Shelvey suffers from perception problem, insists Newcastle boss Bruce
The former Charlton and Liverpool midfielder could captain the Magpies on Monday.
Steve Bruce admits Jonjo Shelvey suffers from a “perception” issue but has seen enough to consider handing him the Newcastle captaincy.
Regular Magpies skipper Jamaal Lascelles has been ruled out until the new year with a fractured tibia, meaning Bruce not only has to choose a replacement at centre-half but a new on-field leader too.
Ever-present goalkeeper Martin Dubravka and Ciaran Clark could come under consideration as stand-ins for the trip to Aston Villa, though the latter must first prove his fitness after returning from international week with a knock.
But Bruce is also tempted by Shelvey, despite acknowledging some of the concerns he has heard about the player’s robustness and commitment.
Those worries do not tally with his own experience of the 27-year-old, who has impressed with his eagerness to work back to full fitness.
“I’ve got another decision to make… (Shelvey) seems to be the normal one, to put it on him, and I’ve got no problem with that,” he said.
“He’s got this perception about him that he doesn’t care… that’s wrong. He’s a good pro, he’s a good lad, and he’s popular.
“He trains well and I’ve got no problem. If it seems to be that I won’t upset that (with the captaincy), then we’ll give it to him.”
Shelvey has only featured in half of the club’s 12 Premier League games thus far but Bruce has revealed that is at least partially down to fitness concerns.
“I think Jonjo carried an injury for a while and tried to just play through it and play with it and I think that’s hampered him for a while,” he explained.
“His physicality was terrific in the last two games and this perception that he can’t run is not right. I think he’s fit and now he’s got to hit those levels. If he hits those levels with me then he’ll be fine because we all know the ability he’s got, it’s the other side which you know he has to do and he’s done it.”


Development
The idea for this program came to me when playing Dungeons and Dragons, and finding it difficult to flip through the books and pdfs (even with the built-in pdf search) to find a particular spell or monster. I wanted the user interface of the program to be the most important aspect, so I decided on building it in Unity3D and C#.
The program stores monsters, items, spells, and other data in an sqlite3 database, using SQLiteStudio, and later DataGrip. In Unity, I created scripts to help insert data into the database (much easier than inserting in SQLiteStudio or DataGrip).
The user interface was made entirely with Unity assets, and Dalelands font. The user interface consists of (1) a search bar, (2) filters, (3) results list, and (4) data display.
The search bar also includes a drop-down menu which lets you choose what type of data you are searching for (i.e. monster). Entering nothing will list all data of that type.
The filters change depending on the type of data. For example, monsters can be filtered by type, size, or by their challenge rating range. On the other hand, items would be filtered by type, rarity, and value. You can select one or more filters, or you can select the all filter.
The results list is two-part: a sort by section, and the list. The sort by lets you choose how the results are listed. Like the filters, the sorting parameters depend on the data type. The results list will display all relevant data that matches your search parameters. Depending on the data type, additional, important information is listed along with their names (useful for quick glances). Selecting on one of the items in the list will fully display that item on the right-hand side.
The data display displays all information of the selected item in the result list, organized and grouped by category.
The program was designed with the MVC model in mind. The models (database) holds all of the data needed to function, and the controllers query the database, storing returned data into customized data structures for the views to display to the user. When a user types a query into the search bar, the program performs select queries into the database through a database controller. Then the database controller returns a data structure holding the information to another controller. That controller updates the views for the user to see.
Current Status
The program is nowhere near finished. At the moment, only the monster portion is implemented. However, the database retrieval and displays are fully implemented, and the only tasks required are data type-specific ones, like spell tables, spell data, spell filters, and the spell display layouts.
Planned Features
The following are planned, and will eventually be implemented (You can skip this part if you have no interest in DnD 5e):
- Backgrounds: their description, traits, and features.
- Classes: their description, features, archetypes, and builds.
- Conditions: their effects.
- Features: their effects, classes, and requirements.
- Items: their description, effects, and rarities.
- Races: their description, traits, subraces, and builds.
- Spells: their description, classes, types, and stats.
Almost everything from the SRD is planned to be included, as well, as the ability to create your own backgrounds, classes, items, races, etc. I also need a more creative name. Any suggestions?


I don't have much to say about the psychological effects of MDMA that hasn't been said many times already. HOWEVER after trying ecstasy for the first time last night I can offer the following suggestion to all up-and-coming vocalists and singers.
40 minutes after popping the pill I was in PRIME form; I actually couldn't bring myself to stop singing because of how effortless it felt. My diaphragm had relaxed completely and the smooth breaths I was drawing were released as impeccably even tones, even as we all were striding along the street rather quickly. I have been trained classically for 8 years and consider my voice quality to be quite good. But without a doubt, last night was probably the best I have ever sung.
This morning I still have a looseness in my core. My breathing muscles seem as relaxed as they have ever been, and while I think that last night's singing success can be partly attributed to the methamphetamines most E is cut with, I am positive that the MDMA itself had the greatest effect.
Take care and be safe!
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


| new.name {mgcv} | R Documentation |
gamm
works by transforming a GAMM into something
that can be estimated by lme
, but this involves creating new
variables, the names of which should not clash with the names of other
variables on which the model depends. This simple service routine checks a
suggested name against a list of those in use, and if neccesary modifies it
so that there is no clash.
new.name(proposed,old.names)
proposed |
a suggested name |
old.names |
An array of names that must not be duplicated |
A name that is not in old.names
.
Simon N. Wood<EMAIL_ADDRESS>http://www.maths.bris.ac.uk/~sw15190/
require(mgcv) old <- c("a","tuba","is","tubby") new.name("tubby",old)


The pyparsing module is an alternative approach to creating and
executing simple grammars, vs. the traditional lex/yacc approach, or the
use of regular expressions. With pyparsing, you don't need to learn a new
syntax for defining grammars or matching expressions - the parsing module
provides a library of classes that you use to construct the grammar
directly in Python.
Here is a program to parse "Hello, World!" (or any greeting
of the form "<salutation>, <addressee>!"):
The Python representation of the grammar is quite readable, owing to
the self-explanatory class names, and the use of '+', '|' and '^'
operators.
The parsed results returned from parseString() can be accessed as a
nested list, a dictionary, or an object with named attributes.
The pyparsing module handles some of the problems that are typically
vexing when writing text parsers:
| Classes |
And |
Requires all given ParseExpressions to be found in the given
order. |
CaselessLiteral |
Token to match a specified string, ignoring case of letters. |
CharsNotIn |
Token for matching words composed of characters *not* in a given
set. |
Combine |
Converter to concatenate all matching tokens to a single string. |
Dict |
Converter to return a repetitive expression as a list, but also as a
dictionary. |
Empty |
An empty token, will always match. |
FollowedBy |
Lookahead matching of the given parse expression. |
Forward |
Forward declaration of an expression to be defined later - used for
recursive grammars, such as algebraic infix notation. |
GoToColumn |
Token to advance to a specific column of input text; useful for
tabular report scraping. |
Group |
Converter to return the matched tokens as a list - useful for
returning tokens of ZeroOrMore and OneOrMore expressions. |
LineEnd |
Matches if current position is at the end of a line within the parse
string |
LineStart |
Matches if current position is at the beginning of a line within the
parse string |
Literal |
Token to exactly match a specified string. |
MatchFirst |
Requires that at least one ParseExpression is found. |
NoMatch |
A token that will never match. |
NotAny |
Lookahead to disallow matching with the given parse expression. |
OneOrMore |
Repetition of one or more of the given expression. |
Optional |
Optional matching of the given expression. |
Or |
Requires that at least one ParseExpression is found. |
ParseElementEnhance |
Abstract subclass of ParserElement, for combining and post-processing
parsed tokens. |
ParseExpression |
Abstract subclass of ParserElement, for combining and post-processing
parsed tokens. |
ParserElement |
Abstract base level parser element class. |
ParseResults |
Structured parse results, to provide multiple means of access to the
parsed data: |
PositionToken |
|
SkipTo |
Token for skipping over all undefined text until the matched
expression is found. |
StringEnd |
Matches if current position is at the end of the parse string |
StringStart |
Matches if current position is at the beginning of the parse
string |
Suppress |
Converter for ignoring the results of a parsed expression. |
Token |
Abstract ParserElement subclass, for defining atomic matching
patterns. |
TokenConverter |
Abstract subclass of ParseExpression, for converting parsed
results. |
Upcase |
Converter to upper case all matching tokens. |
White |
Special matching class for matching whitespace. |
Word |
Token for matching words composed of allowed character sets. |
ZeroOrMore |
Optional repetition of zero or more of the given expression. |
| Function Summary |
| |
col (loc,
strg)
Returns current column within a string, counting newlines as line
separators The first column is number 1. |
| |
delimitedList (expr,
delim,
combine)
Helper to define a delimited list of expressions - the delimiter
defaults to ','. |
| |
dictOf (key,
value)
Helper to easily and clearly define a dictionary by specifying the
respective patterns for the key and value. |
| |
line (loc,
strg)
Returns the line of text containing loc within a string, counting
newlines as line separators The first line is number 1. |
| |
lineno (loc,
strg)
Returns current line number within a string, counting newlines as line
separators The first line is number 1. |
| |
oneOf (strs,
caseless)
Helper to quickly define a set of alternative Literals, and makes sure
to do longest-first testing when there is a conflict, regardless of the
input order, but returns a MatchFirst for best performance. |


{{event.description}} Every year we set new goals and want to accomplish them next year, and every year, in most cases, we fail. How do we set our new year resolutions and execute them without failure?
In this Social Cup Workshop, you will learn:
1. How to paint dream home in acrylic
2. How to set manageable goals and stick to them as we carry out daily tasks in the new year
3. How to track our progress and adjust our goals
This event is proudly brought to you by
The Social Cups ( In Art & Play We Trust)
The Social Cups organizes weekly art and creative events to help people build self-confidence, appreciation, and to facilitate deeper and meaningful inter-personal connections through art and common interests.


Monitoring, deployment... all the server/docker-related things that empowers the TFS platform.
The TFS platform is powered by a Service-Oriented Architecture. These services are served by Boiler in containers.
All the tools & the assets we need to construct TFS apps.
The projects outside of the TFS platform, but using it (third-party clients for example).


