Four score and seven years ago our fathers brought forth on this continent a new nation…
A person who never made a mistake never tried anything new.
Everybody remember where we parked.
Everybody remember where we parked.
Everybody remember where we parked.
Dennis: Come and see the violence inherent in the system. Help! Help! I’m being repressed!
King Arthur: Bloody peasant!
 Did you hear that? Did you hear that, eh? That’s what I’m on about! Did you see him repressing me? You saw him, Didn’t you?


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The Repository module stores and displays a range of items. The type of items stored is controlled through the skin which is applied to the module. By changing the skin applied to the module, the Repository can be used for numerous purposes such as a simple blog, a media repository, a file repository, an articles repository, a compact file listing, and more. The Repository module offers fine grained permissions which allows you to control which roles can download, upload, rate and comment on items. Features such as moderation and personal are also included.
Installation Note: This module must be deployed and installed on your site by a SuperUser.
Important Upgrade Note. If you have modified any of the standard templates that are part of the Repository package, be sure to back them up before installing this new release, then restore them after the release has been installed. Alternatively, you can copy them to the /Portals/n/RepositoryTemplates folder which is the preferred location for storing modified templates.
Module Version: 03.05.04 / Minimum DNN Version: 05.03.01
Features: ISearchable
Optional settings (not available on all skin designs):
The Repository Module


This is link eac1ff0e-3c28-4bc4-afe7-bff08e1384cd This is text 96a5167e-89f0-4661-a451-52e83ffac800
This is paragraph 10b9bef7-9dd1-482a-9c5b-e97b5c7cbbd7


ORIGINAL SIN A film review by James Brundage Copyright 2001 filmcritic.com
Depending on who you ask, the original sin was either the eating of the apple, the act of disobedience against God, or the act of betrayal. But in case you didn't know this, don't bother remembering it... the words "original sin" never come up in the movie of the same name, let alone the concept of it. The closest the film even gets to Catholicism is in its narrative (the story is told by Angelina Jolie to her priest while on death row in Cuba, circa 1900).
Regardless of its senseless title, Original Sin does actually have a plot (albeit one of the most mangled acts of screenwriting since The Art of War, based on the book Waltz Across Darkness). Boy (Antionio Banderas) places personal ad sometime around 1900, searching for a wife. Since this is a century ago, we narrowly dodge a remake of Green Card, only to find that the Girl (Jolie) faked her photo and is actually beautiful. Skipping a few moderately useless sex scenes (getting the question out of the way, yes, we get to see Angelina Jolie's breasts again), the Girl turns out to be a con artist, swindles Boy for his money, and heads for the hills.
Original Sin then briefly tries to be a thriller. We see Boy go whore-chasing, saying he wants to find Girl and kill her.  Girl toys with the idea of reforming her con-girl past, all the while avoiding the "other man," a lover that keeps making her start these scams in the first place.
Add insult to injury with some of the worst stylistic choices in cinematic history (literally half of the film is either in slow motion or uses a strobe effect), and acting roughly the caliber of a B.B. gun, and Original Sin is one of the most torturous films of the summer, definitely front running to make my bottom ten of the year.
 Just keep in mind that although this film may not be the most original on the block, it's much worse than a sin. This is sacrilege.
RATING: * [LOWEST RATING]
MPAA Rating: R
Director: Michael Cristofer Producer: Carol Lees, Denise Di Novi, Kate Guinzburg Writer: Michael Cristofer Starring: Antonio Banderas, Angelina Jolie, Thomas Jane, Jack Thompson
http://www.mgm.com/originalsin/
--- http://www.amazon.com/exec/obidos/redirect?tag=filmcriticcom&path=subst/video/sellers/amazon-top-100-dvd.html Movie Fiends: Check out Amazon.com's Top 100 Hot DVDs!
Visit filmcritic.com on the Web at http://www.filmcritic.com
========== X-RAMR-ID: 29061 X-Language: en X-RT-ReviewID: 242526 X-RT-TitleID: 1109215 X-RT-SourceID: 178 X-RT-AuthorID: 1127 X-RT-RatingText: 1/5
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Related links: index of all rec.arts.movies.reviews reviews


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paper-mining nips knowledge-graph by maker-knowledge-mining
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What is a Macro?
