class HowToRubyClasses
By now, chances are that you’ve created several methods that generally work independently to - oh I don’t know, separate numbers with commas or create accountability groups. As you begin solving larger challenges, if you find that you are using the same method to run on a number of different objects, you would probably benefit from using a class. Granted you can always accomplish this using if/else
, unless
, or case
statements to achieve the same result, but it will be at the cost of your codes organization and I’m sure you will be thankful you didn’t when the time comes to debug.
In the most generic terms, classes are templates for creating object instances. Okay, so what do I mean by that? Let zoom out from the programming world for a moment and refer to objects as we define them in the ‘real world.’ Everything around us is an object. A desk, a mug, a computer, a DVD (& yes, at this point I’m just naming things in a two foot radius of myself- super creative, I know!) Each object has it’s own attribute,for instance: desk (color, size, material) or DVD or movie ( genre, director, title). Each object is simply an instance of a class and shares all the same attributes of what is it to be a desk or a movie. Once it became clear to me that everything in Ruby is also an object, I realized that we’ve been dealing with classes from the beginning.
Switching back to the programming world, if you can see that Array
is an object instance of a class and gives you access to the method #each
(among other methods), then you pretty much know how to instantiate new objects.
my_array = Array.new
=>[]
In order to better explain classes, let's create our very own.
Why don't we create a class for movie? When we create a class Movie, we want to make sure that we also provide a method to initialize
which can also hold that objects attributes. This way, when you call the ::new
method on the class Movie, it creates an instance of Movie which automatically runs your #initialize
method setting up that Movie for use.
class Movie
    def initialize (genre, director, title)
      #code
    end
end
Although some movies will share the same genre and/or director, it is unlikely that your movies will share a title. Turns out classes not only share their methods, but can also share their variables. In order to make sure that each movie will have a variable that functions the same way in your constructed class, we are given access to instance variables This way you’ll be able to use the variable title
the same way for every instance of Movie while holding its own unique value or title in this case. In order to differentiate between variables and instances of them, we differentiate them using @instance_var_name
notation. These are also usually set up in your #initialize
method like so:
class Movie
    def initialize (genre, director, title)
      @genre = genre
      @director = director
      @title = title
    end
end
These instance variables help set up your Movie’s state and when that specific movie or instance is deleted, so are the associated instance variables.
Cool, so now you have a way to build a catalog of all your movies. Now that you have an efficient way to store your data, we are also given a way to make our Movie objects operate specific actions. Since these methods get called on an individual instance of the Movie class, they are referred to as instance methods. They work exactly like #each
, #map
, and #sort
would for an instance on the Array
class. These methods look like any other method; beginning with a def
and ending with end
.
class Movie
    def initialize (genre, director, title)
      @genre = genre
      @director = director
      @title = title
    end
    def title_from_genre(genre)
      puts @title
    end
end
Cool, so now you have a way to build a catalog of all your movies. Now that you have an efficient way to store your data, we are also given a way to make our Movie objects operate specific actions. Since these methods get called on an individual instance of the Movie class, they are referred to as instance methods. They work exactly like #each
, #map
, and #sort
would for an instance on the Array
class. These methods look like any other method; beginning with a def
and ending with end
. If you wanted to find the title of a scary movie from your collection, you can do the following:
movie = Movie.new("scary","Danny Boyle","28 days later")
movie.title_from_genre(2)
Although this method is just a basic call to print the title of the genre associated with it, instance methods are just like any other method outside of a class. But when you have multiple instances of your data, it only makes sense you utilize the Class
structure.


Two Girls and a Guy * * (out of * * * * )
Directed by James Toback. Cast: Heather Graham, Robert Downey Jr., Natasha Gregson Wagner, Frederique Van Der Wal, Angel David. 1998 - 85 minutes. Rated R (for profanity and sex).
By Dustin Putman
"Two Girls and a Guy," directed by James Toback (1987's "The Pick-Up Artist"), is a three-character drama that is set entirely in the New York apartment of a struggling actor (Robert Downey Jr.), who comes home from a long trip to find that both of his girlfriends, Carla (Heather Graham) and Lou (Natasha Gregson Wagner), are there and have discovered that they both have been being played by him for the last ten months.
It is very difficult to make films like "Two Girls and Guy," in which there only a few characters and all they do is talk. It can be done (1995's "Before Sunrise"), but more often than not it comes off as being more appropriate as a play than an actual motion picture (1995's "Oleanna"). The successfulness of such a film usually depends on the quality of the dialogue and performances, which is unfortunate since "Two Girls and a Guy" rarely has intelligent and provocative dialogue, and the performances are far from impressive.
One of the main problems with "Two Girls and a Guy" is that it is constantly confused by what type of genre it wants to fall in. Mostly it is a comedy, which is somewhat of a predicament considering the fact that the subject matter is very serious. And then in the end, nothing is really resolved, and the picture makes a sharp u-turn towards melodrama, which isn't touching, but just seems out of place.
Another flaw is in its characters, which are the type of people you are glad you don't know in real life, since they are both unpleasant and downright annoying. Like "Oleanna," which equally grated on your nerves, it seemed like all of the dialogue was shouted at each other to the point of nausea, and I walked away from the movie with a literal headache. After seeing this film, I made a rule that in order to like a movie, it shouldn't be physically painful to watch.
"Two Girls and a Guy" is overdone in almost all senses of the word, and it is very messy. By not liking any of the characters, I didn't care about their problems or the outcome of them. I just wanted them to leave me alone.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


A simple weather application that will return a five day forecast and current weather data for the specified city.
A calendar application that allows a user to save events for each hour of the day.
A password generator that outputs a random password dependent on user preferences.
A colloborative project that demonstrates competency in AGILE workflow and Git.
An app that allows you to track your workouts and see visualisation of the data tracked.
An app that allows you to write and save notes.
a CMS-style application, where developers can publish their blog posts and comment on one anothers posts.
A command line application for managing a company's employees using node, inquirer, and MySQL.
A simple command line application that allows you to generate a README.md file.


--- layout: default title: Home ---
This component is developed for my personal projects. The initial code has based on MetroUI component code. This code is licensed under MIT license at Github.
The image comparer component is created using the html notation

And the component is initialized by the JavaScript code
var el = document.querySelector('.image-compare');
var comp = new ImageCompare(el, options);
See more in the Getting Started page.


Kōryūji 広隆寺
※ Notes: None in particular!
Kōryū-ji (広隆寺) is a Shingon temple in Uzumasa, Ukyō Ward, Kyoto, Japan. The temple is also known by the names Uzumasa-dera (太秦寺) and Kadono-dera (葛野寺), and was formerly known as Hatanokimi-dera (秦公寺), Hachioka-dera (蜂岡寺) and Hōkō-ji (蜂岡寺).
Kōryū-ji is said to be the oldest temple in Kyoto, having been constructed in 603 by Hata no Kawakatsu upon receiving a Buddhist statue from Prince Shōtoku. Fires in 818 and 1150 destroyed the entire temple complex, but it was rebuilt several times since.
Read More>>


{% if config.extra.feather_analytics %} {{ config.extra.feather_analytics | safe }} {% endif %} {% if config.generate_rss %} {% endif %} {% block extra_head %} {% endblock extra_head %}
"Hello, Rust!" is a lighthearted live-programming channel about my journey to become a fearless, more effective Rust programmer. My goal is to address beginner and intermediate Rust questions and show that systems programming can be a lot of fun! Fair warning: To follow along, it's best if you already read the book, since I won't cover most of the basics in my videos.
{{ page.summary | striptags | truncate | safe }} continue reading...


Google Earth Enterprise Documentation Home | Install Google Earth Enterprise
Installation overview
This installation guide describes the system requirements for Google Earth Enterprise Server and Google Earth Enterprise Fusion Pro and provides the preparation steps and installation instructions for those two products.
Google Earth Enterprise software is available at https://github.com/google/earthenterprise. The GEE Fusion Pro and Server can be installed separately.
Google Earth Enterprise Fusion Pro includes:
- Google Earth Enterprise Fusion software
- Google Earth Enterprise Fusion tutorial files
- Google Earth Enterprise documentation
- Example data files
- Configuration files
Google Earth Enterprise Server includes:
- Google Earth Enterprise Server software
- Google Earth Enterprise documentation


Giants Reportedly “Would Have Serious Interest” In Jason Garrett If Not Retained By Cowboys (VIDEO)
by Darrelle LincolnIf The Dallas Cowboys falter for the remainder of the season and don’t accomplish something bigger in the postseason, Jason Garrett could seriously find himself on the outside looking in.
That may not necessarily mean he would be out of the NFC East because another team seems interested in his services.
On Sunday’s NFL GameDay morning show, Ian Rapoport of NFL Network dropped a damning report that stated the New York Giants would interested in Jason Garrett.
It should be noted the Cowboys wouldn’t need to fire Garrett, as he is in the final year of his contract.
The Giants could very well have Garrett clapping up a storm on their sidelines next season.


Two Phase I designs are implemented in the package: the classical 3+3 and the Continual Reassessment Method. Simulations tools are also available to estimate the operating characteristics of the methods with several user-dependent options.
| Version: | 1.0.1 |
| Published: | 2015-02-20 |
| Author: | Benjamin Esterni with contribution from Baboukar Mane |
| Maintainer: | Christophe Zemmour <zemmourc at ipc.unicancer.fr> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: | no |
| Materials: | NEWS |
| CRAN checks: | UBCRM results |
| Reference manual: | UBCRM.pdf |
| Package source: | UBCRM_1.0.1.tar.gz |
| Windows binaries: | r-devel: UBCRM_1.0.1.zip, r-release: UBCRM_1.0.1.zip, r-oldrel: UBCRM_1.0.1.zip |
| OS X binaries: | r-release: UBCRM_1.0.1.tgz, r-oldrel: UBCRM_1.0.1.tgz |
| Old sources: | UBCRM archive |
Please use the canonical form https://CRAN.R-project.org/package=UBCRM to link to this page.