3 Vegetable bhaji, 3 Pilau rice, 3 Naan, Poppadom, Mint sauce, Salad, Mango chutney
1.5L bottle of soft drink
€38.99
Biryani
Consists of special basmati rice. Treated together with meat, chicken, vegetables or prawn of your choice in spiced ghee & served with curry sauce or raita.


Viewing a Site Report
How to view a site report using the Site Log module.
- Navigate to Admin > Advanced Settings > Site Log - OR - Navigate to a Site Log module.
- At Report Type, select the required report. You can now skip to Step 5 if you want to view a report for last seven days including today.
- Optional. At Start Date, click the Calendar button and select the start date for the report.
- Optional. At End Date, click the Calendar button and select the end date for the report.
- Click the Display button to view the report results. If there aren't any matching results for the selected report and date range, then the "No records were found" message is displayed at the top of the module.
Viewing a Site Log Report
Related Topics:
-
"Working with the Calendar"


[gecode-users] Autolinking to Flatzinc library
Christian Schulte
cschulte at kth.se
Wed Jan 11 10:45:15 CET 2012
Hi,
The auto-linking is controlled by which headers your programs include. So as
long as your program include <gecode/flatzinc.hh> the corresponding DLL will
be picked up for linking.
But I do not really understand what you mean by building fz.exe as
standalone: it requires the flatzinc DLL and you can't build fz.exe without
it.
Disabling auto linking is quite tricky as it is an all-or-nothing thing:
switching off autolinking would require that you manually link against all
the other Gecode DLLs.
Cheers
Christian
--
Christian Schulte, www.ict.kth.se/~cschulte/
From: users-bounces at gecode.org [mailto:users-bounces at gecode.org] On Behalf
Of Tripti Saxena
Sent: Tuesday, January 10, 2012 10:21 PM
To: users at gecode.org
Subject: [gecode-users] Autolinking to Flatzinc library
Hi,
I am trying to make some minor changes to the flatzinc to gecode
interpreter and want to turn off the autolinking for the purpose (since
autolinking tries to link to flatzinc library as well). If there a
particular way to turn off the autolinking. I built the gecode source
disabling the flatzinc and then tried to build fz as a standalone but it
still is searching for flatzinc library. Not sure how to get around it.
Thanks,
Tripti
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Shapes
Path 1
Server 1 to Server 2
Server 2 to Server 3
Server 3 to Server 4
Server 4 to Server 1
Path 2
Server 1 to Server 4
Server 4 to Server 3
Server 3 to Server 2
Server 2 to Server 1
Start
Stop


Represents a synchronous reliable connection-oriented socket.
| public | TcpSocket() |
| public nothrow | TcpSocket(TcpSocket&& that) |
| public | TcpSocket(const String<char>& node_, const String<char>& service_) |
| public | TcpSocket(const String<char>& node_, const String<char>& service_, ConnectOptions options_) |
| suppress | TcpSocket(const TcpSocket&) |
| public nothrow | TcpSocket(int handle_) |
| public | ~TcpSocket() |
| public TcpSocket | Accept() |
| public void | Bind(int port) |
| public void | Close() |
| public void | Connect(const String<char>& node, const String<char>& service) |
| public void | Connect(const String<char>& node, const String<char>& service, ConnectOptions options) |
| public void | Listen(int backLog) |
| public int | Receive(byte* buffer, int count) |
| public int | Send(byte* buffer, int count) |
| public void | Shutdown(ShutdownMode mode) |
| public nothrow void | operator=(TcpSocket&& that) |
| suppress void | operator=(const TcpSocket&) |
| private bool | connected |
| private int | handle |
| private bool | shutdown |


|
|||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object | +--edu.rosehulman.soar.wizards.Utility
Loads the content from a template file and fills in the appropriate fields. Also contains other miscellaneous useful functions
| Constructor Summary | |
Utility()
|
| Method Summary | |
static IContainer |
folderify(IResource res,
IProgressMonitor monitor)
Prepares a Soar resource for having a[n] {suboperator|file|impasse} added to it. |
static java.lang.String |
getAvailableName(IResource res,
java.lang.String nameSuggestion)
Finds an available filename to go in whatever folder this resource will be in once we folderify it. |
static IContainer |
getFileFolder(IResource res)
Gets the folder associated with this file (note: may not exist). |
static java.io.InputStream |
getFileTemplate(IFile file,
java.lang.String templateFile)
Initializes file contents with a template. |
static boolean |
isFolderFile(IResource res)
Determines if this is the soar file that represents the folder, ie: the file that would be opened if we double-clicked the folder from Visual Soar's navigator. |
static void |
markResource(IResource res,
java.lang.String mark)
Marks the resource as belonging to Soar. |
static java.lang.String |
removeExtension(IResource res)
Returns the name of this resource, minus the extension. |
| Methods inherited from class java.lang.Object |
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
public Utility()
| Method Detail |
public static java.io.InputStream getFileTemplate(IFile file, java.lang.String templateFile)
${file}
- The name of the file, including extension
${name}
- The name of the file, minus the extension.
${filePath}
- The full path of the file.
${template}
- The name of the template that is being loaded from.
${parentDir}
- The name of the directory the file is in.
${date}
- The current date and time.
${project}
- The project this file belongs to.
${createdComment}
- A Soar comment telling the name of the file and when it was created.
file
- The file to be initialized.templateFile
- The name of the template file.
public static void markResource(IResource res, java.lang.String mark)
res
- The resource to mark.mark
- What to mark this resource as.public static boolean isFolderFile(IResource res)
res
- The resource to check
true
if it represents the folder, false
if not.public static IContainer getFileFolder(IResource res)
res
- the file to check on.
public static java.lang.String removeExtension(IResource res)
res
- The resource.
public static IContainer folderify(IResource res, IProgressMonitor monitor)
res
- The resources to folderify.monitor
- A progress monitor.
public static java.lang.String getAvailableName(IResource res, java.lang.String nameSuggestion)
folderify
it. The file's name is based off of
nameSuggestion
, with a number added to make it unique,
as well as a .soar extension.
res
- The resource we will be adding to.nameSuggestion
- A suggestion for the file name.
|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


| CS 391 - Special Topic: Machine Learning
Chapter 5 |
How do Monte Carlo (MC) methods differ from Dynamic Programming (DP) methods?
What assumption(s) are made by DP methods that are not made by MC methods?
What assumption(s) are made by MC methods that are not made by DP methods?
Describe the first-visit MC method for estimating V^pi. How does the
every-visit MC method differ?
Draw the backup diagram for MC methods. How does it differ from backup
diagrams for DP methods?
Do MC methods bootstrap? Why or why not?
What are three advantages of MC methods over DP methods?
What is the problem of maintaining exploration and how does it relate to
MC estimation of action-values? What is the assumption of exploring
starts (ES)?
Describe the MC ES algorithm. How does it differ from every-visit MC?
What does it mean to be an on-policy versus off-policy method?
How does the e-soft on-policy MC control algorithm of Figure 5.6 differ from the
MC ES algorithm of Figure 5.4?
How does one learn an action-value estimation for one policy from episodes
generated by another policy?
Describe the off-policy MC control algorithm of Figure 5.7. What is w?
What are N(s,a) and D(s,a)?
What is the potential problem of this approach?
How is incremental implementation relevant to MC methods?
Programming Assignment
HW5
Due Friday 2/28 at the beginning of class. You are encouraged to work in pairs. An improvised, informal presentation of your work may be requested in class.
Implement and test first-visit Monte Carlo policy iteration with an e-soft policy. Choose one of the following problems:
You must collect and present experimental data (e.g. learned policies, performance, etc.).


