Department for Business, Innovation & Skills homepage
Publication scheme
Each government department has a publication scheme, which makes information available to the public about how it operates and how it spends its budget.
This is the Department for Business, Innovation & Skills (BIS) publication scheme, drawn up under the Freedom of Information Act 2000. The purpose of this publication scheme is to set out:
- classes of information we commit to publish as a matter of course
- how this information will be published
- whether the information is available free of charge or on payment
The publication scheme fulfils the requirements of the Information Commissioner as set out in his model publication scheme for FOI public authorities supported by the Commissioner’s definition document for government departments.
The BIS publication scheme includes the publication scheme of UK Trade & Investment.
About this publication scheme
Unless otherwise specified in this scheme, the classes of information we publish can be found on this website and where stated.
Charges
Most information we publish is free of charge. Any charges that apply are either stated where the publication is listed or given on request for hard copies.
Format and languages
If you would like information in an alternative format, we will take reasonable steps to make the material available. The department does not routinely publish its documents in languages other than English and certain documents in Welsh.
Who we are and what we do
- about BIS
- management team and ministerial team information is on our departmental home page
- organisational structure (see: who we are
- organogram
- special adviser’s meetings with newspaper and other media proprietors, editors and senior executives
- ministerial meetings with external organisations
- permanent secretary meetings with external organisations
- our policy pages contain information on legislation relevant to the department’s functions.
- see Legislation.gov.uk for enacted and revised versions of legislation.
- the BIS entry on Departments, agencies & public bodies includes links to the 9 executive agencies and the wide range of delivery partners that help BIS to achieve its strategic priorities.
- our departmental home page includes contact details
What we spend and how we spend it
- annual reports and accounts
- business plan
- gifts, hospitality and travel expenditure for the ministerial team
- gifts, hospitality and travel expenditure for the management team
- gifts, meetings, hospitality and travel expenditure for the special advisers
- BIS monthly spend
- senior staff posts and pay details
- junior staff numbers and pay scales
- workforce data
- names of special advisers, appointing minister and salaries of those earning £58,200 and above
- procurement at BIS
- Contracts Finder, the government portal for tendering opportunities provides documentation for all procurements valued at over £10,000.
What our priorities are and how we are doing
- BIS’s 2012 to 2015 business plan details the department’s priorities for delivery under the coalition government.
- structural reform plan - monthly updates on our performance against the structural reform plan, part of the BIS business plan
- energy use
- annual reports
- impact assessments
- impact assessments are also listed within individual consultations
- statistics
How we make decisions
- our policy pages provide an overview of our main policy proposals and decisions.
- all final stage and equality impact assessments are available on our publication pages or are listed within individual consultations
- analysis and statistics
- the consultations page provides information about the department’s current policy proposals
- white papers published by BIS can be identified in our publications pages by searching for ‘white paper in the free-text search facility
- guide to making legislative reform orders for policy officials
- changes to impact assessment and regulatory policy committee scrutiny: quick start guide for policy makers
- common commencement dates: a guide for policy-makers
- reducing the impact of regulation on business
- BIS has standard terms and conditions of contract for services (GPF 04)
Our policies and procedures
- complaints procedure
- our personal information charter explains how we treat your personal data
- our delivery partners help us to deliver the department’s strategic priorities.
- Civil Service Code
- working for BIS
- equality and workforce data
Lists and registers
- you can view the list of recent information releases under the FOI Act
- BIS FOI/EIR information releases prior to October 2012 can be accessed via the Government Web Archive.
- the department publishes quarterly data on overseas travel expenses and the gifts and hospitality received by ministers and senior staff. Gifts and hospitality received by special advisers is also available.
- list of overseas travel undertaken by cabinet ministers from 1997 - 2009 and all ministers from 2007 - 2009
- list of ministerial gifts given and received from 2001- 2009
- register of Lords’ Interests
- House of Commons Register of Member’s Financial Interests
The services we offer
- our policy pages contain details on our services and initiatives
- delivering on BIS strategic priorities and services to public authorities via our delivery partners
- guidance on exporting goods
- Constructionline is the UK’s largest register of local and national pre-qualified construction and construction-related services
- the Manufacturing Advisory Service aims to address the practical needs of British manufacturers
- publications
- announcements
- ministerial speeches
Open Data and Datasets
The BIS Open Data Strategy sets out the context and background to our drive to greater transparency and open data.
Datasets published by BIS can be found on data.gov.uk
Requesting information
If you cannot find what you want through this scheme, or otherwise on our website, you may make a request to us under the FOI Act or the Environmental Information Regulations 2004 (EIR).
If you would like to request information under the FOI Act or EIR please email your request to<EMAIL_ADDRESS>Alternatively you can write to us at:
Information Rights Unit
Department for Business, Innovation and Skills
1 Victoria Street,
London SW1H OET
Please be specific about the information you want, as this will help us to find it for you.
Feedback and complaints about the scheme
We want our publication scheme to meet the needs of our customers and stakeholders. Suggestions for particular classes of information to which we might in future commit to publishing under the scheme will be welcomed. Any comments on or complaints about the scheme should be sent to the Information Rights Unit at the contact details above.


Nelly Reguera
Sr. SAP Project Manager & WM Consultant
Nelly has over 20 years experience in numerous operations positions in Mexico, France, and the United States. She has nearly 10 years experience in leading SAP teams and has extensive functional experience in SAP’s Warehouse Management (WM) module.


Fundraising
Louth shop raises much-needed funds for Baxter’s bone marrow treatment
Louth boy
by David LynchA fundraiser by a Louth shop raised €2000 to help support a local family who urgently need funds for their son Baxter’s bone marrow treatment.
Baxter Browne, a 6-year old-boy from Clogherhead, who requires a bone marrow transplant, urgently requires necessary funds in order to travel to Newcastle to avail of the treatment at the Great North Children’s hospital.
The Browne family and friends have actively being raising funds through the “Baxter the Brave” gofundme.com page and have received huge generosity from the local community.
Niall Walsh, MACE Clogherhead owner and all the team wanted to support this worthy cause and were very proactive in their approach to linking the in-store fundraiser with customers’ love for tea and coffee. The store donated €1 from every Bewley’s tea or coffee purchased in-store for one month.
The team at MACE Clogherhead were delighted with the customers’ support and raised €2,000 for this vital cause for Baxter and his family. Speaking about the fundraiser, Niall Walsh stated: “We were more than happy to support Baxter and his family, by arranging the fundraiser to obtain necessary funds to help him obtain his treatment. I would like to thank all our customers who donated and got behind the fundraiser. I’d like to wish Baxter the very best of luck with his treatment and best wishes for him and his family for the future.”
For more information visit: www.gofundme.com/f/baxter-the-brave


Please specify the short names of the projects you want to analyze, separated by ','.e.g.: TST,PROJ
Please specify the first day of the time window to analyze.
Please specify the last day of the time window to analyze.
If checked alternative estimations are used instead of story points, according to configuration. e.g.: T-Shirt-Sizes
The light analysis contains no further information about issues.
You can define which status to exclude from the analysis, separated by ','.e.g.: Open,In Progress
You can define which issue types to exclude from the analysis, separated by ','.e.g.: Defect,Test
Here you can add a clause that will be added to the search query with an AND.e.g.: stream in (MidTerm, EMPTY)


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date: '2014-10-27T12:41:44-07:00'
tags:
- materials
- science
- fromtheinternet
tumblr_url: http://beekley.xyz/post/101107184821/celebrating-crystallography-an-animated
---
Celebrating Crystallography - An animated adventure


Harry Potter and the Sorcerer's Stone is a fantasy novel written by British author J. K. Rowling. The first novel in the Harry Potter series and Rowling's debut novel, it follows Harry Potter, a young wizard who discovers his magical heritage on his eleventh birthday, when he receives a letter of acceptance to Hogwarts School of Witchcraft and Wizardry. Harry makes close friends and a few enemies during his first year at the school, and with the help of his friends, Harry faces an attempted comeback by the dark wizard Lord Voldemort, who killed Harry's parents, but failed to kill Harry when he was just 15 months old.
Buy $20To Kill a Mockingbird is a novel by Harper Lee published in 1960. Instantly successful, widely read in high schools and middle schools in the United States, it has become a classic of modern American literature, winning the Pulitzer Prize. The plot and characters are loosely based on Lee's observations of her family, her neighbors and an event that occurred near her hometown of Monroeville, Alabama, in 1936, when she was ten.
Buy $20Of Mice and Men is a novella written by John Steinbeck. Published in 1937, it tells the story of George Milton and Lennie Small, two displaced migrant ranch workers, who move from place to place in California in search of new job opportunities during the Great Depression in the United States.
Buy $20


--- layout: base_about_us title: About Us ---
We're a group of volunteers trying to make the life easier for PHP developers fighting with SQL database out there. This gives us the ability to provide you a completely open-source MIT licensed library for free.
You can see our activity at GitHub pulse of Propel2, contributions graph, commits, tagged releases and other legacy projects and libraries we're providing for you.
Of course Propel is not made by one or two persons - how would you do that with such a big project with lots of nuts and bolts? Propel is continuously made through the last decade by hundreds of super awesome people!
A huge thanks to all those awesome contributors!
Every bug report, every pull request and every code review is not only much appreciated by the Propel team, but surely also by the whole propel community! Propel wouldn't be Propel without this outstanding contributions.The core team members that spend a lot of time into this project to provide you a super fast, super easy and modern ORM for PHP are:


About Me
Skills
Usage/Rating
Opexify Logo Design
FGC Solution Pastures Web Design & Development
FGC Solution Pastures Flyer Design
Practice Web Design
Practice Corporate Identity Design
Sista Seph Logo Design
Practice UX/UI design
DiP Circle Production Logo Design & TV Show Promotion
Bid Network Banner Design
Web Design & Development
Website Design
Frontend Development
Logo Design
Logo Creation
Logo Redesign
Product Logo Design
Corporate Identity Design
Business Card Design
Letterhead Design
Envelop Design
Book Cover Design
Fyler Design
Logo Design
Graphic Design
Business Card Design
Banner Design
Letterhead Design
Envelop Design
Book Cover Design
Fyler Design


A bit disturbed: Jofra Archer on 'racial insults' in New Zealand
New Zealand vs England, 1st Test: England pacer Jofra Archer alleged a solitary 'New Zealand spectator' made racist remarks on Monday when he spoke about his skin colour in Mount Maunganui.
HIGHLIGHTS
- Archer said he was disturbed by racial insults during 1st Test
- New Zealand Cricket have promised an apology to Jofra Archer
- Archer's valiant batting effort went in vain as England slumped to an innings defeat
England fast bowler Jofra Archer on Monday alleged he was racially abused by a fan during England's 1st Test against New Zealand in Mount Maunganui.
Jofra Archer came up with a valiant effort with the bat as he added 59 runs for the 9th wicket with all-rounder Sam Curran as England battled to avoid an innings defeat on Day 5 of the 1st Test.
During the stand, Archer claimed he was distrubed by a 'racial insults' by 'a fan'. However, Archer said the atmosphere at Bay Oval was fantastic and thanked England's Barmy Army for turning up in numbers as usual.
"A bit disturbing hearing racial insults today whilst battling to help save my team , the crowd was been amazing this week except for that one guy , @TheBarmyArmy was good as usual also," Archer wrote.
Meanwhile, ESPNCricnfo quoted Jofra Archer as saying that a solitary New Zealand fan came up with the racist remarks when he spoke about the "colour of his skin".
New Zealand Cricket (NZC) in a statement on Monday, said it has zero tolerance towards racism and that they will be apologising to Jofra Archer for the incident.
NZC also said there will be an increase in vigilance during the rest of the tour to avoid any such incidents.
"New Zealand Cricket will be contacting, and apologising to English fast bowler Jofra Archer, who was racially abused by a spectator as he left the field at the conclusion of the first Test at Bay Oval, Mt Maunganui," New Zealand Cricket said.
"Although security providers at the venue heard unable [sic] to locate the perpetrator, NZC will be examining CCTV footage and making further inquiries tomorrow in an endeavour to identify the man responsible.
"NZC has zero tolerance towards abusive or offensive language at any of its venues and will refer any developments in the case to police.
"It will contact Mr Archer tomorrow to apologise for the unacceptable experience, and to promise increased vigilance in the matter when the teams next meet in Hamilton."


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title : Service Times
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English Speaking Services
- Sunday:
- 09:00 AM - 10:15 AM Sunday Service
- 10:30 AM - 12:00 PM Sunday School
- 10:30 AM - 12:00 PM Bible Study for Children
- Tuesday:
- 07:00 PM - 09:00 PM Young Adult Meetup
- Friday:
- 07:30 PM - 09:00 PM Bible Study/Prayer Meeting
- Every 3rd Friday of the Month:
- 07:30 PM - 09:00 PM Fun Friday Fellowship
Vietnamese Speaking Services
- Sunday:
- 09:00 AM - 10:15 AM Sunday School
- 09:30 AM - 10:20 AM Vietnamese Classes for Children
- 10:30 AM - 12:00 PM Sunday Service in Vietnamese
- Monday:
- 07:15 PM - 09:00 PM Theology Education
- Friday:
- 07:30 PM - 09:00 PM Bible Study/Prayer Meeting
- Every 1st Saturday of the Month:
- Men's and Women's Fellowship


International Badminton Challenge to be held at Cricket Club of India
by Special CorrespondentThe Infosys Foundation India International Badminton Challenge 2019 will be played at the Cricket Club of India courts from November 20-24.
The $25,000 competition will be conducted by the Prakash Padukone Badminton Academy (PPBA).
International players taking part include those from Malaysia, Hong Kong, Indonesia, Thailand and upcoming talent from Russia and the USA. Categories include singles, doubles, mixed doubles.
The tournament has been sanctioned by the Badminton World Federation and Badminton Asia Confederation and is being held under the auspices of Badminton Association of India and Maharashtra Badminton Association.
Iran’s Fariba Madadi is the referee for this year’s edition for which the qualifying rounds will commence on November 20.
Established names in the fray are Vladimir Malakov (Russia) and Ajay Jayaram (India) in men’s singles, Thailand’s Porntip Buranaprasertsuk and Mugda Agrey (India) in women singles.
Doubles specialists taking part are the Indian duo of Sumeet Reddy and Manu Atri, the American pair of Phillip Chew and Ryan Chew.
The women’s doubles top seeds are Ekaterina Bolotova and Alina Davletova from Russia, with the challenge coming from the Indian combination of Meghana and Poorvisha.
In the mixed doubles event, the pair to beat is Rodion Alimov and Alina Davletova from Russia.


