Class: Sprockets::Manifest
| Relationships & Source Files | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Instance Chain:
self,
ManifestUtils
|
|
| Inherits: | Object |
| Defined in: | lib/sprockets/manifest.rb |
Overview
The Manifest logs the contents of assets compiled to a single directory. It records basic attributes about the asset for fast lookup without having to compile. A pointer from each logical path indicates which fingerprinted asset is the current one.
The JSON is part of the public API and should be considered stable. This should make it easy to read from other programming languages and processes that don’t have sprockets loaded. See #assets and #files for more information about the structure.
Constant Summary
ManifestUtils
- Included
Class Method Summary
-
.new(*args) ⇒ Manifest
constructor
Create new
Manifest
associated with an #environment.
Instance Attribute Summary
-
#dir
readonly
Alias for #directory.
- #directory (also: #dir) readonly
- #environment readonly
-
#filename
(also: #path)
readonly
Returns String path to manifest.json file.
-
#path
readonly
Alias for #filename.
Instance Method Summary
-
#assets
Returns internal assets mapping.
-
#clean(count = 2, age = 3600)
Cleanup old assets in the compile directory.
-
#clobber
Wipe directive.
-
#compile(*args)
Compile asset to directory.
-
#files
Returns internal file directory listing.
-
#find(*args, &block)
Public: Find all assets matching pattern set in environment.
-
#find_sources(*args)
Public: Find the source of assets by paths.
-
#remove(filename)
Removes file from directory and from manifest.
-
#save
Persist manifest back to FS.
- #executor private
-
#exporters_for_asset(asset)
private
Given an asset, finds all exporters that match its mime-type.
- #json_decode(obj) private
- #json_encode(obj) private
- #logger private
ManifestUtils
- Included
| #find_directory_manifest | Public: Find or pick a new manifest filename for target build directory. |
| #generate_manifest_path | Public: Generate a new random manifest path. |
Constructor Details
.new(*args) ⇒ Manifest
Create new Manifest
associated with an #environment. #filename is a full path to the manifest json file. The file may or may not already exist. The dirname of the #filename will be used to write compiled assets to. Otherwise, if the path is a directory, the filename will default a random “.sprockets-manifest-*.json” file in that directory.
Manifest.new(environment, "./public/assets/manifest.json")
# File 'lib/sprockets/manifest.rb', line 32
def initialize(*args) if args.first.is_a?(Base) || args.first.nil? @environment = args.shift end @directory, @filename = args[0], args[1] # Whether the manifest file is using the old manifest-*.json naming convention @legacy_manifest = false # Expand paths @directory = File. (@directory) if @directory @filename = File. (@filename) if @filename # If filename is given as the second arg if @directory && File.extname(@directory) != "" @directory, @filename = nil, @directory end # Default dir to the directory of the filename @directory ||= File.dirname(@filename) if @filename # If directory is given w/o filename, pick a random manifest location if @directory && @filename.nil? @filename = find_directory_manifest(@directory, logger) end unless @directory && @filename raise ArgumentError, "manifest requires output filename" end data = {} begin if File.exist?(@filename) data = json_decode(File.read(@filename)) end rescue JSON::ParserError => e logger.error "#{@filename} is invalid: #{e.class} #{e.}" end @data = data end
Instance Attribute Details
#dir (readonly)
Alias for #directory.
# File 'lib/sprockets/manifest.rb', line 81
alias_method :dir, :directory
#directory (readonly) Also known as: #dir
[ GitHub ]# File 'lib/sprockets/manifest.rb', line 80
attr_reader :directory
#environment (readonly)
[ GitHub ]# File 'lib/sprockets/manifest.rb', line 22
attr_reader :environment
#filename (readonly) Also known as: #path
Returns String path to manifest.json file.
# File 'lib/sprockets/manifest.rb', line 77
attr_reader :filename
#path (readonly)
Alias for #filename.
# File 'lib/sprockets/manifest.rb', line 78
alias_method :path, :filename
Instance Method Details
#assets
Returns internal assets mapping. Keys are logical paths which map to the latest fingerprinted filename.
Logical path (String): Fingerprint path (String)
{ "application.js" => "application-2e8e9a7c6b0aafa0c9bdeec90ea30213.js",
"jquery.js" => "jquery-ae0908555a245f8266f77df5a8edca2e.js" }
# File 'lib/sprockets/manifest.rb', line 91
def assets @data['assets'] ||= {} end
#clean(count = 2, age = 3600)
Cleanup old assets in the compile directory. By default it will keep the latest version, 2 backups and any created within the past hour.
Examples
To force only 1 backup to be kept, set count=1 and age=0.
To only keep files created within the last 10 minutes, set count=0 and
age=600.
# File 'lib/sprockets/manifest.rb', line 246
def clean(count = 2, age = 3600) asset_versions = files.group_by { |_, attrs| attrs['logical_path'] } asset_versions.each do |logical_path, versions| current = assets[logical_path] versions.reject { |path, _| path == current }.sort_by { |_, attrs| # Sort by timestamp Time.parse(attrs['mtime']) }.reverse.each_with_index.drop_while { |(_, attrs), index| _age = [0, Time.now - Time.parse(attrs['mtime'])].max # Keep if under age or within the count limit _age < age || index < count }.each { |(path, _), _| # Remove old assets remove(path) } end end
#clobber
Wipe directive
# File 'lib/sprockets/manifest.rb', line 269
def clobber FileUtils.rm_r(directory) if File.exist?(directory) logger.info "Removed #{directory}" # if we have an environment clear the cache too environment.cache.clear if environment nil end
#compile(*args)
Compile asset to directory. The asset is written to a fingerprinted filename like application-2e8e9a7c6b0aafa0c9bdeec90ea30213.js
. An entry is also inserted into the manifest file.
compile("application.js")
# File 'lib/sprockets/manifest.rb', line 161
def compile(*args) unless environment raise Error, "manifest requires environment for compilation" end filenames = [] concurrent_exporters = [] assets_to_export = Concurrent::Array.new find(*args) do |asset| assets_to_export << asset end assets_to_export.each do |asset| mtime = Time.now.iso8601 files[asset.digest_path] = { 'logical_path' => asset.logical_path, 'mtime' => mtime, 'size' => asset.bytesize, 'digest' => asset.hexdigest, # Deprecated: Remove beta integrity attribute in next release. # Callers should DigestUtils.hexdigest_integrity_uri to compute the # digest themselves. 'integrity' => DigestUtils.hexdigest_integrity_uri(asset.hexdigest) } assets[asset.logical_path] = asset.digest_path filenames << asset.filename promise = nil exporters_for_asset(asset) do |exporter| next if exporter.skip?(logger) if promise.nil? promise = Concurrent::Promise.new(executor: executor) { exporter.call } concurrent_exporters << promise.execute else concurrent_exporters << promise.then { exporter.call } end end end # make sure all exporters have finished before returning the main thread concurrent_exporters.each(&:wait!) save filenames end
#executor (private)
[ GitHub ]# File 'lib/sprockets/manifest.rb', line 335
def executor @executor ||= environment.export_concurrent ? :fast : :immediate end
#exporters_for_asset(asset) (private)
Given an asset, finds all exporters that match its mime-type.
Will yield each expoter to the passed in block.
array = []
puts asset.content_type # => "application/javascript"
exporters_for_asset(asset) do |exporter|
array << exporter
end
# puts array => [Exporters::FileExporter, Exporters::ZlibExporter]
# File 'lib/sprockets/manifest.rb', line 299
def exporters_for_asset(asset) exporters = [Exporters::FileExporter] environment.exporters.each do |mime_type, exporter_list| next unless asset.content_type next unless environment.match_mime_type? asset.content_type, mime_type exporter_list.each do |exporter| exporters << exporter end end exporters.uniq! exporters.each do |exporter| yield exporter.new(asset: asset, environment: environment, directory: dir) end end
#files
Returns internal file directory listing. Keys are filenames which map to an attributes array.
Fingerprint path (String):
logical_path: Logical path (String)
mtime: ISO8601 mtime (String)
digest: Base64 hex digest (String)
{ "application-2e8e9a7c6b0aafa0c9bdeec90ea30213.js" =>
{ 'logical_path' => "application.js",
'mtime' => "2011-12-13T21:47:08-06:00",
'digest' => "2e8e9a7c6b0aafa0c9bdeec90ea30213" } }
# File 'lib/sprockets/manifest.rb', line 108
def files @data['files'] ||= {} end
#find(*args, &block)
Public: Find all assets matching pattern set in environment.
Returns Enumerator of Assets.
# File 'lib/sprockets/manifest.rb', line 115
def find(*args, &block) unless environment raise Error, "manifest requires environment for compilation" end return to_enum(__method__, *args) unless block_given? environment = self.environment.cached promises = args.flatten.map do |path| Concurrent::Promise.execute(executor: executor) do environment.find_all_linked_assets(path).to_a end end promises.each do |promise| promise.value!.each(&block) end nil end
#find_sources(*args)
Public: Find the source of assets by paths.
Returns Enumerator of assets file content.
#json_decode(obj) (private)
[ GitHub ]# File 'lib/sprockets/manifest.rb', line 317
def json_decode(obj) JSON.parse(obj, create_additions: false) end
#json_encode(obj) (private)
[ GitHub ]# File 'lib/sprockets/manifest.rb', line 321
def json_encode(obj) JSON.generate(obj) end
#logger (private)
[ GitHub ]# File 'lib/sprockets/manifest.rb', line 325
def logger if environment environment.logger else logger = Logger.new($stderr) logger.level = Logger::FATAL logger end end
#remove(filename)
Removes file from directory and from manifest. #filename must be the name with any directory path.
manifest.remove("application-2e8e9a7c6b0aafa0c9bdeec90ea30213.js")
# File 'lib/sprockets/manifest.rb', line 216
def remove(filename) path = File.join(dir, filename) gzip = "#{path}.gz" logical_path = files[filename]['logical_path'] if assets[logical_path] == filename assets.delete(logical_path) end files.delete(filename) FileUtils.rm(path) if File.exist?(path) FileUtils.rm(gzip) if File.exist?(gzip) save logger.info "Removed #{filename}" nil end
#save
Persist manifest back to FS
# File 'lib/sprockets/manifest.rb', line 278
def save data = json_encode(@data) FileUtils.mkdir_p File.dirname(@filename) PathUtils.atomic_write(@filename) do |f| f.write(data) end end


Policies
Policies for a Positive Campus
UCR students must follow all student conduct policies. Take the time to read and understand them. Following policies helps ensure a safe campus community where everyone can work, live and learn without interference.
- Read the Standards of Conduct
View the main rules that guide acceptable behavior at UCR. - See Academic Integrity Policies and Procedures
Find out what is expected of students when it comes to academics and ethics. - Learn the Good Neighbor Guidelines
Understand how students should behave as members of our shared Riverside community. - Report Sexual Assault
Get help for yourself and others. Learn the standard procedure for reporting sexual assault on campus. - View Other Campus Policies
Discover additional policies connected to technology, tobacco and more. - Contact Us
Get in touch if you want to learn more about policies and procedures associated with student conduct at UCR.