According to the dictionary, a macro is "a single instruction that expands automatically into a set of instructions to perform a particular task." For the Character Editor, macros are buttons in the Conditions table that let you fill in one or more conditions from a single click. This is helpful when you are writing a lot of dialogue that uses the same conditions. For this tutorial, we are going to make a tutorial for targeting Catria when she is in her bunny suit while Florina is also in her bunny suit.
Macro Manager
You can create or delete macros using the Macro Manager.- To open the Macro Manager, go to Tools > Manage Macros...
- You are greeted with a form containing a list of existing macros and buttons to edit, create, or delete a macro.
- Click "New"
- If this is your first time, you'll see a popup explaining what macros are. Otherwise, you'll be taken to the macro editor.
Macro Editor
If you've written dialogue before, the macro editor will look very familiar. It's exactly the same thing as the Conditions table for targeted dialogue in the Dialogue Editor. Setting up a macro works exactly the same way as making targeted dialogue.- We are making a macro for targeting Catria in her bunny suit while Florina is also playing in her bunny suit.
- Name the macro "Bunnies."
- Fill out the appropriate conditions as follows:
- Click OK to accept the form.
The macro editor will use whatever character is open beneath it for context for things like populating the list of markers for "Said Marker".
Using Macros
From now on, the macro will appear in the Dialogue Editor under the Macros menu.- Go to a case that has a target. The macro we made uses a Target condition, so it will only appear for cases with a target. If we did not use a target, the macro would be available everywhere.
- Click Macros > Bunnies to automatically fill in the conditions from the macro.


Define the priors parameters to be used with ltm_mcmc()
.
create_prior_parameters(a_mu0 = 0, a_s0 = 0.1, n0 = 6, S0 = 0.06, v0 = 6, V0 = 0.06, m0 = 0, s0 = 1, a0 = 20, b0 = 1.5)
| a_mu0 | mean of alpha normal distribution. |
|---|---|
| a_s0 | standard deviation of alpha's normal distribution. |
| n0 | sig2 inverse gamma shape parameter. |
| S0 | sig2 inverse gamma location parameter. |
| v0 | sig_eta inverse gamma shape parameter. |
| V0 | sig_eta inverse gamma location parameter. |
| m0 | mu normal's mean parameter. |
| s0 | mu normals standard deviation. |
| a0 | a0 beta's shape parameter. |
| b0 | a0 beta's location parameter. |
List containing the hyperparameters used to fit the model. The default parameters are the same of the simulation example of the paper.
Considering the following priors:
alpha ~ N(mu0, s0)
sig2 ~ IG(n0/2, S0/2)
sig_eta ~ IG(v0/2, V0/2)
mu ~ N(m0, s0^2)
(phi+1)/2 ~ Beta(a0, b0)
Nakajima, Jouchi, and Mike West. "Bayesian analysis of latent threshold dynamic models." Journal of Business & Economic Statistics 31.2 (2013): 151-164.


Let your requirements allow for product discovery and improvement throughout a product's lifecycle!
Happy teams make better software. Give them the resources and influence to make a great product, and they will!
Agile builds stronger, more naturally integrated and involved teams.
Get your product to market faster and outpace the competition!
Individuals and interactions over processes and tools
Working software over comprehensive documentation
Customer collaboration over contract negotiation
Responding to change over following a plan
That is, while there is value in the items on the right, we value the items on the left more.
Kent Beck Mike Beedle Arie van Bennekum Alistair Cockburn Ward Cunningham Martin Fowler James Grenning Jim Highsmith Andrew Hunt Ron Jeffries Jon Kern Brian Marick Robert C. Martin Steve Mellor Ken Schwaber Jeff Sutherland
© 2001, the above authors this declaration may be freely copied in any form, but only in its entirety through this notice.
