The output of an Inverter gate is true if the input is false and false if the input is true. The output is the not of the input.


SWISS FAMILY ROBINSON A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): ***
No, SWISS FAMILY ROBINSON is not just a B ticket attraction at Disneyland. Boy, that dates me. It is also an excellent 1960 live action Disney movie for the entire family, and it is available on video. It has atmosphere, wild animals, pirates, and most of all, an awe inspiring sense of wonderment about creativity in general and about inventions in particular. Director Ken Annakin fashions an imaginative and special movie.
The Robinson family consists of a father (John Mills), a mother (Dorothy McGuire) and three boys, Fritz (James MacArthur), Ernst (Tommy Kirk), and Francis (Kevin Corcoran). They are in a boat that gets hit by a rock in the ocean.
As soon as they get there, they drop to their knees and thank the Lord for saving them. This, of course, is a dead giveaway that this is an old movie. Today's screenwriters would only include a mass prayer scene in a film if it was either about a cult and the people in question were all about to commit suicide or about some religious fanatics who were about to be involved in some heinous crime. In this screenplay by Ian Hay and based on the novel by Johann David Wyss, the prayer is nothing more than honest worship of their god.
The show is fun for the whole family, and it teaches a list of good values so long they are hard to count. These include resourcefulness, inventiveness, loyalty, bravery, thankfulness, creativity, honor, spirituality, and the list goes on. Don't get me wrong; this is not one of those pedantic and overly earnest stories where nothing happens, but at least it is completely wholesome. This show is filled with action. The family is forced to contend with everything from pirates to wild animals (tigers, elephants, hyenas, monkeys, ostriches, you name it).
In one of many of the action sequences, they are attacked by pirates who are blasting them with cannon. They too have a cannon, but only enough powder for a single shot. What do they do? They hoist the quarantine flag to make the pirates think someone on board has the plague. Okay, this may not be realistic, and yet, it shows how imaginative solutions are rewarded. When you see the movie, give it some space and think about the approaches taken and not the plausibility of the actual solutions. This is a kids' movie, remember.
In a sweet scene there is a great visual of them using a large turtle to pull them and a lot of cargo from the sinking ship to the shore. Watching it, it is hard not to have a warm smile on your face. What a delightful movie you will find yourself thinking.
When they find out that they must be safe at night from the tigers, the father devises a plan for a large tree house about which the mother is dubious.  Didn't you ever dream of a house in the trees?" Doesn't every kid? Although they view their island as paradise on earth, the mother, for one, is convinced that it can't go on, reflecting, "It's wonderful for today, but what about tomorrow?"
This show continues to speak to the most fundamental aspects of childhood. If watching this show does not kindle some extra interest in creativity in you kids, I'll be surprised.
Although the video has the colors faded some, the lush cinematography (Harry Waxman) and imaginative sets (John Howell) are still striking. It is supposed to be on an island near Asia, but was actually filmed on Tobago in the Caribbean. Tobago is very near St. Vincent where my wife and I took eleven wonderful vacations when we were in our 30s and early 40s. The lushness of the setting brought back fond memories. Finally, the music (William Alwyn) is classic movie music from that era with an heroic score.
SWISS FAMILY ROBINSON runs 1:50. It is rated G and there is nothing to offend anyone. Other than a tiger coming out of a jungle and other such natural scenes there is nothing to scare young children. My son Jeffrey, age 7, loved the picture, but warns that kids under 4 might be scared by the wild animals. I recommend this film to you and your whole family, and I give it ***.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: May 19, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


KineticGold ICO
100,000 accounts @ $2,000 deposits / month – projected 6 months
1% x $200,000,000 / month = $2,000,000 / month
$2,000,000 / 1.34 Billion
=
.15% / month
~
1.8% / year
500,000 accounts @ $2,000 deposits / month -
projected 12 months
1% x $1,000,000,000 / month = $10,000,000 / month
$10,000,000 / 1.34 Billion
=
.75% / month ~ 9% / year
1,000,000 accounts @ $2,000 deposits / month – projected 2 year
1% x $2,000,000,000 / month = $20,000,000 / month
$20,000,000 / 1.34 Billion
=
1.5% / month
~
18% / year
Projected 10,000,000 accounts within 5 years.


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[33.87 KB]
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[33.87 KB]
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[33.87 KB]
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[33.87 KB]
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OpenSSL for Ruby¶ ↑
OpenSSL provides SSL, TLS and general purpose cryptography. It wraps the OpenSSL library.
Installation¶ ↑
The openssl gem is available at rubygems.org. You can install with:
gem install openssl
You may need to specify the path where OpenSSL is installed.
gem install openssl -- --with-openssl-dir=/opt/openssl
Alternatively, you can install the gem with bundler
:
# Gemfile gem 'openssl' # or specify git master gem 'openssl', github: 'ruby/openssl'
After doing bundle install
, you should have the gem installed
in your bundle.
Usage¶ ↑
Once installed, you can require “openssl” in your application.
require "openssl"
NOTE: If you are using Ruby 2.3 (and not Bundler), you must activate the gem version of openssl, otherwise the default gem packaged with the Ruby installation will be used:
gem "openssl" require "openssl"
Documentation¶ ↑
See ruby.github.io/openssl/.
Contributing¶ ↑
Please read our CONTRIBUTING.md for instructions.
Security¶ ↑
Security issues should be reported to ruby-core by following the process described on “Security at ruby-lang.org”.


