I have 3 Current Cost IAM's that broadcast their usage on 433MHz, is it possible to configure the RFM69Pi to pick up these broadcasts?
(Moved from software forum as its more of a hardware question)
Archived Forum |
|
RFM69Pi receiving additional signals possible?Submitted by sheppy on Sun, 31/05/2015 - 02:25I have 3 Current Cost IAM's that broadcast their usage on 433MHz, is it possible to configure the RFM69Pi to pick up these broadcasts? (Moved from software forum as its more of a hardware question) » |
Re: RFM69Pi receiving additional signals possible?
I think you would probably be able to get a rfm device to communicate with the IAM's as there are some projects out there that have hacked the currentcost IAM's. but it's most unlikely you will be able to get a single rfm to do both as the protocols will differ.
Paul
Re: RFM69Pi receiving additional signals possible?
I'll have a dig into the building blocks to see if I can find how this module decides what to decode. Do you know if the firmware on it is from the Open Energy Project or elsewhere?
My EMONBASE and EMONTX are close by so I could wire the connection directly and then use the module for receiving IAM's.
Re: RFM69Pi receiving additional signals possible?
If you search for "current cost c2 protocol", you just might find some information. But as it's a proprietary protocol, it's more than likely that it's commercially confidential, and you'll have to reverse engineer it yourself (and then keep quiet).
Re: RFM69Pi receiving additional signals possible?
Well yes and no :-)
There are numerous less used(documented) ways of achieving your aim, however the normal "direct" connection between a emonTx and a emonBase is via the same single serial port the rfm69pi uses so on the surface it's one or the other. The easiest options are to use a usb<->serial for the emonTx or use a Jeelink to add another network.
Paul
Re: RFM69Pi receiving additional signals possible?
There is a third way I guess which is to reprogram the Arduino box that translates the output from the Current Cost EMVIR's serial port and sticks it on the internet via its Ethernet port. As I can't get access to its original code this is a one way street and I don't know how to:
1)get the current cost Arduino sketch on the current box to copy it's serial port and stick it onto its Ethernet port
2)get the pi to receive the result, remove any extra history data it doesn't need and stick it into EMONCMS
is anyone interested in working this lot out? I've found details on the net on how to get the box to run a standard Arduino sketch
Re: RFM69Pi receiving additional signals possible?
The CC protocol is understood by rtl_433 and it certainly does look like it should be possible to make an RFM69 receive it. I'm interested in doing a similar thing with the Watchman oil tank monitor, which also uses FSK. (For the Watchman, the original receiver unit uses a Si4320 which is basically an RFM01 anyway.)
Getting a single RFM69 to receive both at the same time is a lot more fun though…
The bit rate of the CC signals is a lot slower than emonTx — the period is about 250µs rather than 20.3µs. You'll need to use the RFM69 in "Continuous" mode and probably also turn off the bit synchronizer, but I think you can load a sketch onto Arduino side of the RFM69Pi which copes with that.
The more interesting problem is the base frequency of the transmission, and the bandwidth. I'm not sure for the CC, but in my case the oil tank monitor transmits at 433.90MHz ± 34kHz. I think the RFM69 does have AFC capability but you might need to set the bandwidth explicitly. So you might need to tweak the sketch on your emonTx to use the same bandwidth for its transmission as the CC device does, if you want a single RFM69 to receive both.
The easiest solution, assuming your CPU is up to it, is probably to just use an RTL-SDR dongle to receive both signals and do all the decoding in software with rtl_433.
Or maybe if you can get the RFM69 receiving the CC signal but not both at the same time, then hook up an RFM69Pi to the CP2102 UART board. It'll give you the serial port you need, and it looks like it can provide 100mA at 3.3V which I think should be enough to run the RFM69Pi as long as you're only receiving. So then you can have two RFM69Pis at the same time.
Re: RFM69Pi receiving additional signals possible?
Thanks for the reply, its been a long time since I visited this thread!
In the end I repurposed the Current Cost Bridge I already had using a sketch I found on the net. I then used Openhab to translate the topic so the EMONPI version of EMONHUB would pull it into EMONCMS via MQTT. Its been totally reliable so far too.


Experimental code: If we had tool functions for Iterables and AsyncIterables in JavaScript’s standard library – what would they look like?
Caveat: This repository is not in any way endorsed by TC39. It is just my own experiment, but I hope to eventually turn it into a proper proposal.
Related work and foundation of this project: TC39 proposal “Iterator helpers” by Gus Caplan, Michael Ficarra, Adam Vandolder, Jason Orendorff, Yulia Startsev.
npm install @rauschma/iterable
Usage from JavaScript and TypeScript:
// Synchronous API
import { Iterable } from '@rauschma/iterable/sync';
.deepEqual(
assert.toArray(
Iterable.map(x => x + x, ['a', 'b', 'c'])),
Iterable'aa', 'bb', 'cc']
[;
)
// Asynchronous API
import { AsyncIterable } from '@rauschma/iterable/async';
= AsyncIterable.fromIterable;
const fi .deepEqual(
assert.toArray(
await AsyncIterable.map(x => x + x, fi(['a', 'b', 'c']))),
AsyncIterable'aa', 'bb', 'cc']
[; )
If you don’t want to qualify the functions, you can destructure:
import { Iterable } from '@rauschma/iterable/sync';
, map} = Iterable;
const {toArray
.deepEqual(
asserttoArray(
map(x => x + x, ['a', 'b', 'c'])),
'aa', 'bb', 'cc']
[; )
This prototypes what having two global built-in JavaScript namespace objects would look like (think JSON
and Math
):
Iterable
with Iterable.map()
etc.AsyncIterable
with AsyncIterable.map()
etc.The purpose of this package is not to be a library, it is to prototype built-in helpers for (async) iterables.
This work is based on the TC39 proposal “Iterator helpers” by Gus Caplan, Michael Ficarra, Adam Vandolder, Jason Orendorff, Yulia Startsev.
The one addition I made was zip()
.
If they are last, it’s easier to use partial application:
const mapper = Iterable.map.bind(null, x => x);
Note that, should JavaScript ever get a pipe operator, the location of the data parameter wouldn’t matter much there:
const result = ['a', 'b'] |> Iterable.map(x => x, ?);
Iterable.toArray()
the same as Array.from()
?Yes, Array.from()
does what Iterable.toArray()
does (and more). The latter function only exists because there is AsyncIterable.toArray()
(which has no current equivalent in JavaScript’s standard library).


One of the more icon color is the infrared.
Launched in 1995, designed by Sergio Lozano.
Well highlighted Air bubble.
Inspired by mountain bikes, while an urban legend quotes Japan bullet trains as inspiration.
Because there are other sneakers than Air Max.
« Air Force 1. Zéro fan, que des fanatiques. » -- LTA
| Date | 9999-99-99 |
|---|---|
| Topic | Urban culture |


You can now sign in with GOV.UK Verify
Use the username and password you created to sign in with GOV.UK Verify and continue your claim. You'll need to select the company you verified with to sign in.
Use the username and password you created to sign in with GOV.UK Verify and continue your claim. You'll need to select the company you verified with to sign in.


Client Create
Office
Staff
Legal Form
Is Staff ?
First Name
Middle Name
Last Name
Name
Mobile Number
Date Of Birth
Gender
Incorporation Date
Incorporation Validity Till Date
Client Type
Client Classification
Incorporation Number
Main Business Line
Constitution
Remarks
External ID
Submitted On
Is Active ?
Activation Date
Open Savings Account ?
Select Savings Account
Family Members
Add


What is the scope of the field a in the following code:
public class Example { private int a; public void doSomething() { a = 4; } public void setA(int value) { a = value; } }
Remember a variable can't be local to two methods!


{{lang["SECTION2_TITLE"]}}
Empty. You can edit this section in buy.php
{% endfor %}
¡Cooming soon this section will be automated!
{% for buy_item in buy_items %}


A text based adventure game that I've built using Flask.  Wanna see if you can make it?


--- title: "Calls" updated: 2015-09-15 17:38:49 layout: default group: calls menu: main status: published ---


Driving and motorcycle instructors – guidance
Car and light van driving syllabus
A way of teaching people the skills, knowledge and understanding they need to be a safe and responsible driver.
Detail
The syllabus is for:
- learner drivers
- full licence holders
- driver trainers
It tells you what the trainee:
- needs to cover
- will learn
- needs to be able to do
- needs to know and understand
Contact the Driver and Vehicle Standards Agency (DVSA) if you have:
- questions about the syllabus
- ideas about how it could be improved
DVSA national driver and rider standards
Email<EMAIL_ADDRESS>Phone 0115 936 6283
Monday to Friday, 9am to 5pm.


Ivan and Mohammed
Microvserse Applicants
Ivan from Venezuela and Mohammed from Algeria try to learn coding and acheive some success.
Second Index


Vivo S1 Pro Will Officially Launch In Malaysia On 3 December
by Heirul KamelVivo has unveiled their brand new smartphone, the Vivo S1 Pro which is set to launch in Malaysia on 3 December. According to the company, the phone is a significant upgrade to the original Vivo S1 and is equipped with an upgraded camera and processor.
The Vivo S1 Pro features a 6.38-inch Super AMOLED display with a teardrop notch, which also features an in-display fingerprint scanner. It packs a Qualcomm Snapdragon 655 SoC, 8GB of RAM, 128GB of internal storage, and runs on Android 9 Pie via Vivo’s FunTouch OS 9.2. Battery-wise, it has a capacity of 4500mAh which supports 18W fast charging via USB-C port.
On its back, the Vivo S1 Pro features a diamond-shaped camera island that houses a quad-camera setup consisting of a 48MP main camera, an 8MP ultra-wide angle, 2MP macro, and 2MP depth sensor. In the teardrop notch on the phone’s front display is a 32MP selfie camera. The phone is available in two colour selections: Fancy Sky and Knight Black. Last but not least, it also has a 3.5mm jack on top.
Aside from the S1 Pro’s specifications and launch date, Vivo has not disclosed its price just yet. Stay tuned to our website once the phone officially lands in Malaysia next month.
(Source / Images: Vivo)


Implementation:
- Reduce cost and improve management - Auto order import and order dispatch with exception monitoring.
- Complete transport management system - Freight forecast, track & trace, and exception monitoring.
- Accurate and efficient billing management system - On-time delivery of billing and KPI statements.
Transportation management：
- Responsive service rating and feedback system - Including driver handshake and driver feedback.
- Driver and consignee APPs provide a true B2C experience - Kaka for drivers, and Daonale for consignees.
- Intelligent and customized BI reporting - Proprietary datacenter with customized dashboard and reports.
Strategies and policy decisions：
- Multi angle analysis and tailored logistics benchmarks - Customized dashboard including reports and graphs.
- Full transparency with End2End visibility through multi-layer connectiviity - Real time track & trace and ePOD.
- Lower TCO and higher ROI - Fast implementation through our cloud-based platform.


