The labels in the Maynard Amerine Collection should be searchable and accessible. But before we can create a searchable database, we need to transcribe the labels. That’s where you come in!
To extract structured data from the Maynard Amerine collection of more than 5,000 wine labels. This will enable researchers, sommeliers, and general wine enthusiasts to search and sort the labels by date, image on the label, location and much more. This will allow us to expand the ways that the collection can be accessed and used. But it’s a big job. We need your help identifying what’s on the label.
Maynard Amerine is generally considered to be the driving force behind the post-Prohibition wine industry in California. ''If you did what he told you,'' said Robert Mondavi, founder of the Robert Mondavi Winery in Oakville, Calif., said of Maynard to The New York Times in 1998, ''You couldn't help but make outstanding wine. He was my mentor, and I wouldn't be where I am today if it weren't for him.'
In 1935, Amerine was hired by the fledgling University of California Davis’ newly formed Department of Viticulture and Enology to help establish a solid technical foundation for the California wine industry. Amerine wasn’t just interested in training students, he was driven to rectify the damage wrought by Prohibition to the wine industry in California, and as he traveled around the State, educating and counseling on improving wine quality, he collected wine labels. He collected wine labels from his travels in Europe and from bottle that were given as gifts. His collection includes more than 5,000 wine labels.
These labels tell the story of the growing wine industry in California. Ranging from the late 1800s to the 1950s, the bulk of the labels are from the 1930s and ‘40s; most of them were simply pasted into black spiral- bound notebooks. Some were annotated, with Amerine often giving the wine a letter grade, or specifying when and where the bottle might have been drunk. The labels were organized by region (usually country), divided into red or white, and in some cases further divided into sub-regions (such as appellations). Many of the labels in Amerine’s collection are from bottles he enjoyed at San Francisco’s Bohemian Club, and others were individual gifts, sometimes from private cellars. The collection is representative of the wines he preferred and had access to, and thus is heavy in California wines as well as French wines. In order for us to be able to create a searchable database of these labels, we need some help with the transcription. Get started here.
Amerine’s notes on the labels closely match the trajectory of his life. We’ve started tying those threads and telling those stories on our blog, which features contributions from the Wine Librarians at the Peter J. Shields Library, as well as members of Devo, the student enophile organization at UC Davis.
Do you have questions about the project? Suggestions for making it better? Or perhaps you have a story to tell that relates to some f the labels in the Amerine collection. Drop us an email at<EMAIL_ADDRESS>— we’d love to hear from you!


Content Filter
Events in an Event Processing Applications can often be very large. We tend to capture data exactly as it arrives, and then work on it, rather than processing it first and only storing the results. So it can often be the case that the event we want to consume has much more information in it than we actually need for the task in hand.
For example, we might pull in a product feed from a 3rd party API and store that data exactly as it was received. Later, we might ask the question, "How many products are in each product category?" and find that every event contains 100 fields, when we're really only interested in counting one. At the very least this is inefficient - the network, memory and serialization costs are 100x higher than they need to be. But if we need to manually inspect the data, this actually becomes painful; hunting through 100 fields to find and check the one we care about.
Equally we may have security and data privacy concerns to address. Imagine we have a stream of data representing users' personal details and site preferences. If the marketing department wants to get more information about our global customer base, we might be able to share the users' timezone and currency settings, but only those fields.
We need a method of storing complete events while only giving consumers a subset of their fields.
Problem
How do I simplify dealing with a large event when I am interested only in a few data items?
Solution
Create an Event Processor that inspects each event, pulls out the fields of interest, and passes new, smaller events downstream for further processing.
Implementation
As an example, in the streaming database ksqlDB
we can easily transform a rich event stream into a stream of simpler
event with a SELECT
statement.
For instance, assume we have an event stream called products
where
each event contains a huge number of fields. We can prune this down
with:
But we are only interested in 4 fields producer_id
, category
,
sku
, and price
. We can prune down the events to just those fields
with:
CREATE OR REPLACE STREAM product_summaries AS
SELECT
product_id,
category,
sku,
price
FROM products;
Or we can do the equivalent transformation using the Kafka Streams client library of Apache Kafka®, perhaps as part of a larger processing pipeline:
builder.stream("products", Consumed.with(Serdes.Long(), productSerde))
.mapValues(
(product) -> {
ProductSummary summary = new ProductSummary();
summary.setCategory(product.getCategory());
summary.setSku(product.getSku());
summary.setPrice(product.getPrice());
return summary;
})
.to("product_summaries", Produced.with(Serdes.Long(), productSummarySerde));
Considerations
Since filtering the content creates a new stream, it's worth
considering how the new stream will be partitioned with Partitioned
Placement. By default the
new stream will inherit the same partitioning key as its source, but
by e.g. specifying a PARTITION BY
clause in ksqlDB, we can repartition the data to
suit the new use case.
In the example above, our 3rd party product feed might be partitioned
by the vendor's unique product_id
, but for this use case it might
make more sense to partition the filtered events by their category
.
See the ksqlDB documentation for details.
References
- This pattern is derived from Content Filter in Enterprise Integration Patterns by Gregor Hohpe and Bobby Woolf
- For filtering out entire events from a stream, consider an Event Filter.


--- layout: post status: publish published: true title: MC++ == Lisp? author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 439 wordpress_url: http://winterdom.com/2002/04/mclisp date: '2002-04-22 19:47:27 +0000' date_gmt: '2002-04-22 19:47:27 +0000' categories: - ".NET" tags: [] comments: [] ---
Peter says "...I'm starting to think of Managed C++ as the Lisp of 2002...". Now, from the little LISP I've done, I can't tell whether this is meant to be a compliment or a curse ;-) So, Peter, would you care to enlighten us?


At Maisa we use a very interactive and highly productive software development methodology, better known as "AGILE METHODOLOGY" , across our projects. Having widely adopted AGILE SCRUM methodology not only makes us productive but also gives freedom to our Customers for any changes in requirements during project execution(SDLC). Better yet, our Customers are given demos at the end of each Sprint (usually a week long).
A group of light-weight development methodologies, Agile favors "individuals and interactions over process and tools", avoids heavy documentation, and emphasizes continuous software releases through small iterations. Anchoring our process with Agile methodologies allows us to create applications in less time with fewer resources. We are able to discover issues and change direction more quickly when something doesn't work of step on the gas when it does. Agile is not just a series of processes, through. Where other software development companies see Agile as a check box on their services page, our developers have adopted it as a philosophy. We believe this is the best way to develop software and when you see our results, we think you'll agree.
|
GitHub, BitBucket, SVN
BaseCamp, Pivotal Tracker, JIRA
LINUX, BSD-like OS, Windows OS
Xcode, Android Studio, VIM
...more. Right tools for the job!


Participants are placed in an environment to solve a real-life quest within 60 minutes. They must work together to find hidden clues, solve puzzles using strategy, creativity, and logic to win the game!
The focus on our game is not escaping a room but saving Christmas, and it’s more suitable for all ages. From the most experienced player to a complete noviceWe are an experience that enjoyed by all ages and surpasses the limits of DzEscaping a Roomdzto make the participants the heroes of their own story.
Children and adults must help Santa Claus save Christmas by convincing a grumpy elf that the Christmas spirit is alive and well. Parents can help children win the game or watch the game progress while enjoying a drink in The Back Stage Lounge.
Arrive 10 minutes earlier to your scheduled game time to be welcomed at thelounge. Confirm the name of the person who made your reservation, and when everybody is gathered we will start a brief explanation of the game and how everything works.
Sure! While the puzzles aren’t designed to require the use of a smart phone or taking notes, do whatever makes you feel confident. We ask that you do be careful what pictures you post to social media so as to not accidentally spoil the puzzles for future players, but otherwise have fun and share your experience!
 Figure out how to save Christmas!
There is no physical strength needed for any of our games. Just explore your environment and solve the puzzles. If you need help, hints can be asked for by the Game Master. There’s no limit of hints you can request, but hints will be recorded to the leader board, so try and solve the game using as few as possible!
Yes, games are usually booked days in advance so we may not be able to accommodate your group without one.
Yes, just check the availability online.
Of course! But remember, children under 10 need to be an accommodated by an adult because otherwise they may not be able to solve the puzzles on their own.
Please note that our games are live games and in session with a set time schedule. Unfortunately, if you are late, we cannot extend your game time because we have to get the room ready for the next appointment. We recommend using the remaining time in your session and a generous use of available hints!
We can change your reservation, depending upon our availability. You must contact us at least 48 hours prior to game time to change your reservation.
Yes! Please email us for special corporate team-building sessions.
Yes! We are available to help you with private parties, including catering options.
Yes, we are fully wheelchair accessible.
Yes, but we recommend having at least two people, otherwise puzzles can be too challenging to overcome in the hour. Plus, Christmas is a season for sharing after all!


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My name is Olga Serenchenko and I am a full stack web developer. My passion is developing the simplest and most efficient programs while maximizing user experience. I have a background in GIS data and technologies and enjoy watching movies, cooking, and going outdoors on my free time.
Story
I was born in Pyatigorsk, Russia into a large and loving family. We moved to the United States in December of 2000 and I currently live in Denver, CO. I enjoy spending time with my loud, Russian family, hiking and camping in the Rockies, and cooking multi ethnic foods.
Skills
-Web Development: HTML, CSS, Bootstrap, Materialize, Javascript, JQuery, Node.js, MySQL, Python
-Geospatial: ESRI mapping products (ArcMap, ArcCatalog), ENVI, QGIS
Education & Background
I received a BA in Geography, Environmental Sciences, a minor in Sustainability, and a GIS Certificate from the University of Colorado, Denver in December of 2016. I am also completing a Coding Bootcamp at the University of Denver in November of 2018. Currently working as a GIS Technician at The WhiteStar Corporation.


