Jason Bowman
All developers have been granted root access to the dev lanes. Developers should be able to resolve almost any issue on their own, and are encouraged to do so, but do not hesistate to seek support from ops if you are out of your depth or think you might make the situation worse. Worst case scenario we can rebuild the host, although we would like to avoid doing that.
At present the dev lanes are constrained for resources and we are at capacity. They are using as minimal a configuration as is possible. You will probably hit disk limits and performance may at times be less than ideal -- but they are in a functional state.
Chef is a set of rules that defines what an environment should look like. It deploys services and ensures that they are running, validating and preserving system state.
This is not always best for rapid iteration. You will want to disable chef from time to time so that it does not undo your changes.
# sudo chef-client
It's that easy.
# ln -sf /path/to/my/jar.jar /opt/releases/current/services/interview.jar
Every dev lane has a unique environment file and data bags.
data_bags / rlcorp-devX /
lighthouse-assets.json [cms]
lighthouse-services.json [cms]
lighthouse-webapps.json [cms]
properties.json [cms, web] # Do not copy from other environment
web-assets.json [web]
web-services.json [web]
web-webapps.json [web]
windows-passwords.json # Don't touch
windows-release.json [iis]
windows-webconfig.json [iis] # Do not copy other environment
rlcorpdevlinweb00X - wwwX.dev.rocketlawyer.com
Redis
RabbitMQ
Tomcat - Frontend web services
rlservices - interview-service, featureflipper, etc
rlcorpdevlincms00X - cmsX.dev.rocketlawyer.com
Tomcat - Backend web services, lighthouse
rlservices - Standalone services # Ontology Service, integration, etc
rlcrpdevmsrv00X - iis
IIS - NET website
Windows Components
rlcorpdevlincdh00X - [cdh]
Elasticsearch
Hadoop/Hbase
Zookeeper
rlcorpdevlinsql00X - sql
MySQL
# Shared single MSSQL instance for all dev lanes
rlcrpdevmsql001 - mssql
MSSQL
# You shouldn't need to touch this host
rlcorpdevlinadm001 [adm]
Graphite
Build your feature branch locally and then, locally:
# scp /path/to/my-version.war user@rlcorpdevlinweb001:/tmp/my-version.war
Then on the dev lane:
# sudo rm -rf /opt/tomcat/current/webapps/my.war /opt/tomcat/current/webapps/my && mv /tmp/my-version.war /opt/tomcat/current/webapps/my.war
Tomcat will deploy it under the context of the war's filename.
Optionally restart tomcat to kill orphaned threads of the undeployed context and free permgen.
# sudo su - rocketapp
# cd /var/www/refresh_assets
# git fetch && git branch features/myfeature
# crontab -e
Add the following rule:
*/1 * * * * cd /var/www/refresh_assets/ && git pull
This will cause the host to poll for changes on github every minute.
# cd ~/OPS-Chef/data_bags/rl-test/
# cp web* lighthouse* windows-release.json ~/OPS-Chef-dev/data_bags/rlcorp-devX/
# cd ~/OPS-Chef-dev/data_bags/rlcorp-devX/ && git commit -am "Making devX match test"
# git push
You can kick Jenkins for synchronization.
It runs automatically every 5 minutes
Now run chef-client on your web and cms host.
# ssh -t user@rlcorpdevlinweb001 'sudo chef-client'
# ssh -t user@rlcorpdevlincms001 'sudo chef-client'
Chef does a series of unit tests when it finishes running. Several of these tests are written with certain assumptions for production. It is likely that one or more unit tests may fail in a preproduction environment due to a restart chef triggered, or similar action. When in doubt run it again -- but everything is [probably] fine.
There is a property in your environment file that determines if chef runs automatically.
"chef" => {
"auto_check_in" => false,
"checkin_interval" => 300
}
You should attempt to diagnose the problem yourself and fix it if you can. Here are our most common problems.
Deploy a working artifact. Resync to the versions in test.
Check to see whats failing in probe. Login/pass: tom/cat
Is tomcat repsponding? What deployed, what failed?
View critical errors that have escaped error handling:
# tail -n1000 /opt/tomcat/current/logs/localhost.`date +%F`.log
When in doubt, check catalina.out!
# tail -fn1000 /opt/tomcat/current/logs/catalina.out
IIS... good luck.
Bounce tomcat.
If you're seeing sql errors, its likely a data sync issue. Allen wrote up a nice tutorial for doing your own syncs.
Log in to the database server for your dev lane.
Run the load data script: # sudo /z/dbscripts/load_data.sh
Select the source of where you want to pull the data from. [<IP_ADDRESS>]
Choose which database farm you want to pull from. [rl-prod]
Hit enter for where you want to download the files to. [default: /tmp/]
admin is the correct user for the dev lanes
admin123 is the password you will want to use
localhost is correct so you can hit enter
More than likely you will not want a backup created type n to skip
Press enter, you want to preserve lighthouse accounts
Press enter you do not what to preserver mysql accounts
Press enter you want to cleanup working files
Optional. if you want an email when it is done put in your email address, if not just hit enter.
The script will now start downloading and importing all the databases. Let it go, this can take up to 15 minutes to complete.
The script will nag you at the end to verify the procs are correct and to run ignite lighthouse to refresh the caches.
Your elastic search instance may not have all of the correct schemas loaded and data populated. We do not have a process for automating this yet. At present all dev lanes should have the correct schemas configured, but its likely there will be some drift.
# df -h
Filesystem Size Used Avail Use% Mounted on
/dev/mapper/VolGroup-lv_root
12G 12G 0M 100% /
The solution is to delete some log files. To check the file system size of a particular directory...
# du -sh /opt/tomcat/current/logs/
539M /opt/tomcat/current/logs/
# yes | rm -rf /opt/tomcat/current/logs/*
/opt/tomcat/current/logs [web, cms] + bounce
# service tomcat7 restart
/var/log/rlservices/ [web, cms] + bounce
# service rlservices restart
/var/log/rabbitmq [web] + bounce
# service rabbitmq-server restart
/var/log/hbase [cdh] + bounce
# for serv in hbase-master hbase-rest hbase-regionserver hbase-thrift; do service $serv restart; done
Dev lanes have JPDA enabled on port 8000 for debuggers and JMX for profilers.
To use VisualVM you should run jstatd on the host. To do this, you must create a security policy and keep a jstad process running.
Create a file named: jstatd.all.policy
grant codebase "file:/usr/java/latest/lib/tools.jar" {
permission java.security.AllPermission;
};
And then run:
# jstatd -J-Djava.security.policy=/home/user/jstatd.all.policy
You should now be able to connect VisualVM to the host.


there could be different beauties in writing and in reading (case of Mike’s APL) - easier to read vs. easier to type
luigi pareyson: aesthetics and interpretation https://www.fabula.org/actualites/luigi-pareyson-esthetique-theorie-de-la-formativite_21236.php
We ended up choosing double quotes based on the fact that JSON already made that decision for us: it requires strings be double-quoted. source
My personal style guide is to copy Erlang: double quotes for text, single quotes for programmatic strings (atoms/symbols). The single quote is slightly more convenient to type on a qwerty keyboard, but text regularly contains single quotes (apostrophes). It also provides a semantic visual shortcut.
I like the concept of semantic visual shortcut


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Documentation and examples for typography, including global settings, headings, body text, lists, and more.
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Yearly
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About Me
Hello! This is Afarsh Raj. I am from biharsharif ,Bihar. I like to do computer programs while listening to music. Right now, I'm studying Information Technology & Engineering in Haldia Institute Of Technology. I love computers. Since my very childhood I have some kind of feelings toward computers.  I love to learn new things. Like everyone I am also interested in Machine Learning, Deep Learning, Computer Vision, Data Science ...
| Things I Know | ||||
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| Tools I Use | ||||
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To see my projects click here.


