RUBY(1) Ruby Programmers Reference Guide RUBY(1) NAME ruby — Interpreted object-oriented scripting language SYNOPSIS ruby [--copyright] [--version] [-Sacdlnpswvy] [-0[octal]] [-C directory] [-F pattern] [-I directory] [-K c] [-T[level]] [-e command] [-i[extension]] [-r library] [-x[directory]] [--] [program_file] [argument ...] DESCRIPTION Ruby is an interpreted scripting language for quick and easy object-ori‐ ented programming. It has many features to process text files and to do system management tasks (as in Perl). It is simple, straight-forward, and extensible. If you want a language for easy object-oriented programming, or you don't like the Perl ugliness, or you do like the concept of LISP, but don't like too much parentheses, Ruby may be the language of your choice. FEATURES Ruby's features are as follows: Interpretive Ruby is an interpreted language, so you don't have to recompile programs written in Ruby to execute them. Variables have no type (dynamic typing) Variables in Ruby can contain data of any type. You don't have to worry about variable typing. Consequently, it has a weaker compile time check. No declaration needed You can use variables in your Ruby programs without any declara‐ tions. Variable names denote their scope, local, global, instance, etc. Simple syntax Ruby has a simple syntax influenced slightly from Eiffel. No user-level memory management Ruby has automatic memory management. Objects no longer referenced from anywhere are automatically collected by the garbage collector built into the interpreter. Everything is an object Ruby is the purely object-oriented language, and was so since its creation. Even such basic data as integers are seen as objects. Class, inheritance, and methods Of course, as an object-oriented language, Ruby has such basic fea‐ tures like classes, inheritance, and methods. Singleton methods Ruby has the ability to define methods for certain objects. For example, you can define a press-button action for certain widget by defining a singleton method for the button. Or, you can make up your own prototype based object system using singleton methods, if you want to. Mix-in by modules Ruby intentionally does not have the multiple inheritance as it is a source of confusion. Instead, Ruby has the ability to share implementations across the inheritance tree. This is often called ‘Mix-in’. Iterators Ruby has iterators for loop abstraction. Closures In Ruby, you can objectify the procedure.  Bignums With built-in bignums, you can for example calculate facto‐ rial(400). Exception handling As in Java(tm). Direct access to the OS Ruby can use most UNIX system calls, often used in system program‐ ming. Dynamic loading On most UNIX systems, you can load object files into the Ruby interpreter on-the-fly. OPTIONS Ruby interpreter accepts following command-line options (switches). They are quite similar to those of perl(1). --copyright Prints the copyright notice. --version Prints the version of Ruby interpreter. -0[octal] (The digit “zero”.) Specifies the input record separator ($/) as an octal number. If no digit is given, the null character is taken as the separator. Other switches may follow the digits. -00 turns Ruby into paragraph mode. -0777 makes Ruby read whole file at once as a single string since there is no legal character with that value. -C directory Causes Ruby to switch to the directory. -F pattern Specifies input field separator ($;). -I directory Used to tell Ruby where to load the library scripts. Direc‐ tory path will be added to the load-path variable ($:). -K kcode Specifies KANJI (Japanese) encoding. -S Makes Ruby use the PATH environment variable to search for script, unless if its name begins with a slash. This is used to emulate #! on machines that don't support it, in the following manner: #! /usr/local/bin/ruby # This line makes the next one a comment in Ruby \ exec /usr/local/bin/ruby -S $0 $* -T[level] Turns on taint checks at the specified level (default 1). -a Turns on auto-split mode when used with -n or -p. In auto- split mode, Ruby executes $F = $_.split at beginning of each loop. -c Causes Ruby to check the syntax of the script and exit with‐ out executing. If there are no syntax errors, Ruby will print “Syntax OK” to the standard output. -d --debug Turns on debug mode. $DEBUG will be set to true. -e command Specifies script from command-line while telling Ruby not to search the rest of arguments for a script file name. -h --help Prints a summary of the options. -i extension Specifies in-place-edit mode. The extension, if specified, is added to old file name to make a backup copy. For exam‐ ple: % echo matz > /tmp/junk % cat /tmp/junk matz % ruby -p -i.bak -e '$_.upcase!' /tmp/junk % cat /tmp/junk MATZ % cat /tmp/junk.bak matz -l (The lowercase letter “ell”.) Enables automatic line-ending processing, which means to firstly set $\ to the value of $/, and secondly chops every line read using chop!. -n Causes Ruby to assume the following loop around your script, which makes it iterate over file name arguments somewhat like sed -n or awk. while gets ... end -p Acts mostly same as -n switch, but print the value of vari‐ able $_ at the each end of the loop. For example: % echo matz | ruby -p -e '$_.tr! "a-z", "A-Z"' MATZ -r library Causes Ruby to load the library using require. It is useful when using -n or -p. -s Enables some switch parsing for switches after script name but before any file name arguments (or before a --). Any switches found there are removed from ARGV and set the cor‐ responding variable in the script. For example: #! /usr/local/bin/ruby -s # prints "true" if invoked with `-xyz' switch. print "true\n" if $xyz On some systems $0 does not always contain the full path‐ name, so you need the -S switch to tell Ruby to search for the script if necessary. To handle embedded spaces or such. A better construct than $* would be ${1+"$@"}, but it does not work if the script is being interpreted by csh(1). -v --verbose Enables verbose mode. Ruby will print its version at the beginning, and set the variable $VERBOSE to true. Some methods print extra messages if this variable is true. If this switch is given, and no other switches are present, Ruby quits after printing its version. -w Enables verbose mode without printing version message at the beginning. It sets the $VERBOSE variable to true. -x[directory] Tells Ruby that the script is embedded in a message. Lead‐ ing garbage will be discarded until the first that starts with “#!” and contains the string, “ruby”. Any meaningful switches on that line will applied. The end of script must be specified with either EOF, ^D (control-D), ^Z (control-Z), or reserved word __END__. If the directory name is specified, Ruby will switch to that directory before executing script. -y --yydebug Turns on compiler debug mode. Ruby will print a bunch of internal state messages during compiling scripts. You don't have to specify this switch, unless you are going to debug the Ruby interpreter. ENVIRONMENT RUBYLIB A colon-separated list of directories that are added to Ruby's library load path ($:). Directories from this environment variable are searched before the standard load path is searched. e.g.: RUBYLIB="$HOME/lib/ruby:$HOME/lib/rubyext" RUBYOPT Additional Ruby options. e.g. RUBYOPT="-w -Ke" RUBYPATH A colon-separated list of directories that Ruby searches for Ruby programs when the -S flag is specified. This variable precedes the PATH environment variable. RUBYSHELL The path to the system shell command. This environment variable is enabled for only mswin32, mingw32, and OS/2 platforms. If this variable is not defined, Ruby refers to COMSPEC. PATH Ruby refers to the PATH environment variable on calling Kernel#system. RUBYLIB_PREFIX This variable is obsolete. AUTHORS Ruby is designed and implemented by Yukihiro Matsumoto<EMAIL_ADDRESS>UNIX December 31, 2002 UNIX


Preparation time
30 mins to 1 hour
Cooking time
no cooking required
Serves
Serves 4
Dietary
The fine bulgar wheat in this easy salad soaks up just enough water and tomato juices to be tender, but still with bite.
Rinse the bulgar wheat in several changes of cold water, drain well and put in a large salad bowl.Spread the diced tomatoes and their juice over the bulgar then add the sliced onions. Put the chopped parsley over the spring onions, looking out for big pieces, if there are any, take them out and chop them finely. Add the chopped mint to the parsley, cover with a clean kitchen towel and leave for about half an hour for the bulgar wheat to absorb the tomato juices and soften.
Season with cinnamon, allspice, pepper and salt to taste. Add the lemon juice and olive oil and mix well together. Taste, adjust seasoning if necessary and serve immediately with either Little Gem lettuce or fresh vine leaves.


