Alexi Laiho
Alexi Laiho Life
- 1979 - Alexi Laiho born in 8 April 1979.
- 1993 - Laiho formed Children of Bodom with the drummer Jaska Raatikainen.
- 2004 - Ranked No 96 ou of 100 Greatest Heavy Metal Guitarists of All Time by Guitar World.
- 2004 - At the same year he ranked No 41 out of 50 fastest guitarists.
- 2008 - The most special year for Alexi Laiho, he received the Dimebag Award for Best Shredder, an award from Metal Hammer Golden Gods.
- 2019 - Last show with the Children of Bodom on 15 December 2019.
- 2020 - He died at 29 December 2020, the press was released on Jan 4th, but was later confirmed at December 29th.
Read more about on COB official site.


Krippendorf's Tribe (1998)
Director: Todd Holland Cast: Richard Dreyfuss, Jenna Elfman, Lily Tomlin, Rachel Winfree Screenplay: Charlie Peters Producers: Runtime: 100 min. US Distribution: Touchstone Pictures Rated PG-13: Language, implied sex, adult themes
By Nathaniel R. Atcheson<EMAIL_ADDRESS>I can imagine how good Krippendorf's Tribe must have looked on paper. It does not surprise me in the least that a group of extremely talented actors, led by the great Richard Dreyfuss and a good director (Todd Holland), all wanted to make this film. In fact, it is only the expertise by which this excruciatingly bad script has been executed that keeps me from suggesting that you stay as far away from Krippendorf's Tribe as possible. In retrospect, I can imagine how bad this film could have been. I shudder at the possibilities of awfulness had it starred an actor less able than Dreyfuss.
Dreyfuss plays James Krippendorf, an anthropologist who is granted $100,000 by his university to find an undiscovered tribe in New Guinea. Halfway into his two-year expedition, his wife (apparently) dies. I say apparently because when or how she dies is never truly established. Later, we find out that much of the grant money was spent on big-screen TVs and other such pleasures. So, when Krippendorf finds out what happens to professors who do not use their grant money wisely, he decides to construct an elaborate lie.
He makes his own tribe, using his three children as actors in a video. He simply makes up certain incredible facts about this tribe (which he calls the Shelmickedmu). Audiences at Krippendorf's lectures are amazed by his findings that the Shelmickedmu practice circumcision. And proof that the typical family unit is led by a single father is truly amazing to the anthropological community. Like all films like this, the lie becomes more and more complex, and the suspense is generated with us wondering at what point it is all going to fall out from under our hero.
Dreyfuss is a funny, talented man, and he is funny in this film. He has lots of positive energy and, unlike most comical actors, really manages to play people like this realistically. This film also requires a lot of physical humor that I've never seen Dreyfuss perform, and he does a great job. Jenna Elfman, who plays Veronica Mecilli, a scientist who wants in on Krippendorf's work, is also very funny and appealing here. And the kid actors are great, as well.
But we're talking about the script from hell. This is one of those stories that requires such extreme suspension of disbelief that they might as well have established that the story just takes place in an alternate universe where things like this can happen. But the ridiculousness of the story is not really what is so bad about it. All the cliches and the irritating plot devices could have easily been overcome by Dreyfuss and crew. No, the script is plagued with so many clueless stereotypes and mean-spirited characters that I was in disbelief as I watched. Furthermore, the manor in which all of this material is covered up is truly shameless.
Take, for instance, the scene in which Krippendorf gets Veronica drunk so he can tape them having sex. They get all decked out in the tribe getup, complete with paint to darken their skin. Krippendorf does this because he needs footage of the mating rituals of his tribe. Now, I saw this scene coming from a mile away, but I said to myself, "No, that would be far too tasteless. There's no way they'll do that...Oh God!" They did do it. It's there. I was almost more appalled by the fact that this didn't bother the other audience members with whom I saw this film. I found it deplorable. And when Krippendorf is forced to admit that he did it, he simply apologizes without the slightest hint of conviction in his voice.
 They not only insult the audience, but they insult the types of people that the film portrays. It would take some truly professional work to create videos convincing enough to fool an entire community of scientists, yet Krippendorf does it easily in an afternoon. And watching Dreyfuss stumble over a completely unprepared speech is funny and entertaining, but I think that most members of the on-screen audience would be able to see that he is making everything up as he goes. If I were an anthropologist, this film would insult me immensely.
Moving right along, the film plays off every stereotype our culture has ever learned regarding African tribes. Sure, Dreyfuss dressing up like a chief is really funny, and it allows for some entertaining scenes, but the heart of this material is deeply clueless as to the themes and thoughts that it provokes.
It is because of Dreyfuss as an actor that I was able to watch this film. His character here is not a good subject for a film because he is a shameless liar, and never once does he show any kind of penance for what he does. I suppose it was interesting to see the formula defied in this case, but for the purposes of good taste, I would have expected something. No, this man sets a terrible example for his kids and colleagues, and the writer of the film (Charlie Peters) didn't include a single scene in which Krippendorf takes his kids aside and tells them that what he is doing is very bad. In fact, it's his eldest daughter that frequently tells him that he is doing the wrong thing, and he continually shrugs off her warnings.
I suppose it's important to admit that this is a funny film. Dreyfuss and Elfman, and many of the contrived and insulting scenes, add up to a picture that is anything but boring. And if you're less serious than I, you probably will enjoy it. I, however, can't get past these elements. Krippendorf's Tribe is being marketed as a family comedy, but this is the kind of film that teaches the kids of our society faulty lessons that they shouldn't be learning. With a little more insight into its story and themes, this could have been a good movie.
>From 0-10: 4 Grade: D+
Visit FILM PSYCHOSIS at http://www.pyramid.net/natesmovies
Nathaniel R. Atcheson
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Forest of the Lost [an61], forest, in Imperia, peasants: 144
Last updated Turn #125
Forest of the Lost [an61], forest, in Imperia, peasants: 144
------------------------------------------------------------------------
14: Stack of nazgul [bp7i], nazgul, number: 2, arrived from the east.
14: Asgard Magesbane [z8k], refugee, with one peasant, arrived from the
14: south.
16: Stack of nazgul [bp7i], nazgul, number: 2, went east.
16: Asgard Magesbane [z8k], refugee, with one peasant, went north.
19: Horde of rats [ei3h], rats, number: 31, arrived from the east.
20: Jens Sen [b7a], refugee, arrived from the north.
23: The Lone Traveler [e4n], refugee, arrived from the east.
25: The Lone Traveler [e4n], refugee, went north.
26: Jens Sen [b7a], refugee, went south.
26: Stack of nazgul [af9c], nazgul, number: 2, arrived from the south.
27: Stack of nazgul [al5c], nazgul, number: 3, arrived from the east.
27: It has begun to rain.
28: Stack of nazgul [af9c], nazgul, number: 2, went north.
29: Stack of nazgul [al5c], nazgul, number: 3, went east.
30: The population grows by one peasant.
Routes leaving Forest of the Lost:
North, swamp, to Mosquito Fens [am61], 14 days
East, forest, to Forest of the Lost [an62], 8 days
South, forest, to Forest of the Lost [ao61], 8 days
West, to Ocean [an60], The Inner Sea, 2 days
It is raining.
Seen here:
Stack of nazgul [dk0n], nazgul, number: 4
Horde of rats [ei3h], rats, number: 32
Jens Sen [b7a], refugee
The Lone Traveler [e4n], refugee
Stack of nazgul [af9c], nazgul


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/suppressing.20warnings.20in.20.60leanpkg.20build.60.html ---
How do I suppress warnings (or more specifically sorries, or importing a file with sorries) whilst running leanpkg build
? I just want to check for errors.
I do leanpkg build | grep error
Fair do's
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


Sorry... there seems to be a problem. Please contact the experimenter if you continue to encounter this issue.


Volume. More...
Public Member Functions | |
| (id) | - init |
| Default constructor for a new object. | |
| (void) | - addAttachment: |
| Adds a single object to attachments. | |
| (void) | - addTag: |
| Adds a single object to tags. | |
| (NSString *) | - description |
| Returns a string representation of this object; useful for testing and debugging. | |
Properties | |
| NSString * | volumeId |
| The unique ID of this volume. | |
| NSNumber * | size |
| The size of this volume, in gigabytes. | |
| NSString * | snapshotId |
| Optional snapshot from which this volume was created. | |
| NSString * | availabilityZone |
| Availability zone in which this volume was created. | |
| NSString * | state |
| State of this volume (e.g., creating, available). | |
| NSDate * | createTime |
| Timestamp when volume creation was initiated. | |
| NSMutableArray * | attachments |
| Information on what this volume is attached to. | |
| NSMutableArray * | tags |
| A list of tags for the Volume. |
Volume.
| - (void EC2Volume.)addAttachment: | (EC2VolumeAttachment *) | attachment |
Adds a single object to attachments.
This function will alloc and init attachments if not already done.
| - (void EC2Volume.)addTag: | (EC2Tag *) | tag |
Adds a single object to tags.
This function will alloc and init tags if not already done.
| - (NSString * EC2Volume.)description |
Returns a string representation of this object; useful for testing and debugging.
| - (id EC2Volume.)init |
Default constructor for a new object.
Callers should use the property methods to initialize this object after creating it.
- (NSString *) state [read, write, retain] |
State of this volume (e.g., creating, available).
Constraints:
Allowed Values: creating, available, in-use, deleting, error


This is the injected data:
{{ data.data }}
You can close this overlay clicking around it, or clicking on the 'close me' button


Location: {{post.location.locality}} , {{post.location.city}}, {{post.location.state}}
Price: {{post.price_range}}
{{post.description}}
Current 0 Levels Current {{post.avgGrade}} Levels
{{comment.comment.comment;}}


Created by University of Birmingham's EPS EdTech Team, distributed under MIT license
JSME Molecular Editor used under BSD license (B. Bienfait and P. Ertl, JSME: a free molecule editor in JavaScript, J. Cheminformatics 5:24 (2013))
JSME Molecular Editor used under BSD license (B. Bienfait and P. Ertl, JSME: a free molecule editor in JavaScript, J. Cheminformatics 5:24 (2013))


WD
Buy
Sell
Account
Login
Signup
LogOut
Complete signup
Question :
--Select Security Question--
In what city were you born?
What high school did you attend?
What is your favorite color?
When is your anniversary?
What is your father's middle name?
Enter Answer


In most browsers, you can drag and drop files from your
computer onto the form above. Enter your name and click
"Upload" to watch the progress bar.
Every upload will fail because the server (in this case,
GitHub), doesn't accept form submissions.
I suggest adding large files (> 1 MB) or they tend to
upload too quickly and you can't see the progress
notification.
If you add too many files, the upload button will scroll off
the bottom of the list. Don't do that.
Internet Explorer (except version 10) does not support drag and drop or progress notifications. You can still add files one at a time with the file picker, but you won't see a nice progress bar as they upload.


