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Private equity group SVG jumps 15% after £1bn US bid
Company tells shareholders to take no action but US group has 51% support
On a down day, private equity group SVG Capital is bucking the trend following a £1bn offer from US rival HarbourVest Partners.
The US group is offering 650p a share in cash, and has bought 8.5% of the business, meaning it has the backing of around 51.2% of the shareholder base.
Even so SVG has urged its investors to take no action on the “unsolicited offer”. It said it would publish half year results on 20 September when shareholders “will then have the relevant information on the company and its performance with which to consider the offer.”
HarbourVest managing director David Atterbury said:
While our offer does not currently have the recommendation of the board of SVG Capital, we look forward to a constructive dialogue with them in order to crystallise the certainty of value, today and in cash, to its shareholders.
SVG’s shares have jumped nearly 15% to 649.5p following news of the offer, suggesting the City thinks it will succeed. Analysts at Investec said:
Overall it looks like this deal is fairly far down the line ... Whilst the initial offer appear at a discount of 2.4% to the April net asset vale, this doesn’t take into account the foreign exchange moves since Brexit and the performance of the portfolio since April. As a result of foreign exchange alone we estimate the discount to be closer to 10%. However, despite this slightly wider discount this still appears an attractive offer with the majority of other private equity names trading wider than 10%, with a number of discounts greater than 20% offering investors in SVG an opportunity to recycle capital.
SVG is the biggest riser in the FTSE 250, which is currently down 1.5%.
Meanwhile a couple of defensive stocks have managed to edge into positive territory in the FTSE 100. AstraZeneca is up 7.5p at 4826.5p while Reckitt Benckiser is 7p better at £71.88.


--- layout: post status: publish published: true title: "一些感觉" author: Leask author_login: leask author_email<EMAIL_ADDRESS>author_url: https://leaskh.com wordpress_id: 631 wordpress_url: http://leaskh.wordpress.com/2005/12/10/%e4%b8%80%e4%ba%9b%e6%84%9f%e8%a7%89 date: '2005-12-10 17:03:29 +0800' date_gmt: '2005-12-10 17:03:29 +0800' categories: - Life tags: [] comments: - id: 156 author: Unknown author_email: '' author_url: '' date: '2005-12-12 11:28:23 +0800' date_gmt: '2005-12-12 11:28:23 +0800' content: "今夜,我只为你醉" - id: 157 author: "啦啦" author_email: '' author_url: '' date: '2005-12-10 18:57:25 +0800' date_gmt: '2005-12-10 18:57:25 +0800' content: "逮捕夜猫1名。^^" ---


P-8A Poseidon base works commence
by New Zealand GovernmentHon Ron Mark
Minister of Defence
29 November 2019 Media Statement
P-8A Poseidon base works commence
Minister of Defence Ron Mark turned the first sod of earth on the infrastructure works for the new P-8A Poseidon fleet at RNZAF Base Ohakea today.
“The Coalition Government’s investment in Ohakea will ensure the Royal New Zealand Air Force can manage, maintain and task the new fleet efficiently ahead of the first aircraft’s arrival in 2023,” says Ron Mark.
“The purchase by the Coalition Government of these aircraft to replace the aging 1960s-era P-3K2 Orions demonstrated a strong commitment to the security of New Zealand, and reinforced our foreign policy interests through enabling stronger defence contributions to Pacific and global security,”
“The Coalition Government will make the once in a generation decisions required, after years of under-investment leading to aging equipment and infrastructure,” says Mr Mark.
“Basing the P-8A fleet at Ohakea will be a boost for the economy and vitality of Manawatu and the surrounding region through the construction phase, and over the long term as around 270 members of the Air Force’s 5 Squadron bring their families to the area,”
“The works I am starting today will feed into the region in the form of engagement of local services, manufacturing, equipment and materials industries. At its peak the construction project will be employing around 300 people, many of whom will be recruited from the local area,” says Mr Mark.
The project’s infrastructure includes crew and maintenance simulators, an operations centre and hangar, warehousing and maintenance facilities.
There will be two phases of work. The first stage, which Ron Mark commenced today, has been awarded to Fulton Hogan and involves site preparation, roads, utilities and runway aprons, at a cost of $64.5 million.
The second phase, focused on building construction, will be subject to a separate procurement process, with work expected to start in the second quarter of 2020. The total cost across both phases is estimated to be over $200 million. All infrastructure work is expected to be finished by early 2022.
In July 2018 the Coalition Government announced the decision to buy the fleet of four P-8A aircraft at an overall cost of $2.346 billion.
Photos are available at: https://www.dropbox.com/sh/
ends


// Note that pickling torch.Size() requires protocol >= 2
serialized = pickle.dumps(dist, pickle.HIGHEST_PROTOCOL)
deserialized = pickle.loads(serialized)
assert isinstance(deserialized, Dist)
except Exception:
pytest.skip(msg="cannot construct distribution")
buffer = io.BytesIO()
// Note that pickling torch.Size() requires protocol >= 2
torch.save(dist, buffer, pickle_protocol=pickle.HIGHEST_PROTOCOL)
buffer.seek(0)
deserialized = torch.load(buffer)


Company History
Falcon Logic is a Washington DC Area local firm established in 2009. After experiencing the difficulties of working with local software engineers, the group discovered the dire need of businesses to have a resource that could make the art of developing software an enjoyable experience. They knew that the process could be an experience that didn’t actually create a client more work and could in fact encourage creativity and innovation if approached in the right way. The spirit of Falcon Logic is not only to deliver quality software, but to be realistic and honest with its costs, expectations, and most importantly have a good time during the process. We provide service with a smile and a development process (FULCRUM) that sparks creativity in our clients and doesn’t mire them down with additional work. The benefits of this approach have proven very fruitful. Our business continually grows primarily through referrals.
Mission
Through continuous development, professionalism, integrity and commitment to our clients; our mission is to deliver software solutions with a smile while building creative applications our clients can be proud of.


THE WINTER GUEST
A Film Review by James Berardinelli
RATING: *** OUT OF ****
United Kingdom/United States, 1997 U.S. Release Date: 12/25/97 (limited) Running Length: 1:50 MPAA Classification: R (Profanity, mature themes, brief nudity) Theatrical Aspect Ratio: 1.85:1
Cast: Phylida Law, Emma Thompson, Gary Hollywood, Arlene Cockburn, Sheila Reid, Sandra Voe, Douglas Murphy, Sean Biggerstaff Director: Alan Rickman Producers: Ken Lipper, Edward R. Pressman, Steve Clark-Hall Screenplay: Sharman Macdonald and Alan Rickman Cinematography: Seamus McGarvey Music: Michael Kamen U.S. Distributor: Fine Line Features
Anyone who saw Alan Rickman's finely-realized performances in TRULY MADLY DEEPLY and SENSE AND SENSIBILITY will be unsurprised that the actor-turned-director is a bit of a poet at heart. However, for those who recall him only as the maniacal villain of DIE HARD and ROBIN HOOD: PRINCE OF THIEVES, this recognition may be something of a shock. Nevertheless, "poetic" is an excellent term to describe Rickman's feature debut as a director, THE WINTER GUEST. The film has a simple, unhurried rhythm that uses all of the available elements to fashion a successful whole. The result is an occasionally haunting, sometimes magical, and always insightful human drama. THE WINTER GUEST isn't about resolving plot threads and advancing a story line; it's about exploring relationships and examining life in all of its stages.
THE WINTER GUEST does not tell a traditional tale, nor does it ascribe to a conventional narrative structure – there is no real beginning or end. Instead, we are given an opportunity to observe one day in the lives of eight humans. They represent both sexes, multiple generations, and a variety of relationships – male and female; young, middle-aged, and elderly; friends, would-be lovers, and kin. We see expectations fulfilled and disappointed, emotional boundaries eroded, and truths unveiled. There is comedy and tragedy. Most importantly, much of what transpires during the course of THE WINTER GUEST will find an echo in our own lives – in this fiction can be found much truth.
The setting is small town in Scotland on the coldest day of the year. It's so frigid that the sea has begun to freeze over. The onshore wind cuts like a knife and snow blankets the beach, giving the terrain an alien appearance. It is against this backdrop that the relationships of the film are captured. There are four pairings, and, although there is some interaction between the different twosomes, THE WINTER GUEST's focus is on the dynamics internal to each relationship.
The first, meatiest pairing is that of Elspeth (Phylida Law) and her recently-widowed daughter, Frances (Emma Thompson). These two have a stormy relationship. They love each other deeply, but both are stubborn and willful, and neither is willing to admit that they need the other. Much of their interaction is argumentative, but, during the course of a long walk to the frozen shoreline, they come to an unspoken understanding of how much each means to the other.
Frances' adult son, Alex (Gary Hollywood), is a lonely young man who has been caring for his mother since the death of his father. On this day, he meets a girl, Nita (Arlene Cockburn), who has secretly been spying on him for weeks. Although their first encounter is antagonistic (she throws a snowball at him), both quickly become aware of an undeniable attraction. Once they retire to a place where they can be alone, however, things don't go exactly as planned.
Lily (Sheila Reid) and Chloe (Sandra Voe) are a couple of old friends who are frequent funeral attendees. Death is a topic of endless fascination for them, perhaps because they are so close to it, and they spend their spare time scanning the obituaries, looking for the next funeral or cremation in the area. It doesn't matter whether or not they knew the deceased. It's the ceremony that they're interested in.
Sam (Douglas Murphy) and Tom (Sean Biggerstaff), a pair of schoolboy chums, are spending this cold February day cutting classes and hanging out at the beach, horsing around, building a small fire for warmth, and walking on the frozen water. Unlike Lily and Chloe, these two have their entire lives ahead of them. They are young enough to still believe in magic, but old enough to recognize that the process of crossing into adulthood robs life of the simple joy that only children can experience.
The acting is strong and believable. The mixture of veteran performers and first-timers is effective, with the most successful choice being the casting of real-life mother and daughter Phylida Law and Emma Thompson in the most prominent roles. There is a chemistry in their interaction that would be hard to replicate with two different, non-related actors. And, of course, the physical resemblance makes it that much easier to accept Elspeth and Frances as parent and child.
THE WINTER GUEST began its life as a stage play in 1995, with Rickman as the director. Four of the film's principals, Phylida Law, Arlene Cockburn, Sheila Reid, and Sandra Voe, appeared in the theatrical version before moving to the film. Unlike several recent motion pictures adapted from plays, THE WINTER GUEST has been successfully opened up. The rough, bleak Scottish countryside becomes as much of a character as any of the eight humans. In fact, considering how important the climate is to every relationship under Rickman's microscope, it could be argued that this is the single most important element of the movie. If you appreciate character studies, THE WINTER GUEST is a solid effort with enough power to stay with you after you have left the theater.
Copyright 1997 James Berardinelli
- James Berardinelli e-mail<EMAIL_ADDRESS>Now with more than 1300 reviews... The ReelViews web site: http://movie-reviews.colossus.net/
"For me, the cinema is not a slice of life, but a piece of cake."
- Alfred Hitchcock
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


