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<Home About XUUI-jTouch Version 0.1 by By Xu.hel Create powerful mobile apps with just HTML, CSS, and jQuery.
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Egypt to Try Train Conductor in Death of Youth
Egypt's top prosecutor said Saturday a train conductor who allegedly forced two poor street vendors without tickets to jump off a moving train, leading to the death of one of the youths, will stand trial.
The incident took place earlier this week in the Nile Delta town of Tanta and has stirred public outrage and calls for the resignation of Egypt's transportation minister.
The conductor allegedly demanded the youths "pay for tickets but they refused," after which he reportedly opened a carriage door for them to jump out.
General Prosecutor Hamada el-Sawy said the conductor, who is in custody, faces two charges including causing injuries that led to the death of one of the two men, and deliberately injuring the other youth.
A trial date has not been set.


Bang Energy Girl Nina Serebrova Soaks Up The Sun In Neon Orange Bikini
December 9, 2019
Bang Energy Girl Nina Serebrova Soaks Up The Sun In Neon Orange Bikini
Nina Serebrova started off her week by soaking up some sun in a tiny little bikini while in Miami, Florida. The Bang Energy model shared the photo and a video for her Instagram fans to enjoy on Monday morning.
In the steamy post, Nina is seen sporting a neon orange string bikini as she relaxes on a yellow and white lounge chair out on a balcony. The brunette beauty showcased her ample cleavage, toned arms, flat tummy, curvy hips, and long, lean legs in the skimpy two-piece as she told her fans in the caption that they should do Monday like she does.
Nina wore her long, dark hair pushed to the side and styled in loose waves that fell down her body. She donned a pair of oversize sunglasses to shield her eyes from the sun’s rays as she laid with her arms behind her head looking comfortable.
The model also appeared to wear a more natural makeup look for the shots, showing off defined eyebrows, a shimmering glow on her face, pink blush to bring out her cheekbones, and a pink tint to her full lips.
In the background of the photo a city scene is visible, as well as a gorgeous blue sky complete with white fluffy clouds.
Meanwhile, many of Nina’s over 2.7 million followers were left stunned by the jaw-dropping post, and quickly showed their support for the snaps by clicking the like button over 5,700 times and leaving more than 80 comments in less than 20 minutes after the post went live on the network.
“Orange bikini looks amazing on you,” one of Nina’s Instagram followers wrote in the comments section of the post.
“I hope you have a great day and wonderful week ahead,” a second admirer commented.
“Always so gorgeous Nina,” another fan said.
Loading...
“Sometimes your posts nearly gives me cardiac arrest,” a fourth social media user remarked.
As previously reported by The Inquisitr, this isn’t the first time that Nina has wowed her followers with her flawless figure. Just last month got pulses racing in some white lingerie as she had her hair wrapped in a towel.
 She also teased that she needed someone to bring her some coffee to go along with it.
That post also proved to be a popular upload for Nina Serebrova, and has earned the model more than 40,000 likes and over 400 comments to date.


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Location: {{attributes.city}}
Owners:
{{#each attributes.owners as |owner|}}
{{owner.name}}
{{/each}}
Check us out on Yelp
Instagram
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Caters
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Does not cater
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 From greece in the city of Volos!
Text ...


Before Change
eps=1e-6,
):
super(Kernel, self).__init__()
if active_dims is not None and not torch.is_tensor(active_dims):
active_dims = torch.tensor(active_dims, dtype=torch.long)
self.register_buffer("active_dims", active_dims)
self.ard_num_dims = ard_num_dims
self.batch_size = batch_size
self.__has_lengthscale = has_lengthscale
if has_lengthscale:
After Change
:func:`gpytorch.lazy.LazyTensor.evaluate` method on the output.
This base :class:`Kernel` class includes a lengthscale parameter
:math:`\Theta`, which is used by many common kernel functions.
There are a few options for the lengthscale:
* Default: No lengthscale (i.e. :math:`\Theta` is the identity matrix).
* Single lengthscale: One lengthscale can be applied to all input dimensions/batches
(i.e. :math:`\Theta` is a constant diagonal matrix).
This is controlled by setting `has_lengthscale=True`.
* ARD: Each input dimension gets its own separate lengthscale
(i.e. :math:`\Theta` is a non-constant diagonal matrix).
This is controlled by the `ard_num_dims` keyword argument (as well has `has_lengthscale=True`).
In batch-mode (i.e. when :math:`x_1` and :math:`x_2` are batches of input matrices), each
batch of data can have its own lengthscale parameter by setting the `batch_size`
keyword argument to the appropriate number of batches.
.. note::


Oops, you made a mistake!
Good Job!


1 Praise Yah!
Praise God in his sanctuary!
Praise him in his heavens for his acts of power!
2 Praise him for his mighty acts!
Praise him according to his excellent greatness!
3 Praise him with the sounding of the trumpet!
Praise him with harp and lyre!
4 Praise him with tambourine and dancing!
Praise him with stringed instruments and flute!
5 Praise him with loud cymbals!
Praise him with resounding cymbals!
6 Let everything that has breath praise Yah!
Praise Yah!


class Solution: def countMatches(self, items: List[List[str]], rk: str, rv: str) -> int: ret = 0 for t, c, n in items: if rk == "color" and c == rv: ret += 1 elif rk == "type" and t == rv: ret += 1 elif rk == "name" and n == rv: ret += 1 return ret


Normani Goes Golden at Shawn Carter Foundation Gala
Normani hits the red carpet in black and gold at the Shawn Carter Foundation Gala held at the Seminole Hard Rock Hotel & Casino on Saturday (November 16) in Hollywood, Fla.
The 23-year-old “Motivation” singer stepped out for the event alongside quite a few celebs including Beyonce and Jay-Z.
The night also featured a live performance by Alicia Keys. Normani mentioned on her Instagram story that Alicia was the first concert she went to.
Guests in attendance helped raise $6 million dollars for the Shawn Carter Foundation‘s scholarship fund, college prep workshops and bus tours, study abroad opportunities, and community goodwill programs for youth and families in need.


Problem was with the -mox-inline-box style, which is funky if it's got anything complicated inside. Falling back to tables in 3, 2, 1...
10/22/2008, 10:49:06 AM
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link--- layout: tweet ---
Problem was with the -mox-inline-box style, which is funky if it's got anything complicated inside. Falling back to tables in 3, 2, 1...
10/22/2008, 10:49:06 AM
Favs: 0
Retweets: 0
link


[1]
apart from that the bathroom was only 129-bargain.
[2]
i headed straight away from the bathroom was spotless.


Notebooks
Story: The Maiya
The Maiya
Title
The Maiya
Collection
Summary
The !kun eat the Maiya raw when it is ripe. The unripe Maiya is put in the heated earth and then eaten. The odour of the skin (which is thrown away) makes dogs faint. There is an account of an incident in which a man becomes intoxicated and remains at his house and demands that the people beat his head (because the Maiya is 'killing' him).
Comments
1) p.9876v: !nanni heard this from his paternal grandfather (Karu) and observed it himself, 2) p.9881v: about fearing death: a man who has a cold heart fears death whereas a man whose heart burns is not afraid to die, 3) This story is found in Book XI & XII-11
Contributors
Date
30 June 1881
Categories
Keywords
plant (that intoxicates) , plant (that is edible) , plant (the !kun name of) , plant (called the Maiya) , plant (that is dangerous) , Maiya (plant) , Maiya (the husband who ate too much of it and became intoxicated) , Maiya (eating too much of it causes intoxication) , Maiya (the dangers of eating) , Maiya (and the treatment of intoxication) , Maiya (the behaviour of intoxicated men and women) , Maiya ('kills' people) , Maiya (intoxicated women leave for another country and are killed there) , Maiya (can be eaten as food) , Maiya (is eaten raw) , Maiya (the preparation and cooking of) , Maiya (when ripe and unripe) , Maiya (the parts that are eaten) , Maiya (makes dogs faint, or die) , Maiya (the smell or odour) , Maiya (the skins smell and are not eaten) , Maiya (the flesh is eaten) , dogs (the odour of the Maiya plant makes them faint) , dogs (how they are revived) , country (intoxicated women leave for another, and are killed there) , country (and the Maiya) , food (eating the Maiya plant) , food (eating too much of the Maiya causes intoxication) , food (parts of the Maiya that are eaten) , food (cooking the Maiya) , women (intoxicated by the Maiya plant leave for another country and are killed there) , women (and eating the Maiya plant) , illness (and the Maiya plant) , illness (and the treatment of intoxication from eating too much of the Maiya) , healing (and the Maiya plant) , healing (and the treatment of intoxication from eating too much of the Maiya) , curing (and the Maiya plant) , curing (and the treatment of intoxication from eating too much of the Maiya) , intoxication (from eating too much of the Maiya plant) , men (behaviour of intoxicated, from eating too much of the Maiya) , men (and the Maiya plant) , men (the husband who ate too much of the Maiya) , death (and illness from eating too much of the Maiya plant) , death (the Maiya 'kills' people) , death (women intoxicated by the Maiya leave for another country and are killed there)
Story Pages
9877-9883


