"You see, gentlemen, all of them study painting and music. But not a single one of them has ever painted a remarkable picture or composed a great opera! Why, gentlemen? Because they are the 'sexes sequior', the secondary sex in every sense of the word, made to be kept apart, in the background."
Monsieur Patissot was growing angry, and exclaimed:
"And how about Madame Sand, monsieur?"
"She is the one exception, monsieur, the one exception. I will quote to you another passage from another great philosopher, this one an Englishman, Herbert Spencer. Here is what he says: 'Each sex is capable, under the influence of abnormal stimulation, of manifesting faculties ordinarily reserved for the other one. Thus, for instance, in extreme cases a special excitement may cause the breasts of men to give milk; children deprived of their mothers have often thus been saved in time of famine. Nevertheless, we do not place this faculty of giving milk among the male attributes. It is the same with female intelligence, which, in certain cases, will give superior products, but which is not to be considered in an estimate of the feminine nature as a social factor.'"
All Monsieur Patissot's chivalric instincts were wounded and he declared:
"You are not a Frenchman, monsieur. French gallantry is a form of patriotism."
Monsieur Rade retorted:
"I have very little patriotism, monsieur, as little as I can get along with."
A coolness settled over the company, but he continued quietly:
"Do you admit with me that war is a barbarous thing; that this custom of killing off people constitutes a condition of savagery; that it is odious, when life is the only real good, to see governments, whose duty is to protect the lives of their subjects, persistently looking for means of destruction? Am I not right? Well, if war is a terrible thing, what about patriotism, which is the idea at the base of it? When a murderer kills he has a fixed idea; it is to steal. When a good man sticks his bayonet through another good man, father of a family, or, perhaps, a great artist, what idea is he following out?"
Everybody was shocked.
"When one has such thoughts, one should not express them in public."
M. Patissot continued:
"There are, however, monsieur, principles which all good people recognize."
M. Rade asked: "Which ones?"
Then very solemnly, M. Patissot pronounced: "Morality, monsieur."
M. Rade was beaming; he exclaimed:
"Just let me give you one example, gentlemen, one little example. What is your opinion of the gentlemen with the silk caps who thrive along the boulevard's on the delightful traffic which you know, and who make a living out of it?"
A look of disgust ran round the table:
"Well, gentlemen! only a century ago, when an elegant gentleman, very ticklish about his honor, had for—friend—a beautiful and rich lady, it was considered perfectly proper to live at her expense and even to squander her whole fortune. This game was considered delightful. This only goes to show that the principles of morality are by no means settled—and that—"
M. Perdrix, visibly embarrassed, stopped him:
"M. Rade, you are sapping the very foundations of society. One must always have principles. Thus, in politics, here is M. de Sombreterre, who is a Legitimist; M. Vallin, an Orleanist; M. Patissot and myself, Republicans; we all have very different principles, and yet we agree very well because we have them."
But M. Rade exclaimed:
"I also have principles, gentlemen, very distinct ones."
M. Patissot raised his head and coldly asked:
"It would please me greatly to know them, monsieur."
M. Rade did not need to be coaxed.
"Here they are, monsieur:
"First principle—Government by one person is a monstrosity.
"Second principle—Restricted suffrage is an injustice.
"Third principle—Universal suffrage is idiotic.
"To deliver up millions of men, superior minds, scientists, even geniuses, to the caprice and will of a being who, in an instant of gaiety, madness, intoxication or love, would not hesitate to sacrifice everything for his exalted fancy, would spend the wealth of the country amassed by others with difficulty, would have thousands of men slaughtered on the battle-fields, all this appears to me—a simple logician—a monstrous aberration.
"But, admitting that a country must govern itself, to exclude, on some always debatable pretext, a part of the citizens from the administration of affairs is such an injustice that it seems to me unworthy of a further discussion.
"There remains universal suffrage. I suppose that you will agree with me that geniuses are a rarity. Let us be liberal and say that there are at present five in France. Now, let us add, perhaps, two hundred men with a decided talent, one thousand others possessing various talents, and ten thousand superior intellects. This is a staff of eleven thousand two hundred and five minds. After that you have the army of mediocrities followed by the multitude of fools. As the mediocrities and the fools always form the immense majority, it is impossible for them to elect an intelligent government.
"In order to be fair I admit that logically universal suffrage seems to me the only admissible principle, but it is impracticable. Here are the reasons why:
"To make all the living forces of the country cooperate in the government, to represent all the interests, to take into account all the rights, is an ideal dream, but hardly practicable, because the only force which can be measured is that very one which should be neglected, the stupid strength of numbers, According to your method, unintelligent numbers equal genius, knowledge, learning, wealth and industry. When you are able to give to a member of the Institute ten thousand votes to a ragman's one, one hundred votes for a great land-owner as against his farmer's ten, then you will have approached an equilibrium of forces and obtained a national representation which will really represent the strength of the nation. But I challenge you to do it.
"Here are my conclusions:
"Formerly, when a man was a failure at every other profession he turned photographer; now he has himself elected a deputy. A government thus composed will always be sadly lacking, incapable of evil as well as of good. On the other hand, a despot, if he be stupid, can do a lot of harm, and, if he be intelligent (a thing which is very scarce), he may do good.
"I cannot decide between these two forms of government; I declare myself to be an anarchist, that is to say, a partisan of that power which is the most unassuming, the least felt, the most liberal, in the broadest sense of the word, and revolutionary at the same time; by that I mean the everlasting enemy of this same power, which can in no way be anything but defective. That's all!"
Cries of indignation rose about the table, and all, whether Legitimist, Orleanist or Republican through force of circumstances, grew red with anger. M. Patissot especially was choking with rage, and, turning toward M. Rade, he cried:
"Then, monsieur, you believe in nothing?"
The other answered quietly:
"You're absolutely correct, monsieur."
The anger felt by all the guests prevented M. Rade from continuing, and M. Perdrix, as chief, closed the discussion.
"Enough, gentlemen! We each have our opinion, and we have no intention of changing it."
All agreed with the wise words. But M. Rade, never satisfied, wished to have the last word.
"I have, however, one moral," said he. "It is simple and always applicable. One sentence embraces the whole thought; here it is: 'Never do unto another that which you would not have him do unto you.' I defy you to pick any flaw in it, while I will undertake to demolish your most sacred principles with three arguments."
This time there was no answer. But as they were going home at night, by couples, each one was saying to his companion: "Really, M. Rade goes much too far. His mind must surely be unbalanced. He ought to be appointed assistant chief at the Charenton Asylum."
How many recollections of youth come to me in the soft sunlight of early spring! It was an age when all was pleasant, cheerful, charming, intoxicating. How exquisite are the remembrances of those old springtimes!
Do you recall, old friends and brothers, those happy years when life was nothing but a triumph and an occasion for mirth? Do you recall the days of wanderings around Paris, our jolly poverty, our walks in the fresh, green woods, our drinks in the wine-shops on the banks of the Seine and our commonplace and delightful little flirtations?
I will tell you about one of these. It was twelve years ago and already appears to me so old, so old that it seems now as if it belonged to the other end of life, before middle age, this dreadful middle age from which I suddenly perceived the end of the journey.
I was then twenty-five. I had just come to Paris. I was in a government office, and Sundays were to me like unusual festivals, full of exuberant happiness, although nothing remarkable occurred.
Now it is Sunday every day, but I regret the time when I had only one Sunday in the week. How enjoyable it was! I had six francs to spend!
On this particular morning I awoke with that sense of freedom that all clerks know so well—the sense of emancipation, of rest, of quiet and of independence.
I opened my window. The weather was charming. A blue sky full of sunlight and swallows spread above the town.
I dressed quickly and set out, intending to spend the day in the woods breathing the air of the green trees, for I am originally a rustic, having been brought up amid the grass and the trees.
Paris was astir and happy in the warmth and the light. The front of the houses was bathed in sunlight, the janitress' canaries were singing in their cages and there was an air of gaiety in the streets, in the faces of the inhabitants, lighting them up with a smile as if all beings and all things experienced a secret satisfaction at the rising of the brilliant sun.
I walked towards the Seine to take the Swallow, which would land me at Saint-Cloud.
How I loved waiting for the boat on the wharf:
It seemed to me that I was about to set out for the ends of the world, for new and wonderful lands. I saw the boat approaching yonder, yonder under the second bridge, looking quite small with its plume of smoke, then growing larger and ever larger, as it drew near, until it looked to me like a mail steamer.
It came up to the wharf and I went on board. People were there already in their Sunday clothes, startling toilettes, gaudy ribbons and bright scarlet designs. I took up a position in the bows, standing up and looking at the quays, the trees, the houses and the bridges disappearing behind us. And suddenly I perceived the great viaduct of Point du Jour which blocked the river. It was the end of Paris, the beginning of the country, and behind the double row of arches the Seine, suddenly spreading out as though it had regained space and liberty, became all at once the peaceful river which flows through the plains, alongside the wooded hills, amid the meadows, along the edge of the forests.
After passing between two islands the Swallow went round a curved verdant slope dotted with white houses. A voice called out: "Bas Meudon" and a little further on, "Sevres," and still further, "Saint-Cloud."
I went on shore and walked hurriedly through the little town to the road leading to the wood.
I had brought with me a map of the environs of Paris, so that I might not lose my way amid the paths which cross in every direction these little forests where Parisians take their outings.
As soon as I was unperceived I began to study my guide, which seemed to be perfectly clear. I was to turn to the right, then to the left, then again to the left and I should reach Versailles by evening in time for dinner.
I walked slowly beneath the young leaves, drinking in the air, fragrant with the odor of young buds and sap. I sauntered along, forgetful of musty papers, of the offices, of my chief, my colleagues, my documents, and thinking of the good things that were sure to come to me, of all the veiled unknown contained in the future. A thousand recollections of childhood came over me, awakened by these country odors, and I walked along, permeated with the fragrant, living enchantment, the emotional enchantment of the woods warmed by the sun of June.
At times I sat down to look at all sorts of little flowers growing on a bank, with the names of which I was familiar. I recognized them all just as if they were the ones I had seen long ago in the country. They were yellow, red, violet, delicate, dainty, perched on long stems or close to the ground. Insects of all colors and shapes, short, long, of peculiar form, frightful, and microscopic monsters, climbed quietly up the stalks of grass which bent beneath their weight.
Then I went to sleep for some hours in a hollow and started off again, refreshed by my doze.
In front of me lay an enchanting pathway and through its somewhat scanty foliage the sun poured down drops of light on the marguerites which grew there. It stretched out interminably, quiet and deserted, save for an occasional big wasp, who would stop buzzing now and then to sip from a flower, and then continue his way.
All at once I perceived at the end of the path two persons, a man and a woman, coming towards me. Annoyed at being disturbed in my quiet walk, I was about to dive into the thicket, when I thought I heard someone calling me. The woman was, in fact, shaking her parasol, and the man, in his shirt sleeves, his coat over one arm, was waving the other as a signal of distress.
I went towards them. They were walking hurriedly, their faces very red, she with short, quick steps and he with long strides. They both looked annoyed and fatigued.
The woman asked:
"Can you tell me, monsieur, where we are? My fool of a husband made us lose our way, although he pretended he knew the country perfectly."
I replied confidently:
"Madame, you are going towards Saint-Cloud and turning your back on Versailles."
With a look of annoyed pity for her husband, she exclaimed:
"What, we are turning our back on Versailles? Why, that is just where we want to dine!"
"I am going there also, madame."
"Mon Dieu, mon Dieu, mon Dieu!" she repeated, shrugging her shoulders, and in that tone of sovereign contempt assumed by women to express their exasperation.
She was quite young, pretty, a brunette with a slight shadow on her upper lip.
As for him, he was perspiring and wiping his forehead. It was assuredly a little Parisian bourgeois couple. The man seemed cast down, exhausted and distressed.
"But, my dear friend, it was you—" he murmured.
She did not allow him to finish his sentence.
"It was I! Ah, it is my fault now! Was it I who wanted to go out without getting any information, pretending that I knew how to find my way? Was it I who wanted to take the road to the right on top of the hill, insisting that I recognized the road? Was it I who undertook to take charge of Cachou—"
She had not finished speaking when her husband, as if he had suddenly gone crazy, gave a piercing scream, a long, wild cry that could not be described in any language, but which sounded like 'tuituit'.
 Was it I who took the train to Dieppe last year instead of the train to Havre—tell me, was it I? Was it I who bet that M. Letourneur lived in Rue des Martyres? Was it I who would not believe that Celeste was a thief?"
She went on, furious, with a surprising flow of language, accumulating the most varied, the most unexpected and the most overwhelming accusations drawn from the intimate relations of their daily life, reproaching her husband for all his actions, all his ideas, all his habits, all his enterprises, all his efforts, for his life from the time of their marriage up to the present time.
He strove to check her, to calm her and stammered:
"But, my dear, it is useless—before monsieur. We are making ourselves ridiculous. This does not interest monsieur."
