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There's over 50% off some of the UK's most popular headphones, with deals on over 65 pairs starting at 17%. For example, the ever-popular Bose QuietComfort 35 wireless headphones currently have 25% off, as do the Sony WH-1000XM3 Wireless headphones.
We've picked out some of the biggest savings below, with each of these pairs having a saving of 50% or over, but you can see the full list on Amazon.
- Check out more of the best Black Friday headphones deals here
- And the best music deals overall, including speakers
Sennheiser HD 599 | Now £89.99 |
Was £179.99
The experts at our sister site TechRadar rate these headphones particularly highly, saying: "If audio quality is your top concern, check out these outstanding audiophile-grade Sennheiser HD 599 headphones. The headphones use Sennheiser's proprietary 38mm drivers, with an open-back design to prevent reverberation ruining your music." View Deal
Sennheiser Momentum Free | Now £69.99 |
Was £179.99
These in-ear wireless Bluetooth earphones are superb – especially with this discount, which weighs in at a considerable 61% off. Battery life is only 6 hours but if you're looking for an ultra portable product with superb sound quality then these may just be what you're after. View Deal
SoundLink wireless headphones II: were £199, now £119
The SoundLink IIs give you up to 15 hours of play time and the deep, immersive sound that Bose is known for. Foldable, comfortable, light: not for nothing have Google's user reviews scored them at 4.7 out of 5. View Deal
JBL LIVE 400BT Wireless Headphones | Now £49.99 |
Was £99.99
Great battery life, auto-off timer to ensure your battery never drains itself unnecessarily, great bass performance and good overall sound mean that with this 50% discount, this is a fine pair of wireless headphones to invest in. View Deal
Bang & Olufsen Beoplay H4 | Now £124.99 |
Was £250.00
With a sound signature that's consciously going after the bass-lovers out there, this pair of cans suits some genres more than others – and happily, rock and metal are among them. This is an adept pair of headphones, though the controls may be confusing for some. View Deal
Jabra Move Style Edition | Now £44.99 |
Was £89.99
These wireless headphones are designed for fast-paced modern life as well as working out. They've had a design upgrade in the Style Edition and offer a strong performance for a killer price. View Deal
Marshall Monitor Bluetooth Headphones | Now £98.00 |
Was £219.99
Crisp sound, good Bluetooth functionality with a strong 30 hours of battery life, convenient built-in controls and 55% off make these a strong contender for those looking for a pair of slick new wireless headphones. Plus, they're Marshall, so they just look cool. View Deal
Marshall Mid Bluetooth Headphones | Now £85.00 |
Was £169.99
Compact with a great battery life and convenient built-in controls, these headphones are a solid pair of on-ears that, while not exceptional, are still enjoyable to use. Perfect if you’re looking for a pair of everyday wireless headphones that won’t require charging every night. View Deal
Marshall Minor II Wireless In-Ears| Now £68 | Were
£119.99
Cool-looks, accomplished sound from the masters of rock amplifications. Get these in-ears at 43% off now. View Deal
House Of Marley Uprise Headphones | Now £38.99 |
Was £79.99
These headphones are designed for running, meaning they're sweat-proof, weather resistant and supremely portable. Like the rest of the House Of Marley range, they're made from sustainable, eco-friendly materials. House Of Marley headphones tend to be on the bass-heavy side, which can actually be pretty beneficial for those looking to boost running performance. View Deal
Jam Out There Headphones | Now £29.99 |
Was £59.99
Simple, sleek design, easy to use controls and decent sound quality make these a great entry-level pair of cans – especially with the current discount. View Deal
Sennheiser HD 4.50 Wireless Headphones | Now £84.99 |
Was £179.99
These are ideal noise-canceling headphones for the long-haul traveller. Sennheiser’s capable NoiseGuard tech and travel-minded design mean these wireless Bluetooth headphones are hard to find fault with – especially with 53% off. View Deal
Looking for more great Black Friday deals? We've been scouring the web to find you the best offers across a range of areas, from vinyl and turntables to headphones, speakers and even slick smart devices for music lovers. Check out these killer deals here:


Arrange In Grid (General)
Arranges all the nodes in a square grid (regardless of the current selected set).


This path includes examples of downloading online data from FTP sites and other data stores.
Air data for the entire United States is at your finger tips. AirNow maintains a publicly accessible folder of current air monitoring data at Today’s air quality.
Use the following code to grab the most recent AQI results for the United States.
library(dplyr)
library(readr)
# Connect to AirNow data site
airnow_link <- paste0("https://s3-us-west-1.amazonaws.com//files.airnowtech.org/airnow/today/HourlyData_",
format(Sys.time() -60*75, "%Y%m%d%H", tz = "GMT"), #Subtracts one hour from current hour
".dat")
# Read a "|" delimited file that has no column names (Thanks EPA!)
aqi_now <- read_delim(airnow_link, "|", col_names = F)
# Add column names as a list
names(aqi_now) <- c("date", "time", "aqsid", "city", "local_time", "parameter", "units", "concentration", "agency")
# Filter to Ozone and PM2.5 results
aqi_now <- filter(aqi_now, parameter %in% c("OZONE", "PM2.5"))
# Show table of top concentration results
aqi_now %>% arrange(desc(concentration)) %>% select(-time, -aqsid, -units) %>% head(10)
## # A tibble: 10 x 6
## date city local_time parameter concentration agency
## <chr> <chr> <int> <chr> <dbl> <chr>
## 1 11/14~ Chico - ~ -8 PM2.5 184 California Air Re~
## 2 11/14~ Beijing 8 PM2.5 179 U.S. Department o~
## 3 11/14~ Arden Arc~ -8 PM2.5 176 Sacramento Metro.~
## 4 11/14~ Elk Grove -8 PM2.5 115 Sacramento Metro.~
## 5 11/14~ Yuba City -8 PM2.5 114 California Air Re~
## 6 11/14~ "Downtown~ -8 PM2.5 109 California Air Re~
## 7 11/14~ Ulaanbaat~ 8 PM2.5 99 U.S. Department o~
## 8 11/14~ Modesto -~ -8 PM2.5 96 California Air Re~
## 9 11/14~ San Rafael -8 PM2.5 85 San Francisco Bay~
## 10 11/14~ Sequoia a~ -8 PM2.5 82.3 National Park Ser~
The air monitoring locations can be accessed from AirNow as well.
# Connect to AirNow data site
airnow_link <- "https://s3-us-west-1.amazonaws.com//files.airnowtech.org/airnow/today/monitoring_site_locations.dat"
# Read a pipe (|) delimited file
aqi_sites <- read_delim(airnow_link, "|", col_names = F)
# Drop empty columns
aqi_sites <- aqi_sites[ , -c(14:16,22:23)]
# Add column names
names(aqi_sites) <- c("aqsid",
"parameter",
"local_id",
"name",
"status",
"state_region",
"agency",
"epa_region",
"lat",
"long",
"elevation",
"local_time",
"country",
"city",
"state_fips",
"state",
"county_fips",
"county")
# Drop the parameter column and take *unique* rows
aqi_sites <- aqi_sites %>% select(-parameter) %>% unique()
library(ggplot2)
library(viridis)
# Add site locations to monitoring data
aqi_now <- left_join(aqi_now, aqi_sites, by = "aqsid")
# Plot map of sites for PM2.5
filter(aqi_now, parameter == "PM2.5", !is.na(lat)) %>%
ggplot(aes(x = long, y = lat)) +
geom_point(aes(color = concentration), size = 3, alpha = 0.6) +
scale_color_viridis()
library(ggplot2)
library(viridis)
# Filter to Minnesota
aqi_mn <- filter(aqi_now, state == "MN")
# Plot map of sites for PM2.5
filter(aqi_mn, parameter == "PM2.5") %>%
ggplot(aes(x = long, y = lat)) +
geom_point(aes(color = concentration), size = 6, alpha = 0.6) +
geom_label(aes(label = concentration), hjust = 1.4) +
scale_color_viridis()
The script below will make a map of the current weather alerts in the Midwest. Hint: You will need to install new packages.
Install the latest version of weatherAlerts with:
install.packages("devtools")`
devtools::install_github("ianmcook/weatherAlerts")
devtools::install_github("ianmcook/weatherAlertAreas")
library(tidyverse)
library(weatherAlerts)
## Error in library(weatherAlerts): there is no package called 'weatherAlerts'
library(weatherAlertAreas)
## Error in library(weatherAlertAreas): there is no package called 'weatherAlertAreas'
library(leaflet)
alerts <- getAlerts(includeStates = c("MN", "WI", "ND", "SD", "IA", "MI", "IL", "IN", "OH", "MO", "FL")) # takes about 20 seconds
## Error in getAlerts(includeStates = c("MN", "WI", "ND", "SD", "IA", "MI", : could not find function "getAlerts"
# Save alert severity to a list
severity <- alerts@data$severity
## Error in eval(expr, envir, enclos): object 'alerts' not found
# Assign alerts a color based on severity ranking
colorMap <- c(Minor = "green",
Moderate = "yellow",
Severe = "red",
Extreme = "magenta",
Unknown = "grey")
severityColors <- unname(colorMap[severity])
## Error in unname(colorMap[severity]): object 'severity' not found
leaflet() %>%
addProviderTiles(providers$OpenStreetMap) %>%
addPolygons(data = alerts,
fillColor = severityColors,
color = "black", # Border color
weight = 1,
label = ~title)
## Error in filterNULL(list(stroke = stroke, color = color, weight = weight, : object 'severityColors' not found
# Hover for alert information.
Return to the top of the page.