Adding a custom MINA IO Filter allows you to inspect and manipulate:
MINA's javadoc for IoFilter
gives some examples of how this could be useful:
- Event logging
- Performance measurement
- Authorization
- Overload control
- Message transformation (e.g. encryption and decryption, ...)
To add a filter, you need to insert it into the filter chain by supplying an IoFilterChainBuilder to the connector or acceptor with setIoFilterChainBuilder().
final BlacklistFilter blacklistFilter = new BlacklistFilter(); ... /* * setIoFilterChainBuilder is defined on the SessionConnector abstract class */ ((SessionConnector) acceptor).setIoFilterChainBuilder(new IoFilterChainBuilder() { public void buildFilterChain(IoFilterChain chain) { chain.addBefore(FIXProtocolCodecFactory.FILTER_NAME, "BlacklistFilter", blacklistFilter); }});
Note the reference to FIXProtocolCodecFactory.FILTER_NAME. QuickFIX/J uses a ProtocolCodecFilter to transform between streamed byte data on the wire and quickfix.Message objects, as shown below.
You should add your filter before this one to have it act on the byte stream, or after it to act on quickfix.Message data.
Following are some examples showing how to add filters to the example order executor application
MINA comes with a Blacklist filter which closes incoming connections from blacklisted addresses. Lets add this filter to the order executor and make it block connections from localhost. We will add it before the protocol codec filter.
To do this, change:
acceptor = new SocketAcceptor (application, messageStoreFactory, settings, logFactory, messageFactory); acceptor.start();
to this (plus the appropriate imports):
acceptor = new SocketAcceptor (application, messageStoreFactory, settings, logFactory, messageFactory); /* create the filter and add an address to the blacklist */ final BlacklistFilter blacklistFilter = new BlacklistFilter(); blacklistFilter.block(InetAddress.getByName("localhost")); /* add it to the acceptor */ ((SessionConnector) acceptor).setIoFilterChainBuilder(new IoFilterChainBuilder() { public void buildFilterChain(IoFilterChain chain) { chain.addBefore(FIXProtocolCodecFactory.FILTER_NAME, "BlacklistFilter", blacklistFilter); }}); acceptor.start();
Now when you start the executor and banzai apps you'll see this:
Executor Log<20060913-10:54:22, FIX.4.2:EXEC->BANZAI, event> (Session FIX.4.2:EXEC->BANZAI schedule is daily, 00:00:00 UTC - 00:00:00 UTC) <20060913-10:54:22, FIX.4.2:EXEC->BANZAI, event> (Valid order types: [F, 2]) <20060913-10:54:22, FIX.4.2:EXEC->BANZAI, event> (Created session: FIX.4.2:EXEC->BANZAI) 13/09/2006 20:54:22 quickfix.mina.acceptor.AbstractSocketAcceptor startAcceptingConnections INFO: Listening for connections at <IP_ADDRESS>/<IP_ADDRESS>:9876 press <enter> to quit 13/09/2006 20:54:26 quickfix.mina.acceptor.AcceptorIoHandler sessionCreated INFO: MINA session created: /<IP_ADDRESS>:4538 13/09/2006 20:54:26 org.apache.mina.util.SessionLog info INFO: [/<IP_ADDRESS>:4538] Remote address in the blacklist; closing. 13/09/2006 20:54:26 org.apache.mina.util.SessionLog info INFO: [/<IP_ADDRESS>:4538] Remote address in the blacklist; closing.Banzai Log
<20060913-10:54:26, FIX.4.2:BANZAI->EXEC, event> (Session FIX.4.2:BANZAI->EXEC schedule is daily, 00:00:00 UTC - 00:00:00 UTC) <20060913-10:54:26, FIX.4.2:BANZAI->EXEC, event> (Created session: FIX.4.2:BANZAI->EXEC) <20060913-10:54:26, FIX.4.2:BANZAI->EXEC, outgoing> (8=FIX.4.29=6535=A34=449=BANZAI52=20060913-10:54:26.75056=EXEC98=0108=3010=223) <20060913-10:54:26, FIX.4.2:BANZAI->EXEC, event> (Initiated logon request) <20060913-10:54:26, FIX.4.2:BANZAI->EXEC, event> (Disconnecting) 13/09/2006 20:54:26 quickfix.mina.initiator.InitiatorIoHandler sessionCreated INFO: MINA session created: /<IP_ADDRESS>:4538
A whitelist filter is available at http://www.quickfixj.org/confluence/download/attachments/530/WhitelistFilter.java. The code changes required to use it are similar to the Blacklist filter, except that:
acceptor = new SocketAcceptor (application, messageStoreFactory, settings, logFactory, messageFactory); final WhitelistFilter whitelistFilter = new WhitelistFilter(settings); ((SessionConnector) acceptor).setIoFilterChainBuilder(new IoFilterChainBuilder() { public void buildFilterChain(IoFilterChain chain) { chain.addAfter(FIXProtocolCodecFactory.FILTER_NAME, "WhitelistFilter", whitelistFilter); }}); acceptor.start();
Specify valid IP addresses with the WhitelistHost setting, at either the default or session levels as required.
[default] ... WhitelistHost=www.quickfixj.org [session] SenderCompID=EXEC TargetCompID=BANZAI [session] SenderCompID=EXEC TargetCompID=SONOFBANZAI WhitelistHost1=<IP_ADDRESS> WhitelistHost2=<IP_ADDRESS>, <IP_ADDRESS> [session] SenderCompID=EXEC TargetCompID=FREEFORALL WhitelistHost=
On startup the valid hosts will be logged:
INFO: Authorised IPs for FIX.4.2:EXEC->FREEFORALL: [Any] INFO: Authorised IPs for FIX.4.2:EXEC->BANZAI: [www.quickfixj.org/<IP_ADDRESS>] INFO: Authorised IPs for FIX.4.2:EXEC->SONOFBANZAI: [/<IP_ADDRESS>, /<IP_ADDRESS>, www.quickfixj.org/<IP_ADDRESS>, /<IP_ADDRESS>]
New connections will be validated against the authorised IPs once the first message is received and closed if they are not valid:
WARNING: [/<IP_ADDRESS>:2633] Closing FIX.4.2:EXEC->BANZAI connection from unauthorised address.


For static harvests, optionally upload content, or provide a location on the filesystem where the content is.
Next, to identify discrete documents, an XPath expression is needed to help located the records. Here are some examples of how to provide an XPath expression for locating documents.
Finally, an optional XPath expression can be provided to locate a unique, meaningful identifier for each document.


AOA's Jimin goes blonde, stuns fans with her new look
by sl278AOA's Jimin showed off her handsome visuals through a recent Instagram update.
The popular star uploaded the picture on November 19 with the caption "Something's on me and that' handsomeness."
Jimin is indeed looking handsome in a bold army style jacket and headband that bring out her charismatic features. Her blonde hair definitely solidifies the look as well. Fans are loving the new look, stating:
"I became a fan of AOA after watching 'Queendom'. You're gorgeous Jimin."
"Everyone would want to get married to you because you're so handsome."
"She looks good after gaining weight."
What do you think of Jimin's new look?


CONTACT A film review by Mark R. Leeper
Capsule: The first contact with an alien race has a huge impact on society. We see that impact through the eyes of one woman who devoted her life to the search for extraterrestrial life. The film adaptation of Carl Sagan's CONTACT is in some ways a betrayal of Sagan's philosophy and has some hefty revisions to the book. Knowing that I would like to down-rate CONTACT, but I have to admit what remains is a substantial and intelligent film. CONTACT was produced by Sagan and his wife, Ann Druyan, and that may be why so much of the film was on-track. While not perfect, it is the best science fiction film we have gotten in a good long time. Rating: low +3 (-4 to +4) 8 (0 to 10) Spoiler warning: there are minor spoilers in the main body and larger ones in the afterward.
Jodi Foster has obviously gotten a little more sanguine on science for gifted children since she directed and starred in LITTLE MAN TATE. That was the film in which she had a budding scientific prodigy saying "I am working on an experiment involving sulfuric acid, lasers, and butterflies." In CONTACT she plays one of those prodigies grown up in a film considerably more positive on science. This is the story of the career of the fictional Dr. Eleanor Arroway (Foster) who at an early age was bitten by the astronomy bug. Her mother died giving birth to her and her father, Ted (David Morse of THE CROSSING GUARD) instilled in her the love of science to devote her career to SETI, the search for extra-terrestrial life. The SETI project turns out to be professional suicide in the field of astronomy. But she feels compelled to listen to the sky and to search for signs of intelligent life. The career choice earns her no respect from her colleagues, and it makes life a constant set of battles for even minimal funding. Her chief nemesis and occasional boss David Drumlin (Tom Skerritt), National Science Advisor to the President, who one way or another betrays her at every opportunity.  When funding has run out and Drumlin is forcing her off the Very Large Array, the huge radio telescope made of twenty-three dish antennae, in the desert of New Mexico, suddenly she hears a signal that can mean only an intelligent alien broadcast. This is a scene we have seen recently in INDEPENDENCE DAY and THE ARRIVAL, but never with the scientific verisimilitude that we have here. Arroway announces to the world that contact has been made and nothing is ever the same again.
And now the film takes off and continues as a high pace until the end. We start with a very believable picture of just what would happen if such an announcement were made. The National Security Advisor Michael Kitz (James Woods) struggles to take control of any information received from the aliens, so does Drumlin, each trying to get the ear of the President. (My credits list has Sidney Portier playing the President, but apparently in a last minute substitution they have William Clinton in the role. The film is, after all, directed by Robert Zemeckis who had several Presidents appearing in FORREST GUMP. It is sure to be a controversial piece of casting, but I think Clinton does a fine job as the President.) CONTACT is not just a political drama about the after-effects of contacting alien life in space. This is a long film that keeps going and going--almost three hours long--and if you have seen the trailer you will find that the science fiction content is certainly there if you wait for it. If you have read the book, you may be a bit disappointed, since there is far more science fiction content in the original story, but the film does not exactly remain earthbound either.
The opening sequence demonstrating for us how far into the galaxy our radio broadcasts have reached is both breath-taking and scientifically informative. The film is almost worth seeing just for that sequence. Other scenes are technically impressive, but a little nonsensical. In one tracking shot the camera leads Arroway running up a flight of stairs and into a bathroom and in the end we see we are seeing her in the medicine cabinet mirror and have been through the scene. There is enough good in CONTACT to make a film I would give very high marks to, and enough that is irritating for me to really down-rate it. Generally when that happens I try to excuse the faults. So while I thought there was much that was dishonest about CONTACT, overall I would have to give it a low +3 on the -4 to +4 scale.
SPOILER WARNING
Visually you could not ask for a lot more from the film, with one major exception. While it is not chock full of special effects and the mattes of the Transporter seen from a distance are not convincing, the design of the Transporter is just about as believable as an interstellar transporter could be. The scenes of the Transporter running were stunning, and the journey was terrific though perhaps a little derivative of 2001: A SPACE ODYSSEY. Then she plops down at the far end and it is the "Oh, shoot!" experience.  It was like watching THE BLACK HOLE II.
There is so much that is right with this film and so much that is wrong, it is hard to know where to begin to evaluate the ideas. The film I would have liked to see is the one this would have been if Carl Sagan had not died during the production. I cannot be positive it would be different, but aspects of this film seem to run very counter to what I understand as Sagan's philosophy. Places where the book took chances and had some engaging thoughts about religion and faith have been reframed to change their meaning. Certainly false information would never have been added to the arguments in the film. (The film claims that 95% of the world's population believes in a Supreme Being. Actually about 21% of the world is atheist or non- religious and while there may be some who believe in a Supreme Being among the non- religious, there are certainly also atheists and agnostics who at least nominally belong to religions. This also makes the dubious assumption that Confucians and Shintoists believe in a Supreme Being. The 95% figure used in the film is wildly inaccurate.)
What I did find surprising was people in the audience getting angry because the "hero" of the film implied that she was either an atheist or an agnostic. She never tries to convince anyone to agree with her, she simply explains why she believes what she does. Other people punish her for her belief and nobody in the audience got (audibly) upset about that. Apparently with everything else this film does, it gets people agitated at its ideas. The novel actually had a nice piece looking at what could be a proof of the existence of God, while the film turns into an affirmation of religious faith in its final scenes. And Arroway complains that Drumlin tells the people what they want to hear about his views on religion!
Mark R. Leeper<EMAIL_ADDRESS>Copyright 1997 Mark R. Leeper
The review above was posted to the
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Related links: index of all rec.arts.movies.reviews reviews


Mr. Leach teaches first and third year engineering classes.
Mr. Guthrie teaches second and fourth year engineering classes.
Principles of Engineering and Technology is a first year, introductory courses for the Engineering CTE Pathway. This course teaches basic skills used in the fields of engineering and technology. Students learn the engineering design process, the basics of sketching and technical drawings, and how to evaluate products. They also complete projects using the design process and learn to communicate their results effectively to others.
Engineering Design I is a second year course in the engineering CTE pathway, typically taken by sophomores. This course introduces students to various engineering disciplines and goes deeper into the design process. Students also learn about mechanisms, energy, thermodynamics, electrical systems, and control systems. The class is largely project-based and involves high levels of collaboration, as well as friendly competition.
Engineering Design II is a third year class in the engineering CTE pathway, typically taken by juniors. This course is designed to prepare students for postsecondary education in the fields of engineering and technology. Students learn about engineering ethics, control systems, fluid power systems, free body diagrams, and the use of standard engineering notebooks. Class activities include use of tools, economic analysis, solo and group projects, and presentation of design solutions.
Engineering Practicum is a fourth year capstone course in the engineering CTE pathway. The main focus of this course is the independent development of a product that interests each student using the engineering design process. The product is used to complete an engineering-focused Senior Thesis, which is a graduation requirement for the school.
Central Magnet School's Engineering CTE Program is a four year program designed to foster interest in engineering and
help students gain skills for postsecondary education in engineering and technology. The courses are largely project based,
with a focus on hands-on learning and collaboration. The program concludes with a capstone class focused on completing a
senior thesis project.
Central also offers a middle school engineering class. A variety of engineering clubs and opportunities are present at
Central, including TSA, FIRST Robotics, ACE, and Society of Women Engineers.


