Book your flights to the jQuery Europe online at
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Booking period: now until February 23rd, 2013. Valid for flights to Vienna and return as of
February 14th, 2013 until February 28th, 2012 (final date for return flight)
on OS flight numbers.
Fürstengasse 1, 1090 Vienna
The conference will be held in the GARDEN PALACE of the Palais Liechtenstein.
It was build in end of the 17th century. The Palais Liechtenstein is a very historic
venue located in the center of Vienna.
It is usually used as a Museum to display one of the biggest private art collections
The GARDEN PALACE has a unique atmosphere, conveying
an impression of aristocratic life in bygone ages.
International speakers and web pioneers show the newest trends and techniques for web, apps and smart TV development with jQuery. Two days of conference with awesome sessions, one additional day of jQuery training and lots of opportunities to meet and greet with developers from all Europe.
Vienna was ranked first for the world´s most livable cities and is the world´s number one destination for international congresses and conventions.
jQuery Foundation
Director
Richard is Executive Director of the jQuery Foundation and former lead of the jQuery UI project. He lives in the Washington, D.C. area and works for Bocoup, training mobile and web developers in JavaScript, jQuery, and HTML5.
jQuery has grown over 7 years to become the most widely used JavaScript library ever. This talk will cover the current state of jQuery and related projects, jQuery UI, jQuery Mobile, QUnit, and TestSwarm. We will also discuss the jQuery Foundation, which supports the development of these and the community around them.
jQuery mobile
mobile
Todd, a principal at Filament Group Inc., is a jQuery board member, project and design lead for the jQuery Mobile team, and design lead for jQuery UI. He is involved with the design of the ThemeRoller application and CSS class frameworks. Todd is co-author of the Peachpit book "Designing With Progressive Enhancement", contributor to the O'Reilly "jQuery Cookbook" and frequent presenter on the topics of mobile, progressive enhancement, accessibility, and responsive web design.
Learn how to leverage the power of jQuery Mobile and Responsive Web Design (RWD) techniques to create web experiences that adapt to all devices from phones, tablets, to desktops and beyond. This session will cover the built-in RWD capabilities of the Mobile framework and walk through real-world examples of how to use media queries and mobile-first thinking to build responsive sites and apps. Techniques for improving performance will also be covered including how to minimize bandwidth and server requests, handling high resolution displays for images and scalable vector graphics, and selectively layering content and features based on device capabilities.
jQuery UI
core
Jörn is a freelance web developer, consultant and trainer, residing in Cologne, Germany. Jörn evolved jQuery’s testsuite into QUnit, a JavaScript unit testing framework, and maintains it. He created and maintains a number of popular plugins. As a jQuery UI development lead, he focuses on the development of new plugins, widgets and utilities.
A computer that can talk to us has been part of science fiction for a long time. For those with limited or no sight at all it has been a reality for a while. It's this group that often benefits the most from the web, since it can give them a form of independence they might not have in their day to day life.
What do we need to make web sites usable for them?
appendTo
Doug Neiner is a front-end web developer with a love for semantic markup, powerful CSS, and efficient, reusable JavaScript. Doug loves sharing what he has learned and helping both new and developing JavaScript developers perfect their craft. When he isn't programming or designing on the computer, you might find him playing with his four wonderful children, hanging out with his beautiful wife, cooking up something in the kitchen or talking about the farm he wants to own one day.
CSS3 animations and transitions offer increased browser performance for animations on desktop and mobile. However, they also introduce a completely different approach to animations than jQuery's animate functions. Even if you choose to use CSS3, are fallbacks using jQuery animation even worth it? Are there ever situations where jQuery’s animate function would be preferred over CSS3 animation?
In this session you will learn when to use jQuery, CSS3 or both together; how to control animations and transitions from jQuery and how to account for animation fallbacks in your code. This session will also cover how the jQuery animation queue behaves and present strategies for using that queue with CSS3 and other custom code in your application.
We are in a time of change. The web as we knew it is not only changing in terms of technologies and demands - but user preferences are changing, too. More and more people are experiencing the web first and foremost on mobile devices and tablets which brings new challenges to us as developers. For years now libraries have made it easier for developers to build engaging and beautiful products by abstracting away issues like DOM access and event handling into a predictable and simple syntax. This is great and it gave the web a much bigger boost than anything else. Now is the time for libraries to help with the newer challenge of a changing environment. "The web always wins" is not a given - we have to keep evolving and innovating with it. Libraries are a great solution to make it easy for developers to build products without much hassle but the libraries we use nowadays more and more solve problems of the past rather than simplifying the near future. In this talk Chris Heilmann of Mozilla will show how we can lead the next generation of developers to build for the web instead of adding cruft to it. The mobile revolution is upon us and we have the means and the knowledge to lead it.
Mozilla Developer
JavaScript Author
Chris Heilmann has dedicated a lot of his time making the web better. Originally coming from a radio journalism background, he built his first web site from scratch around 1997 and spent the following years working on lots of large, international web sites. He then spent a few years in Yahoo building products and explaining and training people and is now at Mozilla.Chris wrote and contributed to four books on web development and wrote many articles and hundreds of blog posts for Ajaxian, Smashingmagazine, Yahoo, Mozilla, ScriptJunkie and many more.
In this talk, we'll take a look at the unique challenges that developer's face when creating webapps and content for so-called "Smart TVs". What role does jQuery have, if any, in relation to cross-TV/platform/device development?
JavaScript Author
Patrick Lauke is an open web standards evangelist who until recently worked in the Developer Relations team at Opera Software ASA. Patrick has been engaged in the discourse on standards and accessibility since early 2001 - regularly speaking at conferences and contributing to a variety of web development and accessibility related mailing lists and initiatives such as the Web Standards Project. Published works include a chapter in Web Accessibility: Web Standards and Regulatory Compliance, as well as various articles for .net magazine, where he sits on the advisory panel.
Mike is a philosophy student, cleverly disguised as a developer advocate on Google's Chrome team in Munich, Germany. Since it was relatively clear early on that it would be slightly more than difficult to make a living sitting under a tree while reading Kant, he's focused his energies on the web, which happily has proven itself to be a wonderful decision. He's a committer to both Chromium and WebKit, and has even landed a single patch to Firefox.
jQuery has made it possible for developers to move more and more complex application logic down from the server to the client. This is a huge opportunity for JavaScript developers, and at the same time presents a tempting target for folks with malicious intent. It's more critical than ever to ensure that we're doing the right things with regard to security, and happily, modern browsers are here to help. Here, we'll talk about some of the new ways in which you can mitigate the effects of cross-site scripting and other attacks.
TYPO3
core
Sebastian Kurfürst is a member of the TYPO3 Core Team, especially involved the development of TYPO3 Phoenix, our next-generation CMS. Besides his work as PHP developer, he has mainly worked on JavaScript projects based on EmberJS and RequireJS. He loves clean code, design patterns and agile methodologies, but tries to stay pragmatic at the same time.
For building the TYPO3 Phoenix User Interface, we've used a wide variety of frameworks and technologies. Besides jQuery and EmberJS at its core, we also use jQuery UI and a number of frameworks for in-page content editing such as VIE, CreateJS and Aloha. For managing this number of external dependencies, we soon started to embrace RequireJS as dependency management solution. However, during implementation, it turns out that some problems such as multiple jQuery versions, external non-AMD code, importing complete requireJS applications or debugging loading-order issues are non-trivial to solve. In this talk, you will get an overview about these problems, together with the solutions we found for them, as these are applicable for many big JavaScript projects.