Amanitas - A. Muscaria
Chapter I
I would just lay there and think about anything. Images of that thing along with some other images kept flashing through my head. Tom came in and as he spoke to me and I looked at him, Iíd see flashes of both him and myself right where he stood. After he left I went back into bed, and kept thinking. Eventually I tried imagining everything and nothing (certainly not at the same time). After some time, I was stuck, and all I could think about was everything, I did this to such an extreme and the images were coming at such amazing speeds that actual time had appeared to slow down to a crawl. And soon enough time would start looping.
Lost in thought I let my mind go with all of this. Suddenly I heard a knock at the door, I knew already what was to come. I step out into the hallway and no one was there, but I knew Stan had to be nearby.  So after I chase him down, I try to explain my situation of being in the state of mind I was in. I go back to my room, and sure enough he wouldnít leave me alone.
Having taken 28 grams of shrooms (meaning 1 oz), I was very susceptible to all sorts of perplexities of the brain. I should never have clued him into this looping of time I was experiencing. He stood in my room, repeating certain things purposely and he surely could see I was being tortured by the strain he caused. I canít remember all that was said between the two of us, but I know at one point I was stating ďI need God,Ē I felt in someway that would help break up the looping. It felt like eternities upon eternities that Stan plagued my room. I was thrown into the most dreadful of repetitions and duplications of anything and everything.
Stan tried jumping on me at some point and at that very moment the repetitions, multiplied right before my eyes. My vision then doubled, I saw something like a split screen with the mirror image on one side. Things grew even more chaotic, the doubling was then repeated. Now I saw four identical happenings of what was going on around me. All I perceived then grew exponentially until, I couldnít even make out the world around me any more. Existence was rapped up neatly into a cylindrical disk. Thoughts were flowing through me quicker than time itself.
I was trying to bend time back to normal, but these were failed attempts. What I felt, thought, and perceived at this moment is beyond words. Time no longer existed.
Later, I found myself back in my room, with Stan trying to communicate with me. I could understand him, but after being away from this dimension for so long, I my native vocabulary. I could recognize the words he was saying, but I couldnít mimic them.  Because of the time shifting, I was unable to say a full word from beginning to end in the right order. I sat up in my bed. I was told I should use the bathroom, but I couldnít stand. All of my matter was being relayed from some place above. The atoms in my body were being sent back and forth. This was the reason I couldnít get up. The particles being sent back to me were infinitely dense. It started in my left leg, from the tips of my toes. Stan tried to push me to get me to move, but it hurt moving just my normal body, my dense particles werenít moving. Once the atoms were all transmitted to me I was able to move again.
Standing up was the least of my troubles. When time is as unstable as the shifting winds, one can find himself stepping forward and immediately afterwards living that moment several times over in reverse. My attempts to talk surely reflected that very point. It was a struggle trying to convey the most simple of sentences. I was certain that time had shifted and didnít want to budge back to where it belonged. I interpreted time about two seconds off from where it usually was.
I began to notice that the particles in actuality hadnít finished being transmitted. As the particles came (at a rate getting infinitesimally small), the world and myself started to synchronize. Until I was just a fraction of a second off. The joy I felt at that moment was immense. As I was leaving, time did continue to run back and forth. But anyone would rather that over being two seconds away from actuality.
After a few more bothersome antics, Stan & co. decide its time to go to bed.
Finally away from the annoyances of meddling company, I climbed into bed once more. I wondered if Iíd be able to be at ease once again after all the mental agony, compliments of Stan.
Still shaken by the preceding events, I closed my eyes and let go. Yet was still in the grasp of everything. But now I was free from outside interference and I could resolve these irregularities within. Spiraling through thought, I left our world, almost like those few seconds right before you fall asleep. However, where I then went was far from sleep.
Chapter II
I must be dead. Moments ago, I was pulled through a cosmic array of galaxies, atoms, and energy. When a man decides to examine himself he never goes this deep. I saw myself; first removing all connections to the superficial world, then abandoning physical form, and lastly forgetting all preconceived notions of existence.
There is nothing for me to hide behind. I am completely disconnected and free. It is neither intensely negative nor positive. All I know is that I am surrounded by black.
A few thoughts and memories creep back to me. But I donít remember dieing. I run through possible scenarioís of my end: maybe I was shot, or killed in some freak accident involving an out-of-control eighteen-wheeler or meteor, maybe I died in my sleep.
The cylindrical disk or everything is above me, I surely fell off of it. Thereís no way I can ever get back up there so I descend.
While drifting downward, I experience bits and pieces of life again. But not directly, only potentials in life. The same instances, with varying outcomes.
My friends and I are hanging out and I see some girls I am interested in. My friends and I go over to the girls and talk. My friends and I invite the girls to sit with us. I go over to the girls alone. I sit there with my friends and forget about the girls.
I am going to be born! I will get to live this life again. I know that in birth I would be losing all memory of my past. But that very past would become my future soon enough. Bright violet and blue is all around.
III
No, Iím not going to be born yet. There is more to death. I gaze out upon distant solar systems, all positioned as if they were on a grid. Brilliant gold and orange, they shine.
These arenít solar systems. I see the cylindrical disks and the masses which lead to rebirth. They span across the whole of this psuedo-existence.
This canít be right. Where would God fit into this?
As I stumble upon this question I find myself (meaning the simple essence of self) surrounded by nothing. Not blackness, nothing (If you close your eyes and look as far to the right as possible, you will notice that there is a certain area where the blackness gives way to this nothing I speak of).
Here, my faith is challenged. I know I have seen the cylindrical disks of everything and the path to life once again, but I did not see God. Do I choose to go with the ďsure pathĒ to existence, or do I risk consciousness and choose the God I have never seen?
Iíve considered myself a pretty religious Catholic throughout my life. But I grow unsure of everything I know while out here amidst nothing. I am being pulled to the violet and blue once more.
But I choose God.
I can now see those gold and orange disks while floating out here. No, those disks are lights from my cell phone and computer. Iím in my bed, Iím in my room. I have arms, I have a body.
I have returned to my world.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


I am a web developer from Sirajganj, Rajshahi and currently living in Dhaka. I enjoy building everything from small business sites to rich interactive web apps. If you are a business seeking a web presence or an employer looking to hire, you can get in touch with me here.
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I specialize in achieving consistent progress and long-term growth for my clients through multi-disciplinary product design engagements. This includes market and customer research, design, development, and marketing using a monthly sprint format. This structure keeps progress consistent while also leaving space for the collaboration, evolution, and revision required to make quality products. Just 2-3 slots per year. Currently have an opening for one new client. Let’s start with a small project, see if we’re a good fit, and explore ways we can work toward your goals together.
I'm interested in freelance opportunities-especially ambitious or large projects. However, if you have other request or question, don't hesitate to use the form.


B.Tech. IV (CO) Semester – 7 |
L |
T |
P |
C |
CO417 : ARTIFICIAL INTELLIGENCE (ES) |
3 |
1 |
0 |
4 |
(16 Hours) |
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Problem Analysis and Representation - Basic Problem Solving Methods and Best Search Methods - Structured Representation of Knowledge. |
||||
(26 Hours) |
||||
Artificial Neural Networks - Expert Systems and Robotics - Standards and Applications - Topics in Motion planning, Algorithms and Complexity results for collision avoidance - the configuration space approach. |
||||
(14 Hours) |
||||
(Total Contact Time: 42 Hours + 14 Hours = 56 Hours) |
||||
BOOKS RECOMMENDED |
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1). Elaine Rich, K. Knight, “Artificial Intelligence”, 2/E, TMH ,1991 |


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Posted by {{blog.user.username|capitalize}} on {{blog.posted.strftime('%d-%m-%Y-%I:%M %p')}}
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Police investigate arson attack and assault in east Belfast
POLICE in east Belfast are investigating a link between an arson attack on a house and vehicle, and an incident in which a man was dragged from his car before being assaulted.
The man was in his car in the Templemore Avenue/Albertbridge Road area at around 9.45pm last night when two men approached and attacked the vehicle before dragging him from it and assaulting him.
Later, at around 3.45am today, officers discovered a property and a car on fire at Albertbridge Road.
A number of householders in the area were evacuated from their homes while firefighters tackled the blaze. No injuries were reported.
A PSNI spokeswoman said officers are investigating a possible link between the incidents and have urged witnesses to come forward.


--- layout: default heading: SoftServe Team subheading: Open Source @ github --- {% include header.html %}


While our project focuses on the years 1991, 1997, 2001, 2005, 2008, and 2020, there are interesting trends to look at throughout the overall time period (1991-2020). Firstly, the most common genre of released movies is Drama. Specifically from 1993 to 2015, Drama is the most common genre during the year. Thus, those planning to film a movie in the near future should consider a Drama movie to best fit in with the common movies. In terms of least common genre, the types of genres vary across different years. However, it seems that History movies are rare.


Pipes Segment Classes¶
Derived Pipe classes
-
class
pipes.
Regulator
(functor_obj, name='Regulator', upstreams=None, downstreams=None, ignore_exceptions=None, init_kwargs=None)¶ Regulator pipes are a special type of transformation that changes the data chunk throughput, typically used for batching or accumulating data. Regulators can have both upstreams and downstreams. Functor should be a Python coroutine. The coroutine should not be initialized, instead use init_kwargs to initialize on the local process.
- Parameters
functor – Python coroutines
name – String associated with pipe segment
upstreams – List of Streams that are inputs to functor
downstreams – List of Streams that are outputs of functor
init_kwargs – Kwargs to initiate class object on process (no used when func_type = ‘function’)
ignore_exceptions – List of exceptions to ignore while pipeline is running
-
class
pipes.
Sink
(functor_obj, name='Sink', upstreams=None, ignore_exceptions=None, init_kwargs=None)¶ Sink pipes are typically used to save/output data. Sinks have no downstreams, but will have one or more upstreams. Functor should be either a Python function or class with a “run” method and optionally “local_init” and “local_term” methods. Local_init, if supplied will be called once on the local process before run, while local_term will be called once afterwards.
- Parameters
functor – Python function or class
name – String associated with pipe segment
upstreams – List of Streams that are inputs to functor
init_kwargs – Kwargs to initiate class object on process (no used when func_type = ‘function’)
ignore_exceptions – List of exceptions to ignore while pipeline is running
-
class
pipes.
Source
(functor_obj, name='Source', downstreams=None, ignore_exceptions=None)¶ Source pipes are used to load and/or generate data. Sources have no upstreams, but will have one or more downstreams. Functor must be a valid Python generator. The generator should be initialized before passing as argument.
- Parameters
functor – Python generator
name – String associated with pipe segment
downstreams – List of Streams that are outputs of functor
ignore_exceptions – List of exceptions to ignore while pipeline is running
-
class
pipes.
Transform
(functor_obj, name='Transform', upstreams=None, downstreams=None, ignore_exceptions=None, init_kwargs=None)¶ Transform pipes are used to perform arbitrary transformations on data. Transforms will have one or more upstreams and downstreams. Functor should be either a Python function or class with a “run” method and optionally “local_init” and “local_term” methods. Local_init, if supplied will be called once on the local process before run, while local_term will be called once afterwards.
- Parameters
functor – Python function or class
name – String associated with pipe segment
upstreams – List of Streams that are inputs to functor
downstreams – List of Streams that are outputs of functor
init_kwargs – Kwargs to initiate class object on process (no used when func_type = ‘function’)
ignore_exceptions – List of exceptions to ignore while pipeline is running


zorkmid
`Prev `__
Z
`Next <../pt03.html>`__
--------------
**zorkmid**: /zork´mid/, n.
The canonical unit of currency in hacker-written games. This originated
in `*Zork* `__ but has spread to
`*nethack* <../N/nethack.html>`__ and is referred to in several other
games.
--------------
+-------------------------+----------------------------+----------------------------+
| `Prev `__ | `Up <../Z.html>`__ | `Next <../pt03.html>`__ |
+-------------------------+----------------------------+----------------------------+
| Zork | `Home <../index.html>`__ | Part III. Appendices |
+-------------------------+----------------------------+----------------------------+


{% extends "mobile/motion/base.html" %} {% load i18n %} {% block page_id %}user-following{% endblock %} {% block content_body %} {% if not page_obj.object_list %} {% block empty_events %} {% url members as members_url %} {% blocktrans with request.group.display_name as group_name %}
Follow members of {{ group_name }} and see their updates as they get posted.
Once the people you follow add new content, their updates will show here.
{% endblocktrans %} {% endblock %} {% else %}


Tetra Loops in Go + Ebiten
A simple, relaxing thing for people who like to keep things tidy, like bubble wrap. Click, touch or use the mouse wheel to spin the shapes to make them connect. Then click or touch the screen to move to the next level.
A simple, relaxing thing for people who like to keep things tidy, like bubble wrap. Click, touch or use the mouse wheel to spin the shapes to make them connect. Then click or touch the screen to move to the next level.


