| add_block/3 | Adds block to the structure. |
| add_block_in_order/3 | Adds block to blocktree. |
| add_transaction/2 | Adds transaction to the structure. |
| apply_block_signature/2 | Inserts signature into the block. |
| apply_transaction_signature/2 | Inserts signature into the transaction. |
| compute_block_hash/1 | Computes hash of the block. |
| compute_transaction_hash/1 | Computes hash of the transaction. |
| find_block_by_id/2 | Finds block by id. |
| generate_new_block/2 | Creates next block in the chain for a given verifier. |
| get_verfier_next_block_time/2 | Get the next appropriate time for a verifier to make a block. |
| init/5 | Initialize protocol data. |
| resolve_fork/3 | Resolves a fork between two branches. |
add_block(Block, CurrentTime, ProtocolData) -> any()
Adds block to the structure.
Block can be a duplicate, in which case it is ignored, or it can be an orphan, in which case it is saved to be added later.add_block_in_order(Block, CurrentTime, ProtocolData) -> any()
Adds block to blocktree.
The block should new and right after already existing block. Block's structure is checked and error is generated if it is incorrect.add_transaction(T, PD) -> any()
Adds transaction to the structure.
Checks transaction correctness first. Returns {Status, Container} where Status is ignored_duplicate, updated_old, added_newapply_block_signature(Signature, Block) -> any()
Inserts signature into the block.
Checks that block's this_id is correct and that signature is correct.apply_transaction_signature(Signature, T) -> any()
Inserts signature into the transaction.
Checks that the signature is correct.compute_block_hash(Block) -> any()
Computes hash of the block.
compute_transaction_hash(Transaction) -> any()
Computes hash of the transaction.
find_block_by_id(Id, PD) -> any()
Finds block by id.
Only looks among non-orphan blocks. Returns {ok, Block} or error.generate_new_block(VerifierIndex, PD) -> any()
Creates next block in the chain for a given verifier.
Created block is unsigned. (Pending transactions are put into the block by blocktree.)get_verfier_next_block_time(VerifierIndex, PD) -> any()
Get the next appropriate time for a verifier to make a block.
init(VerifierArr, TimeBetweenBlocks, TimeDesyncMargin, ChainId, CurrentTime) -> any()
Initialize protocol data.
Creates a tree with genesis block with a fixed timestamp. Genesis block's id is genesis, it is the only block with non SHA hash id.resolve_fork(B1, B2, TreeData) -> any()
Resolves a fork between two branches.
Block with larger height wins. If heights are the same, then branches are traced to the first branching point, and then block at branching point with earlier timestamp wins. If those timestamps are equal, block with smaller hash wins.Generated by EDoc


Introduction
The all24 API is organized around REST. Our API has predictable, resource-oriented URLs, and uses HTTP response codes to indicate API errors. We use built-in HTTP features, like HTTP authentication and HTTP verbs, which are understood by off-the-shelf HTTP clients. JSON is returned by all API responses, including errors.
Authentication
Example request:
$ curl https://api.all24.com/v1/tracking \
-u api_key:
Make sure to replace
api_key
with your API key.
curl uses the -u flag to pass basic auth credentials (adding a colon after your API key prevents cURL from asking for a password).
Authentication to the API is performed via HTTP Basic Auth. Provide your API key as the basic auth username value. You do not need to provide a password.
all24 uses API keys to allow access to the API. You can register a new API key by contacting your Account Manager.
Errors
all24 uses conventional HTTP response codes to indicate the success or failure of an API request. In general, codes in the 2xx range indicate success, codes in the 4xx range indicate an error that failed given the information provided (e.g., a required parameter was omitted, etc.), and codes in the 5xx range indicate an error with all24’s servers.
| HTTP status code | Description |
|---|---|
| 200 - OK | Everything worked as expected. |
| 400 - Bad Request | The request was unacceptable, often due to missing a required parameter. |
| 401 - Unauthorized | No valid API key provided. |
| 402 - Request Faile | The parameters were valid but the request failed. |
| 404 - Not Found | The requested resource doesn’t exist. |
| 409 - Conflict | The request conflicts with another request. |
| 429 - Too Many Requests | Too many requests hit the API too quickly. We recommend an exponential backoff of your requests. |
| 500, 502, 503, 504 - Server Errors | Something went wrong on all24’s end. |
Order Tracking
all24 Tracking Number
#Request:
$ curl https://api.all24.com/v1/tracking/orders
-u api_key: \
-d all24_tracking_number=HSBY37H7
#Response:
{
"HSBY37H7": {
"origin_order_date": "2015-08-18T11:12:00+07:00",
"order_ref_id": "123abc1",
"hs_order_ref": "HSBY37H7",
"expected_completion": "2015-08-19T23:59:00+07:00",
"sender_location": {
"location_name": "Fashion F200",
"addressline1": "F 39-40, J.J. Mall, 1, 588 Kampaeng Phet 2 Rd",
"service_area": "Chatuchak",
"postcode": "10900"
},
"recipient_location": {
"location_name": "",
"addressline1": "123/322, The Met Condo, South Sathorn road",
"service_area": "",
"postcode": ""
},
"history": [
{
"event_time": "2015-08-18 12:02:00",
"event_name": "Delivery complete",
"event_code": "500000",
"location_ref": "w0szv4da",
"location": {
"location_name": "",
"service_area": "",
"postcode": ""
}
},
{
"event_time": "2015-08-18 12:02:00",
"event_name": "Goods arrived",
"event_code": "300000",
"location_ref": "w0szv4da",
"location": {
"location_name": "",
"service_area": "",
"postcode": ""
}
},
{
"event_time": "2015-08-18 12:01:46",
"event_name": "Picked up",
"event_code": "200000",
"location_ref": "",
"location": {
"location_name": "On vehicle",
"service_area": "Bangkok",
"postcode": ""
}
},
{
"event_time": "2015-08-18 12:01:30",
"event_name": "Goods received",
"event_code": "100000",
"location_ref": "",
"location": {
"location_name": "Fastrak Service Limited",
"service_area": "Bangkok",
"postcode": "10110"
}
},
{
"event_time": "2015-08-18 12:00:59",
"event_name": "Order received",
"event_code": "050000",
"location_ref": "abc123",
"location": {
"location_name": "Fashion F200",
"service_area": "Chatuchak",
"postcode": "10900"
}
}
]
},
"response_code": 200,
"error_codes": []
}
Retrieves all the locations with timestamp that this order went through.
HTTP Request
GET https://api.all24.com/v1/tracking/orders?all24_tracking_number=HSBY37H7
Query Parameters
| Parameter | Description |
|---|---|
| all_24_tracking_number | all24 tracking number |
Response
| Property | Type |
|---|---|
| origin_order_date | string |
| order_ref_id | string |
| hs_order_ref | string |
| expected_completion | string |
| sender_location | Location |
| location_name | string |
| addressline1 | string |
| service_area | string |
| postcode | string |
| recipient_location | Location |
| location_name | string |
| addressline1 | string |
| service_area | string |
| postcode | string |
| history | Array |
| event_time | string |
| event_name | string |
| event_code | string |
| location_ref | string |
| location | Event Location |
| location_name | string |
| service_area | string |
| postcode | string |
| response_code | string |
| error_codes | Array |
| hs_order_ref | string |
Response Type
| Type | Value | Specification |
|---|---|---|
| event_code | 500000 | Order received |
| event_code | 100000 | Arrived at location |
| event_code | 300000 | Delivered |
| event_code | 401100 | Order cancelled (by customer) |
| event_code | 401101 | Order cancelled (by carrier) |
| event_code | 200000 | Picked up |
| response_code | 200 | Request Ok |
| response_code | 400 | Request Failed |
| error_codes | 1000 | Missing Parameters |
| error_codes | 1350 | Order Not found |
| Location | { “location_name”: “”,“service_area”: “”, “postcode”: “” } | Location object |
| Event Location | { “location_name”: “”,“service_area”: “”, “postcode”: “” } | Event Location object |
Third Party Tracking Number
#Request:
$ curl https://api.all24.com/v1/tracking/orders
-u api_key: \
-d customer_id=12345 \
-d tracking_number=HSBY37H7
#Response:
{
"HSBY37H7": {
"origin_order_date": "2015-08-18T11:12:00+07:00",
"order_ref_id": "123abc1",
"hs_order_ref": "HSBY37H7",
"expected_completion": "2015-08-19T23:59:00+07:00",
"sender_location": {
"location_name": "Fashion F200",
"addressline1": "F 39-40, J.J. Mall, 1, 588 Kampaeng Phet 2 Rd",
"service_area": "Chatuchak",
"postcode": "10900"
},
"recipient_location": {
"location_name": "",
"addressline1": "123/322, The Met Condo, South Sathorn road",
"service_area": "",
"postcode": ""
},
"history": [
{
"event_time": "2015-08-18 12:02:00",
"event_name": "Delivery complete",
"event_code": "500000",
"location_ref": "w0szv4da",
"location": {
"location_name": "",
"service_area": "",
"postcode": ""
}
},
{
"event_time": "2015-08-18 12:02:00",
"event_name": "Goods arrived",
"event_code": "300000",
"location_ref": "w0szv4da",
"location": {
"location_name": "",
"service_area": "",
"postcode": ""
}
},
{
"event_time": "2015-08-18 12:01:46",
"event_name": "Picked up",
"event_code": "200000",
"location_ref": "",
"location": {
"location_name": "On vehicle",
"service_area": "Bangkok",
"postcode": ""
}
},
{
"event_time": "2015-08-18 12:01:30",
"event_name": "Goods received",
"event_code": "100000",
"location_ref": "",
"location": {
"location_name": "Fastrak Service Limited",
"service_area": "Bangkok",
"postcode": "10110"
}
},
{
"event_time": "2015-08-18 12:00:59",
"event_name": "Order received",
"event_code": "050000",
"location_ref": "abc123",
"location": {
"location_name": "Fashion F200",
"service_area": "Chatuchak",
"postcode": "10900"
}
}
]
},
"response_code": 200,
"error_codes": []
}
Retrieves all the locations with timestamp that this order went through.
 This typically comes from ecommerce platform (Sales Order) or a warehouse management system (Delivery Order).
HTTP Request
POST https://api.all24.com/v1/tracking/shipping?hs_meta[schema-type]&...
Query Parameters
| Parameter | Type | Specification |
|---|---|---|
| hs_meta[schema-type] | string | mandatory |
| hs_meta[schema-version] | string | mandatory |
| hs_delivery_order[origin_order_date] | string | mandatory |
| hs_delivery_order[shipper] | string | mandatory |
| hs_delivery_order[shipper_order_reference] | string | mandatory |
| hs_delivery_order[remarks] | string | optional |
| hs_delivery_order[service_requirements][service_contract_reference] | string | mandatory |
| hs_delivery_order[service_requirements][preferred_delivery_group] | string | optional |
| hs_delivery_order[service_requirements][is_pay_on_pickup] | string | optional |
| hs_delivery_order[service_requirements][is_cash_on_delivery] | string | optional |
| hs_delivery_order[service_requirements][expected_completion] | string | optional |
| hs_delivery_order[service_requirements][extended] | Extended Service Req. | optional |
| goods[quantity] | string | optional |
| goods[items][description] | string | optional |
| goods[items][quantity] | string | optional |
| goods[items][value] | string | optional |
| goods[items][length] | string | optional |
| goods[items][width] | string | optional |
| goods[items][height] | string | optional |
| goods[items][weight] | string | optional |
| goods[remarks_on_goods] | string | optional |
| payment_requirements[pop_amount] | string | optional |
| payment_requirements[cod_amount] | string | optional |
| payment_requirements[charge_items][charge_code] | string | optional |
| payment_requirements[charge_items][display_text] | string | optional |
| payment_requirements[charge_items][display_sequence] | string | optional |
| payment_requirements[charge_items][amount] | string | optional |
| sender_location[location_ref] | string | optional |
| sender_location[zone] | string | optional |
| sender_location[company] | string | optional |
| sender_location[building] | string | optional |
| sender_location[room] | string | optional |
| sender_location[floor] | string | optional |
| sender_location[addressline1] | string | mandantory |
| sender_location[addressline2] | string | optional |
| sender_location[addressline3] | string | optional |
| sender_location[addressline4] | string | optional |
| sender_location[city] | string | optional |
| sender_location[province] | string | optional |
| sender_location[postcode] | string | mandantory |
| sender_location[country] | string | optional |
| sender_location[notes_for_driver] | string | optional |
| sender_location[name] | string | mandantory |
| sender_location[phone] | string | mandantory |
| sender_location[email] | string | optional |
| sender_location[remarks] | string | optional |
| recipient_location[location_ref] | string | optional |
| recipient_location[zone] | string | optional |
| recipient_location[company] | string | optional |
| recipient_location[building] | string | optional |
| recipient_location[room] | string | optional |
| recipient_location[floor] | string | optional |
| recipient_location[addressline1] | string | mandantory |
| recipient_location[addressline2] | string | optional |
| recipient_location[addressline3] | string | optional |
| recipient_location[addressline4] | string | optional |
| recipient_location[city] | string | optional |
| recipient_location[province] | string | optional |
| recipient_location[postcode] | string | mandantory |
| recipient_location[country] | string | optional |
| recipient_location[notes_for_driver] | string | optional |
| recipient_location[name] | string | mandantory |
| recipient_location[phone] | string | mandantory |
| recipient_location[email] | string | optional |
| recipient_location[remarks] | string | optional |
| return_location[location_ref] | string | optional |
| return_location[zone] | string | optional |
| return_location[company] | string | optional |
| return_location[building] | string | optional |
| return_location[room] | string | optional |
| return_location[floor] | string | optional |
| return_location[addressline1] | string | mandantory |
| return_location[addressline2] | string | optional |
| return_location[addressline3] | string | optional |
| return_location[addressline4] | string | optional |
| return_location[city] | string | optional |
| return_location[province] | string | optional |
| return_location[postcode] | string | mandantory |
| return_location[country] | string | optional |
| return_location[notes_for_driver] | string | optional |
| return_location[name] | string | mandantory |
| return_location[phone] | string | mandantory |
| return_location[email] | string | optional |
| return_location[remarks] | string | optional |
Response
| Attribute | Type |
|---|---|
| response_code | string |
| error_codes | Array |
| hs_order_ref | string |
Response Type
| Type | Value | Specification |
|---|---|---|
| response_code | 200 | Request Ok |
| response_code | 400 | Request Failed |
| error_codes | 1100 | Invalid Customer ref. |
| error_codes | 1300 | Unkown Customer ref. |
| error_codes | 1150 | Invalid Order ref id. |
| error_codes | 1200 | Service Code missing |
| error_codes | 2000 | Failed to Create Order |
| error_codes | 2100 | Duplicate Customer Order |