--- layout: default title: Hutch Girls Who Code Club categories: - home ---
We are a group of high school students and computational biology researchers who meet once a week to work on fun, collaborative coding projects.
We are affiliated with the national Girls Who Code organization.


Enumerations
The following enumerations are available globally.
-
An enumeration of the
See moreError
s that can occur during parsing.Declaration
Swift
public enum GrammarError : Error, CustomStringConvertible
-
Any error generated by the underlying parsing engine. These are generally replaced if they occur by any @error annotations.
See moreDeclaration
Swift
public enum LanguageError : Error, HumanConsumableError, CustomStringConvertible, Equatable
-
A standard set of
See moreRule
s for parsing, including a.custom
case where aCustomRuleClosure
can be supplied and you only need to provide the logic for the actual matching (and any error messages).Declaration
Swift
public indirect enum ParserRule : Rule, CustomStringConvertible
-
Represents the value for a rule annotation
See moreDeclaration
Swift
public enum RuleAnnotationValue : CustomStringConvertible
-
An annotation that can be associated with any rule influencing how matches are interpretted and providing additional data about the token. The following annotations represent
reserved words
, but otherwise you can define any annotations you want..token
Override the token to be created when the rule is matched (ignoring theRule
‘sproduces
property- ’.error
A specific error message to generate if the
Rule` is not satisfied - ‘.void’ The match should be completely ignored. This is not a failure but rather a consumption
- ‘.transient’ The match should be made and a
Node
could be created but this token is not significant for the AST - ‘.pinned’ The token should be created with no value even if the
Rule
is not matched in an ignorable failure
Declaration
Swift
public enum RuleAnnotation : Hashable, CustomStringConvertible


Fetch hooks up Alexa to your Office 365 calendar events. Just "ask Fetch what is on my calendar today?". Fetch will read the subjects and time of your upcoming events.
| Click here to Link Account |
The Fetch team would love to hear your feedback. You can email us at<EMAIL_ADDRESS>or open an issue at the Fetch GitHub repository.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
SQUATCH SOFTWARE DOES NOT WARRANT THAT: (I) THE USE OR QUALITY OF THE SERVICE OR SOFTWARE WILL BE UNINTERRUPTED, ERROR-FREE, TIMELY, SECURE OR MEET YOUR REQUIREMENTS OR EXPECTATIONS; (II) THE RESULTS OBTAINED FROM USE OF THE SERVICE OR SOFTWARE WILL BE ACCURATE OR RELIABLE; OR (III) ANY ERRORS IN THE SERVICE OR SOFTWARE WILL BE CORRECTED.
- The Fetch team.


Xiaomi Mi TV 5X 43-inch, 50-inch and 55-inch launched in India, starts at Rs 31,999: When can you buy?
Xiaomi during its Smarter Living 2022 event has launched its latest Mi TV 5X series in India. The series includes three TV variants: 43-inch, 50-inch and 55-inch. All the new Mi TV 5x variants sport a 10-bit 4K display with the company’s new Vivid Picture Engine 2. They feature a metal bezel-less design with over 95 percent screen-to-body ratio.
The new Mi TV 5X lineup comes in three sizes: 43-inch priced at Rs 31,999, 50-inch priced at Rs 41,999 and 55-inch priced at Rs 47,999. The company is yet to reveal the availability details of the new Smart TV series.
Mi TV 5X will be made available in 43-inch, 50-inch and 55-inch variants with 4K panels having a resolution of 3840×2160. The display comes with support for Dolby Vision, HDR 10+, HDR 10 and HLG formats. It comes with a wide colour gamut of DCI P3 94 percent and NTSC 88 percent. The display is encased in a metal design body for durability.The TVs are powered by a 64-bit quad-core A55 CPU paired with a Mali G52 MP2 GPU. It comes with 2GB of RAM along with 16GB of internal storage. I/O options include 3x HDMI 2.1, 2x USB, Ethernet, 1x optical, 1x 3.5mm, AV input and H.265. The TV comes with access to Google Assistant. Moreover, it is the first Indian Smart TV to come integrated with the IMDb platform for ratings, cast details and more for the content you are watching. The TV runs the company’s proprietary PatchWall 4 UI on top of Android TV 10. It comes with features like universal search, kids mode with parental lock, language universe, smart recommendations and more. There are 75+ free live channels as well.


@(user: com.restfb.types.User, student : models.Student, appId: String) @import com.restfb.types.User.Picture @import com.restfb.types.User.Picture._ @main("How much SGPA will you get this semester!") {
Your SGPA in last semester was = @student.cglast


