Begin by creating a password. Your password must be a combination of the types of required characters on the right.
Choose three or more keys from the images below. Make it memorable! You will need to remember both: a) the images you choose, and b) the order in which you chose them!
WARNING: Only choose as many keys as you can remember. If you loose your keys, your password will no longer work! Do not pick a sequence as the order of the images is randomized.
Disclaimer: I am not, nor have ever been a security expert. Any ideas expressed here are my own sentiments. My approach may simply be wrong. If you know that to be the case, I would appreciate an email :)
This is an experiment that aims to make passwords harder for hackers to crack.
Passwords that are sent in plain-text are very vulnerable to attack, obviously. While passwords that are sent over TLS, are less vulnerable, but still able to be read as plain-text using a MITM attack.
Once the password is stored on the server, it should be salted (hashed with a key), so that that the password residing on the server is not in plain-text should a hacker gain access to the data.
However, if any of the users happen to use a easily crackable password, such as: "Password1234!", and you have used the same salt for all the users; then the hacker knows all the passwords for all your users. The same is true if the hacker gains the salt table.
Additionally, (and this was the purpose of me creating this experiment), if someone gains access to the original password, Eg: "Password1234!", then they likely have a password to other services that the user has credentials for. Such as: their email, bank account, social-media accounts, etc.
It is this network-effect of knowing a password that I was particularly interested in overcoming.
The big idea here is to create a hash of the password before it ever gets to the server, and adding domain-specific complexity to the hash that would make the cracking the password orders of magnitude harder, and by prohibiting the re-use of cracked passwords. (Once the hashed password is on the server, it can be secured the usual ways, salted, etc.)
Each service that provides a login screen, could customize the login process with a salt that is based on the user input. In this demo I have chosen to use image-keys to provide a further salt to the hashed password.
Outline of the method:Now that all this work has been done on the front-end, the cracker would have to use a program that created tables of passwords, and use 4,321 rounds of SHA-512 hashes to figure out the seed, then re-hash the password with `n` key combinations as the salt with another 4,321 rounds of SHA-512. And assuming the randomizer is cryptographically built, I would think method should take a lot longer to crack.
After the seed is guessed: you still have, 21 ^ 21 combinations of salts to guess, and hash again. Is this a trivial feat for an attacker, I am not qualified to understand.
My hope that was that because the salt would be domain-specific, and randomized by the user, that the attacker would not be able to use the password on other domains and services.
However: once the password is cracked, it would still be usable on domains without domain-specific and user-specific salting.
My first question is: whether the user and domain specific input would increase the cracking difficulty with enough orders of magnitude, to make the domain and user less vulnerable to attack.
Is it any better than just upping the rounds?
My second question is: would this make things too hard for the user (remembering the order of 3+ images)
Perhaps allowing users to value simplicity above security is a flawed paradigm.
Whatever the case: because the hashes in transit are both domain and user specific, I would think that finding solutions to hashes with platforms like MD5-Online or MD5 Decrypt would become much harder, especially where multiple services used similar (and slightly different) techniques.
- Alistair


settings.xml
file contains elements used
to define values which configure Maven execution in various ways, like the pom.xml
,
but should not be bundled to any specific project, or distributed to an audience.
These include values such as the local repository location, alternate remote repository servers,
and authentication information.
see also: settings.xml
reference


@artemii235 , I'm trying to use async/await futures for the portable version of CORE.spawn,
for reasons of compatibility with the future of futures and code simplification.
As a part of it I changed some of the Electrum code in rpc_clients to use the async/await spawn.
Would like you to take a look, maybe you'll spot something I've missed in the logic during refactorings.


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ClassModifiers
A number of modifiers—final, abstract, and public—can be used with a class. The modifiers final and abstract, however, have meaning only when dealing with inheritance. Therefore, the only modifier we will consider is public.
The public modifier indicates that this class can be used anywhere in the program. The public modifier also indicates this class must be in a file named to match the ClassName. For example, if this class is named MyMethods, and the public modifier is used, the class must be in a file named MyMethods.java. Note that because the public class name implies the file name, only one public class can be in any source file.
Every file in this course should contain one class that uses the public modifier. Though allowed by Java with restrictions, for this course, any class not declared public should not be used outside of the file in which it is defined.


Before Change
zf = zipfile.ZipFile(p)
xlsx_filename = self.excel_filename(year, page)
excel_file = pd.ExcelFile(zf.read(xlsx_filename))
self._file_cache[str(p)] = excel_file
return excel_file
def excel_filename(self, year, page):
After Change
p = Path(item["path"])
xlsx_filename = self.excel_filename(part, page)
if xlsx_filename in self._file_cache.keys():
logger.debug("Grabing cached file.")
excel_file = self._file_cache[xlsx_filename]
else:
logger.debug("Grabing new file.")
if p.name != xlsx_filename:
zf = zipfile.ZipFile(p)
excel_file = pd.ExcelFile(zf.read(xlsx_filename))
else:
excel_file = pd.ExcelFile(p)
self._file_cache[xlsx_filename] = excel_file
return excel_file
def excel_filename(self, year, page):