Ketra's Messenger Wahkan:
You're the best friend the Ketra ever had! There is no higher honor we can bestow upon you! What are you thinking, my friend?
"I'll keep my friendship with the Ketra!"
"I quit."


--- layout: post title: 'Q&A: What software do technical writers need to know?' date: 2012-05-12 11:37:22.000000000 -07:00 categories: - technical-writing tags: [] status: draft type: post published: false ---
A reader asks,
How do outsiders learn the software that TechComm folks use? I've looked at Adobe's TechComm suite, MadCap Flare and so on, and the costs are enormous. Also, is there some standardized training program for learning all of these, or is it typically on-the-job training? I can't imagine people are expected to purchase these software packages on their own and simply learn at home.
This must be one of the most common questions asked by students. You can purchase academic versions of most software at significantly discounted rates. Check with your institution to see if discounted software is already available. I know this is true of Adobe products.
You can also download trial versions of products most of software and learn them for 30 days before they expire.
Alternatively, you could learn open source alternatives that never expire.
I wouldn't recommend investing a lot of money into software that you may or may not use at your job. Reason being, the software that technical writers use varies from company to company. If you spend a lot of money learning one tool, the company you get hired by may use an entirely different tool.


Across: 1. News turned Martel character, leaving stroppier (7) 5. Word play, his specialty, fine perhaps (6) 9. Including pipes crashed DOS window (9) 10. Large "part" of bronze, South American city's oddity (5) 11. First of digital inputs rejected, having no number and so making no sense (6) 12. Street (wide) contained by bay (8) 13. Dances at parties but with no sign of victory (5) 14. Most used one in 1010 (3) 16. Eject secular leader moving to front of church seating (4) 18,2dn. 12 across hit by 14 down 29 with 14 across 19 22 going from "11 down for 25..." to "17 of 30" winning a dozen 8 in crude sport he played (3 9) 19. Essentially handy conjunction (3) 21. Sent off home (4) 22. Some stars of paleontology (3) 24. Basket-weaving material used in hosiery (5) 26. This epithet recalls Russian Ivan brutally launching empire's leadership (8) 29. see 14 down 31. Exemplify "poor old me" (5) 32. Priest on "levels and boundaries" (9) 34. Using ear makes her this? (6) 35. The one you used to love sat naked (7) Down: 1. Rough battle during uprising (3) 2. see 18 across 3. Worst among trouble makers somewhat disrupts Eid, worshipping facing the wrong way (8) 4. Perform for half of the big house just past the end of 12 (4) 5. Ropes strewn about for someone trying to look good (5) 6. React badly after end of tin of syrup (6) 7. Gang under savage leader, as 17 might call the guard (5) 8. Second doctor away and not coming back, as given to some dramas (4 6) 11. Illegal betting racket getting custodial sentence ... a period for reawakening (10) 12. Troublemaker 'losing' model's underwear (3) 14,29ac. Comedy writer dropping account of Dame Nellie gangsters (3 6) 15. Signs of affection - all ordinary indications? (3) 17. Abuse of porn rises for people in restricted circumstances (9) 20. Where deranged depositor might deposit one, where threshold is crossed! (8) 23. It names its own price, like a tooth perhaps? (3) 25. Wild "Heil" welcomed this leader, head of Reich (6) 27. Cryptic grid - the ultimate high! (5) 28. Most committed of 17? (5) 30. Making this might be revolutionary... naked revolt! (4) 33. "Blue Poles", a dream centrepiece (3)