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ST. AGNES’ EVE!—Ah, bitter chill it was!
The owl, for all his feathers, was a-cold;
The hare limp’d trembling through the frozen grass,
And silent was the flock in woolly fold:
Numb were the Beadsman’s fingers, while he told
His rosary, and while his frosted breath,
Like pious incense from a censer old,
Seem’d taking flight for heaven, without a death,
Past the sweet Virgin’s picture, while his prayer he saith.
His prayer he saith, this patient, holy man;
Then takes his lamp, and riseth from his knees,
And back returneth, meagre, barefoot, wan,
Along the chapel aisle by slow degrees:
The sculptur’d dead, on each side, seem to freeze,
Emprison’d in black, purgatorial rails:
Knights, ladies, praying in dumb orat’ries,
He passeth by; and his weak spirit fails
To think how they may ache in icy hoods and mails.
Northward he turneth through a little door,
And scarce three steps, ere Music’s golden tongue
Flatter’d to tears this aged man and poor;
But no—already had his deathbell rung;
The joys of all his life were said and sung:
His was harsh penance on St. Agnes’ Eve:
Another way he went, and soon among
Rough ashes sat he for his soul’s reprieve,
And all night kept awake, for sinners’ sake to grieve.
That ancient Beadsman heard the prelude soft;
And so it chanc’d, for many a door was wide,
From hurry to and fro. Soon, up aloft,
The silver, snarling trumpets ’gan to chide:
The level chambers, ready with their pride,
Were glowing to receive a thousand guests:
The carved angels, ever eager-eyed,
Star’d where upon their heads the cornice rests,
With hair blown back, and wings put cross-wise on their breasts.
At length burst in the argent revelry,
With plume, tiara, and all rich array,
Numerous as shadows haunting fairily
The brain, new stuff’d, in youth, with triumphs gay
Of old romance. These let us wish away,
And turn, sole-thoughted, to one Lady there,
Whose heart had brooded, all that wintry day,
On love, and wing’d St. Agnes’ saintly care,
As she had heard old dames full many times declare.
They told her how, upon St. Agnes’ Eve,
Young virgins might have visions of delight,
And soft adorings from their loves receive
Upon the honey’d middle of the night
If ceremonies due they did aright;
As, supperless to bed they must retire,
And couch supine their beauties, lily white;
Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they desire.
Full of this whim was thoughtful Madeline;
The music, yearning like a God in pain,
She scarcely heard: her maiden eyes divine,
Fix’d on the floor, saw many a sweeping train
Pass by—she heeded not at all: in vain
Came many a tiptoe, amorous cavalier,
And back retir’d; not cool’d by high disdain,
But she saw not: her heart was otherwhere:
She sigh’d for Agnes’ dreams, the sweetest of the year.
She danc’d along with vague, regardless eyes,
Anxious her lips, her breathing quick and short:
The hallow’d hour was near at hand: she sighs
Amid the timbrels, and the throng’d resort
Of whisperers in anger, or in sport;
’Mid looks of love, defiance, hate and scorn,
Hoodwink’d with faery fancy; all amort,
Save to St. Agnes and her lambs unshorn,
And all the bliss to be before to-morrow morn.
So, purposing each moment to retire,
She linger’d still. Meantime, across the moors,
Had come young Porphyro, with heart on fire
For Madeline. Beside the portal doors,
Buttress’d from moonlight, stands he, and implores
All saints to give him sight of Madeline,
But for one moment in the tedious hours,
That he might gaze and worship all unseen;
Perchance speak, kneel, touch, kiss—in sooth such things have been.
He ventures in: let no buzz’d whisper tell:
All eyes be muffled, or a hundred swords
Will storm his heart, Love’s fev’rous citadel;
For him, those chambers held barbarian hordes,
Hyena foemen, and hot-blooded lords,
Whose very dogs would execrations howl
Against his lineage: not one breast affords
Him any mercy, in that mansion foul,
Save one old beldame, weak in body and in soul.
Ah, happy chance! the aged creature came,
Shuffling along with ivory-headed wand,
To where he stood, hid from the torch’s flame,
Behind a broad hall-pillar, far beyond
The sound of merriment and chorus bland:
He startled her; but soon she knew his face,
And grasp’d his fingers in her palsied hand,
Saying, ‘Mercy, Porphyro! hie thee from this place;
They are all here to-night, the whole blood-thirsty race!
‘Get hence! get hence! there’s dwarfish Hildebrand;
He had a fever late and in the fit
He cursed thee and thine, both house and land:
Then there’s that old Lord Maurice, not a whit
More tame for his grey hairs—Alas me! flit!
Flit like a ghost away.’—’Ah, Gossip dear,
We’re safe enough; here in this armchair sit,
And tell me how’—‘Good Saints! not here, not here;
Follow me, child, or else these stones will be thy bier.’
He follow’d through a lowly arched way,
Brushing the cobwebs with his lofty plume;
And as she mutter’d ‘Well-a—well-a-day!
He found him in a little moonlight room,
Pale, lattic’d, chill, and silent as a tomb.
‘Now tell me where is Madeline,’ said he,
‘O tell me, Angela, by the holy loom
Which none but secret sisterhood may see,
When they St. Agnes’ wool are weaving piously.’
‘St. Agnes! Ah! it is St. Agnes’ Eve—
Yet men will murder upon holy days:
Thou must hold water in a witch’s sieve,
And be liege-lord of all the Elves and Fays,
To venture so: it fills me with amaze
To see thee, Porphyro!—St. Agnes’ Eve!
God’s help! my lady fair the conjurer plays
This very night: good angels her deceive!
But let me laugh awhile, I’ve mickle time to grieve.’
Feebly she laugheth in the languid moon,
While Porphyro upon her face doth look,
Like puzzled urchin on an aged crone
Who keepeth clos’d a wond’rous riddle-book,
As spectacled she sits in chimney nook.
But soon his eyes grew brilliant, when she told
His lady’s purpose; and he scarce could brook
Tears, at the thought of those enchantments cold,
And Madeline asleep in lap of legends old.
Sudden a thought came like a full-blown rose,
Flushing his brow, and in his pained heart
Made purple riot: then doth he propose
A stratagem, that makes the beldame start:
‘A cruel man, and impious thou art:
Sweet lady, let her pray, and sleep, and dream
Alone with her good angels, far apart
From wicked men like thee. Go, go!—I deem
Thou canst not surely be the same that thou didst seem.’
‘I will not harm her, by all saints I swear,’
Quoth Porphyro: ‘O may I ne’er find grace
When my weak voice shall whisper its last prayer,
If one of her soft ringlets I displace,
Or look with ruffian passion in her face:
Good Angela, believe me by these tears;
Or I will, even in a moment’s space,
Awake, with horrid shout, my foemen’s ears,
And beard them, though they be more fang’d than wolves and bears.’
‘Ah! why wilt thou affright a feeble soul?
A poor, weak, palsy-stricken, churchyard thing,
Whose passing-bell may ere the midnight toll;
Whose prayers for thee, each morn and evening,
Were never miss’d.’ Thus plaining, doth she bring
A gentler speech from burning Porphyro;
So woful, and of such deep sorrowing,
That Angela gives promise she will do
Whatever he shall wish, betide her weal or woe.
Which was, to lead him, in close secrecy.
Even to Madeline’s chamber, and there hide
Him in a closet, of such privacy
That he might see her beauty unespied,
And win perhaps that night a peerless bride,
While legion’d faeries pac’d the coverlet,
And pale enchantment held her sleepy-eyed.
Never on such a night have lovers met,
Since Merlin paid his Demon all the monstrous debt.

Wait here, my child, with patience; kneel in prayer
The while: Ah! thou must needs the lady wed,
Or may I never leave my grave among the dead.’
So saying, she hobbled off with busy fear.
The lover’s endless minutes slowly pass’d;
The Dame return’d, and whisper’d in his ear
To follow her; with agèd eyes aghast
From fright of dim espial. Safe at last,
Through many a dusky gallery, they gain
The maiden’s chamber, silken, hush’d, and chaste;
Where Porphyro took covert, pleas’d amain.
His poor guide hurried back with agues in her brain.
Her falt’ring hand upon the balustrade,
Old Angela was feeling for the stair,
When Madeline, St. Agnes’ charmèd maid,
Rose, like a mission’d spirit, unaware:
With silver taper’s light, and pious care,
She turn’d, and down the agèd gossip led
To a safe level matting. Now prepare,
Young Porphyro, for gazing on that bed;
She comes, she comes again, like ring-dove fray’d and fled.
Out went the taper as she hurried in;
Its little smoke, in pallid moonshine, died;
She clos’d the door, she panted, all akin
To spirits of the air, and visions wide:
No uttered syllable, or, woe betide!
But to her heart, her heart was voluble,
Paining with eloquence her balmy side;
As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled, in her dell.
A casement high and triple-arch’d there was,
All garlanded with carven imag’ries
Of fruits, and flowers, and bunches of knot-grass,
And diamonded with panes of quaint device,
Unnumerable of stains and splendid dyes.
As are the tiger-moth’s deep-damask’d wings;
And in the midst, ’mong thousand heraldries,
And twilight saints, and dim emblazonings,
A shielded scutcheon blush’d with blood of queens and kings.

