A compressor for pressurizing a flow of air within an aircraft including an inlet providing the flow of air to the compressor. An outlet provides the flow of air, after pressurization by the compressor, to a chamber of the aircraft. A diffuser assembly is disposed between the inlet and the outlet. The diffuser assembly includes one or more vanes at least partially impeding the flow of air through the diffuser assembly. A backing plate is included having a surface adjacent to the one or more vanes. The surface includes a relief feature that enables air to bypass the one or more vanes. The relief feature has an axial depth of about 0.5% to 2.5% of a width of a flow path through the diffuser assembly or of about 0.5% to 5% of a thickness of a flange of the backing plate. A method of operating a compressor is also included.
The subject matter disclosed herein relates to air compressors and, in particular, to a backing plate for a cabin air compressor in an aircraft.
Current commercial aircraft are routinely equipped with a variety of systems for controlling the temperature, pressure, and other parameters and conditions within the aircraft. For example, an environmental control system (ECS) of the aircraft may include an air compressor, e.g., a cabin air compressor, in order to maintain desired cabin pressure. An air compressor or other component may experience degradation in effectiveness, efficiency, lifespan, or other operating characteristics if operated outside of a preferred range of operating conditions such as may occur in aircraft that are subjected to a wide variety of conditions (e.g., vastly different pressures and temperatures at ground level and cruising altitude).
According to one embodiment, a compressor for pressurizing a flow of air within an aircraft is disclosed. The compressor includes an inlet providing the flow of air to the compressor. An outlet provides the flow of air, after pressurization by the compressor, to a chamber of the aircraft. A diffuser assembly is disposed between the inlet and the outlet. The diffuser assembly includes one or more vanes at least partially impeding the flow of air through the diffuser assembly. A backing plate is included having a surface adjacent to the one or more vanes. The surface includes a relief feature that enables air to bypass the one or more vanes.
According to another embodiment, a method of operating a compressor in an aircraft is disclosed. The method includes pressurizing air with the compressor as the air travels from an inlet to an outlet and through a diffuser assembly disposed between the inlet and the outlet. Pressurized air is provided to a chamber of the aircraft via the outlet. A portion of air bypasses the one or more vanes of the diffuser assembly via a relief feature formed in a surface of a backing plate of the diffuser assembly adjacent to the one or more vanes.
The subject matter, which is regarded as the invention, is particularly pointed out and distinctly claimed in the claims at the conclusion of the specification. The foregoing and other features, and advantages of the invention are apparent from the following detailed description taken in conjunction with the accompanying drawings in which:
figref[FIG. 1] schematically illustrates an aircraft having an environmental control system;
figref[FIG. 2] is a cross-sectional view of an air compressor of the environmental control system of figref[FIG. 1] ;
figref[FIG. 3] is a cross-sectional view of a backing plate of the air compressor of figref[FIG. 2] ;
figref[FIG. 4] is a perspective view of a surface of the backing plate of figref[FIG. 3] having a relief feature formed therein; and
figref[FIG. 5] is an enlarged view of the area of the backing plate encircled in figref[FIG. 3] .
A detailed description of one or more embodiments of the disclosed apparatus and method are presented herein with reference to the Figures by way of exemplification and not limitation.
figref[FIG. 1] schematically illustrates an aircraft 10. The aircraft 10 has various chambers, including a cabin 12, in which conditions related to the environment of the chamber, such as temperature, pressure, etc. are controlled. Other chambers may include or be defined by a galley, cargo area, etc. In the illustrated embodiment, an ECS 14 is included to control the environment (e.g., temperature, pressure, etc.) of the cabin 12 and/or other chambers of the aircraft. The ECS 14 can be arranged to receive, monitor, and/or condition ram air, ambient outside air, air recycled from the cabin 12 or other chambers of the aircraft 10, bleed air from turbines or other components of the aircraft 10, etc., or a combination thereof. In the illustrated embodiment, the ECS 14 includes an air compressor 16 for assisting in the maintenance of a desired air pressure within the cabin 12, i.e., cabin pressure. In this way, the air compressor 16 may be referred to as a cabin air compressor (CAC), although it is to be understood that other compressors may benefit from the embodiments disclosed herein.
The air compressor 16 is shown in more detail in figref[FIG. 2] . The compressor 16 includes a rotor or impeller 18 that is driven by a motor 20. The impeller 18 includes one or more blades 22 for directing a flow of air through the compressor 16 while the impeller 18 is rotated by the motor 20. The flow of air is generally represented by arrows in figref[FIG. 2] designated with the numeral 24. It is noted that the arrows 24 are only indicated on one half of the compressor 16 for better clarity of the components of the compressor 16, but that the flow of air occurs as indicated about the entire circumference of the impeller 18.
The impeller 18 and the motor 20 are contained within a housing 25, which may be constructed from multiple housing portions secured to one another. The housing 25 has an inlet 26 for providing air to the compressor 16. Air drawn through the inlet 26 is pumped radially outwardly to an outlet 28 by the blades 22, as indicated by the arrows 24. Before reaching the outlet 28, the air is passed through a diffuser assembly 30, as also indicated.
The diffuser assembly 30 includes a backing plate 32 supported by the housing 25, e.g., via a mounting plate 34. A shroud 36 is supported by the housing 25 on the side of the backing plate 32 opposite to the mounting plate 34. The flow of air as indicated by the arrows 24 is directed by the impeller 18 through the space between the backing plate 32 and the shroud 36. A plurality of vanes 38 are retained in this space between the backing plate 32 and the shroud 36 in order to impede the flow of air as it passes through the compressor 16. The vanes 38 can be arranged to exhibit some degree of movement relative to the backing plate 32 in order to vary a flow area through the diffuser assembly 30. In the illustrated embodiment, the vanes 38 are arranged to oscillate or pivot about a set of pins, bolts, or fasteners 40, e.g., between an open position in which the flow of air is relatively unimpeded and a partial open position in which the flow of air is relatively impeded and slowed. The fasteners 40 extend through the backing plate 32 between the mounting plate 34 and the shroud 36.
The backing plate 32 is shown in without the other components of the air compressor 16 in figref[FIGS. 3-5] . The backing plate 32 includes bores or openings 42, for receiving corresponding ones of the fasteners 40. A surface 44 of the backing plate 32 is adjacent to the vanes 38 and at least partially defines the flow path taken by the flow of air through the diffuser assembly 30. A relief feature 46 is provided in the surface 44 of the backing plate 32 that enables a portion of the air in the diffuser assembly 30 to bypass the vanes 38. The bypass provided by the relief feature 46 is generally represented by an arrow designated with the numeral 48 in figref[FIG. 2] . Similar to the arrows 24, only one of the arrows 48 is illustrated for clarity, but it is to be appreciated that the bypass of air will be provided by the relief feature 46 for each of the vanes 38. It has been found that the bypass of air provided by the relief feature 46 advantageously improves operation of the compressor 16. For example, one benefit obtainable by use of the relief feature 46 in the surface 44 of the backing plate 32 is an increase in the surge margin of the compressor 16 under some operating conditions of the compressor 16. Improved surge margin translates to a corresponding increase in the overall operating range of the compressor 16, which may improve the lifespan, efficiency, and/or effectiveness of the compressor 16 while maintaining a desired pressure within a chamber of the aircraft 10, such as the cabin 12.
The relief feature 46 is created in one embodiment by machining or cutting a groove or recess into the surface 44 of the backing plate 32. In one embodiment, the backing plate 32 is formed with the relief feature 46, e.g., via a die or mold. The backing plate 32 includes a hub portion 50 and a flange portion 52, which may similarly be formed via machining, or via a die or mold, or some other manufacturing process before, during, or after creation of the relief feature 46. The backing plate 32 in embodiments other than that illustrated may also be formed of an essentially constant thickness, e.g., not having both the hub portion 50 and the flange portion 52, or take some other size or shape than that shown.
It is noted that the amount of air bypassing the vanes 38 via the relief feature 46 can be relatively small in comparison to the total volumetric flow of air passing through the diffuser assembly 30 and still advantageously improve the performance of the compressor 16 as noted above. For example, a set of dimensions for the relief feature 46 according to one embodiment can be appreciated in view of figref[FIG. 5] . In the embodiment of figref[FIG. 5] , a diameter D1 defines the radial bounds of the relief feature 46 with respect to the axis or center of the backing plate 32, while a dimension D2 denotes the axial depth of the relief feature 46, i.e., the amount that the relief feature 46 is recessed into the surface 44. The relief feature 46 may be abruptly formed in the surface 44 or gradually transition via a ramp or chamfer, as indicated along a distance D3.
In one embodiment, the depth D2 is between about 0.5% and 5% of a thickness D4 of the flange portion 52 of the backing plate 32, and more particularly, about 1.5% to 2.5% of the thickness D4. This corresponds to about 0.5% to 2.5%, or more particularly about 0.75% to 1.5%, of a width D5 of the flow path through the diffuser assembly 30 as shown in figref[FIG. 2] and measured axially between the surface 44 of the backing plate 32 and the shroud 36. In one specific embodiment, the depth D2 is about 0.004 inches (approximately 0.10 mm), the thickness D4 is about 0.2 inches (approximately 5.08 mm), and the width D5 is between about 0.3 inches (approximately 7.62 mm) and 0.5 inches (approximately 12.7 mm). It is also noted that in the illustrated embodiment, the relief feature 46 is formed entirely within the radial extents of the hub portion 50, but in other embodiments the dimension D1 of the relief feature 46 can be enlarged to extend radially into the flange portion 52.
While the invention has been described with reference to an exemplary embodiment or embodiments, it will be understood by those skilled in the art that various changes may be made and equivalents may be substituted for elements thereof without departing from the scope of the invention. In addition, many modifications may be made to adapt a particular situation or material to the teachings of the invention without departing from the essential scope thereof. Therefore, it is intended that the invention not be limited to the particular embodiment disclosed as the best mode contemplated for carrying out this invention, but that the invention will include all embodiments falling within the scope of the claims. Also, in the drawings and the description, there have been disclosed exemplary embodiments of the invention and, although specific terms may have been employed, they are unless otherwise stated used in a generic and descriptive sense only and not for purposes of limitation, the scope of the invention therefore not being so limited. Moreover, the use of the terms first, second, etc. do not denote any order or importance, but rather the terms first, second, etc. are used to distinguish one element from another. Furthermore, the use of the terms a, an, etc. do not denote a limitation of quantity, but rather denote the presence of at least one of the referenced item.


