Flickr has launched a new project, Flickr Commons, whichs aims to catalogue the worlds images under a completely open and free public domain repository.


PackScript includes powerful templating functionality based on underscore.js templates.
PackScript scans the target folder recursively for files with names matching the filespec *.template.*. These templates are made available to the pack function.
Let's define a simple template that appends a sourceUrl tag to scripts. We'll give this a filename of sourceUrl.template.js. This file can be placed anywhere under the directory being processed by PackScript.
<%= content %> //@ sourceURL=<%= data.prefix %><%= pathRelativeToConfig %>
This template can then be used in the template option of the pack function:
pack({ to: 'Build/site.js', include: '*.js', template: { name: 'sourceUrl', data: { prefix: '/Source/' } } });
From within templates, the following properties are available:
Only the content, data, configPath, output and target properties are available when the outputTemplate option is used.


Week 3: Intro to CSS - Margins, Borders, and Padding
November 6, 2015
This week we learned how to use CSS to format our websites. In CSS, the concept of the "box model" is important to understand how we can position and format elements. A diagram of the box model is below:
Going from the inside out, the content box refers to any type of content, including tables, pictures, blocks of text, blog posts, etc. The next level is padding, which refers to the space between the content and border. The next level is the border, which we can think of traditionally as how we would view a border around a text box. The last is the margin, which separates the element from other content on the page.
An important thing to keep in mind is that when we set the height or width of an object, that refers to the content portion, and we set the border, margin, and padding length separately. Here's an example involving a box of text:
Here, the border, margin, and padding have all been set to 30px, and the border has been formatted red. We can see that the padding is the space between the text and the beginning of the red border, and the margin is the space from the edge of the red border and the edge of the page.


In January of 2011, I started hosting a monthly MongoDB meetup. My employer, CustomInk, was looking for ways to become better known in the local DC technology market. We were also just getting started with our initial production deployment of MonogoDB. Having engineers from the area come to our office, get to know CustomInk, and share their experiences with using MongoDB was a great opportunity!
Before I get much further, I’d like to give a hat tip to those user groups and podcasts that I learned from and stole ideas from. Namely, DC RUG, B’more on Rails group, and the Ruby Rogues podcast.
Having a good space for hosting these types of meetings is important. CustomInk has two different spaces that we can utilize. The Parlour is a very cozy sitting room that includes a fireplace. It’s suitable for a groups of up to 30 people. The Cafe is quite a bit larger, we can host up to 80 people there. We also have a very nice outdoor patio which could hold 80 people but planning weather-dependent meetings doesn’t feel like the right way to go. The patio is connected to both the Parlour and the Cafe so networking at the beginning of the meeting sometimes happens there.
Our success hosting the MongoDB User Group has led to us hosting a number of other meetups. We are the regular host for the DevOps DC meetup and have hosted events for Android application development, R user group, JavaScript user group, and a Twitter API meetup.
The MongoDB group now includes over 250 members and the DevOps DC group is over 100. Based on our experience, I believe there are a number of things that you can do to grow and run a successful meetup group.
Consistent date, time, location
Having a consistent date, time, and location may be one of the most important things you can do. This allows members to plan their schedule and their commute. Finding the location of any meetup can be an anxiety-filled experience for some people. Is this the right building? Which floor is this meeting on? There’s comfort in knowing that next month’s meeting will happen in the same space as this month’s. You may feel it would be better to alternate locations. We’ve certainly had some requests for this in the groups we regularly host. Based on feedback from other groups and some of our own experience, this is a bad idea. We’ve seen or heard of too many members missing meetings because they went to the “other” location. For the MongoDB group, we meet on the third Wednesday of the month at 6:30. Pick a day and time that works best for you and stick with it.
A location that is easily accessible via public transportation is certainly desirable but may not always be feasible.
Encourage member participation
Once you’ve got everyone at your meetup it’s important that you make this a warm, welcoming place where members feel comfortable and are encouraged to participate. We ask attendees to introduce themselves, share a pick, and contribute during open discussions.
Register a twitter account
A twitter handle that matches your group is a great way to help promote your meetings and encourage attendance. I use @MongoDC and will frequently tweet about topics that our members are interested in. Of course, the primary use of the account is to announce upcoming meetings and speakers. However, I also use it for sharing MongoDB related news such as product releases and upcoming conferences. Additionally, we ask our members to share their twitter handle when they arrive. This allows me to put together a Twitter list of the people who attended (an idea I stole from the B’more on Rails group).
Feed the group
You’re probably scheduling your meetings right around the same time that most people would otherwise be eating dinner. CustomInk provides pizza, sodas, and beer for each meetup. Personally, I’m a bit of a beer lover so try to provide a unique offering at each meeting. This a good sponsorship opportunity for companies interested in reaching your group, too.
Give away FREE stuff
What’s a user group meeting without some sort of free swag? 10gen, the company behind MongoDB, is great about making sure I always have something to give away at the meetings. Quick reference cards, stickers, and coffee mugs are usually in ample supply. Occasionally, we’ll have a books, conference tickets or discounts, or other special swag that we can giveaway, too.
Wifi
Provide free wifi to your attendees. It’s frustrating to go to a technical meeting without wifi.
Leverage Meetup.com
Meetup.com has a lot of great tools to help you organize meetings, communicate with individual members or with the entire group, and more. Be sure to checkout the “Organizer Tips” available under the “Group Tools” menu. Create a presence on Facebook, LinkedIn, Twitter, or anywhere else your members or potential members are going to be but always link back to the group’s page on meetup.com. Use the meetup site to post any presentations from your meetings. I also find it’s very helpful to summarize your meetings on the site. This gives attendees easy access to everything that happened and gives new members an idea about the content and quality of the meetings.
It might also be interesting to have a page on the Meetup site where your members can highlight their own open source contributions. Perhaps they’ve contributed to a MongoDB driver?
There are other sites that offer similar functionality to Meetup.com but I firmly believe Meetup.com is the best. It’s where many people go to look for interesting groups and the tools they provide are great.
Other ideas
Lately, I’ve been kicking around the idea of having a group library. Members and publisher could contribute books that the group might be interested in. Each book could be “borrowed” for up to a month. Have you had any experience with a user group that’s done this?
For some more great suggestions, including suggestions on how to get great presenters, check out Chris Westin’s blog post - How to Run a Successful Tech Meetup.
What suggestions do you have? Please leave a comment or get in touch with me.
In my next post, I’ll provide some suggestions on the agenda / format for each meeting.


Belarus says still committed to closer integration with Russia
MOSCOW (Reuters) - Belarusian Foreign Minister Vladimir Makei said on Monday that his country remained committed to closer integration with Russia, a day after Belarusian President Alexander Lukashenko threatened to pull out of an integration deal with Moscow.
Lukashenko on Sunday threatened to pull out of signing an integration deal with Russia next month if Moscow failed to resolve their dispute over energy subsidies.
Makei made his comments at a joint news conference in Moscow with Russian Foreign Minister Sergei Lavrov.


Selegiline and PEA for lifelong dysthymia
I am a male in mid 50s, with 30 years experience of varying amounts of depression. At times, the diagnosis was major depression, later on, dysthymia. Over these years I have had a variety of medications and psychotherapy. When I started getting treatment, tricyclics were the standard antidepressants. I tried several over a period of years, but the severe side effects and lack of response convinced me that they would not help.
Later, when SSRIs became available, I tried several of them (Prozac, Paxil, Zoloft). I felt no substantial relief from depression with any of these, and experienced typical side effects: sexual, sleep problems, dry mouth, spaciness. Nonetheless, I took a very low dose of Zoloft for several years because it was slightly helpful.
During a more recent go round with major depression, I tried Lexapro for the first time. It helped somewhat, especially with anxiety and sleep disturbances. However, it also had enough sedative effect that I would fall asleep repeatedly during the day. My doctor added buproprion to counteract the sleepiness, but I felt that it was 'dirty', i.e., effects that were not specific to my mood disorder.
I spent some time reviewing what substances I had tried that had actually made me feel better over the years. The list was short: MDMA, and phenylalanine. BUt MDMA cannot be used daily, and phenylalanine has a short period of effect. Alcohol, cocaine, and amphetamines were not useful for mood. I also reviewed the medical literature for other vectors to treat depression. One direction looked promising: deprenyl (selegiline). In addition to anti-aging efficacy, it had good results as an antidepressant. I tried low dose (1mg) selegiline and found it was mildly helpful for mood. It has, for me, a noticable boost in memory and focus, as well as a strong increase in libido. My doctor at the time was not happy with using selegiline this way and would prefer to use the EMSAM transdermal patch for delivery. However, the mimimum dose is 6mg / day and I felt this would be way too strong for me. You cannot titrate a patch by cutting it in half!
On further research, I found that PEA, phenylethylamine, was available OTC as a supplement, and that some users found it a powerful antidepressant. So, I got a jar, and began experimenting. As soon as I found out how useful it could be, I dropped the other ADs. The combination of selegiline and PEA is based on the MAOI-B effect of the selegiline. This prevents the otherwise nearly instaneous breakdown of PEA in the body or brain. Note that both of these substances are legal in the US, with Deprenyl available by Rx. Based on others usage reports, I tried 250mg PEA 30 minutes after 1 mg selegiline. This was a major breakthrough in mood, with a strong feeling of 'this is what I've been looking for'. However, there was also flushing, sweating, and restlessness. These side effects subsided within 30 minutes, and there were no further problems. The effects are somewhat similar to a low dose of MDMA.
Subsequently, I have settled on a routine of 1mg selegiline (from liquid) placed under the tongue, and 100mg PEA in a capsule taken on an empty stomach in the morning, 20-30 minutes later. I take this combination first thing in the morning Monday to Friday, and give both a rest on weekends. During the weekends I notice that I have less energy, but my mood will remain good. This combination typically comes on as a mild buzz within 30 minutes after the PEA is taken, and the buzz lasts for 30 minutes to an hour. The rest of the day I will have a good mood, and there is no crash or letdown. I will typically drink coffee on rising, but have no interest in caffeine after the PEA kicks in. The buzz, or euphoria, is not hyper or manic- instead it feels as though I am ready to handle whatever comes up. I am sociable without becoming overtalkative.
I have followed this regimen for over six months, and have found that it is by far, the best antidepressant that I have used. The effect is not reduced over multiple days, but slightly cumulative. It is somewhat complex in dosing, based on food intake and other unknown factors. On some days there is no buzz, nonetheless, my mood will still be improved. I have noticed that blood pressure is raised temporarily, however, that can be minimised by staying active and moving during the first hour. I have also tried a second combination dose later in the day, but this can leave me too stimulated to sleep at night. Overall, this combination has been a blessing in my life. I contribute this report in hope that it may help others.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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Date of Birth: December 15, 1999
Birthplace: Puerto Princesa City, Palawan
Age: 19
Citizenship: Filipino
Civil Status: Single
Religion: Iglesia Ni Cristo
System Analyst assistant, Sitel
2018-2019
Software Developer assistant, Google
2019-2020
Web Developer assistant, Google
2020-2021