And he cast mournful glances into the thicket as though he sought to sound its peaceful and mysterious depths, in order to flee thither, to escape and hide from all eyes, and from time to time he uttered a fresh scream, a prolonged and shrill "tuituit." I took this to be a nervous affection.
The young woman, suddenly turning towards me: and changing her tone with singular rapidity, said:
"If monsieur will kindly allow us, we will accompany him on the road, so as not to lose our way again, and be obliged, possibly, to sleep in the wood."
I bowed. She took my arm and began to talk about a thousand things —about herself, her life, her family, her business. They were glovers in the Rue, Saint-Lazare.
Her husband walked beside her, casting wild glances into the thick wood and screaming "tuituit" every few moments.

"I have lost my poor dog," he replied in a tone of discouragement and despair.
"How is that—you have lost your dog?"
"Yes. He was just a year old. He had never been outside the shop. I wanted to take him to have a run in the woods. He had never seen the grass nor the leaves and he was almost wild. He began to run about and bark and he disappeared in the wood. I must also add that he was greatly afraid of the train. That may have driven him mad. I kept on calling him, but he has not come back. He will die of hunger in there."
Without turning towards her husband, the young woman said:
"If you had left his chain on, it would not have happened.
"But, my dear, it was you—" he murmured timidly.
She stopped short, and looking into his eyes as if she were going to tear them out, she began again to cast in his face innumerable reproaches.
It was growing dark. The cloud of vapor that covers the country at dusk was slowly rising and there was a poetry in the air, induced by the peculiar and enchanting freshness of the atmosphere that one feels in the woods at nightfall.
Suddenly the young man stopped, and feeling his body feverishly, exclaimed:
"Oh, I think that I—"
She looked at him.
"Well, what?"
"I did not notice that I had my coat on my arm."
"Well—?"
"I have lost my pocketbook—my money was in it."
She shook with anger and choked with indignation.
"That was all that was lacking.  Is it possible that I could have married such an idiot! Well, go and look for it, and see that you find it. I am going on to Versailles with monsieur. I do not want to sleep in the wood."
"Yes, my dear," he replied gently. "Where shall I find you?"
A restaurant had been recommended to me. I gave him the address.
He turned back and, stooping down as he searched the ground with anxious eyes, he moved away, screaming "tuituit" every few moments.
We could see him for some time until the growing darkness concealed all but his outline, but we heard his mournful "tuituit," shriller and shriller as the night grew darker.
As for me, I stepped along quickly and happily in the soft twilight, with this little unknown woman leaning on my arm. I tried to say pretty things to her, but could think of nothing. I remained silent, disturbed, enchanted.
Our path was suddenly crossed by a high road. To the right I perceived a town lying in a valley.
What was this place? A man was passing. I asked him. He replied:
"Bougival."
I was dumfounded.
"What, Bougival? Are you sure?"
"Parbleu, I belong there!"

I proposed that we should take a carriage and drive to Versailles. She replied:
"No, indeed. This is very funny and I am very hungry. I am really quite calm. My husband will find his way all right. It is a treat to me to be rid of him for a few hours."
We went into a restaurant beside the water and I ventured to ask for a private compartment. We had some supper. She sang, drank champagne, committed all sorts of follies.
That was my first serious flirtation.
Eight hours of railway travel induce sleep for some persons and insomnia for others with me, any journey prevents my sleeping on the following night.
At about five o'clock I arrived at the estate of Abelle, which belongs to my friends, the Murets d'Artus, to spend three weeks there. It is a pretty house, built by one of their grandfathers in the style of the latter half of the last century. Therefore it has that intimate character of dwellings that have always been inhabited, furnished and enlivened by the same people. Nothing changes; nothing alters the soul of the dwelling, from which the furniture has never been taken out, the tapestries never unnailed, thus becoming worn out, faded, discolored, on the same walls. None of the old furniture leaves the place; only from time to time it is moved a little to make room for a new piece, which enters there like a new-born infant in the midst of brothers and sisters.
The house is on a hill in the center of a park which slopes down to the river, where there is a little stone bridge. Beyond the water the fields stretch out in the distance, and here one can see the cows wandering around, pasturing on the moist grass; their eyes seem full of the dew, mist and freshness of the pasture. I love this dwelling, just as one loves a thing which one ardently desires to possess. I return here every autumn with infinite delight; I leave with regret.
After I had dined with this friendly family, by whom I was received like a relative, I asked my friend, Paul Muret: "Which room did you give me this year?"
"Aunt Rose's room."
An hour later, followed by her three children, two little girls and a boy, Madame Muret d'Artus installed me in Aunt Rose's room, where I had not yet slept.
When I was alone I examined the walls, the furniture, the general aspect of the room, in order to attune my mind to it. I knew it but little, as I had entered it only once or twice, and I looked indifferently at a pastel portrait of Aunt Rose, who gave her name to the room.
This old Aunt Rose, with her curls, looking at me from behind the glass, made very little impression on my mind. She looked to me like a woman of former days, with principles and precepts as strong on the maxims of morality as on cooking recipes, one of these old aunts who are the bugbear of gaiety and the stern and wrinkled angel of provincial families.
I never had heard her spoken of; I knew nothing of her life or of her death. Did she belong to this century or to the preceding one? Had she left this earth after a calm or a stormy existence? Had she given up to heaven the pure soul of an old maid, the calm soul of a spouse, the tender one of a mother, or one moved by love? What difference did it make? The name alone, "Aunt Rose," seemed ridiculous, common, ugly.
I picked up a candle and looked at her severe face, hanging far up in an old gilt frame. Then, as I found it insignificant, disagreeable, even unsympathetic, I began to examine the furniture. It dated from the period of Louis XVI, the Revolution and the Directorate. Not a chair, not a curtain had entered this room since then, and it gave out the subtle odor of memories, which is the combined odor of wood, cloth, chairs, hangings, peculiar to places wherein have lived hearts that have loved and suffered.
I retired but did not sleep. After I had tossed about for an hour or two, I decided to get up and write some letters.
I opened a little mahogany desk with brass trimmings, which was placed between the two windows, in hope of finding some ink and paper; but all I found was a quill-pen, very much worn, and chewed at the end.  I scratched it with my finger, and it seemed to move. I seized it between two finger-nails, and pulled as hard as I could. It came toward me gently. It was a long gold pin which had been slipped into a hole in the wood and remained hidden there.
Why? I immediately thought that it must have served to work some spring which hid a secret, and I looked. It took a long time. After about two hours of investigation, I discovered another hole opposite the first one, but at the bottom of a groove. Into this I stuck my pin: a little shelf sprang toward my face, and I saw two packages of yellow letters, tied with a blue ribbon.
I read them. Here are two of them:
So you wish me to return to you your letters, my dearest friend. Here they are, but it pains me to obey. Of what are you afraid? That I might lose them? But they are under lock and key. Do you fear that they might be stolen? I guard against that, for they are my dearest treasure. Yes, it pains me deeply. I wondered whether, perhaps you might not be feeling some regret! Not regret at having loved me, for I know that you still do, but the regret of having expressed on white paper this living love in hours when your heart did not confide in me, but in the pen that you held in your hand. When we love, we have need of confession, need of talking or writing, and we either talk or write. Words fly away, those sweet words made of music, air and tenderness, warm and light, which escape as soon as they are uttered, which remain in the memory alone, but which one can neither see, touch nor kiss, as one can with the words written by your hand. Your letters? Yes, I am returning them to you! But with what sorrow! Undoubtedly, you must have had an after thought of delicate shame at expressions that are ineffaceable. In your sensitive and timid soul you must have regretted having written to a man that you loved him. You remembered sentences that called up recollections, and you said to yourself: "I will make ashes of those words." Be satisfied, be calm. Here are your letters. I love you.
MY FRIEND: No, you have not understood me, you have not guessed. I do not regret, and I never shall, that I told you of my affection. I will always write to you, but you must return my letters to me as soon as you have read them. I shall shock you, my friend, when I tell you the reason for this demand. It is not poetic, as you imagined, but practical. I am afraid, not of you, but of some mischance. I am guilty. I do not wish my fault to affect others than myself. Understand me well. You and I may both die. You might fall off your horse, since you ride every day; you might die from a sudden attack, from a duel, from heart disease, from a carriage accident, in a thousand ways. For, if there is only one death, there are more ways of its reaching us than there are days or us to live. Then your sisters, your brother, or your sister-in-law might find my letters! Do you think that they love me? I doubt it. And then, even if they adored me, is it possible for two women and one man to know a secret—such a secret!—and not to tell of it? I seem to be saying very disagreeable things, speaking first of your death, and then suspecting the discreetness of your relatives. But don't all of us die sooner or later? And it is almost certain that one of us will precede the other under the ground. We must therefore foresee all dangers, even that one. As for me, I will keep your letters beside mine, in the secret of my little desk.   Oh! I fear nothing. First of all, he does not know the secret of my desk, and then he will not look for it. And even if he finds it after my death, I fear nothing. Did you ever stop to think of all the love letters that have been found after death? I have been thinking of this for a long time, and that is the reason I decided to ask you for my letters.  That is our whole life, our whole hope, expectation and dream. These little papers which bear our name in caressing terms are relics which we adore; they are chapels in which we are the saints. Our love letters are our titles to beauty, grace, seduction, the intimate vanity of our womanhood; they are the treasures of our heart.  But, like everybody else, we die, and then—then these letters are found! Who finds them? The husband. Then what does he do? Nothing. He burns them. Oh, I have thought a great deal about that! Just think that every day women are dying who have been loved; every day the traces and proofs of their fault fall into the hands of their husbands, and that there is never a scandal, never a duel. Think, my dear, of what a man's heart is. He avenges himself on a living woman; he fights with the man who has dishonored her, kills him while she lives, because, well, why? I do not know exactly why. But, if, after her death, he finds similar proofs, he burns them and no one is the wiser, and he continues to shake hands with the friend of the dead woman, and feels quite at ease that these letters should not have fallen into strange hands, and that they are destroyed. Oh, how many men I know among my friends who must have burned such proofs, and who pretend to know nothing, and yet who would have fought madly had they found them when she was still alive! But she is dead. Honor has changed. The tomb is the boundary of conjugal sinning. Therefore, I can safely keep our letters, which, in your hands, would be a menace to both of us. Do you dare to say that I am not right? I love you and kiss you.
I raised my eyes to the portrait of Aunt Rose, and as I looked at her severe, wrinkled face, I thought of all those women's souls which we do not know, and which we suppose to be so different from what they really are, whose inborn and ingenuous craftiness we never can penetrate, their quiet duplicity; and a verse of De Vigny returned to my memory:
"Always this comrade whose heart is uncertain."
The old-fashioned chateau was built on a wooded knoll in the midst of tall trees with dark-green foliage; the park extended to a great distance, in one direction to the edge of the forest, in another to the distant country. A few yards from the front of the house was a huge stone basin with marble ladies taking a bath; other, basins were seen at intervals down to the foot of the slope, and a stream of water fell in cascades from one basin to another.
From the manor house, which preserved the grace of a superannuated coquette, down to the grottos incrusted with shell-work, where slumbered the loves of a bygone age, everything in this antique demesne had retained the physiognomy of former days. Everything seemed to speak still of ancient customs, of the manners of long ago, of former gallantries, and of the elegant trivialities so dear to our grandmothers.
In a parlor in the style of Louis XV, whose walls were covered with shepherds paying court to shepherdesses, beautiful ladies in hoop-skirts, and gallant gentlemen in wigs, a very old woman, who seemed dead as soon as she ceased to move, was almost lying down in a large easy-chair, at each side of which hung a thin, mummy-like hand.
Her dim eyes were gazing dreamily toward the distant horizon as if they sought to follow through the park the visions of her youth. Through the open window every now and then came a breath of air laden with the odor of grass and the perfume of flowers. It made her white locks flutter around her wrinkled forehead and old memories float through her brain.
Beside her, on a tapestried stool, a young girl, with long fair hair hanging in braids down her back, was embroidering an altar-cloth. There was a pensive expression in her eyes, and it was easy to see that she was dreaming, while her agile fingers flew over her work.
But the old lady turned round her head, and said:
"Berthe, read me something out of the newspapers, that I may still know sometimes what is going on in the world."
The young girl took up a newspaper, and cast a rapid glance over it.
"There is a great deal about politics, grandmamma; shall I pass that over?"
"Yes, yes, darling. Are there no love stories? Is gallantry, then, dead in France, that they no longer talk about abductions or adventures as they did formerly?"
The girl made a long search through the columns of the newspaper.
"Here is one," she said. "It is entitled 'A Love Drama!'"
The old woman smiled through her wrinkles. "Read that for me," she said.
And Berthe commenced. It was a case of vitriol throwing.  She had left the Court of Assizes acquitted, declared to be innocent, amid the applause of the crowd.
The grandmother moved about excitedly in her chair, and exclaimed:
"This is horrible—why, it is perfectly horrible!
