Musical Collaboration Graph
Graph 2
Graph 3
Graph 4
Drake
Artists
Drake
Rihanna
TPain
Justin Bieber
Lil Wayne
Musical Collaboration Graph
Visualize Spotify Artist Collaborations


Insect Camouflage, Mimicry, and Defense
ALBI-345 General Entomology
Aubrey Moore
Acknowledgment
Thanks to Dr. Rich Zack at Washington State University for sharing most of the slides in this presentation.
Camouflage
Warning coloration
Mimicry
Diptera: Syrphidae (hover flies)
Insect defense systems
Peppered moth
Peppered moth story
industrial melanism in adults
adaptive color change in caterpillars
https://en.wikipedia.org/wiki/Peppered_moth_evolution
Industrial melanism in the peppered moth is a prime example of natural selection.
Read the full story
Peppered moth caterpillars can change their color to match the twigs they are on.
A
recent journal article
reports that the twig color is not sensed by their eyes, but by their skin.
Insect images on insect wings
Insect images on insect wings 1
Labdia
spp.: Moths in this genus are commonly reared from
Leucaena leucocephala
seed pods on Guam.


Nigerian Government To Build $800 Million Seaport In Delta State
by Emmanuel EgobiambuThe federal government plans to build a new seaport in the Pessu area of Warri in Delta State at the cost of $800 million, Concise News reports.
This revelation came from the Minister of Transportation Rotimi Amaechi on Thursday at the Petroleum Training Institute Conference Centre, in Uvwie council area of Delta state.
Amaechi was in Delta State to give starter packs, micro-enterprise enhancement loans and resettlement packages to 1,700 women and youths under the National Directorate of Employment empowerment programme.
“We are building a brand new Sea Port in Pessu. It will cost 800 million dollars. When you stop them from working you are losing such a huge investment where the entire community can be contractors, some can supply sand,” the former Rivers State leader said.
“There is also the Bonny sea Port that is coming. The best thing to do is to allow the development.
“Imagine the companies that have left Warri, let the Sea Port project go on smoothly.”


Welcome, Baoling!
Let's begin your 2016 eBay Journey.
Launch
pause
continue
First Purchase
2016 Fashion Sexy Women Summer Chiffon Long Sleeve T-Shirt Tops Blouse
2016.2.1


Father charged with child abuse, domestic assault after infant thrown on floor, mother punched
by Fox13Memphis.comMEMPHIS, Tenn. -
A Memphis father has been charged after a mother said he threw their 1-year-old child on the ground after an argument.
According to the Memphis Police Department, the incident occurred early Thanksgiving morning around 4 a.m.
Police said the family was riding in a car when the mother and father began arguing. While they were arguing, the suspect Marico Owens, 42, punched the mother in her bottom lip, according to MPD.
That's when police said the mother grabbed their 1-year-old son and ran into their Frayser home. Police said Owens tried to enter the home and threatened to run his car into the house.
Someone who also lives inside the home let Owens inside the house, and the mother and father started arguing again.
Police said Owens then picked up the baby by the back of his neck and threw him on the floor. He then picked the baby up, put him back on the bed, then knocked him back onto the floor from the bed, according to police.
The mother picked her child up from the floor and ran out of the house. Both victims were taken to another home about one mile away.
Paramedics said the mother and child appeared to be injured, but they refused to be transported.
When officers were on the scene at the first home, Owens returned to the house and asked police if police were looking for him.
Owens was taken to Regional One because he claims he was tasered by someone in the house.
Officers have charged Owens with domestic assault and child abuse.
© 2019 Cox Media Group.


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JSS is a place where there are so many societies work in different different field.Everybody has a talent and every talent has a unique place where it can show its talent


CHAPTER 425E
UNIFORM LIMITED PARTNERSHIP ACT
ARTICLE 1. GENERAL PROVISIONS
Section
425E-101 Short title
425E-102 Definitions
425E-103 Knowledge and notice
425E-104 Nature, purpose, and duration of entity
425E-105 Powers
425E-106 Governing law
425E-107 Supplemental principles of law; rate of interest
425E-108 Name
425E-108.5 Administrative order of abatement for infringement
of limited partnership name
425E-109 Reserved name
425E-110 Effect of partnership agreement; nonwaivable
provisions
425E-111 Required information
425E-112 Business transactions between a partner and the
partnership
425E-113 Dual capacity
425E-114 Registered agent
425E-115 Designation or change of registered agent
425E-116 Resignation of registered agent
425E-117 Service on the partnership
425E-118 Consent and proxies of partners
ARTICLE 2. FORMATION; CERTIFICATE OF LIMITED
PARTNERSHIP; OTHER FILINGS; FEES
425E-201 Certificate of limited partnership
425E-202 Amendment or restatement of certificate
425E-203 Statement of termination
425E-204 Execution of records
425E-205 Signing and filing pursuant to judicial order
425E-206 Filing in the office of the director; effective time
and date
425E-206.5 Filing requirements; filing duty of the director
425E-207 Correcting a filed document
425E-208 Liability for false information in a filed record
425E-209 Certificates and certified copies to be received in
evidence
425E-210 Annual statement
425E-211 Fees for filing documents and issuing certificates
ARTICLE 3. LIMITED PARTNERS
425E-301 Limited partner
425E-302 No right or power as limited partner to bind limited
partnership
425E-303 Liability as a limited partner
425E-304 Right of limited partner and former limited partner
to information
425E-305 Limited duties of limited partners
425E-306 Person erroneously believing self to be a limited
partner
ARTICLE 4. GENERAL PARTNERS
425E-401 General partner
425E-402 General partner is an agent of the limited
partnership
425E-403 Limited partnership liable for general partner's
actionable conduct
425E-404 General partner's liability
425E-405 Actions by and against partnership and partners
425E-406 Management rights of general partners
425E-407 Right of general partner and former general partner
to information
425E-408 General standards of a general partner's conduct
ARTICLE 5. CONTRIBUTIONS AND DISTRIBUTIONS
425E-501 Form of contribution
425E-502 Liability for contribution
425E-503 Sharing of distributions
425E-504 Interim distributions
425E-505 No distribution on account of dissociation
425E-506 Distribution in kind
425E-507 Right to distribution
425E-508 Limitations on distribution
425E-509 Liability for improper distributions
ARTICLE 6. DISSOCIATION
425E-601 Dissociation as a limited partner
425E-602 Effect of dissociation as a limited partner
425E-603 Dissociation as a general partner
425E-604 Person's power to dissociate as a general partner;
wrongful dissociation
425E-605 Effect of dissociation as a general partner
425E-606 Power to bind, and liability to, limited partnership
before dissolution of partnership of a person
dissociated as general partner
425E-607 Liability to other persons of person dissociated as
a general partner
ARTICLE 7. TRANSFERABLE INTERESTS AND
RIGHTS OF TRANSFEREES AND CREDITORS
425E-701 Partner's transferable interest
425E-702 Transfer of partner's transferable interest
425E-703 Rights of creditors of partners or transferees
425E-704 Power of estate of deceased partner
ARTICLE 8. DISSOLUTION
425E-801 Nonjudicial dissolution
425E-802 Judicial dissolution
425E-803 Winding up
425E-804 Power of general partner and person dissociated as
general partner to bind partnership after
dissolution
425E-805 Liability after dissolution of general partner and
person dissociated as general partner to limited
partnership, other general partners, and persons
dissociated as general partners
425E-806 Known claims against dissolved limited partnership
425E-807 Other claims against dissolved limited partnership
425E-808 Liability of general partner and person dissociated
as general partner when claim against limited
partnership barred
425E-809 Administrative cancellation
425E-810 Reinstatement following administrative cancellation
425E-811 Appeal from denial of reinstatement
425E-812 Disposition of assets; when contributions required
ARTICLE 9. FOREIGN LIMITED PARTNERSHIPS
425E-901 Governing law
425E-902 Application for certificate of authority
425E-903 Activities not constituting transacting business
425E-904 Issuance of certificate of authority
425E-905 Name
425E-906 Cancellation of certificate of authority
425E-907 Certificate of withdrawal; effect of failure to have
certificate
425E-908 Changes and amendments
ARTICLE 10. ACTIONS BY PARTNERS
425E-1001 Direct action by a partner
425E-1002 Derivative action
425E-1003 Proper plaintiff
425E-1004 Pleading
425E-1005 Proceeds and expenses
ARTICLE 11. CONVERSION AND MERGER
425E-1101 Definitions
425E-1102 Conversion into or from limited partnerships
425E-1103 Articles of conversion
425E-1104 Effective date of the conversion
425E-1105 Effect of conversion
425E-1106 Merger
425E-1107 Articles of merger
425E-1108 Effective date of the merger
425E-1109 Effect of merger
425E-1110 Restrictions on approval of conversions and mergers
and on relinquishing limited liability limited
partnership status
425E-1111 Liability of general partners after conversion or
merger
425E-1112 Power of general partners and persons dissociated as
general partners to bind organization after
conversion or merger
425E-1113 Article not exclusive
425E-1114 Foreign mergers
ARTICLE 12. MISCELLANEOUS PROVISIONS
425E-1201 Uniformity of application and construction
425E-1202 Severability clause
425E-1203 Relation to Electronic Signatures in Global and
National Commerce Act
425E-1204 Application to existing relationships
425E-1205 Savings clause
425E-1206 Personal liability and penalty
Cross References
Limited liability partnerships, see §§425-151 to 173.
Uniform limited liability company act, see chapter 428.