| Home | Trees | Indices | Help |
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object --+ | declaration.declaration_t --+ | enumeration_t
describes C++ enum
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| list |
values A list of tuples (valname(str), valnum(int)) that contain the enumeration values. |
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byte_size Size of this class in bytes @type: int |
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byte_align Alignment of this class in bytes @type: int |
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Inherited from |
| Method Details |
creates class that describes C++ enum declaration The items of the list 'values' may either be strings containing the enumeration value name or tuples (name, numvalue).
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function will return true, if both declarations refers to the same object. This function could be implemented in terms of _get__cmp__data, but in this case it will downgrade performance. self.mangled property is not compared, because it could be chaned from one compilation time to an other.
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Append another enumeration value to the enum. The numeric value may be None in which case it is automatically determined by increasing the value of the last item. When the 'values' attribute is accessed the resulting list will be in the same order as append_value() was called.
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Check if this enum has a particular name among its values.
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return list of all types and declarations the declaration depends on
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| Property Details |
valuesA list of tuples (valname(str), valnum(int)) that contain the enumeration values.
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byte_sizeSize of this class in bytes @type: int
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byte_alignAlignment of this class in bytes @type: int
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| Generated by Epydoc 3.0.1 on Mon Oct 20 09:00:19 2008 | http://epydoc.sourceforge.net |


HBC 104 Experiment 12 LIPIDS ANALYSIS BY THIN LAYER CHROMATOGRAPHY
lipids represent a very wide range of differnt molecular weights, solubilities, polarities and structures. Most but not all, of these compounds are either ester or total lipd extraction high polarity solvents are required. Chloroform-methanol solvent mixtures provide the necessary solvent polarity which is very efficient for total lipid extraction.
it is not possible to achieve complete separation of these complex mixtures of lipid compounds utilising one separation method. However, chromatographic methods provide relatively simple techniques to separate these mixtures into their constituent classes, groupds and subgroups, which are less complex mixtures. Thin layer chromatography with silica gel and silica gel-modified adsorbants can be used to avhieve good preparative and analytical separations of these lipid classes and groups. As silica gel is a polar absorbent, increasingly polar mobile solvents are used to mobilise the lipids with a higher degree of polarity such as the phospholipids. This chromatographic separation that is achieved is called. "developing the plates".
MATERIALS:
2. Silica gel H or G thin layer plates
3. 0.25mm thick on 5 cm × 20 cm glass plates, activated before use by heating to 110oC for 30 min and cooled in a dessicator
N.B
Each group/person reuires one plain silica gel plate and one impregnated with 2% ammonium sulphate. Glass capillaries are drawn for sample application if microlitre syringes are not available. Small volume homogenisers are preferred, therefore individuals can prepare their own material for extraction.
The following solvent mixtures are required for analysis.
Developing solvents for thin layer chromatography:2g of resorcinol in 100ml water, this is a stable solution and can be kept for further use. At least 4 hrs before use, add 10ml of this solution and can be kept for further use. At least 4 hrs before use, add m10ml mof this solution to 80ml conc. HCI (Analar). containing 0.5ml of 0.1m copper sulphate (2.5 g CuSO4.5H2O in 100ml water). Then dilute this solution to 100ml with water.
For general visualisatoin use a closed container saturatedm with iodine vapour due to presence of iodine crystals. Keep in a fume cupboard. (An alternate method is to spray the developed plate with a sulphuric acid solution (55% by weight)containing 0.6% potassium dischromate. EXTREME CARE is required. Then heat plate in an oven at 150oC and lipid components will appear as black spots on a light grey background, with steroids having am more reddish-purple colour)
Fatty Acids - Stearate, Oleic acid,
Glycolips - Cholesterol, sulphatides, glycosyl, di-glycerides, gangliocides, cerebrocides
Trigycerides- Tripalmitin, Triaglycerol
Standars should be made up in an appropriate solvent, at sufficient concentration only to give visual spots when used with the correct reagent.
B. SEPARATION OF LIPID CLASSES BY TLC:
A.SEPARATION OF GLYCOLIPIDS BY TLC:
Reference:
Pohl, P, Clsdl, H. and Wagner, H (1970)J. Chromatogr, 49, 408-442


jewish_art_jacob_wrestling_angel_israel_will_deutsch.jpg http://store.notesfromthetribe.com/product/jewish-art-8-5-x11-jacob-wrestling-angel-print
Jacob wrestled with an angel all evening and at daybreak let him go after his hip was wrenched. For struggling and overcoming both God and man, he was blessed and given the name ‘Israel’.
I had my pants pulled down in second grade by some cruel classmates who wanted to embarrass me during a rainy day assembly. Because the entire school saw, I was given the name ‘Little Willy’.
Sometimes life just isn’t fair.


Frustration out of being careless. How could I get that wrong, again? I just must accept that this is all part of the learning process, and move on. It'll probably happen again, and again. I must accept it and learn from it.
It's a routine, and humans are creatures of habit. I think I can get used to it, and use it to ground my nerves. I like it. I've also been trying to see things from other people's perspectives. I try to see them as a 'friend' rather than foe and look at options to resolve or diffuse the situation. It's not always easy, but it helps. And, yes, humour is also absolutely essential in every tricky situation.
I must get onto CSS - this site looks awful!!


Brian Hart
Education
Experience
Projects
Experience
University of Washington
March 2017 - Present
Seattle, WA
MBA-level Business Communications Teaching Assistant
Assist in grading written and oral business presentations.
PicMonkey LLC (internship)
June 2016 - September 2016
Seattle, WA
Finance Intern
Measured and reported on mobile app performance metrics.
Performed in-depth analysis of competitors' market offerings.
Evaluated foreign markets to introduce a new pricing tier.
The Artizan Group Inc.
October 2014 - May 2015
Seattle, WA
Office Administrator/Bookkeeper
Administered office duties including customer service, web design, and coordination of field operations.
Assisted in accounting responsibilities such as accounts payable, accounts receivable, and bank reconciliation.
Alterra Pest Control (seasonal)
April 2014 - September 2014
Houston, TX
Route Manager
Negotiated long-term subscription contracts with homeowners.
Managed and assisted operations to fill contracts and service homes.


We will be using Processing, which is a simplified environment for Java, a popular programming language used today.
Processing was originally designed as visual environment in whick to learn basic computer programming, but is also now widely used by artists and designers to produce professional work.
Processing should already be set up on your computer in the club. Just double click "Processing.exe" to run the tool.
If you have access to a computer at home, you can follow the download instructions here and try the examples in your own time.


Where you Tik pictures to complete challanges
Get the chance to choose from all available stores and pick the offer you want and complete challenges to earn more.
Invite your friends and complete challenges together to get more gifts and share your victories together.
Gain rewards through daily activities from grocery shopping to a fancy dinner, all you have to do is fetch a discount and you’re all set!
Invest with our affordable subscription price and get the marketing exposure and engagement you need to
Are you up for a challenge? Start playing with Tikers, win from your favorite stores and collect your rewards in real life!
Complete real life challenges and win real prizes from gifts to discount vouchers and much more!
Users are not expected to pay to be able to use the application and earn rewards.
Users may suggest improvements or new challenge ideas directly through the app, and benefit from rewards.
Follow your favorite store and get notified upon sales and discounts as well as complete their challenges to get even more benefits and discounts!
Add challenges for customers to complete, share your sales status easily with your target audience and become more engaged.
Store owners and Users can easily use the application for it has a user-friendly interface and is direct to the point.
APP
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Index and Type inference.
When setting up a connection to elasticsearch you can define a default index to be used see the connecting section of the help. NEST will use this whenever an index is not explictly stated. This will helps tremendously to cut back on the verbose nature of having to supply the same string over and over.
Similarly for types NEST will lowercase and pluralize the typenames in the absence of an explicit type parameter. The behavior of lowercasing and pluralizing is overridable using the TypeNameInferrer
setting on ConnectionSettings
if you have a different generic scheme that works better for you.
On the connection settings you can even set up the elasticsearch typename for the CLR typename explicitly globally. See MapTypeIndices section on the connecting help page
To summarize: NEST is set up in a way that you don't have to sprinkle index and typename strings through your entire codebase.
So whenever you find yourself writing:
var result = this._client.Search<ElasticSearchProject>(s => s
.Index("my-index")
.Type("my-type")
.MatchAll()
);
alot, taking of adventage of ConnectionSettings
var result = this._client.Search<ElasticSearchProject>(s => s
.MatchAll()
);
could suffice.


Chat Forum
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This is a space for team members and players to discuss the game.