Package udel.GardenProject.windows
Class SeasonView
- java.lang.Object
-
- udel.GardenProject.windows.Window
-
- udel.GardenProject.windows.SeasonView
-
public class SeasonView extends Window
Preview the garden as it will appear in every season and 1, 2, and 3 years down the line.- Version:
- 1.0
- Author:
- Team 0
-
-
Field Summary
Fields Modifier and Type Field Description javafx.scene.layout.VBox
bottomBox
Holds the toggle options and the bottom navigation buttonsSeasons
chooseSeason
Final toggle the user chose for season.GardenView
chosenView
Final toggle the user chose for the type of viewYear
chosenYear
Final toggle the user chose for the year
-
Constructor Summary
Constructors Constructor Description SeasonView(Model m)
Create a SeasonView window instance.
-
Method Summary
All Methods Instance Methods Concrete Methods Modifier and Type Method Description void
createButtons()
Buttons for navigation are created and handled.void
createToggleEvent(javafx.scene.control.ToggleButton b)
Sets style and effects for the toggle buttonsvoid
createToggleGroups()
Creates the toggles for season, year, and view with handling.void
drawBackground()
Draws ground and sky for the window view.void
drawCanvas()
Combines all of the drawing methods into a single method.void
drawObjects()
Draws all the plot objects on the canvas for the window view.void
drawRandom()
Randomly draws leaves or snow on the window view based on season.void
getInput()
Sends input from user to the session after user clicks NEXTjavafx.scene.Scene
getScene()
Abstract.void
refresh()
Refreshes the screen to clear any of the toggles chosen.-
Methods inherited from class udel.GardenProject.windows.Window
getEnum, getModel, getSession, getTitle, getWindowHeight, getWindowWidth, setTitle, stop, switchToWindow
-
-
-
-
Field Detail
-
chooseSeason
public Seasons chooseSeason
Final toggle the user chose for season. Defaults to Summer.
-
chosenYear
public Year chosenYear
Final toggle the user chose for the year
-
chosenView
public GardenView chosenView
Final toggle the user chose for the type of view
-
bottomBox
public javafx.scene.layout.VBox bottomBox
Holds the toggle options and the bottom navigation buttons
-
-
Constructor Detail
-
SeasonView
public SeasonView(Model m)
Create a SeasonView window instance.- Parameters:
m
- Model
-
-
Method Detail
-
getInput
public void getInput()
Sends input from user to the session after user clicks NEXT
-
getScene
public javafx.scene.Scene getScene()
Description copied from class:Window
Abstract. All Windows must specify how they're scene is returned, and what processing they do for it.
-
createButtons
public void createButtons()
Buttons for navigation are created and handled.
-
createToggleGroups
public void createToggleGroups()
Creates the toggles for season, year, and view with handling.
-
createToggleEvent
public void createToggleEvent(javafx.scene.control.ToggleButton b)
Sets style and effects for the toggle buttons- Parameters:
b
- Each toggle button
-
refresh
public void refresh()
Refreshes the screen to clear any of the toggles chosen.
-
drawObjects
public void drawObjects()
Draws all the plot objects on the canvas for the window view.
-
drawBackground
public void drawBackground()
Draws ground and sky for the window view.
-
drawRandom
public void drawRandom()
Randomly draws leaves or snow on the window view based on season.
-
drawCanvas
public void drawCanvas()
Combines all of the drawing methods into a single method. Clears Canvas and then redraws it.
-
-


Hello {{ name }}! {% if age>18 %} Congrats. You are eligible to vote! {% else %} Unfortunately,You are not eligible to vote.
{% endif %}


University of Southern California
August,2017 -- Now
Viterbi School of Engineering
Electrical Engineering (Electrical Power)
GPA:3.90/4.00
Zhejiang University
July,2013 -- June,2017
Chu Kochen Honors College
Electrical Engineering and its Automation
GPA:3.53/4.00
Taiyuan Foreign Language School
July,2009 -- June,2013
About Me
After graduated from Zhejiang University, I'm now persuing a MS degree in Univerisity of Southern California.
Still major in electrical power system, I tend to focus myself on the control and design of the smart grid.
In the future, I tend
to get involved in several research project in order to boost my knowledge in smart grid field and carry on the optimization of the modern system.


The other night i decided to try to smoke nutmeg after a failed attempt at eating it. I didn't have any cig papers and couldn't get any, so I tried to use tea bags. I rolled a huge blunt with two tea bags and it held together well enough. So I went to llight it up.  The paper lit up and burned and all the nutmeg fell out. I got pissed. I went back inside made a pipe out of foil and a screen and filled it up. I lit it up this time and it took a while, but it worked. I inhaled the thick smoke. It was very thick. The taste was like weed and turpentine. It smelled really strong like weed, wood, and cigerettes. I smoked for about fourty minutes (half the bowl) and decided it wasn't working.
I went inside to watch tv and about ten minutes later my hearing got weird. Kinda like it was muffled but super clear at the same time and I was hearing faint crackling sounds. I got a slight buzz, like a body high from M.J., but there was no change in perception. I was just really mellow with some hearing changes. The buzz lasted for about 40 minutes and then disappeared. The next morning I had a pretty bad headache. All in all, the nasty taste of the smoke and the headache wasn't worth the cheap buzz. I might, but proably won't do it again.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


| ${value}m Radius | 2.5 |
| ${value} Reduced Armor for ${duration} Second(s) | min: [34.0, 40.0, 46.0, 52.0, 58.0, 65.0, 70.0, 76.0, 83.0, 90.0] Reduced Armor for min: 6.0 Second(s) |
| ${value}% Reduction to Enemy's Health | min: [6.0, 8.0, 10.0, 12.0, 14.0, 16.0, 18.0, 20.0, 22.0, 24.0] |
| ${value}% reduced Defensive Ability over ${duration} Second(s) | min: [16.0, 19.0, 22.0, 25.0, 28.0, 31.0, 34.0, 37.0, 40.0, 43.0]% reduced Defensive Ability over min: 6.0 Second(s) |
| MaxLevel | 6 |
| UltimateLevel | 10 |


THE THIN RED LINE A movie review by Joe Barlow (c) Copyright 1999
STARRING: Sean Penn, Nick Nolte, Ben Chaplin, Adrien Brody, John Cusack, Woody Harrelson, Elias Koteas, James Caviezel DIRECTOR: Terrence Malick WRITER: Terrence Malick (based on the book by James Jones) RATED: R RELEASED: 1998 SEEN AT: Waverly Place, Cary NC
RATING: **** (out of a possible ****)
As a freelance film critic, my schedule is often pushed to the point of overload with the sheer quantity of movies that I'm called upon to see each month. Pen in hand, I approach each of them as a lion might stalk its prey: analyzing, looking for weakness. Try as I might, I'm sometimes unable to prevent myself from focusing more on the individual details of a cinematic work, rather than the overall experience and tone that it creates. I recognize this as perhaps my biggest failing; after re-reading some of my older reviews last week, I noticed that I often judge a film's merit based on the way a few choice scenes move me (or don't move me, as the case may be). I'm trying to be more objective these days, but I suppose it's human nature to occasionally toss aside the big picture because of emotional intervention.
I'm not sure, but I'm betting that director Terrence Malick approaches filmmaking the same way. With his latest offering, the World War II epic "The Thin Red Line," Malick crafts together a stunning piece of cinema that seems heavily rooted in the individual moment rather than an overall 'big picture' or plot line; indeed, conventional narrative storytelling is tossed cheerfully out the window in service to the *scene*. Seemingly unimportant details are given ample (some would say excessive) screen time, as moments which have no apparent relevence to the story are followed via lengthy tangents. These nuances build, however, into an intricate mosaic of feelings and images over the course of the tale's three-hour running time. In a way, I was reminded of the illusionary pictures which often adourn the walls of waiting rooms: look at one up close and you see a group of small, individual pictures.... but stand back a bit and the images mesh together to form a completely different visual.
Divided into three distinct acts, the movie unfolds itself as we chronicle several weeks in the lives of a group of American soldiers during World War II. Through the incredible hardships they are forced to endure, they grow from strangers to friends, and finally into a strange type of family, headed up by the fierce Lt. Col. Gordon Tall (an excellent performance by Nick Nolte), who is so militantly delighted to be in a real war that he looks as though he might burst into song at any moment. War's biggest inconvienence for Private Bell (Ben Chaplin) is the separation from his wife; his devotion to her is as sweet and selfless as any woman could ever hope to have. Woody Harrelson is brash and impetuous as Sgt. Keck, yet Sean Penn's portrayl of Sgt. Welsh is mature and weary-- a man who has seen his share of war and death, and just wants it all to be over.
Malick has inflicted the film with the visual poetry of which he is justly famous. Natural landscapes have rarely been as well photographed as they are here, and his creative use of natural lighting and shadows add much to the mood. And by giving us a "soldier's-eye" view for much of the picture, he effectively draws us into the events our characters experience. Unlike "Saving Private Ryan," which used hand-held, documentary-style photography during its combat scenes, Malick wisely chooses to involve us in the characters' fear by effectively making us one of them, via the camera. The Japanese soldiers are as much a faceless stranger to the audience as they are to our heroes-- during the combat scenes, we never get a glimpse of the faces of any of "the enemy."  One of the film's most unshakeable images involves a dead Japanese soldier, face half-buried in the mud, open eyes gazing mournfully towards Heaven, as if demanding accountability from God.
"The Thin Red Line" also breaks conventions by taking us inside the minds of our main characters, revealing their thoughts to us via poetic voice-overs as war explodes around them. The disenchanted Private Witt (James Caviezel), for example, muses about the futility of war during the film's opening montage. "I've heard people talk about immortality," he thinks. "But I ain't seen it." Private Bell's thoughts of his wife are all that keep him going; whenever things get too stressful for him, he flashes back to happier days. Malick allows us to travel back with him, and we better understand the sense of loss he feels at her absence.
"The Thin Red Line" never allows its characters (or the audience) to bask in the glory and bravada which usually marks this type of picture; war isn't glamorous, and Malick knows it. We're also not permitted to think that man's actions have no consequences on the innocent, either: countless soldiers are mowed down by Japanese gunfire and we barely pause for a moment to register the image... but when a bird is caught in the crossfire, its dying moments are shown to us for an excruciatingly long time before the camera mercifully cuts away.  This image is surely as chilling as any I've seen in a war movie, and conveys a much different kind of horror from bombs and bullets. It's a jarring, disturbing visual... but fits into the film so well, so *rightly*, that its presence cannot be questioned.
This film was destined (cursed?) by its reputation even before the first trailer was released, if only because of its director. Commonly referred to as "the J.D. Salinger of modern cinema," Terrence Malick returned to the film world after a twelve-year absence from behind the camera to helm this project. Already a legend based on his first two critically-adored films, "Badlands" and "Days of Heaven," Malick has created not so much a film as a piece of visual poetry. With "The Thin Red Line," he stirs the soul and the imagination, shows us scenes of unparalled beauty interspersed between others of unimaginable horror, and manages to make us feel and ponder what the people on the screen are going through, even hours after leaving the theater. I haven't been able to shake the experience viewing this work, and I hope I never do.
Put simply, "The Thin Red Line" is a masterpiece, woven together so deftly by the actors and director that its seams are never visible through the cinematic cloth, allowing the images to service one of cinema's greatest virtues: its ability to transport the audience. There are those who say the film is too long, and call the "thought monologues" delivered by the characters distracting and nothing more than poor attempts at introspection. They suggest the work could be made stronger via judicious pruning of its slower passages. I respectfully disagree. One of the reasons I thought the film worked so well was the simple fact that it *did* take the time to show the monotony and tedium of combat, rather than non-stop excitement and trauma. It's a decision that, for me, made the film rise far above the typical war movie. To cut one frame from this film would be to slash away a corner of the "Mona Lisa" or "The Last Supper." This film is not about sprightly pacing, and those who complain about its length have, I fear, missed the point entirely. "The Thin Red Line" is Art, with a capital "A," and is meant to be experienced, not watched with an eye on one's wristwatch.
This movie was released in certain parts of the country in December of 1998, but didn't open nationwide until last Friday, which is the same day that I saw it. It's a pity my city (Raleigh, NC) didn't get it earlier; had I seen this before my December 30th voting deadline, I would've unhesitatingly named "The Thin Red Line" as my top film of 1998. As it stands, the film will have to be content with gaining admitance to my inner circle of favorite movies, a short list with also includes "Star Wars," "Schindler's List," "Casablanca" and a small handful of others. Be warned before you head to the theater, however: this is not a movie concerned with taking your hand and gently pulling you through a simplistically violent plot. It's about the sharing of experiences, visual grace, stunning camera work, and the madness that mankind is capable of inflicting upon itself and others. This is a completely new kind of filmmaking-- it's not afraid to delve into internal rationality, long passages of photographic splendor, or slower moments which have absolutely no relevence to the film's storyline, but which nonetheless add depth and shading to the events and emotions being depicted on the screen. This unusual deviation from the norm, I suspect, is the very reason that so many critics have fallen in love with the movie while so many viewers are befuddled by it. Adjust your expectations accordingly, then go see what all the fuss is about.
E-Mail<EMAIL_ADDRESS>Joe Barlow on Film: http://www.ipass.net/~jbarlow/film.htm
If you'd like to receive new film reviews by e-mail, please write to the above address and ask to be put on my mailing list. Or, you can subscribe directly from my web page. Thanks.
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Before Change
Find all of the failing tests by looking for files with
`-failed-diff` at the end of the basename.
entries = []
for root, dirs, files in os.walk(result_images):
for fname in files:
basename, ext = os.path.splitext(fname)
if basename.endswith("-failed-diff"):
path = os.path.join(root, fname)
entry = Entry(path, result_images, source)
entries.append(entry)
entries.sort(key=lambda x: x.name)
return entries
After Change
Find all of the failing tests by looking for files with
`-failed-diff` at the end of the basename.
return sorted(
(Entry(path, result_images, source)
for path in Path(result_images).glob("**/*-failed-diff.*")),
key=lambda x: x.name)
def launch(result_images, source):


