Scottish Fairy and Folk Tales, by George Douglas, [1901], at sacred-texts.com
A MAN named Ronaldson, who lived at the village of Bowden, is reported to have had frequent encounters with the witches of that place. Among these we
find the following. One morning at sunrise, while he was tying his garter with one foot against a low dyke, he was startled at feeling something like a rope of straw passed between his legs, and himself borne swiftly away upon it to a small brook at the foot of the southernmost hill of Eildon. Hearing a hoarse smothered laugh, he perceived he was in the power of witches or sprites; and when he came to a ford called the Brig-o'-stanes, feeling his foot touch a large stone, he exclaimed, "I' the name o' the Lord, ye'se get me no farther!" At that moment the rope broke, the air rang as with the laughter of a thousand voices; and as he kept his footing on the stone, he heard a muttered cry, "Ah, we've lost the coof!" 1
231:3 W. Henderson, Folk-Lore of the Northern Counties.
232:1 Fool.


Establishing a consistent normal orientation for point clouds is a notoriously difficult problem in geometry processing, requiring attention to both local and global shape characteristics. The normal direction of a point is a function of the local surface neighborhood; yet, point clouds do not disclose the full underlying surface structure. Even assuming known geodesic proximity, calculating a consistent normal orientation requires the global context. In this work, we introduce a novel approach for establishing a globally consistent normal orientation for point clouds. Our solution separates the local and global components into two different sub-problems. In the local phase, we train a neural network to learn a coherent normal direction per patch (i.e., consistently oriented normals within a single patch). In the global phase, we propagate the orientation across all coherent patches using a dipole propagation. Our dipole propagation decides to orient each patch using the electric field defined by all previously orientated patches. This gives rise to a global propagation that is stable, as well as being robust to nearby surfaces, holes, sharp features and noise.
Locally, defining what is inside or the outside of the surface ((i.e., which direction the *surface* normal points)), is not well defined:
The orientation of the surface in the indicated square, can not be determined without global context of the rest of the shape. To alleviate this problem, we divide the orientation problem into two steps: Local and Global.
We start by orienting each local patch coherently: meaning that all normals in the patch should point either inside or outside the shape. Locally, patches can be very complicated and non-convex, and constructing a hand crafted technique can be especially challenging. Instead, we learn the correct orientation using a neural network, trained on ground truth point clouds sampled from oriented meshes.
Initially, the points are oriented according to a reference point (yellow) placed at the center mass of the patch.
Then, an ensemble of networks decides which points ought to be corrected. Our network is trained to classify the incoherent point normals (in red). After we flip the incoherent point normals, we obtain a coherently oriented patch.
After a collection of coherent patches is constructed, we use a robust and stable dipole propagation technique to align the local patches Globally.
Starting from the flattest patch, a dipole field from each point is iteratively constructed and used to determine the orientation for the rest of the patches. At each step of the algorithm, the patch that has the strongest interaction with the field is selected, and flipped (if needed) to align with the field according to the majority of its points. The field is constructed globally, meaning that all previously oriented patches contribute to the total dipole field, giving global context at each step of the propagation. In addition, the network-predicted confidence scores are used as the dipole magnitude of each point, to prevent accumulative propagation error from uncertain points.
This however does not requires a long time to compute, because a closed solution for the field at each point is available. Also, because the dipole field arise from a solution to the Poisson equation which is linear, the contribution of patches is simply summed up to compute the total field. Allowing to only compute the delta contributions of each newly oriented patch in the iterative propagation process.
We thank Shihao Wu for his helpful suggestions,
and are grateful for rendering help from Tamir Lousky.
This work is supported by the European research council (ERC-StG 757497 PI Giryes),
and the Israel Science Foundation (grants no. 2366/16 and 2492/20).
This work was supported in part through the NYU IT High Performance Computing resources,
services, and staff expertise. This work was partially supported by the NSF CAREER award 1652515,
the NSF grants IIS-1320635, DMS-1436591, DMS-1821334, OAC-1835712, OIA-1937043, CHS-1908767, CHS-1901091,
a gift from Adobe Research, a gift from nTopology, and a gift from Advanced Micro Devices, Inc.


Sudoku
问题描述 :
A Sudoku puzzle, once solved, is a 9×9 grid of digits organized as a 3×3 grid of smaller 3×3 units. Each of the nine rows must contain every positive digits exactly once, as do each column and also each 3×3 unit. The puzzle is to start from a partially filled 9×9 grid and to fill in the remaining cells using only logic. The puzzle maker usually makes sure that the solution will be unique and that it can be reached using deduction only, without guessing.
This number placing game is gaining popularity in the west, and every second newspaper publishes weekly instances of the puzzle. Somewhere at the head of one such newspaper, someone decided that buying individual instances from a puzzle maker would be too expansive, and instead decided to steal puzzles from other newspapers and also to print randomly generated Sudoku-like grids.
This number placing game is gaining popularity in the west, and every second newspaper publishes weekly instances of the puzzle. Somewhere at the head of one such newspaper, someone decided that buying individual instances from a puzzle maker would be too expansive, and instead decided to steal puzzles from other newspapers and also to print randomly generated Sudoku-like grids.
One week later, his assistant gets stuck with the job of printing the solution to the Sudoku puzzles his boss previously published. Unfortunately, his boss doesn’t have those solutions, the randomly generated problems don’t have any solution, and he doesn’t even remember which is which. In despair, the assistant calls for your help.
输入:
The first line of the input will contain the number of test cases. Each test case will consist of a 9 by 9 grid of characters, where each character will either be ‘?’ or a digit between 1 and 9 inclusively.
输出:
The first line of the input will contain the number of test cases. Each test case will consist of a 9 by 9 grid of characters, where each character will either be ‘?’ or a digit between 1 and 9 inclusively.
样例输入:
3 ??4??9??8 ?3??5??1? 7??4??2?? 3??8??1?? ?5?????9? ??6??1??2 ??8??3??1 ?2??4??5? 6??1??7?? --- ??4??9??8 ?3??5??1? 7??4??2?? 3??8??1?? ?5?????9? ??6??1??2 ??8??3??1 62??4??5? 6??1??7?? --- 3?1????76 7??9????? 2?5?3???? ?????64?1 ???2?1??? 1?25????? ????8?9?3 ?????9??4 51????7?8
样例输出:
264319578 839257416 715486239 372894165 451632897 986571342 548763921 127948653 693125784 --- impossible --- 391452876 764918532 285637149 953876421 678241395 142593687 426785913 837169254 519324768
10天没写代码了啊。，一个这样的搜索写了两小时。。我擦。。
搜索部分没什么好说的。。主要就是visited标记位。。申明类型为int。以后每次visited就+1，回溯就-1。。这样就可以避免交叉的问题出现（感谢春哥的方法。）
#include<iostream> using namespace std; int map[10][10]; int visited[10][10][10]; void init() { memset(visited,0,sizeof(visited)); } bool dfs(int num) { int i,j; int k; i=num/9; j=num%9; while(num<=80&&map[i][j]!=-1) { num++; i=num/9; j=num%9; } i=num/9; j=num%9; if(num>=81) { return 1; } for(k=1;k<=9;k++) { if(!visited[i][j][k]) { visited[i][j][k]=1; map[i][j]=k; int l; for(l=0;l<=8;l++) { visited[i][l][map[i][j]]++; visited[l][j][map[i][j]]++; visited[(i/3)*3+l/3][(j/3)*3+l%3][map[i][j]]++; //cout<<(i/3)*3+l/3<<"|"<<(j/3)*3+l%3<<endl; } if((dfs(num+1))) { return 1; }else { int l; for(l=0;l<=8;l++) { visited[i][l][map[i][j]]--; visited[l][j][map[i][j]]--; visited[(i/3)*3+l/3][(j/3)*3+l%3][map[i][j]]--; } visited[i][j][k]=0; map[i][j]=-1; } } } return 0; } int main() { int t; cin>>t; bool tag=0; bool tag2=0; while(t--) { if(tag2) { char fuck[44]; cin>>fuck; } tag2=1; int i,j; int done=0; init(); for(i=0;i<=8;i++) { for(j=0;j<=8;j++) { char c; cin>>c; if(c=='?') { map[i][j]=-1; }else { map[i][j]=c-'0'; done++; int k; for(k=0;k<=8;k++) { visited[i][k][map[i][j]]++; visited[k][j][map[i][j]]++; visited[(i/3)*3+k/3][(j/3)*3+k%3][map[i][j]]++; //cout<<(i/3)*3+k/3<<"|"<<(j/3)*3+k%3<<endl; } } } } if(dfs(0)) { if(tag) { cout<<"---"<<endl; } for(i=0;i<=8;i++) { for(j=0;j<=8;j++) { cout<<map[i][j]; } cout<<endl; } tag=1; }else { if(tag) { cout<<"---"<<endl; } cout<<"impossible"<<endl; tag=1; } } return 0; }
参考：http://www.cnblogs.com/cj695/archive/2012/08/17/2644745.html
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yeah, This is very tricky. If you use Cpp,you need more code
示例程序中的代码不够稳健，没有考虑到输入了非法字符或者不合理输入的情况。
第二个方法很不错啊
看似简单，还是不少坑的
6题应该就是算概率的吧
嗯，是写错了，文中以更改。MAX ( L(X[0..m-2], Y[0..n-1]), L(X[0..m-1], Y[0..n-2])
都是一些基础题啊
第一题还是比较考验智商~
我还有个问题想请教一下，就是感觉对于新手来说，递归理解起来有些困难，不知有没有什么好的方法或者什么好的建议？
面霸网。www.51mx.org
有一点问题。。后面动态规划的程序中
int dp[n+1][W+1];
会报错 提示表达式必须含有常量值。该怎么修改呢。。
程序只能输出一个子序列
这个系列很不错