A time I got stuck and how I solved it:
During this sprint I got stuck on a looping exercise it was a fairly simple problem that I had created myself by adding an unnecessary ‘=’ into my code I spent an hour trying to fix the problem by altering code and searching the internet to no avail which stressed me out. I then got a peer to help me and they spotted my problem and helped me fix it resulting in the whole code working, i learnt that i should ask for help when needed and proofread my code.
Problem solving techniques:
I'm fairly confident in using most of the problem solving techniques each of them are very useful to use when working through tasks and each are unique at solving different problems. I especially find using google to be useful as if there's a problem its likely been solved before and posted on the internet, also seeking help from peers and coaches is very useful as you can work through it together and figure out what the problems are.


Please enter the OTP to varify your account
A One-Time-Password has been sent to : {{email}}
{%csrf_token%}
{% if status == False %}
{{message}}
{%endif%}
Validate


Try adding some image files
Image files can be added under the /Web/Media/{{inputConfiguration.trimmedName}} folder, Create a folder if it does not exist.
Size
Repeat
Positioning left to right
Positioning top to bottom
{{ script.scriptName}}


If I were to describe my work profile in just two words, they would be ‘Ideate’ and ‘Innovate’.
I am a Master of Computer Science student at the University of Victoria under the supervision of Dr. Neil Ernst. My Current research focus is towards leveraging bots to improve software engineering practices and to improve developer productivity.
Prior to joining UVic, I was a Senior Software Engineer at L&T Infotech Ltd. (LTI), Mumbai. At LTI, I gained over 3 years of rich experience in delivering innovative IT Solutions in Enterprise Mobility, Virtual Assistants, Chatbots and Web Development.
I completed my Bachelor's in Computer Engineering from the University of Mumbai with distinction in 2016 and was adjudged the Best Outgoing Student for Technical Excellence at DBIT.
I am excited to be at the crossroads of human civilization as we throttle full speed towards an AI centric future. My passion for Machine Learning, Natural Language Processing and Deep Learning, drives me to delve deeper into these technologies so that I can meaningfully contribute to the unfolding changeover.
I love traveling and witnessing different cultures. I am also an avid reader.
JavaScript, R, Python, Java, Typescript, C, C++, Octave
Android, Ionic Framework, Flutter, Oracle JET, Oracle MCS
UiPath
Adobe Photoshop, R Studio, Android Studio, LaTeX
NodeJS, Angular, PHP, Firebase, Spring, Hibernate, Bootstrap, WordPress
Amazon Alexa, Google Assistant, API.AI, Oracle Intelligent Bot
MySQL, Oracle, SQLite


Next: readtable-case, Previous: read-delimited-list, Up: Reader Dictionary
read-from-string
string &optional eof-error-p eof-value
&key start end preserve-whitespace
⇒ object, position
string—a string.
eof-error-p—a generalized boolean. The default is true.
eof-value—an object.
The default is nil.
start, end—bounding index designators of string. The defaults for start and end are 0 and nil, respectively.
preserve-whitespace—a generalized boolean. The default is false.
object—an object (parsed by the Lisp reader) or the eof-value.
position—an integer greater than or equal to zero, and less than or equal to one more than the length of the string.
Parses the printed representation of an object from the subsequence of string bounded by start and end, as if read had been called on an input stream containing those same characters.
If preserve-whitespace is true, the operation will preserve whitespace_2 as read-preserving-whitespace would do.
If an object is successfully parsed, the primary value, object, is the object that was parsed. If eof-error-p is false and if the end of the substring is reached, eof-value is returned.
The secondary value, position, is the index of the first character in the bounded string that was not read. The position may depend upon the value of preserve-whitespace. If the entire string was read, the position returned is either the length of the string or one greater than the length of the string.
(read-from-string " 1 3 5" t nil :start 2) ⇒ 3, 5 (read-from-string "(a b c)") ⇒ (A B C), 7
If the end of the supplied substring occurs before an object can be read, an error is signaled if eof-error-p is true. An error is signaled if the end of the substring occurs in the middle of an incomplete object.
‘read; read-preserving-whitespace’ , read-preserving-whitespace
The reason that position is allowed to be beyond the length of the string is to permit (but not require) the implementation to work by simulating the effect of a trailing delimiter at the end of the bounded string. When preserve-whitespace is true, the position might count the simulated delimiter.
Next: readtable-case, Previous: read-delimited-list, Up: Reader Dictionary


Review: Star Wars: Episode I --The Phantom Menace (1999)
Rating: 3 stars (out of 4.0) ******************************** Key to rating system: 2.0 stars - Debatable 2.5 stars - Some people may like it 3.0 stars - I liked it 3.5 stars - I am biased in favor of the movie 4.0 stars - I felt the movie's impact personally or it stood out ********************************* A Movie Review by David Sunga
Directed by: George Lucas
Written by: George Lucas
Starring: Liam Neeson, Ewan McGregor, Jake Lloyd, Ahmed Best, Natalie Portman
Synopsis: In Phantom Menace the galaxy is divided into power groups whose interests will inevitably collide in later sequels. There is an overarching galactic United Nations-type organization called the Senate presided by a weak Chancellor. Within the senate two camps are at odds: a bickering, isolationist alliance called the Republic and their aggressive rival the Trade Federation. Preserving law and order are a council of Jedi Knights who are meanwhile searching for a prophesied chosen one of virgin birth. Manipulating events behind the scenes is a dangerous, reemerging clan called the Dark Lords of Sith, so shadowy and secretive that they comprise a "phantom" menace.
Jedi knight Qui-Gon Jinn (Liam Neeson) and his apprentice Obi-Wan Kenobi (Ewan McGregor) witness an invasion of teenage Queen Amidala's home planet Naboo and befriend a Gungan named Jar Jar (Ahmed Best). On the desert planet of Tatooine the two Jedi, Jar Jar, and Amidala (Natalie Portman) attend a lengthy drag race involving the young boy Anakin Skywalker (Jake Lloyd). The five protagonists try to solicit help for freeing Naboo by visiting the city planet of Coruscant where a lot of debate and political maneuvering takes place. Can they free Amidala's helpless planet?
Opinion: On TV last night I watched young, wannabe celebs pay $400 a ticket and come running out of theaters to bask in front of news cameras, gushing with testimonials of The Phantom Menace's greatness in exchange for a few seconds of being on national television. Given this kind of media mania I wondered if Phantom Menace, the most anticipated movie of 1999, could possibly live up to the extraordinary hype that preceded it. Does Phantom Menace match the exaggerated hype? Director George Lucas answers, "It's only a movie."
To me, any movie with Russian-sounding accents for bad guys, Jamaican accents for good guys, and Middle Eastern-sounding accents for seedy gamblers accents can be expected to be more tongue in cheek than profound.
Visually, Star Wars: Episode I --The Phantom Menace (1999) is a kid show where parents can take their young ones to marvel at child-friendly CGI characters and wondrous backdrops even if the character dialogue (mostly geopolitics) is beyond the level of children. It is left to parents to patiently explain the conversation: droid origins, family lineage, the definitions of terms like blockade, appeasement, federation, alliance, symbiosis, satellite-controlled robots et cetera. At least this much is clear: there's plenty of eye candy, and in the last few minutes it's good guys and Joe Camel lookalikes versus a caped, horned red devil character and his mechanical hordes.
Weaknesses: Weaknesses lie in the writing and in the performance. At first it seems like the film is to be an invasion story, but then Phantom takes an hour-long detour to cover one chariot race before returning to the invasion theme. This dilutes the central story. Additionally, smaller scenes seem written self consciously, as if they were added more to fill us in on extraneous background information for other movies rather than form an integral part of the present movie. Veteran actors Liam Neeson and Ewan McGregor noticeably outperform the other acting leads. Better ensemble chemistry between the five leads and background information that is central to a tight story line could have made have given Phantom stronger performances and storytelling punch.
Strengths: On the bright side Phantom Menace as a big-budget production is far ahead of the competition in terms of making whimsical creatures, worlds and vehicles appear real. The film boasts sophisticated, top-of-the-line visuals and quality exotic costumes, a musical score entertaining enough to stand alone, and three worthwhile sequences in the second half.
Bottom line? Seeing the film is entertaining and informative, like a visual theme park with Star Wars filler information serving as dialogue between impressive money shots. We are bound to be completely inundated by Star Wars publicity, music and tie-ins for the next few months.
Reviewed by David Sunga May 19, 1999
Copyright © 1999 by David Sunga This review and others like it can be found at THE CRITIC ZOO: http://www.criticzoo.com email<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Sign Up for Evolve Fitness Journal
Email address
Password
Error:
Sign Up
Already a member?
Log in
here
!


--- layout: post title: Top Screen sharing tools permalink: top-screen-sharing-tools/ permalink: date: 2013-05-09 14:46:03.000000000 +08:00 categories: - howto tags: - how to share my screen - screencaps sharing - share screen online status: publish type: post published: true meta: _edit_last: '2' _thumbnail_id: '991' _wpas_done_all: '1' _wpas_skip_1611607: '1' _wpas_skip_2452381: '1' _wpas_skip_2203490: '1' _wpas_skip_2452385: '1' dsq_thread_id: '3483520890' cleaned: true ---
1. Join.me
Pros: supports remote access, supports multi-user
Cons: requires a client software to be installed
2.Google Hangout
Pros: supports multi-user
Cons: requires a google account
3. LogMeIn
Pros: secured connection
Cons: requires a paid account (for advance features)
4. Jing
Pros: easy to use
Cons: screenshots you upload has expiration date
5.Awesomescreenshot
Pros: easy to install in browser extension (no seperate software to install)
Cons: could hang your browser
6. CamStudio
Pros: unlimited video/images to capture
Cons: doesn't offer cloud storage
7. Skype
Pros: offers multi-user, privacy
Cons: requires a paid account


I've chosen a random number between 1 and 100. To win the game, you must correctly guess this random number in 10 turns or less. I will let you know if your guess was too high or too low. Good Luck!!!


