not only about studying how write a code. It's also studying who you are as a human, the ways to grow as a person, how communicate with other people. I think all this things are important if you'd like to be a successful programmer.
Does the time you spent studying core learning here feel like a waste of time? Should you have just used that time to practicing programming instead? Justify your answer.
Studying core learning wasn't a waste of time for me. I think this information gives us an opportunity to have a look at ourselves, reflex who we are and who we'd like to see in the mirror.
Preparing for Bootcamp
As I said before, my current long term goal is to become a professional developer. I'm hoping to use my technical skills for creating good quality web applications and my communication skills to work as a productive team member during Bootcamp. I'd like to work in a team of people who are passionate about what they are doing. I hope Bootcamp will help me to develop my communication skills as I have no experience of working in a team as a web developer. I’m very interested in gaining the experience of public speaking during Bootcamp because it's my greatest weakness. I know it might be tough experience for me, but I'll try to do my best. If I need any help, I know I can get it from my facilitator Rose, Human Skills (Core) facilitator, Technical facilitator and the team.


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|
Quiz
1.0
A metal-quiz developed with C++17/Qt5
|
Go to the documentation of this file.
26 #pragma once // Include guard
53 inline static std::vector<Question>
LoadQuestions(std::string
const& path) {
55 std::ifstream file(path.c_str());
60 std::vector<Question> questions;
62 questions.reserve(jsonReader[
"qna"].size());
65 for (
auto& i : jsonReader[
"qna"])
A data container for the json objects found in the json list.
Definition: Question.hpp:41
std::string answer
Contains the answer.
Definition: Question.hpp:44
std::string question
Contains the question.
Definition: Question.hpp:42
reference emplace_back(Args &&... args)
add an object to an array
Definition: json.hpp:19596
std::vector< std::string > options
Contains the options.
Definition: Question.hpp:43
static std::vector< Question > LoadQuestions(std::string const &path)
Loads all the questions found in the json file.
Definition: Question.hpp:53
a class to store JSON values
Definition: json.hpp:2421


Healthy Relationships
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HEARTS IN ATLANTIS
Reviewed by Harvey Karten Warner Bros./Village Roadshow Director: Scott Hicks Writer: Stephen King (novel), William Goldman Cast: Anthony Hopkins, Anton Yelchin, Hope Davis, David Morse, Mike Boorem Screened at: AMC in NYC 9/24/01
We tend to repress the bad things that have happened to us in our youth. When we call up our memories, we recollect so much that was heavenly, so much to indicate that life is a miracle, that we think we are in a magic kingdom--like Atlantis. This is, more or less, what Ted Brautigan (Anthony Hopkins) tells us as he sadly adds that life's being what it is, our hearts would soon break in two. Mr. Hopkins plays his role so convincingly that while we never see him as he was fifty years ago, he comes across in part as a loving person but mostly as a man who has seen all too much of life (in fact his eyes are failing him now): his demeanor is somber throughout. "Hearts in Atlantis" is a coming- of-age tale focusing on humankind's eleventh summer when we have not yet lost our curiosity and fertile imaginations and have perhaps experienced our first kiss.
In adapting Scott Hicks's movie to the screen, William Goldman ("Boy and Girls Together") exorcises some of novelist Stephen King's supernatural themes to concentrate on the human drama-- which constitutes, after all, the best particular about the Maine resident's writing. "Hearts" opens on a melancholy Robert Garfield (David Morse), who has just learned that his best friend from way back, Sully (Will Rothhaar) has died and, even worse, the adorable girl friend of his youth with whom he had shared a first kiss, Carol Gerber (Mika Boorem), has passed away as well. While the adult Garfield frames the story, the bulk of the film deals with Bobby Garfield (Anton Yelchin) as an eleven-year-old kid, an enthusiastic, intelligent and happy boy whose life appears impoverished only because his mother, Elizabeth (Hope Davis) cannot afford to get him the Schwinn bicycle he admires since his dad had died the year before leaving only a pile of bills.
"Hearts in Atlantis" appears to ask us whether an adult we had come across in our pre-teen days, whether a teacher, a neighbor, or even a sports personality that we know from afar, has affected us so much that our lives have been permanently changed for the better. Ted Brautigan is such a person for Bobby, a strange person with psychic powers who becomes a border in the dilapidated Connecticut home of the Garfields, who pays the boy a dollar a week to read the newspapers to him and therefore arouses the suspicions of Bobby's not-too-trusting mother. Scott Hicks, whose masterful achievement "Shine" deals as well with a prodigy who is being smothered by an overbearing parent but who finds his first love, directs this work with a sure hand, allowing the brilliant Anthony Hopkins to find the sadness in Ted's character while gaining some delight as a mentor to an impressionable young man. Anton Yelchin as the eleven-year-old appears not at all intimidated playing next to this legendary performer, evoking both the bliss of a kid who discovers love for the first time (and ultimately that Schwinn bike as well) but has his heart broken in the midst of his existence in his metaphorical Atlantis. The production is a lovely one, quietly moving, respectful enough of its audience to deal discretely with a scene of violence involving Elizabeth while stressing inner conflict over external strife. The period is evoked subtly: "The Lone Ranger" plays on TV, the Platters dominate the phonograph. Photographer Piotr Sobocinski elicits the feel of the golden age of both young Bobby and the aging Ted with sepia tones. A formulaic Hollywood ending is avoided in favor of a more realistic and sober assessment of the lives of people who learn to confront their fears, appreciate the moment, and perceive life as both a series of routine exercises and the shock of striking moments.
Rated PG-13. Running time: 101 minutes. (C) 2001 by Harvey Karten<EMAIL_ADDRESS>========== X-RAMR-ID: 29573 X-Language: en X-RT-ReviewID: 250926 X-RT-TitleID: 1110107 X-RT-SourceID: 570 X-RT-AuthorID: 1123
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