EASTER 6 FRIDAY
Entrance Antiphon
You have redeemed us, Lord, by your blood, from every tribe and tongue and people and nation, and have made us a kingdom and priests for our God, alleluia.
Collect
O God, who restore us to eternal life in the Resurrection of Christ, raise us up, we pray, to the author of our salvation,
who is seated at your right hand, so that when our Saviour comes again in majesty, those you have given new birth in Baptism may be clothed with blessed
immortality. Through our Lord...
In regions where the Solemnity of the Ascension is celebrated on the following Sunday:
Hear our prayers, O Lord, so that what was promised by the sanctifying power of your Word,
may everywhere be accomplished through the working of the Gospel, and that all your adopted children may attain what the testimony of truth has foretold. Through our Lord...
FIRST READING Acts 18:9-18
A reading from the Acts of the Apostles
[When Paul was in
The word of the Lord.
RESPONSORIAL PSALM Psalm 47
R. God is king of all the earth.
Or Alleluia!
All peoples, clap your
hands. Cry to God with shouts of joy! For the LORD, the Most High, is awesome,
the great king over all the earth.
R. God is king of all the earth.
He humbles peoples under us and nations under our
feet. Our heritage he chose for us, the pride of Jacob whom he loves.
R. God is king of all the earth.
God goes up with shouts of joy. The LORD goes up with
trumpet blast. Sing praise for God; sing praise! Sing praise to our king; sing
praise!
R. God is king of all the earth.
ALLELUIA Luke 24:46.26 or Matthew 28:19, 20
Before the Ascension:
R. Alleluia.
Christ had to suffer and rise from the dead, and so enter into his glory. R. Alleluia.
After the Ascension:
R. Alleluia.
Go and make disciples of all nations, says the Lord; I am with you always, to
the close of the age. R. Alleluia.
GOSPEL John 16:20-23
A reading from the holy Gospel according to John
At that time: Jesus said to his disciples, “Truly,
truly, I say to you, you will weep and lament, but the world will rejoice; you
will be sorrowful, but your sorrow will turn into joy. When a woman is in
travail she has sorrow, because her hour has come; but when she is delivered of
the child, she no longer remembers the anguish, for joy that a child is born
into the world. So you have sorrow now, but I will see you again and your
hearts will rejoice, and no one will take your joy from you. In that day you
will ask nothing of me.
The Gospel of the Lord.
Prayer over the Offerings
Accept in compassion, Lord, we pray, the offerings of your family, that under your protective care they may never lose what they have received,
but attain the gifts that are eternal. Through Christ our Lord.
Communion Antiphon
Christ our Lord was handed over for our transgressions, and was raised again for our justification, alleluia.
Prayer after Communion
Keep safe, O Lord, we pray, those whom you have saved by your kindness, that,
redeemed by the Passion of your Son, they may rejoice in his Resurrection.
Who lives and reigns for ever and ever.


Chen Sun*, Robert Harris*, Rayan Chikhi, Paul Medvedev.
AllSome Sequence Bloom Trees. The 21th International Conference on Research in Computational Molecular Biology
(RECOMB, 2017)
journal version: Journal of Computational Biology, 2018.
the result is reported by Cell Systems, 2017.


Looking for the Money Cat
Here. Someone sent me a fabulous follow up email to "The Average Return Myth," but in the heat of the PDC, I didn't get a chance to read it and now that the PDC is over, I can't find it again! All I remember is that the person's email address started with "cat" (I think). Can you please send it again, Mr. Cat? Thanks!


Turning, Drilling, Knurling, Chamfering, Boring, Threading, Tapering, Facing.
Facing, Drilling, Tapping, Chamfering, Broaching, Key Seat Cutting.
Program and Operation of G and M Codes for CNC Lathe/Mill.
Mt. Hood Community College
Nguyen Thi Dieu high school
Jan. - April, 2017
Tosoh Quartz INC
Beaverton, OR


