Rock of Ages brings ’80s music to Limelight Theatre
by Staff WriterROCK of Ages is bringing the ’80s back in a musical expected to get the audience dancing in the aisle at Wanneroo’s Limelight Theatre.
Written by Chris D’Arienzo and directed by Ashlee Torrens and Kathleen Del Casale, the LA love story is set in a rock club in 1987 where big hair meets big dreams in a rock’n’roll comedy romance.
A small-town girl, fresh off the bus and hoping to become a Hollywood star, meets a big-city dreamer who, while currently a busboy, is an aspiring rocker, and they fall in love to the greatest songs of the ’80s.
Rock of Ages is a jukebox musical using classic songs from the era by iconic rockers such as Foreigner, Journey, Bon Jovi, REO Speedwagon, Poison, Starship, Pat Benatar, Whitesnake, Europe and Twisted Sister.
Nominated for five Tony Awards, including best musical, in 2009, the original Broadway production ran for 2328 performances over six years and was tied as the 29th-longest running show in Broadway history.
The decision to direct Rock of Ages stems from Torrens’ long-time connection with the energetic musical – and Del Casale was eager to join her for the roller coaster ride.
“It’s the sort of musical that will have you dancing in the aisle,” Del Casale said.
“The show is a bawdy good time for anyone looking to forget their troubles and have some fun at the theatre.”
Torrens said there was “something about the magic of ’80s music that makes you want to party”.
“Rock of Ages is a big, brash, energetic tribute to classic rock, over-the-top ballads and fierce guitar,” she said.
Del Casale and Torrens have been involved in theatre for a combined 20 years, first meeting at Limelight Theatre seven years ago when they were cast in the musical Hairspray.
Since then, they have been in almost every musical staged at the theatre.
“We’re excited to be directing and being at the forefront for once,” Del Casale said.
“If you’ve only seen the movie, you’re likely to be surprised how fun, playful and interactive Rock of Ages on stage is.
“The musical has its own brand and has lots of different songs that weren’t in the movie.”
Torrens said they wanted to do the Broadway show justice.
“It’s a very fast-paced and intricate show, with overlapping elements and scenes,” she said.
“We want to make sure the audience are on their feet by the final bow and rockin’ all the way home.”
Rock of Ages plays at Limelight Theatre, Civic Drive, Wanneroo from 8pm on November 21, 22, 23, 28, 29, 30, December 5, 6 and 7 with a 2pm matinee on November 23.
Tickets cost $32, $28 concession through www.limelighttheatre.com.au or call 0499 954 016.


Below is a working sample app, which you can use on your own account or on a sample Brightcove account.
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Welcome to the greatest journey of your life... or not
Seems like you have lost your way...
OH AREN'T YOU?
I guess you haven't heard the terrible stories about this cave.
The legend says that all the people who entered the cave - never seen again.

But if you find your death inside there...don't blame me.
Are you still there? GREAT.
Your mission is to find all the mines locations inside the cave.
Once you do it - you will find your way out.
Oh! I almost forgot something.
I left you some hints that you'll be able to use during your journey.
GOOD LUCK
I didn't really expect you to be brave enough.
If you regret - click on me and I'll take you to the cave.


Doctest.js is a test runner and testing framework for Javascript.
Doctest uses a novel approach to testing: example and expected result. Each test is a chunk of code that prints out results and side effects, and then the expected result is matched against that to see if the test passed or failed.
An example (note: these are live examples — you can also try your own via the live demo):
function capitalize(words) { return words.replace(/\b[a-z]/g, function (m) { return m[0].toUpperCase(); }); } print(capitalize('some words')); // => Some Words print(capitalize('some 4ward words')); // => Some 4ward Words
This is similar to something like assertEqual(capitalize('some words'), 'Some Words')
— there's a kind of "equal" check every time you print something. Instead of doing stuff then testing every detail of what happened or what was returned, testing almost happens for you — you print out what you are interested in, and you can even punt: you can start by simply exercising everything that matters, and then inspecting that what happens is what you expect, and copying those results into the test. For instance:
function getProperties(obj) { var result = []; for (i in obj) { result.push(i); } result.sort(); return result; } print(getProperties({b: 1, a: 2})); // => print(getProperties("a")); // =>
Look: the first example worked great, ["a", "b"]
. The second example though wasn't right at all. "0"
? Once we have a better idea we can adjust those tests:
function getProperties(obj) { var result = []; for (i in obj) { if (obj.hasOwnProperty(i)) { result.push(i); } } result.sort(); return result; } print(getProperties({b: 1, a: 2})); // => ["a", "b"] print(getProperties("a")); // => []Well, that wasn't quite enough, but this kind of incremental development is exactly why doctest.js is so helpful: it shows you what you've done, it shows you both presence and absence. Most test frameworks only give you tools to test what is there, and not ensure that the things you don't want aren't there.
Async testing made easy!
The other great feature of doctest.js is how it lets you test async code.
Async code is a bit tricky for all test runners. When you run the test, the result of the test won't be known until after you wait some time. Test runners might have ways to pause the test process while the test code completes. They also need ways to test that everything you wanted to happen will happen. Something that is often tricky in test code is to make sure that some callback was called — it's relatively easier to test that the callback was called correctly.
Here doctest's ability to test both what's present and what's missing shines. And the test runner also gives you a great way to serialize your asynchronous tests.
The core feature here is wait()
— this lets you register a callback that will tell the test runner when this block of code is fully finished. An example:
var now = Date.now(); var done = false; setTimeout(function () { done = true; print('The timeout finished!', Date.now() - now); }, 300); wait(function () {return done;}); // => The timeout finished! ...(Notice we use
...
to ignore the specific number that is printed: ellipsis act as a kind of wildcard)
With Doctest you don't have to use fake setTimeout
or fake async anywhere — you always use the real thing, and it's nearly as easy to test as async code. Frameworks that make this code synchronous are cheating you, because asynchronous code is the hardest of code and deserves to be tested accurately. But when a test framework makes synchronous easy and asynchronous hard, it's all too easy when in the depth of test development to take shortcuts.
Mocking with Spy
In addition there's a simply mocking framework in doctest with Spy. This lets you create a function that records over time it is called — and each time it is called it prints out how it is called. It also makes it easy to wait on the Spy to be called:
var button = $('<button></button>'); $('body').append(button); button.click(Spy('button.click')); button.click(); Spy('button.click').wait(); /* => <button />.button.click({...}) */You'll notice here that we also ignored the details of the object passed to the callback. We could use wildcards to match no part or any specific part of the argument called. Also note that the value of
this
is shown: people usually forget that this
is a kind of implicit argument to many functions, but again doctest makes the implicit explicit. Also note that the actual output is always displayed, so you can use this to inspect aspects of the environment even if you don't want to test all fo them.
Lineage
Doctest is based on the Python doctest module originally written by Tim Peters. Spy was inspired some by Jasmine's Spy class, and carries over ideas from MiniMock.
If you've used Python's doctest and found it annoying or not widely useful for doctest: doctest.js fixes all those problems: see this post for more.


One language to rule them all - JAVASCRIPT
Easiest to learn
Both Front End & Back End
Asynchronous and highly efficient for handling I/O
Javascript (Node JS) is 1000’s of orders of magnitude faster than PHP, Ruby and Python


This is a link to Mozilla.
Another link, to the Mozilla Developer Network.
Click me! Click me too! And me!


This documentation relates to Opera's now deprecated .oex Extension API framework for Opera versions <= 12.15 and also provided by our OEX2NEX shim library.
For the latest Opera Extensions API documentation for Opera versions > 12.15 please consult the latest Opera Extensions API documentation online.
The
element serves as a wrapper for text content, usually for the purpose of internationalization. The following attributes are associated with it.
xml:lang
(see also the W3C specification)dir
(see also the W3C specification)<?xml version="1.0" encoding="utf-8"?>
<widget xmlns="http://www.w3.org/ns/widgets" id="http://example.com/myExtension" version="1.1">
...

CHANGELOG
Version 1.1: Added ability to travel through time.