Drupal
Core
Contributes to drupal anything javascript. And maps. He is the javascript maintainer for Drupal 7 and 8.
With Drupal powering more than 2% of existing websites (including big websites!) the Drupal community has had a lot of exposure to the goodness of jQuery and also to it's bugs and shortcomings. This talk is an outside point of view on jQuery's internals. After explaining some of the genesis of jQuery inside Drupal, we'll focus on what the Drupal community is using, underusing or misusing from jQuery. Then we'll talk about the challenges of Drupal's next version — scheduled to ship this year — and how jQuery fits in the picture, giving some feedback in the process.
createJS
Henri Bergius, a.k.a. Bergie, is a former Viking originally from Finland but living in Berlin. When he is not exploring Georgia’s cave cities or running with the bulls in Pamplona, Bergie works on web services built on top of the Midgard toolkit. His company, Nemein, provides web and mobile solutions for major companies in Finland and abroad. Bergie is involved with free software in 1999 by coordinating the public release of the Midgard cms. Since then, he has been actively working on integrating standards like RDFa into the system and traveling the world advocating interoperation between open-source CMSs.
Create.js is an inline editing toolkit for JavaScript, designed to be used by content management systems and other web applications. It allows users to edit content directly on the web pages where it is presented. Built as a set of jQuery UI widgets, it integrates easily with any web framework, allowing developers to decouple their content editing tools from the rest of the system. This session will introduce the ideas of Decoupled Content Management, and show how jQuery UI and Create.js can be used as the front-end editing tool in any web application.
consultant, author
Golo Roden is a freelance broadcaster of knowledge and technology consultant for web technologies, code quality and agile methods. He advises companies on these topics to help them evaluate, explore and apply suitable technologies and methods. He also works as a journalist for various trade publications and as a speaker and content manager for conferences at home and abroad. Microsoft has awarded Golo the Most Valuable Professional (MVP) for C# accolade twice in recognition of his excellent work in the community.
For years you have been using jQuery on the client-side. And now there is Node.js on the server-side. And this basically means that all the things you have loved about jQuery are dead and gone, right? Wrong! Although there is no DOM on the server (at least not by default) there are lots of tasks you can accomplish using jQuery *and* Node.js! In this talk Golo Roden presents three server-side scenarios where jQuery is the perfect companion for Node.js! So if do you love jQuery and you need to do server-side programming with Node.js, join :-)!
Deutsche Telekom
Sascha Wolter is a professional developer and craftsman for Pervasive Computing, Rich Applications and Mobile Apps in all flavors. He also works as a consultant, trainer, software-architect and author and contributes articles to a number of magazines. His books and video-trainings are bestselling publications in Germany.If he is not tinkering with new soft- and hardware as Developer Evangelist for the Developer Garden, he likes playing Lego with his kids in his spare time.
Nowadays apps are available not only for traditional PCs. We have to deal with more and more devices, capabilities, screen sizes, and so on. It requires that designers and developers have to explore new ways of thinking and have to discover new approaches. Fortunately the acquired knowledge is not lost: Adapt it and build around new, technology independent concepts in an agile and prototypic way. Sascha shows inspiring examples and how to create this new way of interactive systems in practice.
The more information-rich our societies become, the more demand there is for representing information visually, and the HTML5 platform is one of the best ways to create visualizations and communicate a message. Either for making sense of quantitative data, displaying qualitative information or simply creating the next Mona Lisa, technologies like CSS3, SVG, Canvas, WebGL, etc, provide a very powerful toolbox for developers, designers and artists.
In this presentation we’re going to start of by examining all the enabling HTML5 technologies that were mentioned, their features and how they are used in practice to deliver captivating user experiences. Then we’re going to move one level up and talk about the frameworks that make these powerful but sometimes overly complex technologies, more accessible to programmers. We’re going to see frameworks like Raphaël, Processing.js, D3.js, Fabric.js, etc, their features and their applicability. Finally, time permitting, we’re going to go over online examples that best demonstrate the power of the web platform for visualizations and analyze how they were created.
C4Media
Dio Synodinos is the research platform team lead at C4Media and a freelance consultant, focusing on rich Internet applications, web application security, mobile web, and web services. He’s also the lead editor for HTML5 and JavaScript at InfoQ where he also regularly writes about the JVM platform. He is the coauthor of "Pro HTML5 and CSS3 Design Patterns" (published by Apress) and "The Essential Guide to HTML5 and CSS3 Web Design" (published by friendsofED). Going back and forth between server-side programming and UI design for more than a decade, he has been involved in diverse software projects and has contributed to different technical publications.
Corey is a freelance web developer, speaker, and system administrator, living in Rockford, IL. He is an active contributor to most of the jQuery teams and is active in the jQuery community on IRC, and Stack Overflow. Corey has restructured the effects modules in both UI and Core, maintains the jQuery Color effects plugin and leads the jQuery Infrastructure team.
Learn about enhancments in the jQuery UI 1.9 widget factory, and how to organize your code to make easily extensible and reusable plugins for your sites. We will study how several of the jQuery UI widgets were rebuilt in 1.9.
Course Leader Mobile and Web Computing
Anne-Gaelle Colom is a Senior Lecturer at the University of Westminster in London, UK and the Course Leader for BEng Mobile and Web Computing. She is passionate about the use of technology in Higher Education as well as the Web and Mobile world. Anne-Gaelle joined the jQuery Mobile team in October 2011 to become the documentation lead a few months later.
When developing Mobile Web applications, it is essential to ensure that the user will be able to carry out the tasks they require effectively, and that the experience of doing so is a good and enjoyable one. This session will cover how jQuery Mobile naturally helps designers and developers incorporate good UI design principles in their mobile applications. Each good UI design rule will be illustrated with jQuery Mobile examples and demos to show how the framework helps incorporate these rules into mobile web applications. Such illustrations will cover but won't be restricted to the automatic back button in the header, the page loading widget, shortcuts with the searchable lists and panels, affordance with icons, and consistency of style through themes and swatches.
How ASP.NET MVC and ASP.NET SignalR builds on top of jQuery & jQuery Mobile for client-side features & Single Page Applications.
Maximilian is developer evangelist at Microsoft and speaker at several conference.
Doug Neiner is a front-end web developer with a love for semantic markup, powerful CSS, and efficient, reusable jQuery/JavaScript. With over 14 years of web development experience, Doug works to combine his love for design with his passion for new technology as the Senior Designer at appendTo, LLC. Doug is an alumni of the jQuery Board.
It is time to realize the full potential of jQuery in the realm of professional web development and delve into advanced topics surrounding the front-end. Utilize the jQuery library in the context of large-scale applications by learning how to dramatically improve performance, increase maintainability and reusability, and write cleaner and more concise code. Our goal is to give you the understanding of how to adopt an application architecture that is maintainable and scalable while keeping simplicity as a core tenant to successful web development. Once completed you should feel confident creating and maintaining advanced front-end-focused web applications.
jQuery Mobile has gained aggressive market share and is a great solution to mobile web development. With a progressive enhancement approach, jQuery Mobile aims to allow a mobile web experience for all, while rewarding those phones capable of a rich experience. Learn to get the most of the jQuery Mobile library by engineering single-page approaches with advanced Ajax functionality. Create rich and interactive mobile user experiences with wide device support and even utilize advanced functionality to completely customize a mobile site into a mobile application. Our goal is to give you the most comprehensive jQuery Mobile knowledge one can gain in a single day of training.