Genrators
Generator is a function that return multiple values using
yield
keyword
as an example we will make a table that will hold books , and evry book has an id attached to it by a Generator
ID
Title
Author
Year


#include <basicComponents.h>
◆ deepCopy()
- Returns
- Vertice that is the generated copy
This method generates a copy of the Vertice object from which it is called to create a new Vertice object with the same values but free from any reference to original.
◆ operator-()
Difference operator defined for faster comparisons between different vertices.
◆ operator<()
| bool Vertice::operator< |
( |
Vertice |
other | ) |
const |
|
inline |
Less than operator defined for faster comparisons between different vertices.
◆ operator==()
| bool Vertice::operator== |
( |
Vertice |
b | ) |
|
|
inline |
Equality operator defined for faster comparisons between different vertices.
◆ first
◆ is3d
◆ label
◆ second
◆ third
The documentation for this struct was generated from the following file:


Recovery Password
{% if success is defined and success == true %}
{{ form_end(form) }}
{% endif %}
Recovery password was successfully. Check your email.
{% else %}
{% if success == 'error' %}
This email is not registered
{% endif %}
{{ form_start(form, {'attr': {'id': 'recovery_form', 'class': 'signform_01'}}) }}
{{ form_row(form.email) }}
Send


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|
| | Builder (TVideo component) |
| |
| virtual TBuilder | Controls (bool? controls) |
| | Determines if native controls should be shown for this video player. More...
|
| |
| virtual TBuilder | PosterUrl (string posterUrl) |
| | Location of a poster image to be shown before showing the video. More...
|
| |
| virtual TBuilder | UrlList (string[] urlList) |
| | List of locations of video to play. This should be in H.264 format and in a .mov file format.  More...
|
| |
| virtual TBuilder | AutoResume (bool? autoResume) |
| | Will automatically start playing the media when the container is activated. More...
|
| |
| virtual TBuilder | EnableControls (bool? enableControls) |
| | Set this to false to turn off the native media controls. Defaults to false when you are on Android, as it doesn't support controls. More...
|
| |
| virtual TBuilder | Loop (bool? loop) |
| | Will loop the media forever. More...
|
| |
| virtual TBuilder | Element (object element) |
| | A reference to the underlying audio/video element. More...
|
| |
| virtual TBuilder | Muted (bool? muted) |
| | Whether or not the media is muted. This will also set the volume to zero. More...
|
| |
| virtual TBuilder | Preload (bool? preload) |
| | Will begin preloading the media immediately. More...
|
| |
| virtual TBuilder | Url (string url) |
| | Location of the media to play. More...
|
| |
| virtual TBuilder | Volume (float volume) |
| | The volume of the media from 0.0 to 1.0.


class AsymmetricEncryptCipher : ConcreteCipher, EncryptCipher
An encrypting-only cipher which uses an RSA-based PublicKey for encryption.
| <init> |
AsymmetricEncryptCipher(key: PublicKey, provider: KryptoProvider = KryptoProvider.defaultInstance)
An encrypting-only cipher which uses an RSA-based PublicKey for encryption. |
| jdkCipher |
val jdkCipher: Cipher |
| key |
val key: PublicKey |
| provider |
val provider: KryptoProvider |
| algorithm |
val algorithm: String |
| blockSize |
val blockSize: Int |
| encrypt |
fun encrypt(decrypted: Decrypted): Encrypted |
| withCipher |
fun <X> withCipher(action: (Cipher) -> X): X |


◄ Australia ►
Individual results
| Year | Contestant | Rank | Award |
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| 2023 | Douglas Joshi | 82 | Silver Medal |
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| 2022 | Fredy Yip | 18 | Gold Medal |
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| 2021 | James Monro | 157 | Bronze Medal |
| 2021 | Dhruv Hariharan | 188 | Bronze Medal |
| 2021 | Raymond Trinh | 195 | Bronze Medal |
| 2021 | Yalun Yang | 254 | Honourable Mention |
| 2019 | Stephen Catsamas | 56 | Silver Medal |
| 2019 | William Sutherland | 119 | Bronze Medal |
| 2019 | Simon Yung | 125 | Bronze Medal |
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| 2019 | Rosemary Zielinski | 160 | Bronze Medal |
| 2018 | Hugo Mccahon-Boersma | 34 | Gold Medal |
| 2018 | Stephen Catsamas | 112 | Bronze Medal |
| 2018 | Vladimir Mikho | 193 | Bronze Medal |
| 2018 | Boris Deletic | 215 | Honourable Mention |
| 2018 | Alicia Lieng | 250 | Honourable Mention |
| 2017 | Nishka Tapaswi | ≥65 | Silver Medal |
| 2017 | Claire Kah-Lei Yung | ≥137 | Bronze Medal |
| 2017 | Edward Bentley Carr | ≥137 | Bronze Medal |
| 2017 | Steven Liu | ≥137 | Bronze Medal |
| 2017 | Yuyu Ma | ≥137 | Bronze Medal |
| 2016 | James Matthew Abel | 87 | Silver Medal |
| 2016 | William Yifei Song | 99 | Silver Medal |
| 2016 | Thomas Krishna Waring | 126 | Bronze Medal |
| 2016 | Colin Huang | 139 | Bronze Medal |
| 2016 | Zoe Catherine Schwerkolt | 174 | Bronze Medal |
| 2015 | Joshua Zexi Lin | 103 | Bronze Medal |
| 2015 | Sudarshan Ravi | 132 | Bronze Medal |
| 2015 | Yinuo Han | 136 | Bronze Medal |
| 2015 | Shiye Su | 171 | Bronze Medal |
| 2015 | Janet Fan Mi Zhong | 245 | Honourable Mention |
| 2014 | Allen Gu | 91 | Silver Medal |
| 2014 | Alexander Ritter | 92 | Silver Medal |
| 2014 | Arthur Thiele | 129 | Bronze Medal |
| 2014 | Edric Wang | 197 | Bronze Medal |
| 2014 | Turner Hancock | 215 | Honourable Mention |
| 2013 | Dmitry Brizhinev | 71 | Silver Medal |
| 2013 | Liam Hayes | 113 | Bronze Medal |
| 2013 | Jack Spilecki | 176 | Bronze Medal |
| 2013 | Simon Swan | 182 | Bronze Medal |
| 2013 | Eric Huang | 184 | Bronze Medal |
| 2012 | Nicholas Salmon | 120 | Bronze Medal |
| 2012 | Jonathan Lay | 130 | Bronze Medal |
| 2012 | Christopher Whittle | 151 | Bronze Medal |
| 2012 | Eric Huang | 175 | Bronze Medal |
| 2012 | Siobhan Tobin | 211 | Honourable Mention |
| 2011 | Emilio Pace | 104 | Silver Medal |
| 2011 | Jinghang Luo | 154 | Bronze Medal |
| 2011 | Thomas Pearson | 180 | Bronze Medal |
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| 2010 | Bob Wu | 107 | Bronze Medal |
| 2010 | Alexander London | 159 | Bronze Medal |
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| 2009 | Christopher Herron | 201 | Honourable Mention |
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| 2008 | Bonnie Zhang | 176 | Honourable Mention |
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| 2005 | Alexander Zhang | 86 | Bronze Medal |
| 2005 | Rachel Effeney | 127 | Bronze Medal |
| 2005 | Tom Molomby | 146 | Honourable Mention |
| 2004 | David Wang | ≥2 | Gold Medal |
| 2004 | Matthew Pinson | ≥2 | Gold Medal |
| 2004 | Simon Kheifets | ≥67 | Bronze Medal |
| 2004 | Thomas Grujic | ≥67 | Bronze Medal |
| 2004 | Marc Schubert | ≥135 | Honourable Mention |
| 2003 | Thomas Grujic | 39 | Silver Medal |
| 2003 | Jonathan Newnham | 43 | Silver Medal |
| 2003 | Joshua Bartlett | 45 | Silver Medal |
| 2003 | James Simonian | 48 | Silver Medal |
| 2003 | Robin Stevenson | 56 | Silver Medal |
| 2002 | Bojan Djordjevic | 50 | Silver Medal |
| 2002 | Jolyon Bloomfield | 65 | Silver Medal |
| 2002 | Benjamin Weise | 82 | Bronze Medal |
| 2002 | Pearl Gallagher | 134 | Bronze Medal |
| 2002 | Barry Smith | 137 | Bronze Medal |
| 2001 | Graham Dennis | 30 | Silver Medal |
| 2001 | Aleksei Boiko | 49 | Silver Medal |
| 2001 | Greg Londish | 103 | Bronze Medal |
| 2001 | Matthew Verdon | 113 | Bronze Medal |
| 2000 | David Houseman | 23 | Silver Medal |
| 2000 | Andrew Ferris | 38 | Bronze Medal |
| 2000 | Anthony Phillips | 99 | Honourable Mention |
| 2000 | Ian Preston | 102 | Honourable Mention |
| 2000 | Adele Morrison | 125 | Honourable Mention |
| 1999 | Grant Schuster | 46 | Silver Medal |
| 1999 | Edward Shin | 58 | Silver Medal |
| 1999 | Tom Faulkner | 102 | Bronze Medal |
| 1999 | Douglas Turk | 121 | Bronze Medal |
| 1999 | Andrew Mackinlay | 173 | Honourable Mention |
| 1998 | Grimm Douglas | 22 | Silver Medal |
| 1998 | Pearce Gareth | 47 | Bronze Medal |
| 1998 | Burgess Timothy | 55 | Bronze Medal |
| 1998 | Ho Karen | 85 | Honourable Mention |
| 1998 | Hearnden David | 118 | Honourable Mention |
| 1997 | George Doukas | 6 | Gold Medal |
| 1997 | Ben Toner | 13 | Gold Medal |
| 1997 | Bradley Steel | 21 | Silver Medal |
| 1997 | Matthew Chapman | 81 | Bronze Medal |
| 1997 | Russel Kliese | 134 | Honourable Mention |
| 1996 | Ben Toner | 46 | Bronze Medal |
| 1996 | Matthew Tilbrook | 91 | Bronze Medal |
| 1996 | David Philp | 121 | Honourable Mention |
| 1996 | Shayne Bennetts | 125 | Honourable Mention |
| 1995 | Alexander Shushkov | 43 | Silver Medal |
| 1995 | Alexander Von Brasch | 54 | Silver Medal |
| 1995 | Antony Searle | 60 | Bronze Medal |
| 1995 | Toby Hudson | 75 | Bronze Medal |
| 1995 | David Lutrell | 76 | Bronze Medal |
| 1994 | Gilman Toombes | 44 | Honourable Mention |
| 1994 | David Humphrey | 48 | Honourable Mention |
| 1994 | Rodney Polkinghome | 58 | Honourable Mention |
| 1994 | Andrew Bishop | 65 | Honourable Mention |
| 1993 | Akshay Venkatesh | 37 | Bronze Medal |
| 1993 | David Weickhardt | 68 | Honourable Mention |
| 1993 | Simon Burton | 70 | Honourable Mention |
| 1993 | John Fitzgerald | 99 | Honourable Mention |
| 1992 | Fagan Matthew | 19 | Silver Medal |
| 1992 | Rodwell Steven | 34 | Bronze Medal |
| 1992 | Cheong Gerald | 59 | Honourable Mention |
| 1992 | Chen Fred | 73 | Honourable Mention |
| 1992 | Vaccarella Steven | 82 | Honourable Mention |
| 1991 | Stephen Ong | 30 | Bronze Medal |
| 1991 | Petter Cotton | 42 | Bronze Medal |
| 1991 | Kerwyn Foo | 57 | Honourable Mention |
| 1991 | Roshan Ganeshan | 60 | Honourable Mention |
| 1991 | Toby Gifford | 74 | Honourable Mention |
| 1990 | John Wiltshire | 36 | Bronze Medal |
| 1990 | Keith Brain | 51 | Honourable Mention |
| 1990 | Brett Meyers | 57 | Honourable Mention |
| 1989 | Arthur Street | 37 | Bronze Medal |
| 1989 | Matthew Brecknell | 60 | Bronze Medal |
| 1989 | Gareth Williams | 74 | Honourable Mention |
| 1989 | Brett Munro | 82 | Honourable Mention |
| 1988 | David Jackson | 35 | Bronze Medal |
| 1988 | Stuart Yates | 46 | Bronze Medal |
| 1988 | Mark Gorbatov | 52 | Bronze Medal |
| 1988 | Timothy Little | 79 | Honourable Mention |
| 1988 | James Gifford | 83 | Honourable Mention |
Results may be incomplete or incorrect.
Please send the relevant information to the webmaster:
<EMAIL_ADDRESS>If you are a participant you can send a personal page URL to be attached to your name.
If you are a participant you can send a personal page URL to be attached to your name.