--- ---
In celebration of Casual ARMS' one year anniversary, we're selling a limited run of Casual ARMS wristbands! Made of knitted cloth with a resilient, embroidered logo, and priced at $10 (US) we've got our first set of merchandise for you to celebrate a full year of the good times.
To purchase one of these for yourself, please contact @Rashiko directly via DM in the Discord server. You will need to provide your address and inform him how many wristbands you want to purchase and will then receive a link to pay for your wristbands through PayPal via DM.
This product is available to members of all regions worldwide, so don't hesitate to order one while supplies last! All proceeds will go directly to funding future merchandise projects like this one.
{% include footer.html %}


# Haml
Haml is a templating engine for HTML. It’s are designed to make it both easier and more pleasant to write HTML documents, by eliminating redundancy, reflecting the underlying structure that the document represents, and providing elegant, easily understandable, and powerful syntax.
## Using
Haml can be used from the command line or as part of a Ruby web framework. The first step is to install the gem:
gem install haml
After you convert some HTML to Haml, you can run
haml document.haml
to compile them. For more information on these commands, check out
haml --help
To install Haml in Rails 2, just add `config.gem “haml”` to `config/environment.rb`. In Rails 3, add `gem “haml”` to your Gemfile instead. and both Haml and Sass will be installed. Views with the `.html.haml` extension will automatically use Haml.
To use Haml programatically, check out the [YARD documentation](haml-lang.com/docs/yardoc/).
## Formatting
The most basic element of Haml is a shorthand for creating HTML:
%tagname{:attr1 => 'value1', :attr2 => 'value2'} Contents
No end-tag is needed; Haml handles that automatically. If you prefer HTML-style attributes, you can also use:
%tagname(attr1='value1' attr2='value2') Contents
Adding `class` and `id` attributes is even easier. Haml uses the same syntax as the CSS that styles the document:
%tagname#id.class
In fact, when you’re using the `
#foo Hello!
becomes

Hello!

Haml uses indentation to bring the individual elements to represent the HTML structure. A tag’s children are indented beneath than the parent tag. Again, a closing tag is automatically added. For example:
%ul %li Salt %li Pepper
becomes:

Salt

Pepper

You can also put plain text as a child of an element:
%p Hello, World!
It’s also possible to embed Ruby code into Haml documents. An equals sign, `=`, will output the result of the code. A hyphen, `-`, will run the code but not output the result. You can even use control statements like `if` and `while`:
%p Date/Time: - now = DateTime.now %strong= now - if now > DateTime.parse("December 31, 2006") = "Happy new " + "year!"
Haml provides far more tools than those presented here. Check out the [reference documentation](beta.haml-lang.com/docs/yardoc/file.HAML_REFERENCE.html) for full details.
### Indentation
Haml’s indentation can be made up of one or more tabs or spaces. However, indentation must be consistent within a given document. Hard tabs and spaces can’t be mixed, and the same number of tabs or spaces must be used throughout.
## Authors
Haml was created by [Hampton Catlin](hamptoncatlin.com) (hcatlin) and he is the author of the original implementation. However, Hampton doesn’t even know his way around the code anymore and now occasionally consults on the language issues. Hampton lives in Jacksonville, Florida and is the lead mobile developer for Wikimedia.
[Nathan Weizenbaum](nex-3.com) is the primary developer and architect of the “modern” Ruby implementation of Haml. His hard work has kept the project alive by endlessly answering forum posts, fixing bugs, refactoring, finding speed improvements, writing documentation, implementing new features, and getting Hampton coffee (a fitting task for a boy-genius). Nathan lives in Seattle, Washington and while not being a student at the University of Washington or working at an internship, he consults for Unspace Interactive.
If you use this software, you must pay Hampton a compliment. And buy Nathan some jelly beans. Maybe pet a kitten. Yeah. Pet that kitty.
Some of the work on Haml was supported by Unspace Interactive.
Beyond that, the implementation is licensed under the MIT License. Okay, fine, I guess that means compliments aren’t required.


Working with the medical device company
UNYQ , we created a new type of SLS printed scoliosis brace design.
UNYQ's mission is to fight against the stigma associated with wearing a medical device by infusing a sense of uniqueness in every product.
We improved upon their design process, by utilizing all the opportunities additive manufacturing affords to create an appealing, breathable and
lightweight solution.
Press Release: Scoliosis Brace
Typical scoliosis braces are shaped based on the patients body and unique spine curvature. The brace is typically thermoformed on a mold, making
it inconvenient to add patterns and remove excess material.
Then, rather than place the pattern of the brace randomly on the surface, we did another FEA to locate areas under less stress
and introduced porosity.


@(message: String) @main("Mandeep Raj Shrestha") {
<input>
s onlyAvoid using <select>
elements here as they cannot be fully styled in WebKit browsers.
Avoid using <textarea>
elements here as their rows
attribute will not be respected in some cases.
PHP Developer
Java Trainee > Junior Java Developer


Step five: combining what you've learned in the last two steps, encoding at once the structure of the next measure and the second note of the example.
In the editor below, add another <measure>
element (@n="1"
) with staff (also @n="1"
) and with layer next to the existing pickup measure. Add the second note of the example (a quarter note e flat 4) to this new measure. Don’t worry about the measure's content being too short in the given time signature – you’ll fill it in in the next steps.
PS: The encoding will be rendered as soon as you will have entered the new note.


Install via NPM.
npm install rocket-button
Note that this module has a dependency Rocket Tools (28kb) which will automatically be installed as well.
Start by including the necessary files.
 <link href="node_modules/rocket-button/css/button.min.css" rel="stylesheet" type="text/css">
Now class your button with modifiers to gain the desired effect. For example:
<button class="mod-button _mod-style-line-red _mod-size-large">Example Button</button>
Instead of including the CSS file above, you can import the SASS file and create your own button styles. See an example below:
@import "node_modules/rocket-button/build/sass/import"; .btn-primary, .btn-secondary { @include mod-button-setup; @include mod-button-shape(rounded); @include mod-button-size(normal); } .btn-primary { @include mod-button-style(line, black); @include mod-button-size(large); } .btn-secondary { @include mod-button-style(flat, white); }
If you want to enable a button loader then you will need to execute the following Javascript. Start by including the necessary files.
 <button id="button-loader" class="mod-button _mod-style-flat-blue">Button Loader</button> // Include the scripts
If you want to enable button drop downs then you will need to execute the following Javascript. Start by including the necessary files.

 Drop-Down Default

Link 1

Link 2

Link 3

 // Include the scripts
Flat Buttons
White Grey Black Aqua Blue Green Orange Pink Purple Red YellowGradient Buttons
White Grey Black Aqua Blue Green Orange Pink Purple Red YellowLine Buttons
White Grey Black Aqua Blue Green Orange Pink Purple Red YellowFor a more detailed look into the available options, you can read the documentation at https://github.com/chrishumboldt/Rocket-Button


>From : Barrister. Kenny Martins Kindest Attention, Firstly, not to cause you embarrassment, I am Barrister. Kenny Martins, a Papua New Guinean by Nationality, a Barrister based in the United Kingdom and the personal attorney to late Mr. Mark Michelle a National of France, who used to be a private contractor with the Shell Petroleum Development Company in Saudi Arabia, herein after shall be referred to as my client. On the 21st of April 2001, he and his wife with their three children were involved in an auto crash; all occupants of the vehicle unfortunately lost their lives. Since then, I have made several enquiries with his country's embassies to locate any of my clients extended relatives, this has also proved unsuccessful. After these several unsuccessful attempts, I decided to contact you with this business partnership proposal. I have contacted you to assist in repatriating a huge amount of money left behind by my client before they get confiscated or declared unserviceable by the Bank where this huge deposit was lodged. The deceased had a deposit valued presently at GBP30 million British Pounds Sterling and the Bank has issued me a notice to provide his next of kin or Beneficiary by Will otherwise have the account confiscated within the next thirty official working days. Since I have been unsuccessful in locating the relatives for over three years now, I seek your consent to present you as the next of kin / Will Beneficiary to the deceased so that the proceeds of this account valued at GBP 30 Milliom British Pounds Sterling can be paid to you. This will be disbursed or shared in these percentages, 70% to me and 30% to you.I have all necessary legal documents that can be used to Back up any claim will be obtained From the Court of England with the Certificate Of Deposit which has been issued to me by the Bank. All I require is your honest Co-operation,Confidentiality and Trust to enable us see this project through. I guarantee you that this will be executed under a legitimate Arrangement that will protect you from any breach of the law. All the relevant documents that will give you the legal backing to claim the fund will be processed. Please acknowledge receipt of this message by e-mail. As I am based in the United Kingdom. And please provide me the following below; this is to enable me commence immediate preparation of all legal document that will back up our claim. 1. Full Name 2. Your Telephone Number and Fax Number 3. Your Contact Address. Your urgent response will be highly anticipated and appreciated. Best regards, Barrister. Kenny Martins.


|
|
Goer Options
Syntax
- # comment
- #!goer
- If you want to load a script from a url, it should start with #!goer so we know we've hit the right url.
- mark <name> <url>
- Create a bookmark with the given name, that opens the given url. In order to use a bookmark, type either '<name> or `<name> to open the url in the current, or in a new tab.
- mark <name> <context> <url>
- Create a contextual bookmark that only takes effect when the current tab's URL matches the context. The destination can contain
$1 through $9 , allowing precise mappings between sets of urls.
- In the case that multiple locations match the current one, the first defined is used.
- search <name> <url>
- Create a search enging with the given name that replaces the
$1 in the URL by the search term. Type \<name> to start searching, and then either select, type or click on the word you wish to search for.
- load <url>
- Load a goer script from the url, it must start with
#!goer .
Help
For more information, try the README on GitHub.
|