| jomoImpute {mitml} | R Documentation |
jomo
Performs single- and multilevel imputation for (mixed) continuous and categorical data using the jomo
package
Supports imputation of missing data at level 1 and 2 as well as imputation using random (residual) covariance matrices.
See 'Details' for further information.
jomoImpute(data, type, formula, random.L1 = c("none", "mean", "full"), n.burn = 5000, n.iter = 100, m = 10, group = NULL, prior = NULL, seed = NULL, save.pred = FALSE, keep.chains = c("full", "diagonal"), silent = FALSE)
data |
A data frame containing the incomplete data, the auxiliary variables, the cluster indicator variable, and any other variables that should be included in the imputed datasets. |
type |
An integer vector specifying the role of each variable in the imputation model or a list of two vectors specifying a two-level model (see 'Details'). |
formula |
A formula specifying the role of each variable in the imputation model or a list of two formulas specifying a two-level model. The basic model is constructed by |
random.L1 |
A character string denoting if the covariance matrix of residuals should vary across groups and how the values of these matrices are stored (see 'Details'). Can be |
n.burn |
The number of burn-in iterations before any imputations are drawn. Default is 5,000. |
n.iter |
The number of iterations between imputations. Default is 100. |
m |
The number of imputed data sets to generate. Default is 10. |
group |
(optional) A character string denoting the name of an additional grouping variable to be used with the |
prior |
(optional) A list with components |
seed |
(optional) An integer value initializing R's random number generator for reproducible results. Default is to use the global seed. |
save.pred |
(optional) Logical flag indicating if variables derived using |
keep.chains |
(optional) A character string denoting which chains of the MCMC algorithm to store. Can be |
silent |
(optional) Logical flag indicating if console output should be suppressed. Default is |
This function serves as an interface to the jomo
package and supports imputation of single-level and multilevel continuous and categorical data at both level 1 and 2 (see Carpenter & Kenward, 2013; Goldstein et al., 2009).
In order for categorical variables to be detected correctly, these must be formatted as a factor
variables (see 'Examples').
The imputation model can be specified using either the type
or the formula
argument.
The type
interface is designed to provide quick-and-easy imputations using jomo
. The type
argument must be an integer vector denoting the role of each variable in the imputation model:
1
: target variables containing missing data
2
: predictors with fixed effect on all targets (completely observed)
3
: predictors with random effect on all targets (completely observed)
-1
: grouping variable within which the imputation is run separately
-2
: cluster indicator variable
0
: variables not featured in the model
At least one target variable and, for multilevel imputation, the cluster indicator must be specified.
If the cluster indicator is omitted, single-level imputation will be performed.
The intercept is automatically included as both a fixed and (for multilevel models) a random effect.
If a variable of type -1
is found, then separate imputations are performed within each level of that variable.
The formula
argument is intended as a more flexible and feature-rich interface to jomo
.
Specifying the formula
argument is similar to specifying other formulae in R.
Given below is a list of operators that jomoImpute
currently understands:
~
: separates the target (left-hand) and predictor (right-hand) side of the model
+
: adds target or predictor variables to the model
*
: adds an interaction term of two or more predictors
|
: denotes cluster-specific random effects and specifies the cluster indicator (e.g., 1|ID
)
I()
: defines functions to be interpreted by model.matrix
If the cluster indicator is omitted, single-level imputation will be performed.
For multilevel imputation, predictors are allowed to have fixed effects, random effects, or both on all target variables.
The intercept is automatically included as both a fixed and (for multilevel models) a random effect.
Both can be suppressed if needed (see panImpute
).
Note that, when specifying random effects other than the intercept, these will not be automatically added as fixed effects and must be included explicitly.
Any predictors defined by I()
will be used for imputation but not included in the data set unless save.pred = TRUE
.
If missing data occur at both level 1 and 2, the imputation model is specified as a list of two formula
s or type
s, respectively.
The first element of this list denotes the model specification for variables at level 1.
The second element denotes the model specification for variables at level 2.
Missing data are imputed jointly at both levels (see 'Examples', see also Carpenter and Kenward, 2013; Goldstein et al., 2009).
It is possible to model the covariance matrix of residuals at level 1 as random across clusters (Yucel, 2011; Carpenter & Kenward, 2013).
The random.L1
argument determines this behavior and how the values of these matrices are stored.
If set to "none"
, a common covariance matrix is assumed across groups (similar to panImpute
).
If set to "mean"
, the covariance matrices are random, but only the average covariance matrix is stored at each iteration.
If set to "full"
, the covariance matrices are random, and all variances and covariances from all clusters are stored.
In order to run separate imputations for each level of an additional grouping variable, the group
argument can be used.
The name of the grouping variable must be given as a character string (i.e., in quotation marks).
The default prior distribution for the covariance matrices in jomoImpute
are "least informative" inverse-Wishart priors with minimum positive degrees of freedom (largest dispersion) and the identity matrix for scale.
The prior
argument can be used to specify alternative prior distributions.
These must be supplied as a list containing the following components:
Binv
: scale matrix for the covariance matrix of residuals at level 1
Dinv
: scale matrix for the covariance matrix of random effects and residuals at level 2
a
: starting value for the degrees of freedom of random covariance matrices of residuals (only used with random.L1 = "mean"
or random.L1 = "full"
)
Note that jomo
does not allow for the degrees of freedom for the inverse-Wishart prior to be specified by the user.
These are always set to the lowest value possible (largest dispersion) or determined iteratively if the residuals at level 1 are modeled as random (see above).
For single-level imputation, only Binv
is relevant.
In imputation models with many parameters, the number of chains in the MCMC algorithm being stored can be reduced with the keep.chains
argument (see also panImpute
).
This setting influences the storage mode of parameters (e.g., dimensions and indices of arrays) and should be used with caution.
An object of class mitml
, containing the following components:
data |
The original (incomplete) data set, sorted according to the cluster variable and (if given) the grouping variable, with several attributes describing the original order ( |
replacement.mat |
A matrix containing the multiple replacements (i.e., imputations) for each missing value. The replacement matrix contains one row for each missing value and one one column for each imputed data set. |
index.mat |
A matrix containing the row and column index for each missing value. The index matrix is used to link the missing values in the data set with their corresponding rows in the replacement matrix. |
call |
The matched function call. |
model |
A list containing the names of the cluster variable, the target variables, and the predictor variables with fixed and random effects, at level 1 and level 2, respectively. |
random.L1 |
A character string denoting the handling of the (random) covariance matrix of residuals at level 1 (see 'Details'). |
prior |
The prior parameters used in the imputation model. |
iter |
A list containing the number of burn-in iterations, the number of iterations between imputations, and the number of imputed data sets. |
par.burnin |
A multi-dimensional array containing the parameters of the imputation model from the burn-in phase. |
par.imputation |
A multi-dimensional array containing the parameters of the imputation model from the imputation phase. |
For objects of class mitml
, methods for the generic functions print
, summary
, and plot
are available to inspect the fitted imputation model.
mitmlComplete
is used for extracting the imputed data sets.
Simon Grund, Alexander Robitzsch, Oliver Luedtke
Carpenter, J. R., & Kenward, M. G. (2013). Multiple imputation and its application. Hoboken, NJ: Wiley.
Goldstein, H., Carpenter, J., Kenward, M. G., & Levin, K. A. (2009). Multilevel models with multivariate mixed response types. Statistical Modelling, 9, 173-197.
Yucel, R. M. (2011). Random covariances and mixed-effects models for imputing multivariate multilevel continuous data. Statistical Modelling, 11, 351-370.
panImpute
, mitmlComplete
, summary.mitml
, plot.mitml
# NOTE: The number of iterations in these examples is much lower than it # should be. This is done in order to comply with CRAN policies, and more # iterations are recommended for applications in practice! data(studentratings) data(leadership) # *** # for further examples, see "panImpute" # ?panImpute # *** ................................ # the 'type' interface # # * Example 1.1 (studentratings): 'ReadDis' and 'SES', predicted by 'ReadAchiev' # (random slope) type <- c(-2, 0, 0, 0, 0, 1, 3, 1, 0, 0) names(type) <- colnames(studentratings) type imp <- jomoImpute(studentratings, type = type, n.burn = 100, n.iter = 10, m = 5) # * Example 1.2 (leadership): all variables (mixed continuous and categorical # data with missing values at level 1 and level 2) type.L1 <- c(-2, 1, 0, 1, 1) # imputation model at level 1 type.L2 <- c(-2, 0, 1, 0, 0) # imputation model at level 2 names(type.L1) <- names(type.L2) <- colnames(leadership) type <- list(type.L1, type.L2) type imp <- jomoImpute(leadership, type = type, n.burn = 100, n.iter = 10, m = 5) # * Example 1.3 (studentratings): 'ReadDis', 'ReadAchiev', and 'SES' predicted # with empty model, groupwise for 'FedState' (single-level imputation) type <- c(0, -1, 0, 0, 0, 1, 1, 1, 0, 0) names(type) <- colnames(studentratings) type imp <- jomoImpute(studentratings, type = type, group = "FedState", n.burn = 100, n.iter = 10, m = 5) # *** ................................ # the 'formula' interface # # * Example 2.1 (studentratings): 'ReadDis' and 'SES' predicted by 'ReadAchiev' # (random slope) fml <- ReadDis + SES ~ ReadAchiev + (1|ID) imp <- jomoImpute(studentratings, formula = fml, n.burn = 100, n.iter = 10, m = 5) # * Example 2.2 (studentratings): 'ReadDis' predicted by 'ReadAchiev' and the # the cluster mean of 'ReadAchiev' fml <- ReadDis ~ ReadAchiev + I(clusterMeans(ReadAchiev, ID)) + (1|ID) imp <- jomoImpute(studentratings, formula = fml, n.burn = 100, n.iter = 10, m = 5) # * Example 2.3 (studentratings): 'ReadDis' predicted by 'ReadAchiev', groupwise # for 'FedState' fml <- ReadDis ~ ReadAchiev + (1|ID) imp <- jomoImpute(studentratings, formula = fml, group = "FedState", n.burn = 100, n.iter = 10, m = 5) # * Example 2.4 (leadership): all variables (mixed continuous and categorical # data with missing values at level 1 and level 2) fml <- list( JOBSAT + NEGLEAD + WLOAD ~ 1 + (1|GRPID) , COHES ~ 1 ) imp <- jomoImpute(leadership, formula = fml, n.burn = 100, n.iter = 10, m = 5) # * Example 2.5 (studentratings): 'ReadDis', 'ReadAchiev', and 'SES' predicted # with empty model, groupwise for 'FedState' (single-level imputation) fml <- ReadDis + ReadAchiev + SES ~ 1 imp <- jomoImpute(studentratings, formula = fml, group = "FedState", n.burn = 100, n.iter = 10, m = 5)


The morning of the day
when we first sat at home, those
who had a home and could sit inside
saw from their windows fluffy clouds against
a blue Puotila1 sky and marvelled at how
it
showed them off, out and about
as humans finally remained quiet, locked down
How it contrasted with the scene from
a few months ago, of fire and smoke
inside Ulwe2 mangroves
The fires burned huge, and the smell
of burning and butchering was foul
These skies, fires, and forests we share
are not kept alive by noble speeches
They have learnt to remain invisible
to land grabbing and border building
The sky’s mouth went dry
it could not speak
it got a sore throat
it longed for water to drink
The sky moved city to city
speaking of the burning land
The current crisis of coronavirus has made us all home-bound. Suddenly the home has gained a kind of prominence in a professional set-up. With artists taking over gallery Instagram handles, showing how they work from home and even conducting online workshops, they are making the home public. This public space of the home when it was private was defined as being domestic. Several artists, especially women who chose to work at home due to caregiving obligations have been seldom accredited in the same manner as an artist who works from a studio. My search for this singular beauty of art-making in the chaos of a home that expands and envelopes everything that it rubs against is a call to fellow practitioners who practice similarly. It is a call to acknowledge time, discomfort, cultural reality and sometimes even the struggle to have a working table in the living room. Artmaking is a seamless and ceaseless process that pushes forward the political act of everyday resistance to social norms, patriarchy, dominant socio-political narrative, and identity. I find myself drawn increasingly towards mending, stitching, collecting, appropriating, making and I draw many parallels to my mental-makeup when I am attending to household chores such as washing dishes, doing laundry, cooking, and cleaning. Earlier I drew these parallels as a coping mechanism because the dominant narrative, however invisible, is, that a home-bound domestic practice is not a professional art practice. But very soon I realised how profoundly the smallest gestures of looking, reacting, problem-solving, foraging, making-do conversed with my thinking reading mind. These boundaries started getting mixed.
We are living in trying times. We have to start making art today. What we make today will become part of history because we cannot expect the state to be a keeper of our memory, we cannot expect media to be a keeper of our memory, we cannot even trust our own memory, hence we must write everything down. When things are changing so fast, we are experiencing them at a deep level. One thinks I will remember this forever. As time passes, one memory overlays another and hence it is important to produce a record for ourselves.
When I am making a work, I am processing experience through a visual-verbal language so that what I am experiencing becomes more real and meaningful. And what is life except the desire to make life, our striving more meaningful?
We do not know what is happening in the world right now. The most authoritative truth is being produced by the so-called experts and populists who are telling us lies. So, as art practitioners, we have to resort to our dumbness in order to produce the most honest work we can and record this anxiety with a certain degree of clarity.
Can we take forward this confrontation and curiosity to think more about a home-bound practice as a vital form of contemporary expression - like making a different use of the kitchen timer. Seeking some kind of truth by making something and then waiting patiently till it becomes art. How often does the daily struggle to attend to a chore become art, has to be tried again and again. To be filled with doubt is art and it is directly linked to making art at home because working from home blurs the line between the domestic and the academic. You see the unfamiliar in a light that is familiar. The most exciting art-making is where there is a blurring of genres where that which is fossilised as a convention loosens and something new is seen.
1 Puotila is a suburban neighbourhood in Helsinki, Finland.
2 Ulwe is a node of Navi Mumbai, India


