The project I work on has been around for about 10 years now. Due to the nature of the work a lot of the updates that should happen don’t due to how work is paid for. I am currently working on the task of taking our application that was mainly built and used by customers for IE 6 and making that work in all of the latest major browsers. As you can imagine there is a lot of problems that we are running into.
One issue that I was dealing with recently was a large section of code that takes an array of JSON objects and pushes the data into a table. The code was building each row, cell and all the attribute individually in a loop, as well we use a lot of non-standard attributes on elements. Not only was this just not working and was not rebuilding the full table.
I began trying to work out a solution where I could define a string representing the table row I was creating with the locations where I needed the data to be placed (think printf or any number of methods in many programming languages.) After several iterations I had a working solution but didn’t want to have to call the function as much as I just wanted to apply the formatting to the string, the result is the function below.
String.prototype.format = function() {
var s = this.toString();
for (var i = 0; i < arguments.length; i++) {
var reg = new RegExp("\\{" + i + "\\}", "gm");
s = s.replace(reg, arguments[i]);
}
return s;
}
As you can see from the code we are replacing points in the strings formatted like this {1} with elements from the array. an actual string example would be like the section below for say making a table. Then simply call the rowTemplate.format(arguments) to have all your values inserted in to the string, and using jQuery insert the table into the DOM.
var rowTemplate = '
{2}	{3}	{4}	{5}	{6}	{7}
';
rowTemplate.format(attribute1, attribute2,cell1,cell2,cell3,cell4,cell5,cell6);
Complete example
HTML table

JavaScript
String.prototype.format = function() {
var s = this.toString();
for (var i = 0; i < arguments.length; i++) {
var reg = new RegExp("\\{" + i + "\\}", "gm");
s = s.replace(reg, arguments[i]);
}
return s;
}
var table = $("#mytableBody");
var rowTemplate = '
{2}	{3}	{4}	{5}	{6}	{7}
';
table.append(rowTemplate.format(attribute1, attribute2,cell1,cell2,cell3,cell4,cell5,cell6));
A clean solution for a common problem that seems to have a million different methods to accomplish. Hope this solution works for you please comment if you have any suggestions on making it better.


OFFLINE!!
Qtum Wallet is not running, please start the wallet and refresh this page
Start Qtum Wallet
Rember to unlock your wallet for staking.
{% extends 'layout.html' %} {% block content %}
Qtum Wallet is not running, please start the wallet and refresh this page
Start Qtum Wallet
Rember to unlock your wallet for staking.


1 write to Command
System.Management.Automation (1)
engine\debugger\debugger.cs (1)
5876
Command
= command;
2 references to Command
System.Management.Automation (2)
engine\debugger\debugger.cs (2)
5893
Command
,
5906
Command
,


Study
ID RR (95% Cl) TXA+DEP DEP
Gao F 2015 0.34 (0.01, 8.15)
Wang JW 2017 0.67 (0.12, 3.80)
Zhang JK 2017 4.77 (0.20, 112.03)
Jans O 2016 3.00 (0.13, 71.92)
Overall (I—squared = 0.0%, p = 0.561)
P=0.884
1.09 (0.35, 3.38)
%
Weight
27.67
55.84
7.18
9.31
100.00
112


|
MSP DSP Library
|
Filter design in DSPLib GUI is implemented using the Filter Structure and Design Specifications panels on the left-hand side side of the GUI. There are five primary components of the filter structure design:
The design panel has options specific to the type of filter. For both FIR and IIR functions, four types of filter are supported: bandpass, lowpass, highpass, and stopband. For FIR filters, Boxcar, Triangle, Blackman, Hamming, Hann, Bartlett, Flat-top, Parzen, Bohman, Blackman-Harris, Nuttall, Barthann, Kaiser, Gaussian, General Gaussian, Exponential, and Tukey methods are supported. For IIR filters, Buttersworth, Chebyshev, Chebyshev II, Elliptical, and Bessel methods are supported.
For the unit of the filter design, two types are supported:
Four types of target frequency are supported:
Filter order for DSPLibGUI can range between [1, 500] for FIR filters and [1, 25] for IIR filters. Higher order filters generally achieve a better attenuation pattern, but at a higher runtime cost; FIR filters will linearly increase in runtime by the order. IIR filters typically require lower runtime, but have increased sensitivity due to feedback.
Below are the supported FIR filter design methods, linked to their respective SciPy 0.17 documentation pages.
| Method | SciPy Documentation | Additional Parameters | Additional Parameters |
|---|---|---|---|
| Barthann | Barthann Documentation | - | - |
| Bartlett | Bartlett Documentation | - | - |
| Blackman | Blackman Documentation | - | - |
| Blackman-Harris | Blackman-Harris Documentation | - | - |
| Bohman | Bohman Documentation | - | - |
| Boxcar | Boxcar Documentation | - | - |
| Exponential | Exponential Documentation | Decay | - |
| Flat-Top | Flat-Top Documentation | - | - |
| Gaussian | Gaussian Documentation | Standard Deviation | - |
| General Gaussian | General Gaussian Documentation | Standard Deviation | Power |
| Hamming | Hamming Documentation | - | - |
| Hann | Hann Documentation | - | - |
| Kaiser | Kaiser Documentation | Beta | - |
| Nuttall | Nuttall Documentation | - | - |
| Parzen | Parzen Documentation | - | - |
| Triangle | Triangle Documentation | - | - |
| Tukey | Tukey Documentation | Alpha | - |
Below are the supported IIR filter design methods, linked to their respective SciPy 0.17 documentation pages.
| Method | SciPy Documentation | Additional Parameters | Additional Parameters |
|---|---|---|---|
| Bessell | Bessell Documentation | - | - |
| Buttersworth | Buttersworth Documentation | - | - |
| Chebyshev | Chebyshev Documentation | Max Passband Attenuation | Min Stopband Attenuation |
| Chebyshev II | Chebyshev II Documentation | Max Passband Attenuation | Min Stopband Attenuation |
| Elliptical | Elliptical Documentation | Max Passband Attenuation | Min Stopband Attenuation |


Blake Birch // Digital Fabrication and Engineering 2017
About me
Week 1
Week 2
Week 3
Week 4
Week 5
Week 6
Week 7
Week 8
Week 9
Final Project


--- layout: post title: 'IANAL, but I didn''t realise' date: 2004-12-19 00:00:00 category: business ---
IANAL, but I didn't realise that you can launch a lawsuit, then work out who you're suing later...


Preparation time
less than 30 mins
Cooking time
over 2 hours
Serves
Serves 6
Heat the oven to 200C/400F/Gas 6.
Put the bones in a roasting tin and bake until well browned.
Put the carrot, onion and celery in another roasting tin and toss in the oil. Bake until well browned.
Put the vegetables and the bones in a large pan and add the peppercorns, bay leaves, parsley and thyme. Cover with water.
Bring to the boil and skim off any scum that has formed. Cover and simmer very gently for 3-4 hours. From time to time, skim off any scum that forms. Strain into a large bowl and allow to cool. Chill overnight.
Use within 3 days or freeze. To freeze, reduce the stock by half by boiling vigorously and cool. Pour into ice-cube trays and freeze. When frozen put the cubes into a bag, label it, and when you want to use one, just put in a jug and add boiling water to dissolve the cube.


If baseball, football, basketball, and even the Tour de France can do it, so can computer graphics. While you're staying up late trying to make your SIGGRAPH submission's LaTeX compile, for the love of Adam, compile, you hellspawn document, we provide here a simple diversion. If you tire of the day to day sports news, you can instead attempt to track the movements and doings of past SIGGRAPH authors (stalking is prohibited). Fame, fortune, and neither of these await you!
The concept is simple. You have 400 Quatloos. Instead of wagering it on the newcomer, you are to hire up to twelve computer graphics researchers to produce papers for SIGGRAPH 00 (000?). You have around 473 (well, exactly 473) previous SIGGRAPH authors to choose from; in fact, all SIGGRAPH technical paper authors from 1995 through 1999.  To wit, each paper an author was involved in during this time period increases his or her cost rating by:
60 / (number of authors who wrote the paper)60 is chosen for its connection to Babylonian mathematics, a field which has no connection with SIGGRAPH but may someday be visualized with computer graphics in a way that maximizes funding for the researchers doing the work.
An author's rating is the sum of his or her contributions. This formula was chosen because it's simple to code and to understand, and because it cannot be considered a fair rating of anyone's real worth. This is a game, not a tenure track rating system. Hey, if it's any solace, my rating's zero; I struggle on, a hollow shell of a human being, but somehow still survive.
The object: score the most points, based on both papers and sketches accepted for SIGGRAPH 00. The scoring system is:
60 / (number of paper authors)added together for each paper or sketch that your chosen author is involved in. For example, you hire J. Worthington Kudzu for your team. He is one of four authors on the groundbreaking paper, "On Cross-Vertex Meta-Wavelet Hierarchy Determination", so would score 60/4=15 points for it. He also had a technical sketch called "Modeling Desperation and Angst"; as the single author, he scores 20/1=20 points for this contribution. His total score for your team is 35 points. Whichever submitted team has the most points, wins. The tie-breaker is who spent the least in Quatloos for their team; the second tie-breaker is the smaller number of researchers on a team; after that, we flip coins or toss pigs or somesuch. What do you win? Beats us. But we'll come up with something.
20 / (number of sketch authors)
The deadline is 12 January 2000, 5 pm Pacific Time, just like SIGGRAPH 2000. To research members for your lab, you might check SIGGRAPH's Bibliography Database Search. Here you can search on authors, and at the middle of this page there are links to lists of what papers were published in SIGGRAPH and elsewhere. Or you can forget research and just pick a team made of people named "John".
Some may complain that other conferences are ignored, journals are ignored, impact papers are not given more points, short papers are weighted the same as long ones, and that the number of footnotes or corporate sponsors are not factored in. Others may complain that new people, i.e. rookies, are not included (if you deeply care, you get to write the Perl CGI script next year for this thing...). Still others may worry about the effect on the SIGGRAPH review process ("Your paper is accepted, on the condition that the second author is removed and replaced by the following three people"). Some people are deeply concerned about improperly removing mattress tags and keeping their scissors oiled, too. On the real concerns front: no, we won't release any information about you to anyone or spam you. If you are a winner, we will certainly want to say who you are - in such an event, we will list the winning team submitted, and ask you for permission to publicize your name and email address, at your discretion. We will also probably do some statistical summation about the submitted teams as a whole.
Enter the Contest
(well, actually, the FGL is closed to further entries)
Disclaimers: we're doing this just for fun, as a game to lighten up for submitters the last few hectic or boring hours before the SIGGRAPH deadline, and to have everyone else get involved in thinking about the next SIGGRAPH. We have no affiliation to (besides being enthusiastic members of) SIGGRAPH. We do not plan to make any money from this; if anything, just the opposite.


About Us
Welcome to Ukulima Hub! We are you sole provider for anything you need to know about farming. As Ukulima Hub, we aim to tell you what kind of crop to plant depending on where you are here in Kenya.
Different kinds crops need a specific kind of climate in order for them to flourish. Now here is where we come in, feel free to explore our website and get to know the ins and outs of farming, you'll be guaranteed to get the best results since all our research has been done by agricultural experts. Happy Farming!!