The Terminated subscription status is displayed in case a Vendor rejects a fulfillment request. Therefore, this request is failed and an associated subscription is terminated. Terminated subscription status can also indicate that a Vendor approved a cancel request. Buyers create such requests in case they want to cancel their subscription. Furthermore, cancel requests could be created from the Distributor or Vendor portals. Note that the Terminated status represent a terminal state. No further actions with this subscriptions are required or available.
Terminated subscriptions are interconnected with fulfillment request in the following state: Failed In case a cancel request receives the Active status, an interconnected subscription is assigned to the Terminated state.
A subscription can be transferred to the Terminated state in case Vendors rejected a fulfillment request and this subscription is assigned to the Processing state. Furthermore, Vendors can approve a cancel request and transfer Terminating subscriptions to the Terminated state.


International Delight Has a New Birthday Cake Coffee Creamer (Sprinkles Sold Separately)
by Danielle JacksonInternational Delight wants to help you satisfy your sweet tooth as soon as you wake up in the morning. The brand recently announced that it'll be releasing two brand-new coffee creamer flavors that might give those Cinnamon Toast Crunch and Funfetti creamers from Coffee-Mate a run for their money.
The two new flavors, Birthday Cake and Vanilla Cannoli Crème Latte, will officially launch in January 2020, joining a growing lineup of over 20 flavors from International Delight. The Birthday Cake flavor is made to taste like a classic yellow birthday cake with sprinkles and vanilla frosting, while Vanilla Cannoli Crème Latte is meant to taste like coffee and your favorite dessert blended into one. Both products will be available at retailers nationwide for around $4 a bottle. Read ahead to get a look at the product imagery.


Home
About
Login
Profile
{% if session['loggedin'] %}
Logout
{% endif %}
Add Assets
{% if alert %}
Error:
{{ alert }} {% endif %}
Timestamp(HH:MM:SS):
Hyperlink(url for referenced subject):
Image(url for image):
Text(description):
Add Assets
Enhanced Audio Log Experience
By Akira Takada and Jason Chen @
The College of New Jersey (TCNJ)


http://www.speakers-podium.com/susangranger.
Susan Granger's review of "TOY STORY 2" (Walt Disney Pictures)
Among our many blessings this Thanksgiving, let us be thankful for the astonishing, fun-filled Toy Story 2, the best animated comedy sequel ever made. This magical, incredibly inventive mix of action and humor continues, right where it left off, with the gang ready to play in Andy's bedroom. Only, when Andy goes off to Cowboy Camp, Woody gets left behind and is kidnapped by the greedy owner of Al's Toy Barn. It seems Woody's a highly valuable collectible from a 1950s TV show called Woody's Roundup. At Al's place, Woody meets another family from his illustrious past - Jessie, the cowgirl; Bullseye, the horse; and Stinky Pete, the Prospector. But, back in Andy's house, Buzz Lightyear has recruited Mr. Potato Head, Slinky Dog, Rex and Hamm for a rescue mission. Can his pals find Woody before Andy comes home?
The original Toy Story was an international sensation, the third highest grossing animated film of all time - behind The Lion King and Aladdin. Originally planned as a direct-to-video release, this adventurous sequel reunites the same creative team, including Pixar's John Lasseter and Andrew Stanton, along with Tom Hanks, Tim Allen, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger and Annie Potts. New voices are Wayne Knight, Kelsey Grammer and Joan Cusack, plus Little Mermaid Jodi Benson as Barbie. Composer Randy Newman's "You've Got a Friend in Me" is reprised, along with new songs "Woody's Roundup" and "When She Loved Me," sung by Sarah McLachlan On the Granger Movie Gauge of 1 to 10, Toy Story 2 is another knockout 10. Don't miss it - or, as Buzz Lightyear would say: "To infinity and beyond!"
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


- ActionAddMember - Class in controller
-
The Class ActionAddMember.
- ActionAddMember(Context, OrgaPanel) - Constructor for class controller.ActionAddMember
-
Instantiates a new action add member.
- ActionClear - Class in controller
-
The Class ActionClear.
- ActionClear(Context, HomePanel) - Constructor for class controller.ActionClear
-
Instantiates a new action clear.
- ActionConnection - Class in controller
-
The Class ActionConnection.
- ActionCreateEvent - Class in controller
-
The Class ActionCreateEvent.
- ActionCreateEventForm - Class in controller
-
The Class ActionCreateEventForm.
- ActionDisplayAllEvents - Class in controller
-
The Class ActionDisplayMyEvents.
- ActionDisplayMyEvents - Class in controller
-
The Class ActionDisplayMyEvents.
- ActionOrganisations - Class in controller
-
The Class ActionOrganisations.
- ActionOrganisations(Context, HomePanel) - Constructor for class controller.ActionOrganisations
-
Instantiates a new action organisations.
- actionPerformed(ActionEvent) - Method in class controller.ActionAddMember
-
- actionPerformed(ActionEvent) - Method in class controller.ActionClear
-
- actionPerformed(ActionEvent) - Method in class controller.ActionConnection
-
- actionPerformed(ActionEvent) - Method in class controller.ActionCreateEvent
-
- actionPerformed(ActionEvent) - Method in class controller.ActionCreateEventForm
-
- actionPerformed(ActionEvent) - Method in class controller.ActionDisplayAllEvents
-
- actionPerformed(ActionEvent) - Method in class controller.ActionDisplayMyEvents
-
- actionPerformed(ActionEvent) - Method in class controller.ActionOrganisations
-
- actionPerformed(ActionEvent) - Method in class controller.ActionQuit
-
- actionPerformed(ActionEvent) - Method in class controller.ActionRemoveEvent
-
- actionPerformed(ActionEvent) - Method in class controller.ActionSubscribeEvent
-
- actionPerformed(ActionEvent) - Method in class controller.ActionUnsubscribeEvent
-
- ActionQuit - Class in controller
-
The Class ActionQuit.
- ActionRemoveEvent - Class in controller
-
The Class ActionRemoveEvent.
- ActionRemoveEvent(Context, EventPanel) - Constructor for class controller.ActionRemoveEvent
-
Instantiates a new action remove event.
- ActionSubscribeEvent - Class in controller
-
The Class ActionSubscribeEvent.
- ActionUnsubscribeEvent - Class in controller
-
The Class ActionUnsubscribeEvent.
- adaptEvent(Event, Context) - Method in class view.EventPanel
-
Adapte le panel à l'Event et au Context
- adaptOrga(Organization, List<User>) - Method in class view.OrgaPanel
-
Adapte le panel à l'Organization cliquée
- addMember(User) - Method in class model.Association
-
Adds the member.
- addNotification(String) - Method in class model.User
-
Adds the notification.
- addParticipant(User) - Method in class model.Event
-
Adds the participant.
- AllEventsPanel - Class in view
-
The Class HomePanel.
- Association - Class in model
-
The Class Association.
- Association() - Constructor for class model.Association
-
Instantiates a new association.
- assoInWhichUserIsMember(String) - Static method in class database.OrganizationDAO
-
Pour retrouver les liste des associations dans lesquelles un User est membre.


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 4
These are authentic meatballs in a thick, rich sauce. Cook the spaghetti the Italian way, in well-salted water.
In a large bowl, mix the minced beef, egg and parsley together. Season to taste.
Now take a teaspoon of mixture and, in your hand, roll it into a ball. Dust the ball in flour and put to one side. Repeat with the rest of the mixture.
In a frying pan, gently sauté the onions and chilli in the olive oil until soft.
Add the meatballs and gently fry until golden brown.
Now add the red wine and simmer for approximately two minutes. Once the wine has evaporated, pour in the chopped tomatoes. Season to taste and cook for a further four minutes.
In the meantime, cook the pasta in boiling, salted water until al dente. Drain and add to the sauce.
Mix well and serve with freshly grated pecorino.