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{% extends "template.htm" %} {% block contents %}
Once you delete a repository, there is no going back.


Greetings Earthlings
Lydia Nguyen
INLS161 SSII
July 31, 2017
(the arrow points to where we are)
Capitalism
Consumerism?
consumption
advertising overload
but there is hope


How is the message delivered in NSQD?
NSQ is a well-known Message Queue System, and one of the most important component, NSQD, takes charge of the message delivery. It accepts the message from outer publishers passively, stashs them either in memory (a fixed-size Golang Channel), or persisting it in the disk. In the meanwhile, it waits consumers’ arrival, pushes messages to these consumers as far as possible (tied with consumers’ RDY
state).
This post introduces the “footprint” of a message when it was published from a publisher to an NSQD instance, until it was eaten by some consumers, whose channels are different.
Publishers can publish messages either through NSQD’s HTTP Restful APIs (/pub
, /mpub
), or over the TCP connection with NSQD’s client protocol (PUB
, MPUB
and DPUB
commands). Whatever way you chose, after you received the normal response, your message had been saved (but not so safe). In the publishers’ side, messages are always tied with topic. Messages are always passed to topic’s gochan
(or the disk queue if the memory channel is full) firstly, then they will be propagated to every channel, same put strategy is applied, actually each topic has such an exclusive goroutine to do this job (which is called messagePump
in NSQD’s code base), it receives messages from the memory gochan
or the backend gochan
(supported by the disk queue facility), and iterates each channel, deliveries each message to them.
Consumers, however, is associated with the channel (not the Golang’s one). It subscribes a channel explicitly through the TCP protocol command SUB
. With the constant coordination of RDY
count, NSQD will push messages as far as possible, futhermore, once a message was sent to the client side, it would be saved in an “in-flight” queue, and there is some goroutines, named as “query scan workers”, always try to scan each topics’ each channel, what they search are timed out messages, those passed to client but without an timely FIN
response, all of them would be re-pushed into the memory gochan
or the disk queue. This feature, ensures messages’ safety in a way, although some risks still exist, like the NSQD instance was killed or the OS crashed, you can set the -mem-queue-size
option to 0
to force NSQD puts messages in disk.
The total process, is really clear and simple, but powerful. Tries to use NSQD under the proper circumstances, it will help you alot!


Preparation time
30 mins to 1 hour
Cooking time
less than 10 mins
Serves
Serves 4
Dietary
Thinly slice the beetroot on a mandoline and arrange in a shallow container.
Mix together the extra virgin olive oil, lime juice and vinegar, then season, to taste, with salt and freshly ground black pepper. Pour the mixture over the beetroot, cover and chill for 30 minutes in the fridge.
When ready to serve, heat the olive oil in a pan. Season the halloumi with salt and freshly ground black pepper and fry for 2-3 minutes on both sides, or until golden-brown all over. Remove from the pan and drain on kitchen paper.
To serve, arrange a ring of beetroot on each of four serving plates, then top the beetroot with the halloumi. Sprinkle over the capers and top each plate with a small handful of baby rocket.


About Anthony
By Anthony
My top ten favorite games
- Factorio
- Final Fantasy 7
- Final Fantasy Tatics Advanced
- War Thunder
- Rainbow Six Seige
- Final Fantasy 8
- Witcher Series
- Dead Space Series
- Final Fantasy X-2
- Torchlight 2
Questions
- Does Anthony like to play video games? : Yes
- Do I have a lot of interest in role playing games? : Yes
- Do I have any kids? : Yes 1 boy
- Is my son cute? : He is extremely adorable.
- Can you guess how many states I have lived in? : 3
- Can you guess which states I have lived in? : California, Oregon, Washington


Automatically import presentation contents here!
Click the Share button
Click the Copy Link button
Paste the Link inside Google Link and press the Submit button
Go back to WhenHub to check your imported contents!


SHADOWS AND FOG A film review by Andrew Hicks Copyright 1996 Andrew Hicks / Fatboy Productions
(1992) ** (out of four)
Woody Allen is the man. We all know that. But he's not the man in SHADOWS AND FOG, which is probably overall the worst film he's ever made. Not that it isn't worth watching or doesn't have its moments, because it does. Allen has done a terrific job here of creating the visual style of the great black-and-white crime movies of the past, where a town would take on a different identity in the dead of night after all the responsible people went to bed, changing into a frightening, claustrophobic place you don't want to encounter alone.
The citizens now have a personification for the metaphorical fears of loneliness and the dark -- a strangler on the loose. It's the whole Jack the Ripper thing without the English accents. Set in the 1920's, SHADOWS AND FOG opens with a silhouette of the strangler doing his work on the latest victim and cuts to Allen's house, where an angry mob ready to take justice into their own hands demands that he join them in hunting down the killer. Allen, of course, doesn't want to go, counting himself one of the responsible people who should be sleeping at such a late hour.
But he does put his clothes on and step out into the street, making his way to the doctor's office. Donald Pleasance makes a great three-minute contribution to the movie as someone who is constantly around cadavers and is fascinated with death, a journey he makes a few minutes later as he becomes the strangler's next victim. Funny how the guy could survive five HALLOWEEN movies with Michael Myers but along comes one lousy strangler and -- POW! -- lights out.
Speaking of people who make great three-minute contributions (and I'm not talking about Woody's sex life here), the big draw of SHADOWS AND FOG is its incredible all-star cast. Mia Farrow and John Malkovich play lovers who are in town with the circus. Farrow storms out into the night upon walking in on Malkovich and Madonna doing a nude vogue and is offered free board by hooker Lily Tomlin at the local whorehouse. Farrow accepts, of course. It's nothing new to her. She's been living with Woody for ten years.
The movie turns into STEEL MAGNOLIAS for five minutes as Mia and the girls chat about life and love to a constantly rotating camera, the highlight of the conversation being when one of the prostitutes asks her what she does at the circus and Mia says she's a sword swallower. The hooker replies, "No kidding. That's my specialty too."  The price for a helping of Farrow, we learn, is $700, which Cusack is more than willing to pay.
Mia eventually ends up wandering the streets with Woody for an hour, while a couple minor subplots develop. In the end, the strangler situation isn't even resolved. Woody padded the movie (which is still only 86 minutes long) with a bunch of needless comedic and dramatic scenes but didn't think to write an ending for the central plot. The visual world he created is great, as are the many stars, but in the end, there's no substance and very few laughs. It's like wax fruit. It looks great and you think you're getting the real thing until you actually take a bite out of it. Once again, I'm not talking about Woody's sex life...
--
Visit the Movie Critic at LARGE homepage at http://www.missouri.edu/~c667778/movies.html Serving America For Over 1/50 of a Century!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Hello World - Message Sender
From address
Contract address
Send
Current block:
Current status:
waiting for user to wake up
Event info:


Simple baseline headers valid document
W3C Working Draft 1 October 2017
This Version:
https://www.w3.org/TR/2017/WD-specberus-20171001/
Latest Version:
https://www.w3.org/TR/specberus/
Previous Version:
https://www.w3.org/TR/2017/WD-specberus-20170312/
Editor:
Specberus The Cranky
master branch
See how to use protected branch at
https://github.com/master/usage


Tribute to one of India's biggest freedom fighters :
BHAGAT SINGH
Born on September 27, 1907, in Punjab, India (now Pakistan), Bhagat Singh was a charismatic Indian revolutionary, professing socialism and atheism, whose acts of violence against the British in India, hunger-strike in jail, and execution made him a folk hero in India. He quit school at thirteen to devote his life to Indian Independence and died at a very young age of 23. He is popularly known as Shaheed-e-Azam Bhagat Singh. Bhagat Singh was involved in two high-profile plots against British authorities in India that helped galvanize the Indian independence movement. In 1928 he took part in a plot to kill the police chief responsible for the death of influential Indian writer and politician Lala Lajpat Rai. He was found guilty of killing a British police officer and hanged on March 23, 1931.
To know more about the life of this Indian freedom hero, click on life of Bhagat Singh.