 Cook and stir the onions in the hot oil until translucent, about 5 minutes. Add the ginger-garlic paste and continue cooking another 5 minutes. Reduce heat to medium; stir the tomatoes into the mixture and cook until the tomatoes are pulpy, 5 to 10 minutes. Season with the cayenne pepper, curry powder, garam masala, turmeric, and cumin; cook and stir another 5 minutes. Add the chicken and potatoes to the mixture in the skillet; simmer, stirring occasionally, until the potatoes are tender and the chicken is no longer pink in the center, about 20 minutes. Sprinkle the cilantro over the mixture and continue simmering another 10 minutes.  Heat olive oil in a skillet over medium heat; cook seasoned chicken breasts until chicken is browned, 3 to 4 minutes per side. Add onion; cook and stir until onion is browned, 3 to 4 minutes. Pour diced tomatoes and balsamic vinegar over chicken; season with basil, oregano, rosemary and thyme. Simmer until chicken is no longer pink and the juices run clear, about 15 minutes. An instant-read thermometer inserted into the center should read at least 165 degrees F (74 degrees C).
2 pounds veal shanks,cut into short lengths
1/4 cup all-purpose flour
1/4 cup Butter
2 cloves garlic, crushed
1 large onion, chopped
1 large carrot, chopped
2/3 cup dry white wine
2/3 cup beef stock
1 (14.5 ounce) can diced tomatoes
salt and pepper to taste
Gremolata:1/2 cup chopped fresh flat leaf parsley
1 clove garlic, minced
2 teaspoons grated lemon zest
Directions
Dust the veal shanks lightly with flour. Melt the butter in a large skillet over medium to medium-high heat. Add the veal, and cook until browned on the outside. Remove to a bowl, and keep warm. Add two cloves of crushed garlic and onion to the skillet; cook and stir until onion is tender. Return the veal to the pan and mix in the carrot and wine. Simmer for 10 minutes. Pour in the tomatoes and beef stock, and season with salt and pepper. Cover, and simmer over low heat for 1 1/2 hours, basting the veal every 15 minutes or so. The meat should be tender, but not falling off the bone. In a small bowl, mix together the parsley, 1 clove of garlic and lemon zest.  Crumble the ground chuck and sausage into the hot pan, and cook until evenly browned. Drain off excess grease. Pour in the chili beans, spicy chili beans, diced tomatoes and tomato paste. Add the onion, celery, green and red bell peppers, chile peppers, bacon bits, bouillon, and beer. Season with chili powder, Worcestershire sauce, garlic, oregano, cumin, hot pepper sauce, basil, salt, pepper, cayenne, paprika, and sugar. Stir to blend, then cover and simmer over low heat for at least 2 hours, stirring occasionally. After 2 hours, taste, and adjust salt, pepper, and chili powder if necessary. The longer the chili simmers, the better it will taste. Remove from heat and serve, or refrigerate, and serve the next day.  Enjoy your meal with a glass of juice
100 g meat
3 cups maize flour
2 large tomatoes
1 onion
Dania
1/2 tsp salt
1 tsp currypowder
2 pieces garlic
2 tsp soy sauce
2 cups water
1/4 cup cooking oil
Directions
Boil water,then stir in your wheat flour(I use soko)little by little until its all firm and ready leave it for about 5 min in low heat to cook.then remove into a tray if ready. Boil your meat for 15min in half cup of water in a sufuria. Prepare your ingredients. Cut your onion and tomatoes and garlic, Dania separately.
When the meat has dried add your cooking oil,stir until the meat changes its colour to golden brown add you onions n garlic and continue to stir. Add your tomatoes and dania into the meat and close the sufuria with a lid to let it cook so that the tomatoes can be cooked more easily. check the meat after 2 min stir your food and add salt and currypowder and soysauce and stir to mix the flavors all together let I cook then add 1/4cup of water then stir and let it cook for 2 min n serve.
1 cup butter, divided
1 onion, chopped
2 and 1/2 cups water, divided
1 (6 ounce) can tomato paste
3/4 cup berbere seasoning
1 teaspoon chopped garlic
1/2 teaspoon ground ginger
4 skinless, boneless chicken breasts, cubed
1/3 cup sweet white wine
1/2 teaspoon ground cardamom
1/2 teaspoon freshly ground black pepper
4 hard-boiled eggs
Directions
Heat 1/2 cup butter in a skillet over medium-low heat. Cook and stir onion until translucent, 5 to 6 minutes. Add 1/2 cup water and tomato paste; stir until hot, about 2 minutes. Stir in remaining butter, berbere, garlic, and ginger. Adjust heat to low and cook until mixture thickens to paste consistency, 20 to 30 minutes. Stir remaining water into berbere paste; add chicken. Simmer until thickened to sauce consistency, about 45 minutes. Stir white wine, cardamom, and black pepper into the sauce; add hard-boiled eggs. Cook until sauce is reduced slightly, about 15 minutes more.
3 tablespoons olive oil, divided
2 pounds lamb meat, cut into
1 1/2 inch cubes
2 teaspoons paprika
1/4 teaspoon ground turmeric
1/2 teaspoon ground cumin
1/4 teaspoon cayenne pepper
1 teaspoon ground cinnamon
1/4 teaspoon ground cloves
1/2 teaspoon ground cardamom
1 teaspoon kosher salt
1/2 teaspoon ground ginger
1 pinch saffron
3/4 teaspoon garlic powder
3/4 teaspoon ground coriander
2 medium onions, cut into 1-inch cubes
5 carrots, peeled, cut into fourths, then sliced lengthwise into thin strips
3 cloves garlic, minced
1 tablespoon freshly grated ginger
1 lemon, zested
1 (14.5 ounce) can homemade chicken broth or low-sodium canned broth
1 tablespoon sun-dried tomato paste
1 tablespoon honey
1 tablespoon cornstarch (optional)
1 tablespoon water (optional)
Directions
Place diced lamb in a bowl, toss with 2 tablespoons of the olive oil, and set aside. In a large resealable bag, toss together the paprika, turmeric, cumin, cayenne, cinnamon, cloves, cardamom, salt, ginger, saffron, garlic powder, and coriander; mix well. Add the lamb to the bag, and toss around to coat well. Refrigerate at least 8 hours, preferably overnight. Heat 1 tablespoon of olive oil in a large, heavy bottomed pot over medium-high heat. Add 1/3 of the lamb, and brown well. Remove to a plate, and repeat with remaining lamb. Add onions and carrots to the pot and cook for 5 minutes. Stir in the fresh garlic and ginger; continue cooking for an additional 5 minutes. Return the lamb to the pot and stir in the lemon zest, chicken broth, tomato paste, and honey. Bring to a boil, then reduce heat to low, cover, and simmer for 1 1/2 to 2 hours, stirring occasionally, until the meat is tender. If the consistency of the tagine is too thin, you may thicken it with a mixture of cornstarch and water during the last 5 minutes.
6 skinless, boneless chicken breast halves
1 teaspoon garlic
saltground black pepper to taste
2 tablespoons olive oil1 onion, thinly sliced
1 (14.5 ounce) can diced tomatoes
1/2 cup balsamic vinegar
1 teaspoon dried basil
1 teaspoon dried oregano
1 teaspoon dried rosemary
1/2 teaspoon dried thyme
Directions
Season both sides of chicken breasts with garlic salt and pepper. Heat olive oil in a skillet over medium heat; cook seasoned chicken breasts until chicken is browned, 3 to 4 minutes per side. Add onion; cook and stir until onion is browned, 3 to 4 minutes. Pour diced tomatoes and balsamic vinegar over chicken; season with basil, oregano, rosemary and thyme. Simmer until chicken is no longer pink and the juices run clear, about 15 minutes. An instant-read thermometer inserted into the center should read at least 165 degrees F (74 degrees C).
6 skinless, boneless chicken breast halves
1 teaspoon garlic
saltground black pepper to taste
2 tablespoons olive oil1 onion, thinly sliced
1 (14.5 ounce) can diced tomatoes
1/2 cup balsamic vinegar
1 teaspoon dried basil
1 teaspoon dried oregano
1 teaspoon dried rosemary
1/2 teaspoon dried thyme
Directions
Season both sides of chicken breasts with garlic salt and pepper. Heat olive oil in a skillet over medium heat; cook seasoned chicken breasts until chicken is browned, 3 to 4 minutes per side. Add onion; cook and stir until onion is browned, 3 to 4 minutes. Pour diced tomatoes and balsamic vinegar over chicken; season with basil, oregano, rosemary and thyme. Simmer until chicken is no longer pink and the juices run clear, about 15 minutes. An instant-read thermometer inserted into the center should read at least 165 degrees F (74 degrees C).
6 skinless, boneless chicken breast halves
1 teaspoon garlic
saltground black pepper to taste
2 tablespoons olive oil1 onion, thinly sliced
1 (14.5 ounce) can diced tomatoes
1/2 cup balsamic vinegar
1 teaspoon dried basil
1 teaspoon dried oregano
1 teaspoon dried rosemary
1/2 teaspoon dried thyme
Directions
Season both sides of chicken breasts with garlic salt and pepper. Heat olive oil in a skillet over medium heat; cook seasoned chicken breasts until chicken is browned, 3 to 4 minutes per side. Add onion; cook and stir until onion is browned, 3 to 4 minutes. Pour diced tomatoes and balsamic vinegar over chicken; season with basil, oregano, rosemary and thyme. Simmer until chicken is no longer pink and the juices run clear, about 15 minutes. An instant-read thermometer inserted into the center should read at least 165 degrees F (74 degrees C).
6 skinless, boneless chicken breast halves
1 teaspoon garlic
saltground black pepper to taste
2 tablespoons olive oil1 onion, thinly sliced
1 (14.5 ounce) can diced tomatoes
1/2 cup balsamic vinegar
1 teaspoon dried basil
1 teaspoon dried oregano
1 teaspoon dried rosemary
1/2 teaspoon dried thyme
Directions
Season both sides of chicken breasts with garlic salt and pepper. Heat olive oil in a skillet over medium heat; cook seasoned chicken breasts until chicken is browned, 3 to 4 minutes per side. Add onion; cook and stir until onion is browned, 3 to 4 minutes. Pour diced tomatoes and balsamic vinegar over chicken; season with basil, oregano, rosemary and thyme. Simmer until chicken is no longer pink and the juices run clear, about 15 minutes. An instant-read thermometer inserted into the center should read at least 165 degrees F (74 degrees C).
6 skinless, boneless chicken breast halves
1 teaspoon garlic
saltground black pepper to taste
2 tablespoons olive oil1 onion, thinly sliced
1 (14.5 ounce) can diced tomatoes
1/2 cup balsamic vinegar
1 teaspoon dried basil
1 teaspoon dried oregano
1 teaspoon dried rosemary
1/2 teaspoon dried thyme
Directions
Season both sides of chicken breasts with garlic salt and pepper. Heat olive oil in a skillet over medium heat; cook seasoned chicken breasts until chicken is browned, 3 to 4 minutes per side. Add onion; cook and stir until onion is browned, 3 to 4 minutes. Pour diced tomatoes and balsamic vinegar over chicken; season with basil, oregano, rosemary and thyme. Simmer until chicken is no longer pink and the juices run clear, about 15 minutes. An instant-read thermometer inserted into the center should read at least 165 degrees F (74 degrees C).
6 skinless, boneless chicken breast halves
1 teaspoon garlic
saltground black pepper to taste
2 tablespoons olive oil1 onion, thinly sliced
1 (14.5 ounce) can diced tomatoes
1/2 cup balsamic vinegar
1 teaspoon dried basil
1 teaspoon dried oregano
1 teaspoon dried rosemary
1/2 teaspoon dried thyme
Directions
Season both sides of chicken breasts with garlic salt and pepper. Heat olive oil in a skillet over medium heat; cook seasoned chicken breasts until chicken is browned, 3 to 4 minutes per side. Add onion; cook and stir until onion is browned, 3 to 4 minutes. Pour diced tomatoes and balsamic vinegar over chicken; season with basil, oregano, rosemary and thyme. Simmer until chicken is no longer pink and the juices run clear, about 15 minutes. An instant-read thermometer inserted into the center should read at least 165 degrees F (74 degrees C).
6 skinless, boneless chicken breast halves
1 teaspoon garlic
saltground black pepper to taste
2 tablespoons olive oil1 onion, thinly sliced
1 (14.5 ounce) can diced tomatoes
1/2 cup balsamic vinegar
1 teaspoon dried basil
1 teaspoon dried oregano
1 teaspoon dried rosemary
1/2 teaspoon dried thyme
Directions
Season both sides of chicken breasts with garlic salt and pepper. Heat olive oil in a skillet over medium heat; cook seasoned chicken breasts until chicken is browned, 3 to 4 minutes per side. Add onion; cook and stir until onion is browned, 3 to 4 minutes. Pour diced tomatoes and balsamic vinegar over chicken; season with basil, oregano, rosemary and thyme. Simmer until chicken is no longer pink and the juices run clear, about 15 minutes. An instant-read thermometer inserted into the center should read at least 165 degrees F (74 degrees C).
Founded in 2019:
Authors as:Hilarry-HEAD Joshua, Eyern, Bulamu and Peter.
Welcome to a place where various chef's or those aspired with cooking can come and have a view on the ingredients of various foodstuff with ease and to also have a glance on different types of galleries being displayed in the webpage as foodstuff that are prepared in hotels.
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MAVERICK A film review by Joan Ellis Copyright 1995 Nebbadoon Syndicate
MAVERICK is an irreverent, zestful romp for three stars who team up to poke fun at every imaginable Western cliche. With winks in their eyes, they play games with a runaway stagecoach, the hangman's noose, crooked card games and bank robbers. Their good spirits lift the picture to inspired spoof status in the avalanche of New Age westerns.
Bret Maverick (Mel Gibson), Annabelle Bransford (Jody Foster) and Marshal Zane Cooper (James Garner) are charming rogues, con artists who can barely contain the pleasure of their wicked ways. Outdoing each other is their delight, and they sustain the contest with good humor for two hours.
 The truth of that lighthearted lie is that his gun fairly jumps out of its holster every time someone crosses him, and he loves every second of the confrontation. On the prowl for entry fee money for the poker sweepstakes in St. Louis, Maverick sits down to a small-town card game and meets Annabelle Bransford (Foster), whose good looks mask her bad intentions.
Gibson sets the tone in the first scene. In the classic catastrophe of the man with his head in a noose, astride a horse about to turn skittish at approaching rattlesnakes, he begs his animal to stay "steady, fella, don't move now." Any word or deed of substance would be ridiculous after that, and, mercifully, none is forthcoming.
Maverick is uncharacteristically slow to realize that Annabelle is his match in deviltry, but when he does, their competition becomes the funny bone of the movie. Jodie Foster shows a new side of her talent. Unpredictable, light and subtle, she plays equally well with each of her leading men. James Garner, who brought Maverick to the small TV screen in 1957, deadpans the jokes with the same charm he used all those years ago. It's great fun to see him lean into a major role and steal scenes from his young colleagues. This is a happy band of scoundrels.
Filmed in the glorious country of Utah's Glen Canyon National Recreation Area, the movie peppers the grand landscape with colorful characters and ludicrous action. Powered by jokes and sight gags, the very thin plot leaves you waiting for the one-liners, and enough of them come to keep most people happy. But these spots of genuine fun just aren't enough to make the whole thing a winner.
When it starts to drag badly, the colorful finale of the St. Louis poker game saves the day with a nice assist from James Coburn as the man who can charge a $25,000 entry fee and still create an extravaganza. It is the charm of the principals that carries the film. Foster, Gibson and Garner have linked arms, it seems, caught the script that was thrown them and said, "Let's have fun with this one."
Studio: Warner Bros. Rating: PG
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Please send information regarding reuse to<EMAIL_ADDRESS>or 393 Hanover Center Road, Hanover Center, Etna, NH 03750 Tel<PHONE_NUMBER>, Fax<PHONE_NUMBER>
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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I am current pursuing IT engineering in Pialli Hoc College of Engineering and Technology.I am learning MERN stack developer.
In this we do a mini app in which we display employee related information. This app have employee I'd has a primary key. From this I'd we find the employee information and we also delete or update the employee information and attaindence of employee also maintain.
n this app we display the covid cases spreaded in India. It is display in both graphs and numerical data also.
Pillai Hoc College Of Engineering And Technology | 2019 - 2023
C-Tech Continentals | Good
Trainee at C-Tech Continentals and working on MERN stack project.


