dtdobject
Class DtdObject
java.lang.Object
|
+--dtdobject.DtdObject
- public class DtdObject
- extends java.lang.Object
|
Constructor Summary |
DtdObject()
DtdObject()
This is the only constructor for DtdObject. |
|
Method Summary |
void |
addSubgroup(java.lang.String subgroup,
int occurrence)
addSubgroup(String subgroup, int occurrence)
insert a subgroup to a container element. |
java.lang.String |
dtdToText()
dtdToText()
convert a virtual DTD specfication given by this object into a String
that can be printed in a window, file, or other such output gizmo. |
private DtdElement[] |
getElements()
getElements()
convert the BasicArray of DTD elements into a simple String array for
output purposes in the dtdToText() function. |
void |
insertElement(java.lang.String name,
int type)
insertElement(String name, int type)
add an element into the virtual DtdObject. |
void |
moveToElement(java.lang.String name)
moveToElement(String name)
move the current element to the element specified by name. |
| Methods inherited from class java.lang.Object |
, clone, equals, finalize, getClass, hashCode, notify, notifyAll, registerNatives, toString, wait, wait, wait |
VALUE_ELEMENT
public static final int VALUE_ELEMENT
CONTAINER_ELEMENT
public static final int CONTAINER_ELEMENT
MUST
public static final int MUST
MAY
public static final int MAY
elements
private BasicArray elements
currentElement
DtdElement currentElement
DtdObject
public DtdObject()
- DtdObject()
This is the only constructor for DtdObject. The constructor sets up
the BasicAray in which the elements are defined.
insertElement
public void insertElement(java.lang.String name,
int type)
- insertElement(String name, int type)
add an element into the virtual DtdObject.
#parameter: name
the name of the new element to be inserted into the virtual DTD
representation.
#parameter: type
specifies the type of element being inserted as either a container
element or a value element. Use the constants CONTAINER_ELEMENT
and VALUE_ELEMENT defined in this class.
#returns: void
moveToElement
public void moveToElement(java.lang.String name)
- moveToElement(String name)
move the current element to the element specified by name. This enables
the addition of grouping objects into a node.
#parameter: name
the name of the new element to be set as current.
#returns: void
addSubgroup
public void addSubgroup(java.lang.String subgroup,
int occurrence)
- addSubgroup(String subgroup, int occurrence)
insert a subgroup to a container element. Each subgroup also has some
occurrence specification given by the constants MAY and MUST which indicates
if an object may appear 0 or more times or must appear at least once.
#parameter: subgroup
the name of the new subgroup to be inserted.
#parameter: occurrence
MAY -> the subgroup appears 0 to many times.
MUST -> the subgroup appears at least once.
#returns: void
dtdToText
public java.lang.String dtdToText()
- dtdToText()
convert a virtual DTD specfication given by this object into a String
that can be printed in a window, file, or other such output gizmo.
#returns: String
getElements
private DtdElement[] getElements()
- getElements()
convert the BasicArray of DTD elements into a simple String array for
output purposes in the dtdToText() function. Note that getElements is
a private function.
#returns: String


What is a UH Grouping?
A grouping is a collection of members (e.g., all full-time Hilo faculty).
Create groupings, manage grouping memberships, control members' self-service options, designate sync destinations, and more.
Synchronize groupings email LISTSERV lists, attributes for access control via CAS and LDAP, etc.
Leverage group data from official sources, which can substantially reduce the manual overhead of membership management.
General Info
How do I request a new grouping?
Exactly what is a grouping?
General information about groupings is available. A grouping's components include the Basis, Include, and Exclude lists.
What is the Basis?
A grouping's Basis is the portion of the grouping membership that is automatically updated. It may be empty.
What is the Include members list?
A grouping's Include is the portion of the grouping membership that is manually updated. It may be empty.
What is the Exclude members list?
A grouping's Exclude overrides automatic and manual membership by explicitly not including anyone listed here. It may be empty.
What Happens If
Technical Information
Resources
Source code is available on GitHub.
Technologies
Apache Maven (Introduction)
Apache Tomcat (Welcome)
Java Spring Framework (Guide) (API)
Spring Boot (Guide)
JQuery (Current Version) (API)
Jasmine (Current Version) (Guide)
Jenkins (Documentation)
Underscore.js (Documentation)


EDN
21-Amino-acid peptides produced by vascular endothelial cells and functioning as potent vasoconstrictors. The endothelin family consists of three members, ENDOTHELIN-1; ENDOTHELIN-2; and ENDOTHELIN-3. All three peptides contain 21 amino acids, but vary in amino acid composition. The three peptides produce vasoconstrictor and pressor responses in various parts of the body. However, the quantitative profiles of the pharmacological activities are considerably different among the three isopeptides.
(mesh:D016232)
Cross-references
Synonyms
| Synonym |
Reference |
Specificity |
| endothelin |
|
Exact
|
| endothelins |
|
Exact
|
Incoming Relations
Outgoing Relations


CS671: Introduction to Natural Language Processing
Homework 3: Semantically Smooth Knowledge Graph Embedding
To view the above paper,
click here
To view the review presentation,
click here


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Doshi-Velez, Finale, and Been Kim. 2017. “Towards a Rigorous Science of Interpretable Machine Learning.” arXiv:1702.08608 [Cs, Stat], February. http://arxiv.org/abs/1702.08608.
Dunteman, George. 2019. Principal Components Analysis. Newbury Park, California. doi:10.4135/9781412985475.
Goodman, Bryce, and Seth Flaxman. 2016. “European Union regulations on algorithmic decision-making and a ”right to explanation”.” arXiv E-Prints, June, arXiv:1606.08813.
Guidotti, Riccardo, Anna Monreale, Salvatore Ruggieri, Franco Turini, Dino Pedreschi, and Fosca Giannotti. 2018. “A Survey of Methods for Explaining Black Box Models.” arXiv:1802.01933 [Cs], February. http://arxiv.org/abs/1802.01933.
Hohman, Fred, Minsuk Kahng, Robert Pienta, and Duen Horng Chau. 2018. “Visual Analytics in Deep Learning: An Interrogative Survey for the Next Frontiers.” arXiv:1801.06889 [Cs, Stat], January. http://arxiv.org/abs/1801.06889.
Hunt, Amelia, and Doug Specht. 2019. “Crowdsourced Mapping in Crisis Zones: Collaboration, Organisation and Impact.” Journal of International Humanitarian Action 4 (1). doi:10.1186/s41018-018-0048-1.
Keim, D. A. 2002. “Information Visualization and Visual Data Mining.” IEEE Transactions on Visualization and Computer Graphics 8 (1): 1–8. doi:10.1109/2945.981847.
Kim, Been, Martin Wattenberg, Justin Gilmer, Carrie Cai, James Wexler, Fernanda Viegas, and Rory Sayres. 2017. “Interpretability Beyond Feature Attribution: Quantitative Testing with Concept Activation Vectors (TCAV).” arXiv:1711.11279 [Stat], November. http://arxiv.org/abs/1711.11279.
Kingma, Diederik P., and Jimmy Ba. 2014. “Adam: A Method for Stochastic Optimization.” arXiv:1412.6980 [Cs], December. http://arxiv.org/abs/1412.6980.
Maggiori, Emmanuel, Yuliya Tarabalka, Guillaume Charpiat, and Pierre Alliez. 2017. “Can Semantic Labeling Methods Generalize to Any City? The Inria Aerial Image Labeling Benchmark.” In 2017 IEEE International Geoscience and Remote Sensing Symposium (IGARSS), 3226–9. Fort Worth, TX: IEEE. doi:10.1109/IGARSS.2017.8127684.
Ribeiro, Marco Tulio, Sameer Singh, and Carlos Guestrin. 2016. “‘Why Should I Trust You?’: Explaining the Predictions of Any Classifier.” arXiv:1602.04938 [Cs, Stat], February. http://arxiv.org/abs/1602.04938.
Ronneberger, Olaf, Philipp Fischer, and Thomas Brox. 2015. “U-Net: Convolutional Networks for Biomedical Image Segmentation.” arXiv:1505.04597 [Cs], May. http://arxiv.org/abs/1505.04597.
Rumelhart, David E, Geoffrey E Hinton, and Ronald J Williams. 1985. “Learning Internal Representations by Error Propagation.” California Univ San Diego La Jolla Inst for Cognitive Science.
Spence, Robert. 2007. Information Visualization: Design for Interaction. 2 edition. Harlow: Pearson.
Tomsett, Richard, Dave Braines, Dan Harborne, Alun Preece, and Supriyo Chakraborty. 2018. “Interpretable to Whom? A Role-Based Model for Analyzing Interpretable Machine Learning Systems.” arXiv:1806.07552 [Cs], June. http://arxiv.org/abs/1806.07552.
Wu, Chenyue, and Esteban G. Tabak. 2017. “Prototypal Analysis and Prototypal Regression.” arXiv:1701.08916 [Stat], January. http://arxiv.org/abs/1701.08916.
Yosinski, Jason, Jeff Clune, Anh Nguyen, Thomas Fuchs, and Hod Lipson. 2015. “Understanding Neural Networks Through Deep Visualization.” arXiv:1506.06579 [Cs], June. http://arxiv.org/abs/1506.06579.
Yu, Wei, Kuiyuan Yang, Yalong Bai, Hongxun Yao, and Yong Rui. 2014. “Visualizing and Comparing Convolutional Neural Networks.” arXiv:1412.6631 [Cs], December. http://arxiv.org/abs/1412.6631.


Combining technology and social media to create coffee connoisseurs.
Your Barista Results
Light roasts have a toasted grain taste and pronounced acidity. The origin flavors of the bean are retained to a greater extent than in darker roasted coffees.
Medium roasts have more body than light roasts. They lack the grainy taste often found in light roasts, exhibiting more balanced flavor, aroma, and acidity.
Dark roasts will generally have a bitter and smoky or even burnt taste. The coffee’s origin flavors are eclipsed by the flavors of the roasting process.
What kind of roast do you prefer?
Thanks for the feedback, enjoy your brew.
Your Twitter Timeline Tells Us
Individuals who are curious tend to exhibit inquisitive thinking such as exploration, investigation, and learning, evident by observation in humans and other animals. Curiosity is heavily associated with all aspects of human development, in which derives the process of learning and desire to acquire knowledge and skill.