{% extends 'easy/base.html' %} {% block content %}
Yet another hotel management system
Made with by Tugcan Olgun
For more information please visit Yahomas's github page:


Pandas Tips & Tricks
Pandas is a comprehensive Python library for data analysis, but its syntax for performing certain specific data transformations can be difficult to discern from its documentation. I recently used Pandas in my analysis of Billboard Top 100 Music data, and I’ve uncovered several useful commands that I will most likely use again in the future, so I’m compiling a (growing) list here for both my own reference and the benefit of someone else struggling with these problems in the future.
I will be updating this as I come across/learn new useful methods.
(Growing) List of Useful Tips
Note: assume import pandas as pd
below:
Datetime Manipulation
Many datasets contain a datetime
field of some sort, following patterns such as mm/dd/yyyy
, dd/mm/yyyy
, mm-dd-yyyy
etc. It is often useful to separate this single column into the respective month, day, and year. For example, if we have a Pandas dataframe with the following WeekID
field that follows mm/dd/yyyy
: `2/10/1999’, we can use the following Pandas code:
# use to_datetime to separate one column into multiple
data['WeekID'] = pd.to_datetime(data['WeekID'], format='%m/%d/%Y')
# extract the year, month, and day into separate columns
data['year'] = data['WeekID'].dt.year
data['month'] = data['WeekID'].dt.month
data['day'] = data['WeekID'].dt.day
Similarly, /
can be replaced in the format variable with -
if that’s the syntax for the datetime pattern.
Row Selections
Rows can be selected based on logical comparisons:
# return all the rows where 'year' is 2018 or 2017
data = data.loc[(data['year'] == 2018) | (data['year'] == 2017)]
For datetime
, can also be achieved using masks:
# isolate dates to between Dec. 1, 2017 and May 31, 2018
data['datetime'] = pd.to_datetime(data['datetime'])
mask = (data['datetime'] > '2017-12-01') & (data['datetime'] <= '2018-05-31')
data = data.loc[mask]
Map
Append additional information to every entry in a column using map
:
# add month and year to id column
data['id'] = data.id.map(str) + "-" + data.Month.map(str) +"-" + data.Year.map(str)
Pivot Tables
Pivot tables summarize data of more extensive tables using sums, aggregations, averages, or other statistics. They are useful in business intelligence and data analysis.
Say we have a dataframe data
with columns position
(between values 1
and 100
) and id
; I want a new table that displays, for each id
entry, the counts for each position
value. Pivot tables can be defined and performed in Pandas as follows:
# use pivot table to extract counts of position per id
data['count'] = 1
result = data.pivot_table(
index=['id'], columns='position', values='count',
fill_value=0, aggfunc=np.sum
)
Merge on str.contains()
instead of 1-to-1 match
I came across this particular problem when trying to merge two datasets together via partial matching. For example, I have dataframes data1
and data2
. data1
has entries in id
column that could be a substring of data2
's id
column entries. Merges based on partial matches can be implemented as follows:
# join based on partial matches of data1's id with data2's id
tmp = (data1.id
.apply(lambda idx: data2[data2.id.str.find(idx).ge(0)]['id'])
.bfill(axis=1)
.iloc[:, 0])
result = pd.concat([data1.id, tmp], axis=1, ignore_index=True).rename(columns={0: 'id1', 1: 'id2'})
Sorting
Often it is useful to keep one max/min row after sorting on a column. In Pandas, this can be done in a line:
data = data.sort_values('position').drop_duplicates(["id"],keep='last')
Furthermore, sorting on two or more columns by order is also possible in a line:
# sort on position first from largest to smallest, then on id from smallest to largest
data.sort_values(['position', 'id'], ascending=[False, True])


PSFXTABLE
Section: User Commands (1)Updated: 9 Dec 1999
Index Return to Main Contents
NAME
psfxtable - handle Unicode character tables for console fontsSYNOPSIS
psfxtable [-i infont] [-o outfont] [-it intable] [-ot outtable] [-nt]DESCRIPTION
psfxtable handles the embedded Unicode character table for .psf format console fonts. It reads a font and possibly a table and writes a font and/or a table. psfaddtable(1), psfgettable(1) and psfstriptable(1) are links to it.
Each of the filenames infont, outfont, intable, and outtable may be replaced by a single dash (-), in which case standard input or standard output is used. If no -i option is given, the font is read from standard input. If no -it or -o or -ot option is given, no input table is read or no output font or output table is written.
By default the output font (if any) will have a Unicode table when either the input font has one, or an explicit table (which overrides an input font table) has been provided. The option -nt causes output of a font without table. When outfont is requested it will get a psf1 header when infont has a psf1 header and intable does not have sequences and a psf2 header otherwise.
SEE ALSO
setfont(8), psfaddtable(1), psfgettable(1), psfstriptable(1)
Index
This document was created by man2html, using the manual pages.
Time: 05:29:09 GMT, December 24, 2015


-
2048 game
gabrielecirulli.github.io
Join the numbers and get to the 2048 tile! Careful: this game is extremely addictive!
-
Coursera
www.coursera.org
Take free online classes from 80+ top universities and organizations. Coursera is a social entrepreneurship company partnering with Stanford ...
-
If programming languages were weapons • Bjorn Tipling
bjorn.tipling.com
C is an M1 Garand standard issue rifle, old but reliable. C++ is a set of nunchuks, powerful and impressive when wielded but takes many years of pain ...

-
Google Discussiegroepen
groups.google.com
Met Google Discussiegroepen kun je online forums en e-mailgroepen maken en eraan deelnemen. Bovendien profiteer je van uitgebreide ...
-
Metasploit: Major Android Bug is a Privacy Disa... | SecurityStreet
community.rapid7.com
On the night of September 7, 2014, Joe Vennix of Rapid7's Metasploit Products team wrote, "I did not believe this at first, but after some testing it ...
-
Issue 22224: docs.python.org is prone to political blocking in Russia - ...
bugs.python.org
Created on 2014-08-18 10:57 by Alexander.Patrakov , last changed 2014-09-12 04:30 by dstufft . This issue is now closed .
-
Twitpic is shutting down | Twitpic Blog
blog.twitpic.com
Twitpic will be shutting down September 25th . You will be able to export all your photos and videos. We’ll let everyone know when this feature is ...
-
Django 1.7 released | Weblog | Django
www.djangoproject.com
Django is a high-level Python Web framework that encourages rapid development and clean, pragmatic design.
-
Python Software Foundation News: Matching Donations to PyPy in September!
pyfound.blogspot.com
Announcements and requests from the non-profit Python Software Foundation .
-
This is why your Internet is slow. And it’ll get worse. Unless you take 1 ...
www.battleforthenet.com
You’re our only hope.
-
Python Software Foundation News: Portland Chosen as PyCon 2016/2017 ...
pyfound.blogspot.com
Announcements and requests from the non-profit Python Software Foundation .
-
Python Software Foundation News: Barbara Shaurette and Katie Cunningham ...
pyfound.blogspot.com
Announcements and requests from the non-profit Python Software Foundation .
-
pypa / pypi / Pull request #45: Cache expensive RPC calls — Bitbucket
bitbucket.org
before this goes out, i'll be collecting a full dump of all affected xmlrpc responses with some sort of script on testpypi.
-
vinta/awesome-python
github.com
awesome-python - A curated list of awesome Python frameworks, libraries and software.
-
Python Software Foundation News: PSF Sponsors the 10th Python Brasil ...
pyfound.blogspot.com
Announcements and requests from the non-profit Python Software Foundation .
-
Lionel Messi Is Impossible
fivethirtyeight.com
In their Group F World Cup match late last month, Argentina and Iran were still deadlocked after 90 minutes. With the game in stoppage time and the ...
-
Kivy: Cross-platform Python Framework for NUI
kivy.org
Open source Python framework for rapid development of applications that make use of innovative user interfaces, such as multi-touch apps.
-
Python Software Foundation News: PSF Sponsors SciPy 2014
pyfound.blogspot.com
Announcements and requests from the non-profit Python Software Foundation .
-
Programming Sucks
stilldrinking.org
E very friend I have with a job that involves picking up something heavier than a laptop more than twice a week eventually finds a way to slip ...
-
Python Software Foundation News: PSF Python Brochure now available! Get ...
pyfound.blogspot.com
Announcements and requests from the non-profit Python Software Foundation .
-
A hackable text editor for the 21st Century
atom.io
At GitHub, we’re building the text editor we’ve always wanted: hackable to the core, but approachable on the first day without ever touching a config ...
-
Python Software Foundation News: Sponsoring the Kivy App Contest
pyfound.blogspot.com
Announcements and requests from the non-profit Python Software Foundation .


To publish new textiles we need new literary/visual content! If you’d like your work(s) to be included in an upcoming textile (poems, stories, lyrics, doodles, random thoughts, deep truth, deeper fiction, ...), submit it here. Our curators will review all submissions and create a selection to be included in each new textile publication.
By default, when you submit your work we assume you’re releasing it with a Creative Commons, Attribution-Share-Alike (CC BY-SA) license. However, in this contribution form you can also select other licenses, which we will display along with your work wherever it’s referenced. It will need to be some version of a Creative Commons license. We are not accountable if your work gets stolen or a site visitor violates your license by using it elsewhere. We will respect the CC license by linking your account information to anything you contribute, or link it to “anonymous” otherwise if that’s your indicated preference in the contribution form.
Firstly, you’ll see a notification below the contribute form.
Next, if you go to your account page you’ll see that the work was published. If you elected to contribute anonymously, it will only be visible on the anonymous account page, and if it gets included in a textile the attributed author will be listed as “anonymous”.
Lastly, whever your work gets included in a published textile you’ll receive a notification email.
You must be a registered user with an activated account. If you have an account already, you should have gotten a confirmation email with the activation code and a link. You can request a new activation email by clicking the activate button in your account page. If your still having issues, you can email us or use the contact form .
We will include all contributions as candidates for new textiles that get published. When contributed literature gets included in a textile, it will be presented in fragments depending on the visual composition of the puzzle. This means your contribution may be presented whole or in pieces (unless your license indicates "No-Derivatives"), once or many times.
We will not sell your work to any other party, or reproduce it anywhere but this site.