Note: This section is intended primarily for plugin developers.
If your plugin requires no platform-specific tweaks then there's nothing for you to do. configure (and config.status) will provide a default Makefile for it that should work. If your plugin requires only platform-independent tweaks (and/or additional hand-written code) then these go in platforms/Cross/plugins, and there's nothing for you to do (in Unixland).
On the other hand, if you require special configure tests or additional declarations/rules in your plugin's Makefile then you need to specify them explicitly.
Note: Unix Squeak subscribes to the following philopsophy:
Absolutely everything that is specific to Unix (sources, headers, configure and Makefile extensions, etc.) lives under platforms/unix.
In other words: there is not (nor aught there be) any Unix-related information under the platforms/Cross directory. (Unix Squeak is entirely encapsulated under platforms/unix and is utterly immune to ``random junk'' elsewhere in the platforms tree.)
First you must create a new directory
under platforms/unix/plugins named after your plugin. This directory
will hold the files describing the additional configuration checks
and/or Makefile contents. For example, if your plugin is
called ``MyCoolPlugin'' then
$ mkdir platforms/unix/plugins/MyCoolPlugin
would be the thing to do. (The following sections will refer to this directory as platdep since the full path is quite a mouthful of typing for my lazy fingers.)
Your plugin can ask configure to run additional tests (and to set additional variables in its output files) simply by including a file called acinclude.m4 in it's platdep directory.
Note: The configure script is `compiled' from several other files. If you create a `platdep./acinclude.m4' file then you must `recompile' configure. You can do this by `cd'ing to unix/config and running `make', or (if you have GNU make) from the blddir like this:
$ make -C ../platforms/unix/config
In addition to the usual autoconf macros, the following macros are available specifically for Squeak plugins to use:
This is similar to the autoconf `AC_CHECK_LIB' macro.
func is the name of a function required by the plugin, defined in the external (system) library lib. The macro checks that the library is available (via `-llib') and then adds it to the list of libraries required by the plugin (see the explanation of [plibs] in Section 3.2.1 for a description of how library dependencies for plugins are handled).
If func cannot be found in lib then the plugin will be disabled and a message to that effect printed during configuration. (The VM can still be built, without rerunning VMMaker or reconfiguring, and the plugin will simply be ommitted from it.)
This is similar to the autoconf `AC_DEFINE_UNQUOTED' macro.
keyword is a Makefile keyword (usually of the form `[name]') and text is arbitrary text to be associated with it. Calling this macro causes mkmf to substitute text for all occurrences of keyword in the Makefile generated for the plugin.
The following variables are also set during the execution of a plugin-specific acinclude.m4:
Three mechanisms are avilable for this:
Before proceeding, let's take a minute to understand how Unix Squeak compiles and links files in its default Makefile for plugins. The default Makefile looks like this:
# default Makefile for Unix Squeak plugins
[make_cfg]
[make_plg]
XINCLUDES = [includes]
OBJS = [targets]
TARGET = [target]
PLIBS = [plibs]
[make_inc]
$(TARGET) : $(OBJS) Makefile
$(LINK) $(TARGET) $(OBJS) $(PLIBS)
[make_targets]
.force :
Note: The keywords appearing between `[ square brackets ]' are substituted during configuration by a preprocessor called `mkmf' according to the kind of plugin (internal/external) being built.
[make_cfg] is the configured variable section. It contains the platform-specific information gleaned by configure while it was figuring out which compiler you have, what flags your linker needs, where to install stuff, and so on.
[make_plg] contains a handful of definitions which depend on whether the plugin is being compiled as internal or external:
o the extension for object files a the extension for plugins COMPILE the command to compile a source file into an object file LINK the command to link one or more object files into a plugin
For internal plugins: $o is `.o' and $a is `.a'. $(COMPILE) is the C compiler (`$(CC) ... -o', so the first thing after the command must be the output filename) and $(LINK) is archiver (`ar -rc', again requiring the output file to follow immediately). Note that internal plugins are built as `ar' archives before being linked into the final binary.
For external plugins: $o is `.lo', $a is `.la', and $(COMPILE) and $(LINK) are invocations of `libtool' to create position-independent objects and shared libraries (with a `-o' appearing right at the end, so the first thing after the command must be the output filename).
[includes]
is a list of `-Idir'
compiler flags, one for each of the
directories
src/vm/intplugins/name
platforms/Cross/plugins/name
platforms/unix/plugins/name
[targets]
is a list of object files
corresponding to the source (.c) files found in
the directories:
src/vm/intplugins/name/*.c
platforms/Cross/plugins/name/*.c
platforms/unix/plugins/name/*.c
[target] is the name of the plugin, including the $a extension.
[plibs] is a list of zero or more libraries on which the plugin depends (as detected using the macro AC_PLUGIN_CHECK_LIB in the plugin-specific acinclude.m4). If the plugin is being built internally then this list is empty and the required libraries are included in the final link command. If the plugin is being built externally then the plugin itself (a shared object) is linked against these libraries (via [plist]) rather than with the main VM binary.
(This is to ensure that a missing shared object needed by an external plugin will only affect the operation of that plugin and not prevent the rest of the VM from running, which would be the case if the entire VM were linked against it.)
[make_inc] is the contents of the Makefile.inc file in your plugin's platdep directory (or empty if this file doesn't exist).
[make_targets] is a list of rules for building the files listed in [targets]. Each rule looks like this:
You should never pass additional flags to these commands explicitly. This is because you cannot know how they are defined. (Their definitions depend on whether the plugin is being built internally or externally -- and might even change radically in future releases of Unix Squeak.)
Instead you should pass additional compiler/linker flags to these commands by setting the following variables in `Makefile.inc' or `Makefile.in':
XCPPFLAGS `-I' flags for cpp XDEFS `-D' flags for cpp XCFLAGS anything to be passed to the compiler XLDFLAGS anything to be passed to the linker
Note: `mkmf' already uses `XINCLUDES' to pass the list of directories containing plugin header files to cpp. You can redefine it if you like, but make sure that `[includes]' appears in its definition (or in the definition of `XCPPFLAGS').
mkmf looks for a file in your plugin's platdep directory called `mkmf.subdirs'. If this file exists then it should contain a list of directory names relative to the top-level directory (the one containing the src and platform directories). These directories will be added to the list of locations searched for `.c' and `.h' files while constructing the substitutions for `[includes]', `[targets]' and `[make_targets]'.
If the file platdep/Makefile.inc exists then mkmf will substitute its contents into the Makefile in place of the [make_inc] keyword.
Note: Makefile.inc is read into the Makefile under construction before mkmf performs substitutions on the `[keyword]'s. In other words, your Makefile.inc can use the above keywords to include relevant declarations and rules without worrying about whether the plugin is internal or external.
If neither of the above are sufficient then you can create a complete Makefile template called platdep/Makefile.in. mkmf will use this template instead of the default Makefile template shown earlier, and will perform keyword substitutions on it as described above to create the final Makefile. (In other words, simply copying the default template shown earlier will result in a Makefile identical to the one that mkmf would have produced by default.
By way of example we'll look at how two existing plugins specialise their configuration and Makefiles.
The B3DAcceleratorPlugin requires OpenGL in order to compile. The file unix/plugins/B3DAcceleratorPlugin/acinclude.m4 contains a single call to an autoconf-style macro:
This works similarly to the autoconf `AC_SEARCH_LIBS' macro: If a library libGL.{a,so} (OpenGL) exists and exports the function glIsEnabled() then `-lGL' is added to the final VM link command. Otherwise the plugin is disabled (and a message warning of the fact is printed).
Note: There's a bug here. This should also check for `GL_VERSION_1_1' in headers.
The Mpeg3Plugin requires a (modified) libmpeg to be compiled along with it. The sources for this library are in (several) subdirectories of Cross/Meg3Plugin and they require additional cpp definitions in order to compile correctly.
To cope with the additional directories, unix/plugins/Mpeg3Plugin/mkmf.subdirs simply lists them:
To cope with the additional cpp definitions, we could have written a tiny Makefile.inc containing:
Unfortunately the additional source directories contain various utility and test programs (which must not be built) so we cannot rely on mkmf generating the correct [targets] list.
Instead we just copy the default Makefile ``template'' (shown above) as Mpeg3Plugin/Makefile.in and insert the required list of targets (and cpp definition) manually. The end result looks like this:
# Makefile.in for Mpeg3Plugin in Unix Squeak
[make_cfg]
[make_plg]
TARGET = Mpeg3Plugin$a
PLUGIN = Mpeg3Plugin$o
VIDEO = getpicture$o headers$o idct$o macroblocks$o etc...
AUDIO = dct$o header$o layer1$o layer2$o layer3$o etc...
LIBMPEG = bitstream$o changesForSqueak$o libmpeg3$o etc...
OBJS = $(PLUGIN) $(VIDEO) $(AUDIO) $(LIBMPEG)
XINCLUDES = [includes]
XDEFS = -DNOPTHREADS
$(TARGET) : $(OBJS) Makefile
$(LINK) $(TARGET) $(OBJS)
[make_targets]
.force :
Note: The default `[make_targets]' will contain additional rules for the objects that we're trying to avoid building (because it's built from an exhaustive list of `.c' files in the source directories). This does no harm since the offending rules can never be triggered (their targets are not listed in `OBJS').
VMMaker will refuse to compile a plugin if it thinks the plugin requires platform support. This is ``all-or-nothing'': if platform support is required on one platform then it is required on all platforms (even if the plugin compiles quite happily without platform support in Unix).
The easiest way to add ``null'' platform support is to place an empty `Makefile.inc' in the plugin's platdep directory. (To see this in action, look in unix/plugins/JPEGReadWriter2Plugin.)
(Where ``all else failing'' is defined as: ``after trying for 20 minutes and still getting nowhere''.)
If you're writing a plugin that needs platform support (beyond dumb inclusion of a few additional `.c' files) and this document has been of no help at all (or if you understood it but you're still suffering from ``all else failing'') then send me mail and I'll be happy to help you with the various platdep files.
2005-03-17


I began using cannabis after parental abuse, abandonment, homelessless, unemployement - you get the gist. I've used MDMA a handful of times, speed is avoided because I like it waaaay too much and alcohol's for hobos. No psychadelics of any kind.
Some background - I'm a writer and editor, and I'm very good at it. The lack of evidence for this in the following passages is the most sobering demonstration I can give you. National publications in newspapers, magazines, screenwriting and copywriting, every mode of the written language you can name and excelled at all of them. I've no reason to lie with a pseudonym.
This is to characterise me as together kinda guy with drive, talent and determination.
Weed never really held back my intellectual development. I learnt fast, and I retained info well, cross-referencing it for later. Bear in mind I was putting away about half an ounce per week, throughout the entire time.
I'd have problems with word recall, but only when bonged over and a good finger-drumming would usually deliver the goods. However, at the beginning of this year i got tinnitus. It pushed me to the brink of suicide. Weed was my saviour, and serendipity decreed I'd get access to 25%+ THC weed at the same time, and lots of it. Mounds of it. More than I could sell OR smoke. But being a go-getter, I tried anyway.
Two weeks ago, I got an acute reaction. I'd be stumped for a word (especially when editing), and the door of inspiration with its well-worn, comforting brass handle all of a sudden opened to reveal... nothing. The Nevada badlands, replete with tumbleweeds and mute wolves roaming in packs. The word simply WAS NOT THERE. I was once a TV comedy scriptwriter. My humorous connection died at the same time. Not impaired - gone. Just gone. I'd love to think of another word for 'gone', but the words have flown away. I read what I've written above and it makes me sick with its pedestrian nature.
I've quit for a month and no improvement. None. Words are my bread and butter and now I'm making do with cockroach gruel and what I can sop from the walls of my dark new cell. I doubt it will ever return. It feels like I've lost my voice, and my best friend stole it.
I love weed more than anyone. Weed has destroyed my talent. I'm the same guy, I'm as smart as ever and no-one tells the difference to talk to me. There is one, it's acute, and it's destroying me inside every time I try and breathe life into the pictures I see in my head. My tongue's been torn from my jaw.
Please, smoke weed in moderation. You get higher, you can function, and you can improve upon rather than clinging to the rare gift blind chance dropped on you for no discernible reason. Please, please, please. Heed my warning. Weed's great. Moderate your use. I beg you. That's all.
[Reported Dose: Average 1/2 ounce a week for 13 years, ages 16-29]
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


This example shows how to load a javascript file dynamically at run time. Here is the file that does the loading:
Here is the file that is loaded:
As you can see, the file that is loaded does nothing more than change the background color of the page. Note that loaded file is appended onto the end of the BODY tag.


Five New Games Added to Apple Arcade, Including 'The Mosaic'
by Joe RossignolApple Arcade received another weekly refresh today with five new games across iPhone, iPad, Apple TV, and Mac. The service now has 94 games available on iOS and tvOS, as well as 87 titles on the Mac.
The latest titles:
- The Mosaic by Raw Fury: "Mosaic is a dark surrealistic ad atmospheric adventure game about urban isolation and the dread of being a piece in a giant machinery you can't understand."
- Super Mega Mini Party by Red Games Co.: "Compete with players from around the world in hyper casual competitive mini-games or throw a Super Mega Mini Party with friends!"
- Star Fetched by Crescent Moon Games: "Star Fetched is a sci-fi platformer about a young space-adventurer who is mysteriously teleported to a far-away solar system to help defend against an incoming alien invasion. It combines side-scrolling action with elements of tower-defence, exploration & RPG."
- Monomals by Picomy: "There's a big music contest going on amongst the world's best animal DJs! Armed with a big fishing rod and a plug, go fishing in deep waters to help the DJs catch all of the Monomals™, and create your very own music in the MonoMaker™!"
- Jumper Jon by Esteban Duran: "Jumper Jon is a 30 seconds metroidvania style platforming adventure where Jon, our hero, will die and respawn every 30 seconds keeping items and abilities already obtained."
Apple Arcade is Apple's new subscription-based gaming service, providing iPhone, iPad, Apple TV, and Mac users with access to dozens of premium games for $4.99 per month, with no in-app purchases or ads. The service launched in late September in over 150 countries, with a one-month free trial available.