// SPDX-License-Identifier: MIT
pragma solidity >=0.6.2 <0.8.0;
import "./escrow/Escrow.sol";
/**
* @dev Simple implementation of a
* https://consensys.github.io/smart-contract-best-practices/recommendations/#favor-pull-over-push-for-external-calls[pull-payment]
* strategy, where the paying contract doesn't interact directly with the
* receiver account, which must withdraw its payments itself.
*
* Pull-payments are often considered the best practice when it comes to sending
* Ether, security-wise. It prevents recipients from blocking execution, and
* eliminates reentrancy concerns.
*
* TIP: If you would like to learn more about reentrancy and alternative ways
* to protect against it, check out our blog post
* https://blog.openzeppelin.com/reentrancy-after-istanbul/[Reentrancy After Istanbul].
*
* To use, derive from the `PullPayment` contract, and use {_asyncTransfer}
* instead of Solidity's `transfer` function. Payees can query their due
* payments with {payments}, and retrieve them with {withdrawPayments}.
*/
abstract contract PullPayment {
Escrow private _escrow;
constructor () internal {
_escrow = new Escrow();
}
/**
* @dev Withdraw accumulated payments, forwarding all gas to the recipient.
*
* Note that _any_ account can call this function, not just the `payee`.
* This means that contracts unaware of the `PullPayment` protocol can still
* receive funds this way, by having a separate account call
* {withdrawPayments}.
*
* WARNING: Forwarding all gas opens the door to reentrancy vulnerabilities.
* Make sure you trust the recipient, or are either following the
* checks-effects-interactions pattern or using {ReentrancyGuard}.
*
* @param payee Whose payments will be withdrawn.
*/
function withdrawPayments(address payable payee) public virtual {
_escrow.withdraw(payee);
}
/**
* @dev Returns the payments owed to an address.
* @param dest The creditor's address.
*/
function payments(address dest) public view returns (uint256) {
return _escrow.depositsOf(dest);
}
/**
* @dev Called by the payer to store the sent amount as credit to be pulled.
* Funds sent in this way are stored in an intermediate {Escrow} contract, so
* there is no danger of them being spent before withdrawal.
*
* @param dest The destination address of the funds.
* @param amount The amount to transfer.
*/
function _asyncTransfer(address dest, uint256 amount) internal virtual {
_escrow.deposit{ value: amount }(dest);
}
}
|


Hi, I am Dipen Kumar, and I have created BeMotivated Network.
Thanks to Manoj Kumar, who helped me as a web developer.
Thanks to everyone who showed their interest in BeMotivated Network. You guys were really morale booster-
Manoj Kumar
Aniket Jain
Varsha Goalla
Nikita Bhamu
Ruhanshi Barad
Utsav Deep
Chhavi Choudhary
Diwakar Prajapati


5. User defined functions.¶
It is possible to make your own commands and use them in your simulations in the same way as the LightPipes commands. In this chapter we describe a step by step procedure to write a user defined command.
5.1. Find userfunc.py¶
The code of a user defined command must be put in the file: userfunc.py. This file can be found in the directory in which the LightPipes package was installed on your computer. This directory, called “site-packages” can be found at the place where Python was installed. Use the following Python commands to locate this directory. Depending on your Python-installation the response could be:
Windows:
>>> import site
>>> site.getsitepackages()
['C:\\Users\\Fred\\AppData\\Local\\Programs\\Python\\Python37', 'C:\\Users\\Fred\\AppData\\Local\\Programs\\Python\\Python37\\lib\\site-packages']
>>> print(site.getsitepackages()[1])
C:\Users\Fred\AppData\Local\Programs\Python\Python37\lib\site-packages
>>>
Mac:
>>> import site
>>> site.getsitepackages()
['/Library/Frameworks/Python.framework/Versions/3.7/lib/python3.7/site-packages']
>>>
Linux (ubuntu):
>>> import site
>>> site.getsitepackages()
['/usr/local/lib/python3.6/dist-packages', '/usr/lib/python3/dist-packages', '/usr/lib/python3.6/dist-packages']
>>> print(site.getsitepackages()[1])
/usr/lib/python3/dist-packages
>>>
5.2. Write the code¶
As an example the code for a cylindrical lens is used here:
def CylindricalLens(Fin,f,x_shift=0.0,y_shift=0.0,angle=0.0):
"""
*Inserts a cylindrical lens in the field*
:param Fin: input field
:type Fin: Field
:param f: focal length
:type f: int, float
:param x_shift: shift in the x-direction (default = 0.0)
:type x_shift: int, float
:param y_shift: shift in the y-direction (default = 0.0)
:type y_shift: int, float
:param angle: rotation angle (default = 0.0, horizontal)
:type angle: int, float
:return: output field (N x N square array of complex numbers).
:rtype: `LightPipes.field.Field`
:Example:
>>> F=Begin(size,wavelength,N)
>>> F=CylindricalLens(F,f) #Cylindrical lens in the center
>>> F=CylindricalLens(F,f, x_shift=2*mm) #idem, shifted 2 mm in x direction
>>> F=CylindricalLens(F,f, x_shift=2*mm, angle=30.0*deg) #idem, rotated 30 degrees
.. seealso::
* :ref:`Examples: Transformation of high order Gauss modes <Transformation of high order Gauss modes.>`
"""
Fout = Field.copy(Fin)
k = 2*_np.pi/Fout.lam
yy, xx = Fout.mgrid_cartesian
xx -= x_shift
yy -= y_shift
if angle!=0.0:
cc = _np.cos(angle)
ss = _np.sin(angle)
xxr = cc * xx + ss * yy
yyr = -ss * xx + cc * yy
yy, xx = yyr, xxr
fi = -k*(xx**2)/(2*f)
Fout.field *= _np.exp(1j * fi)
return Fout
Before the code begins it is recommended to insert a socalled “docstring” just after the function definition. In this docstring the working of the command and the parameters are explained and become visible in the help and eventually in the html pages of a sphinx web. In the code the first thing to do is to copy the input field with the Field.copy(Fin) command. At the end the output field can be returned after application of the modifications by the mathematics and the input parameters. It is recommended to put the parameters in the order as shown: the input field, Fin, first, next the required positional parameters and finally the optional parameters with their default values.
5.3. Modify the __init__.py file.¶
The final step is the modification of the __init__.py script. This file is also in the …/site-packages/LightPipes directory. Find the Python list:
...
#User defined functions from userfunc.py:
__all__.extend([
'FieldArray2D',
'RowOfFields',
'CylindricalLens', # user defined function added at June 9, 2020 by Fred.
])
...
and add your command to the list.
Finally you have to add your command to the line:
...
from .userfunc import FieldArray2D, RowOfFields, CylindricalLens
...
5.4. Test your command.¶
Write a test program to test your command. For the CylindricalLens command the following test script was used:
from LightPipes import *
import matplotlib.pyplot as plt
import numpy as np
"""
Script to test the user-defined CylindricalLens command.
"""
size=15*mm
wavelength=1*um
N=500
R=4.5*mm
f=1.89*m
angle=90*deg
x_shift=0*mm
y_shift=0*mm
Field = Begin(size, wavelength, N)
Field = CircAperture(R, 0, 0, Field)
I0 = Intensity(1,Field)
Field=CylindricalLens(Field,f,angle=angle,x_shift=x_shift,y_shift=y_shift)
#Field=CylindricalLens(Field,F)
Field = Fresnel(f, Field)
I1 = Intensity(1,Field)
I1=np.array(I1)
x=np.linspace(-size/2.0,size/2.0,N)/mm
fig=plt.figure(figsize=(10,6))
ax1 = fig.add_subplot(221)
ax2 = fig.add_subplot(222)
ax3 = fig.add_subplot(223)
ax4 = fig.add_subplot(224)
s = r'LightPipes for Python,' + '\n' + 'UserDefinedCylindricalLens.py' + '\n\n'\
r'$\lambda = {:4.1f}$'.format(wavelength/nm) + r' $nm$' + '\n'\
r'$size = {:4.2f}$'.format(size/mm) + r' $mm$' + '\n'\
r'$N = {:4d}$'.format(N) + '\n'\
r'$R = {:4.2f}$'.format(R/mm) + r' $mm$'+ '\n'\
r'$f = {:4.1f}$'.format(f/cm) + r' $cm$' + '\n'\
r'$\alpha = {:4.1f}$'.format(angle/deg) + r' $deg$' + '\n'\
r'$x_{shift} = ' + '{:4.2f}$'.format(x_shift/mm) + r' $mm$' + '\n'\
r'$y_{shift} = ' + '{:4.2f}$'.format(y_shift/mm) + r' $mm$' + '\n\n'\
r'${\copyright}$ Fred van Goor, June 2020'
ax1.imshow(I0,cmap='gray'); ax1.axis('off')
ax2.imshow(I1,cmap='jet'); ax2.axis('off')
ax3.text(0.0,0.0,s); ax3.axis('off')
ax4.plot(x,I1[int(N/2)],x,list(zip(*I1))[int(N/2)])
ax4.set_xlabel('x [mm]');ax4.set_ylabel('Intensity [a.u.]')
plt.show()
(Source code, png, hires.png, pdf)
5.5. Your command should be an extension of LightPipes.¶
If you are convinced that your new command is an important, useful extension of the LightPipes for Python package, please open an issue on our GitHub site with the source code and the authors will consider to put it in a new version of LightPipes for Python.


I am a Data Specialist with over 10 years of experience in the fields of biostatistics, data exploration (Data Mining) and Machine Learning. I am passionate about the whole data life cycle, from modelling a database to its use in the field of Business Intelligence through the creation of simple and impactful visuals such as dashboards. Thus, I believe exploratory data analysis has the potential to strengthen a faster and more clever decision-making process.
To know more, interact with my Chatbot ! 🤖
The « Metro Map » of my skills in Data Science
The active « lines » are:
- Data Preparation
- Data Mining - Descriptive & Exploratory Data Analysis
- Forecasting
- Analysis of Variance
- Database Management System - Business Intelligence
- Machine Learning
- Data Visualisation - Dashboarding
More to come!
Technologies


protected abstract fun doDeserialize(topic: String, data: ByteArray): T
Extending classes must implement this function to convert the ByteArray back to its original type T.
topic - associated with data
topic
data - to deserialize
data
SerializationException -
SerializationException
Return T deserialized from data
See Also
deserialize


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Any waiver of the provisions of the Financial Data Protection and Consumer Notification of Data Security Breach Act of 2006 is contrary to public policy and is void and unenforceable.