Anon his heart revives: her vespers done,
Of all its wreathèd pearls her hair she frees;
Unclasps her warmed jewels one by one;
Loosens her fragrant bodice; by degrees
Her rich attire creeps rustling to her knees;
Half-hidden, like a mermaid in seaweed,
Pensive awhile she dreams awake, and sees
In fancy, fair St. Agnes in her bed,
But dares not look behind, or all the charm is fled.
Soon, trembling in her soft and chilly nest,
In sort of wakeful swoon, perplex’d she lay,
Until the poppied warmth of sleep oppress’d
Her soothèd limbs, and soul fatigued away;
Flown, like a thought, until the morrow-day;
Blissfully haven’d both from joy and pain;
Clasp’d like a missal where swart Paynims pray;
Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.
Stol’n to this paradise, and so entranced,
Porphyro gazed upon her empty dress,
And listen’d to her breathing, if it chanced
To wake into a slumberous tenderness;
Which when he heard, that minute did he bless,
And breath’d himself: then from the closet crept,
Noiseless as fear in a wide wilderness,
And over the hush’d carpet, silent, stepped,
And ’tween the curtains peep’d, where, lo!—how fast she slept.
Then by the bed-side, where the faded moon
Made a dim, silver twilight, soft he set
A table, and, half-anguish’d, threw thereon
A cloth of woven crimson, gold, and jet:—
O for some drowsy Morphean amulet!
The boisterous, midnight, festive clarion,
The kettle-drum, and far-heard clarionet,
Affray his ears, though but in dying tone:—
The hall door shuts again, and all the noise is gone.
And still she slept an azure-lidded sleep,
In blanched linen, smooth, and lavender’d,
While he from forth the closet brought a heap
Of candied apple, quince, and plum, and gourd:
With jellies soother than the creamy curd,
And lucent syrops, tinct with cinnamon:
Manna and dates, in argosy transferr’d
From Fez; and spiced dainties, every one,
From silken Samarcand to cedar’d Lebanon.
These delicates he heap’d with glowing hand
On golden dishes and in baskets bright
Of wreathèd silver: sumptuous they stand
In the retired quiet of the night,
Filling the chilly room with perfume light.—
‘And now, my love, my seraph fair, awake!
Thou art my heaven, and I thine eremite:
Open thine eyes, for meek St. Agnes’ sake,
Or I shall drowse beside thee, so my soul doth ache.’
Thus whispering, his warm, unnerved arm
Sank in her pillow. Shaded was her dream
By the dusk curtains:—’twas a midnight charm
Impossible to melt as icèd stream:
The lustrous salvers in the moonlight gleam:
Broad golden fringe upon the carpet lies:
It seem’d he never, never could redeem
From such a steadfast spell his lady’s eyes;
She mus’d awhile, entoil’d in woofed phantasies.
Awakening up, he took her hollow lute,—
Tumultuous,—and, in chords that tenderest be,
He play’d an ancient ditty, long since mute,
In Provence call’d, ‘La belle dame sans merci:’
Close to her ear touching the melody;—
Wherewith disturb’d, she utter’d a soft moan:
He ceased—she panted quick—and suddenly
Her blue affrighted eyes wide open shone:
Upon his knees he sank, as smooth-sculptured stone.
Her eyes were open, but she still beheld,
Now wide awake, the vision of her sleep:
There was a painful change, that nigh expell’d
The blisses of her dream so pure and deep
At which fair Madeline began to weep,
And moan forth witless words with many a sigh;
While still her gaze on Porphyro would keep;
Who knelt, with joined hands and piteous eye,
Fearing to move or speak, she look’d so dreamingly.
‘Ah, Porphyro!’ said she, ‘but even now
Thy voice was at sweet tremble in mine ear,
Made tuneable with every sweetest vow;
And those sad eyes were spiritual and clear:
How chang’d thou art! how pallid, chill, and drear!
Give me that voice again, my Porphyro,
Those looks immortal, those complainings dear!
Oh leave me not in this eternal woe,
For if thou diest, my Love, I know not where to go.’
Beyond a mortal man impassion’d far
At these voluptuous accents, he arose,
Ethereal, flush’d, and like a throbbing star
Seen mid the sapphire heaven’s deep repose;
Into her dream he melted, as the rose
Blendeth its odour with the violet,—
Solution sweet: meantime the frost-wind blows
Like Love’s alarum pattering the sharp sleet
Against the window-panes; St. Agnes’ moon hath set.
’Tis dark: quick pattereth the flaw-blown sleet:
‘This is no dream, my bride, my Madeline!’
’Tis dark: the icèd gusts still rave and beat:
‘No dream, alas! alas! and woe is mine!
Porphyro will leave me here to fade and pine.—
Cruel! what traitor could thee hither bring?
I curse not, for my heart is lost in thine,
Though thou forsakest a deceived thing:—
A dove forlorn and lost with sick unprunèd wing!’
‘My Madeline! sweet dreamer! lovely bride!
Say, may I be for aye thy vassal blest?
Thy beauty’s shield, heart-shap’d and vermeil dyed?
Ah, silver shrine, here will I take my rest
After so many hours of toil and quest,
A famish’d pilgrim,—saved by miracle.
Though I have found, I will not rob thy nest
Saving of thy sweet self; if thou think’st well
To trust, fair Madeline, to no rude infidel.
‘Hark! ’tis an elfin-storm from faery land,
Of haggard seeming, but a boon indeed:
Arise—arise! the morning is at hand;—
The bloated wassailers will never heed:—
Let us away, my love, with happy speed;
There are no ears to hear, or eyes to see,—
Drown’d all in Rhenish and the sleepy mead:
Awake! arise! my love, and fearless be,
For o’er the southern moors I have a home for thee.’
She hurried at his words, beset with fears,
For there were sleeping dragons all around,
At glaring watch, perhaps, with ready spears—
Down the wide stairs a darkling way they found.—
In all the house was heard no human sound.
A chain-droop’d lamp was flickering by each door;
The arras, rich with horseman, hawk, and hound,
Flutter’d in the besieging wind’s uproar
And the long carpets rose along the gusty floor.
They glide, like phantoms, into the wide hall;
Like phantoms, to the iron porch, they glide;
Where lay the Porter, in uneasy sprawl,
With a huge empty flagon by his side:
The wakeful bloodhound rose, and shook his hide,
But his sagacious eye an inmate owns:
By one, and one, the bolts full easy slide:—
The chains lie silent on the footworn stones;—
The key turns, and the door upon its hinges groans.
And they are gone: aye, ages long ago
These lovers fled away into the storm.
That night the Baron dreamt of many a woe,
And all his warrior-guests, with shade and form
Of witch, and demon, and large coffin-worm,
Were long be-nightmar’d. Angela the old
Died palsy-twitch’d, with meagre face deform;
The Beadsman, after thousand aves told,
For aye unsought-for slept among his ashes cold.


BJP has not taken call on its Delhi CM face, clarifies Puri
Minister retracts statement made at rally
by Staff ReporterAddressing party workers at a rally in the Capital on Sunday, Union Minister Hardeep Singh Puri said the BJP would fight the Assembly election under the leadership of Delhi unit chief Manoj Tiwari and that the party would ensure that Mr. Tiwari would become the Chief Minister.
However, after making the statement, Mr. Puri clarified later on twitter saying that the BJP has so far not nominated anyone for the post of Chief Minister and what he meant by his statement was that the party would win the upcoming Delhi Assembly elections under Mr. Tiwari’s leadership by a huge mandate.
The Minister’s statement was enough for speculation within the political circles. Reacting to the statement, Rajya Sabha MP and senior AAP leader Sanjay Singh said: “On one hand we have Arvind Kejriwal whose work has instilled pride in the people of Delhi and on the other hand, we have Manoj Tiwari who vehemently opposes the 200 units free electricity scheme and wants to put an end to the provision of all free public services of this government. He wants to end free bus rides for women in Delhi too. So the decision in front of the people of Delhi is clear.”
He added that the people of Delhi will decide if they want someone who works tirelessly to provide Delhiites with more public services or somebody who works tirelessly to end them.
(With PTI inputs)


Home > Data Structures and Algorithms Questions > Write a Python program to determine if a number is Prime or not.
# Program to check if a number is prime or not num = 407 # To take input from the user #num = int(input("Enter a number: ")) # prime numbers are greater than 1 if num > 1: # check for factors for i in range(2,num): if (num % i) == 0: print(num,"is not a prime number") print(i,"times",num//i,"is",num) break else: print(num,"is a prime number") # if input number is less than # or equal to 1, it is not prime else: print(num,"is not a prime number")


(out of ****)
_Eye_of_the_Beholder_ (R) 1/2*
_Rear_Window_ (PG) ****
Beauty may be in the _Eye_of_the_Beholder_, but a dud is a dud, regardless of the perspective. And this long-delayed thriller (it bears a telling 1998 copyright) is unmistakably such a failure, rendered even more disappointing by the level of talent aboard and the amount of promise evident in its earliest stages.
A wan Ewan McGregor portrays the nameless "Eye," a British intelligence agent who becomes dangerously attracted to an alluring young woman named Joanna Eris (Ashley Judd, looking great and dong nothing more) who also happens to be a vicious serial killer of men. Make that "obsessed," for soon the Eye leaves behind genuine surveillance missions in favor of watching the fetching femme fatale 24-7, shadowing her every move. He does not so much want to have Joanna as he wants to "keep" her--he not only watches her, he looks after her, in a sense protecting her as a perverse type of guardian angel.
Writer-director Stephan Elliott, working from the basis of Marc Behm's novel of the same name, has a hypnotic visual style that serves the dark atmosphere of obsession well, particularly in the opening stages. The tricks, such slow motion and complex dissolves, have a sensual quality that give the film an enticing erotic kick. One scene where the Eye caresses a wall that separates him and a bathing Joanna has a subdued but no less electric sexuality.
What ultimately fails Elliott is his writing. After establishing the voyeuristic premise, the film gradually unravels and makes less and less sense. Much of this has to do with Elliott's need to make Joanna more than a chic murderess; he wants to make her a wounded soul with deep-seated psychological reasons for her psychosis. Not a bad idea, but when the reasons are so murky as to make very little sense, it makes for a source of needless confusion. Elliott is a little more successful on the Eye's end; suffering from the loss of his wife and especially his daughter, he has a recurring hallucination of his daughter (played by twins Ann-Marie and Kaitlin Brown), but this conceit is dropped without explanation somewhere along the line.
The supporting characters get even worse treatment. Geneviève Bujold plays Joanna's former mentor, who figures into the muddled explanation of Joanna's behavior, meaning her character doesn't make that much sense, either. Patrick Bergin is dull as a wealthy blind vintner to whom Joanna attaches herself; I'm not so sure if we're meant to think that she truly falls for him or not, for there is little in the way of writing or chemistry to shed any added light. A dirty and bleached-blond Jason Priestley wanders in from a different movie as a violent drifter; and the no-frills role of Hilary, the Eye's sole contact to the outside world, is done in by an awkward performance by k.d. lang.
But nothing in _Eye_of_the_Beholder_ is so awkward as the film becomes as the Eye follows Joanna all across the country, collecting snow globes in each city and watching, watching, and watching. Although very little, if any, tension and suspense is built, all the waiting and watching makes one anticipate some type of a payoff, but there isn't one; there isn't really an ending, per se, so much as a stoppage. Perhaps Elliott was trying to make a point about the futility of voyeurism, and if that's the case, it backfires, for it brings to light how much of a waste watching _Eye_of_the_Beholder_ is.
For some real voyeuristic thrills, one cannot do better than Universal's sparkling remaster of Alfred Hitchcock's timeless (that is, aside from the dated, soundstagey production design) 1954 classic _Rear_Window_. The sharp Technicolor hues really place the audience behind the eyes of wheelchair-bound L.B. "Jeff" Jefferies (James Stewart), whose interest in watching his neighbors becomes dangerous when he suspects one of murder. The enhanced colors also make Grace Kelly, who plays Jeff's jet-setting girlfriend, even more stunning. But even if the print were as muddy as it had been before the painstaking restoration, this would still be a first-rate thriller, suspenseful, creepy, and wittily written (by John Michael Hayes), featuring fine performances by the entire cast. That the film looks as spectacular as it does (though, I must say, not quite as spectacular as the 1996 restoration of Hitchcock's _Vertigo_, which, in addition to a visual refurbish, was given a crystalline DTS soundtrack) is just an added treat.
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Mr. Brown's Movie Site: http://welcome.to/mrbrown CinemaReview Magazine: http://www.CinemaReview.com on ICQ: #25289934 | on AOL Instant Messenger: MrBrown23
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Feature detections help you apply CSS and JS logic depending on what a user supports or not. It also allows you to create custom detection to better manage your site.
Imagine you have a menu or element that's only visible to members
{% highlight js %}
// add the feature
head.feature("member", true);
// use the feature via CSS
.member .member-menu {
display: block;
}
.no-member .member-menu {
display: none;
}
// use the feature via JS
if (head.member) {
// do something
}
{% endhighlight %}
You can toggle a feature from one state to another, it's state will be refleted to CSS and JS automatically
In addition to being able to add your custom detections, a bunch of detections are already built in, and they are all accessible via CSS and JS
-
Is the user on a mobile device
-
Is the user on a desktop device
-
Does the usere support touch input
-
Is the users device in portrait mode
-
Is the users device in landscape mode
-
Is the users device a retina display
-
Does the user support CSS Transitions
-
CSS
- .no-transitions
- .transitions
-
JS
-
Does the user support CSS3 Transforms
-
CSS
- .no-transforms
- .transforms
-
JS
-
Does the user support CSS3 Gradients
-
Does the user support CSS3 Opacity
-
Does the user support Multiple Backgrounds
-
CSS
- .no-multiplebgs
- .multiplebgs
-
JS
-
Does the user support CSS3 Box-Shadow
-
Does the user support CSS3 Border-Image
-
CSS
- .no-borderimage
- .borderimage
-
JS
-
Does the user support CSS3 Border-Radius
-
CSS
- .no-borderradius
- .borderradius
-
JS
-
Does the user support CSS Reflections
-
CSS
- .no-cssreflections
- .cssreflections
-
JS
- head.cssreflections (bool)
-
Does the user support CSS3 @Font-Face
-
Does the user support CSS3 RGBA