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03.Write a function that finds all the occurrences of word in a text
The search can case sensitive or case insensitive
Use function overloading
Input text:
Input searched word:
Print


---
layout: post
title: Adding error messages in custom Rails validate methods
date: '2015-01-06T21:39:00.000-08:00'
author: Mark J. Lehman
tags:
- rails
- ruby
modified_time: '2015-08-21T10:08:38.684-07:00'
blogger_id: tag:blogger.com,1999:blog-4459370175540830177.post-5848926012009002206
blogger_orig_url: http://spaghettirefactory.blogspot.com/2015/01/adding-error-messages-in-custom-rails.html
---
If you've ever needed custom validators in Rails, this is what you need in your methods when something doesn't pass a validation:
errors.add(:base, 'A star count score must be within the range of 0 to 5.')
object.errors
If you tweak it slightly to this, it becomes more extensible:
errors.add(:star_count, 'score must be within the range of 0 to 5.')
object.errors.full_messages.each do |message|
and it will basically output this: “#{:star_count.to_s.capitalize} score must be within the range of 0 to 5.”


Jeepers Creepers (2001) Reviewed by Eugene Novikov http://www.ultimate-movie.com/
"Jeepers... Creepers... Where'd you get those peepers?"
Starring Justin Long, Gina Philips. Directed by Victor Salva. Rated R.
Jeepers Creepers is a functional, crafty, genuinely scary little chiller that delivers exactly what it promises and more. There's nothing extraordinary about it - except, perhaps, the ending; more on that later - but it's a masterpiece of utilitarian effectiveness. My friends tell me that copious amounts of movies have desensitized me to the thrills of a good horror flick; it's saying something, then, that during Jeepers Creepers I had to look at the people around me and remind myself that it's only a movie.
Horror movie characters are almost invariably "hip" now, flouting the clichés of the genre while at the same time bowing to them. So I was pleasantly surprised to see one that - with the exception of a single, inconsequential line of dialogue - plays it completely straight. It begins with Trish and Darry, a brother and sister - the lack of a token "romance" is also refreshing - driving on a deserted rural road. Their bickering is interrupted when they are hassled by an old farm truck that pulls up behind hen, bumps them, swerves, honks, and finally runs their car off the road and into a field. They dust themselves off, recover, mutter something to the effect of "crazy asshole" to themselves and continue on their way.
A few minutes later, they pass an abandoned church. The menacing truck is parked nearby, and a shady-looking man is throwing elongated objects wrapped in red-stained sheets down a pipe. Rattled, they pull over a couple of miles down the road. After deliberation, they decide to go to the nearest police station, alert the authorities and be on their way.
Well, that would have been the smart thing to do, at least. But then we wouldn't have a movie, would we?   What they find matches both of those descriptions, and before long they are chased by that same old farm truck, the driver's identity remaining a secret until they get a mysterious phone call from a psychic who tells them that once it has their scent, it won't chase them to the end of the earth and back.
Though Jeepers Creepers does not occupy a respected genre, it is charged, masterful filmmaking.  Even the title, which seems at first like the creation of a mildly retarded publicist, has a logical and frightening relevance to the plot.
Justin Long and Gina Phillips are competent in the lead roles, which is all that the plot requires. We sympathize: they're frightened and so are we. The opening sequence, the only part of the film that can be described as "low-key" also establishes their characters as likeable, which is a plus because it ensures that we won't be cheering for them to be eaten.
Then there's the ending, which is as abrupt as it is surprising. I'll say nothing more about it, except to mention that though others in the theater were shouting "That's it?!" I found it more satisfying than any number of conventional dispatchings of the villain that you always see in monster movies. I expected another fade-in, and had to sit there and blink for a while when the credits unexpectedly began to roll. That sort of incredulous shock is what Jeepers Creepers is all about.
Grade: B+
Up Next: Serendipity
©2001 Eugene Novikov
========== X-RAMR-ID: 29637 X-Language: en X-RT-ReviewID: 252365 X-RT-TitleID: 1109558 X-RT-SourceID: 610 X-RT-AuthorID: 1577 X-RT-RatingText: B+
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


WITNESS LIST Subcommittee on Higher Education Committee March 22, 1999-2:00P HB 229 Registering, but not testifying: On: Fannin, William (UT Permian Basin), unknown SB 149 Registering, but not testifying: On: Barber, T.J. (UT Arlington), Arlington Panton, Jeannie (UT Arlington), Arlington Witt, Robert E. (UT Arlington), Arlington SB 562 Registering, but not testifying: On: Sanders, Mike (Texas Tech Univ.), Lubbock SB 590 FOR: Bushell, Gary (Greater Corpus Christi Business Alliance), Corpus Christi Cavazos, Eddie (Driscoll Children's Hospital), Austin Griffin, Bill N., MD (Nueces County Medical Society), Corpus Christi ON: Cisneros, Marc (Texas A & M Kingsville), Austin Friedland, Michael (TAMUS Health Science Center), College Station Noren, Jay (Texas A & M Hsc.), College Station Thompson, Barry (Texas A & M University System), College Station Ulguson, Robert (Texas A & M- Corpus Christi), Corpus Christi Registering, but not testifying: For: Campbell, Jim (City if San Antonio), San Antonio Dumas, Duwayne (Coastal Bend College), Austin Hooser, Greg (Scott & White Hospital & Clinic), Austin Posey, Daniel (Scott & White Memorial Hospital), Temple Shields, Chris (City of San Antonio), Austin On: Dyck, Walter (TAMU Hsc./ Scott& White), Temple SB 746 ON: Adanto, Richard (UT El Paso), El Paso SB 900 ON: Diebel, Phil (Univ. of North Texas), Denton Parker, Walt (Univ. of North Texas), Denton SB 940 Registering, but not testifying: On: McAllister, Brad (Southwest Texas State Univ.), San Marcos Nance, William (Southwest Texas State Univ.), San Marcos Rodriguez, David (Southwest Texas State Univ.), San Marcos Voges, Kathleen (Southwest Texas State Univ.), San Marcos SB 947 FOR: Bravenec, Edward (Texas Union Board of Directors), Austin AGAINST: Mulcahy, Michael (Self), Austin Prou, Spencer (Self), Austin Registering, but not testifying: On: Vick, James (UT), Austin SB 979 FOR: Grimes, Gant (Midwestern State University), WF ON: Rodriguez, Louis (Midwestern State University), Wichita Falls SB 1716 ON: Lee, Elwyn (University of Houston), Houston Ray, Justin (University of Houston), Houston SB 1763 ON: Bajwa, Husnain (UT Student Government), Austin Donde, Abby (UT Student Government), Austin Registering, but not testifying: On: Ali, Mazhar A. (Student Health Advisory Committee), Austin Carpenter, Jeanne (UT Austin), Austin Vick, James (UT Austin), Austin SB 1765 Registering, but not testifying: For: Findlay, Patrick (UT Gregory Aquatics Project Student Committee), Austin Holand, Annie (UT Student Government), Austin On: Vick, James (UT), Austin


Meeeeouuuuuw
Meeeou meouewww meowwww grrrrr meooow meouuuuuuwww...
Meeeou meowwww grrrrr meooow meouuuuuuwww meouewww brrr brr meouwwwww meeeeeouuuuuu brrr brr meouwwwww meeeeeouuuuuww.
Meeeou meouewww meowwww grrrrr meooow meouuuuuuwww...
Meeeou meowwww grrrrr meooow meouuuuuuwww meouewww brrr brr meouwwwww meeeeeouuuuuu brrr brr meouwwwww meeeeeouuuuuww.
I think something very weird is going on with me...
I have never liked tuna, but since yesterday I cannot get enough of it. I have also developed a huge fondness for my former cats yarn plaything. Could it be true? Am I becoming a cat?
 Why not eat my cat?...


We can help you sort through hundreds of awesome pedal programs and find the precious few you'll take to your grave...
Want every possible variation of a Shimmer Reverb, or half a dozen Ping Pong delays? You'll have plenty of options to dial in the perfect sound...
Want to explore dozens or hundreds of pedals? Maybe even write your own?! This is the platform for you...


--- layout: post podcast_file_name: 'episode7.mp3' duration: '05:09' data_length: '6187392' published: true title: Episode 7 --- {% include post_start.html %} {% include note.html project='CPDColors' version='0.1.0' author='Boris Bügling' twitter='NeoNacho' description='Stay true to the brand with these orta-sanctioned colors.' homepage='https://github.com/neonichu/CPDColors' source='https://github.com/neonichu/CPDColors' %} {% include note.html project='UzysAnimatedGifPullToRefresh' version='0.9.1' author='UzysJung' twitter='uzysjung' description='Add PullToRefresh using animated GIF to any scrollView with just simple code' homepage='https://github.com/uzysjung/UzysAnimatedGifPullToRefresh' source='https://github.com/uzysjung/UzysAnimatedGifPullToRefresh' %} {% include note.html project='BSRefreshableScrollView' version='1.0.1' author='Sasmito Adibowo' twitter='cutecoder' description='An `NSScrollView` subclass that supports pull-to-refresh both in the top and bottom edges.' homepage='http://cutecoder.org/tag/bsrefreshablescrollview/' source='https://github.com/adib/RefreshableScrollView' %} {% include note.html project='Choosy' version='0.6.0' author='Alex Novosad' twitter='choosyios' description='Effortlessly enable choosing of apps for external actions like browsing, emailing, tweeting, etc.' homepage='http://choosy.substantial.com' source='https://github.com/substantial/choosy' %} {% include note.html project='JSQMessagesViewController' version='5.0.0' author='Jesse Squires' twitter='jesse_squires' description='An elegant messages UI library for iOS.' homepage='https://github.com/jessesquires/JSQMessagesViewController' source='https://github.com/jessesquires/JSQMessagesViewController' %} {% include note.html project='TeslaApiObjectiveCWrapper' version='1.0.0' author='Tim Flack' twitter='tflack' description='Objective-C Wrapper For Tesla Model S APIs' homepage='https://github.com/tflack/tesla-api-objectivec' source='https://github.com/tflack/tesla-api-objectivec' %} {% include note.html project='JPMBoundingCoordinates' version='1.0' author='Andrew Podkovyrin' twitter='podkovyr' description='Finding Points Within a Distance of a Latitude/Longitude Using Bounding Coordinates' homepage='https://github.com/podkovyrin/JPMBoundingCoordinates' source='https://github.com/podkovyrin/JPMBoundingCoordinates' %} {% include note.html project='StarRatingView' version='1.0.0' author='liaojinxing' twitter='' description='Star rating view, often used in vote. Easy to use, and flexible configurations' homepage='https://github.com/liaojinxing/StarRatingView' source='https://github.com/liaojinxing/StarRatingView' %}
Soundtrack: Summer Dreamin' by mGee, "Old Orchard Beach".
{% include post_end.html %}