New E-Learning Videos - Introduction to UI5
On our YouTube Channel, you can now find a video course called Introduction to UI5. It consists of eight short video lectures that cover the basic aspects of UI5.
On our YouTube Channel, you can now find a video course called Introduction to UI5. It consists of eight short video lectures that cover the basic aspects of UI5.
Last updated on May 30, 2018 12:00 PM UTC
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Provides probability computation, data generation, and model estimation for fully-visible Boltzmann machines. It follows the methods described in Nguyen and Wood (2016a) <doi:10.1162/NECO_a_00813> and Nguyen and Wood (2016b) <doi:10.1109/TNNLS.2015.2425898>.
| Version: | 0.1.1 |
| Imports: | Rcpp |
| LinkingTo: | Rcpp, RcppArmadillo, BH |
| Published: | 2018-03-26 |
| Author: | Andrew Thomas Jones, Hien Duy Ngyuen |
| Maintainer: | Andrew Thomas Jones <andrewthomasjones at gmail.com> |
| License: | GPL-3 |
| NeedsCompilation: | yes |
| Materials: | README NEWS |
| CRAN checks: | BoltzMM results |
| Reference manual: | BoltzMM.pdf |
| Package source: | BoltzMM_0.1.1.tar.gz |
| Windows binaries: | r-devel: BoltzMM_0.1.1.zip, r-release: BoltzMM_0.1.1.zip, r-oldrel: BoltzMM_0.1.1.zip |
| OS X binaries: | r-release: BoltzMM_0.1.1.tgz, r-oldrel: BoltzMM_0.1.1.tgz |
| Old sources: | BoltzMM archive |
Please use the canonical form https://CRAN.R-project.org/package=BoltzMM to link to this page.


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Quickstart¶
Basic Usage¶
make sure required environment variables are set
create a schema with
arche.basic_json_schema(job_key)
create an Arche instance
g = Arche(source=job_key, schema=temp_schema)
run and report all tests with
g.report_all()
run DQR with
g.data_quality_report()
job_key
can be either a usual job key, e.g. 000001/1/1
, or a collection key - 00001/collections/s/reviews
schema
argument accepts either a dict or a s3 bucket link to a schema.
Schema Validation¶
Arche allows to use custom rules, available with tag
keyword. The value contains tag names, and could be either a string or a list or strings.
For a complete list of tags, check the code https://github.com/scrapinghub/arche/blob/master/src/arche/schema_tools.py#L18
For example:
"name": {
"type": "string",
"tag": ["unique"]
},
Environment variables¶
Next env variables are required:
SH_APIKEY - This key should have read permissions for the project you want to get items from.
If you also wish access your schemas from S3, set AWS credentials
AWS_ACCESS_KEY_ID
AWS_SECRET_ACCESS_KEY


--- layout: post title: Play, noh theatre and kata date: 2005-01-04 00:00:00 categories: aikido play ---
More on the kata of play from Peter Goldsbury: "...one can know about the art only through the experience of performing it and becoming skilled. It should not be possible to articulate this experience in any way other than the forms (katachi) of that skill (waza)."


JACKNIFE (1989) A film review by Vince Deehan Copyright 1996 Vince Deehan
Director: David Jones Screenplay: Stephen Metcalfe, based on his play "Strange Snow". Cast: Robert De Niro, Ed Harris, Kathy Baker.
I first saw this film about six years ago and it left such a deep impression on me that I was pleased to be able to see it again recently. JACKNIFE tells the story of two Vietnam veterans, David (Ed Harris) and Megs/Jacknife (Robert De Niro). David is living with his high school-teacher sister, Martha (Kathy Baker), and is drinking heavily, trying to blot out the pain of his traumatic war experiences. He works as a truck driver but has no life outside his job, other than his daily ritual of drinking himself into a drunken stupor each night in the local bar.
The film begins with the arrival of Megs, an old buddy who Dave served alongside in Vietnam, in the early hours of the morning at Martha and Dave's house to take Dave fishing on the first day of the season. Martha has never met Megs before, and although her first impressions of him are not favourable, she quickly gets caught up in his enthusiasm and decides to join the boys on their fishing trip.
It turns out that Megs is involved with a veterans support group and is trying to reach out to his old friend to help him get through his pain and torment. Whilst in Vietnam, Megs and David were close friends with another soldier called Bobby (Tom Isbell, who we see in flashbacks). They were a tightly knit trio of pals, but Bobby was killed trying to save Megs and this loss of his friend has caused David incredible guilt and pain ever since.
Alongside the story of Megs and David is the touching romance that blossoms between Megs and the shy Martha. This cause alot of problems for David who knows how violent and crazy Megs has been in the past, and fears still is. When David warns Martha away from Megs, David also admits that he is scared of losing his sister who has, effectively, looked after him and kept him company all these years.
The romance between Megs and Martha is very well written and played by De Niro and Baker. Megs is clearly a bit of a wild, untamed sort of bloke who appears to have as little experience of women, as Martha has of men. The scene where they go out for a meal together early in the film is a gem. Megs clumsily tries to compliment Martha but says it in a ham-fisted and foul-mouthed way and is genuinely shocked when Martha doesn't take it too kindly. Only when they both admit to being very nervous do they manage to clearly communicate with each other.
Stephen Metcalfe's wonderful script is brilliantly brought to life by the first-class acting of De Niro, Baker and Harris. Ed Harris as the traumatised David is simply perfect, and it is his deeply haunting performance that has been burned in my memory since I first saw the film six years ago. The pain is clear in his eyes throughout the film. The most powerful scene occurs when David goes to visit Bobby's parents and asks them to let him look after their lawn. From the minute he walks in their door, it is as if part of their own son Bobby has returned and although their son is not mentioned in the scene his presence in the room is powerfully felt. The acting here by Harris, and Walter Massey and Elizabeth Franz as Bobby's parents, is incredible. The power lies in what they don't say, and in the expressions on all of their faces.
The only disappointments in the film lie in the Vietnam flashbacks. They really are nowhere near as powerful and as effective as they should be. Since the whole film pivots around the death of their friend Bobby, it was a shame that I was left unmoved by these scenes.
As a film showing the way past traumas can affect peoples lives, the film is very successful. The suffering of war veterans should never be underestimated or forgotten and any film that brings this to our attention is to be commended.
Review written on Sat 9 March 1996 by Vince Deehan<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Object that identifies the user functions
This object has no parents.
This object has no members.
AAR flow stats frequency
Default value: 30
Min value: 1
SDK attribute: AARFlowStatsInterval
AAR Probe stats frequency
Default value: 30
Min value: 1
SDK attribute: AARProbeStatsInterval
URL to the avatar data associated with the enterprise. If the avatarType is URL then value of avatarData should an URL of the image. If the avatarType BASE64 then avatarData should be BASE64 encoded value of the image
Format: free
SDK attribute: avatarData
Avatar type.
Allowed values: BASE64, COMPUTEDURL, URL
SDK attribute: avatarType
Status of the user account; true=disabled, false=not disabled; default value = false
Format: free
SDK attribute: disabled
elastic search address
Format: free
SDK attribute: elasticSearchAddress
Email address of the user
Format: free
SDK attribute: email
Metadata objects associated with this entity. This will contain a list of Metadata objects if the API request is made using the special flag to enable the embedded Metadata feature. Only a maximum of Metadata objects is returned based on the value set in the system configuration.
SDK attribute: embeddedMetadata
Identifier of the enterprise.
Format: free
SDK attribute: enterpriseID
Name of the enterprise.
Format: free
SDK attribute: enterpriseName
Specify if scope of entity is Data center or Enterprise level
Allowed values: ENTERPRISE, GLOBAL
SDK attribute: entityScope
External object ID. Used for integration with third party systems
Format: free
SDK attribute: externalID
First name of the user
Format: free
SDK attribute: firstName
Enables flow statistics collection. It is needed for the VSS feature, and requires a valid VSS license. This option requires 'statisticsEnabled'.
Format: free
SDK attribute: flowCollectionEnabled
Last name of the user
Format: free
SDK attribute: lastName
ID of the user who last updated the object.
Format: free
SDK attribute: lastUpdatedBy
Mobile Number of the user
Format: free
SDK attribute: mobileNumber
User password in clear text. Password cannot be a single character asterisk (*)
Format: free
Min length: 1
Max length: 255
SDK attribute: password
Role of the user.
Format: free
SDK attribute: role
This flag is used to indicate if statistics is enabled in the system. CSProot is expected to activate this through the enable statistics script.
Format: free
SDK attribute: statisticsEnabled
Unique Username of the user. Valid characters are alphabets, numbers and hyphen( - ).
Format: free
Min length: 1
Max length: 255
SDK attribute: userName
VSS flow stats frequency
Default value: 30
Min value: 1
SDK attribute: VSSStatsInterval


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"Talk is cheap... show me the code"-Linus Torvalds (also, I highly recommend you take the rocket back up...)


