View Selection Formulas
Application performance in Notes and Domino can greatly vary depending on the number of views and the view selection formulas you use. When inheriting databases applications for maintainance there is no real easy way to get an overview what view selection formulas have been used. So I did write myself a function that creates a document with such an overview table.See the function below. To test it I simply copy it into an agent and call it for the current database.
Of course you could think of running it against multiple databases or altering the html with some Ajax stuff to make it sortable. Here is my test agent:
This LotusScript was converted to HTML using the ls2html routine,
provided by Julian Robichaux at nsftools.com.
Update: Sorry folks, got the wrong code in the core functionsm fixed now. Enjoy!and here the core function:
This LotusScript was converted to HTML using the ls2html routine,
provided by Julian Robichaux at nsftools.com.
Of course you could think of running it against multiple databases or altering the html with some Ajax stuff to make it sortable. Here is my test agent:
Option Public Option Declare Sub Initialize Dim s As New NotesSession Dim db As NotesDatabase Dim doc As NotesDocument Set db = s .CurrentDatabase Set doc = db .CreateDocument Call ReportViewSelectionFormulas (db , doc ) Call doc .send ( False ,s .UserName ) End Sub
provided by Julian Robichaux at nsftools.com.
Sub ReportViewSelectionFormulas (db As NotesDatabase , doc As NotesDocument ) Dim s As New NotesSession Dim v As NotesView Dim out As NotesStream Dim mime As NotesMimeEntity Dim header As NotesMimeHeader Dim body As NotesMimeEntity Dim oddRow As Boolean s .ConvertMIME = False ' Do not convert MIME to rich text Call doc .ReplaceItemValue ( "Form" , "Memo" ) Set mime = doc .CreateMIMEEntity Set header = mime .CreateHeader ( "Subject" ) Set body = mime .CreateChildEntity Call header .SetHeaderVal ( "View selection formula report for " +db .Title ) Set header = mime .CreateHeader ( "SendTo" ) Call header .SetHeaderVal (s .UserName ) Set out = s .CreateStream oddRow = True out .WriteText ( || ) out .WriteText ( |
| ) out .WriteText (db .Title ) out .WriteText ( |
| ) out .WriteText ( |

View	Alias	Selection Formula
| ) Forall curView In db .Views Set v = curView If oddRow Then out .WriteText ( |
| ) oddRow = False Else out .WriteText ( |
| ) oddRow = True End If out .WriteText (v . Name ) out .WriteText ( |	| ) 'The view alias If Isempty (v .Aliases ) Then out .Writetext ( |./.| ) Else Forall curAlias In v .Aliases out .WriteText (curAlias ) out .WriteText ( " " ) End Forall End If out .WriteText ( |	| ) out .WriteText (v .SelectionFormula ) out .WriteText ( |
| ) End Forall out .Position = 0 out .WriteText ( "
" ) Call body .SetContentFromText (out , "text/html; charset=UTF-8" , ENC_IDENTITY_7BIT ) s .ConvertMIME = True ' Restore conversion End Sub
provided by Julian Robichaux at nsftools.com.
Posted by Stephan H Wissel on 04 April 2008 | Comments (5) | categories: Show-N-Tell Thursday


In this round, puzzles are presented as locations on a computer terminal of sorts, and the meta itself shows the “keyboard” of this terminal, which is a standard QWERTY keyboard layout, but with the letters all presented in seven-segment displays.
There are several hints at how to proceed here. The presentation of the keys is a little odd, and solvers may notice that some of the symbols are flips of each other (or themselves). Also, the distribution of letters in the answers is a little odd, and coincides with the letters on the keyboard that can be flipped. Additionally, the flavor text and storyline up until this point discusses going from “MIT” to “⊥IW”, which clues the idea of rotating by 180 degrees.
Each answer in this round, when flipped using the custom font, becomes another common word with a single extra letter. The answers are ordered by their puzzle’s position on the interface after everything has been rotated (as if turning the entire interface upside down).
| Puzzle | Answer | Rotated | Word | Extra |
|---|---|---|---|---|
| Back School To | PLAYSETS | SLASHETD | SLASHED | T |
| MIT Confessions | TIMER | JAWIL | JAIL | W |
| Common Knowledge | HOUND | PUNOY | PUNY | O |
| Don't Let Me Down | SPOILED | PATIODS | PATIOS | D |
| Unmasked | EIDOLON | UOTOPIA | UTOPIA | O |
| ✏✉➡3⃣5⃣1⃣➖6⃣6⃣6⃣➖6⃣6⃣5⃣5⃣ | EMOJI | IROWA | IOWA | R |
| Yes or No? | DUETS | SLANP | SLAP | N |
| For Better or For Worse | BOOTS | SLOOB | SLOB | O |
| Hockfield Court | SALTED | PALTES | PALES | T |
| Better Bridges | SASSILY | HTISSES | HISSES | T |
| Just Index | MERINO | OUIJAW | OUIJA | W |
| Hey, Can You Give Me a Hand With This Puzzle? | BOND | PUOB | PUB | O |
| Not Again! | LOOPY | HDOOT | HOOT | D |
Reading the extra letters in order gives the answer to this puzzle, and the question to be settled before entering the virtual world: TWO-D OR NOT TWO-D?


Hi, steemit friends!💙
Now, I’m taking part in Drawing Challenge Contest held by @helene. This time, the theme is to draw a picture of our own hands ( either left or right hand can be accepted). It sounds easy but if you want to draw it well, you need to work hard, especially for me, a beginner in painting. Let’s take a look!
我正在参加由 @helene姐举办的第五期绘画挑战赛。这次的主题是画自己的双手，当然也可以画左手或右手。听起来感觉挺容易的，但如果想要画得很好，就得下大功夫了。尤其是对我，一个绘画初学者更是难上加难了。在这里只有献丑了。一起来看看我的作品吧！
Basic materials 基本材料
A book, colored pencils and a sketch book
一本绘画书，彩铅笔和速写本
The Process 过程图
Step 1
This time I follow the steps as the book says, starting from the large area of the palm of my hand, which is roughly a square composed of an arc. And then add a wrist, the root of the thumb and the small oval used to connect fingers.
这次我按照绘画书上的步骤来进行的，先从手掌的大面积开始画，大致是一个弧线构成的方块。然后加上了手腕、大拇指指根以及连接指头的小椭圆形。
Step 2
Try to make the general outline bold.
把大体的轮廓加粗勾勒。
Step 3
When modifying the hand of the skeleton, you can draw some rugae on the joints, as well as the addition of nails.
在替手的骨架「加料」时，可以在指节处画上皱褶，还有加指甲。
Step 4
Add some rugae to the back of the hand, but it seems an old man’s hand, lol…
完善手背的褶皱，似乎看起来更像是老人的手呢，♪(^∇^*)
Finished!完成啦！
Before & After 看看对比图吧！
Although the painting is not so good, but I enjoyed the process. Painting is not a burden for me. Instead, it is a way to relax. Drawing a picture every week makes me slow down to observe the surroundings. The life is what I’m expecting.
尽管画得不好，但享受了过程。画画于我而言并不是什么负担，更多的是一种放松的方式。 每周画一幅画让自己的心静下来，慢下来观察周围，这样的生活亦是我所期待的。
最后，公布上次有奖竞猜结果。
这个小瓶子的答案是指甲油，你有猜对吗？恭喜前三位朋友 @tanko, @nanosesame, @acactus1013，奖励已发放，请注意查收喔！
This page is synchronized from the post: ‘Drawing Challenge #5： My Right Hand &（Winners for the Quiz）/绘画挑战赛 #5：我的右手 & 有奖竞猜获奖SBD公布’


I started my first job when i was seventeen this was at a butcher shop in Clonakilty. I worked here for ten years.I learned a lot working here.Being employed in the food industry helped me understand about food processing and what it takes to make food.I also learned a lot about business and administration which will help into the future.Dealing with customer's issues with was a important part of my role within business.My responsibilities and roles within the shop included.
| Responsibilities | Roles |
|---|---|
| Cleaning | Customer Service |
| Boning and Packing Meat | Product Development |
| Maintaining Paperwork | Quality Control |
| Maintaining Machinery | Stock Control |
Prepare alcohol or non-alcohol beverages for bar and restaurant patrons Interact with customers, take orders and serve snacks and drinks Assess customers’ needs and preferences and make recommendations Mix ingredients to prepare cocktails Plan and present bar menu Check customers’ identification and confirm it meets legal drinking age Restock and replenish bar inventory and supplies Stay guest focused and nurture an excellent guest experience
| Responsibilities | Roles |
|---|---|
| Cleaning Bar | Customer Service |
| Stock the Bar | Make cocktails |
| Serve food and drink | Ordering Stock |
| Lock up and secure the bar | Cooking Bar food |
Prepare alcohol or non-alcohol beverages for bar and restaurant patrons Interact with customers, take orders and serve snacks and drinks Assess customers’ needs and preferences and make recommendations Mix ingredients to prepare cocktails Plan and present bar menu Check customers’ identification and confirm it meets legal drinking age Restock and replenish bar inventory and supplies Stay guest focused and nurture an excellent guest experience
| Responsibilities | Roles |
|---|---|
| Cleaning Bar | Customer Service |
| Stock the Bar | Make cocktails |
| Serve food and drink | Ordering Stock |
| Lock up and secure the bar | Cooking Bar food |
Prepare alcohol or non-alcohol beverages for bar and restaurant patrons Interact with customers, take orders and serve snacks and drinks Assess customers’ needs and preferences and make recommendations Mix ingredients to prepare cocktails Plan and present bar menu Check customers’ identification and confirm it meets legal drinking age Restock and replenish bar inventory and supplies Stay guest focused and nurture an excellent guest experience
| Responsibilities | Roles |
|---|---|
| Cleaning Bar | Customer Service |
| Stock the Bar | Make cocktails |
| Serve food and drink | Ordering Stock |
| Lock up and secure the bar | Cooking Bar food |


| Fig 1 |
Locations of Proechimys cuvieri and Proechimys guyannensis. ... |
| Fig 2 |
Molecular dating chronogram using cytochrome b with a HKY + ... |
| Fig 3 |
Map (top) showing the locations of the P. guyannensis, with ... |
| Fig 4 |
Map (top) showing the locations of P. cuvieri, with circle c ... |
| Fig 5 |
Bayesian Skyline Plots showing the demographic evolution for ... |


| | |
- builtins.object
-
- DynamicArray
- Playlist
class Playlist(builtins.object) |
| |
Represents playlist, contains song |
| |
Methods defined here:
- __init__(self)
- Creates an empty playlist.
- __str__(self)
- Represents playlist in string
- append(self, track)
- Appends song to playlist
:param track: dict
:return: None
- top_n(self, n)
- Returns list with n more popular user's artists
:param n: int
:return: artists: list
| |