This applet contains an implementation of a reverb as described by Steiglitz in his book "A Digital Signal Processing Primer with Applications to Digital Audio and Computer Music", pages 290 -- 295.
This patch uses several containing patches and would be best explained in a diagram which eventually I'll produce here.
Here's a home recording of me playing my Persian ney, dry and reverbed using this reverb patch.
The input signal is filtered through 6 parallel comb filters (delay feedback loops) with a lowpass filter in each loop. Each comb filter is characterized by a feedback coefficient, a low-pass filter coefficient g, from the lowpass transfer function H(z) = 1/(1-g/z), and a delay time. The result of summingthe 6 comb filter outputs is fed through an allpass filter, which is characterized by a delay, and a coefficient a. The allpass transfer function is H(z) = (z^-{m}+a)/(1+a*z^{-m}). The final result is mixed with the original signal.
You can reverberate a recording or a mike input (if your security allows mike input through your browser).
All parameters can be set with the sliders. Try increasing the delays to get a Taj-Mahal effect. If you boost the feedback too much the filter will become unstable (negative absorbtion). AGC will then turn things off untill you reset it. You can always get the defaults back by pressing a button. I guess it's clear *which* button...
If you have no mike the AGC will boost the noise in your soundcard and reverberate that. Latency is terrible. Download JASS and reduce the buffersizes if you have low latency JavaSound implementation like Tritonus, if you can't live with it.
Source code:
import java.io.*; import java.net.*; import jass.render.*; import jass.engine.*; import jass.generators.*; import jass.patches.*; /** CombReverb using Moorers reverb. See e.g. @book{Steiglitz96, title = {A Digital Signal Processing Primer with Applications to Digital Audio and Computer Music}, author = {Ken Steiglitz}, publisher = {Addison-Wesley}, address = {New York}, year = {1996}, pages = {290--295}} Defaults are for 25Khz sampling rate from Steiglitz book. @author Kees van den Doel<EMAIL_ADDRESS>*/ public class ReverbApplet extends AppletController { int bufferSize = 16; // no feedback loop can have smaller delay than this int bufferSizeJavaSound = 0; // use huge default latency float srate = 44100; SourcePlayer player; AudioIn input; ConstantLoopBuffer loopbuf; // another source String wavfile = "../data/hello.wav"; boolean useMike = false; float impulseT = 1f; //second CombReverb reverb; int nReflections = 6; // Reverb parameters float[] combDelays = {.05f,.056f,.061f,.068f,.072f,.078f}; // delays in seonds float allpassDelay = .006f; // delay in seconds float a = .7071068f; // allpass parameter float[] R = {.4897f,.6142f,.5976f,.5893f,.581f,.5644f}; // feedback comb parameters float[] g = {.24f,.26f,.28f,.29f,.3f,.32f}; // low-pass comb parameters float dryToWet = .1f; // 1 is dry only double minDelay = 1.3*(bufferSize/srate); // smalles feedback delay possible public void setNSliders() { nsliders = nReflections*3 + 3; } public void setNButtons() { nbuttons = 3; } protected void createPatch() { URL wavurl = null; try { wavurl = new URL(getCodeBase(),wavfile); } catch(MalformedURLException e) { System.out.println(e+" Malformed URL: " + wavfile); } player = new SourcePlayer(bufferSize,bufferSizeJavaSound,srate); if(useMike) { input = new AudioIn(srate,bufferSize,bufferSizeJavaSound); } else { loopbuf = new ConstantLoopBuffer(srate,bufferSize,wavurl); } reverb = new CombReverb(bufferSize,srate,nReflections); try { if(useMike) { reverb.addSource(input); } else { reverb.addSource(loopbuf); } player.addSource(reverb); } catch(SinkIsFullException e) { System.out.println(e); System.exit(0); } for(int i=0;i


Mpd 5.9 User Manual
: Running Mpd
: Configuration file format
: General properties
Previous: Configuration file format
Next: mpd.conf
3.2.1. General properties
For all of the configuration files, the following things are true:
- Any line whose first character is a number sign
(
#
) is considered a comment and is ignored.
- Strings may be quoted using double quotes. The string
is decoded according to normal C language rules.
Mpd 5.9 User Manual
: Running Mpd
: Configuration file format
: General properties
Previous: Configuration file format
Next: mpd.conf


Click each of the 4 styles of link and observe the resulting Location values. Reset the location each time.
Reset
An alternate GWT History implementation called RawHistory.
Location
Results of various API calls
Links
Several different styles of linking
Events
Log of ValueChangeEvents, newest on top


{{'Enter your email and we will send you a link with forward instructions to change your password.'}}


I am a plumbing contractor attempting a career change. Computers have always been a hobby for me. Now, software development will be my career.
I have already acquired some skills. I know HTML5, CSS3, Javascript and C++. And I have expanded my knowledge of them by learning frameworks and add-ons such as Bootstrap, JQuery and Angular JS. I am currently taking classes for Object Oriented Programming in Java.


There should be a form here:
Here's a checkbox:
One
Two
Four
Still learning how to count, apparently
Eggs
Ham
Sausages
Onion gravy
Foo
Bar
select_1
select_2
select_3
select_4
select_1
select_2
select_1
select_2
Enabled
Disabled
Enabled
Disabled
Apples
Oranges
One
Two
Four
Still learning how to count, apparently
One
Two
Four
Still learning how to count, apparently
nothing
Cheese
Peas
Cheese and peas
Not a sausage
Not another sausage
I like cheese
Cumberland sausage
Example text
One
Two
Label


List of PixieApps published from Notebooks
PixieApp Name
Description
Notebook Location
{% for p in pixieapp_list%}
{{p.name}}
{{p.description}}
{{p.location}}
{% end %}


| goog.structs.Set |
|
opt_values
:
Initial values to start with.
|
|
__iterator__(opt_keys)
⇒
Returns an iterator that iterates over the elements in this set.
Arguments:
Returns:
An iterator over the elements in this set.
|
code » | ||
|
add(element)
Add a primitive or an object to the set.
Arguments:
|
code » | ||
|
addAll(col)
Adds all the values in the given collection to this set.
|
code » | ||
|
clear()
No description.
|
code » | ||
|
clone()
⇒
Creates a shallow clone of this set.
Returns:
A new set containing all the same elements as this set.
|
code » | ||
|
contains(element)
⇒
Tests whether this set contains the given element.
Arguments:
Returns:
True if this set contains the given element.
|
code » | ||
|
containsAll(col)
⇒
Tests whether this set contains all the values in a given collection.
Repeated elements in the collection are ignored, e.g. (new
goog.structs.Set([1, 2])).containsAll([1, 1]) is True.
|
code » | ||
|
equals(col)
⇒
Tests whether the given collection consists of the same elements as this set,
regardless of order, without repetition. Primitives are treated as equal if
they have the same type and convert to the same string; objects are treated
as equal if they are references to the same object. This operation is O(n).
|
code » | ||
|
getCount()
⇒
No description.
Returns:
The number of elements in the set.
|
code » | ||
|
getValues()
⇒
Returns an array containing all the elements in this set.
Returns:
An array containing all the elements in this set.
|
code » | ||
|
intersection(col)
⇒
Finds all values that are present in both this set and the given collection.
Returns:
A new set containing all the values (primitives or objects) present in both this set and the given collection.
|
code » | ||
|
isEmpty()
⇒
Tests whether this set is empty.
Returns:
True if there are no elements in this set.
|
code » | ||
|
isSubsetOf(col)
⇒
Tests whether the given collection contains all the elements in this set.
Primitives are treated as equal if they have the same type and convert to the
same string; objects are treated as equal if they are references to the same
object. This operation is O(n).
|
code » | ||
|
remove(element)
⇒
Removes the given element from this set.
Arguments:
Returns:
Whether the element was found and removed.
|
code » | ||
|
removeAll(col)
Removes all values in the given collection from this set.
|
code » |
|
Obtains a unique key for an element of the set. Primitives will yield the
same key if they have the same type and convert to the same string. Object
references will yield the same key only if they refer to the same object.
Arguments:
Returns:
A unique key for this value/object.
|
code » |


<< Previous Session
|
Next Session >>
Assessment - Lecture Quiz
Lecture 3: Technology and Invention in Finance
1
.
What does the Central Limit Theorem state about appropriately scaled averages of independent and identically distributed random variables with finite variance?
Points = 2.0
The average has infinite variance.
The average converges to a normal distribution.
The distribution of the averages is the same as the distribution of the random variables in it.
The expected value of the average equals 7.
2
.
What are the contractual specifications for the protection seller of a credit default swap?
Points = 2.0
The protection buyer pays the protection seller at regular time intervals, until a credit event occurs, in which case the protection seller pays the protection buyer compensation for the credit event.
If a credit event occurs, the protection seller is obliged to exchange contractually specified assets for S&P 500 index funds.
The protection seller pays the protection buyer at regular time intervals, until a credit event occurs, in which case the protection buyer pays the protection seller compensation for the credit event.
If the underlying of the credit default swap is a specific corporation's stock, only this corporation can act as a protection seller.
3
.
Which legislative framework gave the state of New York a competitive advantage over the state of Massachusetts around 1811?
Points = 2.0
New York introduced the concept of limited liability, but Massachusetts decided that shareholders are fully liable for the companies that they own shares in.
New York simplified the process of creating corporations, whereas Massachusetts dispossessed all corporations in the state that were created by an act of Congress.
Both New York and Massachusetts introduced limited liability, but New York's version of the law was easier to understand and implement.
The creation of a corporation in each state was legislated to require the state senate's approval, but the Massachusetts senate refused to give out any approvals.
4
.
Which country introduced the Unidad de Fomento, and what was its purpose?
Points = 2.0
Chile introduced the Unidad de Fomento to replace the peso as the official currency in the aftermath of a hyperinflation.
Chile introduced the Unidad de Fomento, and it is a unit of account that is indexed to inflation to counteract the impact of (hyper-)inflation.
Argentina introduced the Unidad de Fomento, and it corresponds to varying amounts of the Argentine peso in order to provide inflation protection.
Spain introduced the Unidad de Fomento as a prerequisite to introduce the euro as the official currency in 2002.
5
.
Which of the following are part of U.S. social insurance, that is government-provided tools that contribute to the management of big, and important risks?
(More than one answer may apply.)
Points = 2.0
Progressive income taxes.
The Securities and Exchange Commission.
Welfare systems.
Free public education.
Status
Submit
Close


This is a demo for Web Capture and I2C sensor use RPi-Spark. The page will be refersh every interval 3 sec


Agreements
Status
Honor
First
Middle
Last
Suffix
Pending
Active/In-force
Obsolete/Expired
Void
Effective Date
End Date
Comsn Sched Set
Generate/Reprint Report
New Document
Signatory Change
Broker Name Change
Commission Schedule Effective Date Change
Commission Schedule Set Change
Lost
Broker Requested Copy
Other
Generated
Date Mailed
Fax Signed/Recieved
Fax Expiration
Orig Signed/Recieved
Last Reprint


Dwight's specialty is agile web development, internet marketing, conceptual digital art, corporate branding and site graphics. Dwight's design style is influenced by various realms from pop culture, anime, and also from technology and the web itself.
Found a bug?
Want To request a feature?
{% for post in site.posts %}
{{ post.date | date_to_string }} » {{ post.title }}
{% endfor %}
This work is licensed under a Creative Commons Licence.