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|
ART AND MONEY IN MOVIES
by Larry E. Ribstein
American movies often seem to be hostile to business. For example,
in the popular film Erin Brockovich, we see PG & E
poisoning people and then lying about it. As many commentators
have pointed out, the truth in that film was much murkier than
the filmmakers let on. This perspective is common. Think of
the popular film from the year before Erin Brockovich,
The Insider, which featured two common themes - the social
harm of large corporations, and their suppression of workers
who try to rise above corporate morality. Or for an even darker
view, consider Glengarry Glen Ross. Moreover, we rarely
see the other side of the story - business as a provider of beneficial
jobs and products. Films like Other People's Money, or
at least Danny DeVito's speech to the shareholders in that movie,
are rare. The bias is especially hard to explain when one considers
that it appears in films, like Erin Brockovich, that are
made and distributed by large conglomerates.
I have written an article
that attempts to solve this puzzle by analyzing a significant
number of films that deal directly or indirectly with business.
I conclude that filmmakers are not anti-business but anti-capital.
In other words, the artists who make films want a bigger piece
of the pie and, more importantly, bridle at the restrictions
that the money guys place on their creativity. One piece of
evidence supporting this hypothesis is that worker-owned or controlled
firms (e.g., the law firm in Erin Brockovich) pass movie
muster, even if these worker-friendly firms are of the bank-robbing
variety. The capitalists in control let their workers get away
with this subversive message because they do not care what their
films say as long as they're making money.
This negative view of capital from the narrow artist's perspective
is taking a toll on the general reputation of business and, more
important, fuels populist sentiment for more regulation. My
thesis supports letting firms speak in their own defense - that
is, dropping or relaxing "commercial speech" limits
on the First Amendment. It also suggests that movies' message
might change if artists become less constrained by capital, as
by the digital revolution that could drastically lowers production
costs.
Of course, it may be that there is no bias - that business really
is bad. But if you believe that, maybe you're watching too many
movies. If you would like to pursue this subject, I invite you
to view my blog.
Posted November 13, 2003
|


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{% include "summarizer/components/headMetadata.html" %}
This page displays a form which can be used to summarize a text. The form consists of several fields whose description is given on the right.
The language of the text being summarized should be English. This comes from the fact that the service uses a specific version of the deep learining model BERT. The model was trained on a corpus of English books and English Wikipedia. Therefore, the model was "trained to understand English language", expects the content written in English at its input, and will give the best results on English text. It is important to note that the service will work with text written in different languages, but the quality of the output summary will not be as good.
The summarization this service provides is extractive. This means that the computed summary will consist of sentences found in the input text.
Although the machine learining architecture used by this service utilizes a version of the BERT model which is fairly large, the computation of a summary takes only a couple of seconds. The computation time will vary slightly depending on the number of sentences in the input text. It is good to know that the system, when forming a summary, does not take into consideration senteces that are shorter than a certain length ( in this case that length is 40 characters ). That's because the short sentences are considered insufficiently descriptive or need additional context.
To see the quality of calculated summaries, two summary request examples are provided below the form. They can be used to get better acquainted with the form fields.
Text to summarize - The text being summarized. It can be "copy and pasted" or written manually. Preferably, the text should be written in English.
Use number of sentences - This radio button enables the Desired number field. The field contains a number that specifies the desired number of sentences that the summary should contain. The acceptable range of the number is between 1 and 100 .
Use sentence ratio - This radio button enables the Desired ratio field. The field contains a number that specifies the ratio of the number of sentences found in the input text that the summary should keep. The acceptable range of the ratio if between 0.05 and 1.0 .
Keep the first sentence of the text - The Yes or No radio buttons specify whether to include the first sentence of the input text in the summary.
It is important to note that if it's specified that the first sentence of the input text should be included in the summary, the computed summary could have a one sentence more than desired.The summary of your text will be shown here. To copy the text to the clipboard, press the Copy to clipboard button below.
Two examples of summary requests are provided below. Request texts come from two different books: "Astrophysics for People in a Hurry" by Neil deGrasse Tyson and "The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny Beyond Earth" by Michio Kaku, respectively. Each request has a different set of parameters to show the system's behavior upon their usage.