« Back to the index
Function.prototype.buildTransformer examples
The "transformer" method allow the programmer to filter the input and output of any existing function:
newfunction = function.buildTransformer(prefuntion, postfunction);
The "prefunction" is a function that accept the
same parameters as the main function, modify them, and finally reinject them into the main function. The return value must be an array with the parameters in the same order.
This function is very usefull to verify the validity of the parameters and modify them if there is any problem, put default values, etc.
The "postfunction" is a function that accept the returned result of the main function, and will modify it return the modified value to the caller.
Let's use a basic function that calculates the difference between 2 values:
function test(var1, var2)
{
return var2-var1;
}
View the result of this code
The pre function check if the first parameter is superior to the second one. If not, it will invert them.
var pretest = test.buildTransformer(
function(v1, v2) // pre function, check the min/max on arguments
{
if (WA.isNumber(v1) && WA.isNumber(v2) && v1 > v2)
return [v2, v1];
return [v1, v2];
},
null // no post function
);
View the result of this code
The post function checks if the result is positive. If not, it will change the sign.
The two functions are identical in final returned result: a positive number.
var posttest = test.buildTransformer(
null, // no pre function
function(res) // post function, check the sign
{
return (res>0?res:-res);
}
);
View the result of this code
« Back to the index


A problem has been detected and Windows has been shut down to prevent damage
to your computer.
UNMOUNTABLE_BOOT_VOLUME
If this is the first time you've seen this error screen,
restart your computer. If this screen appears again, follow
these steps:
Check to make sure any new hardware or software is properly installed.
If this is a new installation, ask your hardware or software manufacturer
for any Windows updates you might need.
If problems continue, disable or remove any newly installed hardware
or software. Disable BIOS memory options such as caching or shadowing.
If you need to use Safe Mode to remove or disable components, restart
your computer, press F8 to select Advanced Startup Options, and then
Select Safe Mode
Technical Information
*** STOP: 0X00000ED (0X80F128D0, 0X000009C, 0X0000000, 0X0000000)


By analyzing the data from all app users, we may be able to better understand the symptoms and their triggers.
We hope that together we can learn:
- The differences in symptoms post treatment
- Assess whether mobile devices and sensors can measure and better manage these symptoms
- Ultimately to improve the quality of life after breast cancer treatment


The block below is content loaded from an HTML file located on a different server using hidden and dynamically created iframe. The source file sets all it's content using window.postMessage method or in window.name variable (up to 2mb or sometimes more) which is then read when iframe is finished loading. After content is loaded, it can than be styled and injected anywhere on page.
Stuff below loaded content.


rfishbase: R Interface to 'FishBase'
A programmatic interface to <http://www.fishbase.org>, re-written
based on an accompanying 'RESTful' API. Access tables describing over 30,000
species of fish, their biology, ecology, morphology, and more. This package also
supports experimental access to <http://www.sealifebase.org> data, which contains
nearly 200,000 species records for all types of aquatic life not covered by
'FishBase.'
| Version: |
3.0.0 |
| Depends: |
R (≥ 3.0) |
| Imports: |
dplyr, purrr, methods, utils, memoise, readr, rlang, magrittr, stringr |
| Suggests: |
devtools, testthat, rmarkdown, knitr |
| Published: |
2018-11-09 |
| Author: |
Carl Boettiger [cre, aut],
Scott Chamberlain [aut],
Duncan Temple Lang [aut],
Peter Wainwright [aut] |
| Maintainer: |
Carl Boettiger <cboettig at gmail.com> |
| BugReports: |
https://github.com/ropensci/rfishbase/issues |
| License: |
CC0 |
| URL: |
https://github.com/ropensci/rfishbase |
| NeedsCompilation: |
no |
| Citation: |
rfishbase citation info |
| Materials: |
README NEWS |
| CRAN checks: |
rfishbase results |
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=rfishbase
to link to this page.


{% extends "registration/base.html" %} {% load i18n %} {% block title %}{% trans "Activation Error" %} - {{ block.super }}{% endblock %} {% block box_title %} {% trans "Activation" %} {% endblock %} {% block box_content %}
{% trans "Email address confirmation error occured. Please make sure that you have clicked the correct link in your e-mail or typed in the correct address. If you get this message repeatedly, contact us so that we can set your account up correctly." %}
{% endblock %}


Lorry driver Mo Robinson admits plot after 39 migrant deaths
A lorry driver who is accused over the deaths of 39 migrants in Essex has admitted plotting to assist illegal immigration.
Maurice Robinson pleaded guilty at the Old Bailey to conspiring with others to assist illegal immigration between 1 May 2018 and 24 October 2019.
The 25-year-old, from County Armagh, is accused of being part of a larger plot to bring people into the UK illegally.
Mr Robinson was not asked to plead to 39 charges of manslaughter.
The charges relate to the deaths of 39 Vietnamese people, including children, who were discovered in the back of a refrigerated lorry being driven by Mr Robinson in Grays on 23 October.
Mr Robinson, who appeared via video-link from Belmarsh prison, also admitted acquiring criminal property - namely cash - between 1 May 2018 and 24 October 2019.
As well as the manslaughter charges, Mr Robinson is accused of conspiracy to commit human trafficking offences and transferring criminal property.
The defendant, of Laurel Drive, Craigavon, was remanded into custody until a further hearing on 13 December.
Eight women and 31 males, including two boys, aged 15, were among those who died.


|
Amvion Labs Pvt Ltd., started in 2016, by a team who have worked together for more than 2 decades, focusses on Data Analytics, Cloud Management and IT Security Assurance Services. The expertise that Amvion delivers in each one of these has won itself accolades from customers starting with Banks to Enterprise Customers to Small & Medium companies.
|


