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Birman cat
The Birman, also called the "Sacred Cat of Burma", is a domestic cat breed. The Birman is a long-haired, colour-pointed cat distinguished by a silky coat
read morebritish shortHair cat
The British Shorthair is the pedigreed version of the traditional British domestic cat, with a distinctively stocky body, dense coat, and broad face.
read moreMunchkin Cat
The Munchkin cat or Sausage cat is a relatively new breed of cat characterized by its very short legs, which are caused by genetic mutation.
read moreExotic cat
The Exotic Shorthair is a breed of cat developed as a short-haired version of the Persian. The Exotic is similar to the Persian in many ways, including temperament and conformation.
read morepersian solid
Persian cats are, perhaps, best known for their flat faces, big eyes, and long, luxurious coats, but there's much more to these pretty kitties than just looks.
read moreRog doll
The Ragdoll is a cat breed with a color point coat and striking blue eyes. Their form is large and muscular and their coat is silky soft and semi-longhair.
read more


D-2
Edit a value in the Data editor and watch the grid updateRemove the comma from the grid cell:
- Click the Data tab.
- Edit the
name
property in the first (dataRow
) object. - Click the button.
- The grid cell updates.
Remove the comma from the grid cell:
name
property in the first (dataRow
) object.setData
will typically be JSON.parse
’d from a character string in JSON format.
The Data tab uses
eval
to parse their editors as straight JavaScript,
rather than JSON.parse
which requires strict JSON.
This is intended to make editing easier as you do not need to concern yourself with
strict adherence to the JSON standard (double quotes, primitive types, no comments, _etc._).


This is another estuary area about 50NM north of Paranagua. The town here was originally a whaling station.
Position 25°03.7'S, 47°52.8'W.
The entrance to this network of rivers is marked with buoys, but beware, as they can be misplaced by storms. The following website has more details.
Anchor in mud north of the ferry dock in about 4m, near the Cananeia Gloria hotel. It is possible to land at the ferry dock and leave the dinghy there.
There is a very useful fuel dock at Central Nautico who have a small dock where you can leave your dinghy safely as they have 24hr security.
It is also possible to moor a little way off this dock and land your dinghy there. Although it is outside the town, it is much quieter than off the town quay, where there are a lot of tripper and fishing boats.
Last updated January 2010.