Welcome to AR Girls Power Ups!
Photo Editing 101 (Apple Photos)
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Media GuruVideo Transcoding
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Media GuruVideo Editing in iMovie
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Media Guru Digital ArtistTriggers - QR Codes
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Aris ProgrammerA virtual monument about YOU
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Aris Programmer Storyteller Digital ArtistStoryboarding
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UX Designer Storyteller Digital ArtistCreating Drawings in Sketchbook
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Digital ArtistPlaytesting and Debugging
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Aris Programmer UX Designer ResearcherMedia in ARIS
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Aris Programmer Media GuruARIS Characters and Conversations
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ARIS Programmer UX Designer Digital Artist


VIRUS (1999)
A Film Review by Ted Prigge
Copyright 1999 Ted Prigge
Director: John Bruno
Writers: Dennis Feldman and Jonathan Hensleigh (based on the comic book by Chuck Pfarrer)
Starring: Jamie Lee Curtis, William Baldwin, Donald Sutherland, Joanna Pacula, Sherman Augustus, Marshall Bell, Cliff Curtis, Julio Oscar Mechoso
I suppose I'm not extremely surprised that "Virus" comes to us from a deciple of James Cameron (John Bruno), and if I strain real hard, I could even say that it's an obvious given, particuarly looking from the standpoint of Mr. Cameron's early works. In fact, "Virus" is yet another in the long line of action/horror/paranoia thrillers from the "Aliens" vein: a group of people are dropped into a mysterious situation only to find a mortally-threatening entity is out to get them, a textbook example hailing all the way back to the early talkies, and maybe even to the first pictures, albeit redeveloped by Cameron in his 1986 blockbuster that earned him esteem and bigger budgets to come in his future. No such thing will happen to Bruno, whom I believe worked in some capacity on that quasi-landmark feature; while Bruno may have studied under Cameron's wing for years and years, I'm beginning to wonder at what capacity, and what exactly did he learn from him. In fact, "Virus" should at least be mediocre; the fact that Bruno could have worked under a man like Cameron - a director who, if anything, just knows how to make a movie - and then make a film like "Virus" is just another detraction fairly aimed at this Z-grade schlockfest of a film, albeit a Z-grade schlockfest with a respectable budget.
The film seems to not only borrow it's plot from last year's similarly-fated "Deep Rising," but also from a clunkish B-movie from the '80s called "Leviathan," an underwater thriller starring Peter Weller, Richard Crenna, Hector Elizando, and Daniel Stern about a group of miners who stumble upon an alien lifeform that was part "Alien," part John Carpenter's twisted remake of "The Thing." "Virus," again, has a similar, uh, selling point: a group of sailors on a boat stumble upon a Russian cruiser that is dead in the water. They get on. They break up into pairs and investigate. And they find an alien lifeform on board that comes in the form of energy, has taken over all the machines on board, have meshed the machines with parts from corpses, and have deemed humankind their enemy because of a misquote in the dictionary (ha ha).
Not that any of this is for a second scary or the least bit involving; not only does this film start off with a chintzy Bond-ian opening (the destruction of the cruiser via a satellite transmission from Mir), destroying any of the suspense in what could happen, but it also fails to bring us any interesting chracters. Of its motley crew, it only choses as its potentially eccentric cast of characters a lead woman skipper, a masculine potential-romantic-interest, a drunken captain, a black technician, a tatooed aborigine, a manic Russian survivor, and a couple other candidates for alien food, none whom are the least bit interesting or more dimensional than a thin, plain piece of writing paper. And it's not the traditional argument for films like these, where you may in fact want them all to be eaten (even "Aliens" played with the karma of the arrogant soldiers, but this was more of a plus-side for the film as a whole than the opposite); instead, as another cliche goes, you just don't give a damn. I almost don't even have to say that the acting from everyone ranges from sub-par to horrific, the former being Jamie Lee Curtis in the lead showing off what a strong female lead she is (and she is, just not really here) and the latter being - and it pains me to say this as he's a particular favorite of mine - Donald Sutherland, who plays the captain so poorly and without a second of credibility that this will go down as the performance-of-which-he-should-be-ashamed. Like Anthony Hopkins for "Legends of the Fall" (the line "Scrooooooo 'em" has been thus embroidered upon my membrance). Or Peter O'Toole in "Caligula." Great actor, horrific performance. It happens every now and then, and it only helps Sutherland's career that no one, except for an elite few, even bothered to see this film.
Though it has sat on the shelves of Universal Studios for about two years, waiting until it can be released and make as much money as it possibly can (read: early January, when everyone's still trying to catch up on the potential Oscar-nominees), it does show that Universal shelled out a pretty penny to make this film: it's laden with complex machinery, boasts respectable production design, and it may even feature believable special effects...if, of course, I, or anyone else, could see them. "Virus" mostly takes place on a large, abandoned cruiser, and mostly at night until the dawn, and mostly without the use of lights, not so much for the productivity of the alien creatures in their pursuit of their human prey, but more so because, as the Hollywood cliche seems to go, "If it's dark enough, then the special effects will be more believable." And if you don't believe me, go back and rent "Godzilla," and tell me if there's even one shot where we see Godzilla either a) in his entirety in one wide shot, or b) n the light so that we can at least see him (well, you don't really have to sit through it again; just take my word for it).
But all of this doesn't matter since "Virus" is basically just one loud, cluttered mess of a movie. The action scenes are muddled and as difficult to follow as any action movie I've ever seen (my, um, favorite part was the scene where a trio of them end up somehow on the outside of the ship, during a five minute bouillabaisse of tidal waves, rain, and any other ocean-extremeties the film can cook up, then end up back in the ship when one of them is revealed to have apparently drowned - well, I must say, thanks for telling me afterwards because I sure couldn't figure it out when I saw it). Imagine the first attack of the aliens in "Aliens," shot from the POV of the soldiers and then the authorities in the battle car if it was all hard to follow and done without any dramatic intensity, and that's basically the whole of "Virus": one horribly-directed action scene after the other, capping it off with a proposterous gadget that saves the day and at least a couple of the original cast members.
And my god, it's a long damn sit. With no interesting characters, no dramatic urgency, no tension, not one good moment of action, and no mesmerizing visuals, it's a wonder that it even got made. We already know that big movie studios' mentality is shallow at best, and movies like "Out of Sight" and "Saving Private Ryan" give you more faith in them, but movies like "Virus" manage to drain a little more out of the pool. I almost wish that instead of making this movie, John Bruno had gone cinema verite and captured the meetings with Universal heads when they gave this film a green light. They read the script, they knew they were entrusting millions upon millions of dollars into a director who might have very well been a Cameron hack (and he is), and they still went ahead with the project, only to have Bruno and company shit back in their face. Even though I hold Universal in contempt for making this horrible movie, I'd say even more contempt should be aimed at Mr. Bruno for making a movie that could be this bad. In fact, shouts of "Egad, man, what were you doing when you worked for Cameron anyway?" are not only justifiable, but encouraged.
MY RATING (out of 4): 1/2*
Homepage at: http://www.geocities.com/Hollywood/Hills/8335/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


---
layout: post
title: "September, 17 2019 Meeting"
subtitle: "Team Meeting"
date: 2019-09-10 23:45:13 -0400
background: '/img/posts/03.jpg'
categories: Meeting Logs
---
Meeting Logs
Attendees: JoCee, Donovan
Progress Made this Week
JoCee
- Added Weights to database
Zane
Donovan
- UART progress
- FPGA Design
- Testing UART code
Mohitt
Donovan
- Keep working on UART + FPGA
JoCee
- Store Tweets and sentiments
- Pull out most recent weight per stock
- Start Authentication
- Adding more strategies
Zane
- Update twitter to be percentage
- Accounting Document for purchases
Mohit
- React App up
- Chart for stocks
- Chart for Weights of strategy
- Adding more strategies


Hope you are doing well!
Welcome to the travel blogs by Aparajita
Please follow this link →
Through the temple city (Bhubaneswar) in a day
a travel blog based on my visit to the temple city of Bhubaneswar with my mother on Jan, 2020
Link to a one-minute video of my favorite place in Google Maps →
Mukuteshwar Temple, Bhubaneswar
In picture, Khandagiri and Udaygiri caves, Bhubaneswar
Odisha, India