"See whether you can find anything else to read to me, darling."
Berthe again made a search; and farther down among the reports of criminal cases, she read:
"'Gloomy Drama. A shop girl, no longer young, allowed herself to be led astray by a young man.  The unhappy man is maimed for life. The jury, all men of moral character, condoning the illicit love of the murderess, honorably acquitted her.'"
This time the old grandmother appeared quite shocked, and, in a trembling voice, she said:
"Why, you people are mad nowadays. You are mad! The good God has given you love, the only enchantment in life. Man has added to this gallantry the only distraction of our dull hours, and here you are mixing up with it vitriol and revolvers, as if one were to put mud into a flagon of Spanish wine."
Berthe did not seem to understand her grandmother's indignation.
"But, grandmamma, this woman avenged herself. Remember she was married, and her husband deceived her."
The grandmother gave a start.
"What ideas have they been filling your head with, you young girls of today?"
Berthe replied:
"But marriage is sacred, grandmamma."
The grandmother's heart, which had its birth in the great age of gallantry, gave a sudden leap.
"It is love that is sacred," she said. "Listen, child, to an old woman who has seen three generations, and who has had a long, long experience of men and women. Marriage and love have nothing in common. We marry to found a family, and we form families in order to constitute society. Society cannot dispense with marriage. If society is a chain, each family is a link in that chain. In order to weld those links, we always seek metals of the same order. When we marry, we must bring together suitable conditions; we must combine fortunes, unite similar races and aim at the common interest, which is riches and children. We marry only once my child, because the world requires us to do so, but we may love twenty times in one lifetime because nature has made us like this. Marriage, you see, is law, and love is an instinct which impels us, sometimes along a straight, and sometimes along a devious path. The world has made laws to combat our instincts—it was necessary to make them; but our instincts are always stronger, and we ought not to resist them too much, because they come from God; while the laws only come from men. If we did not perfume life with love, as much love as possible, darling, as we put sugar into drugs for children, nobody would care to take it just as it is."
Berthe opened her eyes wide in astonishment. She murmured:
"Oh! grandmamma, we can only love once."
The grandmother raised her trembling hands toward Heaven, as if again to invoke the defunct god of gallantries. She exclaimed indignantly:
"You have become a race of serfs, a race of common people. Since the Revolution, it is impossible any longer to recognize society. You have attached big words to every action, and wearisome duties to every corner of existence; you believe in equality and eternal passion. People have written poetry telling you that people have died of love. In my time poetry was written to teach men to love every woman. And we! when we liked a gentleman, my child, we sent him a page. And when a fresh caprice came into our hearts, we were not slow in getting rid of the last Lover—unless we kept both of them."
The old woman smiled a keen smile, and a gleam of roguery twinkled in her gray eye, the intellectual, skeptical roguery of those people who did not believe that they were made of the same clay as the rest, and who lived as masters for whom common beliefs were not intended.
The young girl, turning very pale, faltered out:
"So, then, women have no honor?"
The grandmother ceased to smile. If she had kept in her soul some of Voltaire's irony, she had also a little of Jean Jacques's glowing philosophy: "No honor! because we loved, and dared to say so, and even boasted of it? But, my child, if one of us, among the greatest ladies in France, had lived without a lover, she would have had the entire court laughing at her. Those who wished to live differently had only to enter a convent. And you imagine, perhaps, that your husbands will love but you alone, all their lives. As if, indeed, this could be the case. I tell you that marriage is a thing necessary in order that society should exist, but it is not in the nature of our race, do you understand? There is only one good thing in life, and that is love. And how you misunderstand it! how you spoil it! You treat it as something solemn like a sacrament, or something to be bought, like a dress."
The young girl caught the old woman's trembling hands in her own.
"Hold your tongue, I beg of you, grandmamma!"
And, on her knees, with tears in her eyes, she prayed to Heaven to bestow on her a great passion, one sole, eternal passion in accordance with the dream of modern poets, while the grandmother, kissing her on the forehead, quite imbued still with that charming, healthy reason with which gallant philosophers tinctured the thought of the eighteenth century, murmured:
"Take care, my poor darling! If you believe in such folly as that, you will be very unhappy."
They had been great friends all winter in Paris. As is always the case, they had lost sight of each other after leaving school, and had met again when they were old and gray-haired. One of them had married, but the other had remained in single blessedness.
M. de Meroul lived for six months in Paris and for six months in his little chateau at Tourbeville. Having married the daughter of a neighboring, squire, he had lived a good and peaceful life in the indolence of a man who has nothing to do. Of a calm and quiet disposition, and not over-intelligent he used to spend his time quietly regretting the past, grieving over the customs and institutions of the day and continually repeating to his wife, who would lift her eyes, and sometimes her hands, to heaven, as a sign of energetic assent: "Good gracious! What a government!"
Madame de Meroul resembled her husband intellectually as though she had been his sister. She knew, by tradition, that one should above all respect the Pope and the King!
And she loved and respected them from the bottom of her heart, without knowing them, with a poetic fervor, with an hereditary devotion, with the tenderness of a wellborn woman. She was good to, the marrow of her bones. She had had no children, and never ceased mourning the fact.
On meeting his old friend, Joseph Mouradour, at a ball, M. de Meroul was filled with a deep and simple joy, for in their youth they had been intimate friends.
After the first exclamations of surprise at the changes which time had wrought in their bodies and countenances, they told each other about their lives since they had last met.
Joseph Mouradour, who was from the south of France, had become a government official. His manner was frank; he spoke rapidly and without restraint, giving his opinions without any tact. He was a Republican, one of those good fellows who do not believe in standing on ceremony, and who exercise an almost brutal freedom of speech.
He came to his friend's house and was immediately liked for his easy cordiality, in spite of his radical ideas. Madame de Meroul would exclaim:
"What a shame! Such a charming man!"
Monsieur de Meroul would say to his friend in a serious and confidential tone of voice; "You have no idea the harm that you are doing your country." He loved him all the same, for nothing is stronger than the ties of childhood taken up again at a riper age. Joseph Mouradour bantered the wife and the husband, calling them "my amiable snails," and sometimes he would solemnly declaim against people who were behind the times, against old prejudices and traditions.
When he was once started on his democratic eloquence, the couple, somewhat ill at ease, would keep silent from politeness and good-breeding; then the husband would try to turn the conversation into some other channel in order to avoid a clash. Joseph Mouradour was only seen in the intimacy of the family.
Summer came. The Merouls had no greater pleasure than to receive their friends at their country home at Tourbeville. It was a good, healthy pleasure, the enjoyments of good people and of country proprietors. They would meet their friends at the neighboring railroad station and would bring them back in their carriage, always on the lookout for compliments on the country, on its natural features, on the condition of the roads, on the cleanliness of the farm-houses, on the size of the cattle grazing in the fields, on everything within sight.
They would call attention to the remarkable speed with which their horse trotted, surprising for an animal that did heavy work part of the year behind a plow; and they would anxiously await the opinion of the newcomer on their family domain, sensitive to the least word, and thankful for the slightest good intention.
Joseph Mouradour was invited, and he accepted the invitation.
Husband and wife had come to the train, delighted to welcome him to their home. As soon as he saw them, Joseph Mouradour jumped from the train with a briskness which increased their satisfaction. He shook their hands, congratulated them, overwhelmed them with compliments.
All the way home he was charming, remarking on the height of the trees, the goodness of the crops and the speed of the horse.
When he stepped on the porch of the house, Monsieur de Meroul said, with a certain friendly solemnity:
"Consider yourself at home now."
Joseph Mouradour answered:
"Thanks, my friend; I expected as much. Anyhow, I never stand on ceremony with my friends. That's how I understand hospitality."
Then he went upstairs to dress as a farmer, he said, and he came back all togged out in blue linen, with a little straw hat and yellow shoes, a regular Parisian dressed for an outing. He also seemed to become more vulgar, more jovial, more familiar; having put on with his country clothes a free and easy manner which he judged suitable to the surroundings. His new manners shocked Monsieur and Madame de Meroul a little, for they always remained serious and dignified, even in the country, as though compelled by the two letters preceding their name to keep up a certain formality even in the closest intimacy.
After lunch they all went out to visit the farms, and the Parisian astounded the respectful peasants by his tone of comradeship.
In the evening the priest came to dinner, an old, fat priest, accustomed to dining there on Sundays, but who had been especially invited this day in honor of the new guest.
Joseph, on seeing him, made a wry face. Then he observed him with surprise, as though he were a creature of some peculiar race, which he had never been able to observe at close quarters. During the meal he told some rather free stories, allowable in the intimacy of the family, but which seemed to the Merouls a little out of place in the presence of a minister of the Church. He did not say, "Monsieur l'abbe," but simply, "Monsieur." He embarrassed the priest greatly by philosophical discussions about diverse superstitions current all over the world. He said: "Your God, monsieur, is of those who should be respected, but also one of those who should be discussed. Mine is called Reason; he has always been the enemy of yours."
The Merouls, distressed, tried to turn the trend of the conversation. The priest left very early.
Then the husband said, very quietly:
"Perhaps you went a little bit too far with the priest."
But Joseph immediately exclaimed:
"Well, that's pretty good! As if I would be on my guard with a shaveling! And say, do me the pleasure of not imposing him on me any more at meals. You can both make use of him as much as you wish, but don't serve him up to your friends, hang it!"
"But, my friends, think of his holy—"
Joseph Mouradour interrupted him:
"Yes, I know; they have to be treated like 'rosieres.' But let them respect my convictions, and I will respect theirs!"
That was all for that day.
As soon as Madame de Meroul entered the parlor, the next morning, she noticed in the middle of the table three newspapers which made her start the Voltaire, the Republique-Francaise and the Justice. Immediately Joseph Mouradour, still in blue, appeared on the threshold, attentively reading the Intransigeant. He cried:
"There's a great article in this by Rochefort. That fellow is a wonder!"
He read it aloud, emphasizing the parts which especially pleased him, so carried away by enthusiasm that he did not notice his friend's entrance. Monsieur de Meroul was holding in his hand the Gaulois for himself, the Clarion for his wife.
The fiery prose of the master writer who overthrew the empire, spouted with violence, sung in the southern accent, rang throughout the peaceful parsons seemed to spatter the walls and century-old furniture with a hail of bold, ironical and destructive words.
The man and the woman, one standing, the other sitting, were listening with astonishment, so shocked that they could not move.
In a burst of eloquence Mouradour finished the last paragraph, then exclaimed triumphantly:
"Well! that's pretty strong!"
Then, suddenly, he noticed the two sheets which his friend was carrying, and he, in turn, stood speechless from surprise. Quickly walking toward him he demanded angrily:
"What are you doing with those papers?"
Monsieur de Meroul answered hesitatingly:
"Why—those—those are my papers!"
"Your papers! What are you doing—making fun of me? You will do me the pleasure of reading mine; they will limber up your ideas, and as for yours—there! that's what I do with them."
And before his astonished host could stop him, he had seized the two newspapers and thrown them out of the window. Then he solemnly handed the Justice to Madame de Meroul, the Voltaire to her husband, while he sank down into an arm-chair to finish reading the Intransigeant.
The couple, through delicacy, made a pretense of reading a little, they then handed him back the Republican sheets, which they handled gingerly, as though they might be poisoned.
He laughed and declared:
"One week of this regime and I will have you converted to my ideas."
In truth, at the end of a week he ruled the house. He had closed the door against the priest, whom Madame de Meroul had to visit secretly; he had forbidden the Gaulois and the Clarion to be brought into the house, so that a servant had to go mysteriously to the post-office to get them, and as soon as he entered they would be hidden under sofa cushions; he arranged everything to suit himself—always charming, always good-natured, a jovial and all-powerful tyrant.
Other friends were expected, pious and conservative friends. The unhappy couple saw the impossibility of having them there then, and, not knowing what to do, one evening they announced to Joseph Mouradour that they would be obliged to absent themselves for a few days, on business, and they begged him to stay on alone. He did not appear disturbed, and answered:
"Very well, I don't mind! I will wait here as long as you wish. I have already said that there should be no formality between friends. You are perfectly right-go ahead and attend to your business. It will not offend me in the least; quite the contrary, it will make me feel much more completely one of the family. Go ahead, my friends, I will wait for you!"
Monsieur and Madame de Meroul left the following day.
He is still waiting for them.
How often we hear people say, "He is charming, that man, but he is a girl, a regular girl." They are alluding to the effeminates, the bane of our land.
For we are all girl-like men in France—that is, fickle, fanciful, innocently treacherous, without consistency in our convictions or our will, violent and weak as women are.
But the most irritating of girl—men is assuredly the Parisian and the boulevardier, in whom the appearance of intelligence is more marked and who combines in himself all the attractions and all the faults of those charming creatures in an exaggerated degree in virtue of his masculine temperament.