Wolfgang Langewiesche’s classic book Stick and Rudder: An Explanation of the Art of Flying, first published in 1944, remains the definitive description of how to fly a small piston powered aircraft under visual flight rules. The book teaches aviators to fly the wing -- since the airplane is merely a wing with whatever supporting machinery necessary to make it work -- and that the most important quantity for that task is the angle of attack (AoA).
Seventy years later, we have a proliferation of small aircraft under the US Light Sport rule and the EU and Australian Microlight categories. One would think the manufacturers of such aircraft would heed Mr Langewiesche’s advice. However, a survey of the panels sold with these airplanes shows a dazzling array of expensive instrumentation.
But 3D synthetic vision is in no way relevant to VFR flight when one can simply look out the window! And in the meantime, pilots continue to guess at the AoA from other cues such as speed, attitude, wind noise and other factors.  But they need not be necessary skills -- at least not unless the flight instruments fail (and modern instruments can be very reliable).
Airball is a proposal for a display that should change all that. It combines AoA, angle of sideslip and indicated airspeed into one simple, glance-able visualization that is easy to interpret. And that means the pilot spends less time looking at the instrument, and more time looking out the window.
In a sense, Airball is the instrument one would design if one's goal were to not have people look at it.
The ball (the blue dot) directly visualizes the relative wind vector -- where the wind is coming from relative to the airplane.
“Ball left” means the wind is coming from the left, i.e., the aircraft is yawed right. “Kicking the ball”, in the usual fashion, corrects the yaw. “Ball low” means the wind is coming from below, i.e., the aircraft is at a high AoA. The instrument is “fixed” to the airframe, so diving the airplane makes the ball rise relative to the instrument -- and reduces the AoA.
The diameter of the ball is proportional to indicated airspeed. Incidentally, the human eye perceives areas more than absolute sizes, so the perceived “bigness” of the ball is proportional to dynamic pressure. And it starts to “feel” much larger at higher airspeeds, near cruise, which fits our earlier observation about the importance of airspeed over AoA at cruise flight. But note how we achieve this without a mode switch; it is just a natural, seamless part of the analog feel of the instrument.
We can add traditional speed, altitude and climb rate tapes. These help with annotating V speeds and altitude station keeping, respectively, and complete the picture to make this a total primary VFR instrument.
We build the speed tape with higher speeds down rather than up. This fits the intuition that diving, to reduce AoA, makes both the ball and the speed tape (and, for that matter, the altitude tape as well) move up relative to the instrument. Consistency is key.
Airball for Android is an Android app that demonstrates how Airball would work. It is not intended to be used in an airplane, though we have managed to patch an Android device to the RS-232 output from a Dynon Avionics setup to use it in-flight. It can, however, be hooked up to X-Plane in a number of ways, which is our recommended way to demonstrate it.
Airball for Android has two view modes, a Full PFD view, which locks orientation to Landscape mode, and an Analog only view, which locks orientation to Portrait.
In either case, touching the display brings up the Settings view:
and the Return to display button returns to the currently selected display mode.
The PFD is divided into the following sections:
IAS: Shows indicated airspeed according to the usual conventions. Note higher speeds are “down” since this provides a more consistent motion of the display elements in response to stick-up or stick-down input.
airball: Shows the airball, which we describe below.
altitude: Shows altitude in feet according to the usual conventions.
vertical speed: Shows vertical speed in feet/minute according to the usual conventions; the small graduations are at 500-foot intervals and the large, numbered graduations read in thousands of feet/minute.
The airball is interpreted the same whether in PFD or Analog mode. We use the Analog mode display to describe operation of the airball section:
The blue ball moves to indicate values of AoA and yaw. It always moves to the direction the relative wind is coming from relative to the aircraft. Larger angles of attack are represented by the ball moving lower. In this sense, the “kick the ball” convention to correct yaw works as usual.
The diameter of the ball is proportional to IAS. Usefully, as a result, its area (which human eyes perceive) is therefore proportional to dynamic pressure, which is in turn the quantity that is linearly proportional to lift.
View type: Selects Full PFD or Analog only as described above.
Data source: Selects between:
Dummy data from accelerometer: Move the device around to simulate flying and watch the display change.
Constant data for UI testing: A constant snapshot of data.
Dynon Skyview data over Bluetooth: Experimental, unused.
X-Plane data over IP: Sync airdata to running instance of X-Plane, described below.
X-Plane IP port to listen on: The local IP port used for X-Plane integration, described below.
X-Plane data protocol: Selects TCP or UDP as the protocol for receiving X-Plane data, as described below.
α minimum: The minimum AoA expected to be shown, corresponding to a position 10% of the way down from the top of the display.
αy: The best climb rate AoA.
αx: The best climb angle AoA.
α ref: The recommended landing final approach AoA.
α stall: The stall AoA, αCRIT.
β full scale: The full scale sideslip angle expected for the current aircraft.
Vs0, Vs1, Vfe, Vno, Vne: The standard “arc” speeds on the ASI, for the current aircraft.
The primary intention for this release of Airball is to allow users to experiment with it in conjunction with X-Plane. These instructions were written for X-Plane 10, but may be valid for older versions as well.
We recommend that you use X-Plane’s Plane Maker to remove the primary flight instruments from the airplane model you are using (make a backup copy of the airplane folder first). This way, you will be able to truly get a feeling for what it’s like to fly with Airball.
X-Plane will send data packets out over UDP to any host. Specific data sets may be turned on or off.
To enable the correct data sets for Airball, in X-Plane, go to the menu Settings | Data Input and Output and select the Data Set tab of the Data Input and Output screen:
Ensure that data sets 3, 4, 18 and 20 are selected for internet output. In the UDP rate selector, select a rate between 5.0 and 10.0 updates / second.
Now go to the menu Settings | Net Connections and select the Data tab of the Net Connections screen:
Ensure that IP of data receiver is checked and enter the IP address and port number of the data receiver as required. This information will be different depending on the method whereby you integrate with X-Plane.
The integration methods are shown diagrammatically below:
Choose Method A if both your computer and your Android device are on the same LAN (typically Wi-Fi) and the LAN allows hosts to address and send IP packets to one another directly.
Choose Method B (which requires more setup) only if you do not have access to a LAN meeting these specifications.
Find out the IP address of the Android device on your LAN. This is typically found from the Android Settings screens:
In the X-Plane Net Connections screen (described above), enter that IP address as IP of data receiver, and enter a suitable port number (we use 50000).
In the Airball settings, ensure that:
Data source is X-Plane data over IP
X-Plane IP port to listen on is the port you selected, such as 50000
X-Plane data protocol is UDP
When you run X-Plane, you should see the flight data on the Airball display.
Set up your Airball settings as with Method A, except ensure that:
X-Plane data protocol is TCP
Now ensure your Android device is connected to your computer and is set up for USB debugging via the adb utility. We do not describe here how to do that; please consult common resources on Android programming to learn how to do so.
In the X-Plane Net Connections screen (described above), enter the localhost IP address (<IP_ADDRESS>) as IP of data receiver, and enter some new port number (we use 49998). This will send UDP messages to the local host, accomplishing the first “hop” in the diagram above.
Now run the accompanying Python utility udp2tcp.py
to listen on that same UDP port and echo the packets to a TCP
port. We pick 49999 for the TCP port. If you make
the same choice, you would issue a command like:
./udp2tcp 49998 49999
Now, set up the Android adb
utility to forward the
local TCP port to a virtual port on the Android device. Assuming
you chose 50000 as the port on the Android device (as selected in
the Airball settings), you would issue:
adb forward tcp:49999 tcp:50000
This should complete the necessary connections and you should see the flight data on the Airball display.