NFL Queries
The best kind of stat is the one you regret finding out about.
Example queries:
Players with number 15 whose first name starts with G
Players from Mississippi who wear number 10
Packers players with number 12
Players from UCLA that weigh more than 150lbs


| Rank | Player | Team | Salary | Height | Age | Games Played | Minutes | Points | Field Goals Made | Field Goals Attempted | Field Goal Percentage | Three Points Made | Three Points Attempted | Three Point Percentage | Free Throws Made | Free Throws Attempted | Free Throw Percentage | Offensive Rebounds | Defensive Rebounds | Rebounds | Assists | Turnovers | Steals | Blocks | Plus Minus |
|---|


Local Files¶
As shown in Figure 15, if you selected Local, the next page will display two fields, File and Filetype. Adjacent to File, is the button Browse. Clicking Browse brings up a local file browser, which you can use to navigate to the location of your data table. After selecting a file, the file browser closes and the name of your selected file appears to the right of the Browse button, as shown in Figure 16. Depending on the format of the selected file, select either CSV or Dakota tabular from the Filetype dropdown, followed by Continue to read the file. Note, you can change your mind and read the table from a Remote host by clicking the Back button to return to the previous page.


|
| struct | app_settings |
| | A simple struct that will contain the configuration for the application's rendering + windowing settings. More...
|
| |
| class | application |
| | The basic skeleton of a moka application. Contains all windowing, input-handling + rendering logic. Child classes define the fleshed out application-specific functionality. More...
|
| |
| struct | application_traits |
| | A wrapper around compile-time constants that can be used for conditional compilation in the application. More...
|
| |
| class | asset_importer |
| | This is a basic asset importer with no functionality. Specializations of this class define importing logic for the type. More...
|
| |
| class | asset_importer< model > |
| | Asset importer for models. Currently only supports .gltf models. More...
|
| |
| class | basic_camera |
| | a very basic camera - contains only the necessary data members to get things drawing on your screen. More...
|
| |
| struct | basic_rectangle |
| |
| struct | blend |
| | Blend settings to use with a material. More...
|
| |
| class | camera_mouse_controller |
| | A mouse-controlled camera. More...
|
| |
| class | clear_command |
| | Clear the current frame buffer. More...
|
| |
| class | colour |
| | A colour class, a wrapper around four bytes. More...
|
| |
| class | command_buffer |
| | A command_buffer is a collection of render commands married by a sort_key. Command buffers are owned by a command_list. More...
|
| |
| class | command_list |
| | A command_list is a list of command_buffer objects that can be sorted before being submitted to a graphics_device. More...
|
| |
| struct | context_handle |
| | Rendering context handle. More...
|
| |
| struct | culling |
| | Culling settings to use with a material. More...
|
| |
| class | draw_command |
| | Render primitives using the specified material. Contains vertex buffer, index buffer (optional) and material data. More...
|
| |
| class | fill_index_buffer_command |
| | Fill an index buffer. More...
|
| |
| class | fill_vertex_buffer_command |
| | Fill a vertex buffer. More...
|
| |
| struct | filter |
| | Min and max texture filter modes. Both default to linear filtering. More...
|
| |
| struct | frame_buffer_builder |
| | A builder class to help you build a frame buffer. More...
|
| |
| class | frame_buffer_command |
| | Set the current frame buffer. This will modify all subsequent draw commands in this list. More...
|
| |
| struct | frame_buffer_handle |
| | A handle to a frame buffer object on the device. More...
|
| |
| struct | frame_buffer_metadata |
| | Contains data that describes the contents of a framebuffer. More...
|
| |
| class | frame_buffer_texture_command |
| | Set the texture you want to attach to this frame buffer. More...
|
| |
| class | generate_mipmaps_command |
| | Generate mipmaps for a specified texture. More...
|
| |
| class | gl_graphics_api |
| | Convert the interface of OpenGL into the moka rendering API. Allows moka rendering functionality to work at a higher level without being coupled to an OpenGL backend. More...
|
| |
| class | graphics_api |
| | render_context abstracts the native rendering API. More...
|
| |
| class | graphics_command |
| | Base type for graphics commands. More...
|
| |
| class | graphics_device |
| | Performs primitive-based rendering, creates resources, handles system-level variables, and creates shaders. More...
|
| |
| class | graphics_visitor |
| | Used to define visitor-pattern functionality for graphics_commands. More...
|
| |
| struct | host_image_data |
| |
| struct | image_metadata |
| |
| struct | index_buffer_handle |
| | A handle to a index buffer object on the device. More...
|
| |
| struct | index_metadata |
| | Contains data that describes the size, use and layout of an index buffer. More...
|
| |
| class | keyboard |
| | The keyboard object. Updated in the main event loop so that it contains an up-to-date snapshot of the keyboard state. More...
|
| |
| class | keyboard_state |
| | This contains a snapshot of the keyboard state. More...
|
| |
| class | logger |
| | A logging class. A simple wrapper around a spdlog::logger object. More...
|
| |
| class | material |
| | A material that can be used when rendering a primitive. More...
|
| |
| class | material_builder |
| | A builder class to help you build a material. More...
|
| |
| class | material_cache |
| | A cache of materials. More...
|
| |
| struct | material_handle |
| | A unique identifier for a material. More...
|
| |
| struct | material_parameter |
| |
| class | maths |
| |
| class | mesh |
| | A mesh class, a wrapper around multiple primitives and a transform. More...
|
| |
| class | model |
| | A model class, a wrapper around multiple meshes and a transform. More...
|
| |
| class | mouse |
| | The mouse object. Updated in the main event loop so that it contains an up-to-date snapshot of the mouse state. More...
|
| |
| class | mouse_state |
| | This contains a snapshot of the mouse state. More...
|
| |
| class | parameter_collection |
| | A collection of material parameters. More...
|
| |
| class | pbr_scene |
| |
| class | pbr_util |
| |
| struct | polygon_mode |
| | The polygon mode to use with a material. More...
|
| |
| class | primitive |
| | A basic primitive. A wrapper around a vertex buffer, an index buffer and a material. More...
|
| |
| class | program_cache |
| | A cache of loaded programs. Used to avoid loading the same program multiple times. More...
|
| |
| struct | program_handle |
| | A handle to a program object on the device. More...
|
| |
| struct | render_texture_data |
| | Data describing a framebuffer attachment. More...
|
| |
| class | scissor_command |
| | Set the scissor box to apply to the command list. More...
|
| |
| class | set_color_attachments_command |
| |
| class | set_material_parameters_command |
| | Update material parameters before drawing. More...
|
| |
| struct | shader_handle |
| | A handle to a shader object on the device. More...
|
| |
| class | signal |
| | Basic signal class. Allows you to write observer patterns while avoiding boilerplate code. More...
|
| |
| struct | texture_binding |
| |
| class | texture_builder |
| | A builder class to help you build a texture. More...
|
| |
| class | texture_cache |
| | A cache of loaded textures. Used to avoid loading the same file multiple times when it is referenced multiple times in a 3D model. More...
|
| |
| struct | texture_handle |
| | A handle to a texture object on the device. More...
|
| |
| struct | texture_metadata |
| |
| class | timer |
| | A stopwatch style timer. Defines high-level time functions so that you don't have to go to a lot of effort just to find out how long something takes. More...
|
| |
| class | transform |
| | A transform class enclosing a position, scale and rotation. More...
|
| |
| struct | uniform_data |
| |
| struct | vertex_attribute |
| | A vertex attribute. Defines one vertex attribute as part of a vertex layout. More...
|
| |
| struct | vertex_buffer_handle |
| | A handle to a vertex buffer object on the device. More...
|
| |
| class | vertex_layout |
| | Describes the layout of a single vertex in a vertex buffer. More...
|
| |
| struct | vertex_layout_builder |
| | A builder class to help you build a vertex. More...
|
| |
| struct | vertex_metadata |
| | Contains data that describes the size, use and layout of a vertex buffer. More...
|
| |
| class | viewport_command |
| | Set the viewport to apply to the command list. More...
|
| |
| class | window |
| | Windowing class. Abstracts the native windowing API. Exposes a high-level interface to interact with the window. More...
|
| |
| struct | window_settings |
| | Window construction settings. Pass to the window object on constructions to set the initial state of the window. More...
|
| |
| struct | wrap |
| | x and y texture wrap modes. Both default to clamp_to_edge. More...
|
| |
|
| enum | log_level {
log_level::trace,
log_level::debug,
log_level::info,
log_level::warn,
log_level::error
} |
| | The severity of the item being logged. More...
|
| |
| enum | alpha_mode : uint8_t { alpha_mode::blend,
alpha_mode::mask,
alpha_mode::opaque
} |
| |
| enum | attribute {
attribute::position,
attribute::normal,
attribute::tangent,
attribute::bitangent,
attribute::color0,
attribute::color1,
attribute::color2,
attribute::color3,
attribute::indices,
attribute::weight,
attribute::tex_coord0,
attribute::tex_coord1,
attribute::tex_coord2,
attribute::tex_coord3,
attribute::tex_coord4,
attribute::tex_coord5,
attribute::tex_coord6,
attribute::tex_coord7,
attribute::extension
} |
| |
| enum | primitive_type : uint8_t {
primitive_type::points,
primitive_type::lines,
primitive_type::line_loop,
primitive_type::line_strip,
primitive_type::triangles,
primitive_type::triangle_strip,
primitive_type::triangle_fan
} |
| |
| enum | toggle : uint8_t { toggle::enable,
toggle::disable
} |
| |
| enum | cull_face : uint8_t { cull_face::front,
cull_face::back,
cull_face::front_and_back
} |
| |
| enum | blend_function_factor : uint8_t {
blend_function_factor::zero,
blend_function_factor::one,
blend_function_factor::src_color,
blend_function_factor::one_minus_src_color,