Our Chamber of Deputies is full of girl-men. They form the greater number of the amiable opportunists whom one might call "The Charmers." These are they who control by soft words and deceitful promises, who know how to shake hands in such a manner as to win hearts, how to say "My dear friend" in a certain tactful way to people he knows the least, to change his mind without suspecting it, to be carried away by each new idea, to be sincere in their weathercock convictions, to let themselves be deceived as they deceive others, to forget the next morning what he affirmed the day before.
The newspapers are full of these effeminate men. That is probably where one finds the most, but it is also where they are most needed. The Journal des Debats and the Gazette de France are exceptions.
Assuredly, every good journalist must be somewhat effeminate—that is, at the command of the public, supple in following unconsciously the shades of public opinion, wavering and varying, sceptical and credulous, wicked and devout, a braggart and a true man, enthusiastic and ironical, and always convinced while believing in nothing.
Foreigners, our anti-types, as Mme. Abel called them, the stubborn English and the heavy Germans, regard us with a certain amazement mingled with contempt, and will continue to so regard us till the end of time. They consider us frivolous. It is not that, it is that we are girls. And that is why people love us in spite of our faults, why they come back to us despite the evil spoken of us; these are lovers' quarrels!  His smile seems made for you; one cannot believe that his voice does not assume specially tender intonations on their account. When he leaves you it seems as if one had known him for twenty years. One is quite ready to lend him money if he asks for it.
If he commits any breach of manners towards you, you cannot bear any malice, he is so pleasant when you next meet him. If he asks your pardon you long to ask pardon of him. Does he tell lies? You cannot believe it. Does he put you off indefinitely with promises that he does not keep? One lays as much store by his promises as though he had moved heaven and earth to render them a service.
When he admires anything he goes into such raptures that he convinces you. He once adored Victor Hugo, whom he now treats as a back number. He would have fought for Zola, whom he has abandoned for Barbey and d'Aurevilly. And when he admires, he permits no limitation, he would slap your face for a word. But when he becomes scornful, his contempt is unbounded and allows of no protest.
In fact, he understands nothing.
Listen to two girls talking.
"Then you are angry with Julia?" "I slapped her face." "What had she done?" "She told Pauline that I had no money thirteen months out of twelve, and Pauline told Gontran—you understand." "You were living together in the Rue Clanzel?" "We lived together four years in the Rue Breda; we quarrelled about a pair of stockings that she said I had worn —it wasn't true—silk stockings that she had bought at Mother Martin's. Then I gave her a pounding and she left me at once. I met her six months ago and she asked me to come and live with her, as she has rented a flat that is twice too large."
One goes on one's way and hears no more. But on the following Sunday as one is on the way to Saint Germain two young women get into the same railway carriage. One recognizes one of them at once; it is Julia's enemy. The other is Julia!
And there are endearments, caresses, plans. "Say, Julia—listen, Julia," etc.
The girl-man has his friendships of this kind. For three months he cannot bear to leave his old Jack, his dear Jack. There is no one but Jack in the world. He is the only one who has any intelligence, any sense, any talent. He alone amounts to anything in Paris. One meets them everywhere together, they dine together, walk about in company, and every evening walk home with each other back and forth without being able to part with one another.
Three months later, if Jack is mentioned:
"There is a drinker, a sorry fellow, a scoundrel for you. I know him well, you may be sure. And he is not even honest, and ill-bred," etc., etc.
Three months later, and they are living together.
But one morning one hears that they have fought a duel, then embraced each other, amid tears, on the duelling ground.
Just now they are the dearest friends in the world, furious with each other half the year, abusing and loving each other by turns, squeezing each other's hands till they almost crush the bones, and ready to run each other through the body for a misunderstanding.
For the relations of these effeminate men are uncertain. Their temper is by fits and starts, their delight unexpected, their affection turn-about-face, their enthusiasm subject to eclipse.
They treat their friends as women treat their pet dogs.
It is the dear little Toutou whom they hug, feed with sugar, allow to sleep on the pillow, but whom they would be just as likely to throw out of a window in a moment of impatience, whom they turn round like a sling, holding it by the tail, squeeze in their arms till they almost strangle it, and plunge, without any reason, in a pail of cold water.
Then, what a strange thing it is when one of these beings falls in love with a real girl! He beats her, she scratches him, they execrate each other, cannot bear the sight of each other and yet cannot part, linked together by no one knows what mysterious psychic bonds. She deceives him, he knows it, sobs and forgives her. He despises and adores her without seeing that she would be justified in despising him. They are both atrociously unhappy and yet cannot separate. They cast invectives, reproaches and abominable accusations at each other from morning till night, and when they have reached the climax and are vibrating with rage and hatred, they fall into each other's arms and kiss each other ardently.
The girl-man is brave and a coward at the same time. He has, more than another, the exalted sentiment of honor, but is lacking in the sense of simple honesty, and, circumstances favoring him, would defalcate and commit infamies which do not trouble his conscience, for he obeys without questioning the oscillations of his ideas, which are always impulsive.
To him it seems permissible and almost right to cheat a haberdasher. He considers it honorable not to pay his debts, unless they are gambling debts—that is, somewhat shady. He dupes people whenever the laws of society admit of his doing so. When he is short of money he borrows in all ways, not always being scrupulous as to tricking the lenders, but he would, with sincere indignation, run his sword through anyone who should suspect him of only lacking in politeness.
PART I
The humid gray sky seemed to weigh down on the vast brown plain. The odor of autumn, the sad odor of bare, moist lands, of fallen leaves, of dead grass made the stagnant evening air more thick and heavy. The peasants were still at work, scattered through the fields, waiting for the stroke of the Angelus to call them back to the farmhouses, whose thatched roofs were visible here and there through the branches of the leafless trees which protected the apple-gardens against the wind.
 With a slow, continuous movement, all along the mounds of earth which the plough had just turned up, they drove in sharp wooden stakes and in the hole thus formed placed the plant, already a little withered, which sank on one side; then they patted down the earth and went on with their work.
A man who was passing, with a whip in his hand, and wearing wooden shoes, stopped near the child, took it up and kissed it. Then one of the women rose up and came across to him. She was a big, red haired girl, with large hips, waist and shoulders, a tall Norman woman, with yellow hair in which there was a blood-red tint.
She said in a resolute voice:
"Why, here you are, Cesaire—well?"
The man, a thin young fellow with a melancholy air, murmured:
"Well, nothing at all—always the same thing."
"He won't have it?"
"He won't have it."
"What are you going to do?"
"What do you say I ought to do?"
"Go see the cure."
"I will."
"Go at once!"
"I will."
And they stared at each other. He held the child in his arms all the time. He kissed it once more and then put it down again on the woman's clothes.
In the distance, between two farm-houses, could be seen a plough drawn by a horse and driven by a man. They moved on very gently, the horse, the plough and the laborer, in the dim evening twilight.
The woman went on:
"What did your father say?"
"He said he would not have it."
"Why wouldn't he have it?"
The young man pointed toward the child whom he had just put back on the ground, then with a glance he drew her attention to the man drawing the plough yonder there.
And he said emphatically:
"Because 'tis his—this child of yours."
The girl shrugged her shoulders and in an angry tone said:
"Faith, every one knows it well—that it is Victor's. And what about it after all? I made a slip. Am I the only woman that did? My mother also made a slip before me, and then yours did the same before she married your dad! Who is it that hasn't made a slip in the country? I made a slip with Victor because he took advantage of me while I was asleep in the barn, it's true, and afterward it happened between us when I wasn't asleep. I certainly would have married him if he weren't a servant man. Am I a worse woman for that?"
 It's only my father that opposes me. All the same, I'll see about settling the business."
She answered:
"Go to the cure at once."
"I'm going to him."
And he set forth with his heavy peasant's tread, while the girl, with her hands on her hips, turned round to plant her colza.

The hierarchy of caste, however, does not exist in the country, and if the laborer is thrifty, he becomes, by taking a farm in his turn, the equal of his former master.
So Cesaire Houlbieque went off, his whip under his arm, brooding over his own thoughts and lifting up one after the other his heavy wooden shoes daubed with clay. Certainly he desired to marry Celeste Levesque. He wanted her with her child because she was the wife he wanted. He could not say why, but he knew it, he was sure of it.  He even found a pleasure in kissing the little boy, Victor's little boy, because he belonged to her.
And he gazed, without hate, at the distant outline of the man who was driving his plough along the horizon.
But old Amable did not want this marriage.
Cesaire in vain shouted in his ear, in that ear which still heard a few sounds:
"I'll take good care of you, daddy. I tell you she's a good girl and strong, too, and also thrifty."
The old man repeated:
"As long as I live I won't see her your wife."
And nothing could get the better of him, nothing could make him waver. One hope only was left to Cesaire. Old Amable was afraid of the cure through the apprehension of death which he felt drawing nigh; he had not much fear of God, nor of the Devil, nor of Hell, nor of Purgatory, of which he had no conception, but he dreaded the priest, who represented to him burial, as one might fear the doctors through horror of diseases. For the last tight days Celeste, who knew this weakness of the old man, had been urging Cesaire to go and find the cure, but Cesaire always hesitated, because he had not much liking for the black robe, which represented to him hands always stretched out for collections or for blessed bread.
However, he had made up his mind, and he proceeded toward the presbytery, thinking in what manner he would speak about his case.
The Abbe Raffin, a lively little priest, thin and never shaved, was awaiting his dinner-hour while warming his feet at his kitchen fire.
As soon as he saw the peasant entering he asked, merely turning his head:
"Well, Cesaire, what do you want?"
"I'd like to have a talk with you, M. le Cure."
The man remained standing, intimidated, holding his cap in one hand and his whip in the other.
"Well, talk."
Cesaire looked at the housekeeper, an old woman who dragged her feet while putting on the cover for her master's dinner at the corner of the table in front of the window.
He stammered:
"'Tis—'tis a sort of confession."
Thereupon the Abbe Raffin carefully surveyed his peasant. He saw his confused countenance, his air of constraint, his wandering eyes, and he gave orders to the housekeeper in these words:
"Marie, go away for five minutes to your room, while I talk to Cesaire."
The servant cast on the man an angry glance and went away grumbling.
The clergyman went on:
"Come, now, tell your story."
The young fellow still hesitated, looked down at his wooden shoes, moved about his cap, then, all of a sudden, he made up his mind:
"Here it is: I want to marry Celeste Levesque."
"Well, my boy, what's there to prevent you?"
"The father won't have it."
"Your father?"
"Yes, my father."
"What does your father say?"
"He says she has a child."
"She's not the first to whom that happened, since our Mother Eve."
"A child by Victor Lecoq, Anthime Loisel's servant man."
"Ha! ha! So he won't have it?"
"He won't have it."
"What! not at all?"

"What do you say to him yourself in order to make him decide?"
"I say to him that she's a good girl, and strong, too, and thrifty also."
"And this does not make him agree to it. So you want me to speak to him?"
"Exactly. You speak to him."
"And what am I to tell your father?"
"Why, what you tell people in your sermons to make them give you sous."
In the peasant's mind every effort of religion consisted in loosening the purse strings, in emptying the pockets of men in order to fill the heavenly coffer. It was a kind of huge commercial establishment, of which the cures were the clerks; sly, crafty clerks, sharp as any one must be who does business for the good God at the expense of the country people.
He knew full well that the priests rendered services, great services to the poorest, to the sick and dying, that they assisted, consoled, counselled, sustained, but all this by means of money, in exchange for white pieces, for beautiful glittering coins, with which they paid for sacraments and masses, advice and protection, pardon of sins and indulgences, purgatory and paradise according to the yearly income and the generosity of the sinner.
The Abbe Raffin, who knew his man and who never lost his temper, burst out laughing.
"Well, yes, I'll tell your father my little story; but you, my lad, you'll come to church."

"Come, that's all right. When do you wish me to go and find your father?"
"Why, the sooner the better-to-night, if you can."
"In half an hour, then, after supper."
"In half an hour."
"That's understood. So long, my lad."
"Good-by till we meet again, Monsieur le Cure; many thanks."
"Not at all, my lad."
And Cesaire Houlbreque returned home, his heart relieved of a great weight.
He held on lease a little farm, quite small, for they were not rich, his father and he. Alone with a female servant, a little girl of fifteen, who made the soup, looked after the fowls, milked the cows and churned the butter, they lived frugally, though Cesaire was a good cultivator. But they did not possess either sufficient lands or sufficient cattle to earn more than the indispensable.
The old man no longer worked. Sad, like all deaf people, crippled with pains, bent double, twisted, he went through the fields leaning on his stick, watching the animals and the men with a hard, distrustful eye. Sometimes he sat down on the side of the road and remained there without moving for hours, vaguely pondering over the things that had engrossed his whole life, the price of eggs, and corn, the sun and the rain which spoil the crops or make them grow. And, worn out with rheumatism, his old limbs still drank in the humidity of the soul, as they had drunk in for the past sixty years, the moisture of the walls of his low house thatched with damp straw.