BACK TO THE FUTURE III [Probable Spoilers] Reviewer: Jaye Mathisen Copyright 1990 Jaye Mathisen
Summary: Marty and Doc take on the wild west, in a final attempt to set all the various timelines aright. This film is much lighter then BTTF II, and most certainly more enjoyable.
Marty and Doc do their level best to make the Universe safe for non time-travelers. All the old characters, including Biff are back in new roles, along with the old ones.
I really liked this movie. Almost as much as I liked part one. Sure, Marty and Doc don't resolve all the paradoxes that occurred/might have occurred from the jumping about through the space-time continuum, but they have a lot of fun doing it, and so did I.
Doc is at his zaniest best, from the gigantic ice-tea making machine, to the telescope strapped to his rifle. And of course, to make it complicated, Doc's gotta meet a girl (Mary Steenburgen, another fave).
Mad Dog (Biff) is truly the epitome of the old-west sleazoids. However, there was one oddity about Mad Dog. Doc and Marty are looking through a history book, and discover that one of the reasons Mad Dog has his name is because of his tendency to drool. Gallons of slobber dripping off of Mad Dog's chin in the first meeting with Marty must've been left on the cutting room floor, so Mad Dog's name really didn't make sense. But if that's the only thing I can find to complain about, the movie can't be too shabby.
The ending is certainly corny, but fun. It certainly looks like this is the end of the series, and not much of a chance for any more. Of course this was a given anyway.
Rating: The movie's light, moderately fast-paced, and very enjoyable. It helps to riffle through BTTF II before seeing III, just to refresh the old brain cells, as the plot still has its twists and turns. The special effects are as good as always, and I almost fell out of my seat at the time-traveling steam engine. I give it 4 stars (****,excellent) out of 4.
Enjoyability All the above. Don't miss it, it's great fun. 4 stars again.
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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The sun is a yellow dwarf star, a hot ball of glowing gases, at the heart of our solar system, it is also the source of heat for the earth, and is also the largest object in our solar system, making up 99.8% of our solar system’s mass. It’s influence extends far beyond the orbits of planets as far as Neptune and Pluto. Without the Sun’s intense energy and heat, there would be no life on Earth. The sun being a mixture of gases is held together by it’s own gravity.
Nuclear fusion at the core
At the core of the Sun, gravitational attraction produces immense pressure and temperature, which can reach more than million degrees Celsius, and more than 6,000 degrees Celsius at the surface. Hydrogen atoms get compressed and fuse together to create Helium. Nuclear fusion produces great amounts of energy. The energy radiates outward to the sun’s surface, atmosphere and beyond. From the core, energy moves to the radiative zone, where it bounces around for up to millions of years before moving up to the connective zone, the upper layer of the sun’s interior.
Size and Distance
The Sun has a radius of 432,168.6 miles, and it is not an especially large star as there are many others that are several times bigger, scattered across the galaxy, but it is still far more massive than our home planet: it would take 332,946 Earths to match the mass of the Sun. The Earth orbits the Sun from a distance of about 93 million miles. The connection and interactions between the Sun and Earth drive our planet’s seasons, ocean currents, weather, climate, radiation belts, and aurorae. Though it is special to us, there are billions of stars like our Sun scattered across the Milky Way galaxy.
Orbit and Rotation
The Sun, and everything that orbits it, including our planet, Earth, is located in the Milky Way galaxy. Our solar system is moving at an average velocity of 450,000 miles per hour. But even at this speed, it takes us about 230 million years to make one complete orbit around the Milky Way.
The Sun rotates as it orbits the center of the Milky Way. Its spin has an axial tilt of 7.25 degrees with respect to the plane of the planets’ orbits. Since the Sun is not a solid body, different parts of the Sun rotates at different rates.
Atmosphere
Above the Sun’s atmosphere are the tenuous chromosphere and the corona (crown), which make up the thin solar atmosphere. This is where we see features such as sunspots and solar flares.
Visible light from these top regions is usually too weak to be seen against the brighter photosphere, but during total solar eclipses, when the Moon covers the photosphere, the chromosphere looks like a red rim around the Sun, while the corona forms a beautiful white crown with plasma streamers narrowing outwards, forming shapes that look like flower petals.
Exploring the Sun
Parker Solar Probe will travel through the Sun’s atmosphere — closer to the surface than any spacecraft before it — providing humanity with the closest-ever observations of a star.


Package org.drip.numerical.fourier
Class RotationCountPhaseTracker
- java.lang.Object
-
- org.drip.numerical.fourier.RotationCountPhaseTracker
-
public class RotationCountPhaseTracker extends java.lang.Object
RotationCountPhaseTracker implements the standard technique to preserve the trajectory along the principal branch in multi-valued complex operations. This is most common in Fourier inversion quadrature runs.
- Module = Computational Core Module
- Library = Numerical Analysis Library
- Project = Numerical Quadrature, Differentiation, Eigenization, Linear Algebra, and Utilities
- Package = Specific Fourier Transform Functionality - Rotation Counter, Phase Adjuster
- Author:
- Lakshmi Krishnamurthy
-
-
Field Summary
Fields Modifier and Type Field Description static int
APPLY_BACKWARD
APPLY_BACKWARD - Decrement Rotation Countstatic int
APPLY_FORWARD
APPLY_FORWARD - Increment Rotation Countstatic int
APPLY_NONE
APPLY_NONE - Do not Apply Rotation Count
-
Constructor Summary
Constructors Constructor Description RotationCountPhaseTracker()
Empty RotationCountPhaseTracker constructor - Initialize to "NO ROTATION COUNT"
-
Method Summary
Modifier and Type Method Description int
getDirection()
Get the Direction on which the rotation count is to be applieddouble
getPreviousPhase()
Get the Previous Phaseboolean
setDirection(int iRotationDirection)
Set the Direction on which the rotation count is to be appliedboolean
setPreviousPhase(double dblPreviousPhase)
Set the Previous Phasedouble
updateAndApply(double dblCurrentPhase, boolean bApply)
Apply the Rotation Count Adjustment in accordance with the direction, (optionally) record the previous phase.
-
-
-
Field Detail
-
APPLY_NONE
public static final int APPLY_NONE
APPLY_NONE - Do not Apply Rotation Count- See Also:
- Constant Field Values
-
APPLY_BACKWARD
public static final int APPLY_BACKWARD
APPLY_BACKWARD - Decrement Rotation Count- See Also:
- Constant Field Values
-
APPLY_FORWARD
public static final int APPLY_FORWARD
APPLY_FORWARD - Increment Rotation Count- See Also:
- Constant Field Values
-
-
Method Detail
-
setDirection
public boolean setDirection(int iRotationDirection)
Set the Direction on which the rotation count is to be applied- Parameters:
iRotationDirection
- The Rotation Direction- Returns:
- TRUE - Successfully set
-
getDirection
public int getDirection()
Get the Direction on which the rotation count is to be applied- Returns:
- The Rotation Direction
-
setPreviousPhase
public boolean setPreviousPhase(double dblPreviousPhase)
Set the Previous Phase- Parameters:
dblPreviousPhase
- The Previous Phase- Returns:
- TRUE - Previous Phase Successfully set
-
getPreviousPhase
public double getPreviousPhase()
Get the Previous Phase- Returns:
- The Previous Phase
-
updateAndApply
public double updateAndApply(double dblCurrentPhase, boolean bApply) throws java.lang.Exception
Apply the Rotation Count Adjustment in accordance with the direction, (optionally) record the previous phase.- Parameters:
dblCurrentPhase
- The Phase to be UpdatedbApply
- TRUE - Record the Previous Phase- Returns:
- The Updated Phase
- Throws:
java.lang.Exception
- Thrown if the Operation cannot be performed
-
-