Kairos T-band launched on November 2014 and immediately gained global media spotlight for its unique design concept. Instead of making another smartwatch, Kairos wanted to turn the watch band into a wearable device in order for the wearer to enjoy wearing his or her analog wrist watch while enjoying the benefits that a smartwatch can provide.
The T-band idea came to light in 2013 – together with the Hybrid Smartwatch concept. After creating a POC with key suppliers, the project was launched on November 2014.
Dec 2014The first fully working prototypes were created by January 2015 and was displayed at Baselworld in March. Kairos didn’t want to simply put “fitness sensors and a battery” into the band. The aim was to have a full-scale smartwatch technology into the band. Unfortunately, this created a major problem with size. It forced Kairos to re-engineer the main PCB to an incredibly small size.
Jan 2015After months of engineering work, Kairos was able to come up with a smart watch PCB that was just 15.5mm x 18mm in size – smallest smartwatch PCB in the world. It was barely the size of an adult fingernail. Kairos was faced with another challenge – flexibility and ergonomics. Having electronics on the side profile of the wrist meant it had to be flexible, light, slim, and comfortable to wear. Kairos teamed up with one of the world’s largest watch component manufacturers and developed Version 2 of the T-band.
Nov 2015More prototypes were created and various tests were done. The design was “90% ready” and Kairos contemplated in going into production with this design. However, during a more lengthy testing period, Kairos found few design flaws which included waterproof issues, links not being stable and higher degree of discomfort for people with slim wrists. It was a difficult decision, but Kairos decided to go back to the drawing board and start again.
Mar 2016By this time, more than 2 years have passed after creating the first POC. However, Kairos was more than confident that the knowledge and experience that it gained was extremely valuable and the long development time was well worth it. The new design eliminated all of the issues from previous models while making it much more reliable, mass-production capable, and less costly to manufacture. Kairos is now working on making several prototypes for final testing by Q1/Q2 of 2017 in order to go into production by summer of 2017.
Nov 2016Enter your email address to subscribe and get the latest news on T-band availability


Mum of two spills the beans on how she's renovated her entire home for free
Supermum Rebecca Compton has spent the past five years learning about home renovations - and now she's an expert at it
by Emma Munbodh, https://www.facebook.com/EmmaMunbodhA young mum who made the decision to relocate with her partner after becoming pregnant with her first child, has said she’s turned into an expert at home renovations after moving into their first place with very little spare money.
Five years later, Rebecca Compton now has two boys and her own YouTube channel featuring her own home-makeovers on a budget.
“I was in a long distance when I became pregnant,” Rebecca, 27, told Mirror Money.
“That was five years ago – but since then I’ve fallen in love with home renovations, looking after the kids at home while making out little property our dream home,” she said.
Rebecca says she’s saved hundreds and possibly thousands of pounds on home renovations in the past few years – by snapping up new carpets, a mantle piece, a Singer sewing machine and wallpaper for free.
“When we first moved into our home in Walsall, Birmingham, it was a blank canvas,” she explained.
“We're still renting the same house, but our landlord has been really understanding with us wanting to make it our own.
“At the time of moving in, I got a few bits from friends and family, we bought a new bed and sofa – but we had no actual flooring. On our shoe-string budget, we had to think outside of the box."
But she says she's always had a creative flair - it was just a case of putting it to good use.
“I come from quite a crafty family – my mum and gran have always been into DIY, so I was more than happy to decorate our home the secondhand way.”
On her quest to make her dream home for free, Rebecca says she became obsessed with websites Freegle, Freecycle, Freelywheely and Facebook Marketplace.
“Once you sign up to the freebie websites, they’ll start sending you alerts every morning. Go on there each day to see what’s been listed – everything is free!”
She says if you’re after something specific – put a request out, as other users are always on the look out for ways to give their unused treasures a new home.
“Over the past few years I’ve saved hundreds of pounds on the sites. All for free, I’ve managed to pick up a solid wood wardrobe, shredder, and even a vintage, working sewing machine to do my crafts around the house.
“I’ve always said, if you wait long enough, you can get it for free – and it’s true.”
But it’s not just online websites that she’s cottoned on to.
“If you go into B&Q or any hardware shop for that matter, you can request some sample wallpaper.
“B&Q will give you a whole wall length for free – I combined that with my free mantle piece in the living room and managed to do the entire place up for £3.50. All I paid for was the gold paint.
“Wallpaper is also good for upcycling anything from tables, to beds and even things for the children. I covered one panel on my son’s bed with superhero wallpaper – and he absolutely loved it.
"In fact, I gave both of my boys a superhero themed room in 24 hours for just £60 altogether.
"I've even renovated toys - picking up a free batmobile, and turning it 'new' for my son's second birthday."
"I also made over my bathroom for just over £50 - £40 of that was the flooring.
"I covered my kitchen worktops and cupboards for just £25! This was a big hit on my YouTube channel! I uploaded two video tutorials - and got 88,000 views combined."
Speaking about her other achievements, Rebecca said she recently taught herself how to change her own carpets – giving her stairs a makeover.
“I even filmed it and put the whole video on YouTube. If you want something enough – you can make it happen. I saved at least £200 on the fitting alone.”
Speaking on how others can get involved in free renovations, she says it’s all about having a plan and “thinking about what you can make of it”.
“Make a plan, stick to local pages (less travelling means saving the planet) and use Pinterest for inspiration. There’s a great Facebook page called DIY On a Budget which is wonderful for inspiration.
“And lastly, do it yourself. It’s such a rewarding feeling to see the result of your own hard work.”
You can keep an eye on all of Rebecca's home renovations on Instagram, here.


The Goonies is a 1985 American adventure comedy film co-produced and directed by Richard Donner from a screenplay by Chris Columbus, based on a story by executive producer Steven Spielberg. In the film, a band of kids who live in the "Goon Docks" neighborhood of Astoria, Oregon, attempt to save their homes from foreclosure and in doing so, they discover an old treasure map that takes them on an adventure to unearth the long-lost fortune of One-Eyed Willy, a legendary 17th-century pirate. During the entire adventure they are chased by a family of criminals who also want the treasure for themselves.
Produced by Spielberg's Amblin Entertainment, Warner Bros. released the film theatrically on June 7, 1985 in the United States. The film grossed $124 million worldwide on a budget of $19 million and has since become a cult film.[3][4] In 2017, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".


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The river begins to freeze when the cooler comes Her vapours send us a farewell message Like saying you'll not see me Till the warmer's return Till springs Till waves Till birds Till leaves' gay rustle.
Trees are the hands of the earth, Stretched out to the sky in a silent prayer: Brother sky, protect your sister earth From these two-legged creatures.
The winter whines about the sky Sending not the snow but the rain The drops like corpses of snowflakes Dangling from pines haughty and vain.
Willows are the heralds of spring Standing before us With the heralding flowers White as snow.
As spring comes I move To a small summer-house Where my friend spider Spins his web of time While my silly machine Dreams of computing How long it is.
Among the total grey, There was a day of happiness In life of a prickly creature.
There over my head was gathered an ice cap of sufferings to be melted with the warmth of my heart.
 Someday it would be split By the progressive pressure Of the sovereign democracy.
All photos are at
Flickr
.


This project involved gathering weather data on 500+ cities distributed around the world across different latitudes to see if any climate properties have a consistent relationship with latitude - that is, a change in latitude can predict or cause a corresponding change in the climate property. This project was originally undertaken in order to show how the temperature of a given city increases the closer it is to the equator - in other words, as the latitude approaches 0 degrees.
The different climate properties examined with respect to latitude include temperature (deg F), cloudiness (%), humidity (%), and wind speed (mph). These were the current weather conditions reported from the OpenWeatherMap API for the cities listed in the Data table.


