muttley\logger
Introduction
This BlitzMax Logger module allows you to log messages with varying levels of severity to one or more log writers
Log writers are included which write messages to the console, to files and via UDP to Syslog servers. Logging severity levels are based on RFC 5424 for the BSD Syslog protocol.
You can also create custom log writers by deriving a new one from the TLogWriter base class.
You can specify the level of logging you wish a log writer to receive and only messages that fit within that level of logging will be written. Therefore you can have enhanced logging whilst in Debug mode, etc.
See the example program showings how to use this module in the logger.mod/examples directory.
Requirements
The Logger module requires the following additional modules: bah.boost and bah.datetime
Additionally, if you wish to be able to run the unit tests provided in the logger.mod/test directory you will also need the bah.maxunit module.
These modules are available from Brucey's maxmods project page here: http://code.google.com/p/maxmods/
Additional Credits
Many thanks to Brucey for his bah modules.
Constants Summary
Functions Summary
Types Summary
Constants
| Const LOGGER_ALERT:Int |
| Description | Severity level 1: Alert. |
| Const LOGGER_CRITICAL:Int |
| Description | Severity level 2: Critical. |
| Const LOGGER_DEBUG:Int |
| Description | Severity level 7: Debug. |
| Const LOGGER_EMERGENCY:Int |
| Description | Severity level 0: Emergency. |
| Const LOGGER_ERROR:Int |
| Description | Severity level 3: Error. |
| Const LOGGER_INFO:Int |
| Description | Severity level 6: Info. |
| Const LOGGER_NOTICE:Int |
| Description | Severity level 5: Notice. |
| Const LOGGER_WARNING:Int |
| Description | Severity level 4: Warning. |
Functions
| Function LogAlert(message:String) |
| Description | Logs an Alert level message. |
| Function LogCritical(message:String) |
| Description | Logs a Critical level message. |
| Function LogDebug(message:String) |
| Description | Logs a Debug level message. |
| Function LogEmergency(message:String) |
| Description | Logs an Emergency level message. |
| Function LogError(message:String) |
| Description | Logs an Error level message. |
| Function LogInfo(message:String) |
| Description | Logs an Info level message. |
| Function LogNotice(message:String) |
| Description | Logs a Notice level message. |
| Function LogWarning(message:String) |
| Description | Logs a Warning level message. |
Types
| Type TConsoleLogWriter Extends TLogWriter |
| Description | A log writer that outputs to the console. |
| Method showSeverity(value:Int) |
| Description | Show the severity level of the message. |
| Method showTimestamp(value:Int) |
| Description | Show the timestamp of the message. |
| Type TFileLogWriter Extends TLogWriter |
| Description | A log writer that outputs to a file. |
| Methods Summary |
| setFilename |
Sets the path/filename that will be written to.
|
| setOverwrite |
Sets whether to overwrite an existing file or not.
|
| showSeverity |
Specify whether to show the severity level in the log file or not.
|
| Method setFilename(value:String) |
| Description | Sets the path/filename that will be written to. |
| Method setOverwrite(value:Int) |
| Description | Sets whether to overwrite an existing file or not. |
| Method showSeverity(value:Int) |
| Description | Specify whether to show the severity level in the log file or not. |
| Type TLogger |
| Description | The primary interface for logging messages. |
| Information | All logging is handled by sending messages to this class. It then creates a new log message
and passes it to any log writers that are registered. |
| Methods Summary |
| addWriter |
Registers a new log writer so it can receive log messages.
|
| close |
Closes And de - registers all currently registered Log writers.
|
| getHost |
return the current host identifier used in log messages.
|
| LogAlert |
Logs an Alert level message.
|
| LogCritical |
Logs a Critical level message.
|
| LogDebug |
Logs a Debug level message.
|
| LogEmergency |
Logs an Emergency level message.
|
| LogError |
Logs an Error level message.
|
| LogInfo |
Logs an Info level message.
|
| logMessage |
Log a message at the specified severity level.
|
| LogNotice |
Logs a Notice level message.
|
| LogWarning |
Logs a Warning level message.
|
| resetStatistics |
Reset the statistics count.
|
| setHost |
set the host identifier used in Log messages.
|
| Functions Summary |
| getInstance |
Returns an instance of the logger.
|
| Method addWriter(writer:TLogWriter) |
| Description | Registers a new log writer so it can receive log messages. |
| Method close() |
| Description | Closes And de - registers all currently registered Log writers. |
| Information | This Method should be called Right at the End of your program. |
| Method getHost:String() |
| Description | return the current host identifier used in log messages. |
| Method LogAlert(message:String) |
| Description | Logs an Alert level message. |
| Method LogCritical(message:String) |
| Description | Logs a Critical level message. |
| Method LogDebug(message:String) |
| Description | Logs a Debug level message. |
| Method LogEmergency(message:String) |
| Description | Logs an Emergency level message. |
| Method LogError(message:String) |
| Description | Logs an Error level message. |
| Method LogInfo(message:String) |
| Description | Logs an Info level message. |
| Method logMessage(severity:Int, message:String) |
| Description | Log a message at the specified severity level. |
| Information | Severity levels are based on those defined in RFC 5424 for the BSD Syslog protocol.
Valid severity levels are in the range 0 to 7 and are defined as being for the following message
types:
| Severity | Description |
| 0 | Emergency: system is unusable |
| 1 | Alert: action must be taken immediately |
| 2 | Critical: critical conditions |
| 3 | Error: error conditions |
| 4 | Warning: warning conditions |
| 5 | Notice: normal but significant condition |
| 6 | Info: informational messages |
| 7 | Debug: debug-level messages |
|
| Method LogNotice(message:String) |
| Description | Logs a Notice level message. |
| Method LogWarning(message:String) |
| Description | Logs a Warning level message. |
| Method resetStatistics() |
| Description | Reset the statistics count. |
| Information | The logger keeps a count of how many of each severity of message
it has handled, you can use this Method To reset that cound To zero. |
| Method setHost(value:String) |
| Description | set the host identifier used in Log messages. |
| Information | When the logger is instantiated it attempts To get the HostName
of the Local machine, however you can override the identifier it uses
by setting it manually. |
| Function getInstance:TLogger() |
| Description | Returns an instance of the logger. |
| Information | The logger class is singleton type. |
| Type TLoggerMessage |
| Description | This class represents an actual log message that is sent to all log writers. |
| Field host:String |
| Description | The identifier of the host that created this message. |
| Field message:String |
| Description | The message itself. |
| Field severity:Int |
| Description | The severity of the message. |
| Field timestamp:String |
| Description | The timestamp of when the message was created. |
| Information | The timestamp is in RFC 5424 compatible format, for example:
2009-09-27T12:21:57+01:00
2007-02-13T08:09:10-05:00
|
| Type TLogWriter |
| Description | The base class of all log writers. |
| Methods Summary |
| close |
Close the log writer.
|
| getLevel |
The current log level of this writer.
|
| setLevel |
Set the log level of this writer.
|
| severityToString |
Returns a string representation of the specified severity level.
|
| write |
Writer a message to the log writer's output.
|
| Field level:Int |
| Description | The current log level. |
| Information | Writers should only display/output messages that have a severity
that is equal or lower than the level set for the writer. |
| Method close() Abstract |
| Description | Close the log writer. |
| Information | This abstract Method needs to be implemented by all
log writers and should be used for tidying up before shutdown,
for example flushing and closing streams/files, etc. |
| Method getLevel:Int() |
| Description | The current log level of this writer. |
| Method setLevel(severity:Int) |
| Description | Set the log level of this writer. |
| Information | Writers should only display/output messages that have a severity
that is equal or lower than the level set for the writer. |
| Method severityToString:String(severity:Int) |
| Description | Returns a string representation of the specified severity level. |
| Method write(message:TLoggerMessage) Abstract |
| Description | Writer a message to the log writer's output. |
| Information | This abstract Method needs to be implemented by all
log writers and should handle the output of the specified
message in a way appropriate for the type of output being
written to. |
| Type TSyslogLogWriter Extends TLogWriter |
| Description | A log writer that outputs to a Syslog server via UDP. |
| Methods Summary |
| setFacility |
Set the facility to use in the messages sent to the syslog server.
|
| setServer |
Sets the hostname/IP address of the Syslog server to deliver the messages to.
|
| setUdpPort |
Set the UDP port to use to talk with the Syslog server.
|
| Method setFacility(value:Int) |
| Description | Set the facility to use in the messages sent to the syslog server. |
| Information | Facilities are based on those defined in RFC 5424 for the BSD Syslog protocol.
Valid facility values are in the range 0 to 23 and are defined as being for the following message
types. By default facility value 16 (local0) is used:
| Facility | Description |
| 0 | kernel Messages |
| 1 | user-level messages |
| 2 | mail system |
| 3 | system daemons |
| 4 | security/authorization message |
| 5 | messages generated internally by syslog |
| 6 | line printer subsystem |
| 7 | network news subsystem |
| 8 | UUCP subsystem |
| 9 | clock daemon |
| 10 | security/authorization messages |
| 11 | FTP daemon |
| 12 | NTP subsystem |
| 13 | log audit |
| 14 | log alert |
| 15 | clock daemon |
| 16 | local use 0 (local0) |
| 17 | local use 1 (local1) |
| 18 | local use 2 (local2) |
| 19 | local use 3 (local3) |
| 20 | local use 4 (local4) |
| 21 | local use 5 (local5) |
| 22 | local use 6 (local6) |
| 23 | local use 7 (local7) |
|
| Method setServer(value:String) |
| Description | Sets the hostname/IP address of the Syslog server to deliver the messages to. |
| Information | Must be a valid/resolvable hostname/IP address. |
| Method setUdpPort(value:Int) |
| Description | Set the UDP port to use to talk with the Syslog server. |
| Information | The default is 514. You shouldn't need to change this. |
Module Information
| Version | 1.1.0 |
| License | Artistic License 2.0 |
| Author | Paul Maskelyne (Muttley) |
| Copyright | (c) 2009 Paul Maskelyne |
| E-Mail |<EMAIL_ADDRESS>|
| Website | http://www.muttleyville.org |
| History | 1.1.0 |
| History | Updated Syslog support to RFC5424 |
| History | 1.0.1 |
| History | Minor documentation fixes |
| History | 1.0.0 |
| History | Initial Release |


