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This tool is still rough around the edges. Feel free to contribute improvements!
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Meghan McCain on Rand Paul: 'I Hate Him' -- 'He Sounds So Crazy' | Breitbart
by Pam KeyOn Tuesday’s broadcast of ABC’s “The View,” co-host Meghan McCain criticized Sen. Rand Paul (R-KY) for calling on the media to print the name of the whistleblower who filed a complaint against President Donald Trump.

She added, “He sounds so crazy. Why does he sound so crazy? He does.”
Whoopi Goldberg said, “Because he has forgotten the rule of law.”
She added, “Had Nixon tried to do this to anyone we would have had him out, said, ‘No, that’s not how the law works, the Constitution doesn’t work like that, that’s not how the law works.”
Follow Pam Key on Twitter @pamkeyNEN


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Yeah, sorry for this, but that last page wasn't really the end..
However, you have a decision to make here. One button will Rick Roll you and the other will take you back to index.html
At least this page has some audio!!
Read the buttons carefully


--- layout: post esbma_id: 1525 date: 2004-06-01 12:00:00 keywords: cornsharp title: Central Illinois .NET Users Group ---
I will be the speaker tomorrow evening at the Central Illinois .NET Users Group.
Title: Tradeoffs in using ASP.NET as the server for an ISV Product
Summary: ASP.NET Web Services offer an RPC-like model which makes it easy to write client-server applications. However, all this productivity comes at a price, especially for shrinkwrap products. In this talk, I will discuss the tradeoffs we have discovered by using ASP.NET and IIS as the server for SourceGear Vault.
Update: In response to several requests, later this week I will post my slides and/or a summary of my presentation.


VERTIGO A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): *** 1/2
There is a movement afoot in the movie business to restore some of the great classic films so that this generation can see them afresh. Perhaps the best known of these efforts was the restoration a few years ago of LAWRENCE OF ARABIA. Some of the work like that done on THE UMBRELLAS OF CHERBOURG allows the movie to be better even than that seen by even the original movie audience.
So it is with the restoration of Alfred Hitchcock's 1958 masterpiece VERTIGO. Working with some of the original master tapes, the restorers have given the film a digital stereo sound track. Hearing Bernard Herrmann's music conducted by that great master Muir Mathieson makes the effort worthwhile. His haunting melodies are quite dramatic with the horns using their lowest notes. That the restorers also give us a cleaned up print and vastly improved color rendition is a bonus.
Restoration is a difficult process depending on many factors. Here the result is less than perfect, which is not meant as a criticism. The interior sequences are bursting with rich and highly textured colors, but the exterior ones still seem a bit washed out. There are a couple of scenes where the print gets too dark and where the color matching is off. On the whole, however, the restoration works, and it is a joy to see this classic in its full glory.
The story is nominally about the acrophobia of Detective John 'Scottie' or 'Johnny-O' Ferguson (James Stewart). Even the opening credits have what look to be early computer generated spirals reflecting Ferguson's fear of a body spinning down from a tall building.
This feeling of acrophobia or vertigo is nothing more than a plot device. It provides the glue that holds the mystery of the story together. What makes the film so compelling are the characters swept up in the vertigo of the mystery.
After losing a fellow officer to a fall and being unable to catch him, Ferguson retires from the force. He hangs out in his friend Marjorie 'Midge' Wood's (Barbara Bel Geddes) apartment. Bel Geddes is easily the most likable actor in the story. This perky career woman designs "brassieres" for a living. She notes that they were designed using the principles of "a cantilever bridge."
Midge's costumes by the great Edith Head and the make-up by Wally Westmore give her the image of a good looking nerd. She has attractive but overly conspicuous glasses, and clothes that are all too sensible. You see she loves her Johnny-O and still waxes nostalgic about how they were engaged for three weeks in their college days. Now they are just chums, but although she wishes their relationship were more substantial, she would never confess it to Johnny-O.
John's old college buddy Gavin Elster (Tom Helmore) asks him to trail his wife Madeleine (Kim Novak). Madeleine has taken to disappearing and seems to be doing a mind meld with a dead woman named Carlotta Valdez. John hates the idea until he sees Madeleine and then his hormones kick in.
If you love San Francisco as much as I do, and especially if you live near it as I do, the movie provides more gorgeous San Francisco settings for you to savor than any other movie. Period. My personal favorites are the scenes in and around the California Palace of the Legend of Honor. In 1991 I came upon Brian DePalma making a movie there with Lolita Davidovitch called RAISING CAIN. It was an awful film, but as I sat watching the expensive and slow minutia of a film shoot, I keep reflecting back to Hitchcock's work there over three decades earlier and in the same spot outside.
The camera work by Robert Burks is a masterful blend of wide-angle zooms to create the vertigo effect in the audience and of a traditional and panoramic approach.
The automobile's role in movies has changed dramatically. Cars play a key part in VERTIGO. Sometimes they represent their owners in absentia and thus provide clues to others. Mainly they are vehicles to transport couples on long romantic drives up scenic coasts. Cars in films today are rarely associated with their owners, and when driven, are most likely part of a car chase. The romance is lost forever.
Alfred Hitchcock is the king of the mysteries, which is not to say that his are without logical flaws. My favorite nonsensical happening in VERTIGO is when Madeleine is rescued unconscious from San Francisco Bay by John. He takes her to his apartment rather than the hospital, and when she awakens, she has fresh make-up and her trademark tons of lipstick. They must have had some really long lasting cosmetics back in the 50's.
Now that you ask, yes, Hitchcock does his standard quick walk through one of the scenes. This "Where's Waldo" is a favorite of Hitchcock fans like myself, and I certainly will give you no hints when this occurs.
Novak gives a wooden performance in the first half, but is quite intriguing in the second when she comes back to life as Judy Barton. Stewart has not given a bad performance in his life. His acting as an obsessed man in VERTIGO is good, but not his best.
The script by Samuel Taylor and Alec Coppel (based on a book by Pierre Boileau and Thomas Narcejac) is well constructed and literate. Just a couple of examples. The coroner (Henry Jones) admonishes John with, "He did nothing. The law has little to say on things left undone." Later, Midge tells John, "I talked to the woman in musical therapy, and she said that Mozart's the boy for you."
Ultimately what makes VERTIGO work so well is the direction by the great master and the stunning music and visuals. My main criticism of the film is that the editing by George Tomasini is too slow. The film would have been more effective if more tightly focused and about fifteen more minutes had been left on the cutting room floor.
The ending of the show is perfect and shocking if you have never seen it before. VERTIGO remains a classic bit of cinema that is worth seeing again. I would love to see some local theater do an Alfred Hitchcock festival. Hint. Hint.
VERTIGO runs 2:08. It is not rated but would be PG today due solely to the falling scenes. There is no sex, nudity, or bad language. The film will probably only interest kids say ten and up, but would be acceptable kids a little younger. I strongly recommend you check out the restoration now on the big screen as it was meant to be seen and heard. I give the film *** 1/2.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: November 22, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


public abstract class GUIState
extends java.lang.Object
Displays and Controllers (such as Display2D and the Console) do not care about the SimState, and make precious few calls to the Schedule. Instead, they generally only work with you through the GUIState class.
GUIState has the same start() and finish() methods as SimState, and indeed the default forms of these methods just call start() and finish() on the underlying SimState. Additionally, GUIState has init(Controller) and quit() methods. The init(Controller) method sets up the GUIState to work in an environment controlled by the specified Controller. The quit() method is called to tell the GUIState to shut down and free any of its resources (perhaps the simulation document is being closed in the GUI, or the GUI is quitting).
GUIState also has two methods used by the Controller to specify things about it. In particular, public static String getName(Class class) should return an intelligent name for the simulation, and public static Object getInfo(Class class) should return an HTML or textual description of the simulation either as a URL or a String.
You can create a global inspector for your model (as opposed to the individual per-object inspectors created by various portrayals). This is done by overriding either getInspector() or getSimulationInspectedObject().
GUIState has a wrapper step() method which in turn calls the Schedule's step(state) method. However, this wrapper lso provides a hook for objects such as displays to schedule themselves without using the Schedule. This hook is the scheduleImmediate(...) and scheduleImmediateRepeat(...) methods. There is also a reset() method which resets both the immediates and the underlying Schedule.
Last, GUIState has a wrapper function to make it convenient to read in a new SimState from a serialized file: readNewStateFromCheckpoint(). This function checks to see if the serialized file is valid for this simulation. To do this, it calls validSimState(), which is a hook that you should override to return TRUE if the provided state is a valid SimState for your simulation (usually this means that it's the right subclass of SimState for your purposes).
Generally speaking, if you have access to a GUIState, you should use GUIstate methods start(), finish(), step(), reset(), and readNewStateFromCheckpoint() instead of the underlying methods in the SimState and Controller. Otherwise, feel free to use the underlying methods (such as Schedule.getTime()).
Exception Handling. It's a common error to schedule a null event, or one with an invalid time. Like Schedule, GUIState previously returned false or null in such situations, but this leaves the burden on the programmer to check, and programmers are forgetful! We have changed GUIState and Schedule to throw exceptions by default instead. You can change them both back to returning false or null (perhaps if you want to handle the situations yourself more efficiently than catching an exception, or if you know what you're doing schedule-wise) by setting Schedule.setThrowingScheduleExceptions(false).
| Modifier and Type | Field and Description |
|---|---|
protected Steppable[] |
after |
protected int |
afterSize |
protected Steppable[] |
before |
protected int |
beforeSize |
Controller |
controller
The controller for the GUIState.
|
MersenneTwisterFast |
guirandom
An additional random number generator available for GUI and drawing purposes,
separate from the one used in the model.
|
SimState |
state
The underlying SimState
|
java.util.HashMap |
storage |
| Constructor and Description |
|---|
GUIState(SimState state)
You may optionally override this constructor to call
super(state) but you should
be sure to override the no-argument GUIState() constructor as stipulated. |
| Modifier and Type | Method and Description |
|---|---|
Controller |
createController()
Creates and returns a controller ready for the user to manipulate.
|
void |
finish()
Called either at the proper or a premature end to the simulation.
|
static java.lang.Object |
getInfo()
Override this method with a static method of your own
in your subclass to provide an object (a URL or a String) describing information about
your simulation; if you do not override this method, then the system will
look for a file called index.html located next to your .class file
and use a URL to that file as the information.
|
static java.lang.Object |
getInfo(java.lang.Class theClass)
Returns either a String or a URL which provides descriptive information about the simulation hosted by
the given class (which should be a GUIState subclass).
|
Inspector |
getInspector()
By default returns a non-volatile Inspector which wraps around
getSimulationInspectedObject(); if getSimulationInspectedObject() returns null, then getInspector()
will return null also.
|
int |
getMaximumPropertiesForInspector() |
static java.lang.String |
getName()
Override this method in your subclass to provide a descriptive
name for your simulation;
otherwise the default will be used: the short classname (that is,
if your class is foo.bar.Baz, Baz will be used).
|
static java.lang.String |
getName(java.lang.Class theClass)
Call this method to get the simulation name for any class.
|
java.lang.Object |
getSimulationInspectedObject()
Returns an object with various property methods (getFoo(...), isFoo(...), setFoo(...)) whose
properties will be accessible by the user.
|
Properties |
getSimulationProperties()
Override this to provide a custom Properties object for your simuation.
|
static java.lang.String |
getTruncatedName(java.lang.Class theClass)
Returns the short name of the class.
|
protected Steppable[] |
increaseSubsteps(Steppable[] substeps)
Roughly doubles the array size, retaining the existing elements
|
void |
init(Controller controller)
Called to initialize (display) windows etc.
|
boolean |
isInspectorVolatile()
Deprecated.
|
void |
load(SimState state)
Called by the Console when the user is loading in a new state from a checkpoint.
|
void |
quit()
Called by the Console when the user is quitting the SimState.
|
boolean |
readNewStateFromCheckpoint(java.io.File file)
Loads a new SimState from the provided file.
|
protected void |
resetQueues()
Don't call this unless you know what you're doing.
|
boolean |
scheduleAtEnd(Steppable event)
Schedules an item to occur when the user stops the simulator (when the stop() method is executed), when it stops on its own accord, or when the user has load()ed another simulation to replace it.
|
boolean |
scheduleAtExtreme(Steppable event,
boolean atEnd)
Deprecated.
use scheduleAtStart and scheduleAtEnd instead
|
boolean |
scheduleAtStart(Steppable event)
Schedules an item to occur when the user starts the simulator (when the start() method is executed) or loads one (when load() is executed).
|
boolean |
scheduleImmediate(boolean immediatelyAfter,
Steppable event)
Deprecated.
use scheduleImmediatelyBefore and scheduleImmediatelyAfter instead
|
boolean |
scheduleImmediatelyAfter(Steppable event)
Schedules an item to occur (in no particular order) immediately after
the schedule is stepped on the next time step (not including blank steps).
|
boolean |
scheduleImmediatelyBefore(Steppable event)
Schedules an item to occur (in no particular order) immediately before
the schedule is stepped on the next time step (not including blank steps).
|
Stoppable |
scheduleImmediateRepeat(boolean immediatelyAfter,
Steppable event)
Deprecated.
use scheduleRepeatingImmediatelyBefore and scheduleRepeatingImmediatelyAfter instead
|
Stoppable |
scheduleRepeatingImmediatelyAfter(Steppable event)
Schedules an item to occur (in no particular order) immediately after
all future steps the Schedule takes (not including blank steps).
|
Stoppable |
scheduleRepeatingImmediatelyBefore(Steppable event)
Schedules an item to occur (in no particular order) immediately before
all future steps the Schedule takes (not including blank steps).
|
void |
start() |
boolean |
step()
Returns FALSE if nothing was stepped -- the schedule is exhausted or time has run out.
|
boolean |
validSimState(SimState state)
This method should be set to return TRUE if state can be validly used -- mostly likely
all you need to check is that it's the right class for this simulation.
|
public MersenneTwisterFast guirandom
public SimState state
public Controller controller
public java.util.HashMap storage
protected Steppable[] before
protected int beforeSize
protected Steppable[] after
protected int afterSize
public GUIState(SimState state)
super(state)
but you should
be sure to override the no-argument GUIState() constructor as stipulated.public static java.lang.String getTruncatedName(java.lang.Class theClass)
public static final java.lang.String getName(java.lang.Class theClass)
public Controller createController()
public static java.lang.String getName()
Notice that this is a static method, and yet you're overriding it as if it were an instance method. This is because the method getInfo(Class) uses reflection to call the proper method on a per-class basis. Like magic!
public static final java.lang.Object getInfo(java.lang.Class theClass)
public static java.lang.Object getInfo()
Notice that this is a static method, and yet you're overriding it as if it were an instance method. This is because the method getInfo(Class) uses reflection to call the proper method on a per-class basis. Like magic!
public Properties getSimulationProperties()
public int getMaximumPropertiesForInspector()
public Inspector getInspector()
public java.lang.Object getSimulationInspectedObject()
public boolean isInspectorVolatile()
public void init(Controller controller)
public void start()
public void finish()
public void quit()
public boolean validSimState(SimState state)
public void load(SimState state)
public boolean readNewStateFromCheckpoint(java.io.File file) throws java.io.IOException, java.lang.ClassNotFoundException, java.io.OptionalDataException, java.lang.ClassCastException, java.lang.Exception
java.io.IOException
java.lang.ClassNotFoundException
java.io.OptionalDataException
java.lang.ClassCastException
java.lang.Exception
protected void resetQueues()
public boolean step()
protected Steppable[] increaseSubsteps(Steppable[] substeps)
public boolean scheduleImmediatelyBefore(Steppable event)
Why would you use this method? Primarily to get things scheduled which aren't stored in the Schedule itself, so it can be serialized out without them.
public boolean scheduleImmediatelyAfter(Steppable event)
Why would you use this method? Primarily to get things scheduled which aren't stored in the Schedule itself, so it can be serialized out without them.
public boolean scheduleImmediate(boolean immediatelyAfter, Steppable event)
Why would you use this method? Primarily to get things scheduled which aren't stored in the Schedule itself, so it can be serialized out without them.
public Stoppable scheduleRepeatingImmediatelyBefore(Steppable event)
Why would you use this method? Primarily to get things scheduled which aren't stored in the Schedule itself, so it can be serialized out without them.
public Stoppable scheduleRepeatingImmediatelyAfter(Steppable event)
Why would you use this method? Primarily to get things scheduled which aren't stored in the Schedule itself, so it can be serialized out without them.
public Stoppable scheduleImmediateRepeat(boolean immediatelyAfter, Steppable event)
Why would you use this method? Primarily to get things scheduled which aren't stored in the Schedule itself, so it can be serialized out without them.
public boolean scheduleAtExtreme(Steppable event, boolean atEnd)
public boolean scheduleAtStart(Steppable event)
public boolean scheduleAtEnd(Steppable event)


Our preferred method of communication is by email; we will endeavor to reply to all enquiries within 48 hours
Warwick Irish Society is proudly sponsored by AUGHURSIHFIUE
© Warwick Irish Society 2015


Set up a local version of Jekyll GitHub Pages site to test changes before submitting to github.
How to check which JDK Eclipse is using.


DataTables 1.10 and Bootstrap 3.3.7 Integration
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Mushrooms (P. tampanensis)
Well, this is my story about my second time tripping. Also you'll have to excuse eventual spelling errors and/or bad grammar, as english isn't my native language.
The first time I heard of magic mushrooms was by a friend, who said he had tried it through a friend of his. He said it was something unexplainable, you felt normal, but you still didn't. Of course this caught my interest, as I have been wanting to try drugs, test them out to see what they're like, but haven't found a way to buy them. In Sweden it's pretty hard to get a hold of drugs, unless you know the right people, which I don't.
My first trip consisted of 2 grams, then another gram and was all in all a pretty okay trip. In the coming up phase I felt paranoia, nausea and really bad about myself and what I had accomplished with my life so far (basically nothing), but on the plateu stage and the coming down phase I felt pretty good, so we decided next time we'd try even more than 3 grams. Naive as we were, we thought 'well we've tried this once, we can call ourselves experienced now, can't we? Time to higher the dosage!'
So for our next trip we had ordered some mushrooms online, we had about 7 grams each. It was me, my best friend, a buddy from school and my girlfriend. We started talking some around my table, slowly eating the caps. I was eager to get my trip going so I ate 5 grams as fast as I could, just laying back on my bed watching them eat, waiting for my trip to come...
After just a couple of minutes I started giggling, and the giggling turned into spontaneous outbursts of laughter, I couldn't control myself! I just laughed and laughed til tears started flowing, eventually I calmed down back at my bed watching my friends still eating their share of mushrooms. Then I closed my eyes, and started seeing egyptian pyramids, it was like I was in some kind of air plane flying by the pyramids so fast! They kept swooshing by my head one by one, pyramid after pyramid... for some reason I thought if I put my head down against my pillow then I will stop seeing pyramids. But as I put my head against the pillow, I saw the pyramids inside the pillow! And I wanted to reach out to them, so I tried extending my hand into the pillow, which of course didn't work... eventually I gave this up and fell back on the bed and started chit-chatting with my friends.
By this time they had eaten their share, and we sat back talking, laughing, making silly jokes that had no point but we still laughed and had a good time. We all had a fairly strong dose so we really started seeing things. One of my friends felt like the room was a tent, he felt the walls blowing back and forth like a tent does when the wind blows on it. And this scared him, he started seeing more and more things and he couldn't find a way to make it stop. The feeling of not being in control made him very afraid, he had no clue how to stop it. He started saying things, I don't quite remember what it was as I was in my own world... but he eventually said something along the lines of 'This isn't good, it's not supposed to be like this... I can't breathe! I can't breathe, anyone else feel this way?'
And after he said that, the room went quiet, everyone felt their throats... and I felt that I couldn't breathe either. I started hyperventilating, so did my girlfriend. It felt like I couldn't get any air at all, they started saying that maybe we should call an ambulance, or someone will die!
Those words kept repeating themselves, 'Someone will die!  And so did the fact that they might call the ambulance. What would the legal consequences be? Jail? This whole ordeal scared me a lot, and you could feel that no one felt that well anymore, everyone were experiencing a 'bad trip'.
So my best friend, (The one who started it, so to say) called up someone that wasn't high, and talked to him. This person was able to calm him down, by saying things like 'It will go away, just be calm, it will go away' meanwhile the rest of us kept checking on the computer on various sites, to make sure this mushroom trip would not last forever, eventually we found somewhere where it said that the effects would go away after 6-14 hours, and this calmed us down somewhat.
Anyways, to wrap this up... all of us were experiencing what I would call a really bad trip, paranoia, feelings that someone would die, that I would die, that one of my friends would die... extreme paranoia as well. It was not a feeling I'd wish upon my worst enemy.
This has not made me scared of magic mushrooms, it has to one of the guys tripping with us though, he said he'd never touch magic mushrooms again. I'm willing to try it again though, but I've realized that to avoid bad trips, you have to be in a right mindset. Don't do it when depressed, don't take large doses when you aren't sure of the effects, and by all means... read up as much as you can about mushrooms. Read about other people's experiences, learn about them, this can help you maximize the fun of your trip and eliminate some of the chances that it'll end up as a bad trip.
What happened with us is that we stressed each other up so much that just because one person didn't feel very well, it made others feel the very same way. It was indeed not a fun day.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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Comeback Season: Lebese in Beast Mode As Club Search Continues
by SL SocialFormer Kaizer Chiefs midfielder George Lebese is a man on a mission and has intensified his efforts in search of a club. Check it out!
Lebese, who was on the books of defending PSL Champions, Mamelodi Sundowns as well as a loan stint with SuperSport United, has taken to Instagram to show just how serious he is about returning to the pitch.
The 30-year-old has been clubless since departing from Downs at the end of last season and is a free agent, who can join any interested team locally or abroad.
Download The Soccer Laduma Social Media App & Earn Airtime for Selfies!
Lebese has hit the gym and hard! The left footed dribbling wizard enlisted the services of personal trainer, Tebogo Mashalane as he looks to get into the best shape possible.
Fans will remember that his former coach Pitso Mosimane highlighted the fact that Lebese carried some extra weight when he joined the team from Kaizer Chiefs a few seasons ago.
A much slimmer Lebese shared some highlights of his workout on his Instagram page.
“Comeback season! @pumasouthafrica@tebogo_mashalane_88@vivid_contemporary,” he wrote.
Which team do you think Lebese would be better off signing for?


1.0.5
- Resolves a crash on empty
linear-gradient()
functions.
1.0.4
- Resolves an issue where
0
was being removed from intermediate colour stops
if preceding colour stops contained calc()
(thanks to @jaybekster).
1.0.3
- Resolves an issue where
0
was being incorrectly stripped from the final
colour stop value.
1.0.2
- Resolves an issue where the module would incorrectly parse floating
point numbers.
1.0.1
- Reduce function iterations (thanks to @TrySound).
1.0.0


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The Transformer class can be used to specify model transformations.
Model transformations take place between a source model (located in the source environment being an instance of the source metamodel) and a target model (located in the target environment being an instance of the target metamodel). Normally a "model" consists of several model elements associated with each other.
The transformation is specified within a subclass of Transformer. Within the subclass, the Transformer.transform class method can be used to specify transformation blocks for specific metamodel classes of the source metamodel.
If there is no transformation rule for the current object's class, a rule for the superclass is used instead. If there's no rule for the superclass, the class hierarchy is searched this way until Object.
Here is an example:
class MyTransformer < RGen::Transformer transform InputClass, :to => OutputClass do { :name => name, :otherClass => trans(otherClass) } end transform OtherInputClass, :to => OtherOutputClass do { :name => name } end end
In this example a transformation rule is specified for model elements of class InputClass as well as for elements of class OtherInputClass. The former is to be transformed into an instance of OutputClass, the latter into an instance of OtherOutputClass. Note that the Ruby class objects are used to specifiy the classes.
Besides the target class of a transformation, the attributes of the result object are specified in the above example. This is done by providing a Ruby block with the call of transform. Within this block arbitrary Ruby code may be placed, however the block must return a hash. This hash object specifies the attribute assignment of the result object using key/value pairs: The key must be a Symbol specifying the attribute which is to be assigned by name, the value is the value that will be assigned.
For convenience, the transformation block will be evaluated in the context of the source model element which is currently being converted. This way it is possible to just write :name => name in the example in order to assign the name of the source object to the name attribute of the target object.
When attributes of elements are references to other elements, those referenced elements have to be transformed as well. As shown above, this can be done by calling the Transformer#trans method. This method initiates a transformation of the element or array of elements passed as parameter according to transformation rules specified using transform. In fact the trans method is the only way to start the transformation at all.
For convenience and performance reasons, the result of trans is cached with respect to the parameter object. I.e. calling trans on the same source object a second time will return the same result object without a second evaluation of the corresponding transformation rules.
This way the trans method can be used to lookup the target element for some source element without the need to locally store a reference to the target element. In addition this can be useful if it is not clear if certain element has already been transformed when it is required within some other transformation block. See example below.
Special care has been taken to allow the transformation of elements which reference each other cyclically. The key issue here is that the target element of some transformation is created before the transformation's block is evaluated, i.e before the elements attributes are set. Otherwise a call to trans within the transformation's block could lead to a trans of the element itself.
Here is an example:
transform ModelAIn, :to => ModelAOut do { :name => name, :modelB => trans(modelB) } end transform ModelBIn, :to => ModelBOut do { :name => name, :modelA => trans(modelA) } end
Note that in this case it does not matter if the transformation is initiated by calling trans with a ModelAIn element or ModelBIn element due to the caching feature described above.
When code in transformer blocks becomes more complex it might be useful to refactor it into smaller methods. If regular Ruby methods within the Transformer subclass are used for this purpose, it is necessary to know the source element being transformed. This could be achieved by explicitly passing the +@current_object+ as parameter of the method (see Transformer#trans).
A more convenient way however is to define a special kind of method using the Transformer.method class method. Those methods are evaluated within the context of the current source element being transformed just the same as transformer blocks are.
Here is an example:
transform ModelIn, :to => ModelOut do { :number => doubleNumber } end method :doubleNumber do number * 2; end
In this example the transformation assigns the 'number' attribute of the source element multiplied by 2 to the target element. The multiplication is done in a dedicated method called 'doubleNumber'. Note that the 'number' attribute of the source element is accessed without an explicit reference to the source element as the method's body evaluates in the source element's context.
Using the transformations as described above, all elements of the same class are transformed the same way. Conditional transformations allow to transform elements of the same class into elements of different target classes as well as applying different transformations on the attributes.
Conditional transformations are defined by specifying multiple transformer blocks for the same source class and providing a condition with each block. Since it is important to create the target object before evaluation of the transformation block (see above), the conditions must also be evaluated separately before the transformer block.
Conditions are specified using transformer methods as described above. If the return value is true, the corresponding block is used for transformation. If more than one conditions are true, only the first transformer block will be evaluated.
If there is no rule with a condition evaluating to true, rules for superclasses will be checked as described above.
Here is an example:
transform ModelIn, :to => ModelOut, :if => :largeNumber do { :number => number * 2} end transform ModelIn, :to => ModelOut, :if => :smallNumber do { :number => number / 2 } end method :largeNumber do number > 1000 end method :smallNumber do number < 500 end
In this case the transformation of an element of class ModelIn depends on the value of the element's 'number' attribute. If the value is greater than 1000, the first rule as taken and the number is doubled. If the value is smaller than 500, the second rule is taken and the number is divided by two.
Note that it is up to the user to avoid cycles within the conditions. A cycle could occure if the condition are based on transformation target elements, i.e. if trans is used within the condition to lookup or transform other elements.
In some cases, transformations should just copy a model, either in the same metamodel or in another metamodel with the same package/class structure. Sometimes, a transformation is not exactly a copy, but a copy with slight modifications. Also in this case most classes need to be copied verbatim.
The class method Transformer.copy can be used to specify a copy rule for a single metamodel class. If no target class is specified using the :to named parameter, the target class will be the same as the source class (i.e. in the same metamodel).
copy MM1::ClassA # copy within the same metamodel copy MM1::ClassA, :to => MM2::ClassA
The class method Transfomer.copy_all can be used to specify copy rules for all classes of a particular metamodel package. Again with :to, the target metamodel package may be specified which must have the same package/class structure. If :to is omitted, the target metamodel is the same as the source metamodel. In case that for some classes specific transformation rules should be used instead of copy rules, exceptions may be specified using the :except named parameter. copy_all also provides an easy way to copy (clone) a model within the same metamodel.
copy_all MM1 # copy rules for the whole metamodel MM1, # used to clone models of MM1 copy_all MM1, :to => MM2, :except => %w( # copy rules for all classes of MM1 to ClassA # equally named classes in MM2, except Sub1::ClassB # "ClassA" and "Sub1::ClassB" )
If a specific class transformation is not an exact copy, the Transformer.transform method should be used to actually specify the transformation. If this transformation is also mostly a copy, the helper method Transformer#copy_features can be used to create the transformation Hash required by the transform method. Any changes to this hash may be done in a hash returned by a block given to copy_features. This hash will extend or overwrite the default copy hash. In case a particular feature should not be part of the copy hash (e.g. because it does not exist in the target metamodel), exceptions can be specified using the :except named parameter. Here is an example:
transform ClassA, :to => ClassAx do copy_features :except => [:featA] do { :featB => featA } end end
In this example, ClassAx is a copy of ClassA except, that feature "featA" in ClassA is renamed into "featB" in ClassAx. Using copy_features all features are copied except "featA". Then "featB" of the target class is assigned the value of "featA" of the source class.
This class method specifies that all objects of class from are to be copied into an object of class to. If to is omitted, from is used as target class. The target class may also be specified using the :to => <class> hash notation. During copy, all attributes and references of the target object are set to their transformed counterparts of the source object.
# File lib/rgen/transformer.rb, line 264 def self.copy(from, to=nil) raise StandardError.new("Specify target class either directly as second parameter or using :to => <class>") unless to.nil? || to.is_a?(Class) || (to.is_a?(Hash) && to[:to].is_a?(Class)) to = to[:to] if to.is_a?(Hash) transform(from, :to => to || from) do copy_features end end
Create copy rules for all classes of metamodel package (module) from and its subpackages. The target classes are the classes with the same name in the metamodel package specified using named parameter :to. If no target metamodel is specified, source and target classes will be the same. The named parameter :except can be used to specify classes by qualified name for which no copy rules should be created. Qualified names are relative to the metamodel package specified.
# File lib/rgen/transformer.rb, line 281 def self.copy_all(from, hash={}) to = hash[:to] || from except = hash[:except] fromDepth = from.ecore.qualifiedName.split("::").size from.ecore.eAllClasses.each do |c| path = c.qualifiedName.split("::")[fromDepth..-1] next if except && except.include?(path.join("::")) copy c.instanceClass, :to => path.inject(to){|m,c| m.const_get(c)} end end
Define a transformer method for the current transformer class. In contrast to regular Ruby methods, a method defined this way executes in the context of the object currently being transformed.
# File lib/rgen/transformer.rb, line 296 def self.method(name, &block) _methods[name.to_s] = block end
Creates a new transformer Optionally an input and output Environment can be specified. If an elementMap is provided (normally a Hash) this map will be used to lookup and store transformation results. This way results can be predefined and it is possible to have several transformers work on the same result map.
# File lib/rgen/transformer.rb, line 307 def initialize(env_in=nil, env_out=nil, elementMap=nil) @env_in = env_in @env_out = env_out @transformer_results = elementMap || {} @transformer_jobs = [] end
This class method is used to specify a transformation rule.
The first argument specifies the class of elements for which this rule applies. The second argument must be a hash including the target class (as value of key ':to') and an optional condition (as value of key ':if').
The target class is specified by passing the actual Ruby class object. The condition is either the name of a transformer method (see Transfomer.method) as a symbol or a proc object. In either case the block is evaluated at transformation time and its result value determines if the rule applies.
# File lib/rgen/transformer.rb, line 243 def self.transform(from, desc=nil, &block) to = (desc && desc.is_a?(Hash) && desc[:to]) condition = (desc && desc.is_a?(Hash) && desc[:if]) raise StandardError.new("No transformation target specified.") unless to block_desc = TransformationDescription.new(block, to) if condition _transformer_blocks[from] ||= {} raise StandardError.new("Multiple (non-conditional) transformations for class #{from.name}.") unless _transformer_blocks[from].is_a?(Hash) _transformer_blocks[from][condition] = block_desc else raise StandardError.new("Multiple (non-conditional) transformations for class #{from.name}.") unless _transformer_blocks[from].nil? _transformer_blocks[from] = block_desc end end
Create the hash required as return value of the block given to the Transformer.transform method. The hash will assign feature values of the source class to the features of the target class, assuming the features of both classes are the same. If the :except named parameter specifies an Array of symbols, the listed features are not copied by the hash. In order to easily manipulate the resulting hash, a block may be given which should also return a feature assignmet hash. This hash should be created manually and will extend/overwrite the automatically created hash.
# File lib/rgen/transformer.rb, line 366 def copy_features(options={}) hash = {} @current_object.class.ecore.eAllStructuralFeatures.each do |f| next if f.derived next if options[:except] && options[:except].include?(f.name.to_sym) hash[f.name.to_sym] = trans(@current_object.send(f.name)) end hash.merge!(yield) if block_given? hash end
Transforms a given model element according to the rules specified by means of the Transformer.transform class method.
The transformation result element is created in the output environment and returned. In addition, the result is cached, i.e. a second invocation with the same parameter object will return the same result object without any further evaluation of the transformation rules. Nil will be transformed into nil. Ruby "singleton" objects true, false, numerics and symbols will be returned without any change. Ruby strings will be duplicated with the result being cached.
The transformation input can be given as:
a single object
an array each element of which is transformed in turn
a hash used as input to Environment#find with the result being transformed
# File lib/rgen/transformer.rb, line 330 def trans(obj) if obj.is_a?(Hash) raise StandardError.new("No input environment available to find model element.") unless @env_in obj = @env_in.find(obj) end return nil if obj.nil? return obj if obj.is_a?(TrueClass) or obj.is_a?(FalseClass) or obj.is_a?(Numeric) or obj.is_a?(Symbol) return @transformer_results[obj] if @transformer_results[obj] return @transformer_results[obj] = obj.dup if obj.is_a?(String) return obj.collect{|o| trans(o)}.compact if obj.is_a? Array raise StandardError.new("No transformer for class #{obj.class.name}") unless _transformerBlock(obj.class) block_desc = _evaluateCondition(obj) return nil unless block_desc @transformer_results[obj] = _instantiateTargetClass(obj, block_desc.target) # we will transform the properties later @transformer_jobs << TransformerJob.new(self, obj, block_desc) # if there have been jobs in the queue before, don't process them in this call # this way calls to trans are not nested; a recursive implementation # may cause a "Stack level too deep" exception for large models return @transformer_results[obj] if @transformer_jobs.size > 1 # otherwise this is the first call of trans, process all jobs here # more jobs will be added during job execution while @transformer_jobs.size > 0 @transformer_jobs.first.execute @transformer_jobs.shift end @transformer_results[obj] end
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Haiku is an open-source operating system that
specifically targets personal computing. Inspired by the BeOS, Haiku is
fast, simple to use, easy to learn and yet very powerful.


Shows you the gallery of my arts.
Email<EMAIL_ADDRESS>Here, you can view my gallery and can purchase the arts which you like. What are you waiting for?
SHOP NOW


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Function
| Static Public Summary | ||
| public |
approx(num: Numeric, decimals: Numeric): Numeric Used to approximate a number to a certain number of decimals |
|
| public |
Extends an object with another object |
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| public |
Convert string to html |
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| public |
Checks if the value is a number |
|
| public |
Checks if the object is an Object |
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| public |
Loop through a collection Object or Array. |
|
| public |
radians(angle: Numeric): Numeric Convert an angle from degrees to radians |
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| public |
Generate a random number between two values |
|
| public |
Generates a random unique identifier |
Static Public
public approx(num: Numeric, decimals: Numeric): Numeric source
import {approx} from<EMAIL_ADDRESS>Used to approximate a number to a certain number of decimals
Params:
| Name | Type | Attribute | Description |
| num | Numeric | The number to be approximated |
|
| decimals | Numeric | The number of decimals to approximate to |
Return:
| Numeric | A new number |
public extend(o1: Object, o2: Object): Object source
import {extend} from<EMAIL_ADDRESS>Extends an object with another object
public html(text: String): HTMLElement source
import {html} from<EMAIL_ADDRESS>Convert string to html
Params:
| Name | Type | Attribute | Description |
| text | String | HTML code represented as String |
Return:
| HTMLElement |
public isNumber(value: mixed): Boolean source
import {isNumber} from<EMAIL_ADDRESS>Checks if the value is a number
Params:
| Name | Type | Attribute | Description |
| value | mixed | The value to be checked if it's a number |
public isObject(o: mixed): Boolean source
import {isObject} from<EMAIL_ADDRESS>Checks if the object is an Object
Params:
| Name | Type | Attribute | Description |
| o | mixed | The value to be checked if its an Object |
public loop(collection: Object | Array, cb: Function): * source
import {loop} from<EMAIL_ADDRESS>Loop through a collection Object or Array. If the function returns a value other then undefined, the loop stops.
Return:
| * | If a value other than |
public radians(angle: Numeric): Numeric source
import {radians} from<EMAIL_ADDRESS>Convert an angle from degrees to radians
Params:
| Name | Type | Attribute | Description |
| angle | Numeric | The angle in degrees |
Return:
| Numeric | The angle in radians |
public rnd(min: Number, max: Number): Number source
import {rnd} from<EMAIL_ADDRESS>Generate a random number between two values
public uid(): String source
import {uid} from<EMAIL_ADDRESS>Generates a random unique identifier


---
layout: layout
title: page-conference
ttl: "Playing with a (Heidelberg) Windmill a Damiano Bandini's workshop"
descr: "Playing with a (Heidelberg) Windmill a Damiano Bandini's workshop"
---
Workshops
June 7th, 2017
{% include workshop/workshop-stamperia.html %}
{% if site.tickets %}
{% include section-tickets.html %}
{% endif %}
{% include section-sponsors.html %}
{% include section-newsletter.html %}
{% include section-contact.html %}


Report: Walgreens Considering Leveraged Buyout
by Bruce JapsenWalgreens Boots Alliance has been in discussions with major private equity firms to possibly take the global drugstore chain private, according to media reports. Reuters Tuesday said Walgreens “has held preliminary discussions with some of the world’s largest private equity firms about putting together what would be the biggest ever leveraged buyout.”
The deal comes as Walgreens looks for ways to compete with rival CVS Health, which last year spent $69 billion to buy Aetna, the nation’s third largest health insurance company.


For my analysis on my User Science Journal I first started with using WAVE for the About Me, one of the blog posts, and the homepage. Wave generally showed me errors regarding links. The social media slogans didn’t have links and the blog post as well showed the same with missing links for the photos as well. Lighthouse had much more details to show how the site can be improved. Such as resizing the images, remove unused CSS and summarizing page content. I will be skimming through my site to make 3 changes suggested by the auditing tools and make it more user friendly.
Fixing Errors
The first of errors I decided to fix was to clean up CSS. This suggestion I think will help the site work better without it needing to think about unnecessary codes. Below is a snippet of before and after screen shots of the code. For example, I am not using captions for photos so there is little point in keeping the code in there.
Another change I made was to eliminate the text in the front page that showed an italic text that was too light for some to see. The line was an example, so I just deleted it completely since it had nothing to do with my blog and keeps users from being confused about it. Below is the before and after of the code.
My third change was to correct an error showing the description text was empty. This intrigued me because I had no idea what was meant. So I went into the code and searched. Took me a minute to finally find what they meant and it is supposed to be at the top nav bar it seems. I can see how for searchability this would be important. Here is a before and after of the code.
Conclusion
I think I was expecting more errors and overall the changes were a bit challenging making sure that I wasn’t changing anything important. Some were harder to understand than others, but I did my best to work through some that would make a difference. I like the bootstrap framework because it not hard to work with compared to others I have explored. The design is simple and the errors needed to be fixed seem to be easy enough to understand where someone who is new to usability can learn to navigate around.


Japan has a number of traditional holidays which are celebrated with festivals (matsuri) that bear a slight resemblance to American fairs and carnivals (only with a distinctly Asian flavor, of course). Most matsuri are based near or on the grounds of a local shrine, having grown out of local religious traditions — not that it necessarily shows all that much in the modern form.
In anime set in Japan (or in locations with a strong Japanese influence), it's common to have at least one episode featuring one of these festivals. It takes the cast out of their usual situation/locale and puts them in a new one, which usually provides insights and new angles on them. The relaxed yet structured atmosphere of the traditional festival — and the opportunities it provides — can also prompt the evolution of relationships which might otherwise be stalled or failing. And in modern settings, it's an excuse to get the characters — even foreigners — out of modern "Western-style" clothing and into proper kimono and geta, which has a strong appeal to a fair-sized fraction of the Japanese audience.
Almost inevitably a girl wearing a kimono will break a strap in her sandal and will have to be carried by a guy she has a crush on.
In some series the resident crossdressers will still wear the appropriate outfit of the other sex.
You often see the Goldfish Scooping Game and Kimodameshi at festivals.
See also School Festival. Compare Christmas Episode and A Fête Worse Than Death.
Some of the festivals you're likely to see in anime:
- December 31-January 1st — New Year's Eve and Day
- March 3rd — The Doll Festival
- (variable, April) — Cherry Blossom (Sakura) Festival ("Hanami", literally, flower viewing)
- End of April-Beginning of May — "Golden Week", when a number of national holidays occur, including Children's Day (May 5th), the Iris Festival, the Tango Festival, Greenery Day and the Constitution Memorial Day
- July 7 — Weaver Fest, also called the Star Festival and Tanabata
- July 15 or 16 — Toro Nagashi, AKA Lantern Floating Day
- August 15 — Bon Festival (the most famous of them all)
- September 9 — Chrysanthemum Festival
- November 15 — "7-5-3" Festival
- Late December — Year-end Fair
Examples:
- Mega Man: Upon a Star has Japanese holidays in episode 2, and the Obon festival in episode 3.
- Shakugan no Shana. "It's a school festival. It's a festival organized by the school."
- Sailor Moon includes a festival organized by Rei in the second season, as well as a Sakura Festival episode. In a later episode, there is a Lantern Floating Festival, probably. Finally, in the manga, the Tanabata is the focus for one side story.
- Love Hina has a Festival Episode about two-thirds of the way through the initial series; the manga shows several.
- Mazinger Z: Episode 29 happens during a festival that The Hero Kouji and his friends were participating on. Unfortunately, the appearance of Mechanical Beast Grengus C3 put a damper on the festivities.
- Ranma ½:
- A festival helps cheer up Ranma when he is stuck in female form during the "Cat's Tongue Shiatsu" arc.
- The anime has a Festival Episode involving a panda doodle with a crush on Ranma.
- Sakura Wars:
- Early on in the first OVA series, the multinational cast wear kimonos during a local festival.
- In the fourth episode of Sakura Wars the Animation, there is a spring festival held at Shinonome Shrine, where Hatsuho serves as its local shrine maiden.
- Mai Hime subverts this somewhat, in that the "Festival" is something much, much darker.
- Genzo and Megumi spend most of the Cheeky Angel Festival Episode on the run from the police.
- Blue Seed actually has a Festival Episode Grand Finale.
- Kamichu!! had a lot of festival episodes, most in Yurie's honour.
- The Big O features a Christmas episode in which the hero unsuccessfully battled a giant mutant Christmas tree called Demon Seed.
- One of the most important parts of Elfen Lied takes place in a festival of this kind. After finding Kouta hanging out with his cousin Yuka, Lucy starts her second gruesome killing rampage.
- AIR uses flashbacks to festivals in the girls' backstories, and The Movie culminates in a summer festival.
- Mermaid Melody Pichi Pichi Pitch uses one early on in the summer, and the manga has a few more, usually New Year's things.
- Episode 8 of the Strawberry Marshmallow anime and episode 27 of the manga have Nobue escort the four little girls at the summer festival. In both, Ana is lacking a yukata, so Nobue "borrows" one off of Miu, who ends up wearing Nobue's old one.
- Lucky Star:
- Episode 5 features the characters going to a festival. Konata observes how if this was a Dating Sim it would trigger an Event Flag, seeing as they are wearing yukata and outdoors. Kagami also manages to scoop a goldfish.
- The "7-5-3" is mentioned by Kagami when she says that Konata wearing a long-sleeved kimono to her coming-of-age ceremony would look like she's celebrating that, instead.
- Also, Golden Week is mentioned; Tsukasa and Konata fritter it away instead of finishing homework, while Kagami is almost done by the time it's almost over. And in the OVA, while the Hiiragis and Konata go off on vacation, Kuroi-sensei gains several levels in an MMORPG...
- The Izumis do their first shrine visit of the year (following a day at Comiket that was quite harrowing for the twins, who have to work as miko at the shrine that evening) and draw opposite fortunes. Of course, one of Soujirou's reasons for going was to see the miko...
- And the four go for Hanami, where they discuss the disparity between what you feel like you should be able to wear and the reality, and Kagami's plump goldfish; Konata asks Kagami if she's going to scoop up a skinnier replacement (she didn't realize, as she was thinking, that she was facing the appropriate booth for it).
- And again; but first, when Konata wants to show exchange student Patricia some Japanese culture, she calls Miyuki, who says they just put away their princess dolls, but suggests inviting her to a flower-viewing party. Patricia's mind automatically goes to the drinking and eating aspect.
- Risa Koizumi first confesses her love to Atsushi Ootani while watching fireworks at a festival in Lovely Complex.
- The "7-5-3"-festival is referenced in the song played during Kozue's duel in Revolutionary Girl Utena.
- Yotsuba&! features the eponymous Yotsuba learning about display fireworks at one of these; she also plays the Goldfish Scooping Game and wears a yukata that is just so goddamn Moe it's mind-breaking.
- In a later festival episode for a local shrine, Yotsuba is happy in a happi as she helps pull a portable shrine through the streets.
- This Ugly Yet Beautiful World has an Obon festival episode, to be more precise. It's made plot relevant since it is during this festival which people honor the deceased that Hikari first comes to understand death.
- Azumanga Daioh:
- Azumanga Daioh sends the girls to a summer festival, and highlights that out of the 8 of them, only two actually knew how to put a kimono on. And those two aren't the teachers who were along. One of the few times goldfish scooping isn't shown (although they talk about it). They do see a turtle game of some sort; Osaka asks if a turtle's really needed.
- Also, they go for their first shrine visit of the year, during which Chiyo makes a special prayer for all her friends to pass, and Tomo draws a bad fortune. Later, Yukari reveals that the shrine owner's son didn't get into college.
- The last Sound Stage of Magical Girl Lyrical Nanoha A's takes place in a Hanami Festival that nearly the entire cast attends.
- Kashimashi: Girl Meets Girl:
- The anime has a festival episode that serves to heighten the tension between the all female Love Triangle. Bonus points for having the whole cast wearing yutakas, even the tomboyish girl.
- They have had quite a few different summer festival chapters in the manga. However, none of these festivals really do anything to the hardly visible tension in the manga.
- The last episode of Natsume's Book of Friends revolves around a festival that the entire cast attends.
- In Hidamari Sketch, the Festival Episode has a backstory about Kitsune.
- Yamazaki is asked to go to a festival by a girl in his school in Welcome to the N.H.K.. He initially dismisses it, due to a childhood memory of seeing a girl he liked with another boy at a festival, but in the end, ends up going.
- Sayonara, Zetsubou-Sensei:
- The cast visits a festival and meet a group of people with a penchant for hyping anything. They end up taking several students on platforms and chanting their prominent features. Including "Normal" for Nami.
- There have actually been numerous festival episodes, including a Tanabata episode in which Kafuka convinces everyone that the wishes they hang on bamboo trees will come true in the next life. (Which ends predictably for Nozomu). Another episode has aliens invade during a festival, forcing a Giant, Kimono-Clad Chiri to fight them off.
- Damekko Doubutsu had one of these.
- Ninja Nonsense had one of these in episode 5.
- In Assassination Classroom, the day before the beginning of the second semester, Koro-sensei and some of the Class-E students visit a summer fest. The kids, thanks to their assassination training, turn out to be far too skilled at the game booths. Hayami and Chiba in particular end up getting banned from the shooting range after practically robbing the stand of its prizes.
- Mahou Sensei Negima! has both a festival episode (the summer festival) and a festival ''arc'' earlier. That arc lasted around 7 volumes.
- Haruhi Suzumiya:
- Part of the second episode (and the third, and the fourth, and the fifth...) of Season 2 takes place during the O-Bon festival and the group, among other things, plays with fireworks. Yuki buys a mask.
- Also, the first episode happens in Tanabata time (well, except the part Mikuru sends Kyon back in time with her).
- Both versions of Asatte no Houkou have one of these. They both advance the plot, but in slightly different ways.
- Pokémon:
- The episode "The Ghost of Maiden's Peak".
- And the Twinleaf Festival miniarc in Sinnoh.
- And the Kanto festival in Unova, attended by Ash, his friends, and N.
- At the end of the first arc, Fushigi Yuugi features the fictional Stargazing Festival, which Miaka attends with Nuriko and Tasuki.
- Black Lagoon: Rock and Revy attend a street festival towards the end of the second season.
- Karin has the typical school festival arc.
- Canaan begins its first episode with a variation of this trope. As the show opens up in Shanghai, the festival has a distinctly Chinese flavour.
- Hayate the Combat Butler has a festival happening at Riza's house, the characters continually mention that it doesn't resemble a shrine festival.
- Episode 19 of Sgt. Frog has the frog invaders running a series of stalls as part of their latest scheme to raise invasion funds, and Natsumi getting them to leave by meeting their turtle-catching challenge. It even featured a new ending credits sequence with a new song, "Pekopon Invasion Ondo"
- Ouran High School Host Club has a festival chapter in the manga. A few chapters prior to this a new female character named Yasamura Mei was introduced. The boys, Haruhi, and Mei attend a local summer festival in Haruhi's area and all are wearing proper yukata. Much to the boys' delight, Haruhi was wearing an exceptionally beautiful yukata made by Mei (who was more than happy to brag about how well it turned out).
- In Great Teacher Onizuka, upon finding that a matsuri is going on at a local temple, Anko suggests to Noboru that they check it out. She uses it as an excuse to change into her yukata and spend the evening with him without actually calling it a date.
- My Bride is a Mermaid has one of these early on; with the added twist that San's family has taken over most of the booths with the intent of killing Nagasumi, using such methods as putting a shark in the Goldfish Scooping Game.
- There's a horror manga titled Tanabata no Kuni which involves the traditional festival of a Town with a Dark Secret.
- Chi's New Address has Chi visiting a festival with Tama.
- Episode 7 of Tenchi Universe, which included Ryoko manning a Goldfish Scooping Game - with fish the size of minivans - and Washu testing out a fun house that lead to a variety of dangerous landscapes, including a field of crystal and the surface of a star.
- Ghost in the Shell: Innocence has Batou going into New Port City, which might be located in China (it has very distinct Chinese atmosphere). And a festival/carnival is going on, it's like something you can expect in local chinatown during certain time, but... Mind Screwier. For starter, everything seems HUGE, including the statue/balloon/hologram of Guan Yu that's being paraded around town.
- The Idolmaster: The first time the girls go on stage is during the Summer Festival at a rural village.
- The closing credits for the last episode of the first season of Squid Girl sees some of the characters at a Bon festival for a few seconds.
- In K-On!:
- The second and third years, the girls have a New Year's party at the Hirasawa residence. It matters not that the one for their third year was unplanned; Ui was just as prepared.
- For their first and second years, they make their first shrine visit for each. The first year, Ritsu tricks Mio into dressing in a lovely kimono, while Tsumugi manages to come in normal clothes. These roles are reversed the next year. Also, for the second year, Ritsu receives New Year's cards from the others, and decides to make hers into substitute omikuji.
- A summer festival is featured in the second Kasei Yakyoku OAV.
- More than one murder in Detective Conan takes place in the middle of festivals.
- One chapter in Gakuen Babysitters has the Kashima siblings and Kamitani siblings go to a summer festival together.
- In 3-gatsu no Lion, one story arc takes place during the three-day Obon Festival, where the central focus is on how the Kawamoto are coping with the death of their parents as they pay their respects and reminisce.
- In Kingdom Hearts II, Sora and his friends attend an end-of-summer festival in Twilight Town just after waking up from their year-long sleep. It's here where they meet Hayner and his friends. The festival was also mentioned in the game by the digital replica of Pence, but was never attended.
- Blue Exorcist:
- The big school festival that everyone gets dragged into becomes important briefly. And when the word big is used it means big with big businesses take part, lots of big balloons, and a concert involved. And Mephisto parachuting in to start the festival. It's so big and vibrant that just putting it under a School Festival heading doesn't quite fit. Plot wise, this is also when the first Wham Episode happens and thus the Festival ends on a sour note for the main cast.
- The Movie also centres on a festival that only comes around every 11 years and celebrates the legend of the sealing of a demon long ago that destroyed a village. This being Blue Exorcist, the demon accidentally gets unsealed by Rin and the previous disaster almost happens again.
- Free! has one. In other series, boys in festival episodes tend to not dress up however as this is a series that thrives on having a Cast Full of Pretty Boys Rei and Nagisa wear kimonos.
- A Silent Voice has a cute festival chapter that turns out to be a Wham Episode. Shouko decides to kill herself afterwards, only for Shouya to save her. He however ends up in a coma when he falls instead of her.
- Episode 5 of Kimi to Boku takes place during a festival. Chizuru is the only one to wear a kimono.
- Chapter 48 of Miss Kobayashi's Dragon Maid had the cast attend a festival together, with all the dragons (except Ilulu) in kimonos. The anime partially adapted it as part of the New Year's episode.
- Kaguya-sama: Love Is War has the two-parter "I Can't Hear the Fireworks" that follows Kaguya's desire to see a fireworks show with her friends.
- Episode 5 of Washio Sumi Chapter manages to be both a sad funeral episode and a fluffy festival episode. After Gin's funeral, Washio and Sonoko go relax during a festival.
- The Tamagotchi episode "Let's Celebrate! Tama-Beans Festival" has the characters celebrating a festival similar to the Japanese holiday of Setsubun, where those celebrating the festival throw beans to ceremonially expel evil spirits from their house.
- The Child of Love: In episode 5 Shinji and Asuka go to Obon festival. They wear kimono, spend the afternoon together, hang out with their friends in the local arcade and watch fireworks together. As they are doing the latter activity they have a serious talk, open up and get together officially.
- Dirty Sympathy: the Wright Anything Agency and Klavier visit the Obon Festival run by the Kitakis because Apollo wanted to spend time with Klavier when it's not an emergency.
- Princess Of Konoha starts with six-year old Naruto going to a festival for the first time. It celebrates the defeat of the Nine-Tailed Fox and is also on his birthday.
- Almost all Super Sentai series have an episode like this (usually for New Year or Tanabata).
- The New Year story events of Granblue Fantasy feature characters based on the Zodiac signs, as well as Kimono / Yukata outfits for certain characters.
- One of the early levels in Osu! Tatakae! Ouendan takes place at a matsuri, and involves a dude challenging his crush's father to a mikoshi race.
- Persona: Taking place in the year in the life of the protagonists, they each have a Summer Festival.
- The Tanabata Festival is responsible for the entire plot of Persona 2: Innocent Sin, once the roots of the Masquerade are revealed.
- The male protagonist of Persona 3 has a selection from his school love interests, Portable has the female protagonist choose from her fellow members of SEES.
- Persona 4 has a notable example in that the entire Investigation Team (plus Nanako and Dojima) have a day to themselves and then a day for the protagonist's school friends.
- Persona 5 has the group heading to a fireworks festival, unfortunately it doesn't last long when it gets cancelled due to a rainout.
- In Ensemble Stars! there are a number of holidays in which every unit participates, making them essentially annual events which every unit will get one for eventually. Aside from Halloween, Christmas, Valentine's, and White Day, they also have a number of festivals: the Cultural Festival which occurs early in the school year, Tanabata which occurs in July, and the Sports Festival which happens in Summer. Events centering on other events such as New Years also exist, but aren't a fixed part of the event schedule and so don't happen every year.
- Subversion: The sinister Watanagashi festival in Higurashi: When They Cry is the central event in The Rashomon style story, told from a number of different angles that end in brutal murders.
- Shizune's route in Katawa Shoujo features her, Misha and Hisao attending Tanabata. At the end, Hisao officially asks Shizune out.
- Amnesia: Memories plays with this trope. There's always a fireworks festival going on during the first half of August, but several routes downplay the location itself. The heroine doesn't make it to the festival location itself in Shin's and Ikki's routes, and the fireworks don't occur in Kent's route because of bad weather.
- The finale to Neko Sugar Girls has a portion that takes place in a festival. It's mainly there to check off the "anime cliches" quota and to see everyone in kimonos but it also serves as one of the last positive things to happen to Raku before she dies.
- There is no GATE; we did not fight there: The Festival mini-turn, accompanied by the *The Tyrant's Fall Festival* features Kytheus and his friends enjoying the colorful celebrations following the defeat of the Hardy Beast, the Tyrant. Helen and Victoria, two of the possible marriage candidates for Kytheus, also attend the celebrations to grow more used to Rhavenfell's atmosphere and closer to Kytheus.
- In an episode of Avatar: The Last Airbender, the protagonists briefly attend a cultural Fire Nation festival. The festival itself was primarily based on Chinese New Year festivities and the masks that were worn by the characters were based on Kabuki theater. They also saw a children's puppet show of Fire Lord Ozai setting an Earthbender on fire.


Będą bić!
Mass strikes of peasants and workers, violently suppressed by police and military, ghetto benches and pogroms of Jewish communities, secret schemes behind the scenes of politics and the menace of war over Europe... welcome to 1937.
The second LP recorded with the help of Marcin Prusiewicz and Marcin Buźniak in Prusiewicz Studio in Owczary near Cracow. Songs were mastered by Marcin Klimczak (Mustache Ministry Studio). The album was once again released by Antena Krzyku. The cover was designed by Ygrekowski, and the booklet was drawn by Mateusz Nowicki.
hide informations- Za nic
- Piosenka młodych faszystów
- Wojenka
- Polak zbrojny
- Racyje
- Płać, chłopie!
- A+B
- Żyda bić
- O Berezie
- Jeść i pić
- Puste samoloty
- Hoży i świeży
For Nothing
war gave us freedom, brotherhood, democracy
but war forgot to give us bread to eat
and for bread was the war
for bread were the battles
for bread death in the trenches
and prayers in the churches
and for freedom was the war
for freedom rang the bells
and millions of young heads layed down in the ground
but war forgot top put down martyred, saint
freedom nailed to the cross of torment
freedom gave us tons of tin heroes
and put loads of tin medals in our pockets
no way to melt it down
no way to sell it out
to overcome poverty
to overcome one's hunger
we walk and we jingle
with cheap, tin medals
and we cannot buy a meal
for them
for nothing
tr. Mateusz Nowicki
The Song Of The Young Fascists
by Leon Pasternak
when there's a gun by your leg
and you're armed up to teeth
play the march on pavements
and order to beat the drums
'cause rest is nonsense
hip hip hurray
when there's a time, strike
but straight between the eyes
let the steel crush the bones
until your foe bleeds
when there's time to break the statues
it's eager to break them
'cause order came from
the fuhrer or the duce
but when the nonsense is revealed
beat the blacks or the jews
hey, mates, forward march
there's only starch in potatoes
a bloody, greasy borscht
we eat today for lunch
grab one's throat, like that
put his mug by the wall
bend him with the knee
you're the master now
and when the blood runs out
for the disciplined hearts
drink the blood from others
and woe to the infidels
when you will bite the dust
there would be time to dream
meanwhile shut your mouth
and whatch your own shadow
every corner is covered
there's the enemy, the enemy, enemy
tr. Mateusz Nowicki
War
by Lucjan Szenwald
A fatherland without a soldier is like beheader without a sword
So they take the flower of youth for many years now
And when the workers’ blood squirts under heavy tanks
In banks and stocks hallways joyful voices sing:
War! War!
Music sets the march
War! War!
Money flows in streams
Kill the enemy in the name of God
Give your young life for someone’s pocket
In his office a manager eats a tasty dinner
Merry he is, as brave army he owns
And when the poor worker will rot in the trenches
The manager earns his money and gets obese
On Pilsudski Square the buglers blow the trumpets
The Polish Chief of State is inspecting his army
And when someone leaves a silly flower on your grave
You, oh unknown dead man shall sign along the song
War! War!...
They’ll bury you in a cosy, collective grave
Oh, what a jolly fellowship of different corpses
And when the passionate wave will push you in a frenzy love
You shall spent a night with nurse’s remains
War! War!...
tr. Mateusz Nowicki
An Armed Pole
by Ziemowit Szczerek
Strong will the Polish be
If there would be no war
Armed up up his cap
If only Hitler won’t invade us
Plenty of colonies we’ll have
If only we don’t get hit by Stalin
Tropical fertile soil
Eagle on a hats of cork
There will be URs, there will be planes
TP-98 tanks
Everyone will dread our power
If we don’t get hit by Stalin!
There will be a colonial legion
And ebony-skinned cavalry
Everything will be just lovely
If the Hitler won’t invade us
Great Intermarum awaits
Polish eagle upon Europe
From Bulgaria to Nordkapp
If the Hitler won’t attack
We don’t need to be liked by no one
They will tremble like a milksop
They only need to dread our power
If we don’ get hit by Stalin!
tr. Mateusz Nowicki
Rights
by Andrzej Zagajewski
Fear in entire town
someone runs, scream echoes
they order new coup
they will fight each other
come on, look!
riots and demonstrations
i have a right, i got all the rights
there's rumble on the streets
there's marching crowd in sight
it's the jews from the Bund
encouraging for revolt
they plan new plot
here's a scream in the distance
'I have no money to eat nor to drink'
the police is gathering, it's time to stop,
it's time to run
rubber batons are swinging,
an army enters - shots are fired
the crowd screams, lower your heads,
put your hands up, stay by the wall
come on, look!
tr. Mateusz Nowicki
Pay, Yokel!
by Lucjan Szenwald
On paths between arable fields
In villages where hunger dwells
There bailiff walked with police
And knocked on the peasants' doors
The winter grabs a snow from a sheet
And sows it on the meadows
And the voice in the blizzard calls:
pay, yokel, pay!

The landowner holds his grounds
He ships whole woods to sell
The burden of the taxes
Bows down our poor necks
Nothing to wrap our feet
Will we sleep on a snow?
The state ruins us, and floods
pay, scoundrel, pay!
The bailiff haunts the hamlets
The gray, blamished face
strangles us. There's a blue force
For the disobedient ones
The winter walks on plains
And weaves a shirt from snow
The voice in blizzard cries:
Pay, yokel, pay!
They told us: the land is yours again
they told us socage time is over
They know not how much effort one can take
They know not how much effort is in golden spikes
They know not what can peasant's scythe can do
tr. Mateusz Nowicki
A+B
by Mateusz Nowicki
Do you prefer hammer or a sickle?
Are you from here or from outside?
Is it shovel or a rifle in your hand?
You want to sow or to kill?
Diversity is a natural thing
Solidarity – is important
Because you live under one roof
With both smart and the scum!
tr. Mateusz Nowicki
Beat The Jew
by Julian Tuwim
They will beat – the Poles and the Russians
They will beat – sunny Slavs
They will beat – peasants and burghers
Quietly, men, in turns!
In turns! In turns! Queitly, people, in turns!

In turns! In turns! Queitly, people, in turns!
They will beat, they need to beat!
Beat the Jew!
Until one takes his pitchfork
Shouting – my time has come!
Onward, thieves, scumbags and bandits
Run or I’ll pierce the holes in you!
tr. Mateusz Nowicki
In Bereza
If you wish to know
How in Bereza it was
No sitting, no lying – forward march!
Wake up whistle at 4 o'clock
They took us up from our pallets
Second whistle – rally – forward march!
No jokes here, no fun
The commanders are dabsters
In torturing, in tormenting
– forward march!
Sticks are swang during exercise
everyone counts silently in mind:
Twenty
Thirty
Fourty
Fifty
Sixty
Seventy
Eighty
Truncheon hits!
Forward march!
tr. Mateusz Nowicki
To Eat And To Drink
by Władysław Broniewski
I have no money to eat nor to drink
One ought to work to exist
If there is a decent job
I’ll join the masons’ labour
To eat and to drink
ke the trowel in hand, brother
You’ll work earnestly
Walls and roofs shall emerge
The great prison will be built
They will give me food and drink
In this prison I will rot!
I don’t want no bolts and bars
I will stray far, far away
I shall take the iron hammer
And join blacksmiths
No bolts and bars
Hit the hammer with us, brother
There’s a work on a chain
Tempered in fire it will be
Your shackles shall be made of it
Executioner waits for my chain
I will carry it for many years
What shall I do, where should I go?
Shall I eat from hunger a stone
It is destined for me to be
Unemployment, famine and cell
Oh, brother, where should I go?
tr. Mateusz Nowicki
Empty Planes
by Jerzy Jurandot
War? Bring it on. We’ll be delighted.
It does scare anyone no more
A tank will fight with another tank
A cannon with cannon
All without maning
But progress, but man's genius?
Even today an empty plane could fly
One can operate ship remotely today
and in ten years?
Empty planes will fight each other
Empty ship will ravage on torpedo ship
But man? what does a man do?
everyone's poisoned anyway
tr. Mateusz Nowicki
Fresh And Shiny
by Julian Tuwim
Just as a golden sunbeam Hits my windows I get up, fresh and shiny Shouting anti-state slogan
I immerse, up to my eyes In joyful moral filth And so I sincerely disparage to God, to fatherland and humanity
I communize, for an hour I spill the spirit, and then Slander a little bit Or blasphem, if it’s holiday
I get back to my home, content Light as a little birdy In my quiet apartment Printing machine awaits
I print and print Lovely green dollars Commies leaflets Pornographic booklets
tr. Mateusz Nowicki


Three JS
First Example
Second Example
Third Example
Fourth Example
Fifth Example
Sixth Example
Seventh Example
Eighth Example
Ninth Example
Tenth Example
Eleventh Example
Twelfth Example
Thirteen Example
Monkey Example


I usually set up my Maven-build projects to be as quiet as possible. My preference is "Silence is Golden": if the command says nothing on the command line, it worked; if it failed, it prints to STDERR.
However, sometimes I want to see some output while I'm tracking down a problem. How best to reconcile these?
Maven 3.3.1 (maybe earlier)
introduced the .mvn
directory for your project root (note
leading DOT). In here you can keep a jvm.config
file which
has the flags to the java
command used when running
mvn
. Here's my usual jvm.config
:
-Dorg.slf4j.simpleLogger.defaultLogLevel=WARN -Dorg.slf4j.simpleLogger.log.Sisu=WARN
This quiets maven down quite a bit, using the properties to control Maven's more recent logger, SLF4J. And I normally commit that into my project code repository.
And for those times I'd like more output? I could edit the file, but I don't trust myself enough not to accidentally commit those temporary changes. So I use the command line:
$ MAVEN_OPTS='-Dorg.slf4j.simpleLogger.defaultLogLevel=INFO' mvn
Ultimately mvn
reads .mvn/jvm.config
, putting the contents into the
variable MAVEN_OPTS
, and uses MAVEN_OPTS
in the
invocation of java
, and you can override the variable
yourself on the command line.


--- layout: post date: 2016-08-08 09:45:00 +0200 title: "Debian Code Search: improving client-side latency" categories: Artikel tags: - debian ---
A while ago, it occurred to me that querying Debian Code Search seemed slow, which surprised me because I previously spent quite some effort on making it faster, see Debian Code Search Instant and Taming the latency tail for the most recent substantial architecture overhaul and related optimizations.
Upon taking a closer look, I realized that while performing the search query on the server side was pretty fast, the perceived slowness was due to the client side being slow. By “being slow”, I mean that it took a long time until something was drawn on the screen (high latency) and that what was happening on the screen was janky (stuttering, not smooth).
Part of that slowness was due to historical reasons: the client-side architecture was optimized for the use-case where users open Debian Code Search’s index page and then submit a search query, but I was using Chrome’s address bar to send a search query (type “codesearch”, then hit the TAB key). Further, we only added a non-JavaScript version after we launched the JavaScript version. Hence, the redirects and progressive enhancements we implemented are more of a kludge than a well thought out design.
After this bit of original investigation, I opened GitHub issue #69 to track the work on making Debian Code Search faster. In that issue, I captured how Chrome’s network inspector visualizes the work necessary to render the page:
There are a couple of little fixes and improvements on which I’m not going to spend too much time on, but which I list for completeness anyway just in case they come in handy for a similar project of yours:
svgo
optimizer (saves 8KB).
The URL pattern has changed. Previously, we had 2 areas of the website, one for JavaScript-compatible clients and one for the rest. When you hit the wrong one, you were redirected. In some areas, we couldn’t tell which area is the correct one for you, so you would always incur a redirect: one example for this is the search bar. With the new URL pattern, we deliver both versions under the same URL: the elements only used by the JavaScript code are hidden using CSS by default, then made visible by JavaScript code. The elements only used by the non-JavaScript code are wrapped in a <noscript> tag.
All CSS which is required for the initial page rendering is now inlined in the responses, allowing the browser to immediately render a response without requiring any additional round trips.
All non-essential CSS has been moved into a separate CSS file which is loaded asynchronously. This is done using a pattern like <link rel="preload" href="foo.css" as="style" onload="this.rel='stylesheet'">
, see also filamentgroup/loadCSS.
We switched from WebSockets to the EventSource API because the former is not compatible with HTTP/2, whereas the latter is. This removes a round trip and some custom code for WebSocket reconnecting, because EventSource does that for you.
The progress bar animation used to animate the background-position
property. It turns out that browsers can only animate the position
, scale
, rotation
and opacity
properties smoothly, because such animations can be off-loaded to the GPU. Hence, we have re-implemented the progress bar animation using the position
property.
The biggest win for improving client-side latency from the Chrome address bar was introducing Service Workers (see commit 7f31aef402cb782056e290a797f224171f4af270). Our Service Worker caches static assets and a placeholder results page. The placeholder page is presented immediately when you start a search (e.g. from the address bar), making the first response immediate, i.e. rendered within 100ms. Having assets and the result page out of the way, the first round trip is used for actually doing the search, removing all unnecessary overhead.
With all of these improvements in place, rendering latency goes down from half a second to well under 100 ms, and this is what the Chrome network inspector looks like:


Welcome to the Savings Plan REST API applicationThis application hosts a sample REST API that is written in the LoopBack API framework. The GET and POST /Plans/estimate operations calculate the savings account balance for a fixed interest rate and annual deposits over a number of years. Download the API interface as an OpenAPI definition file. |


Computer Science
The Bachelor of Computer Science or Bachelor of Science in Computer Science (abbreviated BCompSc or BCS or BS CS) is a type of bachelor's degree, usually awarded after three or four years of collegiate study in computer science, but possibly awarded in fewer years depending on factors such as an institution's course requirements and academic calendar. In some cases it can be awarded in five years. In general, computer science degree programs emphasize the mathematical and theoretical foundations of computing.
| Job title | Salery | Experience | Rate |
| Software Engineer | $56,171 - $123,442 | Not Needed | First |
| IT Director | $42,574 - $154,302 | Needed | Fifth |
| Systems Analyst | $61,435 | Sixth |
Voice recognition
__________________________
computer science is the study of automating algorithmic processes that scale. A computer scientist specializes in the theory of computation and the design of computational systems.


Extras¶
This module requires additional installation of numpy and matplotlib.
Using functionality from this file requires extra dependencies.
-
pyparadigm.extras.
apply_color_map
(name: str, mat: numpy.ndarray = None, normalize=True)[source]¶ returns an RGB matrix scaled by a matplotlib color map, if normalize is False the matrix must only have values in the range [0, 1]
-
pyparadigm.extras.
mat_to_surface
(mat: numpy.ndarray, transformer=<function to_24bit_gray>)[source]¶ Can be used to create a pygame.Surface from a 2d numpy array.
By default a grey image with scaled colors is returned, but using the transformer argument any transformation can be used.
- Parameters
mat (np.ndarray) – the matrix to create the surface of.
transformer (Callable[np.ndarray[np.ndarray]]) – function that transforms the matrix to a valid color matrix, i.e. it must have 3dimension, were the 3rd dimension are the color channels. For each channel a value between 0 and 255 is allowed


The main role of input.js is to give the file inputted by the user to the rest of the system. The extensions the user is allowed to submit are specified in the variable regTypesAllowed. If the user inputs an extension not stated in regTypedAllowed, then it will be ignored.
If the extension is stated, the file is read using FileReader. The result of reading the file, which will be a string of the JSON, will be stored in local storage.


WITNESS LIST
Energy Resources Committee
April 17, 2017 - 2:00 PM or upon final adjourn./recess
For:
Butler, Robert (Self)
Peters, Mike (Lewis Energy Group)
Pullen, Kevin (South Texas Oilfield Crime Committee and Energy Security Council)
Ream, Robert (Self; Energy security council)
Sebree, Ben (Permian Basin Petroleum Association)
Registering, but not testifying:
For:
Acevedo, Adrian (Anadarko Petroleum)
Allday, Marty (Enbridge Energy)
Barnett, Paula (BP America)
Buchanan, Laura (Texas Land & Mineral Owners Association)
Carmichael, Katherine (Panhandle Producers & Royalty Owners Association)
Carter, Teddy (Devon Energy)
Casey, Stan (Concho Resources)
Davis, Tricia (Self; Texas royalty council)
Gipson, Mark (Pioneer Natural Resources)
Harmon, Mark (Chesapeake Energy)
Hinkle, Dan (Association of Energy Service Companies)
Hosek, Chris (SM Energy)
Hosek, Chris (QEP Resources)
Hosek, Chris (BHP Billiton)
Massingill, Gavin (Denbury Resources)
Miller, Lindsey (Texas Independent Producers and Royalty Owners Association)
Ruckel, Mari (Texas Oil and Gas Association)
Schnacke, Greg (Denbury Resources Inc.)
Shepperd, Ben (Permian Basin Petroleum Association)
Stevens, Bill (Texas Alliance of Energy Producers)
Williams, Julie (Chevron)
Against:
Clark, Jeffrey (The Wind Coalition)
Savage, David (Apex Clean Energy)
Registering, but not testifying:
For:
Pacheco, Michael (Texas Farm Bureau)
Against:
Allday, Marty (Enbridge Energy)
Barnett, Paula (BP America)
1
WITNESS LIST
Against:
Bertin, Suzanne (Texas Advanced Energy Business Alliance)
Carter, Janis (Avangrid)
Hughes, Lisa (E.ON Climate and Renewables)
Jewell, Michael (Pattern Energy)
Mcclellan, Suzi (AES Generation)
Rathgeber, Julia (Assoc. of Electric Companies of Texas)
Sloan, Susan (American WindEnergy Association)
Willette, Lynnae (EDF RE)
Wright, Eric (EDPR)
Wright, Eric (Lincoln Clean Energy)
On:
Lloyd, Brian (Public Utility Commission)
For:
Pomeroy, Cory (Texas Oil and Gas Association)
Schnacke, Greg (Denbury Resources Inc)
Schwab, Carlton (Texas Economic Development Council)
Urmin, Marie (Denbury Resources Inc.)
Against:
Hayter, Russell (Self)
Registering, but not testifying:
For:
Barnett, Paula (BP America)
Cannon, Thure (Texas Pipeline Association)
Harmon, Mark (Chesapeake Energy)
Williams, Julie (Chevron)
Against:
Buchanan, Laura (Texas Land & Mineral Owners Association)
Pacheco, Michael (Texas Farm Bureau)
Shepperd, Ben (Permian Basin Petroleum Association)
Skaggs, Jason (Texas and Southwestern Cattle Raisers Association)
On:
Carmichael, Katherine (Panhandle Producers & Royalty Owners Association)
Stevens, Bill (Texas Alliance of Energy Producers)
2


Neword is the new to practise your new words without turning off browser
Want to contribute? Great!
Follow this documentation.
Open your favorite Terminal and run these commands.
$ git clone git@github.com:PSIXs/neword.git$ code .
Rock it!
MIT
Free Software, Hell Yeah!
Please write all your thoughts and ideas in our github page here


We are here for you
OLIVE
A restaurant is generally an establishment where the public may obtain meals or refreshments. The term Restaurant has its origins in Paris, where one A. Olive started it's journey in 2019. A sign of refreshment and quality where we will find a small reflection of heaven.


We are eager to hear from users about problems that they have encountered with Open vSwitch. This file documents how best to report bugs so as to ensure that they can be fixed as quickly as possible.
Please report bugs by sending email to<EMAIL_ADDRESS>For reporting security vulnerabilities, please read SECURITY.md.
The most important parts of your bug report are the following:
What you did that make the problem appear.
What you expected to happen.
What actually happened.
Please also include the following information:
The Open vSwitch version number (as output by ovs-vswitchd
--version
).
The Git commit number (as output by git rev-parse HEAD
),
if you built from a Git snapshot.
Any local patches or changes you have applied (if any).
The following are also handy sometimes:
The kernel version on which Open vSwitch is running (from
/proc/version
) and the distribution and version number of
your OS (e.g. "Centos 5.0").
The contents of the vswitchd configuration database (usually
/etc/openvswitch/conf.db
).
The output of ovs-dpctl show
.
If you have Open vSwitch configured to connect to an
OpenFlow controller, the output of ovs-ofctl show <bridge>
for each <bridge>
configured in the vswitchd configuration
database.
A fix or workaround, if you have one.
Any other information that you think might be relevant.
<EMAIL_ADDRESS>is a public mailing list, to which anyone can subscribe, so please do not include confidential information in your bug report.
<EMAIL_ADDRESS>http://openvswitch.org/


Slimebike Reporter 1.0
Classification
Location
Identification
Select the location of bike/scooter
Continue


Many of our guests have enquired for a gift idea to be inspired. Like many young couples today, we have a lot of things anyway. Please be aware that gifts are not necessary. Your presence is all that is required. However, for your convenience Jane and Sam have prepared a gift registry with Ikozy.
Event PreviewRussell Hobbs Brighton 2 Slice Toaster RHT72BLK
$79 includes Delivery
Qty
Stock Available
$79.00
Russell Hobbs Brighton 2 Slice Toaster RHT72BLK
$79 includes Delivery
Qty
$350.00 remaining
Open contribution
Russell Hobbs Brighton 2 Slice Toaster RHT72BLK
$79 includes Delivery
Qty
$350.00 remaining
Open contribution
Russell Hobbs Brighton 2 Slice Toaster RHT72BLK
$79 includes Delivery
Qty
$350.00 remaining
Open contribution
Russell Hobbs Brighton 2 Slice Toaster RHT72BLK
$79 includes Delivery
Qty
$350.00 remaining
Open contribution
Anonymous$150
Anonymous$150
Anonymous$150
Anonymous$150
Anonymous$150
Anonymous$150
Total Gift Contribution
$1150 of $1550 Contributed
&350.00 remaining
77%


Remote Player
Current Title:
{{ current.title }}
Current URL: {{ current.url }}
Current length =>
Progress =>
URL:
Up next:
{{ upnext.title }}


Dependencies Stats
| Modules | 0 |
| Revisions | 0 (0 searched , 0 downloaded , 0 evicted , 0 errors ) |
| Artifacts | 0 (0 downloaded, 0 failed) |
| Artifacts size | 0 kB (0 kB downloaded, 0 kB in cache) |
Dependencies Overview
| No dependency |
| Modules | 0 |
| Revisions | 0 (0 searched , 0 downloaded , 0 evicted , 0 errors ) |
| Artifacts | 0 (0 downloaded, 0 failed) |
| Artifacts size | 0 kB (0 kB downloaded, 0 kB in cache) |
| No dependency |


Biblio. Revisions
Previous
Next
Total :
105
#
Rev/Time
Title(B)/Author/ISBN/ISSN
Type/Language/ClassMark
Publisher/Year/place
Edition/Pages
1
Feynman Lecture of Physics
(H)
Richard P. Feynman
Physics Series
1
2
3
4
5
6


This file gives information about the samples provide in this directory. Just to note, none of these were created
by me unless otherwise stated.
- hello_world.yo: prints "Hello World!" to the console.
- fibbonacci.yo: prints the first 16 numbers of the fibbonacci sequence
- yo.yo: prints out "Yo!" to the console.