ASP.NET Core: A powerful API Design with OData, EF and SQLKata
Jun 9, 2020 17:45 · 896 words · 5 minute read
Rather than reinventing the wheel, you may need a fast and reliable solution in a short time span. In this case, your framework should be able to support all your requirements. ASP.NET Core is doing that very well.
I will cover everything under REST API design.
API Design
Select
Let’s first speak about what we know about the performance of an API design. Assume that we have entities over 1M+ rows in a database system. You can’t show that much data directly with an UI, you have the split into pages. In other words, we can say pagination
. I may apply a “skip and take” methodology and show paged data.
[HttpGet]
public IEnumerable<Entity> Get(int skip = 0, int take = 10)
{
return _db.Entities.Skip(skip).Take(take).ToList();
}
This would be enough for basics. The things are starting to get more complex when you need more functionality. The given example could expanded with search, order, select and group functions, etc. So you have to implement each one of them and consider all possibilities. It would be a waste of time and increases the likelihood of errors. OData answers your call here. It presents a good API support for such needs and works with Entity Framework for query builder.
Patch/Put/Post/Delete
REST & Entity Framework & OData can handle these actions painlessly.
[HttpPost]
public async Task<IActionResult> Post(Entity model)
{
_db.Entities.Add(model);
await _db.SaveChangesAsync();
return Created(model);
}
[HttpPatch]
public async Task<IActionResult> Patch([FromODataUri] int key, Delta<Entity> model)
{
var entity = await _db.Entities.FindAsync(key);
model.Patch(entity);
_db.SaveChanges();
return Updated(entity);
}
[HttpPut]
public async Task<IActionResult> Put([FromODataUri] int key, Entity entity)
{
_db.Entry(entity).State = EntityState.Modified;
await _db.SaveChangesAsync();
return Updated(entity);
}
[HttpDelete]
public async Task<IActionResult> Delete([FromODataUri] int key)
{
var entity = await _db.Entities.FindAsync(key);
_db.Entities.Remove(entity);
await _db.SaveChangesAsync();
return StatusCode((int)HttpStatusCode.NoContent);
}
I didn’t include the validations. You can see a full example from Microsoft’s site. So far so good, we handled CRUD operations and exposed an API.
Projection
The whole scenario is based on an entity on a database system which means it is can be a table, a document, etc. However, you may want to use OData features with a projection. In other words, you have a View on SQL that joins multiple tables and collects bunch of data.
You might say, each entity should be separate and live apart. In this case, you might think like your database system is old, big and growth uncontrolled. Thus, SQL View could help with your needs.
Therefore, CRUD operations couldn’t work and you have to handle the operations manually with respect to the columns.
Scenario
Assume that, you have a song database. It has a restriction system for countries. And, you want to design a webpage that allows you to control the songs status over the countries with a checkbox.
 If all countries are true then CountryStatus
will ‘true’ otherwise it is ‘false’.
The structure is completed for the selection of the songs. Assume that, we are using an advanced data grid which supports OData such as DevExtreme, Telerik, etc. The user want to change the status of a song on all countries. And, the grid shows the songs with a checkbox. Hereafter, you have to handle the editing operations manually. Since Entity Framework does not support bulk changes, we need to use an extension package like EntityFramework Plus.
Patch
The patch method provides a Delta<T>
object which stores the changes. We can handle the request;
[HttpPatch]
public async Task<IActionResult> Patch([FromODataUri] int key, Delta<vw_Song> model)
{
var instance = model.GetInstance();
var changedProps = model.GetChangedPropertyNames();
if (changedProps.Contains("Status"))
{
await _db.Country_Songs.Where(i => i.SongId == instance.Id)
.UpdateAsync(i => new Country_Songs() { Status = instance.Status });
}
return Updated(instance);
}
The plus package produces the following sql.
UPDATE A
SET A.[Status] = @zzz_BatchUpdate_0
FROM [Country_Songs] AS A
INNER JOIN ( SELECT [c].[SongId], [c].[CountryId], [c].[Status]
FROM [Country_Songs] AS [c]
WHERE [c].[SongId] = @zzz_BatchUpdate_1
) AS B ON A.[SongId] = B.[SongId]
AND A.[CountryId] = B.[CountryId]
I don’t think this one is a good update statement. The join statement is not necessary because it updates all rows with respect to an ID. My computer runs it in around 1.5 seconds. It works but it’s slow. In a future they could fix it. I will not go into Entity Framework Plus package details.
SqlKata
Since, the selection part is customized I would like to go with my own queries for customization and performance matters. SqlKata is a good query builder that allows you to compile your queries according to different database systems.
[HttpPatch]
public async Task Patch([FromODataUri] int key, Delta<vw_Song> delta)
{
var changedProps = delta.GetChangedPropertyNames();
var instance = delta.GetInstance();
var updateDict = new Dictionary<string, object>();
if (changedProps.Contains("Status"))
{
updateDict.Add("Status", instance.Status);
}
var q = new SqlKata.Query("Country_Songs")
.Where("SongId", key)
.AsUpdate(updateDict);
var result = _compiler.Compile(q);
await _db.Database.ExecuteSqlRawAsync(result.Sql, result.Bindings);
}
SqlKata produces the following sql
UPDATE [Country_Songs] SET [Status] = @p0 WHERE [SongId] = @p1
This was what I expected. My computer runs the patch action between 30ms~100ms.
Conclusion
OData presents powerful features depending on your needs. The standard procedure is not always available for you and you have to improvise for each case. As a result, you have a powerful, fast and RESTful API concept.
See you on the next story !


I'm not alone in having fond memories of the hop yards that used to line Highway 1 through the Fraser Valley as a kid.
I began to wonder about the hops. Where did they go, why did they go? Can they come back?
Turns out yes they can. There is a less well known movement occurring behind the scenes of the brewery explosion: hop farming is having a renaissance as well.
Today the scale is a little smaller but the dreams are big.
I spent some time trying to figure out who is leading the charge in the hop growing revival in BC and here is a summary of what I have found to date.
If I missed your hop yard or got something wrong here please contact me and I'll be happy to correct it.
76+ craft breweries in BC require approximately 360,000+ kg of dried hops annually (792,000+ lbs), or the equivalent of 450-500 acres of farmland in full production
src: http://www.persephonebrewing.com/wp-content/uploads/2015/07/TR1FeasibilityStudy.pdf
Locations
Listing
BC Hop Company / Valley Hops / Kinloch Farms
25 acres
size 8
Dwayne and Dianne Stewart
These guys are in it to win it. Currently have 10 acres under cultivation with another 15 coming online plus a vision of 375 acres in the future. They just invested $500k in a Wolf hop harvester from Germany which should be an indication of how serious they are.
They also hosted the inaugural BC Hop Fest last October and look to do the same this year
Cascadia Hops
Chilliwack - url
10 acres
size 5
"medium size acreage devoted to Cascade and Centennial Hops."
"Fall 2016 will see the first crop Cascade and Centennial Hops and a number of other varieties of hops for the craft beer brewer. "
Cedar Valley Hop Yards
Nanaimo - url
10 acres
size 6
Vancouver Island mom and pop
of 83 acres
wolf 140 processor in 2012
Chilliwack Hop Farms
Chilliwack - url
20 acres
size 7
"...is on a mission to bring back large-scale hop growing to the Fraser Valley and to feed the insatiable demand for locally grown hops in bc’s booming craft brewing industry."
difficult to know how big they are but the dreams are big:
"Chilliwack Hop Farms will be the largest single hop grower in Canada with the sole purpose of supplying the exploding craft brewing industry."
From 2013:
"Chilliwack Hop Farms is a new start-up in our area. On Unsworth Rd, in the Sardis side of town,
Chilliwack Hop Farms has 8 varietals ready for commercial harvest this year with several acres of
newer varietals under planting. Last year, since the oldest bines were only in their 2nd and 3rd year and
not considered ready for commercial sale.
They also just purchased a picker from Poland and are currently erecting a drying
and peletizing facility, the intent is to pelletize a portion this year, but the facility may not be at full
capacity until the 2014 harvest."
http://calvinandhops.quaite.net/chilliwack-still-hop-mecca/
Eagle Valley Hops Estate
Malakwa - url
Located between Siccamoose and Revelstoke.
7 -10 acres
size 5
"... crop expansion comes the purchase of a harvester" 2014
Grandview Farm
Salt Spring Island - url
size ?
"In Spring of 2012, we partnered with a second farm on the North of the island to grow even more hops, this time adding Willamette, Challenger and Magnum hops to our collection. 2013 saw the addition of 2 more farms, and we now have over 400 hop plants in production on the island."
Harvesters Of Organic Hops (HOOH) (Bitterbine)
Lillooet - facebook
old (2003) url
5 acres (a guess based on original farm plus some anecdotal references to collective farming and processing in the area)
size 4
Looks like Bitterbine has morphed into a more collective farm/central processor model under the banner HOOP
"We are building a fabulous empire of hops...right here in British Columbia.
We are Harvesters of Organic Hops, but we like the simplicity of HooH. HooH hails from the original Bitterbine Hop Farm established in 2009 and now includes a team of growers from across the Fraser Canyon. "
Organic hop farm based in Lillooet in the interior.
The state of organic hop farming in BC has a certain gravitational pull to the Lillooet region. A fellow named Rick Rindero looks to have set up shop there around 10 years ago but looks to have moved on sometime around 2008 around the same time Bitterbine started up.
See: HOOH below for more of the story. Also connected with Left Fields out of Sorrento (see below)
the blog has been quiet since 2013 so they may not be active anymore. Although there is mention of them in 2015 Lillooet visitor guide so any updates would be welcome.
May have morphed into a rhizome supplier to Left Fields in Sorrento
"We are a certified organic hop farm located in Canada's hottest place, Lillooet British Columbia. Our farm is located on 20 acres (8 hectares) of mixed open pine forest, shrubland"
Hopanagan Farms
Vernon - facebook
2 acres
size 3
"Hi there! We have 5 year old plants and one producing acre of centennial, cascade and Zeus. We are expanding to a second acre this year. We dry and pelletize on site and have excellent lab results too! We have been working with two breweries in kelowna and are hoping to do a wet hop beer in the fall with BNA brewery! That's our centennials in their amazing Earl brew! We are also hoping to plant more types of hops soon as well. Let me know if you need anymore info! Thanks for the tag in your blog too, it's hard to get the word out about us! We appreciate it! Deb Gorman and Guy Thibault at Hopanagan Farms!"
Hope Bay Hop Farm
Pender Island - url - facebook - twitter
size ?
"Hope Bay Farm is a family-run operation on North Pender Island"
The facebook link is dead and the twitter feed hasn't been updated since 2014 so likely not in full operation anymore.
Hops Canada
Kamlooops - url - facebook - twitter
240 acres
size 10
up to 1000 acres
According to a business directory called fyple.com:
"We are the premier beer hops producer in Canada; currently growing about 240 acres of hops a year, while purchasing an additional 50 acres from other Canadian farmers. Our long term goals include expanding by 660 acres, designing our own proprietary types of beer hops and pelletizing/distributing hops for brewers throughout western Canada."
Hops Connect
Pemberton - url
1 - 2 acres
size 2
1.5 acres (2013) - http://www.piquenewsmagazine.com/whistler/hops-company-dreaming-big/Content?oid=2457220
"We have five interested growers right now so we will be growing hops this year in five different places in Pemberton."
"We also wanted to encourage people to grow hops in Pemberton because the climate is suited to grow hops,"
These guys look pretty serious in terms of not only hop farming but also Rizome supply and hop distribution globally. Look to have a fairly sizeable operation up in Pemberton but I can only find a record of 1.5 acres under cultivation as of 2013
Left Fields Farm
1 - 2 acres
size 2
Relatively small scale (1 -2 acres) organic hop farm up in the Thomson Okanagan. Purveyors of Cranog Ales
"Left Fields is the certified organic farm on which Crannóg Ales stands. We grow hops for the brewery and sell rhizomes to other commercial producers and the general public."
Persephone Brewing Co.
Gibsons - url - twiter - facebook
6 - 11 acres
size 6
Pioneering farm and brewery on the Sunshine Coast.
"At least 30 Sunshine Coast land owners have already approached the brewery, anxious to begin farming hops or have someone come in and farm for them - See more at: http://www.vancouversun.com/life/brewers/10083699/story.html#sthash.OlsAHxPX.dpuf" Aug 2014
Sartori Hop Farm
Lindell Beach (Columbia Valley) - url - twitter
15 acres
size 7
planted first hops 8 years ago (2008)
specially selected by Molson to grow hops for a special receipe
Rick Knight, former foreman of the last John I. Haas Hop Farm operation in Chilliwack, and
current custodian of Sartori Cedar Ranch Hop Farms in Columbia Valley
Section 10 Fieldworks
Sorrento - url (myfarmpal)
size ?
Not much to find out about these guys except they are liked to the more famous Crannog Ales / Left Fields organic folks out of Sorrento
Topp's Hops
7 - 15 acres
size 6
varieties: Cashmere, Triple Pearl, Cascade, Golding, Mt Hood, Challenger, Zeus, Galena.
We are still a young farm being in our second growing season but we are fully invested into growing premium hops. We are growing as well as processing and packaging all of our hops right here in Abbotsford
Hops in the closet:
Aug 2014
Vic Davies supplies Phillips Brewing out of Saanich
The guy from Off the Rails brewing is supposed to have a few acres under cultivation around Mission BC but its difficult to find anything concrete
O’Connor has sold rhizomes to about two dozen would-be farmers, while Rebecca Kneen of Left Fields farm in Sorrento has supplied at least 40 agri-optimists with roots for planting. - See more at: http://www.vancouversun.com/life/brewers/10083699/story.html#sthash.OlsAHxPX.dpuf