Entrepreneur and Ethical Hacker, Mike Hostetler is passionate about Open Source, Working Virtually, Entrepreneurship, HTML5 and JavaScript. Mike currently works as the CEO of appendTo.
Mike is a published co-author of the jQuery Cookbook (O'Reilly, 2009) and speaks widely on technical and business topics. Mike has spoken at OSCON, jQuery Conferences, BlackBerry DevCon and StarTechConf in Santiago, Chile.
You can follow Mike on Twitter (@mikehostetler) or via his blog at http://mike-hostetler.com
jQuery has grown over 7 years to become the most widely used JavaScript library ever. This talk will cover the current state of jQuery and related projects, jQuery UI, jQuery Mobile, QUnit, and TestSwarm. We will also discuss the jQuery Foundation, which supports the development of these and the community around them.
second paragraph
jQuery Foundation
Director
Richard is Executive Director of the jQuery Foundation and former lead of the jQuery UI project. He lives in the Washington, D.C. area and works for Bocoup, training mobile and web developers in JavaScript, jQuery, and HTML5.
Corey is a freelance web developer, speaker, and system administrator, living in Rockford, IL. He is an active contributor to most of the jQuery teams and is active in the jQuery community on IRC, and Stack Overflow. Corey has restructured the effects modules in both UI and Core, maintains the jQuery Color effects plugin and leads the jQuery Infrastructure team.
Learn about enhancments in the jQuery UI 1.9 widget factory, and how to organize your code to make easily extensible and reusable plugins for your sites. We will study how several of the jQuery UI widgets were rebuilt in 1.9.
appendTo
Doug Neiner is a front-end web developer with a love for semantic markup, powerful CSS, and efficient, reusable JavaScript. Doug loves sharing what he has learned and helping both new and developing JavaScript developers perfect their craft. When he isn't programming or designing on the computer, you might find him playing with his four wonderful children, hanging out with his beautiful wife, cooking up something in the kitchen or talking about the farm he wants to own one day.
CSS3 animations and transitions offer increased browser performance for animations on desktop and mobile. However, they also introduce a completely different approach to animations than jQuery's animate functions. Even if you choose to use CSS3, are fallbacks using jQuery animation even worth it? Are there ever situations where jQuery’s animate function would be preferred over CSS3 animation?
In this session you will learn when to use jQuery, CSS3 or both together; how to control animations and transitions from jQuery and how to account for animation fallbacks in your code. This session will also cover how the jQuery animation queue behaves and present strategies for using that queue with CSS3 and other custom code in your application.
TYPO3
core
Sebastian Kurfürst is a member of the TYPO3 Core Team, especially involved the development of TYPO3 Phoenix, our next-generation CMS. Besides his work as PHP developer, he has mainly worked on JavaScript projects based on EmberJS and RequireJS. He loves clean code, design patterns and agile methodologies, but tries to stay pragmatic at the same time.
For building the TYPO3 Phoenix User Interface, we've used a wide variety of frameworks and technologies. Besides jQuery and EmberJS at its core, we also use jQuery UI and a number of frameworks for in-page content editing such as VIE, CreateJS and Aloha. For managing this number of external dependencies, we soon started to embrace RequireJS as dependency management solution. However, during implementation, it turns out that some problems such as multiple jQuery versions, external non-AMD code, importing complete requireJS applications or debugging loading-order issues are non-trivial to solve. In this talk, you will get an overview about these problems, together with the solutions we found for them, as these are applicable for many big JavaScript projects.
jQuery UI
core
Jörn is a freelance web developer, consultant and trainer, residing in Cologne, Germany. Jörn evolved jQuery’s testsuite into QUnit, a JavaScript unit testing framework, and maintains it. He created and maintains a number of popular plugins. As a jQuery UI development lead, he focuses on the development of new plugins, widgets and utilities.
A computer that can talk to us has been part of science fiction for a long time. For those with limited or no sight at all it has been a reality for a while. It's this group that often benefits the most from the web, since it can give them a form of independence they might not have in their day to day life.
What do we need to make web sites usable for them?
consultant, author
Golo Roden is a freelance broadcaster of knowledge and technology consultant for web technologies, code quality and agile methods. He advises companies on these topics to help them evaluate, explore and apply suitable technologies and methods. He also works as a journalist for various trade publications and as a speaker and content manager for conferences at home and abroad. Microsoft has awarded Golo the Most Valuable Professional (MVP) for C# accolade twice in recognition of his excellent work in the community.
For years you have been using jQuery on the client-side. And now there is Node.js on the server-side. And this basically means that all the things you have loved about jQuery are dead and gone, right? Wrong! Although there is no DOM on the server (at least not by default) there are lots of tasks you can accomplish using jQuery *and* Node.js! In this talk Golo Roden presents three server-side scenarios where jQuery is the perfect companion for Node.js! So if do you love jQuery and you need to do server-side programming with Node.js, join :-)!
Deutsche Telekom
Sascha Wolter is a professional developer and craftsman for Pervasive Computing, Rich Applications and Mobile Apps in all flavors. He also works as a consultant, trainer, software-architect and author and contributes articles to a number of magazines. His books and video-trainings are bestselling publications in Germany.If he is not tinkering with new soft- and hardware as Developer Evangelist for the Developer Garden, he likes playing Lego with his kids in his spare time.
Nowadays apps are available not only for traditional PCs. We have to deal with more and more devices, capabilities, screen sizes, and so on. It requires that designers and developers have to explore new ways of thinking and have to discover new approaches. Fortunately the acquired knowledge is not lost: Adapt it and build around new, technology independent concepts in an agile and prototypic way. Sascha shows inspiring examples and how to create this new way of interactive systems in practice.
We are in a time of change. The web as we knew it is not only changing in terms of technologies and demands - but user preferences are changing, too. More and more people are experiencing the web first and foremost on mobile devices and tablets which brings new challenges to us as developers. For years now libraries have made it easier for developers to build engaging and beautiful products by abstracting away issues like DOM access and event handling into a predictable and simple syntax. This is great and it gave the web a much bigger boost than anything else. Now is the time for libraries to help with the newer challenge of a changing environment. "The web always wins" is not a given - we have to keep evolving and innovating with it. Libraries are a great solution to make it easy for developers to build products without much hassle but the libraries we use nowadays more and more solve problems of the past rather than simplifying the near future. In this talk Chris Heilmann of Mozilla will show how we can lead the next generation of developers to build for the web instead of adding cruft to it. The mobile revolution is upon us and we have the means and the knowledge to lead it.
Mozilla Developer
JavaScript Author
Chris Heilmann has dedicated a lot of his time making the web better. Originally coming from a radio journalism background, he built his first web site from scratch around 1997 and spent the following years working on lots of large, international web sites. He then spent a few years in Yahoo building products and explaining and training people and is now at Mozilla.Chris wrote and contributed to four books on web development and wrote many articles and hundreds of blog posts for Ajaxian, Smashingmagazine, Yahoo, Mozilla, ScriptJunkie and many more.
jQuery mobile
mobile
Todd, a principal at Filament Group Inc., is a jQuery board member, project and design lead for the jQuery Mobile team, and design lead for jQuery UI. He is involved with the design of the ThemeRoller application and CSS class frameworks. Todd is co-author of the Peachpit book "Designing With Progressive Enhancement", contributor to the O'Reilly "jQuery Cookbook" and frequent presenter on the topics of mobile, progressive enhancement, accessibility, and responsive web design.