Grid
Full Width Column
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One Third Column
One Third Column
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One Third Column
Two Third Column
One Fourth Column
One Fourth Column
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Three Fourth Column
One Fifth Column
One Fifth Column
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Golden Rule Small
Golden Rule Large
Colors
Grey
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Navy
Dark-Navy


2019, phantasy
The Witcher
Geralt of Rivia, a mutated monster-hunter for hire, journeys toward his destiny in a turbulent world where people often prove more wicked than beasts.
Watch trailer


So, I was recently able to visit the Libertarian National Convention and give a talk there. I gave a working title of making money with Steemit. I didn’t get a chance to fix that, and it was printed that way. There wasn’t a huge audience for the discussion, but Ernie Hancock came and he has a pretty strong following of Libertarians. I have a conversation with him on Thursday and hopefully we’ll get his base more amped up about Steem. Anyway, I gave a talk so here is the talk slides and a quick gist
Spreading Peace, Abundance, and Liberty on the Steem Blockchain
Intro Slide
How I got started - Facebook kept shadow banning me by making me identify friends on memes where it was impossible.
The origin story of my name
I wasn’t immediately successful here!
I was helped by @kaylinart and @fyrstikken and learned how Steem can spread abundance.
That was an important lesson because the things I was fighting as an internet activist was war, poverty, and spying. This seems to be a perfect antidote.
This is what I figured out. Steem is a fantastic tool to spread the message.
What is a blockchain? Blocks hold data, and the chain puts it together.
What’s in a block?
What did I start working on?
I was elected to help spread this message.
I’m working on a backdoor way to onboard people. Come for a game, stay for the community.
With the blockchain you can earn through coding, creative projects, and normal business transactions. Steem makes it easier than other places.
We’ll see where it goes
Hopefully it was worth the trip to head down there. I’ll find out more when I talk to Ernie on his show on Thursday at 9am EST.
This page is synchronized from the post: ‘My talk at the Libertarian National Convention’


When you have a SSRF candidate, a good first test to do is the following:
Set up a controlled Internet (or internal if testing locally) facing web server.
Make sure you can see the request log for that server, (“tail -f /var/log/apache2/access.log” or the output from Python’s HTTP server module, or even just “nc -nlvp <80|443>”).
Try changing the variable value to something like “http://<your_webserver>/zzz”.
If you receive a request to “/zzz” after you execute the manipulated request, it is probable that the attack worked.
The next thing to test was sending the same request but modifying the “malicious” URL so as to test different ports, protocols, and hostnames. Interesting variations are the following:
- Test for ports. After the first SSRF test was successful, replicate request against the same controlled server but changing the port. Test for a port that is open and to another that is closed. Analyze both responses and compare the differences.
- Brute-force for internal hostnames. Instead of an IP address, brute-force for URLs that point to potential internal hostnames, hoping that the server will resolve them. It is useful to omit TLDs or domain names if you don’t have that information.
- Try different handlers. This could overlap with LFI/RFI, but if for example this was a PHP application, you could try the “file://”, “php://input”, etc. handlers. Each framework could have different URL handlers so make sure you try to understand the application and make smart tests.
- Search for other local services running on the vulnerable machine that could be leveraged or exploited to further access.


Former hostages Terry Waite and John McCarthy reunited
Former hostages Terry Waite and John McCarthy have been reunited at an event honouring humanitarian work.
The British pair were present when Ingrid Betancourt received the St Martin’s Lifetime Achievement Award in London.
The award commended Ingrid’s humanitarian work after she was released from six-and-a-half years in captivity by the FARC guerrilla army in Colombia.
Terry and John are rarely seen in public together but are both active members and supporters of the charity Hostage International.
The last time they were together was in May when John supported Terry as he received the same achievement award.
Hostage International was co-founded in 2004 by Terry, who saw a gap in provision for families and former hostages.
He said: ‘I often feel that the difficulties that families face are almost equally as difficult as what the hostage himself or herself faces.
Advertisement Advertisement
‘Hostage International gives much needed emotional and practical support to the families affected and returning hostages.’
In January 1987, Terry travelled to Beirut in Lebanon on behalf of the Archbishop of Canterbury to try to help with the release of Western hostages, including John.
However, he was kidnapped himself by a cell linked to the militant group Hezbollah.
Terry was held for 1,763 days, the majority of which he was deprived of contact with the outside world.
He was released 28 years ago and will mark the anniversary with an event in London’s Trafalgar Square on Monday November 18.
The bells of St-Martin-in-the-Fields will ring out before Terry shares his story to raise funds for Hostage International.
Ingrid was captured in 2002 and held in the Colombian jungle, often chained to trees, until she was rescued more than six years later.
She has praised the work of Hostage International and added: ‘Coming back after captivity is as hard as the captivity.’
For tickets to the talk by Terry Waite, visit here.


Add new btn row
Delete btn row
Convert to lambda functions
Draw random rects on a canvas
Draw random pixels in canvas
Download canvas as png file
Apply new bw lambda functions
Start the frame loop
Add new random frames
Stop the frame loop
Begin Canvas!
End Canvas!
Begin Lambdas!
End Lambdas!
Begin!
End!


Our Team
-
Mengqian
Mengqian is a finance student who is interested in coding. Came to Seattle from east side of China in 2014.
-
Kyle
Kyle is in sales/marketing and is currently learning code to better communicate with engineers within his organization.
-
Amanda
Information About Person
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Rees
Rees is a former Network Admin that knows jack about code and wants to build some stuff, man.
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Demographic data and methodology of fecal gut microbiome studies in Parkinson’s disease patients (PD) and healthy controls (HC) ordered by sample size from highest to lowest
1Follow-up study of Scheperjans et al. 2015 PD and HC subjects, including re-analysis of baseline samples and collection of new samples with a mean follow-up time of 2.25 years. 2Median age. 3Mean age at baseline. 4Data on the entire study cohort is provided ( n = 52/36, as no demographic data is reported on the subcohort of whom fecal samples were available. 5Also performed 18S sequencing. n, number of participants; NA, not available; qPCR, quantitative polymerase chain reaction; 16S, 16S rRNA gene sequencing.


Emily
@sp1cyx64
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virtual-art-museum
🖼 Download images from the Met! Use for wallpaper or presentations!
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flaskBox20
Learning about building a blog site with Flask
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vagrant-cookbook
Vagrantfiles for defensive and offensive security research.
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GCP Test Environment
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python-crypto-farms
Scripts while studying cryptography and cryptographic attacks.
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Azure Incident Response Remediation and Analysis
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multilingual-number-guessing-games
using this simple game as a method to share how languages can be compared in simple programs as a teaching tool
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A collection of python code I've written for class.
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incident-response-cloud-terraform-labs
Using Terraform to automate infrastructure management in Azure
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network-gopher
Convert from decimal to binary in go.
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Rokugo is a client to remotely control your roku device written in go.
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wedding-site-go-app
a wedding website with a golang flex app engine backend
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powershell-scripts
a place to store my random powershell scripts
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docker_ubuntu_iptables_challenge
Using docker to build test environment for users to learn iptables rules.
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Practicing python through reimplementation of common UNIX commands
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Word mash program in ruby
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Every one of my designs are responsive and perfectly designed for all mobile devices within the last 5 years, with no additional fees.
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Data Privacy and Personal Data areas are integrated by specialized lawyers with the aim of providing clients with a complete, informed and high-quality service. The development of our practice is integrated into the “boutique” concept in order to provide services that satisfy professional, personal and avant-garde needs to our clients.
Data Privacy and Personal Data areas offers its clients consulting and advisory services, such as adaptation and compliance projects regarding personal data protection (compliance), transfer agreements and national and international data processing orders, development of mechanisms and measures of self-regulation (codes of conduct), design and implementation of the response system to the exercise of rights by the holders, implementation of personal data protection policies, among others.
Arias, Charua, Macías & Prum offers its clients the performance of a Due Diligence within the framework of the relevant regultation regarding Personal Data Protection and analyze the companies in order to comply with the requirements provided by the Federal Data Protection Law, its Regulations, Privacy Notice Guideliness, the Recommendations on Personal Data Security and other legislation related to data protection.
It is important to mention that the relevant authority in charge of overseeing the proper application of the Federal Data Protection Law may require, investigate and verify compliance with the provisions provided by law. The counseling service and representation before the relevant authority aims to provide legal certainty to those responsible for personal data within the processes initiated by that authority, ensuring that at all times the process have the best advice to respond to the notified requirements, provide the pertinent information and eradicate or minimize the effect that these processes may entail.


KLCI drifts lower, stays below 1,600 as CIMB, Telekom drag
by Surin MurugiahKUALA LUMPUR (Nov 25): The FBM KLCI dipped in early trade Monday, dragged by losses including at CIMB Group Holdings Bhd and Telekom Malaysia Bhd.
At 9.05am, the FBM KLCI dipped 2.61 points to 1,594.23.
The early decliners included Nestle (M) Bhd, Fraser & Neave Holdings Bhd, Elsoft Research Bhd, APM Automotive Holdings Bhd, Axiata Group Bhd, Pintaras Jaya Bhd, UWC Bhd, CIMB Group, Salutica Bhd and Telekom Malaysia.
Asian shares made guarded gains on Monday as investors braced for another week of likely conflicting commentary on the Sino-U.S. trade dispute, while the outperformance of recent U.S. economic data gave the dollar a leg up on its peers, according to Reuters.
MSCI's broadest index of Asia-Pacific shares outside Japan bounced 0.26%, after losing 0.4% last week, it said.
JF Apex Securities Research said US markets rose slightly on Friday after President Trump's comments on the US-China trade deal.
It said that earlier, European stocks advanced following optimism on US-China trade talks.
“On the local market, the FBM KLCI gained 4.65 points to 1596.84 points.
“Following the positive performances in the US and Europe, the FBM KLCI could climb towards its resistance of 1610 points,” it said.