Contracts : = $total; ?>
0) { ?>
Name
Phone
Address
Email
Action
$contact) { ?>
= $contact['name']; ?>
= $contact['phone']; ?>
= $contact['address']; ?>
= $contact['email']; ?>
Edit
Delete
Add a contact


Comparing an orthophoto map with a topographic map
Schweizer-Reneke orthophoto and topographic map extract


Key: = Must support, = QICore-defined extension, = Is-Modifier
| Field | Card. | Type and Description |
|---|---|---|
| authorizingPrescription |
0..*
|
List<Reference>
|
| category |
0..1
|
Concept
|
| context |
0..1
|
Reference
|
| daysSupply |
0..1
|
Quantity
|
| destination |
0..1
|
Reference
|
| detectedIssue |
0..*
|
List<Reference>
|
| dosageInstruction |
0..*
|
List<Dosage>
|
| doseType |
0..1
|
Extension
|
| eventHistory |
0..*
|
List<Reference>
|
| identifier |
0..*
|
List<Identifier>
|
| infuseOver |
0..1
|
Extension
|
| maxDeliveryRate |
0..1
|
Extension
|
| maxDeliveryVolume |
0..1
|
Extension
|
| medication[x] |
1..1
|
Concept | Reference
|
| minDosePerPeriod |
0..1
|
Extension
|
| notDone |
0..1
|
Boolean
|
| notDoneReason[x] |
0..1
|
Concept | Reference
|
| note |
0..*
|
List<Annotation>
|
| partOf |
0..*
|
List<Reference>
|
| performer |
0..*
|
List<Performer>
|
| quantity |
0..1
|
Quantity
|
| rateGoal |
0..1
|
Extension
|
| rateIncrement |
0..1
|
Extension
|
| rateIncrementInterval |
0..1
|
Extension
|
| receiver |
0..*
|
List<Reference>
|
| refillsRemaining |
0..1
|
Extension
|
| status |
0..1
|
code
|
| subject |
0..1
|
Reference
|
| substitution |
0..1
|
Substitution
|
| supportingInformation |
0..*
|
List<Reference>
|
| type |
0..1
|
Concept
|
| validityPeriod |
0..1
|
Extension
|
| whenHandedOver |
0..1
|
DateTime
|
| whenPrepared |
0..1
|
DateTime
|
Key: = Must support, = QICore-defined extension, = Is-Modifier


A PheWAS visualization displays association p-values between a given genetic variant and multiple phenotypes. In this demonstration, we are showing single variant association statistics from multiple publicly available meta-analyses of genome-wide association studies (GWAS), stored locally in a database at the Center for Statistical Genetics (University of Michigan.) For the purposes of the demonstration, we chose reasonable groupings of traits into categories, but any arbitrary grouping is possible.
LocusZoom.js requires a REST API endpoint to retrieve data for the plot. The format of the response is documented in our API documentation, with a brief synopsis also included below.
Code for creating the plot can be found on the source for this page, and also in the locuszoom.js repository.

LocusZoom.js will fire off an API request containing 3 parameters: build
, filter
, and format
.
build
specifies the genome build for the given variant. An example would be 'GRCh37' or 'GRCh38'. The trailing version information (e.g. 'GRCh37p13.3') will not be present.
filter
specifies the query which contains the variant of interest. An example filter string would be: variant eq '11:61552680_G/T'
.
format
specifies the format of the response. For PheWAS, it is always objects
, which is an array of objects, each object containing the result for one association between variant and phenotype.
Here is an example request that LocusZoom.js will generate:
http://portaldev.sph.umich.edu/api/v1/statistic/phewas/?build=GRCh37&format=objects&filter=variant eq '10:114758349_C/T'
The response (JSON) must be in the following format:
{ "data": [ { "id": 45, "trait_group": "Metabolic disease", "trait_label": "Type 2 diabetes", "log_pvalue": 107.032, "variant": "10:114758349_C/T" "chromosome": "10", "position": 114758349, "build": "GRCh37", "ref_allele": "C", "ref_allele_freq": null, "score_test_stat": null, "study": "DIAGRAM", "description": "DIAGRAM 1000G T2D meta-analysis", "tech": null, "pmid": "28566273", "trait": "T2D" } ], "lastPage": null, "meta": { "build": [ "GRCh37" ] } }
Fields in red above are required fields that must be present in the response. Each record in the data
array requires:
id
: a unique identifier for each recordtrait_group
: any arbitrary grouping/category for the trait, e.g. "Metabolic diseases"trait_label
: a label for the trait, e.g. "Type 2 diabetes"log_pvalue
: -log10 p-value pmid
for the pubmed ID of the paper/analysis.)
These extra fields can be used in the tooltip or other locations.
The response should also include a meta
object, with one field build
that maps to an array of genome builds.
Typically this will only be 1 build, but we may in the future allow for converting a variant up to other builds.
lastPage
is reserved for future use when paging is implemented.


---
layout: definitions
---
Let $U\subseteq\mathbb{R}^n$, $f\in C^2(U, \mathbb{R})$, $\vec{a}\in U$. The Hessian matrix of $f$ at $\vec{a}$ is defined by $H=[H_{ij}]$, where $H_{ij}=\frac{\partial^2 f}{\partial x_i \partial x_j}(\vec{a})$. It is also denoted with $D^2f(\vec{a})$.
If $\text{det}(H)=0$, then $H$ is degenerate. Otherwise, if $\text{det}(H)\neq0$ it is nondegenerate.
Concepts
Coming soon
Used In
Coming soon
Hypothesis
Coming soon
Results
Coming soon
Related
Coming soon


Board
A WOJ board with column * row clues arranged in a grid. The top left corner is indexed at 0. Each column is a Category and each row in a category is a Clue. All categories must have the same number of clues. Each clue in the first row has Board#basePoints. Each clue in the next row equals the sum of the clue value in the prior row plus basePoints.
Constructor Summary
| Public Constructor | ||
| public |
constructor(columns: number, rows: number, basePoints: number) |
Member Summary
| Public Members | ||
| public get |
|
|
| public get |
|
|
| public get |
|
Method Summary
| Public Methods | ||
| public |
editCategory(column: number, name: string) Edit the name of a category at column index. |
|
| public |
Edit the question and answer of a clue at column and row index. |
|
| public |
Export board content to JSON board string. |
|
| public |
getCategory(column: number): Category Returns a category at the specified column. |
|
| public |
Returns a clue at the specified column and row. |
|
| public |
Import JSON board, initializing board and setting categories and clues. |
|
| public |
Retrieve next unanswered clue in the category at column and increment cluesAnswered for that category. |
|
| public |
reset() Resets each category in the board and their cluesAnswered count to 0. |
| Private Methods | ||
| private |
Initializes an empty board of size columns * rows with Clue's. |
Public Members
Public Methods
public editCategory(column: number, name: string) source
Edit the name of a category at column index.
public editClue(column: number, row: number, question: string, answer: string) source
Edit the question and answer of a clue at column and row index.
public export(): string source
Export board content to JSON board string. See Board.import for details on JSON board structure.
public getCategory(column: number): Category source
Returns a category at the specified column.
Params:
| Name | Type | Attribute | Description |
| column | number | column index of the category. |
public getClue(column: number, row: number): Clue source
Returns a clue at the specified column and row.
public import(data: string) source
Import JSON board, initializing board and setting categories and clues. Data should be a string. Use JSON.stringify if data is an object literal.
Params:
| Name | Type | Attribute | Description |
| data | string | board JSON. |
|
| data.columns | number | number of columns. |
|
| data.rows | numnber | number of rows. |
|
| data.categories | string[] | array of category names. |
|
| data.clues | Object[] | array of clues, zero indexed from top left of board |
|
| data.clues.column | number | column index of the clue. |
|
| data.clues.row | number | row index of the clue. |
|
| data.clues.question | string | new question text. |
|
| data.clues.answer | string | new answer text. |
See:
public nextClue(column: number): Clue source
Retrieve next unanswered clue in the category at column and increment cluesAnswered for that category. If all clues are answered, this will return undefined.
Params:
| Name | Type | Attribute | Description |
| column | number | column index of the category. |
Throw:
throw error when board is complete. |


Since you self-identified as an advanced programmer, you will now complete a more advanced task
without guidance. The task will be similar to the novice task, but will involve
programming a loop.
The order in which you complete the tasks will be randomized (you
may be asked to complete the task using just voice first, voice/text first or just text first.)
The following video shows the program you are going to create for the practice stage.
Example things you can say will be shown on the left side of the
screen. This will change depending on the context of the conversation.
Please remember that we are evaluating and comparing the different systems, not
your abilities.