{% extends "global/Base.html" %} {% load staticfiles otree_tags %} {% block title %} Display Message{% endblock %} {% block content %} {% if group.b_message == null or group.b_message == Null %}
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Our public face sets the course of DH, via whom it entices to engage with us, how it informs policy agendas and funding allocations, and who gets inspired to be the next generation of digital humanities.”
At ADHO conferences 2006 - 2020
At ADHO conferences 2015 - 2020
At ADHO conferences 2006 - 2020
2006 - 2020: authors affiliated to 1,351 different institutions in 80 countries.
2000 - 2015: the gender gap @ ADHO, between representation, partecipation and bias.
“
A woman has just as much chance of getting a paper through peer review as a man if they both submit a presentation on the same topic (e.g., both women and men have a 72 percent chance of passing peer review if they write about network analysis, or 65% of passing peer review if they write about knowledge representation), but topics that are heveliy gendered toward women are less likely to be accepted. Cultural studies has a 57 percent acceptance rate, gender studies 60 percent, pedagogy 51 percent. Male-skewed topics have higher accenpance rates, like text analysis (83 percent), programming (80 percent), or Asian studies (79 percent).”
bit.ly/slides_dh20
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(refresh slide if charts don't appear immediately).
http://bit.ly/python_dh20
Link to the Python notebook used to work with the DH Conference Index full dataset in preparation for this presentation.
http://bit.ly/github_dh20
Link to the Github repo with all the code, input .CSV files and the output .CSV files used for the visualizations contained in this presentation.
http://bit.ly/references_dh20
Full reference list of articles, paper and projects upon which this presentation is built.


| I l@ve RuBoard |
Appendix A. Recent Python ChangesThis appendix summarizes prominent changes introduced in Python releases since the first edition of this book. It is divided into three sections, mostly because the sections on 1.6 and 2.0 changes were adapted from release note documents:
Python 1.3 was the most recent release when the first edition was published (October 1996), and Python 1.6 and 2.0 were released just before this second edition was finished. 1.6 was the last release posted by CNRI, and 2.0 was released from BeOpen (Guido's two employers prior to his move to Digital Creations); 2.0 adds a handful of features to 1.6. With a few notable exceptions, the changes over the last five years have introduced new features to Python, but have not changed it in incompatible ways. Many of the new features are widely useful (e.g., module packages), but some seem to address the whims of Python gurus (e.g., list comprehensions) and can be safely ignored by anyone else. In any event, although it is important to keep in touch with Python evolution, you should not take this appendix too seriously. Frankly, application library and tool usage is much more important in practice than obscure language additions. For information on the Python changes that will surely occur after this edition's publication, consult either the resources I maintain at this book's web site (http://rmi.net/~lutz/about-pp.html), the resources available at Python's web site (http://www.python.org ), or the release notes that accompany Python releases. |
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From:Hayslett Rod To:Anderson Michael ; Campos Kathy Sent:2017-01-11T04:37:07.0000000Z Subject:How are we doing and what are my issues meeting?
I would like to have a meeting on October 31st (maybe later if that date won't work), either in the AM or the PM, but probably about 3 hours or so. I would like to discuss organizations and how we are going to provide the support the EGS organization requires both at Stan's level and at each level in the organization. I would also like to discuss the top 3-5 concerns you have for your business and your people. You should decide if there are people in your organization that are needed to discuss basic functions of Planning, Accounting, Finance and Tax and feel free to include them in this process, but I would like to keep the group to Director level or above. Please let Kathy know who they are. I would like to know if you are available or have a preference for morning or afternoon.
Thanks.
Rod Hayslett
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713-853-6178
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This file contains all your Firefox bookmarks and lists of files you have downloaded and of websites you have previously
visited. For more information see Bookmarks in Firefox.
====================================================== Passwords =====================================================
Your passwords are stored in two different files, both of which are required:
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This map is under construction. Features may be missing, or not work properly.
Any suggestions/additions/comments are welcome over on the Trello Board - but please remember that everything you see is incomplete, and it may take a while for you to see your change implemented.
In the meantime, you can see the project's current roadmap, also on Trello. Thanks for checking the project out!
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A beautiful map of all rail systems in the Northeast. It's not interactive and a bit out of date, unfortunately.
Includes literally every rail line that exists, and even some that no longer do. Amazingly detailed. Shows rail lines (i.e. the physical rails), rather than the passenger rail systems that run along them. Extremely extensive and thorough.
A pretty amazing project showing abandoned rail networks and cooridors across the entire world, though with a focus on the U.S. Not only extensive, but also very thorough. Currently an app is being developed to augment the existing web-based map. All the data is also available for non-commercial use.
A pretty cool map put out by the US FRA. Shows all above-ground lines actively used for train transport, with fiters for passenger and class 1 trains. Also shows stations, grade crossings, and a lot of other data. Utilizes the US DoT GIS data (see link below).
Downloadable GIS data for all the transportation systems in the US. This has been very helpful in the making of the RAILMAP project - but is ultimately just the raw data without styling and lacking a lot of the additional information this project intends to show. Still very cool and a good baseline for future projects. You can see a map of the data located
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A properly interactive map of many rail systems in the U.S. Includes Intercity (Amtrak) and most commuter rails. Does not include Urban systems (light rail, subways, etc), or any stations. Does have a feature to search and get directions along routes. Probably the closest to what I want this project to eventually be.
Some cool maps of freight systems in the U.S. The site and maps are a bit buggy though.
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1952–1960
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| Simba | 1955 | Brian Desmond Hurst | UK | Simba | Anthony Perry | 195? | Novel |
| Something of Value | 1957 | Richard Brooks | US | Something of Value | Robert Ruark | 1955 | Novel |
| Guns at Batasi ♠ | 1964 | John Guillermin | UK | The Siege of Battersea | Robert Holles | 1962 | Novel |
1953–1959
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| The Gun Runners | 1958 | Don Siegel | US | To Have and Have Not | Ernest Hemingway[24] | 1937 | Novel |
| Our Man in Havana | 1959 | Carol Reed | UK | Our Man in Havana | Graham Greene | 1958 | Novel |
| Memories of Underdevelopment Memorias del subdesarrollo |
1968 | Tomás Gutiérrez Alea | Cuba | Inconsolable Memories Memorias del subdesarrollo |
Edmundo Desnoes | 1962 | Novel |
| Che Part 1 | 2008 | Steven Soderbergh | US | Episodes of the Cuban Revolutionary War Pasajes de la guerra revolucionaria |
Ernesto "Che" Guevara | 1963 | Diary |
| Che Guevara aka Che |
2008 | Josh Evans | US | Don Quixote ♦ (uncredited) | Miguel de Cervantes (uncredited) | 1615 | Novel |
28 May 1957
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| Che Guevara aka Che |
2008 | Josh Evans | US | Don Quixote (uncredited) | Miguel de Cervantes (uncredited) | 1615 | Novel |
28 December 1958 – 1 January 1959
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| Che Part 1 | 2008 | Steven Soderbergh | US | Episodes of the Cuban Revolutionary War Pasajes de la guerra revolucionaria |
Ernesto "Che" Guevara | 1963 | Diary |
1961
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| The Company * | 2007 | Mikael Salomon | US | The Company: A Novel of the CIA | Robert Littell | 2002 | Novel |
1954
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| Che Guevara aka Che ♠ |
2008 | Josh Evans | US | Don Quixote (uncredited) | Miguel de Cervantes (uncredited) | 1615 | Novel |
1954–1962[25]
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| Lost Command | 1966 | Mark Robson | US[26] | Les centurions | "Jean Lartéguy" | 1960 | Novel |
| Le Crabe-tambour | 1977 | Pierre Schoendoerffer | France | Le Crabe-tambour[27] | Pierre Schoendoerffer | 1976 | Novel |
| Là-bas... mon pays | 2000 | Alexandre Arcady | France | Grande vacance : roman | René Bonnell | 1997[28]¤ | Novel |
| Mon colonel[29] | 2006 | Laurent Herbiet | France & Belgium | Mon colonel : roman | Francis Zamponi | 1999[28] | Novel |
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| La Question La Question |
1977 | Laurent Heynemann | France | La Question ♠ La Question |
Henri Alleg | 1958 | Memoir |
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| Wild Reeds Les Roseaux sauvages |
1994 | André Téchiné | France | "The Oak and the Reed" "Le Chêne et le Roseau" |
Jean de La Fontaine | 1668 | Fable |
1955–1959
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| The High Bright Sun | 1964 | Ralph Thomas | UK | The High Bright Sun | Ian Stuart Black | 1962 | Novel |
1956
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| Karol: A Man Who Became Pope * | 2005 | Giacomo Battiato | Poland, Italy, France, Germany, Canada | Stories of Karol: The Unknown Life of Pope John Paul II | Gian Franco Svidercoschi | 2001 | Non-fiction |
1956
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| The Secret Ways | 1961 | Phil Karlson & Richard Widmark (uncredited) | US | The Last Frontier | Alistair MacLean | 1959 | Novel |
| The Company * | 2007 | Mikael Salomon | US | The Company: A Novel of the CIA | Robert Littell | 2002 | Novel |
1957–1975
(See also the First Indochina War)
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| The Ugly American ♠ | 1963 | George Englund | US | The Ugly American | William Lederer & Eugene Burdick | 1958 | Novel |
| Blind Ambition * | 1979 | George Schaefer | US | Blind Ambition: The White House Years | John Dean with Taylor Branch | 1976 | Memoir |
| Kissinger and Nixon * | 1995 | Daniel Petrie | Canada | Kissinger: A Biography | Walter Isaacson | 1992 | Non-fiction |
| A Bright Shining Lie * | 1998 | Terry George | US | A Bright Shining Lie: John Paul Vann and America in Vietnam [30][31] |
Neil Sheehan | 1988 | Non-fiction |
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| The Green Berets | 1968 | John Wayne | US | The Green Berets | Robin Moore | 1965 | Novel |
| The Deer Hunter[20] | 1978 | Michael Cimino | US | Three Comrades (uncredited) | Erich Maria Remarque (uncredited) | 1937 | Novel |
| Go Tell the Spartans | 1978 | Ted Post | U.S. | Incident at Muc Wa | Daniel Ford | 1967 | Novel |
| Apocalypse Now[32] | 1979 | Francis Ford Coppola | US | "Inspired by" Heart of Darkness |
Joseph Conrad | 1902 | Novella |
| The Odd Angry Shot |
1979 | Tom Jeffrey | Australia | The Odd Angry Shot | William Nagle | 1975[33]¤ | Novel |
| Platoon Leader | 1988 | Aaron Norris | U.S. | Platoon Leader | James R. McDonough | 1985 | Novel/Memoir |
| White Badge ♠ | 1992 | Chung Ji-young | South Korea | White Badge: a novel of Korea 하얀전쟁 |
Ahn Junghyo (An Chŏng-hyo) |
1983 | Novel |
| A Soldier's Sweetheart | 1998 | Thomas Michael Donnelly | U.S. | "Sweetheart of the Song Tra Bong" from The Things They Carried[34] [4] | Tim O'Brien | 1990 | Story |
14–18 November 1965
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| We Were Soldiers | 2002 | Randall Wallace | U.S. | We Were Soldiers Once... And Young[36] | Lt. Gen. Harold G. Moore & Joseph L. Galloway | 1992 | Non-fiction |
1968
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| Full Metal Jacket | 1987 | Stanley Kubrick | U.S. | The Short-Timers[4] | Gustav Hasford | 1980 | Novel |
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| Bat*21 | 1988 | Peter Markle | US | BAT-21 | William Charles Anderson | 1980 | Non-fiction |
| Air America | 1990 | Roger Spottiswoode | US | Air America: The Story of the CIA's Secret Airline | Christopher Robbins | 1978 | Non-fiction |
| Flight of the Intruder | 1991 | John Milius | US | Flight of the Intruder | Stephen Coonts | 1986 | Novel |
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| Full Metal Jacket | 1987 | Stanley Kubrick | US | The Short-Timers | Gustav Hasford | 1980 | Novel |
| Film | Date | Director | Country | Source work |
Author | Date | Type |
|---|---|---|---|---|---|---|---|
| When Hell was in Session * | 1979 | Paul Krasny | US | When Hell was in Session | Rear Adm. Jeremiah A. Denton, Jr. with Ed. Brandt | 1976[1] | Memoir |
| Some Kind of Hero | 1982 | Michael Pressman | US | Some Kind of Hero: a novel | James Kirkwood | 1975[1] | Novel |
| Faith of My Fathers * | 2005 | Peter Markle | US | Faith of My Fathers | John McCain with Mark Salter |
1999 | Autobiography |
| Rescue Dawn | 2007 | Werner Herzog | US | Escape from Laos[37] (uncredited) | Dieter Dengler (uncredited) | 1979 | Memoir |