Unzip all files in a given directory, identified by extension, placing the unzipped file in a separate output directory.
unzip_dir(in_dir, out_dir, ext)
gz
- gzipped files, unzipped with gunzip
zip
- zip files, unzipped with unzip
zipx
- zipx or archive files, unzipped with unar
Invisibly returns a character vector of the zipped file basenames.
unzip_dir
makes system calls to gunzip
, unzip
, and
unar
. Each of these need to be on the system PATH
and able to
be called from system2. Calls have only been tested on OSX at
this time.
On OSX, unar
may be installed via http://brew.sh
using the install command brew install unar
.
Finally, unzip_dir
checks whether or not the output directory already
contains the file to be unzipped. If the file already exists, then unzipping
is skipped for the file. This allows one to re-run the function multiple
times without continually unzipping all files in the input directory.
withr::with_dir( new = tempdir(), code = { # create two small tables to write out as files a_df <- tibble::tribble( ~a, ~b, ~c, 1, 2, 3, 4, 5, 6, 7, 8, 9 ) d_df <- tibble::tribble( ~d, ~e, ~f, 11, 22, 33, 44, 55, 66, 77, 88, 99 ) # make a new input directory system2(command = "mkdir", args = "in_dir") setwd("in_dir") # write csv files readr::write_csv(a_df, "a.csv") readr::write_csv(d_df, "d.csv") # convert into gzip files system2(command = "gzip", args = c("a.csv", "d.csv")) # make a new output directory setwd("..") system2(command = "mkdir", args = "out_dir") # unzip all files unzip_dir("in_dir", "out_dir", "gz") # list all files system2(command = "ls", args = c("-l", "out_dir")) } )


Find a free time to setup a meeting between multiple people using thier google calendars!
{% if g.homepage is defined %}
Welcome!
This app allows users to compare the busy times of their highlighted
google calendars (including ones shared with them) to find an available
meeting time between them and their calendar-mates. First, you choose a date
and time range. Second, you select calendars you'd like to compare between.
Third, you select a free time block you'd like to migrate to the meeting
invitation tool (adjust the time in the tool). Fourth, you enter the meeting
information, possible email recipients, and viola!
{% endif %}
{% if g.isowner == True %}
Found Meetings You're Organizing!
{% endif %}
{% if g.isinvited == True %}
You're invited to some meetings!
{% endif %}
{% if g.date is not defined and g.homepage is not defined%}
Date/Time Range
{% if g.calendars is defined %}
{% if g.date is defined %}
Meeting invitations will be sent to:
{% else %}
Check calendars to find free time available between them:
{% endif %}
{% endif %}
{% endif %}
{% with messages = get_flashed_messages() %}
{% if messages %}
{% for message in messages %}
{{ message }}
{% endfor %}
{% endif %}
{% endwith %}
{% if g.free is defined %}
Free Times Available between {{ session.begin_time | fmtfreetime }} and {{session.end_time | fmtfreetime}}:


New York -- Though films like Bong Joon-ho's "Parasite" receive praise and awards for its contributions to cinema, it's blockbuster adventure films that have the most success financially.
The top ten highest-grossing films of all time typically involve big stakes -- Thanos is looking to wipe out half the universe or the Empire has another Death Star. "Avengers: Endgame" sits at the top with roughly $2.8 billion at the box office.
Spencer Harrison of the Harvard Business Review says Marvel movies are like puzzels in which "moviegoers become active participants within a larger experience."
"Marvel systematically builds anticipation for its coming films by putting 'Easter eggs' in its current releases that suggest a future product without giving away the story. The most obvious example is its famous post-credits scenes."
Disney owns eight of the top-grossing films. However, James Cameron's "Avatar" and "Titanic" were acquired after Disney purchased 21st Century Fox studios in 2019.


The official language of {{ foreign_word(city_name) }} is {{ foreign_word(language.name) }}. {% if isolation == 1 %} English is widely spoken, but it is considered polite to use a little {{ foreign_word(language.name) }}. {% elif isolation == 2 %} Some English is spoken in {{ foreign_word(city_name) }}, particularly at tourist-friendly attractions, but it helps to know a little of the local language. {% elif isolation == 3 %} English is not widely spoken in {{ foreign_word(city_name) }}, and some key phrases in {{ foreign_word(language.name) }} will make a visit easier. {% else %} You are unlikely to find any English speakers in {{ foreign_word(city_name) }}, so at least a general knowledge of {{ foreign_word(language.name) }} will go a long way. {% endif %}
{% if language.stats.vowels | length < 4 %}Did you know, {{ foreign_word(language.name) }} only has {{ language.stats.vowels | length | number_format }} vowels?
Hello: {{ foreign_word(dictionary['helloNN']) }}
Thank you: {{ foreign_word(dictionary['thanksNN']) }}
Goodbye: {{ foreign_word(dictionary['goodbyeNN']) }}


Flock 2016 was held in the beautiful city of Krakow, Poland from August 2nd - August 5th, 2016.
Day -1
Reached Krakow tired. Spent most of the time sleeping.
Day 0
A lot of attendees started coming in. Met with a lot of people IRL whom I generally talked over on IRC. In the afternoon, we went out for the city tour. Visiting the Oskar Schindler’s Enamel Factory was a place I always wanted to visit ever since I watched the movie Schindler’s List.
We wandered on the streets of Krakow for an hour and returned back to the hotel. In the evening, we headed to a nearby mall for dinner along with the Fedora folks.
Day 1
Joe Brockmeier(jzb) kicked off the Flock-2016 followed by Matthew Miller talking on “State of Fedora”. mattdm gave some insights on the contributor-base, the user-base with interesting graphs and how things are progressively getting better over time
Next, I attended Adam’s talk “Introducing Fedora Docker Layered Image builds”. Ever since I joined the team I have seen him working on this. He gave a good explanation on how Fedora would be distributing Docker images along with RPMs.
After lunch, I spend some time working on the waartaa demo. Next, I attended the talk “Fedora’s MirrorManager - now and the future” by Adrian. The talk covered on how the components work. Adrian talked about the past and how pingou helped with the project’s migration. Planning to read through the arch/code post-flock.
Next, I attended “Mailman 3 and HyperKitty” by Aurelien where he talked about Mailman 3, Postorius and Hyperkitty. Fedora recently migrated the mailing lists to Hyperkitty so Aurelien demoed the lists, explained the issues faced and how one can contribute to the project.
Day 2
Got up with high fever and sore throat. The day started with the keynote by Radek from Akademia Programowania. He spoke about Akademia Programowania and demoed how they teach programming to kids. I have been seeing a few of the tools for last few years but it was interesting to see things they have built on top of that. Programming for fun :)
Next, “Kirk, McCoy, and Spock build the future of Fedora” by mattdm. He explained how on to plan out things. Setting up goals and steps to backtrack to achieve them. Waiting to watch this talk online again.
After the talk, I spent some time in the reception preparing for my talk. Post lunch I attended talk “Nulecule - Packaging multi-container applications” by Ratnadeep Debnath. He introduced ADB - Atomic Developer Bundler, the need of a better way to package the multi-container app. He walked us through Nulecule, Atomic App along with a demo of Nulecule applications.
Next talk I attended was “Living on the edge: Using rawhide day to day” - Kevin Fenzi. He talked about why and how he moved to rawhide and how he has been using it for 3 years now. He gave tips on how one can migrate to rawhide and deal with issues one might face. /me planning to move but not the primary development machine.
Next up was my talked “Bugyou: Report bugs automatically from fedmsg”. I introduced them to fedmsg and how the infrastructure applications use them. Next, I introduced them with why bugyou was created? and how it works. I also demoed them on how one can add plugins and how it will be interacting with the issue tracking tools. The talk completed ahead of time. There was some good conversation on why bugyou and statscache working on same logic don’t share the code.
The talked almost killed my throat. After the talk, I had a discussion with David Duncan on fedimg, modifications and about introducing new regions.
“Realtime IRC chat on Fedora Hubs” was my next talk. We discussed about Fedora Hubs, the motive behind it. We talked about ircb and it’s integration with Fedora Hubs. Good to see a lot of people chipping in for the talk. After the talk, we had a question on why not xmpp? - which actually turned into a long discussion. We got some really good inputs too.
Day 3
Fever continues. I skipped few of the lighting talks in the beginning and joined in later. After that, I moved to Automation workshop where Ralph kept the workshop open ended for the people to join in, state their problem and automate it.
Though towards the end of the workshop, I was not quite well so I planned to take some rest. I joined in later at the Infrastructure workshop where various components of the Infra as discussion and how things can be better. One of them was making fedimg upload images to fedorainfracloud. Link
Day 4
Fever goes down a bit. I joined in for the Ansible session where misc talked on tips and how to approach. He walked us through the Mailman3 ansible script within Fedora Infrastructure correcting things on the way.
Post lunch, Fedora Hubs Hackfest it was lead by Pierre-Yves Chibon. Máirín Duffy, Szymon, and Eric joined us remotely. Pierre talked on Past, Present, and Future of Fedora Hubs. He demoed through the various components of Hubs and how it can be used. The demo got some really good feedback.
Apart from the talks, I hacked with Aurelien on Hyperkitty. We discussed the issues, workflow etc. I also got myself working on an issue too.


Ruby Class vs. JavaScript Object Constructor
No offense JavaScript, I'm sure you're amazing, it's just that I've been spending the past few weeks with Ruby and I thought we really had something going there for a second. Then you come along and teach me that love is not easy. There is work to do. You're not completely foreign to me, but there are some distinct differences and similarities between you and Ruby. For one thing--objects. Whereas almost everything in Ruby is an object, you are very specific about what is or is not considered an object. Okay, enough talking to you JS, I have thousands of readers (right??) to talk to who are dying to read a bit about what makes you unique from Ruby.
Review of the Ruby Class and Object
Before I dive into the differences between the Ruby Class and JavaScript Constructor Function, I'll quickly review the Ruby Class. A Ruby Class can be considered a collection of properties and methods that instantiate an object. That object then inherits the properties and methods of its class. I read somewhere that you can think of the collection of properties like a Ruby hash, where you can use the instance variables of a class as the key to access the property's value. Something like this:
class Person def initialize(name, age) @name = name @age = age end def name @name end def age @age end end leon_obj = Person.new("Leon", 27) leon_obj.name => "Leon"
As you can see, we accessed the Leon object's name by defining it as an instance variable, so it works similar to a method. Ruby uses classes a lot to organize its information about an object, including both attributes and methods. Methods are like functions for an object, they give the object its behavior. Every object in Ruby comes from a class, and there are several built in classes like Fixnum, Object, and String.
The JavaScript Constructor
The JavaScript Constructor is similar to a Ruby Class in that you can create new instances of a JavaScript object from the constructor. Calling a JavaScript constructor function does the following things (and I'm sure more):
- Creates new objects
- Sets up a constructor property for the new object
- Sets the object to respond to the prototype of the constructor
Like the Ruby Class, a JavaScript constructor function also looks like a data structure with properties and functions.
function Person(name, age) { this.name = name; this.age = age; } leon_obj = new Person("Leon", 27); leon_obj.name; =>'Leon'
This looks super similar to the Ruby Class way to create objects. What's the difference? Well, for one thing, inheritance is handled differently in JavaScript. Instead of class inheritance, JavaScript has a prototype object that is basically an empty object created with each constructor function.
Also, notice this this
keyword? This is similar to self
in Ruby, and it's saying whichever object is in focus, apply this variable assignment.
Back to the prototype, from what I can tell so far, it looks like you can use the prototype property of a constructor function to modify the constructor.
function Person(name, age) { this.name = name; this.age = age; } Person.prototype = { sayHi: function sayHi() { return "Hello!"; } } leon_obj.new Person("Leon", 27); leon_obj.sayHi(); => "Hello!"