Name
xdg-terminal — opens the user's preferred terminal emulator application
Synopsis
xdg-terminal
{ --help
| --manual
| --version
}
Description
xdg-terminal opens the user's preferred terminal emulator application.
If a command is provided the command will be executed by the shell within
the newly opened terminal window.
xdg-terminal is for use inside a desktop session only.
It is not recommended to use xdg-terminal as root.
Options
--help
-
Show command synopsis.
--manual
-
Show this manualpage.
--version
-
Show the xdg-utils version information.
Exit Codes
An exit code of 0 indicates success while a non-zero exit code
indicates failure. The following failure codes can be returned:
1
-
Error in command line syntax.
3
-
A required tool could not be found.
4
-
The action failed.
Examples
xdg-terminal
Opens the user's default terminal emulator, just starting an interactive shell.
xdg-terminal top
Opens the user's default terminal emulator and lets it run the top executable.


- Funds (Bonds) and Grant Management
- Asset Management and Modified Accrual and Business Accounting.
- Procurement RFP and Award Management
- Public Utilities (Electric, Water, Waste)
- FERC and Other Compliance Reporting
- Linear Asset and Plant Management
- Utility Customer Service and Billing
- Utility and Power Plan Integration


Ticket ID: 409788
Name:
Parker Seidel
No active support
Email:
<EMAIL_ADDRESS>Response time:
72 hours, 60 hours left
Last Action:
Never been locked.
Link to public post.
Status:
Not answered


{% extends "base.html" %} {% load static %} {% block title %}Schedule Message{% endblock %} {% block content %}
Type your message, the subject, and who it is to in the text boxes below. You can use all the features of the text editor, but keep in mind that not all email apps will display it the same way. For convenience, your email and name are filled in by default, but you can change them to anything you'd like.
In the To
field, you can either enter just the email or a name and the corresponding email.
You can send emails to multiple recipients by separating each address with a comma.
Email only<EMAIL_ADDRESS>Email with name: Example Test <example@test.com>


--- layout: post title: SwitchTower progress post_id: 238 categories: - projects date: 2005-12-26 08:41:00.000000000 -07:00 author: Jamis permalink: 2005/12/26/switchtower-progress.html ---
Well, I didn’t get nearly as far on SwitchTower over the weekend as I would have liked, but here’s what’s currently residing in the repository:
system
. This should clear up issues with using the rake tasks on Windows.:checkout
variable to "export"
, to use export instead of checkout when deploying. (Only supported by the subversion module, currently.)I’m still planning on implementing the following features (which should all be available by the next release of SwitchTower):
restart
taskLastly, I’m still considering what to do about the following requests. These may or may not find their way into the next release of ST. Some of them may never see the light of day in an official ST release.
I may try to come up with a plugin architecture (minimalistic, like Rails’ plugins) so that some of these can be addressed by third-parties in a modular fashion, but we’ll see how it all falls out.
Thanks for the suggestions, everyone!


Global Warming Index from Jan 1950 to May 2017 for HadCRUT4. The anthropogenic contribution in orange (with 5–95% confidence interval). The natural contribution (solar and volcanic) in blue. The red line shows the combined (total) externally-driven temperature change. The dark red line shows the evolution of the GWI when only past forcing and temperature data are used. It starts in 1944 - the time when a human-induced warming signal can first be detected - followed by a new data point for each month up until May 2017. The evolution of the red line indicates the degree of month-to-month variability of the index. The thin black line are the monthly (HadCRUT4) GMST data. For illustration, blue diamonds indicate when major climate summits took place in context of the monthly GMST at that time.


{% blocktrans with infoservice_textblocks.name as infoservice_type_name %}
Create a new {{ infoservice_type_name }}
{% endblocktrans %}
{% blocktrans with infoservice_textblocks.name as infoservice_type_name %}
Please enter the name of the {{ infoservice_type_name }} you want to create
{% endblocktrans %}
{% endblock %}
{% block infotext %}
{% trans "After you have created a new information group, it will also appear in the main menu." %}
{% endblock %}


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public interface Grid<E>
Grid
provides an interface for a two-dimensional, grid-like
environment containing arbitrary objects.
This interface is testable on the AP CS A and AB exams.
| Method Summary | |
|---|---|
E |
get(Location loc)
Returns the object at a given location in this grid. |
ArrayList<Location> |
getEmptyAdjacentLocations(Location loc)
Gets the valid empty locations adjacent to a given location in all eight compass directions (north, northeast, east, southeast, south, southwest, west, and northwest). |
ArrayList<E> |
getNeighbors(Location loc)
Gets the neighboring occupants in all eight compass directions (north, northeast, east, southeast, south, southwest, west, and northwest). |
int |
getNumCols()
Returns the number of columns in this grid. |
int |
getNumRows()
Returns the number of rows in this grid. |
ArrayList<Location> |
getOccupiedAdjacentLocations(Location loc)
Gets the valid occupied locations adjacent to a given location in all eight compass directions (north, northeast, east, southeast, south, southwest, west, and northwest). |
ArrayList<Location> |
getOccupiedLocations()
Gets the locations in this grid that contain objects. |
ArrayList<Location> |
getValidAdjacentLocations(Location loc)
Gets the valid locations adjacent to a given location in all eight compass directions (north, northeast, east, southeast, south, southwest, west, and northwest). |
boolean |
isValid(Location loc)
Checks whether a location is valid in this grid. |
E |
put(Location loc,
E obj)
Puts an object at a given location in this grid. |
E |
remove(Location loc)
Removes the object at a given location from this grid. |
| Method Detail |
|---|
int getNumRows()
int getNumCols()
boolean isValid(Location loc)
loc
is not null
loc
- the location to check
true
if loc
is valid in this grid,
false
otherwiseE put(Location loc, E obj)
loc
is valid in this grid (2)
obj
is not null
loc
- the location at which to put the objectobj
- the new object to be added
loc
(or null
if the location was previously unoccupied)E remove(Location loc)
loc
is valid in this grid
loc
- the location of the object that is to be removed
null if the location
is unoccupied)
E get(Location loc)
loc
is valid in this grid
loc
- a location in this grid
loc
(or null
if the location is unoccupied)
ArrayList<Location> getOccupiedLocations()
ArrayList<Location> getValidAdjacentLocations(Location loc)
loc
is valid in this grid
loc
- a location in this grid
loc
in this gridArrayList<Location> getEmptyAdjacentLocations(Location loc)
loc
is valid in this grid
loc
- a location in this grid
loc
in this gridArrayList<Location> getOccupiedAdjacentLocations(Location loc)
loc
is valid in this grid
loc
- a location in this grid
loc
in this gridArrayList<E> getNeighbors(Location loc)
loc
is valid in this grid
loc
- a location in this grid
loc
in this grid
|
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


2020-04-04
Is anybody even reading any of this? The question is only semi-important, because half of the fun of building my own static site generator is actually using it.
It would still be interesting to know, though.
The proper answer is of course “roll your own”, but I’m not hosting my website myself currently.
Enter GoatCounter! It does everything I want, is very easy to integrate, and part of the rationale for the project is to help “de-Google-fying” the internet a little, which sounds like a good idea. Don’t get me wrong, I use Google for pretty much everything, but there should always be alternatives.
The project is very privacy minded and, as explained in the privacy policy, does not store any personal information about visitors. It is open source and can be inspected on GitHub.
Part of the project’s philosophy is to provide a free tier for non-commercial usage, which is pretty awesome. After trying it for a while, I liked it enough to start sponsoring the author. I’ve actually come across Martin before: he used to be quite active on Meta Stack Overflow, is the highest rep user on the Vi and Vim Beta Stack Exchange, and his blog regularly pops up on the front page of Hacker News, which is where (I think) I’ve first heard of GoatCounter.
To answer the question from above: people do read what I write. (Or at least visit the site.) Even if only in very modest numbers.
I wonder if the Bash testing framework Bats really is so interesting that my post about using it to test pbb tops the list, or maybe another currently ongoing and slightly bat-related event might be the reason for this peculiarity.
I’m using GoatCounter for my own site, but I also wanted to integrate
it with Pandoc
Bash Blog. To this end, there is a new subcommand
pbb gccode
(as in
GoatCounter code),
which adds the site specific code into an HTML snippet which, if the
configuration setting for the code exists, gets added to each page.
Adding something right before the </body>
tag
(which is where the GoatCounter snippet goes) is directly supported by
pandoc via the -A
/--include-after-body
option.
This means I didn’t have to touch the HTML template and can keep using
the default; one day, I’ll have to modify it, but not quite yet.


Below you will find an example of using an arrow list in a BlackBerry application
Sleepy
Sneezy
Dopey
Grumpy
Doc
Bashful
Happy


Comments
-
Greg Hurrell
Thanks a lot for submitting the report. (As these are really two issues, it should really be two separate reports. I've reworded the summary so that it reflects the first issue. You can always open a separate report for the second issue if you feel it's necessary.)
1. The hot keys: I think this is a World of Warcraft issue and not a Synergy issue. Synergy doesn't notice or care that any other app in particular is running, and it doesn't modify its behaviour. World of Warcraft is taking control of the keyboard and intercepting hot key events before Synergy gets them.
Do any other hot key applications work when World of Warcraft is running? I suspect not. I am going to mark this as WONTFIX as there's nothing I can do from my end to change the behaviour. You'll need to contact the World of Warcraft developers and convince them that they shouldn't be intercepting hot key events and preventing them from being passed on.
2. The flickering: nothing much that can be done about this. There's always room for more optimization in Synergy, and optimization will be done, but it may not fix the underlying issue (which is once again, I suspect, a World of Warcraft issue). I don't know much about World of Warcraft (have never played it), but it probably uses OpenGL. Perhaps it is allocating resources or doing things to the display that cause it to have this effect even when minimized. It may also be something that Apple could improve as far as their OpenGL implementation goes.
At the level of Synergy, all it's doing is following standard Cocoa drawing practices by drawing the floater from within the -drawRect: method of NSView. It also follows the example provided in Apple's sample code for drawing a rounded transparent window.
You could open a separate report for this issue, but it's probably not necessary as there are already open reports in the database about optimizing the performance of the floater.
-
Greg Hurrell
Marking this one as CLOSED, but feel free to add more comments if you want.
-
Greg Hurrell
This is now partially addressed by feature request #524, but it's somewhat of a moot point because World of Warcraft recently added the ability to control iTunes from within the game anyway.
Add a comment
Comments are now closed for this issue.


Zack Dunn
Zack's art take an eerie twist and explores oil painting into a dark imagination. Each piece is filled with detail and gives out a depth of wonder. Even though his style is dark and mysterious, one can still see the beauty in each of his piece in porportions, depth, detail and overall colors.
Behind The Works
Each pieces takes him about 1-3 months to finish completely. After he finalizes a piece, he makes prints out of the design to sell to his platform. He also sells the original piece itself as well. He creates his own dark characters, but at times he also paints iconic horror characters.


 Had I done so, I would already have learned what I found out today.
Father had taken us to see John Gielgud in the title role [of King Lear] at Stratford-upon-Avon, and although Gielgud was marvellous, it was the words of Poor Tom, the Bedlam beggar on the stormy heath (actually Edgar, in disguise), that still rang in my ears:
Child Rowland to the dark tower came;
His word was still
Fie, foh, and fum!