本题纠结，不解释。
Problem
A
The Most
Distant State
Input: standard input
Output: standard
output
The 8-puzzle is a
square tray in which eight square tiles are placed. The remaining
ninth square is uncovered. Each tile has a number on it. A tile
that is adjacent to the blank space can be slid into that space. A
game consists of a starting state and a specified goal state. The
starting state can be transformed into the goal state by sliding
(moving) the tiles around. The 8-puzzle problem asks you to do the
transformation in minimum number of moves.
| 2 |
8 |
3 |
|
|
|
1 |
2 |
3 |
| 1 |
6 |
4 |
=> |
8 |
|
4 |
||
| 7 |
|
5 |
|
|
|
7 |
6 |
5 |
| Start |
|
|
|
Goal |
However, our
current problem is a bit different. In this problem, given an
initial state of the puzzle your are asked to discover a goal state
which is the most distant (in terms of number of moves) of all the
states reachable from the given state.
Input
The first line of
the input file contains an integer representing the number of test
cases to follow. A blank line follows this line.
Each test case
consists of 3 lines of 3 integers each representing the initial
state of the puzzle. The blank space is represented by a 0 (zero).
A blank line follows each test case.
Output
For each test case
first output the puzzle number. The next 3 lines will contain 3
integers each representing one of the most distant states reachable
from the given state. The next line will contain the shortest
sequence of moves that will transform the given state to that
state. The move is actually the movement of the blank space
represented by four directions : U (Up), L (Left), D (Down) and R
(Right). After each test case output an empty line.
Sample
Input
1
2 6 4
1 3 7
0 5 8
Sample
Output
Puzzle #1
8 1 5
7 3 6
4 0 2
UURDDRULLURRDLLDRRULULDD
if(x1-1==x2)cout<<“U”;
if(y1+1==y2)cout<<“R”;
if(y1-1==y2)cout<<“L”;
#”<<ncase1<<endl;
i=0;i<9;i++)cin>>begin[i];


Welcome. This area keeps a record of what you do and also shows you the things that your javascript program displays. You can write javascript programs on the left hand side.


Congratulations! You won 1000000 TMT! You did it! But, this is just record in the game. Nobody won't give you the money. Anyway, Good luck!
You lost!
A
25%
B
45%
C
12%
D
28%
Test
A:
Test 1
B:
Test 2
C:
Test 3
D:
Test 4
30
Suhan
1521
1000000
TMT
500000
TMT
250000
TMT
125000
TMT
64000
TMT
32000
TMT
16000
TMT
8000
TMT
4000
TMT
2000
TMT
1000
TMT
500
TMT
300
TMT
200
TMT
100
TMT


Teams
This is the list of teams you are involved in. You can create a submission for one of the existing teams.
0">
| Name | Description | |
|---|---|---|
| {{ team.name }} | {{ team.description }} | Create Submission |


| I l@ve RuBoard |
B.1 Installing PythonThis section gives an overview of install-related details -- instructions for putting the Python interpreter on your computer. B.1.1 WindowsPython install details vary per platform and are described in the resources just listed. But as an overview, Windows users will find a Python self-installer executable at http://examples.oreilly.com/python2 (see the top-level Python 1.5.2 and 2.0 directories). Simply double-click the installer program and answer "yes," "next," or "default" to step through a default Windows install. Be sure to install Tcl/Tk too, if you are asked about it along the way. After the install, you will find an entry for Python in your Start button's Programs menu; it includes options for running both the IDLE integrated GUI development interface and the command-line console session, viewing Python's standard manuals, and more. Python's manuals are installed with the interpreter in HTML form, and open locally in a web browser when selected. Python also registers itself to open Python files on Windows, so you can simply click on Python scripts in a Windows file explorer window to launch them. You can also run Python scripts by typing python file.py command lines at any DOS command-line prompt, provided that the directory containing the python.exe Python interpreter program is added to your PATH DOS shell variable (see the configuration and running sections later). Note that the standard Python package for Windows includes full Tkinter support. You do not need to install other packages or perform any extra install steps to run Tkinter GUIs on Windows; simply install Python. All necessary Tkinter components are installed by the Python self-installer, and Python automatically finds the necessary components without extra environment settings. The Windows install also includes the bsddb extension to support DBM-style files. If you plan on doing any Windows-specific work such as COM development, you will probably want to install the extra win32all extensions package (available at http://examples.oreilly.com/python2 as well as at http://www.python.org). This package registers Python for Active Scripting, provides MFC wrappers and COM integration, and more (see Chapter 15). Also note that Python distributions available from other sources (e.g., the ActivePython distribution from ActiveState, http://www.activestate.com) may include both Python and the Windows extensions package. B.1.2 Unix and LinuxPython may already be available on these platforms (it's often installed as a standard part of Linux these days); check your /usr/bin and /usr/local/bin directories to see if a Python interpreter is lurking there. If not, Python is generally installed on these platforms from either an rpm package (which installs Python executables and libraries automatically) or the source code distribution package (which you unpack and compile locally on your computer). Compiling Python from its source on Linux is a trivial task -- usually just a matter of typing two or three simple command lines. See the Python source distribution's top-level README files and Linux rpm documentation for more details. B.1.3 Macintosh and OthersPlease see the documentation associated with the Macintosh ports for install and usage details. For other platforms, you will likely need to find ports at http://www.python.org and consult the port's install notes or documentation. |
| I l@ve RuBoard |


| Agility
|
| Do a few laps of the Burthrope agility course.
|
| Attack
|
| Dungeoneering runs.
|
| Constitution
|
| Indirectly trained during combat training.
|
| Construction
|
| Experience lamps.
|
| Cooking
|
| Lumbridge bank. Light logs, cook food, and repeat.
|
| Crafting
|
| Make tiaras in Al Kharid.
|
| Defense
|
| Dungeoneering runs.
|
| Divination
|
|
|
| Dungeoneering
| ALL
| Dungeoneering runs. Caps at level 120 instead of level 99.
|
| Farming
|
|
|
| Firemaking
|
| Adding highest level logs possible to a bonfire at Burthrope bank.
|
| Fishing
|
| Fishing on Karamja Island. Use Stiles to note your fish.
|
| Fletching
|
| Make the best (u) bows that you can make. Woodcut the logs you need until Maple, then purchase them from the Grand Exchange.
|
| Herblore
|
|
|
| Hunter
|
|
|
| Invention
|
| Cannot be trained.
|
| Magic
|
| Explorer's Ring free daily casts of High Level Alchemy, Low Level Alchemy, and Superheat Item.
|
| Mining
|
| Mining iron ore in the Dwarven Mine by the level 15 Dungeoneering resource dungeon entrance.
|
| Prayer
|
| Experience lamps and burying bones found during combat training.
|
| Ranged
|
|
|
| Runecrafting
|
| RuneSpan with priorities:
- Fleshy growth (46.25)
- Fireball (34.75)
- Vine (32.5)
- Fire storm (32.5)
- Rock fragment (28.5)
- Water pool (25.66)
- Body hound (23)
|
| Slayer
|
| Complete a few tasks from the Burthrope slayer master.
|
| Smithing
|
| Smithing bars at Varrock west bank or via daily casts of Superheat Item from the Explorer's Ring.
|
| Strength
|
| Dungeoneering runs.
|
| Summoning
|
|
|
| Thieving
|
| Steal from Men and Women.
|
| Woodcutting
|
| Willow trees at Draynor bank.
|