Authors
Leon Cruickshank, Gemma Coupe, Dee Hennessy
Year
2013
Notes
Discusses the co-design project called "Beyond the Castle"
Tags
co-design, Beyond the Castle, Lancaster University
Relevance
Quotations
In this paper we describe a high profile project to reimagine a large green space in the heart of the city of Lancaster in the UK. This co-design project involved professional designers, but also 2500 people with 700 of these making an active co-design contribution. This project forms the basis of a discussion of how we used a series of events to help participants reach their full creative co-design potential. From this case study we go on to develop a framework of recommendations to help designers reflect on their normal practice and how they need to operate within a co-design project.
Co-Design is a well-established approach to creative practice, especially in the public sector. It is often used as an umbrella term for participatory, co-creation and open design processes.
UK Design Council and The European Design Leadership Board...both define co-design as: A community centred methodology that designers use to enable people who will be served by a design outcome to participate in designing solutions to their problems.
Boundary Objects
Concepts
Field of Study
Methodology
References


GATTACA
A Film Review by James Berardinelli
RATING (0 TO 10): 8.0 Alternative Scale: ***1/2 out of ****
United States, 1997 U.S. Release Date: 10/24/97 (wide) Running Length: 1:52 MPAA Classification: PG-13 (Violence, mature themes, profanity) Theatrical Aspect Ratio: 2.35:1
Cast: Ethan Hawke, Uma Thurman, Alan Arkin, Jude Law, Loren Dean, Gore Vidal, Ernest Borgnine Director: Andrew Niccol Producers: Danny DeVito, Michael Shamberg, Stacey Sher Screenplay: Andrew Niccol Cinematography: Slawomir Idziak Music: Michael Nyman U.S. Distributor: Columbia Pictures
Welcome to the 21st Century, an era when things aren't that much different, but people are. No longer is standard procreation the accepted way to reproduce. Consider all of the birth defects that such an approach can bring about. And, while it would be unreasonable to outlaw sex for the purpose of producing offspring, be aware than any children so conceived are almost certain to be "in-valids" -- genetically imperfect and ill-suited to be productive members of society. There is a better, more rational way -- a method that will guarantee health, stamina, and physical attractiveness. Let science do a little tinkering with the DNA. Everyone does it. Or at least everyone who wants their child to have a shot at a normal, well-adjusted life.
This is the chillingly feasible premise of GATTACA. While in 1997, science has not yet perfected the genetic engineering techniques used in this film to routinely develop babies, every day brings the medical profession closer. As a result, GATTACA doesn't just function as a science fiction thriller, but as both a cautionary tale about the dangers of letting scientific ability outstrip ethics and as a morality play about the irrationality of bigotry.
Andrew Niccol's oppressive future, which contains more than an element of Orwell's "Big Brother is watching" mentality, isn't just a clever backdrop against which to set a thriller. Instead, it's an integral part of the story. While it's true that there is a murder mystery, that's just a subplot. The main focus of GATTACA is the struggle of a genetically inferior man, Vincent Freeman (Ethan Hawke), to survive and prosper in a world where his kind is routinely discriminated against.
Shortly after they were married, Vincent's parents decided to start a family the old-fashioned way, without any help from doctors and test tubes. The result was a boy who was diagnosed as 99% likely to have a serious heart defect. That rendered Vincent ineligible for all but the most menial of jobs. But his dream was to one day work at The Gattaca Aerospace Corporation and participate in the first-ever manned flight to the moons of Saturn. For most "in-valids", this would have remained a fantasy, but Vincent possessed the determination and drive to make it real.
With the help of a shady middle-man, Vincent locates Jerome Morrow (Jude Law), a genetically superior individual who was paralyzed as the result of an accident. He agees to sell Vincent his identity (including blood and urine on demand, fingerprints, hair and other body debris, etc.). So, equipped with Jerome's genetic resume, which guarantees him work anywhere, Vincent applies for a position at Gattaca. He is accepted and quickly proves his worth to everyone. But, a week before he is to attain his lifelong ambition of making a space flight, he becomes a suspect in a murder investigation and his carefully-guarded secret is in danger of being exposed.
One of the things that impressed me the most about GATTACA is its ability to keep the level of tension high without compromising the script's intelligence or integrity. First-time director Andrew Niccol, a New Zealander working in Los Angeles, displays a sure hand in his execution of the material. One scene in particular, a masterfully- edited sequence cutting back and forth between the cops (who are closing in) and a man struggling to accomplish a Herculean physical task, is guaranteed to render audiences breathless. And there are enough little twists and turns to keep even the most easily-distracted audience member involved. From a visual perspective, Niccol's cinematographer, Slawomir Idziak, uses his trademark filters to differentiate the soft, warm glow of the outside world from the harshness of the windowless interior of Gattaca.
Ethan Hawke (BEFORE SUNRISE) is solid as Vincent, effectively portraying both his single-minded determination to rise about the disadvantages of his birth and his constant wariness of being caught once he has reached that goal. Jude Law's Jerome is a fascinating individual -- a man who is torn between despising Vincent because of his inferiority and admiring him because he's succeeding. In fact, Jerome is arguably GATTACA's most complex character. Meanwhile, Alan Arkin gives a delightful turn as a hard-bitten detective. Uma Thurman's limited range isn't taxed as Vincent's love interest (there isn't much chemistry between her and Hawke, but, since romance is a tertiary element of the story, it doesn't make much difference). And Loren Dean (the title character in BILLY BATHGATE) plays a cop with a special grudge against Vincent.
The average thriller, even if it's set in a faraway or futuristic world, tends to offer visceral, ephemeral excitement, and not much else. However, while GATTACA has the energy and tautness to compare with the best of those, its thought-provoking script and thematic richness elevate it to the next level. GATTACA is not a perfect motion picture (I would have appreciated a little more political background), but, at a time when so many science fiction films are dumber than dirt, it makes for a refreshing change-of-pace, and is a fine addition to the Fall movie season.
Copyright 1997 James Berardinelli
- James Berardinelli e-mail<EMAIL_ADDRESS>The website has moved!! The new address is: http://movie-reviews.colossus.net/
"The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it..."
- Jean-Luc Godard
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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belongs to the author.
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Related links: index of all rec.arts.movies.reviews reviews


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{% include themes/clean-blog/head.html %}
{% include themes/clean-blog/nav.html %} {{ content }} {% include themes/clean-blog/footer.html %}


As a digital analyst I manage Facebook and Google Campaigns
I enjoy using data to drive decision-making when managing search and social media campaigns.
Email me at<EMAIL_ADDRESS>GitHub


Review and adapt parameters constraints and dispatcher properties for mocks on operation {{ operationName }}. Be sure to know what you're doing: it may break your mocks!
This sidebar provides some explanations and examples on how to setup parameter constraints and use the evolved dispatchers.
Parameters Constraints
Parameters constraints allows you to define expectations regarding incoming header or query parameters values.
Adding constraints add new behaviour on your operation mocks so that they can:
check presence of parameter using the required flag,
recopy incoming parameter value into an outgoing header (think of transaction propagation for example),
match parameter value using a `regular expression` (think of Authorization token validation for example)
Fallback Dispatcher
Fallback dispatcher allows you to declare a fallback response in case the incoming request to your mocks do not
match any existing dispatch criteria.
Consider the following case where you have a single GET /user/:name operation. You've have defined mocks responses called
Andrew, Anna and John Doe that are matching with corresponding :name resource path.
What if name does not have one of theses values?
By default Microcks will return a 404 error. But if you've defined a FALLBACK dispatcher, you'll default to
the response of your choice. Just say you want to default to John Doe response:
{{ fallback }}
JSON Body Dispatcher
JSON Body dispatcher allows you to introspect the content of incoming JSON payload for matching values that you'll map to response.
It is paricully well suited for dealing with POST requests where you'll want different responses depending on request content.
Consider the following JSON payload representing a request body for creating new Beer entity:
{{ examplePayload }}
Using the JSON_BODY dispatcher, you can select target response depending of the value of a payload element.
Below we are checking for country with the equals operator. Note that you should always have a default case.
{{ equalsOperator }}
You can also dispatch depending on a payload number value using the range operator. Note the orientation
of brackets to include or exclude edge values. default is still required.
{{ rangeOperator }}
The size operator allows you to define dispatching rules depending on the size of an array. Here we only accept
beers that have at least 2 references and at most 100.
{{ sizeOperator }}
For much more complex rules, you may use the regexp operator. There's no guarantee that cases will in the given
order so regular expressions should be exclusives. Otherwise, it falls within the default case.
{{ regexpOperator }}
Finally, you may want to dispatch according the presence of an element within JSON payload. For that, you'll use the presence
operator that implies defining one found OR one missing case. Alternative falls into default case.