“Did Shakespeare steal that from Jack and the Beanstalk?” I had whispered in Daffy's ear. Or had the fairytale borrowed the words from Shakespeare? “Neither,” she whispered back: both had cribbed them from Thomas Nashe's Have With You To Saffron Walden, which, having been staged in 1596, pre-dated them.
This is from The Weed That Strings The Hangman's Bag by Alan Bradley (2010), the second of his Flavia de Luce mysteries. These are new to me, but I am pleased to tell you that the heroine is an eleven-year-old amateur chemist and sleuth—a plucky and resourceful tot who bears a striking resemblance to our very own Tiny Enid, without the fascism and the club foot. It is a hugely enjoyable read, as one might expect from a book which makes mention of “a pair of gutta-percha motoring galoshes (‘Ideal for Country Breakdowns')”.


Logout
NOTES
Test
10.15pm
Hi! This is great
Test2
10.15am
Hi! This is great
Test3
12.15pm
Hi! This is great
CREATE


Court to rule on Faisal Maina’s bail application November 29
by Agency ReportThe Federal High Court, will, on November 29, take the bail application of Faisal Maina, son of Abdulrasheed Maina, former Chairman, Pension Reform Task Team.
Justice Okon Abang made this known, on Friday, after taking the arguments of the Economic and Financial Crimes Commission and the defence counsel.
Justice Abang also adjourned till November 26 to enable the defence counsel, Francis Oronsaye, conclude his argument on his reply on the point of law and for trial continuation.
“The matter is also adjourned to November 26 for ruling on the objection and again for the continuation of trial,” he said.
The judge also ordered the prosecution counsel, Mohammed Abubakar, to submit copies of judicial authorities reported in law pavilion, electronic law report, on or before the close of work on November 25.
(NAN)


Manage databases
Create and delete databases that store time series data.
System databases such as telegraf
and _internal
can not be
deleted.
Generate randomized time-series data
Insert randomly generated time-series data into a database to sonify.
Import time-series data from a .csv file
Add time-series data from a .csv formatted file into a database to sonify.
The file must be formatted as time, MEASUREMENT.FIELD
.


An efficient Javascript implementation of the Levenshtein algorithm with locale-specific collator support.
Install using npm:
$ npm install fast-levenshtein
Using bower:
$ bower install fast-levenshtein
If you are not using any module loader system then the API will then be accessible via the window.Levenshtein
object.
Default usage
var levenshtein = require('fast-levenshtein');
var distance = levenshtein.get('back', 'book'); // 2
var distance = levenshtein.get('我愛你', '我叫你'); // 1
Locale-sensitive string comparisons
It supports using Intl.Collator for locale-sensitive string comparisons:
var levenshtein = require('fast-levenshtein');
levenshtein.get('mikailovitch', 'Mikhaïlovitch', { useCollator: true});
// 1
To build the code and run the tests:
$ npm install -g grunt-cli
$ npm install
$ npm run build
Thanks to Titus Wormer for encouraging me to do this.
Benchmarked against other node.js levenshtein distance modules (on Macbook Air 2012, Core i7, 8GB RAM):
Running suite Implementation comparison [benchmark/speed.js]...
>> levenshtein-edit-distance x 234 ops/sec ±3.02% (73 runs sampled)
>> levenshtein-component x 422 ops/sec ±4.38% (83 runs sampled)
>> levenshtein-deltas x 283 ops/sec ±3.83% (78 runs sampled)
>> natural x 255 ops/sec ±0.76% (88 runs sampled)
>> levenshtein x 180 ops/sec ±3.55% (86 runs sampled)
>> fast-levenshtein x 1,792 ops/sec ±2.72% (95 runs sampled)
Benchmark done.
Fastest test is fast-levenshtein at 4.2x faster than levenshtein-component
You can run this benchmark yourself by doing:
$ npm install
$ npm run build
$ npm run benchmark
If you wish to submit a pull request please update and/or create new tests for any changes you make and ensure the grunt build passes.
See CONTRIBUTING.md for details.
MIT - see LICENSE.md


- Mac
- Windows
- Linux
- Kansas City
- Buffalo
- Tampa Bay
- Consanguineous
- Definition - of the same blood or origin; specifically : descended from the same ancestor
- Psychotomimetic
- Definition - of, relating to, involving, or inducing psychotic alteration of behavior and personality


| Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots. | |
| Genres: | Comedy, Crime, Drama |
| Director: | Christopher Morris |
| Writer: | Christopher Morris, Sam Bain, Jesse Armstrong, Simon Blackwell |
Cast: | Omar - Riz Ahmed Hassan - Arsher Ali Barry - Nigel Lindsay Waj - Kayvan Novak Faisal - Adeel Akhtar Alice - Julia Davis Matt - Craig Parkinson Sofia - Preeya Kalidas Ahmed - Wasim Zakir Mahmood - Mohammad Aqil Uncle Imran - Karl Seth Khalid - Waleed Elgadi Malcolm Storge MP - Alex Macqueen Chairwoman - Shameem Ahmad Newsreader - Jonathan Maitland Marathon Policeman - Marcus Garvey Sniper - Darren Boyd Sniper - Kevin Eldon Nabil - Adil Mohammed Javed Negotiator - Benedict Cumberbatch Heimlich Man - Toby Longworth Phone Shop Assistant - Danny Ashok Alex - Will Adamsdale Pret Server - Mike Friend Security Guard - Ian Hughes Security Guard - Mark Morrell Commentator on end credits - Christopher Morris Shoulderboy - Reece Noi Police Inspector - Chris Wilson |


Symbol
stockTrackAngularJsApp
Factory Object for Symbols containing properties and methods.
Gets the historical data that the graphs need.
A starting date formatted "2015-08-31"
Public access to the GET, PUT, and POST methods
of program version
Private access to the GET, PUT, and POST methods


Content messages only lock the content (div) you specify. This div needs to be position: relative|absolute.
Belarus,[a] officially the Republic of Belarus,[b] is a landlocked country in Eastern Europe. It is bordered by Russia to the
east and northeast, Ukraine to the south, Poland to the west, and Lithuania and Latvia to the northwest. Covering an area of
207,600 square kilometres (80,200 sq mi) and with a population of 9.4 million, Belarus is the thirteenth-largest and the
twentieth-most populous country in Europe. The country is administratively divided into seven regions. Minsk is the capital
and largest city.


Joseph Isbell's
Professional Development: Employment Path
My Learning Style
Quantitative Accomplishments
- Worked with 4 different databases to reconcile 10 bank accounts for 2 franchises on a weekly basis.
- Assisted with twice-monthly payroll activities, ensuring employees were paid as expected and on time.
- Trained with an elite group of 30 people out of over 2000 that applied for 6 months to obtain law enforcement skills at the Albuquerque Police Academy.
Qualitative Features
- Strength: I am a fast-learner and can pick up a new language quickly. Weakness: I can often go beyond my current skill level and get stuck on a problem.
- Strength: I am able to think outside the box on a project and come up with new and fresh solutions. Weakness: Sometimes I have trouble putting it into practice.
- Strength: I am a hard-worker and will strive to always meet deadlines.
Golden Circle
- Why: To create functional, unique modern websites for clients to market themselves or their business and increase their productivity.
- How: By utilizing the coding/technical skills I've acquired. By meeting with clients and making websites that revolve around their needs/wants.
- What: Functional websites and artistic apps. Meetings with clients.
Elevator Pitch
Version 1
Hi my name is Joe. I create functionally artistic, modern websites and apps that help clients market themselves and increase their sales/online-presence. I'm doing this by utizling the coding skills I've acquired during my time at the Deep Dive Bootcamp as well as by meeting with clients to make sure they get the best product possible. Are you in need of a website?
Version 2
Hi my name is Joe. I am currently aiming to gain full-time employment in the tech industry with a small to medium sized web development company and apply the knowledge I have gained from my bootcamp experience in order to help them grow. I am trying to setup meetings with employers or find mentorship with an experienced developer in order to further my skills.
Version 3
Hi my name is Joe. I am currently aiming to gain full-time employment in the tech industry with a small to medium sized web development company and apply the knowledge I have gained from my bootcamp experience in order to help them grow. I am trying to setup meetings with employers or find mentorship with an experienced developer in order to further my skills.
Online Presence
| Professional | Personal | |
|---|---|---|
| Identity | Joseph Isbell | Joe Isbell, shadowwolf347 |
| Channels | Twitter, LinkedIn, Github | Pintrest |
| Content | Web Development Related Material, Community Involvement | Manga Lover, Nerdy |
Visual Speaks
Image 1: This picture represents me now in that I am like an athlete before a race. I am still stretching and warming up before entering a marathon called a "job". The bootcamp is like a stretch because it is preparing us for what is ahead.
Image 2: This image represents me three years from now in that I am in a comfortable spot in my career. I am in a steady job that I enjoy and life is peaceful and calm.
Weekly Reflections
Week 1
This week went by pretty fast. We immediately began learning about databases. I felt like I struggled a bit with the planning stage since I've never done that before. I must say it was tough figuring out the relationships between databases. I'm sure it will take years to master but I'm still pretty excited about getting into this field.
Week 2
The week started off pretty tough. We were assigned several function challenges in JavaScript and PHP. I was able to get the JavaScript to work pretty easily but the PHP really stumped me. I realize I need to do much more studying in PHP in order to really become a good web-developer. I also need to think deeper about what kind of person I am and what defines me.
Week 3
This week we formed our capstone groups.  We hit a few snags in the design process but we managed to come together and work it out. The CSS challenge we were presented with was tough but helped me learn more about the flex system and I really enjoyed it.
Week 4
This week we continued work on our capstone project. I had a few issues with one of my teammates but we talked it over and got it straightened out. I am proud of the work my team is doing so far and the progress we are making! I had a lot of fun building the bootstrap challenge we were presented with this week. One of the reasons why I love coding so much is that it allows me to express my creativity and share that with others through the stuff I make.
Week 4
This week we continued work on our capstone project. I had a few issues with one of my teammates but we talked it over and got it straightened out. I am proud of the work my team is doing so far and the progress we are making! I had a lot of fun building the bootstrap challenge we were presented with this week. One of the reasons why I love coding so much is that it allows me to express my creativity and share that with others through the stuff I make.
Week 5
This week we finished writing our unit tests and got them all to pass! We also started JavaScript which is challenging but I'm excited to learn more about it and become better at it. I'm hoping the API's will go well and we won't have too many problems writing them. Then on to Angular! Another reason I love to code is because it allows me to problem-solve and figure stuff out.
Week 6
Week 6 went well. We worked on writing API's and started testing them. The API I was assigned was particularly difficult so I spent quite a bit of time researching and reading documentation. Luckily, I was able to solve the problem with the help of the bridge and it passed successfully. My team also finished writing their API's and we are now in the process of testing. Looking forward to seeing the project come to life! I also enjoying coding because it is rewarding when you are able to solve a particularly complex problem.
Week 7
The week went by pretty quickly. Our group was able to finish testing our APIs as well as start our Angular portion of the project. I am really pleased with the pace we are setting and the skills of my team! We also started building the front-end part of our site which is really exciting! It's really cool to see the project coming together. Another reason I love coding is because it allows me to make really awesome projects that can benefit the others.
Week 8
This week, we started on implementing the Angular components and grabbing the data from the database to display on the page. The website structure is in place and looking really good! I'm happy with my team's drive to create the site and the progress we are making. We also had our interviews this week which I was pretty nervous about, especially the HR one. However, after meeting with Mia Peterson from RSI, I felt really comfortable and excited about how the interview went. I'm hoping to get a job with RSI, but if not, I can use what I've learned from the interviews to move forward and apply at the next business.
Week 9
This week, we really pushed hard to get our website mostly up and running! Had some setbacks along the way and spent all day on Thursday banging my head on the keyboard trying to implement the search feature functionality to allow users to search by specific things. However, we made a breakthrough and had success getting it to work! We also practiced presenting for demo day which was interesting but gave my team a good idea of how to go forward.
Week 10
Week 10 is finally here! It went by really fast! I'm really proud of my team for the hard work they put in over the last several weeks. We managed to create a fully functional site that went above and beyond what we were hoping to accomplish. Really excited to see what the future holds.
Team Game
Reflection
My team consisted of Adel, Asya, Jude and myself. I felt like we cooperated really well to win the game. Adel and Jude are very strategic minded and communicated effectively to help coordinate our teams movements. Asya was very logical and calm and thought through each move we all made to ensure we made the best possible choices. What I learned about myself is that I have a tendency to take the lead and I had to force myself to slow down, follow and trust my team. Overall, I'm very proud of the teamwork my team displayed and the calm, level-headed attitude of everyone that led to our success.


--- layout: default pagination: enabled: true --- About me. {{ site.description }}
{{ site.description }}


--- layout: post title: "a job to do" comments: true ---
Grievous: ah, yes. The Negotiator, General Kenobi... we've been waiting for you... that wasn't much of a rescue. And Anakin Skywalker. I was expecting someone with your reputation to be a little... older.
Anakin: General Grievous, you are shorter than I expected.
Grievous: Jedi scum!
Obi-Wan: we have a job to do Anakin, try not to upset him.


About
Currently learning Web Development at Codefellows.org - Coding 201 and 301.
Follow me on twitter.
check out my projects on github
Projects
Skills
- HTML5
- CSS3
- ECMAScript
- jQuery
- Firebase
- Chart.js
Experience
- Codefellows 201
- Codefellows 301
Currently learning Web Development at Codefellows.org - Coding 201 and 301.
Follow me on twitter.
check out my projects on github


Creates a calendar control that allows the user to select a date and a month. There are two versions of
the control - the normal version with a size of 274x289 pixels and a small version with 178x147 pixels.
The difference between the two versions it the missing footer line of the calendar that holds the current
selected day as well as the posibility to add additional infos (like dots in different colors - [not implemented
yet]) to each day. Also the design variates a little bit. The rest of the funcionallity is the same for both
of them.
The user can use the arrows to change the visible month. By clicking on a day, the user can select the day.
Changing the visible month or selecting a day will lead to a callback, if the application registeres for one.
The footer line of the standard sized calendar will show the currently selected day. The user can click on that
line to view the month and year of that day again, if the current visible month had been changed.
Requirements
If you whant to use the calendar, you also need to include the following controls:
innovaphone.ui.Container
innovaphone.ui.Text
innovaphone.ui.Icon
innovaphone.ui.Grid
Arguments
left
The left position of the control inside the container where it will be added to.
top
The top position of the control inside the container where it will be added to.
strings
The calender need a set of strings that will be used to display the month / day names. For this, strings need
to be a json object holding the strings. The following fields must be part of the given object:
daySundayShort: The short name for Sunday
dayMondayShort: The short name for Monday
dayTuesdayShort: The short name for Tuesday
dayWednesdayShort: The short name for Wednesday
dayThursdayShort: The short name for Thursday
dayFridayShort: The short name for Friday
daySaturdayShort: The short name for Saturday
daySunday: The name for Sunday
dayMonday: The name for Monday
dayTuesday: The name for Tuesday
dayWednesday: The name for Wednesday
dayThursday: The name for Thursday
dayFriday: The name for Friday
daySaturday: The name for Saturday
monthJanuaryShort: The short name for January
monthFebruaryShort: The short name for February
monthMarchShort: The short name for March
monthAprilShort: The short name for April
monthMayShort: The short name for May
monthJuneShort: The short name for June
monthJulyShort: The short name for July
monthAugustShort: The short name for August
monthSeptemberShort: The short name for September
monthOctoberShort: The short name for October
monthNovemberShort: The short name for November
monthDecemberShort: The short name for December
monthJanuary: The name for January
monthFebruary: The name for February
monthMarch: The name for March
monthApril: The name for April
monthMay: The name for May
monthJune: The name for June
monthJuly: The name for July
monthAugust: The name for August
monthSeptember: The name for September
monthOctober: The name for October
monthNovember: The name for November
monthDecember: The name for December
smallSize
If true, the calender will be rendered in a smaler size (178x147 pixels). This is useful if you whant to have a compact solition to let the user pick a day or to simply show all days of a specified month. Beside the fact that everything is a little bit smaler, the footer line will not be visible in the smallSize calendar.
weekNumType
The method to use for the calculation of the week numbers. Has to be one of the following values:
ISO: Like defined in ISO 8601, the week with the first Thursday will be the first week of the year. NOTE: Because ISO 8601 defines monday as first day of the week, you should take care thet calGridSundayIsFirstDay is set to false if using ISO for calWeekNumCalcMethod, or each Sunday will displayed in the wrong week!
1JAN: The first week of the year is the week that holds the 1st January. The week starts with Monday or Sonday, depending on the value of calGridSundayIsFirstDay.
1WEEK:The first week of the year is the first complete week, from Monday to Sunday (if calGridSundayIsFirstDay is false) or Sunday to Saturday (if calGridSundayIsFirstDay is true).
sundayIsFirstDay
Flag that defines if sunday should be the first day to be displayed (sundayIsFirstDay) or monday. Not the if weekNumType is ISO, monday will automaticaly
the first day of the week as defined in the ISO standard.
parent
The parent where the control will be added to. If null is given as parent, the control
needs to be added manually by using the container member of the control.
Members
container
Returns the container of the control. This can be used to add the controls to other html containers.
Will set a callback function that will be called each time the month, displayed by the calendar, will be changed. The function will be called with three parameters: onVisMonthChangedFnc(visMonth, visYear, obj)
visMonth will be the number of the visible month (1-12), visYear the visible year (in fullyear format, e. G. 2016). As third parameter, the given value of obj will be passed.
setOnSelectedDayChanged(onSelDayChangedFnc, obj)
Will set the callback function that will be called each time the user selects an other day. The function will be called with two parameters: onSelDayChangedFnc(newDate, obj)
Where new date is an JavaScript Date object holding the selected day (the time parts are set to zero). As second parameter obj will be passed.
setDate(theDate)
Set the current visible date to the on passed to the function. The parameter theDate needs to be a JavaScript Date object.
setBorder(borderWidth)
Set the width of the border of the control. Passing 0 ti borderWidth will remove the border. By default, the calendar wont have a border.
dayOneCellIndex()
Returns the index of the cell of the first day of the current visible month.
curMonthNumOfDays()
Returns the number of days of the current visible month.
getDayCell(idx)
Returns the cell inside the calendars grid with the given index. Note that there are 42 cells, so idx has to be between 0 and 41.
Call dayOneCellIndex() to no the cell where the current visible week starts as well as curMonthNumOfDays to know how much cells
the month has.


Castle of Cagliostro (1979)
Review by Chris Meadows Review Rating: 10 out of 10
Directed by Hayao Miyazaki Written by Hayao Miyazaki & Harauya Yamazaki
Based on Characters & Situations Created by Maurice Leblanc & Monkey Punch
Starring Yasuo Yamada, Eiko Masuyama, Kiyoshi Kobayashi, Makio Inoue, et al.
THE BACKSTORY
To understand _Castle of Cagliostro_ most completely, let's take a brief detour into the Lupin character's illustrious past. If you'd rather skip it and get on with the movie, use your text-find feature to go to the words "THE FILM".
In the first decade of the 20th century, a previously-unsuccessful French journalist/novelist named Maurice Leblanc created a gentleman-burglar named Arsène Lupin. It was a fortunate accident of serendipity that the character of Arséne Lupin, inspired in part by the adventures of Sherlock Holmes (and sometimes featuring a Great Detective named variously Herlock Sholmes or Holmelock Shears as one of Lupin's adversaries), became so popular with the French public and, by translation, the rest of the world that Leblanc could not let him rest, and so most of Leblanc's subsequent short stories and novels featured the character until Leblanc's death in 1941. In addition to the books, a play was written based on the character (which Leblanc then turned into another novel), and a movie was made starring John and Lionel Barrymore.
The idea of writing mystery stories centering around a burglar protagonist was not new, of course--Conan Doyle's own brother-in-law E. W. Hornung had done so several years before, with two volumes of short stories and one novel about a gentleman-burglar named Raffles. However, Leblanc's Lupin was infused with a Gallic romanticism, bon viveur, and sense of fun that the stoic British Raffles lacked.
Arsène Lupin was a gallant, dashing figure, suave and charming and gifted with great physical prowess. He is credited with introducing jiu-jitsu to Paris, he was a master of disguise, and he always left a calling card before his visits explaining just what he planned to take. Sometimes he told his tales to a Dr. Watson-style confidant-chronicler, sometimes he was a protagonist in third person, sometimes he never appeared at all until the next-to-last chapter of the story, having been in disguise as someone else all along. Although he was a criminal, he never let the thought of it depress him (the way Raffles's companion did), and his sense of morals owed much to Robin Hood--he could not bear to see an injustice done, nor could he resist a damsel (in distress or otherwise). Leslie Charteris's "The Saint" could be considered a spiritual descendant of Arsène Lupin.
Sadly, though many of the earlier Lupin novels have entered the public
domain, few have been e-texted for greater availability. One, _The
Glass Stopper_, can be found via Project Gutenberg
(
In the late 1960s, the Lupin novels were popular in Japan, and Japanese artist Katou Kazuhiko (aka "Monkey Punch") began a "Lupin III" manga series in a Japanese magazine, chronicling the adventures of Arsène Lupin's grandson. It became popular enough itself to spawn three manga series, three TV series and many movies and Original Animation Videos (made-for-video-release movies). It is widely agreed among fans that the best of these was _Castle of Cagliostro_, the second cinematic Lupin movie.
Interestingly, at the time of Lupin III's creation, Japan didn't enforce trade copyrights, and so the Leblanc estate was never notified or asked for permission to create this derivative work. When they _did_ find out, there was legal trouble, and eventually an agreement was reached that the Lupin name would not be used when the anime and manga were exported to other nations. Hence, when Streamline dubbed Lupin anime, they renamed him "Wolf"; when AnimEigo did, they called him "Rupan"--a phonetic Anglicization of the Japanese pronounciation of "Lupin". However, since that time, the earlier Lupin works have passed into the public domain, and the current legal status of this agreement is somewhat murky. Manga's Cagliostro DVD uses the spelling "Lupin," though it is pronounced "loo-PAHN" in the dub.
Many of the first Lupin III stories and films were completely over the top, similar to Mad Magazine, and Lupin III bore very little resemblance to his gentlemanly ancestor. In earlier stories, Lupin had little compunction about killing people. When acclaimed Japanese director Hayao Miyazaki, who also co-directed part of the first Lupin TV series, took the helm of _Castle of Cagliostro_, he took the opportunity to redefine the characters to be more in line with his vision of heroism.
THE FILM
The film _Castle of Cagliostro_ has its own history, almost as fascinating as that of the Lupin III character or the plot of the film itself. The story concept is very loosely based on a 1924 Arsène Lupin novel, _Countess Cagliostro_, in which a woman named Clarisse turns out to be the granddaughter of a famous real-life 18th-century scoundrel and forger named Cagliostro (who died in a cell in a castle in Italy, which thus bears his name).
Cagliostro opened theatrically in 1979 to only modest success, but met with greater popularity over the years as it was reshown. Rumor has it that Steven Spielberg was awestruck when he saw it at Cannes in 1980.
In 1983, footage from Cagliostro and the earlier Lupin film _Mystery of Mamo_ was licensed to Stern Electronics for use in a Dragon's Lair-like arcade game, _Cliff Hanger_ (which was seen briefly in a video arcade as an animators' in-joke in an episode of _Macross_/_Robotech_).
Subsequently, Cagliostro was optioned by "anime antichrist" Carl Macek's Streamline Films company, and given a theatrical sub followed by a lackluster dub for video and Japan Airlines flights (starring Cam "Jimmy Flinders" Clarke (Max Sterling & Lancer from _Robotech_, Leonardo from the _Teenage Mutant Ninja Turtles_ cartoon, Jackie Chan in countless cheap live-action dubs) as the voice of "Wolf").
The Streamline dub caught flak from fans both for retiming, zooming, and digital matting the beautiful opening-credits animation sequence and parts of the film to eliminate all traces of Japanese writing, and for Macek's inane changes of dubbed comments or insertion of dialogue where there previously was none. The most famous example changes Goemon the Samurai's "Once again I have cut a worthless object" to "Should've worn an asbestos suit" after he deftly slices Lupin's burning clothes off with one stroke of his katana.
More recently, as Streamline decided to get out of the anime business, _Castle of Cagliostro_ was purchased by Manga Video, who commissioned a new subtitle translation by translator-extraordinaire Neil Nadelman, as well as an all-new dub. These have been or will be released on VHS and DVD. (See "THE DVD," below.)
THE STORY
_Castle of Cagliostro_ opens with Lupin and his companion/confidante Jigen Daisuke robbing the swanky Casino Monaco only to find that all the money they stole is counterfeit. Recognizing the style of the forgery, Lupin decides that it's time to return to the scene of an ignoble defeat from his youth, the small European duchy of Cagliostro, where he will finally uncover the secret of the forgeries once and for all.
No sooner does Lupin arrive than he falls right into the middle of a modern-day fairy tale, complete with a damsel in distress. Clarice, daughter of the late Grand Duke and Duchess who died in a fire seven years before, is to be wed to the evil Count Cagliostro, who sees the ring she wears as a secret to unlocking a vast treasure (while continuing the family tradition of counterfeiting on the side). Lupin, who has unfinished business with both the Count and Clarice, cannot allow this to happen.
And so Lupin's other companions, the samurai Goemon and the spy Fujiko, soon arrive to lend a hand--as does Lupin's arch-nemesis, the determined Inspector Zenigata, and his squad of Interpol police. The Count has a few surprises in store...but so does Lupin. The film moves from climax to climax, growing in tension and excitement toward a final action-packed conclusion.
_Castle of Cagliostro_ is a genuine feel-good movie, and proof that a feel-good movie doesn't have to follow the saccharine Disney formula to be feel-good. Though it might surprise those who have only seen his atypically-violent _Princess Mononoke_, Miyazaki graces the characters in this story with a touch of gentleness, of sentimentality, even in the midst of the over-the-top action sequences. Yet it never seems forced or artificial, as when a Disney film beats you about the head and shoulders with the pugil-stick of new-agey politically-correct morality. In the end of the film, when the Interpol police wave cheerfully out the back of the APC truck as they drive away, it doesn't seem silly or artificial...it just seems right, as though it couldn't have happened any other way.
Some of Cagliostro's action scenes have been criticized by some for being a little over the top--and indeed during the car chase scene it seems that Herbie the Love Bug is the stunt double for Lupin's Volkswagen coupé, as the sturdy little car drives right up and down the side of a near-vertical cliff, held aloft by nothing but speed, centrifugal force, and artistic license. Also, for the incredibly anal nitpickers, an autogyro is seen to hover--which is actually impossible, as autogyros don't have a powered main rotor. However, these are really no more outrageous than some of the stunts Arnold Schwarzenegger, Chow Yun-Fat, or James Bond assay in their films, and, more importantly, are very _fun_ to watch.
THE DVD
Manga Video's _Castle of Cagliostro_ DVD is an excellent presentation of the film, and an average-to-fairexample of DVD features. The film transfer was wonderfully clear and vibrant, and quite surpassed VHS fansub and dub copies in terms of quality, and the sound was also excellent in both the English and Japanese tracks. They clarity allowed details not seen in prior versions to appear, be they smudges on characters' clothing or the hilariously incongruous fake fangs Jigen was wearing in one scene. It is truly hard to believe that this movie is twenty years old. The sole thing keeping it from perfection was the lack of an anamorphic transfer.
The subtitles were large, clear, and easy to read, and seemed close enough to yet different enough from the fansubbed version to be a complete retranslation. Strangely, a sign in the early part of the film was digitally-matted out and covered with "Nice try, guys!" rather than subtitled...but the matting vanished halfway through the shot. The opening credits were preserved as they had been, Japanese symbols and all, and the opening song was even translated--a nice touch, given that this isn't always the case.
The dub quality was up to Manga's recent standard--quite faithful to the original, a mostly well-written script, but only fair to mediocre actors. Perhaps it is simply that they suffer by comparison to Streamline's more familiar voices, but the actors for Inspector Zenigata, Jodo, and Gustav seemed particularly bad. Manga's Zenigata in particular was unable to match the range of the Japanese actor or Greg Snegoff, Streamline's actor for Zenigata (who also played Khyron and Scott Bernard in _Robotech_), at portraying emotional subtexts...which meant that in the last scene, where he should have come off as gruff but warm, he simply came off as gruff and flat. Jigen, Goemon, Count Cagliostro, and the old gardner were so-so, and Lupin, Fujiko, and Clarice were pretty good.
Though there was some unnecessary dialogue (and a few minor minor obscenities) added, most lines were faithful to the original, and Goemon's "asbestos suit" line was the much more satisfactory "This is not worthy of my blade." It was somewhat annoying that they chose to pronounce "Lupin" more in line with the Japanese, "loo-PAHN," but given the Lupin trademark travails, not altogether surprising. On the whole, a dub I wouldn't be ashamed to show to subtitle haters.
That the DVD itself is only fair to good is due largely to its menu features and content (or lack thereof). The menu itself is nothing special, offering the usual "play the movie, scene index, language setup" options, as well as options for two trailers (one being little more than a slideshow of box images of Manga's entire catalog set to an annoyingly repetitive percussion beat, the other being an a series of clips from Manga shows set to a KMFDM tune), a list of current Manga DVD titles, and a WWW link (which is, amusingly, little more than a picture saying to click on the Internet Shortcut located in the data area of the DVD-ROM). (It also seems to be easily breakable, given that I have several times managed to get my Hollywood Plus/DVDStation setup to load the menu without the selection cursor appearing.)
Most annoying, however, is the "metal shards sliding together and apart with metallic clank" transition that appears whenever a menu option is selected--and has nothing at all to do with _Castle of Cagliostro_ or anything else on the DVD, unlike some of the equally extravagant transitions on James Bond Special Edition and other DVDs that at least fit the theme of the movie. But then, this is not terribly surprising given that Manga Video has a long tradition of trying to play up the "kewl" aspects of its anime, as demonstrated by its former slogan ("Bizarre. Twisted. Uniquely imaginative"), which it thankfully seems to have dropped.
It would have been nice if they had added, say, a small documentary or featurette on the popularity of Miyazaki, or of Lupin, or the character's history, or the film's use in Cliff Hanger, and if they had nixed the annoying transition. However, as it is, the DVD is more than a sufficient presentation of _Castle of Cagliostro_ to satisfy Lupin, anime, and Miyazaki fans alike.
BIBLILOGRAPHY/LINKS LIST:
Maurice Leblanc biography: http://kirjasto.sci.fi/leblanc.htm
Lupin III FAQ: http://www.ccs.neu.edu/home/cruzl/lupin/faq/
Nausicaa.net Lupin III FAQ: http://www.nausicaa.net/miyazaki/lupin/faq.html
Internet Movie Database _Castle of Cagliostro_ listing: http://us.imdb.com/Details?0079833
"The Knockout Lounge" (Monkey Punch's homepage): http://www.monkeypunch.com
Cliff Hanger arcade game page: http://www.dragons-lair-project.com/games/pages/cliff.asp
(This review is copyright 2000 by Christopher E. Meadows. Permission
granted for Usenet distribution and associated archival, including the
Internet Movie Database, but other distribution rights reserved to the
author.)
--
Chris Meadows aka | Co-moderator, rec.toys.transformers.moderated
Robotech_Master | Homepage:
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--- layout: post title: "Day 5 - Bar Brothers Workout" subtitle: "I have to admit that I ate fats yesterday and today, mostly bread, but also sweet things with sugar, which is really not good. So tonight I wanted to do a 5km walk again but it was raining... read how it ended." date: 2019-10-26 background: '/img/posts/intro-barbrothers.png' ---
Hi guys, so I have to admit I made a mistake, it was a long weekend, and I wanted to enjoy life a bit, but then I fell for sweet foods and felt just like in Sin City, I also ate bread which is really not good for my diet.
After that, I decided in the evening to do a 5km walk, but in the end it was raining in the evening and couldn't get outside, so I checked the Bar Brothers table and decided to do cardio training at home, which was indeed difficult.
I must point out that I checked my weight before, which was not good, my weight was 97.6kg which is a lot to verify what I lose because I must not forget that I was 94.1kg.
So I did the Bar Brothers cardio workout, of course it was long and I also doubled sets and reps, then I really felt good and got on the weight meter.
That number is good, but it's not enough, mainly because of the weight I've been. tomorrow I will workout outside, go for a walk, of course if it does not rain, if it rains I will have to do cardio at home. I think I'll double the training again, I want to see a clearer result tomorrow.
Cheers!


"What Dreams May Come" - A Heavenly Movie by Homer Yen (c) 1998
I've always been told that there are two things in life that are unavoidable - death and taxes. Oddly, I've never given much thought to either of the two. Maybe if I did, at least I'd stop getting collection notices from Uncle Sam. Yes, let me make a resolution to devote myself to better record keeping, hold on to all my receipts, and to do what it takes to have the satisfaction that my returns are mistake-free and will keep me from incurring penalties. It seems that the issue of death may not be so different, at least envisioned here in this film. As this tender love story goes, if you do good things and have a clear conscience when you die, you ascend to a place of great peace and beauty. The dreams, wishes, and fantasies that you had when you were alive come true. For those who die with a burdened soul, however, they wind up in that other place.
Chris and Annie (a winsome Robin Williams and a radiant Annabella Sciorra) seem like the perfect couple that deserve all that heaven has to offer. Their love for each other is strong and their bond is undeniable. But tragic events eventually tear apart the fabric of Annie's happiness. And when Chris dies after a terrible car accident, she commits suicide - a tortured soul who blames herself. Despair is perhaps the greatest sin, and she will wallow in her guilt throughout eternity. Chris, on the other hand, has made it to heaven, and upon learning of Annie's fate, he journeys to Hell to find her and to try to free her from her nightmare.
This film brims with imagination, containing a lush imagery that shows the arcadia that is Heaven and the bitterness and frightfulness that is Hell. It seems that Heaven and Hell could very well be a product of our fantasies or nightmares. It's shape and look is as infinite as our imagination. As Chris explores his new fantastic world and discovers things both amazing and wondrous, he also begins to learn more about himself. Certain questions baffle him at first. Why does his home in heaven ooze with paint? What is the significance of the Asian stewardess? Why does he have an all-too-willing guide (Cuba Gooding, Jr.) to help him find Annie? But as he slowly begins to realize the answers, it makes him stronger and gives him a greater chance to save Annie.
"Dreams" is both visually and tellingly beautiful. Alas, I have one regret. The movie did well to gather more and more emotional speed, but the denouement was curiously unsatisfying. It seemed as if it was racing to some kind of great finish, but its intensity seemed to wane in its final moments. However, your eyes will still well up with tears and you'll find lots to savor. The storytelling is purposeful and well constructed. The journey is imaginative. And I was surprised by how much I enjoyed this film.
Grade: B+
The review above was posted to the
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Rock Star (2001) Mark Wahlberg, Jennifer Aniston, Jason Flemyng, Timothy Olyphant, Timothy Spall, Dominic West, Dagmara Dominczyk, Jason Bonham, Stephan Jenkins, Zakk Wylde, Brian Vander Ark, Jeff Pilson, Blas Elias, Nick Catanese, Rachel Hunter. Written by John Stockwell. Directed by Stephen Herek. 105 minutes. Rated R, 3 stars (out of five stars)
Review by Ed Johnson-Ott, NUVO Newsweekly www.nuvo.net Archive reviews at http://reviews.imdb.com/ReviewsBy?Edward+Johnson-Ott To receive reviews by e-mail at no charge, send subscription requests to<EMAIL_ADDRESS>or e-mail<EMAIL_ADDRESS>with the word "subscribe" in the subject line.
The first is about Mark Wahlberg, a punk kid convicting of assaulting a man and costing him an eye. Instead of becoming a career criminal, Wahlberg redeems himself, going on to fame and fortune as the leader of Marky Mark and the Funky Bunch. When the group's sales begin to fade, he finds a new line of work and even more attention as an underwear model for Calvin Klein. Like so many other pop singers and models, Wahlberg then decides to pursue a career in acting and, against all odds, he becomes a full-fledged movie star. From street thug to matinee idol – what are the odds?
The second fairy tale is about Tim "Ripper" Owens, an office supply salesman from Ohio. In his spare time, Tim sang his heart out as lead vocalist in a Judas Priest tribute band, hitting the stage nightly to cover songs by his all-time favorite group. One day, he gets a phone call from his heroes. Rob Halford, frontman for Judas Priest, has left the group and the rest of the band, having watched a video of Owens performing, want him to take Halford's place. From office supply salesman to rock star – who would ever have thought?
"Rock Star" brings the two real-life fairy tales together, with Wahlberg playing a character loosely based on Owens. The movie is nothing special; once Chris Coles' (Wahlberg) fantasy turns real and he is invited to join the British heavy metal band, Steel Dragon, the story falls into a pattern that is oh-so-familiar to anyone who has watched VH1's "Behind the Music."
Still, the early part of the film is a hoot and Wahlberg is delightful. In fact, for the first time in his acting career, he carries the movie, passionately defending his beloved band to others, nearly coming to blows with a singer in another band over the authenticity of a jacket, and unsuccessfully trying to contain his puppy dog grin during his first photo session with Steel Dragon.
Alas, Jennifer Aniston does not fare so well.  Aniston has an undeniable talent, but it is not tapped in this film.
"Rock Star" might have seemed brighter had it not been released in the long shadow of "Almost Famous," which covers many of the same themes with far more skill. As is, the film is a minor pleasure, with a strong first half, a tepid second half and a hell of a performance from Mark Wahlberg.
© 2001 Ed Johnson-Ott
========== X-RAMR-ID: 29474 X-Language: en X-RT-ReviewID: 250143 X-RT-TitleID: 1109935 X-RT-SourceID: 591 X-RT-AuthorID: 1099 X-RT-RatingText: 3/5
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Wilson Leung
Project Portfolio
Wilson is a senior majoring in computer science at UC San Diego. He is born and raised in San Francisco.
Projects
- Taggr
- A database that contains html tags and its descriptions and uses.
- Upnotes
- A webapp that allows students to upload notes.


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Stuff and steak of that natures and also things and stuff ok yes we need to do something please ok my brain hurts am i dumb? i dont know please god i have no idea
Stuff and steak of that natures and also things and stuff ok yes we need to do something please ok my brain hurts am i dumb? i dont know please god i have no idea
Stuff and steak of that natures and also things and stuff ok yes we need to do something please ok my brain hurts am i dumb? i dont know please god i have no idea
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{% include 'hood/base.html'%} {% block content %}
{{post.description}}
Lol..{{user.username}}.where is your crew mate??Set you hood name in your profile page


Next: FUNCTION NORMS
Up: Zeros of Polynomials, Horner's
Previous: Horner's Method
Developed in (1956). Used to find zeros of arbitrary analytic
functions (particularly useful in finding roots of polynomials.)
It is a variation of the secant method (see 5.5). The
process is illustrated in Figure 26. It is also useful
when searching for complex roots of analytic functions. (Recall:
A function is analytic at a point if the function has a
convergent Taylor series at . A function is analytic in a
region if it is analytic at every point in the region.)
In the secant method we start with initial guesses and
The next approximation is the intersection with the
axis of the line () and (). Then we
continue with and etc. Müller's method uses 3
initial guesses and determines the intersection
with the axis of a parabola, as shown in Figure 26.
Note that this is done by finding the root of an explicit
quadratic equation. The case where the roots are not real is
handled as well, though the geometric interpretation is more
complicated. (This is where the analyticity of the function is
important, it makes the value of the function for a complex
argument meaningful).
Figure 25:
Finding zeros with the Secant Method. We look for the
intersection of the secant and the -axis. The approximate root is
.
|
|
Figure 26:
Finding zeros using Müller's method. We locally fit a
parabola and look at the intersection of the parabola with the
-axis.
|
|
Consider
make it pass through
Determine :
To find , the zero of , apply the quadratic formula to
. There will be two roots. The root we are interested in is
the one that is close to . To avoid round-off errors due to
subtraction of nearby equal numbers, use:
use the sign that agrees with the discriminant, i.e. the one that
gives largest denominator, and a result closer to
Once , is determined, let
and repeat
Algorithm: Müller find such that with
input:
TOL,
output: approximate or
failure
Consider the function . Clearly this has no real
roots. Suppose that we start with three initial ``guesses''
and and , Müllers method would then lead
us to find the quadratic polynomial passing through
, and . That is
is found as the root of that is close to , that
is
so
we use the
positive sign in front of the square root in the denominator to
match the sign of in order to choose the value of
with smallest absolute value. Of course, in this case since the
term under the square root is negative, the two roots have the
same absolute value, but, we choose this one even so, since that
is the way the algorithm is defined. However, this raises the
issue of how to pick the sign of the square root when may not
be real. The guiding principal is to always make the choice that
picks the root of the quadratic that is closest to our most recent
estimate. At the next iteration, we get
the formula for
is
. The two possible
values of the denominator are approximately
and
, the larger choice is the latter thus we use
the negative sign in defining . This sort of checking is
exactly what is in the algorithm listed above. We could avoid the
comparison by rewriting:
where is
the complex conjugate of , and the square root is always chosen
so the result has non-negative real part. In this example, if we
continue, the algorithm will converge to the root . Here
is a table of the next few values:
|
|
|
|
0 |
1.0000 |
|
1 |
0.0000 |
|
2 |
-1.0000 |
|
3 |
-1.0820 + 1.5849i |
|
4 |
-1.2735 + 2.8505i |
|
5 |
-0.3814 + 3.7475i |
|
6 |
0.1973 +3.1457i |
|
7 |
-0.0168 + 3.1571i |
|
8 |
0.0000 + 3.1421i |
|
9 |
0.0000 + 3.1416i |
Next: FUNCTION NORMS
Up: Zeros of Polynomials, Horner's
Previous: Horner's Method
Juan Restrepo
2003-04-12


A Bar chart showing the new style of tooltips
This goes in the documents header:
<script src="RGraph.common.core.js"></script>
<script src="RGraph.common.dynamic.js"></script>
<script src="RGraph.common.tooltips.js"></script>
<script src="RGraph.bar.js"></script>
Put this where you want the chart to show up:
<div>
<canvas id="cvs" width="850" height="250">[No canvas support]</canvas>
</div>
This is the code that generates the chart - it should be placed AFTER the canvas tag(s):


| Package | Description |
|---|---|
| com.smartsheet.api | |
| com.smartsheet.api.oauth |
| Class and Description |
|---|
| AssociatedAttachmentResources
Deprecated.
As of release 2.0
|
| AssociatedDiscussionResources
Deprecated.
As of release 2.0
|
| AttachmentVersioningResources
This interface provides methods to access AttachmentVersioning resources.
|
| AuthorizationException
This is the exception to indicate authorization (access token) related errors returned from Smartsheet REST API.
|
| CommentAttachmentResources
This interface provides methods to access CommentAttachment resources.
|
| ContactResources |
| DiscussionAttachmentResources |
| DiscussionCommentResources |
| EventResources |
| FavoriteResources |
| FolderResources
This interface provides methods to access Folder resources.
|
| GroupMemberResources
This interface provides methods to access Share resources.
|
| GroupResources
This interface provides methods to access Group resources
|
| HomeFolderResources
This interface provides methods to access Folder resources under home.
|
| HomeResources
This interface provides methods to access Home resources.
|
| ImageUrlResources |
| InvalidRequestException
This is the exception to indicate invalid request error returned from Smartsheet REST API.
|
| PassthroughResources
This interface provides methods to access Passthrough resources.
|
| ReportResources
This interface provides methods to access Report resources.
|
| RowAttachmentResources
This interface provides methods to access RowAttachment resources.
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| RowColumnResources
This interface provides methods to access row column resources that are associated to a sheet object.
|
| RowDiscussionResources
This interface provides methods to access Row Discussion resources.
|
| SearchResources
This interface provides methods to access search resources.
|
| ServerInfoResources
This interface provides methods to server information resources.
|
| ShareResources
This interface provides methods to access Share resources.
|
| SheetAttachmentResources |
| SheetAutomationRuleResources |
| SheetColumnResources
This interface provides methods to access column resources that are associated to a sheet object.
|
| SheetCommentResources
This interface provides methods to access Sheet Comment resources.
|
| SheetCrossSheetReferenceResources |
| SheetDiscussionResources |
| SheetFilterResources |
| SheetResources
This interface provides methods to access Sheet resources.
|
| SheetRowResources
This interface provides methods to access row resources that are associated to a sheet object.
|
| SheetSummaryResources |
| SheetUpdateRequestResources |
| SightResources |
| Smartsheet
This interface is the entry point of the Smartsheet SDK, it provides convenient methods to get XXXResources instances
for accessing different types of resources.
|
| SmartsheetBuilder
A convenience class to help create a
Smartsheet instance with the appropriate fields. |
| SmartsheetException
This is the base class for all exceptions thrown from the Smartsheet SDK.
|
| SmartsheetRestException
This is the exception to indicate errors (Error objects of Smartsheet REST API) returned from Smartsheet REST API.
|
| TemplateResources
This interface provides methods to access Template resources.
|
| TokenResources |
| Trace
this enum is used to control what from the HTTP request and response is logged
|
| UserResources
This interface provides methods to access User resources.
|
| WebhookResources |
| WorkspaceFolderResources
T
|
| WorkspaceResources
This interface provides methods to access Workspace resources.
|
| Class and Description |
|---|
| InvalidRequestException
This is the exception to indicate invalid request error returned from Smartsheet REST API.
|
| SmartsheetException
This is the base class for all exceptions thrown from the Smartsheet SDK.
|
Copyright © 2014–2021 Smartsheet. All rights reserved.


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I AM A BANKER BY PROFESSION FROM BURKINA FASO IN WEST AFRICA AND CURRENTLY HOLDING THE POST OF BILL AND EXCHANGE DIRECTOR IN OUR BANK. I HAVE THE OPPORTUNITY OF TRANSFERRING THE LEFT OVER FUNDS THAT AMOUNTS TO $15.5MILLION DOLLARS INTO A FOREIGN ACCOUNT AND THE SAID FUND BELONGS TO OUR DECEASED CLIENTS WHO DIED ON 31 JULY 2000 IN A PLANE CRASH.   HAVE A GREAT DAY. YOURS, MR BARO ISA. _________________________________________________________________ Gagnez des pc Windows Vista avec Live.com http://www.image-addict.fr/


MINA
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v1.0.3
Convenient monitoring of your Mina node!
Copyright © 2021 by
Serhii Pimenov
. Special for MINA community.
the next block will be produced on
Calculating...
calculating...
Server time:
Server uptime:
UNKNOWN
---.---.---.---
UNKNOWN
network:
UNKNOWN
0
max:
0
unv:
0
exp:
0
speed:
0
0
pos:
0
score:
0
rate:
0
0
liquid:
0
0
0
time
calculating...
left
0
0
free:
GiB
used:
GiB
Load average:
Network Traffic
0
MB/S
Peers Connected
0
IP address
---.---.---.---
Bind IP
---.---.---.---
P2P port
0000
Client port
0000
Network Connections
0
System info
System time
CPU info
RAM info
NET info
Mina GraphQL
Mina Explorer
Uptime
No data
No data
unknown


| Mortgage Refinance Calculator | Should you refinance your mortgage? Use this calculator to determine when you will break even on a mortgage refinance. |
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Some Quick Thoughts on Hnefatafl by Jonathon George
In August of 2019, I posted this tweet:
Fast forward 3 years, I finally take a crack at reading book. Since I literally just finished it tonight, I’d thought I jot down some quick thoughts while the ideas were still fresh in my head.
- At 437 pages, this is a very long and comprehensive book.
- It’s probably a little too long.
- I really appreciate the passion Jonathon George has for Hnefatafl. You really can sense that while reading this book.
- I think he struggled a little to find a consistent voice for the book. Sometimes it wanted to be more academic, sometimes it wanted to be more casual and conversational.
- I wish there was more of a deep dive analysis on Alea Evangelii.
- I really liked how there were different sets of rules presented at the end.
- I also really liked how he gave rules for other related games as well.
- I would not recommend to someone just wanting to learn casually about the game. Damian Walker’s books are probably better for that.
- I would recommend to someone who wants a different perspective and is especially interested in the ancient folklores, poems and story related to the game.


Gateway
BOT
01-Aug-18 04:20 PM
[dscrdeql] <addi> thanks @Biomech-Founder
[dscrdeql] <jeremy> thanks
[dscrdeql] <Biomech-Founder> Ok, I have a few order set up in BTC and KMD on Barterdex. Can y'all have a look and see what's showing?
[dscrdeql] <Biomech-Founder> Oh, and USDT as well.
[dscrdeql] <Llama> I was thinking of buying some eql and raining 1k
[dscrdeql] <webworker01> thanks @Biomech-Founder
[dscrdeql] <Biomech-Founder> Hey, it's our vigilant fork finder
[dscrdeql] <Biomech-Founder> Wassup, @webworker01 ?
[dscrdeql] <webworker01> Hi
[dscrdeql] <webworker01> just doing dev things
[dscrdeql] <Biomech-Founder>
[dscrdeql] <x2maano> thanku
[dscrdeql] <Biomech-Founder> Catalyst was unable to see orders under KMD.  Anybody in here good at Bdex and has a few minutes, I'd like to pick your brain
[dscrdeql] <webworker01> other pairs show orderbooks pretty instantly
[dscrdeql] <Catalyst> am not good but i can understand stuff
[dscrdeql] <c2k> ive been using it for months but wouldnt say im good at it
[dscrdeql] <c2k> its like a bipolar girlfriend
[dscrdeql] <Catalyst> exactly ^
[dscrdeql] <Catalyst> couldn't have said better as i have no gf either
[dscrdeql] <Catalyst> :Amusing:
[dscrdeql] <Biomech-Founder> @c2k there's another sort?
[dscrdeql] <Biomech-Founder> @webworker01 so orders are showing in btc ltc and usdt?
[dscrdeql] <linkara6669>
[dscrdeql] <Biomech-Founder> Morning Link
[dscrdeql] <linkara6669> morning bio :)
[dscrdeql] <linkara6669> how ya doing?
[dscrdeql] <Biomech-Founder> Better.
[dscrdeql] <Biomech-Founder> Chain is fixed. Barterdex is a PITA
[dscrdeql] <webworker01> checking
[dscrdeql] <webworker01> sorry i only ever traded against kmd
[dscrdeql] <linkara6669> lol xD
[dscrdeql] <c2k> have u thought about bringing in kmd support...either siu or ptyx?
[dscrdeql] <webworker01> no i don't see in btc or ltc pair
[dscrdeql] <c2k> those guys have successfully troubleshoot probs for me in th past
[dscrdeql] <MagicByt3> someone want to do OTC trade I still not get barterdex work. and Exrates price is joke rate.
[dscrdeql] <webworker01> i see an order now
[dscrdeql] <Biomech-Founder> Ok. What pair and price?
[dscrdeql] <Biomech-Founder> Let me see if it's mine
[dscrdeql] <c2k> not sure this was already mentioned here but i just saw this in KMD discord...new BDEX version
BarterDEX: Decentralised Exchange and Cryptocurrency Market
[dscrdeql] <Biomech-Founder> Might try it. I have 1.1.0-rc
[dscrdeql] <Biomech-Founder> But I'm pretty sure I'm just screwing up Bdex is odd.
[dscrdeql] <webworker01> ;D
[dscrdeql] <webworker01> i'll put up an offer
[dscrdeql] <webworker01> upgrading to 1.1.1
[dscrdeql] <webworker01> i much prefer bdex over hyperdex
[dscrdeql] <webworker01> mainly because i can get it to fill my orders
[dscrdeql] <Catalyst> i see a KMD/EQL pair 0.111
[dscrdeql] <Catalyst> ^ did you place it @Biomech-Founder
[dscrdeql] <Biomech-Founder> double checking, I don't think that's me.
[dscrdeql] <webworker01> lol no that's me
[dscrdeql] <webworker01> buy it
[dscrdeql] <Catalyst> HEY FROG MAN
[dscrdeql] <Biomech-Founder> nope, not mine.
[dscrdeql] <Biomech-Founder> What did I do wrong I see yours, and it shows ME mine...
[dscrdeql] <webworker01> hmm
[dscrdeql] <webworker01> any special router firewall settings?
[dscrdeql] <Biomech-Founder> Nope. It's a droplet running Ubuntu.
[dscrdeql] <Biomech-Founder> Just default.
[dscrdeql] <Biomech-Founder> ok, I think I know. It's checked as limit order, immediate. The good to cancel slider is on, but I think I chose the wrong check box. Does that sound reasonable?
[dscrdeql] <Catalyst> @webworker01 how much are you selling? for .1111 i can't see the eql amount
[dscrdeql] <Biomech-Founder> click on the order, it'll show you on the side, I think.
[dscrdeql] <webworker01> yeah it does say utxo 0
[dscrdeql] <Biomech-Founder> been wrong before...
[dscrdeql] <webworker01> i did good til canceled
[dscrdeql] <Catalyst> hehe no it doesn't show how much
[dscrdeql] <Biomech-Founder> Ok, I'm gonna clear all orders and start over
[dscrdeql] <Catalyst>
[dscrdeql] <webworker01> something like that
[dscrdeql] <Biomech-Founder> ok... how do I cancel trades? I thought it was the red button, but it's not doing anything.
[dscrdeql] <webworker01> under my offers there's a red stop button it should work
[dscrdeql] <webworker01> might take a bit to refresh
[dscrdeql] <webworker01> oh it came off my screen instantly
[dscrdeql] <webworker01> so i dunno
[dscrdeql] <webworker01> i am messing with it on windoze though
(edited)
[dscrdeql] <Catalyst> what seems to the problem with you guys?
[dscrdeql] <Biomech-Founder> Maybe I should Linux isn't being nice. Or Bdex isn't.
[dscrdeql] <Biomech-Founder> Ok, there it goes. Just being slow.
[dscrdeql] <webworker01> here i'll put a reasonable price
[dscrdeql] <Biomech-Founder> Hell with reasonable I just put one up at .1, let's see if it shows up.