Individuals who are open to experience are intellectually curious, open to emotion, sensitive to beauty and willing to try new things. They tend to be, when compared to closed people, more creative and more aware of their feelings. They are also more likely to hold unconventional beliefs.


DOMLocator is an interface that describes a location. More...
#include <DOMLocator.hpp>
Public Member Functions | |
Destructor | |
| virtual | ~DOMLocator () |
| Destructor. | |
Functions introduced in DOM Level 3 | |
| virtual XMLFileLoc | getLineNumber () const =0 |
| Get the line number where the error occured, or 0 if there is no line number available. | |
| virtual XMLFileLoc | getColumnNumber () const =0 |
| Get the column number where the error occured, or 0 if there is no column number available. | |
| virtual XMLFilePos | getByteOffset () const =0 |
| Get the byte offset into the input source, or ~(XMLFilePos(0)) if there is no byte offset available. | |
| virtual XMLFilePos | getUtf16Offset () const =0 |
| Get the UTF-16 offset into the input source, or ~(XMLFilePos(0)) if there is no UTF-16 offset available. | |
| virtual DOMNode * | getRelatedNode () const =0 |
Get the DOMNode where the error occured, or null if there is no node available. | |
| virtual const XMLCh * | getURI () const =0 |
Get the URI where the error occured, or null if there is no URI available. | |
Protected Member Functions | |
Hidden constructors | |
| DOMLocator () |
DOMLocator is an interface that describes a location.
(e.g. where an error occured).
| xercesc::DOMLocator::DOMLocator | ( | ) | [inline, protected] |
| virtual xercesc::DOMLocator::~DOMLocator | ( | ) | [inline, virtual] |
Destructor.
| virtual XMLFilePos xercesc::DOMLocator::getByteOffset | ( | ) | const [pure virtual] |
Get the byte offset into the input source, or ~(XMLFilePos(0)) if there is no byte offset available.
| virtual XMLFileLoc xercesc::DOMLocator::getColumnNumber | ( | ) | const [pure virtual] |
Get the column number where the error occured, or 0 if there is no column number available.
| virtual XMLFileLoc xercesc::DOMLocator::getLineNumber | ( | ) | const [pure virtual] |
Get the line number where the error occured, or 0 if there is no line number available.
| virtual DOMNode* xercesc::DOMLocator::getRelatedNode | ( | ) | const [pure virtual] |
Get the DOMNode where the error occured, or null
if there is no node available.
| virtual const XMLCh* xercesc::DOMLocator::getURI | ( | ) | const [pure virtual] |
Get the URI where the error occured, or null
if there is no URI available.
| virtual XMLFilePos xercesc::DOMLocator::getUtf16Offset | ( | ) | const [pure virtual] |
Get the UTF-16 offset into the input source, or ~(XMLFilePos(0)) if there is no UTF-16 offset available.


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public static final class R.styleable
extends java.lang.Object
| Modifier and Type | Field and Description |
|---|---|
static int[] |
PasscodeView
Attributes that can be used with a
PasscodeView.
|
static int |
PasscodeView_dividerColor
This symbol is the offset where the
R.attr.dividerColor
attribute's value can be found in the PasscodeView
array.
|
static int |
PasscodeView_fingerprintDefaultText
This symbol is the offset where the
R.attr.fingerprintDefaultText
attribute's value can be found in the PasscodeView
array.
|
static int |
PasscodeView_fingerprintEnable
This symbol is the offset where the
R.attr.fingerprintEnable
attribute's value can be found in the PasscodeView
array.
|
static int |
PasscodeView_fingerprintTextColor
This symbol is the offset where the
R.attr.fingerprintTextColor
attribute's value can be found in the PasscodeView
array.
|
static int |
PasscodeView_fingerprintTextSize
This symbol is the offset where the
R.attr.fingerprintTextSize
attribute's value can be found in the PasscodeView
array.
|
static int |
PasscodeView_giveTactileFeedback
This symbol is the offset where the
R.attr.giveTactileFeedback
attribute's value can be found in the PasscodeView
array.
|
static int[] |
PatternView
Attributes that can be used with a
PatternView.
|
static int |
PatternView_noOfColumns
This symbol is the offset where the
R.attr.noOfColumns
attribute's value can be found in the PatternView
array.
|
static int |
PatternView_noOfRows
This symbol is the offset where the
R.attr.noOfRows
attribute's value can be found in the PatternView
array.
|
static int |
PatternView_patternLineColor
This symbol is the offset where the
R.attr.patternLineColor
attribute's value can be found in the PatternView
array.
|
static int |
PatternView_titleText
This symbol is the offset where the
R.attr.titleText
attribute's value can be found in the PatternView
array.
|
static int |
PatternView_titleTextColor
This symbol is the offset where the
R.attr.titleTextColor
attribute's value can be found in the PatternView
array.
|
static int[] |
PinView
Attributes that can be used with a PinView.
|
static int |
PinView_pin_titleText
This symbol is the offset where the
R.attr.pin_titleText
attribute's value can be found in the PinView
array.
|
static int |
PinView_pin_titleTextColor
This symbol is the offset where the
R.attr.pin_titleTextColor
attribute's value can be found in the PinView
array.
|
| Constructor and Description |
|---|
styleable()
|
public static final int[] PasscodeView
Includes the following attributes:
public static int PasscodeView_dividerColor
This symbol is the offset where the R.attr.dividerColor
attribute's value can be found in the PasscodeView
array.
Must be a color value, in the form of
"#rgb
", "#argb
",
"#rrggbb
", or
"#aarrggbb
".
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static int PasscodeView_fingerprintDefaultText
This symbol is the offset where the R.attr.fingerprintDefaultText
attribute's value can be found in the PasscodeView
array.
Must be a string value, using '\\;' to escape characters such as '\\n' or '\\uxxxx' for a unicode character.
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static int PasscodeView_fingerprintEnable
This symbol is the offset where the R.attr.fingerprintEnable
attribute's value can be found in the PasscodeView
array.
Must be a boolean value, either "true
" or
"false
".
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static int PasscodeView_fingerprintTextColor
This symbol is the offset where the R.attr.fingerprintTextColor
attribute's value can be found in the PasscodeView
array.
Must be a color value, in the form of
"#rgb
", "#argb
",
"#rrggbb
", or
"#aarrggbb
".
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static int PasscodeView_fingerprintTextSize
This symbol is the offset where the R.attr.fingerprintTextSize
attribute's value can be found in the PasscodeView
array.
Must be a dimension value, which is a floating point number
appended with a unit such as "14.5sp
".
Available units are: px (pixels), dp (density-independent
pixels), sp (scaled pixels based on preferred font size),
in (inches), mm (millimeters).
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static int PasscodeView_giveTactileFeedback
This symbol is the offset where the R.attr.giveTactileFeedback
attribute's value can be found in the PasscodeView
array.
Must be a boolean value, either "true
" or
"false
".
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static final int[] PatternView
Includes the following attributes:
public static int PatternView_noOfColumns
This symbol is the offset where the R.attr.noOfColumns
attribute's value can be found in the PatternView
array.
Must be an integer value, such as "100
".
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static int PatternView_noOfRows
This symbol is the offset where the R.attr.noOfRows
attribute's value can be found in the PatternView
array.
Must be an integer value, such as "100
".
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static int PatternView_patternLineColor
This symbol is the offset where the R.attr.patternLineColor
attribute's value can be found in the PatternView
array.
Must be a color value, in the form of
"#rgb
", "#argb
",
"#rrggbb
", or
"#aarrggbb
".
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static int PatternView_titleText
This symbol is the offset where the R.attr.titleText
attribute's value can be found in the PatternView
array.
Must be a string value, using '\\;' to escape characters such as '\\n' or '\\uxxxx' for a unicode character.
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static int PatternView_titleTextColor
This symbol is the offset where the R.attr.titleTextColor
attribute's value can be found in the PatternView
array.
Must be a color value, in the form of
"#rgb
", "#argb
",
"#rrggbb
", or
"#aarrggbb
".
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static final int[] PinView
Includes the following attributes:
| Attribute | Description |
|---|---|
|
|
|
PinView_pin_titleText
,
PinView_pin_titleTextColor
public static int PinView_pin_titleText
This symbol is the offset where the R.attr.pin_titleText
attribute's value can be found in the PinView
array.
Must be a string value, using '\\;' to escape characters such as '\\n' or '\\uxxxx' for a unicode character.
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.
public static int PinView_pin_titleTextColor
This symbol is the offset where the R.attr.pin_titleTextColor
attribute's value can be found in the PinView
array.
Must be a color value, in the form of
"#rgb
", "#argb
",
"#rrggbb
", or
"#aarrggbb
".
This may also be a reference to a resource (in the form
"@[package:]type:name
") or
theme attribute (in the form
"?[package:][type:]name
")
containing a value of this type.


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About
Cut and Project Tiling
by Grant Glouser
What is this?
See some examples
GitHub project page
Tiling method:
Cut and project
Multigrid
Multigrid (wasm)
Axis Controls
axes
Offsets
Colors
Copy the tiling code below or use
this link
.
xyz
Enter a tiling code:


Nicole Scherzinger takes Thom Evans out for flirty date as he swears off sex
Celebrity X Factor star Thom Evans hooked up with the reality show judge earlier this week - despite insisting he was taking a vow of celibacy until the end of the series
by Emmeline SaundersNicole Scherzinger and Thom Evans enjoyed a flirty night out after meeting on Celebrity X Factor , in which he is currently starring.
The 41-year-old reality show judge, who split from tennis champ Grigor Dimitrov earlier this year, joined rugby ace Thom, 34, for a secret romantic date this week.
The pair met up in London with friends and enjoyed dinner and drinks together, a source revealed.
"Thom is completely Nicole's type. And for his part, Thom was smitten early on — he's always said Nicole is one of the most beautiful women in the world," the insider told the Sun .
"He fancied her long before meeting her on the show. He was initially a bit nervous about starting something up, and ruining his chances on the series, but they had great chemistry from the off.
"And after weeks of texting, Thom finally plucked up the courage to ask her out, and took her for dinner."
The mole added: "They met up with friends, all had drinks, and were laughing and joking the whole night. They looked to be having the time of their lives.
