Company profile - Canadian Company Capabilities
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Bona Foods Limited
Mailing Address:
184 Toryork Dr.NORTH YORK, Ontario
M9L 1X6
Location Address:
184 Toryork Dr.NORTH YORK, Ontario
M9L 1X6
Tel.:<PHONE_NUMBER>
Fax:<PHONE_NUMBER>
Logo
Company Profile
Manufacturer of Italian specialty meats. Established in 1966 - producing a wide variety of fresh, cooked, and dry cured sausages, including: mortadella, capocolli, cacciatore, genoa salami, pepperoni, and fresh sausages. Bona Foods is federally inspected and HACCP certified.
Full profile
Full profile
Contact information
Company description
Product / Service / Licensing
Dimensions:
Italiana: 8" diameter x 15" length, 9kg
Regular: 6" diameter x 18" length, 6kg
Media: 4" diameter x 8" length, 1.5kg
Baby: 2.5" diameter x 6" length, 0.5kg
Paisanella Small: 1"-3" diameter x 7"-9" length, approx. 200-650g [Mild/Hot]
Paisanella Big: 3"-5" diameter x 8"-10" length, approx. 750-1500g [Mild/Hot]
Bona distinguishes its premium capocollo by utilizing only one whole cut of pork rather than combining many small pieces. Making it in this fashion is considerably more expensive and labour-intensive, but it produces an unquestionably superior product.
Dimensions: 3.5" x 7-9" length, 1.5kg [Mild/Hot]
Dimensions: 3.5" x 8" length, 1.3kg [Mild/Hot]
With a smaller diameter, and sold in pairs, Bona Pepperoni Packages are intended for home use. Easily hand-sliced, they are ideal for home-made pizzas, or as a spicy snack.
Dimensions: 3" diameter x 16" length, 2kg [Mild/Hot]
Dimensions: 5" width x 2" height x 16" length, 2.3kg [Mild/Hot]
Salametti: 2.5" diameter x 7" length, 420g [Mild/Hot]
Sopp. Calabrese: 3" width x 1" height x 7" length, 420g [Mild/Hot]
Made of coarsely minced pork with premium spices and stuffed into natural casings, Cacciatore and Salciccia are Bona's thinnest dry cured products. They are convenient for travel because of their small size, and can be enjoyed thickly sliced by hand. Slices of Cacciatore can be served as pizza toppings, on appetizer dishes, and whole links are often added to pasta sauce for flavour.
Dimensions: 1" diameter x 7" length, 250g/pair [Mild/Hot]
Dimensions: 2" diameter x 11" length, 600g [Mild/Hot]
Bona Dry Capocolli and Prosciuttini are domestic alternatives to a traditional leg of prosciutto. Both are similar, except that the Prosciuttini is pressed flat. Visible is their deep red colour, contrasted by natural veins of fat. A whole cut of pork, like in Bona's cooked Capocollo, is salted in brine, then cased and air-dried for an extended period. Their convenient size of about 700g is better suited for home use than a standard prosciutto which weighs about 3.5kg. As well, their dimensions permit easier slicing either by hand or on a domestic meat slicer (normal prosciutto is often too big for a standard slicer)
Dry Capocolli: 3" diamter x 7" length, 700g [Mild/Hot]
Prosciuttini: 4: width x 1.5" height, 700g [Mild/Hot]
Dimension: 7" width x 3" height x 5" length, 1.25kg (per half piece)
Pancetta is often referred to as 'Italian bacon'. Unlike English bacon, which can include the sides or back of the pig, and may be smoked, Bona Pancetta Flat comes solely from the pork belly, and is salt-cured only, never smoked. This allows the subtle flavours of the pork to develop slowly and flourish in the final product. Pancetta is widely used in cooking, where it lends its remarkable savory-sweet flavour to many dishes including risottos, pastas, stews, soups, sauces, and cooked vegetables.
Dimensions: 6" width x 1" height x 3" length, 250g [Mild/Hot]
Rolled Pancetta was traditionally used as bacon in Italy. It is often moister than American bacon because it has not been smoked. Bona Pancetta Rount may be sliced and eaten as one would eat prosciutto - although it is usually more tender and considerably less salty. Round Pancetta, like our flat, is fantastic for cooking, and is incredibly versatile in the kitchen.
Dimensions: 4" diameter x 9" length, 1.5kg [Mild/Hot]
Dimensions: 5" diameter x 9" length, 2.4kg [Mild/Hot]
Mild Sausages are seasoned with black pepper while hot sausages are spiced with potent red chillies. Enjoy Bona Sausages barbequed, fried, in sauce, or sliced on pizza - their uses are limited only by your imagination. They are offered 'loose' or 'frozen & vacuum packaged'. Packages of 5 or 10 are available.
Dimensions: 1.5" diameter x 7" link, 160g per link [Mild/Hot]
Dimensions: 1/2" diameter x 7" link, 450g per 10pc pkg
Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
Contacts
Contact information
Description
Company description
Products, services and licensing
Product / Service / Licensing
Dimensions:
Italiana: 8" diameter x 15" length, 9kg
Regular: 6" diameter x 18" length, 6kg
Media: 4" diameter x 8" length, 1.5kg
Baby: 2.5" diameter x 6" length, 0.5kg
Paisanella Small: 1"-3" diameter x 7"-9" length, approx. 200-650g [Mild/Hot]
Paisanella Big: 3"-5" diameter x 8"-10" length, approx. 750-1500g [Mild/Hot]
Bona distinguishes its premium capocollo by utilizing only one whole cut of pork rather than combining many small pieces. Making it in this fashion is considerably more expensive and labour-intensive, but it produces an unquestionably superior product.
Dimensions: 3.5" x 7-9" length, 1.5kg [Mild/Hot]
Dimensions: 3.5" x 8" length, 1.3kg [Mild/Hot]
With a smaller diameter, and sold in pairs, Bona Pepperoni Packages are intended for home use. Easily hand-sliced, they are ideal for home-made pizzas, or as a spicy snack.
Dimensions: 3" diameter x 16" length, 2kg [Mild/Hot]
Dimensions: 5" width x 2" height x 16" length, 2.3kg [Mild/Hot]
Salametti: 2.5" diameter x 7" length, 420g [Mild/Hot]
Sopp. Calabrese: 3" width x 1" height x 7" length, 420g [Mild/Hot]
Made of coarsely minced pork with premium spices and stuffed into natural casings, Cacciatore and Salciccia are Bona's thinnest dry cured products. They are convenient for travel because of their small size, and can be enjoyed thickly sliced by hand. Slices of Cacciatore can be served as pizza toppings, on appetizer dishes, and whole links are often added to pasta sauce for flavour.
Dimensions: 1" diameter x 7" length, 250g/pair [Mild/Hot]
Dimensions: 2" diameter x 11" length, 600g [Mild/Hot]
Bona Dry Capocolli and Prosciuttini are domestic alternatives to a traditional leg of prosciutto. Both are similar, except that the Prosciuttini is pressed flat. Visible is their deep red colour, contrasted by natural veins of fat. A whole cut of pork, like in Bona's cooked Capocollo, is salted in brine, then cased and air-dried for an extended period. Their convenient size of about 700g is better suited for home use than a standard prosciutto which weighs about 3.5kg. As well, their dimensions permit easier slicing either by hand or on a domestic meat slicer (normal prosciutto is often too big for a standard slicer)
Dry Capocolli: 3" diamter x 7" length, 700g [Mild/Hot]
Prosciuttini: 4: width x 1.5" height, 700g [Mild/Hot]
Dimension: 7" width x 3" height x 5" length, 1.25kg (per half piece)
Pancetta is often referred to as 'Italian bacon'. Unlike English bacon, which can include the sides or back of the pig, and may be smoked, Bona Pancetta Flat comes solely from the pork belly, and is salt-cured only, never smoked. This allows the subtle flavours of the pork to develop slowly and flourish in the final product. Pancetta is widely used in cooking, where it lends its remarkable savory-sweet flavour to many dishes including risottos, pastas, stews, soups, sauces, and cooked vegetables.
Dimensions: 6" width x 1" height x 3" length, 250g [Mild/Hot]
Rolled Pancetta was traditionally used as bacon in Italy. It is often moister than American bacon because it has not been smoked. Bona Pancetta Rount may be sliced and eaten as one would eat prosciutto - although it is usually more tender and considerably less salty. Round Pancetta, like our flat, is fantastic for cooking, and is incredibly versatile in the kitchen.
Dimensions: 4" diameter x 9" length, 1.5kg [Mild/Hot]
Dimensions: 5" diameter x 9" length, 2.4kg [Mild/Hot]
Mild Sausages are seasoned with black pepper while hot sausages are spiced with potent red chillies. Enjoy Bona Sausages barbequed, fried, in sauce, or sliced on pizza - their uses are limited only by your imagination. They are offered 'loose' or 'frozen & vacuum packaged'. Packages of 5 or 10 are available.
Dimensions: 1.5" diameter x 7" link, 160g per link [Mild/Hot]
Dimensions: 1/2" diameter x 7" link, 450g per 10pc pkg