Most of the solar system's asteroids live and work in the main asteroid belt, a roughly flat zone between the orbits of Mars and Jupiter. By tradition, the discoverers get to name their asteroids whatever they like. Often drawn by artists as a region of cluttered, meandering rocks in the plane of the solar system, the asteroid belt's total mass is less than five percent that of the Moon, which is itself barely more than one percent of Earth's mass. Sounds insignificant. But accumulated perturbations of their orbits continually create a deadly subset, perhaps a few thousand, whose eccentric paths intersect Earth's orbit. A simple calculation reveals that most of them will hit Earth within a hundred million years. The ones larger than about a kilometer across will collide with enough energy to destabilize Earth's ecosystem and put most of Earth's land species at risk of extinction. That would be bad. Asteroids are not the only space objects that pose a risk to life on Earth. The Kuiper belt is a comet-strewn swath of circular real estate that begins just beyond the orbit of Neptune, includes Pluto, and extends perhaps as far again from Neptune as Neptune is from the Sun. The Dutch-born American astronomer Gerard Kuiper advanced the idea that in the cold depths of space, beyond the orbit of Neptune, there reside frozen leftovers from the formation of the solar system. Without a massive planet upon which to fall, most of these comets will orbit the Sun for billions more years. As is true for the asteroid belt, some objects of the Kuiper belt travel on eccentric paths that cross the orbits of bonafide planets. Pluto and its ensamble of siblings called Plutinos cross Neptune's path around the Sun. Other Kuiper belt objects plunge all the way down to the inner solar system, crossing planetary orbits with abandon. This subset includes Halley, the most famous comet of them all. Far beyond the Kuiper belt, extending halfway to the nearest stars, lives a spherical reservoir of comets called the Oort cloud, named for Jan Oort, the Dutch astrophysicist who first deducted its existence. This zone is responsible for the long-period comets, those with orbital periods far longer than a human lifetime. Unlike Kuiper belt comets, Oort cloud comets can rain down on the inner solar system from any angle and from any direction. The two brightest of the 1900s, comets Hale-Bopp and Hyakutake, were both from the Oort cloud and are not coming back anytime soon.
Use number of sentences Desired number: 6Most of the solar system's asteroids live and work in the main asteroid belt, a roughly flat zone between the orbits of Mars and Jupiter. By tradition, the discoverers get to name their asteroids whatever they like. The ones larger than about a kilometer across will collide with enough energy to destabilize Earth's ecosystem and put most of Earth's land species at risk of extinction. As is true for the asteroid belt, some objects of the Kuiper belt travel on eccentric paths that cross the orbits of bonafide planets. This subset includes Halley, the most famous comet of them all. Far beyond the Kuiper belt, extending halfway to the nearest stars, lives a spherical reservoir of comets called the Oort cloud, named for Jan Oort, the Dutch astrophysicist who first deducted its existence. Unlike Kuiper belt comets, Oort cloud comets can rain down on the inner solar system from any angle and from any direction.
In the movie 2001, a crew of astronauts are kept frozen in pods as their giant ship makes the arduous journey to Jupiter. Their bodily functions are reduced to zero, so there are none of the complications associated with multigenerational starships. Since the passengers are frozen, the mission designers would not have to worry about the astronauts consuming large quantities of resources or keeping the population stable. But is this really possible? Anyone who has lived in the north during wintertime knows that fish and frogs can be frozen solid in the ice, and that when spring comes and ice melts, they will emerge as if nothing happened. Normally, we would expect the freezing process to kill these animals. As you lower the temperature of blood, ice crystals begin to grow and expand both within the cells, eventually rupturing the cell wall, and also outside the cells, potentially squeezing and crushing them. Mother Nature solves this problem using a simple solution: antifreeze. During winter, we put antifreeze in our cars in order to lower the freezing point of water. In the same way, Mother Nature uses glucose as an antifreeze, thereby lowering the freezing point of blood. So although the animal is frozen in a block of ice, the blood in its veins is still liquid and can still perform basic bodily functions. For humans this high concentration of glucose in our bodies would be toxic and would kill us. So scientists have experimented with other kinds of chemical antifreezes in a process they call vitrification, which involves using a combination of chemicals to lower the freezing point so that ice crystals do not form. Although it sounds intriguing, the results have been disappointing so far. Vitrification often has adverse side affects. The chemicals used in the labs are often poisonous and can be lethal. To date, no one has ever been frozen solid, then thawed out, and lived to tell about it. So we are a long way from effectively achieving suspended animation. Scientists hope that in time, these technical questions might be solved. So on paper, suspended animation may be the ideal way to solve many of the problems of long-term voyages. Although it is not a practical option today, in the future, it might be one of the chief methods of surviving interstellar missions. However, there is one problem with suspended animation. If there is an unexpected emergency, such as asteroid impact, then humans may be required to fix the damage. Robots may be activated to make the initial repairs, but, if the emergency is severe enough, human experience and judgment will be required. This might mean that some of the passengers who are engineers may have to be revived, but this last-minute option could be fatal if it takes too long to revive the engineers and human intervention is required immediately. This is the weak point in an interstellar voyage using suspended animation. It may be that a small multigenerational society of engineers would have to be kept awake and ready during the entire voyage.