When writing objects for Max, you typically think of creating methods which are called when a message is sent to your object through the object's inlet.
However, your object may receive messages directly from Max rather than using the inlet.
One common example is the "assist" message, which is sent to your object when a user's mouse cursor hovers over one of your object's inlets or outlets. If your object binds a method to the "assist" message then you will be able to customize the message that is shown.
This appendix serves as a quick reference for messages that are commonly sent to objects by Max, should they be implemented by the given object. Where possible, the prototypes given are actual prototypes from example objects in the SDK rather than abstractions to assist in finding the context for these calls.
Messages for All Objects
| acceptsdrag_locked | long pictmeter_acceptsdrag_unlocked(t_pictmeter *x, t_object *drag, t_object *view); | |
| acceptsdrag_unlocked | long pictmeter_acceptsdrag_unlocked(t_pictmeter *x, t_object *drag, t_object *view); | |
| assist | void pictmeter_assist(t_pictmeter *x, void *b, long m, long a, char *s); | |
| dumpout | | bind this message to object_obex_dumpout() rather than defining your own method. |
| inletinfo | void my_obj(t_object *x, void *b, long a, char *t) | you may bind to stdinletinfo() or define your own inletinfo method.
The 'b' parameter can be ignored, the 'a' parameter is the inlet number, and 1 or 0 should set the value of '*t' upon return. |
| notify | t_max_err dbviewer_notify(t_dbviewer *x, t_symbol *s, t_symbol *msg, void *sender, void *data); | |
| stdargs | t_max_err my_obj(t_dictionary *d, t_symbol *s, long argc, t_atom *argv) | when loading an old (Max 3 or 4) patcher, this will be called prior to your new method. You can then fill in the dictionary with key/value pairs from your previous args. |
| quickref | | obsolete, this is provided automatically now |
Messages for Non-UI Objects
| dblclick | void scripto_dblclick(t_scripto *x); | |
Messages for User Interface Objects
| getdrawparams | void uisimp_getdrawparams(t_uisimp *x, t_object *patcherview, t_jboxdrawparams *params); | |
| mousedown | void scripto_ui_mousedown(t_scripto_ui *x, t_object *patcherview, t_pt pt, long modifiers); | |
| mouseup | void uisimp_mouseup(t_uisimp *x, t_object *patcherview, t_pt pt, long modifiers); | |
| mousedrag | void scripto_ui_mousedrag(t_scripto_ui *x, t_object *patcherview, t_pt pt, long modifiers); | |
| mouseenter | void uisimp_mouseenter(t_uisimp *x, t_object *patcherview, t_pt pt, long modifiers); | |
| mouseleave | void uisimp_mouseleave(t_uisimp *x, t_object *patcherview, t_pt pt, long modifiers); | |
| mousemove | void uisimp_mousemove(t_uisimp *x, t_object *patcherview, t_pt pt, long modifiers); | |
| paint | void pictmeter_paint(t_pictmeter *x, t_object *patcherview); | |
Message for Audio Objects
| dsp | void plus_dsp(t_plus *x, t_signal **sp, short *count); | |
| dspstate | plus_dspstate(t_plus *x, long n); | |
Messages for Objects Containing Text Fields
| key | long uitextfield_key(t_uitextfield *x, t_object *patcherview, long keycode, long modifiers, long textcharacter); | |
| keyfilter | long uitextfield_keyfilter(t_uitextfield *x, t_object *patcherview, long *keycode, long *modifiers, long *textcharacter); | |
| enter | void uitextfield_enter(t_uitextfield *x); | |
| select | void uitextfield_select(t_uitextfield *x); | |
Messages for Objects with Text Editor Windows
| edclose | void simpletext_edclose(t_simpletext *x, char **text, long size); | |
Messages for Dataview Client Objects
| getcelltext | void dbviewer_getcelltext(t_dbviewer *x, t_symbol *colname, long index, char *text, long maxlen); | |
| newpatcherview | void dbviewer_newpatcherview(t_dbviewer *x, t_object *patcherview); | |
| freepatcherview | void dbviewer_freepatcherview(t_dbviewer *x, t_object *patcherview); | |


Server:
server:
control id:
Connect
Control:
freq(hz):
level(db):
interval(ms):
duration(ms):
Add Task
Preview control:
Start/Update
Stop
Tasks:
(Last active:
Never
)
Pending Tasks:


| adjust | Adjust data for the effect of other variable(s) |
| center | Centering (Grand-Mean Centering) |
| center.data.frame | Centering (Grand-Mean Centering) |
| center.numeric | Centering (Grand-Mean Centering) |
| change_scale | Rescale Variables to a New Range |
| convert_data_to_numeric | Convert data to numeric |
| data_addprefix | Convenient dataframe manipulation functionalities |
| data_addsuffix | Convenient dataframe manipulation functionalities |
| data_adjust | Adjust data for the effect of other variable(s) |
| data_findcols | Convenient dataframe manipulation functionalities |
| data_match | Find row indices of a data frame matching a specific condition |
| data_partition | Partition data into a test and a training set |
| data_relocate | Relocate (reorder) columns of a data frame |
| data_remove | Convenient dataframe manipulation functionalities |
| data_rename | Convenient dataframe manipulation functionalities |
| data_rename_rows | Convenient dataframe manipulation functionalities |
| data_reorder | Convenient dataframe manipulation functionalities |
| data_rescale | Rescale Variables to a New Range |
| data_rescale.data.frame | Rescale Variables to a New Range |
| data_rescale.grouped_df | Rescale Variables to a New Range |
| data_rescale.numeric | Rescale Variables to a New Range |
| data_restoretype | Restore the type of columns according to a reference data frame |
| data_to_long | Reshape (pivot) data from wide to long |
| data_to_numeric | Convert data to numeric |
| data_to_wide | Reshape (pivot) data from wide to long |
| data_transpose | Transpose a dataframe |
| degroup | Compute group-meaned and de-meaned variables |
| demean | Compute group-meaned and de-meaned variables |
| describe_distribution | Describe a distribution |
| describe_distribution.data.frame | Describe a distribution |
| describe_distribution.factor | Describe a distribution |
| describe_distribution.numeric | Describe a distribution |
| detrend | Compute group-meaned and de-meaned variables |
| format_text | Convenient text formatting functionalities |
| kurtosis | Compute Skewness and (Excess) Kurtosis |
| nhanes_sample | Sample dataset from the National Health and Nutrition Examination Survey |
| normalize | Normalize numeric variable to 0-1 range |
| normalize.data.frame | Normalize numeric variable to 0-1 range |
| normalize.grouped_df | Normalize numeric variable to 0-1 range |
| normalize.numeric | Normalize numeric variable to 0-1 range |
| print.parameters_kurtosis | Compute Skewness and (Excess) Kurtosis |
| print.parameters_skewness | Compute Skewness and (Excess) Kurtosis |
| ranktransform | (Signed) rank transformation |
| ranktransform.data.frame | (Signed) rank transformation |
| ranktransform.grouped_df | (Signed) rank transformation |
| ranktransform.numeric | (Signed) rank transformation |
| rescale_weights | Rescale design weights for multilevel analysis |
| reshape_ci | Reshape CI between wide/long formats |
| reshape_longer | Reshape (pivot) data from wide to long |
| reshape_wider | Reshape (pivot) data from wide to long |
| skewness | Compute Skewness and (Excess) Kurtosis |
| smoothness | Quantify the smoothness of a vector |
| standardize | Standardization (Z-scoring) |
| standardize.data.frame | Standardization (Z-scoring) |
| standardize.numeric | Standardization (Z-scoring) |
| summary.parameters_kurtosis | Compute Skewness and (Excess) Kurtosis |
| summary.parameters_skewness | Compute Skewness and (Excess) Kurtosis |
| text_concatenate | Convenient text formatting functionalities |
| text_fullstop | Convenient text formatting functionalities |
| text_lastchar | Convenient text formatting functionalities |
| text_paste | Convenient text formatting functionalities |
| text_remove | Convenient text formatting functionalities |
| text_wrap | Convenient text formatting functionalities |
| to_numeric | Convert to Numeric (if possible) |
| unstandardize | Standardization (Z-scoring) |
| visualisation_recipe | Prepare objects for visualisation |
| winsorize | Winsorize data |
| winsorize.numeric | Winsorize data |


|
Projections
2.0
This program calculates the projection of an arbitrary point on a given line, which is made up of line segments.
|
The program takes three arguments: name_file x y z name_file is file with line x, y and z are coordinates of the point The program prints output of the following form segment n parameter s point x y z n is number of segment of line s is a parameter that shows the part of the segment that the projection falls on. This parameter ranges from 0 to 1. The minimum distance to the line is defined as a perpendicular. If the perpendicular does not fall on the segment, then the nearest edge of the segment is selected.
Example:
./main data.dat 2 0.5 0.5
Output:
Segment 2 parameter 0.75 point 1.75 0.75 0 Segment 3 parameter 0.25 point 2.25 1 0.25
Computing:
where – an input point, – a projected point and – start point of piece of line.