The Cucumber Pro results protocol
Cucumber Pro receives results over a WebSocket connection. The protocol is designed to be agnostic about Cucumber. Think of it as a way to attach metadata to a line in a file in a repo - for a particular revision.
There are currently 2 implementations:
Establish a connection
To establish a connection you need the auth token for a Cucumber Pro user. We have a test user that can be used to store results for open source projects. The connection URL is:
wss://results.cucumber.pro/ws?token=dbe1d91b213836a5966a877aceb63b04
In practice you'd use your own personal Cucumber Pro token.
Initiate the session
After a connection has been established, send a header message to identify the repository,
revision and branch. The group
property is a unique ID - typically a random hex string.
{
"repo_url": "https://github.com/foo/bar.git",
"rev": "560fc319ca77deaa2eea6bfa3d82a6f17ae924b3",
"branch": "master",
"group": "4e590fc71cbe2395b7a492a7e8244050ea76f9f6",
"info": {
"os": "Linux 3.13.0-29-generic (amd64)",
"os_user": "ubuntu",
"client_version": "cucumber-pro-jvm 1.0.9",
"tool_version": "cucumber-jvm 1.1.8",
"platform_version": "Java 1.7.0_55 (Oracle Corporation)",
}
}
The info
property holds information about the machine. Here is an example:
Store results
As mentioned above, results are just a tuple path, location, mime_type, body
.
Example:
{
"path": "hello/world.feature",
"location": 2,
"mime_type": "application/vnd.cucumber.test-case-result+json",
"body": {
"status": "passed"
}
}
The path
field is the path from the root of the repository.
The location
filed is just the 1-indexed line number.
The Cucumber-specific parts here is the mime_type
and the body
. The status
property in body
can be one of
passed, skipped, pending, undefined, failed
.
Behat has the concept of "suites", which means a scenario can be run several times in the same run,
but in a different configuration, for example running via "ui" or "domain". This can be stored in
the body
field as suite
.
Later, if we want to store e.g. Robot framework results we'd define a new mime type and possibly a different body schema.
Replies
For each message sent by the client to the server, the server will send one back to the client. The client can send messages back-to-back - it doesn't have to wait for an ack message before sending a new message.
The client should however look at each received message and if it has an error
property, throw
an exception using that property's value as the error message. This is important so that the
client fails if something went wrong on the server.
The client should hang around until it has received as many messages as it has received.
Screenshots and blobs
The protocol for storing metadata where the body is a blob (such as an image) is to send two messages where the first one is a regular metadata JSON message without the body field set.
When the body
field is not set, Cucumber Pro's results service expects the next message
to be a binary message.
Closing the connection
When the client has sent all the results, just close the connection.
Getting the data out
TBA - we haven't finalised this API yet - currently only the Cucumber Pro webapp knows how to do this.


An implementation of the coinhive.com API
I am not affiliated with coinhive.comClone this repo and host your own :)


Wanderlust
The journey of a thousand miles begins with a single step
Wanderlust
Team members:
Dineth Chamika - Student 1
Sahas Punchihewa - Student 2
Pramod Perera - Student 3
Visal Chamuditha - Student 4
Page Editor


Class: Aws::ServerlessApplicationRepository::Types::ParameterDefinition
| Relationships & Source Files | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Class Chain:
self,
Struct
|
|
|
Instance Chain:
self,
::Aws::Structure ,
Struct
|
|
| Inherits: |
Struct
|
| Defined in: | gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb |
Overview
Parameters supported by the application.
Constant Summary
Instance Attribute Summary
-
#allowed_pattern ⇒ String
rw
A regular expression that represents the patterns to allow for String types.
-
#allowed_values ⇒ Array<String>
rw
An array containing the list of values allowed for the parameter.
-
#constraint_description ⇒ String
rw
A string that explains a constraint when the constraint is violated.
-
#default_value ⇒ String
rw
A value of the appropriate type for the template to use if no value is specified when a stack is created.
-
#description ⇒ String
rw
A string of up to 4,000 characters that describes the parameter.
-
#max_length ⇒ Integer
rw
An integer value that determines the largest number of characters that you want to allow for String types.
-
#max_value ⇒ Integer
rw
A numeric value that determines the largest numeric value that you want to allow for Number types.
-
#min_length ⇒ Integer
rw
An integer value that determines the smallest number of characters that you want to allow for String types.
-
#min_value ⇒ Integer
rw
A numeric value that determines the smallest numeric value that you want to allow for Number types.
-
#name ⇒ String
rw
The name of the parameter.
-
#no_echo ⇒ Boolean
rw
Whether to mask the parameter value whenever anyone makes a call that describes the stack.
-
#referenced_by_resources ⇒ Array<String>
rw
A list of AWS SAM resources that use this parameter.
-
#type ⇒ String
rw
The type of the parameter.
Instance Method Summary
::Aws::Structure
- Included
| #to_hash | Alias for Aws::Structure#to_h. |
Instance Attribute Details
#allowed_pattern ⇒ String
(rw)
A regular expression that represents the patterns to allow for String types.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#allowed_values ⇒ Array
<String
> (rw)
An array containing the list of values allowed for the parameter.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#constraint_description ⇒ String
(rw)
A string that explains a constraint when the constraint is violated. For example, without a constraint description, a parameter that has an allowed pattern of [A-Za-z0-9]+ displays the following error message when the user specifies an invalid value:
Malformed input-Parameter MyParameter must match pattern [A-Za-z0-9]+
By adding a constraint description, such as "must contain only uppercase and lowercase letters and numbers," you can display the following customized error message:
Malformed input-Parameter MyParameter must contain only uppercase and lowercase letters and numbers.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#default_value ⇒ String
(rw)
A value of the appropriate type for the template to use if no value is specified when a stack is created. If you define constraints for the parameter, you must specify a value that adheres to those constraints.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#description ⇒ String
(rw)
A string of up to 4,000 characters that describes the parameter.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#max_length ⇒ Integer
(rw)
An integer value that determines the largest number of characters that you want to allow for String types.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#max_value ⇒ Integer
(rw)
A numeric value that determines the largest numeric value that you want to allow for Number types.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#min_length ⇒ Integer
(rw)
An integer value that determines the smallest number of characters that you want to allow for String types.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#min_value ⇒ Integer
(rw)
A numeric value that determines the smallest numeric value that you want to allow for Number types.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#name ⇒ String
(rw)
The name of the parameter.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#no_echo ⇒ Boolean
(rw)
Whether to mask the parameter value whenever anyone makes a call that describes the stack. If you set the value to true, the parameter value is masked with asterisks (*****).
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#referenced_by_resources ⇒ Array
<String
> (rw)
A list of AWS SAM resources that use this parameter.
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end
#type ⇒ String
(rw)
The type of the parameter.
Valid values: String | Number | List<Number> | CommaDelimitedList
String: A literal string.
For example, users can specify "MyUserName".
Number: An integer or float. AWS CloudFormation validates the parameter value as a number. However, when you use the parameter elsewhere in your template (for example, by using the Ref intrinsic function), the parameter value becomes a string.
For example, users might specify "8888".
List<Number>: An array of integers or floats that are separated by commas. AWS CloudFormation validates the parameter value as numbers. However, when you use the parameter elsewhere in your template (for example, by using the Ref intrinsic function), the parameter value becomes a list of strings.
For example, users might specify "80,20", and then Ref results in ["80","20"].
CommaDelimitedList: An array of literal strings that are separated by commas. The total number of strings should be one more than the total number of commas. Also, each member string is space-trimmed.
For example, users might specify "test,dev,prod", and then Ref results in ["test","dev","prod"].
# File 'gems/aws-sdk-serverlessapplicationrepository/lib/aws-sdk-serverlessapplicationrepository/types.rb', line 1478
class ParameterDefinition < Struct.new( :allowed_pattern, :allowed_values, :constraint_description, :default_value, :description, :max_length, :max_value, :min_length, :min_value, :name, :no_echo, :referenced_by_resources, :type) SENSITIVE = [] include Aws::Structure end