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E


DHCPD ACL subsystem
TARGETS:
The main goals of acl subsystem is providing a powerfull,
flexible and extendable mechanism for access control of different objects
in dhcpd configuration. This objects are shared networks, subnets, groups
of hosts and hosts.
Also acl subsystem allows you to control some other
features, such as: unique object names, applying of changed configuration,
viewing and deletion of dhcp leasures.
CONCEPTS:
Dhcpd configuration file we can show as a tree structure.
Each node of this tree represents a configuration of different dhcp objects
(fig. 0).
Acl subsystem have 2 levels of permissions:
-
global: read, write, create;
-
per-object: read, write.
Global permissions exists for every type of objects
(hosts, groups, subnets, shared networks) and controls operations with
a whole object set of given type.
Global create
Global read
Global write
Per-object permissions give you a more flexible
way of access control. Per-object permissions acl exists for every object
individual object. Today only hosts and subnets per-object acls are impemented.
Per-object read
Per-object write
Acl subsystem can operate in 4 different security
levels (or modes).
USER NOTES:
DEVELOPER NOTES:


QML Advanced Tutorial 3 - Implementing the Game Logic
Making a playable game
Now that we have all the game components, we can add the game logic that dictates how a player interacts with the blocks and plays the game until it is won or lost.
To do this, we have added the following functions to samegame.js
:
handleClick(x,y)
floodFill(xIdx,yIdx,type)
shuffleDown()
victoryCheck()
floodMoveCheck(xIdx, yIdx, type)
As this is a tutorial about QML, not game design, we will only discuss handleClick()
and victoryCheck()
below since they interface directly with the QML types. Note that although the game logic here is written in JavaScript, it could have been written in C++ and then exposed to QML.
Enabling mouse click interaction
To make it easier for the JavaScript code to interface with the QML types, we have added an Item called gameCanvas
to samegame.qml
. It replaces the background as the item which contains the blocks. It also accepts mouse input from the user. Here is the item code:
Item { id: gameCanvas property int score: 0 property int blockSize: 40 width: parent.width - (parent.width % blockSize) height: parent.height - (parent.height % blockSize) anchors.centerIn: parent MouseArea { anchors.fill: parent onClicked: SameGame.handleClick(mouse.x, mouse.y) } }
The gameCanvas
item is the exact size of the board, and has a score
property and a MouseArea to handle mouse clicks. The blocks are now created as its children, and its dimensions are used to determine the board size so that the application scales to the available screen size. Since its size is bound to a multiple of blockSize
, blockSize
was moved out of samegame.js
and into samegame.qml
as a QML property. Note that it can still be accessed from the script.
When clicked, the MouseArea calls handleClick()
in samegame.js
, which determines whether the player's click should cause any blocks to be removed, and updates gameCanvas.score
with the current score if necessary. Here is the handleClick()
function:
function handleClick(xPos, yPos) { var column = Math.floor(xPos / gameCanvas.blockSize); var row = Math.floor(yPos / gameCanvas.blockSize); if (column >= maxColumn || column < 0 || row >= maxRow || row < 0) return; if (board[index(column, row)] == null) return; //If it's a valid block, remove it and all connected (does nothing if it's not connected) floodFill(column, row, -1); if (fillFound <= 0) return; gameCanvas.score += (fillFound - 1) * (fillFound - 1); shuffleDown(); victoryCheck(); }
Note that if score
was a global variable in the samegame.js
file you would not be able to bind to it. You can only bind to QML properties.
Updating the score
When the player clicks a block and triggers handleClick()
, handleClick()
also calls victoryCheck()
to update the score and to check whether the player has completed the game. Here is the victoryCheck()
code:
function victoryCheck() { //Award bonus points if no blocks left var deservesBonus = true; for (var column = maxColumn - 1; column >= 0; column--) if (board[index(column, maxRow - 1)] != null) deservesBonus = false; if (deservesBonus) gameCanvas.score += 500; //Check whether game has finished if (deservesBonus || !(floodMoveCheck(0, maxRow - 1, -1))) dialog.show("Game Over. Your score is " + gameCanvas.score); }
This updates the gameCanvas.score
value and displays a "Game Over" dialog if the game is finished.
The Game Over dialog is created using a Dialog
type that is defined in Dialog.qml
. Here is the Dialog.qml
code. Notice how it is designed to be usable imperatively from the script file, via the functions and signals:
import QtQuick 2.0 Rectangle { id: container function show(text) { dialogText.text = text; container.opacity = 1; } function hide() { container.opacity = 0; } width: dialogText.width + 20 height: dialogText.height + 20 opacity: 0 Text { id: dialogText anchors.centerIn: parent text: "" } MouseArea { anchors.fill: parent onClicked: hide(); } }
And this is how it is used in the main samegame.qml
file:
Dialog { id: dialog anchors.centerIn: parent z: 100 }
We give the dialog a z value of 100 to ensure it is displayed on top of our other components. The default z
value for an item is 0.
A dash of color
It's not much fun to play Same Game if all the blocks are the same color, so we've modified the createBlock()
function in samegame.js
to randomly create a different type of block (for either red, green or blue) each time it is called. Block.qml
has also changed so that each block contains a different image depending on its type:
import QtQuick 2.0 Item { id: block property int type: 0 Image { id: img anchors.fill: parent source: { if (type == 0) return "../shared/pics/redStone.png"; else if (type == 1) return "../shared/pics/blueStone.png"; else return "../shared/pics/greenStone.png"; } } }
A working game
Now we now have a working game! The blocks can be clicked, the player can score, and the game can end (and then you can start a new one). Here is a screenshot of what has been accomplished so far:
This is what samegame.qml
looks like now:
import QtQuick 2.0 import "samegame.js" as SameGame Rectangle { id: screen width: 490; height: 720 SystemPalette { id: activePalette } Item { width: parent.width anchors { top: parent.top; bottom: toolBar.top } Image { id: background anchors.fill: parent source: "../shared/pics/background.jpg" fillMode: Image.PreserveAspectCrop } Item { id: gameCanvas property int score: 0 property int blockSize: 40 width: parent.width - (parent.width % blockSize) height: parent.height - (parent.height % blockSize) anchors.centerIn: parent MouseArea { anchors.fill: parent onClicked: SameGame.handleClick(mouse.x, mouse.y) } } } Dialog { id: dialog anchors.centerIn: parent z: 100 } Rectangle { id: toolBar width: parent.width; height: 30 color: activePalette.window anchors.bottom: screen.bottom Button { anchors { left: parent.left; verticalCenter: parent.verticalCenter } text: "New Game" onClicked: SameGame.startNewGame() } Text { id: score anchors { right: parent.right; verticalCenter: parent.verticalCenter } text: "Score: Who knows?" } } }
The game works, but it's a little boring right now. Where are the smooth animated transitions? Where are the high scores? If you were a QML expert you could have written these in the first iteration, but in this tutorial they've been saved until the next chapter - where your application becomes alive!
Files:


"""Functions for adding edges to a PPI Graph from parsed STRING & BIOGRID API call outputs"""
# %%
# Graphein
# Author: Arian Jamasb<EMAIL_ADDRESS>Ramon Vinas
# License: MIT
# Project Website: https://github.com/a-r-j/graphein
# Code Repository: https://github.com/a-r-j/graphein
import logging
import networkx as nx
import pandas as pd
from graphein.ppi.parse_biogrid import BIOGRID_df
from graphein.ppi.parse_stringdb import STRING_df
log = logging.getLogger(__name__)
[docs]def add_string_edges(G: nx.Graph, **kwargs) -> nx.Graph:
"""
Adds edges from STRING PPI database to a PPI Graph
:param G: Graph to edges to (populated with protein_id nodes)
:type G: nx.Graph
:param kwargs: Additional parameters to pass to STRING API calls
:return: PPI Graph with STRING interactions added as edges
:rtype: nx.Graph
"""
G.graph["sources"].append("string")
G.graph["string_df"] = STRING_df(
G.graph["protein_list"],
ncbi_taxon_id=G.graph["ncbi_taxon_id"],
kwargs=kwargs,
)
add_interacting_proteins(G, df=G.graph["string_df"], kind="string")
return G
[docs]def add_biogrid_edges(G: nx.Graph, **kwargs) -> nx.Graph:
"""
Adds edges from the BIOGRID database to PPI Graph
:param G: Graph to edges to (populated with protein_id nodes)
:type G: nx.Graph
:param kwargs: Additional parameters to pass to BIOGRID API calls
:return: nx.Graph PPIGraph with BIOGRID interactions added as edges
:rtype: nx.Graph
"""
G.graph["sources"].append("biogrid")
G.graph["biogrid_df"] = BIOGRID_df(
G.graph["protein_list"],
ncbi_taxon_id=G.graph["ncbi_taxon_id"],
kwargs=kwargs,
)
add_interacting_proteins(G, df=G.graph["biogrid_df"], kind="biogrid")
return G
[docs]def add_interacting_proteins(
G: nx.Graph, df: pd.DataFrame, kind: str
) -> nx.Graph:
"""
Generic function for adding interaction edges to PPIGraph
:param G: PPI Graph to populate with edges
:type G: nx.Graph
:param df: Dataframe containing edgelist
:type df: pd.DataFrame
:param kind: name of interaction type
:type kind: str
:returns: PPI Graph with pre-computed edges added
:rtype: nx.Graph
"""
protein_1 = df["p1"].values
protein_2 = df["p2"].values
interacting_proteins = set(list(zip(protein_1, protein_2)))
for p1, p2 in interacting_proteins:
if G.has_edge(p1, p2):
G.edges[p1, p2]["kind"].add(kind)
else:
G.add_edge(p1, p2, kind={kind})
log.debug(f"Added {len(df)} {kind} interaction edges")
return G