DIET & ENERGY
BODY CARE
FITNESS & WELLNESS
SPORTING NUTRITIONS
HEARBS & CLEANING
SPORTS NUTRITION
VITAMINS & MINERALS
VITAMINS & MINERALS
HEARBS & CLEANING
SPORTS NUTRITION
VITAMINS & MINERALS
BRANDS
Neoseptin
Amicon
Livoxin
Amocal
Dexit
Mitosin
Aviron
Cyron
Musin
BRANDS
CLIF KID TWISTED
CLIF KID TWISTED
CLIF KID TWISTED
NEW PRODUCTS
Detox theraputic Detox theraputic
It is very noble activity to protect health and help people recover.
$35
DETAILS
Detox theraputic Detox theraputic
It is very noble activity to protect health and help people recover.
$35
DETAILS
Detox theraputic Detox theraputic
It is very noble activity to protect health and help people recover.
$35
DETAILS
Detox theraputic Detox theraputic
It is very noble activity to protect health and help people recover.
$35
DETAILS
Detox theraputic Detox theraputic
It is very noble activity to protect health and help people recover.
$35
DETAILS
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It is very noble activity to protect health and help people recover.
$35
DETAILS


Your response will be of great value in our study.
How would you describe your current role/position?
Are you willing to allot time in learning how to code?
What fields of programming are you most interested in?
What days are you most free? (Check all that apply
What plans do you have in mind in pursuing this journey? Let us know!


The Leeds University Skydiving Society is part of the outdoor societies at the Leeds University Union. We welcome members from all Leeds and surrounding universities, including alumni.
Our current home dropzone is BPS Langar, situated just outside of Nottingham. The dropzone is the largest civilian dropzone in the UK, hosting tandems and fun jumpers every day of the year (except Christmas Day). The dropzone also hosts Nottingham, Birmingham, Warwick, London and Loughborough University skydiving clubs, ensuring there are always lots of new students to meet.
We are held together as a club by our passion for all avenues of the sport; becoming a member means being welcomed into a club that will help you from your first jump to your 1000th. The club is very sociable, hosting weekly events at varying locations (check our Facebook if you want to find out more).
Join Leeds University Skydivers


The Heart of Happy Hollow
by Paul Laurence Dunbar
Chapter 6: The Race Question
Additional Information
- Year Published: 1904
- Language: English
- Country of Origin: United States of America
- Source: Dunbar, P.L. (1904). The Heart of Happy Hollow. Dodd, Mead and Company.
-
Readability:
- Flesch–Kincaid Level: 6.5
- Word Count: 1,303
- Genre: Poetry
- Keywords: hatred, injustice, jealousy, society
- ✎ Cite This
Downloads
Scene—Race track. Enter old coloured man, seating himself.
“Oomph, oomph. De work of de devil sho’ do p’ospah. How ‘do, suh? Des tol’able, thankee, suh. How you come on? Oh, I was des a–sayin’ how de wo’k of de ol’ boy do p’ospah. Doesn’t I frequent the racetrack? No, suh; no, suh. I’s Baptis’ myse’f, an’ I ‘low hit’s all devil’s doin’s. Wouldn’t ‘a’ be’n hyeah to–day, but I got a boy named Jim dat’s long gone in sin an’ he gwine ride one dem hosses. Oomph, dat boy! I sut’ny has talked to him and labohed wid him night an’ day, but it was allers in vain, an’ I’s feahed dat de day of his reckonin’ is at han’.
“Ain’t I nevah been intrusted in racin’?  What you laffin’ at? Oh, scuse me, scuse me, you unnerstan’ what I means.  What I means is dat dey has been days when I walked in de counsels of de on–gawdly and set in de seats of sinnahs; and long erbout dem times I did tek most ovahly strong to racin’.
“How long dat been? Oh, dat’s way long back, ‘fo’ I got religion, mo’n thuty years ago, dough I got to own I has fell from grace several times sense.
“Yes, suh, I ust to ride. Ki–yi! I nevah furgit de day dat my ol’ Mas’ Jack put me on ‘June Boy,’ his black geldin’, an’ say to me, ‘Si,’ says he, ‘if you don’ ride de tail offen Cunnel Scott’s mare, “No Quit,” I’s gwine to larrup you twell you cain’t set in de saddle no mo’.’ Hyah, hyah. My ol’ Mas’ was a mighty han’ fu’ a joke. I knowed he wan’t gwine to do nuffin’ to me.
“Did I win? Why, whut you spec’ I’s doin’ hyeah ef I hadn’ winned? W’y, ef I’d ‘a’ let dat Scott maih beat my ‘June Boy’ I’d ‘a’ drowned myse’f in Bull Skin Crick.
“Yes, suh, I winned; w’y, at de finish I come down dat track lak hit was de Jedgment Day an’ I was de las’ one up! Ef I didn’t race dat maih’s tail clean off, I ‘low I made hit do a lot o’ switchin’. An’ aftah dat my wife Mandy she ma’ed me. Hyah, hyah, I ain’t bin much on hol’in’ de reins sence.
“Sh! dey comin’ in to wa’m up.  Des a hundred an’ eight, suh, des a hundred an’ eight. Yas, suh, dat’s my Jim; I don’t know whaih he gits his dev’ment at.
“What’s de mattah wid dat boy? Whyn’t he hunch hisse’f up on dat saddle right?  What I done showed you?  Hyeah he come back. Dat’s bettah, you scoun’ril.
“Dat’s a right smaht–lookin’ hoss he’s a–ridin’, but I ain’t a–trustin’ dat bay wid de white feet—dat is, not altogethah. She’s a favourwright too; but dey’s sumpin’ else in dis worl’ sides playin’ favourwrights. Jim bettah had win dis race. His hoss ain’t a five to one shot, but I spec’s to go way fum hyeah wid money ernuff to mek a donation on de pa’sonage.
“Does I bet? Well, I don’ des call hit bettin’; but I resks a little w’en I t’inks I kin he’p de cause. ‘Tain’t gamblin’, o’ co’se; I wouldn’t gamble fu nothin’, dough my ol’ Mastah did ust to say dat a honest gamblah was ez good ez a hones’ preachah an’ mos’ nigh ez skace.
 I knowed it! I knowed it! I had my eye on huh all de time. Oh, Jim, Jim, why didn’t you git in bettah, way back dah fouf? Dah go de gong! I knowed dat wasn’t no staht. Troop back dah, you raskils, hyah, hyah.
 Fust t’ing he know he ain’t gwine to know whaih he’s at.
“Dah, dah dey go ag’in. Hit’s a sho’ t’ing dis time. Bettah, Jim, bettah. Dey didn’t leave you dis time. Hug dat bay mare, hug her close, boy. Don’t press dat hoss yit. He holdin’ back a lot o’ t’ings.
“He’s gainin’! doggone my cats, he’s gainin’! an’ dat hoss o’ his’n gwine des ez stiddy ez a rockin’–chair. Jim allus was a good boy.
“Confound these spec’s, I cain’t see ‘em skacely; huh, you say dey’s neck an’ neck; now I see ‘em! now I see ‘em! and Jimmy’s a–ridin’ like——Huh, huh, I laik to said sumpin’.
“De bay maih’s done huh bes’, she’s done huh bes’! Dey’s turned into the stretch an’ still see–sawin’.  Dat boy done th’owed de reins away. Come on, Jimmy, come on! He’s leadin’ by a nose.  Give ‘em hell, Jimmy! give ‘em hell! Under de wire an’ a len’th ahead. Doggone my cats! wake me up w’en dat othah hoss comes in.
“No, suh, I ain’t gwine stay no longah, I don’t app’ove o’ racin’, I’s gwine ‘roun’ an’ see dis hyeah bookmakah an’ den I’s gwine dreckly home, suh, dreckly home. I’s Baptis’ myse’f, an’ I don’t app’ove o’ no sich doin’s!”


