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BABY GENIUSES (1999) * (out of five stars) A review by Jamey Hughton
Starring-Kathleen Turner, Christopher Lloyd, Peter MacNicol, Kim Cattrall and Dom DeLuise Director-Bob Clark Rated PG Sony
MOVIE VIEWS by Jamey Hughton http://Welcome.to/MovieViews
An experience like Baby Geniuses can have certain effects on an average moviegoer.
When I think of the screenwriters behind this film, I picture a room full of monkeys. The monkeys are pounding on their typewriters while scratching themselves. All of the monkeys combine their efforts, hop in a cab and take the finished product downtown to director Bob Clark's office. The designated monkey explains the plot by jumping up and down on Clark's desk while flailing his arms and shrieking. The director appears to be deep in thought, until he slams his fist down on the desktop and exclaims `I LOVE IT!!!'
The writing behind this project is embarrassing. For your amusement, I will explain the plot. Dr. Kinder (Kathleen Turner) and Dr. Heep (Christopher Lloyd) are two of the cold-hearted executives at the Baby Geniuses Institute, where peculiar studies are going on. As the story goes, there is an ancient myth explaining that babies (ages 2 and under) know all the secrets of the world from previous life experiences. When they move past this phase, they become like any other drooling toddler. Kinder and Heep want to unlock the secrets using their test babies, namely little Sylvester (Sly for short), who can break in or out of any given situation so efficiently that he would be right at home on the Mission: Impossible team. There is so much crap derived from this premise, despite the fact it's virtually identical to the plot in Look Who's Talking! (a far superior film in any league).
You will be able to determine the quality of the film by examining the opening scene. Sylvester has broken out and managed to elude several security guards with his amazing intellect and kung-fu tactics. Question: it's obvious the babies are super-smart, but why are they able to fight like Jackie Chan?? The adults in this film are furiously beaten by these youngsters in diapers. It's a shock when writers will stoop this low just to draw cheap laughs by using John Hughes' familiar Home Alone formula. I also found it disturbing that the babies in this film have attitude and endless 90's knowledge, quoting numerous movies and insulting their adult captors. The effects in Baby Geniuses (similar to the talking animals in Babe) are pathetic, the editing is a disaster, and the jokes are never funny. The only reason viewers may avoid vomiting is the argument that the babies are `cute'.
I suppose they are. I can admit to smiling a few times because the babies were cute.  There are supporting characters who have no personality whatsoever; their entire existence is based on punch lines. Peter MacNicol and Kim Cattrall, as an unwilling couple who have adopted Sylvester's twin, are both miscast.
I would avoid Baby Geniuses at all costs. Instead of watching this, I would recommended filling your bathtub with cement and going snorkeling. Or perhaps you would consider going diving in shark-infested waters. Anything to avoid this painful movie. The final line in the film, spoken by the bratty Sylvester, is `If they think I'm doing the sequel for less than $20 mill, they're nuts'. Sequel? Please have mercy.
(C) 1999, Jamey Hughton
* * * * * * * * * * * * * * * MOVIE VIEWS by Jamey Hughton http://Welcome.to/MovieViews <<<<<<<<<<<<<<<>>>>>>>>>>>>>>>
Contact Jamey at<EMAIL_ADDRESS>The review above was posted to the
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XPiNC development insights
I am developing a rather large XPiNC application for IBM internal use. One application and parameter database pushes data around 10 backend databases. Part of the databases might be local (depending on the user), some might be on the server and not all users have access to all databases. Most of my business logic lives in Java code, both in classes, beans and managed beans. In the course of the development I stumbled over a series of insights a XPiNC developer should be aware of. Here it goes, in no specific order:
- FacesContext.getCurrentInstance() might return null when called in your Java class, depending on when you call it. I had calls to the FacesContext in some of my managed bean property calls which failed on page load with a Error 500 that the standard error page couldn't trap. You need the FacesContext to resolve any variable e.g. getting a handle on a different managed bean. In conclusion I rearchitected my beans to have only one managed bean per context modeled as Facade pattern that provides a single access point to all classes needed
- The
ExtlibUtil.getCurrentSession()
uses the FacesContext under the hood, so there is a distinct risk of getting a null session. So using the dependency injection pattern all calls requiring a NotesSession have a NotesSession as calling parameter. This requires a bean design that is populated elsewhere (e.g. DataContext, ObjectDataSource), so you can have getters and setters without parameters - Longer running operations (stuff we typically do in an agent) will time out. You don't have the luxury in XPiNC to use agent.runOnServer(), so you need a different approach (and anyway I despise mixing XPages and agents). With the help of a friend and the ever impeccable Dublin team I figured a way to run Notes backend accessing code as a thread (subject to another story)
- Debugging is way less comfortable than in XPages. You have to put the whole client into debug mode, not just connect to the http task. So I tend to start my Notes client with
-RPARAM -console
so I see what System.out and System.err are producing. I also tend to keep my code in Java to make it more testable easily - The XPages Debug Toolbar works well in XPiNC
- There is no way to restart the XPiNC task like you can restart the http task or the web preview task in Designer. When you use external jars and update them, you have to restart your client to test it successfully
- In a data source you can specify databases by replica id. This is nice since you might not know where a local replica is located. However you only can specify the replica id and unless NotesDatabase.openByReplicaId() not the server. So you never know which database you might get (local or one of the known server). So I compute once (and keep it in the sessionScope) the actual filepath, trying local first, and use server/filepath instead of replica id for data sources
- The Java Collection framework is your friend. You can use them nicely as source for a repeat control. Just keep in mind: a list will give you the entry in your instance variable, while a map will give you they key only. Of course a key can be any Java object, so some creative key creation goes a long way
- A very popular way in Notes applications was the use of NotesDocument.computeWithForm(). When connecting to existing applications you will be tempted (or actually required) to use it too. When the computeWithForm tries to trigger some UI interaction in the @Formula, your XPiNC tab will lose focus to a native tab (I haven't figured out which one gets selected) and a externalContext.redirect() will simply not happen
- In an XPiNC application
sessionScope
andapplicationScope
are local to the current user. So status exchange viaapplicationScope
won't work in XPiNC.  This even applies when you load a server based NSF (hardly a good idea in XPiNC). This changes when you configure XPiNC to run on the server, then theapplicationScope
is for all users. - Since XPiNC applications load all Java classes from the NSF into the JEE server memory, its best to load them from a local NSF, even for applications that need to have current data for all users. Here XPages' ability to use data from a different database comes in handy and you would load your data NSF from the server - I'll prepare some code snippets for future posts
Posted by Stephan H Wissel on 21 July 2013 | Comments (6) | categories: XPages


45 Use floating-point type carefully
- floating-point is 2x slower than integer
- Use more careful for division, division is handled by software, thus when you use it in performance-critic places, consider that.
- floating-point type has rounding error
developer.android -
oracle


Plymouth's new KFC restaurant has opened - but there's a difference
The new KFC outlet is now open and is the first Small Box takeaway in the city
by William TelfordIt’s opened with an archway of balloons to greet customers and founder Colonel Harland Sanders' portrait gazes down on them as they order their fried chicken via the latest tech.
Yes, Plymouth’s new KFC outlet is out to show it is “finger lickin’ good”.
The “Small Box” outpost, in Old Town Street, has opened just a week after the chain closed its branch in New George Street, on the other side of the city centre.
The new outlet started frying on Monday, November 25, and will be open seven days a week, has created 15 jobs and the firm stressed no redundancies will result from closure of its other takeaway.
A KFC spokesperson said: “We’re excited to continue serving KFC fans in our new home on Old Town Street. Opening on November 25, we‘ve created 15 new roles for future team members.
“All our hen-tastic team from New George Street we’ve offered other roles in the area – see you soon Plymouth.”
The global fast-food chain is now ensconsed in the unit once the home of clothing chain Salt Rock and only yards from the new £53million Drake Circus The Barcode cinema and leisure complex.
The new chicken shop is part of the KFC brand’s “Small Box” roll-out, which means that instead of being a full-sized eatery with a large amount of seating it will only occupy a small footprint, as the concept is usually only found in busy pedestrian areas.
KFC continues to be a shining star among food retailers, and, alongside Taco Bell, is the main growth brand for global parent Yum! Brands, with growth of 3% during the third quarter of 2019.
As of December 2013, there were 784 KFC outlets in the UK, with British turnover at £684.5million. About 70% of outlets are run by franchisees, with the remainder company owned. The business employs 24,000 people.
KFC may have closed in Plymouth’s West End but it may not be the end of KFC in the “bottom end of town” as speculation is continuing that an outlet will be housed in the new Plymouth Cross development, in what was once the Derrys department store.
How to contact William Telford
Business Live's Plymouth journalist is William Telford, business editor at Plymouth Live. William has more than a decade's experience reporting on the business scene in the Ocean City.
To contact William:
Email<EMAIL_ADDRESS>Phone: 01752 293116
Facebook: www.facebook.com/william.telford.5473
Twitter: @WTelfordHerald
To sign up for Business Live's daily newsletters click here
Plymouth Live has also reported that the company is planning to open five near restaurants and a drive-thru in Plymouth, one in Exeter, three in Cornwall, and four in South Devon, all in 2020.
The chain has been offering £20,000 for those who find a new site in target areas.
Plymouth already has KFC outposts in Union Street, Mutley Plain, Tavistock Road, Wolseley Road, and in late 2018 opened a large drive-thru at the Plymouth Gateway out-of-town shopping centre at Marsh Mills.


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Founded in 2009, by designers Ben Wright and Paul Stafford, DesignStudio is a global brand and design agency with offices in the creative hubs of London and San Francisco.
Ben and Paul opened the agency after spotting a split in the creative industry. Studios were either boutique and beautiful, but only managing to work on a few projects or of a massive scale and impersonal with their client relationships. DesignStudio was created with the aim to fill this gap – delivering the quality of boutique, bespoke design to global brands and audiences.
Brands approach DesignStudio as they recognise the value of being design-led in the global economy. Our ideas and creativity help our clients live across different platforms. And they’re always ideas we can deliver. Rebrands, graphic design, film, photography and artwork, 3D, animation. All led by creative. All equally strong.
By applying creative, critical thinking to these different channels, we change people’s perceptions and create the brands of the future.