My shopping list
Help- You can find goods and there prices in application memory by goods name such as : water, tea, coffee, meat, apples and so on.
- If app don`t find goods in memory it show add just a name to the list
- "Add goods" button add goods name in list
- Total cost automatically count goods prices
- "Restore deleted" button restore All deleted goods cards
- "Save to memory" button save All list in browser memory to next open application, Your list will be restored automatically.
- "Clean memory" button remove list from browser memory
Close help
Restore deleted
Save to memory
Clear memory


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import models.taxhistory.SelectTaxYear @import uk.gov.hmrc.govukfrontend.views.html.components.implicits._ @import config.AppConfig @import models.taxhistory.SelectTaxYear @this( govukWrapper: views.html.govuk_wrapper, formHelper: FormWithCSRF, govukRadios : GovukRadios, govukBackLink : GovukBackLink, govukButton : GovukButton, errorSummary: helpers.errorSummary, link: helpers.link ) @(form: Form[SelectTaxYear], taxYears:List[(String, String)], clientName:Option[String], nino:String )(implicit request: Request[_], messages: Messages, appConfig: AppConfig) @govukWrapper(title = messages("employmenthistory.select.tax.year.title"), backLink = Some(controllers.routes.SelectClientController.getSelectClientPage().url)) {


+++ title = "Lunch in Santa Elena" slug = "lunch-in-santa-elena" date = 2007-02-28T15:00:00+10:00 tags = ["locals", "road-trips", "spicy"] locations = ["mexico/merida"] draft = false summary = """
The 5 Uxmal road trippers stopped in Santa Elena to grab a nice, cheap, Mexican lunch. Our first try was an over-priced restaurant in the middle of town. But after a bit more in-depth searching, we managed to find a family-home-slash-little-restaurant joint that opened up especially for us, and that treated us to a massive taco feast for a very reasonable price.
""" +++The 5 Uxmal road trippers stopped in Santa Elena to grab a nice, cheap, Mexican lunch. Our first try was an over-priced restaurant in the middle of town. But after a bit more in-depth searching, we managed to find a family-home-slash-little-restaurant joint that opened up especially for us, and that treated us to a massive taco feast for a very reasonable price.
I don't know exactly how we found this place, but I do know that it involved all the other road-trippers doing a lot of Spanish talking with the locals. But it was worth the effort. The tacos were great. The price was great. And the lunchtime stories (about Matthias's travels in the Middle East) were great.
{{< galleryphoto "2007-02-28-15-00-00--kanako-and-matthias-munching-tacos.jpg" >}}The only unfortunate thing was that I got a bit of salsa verde in my camera over lunch, which resulted in my camera lens moving sluggishly for the rest of the day. Hopefully the damage to the camera isn't permanent.


Recover your password,
back to login
Enter your email address and check your mail box
Email
Send Email


Software engineer with 2+ years of experience in web development. Good in working with team communication and collaboration. I am a self-motivated and honest person. Always keen to learn new skills and technology, So that I always update in I.T industry
I am using React wit html5 and CSS3 and using git hub to update my project and github pages to deploy my project online so every one can see it.
View ResumeThis is a simple robofriends project in which you can search robot by write any thing in search field and you than click search you can see robot below search bar.I am using JSON API in this project.
This is an advance react project in which you can create your account by clicking on the register after sign in to the face recognition app you can upload your image and it recognizes your face in the image with a square box around it.


--- layout: default category: reference title: Mapbox Style Specification permalink: / class: fill-light options: full navigation: - title: Root subnav: - title: version - title: name - title: metadata - title: center - title: zoom - title: bearing - title: pitch - title: sources - title: sprite - title: glyphs - title: transition - title: layers - title: Sources subnav: - title: Vector - title: Raster - title: GeoJSON - title: Image - title: Video - title: Sprite - title: Glyphs - title: Transition subnav: - title: duration - title: delay - title: Layers subnav: - title: Background - title: Fill - title: Line - title: Symbol - title: Raster - title: Circle - title: Types subnav: - title: Color - title: Enum - title: String - title: Boolean - title: Number - title: Array - title: Function - title: Filter ---
A Mapbox style is a document that defines the visual appearance of a map: what data to draw, the order to draw it in, and how to style the data when drawing it. A style document is a JSON object with specific root level and nested properties. This specification defines and describes these properties.
The intended audience of this specification includes:
Root level properties of a Mapbox style specify the map's layers, tile sources and other resources, and default values for the initial camera position when not specified elsewhere.
Sources supply data to be shown on the map. The type of source is specified by the "type"
property,
and must be one of <%= source_types.join(', ') %>. Adding a source
won't immediately make data appear on the map because sources don't contain
styling details like color or width. Layers refer
to a source and give it a visual representation. This makes it possible
to style the same source in different ways, like differentiating between
types of roads in a highways layer.
Tiled sources (vector and raster) must specify their details in terms of the TileJSON specification. This can be done in several ways:
"tiles"
, "minzoom"
, and
"maxzoom"
directly in the source:
"url"
to a TileJSON resource:
"{bbox-epsg-3857}"
replacement token to supply the bbox
parameter.
(This feature is currently supported only in Mapbox GL JS and Mapbox macOS SDK.)
{% highlight json%}
"wms-imagery": {
"type": "raster",
"tiles": [
'http://a.example.com/wms?bbox={bbox-epsg-3857}&format=image/png&service=WMS&version=1.1.1&request=GetMap&srs=EPSG:3857&width=256&height=256&layers=example'
],
"tileSize": 256
}
{% endhighlight %}
A vector tile source. Tiles must be in Mapbox
Vector Tile format. All geometric coordinates in vector tiles must be between -1 * extent
and (extent * 2) - 1
inclusive. All layers that use a vector source must specify a "source-layer"
value.
For vector tiles hosted by Mapbox, the "url"
value should be of the
form mapbox://mapid
.
| SDK Support | Mapbox GL JS | iOS SDK | Android SDK |
|---|---|---|---|
| basic functionality | >= 0.10.0 | >= 2.0.0 | >= 2.0.1 |
A raster tile source. For raster tiles hosted by Mapbox, the "url"
value should be of the
form mapbox://mapid
.
| SDK Support | Mapbox GL JS | iOS SDK | Android SDK |
|---|---|---|---|
| basic functionality | >= 0.10.0 | >= 2.0.0 | >= 2.0.1 |
A GeoJSON source. Data must be provided via a "data"
property, whose value can be a URL or inline GeoJSON.
This example of a GeoJSON source refers to an external GeoJSON document via its URL. The GeoJSON document must be on the same domain or accessible using CORS.
| SDK Requirements | Mapbox GL JS | iOS SDK | Android SDK |
|---|---|---|---|
| basic functionality | >= 0.10.0 | >= 2.0.0 | >= 2.0.1 |
| clustering | >= 0.14.0 | Not yet supported | Not yet supported |
An image source. The "url"
value contains the image location.
The "coordinates"
array contains [longitude, latitude]
pairs for the image
corners listed in clockwise order: top left, top right, bottom right, bottom left.
| SDK Support | Mapbox GL JS | iOS SDK | Android SDK |
|---|---|---|---|
| basic functionality | >= 0.10.0 | Not yet supported | Not yet supported |
A video source. The "urls"
value is an array. For each URL in the array,
a video element source will
be created, in order to support same media in multiple formats supported by different browsers.
The "coordinates"
array contains [longitude, latitude]
pairs for the video
corners listed in clockwise order: top left, top right, bottom right, bottom left.
| SDK Support | Mapbox GL JS | iOS SDK | Android SDK |
|---|---|---|---|
| basic functionality | >= 0.10.0 | Not yet supported | Not yet supported |
A style's sprite
property supplies a URL template for loading small images to use in
rendering background-pattern
, fill-pattern
, line-pattern
,
and icon-image
style properties.
<% if (ref.$root.sprite.example) { %>
A valid sprite source must supply two types of files:
width
and
height
properties) and pixel ratio (pixelRatio
) of the image and its location within
the sprite (x
and y
). For example, a sprite containing a single image might have the
following index file contents:
"icon-image": "poi"
, or with the tokenized value "icon-image": "{icon}"
and vector
tile features with a icon
property with the value poi
.
Mapbox SDKs will use the value of the sprite
property in the style to generate the URLs for
loading both files. First, for both file types, it will append @2x
to the URL on high-DPI devices.
Second, it will append a file extension: .json
for the index file, and .png
for the
image file. For example, if you specified "sprite": "https://example.com/sprite"
, renderers would
load https://example.com/sprite.json
and https://example.com/sprite.png
, or
<EMAIL_ADDRESS>and<EMAIL_ADDRESS>.
If you are using Mapbox Studio, you will use prebuilt sprites provided by Mapbox, or you can upload custom SVG images to build your own sprite. In either case, the sprite will be built automatically and supplied by Mapbox APIs. If you want to build a sprite by hand and self-host the files, you can use spritezero-cli, a command line utility that builds Mapbox GL compatible sprite PNGs and index files from a directory of SVGs.
A style's glyphs
property provides a URL template for loading signed-distance-field glyph sets in PBF format.
<% if (ref.$root.glyphs.example) { %>
A style's transition
property provides global transition defaults for that style.
<% if (ref.$root.transition.example) { %>
A style's layers
property lists all of the layers available in that style. The type of
layer is specified by the "type"
property, and must be one of <%= layer_types.join(', ') %>.
Except for layers of the background type, each layer needs to refer to a source. Layers take the data that they get from a source, optionally filter features, and then define how those features are styled.
<% if (ref.$root.layers.example) { %>
Layers have two sub-properties that determine how data from that layer is rendered: layout
and
paint
properties.
Layout properties appear in the layer's "layout"
object. They are applied early in the rendering process and
define how data for that layer is passed to the GPU. For efficiency, a layer can share layout properties with
another layer via the "ref"
layer property, and should do so where possible. This will decrease
processing time and allow the two layers will share GPU memory and other resources associated with the layer.
Paint properties are applied later in the rendering process. A layer that shares layout properties with another
layer can have independent paint properties. Paint properties appear in the layer's "paint"
object.
Layers can also have class-specific paint properties, which are applied only when the map has a certain class
name set. For example, a layer with a "paint.night"
property would have those properties applied
when the map has the "night"
class set.
Key: supports interpolated functions supports piecewise constant functions transitionable
A Mapbox style contains values of various types, most commonly as values for the style properties of a layer.
Colors are written as JSON strings in a variety of permitted formats: HTML-style hex values, rgb, rgba, hsl, and hsla. Predefined HTML colors names, like yellow
and blue
, are also permitted.
Especially of note is the support for hsl, which can be easier to reason about than rgb().
One of a fixed list of string values. Use quotes around values.
{% highlight json %} { "text-transform": "uppercase" } {% endhighlight %}A string is basically just text. In Mapbox styles, you're going to put it in quotes. Strings can be anything, though pay attention to the case of text-field
- it actually will refer to features, which you refer to by putting them in curly braces, as seen in the example below.
Boolean means yes or no, so it accepts the values true
or false
.
A number value, often an integer or floating point (decimal number). Written without quotes.
{% highlight json %} { "text-size": 24 } {% endhighlight %}Arrays are comma-separated lists of one or more numbers in a specific order. For example, they're used in line dash arrays, in which the numbers specify intervals of line, break, and line again.
{% highlight json %} { "line-dasharray": [2, 4] } {% endhighlight %}The value for any layout or paint property may be specified as a function. Functions allow you to make the appearance of a map feature change with the current zoom level and/or the feature's properties.
Zoom functions allow the appearance of a map feature to change with map’s zoom. Zoom functions can be used to create the illusion of depth and control data density. Each stop is an array with two elements, the first is a zoom and the second is a function output value.
Property functions allow the appearance of a map feature to change with its properties. Property functions can be used to visually differentate types of features within the same layer or create data visualizations. Each stop is an array with two elements, the first is a property input value and the second is a function output value. Note that support for property functions is not available across all properties and platforms at this time.
Zoom-and-property functions allow the appearance of a map feature to change with both its properties and zoom. Each stop is an array with two elements, the first is an object with a property input value and a zoom, and the second is a function output value. Note that support for property functions is not yet complete.
A filter selects specific features from a layer. A filter is an array of one of the following forms:
["has", key]
feature[key] exists
["!has", key]
feature[key] does not exist
["==", key, value]
equality: feature[key] = value
["!=", key, value]
inequality: feature[key] ≠ value
[">", key, value]
greater than: feature[key] > value
[">=", key, value]
greater than or equal: feature[key] ≥ value
["<", key, value]
less than: feature[key] < value
["<=", key, value]
less than or equal: feature[key] ≤ value
["in", key, v0, ..., vn]
set inclusion: feature[key] ∈ {v0, ..., vn}
["!in", key, v0, ..., vn]
set exclusion: feature[key] ∉ {v0, ..., vn}
["all", f0, ..., fn]
logical AND
: f0 ∧ ... ∧ fn
["any", f0, ..., fn]
logical OR
: f0 ∨ ... ∨ fn
["none", f0, ..., fn]
logical NOR
: ¬f0 ∧ ... ∧ ¬fn
A filter's key must be a string that identifies a feature property, or
the special key "$type"
, which identifies the feature type. A value
(and v0, ..., vn for set operators) must be a string,
number, or boolean to compare the property value
against. For the "$type"
key it must be one of "Point"
,
"LineString"
, or "Polygon"
.
Set membership filters are a compact and efficient way to test whether a field matches any of multiple values.
The comparison and set membership filters implement strictly-typed comparisons; for example, all of the
following evaluate to false: 0 < "1"
, 2 == "2"
, "true" in [true, false]
.
The "all"
, "any"
, and "none"
filter operators are
used to create compound filters. The values f0, ..., fn must be
filter expressions themselves.
This filter requires that the class
property of
each feature is equal to either "street_major", "street_minor",
or "street_limited".
The combining filter "all" takes the three other filters that
follow it and requires all of them to be true for a feature
to be included: a feature must have a class
equal
to "street_limited", its admin_level
must be greater
than or equal to 3, and its type cannot be Polygon. You could
change the combining filter to "any" to allow features matching
any of those criteria to be included - features that are Polygons,
but have a different class
value, and so on.
| SDK Support | Mapbox GL JS | iOS SDK | Android SDK |
|---|---|---|---|
| basic functionality | >= 0.10.0 | >= 2.0.0 | >= 2.0.1 |
has /!has |
>= 0.19.0 | >= 3.3.0 | >= 4.1.0 |