{% extends "base.html" %} {% block title %}{{ province.name }} Parliament | PMG{% endblock %} {% block breadcrumb %}
{% endblock %} {% block page %}This is content of a provincial legislature we've recently added.
Help keep this updated by sending changes to us!
Submit a change
Open calls for comment Currently open:
{% if provincial_calls_for_comment %}{{ call_for_comment.title }}
{{ call_for_comment.start_date|pretty_date }} - {% if call_for_comment.end_date %}{{ call_for_comment.end_date|pretty_date }}{% else %}Closing date unknown{% endif %}


Explore other dev related sites in this ring. If you would like to join this ring
click here
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devring.club
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linksfor.dev(s)
35 total entries
📄
Why We Urgently Need a Hippocratic Oath for Software Engineers (Business Strategy)
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How you could lose your Facebook
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How long does food in a freezer stay frozen when the power goes out
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We Can Do Better Than SQL
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Sharpies
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Database Profiling with Visual Studio | Visual Studio Blog
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How are barcodes read?? (Library-less image processing in C#)
📄
Use C# Preprocessor Directives
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Free EBook: Developer's Guide To Azure: 2020 Edition | Build5Nines
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Fiddler Everywhere Simplifies Web Debugging
📄
Making repeated edits easier with IntelliCode suggestions | Visual Studio Blog
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Authenticate a ASP.NET Core Web App With Microsoft.Identity.Web
📄
Advanced search on NuGet.org | The NuGet Blog
📄
Building ASP.NET Core applications on Visual Studio Codespaces and Visual Studio Code
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Announcing TypeScript 4.0 RC | TypeScript
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Learn Node.js with these 5 modules on LEARN
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People work longer (and different) hours under lockdown - Workplace Insight
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Configuration, Secrets and KeyVault with ASP .NET Core
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Hong Kong media mogul Jimmy Lai arrested under national security law
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“It never gets easier, you just go faster.”
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Federal Reserve announces details of new 24x7x365 interbank settlement service with clearing functionality to support instant payments in the United States
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Victory! EFF Defends Public’s Right to Access Court Records About Patent Ownership
📄
Bill Gates on Covid: Most US Tests Are ‘Completely Garbage’
📄
r/ModSupport - Ongoing incident with compromised mod accounts
📄
Introducing C# 9: Extending Partial Methods
📄
What you lose when you retool.
📄
How to create a Logging Dashboard with Kibana | Preslav Mihaylov
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Mobile Phone Streams
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dorking (how to find anything on the Internet)
📄
Talk to Yourself - Austin G. Walters
📄
Grand Challenges of Robotics
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On being extrovertAugust 8th, 2020
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Comradery
📄
bulletproofs::notes::range_proof - Rust
📄
Latches inside: Reverse-engineering the Intel 8086's instruction register


after clicking button, to wait until done needs several minutes
run code 1 " 0 4000000 for 1 + next ." by jef needs 8234 ms
run code 2 ": x 4000000 for 1 + next . ; 0 x" 2 by jef needs 4290 ms
run code 3 " 0 4000000 for 1+ next ." by trans needs 42 ms
run code 4 ": x 4000000 for 1+ next . ; 0 x" by trans needs 43 ms
run code 5 "var _i=4000000,_n=0;while(_i-->=0){_n=_n+1};console.log(_n)" by js1 needs 2088 ms
run code 6 "var _i=4000000,_n=0;while(_i-->=0){_n=_n+1};console.log(_n)" by js2 needs 13 ms


Type errors are a common stumbling block for people trying to learn
functional programming languages like OCaml or Haskell.
We are interested in learning what makes type errors difficult to
diagnose and fix.
This survey is completely voluntary; you may stop at any time. We
will not ask you for your name and will not record any identifying
information. Data obtained from this survey will only be used to learn
whether providing runtime traces helps diagnose and fix type errors.
If you choose to participate, you will be presented with examples of
code written by students learning OCaml, and we will ask you to
identify the error.
We recommend some familiarity with OCaml or functional programming to
take this survey. We expect the survey to take roughly 30 minutes,
but there is no time limit.
The investigators can be contacted at:
You will be shown several snippets of code with type errors. For each
example, we ask that you determine the cause of the error (i.e. which
expression is at fault) and explain why there is an error. Each
snippet will begin with a brief description of what the
function should do, and will end with an example function call
that should be well-typed.
Each example will come with either a simple error message, or a
trace of a failed execution. The trace will show the sequence of
program steps from the input expression to the type error, including
each function call and return along the way.
In each expression, we will highlight the sub-expression where the
next computation step will occur.
For example, in
x + y
we would
highlight
x
because the next step is to
lookup
x
in the environment.
But in
1 + 2
we would highlight the entire
expression, as the next step is performing the addition.
At times, the trace will need to disambiguate a variable by appending a
_
followed by a number, e.g.
n
may be
renamed to
n_1
.
Finally, you see the environment at any point in the trace by hovering
over the corresponding expression.
We recommend taking a few minutes to familiarize yourself with a
quick tutorial of the
trace visualization before starting the survey.


Benefit Partners
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The value below will be updated with a value from the mqtt broker.
Here we use javascript directly to do the same thing as in the autobind example.


My Name Is Dicky Arya Pratama
I'm an Android Developer
Skills
About Me
Let me introduce myself, my name is dicky arya pratama, i come from west java indonesia, i am a technology enthusiast and also a mobile developer. I am very happy because you visit my simple website, because of that please have a look and feel free to contact my email.
you can invite me to work together on an android application development project, I will be very happy to accept it and of course I will work hard.
Send A Message
Contact Me
Please contact me with the form provided, freely you can send me anything but remember to be polite, fill in the data with the correct information so that I can reply to your messages in the future.
You can also contact me via the social media that I have, all the links for the social media are below, well I am very happy to meet you, hopefully we can work together.


KBot Robot Interface
Control
Editor
Controls ▼
Pin Select/GPIO/Servo Rotate
On/Off
Rotate
GPIO Switches
Update switches:
Camera
Control Pad Enabled:
↑
←
↓
→
Speed
Rave Mode Enabled:
Configuration ▼
Load
JSON ▼
Update JSON:


6
1 Then I turned and lifted my eyes, and I saw four chariots coming out from between two mountains; and the two mountains were made of bronze.
2 The first chariot had red horses, the second chariot had black horses,
3 the third chariot had white horses, and the fourth chariot had spotted gray horses.
4 So I answered and said to the angel who talked with me, "What are these, my master?"
5 The angel answered and said to me, "These are the four winds of heaven that go out from the place where they were standing before the Lord of all the earth.
6 The chariot with the black horses is going out to the north country; the white horses are going out to the west country; and the spotted gray horses are going out to the south country."
7 These strong horses went out and sought to go and roam over the earth, so the angel said, "Go and roam over the earth!" and they left for all the earth.
8 Then he called out to me and spoke to me and said, "Look at the ones that are going out to the north country; they will appease my spirit concerning the north country."
9 So the word of Yahweh came to me and said,
10 "Take an offering from the exiles—from Heldai, Tobijah, and Jedaiah—and go this same day and take it into the house of Josiah the son of Zephaniah, who has come from Babylon.
11 Then take the silver and gold, make a crown, and set it upon the head of Joshua the son of Jehozadak, the high priest.
12 Speak to him and say, 'Yahweh of hosts says this:
"This man, his name is Branch! And he will grow up where he is
and will then build the temple of Yahweh!
13 It is he who will build the temple of Yahweh and will raise up its splendor; then he will sit and rule on his throne.
He will be a priest upon his throne, and the understanding of peace will exist between the two.
14 A crown will be placed in the temple of Yahweh to honor Heldai, Tobijah, and Jedaiah and as a memorial to the generosity of the son of Zephaniah.
15 Then those who are far off will come and build the temple of Yahweh, so you will know that Yahweh of hosts has sent me to you; for this will happen if you truly listen to the voice of Yahweh your God!"'"


Stepwise regression is important in developing prediction models only in the sense that it is important to avoid its use.
Stepwise variable selection has done incredible damage to science. How did we statisticians let this happen?
A journey of a thousand hypotheses begins with a single stepwise regression


Ray Casting Volume Rendering
No TF
TF
1024x1024 resolution
Color
Pulp
Shape
Change
Rotation with the mouse, and Alt+Mouse to Zoom


De Beers Namibian diamond venture seeks tax breaks to extend operations
Namdeb, a joint venture between the Namibian government and Anglo American's diamond unit De Beers Group, said on Thursday it was in talks with the government about tax breaks to extend its land-based operations beyond 2023.
WINDHOEK: Namdeb, a joint venture between the Namibian government and Anglo American's diamond unit De Beers Group, said on Thursday it was in talks with the government about tax breaks to extend its land-based operations beyond 2023.
Diamond mining is the largest taxpayer in Namibia and generates 20per cent of the southern African country's export earnings.
Diamonds have been mined in Namibia since 1908, but land-based operations could end in 2023 as Namdeb says it is no longer economical to continue under the current tax regime.
Anglo American results show that its land operations in Namibia produced 209,000 carats in the first six months of 2019, 37per cent less than the first half of last year.
Namdeb currently pays a 10per cent royalty on its sales and 55per cent corporate tax on its profit.
Chief Executive Riaan Burger told reporters the royalty and tax regime for the diamond sector were fairly high.
"While that may be conducive or viable for new diamond operators, it might not be conducive to an aging marginal asset like Namdeb," Burger said, adding he was confident that the government would grant the company a waiver, particularly for the royalty.
"I think there is an understanding of the importance of Namdeb in the economy and in particular in terms of the jobs that are affected by the current short life of mine," he said.
Namdeb earlier this year sold its Elizabeth Bay Mine and associated marine assets to Lewcor, a Namibian consortium.
It had explored options to extend the life of the mine but could not find a way to make it profitable.
(Reporting by Nyasha Nyaungwa; editing by David Evans)


Gaebrielle's favorite artist is Josef Müller-Brockmann.
Family Early Life Interests Favorite Music Favorite Movies Favorite Foods Current Life Cool Talent
or Return to the Homepage