Bases: object
Abstract class that defines a generic L3 API
Add a floating IP bound to the fixed IP with an optional l3_interface_id. Some drivers won’t care about the l3_interface_id so just pass None in that case
Set up basic L3 networking functionality
Set up a gateway on this network
Enable rules for a specific network
| Returns: | True/False (whether the driver is initialized) |
|---|
Remove an existing gateway on this network
Bases: nova.network.l3.L3Driver
L3 driver that uses linux_net as the backend
Bases: nova.network.l3.L3Driver
The L3 driver that doesn’t do anything. This class can be used when nova-network shuld not manipulate L3 forwarding at all (e.g., in a Flat or FlatDHCP scenario


GigyaWrapper
GigyaWrapper JS API wrapper class
Constructor Summary
| Public Constructor | ||
| public |
constructor(options: object) GigyaWrapper constructor. |
Member Summary
| Public Members | ||
| public |
API key for Gigya. |
|
| public |
Try to automatically login a user |
|
| public |
DOM node to use for screensets |
|
| public |
Add a debug panel to the page |
|
| public |
The gigya library object |
|
| public |
Load of http or https |
|
| public |
Language of error messages |
|
| public |
Empty noop function |
|
| public |
Which screen set to use |
Method Summary
| Public Methods | ||
| public |
checkLoggedInStatus(): promise Check if a user is logged in |
|
| public |
getAccountInfo(include: string): promise Get Account info for user. |
|
| public |
getPolicies(opts: object): promise Get the Policies from the RaaS console interface |
|
| public |
getSchema(): promise Get the userSchema for the current GigyaWrapper#apiKey |
|
| public |
getScreenSets(opts: object): promise Get the Screensets from the RaaS console interface |
|
| public |
hideScreenSet(opts: object) Hides a Gigya screen set. |
|
| public |
logout(): promise Logout a user. |
|
| public |
onLibraryReady(): promise Adds the script to the DOM and binds to the onGigyaServiceReady funciton |
|
| public |
registerEventListeners(eventListeners: object) register to global Gigya events like user login or logout. |
|
| public |
Share to social provider |
|
| public |
Shortcut to show the login screen by using the showScreenSet function. |
|
| public |
showScreenSet(opts: object) Shows a Gigya screen set. |
Public Constructors
public constructor(options: object) source
GigyaWrapper constructor.
Params:
| Name | Type | Attribute | Description |
| options | object | Object of options |
|
| options.apiKey | string | Gigya API key |
|
| options.containerID | string |
|
DOM node to use for screensets. |
| options.screenSet | string |
|
Which screen set to use. Can be local on hosted in Gigya console. |
| options.lang | string |
|
Language of error messages. |
| options.autoLogin | boolean |
|
Try to automatically login a user. |
| options.debug | boolean |
|
Add a debug panel to the page. |
Public Members
Public Methods
public checkLoggedInStatus(): promise source
Check if a user is logged in
Return:
| promise | Resolves an object with errorCode, errorMessage and loggedIn true or false. |
public getAccountInfo(include: string): promise source
Get Account info for user.
Params:
| Name | Type | Attribute | Description |
| include | string |
|
A comma-separated list of fields to include in the response. |
Return:
| promise | Resolves an object with errorCode, errorMessage and user account info based on the include parameter. |
public getPolicies(opts: object): promise source
Get the Policies from the RaaS console interface
Return:
| promise | Resolves an object with errorCode, errorMessage and the policies info. |
public getSchema(): promise source
Get the userSchema for the current GigyaWrapper#apiKey
Return:
| promise | Resolves an object with errorCode, errorMessage and the schema info. |
public getScreenSets(opts: object): promise source
Get the Screensets from the RaaS console interface
Params:
| Name | Type | Attribute | Description |
| opts | object | Options object for the share function |
|
| opts.screenSetIDs | string |
|
Either a comma separated list or a JSON array of identifiers of the screen-sets to be retrieved. |
| opts.include | string |
|
A comma separated list of top level fields to include in the response. The default is: "screenSetID,html,css". |
Return:
| promise | Resolves an object with errorCode, errorMessage and the policies info. |
public hideScreenSet(opts: object) source
Hides a Gigya screen set. Either locally hosted or hosted in the Gigya console.
Params:
| Name | Type | Attribute | Description |
| opts | object | Options object for showScreenSet function |
|
| opts.screenSet | string |
|
Screen set to use. Defaults to GigyaWrapper#screenSet |
| opts.containerID | string |
|
DOM id of screen set container. Defaults to GigyaWrapper#containerID |
public logout(): promise source
Logout a user.
Return:
| promise | Resolves an object with errorCode, errorMessage. On errorCode 0, the user was sucessfully logged out. |
public onLibraryReady(): promise source
Adds the script to the DOM and binds to the onGigyaServiceReady funciton
Return:
| promise | resolves the gigya library object |
public registerEventListeners(eventListeners: object) source
register to global Gigya events like user login or logout.
Params:
| Name | Type | Attribute | Description |
| eventListeners | object | an object of functions that are fired upon global gigya events. |
|
| opts.onLogin | function |
|
This function is fired onLogin. |
| opts.onLogout | function |
|
This function is fired onLogout. |
| opts.onConnectionAdded | function |
|
This function is fired onConnectionAdded. |
| opts.onConnectionRemoved | function |
|
This function is fired onConnectionRemoved. |
| opts.onLinkback | function |
|
This function is fired onLinkback. |
public share(opts: object) source
Share to social provider
Params:
| Name | Type | Attribute | Description |
| opts | object | Options object for the share function |
|
| opts.provider | string |
|
Which provider to share too. See gigya docs for possible providers. |
| opts.url | string | URL to share |
|
| opts.title | string | Share title |
|
| opts.subtitle | string |
|
Subtitle for share (facebook only) |
| opts.description | string |
|
Share description |
| opts.imageurl | string |
|
Image to share |
| opts.actionAttributes | object |
|
actionAttributes contain a JSON object comprised of a series of attribute keys (categories) with associated values. You can also use a generic "tags" key. |
| opts.popupHeight | number |
|
popup height |
| opts.popupWidth | number |
|
popup width |
| opts.providerKey | string |
|
The provider-specific API Key. This parameter is used when calling this method for providers that require an API key. |
| opts.shortURLs | string |
|
Using this parameter you may determine whether to use Gigya's URL shortening service for URLs passed in the status parameter. Options: 'never', 'always', 'whenRequired'. |
| opts.facebookDialogType | string |
|
Applicable only for sharing through Facebook. This parameter determines which Facebook dialog will appear when clicking the share button. |
| opts.tags | string |
|
A comma separated list of tags that are used to identify the share operation. |
public showLoginScreen() source
Shortcut to show the login screen by using the showScreenSet function.
public showScreenSet(opts: object) source
Shows a Gigya screen set. Either locally hosted or hosted in the Gigya console.
Params:
| Name | Type | Attribute | Description |
| opts | object | Options object for showScreenSet function |
|
| opts.screenSet | string |
|
Screen set to use. Defaults to GigyaWrapper#screenSet |
| opts.containerID | string |
|
DOM id of screen set container. Defaults to GigyaWrapper#containerID |
| opts.startScreen | string |
|
The screen to show. |
| opts.customLang | CustomLang |
|
An object which overrules the error message for the selected language. |
| opts.onBeforeScreenLoad | function |
|
This function is fired before a screen is loaded. |
| opts.onAfterScreenLoad | function |
|
This function is fired onAfterScreenLoad. |
| opts.onAfterSubmit | function |
|
This function is fired onAfterSubmit. |
| opts.onBeforeSubmit | function |
|
This function is fired onBeforeSubmit. |
| opts.onFieldChanged | function |
|
This function is fired onFieldChanged. |
| opts.onError | function |
|
This function is fired there is an error. |