 How a New Maiden is treated, has been told in the Katkop dialect, by !kwéiten ta ||ken (L VI.-2. 3997-4003); who also narrates the use made by Bushman Maidens of a kind of red stone (L VI.-1. 3970-3974). New maidens lie in the house of seclusion for one month (from the half of one moon to another). Included are details of where they are secluded, why they cannot look at people and walk about, what they eat and do during this time, and who cares for them.
Comments
1) p.3999v: the period of time new maidens are secluded (one month), 2) This story is found in Book VI-2
Contributors
!kweiten ta ||ken (Rachel) (VI)
Date
31 December 1874 – 1 January 1875
Categories
New maidens, Custom and daily life
Keywords
new maidens (a 'new' maiden) , new maidens (the treatment of) , new maidens (the doings of) , new maidens (what is done with) , new maidens (caring for) , new maidens (the seclusion of) , new maidens (the house of) , new maidens (what they eat and are fed) , new maidens (what they must avoid) , new maidens (prohibitions relating to) , new maidens (the look or gaze of) , new maidens (harm people) , new maidens (customs relating to becoming) , new maidens (the name of their house) , new maidens (rest) , new maidens (old women care for them) , new maidens (their house of illness) , new maidens (and Moon) , house (of illness) , house (of the new maiden) , house (and the seclusion of the new maiden) , house (and what is done with a 'new' maiden) , maiden (what is done with a 'new') , name (of the maiden's house) , name (and what is done with a 'new' maiden) , Moon (what is done with a 'new' maidens) , Moon (maidens lie in seclusion from the half of one moon to another) , Moon (moons or months) , food (eaten and avoided by new maidens) , food (and what is done with a 'new' maidens) , food (fed to new maidens) , look (or gaze of the new maiden harms people) , look (and what is done with a 'new' maidens) , old women (care for new maidens) , old women (what is done with a 'new' maidens)
Story Pages
3997-4003


Non-invasive Measurement of Intra-cranial Pressure
By National Aeronautics and Space Administration
Challenge Summary
This Challenge seeks a non-invasive method or technology to measure the absolute intracranial pressure (i.e., the pressure of the interior of a human’s head).
Total Prize Money
$15,000
Important Dates
Submission Period
Start: Dec 17, 2012 04:00 PM EST End: Feb 17, 2013 11:00 PM EST
Winners Announced
Apr 01, 2013 09:00 AM EDT


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THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT A film review by Scott Renshaw Copyright 1994 Scott Renshaw
Starring: Terence Stamp, Hugo Weaving, Guy Pearce, Bill Hunter. Screenplay/Director: Stephan Elliott. Reviewed by Scott Renshaw.
You know the times are a-changing when drag queens are to be the subject of *two* movies in the space of one year. We're not talking about SOME LIKE IT HOT or TOOTSIE or MRS. DOUBTFIRE; we're talking about genuine, larger-than-life, cattier-than-Felix drag queens. You might not think it the most marketable of subjects, but production is underway on a studio project featuring Wesley Snipes, TO WONG FOO, THANKS FOR EVERYTHING, JULIE NEWMAR. And the thunder of that film is being stolen by the deliciously lightweight Australian import THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT. While it's gentle and respectful of its characters, it's also a big, goofy musical filled with belly laughs.
PRISCILLA opens in Sydney, where cabaret drag performer Tick (Hugo Weaving) receives a call from an old friend asking him to provide the entertainment at a resort hotel in the outback. Tick (who performs as "Mitzi") enlists the aid of two friends for the act: Adam (Guy Pearce), a high-spirited young queen stage named "Felicia;" and Bernadette (Terence Stamp), a transsexual veteran of Les Girls. Together, they set off across the outback in a bus dubbed Priscilla, Queen of the Desert. However, Priscilla proves to be something less than a royal coach, and its many breakdowns serve as preludes to a series of culture-clash encounters between the off-beat threesome and the considerably more conservative townspeople they meet along the way.
Perhaps the wisest decision made by writer-director Stephan Elliott was not to spend too much time contriving an excuse for Priscilla's passengers to go west. He is concerned primarily with getting them on their way and letting the characters carry the story, and at that he succeeds. The three principles are marvelous characters spectacularly performed. Hugo Weaving, who was so impressive in Jocelyn Moorehouse's 1992 feature PROOF, anchors the trio as the anxious Tick, who fears revealing to his cohorts that the "friend" he is helping out is actually his partner in a marriage of convenience...and the mother of his son. He is also frequently forced to act as referee in the squabbles between Adam and Bernadette. Guy Pearce plays Adam as completely carefree, a flamboyant youth who has had little experience with confronting ugly prejudice. Bernadette, on the other hand, is much more experienced, and grows impatient with Adam's giddy bitchiness. As Bernadette, Terence Stamp delivers a knock-out performance, summoning a uniquely genuine femininity to accompany a light-hearted world-weariness. This is no campy drag act he turns in, but a sensitive and funny study of a character who has had to deal with the singular challenge, as she describes it, of "being a man one day and a woman the next."
Stamp is also a treat in PRISCILLA's marvelously staged musical numbers. While Mitzi and Felicia perform with sass and energy, Bernadette goes through the motions professionally but looking exactly like she "did this *years* ago." Costume supervisor Emily Seresin deserves special kudos for the wild outfits which highlight the film; particularly noteworthy is an impromptu performance of "I Will Survive" for an audience of aboriginals (accompanied by digeridoo), and the big show at the resort featuring numerous gaudy costume changes.
There is one truly unfortunate element in PRISCILLA, and it really leaves a bad taste in the mouth. A rural gentleman named Bob (Bill Hunter) who befriends the "girls" has a Southeast Asian mail-order bride, and she is a horrendous shrieking stereotype.  But if you're willing to grit your teeth through her appearance, PRISCILLA will prove to be a mostly delightful piece of entertainment, suprisingly wise and touching.
On the Renshaw scale of 0 to 10 queens of the desert: 7.
-- Scott Renshaw Stanford University Office of the General Counsel
.
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“Typography is writing with prefabricated letters” —Gerrit Noordzij
Phoenician alphabet
甲骨文
Hippopotamus (English) 12 characters
河马
Lebensgefährte (German) 14 characters
伴侣
Grianghrafadóireachta (Irish) 21 characters
摄影
书画同源
Why moveable-type printing didn't dominate in China
Limited government advocacy
Technical issues in the manufacture of types
High cost of making types
Moveable-type printing only effective for large runs
Quality was worse off than woodblock prints
Long-standing tradition and expertise in woodblock printing
A long list of references
Zhang, X. & Han, Q. (2009). The history of Chinese printing: (illustrated). Paramus, N.J: Homa et Sekey Books.
Brokaw, C. & Reed, C. A. (2010). From woodblocks to the Internet: Chinese publishing and print culture in transition, circa 1800 to 2008. Leiden: Brill.
Tsien T. (2011). Collected writings on Chinese culture. Hong Kong: The Chinese University Press.
Tsien, T. & Shaughnessy, E. L. (2013). Written on bamboo & silk: the beginnings of Chinese books & inscriptions. Chicago: The University of Chicago Press.
Houston, K. (2016). The book: a cover-to-cover exploration of the most powerful object of our time. New York: W.W. Norton & Company.
厉致谦 (2013). 西文字体的故事. 上海市: 同济大学出版社.
Choi, K. E., & Kim, M. S. (2015). A Comparative Study on the Sociocultural Drivers in the Development of Printing Technology in Korea and Europe. Korea Journal, 55(4), 7-35.
Park, H. O. (2014). The History of Pre-Gutenberg Woodblock and Movable Type Printing in Korea. International Journal of Humanities and Social Science, 4(9), 1.