Packer – Packer is an open source tool for creating identical machine images for multiple platforms from a single source configuration (taken from packers website). Packer works by using a .json file containing directions to build and package machine images. Packer can be utilized to create machine images for a pxe server, Docker files, vagrant boxes, and more.
When Packer is running it will:
- create a new virtual machine
- provision the machine with a kickstart/preseed file
- run scripts against the machine
- bake the machine into a completed image/box/dockerfile
1.) Go to packers website and select the version appropriate for your operating system
2.) A pop up will appear. Click “save file” and wait for the package to download.
3.) Continue through the installer until the installation has completed.
Packer works by reading a .json file (writen in ruby) in order to build machine images. There are many resources available online on how to write a .json file.
This doccumentation will give a general example on how to write a .json file
Click here to see examples .json files for multiple operating systems
The .json file has 4 main sections:
- Builders
- Post-Processors
- Provisioners
- Variables (optional)
This section includes things that packer will use to create a new virtual machine such as:
- Virtual machine type (VirtualBox/VM Ware/etc…)
- Boot commands
- Options for unattended installation files
- Username/password for account creation
- VM Name
- VM resources such as CPUs, Memory, Disk size, etc…
see example below:
This section includes options to save the image once the build is completed, such as:
- Output name
- Outout type
see example below
This section allows the user to make changes to the virtual machine
(like installing packages and writing file configurations).
It does this by including options for provisioning, such as:
- Environmental variables
- Shell commands
- cutsom srcripts
see example below
Although technically a part of the provisioners section; a variable section is a good idea because it will allow for easy customization.
To run packer, open a shell and enter the command:
packer build (path_to_.json_file)
packer will then:
- Spin up a new vm
- Enter given boot commands
- Go through the unattended installation
- SSH into the virtual machine
- Provision the virtul machine
- Gracefully haly and package the virtual machine


| Methods |
public
|
__construct(array $headers = [])
Header bag constructor.
|
#
|
public
|
all(string ...$exceptions): array
Return all headers with exceptions converted to friendly case.
Return all headers with exceptions converted to friendly case.
Overrides
|
#
|
public
|
camelize(): array
Return all headers with exceptions camelized.
Return all headers with exceptions camelized.
|
#
|
public
|
replace(array|ArrayBag $parameters): static
Replace headers converted to friendly case.
Replace headers converted to friendly case.
Overrides
|
#
|
public
|
merge(array|ArrayBag $parameters): static
Merge headers converted to friendly case.
Merge headers converted to friendly case.
Overrides
|
#
|
public
|
setCookie(Cookie|string $cookie): static
Set a response cookie header.
Set a response cookie header.
|
#
|
public
|
set(string $key, mixed $value): static
Set a header key/value pair converted to friendly case.
Set a header key/value pair converted to friendly case.
Overrides
|
#
|
public
|
getCookies(string $name = null): mixed
Get response cookie header(s).
Get response cookie header(s).
|
#
|
public
|
deleteCookie(string $name): static
Delete a response cookie.
Delete a response cookie.
|
#
|
public
|
expireCookie(string $name): static
Expire a cookie that is alive.
Expire a cookie that is alive.
|
#
|
protected
|
reformCacheControl(): CacheControl
Reform cache controll depending on set headers.
Reform cache controll depending on set headers.
|
#
|


Landslides kill 24 people as heavy rains lash northwestern Kenya
by ReutersMOMBASA — At least 24 people, including seven children, have been killed by landslides triggered by unusually heavy rains in northwestern Kenya, a local governor said on Saturday.
The downpour began on Friday in West Pokot County, which borders Uganda, and worsened overnight, causing flooding and mudslides that swept away four bridges and left the worst-affected village, Muino, unaccessible by road.
“More people are marooned and the entire village is at risk of being wiped out by the floods,” the county’s governor, John Lonyangapuo, told Reuters by phone as he waited for a helicopter to transport him to survey the damage.
He added that rescue efforts were underway in the area, where more than 500 vehicles are stuck on roads damaged by the landslides.
Eleven of the people killed were in the same house, Lonyangapuo said.
Researchers have warned that warming oceans are causing unpredictable weather patterns in East Africa.
Heavy rains and floods have killed more than 50 people and forced hundreds of thousands of people from their homes across East Africa, aid groups said earlier this month.
Kenya is experiencing a heavier than usual rainy season, the Kenya Meteorological Department said in early November. (Reporting by Joseph Akwiri Writing by Maggie Fick)


--- layout: page title: Get Started action: MXNet Tutorials action_url: /api/python/docs/tutorials permalink: /get_started/index.html --- {% include /get_started/get_started.html %}
The signed source code for Apache MXNet (incubating) is available for download here


I have created my own version of the EmonGLCD, but instead of the GLCD used a 4 X 20 LCD instead. Main reason is I had these, but the GLCD is costly (compared to what I have) and I wanted to learn.
This is the first photo of it:
It uses alot of the GLCD code for the ways of doing things, but is just the display that is differrent.Currently is only on breadboard as I am wanting to move it from direct IO to running on a 74595 shift register, but the Jeelibs libary is stopping me at the moment, so I need to work on that.
Once all is done, I will upload code and schematic for everyone.
Jimmy
Re: EmonLCD not GLCD
Thank you for your contribution Jimmy,
I have a couple of 2x16 displays I'd like to use in a similar manner and I'm sure your code will be very helpful with that.
May I ask where you goat your breadboard? It looks like something that I would like.
Regards,
Michal
Re: EmonLCD not GLCD
Hi,
The breadboard I got from maplin, it is perfect for the bigger projects. Was close to £20 retail I think, but a little better for me as I work in head offices.
As I have a few jeeNodes doing various measurements around the house / garden, I intend to display their readings on the display also.
This has turned out to be a bigger project than I originally thought out. Next is the renta roof solar.
Jimmy
Re: EmonLCD not GLCD
Here is the Schematic and the board layout (v0.1) that I have laid out. Not really done any checking as it is something I have always wanted to do, nut not sure how to go about it.
When I come to build, it will be on strip board as I have plenty of this at home and work.
Where is the best place to pop up the code? I don't know how to github?
Jimmy
Re: EmonLCD not GLCD
That display looks very clear Jimmy, nice work.
It would be a good idea to add some decoupling capacitors across your power supply when you build your final board (I'm only saying this because there's none shown on your schematic).
Re: EmonLCD not GLCD
Martin, that is a fair comment, I will look into this, i guess a 0.1uF cap would do this fine (need to get a scope to see the ripple).
As promised the code is in the Zip File, it is a blatant hack of the emonGLCD, but I like the way it works and it seems to fill my needs.
Well I make it bed time, and tomorrow if I get chance, after removing mode dirt from the garden I will try again at making it SPI compatible so as to only use 1 extra IO pin, so I can bring in the warning lights I would like to such as (temp warning, consumption warning, hot water tank warnings.
With these I will be able to see the status of just about everything that I see important to me. Really glad I found this community, and can share my ideas.
Jimmy
Re: EmonLCD not GLCD
bugger... the zip file is gone... also have 3 of these displays... one of them with RGB backlight...
any chance that jimmy is still arround?
Re: EmonLCD not GLCD
Hi,
Yes I am still around.
I am looking for the source code myself as I am looking to build another one of these again to put in the office at home so that I can get more info about my energy while coming up with new ideas.
As soon as I find it, I will add the files back here (not sure where its gone) but also on a personal server too so that it should not disappear again.
Jimmy
Re: EmonLCD not GLCD
Found it!!!
Re: EmonLCD not GLCD
thanks a lot :-D
Re: EmonLCD not GLCD
No worries mate, thats the joy of open source.

As an example I have extended it further to give the following display:
The coloured "zones" show the following...
Red Lef t: Energy Consumption, Generation and import / export.
Red Right : Time
Green : Current Temperature
Yellow : Central Heating / Hot water status
White : Hot Water cylinder Temps.
It is supprising how much data it is possible to get on one screen.
Jimmy
Re: EmonLCD not GLCD
yeah... i still have the files here and just need to figure what data i want..
dont have solar stuff so for me there are 2 areas i can fill up
are the central heating simple on and of indicators?
Re: EmonLCD not GLCD
Q: how long does batterly last? and which do you use?
i am extending the eagle files to hold a 2000mah lipo with charge chip and usb power when it needs a charge
EDIT: attached a image export from eagle. Most is SMD as they are easy enough to hand solder, U3 is a dht22 so we can messure humidity, JP3 is a connector for a 1Kohm resistor that controls the current for battery, connector named therm is for a 10K thermistor attached to the battery, LED2 shows when voltage is ok at charge chip, LED 3 and 4 shows charge process.
thinking of attaching a photo transistor so backlight can be dimmed at night
Re: EmonLCD not GLCD
backlight now controlled by AVR.... and LDR added...
anyone that see this please check for sanity.. ie if connected right
wonder if its possible to write the time with BIG letters on this display... could be usefull at night, only write time and dim the backlight so it does not prevent you from getting sleep but also allows you to see what the time is
and if there are a pin free could it be possible to make it work like an alarm clock? of course requires that a module in emoncms that allows you to enter what time to sound a buzzer