Observed in MobileSafari for iOS versions 3.1 — 4.1.
Description of bug: Both boxes below display two iframes stacked on top of each other. Selecting text in the left box will actually select from the iframe underneath.
In the box on the left, the natural z-order is unchanged. The first iframe is underneath, the second is on top. This is the box that exhibits the bug.
In the box on the right, the z order has been reversed, so that the first iframe is raised to the top and the second iframe goes underneath. Text selection in this box behaves as expected.


Steven Haddock is a Research Scientist at the
Monterey Bay Aquarium Research Institute and adjunct Associate
Professor at U.C. Santa Cruz, studying bioluminescence and
biodiversity of marine zooplankton. He
co-authored Practical
Computing for Biologists with Casey Dunn.


| Package | Description |
|---|---|
| org.apache.drill.exec.physical.resultSet.model |
The "row set model" provides a "dual" of the vector structure used to create,
allocate and work with a collection of vectors.
|
| org.apache.drill.exec.physical.resultSet.model.hyper |
Implementation of a row set model for hyper-batches.
|
| org.apache.drill.exec.physical.resultSet.model.single |
This set of classes models the structure of a batch consisting
of single vectors (as contrasted with a hyper batch.) Provides tools
or metdata-based construction, allocation, reading and writing of
the vectors.
|
| org.apache.drill.exec.physical.rowSet |
Provides a set of tools to work with row sets.
|
| Class and Description |
|---|
| BaseTupleModel.BaseColumnModel |
| MetadataProvider
Interface for retrieving and/or creating metadata given a vector.
|
| TupleModel
Common interface to access a tuple backed by a vector container or a
map vector.
|
| TupleModel.ColumnModel
Common interface to access a column vector, its metadata, and its
tuple definition (for maps.) Provides a visitor interface for common
vector tasks.
|
| Class and Description |
|---|
| ReaderBuilder |
| Class and Description |
|---|
| MetadataProvider
Interface for retrieving and/or creating metadata given a vector.
|
| MetadataProvider.VectorDescrip |
| ReaderBuilder |
| ReaderIndex
Row set index base class used when indexing rows within a row
set for a row set reader.
|
| Class and Description |
|---|
| ReaderIndex
Row set index base class used when indexing rows within a row
set for a row set reader.
|
Copyright © 2021 The Apache Software Foundation. All rights reserved.


{% include 'header.html' %}
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THE KINGDOM A film review by Christopher Null Copyright 1996 Christopher Null
This is what would happen if you let David Lynch loose on the set of "ER" with nothing but a TV camera, a gaggle of Danish actors, and a bone saw. THE KINGDOM, an extremely ambitious effort for both the filmmakers and the audience, is Denmark's hipper-than-thou answer to "Twin Peaks."
I'm not even going to attempt to explain the plot of THE KINGDOM, as it could fill several pages and still not make a lick of sense. I'll leave it at this: "The Kingdom" is a giant Copenhagen hospital, and every single room in it (and most of the corridors, and the driveway, and the parking lot) contains at least one complete wacko.
The dearth of information about this "film" belies its true beginnings as a serialized TV show in Denmark. The movie version of THE KINGDOM is nothing more than the first 4 episodes (of a planned 13) from this television show slapped back to back, converted to film, and played in all its grainy glory on the big screen. (Note! This means it's *5 hours* long. Really.) In fact, watching THE KINGDOM is a very TV-like experience. The only things missing are the commercials and a ringing telephone. Of course, I'm not one to watch 5 hours of TV in one sitting. I left after Episode 2, as it's pretty clear where the "movie" is going and that there's not going to be a "big finish" after Episode 4.
This is not to say that THE KINGDOM isn't worth watching. Rather, you *have* to know what you're getting into. Here's some of what you get: a child's ghost living in an elevator shaft, patients holding a seance in their room, bizarre cults of doctors akin to the Masons, an intern who decapitates a corpse to impress his love, a phantom ambulance...and that's just Episode 1. What you don't get is this: much background music, a discernibly strong plotline, a camera in focus, character motivations, or just about anything else you typically expect to find in the world of film. In other words, THE KINGDOM is all but destined to become a phenomenal cult hit.
Occasionally, THE KINGDOM overcomes its meandering flaws and completely shocks the audience with some truly powerful scenes. However, most of the time, the movie is just plain weird, and it defies description in any other way. If your butt can handle 5 hours in a movie theater and this sounds like your cup of tea, don't miss it. Otherwise, wait for video...and get the 3-day rental. You'll need it.
In Danish and Swedish with subtitles.
RATING: ***
\-------------------------------\ |* Unquestionably awful | |** Sub-par on many levels | |*** Average, hits and misses | |**** Good, memorable film | |***** Perfection | \-------------------------------\
-Christopher Null /<EMAIL_ADDRESS>-Movie Emporium (reviews) / http://www.notes.tpoint.net/emporium/ -Contributing Editor, FEEDBACK / http://www.eden.com/~feedback/ -E-mail requests to join the movie review mailing list
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Hello, I'm Ryan here. I'm looking for talented mascot logo designer to hire for my startup company. This is a freelance position. flexy working hours. there will be a fixed price. either monthly salary or fixed price for design. this is a long-term position. continues work. 3 or 4 designs per day ( not advanced/simple)
$300 Fixed monthly salary or $5 for one design.
Interested candidate, please apply with your portfolio and ready to work asap.


Reports any accesses of the System properties. While accessing the
System properties is not a security risk in it self, it is often found in malicious code.
Accesses to System properties should be closely examined in any security audit.
Powered by InspectionGadgets


698_chyyyy.py
class Solution:
def minCostConnectPoints(self, points: List[List[int]]) -> int:
m = len(points)
graph=[[0 for i in range(m)] for j in range(m)]
for i in range(m):
for j in range(m):
if (i!=j):
dist = abs(points[i][0]-points[j][0])+abs(points[i][1]-points[j][1])
graph[i][j]=dist
def minnode(n, keyval, mstset):
mini =<PHONE_NUMBER>99
mini_index = None
for i in range(n):
if (mstset[i] == False and keyval[i] < mini):
mini = keyval[i]
mini_index = i
return mini_index
parent = [None] * m
keyval = [None] * m
mstset = [None] * m
for i in range(m):
keyval[i] =<PHONE_NUMBER>999
mstset[i] = False
parent[0] = -1
keyval[0] = 0
for i in range(m - 1):
u = minnode(m, keyval, mstset)
mstset[u] = True
for v in range(m):
if (graph[u][v] and mstset[v] == False and graph[u][v] < keyval[v]):
keyval[v] = graph[u][v]
parent[v] = u
cost = 0
for i in range(1, m):
cost += graph[parent[i]][i]
return cost