He came back at the close of the day, took his place at the end of the table in the kitchen and when the earthen bowl containing the soup had been placed before him he placed round it his crooked fingers, which seemed to have kept the round form of the bowl and, winter and summer, he warmed his hands, before commencing to eat, so as to lose nothing, not even a particle of the heat that came from the fire, which costs a great deal, neither one drop of soup into which fat and salt have to be put, nor one morsel of bread, which comes from the wheat.
Then he climbed up a ladder into a loft, where he had his straw-bed, while his son slept below stairs at the end of a kind of niche near the chimneypiece and the servant shut herself up in a kind of cellar, a black hole which was formerly used to store the potatoes.
 From time to time only, when there was a question of selling a crop or buying a calf, the young man would ask his father's advice, and, making a speaking-trumpet of his two hands, he would bawl out his views into his ear, and old Amable either approved of them or opposed them in a slow, hollow voice that came from the depths of his stomach.
So one evening Cesaire, approaching him as if about to discuss the purchase of a horse or a heifer, communicated to him at the top of his voice his intention to marry Celeste Levesque.
Then the father got angry. Why? On the score of morality? No, certainly. The virtue of a girl is of slight importance in the country. But his avarice, his deep, fierce instinct for saving, revolted at the idea that his son should bring up a child which he had not begotten himself. He had thought suddenly, in one second, of the soup the little fellow would swallow before becoming useful on the farm. He had calculated all the pounds of bread, all the pints of cider that this brat would consume up to his fourteenth year, and a mad anger broke loose from him against Cesaire, who had not bestowed a thought on all this.
He replied in an unusually strong voice:
"Have you lost your senses?"
Thereupon Cesaire began to enumerate his reasons, to speak about Celeste's good qualities, to prove that she would be worth a thousand times what the child would cost. But the old man doubted these advantages, while he could have no doubts as to the child's existence; and he replied with emphatic repetition, without giving any further explanation:
"I will not have it! I will not have it! As long as I live, this won't be done!" And at this point they had remained for the last three months without one or the other giving in, resuming at least once a week the same discussion, with the same arguments, the same words, the same gestures and the same fruitlessness.
It was then that Celeste had advised Cesaire to go and ask for the cure's assistance.
On arriving home the peasant found his father already seated at table, for he came late through his visit to the presbytery.
They dined in silence, face to face, ate a little bread and butter after the soup and drank a glass of cider. Then they remained motionless in their chairs, with scarcely a glimmer of light, the little servant girl having carried off the candle in order to wash the spoons, wipe the glasses and cut the crusts of bread to be ready for next morning's breakfast.
There was a knock, at the door, which was immediately opened, and the priest appeared. The old man raised toward him an anxious eye full of suspicion, and, foreseeing danger, he was getting ready to climb up his ladder when the Abbe Raffin laid his hand on his shoulder and shouted close to his temple:
"I want to have a talk with you, Father Amable."
Cesaire had disappeared, taking advantage of the door being open. He did not want to listen, for he was afraid and did not want his hopes to crumble slowly with each obstinate refusal of his father. He preferred to learn the truth at once, good or bad, later on; and he went out into the night. It was a moonless, starless night, one of those misty nights when the air seems thick with humidity. A vague odor of apples floated through the farmyard, for it was the season when the earliest applies were gathered, the "early ripe," as they are called in the cider country. As Cesaire passed along by the cattlesheds the warm smell of living beasts asleep on manure was exhaled through the narrow windows, and he heard the stamping of the horses, who were standing at the end of the stable, and the sound of their jaws tearing and munching the hay on the racks.
He went straight ahead, thinking about Celeste. In this simple nature, whose ideas were scarcely more than images generated directly by objects, thoughts of love only formulated themselves by calling up before the mind the picture of a big red-haired girl standing in a hollow road and laughing, with her hands on her hips.
It was thus he saw her on the day when he first took a fancy for her. He had, however, known her from infancy, but never had he been so struck by her as on that morning. They had stopped to talk for a few minutes and then he went away, and as he walked along he kept repeating:
"Faith, she's a fine girl, all the same. 'Tis a pity she made a slip with Victor."
Till evening he kept thinking of her and also on the following morning.
When he saw her again he felt something tickling the end of his throat, as if a cock's feather had been driven through his mouth into his chest, and since then, every time he found himself near her, he was astonished at this nervous tickling which always commenced again.
In three months he made up his mind to marry her, so much did she please him. He could not have said whence came this power over him, but he explained it in these words:
"I am possessed by her," as if the desire for this girl within him were as dominating as one of the powers of hell. He scarcely bothered himself about her transgression. It was a pity, but, after all, it did her no harm, and he bore no grudge against Victor Lecoq.
But if the cure should not succeed, what was he to do? He did not dare to think of it, the anxiety was such a torture to him.
He reached the presbytery and seated himself near the little gateway to wait for the priest's return.
He was there perhaps half an hour when he heard steps on the road, and although the night was very dark, he presently distinguished the still darker shadow of the cassock.
He rose up, his legs giving way under him, not even venturing to speak, not daring to ask a question.
The clergyman perceived him and said gaily:
"Well, my lad, it's all right."
Cesaire stammered:
"All right, 'tisn't possible."
"Yes, my lad, but not without trouble.
The peasant repeated:
"'Tisn't possible!"
"Why, yes. Come and look me up to-morrow at midday in order to settle about the publication of the banns."
The young man seized the cure's hand. He pressed it, shook it, bruised it as he stammered:
"True-true-true, Monsieur le Cure, on the word of an honest man, you'll see me to-morrow-at your sermon."
PART II
The wedding took place in the middle of December. It was simple, the bridal pair not being rich. Cesaire, attired in new clothes, was ready since eight o'clock in the morning to go and fetch his betrothed and bring her to the mayor's office, but it was too early. He seated himself before the kitchen table and waited for the members of the family and the friends who were to accompany him.
For the last eight days it had been snowing, and the brown earth, the earth already fertilized by the autumn sowing, had become a dead white, sleeping under a great sheet of ice.
It was cold in the thatched houses adorned with white caps, and the round apples in the trees of the enclosures seemed to be flowering, covered with white as they had been in the pleasant month of their blossoming.
This day the big clouds to the north, the big great snow clouds, had disappeared and the blue sky showed itself above the white earth on which the rising sun cast silvery reflections.
Cesaire looked straight before him through the window, thinking of nothing, quite happy.
The door opened, two women entered, peasant women in their Sunday clothes, the aunt and the cousin of the bridegroom; then three men, his cousins; then a woman who was a neighbor. They sat down on chairs and remained, motionless and silent, the women on one side of the kitchen, the men on the other, suddenly seized with timidity, with that embarrassed sadness which takes possession of people assembled for a ceremony. One of the cousins soon asked:
"Is it not the hour?"
Cesaire replied:
"I am much afraid it is."
"Come on! Let us start," said another.
Those rose up. Then Cesaire, whom a feeling of uneasiness had taken possession of, climbed up the ladder of the loft to see whether his father was ready. The old man, always as a rule an early riser, had not yet made his appearance. His son found him on his bed of straw, wrapped up in his blanket, with his eyes open and a malicious gleam in them.
He bawled into his ear: "Come, daddy, get up. It's time for the wedding."
 I have a sort of chill over me that freezes my back. I can't stir."
The young man, dumbfounded, stared at him, guessing that this was a dodge.
"Come, daddy; you must make an effort."
"I can't do it."
"Look here! I'll help you."
And he stooped toward the old man, pulled off his blanket, caught him by the arm and lifted him up. But old Amable began to whine, "Ooh! ooh! ooh! What suffering! Ooh! I can't. My back is stiffened up. The cold wind must have rushed in through this cursed roof."
"Well, you'll get no dinner, as I'm having a spread at Polyte's inn. This will teach you what comes of acting mulishly."
And he hurried down the ladder and started out, accompanied by his relatives and guests.
The men had turned up the bottoms of their trousers so as not to get them wet in the snow.  And they all moved forward with a swinging gait, one behind the other, without uttering a word, moving cautiously, for fear of losing the road which was-hidden beneath the flat, uniform, uninterrupted stretch of snow.
As they approached the farmhouses they saw one or two persons waiting to join them, and the procession went on without stopping and wound its way forward, following the invisible outlines of the road, so that it resembled a living chaplet of black beads undulating through the white countryside.
In front of the bride's door a large group was stamping up and down the open space awaiting the bridegroom. When he appeared they gave him a loud greeting, and presently Celeste came forth from her room, clad in a blue dress, her shoulders covered with a small red shawl and her head adorned with orange flowers.
But every one asked Cesaire:
"Where's your father?"
He replied with embarrassment:
"He couldn't move on account of the pains."
And the farmers tossed their heads with a sly, incredulous air.
They directed their steps toward the mayor's office. Behind the pair about to be wedded a peasant woman carried Victor's child, as if it were going to be baptized; and the risen, in pairs now, with arms linked, walked through the snow with the movements of a sloop at sea.
After having been united by the mayor in the little municipal house the pair were made one by the cure, in his turn, in the modest house of God. He blessed their union by promising them fruitfulness, then he preached to them on the matrimonial virtues, the simple and healthful virtues of the country, work, concord and fidelity, while the child, who was cold, began to fret behind the bride.
As soon as the couple reappeared on the threshold of the church shots were discharged from the ditch of the cemetery. Only the barrels of the guns could be seen whence came forth rapid jets of smoke; then a head could be seen gazing at the procession. It was Victor Lecoq celebrating the marriage of his old sweetheart, wishing her happiness and sending her his good wishes with explosions of powder. He had employed some friends of his, five or six laboring men, for these salvos of musketry. It was considered a nice attention.
The repast was given in Polyte Cacheprune's inn. Twenty covers were laid in the great hall where people dined on market days, and the big leg of mutton turning before the spit, the fowls browned under their own gravy, the chitterlings sputtering over the bright, clear fire filled the house with a thick odor of live coal sprinkled with fat—the powerful, heavy odor of rustic fare.
They sat down to table at midday and the soup was poured at once into the plates.  They were going to amuse themselves and no mistake.
The door opened, and old Amable appeared. He seemed in a bad humor and his face wore a scowl as he dragged himself forward on his sticks, whining at every step to indicate his suffering. As soon as they saw him they stopped talking, but suddenly his neighbor, Daddy Malivoire, a big joker, who knew all the little tricks and ways of people, began to yell, just as Cesaire used to do, by making a speaking-trumpet of his hands.
"Hallo, my cute old boy, you have a good nose on you to be able to smell Polyte's cookery from your own house!"
A roar of laughter burst forth from the throats of those present. Malivoire, excited by his success, went on:
"There's nothing for the rheumatics like a chitterling poultice! It keeps your belly warm, along with a glass of three-six!"
The men uttered shouts, banged the table with their fists, laughed, bending on one side and raising up their bodies again as if they were working a pump. The women clucked like hens, while the servants wriggled, standing against the walls. Old Amable was the only one that did not laugh, and, without making any reply, waited till they made room for him.
They found a place for him in the middle of the table, facing his daughter-in-law, and, as soon as he was seated, he began to eat. It was his son who was paying, after all; it was right he should take his share. With each ladleful of soup that went into his stomach, with each mouthful of bread or meat crushed between his gums, with each glass of cider or wine that flowed through his gullet he thought he was regaining something of his own property, getting back a little of his money which all those gluttons were devouring, saving in fact a portion of his own means. And he ate in silence with the obstinacy of a miser who hides his coppers, with the same gloomy persistence with which he formerly performed his daily labors.
But all of a sudden he noticed at the end of the table Celeste's child on a woman's lap, and his eye remained fixed on the little boy. He went on eating, with his glance riveted on the youngster, into whose mouth the woman who minded him every now and then put a little morsel which he nibbled at. And the old man suffered more from the few mouthfuls sucked by this little chap than from all that the others swallowed.
The meal lasted till evening. Then every one went back home.
Cesaire raised up old Amable.
"Come, daddy, we must go home," said he.
And he put the old man's two sticks in his hands.
Celeste took her child in her arms, and they went on slowly through the pale night whitened by the snow. The deaf old man, three-fourths tipsy, and even more malicious under the influence of drink, refused to go forward. Several times he even sat down with the object of making his daughter-in-law catch cold, and he kept whining, without uttering a word, giving vent to a sort of continuous groaning as if he were in pain.
When they reached home he at once climbed up to his loft, while Cesaire made a bed for the child near the deep niche where he was going to lie down with his wife. But as the newly wedded pair could not sleep immediately, they heard the old man for a long time moving about on his bed of straw, and he even talked aloud several times, whether it was that he was dreaming or that he let his thoughts escape through his mouth, in spite of himself, not being able to keep them back, under the obsession of a fixed idea.
When he came down his ladder next morning he saw his daughter-in-law looking after the housekeeping.
She cried out to him:
"Come, daddy, hurry on! Here's some good soup."