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Aria provides the most innovative and customized business services in the industry. Our Services section shows how flexible we are for all types of budgets.
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Our clients our partners we can not imagine a bettter future for our company without helping them reach their objectives
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Information on the processing of personal data
This information describes the methods of processing of users’ personal data (hereinafter, also the “Users”) that consult the site [teamdigitale.github.io/security-awareness](https://teamdigitale.github.io/security -awareness /) (hereinafter also the “Site”). The information is provided pursuant to art. 13 of the regulation (EU) 2016/679 (hereinafter the “Regulation”).
The validity of the information contained in this page is limited to the Site only and does not extend to other websites that can be consulted through hypertext links.
Data controller
The Data Controller is the Extraordinary Commissioner for the implementation of the Digital Agenda, based in Via della Mercede, 9 00187 Rome - Italy, email<EMAIL_ADDRESS>(mailto: teamdigitale@governo.it), which acts through its support structure (hereinafter jointly the “[Digital Transformation Team] (https://teamdigitale.governo.it/)" or just the “Digital Team”).
The digital team has appointed its own Data Protection Officer, pursuant to art. 37 of EU Regulation 2016/679, which can be contacted at the following address<EMAIL_ADDRESS>(mailto: dpo@teamdigitale.governo.it).
Categories of processed data
a) Navigation data
The computer systems and software procedures used to operate this site acquire, during their normal operation, some personal data whose transmission is implicit in the use of Internet communication protocols.
This category of data includes IP addresses or domain names of computers and terminals used by users, the URI / URL (Uniform Resource Identifier / Locator) addresses of the requested resources, the time of the request, the method used in the submit the request to the server, the size of the file obtained in response, the numeric code indicating the status of the response given by the server (success, error, etc.) and other parameters relating to the operating system and the user’s IT environment.
These data, necessary for the use of web services, are also processed for the purpose of:
- obtain statistical information on the use of services (most visited pages, number of visitors by time or day, geographical areas of origin, etc.);
- check the correct functioning of the services offered.
b) Data provided voluntarily by the User
The Owner will acquire the personal data that may be provided by the User through the Site in case of registration to one of the newsletter services, by filling in the forms available on the pages of the individual projects.
In this case the personal data are provided by the User through a form to propose their candidacy. The sending of the data contained in the curriculum will be treated, also with the aid of IT tools, by the Digital Transformation Team of the Presidency of the Council of Ministers for the sole purpose of evaluating the candidacy and, possibly, contacting you. The User may request deletion of data at any time by writing to<EMAIL_ADDRESS>(dpo@teamdigitale.governo.it).
Legal basis for the processing
The legal basis of this treatment is to be found in the institutional tasks entrusted to the commissioner structure, aimed at promoting knowledge, development and dissemination of the tools for implementing the digital agenda, in the specific case to provide information and updates on the activity and on the projects of the structure itself.
The legal basis for processing only the data collected through analytical cookies is the consent of the User.
Categories of subjects to whom personal data can be communicated and the purpose of communication
The Data Controller may communicate, for the pursuit of the aforementioned purposes, some personal data also to third parties who provide a service to the owner himself and who will process said personal data as data processors.
The list of data processors can be requested from the Data Controller at any time by writing to<EMAIL_ADDRESS>(dpo@teamdigitale.governo.it).
Data transfer outside the EU
Some of the third-party providers we use reside in the USA. We have entered into service agreements with these suppliers pursuant to art. 28 of the Regulation. All suppliers are in compliance with the Regulations and, when they are not certified Privacy Shield, we have concluded with them the Contractual Clauses of the European Commission to guarantee adequate levels of protection.
Rights of interested parties
Interested parties have the right to obtain, in the cases provided, access to their personal data and the correction or cancellation of the same or the limitation of the treatment that concerns them or to oppose the processing (articles 15 and following of the Regulations) .
These requests may be addressed to the Data Controller by writing to<EMAIL_ADDRESS><EMAIL_ADDRESS>Claims
Interested parties who consider that the processing of personal data referring to them carried out through this site is in violation of the provisions of the Regulations have the right to lodge a complaint with the Guarantor, as envisaged by art. 77 of the same Regulation, or to take the appropriate judicial seats (art. 79 of the Regulation).


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NYC is Getting the Highest Outdoor Sky Deck in the Western Hemisphere Next Year
Located in Hudson Yards.
by Jeff YeungNew York City will soon be getting the highest outdoor sky deck in the Western Hemisphere.
Called Edge, the new attraction is located in Hudson Yards and stands above 100 stories, which roughly translates to 1,100 feet in the air. Its unique design suspends the viewing deck out on the exterior of the skyscraper, allowing you to reach up to 80 feet beyond the actual building itself. Aside from offering a 360-degree panoramic view of one of the most beautiful cityscapes in the world, part of its flooring will be constructed from glass, allowing visitors to look right down 100 floors. A staircase to the side leads up to a higher level where you can enjoy the views of the Big Apple from an even higher vantage point, while a champagne bar offering light refreshments tops off the wondrous experience.
For those in NYC or hoping to visit, the new Edge sky deck will open its doors to visitors March 2020, with tickets now already on sale online, starting at $36 USD for general admissions, a $2 USD discount over purchasing them on-site. Head over to the official website to learn more now.
Elsewhere in travel, check out our Editors’ Picks for the best holiday getaways.


WhatsApp has a major security flaw and you need to protect yourself immediately
WhatsApp has a major security bug which could let hackers do bad things to innocent people.
Facebook, which owns the messaging app, has issued a rare warning about a major software glitch.
The bug lets attackers hide malicious code inside specially crafted MP4 video files.
If the victim watches this video, hackers can secretly run software which lets them carry out a denial of service attack, which stops the target from accessing the internet, WhatsApp or another service.
The boobytrapped clip can also be used to in a ‘remote code execution’ assault.
This means crooks could run a range of software on your phone, perhaps stealing secrets such as bank account details or using your device to target other people.
The bug affects Android users running versions of the software released before version 2.19.274 of the WhatsApp software and iOS users prior to 2.19.100.
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If you want to be safe, we’d advise you update WhatsApp as soon as possible.
One way to stop yourself being clobbered by hackers is to make sure no-one can send you dodgy video files.
So we’re glad WhatsApp has launched a new privacy feature which will stop you being pulled into group chats you don’t want to be a part of.
The feature was rolled out to a limited number of people earlier this year but has now been officially released to all users.
Starting from today, you’ll be able to choose who can add you to groups, letting you block dodgy people or prevent annoying friends from adding you.
This might sound like a frivolous feature, but in fact it’s a great privacy tool because people in groups can see each other’s phone numbers.
If you can take control of who adds you into these chats, then you have an extra tool to protect your identity and make sure strange or scammy people don’t contact you as well as protecting yourself from bullies.
When you’ve updated the app, just open up settings and scroll to ‘account’, followed by ‘privacy’ and then ‘groups’.
You will be able to choose who’s allowed to add you to groups, with three options available.
Select ‘everyone’ and you’re wide open whilst choosing ‘my contacts’ means only friends will be able to add you.
The early version of the update allowed you to also choose ‘nobody’, which locked your account down entirely.
Advertisement Advertisement
This has now been replaced by ‘My Contacts Except’, which will let you allow only certain contacts to add you to a group.
People you’ve blocked will still be able to send a group invitation in a private message – but this is very easy to ignore.
In a statement, Whatsapp wrote: ‘WhatsApp groups continue to connect family, friends, coworkers, classmates, and more. As people turn to groups for important conversations, users have asked for more control over their experience.
‘Today, we’re introducing a new privacy setting and invite system to help you decide who can add you to groups.
‘With these new features, users will have more control over the group messages they receive.
‘These new privacy settings will begin rolling out to some users starting today and will be available worldwide in the coming days to those using the latest version of WhatsApp.’


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Value<T> Struct
Definition at line
13
of
Value.hpp
Constructors
Value
(
const
T
& value_)
Member Variables
T
value
Constructor Details
Value Constructor
soulng::parser::Value::Value(
const
T
& value_)
Definition at line
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Value.hpp
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{% include meta.html %}
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--- layout: default ---
{{ site.hero.hero_description }}
| Monday – Friday | {{ site.monday_friday }} |
| Saturday | {{ site.saturday }} |
| Sunday | {{ site.sunday }} |
{{ site.contact.address }}
our company is engaged in executing its entire business activities as a Sole Proprietorship based business. We are engaged in the trading, dealing and supplying of an extensive range of products such as Gas Welding Rod, Plain Spring Washer, Drill Bit, Drilling Machine and many more. Manufactured by our vendors keeping the quality standards as a major focus, our range of products is in extensive demand amongst our valued customers. Our products are widely used in different sectors in commercial and industrial places. We are becoming capable to acquire an envy position in their industry owing to our grit, passion and commitment in terms of our business values.
Mr. P. Balakumar is the dynamic person under whose capable governance our company is regularly reaching fortitudes in industry. To keep every go in a smooth manner, he wisely makes decisions with the help of our senior leaders and employees. He has prioritized every element of the organization and thus he always welcomes suggestions too as ideas can emerge anywhere with abundance of potential. He shares a close association with employees of the company.
We have a team of proficient workers that share a harmonic bonding amongst each other and make relentless efforts in order to conquer unbeatable milestones. Competent enough to perform various tasks at a time they easily switch in between each other's tasks pertaining to their ability to deal with. They combine their exemplar skills and knowledge so as to regulate the growth of the organization.
We aspire for a standard that ensures customers satisfaction by meeting the expectations of our customers in quality and durability. Our organization offer optimum strength in our offered range of products. Our products ranges are easy to use and available at most feasible prices in the industry. They are quality assured and cost effective in nature. We assure our clients for the best solutions to their specific needs.
{{ treatment.description }}