blend_function_factor::dst_color,
blend_function_factor::one_minus_dst_color,
blend_function_factor::src_alpha,
blend_function_factor::one_minus_src_alpha,
blend_function_factor::dst_alpha,
blend_function_factor::one_minus_dst_alpha,
blend_function_factor::constant_color,
blend_function_factor::one_minus_constant_color,
blend_function_factor::constant_alpha,
blend_function_factor::one_minus_constant_alpha
} |
| |
| enum | blend_equation : uint8_t {
blend_equation::func_add,
blend_equation::func_subtract,
blend_equation::func_reverse_subtract,
blend_equation::min,
blend_equation::max
} |
| |
| enum | face : uint8_t { face::front,
face::back,
face::front_and_back
} |
| |
| enum | buffer_usage { buffer_usage::static_draw,
buffer_usage::dynamic_draw,
buffer_usage::stream_draw
} |
| |
| enum | frame_format { frame_format::depth_component24,
frame_format::depth_component24
} |
| |
| enum | frame_attachment {
frame_attachment::color,
frame_attachment::depth,
frame_attachment::stencil,
frame_attachment::depth_stencil,
frame_attachment::color,
frame_attachment::depth,
frame_attachment::stencil,
frame_attachment::depth_stencil
} |
| |
| enum | frame_format { frame_format::depth_component24,
frame_format::depth_component24
} |
| | The format of the framebuffer attachment. More...
|
| |
| enum | frame_attachment {
frame_attachment::color,
frame_attachment::depth,
frame_attachment::stencil,
frame_attachment::depth_stencil,
frame_attachment::color,
frame_attachment::depth,
frame_attachment::stencil,
frame_attachment::depth_stencil
} |
| | The type of framebuffer attachment. More...
|
| |
| enum | index_type {
index_type::int8,
index_type::int16,
index_type::int32,
index_type::int64,
index_type::uint8,
index_type::uint16,
index_type::uint32,
index_type::uint64,
index_type::float32,
index_type::int8,
index_type::int16,
index_type::int32,
index_type::int64,
index_type::uint8,
index_type::uint16,
index_type::uint32,
index_type::uint64,
index_type::float32
} |
| |
| enum | index_type {
index_type::int8,
index_type::int16,
index_type::int32,
index_type::int64,
index_type::uint8,
index_type::uint16,
index_type::uint32,
index_type::uint64,
index_type::float32,
index_type::int8,
index_type::int16,
index_type::int32,
index_type::int64,
index_type::uint8,
index_type::uint16,
index_type::uint32,
index_type::uint64,
index_type::float32
} |
| | The type of index buffer being used. More...
|
| |
| enum | attribute_type {
attribute_type::int8,
attribute_type::int16,
attribute_type::int32,
attribute_type::int64,
attribute_type::uint8,
attribute_type::uint16,
attribute_type::uint32,
attribute_type::uint64,
attribute_type::float16,
attribute_type::float32,
attribute_type::float64,
attribute_type::boolean
} |
| | The type of a vertex attribute. More...
|
| |
| enum | graphics_backend {
graphics_backend::direct3d_9,
graphics_backend::direct3d_11,
graphics_backend::direct3d_12,
graphics_backend::gnm,
graphics_backend::metal,
graphics_backend::opengl_es,
graphics_backend::opengl,
graphics_backend::vulkan,
graphics_backend::null
} |
| | The type of graphics api to initialize. More...
|
| |
| enum | polygon_draw_mode { polygon_draw_mode::fill,
polygon_draw_mode::line,
polygon_draw_mode::points
} |
| |
| enum | parameter_type : uint8_t {
parameter_type::texture,
parameter_type::vec3,
parameter_type::vec4,
parameter_type::mat3,
parameter_type::mat4,
parameter_type::float32,
parameter_type::null
} |
| |
| enum | material_property : uint8_t {
material_property::diffuse_map = 0x20,
material_property::normal_map = 0x10,
material_property::emissive_map = 0x8,
material_property::metallic_roughness_map = 0x4,
material_property::ao_map = 0x1
} |
| |
| enum | shader_type { shader_type::vertex,
shader_type::fragment,
shader_type::compute
} |
| | The shader type. More...
|
| |
| enum | wrap_mode : uint8_t {
wrap_mode::clamp_to_edge,
wrap_mode::mirrored_repeat,
wrap_mode::repeat,
wrap_mode::clamp_to_edge,
wrap_mode::mirrored_repeat,
wrap_mode::repeat
} |
| |
| enum | mag_filter : uint8_t { mag_filter::nearest,
mag_filter::linear,
mag_filter::nearest,
mag_filter::linear
} |
| | The texture magnification function is used whenever the level-of-detail function used when sampling from the texture determines that the texture should be magnified. It sets the texture magnification function to either nearest or linear. nearest is generally faster than linear, but it can produce textured images with sharper edges because the transition between texture elements is not as smooth. More...
|
| |
| enum | min_filter : uint8_t {
min_filter::nearest,
min_filter::linear,
min_filter::nearest_mipmap_nearest,
min_filter::linear_mipmap_nearest,
min_filter::nearest_mipmap_linear,
min_filter::linear_mipmap_linear,
min_filter::nearest,
min_filter::linear,
min_filter::nearest_mipmap_nearest,
min_filter::linear_mipmap_nearest,
min_filter::nearest_mipmap_linear,
min_filter::linear_mipmap_linear
} |
| | The texture minifying function is used whenever the level-of-detail function used when sampling from the texture determines that the texture should be minified. There are six defined minifying functions. Two of them use either the nearest texture elements or a weighted average of multiple texture elements to compute the texture value. The other four use mipmaps. More...
|
| |
| enum | texture_target : uint8_t {
texture_target::texture_1d,
texture_target::texture_2d,
texture_target::texture_3d,
texture_target::array_1d,
texture_target::array_2d,
texture_target::rectangle,
texture_target::cubemap,
texture_target::cubemap_array,
texture_target::texture_buffer,
texture_target::texture_2d_multisample,
texture_target::texture_2d_multisample_array,
texture_target::texture_1d,
texture_target::texture_2d,
texture_target::texture_3d,
texture_target::array_1d,
texture_target::array_2d,
texture_target::rectangle,
texture_target::cubemap,
texture_target::cubemap_array,
texture_target::texture_buffer,
texture_target::texture_2d_multisample,
texture_target::texture_2d_multisample_array
} |
| |
| enum | image_target : uint8_t {
image_target::texture_2d,
image_target::texture_2d_proxy,
image_target::array_1d,
image_target::array_1d_proxy,
image_target::rectangle,
image_target::rectangle_proxy,
image_target::cubemap_positive_x,
image_target::cubemap_positive_y,
image_target::cubemap_positive_z,
image_target::cubemap_negative_x,
image_target::cubemap_negative_y,
image_target::cubemap_negative_z,
image_target::cubemap_proxy,
image_target::texture_2d,
image_target::texture_2d_proxy,
image_target::array_1d,
image_target::array_1d_proxy,
image_target::rectangle,
image_target::rectangle_proxy,
image_target::cubemap_positive_x,
image_target::cubemap_positive_y,
image_target::cubemap_positive_z,
image_target::cubemap_negative_x,
image_target::cubemap_negative_y,
image_target::cubemap_negative_z,
image_target::cubemap_proxy
} |
| |
| enum | host_format : uint8_t {
host_format::r,
host_format::rg,
host_format::rgb,
host_format::bgr,
host_format::rgba,
host_format::bgra,
host_format::auto_detect,
host_format::r,
host_format::rg,
host_format::rgb,
host_format::bgr,
host_format::rgba,
host_format::bgra,
host_format::auto_detect
} |
| |
| enum | device_format : uint8_t {
device_format::r,
device_format::rg,
device_format::rg16f,
device_format::rgb,
device_format::srgb8,
device_format::rgb16f,
device_format::bgr,
device_format::rgba,
device_format::srgb8_alpha8,
device_format::bgra,
device_format::r,
device_format::rg,
device_format::rg16f,
device_format::rgb,
device_format::srgb8,
device_format::rgb16f,
device_format::bgr,
device_format::rgba,
device_format::srgb8_alpha8,
device_format::bgra
} |
| |
| enum | pixel_type : uint8_t {
pixel_type::int8,
pixel_type::int16,
pixel_type::int32,
pixel_type::uint8,
pixel_type::uint16,
pixel_type::uint32,
pixel_type::float16,
pixel_type::float32,
pixel_type::int8,
pixel_type::int16,
pixel_type::int32,
pixel_type::uint8,
pixel_type::uint16,
pixel_type::uint32,
pixel_type::float16,
pixel_type::float32
} |
| |
| enum | wrap_mode : uint8_t {
wrap_mode::clamp_to_edge,
wrap_mode::mirrored_repeat,
wrap_mode::repeat,
wrap_mode::clamp_to_edge,
wrap_mode::mirrored_repeat,
wrap_mode::repeat
} |
| |
| enum | mag_filter : uint8_t { mag_filter::nearest,
mag_filter::linear,
mag_filter::nearest,
mag_filter::linear
} |
| | The texture magnification function is used whenever the level-of-detail function used when sampling from the texture determines that the texture should be magnified. It sets the texture magnification function to either nearest or linear. nearest is generally faster than linear, but it can produce textured images with sharper edges because the transition between texture elements is not as smooth. More...
|
| |
| enum | min_filter : uint8_t {
min_filter::nearest,
min_filter::linear,
min_filter::nearest_mipmap_nearest,
min_filter::linear_mipmap_nearest,
min_filter::nearest_mipmap_linear,
min_filter::linear_mipmap_linear,
min_filter::nearest,
min_filter::linear,
min_filter::nearest_mipmap_nearest,
min_filter::linear_mipmap_nearest,
min_filter::nearest_mipmap_linear,
min_filter::linear_mipmap_linear
} |
| | The texture minifying function is used whenever the level-of-detail function used when sampling from the texture determines that the texture should be minified. There are six defined minifying functions. Two of them use either the nearest texture elements or a weighted average of multiple texture elements to compute the texture value. The other four use mipmaps.  More...
|
| |
| std::byte * | texture_load (const std::filesystem::path &path, int &width, int &height, host_format &format, host_format requested_format=host_format::auto_detect) |
| | Load a texture from file into host memory. More...
|
| |
| float * | texture_load_hdr (const std::filesystem::path &path, int &width, int &height, host_format &format, host_format requested_format=host_format::auto_detect) |
| | Load an HDR texture from file into host memory. More...
|
| |
| void | free_texture (void *data) |
| | Free a heap-allocated buffer of host texture data. More...
|
| |
| constexpr size_t | size (const attribute_type attr_type) |
| | Get the size of a vertex attribute in bytes. More...
|
| |
| template<typename T > |
| constexpr T | clamp (const T &n, const T &lower, const T &upper) noexcept |
| |
| template<typename T > |
| constexpr T | lerp (const T &start, const T &end, const float percent) noexcept |
| |
| template<typename T > |
| constexpr T | lerp_unclamped (const T &start, const T &end, const float percent) noexcept |
| |