About me...
Graphic Designer & Illustrator.
Strong artistic and visual skills, gained within and outside of school. Fluent both online and offline stuff. Now, a web developer wannabe.
I also love pencils, markers, Pantone colors, coffee, good beer, 35mm, Facebook meme pages and graffiti.
Contact
<EMAIL_ADDRESS>+34 608 080 3XX


Our
Privacy Policy
All
Science Fair Projects respects your privacy. We do not sell any
information that we collect.
Third Party Ads: We use third-party advertising companies to serve ads when you visit our Web site. These companies may use aggregated information (not including your name, address, email address or telephone number) about your visits to this and other Web sites in order to provide advertisements about goods and services of interest to you. If you would like more information about this practice and to know your choices about not having this information used by these companies, click here.
Statistics:
We keep records of general statistics (for example, the total number
of daily visitors on out site) for various purposes such as in order
to improve our services, and also to facilitate site sponsorship/advertising.
Cookies:
To allow us to provide the services for which our site was designed,
we use a common feature found in browser, called "cookies". This
doesn't identify the person but simply just the computer that the
visitor uses to access our site. You can disable cookies at any
time by changing the preferences in your browser. Our advertisers
or third-party ad servers may assign their own cookies to your browser,
a process that we do not normally control.
We use third-party advertising companies to serve ads when you visit our website.
These companies may use information (not including your name, address, email address,
or telephone number) about your visits to this and other websites in order to
provide advertisements about goods and services of interest to you. If you would like
more information about this practice and to know your choices about not having this
information used by these companies, please read on.
Google, as a third party vendor, uses cookies to serve ads on all-science-fair-projects.com.
Google's use of the Doubleclick DART cookie enables it to serve ads
to persons who visit all-science-fair-projects.com based on their
visit to all-science-fair-projects.com and other sites on the Internet.
All users of all-science-fair-projects.com may opt out of the use of the DART cookie
by visiting the Google ad and content network privacy policy.
Attention
all Kids!
All Science Fair Projects encourages you to get permission from
your parents before sending any personal information about yourself
(such as your name or your email address) over the Internet, to
us or to anyone else.
Attention
all Parents!
Would you like to know our privacy policy for children under the
age of thirteen? Then read on!
- Right
to ask us to stop communicating.
Please note that at any time, you may send us an email to request
that we stop all communications with your child.
- What
Information do we collect from children who are under 13 years
of age?
All Science Fair Projects generally limits its collection of information
from kids to basic information such as email addresses, names
and level of education. This information is collected so that
we are better able to provide services (such as newsletters) or
certain promotions or other activities to them. We will request
that the child provide his/her personal details, without having
to first seek your permission, if the offered activity involves
a one-off communication with your child. On the other hand, if
the activity involves regular communication with your child (such
as for a newsletter, contests or features that require a login),
we will require your child to provide us with your name and e-mail
address. All Science Fair Projects will use your details to then
send you an e-mail, informing you of your child's request to participate.
Your child will not be entered into the activity until you are
given the opportunity to choose not to allow him or her to continue.
If we do not receive a response from you, your consent will be
assumed.
- What
do we do with the information?
We will only use information that we have collected from your
child who is under 13 years of age, in connection with the stated
purpose for which the information was collected.
If
you have any questions at any time, please email us at<EMAIL_ADDRESS>|


Welcome to Angular
Angular is for web apps
Angular is a client-side structural framework for creating dynamic web applications. It uses HTML as the template language and allows you to extend HTML to accommodate the needs of your application.
Angular is dynamic
Angular helps you extend HTML’s syntax to create custom elements and attributes that contain application behavior. Angular reduces the need to do DOM manipulation as directives create reusable components that do most of what you need without requiring you to repeat DOM boilerplate everywhere. This allows you to concentrate on your application’s logic, and not on how to trick the browser into doing what you want.
Angular encourages MVC
The MVC pattern from Angular’s perspective: Separate applications into distinct presentation, data, and logic components. Encourage loose coupling between these components.
AngularJS and AngularDart
Angular exists in two flavors: AngularJS, and AngularDart. AngularJS and AngularDart are similar concepts, but have some big differences in implementation. This tutorial focuses on AngularDart. We will not compare AngularDart with AngularJS, or discuss how, where and why they diverge.
This tutorial is intended to get you started on AngularDart, and not to serve as a comparison between the two flavors of Angular.
Where can I find more information?
Read the AngularDart API documentation.
Let’s get started
A good way to learn about AngularDart is to create a small application. This tutorial will take you through several iterations of a simple Recipe Book App. Each iteration will build on the previous one, explaining new Angular concepts and introducing new features.


#include <Node.h>
Public Member Functions | |
| Node (const Solver *solver) | |
| Node (const Solver *solver, Zone *pusherZone, Zone *boxesZone) | |
| Node (const Node *otherNode) | |
| ~Node () | |
| const Solver * | getSolver (void) const |
| Zone * | getPusherZone (void) const |
| Zone * | getBoxesZone (void) const |
| void | setPusherZone (Zone *pusherZone) |
| void | setBoxesZone (Zone *boxesZone) |
| bool | isEgal (Node *otherNode) const |
| bool | isSolution (void) const |
| Node ** | findChildren (void) const |
| Child ** | findMacroChildren (Node **nodeList) |
| char * | listMovesFromAToB (const int posA, const int posB) const |
| int | countMovesFromAToB (const int posA, const int posB) const |
| void | print (void) const |
Protected Member Functions | |
| void | dijkstraRec (int *levelTab, const int startPos, const int colsNumber) const |
| int * | computeCostOfGoals (Node *node) |
Protected Attributes | |
| const Solver * | solver |
| Zone * | pusherZone |
| Zone * | boxesZone |
Classes | |
| class | Macro |
This is the minimum representation of a level state. But this state cannot be used without the original level
| Node::Node | ( | const Solver * | solver | ) |
Constructor for a empty node assigned to a solver
| solver | Assigned solver |
Constructor for a node with defined pusherZone and boxesZone
| solver | Assigned solver | |
| pusherZone | zone where pusher can move | |
| boxesZone | zone of boxes positions |
| Node::Node | ( | const Node * | otherNode | ) |
Constructor for a node that's copy of another node
| otherNode | other node we want to copy |
| Node::~Node | ( | ) |
Destructor
| const Solver* Node::getSolver | ( | void | ) | const [inline] |
Assigned solver
| void Node::setPusherZone | ( | Zone * | pusherZone | ) | [inline] |
Assign pusher zone
| void Node::setBoxesZone | ( | Zone * | boxesZone | ) | [inline] |
Assign boxes zone
| bool Node::isEgal | ( | Node * | otherNode | ) | const |
Test if this node is egal to another node
| otherNode | Other node we want to compare to this Node object WARNING : 2 nodes must provide from the same level ! |
| bool Node::isSolution | ( | void | ) | const |
Test if a node is a solution node for the associed level
| Node ** Node::findChildren | ( | void | ) | const |
Use this node to find all successor nodes. A successor node exists if it can be reached from the original node just by pushing a box.
| Child ** Node::findMacroChildren | ( | Node ** | nodeList | ) |
Use this node to find all macro successor nodes. A macro successor node exists if we can push a box on a goal directly, even if you have to do many pushes of the same box to make it.
| nodeList | list of direct successor previously found with findChildren. |
tab of number of pushes for all macro-pushes.
| char * Node::listMovesFromAToB | ( | const int | posA, | |
| const int | posB | |||
| ) | const |
This function use this node (box positions) to make the shortest way between position A and position B in the level and return list of moves used to do it. Be carreful, no box can be pushed on the way from A to B
| posA | starting position (level representation) | |
| posB | ending position (level representation) |
| int Node::countMovesFromAToB | ( | const int | posA, | |
| const int | posB | |||
| ) | const |
This function use this node (box positions) to make the shortest way between position A and position B in the level and return number of moves used to do it. Be carreful, no box can be pushed on the way from A to B
| posA | starting position (level representation) | |
| posB | ending position (level representation) |
| void Node::print | ( | void | ) | const |
Print node (level) state in the console
| void Node::dijkstraRec | ( | int * | levelTab, | |
| const int | startPos, | |||
| const int | colsNumber | |||
| ) | const [protected] |
Recursive function based on Dijkstra algorithm. It fill a tab in with every informations about min distance between a cell and start pos.
| levelTab | tab of values (init with -1 for walls and big numbers for every other cells) | |
| startPos | start position to compute (level representation) | |
| colsNumber | number of cols in this level |
| int * Node::computeCostOfGoals | ( | Node * | node | ) | [protected] |
Get cost of every goals for this node. A cost of a goal is the number of boxes or walls just next this goal. cost go from 0 to 4. 4 is a top priority goal
| node | node to be tested |
const Solver* Node::solver [protected] |
Assigned solver
Zone* Node::pusherZone [protected] |
Move zone of the pusher
Zone* Node::boxesZone [protected] |
Position of boxes