Learn how to leverage the power of jQuery Mobile and Responsive Web Design (RWD) techniques to create web experiences that adapt to all devices from phones, tablets, to desktops and beyond. This session will cover the built-in RWD capabilities of the Mobile framework and walk through real-world examples of how to use media queries and mobile-first thinking to build responsive sites and apps. Techniques for improving performance will also be covered including how to minimize bandwidth and server requests, handling high resolution displays for images and scalable vector graphics, and selectively layering content and features based on device capabilities.
Microsoft
Maximilian is developer evangelist at Microsoft and speaker at several conference.
How ASP.NET MVC and ASP.NET SignalR builds on top of jQuery & jQuery Mobile for client-side features & Single Page Applications.
Mike is a philosophy student, cleverly disguised as a developer advocate on Google's Chrome team in Munich, Germany. Since it was relatively clear early on that it would be slightly more than difficult to make a living sitting under a tree while reading Kant, he's focused his energies on the web, which happily has proven itself to be a wonderful decision. He's a committer to both Chromium and WebKit, and has even landed a single patch to Firefox.
jQuery has made it possible for developers to move more and more complex application logic down from the server to the client. This is a huge opportunity for JavaScript developers, and at the same time presents a tempting target for folks with malicious intent. It's more critical than ever to ensure that we're doing the right things with regard to security, and happily, modern browsers are here to help. Here, we'll talk about some of the new ways in which you can mitigate the effects of cross-site scripting and other attacks.
Drupal
Core
Contributes to drupal anything javascript. And maps. He is the javascript maintainer for Drupal 7 and 8.
With Drupal powering more than 2% of existing websites (including big websites!) the Drupal community has had a lot of exposure to the goodness of jQuery and also to it's bugs and shortcomings. This talk is an outside point of view on jQuery's internals. After explaining some of the genesis of jQuery inside Drupal, we'll focus on what the Drupal community is using, underusing or misusing from jQuery. Then we'll talk about the challenges of Drupal's next version — scheduled to ship this year — and how jQuery fits in the picture, giving some feedback in the process.
In this talk, we'll take a look at the unique challenges that developer's face when creating webapps and content for so-called "Smart TVs". What role does jQuery have, if any, in relation to cross-TV/platform/device development?
JavaScript Author
Patrick Lauke is an open web standards evangelist who until recently worked in the Developer Relations team at Opera Software ASA.. Patrick has been engaged in the discourse on standards and accessibility since early 2001 - regularly speaking at conferences and contributing to a variety of web development and accessibility related mailing lists and initiatives such as the Web Standards Project. Published works include a chapter in Web Accessibility: Web Standards and Regulatory Compliance, as well as various articles for .net magazine, where he sits on the advisory panel.
The more information-rich our societies become, the more demand there is for representing information visually, and the HTML5 platform is one of the best ways to create visualizations and communicate a message. Either for making sense of quantitative data, displaying qualitative information or simply creating the next Mona Lisa, technologies like CSS3, SVG, Canvas, WebGL, etc, provide a very powerful toolbox for developers, designers and artists.
In this presentation we’re going to start of by examining all the enabling HTML5 technologies that were mentioned, their features and how they are used in practice to deliver captivating user experiences. Then we’re going to move one level up and talk about the frameworks that make these powerful but sometimes overly complex technologies, more accessible to programmers. We’re going to see frameworks like Raphaël, Processing.js, D3.js, Fabric.js, etc, their features and their applicability. Finally, time permitting, we’re going to go over online examples that best demonstrate the power of the web platform for visualizations and analyze how they were created.
C4Media
Dio Synodinos is the research platform team lead at C4Media and a freelance consultant, focusing on rich Internet applications, web application security, mobile web, and web services. He’s also the lead editor for HTML5 and JavaScript at InfoQ where he also regularly writes about the JVM platform. He is the coauthor of "Pro HTML5 and CSS3 Design Patterns" (published by Apress) and "The Essential Guide to HTML5 and CSS3 Web Design" (published by friendsofED). Going back and forth between server-side programming and UI design for more than a decade, he has been involved in diverse software projects and has contributed to different technical publications.
Course Leader Mobile and Web Computing
Anne-Gaelle Colom is a Senior Lecturer at the University of Westminster in London, UK and the Course Leader for BEng Mobile and Web Computing. She is passionate about the use of technology in Higher Education as well as the Web and Mobile world. Anne-Gaelle joined the jQuery Mobile team in October 2011 to become the documentation lead a few months later.
When developing Mobile Web applications, it is essential to ensure that the user will be able to carry out the tasks they require effectively, and that the experience of doing so is a good and enjoyable one. This session will cover how jQuery Mobile naturally helps designers and developers incorporate good UI design principles in their mobile applications. Each good UI design rule will be illustrated with jQuery Mobile examples and demos to show how the framework helps incorporate these rules into mobile web applications. Such illustrations will cover but won't be restricted to the automatic back button in the header, the page loading widget, shortcuts with the searchable lists and panels, affordance with icons, and consistency of style through themes and swatches.
createJS
Henri Bergius, a.k.a. Bergie, is a former Viking originally from Finland but living in Berlin. When he is not exploring Georgia’s cave cities or running with the bulls in Pamplona, Bergie works on web services built on top of the Midgard toolkit. His company, Nemein, provides web and mobile solutions for major companies in Finland and abroad. Bergie is involved with free software in 1999 by coordinating the public release of the Midgard cms. Since then, he has been actively working on integrating standards like RDFa into the system and traveling the world advocating interoperation between open-source CMSs.
Create.js is an inline editing toolkit for JavaScript, designed to be used by content management systems and other web applications. It allows users to edit content directly on the web pages where it is presented. Built as a set of jQuery UI widgets, it integrates easily with any web framework, allowing developers to decouple their content editing tools from the rest of the system. This session will introduce the ideas of Decoupled Content Management, and show how jQuery UI and Create.js can be used as the front-end editing tool in any web application.
U4: Rossauer Lände, then proceed on foot 600 metres to the entrance on Fürstengasse U2: Schottentor, then take the 40 A bus, alighting at Bauernfeldplatz
Line D, alighting at Seegasse or Bauernfeldplatz
40 A, alighting at Bauernfeldplatz
Kärntner Ring 8
1010 Vienna
Get a discounted rate!
Instead €219 pay €145 (code jQuery).
book now
Code: Liechtenstein
Single room €45.20
Double room €69.00
The world-famous Tafelspitz
restaurant in the heart of Vienna is just as much part of Vienna
as St. Stephen’s Cathedral and the Giant Ferris Wheel. A must be.
You need to reserve a table.
THE Schnitzel! At Figlmüller fine dining goes beyond the edge of the plate: The average schnitzel measures roughly thirty centimeters in diameter and is eaten in no time. Why? Because it tastes tender, juicy, and is covered in a crispy coating. A must be. You need to reserve a table.
Sohyi Kim is one of the few women on Austria’s top dining scene.
The native Korean offers innovative and experimental
cuisine based on five elements.


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The CoffeeMud SMTP Server is a simple mail transfer program
which acts as server that runs as part of CoffeeMud. It's primary
purpose is to act as a mail forwarding and relay engine for email
between mud users, and as a distribution point for mailing lists and
other email related functions.
By default, the SMTP server listens on port port 25 by
default. Changing this port value is generally a bad idea which will
almost certainly eliminate the ability for your server to receive mail
from others.