+++ draft = false date = "2006-10-15T19:54:07-03:00" title = "Adding an overrides.zcml" tags = ["zope3", "cookbook", "Plone"] created = "2006-10-15T19:50:22-03:00" modified = "2006-10-15T19:54:07-03:00" permaLink = "http://play.pixelblaster.ro/blog/archive/2006/10/15/adding-an-overrides.zcml" author = "Tiberiu Ichim" aliases = [ "/blog/archive/2006/10/15/adding-an-overrides.zcml" ] +++
According to this discussion on #zope3-dev, one must do the following to get overrides to take effect:


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GinTeam is a web development company head-quartered in Krivoy Rog, Ukraine. We have been providing high quality solutions in web development since 2011.
Our mission: bring your ideas to life


Constructing Roads In JGShining’s Kingdom
问题描述 :
Half of these cities are rich in resource (we call them rich cities) while the others are short of resource (we call them poor cities). Each poor city is short of exactly one kind of resource and also each rich city is rich in exactly one kind of resource. You may assume no two poor cities are short of one same kind of resource and no two rich cities are rich in one same kind of resource.
With the development of industry, poor cities wanna import resource from rich ones. The roads existed are so small that they’re unable to ensure the heavy trucks, so new roads should be built. The poor cities strongly BS each other, so are the rich ones. Poor cities don’t wanna build a road with other poor ones, and rich ones also can’t abide sharing an end of road with other rich ones. Because of economic benefit, any rich city will be willing to export resource to any poor one.
Rich citis marked from 1 to n are located in Line I and poor ones marked from 1 to n are located in Line II.
The location of Rich City 1 is on the left of all other cities, Rich City 2 is on the left of all other cities excluding Rich City 1, Rich City 3 is on the right of Rich City 1 and Rich City 2 but on the left of all other cities … And so as the poor ones.
But as you know, two crossed roads may cause a lot of traffic accident so JGShining has established a law to forbid constructing crossed roads.
For example, the roads in Figure I are forbidden.
In order to build as many roads as possible, the young and handsome king of the kingdom – JGShining needs your help, please help him. ^_^
输入:
输出:
You should tell JGShining what’s the maximal number of road(s) can be built.
样例输入:
2 1 2 2 1 3 1 2 2 3 3 1
样例输出:
Case 1: My king, at most 1 road can be built. Case 2: My king, at most 2 roads can be built.HintHuge input, scanf is recommended.
题意： 给你两条街，上面的街编号从 1-n 下面的也是，然后告诉你他们的一些边，
让你从中尽可能选出多的边，使他们两两之间没有交点。
分析： LIS 的变形，把一条街看成有序的，求令一条街的最长递增子序列，
因为当 上面 i < j 时 有 f[i]<f[j]。
#include<stdio.h> #include<string.h> int d[500005]; int l[500005]; int bis(int len,int x) { int low=0,high=len-1,mid; while(low<=high) { mid=(low+high)>>1; if(d[mid]>x) high=mid-1; else if(d[mid]<x) low=mid+1; else return mid; } return low; } int main() { int ca=1,len,i,n,a,b,x,pos; while(scanf("%d",&n)!=EOF) { d[0]=5000006; len=1; for(i=1;i<=n;i++) { scanf("%d%d",&a,&b); l[a]=b; } for(i=1;i<=n;i++) { x=l[i]; if(x>d[len-1]) d[len++]=x; else { pos=bis(len,x); d[pos]=x; } } printf("Case %d:\nMy king, at most %d %s can be built.\n\n",ca++,len,len>1?"roads":"road"); } return 0; }
给力，赞一个
感谢~速度真快，我很喜欢这个网站，从基础看起。
very good solutions.
一开始就规定不相邻节点颜色相同，可能得不到最优解。我想个类似的算法，也不确定是否总能得到最优解：先着一个点，随机挑一个相邻点，着第二色，继续随机选一个点，但必须至少有一个边和已着点相邻，着上不同色，当然尽量不增加新色，直到完成。我还找不到反例验证他的错误。。希望LZ也帮想想, 有想法欢迎来邮件。谢谢
这个方法是错的，不信你试试：
20 5
1 A:9
1 A:9
1 A:9
1 A:6
1 A:4
正确答案应该是19，这个答案是18
正解，我的方法占用的内存更多些
很好的模板
这是研发类的题还是算法类？
很好！！
第一题还是比较考验智商~
int L[m+1][n+1];这样定义出错，这个在gcc上可以编译通过 在VS上不行 应该改为new 或者vector
Java真是解决大数的利器
第一题还是比较考验智商~
不考虑最后将结果排序的话，快排的时间复杂度是O(N) ，而堆排的是O(N*logK),这样比较看，快排快


Derby County sacking defender Richard Keogh takes fresh twist
Keogh has formally appealed against Nottingham Forest's arch-rivals' decision to sack him
by Chris WatsonRichard Keogh has formally appealed against Derby County's decision to sack him.
Keogh was dismissed by Nottingham Forest's arch-rivals on grounds of gross misconduct at the end of last month, and his contract terminated with immediate effect.
The Republic of Ireland international was given 14 days to appeal against the decision.
As expected, the central defender has now taken up that option, Derbyshire Live understands.
Keogh is facing at least a year out of action after sustaining a serious knee injury in a car crash that resulted in Rams team-mates Tom Lawrence and Mason Bennett being convicted of drink-driving.
Lawrence and Bennett were punished in the courts and fined by their club - but remain on the books.
Keogh has the backing of the Professional Footballers' Association (PFA) and will fight his dismissal.
The Rams will now take time to consider his appeal.
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Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
Preheat the oven to 200C/400F/Gas 6.
For the macaroni cheese, heat 20g/¾oz of butter in a medium saucepan over a medium heat. When the butter is foaming, add the artichoke halves and lardons, if using, and fry, stirring regularly, for 10-12 minutes, or until the artichokes and bacon are both golden-brown and the bacon is crisp. Remove from the pan using a slotted spoon and set aside to drain on kitchen paper.
Heat the remaining 40g/1½oz of butter in a large saucepan over a medium heat until foaming. Add the garlic clove and fry for one minute, or until softened.
Add the flour and stir to combine, then continue to cook for a further minute, stirring vigorously, or until the flour has darkened slightly in colour.
Add 3-4 tablespoons of the milk and stir until the mixture comes together as a thick paste.
Add the remaining milk, a little at a time, whisking after each addition to incorporate it into the mixture and waiting until the mixture has thickened slightly before adding more milk. When all of the milk has been incorporated into the mixture, the result should be a smooth sauce with the consistency of double cream (this is called a roux).
Reduce the heat slightly and stir in the mustard and nutmeg. Remove the garlic clove from the mixture and discard.
Add the grated cheese and stir well until completely melted. Season, to taste, with salt and freshly ground black pepper.
Add the cooked macaroni, artichoke halves and bacon lardons, if using, to the cheese sauce and stir well to combine. Remove the pan from the heat. Transfer the macaroni cheese to an ovenproof dish.
For the topping, arrange the sliced tomatoes on top of the macaroni cheese. Sprinkle over the grated parmesan and dried herbs. Season, to taste, with salt and freshly ground black pepper and drizzle over a dash of extra virgin olive oil.
Line a baking tray with aluminium foil and place the ovenproof dish on top to catch any drips. Bake the macaroni cheese in the middle of the oven for 30-40 minutes, or until the topping is golden-brown and the macaroni cheese is bubbling.