"They both want to focus on the series for now though, and then see what may or may not progress once the show has wrapped. But Nicole deserves to meet someone lovely and everyone is hopeful this will work out."
Thom is currently on the ITV show with his rugby pals Ben Foden and Levi Davis, who make up the band Try Star.
And Nicole even told the audience at the show's launch that she'd be up for getting to know them, laughing: "These guys are hot. I'm newly single and ready to mingle."
However, just two days ago Thom said he was taking a vow of celibacy until The X Factor ends so he can concentrate on winning.
He bragged that lots of men and women have been sliding into his DMs, but he doesn't want to meet anyone online.
"I'm single and there are lots of lovely girls on X Factor but I've been focused on the band," he claimed.
"It's been pretty stressful learning the songs so I've no time to indulge in women.
"We want to go all the way. It's never been a joke — we all want a record deal. We aren't used to performing so we are learning."
Nicole was previously in a long-term relationship with F1 champ Lewis Hamilton, while Thom once had a high-profile romance with Kelly Brook, which broke down after she suffered a second miscarriage.


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What 21 actors took from movie sets
by Meghan Cook- Though it’s not always easy to take things from a movie set without getting caught, many famous actors have managed to take props home from sets to keep as mementos.
- For example, Robert Downey Jr. said he took home a giant letter “A” from the “Avengers” set.
- Emma Watson said she took a few things from the set of “Harry Potter.”
- Jennifer Lawrence said she took home Katniss’ leather jacket and boots from the “Hunger Games” set.
- Visit Insider’s homepage for more stories.
Considering how much time they spend on set, it’s no surprise that actors make a lot of memories while filming movies. And so, it’s not surprising that some stars want to take home a few mementos to symbolize their time spent portraying a certain character.
Movie studios typically own the props that help make movies magical so it’s not exactly easy for actors to swipe things from set. But sometimes stars find a way to take home some impressive or strange props.
Here are some actors who took props home from their movie sets.
Reese Witherspoon’s contract for “Legally Blonde 2” allowed her to take home a huge wardrobe.
In an interview on “The Graham Norton Show,” Reese Witherspoon said she brought home her entire wardrobe from “Legally Blonde 2: Red, White, and Blonde.”
She added that keeping the wardrobe was part of her contract and that the looks included 77 pairs of designer Jimmy Choo shoes.
Witherspoon explained that she hasn’t worn any of the items since she brought them home.
“I’ve never touched them [since] and then on the 15th anniversary I took them all out of storage and tried them all on,” Witherspoon said. “Some of them fit, some of them didn’t, and then I, yeah, I showed them all to my daughter and it was really cool.”
Adam Driver has some props from his time filming “Star Wars.”
Actor Adam Driver, who played Kylo Ren in “Star Wars: The Rise Of Skywalker,” said he brought home “a lot of stuff” from the movie set.
During an interview on “The Late Show with Stephen Colbert,” Driver said he has a box containing his lightsaber and that he took his costume from the set, with permission.
Zac Efron said he has taken a few things from a wide variety of his movie roles.
In an interview with BBC Radio 1, Efron said he’s taken a few things from movies he’s been in.
He said he took his board shorts from “Baywatch,” his basketball jersey from “High School Musical,” and the belt he wore as Link Larkin in “Hairspray.” He said he sometimes still wears the belt.
Ashley Tisdale said she took her character’s entire “High School Musical” wardrobe.
In 2018, Ashley Tisdale, who played Sharpay Evans in “High School Musical,” told BuzzFeed that she took her character’s entire wardrobe from the first film.
“A lot of our clothes are in hall of fames and they didn’t have Sharpay’s stuff and Disney tried so hard to get the clothes from me and I was like ‘No, this is mine,” she told BuzzFeed. “So yeah, they don’t have any of the clothes from the first movie. I do.”
Jennifer Lawrence said she took home Katniss’ leather jacket and boots from the “Hunger Games” set.
From 2012 to 2015, Jennifer Lawrence portrayed literary hero Katniss Everdeen in the “Hunger Games” film series. Katniss was skilled at both hunting and archery and was rarely seen on screen without her brown leather jacket and boots.
In an E! News interview from the 2015 San Diego Comic-Con, Lawrence was asked if she took anything home from the final film set and responded, “I have the leather jacket – the leather hunting jacket – and my leather hunting boots.”
Read More: 12 surprising things you probably didn’t know about ‘The Hunger Games’
Robert Downey Jr. said he has the giant Avenger’s “A” from the “Avengers: Age of Ultron” set.
The expansive Marvel Cinematic Universe can be traced back to its humble beginnings with “Iron Man” (2008), so it makes sense that Iron Man himself (Robert Downey Jr.) would want a piece of Avengers history.
“On Age of Ultron, there was a massive Avengers ‘A’ outside the Avengers center. I have it,” Downey said during a ” Jimmy Kimmel Live” interview for “Captain America: Civil War” in 2016.
Chris Hemsworth said he took home multiple copies of Thor’s hammer.
During a 2018 interview about “Thor: Ragnarok,” Jimmy Kimmel asked Chris Hemsworth, who plays Thor in the Marvel Cinematic Universe, if he got to take Thor’s famed hammer Mjolnir home.
Hemsworth replied that he actually took “a few … about five.” When Kimmel questioned where he keeps all of them Hemsworth said, “One’s next to the toilet, one’s on a mantelpiece somewhere.”
Chadwick Boseman said he took Kimoyo beads from the set of “Black Panther.”
In a 2018 Jimmy Kimmel Live interview for “Avengers: Infinity War,” Kimmel asked the cast if they had kept any mementos from the Marvel sets.
“I kept the beads, the Kimoyo beads,” Chadwick Boseman said. “I have them on right now.”
Boseman wore the Kimoyo beads, an accessory made from Wakandan technology when he played King T’Challa in “Black Panther.”
Sir Ian McKellen said he took golden coins and a house key to Bag End from “Lord of the Rings.”
Acclaimed British actor Sir Ian McKellen notably portrayed the wizard Gandalf in the “Lord of the Rings” trilogy and the subsequent “Hobbit” films.
In an “Ask Me Anything” thread on Reddit in 2016, McKellen wrote that he took some gold coins from the lair where the dragon in the film was hiding.
McKellen also wrote that he managed to take home the “front door key to Bag End, which I know [director] Peter Jackson is looking for, but will never find.”
Robert Pattinson said he took a few pairs of Edward Cullen’s underwear from the “Twilight” set.
Per CBS New York, at a 2012 press junket for “Twilight Saga: Breaking Dawn Part 2,” Robert Pattinson (who played the sulky vampire Edward Cullen) said he took home a few pairs of underwear from the movie set.
“I took a lot of underwear to be honest. I did that on all the movies,” Pattinson said. “They have the best underwear and I have no idea where they get it from. I use it every day.”
Kristen Stewart said she took home some rings from the “Twilight” series.
In a 2012 interview with People, Kristen Stewart said she’s taken several of her character’s rings from the set of the “Twilight” movies.
In particular, she said she took a moon ring from Bella’s mother and the diamond-studded engagement ring Edward proposed to Bella with.
The rings “are really, really extremely important to me,” Stewart said in the interview. “I love those things.”
Gabrielle Union said she still has her “Bring It On” cheerleading uniform hanging in her closet.
In the 2000 comedy “Bring it On” Gabrielle Union played Isis, a young high-school student who led the East Compton Clovers cheer squad. Union’s green cheer outfit, striped with accents of orange and yellow, has become synonymous with the movie itself.
In an interview with People Style in 2017, Union said that she still has the cheer outfit in her closet, though she doesn’t wear it.
Daniel Radcliffe said he took home two pairs of Harry Potter’s glasses.
Daniel Radcliffe, who portrayed Harry Potter in the notable fantasy franchise that spanned eight films, said he took home two pairs of glasses from set – one from the first film, “Harry Potter and the Sorcerer’s Stone,” and another from the seventh, “Harry Potter and the Deathly Hallows Part 1.”
In an interview with Daily Mail in 2011 Radcliffe said, “The ones from the first film are absolutely tiny now, but they are very sweet. They are all lens-less as well. There was rarely ever any glass in the actual glasses because of filming problems with reflections.”
In 2011, the late Alan Rickman said he took home Severus Snape’s wand.
The late Alan Rickman played the grim Severus Snape throughout the entire “Harry Potter” series. In a 2011 interview with HitFix, Rickman said he kept Severus Snape’s wand.
Emma Watson said she snagged Hermione’s cloak, wand, and Time-Turner from the “Harry Potter” set.
Emma Watson, who portrayed the highly intelligent witch Hermione Granger in all eight “Harry Potter” films, said she took home several things from the set that reminded her of her time as a Hogwarts student.
“I took my wand, I took my Time-Turner, and I took a cloak,” Watson said in her interview with Time for Kids in 2010.
Rupert Grint said he snagged a memento from Harry Potter’s old house and also tried to take a costly dragon egg.
Rather than simply taking glasses or a wand, Rupert Grint said he and his co-stars who played George and Fred Weasley attempted to steal a golden dragon egg from the set of “Harry Potter and the Goblet of Fire.”
“I took the golden egg that was in the fourth film – a dragon egg. Apparently, it was worth a few thousand dollars. I put it in a pillowcase, it was with James [and] Oliver, it was a joint effort. But they tracked it down and got it off us,” Grint, who played Harry’s best friend Ron Weasley, told BBC Newsbeat in 2010,
In regards to a prop that Grint successfully took home, he told the Daily Mail in 2011 that he got the “number 4” from 4 Privet Drive, the house where Harry was raised by his aunt and uncle.
“Well, I kind of stole [it], I suppose,” Grint told the publication. “That’s quite a nice thing to keep.”
Simon Pegg said he took a Starfleet badge from “Star Trek: Into Darkness” but said he’d bring it back.
Per Female First’s reports, at a press conference for 2013’s “Star Trek Into Darkness,” Simon Pegg talked about how difficult it was to take anything from the set of the “Star Trek” reboot in 2009.
Apparently, security was more relaxed on the set of the sequel because Pegg said he was able to take a Starfleet badge home when he reprised his role as Scotty.
“It was on my costume when I got back to my trailer and it’s a beautiful little brass thing,” Pegg said. “And I put it in my bag.”