Before Change
client.reject_assignment(AssignmentId=assignment_id, RequesterFeedback="")
def block_worker(self, worker_id, reason):
client = boto3.client(
service_name = "mturk",
region_name = "us-east-1",
endpoint_url = "https://mturk-requester-sandbox.us-east-1.amazonaws.com"
)
// Region is always us-east-1
if not self.is_sandbox:
client = boto3.client(service_name = "mturk", region_name="us-east-1")
client.create_worker_block(WorkerId=worker_id, Reason=reason)
def pay_bonus(self, worker_id, bonus_amount, assignment_id, reason):
client = boto3.client(
After Change
client.reject_assignment(AssignmentId=assignment_id, RequesterFeedback="")
def block_worker(self, worker_id, reason):
client = get_mturk_client(self.is_sandbox)
client.create_worker_block(WorkerId=worker_id, Reason=reason)
def pay_bonus(self, worker_id, bonus_amount, assignment_id, reason):
if not check_mturk_balance(balance_needed=bonus_amount, is_sandbox=self.is_sandbox):


Announcements board
Note: I no longer maintain this website and its only here because it was a nice learning experience once upon a time.
Taking this website as an indication of my current ability might be misleading, I haven't built a pure HTML and CSS website in years :) I lean more towards react and SCSS now or other frameworks in that direction.
Happy exploting the mind of a young Remigius. I have been working on a refreshed version on this website with react and graphQL, it will be uploaded soon :)
Working on
blogs
- Elon Musk(Electric cars vs Tesla)
- Music(Started writing about artists I like)
guides
- Vuejs - I just started learning this really powerful front end framework and I will start making some tutorials to go along side our nodejs backend works, should be tons of fun.
Oh and yes I did change James into a 4Bit advertising bot, he needs to help pay the bills aswell.
I work on these blogs in my free time and lately I have had less and less of that, I will try and keep them up to date, add more content and finish the content I have started but it is pretty hard to balance with work and all, I will need to make up some kind of schedule but I will get it done, thankks for all the feedback :)
About Me
I am a tested developer who loves to code, 2 years experience in software development both full-time employment and freelancing. Demonstrated track record of completing projects on time and within the allocated budget.
Bioinformatics?
I obtained my Bsc Information Technology majoring in Bioinformatics from Multimedia University in Malaysia. Bioinformatics
is a hybrid betwean Information Technology and Biotechnology, Bioinformaticians are highly specialized computational
thinkers, understanding in great detail aspects of Biology and Information Technology.
The Bioinformatics course covers all areas of standard Information Technology courses as well as standard Biology
courses, this intense workload and diversity makes Bioinformaticians tough, preasure resistant, pacey, creative
thinkers.
Bioinformaticians can work in full-time Information Technology sectors, Biology/Medical Labarotories or in the
growing Bioitechnology sector, which is a combination of the two.
I have knowlegde of all aspects of the development stack, front end design as well as backend processes that are critical to the functioning of mobile or web apps but like operating systems they are a piece of software that loves to fade away into the background, making life easier without us even knowing they exist.
Experiences
As a full stack developer at Rainmaker Namibia I was dubbed "Special Projects Geek", which basically means I was the guy they pushed to the limit to get the things no one else knew how to do done. Its a fun job and I love it as its a learning experience every project requires you learn a new technology. I am constatly being moved around to help out on different stacks of the developers team, I handle everything ranging from front end web design to javascript backend web functionality and API building. This constant change in what I do has made me a more versitile developer as I am now use to change, It has helped embrace new technologies, learning them as fast as possible to get the job done.
Straight out of college I was handed the dawnting task of not only learning iOS development faster than fast
I had to do it completly on my own whilst making sure that we had a beta test in 3
months.
Here I learned about iOS development in both Swift and Objective-C, I also got first hand experience on how
apps are built from the ground up, I learned about all the tiny little details that most developers are not
exposed to, API designs, Database designs, as well as a long list of best practices for performance enhancement.
While in college I decided to take up some freelancing jobs to help me better my skills as a developer, here I learned about dealing with clients, keeping schedules and the importance of delivery.
Talk is cheap, show me the code!.
Projects
The following are a collection of part time projects I have worked on. Some I have decided to open source and are available on github, others I have decided not to open source due to customer requests or other factors. (Please feel free to clone and send pull requests for any open source projects, help is always welcome.)
James is Written in Python and uses multiple API's to gain data, (Everytime I find a fun API James gets a new skill) I am currently working on adding AI capabilities using IoT and Google's Tensorflow library.
Skills & Proficiency
Android (Java & Kotlin)
iOS (Objective-C & Swift)
Python, Django & Flask
Javascript, jQuery & Nodejs, Vuejs
API's, JSON, XML, REST
HTML5 & CSS
Source Control (Github, SourceTree)
Trouble shooting (Windows, Linux and MacOS)
PC Hardware/Maintance
Problem solving/End-user interaction
Photoshop
Learning new languages
Accomplishments
The following is a list of some of the things I consider to be accomplishments.
Microsoft imagine cup qualification (2016)
The Microsoft Imagine cup is a world wide competion held by microsoft to encourage the youth to come up with new ideas in Information Technology, My project recieved first prize during the qualification rounds and went on to the nationals.
Vice President of IT society
IT Society was set up to encourage students on campus to embrace technology, our duty was to keep the students interested and active in Information Technology by solving problems they had with IoT and software.
Java/Android developers club, (2013 – 2015)
A club to help peers learn about java and Android via a peer to peer learning system.
Started Python club (2015 – 2016)
A club to help peers learn about Python and its magic via a peer to peer learning system.


Michelle Dockery and Phoebe Waller-Bridge's brother Jasper 'find love' after her fiancé's death
Michelle is reportedly in a new relationship with the sibling of the Fleabag actress and creator after she tragically lost her fiancé John Dineen to cancer at just 34
by James Rodger, https://www.facebook.com/jamesrodgerjournalistDownton Abbey actress Michelle Dockery has reportedly found love with the brother of Phoebe Waller-Bridge.
Michelle is reportedly in a new relationship with the sibling of the Fleabag actress and creator.
She is with Jasper Waller-Bridge four years after the death of her fiancé, sources have claimed.
Michelle tragically lost her fiancé John Dineen to cancer at just 34.
The 37-year-old had been engaged to the Irish publicist for a year when he tragically died in 2015.
Waller-Bridge, 31, has been dating the actress for three months, it is claimed.
They have previously been pictured together, with snaps surfacing of the duo enjoying the Rome Film Festival together earlier this year.
Jasper is six years younger than Michelle and works for a talent agency.
The agency's roster includes the likes of This Morning star Holly Willoughby, with I'm A Celebrity... Get Me Out Of Here! and Britain's Got Talent presenting duo Ant McPartlin and Declan Donnelly also on their books.
A source told the Mail On Sunday : "It was all taken slowly and in a considered manner but they are really enjoying being together.
"Michelle has been travelling a lot to promote the Downton movie but they have been in constant contact. Their friends and families are very happy for them. It is just so lovely."


Navigation
The Navigation menu/header is responsive and supports menus.
By default it wraps at 60rem
.
Toasts
They appear in a specified corner using one of the classes right bottom
, right top
, left bottom
or left top
.
Usage of the optional classes close in-10
will autoclose the toast.
Footer
It always sticks to the bottom of the page


WITNESS LIST Windham School District, Select Committee June 20, 2000-1:00P Cognitive Intervention On: Cox, Brian A. (Windham School District) Education & Post Release Employment On: Eisenberg, Michael (Texas Criminal Justice Policy Council) Fabelo, Ph.D., Dr. Tony (Texas Criminal Justice Policy Council) Faculty Issues On: Ali, Kay (Self) O'Sullivan, John (Texas Federation of Teachers) Overview of Windham School Dist. On: Morrow, Mike (Windham School District) Young, Carole S. (Texas Board of Criminal Justice) Project RIO On: Ellison, Burt (Texas Workforce Commission) Haley, Leonard (Self) Mathis, Eddie (Self) Registering, but not testifying: On: Carlson Reed, Cassie (Texas Workforce Commission) Vocational Education For: Jennings, James O. (Self and Kellogg-Brown & Root) On: Haynes, Marjie (Windham School District)


| I l@ve RuBoard |
This chapter provided a look at two IDEs available for Python on Windows. Both IDLE and PythonWin allow you to develop, run, and debug Python programs, and provide unique Python-based features you won't find in other environments.
PythonWin and IDLE are not competitors; in fact, they can be viewed as partners. The developers of both packages have gone to considerable effort to ensure that the best features of each are available in the other. As we have seen, the primary difference is the GUI environment in which they run. PythonWin runs only under Windows, and it takes full advantage of Windows features: excellent if you use only Windows. IDLE provides the one key feature PythonWin will almost certainly never have: its runs on all popular, modern operating systems.
Hopefully this chapter has allowed you to see how each development environment operates and encouraged you to try both. Although most examples in this book use PythonWin to run sample programs, they all work perfectly under IDLE, so feel free to use the environment of your choice.
| I l@ve RuBoard |


This a list of movies where the critic's ratings are lower than both the RT audience ratings and the IMDB audience ratings. Sorted from worst critic rating to best.
IMDB: 7.0, RT Aud: 62%, RT Critics: 40%
Den of Thieves pays energetic homage to classic heist thrillers of the past; unfortunately, it never comes close to living up to its obvious inspirations.
IMDB: 7.1, RT Aud: 89%, RT Critics: 29%
Venom's first standalone movie turns out to be like the comics character in all the wrong ways - chaotic, noisy, and in desperate need of a stronger attachment to Spider-Man.
IMDB: 6.9, RT Aud: 80%, RT Critics: 12%
After publishing a bestselling novel based on the death of one of his high school classmates, the controversial writer Sidney Hall (Logan Lerman) finds himself catapulted to unexpected fame and renown.
IMDB: 7.0, RT Aud: 73%, RT Critics: 34%
A Dog's Purpose offers an awkward blend of sugary sentiment and canine suffering that tugs at animal-loving audiences' heartstrings with shameless abandon.
IMDB: 6.9, RT Aud: 67%, RT Critics: 40%
The Hitman's Bodyguard coasts on Samuel L. Jackson and Ryan Reynolds' banter -- but doesn't get enough mileage to power past an overabundance of action-comedy clichés.
IMDB: 6.8, RT Aud: 69%, RT Critics: 31%
King Arthur: Legend of the Sword piles mounds of modern action flash on an age-old tale -- and wipes out much of what made it a classic story in the first place.
IMDB: 6.8, RT Aud: 65%, RT Critics: 52%
Kingsman: The Golden Circle offers more of everything that made its predecessor so much fun, but lacks the original's wild creative spark.
IMDB: 6.9, RT Aud: 77%, RT Critics: 27%
Warcraft has visual thrills to spare, but they -- and director Duncan Jones' distinctive gifts -- are wasted on a sluggish and derivative adaptation of a bestselling game with little evident cinematic value.
IMDB: 7.2, RT Aud: 68%, RT Critics: 30%
With Vincent D'Onofrio and Brazilian musical star Seu Jorge.
IMDB: 6.9, RT Aud: 63%, RT Critics: 45%
Free State of Jones has the noblest of intentions, but they aren't enough to make up for its stilted treatment of a fascinating real-life story.
IMDB: 7.0, RT Aud: 63%, RT Critics: 30%
Passengers proves Chris Pratt and Jennifer Lawrence work well together -- and that even their chemistry isn't enough to overcome a fatally flawed story.
IMDB: 6.8, RT Aud: 63%, RT Critics: 37%
From its bland story to its unremarkable animation, Leap! does little to distinguish itself from a long list of like-minded -- and superior -- family-friendly alternatives.
IMDB: 7.4, RT Aud: 73%, RT Critics: 56%
Me Before You benefits from Emilia Clarke and Sam Claflin's alluring chemistry, although it isn't enough to compensate for its clumsy treatment of a sensitive subject.