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e1
- Variable in exception synoptic.util.time.
EqualVectorTimestampsException
e1
- Variable in exception synoptic.util.time.
NonComparableTimesException
e1
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e1
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WrongTimeTypeException
e2
- Variable in exception synoptic.util.time.
EqualVectorTimestampsException
e2
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e2
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WrongTimeTypeException
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gov.nasa.ltl.graph
DOCUMENT ME!
Edge(Node, Node, String, String, Attributes)
- Constructor for class gov.nasa.ltl.graph.
Edge
Edge(Node, Node, String, String)
- Constructor for class gov.nasa.ltl.graph.
Edge
Edge(Node, Node, String)
- Constructor for class gov.nasa.ltl.graph.
Edge
Edge(Node, Node)
- Constructor for class gov.nasa.ltl.graph.
Edge
Edge(Node, Edge)
- Constructor for class gov.nasa.ltl.graph.
Edge
Edge(Edge, Node)
- Constructor for class gov.nasa.ltl.graph.
Edge
Edge(Edge)
- Constructor for class gov.nasa.ltl.graph.
Edge
element
- Variable in class gov.nasa.ltl.graph.
Pair
EmptyVisitor
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gov.nasa.ltl.graph
DOCUMENT ME!
EmptyVisitor()
- Constructor for class gov.nasa.ltl.graph.
EmptyVisitor
EmptyVisitor(Object)
- Constructor for class gov.nasa.ltl.graph.
EmptyVisitor
enabled(Hashtable<String, Boolean>)
- Method in class gov.nasa.ltl.trans.
Transition
end(String)
- Method in interface synoptic.util.
INamedMatchResult
end()
- Method in class synoptic.util.
NamedMatcher
end(int)
- Method in class synoptic.util.
NamedMatcher
end(String)
- Method in class synoptic.util.
NamedMatcher
endDigraph()
- Static method in class gov.nasa.ltl.graph.
SM2Dot
equalityDiffLengthVectorsTest()
- Method in class synoptic.tests.units.
VectorTimeTests
Vectors of different length cannot be compared -- this throws an exception.
equalityTest()
- Method in class synoptic.tests.units.
FsmStateSetTests
Tests equality between two FsmStateSets.
equalityTest()
- Method in class synoptic.tests.units.
VectorTimeTests
Test various equality permutations.
equals(Object)
- Method in class gov.nasa.ltl.graph.
ColorPair
equals(Object)
- Method in class synoptic.invariants.
BinaryInvariant
equals(Object)
- Method in class synoptic.invariants.fsmcheck.
FsmStateSet
equals(Object)
- Method in class synoptic.invariants.ltlcheck.
AtomicProposition
equals(Object)
- Method in class synoptic.invariants.ltlcheck.
Literal
equals(Object)
- Method in class synoptic.invariants.ltlcheck.
Pair
equals(Object)
- Method in class synoptic.model.
Action
equals(Object)
- Method in class synoptic.model.
Transition
equals(Object)
- Method in class synoptic.util.
NamedMatcher
equals(Object)
- Method in class synoptic.util.time.
DTotalTime
equals(Object)
- Method in class synoptic.util.time.
FTotalTime
equals(Object)
- Method in interface synoptic.util.time.
ITime
equals(Object)
- Method in class synoptic.util.time.
ITotalTime
equals(Object)
- Method in class synoptic.util.time.
VectorTime
equalsWith(Graph<NodeType>, Predicate.IBinary<NodeType, NodeType>)
- Method in class synoptic.model.
Graph
Tests for generic graph equality.
equalsWith(Graph<NodeType>, Predicate.IBinary<NodeType, NodeType>, Predicate.IBinary<String, String>)
- Method in class synoptic.model.
Graph
EqualVectorTimestampsException
- Exception in
synoptic.util.time
EqualVectorTimestampsException(ITime, ITime)
- Constructor for exception synoptic.util.time.
EqualVectorTimestampsException
equivalence_classes
- Variable in class gov.nasa.ltl.trans.
Automaton
equivalenceId
- Variable in class gov.nasa.ltl.trans.
Node
errMessage
- Variable in exception synoptic.util.
InternalSynopticException
The human readable message to display, in the case that we are not wrapping a java exception.
eval(A, B)
- Method in interface synoptic.util.
Function.IBinary
eval(A)
- Method in interface synoptic.util.
Function.IUnary
eval(A, B)
- Method in class synoptic.util.
Predicate.BinaryFalse
eval(A, B)
- Method in class synoptic.util.
Predicate.BinaryTrue
eval(A, C)
- Method in class synoptic.util.
Predicate.ComposedFirst
eval(T, T)
- Method in class synoptic.util.
Predicate.Equals
eval(A, B)
- Method in interface synoptic.util.
Predicate.IBinary
events
- Variable in class synoptic.model.
Partition
All the events this partition contains
eventsToSplitOut
- Variable in class synoptic.algorithms.graph.
PartitionSplit
The messages that will be split out into a separate node.
Eventually(Formula)
- Static method in class gov.nasa.ltl.trans.
Formula
expand(Automaton)
- Method in class gov.nasa.ltl.trans.
Node
export(File, IGraph<T>)
- Method in class synoptic.model.export.
GraphVizExporter
export(Writer, IGraph<T>, boolean)
- Method in class synoptic.model.export.
GraphVizExporter
export(Writer, IGraph<T>, boolean, boolean)
- Method in class synoptic.model.export.
GraphVizExporter
export(IGraph<T>)
- Method in class synoptic.model.export.
GraphVizExporter
exportAsDotAndPng(String, IGraph<T>)
- Method in class synoptic.model.export.
GraphVizExporter
exportAsDotAndPngFast(String, IGraph<T>)
- Method in class synoptic.model.export.
GraphVizExporter
exportAsDotAndPngFast(String, IGraph<T>, boolean)
- Method in class synoptic.model.export.
GraphVizExporter
exporter
- Variable in class synoptic.tests.units.
GraphVizExporterTests
exportGraphCanonically(Writer, IGraph<T>, boolean)
- Method in class synoptic.model.export.
GraphVizExporter
Exports a graph in a dot format using the writer.
exportPng(File)
- Method in class synoptic.model.export.
GraphVizExporter
Exports a dot file as a png image file.
exportRelationNodes(Writer, IGraph<T>, String, LinkedList<WeightedTransition<T>>, LinkedHashMap<T, Integer>, int)
- Method in class synoptic.model.export.
GraphVizExporter
Exports all the nodes in the graph for a particular relation, using output stream writer.
exportTestGraph(IGraph<T>, int)
- Static method in class synoptic.tests.
SynopticTest
Exports a graph to a png file.
exportTestGraph(IGraph<T>, String)
- Static method in class synoptic.tests.
SynopticTest
Exports a graph to a png file.
extend(T, TracingStateSet<T>.HistoryNode)
- Method in class synoptic.invariants.fsmcheck.
TracingStateSet
extractGroupNames(String)
- Static method in class synoptic.util.
NamedPattern
extractInvariantsFromTC(IGraph<LogEvent>, TransitiveClosure<LogEvent>, String)
- Static method in class synoptic.invariants.
TCInvariantMiner
Extract an over-approximated set of invariants from the transitive closure
tc
of the graph
g
.
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Canada
1) Fairmont Pacific Rim
About this hotel
Set in a striking contemporary building, this high-end hotel
is a 5-minute walk from both the harbour and the Canada Place
convention centre/ferry terminal, and 13 minutes' walk from Vancouver Art Gallery.
Posh rooms provide flat-screens and Nepresso machines, as well as minibars and
Wi-Fi (fee). Upgraded rooms and suites add soaking or whirlpool tubs, plus patios
with fire pits and harbour views. Club-level rooms come with butlers, free
breakfast, and access to a lounge serving snacks and drinks. Room service is offered 24/7.
Check-in time: 3:00 PM
Check-out time: 12:00 PM
Address & contact information
Location: 1038 Canada Pl, Vancouver, BC V6C 0B9, Canada
Phon No.: +1<PHONE_NUMBER>