The only thing necessary to include your ScriptEngine in jEdit, is to implement the ScriptEngineService and create an entry in your plugin's services.xml file. The simplest way is to have your plugin class implement ScriptEngineService and then define it in your services.xml.
import com.sun.script.groovy.GroovyScriptEngineFactory;
import org.gjt.sp.jedit.EditPlugin;
import org.gjt.sp.jedit.Mode;
import org.gjt.sp.jedit.jEdit;
/**
* The GroovyScriptEnginePlugin provides the Groovy ScriptEngine to jEdit plugins.
* @author elberry
*/
public class GroovyScriptEnginePlugin extends EditPlugin implements ScriptEngineService {
private GroovyScriptEngineFactory factory = new GroovyScriptEngineFactory();
public Class getEngineFactoryClass() {
return factory.getClass();
}
public Mode getMode() {
return jEdit.getMode("groovy");
}
@Override
public void start() {
}
@Override
public void stop() {
}
}
|
In this example, the GroovyScriptEngineFactory is provided by the Groovy ScriptEngine found on scripting.dev.java.net. This class extends the EditPlugin (as described in the jEdit "Creating Plugins" documentation), and then implements the ScriptEngineService.
The ScriptEngineService defines 3 methods which need to be implemented by each script engine plugin.
<?xml version="1.0"?> <!DOCTYPE SERVICES SYSTEM "services.dtd"> <SERVICES> <SERVICE CLASS="com.townsfolkdesigns.jedit.plugins.scripting.ScriptEngineService" NAME="GroovyScriptEngine"> return new com.townsfolkdesigns.jedit.plugins.scripting.GroovyScriptEnginePlugin(); </SERVICE> </SERVICES> |
| plugin.com.townsfolkdesigns.jedit.plugins.scripting.GroovyScriptEnginePlugin.depend.2=plugin com.townsfolkdesigns.jedit.plugins.scripting.ScriptEnginePlugin 0.3.0 |


Pat's Sales Figures
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{% extends "layout.html" %} {% block body %}
These results are based off an analysis of words.
scores most highly on which has the following attributes: They scored least highly on which has the following attributes:
appears to need , , and the most. It appears as though they are less in need of , , and .
Above all else, values , and places less value on .
The following histogram shows the results for the following tones within the previous 50 Tweets that has made. Only those tones which scored 0.75 or higher are counted in the results.


To complete the installation please follow these steps:
If you haven't already, install Tamper's mitmproxy extension
pip install tamper
Install mitmproxy's certificate. For mitmproxy to inspect and modify packets served behind SSL you will need to install its certificate. Follow the instruction here to complete this step. Make sure Tamper is enabled before visiting mitm.it.
Choose a default editor. When you click on one of the network requests in Tamper's devtools panel, Tamper will try to open that file with the default application for that file type. If your HTML files are opened in Chrome, for example, that file will open in Chrome. You will probably want to change that to some text editor instead. To do that, open the devtools, go to the Tamper panel, click on the cog icon and set the Editor Command Line.


Delicious and Easy Homemade Recipes that make you Shine and Rise
Don't forget to check our Tricks Section


CC Search is an open source project and we welcome community involvement. Our active sprint, and backlog are public and we maintain a set of GitHub issues that we could use help with.
We also want to enable you - our community members - to build features that would be useful to you, regardless of where those features are on our roadmap. However, we want to make sure any new feature fits into our product vision for CC Search, and we are a small team with limited bandwidth.
If you do want to build a new feature, and we would love it if you did, all we ask is that you follow the process outlined in this document to ensure a smooth experience for everyone involved.
Please note that this process is only for adding significant features that require product input or infrastructural work from CC staff. If you are just fixing a bug or making an improvement to existing features, follow our much simpler guidelines for contributing code. If you're not sure what category your proposed change falls under, ask us on GitHub or via our chat/mailing list.
Examples that do not need to follow this process:
Examples that should follow this process:
Look through our issues to see if there is already a GitHub issue describing the feature you want to build. If none exists, create one on the cccatalog-frontend repository (which holds the code for CC Search) using the "Feature request" template.
On this GitHub issue, add a comment describing the feature you want to build and why you think it would be a good addition to CC Search. Add as much detail as you can.
Someone on the CC Search staff will aim to review your comments within five business days and get back to you with one of these responses:
If at any time it has been more than five business days and you haven't received a response to your last message, please comment on the issue or contact us elsewhere. Note that staff availability is limited during certain parts of the year, such as our annual CC Global Summit and our bi-annual staff retreats.
Once your feature has been preliminarily approved, proceed to Step 3.
Create an implementation plan with the list of changes you'll need to make to implement your feature.
Keep in mind that CC Search heavily depends on the CC Catalog API (docs, code) and the CC Catalog data (code). You may need to make changes in one of those projects; you cannot add or modify data in CC Search if it is not provided by the API, and you cannot provide data through the API if it is not collected in the CC Catalog. Some tasks (such as setting up infrastructure or ingesting new data into the CC Catalog) can only be performed by CC staff; please highlight those dependencies. You don't have to do this step on your own; asking us questions or soliciting our opinions on aspects of your plan are encouraged.
Once your implementation plan is ready, update the GitHub issue and wait for a staff member to respond (per Step 2). If your work does not depend on any work by CC Staff, we will either approve your plan or provide feedback and ask you to make some changes. If your plan does depend on work by CC staff, we may reject it if it is infeasible for us to do that work in a reasonable time, otherwise we will provide feedback or approve it with a rough timeline of when we can complete the work that blocks you.
Once your plan has been approved, proceed to the next applicable step.
If your feature involves user-facing changes, please run these by us, either through wireframes or high fidelity mockups. We will either approve your design or provide feedback and ask you to make some changes.
Once your design has been approved, proceed to Step 5.
If your feature depends on work that only CC staff can do, please wait for us to do that work. If you can start working on other parts of the feature in parallel, you may go ahead.
At this point, CC staff and you should be on the same page about how the feature will be implemented and what it will look like. Here's where you get to actually implement it!
Commit early and often, follow our pull request and code guidelines, and write tests!
Once your pull request is ready, someone on CC staff will review your code and provide feedback. Once all feedback has been resolved, your code will be merged into the main branch of the repository.
You may have to do Steps 4-7 for multiple codebases in some cases, e.g. if your work includes both the CC Catalog API and CC Search, the API work will have to be done before the CC Search work that depends on it.
Once your code is merged, it will be deployed to the staging server and tested manually (in addition to the comprehensive automated tests that you've already written). We may need to run some changes by our product counsel. This may produce an additional round of feedback for you to address.
Once any feedback from Step 8 is resolved, we will merge your code into the stable branch and deploy it to production. Congrats, your feature is live!


Middendorp: I'm not here to make friends
Cape Town - Kaizer Chiefs coach Ernst Middendorp says football is a physical game and that there's nothing wrong with an aggressive style of play.
The German tactician spoke in response to his Orlando Pirates counterpart Rhulani Mokwena who claimed that Chiefs employed "thuggish" tactics in the Soweto derby, which Amakhosi won 3-2.
Middendorp pulled no punches, stating that he isn't in the business of coaching to make friends and to take it easy against his opposition.
"If you're in a game, sorry, there's nothing to talk about you having to kiss each other or go lightly (on the opponent)," said Middendorp as quoted by KickOff.
"You do the preparations two or three days before then the 90 minutes get heated based on whatever you do intentionally or to provoke - that's something that happened.
"Some coaches are taking it, and sometimes you need an hour longer or a day more to eat it and process it, but I have already a friend; I don't need another one."
Chiefs are currently running away with the Absa Premiership as they enjoy a 10-point lead over second-placed Mamelodi Sundowns.
- TeamTalk Media


SCENE III. A churchyard; in it a tomb belonging to the Capulets.
Enter PARIS, and his Page bearing flowers and a torch
- PARIS
- Give me thy torch, boy: hence, and stand aloof:
- Yet put it out, for I would not be seen.
- Under yond yew-trees lay thee all along,
- Holding thine ear close to the hollow ground;
- So shall no foot upon the churchyard tread,
- Being loose, unfirm, with digging up of graves,
- But thou shalt hear it: whistle then to me,
- As signal that thou hear'st something approach.
- Give me those flowers. Do as I bid thee, go.
- PAGE
- Aside I am almost afraid to stand alone
- Here in the churchyard; yet I will adventure.
Retires
- PARIS
- Sweet flower, with flowers thy bridal bed I strew —
- O woe! thy canopy is dust and stones; —
- Which with sweet water nightly I will dew,
- Or, wanting that, with tears distill'd by moans:
- The obsequies that I for thee will keep
- Nightly shall be to strew thy grave and weep.
- The Page whistles
- The boy gives warning something doth approach.
- What cursed foot wanders this way to-night,
- To cross my obsequies and true love's rite?
- What with a torch! muffle me, night, awhile.
Retires
Enter ROMEO and BALTHASAR, with a torch,
mattock, &c
- ROMEO
- Give me that mattock and the wrenching iron.
- Hold, take this letter; early in the morning
- See thou deliver it to my lord and father.