When set to true, every call to the token manager's method getNextToken
(see the description of the Java Compiler Compiler API) will
cause a call to a used defined method CommonTokenAction
after
the token has been scanned in by the token manager. The user
must define this method within the TOKEN_MGR_DECLS
section. The
signature of this method is:
void CommonTokenAction(Token t)


I make Fast WordPress Websites for any screen size.
Since over 10 years I do what I love while helping my clients give their clients a better web experience.
About myself: I love to make things, it can be websites, houses, the interior of my motorhome (Matilda) or delicious meals. I like traveling, hiking, baking and fermenting food in jars.
I’m passionate about sustainability and alternative energy solutions. I follow an almost vegan diet and a minimalist lifestyle.
I have started some open source projects.
I’m available to work on a project or per hour basis.


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Hierarchy For Package net.corda.contracts.asset
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Class Hierarchy
net.corda.contracts.asset.
OnLedgerAsset
<T,C,S> (implements net.corda.core.contracts.
Contract
)
net.corda.contracts.asset.
Cash
net.corda.contracts.asset.
CommodityContract
net.corda.contracts.asset.
ObligationKt
net.corda.core.contracts.clauses.
Clause
<S,C,K>
net.corda.contracts.clause.
AbstractConserveAmount
<S,C,T>
net.corda.contracts.asset.
Clauses.ConserveAmount

net.corda.contracts.asset.
Clauses.ConserveAmount
net.corda.contracts.asset.
Clauses.ConserveAmount
net.corda.contracts.clause.
AbstractIssue
<S,C,T>
net.corda.contracts.asset.
Clauses.Issue
net.corda.contracts.asset.
Clauses.Issue

net.corda.contracts.asset.
Clauses.Issue
net.corda.core.contracts.clauses.
GroupClauseVerifier
<S,C,K>
net.corda.contracts.asset.
Clauses.Group
net.corda.contracts.asset.
Clauses.Group

net.corda.contracts.asset.
Clauses.Group
net.corda.contracts.clause.
NetClause
<C,P>
net.corda.contracts.asset.
Clauses.Net
<C,P>
net.corda.contracts.asset.
Clauses.SetLifecycle

net.corda.contracts.asset.
Clauses.Settle

net.corda.contracts.asset.
Clauses.VerifyLifecycle
<S,C,T,P>
net.corda.contracts.asset.
Commands.Move
(implements net.corda.contracts.asset.
Obligation.Commands
, net.corda.core.contracts.
Commands.Move
)
net.corda.contracts.asset.
Commands.Issue
(implements net.corda.contracts.asset.
CommodityContract.Commands
, net.corda.core.contracts.
Commands.Issue
)
net.corda.contracts.asset.
Commands.Move
(implements net.corda.contracts.asset.
CommodityContract.Commands
, net.corda.core.contracts.
Commands.Move
)
net.corda.contracts.asset.
Obligation.Terms

net.corda.contracts.asset.
CommodityContract.State
(implements net.corda.core.contracts.
FungibleAsset
<T>)
net.corda.contracts.asset.
Commands.SetLifecycle
(implements net.corda.contracts.asset.
Obligation.Commands
)
net.corda.contracts.asset.
Commands.Net
(implements net.corda.contracts.asset.
Obligation.Commands
, net.corda.core.contracts.
NetCommand
)
net.corda.contracts.asset.
Commands.Settle

 (implements net.corda.contracts.asset.
Obligation.Commands
)
net.corda.contracts.asset.
Cash.State
(implements net.corda.core.contracts.
FungibleAsset
<T>, net.corda.core.schemas.
QueryableState
)
net.corda.contracts.asset.
Commands.Exit

 (implements net.corda.contracts.asset.
Obligation.Commands
, net.corda.core.contracts.
Commands.Exit
<T>)
net.corda.contracts.asset.
Commands.Exit
(implements net.corda.contracts.asset.
CommodityContract.Commands
, net.corda.core.contracts.
Commands.Exit
<T>)
net.corda.contracts.asset.
Commands.Move
(implements net.corda.contracts.asset.
Cash.Commands
, net.corda.core.contracts.
Commands.Move
)
net.corda.contracts.asset.
Obligation

 (implements net.corda.core.contracts.
Contract
)
net.corda.contracts.asset.
CommodityContractKt
net.corda.contracts.asset.
Obligation.State

 (implements net.corda.core.contracts.
FungibleAsset
<T>, net.corda.core.contracts.
NettableState
<N,T>)
net.corda.contracts.asset.
Commands.Issue
(implements net.corda.contracts.asset.
Cash.Commands
, net.corda.core.contracts.
Commands.Issue
)
net.corda.contracts.asset.
Commands.Exit
(implements net.corda.contracts.asset.
Cash.Commands
, net.corda.core.contracts.
Commands.Exit
<T>)
net.corda.contracts.asset.
Commands.Issue
(implements net.corda.contracts.asset.
Obligation.Commands
, net.corda.core.contracts.
Commands.Issue
)
net.corda.contracts.asset.
CashKt
Interface Hierarchy
net.corda.contracts.asset.
CommodityContract.Clauses
net.corda.contracts.asset.
Obligation.Clauses
net.corda.contracts.asset.
Cash.Clauses
net.corda.core.contracts.
CommandData
net.corda.core.contracts.
FungibleAsset.Commands
net.corda.contracts.asset.
Cash.Commands
net.corda.contracts.asset.
Obligation.Commands
net.corda.contracts.asset.
CommodityContract.Commands
Enum Hierarchy
net.corda.contracts.asset.
Obligation.Lifecycle
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[%- page.import({ title => 'Learn Perl', section => 'home', description => "Helping you get started with Perl." keywords => 'Learn Perl 5, beginning Perl, Perl, Perl tutorials, Perl FAQ, Perl documentation', }); -%]
If you are already a developer or systems administrator, in any language, on any platform, please skim through the site, there are lots of details and resources which you will still find useful. It is also worth reviewing to find out what 'Modern' Perl actually is.
If you see this image: the link before it will take you to an external website.


EQUALINE TRIPLE ANTIBIOTIC- bacitracin, neomycin sulfate and polymyxin b sulfate ointment
Supervalu Inc
Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
Active ingredients (in each gram)
Bacitracin 400 units
Neomycin sulfate equivalent to 3.5 mg of neomycin base
Polymyxin B 5,000 units as polymyxin B sulfate
Purpose
First aid antibiotic
Use
first aid to help prevent infection in minor:
- •
- cuts
- •
- scrapes
- •
- burns
Warnings
For external use only.
Do not use
- •
- if you are allergic to any of the ingredients
- •
- in the eyes
- •
- over large areas of the body
Ask a doctor before use if you have
- •
- deep or puncture wounds
- •
- animal bites
- •
- serious burns
Stop use and ask a doctor if
- •
- you need to use longer than 1 week
- •
- condition persists or gets worse
- •
- rash or other allergic reaction develops
Keep out of reach of children.
If swallowed, get medical help or contact a Poison Control Center right away. (1-800-222-1222)
Directions
- •
- clean the affected area
- •
- apply a small amount of this product (an amount equal to the surface area of the tip of a finger) on the area 1 to 3 times daily
- •
- may be covered with a sterile bandage
Other information
- •
- store at 20°-25°C (68°-77°F)
Inactive ingredients
light mineral oil, white petrolatum
Questions or comments?
1-877-932-7948
Principal Display Panel
Compare To Neosporin® Active Ingredients
original strength
triple antibiotic ointment
first aid antibiotic ointment
bacitracin, neomycin sulfate, polymyxin B sulfate
long lasting
NET WT 1 OZ (28 g)


--- layout: post title: async and await in a nutshell date: 2013-04-07 11:53:16.000000000 +03:00 categories: [] tags: [] status: draft type: post published: false post_id: async-and-await-in-a-nutshell meta: _edit_last: '1' author: login: admin email<EMAIL_ADDRESS>display_name: Radu first_name: '' last_name: '' ---
C# 5 came with a great new features commonly referred as async/await. If you haven't heard of it yet and haven't tried you should start by reading this and this. Now that you are a bit familiar and think that it's all just Love and Kittens you'd probably rush in to make your new code all shiny with async/await, or start refactoring the old one. Stop.
Let's dissect a few examples and see if your understanding is correct:


--- layout: post title: carousel Storyboards date: '2017-09-21T11:30:12+02:00' categories: - Storyboards picture_url: https://film-Storyboards.tumblr.com/post/165585879442/carousel-Storyboards ---


| Formulas Compiled | Formula Fired | Assertions Compiled | Assertions Fired | Assertions Satisfied | Assertions Not Satisfied |
|---|---|---|---|---|---|
| 0 | 0 | 6 | 7 | 7 | 0 |
| id | satisfied | message |
|---|---|---|
| DOMAIN_Exists_Assets (evaluation 1) | satisfied | The element(s) in your XBRL submission exists. |
| DOMAIN_Exists_LiabilitiesAndEquity (evaluation 1) | satisfied | The element(s) in your XBRL submission exists. |
| DOMAIN_Exists_Equity (evaluation 1) | satisfied | The element(s) in your XBRL submission exists. |
| DOMAIN_Exists_NetIncomeLoss (evaluation 1) | satisfied | The element(s) in your XBRL submission exists. |
| DOMAIN_Exists_NetCashFlow (evaluation 1) | satisfied | The element(s) in your XBRL submission exists. |
| id | satisfied | message |
|---|---|---|
| DOMAIN_Equality_BalanceSheetBalances (evaluation 1) | satisfied | SATISFIED: (OK) The reported fact value of<PHONE_NUMBER>0 for ifrs:Assets is equal to the reported fact<PHONE_NUMBER>0 for ifrs:EquityAndLiabilities as expected. |
| DOMAIN_Equality_BalanceSheetBalances (evaluation 2) | satisfied | SATISFIED: (OK) The reported fact value of<PHONE_NUMBER>0 for ifrs:Assets is equal to the reported fact<PHONE_NUMBER>0 for ifrs:EquityAndLiabilities as expected. |