{{ globals }}
Deno Visualizer:
README Shields
Badges for {{ module_url }}
{{ github_corner }}
Type
Preview
Markdown
Notes
Dependency Count
Just a number. Count of all packages, including deps-of-deps. Doesn't actually count individual files unlike 'deno info'.
Dependency Updates
Replicates https://david-dm.org/. Color coded by what % of immediate deps are at the latest version. I give a leniency for /std - any of the last 5 versions is fine. Also checks `npm audit` if you have any NPM packages in the import tree, and will be red if any important vulnerability is reported.
Cached size
Just a file size, showing the 'total' source source from 'deno info'.
Latest /x/ version
Only applicable to deno.land modules


By using the Image drawing object you
can easily add a watermark to your charts. With the
image drawing object it means that you can even add mouseover
or click
events to it, or even a tooltip.
<script src="RGraph.common.core.js"></script> <script src="RGraph.common.dynamic.js"></script> <script src="RGraph.common.tooltips.js"></script> <script src="RGraph.drawing.image.js"></script> <script src="RGraph.bar.js"></script>Put this where you want the chart to show up:
<canvas id="cvs" width="600" height="500"> [No canvas support] </canvas>This is the code that generates the chart - it should be placed AFTER the canvas tag(s):


UPGRADES
INVENTORY
ITEMS
Filter
Rarity
{{rarity}}
Type
{{type}}
Sort By
{{sort}}
{{item.stackSize}}
1
Gold:
{{upgradePoints | number : '1.2'}}
{{upgrade.name}}
LVL: {{upgrade.level}}
DPS: {{calculateDamage(upgrade.level, upgrade.baseDamageMultiplierPercentage, upgrade.baseDamage, upgrade.additionalDamage) | number : '1.2'}}
Cost: {{calculateCost(upgrade.level, upgrade.baseCostMultiplierPercentage, upgrade.baseCostToUpgrade) | number : '1.2'}}
UPGRADE
{{itemOverlay.name}}
{{itemOverlay.stackSize}}
LVL: {{itemOverlay.level}}
UPGRADE
SELL
{{itemOverlay.unlockAmount}}
Protection
{{itemOverlay.protection}}
Prot
Multiplier
{{itemOverlay.protectionMultiplier}}
Cost
Multiplier
{{itemOverlay.costMultiplier}}
Cost to
Upgrade
{{itemOverlay.cost}}
UNEQUIP
EQUIP
{{itemOverlay.reason}}


Sheldon Cooper
Modern Day Genius
Things to know about Shelly...
- He was born and raised in Galveston, Texas.
- His mother is an overtly devout Evangelical Christian and his father is an alcoholic who was never around.
- Sheldon was bullied by classmates and neighbors as a child, in part due to his status as a child prodigy...his behavioral quirks and lack of humility may have also played a role.
- He is extremely fond of comic books...and costumes, roleplaying games, video games, card games, games, games, and games, action figures, fantasy, and most importantly Star Trek.
- Has difficulty with friendship and emotions due to his massive intelligence and the resulting lack of social skills.
- A Theoretical Physicist working mainly with String Theory.
"Scissors cuts paper, paper covers rock, rock crushes lizard, lizard poisons Spock, Spock smashes scissors, scissors decapitates lizard, lizard eats paper, paper disproves Spock, Spock vaporizes rock, and as it always has, rock crushes scissors."
The Lizard-Spock Expansion


Chelsea FC’s Tammy Abraham names Arsenal legend as footballing idol
Chelsea FC striker Tammy Abraham explains why Thierry Henry was one of his biggest footballing idols
by The Sport Review staffTammy Abraham has revealed that he considers Arsenal legend Thierry Henry to be one of his biggest footballing idols.
The Chelsea FC striker has been earning lots of praise for the impressive form he has shown this season since being handed a regular run in the first team by Frank Lampard at Stamford Bridge.
Abraham has scored 10 goals and made two assists in 12 Premier League games for Chelsea FC this season, with Lampard opting to give the young striker a chance to impress in the Blues team.
The 22-year-old has also scored once and made one assist in four Champions League games for the west London club this season.
Abraham is looking to write his name into Chelsea FC folklore as he bids to continue his fine form for the Blues.
And the striker has now revealed that he idolised Arsenal legend Henry while growing up.
Speaking in an interview quoted by Metro, Abraham said: “He [Henry] was one of my biggest idols growing up.
“I loved his style, the way he played and the way he carried himself on the pitch.
“I even loved his goal celebrations! They were really cool and he’s just someone I’ve always looked up to.”
The striker also pointed to Cristiano Ronaldo as being an influence on his career.
He added: “The other player would be Cristiano Ronaldo. I’ve grown up loving him and it’s amazing that he’s still going strong today.
|He’s hardworking and so professional. He looks like a nice guy, even though I’ve never actually met him myself, and he looks like the sort of person that just wants to win, which is a mentality I have.”
Chelsea FC will return to Premier League action after the international break when they take on Manchester City away from home next weekend.
The Blues are currently third in the Premier League table as they seek a top-four finish this season.


VIRGIN SUICIDES (director/writer: Sofia Coppola; screenwriter: based on the novel by Jeffrey Eugenides; cinematographer: Edward Lachman; editor: James Lyons/Melissa Kent; cast: James Woods (Mr. Lisbon), Kathleen Turner (Mrs. Lisbon), Kirsten Dunst (Lux Lisbon), Hanna Hall (Cecilia Lisbon), Chelse Swain (Bonnie Lisbon), A. J. Cook (Mary Lisbon), Leslie Hayman (Therese Lisbon), Danny DeVito (Dr. Horniker), Josh Hartnett (Trip Fontaine), Giovanni Ribisi (the Narrator), Michael Paré (Trip Fontaine '97); Runtime: 97; Paramount Classics; 1999)
Reviewed by Dennis Schwartz
An artistically moody puzzler built around the mystery of five sisters in a wealthy small Michigan suburban town who committed suicide twenty five years ago (the story takes place in the 1970s, as evidenced by the background music of Styx and Electric Light Orchestra). The film is narrated offscreen by Giovanni Ribisi, as an adult looking back at that time with all the physical evidence the locals collected about the girls. The recollections of the girls is by their boy classmates, the ones who lusted after their dream girls and their perceptions are admittedly drawn from their limited experiences with the girls and from anything they found in the girls's house afterwards, such as Cecilia's diary and photos of the girls. It is richly adapted from a Jeffrey Eugenides novel by director Sofia Coppola.
The film is an evocative visual depiction of a typical suburban family and community. It dwells on the sadness found under all the attractive girls's smiling faces, leaving one with a lingering feeling of helplessness about their situation. Adolescence is scrutinized by Sofia Coppola in a cinematically crafted manner, finely inspired by what we think we remember about that age when looking back at it, with the implication that the girls at that time knew more about the boys than the other way around. The boys, except for one, are insecure and clumsy around the girls.
Edward Lachman's photography has a mesmerizing look to it, as he seems to have his camera covered with a filter to make the shots appear fuzzy, which complements a story that can't be completely put together because we don't know the answers as to why the girls' did what they did. All we are left with are some clues to what set the tragedy off and our mind associations take over as we are left trying to rationalize what we can't understand.
The first Lisbon girl to go the suicide route was the lovely but unhappy youngest one, the 13-year-old, Cecilia (Hanna Hall), who first attempts suicide by jumping off her house roof onto a spiked fence but fails, and is sent to a shrink (Danny DeVito) for observation. To cheer her up, her very strict Catholic mother (Kathleen Turner) throws her a party in the house. At some point during the party, Cecilia retreats upstairs and succeeds in slitting her wrists.
The distraught father (James Woods), a math teacher in the high school, is viewed as a decent but unassertive weakling. He deals with the tragedy afterwards by watching a baseball game, unable to talk with the girls or the priest who came by to comfort the family.
With the girls back in school, the attractive and sexually inviting Lux (Kirsten Dunst) has the school's lady man, the handsome guy who walks with a swagger, Trip (Josh Hartnett), go wild over her. Their romance is hampered by Mrs. Lisbon not allowing her daughters to go out on dates alone. But Trip comes up with a plan so that all the girls can have dates with his friends and attend the high school homecoming dance together, where Mr. Lisbon will be the chaperone. The promise is made to return before curfew, but Trip and Lux get carried away with their passion for each other and make it on the football field, thereby breaking the curfew. But Trip leaves her alone in the field and will never see her again after that most perfect night, as he is now interviewed about her as an adult and says he liked her, she was his dream girl, and can't explain why he left her.
Mrs. Lisbon goes overboard on the punishment and the girls are indefinitely grounded from all activities and forced to remain home. The emasculated father is overwhelmed by all the women around him and retreats from the crisis he is facing at home, by saying nothing to his wife about the vindictive punishment dished out.
Within a year of the youngest Lisbon's death, the other four follow suit after sneaking out for a car ride into the early morning hours with the high school boys. The 15-year-old Bonnie (Chelse Swain), hangs herself; the 16-year-old Mary (A. J. Cook) sticks her head in the oven; the 17-year-old Therese (Leslie Hayman) does it by sleeping pills, and the narrator tells us the last one to go was the 14-year-old Lux, who handled her confinement by sneaking boys on the house roof for random sex, as viewed by the neighborhood boys with their expensive telescope.
Despite liking much about the film and respecting the eclectic approach the director used, I still found that this film wasn't talking to me. I felt I was asked to be a mourner at a once in a lifetime story that has the possibility to pop up some day on the TV news as one of those bizarre events that just happen without cause, but the story itself went no deeper than how the TV news would cover it. The exploration of the teens in their growing pains, their ordinary wants, and even in their grandeur, left me scratching my head at this allegorical tale, wondering how it was that the sunshine couldn't get inside them, why they were symbolically cut down in life like the diseased elm tree in front of their house was, where I could at least see the disease in the tree's yellow leaves. As for the girls, aside from their horribly repressed, overbearing mother, Where was the monster lurking in them that made them feel so despondent? I don't know how much of their futility I could see, as the more I thought about them, the more they seemed like ghosts than real people, and they all started looking like each other, so I couldn't distinguish one from the other, except for Lux, who for some reason in all her boldness and sexuality, couldn't find the strength to live. Which left me perplexed as to why the film thrived on not telling a complete story. If I tried to know more about the girls, I would only become like the shrink, giving off pat answers to something that was supposed to remain a mystery. I don't know if this is a good or a bad way for a film to leave the viewer, but I do know I felt something profound was missing here, as the film was more revealing about the boys and their idealization of the girls than it was about the girls and what they were really like. This seemed misplaced storytelling, since the girls' story should have been more compelling than the boys' awkward adolescent tale was. What I got out of the story was a peak at life in the suburbs and about awkward adolescent boys only looking at the girls through what they fantasized about them. What saves this film, is the innovative way the director filmed the story, covering up the fluff to make the story look deeper than it was.
REVIEWED ON 1/17/2001 GRADE: B-
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends "cinemaple_email_transactional.html" %} {% load static %} {% block message %}
Hello {{ firstname }},
Please verify your email address using the following link:
|
In case this does not work, can also copy this link into your browser:
{{ link }}
{% endblock %}