Changelog
v1.5.0
- function
- parameters added in declaration
- parameters added in function call
v1.4.0
- variable
- assignment : to var
- data type : bool true
- data type : bool false
- data type : array
- logo
- New logo
v1.3.0
-
variable
- assignment : 3 types -> string, number and word
-
classes
- add attribute
- add action
v1.2.0
- variable
- assignment : numbers and strings differenciated
- debugging
- set statement included
v1.1.0
v1.0.0
- variables
- assignment
- print
- one word
- string
- variable referencing
- plotting
- linear graph
- minified for loop
- statements repetition
- conditionals
- equality
- greater than
- less than
- functions
- definition
- calling
- classes
- declaration
- method calling
- attribute showing


From the moment I was able to display “Hello World” on the browser from code I had written, I was hooked! But software development has never been “just a task” for me, for a little over a year, it has offered an engaging challenge to continually use and improve my problem-solving skills. What started as a simple “Hello World” has become a full-fledged passion that only gets more exciting as time goes by.


§663J-1 Title. This chapter may be cited as the Sex Trafficking and Prostitution Coercion Liability Act. [L 1999, c 203, pt of §2; am L 2016, c 206, §3]


Derek Eder
@derekeder
Honored to be part of the @LightfootForChi Transition Team on Good Governance.
What should the next mayor do to increase transparency, accessibility, accountability and equity in Chicago?
4/14/2019, 4:54:21 PM
Favs: 54
Retweets: 2
link


Mailosaur is for QA & Development Teams and for anyone who builds, tests or presents products. We were asked to design a new visual identity and implement it digitally.
An powerful and distinctive name that already appeals to the imagination: it was made quite easy for us. The challenge however, was to merge a dinosaur with a mail symbol into one recognizable form. It brings a smile to your face: the dino envelope!
The boundaries of the functional design became clear and offered a realistic elaboration of the design. The sketch phase is therefore the most creative phase in which the most roughly elaborated ideas arise. We built a good foundation and slowly made the step to the digital and graphically recognizable logo.
This project is concerned about building portfolio page for professionals to showcase their past works


| Ctrl+Shift+P, F1 | Show Command Palette |
|---|---|
| Ctrl+P | Quick Open, Go to File… |
| Ctrl+Shift+N | New window/instance |
| Ctrl+Shift+W | Close window/instance |
| Ctrl+, | User Settings |
| Ctrl+K Ctrl+S | Keyboard Shortcuts |
| Ctrl+X | Cut line (empty selection) |
|---|---|
| Ctrl+C | Copy line (empty selection) |
| Alt+ ↑ / ↓ | Move line up/down |
| Shift+Alt + ↓ / ↑ | Copy line up/down |
| Ctrl+Shift+K | Delete line |
| Ctrl+Enter | Insert line below |
| Ctrl+Shift+Enter | Insert line above |
| Ctrl+Shift+\ | Jump to matching bracket |
| Ctrl+] / [ | Indent/outdent line |
| Home / End | Go to beginning/end of line |
| Ctrl+Home | Go to beginning of file |
| Ctrl+End | Go to end of file |
| Ctrl+↑ / ↓ | Scroll line up/down |
| Alt+PgUp / PgDn | Scroll page up/down |
| Ctrl+Shift+[ | Fold (collapse) region |
| Ctrl+Shift+] | Unfold (uncollapse) region |
| Ctrl+K Ctrl+[ | Fold (collapse) all subregions |
| Ctrl+K Ctrl+] | Unfold (uncollapse) all subregions |
| Ctrl+K Ctrl+0 | Fold (collapse) all regions |
| Ctrl+K Ctrl+J | Unfold (uncollapse) all regions |
| Ctrl+K Ctrl+C | Add line comment |
| Ctrl+K Ctrl+U | Remove line comment |
| Ctrl+/ | Toggle line comment |
| Shift+Alt+A | Toggle block comment |
| Alt+Z | Toggle word wrap |
| Ctrl+T | Show all Symbols |
|---|---|
| Ctrl+G | Go to Line... |
| Ctrl+P | Go to File... |
| Ctrl+Shift+O | Go to Symbol... |
| Ctrl+Shift+M | Show Problems panel |
| F8 | Go to next error or warning |
| Shift+F8 | Go to previous error or warning |
| Ctrl+Shift+Tab | Navigate editor group history |
| Alt+ ← / → | Go back / forward |
| Ctrl+M | Toggle Tab moves focus |
| Ctrl+F | Find |
|---|---|
| Ctrl+H | Replace |
| F3 / Shift+F3 | Find next/previous |
| Alt+Enter | Select all occurences of Find match |
| Ctrl+D | Add selection to next Find match |
| Ctrl+K Ctrl+D | Move last selection to next Find match |
| Alt+C / R / W | Toggle case-sensitive / regex / whole word |
| Alt+Click | Insert cursor |
|---|---|
| Ctrl+Alt+ ↑ / ↓ | Insert cursor above / below |
| Ctrl+U | Undo last cursor operation |
| Shift+Alt+I | Insert cursor at end of each line selected |
| Ctrl+L | Select current line |
| Ctrl+Shift+L | Select all occurrences of current selection |
| Ctrl+F2 | Select all occurrences of current word |
| Shift+Alt+→ | Expand selection |
| Shift+Alt+← | Shrink selection |
| Shift+Alt + (drag mouse) | Column (box) selection |
| Ctrl+Shift+Alt + (arrow key) | Column (box) selection |
| Ctrl+Shift+Alt+PgUp/PgDn | Column (box) selection page up/down |
| Ctrl+Space | Trigger suggestion |
|---|---|
| Ctrl+Shift+Space | Trigger parameter hints |
| Shift+Alt+F | Format document |
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| F12 | Go to Definition |
| Alt+F12 | Peek Definition |
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| Ctrl+. | Quick Fix Shift+F12 Show References |
| Shift+F12 | Show References |
| F2 | Rename Symbol |
| Ctrl+K Ctrl+X | Trim trailing whitespace |
| Ctrl+K M | Change file language |
| Ctrl+F4, Ctrl+W | Close editor |
|---|---|
| Ctrl+K F | Close folder |
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|---|---|
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| Ctrl+F4 | Close |
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| Ctrl+Shift+T | Reopen closed editor |
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| Ctrl+Shift+V | Open Markdown preview |
| Ctrl+K V | Open Markdown preview to the side |
| Ctrl+K Z | Zen Mode (Esc Esc to exit) |
| F9 | Toggle breakpoint |
|---|---|
| F5 | Start/Continue |
| Shift+F5 | Stop |
| F11 / Shift+F11 | Step into/out |
| F10 | Step over |
| Ctrl+K Ctrl+I | Show hover |
| Ctrl+@ | ターミナルを表示 |
|---|---|
| Ctrl+Shift+@ | 新しいターミナル |
| Ctrl+C | Copy selection |
| Ctrl+V | Paste into active terminal |
| Ctrl+↑ / ↓ | Scroll up/down |
| Shift+PgUp / PgDn | Scroll page up/down |
| Ctrl+Home / End | Scroll to top/bottom |


| Opcode/Instruction | Op/En | 64/32 bit Mode Support | CPUID Feature Flag | Description |
|---|---|---|---|---|
|
EVEX.512.66.0F38.W0 C6 /2 /vsib VGATHERPF1DPS vm32z {k1} |
T1S | V/V | AVX512PF | Using signed dword indices, prefetch sparse byte memory locations containing single-precision data using opmask k1 and T1 hint. |
|
EVEX.512.66.0F38.W0 C7 /2 /vsib VGATHERPF1QPS vm64z {k1} |
T1S | V/V | AVX512PF | Using signed qword indices, prefetch sparse byte memory locations containing single-precision data using opmask k1 and T1 hint. |
|
EVEX.512.66.0F38.W1 C6 /2 /vsib VGATHERPF1DPD vm32y {k1} |
T1S | V/V | AVX512PF | Using signed dword indices, prefetch sparse byte memory locations containing double-precision data using opmask k1 and T1 hint. |
|
EVEX.512.66.0F38.W1 C7 /2 /vsib VGATHERPF1QPD vm64z {k1} |
T1S | V/V | AVX512PF | Using signed qword indices, prefetch sparse byte memory locations containing double-precision data using opmask k1 and T1 hint. |
| Op/En | Operand 1 | Operand 2 | Operand 3 | Operand 4 |
| T1S |
BaseReg (R): VSIB:base, VectorReg(R): VSIB:index |
NA | NA | NA |
Description
The instruction conditionally prefetches up to sixteen 32-bit or eight 64-bit integer byte data elements. The elements are specified via the VSIB (i.e., the index register is an zmm, holding packed indices). Elements will only be prefetched if their corresponding mask bit is one.
Lines prefetched are loaded into to a location in the cache hierarchy specified by a locality hint (T1):
[PS data] For dword indices, the instruction will prefetch sixteen memory locations. For qword indices, the instruc-tion will prefetch eight values.
[PD data] For dword and qword indices, the instruction will prefetch eight memory locations.
Note that:
(1) The prefetches may happen in any order (or not at all). The instruction is a hint.
(2) The mask is left unchanged.
(3) Not valid with 16-bit effective addresses. Will deliver a #UD fault.
(4) No FP nor memory faults may be produced by this instruction.
(5) Prefetches do not handle cache line splits
(6) A #UD is signaled if the memory operand is encoded without the SIB byte.
Operation
BASE_ADDR stands for the memory operand base address (a GPR); may not exist
VINDEX stands for the memory operand vector of indices (a vector register)
SCALE stands for the memory operand scalar (1, 2, 4 or 8)
DISP is the optional 1, 2 or 4 byte displacement
PREFETCH(mem, Level, State) Prefetches a byte memory location pointed by ‘mem’ into the cache level specified by ‘Level’; a request for exclusive/ownership is done if ‘State’ is 1. Note that the memory location ignore cache line splits. This operation is considered a hint for the processor and may be skipped depending on implementation.
VGATHERPF1DPS (EVEX encoded version)
(KL, VL) = (16, 512)
FOR j (cid:197) 0 TO KL-1
i (cid:197) j * 32
IF k1[j]
Prefetch( [BASE_ADDR + SignExtend(VINDEX[i+31:i]) * SCALE + DISP], Level=1, RFO = 0)
FI;
ENDFOR
VGATHERPF1DPD (EVEX encoded version)
(KL, VL) = (8, 512)
FOR j (cid:197) 0 TO KL-1
i (cid:197) j * 64
k (cid:197) j * 32
IF k1[j]
Prefetch( [BASE_ADDR + SignExtend(VINDEX[k+31:k]) * SCALE + DISP], Level=1, RFO = 0)
FI;
ENDFOR
VGATHERPF1QPS (EVEX encoded version)
(KL, VL) = (8, 256)
FOR j (cid:197) 0 TO KL-1
i (cid:197) j * 64
IF k1[j]
Prefetch( [BASE_ADDR + SignExtend(VINDEX[i+63:i]) * SCALE + DISP], Level=1, RFO = 0)
FI;
ENDFOR
VGATHERPF1QPD (EVEX encoded version)
(KL, VL) = (8, 512)
FOR j (cid:197) 0 TO KL-1
i (cid:197) j * 64
k (cid:197) j * 64
IF k1[j]
Prefetch( [BASE_ADDR + SignExtend(VINDEX[k+63:k]) * SCALE + DISP], Level=1, RFO = 0)
FI;
ENDFOR
Intel C/C++ Compiler Intrinsic Equivalent
VGATHERPF1DPD void _mm512_mask_prefetch_i32gather_pd(__m256i vdx, __mmask8 m, void * base, int scale, int hint);
VGATHERPF1DPS void _mm512_mask_prefetch_i32gather_ps(__m512i vdx, __mmask16 m, void * base, int scale, int hint);
VGATHERPF1QPD void _mm512_mask_prefetch_i64gather_pd(__m512i vdx, __mmask8 m, void * base, int scale, int hint);
VGATHERPF1QPS void _mm512_mask_prefetch_i64gather_ps(__m512i vdx, __mmask8 m, void * base, int scale, int hint);
SIMD Floating-Point Exceptions
None
Other Exceptions
See Exceptions Type E12NP.