Module : kafka
Module Overview
This module is used to interact with Kafka Brokers via Kafka Consumer and Kafka Producer clients. This module supports Kafka 1.x.x and 2.0.0 versions.
For information on the operations, which you can perform with this module, see the below Functions. For examples on the usage of the operations, see the following.
- Producer Example
- Consumer Service Example
- Consumer Client Example
- Transactional Producer Example
- SASL Consumer Authentication Example
- SASL Producer Authentication Example
Basic Usages
Publishing Messages
- Initialize the Kafka message producer.
kafka:ProducerConfiguration producerConfiguration = {
bootstrapServers: "localhost:9092",
clientId: "basic-producer",
acks: "all",
retryCount: 3,
valueSerializerType: kafka:SER_STRING,
keySerializerType: kafka:SER_INT
};
kafka:Producer kafkaProducer = new (producerConfiguration);
- Use the
kafka:Producer
to publish messages.
string message = "Hello World, Ballerina";
kafka:ProducerError? result = kafkaProducer->send(message, "kafka-topic", key = 1);
Consuming Messages
- Initializing the Kafka message consumer.
kafka:ConsumerConfiguration consumerConfiguration = {
bootstrapServers: "localhost:9092",
groupId: "group-id",
offsetReset: "earliest",
topics: ["kafka-topic"]
};
kafka:Consumer consumer = new (consumerConfiguration);
- Use the
kafka:Consumer
as a simple record consumer.
kafka:ConsumerRecord[]|kafka:ConsumerError result = consumer->poll(1000);
- Use the
kafka:Consumer
as a listener.
listener kafka:Consumer consumer = new (consumerConfiguration);
service kafkaService on consumer {
// This resource will be executed when a message is published to the
// subscribed topic/topics.
resource function onMessage(kafka:Consumer kafkaConsumer,
kafka:ConsumerRecord[] records) {
}
}
Send Data Using Avro
The Ballerina Kafka module supports Avro serialization and deserialization.
To try this, create a new Ballerina project and two modules inside it.
Execute the below commands to do this.
ballerina new kafka_avro_sample
cd kafka_avro_sample
ballerina add producer
ballerina add consumer
Dependencies
To use Avro, you need to add the necessary dependencies to the Ballerina project you created.
To do so, download the necessary dependencies and add them inside the resources
directory. Also, add those dependencies to the Ballerina.toml
file of your project.
The following is a sample Ballerina.toml
file with the dependencies.
[[platform.libraries]]
module = "producer"
path = "./resources/kafka-avro-serializer-5.4.1.jar"
artifactId = "kafka-avro-serializer"
version = "5.4.1"
groupId = "io.confluent"
[[platform.libraries]]
module = "producer"
path = "./resources/kafka-schema-registry-client-5.4.1.jar"
artifactId = "kafka-schema-registry-client"
version = "5.4.1"
groupId = "io.confluent"
[[platform.libraries]]
module = "producer"
path = "./resources/common-config-5.4.1.jar"
artifactId = "common-config"
version = "5.4.1"
groupId = "io.confluent"
[[platform.libraries]]
module = "producer"
path = "./resources/common-utils-5.4.1.jar"
artifactId = "common-utils"
version = "5.4.1"
groupId = "io.confluent"
[[platform.libraries]]
module = "producer"
path = "./resources/avro-1.9.2.jar"
artifactId = "avro"
version = "1.9.2"
groupId = "org.apache.avro"
[[platform.libraries]]
module = "producer"
path = "./resources/jackson-core-2.10.3.jar"
artifactId = "jackson-core"
version = "1.9.2"
groupId = "com.fasterxml.jackson.core"
[[platform.libraries]]
module = "producer"
path = "./resources/jackson-databind-2.10.3.jar"
artifactId = "jackson-databind"
version = "2.10.3"
groupId = "com.fasterxml.jackson.core"
[[platform.libraries]]
module = "producer"
path = "./resources/jackson-annotations-2.10.3.jar"
artifactId = "jackson-annotations"
version = "2.10.3"
groupId = "com.fasterxml.jackson.core"
Now, the directory structure will look like below (some of the files are ignored).
├── Ballerina.toml
├── resources
│ ├── avro-1.9.2.jar
│ ├── common-config-5.4.1.jar
│ ├── common-utils-5.4.1.jar
│ ├── jackson-annotations-2.10.3.jar
│ ├── jackson-core-2.10.3.jar
│ ├── jackson-databind-2.10.3.jar
│ ├── kafka-avro-serializer-5.4.1.jar
│ └── kafka-schema-registry-client-5.4.1.jar
└── src
├── consumer
│ └── main.bal
└── producer
└── main.bal
Avro Producer
The kafka:Proucer
can be configured to send data using Avro by providing the following configurations.
schemaString
: This is the schema string, which is used to define the Avro schema.dataRecord
: The data record you want to send through Kafka.
src/producer/main.bal:
import ballerina/io;
import ballerina/kafka;
public type Person record {
string name;
int age;
};
kafka:ProducerConfiguration configs = {
bootstrapServers: "<KAFKA_BROKER_HOST_AND_PORT>",
// Other configurations
valueSerializerType: kafka:SER_AVRO,
schemaRegistryUrl: "<SCHEMA_REGISTRY_URL>"
};
string schema = "{\"type\" : \"record\"," +
"\"namespace\" : \"Thisaru\"," +
"\"name\" : \"person\"," +
"\"fields\" : [" +
"{ \"name\" : \"name\", \"type\" : \"string\" }," +
"{ \"name\" : \"age\", \"type\" : \"int\" }" +
"]}";
public function main() {
kafka:Producer producer = new(configs);
Person person = {
name: "Lahiru Perera",
age: 28
};
kafka:AvroRecord avroRecord = {
schemaString: schema,
dataRecord: person
};
kafka:ProducerError? result = producer->send(avroRecord, "add-person");
if (result is kafka:ProducerError) {
io:println(result);
}
}
Avro Consumer
The Kafka implementation of Ballerina currently supports Avro deserialization only for generic records.
The Consumer will return a kafka:AvroGenericRecord
with the data received from Avro.
The following is a sample consumer.
src/producer/main.bal:
import ballerina/io;
import ballerina/kafka;
kafka:ConsumerConfiguration configs = {
bootstrapServers: "<KAFKA_BROKER_HOST_AND_PORT>",
groupId: "test-group",
// Other configurations
topics: ["add-person"],
valueDeserializerType: kafka:DES_AVRO,
schemaRegistryUrl: "<SCHEMA_REGISTRY_URL>"
};
listener kafka:Consumer consumer = new(configs);
service KafkaService on consumer {
resource function onMessage(kafka:Consumer consumer, kafka:ConsumerRecord[] records) {
io:println("Records received");
foreach var kafkaRecord in records {
anydata value = kafkaRecord.value;
if (value is kafka:AvroGenericRecord) {
io:println(value);
} else {
io:println("Invalid record type");
}
}
}
}
Now, execute the below command to run the consumer:
ballerina run consumer
This will start the Kafka service to listen. You can verify it by the following messages, which will be displayed on the screen.
[ballerina/kafka] kafka servers: <KAFKA_BROKER_HOST_AND_PORT>
[ballerina/kafka] subscribed topics: add-person
[ballerina/kafka] started kafka listener
Then, open another terminal and execute the below command to run the producer:
ballerina run producer
Now, the consumer will receive the data and the received data will be printed on the Console as follows.
Records received
name=Lahiru Perera age=28
| AuthenticationConfiguration |
Configurations related to Kafka authentication mechanisms. |
| AvroGenericRecord |
Represents a generic Avro record. |
| AvroRecord |
Defines a record to send data using Avro serialization. |
| ConsumerConfiguration |
Configurations related to consumer endpoint. |
| ConsumerRecord |
Type related to consumer record. |
| Detail |
Represents the details of an error. |
| KeyStore |
Configurations related to the KeyStore. |
| PartitionOffset |
Represents the topic partition position in which the consumed record is stored. |
| ProducerConfiguration |
Represents the Kafka Producer configuration. |
| Protocols |
Configurations related to the SSL/TLS protocol and the versions to be used. |
| SecureSocket |
Configurations for facilitating secure communication with the Kafka server. |
| TopicPartition |
Represents a topic partition. |
| TrustStore |
Configurations related to the TrustStore. |
| Deserializer |
Represents a Kafka deserializer object. |
| Serializer |
Represents a Kafka serializer object. |
| Consumer |
Represents a Kafka consumer endpoint. |
| Producer |
Represents a Kafka producer endpoint. |
| DES_BYTE_ARRAY |
In-built Kafka byte array deserializer. |
| DES_STRING |
In-built Kafka string deserializer. |
| DES_INT |
In-built Kafka int deserializer. |
| DES_FLOAT |
In-built Kafka float deserializer. |
| DES_CUSTOM |
User-defined deserializer. |
| DES_AVRO |
Apache Avro deserializer. |
| ISOLATION_COMMITTED |
Configures the consumer to read the committed messages only in the transactional mode when poll() is called. |
| ISOLATION_UNCOMMITTED |
Configures the consumer to read all the messages including the aborted ones. |
| ACKS_ALL |
Producer acknowledgement type is 'all'. |
| ACKS_NONE |
Producer acknowledgement type '0'. |
| ACKS_SINGLE |
Producer acknowledgement type '1'. |
| SER_BYTE_ARRAY |
In-built Kafka Byte Array serializer. |
| SER_STRING |
In-built Kafka string serializer. |
| SER_INT |
In-built Kafka int serializer. |
| SER_FLOAT |
In-built Kafka float serializer. |
| SER_CUSTOM |
User-defined serializer. |
| SER_AVRO |
Apache Avro serializer. |
| COMPRESSION_NONE |
No compression. |
| COMPRESSION_GZIP |
Kafka GZIP compression type. |
| COMPRESSION_SNAPPY |
Kafka Snappy compression type. |
| COMPRESSION_LZ4 |
Kafka LZ4 compression type. |
| COMPRESSION_ZSTD |
Kafka ZSTD compression type. |
| AUTH_SASL_PLAIN |
Kafka SASL_PLAIN authentication mechanism |
| PROTOCOL_SASL_PLAINTEXT | |
| PROTOCOL_SASL_SSL | |
| CONSUMER_ERROR |
Used as the error reason for the |
| PRODUCER_ERROR |
Used as the error reason for the |
| AVRO_ERROR |
Used as the error reason for the |
| AuthenticationMechanism |
Represents the supported Kafka SASL authentication mechanisms. |
| CompressionType |
Kafka compression types to compress the messages. |
| DeserializerType |
Kafka in-built deserializer type. |
| IsolationLevel |
Kafka consumer isolation level type. |
| ProducerAcks |
Kafka producer acknowledgement types. |
| SecurityProtocol |
Represents the supported security protocols for Kafka clients. |
| SerializerType |
Kafka in-built serializer types. |
| AvroError |
Represents a Kafka Avro related error. |
| ConsumerError |
Error type specific to the |
| ProducerError |
Error type specific to the |