Crystal Nova
A burst of damaging frost slows enemy movement and attack rate in the targeted area.
| Mana Cost: | 100/120/140/160 |
| Cooldown: | 15 |
| ABILITY: | Point Target |
| DAMAGE TYPE: | Magical |
| PIERCES SPELL IMMUNITY: | No |
| DAMAGE: | 100 / 150 / 200 / 250 |
| RADIUS: | 400 |
| MOVEMENT SLOW: | 20% / 30% / 40% / 50% |
| ATTACK SLOW: | 20 / 30 / 40 / 50 |
| DURATION: | 4.5 |
The air temperature around Rylai drops rapidly, chilling all around her to the core.
Frostbite
Encases an enemy unit in ice, prohibiting movement and attack, while dealing 50 damage every half-second. Lasts 10 seconds on creeps level 6 or lower.
| Mana Cost: | 115/125/140/150 |
| Cooldown: | 9/8/7/6 |
| ABILITY: | Unit Target |
| AFFECTS: | Enemy Units |
| DAMAGE TYPE: | Magical |
| PIERCES SPELL IMMUNITY: | No |
| DAMAGE PER HALF-SECOND: | 50 |
| HERO DURATION: | 1.5 / 2 / 2.5 / 3 |
| HERO TOTAL DAMAGE: | 150 / 200 / 250 / 300 |
| CREEP DURATION: | 10 / 10 / 10 / 10 |
| CREEP TOTAL DAMAGE: | 1000 |
Rylai channels winds from the Blueheart Glacier, imprisoning attackers in thick blocks of ice.
Arcane Aura
Gives additional mana regeneration to all friendly units on the map. This bonus is doubled on Crystal Maiden.
| ABILITY: | Passive |
| AFFECTS: | Allies |
| MANA REGEN BONUS: | 1 / 1.5 / 2 / 2.5 |
Cold temperatures promote the essence of magic, causing Rylai's presence to allow spell usage in abundance.
Freezing Field
CHANNELED - Surrounds Crystal Maiden with random icy explosions that slow enemies and deal massive damage. Lasts 10 seconds. Upgradable by Aghanim's Scepter.
| Mana Cost: | 200/400/600 |
| Cooldown: | 90 |
| ABILITY: | No Target, Channeled |
| DAMAGE TYPE: | Magical |
| PIERCES SPELL IMMUNITY: | No |
| RADIUS: | 835 |
| EXPLOSION RADIUS: | 300 |
| MOVEMENT SLOW: | 30% |
| ATTACK SLOW: | 30 |
| DAMAGE: | 105 / 170 / 250 |
| SCEPTER DAMAGE: | 170 / 250 / 310 |
| SCEPTER MOVEMENT SLOW: | 50% |
| SCEPTER ATTACK SLOW: | 50 |
Once the place of her exile, Icewrack has become an anchor for Rylai's frigid onslaught.


Finds sidebar node with id and extends it with node object.
set([parent], id, node)
| parent |
string, id of the parent node (optional) |
| id |
string, id of the sidebar node |
| node |
object, new sidebar node object |
Returns boolean.
Description
The id argument is the id of the sidebar node used during its creation.
Nodes can be nested. Each node has .nodes array that holds its children.
The sidebar node object is not replaced with node, but extended by it. If you call this
method during run-time, you will need to call .refresh() method.
If node was successfully extended the method will return true, otherwise false.
You can optionally specify parent, which is an id of the parent node. If parent is specified
then it will limit the search scope to that parent and its subnodes.
If you defined the object in the following way:
You can get sidebar node:


FILM TITLE: KIKA DIRECTOR: PEDRO ALMODOVAR COUNTRY: SPAIN 1993 CINEMATOGRAPHY: ALFREDO MAYO CAST: Veronica Forque (Kika), Pedro Coyote (Nicholas), Victoria Abril (Andrea), Alex Casanova (Ramon), Rossy de Palma, Annabel Alonso, Bibi Andersen, Santiago Lajusticia, Jesus Bonilla, Karra Elejalde SUPER FEATURES: The cinematography, and the directing.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
If there is anything that is worth while checking out in Pedro Almodovar's films, it is the superb cinematography. Like his previous films, this one is a treat to watch, not only in the color schemes that are quite outrageous, but also for the really well thought out set designs.
The story, that is something else. Despite its (rather) oddball storyline, this film is fun to watch, because it is really hard to figure out what is happening at any time, and what is this whole mess leading up to. And like many of Almodovar's films, this film could be about many things, from a surrealistic attack on the way that some television people can manipulate situations to get the results they want, to a story of odd characters who are usually scheming to get their way with the women.
Either way, the film is entertaining, although the famous situation considering Kika's rape is actually boring, and taken to a bit of total surrealistic exasperation.
But what is the film really about. The late Spanish master, Luis Bunuel, would say that the film is always about the people, and what they do in various situations when they happen. If this is the case, the characters in this film are quite unusual, and fun to keep track of. The television reporter, will stoop to anything to get A-1 material for her stories trying hard to get the premium ratings that she wants. At the same time, the person she is trying to frame and set up, also happens to be the wrong one to keep an eye on, as he is shifty, and is able to keep things going his way, all the way to the end.
But in between, is a series of situations that are off the wall, and some characters just seem to pop out of nowhere to surprise the viewer, and also to jolt the thinking. Who really is the maid.? And what is the son actually doing.? And who is really setting up these things.?
Although, I do not find this film as much fun to watch, as say for example, HI HEELS, still there is quite a bit of Almodovar here to keep us going. The film is extremely color rich, and well lit, almost to the point of too much, and the contrasts that are offered for the eyes, are quite a memorable viewing. But the rest of the film may just really be a bit of a bore. We are never really let into the characters to enjoy their idiosyncratic ways. It almost comes off as a cartoon. But it is a Spanish cartoon, and the attitudes are different, and sometimes, fun to watch.
Slow to develop, and at times just plain, compared to other Almodovar films, KIKA, still stands as a fun film to watch, despite its occasional bad taste, here and there.
3.5 GIBLOONS Pedro Sena Member of the Internet Movie Critics Association
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


This package provides functions for smart sampling and sensitivity analysis for metrology applications, including computationally expensive problems.
| Version: | 1.2 |
| Depends: | R (≥ 2.7.0), DiceDesign, lhs, metRology, msm, sensitivity |
| Published: | 2014-04-17 |
| Author: | S.Demeyer, A.Allard |
| Maintainer: | Alexandre Allard <alexandre.allard at lne.fr> |
| License: | GPL-3 |
| NeedsCompilation: | no |
| In views: | ChemPhys |
| CRAN checks: | ATmet results |
| Reference manual: | ATmet.pdf |
| Package source: | ATmet_1.2.tar.gz |
| Windows binaries: | r-devel: ATmet_1.2.zip, r-release: ATmet_1.2.zip, r-oldrel: ATmet_1.2.zip |
| OS X binaries: | r-release: ATmet_1.2.tgz, r-oldrel: ATmet_1.2.tgz |
Please use the canonical form https://CRAN.R-project.org/package=ATmet to link to this page.


Conte anxious over 'warrior' Barella after Inter extend impressive start
by BeSoccerNicolo Barella's first-half injury against Torino was central to Antonio Conte's post-match thoughts despite Inter's emphatic victory.
Inter boss Antonio Conte was praying for good news on the fitness of Nicolo Barella after the midfielder's knee injury was the lone negative in an impressive 3-0 Serie A win at Torino.
Barella, who scored the dramatic winner against Hellas Verona prior to the international break, had to be withdrawn on the stroke of half-time on Saturday and visibly indicated his pain to medical staff.
Inter confirmed the 22-year-old had suffered "a right knee sprain which will be assessed in the coming days" and Conte is hoping the setback will not be serious.
He is already without a host of players including Stefano Sensi, Roberto Gagliardini, Matteo Politano, Alexis Sanchez and Kwadwo Asamoah.
Former Chelsea and Italy boss Conte voiced concerns over the size of his squad after the Champions League loss to Borussia Dortmund earlier this month and does not want another absentee.
"I really hope Barella doesn’t have anything particularly serious," Conte said to DAZN after goals from Lautaro Martinez, Stefan de Vrij and Romelu Lukaku saw off Torino and brought Inter back to within a point of leaders Juventus.
"Barella has grown exponentially over the last four months. He is a very important player for us and we can only hope the test results are not too bad. He's a warrior and I hope he's back on the pitch soon.
Featured links
- Mourinho replaces Pochettino at Tottenham
- The latest football transfers news and rumours
- Wales, golf, Madrid... in that order
- Luis Enrique returns to Spain national team
"The emergency situation unfortunately continues but we can only thank our players for all their efforts, and we will continue to give more than our best.
"The players are really sacrificing themselves and can see the fruits of their labour. They have spent hours on the pitch and in the video room."