Lindsay Warne, chief marketing officer at The Alpacas of Spring Acres, said the farm has about 100 Suri alpacas, and visitors can schedule tours to meet them all.
Warne said the farm began years ago after the owners, married couple Albert and Rebecca Camma, retired. Albert Camma was a neurosurgeon in Zanesville, and the pair initially intended to retire to Hilton Head, but he kept getting called back to Ohio to help with various cases. After a while, the constant travel weighed on them, so Warne explained they moved back to a plot of land they owned in Zanesville.
Warne said the Cammas love animals, and one day they visited an alpaca farm, an experience that shaped the rest of their life.
“An alpaca was born right when they arrived at the farm, so there was no going back for them then,” Warne said. “I don't even know how long it took but by Christmas, that year, they had a herd of 12 and pretty much it just exploded.”
Warne said she too had a fate-like experience joining the farm. She was fairly certain she would not take the job, but as soon as she stepped on the property she said she fell in love with how beautiful it was. She has now been there five years.
Warne said each of the alpacas has a name and distinct personality. The names are typically based on the mother, with sequences where everyone in the family begins their name with the same letter or with all those in a lineage sharing relevant cultural references.
“Once you spend a lot of time with something or someone, you see the tiny differences,” Warne said. “They have different shaped eyes, different shaped noses, some of them have random colorations on one spot or another. Some of them you can tell straight up by their personality.
The farm is also home to a host of other animals, including llamas. The llamas have similar needs to alpacas but can serve as guard animals, whereas alpacas tend to flee, although Warne notes these particular llamas are unaggressive.
“My boss, when she was starting her herd, she needed to pick one llama out of four llamas,” Warne said. “And she ended up with four llamas. She took them all. So technically they're for guardians, but they're also just because she loves them too.”
Visitors can enjoy tours of the farm, many led by Warne, as well as shop at the farm store. The alpacas are sheared yearly, and each individual alpaca’s fur is turned to wool, which is labeled with the specific alpaca’s name. This way, visitors can purchase fibers from their favorite alpaca, along with a variety of alpaca fiber goods.
Warne said alpaca fibers are highly valued because they carry the warmth of sheep’s wool without the itch and are hypoallergenic. She said she has even heard rumors that alpaca fibers are flame resistant, although she notes she has not tested it. Warne added their specific alpacas’ fibers have a unique history, as in Incan time period, only royalty could use Suri fibers for their clothes, whereas everyone else used Huacaya alpaca fibers.
The property also has a bed and breakfast, although Warne said they are not offering new reservations at this time and may be phasing out the bed and breakfast option. Jackie Fessel, a Hilliard resident, spent the night there for her birthday in 2019.
“I have always had a really creepy obsession with alpacas,” Fessel said. “I don't know why. Everybody has a favorite animal and mine has always been the alpaca.”
Fessel’s love for alpacas knows few bounds, and her visit to Spring Acres is just one of many alpaca experiences she has sought out, once even doing yoga with alpacas. Fessel said she stayed at the Spring Acres bed and breakfast and took a tour of the farm, but she realized the two were somewhat separate.
Fessel said Albert’s ex-wife said she owned the bed and breakfast, as she had kept their house in an amicable divorce, and he had gotten the land, upon which he built a new house and the alpaca farm with Rebecca
“You don't have to spend the night — you can do both or you can do either, or any combination,” Fessel said. “You don't have to go look at alpacas if you spend the night at the bed and breakfast. It's just all there together. You can kind of pick and choose.”
Fessel reiterated Warne’s feeling that the farm itself was stunning. She said her tour of the farm was very informative and that she’d enjoy going back again.
Wil Hoffman, a senior studying communication studies, said he had a classmate in high school with their own alpaca farm, from whom he enjoyed learning about the animals.
“They weren't very hostile,” Hoffman said. “I learned a couple of things while I was there. They have long necks so that they can see predators because they're typically mountainous in terms of regions, so they need to look over rocks and over boulders and such.”
To see alpacas in Ohio, visitors can book tours on Spring Acres online or by direct messaging on Facebook. Warne requests people not drop in, as oftentimes random visitors will regretfully not be able to get a spontaneous tour.
“Alpacas are interesting, such an interesting creature,” Fessel said. “It's really fun to talk to these people who work with them and live amongst them because they're very unique. Each one is different.”
The alpacas declined a request to comment.


Step 1: Please enter the URL of the church directory page or RSS feed
RSS feed - Does the data below look correct?
Yes
No
Please enter the name of this directory's denomination or group of congregations
Please enter an abbreviation for this denomination or group of congregations
Step 2: Are all the congregations on:
one page, or
one state per page?
Step 3: Click the drop-down box that lets you pick a state
Step 4: Click the link that leads to the page that displays the details of one congregation
Step 5: Select congregation details
The interface below allows you to tell us where each piece of data about this congregation is located
in the HTML of the page.
For each field listed below, please click in the field's text box, then highlight that field's content where
it appears in the page below.
Behind the scenes, this page will use your selected text to create a regular expression that will attempt to
extract that field's data from the web page. Then it will display the data it extracted in that field's text box.
Once that data displays in the text box, please confirm whether the data is correct. If it is correct, simply
move on to the next text box. If it is not correct, please click the button that says "No, this isn't right"
and our code will modify the regular expression and try again. You may click the "No, this isn't right button
more than once. Every time you click it, our code expands the regular expression to include more context around
the data you have selected, to attempt to help the regular expression better recognize the specific piece of data
you have selected.
If you would like to modify the regular expression yourself, you may do so in the "Regular Expression" box at the
bottom of the page. We encourage you to do so. You can read documentation about the regular expression syntax at
Python Regular Expression Syntax.
${f['pretty_name']}
Edit regex here
Please replace text that should NOT be part of the regex
(because it is data that should go into another field)
with this expression: .*?
For example, if you are choosing the mailing state, change this: P\\\.O\\\. Box 873741
Wasilla, (?P<mailing_state>.+) 99687-3741
into this: .*?
.*?, (?P<mailing_state>.+) .*?


You clicked on: {{ selected }}
Menu with divider
Nested menu
Clicking these will navigate:
Position x: before
Position y: above
overlapTrigger: true
Position x: before, overlapTrigger: true
Position y: above, overlapTrigger: true


What is Data Science ?
Artificial Intelligence ?
- Marketing
- Sales
- Human Resources
- Computer Vision
- Robotics
- Economic
- Stock Prediction
- Generator
How to be Data scientist ?
just Learn Everything and Check Learning Path in Readme
- Computer science
- Statistics
- Physics
- Social science
- Mathematics
- Applied math
- Economics
- R And python
- Hadoop Platform (Data Ware House)
- SQL Database - Nosql
- Apache Spark
- Machine Learning and AI
- Data Visualization
- Unstructured data
- Communication skills


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alt.
300-400
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Alain
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Liogier
9
May
1969
Supported
by
funds
from
the
National
Science
Foundation.
6
7
8
9
10
^
.
,
.
The
New
York
copyright
reserved
botanical
Garden
Dr.
H.
A.
Liogier,
Bot.
Garden
UNIVERSITY
OF
PUERTO
RICO
/
/
)
/
('WJ
i
THE
NEW
YORK
BOTANICAL
GARDEN
Plants
of
Hispaniola
Dominican
Republic
no.
È164
Linociera
ligustrina
(Sw.)
Sw.
Det.
Alain
H.
Liogier,
May
1969
01497588
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


For Users
Workflow
We now have a task resolution screen. It's a dedicated screen to solve one of your task and stay focus on the workflow.
A workflow can be applied on multiple documents.
We added a parallel review workflow:
- First step, choose the participants
- Second step, every participants give their feedback.
- Third step, we present a summary of the 2nd step and the assignee can validate or reject the document.
Drive
Nuxeo Drive can be used behind a proxy.
We also added the unified settings panel:
Rich Text Widget
When using the rich editor and text, xml or markdown, we've added a Toggle Fullscreen button that displays the editing window in a fancybox. It makes it easier to see what you're doing.
Access Keys
We have added new access key binded to actions. Try shift-h, you'll see the different access keys available. Use ctrl-shift E to go to the Edit tab for example.


Protein kinase C is not a downstream effector of p21ras in activated T cells.
Abstract
The aim of this present study was to investigate the role of protein kinase C (PKC), downstream of p21ras, in activating interleukin-2 (IL-2) gene expression. It has been reported that PKC is an effector of p21ras in T cells. Data is presented, using the potent and selective PKC inhibitor Ro 31-8425 and transient expression of a constitutively active ras mutant, which clearly shows that PKC is not downstream of p21ras in the induction of NF-AT and AP-1 transcriptional activity and in the expression of IL-2 in human Jurkat T cells. Reporter gene experiments demonstrated that NF-kappa B transcriptional activity is not affected by expression of activated p21ras. The signaling pathways involving PKC activation, calcium mobilization and ras activation combine to provide the necessary components for production of IL-2 during T cell activation.


The Option Dialog is created by Titanium.UI.createOptionDialog and allows you to show a modal dialog of one or more options to the user.
| Name | Description |
|---|---|
| show.html | cause the dialog to become visible |
| Name | Type | Description |
|---|---|---|
| cancel | int | an index to indicate which button should be the cancel button |
| destructive | int | the destructive button (indicated by a visual clue in the UI) |
| options | array | array of button names as strings |
| title | string | the title of the dialog |
| Name | Description | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| click |
fired when a button in the dialog is clicked
Event properties
|
In this example, we show a simple option dialog.
var dialog = Titanium.UI.createOptionDialog({
title: 'Hello',
options: ['Option 1','Option 2'],
cancel:1
});
dialog.show();


--- title: 02 geolocation churn keywords: fastai sidebar: home_sidebar summary: "Combining data on geo location level, given that the current calculation is done on planning_area (far too few points), I will just be doing visualisation with powerBI." description: "Combining data on geo location level, given that the current calculation is done on planning_area (far too few points), I will just be doing visualisation with powerBI." nb_path: "02B_geolocation_profile.ipynb" ---
#exports
import pandas as pd
import numpy as np
import os
from zipfile import ZipFile
from scipy import spatial
import matplotlib.pyplot as plt
from tsfresh import extract_features
from tsfresh.feature_selection.relevance import calculate_relevance_table
import tsfresh
from sklearn.cluster import AgglomerativeClustering
from sklearn.ensemble import ExtraTreesClassifier, ExtraTreesRegressor, RandomForestClassifier
from sklearn.model_selection import train_test_split, GridSearchCV
from sklearn.inspection import plot_partial_dependence
from sklearn.impute import SimpleImputer
imp_mean = SimpleImputer(missing_values=np.nan, strategy='mean')
imp_med = SimpleImputer(missing_values=np.nan, strategy='median')
from sklearn.preprocessing import OneHotEncoder
from sklearn.metrics import balanced_accuracy_score, accuracy_score, classification_report
from sklearn.inspection import permutation_importance
from collections import defaultdict
def read_tsv(file:str)->pd.DataFrame:
return pd.read_csv(file, compression='gzip', sep='\t')
def gzip_reading(gzip_file)->dict:
'Read all tsv.gz files in the zip file and returning a dictionary (key:filename, value:data)'
archive = ZipFile(gzip_file, 'r')
files = {name: archive.open(name) for name in archive.namelist() if
(name.endswith('.gz') and not name.startswith('_'))}
files_names = [i.split('.')[0] for i in files.keys()]
# reading the designated files into dict
dt = {}
for name, key in zip(files_names, files.keys()):
dt[name] = read_tsv(files[key])
return dt
def load_directory_files_dict(dir_path)->dict:
'Load all pkl files in the directory into dict'
L1file_list = os.listdir(path_load)
L1file_list = [i for i in L1file_list if not i.startswith(".")]
L1name_list = [i.split("_")[0]+"_"+i.split("_")[1].replace(".pkl","") for i in L1file_list]
dt = {}
for name, key in zip(L1file_list, L1name_list):
dt[key] = pd.read_pickle(os.path.join(path_load,name))
return dt
path_load = os.path.join("Data","L1")
path_save = os.path.join("Data","L2")
dt = load_directory_files_dict(path_load)
raw = gzip_reading('telco_demo_datasets.zip')
geo_train = dt['geo_train']
geo_loc = (dt['geo_location']
.groupby('planning_area', as_index=False)
.size()
.rename({'size':'visits'}, axis=1)
)
geo_census = dt['geo_census']
geo_school = dt['geo_school']
geo_coor = dt['geo_coor']
geo_dt = (geo_train
.merge(geo_coor)
.merge(geo_loc)
.merge(geo_census)
.merge(geo_school)
)
# print data
geo_dt.head()
geo_dt.shape
With only 21 records and 20 features... I should have perhaps calculate it on finer lat, lon instaed of planning area...
geo_dt.to_pickle(os.path.join(path_save, "geo_profile.pkl"))
geo_dt.to_csv(os.path.join(path_save, "geo_profile.csv"))
X_cluster_dt = raw['telco_locations'][['latitude','longitude','msisdn']].merge(dt['user_train'][['msisdn','churn']])
X_cluster_dt.head()
cluster = AgglomerativeClustering(n_clusters=60, affinity='euclidean', linkage='ward')
cluster.fit_predict(X_cluster_dt[['latitude','longitude']])
X_cluster_dt['cluster'] = cluster.labels_
X_cluster_dt['churn'] = X_cluster_dt.churn
X_cluster_agg_dt = X_cluster_dt.groupby('cluster', as_index=False).agg({'latitude':'median','longitude':'median','churn':'mean'})
X_cluster_agg_dt.head()
X_cluster_agg_dt.to_pickle(os.path.join(path_save, "geo_visit.pkl"))
X_cluster_agg_dt.to_csv(os.path.join(path_save, "geo_visit.csv"))