Eureka Osteo sets active example on the move | Run For A Cause 2019
by Melanie WhelanTIME has come for Eureka Osteo's team to show they do not just talk the talk but they "run the run", as they say.
Stepping out in Sunday's Run For A Cause is proving both a team bonding exercise and a chance to set an active example for their clients and community in healthy living.
The Ballarat Foundation's Run For A Cause is this year introducing the corporate and schools teams challenges in a bid to rally a bid more pride on the line.
Eureka Osteo remedial massage therapist and marathon runner Chris Hiscock seized this as a chance to mean business in promoting community exercise and helping people get moving more.
"It really is about setting a good example for people coming here," Mr Hiscock said. "We've got a few runners but we all do our own separate sporting things and exercise with different groups. This is a good focus for us together.
"...We are also experiencing what it feels like and means to walk or run in this event."
Run For A Cause's focus this year on support for early childhood development is also personal to Mr Hiscock, who has previously worked with disadvantaged youngsters.
 We need to be making sure no child is at a disadvantage," Mr Hiscock said. "Early years are absolutely critical to invest in."
One in five children starts school developmentally behind their peers, Australian Early Development Census research shows.
Participating in Run For A Cause will support The Ballarat Foundation's seven charity partners working on the frontlines of early childhood development: Ballarat Reads, Ballarat Community Health's paediatric programs, Eureka Mums, Eureka Community Kindergarten Association, Uniting Ballarat, Ballarat Toy Library and Playgroup Victoria's Sebastopol Hub.
Fifty per cent of Run entry fees is shared evenly between The Ballarat Foundation's program Ballarat Reads and a charity partner of choice.
Details to help you run this city
WHEN: Sunday, November 17.
WHERE: Community Village and start/finish precinct in Victoria Park. Courses path takes in Victoria Park and Lake Wendouree.
WEATHER FORECAST: Maximum 16C, partly cloudy and a slight chance of rain (20 per cent).
EVENTS: RUN - 8am start, Half-marathon (21.1 kilometres); 8.15am, 10km; 9am, 5km; 10.15am, 1km (children's dash). WALK - 9am, 5km family event, pets included.
CAUSE: Early childhood development programs: Ballarat Reads, Ballarat Community Health's paediatric programs, Eureka Mums, Eureka Community Kindergarten Association, Uniting Ballarat, Ballarat Toy Library and Playgroup Victoria's Sebastopol Hub.