Pegg then turned to the film’s director J.J. Abrams and joked, “Yeah!
Taron Egerton said he took a neon sign from the “Rocketman” set.
In a 2019 interview with British GQ, Taron Egerton (who played famed musician Elton John) said he took the neon Troubadour sign from one of the film’s concert stages.
“[It] is obviously really cool and is exactly as it is in the club in LA, which I visited after the shot,” Egerton said in the interview.
He said Richard Madden, his co-star in the film, told him to take it and put it in his kitchen. Egerton did. He said it’s still there today.
Kimberly J. Brown said she has lots of things from the set of “Halloweentown.”
In a YouTube video with Manny Gutierrez, actress Kimberly J. Brown shared that she took a lot of things from the “Halloweentown” (1998) set.
The actress said she took the titular book from the film and that Disney gave her the puppet that was Kalabar’s bat assistant.
“I also have Marnie’s purple cloak and hat from the second and third ‘Halloweentown’ movies,” she said in the video.
She said she also has Marnie’s little broom from the second movie.
Timothée Chalamet said he has a helmet and a chain from “The King.”
While working on the 2019 film “The King,” Timothée Chalamet told BBC Radio 1 that he got to keep a few things from the set, although he regrets not trying to take home a big sword.
He grabbed the “thick, metal helmet” and a period chain with a “contemporary feel to it” instead.
Julie Andrews kept a pair of shoes from “Mary Poppins.”
While on “The Graham Norton Show,” actress Julie Andrews said she took home a pair of shoes from “Mary Poppins.” She said the pair of kicks now serve as doorstops in her home.


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Dogma: losing my religion
Angels in the movies are nothing new. From Wings of Desire to A Life Less Ordinary. Similarly, the idea of Earth as a battlefield is older than Milton, and has been done as well (Prophecy I & II, etc). God's even taken mortal (comic) form before, as George Burns. However, never before has George Carlin been a cardinal, Chris Roc the 13th apostle, Selma Hayek an exotic-dancing muse. Religion on the big screen's always been a little too orthodox for that. As in sacred. As in be careful, Salman Rushdie. With Dogma, Kevin Smith is more than just not careful, he's irreverent, glib, interpreting the (Catholic) Church through, say, Ghostbusters. Meaning Jesus Christ becomes 'J.C.' Prophets speak with profane tongues. Nuns are corruptible. Angels carry guns and aren't at all reluctant to use them. In fact, the one stable role in Dogma is Janeane Garofalo, the slightly bitter abortion clinic employee. She's the only one not crusading, the only one without holy import.
However--though roles like this were practically made for her--Jeanine Garofalo's not the 'doubting hero' that just about every religious movie needs to 'convert,' (where conversion stands in for character development) but Linda Fiorentino is, as Bethany, which continues the longstanding religious thriller tradition (Seventh Sign, Stigmata, etc) of having a single women save the world.  But who in the 20th century wouldn't, right? This type commentary constitutes a large part of Dogma--the lingering suspicion that religious iconography hasn't kept up with the times. As Cardinal Carlin says, it's time for some revamping; as Nietzsche might say, though, 'vamp' in that context means already dead. Dogma tosses all of this around and more.
It all starts when two exiled angels--Loki (the Norse trickster?; Matt Damon) and Bartleby (as in the Scrivener; Ben Affleck)--discover they can go home again, via a biblical loophole in the garden state itself, New Jersey. So now they have four days left to kill, literally, on Earth. The thing is, though, if they do sneak back into heaven, it'll show that God (AWOL for 98% of Dogma) isn't quite as infallible as s/he claims to be, and we can't have that. Meaning his/her crack staff has to mobilize against Loki and Bartleby, whose Swedenborgian hostility towards mortals is getting a tad out of hand (see: office massacre, etc). Thus starts all the divine warfare, interspersed with what turns out to be some rational theological discussions. But then Kevin Smith's strong suit has always been dialogue.
If only he would have stuck to dialogue, too, Dogma would have been a much stronger movie. As is, it feels effects-laden at times, (e.g., an unnecessary fecal golem, etc) and all the delays in getting to the battle scene in New Jersey feel forced, contrived--as if it's all been extended simply to allow these top-billed stars a few more trailer-worthy scenes. Surprisingly, too, a few of the jokes fall embarrassingly flat, even one of Silent Bob's (Kevin Smith). And, unlike his compadre Jay, (Jason Mewes) he's supposed to only talk when it really matters. They are dramatically written in this time, though, so perhaps the occasional dead line is part of the package.
In Dogma's favor, it is loud, fast and funny, it all just goes a little long, tries to work in a few too many jokes, when less would have been more. Compared to Clerks and Chasing Amy, Dogma is sub-par Kevin Smith. Or, Kevin Smith with a real budget, no longer having to innovate. On its own, though, it's still better than two-thirds of the movies out there, and has enough in-stuff going on (Quick Stop, Dante, etc) that die-hard Kevin Smith fans won't go away feeling cheated. In case you're not a Kevin Smith acolyte, though, there's still the guiltysweet transgression ('hellworthy trespass,' in Dogma-terms) of seeing 'God' in lowercase, in the credits, of hearing angels swear, of dressing George Carlin up in robes, any of which make Dogma just about worth the price of admission.
(c) 1999 Stephen Graham Jones, http://www.cinemuck.com
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Go to the source code of this file.
Classes | |
| struct | _ccColor3B |
| struct | _ccColor4B |
| struct | ccColor4F |
| struct | _ccVertex2F |
| struct | _ccVertex3F |
| struct | _ccTex2F |
| struct | _ccPointSprite |
| Point Sprite component. More... | |
| struct | _ccQuad2 |
| A 2D Quad. 4 * 2 floats. More... | |
| struct | _ccQuad3 |
| A 3D Quad. 4 * 3 floats. More... | |
| struct | _ccGridSize |
| A 2D grid size. More... | |
| struct | _ccV2F_C4B_T2F |
| a Point with a vertex point, a tex coord point and a color 4B More... | |
| struct | _ccV2F_C4F_T2F |
| a Point with a vertex point, a tex coord point and a color 4F More... | |
| struct | _ccV3F_C4F_T2F |
| a Point with a vertex point, a tex coord point and a color 4F More... | |
| struct | _ccV3F_C4F_T2F_Quad |
| 4 ccV3F_C4F_T2F More... | |
| struct | _ccV3F_C4B_T2F |
| a Point with a vertex point, a tex coord point and a color 4B More... | |
| struct | _ccV2F_C4B_T2F_Quad |
| 4 ccVertex2FTex2FColor4B Quad More... | |
| struct | _ccV3F_C4B_T2F_Quad |
| 4 ccVertex3FTex2FColor4B More... | |
| struct | _ccV2F_C4F_T2F_Quad |
| 4 ccVertex2FTex2FColor4F Quad More... | |
| struct | _ccBlendFunc |
| Blend Function used for textures. More... | |
Typedefs | |
| typedef struct _ccColor3B | ccColor3B |
| typedef struct _ccColor4B | ccColor4B |
| typedef struct ccColor4F | ccColor4F |
| typedef struct _ccVertex2F | ccVertex2F |
| typedef struct _ccVertex3F | ccVertex3F |
| typedef struct _ccTex2F | ccTex2F |
| typedef struct _ccPointSprite | ccPointSprite |
| Point Sprite component. | |
| typedef struct _ccQuad2 | ccQuad2 |
| A 2D Quad. 4 * 2 floats. | |
| typedef struct _ccQuad3 | ccQuad3 |
| A 3D Quad. 4 * 3 floats. | |
| typedef struct _ccGridSize | ccGridSize |
| A 2D grid size. | |
| typedef struct _ccV2F_C4B_T2F | ccV2F_C4B_T2F |
| a Point with a vertex point, a tex coord point and a color 4B | |
| typedef struct _ccV2F_C4F_T2F | ccV2F_C4F_T2F |
| a Point with a vertex point, a tex coord point and a color 4F | |
| typedef struct _ccV3F_C4F_T2F | ccV3F_C4F_T2F |
| a Point with a vertex point, a tex coord point and a color 4F | |
| typedef struct _ccV3F_C4F_T2F_Quad | ccV3F_C4F_T2F_Quad |
| 4 ccV3F_C4F_T2F | |
| typedef struct _ccV3F_C4B_T2F | ccV3F_C4B_T2F |
| a Point with a vertex point, a tex coord point and a color 4B | |
| typedef struct _ccV2F_C4B_T2F_Quad | ccV2F_C4B_T2F_Quad |
| 4 ccVertex2FTex2FColor4B Quad | |
| typedef struct _ccV3F_C4B_T2F_Quad | ccV3F_C4B_T2F_Quad |
| 4 ccVertex3FTex2FColor4B | |
| typedef struct _ccV2F_C4F_T2F_Quad | ccV2F_C4F_T2F_Quad |
| 4 ccVertex2FTex2FColor4F Quad | |
| typedef struct _ccBlendFunc | ccBlendFunc |
| Blend Function used for textures. | |
| typedef float | ccTime |
| typedef float | ccMat4 [16] |
Enumerations | |
| enum | ccResolutionType { kCCResolutionUnknown } |
| ccResolutionType More... | |
| enum | CCVerticalTextAlignment { kCCVerticalTextAlignmentTop, kCCVerticalTextAlignmentCenter, kCCVerticalTextAlignmentBottom } |
| Vertical text alignment type. | |
| enum | CCTextAlignment { kCCTextAlignmentLeft, kCCTextAlignmentCenter, kCCTextAlignmentRight } |
| Horizontal text alignment type. | |
| enum | CCLineBreakMode { kCCLineBreakModeWordWrap, kCCLineBreakModeCharacterWrap, kCCLineBreakModeClip, kCCLineBreakModeHeadTruncation, kCCLineBreakModeTailTruncation, kCCLineBreakModeMiddleTruncation } |
| Line break modes. | |
cocos2d (cc) types
| typedef struct _ccColor3B ccColor3B |
RGB color composed of bytes 3 bytes
| typedef struct _ccColor4B ccColor4B |
RGBA color composed of 4 bytes
| typedef float ccTime |
delta time type if you want more resolution redefine it as a double
| typedef struct _ccVertex2F ccVertex2F |
A vertex composed of 2 GLfloats: x, y
| typedef struct _ccVertex3F ccVertex3F |
A vertex composed of 2 floats: x, y
| enum ccResolutionType |


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This package allows transpiling JavaScript files using Babel and webpack.