| Figure 1 |
Study area and major currents and rivers. Underwater picture ... |
| Figure 2 |
Occurrence points and Marine Ecoregions included in the stud ... |
| Figure 3 |
Suitable habitat for P. caribaeorum in the present. Details ... |
| Figure 4 |
Suitable habitat for P. caribaeorum for the year 2100 under ... |
| Figure 5 |
Habitat suitability map for P. caribaeorum. in the year 2100 ... |
| Figure 6 |
Habitat suitability map for P. caribaeorum. in the year 2100 ... |
| Figure 7 |
Map of potential habitat for P. caribaeorum in the year 2100 ... |


--- layout: post permalink: ohnuts!.html Tags: Array NameOfCoupon: Oh Nuts! Cash Back Summary: See our Oh Nuts! Coupon Code, Oh Nuts! Rebate, Oh Nuts! Promo Code, Oh Nuts! Discount, Oh Nuts! Coupon Cash Back Rebate here. MetaKeywords: Oh Nuts! Coupon Code, Oh Nuts! Rebate, Oh Nuts! Promo Code, Oh Nuts! Cash Back Rebate, Oh Nuts! Discount, Oh Nuts! Coupon Image: images/15600.gif LinkURL: http://www.shareasale.com/r.cfm?b=107666&u=412002&m=15600 affiliate_url_link: http://www.icouponblog.com/jane.php?id=1212 thesis_readmore: See the Oh Nuts! Coupon thesis_thumb: http://www.icouponblog.com/tn.php?merchantURL=ohnuts.com Title: Save 0.5% - Oh Nuts! Coupon Code for ohnuts.com. Oh Nuts! Rebate & Discount thesis_description: Our Oh Nuts! Discount Coupon Code for ohnuts.com. We have the best Oh Nuts! Rebate anywhere. thesis_keywords: Oh Nuts!, Oh Nuts! Coupon Code, Oh Nuts! Discount, Oh Nuts! Rebate product_name: Oh Nuts! hop_url: http://www.icouponblog.com/hop.php?id=1212 ---
Buy premium quality nuts, chocolates, dried fruits and kosher gift baskets from the best place on the web. www.ohnuts.com is the place to be if you will settle for nothing less than the best. Go nuts for nuts. www.ohnuts.com carries the freshest. the best tasting nuts that money can buy. Buy in bulk and save money. You can also buy healthy snacks. All items are low priced and great tasting. Check it out online at www.ohnuts.com. Use our discount coupons to save money.
If you are nuts about nuts, you are in luck! www.ohnuts.com is the best place to buy nuts and candies, gift baskets, dried fruits and lots more. check it out online. You will get the best products from them. You can buy candy by color, flavor or occasion. Nuts are great for your health. Eat a small portion of nuts everyday for health benefits. Walnuts are known to curb appetite. That is a handy tip if you are trying to lose weight. Buy all kinds of nuts at a great amazing price at www.ohnuts.com.
Shop at www.ohnuts.com for delicious nuts including Macadamia nuts, cashew, pistachios and lots more. You can also buy baking supplies, candies by the color, taste and price. They are delicious. www.ohnuts.com carries a large supply of dried fruits, chocolates and candy. Get beautiful gift baskets and your friends will love the delicious taste of all the products. Use our coupons to save money.


@* * This template takes a single argument, a String containing a * message to display. *@ @(message: String)(implicit request: RequestHeader) @* * Call the `main` template with two arguments. The first * argument is a `String` with the title of the page, the second * argument is an `Html` object containing the body of the page. *@ @main("Twitter Stream") {
}


As part of an excercise for DYL: "Designing your Life", I'm maintaining a "block journal" to describe when I get blocked during this week, what type of block that is (according to Jim Adam's Conceptal Blockbusting), and how that block feels:
Friday (1/16)
At PennApps and we're at a brainstorming block trying to decide what to build. Caught between the tension of procuring a "flashy demo" vs. solving a meaningful problem. As more of a perceptual block, I think the issue here was trying to be mindful of the practical limitations that we had given the time constraints while working to build something substantial over the course of the weekend. I personally felt a little light-headed and lost in the world of possibilities that we were exposed to.
Saturday (1/17)
Still at PennApps, and I'm stuck on figuring out where to begin with the application that we're working together on. This is probably more of an intellectual block, and it feels sort of like an itch that I can't quite scratch. Though we're all talented and not very choosey engineers, it's hard to decide on an idea that we feel would be worthy of working on for 36 hours. Taking some cues from design thinking, it would probably would have been worth the time to spend a good deal of time just brainstorming before the hackathon.
Sunday (1/18)
Blocked deciding what to write on for my CS181W course. This feels like an intellectual block because though I feel like I can easily learn enough to write and understand the technical details of any bug really. However, it's hard to decide on a problem that would be substantial enough outisde of technical details to talk about other social and cultural impacts of the bug.
Monday (1/19)
Blocked on actually doing work...I think this is more of an emotional block. I think a change of scenary might help - I tend to not do a ton of work in my dorm room. The palpable feeling now is more of a tastelessness or grayness that seems to pervade the senses.
Tuesday (1/20)
Blocked on how to narrow and focus more pointedly in my paper for CS181W - how do I refine and polish a rough draft effectively. The jagged nature of the paper and the inability to cut material makes it hard for good ideas to sieve through and for a cohesive flow to materialize out of the piece of writing.
Wednesday (1/21)
Blocked on deciding whether to drop a class (CS193P). The palpable feeling here is a shakiness or hesitation probably rooted in what Jim Adams would describe as an emotional block. Despite the hesitation, I begrudlingly know in my hearts of hearts that the right thing to do is to make more time for other classes and commitments.
Thursday (1/22)
Blocked on deciding exactly how to approach this next research project dealing with some more serious AI and NLP knowledge that I've been previously privy to. It's an intellectual block that sort of makes me feel a little underprepared and underwhelmed to take on the next step in the process. I'm determined to get over the block just by trying to use the open-source tools that the research provides and getting used to the conceptual parts through the practical side of coding something up.


The Sample Ratio Mismatch (SRM) test can be used to detect a wide variety of data quality issues that may affect online experiments (aka A/B tests). Only expected proportions and observed sample counts are required as input for this procedure, so this test can be used even in cases where experimenters only have access to summary statistics; such as when using third-party tools.
Expected ratios will be multiplied by {{ 1/sum_props }} so they sum to 1.
Warning. Possible sample ratio mismatch detected with {{ display_srm_p }}.
The observed sample size in treatment does not match the expected proportion of the total sample size.
This is an indicator for randomisation failure or missing data issues.
Comparative statistics may be invalid as a result.
No indication of sample ratio mismatch with {{ display_srm_p }}.


--- layout: post title: Google Maps links tags: - google - maps - tumble status: publish type: post published: true comments: true meta: _edit_last: '2' --- A bit late to the game, but to save me looking these up again, here are a couple of links with some great explanations on how to use the Google Maps API and the Geocoding functionality:
UPDATE Nick Tong sent through this link by email, which is specific to UK based Geocoding, however it also contains a wealth of additional information: UK Geocoding Now Available in the Maps API


Website Evaluation and Improvement Proposal: SEEK - May 2018
I assisted in a project for the Safe Environment for Every Kid organization, where we evaluated the current website, and developed a prototype for the new website. The project involved conducting research related to the current website, testing on the current site and our prototypes, making recommendations for a redesigned website, as well as recommendations for enhancements that can be made to the current site. Our full proposal can be found here.
For this project we:
- Created a content inventory
- Conducted a competitive analysis
- Ran user testing and treejack testing
- Conducted a search analysis
- Developed personas, scenarios and user journeys
- Recommended a new IA
- Used Balsamiq Wireframes to create an initial prototype
- Conducted usability testing on recommended IA and initial prototype
- Created a refined prototype, conducted more testing, made more improvements
- Developed and communicated strategies for accessibility, and both domestic and global business
- Presented our findings and provided data driven support for our final product


A sampling of some maps that I've made.
A map showing vacant homes in Baltimore that gained some notoriety. The dataset is a 2012 snapshot of the city's vacants data. The data was scrubbed with OpenRefine.
Go
Where to park your car when you can't find a spot on the street. Compiled from local knowledge and the Canton Neighbors Facebook Group.
Baltimore's address data translated for importing into OpenStreetMap. Part of the Baltimore OpenStreetMap buildings and address import.


Vision
Neovim is a refactor—and sometimes redactor—in the tradition of Vim, which
itself derives from Stevie.
It is not a rewrite but a continuation and extension of Vim. Many clones and
derivatives exist; some are very clever, but none are Vim. Neovim strives to be
a superset of Vim except for some intentionally-removed misfeatures. It is built
for users who want the good parts of Vim, and more.
Project Goals
- Provide a flexible, extensible Vim with a first-class, fast scripting alternative (luajit)
- Provide a consistent user experience across supported (G)UIs and platforms
- Leverage ongoing Vim development: harmony
- Maintain feature parity with Vim; avoid regressions
- Continue the Vim tradition of backwards compatibility, with few exceptions
- Keep the core small and fast
- Target all platforms supported by libuv
- Optimize out of the box, for new users but especially regular users
- Delegate to plugins, but preserve the utility of the editor core
- Ship lua as first-class scripting alternative
Project Non-Goals
- Turn Vim into an IDE
- Limit third-party applications (such as IDEs) built with Neovim
- Deprecate VimL
- Vi-compatibility
Guiding Principles
- Do Not Regress From Origin
- Decide outcomes by weighing cost and benefit
- Use automation to solve problems
- Enable new contributors: remove barriers to entry
- Unblock third parties and plugin authors: allow progress
- In matters of taste or ambiguity, favor tradition/compatibility...
- ...But prefer usability over tradition if the benefits are overwhelming
- Give usability a chance™
Long-term Goals
- Implement a POSIX Vi clone via the Neovim API


An app for the 10 year journal
Our Team
We are passionate about our work and share a common dream.
Ian Belknap
Project Lead
Bethany Surber
UX Designer
Cesar Aponte
Back End Architect
Bradley Peterson
Front End Architects
Sheila Eichenberger
Front End Architects
Zachary D. Lasky
Front End Architects
Marcos Lira
Front End Architects
Jonathan Calderaro
Marketing
Arielle Hollingsworth
Marketing
Evan Antunano
Marketing
Rashmi Poddar
Marketing


Med Detect is a machine learning automatic disease detection and user management system targetted towards hospitals and medical clinics, that enables them to instantly diagnose diseases such as malaria from blood samples, with a high accuracy. Our system collects basic information and an image, and then returns quick and accurate results. We use advanced machine learning algorithms to classify the user uploaded image into uninfected (normal) or parasitized (diagnosed with malaria), and then automatically generate a CSV medical report. We also have a patient data management system, as well as a data visualisation page.


{{ title }}
{% if account %} {% if questions %}{% trans %} Your account is successfully verified, and your question is now posted on the Mozilla community support forum.{% endtrans %}
{{ ngettext('See your question here:', 'See your questions here:', questions.count()) }}
-
{% for q in questions %}
- {{ q.title }} {% endfor %}
{% trans %} Sit back and relax. Our forum contributors will get back to you with an answer.{% endtrans %}
{{ _('While you wait') }}
{% trans %} Log in, so you can respond to your question when it is answered:{% endtrans %}
{% else %}{% trans %} You've confirmed your email address and activated your account! You can now log in, and go edit your profile.{% endtrans %}
{% endif %} {{ login_form(form) }} {% else %}{% trans %}We could not activate your account. Please make sure that you have clicked the correct link in your email or typed in the correct address.{% endtrans %}
{% endif %}


This is the JavaScript version of MicroPython, plus the LittlevGL bindings available at
https://github.com/littlevgl/lv_binding_micropython.
You can type your own Python code into the prompt in the usual way.
For examples, see the README for the MicroPython binding.
Copy/paste script here:


From Mark Zuckerberg biography we found out he was taught Atari BASIC Programming by his father, and when Mark was about 12, he used Atari BASIC to create a messenger, which he called “ZuckNet.” It made all the computers connected to each other and allowed to transfer messages between the house and dental office. His father installed the messenger on his computer in his dentist office, and the receptionist could inform him when a new patient arrived. Mark also enjoyed developing games and communication tools and as he said he was doing it just for fun. His father, Edward Zuckerberg, even hired a computer tutor David Newman, who gave his son some private lessons.
Also being at high school, Mark wrote an artificially intelligent media player Synapse for MP3-playlists that carefully studied the preferences of a user and was able to generate playlists ‘guessing,’ which tracks a user wanted to listen to. Microsoft and AOL got an unusual interest in Synapse media player and wanted to acquire it. However, the young talent rejected the offer of the IT-giants and then politely rejected their invitation to cooperate. Just like that, Mark Zuckerberg refused from dozens, maybe even hundreds of thousands of dollars, and work at one of the top IT-corporations.


GIL Blog
Logout
Hi
{{username}}
Goto
Home
{% if key %}
title:
{{key.title}}
{{key.date_created|timesince}}
comment
: {{key.description}}
written by:
{{key.author}}
Edit
Delete
{% endif %}


Run as Unix group: Default is 'nogroup' or 'squid' dependent on system. If the cache is run as root, it will change its effective/real group ID to this value.
Proxy authentication realm: Specifies the realm name which is to be reported to the client for proxy authentication (part of the text the user will see when prompted their username and password).
Cache manager email address: Default is 'webmaster' or 'root' dependent on system. Email-address of local cache manager who will receive mail if the cache dies.
Visible hostname: If you want to present a special hostname in error messages, etc, then define this. Otherwise, the return value of gethostname() will be used. If you have multiple caches in a cluster and get errors about IP-forwarding you must set them to have individual names with this setting.
Unique hostname: If you want to have multiple machines with the same Visible hostname then you must give each machine a different Unique hostname so that forwarding loops can be detected.
Cache announce host: Hostname where announcement messages will be sent. Find out more about cache hierarchies from The Squid FAQ. Defaults to 'tracker.ircache.net' when announcement is enabled by setting an announce period.
Cache announce port: Host port where announcement messages will be sent. Defaults to 3131 when announcement is enabled.
Announcement period: Frequency of announcements. Enable announcements to a cache heirarchy by setting this to '1 day'. The default is '0' which turns off announcement.


The Rocky Horror Picture Show (1975) Rating: 3.5 stars out of 5.0 stars
See this review as it was intended at: http://www.jaxfilmjournal.com/
Cast: Tim Curry, Susan Sarandon, Barry Bostwick, Richard O'Brien, Patricia Quinn, Nell Campbell, Meat Loaf, Charles Gray, Jonathan Adams, Peter Hinwood Written by: Jim Sharman and Richard O'Brien Directed by: Jim Sharman Running Time: 100 minutes
"Say, any of you know how to Madison?" --- Brad "Asshole" Majors (Barry Bostwick) shows just how unhip he is after watching the kooky Transylvanians wrap up their ode to the Time Warp in the cult classic The Rocky Horror Picture Show.
The story behind The Rocky Horror Picture Show is one of legend.  The result was the stage play The Rocky Horror Show, which opened to fairly decent reviews in London in 1973 and was even hailed the Best Musical of 1973 by prominent drama critics in England. The play was so successful that the film rights were immediately snapped up and production on the film began a mere year later, in October of 1974.
The film version (now titled The Rocky Horror PICTURE Show) was released in 1975... and immediately tanked at the box office. Whether it was because Fox wasn't quite sure how to market it to audiences or that audiences didn't quite know what to make of it themselves has never really been determined, but the one common bit of knowledge about the film was that it was a huge flop. It seemed that the infectious spirit brought about by the stage version had not been infused into the film version and Fox quickly had it pulled from theaters.
A year later, something entirely strange and magical happened. Prints of the film started to be distributed to theaters in small amounts and were circulating at midnight shows across the country, and it was then that a whole new audience found the film. This new audience was prone to dressing up like the characters from the film, acting out segments in front of the screen as the movie played, yelling rude comments at the screen, and just generally having a good time. Word quickly spread about this new phenomena of interactive film and The Rocky Horror Picture Show's life as the ultimate cult film was born.
For the virgins out there who are unaware, the plot centers around a loving couple, Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon), who come from a small town called Denton. Brad and Janet have just attended the wedding of two of their friends and decide that they also want to be wed. They plan a trip to see the man who led to their meeting, Dr. Everett Scott (Jonathan Adams, who played the narrator in the original stage version), but their car gets a flat on the way to his home. Remembering a castle they had seen back a few miles down the road, they decide to walk there and see if the residents have a phone they might be able to use to call for assistance.
The castle is actually the home of a race of aliens from the planet Transsexual (in the galaxy of Transylvania), who are lead by the eccentric fishnet-stocking wearing mad scientist Dr. Frank-N-Furter (Tim Curry). Frank-N-Furter has masterminded the secret to creating life and has done so in the form of Rocky (Peter Hinwood). As Rocky becomes accustomed to his new environment, Brad and Janet find themselves at the mercy of Frank-N-Furter's mad schemes. Little do any of them know that the doctor's handyman, Riff-Raff (original author Richard O'Brien), and domestic, Magenta (Patricia Quinn), are actually Transsexual planetary protectors who have been sent to stop Frank from spreading his alien evil all over the Earth.
Going back and revisiting this film after ten years (1990 being the first time I had ever seen it), it is amazing to me that this film ever got made or has had the staying power that it has. If I had been a Fox executive around the time of its release, I don't think I would have known what to make of it either. For all intents and purposes it is a bad movie (though bad in a really good sort of way), but sumptuous production design and a great deal of incredibly catchy songs really help to increase the likability of the film. By the time the credits role, it is fairly easy to have gotten wrapped up in the film and its characters, and one really gets the feeling that Richard O'Brien definitely was a fan of the old cheesy B-movies his film is based on.
When I say that the wall-to-wall songs are catchy what I really mean to say is that, once you hear them, they will be ingrained in your head for all of eternity. It goes without saying that the "Time Warp" is the most popular song in the film. Even people who have never seen the movie know of that particular song. What those who haven't seen the movie don't know though, is that there are even more songs in the film that are just as worthy of acknowledgment. My personal favorite is "Over at the Frankenstein Place", but "Dammit Janet" is also maddeningly catchy. Tim Curry's vocals on the rocking tune "Sweet Transvestite" need to be heard to be believed. The finale of the film, a big floor show staged by Frank-N-Furter and featuring most of the cast in garters and fishnets (including Barry Bostwick... frightening!), features no less than four songs ("Rose Tint my World", "Don't Dream It", "Wild and Untamed Thing", and "I'm Going Home"), all of which are immensely singable.
The film's true popularity and longevity resides in its audience participation though. Despite the catchiness of the songs, this movie would have been long forgotten about if it hadn't have been for the multitude of folks who dress up every Friday or Saturday night to rush out and be a part of their own little floor show. Watching this film at home is nothing compared to actually experiencing this in a theater with hundreds of rabid fans (unless you don't mind inviting friends over and letting them shoot water guns in your home or letting them throw rice and pieces of toast all over the place).
Note: Director Jim Sharman brought back to the central characters of the film, in the form of a sequel, resulting in the very much forgotten film Shock Treatment, which picks up with Brad and Janet (this time played by Cliff De Young and Jessica Harper!) as contestants on a game show in their home town of Denton. The two are menaced by the evil TV station manager (also played by De Young), who wishes to claim Janet as his own. O'Brien returned as a writer/performer on the project (as did Quinn, Campbell, and Gray in performance capacity only), but the film had nowhere near the spirit of the original.
25 years later, this film is still the pinnacle of cult filmdom and is continuously screened at midnight all over the world. As a lasting testament to the longevity of the film and its legion of fans, a brand new special edition 2-disc DVD set has been released that is the most comprehensive compendium of Rocky Horror to date (even out shining the laserdisc special edition that was released for its 20th anniversary).
In an attempt to recreate the interactivity of the film, Fox Home Entertainment has released this wonderful 2-disc DVD set loaded with so many extras that it'll take a good eight hours just to take in the majority of it all. The film itself is located on the first disc and has been given a beautiful transfer that shows it in its original aspect ratio of 1.85:1 (enhanced for 16x9 televisions). The film is presented in two different versions, the US theatrical version and the UK version which adds a musical number during the finale called "Superheroes".
For ambitious viewers, the disc also includes a hidden version (located on the main menu by clicking left from the scene selection menu choice and highlighting a pair of lips in the lower left corner) which presents the film in the manner it was originally supposed to have been seen. Originally, the film was to have been similar to The Wizard of Oz, with the first half of the it seen in black and white (and not changing to color until the Transylvanians are first revealed to Brad and Janet during the Time Warp musical number). Most reports, including a documentary on the disc, say that the color was supposed to appear when Frank-N-Furter first shows up in the elevator, but it does seem to work better where it was placed on this version, depicting the vast difference between the world Brad and Janet were used to compared with the one to which they are introduced.
The film contains a commentary track by show creator (and faithful handyman) Richard O'Brien and co-star Patricia Quinn which is fairly enjoyable (and Quinn immediately starts off by refusing to speak about Sarandon nearly contracting pneumonia while having to walk around wet and half-naked on freezing cold sets, which she apparently complained about the entire film and in future interviews). The two seem like old friends and have great stories to tell, but they also point out cast members that are sadly no longer with us anymore (and there are quite a few).
Fox has also tried to recreate the feel of attending the film in a theater with several audience participation segments. The first feature (and the most simple) is a subtitle prompter which lets you know when to open up on people with your water guns or when the right time to throw your toast is. The second feature is an audience participation track, which lets you in on what you might hear on a good night out at the show. Most of the comments are unintelligible because it is basically just a large group of people screaming their heads off, but every once and a while a comment can be heard that will invoke a bit of laughter. The final participation segment uses a technology very much like the technology used on The Matrix DVD, where a pair of lips will appear on-screen during certain scenes of the film (mostly during the musical numbers) that can be selected by pressing enter on your remote. When selected, you will be taken out of the film and into a live participation version of the scene put on during one of the many screenings that occur all over the world. Once the segment is over, you are deposited right back into the film where you left off.
The first disc also contains a few DVD-ROM goodies for those with that particular type of DVD player. There is a timeline of the evolution from the stage play version to worldwide cult sensation, a video jukebox, a You Don't Know Jack-styled trivia game (which is about as bare bones a You Don't Know Jack parody as it can be), and a bizarre Mad-Libs styled word game known as Riff-Raff's Story Lab. Links to the Rocky Horror websites are also available from the DVD-ROM portion of the disc.
The second disc features even more goodies for the person who loves extras. Former lite-rock video channel turned music historians VH-1 have allowed some of their outtake footage from the "Behind the Music: Rocky Horror" special that they ran earlier in the year to be shown here, as well as a Pop-Up Video for the Meat Loaf-sung "Hot Patootie". The "Behind the Music" segments are all very interesting, especially Richard O'Brien's jaunt through the castle (which is now a hotel!) where the film was originally shot. There are also extensions of the Sarandon, Bostwick, Quinn, O'Brien, and Meat Loaf interviews.
As far as extras for the film itself go, there are two deleted musical numbers that are also included here. One of which is just the "Superheroes" number available in the UK version, but there is also another rare musical number presented here called "Once in a While". A series of alternate takes are also presented here, but none of them are really much of a revelation (except for the undressing scene in which we see that Patricia Quinn is having a hard time unbuttoning Barry Bostwick's pants). For the completist who must have every little bit of Rocky Horror paraphernalia, a misprinted end sequence and alternate credit sequence are also presented here. Rounding out the disc is a decent documentary called Rocky Horror Double Feature Video Show, two theatrical trailers (proclaiming that the film is "a different sort of Jaws"), a still gallery, and two sing-a-longs (for "Toucha Toucha Touch Me" and "Sweet Transvestite").
Fox's special edition is the DVD set that Rocky Horror fans have been waiting for all their lives ("You're lucky... I'm lucky... he's lucky... we're all lucky!"). It's not just amazing enough that tons of classic Italian films are finally getting their recognition in the U.S., but even long standing traditions are finally receiving their due on the wonderful DVD format. As with their excellent DVDs of The Abyss, Fight Club, Independence Day, and The Sound of Music, Fox shows that they have most certainly made the commitment to provide the things that DVD lovers want. I raise a toast to them (cue the throwing of the bread) as I cut out the lights, sit back, and watch those disembodied lips begin to sing about B-movie tradition. [R]
Reviewed by Brian Matherly -<EMAIL_ADDRESS>AOL Instant Messenger - Widescreen25 -- Chuck Dowling Editor in Chief - The Jacksonville Film Journal Specializing in DVDs, home video, cult favorites and the indie scene. http://www.jaxfilmjournal.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


2
1 On another day, the angels came again and gathered together in front of Yahweh; Satan also came again.
2 Yahweh asked Satan, "Where have you come from this time?" Satan replied, "I have come from the earth, where I have been traveling back and forth to see what is happening."
3 Yahweh asked Satan, "You have you noticed my servant Job, who worships me, have you not?
He continues to honor me; he is very exceptional, for he lives in a way that is more right than anyone else on the earth. He does this even though you persuaded me to attack him for no reason."
4 Satan replied to Yahweh, "He praises you only because you have helped him.
6 Yahweh replied to Satan, "All right, you may do to him whatever you like, but do not cause him to die."
 You should curse God, and then go ahead and die."
10 But Job replied, "You talk like people talk who do not know God. We should not only accept the good things that God does for us. We should also accept the bad things." So in spite of all these things that happened to Job, he did not offend God by saying anything against him.
11 Among Job's friends were Eliphaz from the town of Teman, Bildad from the land of Shuah, and Zophar from the land of Naamah. When they heard about all the terrible things that had happened to Job, they left their homes and went together to Job to mourn with him and to comfort him.
12 But when they saw Job from a distance, they almost did not recognize him. They wailed loudly, they tore their robes, and they threw dust into the air that settled on their heads. They did this to show how sorry they were for him.
13 Then they sat on the ground with Job for seven days. None of them said anything to him, because they saw that he was suffering greatly, and they did not think that anything that they could say would lessen his pain.


Michael Swigart
About
Portfolio
Contact
Contact Me using these links
Contact me
:
620-491-1827
click the icon to contact me on<EMAIL_ADDRESS>Find me on social media!
Download my Resume


Profile
About Me
About Me
A guessing game
Question
Your Response
Result
To use this site, please enable JavaScript.


Basic action button
Build a new list
Start from scratch and fine-tune with filters
This title should be so long that it wraps to a new line
Click me to open a permalink!
Action buttons inside sky-action-button-container
{{ button.header }}
{{ button.details }}


Search
Preparing search index...
The search index is not available
amongus-protocol
Options
All
Public
Public/Protected
All
Inherited
Externals
Menu
Globals
"lib/constants/Enums"
DisconnectID
Enumeration DisconnectID
Index
Enumeration members
Banned
Custom
Destroy
Error
Focus
Lost
Focus
Lost
Background
Game
Full
Game
Not
Found
Game
Started
Hacking
Incorrect
Game
Incorrect
Version
Intentional
Leaving
Invalid
Name
Kicked
New
Connection
None
Server
Full
Server
Request
Enumeration members
Banned
Banned
:
= 6
Custom
Custom
:
= 8
Destroy
Destroy
:
= 16
Error
Error
:
= 17
Focus
Lost
Focus
Lost
:
= 209
Focus
Lost
Background
Focus
Lost
Background
:
= 207
Game
Full
Game
Full
:
= 1
Game
Not
Found
Game
Not
Found
:
= 3
Game
Started
Game
Started
:
= 2
Hacking
Hacking
:
= 10
Incorrect
Game
Incorrect
Game
:
= 18
Incorrect
Version
Incorrect
Version
:
= 5
Intentional
Leaving
Intentional
Leaving
:
= 208
Invalid
Name
Invalid
Name
:
= 9
Kicked
Kicked
:
= 7
New
Connection
New
Connection
:
= 210
None
None
:
= 0
Server
Full
Server
Full
:
= 20
Server
Request
Server
Request
:
= 19
Globals
"lib/constants/
Enums"
Alter
Game
Tag
ColourID
DataID
Decon
State
DisconnectID
Banned
Custom
Destroy
Error
Focus
Lost
Focus
Lost
Background
Game
Full
Game
Not
Found
Game
Started
Hacking
Incorrect
Game
Incorrect
Version
Intentional
Leaving
Invalid
Name
Kicked
New
Connection
None
Server
Full
Server
Request
DistanceID
Game
End
Reason
Game
Versions
HatID
LanguageID
MapID
MessageID
PacketID
PayloadID
PetID
RPCID
SkinID
Spawn
Flag
SpawnID
System
Type
Task
Bar
Update
TaskID
ColorID
Generated using
TypeDoc