Several other wind energy facilities are available for sale in US. Would it be a good idea for Venti to acquire these?
Basic Points
-
No: In general require either Cost or Revenue synergies to justify an acquisition. Doubt that either exist in this industry, especially as economies of scale apply to individual turbines, not the wind farm.
-
Yes: It's early days in the renewable energy industry. However it's likely that having scale will open opportunities in future. For example, it may be possible to create an entirely alternative green grid or to negotiate supply deals with sufficient scale. Ultimately the decision depends on the corporate ambitions of Venti Wind over what timeframe.
Advanced Comments
-
Experience Curve: Unique knowledge and expertise is required to operate a wind energy generation facility. Combining experience across multiple facilities may help to reduce costs. For example, costs may be reduced through maintenance and operation strategies.
-
Revenue Synergies: Most of the options explored in question 2 would be easier to achieve with some scale. So, although there aren't any direct cost synergies, there may be some indirect revenue synergies. For example, it may only be possible to form an ingredient brand if a certain minimum level of power can be supplied to the retailer.
-
Funding: This is a low risk business with physical facilities that can be used as collateral. Therefore it should be relatively easy to fund acquisition and expansion with a corporate bond issuance. That said, rapid design improvements are making turbine equipment obsolete relatively quickly, so bond issuers may attribute a low resale value to this equipment.
-
Price: Can never answer a question about acquisition without an estimate of potential valuation. If the assets are very underpriced then it could certainly make sense. However sellers are hoping for a high valuation based on future expectations of oil prices, then it may not make sense.


CHARULATA (director: Satyajit Ray; cast: Madhabi Mukherjee (Charulata), Soumitr Chatterjee (Amal), Shailen Mukherjee (Bhupati Dutta), Shyamal Ghoshal (Umapada), Gitali Roy (Manda), Bholanath Koyal (Braja), Suku Mukherjee (Nishikanta), 1964-India)
Reportedly, Satyajit Ray said, of all the films he directed, that this was his favorite. It is based on Rabindranath Tagore's controversial novella, depicting a lonely wife's flirtation with her husband's younger cousin, Amal (Soumitr), that takes place during the Victorian era, when India was under British rule, as the story unfolds in an opulent Calcutta household, in 1879, giving it a spicy Bengali flavor.
Though the plot is simple, the human emotions are not, and the chance for observing how one feels is maximized in the very perfect structure that Ray has created for the film, as Charulata (Madhabi), called Charu, is the neglected and sensitive wife of a newspaper man, Bhupati (Shailen), who is consumed with the politics of the day, with his paper's logo being, "The Truth Is What Survives," as he takes pride in his Anglican witticisms and the fact that he is not one of those idle rich, but is working hard and doing something that is important.
There is a certain feeling to this b/w illustriously cinematographed film, that reflects the belief Ray has, that life is a continual rhythm of birth and death, one is complete because of the other.What breaks out in streams of genius (love) are what volcanically erupts in this rhythmic living flow, and what gives sustenance to new beginnings, is the force of nature that wells up, as reflected in Charu, as the flighty and playful, 23-year-old Amal, the opposite of his practical 35-year-old cousin, who is encouraged by him to keep the lonely Charu company and tutor her, which Amal does by reading her poetry that awakens her hidden nature, as it allows Charu a chance to realize for the first time in her life what love for someone else feels like as it churns inside her, quite unexpectedly, while being with Amal.
Amal is too self-absorbed and loyal to his cousin to notice or, to even, contemplate what is happening, until later on in the story, and at that time, he reacts by leaving the house and not acting on his true desires.
The huge house is Charu's domain, as she prates around it with her hand-made embroidered slippers and her opera glasses, which she coquettishly uses to spy on people, as she is bored- silly, talking prattle with Manda (Gitali), the wife of the newspaper's manager, whose main pleasure in life seems to be when she is having ice cream. From her second floor bedroom window, Charu will view her kindly but preoccupied husband from this distance with the same equilibrium she reserves for the glances she imparts on the strangers passing by.
Amal writes his literary piece and gets it published in a prestigious magazine called "The Lotus," which inspires Charu to let go of her inhibitions, as an inventive bit of photography is used by Ray, undoubtedly influenced by the French New Wave cinema, where we see Charu's mind in a vortex of activity, recalling her past experiences in the village she was brought up in. This turns into her literary piece, published in the other prestigious magazine "The Philanthrope," which surprises her husband when his friend Nishikanta (Suku) tells him this as he is celebrating with his newspaper friends the victory of Gladstone and the Liberals in England, elated about this because the new government will benefit India more than the former ruling party, the Tories, did.
The pivotal point of the film is reached by the betrayal of Bhupati by someone he completely trusted and made the manager of the newspaper and keeper of the money, Umapada (Ghoshal), who fails to make payments to keep the paper going and absconds with the stolen money, bankrupting the paper and breaking the heart of Bhupati, who feels that by losing the paper he has lost his co-wife.
This is a film that is visually poetic, stunning in its apperceptive recognitions of life in the raw, without any wasted movement exerted, with expressive gestures counting for unsaid dialogue and untold physical encounters replaced by a nuance, such as, by a romantic notion, as Charu has on a swing, just by a toss of her head upwards and she is seen in a swoon, and a deliberate word from her will slowly be turning into a potion that is magically brewing, as it is taking charge of all her pent-up emotions, as we imagine that we actually can see what is taking place inside the heads of the would-be lovers, even if nothing explicit materializes.
The final thrust of emotions erupts inside the already broken-hearted Bhupati, as he recoups his senses and composure by vacationing at a beach, where his wife plucks the first gray hair from him, and he returns to the house, satisfied that he has worked out a plan with his wife, that he run the political part of the paper they will attempt to resuscitate, while she will run the literary part.
Once home, opening the letter from Amal, learning that his cousin is living in Madras and will accept the arranged marriage that Bhupati worked out, only brings uncontrollable tears to Charu, as Bhupati awakens for the first time, recognizing what is happening between him and his neglected wife, and what Amal means to her, as the camera just stays with him and her, in a final fade out freeze-frame shot, as they join hands like Michelangelo joined Adam's hand with God, and a perfect picture is forged in our memory, its feeling so deeply evocative, its expressive mood so longingly embraced, that we can only be stunned by its sheer exquisiteness, for we have come across a chaste romance that is so subtle and delicate that we find it hard to compare it to those in other films, knowing we have struck pay dirt with this one, for we have seen how a great filmmaker can bring life out into the light, like only a master artist can; and, we have seen a film that is timeless, that will never be outdated, as it has already proven by passing the test of time, appearing just as modern in 1999 when I saw it, as it did in 1879 when the story took place, and as it did in 1964 when the film was made.
REVIEWED ON 5/7/99 GRADE: A+
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% load staticfiles %}
This is the results page.
_______________________________________________________________________________________________________________________________________________________________________________________________________
http://www.amazon.com/dp/B01FJT7E0A
Price: $199.99 | Availability: In Stock5 inch borderless display, Exmor RS 13MP main camera,8MP front camera,2300mAh battery
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Price: $149.99 | Availability: In Stock4G LTE, 2GB RAM, 5 inch screen
http://www.amazon.com/dp/B01EZC9WC0
Price: $129.99 | Availability: In StockAndroid 6.0 Marshmallow,16gb memory,5.5 inches
http://www.amazon.in/dp/B01C2T6IDY
Price: Rs 11,999.00 | Availability: In Stock5.5 " (13.9 cm) full HD 1920 x 1080 pixels IPS LCD capacitive touchscreen and 401 ppi pixel density with Sunlight display, Reading mode and Night mode.16MP f/2.0 primary camera with Dual ISPs, PDAF and a two tone flash; 5MP front camera with f/2.0 aperture Android v5.1 OS with MiUi 7 and 1.8GHz Qualcomm Snapdragon 650 hexa-core 64-bit processor with ARM Cotex-A72 lead cores, 3GB LPDDR3 Dual-channel RAM, 32GB eMMC5.0 internal memory and dual SIM (4G+4G) (Micro + Nano(Hybrid)) 4050mAH high density lithium-polymer battery.Metal body with a premium finish, fingerprint sensor with chip-level security encryption and 0.3s unlock tim
http://www.amazon.com/dp/B01CKSCR82
Price: $94.94 | Availability: In StockAndroid Lollipop, 8GB, No-Contract, Black
http://www.amazon.com/dp/B012DT5WMG
Price: $59.00 | Availability: Out of StockAndroid 5.1 Lollipop, 8MP rear and 2MP front camera,4.7'qHD display
http://www.amazon.com/dp/B00YAE9DXM
Price: $50.49 | Availability: 3 left in StockAndroid 6.0 Marshmallow,16gb memory,5.5 inches