Rather than revisiting that topic, it was Inter's clean sheet that he discussed after the convincing victory.
"I'm especially happy for the players who are getting big results, but the thing that makes me happiest is not conceding," Conte added.
"It was a good defensive performance and that is very important because we know that if we can be tight at the back then we are in good shape as we will score sooner or later."
The 11 wins from 13 league matches to start a campaign equals Inter's best sequence, previously achieved in 1950-51, while they have also recorded victories in their first seven away top-flight games for the first time.


|
BitShares-Core
6.1.0
BitShares blockchain implementation and command-line interface software
|
This namespace contains some utilities that provide runtime operations on typelists. More...
Classes | |
| struct | wrapper |
| Type wrapper object allowing arbitrary types to be passed to functions as information rather than data. More... | |
Functions | |
| template<typename... Types, typename Callable , typename = std::enable_if_t<impl::length<Types...>::value != 0>, typename Return = decltype(std::declval<Callable>()(wrapper<at<list<Types...>, 0>>()))> | |
| Return | dispatch (list< Types... >, std::size_t index, Callable c) |
| Index into the typelist for a type T, and invoke the callable with an argument wrapper<T>() More... | |
| template<typename List , typename Callable > | |
| auto | dispatch (List l, int64_t index, Callable c) |
| template<typename... Types, typename Callable > | |
| void | for_each (list< Types... >, Callable c) |
| Invoke the provided callable with an argument wrapper<Type>() for each type in the list. More... | |
This namespace contains some utilities that provide runtime operations on typelists.
| Return fc::typelist::runtime::dispatch | ( | list< Types... > | , |
| std::size_t | index, | ||
| Callable | c | ||
| ) |
Index into the typelist for a type T, and invoke the callable with an argument wrapper<T>()
| index | Index of the type in the typelist to invoke the callable with |
| c | The callable to invoke |
If index is out of bounds, throws std::out_of_range exception
Definition at line 243 of file typelist.hpp.
| auto fc::typelist::runtime::dispatch | ( | List | l, |
| int64_t | index, | ||
| Callable | c | ||
| ) |
Definition at line 250 of file typelist.hpp.
| void fc::typelist::runtime::for_each | ( | list< Types... > | , |
| Callable | c | ||
| ) |
Invoke the provided callable with an argument wrapper<Type>() for each type in the list.
Definition at line 257 of file typelist.hpp.


3
1 Finally, Job spoke, and he cursed the day that he was born.
2 He said,
3 "I wish that the day when I was born could be eradicated,
the night when I was born.
4 I wish that the day when I was born could have been dark.
I wish that God who is in heaven would forget about that day,
and that the sun would not have shone on it.
5 I wish that thick darkness would have filled that day,
and that a black cloud would have come over it
and blotted out all light,
and caused the people then to be terrified.
6 I wish that the night when I was born would be erased from the calendar,
that it would never again appear as one night in any month,
and that it would not be included in any calendar.
7 I wish that no child would again be born on that date,
and that no one would again be happy then.
8 The people who are able to awaken the great sea monster—I want them to curse the day I was born.
9 I wish that the stars that shone early in the morning on that day after I was born may not shine again.
If only those stars had wished in vain for light to shi ne;
and that they had not shone on that day.
10 That was an evil day because my mother's womb was not closed;
instead, I was born, and I have now experienced all these terrible things.
11 I wish that I had died when I was born;
I wish I had perished when I came out from my mother's womb.
12 I wish that my mother had never welcomed me.
I wish that she had not nursed me at her breasts.
13 If I had died at the time when I was born,
I would now be asleep, resting peacefully.
14 I would be resting with kings who built beautiful tombs which are now in ruins,
and I would be resting with their officials who have also died.
15 I would be resting with princes who were wealthy,
whose palaces were filled with gold and silver.
16 I wish that I had been buried like a child who had died in its mother's womb
and never lived to see the light.
17 After wicked people die, they do not cause any more troubles;
those who are very tired now will rest.
18 Those who were in prison rest peacefully after they die;
they no longer have slave drivers who curse them.
19 Rich people and poor people are alike after they die,
and those who were slaves no longer have to obey their masters.
20 Why does God allow those who are suffering greatly like me to continue to remain alive?
Why does he allow them to live, those who are very miserable?
21 They long to die, but they do not die.
They desire to die more than people desire to find hidden treasure.
22 When they finally die and are buried, they are very happy.
23 I do not understand why God keeps alive anyone whom he keeps from being happy,
anyone whom he forces to live in misery.
24 I cry very much; as a result, I cannot eat;
I groan as easily as a river flows with water.
25 Things that I always worried might happen to me—these things have happened to me;
things that I always dreaded have come upon me.
26 Now I have no peace in my heart;
I have no quietness;
I cannot rest;
instead, I have only troubles."


|
| Contents | |
| About This Patch |
If you've been authoring using a version of Music Object before 3.2.0 and would now like to upgrade to the latest version, there may be some features of the older version of Music Object that you were using that are no longer supported in the recent version. Several changes to the API were made between version 3.1.0 and version 3.2.0. You should consult the Music Object Version History to find out more about the changes in version 3.2.0 and how they may affect your code.
If you find that your code will, indeed, be affected by the changes in the API, then you have two options...
Of course, if none of the changes between versions 3.1.x and 3.2.0 affect your code, then you can make the switch to 3.2.0 without worries.
Among the things that this patch does,...
| Getting This Patch |
To get the "music-object-p-pre320.js" JavaScript file that implements this patch, simply right-click on this link (click-and-hold for Mac users). Then, from the menu that pops up, select the 'Save Link As...' or 'Save Target As...' option and save the file as "music-object-p-pre320.js" into an appropriate folder of the local copy of your Web site.
In case you have problems saving the file using the above link, the "music-object-p-pre320.js" file can also be found inside the documentation's "javascript" folder, along with the "music-object.js" file.
| Dependencies |
In order to use this patch, the following JavaScript files must first be sourced in...
For more information on using patches, consult the section About Music Object Patches.


Music Store
Products
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Electric Guitars
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Microphones
Drums
Piano
Sign in ►


And I will pour out my Spirit on your descendants
and greatly bless them.
4 They will grow up like grass grows along the water,
like willow trees grow well along a riverbank.
5 Some of them will say, 'I belong to Yahweh,'
and others will say, 'We are descendants of Jacob,'
and others will write on their hands, 'We belong to Yahweh,'
and others will say, 'We are Israelites, and we belong to Yahweh.'"
6 Yahweh, the King of Israel, the one who saves us, Commander of the angel armies, says this:
"I am the one who begins everything and who ends everything;
there is no other God.
7 If there is anyone like me,
he should proclaim it!
He should speak and tell me now!
He should tell what has happened since I caused my people of Israel to become a nation long ago;
he should also explain why events in the past happened the way they did,
and he should predict what will happen in the future.
8 My people, do not be afraid.
Long ago I told you things that would happen;
you know that I predicted them, and you can testify that I did that.
There certainly is not any other God.
There is no other God who is able to protect you."
9 All those who make idols are foolish,
and the idols that they think highly of are worthless.
And the people who worship those idols—it is as though they were blind,
and they will be ashamed for having worshiped those idols.
10 Only foolish people would make idols in a mold,
idols that would never help them at all.
11 Those who make idols and those who worship them will be ashamed.
Those who make idols are only human beings,
but they claim that they are making gods!

They pound them with hammers and shape them.
Because they work very hard, they become hungry and weak;
they become very thirsty and feel exhausted.
13 Then a woodcarver takes a big block of wood and he measures it;
then he marks it to show where he will cut it.
He uses a chisel and other tools
to carve it to resemble a human.
He causes it to become a very beautiful idol,
and then he puts it in a special house, where he will bow down to it.
14 Before he carves an idol from that block of wood, he has already cut down a cedar tree,
or he has selected a cypress tree or an oak tree
and allowed it to grow tall in the forest.
Or he has planted a pine tree,
and the rain has watered it and caused it to grow tall.
15 After he uses part of the tree to make an idol,
he uses the other part to make a fire,
either to warm himself or to bake bread.
But he uses part of the same tree to make for himself an idol to worship!
He makes an idol, and then he bows down to worship it.
16 He burns part of the wood of that tree to cook his meat and eats it and becomes full,
and he burns part of it to warm himself,
and he says, "I feel warm while I am watching the flames in the fire."
17 Then he takes the rest of the wood
and makes an idol which is to be his god.
He bows down to it and honors it,
and prays to it and says,
"You are my god, so save me!"

It is as though they were blind and unable to see,
as though their minds were closed and unable to think well.
19 They do not think about what they are doing,
that they are taking a block of wood
and burning half of it to warm themselves
and using some of the rest to bake bread and roast some meat!

It does not make sense to bow down to a block of wood!"
20 They might as well be eating the ashes from a fire!
They trust in something that cannot save them;
they do not admit, "In my hand I hold something that is not really a god! "
21 Yahweh says, "You descendants of Jacob,
you people of Israel who should be serving me,
I created you,
and I will not forget you.
22 I have gotten rid of your sins
like the wind blows away a cloud.
It is as though your transgressions were a morning mist
that I have blown away.
Return to me
because I have rescued you."
23 The sun and moon and stars in the sky, should sing,
and even all the spirits of the dead should shout joyfully!
All the mountains and forests, and all you trees,
should sing loudly,
because Yahweh has rescued the descendants of Jacob,
and the people of Israel will praise him.
24 Yahweh, who saved you and created you, says this:
"I am Yahweh, the one who created everything.
I am the only one who stretched out the sky.

Some people who falsely think that they are wise say that they know much,
but I show that they are foolish.
26 But I always cause to happen what my prophets predict.
I tell them to say to the people of Jerusalem, 'Some day people will live here again.'
And I tell them to say to the people in other towns in Judah that I, Yahweh, says,
'Your towns will be rebuilt;
I will cause the places that are only ruins to be rebuilt.'
27 When I say to the rivers, 'Dry up!'
they will become dry.
28 When I say about King Cyrus, 'He will take care of my people like a shepherd takes care of his sheep,
he will do all that I want him to do,'
he will say about Jerusalem,
'We must rebuild it!'
and he will also say, 'We must rebuild the temple!'"


I am a computer science student who loves solving problems with code, namely using Java, C and Node.js. Whenever a task becomes especially tedious, I will often attempt to automate it. Some of the things I do that I couldn't automate include: improvising on the piano, playing badminton and going to the gym.
GPA: 85.0%
Although I like playing piano, badminton and video games (I know. Typical.), there is not a single interest/hobby that I tie myself down to.
I like composing music, watching documentaries, taking long-albeit occasional-walks, making Bootstrap websites, and much more.
I love exploring new subjects and developing more skills. In fact, a lot of my relevant skills (at least I hope they're relevant) such as my proficiency in Photoshop and video editing, come from the many interests that I've garnered over these few years.


Harley Quinn & Poison Ivy Find a Dinosaur Theme Park Occupied By Villains
by L.D. NolanAs Harley Quinn and Poison Ivy attempt to hide out from Jason Woodrue/Floronic Man, issue #4 sees their their journey bring them to an abandoned dinosaur-themed amusement park that's home to a mysterious gang. DC Comics has given CBR an exclusive first look at the issue, which is by Jody Houser, Adriana Melo and Mark Morales, that shows the two temporarily facing off against the gang before going to meet their mysterious leader.
You can see CBR's exclusive preview of the issue below along with the solicitation text for it.
HARLEY QUINN & POISON IVY #4
- written by JODY HOUSER
- art by ADRIANA MELO and MARK MORALES
- cover by MIKEL JANIN
- card stock variant covers by AMANDA CONNER
- The hits just keep on coming as Harley Quinn and Poison Ivy crawl away from the rabbit hole that is the Mad Hatter’s endless tea party and get back on the road— but when they take a rest in a seemingly abandoned dinosaur theme park, they may not be the only clever girls hanging around...
- ON SALE 12.11.19
- $3.99 US | 32 PAGES | 4 OF 6
- CARD STOCK VARIANT COVERS $4.99 US
- FC|DC
- This issue will ship with three covers. Please see the order form for details.
Harley Quinn & Poison Ivy #4 goes on sale Dec. 11 from DC Comics.
https://schema.orgBreadcrumbListListItem1Homehttps://www.cbr.com/ListItem2Comicshttps://www.cbr.com/category/comics/ListItem3Comic Newshttps://www.cbr.com/category/comics/news/ListItem4Harley Quinn & Poison Ivy Find a Dinosaur Theme Park Occupied By Villainshttps://www.cbr.com/harley-quinn-poison-ivy-preview-theme-park/


[gecode-users] Interfacing GeCode to ECLiPSe
Guido Tack
tack at ps.uni-sb.de
Wed Jan 21 15:07:36 CET 2009
Hi Kish.
Kish Shen wrote:
> We have been thinking about developing an interface to GeCode for the
> Constraint Logic Programming language ECLiPSe for a while now, and
> finally I can devote some time and resource to this.
>
> The idea is to provide an alternative FD solver for ECLiPSe, in
> addition
> to the existing native FD solver(s) already available.
>
> I have been looking at the available documentation, which seems to be
> mostly documentation for the procedures. I am wondering if there are
> more documentations available, especially for the purpose of
> interfacing
> to other languages.
No, there's (currently) no such documentation. Most of the interfaces
to Gecode use some kind of interface generator, like swig for the Java
interface, which basically takes the C++ header files and generates
the interfacing code.
However, interfacing is not so much different from programming models
directly in C++. You have to provide ways to construct a space and
variables, and the post functions for constraints and branchings.
Alternatively, you can use the reflection API for interfacing (as done
in gecode/serialization/javascript.{hh,cpp} and examples/
javascript.cpp), which has the advantage that the necessary interface
is much smaller.
> What I would like to do is to provide both a black-box search, i.e.
> with the constraints posted by ECLiPSe to GeCode, and then the GeCode
> search invoked. Secondly, I would like to do the search in ECLiPSe,
> with
> GeCode doing the propagation. Do you think these are sensible
> approaches?
Yes, that's should be doable. In particular the black-box approach
should work easily. The interaction with the ECLiPSe search should
also be doable, but requires a little more engineering, I guess.
Cheers,
Guido
More information about the gecode-users
mailing list


@(user : PetPagesUser, password : String)
Your new password for Arkansas Pet Pages is:
@password
Please log in to your account using this password and reset it.


Mrinal Kanti Das, Chiranjib Bhattacharyya,
Trapit Bansal
CSA, Indian Institute of Science, Bangalore, India
This paper introduces a novel stick-breaking process namely ordered stick-breaking process (OSBP), where the atoms appear in order. The choice of weights on atoms of OSBP ensure two important things; (1)that probability of adding new atoms exponentially decrease with time and (2)OSBP, though non-exchangeable, admits pre- dictive probability functions (PPFs). We apply OSBP to Bayesian nonparametric (BNP) models and find that in a sequential setting where data is arriving in mini-batches OSBP forms a natu- ral prior over mini-batches, facilitating exchange of relevant statistical information across mini- batches by sharing the atoms of OSBP. One of the major contributions of this paper is SUMO, an MCMC algorithm, for solving the inference problem arising from applying OSBP to BNP models. SUMO uses the PPFs of OSBP to ob- tain a Gibbs-sampling based truncation-free al- gorithm which applies generally to BNP mod- els. For large scale inference problems exist- ing algorithms such as Particle Filtering(PF) are not practical and variational procedures such as TSVI(Wang & Blei, 2012) are the only alterna- tive. SUMO is thus an important addition to MCMC family which works well empirically. For Dirichlet process mixture model (DPMM), SUMO outperforms TSVI (Wang & Blei, 2012) on perplexity by 33% on 3 datasets with million data points, which are beyond the scope of PF, using only 3GB RAM.
The supplementary material contains necessary mathematical background, proofs of theorems, examples and some illustration of concepts.
Download The Supplementary Material
All the datasets are publicly available. Please see the paper for details.
Will be added soon.


by:WCCFtech and tweaktown
| Part Name | Purpose |
|---|---|
| CPU | The Brain of the PC. |
| CPU Cooler | Self-Explanatory |
| Motherboard | How the CPU communicates. |
| Memory | The brain's capacity. |
| Storage | Where all your files live. |
| Video Card | The brawn of the PC. |
| Case | Where all your stuff goes. |
| Power Supply | Feeds power to all your stuff. |


On India's largest Malabar Coast, with nearly 600km of Arabian sea shoreline, lies the state of Kerala.
Being a state rich in heritage, culture and traditions, has always been one among to stand out in the crowd.
It has 14 districts with Malayalam being the most widely spoken language.
The name Kerala is derived from the Malayalam word 'kera' and 'alam', which stands for the 'The land of coconuts'.
The Kerala heritage holds a special and important place in the Indian history.
It is reflected in it's various
art forms, martial arts, dresses, the people and cuisine.
It is well known for its scenic locations, architecture which is used to design its majestic temples, festivals like Onam,
its variety of food and also its vast and rich Malayalam literature.
Read more
Kerala cuisine offers a wide variety of foods in vegetarian and non-vegetarian as well.
It is a state rich with spices and so is the food delivered.
Kerala is also known as the 'Land of Spices'
The staple food revolves around an abundance of coconut, rice, tapioca and many spices.
It is also famous for the delicious sea food, owing to the state's long coastline


This control implements a variation of the List Inlay user interface pattern discussed in the book "Designing Interfaces". This control was also the subject of a user interface blog post.