Sales module objects.
Bases: maker.core.models.Object
Lead
Bases: maker.core.models.DoesNotExist
Bases: maker.core.models.MultipleObjectsReturned
Bases: maker.core.models.Object
Opportunity
Bases: maker.core.models.DoesNotExist
Bases: maker.core.models.MultipleObjectsReturned
Bases: maker.core.models.Object
Ordered Product
Bases: maker.core.models.DoesNotExist
Bases: maker.core.models.MultipleObjectsReturned
Bases: maker.core.models.Object
Single Product
Bases: maker.core.models.DoesNotExist
Bases: maker.core.models.MultipleObjectsReturned
Bases: maker.core.models.Object
Sale Order
Bases: maker.core.models.DoesNotExist
Bases: maker.core.models.MultipleObjectsReturned
Bases: maker.core.models.Object
Source of Sale e.g. Search Engine
Bases: maker.core.models.DoesNotExist
Bases: maker.core.models.MultipleObjectsReturned
Bases: maker.core.models.Object
Status of the Sale
Bases: maker.core.models.DoesNotExist
Bases: maker.core.models.MultipleObjectsReturned
Bases: maker.core.models.Object
Subscription
Bases: maker.core.models.DoesNotExist
Bases: maker.core.models.MultipleObjectsReturned


Class Time2
- java.lang.Object
-
- Time2
-
public class Time2 extends java.lang.Object
Time2 - Represents time by the minutes from midnight. Values must represent a proper time.
-
-
Method Summary
All Methods Instance Methods Concrete Methods Modifier and Type Method Description Time2
addMinutes(int num)
Adds num Minutes to time.boolean
after(Time2 other)
Checks if this time is after a received time.boolean
before(Time2 other)
Checks if this time is before a received time.int
difference(Time2 other)
Calculates the difference (in minutes) between two times.boolean
equals(Time2 other)
Checks if the received time is equal to this time.int
getHour()
Returns the hour of the time.int
getMinute()
Returns the minute of the time.int
minFromMidnight()
Return the amount of minutes since midnight.void
setHour(int num)
Changes the hour of the time.void
setMinute(int num)
Changes the minute of the time.java.lang.String
toString()
Returns a string representation of this time (""hh:mm"").
-
-
-
Constructor Detail
-
Time2
public Time2(int h, int m)
Constructs a Time2 object. Construct a new time instance with the specified hour and minute . hour should be between 0-23, otherwise it should be set to 0. minute should be between 0-59, otherwise it should be set to 0.- Parameters:
h
- the hour of the timem
- the minute of the time
-
Time2
public Time2(Time2 t)
Copy constructor for Time2. Construct a time with the same instance variables as another time.- Parameters:
other
- The time object from which to construct the new time
-
-
Method Detail
-
getHour
public int getHour()
Returns the hour of the time.- Returns:
- The hour of the time
-
getMinute
public int getMinute()
Returns the minute of the time.- Returns:
- The minute of the time
-
setHour
public void setHour(int num)
Changes the hour of the time. If illegal number is received hour will remain unchanged.- Parameters:
num
- The new hour
-
setMinute
public void setMinute(int num)
Changes the minute of the time. If illegal number is received minute will remain unchanged.- Parameters:
num
- The new minute
-
minFromMidnight
public int minFromMidnight()
Return the amount of minutes since midnight.- Returns:
- amount of minutes since midnight.
-
equals
public boolean equals(Time2 other)
Checks if the received time is equal to this time.- Parameters:
other
- The time to be compared with this time- Returns:
- true if the received time is equal to this time
-
before
public boolean before(Time2 other)
Checks if this time is before a received time.- Parameters:
other
- The time to check if this time is before- Returns:
- true if this time is before other time
-
after
public boolean after(Time2 other)
Checks if this time is after a received time.- Parameters:
other
- The time to check if this time is after- Returns:
- true if this time is after other time
-
difference
public int difference(Time2 other)
Calculates the difference (in minutes) between two times. Assumption: this time is after other time.- Parameters:
other
- The time to check the difference to.- Returns:
- int difference in minutes
-
toString
public java.lang.String toString()
Returns a string representation of this time (""hh:mm"").- Overrides:
toString
in classjava.lang.Object
- Returns:
- String representation of this time (""hh:mm"").
-
addMinutes
public Time2 addMinutes(int num)
Adds num Minutes to time.- Parameters:
num
- The number of minutes to add- Returns:
- the update time
-
-


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java.lang.Object android.support.v4.util.LongSparseArray<E>
public class LongSparseArray<E>
SparseArray mapping longs to Objects. Unlike a normal array of Objects, there can be gaps in the indices. It is intended to be more efficient than using a HashMap to map Longs to Objects.
| Constructor Summary | |
|---|---|
LongSparseArray()
Creates a new LongSparseArray containing no mappings. |
|
LongSparseArray(int initialCapacity)
Creates a new LongSparseArray containing no mappings that will not require any additional memory allocation to store the specified number of mappings. |
| Method Summary | |
|---|---|
void |
append(long key,
E value)
Puts a key/value pair into the array, optimizing for the case where the key is greater than all existing keys in the array. |
void |
clear()
Removes all key-value mappings from this LongSparseArray. |
LongSparseArray<E> |
clone()
|
void |
delete(long key)
Removes the mapping from the specified key, if there was any. |
E |
get(long key)
Gets the Object mapped from the specified key, or null
if no such mapping has been made. |
E |
get(long key,
E valueIfKeyNotFound)
Gets the Object mapped from the specified key, or the specified Object if no such mapping has been made. |
static int |
idealByteArraySize(int need)
|
static int |
idealLongArraySize(int need)
|
int |
indexOfKey(long key)
Returns the index for which keyAt(int) would return the
specified key, or a negative number if the specified
key is not mapped. |
int |
indexOfValue(E value)
Returns an index for which valueAt(int) would return the
specified key, or a negative number if no keys map to the
specified value. |
long |
keyAt(int index)
Given an index in the range 0...size()-1 , returns
the key from the index th key-value mapping that this
LongSparseArray stores. |
void |
put(long key,
E value)
Adds a mapping from the specified key to the specified value, replacing the previous mapping from the specified key if there was one. |
void |
remove(long key)
Alias for delete(long) . |
void |
removeAt(int index)
Removes the mapping at the specified index. |
void |
setValueAt(int index,
E value)
Given an index in the range 0...size()-1 , sets a new
value for the index th key-value mapping that this
LongSparseArray stores. |
int |
size()
Returns the number of key-value mappings that this LongSparseArray currently stores. |
E |
valueAt(int index)
Given an index in the range 0...size()-1 , returns
the value from the index th key-value mapping that this
LongSparseArray stores. |
| Methods inherited from class java.lang.Object |
|---|
equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
|---|
public LongSparseArray()
public LongSparseArray(int initialCapacity)
| Method Detail |
|---|
public LongSparseArray<E> clone()
clone
in class java.lang.Object
public E get(long key)
null
if no such mapping has been made.
public E get(long key, E valueIfKeyNotFound)
public void delete(long key)
public void remove(long key)
delete(long)
.
public void removeAt(int index)
public void put(long key, E value)
public int size()
public long keyAt(int index)
0...size()-1
, returns
the key from the index
th key-value mapping that this
LongSparseArray stores.
public E valueAt(int index)
0...size()-1
, returns
the value from the index
th key-value mapping that this
LongSparseArray stores.
public void setValueAt(int index, E value)
0...size()-1
, sets a new
value for the index
th key-value mapping that this
LongSparseArray stores.
public int indexOfKey(long key)
keyAt(int)
would return the
specified key, or a negative number if the specified
key is not mapped.
public int indexOfValue(E value)
valueAt(int)
would return the
specified key, or a negative number if no keys map to the
specified value.
Beware that this is a linear search, unlike lookups by key,
and that multiple keys can map to the same value and this will
find only one of them.
public void clear()
public void append(long key, E value)
public static int idealByteArraySize(int need)
public static int idealLongArraySize(int need)
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js-data Gitter bower version npm version Circle CI npm downloads License
Inspired by Ember Data, JSData is the model layer you've been craving. It consists of a convenient framework-agnostic, in-memory store for managing your data, which uses adapters to communicate with various persistence layers.
The most commonly used adapter is the http adapter, which is perfect for communicating with your RESTful backend. localStorage, localForage, firebase and other adapters are already available. On the server you could hook up to the SQL adapter (Postgres/MySQL/MariaDB/SQLite3) and add in the Redis adapter as a caching layer for your read endpoints. More adapters are coming, and you're free to implement your own. See Adapters.
 JSData's internal change detection (via observe-js or Object.observe in supporting browsers) allows for powerful use cases and an easy avenue for implementing your own 3-way data-binding.
Supporting relations, computed properties, support for Node and the Browser, model lifecycle control and a slew of other features, JSData is the tool for giving your data the respect it deserves.
Written in ES6 and built for modern web development, JSData will save you thousands of lines of code and make you cooler.
Support is handled via the Mailing List.


Privacy Notice
Cartier North America, a division of Richemont North America, Inc., ("Cartier" or referred to herein as "us", "our" or "we"), a corporation organized and existing under the laws of the State of Delaware, having its executive offices and principal place of business at 645 Fifth Avenue, New York, NY 10022-5910, U.S.A. takes the privacy of its customers seriously and has established its Privacy Notice in respect of the confidence its clientele places in it.
This Privacy Notice describes the personal information we collect from our customers through the Cartier client relations center, online, over the telephone and in our boutiques.
Personal Information Collection
In order to place an order through the website, you will be required to register and create an online account. During this process, you will be required to provide valid and up-to-date personal information, including but not limited to your real name, date of birth, phone number and e-mail address, as well as other personal information as applicable, such as shipping address, billing address and payment details (collectively "Personal Information").
Should you contact the client relations center by telephone, you may also be required to provide such Personal Information. Additionally, if you complete a customer card in one of our boutiques, the Personal Information you provide shall be used as described in this Privacy Notice.
Cartier takes the protection of your Personal Information very seriously and therefore additional information may be collected by Cartier or its third party providers for security and anti-fraud purposes (see further information below).
Any Personal Information you make available to Cartier is done so voluntarily, with your knowledge and consent when ordering creations or registering for
services from Cartier. We will request from you information that is mandatory (required by us to fulfill your order and meet our legal obligations) and
non-mandatory (which you can give to us if you chose); if you choose not to provide the mandatory information requested then Cartier may not be able to
respond to your request or activate your option choices.
Cookies and related tracking technologies
We use technology such as "cookies" on our website to store your user ID and password, track selections and purchases, and enhance your shopping experience. Cookies are pieces of electronic information stored on your computer. You may disable cookies through the settings in your web browser, but if you do so, some parts of our website may not function properly. We may automatically track and collect information about your IP address, domain service, the type of computer and web browser you are using and the pages you visit (including by using web beacon and other equivalent technology). We collect this information so that we can administer and improve our system. We may share this aggregate information with advertisers, sponsors or other businesses.
Use of Personal Information
Cartier will use your Personal Information:
• to process your order and complete the transaction;
• to send you information on our creations, promotions and events which may be of interest to you;
• for marketing research purposes relating to Cartier's business and satisfaction surveys;
• to customize, analyse and improve our products, services, technologies, communications, and relationship with you;
• to prevent fraud and other prohibited or illegal activities;
• to enforce our Conditions of Sale or Privacy Notice with you;
• to protect the security or integrity of our website including your Personal Information, our business, or our products or services; and
• to provide you with other services you may have requested (e.g. Repair Order Tracking).
Access to Personal Information
Except where stated otherwise, Cartier will not share your Personal Information with any unaffiliated third party without your prior consent or unless required to do by law or legal process.
If Cartier or substantially all of its assets are acquired as a result of an acquisition, merger, sale, reorganisation or liquidation, your Personal Information may be one of the transferred assets.
Personal Information collected will be stored and processed in the United States, France, and Switzerland where Cartier and its affiliates, parent, subsidiaries or agents maintain facilities.
Joint use of Personal Information
The following information will be used jointly by Cartier, Paymetric, Inc. (providers of the on-line payment portal), your credit card company to
process payment of your order, and Accertify, Inc. who handle credit checks and fraud prevention:
- Your name and contact details including shipping and billing addresses;
- Your credit card information;
- The identification of the creations you have ordered;
- The price paid for the creations you have ordered;
- Information relating to your device (e.g. IP address, type of operating system)
Your credit card company is responsible for their use of your Personal Information and should be contacted directly with regard to any matter regarding their use of your Personal Information.
Telephone Calls
All telephone calls to the Client Relations Center will be recorded for training and security reasons and retained for a period determined by Cartier.
Security
Cartier is committed to protecting the security of your Personal Information. We will employ all reasonable technical and commercial measures to ensure that your Personal Information is held and used securely.
Note to minors and children
No part of this site is directed to children under age 13 and we will not knowingly collect personal information from any child under age 13. To register or place an order through the Client Relations Center, you must have reached the age of majority (which in most states is 18 years old) and have legal capacity to enter into a contract. If you are under the age of majority or cannot lawfully enter into a contract, you must advise your parent or legal guardian to review this Privacy Notice and our Conditions of Sale before you register or place an order. Should we discover or be informed that a child has registered his/her or another child's Personal Information, we will delete such information from our records.
Note to parents and legal guardians
Cartier will not intentionally collect Personal Information from persons lacking legal capacity to act. If you, as a parent or legal guardian are concerned that the person you are responsible for has registered for one of our services, wish to cancel his registration and have all details deleted, please contact us by email<EMAIL_ADDRESS>or write to us at the address below providing official documents establishing parental or guardian status.
Your Rights
If you request disclosure, correction, deletion or that Cartier stop using your Personal Information, Cartier will deal with such requests in accordance with
applicable laws and regulations. The deletion of your Personal Information or a request for Cartier to stop using it will result in the cancellation of your
registration.
For any request concerning Personal Information and/or cancellation of registration to any services provided through Our Client Relations Center:
Telephone: +1<PHONE_NUMBER>
Email<EMAIL_ADDRESS>Or write to: Cartier North America, Branch of Richemont North America C/O Data Protection, 645 Fifth Avenue, 8th Floor, New York, NY 10022.
Changes to this Privacy Notice
We may change this Privacy Notice if required and the updated version will appear in this section.
Revised: October 2012