Since the launch we have received a lot of feedback and are actively working on React 0.4. In the meantime, here are the highlights of this week.
Andrew Greig made a blog post that gives a high level description of what React is.
I have been using Facebook's recently released JavaScript framework called React.js for the last few days and have managed to obtain a rather high level understanding of how it works and formed a good perspective on how it fits in to the entire javascript framework ecosystem.
Basically, React is not an MVC framework. It is not a replacement for Backbone or Knockout or Angular, instead it is designed to work with existing frameworks and help extend their functionality.
It is designed for building big UIs. The type where you have lots of reusable components that are handling events and presenting and changing some backend data. In a traditional MVC app, React fulfils the role of the View. So you would still need to handle the Model and Controller on your own.
I found the best way to utilise React was to pair it with Backbone, with React replacing the Backbone View, or to write your own Model/Data object and have React communicate with that.
Danial Khosravi made a real-time chat application that interacts with the back-end using Socket.IO.
A week ago I was playing with AngularJS and this little chat application which uses socket.io and nodejs for realtime communication. Yesterday I saw a post about ReactJS in EchoJS and started playing with this UI library. After playing a bit with React, I decided to write and chat application using React and I used Bran Ford's Backend for server side of this little app.
Pete Hunt wrote an answer on Quora comparing React and Angular directives. At the end, he explains how you can make an Angular directive that is in fact being rendered with React.
To set the record straight: React components are far more powerful than Angular templates; they should be compared with Angular's directives instead. So I took the first Google hit for "AngularJS directive tutorial" (AngularJS Directives Tutorial - Fundoo Solutions), rewrote it in React and compared them. […]
We've designed React from the beginning to work well with other libraries. Angular is no exception. Let's take the original Angular example and use React to implement the fundoo-rating directive.
In the same vein, Markov Twain re-implemented the examples on the front-page with Ember and Vlad Yazhbin re-implemented the tutorial with Angular.
Mozilla and Google are actively working on Web Components. Vjeux wrote a proof of concept that shows how to implement them using React.
Using x-tags from Mozilla, we can write custom tags within the DOM. This is a great opportunity to be able to write reusable components without being tied to a particular library. I wrote x-react to have them being rendered in React.
TodoMVC.com is a website that collects various implementations of the same basic Todo app. Pete Hunt wrote an idiomatic React version.
Developers these days are spoiled with choice when it comes to selecting an MV* framework for structuring and organizing their JavaScript web apps.
To help solve this problem, we created TodoMVC - a project which offers the same Todo application implemented using MV* concepts in most of the popular JavaScript MV* frameworks of today.
Many of you pointed out differences between JSX and HTML. In order to clear up some confusion, we have added some documentation that covers the four main differences:


| Home | Trees | Index | Help |
|---|
| Package svnmailer :: Package notifier :: Module _base :: Class BaseNotifier |
|
object
--+
|
BaseNotifier
CIAXMLRPCNotifier
,
TextNotifier
Base class for notifiers
Custom notifiers must implement this interface (that is just the run method, however).
Additionally it contains some useful utility methods, which can be used.
| Method Summary | |
|---|---|
Initialization | |
| str |
Returns the encoding for the specified path and revision |
| tuple |
Dump the two revisions of a particular change |
| str |
Returns the author of the revision |
Returns the browser generator if any | |
| unicode |
Returns the content diff action for a particular change |
| str |
Returns the content diff url for a particular change |
| str |
Returns the content encoding property for a path/rev |
| tuple |
Returns the encodings of the change content (base and current rev) |
| svnmailer.differ.* |
Returns the initialized differ |
| tuple |
Returns valid diff tokens and tests |
| str |
Returns the encoding extracted from svn:mime-type |
| str |
Returns the log entry of the revision |
| unicode |
Returns the property diff action for a particular change |
| unicode or str |
Returns the temporary directory |
svnmailer.util.TempFile |
Returns an open temporary file container object |
| int |
Returns the time of the revision in seconds since epoch |
| str |
Returns the revision URL |
| bool |
Returns if the supplied property seems to be binary |
| bool |
Returns if the supplied property value takes just one line |
| bool |
Returns if the supplied property name represents an UTF-8 property |
Runs the notifier | |
| Inherited from object | |
x.__delattr__('name') <==> del x.name... | |
x.__getattribute__('name') <==> x.name... | |
x.__hash__() <==> hash(x)... | |
helper for pickle... | |
helper for pickle... | |
x.__repr__() <==> repr(x)... | |
x.__setattr__('name', value) <==> x.name = value... | |
x.__str__() <==> str(x)... | |
| Inherited from type | |
T.__new__(S, ...) -> a new object with type S, a subtype of T... |
| Instance Variable Summary | |
|---|---|
svnmailer.main.GroupSet |
_groupset : The groupset to process |
| dict | _penc_cache : The (path, rev) -> property encoding cache |
svnmailer.settings._base.BaseSettings |
_settings : The settings to use |
| Class Variable Summary | |
|---|---|
| tuple | _diffable_tests : Maps generate_diffs list entrys to change
methods |
| unicode | ADD : "add" token |
| unicode | COPY : "copy" token |
| unicode | DELETE : "delete" token |
| str | ENC_CONFIG : Magic value, meaning that the content encoding should
be retrieved from the config |
| str | ENC_DEFAULT : Magic value to determine if the default encoding
should be displayed |
| str | ENC_PROPERTY : The property name, where encodings could be stored |
| unicode | MODIFY : "modify" token |
| unicode | NONE : "none" token |
| unicode | PROPCHANGE : "propchange" token |
| Method Details |
|---|
__init__(self,
settings,
groupset)
Initialization |
_getContentEncoding(self, path, revision)Returns the encoding for the specified path and revision
|
dumpContent(self, change, enc='utf-8', default=False)Dump the two revisions of a particular change This dumps the files, not the properties
|
getAuthor(self)Returns the author of the revision
|
getBrowserGenerator(self, config)Returns the browser generator if any |
getContentDiffAction(self, change)Returns the content diff action for a particular change
|
getContentDiffUrl(self, config, change)Returns the content diff url for a particular change
|
getContentEncodingProperty(self, path, revision)Returns the content encoding property for a path/rev
|
getContentEncodings(self, change, default=None)Returns the encodings of the change content (base and current rev)
|
getDiffer(self, command=None, tags=False)Returns the initialized differ
|
getDiffTokens(self, config)Returns valid diff tokens and tests
|
getEncodingFromMimeType(self, path, revision)Returns the encoding extracted from svn:mime-type
|
getLog(self)Returns the log entry of the revision
|
getPropertyDiffAction(self, values)Returns the property diff action for a particular change
|
getTempDir(self)Returns the temporary directory
|
getTempFile(self)Returns an open temporary file container object
|
getTime(self)Returns the time of the revision in seconds since epoch
|
getUrl(self, config)Returns the revision URL
|
isBinaryProperty(self, values)Returns if the supplied property seems to be binary Note that is a very rudimentary check, just to not pollute diff output with garbage
|
isOneLineProperty(self, name, value)Returns if the supplied property value takes just one line
|
isUTF8Property(self, name)Returns if the supplied property name represents an UTF-8 property
|
run(self)Runs the notifier |
| Instance Variable Details |
|---|
_groupsetThe groupset to process
|
_penc_cacheThe (path, rev) -> property encoding cache
|
_settingsThe settings to use |
| Class Variable Details |
|---|
ADD"add" token
|
COPY"copy" token
|
DELETE"delete" token
|
ENC_CONFIGMagic value, meaning that the content encoding should be retrieved from the config
|
ENC_DEFAULTMagic value to determine if the default encoding should be displayed
|
ENC_PROPERTYThe property name, where encodings could be stored
|
MODIFY"modify" token
|
NONE"none" token
|
PROPCHANGE"propchange" token
|
| Home | Trees | Index | Help |
|---|
| Generated by Epydoc 2.0 on Sun Sep 25 20:49:04 2005 | http://epydoc.sf.net |


Introduction¶
Preface¶
Back during the release of diceroll 2.2, I wanted to learn something new in regards to Python. Even though I was using 2.5.4, there was still a lot about it that I have never delved into. Sphinx was something I had not really paid any mind to in the past. It was yet another one of those need to know only things about Python. Some things I’d get around to learning only when I had to, but only if it was part of something else that I had taken an interest in doing.
So somewhere in my discovering of PyMongo, I had been pointed to Sphinx and Jinja. They were both something about document generation. And since I had just learned about Pandas and CSV, I was in a data retrieval mood still.
In a nutshell,
Sphinx is an EXE (generated during its install from a pip command, which is still magic to me how it just runs in
Python 3.9+) that generates documents. Nothing too fancy. Just simple documents that could be read easily/quickly
through any device using any viewer. And when I learned that Sphinx could read Python modules and produce documents
from their .__doc__
strings, I knew I just had to spend a couple days learning how all that stuff happens.
So basically, my Python dice rolling module has its own operations manual now. And some rabbit holes are worth their going into.
-Shawn
Requirements¶
Microsoft Windows
PyDiceroll has been tested on Windows versions: 10. It has not been tested on MacOS or Linux.
Python 3.9.5
PyDiceroll was written using the C implementation of Python version 3.9.5. Also known as CPython. With some doing, this module could of course be re-written for Jython, PyPy, or IronPython.
Eclipse/PyDev, PyCharm, NetBeans, and IDLE all work fine for running this module. One of the easiest to use is Microsoft Visual Studio Code.
colorama 0.4.4
Because CMD may have some colored text messages for debugging. The colorama code can be removed if it is not needed, however. To install, just type
pip install colorama
at the CMD prompt.Your Game
PyDiceroll can be used as a standalone program. But where it shines though is when it’s imported into a game of yours.
Warning
PyDiceroll 3.3 will not work with Python 2.7-.
Installing Locally to Your Folder¶
Installing PyDiceroll 3.3 is as easy as always. Just copy PyDiceroll.py
into the same folder
your code happens to be in.
Then add this line at (or near) the top of your code:
from PyDiceroll import roll
Installing as a Package¶
If your code setup is different, in that you like to keep your function modules in a folder separate
from your main code, you could copy PyDiceroll.py
into that folder.