| Changes | |
|---|---|
| 2009-07-28 | Added message overview table |
| 2009-07-28 | Draft: Modified some JSON objects and field names |
| 2009-07-24 | Draft: Modified some JSON objects and field names |
The protocol uses JSON (JavaScript Object Notation) to encode messages send by the client or server. A message send by the client is a request. For each request the server answers with an appropriate response.
{
"protocol-id":PROTOCOL_ID,
"action":"response"
}
| Field | Description |
|---|---|
| PROTOCOL_ID | a string containing the protocol id. The id of the protocol as described in this document is "1.0" (without quotes). |
| Request | Authenticated | Response |
|---|---|---|
| Store New Patch | yes | Store New Patch Response |
| Delete Patch | yes | Default Response |
| Register New User | yes | Default Response |
| Get Patch List | no | Get Patch List Response |
| Base Class | Class | Abstract |
|---|---|---|
| - | Message | yes |
| Message | Request | yes |
| Request | Authenticated Request | yes |
| Message | Response | yes |
| Authenticated Request | Store New Patch | no |
| Authenticated Request | Delete Patch | no |
| Authenticated Request | Register New User | no |
| Request | Get Patch List | no |
| Response | Default Response | no |
| Default Response | Get Patch List Response | no |
| Default Response | Store New Patch Response | no |
Each request-object is based on the message-object. If not stated otherwise for each request the server sends the Default Response object.
The request registers a new user.
{
"protocol-id":PROTOCOL_ID
"auth":AUTH,
"action":"register-new-user"
}
| Field | Description |
|---|---|
| AUTH | Auth object specifying the username/password pair of the new user |
Upload / publish a patch.
{
"protocol-id":PROTOCOL_ID
"auth":AUTH,
"action":"store-new-patch",
"data":DATA,
"data-md5":DATA_MD5,
"patch-metadata":META
}
| Field | Description |
|---|---|
| AUTH | Auth object specifying the username/password pair of the new user |
| DATA | base64 encoded string of the the patch file (binary file) |
| DATA_MD5 | base64 encoded string of the 32-byte MD5 checksum of the patch file |
| META | Meta object specifying metadata of the patch file |
Response: Store New Patch Response
Delete a patch.
{
"protocol-id": PROTOCOL_ID
"auth": AUTH,
"action": "delete-patch",
"patch-id": PATCH_ID
}
| Field | Description |
|---|---|
| AUTH | Auth object specifying the username/password pair of the new user |
| PATCH_ID | string containing the patch-id |
Get the list of patches stored by the server.
{
"protocol-id":PROTOCOL_ID,
"action":"get-patch-source-list",
"date-since":DATE_SINCE
}
| Field | Description |
|---|---|
| DATE_SINCE | Requests a list of patches published since the specified date.
If a null -Value is specified then a list containing every patch is requested.
Otherwise the value must be a string containing a date encoded using the format YYYY-MM-DD (YYYY:year, MM:month [1-12], DD:day [1-31]). |
Response: Get Patch List Response
Get information about the server. The server replies with the default response. This message is a
{
"protocol-id":PROTOCOL_ID,
"action":"get-server-info"
}
Response: Get Server Info Response
For each request the server sends a response indicating either success or failure of the operation. Each response-object is based on the message-object.
{
"protocol-id":PROTOCOL_ID,
"action":"response",
"requested-action":REQUESTED_ACTION,
"status":STATUS,
"message":MESSAGE
}
| Field | Description |
|---|---|
| REQUESTED_ACTION | name of the action this response originated from |
| STATUS | "ok" or "failed" indicating success or failure of performing the request/operation |
| MESSAGE | optional string containing a message, for instance the reason why the operation failed |
The default response object having following additional fields:
{
...
"patch-source-list":PATCH_SOURCE_ARRAY
"date-since":DATE_SINCE
}
| Field | Description |
|---|---|
| PATCH_SOURCE_ARRAY | array of PatchSource objects |
| DATE_SINCE | The same value as specified in the "date-since" field of the request. |
The default response object having following additional fields:
{
...
"patch-source": PATCH_SOURCE
}
| Field | Description |
|---|---|
| PATCH_SOURCE | PatchSource object containing id+url of the stored patch |
The Auth object specifies the username/password pair which is required for certain operations.
{
"username": USERNAME,
"password": PASSWORD
}
| Field | Description |
|---|---|
| USERNAME | a string containing the username |
| PASSWORD | a string containing the password |
The PatchSource object specifies patch-id and source.
{
"patch-id": PATCH_ID,
"patch-url": PATCH_URL
}
| Field | Description |
|---|---|
| PATCH_ID | a string containing the unique patch-id |
| PATCH_URL | a string containing the URL from which the patch can be downloaded |


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The F90 M5 accelerates from a standstill to 100 km/h (62 mph) in 3.4 seconds, and to 200 km/h (124 mph) in 11.1 seconds.
In Imperial measurements 60 mph (97 km/h) is reached in 2.8 seconds and 100 mph (161 km/h) in 6.6 seconds.
The top speed is limited to 250 km/h (155 mph), and the delimited top speed is 305 km/h (190 mph)
with the optional M Driver's Package. Despite the added weight of the all-wheel drive components,
the weight of the F90 M5 is approximately 40 kg (88 lb) lower than the previous generation M5.
In December 2017, the F90 M5 set the Guinness World Records for "Longest continuous vehicle drift" and
"Longest twin vehicle drift (water assisted)" on a wet skidpad, with distances of 374 km (232 mi)
and 144 km (89 mi) respectively. The F90 M5 recorded a Nürburgring lap time of 7:38.92 in a test by Sport auto.
The BMW M5 Competition model was introduced in August 2018, with power increased to 460 kW (617 hp)
at 6,000 rpm and torque remaining unchanged at 750 N⋅m (553 lb⋅ft) between 1,800–5,800 rpm.
The official 0–100 km/h (0–62 mph) acceleration time was reduced by 0.1 seconds compared with the regular M5.
Other changes include stiffer springs, increased front camber,
a 7 mm (0.3 in) lower ride height, revised wheels and a redesigned exhaust system with a particulate filter added.
In a test by sport auto the M5 Competition lapped the Nürburgring in 7:35.90.
Although advertised at 460 kW (617 hp) (measured at the crank) the M5 Competition in Car
and Driver's dyno test showed 460 kW (617 hp) at the wheels, suggesting a higher output than advertised.