@* * This template takes a single argument, a String containing a * message to display. *@ @(mes: String) @* * Call the `main` template with two arguments. The first * argument is a `String` with the title of the page, the second * argument is an `Html` object containing the body of the page. *@ @main("Welcome to Play") { @* * Get an `Html` object by calling the built-in Play welcome * template and passing a `String` message. *@


CHiVE: Examples for randomly sampled embeddings
Figure 5: Audio for randomly generated log F0 curves
These examples show a random sample of the varied prosodies for the same sentence.
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This page contains audio samples that go with Modelling Intonation in Spectrograms for Neural Vocoder based Text-to-Speech, Wan, V., Shen, J., Silen, H. and Clark, R. A., Proceedings of Speech Prosody 2020.


Like Samuel Taylor Coleridge, I know the misery of being inconvenienced by a person from Porlock. It happened thus. It was a Wednesday, I recall, teeming with Hooting Yard's most tremendous rainfall for forty years. I was sat at the kitchen table attempting to insert a new pair of laces into my gleaming big black leather boots. Minnie was at her spinet, as usual, idly tinkling. I suspected that soon the tinkling would cease and she would launch into an impassioned performance of one of her ten thousand and twenty two songs. I hoped she would play my favourite, the Anthem for a Brutish Haberdasher, or perhaps her mangled sea shanty Bring Me Your Winding Sheet, O Mother of Mine. As I fiddled ineptly with the laces, our door crashed open and a hirsute and drenched individual burst into the room. In an instant, a puddle formed at his feet. Minnie continued to tinkle.
“I come,” announced the stranger, in a declamatory roar as if he were addressing a vast crowd of huddled petitioners, “I come not from haunts of coot and hern. Nor do I come in response to your whistle, my lad.”
“I was not whistling,” I replied.
“Precisely!” he continued, “I come from Porlock, and I am going to confiscate your aglets.”
So saying, he withdrew from the pocket of his bright yellow windcheater a pair of garden secateurs, swiftly cut the aglets off the ends of my brand new laces, and charged out into the downpour. He did not close the door behind him. I held my head in my hands and began to weep. Minnie played the pounding opening chords of Dismal Corncrakes.


--- layout: post title: To profile your WPF applications date: '2007-01-18T12:23:00.001Z' tags: [wpf] modified_time: '2007-01-18T12:27:01.910Z' blogger_id: tag:blogger.com,1999:blog-4015568221071268916.post-5396628224832131458 comments: true blogger_orig_url: http://serialseb.blogspot.com/2007/01/to-profile-your-wpf-applications.html ---
Tim Cahill talks about profiling your WPF application. Not a new post but one worth knowing, bookmarking and using!


Full Name: Taylor Barnes
Age: 21
Hometown: Morgan Hill, CA
Height: 6'2"
Favorite Color: Brown
Role/Instrument: Lead Vocals, Rhythm Guitar
Q: What’s your earliest memory involving music?
A: When I was about 11 or 12, I remember watching a lot of shitty tbs sitcoms. One moring before school, I was watching an episode of ‘Fresh Prince Of Bel-Air’. The episode was pretty standard, considering it was part of the earlybird TBS programming. BUT. Right when the episode was nearing the end, Tom Jones comes out of nowhere and guest stars as Carlton’s fairy godfather, who can sing like a champ. They then sang ‘It’s Not Unusual’ and I was sold. After watching ‘School of Rock’ a few months later, it was pretty clear that music was my life.
Q: If you were a box of cereal, what would you be and why?
A: Definitely Cocoa Puffs, because I’m worth the wait. (Allusion to chocolate milk at the bottom of the bowl. You get it.)
Q: What’s your superpower?
A: I have the ability to discuss every topic in any situation in any episode of ‘Seinfeld’.
Q: What’s your favorite movie?
A: Birdman. The cinematography combined with the genius of Edward Norton and Michael Keaton is uncanny.

A: Probably me, because I’m by far the most expendable.
Q: What’s your perfect pizza?
A: Chicken and Ranch. It’s a Hidden Valley Ranch Party in My mouth.
Q: How many ties do you own?
A: Too many. I’m trying to organize them. You could say I’m a little tied up. (Cue Drum Fill)
Q: To people who haven’t listened to your music before, why should they?
A: Because it’s hip and fresh. People have been searching for a good, energetic rock band ever since the Hives and The Strokes and many other early 2000’s rock bands went on hiatus. I believe, we could be that band.
Q: Who’s your biggest musical inspiration?
A: Mick Jagger. That guy had insane stage presence. He also knew that people would rather see a mediocre singer and a great performer rather than the other way around. I tend to stick to that mantra.
Q: Who writes the songs and what are they about?
A:I usually write a full song or a general foundation of a song and then bring it to the band and we decide where it should go from there. As far as the song meanings go, you’re asking the wrong guy.


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Line data Source code
1 : /**
2 : * BSD 3-Clause License
3 : *
4 : * Copyright (c) 2018, KapilRawal, Hrishikesh Tawade.
5 : * All rights reserved.
6 : * Redistribution and use in source and binary forms, with or without
7 : * modification, are permitted provided that the following conditions are met:
8 : *
9 : * Redistributions of source code must retain the above copyright notice, this
10 : * list of conditions and the following disclaimer.
11 :
12 : * Redistributions in binary form must reproduce the above copyright notice,
13 : * this list of conditions and the following disclaimer in the documentation
14 : * and/or other materials provided with the distribution.
15 :
16 : * Neither the name of the copyright holder nor the names of its
17 : * contributors may be used to endorse or promote products derived from
18 : * this software without specific prior written permission.
19 :
20 : * THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS"
21 : * AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE
22 : * IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE
23 : * DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE
24 : * FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL
25 : * DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR
26 : * SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER
27 : * CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY,
28 : * OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE
29 : * OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
30 :
31 : * @copyright (c) BSD
32 : *
33 : * @file ImageProcessingModuleTest.cpp
34 : *
35 : * @author Kapil Rawal<EMAIL_ADDRESS>36 : * @author Hrishikesh Tawde<EMAIL_ADDRESS>37 : *
38 : * @copyright BSD License
39 : *
40 : * @brief Image Processing module test file
41 : *
42 : * @section DESCRIPTION
43 : *
44 : * This program will check the methods, boundary conditions and exceptions of ImageProcessingModule
45 : * class
46 : */
47 : #include <gtest/gtest.h>
48 : #include <ros/ros.h>
49 : #include <iostream>
50 : #include <vector>
51 : #include "../include/ImageProcessingModule.h"
52 :
53 :
54 : /**
55 : * @brief checks if the convertImage is executed
56 : *
57 : * @param ImageProcessingModuleTest name of the test suite
58 : *
59 : * @param convertImageTest name of the test
60 : */
61 5 : TEST(ImageProcessingModuleTest, convertImageTest) {
62 2 : ImageProcessingModule processor;
63 1 : ros::WallDuration(5).sleep();
64 1 : ros::spinOnce();
65 1 : EXPECT_EQ(false, processor.getImage().empty());
66 1 : }
67 :
68 : /**
69 : * @brief checks if the detectContour is executed
70 : *
71 : * @param ImageProcessingModuleTest name of the test suite
72 : *
73 : * @param detectContourTest name of the test
74 : */
75 :
76 5 : TEST(ImageProcessingModuleTest, detectContourTest) {
77 2 : ImageProcessingModule processor_;
78 2 : std::string path = "../";
79 2 : std::vector<double> location = processor_.detectContour("1", 1,path);
80 1 : std::cout << location.size() << std::endl;
81 1 : EXPECT_NEAR(2, (location.size()) / 2, 1);
82 4 : }
|