Kelvin/Yu
Software engineer. Main working orientation are website technologies. Contains frontend frameworks and backend server.
- Location: Wuhan, China
- Languages: Chinese English Japanese
- Follow: Java Spring Boot Spring Cloud Go Beego Gin Hugo GORM HTML5 CSS3 Javascript Typescript Vue React Node Python Django Tensorflow ...
Learning is an endless process, never too old to learn!


Susan Granger's review of "HIGH ART" (October Films)
Writer/director Lisa Cholodenko gives far more emphasis to getting high than to expressing art with this pretentious, downbeat dirge about lesbian love. Flimsily cloaked in an "All About Eve"-like scenario, the story revolves around a lowly, but ambitious young New York art magazine editor (Australian actress Radha Mitchell) who "discovers" a rebellious but talented photographer living in the apartment upstairs. A heroin-snorting, Jewish Bohemian, she "dropped out" of the art scene several years earlier to live in disillusioned, drug-addled decadence with her groggy German actress/lover (Patricia Clarkson) when the pressures of "fame" got tooheavy. In this pivotal leading role, Ally Sheedy - once an ingenue "Breakfast Club" member of Hollywood's Brat Pack - is ghastly thin and neurotically intense, even ferocious. Predictably, the relationship between the self-destructive artist and the naive opportunist sparks, ignites, and eventually fizzles but, since all the women involved are so spaced-out, it's hard for the audience to connect with any of them. Nevertheless, for a first-time film-maker, Lisa Chodolenko shows promise, particularly in herhip, witty jibes about the "business" of producing art. If she could leave the murky, rotten drug scene behind, she'd show her story-telling skills more admirably. On the Granger Movie Gauge of 1 to 10, "High Art" is a tiresome 3. Watching lethargic, unhappy women take drugs and incoherently talk nonsense is hardly classified as entertainment.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Book on Bark and receive premium insurance, world-class customer support, and our reservation guarantee. Learn More"
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Soaplab2 uses two kinds of metadata: one describing list of available
(provided) services, and one describing individual services. By
default, they are both expressed as XML files: the analysis list
according to the
SoaplabList.dtd, the
service metadata complying with the
SoaplabAnalysis.dtd.
If you want to have your own format, or storage, of any of these
kinds, you can. For example, you can store the XML metadata files in
the database instead of having them in the local file system. Or, you
can have your own format, perhaps a non-XML one, for all or just some
of your Soaplab services.
In order to accomplish it, you need to write some implementation
classes. This How-To document explains what is needed and
where to put it.
Actually, the main reason of this How-To document is to create a
description what classes are being used and how they are connected in
order to make the future Soaplab2 maintenance easier. But one never
knows...
Not yet finished...


AMAZING PEOPLE ARE MAKING AMAZING DESIGNS IN A FUN ENVIRONMENT
When you work with us, you are part of a team of committed collaborators. All aspects of our software development process are integrated, interactive
and agile.
Our project unifies design, development and project management to create
exceptional products.
We start each project by understandding your business goals, the user's needs and the product requirements
Then we help translate them into effective and elegant solutions.
Before we sign a contract or write a line of code, our team will spend the neccessary time needed to understand your product vission.
The outcome of the scoping session a proposal or high-level statement of work.
based on your requirements,
we can provide a complete offering or just the piece you need.
DESIGN
Our design practice offers a full range of services including brand strategy, interaction and visual design and user experience testing.
Throughout your project, our designers create and implement visual design and workflows,
solicit user feedback and work with you to make sure what gets built is what is needed.
DEVELOPMENT
All engineers are fluent in the latest enterprise, mobile and web development technologies.
They collaborate with your team to write, and improve code on a daily basis, using proven practices such as test-driven development
and pair programming.
PRODUCT MANAGEMENT
All engineers are fluent in the latest enterprise, mobile and web development technologies.
They collaborate with your team to write, and improve code on a daily basis, using proven practices such as test-driven development
and pair programming.
Black Design
Ontario Security
Brown Pyramids
Gallery
Elena Website
Calculator
Burned Mock UP
Giraffe Restaurant


When you look straight ahead, you can usually see objects on your right and left sides. These are your peripheral fields of vision. The loss of a portion of this peripheral vision will reduce your vision to that of a horse wearing blinders. A person with these symptoms will sometimes find themselves bumping into walls or furniture. This is a red light warning signal.
A simple test to detect one type of defect is to put your right hand over your right eye and your left hand behind your left ear.  You should be able to detect this movement out of the corner of your left eye even though you are looking straight ahead. Do the same while looking through your right eye. If either eye fails to pick up your normal peripheral vision, you may have a visual field defect.
Possible causes of defects include a stroke due to blockage of a blood vessel in the brain, an injury to the retina of the eye, glaucoma, bleeding in the brain, or a tumor in the area of the brain responsible for vision. A tumor of the pituitary gland, located on the underside of the brain, can also cause these symptoms. If the tumor gets large enough, it can press on the nerves from the eyes, causing the visual field loss. This type of tumor can also produce high levels of hormones, which may cause a milky white discharge from the nipples and may stop or alter menstrual periods. The growth can be controlled medically or surgically.
If you experience a sudden defect in your field of vision, you should go to an emergency room. In all cases, you need evaluation by an ophthalmologist (eye doctor) and/or neurologist.
If you experience a blur, haze, mist, fog, or darkness over the field of vision in one of your eyes—usually lasting anywhere from a few seconds to a few minutes—it could indicate a partial blockage in one of the blood vessels leading from your heart into your neck or some of those supplying your brain. When this happens, it means that the blood vessel supplying the nerve to your eye or the part of your brain responsible for vision is not getting enough blood. Emergency treatment to prevent a stroke is necessary; a blood thinner may be given and/or surgery may be instituted to clean out the blocked artery.
You need to be taken to an emergency room immediately. Emergency treatment may prevent a stroke.