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sfa.containers module¶
-
class
sfa.containers.
AlgorithmSet
(*args, **kwargs)¶ Bases:
sfa.containers.AlgorithmSet
Methods
clear
()create
([keys])Create a single or multiple objects according to keys. get
(k[,d])items
()keys
()pop
(k[,d])If key is not found, d is returned if given, otherwise KeyError is raised. popitem
()as a 2-tuple; but raise KeyError if D is empty. setdefault
(k[,d])update
([E, ]**F)If E present and has a .keys() method, does: for k in E: D[k] = E[k] If E present and lacks .keys() method, does: for (k, v) in E: D[k] = v In either case, this is followed by: for k, v in F.items(): D[k] = v values
()get_all_keys
-
class
sfa.containers.
DataSet
(*args, **kwargs)¶ Bases:
sfa.containers.DataSet
Methods
clear
()create
([keys])Create a single or multiple objects according to keys. get
(k[,d])items
()keys
()pop
(k[,d])If key is not found, d is returned if given, otherwise KeyError is raised. popitem
()as a 2-tuple; but raise KeyError if D is empty. setdefault
(k[,d])update
([E, ]**F)If E present and has a .keys() method, does: for k in E: D[k] = E[k] If E present and lacks .keys() method, does: for (k, v) in E: D[k] = v In either case, this is followed by: for k, v in F.items(): D[k] = v values
()get_all_keys


Janim is a lightweight, FRP-based, Processing-inspired 2d creative coding library for developers.
Minimalist. Janim aims to provide a minimal API surface whose power comes through the composition of its primitives, not by providing a large API that does everything under the sun in its own way. We are surrounded by frameworks that you have to "buy into" and largely write your application in the context of that framework.  Their size and learning curves provide obstacles to leveraging them. Janim aims to rectify this by minimizing its own API surface and addressing the essential complexity of visual creative coding: understanding time and how behaviors change over time.
Getting out of the developer's way. By leveraging built-in HTML 5 functionality (like the Canvas, simple Css colors, event handlers, etc.) and simple "escape hatches", Janim lets developers write any 2d visualization code they can imagine without Janim needing to provide functionality for any possible scenario under the sun.
A library for developers. Popular creative coding frameworks like Processing are extremely powerful and very friendly to beginners. However, being a developer used to modern programming languages, they can also be very limiting as powerful programming concepts like function composition are absent and make it more difficult to build robust and composable visualizations. By using a standard programming language like JavaScript to its fullest, Janim provides a way to think and write animation code that can scale as the project becomes larger.
Showing the power of Functional Programming. This project started as an exercise in functional programming. Janim was inspired by a combination of Conal Elliott's and Paul Hudak's original Functional Reactive Programming paper and the joy of Processing. Fundamentally, the core domain concept that makes animation difficult to wrestle with is time and behaviors that change over time. Functional programming, especially a drive for function composition, is incredibly powerful to capture the complexity of animating shapes over time. Janim serves to provide a fun visual example of the power of function composition and functional programming for developers to play around with.
Getting familiar with functional programming and higher-order functions can be difficult to wrap your head around if you aren't experienced with it. This can make the initial learning curve more difficult for developers who aren't familiar with functional programming. However, on the other side of that learning curve lies a land of fun.
TODO
At its core, the essence of Janim boils down to a single type of function: a function whose parameter is time (representing frame time and total time) and returns the position/size/etc. at that point in time.
/**
* A function representing a value expressed over time
*/
export type Behavior<T> = (time: Time) => T;
TODO
TODO
Building janim can be done with the following code once the repository has been pulled locally:
npm install
npm run build
There are examples that can be found in the examples
directory in the repository. Once the project has been built, you should be able to open any of the HTML files in the example directories directly in your web browser to see the examples in action.
Below are some simple examples of the type of functionality that can be done with Janim.
This example shows a simple red box that moves right and left in time. It also shows how a developer can use the canvas context directly to do any drawing they wish and don't need to rely on all drawing primitives being included in Janim.
const canvas = document.getElementById('myCanvas');
const ctx = canvas.getContext('2d');
const scaledOffset = R.compose(R.multiply(100), J.sin);
const offset = J.faster(2, scaledOffset);
J.startSketch(canvas, setup, draw);
function setup() {
J.clear(canvas, 'white');
}
function draw(time) {
J.clear(canvas, 'white');
ctx.fillStyle = 'red';
ctx.fillRect(
canvas.width / 2 + offset(time),
canvas.height / 2,
100,
100
);
}
Let's create a circle that orbits around the center of the canvas. It takes 5 seconds (5000 milliseconds) to complete its orbit.
const canvas = document.getElementById('myCanvas');
const center = J.position(canvas.width / 2, canvas.height / 2);
J.startSketch(canvas, setup, draw);
const planetOrbit = J.slower(5, J.orbit(J.constant(center), J.constant(200)));
const planet = J.animatedEllipse(
canvas,
J.transform(
planetOrbit,
J.constant(J.size(40, 40))
),
J.outline(J.constant(J.color(0, 0, 0)), 2)
);
function setup() {
J.clear(canvas, 'white');
}
function draw(time) {
J.clear(canvas, 'white');
planet(time);
}
You can see how declarative this approach is. Instead of focusing on imperative code in our draw
function that is calculating how each frame is rendered, we've declared the behavior we want over time with the orbit and simply give the planet the current frame time to draw it.
As animation is done via higher-order functions, they can easily be composed together to build more complex animations. For example, we can create a new orbit for a moon that orbits around the planet. Notice how the moon's orbit position parameter is actually the planet's orbit itself. This means that at any given time, the moon's position is determined by the planet's position and will change over time as well so the two are kept "in sync" with each other.
const moonOrbit = J.orbit(planetOrbit, J.constant(60));
const moon = J.animatedEllipse(
canvas,
J.transform(
moonOrbit,
J.constant(J.size(10, 10))
),
J.outline(J.constant(J.color(0, 0, 0)), 2)
);
function setup() {
J.clear(canvas, 'white');
}
function draw(time) {
J.clear(canvas, 'white');
planet(time);
moon(time);
}
You can rotate shapes as well. Similar to other transformations, rotation also supports animating the rotation value over time. If you wanted an ellipse that rotates back and forth (changing direction when it gets to the end), this can be modeled using the sinOsc
function to a percentage of radians.
const canvas = document.getElementById('myCanvas');
const center = J.position(canvas.width / 2, canvas.height / 2);
const sk = J.startSketch(canvas, setup, draw);
const rotator = R.pipe(
J.slower(4, J.sin),
J.toPercentage(-1, 1),
R.multiply(2 * Math.PI)
);
const revRotator = R.pipe(
J.slower(4, J.sin),
R.multiply(-1),
J.toPercentage(-1, 1),
R.multiply(2 * Math.PI)
);
const orbit = J.slower(7, J.orbit(J.constant(center), J.constant(200)));
const backRect = J.animatedRect(
canvas,
J.transform(
orbit,
J.constant(J.size(60, 60)),
rotator
),
J.outline(J.constant(J.color(0, 0, 0)), 2),
J.RectMode.Center
);
const frontRect = J.animatedRect(
canvas,
J.transform(
orbit,
J.constant(J.size(20, 20)),
revRotator
),
J.outline(J.constant(J.color(0, 0, 0)), 2),
J.RectMode.Center
);
function setup() {
J.clear(canvas, 'white');
}
function draw(time) {
J.clear(canvas, 'white');
backRect(time);
frontRect(time);
}
Styles can be composed together as well. We don't need to have something simple like a static outline. These styles can also change over time just like other concepts in Janim. For example, on top of a simple black border, we can also style the planet to change between red/blue and style the moon to change between green/yellow. This is done using a combo of fill
and colorRotate
functions combined with outline
using the style
combiner function:
const planet = J.animatedEllipse(
canvas,
J.transform(
planetOrbit,
J.constant(J.size(40, 40))
),
/* New stuff here! */
J.style(
J.outline(J.constant(J.color(0, 0, 0)), 2),
J.fill(J.constant(J.color(255, 0, 0))),
)
);
const moon = J.animatedEllipse(
canvas,
J.transform(
moonOrbit,
J.constant(J.size(10, 10))
),
/* New stuff here! */
J.style(
J.outline(J.constant(J.color(0, 0, 0)), 3),
J.fill(J.constant(J.color(0, 0, 255))),
)
);
A style is just a function that accepts the rendering context and a time. Because of this, it is quite easy to build your own custom styles using the context directly if you wish. There is no need to wait around until helpers are created in Janim.
const moon = J.animatedEllipse(
canvas,
J.transform(
moonOrbit,
J.constant(J.size(10, 10))
),
/* New stuff here! */
(ctx, time) => {
ctx.fillStyle = 'red';
ctx.strokeStyle = 'blue';
}
);
There are still several areas that need to be explored in Janim:
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You have entered all necessary information per Human Cell Atlas standards. That’s awesome!
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archives and get
accessions. Data will be public on {{ releaseDate ? (releaseDate | date: 'medium') : '(unset)' }} as specified
in the release date of this project.