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Carol
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of
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1975
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r,/;
THE
NEW
YORK
BOTANICAL
GARDEN
Plants
of
Hispaniola
Dominican
Republic
No.
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selleana
Urb.
&
Ekm.
Det.
Alain
H.
Liogier,
March
1970.
Prostrate
shrub,
50-40
cm
high,
flowers
yellowish
wftite,
fruits
green.
Common
in
pine
forest,
and
on
slope.
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on
limestone
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bauxite,
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Mts.
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Legend -
Level of confidence that token is an accurately-transcribed word
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very low
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undetermined
medium
high
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This is the follow-up professional profile section about Robert, and includes useful information.
Consider adding types of projects he's worked on, and the technical skills he possesss.
These are the project management services I can provide that let you take care of other business.
This is the quality assurance testing description. This description length should not go past two lines.
This is the account management testing description. This description length should not go past two lines.
This is the forecasting testing description. This description length should not go past two lines.
This is the budgeting description. This description length should not go past two lines.
This is the agile project management description. This description length should not go past two lines.
This is the service one description
These are the frontend web development services I can provide that let you take care of other business.
This is the service one description. This service level description should not go past three lines.
This is the service one description
This is the service one description
This is the service one description
This is the service one description
Your couch. It is mine.
I'm a cool paragraph that lives inside of an even cooler modal. Wins!


open/[3,4]
[ISO]open(
+FileSpec,
+Mode,
-Stream)
open(
+FileSpec,
+Mode,
-Stream,
+Options)
Creates a Prolog stream by opening the file FileSpec in mode Mode with options Options.
A file specification or file descriptor.
[read,write,append]
, must be nonvar
An atom specifying the open mode of the target file. One of:
read
write
append
A list of zero or more of the following.
type(
+T)
text
or binary
stream. Default is text
.
reposition(
+Boolean)
true
), or not (false
). The latter is the default.
alias(
+A)
eof_action(
+Action)
end_of_file
), and a
further attempt to input is made. Action can have the following
values:
error
eof_code
end_of_file
) is returned
again.
reset
encoding(
Encoding)
Specifies the encoding to use if the stream is opened in text mode, as
an atom. The default is 'ISO-8859-1'
, the 8 bit subset of
UNICODE, i.e. “ISO 8859/1” (Latin 1) (see ref-iou-sfh-enc).
Overridden by the encoding_signature/1
option, see below.
encoding_signature(
+Boolean)
true
),
or not (false
). An encoding signature is a special byte
sequence that identifies the encoding used in the file. The most
common case is one of the Unicode signatures, often called “byte
order mark” (BOM).
A Unicode signature is a special byte sequence that can be used to distinguish between several UTF encoding variants, such as “UTF-8”, “UTF-16-BE” and “UTF-16-LE”.
If the file is opened in mode read then encoding_signature/1
defaults to true
. When encoding_signature(true)
is
specified additional heuristics will be used if no Unicode signature
is detected. Only if neither a Unicode signature nor these heuristics
specifies a character encoding will the encoding/1
option, if
any, be used.
The method used for selecting character encoding when a text file is
opened in mode read
is the first applicable item in the
following list:
encoding_signature/1
option is true
(the
default): If a byte order mark is detected it will be used to select
between the encodings “UTF-8”, “UTF-16” or “UTF-32” with
suitable endianess.
encoding_signature/1
option is true
(the
default): If an Emacs style `-*- coding: coding-system-*-' is present on the first non-empty line of the
file then it will be used.
encoding(
ENCODING)
is supplied, the specified encoding will be used.
the character encoding selected in this way will be used if it is recognized, otherwise an error exception is raised.
If the file is opened in mode write then it depends on the character
encoding whether an encoding signature will be output by default or not. If you want
to force an encoding signature to be output for those encodings that supports it you
can specify encoding_signature(true)
. Conversely, if you want to prevent an
encoding signature from being output you can explicitly specify encoding_signature(false)
.
All UTF encodings supports an encoding signature in the form of a BOM. “UTF-8” does not write a BOM unless
you explicitly specify encoding_signature(true)
, the 16 and 32 bit UTF
encodings, e.g. “UTF-16 BE”, “UTF-32 LE” writes a BOM unless
explicitly requested not to with encoding_signature(false)
.
If the file is opened in mode append then encoding_signature/1
defaults to
false
.
eol(
Eol)
In Prolog code, end of line is always represented by the character
'\n'
, which has character code 10, i.e. the same as ASCII Line
Feed (<LFD>). The representation in the file may be different, however.
Eol can have the following values:
lf
LF
, character code 10) is used to specify a end of line.
This can be used for both read mode and write mode streams.
crlf
CR
, character code 13) followed
by Line Feed (LF
, character code 10) is used to specify a end of
line.
This can be used for both read mode and write mode streams.
auto
CR
LF
and single
CR
or LF
into an end of line character.
This can be used only for read mode streams.
default
Under UNIX, this uses lf
for streams opened in write mode and
auto
for streams opened in read mode. Under Windows, this uses
crlf
for streams opened in write mode and auto
for
streams opened in read mode.
This can be used for both read mode and write mode streams.
if_exists(
+Action)
write
or append
. Action can have the
following values:
default
error
generate_unique_name
stream_property(
Stream, file_name(RealName))
on the
resulting stream. See the example below.
If FileSpec is a valid file specification, the file that it denotes is opened in mode Mode.
The resulting stream is unified with Stream.
Stream is used as an argument to Prolog input and output predicates.
Stream can also be converted to the corresponding foreign
representation through stream_code/2
and used in foreign code to
perform input/output operations.
The following example creates two log files, both based on the the base name my.log. The files will be written to a directory suitable for temporary files (see ref-fdi-fsp-pre).
open(temp('my.log'), write, S1, [if_exists(generate_unique_name)]), open(temp('my.log'), write, S2, [if_exists(generate_unique_name)]), stream_property(S1, file_name(N1)), stream_property(S2, file_name(N2)), format('Logging to ~a and ~a~n', [N1, N2]), ...
Under UNIX this would produce something like:
Logging to /tmp/my.log and /tmp/my1886415233.log
instantiation_error
type_error
domain_error
read
, write
or append
.
Options has an undefined option or an element in Options
is out of the domain of the option.
existence_error
permission_error
resource_error


"") { include("file" . $choice . ".txt"); echo "
"; } } ?>
What file do you wish to include?
file one
file two


Abstract
Secure coding practices prescribe that all XML processors should be configured to enable the secure processing features. This feature should be enabled explicitly where applicable.
Description
An instance of a factory should have the secure processing feature enabled before
creating a new instance of the desired XML processor.
This can be achieved by using one of the following methods.
factory.setFeature(XMLConstants.FEATURE_SECURE_PROCESSING, true);
factory.setSchema(Schema);
Where factory is an instance of:
- DocumentBuilderFactory
- TransformerFactory
- SAXParserFactory
- SchemaFactory
- XPathFactory
Correct code example:
import javax.xml.parsers.DocumentBuilder;
import javax.xml.parsers.DocumentBuilderFactory;
import javax.xml.XMLConstants;
...
DocumentBuilderFactory documentBuilderFactory = DocumentBuilderFactory.newInstance();
documentBuilderFactory.setNamespaceAware(true);
documentBuilderFactory.setValidating(false);
documentBuilderFactory.setFeature(XMLConstants.FEATURE_SECURE_PROCESSING, true);
DocumentBuilder documentBuilder = documentBuilderFactory.newDocumentBuilder();
Violating this guideline can cause
Web vulnerabilities
- Injection Flaws - XML Injection. Learn more
- Injection Flaws - External Entity Injection. Learn more
- Security Misconfiguration - Disabled Security Features. Learn more
Sensei quick fix
Use the Sensei® Quick Fix technology: Hit {{{ qfshortcut }}} to fix this guideline violation automatically.


The FilteringSelect widget is an enhanced version of HTML's <select> tag.
Similar features:
Enhancements over plain HTML version:
FilteringSelect #1: inlined data, autoComplete=false:
FilteringSelect #2: url, autoComplete=true:
FilteringSelect #3: url, autoComplete=false:
FilteringSelect #5: custom labelFunc (value in textbox should be lower case when onChange is called), autoComplete=true:
FilteringSelect #7: Input method editor Chinese characters
Using an input method editor (see IME for Windows) try typing 阿 (a) or 把 (ba).
FilteringSelect #8: Japanese
Try typing 東、西、北、南 (north, south, east west) and a few choices will pop up.
FilteringSelect #9: No data
This FilteringSelect has no options to choose from. It should still load.
FilteringSelect #10: hasDownArrow=false:
FilteringSelect #11: deep data, initial query of type=country:
this is some text below the combo boxes. It shouldn't get pushed out of the way when search results get returned. also: adding a simple combo box to test IE bleed through problem:


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LOVE'S LABOUR'S LOST
Reviewed by Harvey Karten Miramax Films Director: Kenneth Branagh Writer: Kenneth Branagh from the play by William Shakespeare and the songs and dances of Cole Porter, the Gershwins, Irving Berlin, Busby Berkeley and others Cast: Alessandro Nivola, Alicia Silverstone, Natascha McElhone, Kenneth Branagh, Carmen Ejogo, Matthew Lillard, Adrian Lester, Emily Mortimer
We all know that Broadway does not produce new musicals as it used to. Gone forever are the delights of Rogers and Hammerstein, Lerner and Loewe, E.Y. Harburg, Hugh Martin and Ralph Blane. Forget the classic dignity of Cole Porter's caustic wit, the mellifluous tunes of Irving Berlin and the songs and lyrics of the Gershwin Brothers. The work of the latter group is produced mostly in intimate cabaret rather than on the stage, but now Kenneth Branagh has found a way to attempt new life and meaning for the songs and to the dances made famous by Fred Astaire on the ballroom floor and Busby Berkeley's choreographed water ballets. The premise is an intriguing one: fit the music, however Procrustean one must be, into the compressed stanzas of one of Shakespeare's lightest and most insipid comedies, "Love's Labour's Lost." By doing this, Branagh hopes to honor some of the greats of the American musical theater and film while rekindling interest in a Shakespearean burlesque that's rarely required reading in any college.
The exertion is mostly for naught, principally because the delightful music and dance are contrivances, shoehorned into the mostly unfunny vaudevillian sketches whenever the slightest excuse presents itself. The filmmaker's choice of "Love's Labour's Lost" is an unfortunate one not because the caper is one of the Bard's weakest but because the simplistic rhyme schemes that inhabit songs like "There's No Business Like Show Business" and "Cheek to Cheek" do not mesh with the metaphoric convolutions of Shakespeare's rhyming patterns. When we hear lyrics from the 1930's, we yearn for more of the same but are hit with the poetic layout in Shakespeare's play droned mostly by a crew of American actors whose voices bear little music, we are frustrated. Alicia Silverstone, who shoulders a Sean-Connery-style lisp which might be attractive to a teen audience for "Clueless" simply ravages the feeling of magic that Branagh relies on calling up.
This is an update to the 1930's of a Shakespearean comedy of love in which four nobles from Navarre vow to give up women for three years in order to devote their lives to the study of philosophy. To answer online critic Ian Waldron- Mantgani's query about the purpose of the contract we need look only at the opening lines of the play: "Our late edict shall strongly stand in force/ Navarre shall be the wonder of the world;/ Our court shall be a little Academe,/ Still and contemplative in living art." Thus exclaims the King of Navarre (Alessandro Nivola) to his best pals Biron (Kenneth Branagh), Longaville (Matthew Lillard) and Dumain (Adrian Lester) "You three, Biron, Dumain, and Longaville,/ Have sworn for three years' term to live with me/ My fellow scholars, and to keep those statutes/ That are recorded in this schedule here."
The oaths are soon forgotten as a quartet of maidens paddle into town, namely the French princess (Alicia Silverstone) and her friends Rosaline (Natascha McElhone), Maria (Carmen Ejogo) and Katherine (Emily Mortimer). A good deal of the comedy comes from the manner in which each gentleman in turn breaks his pact, hoping to get away with his courtship outside the vision of the others. In the movie's most creative scene, which takes place in the institutions' library, each character in turn joyfully concedes his bliss unaware that the others are eavsdropping. The choreographed staging involves Fred Astaire-like climbing on chairs, tilting them gracefully over by pressing the left leg against the arm, and emerging without a pratfall on the floor below.
The goofy side characters are the most unfortunate segment on screen, as each tries to out high-camp the other but succeeds only in embarrassing himself and presumably a fidgety audience. Nathan Lane, so adept on the stage of New York's Manhattan Theatre Club and in films like "The Bird Cage," looks like little more than a babbling cretin while the pudgy Timothy Spall is merely obnoxious as the ribbon- bedecked Spanish nobleman crawling about the floor for no seeming purpose and bullying his Sancho-Panza-like cohort, Moth.
Given better casting, a longer dance rehearsal period than the three weeks purportedly allotted (only Adrian Lester's "Dumaine" comports himself credibly as a hoofer), and perhaps a scrapping of "Love's Labour's Lost" in favor of a 95-minute collage of the songs and dances of the thirties, this picture might have been saved.
Rated PG. Running time: 93 minutes. (C) 2000 by Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
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 But only handcrafted sweets can reveal the true potential of childhood’s favorite edibles. Precisely for this reason we’ve dedicated heaps of hours of our delicious time to perfect the perfect sweet – one that would fully satisfy even the pickiest of epicurean senses.
At our candy store you can find candy for any occasion or mood. For traditionalist – we have caramels and chocolates, and for the more adventurous types – we have sweet and sour, salty, and even spicy.