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{% extends 'expt_layout.html' %} {% block expt_title %}Constructors And Destructors{% endblock expt_title %} {% block toc %}
{% endblock toc %} {% block Theory %}Introduction
Constructors are the special methods that are called or invoked automatically when the object of the class is created.
Key Points:
Name of the constructor should be same as name of the class
Constructors are always Public .
Constructors does not have any return type.
Types Of Constructors
1. Default Constructors :
Basically Default constructors does not have any parameters
Let see this with an Example.
Example
1. Here we are declared one class named as Student.
2. In that class we created a default constructor, same name as class i.e Student()
3. In Main function first we created the object s1 of class Student and as soon as we create the object constructor
will be called and
we will get a respected output.
Implementation
C++ implementation
#include <iostream>
using namespace std;
class Student
{
public:
Student()
{
cout << "Welcome to Virtual Lab";
}
};
int main()
{
Student s1;
return 0;
}
2. Parameterized Constructors :
In Parameterized constructor arguments can be passed to the constructor.
Let see the example of Parameterized Constructor.
Example
1. Here we are declared one class named as Student and here we are taken two variables a and b which are
public.
2. In that class we created one parameterized constructor, same name as class i.e Student(). and it will take to
arguments which are int type.
3. In main function we created object of class Student and pass two integers to it as its a parameterized
constructors.and below we simply printed the values.
Implementation
C++ implementation
#include <iostream>
using namespace std;
class Student
{
public:
int a,b;
Student(int x,int y)
{
a=x;
b=y;
}
};
int main()
{
Student s1(5,10);
cout<<s1.a<<" "<<s1.b<<endl;
return 0;
}
3. Copy Constructors:
Copy constructor is also a member function of class basically it initialize the
object of class with the help of another object of same class.
Let see the example of Copy Constructor.
Example
1. Here we are declared one class named as Student. and declared one variable named as Marks.
2. In that class we created a parameterized constructor, same name as class i.e Student(). and it will take one
parameter of type integer.
3. Below that we create one copy constructor .
4. In main function we created one object s1 of class Student and passed 100 value as paremeter after that we called
the copy constructor and pass old object
i.e s1 to that copy constructor.
Implementation
C++ implementation
#include <iostream>
using namespace std;
class Student // class students
{
public:
int marks;
Student(int m1) // Parameterized Constructor
{
marks = m1;
}
Student(Student &m2) // Copy Constructor
{
marks = m2.marks;
}
};
int main()
{
Student s1(100); // Calling Parameterized Constructor
Student s2(s1); // Calling Copy Constructor
cout << s1.marks << endl;
cout << s2.marks << endl;
return 0;
}
4. Destructors
Destructor is also a member function which destructs the objects of the class.
Syntax of Destructor: ~Constructor Name()
Key Points:
1. Destructors have same name as class but we have to place tild sign ~ before it.Example
1. Here we are declared one class named as Student . and declared one variable named as marks .
2.In that class we created a Parameterized constructor, same name as class i.e Student() .
3.Below that we create a one Destructor.
4.In main function we created one object s1 of class Student as soon as we created the object, constructor is
automatically invoked
and after that below Destructor will be invoked.
5. We kept printing the statements in constructor and destructor to understand the execution of given constructors
and destructors.
Implementation
C++ implementation
#include <iostream>
using namespace std;
class Student // class students
{
public:
int marks;
Student() // Constructor Created
{
cout<<"Constructor Called Here"<<endl;
}
~Student() // Destructor Created
{
cout<<"Destructor Called Here"<<endl;
}
};
int main()
{
Student s1; // creating object
return 0;
}
Input
Output
Program


Number of players: 6-10
Age group: 10+
Description: You find yourself in a village with some killers. There is only one task among us.
Average play time: 30 min