| Category | Protocol | Description |
|---|
| Switch | %CPU | %Memory | %Disk | %Disk Part. | Up Days | Links | Ports | Ports Down |
|---|
| Link | Switch 1 | Port 1 | Switch 2 | Port 2 | Speed | Status | Counters | Flows |
|---|
| Switch | Port | VLAN | Host MAC | Host Vendor | Host IP | Host IP6 |
|---|
Fabric View provides real-time monitoring of an ECMP or MLAG based network pod using standard sFlow measurements from data center switches.
Note: Certain Fabric View features rely on the following sFlow extensions:
Ask your network vendor if they currently or have plans to support these extensions.
The Fabric View server should have an interface connected to the out-of-band management network connecting the switches in the pod.
The following steps are needed to enable Fabric View:
Certain features of Fabric View rely on vendors implementing the following sFlow extensions:
Note: Data will not appear in Fabric View until both steps have been completed.
Switch configurations contains a repository of links describing how to configure sFlow on different vendor's switches.
Apply the following settings to every switch and port in the pod (include all leaf, spine and host ports):
| Port Speed | Sampling Rate | Polling Interval |
|---|---|---|
| 1 Gbit/s | 1-in-1,000 | 20 seconds |
| 10 Gbit/s | 1-in-10,000 | 20 seconds |
| 25 Gbit/s | 1-in-25,000 | 20 seconds |
| 40 Gbit/s | 1-in-40,000 | 20 seconds |
| 50 Gbit/s | 1-in-50,000 | 20 seconds |
| 100 Gbit/s | 1-in-100,000 | 20 seconds |
Note: sFlow instrumentation is build into data center switch ASICs and enabling monitoring should not impact performance. However, not all implementations are equal and it is prudent to verify that these settings do not generate excessive management CPU load and that switches don't drop samples during traffic peak loads.
Fabric View topology configuration is a JSON object. The following example illustrates the format:
{ "links": { "L1": { "node1": "leaf1", "port1": "swp1s0", "node2": "spine1", "port2": "swp49" }, ... } }
The topology.json file can be manually posted via the Settings tab in Fabric View's web interface, or through the REST API, e.g.:
curl -H 'Content-Type:application/json' -X PUT --data @topology.json http://<IP_ADDRESS>:8008/app/fabric-view/scripts/fabric-view.js/topology/json
The above example is equivalent to the following Prescriptive Topology Manager (PTM) dot file:
graph G { graph [hostidtype="hostname", version="1:0"]; "leaf1":"swp1s0" -- "spine1":"swp49"; ... }
The ptm.py script converts a PTM dot file to Fabric Views JSON format, for example:
wget https://raw.githubusercontent.com/pphaal/acl_server/master/ptm.py chmod +x ptm.py ptm.py < topology.dot > topology.json
The topology must contain all inter-switch links, in particular when monitoring a CLAG pod, include the peer switch connections.
Note: If PTM is not being used to verify switch configurations, Topology discovery with Cumulus Linux describes an alternative method using LLDP.
Arista EOS Central: Fabric Visibility article provides scripts for retrieving topology using eAPI
If switches do not implement the extensions that allow naming information to be exporting using sFlow, then configuring sFlow-RT Properties to enable SNMP simplifies the contruction of the topology links information since the topology can be expressed in terms of switch and port names. Alternatively, a nodes section can be added to the topology to provide the mapping from switch and port names to sFlow agent address and port SNMP ifIndex numbers, e.g.
{ "nodes": { "leaf1": { "agent":"<IP_ADDRESS>", "ports":{ "swp1s0":{"ifindex":"4"}, ... } } }, "links": { ... }
The Switches and Links pages can be used to verify that all the switches and links specified in the pod topology are being monitored. Each page has a refresh button in the summary bar that retrieves current information and updates the display.
All sources of sFlow data are shown. Switches that are not part of the pod topology (indicated by zero in the Links column) will be ignored Fabric View and should be removed as an sFlow collector in the configuration for these agents. Click on the green + icon to get details about a particular switch and its interfaces.
All the links in the specified topology are shown along with information indicating operational status and reception of counter and flow data from each both ends of the link.
The top graph shows the total amount of traffic entering edge ports on the leaf switches broken out into large flows, "Elephants" and small flows, "Mice" Elephant flows consume significant bandwidth and can be actively managed, so the greater the fraction of Elephant traffic, the greater the opportunity to improve performance through traffic engineering of large flows.
The bottom graph shows the total packets per second entering edge ports on the leaf switches.
The Discards and Errors charts show totals across all switch ports in the pod. Discards occur when there is congestion in the network and suggest an opportunity to improve performance. Errors should always be zero and any rise in error rates should be tracked down to the ports involved.
The chart shows the number of inter-switch / spine links that are heavily utilized. The busy links are classified into three groups, Elephant, Mice, and Collision.
Typically the number busy spine links is much smaller than the total number of links available through multi-path forwarding. Load balancing the paths taken by Elephant flows can significantly increase throughput. Using priority queueing to separate Elephant and Mice flows on busy spine links can significantly reduce transaction latency.
The upper chart shows the number of concurrent Elephant flows and provides useful sizing information on the number of active controls that would be required to manage the traffic. The lower chart shows the rate at which Elephant flows starts (Arrivals) and end (Departures) which proves useful sizing information on how many controller operations per second would be required to engineer the Elephant flows.
A moving average (over the last 100 Elephant flows) of the duration and data transfer rate of an Elephant flow.
Charts track utilization of switch resources, including CPU, Memory, Disk for the management processor and hardware tables in the switch chip. The charts trend the maximum across all switches in the pod and will detect if any switch becomes overloaded.
Top switch ports by ingress and egress utilization. Click on a peak in the chart to see the top ports at that time.
Top switch ports by ingress and egress packet discard rates. Click on a peak in the chart to see the top ports at that time.
Top switch ports by ingress and egress packet error rates. Click on a peak in the chart to see the top ports at that time.
The Locations tab contains a table that lists MAC addresses and the switch and port connecting them to the exchange. The table has a search box in the top right that can be used find a member by its MAC, name, or to find the hosts connected to a specific switch. Click on the refresh button in the Summary section to ensure that the most recent location information is available.
The charts show traffic entering edge ports on the leaf switches broken out by different flow attributes. Click on any peak in a traffic chart to see the top 5 flows present at the selected second and their traffic in any surrounding seconds. The selected second is indicated by an outlined time stamp on the time axis. The legend in the top left of the chart shows the colors assigned to the top flows during the selected second. "Other" traffic is indicated in gray. This is traffic that is in the top 5 flows but is not in the top 5 of the selected second. Click on any gray interval to examine the top 5 flows at that time.
Note: These charts show subsets of the traffic entering the network. The Total Traffic chart under the Performance tab provides shows the total traffic entering the network.
The protocols chart shows the sequence of protocol headers seen in packets. For example, eth.ip.tcp refers to packets with an Ethernet header followed by an IP header followed by a TCP header.
The charts break out traffic by source addresses, destination addresses, and source/destination pairs.
The charts break out traffic by source group, destination group, and source/destination group pairs. See IP Address Groups in the Settings section for information on configuring address groups.
The largest TCP / UDP flows broken out by addresses and ports. If flow is exceeds bandwidth threshold it will be classified as an Elephant.
The Top Flows tab is used to define and monitor specific flows. Flows are defined using the Flow Specification form.
The shortcuts table below the form contains pre-defined flow specifications. Clicking on a row in the shortcuts table enters settings in the Flow Specification form and starts monitoring flows. Clicking on the clear button in the Flow Specification form removes definition and returns the shortcuts table.
Flow specifications can be entered directly into the form. An incremental search menu lists available options when entering text into the form. Available flow keys vary depending on the traffic being monitored, but the following are the basic layer 2, 3, and 4 protocol fields that are typically present:
Tunneling can cause fields to appear multiple times in the packet. Fabric View adds a suffix to the flow key to indicate depth in the protocol stack, for example, a VxLAN encapsulated IP packet would have the following attributes, macsource, ipsource, macsource.1, ipsource.1, etc. Fields with a .1 suffix are the second occurence of the field in the packet and represent the inner (tenant) addresses.
Functions of the form <funcname>:<arg1>:<arg2>... can be applied used to define a flowkey or in a filter:
The Hosts tab contains a table that lists all hosts and the switch and port connecting them to the pod. In the case of an CLAG configuration, both switches and CLAG ports are shown. The table has a search box in the top right that can be used find a host by its MAC, IP, or IPv6 address, or to find the hosts connected to a specific switch. Click on the refresh button in the Summary section to ensure that the most recent location information is available.
The Settings tab provides access to the following options:
Fabric View defines an Elephant as a UDP or TCP flow that exceeds the defined percentage of link bandwidth. For example, if access port speeds are 1Gbit/sec. and the threshold is set to 10%, then an Elephant flow is any flow that exceeds 100Mbits/sec. The default value of 10% is the minimum value that should be used with the Host sFlow agent default sampling rates. Setting the threshold to less than 10% will result in false positives in the Elephant detection and poor accuracy in related analytics. Set the threshold to greater than 10% to change the definition so that only larger (and fewer) flows will be classified Elephants.
The Busy threshold is a percent of link bandwidth that determines whether a link is regarded as fully utilized. Fabric View applies the threshold in the Busy Spine Links chart under the Performance tab to show how many inter-switch (spine) links are busy.
The Switches and Links counts verify that a topology has been configured and can be used to check that a full topology for the pod has been installed. Buttons are available to refresh the counts, upload a new topology, and inspect the installed topology. See the Configure Fabric View with pod topology help topic for more information.
Address groups are used to lists of IP addresses or CIDRs. Address groups are represented as a JSON object. The following example shows the format:
{ "external": [ "<IP_ADDRESS>/0", "::/0" ], "private": [ "<IP_ADDRESS>/8", "<IP_ADDRESS>/12", "<IP_ADDRESS>/16", "FC00::/7" ], "multicast": [ "<IP_ADDRESS>/4" ] }
The Groups and CIDRs counts verify that groups have been installed. Buttons are available to refresh the counts, upload new groups, and inspect the installed groups. Uploading a groups file with the CIDRs associated with each rack of servers in the pod allows Fabric View to display rack to rack traffic flows.
Shortcuts are the pre-configured flow definitions in the Top Flows table. Shortcuts are represented as a JSON object. The following example shows the format:
[ { "category": "Traffic", "protocol": "IP", "description": "Sources", "keys": "ipsource", "value": "bps", "filter": "" }, ... ]
The Shortcuts count verifies that shortcuts have been installed. Button are available to refresh the counts, upload new shortcuts, and inspect installed shortcuts.
The Fabric View user interface is built on a set of REST API calls that can be used to configure the software and retrieve data.