[§15D-10] Receipt of voted ballot. A valid military-overseas ballot shall be counted if it is received by the close of the polls on the day of the election and meets the requirements prescribed under section 15-9. [L 2012, c 226, pt of §1]


this is some sample text that goes herethis is some sample text that goes herethis is some sample text that goes herethis is some sample text that goes herethis is some sample text that goes herethis is some sample text that goes here
Quisque volutpat mattis eros. Nullam malesuada erat ut turpis. Suspendisse urna nibh, viverra non, semper suscipit, posuere a, pede...


2. Changes¶
Added Colab and Binder shields by Liam Deacon at 2020-04-07 17:39:52
Moved logo images into html/static/ by Liam Deacon at 2020-04-07 17:33:57
Added preliminary metapandas logos by Liam Deacon at 2020-04-07 17:28:36
Merge branch ‘master’ of https://github.com/Lightslayer/metapandas by Liam Deacon at 2020-04-07 09:38:46
Moved FUNDING.yml to .github/ dir by Liam Deacon at 2020-04-07 09:38:28
Added more gitignores by Liam Deacon at 2020-04-07 09:32:57
First attempt at setting up github pages with sphinx by Liam Deacon at 2020-04-07 09:31:31
Fixed donate shield by Liam Deacon at 2020-04-07 07:57:48
Add FUNDING.yml with ko-fi by Liam Deacon at 2020-04-07 07:48:35
Added ko-fi sponsor shield and fixed shield links by Liam Deacon at 2020-04-07 07:42:04
The git details when generating this documentation are as follows:
- Branch
- master
- Commit
Warning
There were uncommitted changes when this was compiled.Warning
There were untracked files when this was compiled.3. TODO¶
Please see below for a list of items yet to be addressed in the codebase.


The collection of visual design styles, color palette, typography, button shapes, and the like, are referred to as a "theme". By carefully selecting the decorative styles that constitute a theme, a theme can be applied to any application in order to create a brand identity.
The mechanism by which WUF has implemented theming allows easy switching between design aesthetics by providing specific values for all of the customizable attributes that constitute a theme. The end result of such customization creates a Custom Theme for each application based on WUF or any similar implementation mechanism.
Once a theme has been identified and implemented, we recommend it be applied to all applications available under the same brand. Doing so will help ensure a consistent user experience across applications and that design aesthetics for each are not allowed to deviate significantly from one another.
Theming affects the entire UI, including individual components, like a button. This example shows how a button component’s out-of-the-box values can be customized.
A contained button is assigned values for a specific color, shape, and type family. By default, contained buttons uses the styles defined by the "Dematic" theme.
You can adjust the default color, type, and shape of this contained button to suit your app’s style.The following
Material button shows the default button styles against the base color secondary-lighter-50
. Use
the droplist control to apply different themes and view the differences.
We need default, fallback values for our theming mechanism, so every application based on the Quick Start application includes a theme out-of-the-box. These theme includes some basic colors. Fortunately, it is extremely easy to override the default theme in order to create a completely custom aesthetic to match your own brand.
The wuf-web-assets package includes all of the CSS, SCSS, and SCSS convenience functions necessary to create and use another theme within a given application.
Creating a theme that can be applied a given application is a 4 step process.
Once your theme has been created you can apply it to your application. There are two ways of applying a theme to an application:
NOTE: The sole purpose of creating a theme is to generate a series of CSS custom properties populated with values you create through the theming process. These CSS custom properties are then used throughout the application for styling components, layouts, and misc high-level styles, like typographic styles. For the most part, these CSS custom properties are transparent to the application developer, but it's helpful to konw what CSS custom properties are generated by the theming mechanism should you decide to use them or override them in a given context. For reference, refer to the Theme CSS Custom Properties page for a list of generated CSS custom properties.
The first step in creating a theme requires the creation of a .scss
file. The process described
below assumes you already understand how to create a .scss
file and are familiar with associated
syntax.
When colors are applied to a theme, all components within an application will
pick up those colors automatically. As demonstrated by the example branding files at /src/assets/dummydata/branding/brands
,
we first declare SCSS variables in our .scss
file for each of the colors in the Color System and then pass them into the wuf-theme-colors()
method as a SCSS map. Note that in order for CSS custom properties to work they must be bound to some object in
the DOM. In the following, we're binding to the <body> tag because it more specific than the :root (i.e.,
HTML element) tag that the default theme binds to, but generic enough to be easily overridden.
This process defines all of the colors used in a Custom Theme and binds their CSS custom properties to some high-level element (in this example it's the <body> tag). Components from the component library along with Material Design Components should now start showing the colors you defined in your theme.
The wuf-theme-logo()
method allows you to override the default logo-related CSS custom properties for
the logo that appears in the application's header area. When creating a theme, you'll most likely also want to
change the logo associated with that theme. This allows you to support multiple brands within the same
application.
There are some cases where you may not want to include a logo override in your application. If you are designing a Dematic application, for example, you may simply want to create a "dark theme" to override the colors and leave everything else as is.
Like the theme colors above, the properties for logo overrides must be bound to a high-level DOM element, like the <body> tag.
The wuf-theme-logo()
method allows you to optionally override the default corner radius for
application buttons. View the Theme CSS Custom Properties page for a list
of generated CSS custom properties.
Like the other methods defined above, these properties must be bound to a high-level DOM element, like the <body> tag.
The wuf-theme-typography()
method allows you to optionally override the default font styling. View
the Theme CSS Custom Properties page for a list of generated CSS custom
properties.
Like the other methods defined above, these properties must be bound to a high-level DOM element, like the <body> tag.
NOTE: Don't forget to include import your font.
The following shows an example of a brand override SCSS file that uses all of the functions above to create a complete theme that overrides the default Dematic theme. As discussed above, this is a SCSS file so it requires server-side pre-compilation before it can be sent to the browser (if you include your scss partial using Angular bundling see below this process is handled for you).
There are two ways of applying a theme to an application:
The Living Style Guide (this application) includes a number of example files that demonstrate
the mechanism for creating new themes in order to override the default Dematic theme. You can view these files
within the repository itself or within your local version of the Living Style guide at /src/assets/dummydata/branding
.
We have very intentionally placed these example theme files in a folder called "dummydata" within the Living Style Guide application because, while we want to show examples of the mechanism used to create themes, we recognize that you may not want to use the specific approach demonstrated by this application to apply theme/branding files to your app.
In the Living Style Guide example, the branding files at /src/assets/dummydata/branding/brands
are
all @included inside a branding.scss file and then bundled into the Angular bundle at build time via the angular-cli.json
file. This is necessary because the Living Style Guide is a stand-alone, single-page application with no
backend. For a real-world application, however, you may want to create your CSS theme file server-side and then
send it to the client application for consumption via a <link> tag in your index.html
file.
To use this approach create your .scss
(called "branding.scss" in the following example) file within
your assets/
folder, then ensure that your angular-cli.json
points to that file via
the following line in the apps.styles
property:
"assets/dummydata/branding/branding.scss"
When Angular compiles your application, the branding.scss file will be built and bundled into your application. The advantage of this approach is that it requires no server. The downside of this approach is that you cannot overrides SCSS variables with values from a database, for example. This means that the brands your application can use are limited to those you define in advance and bundle with your app. For many applications that will only ever have one theme/brand, this approach is likely sufficient.
The advantage of generating a brand CSS file server-side is that you can populate the values for the various SCSS variables from a database, configuration file, or some other mechanism. A run-time SCSS compiler could then be used to generate a final CSS file which could then be cached and sent to the browser upon request. This mechanism would provide the ultimate theming flexibility. CSS custom properties can be overridden in a browser at run-time, and because a CSS theme file simply creates a collection of CSS custom properties with pre-determined values, this mechanism would allow a developer to serve an application to any number of different customers from the same application server while sending each customer their own theme. This model is far more efficient for those deployments that require their own theme/brand than it would be to support separate application instances and servers for every customer deployment.
The means by which you create the final CSS files will depend on the server technology you are using for your application's backend, so we won't spend any time here cover the myriad ways your CSS file could be generated.
Assuming your CSS file is generated server-side, you will want to ensure that your angular-cli.json
does not include the following line in the apps.styles
property (i.e., if it's
there, remove it):
"assets/dummydata/branding/branding.scss"
To load your CSS theme, include it in your application using a standard <link>
tag in your
application's index.html file. It would looks something like this:
<link rel="stylesheet" type="text/css" href="https://myserver.com/styles/mystyles.css">
...where the href points to your backend server. The server should return a fully formed CSS file (e.g.,brand.css
)
based on the SCSS compilation process described above.
It's possible to override the base-href used in an angular app using the following build command:
ng build --base-href /myUrl/
(See Angular Documentation for information on using this command.)
In order to account for the ability of the developer to change the base href, developers of components and WUF-based applications must keep the following in mind:
background-image:
url("/assets/images/example_images/logos/bmw.svg")
).
"<img
src="/assets/images/example_images/logos/bmw.svg">
).
For more information on themes and the process of theming Material Design visit https://material.io/design/material-theming/overview.html.


19 Get or set selected global flags. Blocks only for the Stage: Takes a sprite as input. Like stamp except that the costume is stamped onto the selected sprite instead of onto the stage. (Does nothing if the current sprite doesn’t overlap the chosen sprite.) Takes a sprite as input. Erases from that sprite’s costume the area that overlaps with the current sprite’s costume. (Does not affect the costume in the chosen sprite’s wardrobe, only the copy currently visible.) See page 6. See page 17. Reporter version of the if/else primitive command block. Only one of the two branches is evaluated, depending on the value of the ﬁrst input. Looping block like repeat but with an index variable. Declare local variables in a script. See page 91. Constant true or false value. See page 12. Create a primitive using JavaScript. (This block is disabled by default; the user must check “Javascript extensions” in the setting menu each time a project is loaded.) The at block lets you examine the screen pixel directly behind the rotation center of a sprite, the mouse, or an arbitrary (x,y) coordinate pair dropped onto the second menu slot. The ﬁrst ﬁve items of the left menu let you examine the color visible at the position. (The “RGBA” option reports a list.) The “sprites” option reports a list of all sprites, including this one, any point of which overlaps this sprite’s rotation center (behind or in front). This is a hyperblock with respect to its second input. Checks the data type of a value. runs only this script until finished. reports the value of a graphics eﬀect.