Give people Bitcoin tips in real life.
Generate Tips
1. Load each wallet.
You'll have to do this manually. In some clients (like Electrum), you can use this CSV data. Show CSV
2. Save your private keys in a secure location
3. Print this page!
4. Check if people redeem your tips!


Qt Linguist Manual: Developers
Support for multiple languages is extremely simple in Qt applications, and adds little overhead to the developer's workload.
Qt minimizes the performance cost of using translations by translating the phrases for each window as they are created. In most applications the main window is created just once. Dialogs are often created once and then shown and hidden as required. Once the initial translation has taken place there is no further runtime overhead for the translated windows. Only those windows that are created, destroyed and subsequently created will have a translation performance cost.
Creating applications that can switch language at runtime is possible with Qt, but requires a certain amount of developer intervention and will of course incur some runtime performance cost.
Specifying Translation Sources in Qt Project Files
To enable release managers to use lupdate and lrelease, specify a .pro
Qt project file. There must be an entry in the TRANSLATIONS
section of the project file for each language that is additional to the native language. A typical entry looks like this:
TRANSLATIONS = arrowpad_fr.ts \ arrowpad_nl.ts
Using a locale within the translation file name is useful for determining which language to load at runtime. For more information, see QLocale.
The lupdate
tool extracts user interface strings from your application. It reads the application .pro file to identify which source files contain text to be translated. This means your source files must be listed in the SOURCES
or HEADERS
entry in the .pro file, or in resource files listed in the RESOURCE
entry. If your files are not listed, the text in them will not be found.
An example of a complete .pro
file with four translation source files:
HEADERS = main-dlg.h \ options-dlg.h SOURCES = main-dlg.cpp \ options-dlg.cpp \ main.cpp FORMS = search-dlg.ui TRANSLATIONS = superapp_dk.ts \ superapp_fi.ts \ superapp_no.ts \ superapp_se.ts
If your compiler uses a different encoding for its runtime system than for its source code and you want to use non-ASCII characters in string literals, you will need to set the CODECFORSRC
. For example:
CODECFORSRC = UTF-8
Microsoft Visual Studio 2005 .NET appears to be the only compiler for which this is necessary. However, if you want to write portable code, we recommend that you avoid non-ASCII characters in your source files. You can still specify non-ASCII characters portably using escape sequences, for example:
label->setText(tr("F\374r \310lise"));
Internationalizing Applications
Design your application so that it can be adapted to various languages and regions without engineering changes. Qt tries to make internationalization as painless as possible for you. All input controls and text drawing methods in Qt offer built-in support for all supported languages. But you still need to keep the following things in mind when writing source code for your application:
- Make your application look for and load the appropriate translation file.
- Mark user-visible text and Ctrl keyboard accelerators as targets for translation.
- Provide context for text to be translated.
- Disambiguate identical texts.
- Use numbered arguments (%n) as placeholders for parameters that are replaced with text or numbers at run-time.
- Internationalize numbers, dates, times, and currencies.
- Mark data text strings outside functions translatable.
You can develop applications that use both C++ and QML sources in the same application and even have user interface strings in both sources. The tools create a single combined translation file and the strings are accessible from C++ and QML.
The classes that support internationalizing of Qt applications are described in Internationalization with Qt. The process of making source code translatable is described in Writing Source Code for Translation and in Internationalization and Localization with Qt Quick.
Each piece of text that requires translating requires context to help the translator identify where in the program the text appears. In the case of multiple identical texts that require different translations, the translator also requires some information to disambiguate the source texts. Marking text for translation will automatically cause the class name to be used as basic context information. In some cases the developer may be required to add additional information to help the translator.
Deploying Translations
The .qm
files required for the application should be placed in a location where the loader code using QTranslator can locate them. Typically, this is done by specifying a path relative to QCoreApplication::applicationDirPath().
Usually, there are .qm
files for the application, and, if a version of Qt is used that is not installed on the system, Qt's .qm files need to be deployed as well.
In Qt 4, there is one big, monolithic .qm
file per locale. For example, the file qt_de.qm
contains the German translation of all libraries.
In Qt 5, the .qm
files were split up by module and there is a so-called meta catalog file which includes the .qm
files of all modules. The name of the meta catalog file is identical to the name of Qt 4's monolithic .qm
file so that existing loader code works as before provided all included .qm
files are found.
However, it is not necessary to always deploy all of Qt 5's .qm
files. We recommend concatenating the .qm
files of the modules required to one file matching the meta catalog file name using the tool lconvert
in the deploy step. For example, to create a German translation file for an application using the modules Qt Core, Qt GUI, and Qt Quick, run:
lconvert -o installation_folder/qt_de.qm qtbase_de.qm qtdeclarative_de.qm
Tutorials
The following tutorials illustrate how to prepare Qt applications for translation:
- Hello tr() is a C++ application that demonstrates the creation of a QTranslator object. It also shows the simplest use of the
tr()
function to mark user-visible source text for translation. - Arrow Pad is a C++ application that demonstrates how to make the application load the translation file applicable to the current locale. It also shows the use of the two-argument form of
tr()
which provides additional information to the translator. - Troll Print is a C++ application that demonstrates how identical source texts can be distinguished even when they occur in the same context. This tutorial also discusses how the translation tools help minimize the translator's work when an application is upgraded.
- Internationalization is a Qt Quick application that demonstrates how to internationalize Qt Quick applications.


THE MATRIX (1999)
A film review by Steve Kong Edited by Steve Kong Copyright 1999 Steve Kong
If I say too much about The Matrix I risk spoiling your fun when you see it. If I say too little about The Matrix I risk you losing interest in this intriguing and thought provoking film. So, let me say this up front about The Matrix: Don't Miss The Matrix. This is the best science fiction movie put out so far this year and possibly for the rest of the year.
Neo (Keanu Reeves) is a bland software engineer by day and a daring hacker by night. As of late he's been getting some strange messages from an unknown source warning him of a danger to his life. The messages come from a man named Morpheus (Laurence Fishburne) and are sometimes delivered by a beautiful messenger Trinity (Carrie-Anne Moss). From here on, if I say anything else I'll spoil the twists and turns that the movie goes through. Let's just say that what you think is real, isn't.
The Matrix comes from the Wachowski brothers, Andy and Larry. These are the same two that put together the equally brilliant film Bound. Being their second film, I was sure that The Matrix was going to be a solid film but what The Matrix really is surprised me. These two are not just Hollywood hacks; they are two talented moviemakers. What makes the Wachowski brothers so good is their sense of style and atmosphere. If you've seen Bound then you'll know what I mean. With The Matrix they turn the style and atmosphere up a notch. The film is dark, gritty, and dense. Shadows and light are used to the extreme, with shadows lingering and light casting in all sorts of mysterious ways. Actors are lit in ways that attract the eye from one section of the screen to the other, while at other times actors are half hidden in the shadows. The Matrix is more than just a solid film; it is an instant classic.
What makes The Matrix so intriguing is the way that the Wachowski brothers tell the story. Instead of laying the whole story on us at once, they layer it on. Using Neo as the freshman, we learn at his rate as he is taught about The Matrix. This slow layering of the story works well and helped to keep my attention focused on the story presented. It was only until after the film ended that a big question popped into my mind, but we'll get that later.
The Matrix is a mix of Dark City and Strange World with some Gibson stirred in for good luck. The ideas presented are horrifyingly plausible and strangely engaging. Keep this in mind; the film is not a brain-dead film. The script is quite intelligent and though it'll be hard for you to lose interest in the film, you'll want to keep the brain turned on for this sci-fi action film. The film doesn't stay with one genre too long, it defies cliches and moves between genres at will and does this well. There's quite a bit of action, some romance, a double cross, and a lot of sci-fi. The portion of the film, next to the sci-fi, that got a large chunk of my attention was the action.
Most often American directors who try to emulate my favourite director John Woo end up looking like cheap knock-offs. But, this is the first time that I've ever seen action done at a level that approaches Woo. The Wachowski brothers are, in my book, close or as good as Woo in doing action. The action sequences in The Matrix are of the same type of adrenaline pumping, at-the-edge-of-your-seat action that Woo puts together. There are many standout sequences, including some incredibly choreographed hand-to-hand sequences that will not be forgotten anytime soon. The action sequences that had me in awe were the gun-fighting sequences. Sure, we've all seen it done before; the slow-mo, and the bad guys that have no aim, the bullet shells hitting the floor. But, it's never been done this well.
The special effects by Matthew Ferro are a visual feast. Bullets can speed up, slow down, and can also come to screeching halts. People can run up walls, jump into the air and linger, and then come crashing down with enough force to crack pavement. Then there are the subtle effects that are added for style. Look at the way that Ferro and the Wachowski brothers use reflections in Morpheus's sunglasses. These are some of the best effects to ever hit the screen.
Performance wise, all performers give good performances. Actually, I think that the secret with the Wachowski brothers is that they do not tailor the performances of the actors to the movie, but instead tailor the movie and atmosphere to the actors. Keanu Reeves, whom when not pressured to emote too much, can turn in good performances. He did just that in Speed and Devil's Advocate; and he does it again in The Matrix. Laurence Fishburne's last foray into sci-fi was the horrible Event Horizon; this time around he does much better. Not only does he have better material to work with, but he also has a part that is tailored to his acting style. Fishburne is just right for the part of Morpheus. Carrie-Anne Moss, whom I've never seen as a performer, puts in a wonderful performance as Trinity. But, the performer to notice is Hugo Weaving who is one of the Sentinel Agents (imagine an evil version of the Men In Black). Weaving uses a monotonous flat performance that turns out to be one of the best in the film.
The thing that got to me after I stepped out of the theatre was the fact that the film ends a bit too abruptly. It leaves a question that I couldn't figure out the answer to and that I thought could have been answered in the film. I'll reveal the question and I'll do it in such a way not to spoil any fun: What are the freed people going to do in the world that they're freed into? This question is a nagging question that the film glosses over with a voice-over that really doesn't tie things up as tightly as could be. But, this is only a small nuisance of the film. Looking at the film as a whole, it is a well put together and entertaining film.
Let me just reiterate: Don't Miss The Matrix. This is one of the best films of the year. Please do catch this on the big screen, there are some effects that are meant to be seen on the big screen. You'll have to see the film to find out the answer to the big question:
`What is the Matrix?'
--- Steve Kong<EMAIL_ADDRESS>recipe for a hard boiled review: one egg, two cups water, a pot, a helluva attitude, and a guy who loves the cinema. i'm your hard boiled movie guide.
http://boiledmovies.sbay.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: page title: Prediction Workflow ---
| Deliverable | Trained Model File |
| Machine Learning Task | Regression |
| Target Variable | Predicted Equipment Sale Price |
| Control Metric | RMSLE 0.217 |
This notebook performs regression analysis to predict heavy-equipment machine prices. The data is taken from the Blue Book for Bulldozers Kaggle Competition: "The goal of the contest is to predict the sale price of a particular piece of heavy equiment at auction based on it's usage, equipment type, and configuaration. The data is sourced from auction result postings and includes information on usage and equipment configurations.
An RMSLE of 0.217 (shown in notebook) would have been sufficient to win this competition at the time it was run. Of course, the test set used here is not the same as that used in the original competion, plus I have selected the test data as a random subset of the overall training data provided. In the original competition the test set did not chronologically overlap with the training set. The result is that a better RMSLE score is to be expected. Nonethless the standard out-of-the-box performance is impressive. This is testament to the power of sklearn library and the default RandomForestRegresor implementation.
You can find the code for this project at: github repository


Treasure
Write a function that determines treasure location.
Enters coordinates separated by comma:
Example for 3 coordinates: 4, 2, 1.5, 6.5, 1, 3
Calculate Location


This first picture shows one of the fruit stands in the Mercat de la Boquería, the central market that is just off the Rambles.  It took me a long time to get up the nerve to actually take a picture there. You might say I'm kind of a chicken, but since I lived there, it was just sort of strange. Do you take pictures of your supermarket?


UK Covid 19
Age
Department:
Loss of Wages:
Name:
No of family members:
Phone number
Present Address
A
4
40
200
xyz
1234567387


This web server is a part of the music server Mopidy. To learn more about Mopidy, please visit www.mopidy.com.
To see your own content instead of this placeholder page, change the config value http/static_dir to point to the directory containing your static files. This can be used to host e.g. a pure HTML/CSS/JavaScript Mopidy client.
If you replace this page with your own content, the Mopidy resources at /mopidy/ will still be available.


Sign Language
Translator
Tutorials
Training
Test Your Skill
About
The Learning Spot
Search
Most Commonly Used Phrases
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Lets go for lunch
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Alphabets
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Place, Time and Objects
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Fitness Recipes
breakfasts
meals
Dinners
Desserts
Mexican Recipes
breakfasts
meals
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breakfast
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breakfast
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Juices
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BINDSter also can bind values to most attributes. To do this:
The expression is evaluated in the context of the model so references to the model need no qualification. t is re-evaluated any time any of the component variables change value. You can use this on all attributes except for events (onxxxxx) because events are already interpreted as JS expressions


Mzimba Shaker: Masango Still Has The Drip
by SL SocialFormer Kaizer Chiefs and SuperSport United star Mandla Masango reminded fans that he still has the drip in a recent post. Check it out.
Masango has been in football wilderness for just over a year after leaving Danish side, Randers FC in 2018.
Download The Soccer Laduma Social Media App & Earn Airtime for Selfies!
A much-loved figure during his time in Mzansi, the tricky winger formed part of Stuart Baxter’s title-winning side in 2015 before departing for Europe.
The 30-year-old recently took to Instagram to remind fans just how much of a stylish player he was.
Never one to put a fashion foot wrong, Masango can be seen posing away in designer threads.
Scroll through the gallery above to see some of his most stylish looks.
Do you think there is still hope for Masango to return to top-flight football?


Planet Sick-Boy: http://www.sick-boy.com "We Put the SIN in Cinema"
© Copyright 2001 Planet Sick-Boy. All Rights Reserved.
If you're at the theatre and the movie you're watching feels like a nightmare, you've probably wandered into Serendipity. But if the images on the screen make you feel as though you're floating through someone else's loopy dream, you must be watching Richard Linklater's Waking Life. It's a terrific new picture that, despite playing tricks with your eyes and making your head hurt as you begin to obsess about your own dreams, is worth every single, precious minute.
Unconventional in just about every way possible, Life is the first animated feature to be shot on digital video. If the previous sentence makes little sense to you, you're not alone. Here's the deal: Linklater (The Newton Boys) filmed his own script with handheld digital cameras, edited it, and then turned it over to an animation team that used rotoscoping software to trace over the video images. The result is like a watercolor painting come to life. It's amazing. It's breathtaking. It's hell-a-cool.
The story itself, which actually barely matters here, is really just dozens of vignettes that feature an unnamed protagonist played by Wiley Wiggins (he had a small part in Linklater's Dazed and Confused), a college grad stumbling from one wacky encounter to the next. Everyone he meets has a story to tell or some type of unsolicited diatribe to pitch. Eventually, he realizes it's all a dream and fights to wake up, only to learn he was in a dream within a dream.
Seemingly unable to really wake up, the young man tries to understand the meaning of dreams and, of course, everyone is willing to lay polysyllabic explanations at his feet. Each has their own crackpot theory - some are pretentiously absurd and some are thought-provoking. Like I said earlier, though, none of it matters because you'll be so entirely hypnotized by the visuals.
Part of me wonders if Linklater made the dialogue easy to ignore on purpose. We're talking about lines like "I feel that the time has come to project my own inadequacies and dissatisfactions into the sociopolitical and scientific schemes." It's like a frigging college lecture - who's going to pay attention to that? Is somebody more likely to remember the heady dialogue or the scene where The Cruise's Timothy "Speed" Levitch materializes like the Great Gazoo when the main character is on what appears to be the Brooklyn Bridge?
One of the most enjoyable things about Life is its lack of continuity. Many animators worked on the various vignettes, leaving each to look quite different than the next. Some scenes resemble blurry live-action, while some use the animation to exaggerate facial expressions and manipulate the backgrounds in various ways. You never know what you're going to see in the next episode.
Linklater used mostly non-actors in Life, so don't bother trying to figure out who everybody is.  One scene features Nicky Katt and Adam Goldberg, and there are two directors in the film, too. Oscar winner Steven Soderbergh (Traffic) stops by for an animated cameo, and Linklater himself is in the final scene, where the protagonist tracks him down to find out when he's going to wake up. How's that for trippy?
1:37 - R for language and some violent images
========== X-RAMR-ID: 29816 X-Language: en X-RT-ReviewID: 254910 X-RT-TitleID: 1110299 X-RT-SourceID: 595 X-RT-AuthorID: 1146
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import gym
import random
import numpy as np
from IPython.display import Image
import matplotlib.pyplot as plt
❄ Frozen Lake
Frozen Lake is a simple environment composed of tiles, where the AI has to move from an initial tile to a goal.

The AI, or agent, has 4 possible actions: go ◀ LEFT, 🔽 DOWN, ▶ RIGHT, or 🔼 UP.
The agent must learn to avoid holes in order to reach the goal in a minimal number of actions.
Required Libraries
Initialize the Environment
= gym.make("FrozenLake-v1", is_slippery = False) #in non-slippery version actions cannot be ignored
env
env.reset() env.render()
SFFF
FHFH
FFFH
HFFG
- S: starting point, safe
- F: frozen surface, safe
- H: hole, stuck forever
- G: goal, safe
= "FrozenLake.gif", width=400) Image(filename
<IPython.core.display.Image object>
= "Final.gif", width=400) Image(filename
<IPython.core.display.Image object>
Reward
Reward schedule:
Reach goal(G): +1
Reach hole(H): 0
Reach frozen surface(F): 0
Size of Action and State Space
print("State space: ", env.observation_space.n)
print("Action space: ", env.action_space.n)
State space: 16
Action space: 4
In Frozen Lake, there are 16 tiles, which means our agent can be found in 16 different positions, called states.
For each state, there are 4 possible actions:
- ◀ LEFT: 0
- 🔽 DOWN: 1
- ▶ RIGHT: 2
- 🔼 UP: 3
Initialize Q Table
= "QTable.gif", width=400) Image(filename
<IPython.core.display.Image object>
# Our table has the following dimensions:
# (rows x columns) = (states x actions) = (16 x 4)
= env.observation_space.n # = 16
nb_states = env.action_space.n # = 4
nb_actions = np.zeros((nb_states, nb_actions))
qtable
# Let's see how it looks
print('Q-table =')
print(qtable)
Q-table =
[[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]
[0. 0. 0. 0.]]
Update Formula
$ Q_{new}(s_t, a_t) = Q(s_t, a_t) + (r_t + max_a Q(s_{t+1}, a) - Q(s_t, a_t)) $
Epsilon-Greedy Algorithm
In this method, we want to allow our agent to either:
- Take the action with the highest value (exploitation);
- Choose a random action to try to find even better ones (exploration).
= "tradeoff.gif", width=700) Image(filename
<IPython.core.display.Image object>
Hyperparameters
= 1000 # Total number of episodes
episodes = 0.5 # Learning rate
alpha = 0.9 # Discount factor
gamma = 1.0 # Amount of randomness in the action selection
epsilon = 0.001 # Fixed amount to decrease epsilon_decay
Traning
# List of outcomes to plot
= []
outcomes
for _ in range(episodes):
= env.reset()
state = False
done
# By default, we consider our outcome to be a failure
"Failure")
outcomes.append(
# Until the agent gets stuck in a hole or reaches the goal, keep training it
while not done:
# Generate a random number between 0 and 1
= np.random.random()
rnd
# If random number < epsilon, take a random action
if rnd < epsilon:
= env.action_space.sample()
action # Else, take the action with the highest value in the current state
else:
= np.argmax(qtable[state])
action
# Implement this action and move the agent in the desired direction
= env.step(action)
new_state, reward, done, info
# Update Q(s,a)
= qtable[state, action] + \
qtable[state, action] * (reward + gamma * np.max(qtable[new_state]) - qtable[state, action])
alpha
# Update our current state
= new_state
state
# If we have a reward, it means that our outcome is a success
if reward:
-1] = "Success"
outcomes[
# Update epsilon
= max(epsilon - epsilon_decay, 0) epsilon
Updated Q Table
print('===========================================')
print('Q-table after training:')
print(qtable)
===========================================
Q-table after training:
[[0.531441 0.59049 0.59049 0.531441 ]
[0.53144099 0. 0.6561 0.59048631]
[0.59037976 0.729 0.59048952 0.65609994]
[0.65609993 0. 0.50712647 0.57097084]
[0.59049 0.6561 0. 0.531441 ]
[0. 0. 0. 0. ]
[0. 0.81 0. 0.65609609]
[0. 0. 0. 0. ]
[0.6561 0. 0.729 0.59049 ]
[0.6561 0.81 0.81 0. ]
[0.729 0.9 0. 0.729 ]
[0. 0. 0. 0. ]
[0. 0. 0. 0. ]
[0. 0.80990302 0.9 0.72145318]
[0.81 0.9 1. 0.81 ]
[0. 0. 0. 0. ]]
Plot Outcomes
=(12, 5))
plt.figure(figsize"Run number")
plt.xlabel("Outcome")
plt.ylabel(= plt.gca()
ax 'gainsboro')
ax.set_facecolor(range(len(outcomes)), outcomes, color="navy", width=1.0)
plt.bar( plt.show()
Evaluation
= 1
episodes = 0
nb_success
= env.reset()
state
env.render()= False
done
# Until the agent gets stuck or reaches the goal, keep training it
while not done:
# Choose the action with the highest value in the current state
= np.argmax(qtable[state])
action
# Implement this action and move the agent in the desired direction
= env.step(action)
new_state, reward, done, info
# Render the environment
print()
env.render()
# Update our current state
= new_state
state
# When we get a reward, it means we solved the game
+= reward
nb_success
# Let's check our success rate!
print()
print (f"Success rate = {nb_success/episodes*100}%")
SFFF
FHFH
FFFH
HFFG
(Down)
SFFF
FHFH
FFFH
HFFG
(Down)
SFFF
FHFH
FFFH
HFFG
(Right)
SFFF
FHFH
FFFH
HFFG
(Right)
SFFF
FHFH
FFFH
HFFG
(Down)
SFFF
FHFH
FFFH
HFFG
(Right)
SFFF
FHFH
FFFH
HFFG
Success rate = 100.0%