This page demonstrates the very basics of the jQuery Countdown plugin. It contains the minimum requirements for using the plugin and can be used as the basis for your own experimentation.
For more detail see the documentation reference page.
Counting down to 26 January 2010.


Contact your Health Authority
Contact Form
*
First Name:
*
Last Name:
Title:
Mr.
Ms.
Mrs.
Miss
Master
*
Health Authority Number:
If you do not know your ZHA number
please contact your GP
*
Email Address:
Telephone Number:


Reports
break
statements, other than at the end of a
switch
statement branch.
break
statements complicate refactoring, and can be confusing.
Powered by InspectionGadgets


(close)
Instructions
It’s best to start with the sample template as it will already have many of the ‘Fixtures’ for each day of a typical workshop. The file is constructed like so:
- Each day starts with two Hashtags (##) and the word Day
- Each daily schedule consists of three sections that start with one hashtag(#) and a keyword
Fixtures hold the typical items that would happen on a typical day (shuttles, breakfast, lunch, etc).
Other holds items specific to that day which are not fixtures or speakers (discussion, break out session, etc.)
Speaker holds the list of speakers in the order they are to talk for that day.
- Each speaker item is on a separate line and consists of at least three parts separated by a pipe (|)


Annotating your workflow will allow other users to assess the suitability of the dataset for their purposes and make it reusable.


A Spline consists of several Curves.
More...
A Spline consists of several Curves.
◆ Spline()
| Baguio.Splines.Spline.Spline |
( |
Vector3[] |
_points, |
|
|
bool |
closed = true , |
|
|
int |
_precision = 5 |
|
) |
| |
|
inline |
Generate an new spline through the given points.
- Parameters
-
| _points | The points the spline will pass through |
| closed | Determins whether the spline is closed or not |
| _precision | 2 to the power of n - times points will be calculated on one curve |
◆ CalculateClosedSpline()
| void Baguio.Splines.Spline.CalculateClosedSpline |
( |
| ) |
|
|
inlineprivate |
◆ CalculateSpline()
| void Baguio.Splines.Spline.CalculateSpline |
( |
| ) |
|
|
inlineprivate |
◆ DrawGizmos()
| void Baguio.Splines.Spline.DrawGizmos |
( |
| ) |
|
|
inline |
◆ GetLength()
| float Baguio.Splines.Spline.GetLength |
( |
| ) |
|
|
inline |
Returns the length of the spline by accumulating the lengths of the curves.
◆ GetOrientedPath()
| void Baguio.Splines.Spline.GetOrientedPath |
( |
out OrientedPoint[] |
_path | ) |
|
|
inline |
Returns the complete path of the spline.
◆ m_curves
| Curve [] Baguio.Splines.Spline.m_curves |
|
private |
◆ m_points
| Vector3 [] Baguio.Splines.Spline.m_points |
|
private |
◆ m_pointsPerCurve
| int Baguio.Splines.Spline.m_pointsPerCurve |
|
private |
The documentation for this class was generated from the following file:


This paragraph contains a lot of lines in the source code, but the browser ignores it.
This paragraph contains a lot of spaces in the source code, but the browser ignores it.
I am a very simple card. I am good at containing small bits of information. I am convenient because I require little markup to use effectively.
I am a very simple card. I am good at containing small bits of information. I am convenient because I require little markup to use effectively.
I am a very simple card. I am good at containing small bits of information. I am convenient because I require little markup to use effectively.