- Why I descend into this bed of death,
- Is partly to behold my lady's face;
- But chiefly to take thence from her dead finger
- A precious ring, a ring that I must use
- In dear employment: therefore hence, be gone:
- But if thou, jealous, dost return to pry
- In what I further shall intend to do,
- By heaven, I will tear thee joint by joint
- And strew this hungry churchyard with thy limbs:
- The time and my intents are savage-wild,
- More fierce and more inexorable far
- Than empty tigers or the roaring sea.
- BALTHASAR
- I will be gone, sir, and not trouble you.
- ROMEO
- So shalt thou show me friendship. Take thou that:
- Live, and be prosperous: and farewell, good fellow.
- BALTHASAR
- Aside For all this same, I'll hide me hereabout:
- His looks I fear, and his intents I doubt.
Retires
- ROMEO
- Thou detestable maw, thou womb of death,
- Gorged with the dearest morsel of the earth,
- Thus I enforce thy rotten jaws to open,
- And, in despite, I'll cram thee with more food!
Opens the tomb
- PARIS
- This is that banish'd haughty Montague,
- That murder'd my love's cousin, with which grief,
- It is supposed, the fair creature died;
- And here is come to do some villanous shame
- To the dead bodies: I will apprehend him.
- Comes forward
- Stop thy unhallow'd toil, vile Montague!
- Can vengeance be pursued further than death?
- Condemned villain, I do apprehend thee:
- Obey, and go with me; for thou must die.
- ROMEO
- I must indeed; and therefore came I hither.
- Good gentle youth, tempt not a desperate man;
- Fly hence, and leave me: think upon these gone;
- Let them affright thee. I beseech thee, youth,
- Put not another sin upon my head,
- By urging me to fury: O, be gone!
- By heaven, I love thee better than myself;
- For I come hither arm'd against myself:
- Stay not, be gone; live, and hereafter say,
- A madman's mercy bade thee run away.
- PARIS
- I do defy thy conjurations,
- And apprehend thee for a felon here.
- ROMEO
- Wilt thou provoke me? then have at thee, boy!
They fight
- PAGE
- O Lord, they fight! I will go call the watch.
Exit
- PARIS
- O, I am slain!
- Falls
- If thou be merciful,
- Open the tomb, lay me with Juliet.
Dies
- ROMEO
- In faith, I will. Let me peruse this face.
- Mercutio's kinsman, noble County Paris!
- What said my man, when my betossed soul
- Did not attend him as we rode? I think
- He told me Paris should have married Juliet:
- Said he not so? or did I dream it so?
- Or am I mad, hearing him talk of Juliet,
- To think it was so? O, give me thy hand,
- One writ with me in sour misfortune's book!
- I'll bury thee in a triumphant grave;
- A grave?
- Death, lie thou there, by a dead man interr'd.
- Laying PARIS in the tomb
- How oft when men are at the point of death
- Have they been merry! which their keepers call
- A lightning before death: O, how may I
- Call this a lightning? O my love! my wife!
- Death, that hath suck'd the honey of thy breath,
- Hath had no power yet upon thy beauty:
- Thou art not conquer'd; beauty's ensign yet
- Is crimson in thy lips and in thy cheeks,
- And death's pale flag is not advanced there.

- O, what more favour can I do to thee,
- Than with that hand that cut thy youth in twain
- To sunder his that was thine enemy?
- Forgive me, cousin! Ah, dear Juliet,
- Why art thou yet so fair? shall I believe
- That unsubstantial death is amorous,
- And that the lean abhorred monster keeps
- Thee here in dark to be his paramour?
- For fear of that, I still will stay with thee;
- And never from this palace of dim night
- Depart again: here, here will I remain
- With worms that are thy chamber-maids; O, here
- Will I set up my everlasting rest,
- And shake the yoke of inauspicious stars
- From this world-wearied flesh. Eyes, look your last!

- Come, bitter conduct, come, unsavoury guide!
- Thou desperate pilot, now at once run on
- The dashing rocks thy sea-sick weary bark!
- Here's to my love!
- Drinks
- O true apothecary!
- Thy drugs are quick.
Dies
Enter, at the other end of the churchyard, FRIAR
LAURENCE, with a lantern, crow, and spade
- FRIAR LAURENCE
- Saint Francis be my speed! how oft to-night
- Have my old feet stumbled at graves! Who's there?
- BALTHASAR
- Here's one, a friend, and one that knows you well.
- FRIAR LAURENCE
- Bliss be upon you! Tell me, good my friend,
- What torch is yond, that vainly lends his light
- To grubs and eyeless skulls? as I discern,
- It burneth in the Capel's monument.
- BALTHASAR
- It doth so, holy sir; and there's my master,
- One that you love.
- FRIAR LAURENCE
- Who is it?
- BALTHASAR
- Romeo.
- FRIAR LAURENCE
- How long hath he been there?
- BALTHASAR
- Full half an hour.
- FRIAR LAURENCE
- Go with me to the vault.

- FRIAR LAURENCE
- Stay, then; I'll go alone. Fear comes upon me:
- O, much I fear some ill unlucky thing.
- BALTHASAR
- As I did sleep under this yew-tree here,
- I dreamt my master and another fought,
- And that my master slew him.
- FRIAR LAURENCE
- Romeo!
- Advances
- Alack, alack, what blood is this, which stains
- The stony entrance of this sepulchre?
- What mean these masterless and gory swords
- To lie discolour'd by this place of peace?
- Enters the tomb
- Romeo! O, pale! Who else? what, Paris too?
- And steep'd in blood? Ah, what an unkind hour
- Is guilty of this lamentable chance!
- The lady stirs.
JULIET wakes
- JULIET
- O comfortable friar! where is my lord?
- I do remember well where I should be,
- And there I am. Where is my Romeo?
Noise within
- FRIAR LAURENCE
- I hear some noise. Lady, come from that nest
- Of death, contagion, and unnatural sleep:
- A greater power than we can contradict
- Hath thwarted our intents. Come, come away.
- Thy husband in thy bosom there lies dead;
- And Paris too. Come, I'll dispose of thee
- Among a sisterhood of holy nuns:
- Stay not to question, for the watch is coming;
- Come, go, good Juliet,
- Noise again
- I dare no longer stay.
- JULIET
- Go, get thee hence, for I will not away.
- Exit FRIAR LAURENCE
- What's here? a cup, closed in my true love's hand?
- Poison, I see, hath been his timeless end:
- O churl! drunk all, and left no friendly drop
- To help me after?
- Kisses him
- Thy lips are warm.
- First Watchman
- Within Lead, boy: which way?
- JULIET
- Yea, noise? then I'll be brief. O happy dagger!
- Snatching ROMEO's dagger
- This is thy sheath;
- Stabs herself
- there rust, and let me die.
Falls on ROMEO's body, and dies
Enter Watch, with the Page of PARIS
- PAGE
- This is the place; there, where the torch doth burn.
- First Watchman
- The ground is bloody; search about the churchyard:
- Go, some of you, whoe'er you find attach.

- Go, tell the prince: run to the Capulets:
- Raise up the Montagues: some others search:
- We see the ground whereon these woes do lie;
- But the true ground of all these piteous woes
- We cannot without circumstance descry.
Re-enter some of the Watch, with BALTHASAR
- Second Watchman
- Here's Romeo's man; we found him in the churchyard.
- First Watchman
- Hold him in safety, till the prince come hither.
Re-enter others of the Watch, with FRIAR LAURENCE
- Third Watchman
- Here is a friar, that trembles, sighs and weeps:
- We took this mattock and this spade from him,
- As he was coming from this churchyard side.
- First Watchman
- A great suspicion: stay the friar too.
Enter the PRINCE and Attendants
- PRINCE
- What misadventure is so early up,
- That calls our person from our morning's rest?
Enter CAPULET, LADY CAPULET, and others
- CAPULET
- What should it be, that they so shriek abroad?
- LADY CAPULET
- The people in the street cry Romeo,
- Some Juliet, and some Paris; and all run,
- With open outcry toward our monument.
- PRINCE
- What fear is this which startles in our ears?
- First Watchman
- Sovereign, here lies the County Paris slain;
- And Romeo dead; and Juliet, dead before,
- Warm and new kill'd.
- PRINCE
- Search, seek, and know how this foul murder comes.
- First Watchman
- Here is a friar, and slaughter'd Romeo's man;
- With instruments upon them, fit to open
- These dead men's tombs.
- CAPULET
- O heavens! O wife, look how our daughter bleeds!
- This dagger hath mista'en — for, lo, his house
- Is empty on the back of Montague —
- And it mis-sheathed in my daughter's bosom!
- LADY CAPULET
- O me! this sight of death is as a bell,
- That warns my old age to a sepulchre.
Enter MONTAGUE and others
- PRINCE
- Come, Montague; for thou art early up,
- To see thy son and heir more early down.
- MONTAGUE
- Alas, my liege, my wife is dead to-night;
- Grief of my son's exile hath stopp'd her breath:
- What further woe conspires against mine age?
- PRINCE
- Look, and thou shalt see.
- MONTAGUE
- O thou untaught! what manners is in this?
- To press before thy father to a grave?

- Bring forth the parties of suspicion.
- FRIAR LAURENCE
- I am the greatest, able to do least,
- Yet most suspected, as the time and place
- Doth make against me of this direful murder;
- And here I stand, both to impeach and purge
- Myself condemned and myself excused.
- PRINCE
- Then say at once what thou dost know in this.
- FRIAR LAURENCE
- I will be brief, for my short date of breath
- Is not so long as is a tedious tale.
- Romeo, there dead, was husband to that Juliet;
- And she, there dead, that Romeo's faithful wife:
- I married them; and their stol'n marriage-day
- Was Tybalt's dooms-day, whose untimely death
- Banish'd the new-made bridegroom from the city,
- For whom, and not for Tybalt, Juliet pined.
- You, to remove that siege of grief from her,
- Betroth'd and would have married her perforce
- To County Paris: then comes she to me,
- And, with wild looks, bid me devise some mean
- To rid her from this second marriage,
- Or in my cell there would she kill herself.
- Then gave I her, so tutor'd by my art,
- A sleeping potion; which so took effect
- As I intended, for it wrought on her
- The form of death: meantime I writ to Romeo,
- That he should hither come as this dire night,
- To help to take her from her borrow'd grave,
- Being the time the potion's force should cease.
- But he which bore my letter, Friar John,
- Was stay'd by accident, and yesternight
- Return'd my letter back. Then all alone
- At the prefixed hour of her waking,
- Came I to take her from her kindred's vault;
- Meaning to keep her closely at my cell,
- Till I conveniently could send to Romeo:
- But when I came, some minute ere the time
- Of her awaking, here untimely lay
- The noble Paris and true Romeo dead.
- She wakes; and I entreated her come forth,
- And bear this work of heaven with patience:
- But then a noise did scare me from the tomb;
- And she, too desperate, would not go with me,
- But, as it seems, did violence on herself.
- All this I know; and to the marriage
- Her nurse is privy: and, if aught in this
- Miscarried by my fault, let my old life
- Be sacrificed, some hour before his time,
- Unto the rigour of severest law.
- PRINCE
- We still have known thee for a holy man.
- Where's Romeo's man? what can he say in this?
- BALTHASAR
- I brought my master news of Juliet's death;
- And then in post he came from Mantua
- To this same place, to this same monument.
- This letter he early bid me give his father,
- And threatened me with death, going in the vault,
- I departed not and left him there.
- PRINCE
- Give me the letter; I will look on it.
- Where is the county's page, that raised the watch?
- Sirrah, what made your master in this place?