BASEBALL A film review by James Berardinelli Copyright 1994 James Berardinelli
Rating (0 to 10): 6.1
PBS airdates: nightly from 9/18/94 through 9/22/94 and 9/25/94 through 9/28/94 Home Video Release: 9/23/94 from Turner Home Video Running Length: Approx 18:50, in nine parts
Narrated by: John Chancellor Featuring: Bob Costas, Billy Crystal, Mario Cuomo, Gerald Early, Shelby Foote, Dorothy Kearns Goodwin, Mickey Mantle, Buck O'Neil, George Plimpton, John Sayles, George Will, and others With the voices of Adam Arkin, Philip Bosco, Loren Dean, Keith Carradine, Ossie Davis, Anthony Hopkins, Alan King, Al Lewis, Amy Madigan, Arthur Miller, Tip O'Neill, Gregory Peck, George Plimpton, Aidan Quinn, Jason Robards, Jerry Stiller, Eli Wallach, M. Emmet Walsh, Paul Winfield, and others Director: Ken Burns Producers: Ken Burns and Lynn Novick Written by: Ken Burns and Geoffrey C. Ward Cinematography: Buddy Squires, Ken Burns, and Allen Moore Released by Florentine Films and WETA-TV
"Take me out to the ball game. Take me out to the crowd. Buy me some peanuts and crackerjack. I don't care if I ever get back So let's root, root, root for the home team. If they don't win, it's a shame. For it's one...two...three strikes, you're out At the old ball game."
"You have everything [in baseball]--the immigrants and the rise of the cities, the racial tension, then the decline of cities and the rise of suburbs, the Sun Belt, conflicts between management and labor, the birth of popular culture and the media, the cult of heroes and celebrity, the nature of democracy itself.  - Filmmaker Ken Burns on BASEBALL
Since its inception in the 1700s as "townball," baseball has been a cultural mirror of the society that spawned it. Whether in its early years of organization or in recent times, when superstar's salaries have skyrocketed beyond the $5 million mark, baseball has always held wide popular appeal. More than any other sport, baseball is a game of history and memories. Its past is its strength, and understanding its current state requires a probing of all that has gone before.
Ken Burns' mammoth BASEBALL has attempted to do just that--examine the game from its beginnings to the modern day. Some have erroneously labeled the movie "exhaustive" but, in fact, it's far from that. A truly extensive history of the game would take at least ten times the 18-1/2 hours allotted, and would probably be boring beyond belief. What Burns has done with this series is to distill the essence of baseball into three major themes that he explores leisurely and comprehensively.
A baseball game has two major anthems: "The Star Spangled Banner" (sung before the first inning) and "Take Me Out to the Ball Game" (sung during the seventh inning stretch). BASEBALL has three anthems: segregation and racial inequality, strife between the players and the owners, and the basic indestructibility of the game.
Burns divided his documentary into nine "innings," each of which explores a different era of the sport. The overall structure is cumbersome, and the tone uneven (inning nine tries to cover too much; innings three, five, and six drag noticeably), but the game/movie parallelism provides as good a way as any to break the production into manageable pieces. It's difficult to believe that anyone, even the most ardent baseball historian, could sit through all one-thousand one-hundred and thirty minutes straight.
Inning One: "Our Game" (running time: 1:55)--Covers the longest span of any of the nine parts, beginning loosely in 1839 and stretching to the turn of the century. Following a loving introduction extolling the virtues of baseball, Burns explores the game's origins, debunking the myth that Abner Doubleday had anything to do with its genesis. The explosion of baseball's popularity before and during the Civil War led to the formation of the first professional team--the Cincinnati Red Stockings--in 1869. In 1876, the National League was formed under the early leadership of such men as Harry Wright and Albert Goodwill Spalding. The careers of some of the neophyte league's stars, such as Cy Young, Cap Anson, and "King" Kelly, are examined.
Inning Two: "Something Like a War" (1:45)--1900-1910. This began the era of the so-called "dead ball," where runs were at a premium, and several legendary pitchers (Cy Young, Christy Matthewson, and Walter Johnson) took the mound. John McGraw, regarded by many as the best manager of all time, began his thirty year tenure leading the New York Giants. Honus Wagner and Ty Cobb, two of baseball's greatest hitters, entered the sport. The American League came into being in 1901, pilfering 111 National League players. After two years of squabbling, peace was declared between the two rivals in 1903, the year of the first World Series (the AL Boston Pilgrims versus the NL Pittsburgh Pirates).
Inning Three: "The Faith of Fifty Million People" (2:05)--1910- 1920. More on Ty Cobb, including the "Black Mark" incident where he attacked a handicapped fan and was suspended, causing the first player's strike. The Federal League was formed in 1914, luring 81 players, but collapsed the next year under financial strain. 247 Major League players served in World War I, several of whom (including Christy Matthewson) were unable to play afterwards. In 1919, the infamous Chicago Black Sox scandal occurred with eight players taking money to throw the World Series. Baseball's first commissioner, Judge Landis, subsequently banned those players, including Shoeless Joe Jackson. ("Say it ain't so, Joe!")
Inning Four: "A National Heirloom" (1:55)--1920-1930. Babe Ruth is that "National Heirloom" who restored the country's interest in baseball following the 1919 World Series scandal. Ruth was regarded in the company of such heroes as Charles Lindberg and Rick Dempsey. The "dead ball" era ended around 1920, and the number of home runs jumped dramatically. On August 5, 1921, the Phillies and Pirates played the first-ever game carried by radio. In addition to Ruth, other notable players were Rogers Hornsby and Lou Gehrig. The 1927 Yankees ("Murderers' Row") were regarded by many as the best team ever.
Inning Five: "Shadow Ball" (2:05)--1930-1940. Despite the presence of Ruth and Gehrig on the Yankees, the team lost three straight years to the even more formidable Philadelphia A's, featuring pitcher Lefty Grove and hitter Jimmie Foxx. In 1930, Ruth became the highest- paid player ever, getting a 2-year contract worth $80 thousand per year. By the end of the decade, both Ruth and Gehrig had retired, the latter forced out of baseball by the debilitating effects of ALS. The Negro Leagues and their players, including pitcher Satchell Page and home run hitter Josh Gibson, are profiled in detail. In the late 30s, although most white players favored integrating the major leagues, the owners were still strongly opposed to the idea.
Inning Six: "The National Pastime" (2:30)--1940-1950. World War II arrived but, at the urging of President Roosevelt, baseball continued. With so many players off to fight, however, the talent was thin. In the midwest, the All American Girls Professional Baseball League began play. Judge Landis, a strong opponent of blacks in baseball, died in 1944 and his successor, Happy Chandler, permitted Branch Rickey to bring Jackie Robinson to the Dodgers. The final half of this episode is devoted to Robinson's entry into the Major Leagues, the battles he had to face once there, and the cultural significance of the event.
Inning Seven: "The Capital of Baseball" (2:15)--1950-1960. The 1950s belonged to the Yankees, the only team ever to win five straight World Series. Mantle, Ford, Berra, and manager Casey Stengel are profiled. The 1951 Dodgers/Giants rivalry, including the pennant-winning 3-game playoff, is chronicled. During the second half of the decade, teams began to move, with the Braves going from Boston to Milwaukee, the Browns going from Cleveland to Baltimore (where they were renamed the Orioles), the A's going from Philadelphia to Kansas City, and the Giants and Dodgers going to the West Coast.
Inning Eight: "A Whole New Ballgame" (1:55)--1960-1970. The Major Leagues expanded in 1961, adding teams in California (Angels), Washington (another version of the Senators), New York (Mets), and Texas (Colt .45s). In 1961, Roger Maris and Mickey Mantle chased Babe Ruth's single- season home run record, with Maris eventually breaking it. The Mets had the worst initial season of any 20th century baseball team. Pete Rose entered the game and Branch Rickey died. Marvin Miller began organizing the players to fight the owners and the "Reserve Clause" came under fire when Curt Flood refused a trade from the Cardinals to the Phillies. The old ball parks were being demolished in favor of new, mulitpurpose stadiums. Sandy Koufax, Frank Robinson, Curt Flood, Carl Yazstremski, and Bob Gibson are profiled.
Inning Nine: "Home"--1970-1990 and Extra Innings--1990-1992 (2:25). In 1972, Jackie Robinson died. Coverage of his funeral, including Jesse Jackson's eulogy, is comprehensive. The powerhouse teams of the seventies--the A's (now in Oakland), Yankees, and Reds--are profiled, along with a number of players, including Brooks Robinson, Reggie Jackson, Willie Stargell, and Roberto Clemente. In 1973, the American League introduced the Designated Hitter. Hank Aaron broke Babe Ruth's career home run record in 1974. Pete Rose broke Ty Cobb's all- time hit record in 1985, then was banished from the game in 1989 for betting on baseball.
BASEBALL's most glaring fault is that it's too long. Much too long. Certain segments seem to drag interminably with little in the way of color added to the basic historical regurgitation. Most of what this series has to offer can be gleaned from a good book on the sport. The analysis is rarely penetrating and the visual elements are typically stale. The moments when BASEBALL shines are too often sandwiched around stretches of dry, straightforward documentary presentation.
Almost equally disappointing is the film's treatment of the modern era. Not only are there several glaring omissions, but there is at least one blatant inaccuracy (that no major free agents were signed by different teams during the 1985-1987 collusion period), and a general lack of coherency. Burns' examination of the '70s and '80s is a spotty, hit-and-miss affair that creates few memorable impressions.
BASEBALL is at its strongest when it focuses on one of its three primary themes. From the White Sox scandal in 1919 to Pete Rose's banishment, baseball has survived a number of ugly and damaging incidents. The film demonstrates the elasticity of the game's appeal, and you get a sense that no matter how immediately crippling the current players' strike is, the sport will eventually overcome it.
The examination of baseball's approach to segregation (before the mid-'40s) and integration (thereafter) is handled in a thought-provoking and thorough manner. Burns' probing of the role of blacks in the sport--both in the Negro leagues and later in the Major Leagues--represents one of the most insightful filmed approaches to the subject. It is a topic to which he repeatedly returns. With half of one episode ("Shadow Ball") devoted to the great stars of the Negro leagues, and another half-episode chronicling Jackie Robinson's barrier-breaking placement on the Dodgers' roster ("The National Pastime"), BASEBALL does not shortchange this critical issue, displaying not only how race relations shaped the game, but how baseball's reactions reflected what was transpiring in the larger arena of society.
Finally, at least until Inning Nine, Burns' treatment of the tense and controversial owner/player relationship is clear and perceptive. Using quotes by management personnel and former players' union leader Marvin Miller, BASEBALL traces the fundamental distrust, acrimony, and greed which has marred labor relations. Inexplicably, however, the work stoppages of the '70s and '80s are not mentioned.
For aficionados in New York and Boston, there is no shortage of coverage. Fans in other parts of the country may at times feel slighted, however. The Big Apple was surely once the "Capital of Baseball," but Burns overrepresents its significance by bombarding us with a disproportionate number of profiles and anecdotes from the (Brooklyn) Dodgers, (New York) Giants, Yankees, and Mets. And Boston, other than being Burns' favorite team, is hardly worthy of the amount of exposure it receives. Based on relative screen time, one would have to conclude that Casey Stengel was a more important figure than Connie Mack, and Yogi Berra was of greater significance than Steve Carlton, Lou Brock, and Mike Schmidt combined.
Burns' CIVIL WAR style of combining photographs with "talking heads," period music, and voiceover quotes doesn't work as well in BASEBALL, perhaps because the emotional resonance achieved here doesn't match that of stories of a nation torn by war. By the middle of the series, film clips are replacing still photographs, making this documentary's overall format seem more traditional than that of its predecessor.
The are several noteworthy "recreations" of partial or entire games. These include the tense third game of the 1951 NL playoff between the Giants and the Dodgers, which ended with Robby Thompson's "shot heard 'round the world"; game six of the 1975 World Series, when the Red Sox improbably came back to defeat the Reds; and game six of the 1986 World Series, when the ball went between Bill Buckner's legs, propelling the Mets to victory over the Red Sox.
In the end, a non-baseball fan who sticks with this movie for its entirety is likely to learn a lot about the sport and its history, and perhaps gain an understanding of why it inspires such passion in so many people. The learned baseball lover, on the other hand, will discover much that is familiar, and perhaps a little that is new. And every viewer, devotee or not, is herein given the opportunity to appreciate the unique synergy between the progress of the game and American history. BASEBALL is a canvas painted with broad strokes and little detail. Burns has invested an incredible amount of effort and passion into a project that is by turns insightful, nostalgic, pedantic, and (unfortunately) occasionally dull.
"I actually think [baseball] still is at the center of our lives in this country. Oh, it has periods when it seems to be eclipsed. But baseball has so inserted itself into the American soul. Its strength is uniting people, generation after generation. What baseball has now is an identity crisis. It's suffering from an anxiety about itself. And you know what? Knowing your own history is the best antidote to that confusion." - Ken Burns
- James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
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Please direct comments/criticisms of the review to relevant newsgroups.
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Mega Millions jackpot rises to $314 million for Tuesday's drawing
by WFTX Digital TeamTALLAHASSEE, Fla. -- The Mega Millions lottery game has seen its jackpot exceed $300 million for the 3rd time this year.
Tuesday night's jackpot is worth an estimated $314 million, according to the Florida Lottery.
The last winner was on September 24th, when an anonymous Texas player won $225 million.
Other winners this year have included a $522 million winner in San Diego in June, and a $437 million winner in New York in January.
The next drawing will be on Tuesday night at 11 p.m. But good luck; your chances of winning are 1 in 302,575,350.
If you miss out on that huge jackpot on Tuesday, there's always the PowerBall drawing the next night, with an estimated jackpot of $140 million.
As always, you can watch the drawings live on Fox 4.