--- layout: page title: Projects permalink: /proj.html ---
Popularity bias in Recommendation Systems pose serious problems when less popular/new items are present. This hurts even more in scenarios having covariate shift in terms of user distribution. A robust and balanced Deep Learning based Recommendation System was proposed which showed significant gains wrt click/buy rate even when user distribution changes.
Mitigating popularity bias is crucial to ensure that less popular but relevant items are part of the recommendation list shown to the user. This phenomenon of popularity bias in session-based Recommendation Systems was studied at data generation stage as well as model training stage and a comprehensive causal inference framework was proposed which identifies and mitigates the effect at both stages.
Different lockdown intervention strategies/agents to control the spread of COVID-19 virus were studied and their impact was compared in the states of Maharashtra and Tamil Nadu. A simulator was built using detailed demographic data and several agents were compared one of which was a Reinforcement Learning based Deep Q Learning agent.
A Deep Learning based solution was proposed which was designed to estimate the incremental effect of an ad/offer in scenarios where covariates are high dimensional and number of ad/offers is large. SOTA results were obtained on benchmark datasets.
Observational data accrued from multiple homogeneous subgroups of a heterogeneous population can be used to meta-learn a model which would generalize well in cases when training set is small. MetaCI was proposed as a Deep Learning based solution in ad/offer effect estimation use case. Significant gains were reported as compared to other methods.
Thesis Advisors: Dr. Debajyoti Bera and Dr. Ganesh Bagler
Analysis of feature-model relationship over self-curated and statistically validated dataset and use of a combination of standard and newly proposed features to address the problem of protein classification.
Advisor: Dr. Saket Anand
Use of a series of supervised machine learning classifiers over egonets to identify communities in social networks and performing inferential analysis.
Advisors: Dr. Debarka Sengupta and Dr. Ganesh Bagler
Use of various algorithmic approaches to solve the hard problem of network motif identification.
Advisor: Dr. Subhadip Raychaudhuri
Probability based Monte Carlo simulation of the process of apotosome formation and analysis of the results.
Advisor: Dr. Chetan Arora
Use of concepts of Probabilistic Graphical Models to learn a directed network from the data and to infer causal relationships from it.
Advisor: Dr. Ganesh Bagler
Application of association rule mining algorithms in order to discover spice-disease associations.
Advisor: Dr. Tanusri Bhattacharya
Health portal with social networking facility using OOPD.


It all started on a fine morning at the university dorm. While the
rest of the world was celebrating and welcoming the new year 2017
cheerfully, we wished to do something remarkable in the new year,
we wished to give back to the society, we were brainstorming for
ideas. Eventually, we talked about how grateful we are for having
the privilege to receive a quality education and how our life
would have ended up without having that.
Then, we realized that there exist a plenty of young bright minds
who have the potential to radically improve their life, provided
they get a quality education. Unfortunately, however, many such
young minds are born into the poor families in villages who cannot
afford a quality education. We asked ourselves a question: why
shouldn't we find such students and sponsor them entirely?
That question got stuck in our minds. And, our dear reader, as an
answer to that question, Sitranu Foundation was born. An open,
transparent, community-based foundation where members can donate
money, take up volunteering work, bring in potential students,
campaign and win the community vote for sponsorship. Basically, a
foundation for the community and by the community. Like an Indian
traditional baby, the foundation was not born with a name. We
called it "Nameless Foundation" initially. In fact, that's how we
promoted while adding our initial members. Later, we conducted a
name-finding discussion and concluded on "Sitranu Foundation".
Sitranu is a beautiful Tamil word, refers to a small atom. An atom
that is so small and invisible by itself, but when bonded with
several such atoms, it makes a great human being like you and the
entire universe that you live in.
Similarly, the helping hands from the members of our foundation,
even if it's a fraction of the whole, but when combined with
others, makes a great significance. Every member in our foundation
is, therefore, a Sitranu who helps in providing quality education
for the needy students.


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Buhari transmits six bills to Senate for consideration, passage
by QueenEsther IroanusiPresident Muhammadu Buhari on Tuesday transmitted six aviation sector bills to the Senate for consideration and passage into law.
The bills are; Civil Aviation Bill, 2019; Federal Airports Authority of Nigeria Bill, 2019 and Nigerian College of Airspace Management Agency (Establishment) Bill, 2019;
Others are Nigerian College of Aviation Technology (Establishment) Bill, 2019; Nigerian Meteorological Agency (Establishment) Bill, 2019 and Nigerian Safety Investigation Bureau (Establishment) Bill, 2019.
The president’s request was contained in a letter addressed to the Senate President, Ahmad Lawan, and read on the floor during plenary.
The request is pursuant to Section 58 of the Constitution of the Federal Republic of Nigeria 1999 (as amended), the president said in his letter.
Mr Lawan, after reading the letter, directed the clerk to ensure that the bills are gazetted and distributed to all the senators – before the commencement of debate on the details and provisions of the bill.


Ouachita man accused of sexually assaulting woman, running around neighborhood naked
by KNOEOUACHITA PARISH, La. (KNOE) - A Ouachita Parish man is accused of sexually assaulting a relative in her home and then running through the neighborhood naked.
According to an arrest report, it happened in the 700 block of Harris Street on Nov. 23, 2019.
 The victim said Peters touched her breasts and tried to remove her clothing.  Two doors and a lamp were damaged in the process. He then left the home.
About two hours later, deputies say they found Peters running around the neighborhood naked.
Peters told deputies that he couldn't remember why he was naked and had no memory of the last few hours.
According to arrest records, Peters was previously arrested in 2018 for a similar incident on Harris Street. In that arrest, Peters was accused of taking his clothes off and fighting people.

In the latest case, Peters was charged with simple battery, simple criminal damage to property, obscenity, sexual battery and failure to appear on a bench warrant.
He was booked into the Ouachita Correctional Center.


Woman shot dead as gang violence flares up again in Hanover Park
by Tammy PetersenA recent flare-up in gang violence in Hanover Park has claimed the life of a bystander, as a woman was caught in the crossfire on Sunday.
Police responded to the scene in Donegal Court, Hanover Park, on Sunday afternoon, where they found the body of the 28-year-old victim.
She had been shot in her upper body.
Provincial police spokesperson Mihlali Majikela said the circumstances surrounding the incident were still under investigation.
However, police sources have told News24 that the woman had not been the intended target of the shooting.
Two people have been arrested in connection with the shooting, News24 has been informed. Provincial police, however, could not immediately confirm this.
Gang tensions in the area flared up earlier this month between the Americans and the Ghetto Kids, resulting in gunfire and unrest.
Hanover Park, which falls under the Philippi police precinct, is one of 10 areas where the army has been deployed to help in joint operations with the police.
Together with Elsies River, Bishop Lavis, Mitchells Plain, Delft, Nyanga, Khayelitsha, Mfuleni, Kraaifontein and Manenberg, the precinct has the province's highest attempted murder rate.
After an initial two-month deployment, President Cyril Ramaphosa extended the SANDF's stay in September for an additional six months, to March 31, 2020.


HOME ALONE 2: LOST IN NEW YORK A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ** 1/2
"We did everything, we brought everything, there's nothing to worry about" the father reassures the mother. "Yeah, yeah you're right," she replies, not completely convinced. It's another Christmas trip for the large McCallister family, and yes, they've managed to lose Kevin again this year -- not that Kevin minds.
"My family's in Florida, and I'm in New York," Kevin, our young adventurer tells the audience as he raises his eyebrows. Unsupervised, Kevin is living the life of Riley in an enormous suite at Manhattan's plush Plaza Hotel, thanks to his Dad's credit card. Holed up in his fancy digs, he orders everything, and I do mean everything, off of the room service menu while he wiles away his time watching television. ("Do you know how the TV works, sir?" the unctuous bellman asked him earlier while showing him the room. "Are you kidding," Kevin shot back.  Television is my life!")
Welcome to 1992's HOME ALONE 2: LOST IN NEW YORK, the sequel to 1990's wildly popular HOME ALONE starring Macaulay Culkin as the cherubic-looking but devilishly resourceful Kevin.
The movie has two distinct parts. In the first, Kevin lives a dream life as a kid seemingly as wealthy as Donald Trump, who does a nice cameo in the movie. He even rents a white stretched limo to take him to a toy store for shopping. The limo is fully stocked, right down to the hot cheese pizza.
In a wonderful contrast to the picture postcard perfect, snow encrusted New York with the city lights glistening, his family arrives at their very cheap Miami motel to a torrential downpour. New York City can be a magically beautiful place, and this film shows it off to maximum advantage.
Culkin gives a surprisingly subtle and self-assured performance. He owns the show but shows none of the cockiness of child actors whose success has gone to their heads.
The second half of the movie is devoted to the battle between the kid and the criminals, played again by Joe Pesci as Harry and Daniel Stern as Marv, and is all too predictable and slapstick. Although not nearly as enjoyable as the sweet first part, it does deliver on some nice childish humor. After a while, however, the second part degenerates into one repetitive bonk-on-the-head scene after another and becomes increasingly tiring.
"What can he do?," Marv tells Harry about their nemesis, Kevin. "He's a kid. Kids are helpless."
Award winning actress Brenda Frica appears in a touching role as the Pigeon Lady in Central Park. When Kevin dares to speak to her, no one else ever does, they become instant friends.
 Kevin's mother asks at the hotel where he has been allowed to stay on his own. "The finest in New York," claims the front desk clerk. This picture is one of the better idiotic kids' movies, which, admittedly, is not exactly a rousing recommendation.
HOME ALONE 2: LOST IN NEW YORK runs too long at 2:00. It is rated PG for cartoonish violence. The film would be fine for kids around 6 and up.
"
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Apocalympics Medal Count:
11
The Events:
Medical Mishaps:
Raw Sewage
Zika Virus
Criminal Activity:
Hospital stormed
Paralympian robbed
Trainer robbed
Sailors robbed
General Mishaps:
Financial crisis
Russians banned
Mascot shot
Infrastructural Failure
Subway incomplete
Cycle-lane collapse