- PRINCE
- This letter doth make good the friar's words,
- Their course of love, the tidings of her death:
- And here he writes that he did buy a poison
- Of a poor 'pothecary, and therewithal
- Came to this vault to die, and lie with Juliet.
- Where be these enemies? Capulet! Montague!

- And I for winking at your discords too
- Have lost a brace of kinsmen: all are punish'd.
- CAPULET
- O brother Montague, give me thy hand:
- This is my daughter's jointure, for no more
- Can I demand.
- MONTAGUE
- But I can give thee more:
- For I will raise her statue in pure gold;
- That while Verona by that name is known,
- There shall no figure at such rate be set
- As that of true and faithful Juliet.
- CAPULET
- As rich shall Romeo's by his lady's lie;
- Poor sacrifices of our enmity!
- PRINCE
- A glooming peace this morning with it brings;
- The sun, for sorrow, will not show his head:
- Go hence, to have more talk of these sad things;
- Some shall be pardon'd, and some punished:
- For never was a story of more woe
- Than this of Juliet and her Romeo.
Exeunt


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Field paths
prepare(FlowProcess, OperationCall<Pair<DocumentBuilder, Tuple>>)
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setFeature(String, boolean)
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Method setFeature allows the user to set 'features' directly on the TagSoup parser,
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cascading.operation.xml
Class TagSoupParser uses the
Tag Soup
library to convert incoming HTML to clean XHTML.
TagSoupParser(Fields)
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TagSoupParser
Constructor TagSoupParser creates a new TagSoupParser instance.
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XPathFilter
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XPathFilter will filter out a Tuple if the given XPath expression returns false.
XPathFilter(String[][], String)
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XPathFilter
Constructor XPathFilter creates a new XPathFilter instance.
XPathFilter(boolean, String[][], String)
- Constructor for class cascading.operation.xml.
XPathFilter
Constructor XPathFilter creates a new XPathFilter instance.
XPathGenerator
- Class in
cascading.operation.xml
XPathGenerator is a Generator function that will emit a new Tuple for every Node returned by the given XPath expression.
XPathGenerator(Fields, String[][], String...)
- Constructor for class cascading.operation.xml.
XPathGenerator
Constructor XPathGenerator creates a new XPathGenerator instance.
XPathOperation
- Class in
cascading.operation.xml
Class XPathOperation is the base class for all XPath operations.
XPathOperation(int, Fields, String[][], String...)
- Constructor for class cascading.operation.xml.
XPathOperation
XPathOperation(int, String[][], String...)
- Constructor for class cascading.operation.xml.
XPathOperation
XPathParser
- Class in
cascading.operation.xml
XPathParser will extract a value from the passed Tuple argument into a new Tuple field.
XPathParser(Fields, String[][], String...)
- Constructor for class cascading.operation.xml.
XPathParser
Constructor XPathParser creates a new XPathParser instance.
XPathParser(Fields, String...)
- Constructor for class cascading.operation.xml.
XPathParser
Constructor XPathParser creates a new XPathParser instance.
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Hairdresser
Hairdressers cut, colour and shape clients' hair to create the look they want.
1. How to become a hairdresser
You may be able start work as a trainee hairdresser in a salon with no formal qualifications and learn on the job.
Another way into a job is through an apprenticeship in hairdressing. You could work while training towards qualifications at levels 2 and 3.
You can also train to become a hairdresser either full time or part time at a college or private training provider.
Courses start with a level 1 diploma in hairdressing, going up to level 3.
You can combine these courses with other subjects like beauty, make-up and nails.
Search for courses in your area.
You might be able to get financial help while you study.
An apprenticeship usually takes a year to complete.
Enthusiasm and a willingness to learn are important personal qualities for a job in hairdressing.
The Hairdressing and Beauty Industry Authority (HABIA) has information about careers in hairdressing.
2. Skills
You'll need:
- the creativity to design and interpret hairstyles
- excellent customer service and communication skills
- organisational and time-keeping skills
3. What you'll do
You may work in a large team in a busy city centre hairdressers, or in a small salon serving a local community. You could also work in hotels, spas, health clubs, prisons and care homes, or on cruise ships, film sets or armed forces’ bases.
You may specialise in working with particular clients or techniques, like braiding and plaiting Afro-Caribbean hair or working in a men's barber shop.
As a junior hairdresser, your tasks may include:
- greeting customers
- shampooing and conditioning hair
- simple cutting
- making sure towels and supplies are ready for use
- keeping the salon clean and tidy
As a senior hairdresser you'll talk to clients about how they want their hair done, give them advice and suggest style ideas.
Your tasks may include:
- cutting and styling
- colouring, perming or straightening
- advising on minor hair and scalp problems
- keeping client records, making appointments and taking payments
- ordering materials and promoting sales to customers
- keeping up to date with new trends, techniques and products
- making sure that hair products containing chemicals are used and stored safely
4. Salary
Starter: £14,000
Experienced: £14,000 to £24,000
Highly Experienced: £30,000 or more
Salaries will vary greatly depending on the location and type of salon.
Trainee hairdresser pay is usually based on the National Minimum Wage/ National Living Wage.
These figures are a guide.
5. Working hours, patterns and environment
You'll usually work up to 40 hours a week, between 9am and 6pm. This will usually include Saturdays with a day off in the week. Some salons open late on weekday evenings.
You could also choose your own hours by working freelance. You could either rent space within a salon or visit customers in their own homes.
You’ll need a driving licence and vehicle as a mobile hairdresser, or if you work in more remote locations like spas.
6. Career path and progression
With experience you could become a senior stylist or salon manager. With suitable further qualifications, you could also move into training or assessing.
You could also open your own salon.
Other options include wig making, training in make-up techniques and working in the theatre, film and television industries.
Related careers
You may be interested in:
7. Current opportunities
Apprenticeships
Level 2 Hairdressing Apprenticeship
- Weekly wage: £122.50
- Weekly hours: 35
Hairdressing Apprentice
- Weekly wage: £105
- Weekly hours: 30
Training courses
VTCT Level 3 Diploma in Hairdressing Studies (QCF)
- Provider: AIM SKILLS DEVELOPMENT LIMITED
- Start date: 01 July 2016
Barbering Level 2 (Industry Focus - with Jagged Edge)
- Provider: Bedford College
- Start date: 01 August 2016
Last updated: 23 March 2016


Web browsers all have one thing in common: almost without exception they allow us to scroll through content. Scrolling gets us from the top of a document, to the bottom and even to the sides.
A landing page template with a featured content section and background sounds that change according to the view. Today we’d like to share a little aquatic landing page template with some special effects with you.
A tutorial that explores the basics of creating animated 3D scenes using Three.js. Today, we are going to create a simple 3D flying plane using Three.js, a 3D library that makes WebGL simpler.
Web browsers all have one thing in common: almost without exception they allow us to scroll through content. Scrolling gets us from the top of a document, to the bottom and even to the sides.
Web browsers all have one thing in common: almost without exception they allow us to scroll through content. Scrolling gets us from the top of a document, to the bottom and even to the sides.


Visualisation is a powerful method for communication, especially in cross-disciplinary communication with various stakeholders, as in operations.
Many software development tools already provide some visualisations, but integrated views that combine data from several sources are still at research prototype level. The VISDOM project will develop new types of visualisations that utilise and merge data from several data sources in modern DevOps development. The aim is to provide simple “health check” visualisations about the state of the development process, software and use.
Visualization using several data sources
DevOps projects typically use number of tools and many of these tools include visualization components. One of the unique innovations of VISDOM project is to create new visualizations that utilize data from several tools.
New types of visualization, health-check metaphor: EKG, blood-pressure, pulse, X-ray
For example EKG: Software projects typically include various repeating tasks and iterations, such as sprints or delivery cycles. Such phenomena can be shown as repeating visual patterns, similar to the rises and falls of an EKG curve. Problems will be quick and easy to spot as variations in the patterns and especially difference between planned and real state. Based on our earlier research we assume that under such conditions the status of a development organization can be efficiently monitored by following repeated graphical patterns. In the VISDOM project we plan to create both research prototypes and industry-relevant implementations of this concept.
Stakeholder-specific dashboards
The project creates a configurable dashboard concept that can have different content and views to different stakeholders. This concept has been visualized in below. We will also create prototype dashboards for the pilots, and the companies may exploit these dashboards by integrating them in their current and future development support tools. A dashboard is not necessarily just for direct presentation of data, but it can also include diagnostics tool and help the stakeholders to investigate possible problems in their projects.