To get start, our first step is to analyze your favorite genres from your Spotify playlists' info. Please click button below and follow process to authorize our access:
* All the data collected are for class study only, we are not going to save your account data.
Our next step is to know about your current mood. Please read carefully about tips below:
1. Please show expression corresponds to your current mood as possible as you can.
2. For better recognition rate, please make sure there is enough lighting on your face. Also, please face and stay close to your camera.
3. Every second an image would be captured and analyzed. After 10 pictures are processed, it would end automatically.
4. Your detected emotion and valence/arousal are available at right side of screen. Valence is an [0,1] value denotes your emotion is negative (low) or positive (high); whereas arousal means your emotion is intense or not.
* Captured image are for emotion detection only, we are not going to save it either.
Your average detected valence is:
* valence is an value ranged from [0, 1] which represents your emotion. (0 -> most negative, 1 -> most positive)
Below are recommended songs based on your info provided before. Hope you enjoy them!
In order to evaluate if we can recommend songs successfully when people are unconscious, please complete second round of our test.
1. For this part, you are going to repeat facial recognition part without seeing your face.
2. Just imagine a situation which brings you a kind of emotion and make your expression as nature as possible.
3. After recognition finished, you will see recommendation based on detection of this stage.


Length in bits, hex characters and bytes for different key lengths of typical symmetric encryption methods:
| Bit length (2^n) | n | Number of bytes (bit length: 8) | Number of hex characters (bit length: 4) | Example |
| 32 | 5 | 4 | 8 | |
| 56 | 7 | 14 | DES | |
| 64 | 6 | 8 | 16 | RC4 |
| 112 | 14 | 28 | Triple-DES | |
| 128 | 7 | 16 | 31 | IDEA, AES |
| 196 | 24 | 48 | AES | |
| 256 | 8 | 32 | 64 | AES |


{% extends "modeladmin/wagtail_personalisation/segment/base.html" %} {% load i18n l10n staticfiles modeladmin_tags wagtail_personalisation_filters %} {% block toggle_view %}to Dashboard {% endblock%} {% block content_main %}
{% blocktrans with view.verbose_name_plural as name %}No {{ name }} have been created yet. One of the following must be created before you can add any {{ name }}:{% endblocktrans %}
{% blocktrans with view.verbose_name_plural as name %}No {{ name }} have been created yet.{% endblocktrans %} {% if user_can_create %} {% blocktrans with view.create_url as url %} Why not add one? {% endblocktrans %} {% endif %}
{% endif %}{% blocktrans with page_obj.number as current_page and paginator.num_pages as num_pages %}Page {{ current_page }} of {{ num_pages }}.{% endblocktrans %}
{% if paginator.num_pages > 1 %}


First-ever Jewish Street Art Festival decorates Jerusalem
Unprecedented collaboration among 10 international street artists results in murals at venues throughout Israel’s capital city.
by Abigail Klein LeichmanFor the first time ever, leading Jewish street artists from around the world are painting murals together on-site in Jerusalem.
This unprecedented gathering of 10 artists for the Jewish Street Art Festival is part of the 2019 Jerusalem Biennale for contemporary Jewish art, running through November 28 in 12 venues around town.
The group already has completed 10 collaborative artworks at The First Station (HaTachana Rishona), seven at Hutzot Hayotzer Artists’ Colony and a two-story collaborative mural at the Schechter Institute.
“We hope to make this a recurring event that will visit other cities,” Smith states on the project’s crowdfunding page.
The participating artists include:
Hillel Smith, now located in Washington, DC. He was inspired to create Jewish-themed murals by comic books, typography and the ethnic community-based murals in his native Los Angeles.
Judy Tal Kopelman, a designer, public artist and community arts project leader for more than 20 years. She was born in Jerusalem, raised in America, and now again resides in Israel.
Moscow-born Ella Ponizovsky Bergelson immigrated to Israel in 1991 and currently lives in Berlin. Her own hybrid identity drives her to explore cultural self-definition in individuals and in communities.
Itamar Palogi, aka FALUJA, was born in Jerusalem, studied in Germany and Italy, and lived in Tel Aviv before settling in a moshav in central Israel. He focuses on bridging communities through art.
Lenore Mizrahi-Cohen recently relocated to Jerusalem from Brooklyn and engages with the culture of Jews from Muslim lands through her mixed-media work.
Bareket Kezwer was born in Jerusalem and raised in Toronto, where she fills the streets with bright colors.
Dan Groover spent his childhood in Paris and was inspired by French hip-hop. He moved to the French West Indies and then, in 1995, to Jerusalem.
Los Angeles native Shlome J. Hayun blends lush colors, abstract design, music, and Middle Eastern symbols in his work.
Solomon Souza, the grandson of Indian artist Francis Newton Souza, was born in London and came to Israel at age 17 to study in yeshiva. He is best known for the portraits of famous figures in the Machane Yehuda Market. His work can be found throughout Jerusalem and Tel Aviv.
Yitzchok Moully is an Australian-American Chabad rabbi based in New Jersey and is known for his “Chasidic Pop Art” painting style.
More about Spotlight on Israel
-
If it’s wintertime, Israelis will be wearing slippers
By Rachel Neiman -
79 shows over 10 days at Tel Aviv Illustration Week 2019
By Abigail Klein Leichman -
25 years of birdwatching at Jerusalem’s urban observatory
By Abigail Klein Leichman -
Couldn’t we all use a pita band-aid or a drink-pouch wall?
By Abigail Klein Leichman -
The power station that electrified Jerusalem
By Rachel Neiman -
It’s fiery, but Israelis love it. And it’s now in your grocery store
By Jessica Halfin -
What you’ll see at the Israeli innovation museum in Jaffa
By Brian Blum -
The dogs that go to the office every day in Tel Aviv
By Abigail Klein Leichman -
Islam, Judaism and Christianity come together at jewelry show
By Rachel Neiman -
14 pictures that show an unexpected side of Tel Aviv
By Abigail Klein Leichman -
11 vintage photos of desert life in the Holy Land for Sukkot
By Rachel Neiman -
9 great photos that show the beautiful, diverse ways Israelis mark Yom Kippur
By Naama Barak -
Why people toss breadcrumbs into the sea off Tel Aviv
By Rachel Neiman -
9 highlights to watch for at the 2019 Jerusalem Biennale
By Abigail Klein Leichman -
Cross-cultural jam session leads to a musical wakeup call
By Abigail Klein Leichman -
A delightful retrospective of Israeli Jewish New Year cards
By Rachel Neiman -
Israeli startup lets you have your bowl and eat it too
By Naama Barak -
9 unforgettable photos of the historic city of Akko
By Naama Barak -
A surprising chronicle of 20 Israeli election firsts
By Rachel Neiman


Download folder categorizer
This was becoming a wall of text so i put it into an .html folder
Olafur Johannsson -<EMAIL_ADDRESS>Description:
By default this script searches through folders and files to try and extract the season/episode info from it(since some shows only have 000.avi in them)
You can run the script without any parameters except the -p, which specifies the folder in which the downloaded files are.
You can also skip reading from the config file and send in -n argument followed by a string to search for a specific value(supports comma separated values, ex: top gear, top.gear)
It reads all valid extensions from the 'config.json'(.avi, .mp4, etc)
When you send in the -n argument, it will try and get the key from config.json(top.gear and top gear has key Top Gear), if it doesn't find a key,
it will create a key as Top.gear (the -n arg capitalized)
For more fine-grained results you can strip whitespace from string before searching, using -rw, for example if you want to search for "house", but don't want any "house of cards" results
You can let the script try and delete all directories that were moved that don't have any shows in them any more using -d
After running the script, you are prompted to view the results, after viewing the results you are prompted again asking if you want to edit any of the
results, removing any values you deem necessary, using comma-separated indices.(i.e. you got some values you were not expecting)
NOTE: When viewing results, first we show the index, then the old path, then the path where the show would go after accepting the results.
Usage:
cleanup.py [-h] [-p PATH] [-s SHOWS_FOLDER] [-n NAME] [-rw] [-d]
EXAMPLES:
note: (examples are all relative the the downloaded folder Hjaltmaster gave us)
-
Running default using config.json:
-
python cleanup.py -p "downloads"
-
Searching for a specific value
-
python cleanup.py -p "downloads" -n "klovn"
-
Searching for a specific comma separated value
-
python cleanup.py -p "downloads" -n "desperate housewives, dexter"
-
Searching for a string and specifying a custom shows folder, TV Shows
-
python cleanup.py -p "downloads" -s "TV Shows" -n "the big bang theory"
-
Searching for a specific string and stripping whitespace(since house can return house of cards):
-
python cleanup.py -p "downloads" -n "house" -rw
-
Searching for a specific string and deleting all modern family directores if they have no files(.avi, .mp4, .mkv, etc) in the folder left:
-
python cleanup.py -p "downloads" -n "modern family" -d
This can add the ovearhead of a few seconds because it has to go through each folder iteratively to check if it contains no tv shows before deleting
-
Searching for comma separated values that are present in config.json
-
python cleanup.py -p "downloads" -n top gear, top.gear, top_gear
Warning: Sending in comma-separated values such as "dragons.den, dragons_den" will create a folder Dragons.den and Dragons_den, since they are not specified in config.json - but for Top Gear, only one folder
will be created because it extracts they key from the values(where top_gear, top.gear, top gear are the values, and Top Gear is key)
Arguments:
-
-p PATH, --path PATH The path of the downloads folder(i.e. "C:\Users\User\Downloads")
-
-s SHOWS_FOLDER, --shows_folder SHOWS_FOLDER
The path to put all the TV shows in(i.e. "E:\Shows"
-
-n NAME, --name NAME Send in if you only want to look for a specific string, i.e "dexter", or "top gear, top.gear" (it supports comma separated values)
-
-rw, --rm_ws Removes whitespace from string, can be useful when you want to search for "house"
and not get any results from "House of Cards", since some House episode are in the format of "House.S03" or "House S03"
then the regex check cannot differentiate between those values
-
-d, --delete Try to delete the directories we moved if they have no shows left
Packages:
-
util.py: Reusable utility functions
-
categorizer.py: The class that handles all the moving/creating/searching of shows
-
cleanup.py: The script that takes in parameters and prompts the user
External dependancies:
colorama: https://pypi.python.org/pypi/colorama