--- layout: post title: C/C++ - Variable number of arguments to a function categories: - Coding - Some Beautiful Codes tags: [] status: publish type: post published: true meta: _publicize_pending: '1' _wpas_done_632636: '1' publicize_reach: a:2:{s:7:"twitter";a:1:{i:632639;i:35;}s:2:"wp";a:1:{i:0;i:5;}} publicize_twitter_user: ShivjiJha _wpas_done_632639: '1' _publicize_done_external: a:1:{s:7:"twitter";a:1:{i:501487031;b:1;}} _wpas_mess: C/C++ - Variable number of arguments to a function _wpas_skip_632639: '1' _wpas_skip_632636: '1' _oembed_19d250cc234da840330e161efb102995: ! '{{unknown}}' _oembed_5f6f92e3de4a36fdbce203fe5474ff3c: ! '{{unknown}}' _oembed_c500418d4fdc1d984e47a260cbe49391: ! '{{unknown}}' _oembed_28a462fb98f38833bb5b69a54f70ff53: ! '{{unknown}}' _oembed_d8119f2adc02aa0c42376bd9bda5e1bd: ! '{{unknown}}' _oembed_64d703d3a69c0768189f03bbf6abdd57: ! '{{unknown}}' _oembed_7c4a7fd43698c218bd8d79369c2263a2: ! '{{unknown}}' _oembed_84db5f1f3ffed0eafae33e2f60d9d390: ! '{{unknown}}' author: ---
Ever wondered how printf() in C would be implemented ? If you are a C-lover, I guess you would have, for its a function that looks pretty different from the other library functions, consumes tons of options and its very powerful. If you are not a C-fan and do not know much of it, you may want to have a look here . Well, one of the great flexibility of printf() comes from the fact that it can consume variable number of arguments. If you are scratching your head about how it does that, hold on, you will know it in a minute. That is what this post aims at :) . Lets look at some examples to understand what 'variable number of arguments' means.
{% highlight c %} #includeNote that the first version takes one argument, the second version takes two arguments and the third takes three. Have you ever written a function definition in C that can be invoked with any number of arguements 1...N ? If not, lets write one. But on the way we need to learn a couple of things as ingredients to it. We need to know of four simple things. The definitions have been taken from cplusplus.com. If you dont understand what they mean, you may first want to see how they are used ( see the code below) and believe me, its very simple to understand them from the usage.
Objects of this type can only be used as argument for the va_start, va_arg, va_end and va_copy macros, or functions that use them, like the variable argument functions in <cstdio> (vprintf, vscanf, vsnprintf, vsprintf and vsscanf).
void va_start (va_list ap, paramN)
Initialize a variable argument list. Initializes ap to point to the first unnamed argument. It retrieve the additional arguments after parameter paramN. A function that invokes va_start(), should also invoke va_end() before it returns.
type va_arg (va_list ap, type)
void va_end (va_list ap);
Pheww thats a lot of technical Jargon !! Lets revert to some simpler words now. In short, you need to first define a list of type va_list by saying something like.. va_list args. Next, invoke a call to va_start() to indicate where the variable list of arguments starts from, extract each argument from the variable list (args in our case) using va_arg() and finally dont forget calling va_end().
Note that apart from va_ag(), a va_list object (named ap in declarations below ) can also be consumed by versions of printf() that are preceded by 'v', for example:
Lets look at an example that uses the a va_arg(). For the above mentioned printf versions, you can find a C program for each of the 3 functions listed above in the links in the "References" section (#2, #3, #4 respectively) at the end of this post.
{% highlight c %} #includeTime to see what the function outputs. Here you go:
result of sum() with 2 arguement: 1 result of sum() with 3 arguement: 3 result of sum() with 4 arguement: 6 result of sum() with 5 arguement: 10
And as always play with the above code on ideone. Change a few things here and there and see how it works. Done with this? Lets try and implement our own version of printf().
References:


DECALOGUE (DEKALOG) A film review by James Berardinelli Copyright 1995 James Berardinelli
RATING (0 TO 10): 9.6
Poland, 1988 Shown at the Philadelphia Festival of World Cinema Running Length: 9:31 (in 10 parts) MPAA Classification: Not Rated (Mature themes, violence)
Cast: (Part 1): Henryk Baranowski, Wojciech Klata, Maja Komorowska; (Part 2): Krystyna Janda, Aleksander Bardini; (Part 3): Daniel Olbrychski, Maria Pakulnis; (Part 4): Adrianna Biedrzynska, Janusz Gajos; (Part 5): Miroslaw Baka, Krzysztof Globisz; (Part 6): Grazyna Szapolowska, Olaf Lubaszenko; (Part 7): Anna Polony, Maja Barelkowska, Wladslaw Kowalski; (Part 8): Maria Koscialkowska, Teresa Marczewska; (Part 9): Ewa Blaszczyk, Piotr Machalica, Jan Jankowski; (Part 10): Jerzy Stuhr, Zbigniew Zamachowski Director: Krzysztof Kieslowski Producer: Ryszard Chutkowski Screenplay: Krzysztof Kieslowski and Krzysztof Piesiewicz Cinematography: (Part 1): Wieslaw Zdort; (Part 2): Edward Klosinski; (Parts 3,9): Piotr Sobocinski; (Part 4): Krzysztof Pakulski; (Part 5): Slawomir Idiak; (Part 6): Witold Adamek; (Part 7): Dariusz Kuc; (Part 8): Andrzej Jaroszewicz; (Part 10): Jacek Blawut Music: Zbigniew Preisner U.S. Distribution: Not available in North America In Polish with subtitles
For Krzysztof Kieslowski's North American followers, DECALOGUE has attained an almost-mythical status. Kept out of theaters because of a distribution faux pas (the North American distributor refuses to allow the films to be shown), DECALOGUE has rarely been screened theatrically on this side of the Atlantic. Fortunately, using a U.K. print, a North American "tour" of the production has been organized with stops in various cities in the United States and Canada, allowing audiences an opportunity to view one of the most important works of the director's career.
There is some truth in the statement that to really understand Kieslowski, it's necessary to see DECALOGUE. For him, this was a transition film. Before DECALOGUE, the director was better known for his documentaries; only a few features -- CAMERA BUFF, BLIND CHANCE, and NO END -- had generated international attention. After DECALOGUE, Kieslowski released THE DOUBLE LIFE OF VERONIQUE, BLUE, WHITE, and RED - - all of which are regarded as exceptional pictures. Bridging these two "phases" of film making is the multi-part DECALOGUE, which, taken as a whole, may be the most meaningful of all that Kieslowski has brought to the screen.
In the director's own words, he "concentrated more on what's going on inside [the characters] than what's happening on the outside." While his earlier pictures dealt with how "external circumstances and events influence people", beginning with DECALOGUE, Kieslowski focused on what occurs with "people who come home, lock the door on the inside and remain alone with themselves." VERONIQUE and the THREE COLORS trilogy illustrate this trend more explicitly, but it first takes root here.
DECALOGUE was initially produced as a series of ten 1-hour films for Polish television. Two of the episodes, parts 5 and 6, were expanded to full-length features released internationally under the titles of A SHORT FILM ABOUT KILLING and A SHORT FILM ABOUT LOVE. Each segment of DECALOGUE ostensibly concentrates on one of the Ten Commandments. They are, in order, "I am the Lord thy God.  In Kieslowski's opinion, "The relationship between the films and the individual Commandments [is] a tentative one. The films should be influenced by the individual Commandments to the same degree that the Commandments influence our daily lives."
Kieslowski first envisioned DECALOGUE as a project to give young Polish directors their first shots at film making. He and his writing partner, Krzysztof Piesiewicz (who also co-authored NO END, VERONIQUE, and THREE COLORS) scripted the episodes, intending for a different director to helm each one. However, when the screenplays were complete, Kieslowski realized they were too good to hand over to someone else. In the end, he directed all ten -- completing the entire series in under a year.
Anyone can make a movie about the Ten Commandments, but few such productions would share the subtlety and depth which characterize Kieslowski's vision. It isn't the subject matter per se that gives DECALOGUE its greatness -- it's the manner in which the director handles his material. For part 5, those expecting to see a morality play about the evils of killing are in for a surprise. To be sure, this episode is about murder and its ramifications, but the issues examined are far more complex, and Kieslowski shuns absolutes of good and evil.
Many of the segments deal only peripherally with their associated Commandment, while others tackle more than one. Part 2, for example, in which a doctor's diagnosis will determine whether an unborn baby is brought to term or aborted, is intended to show one of the ways man assumes the role of God, and can be seen as a reference to either Commandment 1 or 2. Parts 6 and 9 both deal with themes of love, sexual obsession, and jealousy. Parts 7 and 10 involve thefts, albeit of radically different kinds. Parts 1, 4, and 7 grapple with issues of parenting. Part 3 has virtually nothing to do with the Sabbath, but a great deal to do with lying, while the lie of part 8 is only a jumping- off point for a far deeper ethical debate. And so it goes for all ten episodes, with multiple issues criss-crossing and weaving their way through the stories.
Like BLUE, WHITE, and RED, each episode of the DECALOGUE cycle can be viewed individually. However, for those who sit through more than one, there are several connecting threads. The entire series takes place in one Polish housing complex and, as a result, various characters from certain episodes make brief appearances in others. There is one nameless man who has a cameo in nearly every segment (often carrying some bulky object). Occasionally, references are made to the plights of others -- for example, the doctor's dilemma in part 2 is debated in an ethics class in part 8.
Each episode of DECALOGUE has a different tone. Part 1 starts out playful as we're introduced to a loving father and son. Part 2 is somber. Part 3, which takes place at Christmas, is suitably festive, and Kieslowski works in a few humorous moments. The focus in part 4 is kept intimate, while in part 5, which deals with capital punishment, it's very public. Part 6 is a warped romance, elements of which are later echoed in both WHITE and RED. Part 7 is another grim episode, followed by an even more sobering part 8, about a Holocaust survivor confronting the woman who wouldn't hide her. Part 9 is a modern tragedy that ruminates about the real nature of love (it's "in one's heart, not between one's legs"), and part 10 is the closest DECALOGUE ever comes to being a comedy.
Each viewer will have an opinion of which segment is the most affecting. At the screenings I attended, it seemed that every person had a different favorite. By way of illustrating the scope of the series, I'll spend a little space discussing the three I was most impressed with. Though the content of the other seven differed from these, many of the intentions were similar.
Part One: "I am the Lord thy God.  Kieslowski has a unique take on idolatry in this segment. Instead of introducing us to worshippers of a traditional pagan god, he gives us a good Polish father who believes in fate and science, but not God. One day, when his young boy wants to go skating, he uses his computer to calculate whether the ice on a local pond is thick enough. The computer says it's safe, but the boy falls through and drowns. DECALOGUE 1 is crafted as an admonition to those who blindly follow any philosophy, be it religious or secular, and Kieslowski's ability to make these characters believable and sympathetic drives home the message.
Part Four: "Honor thy father and thy mother." A young woman prematurely opens a letter addressed to her by her dead mother that was intended to be read only after the passing of her father. In the letter, it is revealed that the man who raised her is not the one who sired her. Armed with this knowledge, the daughter decides to act on long-submerged feelings to seduce him. This episode is a study of the so-called Electra complex, in which a girl is given the opportunity to act on an attraction to her father.  The ultimate resolution is the perfect ironic punctuation to all that comes before.
 (Also, A SHORT FILM ABOUT LOVE) Perhaps the most intriguing of all the episodes, this one confronts voyeuristic obsession. A young postal worker, Tomek, spies on a beautiful, promiscuous woman, Magda, living in the tower block opposite. After watching her from afar, he finally gets up the courage to meet her, but, by de-objectifying her, his vision of perfect love is shattered. She informs him that there's no such thing as love, only sex. This leads to a failed suicide attempt. However, by the time Tomek returns from the hospital, the circumstances have been reversed. Now, Magda is obsessed with him. Love -- or at least some degree of caring -- has awakened inside her even as it was destroyed within him. Despite the grim final act, this segment has its lighthearted moments, the most memorable of which is Tomek's reaction when Magda agrees to accompany him on a date. The episode is an invitation to speculate about the meaning of love, and the different ways people view it. It's also about disillusionment and accepting the consequences of one's actions. Had Magda been more sensitive to Tomek's feelings, she never would have been trapped by the emotions that resulted from his attempted suicide.
Certainly, one of the many elements that makes DECALOGUE so powerful is that, among the dozens of primary actors, there are NO inadequate performances. Every character is portrayed naturally, and each story unfolds without uneven acting creating a question of authenticity. For those familiar with other Kieslowski films, there are several recognizable faces. Zbigniew Zamachowski, who starred in WHITE, plays a lead in part 10. Jerzy Stuhr, from CAMERA BUFF and WHITE, is also in the same segment. Janusz Gajos, from WHITE, is the father in part 4. And Grazyna Szapolowska, Magda in part 6, also appeared in NO END.
Throughout the history of film, there has been a select group of standout pictures -- movies that, for technical or artistic reasons, have made an indelible imprint on viewers. Taken as one ten-hour exploration of the human experience, DECALOGUE is deserving of a place in that unique cadre of films, alongside such undisputed classics as CITIZEN KANE, LAWRENCE OF ARABIA, LAST TANGO IN PARIS, THE GODFATHER, FANNY AND ALEXANDER, and SCHINDLER'S LIST (to name a few). Make no mistake -- ten hours is a long time to watch a movie -- but DECALOGUE's drama is never boring (not that I'd recommend viewing the whole thing in a single, uninterrupted chunk). This is the product of a expert storyteller/filmmaker at the height of his craft, creating a masterwork the likes of which comes along only once in a great while. There is no other motion picture out there like DECALOGUE, which makes it more the pity how difficult it is to hunt down in North America. But, for those who take the trouble, the payoff is more than worth the effort.
Acknowledgment: Kieslowski's quotes are taken from KIESLOWSKI ON KIESLOWSKI and the director's introduction to the published DECALOGUE screenplay.
- James Berardinelli<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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About Me
I am currently learning software development, I have foundational knowledge about infosec, and I love design. I aspire to pursue cybersecurity as a career and if there is a way to blend that with software development, I will go for it. I would also love to do UX/UI design sometimes in the near future and this is my inspiration to do what I am doing.
I am an undergraduate student of Computer Technology at Jomo Kenyatta University of Agriculture & Technology , Serianu Limited's ACIC Program graduate and I am currently a student at Moringa School studying software development.
During my free time, I am either doing photography, designing, web surfing, or coding.
Development
UI/UX
Cybersecurity
Projects Done
Contact Me