Notebooks
Story: Elephants (eating their hearts)
Elephants (eating their hearts)
Title
Elephants (eating their hearts)
Collection
Summary
When the !kun hunt and kill an elephant they fear and respect its heart. One person alone cannot eat it and the hunter avoids eating it altogether.  The heart is shared out amongst the other people. It takes five days to eat an entire heart. The people cook elephant heart in a pot.
Comments
1) See also What !nanni's father told him (what to eat and avoid) and Food eaten by the !kun, 2) This story is found in Book XI & XII-4
Contributors
Date
29 – 30 January 1880
Categories
Custom and daily life, Artefact and dress
Keywords
elephant (eating) , elephant (sharing its heart) , elephant (respecting and fearing the elephant's heart) , elephant (the hunter does not eat its heart or one will kill him another day) , heart (of the elephant) , heart (is large) , heart (cooked in a pot) , heart (is shared and not eaten by one person) , heart (is respected and feared) , heart (it takes five days to eat it) , heart (is not eaten by the hunter) , game (respecting it) , hunting (observances of the !kun) , hunting (causing misfortune) , hunting (the hunter does not eat the heart of the elephant he killed) , hunting (respecting the game) , hunting (and food eaten) , food (avoidances) , food (eating the elephant's heart) , food (respecting elephant's heart) , food (eaten by the !kun) , food (eaten for successful hunting) , pot (elephant heart is cooked in) , respect (for the elephant's heart)
Story Pages
9273-9274


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8MM (Columbia) Starring: Nicolas Cage, Joaquin Phoenix, James Gandolfini, Peter Stormare, Anthony Heald, Catherine Keener. Screenplay: Andrew Kevin Walker. Producers: Judy Hofflund, Gavin Polone and Joel Schumacher. Director: Joel Schumacher.  Reviewed by Scott Renshaw.
I don't think I want to know what Andrew Kevin Walker dreams about. As to Joel Schumacher's dreams, I think I can venture a pretty good guess. Walker is the scribe responsible for the monumentally disturbing SEVEN, a writer who seems far too fascinated with the horrifying outer limits of human depravity; Schumacher is a pop filmmaker who has served up glossy pseudo-character studies on vigilantism (FALLING DOWN, A TIME TO KILL) and fetishized beefcake (the two most recent BATMAN extravaganzas). It would seem that the creative sensibilities of these two men couldn't be farther apart, which is one of the reasons 8MM feels like an edgy, intriguing missed opportunity. Every time Walker tries to drive the narrative into the realm of the unnerving, Schumacher drags it back into the merely kinky.
The premise for 8MM involves that most enduring of pornographic urban legends, the snuff film. Private investigator Tom Welles (Nicolas Cage) is hired by the widow of a recently deceased billionaire industrialist regarding one unpleasant item from his wall safe. It's a single reel of 8mm film, a film in which a teenage girl appears to be knifed to death by a man in a black leather hood. Charged by his employer to find out whether or not the film is authentic, Welles begins to delve into the Hollywood pornography underworld with a book store clerk named Max (Joaquin Phoenix) as his guide. Soon he discovers that there is always someone willing to cater to almost every sexual taste, and that there are people in the world capable of things he never imagined.
Cage is a great choice for a character like Tom Welles -- the capacity for lunatic action always seems to hide just behind his placid features -- but the character himself is something of a puzzle. Much is made in the opening minutes of Tom's happy marriage to his wife (Catherine Keener) and his love for his infant daughter, which makes it a bit too obvious that his quest for the snuff film's possible victim is really all about his own little girl. At times, however, it seems that Walker and Schumacher are playing with the idea that Welles is recognizing some of his own darker desires through his experience. Is 8MM a story of a man discovering the evil in society, or the evil in himself? If that question had been answered more effectively, 8MM might have struck a more resonant chord.
As it stands, it's still a pretty gripping little thriller at times. The first hour pokes along at something of a crawl, which somehow works more often than it doesn't, perhaps because it's indicative of Welles' tenacity. The supporting performances are solid, with Joaquin Phoenix making a savvy sidekick for Welles, and Peter Stormare seething sleaze as a porn film director. The deliberate pacing eventually gives way to some tense showdowns as the film builds to its climax, including a search for a killer in which the driving sound of thrash metal music suddenly becomes the eerie metronome of the runout groove. 8MM is rarely a bore, and often finds the slick energy of the most effective dark action films.
It's too bad that slickness works against 8MM nearly as often as it works for it. The bleak triumph of SEVEN came not primarily through Walker's fairly straightforward serial killer script, but through director David Fincher's brilliantly subliminal direction; the violence lurked at the edges of the frame, where our minds put gruesome pieces together. Joel Schumacher is a more grandiose sort of filmmaker, one who has no problem thrusting the details of an S&M film into the dead center of the screen. His version of the smoky basements where the hardcore deviants lurk is too literal, and indeed there's something about Tom Welles' entire journey that is too literal. The director isn't exactly trying to titillate the audience, but he's not helping the writer's study of how one man responds to the destruction of innocence. It may be enough that 8MM is just a decently constructed thriller. It's just not a gut-rattler, more the sort of thing you get when the director of BATMAN & ROBIN tries to do apocalyptic menace.
On the Renshaw scale of 0 to 10 film strips: 6.
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fox-typeahead
- base class
name
(string
) - typeahead name
placeholder
(string
) - placeholder
size
(string
) - typeahead size: sm
,md
,lg
disabled
(boolean
) - disabled status for typeahead
lazyload
(boolean
) - use lazyload list
titleField
(string
) - title property in object
valueField
(string
) - value property in object
selected
- selected item in typeahead. Returned {{ '{' }}item: any, value: any{{ '}' }}
clicked
- click on typeahead. Returned {{ '{' }}originalEvent: event{{ '}' }}
changed
- change typeahead value. Returned {{ '{' }}value: any{{ '}' }}


I shrouded my body in one of the sacklike print dresses, also pink, with baby-blue flowers, that I'd bought off a street rack in Rome. I would have preferred the big red roses or the orange dahlias: this dress made me look like an expanse of wallpaper. But I wanted something inconspicuous. By Angela Abraham, @daisydescriptionari, April 26, 2012.
Describing clothes on characters isn’t nearly as fun writing an action scene. But let’s face it, clothes and their condition say as much about our characters as they do on real people.


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API Specification¶
dataclass_schema()¶
-
dataclass_schema
(data_class, schema_base=<class 'grahamcracker._schema_classes.DataSchema'>, type_handlers=None, add_handler=True)[source]¶ Converts a dataclass to a Marshmallow schema
- Parameters
data_class (
Any
) – dataclass to convertschema_base (
Type
[~SchemaType]) –marshmallow.Schema
class to subclasstype_handlers (
Optional
[Dict
[Type
[Any
],Type
[Union
[Field
,Schema
]]]]) –{type, Schema}
mapping of existing schemas to use for given type.add_handler (
bool
) – Whether to add this schema totype_handlers
.
- Return type
Type
[~SchemaType]- Returns
Subclass of
schema_base
with dataclass fields converted to Marshmallow fields.
@schema_for¶
-
schema_for
(data_class, type_handlers=None, add_handler=True)[source]¶ Class decorator for Schema class that adds marshmallow fields for
data_class
- Parameters
data_class (
Any
) – class to alter schema fortype_handlers (
Optional
[Dict
[Type
[Any
],Type
[Union
[Field
,Schema
]]]]) –{type, Schema}
mapping of existing schemas to use for given type.
- Return type
Callable
[[Type
[~SchemaType]],Type
[~SchemaType]]- Returns
Same schema class object passed in, with added fields for
data_class
DataSchema Base Class¶
-
class
DataSchemaConcrete
(only=None, exclude=(), many=False, normalize_many=False, context=None, load_only=(), dump_only=(), partial=False, unknown=None, load_dataclass=True, use_defaults=False, fast_dumps=False)[source]¶ Generically-typed subclass of
marshmallow.Schema
.Allows for Generic typing with model for help with autom-completion and mypy
>>> schema: DataSchema[Book] = dataclass_schema(Book)
or:
>>> @schema_for(Book) ... class BookSchema(DataSchema[Book]) ... pass
DataSchema
implements sane default for serializing / deserializing dataclasses using marshmallow’spost_load
andpre-dump
methods. See below..load()
,.loads()
,.dump()
,.dumps()
and.validate()
are re-implemented with no alterations to add type-hinting for a more robust mypy experience.-
UPDATE_ALLOWED
: List[str] = []¶ Some classes may have a very limited number of attributes that are allowed to be updated in a PATCH. This attribute can be used as a consistent way to notate them. To be passed to init as
only
param when checking incoming objects in these methods. It has no actual effect on the schema by itself.
-
WRITE_PROTECTED
: List[str] = []¶ This attribute is reserved for fields that should be protected in write-methods like a POST or PATCH. To be passed to init as
exclude
param when checking incoming objects for these methods. It has no actual effect on the schema by itself.
-
dump
(obj, many=None)[source]¶ Typed alias of
marshmallow.Schema.dump
- Return type
Union
[dict
,List
[dict
]]
-
dump_obj
(data, *, many)[source]¶ marshmallow.pre_dump
method. Passes through dicts, but converts dataclasses usingdataclasses.asdict()
- Return type
Union
[Dict
[str
,Any
], ~ObjType,_MissingType
]
-
dumps
(obj, many=None, *args, **kwargs)[source]¶ Typed alias of
marshmallow.Schema.dumps
- Return type
str
-
load
(data, many=None, partial=None, unknown=None)[source]¶ Typed alias of
marshmallow.Schema.load
- Return type
Union
[~ObjType,List
[~ObjType],dict
,List
[dict
]]
-
load_obj
(data, *, many, partial)[source]¶ marshmallow.post-load
method. Converts toself.__model__
type usingdacite.from_dict()
and the __model__ dataclass. If partial loading,dataclasses.MISSING
is used as any allowed missing values.- Return type
Union
[~ObjType,dict
]
-
loads
(data, many=None, partial=None, unknown=None, **kwargs)[source]¶ Typed alias of
marshmallow.Schema.loads
- Return type
Union
[~ObjType,List
[~ObjType],dict
,List
[dict
]]
-
validate
(data, many=None, partial=None)[source]¶ Typed alias of
marshmallow.Schema.validate
- Return type
Union
[dict
,List
[dict
]]
-
classmethod
write_protected
(**kwargs)[source]¶ Returns instantiated schema with
cls.WRITE_PROTECTED
passed toexclude
param (see marshmallow documentation). Intended to allow uniform declaration of fields excluded from POST, PATCH, and PUT operations, and more consistent, less bug-prone mirroring of that behavior between client and server implementations.- Return type
DataSchemaConcrete
-
Garams dataclass¶
-
class
Garams
[source]¶ All attributed correspond to a param of marshmallow.fields.Field. All fields have a default value of
DEFAULT
, and will not overwrite the auto-calculated values from grahamcracker.Passing
None
to a value will force the param toNone
when it is passed to the field.The field names and their possible values are listed here, for more information on how they affect a field, see the marshmallow documentation.
- Fields:
default:
Union[Any, None, DEFAULT]
missing:
Union[Any, None, DEFAULT]
attribute:
Union[str, None, DEFAULT]
data_key:
Union[str, None, DEFAULT]
validate:
Union[Callable, None, DEFAULT]
required:
Union[bool, None, DEFAULT]
allow_none:
Union[bool, None, DEFAULT]
load_only:
Union[bool, None, DEFAULT]
dump_only:
Union[bool, None, DEFAULT]
error_messages:
Union[Dict[str, str], None, DEFAULT]
metadata:
Union[Dict[str, Any], None, DEFAULT]