...
</widget>


About Us
We are Epicodus students who's driven to learn programming. We do 100% hands-on, building projects and writing code all day, every day. Most class days, we practice pair programming: two people sharing one computer, taking turns who uses the keyboard and mouse. By working together, we catch each other's mistakes, teach each other new skills, and come up with ideas together neither of you would have had alone. Pairing is increasingly used by tech companies (like Facebook and Square), and we've found that pair programming helps us learn programming concepts faster, too.
Our Project
We've come up with an idea to build a vacation planner for people and added some more info for them to see. Everybody wants to travel around the world and explore. Even us authors would love to see the cities that we put in on our webpage someday. A number of studies have shown that taking time away from the job can have physical and psychological health benefits. People who take vacations have lower stress, less risk of heart disease, a better outlook on life, and more motivation to achieve goals.


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[gecode-users] very odd bug in small program
Chris Mears
chris.mears at monash.edu
Mon Sep 27 06:22:20 CEST 2010
Hi Denys,
I think the problem is that the Matrix constructor copies the IntArgs
array, so that when you modify MC you aren't changing C itself.
(Whether it ought to do this or not is another question.) One
solution is to instead write:
IntArgs C(4*4, 7, 1, 3, 4, 8, 2, 5, 1, 4, 3, 7, 2, 3, 1, 6, 8);
linear(*this, C, X, IRT_EQ, N);
Cheers,
Chris
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API for read-only access XML structure using DOM-like interface. Implemented over XML lexer, so the structure can be obtained even on malformed, unfinished or errneous documents. The caller may obtain a SyntaxElement corresponding to a given textual position in the XML document. The SyntaxElement can be used to both read contents (attributes, tag name, ...) of the document, or navigate to sibling, predecessor, parent or child Elements. SyntaxElement can be converted to DOM Node; DOM Nodes obtained originally as a result of SyntaxElement conversion can be converted back to SyntaxElements so the caller can retrieve their position within the document.
It is advisable to perform searches or navigation through the document under a document read (write) lock. Implementations in this package read-lock the document internally, but generally no lock is preserved across method calls.
The design / structure of the API is intentionally almost the same as with the obsoleted api located in
org.netbeans.modules.xml.text.syntax.dom
package to make the existing code migration easier.


background crabs rock camouflage pool matching mudflat disruptive coloration habitat crab colour visual pattern match shore work Soc Stevens habitats images disruption {border-style backgrounds edge px;} #ffffff;} individuals luminance used values Biol carapace collected different strategies vision fish markings study ./rspb.. Proc average individual pools using Carcinus Ecol avian (e.g. animal appearance background. body substrate uniform Cuthill Supplementary associations birds colour, compared detection high image level mudflats Disruptive Merilaita backgrounds, data difference levels matching, past patterns prey px; spatial studies {font-family Background However, analysis artificial assess better common edges effect environment especially font-size higher highly including interaction juvenile likely maenas modelling patterning phenotype-environment range scale species taken use ./s--- .″N, .″W) Camouflage Fig. Here, Troscianko Using camouflage: closer coloration, complex cone contrast directly disruption, double; evolution greater habitats. matches model natural predation predator predators sites systems systems. type (see , = ., ./rstb.. Behav Conversely, Evol Images JND Linn Overall, Phil Rep Sci Trans allow animals border-color border-width changes choice crabs, demonstrated diversity environments heterogeneous indicates information key light low marginally matching: nature placed provide quantified real results sensitive showing shown significant solid; test types. widely {font-style {font-weight (peak Animal Commons Creative GabRat Image Indeed, JNDs Nature Stevens, University analysed area bold closely conducted courier; cryptic determine did differences distribution em; energy environment, evidence experiments expression extent false followed habitat-specific habitat. habitats, large larger lower luminance, match. matched ontogenetic predict pt;} quantify recent regardless relatively resulting risk scales seen showed small specific spectra strategy suggested survival targets tend value variable variation vary – nm


BLANK CHECK A film review by Mark Takacs Copyright 1994 Mark Takacs
Walt Disney Pictures / rated PG Starring: Karen Duffy James Rebhorn Jayne Atkinson Brian Bonsall Miguel Ferrer Tone Loc Michael Lerner Tak Classification: Disney Comedy Tak Rating: wait for video
One-Line-Summary ---------------- Eleven-year-old Preston gets a million dollars, has lots of fun, and draws wanted and unwanted attention from the FBI and some thugs.
Tak Plot Summary ---------------- Preston Waters (Brian Bonsall) is handed a blank check by a hurried crook named Quigley (Miguel Ferrer), fills in $1 million, and boldly cashes it at the local bank, where he is mistaken for a messenger by crooked banker (Michael Lerner). For the rest of the movie, he is smitten by teller Shay Stanley (Karen Duffy), gets himself chased by Quigley, the bank president, and thug Juice (Tone Loc), and has lots of fun spending the money with his personal chauffer (Rick Ducommun).
Tak Thoughts ------------ BIG. Remember that movie?  Well this has a similar feel--lots 'o cash is spent, much fun is had, and there's a serious crush on Shay (Karen Duffy), though this is Disney so nothing really happens.
The plot's nothing really special. It provides laughs and smiles and a minimum of groans. It does have a few itty-bitty twists, so I'll turn my attention to the characters.
What Disney film would be complete without bumbling villains? The bank president is the classic bumbler, but Quigley and Juice are pretty respectable. This is due in large part to (believe it or not), Tone Loc. According to the production notes "No one in his right mind would believe I had any reason to fear [Quigley]...", so he helped them come up with a plausible alternative to the bumbling sidekick that he was originally to play. Good move Tone Loc.
Brian Bonsall (brother Andrew from "Family Ties," Worf's Klingon son, Alexander, on "ST:TNG") is in almost every single scene and plays a very smart, resourceful character whose only flaw is being eleven years old. I was very impressed--an intelligent kid character.
Actor and comedian Rick Ducommun plays the chauffer, and is responsible for a lot of the humor and jokes as he plays, wisecracks, and jokes with Preston.
And I couldn't leave this review without mentioning Karen Duffy, who plays the bank teller. Wow! No wonder the kid had a crush on her. There's one scene involving a fountain and a wet dress that was quite a treat. Ahem. I think those Disney censors were paid off for that one. Karen Duffy's certainly not a fantasy limited to eleven-year-old boys. The "chemistry" between them is oddly believable, though. He is smitten; she is very flattered, but always takes him seriously (though there are extenuating circumstances) without asking us to believe she could fall in love with an eleven-year-old.
Tak Rating system: ------------------ My rating system is set up differently than most, and it's time I explained it. Other reviewers try to rank movies on some sort of scale as to how good they are. This presents a problem for me, 'cause I like almost all the movies I see. So how do I give people an idea of the merit of the film? When friends ask me how I liked a movie, my reply is usually "it was okay" or "it was good", usually followed by a recommendation "wait for video", or "don't pay full price", or "I'll go see it again with you!". So there's where my rating came from.
That said, I recommend BLANK CHECK as a VCR movie, or maybe something to show the kids you're babysitting as a matinee. I laughed, had some chuckles, and ogled Karen Duffy, but recommend you do it at home.
avoid at all costs watch it on cable X wait for videotape see once as a matinee see several times (w/friends) as matinee see once at full price see it several times - full and/or matinee see many times at full price
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The world's lightest yet most powerful JS TypeWriter
by Edern Clemente.
The original typing experience. Without the noise.
worth of marvellous features.
lighter than its competitors.
//Place the .js file in your folder and import it after the body tag

//You can also use the CDN version :

//Add a new typewriter

In order to install TypeLighter.js, you just have to import it using a script tag. Once done, use the typeWriter class to create new dynamically animated elements. The CSS is automatically injected in the DOM for convenience, though you could also paste it in your CSS file.
With this plugin, eight properties allow you to fine-tune the experience you want to share with your users. Most of them are predefined, but you can change their values using the data attribute.
//Set properties with the data tag to tailor your effect

Deeply <span class="typeWriter" data-max="1.5" data-text='["satisfying.","customizable."]'