| pmclust-package | Parallel Model-Based Clustering |
| .PMC.CT | A Set of Controls in Model-Based Clustering. |
| .pmclustEnv | Set Global Variables According to the global matrix X.gbd (X.spmd) or X.dmat |
| aecm.step | EM-like Steps for GBD |
| apecm.step | EM-like Steps for GBD |
| apecma.step | EM-like Steps for GBD |
| as.dmat | Convert between X.gbd (X.spmd) and X.dmat |
| as.gbd | Convert between X.gbd (X.spmd) and X.dmat |
| as.spmd | Convert between X.gbd (X.spmd) and X.dmat |
| assign.N.sample | Obtain a Set of Random Samples for X.spmd |
| CHECK | Read Me First Function |
| CLASS.dmat | Read Me First Function |
| CLASS.spmd | Read Me First Function |
| COMM.RANK | Read Me First Function |
| COMM.SIZE | Read Me First Function |
| CONTROL | A Set of Controls in Model-Based Clustering. |
| e.step | Compute One E-step and Log Likelihood Based on Current Parameters |
| e.step.dmat | Compute One E-step and Log Likelihood Based on Current Parameters |
| em.onestep | One EM Step for GBD |
| em.onestep.dmat | One EM Step for GBD |
| em.step | EM-like Steps for GBD |
| em.step.dmat | EM-like Steps for GBD |
| em.update.class | Update CLASS.spmd Based on the Final Iteration |
| em.update.class.dmat | Update CLASS.spmd Based on the Final Iteration |
| ETA | A Set of Parameters in Model-Based Clustering. |
| generate.basic | Generate Examples for Testing |
| generate.MixSim | Generate MixSim Examples for Testing |
| get.CLASS | Obtain Total Elements for Every Clusters |
| get.N.CLASS | Obtain Total Elements for Every Clusters |
| get.N.CLASS.dmat | Obtain Total Elements for Every Clusters |
| indep.logL | Independent Function for Log Likelihood |
| indep.logL.dmat | Independent Function for Log Likelihood |
| initial.center | Initialization for EM-like Algorithms |
| initial.center.dmat | Initialization for EM-like Algorithms |
| initial.em | Initialization for EM-like Algorithms |
| initial.em.dmat | Initialization for EM-like Algorithms |
| initial.RndEM | Initialization for EM-like Algorithms |
| initial.RndEM.dmat | Initialization for EM-like Algorithms |
| kmeans.step | EM-like Steps for GBD |
| kmeans.step.dmat | EM-like Steps for GBD |
| kmeans.update.class | Update CLASS.spmd Based on the Final Iteration |
| kmeans.update.class.dmat | Update CLASS.spmd Based on the Final Iteration |
| m.step | Compute One M-Step Based on Current Posterior Probabilities |
| m.step.dmat | Compute One M-Step Based on Current Posterior Probabilities |
| mb.print | Print Results of Model-Based Clustering |
| MU | A Set of Parameters in Model-Based Clustering. |
| p.times.logtwopi | Read Me First Function |
| PARAM | A Set of Parameters in Model-Based Clustering. |
| PARAM.org | A Set of Parameters in Model-Based Clustering. |
| pkmeans | Parallel Model-Based Clustering and Parallel K-means Algorithm |
| pmclust | Parallel Model-Based Clustering and Parallel K-means Algorithm |
| print.pkmeans | Functions for Printing or Summarizing Objects According to Classes |
| print.pmclust | Functions for Printing or Summarizing Objects According to Classes |
| readme | Read Me First Function |
| readme.dmat | Read Me First Function |
| SAVE.iter | Read Me First Function |
| SAVE.param | Read Me First Function |
| set.global | Set Global Variables According to the global matrix X.gbd (X.spmd) or X.dmat |
| set.global.dmat | Set Global Variables According to the global matrix X.gbd (X.spmd) or X.dmat |
| set.global.gbd | Set Global Variables According to the global matrix X.gbd (X.spmd) or X.dmat |
| SIGMA | A Set of Parameters in Model-Based Clustering. |
| U.dmat | Read Me First Function |
| U.spmd | Read Me First Function |
| W.dmat | Read Me First Function |
| W.dmat.rowSums | Read Me First Function |
| W.spmd | Read Me First Function |
| W.spmd.rowSums | Read Me First Function |
| X.dmat | Set Global Variables According to the global matrix X.gbd (X.spmd) or X.dmat |
| X.gbd | Set Global Variables According to the global matrix X.gbd (X.spmd) or X.dmat |
| X.spmd | Set Global Variables According to the global matrix X.gbd (X.spmd) or X.dmat |
| Z.colSums | Read Me First Function |
| Z.dmat | Read Me First Function |
| Z.spmd | Read Me First Function |


Kerberos is an authentication protocol that works based on tickets to provide strong authentication for client/server applications by using secret-key cryptography. The Kerberos authentication protocol doesn’t store passwords locally or send them over the Internet.
Kerberos authentication for an Oracle connection is typically used when Kerberos is the standard authentication mechanism that your company supports for accessing resources in your organization.
Before using
For more information, see Configuring Kerberos Authentication and Azure Active Directory documentation.
krb5.conf
file.kerbcache
.sqlnet.ora
and tnsnames.ora
files. The TNS_ADMIN
environment variable will reference the location of those files in the url
property. If the TNS alias is not defined in the tnsnames.ora
file, then use the hostname, port, and database name within the JDBC string instead.You can confirm that you have a successful connection to your environment by making that connection with SQL*Plus:
kinit [-fp] [-c <cache_name>] [-k] [-t <keytab_filename>] [<principal>] [<password>] [-help]
| Command Option | Description |
|---|---|
|
-A |
Do not include addresses. |
|
-f |
Issue a forwardable ticket. |
|
-p |
Issue a proxiable ticket. |
| -c <cache_name> |
The cache name ( |
| -k | Use keytab. |
| -t <keytab_filename> | The keytab name (d:\winnt\profiles\duke\krb5.keytab ). |
| <principal> | The principal name<EMAIL_ADDRESS>). |
| <password> | The principal's Kerberos password (do not specify on the command line or in a script). |
| -help | The option that displays instructions. |
klist
to see a Kerberos ticket.sqlplus /@<alias_name>
to connect to your Oracle database via Kerberos authentication.Run a
JAVA_OPTS=-Djava.security.krb5.conf=/path/to/krb5.conf
-Doracle.net.kerberos5_cc_name=/path/to/kerbcache
-Dsun.security.krb5.debug=true
-Doracle.net.kerberos5_mutual_authentication=true
-Doracle.net.authentication_services=KERBEROS5 liquibase
--changeLogFile=path/to/changeLog.sql
--url=jdbc:oracle:thin:@<tns alias name>?TNS_ADMIN=/path/to/oracle_files
--classpath=path/to/ojdbc8.jar update
Starting Liquibase at 22:34:02 (version 4.2.2 #36 built at 2020-12-09 20:07+0000)
Service ticket not found in the subject
>>> Credentials acquireServiceCreds: same realm
Using builtin default etypes for default_tgs_enctypes
default etypes for default_tgs_enctypes: 18 17 16 23.
>>> CksumType: sun.security.krb5.internal.crypto.RsaMd5CksumType
>>> EType: sun.security.krb5.internal.crypto.Aes256CtsHmacSha1EType
>>> KdcAccessibility: reset
>>> KrbKdcReq send: kdc=test.liquibase.net TCP:88, timeout=30000, number of retries =3, #bytes=1507
>>> KDCCommunication: kdc=test.liquibase.net TCP:88, timeout=30000,Attempt =1, #bytes=1507
>>>DEBUG: TCPClient reading 669 bytes
>>> KrbKdcReq send: #bytes read=669
>>> KdcAccessibility: remove test.liquibase.net
>>> EType: sun.security.krb5.internal.crypto.Aes256CtsHmacSha1EType
>>> KrbApReq: APOptions are 00000000 00000000 00000000 00000000
>>> EType: sun.security.krb5.internal.crypto.Aes256CtsHmacSha1EType
Krb5Context setting mySeqNumber to: xxxxxxx
Krb5Context setting peerSeqNumber to: 0
Created InitSecContextToken:
0000: 01 00 6E 82 02 34 30 82 02 30 A0 03 02 01 05 A1 ..n..40..0......
0010: 03 02 01 0E A2 07 03 05 00 00 00 00 00 A3 82 01 ................
00E0: 98 F5 DE BC 94 88 C8 A1 8F 23 EE C8 1F 08 EF 6D .........#.....m
00F0: 12 3F EE 1E CF 07 5F FB F6 4B 52 96 C9 5B 0C 5C .?...._..KR..[.\
…
Liquibase: Update has been successful.