And she placed at the end of the table the round black earthen bowl filled with steaming liquid. He sat down without giving any answer, seized the hot bowl, warmed his hands with it in his customary fashion, and, as it was very cold, even pressed it against his breast to try to make a little of the living heat of the boiling liquid enter into him, into his old body stiffened by so many winters.
Then he took his sticks and went out into the fields, covered with ice, till it was time for dinner, for he had seen Celeste's youngster still asleep in a big soap-box.
He did not take his place in the household. He lived in the thatched house, as in bygone days, but he seemed not to belong to it any longer, to be no longer interested in anything, to look upon those people, his son, the wife and the child as strangers whom he did not know, to whom he never spoke.
The winter glided by. It was long and severe.
Then the early spring made the seeds sprout forth again, and the peasants once more, like laborious ants, passed their days in the fields, toiling from morning till night, under the wind and under the rain, along the furrows of brown earth which brought forth the bread of men.
The year promised well for the newly married pair. The crops grew thick and strong. There were no late frosts, and the apples bursting into bloom scattered on the grass their rosy white snow which promised a hail of fruit for the autumn.
Cesaire toiled hard, rose early and left off work late, in order to save the expense of a hired man.
His wife said to him sometimes:
"You'll make yourself ill in the long run."
He replied:
"Certainly not. I'm a good judge."
Nevertheless one evening he came home so fatigued that he had to get to bed without supper. He rose up next morning at the usual hour, but he could not eat, in spite of his fast on the previous night, and he had to come back to the house in the middle of the afternoon in order to go to bed again. In the course of the night he began to cough; he turned round on his straw couch, feverish, with his forehead burning, his tongue dry and his throat parched by a burning thirst.
However, at daybreak he went toward his grounds, but next morning the doctor had to be sent for and pronounced him very ill with inflammation of the lungs.
And he no longer left the dark recess in which he slept. He could be heard coughing, gasping and tossing about in this hole. In order to see him, to give his medicine and to apply cupping-glasses they had to-bring a candle to the entrance. Then one could see his narrow head with his long matted beard underneath a thick lacework of spiders' webs, which hung and floated when stirred by the air. And the hands of the sick man seemed dead under the dingy sheets.
Celeste watched him with restless activity, made him take physic, applied blisters to him, went back and forth in the house, while old Amable remained at the edge of his loft, watching at a distance the gloomy cavern where his son lay dying. He did not come near him, through hatred of the wife, sulking like an ill-tempered dog.
Six more days passed, then one morning, as Celeste, who now slept on the ground on two loose bundles of straw, was going to see whether her man was better, she no longer heard his rapid breathing from the interior of his recess. Terror stricken, she asked:
"Well Cesaire, what sort of a night had you?"
He did not answer. She put out her hand to touch him, and the flesh on his face felt cold as ice. She uttered a great cry, the long cry of a woman overpowered with fright. He was dead.
At this cry the deaf old man appeared at the top of his ladder, and when he saw Celeste rushing to call for help, he quickly descended, placed his hand on his son's face, and suddenly realizing what had happened, went to shut the door from the inside, to prevent the wife from re-entering and resuming possession of the dwelling, since his son was no longer living.

Some of the neighbors arrived, called out and knocked. He did not hear them. One of them broke the glass of the window and jumped into the room. Others followed. The door was opened again and Celeste reappeared, all in tears, with swollen face and bloodshot eyes. Then old Amable, vanquished, without uttering a word, climbed back to his loft.
The funeral took place next morning. Then, after the ceremony, the father-in-law and the daughter-in-law found themselves alone in the farmhouse with the child.
It was the usual dinner hour. She lighted the fire, made some soup and placed the plates on the table, while the old man sat on the chair waiting without appearing to look at her. When the meal was ready she bawled in his ear—
"Come, daddy, you must eat." He rose up, took his seat at the end of the table, emptied his soup bowl, masticated his bread and butter, drank his two glasses of cider and then took himself off.
It was one of those warm days, one of those enjoyable days when life ferments, pulsates, blooms all over the surface of the soil.
Old Amable pursued a little path across the fields. He looked at the young wheat and the young oats, thinking that his son was now under the earth, his poor boy! He walked along wearily, dragging his legs after him in a limping fashion. And, as he was all alone in the plain, all alone under the blue sky, in the midst of the growing crops, all alone with the larks which he saw hovering above his head, without hearing their light song, he began to weep as he proceeded on his way.
Then he sat down beside a pond and remained there till evening, gazing at the little birds that came there to drink. Then, as the night was falling, he returned to the house, supped without saying a word and climbed up to his loft. And his life went on as in the past. Nothing was changed, except that his son Cesaire slept in the cemetery.
What could he, an old man, do? He could work no longer; he was now good for nothing except to swallow the soup prepared by his daughter-in-law. And he ate it in silence, morning and evening, watching with an eye of rage the little boy also taking soup, right opposite him, at the other side of the table. Then he would go out, prowl about the fields after the fashion of a vagabond, hiding behind the barns where he would sleep for an hour or two as if he were afraid of being seen and then come back at the approach of night.
But Celeste's mind began to be occupied by graver anxieties. The farm needed a man to look after it and cultivate it. Somebody should be there always to go through the fields, not a mere hired laborer, but a regular farmer, a master who understood the business and would take an interest in the farm. A lone woman could not manage the farming, watch the price of corn and direct the sale and purchase of cattle. Then ideas came into her head, simple practical ideas, which she had turned over in her head at night. She could not marry again before the end of the year, and it was necessary at once to take care of pressing interests, immediate interests.
Only one man could help her out of her difficulties, Victor Lecoq, the father of her child. He was strong and understood farming; with a little money in his pocket he would make an excellent cultivator. She was aware of his skill, having known him while he was working on her parents' farm.
So one morning, seeing him passing along the road with a cart of manure, she went out to meet him. When he perceived her, he drew up his horses and she said to him as if she had met him the night before:
"Good-morrow, Victor—are you quite well, the same as ever?"
He replied:
"I'm quite well, the same as ever—and how are you?"
"Oh, I'd be all right, only that I'm alone in the house, which bothers me on account of the farm."
Then they remained chatting for a long time, leaning against the wheel of the heavy cart. The man every now and then lifted up his cap to scratch his forehead and began thinking, while she, with flushed cheeks, went on talking warmly, told him about her views, her plans; her projects for the future. At last he said in a low tone:
"Yes, it can be done."
She opened her hand like a countryman clinching a bargain and asked:
"Is it agreed?"
He pressed her outstretched hand.
"'Tis agreed."
"It's settled, then, for next Sunday?"
"It's settled for next Sunday"
"Well, good-morning, Victor."
"Good-morning, Madame Houlbreque."
PART III
This particular Sunday was the day of the village festival, the annual festival in honor of the patron saint, which in Normandy is called the assembly.
For the last eight days quaint-looking vehicles in which live the families of strolling fair exhibitors, lottery managers, keepers of shooting galleries and other forms of amusement or exhibitors of curiosities whom the peasants call "wonder-makers" could be seen coming along the roads drawn slowly by gray or sorrel horses.
 Then a tent was erected in front of each ambulant abode, and inside this tent could be seen, through the holes in the canvas, glittering things which excited the envy or the curiosity of the village youngsters.
As soon as the morning of the fete arrived all the booths were opened, displaying their splendors of glass or porcelain, and the peasants on their way to mass looked with genuine satisfaction at these modest shops which they saw again, nevertheless, each succeeding year.
Early in the afternoon there was a crowd on the green. From every neighboring village the farmers arrived, shaken along with their wives and children in the two-wheeled open chars-a-bancs, which rattled along, swaying like cradles. They unharnessed at their friends' houses and the farmyards were filled with strange-looking traps, gray, high, lean, crooked, like long-clawed creatures from the depths of the sea. And each family, with the youngsters in front and the grown-up ones behind, came to the assembly with tranquil steps, smiling countenances and open hands, big hands, red and bony, accustomed to work and apparently tired of their temporary rest.
A clown was blowing a trumpet. The barrel-organ accompanying the carrousel sent through the air its shrill jerky notes. The lottery-wheel made a whirring sound like that of cloth tearing, and every moment the crack of the rifle could be heard. And the slow-moving throng passed on quietly in front of the booths resembling paste in a fluid condition, with the motions of a flock of sheep and the awkwardness of heavy animals who had escaped by chance.
The girls, holding one another's arms in groups of six or eight, were singing; the youths followed them, making jokes, with their caps over their ears and their blouses stiffened with starch, swollen out like blue balloons.
The whole countryside was there—masters, laboring men and women servants.
Old Amable himself, wearing his old-fashioned green frock coat, had wished to see the assembly, for he never failed to attend on such an occasion.
He looked at the lotteries, stopped in front of the shooting galleries to criticize the shots and interested himself specially in a very simple game which consisted in throwing a big wooden ball into the open mouth of a mannikin carved and painted on a board.
Suddenly he felt a tap on his shoulder. It was Daddy Malivoire, who exclaimed:
"Ha, daddy! Come and have a glass of brandy."
And they sat down at the table of an open-air restaurant.
They drank one glass of brandy, then two, then three, and old Amable once more began wandering through the assembly.  He remained there a long time, filled with delight, when he saw a holiday-maker knocking down the gendarme or the cure, two authorities whom he instinctively distrusted. Then he went back to the inn and drank a glass of cider to cool himself. It was late, night came on. A neighbor came to warn him:
"You'll get back home late for the stew, daddy."
Then he set out on his way to the farmhouse. A soft shadow, the warm shadow of a spring night, was slowly descending on the earth.
When he reached the front door he thought he saw through the window which was lighted up two persons in the house. He stopped, much surprised, then he went in, and he saw Victor Lecoq seated at the table, with a plate filled with potatoes before him, taking his supper in the very same place where his son had sat.
And he turned round suddenly as if he wanted to go away. The night was very dark now. Celeste started up and shouted at him:
"Come quick, daddy! Here's some good stew to finish off the assembly with."
He complied through inertia and sat down, watching in turn the man, the woman and the child. Then he began to eat quietly as on ordinary days.
Victor Lecoq seemed quite at home, talked from time to time to Celeste, took up the child in his lap and kissed him. And Celeste again served him with food, poured out drink for him and appeared happy while speaking to him. Old Amable's eyes followed them attentively, though he could not hear what they were saying.
When he had finished supper (and he had scarcely eaten anything, there was such a weight at his heart) he rose up, and instead of ascending to his loft as he did every night he opened the gate of the yard and went out into the open air.
When he had gone, Celeste, a little uneasy, asked:
"What is he going to do?"
Victor replied in an indifferent tone:
"Don't bother yourself. He'll come back when he's tired."
Then she saw after the house, washed the plates and wiped the table, while the man quietly took off his clothes. Then he slipped into the dark and hollow bed in which she had slept with Cesaire.
The yard gate opened and old Amable again appeared. As soon as he entered the house he looked round on every side with the air of an old dog on the scent. He was in search of Victor Lecoq. As he did not see him, he took the candle off the table and approached the dark niche in which his son had died. In the interior of it he perceived the man lying under the bed clothes and already asleep. Then the deaf man noiselessly turned round, put back the candle and went out into the yard.
Celeste had finished her work. She put her son into his bed, arranged everything and waited for her father-in-law's return before lying down herself.
She remained sitting on a chair, without moving her hands and with her eyes fixed on vacancy.
As he did not come back, she murmured in a tone of impatience and annoyance:
"This good-for-nothing old man will make us burn four sous' worth of candles."
Victor answered from under the bed clothes:
"It's over an hour since he went out. We ought to see whether he fell asleep on the bench outside the door."
"I'll go and see," she said.
She rose up, took the light and went out, shading the light with her hand in order to see through the darkness.
She saw nothing in front of the door, nothing on the bench, nothing on the dung heap, where the old man used sometimes to sit in hot weather.
But, just as she was on the point of going in again, she chanced to raise her eyes toward the big apple tree, which sheltered the entrance to the farmyard, and suddenly she saw two feet—two feet at the height of her face belonging to a man who was hanging.
She uttered terrible cries:
"Victor! Victor! Victor!"
He ran out in his shirt. She could not utter another word, and turning aside her head so as not to see, she pointed toward the tree with her outstretched arm.
Not understanding what she meant, he took the candle in order to find out, and in the midst of the foliage lit up from below he saw old Amable hanging high up with a stable-halter round his neck.
A ladder was leaning against the trunk of the apple tree.
Victor ran to fetch a bill-hook, climbed up the tree and cut the halter. But the old man was already cold and his tongue protruded horribly with a frightful grimace.
GUY DE MAUPASSANT ORIGINAL SHORT STORIES Translated by ALBERT M. C. McMASTER, B.A. A. E. HENDERSON, B.A. MME. QUESADA and Others
"With pleasure."
The old ship's surgeon, holding out his glass, watched it as it slowly filled with the golden liquid. Then, holding it in front of his eyes, he let the light from the lamp stream through it, smelled it, tasted a few drops and smacked his lips with relish. Then he said:
"Ah! the charming poison! Or rather the seductive murderer, the delightful destroyer of peoples!