//Disable random writing

Deeply

| Property | Default value | Use |
|---|---|---|
| data-text | Null | The array holding the strings to be written one after the other. |
| data-speed | 1 | The writing speed is proportionnal to this integer. |
| data-start | 500 (ms) | A delay before writing the next string. |
| data-end | 2000 (ms) | A delay before deleting the current string. |
| data-random | True | When enabled, the TypeWriter waits for a random time before writing or deleting the next character. |
| data-max | Infinity | The maximum number of full iterations before the TypeWriter stops itself. |
| data-dltSpeed | True | When enabled, a given string is deleted twice as fast as it is written. |
| data-checkVisible | False | When enabled, the animation begins right when the element appears in the viewport. |
Take a stride into the world of dynamic and appealing web design. You can be sure that you will never even think of looking back.
Free download


Superhero Bits: Scarlet Spider Creator Passes Away, Todd Phillips Gets Big Pay Day for ‘Joker’ & More
by Ethan AndertonDid you hear the creator of the Scarlet Spider has died? Which politician was asked to stop dressing as Captain America by Marvel? How much will Todd Phillips make from Joker? Why doesn’t Kevin Feige think Avengers: Infinity War ends in a cliffhanger? How did Spider-Man help convince Kevin Feige to make Star Wars movies? All that and more in this edition of Superhero Bits.
Something is wrong with Oliver Queen‘s memories in the upcoming sixth episode of the final season of Arrow.
Longtime Marvel letterer Rick Parker says Todd McFarlane owes him money for their Spider-Man series.
See what’s so incredible about the unstoppable Adonis in this clip from a new Marvel Hero Project episode.
Tom Lyle, longtime Marvel and DC comic book artist and creator of Scarlet Spider has died at the age of 66.
Barry Allen is pretty scared in the promo for “The Last Temptation of Barry Allen Pt. 1” episode of The Flash.
New York councillor Ben Kallos was told by Marvel to stop dressing as Captain America for his campaign.
Crisis on Infinite Earths photos reveal Brandon Routh and Kevin Conroy as Superman and Batman.
Todd Phillips made a deal with Warner Bros. that will earn him $100 million for helming the Joker movie.
Continue Reading Superhero Bits
Due to the amount of graphics and images included in Superhero Bits, we have to split this post over THREE pages. Click the link above to continue to the next page of Superhero Bits.


SNMP v1/v2c
Get Community Name:
Re-enter Get Community Name:
Set Community Name:
Re-enter Set Community Name:
Trap Community Name:
Re-enter Trap Community Name:
Configuration1
Trap Address Type:
*Disabled
IPv4
IPv6
Trap Destination Address:
Port Number:
(0 ~ 65535)
Notify:
All Traps
Printer Traps
Job Monitoring Traps
Cold Start Traps
Warm Start Traps
Authentication Error Traps
Configuration2
Trap Address Type:
*Disabled
IPv4
IPv6
Trap Destination Address:
Port Number:
(0 ~ 65535)
Notify:
All Traps
Printer Traps
Job Monitoring Traps
Cold Start Traps
Warm Start Traps
Authentication Error Traps
Configuration3
Trap Address Type:
*Disabled
IPv4
IPv6
Trap Destination Address:
Port Number:
(0 ~ 65535)
Notify:
All Traps
Printer Traps
Job Monitoring Traps
Cold Start Traps
Warm Start Traps
Authentication Error Traps
Configuration4
Trap Address Type:
*Disabled
IPv4
IPv6
Trap Destination Address:
Port Number:
(0 ~ 65535)
Notify:
All Traps
Printer Traps
Job Monitoring Traps
Cold Start Traps
Warm Start Traps
Authentication Error Traps
Authentication Error Trap:
Enabled


Getting a skeleton up and running
I was going to make my firt post “what is a path tracer anyway?”, but part of the point of this project is to learn exactly that by doing. So instead, let’s start somewhere a bit more practical.
Setup
To develop this project, I’m personally using vscode’s in-docker development features. This essentially means spinning up a custom docker image for all development so that anything installed is nicely isolated from your host system. I’m also developing in Rust, so we’ll need a rust toolchain too.
Docker setup
The configuration files for the docker development environment are in .devcontainer/. To make use of these like I do simply
- install docker for your system
- install vscode and its container tools extension
- and open a vscode instance in that container in the normal way.
If you’d rather not use vscode, then you can still build from the same Dockerfile and do in-docker development however you’d prefer.
There are a couple of things to note about setting up the Dockerfile:
- rustup is only configured to install Rust tools for the
current user, so in the Dockerfile we have to do something a bit more
esoteric. I decided to follow the
official Rust Dockerfile
in installing to
/usr/local
. - In
devcontainer.json
there is some important config even if you’re not using vscode. In particular:
docker flags to run as the non-root user
dev
("-u", "dev"
), to expose the Hugo development server on port 1313 ("appPort": 1313
), and to mount your user’s ssh config for pushing/pulling to git ("-v", "${env:HOME}/.ssh/:/home/dev/.ssh:ro"
).
Note that the development image also has (for my convenience) tools for building this blog, you won’t necessarily need those.
Rust setup
At this stage, I’m planning on using an up-to-date Rust stable compiler for Ubuntu 18.04 64bit. Targeting Rust 2018. If you’re not using the development docker container, the Rust docs can tell you how to set things up much better than I ever could. The tooling’s great, trust it.
If you’d rather not use docker at all, I’m afraid I’m going to leave you on your own for setting up a development environment and toolchain, I’m sure you can work it out from the Rust docs. Throughout, I’m going to write any instructions assuming an Ubuntu 18.04 (or similar) environment. It shouldn’t be too hard to follow along for mac, Windows, or another distribution, but, again, you’re on your own.
A skeleton application
I’m starting with a simple binary crate in the
punter/
subdirectory. This was set up with a simple
$ cargo new --bin punter
Plus, because the crate isn’t at the root of the git repository, I’ve put the
following Cargo.toml
at the root
[workspace]
members = ["punter"]
this gives me flexibility to create as many sibling creates as I want as we move forward.
The skeleton in the
punter/src/main.rs
module makes use of the image crate. A path
tracer works by running an algorithm for each pixel in the image being rendered,
an algorithm that calculates the light incident on that pixel in the virtual
scene. The skeleton I’ve set up simply mocks out that process in the most
basic way (where each pixel just returns black).
fn main() {
let mut img = make_image(1024, 768);
render_image(&mut img);
save_png(&img, std::path::Path::new("image.png"));
}
This neatly outlines what we’re doing: creating an image buffer, rendering to it, and saving it out to disk.
type Pixel = image::Rgb<u8>;
type Image = image::ImageBuffer<Pixel, Vec<u8>>;
fn make_image(width: u32, height: u32) -> Image {
image::ImageBuffer::from_raw(width, height, vec![0u8; (width * height * 3) as usize]).unwrap()
}
fn save_png(img: &Image, path: &std::path::Path) {
img.save_with_format(path, image::PNG).unwrap();
}
A cursory glance at the image crate code seems to suggest that using an RGB buffer of bytes will be nice and efficient, so that’s what I’m going for. The typedefs may help refactoring later.
fn render_image(img: &mut Image) {
for (column, row, pixel) in img.enumerate_pixels_mut() {
render_pixel(pixel, row, column);
}
}
fn render_pixel(pixel: &mut Pixel, row: u32, column: u32) {
pixel.0 = [128u8; 3];
}
This seems to be the idiomatic way to write pixel-by-pixel using the image
crate. The enumerate_pixels_mut()
method is nice, and the image::Rgb<u8>
struct is just a
newtype pattern
over a [u8; 3]
array.
Running this with $ cargo run
will give a nice 1024×768 pixel 50% grey image
called image.png
.
And that’s it! All we need to do now is write the real render_pixel
function
and we’re done! Easy!