IMDB: 7.1, RT Aud: 81%, RT Critics: 43%
Miracles from Heaven makes the most out of an outstanding performance from Jennifer Garner, but it isn't quite enough to keep this faith-based drama from preaching to the choir.
IMDB: 6.8, RT Aud: 64%, RT Critics: 13%
Well-meaning but fundamentally flawed, Collateral Beauty aims for uplift but collapses in unintentional hilarity.
IMDB: 6.8, RT Aud: 68%, RT Critics: 11%
King Regis of Lucis (Sean Bean) commands an elite force of soldiers called the Kingsglaive.
IMDB: 6.7, RT Aud: 63%, RT Critics: 27%
Kevin Hart and Josh Gad might be two great comedians that go great together, but there's little evidence of it on display in The Wedding Ringer.
IMDB: 7.2, RT Aud: 67%, RT Critics: 56%
The Age of Adaline ruminates on mortality less compellingly than similarly themed films, but is set apart by memorable performances from Blake Lively and Harrison Ford.
IMDB: 6.8, RT Aud: 62%, RT Critics: 45%
No Escape's talented cast and taut B-movie thrills are unfortunately offset by its one-dimensional characters and uncomfortably retrograde worldview.
IMDB: 7.4, RT Aud: 78%, RT Critics: 23%
Well-meaning but manipulative on a horrifically misguided scale, Little Boy is the rare faith-based film that many viewers may find legitimately offensive.
IMDB: 6.9, RT Aud: 59%, RT Critics: 46%
The 33 offers an appropriately inspirational account of real-life heroism, but its stirring story and solid performances are undermined by a flawed focus and an overreliance on formula.
IMDB: 6.7, RT Aud: 64%, RT Critics: 55%
Hotel Transylvania 2 is marginally better than the original, which may or may not be enough of a recommendation to watch 89 minutes of corny, colorfully animated gags from Adam Sandler and company.
IMDB: 7.1, RT Aud: 71%, RT Critics: 29%
The Longest Ride is less manipulative than the average Nicholas Sparks film, but it's still saccharine and hopelessly contrived -- not that it'll matter to the target audience.
IMDB: 6.8, RT Aud: 70%, RT Critics: 36%
Max has good intentions and tries to hearken back to classic family-friendly features, but its disjointed, manipulative plot overwhelms the efforts of its talented human and canine stars.
IMDB: 7.2, RT Aud: 77%, RT Critics: 33%
My All American has a genuinely moving real-life story to tell, but writer-director Angelo Pizzo fumbles it into manipulative, melodramatic tearjerker territory.
IMDB: 7.1, RT Aud: 60%, RT Critics: 26%
A young woman's (Emma Watson) desperate search for her abducted boyfriend (Daniel Bruhl) that draws her into the infamous Colonia Dignidad, an ex-Nazi cult that nobody ever escaped from.

IMDB: 7.0, RT Aud: 61%, RT Critics: 37%
Simon Pegg remains as charming as ever, but Hector and the Search for Happiness drowns his appeal in schmaltz.
IMDB: 7.2, RT Aud: 63%, RT Critics: 30%
Lilly Collins and Sam Claflin are appealing, and they give it their all, but they're undone by Love, Rosie's silly, clichéd storyline.
IMDB: 6.7, RT Aud: 69%, RT Critics: 41%
With an adherence to YA formula that undercuts its individualistic message, Divergent opens its planned trilogy in disappointingly predictable fashion.
IMDB: 7.4, RT Aud: 72%, RT Critics: 47%
Solidly cast and beautifully filmed but thoroughly clichéd, The Judge seems destined to preside over a large jurisdiction of the basic cable afternoon-viewing circuit.
IMDB: 6.7, RT Aud: 59%, RT Critics: 9%
At nine films and counting, the line between Nicholas Sparks film fans and detractors is clear, and The Best of Me will change few minds on either side of the divide.
IMDB: 6.7, RT Aud: 59%, RT Critics: 45%
There's no denying Wish I Was Here is heartfelt, but it covers narrative ground that's already been well trod -- particularly by director Zach Braff's previous features.
IMDB: 7.1, RT Aud: 68%, RT Critics: 38%
These unlikely companions, with clashing personalities, find themselves on a three-day journey, making for hilarious antics and unexpected new friendships.
IMDB: 6.8, RT Aud: 64%, RT Critics: 62%
Predictable and sentimental, yet thoroughly agreeable, One Chance is an unapologetic crowd-pleaser that achieves its admittedly modest goals.
IMDB: 6.7, RT Aud: 67%, RT Critics: 12%
Schmaltzy, predictable, and melodramatic, Safe Haven also suffers from a ludicrous plot twist, making for a particularly ignominious Nicholas Sparks adaptation.
IMDB: 7.0, RT Aud: 72%, RT Critics: 47%
We're the Millers squanders its potential with an uneven, lazily assembled story..
IMDB: 6.9, RT Aud: 65%, RT Critics: 36%
Anton Yelchin is the right man for the title role, but Odd Thomas suffers from a jumbled tone.
IMDB: 6.7, RT Aud: 65%, RT Critics: 45%
The Call builds plenty of suspense before taking a problematic turn in the third act.
IMDB: 7.1, RT Aud: 72%, RT Critics: 44%
Hotel Transylvania's buoyant, giddy tone may please children, but it might be a little too loud and thinly-scripted for older audiences.
IMDB: 7.4, RT Aud: 67%, RT Critics: 17%
With the Winter Olympics fast approaching, Gemma (Penelope Cruz) was in Bosnia when she fell in love with dashing American photographer Diego (Emile Hirsch).
IMDB: 6.7, RT Aud: 63%, RT Critics: 44%
It'll provide sweetly nostalgic comfort food for fans of the franchise, but American Reunion fails to do anything truly new or interesting -- or even very funny -- with the characters.
IMDB: 6.8, RT Aud: 63%, RT Critics: 31%
Channing Tatum and Rachel McAdams do their best with what they're given, but The Vow is too shallow and familiar to satisfy the discriminating date-night filmgoer.
IMDB: 7.2, RT Aud: 70%, RT Critics: 31%
It's sweet, gentle, and affably modest, but Chasing Mavericks is ultimately pulled under by an unconvincing script and a puzzling lack of energy.
IMDB: 6.7, RT Aud: 61%, RT Critics: 28%
Unoriginal, unfunny, and all-around unattractive, Project X mines the depths of the teen movie and found-footage genres for 87 minutes of predictably mean-spirited debauchery.
IMDB: 6.8, RT Aud: 58%, RT Critics: 44%
From the big top to the big screen, visionary filmmaker James Cameron and director Andrew Adamson (Shrek, Narnia) invite you and your family on an all new 3D adventure: Cirque du Soleil Worlds Away.
IMDB: 7.0, RT Aud: 62%, RT Critics: 30%
He takes a lakeside cabin for the summer in picturesque Belle Isle, and befriends the family next door-an attractive single mom (Madsen) and her young daughters-who help him find inspiration again.
IMDB: 7.2, RT Aud: 64%, RT Critics: 55%
Diagnosed with a terminal illness, she determines to use every moment, compiling a catalogue of what a normal teenager would experience, including losing her virginity and taking drugs.
IMDB: 6.8, RT Aud: 66%, RT Critics: 50%
Though predictable and somewhat dramatically underwhelming, Trouble with the Curve benefits from Clint Eastwood's grizzled charisma and his easy chemistry with a charming Amy Adams.
IMDB: 6.9, RT Aud: 61%, RT Critics: 45%
Extremely Loud & Incredibly Close has a story worth telling, but it deserves better than the treacly and pretentious treatment director Stephen Daldry gives it.
IMDB: 7.6, RT Aud: 73%, RT Critics: 42%
As the invading Japanese Imperial Army overruns China's capital city, desperate civilians seek refuge behind the nominally protective walls of a western cathedral.
IMDB: 6.8, RT Aud: 62%, RT Critics: 28%
There's a complex man at the center of Machine Gun Preacher but the movie is too shapeless and emotionally vacant to bring his story to life.
IMDB: 7.1, RT Aud: 75%, RT Critics: 45%
There's an amazing true story at the heart of Soul Surfer -- and unfortunately, it's drowned by waves of Hollywood cheese.
IMDB: 7.8, RT Aud: 78%, RT Critics: 21%
Jun-shik works on a Korean farm owned by Tatsuo's grandfather.
IMDB: 7.0, RT Aud: 86%, RT Critics: 33%
While the filmmaking is fairly competent, Courageous is overall worthless to anybody who doesn't subscribe to its dogmatic agenda.
IMDB: 6.8, RT Aud: 79%, RT Critics: 22%
Countless medical tests all point to one underlying factor: Hannah's difficult birth.
IMDB: 7.1, RT Aud: 62%, RT Critics: 34%
The Lady is the extraordinary story of Aung San Suu Kyi and her husband, Michael Aris.
IMDB: 6.8, RT Aud: 65%, RT Critics: 47%
The A-Team assembles a top-rate cast only to ditch the show's appealingly silly premise for explosive yet muddled blockbuster filmmaking.
IMDB: 6.7, RT Aud: 65%, RT Critics: 51%
A biopic that lacks the luster of its subject, Notorious is generic rise-and-fall fare that still functions as a primer for those less familiar with the work and life of the hip hop icon.
IMDB: 7.0, RT Aud: 68%, RT Critics: 56%
It's bogged down with an unfocused script and countless sports movie cliches, but The Perfect Game still manages to charm with its unabashed sweetness and a stirring final act.
IMDB: 7.0, RT Aud: 62%, RT Critics: 46%
Ice Age: Dawn of the Dinosaurs boasts some excellent animation -- in particular, the dinosaurs are wonderfully realized -- but its story is tired and monotonous.
IMDB: 7.4, RT Aud: 75%, RT Critics: 25%
Unnecessarily violent and unflinchingly absurd, Law Abiding Citizen is plagued by subpar acting and a story that defies reason.
IMDB: 6.8, RT Aud: 71%, RT Critics: 60%
Donnie Yen and MMA fighter Cung Le star in this gripping martial arts blockbuster set in the bustling metropolis of Hong Kong in 1905.
IMDB: 6.8, RT Aud: 65%, RT Critics: 35%
21 could have been a fascinating study had it not supplanted the true story on which it is based with mundane melodrama.
IMDB: 7.6, RT Aud: 75%, RT Critics: 26%
Grim and morose, Seven Pounds is also undone by an illogical plot.
IMDB: 6.9, RT Aud: 69%, RT Critics: 54%
The relentless immaturity of the humor is not a total handicap for this film, which features the consistently well-matched talents of Will Ferrell and John C. Reilly.
IMDB: 7.2, RT Aud: 74%, RT Critics: 28%
Arielle Kebbel and Sean Astin co-star.
IMDB: 6.8, RT Aud: 66%, RT Critics: 46%
Jim Carrey's comic convulsions are the only bright spots in this otherwise dim and predictable comedy.
IMDB: 7.4, RT Aud: 74%, RT Critics: 31%
With an exploitative style that seems more suited for TV shows like CSI, Trade's message about the reality of child exploitation is easily lost.
IMDB: 6.8, RT Aud: 72%, RT Critics: 33%
Despite some charms, overt emotional manipulation and an inconsistent tone prevents Martian Child from being the heartfelt dramedy it aspires to be.
IMDB: 7.4, RT Aud: 78%, RT Critics: 33%
Music Within is a well-intentioned but pedestrian production of a story that deserves better treatment.
IMDB: 7.5, RT Aud: 82%, RT Critics: 36%
Though featuring a talented cast, August Rush cannot overcome the flimsy direction and schmaltzy plot.
IMDB: 7.1, RT Aud: 80%, RT Critics: 23%
Hilary Swank is miscast as the romantic lead in this clichéd film about loss and love.
IMDB: 7.1, RT Aud: 72%, RT Critics: 44%
POTC: AWE provides the thrilling action scenes, but mixes in too many characters with too many incomprehensible plot threads.
IMDB: 6.9, RT Aud: 68%, RT Critics: 48%
The non sequitur humor of Aqua Teen Hunger Force will surely appeal to its built-in fanbase, but for the uninitiated, the premise wears thin.
IMDB: 7.2, RT Aud: 68%, RT Critics: 48%
A committed performance from Christopher Plummer can't save Man in the Chair's troubled and cliched script.
IMDB: 6.8, RT Aud: 64%, RT Critics: 40%
Mandy Moore and Billy Crudup's lack of chemistry in Dedication makes it hard to maintain interest in this confused love story.
IMDB: 7.4, RT Aud: 75%, RT Critics: 28%
A seemingly ordinary housewife and the mother of seven, imprisons a beautiful teenager, who has been left in her charge, in the basement of her Indiana home.
IMDB: 7.2, RT Aud: 80%, RT Critics: 47%
With an implausible story and numerous plot holes, Shooter fails to distinguish itself from other mindless action-thrillers.
IMDB: 7.4, RT Aud: 77%, RT Critics: 40%
Not even the earnest performances of the two leads can rescue The Bucket List from its schmaltzy script.
IMDB: 7.0, RT Aud: 72%, RT Critics: 46%
Despite best intentions from director Emilio Estevez and his ensemble cast, they succumb to a script filled with pointless subplots and awkward moments working too hard to parallel contemporary times.
IMDB: 6.7, RT Aud: 72%, RT Critics: 15%
A visual and aural assault on the senses, this vampire-werewolf sequel makes a lot of noise and features a heavy-handed, overly convoluted story.
IMDB: 7.4, RT Aud: 79%, RT Critics: 40%
This film runs with frenetic energy punctuated by gratuitous violence but sorely lacks in plot, character development and stylistic flair.
IMDB: 6.9, RT Aud: 80%, RT Critics: 37%
The Coast Guard gets its chance for a heroic movie tribute, but The Guardian does it no justice, borrowing cliche after cliche from other (and better) military branch movies.
IMDB: 6.8, RT Aud: 73%, RT Critics: 35%
The plot of The Lake House is a little too convoluted, and the film fails to pull off the sweeping romance it aims for.
IMDB: 7.3, RT Aud: 76%, RT Critics: 24%
Based on a best-selling memoir, Peaceful Warrior loses something in the transition from page to screen. It hits the viewer over the head with philosophical jargon, and ultimately fails to live up to its source material.