The JSON Web Keyset for this client. Used for client authentication and token encryption. Keys can be provided by reference or by value.
URL that points to the public JSON Web Keyset for this client
The JSON Web Keyset for this client


{% extends "archetypes/_layout.html" %} {% import "archetypes/_layout_wip.html" as layout with context %} {% import "archetypes/rowan-and-will-kenrith.json" as deck_json %} {% block title %} Rowan and Will Kenrith {% endblock %} {% block meta %} {% endblock %} {% block archetype_name %}


ucp Heading 1
useful css class-room phrases is a small selection for css classes used inside content areas. Some simple worded, self-explanatory and self-describable classes writing and understand your source.
a selection for css classes used inside content areas.
useful css class-room phrases is a small selection for css classes used inside content areas. Some simple worded, self-explanatory and self-describable classes writing and understand your source.
A Lead paragraph in literature refers to the opening paragraph of an article, essay, news story or book chapter. Often called just "the lead," it usually occurs together with the headline or title. It precedes the main body of the article, and it gives the reader the main idea of the story. The word "lead" is pronounced to rhyme with "need". class="lead"
A second Lead paragraph in literature refers to the opening paragraph of an article, essay, news story or book chapter. Often called just "the lead," it usually occurs together with the headline or title. It precedes the main body of the article, and it gives the reader the main idea of the story. The word "lead" is pronounced to rhyme with "need".
half left
text: dolor sit amet, consetetur sadipscing elitr, sed diam nonumyeirmod tempor invidunt ut labore et dolore magna
the other half
but right
: sadipscing elitr, sed diam nonumyeirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed
half in a
Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumyeirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed
Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumyeirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed
Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumyeirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed
directly following headings without elements between headings
link blocked (gray only for visual perception)
Image #left, #right and hr with cb.
[Wed Oct 11 14:32:52 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test [Wed Oct 11 14:32:51 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test [Wed Oct 11 14:32:52 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test [Wed Oct 11 14:32:53 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test [Wed Oct 11 14:32:54 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test [Wed Oct 11 14:32:55 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test [Wed Oct 11 14:32:56 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test [Wed Oct 11 14:32:57 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test [Wed Oct 11 14:32:58 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test [Wed Oct 11 14:32:59 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test [Wed Oct 11 14:32:60 2000] [error] [client <IP_ADDRESS>] client denied by server configuration: /export/home/live/ap/htdocs/test
| thead 1 | thead 2 |
|---|---|
| tbody A | tbody B |
| a | b |
The class row2
creates a not "html-tabled 2-column" table with a definiton list. This class has to be around the dl, if you use not changable markup like markdown etc


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Patient Consultation Record
Diagnosis
Paper
Hazem Hassan
DOB: 07/05/1998
Sex: Male
aaaa


1978:
President Jimmy Carter signs bill relaxing laws surrounding homebrewing.
CARL FONTICELLA
03.01.18
Grunge music reverberated off metal tanks and walls as Art Oestrike, owner of Jackie O’s Pub and Brewery, stepped through the company’s 13,000 square-foot manufacturing facility on Athens’ east side.
Clad in work-worn khakis and a green and white beanie, Oestrike ascended a flight of stairs and ultimately plopped comfortably into a chair in a high-ceilinged, second-story conference room. He reflected on the years since 2005, when he first opened Jackie O’s Brewpub.
“It’s just been a wild ride,” Oestrike said. “There’s no way in hell that, 12 years ago or 13 years ago, you’d say we’d be sitting in this conference room up above, in this nice new building — that we’d be doing this through craft beer.”
Carl Fonticella | PHOTO EDITOR
Art Oestrike, owner of Jackie O's, poses for a portrait in the Jackie O's Taproom at 25 Campbell Street.
But it’s true. Jackie O’s — which, in its early years, pumped out as few as 400 barrels of beer from its uptown brewpub — now produces more than 10,000 barrels annually at the Campbell Street facility that opened in 2012.
“I get asked that question a lot: ‘Did you ever think?’ No, no, not a chance. It’s just, it’s crazy that—” Oestrike’s cell phone rang. He paused to silence it. “There’s a lot of phone calls. A lot of luck. A lot of timeliness. A lot of gambling, like a lot of rolling of the dice, throughout the years.”
That first roll of the dice came in 2005 when Brad Clark, then an Ohio University student, told Oestrike he should buy the brewpub at which Clark was a bartender, O’Hooley’s Irish Pub. Oestrike did just that, and, just months later, a freshly-minted Jackie O’s Brewpub fermented its first batch of the brewery’s flagship beer, Firefly Amber.
Since then, Athens County has seen the emergence of an outsized craft beer scene. Spurred by demand for locally produced goods and helped along by changes in state laws, at least five breweries now call Athens County home — a boom that came about in tandem with statewide craft beer growth.
Athens might have President Jimmy Carter to thank for its wealth of breweries.
In 1978, Carter signed into law HR 1337, which loosened post-prohibition brewing regulations and allowed those with an interest in making their own beer to do so.
“We always talk about what’s happened in law Ohio recently, but if you do look back that’s probably what laid the groundwork for the development of what we’re seeing now,” Kevin Connell, an attorney with Ohio Beer Counsel, said.
It squares with the local story: both Jackie O’s Brad Clark and Devil’s Kettle’s Cameron Fuller got their starts in homebrewing.
Data on the opening of breweries nationwide seem to bolster that argument. In the late 1970s, the U.S. laid claim to under 100 breweries, according to the Brewers Association. By 1990, that number was up to 284. And in 1995 — the year O’Hooley’s, the brewpub that later became Jackie O’s, opened — the count climbed to 858.
Rapid growth continued until the late 1990s, then stagnated and even declined slightly. When Oestrike bought O’Hooley’s in 2005, there were 1,447 breweries in the U.S., and still just one in Athens.
Another six years passed before the state of Ohio lent a helping hand to its burgeoning craft beer market. In 2011, Ohio Gov. John Kasich signed HB 243, which brought taprooms into existence in the state.
“Really, I think that opened the floodgates,” Connell said of the law. “Craft beer I think was bubbling up from the ground up earlier than that, but I think in terms of its growth in Ohio and explosive growth since 2011, that’s really the impetus for it was change in the law.”
It’s especially important in a place like Athens, where liquor licenses — which, in Ohio, are capped based on population — can be hard to come by. More legislation eased would-be brewers into taking the plunge in 2013, when the state created a separate license for small-scale brewers that is cheaper to obtain than a standard license.
“Within a one or two year span, the state really turned the law on its head to the benefit of craft breweries,” Adam Armstrong, attorney at Ohio Beer Counsel, said. “It took the shackles off and made it cheaper to take that passion and they were doing as homebrewers — most of them — and turn it into a legitimate and thriving business.”
President Jimmy Carter signs bill relaxing laws surrounding homebrewing.
Athens resident Jimmy Prouty opens O’Hooley’s Irish Pub, Athens’ first brewpub.
Art Oestrike purchases O’Hooley’s and renames it Jackie O’s.
Ohio changes law to allow taprooms, where brewers can sell their beer on-site without a liquor license.
Jackie O’s opens Campbell St. taproom.
Ohio legislators create separate and cheaper license for small-scale brewers.
Devil’s Kettle and Little Fish Brewing open in Athens.
Eclipse Company Store and Multiple Brewing open outside of Athens.
Since the passage of that legislation, Athens’ craft beer scene has matured.
The co-owners of Little Fish Brewing Company, Jimmy Stockwell and Sean White, began planning for their operation in 2013 and ultimately opened in 2015, not long after the opening of Devil’s Kettle.
“Beer seemed like a really good opportunity,” Stockwell said of why he and White started Little Fish. “It matched, certainly Sean’s skillset — that’s what he did professionally — but also with me, having worked in like a biotech manufacturing facility, there was some overlap in just sort of how business works.”
“Athens is a very locally centered, locally minded community which has definitely helped support all of us as craft breweries.”- Art Oestrike, owner of Jackie O’s Pub and Brewery
Stockwell spent eight years working for biotech company Quidel in research and development; White previously worked as a brewer for Jackie O’s.
“So when we got together, we saw a lot of opportunity to just get something for the community, something we could be proud of, fill a niche and do something that we could do well,” Stockwell said.
He and White are both Athens natives, a fact Stockwell said helps Little Fish mesh with the community, one with a reputation for supporting locally owned businesses.
“Athens is a very locally centered, locally minded community which has definitely helped support all of us as craft breweries,” Oestrike said. “No doubt, there’s something in the water — there’s something in the air.”
Since Little Fish and Devil’s Kettle opened in 2015, local beer has seen even more growth. Multiple Brewing began serving up both American-style ales and India pale ales, or IPAs, in Nelsonville in 2016. The same year saw the opening of the Eclipse Company Store, a craft beer hall, in The Plains.
Justin Hemminger, communications manager for the Ohio Craft Beer Association, said the growth of Athens’ beer scene was certainly spearheaded by Jackie O’s, but there also seems to be an unusually strong demand for craft beer in the city.
“It just means that the beer drinkers in Athens are more receptive to having places like Little Fish and Devil's Kettle,” Hemminger said.
There has been talk about whether the market for craft beer locally and nationally is getting crowded.
It’s something Stockwell and White considered even before opening Little Fish in 2015.
“I think most people were wondering whether or not the market was saturated, so that’s really what we addressed before starting,” Stockwell said. “And clearly, it wasn’t.”
Things certainly haven’t been slow at Little Fish’s machine-shop-turned taproom on Armitage Road in Athens. The two are close to breaking ground on an expansion that will allow them to up their production — the brewery pumped out about 600 barrels last year. Speaking at the taproom in early February, Stockwell said he hadn’t had a day off in a month.
Still, the picture nationally is showing some signs of slowing down.
“At a certain point, the craft beer scene is and or will be saturated, and you’ll start to see those numbers drop or fewer openings,” Oestrike said. “We’ve been on really astronomical growth in the past few years, and, at some point, the market will correct itself.”
Since Jackie O’s opened in 2005, the number of breweries in the U.S. has grown from 1,447 to 5,301 in 2016. Hemminger estimated that five years ago there were under 50 craft brewers in Ohio — now the state is home to more than 250. He thinks that fears of a bubble are overdone, though.
“I certainly think they’re overblown,” Hemminger said of worries of saturation. “Craft beer still only occupies about 12 percent of the beer market, so I think there’s still room for growth.”
Stockwell said Little Fish doesn’t have plans for expansion beyond its current ones — it looks to stay small.
Oestrike said Jackie O’s only recently has been able to fully keep up with the demand for its product and is now taking time to tweak processes and do what it sets out to do: make good beer.
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This story is part of a series of specially designed stories that represents some of the best journalism The Post has to offer. Check out the rest of the special projects here.