Hi, FIRSTNAME
I see you managed to find some really suspicious pieces of information :). That's great. Some of our consultants let way too many things pass, if you ask me. I must confess that I wasn't expecting this case to lead anywhere interesting, so I'm pleasantly surprised.
The information you flagged led our agents to a subversive student meeting, and several pieces of subversive literature have been seized! Great job. Keep up that kind of work, and you'll be a grade B in no time. All the new information has been made available to you. See if there is anything that merits further investigation.
The investigation is being upgraded to grade B, so you will be reporting to Shào Jingfei from now on. I'm sure you two will get along fine. Miss Shào is an experienced consultant, and you are showing a lot of promise already :).
Furthermore, there is a journalist doing a report on subversive tendencies in the Cambridge academic community, and our client feels that this might uncover some useful information. Information regarding this individual has been added as well.
Sandra Silvern
Managing Consultant / Haka Manager


Examples
Default Values
This example uses default values
Using a Keyboard
First give the element focus by adding a tabindex="0"
to your <star-rating>
element. On
focus, you can use the left & right arrow keys to increase & decrease the value
Changing Custom Images
Changing the src
attribute will update the rating icon images.
This attribute requires two URL's that are comma separated in a single string value.
Click or tap on the update button below to
change the src
attribute from the default value to a value
of "https://upload.wikimedia.org/wikipedia/commons/thumb/2/23/US-O7_insignia.svg/2000px-US-O7_insignia.svg.png,
http://www.elm.org/wp-content/uploads/2014/05/gold-star.jpg"
. Click or tap the reset button to reset the example back to the default
src
value.
Updating the rating maximum value
Changing the maxvalue
attribute will update the total amount
of rating icons. This attribute is the maximum potential rating value a
<star-rating>
. Click or tap on the update button below to
change the maxvalue
attribute from the default value to a value
of 10. Click or tap the reset button to reset the example back to the default
maxvalue
value.
Updating the image size
Changing the size
attribute will update the total amount
of rating icons. This attribute is the maximum potential rating value a
<star-rating>
. Click or tap on the update button below to
change the maxvalue
attribute from the default value to a value
of 10. Click or tap the reset button to reset the example back to the default
maxvalue
value.
Events
ratingUpdated
'ratingUpdated'
is a DOM Custom Event that fires whenever the value of the <star-rating>
is updated. This event passes a JavaScript object with two key/value pairs that are accessible on
the
'event.detail'
object. Test this example out by selecting a
<star-rating>
star to update it's current rating.
Event Detail
maxvalue
this is the current 'maxvalue' attribute value at the time the event fires
value
this is the current value property/attribute value at the time the event fires
The 'ratingUpdated'
event has fired with:
Event.detail.maxvalue
of 5
Event.detail.value
of 0
Attributes
src
This attribute consists of two urls that are comma separated in a single string value. These two
image
paths get added as a background-image
url in the css.
required:
no
expected value:
String
default value:
Embedded datauri SVG
maxvalue
maxvalue
is the total number of stars you wish to display.
required:
no
expected value:
integer
default value:
5
size
size
defines the height & width values in css recognized units for each individual
star.
required:
no
expected value:
css unit string
default value:
36px
Properties
value
value type:
number
Usage
the value
property represents the number of stars currently selected.


Mainstream Media Hypes Dud Testimony Ahead of Debates
Americans brace themselves for another clown show from the do-nothing Dems
Host Will Johnson breaks down today’s hottest stories on tonight’s edition of Fire Power. Tune in and share this link!
By the way, overhaul your body’s cellular engine with our fan-favorite DNA Force Plus!


How to design effective arts?
Jan 02 - 2019
MIAMI — For decades, South Florida schoolchildren and adults fascinated
by far-off galaxies, earthly ecosystems, the proper ties of light and sound and other
wonders of science had only a quaint, antiquated museum here in which to explore their
interests. Now, with the long-delayed opening of a vast new science museum downtown set
for Monday, visitors will be able to stand underneath a suspended, 500,000-gallon
aquarium tank and gaze at hammerhead and tiger sharks, mahi mahi, devil rays and other
creatures through a 60,000-pound oculus.
Lens that will give the impression of seeing the fish from the bottom of
a huge cocktail glass. And that’s just one of many attractions and exhibits. Officials
at the $305 million Phillip and Patricia Frost Museum of Science promise that it will be
a vivid expression of modern scientific inquiry and exposition. Its opening follows a
series of setbacks and lawsuits and a scramble to finish the 250,000-square-foot
structure. At one point, the project ran precariously short of money. The museum
high-profile opening is especially significant in a state s
Mauna Loa, the biggest volcano on Earth — and one of the most active — covers half the Island of Hawaii. Just 35 miles to the northeast, Mauna Kea, known to native Hawaiians as Mauna a Wakea, rises nearly 14,000 feet above sea level. To them it repre sents a spiritual connection between our planet and the heavens above. These volcanoes, which have beguiled millions of tourists visiting the Hawaiian islands, have also plagued scientists with a long-running mystery: If they are so close together, how did they develop in two parallel tracks along the Hawaiian-Emperor chain formed over the same hot spot in the Pacific Ocean — and why are their chemical compositions so different? "We knew this was related to something much deeper, but we couldn’t see what,” said Tim Jones.


OMERO.figure (update) & OMERO.gallery (new)
11th March 2014
Will Moore
OMERO.figure
- Features: rotation, page size etc
- Urls: no #
- Test Scenarios: Saving figures
- gh-pages
- Public (static) OMERO.figure demo
OMERO.gallery
- 'Gallery' style UI for browsing P/D/I
- Prototype from before Paris 2013
- Updated with bootstrap.css
- Next steps?
New features
- Panel rotation
- Page set up
- Panel resolution (DPI)
- Sort "File -> Open" list
- Show figure name
- Hidden Feature: Images from remote server (E.g. JCB)
Urls no #hash
- Previously: /figure/#figure/123
- Now: /figure/file/123
- Urls safer for re-direction (login etc)
Test Scenarios
- Mostly 'Save' scenarios
- Test that files are not lost
- For example, close browser, hit back button etc
OMERO.gallery
- Many users want a 'public' web gallery
- Browse P/D/I (no editing, annotations etc)
- Also an alternative UI for regular users
- Show Groups as top level of hierarchy
- Next steps?


#assign orderBy= "true">
Control the order
of your SQL
query. There are several methods available:
orderBy(String clause)
and order(String clause)
are equivalent to each other and both receive the string of comma separated
properties and sort direction (much like SQL code), such as name asc, status desc
orderBy()
and order()
are also equivalent and allow you to use a fluent interface to adding sort properties. See the example:


I’ve decided to move my blog to a new domain and use a static site generator to serve up the content. Since the content doesn’t change much, it makes little sense to continue using Wordpress on a shared web hosting plan with limited resources.
Static Sites Are Fast
A static site significantly reduces the overhead of disk I/O by taking the relational database out of the picture. Most modern web servers can be highly tuned to avoid disk access for static content by utilizing output caching. If setup correctly, the fast majority of web requests require zero disk I/O. This allows the web server to serve content faster and handle larger loads with less resources.
While it is possible to use Wordpress Plugins like SuperCache to reduce disk I/O, it still requires a Fast CGI process to serve the content via PHP. This incurs enough CPU usage to make it slower than a pure static site.
Easy cloud based hosting and scaling
While a typical shared hosting setup works most of the time, it does carry the possibility of a popular post bringing your hosting to its knees. Planning for this kind of event carries a lot of cost which will go unused most of the time.
Cloud based hosting platforms, like Heroku, are perfectly suited for hosting static sites that can be scaled up very easily. Heroku’s free plan goes a long way and would likely handle the vast majority of traffic, but still give you the ability to use push button scaling for those rare instances when a post hits the #1 page of Hacker News.
Choosing a static site generator
There a number of static site generators that will perform the basic operations of translating posts that are written in Markdowninto HTML and organizing the output along with any uploaded media.
I chose to go with Octopress because it offered the following:
- Ruby based and easily customizable with plugins.
- Easily configured to work with Heroku.
- Stylesheets are written in Sass.
- Excellent typography out of the box with the base theme.
- Sits on top of Jekyll, and can utilize many existing plugins.
- Easy local preview with a built in Rack server.
Migrating old content
I’ve chosen to move my old wordpress install over to wordpress.com’s free plan for archival purposes rather than attempt a content migration. But if you want to preserve your old content and links, there is a Wordpress to Jekyll migrating tool called ExitWP that many have used successfully. Also, you can utilize a rack server to execute code to handle redirects.