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This document is designed to give the user a clearer
understanding of the ASCII XLR format used by Accelerated
Designs.
This introduction is not a specification but is designed to explain the
main flow of the document, what is contained in the different sections,
how they are related and some of the syntax requirements.
Normally
this file is modified and added to as new capabilities are required of
the Ultra Librarian. So any use of this file must take into
account
the possibility of additional information in the same format.
By default all units in the
file are assumed to be English
mils. Other
units are
possible, and will have :"mm", "cn", "in", etc after the size.
Also,
numbers are noted without quotes and all text is surrounded with quotes
so that we can tell the difference.
| Step | Sample |
| Header
information |
#
Ultra Librarian Gold 2.0.344 database file # Copyright © 1999-2005 Accelerated Designs, Inc. # http://www.Accelerated-Designs.com Notice that comments are preceded by the pound sign. Anything following is ignored by the code. |
| Layer
information |
#Layer Data LayerData : 62 Layer : 1 Name TOP_ASSEMBLY LayerType Layer : 2 Name TOP_SILKSCREEN LayerType Layer : 3 Name TOP_SOLDER_PASTE LayerType Layer : 4 Name TOP_SOLDER_MASK LayerType Layer : 987 Name CONTACT_AREA LayerType Layer : 5 Name TOP LayerType Signal Layer : 12 Name TOP_PLACE_BOUND LayerType Layer : 6 Name INNER LayerType Signal Layer : 13 Name BOTTOM_PLACE_BOUND LayerType Layer : 7 Name BOTTOM LayerType Signal Layer : 8 Name BOTTOM_SOLDER_MASK LayerType Layer : 9 Name BOTTOM_SOLDER_PASTE LayerType Layer : 10 Name BOTTOM_SILKSCREEN LayerType Layer : 11 Name BOTTOM_ASSEMBLY LayerType Layer : 977 Name 3D_DXF LayerType Layer : 978 Name PIN1MARKER LayerType Layer : 979 Name PINTEST LayerType Layer : 980 Name TOP_BGA_PLACE_BOARD LayerType Layer : 981 Name ATTRIBUTE4 LayerType Layer : 982 Name ATTRIBUTE3 LayerType Layer : 983 Name ATTRIBUTE2 LayerType Layer : 984 Name ATTRIBUTE1 LayerType Layer : 985 Name PIN_NUMBER LayerType Layer : 986 Name CONSTRAINT_AREA LayerType Layer : 988 Name INPUTDIMENSIONS LayerType Layer : 989 Name ROUTE_KEEPOUT LayerType Layer : 990 Name VIA_KEEPOUT LayerType Layer : 991 Name DRILL_FIGURE LayerType Layer : 992 Name TOP_COMP_BOUND LayerType Layer : 993 Name BOTTOM_COMP_BOUND LayerType Layer : 994 Name TOP_NO-PROBE LayerType Layer : 995 Name BOTTOM_NO-PROBE LayerType Layer : 996 Name PRO_E LayerType Layer : 997 Name PIN_DETAIL LayerType Layer : 998 Name DIMENSION LayerType Layer : 999 Name BOARD LayerType Layer : 14 Name INTERNAL1 LayerType Layer : 15 Name INTERNAL2 LayerType Layer : 16 Name INTERNAL3 LayerType Layer : 17 Name INTERNAL4 LayerType Layer : 18 Name INTERNAL5 LayerType Layer : 19 Name INTERNAL6 LayerType Layer : 20 Name INTERNAL7 LayerType Layer : 21 Name INTERNAL8 LayerType Layer : 22 Name INTERNAL9 LayerType Layer : 23 Name INTERNAL10 LayerType Layer : 24 Name INTERNAL11 LayerType Layer : 25 Name INTERNAL12 LayerType Layer : 26 Name INTERNAL13 LayerType Layer : 27 Name INTERNAL14 LayerType Layer : 28 Name INTERNAL15 LayerType Layer : 30 Name INTERNAL16 LayerType Layer : 31 Name USER1 LayerType Layer : 32 Name USER2 LayerType Layer : 33 Name USER3 LayerType Layer : 34 Name USER4 LayerType Layer : 35 Name USER5 LayerType Layer : 36 Name USER6 LayerType Layer : 37 Name USER7 LayerType Layer : 38 Name USER8 LayerType Layer : 39 Name USER9 LayerType Layer : 40 Name USER10 LayerType Each layer is documented. Each layer is required to have a number between 1 and 1000, and the number must be unique. Each number is associated with a layer name, which again must be unique. All of the data in our code will refer to the layers by number, but will display the associated name to the users. The "UltraLibrarian\Layers.ini" file contains the list of default layer names and numbers. Layertypes can be blank, Signal, NonSignal and Plane. Capitals or lower case are acceptable. If Layertype is left blank, it is assumed to be NonSignal. Signal and Power layer types are used primarily in PadStack descriptions. |
| TextStyle
Section |
#TextStyles TextStyles : 3 TextStyle "H50S3" (FontWidth 3) (FontHeight 50) (FontCharWidth 13) TextStyle "h125s6" (FontWidth 6) (FontHeight 125) TextStyle "H80s4" (FontWidth 4) (FontHeight 80) Each text style used in either a footprint or a symbol will have a name and at least the FontWidth and FontHeight keywords. |
| PadStyles |
#PadStyles PadStacks : 1 PadStack "RX63Y14D0T" (HoleDiam 0) (Surface True) (Plated False) Shapes : 1 PadShape "Rectangle" (Width 63) (Height 14) (PadType 0) (Layer TOP) EndPadStack Usually made up of a name (in quote marks) and then a list of shapes, with the specified attributes for each shape. Again, not all entities or descriptors will be used with each shape description..... Possible shapes are: "Rectangle, Circle, Oblong. Rounded Rectangle, Diamond, Rounded Diamond, Thermal, Thermalx and Polygon.. Additional shape descriptors include Layer (with the layer always in CAPs), Wide, High, SpokeWidth, Shape in quotes as above. PadTypes are 0 by default. Other descriptors include OffsetX, OffsetY rotation, and Points (an array of points, each containing an X and Y location. Used only with Polygonal pads shapes).. |
| Pattern
Section |
By far the most complex by far is
the pattern. We are going to break this one up into sections to
help you understand it better. #Patterns Patterns : 1 Pattern "so8-p30-a98" The name of the pattern in quotes. The name can not contain quotes, or we will get confused. OriginPoint (0, 0) PickPoint (0, 0) GluePoint (0, 0) The above data is available on all parts, and refers to the location within the part of the centroid. These numbers are all all stored as long numbers in the code, The origin in particular is an offset from the dimension a part was built in to where its placement point is. This is normally 0,0 since the part is usually built from its placement point, but it could be located to the side of the part or at some other location if this was appropriate for some reason. Not all tools will support or use the pickpoint and the gluedot. The section below, Data, is in each part. It contains some form of data that could be displayed or stored about the part. We will detail some of the lines of this code for you. Data : 332 Text (Layer TOP_ASSEMBLY) (Origin -67.5, 87) (Text "*") (IsVisible True) (Justify UPPERCENTER) (TextStyle "H50S3") Text (Layer TOP_SILKSCREEN) (Origin -67.5, 87) (Text "*") (IsVisible True) (Justify UPPERCENTER) (TextStyle "H50S3") Pad (Number 1) (PinName "1") (PadStyle "RX63Y14D0T") (OriginalPadStyle "RX63Y14D0T") (Origin -57.5, 45) (OriginalPinNumber 1) Each line in the data set contains a new entity for the part, and the properties that make these entities up. The data lines can and often do use the same information as other forms of data. So for example a line may use the Origin ( x,y) property just as the Text entity may use this same property. Many of the possible properties can and are shared across the data types. Some of the common ones you will see ini use is Rotation, Flipped, Origin, Etc. Note that the text before the first bracket delineates the type of entity available. There are only a few permissible types at this point: pad, line, arc, circle, attribute, pickpoint, poly, polykeepout, polykeepout_via, polykeepout_comp, polykeepin_comp, text, wizard. Line (Layer TOP_ASSEMBLY) (Origin -49, 39) (EndPoint -49, 51) Lines will always require at least an origin EndPoint and layer property. If they do not include the width property, they will be assigned a default width in our code. The default width is user assignable in the configuration screen. Line (Layer TOP_ASSEMBLY) (Origin -49, 51) (EndPoint -75, 51) Line (Layer TOP_ASSEMBLY) (Origin -75, 51) (EndPoint -75, 38.9999999999999) Line (Layer TOP_ASSEMBLY) (Origin -75, 38.9999999999999) (EndPoint -49, 39) Poly (Layer 3D_DXF) (Origin 0, 0) (Property "HEIGHTRANGE=100,50") (Width 6) (-49, 39) (-49, 51) (-75, 51) (-75, 38.9999999999999) A polygon requires a layer, an Origin and at least two additional points to be valid. It can also contain width, flipped, and several other properties. Pad (Number 2) (PinName "2") (PadStyle "RX63Y14D0T") (OriginalPadStyle "RX63Y14D0T") (Origin -57.5, 15) (OriginalPinNumber 2) A pad must contain a name and a number. The name is what most users will see when referencing the footprint. The number is arbitrarily assigned based. Each footprint must have its pads numbered one to the amount of pads contained with no gaps or duplicates in numbering. Also required are the Origin and Padstyle properties. Other properties might be visible, such as rotation and flipped.  Attributes without a justification will be justified "CENTER". It must also contain the attribute prompt as well as value. In the example above the prompt is "Height" and the value is "100". Note that the value is always considered a string. Always. Justification is used on text and attributes. Its available justifications are: UPPERLEFT, UPPERCENTER, UPPERRIGHT, LEFT, CENTER, RIGHT, LOWERLEFT, LOWERCENTER, LOWERRIGHT. Attribute (Layer PRO_E) (Origin 0, 0) (Attr "MINHEIGHT" "10") (Justify CENTER) (TextStyle "H50S3") Line (Layer PRO_E) (Origin -49, 80) (EndPoint -49, -80) (Width 6) Line (Layer PRO_E) (Origin -49, -80) (EndPoint 49, -80) (Width 6) Line (Layer PRO_E) (Origin 49, -80) (EndPoint 49, 80) (Width 6) Line (Layer PRO_E) (Origin 49, 80) (EndPoint -49, 80) (Width 6) Arc (Layer PRO_E) (Origin 0, 80) (Radius 8.166667) (StartAngle 180) (SweepAngle 180) (Width 6) An Arc needs all of the fields above except the width field. However it might have quite a few additional fields like rotation and flipped. Text (Layer DIMENSION) (Origin 0, -230) (Text "Default Padstyle: RX63Y14D0T") (IsVisible True) (Justify UPPERCENTER) (TextStyle "H50S3") Text has the same requirements as an Attribute, except that rather than a prompt and a value, it just has a string representing what will show up as text. In this case the string is"Default Padstyle: RX63Y14D0T". It is always string information. Yes always.  This variable will always represent some user entered field that was used on calculating or creating your footprint. Wizard (Origin 0, 0) (VarName "TEMPLATE") (VarData "ADI_SO_C2.adt") Wizard (Origin 0, 0) (VarName "NAME") (VarData "") Wizard (Origin 0, 0) (VarName "N") (VarData "8") Wizard (Origin 0, 0) (VarName "A") (VarData "98") Wizard (Origin 0, 0) (VarName "L") (VarData "150") Wizard (Origin 0, 0) (VarName "LM") (VarData "0") Wizard (Origin 0, 0) (VarName "P") (VarData "30") Wizard (Origin 0, 0) (VarName "B") (VarData "160") Wizard (Origin 0, 0) (VarName "T") (VarData "35") Wizard (Origin 0, 0) (VarName "W") (VarData "12") Wizard (Origin 0, 0) (VarName "NT") (VarData "Arc") Wizard (Origin 0, 0) (VarName "TT") (VarData "Normal Material") Wizard (Origin 0, 0) (VarName "UTOE") (VarData "0") Wizard (Origin 0, 0) (VarName "UHEEL") (VarData "0") Wizard (Origin 0, 0) (VarName "USIDE") (VarData "0") Wizard (Origin 0, 0) (VarName "KO") (VarData "0") Wizard (Origin 0, 0) (VarName "KOW") (VarData "78.74") Wizard (Origin 0, 0) (VarName "KOH") (VarData "78.74") Wizard (Origin 0, 0) (VarName "HTT") (VarData "0") Wizard (Origin 0, 0) (VarName "HTW") (VarData "82.677") Wizard (Origin 0, 0) (VarName "HTH") (VarData "82.677") Wizard (Origin 0, 0) (VarName "A1_PSH") (VarData "Oblong") Wizard (Origin 0, 0) (VarName "A1_PADW") (VarData "60") Wizard (Origin 0, 0) (VarName "A1_PADH") (VarData "90") Wizard (Origin 0, 0) (VarName "A1_DRL") (VarData "30") Wizard (Origin 0, 0) (VarName "A2_PSH") (VarData "Oblong") Wizard (Origin 0, 0) (VarName "A2_PADW") (VarData "90") Wizard (Origin 0, 0) (VarName "A2_PADH") (VarData "60") Wizard (Origin 0, 0) (VarName "A2_DRL") (VarData "30") Wizard (Origin 0, 0) (VarName "PPCK") (VarData "0") Wizard (Origin 0, 0) (VarName "PPPSH") (VarData "Round") Wizard (Origin 0, 0) (VarName "PPPSZ") (VarData "60") Wizard (Origin 0, 0) (VarName "PPDS") (VarData "35") Wizard (Origin 0, 0) (VarName "PPGC") (VarData "2") Wizard (Origin 0, 0) (VarName "PPGR") (VarData "2") Wizard (Origin 0, 0) (VarName "PPGP") (VarData "100") Wizard (Origin 0, 0) (VarName "MWA") (VarData "4") Wizard (Origin 0, 0) (VarName "RSMB") (VarData "2") Wizard (Origin 0, 0) (VarName "ISML") (VarData "0") Wizard (Origin 0, 0) (VarName "CHGT") (VarData "100") Wizard (Origin 0, 0) (VarName "CMHGT") (VarData "10") Wizard (Origin 0, 0) (VarName "PROT") (VarData "0") Wizard (Origin 0, 0) (VarName "REVLEVEL") (VarData "A0") Wizard (Origin 0, 0) (VarName "OriginalPinCount") (VarData "8") Line (Layer TOP_SILKSCREEN) (Origin -49, -65.1000003814697) (EndPoint -49, -80) (Width 6) Line (Layer TOP_SILKSCREEN) (Origin 49, 65.1000003814697) (EndPoint 49, 80) (Width 6) EndData EndPattern |
| Schematic
symbols |
The symbol is laid out similar to the footprint. Only details not defined above will be commented on. #Symbols Symbols : 1 Symbol "so8-p30-a98" OriginPoint (0, 0) OriginalName "" Data : 14 Pin (PinNum 1) (Origin -400, 200) (PinLength 100) (Rotate 180) (Width 8) (IsVisible True) PinDes "1" (-420, 250) (TextStyleRef "H80s4") (Justify Right) (IsVisible True) PinName "1" (-380, 200) (TextStyleRef "H80s4") (Justify Left) (IsVisible True) The pin is equivalent in many ways to the footprint pad. It must have a number and a designator. Each symbol must have all of its pins assigned a number between one and the total number of pins with no gaps or duplicates in the numbers used. Each pin requires an Origin, PinLength attribute as well as the PinDes (pin designator) that will appear to the user. The designator is ALWAYS text. Yes, always, even when it looks like a number. The PinName is the text field that will be filled out with the pins function name.  It contains a pointer to the footprint and the symbols that are used, as well as defining what pins can be swapped or which symbols can be swapped. #Components Components : 1 Component "so8-p30-a98" PatternName "so8-p30-a98" Currently only one footprint can be assigned to a component. This area may be enhanced in the future to have an array available for alternate footprints. OriginalName "so8-p30-a98" SourceLibrary "" RefDesPrefix "U" NumberofPins 8 NumParts 1 This refers to how many schematic symbols are required to completely represent this component. That could be one symbol, as in this case, or it could be 10 different symbols, or it could be four identical symbols. Composition Heterogeneous This can be heterogeneous, as in each symbol is distinctly different, or homogeneous, as in each symbol is a duplicate of the other (like a 7400 which has 4 identical symbols or gates). AltIEEE False Is there also an alternate symbol in IEEE format available? AltDeMorgan False Is there a Demorgan view of the symbol? PatternPins 8 Revision Level Revision Note CompPins : 8 CompPin 1 "1" (PartNum 1) (SymPinNum 1) (GateEq 0) (PinEq 0) (PinType Any) (Side Left) (Group 1) The CompPin number refers to the arbitrarily numbered one to pin count no gaps no duplicates numbering assigned. It is typically the same as the numbering of a numbered part, but does not have to be. This number is used later in the PinMap to define the pad number used in the footprint. In the PinMap area this is called the CompPinRef. Next to the CompPin is the Pin Designator that the user will see in almost all instances. This is ALWAYS a string (yes always), and it can contain alpha numerics. It should also be the same as what the designator is on the symbol and the footprint, but if not, this will ALWAYS take presidency. CompPin 2 "2" (PartNum 1) (SymPinNum 2) (GateEq 0) (PinEq 0) (PinType Any) (Side Left) (Group 1) The PartNum property refers to which symbol in the collection of symbols for this component. This component only has one symbol used, so all of the references to PartNum will be one. SymPinNum is the number of the pin in the symbol that is being mapped. It will always be a number, and will always be less than or equal to the number of pins carried on a symbol. Gate eq and pin eq refer to gate (symbol) and pin swapability. These can be 0, in which case they swap with no one, or they can be a whole number that matches those pins and or gates that are swappable. PinType can be any of the following: Input, OutPut, Bi-Directional, Any, Power, TriState, Analog Sides can be Top, Bottom, Left and Right, Grouping will deal with the placement of the pins in the symbol. Groupings with the same number will be grouped on the symbol together irregardless of how they appear in the spreadsheet. CompPin 3 "3" (PartNum 1) (SymPinNum 3) (GateEq 0) (PinEq 0) (PinType Any) (Side Left) (Group 1) CompPin 4 "4" (PartNum 1) (SymPinNum 4) (GateEq 0) (PinEq 0) (PinType Any) (Side Left) (Group 1) CompPin 5 "5" (PartNum 1) (SymPinNum 5) (GateEq 0) (PinEq 0) (PinType Any) (Side Right) (Group 1) CompPin 6 "6" (PartNum 1) (SymPinNum 6) (GateEq 0) (PinEq 0) (PinType Any) (Side Right) (Group 1) CompPin 7 "7" (PartNum 1) (SymPinNum 7) (GateEq 0) (PinEq 0) (PinType Any) (Side Right) (Group 1) CompPin 8 "8" (PartNum 1) (SymPinNum 8) (GateEq 0) (PinEq 0) (PinType Any) (Side Right) (Group 1) EndCompPins CompData : 7 Wizard (Origin 0, 0) (Number 1) (VarName "TEMPLATE") (VarData "TableSymbol_Dual.ads") This information, similar to what was in the footprint, is input into the wizard for rebuilding a symbol. In each case, the VarName is the name of the variable in the template to be filled in, and is enclosed in quotes and always text. Yes always. The VarData is the actual value of the variable. Wizard (Origin 0, 0) (Number 1) (VarName "NAME") (VarData "so8-p30-a98") Wizard (Origin 0, 0) (Number 1) (VarName "PL") (VarData "100") Wizard (Origin 0, 0) (Number 1) (VarName "OV") (VarData "1") Wizard (Origin 0, 0) (Number 1) (VarName "NST") (VarData "Top Down") Wizard (Origin 0, 0) (Number 1) (VarName "PD") (VarData "100") Wizard (Origin 0, 0) (Number 1) (VarName "PN") (VarData "300") EndCompData AttachedSymbols : 1 AttachedSymbol (PartNum 1) (AltType Normal) (SymbolName "so8-p30-a98") EndAttachedSymbols PinMap : 8 PadNum 1 (CompPinRef "1") PadNum 2 (CompPinRef "2") The PinMap is designed to identify the CompPin (in the section above) with the PadNum in the footprint. This section is not available if there is no footprint. PadNum 3 (CompPinRef "3") PadNum 4 (CompPinRef "4") PadNum 5 (CompPinRef "5") PadNum 6 (CompPinRef "6") PadNum 7 (CompPinRef "7") PadNum 8 (CompPinRef "8") EndPinMap EndComponent |
| Future
Expansion |
#WorkSpace WorkSpaceSize (LowerLeft 0, 0)(UpperRight 0, 0) #EndWorkSpace |
| Future Expansion | Component
Instances ComponentInstances : 0 #EndComponentInstances |
| Future Expansion |
#Via
Instances |
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Copyright © 1999-2007
Accelerated Designs, Inc. All Rights
Reserved.