Use sentence ratio Desired ratio: 0.45As you lower the temperature of blood, ice crystals begin to grow and expand both within the cells, eventually rupturing the cell wall, and also outside the cells, potentially squeezing and crushing them. Mother Nature solves this problem using a simple solution: antifreeze. During winter, we put antifreeze in our cars in order to lower the freezing point of water. For humans this high concentration of glucose in our bodies would be toxic and would kill us. Although it sounds intriguing, the results have been disappointing so far. Vitrification often has adverse side affects. To date, no one has ever been frozen solid, then thawed out, and lived to tell about it. Scientists hope that in time, these technical questions might be solved. However, there is one problem with suspended animation. This is the weak point in an interstellar voyage using suspended animation. It may be that a small multigenerational society of engineers would have to be kept awake and ready during the entire voyage.


As an active and ambitious participant in life, many subjects and experiences fascinate me. I graduated from UC Santa Barbara with my bachelors in chemistry, and have worked in several tech start-ups and VC environments since. The scrappy world of software and technology funding has captivated me and groomed me into finding greater interests in technical roles using new skills and learned assets. In 2017, I joined the UC Berkeley Full Stack Development Bootcamp to do just that. Coupled with an innate drive for innovation, adventure, positive environments and high spirits, I began working with web dev projects to explore new tangible ways I could build and contribute to products that create positive impact.
To sum this up, if you like pina coladas, getting caught in the rain, dislike yoga, and possess half a brain, you know where to find me with all attached eccentricities and attributes. Bowchickachickachah, witcha bad self!
Also, check out my Github Page for more information about what I do, what I like, and what you'd like to do together in the future!
Check out this project called lone-wolf we've been working on! If you're forever alone, find your wolf pack today with this site!
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Direct Testing Home
This area provides capabilities to validate your Direct implementation to applicable standards-specifications. To verify basic Direct send
capabilities of your system send a message to:{{"testing@" + properties.domainName}}
Certificates for Download
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Links for Direct Certificates not configured!
You need to update the file direct_certificates_links.json located in ETT root directory.
If you do not want to provide links you can just write - for the link of each certificate.


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HOW TO CREATE AN AUTO LOAN / CAR PAYMENT CALCULATOR IN WORDPRESS
Posted on July 26, 2019
Do you want to create an auto loan or car payment calculator in WordPress?
If you are in the car dealership business, then adding an auto loan payment calculator on your website can help increase sales.
It helps your website visitors get an estimate for the monthly loan payment, compare the loan offers, and find the best deal on their car purchase.
In this article, we will show you how to easily create an auto loan car payment calculator in WordPress step by step.
What is a Car / Auto Loan Payment Calculator?
A car/auto loan payment calculator is an automated tool that allows users to get estimates for a monthly loan payment, check amortization schedule, and calculate the total loan amount.
It enables the users to perform a complete auto loan calculation with an account of sales tax, dealer fees, trade-in value, interest rate, length of the loan, and more.An auto loan payment calculator is especially useful for car dealership websites and auto loan financing businesses.
Adding a loan calculator on your site helps both you and your website visitors.
The users can see different financing plans available to buy a car and choose the best plan that suits their budget.
On your end, it increases user engagement and sales because users can calculate automobile loan right on your website without having to open another calculator app.
Creating an Auto Loan and Car Payment Calculator in WordPress
In the past, creating an auto loan car payment calculator would require deep coding knowledge because you had to program mathematical calculations on your website. This meant hiring a WordPress developer.
Luckily now you can build an auto loan calculator without any coding knowledge with Formidable Forms, the most advanced WordPress form plugin.
Often many developers use Formidable Forms to save time when building websites for clients.