Time Complexity is describes how long it will take an algorithm to run as the size of the input grows. In other time complexity is the rate of growth or order of growth of an algorithm.
For competitive programming we focus on the worst case running time. Given evil inputs which will make our algorithm run as slow as possible what is the runtime's rate of growth?
We notate the worst case time complexity with big O notation. For example if our we say the size of our input (say the length of an input list) is and our algorithm's runtime grows linearly with respect to we say the complexity of the algorithm is .
In this example some sample runtimes for different might be:
We can drop constant factors as they don't change the order of growth. A cubic will for sufficiently large grow faster than any quadratic no matter any constant factors on either polynomial. ex: .
We can drop all terms in an expression but the fastest growing term. For sufficiently large , will grow slower than , for example. ex: .
To calculate time complexity count operations (sort of). Something like an addition of two ints will always take the same amount of time so counting how many additions happen (in terms of ) can give an idea of the time complexity. Additions, variable instantiation, increments, array indexing, and many other things generally take the same amount of time no matter what. We call these constant time or operations. Making time complexities feel intuitive and getting good at analyzing algorithms is just practice.
Given an array, A, of integers with size find the contiguous (possibly empty) subarray with maximum sum. The sum of a subarray is the sum of all the elements in that array. The sum of an empty subarray is . ex: the maximum subarray sum of [1,2,-4,2,4] is with the subarray [2,4]. ex: the maximum subarray sum of [-1,-1,-1] is with the empty subarray.
A
[1,2,-4,2,4]
[2,4]
[-1,-1,-1]
The most straightforward solution is to simply find the subarray sum of every single possible subarray and then take the maximum of all of these. To implement this, define a subarray via a left index l and a right index r. The left index is inclusive and the right index is exclusive. If we have the array [1,2,3,4,5] an l=2 and r=4 would define the subarray [3,4]. Now iterate over all possible l and r and find sums and take maximums:
l
r
[1,2,3,4,5]
l=2
r=4
[3,4]
let A be the array Let n be the length of the array mx = 0 for l in 0 to n: for r in l+1 to n+1: sm = 0 for i in l to r: sm += A[i] mx = max(mx, sm) mx is the answer
What is important for competitive programming is to figure out te time compexity. Notice the line which the algorithm will run the most (and thus spend the majority of its time running is) sm += A[i]. We can guess this from it being inside the three for loops. sm += A[i] runs once every time we add an element from a subarray to sm. As we iterate over every subarray, the line runs once for every element in every possible subarray. To calculate how many times we find how many total elements there are in every posible subarray. Lets do casework on the length of a subarray: A subarray of length has element and there are possible subarrays of length . ex: A=[1,2,3] has the length subarrays [1], [2], [3]. Similarly for length subarrays, there are of them. In general, if the length of a subarray is then there are of those subarrays. To find the amount of elements in all of these subarrays, we sum for all from to , . Breaking this up we want to compute: . Using the knowledge the above simplifies to . This means the simple solution is a cubic algorithm which is pretty slow.
sm += A[i]
sm
A=[1,2,3]
[1], [2], [3]
The linear solution iterates through the array keeping track of a current sum and a maximum overall sum. The one by one elements of the array are added to the current sum. If the current sum ever goes negative we might as well start a new subarray with current sum so we do so. Consider what happens when we add a new element, a to our current sum sm. If a is positive then adding it to sm would increase sm so this is what we should do. Even if a is negative, if sm + a is non-negative we should still add it to sm. Not adding it would force us to then have sm = 0 as we have to have our subarrays are contiguous. Having sm = 0 can't be better then the non-negative sm + a even if a is negative so we should add a to sm. This creates the code:
a
sm + a
sm = 0
let A be the array let n be the length of A sm = 0 mx = 0 for i in 0 to n: if sm + A[i] >= 0: sm += A[i] else if sm + A[i] < 0: sm = 0 mx = max(mx, sm) mx is the answer
This solution is linear or , as it runs the inside of the for loop, an operation, times.


Welcome to Phat's PIZZA
Each pie is made in the Italian tradition, hand-tossed and baked on bricks.
Pick A Size:
Personal 10" Pizza ($7.00)
Small 12" Pizza ($9.00)
Medium 14" Pizza ($10.00)
Large 16" Pizza ($12.00)
Top with Toppings:
Musroom (+ $0.75)
Goat Cheese Primo (+ $0.75)
Fresh Veggie (+ $0.75)
Verde Primo (+ $0.75)
Spicy Chicken (+ $0.75)
Grand Salami Primo (+ $0.75)
The Rocket (+ $0.75)
Complete Order
Your pizza will cost $
.


KZ
Hello World
stay around and have some fun
maybe stick around for some tunes
n let's stay in touch


@links
Primary Link
Secondary Link
@navbar
Vinayak Goyal
Home
Projects
Blogs
@lists
Unordered list
Item one
Item two
Item three
Unordered list inline
Item one
Item two
Item three
reversed ordered list
Item one
Item two
Item three
@footer


The output should be split in multiple HTML files, one file per input file.
file: tmp/multiple_files/file1.html Base: ../../spec/fixtures
Some GFM:
function() { console.log('this is some java script code'); }


Miley Cyrus Reportedly in 'Silent Mode' after Vocal Cord Surgery
Nearly three weeks ago, singer Miley Cyrus shared that she was taking a break from singing, as she was hospitalised for one day to undergo surgery for tonsillitis.
by by Svetlana EkimenkoSinger and songwriter Miley Cyrus is recovering after undergoing vocal cord surgery, according to PEOPLE.
On 8 November, Cyrus’s boyfriend Cody Simpson appeared to make a reference to the surgery, as he shared a black-and-white photo of the pair with the caption “success”.
The “Mother’s Daughter” singer has already been discharged from hospital, sources are said to have confirmed.
In late October, Cyrus, 26, revealed via an Instagram Story that she had taken a hiatus from singing, writing, “On vocal rest not body”.
The singer was reportedly hospitalised for one day for tonsillitis surgery.
According to sources, the singer was told at the time she would need to have surgery for a separate issue with her vocal cords, which she had unknowingly had for years, and that the recovery process would include several weeks of silence.
As a result of the issue, Cyrus, who had been working on new music, was forced to put recording and performing on hold.
A source close to the singer told PEOPLE she is “doing great and will be back and better than ever early next year.”
Social media fans were quick to offer their sympathy and wishes for a speedy recovery.
Some netizens were dubious, and thought there might be other reasons for the ‘silence’.
Others criticised the singer’s vocals and singing technique.
Miley and Cody 'On the Same Page'
Miley Cyrus released her latest EP "She Is Coming" in June, the first of three six-song EPs the singer said would assemble a full LP titled "She Is Miley Cyrus".
While Miley Cyrus is taking a break from her vocals, Cody Simpson released a new song last month titled “Golden Thing,” which apparently is inspired by Cyrus.
The Australian singer, 22, who has been by Cyrus’ side throughout her recovery process, recently revealed that the pair, who have been friends for years, came together over their shared sobriety.
“We keep each other in a good place. That’s what’s really healthy about it and I think that’s the first time I’ve had that in a relationship. We’re very, very much on the same page," Simpson said on The Kyle and Jackie O Show last month.


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I am a 21 year old graphic design student living in the beautiful North West. Web design and web development have always been interesting to me. It all started in 9th grade when my parents tried out this online school program and I would spend my time following Photoshop tutorials instead of working on my Shakespeare homework. From there, I started looking more into design and got into web design. In the last two or so years I took some courses on HTML and CSS and made several websites with that knowledge. I'm currently enrolled in the Epicodus bootcamp where I will be studying for the next couple of months. I enjoy trying out new recipes, listening to podcasts, playing around with photoshop, and catching up on my favorite shows.


QML viewer by
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 The bug led to improper computation of custom spectral indices in the case that their formula included addition or subtraction operations on reflectance values (e.g., something like (\frac{(\rho{NIR}+0.1)}{\rho{Red}}), with (\rho) indicating a reflectance). What is affected
Values of the following Additional Spectral Indices selectable using the MODIStsp GUI:


Hamlet (2000) 1 1/2 stars out of 4. Starring Ethan Hawke, Julia Stiles, Kyle Maclachlan, Liev Schreiber, Bill Murray and Diana Venora. Based on the play by William Shakespeare. Adapted and directed by Michael Almereyda. Rated R.
To bore or not to bore? That is the question that ruminates through the latest reincarnation of William Shakespeare's venerable "Hamlet."
This truncated, contemporary outing features Ethan Hawke as the melancholy New Yorker, for that is where this latest adaptation has been relocated. Forget the foreboding battlements of Elsinore, it's now an upscale Midtown hotel.
Taking a page from recent Shakespearean ventures - most notably Buz Luhrmann's "Romeo and Juliet," which transposed the tragic tale of doomed lovers to contemporary Florida - director Michael Almereyda, who also adapted the classic - has set his story of murder, foul love and intrigue in the high-powered corporate world.
Hamlet, the president and C.E.O. of the Denmark Corp., has died. His brother, Claudius, not only has taken over the conglomerate, but has married his sister-in-law, Gertrude. This, of course, doesn't sit well with young Hamlet. Well, you know the rest.
While the concept has merit, the execution is flawed. The movie features several shots of New York landmarks, yet Almereyda doesn't take advantage of any of them. A few scenes are filmed on Gotham's sidewalks, but the rest are set either in the hotel or Denmark's corporate headquarters.
Unlike, "Macbeth" or "Henry V," Shakespearean plays that can be `opened up' for film, celluloid "Hamlet's" - ranging from Olivier's 1948 version to Kenneth Branagh's 1996 treatment - always have stayed close to or within the confines of Elsinore, giving the tragedy the claustrophobic atmosphere needed to help accentuate the calamities that lie ahead.
So, setting the story in New York, one of the most picturesque cities in the world, appears more as a gimmick than a dramatic device to benefit the action.
Indeed, this "Hamlet" is rather flat, disjointed and flabby. Even though the running time is just a few minutes over two hours, the play seems to drag - as if everything was unfolding in slow motion.
Almereyda does create some visually interesting notions. Instead of staging a play `to catch the conscience of the king,' Hamlet offers a video presentation of his father's murder. And the director stages the `to be or not to be' soliloquy in a video store with the monitors surrounding Hamlet running scenes of death and destruction.
But the main problem with "Hamlet" is its casting. The title role is simply beyond Hawke's range. Wearing a snow cap that makes him look like the twin brother of Billy Bob Thornton from "A Simple Plan, "Hawke merely sulks and whines.
True, he is supposed to be a melancholy Dane, but Hamlet is also supposed to be a man of intellect and action, a schemer who can fake `an antic disposition,' a man of words who can open his mother's eyes to point out the errant behavior.
Hawke's Hamlet is a wuss, which makes it difficult to comprehend, firstly, why Ophelia can be smitten with such a dolt, and, secondly, why Claudius can be so concerned about his actions.
Hawke's Hamlet is too passive, too soft. He lacks the underlying rage called for in the role.
Julia Stiles ("Ten Things I Hate About You)" seems out of her depth as Ophelia. She plays her as a petulant, spoiled teen-ager. Her reading of the lines is flat and unconvincing.
Kyle Maclachlan lacks the majesty needed for Claudius and, more importantly, fails to display the charisma with which he could have so quickly wooed his sister-in-law.
Diana Venora as Gertrude shows some passion and lust, and a bit of insight toward the finale.
The two best performers are, ironically, Bill Murray as Polonious and Liev Schreiber as Laertes.
Murray is comically sly and wise as Claudius' main counselor, while Schreiber displays the appropriate spirit and rage needed as Hamlet's main rival.
Overall, though, this "Hamlet" can be considered a failed experiment. Setting the play in contemporary times while maintaining Shakespeare iambic pentameter may have seemed like a novel approach, but somehow it sounds disconcerting and pretentious.
It is rather empty. This "Hamlet" lacks spark, fire and, most of all, majesty. "Hamlet" is a drama that should be larger than life. This version plays like a Fox network soap opera.
Bob Bloom is the film critic at the Journal and Courier in Lafayette, IN.. He can be reached by e-mail at<EMAIL_ADDRESS>or at<EMAIL_ADDRESS>Bloom's reviews can be found on the Internet Movie Database at: http://www.imdb.com/M/reviews_by?Bob+Bloom
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


As any engineer or scientist will tell you, understanding “Why” things work is what makes you good in your field. It’s what allows you to answer important questions that help you solve problems in your job, create elegant solutions or advance your science.
Answering “Why” implies you have acquired a deep understanding of the underlying structure of the system you are studying. It means you can analyze and deduct and apply reason.

However, ask “Why” repeatedly and you’ll soon find yourself in uncharted waters. You’ll be battling with the great unsolved philosophical questions of all time — many posed by my own ancestors — and will soon find something that makes you think long and hard and still unsure about whether your answer is the right one.
It was this kind of thinking, during what you could call the finest of summer evenings during my holiday this summer, that led me to think that “Why?” — this simple 3 letter + 1 symbol question — must therefore be the greatest question of all time.
We should kneel down before it and hail it as the limit of our minds. We should simply give in and give up.
If you have a young child, I am sure you have probably given up already.
Yet, as I found myself indulging in these thoughts, the nice sea breeze, a pretty damn good cocktail, and the light fading into the night, I realized this is not so.
Admiring the greatness of “Why”, I found myself asking:
“Why is why the greatest question of all time?”

It took me a few seconds to realize what had just happened… I downed the rest of my drink to make sure. Wait… did it… what… no way…
Could I really have stumbled upon an even greater question? Could “Why Not” be beating “Why” in its own game? Blasphemy!!
And yet, the king was dead. Long live the king!
You see, “Why Not” does not just ask you to follow the same mental exercise we have praised that “Why” does — which by itself would make it its equal — “Why Not” steps all over it and dances on its ashes.
 People can’t fly on heavy metal machines. Gravity, doh.”
“B: Why Not?”
“Why Not” forces you to answer and disprove each and every other explanation to the “Why” question. It forces you to single-handedly beat each and every opponent, one by one and all at once, beyond a shadow of a doubt. You must go through each possible “why” that — by the way — pre-exists, prove it wrong, and continue on to the next one.
Now, you may think — if you’re still following this far, that is — this is straightforward to do, but would just take more time. Say there are 10 possible explanations, I’ll just spend 10 times the time of each why and I’ve got myself a “Why Not” under my belt. Hey, are you an engineer/scientist, by any chance? : )
What you’ve just ignored — and THIS is the big fat cherry on the cake — is the sociological phenomenon that “Why Not” forces you to go against the flow.
Go against what you know and take for granted. Go against what is taught in schools, what you’ll find in books, what you’ll hear on TV (ok, bad example, you should always go against that anyway), what your parents will tell you, what the scientific community accepts, what the society believes and even go against how nature seems to work.
On the other hand, if you starting asking “Why Not”s, chances are you will be simply ignored, put to the side, not promoted, made fun of, not hired, be ridiculed, not accepted, not have many friends and frustrated.
And this, dear reader, is why “why not” is hard — and also great. Because it’s not just a brain exercise. It’s because the people who dare to ask “Why Not” know they will be breaking society’s (or their profession’s, or their science’s) rules.  It’s because “Why Not” is so demanding that it can consume you.
And yet. For me, “Why Not” is hope. Because despite all the above, there are people who do it anyway and take humanity one step forward with them. And there are people who are open-minded enough to follow them.
Minority? Sure, but how many friends do you need anyway ?