Move your mouse over the chart to inspect ratios at each percentile (along the x-axis) on the curve. Click and drag on the chart or click the links in the table above to “pin” the cursor to a percentile. The top row in the table indicates the cursor’s value; click the “×” link next to the percentile to clear it.


# -*- coding: utf-8 -*-
#
# Licensed to the Apache Software Foundation (ASF) under one
# or more contributor license agreements. See the NOTICE file
# distributed with this work for additional information
# regarding copyright ownership. The ASF licenses this file
# to you under the Apache License, Version 2.0 (the
# "License"); you may not use this file except in compliance
# with the License. You may obtain a copy of the License at
#
# http://www.apache.org/licenses/LICENSE-2.0
#
# Unless required by applicable law or agreed to in writing,
# software distributed under the License is distributed on an
# "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY
# KIND, either express or implied. See the License for the
# specific language governing permissions and limitations
# under the License.
from uuid import uuid4
from googleapiclient.discovery import build
from googleapiclient.errors import HttpError
from airflow.contrib.hooks.gcp_api_base_hook import GoogleCloudBaseHook
def _format_subscription(project, subscription):
return 'projects/{}/subscriptions/{}'.format(project, subscription)
def _format_topic(project, topic):
return 'projects/{}/topics/{}'.format(project, topic)
class PubSubException(Exception):
pass
[docs]class PubSubHook(GoogleCloudBaseHook):
"""Hook for accessing Google Pub/Sub.
The GCP project against which actions are applied is determined by
the project embedded in the Connection referenced by gcp_conn_id.
"""
def __init__(self, gcp_conn_id='google_cloud_default', delegate_to=None):
super(PubSubHook, self).__init__(gcp_conn_id, delegate_to=delegate_to)
[docs] def get_conn(self):
"""Returns a Pub/Sub service object.
:rtype: googleapiclient.discovery.Resource
"""
http_authorized = self._authorize()
return build(
'pubsub', 'v1', http=http_authorized, cache_discovery=False)
[docs] def publish(self, project, topic, messages):
"""Publishes messages to a Pub/Sub topic.
:param project: the GCP project ID in which to publish
:type project: string
:param topic: the Pub/Sub topic to which to publish; do not
include the ``projects/{project}/topics/`` prefix.
:type topic: string
:param messages: messages to publish; if the data field in a
message is set, it should already be base64 encoded.
:type messages: list of PubSub messages; see
http://cloud.google.com/pubsub/docs/reference/rest/v1/PubsubMessage
"""
body = {'messages': messages}
full_topic = _format_topic(project, topic)
request = self.get_conn().projects().topics().publish(
topic=full_topic, body=body)
try:
request.execute()
except HttpError as e:
raise PubSubException(
'Error publishing to topic {}'.format(full_topic), e)
[docs] def create_topic(self, project, topic, fail_if_exists=False):
"""Creates a Pub/Sub topic, if it does not already exist.
:param project: the GCP project ID in which to create
the topic
:type project: string
:param topic: the Pub/Sub topic name to create; do not
include the ``projects/{project}/topics/`` prefix.
:type topic: string
:param fail_if_exists: if set, raise an exception if the topic
already exists
:type fail_if_exists: bool
"""
service = self.get_conn()
full_topic = _format_topic(project, topic)
try:
service.projects().topics().create(
name=full_topic, body={}).execute()
except HttpError as e:
# Status code 409 indicates that the topic already exists.
if str(e.resp['status']) == '409':
message = 'Topic already exists: {}'.format(full_topic)
self.log.warning(message)
if fail_if_exists:
raise PubSubException(message)
else:
raise PubSubException(
'Error creating topic {}'.format(full_topic), e)
[docs] def delete_topic(self, project, topic, fail_if_not_exists=False):
"""Deletes a Pub/Sub topic if it exists.
:param project: the GCP project ID in which to delete the topic
:type project: string
:param topic: the Pub/Sub topic name to delete; do not
include the ``projects/{project}/topics/`` prefix.
:type topic: string
:param fail_if_not_exists: if set, raise an exception if the topic
does not exist
:type fail_if_not_exists: bool
"""
service = self.get_conn()
full_topic = _format_topic(project, topic)
try:
service.projects().topics().delete(topic=full_topic).execute()
except HttpError as e:
# Status code 409 indicates that the topic was not found
if str(e.resp['status']) == '404':
message = 'Topic does not exist: {}'.format(full_topic)
self.log.warning(message)
if fail_if_not_exists:
raise PubSubException(message)
else:
raise PubSubException(
'Error deleting topic {}'.format(full_topic), e)
[docs] def create_subscription(self, topic_project, topic, subscription=None,
subscription_project=None, ack_deadline_secs=10,
fail_if_exists=False):
"""Creates a Pub/Sub subscription, if it does not already exist.
:param topic_project: the GCP project ID of the topic that the
subscription will be bound to.
:type topic_project: string
:param topic: the Pub/Sub topic name that the subscription will be bound
to create; do not include the ``projects/{project}/subscriptions/``
prefix.
:type topic: string
:param subscription: the Pub/Sub subscription name. If empty, a random
name will be generated using the uuid module
:type subscription: string
:param subscription_project: the GCP project ID where the subscription
will be created. If unspecified, ``topic_project`` will be used.
:type subscription_project: string
:param ack_deadline_secs: Number of seconds that a subscriber has to
acknowledge each message pulled from the subscription
:type ack_deadline_secs: int
:param fail_if_exists: if set, raise an exception if the topic
already exists
:type fail_if_exists: bool
:return: subscription name which will be the system-generated value if
the ``subscription`` parameter is not supplied
:rtype: string
"""
service = self.get_conn()
full_topic = _format_topic(topic_project, topic)
if not subscription:
subscription = 'sub-{}'.format(uuid4())
if not subscription_project:
subscription_project = topic_project
full_subscription = _format_subscription(subscription_project,
subscription)
body = {
'topic': full_topic,
'ackDeadlineSeconds': ack_deadline_secs
}
try:
service.projects().subscriptions().create(
name=full_subscription, body=body).execute()
except HttpError as e:
# Status code 409 indicates that the subscription already exists.
if str(e.resp['status']) == '409':
message = 'Subscription already exists: {}'.format(
full_subscription)
self.log.warning(message)
if fail_if_exists:
raise PubSubException(message)
else:
raise PubSubException(
'Error creating subscription {}'.format(full_subscription),
e)
return subscription
[docs] def delete_subscription(self, project, subscription,
fail_if_not_exists=False):
"""Deletes a Pub/Sub subscription, if it exists.
:param project: the GCP project ID where the subscription exists
:type project: string
:param subscription: the Pub/Sub subscription name to delete; do not
include the ``projects/{project}/subscriptions/`` prefix.
:type subscription: string
:param fail_if_not_exists: if set, raise an exception if the topic
does not exist
:type fail_if_not_exists: bool
"""
service = self.get_conn()
full_subscription = _format_subscription(project, subscription)
try:
service.projects().subscriptions().delete(
subscription=full_subscription).execute()
except HttpError as e:
# Status code 404 indicates that the subscription was not found
if str(e.resp['status']) == '404':
message = 'Subscription does not exist: {}'.format(
full_subscription)
self.log.warning(message)
if fail_if_not_exists:
raise PubSubException(message)
else:
raise PubSubException(
'Error deleting subscription {}'.format(full_subscription),
e)
[docs] def pull(self, project, subscription, max_messages,
return_immediately=False):
"""Pulls up to ``max_messages`` messages from Pub/Sub subscription.
:param project: the GCP project ID where the subscription exists
:type project: string
:param subscription: the Pub/Sub subscription name to pull from; do not
include the 'projects/{project}/topics/' prefix.
:type subscription: string
:param max_messages: The maximum number of messages to return from
the Pub/Sub API.
:type max_messages: int
:param return_immediately: If set, the Pub/Sub API will immediately
return if no messages are available. Otherwise, the request will
block for an undisclosed, but bounded period of time
:type return_immediately: bool
:return A list of Pub/Sub ReceivedMessage objects each containing
an ``ackId`` property and a ``message`` property, which includes
the base64-encoded message content. See
https://cloud.google.com/pubsub/docs/reference/rest/v1/\
projects.subscriptions/pull#ReceivedMessage
"""
service = self.get_conn()
full_subscription = _format_subscription(project, subscription)
body = {
'maxMessages': max_messages,
'returnImmediately': return_immediately
}
try:
response = service.projects().subscriptions().pull(
subscription=full_subscription, body=body).execute()
return response.get('receivedMessages', [])
except HttpError as e:
raise PubSubException(
'Error pulling messages from subscription {}'.format(
full_subscription), e)
[docs] def acknowledge(self, project, subscription, ack_ids):
"""Pulls up to ``max_messages`` messages from Pub/Sub subscription.
:param project: the GCP project name or ID in which to create
the topic
:type project: string
:param subscription: the Pub/Sub subscription name to delete; do not
include the 'projects/{project}/topics/' prefix.
:type subscription: string
:param ack_ids: List of ReceivedMessage ackIds from a previous pull
response
:type ack_ids: list
"""
service = self.get_conn()
full_subscription = _format_subscription(project, subscription)
try:
service.projects().subscriptions().acknowledge(
subscription=full_subscription, body={'ackIds': ack_ids}
).execute()
except HttpError as e:
raise PubSubException(
'Error acknowledging {} messages pulled from subscription {}'
.format(len(ack_ids), full_subscription), e)