Formidable Forms plugin offers a powerful car payment calculator template which lets you build an auto loan calculator with just a few clicks. You just need to choose the template, customize it to your needs, and then it is ready to use.
The car payment calculator template has the loan calculation formula already set up, so you don’t need to worry about that.
Similarly, you can create other useful calculator forms like a mortgage calculator, sample WooCommerce product configurator, and net promoter score (NPS) survey form. Also, you can use it to create simple contact forms, user registration forms, online quiz, web directory, etc.
Formidable is a complete form solution. You don’t need a separate loan calculator plugin, user registration form plugin, or contact form plugin.
With that said, let’s take a look at how to create an auto loan calculator on your WordPress site.
First thing you need to do is to install and activate the Formidable Forms plugin. You need to get at least the Formidable Pro Business plan to use the car payment calculator feature.
For detailed instructions, see our step by step guide on how to install a WordPress plugin.
Once the plugin is installed and activated, you will see a notification at the top asking you to add your license key.
Clicking on the link will take you to the Global Settings page with the License Key field. You will need to enter your Formidable Forms license key there, and then click on the ‘Save License’ button. You can find the license key in your Formidable Forms account.
Once done, it will show the license activation success message. You can refresh your page to load the premium features. Step 2: Build an Auto Loan and Car Payment Calculator in WordPress
Now that you have successfully set up Formidable Pro plugin on your site, you are ready to build a car payment calculator form.
Visit Formidable » Forms page from your dashboard to add a new form. On this screen, you will see a Contact Us form added by default. You need to click on the ‘Add New’ button to create a new auto loan calculator form.
On the next screen, you will see many pre-made form templates. You want to look for the Car Payment Calculator template under the Premium Templates section.
If you want to see how the auto loan calculator form looks, you can click on the Preview button. It will open the form preview in a popup window.
To build a car payment calculator form, you need to click on the Create Form button. After that, it will show a popup where you need to add your form name, form description, and then click on the Create button.
Next, it will open the Car Payment Calculator form builder for you.
As shown in the above screenshot, you will find a ready-made auto loan calculator. You can use the form as it is, or customize it to match your needs.
You can customize the form field label, default value, placeholder text, etc. for the form fields at the top.
But you must be very careful when changing the Advanced options for the Loan Calculation and Monthly Payment fields below. That is because they include the mathematical calculation formula.
Once you have configured all the fields in the builder, you can review your form settings by clicking on the Settings option next to the Build tab.
First, you will see the General Form Settings. You can modify form title, description, and configure what to show when a user submits the form.
Next, you can configure form actions and notifications to be triggered when an entry is created, updated, or imported. By default, you will see the email notification enabled. You can add other actions from the list as needed.
Similarly, you can review all the other settings on the left column. Once you are done with the form configuration, click on the ‘Update’ button at the top right corner.
After that, you will see the settings/form successfully updated message. Now you can close the form builder by clicking on the ‘Close’ button at the top right corner of the screen.
Step 3: Adding the Car Payment Calculator on Your WordPress Site
Now that you have a car payment calculator form ready for use, you can add it to your website.
Simply create a new page or edit an existing one to add the car payment calculator. On your page editor, you need to click on the ‘Add New Block’ icon and then select Formidable Forms block.
After that, you need to select the auto loan/car payment calculator form that you created earlier from the dropdown option. Once done, WordPress will automatically load the form.
Once added, you can publish page and then preview it to see how it works. For example, here is how it looks on our demo website.
We hope this article helped you learn how to create an auto loan car payment calculator in WordPress. You may also want to see our guide on the must have WordPress plugins and best email marketing services for small business.
If you liked this article, then please subscribe to our YouTube Channel for WordPress video tutorials. You can also find us on Twitter and Facebook.
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Annonymous player - Cyber Security God
Comments
qwertyagainz19, 14:05:40 29/07/19: Found the same page in another website lolol
ironman3, 22:20:30 30/07/19: Interesting data for people begining with wordpress


Blake, Joan Maree “Joanie”
| Birth Name | Blake, Joan Maree “Joanie” |
| Gender | female |
Narrative
SMH - ARMSTRONG - Joan Maree (Joanie) - 11 Feb, 1988, at hospital, beloveds wife of John, loved mother of Anthony & Joanne, loved neice of Molly, Bill, Reg & Jean, Grandmother of Nicole, Renee & Guy, sister-in-law of Bette, Norm & Margaret & daughter-in-law of Debbie & Robbie. Sadly missed.