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Hello! I'm Nadine, Lead Artist of Magical Muffin.
In this project I've had the opportunity to lead nine artists. I was focused on manage every art member so that we can finally have final art for the game. At the beginning, I helped some art teammates to understand all the pipeline process (2D & 3D). As a member of the department, I also did some art when I had everyone well organized.
The goal of the art team was to recreate a The Witcher cartoonish style so that the game looked funny. We mainly opted for an exaggerated proportions to get that goal.
My main functions since I was a Lead were the following ones:
Check the milestone goals and create the necessary tasks to complete that sprint. Organize the members by their best art skills and propose them to do specific tasks, although anytime I was opened up to hear them if they wanted to do any other task they would prefered. In this case I checked the task planning again and changed the missing tasks on the other teammates. Once everyone knew their work to do and there was no question about the sprint tasks, they start to work.
Department meetings at each sprint or informative messages. When everyone knew about the Pipeline and there were no technical issues with software, I used this informative messages to quickly distribute tasks without taking time away from the artists.
Communication with the other Leads, Producer and Product Owners to find out what was exactly needed from the art department in each sprint to achieve our game goals.
I have also contributed creating art for the project. Whether it was to chek out the structure of the Pipeline in our own Engine, to cover high priority tasks when my department mates were busy, and because I love create art.
2D Concepts: Photoshop
3D Modeling: 3dsMax, Maya
3D Sculpt: ZBrush
3D Paint: Substance Painter, Substance Designer
We were able to use Mixamo to import animations to our characters. Thanks to this software we could save time what allowed us to implement more characters in our game. Although we made all the environment animations and more.
This is my final version of the Game Title, which is the one we had choosen for the game:
To create the Game Title I started by drawing a composition sketch where I drew a few representative elements of The Witcher universe. Then I started to add some color when I approved the composition and I started to do some tipografy tests before put the original one.
I have finally chosen a more reddish color palette similar to the video game elements (like the swords) so that it will be combined with the color letters and the decoration that I drew.
Finally I added some details like shadows and texture. At the end, I lighted a little bit the title with some point lights to get it more powerful, more live.
When I had a little free time without much Lead work, I tried to test the Pipeline that we will use. I did a special prop, I mean, one that it can't be repeated so much, so it provides a unique zone in the game (I really wanted to have a prop in the level).
This was the final result:
To create that Wood Bridge, that is placed in a couple of levels, I start getting a lot of The Witcher bridges references, and also cartoon bridges references. Then I had chosen the best combination and I drew this concept art.
I really liked the idea about to put a horn in a corner of the bridge (it had ended by placing 4 horns, one in each corner). It made the bridge look better I think, and in The Witcher universe fit it a lot.
Once I finished the concept, I started modeling it using 3ds Max. I exported the model into ZBrush where I sculpted it, giving to it a more interesting shapes and wood details.
I looked for an exaggeration of the hard edge faces, similar to this kind of fantasy that Disney uses.
I finally painted it in Substance Painter using the cartoon base that I did for the barrel (down below in the LEVELS section). I changed a little bit the colors and adjusted the tones to get this final result.
This was the first model I modeled for Geralt after the Concept Discovery. We realised that we wanted a funnier game, so we opted for a chibi Geralt (it was also faster to create a chibi style considering the time that we had).
I modeled the character in 3ds Max and exported to ZBrush to give him some details
We also used this model in the next sprints. The Design and Code departments use it while they were testing the combat system in Unity for the first time (combos, movement, combat feedback, inputs...)
Right before put the Yennefer model into Mixamo to get her animated, we needed to paint her skin weights. So I took the bones that Mixamo readed and I fit them into her body. Finally I painted her weight to let her move perfectly.
These are some proportions adjustments to later be working on the final Concept Art (with color and detail variations for example).
CHIBI & FUNNY GERALT:
LESHEN:
GHOUL REWORK:
I drew a more realistic Ghoul similar to the TV show/video game. The first design is a rework from the second one. We realised that the second one seemed like a Ben 10 alien similar to a strong dog.
I also did a rework on the UI buttons. I made them more consistent by adding some outlines and different tones of colors. I added a texture on the background to get a better contrast with 3D environment and 2D UI, so that the 2D and 3D were well integrated.
This was the final version when you die in the game. The black shadows are maybe a little wierd with the white and silver tones, but I like it because the shadows that I put into the background. The silver tones on the outile fit well with the other HUD elements.
I also made the base terrains of some levels so that colliders, the corresponding textures and all the props could be put into them. I used planes to optimize and I modified its heights using Maya. The Code department gave me specific requirements so we could later use those plans into a Terrain Editor in our Engine, which finally we couldn't implement due the lack of time.
LEVEL 1: BASE TERRAINS.
LEVEL 2: MINE BASE TERRAIN.
I made this Level 1 (forest - swamp zone) Unity scene in the Vertical Slice phase to check for the first time all material maps, UVs, scales, number of polygons (low poly and high poly) and more asset properties that all the artists made. The programmers were building the Engine, so it's because of this I tested this into Unity. When the Engine was ready we put the level into it and we made sure it work perfectly.
I also did a Cartoon Smart Material "Wood" from scratch using Substance Painter. I used the layers that I show in the image right below.


| fkSession reference pages | |
waveform_props
synopsis
waveform properties
syntax
props=WAVEFORM_PROPS(wavemean)
description
props=WAVEFORM_PROPS(wavemean) calculates the waveform peak and trough
amplitudes (in ad units), the width and half width (in samples). All
these properties are calculated for the channel with the largest peak
only and are defines as:
- peak_amp
- largest value in waveform
- trough_amp
- smallest value in waveform, following the peak
- width
- time (in samples) between peak and trough
- half_width
- waveform width at half peak height (in samples)
| | Toolbox page | load_epochs |