Messages sent either directly or indirectly to the CoffeeMud
SMTP Server MUST follow ALL of these rules or face rejection:
- The email MUST be formatted in PLAIN TEXT
- The DOMAIN must be correctly defined in the CoffeeMud INI
file (coffeemud.ini)
- The email must be from:
- a CoffeeMud journal name listed under JOURNALS in the
SMTP Server INI file (web/email.ini)
- OR a CoffeeMud journal name at the
local domain: example<EMAIL_ADDRESS>- OR a local player name
- OR a local player name at the local
domain: example<EMAIL_ADDRESS>- OR the email address which a player
has on file in their account.
- The email must be addressed to:
- a CoffeeMud journal name at the local domain: example<EMAIL_ADDRESS>- OR a local player name at the local
domain: example<EMAIL_ADDRESS>- OR the email address which a player
has on file in their account.
It accepts mail for storage and eventual delivery if the
security conditions are met. It maintains mailing lists for journals.
It provides security against illegal postings to journals or mailing
lists. It delivers emails to where they need to go, and distributes
mailing list messages to where they need to go.
It does not handle SMTP compliant mailing lists, and will only
deal with plain text messages due to journal interactions.
It supports HELO, EHLO, RCPT, MAIL, HELP, QUIT, NOOP, RSET,
DATA, and DSN.
It does not support EXPN, VRFY, VERB, ETRN, or any expanded
parameters to either MAIL or RCPT.
The SMTP Server may be bound to <IP_ADDRESS> (localhost) - this
means it will not accept external connections.
The SMTP Server only allows messages FROM valid users or
journals TO valid users or journals. All security checking is done as
the message is arriving, so there is no chance of an invalid message
taking up disk space, much less being relayed. It doesn't get any more
secure than that.
The default installation of CoffeeMud has two inbuilt web
servers, named 'pub' and 'admin'. The web servers are enabled with the
line 'RUNWEBSERVERS=true' in 'CoffeeMud.ini'; any other value or the
absence of this line will cause the web servers not to be loaded.
Normally, CofeeMud's SMTP server will send mail directly to
the recipients mail servers. If you wish to use your own relay server,
you should set the SMTPSERVERNAME field in your coffeemud.ini file to
the address of your relay server. Obviously this server and CoffeeMud's
can not exist on the same machine, as they will be listening on the
same ports.
INI files for the email server lives in the 'web/' directory
off the CoffeeMud root. The file is called email.ini, and contains the
following entries:
- PORT=xx : [REQUIRED] (e.g.25)
Sets the port number the server will listen for SMTP
requests on; this cannot be the same port as the main MUD server or web
servers. Identical to MUD server usage. There is normally no good
reason to change from 25, as that is what email clients will expect.
- BACKLOG=xx : (e.g.10)
Sets the number of requests that can be queued by the
internal TCP/IP stack. Identical to MUD server usage.
- BIND=addr : (e.g.<IP_ADDRESS>)
Causes the server to be bound to a specific address; this
is useful on multi-homed machines or if you wish to prevent public
access to the pages. Identical to MUD server usage.
- RELAYSERVER=addr : (e.g.<IP_ADDRESS>)
Normally the CoffeeMud server will attempt to send mail
directly to the recipients. If you have another SMTP mail server that
you would like to use to relay messages through, you should set this
value to the address of that SMTP relay server.
-
FORWARD=trueorfalse (e.g. TRUE)
Should be set to true or false. If TRUE, mail will be forwarded to
players and mailing lists as the mail becomes available. A player will
have their mail forwarded to them ONLY if their AUTOFORWARD flag is
set. If this option is FALSE, the server will not forward mail no
matter what the players AUTOFORWARD flag is, but will act as a mail
accumulator only.
- MAILBOX=journalname (e.g. The EMail
Box)
This is the name of your private email Journal. All
private email, from player to player, is stored in this journal. A
GenJournal item of this name can be created in-game to provide in-game
access to email for players who do not have AUTOFORWARD turned on.
Otherwise, when FORWARD is true, and the player has AUTOFORWARD turned
on, email will remain in this box only until it can be successfully
sent to the players private email address.
- EMAILDAYS=xx (e.g. 30)
This is the maximum number of days a message will remain
in the MAILBOX above for any reason.
- FAILUREDAYS=xx (e.g. 5)
This is the number of days that your server will attempt
to forward a message to a private email address before giving up.
- MAXMSGS=xx (e.g. 100)
This is the maximum number of private emails which will be
stored in the MAILBOX for each player. Use 0 for unlimited.
- MAXMSGSIZE=xx (e.g. 20000)
This is the maximum number of bytes for each email sent.
No email arriving through your server may exceed this size.
- JOURNALS=coded list (e.g. Local
Chat, The Elf Journal (forward keepall -RACE +Elf), Announcements
(forward) )
This is the name of one of more GenJournal (see Archon
Guide). Each entry should be comma delimited. The mails sent to a
journal name will appear as TO ALL messages in the designated journal.
The names listed here are case sensitive with respect to your
GenJournal names. Mail may be sent to journal names with spaces by
substituting an underscore "_" for each space. For instance, to send an
email to a journal called "The Journal" at the domain "mydomain.com",
you would address it as<EMAIL_ADDRESS>For each journal entry, parameters may follow the name, so
long as they are enclosed in parenthesis. ().
The parameters may include the word 'forward' if you would
like emails to be forwarded to the private mail boxes whose names are
maintained in resources/mailinglists.txt. Nonmembers may post a message
to the journal # or send an email with "subscribe" as the subject to
subscribe. Members may likewise use "unsubscribe" to remove their names.
The Parameters should include the word 'subscribeonly' if
posts to the list are not accepted, but subscribe/unsubscribe messages
are. This parameter should always be used with the 'forward' parameter.
The Parameters should include the word 'keepall' if posts
to the journal are saved in the journal archives instead of
automatically deleted after forwarding. Like 'subscribeonly', this
parameter ONLY matters when 'forward' is included. Posts to journals
are never deleted unless 'forward' is set. See the JOURNALDAYS ini
entry below for ways to delete these messages even when 'keepall' is
included.
Parameters may also include Zapper masks to control
subscription and/or posting criteria. Use AHELP ZAPPERMASKS to list the
valid Zapper mask parameters.
- JOURNALDAYS= xx (e.g. 90)
This is the number of maximum number of days a message
will remain in an SMTP server managed JOURNAL before being deleted.
- SUBSCRIBEDTITLE=xx (e.g. You are
now subscribed)
This is the title of the response your SMTP server will
automatically send to users who subscribe to a journal by sending an
email to the journal with "subscribe" as the title.
- SUBSCRIBEDMSG=xx (e.g. You are now
subscribed to <NAME>)
This is the body of the response your SMTP server will
automatically send to users who subscribe to a journal by sending an
email to the journal with "subscribe" as the title. You may use the
code <NAME> as a placeholder for your journals name.
- UNSUBSCRIBEDTITLE=xx (e.g. You are
now unsubscribed)
This is the title of the response your SMTP server will
automatically send to users who unsubscribe to a journal by sending an
email to the journal with "unsubscribe" as the title.
- UNSUBSCRIBEDMSG=xx (e.g. You are
now unsubscribed from <NAME>)
This is the body of the response your SMTP server will
automatically send to users who unsubscribe to a journal by sending an
email to the journal with "unsubscribe" as the title. You may use the
code <NAME> as a placeholder for your journals name.