Hi, complete newbie to this, but experiance in electronics, PICS and programming in general.
Just putting together my raspberry pi, emonglcd and emontx, for a solar PV/pool monitoring setup, once I have it working on the basics I want it to do the following:-
emontx number 1 monitors solar PV and house power use (2 x ct clamps), located next to pi
Monitor solar output, and if it is > 3kw (regardless of house consumption) then turn on something for a minimum of 15mins, then turn it off when output drops...
have a second emontx some 40meters away to monitor a few (6) temperatures and another solar PV input and heat pump current consumption (2 x CT), this is also the location of the switch that I need turning on/off.
What is the range of the emontx and assuming it is < 40m, can I cable them together over that range and how?....can I switch something on/off on the second emontx based on the first emontx values?
also, where do I look to set the switching code/programming, on the emontx or on the pi?
I am sure it all all get simpler once I have it soldered and running.
Thanks in advance.
Re: Getting Started, a few simple questions
It would be a bold person who could say what range you will get. See here. It depends on whether you have a clear line of sight (when you should be OK for 40 m) or whether you have walls to go through - and then it depends on the material and thickness. And whether there are interfering signals in the locality. If you dig deep into the programming of the RFM12B module, you can slow the data rate and improve the range, but there's an obvious trade-off there.
The emonTx will receive, but it must (due to limited battery life) run on mains power to do so. You'd need to develop your own communications protocol and software sketches to exchange the data, as all the RF uses the same channel and collisions mean lost data. In the standard setup, the RF links are:
I would generate the on/off command in the emonTx where you measure the solar power, and send an on-off command. If you must use wires, then that should be easy enough - I'd run a twisted pair of wires (telephone cable). There are spare I/O pins and provision on the emonTx PCB for header pins or sockets - just add a socket (or a plug). That should be good for well more than 40 m. At the receiving end, I would drive a triac via a zero-crossing driver IC - exactly like Calypso-rae's immersion controller to switch your load - either driven directly from the remote emonTx if you're using wires, or if the radio works then from the emonTx that's local to the load.
Re: Getting Started, a few simple questions
thanks. i will keep you posted


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Sets or gets the position of jqxTooltip.
Possible Values:
'top' - the tooltip shows above the host element
'bottom' - the tooltip shows below the host element
'left' - the tooltip shows at the left of the host element
'right' - the tooltip shows at the right of the host element
'top-left' - the tooltip shows at the top-left side of the host element
'bottom-left' - the tooltip shows at the bottom-left side of the host element
'top-right' - the tooltip shows at the top-right side of the host element
'bottom-right' - the tooltip shows at the bottom-right side of the host element
'absolute' - the tooltip shows at an absolute position on screen, defined by the coordinate properties absolutePositionX
and absolutePositionY
'mouse' - the tooltip shows after a short period of time at the position of the mouse cursor
'mouseenter' - the tooltip shows where the mouse cursor has entered the host element
'default' - the tooltip shows at the bottom-right side of the host element but does not make use of the left
and top
properties
Code examples
Set the position
property.
$('#jqxTooltip').jqxTooltip({ position: 'top' });
Get the position
property.
var position = $('#jqxTooltip').jqxTooltip('position');


Add a command to the end of the command list.
Type of the Command
Optional list of event guards for this commands execution
Should be executed when the command has finished
Main macro command execution entry.
Execute next command from the subCommands list as FiFo (first in, first out). If there are no commands left, executeComplete will be called.
Provide a listener and optional scope to be called when this command is completed
Event listener function
Scope of the listener function
Macro command provides the functionality of sequential execution of a sub-command batch.
Kristaps Peļņa


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Hi, I'm a currently studying computer science at NYU as a senior. I created this website to display some things I have made and am working on. It's a work in progress, so expect major additions and changes in the future.
Hi, I'm a currently studying computer science at NYU as a senior. I created this website to display some things I have made and am working on. It's a work in progress, so expect major additions and changes in the future.


Are you looking for something exciting to do on your vacation? Here are some of the most popular activities at our resort:
Choose from beautiful pools, or the crystal clear ocean to enjoy a great swim.
Explore the ocean on a guided scuba tour where you will see turtles, fish, and beautiful coral.
Rent one of our Jet Skis for an afternoon on the water.
Venture into the depths of our local cave system to see an amazing work of nature.


{% load staticfiles %} {% include "pta/siteCss.html" %} {% include "pta/jsIncludes.html" %}
{% include "pta/navigator.html" %}
Picture cards
{% for pictureCard in PictureCards %}
{% endfor %}


IKINAI (Japanese with subtitles) A review by Mark R. Leeper in bullet-list form from the Toronto Internation Film Festival
CAPSULE: All passengers on a tour bus but one share a deadly secret.  The passengers live out their last days alive. Part comedy, part drama, we see the lives of the passengers amusing themselves as they approach death. Rating: 6 (0 to 10), high +1 (-4 to +4)
- Hiroshi Shimizu directs from a screenplay by Dankan who also acts in the film. - The sign says "The Sunshine Club Okinawa New Years Tour." Yet everybody sitting on the bus seems strangely somber. Everybody is accounted for and the bus is about to leave when a young woman joins the group. Her uncle has been committed to an asylum and she will use his ticket. Reluctantly the tour manager lets her join the tour. Eventually we find out that the passengers and tour manager all have a suicide pact to send the bus over a cliff so the families can collect on insurance. - In many ways similar to LAST NIGHT we get to know the various people on the bus by their stories, what they choose to do in their final hours, word games they play on the bus, etc. - The film starts as a comedy, laughing at the various foibles and personality traits of the passengers. They argue over what to do about the woman who does not know about the suicide. Each has to entertain at a dinner. Some show tricks with chopsticks, one is obscene, etc. But as the suicide hour draws close the film becomes more serious and desperate in tone. - Some satire of dull bus tours. Also passenger-provided entertainment like on some tours I have been on. - One passenger's defense of the suicide plan: "All's well that ends hell."
Mark R. Leeper<EMAIL_ADDRESS>Copyright 1998 Mark R. Leeper
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


--- permalink: / --- {% include _html/head.html %}
{% include _html/navigation.html %} {% include _html/header.html %} {% include _html/research.html %} {% include _html/blogpreviews.html%} {% include _html/projects.html %} {% include _html/cv.html %} {% include _html/side-projects.html %} {% include _html/footer.html %} {% include _html/scripts.html %}


Soldier Orbyu:
Hurry! They appear in the skies above the Seed of Infinity.
Hunt Rok, Mutant Birds and Dra Hawks and bring back Swallowed Skulls, Swallowed Sternums and Swallowed Bones as proof.
Remember that Rok will only emerge when the Seed of Immortiality is stabilized.
I'm counting on you!


Network visualization is a tool that is taking the history world by storm. It allows the researcher to see new patterns and connections that would otherwise go unseen.
Below is the interactive visualization graph of Catherine’s network, created by synthesizing numerous sources. A network is composed of nodes and edges. Nodes are the actors; in this graph, the nodes are the circles, one for each person in Catherine’s network. Edges are what connect nodes. This interactive map uses both edges and nodes to display Catherine’s network.
This network represents Catherine's network as she connected with the individuals. The purpose is to showcase who she met and how she met them. Over her lifetime, her companions all became connected and some developed deep relationships. This graph is meant to showcase how each individual was connected to others before the companions started to blend together into one cohesive group.
Play with the map! Hover your mouse over the nodes and see easily who was connected to whom. Want more information? Click on the nodes to see a sidebar appear with additional information on the individual. For each node, a URL is attached that will direct you to a page describing who that person is and (sometimes) analyzing the person’s relationship with Catherine.
The green nodes indicate a female, the purple nodes indicate a male, the blue nodes indicate governmental bodies, and the dark green nodes indicate a religious order.
Feel free to play with the map, zoom in, make your own observations, see my initial observations below the graph, and embrace the world of Catherine!
Based on the above graph, I came up with these observations of Catherine's network. I did this by playing with the graph, highlighting individuals to see who they were connected with, making note of nodes I expected to be large, and those I expected to be small. This led to some interesting conclusions that did not always follow what I thought I would find.
Within the network are ‘groups’ of individuals that all center around a town. Naturally, all the Florentines are connected to the Florentines and the Sienese know the Sienese, but interestingly, these groups do not connect with each other. They remain separated, with limited connections to each other. Evidence after Catherine’s death suggests that these groups never integrated completely as the men do not interact with one another.