The first thing was the eel. It was crawling across the bottom of Potter's fish tank, slowly lurching it's way around. Of course, no one else could see the eel. They all saw a rock. I knew that it was an eel though. I closed my eyes. The backs of my eyelids were buzzing, softly, and everything underneath was glowing. Like when you stare at the sun too long, and then get the afterimages. Much more intense. Swirling patterns of blues and greens, colors that have no name, colors that don't exist in any other realm.
 It was spinning slowly in the middle of this void, shooting rainbows from each of it's arms. Then the spirals. I was seeing nothing but spirals, and then I became a spiral. I was a spiral within a spiral, and there were spirals within me.
I became thought. Not a thought, not a singular thought, but thought itself. I forgot my body and became nothing but oil thought, which is significantly different then water thought. Thought is everywhere, and so all I wanted to do was just free float everywhere. I realized how very limiting and useless my body really is. Language is really hindersome. There is so much for me to say about this experience, but no way to really say it.
I realized that I was a fish, trapped in a persons body. And all I really wanted to do was go and do fish things, but I couldnt because I was stuck in this land body. I determined that my soul got mixed up somehow with a fish, and that I couldnt reverse it.
At one point, Potter and I were laying there, and I opened my eyes, and there was only Potter. The wall behind him was gone, leaving nothing but open void. And him. He was more then blue. Potter's soul was beautiful, and I wanted him to be with me more then physically anything but physically I wanted to connect to him I wanted him to be oil with me because there was oil and water and I was oil, so I wanted him to be oil. I wanted to touch him but not with my hands or body. I wanted to touch him with my mind.
I was a balloon. A red balloon. And I needed to be anchored down or I would float away or pop. I believed that I was better then God, because I know that I exist. I cannot see God, but I can see myself and touch myself, and hear myself, so I am better then God.
I determined that everything exists. Not necessarily physically, but if an idea can be concieved, then it exists. I tried to taste my words as I spoke. I moved my mouth, forming the words as if they were solid objects, putting my lips around them and moving my lips for the words and the sounds.
I said words over and over again trying to make sense of their meaning. The words 'thought lard' were the funniest. I just kept saying thought over and over and over again as if it were the first time my tongue had ever uttered the word. I found it quite amusing.
At one point, I looked at my hand and there was this hole in it that wouldnt stop bleeding. And I closed my eyes, and my hand was still there, bleeding and bleeding. I started to panic because I couldnt stop the bleeding. Potter put God on my back, and tapped it up and down so that I would calm down. When he did this, a blue skinned woman appeared, bursting slowly toward me, spreading her arms and smiling, rays of light shooting out of her chest. And I was at peace.
Another woman was laying on her back. A giant sphere of a woman, without a head, but with legs, spread eagled, fish nets up to her thighs, and she was rotating, and she had a lot of nipples, each one shooting out rays of rainbow. It was beautiful.
Tried to get myself into the wall, tried shoving my entire body into Potter's wall, and found myself frustrated that I couldnt become a wall. I just wanted to be one with the wall.
 He also became a grapefruit. Chased a butterfly into the back of my brain. It was pretty, and I didn't want it to leave.
Saw faces, Some menacing, some kind. Had a bit of a freak out again, saw a wound that wouldnt close, wouldnt stop bleeding again. And the skeleton men. The faces of men where only half of their faces were there, and they were standing there, looking down at me, threatening me.
I opened my eyes, and it was Potter there, and I was okay. Half of his face disappeared. But not like divided in half, just chunks out of his cheeks and forehead, they were transparent, and there wasn't anything underneath.
Every cliched pattern from the 60's. And paisley. At one point I was plaid. I became a color that wasn't a color. And there was the dragon that wouldnt let me get off of the chair. I sat in the chair, and the dragon wouldnt let me move. She was looking at me, cocking her head, she had stripes, alternating, and at first I thought she was a sea horse, but she was a dragon.
Everything took on this neon outline, and when I looked at it, it was just swirling neon glowing edges different colors nothing solid, pretty. I couldn't stop talking the entire time, because I was thought, and I wanted not to be thought stuck in my head but I wanted to be oil thought throughout the room filling everything everywhere. My thought was purely outloud, and I was so completely wrapped up inside of myself mentally that it was hard to focus on anything outwardly, and my thoughts were racing.
I was seeing me when I looked at Potter, and then I was watching my eyes looking at things, and there were a thousand eyes all looking at me this giant sphere-pyramid-cube covered in bright blue eyes staring at me and I was looking at them, and we were watching each other watching each other and they knew and I knew. I saw myself from three different angles. The outside, the inside and the perspective of others. I was looking down at myself looking up. I was seeing myself in two different places and three different times. And I was free.
Didn't like looking in the mirror.  Can't explain it any better then that. Potter became a grapefruit. I realized how egotistical I really am, and that really I am no better or worse then anyone else. I realized how much I really do love Potter, and how beautiful he was.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Chef Mentality vs. Customer Mentality
Category: Cultural | Author: Mohamed Shibl
As part of Dev Bootcamp's week-1 preparation, we were asked to watch a video by Shereef Bishay (Dev Bootcamp's Founder). In this video Shereef explains the type of mentality that he is hoping all Dev Bootcamp students should have in order to succeed in this 18-week journey. As per Shereef, there are 2 ways to look at this:
- The Customer Mentality: As a customer in a restaurant, you look at the menu, order a dish of your choice, you eat, pay the check and leave.  Otherwise you give the restaurant a bad review, and never return again. What if you apply the same mentality to Dev Bootcamp, going in expecting to pay the price tag, expecting everything to be perfectly organized and the curriculum to be flawless. You expect to find a job soon after you graduate. Otherwise, bad review?
 Now again, try thinking about this same mentality at Dev Bootcamp, where you go in, you have great help and support, you have a good curriculum (not nearly perfect). You start learning step by step, you expect to fail, you know that you will not always find things exactly as you want the, but you're welling to go out and find answers.
The truth is, to take full advantage of a program like Dev Bootcamp, you should absolutely put aside the (customer mentality) and wear the chefs’ hat.
Coding Bootcamps are designed to prepare you to find a full time job as a developer, in a real job you will not find fancy step by step guides for every task assigned to you. Other people might give you advice but that surely has a limit as well, you’re simply required to figure out how to get the work done, it’s what you’re getting paid for!
Now think about it, instead of feeding you some information, and then giving you a test with a grade than no one will ever care about (including yourself). What if, you’re taught how to (self learn), how to experiment and search for answers, and how to deal with situations where you’re required to accomplish a task without knowing how it’s done.
It’s obvious that wearing the chefs’ hat will not be easy. Getting rid of the customer mentality is much easier said than done. After all you did pay a hefty price tag for this program! So will you be a customer ... or a chef?
--------------------------------