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/nat.2Ehas_pow.html ---
⊢ nat.has_pow = monoid.has_pow
Meh
there are lemmas about that, you unfolded too much
It's too bad it isn't defeq.
IIRC the products are different ways around! Is that right? One is a*a^n
and one is a^n*a
?
that's true, but I think they wouldn't be defeq even if they were the same way around
I'm not sure if there is some principled reason to prefer one over the other... I guess a * a^n
matches list order
For nat
a^{n+1} ≡ a^n * a
seems more natural. Since multiplication is defined by recursion on the second argument (succ a)^(succ n)
is definitionally a successor. This is very minor, of course.
Last updated: Apr 24 2020 at 19:02 UTC


{% with messages=get_flashed_messages() %} {% if messages %} {% for message in messages %}
{{ message }}
{% endfor %} {% endif %} {% endwith %} {% if filename %}Your Uploaded Image
{% endif %}
Welcomes you.
Lorem Ipsum is simply dummy text of the printing and typesetting industry.
Lorem Ipsum has been the industry's standard dummy text ever
since the 1500s, when an unknown printer took a galley of type
and scrambled it to make a type specimen book. It has survived not only five centuries,
{% with messages=get_flashed_messages() %} {% if messages %} {% for message in messages %}
{{ message }}
{% endfor %} {% endif %} {% endwith %} {% if filename %}


A preprocessot instruction begins with a .
character on its own line. The dot is followed by the command, then arguments seperated by spaces.
| Command | Arguments | Description | Technical |
|---|---|---|---|
| .const | name value | Creates a constant that can be called by prepending : to the front of the name. |
|
| .var | name | Declares a varible that can be called by prepending : to the front of the name. |
|
| .var | name[number] | Declares an array that can be called by prepending : to the front of the name and appending an index in brackets. |
|
If we start with the following code;
.var variable
.var array[3]
.const constant1 10
.const constant2 42
ADD :constant1 :constant2 :array[1]
ADD :array[1] :array :variable
First, vars will be compiled into consts to get this;
.const variable 0xFFFF
.const array[2] 0xFFFE
.const array[1] 0xFFFD
.const array[0] 0xFFFC
.const array 0x7FFC
.const constant1 10
.const constant2 42
ADD :constant1 :constant2 :array[1]
ADD :array[1] :array :variable
Then, the consts will be pasted into the code to get this;
ADD 10 42 0xFFFF
ADD 0xFFFE 0x7FFC 0xFFFF
#
denotes a commentIn this table:
:
will default to being prepended with *
, even if this is not put there in the program. This cannot be turned off.| Command | Arguments | Mnemonic | Description | Compiles into |
|---|---|---|---|---|
| NOP | None | No Operation | Does nothing | 0000 0000 |
| MOV | :N M | Move | Copy M into address N | NNNN MMMM |
| JMP | N | Jump | Jump execution to address N | 8046 NNNN 8000 8046 |
| QJP | :N | Quick Jump (Can't take literals) | Jump execution to the address in address N | 8000 NNNN |
| SET | N M | Set | Set the value in memory address N to M | 8001 NNNN 8002 MMMM |
| STA | N | Set Address | Like SET, but without changing the value currently being used | 8001 NNNN |
| STV | N | Set Value | Like SET, but without changing the address currently being used | 8002 NNNN |
| TNA | N M L [:K] | Ternary Address | If N is nonzero, set the value in memory address K to :M; else set it to :L | 8003 NNNN 8004 MMMM 8005 LLLL [KKKK 8006] |
| TRN | N M L [:K] | Ternary | If N is nonzero, set the value in memory address K to M; else set it to L | 8007 NNNN 8008 MMMM 8009 LLLL [KKKK 800A] |
| AND | N M [:L] | And | Write the result of the bitwise-and operation between N and M to memory address L | 800B NNNN 800C MMMM [LLLL 800D] |
| ORR | N M [:L] | Or | Write the result of the bitwise-or operation between N and M to memory address L | 800E NNNN 800F MMMM [LLLL 8010] |
| XOR | N M [:L] | Exclusive Or | Write the result of the bitwise-xor operation between N and M to memory address L | 8011 NNNN 8012 MMMM [LLLL 8013] |
| NOT | N [:M] | Not | Write the result of the bitwise-not operation of N to memory address M | 8014 NNNN [MMMM 8015] |
| LST | N M [:L] | Less Than | If M is less than M, set the value in memory address L to 0xFFFF; else set it to 0 | 8016 NNNN 8017 MMMM [LLLL 8018] |
| LOE | N M [:L] | Less Than or Equal | If M is less than or equal to M, set the value in memory address L to 0xFFFF; else set it to 0 | 8019 NNNN 801A MMMM [LLLL 801B] |
| GRT | N M [:L] | Greater Than | If M is greater than M, set the value in memory address L to 0xFFFF; else set it to 0 | 801C NNNN 801D MMMM [LLLL 801E] |
| GOE | N M [:L] | Greater Than or Equal | If M is greater than or equal to M, set the value in memory address L to 0xFFFF; else set it to 0 | 801F NNNN 8020 MMMM [LLLL 8021] |
| EQU | N M [:L] | Equal | If M is equal to M, set the value in memory address L to 0xFFFF; else set it to 0 | 8022 NNNN 8023 MMMM [LLLL 8024] |
| NEQ | N M [:L] | Not Equal | If M is not equal to M, set the value in memory address L to 0xFFFF; else set it to 0 | 8025 NNNN 8026 MMMM [LLLL 8027] |
| SHR | N M [:L] | Shift Right | Shifts N right by M bits and saves the value in memory address L | 8028 NNNN 8029 MMMM [LLLL 802A] |
| ASR | N M [:L] | Arithmatic Shift Right | Shifts N right by M bits arithmatically and saves the value in memory address L | 802B NNNN 802C MMMM [LLLL 802D] |
| SHL | N M [:L] | Shift Left | Shifts N left by M bits and saves the value in memory address L | 802E NNNN 802F MMMM [LLLL 8030] |
| ADD | N M [:L] | Add | Add N and M, saving the result in memory address L | 8031 NNNN 8032 MMMM [LLLL 8033] |
| SUB | N M [:L] | Subtract | Subtract M form N, saving the result in memory address L | 8034 NNNN 8035 MMMM [LLLL 8036] |
| MUL | N M [:L] | Multiply | Multiply N by M, saving the result in memory address L | 8037 NNNN 8038 MMMM [LLLL 8039] |
| DIV | N M [:L] | Divide | Divide N by M, saving the result in memory address L. Division by zero results in a 0. | 803A NNNN 803B MMMM [LLLL 803C] |
| MOD | N M [:L] | Modulo | Divide N by M, saving the remainder of result in memory address L. Modulo by zero results in a 0. | 803D NNNN 803E MMMM [LLLL 803F] |
| INC | N [:M] | Increment | Add 1 to N, saving the result in memory address M | 8040 NNNN [MMMM 8041] |
| DEC | N [:M] | Decrement | Subtract 1 from N, saving the result in memory address M | 8042 NNNN [MMMM 8043] |
| NEG | N [:M] | Negative | Multiply N by -1 (i.e. 0xFFFF), saving the result in memory address M | 8044 NNNN [MMMM 8045] |
| ADR | N [:M] | Address | Use bitwise-or with N and 0x8000 (i.e. make a litteral into an pointer), saving the result in memory address M | 8046 NNNN [MMMM 8046] |
| PSH | N | Push | Push the value N onto stack A | 8047 NNNN 8048 0001 |
| POP | [:N] | Pop | Pop a value off of stack A and save it in memory address N | 804A 0001 [NNNN 8049] |
| PSA | N | Push Address | Use bitwise-or with N and 0x8000 (i.e. make a litteral into an pointer), and push the result onto stack B (the call-stack) | 804B NNNN 804C 0001 |
| POA | [:N] | Pop Address | Pop a value off of stack B (the call-stack), and the it in memory address N | 804E 0001 [NNNN 804D] |
| RND | :N | Random | Get a random number and save it in memory address N | NNNN 804F |
| GET | :N [:M] | Get | Copy the value pointed to by the value in memory address N and copy it into memory address M | 8050 NNNN [MMMM 8051] |
| LBL | :N | Label | Save the address of the next command in memory address N | NNNN 8000 |
| CAL | N | Call | Jump execution to memory address N, pushing the memory address of the next command onto stack B (the call-stack) | 8031 0008 8032 8000 804B 8033 804C 0001 8046 NNNN 8000 8046 |
| RET | None | Return | Pop a pointer off stack B (the call-stack) and jump exectuation to it. | 804E 0001 8000 804D |
| HLT | None | Halt | Set all writable RAM to 0, stopping execution. | 807F 0001 |
A postprocessor instruction begins with a . character on its own line.
All postprocessor instructions and targets are ignored by the assembler.
| Command | Arguments | Description | Technical |
|---|---|---|---|
| .lbl | name | Will create a label which can be jumped to by the JMP command. | Will replace all instances of &name with the address of the next instruction in memory |


At MC Decor Rental & Supplies, we offer a wide range of rental decorative items for all types of events in Jamaica. We exceed customer expectations through the quality of our services, have the largest inventory islandwide and offer complete service for weddings, parties and other special events.
MC Decor Rental & Supplies is here to make your special day fabulous and memorable. We supply quality rental items at competitive prices for all types of events. We have the largest inventory of reliable products. We keep on updating and upgrading our stock for your convenience. Our diverse collection has earned us the title of the best event equipment and service provider in Jamaica. With our expertise in event planning, we make sure everything falls into the right place. For a flawless service, we arrange everything beforehand. If required, we also keep backup available. MC Decor Rental & Supplies plans according to your needs and schedule. Our capable staff can handle any task with ease.
We provide rental items for all events. Be it chairs, tables or linens; we have everything you might need, for any occasion. Every article is of superior quality to meet your expectations. If any merchandise is unavailable on the site, feel free to send us a query. We are here to make sure you have everything for your event.
Stressed about planning everything for your event in time? Leave it to us. Our certified planners ensure smooth execution throughout the event. With our professional event coordinators, everything is organised on time. We make sure to have detailed diagrams of the event layout, on-time delivery, on-site staff and more.