20/12/2018 20:00
Werner Lenz
Bruno De Wachter
presentation at dinA
Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
16/12 - 22/12 2018
BKFF 0.2 AMSTERDAM X-MAS CAMP
Isabel Burr Raty
residency project that invites participants to undergo a collective long durational body art performance. The Beauty Kit Female Farm 0.2 will be mapped out in the City of Amsterdam, installing it’s living and working spaces between 3 equally artistic and historical venues: M4 Gastatelier, Waag and Mediamatic.
16/12 - 31/12 2018
AllhiheyAll
Free Art /
Art for Free
Various Artists
residency at n0dine,
Rue de Lakensestraat 105, 1000 Brussels
open Mon-Sun (except Tue) 14:00-18:00
16/12/2018 10:00-15:00
WAB Parcours
walk through Brussels visiting different 3rd WAB activities (with Ida Ferrand at dinA, Wouter Huis at Rue de l'Escaut, Till Roeskens at Argos, Various Artists at n0dine, ...), starting at dinA,
Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
16/12/2018 - ...
Untitled (reversed blueback)
Wouter Huis
blueback paper on billboard at Scheldestraat Rue de l'Escaut, Brussels
15/12/2018 - 27/01/2019
Junk Office
Chloé Schuiten & Clément Thiry
exhibition at Greylight Projects, curated by Maud Salembier, in collaboration with ISELP,
Rue Brialmontstraat 11,
1210 Brussels
open Fri-Sun 14:00-18:00 (closed from 28/12/2018 to 05/01/2019)
14/12/2018
Médiathèque qui attend la neige
Pierre Pozor & Mott Flyf
NGHE concert at Greylight Projects Greylight Projects,
Rue Brialmontstraat 11,
1210 Brussels
5€, places are limited, reservation via<EMAIL_ADDRESS>06/12 - 16/12 2018
Action (provisoire) fut prise. Toute évolution future est donc bloquée.
Ida Ferrand
residency and exhibition at dinA,
Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
13/12 - 23/12 2018
Vidéocartographies: Aïda, Palestine
Till Roeskens
screening at Argos - Centre for Art and Media,
Werfstraat 13 rue du Chantier, 1000 Brussels
Thur–Sun - 11:00–18:00
Marks form readable maps depicting communities, ways of living and surviving of the refugees camp.
08/12 - 09/12 2018
Werner Lenz
Bruno De Wachter, Miriam Rohde, Justine Maxelon, Caroline Daish, Various Artists
walk from Barr to Fouday initiated by Bruno De Wachter
06/12/2018 - 26/01/2019
The Great Neighbour
Denicolaï & Provoost
exhibition at Maison Grégoire,
Dieweg 292, 1180 Brussels
curated by Maud Salembier
open Sat 14:00-18:00 (closed 22/12, 29/12, 05/01)
05/12 - 31/01 2019
Phantasmata
Kasper Demeulemeester
exhibition at Recyclart,
Rue de Manchesterstraat 13-15, 1080 Brussels
05/12/2018 18:00
dannie.i
Oracle
book launch at dinA,
Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
01/12/2018 15:00-17:00
Wandering along a Limit?
round table conversation at ISELP,
Boulevard de Waterloolaan 31, 1000 Brussels
29/11/2018 18:00-19:00
All Bodies End in Silence
Davide Tidoni
lecture performance at ISELP,
Boulevard de Waterloolaan 31, 1000 Brussels
24/11/2018 19:00-21:00
Souper III
TAFEL (Maud Gyssels & Neri De Meester)
dinner performance at le MAGA,
Avenue Jean Volderslaan 56 — 1060 Saint-Gilles Brussels
40€, places are limited, reservation via<EMAIL_ADDRESS>24/11/2018 11:00-17:00
Promenade Découverte Dans Bruxelles
ISELP
walk visiting different WAB activities (at ISELP, dinA, n0dine, Tropicana, Argos, Saskia Gevaert),
organised by and starting at ISELP,
Boulevard de Waterloolaan 31, 1000 Brussels
23/11 - 22/12 2018
Aerial photography does not create space but registers surfaces.
Cristina Garrido
exhibition at FdG Projects,
Rue de Barchonstraat 11, 1000 Brussels
open Sat-Sun 14:00-18:00
curated by Maud Salembier (la Spore) and thanks to Frédéric de Goldschmidt and SOCIETE d'électricité
23/11/2018 18:00
Performing
Documentation - The Intra-action between the Document and its Users
Luisa Fillitz, Shervin Kianersi Haghighi, Aela Royer, Sara ten Westenend
one-day exhibition & performance at n0dine,
Rue de Lakensestraat 105, 1000 Brussels
organised by Shervin Kianersi Haghighi, research unit Image of LUCA School of Arts and nadine
22/11 - 25/11 2018
Even days seem the same
Coraline Guilbeau
performance organised by Rectangle at Sagacity,
Schippersstraat 4, 1080 Brussels
open Fri-Sun 17:00-20:00
If you don't know
how to do
do "as if"
it's not so worst
more info Coraline Guilbeau
22/11 - 09/12 2018
Strolling Around
with films by Jef Cornelis, Jacques Lizène, Lukas Marxt, Vincent Meessen, Messieurs Delmotte, Ria Pacquée, Shelly Silver, Angel Vergara
screening at Argos - Centre for Art and Media,
Werfstraat 13 rue du Chantier, 1000 Brussels
open Thur–Sun - 11:00–18:00
A selection of films that explores the act of walking as an artistic practice.
22/11 - 29/11 2018
Götterdammerung?
A Moratorium on being.human.body.architecture?
students of Studio Anatomy - Faculty of Architecture Sint-Lucas, KU Leuven
-
Drawn in Time
Jesse Cremers, Sara ten Westenend, Shervin Kianersi Haghighi, Various Artists
two exhibitions at CIVA,
Rue de L’Ermitage 55 Kluisstraat, 1050 Ixelles
open Tue-Sun 10:30-18:30
in collaboration with Studio Anatomy - Faculty of Architecture, KU Leuven, Campus Sint-Lucas Gent -, CIVA, nadine, WAB
22/11/2018 - 17:00-21:30
Götterdammerung?
Drawn in Time
The Matrix Project
opening of two exhibitions & book presentation at CIVA,
Rue de L’Ermitage 55 Kluisstraat, 1050 Ixelles
opening 22/11/2018 17:00-21:30
program
•17:00 Introduction to WAB
•17:15 Introduction to the exhibition of Studio Anatomy and the research group 'The Drawing and the Space' by Jo Van den Berghe & Mira Sanders
•17:45 Book presentation 'The Matrix Project' by Thierry Lagrange
•18:30 Opening of the exhibitions
•21:30 Closure
in collaboration with Studio Anatomy - Faculty of Architecture, KU Leuven, Campus Sint-Lucas Gent -, CIVA, nadine, WAB
22/11/2018 - 18:00-19:30
Agua com Gas
Various Artists
lecture performance at ISELP,
Boulevard de Waterloolaan 31, 1000 Brussels
20/11 - 02/12 2018
Spelpunt Coloring Tropicana & Bleu Berry
Il Palinsesto/ Francesca Chiacchio
residency and performances at Tropicana,
Rue de Laekensestraat 148, 1000 Brussels
•SPELPUNT open on 21, 22, 23, 26,30/11 and 01/12
•BLEU-BERRY mantra pop performances with Mott Flyf on 24/11 18:30 (canceled), 29/11 19:00, 02/12 16:00
•ENDSUNDAYGLASS 02/12/2018 18:00
20/11/2018 15:00-18:00
No-Documentation
Emilio Fantin
workshop at dinA,
Nieuwbrug 3 Rue du Pont Neuf 105, 1000 Brussels
How can we switch from an idea of documentation to a creative process which improves our artistic activity?
How can we give continuity to our process of generating the aesthetic, thinking and the imaginary?
participation is free, but places are limited so please reserve via<EMAIL_ADDRESS>organised by Shervin Kianersi Haghighi, research unit Image of LUCA School of Arts and nadine
18/11/2018 - 20/01/2019
Chapter 2 - About Skipping a Dimension
Christian Hansen
exhibition at Experimental Intermedia,
Sassekaai 45, 9000 Gent
17/11/2018 19:00-21:00
PASTOREJANT
Till Roeskens and Mathilde Spini
lecture performance at Argos - Centre for Art and Media,
Werfstraat 13 rue du Chantier, 1000 Brussels
« En pâturant »... c’est ainsi que commencent bon nombre de contes d’aventures du répertoire chanté traditionnel. La « pastura » dont il sera ici question, est un territoire aux limites floues et sans cesse repoussées que nous avons exploré pendant près d’un an avec un troupeau de chèvres du côté de Marseille...
16/11/2018 - 31/03/2019
Designed Landscapes, Brussels 1775-2020
exhibition at CIVA,
Rue de L’Ermitage 55 Kluisstraat, 1050 Ixelles
open Tue–Sun 10:30-18:00
This exhibition retraces the fascinating history of Brussels’ parks. The visitors will discover the evolution of landscape styles and typologies, the underlying question always being – is there a specific Brussels’ landscape architectural language?
12/11 - 18/11 2018
De Laatste Uren
Jesse Cremers
concentrated work week at n0dine
Rue de Lakensestraat 105, 1000 Brussels
opening 16/11/2018 18:00
10/11 - 25/11 2018
Group exhibition
Elise Leboutte, Mathieu Lecouturier, Roberta Miss
exhibition at Atelier 2-9-2,
Chaussée d'Alsembergsesteenweg 292, 1190 Brussels
finissage 25/11/2018 16:00-18:00 (with concert by Martiensgohome)
open Sat-Sun 14:00-18:00 or by appointment<EMAIL_ADDRESS>Group exhibition bringing together paintings by Elise Leboutte, Riso prints by Mathieu Lecouturier and textiles by Roberta Miss. All artists deal with the notion of time and space by capturing moments, keeping traces and transcribing the linked emotions.
10/11 - 09/12 2018
Gudny Rosa Ingimarsdottir
residency & exhibition at Saskia Gevaert,
supported by the Embassy of Iceland in
Brussels
Hoedstraat 10 Rue du Chapeau, 1070 Brussels
open 16/11, 24/11, 30/11, 08/12 14:00-18:00 or by appointment via<EMAIL_ADDRESS>08/11/2018 18:00-19:30
L'Ordre du Jour
Els Opsomer
lecture performance at ISELP,
Boulevard de Waterloolaan 31, 1000 Brussels
08/11 - 18/11 2018
Walker Films
Thomas Bernardet & Florent Mulot
screenings at Argos - Centre for Art and Media,
Werfstraat 13 rue du Chantier, 1000 Brussels
07/11/2018 18:30-19:30
Archive of Loops
Teresa Cos & Caroline Profanter
live performance at Argos - Centre for Art and Media,
Werfstraat 13 rue du Chantier, 1000 Brussels
(as part of Teresa Cos' ongoing exhibition The Measure of Disorder)
05/11 - 11/11 2018
Shervin Kianersi Haghighi
residency at n0dine
Rue de Lakensestraat 105, 1000 Brussels
04/11/2018 15:00
Oceanographies
Marialena Marouda
performance at Buratinas with Justine Maxelon,
starting at BRYC, Vilvoordsesteenweg 1 Chaussée de Vilvorde, 1020 Brussels
03/11 - 30/11 2018
Phantasmata - Images from Photograhic-Therapeutic Walks
Kasper Demeulemeester
the exhibition and walk at Tropicana are postponed to a later date,
Rue de Laekensestraat 148, 1000 Brussels
03/11 - 31/12 2018
The Mental Masonry Lab
(Cédric Noël & Mira Sanders)
scenograhpy at dinA,
Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels by Mira Sanders & Cédric Noël
03-04/11/2018
WAB Weekend
03/11 WAB parcours
11:00 The Mental Masonry Lab at dinA
13:00 Various Artists at n0dine
14:00 Teresa Cos at Argos
15:30 Claude Cattelain at MAAC
17:00 Steven Jouwersma at ZSenne Lab
04/11 - 15:00 performance by Marialena Marouda on Buratinas starting at BRYC
01/10 - 10/11 2018
Common Sweat Sauna #1, #2, #3
Steven Jouwersma
exhibition and urban sauna tours at ZSenne,
rue Anneessensstraat 2, 1000 Brussels
02-09/11/2019 urban sauna tours 17:30-20:00
finissage 10/11/2018 - 17:00-22:00 with talks by Wouter Sibum and Steven Jouwersma
21/10 - 24/10 2018
Dark Corner Walks
Clément Thiry
the night walks take ca 2 hours and start at Manneken Pis, in the centre of Brussels
max 5 people/walk
in collaboration with ISELP
20/10 - 18/11 2018
The Chinese Restaurants I, II and III
Vincen Beeckman
exhibition at ETE 78,
Zomerstraat 82 rue de l’Eté, 1050 Brussels
open 27/10, 10/11, 17/11 14:00-18:00 or by appointment
The Chinese Restaurants is a long term project started by Vincen Beeckman in 2011 in a Chinese restaurant in Dudelange, Luxembourg.
Eté 78 was inaugurated in February 2014 with the presentation of this project. In October 2018, Eté 78 welcomes the following of the project with two new Chinese restaurants, one in Rio de Janeiro and one in Teheran.
18/10/2018 10:00-18:00
The Intra-Action between the Document and its Users
Bart Geerts, Bruno De Wachter, Cinzia Delnevo, Georgia Kokot, Jörn Schafaff, Luisa Fillitz, Mira Sanders & Cédric Noël, Marco Scotti, Marina Kazakovapr, Oracle, Shervin Kianersi Haghighi, Sana Gobeh, Sara ten Westenend, Various Artists,...
symposium organised by Shervin Kianersi Haghighi, LUCA School of Arts and nadine at M Museum Leuven,
Leopold Vanderkelenstraat 28, 3000 Leuven
participation is free but registration is required
11/10 - 18/11 2018
Straight Ahead
Claude Cattelain
exhibition at MAAC,
Kartuizersstraat 26-28 Rue des Chartreux 1000, Brussels
open Thur-Sat 14:00-18:00
Claude Cattelain proposes 3 immersive installations that reflect issues of tension and stability.
11/10/2018 17:00-19:00
2nd WABook
launch at Buratinas,
parked next to Akenkaai Quai des Péniches, 1000 Brussels
with contributions by Mathieu Léger, An Minok, Danbee Hur, Rachel Magnan, Helena Dietrich, Bxl Wildlife, Steven Jouwersma, Caroline Daish, Justine Maxelon, Michel Yang, Pierre-Philippe Hofmann, hans Andreas R., Bruno De Wachter, Pacôme Beru, Pierre Huyghebaert, Pierre Marchand, Sophie Boiron, Various artists, Mira Sanders
designed by Überknackig, bookbinding by Atelier Sans Nom (Song Yi Han, Danbee Hur, Minok An)
10/10 - 04/11 2018
OPEN LAB – EPHEMERAL ARCHIVAL STATION #2
e.a.st. (Ephemeral Archival Station) with Euridice Kala, Marie Voignier, Mbali Dhlamini, Teo Betin, Steeve Bauras & Quentin Mornay (e.a.)
exhibition at Island,
Generaal Lemanstraat 69 rue Général Leman, 1040 Brussels
open Wed-Sat 11:00-18:00
e.a.st. (Ephemeral Archival Station) laboratory is a sharing platform for artist(s), researcher(s) addressing concepts involved in the process, the development, as well as in the modes of expression for artistic research. e.a.st. encompasses several artistic researches with the aim of linking ideas across different spaces and production’s modes.
08-12/10 2018
Wænd, open residency
Atelier Cartographique
open residency at dinA,
Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
open Mon-Fri 10:00-17:00
12-21/10 2018
Theme Park under Construction
Nikolas Lestaeghe
exhibition at n0dine
Rue de Lakensestraat 105, 1000 Brussels
23/09 – 23/12 2018
The Measure of Disorder
Teresa Cos
exhibition at Argos - Centre for Art and Media,
Werfstraat 13 rue du Chantier, 1000 Brussels
open Thur–Sun - 11:00–18:00
21/09 - 15/12 2018
A FOREST
Danièle Aron, Felicia Atkinson, Maria Thereza Alvez, Cécile Beau, Lise Duclaux, Diana Duplakova, Paul Duvigneaud (archives), Olga Kisseleva, Deborah Levy & Antoine Wang, Yogan Muller, Various Artists, Pep Vidal
exhibition at ISELP,
Boulevard de Waterloolaan 31, 1000 Brussels
open Tue-Sat 11:00-18:00
14-16/09 2018
La Part Mortelle
Agnieszka Polska, Aline Bouvy & John Gillis, Alizée Quitman, Astrit Ismaili, Davide Tidoni, Geo Wyeth, Jay Tan, Julian Weber, Kareem Lotfy, Maxime Le Bon, Naïmé Perrette, Stéphane Abitbol, Thibaud Le Maguer, Thomas Perroteau
exhibition at Rue de Vrièrestraat 67, 1020 Brussels
more info30/08 - 16/09 2018
Drawn in Time
Jesse Cremers, Sara ten Westenend, Shervin Kianersi Haghighi, Various Artists
exhibition at n0dine
Rue de Lakensestraat 105, 1000 Brussels
01/07 - 31/08 2018
Buratinas' Tour de Belgique #3
bolwerK, Buenos Tiempos Int., Christian Hansen, Davide Tidoni, nadine, NGHE Library, Oracle, ...
residencies on Buratinas on Belgian waterways
01/07/2018 16:00
État des Lieux, part 2
Christian Hansen, Isabel Burr Raty, Davide Tidoni, Clément Thiry, Bxl Wildlife
presentations and performances at Friche Josaphat (Jardin Latinis),
Avenue Gustave Latinislaan 152, 1030 Schaarbeek
30/06/2018 18:00
Preview of 2nd WABook
presentation at dinA,
Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
29/06/2018 14:00-18:00
État des Lieux, part 1
Till Roeskens, Gudny Rosa Ingimarsdottir & Mira Sanders, Kasper Demeulemeester, Wænd, Oracle, Francesca Chiacchio, Simona Denicolai & Ivo Provoost, Clément Thiry & Chloé Schuiten, TAFEL
presentations at CIVA,
Rue de L’Ermitage 55 Kluisstraat, 1050 Ixelles
21/06 - 04/07 2018
POINT K.O.
Dimitri Broquard, Hendrik Hegray, Yohanna My, Antoine Orand, Alizée Quitman
exhibition at n0dine,
Lakensestraat 105 Rue de Laeken, 1000 Brussels
15/06 - 04/07 2018
Revisiting Heritage: Notes from Brussels
Axel De Marteau, Judith Desmyttere, Aline Kraus & Lynn Sinnesael, Hana Miletić, Jonas Minnaert, Pati Petrykowska, Mira Sanders, Matthijs van der Burgt, Ugo Woatzli, Raf Wollaert
exhibition at LUCA School of Arts (Brussels), in collaboration with Arton Foundation (Warsaw) and supported by Creative Europe,
Paleizenstraat 70, 1030 Brussels
01/06/2018 18:00-22:00
Dormeur Presse
Clément Thiry & Chloé Schuiten
public presentation at n0dine,
Rue de Laekensestraat 105, 1000 Brussels
30/05/2018 15:00
Crystelling on Buratinas
bolwerK & 209.dk
the floating lab starts at BRYC,
Vilvoordsesteenweg 1 Chaussée de Vilvorde, 1020 Brussels)
this project is supported by Q-O2, Constant vzw, w-o-l-k-e, bolwerK
20/05/2018 21:30-23:30
All bodies end in silence
Davide Tidoni
live performance, outdoor location
17/05/2018 20:00-21:30
All bodies end in silence
Davide Tidoni
screening at dinA,
Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels
this project is produced by Overtoon
25/03/2018 - 13:00 - 18:00
WAB meeting #1 : Wandering along (a) limit(s)
Various Artists, TAFEL, Shervin Kianersi Haghighi, Jesse Cremers, Waend, Studio Anatomy – AOB (Faculty of Architecture KU Leuven), Mira Sanders & Maud Salembier, Clément Thiry & Chloé Schuiten, Marialena Marouda, Davide Tidoni, Isabel Burr Raty, Bruno De Wachter, Oracle, Francesca Chiacchio, and Kasper Demeulemeester
presentations & interventions at iMal,
Koolmijnenkaai 30 Quai des Charbonnages, 1080 Brussels
23/03-02/04 2018
Dog House City
Christian Hansen
exhibition at dinA,
Nieuwbrug 3 Rue du Pont Neuf, 1000 Brussels