Daichousen is a the successor to Chousen -- a hybrid card game / turn-based dungeon crawler. As development is still in early experimental stages, do not expect these notes to reflect reality. Class Choice ============= The player's class determines their starting stats and their deck. Adventurer Balanced deck with a mixture of abilities. Stats ===== Strength - Dexterity - Intellect - Vitality - Stronger items tend to have stat requirements; although, they can be lowered by various means. Charges ========= Some cards are limited to a number of charges. Once all the charges are used the card is discarded. Essences ========= Essence cards increase stats. Only one essence card may be played before you take an action. Playing an essence is instant and does not take a turn. Campfires ========= Throughout the dungeon the player will find a number of campfires. These should be used as places to rest and refresh their hand. At a campfire the player may Rest or choose to draw additional cards. Gold ==== The player collects gold when defeating enemies and sometimes from cards. Some abilities and cards cost gold to use. Otherwise gold just contributes to the player's score. Treasure deck ============= After winning an encounter the player gets to draw a single card from the treasure deck. This deck currently contains a random selection of good cards.


Indiana
I'm a Junkie-Monkey!
Registered: Oct 2001
Location: Incommincado Tyler Durden says: Do we really need another women?
Posts: 3087 |
Post ur pix!
Ok, guys. Those from Gaters whom have a pic on the net? lets see 'em man. We wanna see those faces behind the names. We had a thread like this on the old boards but methinks we need a new one. Here's me:
P.S. i think this shood be a sticky so that anyone new comes along and they want to do the same, they can see it at the top of this forum always.
__________________
"Now I'm cleaning up and I'm moving on, going straight and choosing life. I'm looking forward to it already.  The washing machine, the car, the compact disc and electric tin opener, good health, low cholesterol, dental insurance, mortgage, starter home, leisure wear, luggage, three piece suite, DIY, game shows, junk food, children, walks in the park, nine to five, good at golf, washing the car, choice of sweaters, family Christmas, indexed pension, tax exemption clearing gutters, getting by, looking ahead, the day you die."
Report this post to a moderator | ? + *
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2.3.4
and you fixed a bug.
the final digit is a patch version, and incrementing it means a bug fix with no breaking changes.
8.1.1
and you released a bunch of breaking API changes.
When you break functionality across versions, you should let the users (and their automation) know. It's best practice to reset the MINOR/PATCH versions to 0 when bumping a major version.
1.0.25
and you release some new features, but everything's backwards compatible.
Like updating the MAJOR version, when you upgrade the MINOR version, be sure to reset the PATCH version to 0.
22.0.8
and you release some new shiny features, but you ALSO change some of the existing functionality.