Notes: Issues with the output should be reported on the babel issue tracker.
webpack 1.x babel-loader <= 6.x
webpack 2.x babel-loader >= 7.x (recommended) (^6.2.10 will also work, but with deprecation warnings)
webpack 3.x babel-loader >= 7.1
bash
yarn add babel-loader babel-core babel-preset-env webpack --dev
We recommend using yarn, but you can also still use npm:
bash
npm install --save-dev babel-loader babel-core babel-preset-env webpack
Within your webpack configuration object, you’ll need to add the babel-loader to the list of modules, like so:
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presets: ['env']
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See the babel
options.
You can pass options to the loader by using the options property:
javascript
module: {
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presets: ['env'],
plugins: [require('babel-plugin-transform-object-rest-spread')]
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Note: The sourceMap
option is ignored, instead sourceMaps are automatically enabled when webpack is configured to use them (via the devtool
config option).
Make sure you are transforming as few files as possible. Because you are probably
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, you might be transforming the node_modules
folder or other unwanted
source.
To exclude node_modules
, see the exclude
option in the loaders
config as documented above.
You can also speed up babel-loader by as much as 2x by using the cacheDirectory
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This will cache transformations to the filesystem.
babel uses very small helpers for common functions such as _extend
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You can instead require the babel runtime as a separate module to avoid the duplication.
The following configuration disables automatic per-file runtime injection in babel, instead
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See the docs for more information.
NOTE: You must run npm install babel-plugin-transform-runtime --save-dev
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itself as a dependency with npm install babel-runtime --save
.
javascript
rules: [
// the 'transform-runtime' plugin tells babel to require the runtime
// instead of inlining it.
{
test: /\.js$/,
exclude: /(node_modules|bower_components)/,
use: {
loader: 'babel-loader',
options: {
presets: ['env'],
plugins: ['transform-runtime']
}
}
}
]
Since babel-plugin-transform-runtime includes a polyfill that includes a custom regenerator runtime and core.js, the following usual shimming method using webpack.ProvidePlugin
will not work:
javascript
// ...
new webpack.ProvidePlugin({
'Promise': 'bluebird'
}),
// ...
The following approach will not work either:
```javascript require(‘babel-runtime/core-js/promise’).default = require(‘bluebird’);
var promise = new Promise; ```
which outputs to (using runtime
):
```javascript ‘use strict’;
var _Promise = require(‘babel-runtime/core-js/promise’)[‘default’];
require(‘babel-runtime/core-js/promise’)[‘default’] = require(‘bluebird’);
var promise = new _Promise(); ```
The previous Promise
library is referenced and used before it is overridden.
One approach is to have a “bootstrap” step in your application that would first override the default globals before your application:
```javascript // bootstrap.js
require(‘babel-runtime/core-js/promise’).default = require(‘bluebird’);
// …
require(‘./app’); ```
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{
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Webpack then tries to load the babel
package instead of the babel-loader
.
To fix this you should uninstall the npm package babel
as it is deprecated in babel v6. (instead install babel-cli
or babel-core
)
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Amid 'teacher shaming,' DepEd says PTAs proper forum to resolve conflicts
The Department of Education says cooperation of all stakeholders is needed to 'maintain and promote trust, respect, and dignity of all learners, teachers, and administrators of schools'
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By using shopping carts, an image associated with consumerism, Banksy's message is that society is focused on material goods, buying more than is necessary in a futile attempt to make ourselves feel happy and fulfilled.
This piece plays on the notion that the grass may be greener, and the landscape (perhaps environmental, perhaps political) may be better on the other side of this large barrier (although we know that it isn't). The artist may also be suggesting that a better political landscape could only emerge if the barrier were destroyed.
This work aims to criticize the excessive surveillance (both from CCTV cameras in public spaces, as well as in other forms such as online) that has recently become a controversial issue both in the UK and abroad.
With site-specific works like Hammer Boy, Banksy and other street artists encourage viewers to envision urban spaces, surfaces, and objects differently, and to see fun and whimsy in otherwise mundane spaces.
Banksy, a street artist whose identity remains unknown, is believed to have been born in Bristol, England, around 1974. He rose to prominence for his provocative stenciled pieces in the late 1990s. Banksy is the subject of a 2010 documentary, Exit Through the Gift Shop, which examines the relationship between commercial and street art.


2 Years4 YearsAdultFigure: The Developing SkeletonThe bones of the shoulder jointAcromialCoracoidGreaterTubHeadInterGrooveLesserTubFigure: Bones of the Shoulder Joint 1The bones of the shoulder jointAcromialCoracoidGreaterTubHeadInterGrooveLesserTubFigure: Bones of the Shoulder Joint 2


Related Coursework: 3D Modelling & Animation, Digital Image Processing, Physically-Based Modeling & Animation, Design Communication, Life Drawing, Time-Based Media
Related Coursework: Data Structures and Algorithms, Object Oriented Programming, Object Oriented Analysis and Design, Operating Systems, Database Management Systems
• Refactored an existing art creation tool resulting in 125% increase in the tool’s output generation speed and increasing the productivity of content creators.
• Worked extensively with Houdini digital assets, custom shaders, python scripting and Houdini viewer states
• Interviewed key stakeholders, gathered requirements and wrote a comprehensive technical requirements document to track development process
• Collaborated with Artists, Technical Artists and Technical Directors through weekly meeting and demos, thereby keeping stakeholders informed of the progress of the tool
Created vector graphics & illustration, User Interfaces and Interactions for web and mobile applications of the company's student management software. Designed several seasonal interactive animations and postcards that appeared on the company's landing page.
Worked on different modules of the SAAS product (an ISP Management Software Solution) such as Subscriber management, Plan management, Billing, Dashboard and Helpdesk. Completely revamped the franchise module on the cloud version of the software to incorporate a new franchise business workflow.Worked with several payment and SMS gateway providers to integrate their solutions with the SAAS product.
Built a model that automated Accounting Operations in tally. CRON was used to schedule XML based SOAP requests to our Accounting server which would update Tally based on those requests.
Modelled a centralized defect-tracking platform that allows both developers and testers to effectively manage, evaluate and prioritize defects in software projects thus automating defect management process. Improved software development infrastructure of the organization by integrating defect tracker system with other project management tools.


I am only writing from my own experience here; yours may be different.
1) ---Its effects on me during the years I 'discovered' it---
I first got drunk at the age of 17. I remember the afternoon well. I had finished school and was bored. I would be alone for at least a couple of hours. I stole some sherry from the cupboard and drank some.
I felt 'inflated' and exhilerated.  I had not changed; but my point of view was different. I felt relaxed and confident. I felt silly. I felt like dancing around and hugging people. And I 'recognized' the feeling somehow. The ludicrous thought that in a previous life I was an alcoholic dashed through my mind. Basically my mood was enhanced. When I looked at the bottle of sherry, I thought, 'Where have you been all my life?'
I felt full of myself. I could easily picture myself in impressive situations, for instance imagining myself as lead guitarist and genius in my favourite band. It was easy to fall into silent egocentric reverie when drunk (it still is, for me, today). Alcohol was like a cross between ecstasy and cocaine. Some features of both. It is interesting that alcohol's deadening effects, similar in some ways to tranquilisers, never manifested themselves to me until many years later. When drunk, I was infused with energy and could only celebrate life. Of course, drinking too much resulted in head-spins and early nights, so to that extent I was aware that alcohol slows things down. But to that extent only. In all other respects, alcohol was a pure stimulant.
I soon discovered that, when drunk, the desire for the 'new' and 'innovative' fades, and much pleasure is derived from the 'familiar'. This is no more startlingly illustrated that by music. When drunk, I wanted only to hear songs I'd heard before; I had no patience to sit through an 'unproven' clump of songs off a new album. I believe this effect of alcohol is not unusual and explains the predominance in pubs of 'oldies' at the jukebox. And it's not to say that the power of these older, more familiar songs diminishes when drunk; to the contrary, I could see infinite emotions in my favourite tunes. It was merely a change in preference.
A 'hangover' is primarily dehydration. There's little else to it. Some people react to this dehydration differently. Keeping hydrated, I can avoid feeling bad the next day.
So, euphoria, light-headedness and relaxation were the effects of alcohol when I was a teenager.
2) ---The change in my worldview that occurred after my first experiences---
I remember the exhilerated, relieved phone call I made to my friend the first time I took alcohol: 'I'm drunk! You're never going to believe this, I'm drunk!' Sounds stupid but the meaning, which I never expressed, was more profound: 'I've realized that there's more to life! There are other states of conciousness! What does philosophy have to say about this fact? And it's a FACT! I just proved it. I know it to be true, since I am drunk myself right now. First-hand knowledge. What is the Universe?'
A period in my life occurred where the 'doors opened'. I had renewed zest for life in the long term. I tried other drugs too, many with dreadful results (marijuana especially). Alcohol helped me with girls. It helped me relate to others. It improved my confidence (at times, too much). It made me into a more intersting person, to be honest.
3) ---What its effects on me are now, eleven years after I first got drunk---
What does alcohol do to me now? I have been through periods where I haven't touched a glass for months; I have been through periods where hardly a night passes without getting drunk. I am more aware that the 'me' that I experience when drunk is not, in fact, the 'me' that others around me experience. To some people, that would be crushing; to me it is merely interesting. A selfish guy, I suppose.
More importantly, the euphoric effects of alcohol, no matter what the dose, have diminished profoundly. Whereas I could once be assured of a great time simply by virtue of drinking a bottle of champagne, I now find that the same bottle will more likely than not send me to sleep, with a depressed and anxious day to follow.
I have reached a point where I simply cannot understand grown men and women who become dependent on this drug. It seems to me a useless substance whose effects on grown-ups, as opposed to alcohol-naive youngsters, is simply not worth the hangover. Not to mention that this stuff tastes terrible to me, in all its forms (beer, wine, spirits, liqueurs), no matter what people pretend! If it tasted good, people would be drunk more frequently than they are. It's nature's own bio-feedback mechanism. Keeps most of us under control. In the same way, I view the increasing likelihood of alcohol to result in a bad or indifferent experience as another 'autofeedback' situation.