{{ utils.flashed_messages() }}
Amakuru ya Cooperative
{% if departments %}
| Izina rya Cooperative |
Abahuza Coop |
| Abanyamuryango ba Cooperative |
00 Members |
| Email ya Cooperative |
<EMAIL_ADDRESS>|
| Taliki yandikiweho |
12/12/2012 |
| Certificate ya Cooperative |
RCARW-00147 |
| Icyo Cooperative Ikora |
Abatwara moto |
| Cooperative Descriptions |
Cooperative y'abatwara moto |
| Role |
Member |
{% endif %}
Address Info
| Cooperative Province |
{{ departmentszx.province }} |
| Cooperative District |
{{ departmentszx.district }} Members |
| Cooperative Sector |
{{ departmentszx.sector }} |
| Registration Date |
{{ departmentszx.regdate }} |
| Cooperative Certificate |
{{ departmentszx.certificate }} |
| Cooperative Activity |
{{ departmentszx.activity }} |
| Cooperative Descriptions |
{{ departmentszx.description }} |
| Role |
Member |
Professional Info
| Cooperative activities |
{{ departmentszx.province }} |
| Cooperative Email |
{{ departmentszx.district }} Members |
| Cooperative Descriptions |
{{ departmentszx.sector }} |
| Registration Date |
{{ departmentszx.regdate }} |
| Cooperative Certificate |
{{ departmentszx.certificate }} |
| Cooperative Activity |
{{ departmentszx.activity }} |
| Cooperative Descriptions |
{{ departmentszx.description }} |
| Role |
Member |
Subscription Info
| Subscribed |
{{ departmentszx.province }} |
| Subscription plan |
{{ departmentszx.district }} Members |
| Remaining days |
{{ departmentszx.sector }} |
| Credit card no |
{{ departmentszx.regdate }} |
| Paid amount |
{{ departmentszx.activity }} |
| Certificate |
{{ departmentszx.certificate }} |
| Paid date |
{{ departmentszx.description }} |
| Descriptions |
{{ departmentszx.description }} |
Members
| ID |
Name |
Job |
Plate |
Owner |
Phone |
Owner Phone |
More |
| ID |
Name |
Job |
Plate |
Owner |
Phone |
Owner Phone |
More |
{% for dept in departmentszx.members %}
| {{ dept.id }} |
{{ dept.firstName }} |
{{ dept.secondName }} |
{{ dept.plateNo }} |
{{ dept.owner }} |
{{ dept.phone }} |
{{ dept.ownerTel }} |
View
|
{% endfor %}


mockspresso-mockito-powermock
/
com.episode6.hackit.mockspresso.mockito.powermock
/
PowerMockitoConfig
/
provideMockMaker
provideMockMaker
open
fun
provideMockMaker
(
)
:
MockMaker


---
layout: null
section-type: about
title: About
---
## About
Stephen Ajulu is an I.T Expert, Ethical Hacker, Student, Blogger, Researcher and Entrepreneur.
He is currently studing for his Bachelor of Science in Information Technology degree.
He always had a high level of enjoyment and excitment that comes from being able to solve problems and create new things.
The main reason he started his blog was to increase awareness, educate and help him learn more through research. You can visit the blog here: ajulusthoughts.com
He is naturally curiuos and an introvert too.
He is currently most interested in web applications, networks, cybersecurity, ethical hacking and technology in general.
During his free time, he enjoys reading, playing games, blogging, researching(he believe knowledge is power), fine tuning his skills, creating things(websites, logos, etc), watching movies(Genres: Sci-Fi, Tortured Genius, Cyberpunk among others)
Go check out his blog here. Topics range from Technology, Cybersecurity, Ethical Hacking, Privacy, Anonymity to Self Improvement, Career, Business, Fashion and Fitness
Curious? Scroll down to find out more.


Everyone has favorite foods for all sorts of reasons. Some foods remind people of experiences or times in there life, others just like food. Here are my five favorite foods
5. Fruit Salad
4. Shrimp
3. Chiken-Crodon Bleu
2. Steak
1. Lobster Alfrado
Back to Home Click here


Would you like to learn more about coaching people around their food choices?
Here's a guide to Nutritional EducationHere's a link to our website Food Feedback
What are we about? This app is about nourishing the world. By encouraging people to slow down and really look at their food choices, a better understanding of what we put in our bodies will emerge. We believe the most beautiful photographs will probably be ones of colorful and healthy food.  Hopefully we can lose a few pounds/kilos along the way. Eat Honest, Eat Beautiful. Connect.
Would you like to learn more about coaching people around their food choices?
Here's a guide to Nutritional EducationDescription Food Feedback is a simple app designed to disrupt the outdated models of maintaining manual food logs and counting calories. Taking a photo of what is on your plate and sharing it with someone else in real-time offers the opportunity for instant feedback – whether it’s encouragement or advice. The app pairs you with crowd-sourced coaches based on your goals and communication style, or you can search for a specific person to share with. Taking photos of and sharing your food choices offers a visual record of what and how much you are consuming, and a sense of community and feedback that hasn’t been available in the same way before.


title = "Netdotter Blog"
url = "/"
layout = "mainLayout"
description = "A Clean Blog Theme by Start Bootstrap"
is_hidden = 0
[blogPosts]
pageNumber = "{{ :page }}"
categoryFilter = "{{ :slug }}"
postsPerPage = 10
noPostsMessage = "No posts found"
sortOrder = "published_at desc"
categoryPage = "blog/blog-category"
postPage = "blog/blog-post"
==
Netdotter
A better smart blog


by Angela Merkel
这只是暂时放上的文字。具体宣传语以及相应的解释在完成具体资料搜集后进行填充这只是暂时放上的文字。具体宣传语以及相应的解释在完成具体资料搜集后进行填充
by Chris Robert
这只是暂时放上的文字。具体宣传语以及相应的解释在完成具体资料搜集后进行填充这只是暂时放上的文字。具体宣传语以及相应的解释在完成具体资料搜集后进行填充
by Angela Duncan
这只是暂时放上的文字。具体宣传语以及相应的解释在完成具体资料搜集后进行填充这只是暂时放上的文字。具体宣传语以及相应的解释在完成具体资料搜集后进行填充
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever.
An unknown printer took a galley of type and scrambled it to make a type specimen book.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's
Eating a healthy, balanced diet is an important part of maintaining good health, and can help you feel your best.
Try to choose a variety of different foods from the five main food groups. Most people eat and drink too many calories
Try to choose a variety of different foods from the five main food groups. Most people eat and drink too many calories


John Boorman's 1985 film "The Emerald Forest" begins with the point of view of a white family out on a picnic. Bill Markham (Powers Boothe) is the supervisor of a dam construction site on the edge of the Amazon rainforest, which looms menacingly. He warns his children to stay out of the forest, since there are dangerous things inside it. By the end of the film, the point of view becomes entirely reversed. It is the forest that is the safe haven and it is the outside "civilized" world that is savage.
His son Tommy (played by Charley Boorman, the director's son) strays into the forest where he meets several members of the "Invisible People," including the chief. They take him with him back into the deep forest, while his distraught parents organize the construction workers into a search party.
When we next see Tommy, he is an adolescent. Clad only in a loin-cloth, he has become "Tomme." Side by side with his new father, the chief (Rui Polonah), he is learning the fine points of hunting and fishing with a bow and arrow. As it turns out, the chief had taken pity on the boy and spirited him away from the "Termite People." He decided that he would be better off in "the World," as the "Invisible People" describe the rainforest. The "Termite People" are like insects since they have been tearing down the big trees.
Tommy's father has never lost hope that he can discover his son and organizes an expedition into the heart of the rainforest. He runs into a war-party of the "Fierce People," who pursue him. He eventually lies exhausted near a river, after having been wounded by one of their spears. There he meets his son, who manages to rescue him from his attackers. The two make their way back to the "Invisible People's" camp.
After his father recovers from his wounds, he tells Tomme that he wants to take him back with him to the city, but the youth explains that he has been in "the World" too long. He belongs there now. Then the father turns to the chief and asks him to order the boy to return with him. The chief shrugs his shoulders and says that if the boy wanted to return, he would have agreed to do so. Furthermore, he would not be chief any longer if he told members of his tribe to do something that "they did not want to do." This admission gets to the very heart of the difference between "primitive" society and our own. In our society, it is normal for the state, employer, teachers and religious officials to order us around every day of our lives. The high price of civilization is repression.
Next we find ourselves at an outpost at the edge of the forest that houses a brothel to serve construction workers. They are working on various development projects which have sprung up near the dam of the opening scene, now up and running. The "Fierce People" are bargaining with the white men who run the brothel. If they bring him Indian women whom he can prostitute, he will give them machine-guns in exchange that they can use against their enemies, including the "Invisible People." We eventually learn that the Bill Markham's crew has build a dam on the territory of the "Fierce People" and that their degraded behavior is one of the unforeseen consequences of "development."
The "Fierce People" launch a raid on Tomme's village and take all the young women back to the brothel, where they become go-go dancers and prostitutes at the point of a gun. Among the women is Tomme's wife Kachiri (Dira Paes). Tomme organizes a group to rescue the women but fail because bow and arrows are no match for machine-guns.
He decides that there is only one person who can help him and that is his biological father. He leaves "the World" and crosses a river that brings him into a large city near the rainforest, where Bill Markham lives.  When he gets off his canoe, a gang of drunken, pistol-shooting slum dwellers chase after him for sport. The irony is that his pursuers are originally from the rainforest themselves and, like the "Fierce People," have no place to go after losing their land except the city.
One of the slum-dwellers rescues him from the mob and allows him into his shack. He tells him, "I know you. You are one of the Invisible People. Do you know my people? We were the Turtle People." While the man is speaking, we hear the sounds of bottles crashing, boomboxes blasting and violent arguments through the walls of the shack. Tomme's face expresses fright and disgust at the notion that people have to live this way. Boorman's film has succeeded, since we share this feeling with him.
Boorman took enormous risks with this film. He obviously left the task of presenting a straightforward social and political account to documentary makers. He is much more interested in trying to translate his material into something approaching legend. There are numerous scenes in the film when he tries to evoke a non-scientific understanding of the world. Tomme searches for magic stones that have the power to make the members of his tribe invisible. We also see things through his eyes, when he goes through an initiation ceremony. He turns into his totem, an eagle, and flies through the air.
At the conclusion of the film, we learn that at one time 4 million indigenous people lived in the rainforests of Latin American. Now there are less than 150,000. The final scenes of the film make a powerful, dramatic case for how urgent it is to defend the human rights of the remaining tribes. While it is too late to turn back the clock, it is not too late to fight for the survival of this important part of our human race right now.
Louis Proyect
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