| First Name | Age | Country |
|---|---|---|
| Lucas | 22 | USA |
| Julian | 26 | Brazil |
| Wallace | 32 | England |
| First Name | Age | Country |
|---|---|---|
| Lucas | 22 | USA |
| Julian | 26 | Brazil |
| Wallace | 32 | England |
| First Name | Age | Country |
|---|---|---|
| Lucas | 22 | USA |
| Julian | 26 | Brazil |
| Wallace | 32 | England |
| First Name | Age | Country |
|---|---|---|
| Lucas | 22 | USA |
| Julian | 26 | Brazil |
| Wallace | 32 | England |
Paragraph


public interface ODataHttpHandler extends ODataHandler
| Modifier and Type | Method and Description |
|---|---|
void |
process(javax.servlet.http.HttpServletRequest request,
javax.servlet.http.HttpServletResponse response)
Processes a HttpServletRequest as an OData request.
|
void |
register(CustomContentTypeSupport customContentTypeSupport)
Registers a service implementation for modifying the standard list of supported
content types.
|
void |
register(CustomETagSupport customETagSupport)
Registers support for concurrency control for certain entity sets.
|
void |
register(DebugSupport debugSupport)
Registers the debug support handler.
|
void |
setSplit(int split)
Sets the split parameter which is used for service resolution.
|
process, register, register
void process(javax.servlet.http.HttpServletRequest request, javax.servlet.http.HttpServletResponse response)
Processes a HttpServletRequest as an OData request.
This includes URI parsing, content negotiation, dispatching the request to a specific custom processor implementation for handling data and creating the serialized content for the response object.
request
- - must be a HTTP OData requestresponse
- - HTTP OData responsevoid setSplit(int split)
split
- the number of path segments reserved for service resolution; default is 0void register(DebugSupport debugSupport)
debugSupport
- handler to registervoid register(CustomContentTypeSupport customContentTypeSupport)
CustomContentTypeSupport
void register(CustomETagSupport customETagSupport)
customETagSupport
- handler to registerCopyright © 2013–2018 The Apache Software Foundation. All rights reserved.