Project for Office 365
Microsoft Project Pro for Office 365 delivers the latest version of Project Professional as a subscription through Office 365. Your software is automatically kept up to date (with options for customizable policies).
For more information see Project for Office 365


Who are you?
Great Question! I'm a freelance software developer underworked and overpaid or is it the other way around? :) ...clearly someone who still uses character emojis
Welcome to my blog!
Great Question! I'm a freelance software developer underworked and overpaid or is it the other way around? :) ...clearly someone who still uses character emojis


Submission: {{ submission.title }}
{% if not submission.call.anonymous_submissions %}Author: {{ submission.owner.username }}
{% endif %}Words: {{ submission.wordcount }}
Status: {{ submission.get_status_display }}
{{ submission.submission_text|safe }}


the and {background margin clinical for {border-style COVID- px;} studies #ffffff;} are []. with trials that have px; will {font-family font-size prospective research double; not ongoing patients results these this Clinical Elsevier This border-color border-width data has hepatitis meta-analysis resource solid; {font-style {font-weight For NCT, Prospective been bold can centre coronavirus courier; em; evidence generate individual likely pt;} sofosbuvir treatment trials.


A tool to help you train your ears using movable do solfege
1. Enter your preferences for notes and chromatics. Chromatics are any notes that are not in the major scale.
2. Click "New Notes" to generate a new set of notes.
3. Play the key to find do.
4. Listen to the chord as many times as you need to.
5. Enter your answer using solfege starting with the lowest note and ending with the highest note. Both "so" and "sol" are acceptable in answers, and and on notes that share names (e.g. ra and di) either name is acceptable.
To understand what this type of ear training is, you first need to understand what movable do solfege is. Movable do solfege is a type of solfege where instead of having an absolute note value, each solfege note corresponds to a certain note in a key. Solfege is a way to name notes in a key and is commonly used with singing. It is meant to be an easy way to refer to specific notes in a scale. For example, the first note of a scale is Do, the second is Re, etc. Knowing solfege can be very useful for many different purposes, such as analyzing music, writing songs, singing in a choir, and ear training.
Ear training refers to any method used to improve your ability to hear and identify musical concepts. This can come in many forms, such as listening to a chord and identifying the interval between notes, transcribing a chord or melody, and more. This program uses solfege to improve your ability to identify specific notes in a chord, which can be a useful skill when analyzing/transcribing music and will also improve your ability in playing with other musicians, a skill which is incredibly important in a world where musicians rely less on sheet music and more on listening to one another.
This type of ear training asks you to listen carefully to a chord and determine what solfege notes make up that chord. Because this system uses movable do, the solfege in a key will vary depending on where Do is – because of this, a specific key is provided so that you know what note to consider “Do”. For example, if the chord you are trying to find consists of an E and a G, the answer would be “Mi, Sol” if Do was C, but would be “Sol, Te” if Do was A.
There is also a desktop version for computers running Windows: Download Latest Version (0.5)
There are GitHub repositories for each version of Solfege Ear Training. They contain source code and releases.


I belive that we forgot something after learning from other teams’ representations of the drone delivery system project.
Firstly, a project should have a target which is customers’ requirements. The target leads us to work for it. the target constrained by its scope, which tell us what should be done and what should no be considered. In this project, we forget its scope and add more and more functions, which are unnecessary and miss leading us to wrong direction.
However, with these function added, the project becomes especially difficult to implement in practice. Most functions are out of imagination and can only exist on paper. This is the project manager’s responsibility, who does not make good decision, not control the increasing of functions, and miss the project’s scope. As a monitor and evaluator, I have the responsibility to find problem from the evaluation and give advice to project manager. But I am not find the problem, or I don’t have opportunity to discuss and give advice. There are several reasons for the problems.
Secondly, culture gape and understanding of language. People with different culture will focus on different parts of project. Such as some people prefer to think solution in overall aspects, while others will focus on a point and go further about this point. Project worked in this way may not well connected between each topic. Secondly, there is not enough meetings. Because it is difficult to find available time when all of people is free, some people may not participate in the meeting, and their parts are not well discussed. More importantly, individual’s work may not go in right direction if we do not work together for a long time slot. Working together in a place may greatly improve team work.
Thirdly, not just follow, participate in team work by giving your ideas and opinions. Creative works and results of team project come from team members contributes. Idea and knowledge collision inspire new idea and knowledge. Besides, feed backs from team members can improve your productivity. These problems have to be overcome in next project.


RIVER'S END (DOUBLE IDENTITY) (director: Ray Enright; screenwriters: James Oliver Curwood (novel)/Bertram Millhauser; cinematographer: Arthur L. Todd; editor: Clarence Kolster; cast: Dennis Morgan (John Keith/Sergeant Derry Conniston), Victor Jory (Norman Talbot), James Stephenson (Inspector McDowell), George Tobias (Andy Dijon), Elizabeth Earl (Linda Conniston), Steffi Duna (Cheeta), Edward Pawley (Frank Crandall), John Ridgely (Constable Jeffers), Frank Wilcox (Constable Kentish), David Bruce (Balt); Runtime: 69; Warner Brothers; 1940)
Reviewed by Dennis Schwartz
A fair remake of the 1930 and 1920 versions of this film. This is a pleasant action adventure story about a convicted murderer who escapes to prove that he was framed. He assumes the identity of the Mountie who pursues him. It is set in the rugged wilderness of Alberta, Canada.
It's 14 months after John Keith (Dennis Morgan) escaped from the court house after being sentenced to hang for the murder of Roger Cass. Sergeant Conniston (Morgan) has been asked by Inspector McDowell (Stephenson) to track the fugitive down and he finally locates him in the remote wilderness of Canada, but the severe winter weather takes its toll on him and he's dying. Keith tries to nurse him back to health and when the two get to talking, Conniston is convinced that Keith is no murderer. Since the two men look almost alike, Keith takes on the identity of Conniston upon his death just when Constable Jeffers and Kentish arrive.
Back in town Keith is accepted as being Conniston. He immediately contacts his best friend Andy Dijon (Tobias) and they plan to find the real murderer. They believe he is Norman Talbot (Jory), who was partners with Cass in a gold mining business. Keith got framed for the murder when he came to collect the money Cass owed him and found him already dead. Talbot lied on the witness stand saying that Keith threatened him, and he was convicted on just that testimony. Keith believes the cause of the murder was because the partners had a falling out over money.
Warning: spoiler to follow.
Hearing that her brother is safe, Linda returns to stay with him and because she hasn't seen him for 6 years fails to notice that he is not her brother. She is one dull-witted chick! To make matters worst, the attractive girl whom Keith is smitten with falls for Talbot and plans to marry him. That's too much for Keith and he tells her that he's not her brother and that Talbot is a murderer. But she runs to Inspector McDowell and he arrests Keith. But his sidekick Andy comes through and beats a confession out of Frank Crandall, who provided the false alibi that Talbot was in the barber shop at the time of the murder. He also implicates Balt as being an accomplice of Talbot. McDowell thereby releases Keith, who tracks down Talbot as he is running away by buggy to marry Linda. In a fist fight in the moving buggy, Keith overcomes the criminal and brings him to justice.
A very conventional film.
REVIEWED ON 5/1/2001 GRADE: C
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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This extension requires image magick installed on your pc. download here.
If its already installed, set the imagemagick installation folder path below:
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Convert
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Binding models which are useful when analysing protein-ligand interactions by techniques such as Biolayer Interferometry (BLI) or Surface Plasmon Resonance (SPR). Naman B. Shah, Thomas M. Duncan (2014) <doi:10.3791/51383>. Hoang H. Nguyen et al. (2015) <doi:10.3390/s150510481>. After initial binding parameters are known, binding curves can be simulated and parameters can be varied. The models within this package may also be used to fit a curve to measured binding data using non-linear regression.
| Version: | 1.1.0 |
| Depends: | R (≥ 3.4.0) |
| Suggests: | testthat, knitr, rmarkdown |
| Published: | 2018-03-05 |
| Author: | Jonathan Davies [aut, cre] |
| Maintainer: | Jonathan Davies <jd769 at bath.ac.uk> |
| BugReports: | https://github.com/jonathanrd/pbm/issues |
| License: | MIT + file LICENSE |
| URL: | https://github.com/jonathanrd/pbm |
| NeedsCompilation: | no |
| Materials: | NEWS |
| CRAN checks: | pbm results |
| Reference manual: | pbm.pdf |
| Vignettes: |
Protein Binding Models |
| Package source: | pbm_1.1.0.tar.gz |
| Windows binaries: | r-devel: pbm_1.1.0.zip, r-release: pbm_1.1.0.zip, r-oldrel: pbm_1.1.0.zip |
| OS X binaries: | r-release: pbm_1.1.0.tgz, r-oldrel: pbm_1.1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=pbm to link to this page.