CCore-ParserGen is a lang parser code generator. It takes a ddl output of the CondLangLR1 and generates two output files with C++ code.
CCore-ParserGen.exe <Lang.ddl> <ClassName> <Lang.gen.h> <Lang.gen.cpp>
Lang.ddl is a ddl output.
ClassName is a name of the class in the output code.
Lang.gen.h is a name of the output h file.
Lang.gen.cpp is a name of the output cpp file.
The folder CCORE_ROOT/tools/CondLangLR1/Gen/sample contains a simple sample. It is used below to describe the output.
The output h file consists of the following sections.
/* enum AtomClass */ enum AtomClass { AtomNull = 0, Atom_XXX_1 = 1, /* ( */ Atom_XXX_2 = 2, /* ) */ Atom_XXX_3 = 3, /* * */ Atom_XXX_4 = 4, /* + */ Atom_XXX_5 = 5, /* , */ Atom_XXX_6 = 6, /* - */ Atom_XXX_7 = 7, /* / */ Atom_XXX_8 = 8, /* = */ Atom_XXX_9 = 9, /* Angle */ Atom_XXX_10 = 10, /* Length */ Atom_XXX_11 = 11, /* Name */ Atom_XXX_12 = 12, /* Number */ }; const char * GetTextDesc(AtomClass ac);
This is an enum of lang atoms. You have to manually edit enumerator names to make them verbose. The implementation of the GetTextDesc() resides in the cpp output file.
/* struct FormulaParserData */ struct FormulaParserData { using Rule = int ; static const Rule NoRule = -1 ; static const Rule ShiftRule = 0 ; using ElementIndex = int ; using Property = Rule (*)(AtomClass) ; struct State; using Transition = const State * (*)(ElementIndex) ; static ElementIndex RuleOutput(Rule rule); static ElementIndex AtomToElement(AtomClass ac) { return ac; } struct State { Property prop; Transition trans; }; static const State *const Start; struct Element; struct ElementAtom; struct Element_FORMULA; struct Element_EXPR; struct Element_EXPR_LIST; static auto Apply(Rule rule,auto func); };
This data structure contains various lang properties including the parsing LR1 state machine description. The structure name is the name from the second command line argument. The structure definition is stereotypic, except the list of element structs. Each lang synt has the correspondent inner struct with the name Element_<synt name>.
struct FormulaParserData::Element // TODO { using RetType = void ; using ContextType = int ; }; struct FormulaParserData::ElementAtom : Element // TODO { // TODO };
This two structures should be updated according your way to create a lang parser. In particular, types RetType and ContextType should be redefined.
struct FormulaParserData::Element_EXPR : Element { // TODO RetType add(ContextType,Element_EXPR *,ElementAtom *,Element_EXPR *); RetType sub(ContextType,Element_EXPR *,ElementAtom *,Element_EXPR *); RetType mul(ContextType,Element_EXPR *,ElementAtom *,Element_EXPR *); RetType div(ContextType,Element_EXPR *,ElementAtom *,Element_EXPR *); RetType neg(ContextType,ElementAtom *,Element_EXPR *); RetType brace(ContextType,ElementAtom *,Element_EXPR *,ElementAtom *); RetType func(ContextType,ElementAtom *,ElementAtom *,Element_EXPR_LIST *,ElementAtom *); RetType arg(ContextType,ElementAtom *); RetType number(ContextType,ElementAtom *); RetType angle(ContextType,ElementAtom *); RetType length(ContextType,ElementAtom *); RetType point(ContextType,ElementAtom *,ElementAtom *,ElementAtom *,ElementAtom *,ElementAtom *); };
Each synt structure looks like this particular one. They should be updated with a synt value content. Each rule has an associated method of the structure initialization. The name of the method is the "reduced" rule name. "Reduction" means the following: if the rule name has several C-name components, combined using the character '@', the first component is selected. The first argument is the parser context, others are pointers to already created element structures. Each such structue either the atom element structure or a synt element structure.
auto FormulaParserData::Apply(Rule rule,auto func) { switch( rule ) { case 1 : return func(&Element_FORMULA::set,ElementIndex(13)); case 2 : return func(&Element_EXPR::add,ElementIndex(14)); case 3 : return func(&Element_EXPR::sub,ElementIndex(14)); case 4 : return func(&Element_EXPR::mul,ElementIndex(15)); case 5 : return func(&Element_EXPR::div,ElementIndex(15)); case 6 : return func(&Element_EXPR::neg,ElementIndex(16)); case 7 : return func(&Element_EXPR::brace,ElementIndex(17)); case 8 : return func(&Element_EXPR::func,ElementIndex(17)); case 9 : return func(&Element_EXPR::arg,ElementIndex(17)); case 10 : return func(&Element_EXPR::number,ElementIndex(17)); case 11 : return func(&Element_EXPR::angle,ElementIndex(17)); case 12 : return func(&Element_EXPR::length,ElementIndex(17)); case 13 : return func(&Element_EXPR::point,ElementIndex(17)); case 14 : return func(&Element_EXPR_LIST::empty,ElementIndex(18)); case 15 : return func(&Element_EXPR_LIST::one,ElementIndex(19)); case 16 : return func(&Element_EXPR_LIST::ext,ElementIndex(19)); default: return func(); } };
The last member is a function template. This function calls the specific rule based on its index. The first argument is a rule index. The second is a functor. This functor is called with two arguments, the first is the reference to the rule method, the second is the resulting element index. If the rule index is out of range, the functor without arguments is called.
The cpp output file contains the implementation of the method RuleOutput() and the state table.
struct FormulaParserData { .... static ElementIndex RuleOutput(Rule rule); static ElementIndex AtomToElement(AtomClass ac) { return ac; } .... };
This method returns the element index of the given rule production. If the rule index is out of scope the return value is 0. All elements are 1-based numbered. The first group of elements are atom elements. To convert an atom class into the correspondent element index the method AtomToElement() can be used.
struct FormulaParserData { using Rule = int ; static const Rule NoRule = -1 ; static const Rule ShiftRule = 0 ; .... using Property = Rule (*)(AtomClass) ; struct State; using Transition = const State * (*)(ElementIndex) ; struct State { Property prop; Transition trans; }; static const State *const Start; .... };
Finally, the state table. It is an array of structues State. The first element is pointed by the member Start. It is also the initial state of the state machine. Each state has two properties: the function prop and the function trans. prop is a function, which maps an atom class to the rule index. This rule must be applied if the following atom has the given atom class. Two values are reserved: NoRule if there is no rule (which means a error in the input atom sequence) and ShiftRule if the atom must be pushed into the stack. The end of the atom sequence is designated with AtomNull. The ShiftRule output on the AtomNull input means the end of the processing. trans is a state transition function. It maps an element index into the next state. If there is no such transition the null pointer is returned.