What's new in this version
New in version 2.4, you can share information with your friends using
barcodes:
Other improvements include:
- Scanning is now twice as fast
- Contact info QR Codes can now contain URLs, birthdays, and more
- Calendar events can be read from QR Codes and added to your calendar
- Improved support for reading Japanese characters in QR Codes
- Searching Google will now use the phone's locale for local results instead of always using
google.com
- New HTML help system


Just send me an email or call me at the number and I'll get back to you as soon as possible
587-917-6307


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At Tiki Richard's we are always available.
Please feel free to reach out to us any time.
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..--- ..... .---- -.... ----- ----. ...--


TokoVOIP
TokoVOIP is our in-game VOIP replacement using a custom TeamSpeak 3 plugin.
The plugin and scripts were developed by Itokoyamato and modified to fit the Australian Roleplay framework.
If you cannot join the appropriate server channel, please join
channel in Teamspeak, so that a staff member can help you.
Plugin status:
Plugin version:


--- post_id: /notes-on-networks date: 2007-07-31 07:15 return_url: '2007-07-31-notes-on-networks.html' name: 'monki' email<EMAIL_ADDRESS>comment: '
Note on note 3: This has consequences for social networks. This might be a flaw in Jaiku (not so much in Facebook, which is the other network I use).
The information you get from Jaiku is basically pointless if it is not related to close friends, even for an aquaintance its not so much use to know that they are eating or if they''re working and so on. Jaiku was designed to give you the immediate presence of people you socialize with on a regular basis.
And I''ve heard people complaining on jaiku that all there is there is their regular friends that they know about with or without Jaiku. Facebook might be a bit more focused on acquaintances and should therefor be more "useful".
' ---


All services offered are free of charge to students and their families
Education is about enjoying the act of learning.
We at Education United understand how difficult it can be to grow, and we offer the following services to assist in that adventure.
Connecting to the world
We make projects centered around in school topics where students connect classroom topics to real world activities.
Connecting to tutors
We offer traditional tutoring services to students.
Students are paid to learn
Allows the students to earn a monetary rewards with graduating incentives based upon learning.


The aim of the Cambridge Mathematics Education Project is to help to make A-level mathematics a rich, coherent and stimulating experience for students and teachers.
If you are new to the site, then you might like to start by exploring the tube map or the pervasive ideas, using the links in the bar at the top. You might also find it helpful to read the descriptions of the resource types that we’re using.
The circled stations on the tube map have the most resources, so they are good starting points.
Teachers might like to read our very short introduction to the site.
This website is currently a pilot site, so please do understand that it is under development. We are actively seeking feedback from teachers about our resources, especially based on experiences of using them with students. We are working closely with a number of ‘partner schools’, and are also keen to receive feedback from other schools. To send your thoughts, please .
| Date | Location | Title |
|---|---|---|
| 03 Jul 2014 | F1 | Lucky dip - Picture the process II |
| 02 Jul 2014 | G4 | Introductory problem - Cones |
| 02 Jul 2014 | G7 | The bigger picture - Where are you? |
| 02 Jul 2014 | A2 | Scaffolded task - A fraction for $\sqrt{2}$ |
| 02 Jul 2014 | E1 | Introductory problem - Factorising quadratics |
| 02 Jul 2014 | The bigger picture - Calculating latitude | |
| 02 Jul 2014 | C1 | Introductory problem - Walk-sorting |
| 01 Jul 2014 | G6 | Fluency exercises - Trig countdown |
| 01 Jul 2014 | A1 | Many ways problem - Which is bigger? |
| 01 Jul 2014 | A1 | Scaffolded task - $\sqrt{2}$ is irrational |
| 01 Jul 2014 | E1 | Scaffolded task - Proving the quadratic formula |
| 01 Jul 2014 | E1 | Introductory problem - Which quadratic? |
| 01 Jul 2014 | NA3 | Scaffolded task - The Fundamental Theorem of Arithmetic |
| 01 Jul 2014 | E1 | Lucky dip - Powerful quadratics |
| 01 Jul 2014 | A2 | Package of problems - Nested surds |
| 01 Jul 2014 | G3 | The bigger picture - Triangles are the strongest shape |
| 01 Jul 2014 | E1 | Package of problems - Discriminating |
| 30 Jun 2014 | F4 | The bigger picture - Going backwards |
| 30 Jun 2014 | A1 | Lucky dip - Comparing continued fractions |
| 30 Jun 2014 | G2 | Many ways problem - Negatively Triangular |
| 30 Jun 2014 | The bigger picture - What are limits? | |
| 30 Jun 2014 | A2 | Introductory investigation - Which is closer? |
| 30 Jun 2014 | G2 | Package of problems - Pairs of circles |
| 29 Jun 2014 | A1 G4 | The bigger picture - $\pi$ – what's in a number? |
| 29 Jun 2014 | C12 C14 | The bigger picture - Re-discovering the logarithm – Mercator |
| 27 Jun 2014 | E1 | Lucky dip - Near miss |
| 27 Jun 2014 | C1 | Lucky dip - Cutting spheres |
| 27 Jun 2014 | G1 | Lucky dip - Look before you leap |
| 27 Jun 2014 | A2 | Package of problems - Irrational roots |
| 27 Jun 2014 | F1 | Lucky dip - Picture the process I |
| 27 Jun 2014 | E1 G2 | The bigger picture - Cartesian coordinates |
| 26 Jun 2014 | E3 | The bigger picture - What is the formula for solutions of a cubic equation? |
| 26 Jun 2014 | A1 | Introductory investigation - Irrational constructions |
| 26 Jun 2014 | G4 | Lucky dip - Belt |
| 26 Jun 2014 | A2 | Package of problems - Paired parabolas |
| 25 Jun 2014 | NA3 | Problem requiring decisions - Multiplication magic square |
| 25 Jun 2014 | G3 | Lucky dip - Have a sine |
| 25 Jun 2014 | A1 | Problem requiring decisions - Real world problems? |
| 23 Jun 2014 | NA3 | Go and think about it... - A BMO2 question |
| 23 Jun 2014 | G4 | Lucky dip - A limiting circle theorem |
| 20 Jun 2014 | E1 | Exposition - Factorising quadratics |
| 18 Jun 2014 | A6 NA1 | Introductory problem - One step, two step |
| 18 Jun 2014 | F2 | The bigger picture - Catching waves |
| 18 Jun 2014 | The bigger picture - Generalising and specialising | |
| 18 Jun 2014 | The bigger picture - Infinity | |
| 17 Jun 2014 | F1 | Many ways problem - Two-way functions |
| 12 Jun 2014 | G2 | Many ways problem - Finding circles |
| 12 Jun 2014 | G6 | Package of problems - Equation or identity? |
| 12 Jun 2014 | E1 | Package of problems - Factorisable quadratics |
| 12 Jun 2014 | A2 | Introductory investigation - What's possible? |
| 12 Jun 2014 | A1 | Introductory investigation - Staircase sequences |
| 11 Jun 2014 | G1 | Lucky dip - The spider and the fly |
| 10 Jun 2014 | G6 | Introductory problem - T for tan |
| 09 Jun 2014 | A1 | The bigger picture - Counting fractions |
| 06 Jun 2014 | A2 NA3 | Lucky dip - $n^5 - n$ |
| 06 Jun 2014 | NA3 | Go and think about it... - $S$-prime numbers |
| 06 Jun 2014 | A7 G4 | The bigger picture - Pinning down $\pi$ |
| 29 May 2014 | E1 | Package of problems - Which parabola? |
| 28 May 2014 | F1 | Introductory problem - Spot the difference |
| 28 May 2014 | Introductory problem - Triominoes | |
| 28 May 2014 | E1 | Introductory investigation - Simultaneous squares |
| 20 May 2014 | E1 | Lucky dip - Equation sudoku |
| 16 May 2014 | NA3 | Worked examples - Euclid's algorithm |
| 15 May 2014 | F1 | Lucky dip - Curve match |
| 14 May 2014 | F2 G3 | The bigger picture - From stars to waves |
| 12 May 2014 | G1 | Package of problems - The quintessential proof |
| 12 May 2014 | G1 | Introductory problem - In-betweens |
| 12 May 2014 | G1 | Lucky dip - Quadrature of the lunes |
| 09 May 2014 | A1 G4 | The bigger picture - Squaring the circle |
| 06 May 2014 | NA3 | Lucky dip - LCM sudoku |
| 06 May 2014 | A7 | The bigger picture - Achilles and the tortoise |
| 02 May 2014 | A6 | Scaffolded task - Oops! |
| 30 Apr 2014 | F5 | Lucky dip - Cocked hat |
| 30 Apr 2014 | G2 | Fluency exercises - Diamond collector |
| 30 Apr 2014 | G2 | Package of problems - Teddy bear |
| 30 Apr 2014 | F3 | The bigger picture - Maths for dinner |
| 28 Apr 2014 | G2 | Package of problems - Equations of circles |
| 24 Apr 2014 | G2 | Exposition - The equation of a straight line |
| 15 Apr 2014 | A1 | The bigger picture - Irrational vs rational: does it matter? |
| 15 Apr 2014 | G1 | Worked examples - Distance between points |
| 15 Apr 2014 | NA3 | Scaffolded task - Division game |
| 10 Apr 2014 | C1 | The bigger picture - Why are gradients important in the real world? |
| 10 Apr 2014 | The bigger picture - Symmetry | |
| 10 Apr 2014 | E3 | The bigger picture - General tragedy |
| 10 Apr 2014 | F2 G3 | Lucky dip - Big trig |
| 10 Apr 2014 | F1 | Package of problems - Can you find... |
| 10 Apr 2014 | C1 | The bigger picture - Why are gradients important in mathematics? |
| 10 Apr 2014 | A1 | The bigger picture - Fractions everywhere |
| 10 Apr 2014 | F2 | Open-ended investigation - Trig-trig |
| 10 Apr 2014 | C1 | The bigger picture - Newton and Leibniz |
| 10 Apr 2014 | C6 G4 | The bigger picture - Queen Dido’s problem |
| 10 Apr 2014 | A1 | The bigger picture - Death by number |
| 10 Apr 2014 | A2 | Lucky dip - Scary sum |
| 10 Apr 2014 | A2 E1 G2 | The bigger picture - Fermat's last theorem |
| 07 Apr 2014 | G1 | Many ways problem - Proving Pythagoras |
| 28 Mar 2014 | G1 | Open-ended investigation - Napkin |
| 28 Mar 2014 | G1 | The bigger picture - What geometry means to me |
| 28 Mar 2014 | NA3 | Open-ended investigation - Buckets and ponds |
| 27 Mar 2014 | G2 | Go and think about it... - Line crossings |
| 27 Mar 2014 | G1 | Fluency exercises - What type of triangle? |