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Progressive Rock Top Albums / all subgenres - all record types - 1970 - all countries
Based on members ratings & PA algorithm
Here is some details about how we calculate the average rating of an album and the rank of an album.
-
Average rating: The classic calculation of the average but more weight is affected to the rating of progarchives.com collaborators and to rating with reviews.
- Rating only: Weight = 1
- Review by members : Weight = 10
- Review by PA Collaborators : Weight = 20
- Rank of an album: We use a calculation that compare an album average rating and number of ratings over all others albums in the query using this theory (http://en.wikipedia.org/wiki/Weighted_average) to create a variable every query "QWR" (AKA: Query Weighted Rating) use for ordering.
- By default, only albums with the average ratings above the average ratings of the requested query are displayed in theses lists, you can control this value in the parameters
| Rank | Cover | Ratings | Title Artist |
Genre (Record Type) |
BUY |
| 1 |
4.31 | 1351 ratings
QWR = 4.2463
|
H To He, Who Am The Only One Van Der Graaf Generator |
Eclectic Prog Studio, 1970 |
Shop | |
| 2 |
4.24 | 1743 ratings
QWR = 4.1985
|
Emerson Lake & Palmer Emerson Lake & Palmer |
Symphonic Prog Studio, 1970 |
Shop | |
| 3 |
4.25 | 830 ratings
QWR = 4.1630
|
If I Could Do It All Over Again, I'd Do It All Over You Caravan |
Canterbury Scene Studio, 1970 |
Shop | |
| 4 |
4.21 | 805 ratings
QWR = 4.1275
|
Third The Soft Machine |
Canterbury Scene Studio, 1970 |
Shop | |
| 5 |
4.16 | 1968 ratings
QWR = 4.1272
|
Trespass Genesis |
Symphonic Prog Studio, 1970 |
Shop | |
| 6 |
4.24 | 538 ratings
QWR = 4.1182
|
Bitches Brew Miles Davis |
Jazz Rock/Fusion Studio, 1970 |
Shop | |
| 7 |
4.24 | 452 ratings
QWR = 4.0977
|
Abraxas Santana |
Jazz Rock/Fusion Studio, 1970 |
Shop | |
| 8 |
4.11 | 1783 ratings
QWR = 4.0756
|
Lizard King Crimson |
Eclectic Prog Studio, 1970 |
Shop | |
| 9 |
4.05 | 849 ratings
QWR = 3.9897
|
The Least We Can Do Is Wave To Each Other Van Der Graaf Generator |
Eclectic Prog Studio, 1970 |
Shop | |
| 10 |
4.10 | 399 ratings
QWR = 3.9712
|
Yeti Amon Düül II |
Krautrock Studio, 1970 |
Shop | |
| 11 |
4.23 | 157 ratings
QWR = 3.9294
|
Jesus Christ Superstar Various Artists (Concept albums & Themed compilations) |
Various Genres Studio, 1970 |
Shop | |
| 12 |
4.05 | 368 ratings
QWR = 3.9203
|
Magma [Aka: Kobaïa] Magma |
Zeuhl Studio, 1970 |
Shop | |
| 13 |
3.90 | 1006 ratings
QWR = 3.8632
|
Gentle Giant Gentle Giant |
Eclectic Prog Studio, 1970 |
Shop | |
| 14 |
4.17 | 131 ratings
QWR = 3.8599
|
Snafu East Of Eden |
Eclectic Prog Studio, 1970 |
Shop | |
| 15 |
4.13 | 143 ratings
QWR = 3.8548
|
Chicago (aka Chicago II) Chicago |
Jazz Rock/Fusion Studio, 1970 |
Shop | |
| 16 |
3.90 | 864 ratings
QWR = 3.8533
|
Benefit Jethro Tull |
Prog Folk Studio, 1970 |
Shop | |
| 17 |
3.87 | 1877 ratings
QWR = 3.8519
|
Atom Heart Mother Pink Floyd |
Psychedelic/Space Rock Studio, 1970 |
Shop | |
| 18 |
4.08 | 139 ratings
QWR = 3.8220
|
It'll All Work Out In Boomland T2 |
Heavy Prog Studio, 1970 |
Shop | |
| 19 |
3.92 | 351 ratings
QWR = 3.8150
|
The Mothers Of Invention: Burnt Weeny Sandwich Frank Zappa |
RIO/Avant-Prog Studio, 1970 |
Shop | |
| 20 |
4.01 | 175 ratings
QWR = 3.8084
|
Present From Nancy Supersister |
Canterbury Scene Studio, 1970 |
Shop | |
| 21 |
3.82 | 1764 ratings
QWR = 3.8033
|
In The Wake Of Poseidon King Crimson |
Eclectic Prog Studio, 1970 |
Shop | |
| 22 |
4.12 | 104 ratings
QWR = 3.7967
|
Lick My Decals Off, Baby Captain Beefheart |
RIO/Avant-Prog Studio, 1970 |
Shop | |
| 23 |
3.90 | 281 ratings
QWR = 3.7824
|
John Barleycorn Must Die Traffic |
Eclectic Prog Studio, 1970 |
Shop | |
| 24 |
3.97 | 150 ratings
QWR = 3.7696
|
As Your Mind Flies By Rare Bird |
Crossover Prog Studio, 1970 |
Shop | |
| 25 |
3.83 | 247 ratings
QWR = 3.7239
|
Death Walks Behind You Atomic Rooster |
Heavy Prog Studio, 1970 |
Shop | |
| 26 |
3.77 | 346 ratings
QWR = 3.7044
|
The Mothes Of Invention: Weasels Ripped My Flesh Frank Zappa |
RIO/Avant-Prog Studio, 1970 |
Shop | |
| 27 |
3.91 | 115 ratings
QWR = 3.7035
|
Lucifer's Friend Lucifer's Friend |
Heavy Prog Studio, 1970 |
Shop | |
| 28 |
3.81 | 230 ratings
QWR = 3.7029
|
Soundtracks Can |
Krautrock Studio, 1970 |
Shop | |
| 29 |
3.77 | 218 ratings
QWR = 3.6722
|
Egg Egg |
Canterbury Scene Studio, 1970 |
Shop | |
| 30 |
3.73 | 128 ratings
QWR = 3.6156
|
Gracious! Gracious |
Symphonic Prog Studio, 1970 |
Shop | |
| 31 |
3.72 | 133 ratings
QWR = 3.6111
|
High Tide High Tide |
Heavy Prog Studio, 1970 |
Shop | |
| 32 |
3.68 | 119 ratings
QWR = 3.5873
|
Affinity Affinity |
Eclectic Prog Studio, 1970 |
Shop | |
| 33 |
3.68 | 126 ratings
QWR = 3.5861
|
Sacrifice Black Widow |
Heavy Prog Studio, 1970 |
Shop | |
| 34 |
3.65 | 136 ratings
QWR = 3.5768
|
Quatermass Quatermass |
Heavy Prog Studio, 1970 |
Shop | |
| 35 |
3.65 | 127 ratings
QWR = 3.5713
|
Daughter of Time Colosseum |
Jazz Rock/Fusion Studio, 1970 |
Shop | |
| 36 |
3.60 | 173 ratings
QWR = 3.5535
|
Atomic Roooster Atomic Rooster |
Heavy Prog Studio, 1970 |
Shop | |
| 37 |
3.61 | 115 ratings
QWR = 3.5485
|
UFO Guru Guru |
Krautrock Studio, 1970 |
Shop | |
| 38 |
3.53 | 141 ratings
QWR = 3.5067
|
Home Procol Harum |
Crossover Prog Studio, 1970 |
Shop | |
| 39 |
3.53 | 170 ratings
QWR = 3.5066
|
Uriah Heep Uriah Heep |
Heavy Prog Studio, 1970 |
Shop | |
| 40 |
3.52 | 135 ratings
QWR = 3.4982
|
Cressida Cressida |
Symphonic Prog Studio, 1970 |
Shop | |
| 41 |
3.49 | 245 ratings
QWR = 3.4841
|
A Question Of Balance The Moody Blues |
Crossover Prog Studio, 1970 |
Shop |


Provisioning A Scotch Box VM
by: Garrett Rappaport
Software Developer @ Sideways8 Interactive, LLC
whoami
Garrett Rappaport
Developer @ Sideways8 Interactive
Avid gamer, Musician, Pathfinder Game Master
Yes, I am a nerd. Let's move on...
What is Vagrant?
Uses type-2 hypervisors (providers) to build and configure portable
and complete development environments.
VirtualBox is the default provider
Why Vagrant?
-
No more "works on my machine" excuses
-
Standardize development and production
environments
-
Easy setup and configuration
-
Share environments with team members
Important Commands
-
vagrant halt (shutdown)
-
vagrant up (boot)
-
vagrant reload (reboot)
-
vagrant status
-
vagrant destroy (delete box)
-
vagrant suspend (pause box)
-
vagrant ssh
-
vagrant box outdated
-
vagrant box update
What is Scotch Box?
Preconfigured vagrant box with a full array of LAMP
stack features.
Why Scotch Box?
-
Quick setup
-
Easy configuration
-
When you need a quick and easy dev environment
Server Stuff
-
Ubuntu 14.04 LTS (Trusty Tahr)
-
PHP 5.6
-
Ruby 2.2.x
-
VIM
-
Git
-
cURL
-
Composer
-
Node
-
NPM
-
Mcrypt
Database Stuff
-
MySQL
-
PostgreSQL
-
SQLite
-
MongoDB
Caching Stuff
-
Redis
-
Memcache and Memcached
Node Stuff
-
Grunt
-
Bower
-
Gulp
-
Yeoman
-
Browsersync
-
PM2
Need More?
Provisioning is your answer.
What are provisioner scripts?
Scripts that can be run for setup and configuration.
To provision:
-
Add --provision flag to an up or reload command.
-
Provision while box is running: vagrant provision
How It Works
Install VirtualBox or another provider (VMWare, Docker,
etc)
Install Vagrant
Clone Scotch Box
Run vagrant up
Browse to IP (http://<IP_ADDRESS>/ by default)
Questions?
Thanks!!
github.com/syntacticNaCl
@syntacticNaCl
Freenode IRC: syntacticNaCl


Cut your Cigerrates day by day!
Max Heart Rate |
Resting Heart Rate |
Mean Heart Rate |
Max Smoke Rate |
Min Smoke Rate |
Maximum Permissable Smoke Rate |
Max Temperature |
Min Temperature |
|
Max Humidity |
Min Humidity |


In a world…
In the near future
One heroic effort will begin
To ignore science
To discover alternative facts
To boldly go…
Nowhere useful
In a world…
In the near future
One heroic effort will begin
To ignore science
To discover alternative facts
To boldly go…
Nowhere useful


|
Imperx Tools SDK
<IP_ADDRESS>
|
Defines for Dump Rect Parameters. More...
Macros | |
| #define | IDP_DUMP_X "dump.x" |
| #define | IDP_DUMP_Y "dump.y" |
| #define | IDP_DUMP_W "dump.w" |
| #define | IDP_DUMP_H "dump.h" |
| #define | IDP_DUMP_COLOR "dump.clr" |
Defines for Dump Rect Parameters.
| Macro | Parameter Name | Type | Description |
|---|---|---|---|
| IDP_DUMP_X | "dump.x" | [int: 1-w] | Dump rect: x-pos |
| IDP_DUMP_Y | "dump.y" | [int: 1-h] | Dump rect: y-pos |
| IDP_DUMP_W | "dump.w" | [int: 1-(w-x)] | Dump rect: width |
| IDP_DUMP_H | "dump.h" | [int: 1-(h-y)] | Dump rect: height |
| IDP_DUMP_COLOR | "dump.clr" | [int] | Dump rect: color (optional) |
| #define IDP_DUMP_X "dump.x" |
Dump rect: x-pos
Type/Range [int: 1-w]
| #define IDP_DUMP_Y "dump.y" |
Dump rect: y-pos
Type/Range [int: 1-h]
| #define IDP_DUMP_W "dump.w" |
Dump rect: width
Type/Range [int: 1-(w-x)]
| #define IDP_DUMP_H "dump.h" |
Dump rect: height
Type/Range [int: 1-(h-y)]
| #define IDP_DUMP_COLOR "dump.clr" |
Dump rect: color (optional)
Type/Range [int]


We are a company based in india with the motto “Digitalally Designed India”. We are a company based in india with the motto “Digitalally Designed India”. We are a company based in india with the motto “Digitalally Designed India”.
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CEO, Vesso
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CEO, Vesso
If you have any questions or queries regarding our service or pricing don’t worry
Our experts will call you.


CASHMusic.js is a lightweight JavaScript library that handles CASH Music embeds, video lightboxing, and provides simple audio players. It also provides no-script animation keyed to song progress, enabling advanced audio players with little to no coding.
Advanced demos
Feature: CASH Music platform embeds
These are the standard embed codes offered via the CASH Music platform — HTML5-friendly workflows embedded in your page with a single line of JavaScript. These examples show an email signup form for the CASH Music mailing list.
Feature: Video lightboxes
These are built from simple, ordinary links to YouTube or Vimeo pages. No embed codes, no scripts. Just link to the page and specify the "lightboxvideo" option by adding 'data-options="lightboxvideo"' to the CASHMusic.js script tag.
Feature: Tween
Basic tween example:
Play/pause/stop toggles
A play/stop toggle: Toggle "Life-Cycle"
A play/pause toggle: Toggle "Life-Cycle"
Feature: Basic-interface players
These players are built using the same progress/tween animation featured throughout the page. An add-on module controls the playlists, pulls in a standard template using basic html/css, and grabs the playlist either from JSON or by collecting all links to valid audio in a div classed "cashmusic soundplayer playlist" — flexible and easy to configure or customize.
Advanced options for data tagging and JSONP-based audio-source resolution coming soon.
A playlist play/pause toggle: Toggle (second) playlist
License and dependencies
CASHMusic.js is distributed under a simplified BSD License — so pretty much go nuts. Build rad stuff. Give back where you can. There are no external dependencies other than SoundManager 2 for audio playback. We've taken lengths to make sure we don't interfere with jQuery or similar libraries, so CASHMusic.js should play well with others.