IMDB: 6.9, RT Aud: 80%, RT Critics: 47%
The Holiday, while sweet and somewhat touching, lacks any surprises and eventually overstays its welcome.
IMDB: 7.2, RT Aud: 77%, RT Critics: 47%
An unlikable protagonist, messy editing, and gratuitous nudity might make audiences ask for their cash back.
IMDB: 7.4, RT Aud: 84%, RT Critics: 32%
Though The Ultimate Gift avoids religious speechifying like other Fox Faith films, it's dramatically inert with flat direction.
IMDB: 6.8, RT Aud: 75%, RT Critics: 37%
The Nativity Story is a dull retelling of a well-worn tale with the look and feel of a high-school production.
IMDB: 8.0, RT Aud: 86%, RT Critics: 26%
This documentary about the American income tax and whether citizens must pay it is more of a scattershot diatribe than a persuasive argument.
IMDB: 7.1, RT Aud: 79%, RT Critics: 12%
Their faith shaken and their once close-knit bond suddenly torn asunder, Missie and Willie desperately attempt to bring their crumbling family back together as son Jeff faces a series of dangers while hopelessly falling for Doros' beautiful daughter Colette (Mae Whitman).
IMDB: 7.0, RT Aud: 72%, RT Critics: 45%
Despite solid production values and an intriguing premise, Constantine lacks the focus of another spiritual shoot-em-up, The Matrix.
IMDB: 7.1, RT Aud: 73%, RT Critics: 44%
The Jacket is a case of creepy style over substance.
IMDB: 6.7, RT Aud: 77%, RT Critics: 43%
Impressive sports action sequences are the highlight, as the run-of the-mill story invokes every known sports movie cliche.
IMDB: 7.5, RT Aud: 87%, RT Critics: 47%
When it comes to the subculture of soccer thugs, Green Street Hooligans lacks sufficient insight, and instead comes off as a Fight Club knock-off.
IMDB: 6.9, RT Aud: 78%, RT Critics: 53%
Zombie has improved as a filmmaker since "House of 1000 Corpses" and will please fans of the genre, but beware -- the horror is nasty, relentless, and sadistic.
IMDB: 7.4, RT Aud: 83%, RT Critics: 34%
Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera.
IMDB: 7.0, RT Aud: 81%, RT Critics: 39%
Shoddy filmmaking and a lack of character development derail what could be a potentially compelling tale.
IMDB: 7.0, RT Aud: 75%, RT Critics: 36%
This derivative poke at suburbia falls short of delivering a scathing indictment of upper middle-class disconnect.
IMDB: 7.1, RT Aud: 84%, RT Critics: 20%
A love-struck poet travels into the heart of wartime Iraq in hopes of rescuing the woman he loves in Academy award-winning director Roberto Benigni's affecting tale of love and devotion.
IMDB: 7.6, RT Aud: 76%, RT Critics: 37%
Hungarian animator Geza M. Toth directed the 5-minute, CG-animated short Maestro.
IMDB: 7.7, RT Aud: 81%, RT Critics: 32%
The premise is intriguing, but it's placed in the service of an overwrought and tasteless thriller.
IMDB: 7.3, RT Aud: 84%, RT Critics: 32%
The music of the night has hit something of a sour note: Critics are calling the screen adaptation of Andrew Lloyd Webber's popular musical histrionic, boring, and lacking in both romance and danger. Still, some have praised the film for its sheer spectacle.
IMDB: 7.0, RT Aud: 79%, RT Critics: 25%
Implausible coincidences and an overly convoluted structure make the movie hard to follow or believe.
IMDB: 7.7, RT Aud: 89%, RT Critics: 38%
Man on Fire starts out well, but goes over the top in the violent second half.
IMDB: 6.8, RT Aud: 69%, RT Critics: 42%
She takes a road trip from the suburbs of New Jersey, through Ohio to the plains of Kansas and back.
IMDB: 7.4, RT Aud: 78%, RT Critics: 4%
Nearly everyone is miscast in this disjointed and slow-moving portrait of Italian artist Amedeo Modigliani.
IMDB: 6.9, RT Aud: 76%, RT Critics: 44%
National Treasure is no treasure, but it's a fun ride for those who can forgive its highly improbable plot.
IMDB: 7.2, RT Aud: 80%, RT Critics: 43%
Upon hearing of her mother's death, jaded teenage loner Purslane Hominy Will returns to New Orleans for the first time in years, ready to reclaim her childhood home.
IMDB: 7.2, RT Aud: 81%, RT Critics: 35%
Imaginary Heroes is a muddled, melodramatic and unconvincing drama.
IMDB: 7.6, RT Aud: 84%, RT Critics: 48%
Saw is more than nasty enough for genre junkies, but far too twisted, gory, and shallow for more discerning horror fans.
IMDB: 7.6, RT Aud: 81%, RT Critics: 19%
Instead of offering a convincing argument against the death penalty, this implausible, convoluted thriller pounds the viewer over the head with its message.
IMDB: 7.1, RT Aud: 81%, RT Critics: 34%
The United States of Leland has its moments, but they're undermined by a muddled plot, unsympathetic characters, and frustratingly uneven performances.
IMDB: 7.1, RT Aud: 86%, RT Critics: 59%
While not consistently funny, the movie does have its moments.
IMDB: 6.9, RT Aud: 79%, RT Critics: 35%
The story is heavy on syrupy uplift and turns Radio into a saint/cuddly pet.
IMDB: 7.0, RT Aud: 79%, RT Critics: 31%
Though stylish to look at, Underworld is tedious and derivative.
IMDB: 6.8, RT Aud: 76%, RT Critics: 25%
dot the i starts out as a standard love triangle, but last minute revelations turn the movie into a gimmick.
IMDB: 7.3, RT Aud: 84%, RT Critics: 38%
I Am David also stars Joan Plowright, Maria Bonnevie, and Silvia De Santis.
IMDB: 7.1, RT Aud: 79%, RT Critics: 44%
A melodramatic plot and character stereotypes turn the movie into a sitcom.
IMDB: 7.7, RT Aud: 89%, RT Critics: 44%
The romantic leads are too obnoxious and self-centered to generate interest or sympathy.
IMDB: 6.9, RT Aud: 81%, RT Critics: 46%
This adaptation of the popular manga series offers exquisitely choreographed violence -- and little else.
IMDB: 7.5, RT Aud: 81%, RT Critics: 37%
Equilibrium is a reheated mishmash of other sci-fi movies.
IMDB: 7.1, RT Aud: 78%, RT Critics: 22%
Washington's performance rises above the material, but John Q pounds the audience over the head with its message.
IMDB: 7.0, RT Aud: 88%, RT Critics: 34%
Poolhall Junkies also features Rod Steiger in one of his final roles; the film didn't see theatrical release until nearly nine months after his death.
IMDB: 6.8, RT Aud: 75%, RT Critics: 36%
A chaotic drug movie that has little substance behind the stylistic flash.