Issues
| # | Summary | Product | Status | Kind | When |
|---|---|---|---|---|---|
| 570 |
REQUEST: Toggle shuffle in Synergy |
Synergy | open | feature request | Created , updated |
| 569 |
REQUEST: Voice control |
Synergy Advance | open | feature request | |
| 568 |
AEGetParamPtr error message written to Console every two seconds |
Synergy Advance | closed | bug | Created , updated |
| 567 |
CRASH: crash, probably caused by iTunes wonkiness |
Synergy | open | bug | Created , updated |
| 566 |
Synergy gets sometimes the wrong cover from the CD album name |
Synergy Advance | closed | bug | Created , updated |
| 565 |
CRASH: Dies in CoreGraphics approximateMonotonicCube |
Synergy Advance | open | bug | |
| 564 |
permanent title display in menu bar |
Synergy | closed | bug | |
| 563 |
Random crash |
Synergy | open | bug | Created , updated |
| 562 |
CRASH: Dies in CoreGraphics _CGSWindowBounds |
Synergy Advance | open | bug | |
| 561 |
Modification to the play/pause feature |
Synergy | closed | bug |


Dolly Parton has multiple tattoos 'to cover scars or things'
by Jessica NapoliDolly Parton loves to show off her figure but she never bares her arms in public, and now the country music star is explaining why.
The 73-year-old singer-songwriter revealed in an interview with "Good Morning America's" Robin Roberts on Monday that she doesn't reveal too much skin because of multiple small tattoos.
"I got them to cover scars or things," Parton explained. "If I have to get a scar for any reason, I never can kind of get rid of that purple look. So I thought, 'Well, I'm going to kind of decorate these with some flowers or little butterflies or whatever.'"
DOLLY PARTON SAYS SHE’S BEEN ‘HARASSED’ AND ‘HAD TO PUT UP WITH A LOT OF BS’ IN CAREER
But back in 2014 on "Today," she clarified that it doesn't mean she has tattoo sleeves.
"People said the other day that the reason you wear sleeves is that you have snake tattoos all over you, and I said, "No, I don't,"' she said at the time.
"I'm not really one to have tattoos, but I do have a few and they're not where you can see them."
Meanwhile, Roseanne Barr revealed Parton's secret back in 2011 when she was on Craig Ferguson's late-night show. "Do you know who's totally tattooed? I shouldn't even tell this. Dolly Parton is totally tattooed," she said.
DOLLY PARTON MAKES 50 YEARS AS GRAND OLE OPRY MEMBER
"She showed me. She's got all these awesome tattoos all over her body — no black or blue lines, all like, pastel gorgeous bows all over everything," Barr added.
Parton also reflected on all her success over the past six decades in a male-dominated industry.
CLICK HERE TO GET THE FOX NEWS APP
“It’s just a country Cinderella story, really,” said Parton, who has previously been open about her childhood and growing up "in a very poor family."


End of the Project Gutenberg EBook of Memoirs of Sherlock Holmes, by Sir Arthur Conan Doyle *** END OF THIS PROJECT GUTENBERG EBOOK MEMOIRS OF SHERLOCK HOLMES *** ***** This file should be named 834-h.htm or 834-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/8/3/834/ Produced by Angela M. Cable, and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.   LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116,<PHONE_NUMBER>, email<EMAIL_ADDRESS>Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director<EMAIL_ADDRESS>Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.


PKACTION(1) pkaction PKACTION(1) NAME pkaction - Get details about a registered action SYNOPSIS pkaction [--version] [--help] pkaction [--verbose] pkaction --action-id action [--verbose] DESCRIPTION pkaction is used to obtain information about registered PolicyKit actions. If called with --action-id then all actions are displayed. Otherwise the action action. If called without the --verbose option only the name of the action is shown. Otherwise details about the actions are shown. RETURN VALUE On success pkaction returns 0. Otherwise a non-zero value is returned and a diagnostic message is printed on standard error. AUTHOR Written by David Zeuthen<EMAIL_ADDRESS>with a lot of help from many others. BUGS Please send bug reports to either the distribution or the polkit-devel mailing list, see the link http://lists.freedesktop.org/mailman/listinfo/polkit-devel on how to subscribe. SEE ALSO polkit(8), pkcheck(1), pkexec(1), pkttyagent(1) polkit May 2009 PKACTION(1)


Welcome to my website!
I am a Ph.D. Candidate in the Department .. at the Univeristy of .... My research interests are at the intersection of ....
I am a Ph.D. Candidate in the Department .. at the Univeristy of .... My research interests are at the intersection of ....


This is a list of all the objects and other modifiers that can be used in the sequences of objects.
Please also see the end of this section for some unknowns found in DARK.EXE.
| | LOGIC: | PLAYER |
| | EYE: | TRUE |
These should always be used together. Technically though, the LOGIC: PLAYER is the entity that you will control and move around, while EYE: TRUE is the object from whose point of view the level is viewed from. So yes, you can try following enemies and mousebots around with the eye......
Remember that you can use ITEM keyword before these logics.
Message is the message number from TEXT.MSG that is displayed when you pick up the item (just in case you want to patch).
Logic: |
Description: |
Message: |
| General - | ||
| | LOGIC: SHIELD | 20 shield units | 114 |
| | LOGIC: BATTERY | battery unit | 211 |
| | LOGIC: CLEATS | ice cleats | 304 |
| | LOGIC: GOGGLES | infra red goggles | 303 |
| | LOGIC: MASK | gas mask | 305 |
| | LOGIC: MEDKIT | med kit | 311 |
| Weapons - | ||
| | LOGIC: RIFLE | Blaster rifle / 15 energy units | 100 / 101 |
| | LOGIC: AUTOGUN | Repeater Rifle / 30 power units | 103 / 104 |
| | LOGIC: FUSION | Jeron fusion cutter / 50 power units | 107 / 108 |
| | LOGIC: MORTAR | Mortar Gun / 3 mortar shells | 105 / 106 |
| | LOGIC: CONCUSSION | Concussion Rifle / 100 power units | 110 / 111 |
| | LOGIC: CANNON | Assault cannon / 30 plasma units | 112 / 113 |
| Ammo - | ||
| | LOGIC: ENERGY | 15 energy units | 200 |
| | LOGIC: DETONATOR | 1 thermal detonator | 203 |
| | LOGIC: DETONATORS | 5 thermal detonators | 204 |
| | LOGIC: POWER | 10 power units | 201 |
| | LOGIC: MINE | 1 mine | 207 |
| | LOGIC: MINES | 5 mines | 208 |
| | LOGIC: SHELL | 1 mortar shell | 205 |
| | LOGIC: SHELLS | 5 mortar shells | 206 |
| | LOGIC: PLASMA | 20 Plasma units | 202 |
| | LOGIC: MISSILE | 1 missile | 209 |
| | LOGIC: MISSILES | 5 missiles | 210 |
| Bonuses - | ||
| | LOGIC: SUPERCHARGE | weapon supercharge | 307 |
| | LOGIC: INVINCIBLE | shield supercharge | 306 |
| | LOGIC: LIFE | extra life | 310 |
| | LOGIC: REVIVE | revive | 308 |
| Keys - | ||
| | LOGIC: BLUE | blue key | 302 |
| | LOGIC: RED | red key | 300 |
| | LOGIC: YELLOW | yellow key | 301 |
| | LOGIC: CODE1 | code key 1 | 501 |
| | LOGIC: CODE2 | code key 2 | 502 |
| | LOGIC: CODE3 | code key 3 | 503 |
| | LOGIC: CODE4 | code key 4 | 504 |
| | LOGIC: CODE5 | code key 5 | 505 |
| | LOGIC: CODE6 | code key 6 | 506 |
| | LOGIC: CODE7 | code key 7 | 507 |
| | LOGIC: CODE8 | code key 8 | 508 |
| | LOGIC: CODE9 | code key 9 | 509 |
| Goal items - | ||
| | LOGIC: DATATAPE | data tapes | 406 |
| | LOGIC: PLANS | Death Star plans | 400 |
| | LOGIC: DT_WEAPON | broken DT weapon | 405 |
| | LOGIC: NAVA | Nava Card | 402 |
| | LOGIC: PHRIK | Phrik metal | 401 |
| | LOGIC: PILE | Your Gear | 312 |
Logic: |
Description: |
| Imperials - | |
| | LOGIC: I_OFFICER | Imperial officer |
| | LOGIC: I_OFFICERR | Officer with red key |
| | LOGIC: I_OFFICERB | Officer with blue key |
| | LOGIC: I_OFFICERY | Officer with yellow key |
| | LOGIC: I_OFFICER1 | Officer with code key 1 |
| | LOGIC: I_OFFICER2 | Officer with code key 2 |
| | LOGIC: I_OFFICER3 | Officer with code key 3 |
| | LOGIC: I_OFFICER4 | Officer with code key 4 |
| | LOGIC: I_OFFICER5 | Officer with code key 5 |
| | LOGIC: I_OFFICER6 | Officer with code key 6 |
| | LOGIC: I_OFFICER7 | Officer with code key 7 |
| | LOGIC: I_OFFICER8 | Officer with code key 8 |
| | LOGIC: I_OFFICER9 | Officer with code key 9 |
| | LOGIC: TROOP | Stormtrooper |
| | LOGIC: STORM1 | Stormtrooper |
| | LOGIC: COMMANDO | Imperial Commando |
| Aliens - | |
| | LOGIC: BOSSK | Bossk |
| | LOGIC: G_GUARD | Gammorean Guard |
| | LOGIC: REE_YEES | ReeYees with thermal detonators |
| | LOGIC: REE_YEES2 | ReeYees w/o thermal detonators |
| | LOGIC: SEWER1 | Sewer creature |
| Robots - | |
| | LOGIC: INT_DROID | Interrogator droid |
| | LOGIC: PROBE_DROID | Probe droid |
| | LOGIC: REMOTE | Remote |
| Bosses - | |
| | LOGIC: BOBA_FETT | Boba Fett |
| | LOGIC: KELL | Kell Dragon |
| | LOGIC: D_TROOP1 | Phase 1 Dark Trooper |
| | LOGIC: D_TROOP2 | Phase 2 Dark Trooper |
| | LOGIC: D_TROOP3 | Phase 3 Dark Trooper (Mohc) |
Note: The WAX files used for the explosions of the Barrel and Land Mine are hardcoded.
Logic: |
Description: |
| | LOGIC: SCENERY | Displays first cell of wax 0, then all of wax 1 when attacked |
| | LOGIC: ANIM | Displays wax 0 over and over |
| | LOGIC: BARREL | Power Generating unit |
| | LOGIC: LAND_MINE | Land mine |
Logic: |
Description: |
| | LOGIC: TURRET | gun turret |
| | LOGIC: MOUSEBOT | mousebot |
| | LOGIC: WELDER | welding arm |
There are 2 logics for giving motions to a 3D object:
LOGIC: UPDATE to perpetually rotate a 3D, and
LOGIC: KEY to give a VUE motion to the 3D
Rotation on X-axis
| | LOGIC: | UPDATE |
| | FLAGS: | 8 |
| | D_PITCH: | [speed] |
Rotation on Y-axis
| | LOGIC: | UPDATE |
| | FLAGS: | 16 |
| | D_YAW: | [speed] |
Rotation on Z-axis
| | LOGIC: | UPDATE |
| | FLAGS: | 32 |
| | D_ROLL: | [speed] |
Speed is the speed at which the 3D object rotates from -999 (max anti-clockwise) to 999 (max clockwise).
VUE object
| | LOGIC: | KEY |
| | VUE: | filename.VUE "id" |
| | VUE_APPEND: | filenam2.VUE "id" |
| | PAUSE: | TRUE |
| | FRAME_RATE: | [frame rate] |
filename.VUE is the name of the VUE file to use.
"id" is the name of the identifier within the VUE file to use.
VUE_APPEND: is an optional VUE to be played after the first VUE.
PAUSE: TRUE will cause the VUE to pause each time it is played until a "wakeup" message is sent to the sector containing the 3D object. Objects with "PAUSE: TRUE" will also be "woken up" if their RADIUS is shot.
Frame rate is in frames per second.
| | BOSS: | TRUE |
This can be set to the following logics:
BOBA_FETT
KELL
D_TROOP1
D_TROOP2
D_TROOP3
When you kill the enemy, an elevator called "boss" will move to its next stop (unless it is LOGIC: D_TROOP3, where the elevator must be called "mohc"). This is similar to the movement of "complete" when a goal item is picked up. Using this modifier, you can cause something to happen when the player has killed the boss, for instance the player could be locked in a certain area until he has killed the boss and then a door will be opened letting him out.
| | RADIUS: | [horizontal distance] |
This defines the size of an invisible circle around the object where the PLAYER cannot enter or shoot through. Frames and sprites have radiuses by default, but 3D objects don't, so you have to set one unless you want the PLAYER to walk right through. You can use this with a Spirit to create an invisible obstacle.
| | HEIGHT: | [vertical distance] |
Similar to radius, height defines an area above (positive value) or below (negative value) an object where you can't walk or fire through. Therefore, using radius and height together, you can effectively create an impenetrable cylinder-shaped area around an object.
A further note:
RADIUS and HEIGHT, if used with objects having a logic, will also affect how the logic interacts with the player. If used with items, they determine the distance Kyle has to be from the item to pick it up. If used with enemies and "LOGIC: SCENERY", they determine the distance from the enemy that laser bolts etc. have to come within to damage the enemy.
These are found in DARK.EXE. It is likely that some are only used internally by the DF engine. We would appreciate any help working out any possible usable ones!
VISIBLE:
SHADED:
LIGHT:
PARENT:
D_X:
D_Y:
D_Z:
D_VIEW_PITCH:
D_VIEW_YAW:
D_VIEW_ROLL:
VIEW_PITCH:
VIEW_YAW:
VIEW_ROLL:
EYE_D_XYZ:
EYE_D_PYR:
SYNC:
PLUGIN:
STORM
DISPATCH
THINKER
FOLLOW
FOLLOW_Y
RANDOM_YAW
MOVER
SHAKER
PERSONALITY