India offers ailing telecom firms two-year moratorium on payments
India has granted the country's beleaguered telecom giants a moratorium on spectrum payments until the end of March 2022, offering much-needed respite after the Supreme Court slapped a massive $13-billion bill on the companies.
Vodafone Idea and Bharti Airtel bore the brunt of last month's court ruling ordering firms to pay a combined 920 billion rupees in past spectrum and licensing fees.
The judgement saw Vodafone Idea record the biggest quarterly loss in Indian corporate history last week after it factored in the $4 billion levy.
But New Delhi offered a measure of relief to the struggling sector late Wednesday, with the cabinet approving a moratorium on spectrum payments for the next two financial years.
"Deferment of spectrum auction instalments will ease the cash outflow of the stressed (telecom providers) and facilitate payment of statutory liabilities and interest on bank loans," the cabinet said in a press release.
Vodafone Idea and Bharti Airtel, which was hit with a $3-billion bill, have warned that the ruling will exacerbate the telecom sector's financial woes.
The announcement didn't appear to do much to help the share price of either firm, with Bharti Airtel down two percent and Vodafone Idea losing four percent on Thursday morning in Mumbai.
In addition to seeking the deferral of payments, the British parent company Vodafone had also asked for a reduction in licensing fees.
Vodafone's chief executive Nick Read said last week that the telecom firm was facing a crisis in India and would not invest any more equity in the country since the South Asian market contributed zero to its global share valuations.
Vodafone Idea and Bharti Airtel have both struggled since India's richest man Mukesh Ambani launched Reliance Jio in 2016. The new mobile operator has offered dirt-cheap internet and free calls.
All three companies have announced plans to raise their charges in the next few weeks in a bid to boost their bottomline and help the sector recover after years of cut-price tariffs.
Many players have exited the sector in recent years or have gone bankrupt trying to compete with Jio, which was the only beneficiary of the October court verdict, escaping with a relatively light $1.8 billion in fees.


{% extends "layouts/layout01.html" %} {% block content %}
Bilged on her anchor spirits tender wench booty rigging pressgang warp capstan. Doubloon chantey gangway league Admiral of the Black Gold Road Privateer Buccaneer killick. Rum swing the lead gangway lee gunwalls chase guns ye gabion cog.
Gabion ballast draft sheet stern spyglass weigh anchor main sheet grog. Spirits man-of-war gally schooner Cat o'nine tails sheet Gold Road main sheet bilged on her anchor. Prow ho Corsair square-rigged Arr grog pillage bilge rat red ensign.
Coxswain fluke Jolly Roger gangway strike colors sutler mizzen bowsprit stern. Lateen sail grapple boom tackle loot Sea Legs gangplank chantey sloop.


Igneous rock is formed through the cooling and solidification of magma or lava. Igneous rock may form with our without crystallization, either below the surface as intrusive rocks or on the surface as extrusive rocks. If the rock contains crystal, it means it cooled quickly.
There are two basic types of igneous rock, intrusive igneous rocks crystallize below Earth's surface, and the slow cooling that occurs there allows large crystals to form. Examples of intrusive are diorite, gabbro, granite, and peridotite.
Extrusive igneous rock erupt onto the surface, where they cool quickly to form small crystals. Some cool very quickly that they form an amorphous glass. Example of extrusive are andesite, basalt, obsidian, pumice, rhyolite, scoria, and tuff.
Igneous rocks may be cassified according through their chemical/mineral composition as felsic, intermediate, mafic, and ultramafic, and by the texture or grain size. Intrusive rocks are course grained while extrusive rocks may be fine-grained or glass. Volcanic rocks often have a porpohyritic texture characterized by visible crystals floating in a fine-grained groundmass. Felsic rocks are light in color; Intermediate rocks range through grays, and mafic rocks are black in color. Ultramafic rocks may range black to olivine green from mineral olivine.
Granite is a light colored igneous rock with grains. It forms from the slow crystallization of magma below Earth's surface. Granite is very common igneous rock, mainly because it's used for a lot of things such as floor tiles, paving stone, curbing, stair treads, building veneer, cemetery monuments, and more. Granite is a coarse-grained, light-colored igneous rock composed mainly of feldspars and quartz with minor amounts of mica and amphibole minerals.
Obsidia is a hard, dark, glass-like volcanic rock formed by the rapid solidification of lava without crystallization. is naturally formed as an extrusive rock. Obsidia is a mineral-like, but its not really a mineral because as a glass it is not crystalline, its composition is too complex to comprise a single mineral. Obsidian's composition is extremely felsic. Pure obsidian is usually dark in color, iron and magnesium typically give the obsidian a dark brwon to black color. Obsidian can be found in locations which have experienced rhyolitic eruptions. Obsidian can be used to make extremely sharp knives, and obsidian blades are type of glass knife made using naturally occuring obsidian instead of manufactured glass.
Basalt is a rock formed from the rapid cooling of lava exposed at or very near the surface of a planet or moon. Basalt is a fine-grained igneous rock with generally 45%-55% silica and less than 10% feldspathoid by volume. Basalt is the most common volcanic rock type on Earth. The average density is 3.0gm/cm3. Basalt is usually grey to black in color. Due to weathering or high concentrations of plagioclase, some basalt can be quite light-coloured.
Andesite is a dark, fine-grained, brown or greyish intermediate volcanic rock which is a common constituent of lavas is some areas. Classification of andesites may be refined according to the most abudant phenocryst. Andesite can be considered as the extrusive equivalent of plutonic diorite. Along with basalts they are a major component of the Martian crust. Andesite got its name from he Andes mountain range.
Tuff is a light, porous rock formed by consolidation of volcanic ash. Tuff is a soft rock, it has been used for construction since ancient times. Tuff can be classified as either sedimentary or igneous rocks. There are some types of tuff and these are: Welded tuff, Rhyolitic tuff, Trachyete tuff, Andesitic tuff, Basaltic tuff, and Ultramafic tuff. The ultramafic tuffs are extremely rare; their characterisitic is the abudance of olivine or serpentine and the scarcity or absence of feldspar and quartz.