Subscriptions administration
Plans
You do not have any plans. Create a product and then create plans.
Create product
Create plan
| ID |
Product |
Price |
Trial |
Status |
Created |
Coupons
You do not have any coupons. Coupons allow your customers to be discounted by yourself or administrators, and subscriptions to be discounted by customers.
Create coupon
| ID |
Discount |
Status |
Created |
Subscriptions
You do not have any subscriptions. Create published products and plans for users to subscribe to.
| ID |
Customer |
Current period |
Discount |
Plan |
Status |
Created |
|
${plan.id}
|
${plan.product}
|
${plan.priceFormatted} |
${plan.trialFormatted} |
Draft |
Published |
Unpublished |
${plan.createdFormatted} |
|
${coupon.id}
|
${coupon.discount} |
Draft |
Published |
Unpublished |
${coupon.createdFormatted} |
|
${subscription.id}
|
${subscription.customer.id || subscription.customer}
|
${subscription.current_period_startFormatted} - ${subscription.current_period_endFormatted} |
${subscription.discount} |
${subscription.plan}
|
${subscription.status} |
${subscription.createdFormatted} |


road: road where vehicles move on.
sidewalk: for pedestrians to walk
vegetation: trees, vegetations that human cannot walk on
grass: grass where people can walk on
terran: mud
pole: for street lamps and other objects resemble that
building: windows, walls, buildings, fences
vehicle: cars, vans, trucks
human: pedestrians, or people on bikes
bike: bikes, motocycles
sky (Don't forget this!)
sign: traffic signs
water
stairs
|
|
|
Accepted: Everything is labeled. Borders are mostly aligned. |
Rejected: Borders of objects are not labeled. |
|
Accpeted: Good Annotations. Everything is labeled accurately. |
Rejected: Parts of the image is not annotated (vegetation, a pole, road, a sidewalk) |
|
Accpeted: Good Annotations. Everything is labeled accurately, including bikes |
Rejected: The borders are not very accurate. Some parts of the image are not annotated. |
|
Accpeted: Good Annotation. |
Rejected: Too much overlapping of different objects. |
|
Accpeted: Good Annotation. |
Rejected: The pole is not outlined. Also the building and the vegetation are not outlined. |
|
Accpeted: Good Annotation. |
Rejected: Too much overlapping of different objects. The borderes are not clear. |
|
Accpeted: Good Annotation. |
Rejected: In the center of this image, the building/vegetation are not outlined. |
|
Accpeted: Good Annotation. |
Rejected: Too much errors. The borders are not clear. Vegetations' labels are not correct. |
|
Accpeted: Good Annotation. |
Rejected: The borders are fine, but there are too much overlapping among different objects. |
|
Accpeted: Good Annotation. |
Rejected: The sky is not labeled. |
The following steps describe how to label an object:
1. Start by pressing the left mouse button at some point along the boundary of the object.
2. Continue clicking along the boundary of the object to create a polygon.
3. Once you have finished clicking along the boundary of the object, either click on the first point or press the right mouse button to complete the polygon.
4. A window will now appear asking for the object's name. Enter the object's name and click the "Done" button.
cannon


Using ROS and Matlab a Computer Vision Occupancy Map
For this project, a roomba-like robot equipped with a laser range finder was used to collect data of the room. For every data point, the robot recorded an angle, a coordinate, and a distance to a measured object. This information was gathered with ROS and exported to a .txt file with all of the data. The occupancy grid was created using a bayes filter and a standard occupancy grid algorithm:
In the occupancy map, every cell (pixel) is binary: it is either empty or occupied. The probability that the cell is occupied is found using a log-odds representation. My code outputs a represenatation of the map half-way through the data, a representation before log-odd conversions, and a final occupancy grid.
The actual picture of the environment is seen below
The full source code, including sample data on which to run the matlab script, can be found on my github page.


The main site page is split into 12 subsections, the first button available is the home button this will take you back to the welcome page of the website at any time should you need to return there. The other 11 buttons split the page into console subsections clicking any of these buttons will load up the corresponding console and all the available reviewed games of that console, not all reviews where done on said console but they are available on the console so will be displayed, this loaded tab can then be separately scrolled through at leisure to locate a review.
The search function will always be displayed on the left hand side of any page, from this search function the user can generate there own filtered results for any console. There are two mandatory fields in the search function Platform and Age these two fields must be filled to generate a result all other criteria such as rating, co-operative play and online availability are optional and are there to narrow your search down to a very specific level


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You won’t find any another company in Rwanda which can plan, organize, lead and control your wedding like we do About Each bridal couple has their own needs and desires when it comes to planningtheir special day. We will meet with you and create a customized service package that suits your individual needs and budget. Fees are based on each client’s specific needs. our mission is to offer a full package of wedding ceremony , bring experience and Our vision is to deliver the perfect wedding experience for each bridal couple and expertise to the table, tailoring everything so that your objectives and expectations fall into place by offering good services for good price.
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In this page, you can inspect the results of a single experiment.
Quick start:
You can see the optimization process for the selected experiments, in particular:
- a summary of the main statistics of the optimization performed with the
selected optimized metric.
- the line chart representing the median of the model runs for each iteration of
the optimization .
- a box plot summarizing all the evaluation functions across all the iterations .
- a summary of the main statistics of the other metrics that have been selected
to evaluate (if it exists).
- the line chart and the boxplot of the other metrics that have been selected to
evaluate (if it exists).
Moreover, you can select a specific iteration and model run and visualize:
- the wordcloud of the selected model run for each topic.
- the topic distribution of a selected document and its preview.
- The weight of every word of vocabulary for each topic.