Web development
UI/UX design
Branding design
Mobile development
Lorem ipsum dolor sit amet, consectetur adipiscing elit.
Pellentesque id venenatis massa.
Digital designer
Digital designer
Digital designer
Digital designer
Lorem ipsum dolor sit amet, consectetur adipiscing elit.
Pellentesque id venenatis massa.
Lorem Ipsum is simply dummy text of the
printing and typesetting industry.
UI/UX design
Mobile dev
Lorem Ipsum is simply dummy text of the
printing and typesetting industry.
UI/UX design
Mobile dev
Lorem Ipsum is simply dummy text of the
printing and typesetting industry.
UI/UX design
Mobile dev
Lorem Ipsum is simply dummy text of the
printing and typesetting industry.
UI/UX design
Mobile dev
Lorem Ipsum is simply dummy text of the
printing and typesetting industry.
UI/UX design
Mobile dev
Lorem Ipsum is simply dummy text of the
printing and typesetting industry.
UI/UX design
Mobile dev


My First Heading
My first paragraph.
My secondish Heading
I am growing in my tech skilss.
I will be unstoppable.
Go to this website:
Learn to program Python!


--- layout: post title: "[M2] Implement Preferences [Part 1]" date: 2016-09-10 07:01:14.000000000 +07:00 type: post published: true status: publish categories: - Magento 2 tags: [] meta: _rest_api_published: '1' _rest_api_client_id: "-1" _publicize_job_id: '26675730607' _oembed_937c3c8a8338d2ac0e9543feb49bef09: "{{unknown}}" _thumbnail_id: '139' author: login: ducdao email<EMAIL_ADDRESS>display_name: DHDuc first_name: Duc last_name: Dao ---
Sometimes, you will want to override the default function of Magento, you can do this by many ways in Magento 2, the Preference is one of the options.
Assume, you want to custom the function to display wishlist item.
In default, Magento will display wishlist with format __('%s item', $count).
I don't want to display 'item', an alternative I use 'product' for that string, I will use the preference to override the default.
Create a new module or use any module exists, I call it is 'Theme_Wishlist'.
I will implement the preference in di.xml file place in Theme_Wishlist/etc/ folder:
https://gist.github.com/dhduc/84ffe8d737d0c90fc081558df958a80d
In preference tag, the for param is the default class that I want to override by the class in type param. So, I will create a class 'Theme\Wishlist\CustomerData\Wishlist' extends from 'Magento\Wishlist\CustomerData\Wishlist'.
https://gist.github.com/dhduc/85ddd11dc027e0cf2eb43152dee83a2f
Enable the module:
php bin/magento module:enable Theme_Wishlist
php bin/magento setup:upgrade
php bin/magento cache:clean
You can add some products to wishlist to see the result.


{% extends "base.html" %} {% load static %} {% block title %}Press - {{ block.super }}{% endblock %} {% block analytics %} analytics.page("Press"); {% endblock %} {% block content %}
29 tools and resources from Product Hunt for cross-team collaboration — Futuramo
(Hello Web Design i)s a perfect book for developers who want to understand UX and web design. It should help them turn projects into final products more efficiently. It’s also a great book for designers searching for new ways to explain design ideas to their coding friends.
How a self-taught developer used Kickstarter to launch her first book — Integrity STL
Hello Web App is a 150 page book that teaches readers to program web applications using Python and Django basics. Behind the project is west coast-based startup founder Tracy Osborn, who taught herself to code five years ago when she had an idea for a new web application. That idea is now her successful startup WeddingLovely.
Loop Letters | Tracy Osborn — Lincoln Loop
Tracy is the author of Hello Web App, a book to help designers and non-programmers get up and running with Python and Django. Tracy comes from a designer background herself and offers a unique and refreshing take on programming in her writing. We asked Tracy all about getting involved with Django, recent talks she's given, any advice she has, and what she enjoys doing away from a screen.
Hello Web App: Learn How to Build a Web App— The Pipe
Have you ever wanted to develop your own web product? Not just a basic HTML & CSS website design, but rather a complete functional web app with users. This book teaches you how to choose a project, set up a database, create your templates, and launch your app.
Best Django Books 2018 — William S. Vincent
Written by a designer-turned-developer, build a custom Django web app.
September 16th 2015:
Learning To Code Easier with New Book, Funding on Kickstarter
Contact:
Tracy Osborn
(425) 998-7229
LEARN HOW TO BUILD YOUR OWN STARTUP WITH NEW SELF-PUBLISHED PROGRAMMING BOOK BY TRACY OSBORN
May 4, 2015 — Entrepreneur and designer Tracy Osborn has released her first book, Hello Web App, aimed at teaching designers and non-programmers how to code their own web apps.
"This is the first step in building a new startup or lifestyle business," says Tracy. "With the recent learn-to-code revolution — promoted by President Obama himself — this is the next step for anyone looking for build their own website."
Jacob Kaplan-Moss, a core contributor to the Django programming language says, "This is one of the best tutorials I've seen. It's really hands-on, it's very actionable, it's extremely well written, and it looks gorgeous. This book is my go-to pick for when people ask what's the best way to learn Django."
The book can be purchased from HelloWebApp.com as well as on Amazon.
Tracy Osborn is a designer, developer, and entrepreneur living in the Bay Area of California. Building websites since she was twelve, she always felt an affinity to computers, the internet, and what it brings us.
Tracy graduated with a BFA in Art & Design with a concentration in Graphic Design from California Polytechnic State University, San Luis Obispo, and worked as a web designer for five years before teaching herself programming and launching her first startup, WeddingLovely, and writing her first book, Hello Web App.
She's also an avid outdoorswoman, hiking over 200 miles on the John Muir Trail solo in 2014.


Mohamed Salah on bench for Liverpool’s visit to Crystal Palace
by FSA EditorAlex Oxlade-Chamberlain starts ahead of the not fully fit Mohamed Salah for Liverpool’s Premier League clash with Crystal Palace.
Mohamed Salah is only fit enough to be named as a substitute for Premier League leaders Liverpool’s visit to Crystal Palace on Saturday.
Salah has been suffering from an ongoing ankle injury, which he appeared to aggravate in the Reds’ 3-1 win over Manchester City before the international break.
That kept him out of the most recent Egypt squad, with Jurgen Klopp choosing to start Alex Oxlade-Chamberlain in attack alongside Sadio Mane and Roberto Firmino for the visit to Selhurst Park.
Left-back Andy Robertson has also been suffering from an ankle problem but is fit enough to be named in the starting XI.
Palace, meanwhile, are unchanged from the side that lost 2-0 to Chelsea a fortnight ago.