"You people do not know it the way I do. You may have read that admirable book entitled L'Assommoir, but you have not, as I have, seen alcohol exterminate a whole tribe of savages, a little kingdom of negroes—alcohol calmly unloaded by the barrel by red-bearded English seamen.
"Right near here, in a little village in Brittany near Pont-l'Abbe, I once witnessed a strange and terrible tragedy caused by alcohol. I was spending my vacation in a little country house left me by my father. You know this flat coast where the wind whistles day and night, where one sees, standing or prone, these giant rocks which in the olden times were regarded as guardians, and which still retain something majestic and imposing about them. I always expect to see them come to life and start to walk across the country with the slow and ponderous tread of giants, or to unfold enormous granite wings and fly toward the paradise of the Druids.
"Everywhere is the sea, always ready on the slightest provocation to rise in its anger and shake its foamy mane at those bold enough to brave its wrath.
"And the men who travel on this terrible sea, which, with one motion of its green back, can overturn and swallow up their frail barks—they go out in the little boats, day and night, hardy, weary and drunk. They are often drunk. They have a saying which says: 'When the bottle is full you see the reef, but when it is empty you see it no more.'
"Go into one of their huts; you will never find the father there. If you ask the woman what has become of her husband, she will stretch her arms out over the dark ocean which rumbles and roars along the coast. He remained, there one night, when he had had too much to drink; so did her oldest son. She has four more big, strong, fair-haired boys. Soon it will be their time.
"As I said, I was living in a little house near Pont-l'Abbe. I was there alone with my servant, an old sailor, and with a native family which took care of the grounds in my absence. It consisted of three persons, two sisters and a man, who had married one of them, and who attended to the garden.
"A short time before Christmas my gardener's wife presented him with a boy. The husband asked me to stand as god-father. I could hardly deny the request, and so he borrowed ten francs from me for the cost of the christening, as he said.
"The second day of January was chosen as the date of the ceremony. For a week the earth had been covered by an enormous white carpet of snow, which made this flat, low country seem vast and limitless. The ocean appeared to be black in contrast with this white plain; one could see it rolling, raging and tossing its waves as though wishing to annihilate its pale neighbor, which appeared to be dead, it was so calm, quiet and cold.
"At nine o'clock the father, Kerandec, came to my door with his sister-in-law, the big Kermagan, and the nurse, who carried the infant wrapped up in a blanket. We started for the church. The weather was so cold that it seemed to dry up the skin and crack it open. I was thinking of the poor little creature who was being carried on ahead of us, and I said to myself that this Breton race must surely be of iron, if their children were able, as soon as they were born, to stand such an outing.
"We came to the church, but the door was closed; the priest was late.
"Then the nurse sat down on one of the steps and began to undress the child. At first I thought there must have been some slight accident, but I saw that they were leaving the poor little fellow naked completely naked, in the icy air. Furious at such imprudence, I protested:
"'Why, you are crazy!  It was the custom. If it were not adhered to misfortune was sure to attend the little one.
"I scolded, threatened and pleaded. I used force to try to cover the frail creature. All was in vain. The nurse ran away from me through the snow, and the body of the little one turned purple. I was about to leave these brutes when I saw the priest coming across the country, followed. by the sexton and a young boy. I ran towards him and gave vent to my indignation. He showed no surprise nor did he quicken his pace in the least. He answered:
"'What can you expect, sir? It's the custom. They all do it, and it's of no use trying to stop them.'
"'But at least hurry up!' I cried.
"He answered: 'But I can't go any faster.'
"He entered the vestry, while we remained outside on the church steps. I was suffering. But what about the poor little creature who was howling from the effects of the biting cold.
"At last the door opened. He went into the church. But the poor child had to remain naked throughout the ceremony. It was interminable. The priest stammered over the Latin words and mispronounced them horribly. He walked slowly and with a ponderous tread. His white surplice chilled my heart. It seemed as though, in the name of a pitiless and barbarous god, he had wrapped himself in another kind of snow in order to torture this little piece of humanity that suffered so from the cold.
"Finally the christening was finished according to the rites and I saw the nurse once more take the frozen, moaning child and wrap it up in the blanket.
"The priest said to me: 'Do you wish to sign the register?'
"Turning to my gardener, I said: 'Hurry up and get home quickly so that you can warm that child.' I gave him some advice so as to ward off, if not too late, a bad attack of pneumonia. He promised to follow my instructions and left with his sister-in-law and the nurse. I followed the priest into the vestry, and when I had signed he demanded five francs for expenses.
"As I had already given the father ten francs, I refused to pay twice. The priest threatened to destroy the paper and to annul the ceremony. I, in turn, threatened him with the district attorney. The dispute was long, and I finally paid five francs.
"As soon as I reached home I went down to Kerandec's to find out whether everything was all right. Neither father, nor sister-in-law, nor nurse had yet returned. The mother, who had remained alone, was in bed, shivering with cold and starving, for she had had nothing to eat since the day before.
"'Where the deuce can they have gone?' I asked. She answered without surprise or anger, 'They're going to drink something to celebrate: It was the custom. Then I thought, of my ten francs which were to pay the church and would doubtless pay for the alcohol.
"I sent some broth to the mother and ordered a good fire to be built in the room. I was uneasy and furious and promised myself to drive out these brutes, wondering with terror what was going to happen to the poor infant.
"It was already six, and they had not yet returned. I told my servant to wait for them and I went to bed. I soon fell asleep and slept like a top. At daybreak I was awakened by my servant, who was bringing me my hot water.
"As soon as my eyes were open I asked: 'How about Kerandec?'
"The man hesitated and then stammered: 'Oh! he came back, all right, after midnight, and so drunk that he couldn't walk, and so were Kermagan and the nurse. I guess they must have slept in a ditch, for the little one died and they never even noticed it.'
"I jumped up out of bed, crying:
"'What! The child is dead?'
"'Yes, sir. They brought it back to Mother Kerandec. When she saw it she began to cry, and now they are making her drink to console her.'
"'What's that? They are making her drink!'
"'Yes, sir. I only found it out this morning. As Kerandec had no more brandy or money, he took some wood alcohol, which monsieur gave him for the lamp, and all four of them are now drinking that. The mother is feeling pretty sick now.'
"I had hastily put on some clothes, and seizing a stick, with the intention of applying it to the backs of these human beasts, I hastened towards the gardener's house.
"The mother was raving drunk beside the blue body of her dead baby. Kerandec, the nurse, and the Kermagan woman were snoring on the floor. I had to take care of the mother, who died towards noon."
The old doctor was silent. He took up the brandy-bottle and poured out another glass. He held it up to the lamp, and the light streaming through it imparted to the liquid the amber color of molten topaz. With one gulp he swallowed the treacherous drink.
"Will you come and open the hunting season with me at my farm at Marinville? I shall be delighted if you will, my dear boy. In the first place, I am all alone. It is rather a difficult ground to get at, and the place I live in is so primitive that I can invite only my most intimate friends."
I accepted his invitation, and on Saturday we set off on the train going to Normandy. We alighted at a station called Almivare, and Baron Rene, pointing to a carryall drawn by a timid horse and driven by a big countryman with white hair, said:
"Here is our equipage, my dear boy."
The driver extended his hand to his landlord, and the baron pressed it warmly, asking:
"Well, Maitre Lebrument, how are you?"
"Always the same, M'sieu le Baron."
We jumped into this swinging hencoop perched on two enormous wheels, and the young horse, after a violent swerve, started into a gallop, pitching us into the air like balls. Every fall backward on the wooden bench gave me the most dreadful pain.
The peasant kept repeating in his calm, monotonous voice:
"There, there! All right all right, Moutard, all right!"
But Moutard scarcely heard, and kept capering along like a goat.
Our two dogs behind us, in the empty part of the hencoop, were standing up and sniffing the air of the plains, where they scented game.
The baron gazed with a sad eye into the distance at the vast Norman landscape, undulating and melancholy, like an immense English park, where the farmyards, surrounded by two or four rows of trees and full of dwarfed apple trees which hid the houses, gave a vista as far as the eye could see of forest trees, copses and shrubbery such as landscape gardeners look for in laying out the boundaries of princely estates.
And Rene du Treilles suddenly exclaimed:
"I love this soil; I have my very roots in it."
He was a pure Norman, tall and strong, with a slight paunch, and of the old race of adventurers who went to found kingdoms on the shores of every ocean. He was about fifty years of age, ten years less perhaps than the farmer who was driving us.
The latter was a lean peasant, all skin and bone, one of those men who live a hundred years.
After two hours' travelling over stony roads, across that green and monotonous plain, the vehicle entered one of those orchard farmyards and drew up before in old structure falling into decay, where an old maid-servant stood waiting beside a young fellow, who took charge of the horse.
We entered the farmhouse. The smoky kitchen was high and spacious. The copper utensils and the crockery shone in the reflection of the hearth. A cat lay asleep on a chair, a dog under the table. One perceived an odor of milk, apples, smoke, that indescribable smell peculiar to old farmhouses; the odor of the earth, of the walls, of furniture, the odor of spilled stale soup, of former wash-days and of former inhabitants, the smell of animals and of human beings combined, of things and of persons, the odor of time, and of things that have passed away.
I went out to have a look at the farmyard. It was very large, full of apple trees, dwarfed and crooked, and laden with fruit which fell on the grass around them. In this farmyard the Norman smell of apples was as strong as that of the bloom of orange trees on the shores of the south of France.
Four rows of beeches surrounded this inclosure. They were so tall that they seemed to touch the clouds at this hour of nightfall, and their summits, through which the night winds passed, swayed and sang a mournful, interminable song.
I reentered the house.
The baron was warming his feet at the fire, and was listening to the farmer's talk about country matters. He talked about marriages, births and deaths, then about the fall in the price of grain and the latest news about cattle. The "Veularde" (as he called a cow that had been bought at the fair of Veules) had calved in the middle of June. The cider had not been first-class last year. Apricots were almost disappearing from the country.
Then we had dinner. It was a good rustic meal, simple and abundant, long and tranquil. And while we were dining I noticed the special kind of friendly familiarity which had struck me from the start between the baron and the peasant.
Outside, the beeches continued sighing in the night wind, and our two dogs, shut up in a shed, were whining and howling in an uncanny fashion. The fire was dying out in the big fireplace. The maid-servant had gone to bed. Maitre Lebrument said in his turn:
"If you don't mind, M'sieu le Baron, I'm going to bed. I am not used to staying up late."
The baron extended his hand toward him and said: "Go, my friend," in so cordial a tone that I said, as soon as the man had disappeared:
"He is devoted to you, this farmer?"
"Better than that, my dear fellow! It is a drama, an old drama, simple and very sad, that attaches him to me. Here is the story:
"You know that my father was colonel in a cavalry regiment. His orderly was this young fellow, now an old man, the son of a farmer. When my father retired from the army he took this former soldier, then about forty; as his servant. I was at that time about thirty. We were living in our old chateau of Valrenne, near Caudebec-en-Caux.
"At this period my mother's chambermaid was one of the prettiest girls you could see, fair-haired, slender and sprightly in manner, a genuine soubrette of the old type that no longer exists. To-day these creatures spring up into hussies before their time. Paris, with the aid of the railways, attracts them, calls them, takes hold of them, as soon as they are budding into womanhood, these little sluts who in old times remained simple maid-servants.
 She was virtuous, besides; and I had some respect for my mother's house, which is more than can be said of the blackguards of the present day.
"Now, it happened that my man-servant, the ex-soldier, the old farmer you have just seen, fell madly in love with this girl, perfectly daft. The first thing we noticed was that he forgot everything, he paid no attention to anything.
"My father said incessantly:
"'See here, Jean, what's the matter with you? Are you ill?'
"He replied:
"'No, no, M'sieu le Baron. There's nothing the matter with me.'
"He grew thin; he broke glasses and let plates fall when waiting on the table. We thought he must have been attacked by some nervous affection, and sent for the doctor, who thought he could detect symptoms of spinal disease. Then my father, full of anxiety about his faithful man-servant, decided to place him in a private hospital. When the poor fellow heard of my father's intentions he made a clean breast of it.
"'M'sieu le Baron'
"'Well, my boy?'
"'You see, the thing I want is not physic.'
"'Ha! what is it, then?'
"'It's marriage!'
"My father turned round and stared at him in astonishment.
"'What's that you say, eh?'
"'It's marriage."
"'Marriage!
"But my mother, instead of laughing, was deeply affected.
"'Who is it that you have fallen in love with, my poor fellow?' she asked.
"He answered without hesitation:
"'With Louise, Madame le Baronne.'
"My mother said with the utmost gravity: 'We must try to arrange this matter the best way we can.'
"So Louise was sent for and questioned by my mother; and she said in reply that she knew all about Jean's liking for her, that in fact Jean had spoken to her about it several times, but that she did not want him. She refused to say why.