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Pompeii's grand baths unveiled, with hidden tragedy
by Pulse News Agency International by AFPMagnificent thermal baths designed to be the jewel of Pompeii but destroyed by a volcanic eruption before they could be completed opened to visitors for the first time on Monday after a painstaking excavation.
Marble pillars and blocks lie where they were abandoned when the city was submerged by a pyroclastic flow from Mount Vesuvius in the 79 AD disaster.
But excavators also found a victim of the disaster, the skeleton of a child who had sought shelter there in vain.
The architects "were inspired by Emperor Nero's thermal baths in Rome. The rooms here were to be bigger and lighter, with marble pools," the archaeological site's director Massimo Osanna told AFP.
The Central Baths lie in an area restored under the Great Pompeii Project, launched in 2012 to save the historical site after the collapse of the 2000-year-old "House of the Gladiators", which sparked outrage worldwide.
"It was an emotionally charged dig," said Alberta Martellone, 43, the archaeologist who led a team of an anthropologist, geologist and vulcanologist in studying the skeleton of the child, who died aged between eight and 10.
"He or she was looking for shelter, and found death instead", she said.
'Life interrupted'
The excavation "was also moving from an architectural point of view, because it is unusual to find a building so large, with such ample rooms, in this densely built up city. It transmits a sense of grandiosity," she said.
The construction site with its small skeleton "is a sign of life interrupted, on more than one level," she said.
The city's original public bathhouses were smaller, darker and often overcrowded; the new complex would have provided a more luxurious setting for all those who could afford it -- most citizens, but not slaves.
Recent digs at Pompeii have offered up several impressive finds, including an inscription uncovered last year that proves the city near Naples was destroyed after October 17, 79 AD, and not on August 24 as thought.
Archeologists in October discovered a vivid fresco depicting an armour-clad gladiator standing victorious as his wounded opponent gushing blood, painted in a tavern believed to have housed the fighters as well as prostitutes.
Along with the baths, visitors could from Monday visit a small domus sporting a racy fresco depicting the Roman god Jupiter, disguised as a swan, impregnating the Greek mythological figure of Queen Leda.
Across the cobbled Via del Vesuvio, the striking House of the Golden Cupids reopened after work on its mosaic floors.
'Biggest challenge'
While treasure hunters regularly pillaged Pompeii down the centuries looking for precious jewels or artifacts, whole areas have yet to be explored by modern-day archaeologists.
Each discovery helps historians understand not only what life was like in the ancient city, but also what happened in the dramatic final hours, as the skies turned to fire and ash, Osanna said.
The Grand Pompeii Project, which was part funded by the EU, winds up at the end of this year, but the Italian government has earmarked 32 million euros for the digs to continue.
Violent weather events caused by climate change "are our biggest challenge," said Osanna, whose new book "Pompeii -- Time Regained" describes the race to preserve the vulnerable UNESCO world heritage site.
"We have 50 people -- restorers, archaeologists, architects, engineers -- on site permanently, who carry out inspections and intervene where necessary, and that number will rise to 70 next year," he added.
The ruined city in southern Italy is the second most visited tourist site in the country, after the Colosseum in Rome, with just under four million visitors in 2019.
ide/boc/pld


--- title: Tags layout: default description: keep hungry keep foolish header-img: "img/tag-wr.jpg" header-img1: "img/QJ6782112308.jpg" header-img2: "img/1111.jpg" ---


{% comment "License" %} % Copyright (c) 2019 ISP RAS (http://www.ispras.ru) % Ivannikov Institute for System Programming of the Russian Academy of Sciences % % Licensed under the Apache License, Version 2.0 (the "License"); % you may not use this file except in compliance with the License. % You may obtain a copy of the License at % % http://www.apache.org/licenses/LICENSE-2.0 % % Unless required by applicable law or agreed to in writing, software % distributed under the License is distributed on an "AS IS" BASIS, % WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. % See the License for the specific language governing permissions and % limitations under the License. {% endcomment %} {% load i18n %} {% for lvl in tree.levels %} {% for block in lvl %}