FUNERAL - ARMSTRONG - Requiem Mass for the repose of the soul of the late JOAN (Joannie) ARMSTRONG of Leichhardt will be celebrated at St. Fiacre's Roman Catholic Church, Catherine St, Leichhardt on Monday (15/2/1988) at 10am. At the conclusion of the Mass the Cortege will proceed to the Rookwood Catholic Cemetery, Lidcombe.
Events
| Event | Date | Place | Description | Sources |
|---|---|---|---|---|
| Death | 1988-02-11 | late of Leichhardt NSW | ||
|
|
||||
| Burial | 1988-02-15 | Rookwood Catholic Cemetery | ||
|
|
Families
Family of Armstrong, [Living] and Blake, Joan Maree “Joanie” |
|||||||||||
| Married | Husband | Armstrong, [Living] ( * + ... ) | |||||||||
| Children |
| Name | Birth Date | Death Date |
|---|---|---|
| Armstrong, [Living] | ||
| Armstrong, [Living] |
| Type | Value | Notes | Sources |
|---|---|---|---|
| _UID | 85DC429384C4D9119522B5F58FD6867529D2 |
Attributes
| Type | Value | Notes | Sources |
|---|---|---|---|
| _UID | 84DC429384C4D9119522B5F58FD6867528C2 |
Pedigree
-
- Blake, Joan Maree "Joanie"


Transit Demand
This developed the dyno-demand disaggregate transit demand data standard, processes to create dyno-demand files based on SFCTA and PSRC model data, and base-year (2012) demand for both the Puget Sound and Bay Area regions. Demand from the Bay Area was validated against on-board survey and household travel survey data.


| adjust_luminance {gt} | R Documentation |
This function can brighten or darken a palette of colors by an arbitrary number of steps, which is defined by a real number between -2.0 and 2.0. The transformation of a palette by a fixed step in this function will tend to apply greater darkening or lightening for those colors in the midrange compared to any very dark or very light colors in the input palette.
adjust_luminance(colors, steps)
colors |
A vector of colors that will undergo an adjustment in
luminance. Each color value provided must either be a color name (in the
set of colors provided by |
steps |
A positive or negative factor by which the luminance will be
adjusted. Must be a number between |
This function can be useful when combined with the data_color()
function's
palette
argument, which can use a vector of colors or any of the col_*
functions from the scales package (all of which have a palette
argument).
A vector of color values.
7-24
Other Helper Functions:
cell_borders()
,
cell_fill()
,
cell_text()
,
cells_body()
,
cells_column_labels()
,
cells_column_spanners()
,
cells_footnotes()
,
cells_grand_summary()
,
cells_row_groups()
,
cells_source_notes()
,
cells_stub_grand_summary()
,
cells_stub_summary()
,
cells_stubhead()
,
cells_stub()
,
cells_summary()
,
cells_title()
,
currency()
,
default_fonts()
,
escape_latex()
,
google_font()
,
gt_latex_dependencies()
,
html()
,
md()
,
pct()
,
px()
,
random_id()
# Get a palette of 8 pastel colors from # the RColorBrewer package pal <- RColorBrewer::brewer.pal(8, "Pastel2") # Create lighter and darker variants # of the base palette (one step lower, one # step higher) pal_darker <- pal %>% adjust_luminance(-1.0) pal_lighter <- pal %>% adjust_luminance(+1.0) # Create a tibble and make a gt table # from it; color each column in order of # increasingly darker palettes (with # `data_color()`) tab_1 <- dplyr::tibble(a = 1:8, b = 1:8, c = 1:8) %>% gt() %>% data_color( columns = a, colors = scales::col_numeric( palette = pal_lighter, domain = c(1, 8) ) ) %>% data_color( columns = b, colors = scales::col_numeric( palette = pal, domain = c(1, 8) ) ) %>% data_color( columns = c, colors = scales::col_numeric( palette = pal_darker, domain = c(1, 8) ) )