Add Transformations
The next step in defining model is to transform the variables you've selected. This step is optional-- for many models you may not need to make any modifications to the input variables.
To add a transformation, click Add Transformation
and select an operation from the dropdown list.
The transformations currently supported by Neuroscout are a subset of the complete set of transformations detailed in the BIDS StatsModel specification (in active development). As Neuroscout matures, the number of suppport transformations will grow.
| Transformation | Description |
|---|---|
| Scale | Standardize the value of one or more variables. Can independently choose to denmean and/or rescale. |
| Orthogonalize | Orthogonalizes one or more input columns with respect to one or more other columns. |
Select input
For all transformation, you must select on which this transformation will operate. Most operations will operate on each column independently, but specifying multiple columns will save you from having to specify the same operation for multiple predictors.
Transformation-specific options
Most transformations additional have specific options which you can specify.
Scale
- Demean - If True, subtracts the mean from each input column (i.e., applies mean-centering).
- Rescale - If True, divides each column by its standard deviation.
- ReplaceNA - Whether/when to replace missing values with 0. "Don't replace"- no replacement is performed. If 'before', missing values are replaced with 0's before scaling. If 'after', missing values are replaced with 0 after scaling.
Orthogonalize
- You must select the inputs to orthogonalize with respect to. The transformed variable will be uncorrelated to these variables.
Threshold
- Threshold - The value to binarize around (values above will be assigned 1, values below will be assigned 0)
- Binarize - If True, binarizes all non-zero values (i.e., every non-zero value will be set to 1).
- Above - Specifies which values to retain with respect to the cut-off. If True, all value above the threshold will be kept; if False, all values below the threshold will be kept.
- Signed - Specifies whether to treat the threshold as signed (default) or unsigned. For example, when passing above=True and threshold=3, if signed=True, all and only values above +3 would be retained. If signed=False, all absolute values > 3 would be retained (i.e.,values in the range -3 < X < 3 would be set to 0).
Editing and order
It is important to note that transformations are applied sequentially, so the order of the transformation matters. To re-order transformation you can drag and drop transformations in the list.
You can also remove transformations you've created using the trash icon, and edit existing transformations with the blue edit icon.


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I want to have my say on the future and possitively impact others lives.
I take pride in continuous personal development.
Identity Management Intern at Johnson Controls
Head Kayak Instructor at Nevsail Watersports


"
Three dimentional imaging, and a revelotionary means to bring world wide resourses provides improved diagnostic capacity improving the patient experience and reducing overhead
Linkvery fast app
A simple app, very simple app
An awesome app, very awesome app
A beautiful app, very beautiful app
This is a playground landing ©Le Wagon


Returning From the Threshold of Misery
I’ve been a poker player for over a decade now, and even though the landscape of the game itself changes rapidly, there’s a number of lessons that have stayed the same over the years. The one I’m musing on today comes from Mike Caro, who wrote an eponymous book that is famous in the poker world, “Mike Caro’s Book of Poker Tells.” I highly recommend it, even for non-poker players. The basic premise of most poker “tells” is that people act weak when they are strongest, and act strong when they’re weakest. When someone glares menacingly at you from across the table, they probably are bluffing.
Beyond observations on common behaviors at the poker table, Caro also dispenses advice on observing your own psychology and state-of-mind, and how to maintain discipline in the face of your own personal emotional responses to the vagaries of chance. The principle that has stuck with me, that I see present in far too many software developers, is Caro’s Threshold of Misery. Here it is, in Caro’s own words:
The full name of MCU is Mike Caro University of Poker, Gaming, and Life Strategy. I take the life strategy part of that seriously, and in my teachings there are many overlapping themes between poker and everyday endeavors.
Few concepts have resonated with students more than Caro’s Threshold of Misery. I continually receive letters, e-mails, and face to face thanks from both poker players and people in the “real world,” telling me how much this simple truth has meant to them.
Here’s how it goes: Suppose you’re a small- to medium-limit player, and you can envision yourself comfortably losing a maximum of $1,500 today. I’m not suggesting that you’ll be happy about losing that much, just that you can comfortably handle it and that anything more will begin to feel uncomfortable.
Okay, now you find yourself down $500, then $1,100, then—before it registers—you’ve zoomed past $1,500 and are losing $1,800. You’ve entered dangerous territory. And it gets worse. And worse. Hours later, you find yourself losing $4,530. Now, your mind is numb. I believe that most people at this point can’t mentally comprehend added losses. It all feels the same. You’ve crossed Caro’s Threshold of Misery, which is the point at which mental and emotional pain is maximized and anything further won’t register.
(Text from Tip #15 in Super System 2)
The Threshold of Misery is that point when things have become so bad, you simply cease to care when they get worse.
How many times have things gotten so messed up for you that it simply doesn’t matter any more?
- “The car isn’t worth much after that accident, but it still drives so why bother with maintenance?”
- “I’ve already overslept by 2 hours, so I might as well take the rest of the day off and try again tomorrow.”
- “I’ve already had 3 drinks and will have to take a taxi home, so I might as well keep drinking.”
I’m sure you can find situations in your own personal life where this applies, but how about in your career as a software engineer? Just off the top of my head, I’ve heard these statements made by otherwise responsible, senior professionals:
- “I should refactor this massive if/elsif block, but that’d take hours, so instead I’ll just add this additional conditional and close the ticket.”
- “Writing a test for this code is nearly impossible because of how the object relationships are intertwined, so I’ll do it later.”
- “Adding this JavaScript library will save me an hour of coding, and while it is an additional 200Kb, the page is already over 4Mb in size so it isn’t a big deal.”
- “The data model is such a mess, we need to sort it out someday, but for now let’s just add another column to the table.”
These sort of unprofessional choices are often made not from ignorance or malice, but simply from someone who has crossed the Threshold of Misery. It’s not just individuals who can stand teetering on the edge of simply not caring anymore, but teams and entire organizations can find themselves without the desire to do the right thing.
This is the unfortunate environment where you’re likely to start losing your best engineers. When people begin to feel that nothing they do matters, that whether they succeed or fail is of little to no consequence, they will either cease to make any effort towards doing the right thing, or will go find a new place where what they do matters – either a different project, team, or company altogether.
You must be aware when you cross the threshold, because beyond it decisions don’t seem to matter. This is true in real life, too. When romances unravel or businesses fail, you might cross the Threshold of Misery and stop caring about making critical decisions regarding other things. That’s because the pain is already maximized and anything else that goes wrong can’t add to the agony.
We become overwhelmed and numb to the pain we’re experiencing. We give up. We’ve all seen or felt this.
- A bootcamp student, feeling far behind and lost, unable to express their confusion, with no access to tutors or mentors.
- A senior developer with decades of experience, thrust into a new problem domain in which they have no prior professional experience, with sky-high expectations placed upon them and unreasonable delivery dates. They work late nights and weekends, struggling to keep up.
- A designer, receiving the umpteenth round of “I don’t know, it just doesn’t ‘pop’.. let’s start over – what would Apple do?” notes, the same vague and unactionable feedback as always, delivered to them hours before the product is due to ship.
Are these people in the best situation to do their best, most professional work? What incentives are motivating them – success, or fear?
Listen closely. At these times, in poker and in life, the secret is to keep performing as if you care. Remember that, although you can’t emotionally feel the importance of making quality decisions at the moment, there will come a time when you will feel that importance and be grateful for the good decisions that you make now. Yes, you’ve crossed the threshold and decisions don’t seem to matter. They do still matter, and anything that suggests otherwise at this moment is an illusion.
When someone has recognized that they have crossed their own Threshold of Misery, and they are trying to do something about it, HELP THEM! Help them dig out by supporting their efforts to change, whether simply their own habits, or the organizational environment that forced them to such a place. An engineer who is at or past the Threshold of Misery is looking for any kind of evidence that what they do matters. You’ve got a very short window of opportunity to help them to accomplish something meaningful; if you don’t, you’re likely going to lose them.