Aerospace Engineering
Comments: 0
Mathematics and Underwater Dentistry
Debugging and Agile Development
Management Studies
Robotics and Artificial Intelligence
Aeronautics and Cat Studies


{% extends 'email_template.html' %} {% block content %}
Hello {{ position.user.first_name }},
You have been assigned a position for the {{ position.event.name }} event!
You will be controlling {{ position.name }}. The event starts on {{ position.event.start|date:'M d, Y \a\t Hi\z' }}, but please be in Teamspeak 30 minutes early for the briefing.
If you believe there has been an error or to withdraw from the event, please contact<EMAIL_ADDRESS>or<EMAIL_ADDRESS>immediately!
{% endblock %}


Love Stinks ***1/2
Rated R Independent Artists
Starring: French Stewart (3rd Rock), Bridgette Wilson (Billy Madison, Mortal Kombat), Tyra Banks (supermodel), Bill Bellamy (MTV guy), Tiffani-Amber Thiessen (90210 vixen), and Jason Bateman (one of those Hogans) Jeff Franklin (Director/Writer)
In the new movie "Love Stinks", French Stewart plays Seth, a funny TV writer who is smitten with the likes of Chelsea, the matron of honor at his best friend's wedding. Seth and Chelsea hit it off and start dating and that is where the fun begins.
As Chelsea quickly insinuates herself into every corner of Seth's life, he has no recourse but to accept the inevitable. French's quips on the demise of his freedom are high points of the first act. Even funnier is when the relationship turns adversarial and Chelsea shows herself to be the psycho that was always just underneath her perfectly molded surface.
I'm not one for toilet humor but when Seth tried to get her out of their bed by bombarding her with nocturnal odors, I almost laughed up a kidney. As their "war of the roses" escalates, so does the comedy.
Co-stars Bill Bellamy and Tyra Banks do a fine job as the respective best friends of our combatants. Cameos by Tifanni-Amber Thiessen and Jason Bateman parodying themselves as TV stars is also handled with great aplomb.
If your comedic tastes match your culinary ones, this is a good meat and potatoes comedy that should leave you feeling very satisfied.
Official Website: http://www.lovestinksthemovie.com
Ernie Cheeks The Phantom Critic<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Namespace: options.scales[scaleId]
| Name | Type | Default | Description |
|---|---|---|---|
type |
string |
Type of scale being employed. Custom scales can be created and registered with a string key. This allows changing the type of an axis for a chart. | |
alignToPixels |
boolean |
false |
Align pixel values to device pixels. |
backgroundColor |
Color |
Background color of the scale area. | |
display |
boolean |string |
true |
Controls the axis global visibility (visible when true , hidden when false ). When display: 'auto' , the axis is visible only if at least one associated dataset is visible. |
grid |
object |
Grid line configuration. more… | |
min |
number |
User defined minimum number for the scale, overrides minimum value from data. more… | |
max |
number |
User defined maximum number for the scale, overrides maximum value from data. more… | |
reverse |
boolean |
false |
Reverse the scale. |
stacked |
boolean |string |
false |
Should the data be stacked. more… |
suggestedMax |
number |
Adjustment used when calculating the maximum data value. more… | |
suggestedMin |
number |
Adjustment used when calculating the minimum data value. more… | |
ticks |
object |
Tick configuration. more… | |
weight |
number |
0 |
The weight used to sort the axis. Higher weights are further away from the chart area. |


the 6 hour difference in our lives has ended after a long 3 weeks
although we are still technically long distance, at least we coexist on the same clock and wake up roughly around the same time although you have class LOL
remember david during beach week, how tilted he was because emma was in china.
it was pretty funny how he was just lying on the floor and dying but that was me during this trip
except even worse cause i didn't really have much to distract myself with especially during the long car trips and i missed you more than he missed emma hehe
it was pretty hard
at the beginning of the trip
somedays i would be really grumpy until 2 pm aka when you wake up
somedays i would be really quiet until 2 pm aka when i say good morning to you
somedays i would be really sad until 2 pm aka when you talk to me
you cheer me up so much and i love talking to you and for the rest of the day i would be feeling fly like a g6
but this kind of lifestyle isn't healthy
because that means i'm super dependant on you and so i decided to fix this
by building this website
that wasn't the only thing i did but it sounds cute the way it flows
i want you to know the real reason why i created you your own page with all these subcategories
you already know that its because i love you and want to write really mooshy things and be a hopeless romantic
but its also for when you're not feeling so great
and you can at anytime just go to this page and read all these posts and look at all the pictures and hopefully feel better
and yes i still definitely want you to tell me everything that is happening and cheer you up if needed
but this exists for you always
unless an artificial intelligence uprising occurs and wipes out the internet but oh well, we can deal with that if it happens


Loading...
majorVersion
ALCaptureDevice::majorVersion()
ALDevice::majorVersion()
manuallySuspended
OALSimpleAudio::manuallySuspended()
OALSuspendListener-p::manuallySuspended()
OALSuspendHandler::manuallySuspended()
maxDistance
ALSoundSource-p
maxGain
ALSoundSource-p
meteringEnabled
OALAudioTrack
minGain
ALSoundSource-p
minorVersion
ALCaptureDevice::minorVersion()
ALDevice::minorVersion()
mixerOutputFrequency
OpenALManager
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OALAudioTracks::muted()
OALSimpleAudio::muted()
ALListener::muted()
ALSoundSource-p::muted()
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---
layout: ds4/test
title: Icon - Editing
---
icon-bold
icon-italic
icon-underline
icon-strike-thru
icon-left-justified
icon-center-justified
icon-right-justified
icon-justified
icon-bulleted-list
icon-numbered-list
icon-link
icon-left-aligned
icon-center-aligned
icon-right-aligned


This is our special website that was created by GirlCode. Our team created this site with our skills of technology. Our website is about best captions and Memes! How it works: You can post whatever caption or meme you like and you create like a mini quiz, just don't forget the choices. You can also insert an image or put a message for your post to show the audience. After posting, people would see it on the 'Read the Feed' page and take a vote about your caption. Our website also allows you to be the author! Enjoy the site and have Fun!!!! :) Best captions earns 'BEST CAPTION FOR A DAY!!'


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Sergeant Gary Jacobs said "whoops, I will eat the incriminating evidence" after a piece of the meat fell onto the junior officer's special kosher pizza.
The 43-year-old officer, based in Crawley in West Sussex, was hauled before a disciplinary panel on Tuesday.
The hearing at Sussex Police headquarters in Lewes was told that the Jewish officer, referred to only as "Pc A", was left feeling "mocked for her faith".
Sgt Jacobs argued that the pizza incident was a misguided joke-gone-wrong and accepted that his actions amounted to misconduct, but not gross misconduct.
However the panel decided what Sgt Jacobs did amounted to gross misconduct and told him that he came very close to having his career as a police officer ended.
The incident happened on March 8 when Sgt Jacobs, Pc A and other colleagues were relaxing before a shift eating pizza, the hearing was told.
Amy Clarke, bringing the allegation on behalf of the police force, said: "Pc A had deliberately ordered a pizza that was compliant with her dietary requirements.
"Sgt Jacobs picked up a piece of pepperoni pizza and dangled it over or near Pc A's food.
"A piece of the pepperoni fell onto Pc A's pizza."
This was despite being aware of Pc A's faith and another officer having just pointed out that her kosher pizza should be kept separate, Ms Clarke said.
The panel heard that Sgt Jacobs "waved" a piece of pepperoni pizza over Pc A's kosher chicken pizza saying "technically not touching".
When a piece of meat fell onto Pc A's meal he remarked: "Whoops, I will eat the incriminating evidence."
The Jewish officer, who had only recently joined the force, was left feeling "embarrassed, isolated and as if she was being mocked for her faith", Ms Clarke said.
Colin Banham, representing Sgt Jacobs, said: "No-one says this was a malicious act.
"An incident that he bitterly regrets and one that he is clearly remorseful about.
"There was no intention to contaminate food."
He argued that the incident was not pre-meditated and happened in a "jocular atmosphere" when officers were relaxing before a shift began.
He told the panel that Sgt Jacobs had been under various pressures in his home and work life at the time.
Trevor Bowles, who has been managing Sgt Jacobs since he changed teams following the pizza incident, said he had been impressed with his work.
He told the panel: "He has substantial potential if his skills are channelled in the right way.
"There has been not one issue or concern in all of his interactions with my staff."
After retiring to consider the facts, panel chair Michael Salter said: "This amounts to gross misconduct as it is a breach of the standards of professional behaviour so serious that dismissal would be justified.
"Police officers exercise significant powers.
"The misconduct regime is a key part of accountability framework."
He said Sgt Jacobs' actions were "serious and they caused discredit to the police service".
Speaking to Sgt Jacobs, he said: "Officer, I cannot tell you how close you came to losing your job today.
"I have done this job for a number of years now.
"I have not found any case that has fallen so close to the boundary as yours has."
Sgt Jacobs will receive a final written warning as a result of the hearing.


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This escape room contains three separate stages: Hidden Switches, Rube
Goldberg, and Travel Trivia. I don't want to spoil the puzzles, so
all of the following information has spoiler tags. Hover to uncover the
solution.
1. Hidden Switches
The objective of this room is to
find two switches
to unlock the door to the next room.
Switch 1:
underneath the table
Switch 2:
solve the riddle.
door on the left leads to inferno, door on the
right leads to lion that hasn't eaten in three months. you open
the right door because the lion is (realistically) dead after not
eating for so long. this means you choose the right painting,
which has a switch behind it.
3. Travel Trivia
The objective of this room is to
get a 4 digit code
. This is by far the hardest room.
Hint 1:
The first picture on the wall shows the order of which the digits
go. You must solve all the puzzles but combine the digits in that
order.
Hint 2:
The first picture is of the Great Wall. This is located in China.
The capital of Beijing is China, so the digit for this puzzle is 7.
Hint 3:
The second picture is of a chess board. The objective is to put the
king into checkmate in 1 move. The move is e7#, add 4 to the last
number to get e11, and locate the result on the world map on the
wall. You get a square that contains Italy, which has a capital of
Rome, so the digit is 4.
Hint 4:
The third picture is of oranges. There's a table of 17 oranges, and
because the vitamin most commonly associated with oranges is vitamin
c, you get c17. That square on the world map contains Russia, which
has a capital of Moscow, so the resulting digit is 6.
Hint 5:
The fourth picture shows a picture of a puzzle. There's a 4-piece
puzzle on the table, and when you rearrange them, you get the
Indonesian flag. The capital is Jakarta, which means the digit is 7.