Garden of Books
Garden of Books is a bookclub for friends,
family and all bookworms at heart.
Add a new book!
Book Title:
Book Author:
Image URL:
Add Book
Review:
Close


{{ searchText }}
in My Bookmarks and My Snippets.
Try searching for any of the terms -
{{ searchText }}
in My Bookmarks.
Try searching for any of the terms -
{{ searchText }}
in My Snippets.
Try a more permissive search (use any of the terms)
-
{{ searchText }}
in My Notes.
Try a more permissive search (use any of the terms)
-
{{ searchText }}
in Public Bookmarks.
Try a more permissive search (include any of the
terms) -
{{ searchText }}
in Public Snippets.
Try searching for any of the terms -


|
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object jpaul.DataStructs.UnionFind<E>
public class UnionFind<E>
UnionFind
is a datastructure for performing
unification and lookup operations. It uses the path compression
and union-by-rank heuristics to achieve O(m * alpha(m,
n)
) runtime, where m
is the total number of
operations, n
is the total number of elements in the
set, and alpha
denotes the *extremely* slowly-growing
inverse Ackermann function.
The abstract state of the data structure at each moment is
determined by the previously executed unifications (union(E, E)
). Each element of the universe of discourse is part of
exactly one equivalence class. Initially, each elements sits in
its own equivalence class; each union(E, E)
operation merges the
equivalence classes for its arguments. Each look-up operation
(find(E)
) finds the representative of the equivalence class
of its argument, i.e., one of the elements from that equivalence
class.
| Constructor Summary | |
|---|---|
UnionFind()
Creates a UnionFind . |
| Method Summary | |
|---|---|
java.util.Set<E> |
allKnownElements()
Returns an unmodifiable set containing all elements that this UnionFind structure has knowledge about. |
java.util.Collection<java.util.Set<E>> |
allNonTrivialEquivalenceClasses()
Returns an unmodifiable collection containing all equivalence classes with more than one element. |
boolean |
areUnified(E e1,
E e2)
Checks whether the elements e1 and
e2 are unified in this union-find structure. |
java.util.Set<E> |
equivalenceClass(E e)
Returns the equivalence class that element e is
part of, as an unmodifiable set containing all elements from
that class (including e ). |
E |
find(E e)
Returns the representative of the equivalence class of e . |
java.lang.String |
toString()
Returns a human-readable representation of the UnionFind. |
E |
union(E e1,
E e2)
Unifies the elements e1 and e2 and
returns the representative of the resulting equivalence class. |
boolean |
unUnified(E e)
Returns true if the element e has not been
unified yet with any DIFFERENT element. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, wait, wait, wait |
| Constructor Detail |
|---|
public UnionFind()
UnionFind
.
| Method Detail |
|---|
public E union(E e1, E e2)
e1
and e2
and
returns the representative of the resulting equivalence class.
public E find(E e)
e
.
public boolean areUnified(E e1, E e2)
e1
and
e2
are unified in this union-find structure.
public boolean unUnified(E e)
e
has not been
unified yet with any DIFFERENT element. Complexity: O(1).
public java.util.Collection<java.util.Set<E>> allNonTrivialEquivalenceClasses()
This method is quite slow: its execution time is at least linear in the size of the underlying forest. Hence, it has a long, inconvenient name!
Note: The returned collection is in fact a set, but maintaining it as a (hash-)set, with the associated .equals on sets would be too expensive.
public java.util.Set<E> equivalenceClass(E e)
e
is
part of, as an unmodifiable set containing all elements from
that class (including e
).
This method is quite slow: its execution time is at least linear in the size of the underlying forest!
public java.util.Set<E> allKnownElements()
UnionFind
structure has knowledge about. It is
important to understand that this structure knows only the
elements that it was asked to unify via calls to union
; it doesn't know the other elements of the universe of
discourse.
public java.lang.String toString()
toString
in class java.lang.Object
|
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


ADMIN
Enquiries
(current)
Career
Add Blog
View Blog
Logout
Enter Blog
Heading
Message
Author
Submit
Title
Lik
Get Link


Converse are a popular and well-loved brand of sneakers. Originally developed for basketball players, they quickly gained an enthusiastic devotion from teens, adults, and celebrities. Also known as "Chuck Taylors" or "Chucks", they are comfortable and cool, providing little arch support but plenty of ankle support.
Check out some great outfits for your Converse high tops here.


Bisquick Banana Bread Recipes - Ask.com
Are you looking to make Bisquick Banana Bread Recipes? You'll find the most unique and interesting Recipes here!
http://www.ask.com/food/bread/Bisquick-Banana-Bread-Recipes.html
Treatment for Herniated or Bulging Discs
Bisquick Banana Bread Recipe - Group Recipes
This makes one loaf, quick an easy to make, got the recipe from one of the patients wifes when I was working in Day Surgery. Enjoy.
http://www.grouprecipes.com/60321/bisquick-banana-bread.html
Banana-Nut Bread Recipe from Betty Crocker
Nov 13, 2012 . Nothing beats the taste or aroma of baked banana bread. It's just like mom's but much, . Gold Medal Flour · See all · Insider-Exclusive Recipes .
http://www.bettycrocker.com/recipes/banana-nut-bread/987a8437-68af-4434-a474-152d9329251e
bisquick banana bread recipe Herniated or Bulging Discs
Bisquick Chocolate Chip-Banana Bread Recipe - Food.com - 325300
Sep 16, 2008 . I found this recipe this morning on the www.backofthebox.com website. Here is what the website says: This moist and tempting banana bread .
http://www.food.com/recipe/bisquick-chocolate-chip-banana-bread-325300
Banana Bread Lite Recipe | MyRecipes.com
MyRecipes recommends that you make this Banana Bread Lite recipe from . eggs; 2 cups reduced-fat baking mix (such as Bisquick); 1/2 cup chopped walnuts .
http://www.myrecipes.com/recipe/banana-bread-lite-10000001036168/
Bisquick Banana Bread Recipe - Ask.com
Are you looking to make Bisquick Banana Bread Recipe? You'll find the most unique and interesting Recipes here!
http://www.ask.com/food/Bread/Bisquick-Banana-Bread-Recipe.html
Official Impairment Listing for Spinal Disorders
Bisquick Banana Bread recipe | recipes using bisquick | quick and ...
Return to Recipes Using Bisquick. Bisquick Banana Bread 1/3 c. oil 1/2 tsp. vanilla extract 3 eggs 3 lg. bananas (mashed with a fork) 2 1/3 c. Bisquick 1 c. sugar .
http://www.nancyskitchen.com/bisquick-recipes/bisquick-banana-nut-bread.html
- ennis co clare ireland (narrowing of the spine)
Gluten Free Breads/Rolls Recipes - Gluten Freely
Get a wide range of gluten free bread recipes & gluten free rolls .
http://www.glutenfreely.com/recipes/breadsrolls/Chocolate Chip-Banana Bread - Back of the Box Recipes
Back of the Box Recipes - Brand Name Recipes, Recipe . This moist and tempting banana bread made with Bisquick® mix has a sweet chocolate surprise.
http://www.backofthebox.com/recipes/breads/chocolate-chip-banana-bread-g.html
Banana Nut Bread Recipe with Bisquick - Southern Food - About.com
This easy banana nut bread recipe includes Bisquick, milk, vanilla, and chopped nuts and mashed bananas. Banana nut bread recipe.
http://southernfood.about.com/od/bananabread/r/bl30415a.htm
Bisquick Banana Bread Recipe - Login - SparkPeople
SparkRecipes: Free Recipes From SparkPeople.com. Search Recipes . View full nutritional breakdown of Bisquick Banana Bread calories by ingredient .
http://recipes.sparkpeople.com/recipe-detail.asp?recipe=55050
Medical-Vocational Allowance for Herniated Disc
Cooks.com - Recipe - Bisquick Banana Bread
I've always enjoyed the bisquick banana bread recipe, disappointed it's not on the box anymore. I reduced the sugar by half, and added applesauce and .
http://www.cooks.com/rec/view/0,164,159187-227207,00.html
banana bread recipe with bisquick - YouTube
Sep 25, 2012 . Another video to inspire you in the kitchen when cooking great recipes and great food. http://greatestonlinestore.com/recipes food idea ideas .
http://www.youtube.com/watch?v=V8sUY1ZxTTM
Heart Smart Banana Bread recipe from Live Better America
Looking for a no-yeast bread recipe? Then check out this banana bread made using Bisquick Heart Smart® mix. 1 loaf (16 slices)
http://www.livebetteramerica.com/recipes/heart-smart-banana-bread/cd3fc30b-1009-402e-94b4-13542ebc4b69
Appealing a Denial of Benefits
Blueberry-Banana Bread Recipe from Betty Crocker
Apr 29, 2012 . Savor this sweet, tempting bread all by yourself, or give it as a gift . 2 Stir Bisquick, oats, sugar, bananas, milk and eggs in large bowl until .
http://www.bettycrocker.com/recipes/blueberry-banana-bread/96c37e01-6aad-42a5-9907-2117e388209b
Mini Banana Breads Recipe from Betty Crocker
Nov 17, 2012 . Who doesn't love banana bread? This one's mini-sized for simple gift giving. . Insider-Exclusive Recipes · Insider-Exclusive Appetizers .
http://www.bettycrocker.com/recipes/mini-banana-breads/87bf7bb8-fe10-40d8-b2bc-585e779270bc


We are looking for a talented web developers to join our busy web.
We are A44 an independent games studio based in Wellington, New Zealand.
We were established in 2016, we work with independent game creators from around the world, helping them create and release personal experiences for everyone.
Main product: Ashen
Publisher: Annapurna Interactive
Engine: Unreal Engine
Platform(s): Microsoft Windows Xbox One Nintendo Switch
PlayStation 4
PC
Are of Business: Video game industry
A junior web developer works with a team of developers to create new websites and applications.
Senior Web Developers design, build, and optimize websites and other online applications.
UX developers work independently but collaborate with the rest of the development team to design various web applications and programs.
The target audience for the site is people who have completed training courses or qualifications related to web development and are now looking for a job as a web developer.
CourseOur Ideal Candidate Is/Has
1+ years experience with website design
Great HTML and CSS skills, experience developing web sites without templates
Graphic design experience strongly preferred
JavaScript
Good
collaboration, teamwork, and learning skills
RWD
Nice to havesImage processing / production skills and experience with InDesign, Photoshop, and Illustrator
The target audience for the site is people who have completed training courses or qualifications related to web development and are now looking for a job as a web developer.
CourseJob Requirements:
Minimum 5 years of front-end web development experience
Must be a self-starter and able to work independently
Have the ability to learn quickly and adapt to changing client requests
Ability
to work well under pressure in an environment of rapidly changing deadlines and priorities
Capable of working on multiple projects simultaneously in various phases – planning/development / QA / deployment
Able
to take projects from start to finish with minimum supervision
Aid Project Manager in outlining requirements, project planning, and estimates
Technical Requirements:Strong knowledge of HTML5, CSS3, and
JavaScript
Strong knowledge of WordPress and Shopify
Can convert/integrate HTML templates into complete WordPress, Shopify or other CMS platform
Capable of developing pixel perfect websites across multiple platforms
Knowledge of ADA compliance, SEO and web optimization
Knowledge of responsive design and can develop using a mobile-first approach
Familiar with CSS frameworks such as Bootstrap or others
Experience with
CSS Preprocessors, such as Sass or Less
Familiar working out of a GIT repository
Excellent quality assurance and UAT process with the ability to review code to ensure bug-free websites
Personal Skills:Excellent
communication skills at all levels, from team members to senior management
Must have the ability to work within a fast-paced environment and juggle multiple projects/responsibilities
Strong attention to detail
in all areas
Must be proactive and self-sufficient
Futureshirts D2C
A division of Futureshirts, offering artists, brands, labels, and events a personalized & innovative approach to e-
commerce & marketing.
With service & technology at our center, our goal is to help our clients connect with,
grow & monetize their audiences with engaging content, on-brand storylines, unique experiences & compelling
product
offerings.
Futureshirts creates exceptional service and products because its team members listen to exceptional
ideas from all parties involved in the creative process.
Job Duties
Conceptualize
and produce website/webstore themes on Shopify and content that effectively and
creatively support brand, marketing and sales objectives. Project examples include, but are not limited
to, the design and development
of responsive Shopify web stores and websites, static/animated online
ads, conversion of static designs to HTML, among others for musical artists, brands, influencers, and
more.Will work closely with the Account
Managers to develop Shopify themes and complete front-end
development on time and within budgetWill select, modify, and/or develop themes to meet the needs of particular site
Creates graphic design elements
Update
and optimize HTML and CSS to enhance functionality of client websites
Requirements/ QualifiersKind, Helpful, Servant hearted
• 3+ years web design/development experience
• Experienced
working with Shopify and WordPress
Experienced working within frameworks and template engines
Experienced with HTML, CSS, JavaScript, Adobe Creative Suite
Positive and productive
Above average problem-solving
abilities
Strong time management / organizational skills