Electricity generated {{ wattage }} MW
{{ turbine.percentage }}% of the UK's current electricity demand
{{ example.action }} {{ example.consumption | equivalent }} {{ example.object }}


Translator: youyun
Author: labuladong
It is just a cache clean-up strategy.
A computer has limited memory cache. If the cache is full, some contents need to be removed from cache to provide space for new content. However, which part of the cache should be removed? We hope to remove not so useful contents, while leaving useful contents untouched for future usage. So the question is, what are the criteria to determine if the data is useful or not?
LRU (Least Recently Used) cache clean-up algorithm is a common strategy. According to the name, the latest used data should be useful. Hence, when the memory cache is full, we should prioritize removing those data that haven’t been used for long are not useful.
For example, an Android phone can run apps in the background. If I opened in sequence: Settings, Phone Manager, and Calendar, their order in the background will be shown as following:
If I switch to Settings now, Settings will be brought to the first:
Assume that my phone only allows me to open 3 apps simultaneously, then the cache is already full by now. If I open another app, Clock, then I have to close another app to free up space for Clock. Which one should be closed?
According to LRU strategy, the lowest app, Phone Manager, should be closed, because it is the longest unused app. Afterwards, the newly opened app will be on the top:
Now you should understand LRU (Least Recently Used) strategy. There are some other strategies available, for example, LFU (Least Frequently Used) strategy, etc. Different strategies can be applied in different use cases. We’ll focus on LRU in this article.
LRU algorithm is actually about data structure design:
capacity
, as the maximum size; thenput(key, val)
: to store key-value pairget(key)
: return the value associated with the key; return -1 if the key doesn’t exist.get
and put
should be O(1).Let’s use an example to understand how the LRU algorithm works.
/* Cache capacity is 2 */
LRUCache cache = new LRUCache(2);
// Assume the cache is an queue
// The head is on the left, while the tail is on the right
// The latest used is at the head, while the longest unused is at the tail
// Bracket represents key-value pair, (key, val)
cache.put(1, 1);
// cache = [(1, 1)]
cache.put(2, 2);
// cache = [(2, 2), (1, 1)]
cache.get(1); // return 1
// cache = [(1, 1), (2, 2)]
// Remarks: because key 1 is visited, move it to the head
// Return the value, 1, associated with key 1
cache.put(3, 3);
// cache = [(3, 3), (1, 1)]
// Remarks: the memory capacity is full
// We need to remove some contents to free up space
// Removal will prioritize longest unused data, which is at the tail
// Afterwards, insert the new data at the head
cache.get(2); // return -1 (not found)
// cache = [(3, 3), (1, 1)]
// Remarks: key 2 does not exist in the cache
cache.put(1, 4);
// cache = [(1, 4), (3, 3)]
// Remarks: key 1 exists
// Overwrite with new value 4
// Don't forget to bring the key to the head
Through analysis of the above steps, if time complexity for put
and get
are both O(1), we can summarize features of this cache data structure: fast search, fast insertion, fast deletion, and ordered.
Which data structure can fulfill the above requirements? Hash table can search fast, but the data is unordered. Data in linked list is ordered, and can be inserted or deleted fast, but is hard to search. Combining these two, we can come up with a new data structure: hash linked list.
The core data structure of LRU cache algorithm is hash linked list, a combination of doubly linked list and hash table. Here is how the data structure looks:
The idea is simple - using a hash table to provide the ability of fast search to linked list. Think again about the previous example, isn’t this data structure the perfect solution for LRU cache data structure?
Some audience may wonder, why doubly linked list? Can’t single linked list work? Since key exists in hash table, why do we have to store the key-value pairs in linked list instead of values only?
The answers only afloat when we actually do it. We can only understand the rationale behind the design after we implement the LRU algorithm ourselves. Let’s look at the code.
A lot of programming languages have built-in hash linked list, or LRU-alike functions. To help understand the details of the LRU algorithm, let’s use Java to reinvent the wheel.
First, define the Node
class of doubly linked list. Assuming both key
and val
are of type int
.
class Node {
public int key, val;
public Node next, prev;
public Node(int k, int v) {
this.key = k;
this.val = v;
}
}
Using our Node
class, implement a doubly linked list with the necessary APIs (the time complexity of these functions are all O(1)):
class DoubleList {
// Add x at the head, time complexity O(1)
public void addFirst(Node x);
// Delete node x in the linked list (x is guaranteed to exist)
// Given a node in a doubly linked list, time complexity O(1)
public void remove(Node x);
// Delete and return the last node in the linked list, time complexity O(1)
public Node removeLast();
// Return the length of the linked list, time complexity O(1)
public int size();
}
P. S. This is the typical interface of a doubly linked list. In order to focus on the LRU algorithm, we’ll skip the detailed implementation of functions in this class.
Now we can answer the question, why we have to use a doubly linked list. In order to delete a node, we not only need to get the pointer of the node itself, but also need to update the node before and the node after. Only using a doubly linked list, we can guarantee the time complexity is O(1).
With the doubly linked list, we just need to use it in with a hash table in the LRU algorithm. Let’s sort out the logic with pseudo code:
// key associated with Node(key, val)
HashMap<Integer, Node> map;
// Node(k1, v1) <-> Node(k2, v2)...
DoubleList cache;
int get(int key) {
if (key does not exist) {
return -1;
} else {
bring (key, val) to the head;
return val;
}
}
void put(int key, int val) {
Node x = new Node(key, val);
if (key exists) {
delete the old node;
insert the new node x to the head;
} else {
if (cache is full) {
delete the last node in the linked list;
delete the associated value in map;
}
insert the new node x to the head;
associate the new node x with key in map;
}
}
If you can understand the logic above, it’s easy to translate to code:
class LRUCache {
// key -> Node(key, val)
private HashMap<Integer, Node> map;
// Node(k1, v1) <-> Node(k2, v2)...
private DoubleList cache;
// Max capacity
private int cap;
public LRUCache(int capacity) {
this.cap = capacity;
map = new HashMap<>();
cache = new DoubleList();
}
public int get(int key) {
if (!map.containsKey(key))
return -1;
int val = map.get(key).val;
// Using put method to bring it forward to the head
put(key, val);
return val;
}
public void put(int key, int val) {
// Initialize new node x
Node x = new Node(key, val);
if (map.containsKey(key)) {
// Delete the old node, add to the head
cache.remove(map.get(key));
cache.addFirst(x);
// Update the corresponding record in map
map.put(key, x);
} else {
if (cap == cache.size()) {
// Delete the last node in the linked list
Node last = cache.removeLast();
map.remove(last.key);
}
// Add to the head
cache.addFirst(x);
map.put(key, x);
}
}
}
This can answer the previous question, why we need to store key-value pair in the linked list, instead of value only. Pay attention to the block of code below:
if (cap == cache.size()) {
// Delete the last node
Node last = cache.removeLast();
map.remove(last.key);
}
If the cache is full, we not only need to delete the last node, but also need to delete the key in the map, where we can only get the key through the node. If we only store value in a node, we can’t get the key, and hence, can’t delete the key from the map.
Till now, you should have understood the idea and implementation of LRU algorithm. One common mistake is to update associated entries in the hash table when you deal with nodes in the linked list.


Flood, heat, and sea level risk webmaps for Boston Climate Ready Boston Maps Mapping extreme heat in Boston with citizen science Boston Heat Map Report for the future of energy at Wellesley College. Energy Feasibility Study Analysis of urban planning strategies in US cities for city officials in China. Urban Planning Trends Comparison of baseline and projected mitigation scenario in Brazil Intended Nationally Determined Contributions ArcGIS analysis of rail transport in Massachusetts. Rail Map


Meet the Team
This is Dmitry. He likes long walks on the beach. He enjoys nature. And feeding animals. LINKEDIN PROFILE
This is Trevor, he enjoys having a nice glass of Campari or a pint of beer. He's been learning how to cook Korean food! Also his favorite color is red. LINKEDIN PROFILE
This is Pablo, he likes to eat and make mexican food. He likes to go to shows and listent to punk rock music. LINKEDIN PROFILE
This is Brai, she has a lot of tattoos 15 to be exact. She likes to travel and go thrifting.Her favorite color is green. LINKEDIN PROFILE


data : (nx3) or (3xn) array
useOpenmm : bool
If True, first simplify the polymer with OpenMM.
Note that this may unfold chains a little bit.
evalAt : float
Evaluate A(x) * A(1/x). Use x=-1, or x=-1.1
lock : lock object
Lock object to prevent concurrent use of OpenMM
Use this if you use multithreading
I prefer multiprocessing.Pool.map, and multiprocessing.Manager.Lock()
offset : int (optional)
OpenMM is usually adjusted to kick in only for sufficiently complex knots.
OpenMM would not start for knots which simplify to less than 250 monomers.
However, sometimes knot calculation may take longer than expected.
This is, for example, relevant for very knotted short polymers.
Then you can set offset to a negative number to let OpenMM kick in earlier.
Or set it to a positive number to let it kick in later.
If offset is -100, then OpenMM will start working when a polymer is
simplified only to 150 monomers, not to 250.
stepMult : float (optional)
Multiplies the number of steps which OpenMm will do.
 If you want to reduce or increase this time,
You can use this flag. The main purpose would be to trigger OpenMM early, but
let it run for less.
Setting stepMult to 0.25 will do four times less OpenMM.
Setting it to 2 would make twice the amount of OpenMM
|