Islamic art encompasses the visual arts produced in the Islamic world.[1] Islamic art is difficult to characterize because it covers a wide range of lands, periods, and genres, including Islamic architecture, Islamic calligraphy, Islamic miniature, Islamic glass, Islamic pottery, and textile arts such as carpets and embroidery.
It comprises both religious and secular art forms. Religious art is represented by calligraphy, architecture and furnishings of religious buildings, such as mosque fittings (e.g., mosque lamps and Girih tiles), woodwork and carpets. Secular art also flourished in the Islamic world, although some of its elements were criticized by religious scholars.
Early development of Islamic art was influenced by Roman art, Early Christian art (particularly Byzantine art), and Sassanian art, with later influences from Central Asian nomadic traditions. Chinese art had a formative influence on Islamic painting, pottery, and textiles.[4] Though the concept of "Islamic art" has been criticised by some modern art historians as an illusory Eurocentric construct, the similarities between art produced at widely different times and places in the Islamic world, especially in the Islamic Golden Age, have been sufficient to keep the term in wide use by scholars.
Islamic art is often characterized by recurrent motifs, such as the use of geometrical floral or vegetal designs in a repetition known as the arabesque. The arabesque in Islamic art is often used to symbolize the transcendent, indivisible and infinite nature of God. Mistakes in repetitions may be intentionally introduced as a show of humility by artists who believe only God can produce perfection, although this theory is disputed.


Sir David Attenborough's favourite cameraman to speak in Helensburgh
Doug Allan has worked on shows including the smash-hit Blue Planet and will speak later this month.
by Fraser Clarke, https://www.dailyrecord.co.uk/authors/fraser-clarke/One of the men behind TV hit series Blue Planet is set to give a talk in Helensburgh later this month.
Doug Allan has been described by Sir David Attenborough as one of the world’s greatest natural history cameramen and he will explain how some of Attenborough’s best work is filmed to an audience at the Victoria Halls in Helensburgh on Thursday November 28 at 7.30pm.
In a letter to the Royal Scottish Geographical Society, Attenborough explained what makes Doug so special.
He said: "Doug is not like other men. He seems impervious to cold. He can hold his breath underwater longer than anyone I know. He delights in company – particularly if he can find someone who has not heard his jokes – yet he can tolerate, even welcome long periods of total solitude.
“And he has that mixture of physical bravery, technical skill and zoological expertise that you need if you are to be one of the greatest of natural history cameramen. Which he is.”
Entry is £10, free for students and RSGS members and tickets can be reserved on rsgs.org.
For more local news from West Dunbartonshire click here .


API for plugins.
Officegen plugins can extend officegen to support more document formats.
Examples how to do it can be found on lib/gendocx.js, lib/genpptx.js and lib/genxlsx.js.
Officegen plugins can extend officegen to support more document formats.
Examples how to do it can be found on lib/gendocx.js, lib/genpptx.js and lib/genxlsx.js.
Example
var baseobj = require ( "officegen" );
function makeMyDoc ( officegenObj, typeCodeName, options, officegenObjPlugins, typeInfo ) {
// officegenObjPlugins = Plugins access to extend officegenObj.
}
baseobj.plugins.registerDocType (
'mydoctype', // The document type's code name.
makeMyDoc,
{},
baseobj.docType.TEXT,
"My Special Document File Format"
);


---
layout: post
title: Bye bye 2013 Ello 2014
date: '2013-12-31T07:30:00+01:00'
categories:
- Ello Mobile
- Klare Lijn — Ligne Claire
- Sketchbooks
picture_url: https://film-Storyboards.tumblr.com/post/71746983159/bye-bye-2013-ello-2014
---
rough from Sketchbooks
second sketch on tracing paper
ink line in Manga Studio 5
final Illustration in Adobe Illustrator
From rough to Illustration, steps — Season Greetings for Ello Mobile Facebook page.


Arjun Verma
Arjun Verma
<EMAIL_ADDRESS>@vermaarjun7
.
.
.
.
Arjun Verma
I like Mathematics & Computer Science.
Mathematical Jokes
Mar 2014
Why do I love stamps?
Jan 2014
Sum of numerators of Farey Sequence of order n
Dec 2013
2n - number of 1's in binary expansion of 2n
Dec 2013


Click here to download this week's dataset as a CSV
Click here to download this week's dataset as a Hyper Extract
Data Storytelling
Short on time this week, so a pretty simple viz. It took nearly as long to pull down all of the images of Leonardo's work as it did to create the viz. Three distinct worksheets on the dashboard. First is an interactive timeline using shapes and color to indicate the type of artwork. Clicking on any of the marks filters the two vizzes below. The first is a worksheet using shapes to display an image of the artwork. To make this easy, I named each file with the ID of the artwork from the dataset, then simply put ID on Shapes on the Marks card and assigned the IDs to the custom shape palette. I created a case statement to assign an URL to each work, driving a click URL action to take the user to a larger version of the image. The final viz is a text based worksheet that uses some calculated fields to account for nulls in the data. Overall, a pretty simple viz.
We've got a short turn around this week. Going forward, we'll be publishing datasources and the historical backgrounds on Mondays, allowing for a longer amount of time before the actual #ThrowbackThursday hits. Hope to see some awesome vizzes in the coming weeks!
Data Source
The dataset this week was sourced from Wikipedia, with several individual citations on the page. Due to the lack of records from the time of Leonardo da Vinci, attributions and dates of works are based off of evidence and analysis by Leonardo experts, scholars and biographers. The data source includes only known extant works completed by (or attributed to be completed by) Leonardo during his lifetime. Please be sure to cite the source on your viz.


Droid Sans Mono is a fixed width version of Droid Sans. The Droid Sans Mono typefaces were designed by Steve Matteson ofAscender Corp. The Droid Sans Mono fonts feature non-proportional spacing for displaying text in a tabular setting and other uses where a monospaced font is desired. Droid Sans Mono has excellent legibility characteristics in its letterforms.
More information on the Droid Fonts can be found athttp://www.droidfonts.com.