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/Default.20arguments.20with.20type.20parameter.html ---
I've got a (honest, in-a-program) function
def do_some_stuff {α : Type} (cfg : config α) := xxx
In an ideal world, I'd like to be able to have a default config
, with a fixed parameter α
(obviously), so I could write do_some_stuff
and everything would work great. I guess I want to be able to write (and compile)
def default_config : config string := xxx def do_some_stuff {α : Type} (cfg : config α := default_config) := xxx
with that having the meaning that if cfg
is omitted, the type α
is forced to be string
.
I see that I might be "fighting the system". What do you think is the best way to emulate this kind of option-passing interface?
This comes up in core lean in some of the structures, where you have to give A
such that A = B
, and the proof of A = B
is rfl
but this only works if A
is B
. You can set this up using auto params instead of opt params:
def config : Type → Type := sorry def default_config : config string := sorry meta def default_config_tac : tactic unit := `[exact default_config] def do_some_stuff {α : Type} (cfg : config α . default_config_tac) : α := sorry example : string := do_some_stuff -- ok example : nat := do_some_stuff (sorry : config ℕ) -- ok example : nat := do_some_stuff -- error
Thanks so much Mario. Do you know where I could read about the auto params "." period syntax?
It might be in the reference manual? It's very simple. You can only put a name of a def of a tactic unit
there, and it gets called when the argument is not supplied
I wish it would accept an expression so you could write a tactic inline there, but alas
ok sweet! cheers!
(actually there is a good reason you can't write a tactic inline, since that would be meta
)
Last updated: Apr 24 2020 at 19:02 UTC


The modelling module of the Granula framework allows performance analysts to build performance models incrementally for Big Data Processing (BDP) jobs. The performance models instruct how performance information should be logged in BDP systems, and define how performance information in these logs can be extracted and converted into a performance archive. The modelling process is reusable and continuously-evolving.
Read MoreThe archiving module of the Granula framework automates the process of converting performance logs into a self-contained, self-explanatory, queryable performance archive. The execution of the archiving process is purely based on the performance model of a BDP system, while independent from the BDP system itself. Such design liberates performance analysts from repetitive, tedious work of processing performance data, and therefore be able to focus mostly on the performance modelling and statistical analysis.
Read MoreThe visualization module of the Granula framework facilitates interactive content browsing of Granula performance archives, which allows quick navigation to the interesting part of the BDP job, and complete traceability of every piece of performance information to its sources. The visualization process is rendered purely based on the performance archive of a BDP system, thus independent from the BDP system itself.
Read More


Photo credit: Gillicious cc
Photo credit: Phil Synder cc
Image lightboxes
Fully featured web applications
Keep track of users with Cookies or storing data with local storage.
Interactive elements like tabs, sliders, etc
Drawing & animation
Script tags are used to include JS in your HTML. The script tag is what tells your browseclr the stuff inside is code, not content.

Just like with CSS, you can split out any amount JavaScript into its own file.

gdi
.index.html
.<!DOCTYPE html>

<title>GDI JavaScript</title>

This is my awesome JavaScript code.

Computers are great at processing. They are bad at understanding.
When you write a program, you must break down every step into simple pieces.
Source: Harvard Students Making Sandwich: CS 50 Algorithm Intro
Photo credit: Dan Hatton cc
Photo credit: Adam Foster cc
You can see what's going on in the console.
Each instruction in JS is a "statement", like:
console.log('Hello World!');
console.log('I am glad to meet you');
console.log('My name is Erin');
You can leave comments in your code—notes that humans can read, but computers will ignore.
/*
I can make long comments
with 'block comments' like this.
*/
console.log('Hello World!'); // Or quick 'inline comments' here
With a popup box.
alert('Hello World!');
In the console.
console.log('Hello World!');
Writing to the page.
document.write('Hello World!');
index.html
my-code.js
.
Just like 'x' in algebra, we use variables in programming.
Photo credit: giulia gasparro cc
A variable is a named container that holds some value.
The best part about variables is that they allow for the value assigned to be changed.
To create (declare) a variable, just type the word var
and assign it a name.
var numberOfKittens;
It is a good idea to give your variable a starting value. This is called initializing the variable.
var numberOfKittens = 5;
undefined
).returnValue
is not the same variable as returnvalue
thisVariableIsCamelCased
Once you have created a variable, you can use it in your code. Just type the name of the variable.
var numberOfKittens = 5;
console.log(numberOfKittens);
In your JavaScript file, create a variable and give it a valid name and value. Then, display the value.
While within a single file, to reuse a variable you do not need to redeclare it with "var"
var numberOfKittens = 5;
var numberOfKittensAdopted = 3;
var numberOfRemainingKittens = numberOfKittens - numberOfKittensAdopted;
numberOfKittensAdopted = 4;
numberOfRemainingKittens = numberOfKittens - numberOfKittensAdopted;
Note: This rule is not true, but for the purposes of learning; it will work for now.
var userName = 'Jane Lane';
var zipcode = 48103;
var catsAreBest = true;
var favoriteThings;
var goodPickupLines = null;
Photo credit: WJ van den Eijkhof cc
Variables can be numbers, either integers (whole numbers) or floats (decimals).
var numberOfKittens = 5;
var cutenessRating = 9.6;
JavaScript automatically converts integers to floats
NaN
= Not-A-Number
Once you have numbers, you can do math with them!
var numberOfKittens = 5;
var numberOfPuppies = 4;
var numberOfAnimals = numberOfKittens + numberOfPuppies;
| Example | Name | Result |
|---|---|---|
-a |
Negation | Opposite of a. |
a + b |
Addition | Sum of a and b. |
a - b |
Subtraction | Difference of a and b. |
a * b |
Multiplication | Product of a and b. |
a / b |
Division | Quotient of a and b. |
a % b |
Modulus | Remainder of a divided by b. |
In your my-code.js file...
Create two variables and try some arithmetic operators. Don't forget to display your results!
Variables can be strings (groups of characters). You put your string in single or double quotes.
var kittensName = 'Fluffy';
If you want to use a quote in your string, you'll need to escape it with a backslash.
console.log('I\'d like to use an apostrophe');
Except for reasons of putting one type of quote inside the other...
console.log('She said "Hello"');
console.log("I'd like to use an apostrophe");
Which one you use mostly comes down to personal preference.
That being said, per project, pick one style and stick with it.
Photo credit: Mike Lawson cc
You can put strings together with a +
, the concatenation operator.
var kittensName = 'Fluffy ';
var fullName = kittensName + 'McDougle';
console.log(fullName); // Outputs 'Fluffy McDougle'
You can also use +=
to add things to the end of a string.
var kittensName = 'Admiral ';
kittensName += 'Snuggles';
console.log(kittensName); // Outputs 'Admiral Snuggles'
Create two variables, a first name and a last name, and then put them together to make a full name. Don't forget to display your results!
You can use concatenation to mix strings and numbers. When you do this, JavaScript will treat the number like a string.
var numberOfFruit = 6;
var typeOfFruit = 'bananas';
var allTheFruit = 'I have ' + numberOfFruit + ' ' + typeOfFruit + '!';
console.log(allTheFruit);
Create a program to calculate the tip at a restaurant. It should:


It's an iPad App.
- All of the built-in apps on iPad were designed from the ground up to
- take advantage of the large Multi-Touch screen and advanced
- capabilites of iPad.And they work in any orientation.SO you can do
- things with these apps that you can't do on any other device.


IP cameras
How to publish IP cameras
From release 2.12.0 you can publish any IP camera sending video over RTSP. You perform this operation from your server by consuming OpenVidu Server REST API.
Use method POST /sessions/{sessionId}/connection
Events dispatched in the clients
Whenever you call this method, a new participant will join the chosen session, and a new stream will be published to it. All the expected events are triggered in every client connected to the Session, just as when a regular client joins and publishes to a session. The workflow is:
- Your backend publishes an IP Camera to the session as shown in the code snippets above
- Every client connected to that session will receive a connectionCreated event. This event will be no different to any connectionCreated event dispatched by a regular client joining the session
- Every client connected to that session will receive a streamCreated event. The only difference with any other streamCreated event dispatched by a regular client publishing to the session is that the Stream object returned by the event will have property
typeOfVideo
set to"IPCAM"
. Users can subscribe to this stream as any other regular stream (see Subscribe/Unsubscribe from a stream)
After unpublishing the IP camera all participants connected to the session will receive the proper streamDestroyed and connectionDestroyed events.
Events dispatched in the backend
Your backend side will also receive the expected events in the CDR and Webhook. Just as happens for the client-side events, for the backend same events will be dispatched as for any other regular user:
- participantJoined event fot the new IP camera participant
{"participantJoined":{"sessionId":"MySurveillanceSession","timestamp":1582108095130,"participantId":"ipc_IPCAM_rtsp_C4CU_b1_dnsdojo_com_1935_live_sys3_stream","location":"Amsterdam, Netherlands","platform":"IPCAM","clientData":"","serverData":"Beach camera"}}
- webrtcConnectionCreated event fot the new IP camera stream. It is actually an RTSP stream and not a WebRTC stream, but for the shake of compatibility the name of the event will remain the same for now
{"webrtcConnectionCreated":{"sessionId":"MySurveillanceSession","timestamp":1582108095351,"streamId":"str_IPC_SJmx_ipc_IPCAM_rtsp_C4CU_b1_dnsdojo_com_1935_live_sys3_stream","participantId":"ipc_IPCAM_rtsp_C4CU_b1_dnsdojo_com_1935_live_sys3_stream","connection":"OUTBOUND","rtspUri":"rtsp://b1.dnsdojo.com:1935/live/sys3.stream","adaptativeBitrate":true,"onlyPlayWithSubscribers":true,"videoSource":"IPCAM","videoFramerate":null,"videoDimensions":null,"audioEnabled":true,"videoEnabled":true}}
After unpublishing the IP camera your backend will receive the proper events webrtcConnectionDestroyed (one for the IP camera's stream itself and one for each user that was subscribed to the camera's stream) and participantLeft event (only one for the camera's connection).
How to unpublish IP cameras
To unpublish an IP camera stream you must remove the connection owning the stream. You can do it from your server:
WARNING: you cannot remove an IP camera by directly deleting its Stream. You must delete the Connection object instead. Trying to remove an IP camera by deleting its Stream instead of its Connection will result in an error. See HTTP responses of method DELETE /api/sessions/<SESSION_ID>/stream/<STREAM_ID>
Configuring IP cameras
When publishing an IP camera, you can configure 2 properties that will affect the management of the camera's media stream. These are:
adaptativeBitrate
Whether to decode the IP camera stream in OpenVidu to allow adapting the bitrate depending on network conditions or not. It is active by default, and it allows OpenVidu Server to provide a robust and reliable flow of the camera's stream. But of course this has a CPU cost.
Some use cases may not need this decoding process for the IP camera video. For example, if your IP camera and OpenVidu are both located in the same network (and therefore there will be no packet losses or buffer congestion) and you are sure that the clients subscribing to the stream will support the same codec used by the RTSP camera stream, then setting this property to false will save valuable CPU power.
onlyPlayWithSubscribers
Whether to enable the IP camera stream only when some user is subscribed to it or not. What this means is that OpenVidu Server will only establish the RTSP connection with the IP camera when some participant asks to subscribe to the camera's stream. The rest of the time OpenVidu Server will not be effectively receiving any packets from the IP camera, saving CPU power and bandwidth. This option is active by default.
The counterpart to this option, which is in principle so obvious, is that the first participant requesting to subscribe to the camera's stream will take a little longer to do so, as OpenVidu Server has to establish the RTSP connection with the camera in the first place. Just after the last participant subscribed to the camera's stream unsubscribes from it, the RTSP connection between OpenVidu Server and the IP camera will be closed again, and the cycle starts again (next participant subscribing to the camera's stream will have to wait longer than usual to receive the video).
Generally speaking you'll want this option set to true, but if for your particular use case the response time of the first subscriber to the camera's stream is vital, you can set this option to false to never stop receiving the camera's feed.