 We all have a hot hearts. We study to each other and we are good at study. We work together and help each other. We comfort each other and we nevergive up. Besides, we never pass the buck.
Over the past half year, we made full use of our whole spare
time to search literature, to discuss, to consult to some professor……
Over the past half year, we explored, we discussed and did
experiment. Finally our work succeeded!
This is a united and friendly team.
6 junior students from College of life Science &Technology
1 junior student studying engineering
1 senior student studing physics
1 senior student studying design
RenXi He
Member
Biopharmaceutics
No matter how far the dream is you are to reach as long as you walk step by step.
WanShan Xie
Member
designer
Again?
Jie Hu
Member
Bioscience
Go your own way: let others talk
ShuYan Tang
Member
design
Why am I so cute!
WenHao Shang
Captain
Bioscience
That's a good question, unhn!
HongYang Wang
Member
Electronic & Information Engneering
Less is more.
Xiang Li
Member
Applied Physics
If you are hot. I am single!
Ji Deng
Member
Biopharmaceutics
Why are you so diao?
Chen Xiao
Member
Biopharmaceutics
Dr. XiangLiang Yang
College of Life Science and Technology, HUST
Nano-DrugTeam Instructor
<EMAIL_ADDRESS>Dr. YunJun Yan
College of Life Science and Technology, HUST
microbiology Team Instructor
<EMAIL_ADDRESS>Dr. Yi Zhan
College of Life Science and Technology, HUST
Biophysicsand Biochemistry Team Instructor
<EMAIL_ADDRESS>Postdoctor Jun Hu
College of Life Science and Technology, HUST
synthesis&construction of nanomaterials
<EMAIL_ADDRESS>Dr. ZhaoHui Tang
College of Life Science and Technology, HUST
Genes & DevelopmentTeam Instructor Team Instructor
<EMAIL_ADDRESS>Master ShanShan Wang
College of Life Science and Technology, HUST
Biophysics and Neuroscience
<EMAIL_ADDRESS>Master JiangShan Wan
College of Life Science and Technology, HUST
Nanodrug delivery systems
<EMAIL_ADDRESS>Dr. Qian Xie
College of Life Science and Technology, HUST
non-scientific research personnel
xieqian@hust.edu.cn