IMDB: 6.7, RT Aud: 76%, RT Critics: 32%
As comedy, Wet Hot American Summer is a slapdash, fragmented affair that misses more often than hits. As parody, it fails because it attempts to satirize something ridiculous and self-parodying in itself.
IMDB: 7.0, RT Aud: 78%, RT Critics: 50%
Lost and Delirious becomes exactly that, as the film sinks into overwrought melodrama and cliched, obvious symbolism.
IMDB: 7.1, RT Aud: 90%, RT Critics: 35%
A more-miss -than-hit affair, Super Troopers will most likely appeal to those looking for something silly.
IMDB: 7.5, RT Aud: 88%, RT Critics: 46%
A manipulative tearjerker, Life as a House benefits from fine performances from the cast.
IMDB: 7.6, RT Aud: 86%, RT Critics: 34%
Not only does the manipulative I Am Sam oversimplify a complex issue, it drowns it in treacle.
IMDB: 6.7, RT Aud: 69%, RT Critics: 42%
As Hubert begins to investigate the circumstances surrounding Miko's mysterious death, he grows closer to Yumi.
IMDB: 6.8, RT Aud: 76%, RT Critics: 35%
Poor script and messy plot undermines the decent cast.
IMDB: 7.2, RT Aud: 81%, RT Critics: 41%
De Niro and Goodings Jr. manage to turn in performances that make this by-the-numbers inspirational movie watchable.
IMDB: 6.9, RT Aud: 67%, RT Critics: 45%
Greenfingers follows the British feel-good formula of underdogs somehow beating the odds, adding nothing new to this already saturated genre.
IMDB: 7.2, RT Aud: 77%, RT Critics: 39%
Pay It Forward has strong performances from Spacey, Hunt, and Osment, but the movie itself is too emotionally manipulative and the ending is bad.

IMDB: 6.8, RT Aud: 82%, RT Critics: 47%
Silly plot, over-the-top directing style.
IMDB: 6.8, RT Aud: 78%, RT Critics: 41%
Bad Boys stars Will Smith and Martin Lawrence have enjoyable chemistry; unfortunately, director Michael Bay too often drowns it out with set pieces and explosions in place of an actual story.
IMDB: 7.3, RT Aud: 76%, RT Critics: 46%
Not even the efforts of former addict Reggie (Ernie Hudson) can cure Jim.
IMDB: 6.7, RT Aud: 84%, RT Critics: 26%
Despite a terrific soundtrack and a strong early performance from Renee Zellweger, Empire Records is mostly a silly and predictable teen dramedy.
IMDB: 7.0, RT Aud: 77%, RT Critics: 47%
When one of his old encounters discovers that she is H.I.V.-positive, after only one encounter with a guy, Telly remains undaunted.
IMDB: 6.8, RT Aud: 82%, RT Critics: 27%
This wistful drama is set in the summer of 1970 and follows the adventures of four 12-year-old girls as they attempt to solve a murder.
IMDB: 7.1, RT Aud: 90%, RT Critics: 42%
Though it benefits from the comic charms of its two leads, Tommy Boy too often feels like a familiar sketch stretched thin.
IMDB: 7.2, RT Aud: 73%, RT Critics: 53%
Trent believes that the cause of the chaos lies within the writings of author Sutter Cane who recently disappeared.
IMDB: 6.9, RT Aud: 72%, RT Critics: 30%
Their daughter falls in love with the son of one of Esteban's foremen, a hot-headed revolutionary named Pedro (Antonio Banderas).
IMDB: 7.0, RT Aud: 88%, RT Critics: 40%
The "newsies" band together to protest a pay cut by Pulitzer (Robert Duvall), organizing a union to protect their rights and ensure fair wages.
IMDB: 7.2, RT Aud: 87%, RT Critics: 38%
Set in South Africa before World War II, John Avildsen's film chronicles the uphill battles faced by a white teen (Stephen Dorff) who fights separatism by squaring off against black opponents in the boxing ring.
IMDB: 7.0, RT Aud: 91%, RT Critics: 38%
Strait plays Dusty Chandler, one of the hottest performers in country music.
IMDB: 7.5, RT Aud: 95%, RT Critics: 35%
This tuneful drama looks back upon the career of a fictional rhythm & blues group and chronicles their rise and fall.
IMDB: 6.9, RT Aud: 88%, RT Critics: 37%
Based on a novel by Iris Rainer Dart, Beaches traces the 30-year oil-and-water friendship between free-spirited Bronx Jew CC Bloom (Bette Midler) and uptight San Francisco WASP Hillary Essex (Barbara Hershey).
IMDB: 6.9, RT Aud: 76%, RT Critics: 42%
In this western, a group of young, hotheaded kids, including the infamous William H. Bonney (Emilio Estevez), are hired to help out British land-owner John Henry Tunstall (Terence Stamp).
IMDB: 6.8, RT Aud: 83%, RT Critics: 40%
Director Franco Zeffirelli (Hamlet, Romeo and Juliet) trades in his puffy shirts for boxing gloves in this 1979 re-make of the Wallace Berry/Jackie Cooper classic.
IMDB: 7.6, RT Aud: 80%, RT Critics: 80%
This film reveals the thoughts and observations of a good-natured young man as he lives through situations which would crush someone less accepting.
IMDB: 7.2, RT Aud: 77%, RT Critics: 42%
Aux cotes de Claire, il preche la parole de Dieu.
IMDB: 7.4, RT Aud: 92%, RT Critics: 100%
After completing his successful Madame Bovary (34), director Jean Renoir could have had the pick of France's top "name" actors for his 1935 film Toni, but chose instead to use nonprofessionals.


This project allows the user to compare statistics between hockey players using tables and charts. It was created using a MERN stack service and a Gatsby front end. It also features user authentication, registration, and a modifiable list of players which can be presented in a dashboard.
This project tests the user on world geography featuring quizzes on country names, capitals, and flags, using both click and type based inputs. It was built using React along with the React-Simple-Maps library and using data from the Rest Countries api.
This project is a mockup of an Indian Restaurant that features the typical pages of a standard restaurant website and adheres to responsive web design. It was built using React and the Bulma css framework.
This project is a single page mockup of a men's hair salon featuring the relevant sections for such a business and adheres to responsive web design. It was built using React with the Gatsby development environment.


Registry
We understand that the cost of travelling can be very pricy, so the only gifts we're asking from our guests are simply smiles, hugs, handshakes, high fives and maybe the occasional chest bump. In addition, we weren't particularly looking forward to the idea of hauling gifts 3000 miles back to California, so you would be doing us a huge favor by putting the money towards making your trip a little more comfortable. Thanks!


# Music
&
# Big Data
-
October 2017 - Ecole Centrale de Nantes
*Guillaume Gardey*
## Planning
* Session 1
* Talk & QA: *Music & Web - Architecture & Technology Overview*
* Lab 1: Working with APIs
* Session 2
* Talk & QA: *Music & Big Data - Overview of challenges & technologies*
* Lab 2: Introduction to Data Processing - Python/Pandas
Note:
* General description and organization of the 3 sessions
## Big Data
> describes *large* amount of data (structured or unstructured) that
are difficult to process using traditional database and software
## Big Data
> Big data usually includes data sets with sizes beyond the ability of commonly used
software tools to capture, curate, manage, and process data within a tolerable elapsed time.
## Big Data
![big-data](images/slides/bigdata.png)
~
Note:
* 1 TB: ~2000h CD quality / 17,000 hours at 128kbs 2 years 24/7
* Library of congress ~10TB of printed data (26 millions books)
* 1 PB: 1PB of audio (mp3) would take 2000 years to play
* 1 EB: 1 gram of DNA can theoretically hold 455 exabytes
* 1 ZB: is equivalent to 152 million years of high-definition video
## Big Data - The 3 Vs... (and more)
### Volume
* large data sets
* information is not sampled
### Velocity
* rapidly changing
* available in real-time
### Variety
* different type: text, images, audio, video, ...
* structured: JSON, XML, ...
* (un|semi) structured: email, images, audio, music, text
### ... and more Vs
* **Veracity**
* how much trust can be put in the data
* **Value**
* eventually drives revenues or new features for companies
* **Variability**
* no fixed data or schema
* evolution in time
## Big Data in Music
-
## Where ?
### Content
* Audio
* Metadata
* Lyrics
### Events
* Listening patterns
* Application events
* User activity
* Social media data
### Derived data
* Crowd sourced data
* Recommendations
* Playlists
* User content
## Example: Big Data @ Spotify
![spotify-data](images/spotify-data.png)
* 42PB Storage
* 200TB data generated / day
* 1300 Servers
Note:
* Figures in 2015, probably around 1600 servers now depending on literature
### Algorithms & Data Structures
* Algorithmic & Complexity
* Data Structures
### Complexity
![complexity-overview](images/complexity-overview.png)
Note:
* 1 billion elements 10^9 / 1GHz 10^9
* O(n) linear: 1 billion operations / 1s
* O(n2) quadratic: 10^18 operations / 10^19 s = ~32 years
* O(log(n)) logarithmic: 20 operations / 0.01 microseconds
### Data structures
![complexity-ds](images/complexity-data-structures.png)
### Program optimization
* CPU
* Memory
* IO
* Network
### Parallelism
* Multi**threading**
* Multi**processing**
### Vertical Scaling
* Same server
* More
* CPU
* Memory
* Storage
### Vertical Scaling
![vscaling](images/slides/Vertical Scaling.png)
Note:
* AWS: x1.32xlarge: 128cpu/1952GB RAM/2x1920GBSSD
* Dell: 96cpu/6TB RAM/24 disks (x8TB = 192TB)/
### New paradigms
* Dedicated hardware
* GPU (Graphical Process Unit)
* FPGA (Field Programmable Gate Array)
* New paradigm
* DNA Computing
* Quantum Computing
### Horizontal scaling
Distribute resources and work to many computers
### Horizontal Scaling
![hscaling](images/slides/Horizontal Scaling.png)
### Horizontal Scaling
* Distributed Systems
* Clusters
* Sharding
* Share Nothing
* Cloud
## Big Data & Hadoop
* Fundations
* Google File System (2003)
* Google MapReduce (2004)
* Google BigTable (2005/2006)
* Open Source implementation
* *Apache Nutch* (web crawler)
* Development moved to the *Hadoop* project in 2006
### Map-Reduce
> A programming model for processing and generating large data sets with a parallel,
distributed algorithm on a cluster
> Takes advantage of the locality of data, processing it near the place it is
stored in order to reduce the distance over which it must be transmitted.
Note:
* Distribution of work
* Data locality and compute
### Map-Reduce
Parallel computations on a cluster
![cluster](images/slides/cluster.png)
### Map-Reduce
Data locality
![cluster](images/slides/data locality.png)
### Map-Reduce
![mapreduce](images/slides/MapReduce.png)
### Map-Reduce - Word Count
def map(document):
for word in document:
emit(word, 1)
def reduce(word, values):
count = 0
for value in values:
count += value
emit(word, count)
### Map-Reduce - Word Count
![wordcount](images/slides/WordCount.png)
### Map-Reduce - What Now?
Relatively simple computational model
*but*
Many problems can be translated/solved!
* SQL
* ETL (Extract / Transform / Load)
* Machine Learning
* Bespoke analysis
* ...
## Map-Reduce - Limitations
* MapReduce jobs independent from each others
* Network & Disk IO intensive in some cases (shuffle)
* Lack of iterative/in-memory computation
## Big Data - Beyond Map Reduce
## New frameworks - DAG
> Direct Acyclic Graph
![dag](images/dag.png)
## New frameworks - DAG
* Generalization of Map-Reduce concept
* Jobs are aware of all the tasks involved
* Allows global optimization
* Better use of resources
> Spark, Tez, Drill, Dremel, Spanner, ...
## Spark
* Fundations
* Berkeley's AMPLab from 2009
* Open sourced and moved as an Apache project in 2013
* Improvements on the Map-Reduce paradigm
* In memory cluster computing
* Iterative algorithms
* Interactive & Exploratory analysis
* Batch & Streaming
Note:
* DAG system
* Java, Python, Scala,
* Popular for data science and analysis
## Spark - RDD (Resilient Distributed Datasets)
> a fault-tolerant collection of elements that can be operated on in parallel
![rdd](images/slides/RDD Overview.png)
## Spark - Driver & Workers
![rdd](images/slides/driver & workers.png)
## Spark - High Level Libraries
* SQL
* Streaming
* **Machine Learning**
* Graph
## Machine & Deep Learning
## Machine Learning
> Machine learning is a field of computer science that gives computers
the ability to learn without being explicitly programmed.
## Machine Learning
* Clustering / Classification
* Anomaly Detection
* Supervised / Unsupervised Learning
* Reinforcement Learning
* Neural Nets
## Machine Learning & Big Data
* Vast quantities of Data
* Large data sets for training
* Improvement in software/hardware
* GPU
* High Level libraries
* Broadly accessible
## Deep Learning
* Originated in the end of 50'
* Perceptron
* Frank Rosenblatt
* Neurobiology
* Neural Networks
## Perceptron
![perceptron](images/slides/Perceptron.png)
## Deep Neural Network
![deepnn](images/slides/Deep Neural Network.png)
## Deep Learning
* Image classification
* Text Translation
* Speech Recognition
* Speech Synthesis
* Game
* ...
## Application to Music
* **Recommendation**
* Playlist & Marketing
* **Classification**
* Genre, Mood, Tempo, Danceability
* **Music Generation**
* Games, Ambient Music
* Techniques
* Collaborative Filtering
* Natural Language Processing
* Deep Learning