Next: warning, Previous: Conditions Dictionary, Up: Conditions Dictionary
[Reviewer Note by Barrett: I think CONDITION-RESTARTS is not fully integrated.]
All types of conditions, whether error or non-error, must inherit from this type.
No additional subtype relationships among the specified subtypes of type condition are allowed, except when explicitly mentioned in the text; however implementations are permitted to introduce additional types and one of these types can be a subtype of any number of the subtypes of type condition.
Whether a user-defined condition type has slots that are accessible by with-slots is implementation-dependent. Furthermore, even in an implementation in which user-defined condition types would have slots, it is implementation-dependent whether any condition types defined in this document have such slots or, if they do, what their names might be; only the reader functions documented by this specification may be relied upon by portable code.
Conforming code must observe the following restrictions related to conditions:
define-condition, not defclass, must be used to define new condition types.
make-condition, not make-instance, must be used to create condition objects explicitly.
The :report option of define-condition, not defmethod for print-object, must be used to define a condition reporter.
slot-value, slot-boundp, slot-makunbound, and with-slots must not be used on condition objects. Instead, the appropriate accessor functions (defined by define-condition) should be used.


| Date Reported | Issue | Paid By | Cost | Status | Options | ||
|---|---|---|---|---|---|---|---|
|
|
|||||||
| No Data Found ! | |||||||
|
${item.date_reported} active |
${item.issue} | ${item.paid_by} | ${item.cost} | Fixed Not Fixed |
|


THAT THING YOU DO (soundtrack) A film review by<EMAIL_ADDRESS>Copyright 1996<EMAIL_ADDRESS>(Soundtrack) - That Thing You Do - Play-Tone/Epic EK 67828
If someone sat down to write a song that would lodge itself in my brain FOREVER, they would have a hard time topping Adam Schlesinger's title tune from Tom Hanks new film. Picking up its inspiration from the Beatles, Searchers, Beau Brummels and all the other great harmony beat groups of the '64-'65 era, Schlesinger has penned a killer hook, and the musicians and producers have fashioned that hook into one of this year's greatest pieces of ear candy.
On one level it's simply a tribute to the era, but on another I think it's a true work of pop music art - something that either would have been a huge hit in 1964, or would have appeared on a Rhino comp in '96, leaving us all to wonder why it *wasn't* a huge hit when it was released.
The film plays the song over and over, in full and in fragment, perhaps 10 or 11 times. I *never* got tired of hearing it. I ran to Tower Records after seeing the film so I could get the soundtrack as soon as possible. It's the sort of single that had me thumbing up and down the radio dial in '65 trying to hear it just one more time. The sheer exuberance of the performance is something we just don't hear too much these days.
That said, this soundtrack album is anything but a one-hit wonder. Hanks and his crew have fashioned an album full of songs that evoke the era - capturing a good part of the breadth of music that was on the charts at the time.
Starting with The Norm Wooster Singers', the film sets the stage for the second re-emergence of rock 'n' roll, with British and American bands pulling us out of the doldrums of teen idols and Mitch Miller inspired sing-a-longs. Norm Wooster's "Loving You Lots and Lots" brilliantly sounds out the inanity that was much of popular music after the fade of rock's pioneering 50s acts.
 Four more Wonders' tracks follow, including the Marshall Crenshaw-esque "Little Wild One", the bluesy dance number "Dance With Me Tonight", the ballad "All My Only Dreams", and the reprise "I Need You (That Thing You Do)". Each captures the soul of 60s pop (chiming guitars, bass string solos, effortless harmonies, unforgettable hooks) more than I'd ever expect from "mere" soundtrack music.
Also included is "She Knows It", a single from The Heardsmen (the fictional follow-on to the Wonders) that features some ahead-of-its-time phasing effects; "Mr. Downtown", Freddy Fredrickson's ode to Peter Gunn; "Hold My Hand, Hold My Heart", the Chantrellines salute to Phil Spector; The Saturn 5's surf-space instrumental "Voyage Around The Moon"; Diane Dane's "My World is Over" - with the sound of Petula Clark or Dionne Warwick; the early-60s harmony car rock of The Vicksburgs' "Drive Faster"; the Beach Party rock of "Cap'n Geech and the Shrimp Shack Shooters"; and the West Coast jazz of Del Paxton.
Who sang these? The Wonders' vocals remind me a lot of The Rembrandts. Anyone know for sure.
This LP immediately has leaped to my favorite of the year. --
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends "layout.html" %} {% block page_title %} Fresh Start - Birth Certificate {% endblock %} {% block content %} Back Do you have a social security card? Where should we send your new passport? Yes Beautiful! You can skip ahead to the next step. No No Problem! Let's walk you through how to get it.. What is this? This is a document created by government for every resident born in the state of Alaska and the United States. If you were born in the USA, but don't have this paper document with you, Click 'No' and we will tell you how to get one. If you are a native or rural Alaskan, you will have something different [go here]. {% endblock %}


St Brendan's secure sixth O’Sullivan Cup title of the decade
Kerry Post-Primary Senior A Schools Final
St Brendan's College Killarney 3-18 - 1-12 Intermediate School Killorglin
St Brendan's College Killarney repeated their Corn Uí Mhuirí success of just seven days earlier with a 12-point victory over Intermediate School Killorglin in Fitzgerald Stadium to give them their sixth O’Sullivan Cup title in Kerry this decade after winning ‘five-in-a-row’ between the years 2013 and 2017.
Emmet O’Shea and William Shine goals gave them a lead of 2-9 to 1-3 at half-time as Eoghan Hassett (1-4 in total) scored ISK’s goal in the 18th minute.
The Mid-Kerry school did threaten a comeback late on, trailing by six points with seven minutes left, but Ryan O’Grady’s 54th-minute goal ended the game as a contest.
O’Shea (1-5), O’Grady (1-4), Shine (1-3), and Dylan O’Callaghan (0-4) accounted for 3-16 in The Sem’s comfortable win.
Scorers for St Brendan's: E O’Shea (1-5, 2f), R O’Grady (1-4, 2f), W Shine (1-3), D O’Callaghan (0-4), J Kerins & R Doyle (0-1 each)
Scorers for ISK: E Hassett (1-4, 2f), M Leslie (0-3, 3f), G Hassett (2f) and D McGillicuddy (0-2 each) and R Murphy (0-1)
St Brendan's College: E Moynihan (Glenflesk); C O’Leary (Killarney Legion), M Cooper (Dr Crokes), N O’Shea (Dr Crokes); R Doyle (Fossa), T Sparling (Dr Crokes), E Looney (Dr Crokes); E O’Sullivan (Legion), M Lenihan (Dr Crokes); J Kerins (Dr Crokes), R O’Grady (Legion), T Doyle (Dr Crokes); W Shine (Legion), D O’Callaghan (Firies), E O’Shea (Fossa)
Subs: C Ryan (Listry) for O’Leary (h/t), P Looney (Dr Crokes) for T Doyle (40), I Buckley (Dr Crokes) for Kerins (49), T Houlihan (Rathmore) for E Looney (51), E Benson (Legion) for O’Callaghan (57) and F Houlihan (Rathmore) for R Doyle (59).
Intermediate School Killorglin: J McGillicuddy (Glenbeigh/Glencar); S Cleary (Laune Rangers), E Coffey (Beaufort), Niall Carey (Beaufort); C Moriarty (Laune Rangers), K O’Sullivan (Cromane), I Crowley (Glenflesk); S O’Brien (Beaufort), E Clifford (Laune Rangers); R Murphy (Listry), M Leslie (Laune Rangers), D McGillicuddy (Glenbeigh/Glencar); K Dennehy (Beaufort), G Hassett (Laune Rangers), E Hassett (Laune Rangers)
Subs: D Blennerhassett (Cromane) for Carey (38), M Reenstierna (Laune Rangers) for Leslie (43), C Spillane (Milltown/Castlemaine) for Dennehy (56), E Healy (Cromane) for Crowley (57) and M O’Donnell (Laune Rangers) for Moriarty (59)
Referee: T McCarthy (Castleisland Desmonds)
READ MORE
14-man Flannan's dig deep to secure spot in Harty Cup last eight


Result:
An executable will be run or DLL will be loaded when specific events occur, such as boot or login or process execution, as active user or SYSTEM.
Example:
xcopy executabletorun.exe "\\REMOTECOMPUTERNAME\C$\ProgramData\Microsoft\Windows\Start Menu\Programs\Startup\e.exe"
Command will run every time a user logs in as the user. Other options include DLL hijacks or writing an MOF to the %WINDOWS%\system32\wbem\mof that will be executed automatically by WMI in older OS's
.
Implementation Details:
Writing to remote administrative shares using SMB. (TCP port 139 or 445 owned by kernel)


NETQUIZ WEB INSTALLATION
The Netquiz Web Installation Guide is available here: http://aide.ccdmd.qc.ca/nqw/en/node/136.
If you need help, send a copy of this file to your web hosting provider, so that the provider can prepare the server and transmit instructions to you regarding the steps required for installation.
INFORMATION FOR WEB HOSTING SERVICE PROVIDERS
Create a MySQL database for Netquiz Web. The MySQL user associated to this database must have the following privileges: Select, Insert, Update, Delete, Index, Create temporary tables, Execute, Create, Alter, Drop, Lock tables, References and Create routine.
Send the following information to enable the user to complete the installation:
1) MySQL database information
2) FTP access information for uploading Netquiz Web to the server
As needed, provide:
3) The URL assigned to the Netquiz Web main folder
http://<main folder address>
Once the user has transferred Netquiz Web on the server, he may need your help to ensure that the web server has write permissions in the following sub-folders:
If you have questions or experience technical problems, contact technical support at<EMAIL_ADDRESS>Thank you for your interest in CCDMD resources.


Georgia Institute of Technology
Aug 2015 - May 2019
B.S. Computational Media (Computer Science and Literature, Media, and Communications/Digital Media and Design)
Concentrations: People, Interactive media and Experimental Design
IT University of Copenhagen
Aug 2018 - Jan 2019
B.S. Digital Media and Design (Exchange)
Sony Pictures Entertainment
Digital Creative Services Intern (May 2018 - Aug 2018)
Universal Pictures
Games and Digital Products Intern (Jan 2017 - May 2017)
Kynplex
Graphic and UI/UX Intern (Jul 2016 - Sep 2016)
Rio de Janeiro Olympics
Transport Team Member (Jul 2016 - Aug 2016)
Georgia Tech Office of Undergraduate Edcuation
Graphic Design Student Assistant (Jan 2018 - May 2018)
Cady Studios
Photographer (Jun 2016 - Aug 2016)
Johns Creek Chamber of Commerce
Marketing Intern (Aug 2014 - Dec 2014)
Bitcoin Club @ Georgia Tech
VP of Marketing (May 2016 - Dec 2016)
Alpha Kappa Psi Professional Business Fraternity
Operational Logistics Director (May 2016 - Jan 2017)


This paper is an industrial report on a project for migrating an airport management system from a Bull mainframe using COBOL as a programming language and IDS as a database system to a distributed UNIX platform using Java and Oracle. The focus here is on the automated language transformation, performed in three phases -- reengineering, conversion and refinement. The tools used are COBRedo for reengineering the COBOL code, COB2Java for converting COBOL to Java and JavRedoc for documenting the converted Java code. The paper describes the migration process and the tools used in it and the reviews the current state of the project. Keywords: Migration, Reengineering, Legacy systems, COBOL, Java, Object-oriented transformation.