{% extends "sagelist/base.html" %} {% block "full_content" %}
You haven't listed any books for sale yet. Post a new one?


Treatment of Assange putting his life 'at risk': UN expert
GENEVA: The treatment of WikiLeaks founder Julian Assange, who is facing the threat of extradition from Britain to the US on espionage charges, is putting his life "at risk", an independent UN rights expert said Friday (Nov 1).
READ: WikiLeaks founder Julian Assange appears in London court
"Unless the UK urgently changes course and alleviates his inhumane situation, Mr. Assange's continued exposure to arbitrariness and abuse may soon end up costing his life," the UN special rapporteur on torture and other cruel, inhuman or degrading treatment, Nils Melzer, said in a statement.


There are plenty of factors that come together for a quality sounding voice over ip call. I have outlined some of the more of the specific issues below. There are plenty of other various reasons, but these are the ingredients that make a quality voip call.
Jitter:
Packet Jitter is the variation of a periodic signal, such as a ping. It represents the variation in times that packets arrive, and not the time it takes a packet to arrive. We want jitter to be low and consistent, which represents reliable, predictable, packet traffic.
Packet Loss:
Packet Loss occurs when a sent packet fails to reach its destination, which can require a resending of that packet. It is one of the three identified main error types which occur in digital communication. Causes vary, but often signal degradation, oversaturated network links, corrupted packets rejected in-transit, faulty networking hardware, faulty network drivers or normal routing routines are identified as the culprit.
Mean Opinion Score:
Mean Opinion Score is a number from 1 to 5 which is applied to data that has been compressed and then uncompressed. It is used to determine the quality of things like voice or video after transmission.
Line Speed:
Application speed (Line Speed) is a measure of the total actual throughput of lines, minus things like packet loss, or other qualitative measures that can reduce throughput. Keep in mind that most broadband vendors sell bandwidth based upon a “typical usage” network configuration, so down speeds and up speeds can differ by a considerable amount.
Quality of Service:
Quality of services is a value from 0% to 100% that represents the consistency of line speed. The more consistent the line speed, the higher the number.
Round Trip Time:
Round Trip Time is the time it takes a single packet to be sent from the client to the server and then back to the client, and is a good indicator of connection path quality. What you want to see here is a pretty consistent value, with very small deviations.
Please Contact Me to learn more about how to make a quality VoIP call.


Hello
I'm Maureen
I'm a Software Developer Student
About Me
Software Developer Student
Hello, my name is Maureen Njihia. Enthusastic and passionate about building and deploying software development equipment,
I'm interested in website development and design, a key reason as to why I chose Moringa School.
Skilled in HTML, CSS, C and C++ programming languages.
Hobbies include travelling, adventure, music, dance and art.
Education Background
Schools Attended
University
2020-Present
Bachelors Degree in Computer Science
University of Nairobi
Secondary
2016-2019
St Mary's Girl's High School Igoji
Primary
2008-2015
Jonathan Gloag Academy
Projects
During my first week at Moringa School, I managed to work on some few projects.


Have you used this service before?
There was some text here about it being important to claim funds (this would be wrong for the invite journey, potentially)
It said get someone financial to do it, probably wrong for the invite journey potentially.
Makes me wonder should the invite journey just use the create account screen by default? Then we tweak it to include a, "done this before, sign in"


|
Nana - a C++ framework project The Programmer's Guide |
|
nana::gui::API::track_window_size Description Sets the minimum or maximum tracking size to the specified window. Prototype bool track_window_size(nana::gui::window wd, const nana::size& sz, bool true_fo_max); Parameters wd: A handle to the window to be set. sz: tracking size. true_for_max: indicates the minimum or maximum tracking size to set. If the parameter is true, the maximun tracking size is set. If the parameter is false, the minimum tracking size is set. Return Value If the function succeeds, it reutrns true. If the window is not exist, or minimun tracking size is greater than maximun tracking size, or maximum tracking size is less than minimum tracking size, it returns false. Remarks The maximum tracking size is the largest window size that can be produced by using the borders to size the window or using window_size(). The minimum tracking size is the smallest window size that can be produced by using the borders to size the window or using window_size(). See also None. Move to The Nana Programmer's Guide Application Programming Interface Overviews |


|
r
δ
|
Number of mosquitoes per host in the unimodal peak phase |
2 |
2–6 |
[
8,
33,
34]
|
|
p
base
|
Proportion of mosquitoes in baseline recruitment |
0.05 |
|
[
8,
35]
|
|
iv
|
The interval between baseline pulses (days)
1
|
5 |
2–7 |
[
35]
|
|
q
|
Timing of unimodal peak (days)
1
|
220 |
209–230 |
[
35]
|
|
σ
|
The variance of the unimodal peak (days)
1
|
29 |
|
[
35]
|
|
R
tot
|
Total mosquito recruitment (population size)
2
|
|
|
Calculated based on default value and range for
r
δ
above. Used in the sensitivity analysis.
|
|
a
|
Mosquito biting rate
3
|
0.0043
T + 0.0943
|
|
[
15,
36]
|
|
β
h
→
v
|
Rate of transmission from human to mosquito |
0.33 |
0.1–0.75 |
[
28,
33,
37]
|
|
β
v
→
h
|
Rate of transmission from mosquito to human |
0.33 |
0.1–0.75 |
[
28,
33,
37]
|
|
μ
v
|
Mortality rate of mosquitoes under optimal temperatures
4
|
0.04 |
0.02–0.06 |
[
13,
17]
|
|
μ
vs
|
The slope of mortality function |
0.05 |
|
[
13,
26]
|
|
γ
v
|
Virus extrinsic incubation rate (at 22.5°C) |
0.04 |
0.04–0.07 |
[
17,
38]
|
|
γ
vs
|
Slope of extrinsic incubation function |
0.008 |
|
[
38]
|
|
1/
γ
h
|
Intrinsic incubation period (days) |
6 |
|
[
39,
40]
|
|
1/
η
h
|
Human infectious period (days) |
4 |
|
[
8,
41–
43]
|
|
N
h
|
The population size of humans (constant) |
30000 |
|
[
44]
|
|
t
crit
|
Date of arrival of infectious human (days)
5
|
181 |
1–365 |
|
|
T
mean
|
Mean annual temperature (°C) |
20 |
15–30 |
[
45,
46]
|
|
T
range
|
Temperature range (°C)
6
|
5 |
0–15 |
[
45,
46]
|
1
Default value and range are estimates to reflect the observed seasonal activity, not an explicit fit to the island’s entomological data;
2
See
Eq 15, also note this parameter was used in the sensitivity analysis to allow estimation of the relative importance of the total recruitment;
3
Optimal temperature for biting rate: (21°
C >
T < 32°
C);
4
Mosquitoes optimal survival range: (15°
C >
T < 30°
C);
5
Where
t
crit
= 1, calendar date is February 15; hence
t
crit
of 181 is August 15; while 365 is February 14 (i.e. a complete annual period).
6
Temperature range is given by (
T
max
−
T
min
).


You take a sip of the water, and suddenly a coursing energy surges through your whole body.  Try again!


[CHAPTER 302H]
Hawaiian language medium education
Law Journals and Reviews
"Officially" What? The Legal Rights and Implications of Ōlelo Hawaii. 30 UH L. Rev. 243 (2007).
"Language Is Never About Language": Eliminating Language Bias in Federal Education Law to Further Indigenous Rights. 37 UH L. Rev. 381 (2015).
Helping Hawaii's Diverse Community of English Language Learners: Does the Hawaii Department of Education Meet Federal Standards for English Language Learner Programs? 38 UH L. Rev. 35 (2016).
Section
302H-1 Hawaiian language medium education program;
established
302H-2 Attendance and eligibility
302H-3 Office of Hawaiian language medium education;
personnel
302H-4 Facilities or transportation
302H-5 Student performance
302H-6 Hawaiian language medium state education agency;
districts and complex areas
302H-7 Collaboration


MuMind
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The explanation plugin displays the explanation for any currently selected links. When the explanation plugin is opened, it looks like this:
Initially, the explanation plugin just shows a list of the currently selected links. Double click a link to see its explanation:
The current link has two explanations: GIVEN, and an explanation based on the TRANSITIVITY rule. (This means that this is a redundant link, since it is GIVEN - hence created by a human - and can be inferred by the reasoner. See redundant links).
Whenever any line is selected in the explanation tree, more details are given in the text field at the bottom of the window. In this case, since a link is selected, all that is shown is the link description.
Note the little control next to the TRANSITIVITY explanation. This means that the explanation can be expanded to show the links that support the explanation. Double-click and explanation (or just click the expand control) to show the supporting links:
The two supporting links show how the implied link "virion transport vesicle -part_of-> intracellular" was derived: "virion transport vescicle -is_a-> intracellular membrane-bound organelle" and "intracellular membrane-bound organelle" -part_of-> intracellular", therefore "virion transport vesicle -part_of-> intracellular".
Notice that there are expansion controls next to each piece of supporting evidence. If these are expanded, we see the supporting evidence for the supporting evidence:
We can see that "intracellular membrane-bound organelle -part_of-> intracellular" is itself an implied link, because its only explanation is TRANSITIVITY. It is possible to expand that explanation to discover the relevant supporting links, which can in turn be expanded to display their evidence, and so on and so on.
When the explanation tree for any link is fully expanded, all the leaves will be the GIVEN explanation, because all implied links are initially derived from the user-provided links in the ontology.