The assumption is similar to Post-Set but a tie is defined as being between all people who contributed at least 4 posts or comments to a thread.
Individuals who withdrew (were deleted) are not counted; other analysis will rely on role information, which is not available for these people (although it could be imputed as access_group_id=4).
## Saved to Whole-T 4.RData
| id | nodes | edges | isolates | graph density*1000 | diameter | degree | closeness | betweenness |
|---|---|---|---|---|---|---|---|---|
| aiplan | 499 | 40 | 474 | 0.3219 | 4 | 0.0178 | 1e-04 | 0.0006 |
| astro | 3889 | 1799 | 3553 | 0.2380 | 8 | 0.0198 | 0e+00 | 0.0006 |
| crit | 4688 | 751 | 4521 | 0.0684 | 7 | 0.0108 | 0e+00 | 0.0003 |
| edc | 2544 | 955 | 2312 | 0.2952 | 8 | 0.0182 | 1e-04 | 0.0011 |
| equine | 6244 | 776 | 5996 | 0.0398 | 8 | 0.0078 | 0e+00 | 0.0002 |
| intro | 6989 | 4834 | 6360 | 0.1980 | 7 | 0.0231 | 0e+00 | 0.0009 |
The density is the proportion of possible edges that actually exist. Dyads are node pairs (all mutual because the network is undirected. Diameter is the longest path between two people, in this case the direction of edges is significant. The degree statistics give a relative measure (relative to the theoretical maximum for the network size, and comparable between courses) of the extent to which ties are concentrated. A value of zero would imply all people have the same degree centrality. A value of 1 would indicate that one person is maximally central.
Degree, closeness and betweenness for an individual differ as follows:
## Saved to Whole-T I4.RData
| id | nodes | edges | isolates | graph density*1000 | diameter | degree | closeness | betweenness |
|---|---|---|---|---|---|---|---|---|
| aiplan | 34 | 0 | 34 | 0.0000 | 0 | 0.0000 | 0 | 0e+00 |
| astro | 2292 | 219 | 2218 | 0.0834 | 7 | 0.0095 | 0 | 2e-04 |
| crit | 1493 | 36 | 1471 | 0.0323 | 2 | 0.0040 | 0 | 0e+00 |
| edc | 293 | 0 | 293 | 0.0000 | 0 | 0.0000 | 0 | 0e+00 |
| equine | 5101 | 224 | 5027 | 0.0172 | 3 | 0.0053 | 0 | 0e+00 |
| intro | 4535 | 360 | 4437 | 0.0350 | 3 | 0.0044 | 0 | 0e+00 |
## Saved to Whole-T noI4.RData
| id | nodes | edges | isolates | graph density*1000 | diameter | degree | closeness | betweenness |
|---|---|---|---|---|---|---|---|---|
| aiplan | 481 | 40 | 456 | 0.3465 | 4 | 0.0185 | 1e-04 | 0.0006 |
| astro | 2797 | 1593 | 2506 | 0.4074 | 8 | 0.0243 | 1e-04 | 0.0008 |
| crit | 3952 | 715 | 3805 | 0.0916 | 7 | 0.0128 | 0e+00 | 0.0004 |
| edc | 2440 | 955 | 2208 | 0.3209 | 8 | 0.0190 | 1e-04 | 0.0012 |
| equine | 2851 | 557 | 2659 | 0.1371 | 8 | 0.0153 | 0e+00 | 0.0007 |
| intro | 4374 | 4475 | 3817 | 0.4679 | 6 | 0.0368 | 1e-04 | 0.0020 |


Maharashtra: Cong-NCP-Sena meeting with Guv postponed
It was scheduled to take place at 4:30 PM on November 16.
by DECCAN CHRONICLE / ANINew Delhi: The meeting of the delegation of the three parties -- NCP, Congress and Shiv Sena with the Maharashtra Governor Bhagat Singh Koshyari has been postponed till further notice.
It was scheduled to take place at 4:30 PM on November 16.
Recently, the Congress and the NCP, which fought the assembly polls together along with the Shiv Sena had prepared a draft common minimum programme (CMP).
The three parties have been making efforts to form a non-BJP government in the state where the President's Rule was imposed earlier this week.
The Shiv Sena and the BJP, who had fought the polls together, could not form the government due to differences over power-sharing.
However, the leaders had asserted the meeting was to be based on talks regarding agrarian crisis in Maharashtra and not to stake claim.
Pawar had said a Sena-NCP-Congress government will be formed and will complete a five-year term as he ruled out the possibility of mid-term polls in the state currently under President's Rule.
The BJP emerged as the single-largest party in the state with 105 seats in 288-member assembly followed by Shiv Sena 56, NCP 54 and Congress 44.
Catch the latest news, live coverage and in-depth analyses from India and World. Follow us on Facebook and Twitter.


CJI arrives on two-day pilgrimage to Tirumala
This is Justice Bobde’s maiden visit after assuming office
by G.P. SHUKLAChief Justice of India (CJI) Justice Sharad Arvind Bobde on Saturday arrived here on a two-day pilgrimage.
This was his maiden visit to the temple town after his elevation to the top post. He was accompanied by his son Shrinivas and daughter Savitri.
Mr. Justice Bobde was accorded a warm reception by TTD Chairman Y.V. Subba Reddy, Executive Officer Anil Kumar Singhal, and Additional EO A.V. Dharma Reddy.
He would be taking part in the ‘Sahasra Deepalankara Seva’ in the evening and later offer prayers at the temple, authorities said.
Mr. Justice Bobde would, however, be extended traditional temple honours when he visits the temple for the second time in the early hours of Sunday.
Chief Justice of the A.P. High Court Justice J.K. Maheswari accompanied him to the temple town after receiving him at the Tirupati airport.


type: object
| Field | Required | Type | Description |
|---|---|---|---|
long_name |
optional | string | The full text description or name of the address component as returned by the Geocoding. |
short_name |
optional | string |
An abbreviated textual name for the address component, if available. For
example, an address component for the state of Alaska may have a
long_name of Alaska and a short_name of
AK using the 2-letter postal abbreviation.
|
types |
optional | Array<string> | An array indicating the type of the address component. See the list of supported types. |


{{- partial "head.html" . -}}
{{- partial "header.html" . -}} {{- partial "carousel.html" . -}} {{- partial "feature_photo.html" . -}} {{- block "customHeader" . }}{{- end }} {{- block "extraStyle" . }}{{- end }}
{{- partial "homepage-sections/features.html" . -}}
{{- block "main" . }}{{- end }}
{{- partial "joinus.html" . -}} {{- partial "footer.html" . -}}
{{- partial "script.html" . -}}


{% extends "layout.html" %} {% block body %}
Please input the name of one API for which you would like to conduct a search, such as Java, JQuery, or Android.
Please input a comma-separated list of elements for this API (e.g., methods or classes), such as ArrayList, HashMap, LinkedList. Use comma to separate API elements.
Please do not input more than 65 elements!


FluClue
Season
2016-2017
2017-2018
2018-2019
County
Week
Predicted counts of Flu cases in NY counties
Trend over weeks
Trend in neighboring counties
Ready to Leave?
×
Select "Logout" below if you are ready to end your current session.
Please Note
×
No data available for this period.
Please Note
×
Data from weeks 40-52 of season 2016-2017 was used to train the model.


andrew
weeks
Connect
Stack Overflow
LinkedIn
GitHub
weeksdev
Web App, Data, & MiddleWare Development


Submitted to Companies House in January 2015
"To help develop the knowledge and skills of the general population."
"To provide a convivial place where our members can study and work together and contribute to our study programmes; to encourage continuing support and collaboration between students of our study programmes and our members."
"Our activities are run and managed by our members, most of whom have been through one of our study programmes and are committed through their membership of the Company to continue to contribute to those programmes."
From the very beginning, the idea was to create a peer-led environment, not just for learning, but also for work.
Adopted at our 2017 AGM, just as we were opening the Nazareth campus
"to be an open-source model that enables anyone anywhere to establish a democratically-organised learning community that is free at the point of access."
"to open access to education by building democratically-organised learning communities where people study creative technology."
The scope of the original community interest statement was both wider and narrower. Wider, because it encompasses, not just learning, but work. Narrower, because it is only about a single place.
In the next year, let's review our purpose, vision and mission, but in the meantime, here is a working draft of our 2019 objectives.
Key results by FAC19
Key results for FAC16, 17 & 18
Key results
Key result Successfully bid for subsidised workspace at 113-115 Fonthill Road and move in by the end of 2019
Key result Support the implementation of a pilot bursary scheme once next steps have been agreed
Key result Work with our members to review our vision, mission and values and agree any changes before the next AGM


Selectize.dart
Customizing Appearance
Render items on your own & apply unique CSS styles.
Links:
TODO: explain how to bind events.


--- layout: post title: The New Evernote Google Chrome Extension ?? Evernote Blogcast categories: [] tags: - chrome - evernote - geek - technology status: publish type: post published: true meta: _original_post_id: '' _original_import_author: John Duprey author: ---
Loving the new Evernote extension (http://evernote.com) for Chrome!
[youtube http://www.youtube.com/watch?v=oFOiCOmgXmc?wmode=transparent]


| error |
1 |
No page-level DocBlock was found in file tests/apacheLogRecordTest.php |
| error |
5 |
No DocBlock was found for ApacheLogRecordTest |
| error |
6 |
No DocBlock was found for method testAddLoggedValue() |
| error |
14 |
No short description for method testAddIntegerLoggedValue() |
| error |
14 |
Argument $log is missing from the Docblock of testAddIntegerLoggedValue() |
| error |
23 |
No short description for method testAddIntegerRespBytes() |
| error |
23 |
Argument $log is missing from the Docblock of testAddIntegerRespBytes() |
| error |
33 |
No short description for method testAddDashRespBytes() |
| error |
33 |
Argument $log is missing from the Docblock of testAddDashRespBytes() |
| error |
42 |
No short description for method testAddValidReqTime() |
| error |
42 |
Argument $log is missing from the Docblock of testAddValidReqTime() |
| error |
56 |
No short description for method testSetCompleteConnStatus() |
| error |
56 |
Argument $log is missing from the Docblock of testSetCompleteConnStatus() |
| error |
68 |
No short description for method testSetRequestHeader() |
| error |
68 |
Argument $log is missing from the Docblock of testSetRequestHeader() |
| error |
80 |
No short description for method testOverwriteRequestHeader() |
| error |
80 |
Argument $log is missing from the Docblock of testOverwriteRequestHeader() |
| error |
92 |
No short description for method testSetTwoRequestHeader() |
| error |
92 |
Argument $log is missing from the Docblock of testSetTwoRequestHeader() |
| error |
105 |
Argument $log is missing from the Docblock of testSetCookie() |
| error |
119 |
Argument $log is missing from the Docblock of testSetEnvironment() |
| error |
132 |
Argument $log is missing from the Docblock of testSetRespHeader() |
| error |
144 |
Argument $log is missing from the Docblock of testSetModule() |
| error |
155 |
No short description for method testSetInvalidArrayVariable() |
| error |
155 |
Argument $log is missing from the Docblock of testSetInvalidArrayVariable() |
| error |
163 |
No short description for method testSetInvalidVariable() |
| error |
163 |
Argument $log is missing from the Docblock of testSetInvalidVariable() |
| error |
177 |
No short description for method testGetInvalidVariable() |
| error |
177 |
Argument $log is missing from the Docblock of testGetInvalidVariable() |
| error |
185 |
No short description for method testGetInvalidReqHeader() |
| error |
185 |
Argument $log is missing from the Docblock of testGetInvalidReqHeader() |
| error |
193 |
No short description for method testGetInvalidCookie() |
| error |
193 |
Argument $log is missing from the Docblock of testGetInvalidCookie() |
| error |
201 |
No short description for method testGetInvalidEnvironment() |
| error |
201 |
Argument $log is missing from the Docblock of testGetInvalidEnvironment() |
| error |
209 |
No short description for method testGetInvalidRespHeader() |
| error |
209 |
Argument $log is missing from the Docblock of testGetInvalidRespHeader() |
| error |
217 |
No short description for method testGetInvalidModule() |
| error |
217 |
Argument $log is missing from the Docblock of testGetInvalidModule() |