Send mails
HazzelForms lets you send the form data to as many recipients as you wish. Keep in mind that validation is needed before!
Send mails with PHPMailer (SMTP)
You can pass HazzelForms a PHPMailer instance, which will then be used to send the emails via the SMTP server defined in PHP Mailer:
if($form->validate()){
// set up PHPMailer
// HINT: for clean and reusable code you might want to use e a separate function e.g. "createMailer()" that creates the PHPMailer instance
$mailer = new PHPMailer(true);
$mailer->isSMTP();
$mailer->Host = ''; // Set the SMTP server to send through
$mailer->Username = ''; // SMTP username
$mailer->Password = SMTP_PASSWORD; // SMTP password (warning: should be stored in a secure place – not hard coded)
$mailer->Port = 465;
$mailer->SMTPAuth = true;
$mailer->SMTPSecure = PHPMailer::ENCRYPTION_SMTPS;
// pass PHPMailer to HazzelForms. HazzelForms automatically resets the recipents and reply-to addresses after each mail.
$form->setMailer($mailer);
// send mail
try {
$form->sendMail(
<EMAIL_ADDRESS>// to
<EMAIL_ADDRESS>// from
<EMAIL_ADDRESS>// reply-to (optional, defaults to from)
'Contact Form', // sender name (optional, defaults to "HazzelForms")
'New inquiry', // subject (optional, defaults to "New HazzelForms Message")
'basic' // template (optional, defaults to "basic")
);
} catch (Exception $e) {
echo "Message could not be sent. Mailer Error: {$mailer->ErrorInfo}";
}
}
The straight forward way (PHP mail()
function)
If you are not ready to use PHPMailer but you still want to test your form, you can skip the $form->setMailer($mailer);
part.
HazzelForms will then try to use the PHP mail()
function to send the mail. Keep in mind that this is not recommended for production use.
if($form->validate()){
// it is as simple as that
$form->sendMail(
<EMAIL_ADDRESS>// to
<EMAIL_ADDRESS>// from
);
}
Templates
Normally HazzelForms takes the 'basic' email template from the mail-templates folder. You can duplicate this template if needed and customize it as you like. Which mail template HazzelForms should use is determined by the sixth parameter of the form->sendMail()
function.
If you have more sophisticated needs, you can also create a template yourself using HazzelForms' template loader. To do this, you need a PHP file that prepares the mail content as HTML. You can use variables in the template and fill them into the template using the inject function of the template loader.
// load template file
$template = new HazzelForms\TemplateLoader('path/to/your/template.php');
// inject variables (you can access them in the template file using $vars['firstname'])
// NOTE: the form fields from HazzelForms are automatically injected as $fields array
$template->inject([
'firstname' => 'John',
'lastname' => 'Doe',
]);
// send mail
$form->sendMail(
<EMAIL_ADDRESS><EMAIL_ADDRESS><EMAIL_ADDRESS>'Contact Form',
'New inquiry',
$template, // pass your template loader instance to HazzelForms (instead of the template name)
);


Web Application Error
Sorry, but there is an error with the page you requested
Please e-mail
Scientific Software
for help


--- layout: default Title: Pay your Council tax Breadcrumb1_url: ../payforit/pay-for-it.html Breadcrumb1_title: Pay for it ---
The easiest way to pay your council tax is by direct debit. You can also pay by bank transfer, with a credit or debit card online, by phone, or in person at a post office or a council office.
Once set up, Direct Debit is the easiest way to pay your council tax. Your payments are taken automatically from your bank account on your preferred payment date (1st or 15th of the month).
Use your bank's online banking website or app to send us a payment or set up a standing order.
To pay online using a card you'll need the amount as well as your council tax account number, which can be found at the top of your paper bill. You can either pay the full amount for the year, or pay by installments as shown on your bill.
Pay using a credit or debit cardCall the automated payments line on 0845 6035058, available 24 hours a day, seven days a week. Payments can only be made by all major credit and debit cards. Calls will cost you 3p per minute plus your phone company's access charge.
Payments can be made at One Stop Shops in Bath, Keynsham and Midsomer Norton.
Self-service payment kiosks are available for cash, debit and credit card payments. These machines are unable to accept £50 notes.
You'll need to have your account / reference / invoice number with you.
Automatic receipts are provided for payments.
If you have a plastic payment card you can pay your Council Tax at your local Post Office. You must always allow for at least 7 days for the payments to reach your Council Tax account. All cheques should be made payable to “Post Office Ltd”. Please keep your receipt as this is your proof of payment.
To request a Post Office payment card, please email your full name, address and Council Tax account number to<EMAIL_ADDRESS>Payment cards usually arrive within 2-3 weeks from receipt of your request.
Please make cheques payable to Bath & North East Somerset Council. Write your name, address and council tax account number on the back of your cheque and send it to the address given on your bill or invoice.
We cannot accept post-dated cheques and we do not send receipts for cheque payments
It can take several days to process cheques, so allow plenty of time for your payment to be credited to your account.


If you have any questions about this project or my future goals concerning this project, feel free to contact me at: jfelton@hmc.edu


Each button triggers a view with content displayed for 5 seconds from the ngOnInit lifecycle event.
The first button will toggle a div with content cached. The test case aim to show how the content is rendered only once using ngxCacheIf. If you click multiple time you won't see the ngOnInit message.
If you click multiple times on the ngIf legacy button the element is rendered each time we click on the button. There is no cache of the previously rendered component. So each time you will see the ngOnInit message.


Medium priority
Go through 'Other Thoughts' document in Methodology and examine
Very low priority
Examine the 'script' command in linux
Scripts to create:
VHostScan integration
DotDotPwn for FTP
Banner grabbers
Screen grabbers


The world of beauty products is endless. Share and discover affordable alternatives to your favorite bestsellers. Find products that work for less...it's that simple. Hello to Beauty.


--- layout: page title: About Me description: This is what I do. ---
Hello everybody, I am Manish Dwibedy - working as a Full Stack Developer professioanally for the past 8 years in the Indian and US markets.
I am very passiote regarding health, fitness, technology and science field and like to read and learn in these fields. I immensely value your feedback in any form, you can drop me an email<EMAIL_ADDRESS>or DM me in the below social media channels.
You can follow here over social media here:


A fun 80s rock video to provide a a glimpse what the Texas Independence Relay is like!
A video to help you train… or not…
The informational video sent to teams before the 2011 TIR
2010 Chisholm Trailers
Governor Rick Perry from the Texas Independence Relay


{% extends "cdadsurvey/base.html" %} {% load i18n %} {% block content %}
You sucessfully changed your password. Please click here to log back in to d[COM]muninty. Thank you!


c-data_subsetting.Rmd
Make some subsets of the data without certain columns and certain rows.
We’ll use the following packages. You’ll need to download them if you haven’t already. I’d try just loading them with library() first (in the next section), then installing if needed.
Only run this code if you haven’t already download these packages. You can run it by removing the “#” in front of the code.
#install.package("here")
#install.package("RCurl")
library(here)
## here() starts at C:/Users/lisanjie/Documents/1_R/git/mammalsmilk
library(RCurl)
## Loading required package: bitops
library(devtools)
library(dplyr)
##
## Attaching package: 'dplyr'
## The following objects are masked from 'package:stats':
##
## filter, lag
## The following objects are masked from 'package:base':
##
## intersect, setdiff, setequal, union
If you haven’t already, download the mammalsmilk package from GitHub (note the “S” between mammal and milk). This is commented out in the code below - only run the code if you have never downloaded it before, or haven’t recently (in case its been updated)
# install_github("brouwern/mammalsmilk")
You can then load the package with library()
library(mammalsmilk)
We’ll start with data the has the major issues cleaned up. This was done in the preceding data cleaning vignette. You can load it just from the package (shown first) or you can try to load the data from your hard drive (shown second).
Within the package, these data are just called “milk”
data("milk")
There are many ways to get data in R. If you want to load the data from your hard drive using the here package as discssed in the data access vignette, your code might look like this..
#file name of cleaned data we want to subset
file. <- "skibiel_mammalsmilk.csv"
#full path
## NOTE: this will be particular to YOUR computer
full.path <- here::here("inst/extdata", #folder
file.) #file name
# load the data
milk <- read.csv(file = full.path)
Check
dim(milk)
## [1] 130 19
The “N” column indicates sample size used in the original paper where the data came from and and isn’t needed. Also, for many analyses we’ll fous on fat, so we’ll drop the other columns.
We can drop columns using the synatx “select(-column.name)”; note
We can do multiple columns by just seperating the names with a comma, including a “-” for each one. (note, no “c(…)” needed!)
milk_fat <- milk %>% dplyr::select(-N,
-prot,
-sugar,
-energy)
We can save this sub-dataset for easy access
#file name
file. <- "skibiel_fat.csv"
# full path
## note: this will be particular to your computer!
full.path <- here::here("inst/extdata", #folder
file.) #file name
write.csv(milk_fat,
file = full.path,
row.names =F)
These data are also stored within the mammalsmilk package and can be accerssed directly using library(“milk_fat”)
For some analyses we’ll focus on just primates and their close-ish relatives. The filter() command lets us just slect the rows we want.
First, let’s make a vector of the names of the taxonomic orders we want
primates.order.and.friends <- c("Rodentia","Primates","Lagomorpha")
milk_primates <- milk_fat %>% filter(ord %in% primates.order.and.friends)
As beofre we can save this.
file. <- "skibiel_primate_fat.csv"
full.path <- here::here("inst/extdata", #folder
file.) #file name
write.csv(milk_primates,
file = full.path,
row.names =F)
These data can also be accessed directly using data(“milk_primates”)


COSI A film review by Ben Hoffman Copyright 1997 Ben Hoffman
COSI, an Australian film which is loosely based on Louis Nowra's experiences as a drama therapist at a mental institution back in the mid 1970s, is short for Mozart's comic opera, COSI FAN TUTTE.
We therefore meet Lewis (Ben Mendelsohn) who has dropped out of college and is looking for employment in something meaningful to him. Offered a job as director of a play at a mental institution and thinking it will be easy, he accepts. Thus begins the story. Lewis quickly realizes that this will not be the snap job he had pictured.
Dealing with willful mental patients who have their own ideas about how the opera should go, trying his best to make some order out of chaos, Lewis fears for his own sanity but before he quits, he suddenly realizes that he really likes the misfits with whom he is in constant contact and decides to give it his best shot.
Although COSI has many things going for it, such as its director who had directed the very funny THE EFFICIENCY EXPERT, some talented Australian actors such as Ben Mendelsohn (THE EFFICIENCY EXPERT, THE YEAR MY VOICE BROKE), Tony Collette (MURIEL'S WEDDING) and EMMA), Barry Otto (STRICTLY BALLROOM) Rachel Griffiths (MURIEL'S WEDDING) and Pamela Rabe (SIRENS) the movie does not quite live up to its potential. Several scenes are quite predictable. Still, it is very funny and certainly worth seeing.
Directed by Mark Joffe.
Rating: 2.5 Bytes
4 Bytes = Superb 3 Bytes = Too good to miss 2 Bytes = Average 1 Byte = Save your money
Ben Hoffman
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


species LMPAs marine range areas protected representation conservation large data projected {border-style px;} #ffffff;} future biodiversity global Supplementary climate distribution area largest represented Marine Table distributions management protection ranges used change median higher (). MPA Nature current key px; species’ systematic {font-family Fig. MPAs available designated environmental font-size including ocean potential probability species, (median Figure However, Target best birds cells conservation. degree double; habitat high important improve increase large-scale long-term new number occurrence proportion provide represent value (Fig. (Supplementary .%), Aichi LMPAs, LMPAs. Species [], average border-color border-width category cell contribution critical decrease effective impacts need phyla planning relative resolution solid; threshold {font-style {font-weight (e.g., Ban Biological Commons Conservation Convention Creative December Maxwell Ocean actual based better bold courier; covered cumulative currently em; ensure improved increasing indicate larger maps material medium meet network pelagic portion proposed protect pt;} remain scenario set skates spatial species. targets threats