About me
Hometown
Study
Travel
3D models
MY USA
It was the summer of 2017. I flew to America on the Work&Travel program. It was a good experience and i learned a lot. I have visited some cities and i share some photos of them.
Adress: Pushkinskaya street 79/1
Telephone number: +38(050)61-96-498


Propaganda meets pop-art.
Breathing is one of the few things that everyone on the planet does, all the time. But breathing is also something we know very little about. Mask Up makes thoughtful goods, without exploiting people or the planet. MaskUp is not about tradition. You can’t pass it on.
When you breathe with the mask on, air passes through five important layers of protection before it reaches your lungs. Each layer has a different density in order to filter particles of different sizes.
To further improve the fit of the mask and stop air from sneaking in around the edges, each filter is equipped with a 3D memory nose-foam and an adjustable nose clip that gives the mask minimal air leakage, regardless of one's face shape.
Velcro800 creates no interruption. Whether it's a cigarette break, your favourite pepepro flavour, or that quick sip of coke you just got from McDonald's. Have you tried Maki?
When I'm sad, I sing then I realize my voice is worse than my problems so when life gives you lemons, find some oysters!
"You're never too old to start learning, and you're never too young to aim high and achieve great things." - Asa Hutchinson
"KARHANAVIRHUSSSSSSSSSSS" - Belcalis Marlenis Almanzar
Where there is code, there are bugs.


Convert Windows backslash paths to slash paths:
foo\\bar
➔foo/bar
Forward-slash paths can be used in Windows as long as they're not extended-length paths and don't contain any non-ascii characters.
This was created since the path
methods in Node outputs \\
paths on Windows.
$ npm install --save slash
var path = require('path');
var slash = require('slash');
var str = path.join('foo', 'bar');
// Unix => foo/bar
// Windows => foo\\bar
slash(str);
// Unix => foo/bar
// Windows => foo/bar
Type: string
Accepts a Windows backslash path and returns a slash path.
MIT © Sindre Sorhus


This
is totally awesome! I’ve been using restful_authentication for quite a
long time and *hated* that I have to install the generator in every
single project. I kept thinking one should come up with a better way, a
gem-powered way … and here you are to respond to my pleas Thank you!
This
is something that has been bothering me lately and I personally think
this is a good way to go. As far as I see it, plugins are to extend
Rails Core, not provide an application module like authentication -
where the plugin then becomes useless because it has created a file in
your lib/ folder.
I’m also not sure if the solution is putting the GEM inside the
Rails application either, when we are talking about running a generator
that writes code to our lib/ file and is never used again. It wouldn’t
make sense to me to keep that GEM, that is never used again, in our
application/vendor/gem.
However, I believe all generators ought to move to the way of GEMS
instead of plugins. Plugins should be for extending Rails and anything
that will generate code for your application and not for Rails, should
be a GEM.
@Robert
- I’m sorry for the confusion on gems in rails - I wasn’t inferring
that gems should be put in the /vendor/gems folder at all. I was
actually trying to publicize the concept and show that the two patches
work together. I probably shouldn’t have blurred the original purpose
of the article.
This is totally awesome! I’ve been using restful_authentication for quite a long time and *hated* that I have to install the generator in every single project. I kept thinking one should come up with a better way, a gem-powered way … and here you are to respond to my pleas Thank you!
This is absolutely delicious.
I tried to hack Hoe to accomodate this, but patching Rails will make things much easier.
This is something that has been bothering me lately and I personally think this is a good way to go. As far as I see it, plugins are to extend Rails Core, not provide an application module like authentication - where the plugin then becomes useless because it has created a file in your lib/ folder.
I’m also not sure if the solution is putting the GEM inside the Rails application either, when we are talking about running a generator that writes code to our lib/ file and is never used again. It wouldn’t make sense to me to keep that GEM, that is never used again, in our application/vendor/gem.
However, I believe all generators ought to move to the way of GEMS instead of plugins. Plugins should be for extending Rails and anything that will generate code for your application and not for Rails, should be a GEM.
@Robert - I’m sorry for the confusion on gems in rails - I wasn’t inferring that gems should be put in the /vendor/gems folder at all. I was actually trying to publicize the concept and show that the two patches work together. I probably shouldn’t have blurred the original purpose of the article.
@Nic: Ah ok, my bad. I should have read your article *after* I had my caffiene. Then I completely agree with you!
In your code there is mention of “script/generator” - it should be “script/generate”.
@mislav - thx, fixed
Thanks for a great new feature and you just need to check out Edge to give it a try. (no monkey patching needed)
@matt - sweet; my first core contribution
I’ll update the description from “patch this” to “go get yourself some sweet edge sexiness” soon.


About Me
Born and stayed in Maryland. I am currently training to become a full stack develop through a bootcamp provided by Johns Hopkins University. My hope is to become proficient in both front and back end web development. Some examples of my work thus far can be seen below. My work not only highlights who I am as a person but more importantly who I am as a developer.


CS 179 staff
Bernd
Popularity:
0
Confidence: 3
Krzysztof
Popularity:
0
Confidence: 2.5
Ofra
Popularity:
0
Confidence: 3
Sarah
Popularity:
4
Confidence: 3
Winston
Popularity:
0
Confidence: 3
Yujie
Popularity:
0
Confidence: 3


Copyright (c) 1887 George S. Parker
The game is played on the following board with this setup:
|
Quoting Troyka: Camelot is one of the great boardgames of the nineteenth century, along with Reversi and Halma. Invented in 1887 by George S. Parker, founder of Parker Brothers, it was originally marketed under the name Chivalry. The game achieved a substantial following after its re-release in 1930, with minor rule changes, under the name Camelot. [...] In recent years the World Camelot Federation has rekindled interest in the game. To learn more about the history of Camelot, and to join the Federation, vis
it http://www.worldcamelotfederation.com/. Camelot was featured in an article in the seventh edition (summer 2001) of Abstract Games Magazine.| An example The Black Knight at cell e11 can canter to cell [1] and [2] and then capture through cell [3] and [4]. However, he will loose, because the other player would move his Knight into the enemy Castle. |


Howto: Extend your wrists' duty-cycle
by Cory DoctorowPeople make fun of me when I talk about extending my wrists' duty cycle, but I earn the vast majority of my living with the parts of my body north of my chin and south of my elbows, and those are all pretty fragile, easily-damaged parts of your body.
Ergnomic Trends' list of "8 Best Hand and Wrist Exercises for Computer Users" were largely familiar to me, but I'm seriously loving "thumb touches."
Thumb touches help to increase coordination in the thumb and forefingers, and also help to reintroduce blood flow back to the area:
1. Hold your hands outwards with your palms facing the ceiling
2. With your right hand, slowly bring your thumb to touch the tip of every finger
3. Repeat on the other hand
4. Return to the starting position
5. Repeat five times with both hands
Preventing Injury: 8 Best Hand and Wrist Exercises for Computer Users [Ergonomic Trends]
(via Four Short Links)


My friends and I had been doing some studying of salvia on the net, trying to find out as much information as possible about the drug before we tried it. One of my friends found a good source on the net and decided to buy an ounce of leaves for all of us to try. One sunday night we all decided to try it. We were told that 2 good bong hits should be enough for most people, that smoking salvia was self-limiting because you lost the ability to keep smoking. I bought a micro-torch because I heard that is the best way to smoke it, something about the high heat and vaporizing the leaves before the salvinorium breaks down.
I prepared my mind all day for it simply by calming myself and filling my mind with good thoughts. Then that evening came the moment of truth. I sat back and started taking big bong hits, holding the smoke in for as long as I could over twenty seconds. Being a heavy smoker at the time, I could hold it in fairly easily. After the seventh hit, I realized I was done and tried to stand up, but couldnt. After about ten minutes sitting on the floor almost catatonic, I went back to my dorm room and listened to music. At the time I had never done any other psychedelics so I was not ready for the intense visual images but I was calm for the whole experience. I remember seeing all of space and time collapsing on one central point directly in front of my eyes. In that point everything was completely clear, all of life made sense, but if I tried to move my eyes around away from the point it all went fuzzy.
Thats the only real memory I have of the trip, but my roommate said I stood and did some body movements closely akin to tai-chi, I have no recollection of this. All in all I would say that salvia is a wonderful experience if you are really in tune with your mind and prepared for it, not just looking to see blue bunnies or melting shit as with an acid. Without mental preparation salvia is worthless.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.