Hi, my name is
Parth Shingala.
# I build things with Tech.
I am a Full-Stack developer with expertise in building and architecting exceptional digital experiences. My approach is characterized by a strong work ethic and a hands-on mindset, as demonstrated through my extensive experience. My objective is to secure a developer role within an organization that resonates with my values and passions.
Check out my Resume
About Me
My name is Parth Bhagvanbhai Shingala, and I have a passion for designing and developing applications that have a meaningful impact on people's lives. I am currently pursuing my Master's of Science in Computer Science and Engineering at The State University of New York (SUNY) at Buffalo, USA.
For the past two years, I have been employed at Morgan Stanley Capital International (MSCI) as a Software Developer. During this time, I have been an integral part of the Equity Index Calculation Team, contributing to the development of index computing applications utilizing the Spring framework.
Here are a few technologies I’ve been working with recently:
- Languages - Java,Python,C,C#,JavaScript,HTML,CSS
- Technologies - Spring,Maven,Angular,Node.js,ASP.NET
- Database - SQL,Oracle Database,Mongo DB
- Other Tech - AzureCloud,GIT,Shell-Scripting,Splunk,Figma
Experience
Technology Analyst @ Morgan Stanley Capital International-MSCI
Index Engineering Team | June 2021 - July 2023
- Engaged in development of Java-based Equity Index Calculation applications tailored to client specifications.
- Automated and optimized a testing application through Java and shell-scripting to facilitate upgrades in Index Calculation services, resulting in a reduction of process cycle time from 3 weeks to 4 days.
- Devised a Security Historical Data Copy Tool utilizing Spring and Angular, resulting in streamlined execution of the Index Copy task and accomplishing a flawless 100% error-free success rate.
- Incorporated AspectJ into the Index Calculation Spring Service to capture data points essential for Index computation, integrating into Splunk. Enhancement led to a notable 40% reduction in debugging time for support team.
- Provided valuable assistance in supporting and maintaining Spring and Maven-based applications, as well as orchestrating the migration of applications from on-premise servers to the Azure Cloud platform.
Full-Stack Developer Intern @ ARCON
Product Development Team | December 2020 - May 2021
- Constructed an architecture and launched an Audit Logging System, leading to a 95% reduction in data inconsistencies and a 20% increase in retrieval efficiency, bolstering data integrity and operational transparency.
- Created a responsive application using Angular 8 and ASP.NET, while also architecting a robust DB structure incorporating logging tables and stored procedures within the MS SQL Server environment.
Software Developer Intern @ Tata Consultancy Services
TCS iON ( R&D Team ) | November 2018 - December 2018
- Assisted the team in automating the paper correction feature in online examination application development with research on Artificial Intelligence Technologies.
- Trained an OCR-NLP model for writing reorganization using libraries such as PyTesseract and PyTourch.
Full-Stack Developer Intern @ Bitgiene Research
Product Development Team | April 2020 - June 2020
- Devised a Repository Manager with edit, delete, and approve features for reports using Angular, NodeJS, and MongoDB-ParseServer Database.
- Employed Web Scraping Python Algorithm to fetch the trending reports on monthly and weekly basis with different domains from internet using Selenium library.
- Added functionality for viewing the fetched trending reports data through Python script in frontend app.
Education
Master’s of Science in Computer Science and Engineering
University at Buffalo, The State University of New York (SUNY)
August 2023 - Present | CGPA -
Relevant Coursework:
Algorithms, Database Systems, Computer Security and Architecture, Data Intensive Computing
Bachelor's of Technology
Sardar Patel Institute of Technology, University of Mumbai, India
August 2017 - July 2021 | CGPA - 8.84/10
Relevant Coursework:
Data Structures and Methodology, OS, Network Security, OOP in Java, Computational Intelligence
My Projects
Published Project
EmergeX: A Trip Advisor in Pandemic
Designed a responsive app to deliver safety updates, future virus trends, and travel precautions during a pandemic. Incorporated functionalities of a COVID Forecasting model utilizing LSTM, along with safety precaution assessments derived from a Mask Detecting Algorithm employing CNN and OpenCV, attaining a remarkable accuracy rate of 98%.
- Angular 7
- Node.js
- MongoDB
- Python
- Tensorflow
Published Project
Temperature Based Scheduling Algorithm
Developed a formula for current temperature estimation considering factors like CPU time and power. Implemented in a model using CNN and Regression, achieving 99% precision.Structured a Time-Series ARIMA model for temperature prediction with 97% accuracy in core selection of CPU.
- Python
- Tensorflow
- Keras
Featured Project
Health Monitoring Portal
Portal for monitoring the health of Indian Army in Combat situation. Builded in Smart India Hackathon DRDO's problem statement - Slodier Strap using Angular and NodeJS.
- Angular
- Node.js
- Firebase
Published Project
EmergeX: A Trip Advisor in Pandemic
Designed a responsive app to deliver safety updates, future virus trends, and travel precautions during a pandemic. Incorporated functionalities of a COVID Forecasting model utilizing LSTM, along with safety precaution assessments derived from a Mask Detecting Algorithm employing CNN and OpenCV, attaining a remarkable accuracy rate of 98%.
- Angular 7
- Node.js
- MongoDB
- Python
- Tensorflow
Published Project
Temperature Based Scheduling Algorithm
Developed a formula for current temperature estimation considering factors like CPU time and power. Implemented in a model using CNN and Regression, achieving 99% precision. Structured a Time-Series ARIMA model for temperature prediction with 97% accuracy in core selection of CPU.
- Python
- Tensorflow
- Keras
Other projects:
Fall Detection Algorithm
Augmented an SVN-based holistic model using AI technologies for fall detection within 0.25 seconds and trigger an emergency notification in case of any accident.
- Python
- Tensorflow
- Keras
- SVN
Personal Portfolio Website
Crafted a single-page website to display my full-stack developer experiences and projects for dynamic content presentation and hosted on Github.
- JavaScript
- HTML
- CSS
A Flight Reservation System
Created an object-oriented Java and MySQL Reservation System for online airline ticketing, covering reservation and cancellation complexities for all classes.
- HTML
- CSS
CrowdStrike Hackathon Solutions
Presented Machine Learning and Data Science solutions for Airline and Airport Management challenges in the CrowdStrike Hackathon - 2020 and secured runner-up position.
- JavaScript
- HTML
- CSS
IEEE-SPIT Student Branch App
Developed a website using Angular for IEEE-SPIT, serving as a communication platform for sharing information about all events with students and IEEE members.
- WordPress
- PHP
- Hosting
04. What's Next?
Get in Touch
I am actively seeking a Software Developer Internship to enhance my Master's degree with practical industry exposure. Feel free to reach out to me anytime if you come across any opportunities !!!!
Say Hello


Header
Warehouses
Name
Description
Creation Date
Validity Date
Warehouse Budapest
Warehouse for toxic substance
2015-12-12
2016-12-13
Modify
Delete
Info


Airfields serve as take-off and landing locations for aircraft. They can be built anywhere on the map, except on
mountains, cities, resources, fortifications, and water. Airfields can be built by some ground units, usually infantry.
To build an airfield, select a unit that can build them. Press the "Airfield" button (just above the map window),
then move your cursor over the map. The cursor will change to a small building in areas where you can build an airfield, and
a building with a red 'x' in locations where you can't build an airfield. Right click on the location where you want to
build the airfield. Once your infantry arrives there, it will take 5 turns to build.
Related Topics:
(none)


| Interface | Description |
|---|---|
| DBLoader.Row | |
| DBLoader.RowStream |
The RowStream interface allows one to load large sets of
rows by streaming them in, one does not have to have all
of the row data in memory.
|
| Class | Description |
|---|---|
| CsvDBLoader | |
| CsvDBLoader.CsvLoaderRowStream | |
| CsvDBLoader.ListRowStream | |
| CsvDBTestCase |
Base class for tests that use
a CSV database defined in a single file.
|
| CsvLoader |
This is a basic Comma-separated-value (CSV, Csv) reader.
|
| DBLoader |
This is an abstract base class for the creation and load of one or more
database tables with data.
|
| DBLoader.Column | |
| DBLoader.RowDefault | |
| DBLoader.Type |
Represents a logical type, such as "BOOLEAN".
Specific databases will represent this their own particular physical
type, for example "TINYINT(1)", "BOOLEAN" or "BIT";
see
DBLoader.Type.toPhysical(mondrian.spi.Dialect) . |
| MondrianFoodMartLoader |
Utility to load the FoodMart dataset into an arbitrary JDBC database.
|


|
The Conda-Forge Autotick Bot is a xonsh-powered system for updating conda-forge feedstocks. The bot (as it is sometimes called) delevers pull requests with new versions of software so maintainers don't need to scouer the internet looking for versions. The Bot also keeps conda-forge compatible by updating packages when new binaries are available. | |
|
Rever is a xonsh-powered, cross-platform software release tool. The goal of rever is to provide sofware projects a standard mechanism for dealing with code released. Rever aims to make the process of releasing a new version of a code base as easy as running a single command. Rever …
| |
|
RunThis is a suite of tools for running interactive terminal sessions in a browser. This includes …
| |
|
Conda-Press is a xonsh-powered tool that creates Python wheels from conda packages that are pip-installable anywhere (i.e. outside of a conda environment). | |
|
Regolith is a content management system for research groups. Regolith creates and manages a database of people, publictaions, projects, proposals & grants, courses, and more! From this database, regolith is then able to
| |
|
Conda-Mirror is a tool to mirror conda repositories to a local directory. |


Basic Extensions
There is a couple of basic extensions that are developed alongside the core Revapi library. These are by default available when using the Revapi’s maven plugin or using Revapi standalone. If you’re using Revapi on your own, you need to explicitly put the revapi-basic-features-XXX.jar
on your class path, or depend on org.revapi:revapi-basic-features:XXX
maven artifact (where XXX is the version).
Classification Transformation
By configuring this extension you can reclassify certain differences to have different classification. This can be used to reclassify problems as less or more severe according to the policies that you want to apply.
More on the detail page or in the javadoc.
Configurable Element Filter
This can be used to leave certain API elements out from the analysis.
More on the detail page or in the javadoc.
Ignore Differences
This can be used to ignore certain differences before they are sent to the reporters for final output.
More on the detail page or in the javadoc.
Ignore Differences Based On Version Changes
This takes into account the semver versioning rules and will automatically ignore found problems that are allowed for given version change. I.e. it will allow breaking changes if the major version of the new artifact is greater than the major version of the old artifact, etc.
More on the detail page or in the javadoc.


Restful API
Enable CRUD operations on a sqlite database.
{#
This is some text.
#} {#
This is another text.
#} {% block content %}{% endblock %}


[SYMBOL]
[A]
[B]
[C]
[D]
[E]
[F]
[G]
[H]
[I]
[J]
[K]
[L]
[M]
[N]
[O]
[P]
[Q]
[R]
[S]
[T]
[U]
[V]
[W]
[X]
[Y]
[Z]
ICMP type field/ICMP code field
IDE devices in kernel configuration files
idled utility
IDSs (Intrusion Detection Systems)
ifconfig command enabling/disabling interfaces
optimizing network performance
running headless systems
scripting wireless network configurations
spoofing MAC addresses
tcpdump output, humanizing
images, creating/deploying, using ghosting utility
inaccessibility of headless systems
incorrect user input, handling
installboot utility
installing systems automatically
integrity checking for files using mtree
integrity databases creating
deciding which files to include
preparing for storage
working with
interact command
interactive copying
file renaming
remote administration
scripts, creating with Expect
shells
interface statistics, gathering
interface support in kernel configuration files
interfaces, enabling/disabling
intermittent Internet connection and sendmail
Internet loss, catastrophic, surviving
intervals of backups, specifying
Intrusion Detection Systems (IDSs)
IP Filter automatically generating firewall rules
limiting access with
switching rules on schedule
IP NAT configuration
IPFIREWALL_DEFAULT_TO_ACCEPT option
ipfw command
2nd
|


WELCOME TO AGILE-WARS
SUBMIT
BEGIN THE BATTLE AGILE SOLDIER
CLEAR DATA
Totggle Chat
User name:
PROTOTYPE WORK IN PROGRESS
MOVE THE CIRCLE WITH THE MOUSE
SHOOT CLICKING
EAT THE LIGTHS TO WIN HP!!!
Send
SCORE BOARD
Gabriel De Ioannes Becker: 10


2. Installation Guide¶
2.1. Recommended Environments¶
Ubuntu 16.04 or newer is recommended for the installation environment. Some packages fail to build on Windows.
Note
There is no guarantee that Qualia works on other environments including Windows and macOS, even if Qualia may seem to be running correctly.
2.2. Requirements¶
NVIDIA CUDA GPU: Compute Capability of the GPU must be at least 3.0.
CUDA Toolkit: Supported Versions: 8.0, 9.0, 9.1, 9.2, 10.0, and 10.1.
Note
Qualia2.0 can be used without GPU
2.3. Install Qualia¶
Upgrade of setuptools and pip is recommended before the installation:
$ pip install -U setuptools pip
CUDA Toolkit version can be found by:
$ nvcc --version
Clone Github repo and cd to Qualia2.0 to install:
$ git clone https://github.com/Kashu7100/Qualia2.0.git
$ cd Qualia2.0
Depending on the CUDA version you have installed on your host, choose the best option from following.
(For CUDA 8.0)
$ python setup.py install --cuda 80
(For CUDA 9.0)
$ python setup.py install --cuda 90
(For CUDA 9.1)
$ python setup.py install --cuda 91
(For CUDA 9.2)
$ python setup.py install --cuda 92
(For CUDA 10.0)
$ python setup.py install --cuda 100
(For CUDA 10.1)
$ python setup.py install --cuda 101
(For without CUDA)
$ python setup.py install
2.5. Supplemental Information¶
Here are some wheel files that might help if there are some errors during the installation:
Note
You need the wheel package to install libraries from .whl files:
$ pip install wheel
Once you installed wheel package, you can install libraries from .whl file as follows:
$ pip install /path/to/the/wheel_file.whl
2.6. RL environments¶
2.6.1. MuJoCo¶
Obtain a 30-day free trial on the MuJoCo website or free license if you are a student. The license key will arrive in an email with your username and password.
Download the MuJoCo version 2.0 binaries.
Unzip the downloaded
mujoco200
directory into~/.mujoco/mujoco200
, and place your license key (themjkey.txt
file from your email) at~/.mujoco/mjkey.txt
.Install mujoco-py
$ git clone https://github.com/openai/mujoco-py.git
$ cd mujoco-py
$ pip install -r requirements.txt
$ pip install -r requirements.dev.txt
$ python setup.py install
Note
To run mujoco-py, MuJoCo needs to be installed on the machine.
2.6.2. PyBullet¶
Open source physics simulation, robotics and deep reinforcement learning based on the Bullet Physics SDK
Install PyBullet
pip install pybullet
2.6.3. SenseAct¶
Reinforcement learning tasks with multiple real-world robots
Install SenseAct
git clone https://github.com/kindredresearch/SenseAct.git
cd SenseAct
pip install -e .
2.6.4. OpenSim RL¶
Reinforcement learning tasks with musculoskeletal models
Install OpenSim RL
conda install -c kidzik opensim
conda install -c conda-forge lapack git
pip install git+https://github.com/stanfordnmbl/osim-rl.git


Contact
Would you like to contact me about something? like a technical question or to share what you know, you are in the right spot! Please use the below contact form to send your query.
Would you like to contact me about something? like a technical question or to share what you know, you are in the right spot! Please use the below contact form to send your query.