Active Minds was founded by Alison Malmon when she was a junior at the University of Pennsylvania, following the suicide of her older brother, Brian. Brian, also a college student, had been experiencing depression and psychosis for three years but had concealed his symptoms from everyone around him. In the middle of his senior year, he returned to the family’s Potomac, Maryland home and began receiving treatment for what was later diagnosed as schizoaffective disorder. A year and a half later on March 24, 2000, as Alison was wrapping up her freshman year at Penn, Brian ended his life.
Recognizing that few Penn students were talking about mental health issues though many were affected, Alison was motivated to change that culture on her campus. She wanted to combat the stigma of mental illness, encourage students who needed help to seek it early, and prevent future tragedies like the one that took her brother’s life. After searching unsuccessfully for existing groups that she could simply bring to her campus, Alison created her own model and formed what was then known as Open Minds.
After a great first year, Open Minds at Penn gained enough support that it expanded onto other campuses. Kate Hard dedicated her first year as a Georgetown University
transfer student to bringing the Penn program, and mental health awareness, to her new campus. At that time she founded the second chapter of Active Minds at Georgetown, which gained the same momentum and support as had the Penn chapter.
The constant growth continued, and the National headquarters was established in Washington, DC during the summer of 2003. The new non-profit organization, and all of the affiliated campus chapters, was then renamed Active Minds, Inc., to reflect the progressive nature of this form of student advocacy in the mental health movement.
Active Minds was Incorporated as a 501(c)3 organization in late 2003. In ten years, the non-profit organization has grown into a well recognized entity in the field, led by a committed team of full time staff members under Alison's direction, as well as a Board of Directors, National Advisory Committee and Student Advisory Committee. Featured on CNN, in The New York Times, Chronicle of Higher Education, and much more, Active Minds has become the voice of young adult mental health advocacy nationwide. With more than 400 campus chapters, hundreds of thousands of young adults all across the country are benefiting from the Active Minds model.


Project Description
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text.
Project Details
- Client: John Joseph Doe
- Date: March 28, 2016
- Tags: Photography, Illustration
Recent Projects
It is a long established fact that a reader


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ENDO ISN'T PICKY
Celebrities with endometriosis: Here’s 11 famous women battling the excruciating condition in the public eye
by Katy PaganONE in 10 women suffer from endometriosis across the UK.
The debilitating condition means tissue similar to the lining of the womb starts to grow in other places, such as the ovaries and fallopian tubes.
And endo isn't picky.
Endometriosis can affect women of any age - including some of the world's biggest celebrities.
Here we look at 11 famous women using their public platforms to raise awareness about the invisible illness.
Alexa Chung
Fashion icon Alexa Chung was praised for sharing her endometriosis diagnosis on social media.
The 36-year-old model and designer revealed she is battling the agonising condition in a post on Instagram in July.
She told followers: “I don’t want to belong to any club that would accept me as a member, but here I am. #endometriosisclub #lifelongmembership sorryifyouhaveittooitsucks”
The post, which has more than 65,000 likes, prompted an outpouring of love and support from dozens of women with the same condition.
Daisy Ridley
Daisy has spoken honestly about her skin and health issues on social media since achieving fame in her role of Rey in Star Wars: The Force Awakens.
The 27-year-old has struggled with endometriosis and polycystic ovaries, and the conditions have caused her problems with her complexion.
Posting on social media, she said: “At 15 I was diagnosed with endometriosis.
"One laparoscopy, many consultations and 8 years down the line, pain was back (more mild this time!) and my skin was THE WORST."
After trying countless products and antibiotics, Daisy went on to discover she also has polycycstic ovaries.
She went on to say she had cut down on diary and tried to get rid of sugar in her diet to help with her health.
Dolly Parton
Country legend Dolly Parton underwent a partial hysterectomy in the 80s after being diagnosed with endometriosis.
Speaking out about her life-changing surgery for the first time in 2008, Dolly admitted it made her feel suicidal.
She said: "It was an awful time for me.

Emma Bunton
Singer-songwriter Emma was diagnosed with endometriosis aged 25 and was warned she only had a 50:50 chance of becoming a mum.
Luckily, she did Strictly Come Dancing - in 2006, finishing in third place - where she was the "fittest she'd ever been and fell pregnant naturally".
The Spice Girl star added: "I was so pleased, because obviously it's a scary time and you're not sure how it's going to end."
Mum of two Emma, aka Baby Spice, said the condition disappeared after she had children.
Halsey
The Without Me hitmaker has spoken openly about her endometriosis and shared the “reality” of living with the condition with her fans.
The American singer has been battling the medical condition for some time and even opted to have her eggs frozen aged 23.
She said: “I can’t pretend any more. I can’t pretend that just because I’m a pop artist and I’m touring, that everything’s perfect and everything’s all good and my skin’s always great and I’m always fit and my outfits are always perfect.
What are the symptoms of endometriosis?
There are many different symptoms of endometriosis and they can vary in intensity. Some women with endometriosis will have no symptoms at all.
The most common symptoms are:
- Painful periods
- Painful sex
- Infertility
- Painful bowel movements
- Fatigue
Other symptoms include:
- Lethargy
- Nausea
- Extreme tiredness
- Depression
- Frequent infections such as thrush
- Feeling faint/fainting during periods
“Sometimes I’m bloated, I’m on an I.V.,  That’s the reality of it.”
The singer later described her endo diagnosis as a "bittersweet moment" - because she wasn't going crazy, and her pain was real.
Lena Dunham
The creator and star of hit HBO series Girls once described her endometriosis pain as "a fire slashing through her uterus".
Lena, 33, has battled the condition for more than a decade and had eight surgeries before undergoing a total hysterectomy.
Last year, the actress discussed her decision to undergo the radical surgery in a personal essay for Vogue.
Louise Redknapp
Louise, 45, struggled to conceive in her 20s before being diagnosed with endometriosis, which can cause infertility in severe cases.
She had to go through laser surgery to have Charley, and during pregnancy developed chloasma, a facial pigmentation.
It took the Strictly Come Dancing star four years to conceive hereldest son, Charley, now 15.
But after the heartache of those fertility problems, second son Beau, now 11, came along surprisingly easily.
Louise, who split from ex-footballer turned pundit Jamie Redknapp in 2017 - said: "It's hard having kids. It took me a long time to have Charley and, when he was born, it was a massive shock to the system.
Sacha Parkinson
Ex-Coronation Street star Sacha, 27, felt 'period pains' every day for THREE YEARS during her endo battle.
The award-winning actress, who played Sian Powers on the Cobbles for two years, laid bare her ordeal in a lengthy Instagram post to support Endometriosis Awareness Month.
She shared a photo of herself in hospital and revealed the condition left her feeling period-like pains every day for three years before she underwent "life-changing" surgery to remove cysts last year.
Sacha also revealed her mum is an endo warrior - being forced to have a hysterectomy aged 24.
In a parting message to others suffering from the condition, she said: "Listen to your body. Help others listen to theirs.
"And help create a wider awareness. It's an invisible condition but very much a real one."
Saira Khan
Loose Women star Saira was diagnosed with the chronic condition in 2009 after four years of trying to have a baby.
The mum-of-two was told her chances of conceiving naturally were less than five per cent because of the scarring on her fallopian tubes.
Saira and her husband Steve decided to have IVF and fortunately fell pregnant with her son Zak the first tine.
But the second time round the treatment failed and she decided to adopt her daughter Amara from an orphanage in Pakistan.
Saira opened up about her experience with the condition on Instagram in March, as part of endometriosis awareness month, with a picture of her gorgeous family.
The 49-year-old said: "I wanted to share this photo to support all the ladies out there who have endometriosis and want to become a mum.
"Please don’t give up. Infertility does not automatically mean no children - adoption is a beautiful way to start and complete your family."
Sarah Hyland
Modern Family star Sarah Hyland has been very candid about her endometriosis struggles in the past.
The American actress has bravely battled the condition while also undergoing two kidney transplants and a hernioa op.
At the end of 2018, she revealed to SELF Magazine that she struggles to work when she has a flare-up.
She said: “It affects so many women, and so many women go undiagnosed and just think that they’re having horrible cramps and they’re being dramatic because that’s what they’re told.
#endoperiodstigma
The Scottish Sun Online has teamed up with Endometriosis UK to raise awareness of endometriosis.
From now until March 2020, Endometriosis Awareness Month, we’ll be telling stories from women who are living with endometriosis plus provide original research and analysis.
News Scotland, which includes The Scottush Sun, The Times Scotland and Sunday Times Scotland, has also joined the Endometriosis-Friendly Employer Scheme to show we are committed to supporting our employees.
By March we hope to have signed up 100 new businesses - read how easy it is to do so here and join us!
“[This week] I've had a flare-up with my endo. It has been hard to stand up straight, let alone work.”
"But the fetal position helps a lot.”
After an outpouring of support from fans, she added: "Hopefully those that are lucky enough not to experience this will learn about something new and take a moment to appreciate their health.
"Thank you so much to all the love and light I have received today. I love you all."
Susan Sarandon
The Oscar-winning actress delivered a withering put-down to medics when talking about her "half-assed diagnosis".
The 73-year-old also urged women not to let the condition rob them of a good life but admitted she was "one of the lucky ones" after going on to have three kids.
She had the biggest impact on endo warriors when she challenged men to step up and make a difference during a speech.
Speaking at an Endometriosis Foundation event in 2011, she said: “Suffering should not define you as a woman. And just because you’re a man it doesn’t mean that it doesn’t affect you.
"Help her to remove the taboos and the loneliness surrounding this disease; be understanding, show empathy, and don’t accuse her of being sensitive, delicate, or overly dramatic – this is a big opportunity for you guys to show that you care and to be a real man."
In other endometriosis news, these are the symptoms to look out for.
Here's how you can get your employer officially signed up as an endo friendly workplace.
And Sky Sports presenter Hayley McQueen has spoken out about her pregnancy fears after her endometriosis diagnosis.
You can also find out more about becoming an Endometriosis Friendly Employer here.


[1] unfortunately the only let down is that there are complimentary like razors toothbrushes combs cotton-wool and upset over the usual shampoos and soaps.
[2] unfortunately the only let down is that there are no leisure facilities at all at the check-in desk for a matter of minutes.


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