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Using the type htree> given by the following definition:
Inductive htree (A:Set) : nat -> Set := hleaf : A -> (htree A O) | hnode : forall n:nat, A -> htree A n -> htree A n -> htree A (S n).
Prove the following statement:
Theorem injection_first_htree: forall (n : nat) (t1 t2 t3 t4 : htree nat n), hnode nat n O t1 t2 = hnode nat n O t3 t4 -> t1 = t3.
Use tactics to define the injection function that maps a tree down to one of its subterms: the case tactic provides the relevant dependent pattern matching construct.


--- title: Steps per Second Monitor type: docs repo: https://github.com/rstudio/tfestimators menu: main: name: Steps per Second Monitor - tfestimators parent: tfestimators-reference aliases: - /reference/tfestimators/hook_step_counter.html - /tfestimators/reference/hook_step_counter.html - /guide/tfestimators/reference/hook_step_counter.html - /tools/tools/tfestimators/reference/hook_step_counter.html - /installation/tfestimators/reference/hook_step_counter.html - /tutorials/tfestimators/reference/hook_step_counter.html - /guide/tools/tfestimators/reference/hook_step_counter.html - /deploy/tfestimators/reference/hook_step_counter.html - /tools/tfestimators/reference/hook_step_counter.html - /tutorials/tools/tfestimators/reference/hook_step_counter.html ---
Steps per Second Monitor
hook_step_counter(every_n_steps = 100, every_n_secs = NULL,
output_dir = NULL, summary_writer = NULL)
| every_n_steps | Run this counter every N steps |
| every_n_secs | Run this counter every N seconds |
| output_dir | The output directory |
| summary_writer | The summary writer |
Other session_run_hook wrappers: hook_checkpoint_saver
,
hook_global_step_waiter
,
hook_history_saver
,
hook_logging_tensor
,
hook_nan_tensor
,
hook_progress_bar
,
hook_stop_at_step
,
hook_summary_saver
,
session_run_hook


Hi,
Is there a preferred method to go about using a USB flashdrive to store the feed data and/or log files generated by emonCMS on my shiny, new emonPI?
After doing some searching on this forum and coming up short, I installed MC and went about exploring the filesystem on the emonPi. Having done this, my intuition was that this might be accomplished by moving the /home/pi/data directory to the USB drive, adding a symlink in its place and adding the drive to /etc/fstab.
With this in mind, I viewed /etc/fstab and found this:
mpfs /tmp tmpfs nodev,nosuid,size=30M,mode=1777 0 0
tmpfs /var/log tmpfs nodev,nosuid,size=30M,mode=1777 0 0
proc /proc proc defaults 0 0
/dev/mmcblk0p1 /boot vfat defaults 0 2
/dev/mmcblk0p2 / ext4 defaults,ro,noatime,errors=remount-ro 0 1
/dev/mmcblk0p3 /home/pi/data ext2 defaults,rw,noatime 0 2
This confirmed my suspicions and suggests that I should be able to format a USB stick to ext2 and change that last line to something like:
"/dev/sda /home/pi/data ext2 defaults,rw,noatime 0 2";
but this has now lead to some important questions:
- How big is this data partition?
- How much data is stored here?
- What files are put here?
- How big can the files get?
- How long are they retained?
- Is there any rotation/deletion for logs/feeds when they start getting too large?
- What difference will changing their location make to any retention policies?
- Are there any plans to manage/automate the moving of this data directory, via the emonCMS interface?
I will continue to look into this myself, but if anyone can help shine some light on the subject, I'd very much appreciate their reply.
Thanks,
Rich.
Re: Logging to a USB Flash Drive
Rich,
You are correct that the database is under /home/pi/data.
This command shows the partition size:
You'll see a line something like this:
/dev/mmcblk0p3 788M 32M 716M 5% /home/pi/data
Which says the partition is 788 Mbytes, with 32 used in this case. Actually it's an 800 Mbyte partition minus filesystem overhead.
To view the partition table of the SD card:
Partition 1 is a small one mounted on /boot, then 2 is the root partition and 3 is /home/pi/data.
Steve


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check-language-support
Display a list of missing language packages on Ubuntu.
More information: home page
- Display a list of missing language packages based on installed software and enabled locales:
check-language-support
- List packages for a specific locale:
check-language-support --language en
- Display installed packages as well as missing ones:
check-language-support --show-installed


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A large part of robotics is about developing machines that perceives and interact with the environment. For that robots use sensors to collect and process data, and knowing what the data describes is of important for the robot to navigate and interact with the environment. The following notes will be using the frame notation as described by Paul Furgale (see link). The aim is to mitigate the ambiguity that arises when describing robot poses, sensor data and more.
A vector expressed in the world frame, $\frame_{W}$, is written as $\pos_{W}$. Or more precisely if the vector describes the position of the camera frame, $\frame_{C}$, expressed in $\frame_{W}$, the vector can be written as $\pos_{WC}$. The left hand subscripts indicates the coordinate system the vector is expressed in, while the right-hand subscripts indicate the start and end points. For brevity if the vector has the same start point as the frame to which it is expressed in, the same vector can be written as $\pos_{WC}$. Similarly a transformation of a point from $\frame_{W}$ to $\frame_{C}$ can be represented by a homogeneous transform matrix, $\tf_{WC}$, where its rotation matrix component is written as $\rot_{WC}$ and the translation component written as $\trans_{WC}$. A rotation matrix that is parametrized by quaternion $\quat_{WC}$ is written as $\rot\{\quat_{WC}\}$.


Memorial unveiled to victims of Texas Walmart mass shooting
by The Associated Press, StaffEL PASO, Texas -- A memorial was unveiled Saturday honouring the 22 people who were killed in a recent mass shooting at a Walmart in El Paso, Texas.
The 30-foot tall golden obelisk, called the "Grand Candela," or "Big Candle," was revealed to the public during a morning ceremony in the parking lot of the Walmart, which reopened this month for the first time since the Aug. 3 attack in which police say the gunman specifically targeted Mexicans.
A private lighting was held Friday night for the families of those who died and for those who survived the attack, including the 25 people who were wounded.
"A memorial is important to the healing process," said Todd Peterson, a Walmart regional manager whose territory includes El Paso.
El Paso Diocese Bishop Mark J. Seitz, speaking in both English and Spanish in the border city that is home to many Latinos, called the site sacred and said he hopes it shows people can "respond to weapons of hatred with weapons of love."
Days before the store reopened following a renovation, a makeshift memorial that had been behind the building was taken down.
Police say 21-year-old Patrick Crusius drove more than 10 hours from his home near Dallas to carry out the attack.
Crusius has pleaded not guilty to capital murder charges in the attack. Prosecutors plan to seek the death penalty.


RAIN WITHOUT THUNDER A film review by James Berardinelli Copyright 1993 James Berardinelli
Running Length: 1:25 Rated: PG-13 (mature themes)
Starring: Carolyn McCormick, Ali Thomas, Betty Buckley, Jeff Daniels, Linda Hunt, Graham Greene Director: Gary Bennett Producers: Nanette Sorensen and Gary Sorensen Screenplay: Gary Bennett Music: Randall Lynch and Allen Lynch Released by Orion Classics
The year is 2042; the country is the United States of America. Alison Goldring (Ali Thomas) and her mother Beverly (Betty Buckley) have been convicted of fetal murder under the new "Unborn Child Kidnapping Act." Since abortions are no longer legal in the United States, Alison, accompanied by Beverly, traveled to Sweden to obtain one. However, the new law provides that women who leave the country for the express purpose of getting an abortion can be tried and convicted as if they had illegally obtained one inside the United States.
RAIN WITHOUT THUNDER concludes with the following quotation by Frederick Douglass: "If there is no struggle, there is no progress. Those who profess to favor freedom and yet avoid confrontation, are people who want crops without plowing up the ground; they want rain without thunder and lightning; they want the ocean without the roar of its waters." In a few sentences, this statement expresses the message that the people behind this movie are attempting to get across.
Told in a documentary style, RAIN WITHOUT THUNDER is both a triumph and a failure. It presents and explores many important and timely issues, but in the process loses sight of the characters. The narrative style--interviews with the principals rather than actually showing events--further dilutes the impact of the story. There were many instances during the movie when I wanted to see a scene rather than have it recounted to me. Words do not adequately replace actions. By the end of the movie, although I understood the characters, they never become completely real. As a result, the concluding scene--a black-and-white nightmare--had little impact.
On the other hand, RAIN WITHOUT THUNDER raises issue after issue, nearly all of which are thought-provoking. Women's rights, racial and sexual equality, the nature of freedom, and the politics of choice are all placed under the microscope. They are not simply given cursory lip-service, either. In most cases, both sides are examined and reasons are given for each of the opposing positions. RAIN WITHOUT THUNDER is a film that demands its audience's attention and intellectual involvement. Those that refuse to debate the topics within their own minds will find this a dry and uninteresting experience.
Most movies taking place in the year 2042 are science fiction films. Nothing could be further from the truth for RAIN WITHOUT THUNDER. In fact, one of its weaknesses is that, aside from the political changes, nothing else seems much different. This could be 1993 rather than fifty years beyond. There are numerous silly-sounding, currently-meaningless slang terms thrown in to add a dash of authenticity to the dialogue. That particular attempt at realism is more distracting and annoying than effective, however.
RAIN WITHOUT THUNDER is a difficult movie to critique. While it provides more fodder for thought than most recent films, it doesn't succeed in telling its story. Director/writer Gary Bennett has a style that is unnecessarily cynical with a view of the future that could not be more bleak. The plot, with the exception of a single ironic twist, is unspectacular, and the central characters are left half-developed. Without the documentary-style framing, the people of this film would have been more real, but some of the issues might have gotten lost. As it is, RAIN WITHOUT THUNDER has great substance, but little drama.
Rating: 7.3 (B-, **1/2)
- James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