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HEAVY A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 8.0 Alternative Scale: ***1/2 out of ****
United States, 1995 Release date: beginning 6/96 (limited) Running Length: 1:45 MPAA Classification: No MPAA Rating (Profanity, mature themes) Theatrical Aspect Ratio: 1.85:1
Cast: Pruitt Taylor Vince, Liv Tyler, Deborah Harry, Shelley Winters, Joe Grifasi, Evan Dando Director: James Mangold Producer: Richard Miller Screenplay: James Mangold Cinematography: Michael Barrow Music: Thurston Moore U.S. Distributor: C/FP Distribution
The characters of James Mangold's debut feature, HEAVY, are the flotsam and jetsam of life -- men and women left scattered and forgotten on the beach of Pete and Dolly's Restaurant, a Hudson Valley roadhouse where a smile is just about the last thing anyone expects to see. No one here is happy or well-adjusted. Each character has problems, some of which we're told very little about, but the common denominator is that they all view life as something to be endured rather than experienced.
The roadhouse is owned and run by Dolly Modino (Shelley Winters), an aging woman with a variety of health difficulties. Dolly spends much of her time reminiscing about the past when her husband was still alive. For her, the present is almost as unpromising as the future. Delores (Deborah Harry) is a frumpy waitress who has engaged in a fifteen-year war of words with Dolly. Life-weary and looking for a little affection, Delores drifts from day-to-day, not seeming to care what comes next.  Callie (Liv Tyler) is the new employee, a college dropout in need of money who is saddled with a loutish boyfriend and may or may not be pregnant.
Then there's Victor (Pruitt Taylor Vince), the film's protagonist. Painfully shy and convinced that his overweight condition makes him unattractive, Victor lives in the shadow of his mother, Dolly. He's the restaurant's cook and the object of Delores' affection. But, with the arrival of Callie, Victor finds something to brighten up his days. He is instantly smitten with her, and, when she has a few kind words for him and seems interested in a friendship, Victor is eager to oblige. Nevertheless, his feelings for Callie, which are clearly not reciprocated on the same level, will seemingly lead to inevitable heartbreak.
Where FORREST GUMP was the fantasy, HEAVY is the reality. Victor is a Gump-like character -- slow-witted and likable. However, while Robert Zemeckis' 1994 blockbuster gave us a triumphant fairy tale, HEAVY gives us a near-tragedy. Forrest got Jenny; the closes Victor comes to winning Callie is in his fantasies. Writer/director Mangold never compromises the integrity of his painfully-intense script. There isn't one crowd-pleasing moment in the entire movie, except perhaps the last scene, which offers a flicker of hope.
Much of HEAVY is about communication, or, more appropriately, the lack thereof. Circumstances and choice have created walls of isolation around each of the characters. At times, their inability to break through these barriers is maddeningly frustrating -- much as it was in 1992's UN COEUR EN HIVER, the French film about a man who suppresses all of his feelings. In HEAVY, we sense that Victor would like to express himself, except he either doesn't know how or is so insecure about himself that the fear of rejection keeps him quiet.
Dialogue is sparse in HEAVY, so it's left up to the actors to form and develop their characters with mannerisms and facial expressions instead of scripted lines. Considering that the cast is not made up of "great" names, this is a daring move by Mangold. Fortunately, it pays off, largely due to a gargantuan performance by Pruitt Taylor Vince (NOBODY'S FOOL), who creates a heartwrenchingly sympathetic man we can't help caring about. Deborah Harry is also good, giving us the kind of waitress who would have made FRANKIE AND JOHNNY a memorable movie. Liv Tyler (STEALING BEAUTY) gets by more on looks than ability, but she has her moments. And Shelley Winters is refreshingly low-key.
HEAVY is not the kind of film to view when you're looking for something upbeat. It's too real, and, as a result, potentially too painful. On the way out of the theater, I heard someone remark, "Why did I just sit through that film? I've lived that story, and I don't need to be put through it again!" Mangold captures the nuances of life perfectly, and, by never cheapening his vision through facile resolutions, he fashions a memorable cinematic portrait. Ultimately, HEAVY's considerable weight has little to do with what the scale says when Victor steps onto it.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


A ProxyRole extracting data from a source role via a regular expression. More...
| Import Statement: | import SortFilterProxyModel . |
| Inherits: |
A RegExpRole is a ProxyRole that provides a role for each named capture group of its regular expression pattern.
In the following example, the date
role of the source model will be extracted in 3 roles in the proxy moodel: year
, month
and day
.
SortFilterProxyModel { sourceModel: eventModel proxyRoles: RegExpRole { roleName: "date" pattern: "(?<year>\\d{4})-(?<month>\\d{2})-(?<day>\\d{2})" } }
This property holds the caseSensitivity of the regular expression.
This property holds the pattern of the regular expression of this RegExpRole. The RegExpRole will expose a role for each of the named capture group of the pattern.
This property holds the role name that the RegExpRole is using to query the source model's data to extract new roles from.


A permission group type which will be used to tell the system what type of changes you want to be notified about for the group.
Be notified when all of the RPC in the group are allowed, or, when they all stop being allowed in some sense, that is, when they were all allowed, and now they are not.
SDLPermissionGroupTypeAllAllowed
case allAllowed = 0
Be notified when any change in availability occurs among the group.
SDLPermissionGroupTypeAny
case any = 1


Plugin Information |
|---|
View chef-tracking on the plugin site for more information. |
This plugin builds on top of Deployment Notification Plugin and lets Chef users track when/where/what files are deployed, and trigger other activities after deployments have happened.
The plugin works by having chef-solo
or chef-client
submit information about what it has deployed. We do this by running chef-handler-jenkins inside chef, which monitors Chef's activities and find out which files have been updated.
That custom handler submits this information to Jenkins in the end, and this Jenkins plugin takes it from there and adds appropriate information to the Jenkins fingerprints.
Recognized resource type
This plugin currently tracks the use of file resource and all its subtypes.
Changelog
Version 1.0 (Mar 31, 2014)
- Initial release


Aegisub / Automation / Karaoke Templater / Tutorial 1
Welcome to the first tutorial in using Karaoke Templater to create karaoke effects. We'll start out with something simple and then continue on to more advanced effects throughout the series.
Finding Karaoke Templater
You can run Karaoke Templater in two different ways. For now we'll just concentrate on one of them.
Look under the Automation menu in Aegisub.
You should see the option called Apply karaoke template, though it will be unavailable. This is what you'll select to use the "templates" we'll be writing throughout these tutorials. Right now it's unavailable because you haven't entered any templates. We'll get to that in a moment.
If you don't have the Apply karaoke template option, your Aegisub installation is either incomplete or damaged. You need to repair your installation in that case, to be able to use Karaoke Templater.
But there is something else to make sure of first.
Getting timed karaoke
Karaoke Templater can do many things for you, but it can't guess the lyrics for your song, or how they're synchronised with the music. You'll have to time the lyrics yourself, or get someone else to do it. You can learn how to time karaoke at the Karaoke Timing Tutorial.
We'll call song lyrics with basic karaoke timing (\k timing), but no other special effects, for timed karaoke. When an effect has been applied to the karaoke we'll call it styled karaoke.
If you don't have any song to work with here are two lines from a song. You can select them in your browser, select Edit_→_Copy, then go to Aegisub and select Edit_→_Paste, to get them into Aegisub.
Dialogue: 0,0:00:01.85,0:00:09.06,Default,,0000,0000,0000,,{\k97}shi{\k41}ta{\k0} {\k20}no{\k10} {\k30}u{\k80}e{\k53} {\k23}a{\k21}ma{\k39}ku{\k7} {\k24}to{\k24}ke{\k31}ru{\k0} {\k37}wa{\k23}ta{\k92}gu{\k69}mo
Dialogue: 0,0:00:09.28,0:00:16.21,Default,,0000,0000,0000,,{\k79}ki{\k61}su{\k0} {\k9}o{\k0} {\k37}shi{\k98}te{\k40} {\k23}ku{\k25}ro{\k40}i{\k0} {\k28}tsu{\k19}ba{\k51}sa{\k0} {\k11}no{\k0} {\k34}shi{\k138}ta
Either way you have some karaoke timed lyrics now, so we can start.
Load a video
You don't need to load any audio, but it can be a good idea to have some video open. If you don't have any video files ready you can use, select Video_→_Use dummy video and just say OK. It's not a very interesting video you will get, but it will show you how the subtitles and the effect we're creating will look.
Writing a k-replacer style template
Now we have everything else set up it's time to make the actual template. First, here's how to add it. The explanation of what every part means will follow.
- Select the very first subtitle line in the file.
- Select Subtitles_→_Insert Lines_→_Before Current to get a new line before it. This will become our karaoke template line. It doesn't need to be first, but it usually makes it easier to keep track of for yourself.
- Make sure the newly created line has the same style as your timed karaoke.
- Click the Comment check box for the new line. It should change colour in the subtitle grid.
- Find the Effect field, it's to the right of the Style and Actor fields. Put the text "
template line
" into it. (Without the quotes!) Press the Enter key on your keyboard to save the Effect field. - Finally, enter this text for the main text of your template line. Finish off with Enter again.
{\r\t($start,$mid,\fscy120)\t($mid,$end,\fscy100)}
Now look at the Automation menu again. If you made the template line correctly, Apply karaoke template will now be available. If it isn't review the steps above again.
Select Apply karaoke templates and watch Karaoke Templater do its work.
If you have a video open you can view the effect right now, inside Aegisub.
Also notice how the template line was left in place, and the timed karaoke was changed to comment lines and had karaoke filled into their Effect fields. Karaoke Templater preserves your timed karaoke in the styled karaoke so you won't lose it. But it also has another function...
Extending the effect a bit
Continuing right on from above, now try doing this:
- Change the text of the template line to:
{\r\k$kdur\t($start,$end,\1c&H00FF00&)\t($start,$mid,\fscy120)\t($mid,$end,\fscy100)}
- Apply templates again
Karaoke Templater re-used the commented out timed karaoke and changed the styled karaoke to match the new effect instead. You can also try changing the commented out timed karaoke and apply templates again.
Like this, you can work gradually on your effect and preview it as you go.
So what does it all mean?
To finish off this first part of the tutorial, here's what each part means. This is not the full explanation of everything, but it should be plenty for now.
- Template lines are lines in the subtitle file marked in a special way. They must always be Comment lines, and the first word in their Effect field must be
template
. - There are several kinds of template lines. We only used one in this tutorial, this template line type, or template class, is called a line template. Yes, it might be a bit confusing. It's called this because it creates one line of styled karaoke from one line of timed karaoke. The second word in the Effect field of a template line tells what template class it is. For line templates, this is
line
. - So, the
template line
text in the Effect field means this is a template line of line class.
- A template only does something to timed karaoke lines that have the same Style as the template line.
- Styled karaoke produced by Karaoke Templater all has
fx
in the Effect field. This is used as a reminder for Karaoke Templater that this line should be replaced, if templates are applied once again.
The main text for a template line is called the template text. In line templates, every \k tag is replaced with the template text.
Template text can use several variables. These are short words that start with a dollar-sign, like
$start
,$end
,$mid
and$kdur
. Variables are replaced with the information they store for every syllable that's replaced.$start
gets replaced with the start time of the syllable. This is in milliseconds from the start of the line, ie. a time code suitable for putting into the \t, \move and \fade tags.Similarly,
$end
is the end time of the syllable, also in milliseconds.A bit more special is
$mid
, this is the midway time of the syllable, the time right in the middle of$start
and$end
. Here, we used it to grow each syllable taller the first half of its duration, and back to normal height for the second half. Also in milliseconds.The
$kdur
variable, however is in centiseconds. This is the original time from the \k tag, and is almost only useful for putting back into a \k tag, like we did here.
With this knowledge, you should already be able to create lots of effects. You may also want to refer to the page on ASS override tags.
You can also continue to the next tutorial, where we'll look at how to do math with variables to get more variation.