One special case in semver is if things have a 0 for the MAJOR version, then they're intended as a development release with no promise of a stable API. Users can rely on features at their own discretion. In this case, we just bump the minor version even though things have changed.


---
layout: post
title: Philips Expression FC8602
date: '2007-07-14T10:11:00.000+02:00'
author: Steven Van Acker
tags:
modified_time: '2008-01-21T10:11:28.379+01:00'
blogger_id: tag:blogger.com,1999:blog-5513234137363262204.post-3855218825807902729
blogger_orig_url: http://www.singularity.be/2007/07/philips-expression-fc8602.html
---
My vacuum cleaner is a Philips Expression FC8602 capable of sucking air at a rate of 40l/s and pulling a vacuum of 30kPa.
According to the pressure unit convertor I found earlier, that's about 9 inches of mercury. Hopefully, that will be enough.
I've also seen "CFM" mentioned a lot. CFM stands for Cubic Feet per Minute, with 1CFM being about 0.472l/s. So my vacuumcleaner would be able to pull about 84.7CFM


Syntax:
ldb bytespec integer => byte
(setf (ldb bytespec place) new-byte)
Pronunciation:
['lidib] or ['liduhb] or ['el'dee'bee]
Arguments and Values:
bytespec---a byte specifier.
integer---an integer.
byte, new-byte---a non-negative integer.
Description:
ldb extracts and returns the byte of integer specified by bytespec.
ldb returns an integer in which the bits with weights 2^(s-1) through 2^0 are the same as those in integer with weights 2^(p+s-1) through 2^p, and all other bits zero; s is (byte-size bytespec) and p is (byte-position bytespec).
setf may be used with ldb to modify a byte within the integer that is stored in a given place. The order of evaluation, when an ldb form is supplied to setf, is exactly left-to-right. The effect is to perform a dpb operation and then store the result back into the place.
Examples:
(ldb (byte 2 1) 10) => 1 (setq a (list 8)) => (8) (setf (ldb (byte 2 1) (car a)) 1) => 1 a => (10)
Side Effects: None.
Affected By: None.
Exceptional Situations: None.
See Also:
byte, byte-position, byte-size, dpb
Notes:
(logbitp j (ldb (byte s p) n)) == (and (< j s) (logbitp (+ j p) n))
In general,
(ldb (byte 0 x) y) => 0
for all valid values of x and y.
Historically, the name ``ldb'' comes from a DEC PDP-10 assembly language instruction meaning ``load byte.''


{% extends "brambling/layouts/6_6.html" %} {% load staticfiles %} {% block title %}FAQ – {{ block.super }}{% endblock %} {% block before %}
Don't see your question? Use the feedback form in the lower right hand corner of the window to ask us! Or just email us at<EMAIL_ADDRESS>It's true! We use Stripe for processing credit card payments rather than PayPal. The fee is the same (2.9% + 30¢) and Stripe has a couple distinct advantages.
First, Stripe allows for secure credit card payment without an ugly iframe or requiring the user to visit a third-party site, which means the user's experience is more consistent.
Second, Stripe has a well-documented, well-supported, clean API – something PayPal sorely lacks. This means that we can spend less time debugging payment and more time developing amazing features.
Third, Stripe lets us easily subtract our percentage from sales, instead of requiring us to invoice you later – which saves everyone time and hassle.
The names of various dance styles are an important but often hotly debated point. We have tried to do our best to choose names that unambiguously represent what the event is actually offering. If you think there's a better phrasing we could use, please let us know!
No, we don't allow events to pass fees on to their attendees. We feel strongly that an accurate sticker price contributes to a more pleasant experience for the user, and thus a better impression of your event.
{% endblock main %} {% block side %} {% endblock side %}


Birdhouse
1.
The paws at the rump of my skull
are too many.
I’d be like a gold camel, who takes only sips
at the water, and seldom.
2.
Here, there’s a birdhouse across the pulled water,
behind the felled tree
that dipped in a windstorm
that howled like an eagle.
Gold eagle.
3.
Napoleon sits, wears his laurels. He rots
in Vermont, in a stoop or a hamlet.
He’s mushed like the leaves
resting under the birdhouse.
The leaves resting under gold water.
4.
I say, “Would you screech, blind canary, or fluff
like the gadflies I’ve seen all my life?
I haven’t the lip or the pelt for it, no,
I haven’t the hollow, prone, legible bones.”


--- title: Donate - Godot Engine permalink: /donate/index.html layout: default paypal_link: generic: "https://www.paypal.com/donate/?hosted_button_id=H3V5K8J3QYZBU" tier_1: "https://www.paypal.com/webapps/billing/plans/subscribe?plan_id=P-2WJ9357147676934KMPVWXII" tier_2: "https://www.paypal.com/webapps/billing/plans/subscribe?plan_id=P-8Y972472JP621620EMPVW3PY" tier_3: "https://www.paypal.com/webapps/billing/plans/subscribe?plan_id=P-8WT04749N77339043MPVW4LY" tier_4: "https://www.paypal.com/webapps/billing/plans/subscribe?plan_id=P-6FJ39677GN942052SMPVW43A" tier_5: "https://www.paypal.com/webapps/billing/plans/subscribe?plan_id=P-81N616577M781570HMPVYFKI" tier_6: "https://www.paypal.com/webapps/billing/plans/subscribe?plan_id=P-93985038K9055505BMPVYFQQ" --- {% include header.html %}
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For corporate sponsorships please write to<EMAIL_ADDRESS>Your donations will be received by the Godot Foundation, a non-profit organization that manages the funds for the Godot project. Our Patreon is still handled by Software Freedom Conservancy on behalf of the Godot project. Whichever method you choose, the funds will be used to support Godot development.
The Patreon donations are processed by the Software Freedom Conservancy. We are transitioning to the Godot Foundation, you can learn more about it in our blog post or the SFC's announcement.
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{% comment %} Copyright 2013, 2014 Ricardo Tubio-Pardavila Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0 Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License. {% endcomment %}
This page is the home for the users of the system, this is, either Ground Station or Mission Operators who have registered their resources within this server.
The main services that this simple page offers to the users are the following:


#include <homescreen.h>
◆ HomeScreen()
| HomeScreen::HomeScreen |
( |
QWidget * |
parent = nullptr , |
|
|
QWidget * |
backScreen = nullptr , |
|
|
QWidget * |
loginScreen = nullptr , |
|
|
Farm * |
f = nullptr , |
|
|
std::string |
current_user = "" |
|
) |
| |
This is the default constructor for the Screen Home.
◆ ~HomeScreen()
| HomeScreen::~HomeScreen |
( |
| ) |
|
This is the default destructor for the Screen Home.
◆ getFarm()
| Farm * HomeScreen::getFarm |
( |
| ) |
|
◆ on_cattleButton_clicked
| void HomeScreen::on_cattleButton_clicked |
( |
| ) |
|
|
privateslot |
Function that redirects to the cattle management screen.
◆ on_financialButton_clicked
| void HomeScreen::on_financialButton_clicked |
( |
| ) |
|
|
privateslot |
Function that redirects to the finance management screen.
◆ on_logoutButton_clicked
| void HomeScreen::on_logoutButton_clicked |
( |
| ) |
|
|
privateslot |
Function that logout of the program.
◆ on_userButton_clicked
| void HomeScreen::on_userButton_clicked |
( |
| ) |
|
|
privateslot |
Function that redirects to the user management screen.
◆ TestHomeScreenGUI
◆ back_screen_
| QWidget* HomeScreen::back_screen_ |
|
private |
This attribute contains the reference of the back screen.
◆ current_user_
| std::string HomeScreen::current_user_ |
|
private |
The nickname of the current user.
◆ farm_
This attribute contains the the Farm.
◆ login_screen_
| QWidget* HomeScreen::login_screen_ |
|
private |
This attribute contains the reference of the login screen.
◆ ui_
This attribute contains the ui for the Home.
The documentation for this class was generated from the following files:


There are two ways to authenticate the BigQuery plugin - either by uploading a Service Account key file, or by automatically retrieving credentials from the Google metadata server. The latter option is only available when running Grafana on a GCE virtual machine.
First you need to create a Google Cloud Platform (GCP) Service Account for the Project you want to show data for. A Grafana datasource integrates with one GCP Project. If you want to visualize data from multiple GCP Projects then you need to create one datasource per GCP Project.
The BigQuery Data Viewer role and the Job User role provides all the permissions that Grafana needs. The following API needs to be enabled on GCP for the datasource to work: BigQuery API
If Grafana is running on a Google Compute Engine (GCE) virtual machine, it is possible for Grafana to automatically retrieve the default project id and authentication token from the metadata server. In order for this to work, you need to make sure that you have a service account that is setup as the default account for the virtual machine and that the service account has been given read access to the BigQuery API.
Detailed instructions on how to create a Service Account can be found in the documentation.
Do not forget to save your changes after uploading a file.
Verify GCE default service account by clicking Save & Test


20 September 2002
Disease Outbreak Reported
As of 19
September 2002, Health Canada has reported a
total number of 20 human cases of West Nile virus infection: 17 suspected cases, 3
confirmed cases, including 1 death. Three suspected cases are resident in the province of
Quebec, while the other 14 suspected cases and 3 confirmed cases are resident in the
province of Ontario (see previous
report). Two of the confirmed cases are likely to have acquired their infection within
Ontario, whereas one is likely to have acquired the infection while travelling in the
United States.
For more information about this outbreak see the Health Canada web site: