| Annual camping trip with the family (July 2008) | ||||
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| Vegas vacation with my brother (July 2008) | ||||
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| Blue Angels show at Smith Tower, Seattle (August 2008) | ||||
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| Lovely winter snow (December 2008) | ||||
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| Created using LightBox Web Gallery Generator |


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Syllabus
Course Description
A practical introduction to databases and Web app development. Databases: terminology and applications; creating, querying and updating databases; the entity-relationship model for database design. Web documents and applications: static and interactive documents; Web servers and dynamic server-generated content; Web application development and interface with databases.Required background
Some experience with programming in an imperative language such as Python, Java or C. This course may not be taken after - or concurrently with - any C- or D-level CSC course.Text Books
There is no required textbook, however, mandatory readings will be assigned using various web pages from the internet.Lecture Notes
Lecture notes will be available on Blackboard. You are EXPECTED to read the assigned readings before coming to lecture.Lecture Notes
Assignments 30% (10% each)
Practical 5% Practical Marks will be given at end of semester.
MidtermExam 15% (In class time on 12th February)
Quizzes 10% (Quiz 1 - 3%, Quiz 2 - 3%, Quiz 3 - 4%)
Final Exam 40% TBD
Practical 5% Practical Marks will be given at end of semester.
MidtermExam 15% (In class time on 12th February)
Quizzes 10% (Quiz 1 - 3%, Quiz 2 - 3%, Quiz 3 - 4%)
Final Exam 40% TBD
Assignments
There are three assignments. You may be asked to work in pairs in some of these assignments. Please check the assignment handout for these details for the exact due date and whether you can work in groups or not. DO NOT EMAIL YOUR ASSIGNMENTS TO US. We will use MARKUS for the submission of all assignments. ALL ASSIGNMENTS WILL MARKED ON UTSC LAB MACHINES. IT IS IMPORTANT BEFORE SUBMITTING YOUR ASSIGNMENT, TO MAKE SURE THAT IT COMPILES AND EXECUTES ON THE UTSC LAB MACHINES. A STRICT silent policy takes effect 12 hours before an ASSIGNMENT or EXAM is due. This means no question about the assignment will be answered by instructor or the TA whether it is asked on the bulletin board, by email or in person.Re-marks
If a piece of work has been mis-marked or if you believe the rubric used to evaluate the work is not appropriate, you may request a re-mark. For a re-mark to succeed, you must clearly and concisely express what you believe was mis-marked or unfairly marked. To request a re-mark, set up an appointment with the instructor and the TA that has marked your assignment/exam. PLEASE DO NOT USE THE DISCUSSION BOARD REQUESTING FOR REMARKS. Be prepared for the entire work to be re-evaluated and for the mark to be adjusted up or down after the re-evaluation. Remark request MUST be made in 5 regular days time after the mark is made available. No remark request will be accepted after 5 regular days.Labs
During Labs, attendance is mandatory and on some occasions the TA will take attendance and assign you small in lab exercises. Labs are a great way for you to get some hands-on practice at programmingFinal Exam
There is a 3hrs final exam. The final exam is comprehensive, and you must obtain a mark of at least 40% to pass the course; otherwise, a grade of no higher than 47% will be assigned.Final Exam
There is a 3hrs final exam. The final exam is comprehensive, and you must obtain a mark of at least 40% to pass the course; otherwise, a grade of no higher than 47% will be assigned.Late Policy
There are no grace days; all due dates are firm. In case of illness, please have a doctor complete an official U of T medical certificate. For other emergencies, be prepared for us to request some kind of documentation. If you submit an assignment late
or miss a midterm test due to illness or personal issue, first contact the instructor as soon as possible. Then, please follow the procedure described at petitions.For course
work petitions, a Petition Form for Term Work form needs to be filled and given to the course instructor. This will not be accepted if submitted two days after the due date.
Plagiarism and cheating will not be tolerated. These are serious academic offences with severe consequences that you should be aware of; for details, please read the information in Chapter 6: Academic Regulations available at academic integrity. You can also visit academic integrity. If you any questions about cheating or plagiarism, ask your instructor.
Plagiarism and cheating will not be tolerated. These are serious academic offences with severe consequences that you should be aware of; for details, please read the information in Chapter 6: Academic Regulations available at academic integrity. You can also visit academic integrity. If you any questions about cheating or plagiarism, ask your instructor.
Accessibility
The University of Toronto is committed to accessibility. If you require accommodations for a disability, or have any accessibility concerns about the course, the classroom or course materials, please contact Accessibility Services as soon as possible<EMAIL_ADDRESS>or ability/.Rough Semester Plan
Please check on Blackboard for the actual weekly schedule. Changes to the schedule will be announced in class as well. The main topics that we will cover in this course are:
- Databases: Terminology and applications,Creating, querying and updating databases, The E-R model for database design
- Web Applications: Static and Interactive Documents, Web servers and dynamic server-generated content; Web application development and integration with databases.


Group by
Element
Part
Category
Part
Color
{{ color_options }}
Category
Name
Part Bin
All
Unsorted
Element Bin
All
Unsorted
Quantity


#include <array_ops.h>
Returns the rank of a tensor.
This operation returns an integer representing the rank of input
.
For example:
# 't' is [[[1, 1, 1], [2, 2, 2]], [[3, 3, 3], [4, 4, 4]]] # shape of tensor 't' is [2, 2, 3] rank(t) ==> 3
Note: The rank of a tensor is not the same as the rank of a matrix. The rank of a tensor is the number of indices required to uniquely select each element of the tensor. Rank is also known as "order", "degree", or "ndims."
Arguments:
Returns:
Output
: The output tensor.
Constructors and Destructors |
|
|---|---|
Rank(const ::tensorflow::Scope & scope, ::tensorflow::Input input)
|
Public attributes |
|
|---|---|
operation
|
|
output
|
Public functions |
|
|---|---|
node() const
|
::tensorflow::Node *
|
operator::tensorflow::Input() const
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operator::tensorflow::Output() const
|
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Operation operation
::tensorflow::Output output
Rank( const ::tensorflow::Scope & scope, ::tensorflow::Input input )
::tensorflow::Node * node() const
operator::tensorflow::Input() const
operator::tensorflow::Output() const


BODY SHOTS A film review by Steve Rhodes Copyright 1999 Steve Rhodes RATING (0 TO ****): *
BODY SHOTS, directed by Michael Cristofer and written by David McKenna, is perhaps the shallowest movie of the year. Starring a bevy of buff beauties, male and female, the film appears to pay them by the obscenity. Like a porn movie stripped of most of its images, the film features characters who talk incessantly and obsessively about orgasms and oral sex.
 With so many ludicrous scenes, it's hard to pick an example. The one in the shower is representative. As guys with rippling muscles shower, one talks on his cell phone and bathes at the same time.
Before the first line in the movie is spoken, the director has one character urinate on a closed toilet seat and another vomit. Shortly thereafter a girl comes in claiming she's been raped. The operative word here is "claimed," but we'll get to that later. The movie proceeds to flashback and work its way up to the alleged rape.
Starring Sean Patrick Flanery, Jerry O'Connell, Amanda Peet, Tara Reid, Ron Livingston, Emily Procter, Brad Rowe and Sybil Temchen, the movie features interchangeable actors and actresses. They should be required to wear numbers so we can tell them apart. Only Livingston from OFFICE SPACE manages to give his character any uniqueness.
Every scene in the film rings false. One character, for example, who has a desk among a sea of desks, plays a loud porn video on his office PC.
 "So, are you an aspiring actress?" a guy says in a come-on line to a gal he meets at a noisy disco. "You're a director?" she inquires. "Right," he shoots back. "I'm available for sex," she quickly assures him. Later at the disco, another woman confesses, "Sometimes you don't want to be in control. Sometimes you want to lose control."
The movie reveals to men how women can tell a real gentleman from a fake. Real gentlemen order appetizers at restaurants.
It tries to be a message movie as well as a sexual titillation film. "Sex without love equals violence," one guy repeats like it's his mantra. Actually, the characters don't think any deeper than their sexual urges, which they share with us ad nauseam.
Eventually the hyperactive movie does get to the "rape." Slowing to a crawl, the story examines in laborious detail the two participants' view of what happened. Is it true, as the Oakland Raiders football star claims, that it was just consensual sex? Or is the blonde bombshell telling the truth that it was date rape? The movie argues that in such situations the truth is not knowable. The ending does at least bring out some emotions from the cast, but it is shamelessly manipulative and not credible.
BODY SHOTS runs 1:42. It is rated R for strong sexual content including graphic sex-related dialogue, language, violence and scenes of alcohol abuse. Think of it as NC-17 and don't let your teens go unless they are older and mature.
Email<EMAIL_ADDRESS>Web: http://www.InternetReviews.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Owner of taco chain also meth lord, say cops
by Rob BeschizzaAdolfo “Flaco” Mitchell, 34, owns a chain of taco restaurants in coastal Georgia. He's also been indicted for drug trafficking and conspiracy.
Police say Mitchell, who owns multiple Flacos House restaurants, was having methamphetamine shipped to him to distribute throughout the Savannah area. They say Mitchell was also directing others to transport methamphetamine to other states, including Virginia.
Mitchell remains jailed Monday. It’s unclear if he has a lawyer.


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This is a website that leverages the Yahoo! Fantasy Sports Wrapper Nuget Package. This package is a .NET Standard 2.0 Wrapper for the Yahoo Fantasy Sports API.
The API is designed to act as a helper for those interacting with the Y! Fantasy API. The goal is to get acquainted with the Api and show how the wrapper can help with the exisitng painpoints with the Api.
Login to this app (your username and password is not saved, all that this collects is your public Yahoo! profile and a token to make subsequent Api calls)
For more information on this package, take a look at the public GitHub Repo.
This package is available under the Apache Licence
Please report any issues via the GitHub issues page.


Consider the following data curled from Hostingfacts.com
"98 percent of Internet users in China are mobile."
"Mobile e-commerce will be responsible for $2.32 trillion — or about 67.2 percent — of e-commerce sales by 2021."
"Mobile ad spend is expected to represent 72 percent of all digital ad spend in the U.S. by 2019. "
"82 percent of people use their smartphones to research purchases they are about to make in a store."
Modern professional web development especially for Africa is optimized for mobile access. At TheMobileProf.com, we develop your website to work properly on mobile devices, ensuring that features are compatible across most devices, and optimizing content to ensure fast load time especially on mobile.
Additionally, for some clients, after having built a website, they are not able to reach the developer who built the website to make further changes, leaving outdated content on their websites, we would be glad to help, we have competent hands that have been trained in the best digital academies available, and we are responsive.
We build websites that respond to different screen sizes and device ports. You do not need to build multiple versions of your website, now just one website is enough
We offer a weekly website maintenance and management services. This covers all content additions and editing, but does not cover new application development.
Search Engines are powerful ways to attract new and qualified customers, because most people searching on a Search Engine are already considering making a purchase.
e-Commerce and e-Booking integrations into your website enables your website showcase products or services you want to sell, and provides processes for ordering them.
Do you want to be able to accept Interswitch payments on your website? Would you want to accept International card payments on your website? We can give you both solutions.
Track everything! Constant tracking ensures you are able to see how people are interacting with your website and learn what what processes to optimize.


Mrunal Ahire
Work Exp
-
Google
Software Engineer - II
Aug 2022 - Present
-
Amazon
Software Dev Engineer - 1
Jan 2022 - Aug 2022
-
HSBC Bank
Software Engineer
Sep 2020 - Jan 2022
Awards
-
HSBC
Circle of Excellence
Q4 2021
-
HSBC
Top Performer Grad 2020
Dec 2020
Education
-
VIIT, Pune
Computer Engineering
2016 - 2020


For all of you looking for a true challenge in life we offer this golder opportunity! Join us and you will witness such wonders and terrible truths as no one before you. Join us and you will face the toughest challenges! Join us and you fight shoulder to shoulder with true legends! Join us and you will become a legend yourself!


There are tiny kitchen challenges, and then there are really tiny kitchen challenges.
Case in point: my gentleman caller’s lovely but miniscule shoebox in Soho. We call it the space cabin, but there’s probably more counter space in space.
There was also the additional challenge of being in the apartment of someone who until last week survived solely on takeout from Seamless. No icing sugar, no cake pan, no rolling pin, and definitely no yeast, only some leftover ingredients from last visit’s pancake production.
Exhibit A: the Manhattanite's rolling pin
One thing we did have was this amazing Mexican chocolate that I am now completely addicted to: it’s like crunchy sugar granules mixed in with dark chocolate and cinnamon-- heaven. Ironically, the Mexican chocolate also did not come from the resident Mexican. (Sometimes my life doesn’t make much sense but it’s all tasty.)
But I had a craving for the perfect Sunday morning: cinnamon buns, coffee; and no one could stop me. So I made do.
Mexican Chocolate Cinnamon Swirly Buns
Makes 12 swirly buns
This recipe was an attempt at quick no-yeast cinnamon rolls but I didn’t have a cake pan, so I made them in a muffin tin. They didn’t turn out like soft fluffy cinnabuns at all-- but rather deliciously sugary biscuits with a crunchy top and moist center. It’s likely my oven was all whack and thus the crunchy tops but I promise they’ll be tasty no matter how accurate your temperature is. Next time i’ll probably go get more supplies to attempt the real deal but these biscuits were perfect with a cup of café au lait and friendship.
Dough
Filling


{{Infobox prepared food | name = Janggukjuk | image = | caption = | alternate_name = | country = Korea | region = | creator = | course = | type = Juk | served = | main_ingredient = Non-glutinous rice, beef, brown oak mushrooms | variations = | calories = | other = }} {{ref improve|date=December 2011}} {{Infobox Korean name |hangul=장국죽 |hanja=장국{{linktext|粥}} |rr=Janggukjuk |mr=Changkukjuk }}
Janggukjuk or Jangguk jook is a variety of juk (죽), or Korean porridge, made with pounded non-glutinous rice (as opposed to glutinous rice), beef and brown oak mushrooms. Janggukjuk is seasoned with soy sauce, and it literally means soy sauce porridge. It is high in protein and therefore believed to be good for recovering patients and the elderly.
{{Reflist}}
{{Korea-cuisine-stub}}


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Web Developer & Design
More about me...
Phanith Kung
Professional Web Developer
Hi, I will comming soon..!
Being Construction
Back To Home


Installation / Deployment¶
Build egg file¶
$ cd spooq2
$ python setup.py bdist_egg
The output is stored as dist/Spooq2-<VERSION_NUMBER>-py2.7.egg
Build zip file¶
$ cd spooq2
$ rm temp.zip
$ zip -r temp.zip src/spooq2
$ mv temp.zip Spooq2_$(grep "__version__" src/spooq2/_version.py | \
cut -d " " -f 3 | tr -d \").zip
The output is stored as Spooq2-<VERSION_NUMBER>.zip.
Include pre-build package (egg or zip) with Spark¶
For Submitting or Launching Spark:
$ pyspark --py-files Spooq2-<VERSION_NUMBER>.egg
The library still has to be imported in the pyspark application!
Within Running Spark Session:
>>> sc.addFile("Spooq2-<VERSION_NUMBER>.egg")
>>> import spooq2
Install local repository as package¶
$ cd spooq2
$ python setup.py install
Install Spooq2 directly from git¶
$ pip install git+https://github.com/breaka84/spooq@master
Development, Testing, and Documenting¶
Please refer to Setup for Development, Testing, Documenting.


Overview
Homepage
W
New website
Due to: 28 Aug 2019
Waiting
JL
Social Media Traffic
| Network | Visitors | |
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| 3,550 |
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| 1,789 |
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Tasks
| Extend the data model. | January 01, 2019 | 2/7 | 3 | ||
| Verify the event flow. | January 01, 2019 | 3/10 | 6 | JL | |
| Database backup and maintenance | January 01, 2019 | 0/6 | 1 | ||
| Identify the implementation team. | January 01, 2019 | 6/10 | 12 | ||
| Define users and workflow | January 01, 2019 | 3/7 | 5 |
Company Employees
| Name | Department | Progress | |||
|---|---|---|---|---|---|
| Flossi Uttley | Research and Development | 81% |
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| Cesya Spritt | Support | 36% |
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| Johnnie Gilby | Marketing | 44% |
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| Ban Rzehor | Sales | 35% |
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| Carroll Erat | Product Management | 83% |
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About Me
Hello! My name is Eve and I am a web developer who loves clean, elegant web design. I began as a design historian because I wanted to understand how design influences how we move through the world. I loved studying how design informed our past and decided to apply this knowledge to something contemporary and dynamic. Coding and web design has allowed me to create websites that are beautiful, functional, and unique.
I now use my history background to inform my web design practice, and strive to create websites for small businesses that reflect their history as well as the possibilities of their future. I love incorporating historic designs and textures into my work to give brands a refined, authoritative presence on the web. During the site build process, I work closely with my clients to ensure that their site is easy to navigate, encourages interaction, and effortlessly communicates their individual style to the world.
I hand-code all of my websites from scratch to develop an easy-to-use and engaging web experience. I will work with you to design an interface that will best suit your ideal clients and get your most important information on the web. I can also create custom email templates to keep your audience engaged with an email marketing campaign.
CSS will make your site stand out and your content shine! After coding the base structure of your site using HTML, I will bring your unique style to life using clean, well-organized CSS. I can translate your existing style to the new site, or I can create a color palette and design scheme that will effectively represent your brand identity and expertise.
Whether you have a design in mind or have already created your site in Photoshop, I can easily translate PSD files into a stunning new website. I can also incorporate accompanying design elements for your site including icons, logos, and illustrations to ensure your branding is consistent across the web and in printed media.


Uploads the given photos to the shared photos album. ## Syntax
uploadPhotos(photos: <#Variable#>)
uploadPhotos(photos: Clipboard)


LaTeX Output
mkbook can also export a LaTeX file which can be used to convert your book to a beatiful, ready-to-print PDF. This feature is still under heavy development as it’s not quite as smooth as I would like, and the generated .tex
document is perhaps a bit too customized—I’m still exploring this.
For now, however, you can convert your book into a single .tex
file with the following command which will create the file ./print/book.tex
along with any images needed to render the book:
mkbook build -l ./print/book.tex
Note that this command is more about preparing a .tex
file that you can then further customize for your own book than having a complete, ready-to-go PDF that is entirely your own—the current LaTeX template that gets generated works for me but it may not work for you.
Images
If an image in the document is an external image (i.e. it starts with http://
or https://
), mkbook will attempt to download the image the same directory that the generated LaTeX document resides in. If it cannot do so, it will tell you. If, on the other hand, the image is in the source tree, it will be copied over the same way that any other asset is and should be available to the LaTeX file.
Similar to this, mkbook will attempt to render any plantuml
code sections into .svg
files which also get included in the book.
Building the Book
The current LaTeX template requires the following packages to be installed:
The template also requires XeTeX and the following fonts to be available on your system:
Finally, in order to color the source code, you must have Pygments installed and the pygmentize
executable must be available on your path.
If you meet all these requirements, you can build the book using xelatex
(better yet, use latexmk
). Assuming you built the book.tex
file in the print
directory as above:
cd print latexmk -xelatex -shell-escape book.tex
Note that the -shell-escape
argument is required in order to get Pygments to colour your source code, and the xelatex
command is run twice in order to properly build the table of contents.
Note also that in the current template, the pages that are created are 5.5 inches by 8 inches. This is to facilitate booklet printing on North American letter paper. Feel free to change this in the generated book.tex
file before compiling if you need to.
Compiling a Booklet
If you want to easily print this book as a booklet, you can take one more step to arrange the pages so that a simple duplex print on any printer will produce signatures that you can easily bind yourself (there are many tutorials online for doing this, I recommend Easy paperback book binding how-to by Rubén Berenguel).
The first step is to create a file alongside your compiled book.pdf
file called printbook.tex
with the contents as such:
\documentclass[letterpaper]{article} \usepackage[final]{pdfpages} \begin{document} \includepdf[pages=-,nup=1x2,landscape,signature=32]{book.pdf} \end{document}
You can change the value of signature
as you like, but keep it a multiple of 4. The signature is the number of pages (not sheets of paper) which get combined into a “mini-booklet”, and the final book is a combination of all of the signatures (“mini-booklets”) to make the full book. Essentially, if you divide this number by 4, you’ll get the number of sheets of paper that you’ll have to staple together at a time. For a signature of 32 pages, this will mean stapling together 8 pages at a time.
Note that if you have a relatively short book, it may be advantageous to just do all of the book’s pages into one signature, in this case make the signature the next multiple-of-four value higher than the total number of sheets in the book.pdf
file. For example: if book.pdf
contains 45 pages, make signature=48
to put everything into a single signature.
Finally, compile printbook.tex
using pdflatex
:
pdflatex printbook.tex
As a sample, you can view the compiled book and printbook files for this book to see how this can turn out.


class: center, middle, inverse, title-slide # Multilevel models and metaanalysis ### Martin Modrák --- # Intro - Goes by many names: - Multilevel models - Random effects - Varying intercept/slope - Mixed models - Metaanalysis - Packages: - `lme4` (frequentist) - `rstanarm` (Bayesian, easy to install) - `brms` (Bayesian, very flexible) --- class: inverse, center, middle # Linear models recap --- ## Model formulation `$$\mu = \beta X$$` -- `$$\mu_i = \beta_0 + \beta_{age} X_{i,age} + \beta_{treatment} X_{i,treatment}$$` -- `$$y_i \sim N(\mu_i, \sigma)$$` --- ## Model formulation (R) `$$\mu_i = \beta_0 + \beta_{age} X_{i,age} + \beta_{treatment} X_{i,treatment}$$` -- ``` ## y age group ## 1 34.9 23 control ## 2 39.7 28 control ## 3 64.2 30 treatment ``` -- R formula ``` y ~ 1 + age + group ``` -- ```r model.matrix(y ~ 1 + age + group, mock_lin_data) ``` ``` ## (Intercept) age grouptreatment ## 1 1 23 0 ## 2 1 28 0 ## 3 1 30 1 ## attr(,"assign") ## [1] 0 1 2 ## attr(,"contrasts") ## attr(,"contrasts")$group ## [1] "contr.treatment" ``` --- ## Everything is a linear model! `t.test(groupA, groupB)` = `lm(y ~ group)` --- class:inverse, middle, center # A simple example --- ## Single group of data ![](dojo_multilevel_files/figure-html/unnamed-chunk-4-1.png)<!-- --> --- ## Breaking it down ![](dojo_multilevel_files/figure-html/unnamed-chunk-5-1.png)<!-- --> --- ## A set of bad options A) Ignore batches `$$\mu_i = \alpha$$` ```r ignore <- t.test(log_relative_expression ~ 1, data = base_data_single) ignore$conf.int ``` ``` ## [1] -0.1958513 0.1675030 ## attr(,"conf.level") ## [1] 0.95 ``` -- ![](dojo_multilevel_files/figure-html/unnamed-chunk-7-1.png)<!-- --> --- ## A set of bad options B) Treat batches as separate `$$\mu_i = \alpha + \beta_1 \mathrm{isB}_i + \beta_2 \mathrm{isC}_i$$` ```r separate <- lm(log_relative_expression ~ batch, data = base_data_single) confint(separate) ``` ``` ## 2.5 % 97.5 % ## (Intercept) 0.07105826 0.4011312 ## batchB -0.64721523 -0.1253241 ## batchC -0.85532392 -0.2836209 ``` -- ![](dojo_multilevel_files/figure-html/unnamed-chunk-9-1.png)<!-- --> --- ## A set of bad options C) Take averages of the batches ```r take_means <- t.test(log_relative_expression ~ 1, data = batch_means) take_means$conf.int ``` ``` ## [1] -0.8046443 0.6396724 ## attr(,"conf.level") ## [1] 0.95 ``` -- ![](dojo_multilevel_files/figure-html/unnamed-chunk-12-1.png)<!-- --> --- ## Varying intercept The batches are not identical, but also not independent `$$\mu_i = \alpha + \beta_{batch(i)} \\ \beta_{batch(1,2,3)} \sim N(0, \sigma_{batch})$$` -- ```r varying_intercept <- rstanarm::stan_lmer( log_relative_expression ~ 1 + (1 | batch), data = base_data_single) summ_varying_intercept <- summary(varying_intercept, probs = c(0.025,0.975)) summ_varying_intercept[1:6, c("2.5%", "97.5%")] ``` ``` ## 2.5% 97.5% ## (Intercept) -0.413961295 0.3038147 ## b[(Intercept) batch:A] -0.105670142 0.6591598 ## b[(Intercept) batch:B] -0.480985504 0.2760657 ## b[(Intercept) batch:C] -0.623739386 0.1366592 ## sigma 0.133893668 0.3359758 ## Sigma[batch:(Intercept),(Intercept)] 0.006227291 0.4276699 ``` ??? More parameters, less flexible --- ## A middle ground ![](dojo_multilevel_files/figure-html/unnamed-chunk-13-1.png)<!-- --> --- ## Partial pooling ![](dojo_multilevel_files/figure-html/unnamed-chunk-14-1.png)<!-- --> --- ## Different prediction tasks ![](dojo_multilevel_files/figure-html/unnamed-chunk-15-1.png)<!-- --> --- class: inverse, middle, center # More complex example --- ## All data together ``` log_relative_expression ~ group ``` `$$\mu_i = \alpha + \beta_1 \mathrm{isTreatment}_i$$` ![](dojo_multilevel_files/figure-html/unnamed-chunk-16-1.png)<!-- --> --- ## Break it down ``` log_relative_expression ~ batch * group ``` `$$\mu_i = \alpha + \beta_1 \mathrm{isTreatment}_i + \beta_2 \mathrm{isB}_i + \beta_3 \mathrm{isC}_i + \\ \beta_4 \mathrm{isTreatment}_i \mathrm{isB}_i + \beta_5 \mathrm{isTreatment}_i \mathrm{isC}_i$$` ![](dojo_multilevel_files/figure-html/unnamed-chunk-17-1.png)<!-- --> ??? I can also make the effect be the same in all groups --- ## Varying intercept + varying effect ``` log_relative_expression ~ group + (1 + group || batch) ``` `$$\mu_i = \alpha + \beta_1 \mathrm{isTreatment}_i + \gamma_{batch(i)} + \delta_{batch(i)} \mathrm{isTreatment}_i \\ \gamma_{batch(1,2,3)} \sim N(0, \sigma_{\mathrm{batch\_intercept}}) \\ \delta_{batch(1,2,3)} \sim N(0, \sigma_{\mathrm{batch\_effect}})$$` ```r varying_effect <- brms::brm( log_relative_expression ~ group + (1 + group || batch), data = base_data, prior = c(brms::set_prior("normal(0,1)", class = "b"), brms::set_prior("normal(0,1)", class = "sd")), control = list(adapt_delta = 0.99)) ``` --- ## Varying intercept + varying effect ``` ## Warning: There were 1 divergent transitions after warmup. Increasing adapt_delta ## above may help. See http://mc-stan.org/misc/warnings.html#divergent-transitions- ## after-warmup ``` ``` ## Family: gaussian ## Links: mu = identity; sigma = identity ## Formula: log_relative_expression ~ group + (1 + group || batch) ## Data: base_data (Number of observations: 38) ## Samples: 4 chains, each with iter = 2000; warmup = 1000; thin = 1; ## total post-warmup samples = 4000 ## ## Group-Level Effects: ## ~batch (Number of levels: 3) ## Estimate Est.Error l-95% CI u-95% CI Rhat Bulk_ESS Tail_ESS ## sd(Intercept) 0.35 0.32 0.02 1.23 1.00 796 1256 ## sd(grouptreatment) 0.32 0.30 0.01 1.13 1.00 913 1759 ## ## Population-Level Effects: ## Estimate Est.Error l-95% CI u-95% CI Rhat Bulk_ESS Tail_ESS ## Intercept 0.07 0.27 -0.52 0.57 1.00 1069 1076 ## grouptreatment 0.06 0.25 -0.46 0.56 1.00 1248 1115 ## ## Family Specific Parameters: ## Estimate Est.Error l-95% CI u-95% CI Rhat Bulk_ESS Tail_ESS ## sigma 0.29 0.04 0.23 0.38 1.00 1973 2229 ## ## Samples were drawn using sample(hmc). For each parameter, Bulk_ESS ## and Tail_ESS are effective sample size measures, and Rhat is the potential ## scale reduction factor on split chains (at convergence, Rhat = 1). ``` --- ## Varying intercept + varying effect ![](dojo_multilevel_files/figure-html/unnamed-chunk-20-1.png)<!-- --> --- class: inverse, center, middle # Meta-analysis --- ## Now it's simple That's exactly what meta-analysis is! ![](dojo_multilevel_files/figure-html/unnamed-chunk-22-1.png)<!-- --> --- ## Runing a meta-analysis ```r metaanalysis <- brms::brm( estimate | se(std_error) ~ 1 + (1 | study), data = metaanalysis_data, control = list(adapt_delta = 0.99)) ``` ``` ## Compiling Stan program... ``` ``` ## Start sampling ``` ``` ## ## Warning: 1 of 4000 (0.0%) transitions ended with a divergence. ## This may indicate insufficient exploration of the posterior distribution. ## Possible remedies include: ## * Increasing adapt_delta closer to 1 (default is 0.8) ## * Reparameterizing the model (e.g. using a non-centered parameterization) ## * Using informative or weakly informative prior distributions ``` --- ``` ## Warning: There were 1 divergent transitions after warmup. Increasing adapt_delta ## above may help. See http://mc-stan.org/misc/warnings.html#divergent-transitions- ## after-warmup ``` ![](dojo_multilevel_files/figure-html/unnamed-chunk-23-1.png)<!-- --> --- # Further reading - How to develop a model without overfitting? - Bayesian Workflow https://arxiv.org/abs/2011.01808 ## Thanks!


Meet the Team!
The Team Manager
Manager
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Employee ID:
10101
email
Email:
<EMAIL_ADDRESS>local_phone
Office Number:
214-444-4444
Engineers
Engineer
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Employee ID:
10201
email
Email:
<EMAIL_ADDRESS>Github User:
enginehub
,
Engineer2
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10202
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<EMAIL_ADDRESS>Github User:
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Litani Holdings is an investment comany, building a portfolio of technology & consumer businesses that we believe are shifting the way consumers think. We want to change the world one product and idea at a time.
What does innovation mean to you? A new idea? A creative solution? We have traveled the world looking for disruptive companies and given them our advice and mentorship. Together, we want to be better for (this is all made up).
Litani is the name of the river near the small town in Lebanon that our Co-founders' family comes from. Litani means "to change", which aligns with our vision.
We want to partner with like minded businesses. Our goal is to learn from you, and teach you what we know little by little.
Have an interesting product or idea? Contact Us.


It is not uncommon to have a sequence of images to present, and although
it's easy enough to add a 'previous' and 'next' link on your page, it's
especially nice to allow the user to navigate the image sequence without
having leave the page.
OpenSeadragon now has support for an array of tile sources, including
a previous and next button!
Basic Example w/ Default Settings ( Using Legacy Image Pyramid Example )
Preset Zoom Level ( Resets on Page Turn )
Click on the navigator and alternate pressing keys 'w' and 's' to
reproduce the effect of the referenced 'overlay' (depends on screen hertz
refresh rate, most screens will display the effect).
Preserving the Viewport Zoom Level and Position for Image Sequences
Mixed Tile Source Example ( w/ Default Settings )


Year range
African/Afr-American Studies American Studies Art: History Art: Studio Asian Studies Biology Biochemistry Chemistry Chinese Cinema and Media Studies Classical Languages Classical Studies Classics Cognitive Studies/Cognitive Science Computer Science Dance Economics English Environmental Studies French French & Francophone Studies Geology German Greek History Interdisciplinary or Student-Designed Japanese Latin Latin American Studies Linguistics Mathematics Mathematics/Statistics Media Studies Music Neuroscience Philosophy Physics and Astronomy Political Science PolSci/International Relations Psychology Religion Romance Languages and Literature Russian Sociology/Anthropology Spanish Theater Arts Women's and Gender Studies Women's Studies
webapp.py CarlStats.html style.css


Welcome!
I am second PhD student in computer science at The Applied Recognition Technology Laboratory Arte-Lab , University of Insubria Italy with research interests in multi-modal fusion under supervisor of Prof. Ignazio Gallo. I have succesfully completed master program from Technical University of Eindhoven, Netherlands and Technical Univesity of Berlin, Germany under EIT Digital Master program.
News
- Received Nvidia GPU Grant (Titan Xp)
Publication
Kamran Janjua, M. and Nawaz, S. and Calefati, A. and Gallo, I.
"Revisiting Cross Modal Retrieval".
Under Review at European Conference on Computer Vision Workshop, 2018 (ECCVW).
Nawaz, S. and Kamran Janjua, M. and Calefati, A. and Gallo, I.
"Git Loss for Deep Face Recognition".
British Machine Vision Conference, 2018 (BMVC) (Workshops) [ORAL].
Gallo, I. and Nawaz, S. and Calefati, A. and Kamran Janjua, M.
"Image and Text Fusion for Multi-modal Classification".
International Conference on Digital Image Computing: Techniques and Applications (DICTA), 2018.
Nawaz, S. and Calefati, A. and Ahmed, N. and Gallo, I.
"Hand Written Characters Recognition via Deep Metric Learning ".
13th IAPR International Workshop on Document Analysis Systems, Vienna, Austria, 2018.
Gallo, I. and Nawaz, S. and Calefati, A.
"Semantic Text Encoding for Text Classification using Convolutional Neural Networks".
2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR2017), Kyoto, Japan, 2017.
Gallo, I. and Calefati, A. Nawaz, S.
"Multimodal Classification Fusion in Real-World Scenarios".
2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR2017), Kyoto, Japan, 2017.


Hls.js
Dash.js
Shaka Player
JWPlayer
VideoJS
Brightcove
Clappr
FlowPlayer
castLabs
Akamai AMP
Mpx Player
Kaltura
Azure MP
Radiant MP
Bitmovin
THEOplayer


19-year-old woman dead in collision on Highway 2 north of Wakaw
by Saskatoon StarPhoenixRCMP responded Monday around 9:15 a.m. after a report of a crash two kilometres north of Wakaw on Highway 2.
A 19-year-old woman is dead after a two-vehicle highway collision near Wakaw.
RCMP responded Monday around 9:15 a.m. after a report of a crash two kilometres north of Wakaw on Highway 2.
According to a police news release, the 19-year-old woman was the lone occupant of a southbound car that collided with a northbound SUV. She was pronounced dead at the scene. A 58-year-old man driving the SUV was transported by emergency crews to hospital for what were believed to be serious injuries, RCMP said. A girl in the SUV was not injured.
RCMP said the cause of the collision was not immediately determined, but that alcohol is not believed to be a factor. RCMP said road conditions were wet and visibility was clear at the time of the crash.


pyglet provides an interface to OpenGL and GLU. The interface is used by all of pyglet's higher-level API's, so that all rendering is done efficiently by the graphics card, rather than the operating system. You can access this interface directly; using it is much like using OpenGL from C.
The interface is a "thin-wrapper" around libGL.so on Linux, opengl32.dll on Windows and OpenGL.framework on OS X. The pyglet maintainers regenerate the interface from the latest specifications, so it is always up-to-date with the latest version and almost all extensions.
The interface is provided by the pyglet.gl package. To use it you will need a good knowledge of OpenGL, C and ctypes. You may prefer to use OpenGL without using ctypes, in which case you should investigate PyOpenGL. PyOpenGL provides similar functionality with a more "Pythonic" interface, and will work with pyglet without any modification.


ZCCVoiceSource Protocol Reference
| Conforms to | NSObject |
|---|---|
| Declared in | ZCCOutgoingVoiceConfiguration.h |
Overview
Implement ZCCVoiceSource
on an object that provides audio data to the Zello channels server.
– startProvidingAudio:sampleRate:stream:
required method
This method is called when an outgoing stream is ready to receive voice data
- (void)startProvidingAudio:(id<ZCCVoiceSink>)sink sampleRate:(NSUInteger)sampleRate stream:(ZCCOutgoingVoiceStream *)stream
Parameters
sink |
the object that you pass voice data to when you have data ready to send |
|---|---|
sampleRate |
the audio sample rate that |
stream |
the stream that this voice source is sending audio to |
Declared In
ZCCOutgoingVoiceConfiguration.h
– stopProvidingAudio:
required method
Called when an outgoing stream can no longer receive audio
- (void)stopProvidingAudio:(id<ZCCVoiceSink>)sink
Parameters
sink |
the voice sink object passed to startProvidingAudio:sampleRate:stream: when the containing stream started |
|---|
Discussion
When a voice stream closes, this method is called to inform your voice source that
the voice sink it has been sending audio to is no longer valid. You should stop calling methods
on sink
and release related resources.
Declared In
ZCCOutgoingVoiceConfiguration.h


It is important that yachts do not stop at any of the other islands before clearing in (or out) at Funafuti. If you do so, even for an emergency, you might face difficulties with the police in Funafuti.
Flying the Q flag, anchor for clearance near the wharf, where Customs are located. The Customs officials may deal with everything in their office, or may want to come out to the yacht. If this is the case, the officials must be ferried in the yacht's own dinghy.
No clearance is possible from 16:00 on Fridays until Monday morning.
For details of anchoring in the lagoon, see Funafuti.
Current policy (June 2013) is that all yachts MUST return to Funafuti for final outward clearance, and yachts are not allowed to stop at any of the outer islands after making final outward clearance.
In the past it was possible to request permission to visit some of the other islands, however this concession has been abused by some yachts and it is no longer possible.
There is a departure tax of $30/person.
Last updated April 2015.
Entry visas are granted on arrival for one month, renewable for a maximum of another three months, if proof of sufficient funds can be shown. The first month is free but subsequent extensions are chargable. See fees for details.
All visitors must have a passport valid for 6 months on arrival.
Most nationalities do not require a visa.
Last updated April 2015.
Firearms must be surrendered.
Plants and animals must be declared and kept on board.
Last updated April 2015.
Vaccinations against tuberculosis, hepatitis A, tetanus and typhoid are advised.
There is a hospital on Funafuti which has an outpatient department, a pharmacist and a dentist. The some of the outer islands have a nurse.
There is no charge for clearance during working hours.
There is a departure tax of AUS$30 per person.
Visa extensions cost AUS$30 for each month and proof of available funds of at least AUS$2000 must be demonstrated (i.e. a bank statement) each time.
Every island can set its own rules with regards to anchoring fees.
The drinking of alcohol in public is not permitted.
Social customs: One should remove shoes before entering church, the maneapa (meeting house) or private homes.
Always try to enter a house from the lagoon side, not the ocean side.
Scanty dress is considered offensive. Women should be covered from the neck to below the knees.

Animals must be declared and kept on board


ANNA AND THE KING *** (out of five stars) A review by Jamey Hughton
Starring-Jodie Foster, Chow Yun-Fat and Bai Ling Director-Andy Tennant Rated PG 20th Century Fox
MOVIE VIEWS by Jamey Hughton http://Welcome.to/MovieViews
`Anna and the King', the latest adaptation of Rodgers and Hammerstein's renowned musical `The King and I', is a sumptuous and attractive epic that manages to mask a great number of it's problems with a steady dosage of beautiful imagery. There is impeccable detail applied to the costuming and set designs, enough to captivate the audience over droughts where both the pace and dramatic interest lags a bit behind. You may be squirming in your seat periodically during this 2 hour, 30 minute epic - but luckily, two engaging stars are present to make the experience a comfortable one.
One is Jodie Foster, who plays strong-minded British schoolteacher Anna Leonowens, a woman who makes a long and perilous journey to Siam so that she can tutor an influential young boy. The lad is the son of King Mongkut of Siam (Chow Yun-Fat), who rules his people with strict standards and cultural balance. Anna conducts herself with strong will and incredible courage for a woman in her era, confronting the King and demanding sufficient quarters even when she's not permitted. She is bold, to be sure, but she is also wise in more areas than the King can imagine. Anna winds up the enter royal family (which is... large), and lecturing them in the ways of the West with their father's approval. I had no doubt Foster could handle the role of the brisk and strong-minded Anna, and she does, with believable authority and appealing wisdom. I was happy, though, to see Hong Kong action superstar Chow Yun-Fat snag the role of the King. Despite the fact his two American thrillers (`The Replacement Killers' and `The Corruptor') have flopped, I was optimistic about Chow's ability to handle a major dramatic role like this. He, like his enthusiastic counterpart, pulls through with an admirable effort.
`Anna and the King' features a screenplay that tends to be clumsy and meandering, but mainly the film is reasonably well written. There is light humor sprinkled about and channeled successfully through awkward meetings between King Mongkut and Anna, and plenty of amusing material surrounding the plot device of the King having 26 wives. How could you not crack a few good jokes with that little bit of information? For a steady 90 minutes, `Anna and the King' resembles just the sort of epic story that Hollywood is famous for. The performances click, the visual content is spellbinding, and director Andy Tennant (`Ever After') manages to successfully engage the viewer with continuous beauty.
And then, there's a little slip-up. Tennant stretches the film to an unnecessary 140 minutes, testing the average viewer's patience with scenes that ring with monotony and loss of dramatic impact. If the running length were cut short by a half-an-hour or so, then perhaps the initially absorbing material and lavish set designs would be better appreciated while the audience exits the theater. In it's present state, with the film ending on a sour and empty note, some of the good qualities are bound to be forgotten. But despite it's length, `Anna and the King' manages to radiate enough working star power and attractive imagery to suffice as an entertaining epic, even if it falls short of some potential.
It's also too violent in certain areas - never extremely graphic, but too often unsettling (especially for younger viewers). But, if there is one thing you can't pass over with giving due notice, it's the sheer beauty of the entire production. Expect an Oscar-nomination or two in the categories of costuming and cinematography, but little more. Both Foster and Yun-Fat grace the screen with their style and pizzazz, but nothing is particularly Oscar-caliber in the performance section. Bai Ling (`Red Corner') is strong in a small but important role as the King's latest concubine. Ultimately, `Anna and the King' loses it's grasp on certain possibilities for prolonging it's running length for the wrong reasons (a war is materializing, the leads begin to grow apart...). But it's still a nice filler, boasting solid performances and an attractive look that will appeal to viewers of all ages. Just try to concentrate on the good stuff, and pick a comfortable seat.
(C) 1999, Jamey Hughton
MOVIE VIEWS by Jamey Hughton http://Welcome.to/MovieViews
Cast Your Votes for "1999 FILM AWARDS" http://apps4.vantagenet.com/zsv/survey.asp?GO=Vote%21&id=9122019309
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


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| __construct | in file Search.php, method Msft_Bing_Search::__construct() constructor | |
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| $adult | in file Search.php, variable Msft_Bing_Search::$adult adult filter setting | |
| $appid | in file Search.php, variable Msft_Bing_Search::$appid Bing Application ID - http://www.bing.com/developers/createapp.aspx | |
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| $baseUrl | in file Search.php, variable Msft_Bing_Search::$baseUrl base bing url | |
| between | in file Search.php, method Msft_Bing_Search::between() return either the value passed in if it's between the min and max or the min or max. | |
| buildUrl | in file Search.php, method Msft_Bing_Search::buildUrl() construct the URL | |
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| Exception.php | procedural page Exception.php | |
| Exception.php | procedural page Exception.php | |
| Exception.php | procedural page Exception.php | |
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| $filetype | in file Search.php, variable Msft_Bing_Search::$filetype list of prefered file types to return | |
| $flags | in file Search.php, variable Msft_Bing_Search::$flags flags that have been set. | |
| $format | in file Search.php, variable Msft_Bing_Search::$format output format json|xml | |
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| getAdult | in file Search.php, method Msft_Bing_Search::getAdult() returns the WebRequest.Adult value | |
| getAppId | in file Search.php, method Msft_Bing_Search::getAppId() returns the WebRequest.AppId value | |
| getBaseUrl | in file Search.php, method Msft_Bing_Search::getBaseUrl() returns the value of the base url. | |
| getFileTypes | in file Search.php, method Msft_Bing_Search::getFileTypes() returns the array of prefered file types. | |
| getFlags | in file Search.php, method Msft_Bing_Search::getFlags() returns the array of flags specified | |
| getFormat | in file Search.php, method Msft_Bing_Search::getFormat() returns the value of the requested format | |
| getFormatOption | in file Search.php, method Msft_Bing_Search::getFormatOption() returns the value of the specified format options. | |
| getImageCount | in file Search.php, method Msft_Bing_Search::getImageCount() returns the value ImageSource.count | |
| getMarket | in file Search.php, method Msft_Bing_Search::getMarket() returns the value of the SearchRequest.Market. | |
| getParameter | in file Search.php, method Msft_Bing_Search::getParameter() properly formates and urlencodes the key=value pair requested. | |
| getQuery | in file Search.php, method Msft_Bing_Search::getQuery() returns the value of the SearchRequest.Query | |
| getSite | in file Search.php, method Msft_Bing_Search::getSite() returns the value of the site specified for a site specific search. | |
| getSource | in file Search.php, method Msft_Bing_Search::getSource() returns a space-delimited list of the specified sources | |
| getUrl | in file Search.php, method Msft_Bing_Search::getUrl() returns the value of the last url executed | |
| getVersion | in file Search.php, method Msft_Bing_Search::getVersion() returns the value of the SearchRequest.version. | |
| getWebCount | in file Search.php, method Msft_Bing_Search::getWebCount() returns the value WebSource.count | |
| getWebOffset | in file Search.php, method Msft_Bing_Search::getWebOffset() returns the value of the WebRequest.Offset. | |
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| $imagecount | in file Search.php, variable Msft_Bing_Search::$imagecount number of image results to return (1-100) | |
| isSiteSpecific | in file Search.php, method Msft_Bing_Search::isSiteSpecific() returns true if the search is site specific | |
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| $jsontype | in file Search.php, variable Msft_Bing_Search::$jsontype json format option raw|callback | |
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| $market | in file Search.php, variable Msft_Bing_Search::$market language. http://msdn.microsoft.com/en-us/library/dd251064.aspx | |
| Msft_Bing_Exception | in file Exception.php, class Msft_Bing_Exception Exception class for the Microsoft Bing Library | |
| Msft_Bing_Search | in file Search.php, class Msft_Bing_Search Search class for the Bing Search API. | |
| Msft_Bing_Search_Exception | in file Exception.php, class Msft_Bing_Search_Exception Exception class for the Microsoft Bing Search Library | |
| Msft_Exception | in file Exception.php, class Msft_Exception Exception class for the Microsoft Library | |
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| $query | in file Search.php, variable Msft_Bing_Search::$query actual query string | |
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| Search.php | procedural page Search.php | |
| $site | in file Search.php, variable Msft_Bing_Search::$site lite to limit the search to | |
| $sources | in file Search.php, variable Msft_Bing_Search::$sources web|image|spell Sources to draw from when searching | |
| search | in file Search.php, method Msft_Bing_Search::search() executes buildUrl and then attempts to execute the search. | |
| setAdult | in file Search.php, method Msft_Bing_Search::setAdult() sets the value for the adult filter. | |
| setAppId | in file Search.php, method Msft_Bing_Search::setAppId() set the value of appId | |
| setBaseUrl | in file Search.php, method Msft_Bing_Search::setBaseUrl() set the value of the base url | |
| setFileType | in file Search.php, method Msft_Bing_Search::setFileType() add a value to the list of prefered file types. If the value already exists, then it removes the value from the array. | |
| setFlag | in file Search.php, method Msft_Bing_Search::setFlag() add a value to the list of acceptable flags. If the value already exists, then it removes the value from the array. | |
| setFormat | in file Search.php, method Msft_Bing_Search::setFormat() set the value of the requested format. format is validated against validFormats. formatOption is reset to the first listed validFormatOption. Other options are cleared. | |
| setFormatOption | in file Search.php, method Msft_Bing_Search::setFormatOption() set the value of specified format option. option is validated against the validFormats array | |
| setImageCount | in file Search.php, method Msft_Bing_Search::setImageCount() set the value of ImageSource.count | |
| setMarket | in file Search.php, method Msft_Bing_Search::setMarket() set the value of SearchRequest.Market. | |
| setQuery | in file Search.php, method Msft_Bing_Search::setQuery() add a value to the list of requested sources. If the value already exists, then it removes the value from the array. | |
| setSite | in file Search.php, method Msft_Bing_Search::setSite() set the value for a site name for a site specific search | |
| setSource | in file Search.php, method Msft_Bing_Search::setSource() add a value to the list of requested sources. If the value already exists, then it removes the value from the array. | |
| setVersion | in file Search.php, method Msft_Bing_Search::setVersion() set the value of the version of the API to use. | |
| setWebCount | in file Search.php, method Msft_Bing_Search::setWebCount() set the value of WebSource.count | |
| setWebOffset | in file Search.php, method Msft_Bing_Search::setWebOffset() set the value of WebRequest.Offset. | |
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| $url | in file Search.php, variable Msft_Bing_Search::$url url constructed for the last search performed | |
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| $validFileTypes | in file Search.php, variable Msft_Bing_Search::$validFileTypes valid file types that can be specified. | |
| $validFlags | in file Search.php, variable Msft_Bing_Search::$validFlags valid flags that can be specified. | |
| $validFormatOptions | in file Search.php, variable Msft_Bing_Search::$validFormatOptions valid formats options that can be specified. | |
| $validFormats | in file Search.php, variable Msft_Bing_Search::$validFormats valid formats that can be specified. | |
| $validSources | in file Search.php, variable Msft_Bing_Search::$validSources valid sources that can be specified. | |
| $version | in file Search.php, variable Msft_Bing_Search::$version API version 2.0|2.2 | |
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| $webcount | in file Search.php, variable Msft_Bing_Search::$webcount number of web results to return (1-100) | |
| $weboffset | in file Search.php, variable Msft_Bing_Search::$weboffset offset from 0 to begin the list of urls returned. (0-100) | |
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| $xmltype | in file Search.php, variable Msft_Bing_Search::$xmltype xml output type specified |


Why the Cloud Will Finally Work
The cloud has a lot of technical arguments going for it. The problem is consumers don’t understand the cloud, they don’t understand virtual storage and growth and syncing and the complexities of things. The average consumer is generally pretty dumb, they just want to be able to do things and it just work. If they ask a question they want an answer, not the deduction behind the answer. It’s why I loved mint.com so much when it launched. I gave it accounts and it told me everything I wanted to know. If it was wrong I seldom noticed it, such as classifying a purchase into a wrong category. My suspicion is that 98% of the users don’t notice much of the mis-classification that happens. They look the first time and it looks pretty good so they trust it, because if you look at 90% of purchases and classify them, why use mint, why not just use excel, or even go back to a paper and notebook?
Cloud is that same type of issue, it needs to just work, users need to just expect their document to always be the same. I think the iPad but more specifically MobileMe will have a great shot at doing this. The reason the iPad will play a role is now the average consumer will have more than 1 device. They’ll have their laptop/desktop and an iPad. This user will want to work on the device, and more than just email. Having their application open a file, work for 15 minutes on a train/bus, turn it off, walk in their front door and open the same file on their computer will really bring cloud storage/computing to a consumer. Because apple controls the reins on the primary applications where this has value:
- Pages
- Keynote
- Numbers
Because their control these and the cloud, the experience will be good, when there’s a single device/ecosystem its easier to focus on experience which they’ve done well.
This will push the expectation on developers to deliver the same kind of experience with the cloud, it’s going to become the norm now. Not because its cost effective, not because of the technical benefits, but because it’s going to be transparent to users, and users are just going to expect it from now on.


interface AddNetworkCallbacks : BaseCallback
Callbacks for adding a network as a saved configuration on a device. |
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interface BaseCallback
Callbacks that are applicable to all Async WiseFy operations. All Async interfaces should extend this class. |
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interface ConnectToNetworkCallbacks : BaseCallback
Callbacks for attempting to connect to a network. |
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interface DisableWifiCallbacks : BaseCallback
Callbacks for disabling a device's wifi. |
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interface DisconnectFromCurrentNetworkCallbacks : BaseCallback
Callbacks for disconnecting a device from it's current network. |
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interface EnableWifiCallbacks : BaseCallback
Callbacks for enabling a device's wifi. |
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interface GetCurrentNetworkCallbacks : BaseCallback
Callbacks for retrieving a device's current network. |
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interface GetCurrentNetworkInfoCallbacks : BaseCallback
Callbacks for retrieving a device's current network. |
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interface GetFrequencyCallbacks : BaseCallback
Callbacks for retrieving the frequency of a network. |
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interface GetIPCallbacks : BaseCallback
Callbacks for retrieving a device's IP. |
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interface GetNearbyAccessPointsCallbacks : BaseCallback
Callbacks for retrieving a list of nearby access points. |
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interface GetRSSICallbacks : BaseCallback
Callbacks for retrieving RSSI level of a nearby access point. |
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interface GetSavedNetworksCallbacks : BaseCallback
Callbacks for retrieving a list of saved networks on a device. |
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interface RemoveNetworkCallbacks : BaseCallback
Callbacks for removing a saved network on a device. |
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interface SearchForAccessPointCallbacks : BaseCallback
Callbacks for finding a nearby access point on a device. |
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interface SearchForAccessPointsCallbacks : BaseCallback
Callbacks for finding a list of nearby access points on a device. |
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interface SearchForSavedNetworkCallbacks : BaseCallback
Callbacks for retrieving a saved network on a device. |
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interface SearchForSavedNetworksCallbacks : BaseCallback
Callbacks for retrieving a list of saved networks on a device. |
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interface SearchForSSIDCallbacks : BaseCallback
Callbacks for finding a nearby SSID on a device. |
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interface SearchForSSIDsCallbacks : BaseCallback
Callbacks for finding a list of nearby SSIDs on a device. |


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FINDHYPH(1) FINDHYPH(1) NAME findhyph -- find words hyphenated by TeX in a document INSTALLATION Copy findhyph or findhyph.bat (depending on OS used) to a directory included in system PATH. Perl interpreter is required to be in "/usr/bin/" for Unix-like systems or in PATH when using findhyph.bat. SYNOPSIS 1) set "\tracingparagraphs=1" in a TeX document foo.tex and run: 2) tex foo.tex 3) findhyph [options] foo.log If you are setting "\looseness=<N>" to optimize paragraphs, you need to pass that information to the file foo.log in a form "@looseness=<N>" (on a separate line). You can use a macro like "\def\setlooseness#1{\immediate\write-1{@looseness=#1}\looseness=#1}" for this purpose. If the paragraph contains material in display math mode, you need to use the macro in all split parts of the paragraph. OPTIONS -c display hyphenated words in context -f display font selectors and other strings starting with a backslash character -v display program version -p generate file containing information about one-letter prepositions and conjunctions left at the end of line -l=STRING use prepositions/conjunctions listed in STRING instead of default list of prepositions and conjunctions "kKsSvVzZoOuUiIA" used for Slovak and Czech language OUTPUT FILES foo.hyph List of hyphenated words. All punctuation characters, parentheses and other character immediately preceding or following displayed words are included in this list. TeX constructs which are too difficult to display ("\hbox{}", "\mark{}" etc.) are shown as "[]". Math mode is indicated by "$" sign. Page numbers in square brackets refer to LOG file and may occasionally differ from the typeset document. The reason is that TeX may need to break more paragraphs than it would eventually fit on the page in order to find a page break. Words hyphenated in footnotes are listed before the words hyphenated in the paragraph in which the footnote is referenced. foo.prep List of prepositions if option -p is used. HISTORY 1.0 (2001-04-08) · public release 2.0 (2009-08-10) · fixes in line breaks detection algorithm; support for the third pass of line breaking algorithm in TeX (positive \emergencystretch); support for discretionary breaks in the first pass · page number detection improved (recognized negative page numbers, compound page numbers when "\count1" to "\count9" registers are non- zero and "[nn{mapfile}]", "[nn<picture>]" and "[nn<newline>" formats used by pdfTeX; false page number detection should be much more rare) · configurable list of prepositions and conjunctions · hyphenated words can be displayed in context · suggestions and testing by Pavel Striz 3.0 (2012-02-01) · fixed a bug when total paragraph demerits are negative · "\looseness" setting is now taken into account (thanks to Karel Horak for identifying the issue) LICENSE This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 2 of the License, or any later version. AUTHOR Copyright (c) Martin Budaj<EMAIL_ADDRESS>2000, 2001, 2009, 2012 perl v5.10.1 2012-02-01 FINDHYPH(1)


Gotta Prototype Fast!
Hi! I'm Ryan DeBeasi.
I'm a consulting engineer at Red Hat Open Innovation Labs.
Why are these so memorable?
Minimum Viable Sonic ™
They're messy but immediately recognizable.
I've tried to stop being a perfectionist and start with the minimum viable Sonic.
So anyway, Labs
- 1–3 Months
- Discovery & Prep
- Week 1: Design
- Weeks 2+: Deliver
Typically work in 1-week sprints with a demo at the end of each one
Week 1
- Set priorities & goals
- Define business process
- Sketch out solution
- Prioritize
Priority sliders, event storming, screenflow, feature planning, logical architecture
A little different each time
Every residency is different
Disrupt / Transform / Road Trip
UX vs. infrastructure
Finished product vs. learning
There may or may not be a dedicated UX designer
RH UX Designer
Client UX Designer
Hybrid UX + Dev Role
Start low fidelity, then move to higher fidelity
Black & white forces you to use composition and content first (no color!)
Start with most common use case
Gradually layer on meaning
Fast feedback
You can throw it away and start again if you need to
Caveat: I drew this after the Ambassadors project was over so we'd have a screenflow to show.
Only Naroa and I really understand this one
Minimum viable sonic
Now we can respectably present this
Clickable wireframe
Stuff I've Learned
Find and empower a UX advocate
It's okay to be messy!
The product owner is still learning
Always be testing
- Test ASAP
- Test with wireframes
- Fast feedback
- Swipe bar example
- "Paper cut" problems - see where real people get stuck
“Design is never done“
- create more refined wires
- style guide / pattern library
- Track down brand assets
- talk with developers
- pivot and draw another screenflow!
- testtesttest
- coach product owner
Let the product owner play defense
Q: Can you make it pop more?
A: Sure, but we're focused on delivering working software over documentation.
Q: Looks great! When can we have it?
A: You can have each piece as soon as it's ready, and we'll do the most important pieces first.
Further Reading
Questions?


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