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{% include "lists/_sortitem.html" with sortname="name" sortID="caseversion__name" %}
{% include "lists/_sortitem.html" with sortname="suites" %}
{% include "lists/_sortitem.html" with sortname="order" sortID="order" %}
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Berkeley UPC System Internals Documentation version 2.22.0 |
The Berkeley UPC compiler project is seeking to develop a fully-portable, high-performance UPC compiler that will run on a wide variety of shared-memory and distributed-memory platforms using different network interconnects, including large-scale multiprocessors, PC clusters, and clusters of shared memory multiprocessors. One of the main goals of the project is to experiment with parallel compiler optimization techniques, without being tied to a particular system architecture or network. Portability is achieved by translating UPC programs to an intermediate representation in C, which can then be compiled using the system's ANSI C compiler and linked to a standardized runtime system and communication system tailored to the specific platform.
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The figure shows the high-level system diagram for a UPC application compiled using the Berkeley UPC compiler. The generated C code runs on top of the UPC runtime system, which provides platform independence and implements language-specific features such as shared memory allocation and shared pointer manipulation. The runtime system implements remote operations by calling the GASNet communication interface, which provides hardware-independent lightweight networking primitives. |
The Berkeley UPC-to-C translator performs source to source translation from UPC code to ANSI-compliant C code, with shared memory operations transformed into calls to the Berkeley UPC runtime. The translator is based on the Open64 compiler suite; please refer to their documentation page for information about the design and specific features of that compiler. Numerous modifications have been added to the translator to support UPC features, and the translator's C front end has also been extended to support both 32- and 64-bit platforms. A detailed description of our modifications can be found here.
| The figure gives a high-level overview of the translation process. Upon receiving a preprocessed UPC program, the translator invokes the UPC front end, whose function is to parse, type-check, and generate the Whirl intermediate format for the program. UPC-specific information such as shared types and block sizes of distributed arrays are kept in the symbol table, so the translator could take advantage of such information during optimizations. The back end operates on the Whirl intermediate language and lowers shared memory operations into equivalent runtime library calls. The Berkeley UPC runtime provides a wide of variety of shared memory accesses from non-blocking to bulk, so that the translator could experiment with different strategies for communication optimizations such as message pipelining and prefetching. Finally the whirl2c component translates Whirl into ANSI-compliant C code, with shared variables declared as the opaque pointer-to-shared construct. |
The Berkeley UPC runtime specification documents the platform-independent interface between compiler-generated C code and the UPC runtime system. It provides platform-independent job/thread control, shared memory access (put/get operations and bulk transfer operations), shared pointer manipulation and arithmetic, shared memory management, UPC barriers and UPC locks. The shared memory operations provide very flexible non-blocking shared memory access with a wide range of synchronization alternatives.
In addition to providing platform independence, the Berkeley Runtime interface provides a cleanly-documented, compiler-independent "UPC abstract machine" that can be used as a compilation target by other front-end UPC compilers.
GASNet is a language-independent, low-level networking layer that provides network-independent high-performance communication primitives tailored for implementing parallel global address space SPMD languages such as UPC and Titanium.
| The design of GASNet is partitioned into two layers to maximize porting ease without sacrificing performance: the lower level is a narrow but very general interface called the GASNet core API - the design is based heavily on Active Messages, and is implemented directly on top of each individual network architecture. The upper level is a wider and more expressive interface called the GASNet extended API, which provides high-level operations such as remote memory access and various collective operations. |
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We've written a network-independent reference implementation of the extended API purely in terms of the core API, which allows GASNet (and the GAS compiler) to quickly and easily be ported to a new network architecture by re-implementing only the minimal core API. GASNet is structured such that implementers can choose to additionally bypass certain functions in the reference implementation of the extended API and implement them directly on the hardware to improve performance of specific operations when hardware support is available (e.g. special network support for puts/gets or hardware-assisted broadcast).


Select the checkbox to use the Jenkins project build number as the default scan name. You can override this setting for individual projects, as necessary.


This is a list of some of the modern and historical equipment used by the Indian Army. Most of the army equipment is of foreign design and produced under license in India but efforts are on to progressively design and manufacture equipment locally. The 41 Indian Ordnance Factories under control of Ordnance Factories Board manufacture most of the Army equipment like small arms, ammunition, combat vehicles, artillery, tanks etc.
AK103
AKM
APS
FN-F2000
IMI-Tavor-TAR-21
INSAS
M4-carbine
MCIWS
SG-551
T91-Assault-Rifle
AK103
The AK-103 assault rifle is a derivative of the AK-74M chambered for the 7.62×39mm M43 round, similar to the older AKM. The AK-103 can be fitted with a variety of sights, including night vision and telescopic sights, plus a knife-bayonet or a grenade launcher. It uses plastic components where possible instead of wood or metal, with such components being the pistol grip, hand-guards and stock.
AKM
Introduced into service with the Soviet Army in 1959, the AKM is the most ubiquitous variant of the entire AK series of firearms and it has found widespread use with most member states of the former Warsaw Pact and its African and Asian allies as well as being widely exported and produced in many other countries. The production of these rifles was carried out at both the Tula Arms Plant and Izhmash. It was officially replaced in Soviet frontline service by the AK-74 in the late 1970s, but remains in use worldwide.
APS
The APS underwater assault rifle (APS stands for Avtomat Podvodny Spetsialnyy (Автомат Подводный Специальный) or "Special Underwater Assault Rifle") is an underwater firearm designed by the Soviet Union in the early 1970s. It was adopted in 1975. Made by the Tula Arms Plant (Тульский Оружейный Завод, Tul'skiy Oruzheynyy Zavod) in Russia, it is exported by Rosoboronexport.
The APS has a longer range and more penetrating power than spearguns. This is useful in such situations such as shooting an opposing diver through a reinforced dry suit, a protective helmet (whether air-holding or not), thick tough parts of breathing sets and their harnesses, and the plastic casings and transparent covers of some small underwater vehicles.
FN-F2000
The rifle consists of two main assemblies: the barreled receiver group and the frame, coupled together by means of an axis pin located above the trigger guard. The barrel group has an integral MIL-STD-1913 Picatinny rail used to mount optical sights. The frame or lower receiver contains the trigger group, the bolt and bolt carrier assembly, return mechanism and magazine well. A removable handguard is installed in front of the trigger which completes and encloses the trigger guard.
IMI-Tavor-TAR-21
The Tavor is designed and produced by Israel Weapon Industries (IWI). It is produced in two main variants: the TAR-21 and the CTAR-21.
Built around a long-stroke piston system (as found in the M1 Garand and AK-47), the Tavor is designed to maximize reliability, durability, simplicity of design, and ease of maintenance, particularly under adverse or battlefield conditions.
INSAS
NSAS (an abbreviation of INdian Small Arms System) is a family of infantry arms consisting of an assault rifle and a light machine gun (LMG). It is manufactured by the Ordnance Factories Board at Ordnance Factory Tiruchirappalli, Small Arms Factory Kanpur and Ishapore Arsenal.
The INSAS assault rifle is the standard infantry weapon of the Indian Armed Forces. In April 2015, the Indian government replaced some INSAS rifles of the CRPF with AK-47s. In early 2017, it was announced that INSAS rifles were to be retired and replaced by rifles capable of firing 7.62×51mm NATO cartridges.
In March 2019, media reported that Indian military were set to replace the INSAS with Russia-designed AK-203 assault rifles, manufactured in Indian plants under a joint venture.
M4-carbine
The M4 carbine is a shorter and lighter variant of the M16A2 assault rifle. The M4 is a 5.56×45mm NATO, air-cooled, direct impingement gas-operated, magazine-fed carbine. It has a 14.5 in (370 mm) barrel and a telescoping stock.
The M4 carbine is extensively used by the United States Armed Forces and is largely replacing the M16 rifle in United States Army and United States Marine Corps combat units as the primary infantry weapon and service rifle.
MCIWS
Multi Calibre Individual Weapon System (MCIWS) is an assault rifle developed in India by the Armament Research and Development Establishment, a laboratory of the Defence Research and Development Organisation. It was first seen at the DEFEXPO 2014 exhibition and is likely to be manufactured by the Ordnance Factory Tiruchirappalli.
As of 2015, the rifle is also known as the Advanced Automatic Rifle (AAR) and also as the F-INSAS rifle.
SG-551
The SG 551 is an assault rifle manufactured by Swiss Arms AG (formerly a division of Schweizerische Industrie Gesellschaft, now known as SIG Holding AG) in Switzerland. "SG" is an abbreviation for Sturmgewehr, or "assault rifle". The rifle is based on the earlier 5.56mm SG 540.
T91-Assault-Rifle
T91 was a further development of the T86 assault rifle which had been intended to replace the T65 assault rifle series in Taiwan military service. Experience on the previous design and feedback from various users were incorporated into the T91. Development was completed in 2002, and volume production commenced in 2003.
T91 is a gas-operated short-stroke, air-cooled, rotating bolt, magazine- or drum-fed, select-fire, modularized military rifle compatible with various tactical accessories. Similar to its predecessor, T91 is a shorter version of the T65K2 assault rifle, giving the operator higher mobility and ease of aiming in a confined space.