Cookie Consent Banner focuses on accessibility and on respecting the GDP. If you are using Google Analytics, this will suit to your project because this library focus on disable Google Ananlytics when the user decide to do so.
Intall cookie-service dependency through npm.
npm install cookie-service
After installing, you need to import the main module:
import {{ '{' }} CookieServiceModule {{ '}' }} from 'cookie-service-banner';
The full configuration:
import {{ '{' }} CookieServiceModule, CookieConfig {{ '}' }} from 'cookie-service-banner';
const testLibConfig: CookieConfig = {{ '{' }}
header: {{ '{' }}
title:"Cookie Consent Banner",
message: "This website uses cookie to provide your the best experience. ",
domain:"localhost",
ga_id: "UA-123456-1",
color: '#fff',
bcolor: '#000'
{{ '}' }},
acceptButton: {{ '{' }}
enable: false,
accept: "Got it!",
color: '#fff',
bcolor: '#266433'
{{ '}' }},
allowButton: {{ '{' }}
enable: true,
allow: "Allow Cookie",
color: '#000',
bcolor: '#f36e15f5'
{{ '}' }},
declineButton: {{ '{' }}
enable: true,
deny: "Refuse Cookie",
color: '#000',
bcolor: '#fff'
{{ '}' }},
learnMoreLink: {{ '{' }}
enable: true,
learnMore: "learn more",
link: "www.example.com",
color: '#3D9BFF'
{{ '}' }},
review: {{ '{' }}
enable: true,
message: "Review My consentement",
color: "",
bcolor: "",
{{ '}' }}
{{ '}' }}
@NgModule({{ '{' }}
declarations: [
AppComponent
],
imports: [
BrowserModule,
NgbModule,
CookieServiceModule,
CookieServiceModule.forRoot(testLibConfig),
AppRoutingModule
],
providers: [],
bootstrap: [AppComponent]
{{ '}' }})
export class AppModule {{ '{' }} {{ '}' }}
Once the above mentionned step are done, you can use import library selector, `lib-cookie-service` in your app.component.html.
...
< lib-cookie-service (isOpened)="onOpen($event)" >< /lib-cookie-service>
isOpened
is function meant to state the openning or the closing of the cookie banner.
Notice that you need to provide your GA ID in order to help the library to disbable Google analtycs if the user refuse the use of cookie.


---
layout: post
title: Study for an animated film character
date: '2013-03-15T11:32:00+01:00'
categories:
- Character
picture_url: https://film-Storyboards.tumblr.com/post/45425079871/study-for-an-animated-film-character-inspired-by
---
Study for an animated film character. Inspired by Martin Schongauer.


HIER_PARENT
returns the parent of either all dimension members in a hierarchy or a particular member. The hierarchy can be either level-based or value-based.
VARCHAR2
HIER_PARENT ( [member_expression] [WITHIN] {DIMENSION dimension_id | HIERARCHY hierarchy_id} )
Identifies a single dimension member within the hierarchy used for the calculation. If this optional argument is specified, then the result does not vary across dimension members.
The dimension over which the values are calculated using the default hierarchy.
The hierarchy over which the values are calculated. If dimension_id
is used instead, the default hierarchy is used.
This example returns the parents of all members of the default hierarchy of the Time dimension.
HIER_PARENT(DIMENSION GLOBAL.TIME)
| Time | Parent |
|---|---|
| 2006 | TOTAL |
| Q1.06 | CY2006 |
| Q2.06 | CY2006 |
| Q3.06 | CY2006 |
| Q4.06 | CY2006 |
| JAN-06 | CY2006.Q1 |
| FEB-06 | CY2006.Q1 |
| MAR-06 | CY2006.Q1 |
| APR-06 | CY2006.Q2 |
| MAY-06 | CY2006.Q2 |
| JUN-06 | CY2006.Q2 |
| JUL-06 | CY2006.Q3 |
| AUG-06 | CY2006.Q3 |
| SEP-06 | CY2006.Q3 |
| OCT-06 | CY2006.Q4 |
| NOV-06 | CY2006.Q4 |
| DEC-06 | CY2006.Q4 |
The next example returns EMEA
as the parent of Italy within the default hierarchy of the Customer dimension.
HIER_PARENT('ITA' WITHIN DIMENSION CUSTOMER)


learn HTML5 index
Base libraray
just use some third libraray
code template
html5boilerplate
https://html5boilerplate.com/
UI
semantic-ui
https://semantic-ui.com
Render
JsRender link
https://www.jsviews.com
JsRender
document link
https://www.jsviews.com/#jsrapi
CDN link
https://www.bootcdn.cn/jsrender/


My experience of building this website has been really good for my learning. I started with a blank page and a wireframe. Through the process, I made a lot of updates, changes, and additions to the website. It's definitely not the best looking website but the fact that its unique from my creation is still something that I'm happy about. A couple things I learned about developing through all of this is that you need to be creative and always look for possible improvements, then implement them.


State Abbreviation or Name Search
Enter a state name or abbreviation
Submit
Target State:
{{ targetState }}
Largest City:
{{ largest_city }}
Capital City:
{{ capital_city }}


WEB STORIES
NAME THAT ARTIST
What do you know about famous artists of the past and present?
Start the quiz
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1 / 4
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Join to our Telegram group to get the latest news and
discuss features
Integration with multiple video services
To use the plugin, you must have a subscription to the desired
service
Easysubs features
The list of services will expand at the request of users
Word and full subtitle translation
Just hover over the word you want to translate it, the video will automatically pause and
start when you remove the cursor from the subtitles.
Click on subtitles for translation all text.
Details
Click on subtitles for translation all text.
Export words to learning services
You can add unknown words to one of the supported language learning services.
Now supported:
Details
Now supported:
Rewind to previous and next subtitle
Rewind to previous subtitle by press ⬅ left arrow.
Rewind to next subtitle by press ➡ right arrow.
Details
Rewind to next subtitle by press ➡ right arrow.
Subtitles progress bar
At the bottom of the player, there is a subtitles progress bar to simplify
navigation between subtitles.
Click on the progress bar to rewind the video to the desired point.
Click on the progress bar to rewind the video to the desired point.
Subtitles settings and custom subtitles
The extension allows you to adjust the size of the subtitles and their delay.
You can also upload your custom subtitles if they are not on the video service, supported srt and vtt formats.
Details
You can also upload your custom subtitles if they are not on the video service, supported srt and vtt formats.


There are three ways to move the Timeline band:
We can hold down mouse left button at any point on the Timeline and move right or left.
We can use the button to move left and the button to move right. When using these buttons the Timeline moves to the selected direction by the amount of days specified in the box that is located below the move buttons.
We can use the button to make the Timeline move every 1 second by the amount of days specified in the box that is located below the move buttons. The button then switches to button that pauses the Timeline at the current position.
When we move the Timeline we affect the visibility of any temporal layers that are loaded. The features of a temporal layer are shown on the map when their temporal dimension intersects with the top band's span. Otherwise the layer is hidden. The visibility of a temporal layer in response to the Timeline span does not affect the layer's show/hide checkbox in the Layers panel. An example of this feature is presented in the following figures.


Rating: * * *½ out of * * * *
Unrated contains (all animated) graphic violence and gore, a strong rape scene, nudity and some language.
Anime films have always been awesome to me, I haven't seen many, but what I did see made me hooked on them. Now I finally get to see the brand new anime film 'Perfect Blue' as I would put it is that it is a cartoon with Hitchcock highlights. A cartoon which is not for kids at least under the age of 14. With it's high quotient of graphic violence and copious gore, it's a mature film made to be viewed by adults.
Mima is a popular star in a Japanese pop group. After wanting to pursue an acting career, despite the personal opinion of her agent, she becomes an actress and gets a part in a thriller. Someone however does not like the fact that Mima is out of the pop light, and has become an actress, someone is watching Mima, every move she makes, killing off people she knows, now she has to try and figure out rather her career or her life comes first...
Despite a few slow parts in the film, this is a great psychological thriller. It takes on a journey to places where our minds are challenged, we have to think about what is happening. The lead character Mima is so well-thought out, you'd think she was real.  Towards the middle of the film it becomes a little confusing on our part, but quickly descends back into it's brilliant mind.
The animation is plush and colorful, with the character well-animated. The movie does contain content that some viewers may not like or even be offended by. Graphic violence does occur in the film, but not all the time. Of course it is animated, but with the violence is alot of blood and gore, some resulting in bloody messes. The movie has a way to captivate us, and make us part of the story. The direction of the film, writing and the way it is brought to us is very original and innovative.
'Perfect Blue' is probably the best adult cartoon movie I've seen in a while. It pays homage to Hitchcock, has the animation to satisfy any animation buff, the intensity to make someone uncomfortable. I also found the film to make me think about what can happen, and by the end of the film some shocking stuff happens in the storyline, which I would have never thought possible. A wonderfully entertaining movie, that all anime fans should love.
Reviwed by Brandon Herring September 11, 1999. Brandon Herring Movie Review Heaven (http://www.geocities.com/hollywood/movie/3160/moviereviewheaven.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews