db-restore − a simple program for restoring databases that were backed up with db-backup.
db-restore source_file
Before this program is run you will need to make changes to the config/conf file in order to choose what you would like to restore. If nothing is specified in the conf file... nothing will be restored. If you have used the db-backup program and have not made any changes to the conf file yet, you can safely run the db-restore program.
How to Run
this Program
If you are using Bash, you should be able to use:
./db-restore source_file.tar.gz
If you aren’t using Bash, you might be able to use: bash db-restore source_file.tar.gz
summea


What is Layer5 Community?The Layer5 community represents the largest collection of service mesh projects and their
maintainers in the world. We build projects to provide learning environments, deployment and operational best
practices, performance benchmarks, create documentation, share networking opportunities, and more. Our shared
commitment to the open source spirit pushes Layer5 projects forward. New members are always welcome.
Is it Open Source? Layer5 projects are open source software. Anyone can download, use, work on, and share it with others. It's
built on principles like collaboration, globalism, and innovation. Layer5 projects are distributed under the
terms of Apache v2.
Community Bridge The Linux Foundation's LFX is building a healthy ecosystem around the open source software by funding projects, securing code, and connecting with talented developers. Layer5 is participating in the LFX's mentorship program every quarter.
Project Idea
Service Mesh Interface Conformance Testing Ensure that a service mesh is properly configured and that its behavior conforms to official SMI
specifications.
Conformance consists of both capabilities and compliance status as outlined in the design specification.
Meshery is the service mesh management plane for lifecycle, configuration and performance management of many
service meshes.


Culture of Pair Programming
March 29th, 2014
Now in the third week into the DBC pre-prep phase, I've had the opportunity to pair program with other cohort members 5 times, and wanted to write down a few thoughts on the value of the activity.
Go Solo or Play in a Band?
To start off, pair programming is one of those kind of activities that if you choose not to do it, you probably would do fine. There are many programmers out there that program solo and make some great software. But if you do choose to try pairing, it has salient yet immense benefits to expand your breadth of knowledge with help from others. It's just really hard to realize the benefit unless you really do it.
I like the analogy of music to explain - although one can really excel as a solo guitarist or vocalist, they could alternatively learn some new tricks or grow in different ways by forming a band together and interactively collaborating with them. And most times the end output will be wonderfully vibrant because that interaction happened. The challenge of course, is that some bands work together better than others, and there is definitely a test of patience when there is a gap in skill/experience.
Benefits and Rewards
In pair programming, it is common to split up responsibilities between a "driver" and a "navigator". There are various interpretations to what exactly each role does, but I generally think of a driver to be the person actually coding, while the navigator focuses more on the story telling and narrative of what to code along the way. The right path to go can be an open collaborative discussion between the two along the way.
The particularly fun or redeeming aspect of this kind of collaboration is, that by doing this a few times it will be apparent that there are so many ways to solve a problem. Even for solving the same problem in different rounds, by changing who you pair with or which driver/navigator role you play, you might come up with a completely unique solution that wasn't apparent from the previous round. This is a very powerful reward that you would not get by going solo.
Patience is Key
After pairing up a few times, I have noticed that it may be easy to fall into trap of frustration when there is a gap in understanding of subject matter or skills between partners. Luckily, I have not felt this yet myself since I'm on the learning end, but I could easily imagine this problem bubbling up if I paired with a brilliant programmer in a different league than me. The only thing I can say to this is that regardless of expertise/skill, both sides of the pair should be patient in working together, and see the gap as an opportunity to learn new things. Regardless of skill, I feel like there is always something new to learn in either driver/navigator role, whether it be coding more efficiently or narrating the story in a different way.
Feedback and Criticism
To get the most out of pair programming, you have to really be prepared to get the fire hose as far as feedback goes. On one end, you want to foster a good trust relationship so your partner feels comfortable in providing feedback. On the other end however, that also means that you have to be really prepared to receive it, and that is sometimes challenging to not take personally. I definitely had two specific moments where I had some trouble processing some feedback no matter how good the intent was, because it felt too candid or I unconsciously took it too personally.
The common understanding is that feedback should be Specific, Actionable, and Kind. Specifically for 'kindness' - there are many ways to interpret what kind means, but my interpretation is that the most kind feedback is where the giver doesn't go in with expectations that the person 'should' or 'must' change just because the feedback was given. I think this is a very important principle - for example, I would not expect someone to change their belief system or religion just because I gave them feedback that their system had a lot of drawbacks. I would just want that person to at least understand my perspective, and let them decide for themselves.
So in closing, to prepare the mind to receive whatever feedback comes your way is very important as a receiver, and understanding that it's the receiver's choice to decide how the feedback should be applied is important as a giver. I think this mental approach makes feedback more useful, and allows the pair to avoid falling into the trap of generating unkind criticism or pushing personal views - which are not really the objective of feedback in the first place.


Google is by far the most popular website of all time. Created in 1998, this
website did not break the top 11 most visited websites until 2001 where it has stayed since reaching a
max of 77.06 billion visits in 2019 up to October.
Youtube
Created in 2005, Youtube is the 2nd most visited website as of 2019.
This website entered the top 11 websites in March 2006 where it has stayed since reaching a max of 28.37 billion
views in April of 2019.
Facebook is the 3rd most visited website as of 2019. Being created in 2004,
Facebook did not enter the top 11 websites until June 2007 where it quickly overtook it's rival in
Myspace, ending up with a peak of 28 billion visits in January of 2018.


{{subtitle}}
Please provide the spouse's current immigration information.
Provide one of the required documents to support your spouse's immigration status in Canada. If your spouse's name has changed since their ID was issued please provide the document to support the name change.
This name will be printed on spouse's new BC Services Card.
Provide one of the required documents to support your spouse's immigration status in Canada. If your spouse's name has changed since their ID was issued please provide the document to support the name change.
Provide one of the required documents to support your spouse's immigration status in Canada. If your spouse's name has changed since their ID was issued please provide the document to support the name change.
Provide one of the required documents to support your spouse's immigration status in Canada. If your spouse's name has changed since their ID was issued please provide the document to support the name change.
Provide one of the required documents to support your spouse's immigration status in Canada. If your spouse's name has changed since their ID was issued please provide the document to support the name change.
Provide one of the required documents to support your spouse's immigration status in Canada. If your spouse's name has changed since their ID was issued please provide the document to support the name change.


OBS.Ninja is an awesome peer-to-peer (P2P),
WebRTC and browser based solution
for bringing the video/audio streams of presenters into the live event
production software
OBS Studio,
with very low latency and high quality.
This form is just a URL simplification
trampoline, i.e., it takes a few intuitive URL parameters and redirects to the
underlying complex technical URL of
OBS.Ninja. It allows
you to control
OBS.Ninja parameters at a central
place while being able to use clean, intuitive and stable URLs for both the
presenters and
OBS Studio.
The underlying
OBS.Ninja
parameter sets are rather opinionated and hard-coded and are intended for
meeting or broadcast sessions with multiple presenters only. Broadcast sessions are
like meetings, where presenters can hear but not see each other,
to reduce the network bandwidth requirements of presenters.


%include templates/parts/head.html
%include templates/parts/navBar.html
Extra Practice Problems
Practice Midterm
[
Soln
]
More Practice Problems #1
[
Soln
]
More Practice Problems #2
[
Soln
]
Midterm Spring 2017
[
Soln
]
Midterm Spring 2016
[
Soln
]
Midterm Review Session
%include templates/parts/footer.html


| Name | Position | Plant | Age | Mishap date | Sub Category | Report Link |
|---|---|---|---|---|---|---|
| Name | Position | Plant | Age | Mishap date | Sub Category | Report Link |
| Tiger Nixon | System Architect | Edinburgh | 61 | 2011/04/25 | Driver Safety | |
| Garrett Winters | Accountant | Tokyo | 63 | 2011/07/25 | Exposure | |
| Ashton Cox | Junior Technical Author | San Francisco | 66 | 2009/01/12 | Fall | |
| Cedric Kelly | Senior Javascript Developer | Edinburgh | 22 | 2012/03/29 | Fall | |
| Airi Satou | Accountant | Tokyo | 33 | 2008/11/28 | Machine | |
| Brielle Williamson | Integration Specialist | New York | 61 | 2012/12/02 | Motorized Equipment | |
| Herrod Chandler | Sales Assistant | San Francisco | 59 | 2012/08/06 | Exposure | |
| Rhona Davidson | Integration Specialist | Tokyo | 55 | 2010/10/14 | Driver Safety | |
| Sonya Frost | Software Engineer | Edinburgh | 23 | 2008/12/13 | Driver Safety | |
| Jena Gaines | Office Manager | London | 30 | 2008/12/19 | Driver Safety | |
| Quinn Flynn | Support Lead | Edinburgh | 22 | 2013/03/03 | Exposure | |
| Donna Snider | Customer Support | New York | 27 | 2011/01/25 | Machine |


Types of projects we engage in
Since we started in 2017, we have been involved in a wide variety of projects:
1) An evaluation of the Converge Theatre course in Northumbria University in
Newcastle using interviews.
2) A project exploring what ‘Converge’ means to Converge students using photographs
to support interviews.
3) An evaluation of an arts and mental health project in London using art to support
interviews and a questionnaire in both 2019 and 2020.
4) An evaluation of a woman’s refuge, using interviews.
5) An evaluation of the York Multiple and Complex Needs Network, using interviews,
and creating a theatre performance capturing our findings.
6) An evaluation of a project at Tang Hall Smart where we used music to support
interviews.
7) An evaluation of St Nicks Ecotherapy project.
8) We are currently working on a project exploring mental health waiting rooms.
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|
One of the very common and attractive forms generated by Iterated
Function Systems (IFS) is the fern leaf shown on the right.
The following will describe how to generate this form and allow
the reader to experiment with other IFS generators.
Iterated function systems are described by repeatedly computing terms in two series, one series describes the x coordinate and the other series the y coordinate. The equations describe translation, scaling, rotation, and shearing of points in a plane with the restriction that the transformations are "affine". The general form of the series are as follows
yn+1 = d xn + e yn + f
The magic is in finding the values of (a,b,c,d,e,f) that give the desired form. In many application it is necessary to have a number of sets of (a,b,c,d,e,f). As the series is being generated a particular set is chosen at random for each term. Such IFS systems are often known as Random Iterated Function Systems. |
|
The fern can be constructed using the table of value on the right.
It turns out that if the different sets of (a,b,c,d,e,f) are chosen with appropriate probabilities then the fern will "emerge" much faster and evenly than if the sets are chosen with equal chance. The last row in the table gives the optimal probabilities. The fern above resulted from 100 thousand (105) iterations, that is, 100 thousand points are drawn (of course when drawn on the bitmap many will overlap) |
|
The image is self similar at all scales, one can zoom in as far as one wishes and the fronds will continue to resolve themselves. For example, the following image is a zoom in by 50. Note however that it takes an ever increasing number of iterations to resolve the image as the zoom factor increases, this image took 100 million (108) iterations.
#include "stdio.h" #include "stdlib.h" #include "math.h" #include "paulslib.h" #include "bitmaplib.h" #define NX 1000 #define NY 1000 double a[4] = {0.0,0.2,-0.15,0.75}; double b[4] = {0.0,-0.26,0.28,0.04}; double c[4] = {0.0,0.23,0.26,-0.04}; double d[4] = {0.16,0.22,0.24,0.85}; double e[4] = {0.0,0.0,0.0,0.0}; double f[4] = {0.0,1.6,0.44,1.6}; int main(int argc,char **argv) { int i,j,k; int n = 1000; int ix,iy; double r,x,y,xlast=0,ylast=0; double xmin=1e32,xmax=-1e32,ymin=1e32,ymax=-1e32,scale,xmid,ymid; BITMAP *image; BITMAP white = {255,255,255}; BITMAP black = {0,0,0}; if (argc < 2) { fprintf(stderr,"Usage: %s nsteps\n",argv[0]); exit(0); } n = atoi(argv[1]); image = CreateBitmap(NX,NY); EraseBitmap(image,NX,NY,white); for (j=0;j<2;j++) { for (i=0;i<n;i++) { r = rand() % 100; if (r < 10) k = 0; else if (r < 18) k = 1; else if (r < 26) k = 2; else k = 3; x = a[k] * xlast + b[k] * ylast + e[k]; y = c[k] * xlast + d[k] * ylast + f[k]; xlast = x; ylast = y; if (x < xmin) xmin = x; if (y < ymin) ymin = y; if (x > xmax) xmax = x; if (y > ymax) ymax = y; if (j == 1) { scale = MIN(NX / (xmax - xmin),NY / (ymax - ymin)); xmid = (xmin + xmax) / 2; ymid = (ymin + ymax) / 2; ix = NX / 2 + (x - xmid) * scale; iy = NY / 2 + (y - ymid) * scale; DrawPixel(image,NX,NY,ix,iy,black); } } } WriteBitmap(stdout,image,NX,NY,2); }


yaourt
Arch Linux utility for building packages from the Arch User Repository.
More information: home page
- Synchronize and update all packages (including AUR):
yaourt -Syua
- Install a new package (includes AUR):
yaourt -S package_name
- Remove a package and its dependencies (includes AUR packages):
yaourt -Rs package_name
- Search the package database for a keyword (including AUR):
yaourt -Ss package_name
- List installed packages, versions, and repositories (AUR packages will be listed under the repository name 'local'):
yaourt -Q


554_ydylwj23.java
class Solution {
public int maxProductPath(int[][] grid) {
int m = grid.length;
int n = grid[0].length;
long mod =<PHONE_NUMBER>;
long[][] negative = new long[m][n];
long[][] possitive = new long[m][n];
negative[0][0] = (long)grid[0][0];
possitive[0][0] = (long)grid[0][0];
for (int i = 1; i < m; ++i) {
negative[i][0] = negative[i - 1][0] * (long)grid[i][0];
possitive[i][0] = possitive[i - 1][0] * (long)grid[i][0];
}
for (int j = 1; j < n; ++j) {
negative[0][j] = negative[0][j - 1] * (long)grid[0][j];
possitive[0][j] = possitive[0][j - 1] * (long)grid[0][j];
}
for (int i = 1; i < m; ++i) {
for (int j = 1; j < n; ++j) {
long cur = (long)grid[i][j];
negative[i][j] = Math.min(negative[i - 1][j] * cur, Math.min(negative[i][j - 1] * cur, Math.min(possitive[i][j - 1] * cur, possitive[i - 1][j] * cur)));
possitive[i][j] = Math.max(negative[i - 1][j] * cur, Math.max(negative[i][j - 1] * cur, Math.max(possitive[i][j - 1] * cur, possitive[i - 1][j] * cur)));
}
}
int max = (int)(possitive[m - 1][n - 1] % mod);
return max < 0 ? -1 : max;
}
}


Beer list – Amsterdam new years.
2007 January 15th by todd anderson
I was sending around an email of the wife and i’s comprised beer tasting list while we were in Amsterdam, and thought i’d post it here, as well- for people who love beer or think we’ve made a mistake on our ruling.
Here it goes:
Strongbow :: 0 stars – 1st beer tasted off the plane!
Hertog Jan. Prestige. :: 4 stars! 2nd beer… and tasted at a later date to confirm. Oh. like sitting on a rainbow. Excellent. Dark, welcoming.
LaChouffe :: 3 1/2 stars. Wonderful blonde beer that screams welcome to Amsterdam. On tap, also, at our local Boston pub.
Witbier :: 2 stars. Translates into White beer. I’ve never been fond. Carrie ordered it… sucker!
Westmalle Dubbel :: 3 stars. No comments left in our book.
Palm Dubbel :: 2 1/2 stars. This is on tap in a lot of bars in Amsterdam. Had to try it. It’s good, darn good. But there were too many better choices.
BockRos :: 3 stars. Served from the brewery of ‘De Bekeerde Suster’, of which the resteraunt we ate at 2 times. Excellent homebrew. Dark and slightly red.
Dommelsch :: 2 stars. Can be found in most bars in Amsterdam. Okay. Your basic Pilsner.
Affligem Dubbel :: 3 1/2 . Oh, Affligem. Like a welcoming hug, i say, hello, friend… a game of hopscotch? Excellent.
LaChouffe N’Ice :: 4 stars! If you see this on tap, do not look farther down the line… say yes, then ‘gimme’. Then sigh. Ah. LaChouffe, did God make you?
Gulpener :: 2 1/2 stars. Seen at most bars, like Dommelsch and Palm. It’s a pilsner. If you only have those three choices… Gulpener it is!
Zatte :: 2 stars. This was a toss up. Personally we didn’t like it. Citrusy, but not sweet. We could see how if someone likes citrus beer, this would be key. Stars variable.
Heinekken :: 2 stars! Normally this would get 1 star state-side, but it seriously tastes better over there. Not as skunky. Go figure… still if anything else is on tap, get it.
Grolsch :: 2 stars. Tastes like state-side grolsch. Good. If nothing, or heinekken is left in the cooler, grab this.
Affligem Blonde :: 3 strars. See above affligem.. instead of hopscotch – jumprope.
BlondeRos :: 2 1/2 stars. Another selection from ‘De Bekeerde Suster’ ( see BockRos ), but we like darker beers. It’s good, but if Ros is on tap…
Venloosch Alt :: 1 star. This is weird. It may have tasted good if it didn’t taste flat. Maybe it wasn’t flat… we just don’t know.
Lindebloom :: 1 star. I took a HUGE dump in this bar, cause i couldn’t wait to get to our favorite bar. And the bathroom was seriously the size of a freaking phone booth. Couldn’t even sit on the pot. But lord it was a relief. Anyway, i ordered this. Wasn’t good. Like the logo though.
Amstel Bock :: 2 stars. Our last night cap. Was freaking amazing to have, but didn’t taste as good as many others. Definitely better than amstel though!
Time between the Venloosch/Lindebloom incedent and Amstel Bock was @ two days, so we didn’t end on a bad note. We certainly headed back to where we knew LaChouffe, Affligem and Hertog Jan were flowing… Can’t wait to go back.
If you get a chance, please see what you can do to get to Amsterdam.


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As a personal input, I consider Tramadol to be very beneficial to my mood. I typically ingest 100mg doses at least three times a week with occasional 2-week breaks in which I don't crave it and don't experience any withdrawal symptoms. Being very cheap in Costa Rica, I'm surprised to have never found anyone who has ever even heard of it despite its powerful mood-lifting effects, specially when combined with alcohol.
From my experiences, I gather that Tramadol in 100mg dosages gives me a very nice and positive mood lift, makes movement feel very pleasant (dancing to electronic music on Tramadol feels almost like a light dose of MDMA). I have also experienced with similar states induced by Codeine - typically ingesting 60mg of Codeine along with 1g of Acetaminophen which I have so far not tried to separate from Codeine since I've read on Erowid that the resulting liquid is bitter-tasting and difficult to measure, whereas the tiny green and yellow caps are found in any pharmacy with no questions asked
and for very cheap.
I commonly experience a significant reduction in my sex-drive when under the influence of Tramadol, specially after 4 hours into the experience. However I have managed to have sex in these experiences, although I would definitely say the relaxed state doesn't favor pumping of the blood into masculine sexual organs and therefore erections aren't very stiff and sometimes a little difficult to achieve.
Combining the drug with marijuana and alcohol commonly results in a very funny mind state in which I lose inhibition and it stimulates my irreverent mind into a very creative and entertaining experience. I find it difficult though to concentrate these creative energies into a project like music-making or writing. I have a little difficulty keeping a steady pace of speech and I commonly find myself side-tracking into jokes, funny expressions or faces when trying to tell a story. I have also found that the thresholds for alcohol and marijuana to be effective while under Tramadol
are considerably reduced: when I would typically smoke 3-4 bong hits to get high when sober, it only takes one puff / toke / bong hit to send me to THC-land, and its effects are 'foggy' and shorter.
I cannot judge its addictive potential (if any) but I can relate to Tramadol being very different than Codeine (its opiate analog) addiction. I have experienced severe itchiness on the body, specially in the morning, from Codeine usage but never from Tramadol. The only negative effects I have ever felt have been mild lethargy the day after a typical 100mg dose and occasionally nausea / vomiting after a 100mg dose of Tramadol accompanied with marijuana and alcohol.
As a painkiller, no doubt. Tramadol is a very effective way of 'anesthetizing' dental pain, muscle aches and skeletal-related discomfort like bruises and joint aches but it's not as effective for headaches or stomach aches. In fact, I have found it to slightly make headaches stand out and forcing me to use analgesics like Aspirin or Acetaminophen. I don't take the tramadol tablets that also contain Acetaminophen to avoid possible hepatoxicity issues.
Summarizing, Tramadol is a very enjoyable and long-lasting drug for me. I usually can't experience its comedown since it makes me very drowsy towards the end, requiring me to lay down and fall into a deep, relaxing sleep state. I haven't found any effects on dreaming, save perhaps more difficulty from remembering my dreams, though this could be caused by marijuana.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Please Enter Your Details For Our Dating Website!


a programmer.
I am an undergraduate CSE student who is good for nothing.
I am a pro-procastinator. I have been doing it for my entire life. I can just sit like a potato and do nothing at all for days.
Although, this isn't a skill, but I don't have anything else to add in my skills-list. I can watch movies continuously. I once watched 4 movies in a single day. I watch anime too. I binge watch some good series occasionally.


| Opcode | Instruction | Op/En | 64-Bit Mode | Compat/Leg Mode | Description |
|---|---|---|---|---|---|
| 0F 00 /4 | VERR r/m16 | M | Valid | Valid | Set ZF=1 if segment specified with r/m16 can be read. |
| 0F 00 /5 | VERW r/m16 | M | Valid | Valid | Set ZF=1 if segment specified with r/m16 can be written. |
| Op/En | Operand 1 | Operand 2 | Operand 3 | Operand 4 |
| M | ModRM:r/m (r) | NA | NA | NA |
Verifies whether the code or data segment specified with the source operand is readable (VERR) or writable (VERW) from the current privilege level (CPL). The source operand is a 16-bit register or a memory location that contains the segment selector for the segment to be verified. If the segment is accessible and readable (VERR) or writable (VERW), the ZF flag is set; otherwise, the ZF flag is cleared. Code segments are never verified as writable. This check cannot be performed on system segments.
To set the ZF flag, the following conditions must be met:
The validation performed is the same as is performed when a segment selector is loaded into the DS, ES, FS, or GS register, and the indicated access (read or write) is performed. The segment selector's value cannot result in a protection exception, enabling the software to anticipate possible segment access problems.
This instruction’s operation is the same in non-64-bit modes and 64-bit mode. The operand size is fixed at 16 bits.
IF SRC(Offset) > (GDTR(Limit) or (LDTR(Limit)) THEN ZF ← 0; FI; Read segment descriptor; IF SegmentDescriptor(DescriptorType) = 0 (* System segment *) or (SegmentDescriptor(Type) ≠ conforming code segment) and (CPL > DPL) or (RPL > DPL) THEN ZF ← 0; ELSE IF ((Instruction = VERR) and (Segment readable)) or ((Instruction = VERW) and (Segment writable)) THEN ZF ← 1; FI; FI;
The ZF flag is set to 1 if the segment is accessible and readable (VERR) or writable (VERW); otherwise, it is set to 0.
The only exceptions generated for these instructions are those related to illegal addressing of the source operand.
| #GP(0) |
If a memory operand effective address is outside the CS, DS, ES, FS, or GS segment limit. If the DS, ES, FS, or GS register is used to access memory and it contains a NULL segment selector. |
| #SS(0) | If a memory operand effective address is outside the SS segment limit. |
| #PF(fault-code) | If a page fault occurs. |
| #AC(0) | If alignment checking is enabled and an unaligned memory reference is made while the current privilege level is 3. |
| #UD | If the LOCK prefix is used. |
| #UD |
The VERR and VERW instructions are not recognized in real-address mode. If the LOCK prefix is used. |
| #UD |
The VERR and VERW instructions are not recognized in virtual-8086 mode. If the LOCK prefix is used. |
Same exceptions as in protected mode.
| #SS(0) | If a memory address referencing the SS segment is in a non-canonical form. |
| #GP(0) | If the memory address is in a non-canonical form. |
| #PF(fault-code) | If a page fault occurs. |
| #AC(0) | If alignment checking is enabled and an unaligned memory reference is made while the current privilege level is 3. |
| #UD | If the LOCK prefix is used. |


1 write to HasSuspiciousContent
System.Management.Automation (1)
engine\runtime\CompiledScriptBlock.cs (1)
237
HasSuspiciousContent
= true;
2 references to HasSuspiciousContent
System.Management.Automation (2)
engine\runtime\CompiledScriptBlock.cs (2)
1540
if (scriptBlock._scriptBlockData.
HasSuspiciousContent
)
2090
bool forceLogCreation = scriptBlock._scriptBlockData.
HasSuspiciousContent
;


To improve your result and use a second cluster, you have to specify following information:
Please set the age of the author in years:
Please set the gender of the author:
Please set the sign of the author:
Please set the topic:


Source code for graph_diff.cpp_algorithms.decorators
import stringcase
from graph_diff.cpp_algorithms.parameters import SUPPORTED_ALGORITHMS
from graph_diff.graph import GraphWithRepetitiveNodesWithRoot
from graph_diff.graph.graph_printer import GraphPrinter
from graph_diff.graph_diff_algorithm import GraphMap, GraphDiffAlgorithm
[docs]def add_run_algorithms(cls: type):
"""
Adds supported algorithms-classes to class-container.
:param cls: class-container to modify
:return: modified class
"""
from graph_diff.cpp_algorithms.algorithm_runner import AlgorithmRunner
runner = AlgorithmRunner()
for algo in SUPPORTED_ALGORITHMS:
class CppAlgorithm(GraphDiffAlgorithm):
def construct_diff(self,
graph1: GraphWithRepetitiveNodesWithRoot,
graph2: GraphWithRepetitiveNodesWithRoot) -> GraphMap:
__name__ = type(self).__name__
return runner.construct_diff(__name__,
graph1,
graph2)
CppAlgorithm.__name__ = algo
CppAlgorithm.__doc__ = """Realization of algorithm {} on cpp""".format(algo)
setattr(cls, algo, CppAlgorithm)
return cls
[docs]def add_imported_algorithms(cls: type):
"""
Adds supported algorithms-classes to class-container.
:param cls: class-container to modify
:return: modified class
"""
from graph_diff.cpp_algorithms.algorithm_importer import AlgorithmImporter
algorithm_importer = AlgorithmImporter()
for algo in SUPPORTED_ALGORITHMS:
class CppAlgorithm(GraphDiffAlgorithm):
def construct_diff(self,
graph1: GraphWithRepetitiveNodesWithRoot,
graph2: GraphWithRepetitiveNodesWithRoot) -> GraphMap:
graph_printer = GraphPrinter(graph1, graph2)
repr_first = graph_printer.graph_transformer_first()
repr_second = graph_printer.graph_transformer_second()
__name__ = type(self).__name__
output = getattr(algorithm_importer.module, stringcase.snakecase(__name__)) \
(*repr_first, *repr_second)
return graph_printer.back_transformer(output)
CppAlgorithm.__name__ = algo
CppAlgorithm.__doc__ = """Realization of algorithm {} on cpp""".format(algo)
setattr(cls, algo, CppAlgorithm)
return cls
[docs]def clone_method(method_name: str, *args):
"""
Clones given method by given args and creates series of methods.
Let x be one of the args. For every x in args
this method adds method which has logic to run original method with x as argument
and which name is f'{method_name}_{x}'.
:param method_name: name of the method with exactly one argument
:param args: arguments for the method
:return: decorator function that will modify a class given
"""
def wrapped_decorator(cls: type):
for clone_id in args:
snake_case_clone_id = stringcase.snakecase(clone_id)
new_method_name = '{}_{}'.format(method_name, snake_case_clone_id)
def new_method(self):
method = getattr(self, method_name)
return method(clone_id)
new_method.__doc__ = """
Generated by clone_method decorator method {} of class {cls}.
Please refer to {cls}.{method_name} documentation.
""".format(new_method_name, method_name=method_name, cls=cls.__name__)
new_method.__name__ = new_method_name
setattr(cls, new_method_name, new_method)
return cls
return wrapped_decorator


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America, America (1963)
Grade: 84
Born in Turkey, Elia Kazan became one of Hollywood's best directors. He is best known for "On the Waterfront", "A Streetcar Named Desire", and "Gentleman's Agreement", but my favorite film of his was his first, "A Tree Grows in Brooklyn", from 1945.
"America, America" was Kazan's most personal effort, telling the true story of his uncle's struggle to emigrate to America at the turn of the century. It was the first screenplay that Kazan wrote, and it is outstanding. Judging from this film, one could conclude that Kazan was even better at writing scripts than directing films.
The Turks, then part of the Ottoman Empire, oppressed the Armenian and Greek minorities. The Armenians, who would be slaughtered by the hundreds of thousands in 1915, get the worst of it because they resist. The Greeks endure their subjegation in silence.
Abdul (Lou Antonio) is an intense and serious young man, of Greek heritage. He is the oldest son of his father, who depends on him to improve the lives of his family. Abdul is obsessed with leaving his homeland for the land of opportunity and wealth, America. But to reach his goal, he must suffer hardships and compromise his character.
After he is robbed of the family's savings, he tries to save money for the ship's passage by working as a day laborer. He is slow to realize that money can never be saved in such a life, and must swallow his pride and accept an arranged marriage to secure passage. Further indignities are in store for him, as he is willing to make any sacrifice neccessary to reach America and live up to the expectations and faith that his family has placed in him.
"America, America" was nominated for several important Academy Awards, including Best Director, Best Picture and Best Screenplay. But 1963 was also the year for "Tom Jones", another excellent film, and one that Academy voters were likely more comfortable with. Antonio's intense performance was relatively ignored with the focus on Kazan, although Antonio has since become one of the top directors of American television shows.
<EMAIL_ADDRESS>http://members.tripod.com/~Brian_Koller/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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 This time, however, we've gone a step further and used some browser flaws to help out browsers that can't properly display the original complexspiral demo. If you're viewing this page with Internet Explorer 5.x for Windows, then you'll see this page rendered using "halfscreen" images instead. The effect isn't as subtle or as appealing, but it's a relatively close approximation.
In other words, this demonstration has been extended to make it a touch more practical than its cutting-edge ancestor. Will wonders never cease?
How does this one work?
 If you're using a more advanced browser, then you'll get the same effect as in the original complexspiral. (Unless you're using Opera, in which case you'll get the same broken layout as usual.)
Here are the styles for the content area, for example:
div#content {background: transparent url(halfscr-blue.gif) 0 0 repeat scroll; voice-family: "\"}\""; voice-family:inherit; background: #468 url(shell-blue.jpg) 0 0 no-repeat fixed;}
So IE5.x will see the first line, then hit the second line and stop (see the box model hack page for an explanation). More correct browsers, like Mozilla (and derivatives) and IE5.x/Mac, will keep going and see the third line, which loads up the same files used in the original complexspiral demo.
I'm not seeing seamless compositing or a halfscreen image!
Then I'd be willing to bet that you're using Internet Explorer for Windows version 6.0, which saw fit to fix its legacy parsing bugs but not properly support CSS1, so the page will probably still fall apart there. And yes, this page uses a strict DOCTYPE, so IE6 is in "strict mode." I could put it into "quirks" mode by changing the DOCTYPE, but the parsing bugs were fixed there as well, so at this point I don't think there's a way for IE6 to get this one right. You can't imagine how frustrating that was to discover. (Although if I find another parse-bug hack works against IE6, I'll revise this page to use it.)
Pros and Cons
The obvious advantage here is that you get closer to having the design presented in the IE5.x line, which would otherwise serve as a blocker to the adoption of a layout effect like this one. This makes it easier to play with interesting layouts without worrying that your page will look horrible in older browsers.
The drawbacks are threefold. One is IE6/Win, which still won't do this one correctly. (One step forward, two steps back...) Another drawback is that to use this approach, you have to make the CSS more complex for the sole purpose of catering to browser bugs. Whether you're willing to do that is up to you. I'm personally on the fence about it.
The final drawback is that the technique here relies on using browser's parsing bugs against them. As IE6 has demonstrated, it's always possible for a future version of a browser to fix parsing bugs without fixing other bugs. A future version of Opera, for example, might fix its parse bugs without correcting its limited support for fixed-attachment backgrounds, thus landing it in the same mess IE6/Win has found. It's up to authors to decide how much of a drawback that represents for their individual situations.
Image credits
- Nautilus shell: scanned by and copyright Eric A. Meyer


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Primer
Adverb
An adverb is similar to a verb, but differs in the following:
- an adverb has only a left argument (a verb is ambivalent, and has either a right argument or both a left and a right argument)
- an adverb can apply to nouns or verbs (a verb applies only to nouns)
- an adverb typically has a verb as its result (a verb always has a noun result)
The verb result of an adverb is referred to as a derived verb.
The primitive / is an adverb. Its result is a new verb. If the monadic case of the derived verb is used, then the / is referred to as insert. If the dyadic case of the derived verb is used, then the / is referred to as table.
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ContractCodeBuilder()
Builds method of contract with parameters in SHA3 encryption
Author Daria Pechkovskaya


Overview • User interface • Annotations • References ↑ | ↓ • Limitations • Why is this so complicated?
A citation in MMM can contain all or part of the following information:
A
J
Y
V
I
P
and end page: E
T
No special formats for books and book sections are supported.
The items of this list can be in any order and any of the items, as well as separators between them, can be formatted bold or italic, but not both. The order of items and the separators between them are defined by a format string. Formats and their assignment to journals are defined in the file def_reference_format.m
, which is found in the /definitions
subdirectory of MMM.
reference_formats(i).order
, where i
is the index of the format. For example:
A, T, J V (Y) P-E.
defines a citation that starts with the author list, which is followed by a comma, the title, a comma, the year, the volume (separated by only a space from the year and enclosed in parentheses) and the start and end page spearated by a hyphen. The citation ends with a full stop.
Font formatting is defined by a string
defines a list, where authors are separated by commas and there is an "and" between the second-to-last and last author, with a comma before that "and". If there are only two authors, the comma before the "and" will be skipped.
MMM's heuristic is based on the length of components of the journal title and assumes that abbreviated words do not end on vowels or a closing parenthesis. This does not always get it right, but usually it does.
Almost all permutations in order, choices of separators, etc. are used by some journal. Nevertheless, there are more journals than formats. MMM does not mind redefinition of the same format, but avoid it, if you can. For instance, journals of the same publisher often share the same (or at least a similar format).
### Warning ###
Publishers and their journal teams are not only idiosyncratic with respect to their citation formats, they are also fickle. Formats do change from time to time.
To assign an existing format to a journal, you need to define, e.g.
Although MMM's citation format is reasonably flexible and the citation compiler avoids a few pitfalls, the citations will not always be precisely formatted. Occasionally there may be surplus or missing full stops. If a journal lists up to four author names, but only the first author and et al. for more than four authors, MMM will list the first four authors.
If you are very ambitious, you can edit by hand. Otherwise leave it, the journals will correct small glitches themselves, if there are only a few.
Because nobody cares to standardize this. If you don't dare to define an additional format, but you need one, ask us for implementing it.
reference_formats(i).font
of exactly the same length. In this string, p
stands for plain, i
for italic, and b
for bold.
Order of authors and separators
This is defined by a string reference_formats(i).authors
, with identifiers F
(first author), I
(any author other than first or last), and L
(last author). For example:
F, I, and L
Order of surname and initials
In addition, the sequence of surname S
and initials I
needs to be defined, separately for the first author (reference_formats(i).first_author
), last author (reference_formats(i).last_author
), and any other author (reference_formats(i).any_author
). For example:
reference_formats(i).first_author='S, I.'
means that for the first author, the surname is followed by a comma, a space, the initial(s) and each initial is followed by a full stop.
Maximum number of authors
Some journals abbreviate long author lists by et al.. The maximum number of names to be written out is given in reference_formats(i).max_authors
. If this field is empty, always all authors are listed. Formatting of et al. cannot be influenced, it is always italic and ends with a full stop.
reference_formats(i).journal_delimiter
which can be '.'
(full stop punctuation) or ''
(no punctuation).
journals(k).name='J Irreprod Res';
journals(k).format=i;
where i
is the index of the format and k
the index of the journal. Make sure that k
is not yet used for another journal. If you define a new format, make sure that i
is not yet used for an existing format.


Interaction flow
Interaction Flow:
- Enter's password to phone and launches Chrome browser.
- Enter's www.wnyc.org in to the browser.
- Upon viewing the front page LLL scrolls through the news topics for anything of immediate interest.
- LLL then turns his attention to the center link on the header the reads, "All Streams" and taps.
- This brings him to a list of three live broadcasting stations, FM live cast, AM live cast, and FM2 live cast.
- Each live cast link shows what news program is being broadcast.
- LLL clicks on the station that seems the most appealing at the time.
- LLL lets the listening commence.
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HTML/CSS PRACTICE PAGE
Here's a practice page we're using to setup an html file with linked stylesheet.
Here's a paragraph just for the hell of it.


DRINKING GAMES A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 5.0 Alternative Scale: ** out of ****
United States, 1996 Shown at the 1996 SXSW Film Festival Running Length: 1:34 MPAA Classification: No MPAA Rating (Mature themes, profanity, sex) Theatrical Aspect Ratio: 1.85:1
Cast: Christian Leffler, Dinah Leffert, Geoffrey Smith, Brian Anthony, Melanie Koch, Andrea White, Jason Frazier, Gina Marie Gian Director: Joseph Lawson Producers: Scott Burgin, Joseph Lawson Screenplay: Joseph Lawson Cinematography: Marc Greenfield
DRINKING GAMES is an uninspired, often-insipid Generation X version of THE BIG CHILL. Recycling plot elements from better films, DRINKING GAMES never establishes a unique identity. From start to finish, this movie is derivative.  There are an equal number of men and women, so, in the end, they pair off and have sex. It's all pretty routine and predictable -- writer/director Joseph Lawson never attempts anything daring or original.
The six friends -- Noah (Christian Leffler), Whitney (Dinah Leffert), Scott (Geoffrey Smith), JC (Brian Anthony), Alex (Melanie Koch), and Heather (Andrea White) -- gather following the funeral of Tara, a member of their inner circle who recently committed suicide. During their all-night gab session, they talk about everything from sex to reincarnation, including such offbeat topics as how to dispose of a dead body and giving an iguana an enema. Few of the conversations are interesting, because none of the characters attains any aspect of three- dimensionality. We're a fly on the wall, watching these people as they drink themselves into oblivion as a balm to their grief, but we never get a sense of any genuine personalities beneath all the dialogue.
The actors, all of whom are relative unknowns, acquit themselves nicely despite the script's limitations. Dinah Leffert, who plays the sexually voracious Whitney, is especially noteworthy. But the performances are about all that's worthwhile here. Lawson may think he has his finger on the pulse of today's twenty-something men and women, but, as is the case in so many Generation X pictures, all he's doing is recycling familiar cinematic conventions.
- James Berardinelli e-mail<EMAIL_ADDRESS>web: http://www.cybernex.net/~berardin (or) http://www2.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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Biography
Nikola Tesla was a Serbian inventor, electrical engineer, mechanical engineer, and futurist who is best known for his contributions to the design of the modern alternating current (AC) electricity supply system.
Attempting to develop inventions he could patent and market, Tesla conducted a range of experiments with mechanical oscillators/generators, electrical discharge tubes, and early X-ray imaging. He also built a wireless-controlled boat, one of the first ever exhibited.
Throughout the 1890s, Tesla pursued his ideas for wireless lighting and worldwide wireless electric power distribution in his high-voltage, high-frequency power experiments in New York and Colorado Springs. In 1893, he made pronouncements on the possibility of wireless communication with his devices. Tesla tried to put these ideas to practical use in his unfinished Wardenclyffe Tower project, an intercontinental wireless communication and power transmitter, but ran out of funding before he could complete it.
Here's a time line of Nikola Tesla life:
- 1856 Nikola Tesla is born.
During his birth, lightning struck during a summer storm. He is born to a Serbian Family in Smiljan. - 1875 Tesla Enrolls In College.
Tesla enrolled to a Polytechnic based on a military scholarship. He was a disciplined student and achieved the highest grades possible while passing various exams. - 1881 Tesla Begins His Career As Chief Electrical Engineer.
In 1881, he moved to Budapest in Hungary, to work for a telegraph company. Upon arriving, he noticed that the Budapest Telephone Exchange company was not in operation, so he worked at draftsman in another company. A few months later, the BTS Company was in operation, and he was given the position of chief electrical engineer. - 1882 Tesla Goes To Work For Edison.
In 1882, he found another job in Paris with a company referred to as the Continental Edison Company. He began working in a new industry by installing indoor lighting resources. His company had several divisions, and he worked in the section of the company that was responsible for lighting systems. - 1885 Tesla Submits Some Of His First Patents.
Tesla worked to acquire the patents for the company including developing an enhanced DC motor. His solutions gained attention from the mass media who sought his solutions. - 1887 Tesla Re-imagines The Electric Motor.
Tesla came up with an induction motor that was operated by alternating current, a form of power that was becoming common in Europe and the USA. This type of power provided various benefits, especially in long-distance power transmission. - 1891 Tesla Begins His Work On Wireless Power Transmission.
He tried in many ways to come up with a wireless lighting system that was based on near field and capacitative coupling. He even performed various public demonstrations, where he would light up Geissler tubes to impress his audience. - 1891 Tesla Patents The Tesla Coil.
- 1943 Tesla's Death
In early 1943, at age 86, Tesla died in a Hotel Room in New York.


Coping is learning to tolerate distress without becoming overwhelmed.
It is important for everyone for managing emotions, dealing with unpleasant people and situations, and living through urges to engage in unhealthy behaviors of all kinds.
Basically, coping is living.
When we are in very hard situations that we cannot escape, we must learn to cope because searching for a way out is futile (and it will cause more distress).
Everyone copes every day, but it's important to learn new tools to cope even better.


DAYLIGHT A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 6.0 Alternative Scale: **1/2 out of ****
United States, 1996 U.S. Release Date: 12/6/96 (wide) Running Length: 1:50 MPAA Classification: PG-13 (Profanity, disaster-related peril and destruction) Theatrical Aspect Ratio: 1.85:1
Cast: Sylvester Stallone, Amy Brenneman, Viggo Mortensen, Jay O. Sanders, Karen Young, Danielle Harris, Stan Shaw, Claire Bloom, Colin Fox, Dan Hedaya, Sage Stallone, Vanessa Bell Calloway Director: Rob Cohen Producers: John Davis, David T. Friendly, and Joseph Singer Screenplay: Leslie Bohem Cinematography: David Eggby Music: Randy Edelman U.S. Distributor: Universal Pictures
DAYLIGHT is an action picture without a villain. Frankly, it doesn't have much of a plot, either. Or characters, for that matter. In fact, the so-called dramatic elements of this movie are so shaky that you wonder if the film makers spent all of their money on a star (Sylvester Stallone, who reportedly got about $20 million) and special effects, then sort of made up the script as they went along. This is the kind of effort that would make Irwin Allen proud.
Unless you've been isolated from the overhyped promo campaign for DAYLIGHT, you already know the basic story. An out-of-control car zipping through the Holland Tunnel crashes into a truck carrying toxic waste. There's an explosion of cataclysmic proportions that causes both ends of the tunnel -- in New York and New Jersey -- to collapse. Although almost everyone inside is killed, there are a few survivors. But the situation looks grim. Air is running out. Water, seeping through the crumbling walls, is rising. Where's John McClane when you need him?
Although Bruce Willis is nowhere to be found, Sylvester Stallone is on hand. He plays Kit Lauria, the former head of New York City's Emergency Medical Services who has been driving a limo since his forced resignation. Now, because he's on the scene when the disaster occurs, he becomes involved. Ultimately, that participation puts his life in jeopardy as he decides to navigate his way through a series of huge fans and enter the tunnel to help the trapped victims.
When it comes to pyrotechnics, DAYLIGHT has the right stuff. The explosion at the beginning is truly breathtaking, rivaling anything that TWISTER's tornadoes threw at audiences. Unfortunately, the film brings out the best it has to offer first. None of the other action sequences, which include floods, more explosions, and cave-ins, approach the level of spectacle offered by the initial flash-and-bang. As a result, it can be rightfully claimed that DAYLIGHT is actually anti-climactic.
For the most part, however, the edge-of-the-seat moments accomplish what they intend to. In fact, this movie is at its best when it's in high gear, because the audience isn't tempted to think too deeply about the other aspects of the production, many of which are subpar. Adrenaline is nice, but it's all-the-more rewarding in movies like DIE HARD and SPEED, when there's a little more to go with it.
Director Rob Cohen shows a deft hand with the stunts, but he chokes on the numerous "character building" moments. Not that the script, credited to Leslie Bohem, is an asset. Most of the dialogue is poor, and some of it, including a ludicrous "raw oyster pep talk", is downright ridiculous. DAYLIGHT probably would have worked better if all the players had been mute.
On top of that, there are too many incidental characters. Of course, they're all stereotypes, but each gets so little screen time that it's difficult to care about any of them. First of all, we have the requisite dysfunctional family -- a mother (a shrill Karen Young), father (David O. Sanders), and daughter (Danielle Harris, who twice played one of Michael Myers' HALLOWEEN victims). There's also an elderly couple (Claire Bloom and Colin Fox), a group of convicts (one of whom is Stallone's real-life son, Sage), a failed writer (Amy Brenneman), and a cop (Stan Shaw). Viggo Mortensen has a brief appearance as a would-be action hero who can't quite get the job done. Then there's also the above-ground crew, which features about four recognizable faces (including Dan Hedaya and Vanessa Bell Calloway).
On the acting front, Stallone isn't all that bad. He's playing a flawed hero, and there are actually signs of the kind of emoting he did long ago in ROCKY. Amy Brenneman (FEAR) has the Sandra Bullock role opposite Stallone's Keanu Reeves, although she can't quite match up to Bullock's star quality. Viggo Mortensen's (CRIMSON TIDE) brief time in the spotlight is enjoyable, particularly since the potentially-annoying character doesn't overstay his welcome. Of the others, no one stands out, except perhaps Karen Young (the title character in Tom Noonan's THE WIFE), who is irritating.
On balance, I have trouble recommending DAYLIGHT because it is riddled with problems. Nevertheless, I doubt that action fans (and Stallone aficionados in particular) will be disappointed. For, although as a complete story this film has more cracks than the collapsing tunnel, thrill-seekers in search of two hours of cinematic action will find that DAYLIGHT falls considerably short of being a disaster.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends "layout.html" %} {% block body %}
In April 2016, the province of British Columbia declared overdoses a public health emergency. The rates of overdoses in B.C. and in Fraser Health are dramatically on the rise to levels never seen before. The B.C. Coroners Service reported that there were 922 illicit drug overdose deaths from January to December 2016 in the province. Overdoses are occurring in all sectors of our communities, at all ages across all social statuses. Overdose is complicated, it is impacted by general health, environmental conditions, the substance taken and what else is also taken at the same time.
Lost Years: The number of years of life lost due to overdose death vs average life expectancy.
For More information please visit Fraser Health's website.


Football: Germany not among Euro 2020 favourites, says Loew
BERLIN: Germany will not be among the tournament favourites if they qualify for next year's Euro 2020, coach Joachim Loew said on Friday (Nov 15) ahead of their final two qualifiers.
The Germans, who take on Belarus on Saturday before facing Northern Ireland on Tuesday, are level with leaders Netherlands on 15 points. Northern Ireland are third on 12. The top two earn automatic qualification and Germany could qualify as early as Saturday.
"We don't belong to the tournament favourites," Loew told reporters. "France, England have been playing with the same players for years. There are the Dutch, Spain."
"Us, with our young team, we are not among the favourites because we are still in the process of change."
The Germans suffered a shock group-stage exit at last year's World Cup and were relegated in the inaugural Nations League, promoting a major overhaul of the team.
"Maybe in two or four years when the players are at their peak. I mean a lot is possible with this team and we are working on that because it does have a lot of quality."
Loew has had to struggle with a lot of absences in recent months and his young team has rarely played with the same starting lineup, delaying, as he said, its development.
"We have had games where we played really well over 45 minutes and when I was surprised at how well some things worked," he said. "But we have not yet managed to do it over 90 minutes against tough opponents. That is the job we have."
Loew said the situation was similar to that of the 2010 World Cup when injuries had forced several last-minute changes and the young team, that included Mats Hummels, Jerome Boateng, Mesut Ozil and Manuel Neuer among others - reached the semi-finals.
It also formed the backbone for the 2014 title-winning team in Brazil.
"It is a bit like the situation in 2010. But to play for the title will be difficult. There are things that are possible but we don't have the favourites role this time," said Loew.


I recently took a dose of liquid LSD while on Celexa, a prescription antidepressant. I have been taking 30mg of Celexa daily for about nine months. Celexa is an SSRI, and 30mg is a fairly low dosage, especially for my body size.
This was the first time in approximately 4 months that I had used any psychoactive drug. For me, the 'speedy' feeling with LSD begins about 30 minutes after dosing, with very obvious muscle tensing and the onset of visuals occuring at about 45 minutes.
I took an initial dose of what was equivalent to approximately one tab. This time, however, after 45 minutes I felt slightly giddy, but otherwise felt none of the normal reactions I have to acid. A friend of mine who dosed at about the same time (who does not use antidepressants) reported the same thing, at which point we both had another dose each.
After another 30 minutes my friend began experiencing his normal reaction to acid, however I still remained relatively unaltered. The giddy feeling remained, a sensational vaguely similar to GHB but muted. After about 2 hours I felt almost normal.
After consulting some knowledgable people, it seems that my reaction was a normal interaction between hallucinagens and SSRI's.
An addendum to this report is that, three days later, I intentionally skipped my daily dose of Celexa (which is fairly harmless at such a low dosage) and ate ~3-4g of mushrooms. I felt very strong disassociation and intense visuals.
In conclusion, it seems that even a very small dosage of Celexa can dampened or cancelled an LSD trip entirely, while skipping one dose resulted in a normal mushroom trip. Again, I take a small dose of Celexa, and I do not know if skipping a larger dose will have other side effects.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


The following page provides charts showing SDO household projections by age and household type from 2010 to 2050. For your convenience, you are able to download the graphs by clicking on the camera icon in the upper right of the graph while hovering over the chart. This will download an exact copy, including zooming, of the chart on the page.
Click on the download icon on the left of each chart to download the chart and the underlying data.


<script type="text/javascript" src="https://model.earth/localsite/js/localsite.js?display=everything&show=farmfresh&showheader=false&state=GA"></script>


--- layout: post title: How I learned to stop worrying and love the data tier categories: - Developer Deep Dive status: publish type: post published: true meta: _edit_last: '13' s2mail: 'yes' _aioseop_title: How I learned to stop worrying and love the data tier dsq_thread_id: '833909298' ---
At some point in 2005 or so, I started using ORMs to perform data access to a RDBMS. ORMs solved a lot of problems I was running into as a developer, namely all the boring ADO.NET code to deal with reading data and populating objects.
I would wind up with a lot of code dealing with DBNull and such, but not much of the code dealt with actually reading information out. It was annoying. It was easy to get wrong. In my attempt to rid myself of this kind of code, I ditched all the things that SQL Server does well.
Using an ORM, especially with databases with large amounts of data, does not preclude the developer from learning these systems. It’s one thing to say we’re ditching Stored Procedures, but yet another to ignore all of the other things that RDBMS does well, and can very much impact the end-user experience of a system.
I had ditched a lot of things in SQL Server when going to ORMs, namely:
In short, all of the things that make RDBMS work well. It wasn’t the ORM that forced me down this path. It was my own bias.
Recently, we hit an issue where we were wanting to enforce uniqueness of the member’s email in the system. We had a set of code on a user creating an account:
{% gist 1871924 %}
This worked well when only one user tried to save their email at any given time. But in a messaging system, we often do things like increase throughput by increasing workers. But that introduces the problem of dirty reads. If between the time the system checks the database for uniqueness and finally saves the member, that email could (and did) sneak in.
So how did we solve this? Not by removing this code, but putting in a unique constraint and an index on that column. Now I’ve guaranteed uniqueness for that value, instead of having just a hope that the value is unique. It’s something that the database does, and does well. So instead of worrying about logic in SQL stored procedures, which I won’t do, I’ll look at what SQL does well, and take advantage of those features as necessary.
It’s the same side of the coin of “use the right tool for the job”. It’s “be aware of what tools work best in what scenarios, and tradeoffs for those scenarios.”


How to Play
The puzzle pieces are scrambled in the piece drawer
Each piece belongs somewhere in the grid
Click and drag each piece to where it belongs
Photo by
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Monitored Locations
When you navigate to a page at one of the locations listed above, any anchor tags (links) on that page that point to Smurfy builds will be reformatted into an embedded window.
Mode
Use "Mech Tooltip" Mode
When in "Tooltip" mode, the build will be displayed using the format seen on many forums, such as on the NoGutsNoGalaxy.net build forums.


Mobile AJAX JSONP
Example Home
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&PARAM=
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&S1COL_COLUMN2=
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Request:
Response:


The basic languages used for web development are HTML(Hyper Text Mark-up Language) and CSS(Cascading Style Sheet). HTML is simply a “mark-up” language that lets your browser know how to display websites for you. Both HTML and CSS are examples of Front End Development.
Javascript is also commonly used for Web Development. It is a scripting language, which means it can run programs as opposed to displaying something with HTML/CSS. !
Made using: Khan Academy Computer Science
Made using: Khan Academy Computer Science
Made using: Khan Academy Computer Science
Made using: Khan Academy Computer Science
Made using: Khan Academy Computer Science
Made using: Khan Academy Computer Science
Made using: Khan Academy Computer Science
Made using: Khan Academy Computer Science


--- layout: post title: Design Patterns tags: [] status: publish type: post published: true meta: {} ---
More on design patterns this time courtesy of the Sun website. I was in particular looking at the MVC and DAO as these two are often referred to on Mach-ii related discussions. The general design pattern page at Sun can be found here.


I'm A Celebrity fans divided over Caitlyn and Kate doing the bushtucker trial
Some have called it predictable
by Carena CrawfordCaitlyn Jenner and Kate Garraway have been voted to do the first bushtucker trial in this year's I'm A Celebrity...Get Me Out Of Here!
Tonight (Sunday November 17) saw American reality star Caitlyn and GMTV presenter Kate both selected to compete in the trial, Bugged Off, which will see them locked in a box full of nasties.
Read more: I'm A Celeb's five most hilarious Bushtucker Trials
But viewers at home have been left divided over the choice, with some slamming it as 'predictable'.
Others, however, can't wait to see the women compete and think it's the perfect pairing!
One fan said: "Surprise, surprise. Of course the British Public have voted for Caitlyn to do the trial."
Others didn't care that it was predictable, they're just thrilled the public picked them!
And presenter Ant McPartlin agreed. During an appearance on sister show Extra Camp after the main show aired, Ant thanked the viewers for voting for the women.
Co-host Dec added they had a 'doer and a screamer' which is the perfect combo!
Plenty of viewers agreed!
In fact, Caitlyn is proving a hit with fans overall.
Many are already calling the former Olympian their winner.
As well as the celebrity contestants getting people talking, presenters Ant and Dec caused a stir too.
While viewers were thrilled to have Ant back to hosting duties after his year off following his arrest for drink driving and stint in rehab, others noticed something different about him.
He's got new arm tattoos!
Fans were surprised to see the new markings, and by the looks of them he's had them done fairly recently.
Meanwhile, Dec seemed to be sporting a red mark on his arm that also left fans intrigued.
It looked remarkably like a burn!
The series kicked off tonight with half of the celebs arriving on board a luxury yacht, while the other half were taken by speedboat to a beach.
The teams were stunned when the gang on the yacht - Nadine Coyle, Ian Wright, James Haskell, Kate Garraway, and Myles Stephenson - were told they had to swim to the beach in the clothes they were wearing to partner up with someone else.
Those waiting on the beach were Caitlyn, Roman Kemp, Adele Roberts, Jacqueline Jossa, and Andrew Maxwell.

Roman and Myles completed it the fastest and were declared a 'power pair' meaning they got to stay in the nicer camp.
Meanwhile, after Nadine Coyle and Caitlyn jumped out of a plane to collect a key, Nadine and Adele ended up winning their challenge to become the second power pair.
The others will be in a basic camp and on basic rations for the foreseeable future.
Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think!


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26-Nov-19 04:10 PM
[dscrd-hush] <dukeleto> @Captain you must pair it to SDL or SD on your computer
[dscrd-hush] <Captain> ah found it, have to conncet the app with SDL
[dscrd-hush] <dukeleto> via QR code
[dscrd-hush] <dukeleto> we should probably have better docs for this
[dscrd-hush] <Captain> yeah I got it. thanks
[dscrd-hush] <dukeleto> it's all so knew
[dscrd-hush] <dukeleto> we actually need a YouTube video showing how to pair the app to SD or SDL
[dscrd-hush] <Captain> So if I shut down my pc, I cannot send a transaction
[dscrd-hush] <dukeleto> because google play lets you link to a YT
[dscrd-hush] <dukeleto> @Captain correct
[dscrd-hush] <dukeleto> your phone is just a remote control
[dscrd-hush] <dukeleto> your desktop must stay on and online
[dscrd-hush] <Captain> allright. But theoretically I can use a server to run SDL and pay HUSH from my phone wherever I am
[dscrd-hush] <dukeleto> maybe?
[dscrd-hush] <dukeleto> kinda? It's complex i guess
[dscrd-hush] <Captain> haha
[dscrd-hush] <dukeleto> but i like the way you think
[dscrd-hush] <dukeleto> the connection tries to stay alive, but we are debugging some issues with timeouts. plz report bugz
[dscrd-hush] <Captain> I will try, however I cannot code or anything. So if I see something unusual I will tell
[dscrd-hush] <dukeleto> if you run SD or SDL on a computer at home that never turns off, or rarely, it will do what you want
[dscrd-hush] <dukeleto> @Captain sure. not asking for coding. Asking for a user to give feedback
[dscrd-hush] <dukeleto> feedback from coders is not as valuable
[dscrd-hush] <dukeleto> our brains are broken by knowing the code
[dscrd-hush] <dukeleto> so any feedback is helpful. It's hard to know what it's like to be a "new user"
[dscrd-hush] <dukeleto> so that is why feedback from new people is so valuable
[dscrd-hush] <Captain> Well I am running SDL on android with 4G. it connected flawlessly
[dscrd-hush] <dukeleto> @Captain you are running SDA on android, SDL runs on your desktop. which OS are you using there, and version?
[dscrd-hush] <Captain> SDL on windows 10 and SDA on Android 9 (Galaxy S8)
[dscrd-hush] <dukeleto> awesome, glad to hear it works
[dscrd-hush] <dukeleto> the amount of code to make things work is amazing


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Introduction
CC catalog project is responsible for collecting CC licensed images available in the web, CC licensed images are hosted by different sources, these sources that provide the images and its metadata are called providers. Currently, images are collected from providers using two methods Common Crawl and API based crawl. Common Crawl data is an open repository of web crawled data and we use that data to get the necessary image metadata for that provider more information. API crawl is implemented using the API endpoint maintained by the providers. The main problem with Common Crawl is that we don't have control over the data they crawl, and this sometimes results poor data quality whereas with API based crawl we have access to the information available. API based crawl is better when we need to update image metadata and reqular intervals.
As a part of the internship, I will be working on moving providers from Common Crawl to API based crawl as well as integrate new providers to the API crawl. I will be starting with the Science Museum provider.
Science Museum
Science museum is a provider with around 80,000 CC licensed images, currently Science museum data is ingested from Common Crawl. Science museum is one such provider where our data is of poor quality and there is need to improve it. This is done by moving Science museum to an API based crawl.
API research
We want to index metadata using their open API endpoint. However, before the implementation we have to ensure that the API provides necessary content and there is a systematic way to get it. The first step is to take an object from their collection and check certain criterias.
The criteria are:
- parameters available for the API
- Object landing url (frontend link of the object the image is associated with)
- Image url (the url link of the image)
- CC license associated with the image
- creator, title and other metadata info
Once the above checks have been made, we need to find a way to get all the objects, this could be by paging through the records
or partition using the parameters, etc. Since their API parameter has page[number]
paging would be an appropriate choice with max size
as 100 it would require around 800 pages to get all the objects but then since they don't allow paging a large number of results, and
the max number of pages for Science Museum is 50 pages.This would mean we would get only 5000 objects and around 17000 images.
So we need to find a way to divide the collection into subsets such that each subset has less than or equal to 5000 objects.
Luckily, the API had another set of parameters date[from]
and date[to]
which represents the time period of the object.
Querying the API through different time period at the same time ensuring that records in that time period don't exceed 5000 solves the problem, starting
from year 0 to year 2020 by trial and error method suitable year range was chosen.
YEAR_RANGE = [
(0, 1500),
(1500, 1750),
(1750, 1825),
(1825, 1850),
(1850, 1875),
(1875, 1900),
(1900, 1915),
(1915, 1940),
(1940, 1965),
(1965, 1990),
(1990, 2020)
]
With this we have a method to ingest the desired records, but before writing the script we need to know the different licenses
provided by the API. We need to figure out a consistent way to identify which license and version are attached to each object.
To do this, we ran a test script to get counts of objects under different licenses.
The results are:
+-----------------+----------+
| license_version | count(1) |
+-----------------+----------+
| CC-BY-NC-ND 2.0 | 210 |
| CC-BY-NC-ND 4.0 | 2376 |
| CC-BY-NC-SA 2.0 | 1 |
| CC-BY-NC-SA 4.0 | 61694 |
+-----------------+----------+
Since the licenses and their versions are confirmed, we can start the implementation.
Implementation
The implementation is quite simple in nature: we loop the through the YEAR_RANGE
and get all the records for that period and
pass it on to an object data handler method that extracts the necessary details from the record and store it in the ImageStore
instance. ImageStore is a class that stores image information from the provider, it stores the information in a buffer and inserts to tsv
when the buffer reached threshold limit. Due to overlapping date ranges, the metadata for some objects is collected multiple times.
So, we keep track of the record/object's id in a global variable RECORD_IDS = []
.
Within the object data handler method before collecting details we check if the id
already exists in RECORD_IDS
.
If it exists we move on to the next record.
for obj_ in batch_data:
id_ = obj_.get("id")
if id_ in RECORD_IDS:
continue
RECORD_IDS.append(id_)
id_
is the object id and we cannnot use this value as foreign identifier, the reason behind it is that an object could
have multiple images with it and using object id we cannot determine the image uniquely, so we must use image id that is unique
for each image. Currently image id is taken from multimedia
, multimedia is a field in the json response that lists multiple
images and their metadata, for each image data in multimedia, foreign id is in admin.uid
.
The implementation can be found here.
Results:
Running the scripts we get:
- Number of records recieved :
35584
- Number of images collected :
62497
The problem with current implementation is that records with no date would be missed.
Science Museum provider is the first provider I worked on as a part of the internship and thank my mentor Brent Moran for the help.


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Void QuantConnect.Algorithm.QCAlgorithm.SetExecution (
IExecutionModel
execution
)
Sets the execution model.
Void QuantConnect.Algorithm.QCAlgorithm.SetExecution (
PyObject
execution
)
Sets the execution model.


--- layout: post title: "Listen to trivial tests" description: "Listen to your tests. If it's too much bother writing a test for a property, perhaps it's telling you that you don't need a property there." date: 2013-03-11 13:57:00 UTC tags: [Software Design, Unit Testing] --- {% include JB/setup %}
{{ page.description }}
A couple of days ago I published a blog post that caused some people to react, telling me that I'm wrong. That's most certainly a possibility, but what if I'm not? In this post I'd like to provide a bit of background on why I wrote that previous post, and where it may lead us.
My blog post was a reaction to Robert C. Martin's post on The Pragmatics of TDD. One of the qualities I've always appreciated of people like Robert C. Martin and Martin Fowler is that they consistently explain the reasoning behind their actions. The part of The Pragmatics of TDD that caused me to react was that it contains practices that aren't explained.
Notice that Robert C. Martin takes time to explain why he doesn't unit test UI code (too much fiddling is involved). To me, that's a fully satisfactory explanation, so I didn't react against that at all. On the other hand, he states that he doesn't write tests against obviously trivial members, but no satisfactory explanation is given.
Robert C. Martin has been programming for more than 40 years, and been doing TDD longer than me, so I have no doubt that this pragmatic approach works for him (as well as for many of the people who disagree with my previous post). However, if, for the sake of argument, we accept the Dreyfus model of skill acquisition, Robert C. Martin is clearly an Expert. He uses intuition and tacit knowledge to make appropriate decisions. Normally, as in Clean Code, he does a great job of making this tacit knowledge explicit, but in this case I found the explanation was missing, so I wanted to explore that question.
Perhaps I was a bit high on laying out a logical argument. Yesterday, my wife (who's not at all a programmer) kindly read through the article and let me know that my language could have been less aggressive. It could, and I apologize if I offended anyone - particularly Robert C. Martin from whom I've learned so much.
Most of all, though, I think I could have stated my motivation and context clearer.
As I have previously stated on Twitter, I have come to the realization that I'm a Programmer more than I'm a Developer. While I love software, I love code more. If you ask my past employers and customers, they will tell you that I can get stuff done, too. However, I often code just to learn. This is an aspect of Software Craftmanship that is sometimes overlooked: Yes, we want to ship working software. However, we must always strive to become better at our craft, and that means practice. That means writing code for code's sake. That means obsessing over details.
It also means thinking about aspects of programming that many people take for granted, such as properties.
Several people attacked my previous post because they think it's not practical and that it puts TDD in a bad light. Actually, I think it puts TDD in a splendid light because it made me explicitly realize something that I've implicitly 'known' for a long time: we use way too many properties in our code.
As always, we should take to heart the advice from GOOS: Listen to your tests.
If you think that it's ridiculous to write tests for automatic properties, then what is the feedback really about?
Most of my critics present the choices like this:
| Unit test | No unit test | |
|---|---|---|
| Property |
However, I think the choice is more like this:
| Unit test | No unit test | |
|---|---|---|
| Property | ||
| No property |
In his post on the Pragmatics of TDD, Robert C. Martin states that getters and setters (properties) will be indirectly covered by other tests. This would also be true for public fields. This is even more pronounced in C# where the syntax for accessing a property is identical to the syntax for accessing a field.
I agree with both Robert C. Martin and Mark Rendle that in a lot of cases, we don't really care about anything as nitty-gritty as a single property. What we often care about is the overall behavior of a system. This is also the approach I teach in my Pluralsight course on Outside-In Test Driven Development. You don't see me write tests of properties there.
However, I made a mistake in that course, and another mistake in my previous post, and that was to design View Models with properties. Why are we even adding properties to View Models? The purpose of a View Model is to render in a particular way, either as UI, XML, JSON or something else. We care about the end result, not what the View Model class looks like. At the boundaries, applications aren't object-oriented.
The JournalEntryModel from my Pluralsight course should really have look like this:
public class JournalEntryModel { public DateTimeOffset Time; public int Distance; public TimeSpan Duration; }
Notice that the class simply holds three public fields. This produces the same JSON as the version where those three members are properties.
There may still be cases where properties are appropriate. If, for example, instead of writing an end-to-end application, you are writing a reusable library, properties provide encapsulation. In such cases, the property has a particular purpose, and it still makes sense to me to capture that behavior (yes: behavior, not data) in a regression test.
However, most of the times properties aren't warranted, and you might as well use a public field - this is the YAGNI principle applied. You don't have to test public fields because they can't possibly have any behavior.
Comments
In my opinion disciplines like TDD fall under a precise science and giving arbitrary rules to follow could be misleading.
Totally agree with Mark Seemann, tests give us control. I dare add that also a bad wrote test give us information; for example it can put in evidence a code smell in the system under test.
This discussion remind me a Stack Overflow question, How deep are your unit tests?.
It's interesting how Kent Beck start replying I get paid for code that works, not for tests...
In conclusion writing good test code and applying TDD is finalized to prove the correctness of a system.
It's a science; a lot of good literature (as books quoted here) and we can't rely on bunch of practical points.
I don't understand your line of reasoning. If I understand you correctly, you're saying auto-properties should be tested, because they might be later changed to properties with some behavior. And you're also saying that it might be a good idea to use public fields instead of auto-properties, because you don't have to test those. But public fields might also be changed to properties with behavior later.
In other words, I don't really see the distinction between public fields and auto-properties. Either you should test both, or neither. But it doesn't make much sense to me to test auto-properties, but not public fields.
Also, one thing you ommited is that auto-properties can have private setters. I think that's extremely useful and it's something public fields can't do. But, according to your reasoning, those should be tested too, using trivial tests. What does listening to those tests say?


Can be anything from top-down to isometric. Style can be adjusted to story but needs to be clear (one view describes the situation, more or less)
Robots mining? A wizards test? Dwarves digging? Alien dwarves in a digging competition? Two devils digging for hell?
During your turn, each character can do 2 actions: pick twice from the following:
Some tiles have items on them, you pick them up by moving on the tile. Some items just give you some upgrade and vanish. Other items you can hold and use as an ability. Example upgrades:
Abilities can be charged or always usable. Example abilities:
Different classes start out with different stats and different abilities. These should be the base for different play styles. Fighter: 20 attack, 15 defense, 50 health, ability: double attack next turn (3 charges) Tank: 10 attack, 20 defense, 70 health, upgrade: retaliation +50% damage, ability: Defense +50% for friendly characters. Mage: 10 attack, 15 defense, 40 health, ability: 5 damage to anyone in row, ability: 5 damage to anyone in column
Tiles can be unrevealed, revealed or seen, seen shows all, revealed shows as it was when last seen. Tiles can be revealed to a player or not. Different types are:
Kill the other player characters. Maybe another goal is to defeat the end boss, or have the most total health after x turns (to beat the idea of running until the other gives up)
Combat is done by moving into a square with an enemy on it. Combat can only be done once per turn. You deal your attack as damage, and then the enemy deals its attack to you. The amount of health you lose is based on the attack with your defense subtracted. Monsters don't attack, just retaliate.
Monsters can be on tiles and make it unpassable. They can be attacked and killed and have an item as treasure based on their level.
...
In the Hunger games mode two or more players will be randomly (or close to each other) spawned. After beginning players might move in one direction to escape the mass fight. Random weapons and power ups will spawned and players need to survive with what they can get their hands on. The last player alive will win the game.