Presidents Cup-bound Finau a prank victim of captain Woods
by Andrew BothCARY, N.C. (Reuters) - Tony Finau was the victim of a prank when Tiger Woods called to reveal his captain’s picks for next month’s Presidents Cup in Australia, but he has adopted a forgive if not forget attitude about the conversation.
The 30-year-old said he “never” even suspected that United States captain Woods was joking when he said he had some “sad news”, which Finau presumed meant that he had not received one of the four wild card selections.
Woods, it turns out, is quite the jokester.
“I knew I was in the running with a handful of guys but you just never know what he’s thinking,” Finau, who narrowly failed to make the team automatically, said in a telephone interview with Reuters.
“When he made that indication that it was going to be a tough phone call with some sad news I was kind of saddened.
“I guess I just don’t know him well enough that he’s a bit of a jokester.”
Finau said that Woods had left him hanging for about 15 seconds, a long 15 seconds at that, before finally telling him that he was on the team.
Woods could sense Finau’s disappointment.
“I could feel his heart sink when I said I had some tough news. So, I let him sweat it out for a few seconds before welcoming him to the Presidents Cup,” Woods wrote in a blog on the Presidents Cup website.
The long-hitting, affable Finau, who is of Polynesian descent, will make his Presidents Cup debut against the International Team at Royal Melbourne from Dec. 12-15, having already equipped himself well at last year’s Ryder Cup.
Finau said he will not hold any hard feelings against Woods for his prank.
“I was happy that phone call ended a good way and not a sad way,” Finau said.
“It was the total package of a prank. It was definitely a story I’ll tell for the rest of my life of how Tiger pulled my leg on how I thought I missed the team.”


Death of Bangor man (68) treated as suspicious
by David Young, PAPolice are treating the death of a man in Co Down as suspicious.
The body of the 68-year-old was found at his home in Bangor on Tuesday evening.
Officers have launched an investigation into the circumstances of the incident in Birch Drive.
A post-mortem examination is to be conducted to determine the cause of death.
Police have released no other details.


Originally written by Alexa Junge.
Trascribed by Josh Hodge.
NOTE: For this episode, I'm using italics to signify portions contained in
the prom video.
[Scene: Chandler and Joey's apartment. Chandler is playing foosball by himself, Joey
enters]
JOEY: Hey.
CHANDLER: Hey. Hold on a second. [shoots a goal] Huh?
JOEY: Nice, nice. Hey I got somethin' for you. [hands Chandler an envelope.
CHANDLER: What's this?
JOEY: Eight hundred and twelve bucks.
CHANDLER: Well, I don't know what Big Leon told ya but it's an even thousand if you want
me for the whole night. What is this for?
JOEY: Well, I'm makin money now and this is payin' you back for head shots, electric
bills, and so many slices of pizza I can't even count. I love ya man.
CHANDLER: Well, thanks man. Now I can get my pony.
JOEY: Hey, this is a little extra somethin' for uh, ya know, always bein' there for me.
[hands Chandler a jewelry box]
CHANDLER: Wow, I don't know what to say. [opens the box and pulls
out an incredibly gaudy gold bracelet] Wow, I, I don't know what to say.
JOEY: Heh, what d'ya say?
CHANDLER: I don't know. It's a bracelet.
JOEY: Isn't it? And it's engraved too, check it out.
CHANDLER: [reads] To my best bud. [puts it back in the case] Thanks best bud.
JOEY: Put it on.
CHANDLER: Oh, now? [puts it in his desk drawer] No, no, I think something this nice should
be saved for a special occasion. [sets a chair in front of the drawer]
JOEY: Oh, no no, that's the beauty part, it goes with everything.
[gets the bracelet from the drawer] You put this on, you're good to go. [puts the bracelet
on Chandler] Ohhh man, you are so wearin' that bracelet.
CHANDLER: I so am.
JOEY: You have any idea what this'll do for your sex life?
CHANDLER: Well, it'll probably slow it down at first but, once I get used to the extra
weight, I'll be back on track.
OPENING TITLES
[Scene: A kitchen somewhere. Monica is interviewing for a job]
INTERVIEWER: Well, this all looks good.
MONICA: Great.
INTERVIEWER: And if I want to call for a reference on your last job?
MONICA: Oh, that's there on the bottom, see the manager, Chandler Bing.
INTERVIEWER: Alright, lets see if you're as good in person as you are on paper. Make me a
salad.
MONICA: A salad? Really I, I could do something a little more complicated if you like.
INTERVIEWER: No, just a salad will be fine.
MONICA: You got it.
INTERVIEWER: Now, I want you to tell me what you're doing while you're doing it.
MONICA: Alright, well I'm tearing the lettuce.
INTERVIEWER: Uh-huh. Is it dirty?
MONICA: Oh-oh, no no don't worry, I'm gonna wash it.
INTERVIEWER: Don't, I like it dirty.
MONICA: That's your call.
INTERVIEWER: So, uh, what are you going to do next?
MONICA: Well, I thought that I would cut up the tomatos.
INTERVIEWER: Are they, uh, firm?
MONICA: They'r alright.
INTERVIEWER: You sure they haven't gone bad? You're sure they're not very, very bad?
MONICA: No really, they're OK.

MONICA: Actually, I was gonna do them jullienne.
INTERVIEWER: Aaaahhhhhhh.
MONICA: I'm outa here. [Monica leaves]
[Scene: Monica and Rachel's apartment. Chandler and Phoebe are sitting at the couch.
Ross is sitting at the table and answers the phone.]
ROSS: Y-ello. No, Rachel's not here right now, can I take a message?
Alright, and how do we spell Casey, is it like at the bat or and the Sunshine Band? OK,
bye-bye. Hey, who's this uh, this Casey?
PHOEBE: Oh, some guy she met at the movies.
ROSS: Oh really? What uh, what does he want with her?

ROSS: [puts the message in the cupboard] I don't know, I don't get, I don't get it, I
mean, wh, wh, two months ago Rachel and I were like, this close. Right now, what, I'm
takin messages from guys she, she meets at the movies? I mean this, this Casey should be
takin' down my messages, ya know, or, or, Rachel and I should be together and, and we
should get some kind of me, message service.
PHOEBE: Hang in there, it's gonna happen.
ROSS: Wha, OK, now how do you know that?
PHOEBE: Because she's your lobster.
CHANDLER: Oh, she's goin' somewhere.
PHOEBE: C'mon you guys. It's a known fact that lobsters fall in love and mate for life.
You know what, you can actually see old lobster couples walkin' around their tank, ya
know, holding claws like. . .
[Monica enters from bathroom after taking a shower]
CHANDLER: Hey, you feelin' better?
MONICA: Yeah, I think that fifth shower actually got the interview off me.
PHOEBE: So, do you have any other possibilities?
MONICA: Oh yeah, well there's the possibility that I won't make rent.

MONICA: No no no, if I couldn't pay you back right away then I'd feel guilty and tense
every time I saw you.
ROSS: Oh OK.  You
feel guilty and tense around them already. You might as well make some money off of them.
CHANDLER: Ya know, the man's got a point. [gestures with his arm and the bracelet falls
off]
PHOEBE: What is that sparkly thing?
CHANDLER: That thing, it's a uhh. . . yeah it's, it's a little flashy.
ROSS: No no, no no, it's not flashy, not for a Goodfella.
MONICA: Man, man that is sharp. It must have cost you quite a few debloons.
[Scene: Monica and Rachel's apartment. Monica answers the door and lets her parents in.
They are carrying boxes.]
MONICA: Hi.
MR. GELLER: Hi.
MRS. GELLER: Hi darling.
MONICA: So, what's this.
MR. GELLER: Some of your old stuff.
MRS. GELLER: Well sweetie, we have a surprise for you. We're turning your room into a gym.
MONICA: Wow, that is a surprise. Just one little question, uh, why not Ross's room?
MR. GELLER: Gosh, we talked about that but your brother has so many science trophies and
plaques and merit badges, well we didn't want to disturb them.
MONICA: Oh, God forbid.
[Rachel enters with a laundry basket]
MRS. GELLER: Oh, hi Rachel.
RACHEL: Hi.
MRS. GELLER: Oh, we were so sorry to hear about your parents splitting up, dear.
 Your parents have been unhappy
ever since we've known them. Especially after that incident in Hawaii.
RACHEL: What, what incident?
MR. GELLER: Uhh, naa, no no no, I, I must be thinking of someone else, uh, maybe me. Don't
you have some folding to do? Go fold dear. Fold. You fold. [shuffles her into her room]
[Scene: Central Perk. Chandler and Phoebe are sitting on couches. A beautiful woman is
looking at Chandler.]
PHOEBE: Do you want a refill?
CHANDLER: No, I'm alright, thanks.
PHOEBE: OK.  Dude, 11 o'clock, totally hot babe checkin' you out. That was really
good, I think I'm ready for my penis now.
CHANDLER: [walks over to the woman] I know what you're thinking, Dave Thomas, founder of
Wendy's.
GAIL: I'm Gail.
CHANDLER: Chandler. [waves his arm around, exposing the bracelet]
GAIL: I, I really have to be somewhere but it was nice meeting you.
CHANDLER: What? [realizes it was the bracelet] Oh this is excellent.

PHOEBE: It's not that bad.
CHANDLER: Oh, yeah, easy for you to say, you don't have to walk around sporting some
reject from the Mr. T collection. [Joey walks in behind Chandler]
PHOEBE: Chandler, Chandler.
CHANDLER: I pity the fool who puts on my jewelry, I do, I do. I pity
the fool that. . . [turns around and sees Joey] Hi. Hey man, we were just doin' some uhh,
impressions over here. Do your Marcel Marceau. [Joey turns around and walks out without
saying anything] That's actually good.
[Scene: Central Perk. Rachel is talking to a man at the counter. Ross and Phoebe are
sitting at the couches.]
ROSS: Would you look at that guy, I mean how long has he been talking to her. It's like,
back off buddy she's a waitress not a geisha.
PHOEBE: I think she's OK.
 Alright, I'm gonna do something. [walks
up in the middle of their conversation] Excuse me, are you Rachel?
RACHEL: What?
ROSS: I'm Ross Geller. Wha, I'm, God in your add you said you were pretty but wow.
RACHEL: What are you, what are you doin'?
ROSS: Oh, oh my God, is this the wrong day? I don't believe it, uh, well, hey, I guess if
it works out we'll, we'll have something to tell the grandkids.
MAN: Sure will. I've uh, gotta go. Take care.
ROSS: OK, see ya later, nice meeting you. [man leaves] You're welcome.
RACHEL: What?
ROSS: I was saving you.
RACHEL: Saving, saving, saving me from the pleasant conversation with the interesting man,
saving me?
ROSS: Oh, see from where I was sitting I uh. . .
RACHEL: OK, Ross, listen to me, I am not yours to save.
ROSS: But, you are.
RACHEL: What?
ROSS: Uh, uh, well you're, umm, you're my lobster.
RACHEL: OK, you know what, are, are you being like, the blind date guy again?
ROSS: No no, you're uh, you're my lobster. See um, lobsters, uhh, in the tank when, when
they're old, uhh, they get with, uhh, they walk around holding the claws. In the tank, ya
know, with, with the holding and. . . Uhh, Phoebs you wanna help me out with the, the
whole lobster thing?
PHOEBE: Do the claws again.
ROSS: Rach. OK, forget, forget the lobsters OK. We're, let's talk, what about us?
RACHEL: Ross, there is no us, OK.
ROSS: No, but. . .
RACHEL: No, listen to me. I fell for you and I get clobbered. You then fall for me and I
again, somehow, get clobbered. I'm tired of being clobbered, ya know, it's, it's just not
worth it.
ROSS: Well, but, but. . .
RACHEL: NO but Ross. We are never gonna happen, OK. Accept that.
ROSS: E-except, except that what?
RACHEL: No, no, ACC-cept that.
ROSS: Oh.
[Scene: Chandler and Joey's apartment. Chandler is there. Joey enters.]
CHANDLER: Hey man, look it's my best bud. How ya doin? [Joey doesn't
respond] Wow, you are really gettin' good at that Marcel Marceau thing. Hey, whaddya say
uh, we play some ball, you and me, huh, whaddya say? [Throws a basketball to Joey. Joey
doesn't move to catch it and the ball takes out a lamp] OK, that's my bad.
JOEY: If you hated the bracelet so much, Chandler, you should have just said so.
CHANDLER: Well, doesn't the fact that I wore the bracelet even though I hated it say
something about our friendship and how much it means to me?
JOEY: Well, what about the fact that you insulted the bracelet and
you made fun of me?
CHANDLER: OK, well that's the part where I'm a wank. But I was hoping we wouldn't focus on
that. [Joey goes to his room and shuts the door] Hey, c'mon man, I said I was sorry like a
hundred times, I promise I will never take it off my. . . [notices the bracelet is missing
from his wrist] wrist.  Though you may
haveth anger now. . . [Joey returns to his room]
[Scene: Monica and Rachel's apartment. Mr. and Mrs. Geller are watching tennis on TV,
Monica is sitting at the table]
MR. GELLER: You know, that Steffi Graf has quite a tush. I'm just saying, it's right
there.
ROSS: Hey guys.
MRS. GELLER: Hi, darling. Where's my grandson, you didn't bring him?
ROSS: No, he's at uh, Carol's and Susan's today.
MR. GELLER: A woman in my office is a lesiban. I'm just saying.
MRS. GELLER: Oh, Jack look, there's that house paint commercial that cracks you up. [the
Gellers return to watching TV and Ross goes over to Monica]
MONICA: Where have you been?
 So, did they lend you the money yet?
MONICA: No, but that's probably 'cause I haven't asked them yet.
ROSS: C'mon Monica, do it.
MONICA: Um, yeah, so uh, uhh, listen, I'm sorry I didn't tell you
this before but umm, I, I'm no longer at my job, I, I had to leave it.
MRS. GELLER: Why?
MONICA: Because they made me.
MRS. GELLER: You were fired? What're you gonna do?
MR. GELLER: Judy, Judy, relax, this is our little harmonica we're talking about. We taught
her well. Ten percent of your paycheck, where does it go?
MONICA and ROSS: In the bank.
MR. GELLER: There you go. So she dips into her savings, that's what it's there for. She's
gonna be fine, and if you need a little extra, you know where to find it. [pulls a quarter
from behind her ear]
MONICA: Anything larger back there?
[Scene: Central Perk. Chandler and Phoebe enter.]
CHANDLER: I can't believe it.
PHOEBE: Would you stop already? Get out of the bitter barn and play
in the hay.
CHANDLER: Oh, you're right I, I should play in the hay. Forget about the fact that I just
dropped 400 dollars to replace a bracelet that I hated to begin with. Bring on the hay.
[sits down at the bar]
RACHEL: [comes up from behind the bar and startles Chandler] Hey. I've got something
that's gonna make you happy. Guess what Gunther found? [holds up Chandler's bracelet]
PHOEBE: Hey now you have two. [Chandler looks annoyed] Oh, now you have two.
CHANDLER: What am I gonna do, huh? [Joey walks in behind him]
JOEY: Hey.
CHANDLER: Hey.
JOEY: How come you have two?
CHANDLER: Well this one's for you.
JOEY: Get out.
CHANDLER: No, I can't. No no, listen, I, I know how much this means to you and I also know
that this is about more than just jewelry, [puts bracelet on Joey] it's about you and me
and the fact that we're [reading bracelet] best buds.
JOEY: Wow, is this friendship? I think so. Check it out, we're
bracelet buddies.
CHANDLER: That's what they'll call us.
[Scene: Monica and Rachel's apartment. Monica and Ross are standing in the kitchen.
Ross is filling out a check]
ROSS: Here you go, you can pay me back whenever you like.
MONICA: You have dinosaur checks?

 I'm kidding, I'm kidding, thank you,
I'm very greatful.
PHOEBE: [Standing in living room with Chandler and Joey. She pulls a huge bathing suit out
of a box] Hey, Mon, what is this?
MONICA: Oh, um, that was my bathing suit from high school. I was uh,
a little bigger then.
CHANDLER: Oh, I thought that's what they used to cover Connecticut when it rained.
JOEY: [pulls out a VCR tape] Hey Monica, what's on this video tape?
MONICA: Hey, you got me, put it in.
ROSS: [Rachel enters] Oh.
RACHEL: Hi.
ROSS: Hi.
MRS. GELLER: Over here Jack. OK. I see, Rachel's coming up the path. Oh doesn't she
look pretty. Jack, get this. [Rachel enters with a huge nose]
RACHEL: Oh my God.
JOEY: What is with your nose?
RACHEL: They had to reduce it because of, of my deviated septum.
CHANDLER: OK, I was wrong, that's what they used to cover Connecticut.
MONICA: You know what this is, this is us getting ready for the prom.
RACHEL: Oh.
ROSS: You know what, you guys, we don't have to watch this.
ALL: Oh yeah we do. C'mon.
MRS. GELLER: Get a shot of Monica. Where's Monica.
MONICA: Over here dad. [he pans over and we see a torso taking up the whole screen]
MR, GELLER: Wait, how do you zoom out? [zooms out and we see an extremely overweight
Monica eating a big sandwich] There she is.
JOEY: Some girl ate Monica.

CHANDLER: Ahh, so how many cameras are actually on you?
MONICA: Oh, you look so great.
RACHEL: Ahh, so do you, beautiful. [they hug]
MONICA: Oops.
RACHEL: What?
MONICA: Shoot, I think I got mayonaise on you.
RACHEL: Oh, that's OK, it's just the shoulder, it's not my dress.
MR. GELLER: Everybody smile.

MONICA: Dad, it is not. What's with the red light?
MR. GELLER: It's the off light. Right Ross? [pans over to see Ross
with an afro and moustache]
JOEY: Lookin' good Mr. Cotter.
ROSS: You look pretty tonight.
RACHEL: Oh, thanks. So, uh, what are you gonna do this summer?
ROSS: Oh, you know, I'm just gonna, I'm gonna hang out, work on my music.
RACHEL: [the shoulders of her dress keep falling off her shoulders] Is my hook unhooked?
These things keep falling down, I can't. . .
ROSS: Uh, hold, let me see, I don't know.
ROSS: this summer?
CHANDLER: Work on your music?

MONICA: Ya know, Roy saw Star Wars 317 times. His name was in the paper.
RACHEL: Where's Chip, why isn't he here yet?
ROY: He'll be here OK, take a chill pill. [Chip pins Monica's corsage on, Monica then
turns and whispers to Rachel]
MONICA: I just told Rachel that Roy touched my boob.
RACHEL: I can't go to my own prom without a date, I can't, it's too late.
MONICA: If you're not going then I don't want to go either.
 You should take Rachel to
the prom.
ROSS: Doubtful.
MRS. GELLER: Jack, give me that. Talk to your son.
MR. GELLER: Your mother's right. Take her, you can wear my tux.
ROSS: Dad, she won't want to go with me.
MR. GELLER: Of course she would, you're a college man.
ROSS: I don't know.
MR. GELLER: Well, c'mon. Don't ya want to find out?
RACHEL: I can't believe I don't get to go to my own prom, this is so harsh.
ROSS: OK. Hold my board.
MR. GELLER: Atta boy. [Ross scrambles upstairs to change]
ROSS: OK, you guys, ya know, I think we've seen enough, let's turn it off.
ALL: No, no, no.
ROSS: OK, fine, well I'm not gonna watch, alright.
MR. GELLER: C'mon kid, let's go.
MRS. GELLER: Ahh, are you hadsome.
MR. GELLER: Let's show 'em.
ROSS: Uh, just a sec dad. [to himself] OK, be cool, just be cool. [walks down the stairs
and grabs the flowers out of the vase on the endtable] OK dad.
MR. GELLER: [going downstairs] Rachel, ready or not, here comes your knight in shining. .
. oh no. [Chip has shown up and the four are leaving]
RACHEL, MONICA, ROY, and CHIP: Bye.
MRS. GELLER: Oh, dear. Jack, how do I turn this off?
MR. GELLER: Press the button.
MRS. GELLER: Which one? Which button, Jack.
MR. GELLER: The button, the button.
MONICA: I can't believe you did that.
ROSS: Yeah, well.
[Rachel, seeing what he did for her, gets up, walks across the room, and kisses Ross]
PHOEBE: See, he's her lobster.
CLOSING CREDITS
[Scene: Monica and Rachel's apartment. Monica is watching the rest of the tape]
MRS. GELLER: Dance with him.
MONICA: Mom, I'm hungry.
MRS. GELLER: Dance with your father.
MR. GELLER: I may not know any of your flash dances but I'm no slouch on the dance floor.
MONICA: Alright.
[the tape cuts to Monica's parents under the covers]
MRS. GELLER: Oh, Jack.
MR. GELLER: Oh, Judy. Oh, Judy.
BOTH: Oh, ohhhhh.
[Monica is visibly upset]
END