MySQL JDBC Driver
Vendor
Copyright
Copyright (c) 2000, 2016, Oracle and/or its affiliates. All rights reserved.
License
Homepage
http://dev.mysql.com


Co-Make
Home
Development Team
Sign In
Development Team
Lambda School presents
Walter Futch
React II (Project Lead)
GitHub:
walter-futch
John Green
John Green: React I
GitHub:
5f1839842f2fb
Nghi "Thatcher" Phan
Backend
GitHub:
Th5tch3r
Elijah Atkins
UI
GitHub:
elijah-atkins
Jordan Oliver
UI
GitHub:
JOliver23


Most BIM activities will have a specified list of questions, which students are expected to respond to by posting to their blog.
Before you can mark a student post, that post needs to be allocated to the question.
BIM attempts to automatically allocate student posts to specified questions by matching the content of the question title and the post title. But sometimes this does not work.
This page allows you to manually allocate posts that BIM has failed to automatically allocate.
It shows some details about the student and their blog and then a list of all the questions.
All of the posts made by the student, that are known by BIM, are shown on this page.
For each post you should see a box that has the:
A post can be: Unallocated, Submitted (Allocate, but not marked), Marked, Released and Suspended.
This is the title of the student post.
Within each box there will be:
the time and date the student made the post public on their blog.
This is the drop box you can use to change the allocation of the post. The drop box contains the titles of all the questions for which the student does not have a post. It also contains the option Unallocated which (not unsurprisingly) unallocates the post from a question.
Whenever you select from this drop box, the form will automatically submit. Which means you can only change the allocation of one post at a time.
The box should contain the full text of the student post.


Require Permissions
##data.permissions##
Download Social Browser From Here
Download and Install Social Browser
goto Browser Setting
goto Basic Tab And Check (Send Browser ID)
Open Site in Social Browser


Animations
Transition Effects
Slide
Flip
Fade
Search Result
Open the browser console to see transition event logs.


| Package | org.flixel |
| Class | public class FlxButton |
| Inheritance | FlxButton FlxGroup FlxObject FlxRect FlxPoint |
| Property | Defined by | ||
|---|---|---|---|
| acceleration : FlxPoint
How fast the speed of this object is changing.
| FlxObject | ||
| active : Boolean
If an object is not alive, the game loop will not automatically call
update() on it. | FlxObject | ||
| angle : Number
Set the angle of a sprite to rotate it.
| FlxObject | ||
| angularAcceleration : Number
How fast the spin speed should change.
| FlxObject | ||
| angularDrag : Number
Like
drag but for spinning. | FlxObject | ||
| angularVelocity : Number
This is how fast you want this sprite to spin.
| FlxObject | ||
| bottom : Number
The Y coordinate of the bottom of the rectangle.
| FlxRect | ||
| colHullX : FlxRect
These store a couple of useful numbers for speeding up collision resolution.
| FlxObject | ||
| colHullY : FlxRect
These store a couple of useful numbers for speeding up collision resolution.
| FlxObject | ||
| collideBottom : Boolean
Flag for direction collision resolution.
| FlxObject | ||
| collideLeft : Boolean
Flag for direction collision resolution.
| FlxObject | ||
| collideRight : Boolean
Flag for direction collision resolution.
| FlxObject | ||
| collideTop : Boolean
Flag for direction collision resolution.
| FlxObject | ||
| colOffsets : Array
An array of
FlxPoint objects. | FlxObject | ||
| colVector : FlxPoint
These store a couple of useful numbers for speeding up collision resolution.
| FlxObject | ||
| dead : Boolean
Handy for tracking gameplay or animations.
| FlxObject | ||
| drag : FlxPoint
This isn't drag exactly, more like deceleration that is only applied
when acceleration is not affecting the sprite.
| FlxObject | ||
| exists : Boolean
Kind of a global on/off switch for any objects descended from
FlxObject . | FlxObject | ||
| fixed : Boolean
If an object is 'fixed' in space, it will not budge when it collides with a not-fixed object.
| FlxObject | ||
| _group : Boolean
Dedicated internal flag for whether or not this class is a FlxGroup.
| FlxObject | ||
| health : Number
Handy for storing health percentage or armor points or whatever.
| FlxObject | ||
| height : Number | FlxRect | ||
| left : Number
The X coordinate of the left side of the rectangle.
| FlxRect | ||
| maxAngular : Number
Use in conjunction with
angularAcceleration for fluid spin speed control. | FlxObject | ||
| maxThrust : Number
Used to cap
thrust , helpful and easy!
| FlxObject | ||
| maxVelocity : FlxPoint
If you are using
acceleration , you can use maxVelocity with it
to cap the speed automatically (very useful!). | FlxObject | ||
| members : Array
Array of all the
FlxObject s that exist in this layer. | FlxGroup | ||
| moves : Boolean
Set this to false if you want to skip the automatic motion/movement stuff (see
updateMotion() ). | FlxObject | ||
| on : Boolean
Use this to toggle checkbox-style behavior.
| FlxButton | ||
| onFloor : Boolean
Flag that indicates whether or not you just hit the floor.
| FlxObject | ||
| origin : FlxPoint
WARNING: The origin of the sprite will default to its center.
| FlxObject | ||
| right : Number
The X coordinate of the right side of the rectangle.
| FlxRect | ||
| scrollFactor : FlxPoint
A point that can store numbers from 0 to 1 (for X and Y independently)
that governs how much this object is affected by the camera subsystem.
| FlxObject | ||
| solid : Boolean
If an object is dead, the functions that automate collisions will skip it (see
FlxG.overlapArrays() and FlxG.collideArrays() ). | FlxObject | ||
| thrust : Number
If you want to do Asteroids style stuff, check out thrust,
instead of directly accessing the object's velocity or acceleration.
| FlxObject | ||
| top : Number
The Y coordinate of the top of the rectangle.
| FlxRect | ||
| velocity : FlxPoint
The basic speed of this object.
| FlxObject | ||
| visible : Boolean
If an object is not visible, the game loop will not automatically call
render() on it. | FlxObject | ||
| width : Number | FlxRect | ||
| x : Number | FlxPoint | ||
| y : Number | FlxPoint |
| Property | Defined by | ||
|---|---|---|---|
| _callback : Function
This function is called when the button is clicked.
| FlxButton | ||
| _first : Boolean | FlxGroup | ||
| _flashPoint : Point
This is a pre-allocated Flash Point object, which is useful for certain Flash graphics API calls
| FlxObject | ||
| _flicker : Boolean
Internal helper used for retro-style flickering.
| FlxObject | ||
| _flickerTimer : Number
Internal helper used for retro-style flickering.
| FlxObject | ||
| _initialized : Boolean
Whether or not the button has initialized itself yet.
| FlxButton | ||
| _last : FlxPoint
Helpers for moving/updating group members.
| FlxGroup | ||
| _off : FlxSprite
Stores the 'off' or normal button state graphic.
| FlxButton | ||
| _offT : FlxText
Stores the 'off' or normal button state label.
| FlxButton | ||
| _on : FlxSprite
Stores the 'on' or highlighted button state graphic.
| FlxButton | ||
| _onT : FlxText
Stores the 'on' or highlighted button state label.
| FlxButton | ||
| _onToggle : Boolean
Used for checkbox-style behavior.
| FlxButton | ||
| _point : FlxPoint
This is just a pre-allocated x-y point container to be used however you like
| FlxObject | ||
| _pressed : Boolean
Tracks whether or not the button is currently pressed.
| FlxButton | ||
| _rect : FlxRect
This is just a pre-allocated rectangle container to be used however you like
| FlxObject | ||
| _sf : FlxPoint
Helper variable for correcting its members'
scrollFactor objects. | FlxButton |
| Method | Defined by | ||
|---|---|---|---|
|
FlxButton(X:int, Y:int, Callback:Function)
Creates a new
FlxButton object with a gray background
and a callback function on the UI thread. | FlxButton | ||
|
Adds a new
FlxObject subclass (FlxSprite, FlxBlock, etc) to the list of children
| FlxGroup | ||
|
If you don't want to call
FlxU.collide() you can use this instead. | FlxObject | ||
|
countDead():int
Call this function to find out how many members of the group are dead.
| FlxGroup | ||
|
countLiving():int
Call this function to find out how many members of the group are not dead.
| FlxGroup | ||
|
countOnScreen():int
Returns a count of how many objects in this group are on-screen right now.
| FlxGroup | ||
|
destroy():void
Called by the game state when state is changed (if this object belongs to the state)
| FlxButton | ||
|
flicker(Duration:Number = 1):void
Tells this object to flicker, retro-style.
| FlxObject | ||
|
flickering():Boolean
Check to see if the object is still flickering.
| FlxObject | ||
|
Call this function to retrieve the first object with dead == false in the group.
| FlxGroup | ||
|
Call this function to retrieve the first object with exists == false in the group.
| FlxGroup | ||
|
Call this function to retrieve the first object with dead == true in the group.
| FlxGroup | ||
|
Call this function to retrieve the first object with exists == true in the group.
| FlxGroup | ||
|
getFirstNull():int
Call this function to retrieve the first index set to 'null'.
| FlxGroup | ||
|
Returns a member at random from the group.
| FlxGroup | ||
|
Call this function to figure out the on-screen position of the object.
| FlxObject | ||
|
Called when this object's bottom edge collides with the top of another
FlxObject . | FlxObject | ||
|
Called when this object's left side collides with another
FlxObject 's right. | FlxObject | ||
|
Called when this object's right side collides with another
FlxObject 's left. | FlxObject | ||
|
Called when this object's top collides with the bottom of another
FlxObject . | FlxObject | ||
|
hurt(Damage:Number):void
Call this function to "damage" (or give health bonus) to this sprite.
| FlxObject | ||
|
kill():void
Calls kill on the group and all its members.
| FlxGroup | ||
|
Set your own image as the button background.
| FlxButton | ||
|
Add a text label to the button.
| FlxButton | ||
|
onScreen():Boolean
Check and see if this object is currently on screen.
| FlxObject | ||
|
Checks to see if some
FlxObject object overlaps this FlxObject object. | FlxObject | ||
|
overlapsPoint(X:Number, Y:Number, PerPixel:Boolean = false):Boolean
Checks to see if a point in 2D space overlaps this
FlxObject object. | FlxObject | ||
|
preCollide(Object:FlxObject):void
FlxU.collide() (and thus FlxObject.collide() ) call
this function each time two objects are compared to see if they collide. | FlxObject | ||
|
refreshHulls():void
Called by
FlxObject.updateMotion() and some constructors to
rebuild the basic collision data for this object. | FlxObject | ||
|
Removes an object from the group.
| FlxGroup | ||
|
render():void
Automatically goes through and calls render on everything you added,
override this loop to control render order manually.
| FlxGroup | ||
|
Replaces an existing
FlxObject with a new one. | FlxGroup | ||
|
reset(X:Number, Y:Number):void
If the group's position is reset, we want to reset all its members too.
| FlxGroup | ||
|
resetFirstAvail(X:Number = 0, Y:Number = 0):Boolean
Finds the first object with exists == false and calls reset on it.
| FlxGroup | ||
|
toString():String
Convert object to readable string name.
| FlxPoint | ||
|
update():void
Called by the game loop automatically, handles mouseover and click detection.
| FlxButton |
| Method | Defined by | ||
|---|---|---|---|
|
destroyMembers():void
Internal function that actually loops through and destroys each member.
| FlxGroup | ||
|
killMembers():void
Internal function that calls kill on all members.
| FlxGroup | ||
|
onMouseUp(event:MouseEvent):void
Internal function for handling the actual callback call (for UI thread dependent calls like
FlxU.openURL() ). | FlxButton | ||
|
renderMembers():void
Internal function that actually loops through and renders all the group members.
| FlxGroup | ||
|
saveOldPosition():void
Internal function, helps with the moving/updating of group members.
| FlxGroup | ||
|
updateFlickering():void
Just updates the retro-style flickering.
| FlxObject | ||
|
updateMembers():void
Internal function that actually goes through and updates all the group members.
| FlxGroup | ||
|
updateMotion():void
Internal function for updating the position and speed of this object.
| FlxObject | ||
|
visibility(On:Boolean):void
Internal function for handling the visibility of the off and on graphics.
| FlxButton |
| _callback | property |
protected var _callback:Function
This function is called when the button is clicked.
| _initialized | property |
protected var _initialized:Boolean
Whether or not the button has initialized itself yet.
| _off | property |
protected var _off:FlxSprite
Stores the 'off' or normal button state graphic.
| _offT | property |
protected var _offT:FlxText
Stores the 'off' or normal button state label.
| _on | property |
protected var _on:FlxSprite
Stores the 'on' or highlighted button state graphic.
| on | property |
on:Boolean
[read-write]Use this to toggle checkbox-style behavior.
Implementation public function get on():Boolean
public function set on(value:Boolean):void
| _onT | property |
protected var _onT:FlxText
Stores the 'on' or highlighted button state label.
| _onToggle | property |
protected var _onToggle:Boolean
Used for checkbox-style behavior.
| _pressed | property |
protected var _pressed:Boolean
Tracks whether or not the button is currently pressed.
| _sf | property |
protected var _sf:FlxPoint
Helper variable for correcting its members' scrollFactor
objects.
| FlxButton | () | constructor |
public function FlxButton(X:int, Y:int, Callback:Function)
Creates a new FlxButton
object with a gray background
and a callback function on the UI thread.
X:int — The X position of the button.
|
|
Y:int — The Y position of the button.
|
|
Callback:Function — The function to call whenever the button is clicked.
|
| destroy | () | method |
public override function destroy():void
Called by the game state when state is changed (if this object belongs to the state)
| loadGraphic | () | method |
public function loadGraphic(Image:FlxSprite, ImageHighlight:FlxSprite = null):FlxButton
Set your own image as the button background.
ParametersImage:FlxSprite — A FlxSprite object to use for the button background.
|
|
ImageHighlight:FlxSprite (default = null ) — A FlxSprite object to use for the button background when highlighted (optional).
|
FlxButton —
This FlxButton instance (nice for chaining stuff together, if you're into that).
|
| loadText | () | method |
public function loadText(Text:FlxText, TextHighlight:FlxText = null):FlxButton
Add a text label to the button.
ParametersText:FlxText — A FlxText object to use to display text on this button (optional).
|
|
TextHighlight:FlxText (default = null ) — A FlxText object that is used when the button is highlighted (optional).
|
FlxButton —
This FlxButton instance (nice for chaining stuff together, if you're into that).
|
| onMouseUp | () | method |
protected function onMouseUp(event:MouseEvent):void
Internal function for handling the actual callback call (for UI thread dependent calls like FlxU.openURL()
).
event:MouseEvent |
| update | () | method |
public override function update():void
Called by the game loop automatically, handles mouseover and click detection.
| visibility | () | method |
protected function visibility(On:Boolean):void
Internal function for handling the visibility of the off and on graphics.
ParametersOn:Boolean — Whether the button should be on or off.
|