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|
JavaTM 2 Platform Standard Ed. 5.0 |
|||||||||
| PREV NEXT | FRAMES NO FRAMES |
| Packages that use CharSequence | |
|---|---|
| java.io | Provides for system input and output through data streams, serialization and the file system. |
| java.lang | Provides classes that are fundamental to the design of the Java programming language. |
| java.nio | Defines buffers, which are containers for data, and provides an overview of the other NIO packages. |
| java.nio.charset | Defines charsets, decoders, and encoders, for translating between bytes and Unicode characters. |
| java.util.regex | Classes for matching character sequences against patterns specified by regular expressions. |
| Uses of CharSequence in java.io |
|---|
| Methods in java.io with parameters of type CharSequence | |
|---|---|
StringWriter |
StringWriter.append(CharSequence csq)
Appends the specified character sequence to this writer. |
CharArrayWriter |
CharArrayWriter.append(CharSequence csq)
Appends the specified character sequence to this writer. |
Writer |
Writer.append(CharSequence csq)
Appends the specified character sequence to this writer. |
PrintWriter |
PrintWriter.append(CharSequence csq)
Appends the specified character sequence to this writer. |
PrintStream |
PrintStream.append(CharSequence csq)
Appends the specified character sequence to this output stream. |
StringWriter |
StringWriter.append(CharSequence csq,
int start,
int end)
Appends a subsequence of the specified character sequence to this writer. |
CharArrayWriter |
CharArrayWriter.append(CharSequence csq,
int start,
int end)
Appends a subsequence of the specified character sequence to this writer. |
Writer |
Writer.append(CharSequence csq,
int start,
int end)
Appends a subsequence of the specified character sequence to this writer. |
PrintWriter |
PrintWriter.append(CharSequence csq,
int start,
int end)
Appends a subsequence of the specified character sequence to this writer. |
PrintStream |
PrintStream.append(CharSequence csq,
int start,
int end)
Appends a subsequence of the specified character sequence to this output stream. |
| Uses of CharSequence in java.lang |
|---|
| Classes in java.lang that implement CharSequence | |
|---|---|
class |
String
The String class represents character strings. |
class |
StringBuffer
A thread-safe, mutable sequence of characters. |
class |
StringBuilder
A mutable sequence of characters. |
| Methods in java.lang that return CharSequence | |
|---|---|
CharSequence |
StringBuffer.subSequence(int start,
int end)
|
CharSequence |
CharSequence.subSequence(int start,
int end)
Returns a new CharSequence that is a subsequence of this sequence. |
CharSequence |
String.subSequence(int beginIndex,
int endIndex)
Returns a new character sequence that is a subsequence of this sequence. |
| Methods in java.lang with parameters of type CharSequence | |
|---|---|
StringBuilder |
StringBuilder.append(CharSequence s)
|
StringBuffer |
StringBuffer.append(CharSequence s)
Appends the specified CharSequence to this
sequence. |
Appendable |
Appendable.append(CharSequence csq)
Appends the specified character sequence to this Appendable. |
StringBuilder |
StringBuilder.append(CharSequence s,
int start,
int end)
|
StringBuffer |
StringBuffer.append(CharSequence s,
int start,
int end)
|
Appendable |
Appendable.append(CharSequence csq,
int start,
int end)
Appends a subsequence of the specified character sequence to this Appendable. |
static int |
Character.codePointAt(CharSequence seq,
int index)
Returns the code point at the given index of the CharSequence . |
static int |
Character.codePointBefore(CharSequence seq,
int index)
Returns the code point preceding the given index of the CharSequence . |
static int |
Character.codePointCount(CharSequence seq,
int beginIndex,
int endIndex)
Returns the number of Unicode code points in the text range of the specified char sequence. |
boolean |
String.contains(CharSequence s)
Returns true if and only if this string contains the specified sequence of char values. |
boolean |
String.contentEquals(CharSequence cs)
Returns true if and only if this String represents the same sequence of char values as the specified sequence. |
StringBuilder |
StringBuilder.insert(int dstOffset,
CharSequence s)
|
StringBuffer |
StringBuffer.insert(int dstOffset,
CharSequence s)
|
StringBuilder |
StringBuilder.insert(int dstOffset,
CharSequence s,
int start,
int end)
|
StringBuffer |
StringBuffer.insert(int dstOffset,
CharSequence s,
int start,
int end)
|
static int |
Character.offsetByCodePoints(CharSequence seq,
int index,
int codePointOffset)
Returns the index within the given char sequence that is offset from the given index by codePointOffset
code points. |
String |
String.replace(CharSequence target,
CharSequence replacement)
Replaces each substring of this string that matches the literal target sequence with the specified literal replacement sequence. |
| Constructors in java.lang with parameters of type CharSequence | |
|---|---|
StringBuffer(CharSequence seq)
Constructs a string buffer that contains the same characters as the specified CharSequence . |
|
StringBuilder(CharSequence seq)
Constructs a string builder that contains the same characters as the specified CharSequence . |
| Uses of CharSequence in java.nio |
|---|
| Classes in java.nio that implement CharSequence | |
|---|---|
class |
CharBuffer
A character buffer. |
| Methods in java.nio that return CharSequence | |
|---|---|
abstract CharSequence |
CharBuffer.subSequence(int start,
int end)
Creates a new character buffer that represents the specified subsequence of this buffer, relative to the current position. |
| Methods in java.nio with parameters of type CharSequence | |
|---|---|
CharBuffer |
CharBuffer.append(CharSequence csq)
Appends the specified character sequence to this buffer (optional operation). |
CharBuffer |
CharBuffer.append(CharSequence csq,
int start,
int end)
Appends a subsequence of the specified character sequence to this buffer (optional operation). |
static CharBuffer |
CharBuffer.wrap(CharSequence csq)
Wraps a string into a buffer. |
static CharBuffer |
CharBuffer.wrap(CharSequence csq,
int start,
int end)
Wraps a character sequence into a buffer. |
| Uses of CharSequence in java.nio.charset |
|---|
| Methods in java.nio.charset with parameters of type CharSequence | |
|---|---|
boolean |
CharsetEncoder.canEncode(CharSequence cs)
Tells whether or not this encoder can encode the given character sequence. |
| Uses of CharSequence in java.util.regex |
|---|
| Methods in java.util.regex with parameters of type CharSequence | |
|---|---|
Matcher |
Pattern.matcher(CharSequence input)
Creates a matcher that will match the given input against this pattern. |
static boolean |
Pattern.matches(String regex,
CharSequence input)
Compiles the given regular expression and attempts to match the given input against it. |
Matcher |
Matcher.reset(CharSequence input)
Resets this matcher with a new input sequence. |
String[] |
Pattern.split(CharSequence input)
Splits the given input sequence around matches of this pattern. |
String[] |
Pattern.split(CharSequence input,
int limit)
Splits the given input sequence around matches of this pattern. |
|
JavaTM 2 Platform Standard Ed. 5.0 |
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| PREV NEXT | FRAMES NO FRAMES |
Copyright © 2004, 2010 Oracle and/or its affiliates. All rights reserved. Use is subject to license terms. Also see the documentation redistribution policy.


Sedan
2015
Very clean, still about 45000km. Factory fitted
air conditioning. Not up to 5 months in Nigeria.
Owner is looking for a good buy.
4 wheel drive, Alloy rims, Leather seat, Tinted
glass, Perfectly maintained.