Akan names are derived from Ghanian culture.
Frequently in Ghana, children are given their first name as a 'day name' which
corresponds to the day in the week they were born.
Find out your Akan name below using your Date of birth and Gender


SABRINA (1995) A film review by Andrew Hicks Copyright 1996 Andrew Hicks / Fatboy Productions
**1/2 (out of four)
This remake of the 1953 Bogart/Hepburn classic starts off with humor and charm but crashes and burns toward the end, when too many conflicts and motivations are resolved too quickly, leaving a multitude of unanswered questions in the air. Harrison Ford plays rich businessman Linus, who is constantly terrorized by his bitchy sister Lucy... No, not really, but he does have an irresponsible younger brother named David (played by talk show host Greg Kinnear), who is currently engaged to equally wealthy Elizabeth (DUMB AND DUMBER's Lauren Holly), whose father is planning a billion-dollar merger with Linus' company, which manufactures security blankets... No, not really.
Meanwhile, lovely Sabrina (Julia Ormond), daughter of the family chauffeur, returns from a few months in Paris looking more beautiful than ever. David finds himself mysteriously drawn to Sabrina, who has been obsessed with him all her life but never got the time of day from him (because he doesn't wear a watch). David lets everyone in on his newfound attraction right before a painful glass-in- the-ass injury. Linus takes advantage of David's incapacitation to begin wooing Sabrina himself. Is he diverting her attention for personal or business reasons? The movie keeps us guessing on that one until the end.
SABRINA, at two hours and ten minutes, is way too long. There's no such thing as an epic comedy, so why are they trying to pass this off as one? It's too top-heavy, with unnecessary scenes in the first hour involving Sabrina's Paris transformation from mousy to lovely and David's attraction to her upon her return. Still, I shouldn't complain. These scenes may be superfluous but they're the scenes in which the movie works best.
It's toward the end, with all the rapid-fire plot twists and the Linus-Is-A-Prick...-Or-Is-He? scenes, that the movie tries to jerk around our emotions. Well, I don't know about you, but my emotions refuse to be jerked. I was looking for logic instead, and found none. I walked out of the theater asking all sorts of questions about why those characters waffled more in the last twenty minutes than President Clinton and a family-sized box of Eggo's combined.
Granted, there are a lot of funny lines in the movie, mostly found in that first hour. That's the part where you think you know the characters and their motivations, before the movie pulls the rug out from under you. Harrison Ford, as always, delivers a good performance, as does Ormond, although I can't imagine why on earth any man would choose her over the devastatingly beautiful Holly. (I'd like to deck my halls with boughs of that... I don't know what that means, but it sounds chauvinist enough.)
The big surprise of the movie is Kinnear, who claims to have had no prior acting experience (although pretending to tolerate Richard Simmons when he comes on your show is Emmy-quality as far as I'm concerned). I've had my eye on this guy since his hilarious between-clip commentary on E.'s "Talk Soup" show. He left that show, sadly--as his replacement is a cross between Jim Carrey and every pathetic small-town news anchor to ever live--and got a late-late night talk show on NBC which, also sadly, showcases no real talent on his part. It's in SABRINA where he truly shines for the first time, showing a great talent for both comedic and dramatic acting, even if he is unconscious for half the movie. Mark my words, that Kinnear kid has a future in Hollywood!
Visit the Movie Critic at LARGE website at http://www.missouri.edu/~c667778/movies.html and check out the 40+ new reviews since Christmas.
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Here you will find a rambling of my experiences as a student at DevAcademy. I will share reflections on my learning and progress as well as ideas and insights with regards to the content we will be covering.
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Nathaniel Ehrlich
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Installation of Habu¶
This part of the documentation covers the installation of Habu. The first step to using any software package is getting it properly installed.
$ pipenv install habu¶
To install Habu, simply run this simple command in your terminal of choice:
$ pipenv install habu
If you don’t have pipenv installed, head over to the Pipenv website for installation instructions. Or, if you prefer to just use pip and don’t have it installed, this Python installation guide can guide you through the process.
Get the Source Code¶
Habu is actively developed on GitHub, where the code is always available.
You can either clone the public repository:
$ git clone git://github.com/portantier/habu
Or, download the tarball:
$ curl -OL https://github.com/portantier/habu/tarball/master
# optionally, zipball is also available (for Windows users).
Once you have a copy of the source, you can embed it in your own Python package, or install it into your site-packages easily:
$ cd habu
$ pip install .