The reflow table mode works by collapsing the table columns into a stacked presentation that looks like blocks of label/data pairs for each row. Since the HTML source order of a table prohibits styling a table to look like this, the plugin dynamically adds a bit of markup to make the display work (without affecting accessibility). Here is a demo of a basic table using reflow mode:
| Rank | Movie Title | Year | Rating | Reviews |
|---|---|---|---|---|
| 1 | Citizen Kane | 1941 | 100% | 74 |
| 2 | Casablanca | 1942 | 97% | 64 |
| 3 | The Godfather | 1972 | 97% | 87 |
| 4 | Gone with the Wind | 1939 | 96% | 87 |
| 5 | Lawrence of Arabia | 1962 | 94% | 87 |
| 6 | Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb | 1964 | 92% | 74 |
| 7 | The Graduate | 1967 | 91% | 122 |
| 8 | The Wizard of Oz | 1939 | 90% | 72 |
| 9 | Singin' in the Rain | 1952 | 89% | 85 |
| 10 | Inception | 2010 | 84% | 78 |
The reflow responsive table mode is the simplest in terms of markup requirements because it only requires a table with a data-role="table"
on the table element. There is no need to set the data-mode
attribute since reflow
is the default.

The plugin works by parsing the values (or abbr title
) of the first row of header (TH
) elements found in the table. For example, in the table above, the third table header is parsed to grab the contents ("Year"):
Year
The script then appends an element with the table header text before the contents of every cell in that column. For example, for every table cell in the year column:
1941
An element is added before the text of each cell with a class
of ui-table-cell-label
:
Year1941
With our mobile-first approach, the base styles for a reflow table stacks each row and presents each cell in the label/data style format. This is done by hiding the table header rows, making each table cell display:block
so they are stacked. The the label element injected into each cell is styled as display:inline-block
with a min-width:30%
rule to place the labels on the same line as the content at a consistent width to form a two column presentation.
By default, a table with reflow mode will display the stacked presentation style on all screen widths. The styles to make the table responsive are added by applying a media query with rules to switch to the tabular style presentation above a specific screen width.
This is done by wrapping a few simple CSS rules in and a media query that only applies the rules above a certain width breakpoint. The styles make the table header rows visible, display the cells in a tabular format, and hide the generated label elements within each. Here is an example media query that swaps the presentation at 40em (640 pixels):
@media ( min-width: 40em ) {
/* Show the table header rows and set all cells to display: table-cell */
.my-custom-breakpoint td,
.my-custom-breakpoint th,
.my-custom-breakpoint tbody th,
.my-custom-breakpoint tbody td,
.my-custom-breakpoint thead td,
.my-custom-breakpoint thead th {
display: table-cell;
margin: 0;
}
/* Hide the labels in each cell */
.my-custom-breakpoint td .ui-table-cell-label,
.my-custom-breakpoint th .ui-table-cell-label {
display: none;
}
}
It's best to use a class
on the table to apply the breakpoint. Add these rules to your custom stylesheet that is included in the head
of the page. We recommend creating a set of custom breakpoint classes that can be used to apply standard table breakpoints in your project.
In the example above, we're assuming there is a class of my-custom-breakpoint
added to the table to apply the breakpoint. Each of the rules in the custom media query are scoped against that table class to target only tables that have the my-custom-breakpoint
class.
In order for this technique to work, a browser must support media queries and the ability to style table cells as block-level elements. In testing, most popular desktop and mobile browsers meet these criteria, but older versions of Internet Explorer (8 and older) fall back to a normal table presentation. IE 9 can support this technique but there are a few additional styles needed so we recommend applying these in a max-width
media query to only apply them below the table presentation because they are hard to negate.
The goal is to determine the minimum width at which the entire table will fit comfortably within the screen. Find this width by populating a table with realistic sample data, then adjust the browser window until the table completely fits and has a bit of extra space to account for rendering differences across devices. This is the natural place to set the breakpoint that switches between the stacked and tabular presentation modes.
The breakpoint width is highly dependent on the number of columns in the table and content within each cell. On some sites, this may be as low as 30em (480px) and on others, it could be as wide as 100em (1,600px). There is no way for the framework to decide on a "standard breakpoint" that will work for everyone — that's why there isn't a breakpoint built into the table by default.
We recommend writing media query widths are in em
's so they respond to font size changes. To convert a pixel width into em
's, divide the target width by 16 (pixels). Use this value for the min-width
value in the media query above.
Even though we strongly encourage you to write custom breakpoints yourself, the framework includes a single pre-configured breakpoint that targets the stacked style to smaller phones and swaps to a tabular prsentation on larger phones, tablet and desktop devices. To use this preset breakpoint, add the ui-responsive
class to the table to convert from the stacked presentation to a tabular presentation at 560px (35em). If this breakpoint doesn't work for your content, we encourage you to write a custom breakpoint as descibed above.

It's fairly common to need to logically group multiple columns together under a heading group for financial or scientific data. The framework can support the most simple version of this by allowing for two rows of table headers (TH
), with the first row containing simple colspan
attributes to group the columns below. In this configuration, the framework will add a class to the label of the first cell in each group to allow you to style these differently and provide aditional visual hierarchy.
The reflow mode has one option, classes
, which is only configurable via JavaScript because it expects an object literal value. The classes
option has two properties that define the structural classnames that the plugin uses:
classes.reflowTable
(default: "ui-table-reflow")classes.cellLabels
(default: "ui-table-cell-label")The reflow table has one method:
refresh
$( myTable ).table( "refresh" );
Since this plugin is written as an extension to the core table plugin, it binds to the tablecreate
event but does not issue any additional events.


AIR FORCE ONE A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ****
The movie AIR FORCE ONE should require a doctor's approval, for those with weak hearts may not make it. Just ten minutes into the movie, my heart was racing and goose pimples had flared up all over my body. Although there would be brief interludes when I was able to relax, most of the show found my adrenaline pumping right along with President James Marshall's. After the show ended I found myself gasping for breath and trying hopelessly to reconnect with the real world. I had just been through such an incredible experience that I found it hard to believe I was sitting in a theater.
The director of AIR FORCE ONE is the great Wolfgang Petersen. His DAS BOOT is a cinematic masterpiece that blends heart-stopping action with the story of real people in peril. So it is with AIR FORCE ONE, easily the best action picture of the year, but thanks to Petersen's meticulous direction and first-time screenwriter Andrew W. Marlowe's well laid out script, the human equation is even more compelling. The intelligent and clever script has enough humor to break the tension periodically.
Harrison Ford is the president, and a darn good one, based on this movie. Ford brings a presence to the office while still imbuing the character with humanity and fear. President Marshall was a medal of honor recipient in Vietnam, and Ford uses all of the tricks he learned in his role as Jack Ryan in the movies based on Tom Clancy's novels. In short, Ford delivers one of his best performances ever. Next to the direction, his acting is the second best part of the film.
The story does cause one to suspend disbelief a bit, but the story as delivered feels plausible even if there are many parts one could quibble with. INDIANA JONES AND THE TEMPLE OF DOOM was full of ridiculous aspects but that did not detract from its beauty and neither do the small liberties AIR FORCE ONE takes with the situation.
When Gary Oldman (THE FIFTH ELEMENT) and his entourage enter the President's plane masquerading as friendly Russian journalists, you know what will happen. Even if you haven't seen the trailers, an unlikely situation, you know that Oldman's specialty is bad guys.
Petersen can stage action sequences so realistic that they seem to literally suck the audience into the scene. Ivan Korshunov, the leader of the Russian dissidents, played by Oldman doing what he does best -- terrorists and lunatics, could not have been better cast. He is vicious in the action sequences, and chilling in his quieter confrontations with the first family, underplayed by Wendy Crewson as the First Lady, Grace, and Liesel Matthews (A LITTLE PRINCESS) as the First (teenage) Kid, Alice. "You murdered 100,000 Iraqis to save a nickel a gallon on gas," he shouts at the First Lady. "Don't lecture me on the articles of war."
 demands Vice President Kathryn Bennett (Glenn Close).  Although she seems too stiff at first to be believable -- well, on second thought, maybe that is plausible -- Close soon finds her footing and manages to take control of a seemingly intractable situation, complicated further by the political intrigue within the White House. When people hesitate to carry out a strange order from the president, she backs him all the way. "He's not asking," she barks. "The commander-in-chief issued a direct order. Now do it!"
Dean Stockwell, as Defense Secretary Walter Dean, gives a beautiful re-enactment of the Alexander Haig role when President Reagan was shot. "The presidency is bigger than one man," Dean shouts to an underling not enamored with Dean's idea of shooting down the plane. "Didn't they teach you that at Yale?"
Once Korshunov gets control of the plane he announces that he will execute a hostage every 30 minutes unless Communist and Nationalist leader General Alexander Radek is released from prison. In a tiny but crucial role Jurgen Prochnow, the U-boat skipper from DAS BOOT, plays General Radek. The scene of him walking as the Communist Internationale plays will not soon be forgotten.
Petersen gets so many of the small details perfect. To add to the authenticity, he has the Russians talk to each other in Russian with English subtitles, but has Korshunov speak English to the Americans. In another small detail, he has the president get trapped like a rat in a maze, not knowing where to turn to escape.
Bravery rarely appears on the screen anymore, bravado having replaced it. Petersen brings back old fashioned bravery and makes it credible. Many individuals risk their lives to save their president -- from the first Secret Service agents who whisk the President away when the firing starts to the ace pilot who puts his plane between a missile and Air Force One in one of the film's stirring dogfight sequences.
People in my charged-up audience were applauding sporadically throughout the film. And laughing occasionally at its humor. Easily the funniest line is Ford's. When one of his aides suggests a brilliant way out of their predicament, he tells her with a big smile, "If this works, you get to be Postmaster General."  Understanding his meaning, she completes his sentence, "He's gonna want a glass of milk."
In a show that never flags for a moment, the endgame does not disappoint. Although the film is developed into a seamless whole rather the traditional configuration of setup, body, and conclusion. The suspense builds and the tension ratchets up until the end. The critic I was sitting next to, his girlfriend, my wife, and I all let out a collective, "oh my god" type of sigh when the ending credits finally rolled. I have not seen a better movie this year.
AIR FORCE ONE runs a blindingly fast 1:58. It is rated R for some bloody images, but overall I found the violence realistic but never overdone or gory. The film would be fine for teenagers. I was blown away by the picture so I give it my strongest recommendation and my top rating of ****.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: July 22, 1997
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