Absinthe restores part of the euphoria and clarity of the original experience, but that is another story.
So there we go! That's what I think of the most common psychoactive substance (significantly psychoactive, I mean) that humans indulge in.
Peace to you.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


DfE enquiries
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288
Press release
The government has announced more than £300 million to help young people from every background enjoy the benefits of music and the arts.
A multimillion pound investment in music and arts education will help hundreds of thousands of young people from all backgrounds enjoy potentially life changing cultural activities, Schools Minister Nick Gibb announced today (18 November 2016).
Over the next 4 years the government will provide £300 million to a network of 121 music education hubs to work with schools, local authorities and community organisations to get more young people taking part in music and arts.
Music hubs help hundreds of thousands of 5- to 18-year-olds each year access activities like playing an instrument, singing in a choir or joining a band. Today’s announcement will allow them to reach even more pupils.
Government investment will also help young people from lower income families access music and arts. The Music and Dance scheme , which provides grants to talented young artists who could not otherwise afford to attend world-class institutions like the Royal Ballet School, will receive an additional £29 million a year until 2018.
School Standards Minister Nick Gibb said:
Music and the arts can transform lives and introduce young people to a huge range of opportunities - whether that is learning to play a musical instrument, understanding local heritage or attending a world-famous dance school.
We’re investing more than £300 million over the next 4 years so that those opportunities are open to all, not just the privileged few.
The government will work to ensure that the funding particularly benefits children in the 6 recently announced opportunity areas - parts of the country identified as the most challenged when it comes to social mobility - to give those young people access to the best possible music and cultural education.
This will see them building on schemes like one set up by Oldham Music Hub which works with children with a range of special needs. The sessions are geared to the needs of the children and include songs and musical instrument activities to develop social and communication skills.
A further 6 cultural education programmes which cover heritage, dance, art and design, film and museums will share a further £4.1 million a year until 2018. This includes Heritage Schools , a programme run by Historic England, which aims to ensure school children develop an understanding of their local heritage. The scheme will expand into Blackpool next year, another of the opportunity areas.
Alongside this, further funding for a series of other arts and cultural education programmes has been announced, including:
The £300 million for music education hubs - of which £75 million has already been announced for this year - builds on the £271 million invested in music hubs between 2012 and 2016. The funding will be administered by Arts Council England, which has a wealth of experience and strategic partnerships to improve music and cultural education for children.
Music education hubs are local partnerships - including schools, local authorities and arts organisations - which work together to ensure that all 5- to 18-year-olds have access to high-quality musical opportunities.
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288


Blogging, Reading, Martial Arts (Ninjutsu), Traditional Medecine (Shiatsu, 1st dan), Traveling (Biked 1,200 km from Paris to London; Hitchhiked from Paris to Spain; Built 4 pits to grant access to drinkable water in a village in South East Bangladesh). I also watch Youtube sometimes


Knightfall
Knightfall chronicles the mysterious but true accounts of the Knights Templar, the elite warriors of the Crusades. It delves into the great secrets protected by the Templars and tells the story of faith, loyalty and brotherhood that help sustain these warriors on the battlefield, and the dark events that would forever sear the infamous date of Friday the 13th into the world's psyche.


|
Awesome Portable Rendering Interface Library
This library provides a universal rendering API and does not require to write code that is used in only one API (e.g. OpenGL, DirectX, SDL, ...)
|
Defines a rendersystem state. More...
#include <RenderState.h>
Public Member Functions | |
| RenderState () | |
| Basic constructor. | |
| virtual | ~RenderState () |
| Destructor. | |
| virtual void | reset () |
| Resets or sets up the initial state. | |
Public Attributes | |
| grecti | viewport |
| The current viewport. | |
| bool | viewportChanged |
| Whether the viewport has changed. | |
| gmat4 | modelviewMatrix |
| The current modelview matrix. | |
| bool | modelviewMatrixChanged |
| Whether the modelview matrix has changed. | |
| gmat4 | projectionMatrix |
| The current projection matrix. | |
| bool | projectionMatrixChanged |
| Whether the projection matrix has changed. | |
| bool | depthBuffer |
| Whether the depth buffer is currently enabled. | |
| bool | depthBufferWrite |
| Whether writing to the depth buffer is currently enabled. | |
| bool | useTexture |
| Whether texture coordinates are used in vertices. | |
| bool | useColor |
| Whether color is used in vertices. | |
| Texture * | texture |
| The current unique texture ID. | |
| BlendMode | blendMode |
| The current blend mode. | |
| ColorMode | colorMode |
| The current color mode. | |
| float | colorModeFactor |
| The current color mode factor. | |
| Color | systemColor |
| The current system color. | |
Defines a rendersystem state.


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--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/Rooms.20for.20Lean.20Together.html ---
Has anyone already made any room reservations for Amsterdam? @Rob Lewis do you know of anything?
I know a few people are staying at the Amsterdam Forest Hotel.
"A few," meaning, I think one person confirmed this and another said they were planning to book there.
Okay, I'll take a look at it :)
If people agree that that place, or anywhere else, should be the unofficial workshop hotel, I'll add it to the website.
I just booked at the Forest Hotel. Only two more single rooms available! :)
Only one more
How much did you pay for the single rooms?
Double rooms are 50 euros a night
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


I am running Emoncms on a Raspberry Pi with RFM12Pi since more than one year now. Everything worked like a charm until some weeks (not really sure) ago.
Now I have a very strange effect. If I look at the data (e.g. outside temperature graph), I can see that the curve does not follow the expected line, it starts to increase around noon and drops around midnight. Even if I touch the temperature sensor, I do not see any change in temperature (not in the graph, nor in the realtime value).
I think that the data is just lagging the reality by some 5-8 hours!?! This is for the graphs and also for the realtime values shown in the feed data. The Feed updates every ~30s (temperature log) but shows a very 'old' value. How can this happen?
After a reboot everything is (seems) ok again. But after ~3-4 days I have the same effect again.
I have to say that I have another bad effect since some time. There are a lot of RFM12Bs transmitting data, because I am testing a few 30-cell lithium batteries in my house for PV energy storage. And every cell has its own RFM12B for monitoring. This leads to a lot of bad data points (unreasonable values) in my Emoncms power and temperature loggings. This is also strange because I always thought that evaluation of the CRC would prevent this.
But, could this also have an effect like described above? I see that I loose a lot of data points in the temperature log, possibly to parallel transmissions by one of the other RFM12s. But how can this sort of 'stretch' the time scale?
Any hint very much appreciated,
BR, Jörg.
Re: EMONCMS shown data lagging behind reality
If its works ok after a reset it sounds like a system time issue? Could that be possible? do you lose power often?
Re: EMONCMS shown data lagging behind reality
Not really (==never). And system time is absolutely correct if I log into the Raspberry Pi (date command).
The graphs in Emoncms also show the correct 'time' means that the last data point shown is always at the current time (but the data itself is 6 hours old).
PS: if I look into the data, I think I can see that the 'shifting' began at the same time when I also see the first 'bad' data points appear. This was around start of February when I moved an 8-cell Lithium battery block from the cellar into my office (where the raspi is also located). So I think it has something to do with destroyed data packets (?). But how can this affect the time when the data is stored in the data base?
Re: EMONCMS shown data lagging behind reality
Could it possibly be, that the serial receive buffer size (on the rasbpi) is increasing because more data is put into the buffer than what is read from it (maybe due to bad length information)? Is this buffer dynamically allocated?
I can remember that free memory on the rasbpi was very much down before I rebooted last time. It was showing only ~20MB left (I looked into this because the rasbpi appeared very slow to me). After reboot I can now see more than 300MB free memory (slowly but monotonously decreasing!). Or is this pure nonsense (I have absolutely no experience with Linux!)?
Re: EMONCMS shown data lagging behind reality
I would very much like to have a look into the receiving code on the rasbpi. Could someone please point me into the right direction (where exactly do I find this code)? I am using an RFM12PI V1 (with ATTiny),
BR, Jörg.
PS: since reboot yesterday evening, temperature is already 'lagging' by more than one hour now! How I tested:
The temperature graph shows 19.2°C at 8:36 (the correct time). The feed data also shows 19.2°C (updated 9s ago). I then put the sensor between my fingers (>30°C) for a few minutes. All the feeds are continuously updating in the normal time intervals (AC power every 10s, temperatures ~every 50s). But the 'finger effect' shows up only after more than one hour!?!
Re: EMONCMS shown data lagging behind reality
if your using raspberrypi_run.php to recieve packets from the rfm12pi adapter board then you could try restarting the rfm12piphp service with logging turned on
sudo /etc/init.d/rfm12piphp restart log
the log should then be here:
/var/log/rfm12piphp.log
can can be viewed with
tail -f /var/log/rfm12piphp.log
Alternatively you can run the script manually:
sudo /etc/init.d/rfm12piphp stop
then:
cd /var/www/emoncms/Modules/raspberrypi
sudo php raspberrypi_run.php
What feed engines are you using?
 It is not booting any more. That's it for the moment!
During more than one year I never had a problem with SD card corruption, only contact problems between the micro SD card and the card adapter (had to move the card a bit in all directions until it would finally boot). I tried three adapters (Samsung) and only one worked at all in the Raspi. Why didn't they use a micro SD card socket instead?
Sorry that I cannot test anything anymore. I still think that there might be a potential problem in an environment with many RF transmissions in the same band.


Insight was developed by Alberto Miranda.
Long time web developer and technology enthusiast.
Want to know more about me? Visit my LinkedIn profile.


 ",
Jakarta
Power
4949
Cooling
2045
Space
1300
Power Historical (Last 7 days)
Cooling Historical (Last 7 days)
Space Historical (Last 7 days)


Improvements to Program Execution Speed
Enhancements in JDK 6
Descriptions of the many performance enhancements in JDK 6 can be
found on the performance web site in the Java
SE 6 Performance Whitepaper.
Enhancements in JDK 5.0
The following are some of the enhancements made for improved
program execution speed in JDK 5.0.