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Standard Class
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| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |
See:
Description
| Interface Summary | |
|---|---|
| CachedIF | INTERNAL: Interface that objects containing cached information should implement. |
| ClearableIF | INTERNAL: A marker interface implemented by objects which can be cleared. |
| ClosureIF | INTERNAL: Interface to represent some closure, a block of code which is executed from inside some block, function or iteration which operates on an input object. |
| CmdlineOptions.ListenerIF | INTERNAL: A listener interface that must be implemented by object that are interested in options found by the CmdlineOptions instance. |
| CollectionFactoryIF | INTERNAL: Factory that creates collection objects. |
| DeciderIF<T> | PUBLIC: Interface for classes that decides whether an object is acceptable or not. |
| FilterIF<T> | INTERNAL: Filters the objects in an iterator. |
| GrabberIF<O,G> | INTERNAL: Grabs an object from another object. |
| LookupIndexIF<K,E> | INTERNAL: An interface implemented by objects which can be used to look up information, but which can do no more. |
| ResourcesDirectoryReader.ResourcesFilterIF | |
| StringifierIF<T> | PUBLIC: Stringifies objects. |
| Class Summary | |
|---|---|
| AndDecider<T> | INTERNAL: Decider that checks all subdeciders and returns true if all of them gives a positive decision. |
| ArrayUtils | INTERNAL: Class that contains useful array methods. |
| CachedDecider<T> | INTERNAL: Decider that maintains a cache of decisions made on a set of objects. |
| CachedGrabber<O,G> | INTERNAL: Grabber that maintains a cache of previously grabbed objects. |
| CachedIndex<K,E> | INTERNAL: A LookupIndexIF which uses another, slower, LookupIndexIF as a fallback and caches the values attached to the most commonly requested keys using an LRU strategy. |
| CachedStringifier<T> | INTERNAL: Stringifier that maintains a cache of previously stringified objects. |
| CacheManager | INTERNAL: A manager class that manages cached objects. |
| ChainedIndex<K,E> | INTERNAL: A lookup index that delegates LookupIndexIF calls to chains of LookupIndexIFs. |
| CharacterSet | INTERNAL: Represents a set of Unicode characters, and provides a method to quickly determine whether or not a particular character is in the set. |
| CmdlineOptions | INTERNAL: A class that parses command line options. |
| CmdlineUtils | INTERNAL: Class that contains useful stuff for command line utilities. |
| CollectionCollection<T> | INTERNAL: A collection that works as a facade for multiple collections. |
| CollectionFactory | INTERNAL: A collection factory that returns non-synchronized standard java.util collection objects. |
| CollectionMap<K,V> | INTERNAL: A map which stores entries containing Collection values. |
| CollectionSortedMap<K,V> | INTERNAL: A sorted map which stores entries containing Collection values. |
| CollectionStringifier<T> | INTERNAL: Stringifier that stringifies collections. |
| CollectionUtils | INTERNAL: Class that contains useful collection methods. |
| CompactHashMap<K,V> | |
| CompactHashSet<E> | INTERNAL: Implements the Set interface more compactly than java.util.HashSet by using a closed hashtable. |
| CompactIdentityHashSet<E> | INTERNAL: This class is a specialization of the CompactHashSet class, and uses the == operator to compare objects. |
| ContainmentDecider<T> | INTERNAL: Decider that returns true if the object is contained in the referenced collection. |
| DebugUtils | INTERNAL: Useful debugging methods. |
| DeciderFilter<T> | INTERNAL: Filter that filters a collection using a decider. |
| DeciderIterator<T> | INTERNAL: An iterator that uses a decider to filter the elements of another iterator. |
| DeciderUtils | INTERNAL: Utility methods for creating various kinds of useful deciders. |
| DefaultStringifier<T> | INTERNAL: Stringifier that calls the toString method on the object. |
| EmptyEnumerator | INTERNAL: Implements an Enumeration that contains nothing. |
| EncryptedInputStream | INTERNAL: Input stream for reading in a encrypted input stream (for example from a file) and giving back the decrypted values. |
| EncryptedOutputStream | INTERNAL: Output stream for reading in a encrypted input stream (for example from a file) and giving back the decrypted values. |
| EncryptionUtils | INTERNAL: Utilities for encrypting files. |
| EnumerationIterator<E> | INTERNAL: A wrapper class for traversing enumerations as iterators. |
| EqualsDecider<T> | INTERNAL: Decider whether the reference object is equal the given object. |
| FileUtils | INTERNAL: Class that contains useful file operation methods. |
| FileWatchdog | INTERNAL: Check every now and then that a certain file has not changed. |
| GrabberCollection<O,G> | INTERNAL: A collection that uses a grabber to populate itself by grabbing the individual objects of the nested collection. |
| GrabberComparator<T,G> | INTERNAL: Comparator that compares grabbed objects using a comparator. |
| GrabberDecider<T,G> | INTERNAL: Decider that grabs an object and passes it to the subdecider. |
| GrabberGrabber<O,G> | INTERNAL: Grabber that makes the second grabber grab what the first grabber grabs and so on. |
| GrabberIterator<O,G> | INTERNAL: An iterator that uses a grabber to grab object from another iterator. |
| GrabberMap<O,KG,VG> | INTERNAL: An implementation of Map that uses a key grabber and a value grabber to extract its content. |
| GrabberStringifier<T,G> | INTERNAL: Stringifies the object that the grabber grabs. |
| HashMapIndex<K,E> | INTERNAL: A lookup index that extends HashMap. |
| HistoryMap<T> | INTERNAL: Helper class for storing elements up to a certain amount, lower most elements will be removed to ensure a fixed size of the collection. |
| IteratorCollection<T> | INTERNAL: A wrapper class for presenting a collection view on iterators. |
| IteratorComparator<T> | INTERNAL: Comparator for Iterators. |
| IteratorIterator<T> | INTERNAL: An iterator that works as a facade for multiple iterators. |
| LexicalComparator | INTERNAL: Comparator that performs a lexical comparison. |
| LowerCaseGrabber | INTERNAL: Grabber that lowercases the String object given to it. |
| MapIndex | INTERNAL: A non-synchronized lookup index adapter for Map instances. |
| MapWrapper | INTERNAL: Abstract Map implementation that delegates all its method calls to the other map instance. |
| NotDecider | INTERNAL: Decider that negates the decision of the nested decider. |
| NullObject | INTERNAL: A singleton null object for use where null cannot be used, and an object is required. |
| ObjectUtils | INTERNAL: Class that contains useful methods. |
| OrDecider | INTERNAL: Decider that checks all subdeciders and returns true of one of them gives a positive decision. |
| PropertyUtils | INTERNAL: Utility class for handling properties and their values. |
| QueryProfiler | INTERNAL: Statistics collector for profiling queries, whether tolog or SQL. |
| ReaderInputStream | INTERNAL: An InputStream stream that turns a Reader into an InputStream given an encoding. |
| ResourcesDirectoryReader | |
| RingBuffer | INTERNAL: Utility for storing objects in a ring buffer. |
| SameGrabber | INTERNAL: Grabber that grabs the object given to it, i.e. |
| SimpleFileFilter | INTERNAL: Description: a simple file filter |
| SoftHashMap | INTERNAL: A Map implementation that uses SoftReferences to reference keys. |
| SoftHashMapIndex<K,E> | INTERNAL: A lookup index implementation that uses soft references for the keys, in order to allow them to be garbage-collected. |
| SoftHashMapIndex.SoftEntry<K,E> | |
| SoftValueHashMapIndex | INTERNAL: A lookup index implementation that uses soft references for the values, in order to allow them to be garbage-collected. |
| SoftValueHashMapIndex.SoftEntry | |
| StreamUtils | INTERNAL: Utilities for working with streams and readers. |
| Stringified | INTERNAL: Utility class that wraps an object and a stringifier for use with the Object.toString() method. |
| StringifierComparator<T> | INTERNAL: Comparator that stringifies the arguments and compares them using another comparator. |
| StringifierDecider | INTERNAL: Decider that stringifies an object and passes it to the subdecider. |
| StringifierGrabber<T> | INTERNAL: Grabber that grabs a stringified version of the object given to it. |
| StringTemplateUtils | INTERNAL: Utilities for processing string templates containing %param% references. |
| StringUtils | INTERNAL: Class that contains useful string operation methods. |
| SubstringGrabber | INTERNAL: Grabber that grabs a substring from the String object given to it. |
| SynchronizedCollectionFactory | INTERNAL: A collection factory that returns synchronized standard java.util collection objects. |
| SynchronizedCompactHashSet<E> | INTERNAL: Extends CompactHashSet to make it synchronized. |
| SynchronizedLookupIndex | INTERNAL: Synchronized wrapper class for LookupIndexIF instances. |
| TestFileUtils | |
| TimeMeasureUtils | INTERNAL: Helper class for providing some more convenience for time measurement. |
| TimeSamples | INTERNAL: Store a set a time samples for easier calculation of minimum, maximum and average times. |
| TraceUtils | INTERNAL: Useful tracing methods. |
| UniqueSet<E> | INTERNAL: |
| UpperCaseGrabber | INTERNAL: Grabber that uppercases the String object given to it. |
| URIUtils | INTERNAL: Utilities for working with URIs. |
| URLChecker | INTERNAL: Tries to establish a connection to URL and check whether it could be retrieved or is not reachable. |
| WeakHashMapIndex | INTERNAL: A lookup index that extends WeakHashMap. |
| Exception Summary | |
|---|---|
| CmdlineOptions.OptionsException | INTERNAL: An exception that is thrown when there are problems with the options specified on the command line. |
| OntopiaException | PUBLIC: An exception class that can be used to wrap other exceptions with. |
| OntopiaLicenseException | INTERNAL: An exception class that is thrown when licence related issues occur. |
| OntopiaRuntimeException | PUBLIC: A runtime exception class that can be used to wrap other exceptions with. |
| OntopiaUnsupportedException | INTERNAL: Thrown to indicate that the requested operation is not supported. |
Contains utility classes and generic interfaces. The classes and interfaces in this package are very general and independent from other packages.
|
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Setting up the CI Runner for Gitlab¶
CI is Continuous intergration. Allows multiple people to work on the same project code in real time. Users create code, and upload/merge to the CI server many times throughout the workday. We are going to use a mac OS runner with our Gitlab server.
Note
Install the runner on a different host than your GitLab server.
Using terminal, download the binary package.
sudo curl --output /usr/local/bin/gitlab-runner https://gitlab-runner-downloads.s3.amazonaws.com/latest/binaries/gitlab-runner-darwin-amd64
Make the binary executable.
sudo chmod +x /usr/local/bin/gitlab-runner
The following commands need to be run as the user that’s going to run the runner.
Install & Register the runner¶
Registering the runner binds the runner to your gitlab server. Make sure you install the runner on a different server than gitlab. You can only add the runner to your gitlab server if you are the admin of the GitLab server. Change to your home dir, install the runner and start the service.
cd ~
gitlab-runner install
gitlab-runner start
The registration token is available at the admin/runners
page.
Register
gitlab-runner register
- Enter your Gitlab server url.
https://my.server.com
- Enter your runner token.
myS3crT0k
- Enter a description for the runner. If you can’t think of anything clever, it can be changed later in the UI.
- Next enter tags for the runner. Add as many as you would like, separated by commas.
- Enter the runner executor, we used
docker
- Lastly we need to set the default image docker will use to build the envirnoment. We are using
alpine:latest
or alpine 3.6.
For other configurations and OS’s check out Gitlab’s Registering Runners Documentation.


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|
George HennardLuby's Cafeteria MassacreFormer drummer for the band Missing Links, which never really amounted to anything. His bandmates considered him a misogynist, and someone very difficult to get along with, or even tolerate. The band broke up soon before the shooting.
On October 16, 1991, George Hennard drove a 1987 Ford Ranger pickup truck into Luby's Cafeteria at Killeen TX. Hennard yelled "This is what Bell County has done to me!" then opened fire with a Glock 17 and later a Ruger P89, killing 22 people.  Hennard also permitted a four-year-old girl to leave, along with her mother. How thoughtful of him. At the time, the Luby's massacre was the worst mass murder in U.S. history. Police shot Hennard several times, who then killed himself with a gunshot wound to the head, in the hallway leading to the toilets. On his cadaver was found a ticket for The Fisher King, a Robin Williams film based on the aftermath of a nightclub massacre similar in character to the one committed by Hennard. Timeline
|


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Cultural Blog Post #9
Questions
I think the biggest problem about asking question over an online medium like the google plus community or websites like stack overflow is that sometimes you do not even know how to articulate your problem because you are so lost and end up writing a question that does not point you to the answer that you were looking for. Once, I had trouble figuring out why a loop in my program was not working and I asked about it on the google community. I did not phrase my question very well and made it too broad instead of focusing on the specifc error of my code and I recieved help that did not actually help me solve my problem. If the question is not specific enough, other people trying to help you will not know the best way to answer you.