Run any code in parallel Processes(> use all CPUs) or Threads(> speedup
blocking operations).
Best suited for map-reduce or e.g. parallel
downloads/uploads.
Install
=
sudo gem install parallel
Usage
# 2 CPUs -> work in 2 processes (a,b + c) results = Parallel.map(['a','b','c']) do |one_letter| expensive_calculation(letter) end # 3 Processes -> finished after 1 run results = Parallel.map(['a','b','c'], :in_processes=>3){|one_letter| ... } # 3 Threads -> finished after 1 run results = Parallel.map(['a','b','c'], :in_threads=>3){|one_letter| ... }
Same can be done with `each`
Parallel.each(['a','b','c']){|one_letter| ... }
or `each_with_index` or `map_with_index`
### Processes
- Speedup through multiple CPUs - Speedup for blocking operations - Protects global data - Extra memory used ( very low on [REE](http://www.rubyenterpriseedition.com/faq.html) through `copy_on_write_friendly` ) - Child processes are killed when your main process is killed through Ctrl+c or kill -2
### Threads
- Speedup for blocking operations - Global data can be modified - No extra memory used
Processes/Threads are workers, they grab the next piece of work when they finish
Tips
- [ActiveRecord] `ActiveRecord::Base.connection.reconnect!` inside the parallel block prevents errors - [Benchmark/Test] Disable threading/forking with `:in_threads => 0` or `:in_processes => 0`, great to test performance or to debug parallel issues
TODO
- JRuby / Windows support <-> possible ?
Authors
=
### [Contributors](github.com/grosser/parallel/contributors)
- [Przemyslaw Wroblewski](http://github.com/lowang) - [TJ Holowaychuk](http://vision-media.ca/) - [Masatomo Nakano](http://twitter.com/masatomo2) - [Fred Wu](http://fredwu.me) - [mikezter](http://github.com/mikezter) - [Jeremy Durham](http://www.jeremydurham.com) - [Nick Gauthier](http://www.ngauthier.com) - [Andrew Bowerman](http://andrewbowerman.com) - [Byron Bowerman](http://me.bm5k.com/) - [Mikko Kokkonen](https://github.com/mikian) - [brian p o'rourke](https://github.com/bpo) - [Norio Sato] - [Neal Stewart](https://github.com/n-time)
[Michael Grosser](grosser.it)
/>
<EMAIL_ADDRESS>License: MIT
[![Flattr](api.flattr.com/button/flattr-badge-large.png)](https://flattr.com/submit/auto?user_id=grosser&url=https://github.com/grosser/parallel&title=parallel&language=en_GB&tags=github&category=software)


Actor Details
Add New Actor
ID
Name
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Delete
Edit
New Movie
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What is your Solar Age?!
Do you want to know how old you are on Mercury, Venus, Mars, and Jupiter?
Fill in the form below and find out!


Blog.init()
by Brandon Cole
Well, here we go. Time to enter the world of blogs.
Welcome!
I’m excited to document and share my thoughts, experiences, learnings, ramblings, and whatever else I feel appropriate.
Why did I make this blog?
I’ve read other blogs before. We all have. We have a problem or something we want to learn about, we Google it, and read. There’s so much information available, free to read, and it’s easy to forget that this content is generated by actual people. People share what they have learned, post tutorials, and help others. I, as a young professional just entering a new career, feel the obligation to (hopefully) start helping others as they have helped me.
I want to give back.
Beyond that, I believe this will help myself gain clarity on the concepts I post. Putting ideas in ink - always a good way to reinforce what you think you know.
So enough of that. This is a tech blog, let’s make this technical.
Tech Specs
I’m planning (for now) to maintain this blog using GitHub Pages and Jekyll.
That setup in itself has been fun. Honestly. I’ve already faced some interesting technical challenges, and I haven’t even started writing about technical challenges.
So let’s make this a sort of meta post; I want to share some of my experiences in setting up this very site.
Jekyll
Static pages. That’s what Jekyll is about. Who knew you could deliver a full-functioning blog with all sorts of neat features statically. To clarify, when I say static, I mean no back-end code, no databases, nothing. Simple HTML pages are delivered to your browser for you to read what you are reading.
That’s pretty neat.
There’s tons of information on Jekyll already, so I won’t re-tutorialize the setup, instead I’ll simply point you to their well-written documentation guide. Check it out!
Jekyll Themes
The default Jekyll theme is pretty clean, and very open to custom styling. I decided to get inspired by other Jekyll themes, and used a different theme as a starting point. Centrarium, by fellow RIT alumni Ben Centra, is the theme I am using for now and will probably continue to tweak and use. Nice work, Ben!
He’s got some other cool technologies integrated with the theme, including Bourbon and Neat styling, and a cool Jekyll plugin called jekyll-archives. More on this and integration, next.
GitHub Integration
GitHub offers a service called GitHub Pages. Every account is allotted one page, and every project is allotted one project page. There’s slight differences between the two in terms of your git repository structure. In short, a project page utilizes a separate branch gh-pages
, while an account page simply looks at the master
branch.
Here’s the challenge I faced.
Ben’s inclusion of jekyll-archives is awesome, and provides many useful features such as improved tagging and page generation for tags and categories. However, GitHub Pages uses their own safe-mode of jekyll build
that disables plugins. Therefore, a simple push to my master branch on my GitHub repository would not generate the archive pages and was insufficient. After much research, I’ve found a solution I can accept.
I’ve created a second branch called development
that I will use for my Jekyll files, templates, etc. The Jekyll output, which goes to a folder called _site
, will be what lives in the master
branch of my repo, since GitHub Pages is happy to serve already static pages (no jekyll build
needed).
Here’s how development looks on my local machine.
.
├── development
| ├── _config.yml
| └── ... (jekyll files)
├── master
| ├── index.html
| ├── ... (static files)
My development folder points strictly to the development
branch, and master simply to the master
branch. I do all my work on the development branch. When I’m ready to push something new to master, I do a jekyll build
and copy the contents of _site
in development to master.
To simplify this deploy process, I’ve written a simple shell script. You can check it out on this site’s repository. After tweaking the site or adding a new post, I can verify it via jekyll serve
in the development folder, and when I’m sure things look good, I execute a simple ./_deploy.sh
to push to master and to bcole.github.io.
Final Thoughts
I’m excited to start writing some actual content. Stay tuned for updates, subscribe via RSS (do people actually use RSS?), and leave comments below!
Subscribe via RSS


Brian John Dixon
15 years crafting solutions for finance companies and startups
email
github
HedgeVista
IC Studio
IA Clarington
Renaissance
CIBC AM


WATCH: Ex-model narrates her ordeal in the hands of an abusive husband
by Staff ReporterWhen love turns sour, vows are thrown out of the window while the fairytales and cherry topped smiles vanish.
Such is the story of former model Priscilla Chigariro who has suffered at the hands of her Russian ex-husband.