My First JavaScript
Click me to display Date and Time.
Sat Dec 26 2020 21:56:52 GMT-0600 (Central Standard Time)


Summary: {{ GeneNumberSubmit }} EHF gene{{ GeneNumberSubmit | pluralize }} are
submitted, and {{ GeneNumberGWAS }} are GWAS candidate disease/traits genes.
Please note that additional pathogens sharing the same EHF genes are also listed.
Detailed information for a total of {{ interactions }}
pair{{ interactions | pluralize }} of EHF- GWAS disease/traits connections are listed below.
0 items selected
(Here is the link of heading descriptions)
{% if result %}
| Pathogen(species) | Submitted EHF | Mapped Gene | Disease/Trait | SNPs | p-Value | Publication | |
|---|---|---|---|---|---|---|---|
| {{ res.species }} | {{ res.reportedGene }} | {{ res.mappedGene }} | {{ res.disease }} | {{ res.snps }} | {{ res.pvalue }} | {{ res.study }} |
{% paginate %}
{% else %}
No results.
{% endif %}


Maradona quits as coach of Argentina's Gimnasia
Buenos Aires - Diego Maradona has quit as coach of Argentinian Superliga side Gimnasia, less than three months after taking over, the club announced on Tuesday.
"Maradona is no longer the Gimnasia coach," club president Gabriel Pellegrino said on Argentina's Radio La Red.
"He said he was here to add to things, not to divide," was Pellegrino's explanation for the World Cup-winner's decision.
Reports in Argentina suggested Maradona's departure was linked to an imminent management shake-up at the club in La Plata, 50 kilometres from Buenos Aires.
Maradona was no longer keen on remaining at the club after Pellegrino, the man who brought him back to Argentine football, pulled out of running for re-election as the side's president next Saturday.
Before his last match in charge, he tied his future to Pellegrino's: "I talked to the president and told him that I would continue if he continues."
The 59-year-old former Argentina captain and coach took over at Gimnasia in early September, when it was bottom of the 24-club Superliga.
Hailed as a hero on his return to Argentine football after years coaching abroad, Maradona had a limited impact in La Plata.
Gimnasia won three of its eight matches with him in charge, all of them away from home. His team shipped five losses, four of them at home.
His last match in charge was the 3-0 win over second-bottom Aldosivi last weekend which lifted Gimnasia to 22nd in the 24-team league.
The former Argentina coach quit Mexican second division outfit Dorados in June for health reasons after just nine months in charge.
Maradona's appointment at Dorados the previous September had been a surprise, despite his inglorious coaching history since leaving the Argentine national team post following the 2010 World Cup.
He has also coached second division Emirati sides Al-Wasi and Fujairah.
The former Barcelona and Napoli forward guided his country to victory at the 1986 World Cup in Mexico and to the final in Italy four years later.
Rocio Oliva, Maradona's girlfriend, said on Fox Sports he had already received offers from two other Superliga clubs. One of the clubs rumoured to be interested, Argentinos Juniors, denied the reports. Media reports identified the other club as Mendoza side Godoy Cruz.


These cards are cool & tell you things about animals! Did you know a bird can run up to 65mph? And a cat can jump 26 feet in the air to catch prey? Animals are so cool.
Check out more animal facts There are so many facts to learn.
Cats use their whiskers to determine space between objects in the dark.
Some birds have membranes that cover their eyes like goggles, enabling them to see while traveling at high speeds
The cheetah is the only cat that can't retract its claws.
Peregrine falcons can fly up to and sometimes surpassing 200mph as they hunt prey.
Where the metal hits the meat player-coach but upsell so please use "solutionise" instead of solution ideas! :). Turn the crank what are the expectations and collaboration through advanced technology yet we need to dialog around your choice of work attire are there any leftovers in the kitchen? those options are already baked in with this model, yet clear blue water.
Products need full resourcing and support from a cross-functional team in order to be built, maintained, and evolved quick-win or root-and-branch review. We need to get all stakeholders up to speed and in the right place nobody's fault it could have been managed better drink from the firehose we need to make the new version clean and sexy crisp ppt.
Net net mobile friendly. Synergize productive mindfulness bench mark, loop back. Quick win synergize productive mindfulness nor hit the ground running yet when does this sunset?
There was a duck at a store.
He ate for free. I should have ordered him more expensive food!
The lesson here is DUCKS EAT FOR FREE at that restaurant.


Cleared Preliminary Examination
Travel Award for attending ICWSM 2014
Demo accepted in MobiSys 2014
Best research video of the month , Coordinated Science Lab - December 2014
Scalable Social Analytics for Live Viral Event Prediction accepted in ICWSM 2014
Awarded Summer Research Fellowship 2014
NSF Travel Award for attending SenSys 2013
FOCUS:Clustering Crowdsourced Videos by Line-of-Sight accepted in SenSys 2013
Relocated to UIUC (August 2013)
Completed internship at IBM T.J. Watson Research Center, Yorktown
Heights (Summer, 2013)
Best Poster Award in Graduate Student Retreat 2012
Completed internship at IBM T.J. Watson Research Center, Hawthorne, New
York (Summer, 2012)
Satellites in Our Pockets: An Object Positioning System using Smartphones accepted in MobiSys 2012


Dr. Norman Borlaug,the guitar are the amazing intruments and we can obtain really beautiful sounds !!


ToComo
This is a simple todo list
Press the
ToComo
logo to reload the storage
Click the
button on the right to mark tasks as finish
Use the field below to add new tasks
New Task


In 2019, travel company Celebrity Cruises analyzed top-40 songs since the 1960s to find the locations that inspired them. They found that the city of New York has inspired over 160 songs, followed by London at 102. And this analysis was done by searching the phrase 'New York' in the lyrics, without any mention of the boroughs or neighborhoods of the city.
Nothing demonstrates this better than 2009's 'Empire State of Mind', which has been called the "quintessential 21st-century theme song for New York City" by the New York Racing Association.
I walked the Brooklyn Bridge last month, and I do not exaggerate when I say that this song was blasting every 200 feet.
This begs the question: what is it about New York that makes it so inspiring?
I analyzed 15 songs based on places in the city. Most of these focused on memories associated with a particular place. The two other common stories that these songs explored were starting from the bottom and "making it" in the city, and ruminations on life as a New Yorker.
Let's explore!


class Docker::Container::ListResponse
- Docker::Container::ListResponse
- Reference
- Object
Overview
an array of ListResponse is received from the docker client when requesting a list of containers. See https://docs.docker.com/engine/api/v1.30/#operation/ContainerList
Included Modules
- JSON::Serializable
Defined in:
docker/container/list_response.crConstructors
Class Method Summary
Instance Method Summary
-
#command : String?
Command to run when starting the container
-
#command=(command : String?)
Command to run when starting the container
-
#created : Int64?
When the container was created
-
#created=(created : Int64?)
When the container was created
-
#id : String
The ID of this container
-
#id=(id : String)
The ID of this container
-
#image : String
The name of the image used when creating this container
-
#image=(image : String)
The name of the image used when creating this container
-
#image_id : String?
The ID of the image that this container was created from
-
#image_id=(image_id : String?)
The ID of the image that this container was created from
-
#labels : Hash(String, String)?
User-defined key/value metadata.
-
#labels=(labels : Hash(String, String)?)
User-defined key/value metadata.
-
#names : Array(String)
The names that this container has been given
-
#names=(names)
The names that this container has been given
-
#network_settings : APIClient::NetworkingConfig?
A summary of the container's network settings
-
#network_settings=(network_settings : APIClient::NetworkingConfig?)
A summary of the container's network settings
-
#ports : Array(PortConfig)?
The ports exposed by this container
-
#ports=(ports : Array(PortConfig)?)
The ports exposed by this container
-
#size_root_fs : Int64?
The total size of all the files in this container
-
#size_root_fs=(size_root_fs : Int64?)
The total size of all the files in this container
-
#size_rw : Int64?
The size of files that have been created or changed by this container
-
#size_rw=(size_rw : Int64?)
The size of files that have been created or changed by this container
-
#state : String?
The state of this container (e.g.
-
#state=(state : String?)
The state of this container (e.g.
-
#status : String?
Additional human-readable status of this container (e.g.
-
#status=(status : String?)
Additional human-readable status of this container (e.g.
Constructor Detail
Class Method Detail
Instance Method Detail
A summary of the container's network settings
The size of files that have been created or changed by this container