Local Weather App
Coordinates
City,
State
Weather
Temp °C
Temp F
Celsius/Fahrenheit
Developed by Aditya Priyadarshi


sig block
`Prev `__
S
`Next `__
--------------
**sig block**: /sig blok/, n.
[Internet and Usenet; often written ‘.sig’ there] Short for ‘signature’,
used specifically to refer to the electronic signature block that most
Unix mail- and news-posting software will
`*automagically* <../A/automagically.html>`__ append to outgoing mail
and news. The composition of one's sig can be quite an art form,
including an ASCII logo, one's choice of witty sayings (see `*sig
quote* `__, `*fool file* <../F/fool-file.html>`__), or
even source code for small programs about which the author wishes to
make a statement; but many consider large sigs a waste of
`*bandwidth* <../B/bandwidth.html>`__, and it has been observed that the
size of one's sig block is usually inversely proportional to one's
longevity and level of prestige on the net. See also `*doubled
sig* <../D/doubled-sig.html>`__, `*McQuary
limit* <../M/McQuary-limit.html>`__.
--------------
+------------------------+----------------------------+------------------------------+
| `Prev `__ | `Up <../S.html>`__ | `Next `__ |
+------------------------+----------------------------+------------------------------+
| SIG | `Home <../index.html>`__ | sig quote |
+------------------------+----------------------------+------------------------------+


Report: Tottenham could send Oliver Skipp and Japhet Tanganga on loan in January
Mauricio Pochettino liked to keep Tottenham’s best youngsters at the club.
by Jay WilliamsJose Mourinho could let Tottenham Hotspur pair Oliver Skipp and Japhet Tanganga leave on loan in January.
According to The London Evening Standard, Mourinho is considering loan moves for his best young players. This will be a change in policy at Tottenham after Mauricio Pochettino’s stance.
Pochettino was insistent that the best young players remained in and around the Tottenham team. The likes of Kyle Walker-Peters and Harry Winks, who are now in the first-team squad, never spent time on loan.
There are three players who fall into this category at the moment. Pochettino did not want to let Troy Parrott, Skipp or Tanganga leave on loan. These three players are on the periphery of the Spurs first-team squad.
Mourinho rates Parrott highly and with a lack of depth in the striker department, the Irish striker could stick around. But Tanganga and Skipp might be spending some time on loan in the Premier League or the Championship.
TBR’s view
A loan spell could be the making of Skipp or Tanganga. Both players have shown plenty of promise but they are not quite ready to be playing each week for Tottenham.
Pochettino’s plan ensured Tottenham had squad depth but Walker-Peters’ development has struggled as a result. Tanganga and Skipp should seek loan moves to show why they can be Spurs players in 2020/21.
Have something to tell us about this article?
Let us know


--- layout: post title: Support for Any and All date: 2010-11-11 17:43:01.000000000 +08:00 categories: - OData protocol - OData tutorials tags: [] status: publish type: post published: true author: OData.org Archive ---
One thing that folks in this list and elsewhere have brought up is the need to express filters based on the contents of a collection, be that a set of related entities or a multi-valued property.
This is because currently there is no easy way to:
This proposal addresses that by introducing two new operators, "any" and "all".
For example it would be nice if this:
~/Movies/?$filter=any(Actors,Name eq 'John Belushi')
could be used to find any John Belushi movie. And this:
~/Orders/?$filter=any(OrderLines,Product/Name eq 'kinect')
would find orders that include one or more 'kinect' orderline. And this:
~/Orders/?$filter=all(OrderLines, Cost gt 400.0m)
would find orders where all orderlines costs more than $400.
All of the above query relationships, but this also needs to work for Multi-Value properties too:
The key difference here from a semantics perspective - is that a multi-valued property is often just a primitive, rather than an entity - so you often need to refer to 'it' directly in comparisons, perhaps something like this:
~/Movies/?$filter=any(Tags, it eq 'quirky')
In this example Tags is a multi-valued property containing strings. And 'it' or 'this' or something similar is required to refer to the current tag.
Given the need to be able refer to the 'current' item being tested in the predicate, perhaps we should force the use of 'it' even when the thing referred to is an entity?
Which would mean this:
~/Movies/?$filter=any(Actors, Name eq 'John Belushi')
Would need to become this:
~/Movies/?$filter=any(Actors, it/Name eq 'John Belushi')
Interestingly forcing this would conceptually allow for queries like this too:
~/Movies/?$filter=any(Actors, it eq Director)
Here we are looking for movies where an actor in the movie is also the movie's director.
Note: Today OData doesn't allow for entity to entity comparisons like above, so instead you'd have to compare keys like this:
~/Movies/?$filter=any(Actors, it/ID eq Director/ID)
Our design must also accommodate nesting too:
~/Movies/?$filter=any(Actors,any(it/Tags, it eq 'Favorite'))
Here we are asking for movies where any of actors are tagged as a favorite.
Notice though that 'it' is used twice and has a different meaning each time. First it refers to 'an actor' then it refers to 'a tag'.
Does this matter?
Absolutely if you want to be able to refer to the outer variable inside an inner predicate, which is vital if you need to ask questions like:
Clearly these are useful queries.
LINQ handles this by forcing you to explicitly name your variable whenever you call Any/All.
from m in ctx.Movies
where m.Actors.Any(a => a.Tags.Any(t => t == "Favorite"))
select m;
from m in ctx.Movies
where m.Actors.Any(a => a.Movies.Any(am => am.Director.ID == a.ID))
select m;
If we did something similar it would look like this:
~/Movies/?$filter=any(Actors a, a/Name eq 'John Belushi')
This is a little less concise, but on the plus side you get something that is much more unambiguously expressive:
~/Movies/?$filter=any(Actors a, any(a/Movies m, a/ID eq m/Director/ID))
Here we are looking for movies where any of the actors is also a director of at least one movie.
Given that it is nice to support nested scenarios like this, it is probably better to require explicit names.
Trying to be flexible for the sake of a little conciseness often leads to pain and confusion down the road, so let's not do that J
That leaves us with a proposal where you have to provide an explicit alias any time you need Any or All.
Per the proposal here are some examples of valid queries:
~/Orders/?$filter=all(OrderLines line, line/Cost gt 400.0m)
~/Movies/?$filter=any(Actors a, a/Name eq 'John Belushi')
~/Movies/?$filter=any(Actors a, a/ID eq Director/ID)
~/Movies/?$filter=any(Actors a, any(a/Tags t, t eq 'Favorite'))
~/Movies/?$filter=any(Actors a, any(a/Movies m, m/Director/ID eq a/ID))
Adding Any / All support to the protocol will greatly improve the expressiveness of OData queries.
I think the above proposal is expressive, flexible and unambiguous, and importantly it also addresses the major limitations of MultiValue properties that a few of you were rightly concerned about.
As always I'm very keen to hear your thoughts…
Alex.


FCA and PSA to retain all brands after merger
by Team ODThe recent merger between FCA and Groupe PSA will create the world's fourth-largest carmaker, behind the VW Group, Toyota and the Renault-Nissan-Mitsubishi Alliance. Combined, the entity sells around 8.7 million cars across numerous brands.
In an interview with an international news outlet, PSA CEO Carlos Tavares said that the combine had no plans to scrap any of the brands that fall under the groups. Groupe PSA owns the Peugeot, Citroen, DS, Opel and Vauxhall brands. FCA owns Abarth, Fiat, Alfa Romeo, Maserati, Lancia, Chrysler, Dodge, Jeep, Ram, SRT, among others. He said that all the brands have a lot of history behind them. This gives each of them a unique strength and the new entity will have to work hard to make the most of these brands' heritage.
Many of FCA-PSA's brands compete in similar segments. Case in point, the upcoming Citroen C5 Aircross will compete with the Jeep Compass when it launches next year. Some of the brands also need to rejuvenated with new models and investments to keep them competitive.
Source: Automotive News Europe


Video sections after renegotiating:
View the console to see logging. The MediaStream object localStream, and the RTCPeerConnection objects pc1 and pc2 are in global scope, so you can inspect them in the console as well.
MediaStream
localStream
RTCPeerConnection
pc1
pc2


Civic roads close for freedom of entry march
Roads in Civic will be closed periodically on Saturday morning, with people heading to the Spilt Milk music festival warned they may face short delays on Northbourne Avenue.
More than 300 officers and sailors from one of Australia's largest warships, HMAS Canberra, are set to march through their namesake city with swords drawn, colours flying and drums beating.
The march will travel from Akuna Street, along Bunda Street, on Northbourne Avenue and onto London Circuit, where ACT chief police officer Ray Johnson will ceremonially challenge commanding officer Captain Terry Morrison, before granting the ship's company freedom of entry to the city.
After the challenge, the parade will continue along London Circuit before turning left into Akuna Street, where it will conclude.
ACT Policing said in a statement the march would begin at 11am, with some periodic road closures in place in Civic between 9am and 12pm to accommodate the march.


We take pride in our team of engineers and website maintainers who make sure all requests are amswered
We take the client's needs very seriously, the client should get his requests promptly through the site and the admins which is our goal
Try our website, tablet and mobile modes because we are available everywhere! Easier for you to use the website.


Late-night host Lilly Singh calls out Disney+'s 'outdated cultural depictions' warnings on old movies
by Jessica NapoliLate-night host Lilly Singh called out Disney+ for its use of "outdated cultural depictions" disclaimers before some of its old movies.
During Thursday's episode of "A Little Late," she disagreed with the new streaming platform's choice to keep content with racist undertones.
"Outdated," she said, "Because we all know racism is dead in 2019, right? I mean, just check my YouTube comments.
DISNEY+ NOT WORKING FOR MANY USERS ON LAUNCH DAY, COMPANY ASKS FOR 'PATIENCE'
"I think Disney missed a few other things that audiences should've been warned about," she continued before going into a new segment on her show titled, "Even More Disney Warnings."
"First up, we need a warning for 'Sleeping Beauty,'" Singh said. "Warning: I can't believe I have to tell you this, but kissing a passed out woman is illegal and terrible."
For "The Lion King," she said, "Warning: This movie depicts gay uncles as backstabbing murderers."
For "The Princess and the Frog," she said, "Warning: Do not adjust color on your screen. Princess is actually black," and lastly she knocked the 2011 film "Thor" with, "Warning: This Thor is the boring one. You're looking for 'Thor: Ragnarok.'"
After Disney+'s launch in early November, users noticed that some of the company's classic content such as “Dumbo” (1941), "The Aristocats" (1970), “The Jungle Book” (1967) and the original “Lady and the Tramp” (1955) all contain a warning at the end of their respective descriptions.
These warnings caution sensitive fans that what they are about to watch contains racial portrayals that might be triggering.
“This program is presented as originally created,” the warning at the end of each description read. “It may contain outdated cultural depictions.”
The content warning seems to stem from the films having characters, or in some cases songs, that contain racial stereotypes.
CLICK HERE TO GET THE FOX NEWS APP
As IGN notes, “Dumbo” has been criticized in the past for depicting two wise-cracking crows that speak in stereotypical African-American voices, played by a white actor. “The Jungle Book” suffers from the same issue with some of its characters, particularly a group of monkeys, being portrayed with negative, dated African and African-American characteristics.
Meanwhile, “Lady and the Tramp” features the infamous “We Are Siamese” song performed by two cats speaking in stereotypical Asian accents, drawn with large buck teeth.
Fox News' Tyler McCarthy contributed to this report.