Not listed here, but even more important is the DOMAIN
entry in your CoffeeMud.ini file. This is your servers domain for the
purposes of interpreting local email addresses. It should be identical
to your servers domain. For instance, if your server is
myserver.myhost.com, then so should this value. Email addressed to your
mud would then be<EMAIL_ADDRESS>This domain must match the incoming mail addresses to be accepted.
|


set vrange y1 y2
Specifies the range of the variable values for y-axis scaling (from y1 - y2). Reset by clear only.
clear


Many projects are using DWR on intranet sites, this generally means they're hard to find out about, and impossible to link to an check. It is possible to discover a small fraction of the commercial users by looking at the IP addresses that read the DWR DTD files.
From this we can tell that DWR has a large users which probably include Bank of America, Mastercard, Citigroup, Deutschebank, Permanent General, Dow Jones, RSA Security, Cap Gemini, The International Olympic Committee, IBM in the US, China and India, Caterpillar, 20th Century Fox, UCG, Lufthansa, Associated Press, Monsanto, Lawrence Livermore National Laboratories and the states of New York and Georgia. Many of these appear to be using DWR from multiple development sites.
It is estimated that something like 40,000 developers worldwide are actively using DWR, or at least editing DWR config files with an official DTD. Since many users will be configuring DWR using annotations, or be behind a firewall, this may be an under-estimate. The conversion between DTD hits and developers is estimated based on the hits that the DWR developers themselves make to the DTD.
The following is a small selection of some sites that are publicly available.
The results page uses DWR to fetch extra details on a flight.
For more information see Joe's blog entry.
Walmart are using DWR for their online store. It's not a total re-design around DWR, but one of the cool things about DWR has always been how well it has integrated with what you've already got.
Lots of the pages like this clothing page have links that use DWR. Keeping track of pages on the Walmart site is tricky because pages die when the products are no longer sold. So if you get the Walmart home-page it's because we need to update the linked product id.
For more information see this entry in Joe's blog.
The City of New York is using DWR for its city map.
Click for a larger version, or head on over to the site.
The site is designed for IE6 and there are some scrolling issues with Firefox, but I'm sure they will fix those soon.
Like Google Maps, there are the usual scroll/zoom features, but the New York mapping tool adds overlays for looking up zip codes and for landmarks, and allows you to pick the details that are shown or hidden.
For more information see this entry in Joe's blog.
Atlassian uses DWR in both JIRA (an issue tracking and project management application. See also a live demo, view source to see DWR) and Confluence v2 (an enterprise-level wiki). JIRA is installed in over 2500 sites worldwide.
DZone is a social news site along the lines of Digg, with a focus on developers. It's run by Rick Ross from the Java Lobby. DZone uses DWR to dynamically load new data on a number of pages. Read more in Joe's recent blog entry, or find out more about DZone.
InfoQ uses DWR in it's commenting system and to load side tabs amongst other things. Read more in Joe's recent blog entry, or find out more about InfoQ.
Pebble is a lightweight, open source, Java EE blogging tool, created by Simon Brown. It uses DWR in its commenting system. We use pebble to host Joe and Mark's blogs.


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Complex rotation
Object CHOP | Calculating Bearing
This example set looks at a bearing calculation for many instances all pointing to one object. There are a number of use cases for this kind of approach. In the example network you can see how this is achieved with fixed instance positions, or with particles that are moving dynamically.
Tested in TouchDesigner099 2020.23680
Updated 06.03.20
Matthew Ragan
Zoe Sandoval


1 reference to Construct
System.Management.Automation (1)
engine\NativeCommandProcessor.cs (1)
941
ProcessWithParentId[] procsWithParentId = ProcessWithParentId.
Construct
(currentlyRunningProcs);


Support NASA
The goal for this project is to link two of my passions: space and web artistry.
Some of modern-day's greatest technologies have come out of NASA's mission to pioneer the future in space exploration, scientific discovery and aeronautics research. There has been no greater inspiration to mankind than by landing people on the moon, sending robots to other planets, and looking out to the edges of the universe.
The DONATE button donates directly to NASA, so this site is literally about donating back to NASA.
But it's also about paying it forward. I hope other people inspired by space and science will be inspired by these selections. I hope it will spark their imagination for invention as well.
This project was inspired by @femmebot's project HAND-PICKED TALES from ÆSOP’S FABLES with HAND-PICKED TYPE from GOOGLE FONTS. I think it embodies the spirit of what NASA does each time it open sources its latest finding.
If you share these passions too, submit a pull request.
This is my small way to give back.


OVERDRAWN AT THE MEMORY BANK A film review by Christopher E. Meadows Copyright 1997 Christopher E. Meadows
84 minutes, color
Starring Raul Julia, Linda Griffiths, Wanda Cannon, Donald C. Moore, Chapelle Jaffe, Louis Negin
Produced by Robert Lantos & Stephen J. Roth
Directed by Douglas Williams
MPAA: Not Rated (though from language, violence, medical-gross-outs, and sexual content, I'd put it at PG)
My rating: 7/10
Though made in Canada, "Overdrawn at the Memory Bank" traces its roots to the BBC school of film production. Using, for the most part, cheap computer and video special effects, chyron text, wildlife documentary footage, and sets that are sometimes obviously faked up, it nonetheless manages to tell a good enough science fiction story that by the time you're twenty minutes into it, you should be hooked.
Raul Julia plays Aram Fingal, a drone data processing worker for Novicorp whose active imagination and predilection for hacking gets him into trouble with authority. Caught watching "Casablanca" on his desk monitor, Fingal is sentenced to "doppling" rehabilitation--he is to spend forty-eight hours in the body of a baboon. (How exactly this is supposed to rehabilitate him is anybody's guess.) As it happens, thanks to a visiting schoolboy's prank, his body is temporarily misplaced, and his mind has to be shunted into the central computer to keep him alive until they can find it. As time ticks away before his memory cube self-destructs, the frantic search for his body is on...while Fingal first creates a virtual reality fantasy world, then finds there's no better way to hack the system than from the inside.
During the chaos, computer technician Apollonia James (Linda Griffiths) maintains contact with Fingal through a datalink, manifesting several different times to offer advice or warnings. Over the course of their interactions, interest on both their parts grows into a budding romance.
Given that "Casablanca" is Fingal's favorite film, and the basis for his fantasy world, a great deal of the movie is homage to "Casablanca". In fact, the Humphrey Bogart and Peter Lorre characters make appearances (played by Julia in a dual role and Louis Negin, respectively) in a bar called "The Place". Julia's portrayal of Bogart is passable, and avoids becoming the "schweethaat"-spouting parody seen in cartoons. Negin's Peter Lorre is quite credible, and easily the best Peter Lorre I've ever seen who wasn't the real thing. The two of them, as characters created by Fingal's imagination, serve as aspects of his personality, driving him on in his quest to hack the computer system.
Those aren't the only Casablanca characters to put in appearances. The Sydney Greenstreet character also happens to be around...as "The Fat Man", the alternate aspect of the film's main villain, the Novicorp Chairman (Donald C. Moore). While Fingal's body is lost, the Fat Man tries to stop him from hacking the system...with less than salutory results.
It's interesting to note the futuristic slang words that are thrown about left and right during the film, in the best golden-age science fiction tradition. Words like "dopple", "psychist", "computech", "cinema", and "reconst" are apparently in common use. And while people of today may well laugh at fourteen years past's idea of futuristic data processing clerks, some aspects of this film are surprisingly perfectly in keeping with the way we think of "virtual reality" today. As cyberpunk films go, this may not be a staple of the genre, but it's definitely recommended viewing.