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Which programming language are you?
What is your name?
Which of these animals is your favorite?

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WITNESS LIST Intergovernmental Relations Committee September 30, 1997-9:00A Committee Charge On: Doegey, Jay (Texas Municipal League), Arlington Flores, Henry G. (Texas Telecom Industry), Austin Land, Charles (TEXALTEL), Austin Wood, Pat III (Public Utility Commissi), Austin


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Nicole's Story
Nicole is a sophomore at Oakland University pursuing a communications degree and a digital filmmaking minor. Nicole is heavily involved on campus, from being a track athlete to attending and leading two campus ministries. Nicole started her journey in Cultivate in the summer of 2019. Since joining Nicole has grown remarkably in her spiritual maturity and leadership skills. Nicole is now using her gifts to revive a campus ministry at Oakland University called Fellowship of Christian Athletes (FCA).
As Nicole entered her freshman year of college, she experienced numerous setbacks. In a new season of life and a new school Nicole took the time to try and find how who she was. Nicole struggled to find her identity in Christ and searched for it in other people and in her success as a athlete. She occasionally attended a campus ministry called YoungLife, but her track schedule usually interfered making it difficult to attend regularly. However, leaders within Younglife took notice of a special characteristic of Nicole’s. Her ability to build relationships with others and encourage them in their faiths. This characteristic made her a key candidate to be a leader within YoungLife. Nicole gladly accepted the position and began meeting with Cultivate for guidance on next steps in her leadership role.
Over the summer, Nicole gained leadership experience by working at SpringHill Camps. It was at SpringHill that Nicole heart truly caught fire for the Lord. Nicole left SpringHill with a mission to make her sophomore year different and to share the love of God to Oakland University! Nicole used this newfound drive to begin working with Kelly Ray, a Cultivate leader and former president of FCA. Kelly inspired Nicole in her faith and helped Nicole to take the next steps in her faith. As Nicole’s sophomore year, through the guidance of Kelly and Kyle, the director of Cultivate, Nicole became the president of FCA at Oakland University.
As Nicole started her sophomore year of college it was evident that something had changed in her. Nicole demonstrated joy, kindness, endurance and a heart for others that had not been there the year before. It was evident to hear and those around her that Nicole was experiencing the transformational power of Jesus in her life. Nicole instantly became a light for God within her friend group and her track team!
Over the course of the fall semester, the attendance at FCA grew tremendously to about twenty-five students on a weekly basis! FCA’s ministry has created a safe place for believers and non-believers alike. At FCA, the athletes are reminded that they are not defined by their performance, but by their identity in Christ. As FCA has explored this topic, students are gaining a more complete view of who they are in Christ.
In the coming years Nicole plans to strengthen FCA by developing herself as a leader and growing as a woman of God. Nicole also hopes to begin training and encouraging the next generation of leaders to create a sustainable future for FCA. In the next two years, Nicole would like to launch athlete-centered bible studies through FCA as well as develop solid connections with the other college sports at Oakland University After graduating, Nicole aspires to run a Christian summer camp that is focused on students from under privileged backgrounds as well as pursue her passion for photography and videography.
This is a quote from Nicole about her time in Cultivate.
Cultivate shaped and encouraged me to be bolder in my faith. By providing resources and connections around the campus, I have been able to find and build community at OU. I am thankful for the support and accountability cultivate has provided.
This is a quote from Kelly Ray, one of Nicole’s mentors, about her time in Cultivate.
I have been really blessed to witness the amazing work that God is doing in and through Nicole. She has really stepped out in faith this year, seeking out a deep and personal relationship with God and welcoming others into Gods love. She has proven to be an amazing and humble leader. She has been open to God’s will and welcoming to all people which has amazed me as I hear story after story that remind me of God’s outstanding Glory and redemption power. Every time I see her, I am encouraged by the ways that people are witnessing God’s love through her actions.
This is a quote from Jake Chapman, an FCA leader, about Nicole’s leadership.
Nicole is an enthusiastic, energetic, people-oriented person. Throughout FCA I have been able to witness Nicole’s growth through her interaction and coordination of our peers. Her insistent passion for Jesus has attracted and continues to attract athletes throughout Oaklands campus.