Package com.jme.animation
Class AnimationFactory
- java.lang.Object
-
- com.jme.animation.AnimationFactory
-
public class AnimationFactory extends java.lang.Object
A convenience class to easily setup a spatial keyframed animation you can add some keyFrames for a given time or a given keyFrameIndex, for translation rotation and scale. The animationHelper will then generate an appropriate SpatialAnimation by interpolating values between the keyFrames.
Usage is :
- Create the AnimationHelper
- add some keyFrames
- call the buildAnimation() method that will return a new Animation
- add the generated Animation to any existing AnimationControl
Note that the first keyFrame (index 0) is defaulted with the identity transforms. If you want to change that you have to replace this keyFrame with any transform you want.- Author:
- Nehon
-
-
Nested Class Summary
Nested Classes Modifier and Type Class Description protected class
AnimationFactory.Rotation
Inner Rotation type class to kep track on a rotation Euler angle
-
Field Summary
Fields Modifier and Type Field Description protected float
duration
Animation duration in secondsprotected int
fps
frames per secondsprotected AnimationFactory.Rotation[]
keyFramesRotation
protected Vector3f[]
keyFramesScale
protected Vector3f[]
keyFramesTranslation
The map of keyFrames to compute the animation.protected java.lang.String
name
Name of the animationprotected Quaternion[]
rotations
rotation array for this animationprotected Vector3f[]
scales
scales array for this animationprotected float[]
times
Time array for this animationprotected int
totalFrames
total number of framesprotected float
tpf
time per frameprotected Vector3f[]
translations
Translation array for this animation
-
Constructor Summary
Constructors Constructor Description AnimationFactory(float duration, java.lang.String name)
Creates and AnimationHelperAnimationFactory(float duration, java.lang.String name, int fps)
Creates and AnimationHelper
-
Method Summary
All Methods Instance Methods Concrete Methods Modifier and Type Method Description void
addKeyFrameRotation(int keyFrameIndex, Quaternion rotation)
Adds a key frame for the given rotation at the given keyFrame index
This can't be used if the interpolated angle is higher than PI (180°)
UseaddKeyFrameRotationAngles(int keyFrameIndex, float x, float y, float z)
instead that uses Euler angles rotations.void
addKeyFrameRotationAngles(int keyFrameIndex, float x, float y, float z)
Adds a key frame for the given rotation at the given key frame index.
Rotation is expressed by Euler angles values in radians.
Note that the generated rotation will be stored as a quaternion and interpolated using a spherical linear interpolation (slerp)
Hence, this method may create intermediate keyFrames if the interpolation angle is higher than PI to ensure continuity in animationvoid
addKeyFrameScale(int keyFrameIndex, Vector3f scale)
Adds a key frame for the given scale at the given keyFrame indexvoid
addKeyFrameTransform(int keyFrameIndex, Transform transform)
Adds a key frame for the given Transform at the given keyFrame indexvoid
addKeyFrameTranslation(int keyFrameIndex, Vector3f translation)
Adds a key frame for the given translation at the given keyFrame indexvoid
addTimeRotation(float time, Quaternion rotation)
Adds a key frame for the given rotation at the given time
This can't be used if the interpolated angle is higher than PI (180°)
UseaddTimeRotationAngles(float time, float x, float y, float z)
instead that uses Euler angles rotations.
*void
addTimeRotationAngles(float time, float x, float y, float z)
Adds a key frame for the given rotation at the given time.
Rotation is expressed by Euler angles values in radians.
Note that the generated rotation will be stored as a quaternion and interpolated using a spherical linear interpolation (slerp)
Hence, this method may create intermediate keyFrames if the interpolation angle is higher than PI to ensure continuity in animationvoid
addTimeScale(float time, Vector3f scale)
Adds a key frame for the given scale at the given timevoid
addTimeTransform(float time, Transform transform)
Adds a key frame for the given Transform at the given timevoid
addTimeTranslation(float time, Vector3f translation)
Adds a key frame for the given translation at the given timeAnimation
buildAnimation()
Creates an Animation based on the keyFrames previously added to the helper.
-
-
-
Field Detail
-
name
protected java.lang.String name
Name of the animation
-
fps
protected int fps
frames per seconds
-
duration
protected float duration
Animation duration in seconds
-
totalFrames
protected int totalFrames
total number of frames
-
tpf
protected float tpf
time per frame
-
times
protected float[] times
Time array for this animation
-
translations
protected Vector3f[] translations
Translation array for this animation
-
rotations
protected Quaternion[] rotations
rotation array for this animation
-
scales
protected Vector3f[] scales
scales array for this animation
-
keyFramesTranslation
protected Vector3f[] keyFramesTranslation
The map of keyFrames to compute the animation. The key is the index of the frame
-
keyFramesScale
protected Vector3f[] keyFramesScale
-
keyFramesRotation
protected AnimationFactory.Rotation[] keyFramesRotation
-
-
Constructor Detail
-
AnimationFactory
public AnimationFactory(float duration, java.lang.String name)
Creates and AnimationHelper- Parameters:
duration
- the desired duration for the resulting animationname
- the name of the resulting animation
-
AnimationFactory
public AnimationFactory(float duration, java.lang.String name, int fps)
Creates and AnimationHelper- Parameters:
duration
- the desired duration for the resulting animationname
- the name of the resulting animationfps
- the number of frames per second for this animation (default is 30)
-
-
Method Detail
-
addTimeTransform
public void addTimeTransform(float time, Transform transform)
Adds a key frame for the given Transform at the given time- Parameters:
time
- the time at which the keyFrame must be insertedtransform
- the transforms to use for this keyFrame
-
addKeyFrameTransform
public void addKeyFrameTransform(int keyFrameIndex, Transform transform)
Adds a key frame for the given Transform at the given keyFrame index- Parameters:
keyFrameIndex
- the index at which the keyFrame must be insertedtransform
- the transforms to use for this keyFrame
-
addTimeTranslation
public void addTimeTranslation(float time, Vector3f translation)
Adds a key frame for the given translation at the given time- Parameters:
time
- the time at which the keyFrame must be insertedtranslation
- the translation to use for this keyFrame
-
addKeyFrameTranslation
public void addKeyFrameTranslation(int keyFrameIndex, Vector3f translation)
Adds a key frame for the given translation at the given keyFrame index- Parameters:
keyFrameIndex
- the index at which the keyFrame must be insertedtranslation
- the translation to use for this keyFrame
-
addTimeRotation
public void addTimeRotation(float time, Quaternion rotation)
Adds a key frame for the given rotation at the given time
This can't be used if the interpolated angle is higher than PI (180°)
UseaddTimeRotationAngles(float time, float x, float y, float z)
instead that uses Euler angles rotations.
*- Parameters:
time
- the time at which the keyFrame must be insertedrotation
- the rotation Quaternion to use for this keyFrame- See Also:
addTimeRotationAngles(float time, float x, float y, float z)
-
addKeyFrameRotation
public void addKeyFrameRotation(int keyFrameIndex, Quaternion rotation)
Adds a key frame for the given rotation at the given keyFrame index
This can't be used if the interpolated angle is higher than PI (180°)
UseaddKeyFrameRotationAngles(int keyFrameIndex, float x, float y, float z)
instead that uses Euler angles rotations.- Parameters:
keyFrameIndex
- the index at which the keyFrame must be insertedrotation
- the rotation Quaternion to use for this keyFrame- See Also:
addKeyFrameRotationAngles(int keyFrameIndex, float x, float y, float z)
-
addTimeRotationAngles
public void addTimeRotationAngles(float time, float x, float y, float z)
Adds a key frame for the given rotation at the given time.
Rotation is expressed by Euler angles values in radians.
Note that the generated rotation will be stored as a quaternion and interpolated using a spherical linear interpolation (slerp)
Hence, this method may create intermediate keyFrames if the interpolation angle is higher than PI to ensure continuity in animation- Parameters:
time
- the time at which the keyFrame must be insertedx
- the rotation around the x axis (aka yaw) in radiansy
- the rotation around the y axis (aka roll) in radiansz
- the rotation around the z axis (aka pitch) in radians
-
addKeyFrameRotationAngles
public void addKeyFrameRotationAngles(int keyFrameIndex, float x, float y, float z)
Adds a key frame for the given rotation at the given key frame index.
Rotation is expressed by Euler angles values in radians.
Note that the generated rotation will be stored as a quaternion and interpolated using a spherical linear interpolation (slerp)
Hence, this method may create intermediate keyFrames if the interpolation angle is higher than PI to ensure continuity in animation- Parameters:
keyFrameIndex
- the index at which the keyFrame must be insertedx
- the rotation around the x axis (aka yaw) in radiansy
- the rotation around the y axis (aka roll) in radiansz
- the rotation around the z axis (aka pitch) in radians
-
addTimeScale
public void addTimeScale(float time, Vector3f scale)
Adds a key frame for the given scale at the given time- Parameters:
time
- the time at which the keyFrame must be insertedscale
- the scale to use for this keyFrame
-
addKeyFrameScale
public void addKeyFrameScale(int keyFrameIndex, Vector3f scale)
Adds a key frame for the given scale at the given keyFrame index- Parameters:
keyFrameIndex
- the index at which the keyFrame must be insertedscale
- the scale to use for this keyFrame
-
buildAnimation
public Animation buildAnimation()
Creates an Animation based on the keyFrames previously added to the helper.- Returns:
- the generated animation
-
-


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Meet MONA, A beacon of comfort and a savior for those difficult nights when you need creative counsel after 5 o’clock. Talk to her, grow with her, we hope you help yourself.
MONA was designed and developed by Nick Meehan, Richelle Dumond, and Jason Page for Snor Magazine.
MONA is based on ELIZA, a simulation program that mimics a Rogerian Psychologist. ELIZA was programmed by Joseph Weizenbaum in 1966. It was one of the first attempts at mimicking human interaction on the computer.
This website uses elizabot.js and termlib.js


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| Overview | Module | Use | Devguide | Index |
| Nested Modules | Services | Singletons | Interfaces | Structs | Exceptions | Enums | Typedefs | Constant Groups |
| module beans |
|
| Services | |
| Introspection | provides functionality to get information about an object's properties and methods. |
| PropertyBag | Implementation of this service can keep any properties and is useful when an XPropertySet is to be used, for example, as parameters for a method call. |
| PropertySet | This is a generic service which should be supported by all servies which have properties. |
| Interfaces | |
| XExactName | provides a method of changing names for converting an approximate name to an existing name. |
| XFastPropertySet | provides a fast way of accessing and changing property values. |
| XFastPropertyState | makes it possible to query information about the state of one or more properties. |
| XHierarchicalPropertySet | provides information about and access to the a hierarchy of properties from an implementation. |
| XHierarchicalPropertySetInfo | specifies a hierarchy of properties. |
| XIntroTest | [ DEPRECATED ] This is a test interface for introspection. |
| XIntrospection | allows the inspection of an object's properties and methods. |
| XIntrospectionAccess | represents the result of an introspection operation done by the inspect method of XIntrospection. |
| XMaterialHolder | gives access to the material a (tool-) object is working on. |
| XMultiHierarchicalPropertySet | provides access to multiple properties which form a hierarchy. |
| XMultiPropertySet | provides access to multiple properties with a single call. |
| XMultiPropertyStates | makes it possible to query information about the state of one or more properties. |
| XPropertiesChangeListener | receives events which get fired whenever a bound property is changed. |
| XPropertiesChangeNotifier | specifies a notifier for changed property values |
| XProperty | Is implemented by objects that also are a property of some other object. |
| XPropertyAccess | makes it possible to access all property values and to set them at once. |
| XPropertyChangeListener | is used to receive PropertyChangeEvents whenever a bound property is changed. |
| XPropertyContainer | makes it possible to add and remove properties to or from an object. |
| XPropertySet | provides information about and access to the properties from an implementation. |
| XPropertySetInfo | specifies a set of properties. |
| XPropertySetInfoChangeListener | a listener for events related to XPropertySetInfos. |
| XPropertySetInfoChangeNotifier | a notifier for changes of XPropertySetInfos. |
| XPropertyState | makes it possible to query information about the state of one or more properties. |
| XPropertyStateChangeListener | receives events which get fired whenever the state of a bound property is changed. |
| XPropertyWithState | makes it possible to query information about the state of this object, seen as a property contained in a property set. |
| XTolerantMultiPropertySet | provides access to multiple iformation of a set of properties with a single call. |
| XVetoableChangeListener | is used to receive PropertyChangeEvents whenever a "constrained" property is changed. |
| Structs | |
| Ambiguous | A value of a given type that can be ambiguous. |
| Defaulted | A value of a given type that can be defaulted. |
| GetDirectPropertyTolerantResult | specifies information being retrieved about a single property. This type is used for the elements in the sequence returned by GetDirectPropertyTolerantResult. |
| GetPropertyTolerantResult | specifies information being retrieved about a single property. |
| NamedValue | specifies a pair assembled from a name and a value. |
| Optional | An optional value of a given type. |
| Property | This structure describes a property. |
| PropertyChangeEvent | gets delivered whenever a "bound" or "constrained" property is changed. |
| PropertySetInfoChangeEvent | gets delivered whenever an XPropertySetInfo is changed. |
| PropertyStateChangeEvent | is delivered whenever the state of a "bound" property is changed. |
| PropertyValue | specifies a property value. |
| SetPropertyTolerantFailed | specifies information about a single property failed to be set. |
| StringPair | specifies a pair of two strings. |
| Exceptions | |
| IllegalTypeException | This exception is thrown to indicate the use of a type which is not appropriate. |
| IntrospectionException | [ DEPRECATED ] This exception is thrown when an exception happens during introspection. |
| NotRemoveableException | This exception is thrown to indicate that removing a property from an XPropertyContainer is not allowed. |
| PropertyExistException | This exception is thrown to indicate that a property with this name already exists in the object. |
| PropertyVetoException | This exception is thrown when a proposed change to a property represents an unacceptable value. |
| UnknownPropertyException | This exception is thrown to indicate that the property name is unknown to the implementation. |
| Enums | |
| PropertyState | This enumeration lists the states that a property value can have. |
| Typedefs | |
| PropertyValues | specifies a sequence of PropertyValue instances. |
| Constant Groups | |
| MethodConcept | These constants are used to specify concepts of the introspection which apply to methods. |
| PropertyAttribute | These values are used to specify the behavior of a Property. |
| PropertyConcept | These constants are used to specify concepts of the introspection which apply to properties and to the methods which represent attributes. |
| PropertySetInfoChange | specifies reasons for sending PropertySetInfoChangeEvents. |
| TolerantPropertySetResultType | specifies the possible failure types when using the XTolerantMultiPropertySet interface. |
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


1. Introduction
Sweet brings the hygienic macros of languages like Scheme and Rust to JavaScript. Macros allow you to sweeten the syntax of JavaScript and craft the language you’ve always wanted.
2. Installation and Getting Started
Install Sweet with npm:
$ npm install sweet.js
This installs the sjs
binary into your node_modules
folder.
You can also install sjs globally with the -g flag if you’d like.
|
For example, say you’d like to sweeten JavaScript with a simple hello world macro. You can write it down as the following:
syntax hi = function (ctx) {
return #`console.log('hello, world!')`;
}
hi
Then, you can use the sjs
command to compile the sweetened code into plain JavaScript:
$ node_modules/.bin/sjs sweet_code.js
console.log('hello, world!')
2.1. Babel Backend
Note that Sweet uses Babel as a backend. After Sweet has done its work of finding and expanding macros, the resulting code is run through Babel.
By default Babel preforms no transformations so you will need to configure it according to your needs. The easiest way to do this is via a .babelrc
file. A minimal configuration looks something like:
{
"presets": ["es2015"]
}
Where you’ve installed the es2015 preset via npm:
npm install babel-preset-es2015
If you do not want to use Babel at all, simply pass the --no-babel
flag to sjs
.
3. Sweet Hello
So how do macros work? Well, in a sense macros are a bit like compiletime functions; just like functions, macros have definitions and invocations which work together to abstract code into a single location so you don’t keep repeating yourself.
Consider the hello world example again:
syntax hi = function (ctx) { (1)
return #`console.log('hello, world!')`; (2)
}
hi (3)
| 1 | Macro definition |
| 2 | Syntax Template |
| 3 | Macro invocation |
The first three lines make up the macro definition. The syntax
keyword is a bit like let
in that it creates a new variable in the current block scope. However, rather than create a variable for a runtime value, syntax
creates a new variable for a compiletime value. In this case, hi
is the variable bound to the compiletime function defined on the first three lines.
In this example, syntax sets the variable to a function, but the variable can be set to any JavaScript value. Currently, this point is rather academic since Sweet does not provide a way to actually use anything other than a compiletime function. However, this feature will be added eventually.
|
Once a macro has been defined, it can be invoked. On line three above the macro is invoked simply by writing hi
.
When the Sweet compiler sees the hi
identifier bound to the compiletime function, the function is invoked and its return value is used to replace the invoking occurrence of hi
. In this case, that means that hi
is replaced with console.log('hello, world!')
.
Compiletime functions defined by syntax
must return an array of syntax objects. You can easily create these with a syntax template. Syntax templates are template literals with a #
tag, which create a List[1]
of syntax objects.
- Syntax Object
-
Sweet’s internal representation of syntax. Syntax objects are somewhat like tokens from traditional compilers except that delimiters cause syntax objects to nest. This nesting gives Sweet more structure to work with during compilation. If you are coming from Lisp or Scheme, you can think of them a bit like s-expressions.
4. Sweet New
Let’s move on to a slightly more interesting example.
Pretend you are using an OO framework for JavaScript where instead of using new
we want to call a .create
method that has been monkey patched onto Function.prototype
(don’t worry, I won’t judge… much). Rather than manually rewrite all usages of new
to the create
method you could define a macro that does it for you.
syntax new = function (ctx) {
let ident = ctx.next().value;
let params = ctx.next().value;
return #`${ident}.create ${params}`;
}
new Droid('BB-8', 'orange');
Droid.create('BB-8', 'orange');
Here you can see the ctx
parameter to the macro provides access to syntax at the macro call-site. This parameter is an iterator called the macro context.
- Macro Context
-
An iterator over the syntax where the macro was called. It has the type:
{ next: () -> { done: boolean, value: Syntax } }
Each call to
next
returns the successive syntax object invalue
until there is nothing left in which casedone
is set to true. Note that the context is also an iterable so you can usefor-of
and related goodies.
Note that in this example we only call next
twice even though it looks like there is more than two bits of syntax we want to match. What gives? Well, remember that delimiters cause syntax objects to nest. So, as far as the macro context is concerned there are two syntax objects: Droid
and a single paren delimiter syntax object containing the three syntax objects 'BB-8'
, ,
, and 'orange'
.
After grabbing both syntax objects with the macro context iterator we can stuff them into a syntax template. Syntax templates allow syntax objects to be used in interpolations so it is straightforward to get our desired result.
5. Sweet Let
Ok, time to make some ES2015. Let’s say we want to implement let
.[2]
We only need one new feature you haven’t seen yet:
syntax let = function (ctx) {
let ident = ctx.next().value;
ctx.next(); // eat `=`
let init = ctx.expand('expr').value; (1)
return #`
(function (${ident}) {
${ctx} (2)
}(${init}))
`
}
let bb8 = new Droid('BB-8', 'orange');
console.log(bb8.beep());
| 1 | Expand the syntax until an expression is matched |
| 2 | A macro context in the template will consume the iterator |
(function(bb8) {
console.log(bb8.beep());
})(Droid.create("BB-8", "orange"));
Calling expand
allows us to specify the grammar production we want to match; in this case we are matching an expression. You can think matching against a grammar production a little like matching an implicitly-delimited syntax object; these matches group multiple syntax object together.
6. Sweet Cond
One task we often need to perform in a macro is looping over syntax. Sweet helps out with that by supporting ES2015 features like for-of
. To illustrate, here’s a cond
macro that makes the ternary operator a bit more readable:
import { unwrap, isKeyword } from 'sweet.js/helpers' for syntax; (3)
syntax cond = function (ctx) {
let bodyCtx = ctx.contextify(ctx.next().value); (1)
let result = #``;
for (let stx of bodyCtx) { (2)
if (isKeyword(stx) && unwrap(stx).value === 'case') { (3)
let test = bodyCtx.expand('expr').value;
// eat `:`
bodyCtx.next();
let r = bodyCtx.expand('expr').value;
result = result.concat(#`${test} ? ${r} :`);
} else if (isKeyword(stx) && unwrap(stx).value === 'default') {
// eat `:`
bodyCtx.next();
let r = bodyCtx.expand('expr').value;
result = result.concat(#`${r}`);
} else {
throw new Error('unknown syntax: ' + stx);
}
}
return result;
}
let x = null;
let realTypeof = cond {
case x === null: 'null'
case Array.isArray(x): 'array'
case typeof x === 'object': 'object'
default: typeof x
}
| 1 | The .contextify method gives us another context inside the delimiter. In this case, that is everything inside of { … } . |
| 2 | A macro context is iterable so you can for-of over it. |
| 3 | Utility functions are available for import to help inspect what kind of syntax you are processing. Note the for syntax on the import declaration, which is required for the helpers to be available inside of a macro definition. Modules and macros are described more later. |
var x = null;
var realTypeof = x === null ? "null" :
Array.isArray(x) ? "array" :
typeof x === "undefined" ? "undefined" : typeof x);
Since delimiters nest syntax in Sweet, we need a way to get at what is inside them. Syntax objects have a inner
method to do just that; calling inner
on a delimiter will return an iterator into the syntax inside the delimiter.
7. Sweet Class
So putting together what we’ve learned so far, let’s make the sweetest of ES2015’s features: class
.
import { unwrap, isIdentifier } from 'sweet.js/helpers' for syntax;
syntax class = function (ctx) {
let name = ctx.next().value;
let bodyCtx = ctx.next().value.inner();
// default constructor if none specified
let construct = #`function ${name} () {}`;
let result = #``;
for (let item of bodyCtx) {
if (isIdentifier(item) && unwrap(item).value === 'constructor') {
construct = #`
function ${name} ${bodyCtx.next().value}
${bodyCtx.next().value}
`;
} else {
result = result.concat(#`
${name}.prototype.${item} = function
${bodyCtx.next().value}
${bodyCtx.next().value};
`);
}
}
return construct.concat(result);
}
class Droid {
constructor(name, color) {
this.name = name;
this.color = color;
}
rollWithIt(it) {
return this.name + " is rolling with " + it;
}
}
function Droid(name, color) {
this.name = name;
this.color = color;
}
Droid.prototype.rollWithIt = function(it) {
return this.name + " is rolling with " + it;
};
8. Sweet Modules
Now that you’ve created your sweet macros you probably want to share them! Sweet supports this via ES2015 modules:
'lang sweet.js';
export syntax class = function (ctx) {
// ...
}
import { class } from './es2015-macros';
class Droid {
constructor(name, color) {
this.name = name;
this.color = color;
}
rollWithIt(it) {
return this.name + " is rolling with " + it;
}
}
The 'lang sweet.js'
directive lets Sweet know that a module exports macros, so you need it in any module that has an export syntax
in it. This directive allows Sweet to not bother doing a lot of unnecessary expansion work in modules that do not export syntax bindings. Eventually, this directive will be used for other things such as defining a base language.
8.1. Modules and Phasing
In addition to importing macros Sweet also lets you import runtime code to use in compiletime code.
As you’ve probably noticed, we have not seen a way to define a function that a macro’s compiletime function can use:
let log = msg => console.log(msg);
syntax m = ctx => {
log('doing some Sweet things'); // ERROR: unbound variable `log`
// ...
}
We get an unbound variable error in the above example because `m’s definition runs at a different phase than the surrounding code: namely it runs at compiletime while the surrounding code is invoked at runtime.
Sweet solves this problem by allowing you to import values for a particular phase:
'lang sweet.js';
export function log(msg) {
console.log(msg);
}
import { log } from './log.js' for syntax;
syntax m = ctx => {
log('doing some Sweet things');
// ...
}
Adding for syntax
to an import statement lets Sweet know that it needs to load the values being imported into the compiletime environment and make them available for macro definitions.
Importing for syntax is currently only supported for Sweet modules (i.e. those that begin with 'lang sweet.js' ). Support for non-Sweet modules is coming soon.
|