Money Play.
Despite leaving 17 shots instead of 11, 13/6 is right by a long way.
White’s board is improving and by next turn he will probably have a five-point board and Red will still have the problem of clearing his mid-point. Red must pay now with 13/6 and keep his fingers crossed!
Despite leaving 17 shots instead of 11, 13/6 is right by a long way.
White’s board is improving and by next turn he will probably have a five-point board and Red will still have the problem of clearing his mid-point. Red must pay now with 13/6 and keep his fingers crossed!
1. Cubeful 2-ply 13/6 Eq.: +0.110 0.592 0.082 0.009 - 0.408 0.021 0.000 2. Cubeful 2-ply 8/1 Eq.: +0.023 (-0.087) 0.571 0.070 0.004 - 0.429 0.054 0.001 3. Cubeful 2-ply 8/2 4/3 Eq.: +0.001 (-0.109) 0.564 0.066 0.004 - 0.436 0.053 0.001 4. Cubeful 2-ply 8/2 6/5 Eq.: -0.087 (-0.197) 0.538 0.046 0.002 - 0.462 0.070 0.002 5. Cubeful 0-ply 8/2 3/2 Eq.: -0.097 (-0.207) 0.547 0.037 0.000 - 0.453 0.075 0.000


Before Change
else:
model_file_name = f"{model_name}model"
assert os.path.exists(
model_file_name
), f"{model_file_name} does not exist. Train the model with trainer.py first."
model_class = get_model_class(model_name)
model = model_class.load(model_file_name)
After Change
else:
model_file_name = f"{model_name}model"
if not os.path.exists(model_file_name):
logger.info(f"{model_file_name} does not exist. Downloading the model....")
try:
download_check_etag(
f"https://index.taskcluster.net/v1/task/project.relman.bugbug.train_{model_name}.latest/artifacts/public/{model_file_name}.zst",
f"{model_file_name}.zst",
)
except requests.HTTPError:
logger.error(
f"A pre-trained model is not available, you will need to train it yourself using the trainer script"
)
raise SystemExit(1)
zstd_decompress(model_file_name)
assert os.path.exists(model_file_name), "Decompressed file doesn"t exist"
model_class = get_model_class(model_name)
model = model_class.load(model_file_name)
for bug in bugzilla.get_bugs():


Recipe Box
Search for recipes based on an ingredient, calorie range, and dietary restriction.
Search FoodChoose from a variety of themes to find a fun activity.
Search ActivitiesWhat is TDEE?
TDEE, total daily energy expenditure, is the amount of energy in calories you burn per day. TDEE is best calculated by factoring in your BMR, or basal metabolic rate, and your activity level.
Sorry, your search did not return any results. Please widen your parameters and try again.
A former research geneticist looking to transfer her problem solving skills to coding. Loves cats, knitting, the gym, and Scandinavian metal.
Devin is a communications and marketing specialist for a local pediatric company focusing on creating advertisements and social media marketing. When he isn't behind the computer, he is either out creating videos, snowboarding, or hanging out on Lake Sammamish. Once he graduates Code Fellows, he wants to become the developer for the company where he works.
Ryan PE teacher by day amateur web developer by night. Father of two, husband of 10 years, sacrificing sleep and sanity to pursue a career in web development for my family; thank goodness for coffee.


--- title: Handy Dict keywords: fastai sidebar: home_sidebar summary: "A library with some handy utils to deal with dictionaries that contain arrays" description: "A library with some handy utils to deal with dictionaries that contain arrays" ---
This file will become your README and also the index of your documentation.
pip install handy-dict
pikachu = {
"name": "pikachu",
"moves": [
{
"move": {
"name": "mega-punch",
"url": "https://pokeapi.co/api/v2/move/5/"
}
},
{
"move": {
"name": "pay-day",
"url": "https://pokeapi.co/api/v2/move/6/"
}
},
{
"move": {
"name": "thunder-punch",
"url": "https://pokeapi.co/api/v2/move/9/"
}
}
],
"stats": [
{
"base_stat": 90,
"effort": 2,
"stat": {
"name": "speed",
"url": "https://pokeapi.co/api/v2/stat/6/"
}
},
{
"base_stat": 50,
"effort": 0,
"stat": {
"name": "special-defense",
"url": "https://pokeapi.co/api/v2/stat/5/"
}
}
]
}
from handy_dict import apply_keyed
With handy-dict you can apply a function to the keys inside a dictionary, say you want to take name
out of stat
, go from something like this:
{
"base_stat": 50,
"effort": 0,
"stat": {
"name": "special-defense",
"url": "https://pokeapi.co/api/v2/stat/5/"
}
}
to this:
{
"base_stat": 50,
"name": "special-defense"
}
The function transform_stat
is just a little helper that will transform the stats
array in our pikachu
dictionary and return a new array, that will replace the stats
in a copy of the original dict:
def transform_stat(stat_array):
return {
stat["stat"]["name"]: stat["base_stat"]
for stat in stat_array
}
modified_pikachu = apply_keyed(pikachu,["stats"], transform_stat)
modified_pikachu["stats"]
from handy_dict import return_keyed
handy-dict also makes it easy to return multiple values from a dictionary, iterating through keys and arrays:
return_keyed(pikachu, ["moves","move","name"])


--- creation_epoch:<PHONE_NUMBER> lastmod_epoch:<PHONE_NUMBER> categories: ['Tech Tricks'] title: CD Burn rights in XP for non-admin users --- I found a way to allow Power Users or Interactive Users to burn CD/DVD discs without administrator rights.
Microsoft has instructions at http://msdn.microsoft.com/en-us/library/bb540662(VS.85).aspx that detail the steps you need to take.
I tested with Nero DiscSpeed and was able to successfully erase discs as a regular user. I could not burn images with that program though since it uses some low-level commands that bypass Windows.
I then downloaded InfraRecord to burn an ISO image, and it worked perfectly without admin rights.
If the Microsoft link isn't working here is a summary of the steps:
I tested this on a Windows XP PRO 64-bit SP2 machine with a SATA DVD burner.


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Torx T6 Screwdriver
essential for changing antennas, screens, housings,
keypads and much much more...........
More Info Please |
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Nokia CK-7W
full car kit, suitable for several
different Nokia models. Additional phone
holder required for each handset. Great
Price, requires professional inststallation.
More
Info Please |
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Don't worry about mileage! All fuel costs are included. If you refill fuel, we'll pay you back!
Our prices include taxes and insurance. What you see is what you really pay!
One size never fits all! Choose a balance of time and kilometers that works best for you.
Our cars have all-India permits.Just remember to pay state tolls and entry taxes
We have round-the-clock, pan India partners. Help is never far away from you.
All your bookings include damage insurance! Drive safe, but don’t worry!
 With youngsters now being able to establish an equal focus on work and leisure frequent road trips have now become a norm. In addition to this, the added pleasure of a self-driving has given rise in the demand for, self-drive car rentals which has emerged as the answer to many of their prayers.
If want to rent one out a s elf-drive car, choose Zoomcar, whe re you can pick out your self-drive car ba sed on your travelling needs. While small s elf-drive cars allow you to easily manoeuvre t hrough city traffic, sedans and SUV’s offer more comfort. Affordable prices starting at 60/hr help s you rent a car easily. Whether you want to go on a roa d trip from Bangalore to Coorg or just need a car to travel within the city the self-drive Zoomcar are yo ur best solution. All Self-drive Zoomcar comes with a li mited liability, enabling you to enjoy the comfort of a four-wheeler without having to invest in one, with the a dded benefit of not having to actually drive it. The Sel f-drive Zoomcar have even made travel to and from the ai rport easy. Avoid exorbitantly priced Bangalore airport cabs by choosing to travel in a Zoomcar instead. The Ban galore airport even has a Zoomcar parking lot where you can get a self-drive car rental as soon as you get off your flight, thus eliminating the time taken t o look for a cab or hire one.
Drive seamlessly:
Our Self-Drive cars come with all India permits, Road-Side Assistance (RSA), vehicle insurance and provision of multiple parking sites across the city.
Book Through the App:
No matter how long you need our Self Drive cars for you can conveniently hire a Self-Drive car online in Bangalore through the Zoomcar app.
Array of services:
Enjoy tech-enabled booking, tracking and hassle-free payment options too. Make every special occasion memorable by opting to ride in a luxury self-drive car yourself. You could opt for it just for the sheer pleasure and experience too!
Drive across the city hassle free with a self-drive car from Zoomcar in the following steps:


Cigar-lover, informal leader of the A-Team, interested in the US-american sub-urban idyll, car-tuning and mocking Colonel Decker.


This page is to demonstrate how fool you are to use something without knowing anything!ü>
Made with ❤ by Adarsh


Float Labels allow for placeholders that will move to remain visible when the user is typing in the input field. This pattern is useful for forms where having separate labels for inputs is undesirable, and allows the user to keep the context of an input field even after they have entered a value.
Add the uxFloatLabel
directive to the label
element, and bind it to the associated
input
element. The ux-float-input
class can be used to style the input
if it
is part of an input group.
The following properties can be used to configure uxFloatLabel
:
input
element associated with the label.
Determines which events cause the label to be raised.
focus
: The label is raised on focus, and remains raised while the input contains text.input
: The label is raised when the user enters text. This mode is designed to be used in
combination with the input
placeholder
attribute.The following code is used to create the example above:


I am one of the organizers of Tech Weeklies at Futurice, and I am also actively presenting there and in other public events about topics related to web development, performance and accessibility. Naturally, not all of my talks are published due to non-public content.
You can also check and subscribe to my personal YouTube channel where I post tutorial videos.
Check out the projects and contact pages as well.
I also like to tweet about stuff I discover while developing.
0lpeh on Twitter