{{Infobox prepared food | name = Dripping cake | image = | caption = | alternate_name = Drippers | country = Great Britain | region = | creator = | course = | type = Sweet bread | served = | main_ingredient = Dripping, flour, brown sugar, spices, currants, raisins | variations = | calories = | other = }}
Dripping cakes, also known as Drippers, are a traditional bread from Great Britain. The main ingredients are dripping, flour, brown sugar, spices, currants and raisins.<ref>http://thefoody.com/baking/drippingcake.html The Foody - Farmhouse Dripping Cake </ref> The ingredients are mixed thoroughly and baked in an oven.
Variations of dripping cake can be found in Wales, and in parts of England including Gloucestershire and Yorkshire. In Gloucestershire the dripping is allowed to form a toffee-like layer at the base of the cake. It can be confused with the Lardy cake, which is very similar apart from the principal ingredient being lard instead of beef dripping.{{fact|date=January 2012}}
As dripping is left over from cooking a joint of meat, it is economical and filling, and has long been a popular snack with schoolboys.<ref>Hughes, Thomas: Tom Brown's Schooldays, 1857: "...Tom, by a sort of instinct, knew the right cupboards in the kitchen and pantry, and soon managed to place on the snuggery table better materials for a meal than had appeared there probably during the reign of his tutor, who was then and there initiated, amongst other things, into the excellence of that mysterious condiment, a dripping-cake. The cake was newly baked, and all rich and flaky; Tom had found it reposing in the cook's private cupboard, awaiting her return; and as a warning to her they finished it to the last crumb."</ref> Dripping cakes are very rich and sweet, and despite contemporary concerns about high-calorie, high-fat foods, are still popular.
{{portal|Food}}
{{reflist}}
{{British bread}} {{bread-stub}}


These questions have not been linked to other parts of the questionnaire yet. They must be linked or deleted before the questionnaire can be live.


pomodoro
pomodoro
short break
long break
settings
Settings
TIME (MINUTES)
pomodoro
short break
long break
FONT
Aa
Aa
Aa
COLOR
This timer is still running
Are you sure you want to switch ?


Players and participants can practice their business and decision-making skills with a state of the art online team environment.
Our simulations are web-enabled; so our clients use them to develop Virtual Teams all over the world. The system is easily accessible by players and participants. They simply run it from our website without the need for installation of any software.
Our instructors, who manage your simulation, provide support throughout the process with facilitators and tutors readily available around the clock.
Researches show that business simulations offer an extremely effective learning experience combined with a high degree of excitement. Players and participants are encouraged to explore, test and experience given subject areas, which is very different to traditional teaching methods. We work closely with our clients to explore and develop the best solution for their needs.
Our business simulations are the equivalent of the simulators used in training by students, executives and managers.
Intended Learning Outcomes address:
On completing the simulations players and participants will be expected to be able to
Here you can see what our clients are saying about us.


Create an Event!
Type of Event
Food
Health
Hospitality
Other
Name of Event:
Event Logistics:
Description:
Hashtags:
Back
Create


Done
Reference number K5G-V78
Because your local council helps to pay for your care home, you're entitled to help with your NHS costs.
What happens next
You will recieve a paper certificate in the post that entitles you to full help with NHS costs. This is called an HC2 certificate.
It can take up to 19 working days to review and process your application.
You get free:
- NHS prescriptions
- NHS dental treatment
- sight tests
- NHS wigs and fabric supports
You get money off:
- new glasses or contact lenses
- repairing or replacing your glasses or contact lenses
- travel for NHS treatment
Before you go
Help us to improve the service by answering some questions about it.


|
Drake
|
A class that represents the iiwa pick and place world, which contains a KUKA iiwa arm, a Schunk WSG gripper, and an object that is being manipulated. More...
#include <drake/examples/kuka_iiwa_arm/pick_and_place/world_state.h>
Public Member Functions | |
| WorldState (int num_tables=0, const Vector3< double > &object_dimensions=Vector3< double >::Zero()) | |
| Constructs an WorldState object that holds the states that represent a pick and place scenario. More... | |
| ~WorldState () | |
| void | HandleIiwaStatus (const lcmt_iiwa_status &iiwa_msg, const Isometry3< double > &iiwa_base) |
Update the stored iiwa status from the measured joint positions in iiwa_msg and the base pose in iiwa_base . More... | |
| void | HandleWsgStatus (const lcmt_schunk_wsg_status &wsg_msg) |
Update the stored wsg status from wsg_msg . More... | |
| void | HandleObjectStatus (const bot_core::robot_state_t &obj_msg) |
Update the stored object status from obj_msg . More... | |
| void | HandleTableStatus (int index, const Isometry3< double > &pose) |
Update the pose of table index from pose . More... | |
| double | get_iiwa_time () const |
| double | get_wsg_time () const |
| double | get_obj_time () const |
| const std::vector< Isometry3< double > > & | get_table_poses () const |
| const Isometry3< double > & | get_object_pose () const |
| const Vector6< double > & | get_object_velocity () const |
| const Vector3< double > & | get_object_dimensions () const |
| const Isometry3< double > & | get_iiwa_base () const |
| const VectorX< double > & | get_iiwa_q () const |
| const VectorX< double > & | get_iiwa_v () const |
| double | get_wsg_q () const |
| double | get_wsg_v () const |
Implements CopyConstructible, CopyAssignable, MoveConstructible, MoveAssignable | |
| WorldState (const WorldState &)=default | |
| WorldState & | operator= (const WorldState &)=default |
| WorldState (WorldState &&)=default | |
| WorldState & | operator= (WorldState &&)=default |
A class that represents the iiwa pick and place world, which contains a KUKA iiwa arm, a Schunk WSG gripper, and an object that is being manipulated.
These states are updated through LCM messages.
|
default |
|
default |
| WorldState | ( | int | num_tables = 0 , |
| const Vector3< double > & | object_dimensions = Vector3<double>::Zero() |
||
| ) |
Constructs an WorldState object that holds the states that represent a pick and place scenario.
No synchronization is attempted between the various states (iiwa/wsg/obj), the accessors just return the most recently received status.
| ~WorldState | ( | ) |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
Update the stored iiwa status from the measured joint positions in iiwa_msg
and the base pose in iiwa_base
.
| void HandleObjectStatus | ( | const bot_core::robot_state_t & | obj_msg | ) |
Update the stored object status from obj_msg
.
Update the pose of table index
from pose
.
| void HandleWsgStatus | ( | const lcmt_schunk_wsg_status & | wsg_msg | ) |
Update the stored wsg status from wsg_msg
.
|
default |
|
default |


HASOC
Manage users and tweets
Users
Add user
Add more tweets
Remove tweets
Username
Total assigned
Total annotated
Modal title
×
Modal title
×
Modal title
×
Enter Name
Please enter name.
Enter Username
Please enter username.
Enter initial password
Please enter password.
Select languages:
Add user


21. Wrap PySpark Package¶
It’s super easy to wrap your own package in Python. I packed some functions which I frequently used in my daily work. You can download and install it from My PySpark Package. The hierarchical structure and the directory structure of this package are as follows.
21.1. Package Wrapper¶
21.1.1. Hierarchical Structure¶
|-- build
| |-- bdist.linux-x86_64
| |-- lib.linux-x86_64-2.7
| |-- PySparkTools
| |-- __init__.py
| |-- Manipulation
| | |-- DataManipulation.py
| | |-- __init__.py
| |── Visualization
| |-- __init__.py
│ |-- PyPlots.py
|-- dist
│ |-- PySParkTools-1.0-py2.7.egg
|-- __init__.py
|-- PySparkTools
| |-- __init__.py
| |-- Manipulation
| | |-- DataManipulation.py
| | |-- __init__.py
| |-- Visualization
| |-- __init__.py
| |-- PyPlots.py
│ |-- PyPlots.pyc
|-- PySParkTools.egg-info
| |-- dependency_links.txt
| |-- PKG-INFO
| |-- requires.txt
| |-- SOURCES.txt
| |-- top_level.txt
|-- README.md
|-- requirements.txt
|-- setup.py
|-- test
|-- spark-warehouse
|-- test1.py
|-- test2.py
From the above hierarchical structure, you will find that you have to have __init__.py
in each directory. I will explain the __init__.py
file with the example below:
21.1.2. Set Up¶
from setuptools import setup, find_packages
try:
with open("README.md") as f:
long_description = f.read()
except IOError:
long_description = ""
try:
with open("requirements.txt") as f:
requirements = [x.strip() for x in f.read().splitlines() if x.strip()]
except IOError:
requirements = []
setup(name='PySParkTools',
install_requires=requirements,
version='1.0',
description='Python Spark Tools',
author='Wenqiang Feng',
<EMAIL_ADDRESS>url='https://github.com/runawayhorse001/PySparkTools',
packages=find_packages(),
long_description=long_description
)
21.1.3. ReadMe¶
# PySparkTools
This is my PySpark Tools. If you want to colne and install it, you can use
- clone
```{bash}
git clone git@github.com:runawayhorse001/PySparkTools.git
```
- install
```{bash}
cd PySparkTools
pip install -r requirements.txt
python setup.py install
```
- test
```{bash}
cd PySparkTools/test
python test1.py
```
21.2. Pacakge Publishing on PyPI¶
21.2.1. Install twine
¶
pip install twine
21.2.2. Build Your Package¶
python setup.py sdist bdist_wheel
Then you will get a new folder dist
:
.
├── PySparkAudit-1.0.0-py2.7.egg
├── PySparkAudit-1.0.0-py2-none-any.whl
└── PySparkAudit-1.0.0.tar.gz
21.2.3. Upload Your Package¶
twine upload dist/*
During the uploading processing, you need to provide your PyPI account username
and password
:
Enter your username: runawayhorse001
Enter your password: ***************
21.2.4. Package at PyPI¶
Here is my PySparkAudit
package at [PyPI](https://pypi.org/project/PySparkAudit). You can install PySparkAudit
using:
pip install PySparkAudit