- Garbage collection ergonomics - Provides for the
automatic detection and choice of the client or server runtime
compiler, which enhances performance on server-class machines. See
"Server-Class Machine Detection" and "Garbage Collection
Ergonomics" at Java Virtual Machines
for more information.
- StringBuilder class - The addition of a new class
StringBuilder
that works essentially as an unsynchronized StringBuffer for
performance enhancement. You should replace all StringBuffer uses
with StringBuilder unless you need the synchronization (which you
almost certainly don't). StringBuilder is almost always faster than
StringBuffer.
- Java 2D technology - These Java 2D performance
enhancements have spin-off performance benefits in other areas of
functionality such as Swing/JFC. Examples include improved
acceleration for BufferedImage objects, support for
hardware-accelerated rendering using OpenGL, and improved
text-rendering performance. See New Java 2D Features for more
information.
- Image I/O - Performance and memory usage improvements
have been made when reading and writing JPEG images. See "Improved
Performance" at Image I/O
Features.
Enhancements in JDK 1.4
The following are some of the enhancements made for improved
program execution speed in JDK 1.4.
- Java 2D technology - These Java 2D performance
enhancements have spin-off performance benefits in other areas of
functionality such as Swing/JFC. One example of performance
improvement in JDK 1.4 is that remote X display on Solaris is
greatly improved. See New Java 2D
Features for more information on Java 2D enhancements,
including performance enhancements.
- java.nio - The New I/O API provides for improved
performance in the areas of buffer management, scalable network and
file I/O, character-set support, and regular-expression matching.
The New I/O APIs supplement the I/O facilities in the
java.io package. For more information, see I/O APIs.
- Reflection - Beginning with JDK 1.4.0, certain
reflective operations, specifically java.lang.reflect.Field,
java.lang.reflect.Method.invoke(),
java.lang.reflect.Constructor.newInstance(), and Class.newInstance(),
have been rewritten for higher performance. Reflective invocations
and instantiations are several times faster than in previous
releases.
- Networking - The networking functionality in JDK 1.4
has improved performance for Http streaming.
- java.math - New static method
probablePrime has been added to class
BigInteger for generating prime numbers. Previously, the
sole means of generating a prime BigInteger required the
caller to provide a 'certainty' (the log of the probability of
compositeness that the caller was willing to tolerate). However,
providing an unreasonable value for the certainty could lead to
poor performance (if the certainty was too high) or serious bugs
(if it was too low). The new prime-generation method provides an
efficient algorithm for generating primes using an automatically
determined, appropriate value for the certainty based on a draft
ANSI specification (X9-80).
- Hotspot - The Java HotSpot virtual machine now uses
"full-speed debugging". In the previous version of HotSpot, when
debugging was enabled, the program executed using only the
interpreter. Now, the full performance advantage of HotSpot
Technology is available to programs running with debugging enabled.
The improved performance allows long running programs to be more
easily debugged. It also allows testing to proceed at full speed
and the launch of a debugger to occur on an exception.
Enhancements in JDK 1.3
The following are some of the changes made to improve the program
execution speed and general runtime performance in previous release
JDK 1.3. These enhancements have been carried forward into JDK
1.4.
Links to relevant bug reports on the Bug Database web site are
provided were applicable for further information.
- Improved Performance for readUTF and writeUTF - The
implementations of the readUTF and writeUTF
methods of DataInputStream and DataInputStream
have been modified to improve performance. This is a fix for bug
number 4219771 on the
Bug Database web site.
- Improved Performance of JScrollPane Painting - The
implementation of JScrollPane has been improved so that it does not
cause excessive painting and screen flashing when double buffering
is not used.
- Improved JTable Performance - The performance of the
JTable's column-handling functionality has been improved.
Previously, the performance of the operations of adding columns or
recalculating column widths did not scale well as the number of
columns became large. The implementation has been changed to
improve scalability. This is a fix for bug number 4223642 on the
Bug Database web site.
- Paint Coalescing - Painting performance has been
enhanced through the implementation of an improved paint coalescing
algorithm. Areas that require repainting are coalesced into a
single, non-rectangular repaint area as they are posted to the
event queue. This has the effect batching repaints, executing
multiple repaints simultaneously in a manner more efficient than in
previous releases.
- Frame Resizing - Resizing of top-level frames has been
improved.
- Internal Frame Blitting - By using
Graphics.copyArea calls, Swing's DefaultDesktopManager now
needs to redraw far less when frames are dragged.
- Performance Enhancements in BigIntenger - Class
java.math.BigInteger has been reimplemented in pure Java
programming-language code. Previously, BigInteger's
implementation was based on the Plumb C library. The new
implementation performs all standard operations much faster than
the old implementation. The speed-up realized in the new
implemenation can be as much as 5x or more, depending on the
operation being performed.
- Provision for Better-Performing Numeric Operations - Java SE now contains two classes which provide API for
performing general numeric operations.
- java.lang.StrictMath
- Class java.lang.StrictMath is a renaming of class
java.lang.Math from previous versions of the Java
platform, but otherwise retains the previous specification of
Math. In particular, it is defined to return bit-for-bit
reproducible results in all implementations.
- java.lang.Math - Class
java.lang.Math provides the same set of API as does class
StrictMath. However, unlike some of the numeric functions
of class StrictMath, all implementations of the equivalent
functions of class Math are not defined to return the
bit-for-bit same results, but can vary within specified
constraints. This relaxation permits better-performing
implementations where strict reproducibility is not required.


JavaScript Date and Time
You can use JavaScript to display (or use within a script) the users' local date and time.
JavaScript provides you with the ability to access the date and time of your users' local computer, which can be quite useful at times.
Displaying the current date and time in a nice user friendly way using JavaScript is not quite as simple as you might like. You need to massage the data a little. You can do this using a bunch of JavaScript date and time functions.
Here are some examples.
Displaying the Current Date
Displaying the Current Time
You may have noticed that we had to add a leading zero to the minutes part of the date if it was less than 10. By default, JavaScript doesn't display the leading zero. Also, you might have noticed that the time is being displayed in 24 hour time format. This is how JavaScript displays the time. If you need to display it in AM/PM format, you need to convert it.
Displaying the Current Time in AM/PM Format
JavaScript Date and Time Functions
For a full list of JavaScript date and time functions, see JavaScript Date and Time Functions


JABAWS MANUAL
JABAWS Server Web Application aRchive (WAR)
- System Requirements
- Installing the JABAWS WAR file
- Preparing executables for use with JABAWS
- Using the pre-compiled i386 binaries on Linux
- Recompiling the bundled programs for your system
- Reuse the binaries that are already in your system
- Obtaining command line binaries for your operating system
- Testing JABAWS Server
- Running many JABAWS instances on the same server
- JABAWS on a single server
- JABAWS supported cluster batch management systems
- Manually deploying JABAWS application on Apache-Tomcat
Troubleshooting
System Requirements
JABAWS requires a Java web application server compliant with
version 2.4 of the Java Servlet specification, and a Java 6 runtime
environment. We recommend using an official Oracle Java 6 runtime
environment, and Apache-Tomcat web application server version 7, but older Tomcat versions above 5.5 would work too.
Please Note: The JABAWS WAR is not generally compatible with older Mac systems based on the PowerPC architecture, since Java 1.6 is not available to run JABAWS.
JABAWS Web Application aRchive can run on any host operating system that supports Java 1.6. However JABAWS depends on a number of third party programs which are not available for all operating systems. In particular, not all web services are currently available for MS Windows platform.
JABAWS comes with pre-compiled MS Windows and Linux x86 binaries, as well as the source code and build scripts necessary to recompile them.
To run JABAWS on the cluster you must have shared disk space accessible from all cluster nodes.
Installing the JABAWS WAR file
JABAWS is distributed as a web application archive (WAR). To deploy JABAWS in Apache-Tomcat - simply drop the war file into the webapps directory of a running Tomcat, and it will do the rest. If you used this deployment procedure, do not remove the jabaws WAR file, otherwise Tomcat will undeploy your application! The context path for your deployed application will be the same as the name of the war file. For example, assuming the Tomcat server is running on the localhost:8080 and jaba.war file is put into the <tomcat server root>/webapps directory, the deployed application from the jaba.war file then can be accessed by this URL http://localhost:8080/jaba.
For any other web application server, please follow your server's specific deployment procedure for 'WAR' files. If you install JABAWS on a MS Windows machine, then at this point your JABAWS installation will already be up and running, and you can try its services out as described here. If you install JABAWS on Linux you will need to set an executable flag for binaries. This is described here. If your host operating system is different from Windows or Linux then read on.
Preparing executables for use with JABAWS
JABAWS's web services use command line programs to do the actual analysis, so it must have access to programs which can be executed on your platform. The native executables bundled with JABAWS for Windows (32-bit) and Linux (i386, 32-bit) should be OK for those systems. The source code for these programs is also provided so you can recompile for your own architecture and exploit any optimizations that your system can provide. Alternately, if you have already got binaries on your system, then you can simply change the paths in JABAWS's configuration files so these are used instead.
Using the pre-compiled i386 binaries on Linux
JABAWS comes with pre-compiled x86 Linux binaries, thus on such systems JABAWS should work straight out of the box. If you are in any doubts or experience problems you may want to make sure that the binaries supplied work under your OS. To do this just execute each binary, without any command line options or input files. If you see an error message complaining about missing libraries or other problems, then you probably need to recompile the binaries.
You can try the JABAWS functionality with the JABAWS test client or have a look at deploying on Tomcat tips if you experience any problems.Note: You may want to enable logging, as described here.
Recompiling the bundled programs for your system
If you have a fully equipped build environment on your (POSIX-like) system, then you should be able to recompile the programs from the source distributions which are included in the JABAWS war file. A script called 'compilebin.sh' is provided to automate this task.
- In a terminal window, change the working directory to binaries/src
- execute the compilebin.sh
script,
either use: chmod +x compilebin.sh; compilebin.sh > compilebin.out;
or: sh compilebin.sh > compilebin.out - Now run sh setexecflag.sh
If any of the binaries was not recompiled, then a 'file not found' error will be raised. - Finally, restart your Tomcat server (or JABAWS application only), and test JABAWS to check that it can use the new binaries.
If you couldn't compile everything, then it may be that your system does not have all the tools required for compiling the programs. At the very least check that you have gcc, g++ and make installed in your system. If not install these packages and repeat the compilation steps again. You should also review the compilebin.sh output - which was redirected to compilebin.out, and any errors output to the terminal. Finally, try obtaining the pre compiled binaries for your OS.
Reuse the binaries that are already in your system
If you would like to use the binaries you already have then you just need to let JABAWS know there they are. To do this, edit: conf/Executable.properties
When specifying paths to executables that already exist on your system, make sure you provide an absolute path, or one relative to the JABAWS directory inside webapps. For example, the default path for clustalw is defined aslocal.clustalw.bin=binaries/src/clustalw/src/clustalw2 Alternatively, instead of changing Executable.properties you could also replace the executables bundled with JABAWS with the ones that you have, or make symbolic links to them. Then the default configuration will work for you. More information about the Executable.properties file is given in the JABAWS Configuration chapter.
Obtaining command line binaries for your operating system
You could search for pre-packaged compiled executable in your system package repository or alternately, download pre-compiled binaries from each alignment program's home page. Then, either replace the executables supplied with the downloaded ones, or modify the paths in executable.properties as described above. Below are some suggestions on where you may be able to get the binaries for your system.
- Clustal Omega
- ClustalW
- Mafft
- Muscle
- Tcoffee
- Probcons (Linux x86 | x64 | Mac)
- IUPred (Linux x86 | x64 | Mac)
Testing JABAWS Server
First of all make sure that Tomcat server is started successfully. If this was the case, then you should see JABAWS home page when you navigate to your Tomcat JABAWS context path e.g. http://myhost.compbio.ac.uk:8080/jabaws
Using JABAWS service status checker
If you see it, then it is time to make sure that web services are working too. The easiest way to do so is to access Services Status page available from the main JABAWS web page menu.
If you need to monitor web service health automatically when the best option is to use service checker that responds with the standard HTTP status code. To access this checker use the following URL: <jabaws_server>/HttpCodeResponseServiceStatus This page returns code 200, and no page context if all services are operational, 503 if one of the services have problems. You can also check each web service individually by providing the name of the web service to check at the end of the service checker URL like this: <jabaws_server>/HttpCodeResponseServiceStatus/ClustalWS
Upon request, the service status checker will examine the health of the ClustalWS web service only. If the service name is not valid, then the service checker will return code 400.
Using command line client
Alternatively, you should be able to use the test program which can be found in <webapplicationpath>/WEB-INF/lib/jabaws-client.jar file. To run the tests type: java -jar jabaws-client.jar -h=<Your web application server host name, port and JABAWS context path>
For example to test all JABAWS web services on host myhost.compbio.ac.uk type:
java -jar jabaws-client.jar -h=http://myhost.compbio.ac.uk:8080/jabaws
You can choose a particular web server using -s option like this java -jar jabaws-client.jar -h=http://myhost.compbio.ac.uk:8080/jabaws -s=ClustalWS This command line assumes that java executable is in your path and jabaws-client.jar is located in the current directory.
An example of the report testing tool produces for operating web service looks like this:
Connecting to service MuscleWS on http://myhost.compbio.ac.uk:8080/jabaws ... OK
Testing alignment with default parameters:
Queering job status...OK
Retrieving results...OK
Testing alignment with presets:
Aligning with preset 'Protein alignment(Fastest speed)'... OK
Aligning with preset 'Nucleotide alignment(Fastest speed)'... OK
Aligning with preset 'Huge alignments (speed-oriented)'... OK
Queering presets...OK
Queering Parameters...OK
Queering Limits...OK
Queering Local Engine Limits...OK
Check is completed service MuscleWS IS WORKINGAn example of the response of a web service which is deployed but is not operating is below:
Connecting to service ProbconsWS on http://localhost:8080/ws ... OK
Testing alignment with default parameters:FAILED
Service ProbconsWS IS NOT FUNCTIONALIf the web server did not respond the message looks like following: Connecting to service TcoffeeWS on http://localhost:8080/ws ... FAILED
Running many JABAWS instances on the same server
JABAWS is supplied as a Web Application aRchive which can be dealt with as any other web applications. So it is perfectly possible to run two JABAWS instances from the same server. Just make two different contexts on your application server and unpack JABAWS in both of them. For example if your server name is http://www.align.ac.uk, and the context names are public and private. Than one group of users could be given a URL http://www.align.ac.uk/public and another http://www.align.ac.uk/private. These contexts will be served by two independent JABAWS instances, and could be configured differently. If you keep local engine enabled, make sure you reduce the number of threads local engine is allowed to use to avoid overloading the server. Alternatively two completely separate web application server instances (e.g. Apache-Tomcat) could be used. This will give you a better resilience and more flexibility in memory settings.
JABAWS on a single server
You can run JABAWS on a single server. Obviously the capacity will be limited, but may be sufficient for a small lab. Installed on a single server, JABAWS executes tasks in parallel, so the more cores the server has the more requests it will be able to handle.
JABAWS supported cluster batch management systems
JABAWS uses DRMAA v. 1.0 library to send and manage jobs on the cluster. DRMAA supports many different cluster job management systems. Namely Sun Grid Engine, Condor, PBS, GridWay, Globus 2/4, PBSPro, LSF. For up to date information please consult DRMAA web site. We found that DRMAA implementation differ from platform to platform and were trying to use only the basic functions. We have only tested JABAWS on Sun Grid Engine v 6.2. Please let use know if you have any experience of running JABAWS on other platforms.
Manually deploying JABAWS application on Apache-Tomcat
To stop Tomcat from automatically undeploying your application if the war file is removed use an explicit application descriptor. It could come in different flavors, the one I prefer if to drop a context descriptor file into <tomcatRoot>conf/Catalina/localhost directory. Name your context file the same as your application folder e.g. if you JABAWS resides in webappl/jabaws folder, then call the context file jabaws.xml. Below is an example of content this file might have.
<?xml version="1.0" encoding="UTF-8"?>
<Context antiResourceLocking="false" privileged="true" />
This should be sufficient to prevent Tomcat from removing your JABAWS from WEBAPPS. For more information about the Tomcat deployer read this documentation on the Apache-Tomcat web site.
Apache-Tomcat fails to deploy jabaws.war file
- Make sure Tomcat have sufficient access rights to read your war file.
- Restart the Tomcat, sometimes it will not since that the new war file is added without restart
- If Tomcat still refuses to unpack the war file, unpack it manually into web application folder (the war file is just a zip archive). Restart the Tomcat.


subtitle: 'Adapt axes' --- ## Adapt axes ### Introduction Herein, we describe how to force different axes to behave dependently of each other. jsGraph gives you the possibility to adapt the value of one axis (in this example, the right one) to another value on another axis (in this example, the left one). For this, the function to employ is Axis.adaptTo, which was introduced in v1.3.12 (and replaces the previous `adapt0To` method which is covered and extended in the current `adaptTo` method). The method takes the following syntax: ```javascript myAxis.adaptTo( myAxisRef, myValueToAdaptTo, myReferenceValueOnAxisRef[, MinOrMaxPreferred = "min" ] ) ``` With the following arguments: - `axis` should be an Axis axis instance of the same type (vertical/horizontal) as the same axis. Note that jsGraph doesn't check that so you could mathematically adapt a y axis to an x axis, but this wouldn't make too much sense - `myValueToAdaptTo` this is the value on the current axis that should be aligned to the other value on `myReferenceValueOnAxisRef` - `myReferenceValueOnAxisRef` is the value on the `myAxisRef` to which `myValueToAdaptTo` will be aligned to. - `MinOrMaxPreferred` will define the behavior of the boundaries (see text later) ### Example Let us start with a basic example ```javascript var serie1 = [0, -6, 2, 5, 5, 0]; var serie2 = [0, 10, 2, 0, 5, 12]; var g = new Graph(dom); // Creates a new graph g.resize(400, 300); // Resizes the graph g.newSerie('serie1') // Creates a new seire .autoAxis() // Assigns automatic axes to the serie .setLineColor('blue') .setMarkers() .setData(serie1); // Assigns the data to the serie g.newSerie('serie2') // Creates a new seire .autoAxis() // Assigns automatic axes to the serie .setYAxis(g.getRightAxis()) .setLineColor('red') .setMarkers() .setData(serie2); // Assigns the data to the serie g.getYAxis().gridsOff(); g.getXAxis().gridsOff(); g.getRightAxis().gridsOff(); g.draw(); ```
Ok so here there's no adapt. The two axis behave independantly and adapt to their own serie. #### Natural behavior Now, let's force the right axis to align to the left axis. In this example, the value `0` of the right axis will align with `-3` on the left axis: ```javascript g.getRightAxis().adaptTo(g.getLeftAxis(), 0, -3); // Aligns the 0 of the right axis with -3 of the left axis g.draw(); ``` So here you can see that the minimum of the right axis has been preserved (roughly -1). This is because of the `MinOrMaxPreferred` which is by default `min`. If we set it to `max`, a different behavior is observed: ```javascript g.getRightAxis().adaptTo(g.getLeftAxis(), 0, -3, 'max'); // Aligns the 0 of the right axis with -3 of the left axis g.draw(); ``` #### Behavior when axes are forced Here is the rule when a boundary of the axis is forced: 1. If no boundary is forced, then `MinOrMaxPreferred` defined which boundary behaves normally (adapts to the serie data). 2. If only one boundary is forced, then `MinOrMaxPreferred` has no influence. Priority is given to forcing. So if `forceMin` is used and `MinOrMaxPreferred` is set to `max`, the minimum of the axis will be chose to behave normally (according to the forced minimum) and the max will adapt. 3. If two boundaries are forced, `MinOrMaxPreferred` defined which one will be preserved. The other forced boundary will not be effective. In this example, both boundaries are forced (case 3): ```javascript g.getRightAxis().forceMax(50); g.getRightAxis().forceMin(-50); g.getRightAxis().adaptTo(g.getLeftAxis(), 0, -3, 'max'); // Aligns the 0 of the right axis with -3 of the left axis ``` While in the following example, case 2 applies (if one boundary only is forced, then `MinOrMaxPreferred` has no influence) ```javascript g.getRightAxis().forceMin(-50); g.getRightAxis().adaptTo(g.getLeftAxis(), 0, -3, 'max'); // Aligns the 0 of the right axis with -3 of the left axis ```