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Jet Ski
Sunday, December 20, 2014
You’re probably busy, so we’ll get right to it. This week we ask our readers to help us. To protect our independence, we'll never run ads. We survive on donations.  Now is the time we ask. If everyone reading this gave $3, our fundraiser would be done within an hour. Yep, that’s about the price of buying a programmer a coffee. We’re a small non-profit with costs of a top website: servers, staff and programs. Wikipedia is something special. It is like a library or a public park, a temple for the mind where we can all go to think and learn. When we founded Wikipedia, we could have made it a for-profit company with advertising, but we decided to do something different. Commerce is fine. Advertising is not evil. But it doesn’t belong here. If Wikipedia is useful to you, take one minute to keep it online and ad-free another year.
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Sky Diving
Sunday, December 20, 2014
You’re probably busy, so we’ll get right to it. This week we ask our readers to help us. To protect our independence, we'll never run ads. We survive on donations.  Now is the time we ask. If everyone reading this gave $3, our fundraiser would be done within an hour. Yep, that’s about the price of buying a programmer a coffee. We’re a small non-profit with costs of a top website: servers, staff and programs. Wikipedia is something special. It is like a library or a public park, a temple for the mind where we can all go to think and learn. When we founded Wikipedia, we could have made it a for-profit company with advertising, but we decided to do something different. Commerce is fine. Advertising is not evil. But it doesn’t belong here. If Wikipedia is useful to you, take one minute to keep it online and ad-free another year.
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Hiking
Sunday, December 20, 2014
You’re probably busy, so we’ll get right to it. This week we ask our readers to help us. To protect our independence, we'll never run ads. We survive on donations.  Now is the time we ask. If everyone reading this gave $3, our fundraiser would be done within an hour. Yep, that’s about the price of buying a programmer a coffee. We’re a small non-profit with costs of a top website: servers, staff and programs. Wikipedia is something special. It is like a library or a public park, a temple for the mind where we can all go to think and learn. When we founded Wikipedia, we could have made it a for-profit company with advertising, but we decided to do something different. Commerce is fine. Advertising is not evil. But it doesn’t belong here. If Wikipedia is useful to you, take one minute to keep it online and ad-free another year.
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Seattle (Shopping)
Sunday, December 20, 2014
You’re probably busy, so we’ll get right to it. This week we ask our readers to help us. To protect our independence, we'll never run ads. We survive on donations.  Now is the time we ask. If everyone reading this gave $3, our fundraiser would be done within an hour. Yep, that’s about the price of buying a programmer a coffee. We’re a small non-profit with costs of a top website: servers, staff and programs. Wikipedia is something special. It is like a library or a public park, a temple for the mind where we can all go to think and learn. When we founded Wikipedia, we could have made it a for-profit company with advertising, but we decided to do something different. Commerce is fine. Advertising is not evil. But it doesn’t belong here. If Wikipedia is useful to you, take one minute to keep it online and ad-free another year.
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Through the table below, you can see in detail how Bootstrap's grid system works on a variety of screen devices.
| Ultra-small screen Mobile (<768px) | Small screen Plate (≥768px) | Medium screen Desktop monitor (≥992px) | big screen Large desktop display (≥1200px) | |
|---|---|---|---|---|
| Grid system behavior | Always arrange horizontally | At first it is stacked together, when it is greater than these thresholds, it will become horizontal arrangement C | ||
.container Maximum width |
None (automatic) | 750px | 970px | 1170px |
| Class prefix | .col-xs-
|
.col-sm-
|
.col-md-
|
.col-lg-
|
| Number of columns | 12 | |||
| Maximum column (column) width | Automatic | ~62px | ~81px | ~97px |
| Gutter width | 30px (15px on the left and right in each column) | |||
| Can be nested | Yes | |||
| Offsets | Yes | |||
| Column sorting | Yes |
Use a single set of .col-md-*
Grid class, you can create a basic grid system, which is initially stacked on mobile phones
and tablet devices (from ultra-small screens to small screens), and becomes horizontal on
desktop (medium) screen devices arrangement. All "column must be placed in "
.row
.
Don’t you want all the columns to be stacked on top of a small screen device? Then use the
classes defined for ultra-small and medium-screen devices, namely .col-xs-*
and
.col-md-*
. Take a look at the examples below to study how these work.
In the 4 grids of equal width, the unequal height of the grid will encounter problems. To
solve this problem, you can use .clearfix
. Responsive utility class
Use the .col-md-offset-*
class to offset the column to the right. These classes
are actually through the use of *
The selector adds a left margin to the current element. For example, the
.col-md-offset-4
class will .col-md-4
The element is shifted to the right by 4 columns (column) width.
In order to use the built-in grid system to nest content again, you can add a new
.row
element and a series of .col-sm-*
elements to the existing
.col-sm-*
element. The number of columns contained in the nested row cannot
exceed 12 (in fact, there is no requirement that you must occupy 12 columns).


Imaging Spectrometer Optimal FITting (ISOFIT) Overview¶
This codebase contains a set of routines and utilities for fitting surface, atmosphere and instrument models to imaging spectrometer data. It is written primarily in Python, with JSON format configuration files and some dependencies on widely-available numerical and scientific libraries such as scipy, scikit-learn, and numba. It is designed for maximum flexibility, so that users can swap in and evaluate model components based on different radiative transfer models (RTMs) and various statistical descriptions of surface, instrument, and atmosphere. It can run on individual radiance spectra in text format, or imaging spectrometer data cubes.
The subdirectories contain:
- data/ - shared data files
- docs/ - documentation
- examples/ - example runs packaged with input data and configuration files
- isofit/ - the main Python codebase, with the top-level program isofit.py
- utils/ - general purpose utilities and routines for the advanced user
- tests/ - unit tests for use by pytest
If you use ISOFIT in your research or production, we ask that you cite the precursor publication:
- David R. Thompson, Vijay Natraj, Robert O. Green, Mark C. Helmlinger,
- Bo-Cai Gao, and Michael L. Eastwood, (2018). “Optimal Estimation for Imaging Spectrometer Atmospheric Correction.” Remote Sensing of Environment, in press.
Installation Instructions¶
From Github¶
The code repository, development branches, and user community are found on GitHub. To install:
- Download or clone the git repo located at https://github.com/davidraythompson/isofit.
- Install the ISOFIT dependencies using pip
python3 -m pip install scipy
python3 -m pip install numba
python3 -m pip install matplotlib
python3 -m pip install scikit-learn
python3 -m pip install spectral
python3 -m pip install pytest
- Make sure the isofit/ and utils/ subdirectories are in your Python path like this:
export PYTHONPATH="${PYTHONPATH}:/path/to/isofit/isofit:/path/to/isofit/utils"
Quick Start using MODTRAN 6.0¶
This quick start presumes that you have an installation of the MODTRAN 6.0 radiative transfer model. This is the preferred radiative transfer option if available, though we have also included an interface to the open source LibRadTran RT code. Other open source options and neural network emulators will be integrated in the future.
- Configure your environment with the variables ISOFIT_BASE pointing to the base checkout directory of ISOFIT, and also MODTRAN_DIR pointing to the base MODTRAN 6.0 directory.
- Run the following code
cd examples/20171108_Pasadena
./run_examples_modtran.sh
- This will build a surface model and run the retrieval. The default example uses a lookup table approximation, and the code should recognize that the tables do not currently exist. It will call MODTRAN to rebuild them, which will take a few minutes.
- Look for output data in examples/20171108_Pasadena/output/. Each retrieval writes diagnostic images to examples/20171108_Pasadena/images/ as it runs.
Quick Start with LibRadTran 2.0.x¶
This quick start presumes that you have an installation of the open source libRadTran radiative transfer model (LibRadTran <http://www.libradtran.org/doku.php>)_ . We have tested with the 2.0.2 release. You will need the “REPTRAN” absorption parameterization - follow the instructions on the libradtran installation page to get that data.
- Configure your environment with the variables ISOFIT_BASE pointing to the base checkout directory of ISOFIT, and also LIBRADTRAN_DIR pointing to the base libRadTran directory.
- Run the following code
cd examples/20171108_Pasadena
./run_example_libradtran.sh
- This will build a surface model and run the retrieval. The default example uses a lookup table approximation, and the code should recognize that the tables do not currently exist. It will call libRadTran to rebuild them, which will take a few minutes.
- Look for output data in examples/20171108_Pasadena/output/. Diagnostic images are written to examples/20171108_Pasadena/images/.
Additional Installation Info for Mac OSX¶
- Install the command-line compiler
xcode-select --install
- Download the python3 installer from https://www.python.org/downloads/mac-osx/


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Parameters
Config
Crossing
Minimum Speed: (slower objects are ignored)
Maximum Speed: (faster objects are ignored)
Minimum Area: (smaller objects are ignored)
Maximum Area: (larger objects are ignored)
Maximum Motion Distance: (maximal object distance between two frames)
Detection Maturity: (number of frames to enable crossing detection)
ObjectExtension: (defines how much one object is extended to be joined into a bigger one)
Exposure Compensation: (make the picture lighter)
Configuration
Crossing
Params
Plane from:
left and right
right only
left only
Crossing
Config
Params


Personalized Materials for your Class
7.Ns.1d
From: Better Lesson
7.Ns.1d
From: Better Lesson
7.Ns.1d
From: Better Lesson
7.Ns.1d
From: Better Lesson
7.Ns.1d
From: Better Lesson
7.Ns.1d
From: Better Lesson
7.Ns.1d
From: Better Lesson
7.Ns.1d
From: Better Lesson


Preparation time
overnight
Cooking time
10 to 30 mins
Serves
Serves 4
Lime, mint and basil bring a refreshing twist to rice noodles and marinated pork. Perfect all year round, but this would really impress at a summer BBQ.
In a large bowl, mix together the spring onions, garlic, shallots and soy and fish sauces. Add the pork and stir to coat. Cover and put in the fridge to marinate overnight.
In a small saucepan, simmer the dressing ingredients together over a low heat until the sugar has dissolved. Leave to cool.
Preheat the grill to a medium-high heat.
Place the pork belly strips on to the grill pan and cook the pork for 3–4 minutes on each side, or until cooked through and slightly charred on both sides. (Alternatively, you can cook this on a preheated barbecue.)
In a large bowl, toss together the cooked noodles, beansprouts, salad leaves, herbs and half the dressing.
Divide the noodle salad between four plates and place the pork on top. Drizzle over the remaining dressing and serve.


Text Range Prompt Task
The text range prompt task displays an Options tab containing From and To input fields.
When values are specified macro variables are created as follows:
- textrange_min - set to the From value specified
- textrange_max - set to the To value specified
An example of the code generated by this task if values in the From and To input fields are a and z.
%global textrange_min;
%global textrange_max;
%let textrange_min=a;
%let textrange_max=z;