We can consider the thickness of a blue spacer to be the
fundamental unit of distance in the Knex system. Note that in
some cases this is just a good approximation since there are
factors of the square root of two involved.
Each connector would be two such units thick.
The distance from the centerline of the shaft bearing hole of
a connector to the outside edge of the connector's clip is 6
units.
Thus, the center to center distance for two connectors connected
by a strut is as follows:
strut
center to center distance
clip groove length
green
12
0
white
17
6
blue
24
12
yellow
34
22
red
48
36
gray
68
56
Gear and pulley dimensions (thickness and radius in spacer
units):
what
tooth count
thickness
meshing radius
small gear (green, blue)
14
4
3.5
medium gear (red)
34
4
8.5
large gear (yellow)
82
3
20.5
small pulley
4
large pulley
2
How did I come up with these numbers? Take a look at this
picture.
What can we see:
The thickness of a connector is twice that of a blue spacer.
This is shown more definitively in my page about
shaft lengths
.
The center to center distance of two connectors separated by a
green strut is 10 blue spacers, plus two more to accout for
the thickness of the shaft or connectors, for a total distance
of 12 blue spacers.
The radius of a connector, that is, the distance from
its center to the edge of its clips, is half that, or 6 blue
spacers.
The center to center distance of two connectors separated by a
white strut is 5 blue spacers longer than that of a green
strut.


Created by Conor and Ray, 2FAN (Two Factor Authentication Notifier) strives to help all netizens be more secure on the web.
Thanks to the folks at twofactorauth.org for opensourcing their project, which allowed us to build this tool.
Also, thanks to Blair Adams, Perametade Games, anbileru adaleru for allowing us to use their icons through thenounproject.com as well as the Google Design team for open sourcing their icons.
If you are interested in jumping into the code for 2FAN, we've open sourced everything on our Github repo here.


Quil, Clojure, and WORA
Introduction
Since my last post, I've been playing with the excellent Quil library, a "Clojure/ClojureScript library for creating interactive drawings and animations." Prior to this, I was writing demonstrations using the following scheme:
Continue reading →A Lunar Lander Game in Clojure
Introduction
In a prior post, I spent a great deal of time talking about Predator-Prey systems, ordinary differential equations, and solving these equations in Clojure. In this post, I describe a recent project I did that uses the same ODE solver to do something much more fun - implement a physics-based lunar lander game.
Continue reading →Differences between Null, Nil, nil, Some, and None
Introduction
During a recent code review, a coworker who had the good fortune of jumping straight from Java to Clojure was asking me a few questions about some Scala code she'd been asked to edit. The particular problem involved recursive accumulation of some list data and our conversation drifted towards some questions regarding the different-yet-similar-sounding terms in these JVM languages. Java, Scala, and Clojure together have Null, Nil, nil, Some, and None. Most of these are related in their respective languages to how exceptional behaviors are handled with respect to references and/or collections. Here I explain each of these from the perspective of their host languages and my opinion of the effectiveness of each solution.
Continue reading →Exercises in Clojure with Commentary
Introduction
I was recently browsing some links from my Twitter feed and came across some programming exercises and their solutions. I selected a few that I thought were interesting, solved them, and now I want to present my solutions here along with some commentary on how they were solved. I think the solutions and especially their comments might be helpful to new Clojurists as well as Java developers who are looking for some examples of why Clojure code is so much more concise. Without further ado, here they are.
Continue reading →Functional Programming from the Fire Hose
Earlier this year I gave a presentation at work entitled "Functional Programming (FP) from the Fire Hose." My goal was to present, to a mostly OOP audience, some of the basics of FP while also providing examples that show that FP isn't just academic. You can't sell people on FP with concepts alone. People's eyes just glaze over and roll back into their heads when you start talking functional concepts like first class and higher order functions, immutability, statelessness, referential transparency, homoiconicity, and the like (I won't even say the M-word). With that in mind, I tried to go fast on FP and show several clear examples that demonstrate FP in action, even at a very small scale.
In my presentation, I do (or attempt to do) the following:
Continue reading →


This is a paragraph. I don't know what on earth is going on with my brain. Just babbling. Just got out of bed and still semi-asleep. My dream is to win a lottery-first place ofc-and live a happy lil life.


Used once for title of view.
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This page compares the performance of a query (i.e query execution time) run against the tables with and without indexes
The following query is run against the tables first without indexes and then with indexes and the performance in each case is compared
Query to estimate the total amount of sales in the first quarter for products with IDs 2 and 3 :
SELECT a.order_master_ID, a.customer_ID, a.order_date, b.product_ID, b.total_cost
FROM order_master a, order_details b
WHERE a.order_date BETWEEN '02-01-2009' AND '04-30-2009'
AND a.order_master_ID = b.order_details_ID
AND b.product_ID IN (2,3)
GROUP BY a.order_master_ID, a.customer_ID, a.order_date, b.product_ID, b.total_cost
ORDER BY a.order_master_ID, a.customer_ID, a.order_date, b.product_ID, b.total_cost
The query :
The graph shows better query performance in case of tables with indexes i.e. the query processing time is significantly reduced with the use of indexes


General idea: you need to extract some data from model and store it as string. Then you create an HTML file, in which this string will be inserted. This HTML file will be shown in browser.
1. Choose name for your visualizer (further referred to as [name]).
2. Create file /algo/visualizatons/[name].py
3. Write next code in this file:
from models.models import Topic, TopicInTopic def visual(vis, params): return ""
4. You have a python function visual.
It takes two arguments: vis is instance of GlobalVisualization class (see /visual/models.py), and
params is list of strings. Now you will need only object vis.model which is instance
of ArtmModel class (see /models/models.py).
Write here your code. It should extract information and store it in string.
I recommend you to create python dictionary with all data, which will be used in visualization and convert it to
string using json.dumps().
5. Now create HTML file named /templates/visual/[name].html.
6. In this file, write frontend for your visualization. Write {{data}} in the place where you want your data to be inserted. For example, if you dumped all data to JSON and want to load it to javascript object named myObject, write
<script type="text/javascript"> myObject = {{data}}; </script>
7. Now, if you want to run visualization, run VisARTM, and navigate to path /visual/global?type=[name]&model=[model_id]
You can see examples of such links in /templates/models/models.html
1. What you can extract from ArtmModel object?
topics = Topic.objects.filter(model=vis.model, layer=vis.model.layers_count).order_by("spectrum_index")
2. Passing parameters: in path add after visualization name some parameters, separating them with underscore. Then you can acess them in params argument.
As example, see isualization named 'list'. It's very simple. It just prints list of topics on bottom level.


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No. 11 Auburn hopes to bounce back against Ole Miss
by JOHN ZENORAUBURN, Ala. (AP) - Mississippi has two freshman quarterbacks, one more known for passing and the other for running.
No. 11 Auburn did, too, when the week began.
The Tigers (6-2, 3-2 Southeastern Conference) still are led by Bo Nix heading into Saturday night’s game with the Rebels, but backup Joey Gatewood left the team early this week.
It’s a potential distraction with Auburn trying to bounce back from a 23-20 loss at No. 1 LSU where the offense produced less than 300 yards. Gatewood informed coach Gus Malzahn before Tuesday’s practice that he was leaving and entered the transfer portal.
Ole Miss (3-5, 2-3) has already been platooning Matt Corral and John Rhys Plumlee, who is within 36 yards of the school’s single-season rushing mark for a quarterback after playing in just five games.
“They do a lot of different things,” Malzahn said. “They have two different quarterbacks that are a little bit different. They’ve had an off week so… you’ve got to prepare for a lot of different things.”
Now, Ole Miss just has to prepare for Nix, who had taken virtually all of the snaps lately, anyway. Gatewood had only thrown seven passes but ran for 102 yards and two touchdowns against Kent State and at 6-foot-5 and 233 pounds could be a force in short-yardage and goal line situations.
Both teams are on the rebound. Auburn sputtered offensively much of the way but stayed in the LSU game with a late touchdown. Ole Miss has lost back-to-back games against Texas A&M; and Missouri.
The Rebels face one of the league’s best defenses, with a front four led by tackle Derrick Brown and end Marlon Davidson.
“It’s one of the top defenses we’ve faced since I’ve been here,” Ole Miss coach Matt Luke said. “They’re good in the interior and the secondary and very physical at linebacker. We’re going to have to do a good job of not getting negative plays and protecting the ball. These guys get turnovers. When you drop back, they pressure the passer and create turnovers with their physicality.”
Some other things to know about the Mississippi-Auburn matchup on Saturday:
MOBILE QBS
While Nix isn’t used as a runner nearly as much as Plumlee, he is mobile and athletic. It remains to be seen if he’ll have many designed runs without Gatewood backing him up. Plumlee has run for 508 yards in five games.
BACKUP PLAN
Auburn’s backup quarterback is now former pro baseball player Cord Sandberg, whose only pass attempt came last season. Walk-on Will Appleton is now the third-teamer.
RUNNING THREATS
Auburn’s leading rusher JaTarvious Whitlow is still recovering from a knee injury, though he played sparingly against LSU. Freshman D.J. Williams broke a couple of big runs in his absence. Plumlee has become a centerpiece of the league’s top rushing offense for Ole Miss but Scottie Phillips (538 yards), Jerrion Ealy (384) and Snoop Conner (307) have been productive.
Plumlee certainly has caught Malzahn’s attention.
“He’s dynamic with the ball in his hands,” the Auburn coach said. “He’s had a lot of explosive runs.”
DL PLAYMAKERS
Brown has been a huge force on Auburn’s defense with four sacks and two fumble recoveries. Davidson is second in the SEC with 5.5 sacks. For Ole Miss, Sam Williams (4.5 sacks) and Benito Jones (3.5, 8.0 tackles for loss) have also been strong pass rushers.
HOME FIELD
Auburn closes the season with four straight home games, starting with this one.
“Being back home is going to be good for the offense because that’s when we put up a lot of numbers, a lot of big games and everything like that,” Tigers receiver Seth Williams said.
More AP college football: https://apnews.com/Collegefootball and https://twitter.com/AP_Top25
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