How do I... Share data between bots?
Bots run independently, each with their own state. However, sometimes you might want to share data between bots. How do you do that?
One way is to use the system under test. For example, bots can make posts to a shared album and fetch new album content in a loop (or with a separate syncing channel). But what if you want bots to share information directly?
First off, make sure there is a legitimate real-world scenario where actual users
would share data outside of your system under test. For example, using email or
social media to send invites to contacts (or strangers). If this still applies you
can use BotArmy.SharedData
as a global mutable state accessible by
all bots to get
, put
and update
data.
Be careful though, sharing data can cause all kinds of tricky concurrency problems
(see below). I advise using SharedData
sparingly!
One exception is that it is OK to use SharedData
to expose run-time
configuration to your bots.
Accessing custom config
The test runners automatically preload SharedData
with your run-time configuration.
Here is an example:
# start your tests like this from the command line:
# mix bots.load_test --n 100 --tree "MyBots.MyTree" --custom '[run_id: "abc", num_albums: 20]'
def tree do
albums_to_create = BotArmy.SharedData.get(:num_albums) || 10
Node.sequence([
action(BotArmy.Actions, :log, ["run_id: " <> BotArmy.SharedData.get(:app_id)]),
Node.repeat_n(
albums_to_create,
Node.sequence([
action(MyActions, :create_album),
...
])
),
...
])
end
Concurrency problems
Let's say you want to make a test where each bot will look in SharedData
for an
album invite to join, and if it doesn't find one, it will create an album and put the
invite in SharedData
for the other bots to use.
This sounds like very reasonable test cases. But beware, here be dragons!
The problem is that as soon as you have multiple bots, running at the same time, trying to access the same shared resource, you have opened the box to all the concurrency challenges, such as race conditions and consistency issues.
You might make the following incorrect tree for the first example:
def tree do
Node.select([
Node.sequence([
action(MyActions, :get_invite_from_shared_data),
action(MyActions, :join_selected_invite)
]),
Node.sequence([
action(MyActions, :create_album),
action(MyActions, :put_invite_in_shared_data)
])
]),
...
end
The logic here is correct. The problem is that all bots will run this tree at about
the same time, so they all will check SharedData
for an invite at the same time,
and they all will come up empty, so they all will go create an album and share the
invite id. You just inadvertently created hundreds of albums and shared invites,
with each bot in its own album!
Fixing this situation is difficult. SharedData
doesn't have any kind of locking
system built in. If you build one on your own, you will have created a single
bottleneck that all bots must pass through, which can cause problems.
The easiest fix I've come up with so far is to offset the bots so that you don't run
into a situation where multiple bots are checking SharedData
before it has a chance
to get populated. You can do this by staggering the bot start up times, but that
won't grantee fixing the problem.
Also, as a small, yet significant variant, maybe you want one bot to create an album
and put the invite id in SharedData
, and then another bot to join it. In this
example, you have the problem of making one bot wait for another. That is a
full topic on its own, so see the linked post for full details, though a useful trick
is relying on the fact that each bot has a unique id:
# in your tree
...
Node.sequence([
action(MyActions, :check_bot_id, [1]),
action(MyActions, :create_album)
])
...
# action
# All bots have `context.id`, which starts at 0 and increments by 1.
# Be careful, if a bot dies, that id will not be used again in other bots (until the
# next run)!
def check_bot_id(%{id: id}, allowed) when id == allowed, do: :succeed
def check_bot_id(), do: :fail
Using locks
If you really want to use locking, you can, but it involves reaching through the
abstraction that SharedData
exposes. Currently, SharedData
wraps
ConCache
, so you can use the locking tools exposed there. For example,
here is how you could supply a list of email addresses in your SharedData
config,
and deal them out to each bot:
# in your action
def get_email_from_shared_data(context) do
# Concache.isolated locks the :users row until the function exits
# (Similar to a transaction).
# :bot_shared_data is the hard-coded name for the ConcCache process
user_name =
ConCache.isolated(:bot_shared_data, :users, fn ->
[user | temp_list] = BotArmy.SharedData.get(:users)
BotArmy.SharedData.put(:users, temp_list)
user
end)
{:succeed, [user_name: user_name]}
end
This can be very handy, but be aware that it relies on information that technically
should be non-public. Perhaps a future version of SharedData
will expose this
ability. Also note that if you attempt to do something time consuming inside of the
isolated function (like hit an auth endpoint over http), you will create a bottleneck
and your bots will probably time out.


--- title: Deep Learning for Big Code ref: bigcode18 description: Graduate seminar on new methods and systems for learning from programs. semester: Fall 2018 number: 263-2926-00L lecturer: Dr. Veselin Raychev ta: assistants: edoz: http://www.vvz.ethz.ch/Vorlesungsverzeichnis/lerneinheit.view?lerneinheitId=126278&semkez=2018W&ansicht=KATALOGDATEN&lang=en session-time-place: Mon 16-18, CAB G52 lecture-time-place: exercise-time-place: credits: 2 image: assets/images/orator.jpg ---
The objective of the seminar is to:
The seminar is carried out as a set of presentations (2 each lecture) chosen from a set of available papers (available below). The grade is determined as a function of the presentation, handling questions and answers, and participation:
| Date | Title | Presenter | Slides | Advisor |
|---|---|---|---|---|
| Sep 24 | Introduction to the seminar (topics, objectives, structure): | Dr. Veselin Raychev | ||
| 15.10 | Parameter-Free Probabilistic API Mining across GitHub | Anastasia Sycheva | Inna Grijnevitch | |
| Code Completion with Neural Attention and Pointer Networks | Ylli Muhadri | Jingxuan He | ||
| 22.10 | Learn&Fuzz: Machine Learning for Input Fuzzing | Nicolas Mesot | Pesho Ivanov | |
| An Encoder-Decoder Framework Translating Natural Language to Database Queries | Ming-Da Liu Zhang | Pavol Bielik | ||
| 29.10 | Predicting Program Properties from "Big Code" | Panayiotis Panayiotou | Dana Drachsler Cohen | |
| 05.11 | RobustFill: Neural Program Learning under Noisy I/O | Momchil Pavlinov Peychev | Benjamin Bichsel | |
| DeepBugs: A Learning Approach to Name-based Bug Detection | Pietro Constante Oldrati | Samuel Steffen |


Titanic: Machine Learning from Disaster¶
This is a use case for ccdspy, a data science project template for Python.
It implements a solution to the Titanic Kaggle competition that ranks in the top 15-20% on the leaderboard.
Usage¶
The easiest way to reproduce the project is by using the make
directives.
Available rules:
clean Delete all models and data
data Transform raw data
docs Build documentation and copy it to the docs folder
githooks Set up githooks
models Train models
mostlyclean Delete all models and data, except for the raw downloads
predictions Create predictions
raw_data Pull raw data from Kaggle
The project pipeline is:
Download raw data from Kaggle.
Clean the raw data, create new features and transform existing ones.
Train the models using the training data.
Generate predictions using the test data.
Those four steps correspond to the following directives:
make raw_data
make data
make models
make predictions
For each of these steps, make
will run as many of the preceding steps as
necessary to ensure the required input files exist. This means that, starting
from a completely empty (or nonexistent) data/
directory, running
make predictions
will perform the entire pipeline from raw data download
to generating predictions.
See Makefile rules for details on each of these directives.


Best ingredients
Leverage agile frameworks to provide a robust synopsis for high level overviews, iterative approaches
Motto w naszym browarze...
Leverage agile frameworks to provide a robust synopsis for high level overviews, iterative approaches
Leverage agile frameworks to provide a robust synopsis for high level overviews, iterative approaches
Leverage agile frameworks to provide a robust synopsis for high level overviews, iterative approaches
Leverage agile frameworks to provide a robust synopsis for high level overviews, iterative approaches
We have a total irreverence for anything connected with society except that which makes the roads safer and the beer stronger.
 Aenean comio ligula eget dolor. Aenean massa. Cum sociis Theme natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Venenatis faucibi. Null ut am quis ante.
Brewery founded
Certified process
Bottles a day
Online sales
We Make What We Love
What we learned so far
Leverage agile frameworks to provide a robust synopsis for high level overviews. Iterative approaches to corporate strategy foster collaborative thinking to further the overall value proposition. Organically grow the holistic world view of disruptive innovation via workplace diversity and empowerment.
Mark Collins
Founder


2 1/2 cups chopped romaine lettuce 1 can (15.5 oz) black beans, rinsed and well drained 3/4 cup chopped seeded tomato 3/4 cup thinly sliced radishes 1 red bell pepper, chopped 1/4 cup crumbled reduced-fat feta cheese Honey-Lime Dressing 1/4 cup fresh lime juice 1/4 cup olive oil 2 tbsp honey 1 garlic clove, peeled and minced 1 tsp chopped jalapeño pepper (use canned for less heat)


PreviousDatabaseRow()
语法
Result = PreviousDatabaseRow(#Database)概要
Retrieves information about the previous database row in the #Database. The flag #PB_Database_DynamicCursor has to be specified to DatabaseQuery() to have this command working. To access to fields inside a row, GetDatabaseLong(), GetDatabaseFloat(), GetDatabaseString() can be used.
参数
#Database 要使用的数据库。
返回值
If Result is 0, then no more rows are available (i.e. reached the start of the table).
备注
If this function returns zero despite additional rows being available before the current one, then the ODBC driver does not support data retrieval in a backwards direction. It is not mandatory for an ODBC driver to support this function (unlike NextDatabaseRow()). Of course, if this function works, it will work on every computer using the same driver.
SQLite databases don't support this command.
参阅
GetDatabaseBlob(), GetDatabaseDouble(), GetDatabaseFloat(), GetDatabaseLong(), GetDatabaseQuad(), GetDatabaseString()
已支持操作系统
所有


The SearchField component is an interface used to initiate searches for an application. The SearchField
allows the
user to type in keywords and initiate a search based on the keyword via a keyboard 'enter' or by clicking on the
search icon button. The SearchField has the option of including a type ahead dropdown to assist users on their
keyword search.


Google Pay Component
Check the Source Code to see the full implementation.
For more information, please refer to the Checkout Components documentation.
Check the Source Code to see the full implementation.
For more information, please refer to the Checkout Components documentation.