The special effects are very primitive, placing this production in the realm of low-to-medium-budget television. The music is completely electronic-synthesized, which fits the low budget but isn't really out of keeping with the genre. However, the writing quite makes up for it. There are some very funny moments, and quite a few little in-jokes that one needs to have seen "Casablanca" to appreciate properly. All in all, I give "Overdrawn at the Memory Bank" a 7 out of 10.
This review is copyright 1997 by Christopher E. Meadows. Permission granted for free distribution over Usenet and associated archival, and for archival and display associated with the Internet Movie Database (http://www.imdb.com). All other distribution requires permission from the author.
-- Chris Meadows aka | Author, Team M.E.C.H.A., Crapshoot & Co. Robotech_Master | on the Superguy Listserv (bit.listserv.superguy<EMAIL_ADDRESS>| With a World Wide Web homepage located at<EMAIL_ADDRESS>| http://www.jurai.net/~robotech/index.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Welcome to cubetastic timer! This timer has a lot of uses.
One of the most striking features of this timer, is that
it uses the official TNoodle scrambling program!
You can add it to your homescreen like any other app (more details given below), and this
website also works offline.
When you're online, you get even more features like
syncing your times. Once you sign in to your account, any solve you do after that will get
synced. Next time, when you are using some other device or browser, you just need to sign
in to your account, and all your times from this device will appear there! If you have any
feedback, you can click the feedback icon in the menu, and it will redirect you to a
feedback page.
Keyboard shortcuts
There are currently 3 keyboard shortcuts:
- `shift + del` to delete last solve
- `shift + 2` to toggle last solve as +2
- `shift + D` to set last solve as DNF
This website is also open source, which means you can view and contribute to the source
code. To do this, click the github icon (a cat) in the footer below.
Install PWA
This website is a PWA (Progressive Web App), which means you can add
it to your homescreen, and it will work just like any other app, even offline! You can
install this (if your browser supports it) by clicking the menu of your browser, and then
clicking "Add to homescreen". For more detailed browser - specific instructions, click
here.


SAVING PRIVATE RYAN (DREAMWORKS) RUNNING TIME: 2 HOURS 48 MINUTES. STARRING TOM HANKS, EDWARD BURNS, TOM SIZEMORE AND MATT DAMON DIRECTED BY STEVEN SPIELBERG Already being hailed as the 'Greatest War Movie Ever Made,' Saving Private Ryan is an harrowing, saddening and riveting movie. It may not be the greatest war movie in my opinion, but it's certainly one of the best war movies made, and one of the best of 1998. Tom Hanks stars as a Captain who's troop has to find Private Ryan (Damon) who has a ticket home because his three brothers have been killed in action. Action, drama and even some humour occur as the troop journeys through wartime France to find him.
After the disappointing Amistad (1997) Spielberg has returned to form with this excellent movie. I'm not the war movie genre biggest fan, but I found this film to be gripping, and very scary, thanks to the excellent cast, direction and terrifying battle scenes. Tom Hanks is superb, straying away from his usually soppy dramatic roles, such as in Forrest Gump (1994). This time, he plays the role with gritty realism, and is much better for it. Occasionally he overacts the sentimentally, but he generally delivers a fine performance. Edward Burns, looking a lot like Armageddon's Ben Affleck, also delivers a top notch performance, moving away from his roles in films such as She's The One (1996) Tom Sizemore makes less of an impact, but is still watchable, and Matt Damon reinforcing his position as one of the finest young actors working today.
Spielberg directs very well, putting the audience right in the heart of the action of the battle scenes. And what battle scenes they are! They're truly terrifying, yet the audience cannot drag their eyes away from the screen. The battle scenes are filmed with a jerky hand-held camera, and the panic and confusion felt by the soldiers is emphasized by this technique. The gore and violence isn't spared either, which body parts flying, and blood spurting. This film is certainly not for kids and sensitive adults.
Other factors help Saving Private Ryan be a masterpiece of 90's film making. The cinematography is excellent, and the music score by John William's is also superb. It is never intrusive, and adds to the drama on-screen.
But while they are thousands of good things great about Private Ryan, there's one major flaw that detracts the genius of the film: the writing. It is unusually flat, with many of the speeches strangely weak. The film never really makes any profound statements. This is not a major gripe, as Private Ryan is a film of action, not words. Still, the script could of been a lot better. Thankfully, the actors help partly to rectify the situation with their great delivery of their lines.
Saving Private Ryan, in the end, is an excellent film, but not the 'greatest war movie' due to it's weak acting. This film should be viewed by everyone who has the stomach for it, as it's rewarding and extremely worthwhile. It really shouldn't be missed, and Dreamworks SKG has finally found it's first hit movie.
RATING=**** OUT OF *****
©1998 DAVID WILCOCK<EMAIL_ADDRESS>Visit the Wilcock Movie Page! http://wilcockmovie.home.ml.org -OR- http://www.geocities.com/Hollywood/9061 Recieve Wilcock Movie Page Reviews via E-MAIL Send a blank E-MAIL to<EMAIL_ADDRESS>to join the mailing list!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


I'm a designer and web developer with a passion for using design and technology to translate ideas into clear and engaging deliverables. With a background in graphic design for nonprofits, I approach projects with big-picture goals and user interaction in mind.
I aim to make everything I design organized, easy for viewers to interact with, and visually compelling. I have an eye for color and typography, and an ability to translate a project's personality into visuals.
Illustrator, Photoshop, Indesign, and good ol' pencil and paper.
I give a project all the functionality it needs, with code that's easy to read and maintain. I love when I can find a simpler, more elegant way to solve a problem.
Bootstrap, Materialize, CSS, Responsive Design, Javascript, jQuery, MySQL, Sequelize, Node, Express, MongoDB.
An app that scrapes MPR News for stories and lets users save and leave notes on articles. Built using Mongoose, Express, Handlebars, and Cheerio.
A simple JavaScript and jQuery game that randomly picks a goal number, randomly assigns values, and tracks user stats.
A homepage site to start your morning with a random inspirational image and quote, local weather, social links, and customizable news topics. User preferences are saved in local storage. Top of the Day uses a few different APIs: Weather Underground, New York Times, Google Geolocator, and FavQs.


It seems like our brand image in our male target market in low. They are aware of our brand but we're not high up in their consideration set.
We should consider examining our major touchpoints with this market and see the customer experience can be improved in any way.


My goal over the next six months is to finish the EDA and have found a job in IT. In 18 to 24 months my partner and I had planned to move to Europe (COVID-19 pending) for a year or so to work and travel.
A significant part of choosing to become a developer was the contracting option. This would allow me to work while I travel. I also have my sights set on becoming a contractor when I return to New Zealand. This would mean I could work 6-9 months in the year and also allow me to spend my extra time working on property development, as that is another big passion of mine.
As this is an entirely new environment for me - that being learning, corporate and working in a team/with others. I would like to work on corporate communication, networking and being more attentive to others I’m working with.
I would also like to develop more patience with myself, particularly when I am not adapting or picking things up as quickly as I had anticipated or would have liked.
When it comes to my strengths and weaknesses, I know for a fact that I am very process driven, committed, controlling. I see these as both strengths and weaknesses when relating these to my learning journey. I know that I will never give up and always deliver the work required of me to my highest standard possible. However I know that sometimes I can get fixated on this, leading me down a rabbit hole at times. It's knowing when I need to take a step back and refresh myself. This is something that I have been consciously and successfully doing while completing my EDA work. Being Process Driven means I like formulating plans and milestones of how I will achieve the end goal. This as times and lead me to become a little controlling as deviating off path is not always bad, but might lead me to new discoveries of learning. I need to also keep accept that I will make mistakes as this is all part of learning too.