const ( // AccessDenied indicates that the user does not have permission to perform the operation AccessDenied = "access denied" )
func WithErrorHandler(value fab.ErrorHandler) coptions.Opt
WithErrorHandler sets the error handler
func WithRefreshInterval(value time.Duration) coptions.Opt
WithRefreshInterval sets the interval in which the peer cache is refreshed
func WithResponseTimeout(value time.Duration) coptions.Opt
WithResponseTimeout sets the Discover service response timeout
func WithRetryOpts(value retry.Opts) coptions.Opt
WithRetryOpts sets retry options for retries on transient errors from the Discovery Server
DiscoveryClient is the client to the discovery service
type DiscoveryClient interface { Send(ctx context.Context, req *discclient.Request, targets ...fab.PeerConfig) ([]fabdiscovery.Response, error) }
DiscoveryError is an error originating at the Discovery service
type DiscoveryError string
func (e DiscoveryError) Error() string
Error returns the error message
Service chooses endorsing peers for a given set of chaincodes using Fabric's Discovery Service
type Service struct {
// contains filtered or unexported fields
}
func New(ctx contextAPI.Client, channelID string, discovery fab.DiscoveryService, opts ...coptions.Opt) (*Service, error)
New creates a new dynamic selection service using Fabric's Discovery Service
func (s *Service) Close()
Close closes all resources associated with the service
func (s *Service) GetEndorsersForChaincode(chaincodes []*fab.ChaincodeCall, opts ...coptions.Opt) ([]fab.Peer, error)
GetEndorsersForChaincode returns the endorsing peers for the given chaincodes


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copyright
reserved
botanical
Garden
DET.
BY
MILDRED
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MATHIAS
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INSTITUTION
From
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UNITED
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HERBARIUM
PLANTS
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HAITI
BIOLOGICAL
EXPLORATION
CONDUCTED
BY
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ABBOTT
Vicinity
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altitude
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BOTANICAL
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LEONARD,
Collector
01501102
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


|
FlashCards
|
Namespaces | |
| language.views_common | |
Functions | |
| def | language.views_common.get_level (data_bases, user) |
| Acquisition of the user level. More... | |
| def | language.views_common.get_amount_total (data_bases) |
| Acquisition of the total number of records in the database. More... | |
| def | language.views_common.get_current_box (data_bases, user, level) |
| Acquisition of the current context of the user. More... | |
| def | language.views_common.next_level (data_bases, user) |
| Add a level to the user. More... | |
| def | language.views_common.easy_common (data_bases, user_data) |
| Common rule for the choice of low difficulty. More... | |
| def | language.views_common.medium_common (data_bases, user_data) |
| Common rule for the choice of medium difficulty. More... | |
| def | language.views_common.hard_common (data_bases, user_data) |
| Common rule for the choice of hard difficulty. More... | |
| def | language.views_common.yesterday () |
| Acquisition of yesterday, correctly. More... | |
| def | language.views_common.update_time (current_box) |
| Acquisition of next sentence test time. More... | |
Variables | |
| list | language.views_common.time_step |
| Standard time steps. More... | |
| int | language.views_common.max_amount = 300 |
| Maximum capacity of snippets of languages, whether words, expressions or sentences. More... | |
| int | language.views_common.max_box = 10 |
| Maximum possible time step. More... | |
| int | language.views_common.min_box = 0 |
| Minimum possible time step. More... | |
| int | language.views_common.extr_step = 6 |
| Time step for extreme ease. More... | |
| int | language.views_common.std_step = 1 |
| Standard time step. More... | |


Living a life according to your values is no easy task.  Being a millennial can be a frustrating experience in which the world seems to be constantly telling you "do what you love," but it can be surprisingly hard to have the sort of authentic experiences necessary to figure out what it is you love to do.
I’m a naturally curious and engaged individual, the high school I attended was stimulating academically and athletically. If you’d asked my why I was doing what I did, I would have told you that I enjoyed it and needed to get into college. Since I worked from 6:30am until about 10pm everyday, I didn’t have much time to actually reflect on what I was doing.
When I started college, that changed. I dropped serious athletic pursuits and academics were actually quite a bit less rigorous and certainly less time consuming. I thought more about why I was learning what I was learning. I had to think about what my values were and how I lived out those values in my daily life. I was not at all sure of the relevance of the content I was learning. I’d observe classmates who wanted to be doctors or lawyers in a history class cramming material they would forget a week later, and I couldn’t understand the point. As a result, I spent less time working and more time getting to know my fellow classmates. I still know about half of my graduating class by name, but can’t remember most of the content I had learned.
After graduating I worked at a bank and learned the myriad of ways an organization could be dysfunctional. Again, I saw a lot of people doing work they didn’t understand or value. What’s worse, I was one of those people, and, unlike in college, I didn’t develop a network of relationships I valued through my career.
Doing work you don’t value produces an inordinate amount of cognitive dissonance that can be quite stressful. Learning to identify address the cause of the dissonance has been very helpful. I continue to place tremendous value of the relationships I have in my life and feel incredibly fortunate to have great relationships with my family and my wife. My lived experience has taught me to continue to value the importance of authentic relationships not just in my personal life, but also in the work that I do.


--- layout: default --- This is how to get into contact with me Email<EMAIL_ADDRESS>Github: github.com/darcys22


VirsailMbagaya
Hello awesome people ,welcome to my awesome portfolio my name is Virsail Eric Mbagaya i'm a software engineer at Moringa School.I'm 20 years old ,a young and vibrant Kenyan I will attach a photo of me below so that you can put a name to the face.
I have managed to create some projects which i am going to share with you awesome people.
Here are some of the projects and each with an active link:
I am a christian ,a strong believer for that matter .I come from a very religiuos family my principles are based on Christian morals. I come from a well off family. I've learnt in some of the best institutions in Kenya since my childhood here are some of the schools i attended:
The reason I decided to take programming class is because i've always dreamt of being an engineer since i was young but I didn't know that there are various types of engineering so when i got to high school I came to realize that there are so many types of engineering ,at form one level I took computer studies as a technical subject and at Booker academy high school we were so equipped with state of the art computer laboratories and this made me enjoy the environment.I became very good at computer studies and ended up being a champion in the subject receiving gifts every now and then ,I got to form 4 and did elementary programming ,algorithms and writing pseudo codes and coming up with flowcharts .I really loved it though it was hectic at once but I enjoyed it and that love for computer studies and the fact that I enjoyed elementary programming led me to this awesome world of software development.
Find me on:


The most popular industrial group ever, and largely responsible for bringing the music to a mass audience.


Base class for constructing models for approximate bayesian computing and various uses limited only by the user’s imagination.
WARNING!! Not meant for direct use! You must implement your own model as a subclass and override the all following methods:
Bases: object
Methods
Sub-classable method for computing a distance function.
This method should return a distance D of for comparing to the acceptance tolerance (epsilon) taking two array-like iterables of summary statistics as an argument (nominally the observed summary statistics and .
Sub-classable method for drawing from a prior distribution.
This method should return an array-like iterable that is a vector of proposed model parameters from your prior distribution.
Sub-classable method for generating synthetic data sets from forward model.
This method should return an array/matrix/table of simulated data taking vector theta as an argument.


Test Panel
Creating in-line panels with WebMarkupContainer
You've got
new messages.
Working with markup fragments
Switcher
Fragement 1
Fragement 2
Hiding decorating elements with the wicket:enclosure tag
Total amount:
Expected delivery date:
Surrounding existing markup with Border
Test Content in my border 1.
Test Content in my border 2.
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