Colour Solver
XOR Problem
Colour Solver
Training Controls:
Learn rate: 0.1000
Error:
Start
Stop
Reset


|
JavaTM 2 Platform Standard Ed. 5.0 |
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object java.text.FieldPosition
public class FieldPosition
FieldPosition
is a simple class used by Format
and its subclasses to identify fields in formatted output. Fields can
be identified in two ways:
_FIELD
. The constants are defined in the various
subclasses of Format
.
Format.Field
constant, see ERA_FIELD
and its friends in DateFormat
for an example.
FieldPosition
keeps track of the position of the
field within the formatted output with two indices: the index
of the first character of the field and the index of the last
character of the field.
One version of the format
method in the various
Format
classes requires a FieldPosition
object as an argument. You use this format
method
to perform partial formatting or to get information about the
formatted output (such as the position of a field).
If you are interested in the positions of all attributes in the
formatted string use the Format
method
formatToCharacterIterator
.
Format
| Constructor Summary | |
|---|---|
FieldPosition(Format.Field attribute)
Creates a FieldPosition object for the given field constant. |
|
FieldPosition(Format.Field attribute,
int fieldID)
Creates a FieldPosition object for the given field. |
|
FieldPosition(int field)
Creates a FieldPosition object for the given field. |
| Method Summary | |
|---|---|
boolean |
equals(Object obj)
Overrides equals |
int |
getBeginIndex()
Retrieves the index of the first character in the requested field. |
int |
getEndIndex()
Retrieves the index of the character following the last character in the requested field. |
int |
getField()
Retrieves the field identifier. |
Format.Field |
getFieldAttribute()
Returns the field identifier as an attribute constant from one of the Field subclasses. |
int |
hashCode()
Returns a hash code for this FieldPosition. |
void |
setBeginIndex(int bi)
Sets the begin index. |
void |
setEndIndex(int ei)
Sets the end index. |
String |
toString()
Return a string representation of this FieldPosition. |
| Methods inherited from class java.lang.Object |
|---|
clone, finalize, getClass, notify, notifyAll, wait, wait, wait |
| Constructor Detail |
|---|
public FieldPosition(int field)
NumberFormat.INTEGER_FIELD
,
NumberFormat.FRACTION_FIELD
,
DateFormat.YEAR_FIELD
,
DateFormat.MONTH_FIELD
public FieldPosition(Format.Field attribute)
Format
subclasses. This is equivalent to calling
new FieldPosition(attribute, -1)
.
attribute
- Format.Field constant identifying a fieldpublic FieldPosition(Format.Field attribute, int fieldID)
FieldPosition
object for the given field.
The field is identified by an attribute constant from one of the
Field
subclasses as well as an integer field ID
defined by the Format
subclasses. Format
subclasses that are aware of Field
should give precedence
to attribute
and ignore fieldID
if
attribute
is not null. However, older Format
subclasses may not be aware of Field
and rely on
fieldID
. If the field has no corresponding integer
constant, fieldID
should be -1.
attribute
- Format.Field constant identifying a fieldfieldID
- integer constantce identifying a field| Method Detail |
|---|
public Format.Field getFieldAttribute()
Field
subclasses. May return null if
the field is specified only by an integer field ID.
public int getField()
public int getBeginIndex()
public int getEndIndex()
public void setBeginIndex(int bi)
public void setEndIndex(int ei)
public boolean equals(Object obj)
equals
in class Object
obj
- the reference object with which to compare.
true
if this object is the same as the obj
argument; false
otherwise.Object.hashCode()
,
Hashtable
public int hashCode()
hashCode
in class Object
Object.equals(java.lang.Object)
,
Hashtable
public String toString()
toString
in class Object
|
JavaTM 2 Platform Standard Ed. 5.0 |
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
Copyright © 2004, 2010 Oracle and/or its affiliates. All rights reserved. Use is subject to license terms. Also see the documentation redistribution policy.


Teacher tests tax laws by moving from Whitby to Ottawa in canoe
by Sean Davidson, Multi-Platform Writer, CTV News TorontoTORONTO -- A teacher who tested the limits of Canada's tax laws by travelling from Whitby to Ottawa in a canoe has won a battle to claim his moving expenses.
John Konecny is a teacher who worked full-time in Toronto and part-time during the summer in Ottawa. The 54-year-old moved to Toronto for his wife’s job in 1989, under the impression the relocation would be temporary.
Konecny had been deducting his moving expenses between the two cities for 25 years, all legally allowed under government tax rules. The Canadian Revenue Agency (CRA) says it allows people to claim moving expenses if you relocate at least 40 kilometres closer to work.
"We thought we were going back to Ottawa, so I kept doing summer school to keep my name in the place," Konecny told CTV News Toronto on Tuesday. "But for thirty years, I worked in Ottawa and I worked in Toronto. I kept the cycle going."
Konecny would deduct meals en route and the cost of his travel. But that all changed in 2011, when the CRA blocked him from submitting the expenses.
Konecny said he was told by the CRA his moves to Ottawa in the summer were a working vacation and could not be considered a full move.
"I was offended that the government would let me do something for 25 years and tell me it was legal and suddenly they're telling me, 'No you can’t do this.'"
Konecny took the CRA to court over the rejected $1,400 deduction and eventually lost. He said he was also left on the hook for $3,000 in court fees.
At the time, the judge told Konecny that in order to claim the expenses when he moved, he needed to update his driver’s licence and banking information to prove his new residency – which he began to do.
But during the fight, the judge asked him a series of questions that gave him the idea to see how far he could test the tax law.
"In court he asked, ‘Could you move in a day?’ He said ‘Could you move on a bike?' And then he said, 'Could you move in a canoe?'"
"The law is for travel, it doesn’t state what type of vehicle. It doesn’t define how you travel," Konecny said.
"The law states you can move as you wish."
So in 2018, Konecny packed up a canoe with his essentials and paddled his way to Ottawa. He spent five nights sleeping in provincial parks.
After the journey, he filed $838.30 in moving expenses, including entrance to the parks, meals, bags of ice and firewood. Just last week, he received a letter saying the expenses had been approved.
"The ice was for my diabetic insulin. I had to bring enough, so I thought ‘Ok, I’m going to claim in the ice.'"
"Normally you can’t claim firewood in a move but I needed it for warmth and cooking, so I claimed it along the way."
Konecny maintains he has the “upmost respect” for Canada’s tax system but believes the system is too vague.
"You can travel for three and a half hours for $44 – and I’ve done that. But you can also take the time to get there how you wish."


Image Augmentation
It is hard to obtain photogenic samples of every aspect. Image augmentation enables the auto-generation of new samples from existing ones through random adjustment from rotation, shifts, zoom, brightness etc. The below samples pertains to increasing samples when all samples in classes are balanced
from keras_preprocessing.image import ImageDataGenerator
train_aug = ImageDataGenerator(rotation_range=360, # Degree range for random rotations
width_shift_range=0.2, # Range for random horizontal shifts
height_shift_range=0.2, # Range for random vertical shifts
zoom_range=0.2, # Range for random zoom
horizontal_flip=True, # Randomly flip inputs horizontally
vertical_flip=True, # Randomly flip inputs vertically
brightness_range=[0.5, 1.5])
# we should not augment validation and testing samples
val_aug = ImageDataGenerator()
test_aug = ImageDataGenerator()
After setting the augmentation settings, we will need to decide how to “flow” the data, original samples into the model. In this function, we can also resize the images automatically if necessary. Finally to fit the model, we use the model.fit_generator
function so that for every epoch, the full original samples will be augmented randomly on the fly. They will not be stored in memory for obvious reasons.
Essentially, there are 3 ways to do this.
Flow from Memory
First, we can flow the images from memory, i.e., flow
, which means we have to load the data in memory first.
batch_size = 32
img_size = 100
train_flow = train_aug.flow(X_train, Y_train,
target_size=(img_size,img_size),
batch_size=batch_size)
val_flow = val_aug.flow(X_val, Y_val,
target_size=(img_size,img_size),
batch_size=batch_size)
model.fit_generator(train_flow,
steps_per_epoch=32,
epochs=15,
verbose=1,
validation_data=val_flow,
use_multiprocessing=True,
workers=2)
Flow from Dataframe
Second, we can flow the images from a directory flow_from_dataframe
, where all classes of images are in that single directory. This requires a dataframe which indicates which image correspond to which class.
dir = r'/kaggle/input/plant-pathology-2020-fgvc7/images'
train_flow = train_aug.flow_from_dataframe(train_df,
directory=dir,
x_col='image_name',
y_col=['class1','class2','class3','class4'],
class_mode='categorical'
batch_size=batch_size)
Flow from Directory
Third, we can flow the images from a main directory flow_from_directory
, where all each class of images are in individual subdirectories.
# to include all subdirectories' images, no need specific classes
train_flow = train_aug.flow_from_directory(directory=dir,
class_mode='categorical',
target_size=(img_size,img_size),
batch_size=32)
# to include specific subdirectories' images, put list of subdirectory names under classes
train_flow = train_aug.flow_from_directory(directory=dir,
classes=['subdir1', 'subdir2', 'subdir3'],
class_mode='categorical',
target_size=(img_size,img_size),
batch_size=32)
Imbalance Data
We can also use Kera’s ImageDataGenerator to generate new augmented images when there is class imbalance. Imbalanced data can caused the model to predict the class with highest samples.
from keras.preprocessing.image import ImageDataGenerator
from keras.preprocessing.image import load_img
from keras.preprocessing.image import img_to_array
img = r'/Users/Desktop/post/IMG_20200308_092140.jpg'
# load the input image, convert it to a NumPy array, and then
# reshape it to have an extra dimension
image = load_img(img)
image = img_to_array(image)
image = np.expand_dims(image, axis=0)
# augmentation settings
aug = ImageDataGenerator(rotation_range=15,
width_shift_range=0.1,
height_shift_range=0.1,
shear_range=0.01,
zoom_range=[0.9, 1.25],
horizontal_flip=True,
vertical_flip=False,
fill_mode='reflect',
data_format='channels_last',
brightness_range=[0.5, 1.5])
# define input & output
imageGen = aug.flow(image, batch_size=1, save_to_dir=r'/Users/Desktop/post/',
save_prefix="image", save_format="jpg")
# define number of new augmented samples
for count, i in enumerate(imageGen):
store.append(i)
if count == 5:
break
Resources
- https://medium.com/datadriveninvestor/keras-imagedatagenerator-methods-an-easy-guide-550ecd3c0a92.


This test produces three pages of output on paged media.
The W3C logo appears in the top left corner of each page.
Page two.
Page three.


Home
Gallery
Contact
About
Female Members
Male Members
Ngong Hills
Going uphill
Enjoying the scenery
Posing at the top
Posing with Ngong Hills ressidents
At the peak
Downhill it is!!
Children's home
With the children
Hiking at Mt.Longonot
At the peak
Meeting Session


{% extends "base.html" %} {% load analytics_tags %} {% block main %}
"Counters" track the number of times certain events occur, like a particular SKU (or pair of SKUs) showing up in an order.
This page allows you to search the database for counter objects, but probably what you really want to see are some statistics.
{% if request.method == 'POST' and form.is_valid %}


{% extends "main.html" %} {% block content %}
We found nothing. Not even a funny picture about misplaced socks.


Kirsten Knapp
GitHub
Numbers divisible by 3 get a PING!
Numbers divisible by 5 get a PONG!
Numbers divisible by 3 & 5 get a PING-PONG!