"And two months elapsed during which my father and mother never ceased to urge this girl to marry Jean. As she declared she was not in love with any other man, she could not give any serious reason for her refusal. My father at last overcame her resistance by means of a big present of money, and started the pair of them on a farm—this very farm. I did not see them for three years, and then I learned that Louise had died of consumption. But my father and mother died, too, in their turn, and it was two years more before I found myself face to face with Jean.
"At last one autumn day about the end of October the idea came into my head to go hunting on this part of my estate, which my father had told me was full of game.
"So one evening, one wet evening, I arrived at this house. I was shocked to find my father's old servant with perfectly white hair, though he was not more than forty-five or forty-six years of age. I made him dine with me, at the very table where we are now sitting. It was raining hard. We could hear the rain battering at the roof, the walls, and the windows, flowing in a perfect deluge into the farmyard; and my dog was howling in the shed where the other dogs are howling to-night.
"All of a sudden, when the servant-maid had gone to bed, the man said in a timid voice:
"'M'sieu le Baron.'
"'What is it, my dear Jean?'
"'I have something to tell you.'
"'Tell it, my dear Jean.'
"'You remember Louise, my wife.'
"'Certainly, I remember her.'
"'Well, she left me a message for you.'
"'What was it?'
"'A—a—well, it was what you might call a confession.'
"'Ha—and what was it about?'
"'It was—it was—I'd rather, all the same, tell you nothing about it—but I must—I must. Well, it's this—it wasn't consumption she died of at all. It was grief—well, that's the long and short of it. As soon as she came to live here after we were married, she grew thin; she changed so that you wouldn't know her, M'sieu le Baron. She was just as I was before I married her, but it was just the opposite, just the opposite.
"'I sent for the doctor. He said it was her liver that was affected—he said it was what he called a "hepatic" complaint—I don't know these big words, M'sieu le Baron. Then I bought medicine for her, heaps on heaps of bottles that cost about three hundred francs. But she'd take none of them; she wouldn't have them; she said: "It's no use, my poor Jean; it wouldn't do me any good." I saw well that she had some hidden trouble; and then I found her one time crying, and I didn't know what to do, no, I didn't know what to do. I bought her caps, and dresses, and hair oil, and earrings. Nothing did her any good. And I saw that she was going to die. And so one night at the end of November, one snowy night, after she had been in bed the whole day, she told me to send for the cure. So I went for him. As soon as he came—'
"'Jean,' she said, 'I am going to make a confession to you. I owe it to you, Jean. I have never been false to you, never! never, before or after you married me. M'sieu le Cure is there, and can tell you so; he knows my soul. Well, listen, Jean. If I am dying, it is because I was not able to console myself for leaving the chateau, because I was too fond of the young Baron Monsieur Rene, too fond of him, mind you, Jean, there was no harm in it! This is the thing that's killing me. When I could see him no more I felt that I should die. If I could only have seen him, I might have lived, only seen him, nothing more. I wish you'd tell him some day, by and by, when I am no longer here. You will tell him, swear you, will, Jean—swear it—in the presence of M'sieu le Cure! It will console me to know that he will know it one day, that this was the cause of my death! Swear it!'
"'Well, I gave her my promise, M'sieu It Baron, and on the faith of an honest man I have kept my word.'
"And then he ceased speaking, his eyes filling with tears.
"Good God! my dear boy, you can't form any idea of the emotion that filled me when I heard this poor devil, whose wife I had killed without suspecting it, telling me this story on that wet night in this very kitchen.
"I exclaimed: 'Ah! my poor Jean! my poor Jean!'
"He murmured: 'Well, that's all, M'sieu le Baron. I could not help it, one way or the other—and now it's all over!'
"I caught his hand across the table, and I began to weep.
"He asked, 'Will you come and see her grave?' I nodded assent, for I couldn't speak. He rose, lighted a lantern, and we walked through the blinding rain by the light of the lantern.
"He opened a gate, and I saw some crosses of black wood.
"Suddenly he stopped before a marble slab and said: 'There it is,' and he flashed the lantern close to it so that I could read the inscription:
"'TO LOUISE HORTENSE MARINET, "'Wife of Jean-Francois Lebrument, Farmer, "'SHE WAS A FAITHFUL WIFE. GOD REST HER SOUL.'
"We fell on our knees in the damp grass, he and I, with the lantern between us, and I saw the rain beating on the white marble slab. And I thought of the heart of her sleeping there in her grave. Ah! poor heart! poor heart! Since then I come here every year. And I don't know why, but I feel as if I were guilty of some crime in the presence of this man who always looks as if he forgave me."
The peasant and the doctor stood on opposite sides of the bed, beside the old, dying woman. She was calm and resigned and her mind quite clear as she looked at them and listened to their conversation. She was going to die, and she did not rebel at it, for her time was come, as she was ninety-two.
The July sun streamed in at the window and the open door and cast its hot flames on the uneven brown clay floor, which had been stamped down by four generations of clodhoppers. The smell of the fields came in also, driven by the sharp wind and parched by the noontide heat. The grass-hoppers chirped themselves hoarse, and filled the country with their shrill noise, which was like that of the wooden toys which are sold to children at fair time.
The doctor raised his voice and said: "Honore, you cannot leave your mother in this state; she may die at any moment." And the peasant, in great distress, replied: "But I must get in my wheat, for it has been lying on the ground a long time, and the weather is just right for it; what do you say about it, mother?"
But the doctor got angry, and, stamping his foot, he said: "You are no better than a brute, do you hear, and I will not allow you to do it, do you understand? And if you must get in your wheat today, go and fetch Rapet's wife and make her look after your mother; I will have it, do you understand me?
The peasant, a tall, thin fellow with slow movements, who was tormented by indecision, by his fear of the doctor and his fierce love of saving, hesitated, calculated, and stammered out: "How much does La Rapet charge for attending sick people?" "How should I know?" the doctor cried. "That depends upon how long she is needed. Settle it with her, by Heaven! But I want her to be here within an hour, do you hear?"
So the man decided. "I will go for her," he replied; "don't get angry, doctor." And the latter left, calling out as he went: "Be careful, be very careful, you know, for I do not joke when I am angry!" As soon as they were alone the peasant turned to his mother and said in a resigned voice: "I will go and fetch La Rapet, as the man will have it. Don't worry till I get back."
And he went out in his turn.
La Rapet, old was an old washerwoman, watched the dead and the dying of the neighborhood, and then, as soon as she had sewn her customers into that linen cloth from which they would emerge no more, she went and took up her iron to smooth out the linen of the living. Wrinkled like a last year's apple, spiteful, envious, avaricious with a phenomenal avarice, bent double, as if she had been broken in half across the loins by the constant motion of passing the iron over the linen, one might have said that she had a kind of abnormal and cynical love of a death struggle. She never spoke of anything but of the people she had seen die, of the various kinds of deaths at which she had been present, and she related with the greatest minuteness details which were always similar, just as a sportsman recounts his luck.
When Honore Bontemps entered her cottage, he found her preparing the starch for the collars of the women villagers, and he said: "Good-evening; I hope you are pretty well, Mother Rapet?"
 "Oh! as for me, I am as well as I could wish, but my mother is not well." "Your mother?" "Yes, my mother!" "What is the matter with her?" "She is going to turn up her toes, that's what's the matter with her!"
The old woman took her hands out of the water and asked with sudden sympathy: "Is she as bad as all that?" "The doctor says she will not last till morning." "Then she certainly is very bad!" Honore hesitated, for he wanted to make a few preparatory remarks before coming to his proposition; but as he could hit upon nothing, he made up his mind suddenly.
"How much will you ask to stay with her till the end? You know that I am not rich, and I can not even afford to keep a servant girl. It is just that which has brought my poor mother to this state—too much worry and fatigue! She did the work of ten, in spite of her ninety-two years. You don't find any made of that stuff nowadays!"
La Rapet answered gravely: "There are two prices: Forty sous by day and three francs by night for the rich, and twenty sous by day and forty by night for the others. You shall pay me the twenty and forty." But the, peasant reflected, for he knew his mother well. He knew how tenacious of life, how vigorous and unyielding she was, and she might last another week, in spite of the doctor's opinion; and so he said resolutely: "No, I would rather you would fix a price for the whole time until the end. I will take my chance, one way or the other. The doctor says she will die very soon. If that happens, so much the better for you, and so much the worse for her, but if she holds out till to-morrow or longer, so much the better for her and so much the worse for you!"
The nurse looked at the man in astonishment, for she had never treated a death as a speculation, and she hesitated, tempted by the idea of the possible gain, but she suspected that he wanted to play her a trick. "I can say nothing until I have seen your mother," she replied.
"Then come with me and see her."
She washed her hands, and went with him immediately.
They did not speak on the road; she walked with short, hasty steps, while he strode on with his long legs, as if he were crossing a brook at every step.
The cows lying down in the fields, overcome by the heat, raised their heads heavily and lowed feebly at the two passers-by, as if to ask them for some green grass.
When they got near the house, Honore Bontemps murmured: "Suppose it is all over?" And his unconscious wish that it might be so showed itself in the sound of his voice.
But the old woman was not dead.
La Rapet went up to the bed and looked at the dying woman, felt her pulse, tapped her on the chest, listened to her breathing, and asked her questions, so as to hear her speak; and then, having looked at her for some time, she went out of the room, followed by Honore. Her decided opinion was that the old woman would not last till night. He asked: "Well?" And the sick-nurse replied: "Well, she may last two days, perhaps three. You will have to give me six francs, everything included."
"Six francs! six francs!" he shouted.  I tell you she cannot last more than five or six hours!" And they disputed angrily for some time, but as the nurse said she must go home, as the time was going by, and as his wheat would not come to the farmyard of its own accord, he finally agreed to her terms.
"Very well, then, that is settled; six francs, including everything, until the corpse is taken out."
And he went away, with long strides, to his wheat which was lying on the ground under the hot sun which ripens the grain, while the sick-nurse went in again to the house.
She had brought some work with her, for she worked without ceasing by the side of the dead and dying, sometimes for herself, sometimes for the family which employed her as seamstress and paid her rather more in that capacity. Suddenly, she asked: "Have you received the last sacraments, Mother Bontemps?"
The old peasant woman shook her head, and La Rapet, who was very devout, got up quickly:
"Good heavens, is it possible? I will go and fetch the cure"; and she rushed off to the parsonage so quickly that the urchins in the street thought some accident had happened, when they saw her running.
The priest came immediately in his surplice, preceded by a choir boy who rang a bell to announce the passage of the Host through the parched and quiet country. Some men who were working at a distance took off their large hats and remained motionless until the white vestment had disappeared behind some farm buildings; the women who were making up the sheaves stood up to make the sign of the cross; the frightened black hens ran away along the ditch until they reached a well-known hole, through which they suddenly disappeared, while a foal which was tied in a meadow took fright at the sight of the surplice and began to gallop round and round, kicking cut every now and then. The acolyte, in his red cassock, walked quickly, and the priest, with his head inclined toward one shoulder and his square biretta on his head, followed him, muttering some prayers; while last of all came La Rapet, bent almost double as if she wished to prostrate herself, as she walked with folded hands as they do in church.
Honore saw them pass in the distance, and he asked: "Where is our priest going?" His man, who was more intelligent, replied: "He is taking the sacrament to your mother, of course!"
The peasant was not surprised, and said: "That may be," and went on with his work.
Mother Bontemps confessed, received absolution and communion, and the priest took his departure, leaving the two women alone in the suffocating room, while La Rapet began to look at the dying woman, and to ask herself whether it could last much longer.
The day was on the wane, and gusts of cooler air began to blow, causing a view of Epinal, which was fastened to the wall by two pins, to flap up and down; the scanty window curtains, which had formerly been white, but were now yellow and covered with fly-specks, looked as if they were going to fly off, as if they were struggling to get away, like the old woman's soul.
Lying motionless, with her eyes open, she seemed to await with indifference that death which was so near and which yet delayed its coming. Her short breathing whistled in her constricted throat. It would stop altogether soon, and there would be one woman less in the world; no one would regret her.
At nightfall Honore returned, and when he went up to the bed and saw that his mother was still alive, he asked: "How is she?" just as he had done formerly when she had been ailing, and then he sent La Rapet away, saying to her: "To-morrow morning at five o'clock, without fail." And she replied: "To-morrow, at five o'clock."
She came at daybreak, and found Honore eating his soup, which he had made himself before going to work, and the sick-nurse asked him: "Well, is your mother dead?" "She is rather better, on the contrary," he replied, with a sly look out of the corner of his eyes. And he went out.
La Rapet, seized with anxiety, went up to the dying woman, who remained in the same state, lethargic and impassive, with her eyes open and her hands clutching the counterpane. The nurse perceived that this might go on thus for two days, four days, eight days, and her avaricious mind was seized with fear, while she was furious at the sly fellow who had tricked her, and at the woman who would not die.