Shettle
This page contains an index of all the individuals in the database with the surname of Shettle. Selecting the person’s name will take you to that person’s individual page.
| Given Name | Birth | Death | Partner | Parents |
|---|---|---|---|---|
| Alice Ellen “Nellie” | 1880-09-04 | 1934-07-07 | Mills, Charlie (Painter) | Shettle, Austin "Henry" Cook, Rose Alice "Alice" |
| Annette Ivy “Anetta” | 1892-11-02 | Trotter, Wilton George | Shettle, Austin "Henry" Cook, Rose Alice "Alice" | |
| Austin “Henry” | 1855-04-28 | 1917-06-14 | Cook, Rose Alice “Alice” | Shettle, William Wells Long, Harriett |
| Austin Frederick “Fred” | 1887 | 1940-08-04 | Olsen, Elsie May (Ingle) | Shettle, Austin "Henry" Cook, Rose Alice "Alice" |
| Eileen Clare | 1890 | 1973-10-01 | Waller, William | Shettle, William "Charles" O'Flaherty, Maria |
| Frederick | 3rd Qtr 1848 | 1903-09-26 | Davenport, Victoria | Shettle, William Wells Long, Harriett |
| Frederick Joseph James | 1894 | 1963-11-13 | Flockhart, Anne Marcelle | Shettle, William "Charles" O'Flaherty, Maria |
| Harriette Ruth “Ettie” | 1877-10-13 | 1928-10-11 | Oram, Robert C. M. | Shettle, Austin "Henry" Cook, Rose Alice "Alice" |
| Joyce Elsie May | 1918 | 1949-01-29 | Traynor-Ward, Lawrence Francis | Shettle, Austin Frederick "Fred" Olsen, Elsie May (Ingle) |
| Laura | about 1834 | Shettle, William Wells, ???? | ||
| Lenore Margaret | about 1919 | 1919-11-29 | Shettle, William John "Jack" Cahill, Mary Josephine | |
| Leslie J. | 1892 | 1892 | Shettle, William "Charles" O'Flaherty, Maria | |
| Lillian “Lily” Patience | 1884-06-22 | 1940-03-10 | Dixon, George Henry | Shettle, Austin "Henry" Cook, Rose Alice "Alice" |
| Lillian Elizabeth Rose | 1909 | 2004-09-25 | Mortley, Garnet Frederick Alfred “Dick” | Shettle, Austin Frederick "Fred" Olsen, Elsie May (Ingle) |
| Margaret Kathleen | 1899 | 1969-06-12 | Henderson, Charles Leslie W. | Shettle, William "Charles" O'Flaherty, Maria |
| Patience G. | 2nd Qtr 1852 | 1929 | Wenholz, George Henry | Shettle, William Wells Long, Harriett |
| Patricia Mary | 1916 | 1998-11-22 | Reed, Frank Arthur | Shettle, William John "Jack" Cahill, Mary Josephine |
| Percy Charles | 1886 | 1955-07-11 | Shettle, William "Charles" O'Flaherty, Maria | |
| Phyllis Joan | 1917 | 1979-03-13 | Mulligan, Eugene Michael “Hughie” | Shettle, William John "Jack" Cahill, Mary Josephine |
| Rebecca Margaret “Rita” | 1889 | 1942-06-10 | Burgis, Frederick Carrington, Hare, Arthur Herbert | Shettle, Austin "Henry" Cook, Rose Alice "Alice" |
| Rosa Maude | 1879 | 1883 | Shettle, Austin "Henry" Cook, Rose Alice "Alice" | |
| Ruth | 3rd Qtr 1850 | 1879 | McMinn, Arthur Bruce | Shettle, William Wells Long, Harriett |
| Thomas William Henry | 1882 | 1883 | Shettle, Austin "Henry" Cook, Rose Alice "Alice" | |
| William | Wells, ???? | |||
| William “Charles” | 1860-09-01 | 1901-09-11 | O'Flaherty, Maria | Shettle, William Wells Long, Harriett |
| William John “Jack” | 1888 | 1953-07-10 | Cahill, Mary Josephine | Shettle, William "Charles" O'Flaherty, Maria |
| William Wells | about 1822 | 1901-11-12 | Long, Harriett | Shettle, William Wells, ???? |


$$(HierarchicalGrid_Knockoutjs_FirstRootRow)
$$(Northwind_Employees_EmployeeID):
$$(Northwind_Employees_FirstName):
$$(Northwind_Employees_LastName):
$$(Northwind_Employees_City):
$$(Northwind_Employees_Country):
$$(HierarchicalGrid_Knockoutjs_FirstChildOfTheFirstRootRow)
$$(Northwind_Orders_OrderID):
$$(Northwind_Orders_ShipName):
$$(Northwind_Orders_Freight):
$$(Northwind_Employees_PostCode):
$$(Northwind_Orders_OrderDate):


{% load staticfiles %} {% load id %}
Collaboratively administrate empowered markets via plug-and-play networks. Dynamically procrastinate B2C users after installed base benefits. Dramatically visualize customer directed convergence without
Collaboratively administrate empowered markets via plug-and-play networks. Dynamically procrastinate B2C users after installed base benefits. Dramatically visualize customer directed convergence without revolutionary ROI.


DISNEY'S THE EMPEROR'S NEW GROOVE (2000) Reviewed by John Sylva
Rating: B+
Director Mark Dindal (Cat's Don't Dance) and the animation gurus at Disney bring us the holiday entry of The Emperor's New Groove, which is, simply put, the best animated film in years. Groove succeeds where Disney films as of late have not: Its emphasis is on character development and storyline, rather than the appearance of the animation itself. Unlike 1999's Tarzan and this past summer's Dinosaur, Disney's The Emperor's New Groove holds the potential to go down as one of Disney's more accomplished films and possibly come to be considered an animated classic.
David Spade brings his sarcastic antics to the film's central character, the self-absorbed, selfish, Emperor Kuzco, who we're told by a poor old man (who fell victim to his Emperor's harsh ways) has a "groove," the way in which everything in his self-indulgent world works. Kuzco has recently fired the wicked Yzma (voiced by Eartha Kitt), who, in return, along with her ignorant right-hand man Kronk (voiced by Patrick Warburton), vows to seek sweet revenge. But Yzma's original hope to poision the Emperor's drink at dinner takes an unpredictable turn when Kronk accidentally replaces the poision with a potion, and as a result the Emperor is magically transformed into a llama. Meanwhile, the llama-herding Pacha (voiced by John Goodman), who previously was informed by the Emperor that his hilltop village would be demolished and replaced with his summer resort, unknowingly brings the llama/emperor home when Kronk idiotically misplaces the bag in which the transformed Kuzco is unconscious. From here, Pacha and Kuzco form an unlikely, unpredictable, and unsteady friendship as Pacha agrees to take Kuzco back to the palace, but only under one condition: The Emperor must build his summer resort elsewhere. But all does not go smoothly-Kuzco has not yet been cured of his snobbishness, and Yzma will not relent in her hope to have the Emperor killed.
Jonathan Roberts and David Reynolds pen The Emperor's New Groove full of wit, intelligence, and a sophisticated yet simple storyline with plenty of twists and turns to keep the action rolling onscreen. The morals and lessons Roberts and Reynolds fill Groove with are certainly nothing we haven't seen before, but for parents looking for a film that will entertain their children and quite possibly teach them a lesson or two in friendship and in life, the film is more than adequate.
John Goodman's vocals make for a warm and affectionate protagonist, David Spade cleverly shapes his character much like the stereotype a fan of Spade would associate the comedic actor with, Patrick Warburton brings big laughs to his dumbbell of a character, and Eartha Kitt is sharp and biting as Yzma, making for an easily despicable, fun villainess.
The animation's smooth, vivid colors highlight the vast and majestic settings, effectively setting the lively onscreen mood.
Containing enough gags to hold the interest of younger children, presenting numerous pop culture references that will humor teenagers, and holding plenty of tongue-in-cheek comedy at which parents will laugh but find zooming right over their children's heads, Groove has something to offer to all ages. The film's only shortcoming is: With a swift running time of 75 minutes (obviously to suit the short attention span of younger audiences), it all ends too soon.
THE BOTTOM LINE: With the impressive Emperor's New Groove, Disney shows that after a long hiatus, it truly does have its groove back.
Film reviewed December 10th, 2000.
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simple csv - set of simple utilities for handling csv
some common keywords are listed for convenience. Only non-None keywords are passed.
in general, can just use default settings, which are of form convert_ABC_to_csv(lstofABC[,path) where ‘ABC’ is list or dict and ‘lstofABC’ is a list of lists or dicts. ‘path’ is optional.
if no path given, defaults to inserting the time into the filename
general format: read_csv_to_ABC(path) -> ABC where path is a path to a csv file and ABC is ‘list’ or ‘dict’. All keywords for python csv module are accepted, also possible to specify a header row to get titles/keys, etc
All functions work with lists, dicts, or any object that works similarly
Deprecated, wrapper for simplecsv.write_dict
deprecated, wrapper for write_list
deprecated, wrapper for read_to_dict
deprecated, wrapper for read_to_list
reads the csv at ‘path’ and outputs a dict with keywords from the firstline (so, the column titles) any keywords for csvreader can be passed through if desired). path can be fileobject or system path Keywords are listed for convenience, only non-None are kept
reads the csv at ‘path’ and outputs a list with all lines maintained (so, the column titles) any keywords for csvreader can be passed through if desired)
Takes dict and converts to csv, see csv.DictWriter for more, **kwargs are passed on, default filename is DictReader(csvfile[, fieldnames=None[, restkey=None[, restval=None[, dialect='excel'[, *args, **kwds]]]]])`() Use keyword arguments so you don’t have to worry about position.
| Parameters: |
|
|---|
Takes a list of data (generally list of list) and writes it to a file as a csv.
| Parameters: |
|
|---|
All other args passed to writer, args with None are written for convenience reminder. Default filename is pretty_time(), filename can also be a fileobject


public class Seat
extends java.lang.Object
| Constructor and Description |
|---|
Seat(java.lang.String s,
boolean b1,
boolean b2)
Constructor for seat
|
| Modifier and Type | Method and Description |
|---|---|
java.lang.String |
getLocation()
Returns the location of the seat as a string
|
boolean |
isAisleSeat()
Returns true if the seat is an aisle
|
boolean |
isOccupied()
Returns true if the seat is occupied
|
boolean |
isWindowSeat()
Returns true if the seat is a window seat
|
void |
occupy()
Sets the seat to occupied
|
void |
release()
Sets the seat to empty
|
public Seat(java.lang.String s, boolean b1, boolean b2)
s
- the location of the seatb1
- whether its a window or notb2
- whether its an aisle or notpublic boolean isOccupied()
public boolean isWindowSeat()
public boolean isAisleSeat()
public void occupy()
public void release()
public java.lang.String getLocation()


A grid based design is one that works in and around the constraints of a row-and-column-based grid system to help keep your content nicely aligned.
When using different size devicers on internet, the page will response and resizes correctly, like the page gets smaller as to make the browser smaller.
Semantic HTML is the use of HTML markup to reinforce the semantics, or meaning, of the information in webpages and web applicaiotns rather than merely to define its presentation or look.
there are a few of the framworks we could choose from, which like Bootstrap, foundation, yaml, 960 Grid and Susy. there are lots of funcitonality could save a lot of time, but i could also add some of my own style which will need to add a new file call style.css.


I have over two years of experience in front-end web development. This portfolio has some of the course work, personal projects, and client project I have done. I have worked with HTML5, CSS3, JavaScript, jQuery, Bootstrap, Photoshop and currently exploring AngularJS.
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I am currently seeking a full-time position as a Front-End Developer in the New York City area. Please contact me about any available positions.