Protocol
1. Once the 120 movie list was set, each Imdb page url of these films has been scraped using Kimono.
2. A dataset has been created with the 120 urls.
3. We added the string “/keywords?ref_=tt_stry_kw” to all urls using regular expressions in Text Wrangler in order to allow an automated scraping.
4. Using these 120 new urls, a second Kimono API was created to obtain a dataset containing all keywords related to our movies.
5. A pivot table in Excel helped us to discover which were the most recurring keywords and to create an univocal list with 5216 keywords.
6. We noticed that keywords were often too specific, so we decided to assign them to more general topics. The 40 more recurrent theme were: violence, travel, time, technology, sport, social issues, sex, security forces, religion, relationships, reference, politics, people, other, nationalities, media, love, language, justice, job, immigration, history, health, places, gender issues, food, film, family, emotions, education, economy, death, cultural differences, criminality, car, arts, animals, ages, addiction and sexual abuse.
7. Once this dataset was obtained, we selected the more interesting themes in order to visualize only the more relevant issues. These themes were: violence, job, arts, immigration, family, criminality, cultural difference, sex and security forces.
8. A single-column dataset was created for each movie containing only the tags of the topics we selected.
9. Using Raw we create 120 treemap visualization: the “Tag” value is assigned to the dimensions “Hierarchy” and “Color”. the size is given by the repetition of the tag in the movie. Height and width are set to 500 px and padding is set to 1 px.
10. In Illustrator the 120 treemaps were assembled and colored. The graphs are disposed in a boustrophedic way (from the top left corner to the bottom left, starting from left to right, then viceversa till the bottom), following our ranking criteria (see previous chapter).
11. Each category had a color assigned which tend to red if the topic has a more negative connotation and blue for a more positive tendency, with white in the middle for the neutral themes.


| Apache | Jakarta | POI |
POI 1.0 Vision DocumentPreface(21-Jan-02) While this document is just full of useful project introductory information and I do suggest those interested in getting involved in the project read it, it is woefully out of date. We deliberately allowed this document to run out of date because it is a good reflection of what the original vision was for POI 1.0. You'll note that some of the terminology is not used in quite the same way any longer. I've made some minor corrections where reading this confused me. An example: in some places this document may refer to POI API instead of POIFS API. When this vision was written we had an incomplete understanding of the project. Lastly, the scope of the project expanded dramatically near the end of the 1.0 cycle. Our vision at the time was to focus merely on the Excel port (having no idea how the project would grow or be received) and provide the OLE 2 Compound Document port for others to port later formats. We now plan to spearhead these ports under the umbrella of the POI project. So, you've been warned. Read on, but just realize that we had a fuzzy view of things to come, and hindsight is 20-20. If I recall major holes were: a complete understanding of the format of OLE 2 Compound Document format, Excel file format, and exactly how Cocoon 2 Serializers worked. (that just about covers the whole range huh?) 1. Introduction1.1 Purpose of this documentThe purpose of this document is to collect, analyze and define high-level requirements, user needs and features of the HSSF Serializer for Cocoon 2 and related libraries. The HSSF Serializer is a java class supporting the Serializer interface from the Cocoon 2 project and outputting in a compatible format of that used by the spreadsheet program Microsoft Excel '97. The HSSF Serializer will be responsible for converting XML spreadsheet-like documents into Excel-compatible XLS spreadsheets. 1.2 Project OverviewMany web apps today hit a brick wall when it comes to the user request that they be able to easily manipulate their reports and data extracts in the popular Microsoft Excel spreadsheet format. This often causes inferior technologies to be chosen for the project simply because they easily support this format. This project seeks to extend existing XML, Java and Apache Cocoon 2 project technologies by:
2. User Description2.1 User/Market DemographicsThere are a number of enthusiastic users of XML, UNIX and Java technology. Secondly, the Microsoft solution for outputting Office Document formats often involves actually manipulating the software as an OLE Server. This method provides extremely low performance, extremely high overhead and is only capable of handling one document at a time.
2.2. User environmentThe users of this software shall be developers in a Java environment on any Operating System or power users who are capable of XML document generation/deployment. 2.3. Key User NeedsThe OLE 2 Compound Document format is undocumented for all practical purposes and cryptic for all impractical purposes. Developer needs in this area include documentation and an easy to use library for reading and writing in this format without requiring the developer to have intimate knowledge of the format. There is currently no good way to write to Microsoft Excel documents from Java or from a non-Microsoft Windows based platform for that matter. Developers need an easy to use library that supports a reasonable feature set and allows seperation of data from formatting/stylistic concerns. There is currently no good way to transform XML data to Microsoft Excel. Apache's Cocoon 2 project supplies a complete framework for XML, but nothing for outputting in Excel's XLS format. Developers and power users alike need a simple method to output XML documents to Excel through server-side processing. 3. Project Overview3.1. Project PerspectiveThe produced code shall be licensed by the Apache License as used by the Cocoon 2 project and maintained on a project page until such time as the Cocoon 2 developers accept it as a donation (at which time the copyright will be turned over to them). 3.2. Project Position StatementFor developers on a Java and/or XML environment this project will provide all the tools necessary for outputting XML data in the Microsoft Excel format. This project seeks to make the use of Microsoft Windows based servers unnecessary for file format considerations and to fully document the OLE 2 Compound Document format. The project aims not only to provide the tools for serializing XML to Excel's file format and the tools for writing to that file format from Java, but also to provide the tools for later projects to convert other OLE 2 Compound Document formats to pure Java APIs. 3.3. Summary of CapabilitiesHSSF Serializer for Apache Cocoon 2
3.4. Assumptions and Dependencies
4. Project FeaturesThe POIFS API will include:
The HSSF API will include:
4.1 POI Filesystem APIThe POI Filesystem API includes:
4.2 HSSF APIThe HSSF API includes:
4.3 HSSF SerializerThe HSSF Serializer subproject:
5. Other Product Requirements5.1. Applicable StandardsAll Java code will be 100% pure Java. 5.2. System RequirementsThe minimum system requirements for POIFS are:
The minimum system requirements for HSSF are:
The minimum system requirements for the HSSF Serializer are:
5.3. Performance RequirementsAll components must perform well enough to be practical for use in a webserver environment (especially Cocoon2/Tomcat/Apache combo) 5.4. Environmental RequirementsThe software will run primarily in developer environments. We should make some allowances for not-highly-technical users to write XML documents for the HSSF Serializer. All other components will assume intermediate Java 2 knowledge. No XML knowledge will be required except for using the HSSF Serializer. As much documentation as is practical shall be required for all components as XML is relatively new, and the concepts introduced for writing spreadsheets and to POI filesystems will be brand new to Java and many Java developers. 6. Documentation Requirements6.1 POI FilesystemThe filesystem as read and written by POI shall be fully documented and explained so that the average Java developer can understand it. 6.2. POI APIThe POI API will be fully documented through Javadoc. A walkthrough of using the high level POI API shall be provided. No documentation outside of the Javadoc shall be provided for the low-level POI APIs. 6.3. HSSF File FormatThe HSSF File Format as implemented by the HSSF API will be fully documented. No documentation will be provided for features that are not supported by HSSF API that are supported by the Excel 97 File Format. Care will be taken not to infringe on any "legal stuff". 6.4. HSSF APIThe HSSF API will be documented by javadoc. A walkthrough of using the high level HSSF API shall be provided. No documentation outside of the Javadoc shall be provided for the low level HSSF APIs. 6.5. HSSF SerializerThe HSSF Serializer will be documented by javadoc. 6.6 HSSF Serializer Tag languageThe XML tag language along with function and usage shall be fully documented. Examples will be provided as well. 7. Terminology7.1 Filesystemfilesystem shall refer only to the POI formatted archive. 7.2 Filefile shall refer to the embedded data stream within a POI filesystem. This will be the actual embedded document. |


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Two former West Ham managers ruled out of replacing Pellegrini if change made
by Ron CarneSpeculation continues to suggest that Manuel Pellegrini’s job at West Ham isn’t 100% safe, although the latest reports have ruled out two names.
The Hammers have lost four of their last five Premier League games which is a run of form that has led to them slipping down to 16th place in the table.
SEE MORE: Journalist reveals West Ham transfer plans in January and insight on Pellegrini future
In turn, given their drop it will naturally raise concerns and speculation has been rife over Pellegrini and whether or not he faces the threat of losing his job.
However, two names who have seemingly been ruled out of potentially replacing him are former West Ham bosses Slaven Bilic and David Moyes, while it has been suggested that the club are not even planning to sack Pellegrini in the immediate future, as per Claret and Hugh.
Whether or not that’s the sensible move remains to be seen, but ultimately if results don’t improve and Pellegrini doesn’t start to lead the Hammers back up the table in the coming weeks, the question will surely be asked again.
Prising Bilic back to the club would seem like a difficult task at this stage anyway given he is currently sitting top of the Championship table with West Brom and so they’ll be desperate to see him finish the job and get them back into the Premier League next season.
As for Moyes, he is currently out of work, but while he achieved his short-term objective during his first spell with West Ham, he’s seemingly not the man that the hierarchy trust to lead them forward with a long-term plan in mind, if they decide to replace Pellegrini.