I am currently having some good success with my motivation despite the lockdown. I have planned my workloads around working for an hour and then allowing myself to take a break and do something I enjoy. Working out and taking our dog for a walk has been good in between working also. I would like to keep doing similar routines in the next few weeks, however I’m not sure with the workload increasing, if that is still is a viable option. I am looking forward to starting in the class room as I'm definitely more of a hands on learner, being around others, bouncing ideas and thoughts with one another, and learning together was a huge reason I decided to study with EDA. I feel like am able to voice my opinion when I feel have valid input but then also know when it is the right time to take the backseat. Coming from my personal trainer background I know to never judge a book by its cover as people you never thought would will definitely surprise you.
Time management in this respect I have struggled with over the last few days. I have noticed myself loosing track of time on a few tasks and only asked for help when I’m down the rabbit hole and completely stuck for an hour. To mitigate this, I will try setting a timer for 30 minutes when I know I’m struggling and when the timer goes off and I’m still struggling or stuck, I will reach out to the cohort or my facilitator.
My expectations of my facilitator is that they’ll be happy and have good energy. I also hope they have the attitude that there are no dumb questions, as there will be a few from me.
No, I am fully committed to EDA and this takes my top priority.
Home


Preparation time
overnight
Cooking time
over 2 hours
Serves
Serves 4-6
This richly flavoured pulled pork is pressed into rounds then fried in breadcrumbs.
For the prunes, heat the vinegar in 300ml/11fl oz water then pour over prunes with the sherry. Leave to soak overnight.
For the persillade, blend together the breadcrumbs and parsley until fine textured, add the crushed garlic, lemon zest and salt and mix through.
For the braised pork, preheat the oven to 140C/275F/Gas 1.
Heat the oil in a large heavy based pan. Add the onions, carrots, celery, leeks, garlic and thyme and cook, stirring occasionally, until caramelized all over.
Add the white wine and Madeira to the pan and scrape the cooked bits from the bottom of the pan with a wooden spoon. Simmer until reduced in volume by half.
Add the stock, cardamom, star anise, orange zest, apple purée and tomato juice.
Bring to the boil, add the pork shoulder and belly, return to the boil then cover and place in the oven for 3-4 hours.
When tender and cooked through, remove from the oven and allow to cool down slightly.
While the meat is still warm, remove it from the cooking liquor and pull the meat into small strands using your hands or two forks.
Put this pulled meat into a bowl with some of the fat from the cooking liquor. The cooking liquor can be reserved: make a sauce by simmering some of the liquor to reduce it in volume to sauce consistency ready for serving.
For the pressed pork, season the pulled pork with the chopped chillies, coriander, shallots, malt vinegar, salt and freshly ground black pepper. Taste and adjust the seasoning if necessary.
Roll out two large layers of cling film onto a clean work surface. Place the cooked, seasoned meat in a line, approximately 5cm/2in deep, 4cm/1¾in high and 15cm/6in long, leaving a space at each end.
Wrap the meat in the clingfilm, then roll the clingfilm into a tight sausage shape and tie each end securely.
Prick all over with a sharp pointed knife. Refrigerate until set.
Preheat the oven to 180C/350F/Gas 4.
Cut the chilled cling film roll into 5cm/2in wide cylindrical shapes.
Remove the cling film and brush the meat with beaten egg all the way around the rounded sides of the roll, but not the flat ends, then roll in panko breadcrumbs, keeping the flat ends clear of crumbs.
Heat a frying pan until medium hot, add a little olive oil and colour the breadcrumbed side of the pork until golden-brown all around.
Place in the oven and heat through.
Remove from the oven and spread a thin layer of mustard over the top flat surface and sprinkle quite generously with the prepared persillade, then return to the oven for a further five minutes.
For the cauliflower couscous, mix everything together and add salt to taste.
For the cauliflower cream, heat the cauliflower, milk and salt in a saucepan until simmering and cook for 12-15 minutes.
When cooked and softened, remove the cauliflower from the milk but reserve the milk.
Purée the cauliflower with some of the cooking liquor and extra double cream if desired.
Taste and adjust seasoning - lemon juice can be added here if needed.
To serve, heat the cauliflower purée through until hot, and spread across base of serving plates, then sprinkle the cauliflower couscous onto the purée.
Sit the pork in the centre of the plate on top of the cauliflower. Place three prune halves on each plate around the pork.
Garnish with baby herbs, cress and pork scratchings and pour some sauce around the outside.


Enumeration categorizing operational modes of pointers.
PointerType values represent valid bitmasks. For example, a value representing both Mouse and Touch devices can be expressed as PointerMode.CURSOR | PointerMode.CONTACT
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Values may be added for future mode categorizations.


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It was a day like any other, smoked usual amount of weed, chilled and really had no idea I was going to take this. My mom comes home from her friends house with a box of pills, a professional sample of 300mg tablet Seroquel.  I was not at all alarmed, in fact I thought the person must have just been a low tolerance pussy, so I decided to pop two.  I brush this off saying ya right I know what I'm doing. We then go on a drive somewhere, me driving, and pretty much everything seems the same.
When we get home about 20 minutes later I feel slightly drowsy, but not too much.  By this time I am really stoned and just enjoying it on the comfy couch, when all of the sudden a wave comes over me and this intense feeling in the center of my brain takes over my entire conciousness. I stand up and boom, another massive rush overwhelms me and I stumble back to the couch. I try to speak but no words come out, so I walk into the kitchen where my mom is cooking dinner. Before I had smoked I was really hungry, but now my hunger was flushed out and all I could feel was the energy moving back and fourth in my brain. Feeling very very restless I walk around the house and try and sit outside, but nothing is calming me, I just seem to be getting higher and higher and higher.
By now the feeling is so ridiculously overtaking I am freaking out. Not like screaming or anything, but there is just this undescribeable feeling of restlessness and hypertension. The feeling is too overwhelming and I cannot take it. I tell my mom what is happening and she again tells me that I should not have done that. Not knowing what else to do I attempt to throw up the pills, but I cant gag. Still the feeling seems to be escalating higher and higher. I lay down in bed and am immediately aware my breathing is super weighted.  It is so bothersome I cannot get to sleep. Laying there for what seems like forever, litterally, my mom checks on me. I can hear and feel her, but when I try and talk, my mouth moves with no words coming out.
When I wake up the next morning I still feel really faded, but the real feeling is completely gone. I talk to my mom about what happened and she said when I would try and talk nothing would happen, and when I did manage to talk it would come out in complete giberish and slurred slow speech.
The only way I can truly descibe the terrible feeling with Seroquel is this feeling of not pain but weird restlessness and fucked-up-ness that moved back and fourth infinetly fast in my brain and throughout my entire body. My vision was mostly black, except the center focus point, which was very blurred and 'tingly'. I felt completely detached from everything, like I was just there, nowhere. The entire feeling is so overwhelming I wished I was dead. Seroquel has changed my entire perception on drugs, before it I was fearless and untouchable, after I am left feeling almost afraid of drugs altogether.
Never ever again will I try Seroquel, and I think I will also not be able to try any new drugs until I completely forget about Seroquel. It has scarred me for a long time, and I wish with all my being I had never tried it. Yet I feel almost glad that I did, just so I would know that I am not unvincible, and living reckless is a life not worth living for me.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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