_Scream_3_ (R) ** (out of ****)
As _Scream_ was still raking in the dough at the box office in early 1997, its first sequel was rushed into production, seeing the inside of moviehouses by December of that year. Despite its quickie slasher sequel nature, _Scream_2_ hardly felt like a rush job; it had all the genuine scares and--crucially--the sharp, self-effacing wit that distinguished the original film. Conversely, a little over two years separate the release of _S2_ and the arrival of the horror franchise's third and final installment, but despite the longer lead time, _Scream_3_ feels like it was sloppily slapped together--a pale, watered-down shadow of what had been a clever and highly enjoyable franchise.
The drop in quality is undoubtedly a result of the absence of writer Kevin Williamson, whose funny and genuinely scary scripts for the first two films were every bit as, if not more, responsible for their success as the taut direction of Wes Craven, who is back on board for _S3_. Craven has had enough triumphs in the genre to justify his reputation as a master of horror, but his rather uneven body of work (_Vampire_in_Brooklyn_, anyone?) proves that his filmmaking skill cannot overcome a lacking script--and that's exactly what new _Scream_writer Ehren Kruger has provided _Scream_3_.
The diminished luster of this go-round is suggested the film's opening. Like the first two films, the Hollywood-set _S3_ begins with a killing. Following in the footsteps of name brand actresses Drew Barrymore and Jada Pinkett Smith as the sacrificial starlet? Kelly Rutherford, best known as doormat ex-hooker Megan during the forgettable final seasons of _Melrose_Place_. Her character's murder is but the first to be linked with the production of _Stab_3:_Return_to_Woodsboro_, the latest installment of the horror series inspired by the events that took place in the first two _Scream_s. Of course, the murder springs ever-inquisitive TV news reporter Gale Weathers (Courteney Cox Arquette), whose books inspired the first two _Stab_ movies, into action. Naturally, her investigation leads to a run-in and reluctant reteaming with ex-flame (yes, they once again broke up between films) and former Woodsboro police deputy Dewey Riley (David Arquette)--who, as it happens, is working on _Stab_3_ as a technical consultant.
So where does this leave our long-suffering heroine, Sidney Prescott (Neve Campbell)? Contrary to what had been reported by some media outlets, _S3_ does _not_ have Sidney settled in Tinseltown and actively pursuing a career in acting; instead, she is quite understandably living in quiet seclusion in Northern California, working out of her home under a false name as a phone-in crisis counselor. It goes without saying that the ghost-masked killer's antics eventually force Sidney down to SoCal and the scenes of the crimes, but what is surprising is how long she is left on the sidelines. With so little given to do, it's almost understandable that Campbell phones in her performance.
Campbell isn't the only _Scream_3_ principal who appears less than interested. The newlywed Arquettes' performances also have a been-there, done-that air about them; their characters' increased time in the spotlight does not equate with fresh directions for them. (I take that back--vain glamourpuss Gale's new wrinkle is her inexplicably dowdy appearance.) Then again, Kruger fails to take the _Scream_ franchise itself in any new directions. Although the hyper-reflexive, inside-Hollywood premise opens up even more possibilities for self-parody, the satirical in-jokes disappear within a half hour. (The mid-film exception is the brief return, by way of videotape, of film geek and _S2_ victim Randy Meeks, played with usual--and sorely missed--spark by Jamie Kennedy.) For the most part--aside from a laugh or two provided by Parker Posey, quite amusing as the bitchy actress who plays Gale in the _Stab_ films--_Scream_3_, while never boring, isn't all that funny, nor is it all that scary. No "suspense" scene comes close to touching the first _Scream_'s stunner of an opening or _Scream_2_'s nailbiting car escape scene. It's quite telling that the one scene in _Scream_3_ that is remotely spooky is the only one that survived from Williamson's original outline for the film: Sidney wanders onto the _Stab_3_ set, and she is confronted with the spitting image of her former home--which, in turn, brings to mind all the ghosts of her past.
To be fair, Craven's work here feels watered down itself. In an apparent reaction to the Columbine murders, the violence and gore is significantly toned down; there's nothing in _S3_ that comes close to the bloodbath that closed the first film. While the amount of blood is not necessarily proportional to the amount of excitement generated, in putting a damper on the violence, Craven seems to have also put a damper on his reckless, anything-for-a-scare abandon. He appears to be walking on eggshells throughout the entire film, making extra sure that he doesn't so much as nudge the envelope. With Craven always holding himself in check, it's little wonder that many of the intended shocks don't.
During the course of _Scream_3_, it is mentioned more than once that in the final act of a trilogy, all bets are off. The suggestion is that all the previously set rules will be broken, and that any surprising twist and turn is possible. _Scream_3_ indeed boasts a big twist, but the dismaying turn has nothing to do with the story: the film turns the franchise into the type of conventional slasher saga that the first two films so effectively lampooned.
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Mr. Brown's Movie Site: http://welcome.to/mrbrown CinemaReview Magazine: http://www.CinemaReview.com on ICQ: #25289934 | on AOL Instant Messenger: MrBrown23
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
The diagram at right shows the state of the following program
at various points in its execution.
// Step 1
Dog dog = new Dog("Sam");
// Step 2
List<Dog> = List.of(dog, new Dog("Fred"),
new Dog("George"));
DogPark park = new DogPark(lst);
// Step 3
lst.set(2, new Dog("Georgina"));
// Step 4
lst.add(new Dog("Rex"));
|
|


MindSwarms
Product Mgr & Operations Mgr/em>Literally, everything.
--- layout: nil ---
Literally, everything.
Domestic & international market research studies
Connect with clients interested in peering, IP transit, & datacenter colocation.
Working in the datacenter.
JavaScript, HTML, CSS, Ruby, Objective-C (iOS)
jQuery, LESS, Rails, Angular.js
MySQL, SQLite
nginx, Apache, Jekyll


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What to do in Oklahoma on Nov. 22, 2019: Hear OKC band Husbands at 51st Street Speakeasy
by Brandy McDonnellToday's featured event:
Hear Oklahoma City pop-rock band Husbands at 9 tonight at the 51st St. Speakeasy, 1114 NW 51.
Husbands' catchy tune "Mexico" was featured earlier this fall on NPR's "Heavy Rotation."
Mad Honey and Gloom Cruise also are on tonight's lineup.
The show is for concertgoers ages 21 and older. For information, go to www.facebook.com/husbandsokc.
For more events, oklahoman.com/calendar.
-BAM
Related Photos


In addition to the built-in variables available from Freezes, you can specify your own custom data that can be accessed via the template pages.
Freezes supports loading data from YAML, JSON, and CSV files located in the data
directory. Note that CSV files must contain a header row.
This powerful feature allows you to avoid repetition in your templates and to set site specific options without changing _config.yml
.
As explained on the directory structure page, the data
folder is where you can store additional data for Freezes to use when generating your site. These files must be YAML files (using either the .yml, .json or csv extension) and they will be accessible via site.data
.
Example: List of members
Here is a basic example of using Data Files to avoid copy-pasting large chunks of code in your Freezes templates:
In data/members.yml
:
- name: Ray
github: dotnetage
- name: Editson
github: editson
- name: Money
github: money
Or data/members.csv
:
name,github
Ray,dotnetage
Editson,editson
Money,money
This data can be accessed via site.data.members
(notice that the filename determines the variable name).
You can now render the list of members in a template:

{% for member in site.data.members %}

{{ member.name }}

{% endfor %}

Example: Organizations
Data files can also be placed in sub-folders of the data
folder. Each folder level will be added to a variable’s namespace. The example below shows how GitHub organizations could be defined separately in a file under the orgs folder:
In data/orgs/freezes.yml
:
username: freezes
name: freezes
members:
- name: Ray
github: dotnetage
- name: Editson
github: editson
In data/orgs/doeorg.yml
:
username: doeorg
name: Doe Org
members:
- name: John Doe
github: jdoe
The organizations can then be accessed via site.data.orgs
, followed by the file name:

{% for org_hash in site.data.orgs %}
{% assign org = org_hash[1] %}

{{ org.name }}

({{ org.members | size }} members)

{% endfor %}


Create XCP Asset Send - BTC Raw Transaction
Use https://blockchain.info/pushtx to broadcast a raw transaction to the Bitcoin network
Mnemonic Passphrase (12 words)
Sending Address
Receiving Address
Asset
Send Amount
Divisible
true
false


the b subject begin:
---
{{queryTag$ | async|json}} {{(queryTag$ | async).whereClause}} the b subject END :
Picture Schedules
A revamped joeschedule. Now known as Pictre schedules. Allows a user to create pictre schedules for
people on the spectrum and off.
Version: 2.01
last modified: May 21


click Event
dblClick Event
mouseDown and mouseUp(控制台查看事件处理)
mouseEnterAndMouseLeave(控制台查看事件处理)
mouseOverAndMouseOut(控制台查看事件处理)


- Endotracheal Guidance device using NDIR based Co2 sensing mechanism.
- Dynamic inflatable support device for holding endotracheal tube.
- Wireless pressure node for inflatable structures.
- Design & construction of computer controlled automated radiochemistry synthesizer.
- Entrepreneurial venture to malICC open source hardware to accessible to young students .
- Built several electronic & mechanical design as open source platforms for exploration.
- One such project was to sense and understand the rothing behaviour of fruits using mapping of gas sensors and computer vision.
- Working as design and project engineer in supervision R&D.
- Primary tasks included design of new shock absorber products for Bajaj's 4W, 3W, 2W vehicles.
- Introduced new variables damping shock absorber- automatic & user controlled.
- Prototyped and presurred design of (MR) fluid based shock absorber techonology.