BY EDWIN JAHIEL
DREAM WITH THE FISHES (1997) ** Written and directed by Finn Taylor. Photography, Barry Stone. Editing, Rick Le Compte.Production design, Justin McCartney. Music, Charles Raggio. Cast : David Arquette (Terry), Brad Hunt (Nick), Kathryn Erbe (Liz), Cathy Moriarty (Aunt Elise), Patrick McGaw (Don), J.E. Freeman (Nick's father). A Sony Pictures Classics release. 96 min. R (drugs, sex, language)
For Sony Pictures to put "Dream With the Fishes" in the "Classics" group is a bit of a stretch.  But it is a somewhat offbeat buddy movie, perhaps bizarre for the 1990s but quite close to certain films of the hippie days.
Scriptwriter and now first-time director Finn Taylor has concocted a relatively brief encounter of two youngish men from different backgrounds. Terry is a "suit," a sad-sack accountant-type (with my apologies to that profession). We get no details or explanations about the man, his character, or his life, but it is clear that unspecified insecurities, sexual frustrations and such have made him very lonely. Whether a result of those deep seated problems or of others, Terry has become a binocularized voyeur. From his apartment he spies on the apartments across the street, catching especially female nudity. It is joyless, unexciting voyeurism rather than "Rear Window" curiosity or esthetic appreciation and gratification.
Soon we meet Terry on the Golden Gate Bridge as he prepares to jump. By an unlikely movie-coincidence, Nick, a stranger whose girl-friend Liz Terry "voyeurizes" most, is around on the bridge.He talks him out of this manner of suicide, suggesting with some black humor better ways. He takes him to his place.  (It's not that simple but I'll keep mum).
After some unconvincing stuff involving Terry's watch, it is traded with Nick for a bottle of sleeping pills. But after swallowing them, Terry changes his mind. When his stomach is pumped he finds out that the pills were multi-vitamins.
The undead Terry is furious at Nick. (Why? A good question since "practical joke" aside, Terry had balked before suicide). He finds out that Nick has an unnamed disease and only weeks to live. One thing leads to another. Nick, wishing to fulfill his fantasies before he dies, proposes that Terry bankroll him and join him in living life "on the edge." This will be good for both men. The ultimate bonus is that Nick promises to kill Terry at the end of their explorations.
The Kevorkianish pact is a done deal. It's all the more incredible as earlier Terry apparently wanted to go on living. Or did I miss something? It was perhaps the method (suicide-by-pills) he had rejected.
The two new companions embark on a small-scale series of desultory wanderings that hardly deserve to be called a Micro-Odyssey. Early on, high on acid, they go to what's like an amusement park. Unless you know San Francisco and identify Fisherman's Wharf it could be anywhere.(The same goes for all settings). The episode is a stoned variant of the old boy-dates-girl and my oh my, aren't amusement parks fun! A fortune-teller tells Nick : "In three weeks you'll be given the job of protecting the life of all the fishes." Since "to be with the fishes" means -- at least in gangster films-- that a victim was executed and thrown in the waters, the expression is none too relevant here.
 It involves bowling in the nude (with women); visiting Nick's Auntie, a retired stripper; seeing Nick's alienated father; meeting an old failure of a pal; and other such unexciting activities. They crest with Nick, nearing his end, trying to rob a bank in the nude.
In my notes I often find the word "uninteresting." That's what all the characters are. Realistic-naturalist--untheatrical acting can be a good thing but loses its value when characters and situations lack interest.
The strongest element here is death, which was called "the ultimate obscenity" by, I believe, writer Albert Camus.  In movies, audiences rejoice at the death of villains. In movies at least, death becomes more affecting, pathetic or tragic when it happens to heroic characters, good persons, innocent individual or masses, or simply to interesting persons. And even with many negative types, there can the sadness of those left behind. In "Dream" there's very little of all this. We also sense that Nick will not be really missed, even by Liz whom he marries on his death bed.
Terry alone will miss him. The finale combines an unlikely bit about Terry's watch and the predictable conclusion that Nick's life-affirming love of just being, will make a new, unsuicidal man of Terry. However, the movie's moving side is that step-by-weird-step, true friendship has grown between the two protagonists. Shown without sentimentality, this is the film's main value.
Technically "Dream" is fuzzy. Whether deliberately, to go for a realistic look in defiance of studio precision, or from amateurishness, I can't tell. Camera movements can be jerky, colors often poor or washed out, the lighting inadequate. Work like this one that strive for a semi-documentary look (e.g. using just existing light), would be better off in black and white that tolerates contrasts better. Yes, I know that, sadly, viewers generally do not like black and white. But many connoisseurs do, and this is a film that will be seen by art house, not mainstream, audiences.
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