I had taken Adderall before, but never this many milligrams. Around 6 PM I get a call from a friend saying he had some Adderall he needed to get rid of. He had gotten a prescription by convincing his doctor he had the symptoms of ADD. He sold me eight pills (10 mg capsules) of Adderall XR. I didn't know it was the time release kind when I bought it but after taking it home and popping the first pill I noticed the capsule was filled with very tiny balls of powder. About 15 minutes later, I ate dinner with my parents and I actually had a conversation with them, which is a change because I usually say as little to them as possible.
After dinner, I went to my room and popped another capsule. The first thing I noticed was a change in my concentration. I started pondering over my life, friends, and my future, all while surfing the web. About 30 minutes later I decided I would try snorting the next pill.  This is when it really started to hit me. I felt like I had unlimited energy, and was feeling really good about myself. I started playing an online first person shooter (Quake III) and was tearing it up on a server. Never had I been able to focus on something as simple as a video game so well. I was having a blast and played much longer than I usually do. During the game I popped one more pill and snorted another afterwards.
I just felt so great and sure about myself. I started talking to a very good friend of mine on AOL instant messenger and through our conversation I felt a lot more closer and friendly to him (in a heterosexual way), and talked to him for a good hour with very little pause in the conversation (about half way through I took the 6th pill, totaling the overall dose so far 60mg). I decided to get off the computer and do something with all this energy I had; lift weights.
All I can say is wow. I was lifting more than my usual amount and doing more reps. I was having a lot of fun working out, which I usually don't. I swallowed the 7th Adderall towards the beginning of my workout, which lasted over 3 and a half hours (never have I lifted weights for that amount of time in my life). I listened to some Disturbed while lifting, and in between sets I found myself pacing around the room, dancing and air guitaring to the music.  The whole time I was simultaneously pondering about my life in a very deep way. When I finally decided to stop exercising it was about 5:00 AM.
It is now 6:24 AM and for the past hour I have been reading a bunch of articles, even ones about drugs that I would never ever take (heroine, cocaine). No matter what I read I found myself very interested and very focused on it. I have to go to school in an hour, but I'm still very much awake despite getting no sleep. I have one pill left and I'm going to take it right before I leave. I haven't eaten in 12 hours, and you'll find that you don't need to/want to eat while on Amphetamines. However, my appetite is just now coming back and I will be eating breakfast very soon.
For over a year I've been a regular weed smoker (at least once a day, 2-3 a day on weekends). I loved it because it took my mind off everything so I could just relax and chill. I've found Amphetamines to be the exact opposite of Cannabis. I don't want to just chill while I'm on it, I was constantly occupying myself doing things that one would consider everyday tasks, except I was doing them better than usual, and enjoying myself at the same time. I actually can't wait to go to school now, and it makes me wish I had ADD as a kid so I could have been on this medicine every day and actually do well in school (right now I'm repeating the 12th grade, which I blame on my pothead tendencies throughout all of last school year).
Overall, I can see how Amphetamines are addicting, as I was popping those things like M&M's the entire night.  Next time though, I'd like to take it with some friends of so we can all tweak together.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Our service allows you to select dishes to create a menu so that we can bring home cooked meals to your door.
Use this handy application to place your orders and set up and/or edit a schedule so that we can prepare for your order in advanced.
How to use the application
Use the options above to make/view a menu or schedule. Or you can click "Home" to view your calendar and information on your next meal.
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FAUST A film review by Michael Brooke Copyright 1995 Michael Brooke
Written and directed by Jan Svankmajer UK/France/Germany/Czech Republic, 1994, 97 mins Starring Petr Cepek, Jan Kraus, Vladimir Kudla
A welcome corrective to the stiflingly literal brand of literary transcription peddled by Merchant-Ivory et al--with FAUST, the Czech animator Jan Svankmajer takes basic ideas from the plays of Christopher Marlowe and Johann Wolfgang von Goethe, an obscure novel by the now-forgotten Christian Dietrich Grabbe, Charles Gounod's opera, and old Czech puppet versions of the oft-adapted legend of the man who sold his soul to the devil, and filters them through his own imagination, which, as anyone who's seen even one of his earlier films will know, is one of the most wildly inventive in Europe. He tried a similar approach to Lewis Carroll's work in ALICE (1988), which although intermittently brilliant looked more like a collection of short films (the medium for which Svankmajer is best known) than a coherent feature. FAUST is far more successful, blending live action with Svankmajer's trademark claymation and the giant puppets he previously used in the mini-feature DON SAJN (1970) to unnervingly dislocated effect.
The unexplained shifts in style perfectly suit Svankmajer's approach to the text, which only vaguely touches on the subtleties and depths of the Marlowe and Goethe versions--but this isn't an attempt to provide an alternative to Goethe, it's more of a late twentieth century response to the theme. And although uncredited, Franz Kafka and Mikhail Bulgakov (THE MASTER AND MARGARITA) and indeed Lewis Carroll lurk somewhere in the background (Faust's servant seems to change size relative to Faust in almost every scene the two are in, and the opening in which Faust enters a mysterious corridor off a side street is straight out of the opening of ALICE IN WONDERLAND).
Where Svankmajer's version differs radically from other presentations of the Faust story is that Faust himself (or rather the unnamed character representing him) is almost entirely passive. He is lured off the streets of Prague by two men handing out a mysterious map, and ends up in an old theatre performing in a nightmarish puppet version of FAUST (there are shades of Luis Bunuel's THE DISCREET CHARM OF THE BOURGEOISIE in his realisation that an audience is watching and he doesn't know his lines). Wherever he goes, he is watched, either by the two men at the beginning (who subsequently turn up to perform miracles in a garden cafe), or by the theatre staff, or by Mephistopheles, whom Faust summons because it seems like the logical thing to do (and it's in the script). Although Svankmajer never claims that this is an explicit allegory of life in pre-Vaclav Havel Prague, it's highly unlikely that he was unaware of the comparisons. And this whole theme of Manipulation From Above (or indeed Below) reaches its climax in the final scene, a gloriously sick plot twist that both makes perfect sense in context and provides an impeccably neat circular finale to the film.
The dialogue is in blank verse, with all the voices in the English version provided by Andrew Sachs (best known as Manuel in "Fawlty Towers," though you'd never guess from the range of voices on display). It sounds as though much of the text originates from Marlowe (though it would be interesting to compare this with the German version), though as the film is far more driven by its virtuoso visuals this is largely irrelevant. And these are frequently stunning--a pool of nameless slime forms itself into a rapidly-aging baby, hordes of tiny angels and devils do battle for Faust's soul, apples wither into maggot-ridden husks at the devil's passing, while an old tramp carries a badly-wrapped package that might just contain a severed leg--and Svankmajer throws in plenty of knockabout comedy to emphasise the story's theatrical origins: a fiery chariot from Hell causes problems for the theatre's fire safety officer, a devil is repeatedly summoned and banished by Faust's Punch-like servant until he collapses with exhaustion (running to and from the theatre past surprised-looking--genuinely unprepared?--Prague passers-by), while a Gounod-scored opera/ballet interlude with ballerinas raking fields beautifully parodies the socialist realism that the old Czech government was so fond of.
Above all, FAUST demonstrates just how the seemingly catch-all adjective "surreal" has been so debased since its introduction 70-odd years ago by virtue of its being used to describe anything even vaguely unusual. As one would expect from a 25-year member of the Prague Surrealist Group, FAUST is a Surrealist film, and as such manages a more effective attempt at capturing dream-logic than almost any film since Bunuel passed away. It isn't for everyone--even some Svankmajer fans have expressed disappointment with it, presumably because it isn't animated throughout, or they have a problem with the puppets (this is because Czech culture recognises puppets as a serious art form, while in most Western countries they're strictly for children)--but anyone who approaches it with a genuinely open mind should lap it up. It's Svankmajer's longest, most inventive and quite possibly weirdest film to date.
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13th September 2004
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A couple of weeks ago, Joliette and I got married in the sight of God and men. The day itself is a happy blur in my head, full of smiling friends and family, wonderful food, great music, some very serious words and, of course, her.
Right now, I'm sitting in the garden of the flat that we now live in together, catching up on three weeks of work. The flat is still a bit of a work in progress, with empty boxes and piles of junk belonging to the landlord and previous tenants lying around the place, taking up valuable room that we could be using to pile up our junk.
It's good be back at work though. I suspect it will get even better when my team mates turn in Argentina and Canada actually wake up.
Seeing you is long overdue, and I hope won't remain that way for long, but in the meantime, congratulations J & J. It sounds like the wedding was everything a wedding should be, too.
Warm wishes,
-Karl


Description
A project developed by four friends, the “Sismo d’Oitenta” website was developed to archive the testimonies and stories of survivors who experienced the 1 January 1980 Azores earthquake that destoyed the historic centre of Angra do Heroísmo, and affected the islands of Terceira, São Jorge and Graciosa.
The platform provides interesting techniques to promote understanding of the event, including photo comparisons, victim testimonies and eyewitness accounts.
Tech: HTML, CSS, Javascript & PHP


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