I have spent around a week without much sleep. I have been going to sleep about midnight and waking up at anytime between 2am and 4am. This went on for a week. I had no dreams, and do not normally. I finally decided to do something about it and started researching sleep-aids. I noticed most sleep aids had the same stuff in them, but one I checked out had Valerian Root. I researched Valerian Root noticed a connection between it and melatonin. Repeating an experience of another user, I bought a bottle of Valerian root, Melatonin, and Vitamin B-6.
Night 1: 450mg Valerian; 3mg Melatonin; 100mg B-6. Easier to go to sleep. I had dreams for the first time in a long time. I woke up at about 4am, looked at the clock and fell back asleep! I woke up at about 5am, looked at the clock and fell asleep again! I continued to dream throughout my sleep. At 6am my alarm went off and I awoke well rested. I noticed a significant improvement in my energy levels and my mood had improved greatly. I did not get tired midway through the day, and was able to work many hours before feeling the slightest fatigue! at about 5pm, I started feeling *normal*.
Night 2: 450mg Valerian; 6mg Melatonin; 100mg B-6. I washed these down with a mountain dew. (VALERIAN TASTES BAD!!!!). in spite of the caffeine, I was dead asleep in 10 minutes. At 7am I woke up, looked at the clock and fell asleep again. I slept until noon (it's saturday). I feel fully refreshed and the only downside is a minor headache (if I'm busy I dont even notice it though). I didnt take anything, but I'm sure an excedrin would have made it go away. it is 7pm and I feel awesome!
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


#include "_doctype.html"
curl - Source Code Activity
#include "css.t"
#define DEVEL_RECENT
#include "_menu.html"
#include "setup.t"
WHERE2(Development, "/dev/", Source Code Activity)
TITLE(Recent Activity in the repo)
browse commits on github
#include "_footer.html"


---
layout: post
title: "My Week in Review"
date: 2015-08-08 10:50:00 +0000
categories:
tags:
image: https://s3.amazonaws.com/audreywatters/2015-08-08-hb.jpg
imagecredits: https://www.flickr.com/photos/dilworthdesigns/317334895
---
Travel
- Nope.
- Upcoming week: Madison and Amsterdam.
Hack Education
Essays Elsewhere
Speaking
Known Notes and Fragments
Other Projects
- I contributed a few thoughts on women in ed-tech for a talk Joyce Valenza’s working on.
- I wrote an article for The Daily Dot’s The Kernel on the changing MOOC narrative. (Not sure when it’ll be published).
- I worked on the talk I’ll give next week in Amsterdam.
- I worked on the talk I'll give next week in Madison. (Crap, I need to work on the workshop I'm facilitating!)
- Therapy, ongoing.
Reading and Viewing
- I watched the Republication Presidential debate, which was the best TV I’ve seen in a while.
- I’m still reading Sherry Turkle’s Alone Together.
Friends and Family
- Sunday night, we were back at Gary Stager and Sylvia Martinez's for a BBQ with Jen Orr, Jeff McClurken, and family.
- Kin's daughter has headed home.
- The next few weeks are going to involve a lot of back-to-back travel: Madison to Amsterdam to Toronto to Bangor. The last two are family- not work-related. I’m speaking at my Granny’s memorial in Toronto and then will spend a few days in Maine with my brother and family.


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Cigarette smoking falls to record low in the United States
by CNN(CNN) — Cigarette smoking among US adults fell to its lowest recorded level in 2018: 13.7%, according to a report published Thursday by the US Centers for Disease Control and Prevention.
That represents a drop of roughly two-thirds since the CDC started collecting this data in 1965.
“This marked decline in cigarette smoking is the achievement of a consistent and coordinated effort by the public health community and our many partners,” the agency’s director, Dr. Robert R. Redfield, said in a statement Thursday. “Yet, our work is far from over.”
The report estimated that 49.1 million US adults, or nearly 1 in 5, used any tobacco product in 2018. Cigarettes were the most common at 13.7%, followed by cigars, cigarillos and little filtered cigars, which were used by 3.9% of adults.
E-cigarettes were the third most common tobacco product used by adults, at 3.2%. Their use rose from 2.8% in 2017, despite having been on the decline for several years prior. This was attributed partly to increases in vaping among young adults 18 to 24, which jumped from 5.2% in 2017 to 7.6% in 2018.
Those who were most likely to use tobacco products were between 25 and 44; members of certain minority groups, including lesbian, gay and bisexual adults; those living with a disability or serious psychological distress; people in the Midwest or South; and adults making less than $35,000 per year.
The report also found that cigarette smokers have become more likely to try quitting in the previous 12 months, and they have been more successful at doing so.
The-CNN-Wire™ & © 2019 Cable News Network, Inc., a Time Warner Company. All rights reserved.


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<EMAIL_ADDRESS>'cms.function.flow'/>
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ZANETTE Aviation offers some of the best rates on aircraft insurance in the industry. Great rates, however, is just part of the equation. We work in-depth with our potential clients to investigate their needs and the usages for their aircraft. Whether it's for pleasure, for business, or even for teaching, we are able to craft an insurance policy that can work for you. it all starts with an aviation insurance quote from some of our recommended carriers. Our goal is to offer the best customer service in the aviation insurance industry. We work with top-notch aviation insurance companies, and pride ourselves on delivering great value for our clients. Use the form below to start a Property Quote request.
To create the best custom aviation insurance quote for you, we'll need some information. Of course, we'll have to know the plane(s) you fly, whether you own the plane outright or lease it, and the type of usage. We'll also need information on each pilot and his or her training level. In fact, there are quite a few questions we'll need answers to.
This is what typically happens:
1 - Fill out the form above. We'll reach out to you ASAP.
- Or,
call us, we can expedite the process.
3 - We'll ask you a couple questions and take down the information we need from you. If necessary, we'll be able to tell you what we need and you may have to go research that information if you do not have it at your fingertips.
4 - We will then turn to our insurance partners, and search for the best rated and valued policy. You want an insurance carrier that not only provides a good rate but provides a great value. And, by working with us on your quote,
we'll make sure that the proper questions get asked, and answered.
5 - We will then go over your policy options with you over the phone and you'll have the information in front of you that you need to make the best choice for your aviation insurance needs. It all starts with a quote request.
But then it's working together for the best options. Let's get started!