<revised>
The <revised>
metadata element is used to maintain tracking dates that
are important in a topic development cycle, such as the last modification date, the
original availability date, and the expiration date.
Category: Prolog (metadata) elements


Blue Ivy Carter, seven, shares songwriting award with parents and co-writers
Jay-Z and Beyonce’s daughter Blue Ivy Carter has won a songwriting award at the age of seven.
Blue Ivy bagged the Ashford & Simpson Songwriter’s Award at Sunday’s Soul Train Awards for co-writing her mother’s hit Brown Skin Girl, a song celebrating dark- and brown-skinned women.
Blue Ivy gives a vocal performance that opens and closes the song, which also features Wizkid and Saint Jhn.
The Carters were not at the Orleans Arena in Las Vegas to accept the honour named after the legendary Motown songwriting duo Nick Ashford and Valerie Simpson.
Blue Ivy shares the win with Beyonce, Jay-Z, St Jhn and several other co-writers.
This week could get even better for Blue Ivy.
Grammy nominations will be revealed on Wednesday and Brown Skin Girl could earn the young star her first Grammy nomination (Beyonce has won 23 Grammys and Jay-Z has 22).
Brown Skin Girl, which features Beyonce namedropping Lupita Nyong’o, Naomi Campbell and Kelly Rowland and singing lyrics like, “I love everything about you, from your nappy curls to every single curve”, was also nominated for best collaboration at the Soul Train Awards.
Most of the top winners did not attend the show, and only three of the 12 awards were handed out during the live telecast: best female R&B/soul artist (H.E.R.), best new artist (Summer Walker) and best gospel/international award (Kirk Franklin).
Chris Brown and Drake’s No Guidance, which has spent the last five months, and counting, in the Top 10 of the Billboard Hot 100 chart, was the big winner, picking up song of the year, best dance performance and best collaboration.
Lizzo won album/mixtape of the year for Cuz I Love You and video of the year for Juice.
The awards show, which aired on BET and was hosted by actresses Tichina Arnold and Tisha Campbell, also gave special honours to gospel music singer Yolanda Adams and Songwriter Hall of Famers Jimmy Jam and Terry Lewis, who have worked with Janet Jackson throughout her career and have also crafted number one hits for George Michael, Usher, Mariah Carey and Boyz II Men.
READ MORE
Lorraine Kelly lays into Jennifer Arcuri after Good Morning Britain interview


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| Subject | {{email['subject']}} |
| field | value |
| {{field}} | {{email[field]}} |


This device is marked as being returned. If you would like to resume
your loan, please click the button below.
Your loaner is due on {{ device.dueDate | date: 'fullDate' }}
Please return your loaner on time for your fellow colleague to use next.
Your loaner was due on {{ device.dueDate | date: 'fullDate' }}
Please return your loaner on time for your fellow colleague to use next.
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./komodod -ac_name=KMDICE -ac_supply=10500000 -ac_reward=2500000000 -ac_halving=210000 -ac_cc=2 -addressindex=1 -spentindex=1 -addnode=<IP_ADDRESS> &
https://kmdice.pool-mining.xyz/ <- pool
https://pool.forkwitch.com/ <- another pool
https://minerpond.com <- another pool
100 messages
Before 05-Dec-19 12:00 AM
Alright19-Oct-18 04:45 PM
what do you mean you bet from a different pubkey than the daemon was using
you changed the contract's code?
CrisF19-Oct-18 04:45 PM
@blackjok3r O. I'm good at using wrong keys
blackjok3r19-Oct-18 04:45 PM
1 entropy TX
I cant bet
Alright19-Oct-18 04:46 PM
you can make dicestatus automatically create entropy txs if you like
it'd never run out
blackjok3r19-Oct-18 04:46 PM
I still have 90 coins left ... can I fund entropy ? or does @jorian need to
Alright19-Oct-18 04:46 PM
it'd put all the dealer node's winning back into the plan
dealer needs to make entropy txs
blackjok3r19-Oct-18 04:46 PM
thats the way it should be on this partcular chain
Alright19-Oct-18 04:46 PM
you can but they won't do anything
1
jorian19-Oct-18 04:47 PM
so i just dicefund some KMDICE to the fund?
Alright19-Oct-18 04:47 PM
hold, on you'll need to rebuild your node
siu - Chainmakers19-Oct-18 04:47 PM
Yes
grewalsatinder19-Oct-18 04:47 PM
what's the update on stream/video blockchain?
thought I ask here as our guys are here
Alright19-Oct-18 04:47 PM
jl changed it to not automatically make entropy UTXOs
have to find the commit
blackjok3r19-Oct-18 04:48 PM
@grewalsatinder I have most of it working ... converting strings to hex in C code was sending me in circles ... you cant do it with odd numbers I spent 3 hours debugging something, because i randomly keyboard mashed 3 hex strings of numbers and all of them were an odd length
Script for reliable airdrops based on Komodo native snapshots. - dragon-riders-team/airdrop.py
blackjok3r19-Oct-18 05:04 PM
@Alright do you know if timout affects the returned funding utxos ?
like are they locked for 600 blocks ? if so that explains it
Alright19-Oct-18 05:04 PM
not locked for 600 blocks
after 600 blocks, it times out
blackjok3r19-Oct-18 05:04 PM
Although my using wrong -pubkey may have created an invlaid dicebet that was somehow still accetped into a block
Alright19-Oct-18 05:05 PM
if dealer didn't do dicefinish/dicestatus within those 600 blocks, better can claim it as a win
it shouldn't matter joker, but maybe
CrisF19-Oct-18 05:05 PM
Set the timeout block longer. If the dice creator node is offline, after the timeout block the sytem will automatically declare the bets winner and payout winning funds. Long timeout block will ensure house to not loose any funds if there is any downtime of the node and comes back online within the time.
blackjok3r19-Oct-18 05:06 PM
no txfee inputs for win/lose
if ( AddNormalinputs(mtx,mypk,txfee,1) == 0 )
{
CCerror = "no txfee inputs for win/lose";
fprintf(stderr,"%s\n", CCerror.c_str() );
return("");
}
exact error
it appeared to stop working after that
anyone can use STKDTROLL to test this condition... just start with a -pubkey thats not in your wallet then dice bet
it has instnat confs
jorian19-Oct-18 05:07 PM
STKDTROLL
have any chain params?
blackjok3r19-Oct-18 05:07 PM
yes the chain that Alright told me to make for not reason, that turned out to be one of the coolest things ive ever made
repo for using staked chains, for testing and production use - StakedChain/staked
@jorian
follow the guide
Alright19-Oct-18 05:08 PM
to be fair, I did tell you I was going to make it irrelevant with chat dapp
blackjok3r19-Oct-18 05:08 PM
./start.sh STKDTROLL(edited)
Alright19-Oct-18 05:08 PM
like the day you started working on it
blackjok3r19-Oct-18 05:08 PM
I started on it and just kept going... not sure why
I keep doing things like that ...
and then the things I learned turn out to be hella useful(edited)
and I appoligise for my rants sometimes guys its nothing personal ... Im stuck in the middle of nowhere looking after small chidren all day, and usually stay up very late working on these things so I get some peace and quiet ... and it burns me out after a few days... need to chill out more lol
1
jorian19-Oct-18 05:13 PM
rum might help indeed
blackjok3r19-Oct-18 05:13 PM
hmmm I have a feeling that rum wont help ... beer certainly makes things worse(edited)