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WITNESS LIST Urban Affairs Committee June 13, 2000-10:00A Volunteer Fire Fighter For: Ivie Miller, Lisa (State Firemens' & Fire Marshals' Assoc.) Volunteer Fire Fighters For: Anderson, Tommy (Santa Fe Fire & Rescue) Bizzell, Lynn (Texas Fire Chief's Assoc.) Campbell, Ken (Emergency Service Districts & Volunteer Fire Depts.) Lewis, Keith (Comal County Rural Fire Prevention District #4) Loeffler, Paul (State Fireman's & FireMarshals Assn.) McDonnell, Kevin (Travis County Emergency Services District #4) Millikin, Jay (Comal County Commissioners) Montalue, Domingo (Self) Mullenberg, Ron (Captial Area Fire Chiefs) Pickard, Donnie (State Firemen & Fire Marshals' Assn.) Regnier, Ted (Volunteer Firemen's Insurance of Texas) Stevens, Buck (Self and Private Fire fighter) Weiss, Robert (Volunteer Fire Fighters) Windisch, Fred (Volunteer County Fire Marshals) On: Arnold, Jim (Texas Engineering Extension Service) Ethridge, K.R. (Texas Commission on Fire Protection) Sandefer, Morris (Fire Fighters Pension Commission) Young, Bobby (Texas Forest Service) Volunteer FireFighter For: Workman, Kip (Lavernia Fire Department)


a small, classless and minimalist css framework.
I'm a header.
look at me
this content is now in another section. and this is some dummy text I am writing right now. I didn't want to use lorem ipsum because I feel like it is overused and boring.
and I am made for quotes, look at me!
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so, I'm pretty strong. you can't see me
maybe now you want to do: echo term is cool
to confirm it!
or, perhaps: nano confirm
term is cool
from here hold ctrl+x
, hit y
and enter
!
doing cat confirm
will output this now:
term is cool
an unordered list:
an ordered list:
| id | name | score |
|---|---|---|
| 1 | john | 10 |
| 2 | bob | 8 |
| 3 | rob | 5 |


04 January 2002
Disease Outbreak Reported
All contacts (having
direct or suspected contact with the blood or other body fluids of a case) are being
closely monitored for signs or symptoms of Ebola haemorrhagic fever for 21 days. As of 2
January 2002, 242 contacts are under active follow up (147 contacts in Gabon, 95 in the
Republic of the Congo). The international team continues to work closely on both
sides of the border with the Congolese and Gabonese Ministries of Health on outbreak
control interventions.
As of 2
January 2002, 32 confirmed cases have been reported (15 by laboratory testing, 17
epidemiologically linked), including 23 deaths (17 in Gabon, 6 in the Republic of
the Congo). Of these 32 confirmed cases, 20 cases have been detected in Gabon and 12
in villages close to the border between the two countries.
An additional 10 suspected cases (8 in Gabon, 2 in the Republic of the Congo) are under
investigation.


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Prasad Shankar Huddedar
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public interface ConnectivityConfiguration
ConnectivityConfiguration
provides read only access to
destination properties.| Modifier and Type | Method and Description |
|---|---|
void |
clearCache()
Removes all destination configurations from the destination cache if such
exist.
|
DestinationConfiguration |
getConfiguration(String name)
Retrieves the destination configuration with the provided name.
|
DestinationConfiguration |
getConfiguration(String accountId,
String name)
Retrieves the destination configuration on account level with the
provided name for the provided account Id.
|
Map<String,DestinationConfiguration> |
getConfigurations(String accountId)
Retrieves all destination configurations on account level for the
provided account Id.
|
DestinationConfiguration getConfiguration(String name)
name
- destination name. The name must match the following pattern:
"^[A-Za-z0-9-_]{1,200}$".DestinationConfiguration
or null
if
configuration is not found.IllegalArgumentException
- if the name doesn't match the pattern or the found
destination configuration is not valid.IllegalStateException
- if there are problems to get the destination configuration.DestinationConfiguration getConfiguration(String accountId, String name)
accountId
- Id of the account that is associated with current tenant can
be accessed via
TenantContext.getTenant().getAccount().getId()
.
Id of the provider account of the calling application is
accessible via environment property HC_ACCOUNT. The id must
match the following pattern: "^[a-z][a-z0-9]{0,29}$".name
- destination name. The name must match the following pattern:
"^[A-Za-z0-9-_]{1,200}$".DestinationConfiguration
or null
if
configuration is not found.NotAuthorizedException
- if account Id is not found, missing access permissions for
the account, or method is called in the SCP local development
scenario (there is no account information).IllegalArgumentException
- if the account id and/or name don't match the pattern or the
found destination configuration is not valid.IllegalStateException
- if there are problems to get the destination configuration.Map<String,DestinationConfiguration> getConfigurations(String accountId)
accountId
- Id of the account that is associated with current tenant can
be accessed via
TenantContext.getTenant().getAccount().getId()
.
Id of the provider account of the calling application is
accessible via environment property HC_ACCOUNT. The id must
match the following pattern: "^[a-z][a-z0-9]{0,29}$".Map
with key destination name and value
DestinationConfiguration
or null
if
configurations are not found.NotAuthorizedException
- if account Id is not found, missing access permissions for
the account, or method is called in the SCP local development
scenario (there is no account information).IllegalArgumentException
- if the account id doesn't match the pattern.IllegalStateException
- if there are problems to get the destination configurations.void clearCache()
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Drowning Mona and Whatever it Takes 0 Stars (Out of 4) and 0 Stars (Out of 4) Reviewed by Mac VerStandig<EMAIL_ADDRESS>http://www.moviereviews.org March 5, 2000 USA Release Date of Drowning Mona - March 3, 2000 USA Release Date of Whatever it Takes - March 24, 2000
--- A copy of this review can be found at http://www.moviereviews.org/drowning_mona_and_whatever_it_takes.htm ---
Several nights ago I was forced to make a decision between attending a screening of a) Drowning Mona or b) Whatever it Takes. My choice wouldn't make much difference as I was destined to view both, so I nonchalantly chose b. In retrospect, I should have opted for c) a warm bath and a good night's sleep.
Drowning Mona, the third pathetic excuse for a movie from Destination Films (Bats and Eye of the Beholder), has a very-much recognizable cast that you expect to deftly guide it through what sounds like a semi-intriguing plot. Whatever It Takes, comparatively, comes from the veteran Columbia pictures and features a bunch of no-names in a very-much tired plot.
Danny DeVito hunts down the murderer of Verplank, New York's town shrew in Mona while Shane West seeks a prom date at Gilmore High in Whatever it Takes. It has been a while since a who-didn't-do-it has come along, so Mona certainly had the potential to be refreshingly amusing. Unfortunately, as the list of Fargonian characters piles up, it becomes increasingly apparent that the film's payoff cannot make sense as not a single member of the all-inclusive suspect list has the intellectual capacity to execute a murder. I dare even say that the only people dumber than the citizens of Verplank are the graduating class of Gilmore High. The characters in Whatever it Takes are so flagrantly single-dimensional that a quasi-Pleasantville feeling is created.
Insuring that Drowning Mona dies a worst death than the one described in its title are Danny DeVito, Casey Affleck, Bette Midler and Neve Campbell. DeVito likely won't suffer too badly from picking this film as he can still be seen in the extraordinary Man on the Moon and has an extremely respectable career to overshadow this work. Midler, on the other hand, is fresh off of Isn't She Great (which isn't) and needs to take a serious look at the current state of her career. It has been nearly 10 years since the landmark in her vitae when she bid Carson goodbye and although she continues to do acclaimed live theatre, her film career seems to have nose-dived since that Memorial Day weekend. As for Affleck and Campbell, they are both newcomers who will have to fight to erase memories of Mona, but given their talent they will likely succeed.
Whatever it Takes features Shane West and Marla Sokoloff as the resident geeks who attempt to cross-date with the two most popular kids in school, played by James Franco and Jodi Lyn O'Keefe. Sokoloff, West and Franco will all likely be destroyed by this play-it-by-the-convenient-cliché production. As for O'Keefe, the only actor with any experience to speak of (except for the always cute Julia Sweeney in a supporting role), she will likely come away stereotyped as the teenage bitch until she can no longer stop playing a teenager, at which point the only line she'll have to remember is "Would you like fries with that?"
For Mona, the kiss of death comes in a mid-film knife-throwing contest when the tempestuous character is humanized. The second you feel remotely bad for the deceased, the film goes from being really awful to really really awful. For Whatever it Takes, the unoriginal plot mixed with the apparent inability to land a singly joke doom the production for expulsion from the ranks of decent cinema.
Forget a hot bath and good night's sleep. I would have rather bathed in an Alaskan lake and spent a the night with the Adams Family than suffered through either of these movies!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
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Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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The thought of your home being completely automated used to be unheard of. Now, it is a reality. Smart homes and smart products are popular because they offer more convenience and security for you and your family. Home automation or domotics is building automation for a home, called a smart home or smart house. A home automation system will control lighting, climate, entertainment systems, and appliances It may also include home security such as access control and alarm systems. When connected with the Internet, home devices are an important constituent of the Internet of Things.


Is Vim Better?
 If looking at a terminal all day makes you happy then knock yourself out.
Made with love while writing this with Vim (I'm not a vim user, the struggle is real).
Reviews of this site
- @ramsey: "Looking at a terminal all day does make me happy"
- @fskirschbaum: "Wrong. Should have been 96pt YES."
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Before Change
Image url of current playing media.
if "artwork_url" in self._status:
return self._status["artwork_url"]
return ("http://{server}:{port}/music/current/cover.jpg?"
"player={player}").format(server=self._lms.host,
port=self._lms.http_port,
player=self._id)
@property
def media_title(self):
Title of current playing media.
After Change
def media_image_url(self):
Image url of current playing media.
if "artwork_url" in self._status:
media_url = self._status["artwork_url"]
else:
media_url = ("/music/current/cover.jpg?"
"player={player}&"
"nocache={nocache}").format(
player=self._id,
nocache=hash(self.media_title))
base_url = "http://{server}:{port}/".format(server=self._lms.host,
port=self._lms.http_port)
return urllib.parse.urljoin(base_url, media_url)
@property
def media_title(self):
Title of current playing media.


| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one or more | |
| 3 | * contributor license agreements. See the NOTICE file distributed with | |
| 4 | * this work for additional information regarding copyright ownership. | |
| 5 | * The ASF licenses this file to You under the Apache License, Version 2.0 | |
| 6 | * (the "License"); you may not use this file except in compliance with | |
| 7 | * the License. You may obtain a copy of the License at | |
| 8 | * | |
| 9 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 10 | * | |
| 11 | * Unless required by applicable law or agreed to in writing, software | |
| 12 | * distributed under the License is distributed on an "AS IS" BASIS, | |
| 13 | * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | |
| 14 | * See the License for the specific language governing permissions and | |
| 15 | * limitations under the License. | |
| 16 | */ | |
| 17 | package org.apache.commons.math3.exception; | |
| 18 | ||
| 19 | import org.apache.commons.math3.exception.util.LocalizedFormats; | |
| 20 | ||
| 21 | /** | |
| 22 | * Exception to be thrown when the maximal number of evaluations is exceeded. | |
| 23 | * | |
| 24 | * @since 3.0 | |
| 25 | */ | |
| 26 | public class TooManyEvaluationsException extends MaxCountExceededException { | |
| 27 | /** Serializable version Id. */ | |
| 28 | private static final long serialVersionUID =<PHONE_NUMBER>885151975L; | |
| 29 | ||
| 30 | /** | |
| 31 | * Construct the exception. | |
| 32 | * | |
| 33 | * @param max Maximum number of evaluations. | |
| 34 | */ | |
| 35 | public TooManyEvaluationsException(Number max) { | |
| 36 | super(max); | |
| 37 |
3
1. 2. 3. |
getContext().addMessage(LocalizedFormats.EVALUATIONS); |
| 38 | } | |
| 39 | } | |
Mutations | ||
| 37 |
1.1 2.2 3.3 |