These are my first ports of call when looking to buy goods in the UK. It may be worth using Google UK to search for the product code and variations. AB:C123 may also be listed as ABC-123 or ABC123, for example.
Last modified: 2012-05-08T09:35:09+01:00


@* * Call the `main` template with two arguments. The first * argument is a `String` with the title of the page, the second * argument is an `Html` object containing the body of the page. *@ @(user: models.users.User) @main("Amps",user) {
1 x $250
1 x $250
Avilability: In stock
The External FX Loop and Marshall's proprietary power-amp damping circuitry make adding additional FX and boosting your tone projection simple, and both are switchable via the front panel and/or the optional programmable MG footcontroller affording you complete control. The Headphone socket on this top-tier MG doubles as a very handy Line Out, ideal for sending your melodic melodies and jaw-dropping solos to any external unit you wish. As with the use of headphones, the amp's speaker is muted, allowing for silent recording.
Category: Amps
Containing all the features found in the previous two 'FX' models, the MG50CFX expands the tonal range, develops the functionality and increases the roar! At your disposal is a separate digital delay, meaning a total of three custom-voiced FX can be combined at once - Reverb, Modulation (Chorus/Phaser/Flanger) and Delay - creating near endless FX possibilities.
Full of details on Exciting Deals and Products We have at ITT Music


/*
* Licensed under the Apache License, Version 2.0 (the "License");
* you may not use this file except in compliance with the License.
* You may obtain a copy of the License at
*
* http://www.apache.org/licenses/LICENSE-2.0
*
* Unless required by applicable law or agreed to in writing, software
* distributed under the License is distributed on an "AS IS" BASIS,
* WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
* See the License for the specific language governing permissions and
* limitations under the License.
*/
var shipmentStatus = {
Created: {code: 1, text: 'Shipping Created'},
IN_TRANSIT: {code: 2, text: 'Shipping in transit'},
ARRIVED: {code: 3, text: 'Shipping Arrived'}
};
/**
* create an shipping product
* @param {org.acme.AgrichainNetwork.CreateAssets} product - the product to be shipped
* @transaction
*
*
*/
function CreateOrder(product) {
product.order.agriasset = product.agriasset;
product.order.producer = product.producer;
product.order.distributor = product.distributor;
product.order.consumer = product.consumer;
return getAssetRegistry('org.acme.AgrichainNetwork.AgriAsset')
.then(function (assetRegistry) {
return assetRegistry.update(product.order);
});
}


San Francisco, CA
3 months program with 40+ hours of personal coding per week to use the skills to build responsive sites and web applications.
Alameda, CA
San Francisco, CA
Bachelor of Business Administration (B.B.A), Finance
Alameda, CA
Alameda, CA


Spiritual Life
The moral and spiritual development of staff and students are central to the school's mission. In order to develop ladies and gentlemen who will make 'huge contributions' to the development of our nation, strong moral principles must be taught and imbibed as part of that preparation. Therefore, here at Xyrine, we have developed a number of opportunities for spiritual development.
Daily Assembles
The entire school community gathers together every morning between 7.50a.m. and 8.10a.m. for daily worship during which the Word of God is shared and prayers offered. Key issues relating to personal conduct and discipline are addressed and specific details of the high expectations for behaviour and academic performance are explained and encouraged. Numerous opportunities are given for public speaking and performances by the students as well as staff - house choirs, class presentations, clubs etc. all have a place to share and develop their skills. Assemblies provide the needed stimulation and encouragement to get through every day!
Sunday School/Sunday Activities
The school offers a rich Sunday School curriculum which covers the entire Bible. The classes hold every Sunday between 9.00a.m. and 10.00a.m. This is usually preceded by Praise Worship and followed by a Devotional Service which ends at 11.30a.m. Personal meditation/reflection time takes place after the morning service. There is singing practice at 4.30p.m. where new songs are learnt and old songs revised. At 5.30p.m., the Evening Service holds. Often, our budding preachers (students) dish out powerful sermons which are highly Spirited! All students also have the opportunity to share their testimonies publicly in the evening service. Many testify to the born-again experience of Salvation as a result of the spiritual activities here at Xyrine. You can follow the link on the left navigation panel to view/download the Sunday School Lessons for every week.
Early Morning Prayers
Students wake up by 5.30a.m. and in their rooms, have combined early morning prayers before spending some time for their own personal quiet time and devotion before going for their early morning duty.
Bible Studies on Wednesdays
At 3.30p.m. every Wednesday, students gather for Bible Studies.


Akan Names Generator
Hello Stranger, this web application is tailored to fetch your birthday details and calculate the day of the week you were born and depending on your gender, shows your Akan Name. Read more about Akan names
here
Enter Date, Month and Year of birth
Date:
Month:
Year:
Please Pick Gender
Male
Female
Submit


FastClick is instantiated on the document body. Tap a label for the associated input control to gain focus. Focus should be equally fast in all tests.


All of the Quality and Macro edits must be reviewed and verified before running the MSA and IRS edits.


Emma Tosch Won Best Paper Award at OOPSLA '14
The 4th year Ph.D. Student, Emma Tosch, won a Best Paper award at OOPSLA 2014, for her work on “Surveyman,” a first-of-its-kind software system for designing, deploying and automatically debugging surveys to improve their accuracy and trustworthiness. This is a huge honor especially given that OOPSLA is one of the top-tier conferences in the programming language research field! Her Surveyman work also won first place at the PLDI Student Research Competition.
Tosch’s advisor, professor Emery Berger, says, “Poor quality data can be seriously misleading. Flaws in survey design and deployment threaten the validity of results, making them untrustworthy. Until now, there has been no way to address these shortcomings automatically. But Surveyman, which is a free, publicly available and revolutionary new tool, can identify problems in any survey from the design stage onward. It should completely change the way people create surveys.”


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You can install html2canvas
through npm or download a built release.
npm install html2canvas
import html2canvas from 'html2canvas';
To render an element
with html2canvas with some (optional) options, simply call html2canvas(element, options);
html2canvas(document.body).then(function(canvas) { document.body.appendChild(canvas); });


Sayre Associates, Inc. July 1990 to March 2020
Positions Held: Project Engineer, Project Manager, Principal, President and General Manager
Site Development and Design Experience
Transportation Experience
Other Project Experience
Expert Witness Experience
City of Brookings, SD May 1985 to July 1990
Position Held: Assistant City Engineer
Municipal engineer in responsible charge of the planning and design of public works projects, construction layout, and construction observation. Projects include:
Henry J. Kaiser Company November 1981 to May 1985
Position Held: Field Engineer
Construction engineer for the Great Plains Coal Gasification Project in Beulah, ND. Responsible charge of construction inspection to insure compliance with specifications.
Project engineer for the US Department of Defense ISST program in Yuma, AZ. Provided construction work packages and inspection to insure compliance with specifications.
ND Dept. of Transportation May 1981 to November 1981
Position Held: Project Engineer
Construction engineer for the US Highway 83 realignment project south of Minot, ND
Miller Construction June 1971 to August 1978
Position Held: Employee and Part Owner
Operated heavy equipment and managed a construction firm. Constructed roads, streets, dams, dugouts, terraces, water and sanitary sewer mains and services, grading for residential developments.
training course by
American Council of Engineering Companies
South Dakota State University
North Dakota School of Science
Registration
Professional Engineer in South Dakota, Minnesota, Iowa, and Arizona
Professional Involvement
American Council of Engineering Companies of South Dakota (past President and National Director)
South Dakota Engineering Society and National Society of Professional Engineers


Walsall v Darlington: Darrell Clarke wants Saddlers to see off underdogs in FA Cup replay
WALSALL manager Darrell Clarke wants his side to put in a ‘professional’ performance when they travel to face Darlington in the FA Cup first round replay tonight.
by Liam KeenThe non-league side scored a 96th minute equaliser in the 2-2 draw in the Black Country to earn a replay against the Saddlers.
Clarke’s men now face a 320-mile round trip to the North East and the boss wants his side to focus on a game that he says no-one will want them to win.
“We go there, the TV cameras are there and everyone wants the underdog to win,” he said.
“Our backs are against the wall in that aspect.
“For me, it’s about going up there and doing a job professionally and try and get ourselves in the second round.
“I’ve had both ends of the spectrum in the FA Cup where I’ve been the underdog and the ones that are expected to win.
“Both of them are not easy things to do, but it’s always hard when everyone is willing Darlo to go through.
“If we’re professional and approach the game as we have done in the last couple of games then I’m sure we’ll do alright.
“It’s 11 men vs 11 men with two goalkeepers a referee and two linesmen, that’s all it is.
“Take all the rubbish away, the team names, and that’s football isn’t it.
“Yes we’re expected to win because we have better players, because they’re playing higher up the pyramid.
“But it counts for nothing.
“If they raise their game 10 or 15 per cent and we dip below that – that’s why you see non-league teams beat Premier League teams.
“The focus has got to be on winning the football game, don’t worry about the occasion.
“Go out there and win a game of football.”
And for the club, progressing in cup competitions also means bringing in extra revenue.
Clarke says it makes a difference as the money earned from the cups can go towards new player signings.
“It is (big) when you bring in a pound and spend a pound, that’s what we do,” he added.
“Even progressing in the EFL Trophy is big.
“People belittle that competition and I get that with the Premier League teams in it.
“But for financial rewards it’s a big competition for us.
“And the FA Cup is a big competition for us.
“The more money you can gain through revenue, the more I can buy myself some new toys.”


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An advocate for women, BIPOC, and underrepresented folks to join and stay in STEAM careers, Dawn produces and hosts a tech-focused podcast, has spearheaded organizations fighting food insecurity and joblessness, and worked as a manager and entreprenuer leading companies and inspiring teams.
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