/*====================================================================* * * Copyright (c) 2013 Qualcomm Atheros, Inc. * * All rights reserved. * * Redistribution and use in source and binary forms, with or * without modification, are permitted (subject to the limitations * in the disclaimer below) provided that the following conditions * are met: * * * Redistributions of source code must retain the above copyright * notice, this list of conditions and the following disclaimer. * * * Redistributions in binary form must reproduce the above * copyright notice, this list of conditions and the following * disclaimer in the documentation and/or other materials * provided with the distribution. * * * Neither the name of Qualcomm Atheros nor the names of * its contributors may be used to endorse or promote products * derived from this software without specific prior written * permission. * * NO EXPRESS OR IMPLIED LICENSES TO ANY PARTY'S PATENT RIGHTS ARE * GRANTED BY THIS LICENSE.  IN NO EVENT SHALL THE COPYRIGHT OWNER * OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, * SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT * NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; * LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) * HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN * CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE * OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS * SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. * *--------------------------------------------------------------------*/ /*====================================================================* * * signed BootParameters1 (struct plc * plc) * * pib.h * * write the parameter information block to SDRAM on a thunderbolt/ * lightning powerline device; * * The PIB is written to different SDRAM locations depending on the * chipset used; we use PIB major/minor version to determine where * to write the PIB but may switch to using the hardware platform * code derived from the VS_SW_VER message; * * * Contributor(s): * Charles Maier<EMAIL_ADDRESS>* *--------------------------------------------------------------------*/ #ifndef BOOTPARAMETERS1_SOURCE #define BOOTPARAMETERS1_SOURCE #include <stdint.h> #include <unistd.h> #include <memory.h> #include <errno.h> #include "../tools/files.h" #include "../tools/error.h" #include "../tools/flags.h" #include "../plc/plc.h" #include "../pib/pib.h" signed BootParameters1 (struct plc * plc) { struct pib_header pib_header; uint32_t offset; if (lseek (plc->PIB.file, 0, SEEK_SET)) { error ((plc->flags & PLC_BAILOUT), errno, FILE_CANTHOME, plc->PIB.name); } if (read (plc->PIB.file, &pib_header, sizeof (pib_header)) != sizeof (pib_header)) { error ((plc->flags & PLC_BAILOUT), errno, FILE_CANTREAD, plc->PIB.name); } if (lseek (plc->PIB.file, 0, SEEK_SET)) { error ((plc->flags & PLC_BAILOUT), errno, FILE_CANTHOME, plc->PIB.name); } #if 1 /* * this code is a fix to accommodate PIB relocation in memory; it is not needed when * the PIB is stored in an NVM file since the memory address is recorded in the image * header; */ if (BE16TOH (*(uint16_t *)(&pib_header)) < 0x0305) { offset = LEGACY_PIBOFFSET; } else if (BE16TOH (*(uint16_t *)(&pib_header)) < 0x0500) { offset = INT6x00_PIBOFFSET; } else { offset = AR7x00_PIBOFFSET; } #endif if (plc->hardwareID < CHIPSET_AR7400) { if (WriteMEM (plc, &plc->PIB, 0, offset, LE16TOH (pib_header.PIBLENGTH))) { return (-1); } return (0); } if (WriteExecutePIB (plc, offset, &pib_header)) { return (-1); } return (0); } #endif


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So who wins? There is no right answer. Javascript has obvious benefits, but the web we know today requires passwords and databases. These are the domain of server-side languages.
But Ruby can't do fast, dynamic page changes and asynchronous data transfer. Web apps like Google Docs need the functionality of JavaScript.
What do we do? Use both! Web apps commonly combine JavaScript with server-side languages to create the feel of an installed application with all the magic of the cloud.
JavaScript
Client-side
The original code is sent from the server to the user. The user's computer then processes all of the code.
Compatibility
Servers just send JavaScript in plain text, so there are no compatibility issues. From phones to tablets to computers and everything in between, virtually every web connected device has JavaScript built in automatically.
Code Complexity
Javascript shares a similiar code structure with Ruby. As with most popular modern languages, they are both Object Oriented.
Code Security
The original JavaScript code is sent to the user. This means anyone can see all of the code you have written. They can easily steal it or search it for flaws.
Password Security
Nothing in JavaScript is a secret, that includes passwords see above.
Speed - Loading
It depends. By having the user's computer handle the difficult processing, the server has less to process. However, the server may now have to send more data or the user's computer may be slow.
Speed - Page Changes
JavaScript can change the user's page without ever contacting the server for fantastic speed. Plus, with a technique called AJAX, JavaScript can speed things up by asking the server for just the part of the page that needs to change instead of the whole thing.
DOM Manipulation
The Document Object Model (DOM) is the map created by all of the HTML tags in a page. JavaScript, and its partner jQuery, can change images, hide and show buttons, and create animations.
Where It Runs
Server Compatibility
Code Complexity
Code Security
Password Security
Loading Speed
Page Change Speed
DOM Manipulation
Ruby
Server-side
The server processes the code and only sends the final product to the user.
Compatibility
Ruby generates HTML that any web browser can use. However, Ruby can be difficult to install on Windows servers and many shared hosting services do not currently support Ruby. The good news is that the popularity of Ruby is resulting in improvement in support.
Code Complexity
Ruby shares a similiar code structure with Javascript. As with most popular modern languages, they are both Object Oriented.
Code Security
Ruby is run on the server and the user only receives finished HTML + CSS, removing the opportunity to steal code. Users don't even need to know the page was created in Ruby.
Password Security
Everything in Ruby is a secret if you want it to be, and that includes passwords see above.
Speed - Loading
It depends. Servers are usually powerful machines and may process faster than a user's computer, even when multiple users are requesting pages at the same time. Or not.
Speed - Page Changes
Every time something on a page needs to change, Ruby needs to resend the whole HTML file, though images and CSS can be cached if they do not change. Ruby is, however, faster than some server-side languages like PHP.
DOM Manipulation
Ruby can only generate the original DOM with the HTML page. It has no ability to manipulate it.
What about Node?
Oh, shoot. You had to bring that up, didn't you?
Node.js allows JavaScript to run server side. Then, shouldn't we just code everything in JavaScript?
No. Or not yet. Since JavaScript only just gained the ability to run server side, there are very few libraries and frameworks designed for server-side tasks like database access and password encryption. Do you really want to be the first person to try out a new password technique?
Common server side languages like PHP and Ruby have been around nearly as long as the web. In these languages, the server-side functions have years of testing and security improvements behind them. Plus, these languages have powerful frameworks to speed and enhance coding. Some examples are Ruby on Rails and CakePHP.


Team input and commitments laid out as well as stretch goals and fundamental work criteria.
Landing page, About, News, and Meet the Team planned.
Initial commits of Log-In and Saved Posts features implemented.
Preliminary work to completion within 9 commits.
Functional; repo merged.
Working on stretch goals for landing & marketing pages.
Team progress report and review.
Punch list for all MVP goals finished and submitted.
All teams working toward stretch goals, if any.
Completed all MVP tasks 1 day ahead of schedule.
Team progress report and review on stretch.
Tidying up repo for transition into final stages.
Added a skip to content. Completed animation transitions.


Display a map of a given area
This example displays a map of Boston, covering the area from 42.3736°N, 71.0751°W in the North-West corner to 42.3472°N, 71.0408°W in the South-East corner.
Passing the bounds
to the setLookAtData
method of the H.map.ViewModel
moves and zooms the map to cover the specified area.


Dear Friend, Please bear with me for sending this letter to you surprisingly. My name is Mr Johnson kalute, a young man originally from Liberia in west Africa. My sole purpose of contacting you is for you to assist me in selling in your country or elsewhere of my rough (uncutted) diamonds which weighs 14,220 carats,from (3-45 carats),(8kg gross)on the scale,("H"VS-1quality), all rough). Amount to $18 000 000 million dollars The diamonds was deposited by my late father in a holding firm and it is waiting for my order to be transfered as I am the "NEXT OF KIN" to the deposit as it is indicated in all the depositional documents.I am presently living in Dakar senegal.You can reach me with this Email or the alternative<EMAIL_ADDRESS>Wish to hear from you soon. Bye and God bless. Yours truly Johnson Kalute.