ERIN BROCKOVICH
Reviewed by Harvey Karten Universal Pictures Director: Steven Soderbergh Writer: Susan Grant, Richard LaGravenese Cast: Julia Roberts, Aaron Eckhart, Conchata Ferrell, Albert Finney, Jamie Harrold, Marg Helgenberger, Scotty Leavenworth, Linda Larkin, Lynn Redgrave, Josef Sommer, Malcolm Stumpf, Michael Vartan
If sales of Deer Park, Poland Spring, Evian and 170 other bottled water brands did not skyrocket after John Travolta's heroic role in Steven Zaillian's "A Civil Action," they're not likely to zoom this time around either--notwithstanding Steven Soderbergh's frightfully similar tale, "Erin Brockovich." Soderbergh's story follows the outline of "A Civil Action" up and down the line: the small-town lawyer who hocks everything just before he is about to retire to Palm Beach, even taking a second mortgage to pursue the big, evil company; the heavily bankrolled legal team hired by a billionaire corporate steamroller; the pollution which the company knew about but did little to curtail; the illness and death of both adults and children from a combination of cancers including leukemia, and carcinomas of the ovaries and breasts; the merely remote chance of winning anything substantial.
This time around the true story revolves not around the Grace Company but about PG&E, or Pacific Gas and Electric, with assets of $28 billion and an obstinacy about negotiating anything close to the amount of money that could compensate over 600 families afflicted by water poisoned with chromium. Why would the producers bank on a yarn so similar to Zaillian's scarcely more than a year later? Two words: Julia Roberts--whose main assets are her big mouth and, as one Internet critic puts it, her possession of a wonderbra. Travolta may know how to dance, but Julia has the cleavage needed to bring in the crowds--particularly since "Erin Brockovich" is a feel-good film with all the numbing predictability movie-goers seem to demand.
While this obvious little yarn sorely lacks irony, the one paradoxical point is that so many Americans do not like or trust lawyers and yet flock to the cinema for any adaptation of John Grisham book, preferring plots highlighting small-town Davids taking on big-city Goliaths. We eschew the $400-an- hour attorneys in their dark, pin-striped suits who haunt the top floors of Wall Street offices or, on the other hand the small-potatoes advocates who make their living chasing ambulances. But give us an avuncular counselor, preferably getting on in years, who risks his entire retirement in a gamble for justice, and we're suckered in--particularly if the jokes are discreetly mixed with the poignancy and are sexual in nature. Throw in a few cute tykes and a romantic lover on the side and you've got "Erin Brockovich."
The title character (Julia Roberts) is at her wit's end, bogged down with the care of three kids, her two husbands having left her with $74 in her bank account (with which she is able to afford rent, a car, and a dazzling array of provocative outfits). With no fancy degrees to her name and, despite her looks, an inability to charm a series of potential employers, she finagles a job as a research assistant to an attorney, Ed Masry (Albert Finney). By sheer coincidence, her new neighbor, a biker named George (Aaron Eckhart), is (by choice) unemployed and willing to take care of her kids while she's in the legal office scraping out a living. When Erin comes across evidence that an epidemic of illnesses in the town can be traced to the presence of chromium in the water supply, she convinces her boss to take on the perps, PG & E, despite the time, money, and energy needed to pursue the case against an array of slick corporate lawyers. The hearings, the petitions, the meetings with the largely unsophisticated and mistrusting townspeople are by now so easy to follow by anyone who has ever been the movies that there's scarcely a need to reveal the plot, nor would we risk much by disclosing the final result of the litigation. At least John Grisham's stories, commercial though they may be, do not end with unmitigated victories for the little guys who are besieged and corrupted and made ill by the malefactors of great wealth.
Director Soderbergh is best known for "Out of Sight," considered quirky for a commercial movie in that it credibly shows a romantic connection between two people on opposite sides of the law.
If Soderbergh wanted to get serious with the true story of the PG&E lawsuit, he would have used Cherry Jones in the principal role of research assistant instead of shoving her into the background as a reluctant witness who finally comes around when she realizes how wonderful Ms. Brockovich is. I'd not be surprised to see our online colleagues on the World Socialist Website take writers Susannah Grant and Richard LaGravenese to task for reinforcing the idea that if you want to succeed and make a fortune with just two years' hard work, you'd better be gorgeous. When asked by her boss how she was able to get so many people to cooperate with the plaintiff's cause, Erin replies, "It's called boobs, Ed." Absent the bosom and the thigh-length skirt, would this case have ever made it out of the initial deposition stage? Would this movie not be shipped off to videotape after a quick run in the theaters?
Rated PG-13. Running Time: 130 minutes. (C) 2000 Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- title: 1st Grade Summer Camps layout: default ---
Back to main Summer Camp page
Click the panels below for information about each camp.
Partner Camp with Natural History Muesum of Utah (NHMU)
Explore the natural world with Red Butte Garden and the Natural History Museum of Utah! Spend mornings at Red Butte Garden looking at the natural world from the perspective of ants, raccoons, rocks, and more to discover the unique perspective each viewpoint gives you. In the afternoon travel to NHMU where you’ll investigate the natural processes surrounding you, including the changing seasons, the rock cycle, the water cycle, and more.
Drop off at Red Butte Garden by 9AM and pick up at NHMU by 4:30PM.
Caregivers: Please note the curriculum for Session 1 & 2 is the same.
Click Here for Camp Overview.
NOTE: Registration for this class is done through NHMU
Red Butte Garden / Natural History Museum of Utah 301 Wakara Way, Salt Lake City, UT 84108
Members: $252, Public: $280
801-585-3948
Partner Camp with Natural History Muesum of Utah (NHMU)
Explore the natural world with Red Butte Garden and the Natural History Museum of Utah! Spend mornings at Red Butte Garden looking at the natural world from the perspective of ants, raccoons, rocks, and more to discover the unique perspective each viewpoint gives you. In the afternoon travel to NHMU where you’ll investigate the natural processes surrounding you, including the changing seasons, the rock cycle, the water cycle, and more.
Drop off at Red Butte Garden by 9AM and pick up at NHMU by 4:30PM.
Caregivers: Please note the curriculum for Session 1 & 2 is the same.
Click Here for Camp Overview.
NOTE: Registration for this class is done through NHMU
Red Butte Garden / Natural History Museum of Utah 301 Wakara Way, Salt Lake City, UT 84108
Members: $252, Public: $280
801-585-3948
* Short week due to Independence Day and Pioneer Day holidays.


San Francisco native with a passion in deciphering data. A graduate from University of California,
Davis with a degree in Nutrition Science, emphasis in Biology. Interned abroad at a biotechnology company in
Hong Kong for a summer. Super detail oriented due to working with a CRM system with over 100,000 leads.
Building custom mechanical keyboards for fun with a growing collection. Currently a fellow fraud fighter and
analyzing all things in Operations.
Interested and excited to continue my journey in learning and developing skills in the Fraud industry. Love
solving puzzles and problems that stimulate the mind and always striving to reach for the
highest score. Have a knack for learning and never giving up until I have succeeded. Always have had a strong
interest in data and decided to pursue something that I am genuinely interested in.
To view my work, please click here.


Kestrel Familial Goldfinch Great Eagret In Hiding In Repair In Resignation Dsirous Loss By Catch Disinterest In Helpless Gift Love At The End Of The World To Give Forest Nearby Seals a project with a background image Agitation Squeeze The Life Into You For Want of Everything Upon Reinspection a project with a background image The Migration a project with a background image The Fisherman She Asked Nicely and Got to Keep the Bear East and West The Meet Ode to an Edwardian Lady A Dance Bird's Eye View


|
Log4j 1.2.11 | ||||||||||
| PREV NEXT | FRAMES NO FRAMES |
See:
Description
| Packages | |
| org.apache.log4j | The main log4j package. |
| org.apache.log4j.chainsaw | Chainsaw is a GUI log viewer and filter for the log4j package. |
| org.apache.log4j.config | Package used in getting/setting component properties. |
| org.apache.log4j.helpers | This package is used internally. |
| org.apache.log4j.jdbc | The JDBCAppender provides for sending log events to a database. |
| org.apache.log4j.jmx | This package lets you manage log4j settings using JMX. |
| org.apache.log4j.lf5 | |
| org.apache.log4j.net | Package for remote logging. |
| org.apache.log4j.nt | Package for NT event logging. |
| org.apache.log4j.or | ObjectRenders are resposible for rendering messages depending on their class type. |
| org.apache.log4j.or.jms | This package contains the MessageRenderer which renders objects of
type javax.jms.Message . |
| org.apache.log4j.or.sax | This package contains the AttributesRenderer which renders object of
class org.xml.sax.Attributes . |
| org.apache.log4j.performance | Package to measure the performance of the different log4j components. |
| org.apache.log4j.spi | Contains part of the System Programming Interface (SPI) needed to extend log4j. |
| org.apache.log4j.varia | Contains various appenders, filters and other odds and ends. |
| org.apache.log4j.xml | XML based components. |
| org.apache.log4j.xml.examples | Example usage of log4j with XML (including source code). |
Make sure to read the user manual in addition to this javadoc documentation.
|
Log4j 1.2.11 | ||||||||||
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