Author: Liudmila Litvin
Regular expressions originated in 1951 by mathematician Stephen Cole Kleene
The “long” syntax:
The “short” one, using slashes "/":
| Flag | Description |
| g | Global search |
| i | Case-insensitive search |
| m | Multi-line search |
| s | Enables “dotall” mode, that allows a dot . to match newline character |
| u | "unicode"; treat a pattern as a sequence of unicode code points |
| y | Perform a "sticky" search that matches starting at the current position in the target string |
Note! Flags are an integral part of a regular expression. They cannot be added or removed later.
For example:
You could replace the line:
with:
and get the same result.
| Character | Meaning |
| \ | A backslash indicates that the next character is special and is not to be interpreted literally. For example, a 'b' without a preceding '\' generally matches lowercase 'b's wherever they occur — the character will be interpreted literally. |
| $ | Matches end of input. If the multiline flag is set to true, also matches immediately before a line break character. For example, /t$/ does not match the 't' in "eater", but does match it in "eat". |
| + | Matches the preceding expression 1 or more times. Equivalent to {1,}. For example, /a+/ matches the 'a' in "candy" and all the a's in "caaaaaaandy", but nothing in "cndy". |
| \d | Matches a digit character. Equivalent to [0-9]. For example, /\d/ or /[0-9]/ matches '2' in "B2 is the suite number." |
| \D | Matches a non-digit character. Equivalent to [^0-9]. For example, /\D/ or /[^0-9]/ matches 'B' in "B2 is the suite number." |
| \w | Matches any alphanumeric character including the underscore. Equivalent to [A-Za-z0-9_]. For example, /\w/ matches 'a' in "apple," '5' in "$5.28," and '3' in "3D." |
Completed list and description of the special characters by the link:
https://developer.mozilla.org/en-US/docs/Web/JavaScript/ Guide/Regular_Expressions
For example: let re = /ab*c/;
In the string "cbbabbbbcdebc," the pattern matches the substring 'abbbbc'
If you need to use any of the special characters literally, you must escape it by putting a backslash in front of it
For example: let re = /a\*b/;
The backslash "escapes" the '*', making it literal instead of special.
| Method | Description |
| exec | A RegExp method that executes a search for a match in a string. It returns an array of information or null on a mismatch. |
| test | A RegExp method that tests for a match in a string. It returns true or false. |
| match | A String method that returns an array containing all of the matches, including capturing groups, or null if no match is found. |
| matchAll | A String method that returns an iterator containing all of the matches, including capturing groups. |
| search | A String method that tests for a match in a string. It returns the index of the match, or -1 if the search fails. |
| replace | A String method that executes a search for a match in a string, and replaces the matched substring with a replacement substring. |
| split | A String method that uses a regular expression or a fixed string to break a string into an array of substrings. |


A week or two back, [Lisa Dabbs](http://www.twitter.com/teachwithsoul), known for starting and moderating [#ntchat](http://www.twitter.com/hashtag/ntchat) wrote a post (a second post, actually) on [why new teachers should use Periscope with their students](http://www.lisadabbs.com/2016/new-teachers-are-you-using-periscope-ntchat). There are som... Read more 20 Jul 2016 - 3 minute read
[ [flickr photo](https://flickr.com/photos/bennettscience/10176913895 “DSC_0149”) shared by [bennettscience](https://flickr.com/people/bennettscience) under a [Creative Commons ( BY-NC-SA ) license](https://creativecommons.org/licenses/by-nc-sa/2.0/) I heard the first periodical cicada of the summer yesterday. Before I could find him, he stopp... Read more 08 Jul 2016 - 1 minute read
News came down this week that [Zaption](http://www.zaption.com), a popular web app that layers quiz question and other interactive features on top of videos, is closing it’s doors on September 30th. Unlike some of the [other](http://blog.ohheybrian.com/2016/06/the-education-freeconomy-gobbles-up-another/) [recent](http://blog.ohheybrian.com/201... Read more 01 Jul 2016 - 1 minute read
[ISTE 2016](https://twitter.com/hashtag/ISTE2016) is in full swing and right on cue, my hype-o-meter tolerance has dropped significantly. A huge concentration of edtech vendors and Twitterati all in one place can lead to a lot of mumbo jumbo. But, we’ll power through the next four days and try to pull the wheat from the chaff. Two big things th... Read more 27 Jun 2016 - 3 minute read
I’ve started using the [Hypothes.is](http://hypothes.is) annotation tool more lately, mostly at the behest of [Kris Shaffer](http://www.twitter.com/krisshaffer). He started writing about it’s potential for [public discourse on research](http://kris.shaffermusic.com/2016/04/hypothesis-public-research-notebook/) back in April and has since created... Read more 08 Jun 2016 - 1 minute read
Free in education is a big deal.  Last year, we saw [Geddit](http://blog.ohheybrian.com/2015/03/another-casualty-of-the-free-only-economy/) close it’s doors. This year, there are two notables closing shop before the fall: [Curriculet](https://www.edsurge.com/new... Read more 01 Jun 2016 - 2 minute read
A while back, I had looked at automating tweets from a Google spreadsheet to reduce the insane number of clicks it takes to do in TweetDeck and HootSuite (5 clicks? Really?) I hit some roadblocks and let it slide because in the long run, it wasn’t really important to me. More of a fun experiment. I jumped back into it a week or so back to try a... Read more 25 May 2016 - 1 minute read
I absolutely hate teaching bonding. The abstract nature of atoms, the minutiae of nomenclature, and the details of writing formulas bog students down and I struggle to meet their needs. So, we do POGILs, simulations, speed dating, labs, and drills. Lots of time is spent trying to correct patterns of work to meet the learning objectives. This ye... Read more 12 May 2016 - 1 minute read
[In 2012](http://blog.ohheybrian.com/2012/06/venus-flyby/), [we saw Venus transit the sun](http://blog.ohheybrian.com/2012/06/venus-the-aftermath/). It won’t happen again until 2117, so if you missed it, you’re our of luck when it comes to seeing that again. Today, you have a chance to see Mercury slide across the surface of our star. It’s clou... Read more 09 May 2016 - 1 minute read
Everything I do in class is geared toward building understanding. I want students to be able to both complete the task and understand _why_ they’re completing it. Learning is more than a collection of disconnected skills. Especially in chemistry, the more you see the interconnectedness, the easier it is to learn. Today, I gave a quiz that went ... Read more 04 May 2016 - 2 minute read


Very basic stacked bar chart that changes dynamically as data comes in. Since the IP are randomly generated, for the
purposes of this example the charts are actually divided by company (owner). It's a very simple fix to 'pivot' that data. Moreover, the primary
stacked groups are on the types of viri, which is also a very small fix. It just looked too crowded otherwise.Toggle Raw Data


EBRRA staff access the "New
Request Form" page of this website to enter each new case;
click "Submit" .
A confirmation email is sent to staff person submitting the
request and to Franklin Associates, alerting them to the request.
Franklin staff screen requests for completeness; requesting
supplemental information as required.
When complete, Franklin staff forward a notification to The
Workforce Group. Case is queued for initial inspection scheduling.
Inspection findings are summarized in a pair of reports:
one itemizes the costs, the second lists the scope only.
The
Workforce Group delivers these to Franklin Associates by uploading to a "data bucket" within Amazon Web Services where they are reviewed.
Accepted inspection reports are moved to the corresponding project case folder and a notice is sent to EBR
Redevelopment Authority.
A decision is made whether the case qualifies for
renovation. ($25K cap)
If
"yes", case enters the renovation administration process below. If
"no", applicant is notified of decision by EBR Redevelopment Authority
and case files are archived.


My Chemical Romance confirm drummer for upcoming reunion show
Fans have been wondering who'll be back behind the kit
My Chemical Romance have revealed who will be taking on drum duties for their upcoming reunion show in Los Angeles.
The emo icons finally confirmed their much-rumoured return last week (October 31), announcing that they will perform together for the first time since 2012. MCR’s first comeback show will take place at LA’s Shrine Expo Hall venue on December 20, with further dates scheduled for 2020.
News of the reunion was quickly followed by fan speculation over who would be drumming for Gerard Way and co. Now, representatives for the band have confirmed to Billboard that their former sticksman Jarrod Alexander will be taking on the role once more.
An Editor’s Note in one of the outlet’s recent MCR post states: “This article has been edited to note that Jarrod Alexander will be the drummer for My Chemical Romance’s reunion show.”
Billboard writer Chris Payne’s also wrote on Twitter that the group’s label had confirmed Alexander’s return. However, it’s not yet clear as to whether the musician will remain in the band for next year’s run of shows.
See that tweet below.
Alexander joined My Chemical Romance back in 2011 as a touring member, following the departure of Bob Bryar the previous year. He filled in on their Honda Civic tour gigs.
This update comes after My Chemical Romance revealed Thursday as the support act for next month’s LA show. “We are crazy excited to have our dear friends @thursdayband as a special guest at the Shrine Show,” the band wrote on Instagram.
After their first show sold out in just minutes last week, the band thanked fans for the incredible and unexpected reception they received.


On the Add tracking code page, you can add or remove tracking code to or from your marketplace Web pages.
Tracking code allows you to monitor the marketplace traffic by measuring the frequency in which the marketplace is accessed by visitors. You are free to choose your preferred Web analytics software. The menu option enables you to insert the desired HTML code for tracking the access into each marketplace Web page. When a page is loaded, the tracking script is executed and you can evaluate the analytics data.
To add tracking code:
The code is added to all pages of your marketplace. The change takes effect the next time you log in to the marketplace or refresh your Web browser.
To remove tracking code:
The code is removed from the pages of your marketplace. The change takes effect the next time you log in to the marketplace or refresh your Web browser.


This page is used to configure your weighted settings. You have three presets you can control, which
you can access using the dropdown menu below. These settings will be usable when generating a
single player game, or you can export them to a
.yaml
file and use them in a multiworld.
If you already have a settings file you would like to validate, you may do so on the
verification page.
Choose a preset and optionally assign it a nickname, which will be used as the file's description if
you download it.
Choose a name you want to represent you in-game. This will appear when you send items
to other people in multiworld games.


Our school has a great diversity of games that we play competitively, and are always looking to add more!
Competitive Teams
Join our Diamond-class competitive League of Legends team, or join our casual "JV" league! All ranks welcome.
Competitive Teams
Calling all heroes! We're looking for fresh talent for our up and coming Overwatch teams! All ranks welcome.
Competitive Players
Gather around, everyone, and join our legendary Hearthstone ranks in nationwide Tespa tournaments!
Competitive Players
Everyone Is Here! We're rapidly expanding our crew and always looking for more Smash enthusiasts!
Interested in getting to know more about our organization? Let's get in touch!


Greenhouse Settings
Configure Thresholds and Settings below
...
Water Level Alarm Limits:
Send Alerts Via Email
Send Alerts Via SMS
Save Settings