I was only able to find 1 study on this subject. I can only assume that is because, although the experiment worked in freeing opiate users from addiction, there was a 100% recidivism rate. It must be mentioned, though, that the sample consisted of 7 people.
Now first hand experience. I have been addicted to opiates on and off for about 4 years now. I usually use poppy tea because i can afford it and it's dependable, but sometimes i'll sniff dope or oxy for a treat. I had used suboxone (buprenorphine) to go clean for my longest period of abstinence, about a year.
Last year I stumbled on to the fact that a dose of GBL can completely eliminate all symptoms of opiate withdrawal. People should know this. there are a few catches, I must admit. For 1, you must redose every 4 hours. Waking up in the middle of the night sweating through my matress sucks, yes, but dropping some G clears up all those effects in about 5 minutes. It truly is a miracle!
Now I have to say that I, myself, usually alternate Tea and GBL. Two weeks of Tea and one of GBL. Therefore I suppose I am a recivist, but that does not change the relief, whether for 4 hours or a week, is priceless, it keeps tolerance low, and GBL is a safety net if kept on hand. If i put my mind to it, desired it enough, and planned properly, I am confident that I could use this method to quit. Perhaps I'd come off the GBL with benzos for a few days and then I'd be done. But with a brain constantly addled by so much candy, everyday for over ten years, I have to say that drugs enhance me. I perform better at almost everything as long as the appropriate drug is put to use. But now I am constantly on drugs. I do wonder if there is a way out, and if I want to take it, not this evening though.
All in all, I just feel people, including the medical community, should be aware that an addict can be freed of thier misery and suffering with dose of a different drug. Because GBL is non-opiate, at the end of a week there are no more WD symptoms. But lastly, be careful. The consequences of irresponsible GBL use can be rather extreme. Don't go into anything without the weapon of information.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


This dialog is invoked with the Import Motorola S Records command. It is based on the standard File Open dialog. Double-clicking a file (or selecting and clicking the Import button) imports the file.
Look In
To see how the current folder fits in the hierarchy on your computer, click the down arrow. To see what's inside a folder, click it.
File Name
Type the filename you want to open. If you type the name of a folder that folder is opened and the contents are displayed. Normally you see all files matching the specification currently selected in the “List Files of Type” box – but if you type a filename with wild-cards here, such as *.S1, you will only see matching files.
List Files of Type
Select the type of file(s) you want to open. By default Motorola S files (*.s) are displayed, but you can elect to use a different filter by selecting from the drop down list. You can change the default filter (*.*) and change, add or delete from the filter list by using the Filters page of the Options dialog.
Use Import Addresses (for discontiguous records)
If this option is off then HexEdit Pro will import from the file at the current position in the file. But in this case the Motorola S records in the file must be contiguous otherwise the import stops with an error. Also the imported bytes are always inserted into the file (you must be in INS mode) at the current cursor location.
If this option is on then the records do not need to be contiguous (in fact, there are no restrictions at all on the expected addresses). Each record's data is added to the file at the specified record address. In other words the existing data of the file is overwritten (even in INS mode). If an address is past the end of the file then it is ignored. The data replaces the data of the file, hence the file length never changes as a result of the operation.
Highlight
If discontiguous records are imported it is often difficult to see which bytes were changed. This option highlights all imported bytes (if the above option is used). Note that all existing highlights are lost.


|
Aspen MUD
Aspen is a light-weight, barebones mud engine written in c++ utilizing Lua for its' scripting engine.
|
#include <bitfield.h>
Public Member Functions | |
| Bitfield (int &flag, int position) | |
| Bitfield (const Bitfield &bf) | |
| bool | GetField () const |
| bool | operator== (bool f) const |
| bool | operator== (const Bitfield &bf) const |
| bool | operator!= (bool f) const |
| bool | operator!= (const Bitfield &bf) const |
| Bitfield & | operator= (bool t) |
| Bitfield & | operator= (const Bitfield &bf) |
Contains: Bitfield This is a bit field returned by flag's getters and setters. A bitfield is used to manage flags and their positions.
| Bitfield::Bitfield | ( | int & | flag, |
| int | position | ||
| ) |
Constructs a bitfield with a specific position set.
| [in] | flag | the flag. |
| [in] | position | the position used. |
| bool Bitfield::GetField | ( | ) | const |
Determines whether the field is set.


To modify the scope of a CPH tab, it is possible to:
Please note that any part of the HTTP message, including verbs, status codes and headers, can be used for expression matching


The Paris Agreement's long-term goal is to keep the increase in global average temperature to well below 2 K above pre-industrial levels;
and to limit the increase to 1.5 K,
since this would substantially reduce the risks and effects of climate change.
An increase of 2 K is related to 450 ppm CO2 - concentration.
These graphs display the latest mesasurments


Films about child prodigies or twentysomething geniuses rarely get inside their heads and ask: "What makes you tick?" An even tougher question rarely posed is: "How do you deal with who you are?" Slight films in this category that could have been great include Jodie Foster's "Little Man Tate," and the predictable Rocky-crossed-with-chess-playing tale "Searching For Bobby Fischer." There's also the finely acted "Stand and Deliver" that dealt with inner-city kids who miraculously performed better in A.P. Calculus exams than anyone else, but they didn't exist as anything more than ciphers. One film that broke through that barrier was the marvelous "Amadeus," which depicted the rare talents of the wonderful composer Wolfgang Amadeus Mozart in blazing glory with, naturally, great music to alleviate the senses. The Oscar-winning film was a three-dimensional portrait of Mozart presenting him as a buffoonish clown who didn't seem arrogant, but knew how good a composer he was. Now there is also "Good Will Hunting," a finely acted, well-written drama about a math genius who is too good to be true, and that is part of the film's problem.
The charismatic Matt Damon stars as the conceited orphan Will Hunting; a South Bostonian hooligan who drinks, fights, and generally fools around with his buddies. He works as a janitor at MIT and, once in a while, he solves complex math problems posed by an MIT professor (Stellan Skarsgard) on a hallway blackboard. When the professor finally spots him solving a problem, he decides to use Will as a math instructor to solve all kinds of difficult math theorems that had conflicted scientists for centuries. Will is reluctant at first, but he decides to go along with it since it is way of avoiding jail time. It also means that he has to see a brilliant therapist (Robin Williams) twice a week - a former child prodigy who will try to uncover what makes this troubled kid tick.
Will has the ability to see through people - he can make Harvard students envious with his textbook knowledge of politics, and he can drive people mad with aggravation, including the therapist who Will discovers is a widower. Lest anyone think that he's just a brainiac, Will also has the ability to love, especially a British Harvard student (Minnie Driver) who wants to help him grapple with his emotions. There's a priceless scene where he picks up Minnie at a bar. She asks if they could get together for coffee. He suggests caramels: "When you think about it, it is as arbitrary as drinking coffee."
"Good Will Hunting" has a terrific premise - a troubled genius who suppresses his past - and although the film deals with his abusive past, it never confirms or explains Will's genius. Where does it stem from and, more importantly, how does Will feel about his own intelligence? The movie treats Will as a misunderstood genius rather than allowing Will to see how he mistreats and misunderstands himself. That's probably too much to expect from a film, but I wouldn't have minded to see Will's brain at work - how about a scene where we see the mental process by which Will solves a math problem? There are some instances where we see Will's genius at work (the courtroom scenes where Will avoids misdemeanor jail sentences by quoting legal cases from the 19th century is a good example) but they are not enough to show how Will's mind unravels. Mostly, we see the selfish MIT professor trying to use Will's mind as an experiment for his own ambitions, and there's the therapist who is trying to get Will to confront his past - yes, you've seen these subplots before.
"Good Will Hunting" has plenty of expert performances from the cast, including Matt Damon ("Courage Under Fire") as the fast-talking Will; Ben Affleck ("Chasing Amy") as Will's beer-drinking buddy who has a pivotal moment where he tries to convince Will to take advantage of his talents; the luscious Minnie Driver as Will's girlfriend who loves him; and the grand Robin Williams as the hip therapist who has been down the same road as Will. Williams, in his Awakenings mode, is brilliantly understated and a joy to watch as we see him gradually trying to get Will to open his heart. His final scene, where he repeatedly acknowledges to Will that it is "not your fault," is emotionally powerful and heartbreaking.
"Good Will Hunting" is competently directed by Gus Van Sant ("Drugstore Cowboy"), but he never gets as close to Will's nature as he did to River Phoenix's in "My Own Private Idaho." The first-time screenplay by co-stars Ben Affleck and Matt Damon is often smartly funny, manipulative and quasi-sentimental but not as freshly developed as I might have hoped. By the end of the film, you feel that Will Hunting is more like an unreal movie character than a genuine, three-dimensional human being.
For more review, check out JERRY AT THE MOVIES at http://buffs.moviething.com/buffs/faust/
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--- title: Sealed Secret overview: Representation of secrets which are sealed locally or remotely. location: https://asylo.dev/docs/reference/proto/identity/asylo.sealed_secret.v1.html layout: protoc-gen-docs redirect_from: /docs/reference/proto/identity/identity.html redirect_from: /docs/reference/proto/identity/identity_acl.html redirect_from: /docs/reference/proto/identity/sealed_secret.html number_of_entries: 4 ---
The following recursive protos allow for arbitrary nesting of logical operators when constructing an EnclaveIdentityExpectation-based ACL. Such ACLs can be evaluated against a set of identities belonging to an enclave to make authorization decisions.
An ACL is represented by a top-level IdentityAclPredicate. A predicate can either be a singular EnclaveIdentityExpectation, or a nested IdentityAclGroup, which contains a list of predicates as well as a logical operator (OR, AND, or NOT):
An EnclaveIdentityExpectation predicate is satisfied if it is matched by any of a given set of enclave identities.
Sealing Root Information. This information is used by the program to instantiate the correct implementation of the SecretSealer interface.
Sealing Root Type.
| Name | Description |
|---|---|
LOCAL |
Indicates that the secret is sealed to a machine-local (e.g., CPU-based) sealing root. |
REMOTE |
Indicates that the secret is sealed to a remote-service-based sealing root (e.g., a secret-escrow service). |


Sardine
Sardine was an experimental project that explored user interface designs for high-volume inbound information, such as a Twitter feed.
The primary focus of the project was to study the mutual effects of: - a mental model centered around topics contained in the stream, rather than a singular chronological stream of information; - dynamic and interactive visualisation of such topics, rather than the timeline.
Interesting design and technical challenges included: - working with tag cloud visualisation libraries; - understanding the nuances of text visualisation and requisite qualities of the visualised data; - interop of native, co-located web and remote web components in a hybrid client application; - critical factors in a project that employs multiple programming languages numerous open source projects, and rapid UI iterations.