First or all, write because you love doing it. Don’t write to become famous or wealthy or to have lots of friends who admire you. All of that stuff may happen but don’t write because of it. Write because you enjoy telling a story.
I have heard of people writing a 100,000 word book in two weeks which instantly becomes a best seller but I have never met them. Don’t expect this to be you. Most writers feel pretty good to crack out 2000 words a day and getting a publishing contract can take a year or more and then it can be another year or even longer before it actually gets published and appears on bookshop shelves. Of course, self-publishing an ebook is a lot quicker but you have to really know what you are doing. Be careful.
Write what you want to write. Don’t write books for kids say, about World War One because they seem to be popular at the moment, or crime books because everyone else is doing it. Write what you love and the way to find that out is probably to have a look at what you read. If you love romance stories and you read a lot of romance then write a romance. Don’t worry about people judging you – they’ll do that whatever you write.
Believe in yourself. If you want to write, if you love writing then just do it. And if you can’t handle people saying you will probably fail then don’t tell them what you are doing. No one knew I was writing Thieves except my husband until I had a publishing contract. And even then very few of my friends knew. Most people I deal with every day still have no idea. And it’s okay to keep it that way. They don’t get it and that’s just fine. My mum was the best when Thieves came out: “Hi Mum, my book is getting published.” “That’s nice, where will I be able to find it.” “It will be on bookshop shelves, Mum.” “It’s a real book?” “Yes, Mum, but I’ll send you a copy, you don’t need to buy it.” She’s now one of my biggest supporters. Thanks Mum.
Whatever you do write a great book. Not just a good book, but a great book, a mind blowing, amazing, incredible book. You sell more books this way, win awards, get to do stuff. Don’t complain if your book doesn’t sell, if it doesn’t make it into awards. Just go write a better book.
Saying that, there is a lot of luck in this business. Even with winning awards, just because your book is amazing, that doesn’t mean it will win. I once had a white pony which a friend used to enter into competitions. These competitions were simply about how the pony looked. She used to either win everything on the day, or nothing.  If the judges didn’t like white ponies, then she wouldn’t win anything, however much work she had done brushing it and plaiting its tail. When luck isn’t going your way, don’t let it get you down. When it is going your way, when everyone loves white ponies, then enjoy the rollercoaster ride.


BOXING HELENA A film review by Jon Webb Copyright 1993 Jon Webb
A while ago I saw a movie called something like LADY IN THE WINDOW, which was filmed here in Pittsburgh. It was about a department store window designer and the man who was sexually obsessed with her.  I remember Horne's department store figured prominently.
BOXING HELENA makes me think of this movie for two reasons.  Second, LADY IN THE WINDOW is the only movie I can remember that is actually worse than BOXING HELENA. (To be fair, I'm sure there have been five or so more; I just can't think of them right now.)
BOXING HELENA has the raw, gritty feel of a junior high-school drama production.  More than anything else, it shows how important good direction is to a film, and how badly things can go wrong when the director has no idea whatsoever what she is doing.
Jennifer Lynch, who directed this amazing bomb, should have worked for a while as assistant director, or something like that, on other films. She might have picked up a few pointers on motivating people, and learned how to pace a film. As it is, her creation of this stinker is a strong argument for the passage of anti-nepotism laws in Hollywood. Who knows -- this movie could ultimately have the impact JFK did, and lead to national legislation. (And probably also to a movement to make sure film stock is recyclable; it is the only way some good will come of the print.)
The actors are real professionals: Sherlyn Fenn, Julian Sands, Art Garfunkel. They have all been in reasonable films. Sherilyn Fenn even achieves a kind of effective performance here; there's something about the way she holds herself in the quadraplegic scenes that is moving, a little.
One thing that is sad about this movie is that Lynch seems to have had some interesting ideas. Besides the plot itself, which is at least original, there's one scene where Fenn teaches Sands how to make love to a woman, that is fun. There are also Sands's nervous habits, like changing his shirt all the time and putting some sort of ear drops in his ear, neither of which is explained, that are intriguing in a Lynch-esque way.
*No one* should see this film. Even if you are thinking about it because it sounds strange and interesting, don't go. You will live a happier life if you don't have to carry the memory of this dreck around with you.
-- J
.
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Your DAO manages the next big thing but you know competition for wallet space is tight. With so many newbs joining crypto how do you make sure they ape your project first? Memes and other forms of earned media are important but advertising is the most direct way to make sure people learn of your project before they buy some shitcoin.
We're a team of experts with deep experience in AdTech and an extreme love for web3. In the web2 world we have helped clients generate over $2.5B+ in sales and have manged ad budgets as high as $50M/month. We want to take that experience and put it to work for worthy DAO projects.
 Like anything else it takes experience to develop the instincts in AdOps to make your campaign perform the best possible, focus on the insights generated from the experiment and roll that knowledge into your next campaign.
We focus on guidance, reporting and transparency so DAO bag holders can take informed positions.


--- layout: post status: publish published: true title: Interop Libs Repository author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 18 wordpress_url: http://winterdom.com/2002/12/interoplibsrepository date: '2002-12-12 17:30:33 +0000' date_gmt: '2002-12-12 17:30:33 +0000' categories: - ".NET" tags: [] comments: [] ---
Sam is leading a community effort to create a repository of COM interop libraries and interface definitions, and has gotten started on a GotDotNet's workspace. I think this is a great idea, and I'll try to contribute my bits as time allows!


| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| app/ | 100% | 2/2 | 100% | 0/0 | 100% | 1/1 | 100% | 2/2 | |
| app/blocks/diagnostics/ | 51.72% | 15/29 | 12.5% | 1/8 | 57.14% | 4/7 | 51.72% | 15/29 | |
| app/blocks/exception/ | 73.53% | 25/34 | 16.67% | 1/6 | 91.67% | 11/12 | 73.53% | 25/34 | |
| app/blocks/logger/ | 80% | 16/20 | 100% | 0/0 | 71.43% | 5/7 | 80% | 16/20 | |
| app/blocks/router/ | 82.98% | 39/47 | 33.33% | 7/21 | 92.31% | 12/13 | 82.61% | 38/46 | |
| app/core/ | 90% | 54/60 | 66.67% | 4/6 | 80.95% | 17/21 | 90% | 54/60 | |
| app/customers/ | 87.5% | 49/56 | 0% | 0/2 | 72.73% | 16/22 | 87.5% | 49/56 | |
| app/dashboard/ | 96% | 24/25 | 100% | 0/0 | 90.91% | 10/11 | 96% | 24/25 | |
| app/layout/ | 91.94% | 57/62 | 84.62% | 11/13 | 85% | 17/20 | 91.8% | 56/61 | |
| app/widgets/ | 50% | 9/18 | 0% | 0/2 | 42.86% | 3/7 | 50% | 9/18 |


+02y
Brand Design
Eyes are the first judges we ever face, a good impresion is the best way to reach potential clients. I started my journey here, letting my imagination flow, only guided by few specific rules, in order to reach the complete potential of a brand. Is not just colors and drawings, it's about the experience.
Check my work


This is the first paragraph of my html page. I am going back and redoing every class activity to assure that I am competant in the material before my next class.


--- template: example.html title: Icon sprites with WebGL example shortdesc: Icon sprite with WebGL docs: >
In this example a sprite image is used for the icon styles. Using a sprite is required to get good performance with WebGL.
tags: "webgl, icon, sprite, vector, point" ---


Extension Settings
API key:
Register at
findemails.com
and visit
API settings
to retrieve your key
Save
Close


Module: ActionController::Caching
| Child Modules: | ClassMethods, ConfigMethods, Fragments |
| Extended by: | ActiveSupport::Autoload, ActiveSupport::Concern |
| Includes: | AbstractController::Callbacks, ConfigMethods, Fragments, RackDelegation |
| Defined in: |
Overview
Caching is a cheap way of speeding up slow applications by keeping the result of calculations, renderings, and database calls around for subsequent requests.
You can read more about each approach by clicking the modules below.
Note: To turn off all caching, set
config.action_controller.perform_caching = false
Caching stores
All the caching stores from ActiveSupport::Cache are available to be used as backends for Action Controller caching.
Configuration examples (FileStore is the default):
config.action_controller.cache_store = :memory_store
config.action_controller.cache_store = :file_store, '/path/to/cache/directory'
config.action_controller.cache_store = :mem_cache_store, 'localhost'
config.action_controller.cache_store = :mem_cache_store, Memcached::Rails.new('localhost:11211')
config.action_controller.cache_store = MyOwnStore.new('parameter')
Constant Summary
Constants included from ActiveSupport::Callbacks
ActiveSupport::Callbacks::CALLBACK_FILTER_TYPES
Instance Method Summary collapse
Methods included from ActiveSupport::Autoload
autoload, autoload_at, autoload_under, autoloads, eager_autoload, eager_load!, .extended
Methods included from ActiveSupport::Concern
append_features, class_methods, .extended, included
Methods included from Fragments
#expire_fragment, #fragment_cache_key, #fragment_exist?, #instrument_fragment_cache, #read_fragment, #write_fragment
Methods included from ConfigMethods
Methods included from AbstractController::Callbacks
Methods included from ActiveSupport::Callbacks
Methods included from RackDelegation
#dispatch, #reset_session, #response_body=
Instance Method Details
#view_cache_dependencies
[ GitHub ]75 76 77
# File 'actionpack/lib/action_controller/caching.rb', line 75 def view_cache_dependencies self.class._view_cache_dependencies.map { |dep| instance_exec(&dep) }.compact end


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Peloton exploring apps for Amazon Fire TV, Apple Watch - Bloomberg
REUTERS: Peloton Interactive Inc is exploring apps for Amazon.com Inc's Fire TV and Apple Inc's Watch, Bloomberg reported on Wednesday, citing people familiar with the matter.
The treadmill and exercise bike-maker is also planning for a cheaper treadmill, rowing machine for the next year, according to the report. (https://bloom.bg/2rA6U6u)
Peloton is known for its on-demand workout program on exercise bikes which allow riders to join virtually with other participants.
"While our R&D team is always working on ideas, we have no new products to announce on either the software or hardware side", a company spokeswoman told Reuters.
Peloton's shares fell 7.5per cent earlier this month after it forecast a loss for fiscal 2020 in its first earnings, following a disappointing market debut in September.
(Reporting by Ayanti Bera in Bengaluru; Editing by Shounak Dasgupta)