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The City of Cleveland is selling vacant residential lots for side yard expansion for $200. Here's how you get one.
Large Lots: Cleveland is an online application for side yard expansion in Cleveland and was developed by Open Cleveland with the City of Cleveland Land Bank.


This is a JavaScript implementation of a mobile style Horizontal Slide View.
Use your finger to drag it left and right to all of the items in the view.
Since this is JavaScript it works on every mobile device with touch support
Each cell of the slider is HTML so you can put anything you want in it
The slider works just like the native application sliders
It snaps each cell into place and supports momentum
Try dragging fast and watch the items fly by


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QB tutorials was founded by David Rymer, a former Maths student with a passion for teaching from the University of York. The purpose of this website is to give students a proper understanding of any topic that may come up in their exams, GCSE or A-Level. The problem with a lot of schools is that they try and teach you how to remember rather than understand, which is an inferior approach to learning. Our tutors are dedicated to helping you understand any topic you want. Our tutorial sessions take place on Skype, which significantly reduces the cost of the sessions for you, the student. We also include free online tests, which is how we will be monitoring your progress and seeing the areas that you are weak in.
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19-Apr-19 09:44 PM
[dscrd-hush] <dukeleto> @penguin are you saying some pages of the explorer don't show all data? There are some limits that could be increased maybe
[dscrd-hush] <penguin> i went back , as far as i could, furthest it links back to is ~650 block
[dscrd-hush] <penguin> the button - "older blocks from this date" is not showing any more blocks
(edited)
[dscrd-hush] <ComputerGenie - ChickenPool> @penguin what are you looking for?
[dscrd-hush] <penguin> no worries, nothing in particular
[dscrd-hush] <penguin> just something i noticed when i was bored lol
[dscrd-hush] <penguin> thought i'd mention it
[dscrd-hush] <ComputerGenie - ChickenPool> ahhh, was going to say that you can always type the block # in search and get it if the history fails
[dscrd-hush] <penguin> coolies, ye that is working all the way back
[dscrd-hush] <penguin> 160 KS for 7% PoW coin
[dscrd-hush] <ComputerGenie - ChickenPool> unless you're rich, OUR mines better than it stakes
[dscrd-hush] <penguin> if you get all of it , but ... 160 KS ..
[dscrd-hush] <penguin> i got all of it for a few days with 1 x 1060 card
[dscrd-hush] <penguin> 75000 sats is the max per day for OURC mining
[dscrd-hush] <ComputerGenie - ChickenPool> sats of what?
[dscrd-hush] <penguin> nakamoto's
[dscrd-hush] <ComputerGenie - ChickenPool> refuses to call it OURC
[dscrd-hush] <penguin> YOURC *
[dscrd-hush] <ComputerGenie - ChickenPool> it's OUR, fek DP
[dscrd-hush] <penguin> lol, yeah, is better, but there's some nonsense coin causing confusion so wtva
(edited)
[dscrd-hush] <ComputerGenie - ChickenPool> 75000 sats is the max per day for OURC mining
pretend I can't read your mind and restate that plz
[dscrd-hush] <5indians> @dukeleto donate bounty to radix42
[dscrd-hush] <penguin> 0.0007 BTC at current price, is the most that can be mined per day
(edited)
[dscrd-hush] <ComputerGenie - ChickenPool> ahhh
doesn't do BTC
(edited)
[dscrd-hush] <penguin> is just a stat for reference : )
[dscrd-hush] <ComputerGenie - ChickenPool> KMD would be a better reference
[dscrd-hush] <ComputerGenie - ChickenPool> or HUSH
[dscrd-hush] <ComputerGenie - ChickenPool> or DogShitX
[dscrd-hush] <penguin> fine, just under 5 KMD, if you get all it for the day : )
(edited)
[dscrd-hush] <penguin> (that's calc'd from the sell side on DP )
[dscrd-hush] <ComputerGenie - ChickenPool> why sell it, anyway
why not hodl for the dividends?
[dscrd-hush] <penguin> so it's good while it lasts
[dscrd-hush] <penguin> agreed, i wouldnt sell if i was getting it
[dscrd-hush] <ComputerGenie - ChickenPool> komodo-cli -ac_name=OUR getbalance
24678.55010956
[dscrd-hush] <penguin> bigmassive !
[dscrd-hush] <ComputerGenie - ChickenPool> nah, that's guppy $
[dscrd-hush] <ComputerGenie - ChickenPool> best as I can tell, it takes 150k+ to stake worth a dam
[dscrd-hush] <penguin> with OUR ?
[dscrd-hush] <penguin> multiple inputs is winning for me
[dscrd-hush] <penguin> waits eagerly for airdrop
[dscrd-hush] <ComputerGenie - ChickenPool> well, all I am 100% certain of is that the same staking method I use for MGNX doesn't work for OUR
[dscrd-hush] <penguin> ahk, is mgnz actually a functional coin? i saw it on your pool then it was gone
[dscrd-hush] <penguin> was going to mine a bit but couldnt find much about it
[dscrd-hush] <ComputerGenie - ChickenPool> it's functional, but I took it down because I don't see it going anywhere edit:seems I didn't remove it, it's still there :P
the chick that started it left and no one in the MGn community that it spawned from has any tech knowledge or real care about moving away from MGN masternodes
(edited)
[dscrd-hush] <penguin> ah ok, ye had thought as much as well - far too much bloated expectations floating around
(edited)


In general, use the Network panel when you need to make sure that resources are being downloaded or uploaded as expected. The most common use cases for the Network panel are:
If you're looking for ways to improve page load performance, don't start with the Network panel. There are many types of load performance issues that aren't related to network activity. Start with the Audits panel because it gives you targeted suggestions on how to improve your page.
From: developers.google.com
Back to topWeb developers often log messages to the Console to make sure that their JavaScript is working as expected. To log a message, you insert an expression like console.log('Hello, Console!') into your JavaScript. When the browser executes your JavaScript and sees an expression like that, it knows that it's supposed to log the message to the Console.
From: developers.google.com
Back to topThe console.log() method may get the job done, but breakpoints can get it done faster. A breakpoint lets you pause your code in the middle of its execution, and examine all values at that moment in time.
From: developers.google.com
Back to topAre no fun...
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