About
Portfolio
Resume
Steven Feng's Portfolio
Project Name
A typical Math & CS student at RHIT.
Link


-
What compiler do I need?
Many C++11 features
are used in the Boost.Fixed-point Library and the compiler must have a
high level of C++11 awareness to successfully translate the source code.
Visual Studio 2015 (VC 14.0) or later works well, but many applications
will also work with Visual Studio 2013 (VC 12.0). GCC compilers versions
such as 5.x or later or Clang with similar C++11 adherence also work well.
-
When should I consider using a fixed-point type?
Fixed-point allows you to provide a lower or higher range and/or
a lower or higher precision.
-
Will a fixed-point type use less memory?
If
you base the fixed-point type on a small underlying integer type, then
it will be more efficient.
-
Will a fixed-point type run faster than floating-point type?
If there is no hardware floating-point, then is very likely to run
much faster. If you require a very high range or precision that would require
Boost.Multiprecision
or similar high or arbitrary precision type, then for the same precision
or range, it will probably be quicker, possibly much quicker.
-
How can I avoid using
iostream
on a bare-metal microcontroller without any streaming peripherals?
#define BOOST_FIXED_POINT_DISABLE_IOSTREAM
.
-
Can I use multiprecision without iostream on a bare-metal microcontroller
without any peripherals?
This is not possible because
the multiprecision software was written assuming iostream
is available. The work to isolate use of iostream
using a preprocessor macro is judged too great to be worthwhile just for
this unusual requirement.


Good air quality, safe for outdoor exercise for those with asthma
Bad air quality, not safe for outdoor exercise for those with asthma


As users navigate around using only the keyboard, focus rings provide a necessary clue as to the currently active item.
Keyboard shortcuts are another curb cut example. Sites like Twitter and Facebook offer keyboard shortcuts for almost any action which are great for both keyboard only users and and power users!
Skip links help users skip over large headers and navigation and jump right into the "main" content of your site. When a user hits tab for the first time, a button will appear and offer users to jump right to the main section.
You can use the tab key to navigate to the next tabbable item and shift + tab to navigate to the previous item.

For a list of all focusable elements check out Focusable.
You can add the tabindex attribute to any element like this:

I'm focusable

I would like to hear more about the maximum value for tabindex in HTML.https://t.co/WtKxdMWgiw pic.twitter.com/Z7L9dRctTI
— Jon Kuperman (@jkup) April 25, 2021
Sometimes, especially on single page applications, it's helpful to store the currently focused element before a page transition so you can return to it later.
// A modal is about to be opened
// Store the current news item
const currentItem = document.activeElement;
// Open the modal
// On modal close, refocus on the news item they had open
currentItem.focus()
Another useful concept is tab trapping. Consider opening a modal on a page which contains a form. A keyboard only user will want to tab around the form but unless we help, tabbing while focused on the last form element will send us all the way back to the main document.
for an example modal.
Let's practice making skip links together in exercise 4.


The Wikimedia Security team is a multidisciplinary group of security experts with specializations in in fields such as privacy, application security, and threat management. We strive to be leaders in cybersecurity, providing open source best practices and resources to help make the world a safer place.
We exist to serve and guide the Foundation and our community by providing security services to inform risk, and to foster a culture of security.
More information about Wikimedia and MediaWiki security can be found on MediaWiki.org.
If you are interested in engaging the services of the Security team please refer to our Requests for Service page.
Who We Are
{% include team-member.html name="Jennifer Cross" title="Interim Director of Security" link="JCross_(WMF)" photo="none.jpg" %}
{% include team-member.html name="Scott Bassett" title="Staff Security Engineer" link="SBassett_(WMF)" photo="scott.jpeg" %}
{% include team-member.html name="James Fishback" title="Staff Privacy Architect" link="JFishback_(WMF)" photo="none.jpg" %}
{% include team-member.html name="Samuel Guebo" title="Senior Privacy Engineer" link="Samuel_(WMF)" photo="sguebo.jpg" %}
{% include team-member.html name="Sam Reed" title="Senior Security Engineer" link="Reedy_(WMF)" photo="none.jpg" %}
{% include team-member.html name="Maryum Styles" title="Application Security Engineer" link="MStyles_(WMF)" photo="maryum.png" %}
{% include team-member.html name="Manfredi Martorana" title="Application Security Engineer" link="MMartorana_(WMF)" photo="none.jpg" %}
{% include team-member.html name="Hal Triedman" title="Senior Privacy Engineer" link="HTriedman_(WMF)" photo="hal.jpg" %}
{% include team-member.html name="Kelton Hurd" title="Security Analyst" link="KHurd-WMF" photo="none.jpg" %}
{% include team-member.html name="Cleo Lemoisson" title="Senior Project Manager" link="CLemoisson-WMF" photo="none.jpg" %}


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