Incidence ID:
Incidence Name:
Incidence Description:
Agent ID:
Agent Type:
Location:
Extra Info:
Tags:
Current State:
Custom Fields:
Comments:


Order Details
Order : #432345
Delivery : 20-02-2020 02:30 PM
Total : 40 SAR
Items (4)
Payment & Shipping
Sub total: 40 SAR
Shipping charge: 02 SAR
Tax: 02 SAR
Total: 44 SAR
Order : #432345
Delivery : 20-02-2020 02:30 PM
Total : 40 SAR
Sub total: 40 SAR
Shipping charge: 02 SAR
Tax: 02 SAR
Total: 44 SAR


interface DataMessageObserver
DataMessageObserver lets one listen to data message receiving event. One can subscribe this observer to multiple data message topic in order to receive and process the message that sent to the topics.
Note: callback will be called on main thread.
onDataMessageReceived |
Handles data message being received. abstract fun onDataMessageReceived(dataMessage: DataMessage): Unit |


Tom Elliott selected as Ulster Unionist candidate in Fermanagh and South Tyrone
by JOHN MANLEYFORMER Fermanagh and South Tyrone MP Tom Elliott will again be the Ulster Unionist candidate in the constituency for the forthcoming Westminster election.
The former UUP leader previously held the seat for little over two years from May 2015.
He lost out in the last general election to Sinn Féin's Michelle Gildernew, by a majority of 875.
The DUP has already stated that it will not run in Fermanagh and South Tyrone, which is home to its leader Arlene Foster.
"This will be the most important general election in generations – the MPs elected on December 12 will have a decisive role in shaping the UK's future international and domestic direction for many decades to come," Mr Elliott said.
"Brexit is the defining issue of the period. I believe a bad Brexit deal would be just as damaging, both economically and constitutionally, as a no deal."
Meanwhile, the TUV has said it will not be fielding any candidates in the Westminster election in what the party has described as a "one-off stance".
The Jim Allister-led party has been sporadic in its participation in previous general elections, tending to stand only in safe unionist seats.
The party received 62,021 first preference votes in May's European Parliament election, ultimately outpolling both the SDLP and Ulster Unionists.
A spokesman said first-past-the-post elections had "always evoked a different and more selective response from TUV than PR (proportional representation) elections, where maximising the choice for unionist voters is an advantage".
“This is a unique election in which we intend to take a one-off stance – TUV will sit out this single issue election," a spokesman said.
"The pan-republican, pro-Remain assault on unionist seats calls for a country before party response."


Hey I'm Komal! I work at the Institue for Health Metrics and Evaluation as a Data Analyst, where my team focuses on estimating the prevalence of dietary risk factors and high BMI on a global scale. In my spare time I enjoy exploring interesting data sets and finding novel and beautiful ways to visualize data. I enjoy coding in Python and JavaScript, and I'm always trying to learn new things.
Here are some of the technologies I utilize on a day-to-day basis.
Feel free to check out my LinkedIn for more information and contact details.


142 different because it doesn’t include the grays at the left. Since there are eight color families, the pure, named fair hues are at multiples of 100/8=12.5, starting with red=0.) White is crayon 14 and color number 14. This value was deliberately chosen not to be a multiple of 5 so that the every-ﬁfth-crayon and every-tenth-crayon selections don’t include it, so that all of the crayons in those smaller boxes are visible against a white stage background. Among purples, the ofﬁcial spectral violet (crayon 90) is the end of the spectrum. Magenta, brighter than violet, isn’t a spectral color at all. (In the picture at the left, the top part is the spectrum of white light spread out through a prism; the middle part is a photograph of a rainbow, and the bottom part is a digital simulation of a rainbow.) Magenta is a mixture of red and blue. (attribution: Wikipedia user Andys. CC BY-SA.) The light gray at color number 10 is slightly different from crayon 10 just because of roundoff in computing crayon values. Color number 90 is different from crayon 90 because the ofﬁcial RGB violet (equal parts red and blue) is actually lighter than spectral violet. The purple family is also unusual because magenta, crayon and color number 95, is lighter than the violet at 90. In other families, the color numbers, crayons, and (scaled) fair hues all agree at multiples of ten. These multiple-of-ten positions are the standard RGB primary and secondary colors, e.g., the yellow at color number 50 is (255, 255, 0) in RGB. (Gray, brown, and orange don’t have such simple RGB settings.) The color numbers at odd multiples of ﬁve are generally darker shades than the corresponding crayons. The latter are often ofﬁcial named shades, e.g., teal, crayon 65, is a half-intensity shade of cyan. The odd-ﬁve color numbers, though, are often darker, since they are chosen to be the darkest color in a given family that’s visibly different from black. The pink at color number 15, though, is quite different from crayon 15, because the former is a pure tint of red, whereas the crayon, to get a more interesting pink, has a little magenta mixed in. Color numbers at multiples of ﬁve are looked up in a table; other color values are determined by linear interpolation in RGB space. (Crayons are of course all found by table lookup.) The from color block behaves specially when you ask for the color number of a color. Most colors don’t exactly match a color number, and for other attributes of a color (crayon number, X11 name) you don’t get an answer unless the color exactly matches one of the names or numbers in that attribute. But for color number, the block tries to ﬁnd the nearest color number to the color you specify. The result will be only approximate; you can’t use the number you get to recreate the input color. But you can start choosing nearby color numbers as you animate the sprite. Perceptual Spaces: HSV and HSL RGB is the right way to think about colors if you’re building or programming a display monitor; CMYK is the right way if you’re building or programming a color printer. But neither of those coordinate systems is very intuitive if you’re trying to understand what color you see if, for example, you mix 37% red light, 52% green, and 11% blue. The hue scale is one dimension of most attempts at a perceptual scale. The square at the right has pale blues along the top edge, dark blues along the right edge, various shades of gray toward the left, black at the bottom, and pure spectral blue in the top right corner. Although no other point in the square is pure blue, you can tell at a glance that no other spectral color is mixed with the blue. Aside from hue, the other two dimensions of a color space have to represent how much white and/or black is mixed with the spectral color. (Bear in mind that “mixing black” is a metaphor when it comes to monitors. There really is black paint, but there’s no such thing as black light.) One such space, HSV, has one dimension for the amount of color (vs. white), called saturation, and one for the attribution: Wikipedia user SharkD, CC BY-SA 3.0


In this heat map, each square shows the correlation between the variables on each axis ranging from -1 to 1. Values closer to zero means there is no linear trend between the two variables. The close to 1 the correlation is, the more positively correlated they are. That is when one increases, so does the other. The closer to 1 is the value, the stronger the positive correlation is. A correlation closer to -1 is similar, but instead of both increasing one variable will decrease as the other increases. The diagonals are yellow because those squares are correlating each variable to itself (a perfect correlation). For the rest, the lower the values are, the darker the squares' color will be


| ID | Formula | FW | DSSTox_CID | DSSTox_RID | DSSTox_GSID | DSSTox_FileID_Sort | TS_ChemName | TS_ChemName_Synonyms | TS_CASRN | CASRN_ChemName_Relationship | TS_Description | ChemNote | STRUCTURE_Shown | STRUCTURE_Formula | STRUCTURE_MW | STRUCTURE_ChemType | STRUCTURE_DefinedOrganicForm | STRUCTURE_IUPAC | STRUCTURE_SMILES | STRUCTURE_SMILES_Desalt | Substance_modify_yyyymmdd | |
| 13171-00-1 | 10190 | C17H24O | 244.3719 | 24536 | 80299 | 44536 | 4981 | 1-(6-tert-Butyl-1,1-dimethyl-2,3-dihydro-1H-inden-4-yl)ethanone | Ethanone, 1-[6-(1,1-dimethylethyl)-2,3-dihydro-1,1-dimethyl-1H-inden-4-yl]- | 13171-00-1 | primary | single chemical compound | tested chemical | C17H24O | 244.3719 | defined organic | parent | 1-(6-tert-butyl-1,1-dimethyl-2,3-dihydro-1H-inden-4-yl)ethanone | CC(=O)c2cc(cc1c2CCC1(C)C)C(C)(C)C | CC(=O)c2cc(cc1c2CCC1(C)C)C(C)(C)C | 20091116 |


Golbat
Pokemon is a double, poisonous and flying type from the first generation of Pokemon. At level 22, it evolves from Zubat. Further the golbat evolves into a Crobat in a state of happiness.


| Package | Description |
|---|---|
| odata.msgraph.client.beta.entity |
| Modifier and Type | Method and Description |
|---|---|
static PurchaseInvoice.Builder |
PurchaseInvoice.builderPurchaseInvoice()
Returns a builder which is used to create a new
instance of this class (given that this class is immutable).
|
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.buyFromAddress(PostalAddressType buyFromAddress) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.currencyCode(String currencyCode) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.currencyId(String currencyId) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.discountAmount(BigDecimal discountAmount) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.discountAppliedBeforeTax(Boolean discountAppliedBeforeTax) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.dueDate(LocalDate dueDate) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.id(String id) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.invoiceDate(LocalDate invoiceDate) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.lastModifiedDateTime(OffsetDateTime lastModifiedDateTime) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.number(String number) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.payToAddress(PostalAddressType payToAddress) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.payToContact(String payToContact) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.payToName(String payToName) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.payToVendorId(String payToVendorId) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.payToVendorNumber(String payToVendorNumber) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.pricesIncludeTax(Boolean pricesIncludeTax) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.shipToAddress(PostalAddressType shipToAddress) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.shipToContact(String shipToContact) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.shipToName(String shipToName) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.status(String status) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.totalAmountExcludingTax(BigDecimal totalAmountExcludingTax) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.totalAmountIncludingTax(BigDecimal totalAmountIncludingTax) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.totalTaxAmount(BigDecimal totalTaxAmount) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.vendorId(String vendorId) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.vendorInvoiceNumber(String vendorInvoiceNumber) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.vendorName(String vendorName) |
PurchaseInvoice.Builder |
PurchaseInvoice.Builder.vendorNumber(String vendorNumber) |
Copyright © 2018–2020. All rights reserved.


Godrej Industries Q2 net profit jumps 95% to Rs 371 crore
The board approved further investment of upto Rs 750 crore by way of subscription / purchase of securities or otherwise in Godrej Properties, a subsidiary company.
Godrej Industries has reported 95.7 percent YoY jump in its September quarter (Q2FY20) net profit at Rs 371.46 crore against Rs 189.76 crore.
Revenue for the quarter increased by 3.6 percent at Rs 2,628.71 crore against Rs 2,538.39 crore, YoY.
Earnings before interest, tax, depreciation and amortisation (EBITDA) rose 1.6 percent at Rs 151.1 crore versus Rs 148.7 crore, while EBITDA margin was flat at 5.8 percent versus 5.9 percent, YoY.
The company board has approved raising of funds by way of issuance of unsecured non-convertible/debentures/Bonds/Other Instruments aggregating to Rs 1,500 crore.
The board also approved further investment of up to Rs 750 crore by way of subscription/purchase of securities or otherwise in Godrej Properties, a subsidiary company.
On November 11, Godrej Industries ended at Rs 431.10, up Rs 5.75, or 1.35 percent on the BSE.Get access to India's fastest growing financial subscriptions service Moneycontrol Pro for as little as Rs 599 for first year. Use the code "GETPRO". Moneycontrol Pro offers you all the information you need for wealth creation including actionable investment ideas, independent research and insights & analysis For more information, check out the Moneycontrol website or mobile app.