First fill the form and press submit and then add it to your calender
Name
Email Address
Phone Number
Submit
Select the event & the event to google calender


public enum Colors extends java.lang.Enum<Colors>
values()
.web()
method that converts a CSS color into a Color
object, but it's bad. CSS can specify a color such as
color: red;
, but JavaFX's Color class can't handle that complex
problem, apparently. Even if it did work (like it's supposed to), it doesn't
acheive the other two requirements we have above.| Modifier and Type | Method and Description |
|---|---|
javafx.scene.paint.Color |
getColor()
Getter for Color
|
java.lang.String |
getFriendlyName()
Getter for name.
|
static Colors |
valueOf(java.lang.String name)
Returns the enum constant of this type with the specified name.
|
static Colors[] |
values()
Returns an array containing the constants of this enum type, in
the order they are declared.
|
public static final Colors ANYCOLOR
public static final Colors ALICEBLUE
public static final Colors ANTIQUEWHITE
public static final Colors AQUA
public static final Colors AQUAMARINE
public static final Colors AZURE
public static final Colors BEIGE
public static final Colors BISQUE
public static final Colors BLACK
public static final Colors BLANCHEDALMOND
public static final Colors BLUE
public static final Colors BLUEVIOLET
public static final Colors BROWN
public static final Colors BURLYWOOD
public static final Colors CADETBLUE
public static final Colors CHARTREUSE
public static final Colors CHOCOLATE
public static final Colors CORAL
public static final Colors CORNFLOWERBLUE
public static final Colors CORNSILK
public static final Colors CRIMSON
public static final Colors CYAN
public static final Colors DARKBLUE
public static final Colors DARKCYAN
public static final Colors DARKGOLDENROD
public static final Colors DARKGRAY
public static final Colors DARKGREEN
public static final Colors DARKGREY
public static final Colors DARKKHAKI
public static final Colors DARKMAGENTA
public static final Colors DARKOLIVEGREEN
public static final Colors DARKORANGE
public static final Colors DARKORCHID
public static final Colors DARKRED
public static final Colors DARKSALMON
public static final Colors DARKSEAGREEN
public static final Colors DARKSLATEBLUE
public static final Colors DARKSLATEGRAY
public static final Colors DARKSLATEGREY
public static final Colors DARKTURQUOISE
public static final Colors DARKVIOLET
public static final Colors DEEPPINK
public static final Colors DEEPSKYBLUE
public static final Colors DIMGRAY
public static final Colors DIMGREY
public static final Colors DODGERBLUE
public static final Colors FIREBRICK
public static final Colors FLORALWHITE
public static final Colors FORESTGREEN
public static final Colors FUCHSIA
public static final Colors GAINSBORO
public static final Colors GHOSTWHITE
public static final Colors GOLD
public static final Colors GOLDENROD
public static final Colors GRAY
public static final Colors GREEN
public static final Colors GREENYELLOW
public static final Colors GREY
public static final Colors HONEYDEW
public static final Colors HOTPINK
public static final Colors INDIANRED
public static final Colors INDIGO
public static final Colors IVORY
public static final Colors KHAKI
public static final Colors LAVENDER
public static final Colors LAVENDERBLUSH
public static final Colors LAWNGREEN
public static final Colors LEMONCHIFFON
public static final Colors LIGHTBLUE
public static final Colors LIGHTCORAL
public static final Colors LIGHTCYAN
public static final Colors LIGHTGOLDENRODYELLOW
public static final Colors LIGHTGRAY
public static final Colors LIGHTGREEN
public static final Colors LIGHTGREY
public static final Colors LIGHTPINK
public static final Colors LIGHTSALMON
public static final Colors LIGHTSEAGREEN
public static final Colors LIGHTSKYBLUE
public static final Colors LIGHTSLATEGRAY
public static final Colors LIGHTSLATEGREY
public static final Colors LIGHTSTEELBLUE
public static final Colors LIGHTYELLOW
public static final Colors LIME
public static final Colors LIMEGREEN
public static final Colors LINEN
public static final Colors MAGENTA
public static final Colors MAROON
public static final Colors MEDIUMAQUAMARINE
public static final Colors MEDIUMBLUE
public static final Colors MEDIUMORCHID
public static final Colors MEDIUMPURPLE
public static final Colors MEDIUMSEAGREEN
public static final Colors MEDIUMSLATEBLUE
public static final Colors MEDIUMSPRINGGREEN
public static final Colors MEDIUMTURQUOISE
public static final Colors MEDIUMVIOLETRED
public static final Colors MIDNIGHTBLUE
public static final Colors MINTCREAM
public static final Colors MISTYROSE
public static final Colors MOCCASIN
public static final Colors NAVAJOWHITE
public static final Colors NAVY
public static final Colors OLDLACE
public static final Colors OLIVE
public static final Colors OLIVEDRAB
public static final Colors ORANGE
public static final Colors ORANGERED
public static final Colors ORCHID
public static final Colors PALEGOLDENROD
public static final Colors PALEGREEN
public static final Colors PALETURQUOISE
public static final Colors PALEVIOLETRED
public static final Colors PAPAYAWHIP
public static final Colors PEACHPUFF
public static final Colors PERU
public static final Colors PINK
public static final Colors PLUM
public static final Colors POWDERBLUE
public static final Colors PURPLE
public static final Colors RED
public static final Colors ROSYBROWN
public static final Colors ROYALBLUE
public static final Colors SADDLEBROWN
public static final Colors SALMON
public static final Colors SANDYBROWN
public static final Colors SEAGREEN
public static final Colors SEASHELL
public static final Colors SIENNA
public static final Colors SILVER
public static final Colors SKYBLUE
public static final Colors SLATEBLUE
public static final Colors SLATEGRAY
public static final Colors SLATEGREY
public static final Colors SNOW
public static final Colors SPRINGGREEN
public static final Colors STEELBLUE
public static final Colors TAN
public static final Colors TEAL
public static final Colors THISTLE
public static final Colors TOMATO
public static final Colors TRANSPARENT
public static final Colors TURQUOISE
public static final Colors VIOLET
public static final Colors WHEAT
public static final Colors WHITE
public static final Colors WHITESMOKE
public static final Colors YELLOW
public static final Colors YELLOWGREEN
public static Colors[] values()
for (Colors c : Colors.values()) System.out.println(c);
public static Colors valueOf(java.lang.String name)
name
- the name of the enum constant to be returned.java.lang.IllegalArgumentException
- if this enum type has no constant with the specified namejava.lang.NullPointerException
- if the argument is nullpublic javafx.scene.paint.Color getColor()
public java.lang.String getFriendlyName()


Password Generator
Generate a password below by sliding to the total number of values needed
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{block name="sc"} {/block}
{include file="public/head"} {include file="public/left"} {block name="main"} {/block}


Weenie
Several years ago, a New York publishing house was foolish enough to offer me a book contract. I got a lot out of that deal – money, a bunch of free copies of the book, and a smug sense of superiority to name just a few. But possibly the most valuable thing I gained was an unexpected lesson in swearing. Until that time, I’d only had the readers of my website to answer to, and so I’d mostly used whatever words I felt like using. The editors at the publishing house, however, pointed out some things I hadn’t consciously realized.
For one thing, they told me, I was seriously overusing “fuck” instead of making actual jokes. I’ve already written about that, so there’s no need to discuss it further.
The most surprising of these – to me – was “pansy.” Given my privileged background, I hadn’t even considered that the word might have its origins in homophobia. To me, it just meant “wimp.” I actually got mad at the editor who told me I had to stop using “pansy,” because it seemed like such a harmless word to me. Even worse, I had no idea what could replace it. I’d long since given up “pussy,” and while “wimp” means the same thing, it doesn’t have nearly the bite, and it’s only one syllable. I was at a loss, until a friend opened my eyes to one of the greatest insults of all time:
“Weenie.”
 No angels sang just now.  But if what you want to do is insult somebody’s gumption, “weenie” is a gift from the gods. It diminishes your target with the help of the “-ie” diminutive suffix, it has two luxurious syllables, and the only thing it makes fun of is penises, which are already pretty funny. In short, “weenie” is everything I thought “pansy” was, just without the history of homophobia.
Even better, “weenie” comes with a companion word, “wiener”, which is even more useful.  A weiner, on the other hand, is a person who is unpleasant in the way that a shitty four-year-old is unpleasant. The current president of the United States, for example, is a wiener. Or a dildo. Dildo works too.
There you have it friends: the story of a journey of self-discovery that lead me to discover something outside myself: weenies. So many weenies.


Tidy Content Package
The Content Package is now fully functional, but we may wish to tidy up the package before final export.
We could rename the Main Organization to 'Summer Pictures' (Select the Organization and edit the entry in the attribute window at the bottom.)
We could rearrange the content to follow a different structure - reflecting the subject of the individual photographs. (Use 'Move Up' and 'Move Dn' buttons to rearrange the content.
We could rename the Items so that their names are more meaningful than One, Two Three etc.)
Preview Again, the Content Package previewer picks up the new name for the files.
Your previewed content package should resemble that shown below.


Oregon State gets grant to study tiny plastics in waterways
by The Associated PressCORVALLIS, Ore. (AP) — Oregon State University will use a $3.3 million grant from the National Science Foundation to study pollution from tiny plastics and its impact on aquatic life.
The university said Monday that scientists will develop tools and methods for evaluating micro- and nanoplastics in everything from the ocean to estuaries.
Research will focus on the impact of tiny plastics on an estuary fish called the inland silversides and on oyster larvae off the Oregon coast.
Another goal of the project is establishing a Pacific Northwest Consortium on Plastics.
That group would include government agencies, non-governmental organizations and grassroots groups to encourage the reduction of marine pollution.
Results of OSU’s plastics research will be displayed at the Oregon Museum of Science and Industry in Portland the future.
The Associated Press


Hello! I am currently a student enrolled in a Trilogy Education Services Full Stack Web Development Boot Camp. I currently hold a B.S. in Psychology and a certificate for teaching English in foreign countries.
I am based in Saint Paul, MN. When I'm not working or coding, I enjoy rock climbing, throwing together
cosplays for nerd conventions, and hanging out with my two cats.


KAMA SUTRA A film review by Michael Redman Copyright 1997 Michael Redman
*** (out of ****)
Although the plot (commoner and princess vie for the affection of a king) comes straight from a Harlequin romance, this Indian film is so rich with sensuality and lush richness that it is a joy to behold.
Directed by Mira Nair (Salaam Bombay!, Mississippi Masala), the tale follows two young girls Maya (Indira Varma) and Princess Tara (Sarita Choudhury) as they mature in the ways of sex and politics. Tara marries Raj Singh (Naveen Andrews) but not before Maya seduces him the night before.
On her wedding day, Maya tells her "All my life I have lived with your used things. Now something I have used is your forever." Tara is not too happy with this turn of events and Maya is banished from the village.
Wandering through 16th century India, she comes upon royal sculptor who turns her on to a Kama Sutra class. This prepares her for her new occupation as courtesan to the same king that her childhood friend married.
The story isn't much, but the costumes and sets are grand. The real star of the film is the erotic love-making. The scenes are hot without being explicit, sweaty without being offensive and certainly qualify as some of the best filmed sex scenes to hit the cinema. See it and take a close personal friend.
[This appeared in the 5/2/97 "Bloomington Voice", Bloomington, Indiana. Michael Redman can be reached at<EMAIL_ADDRESS>]
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


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