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java.lang.Object org.apache.fop.pdf.PDFFactory
public class PDFFactory
This class provides method to create and register PDF objects.
| Field Summary | |
|---|---|
static int |
DEFAULT_PDF_RESOLUTION
Resolution of the User Space coordinate system (72dpi). |
| Constructor Summary | |
|---|---|
PDFFactory(PDFDocument document)
Creates a new PDFFactory. |
| Method Summary | |
|---|---|
java.lang.Object |
createPDFEncoding(SingleByteEncoding encoding,
java.lang.String fontNameHint)
Creates a PDFEncoding instance from a CodePointMapping instance. |
PDFDocument |
getDocument()
Returns the parent PDFDocument associated with this factory. |
PDFAction |
getExternalAction(java.lang.String target,
boolean newWindow)
Create/find and return the appropriate external PDFAction according to the target |
java.lang.String |
getGoToReference(java.lang.String pdfPageRef,
float yoffset)
Create or find a PDF GoTo with the given page reference string and Y offset, and return its PDF object reference |
PDFGoTo |
getPDFGoTo(java.lang.String pdfPageRef,
java.awt.geom.Point2D position)
Finds and returns a PDFGoTo to the given page and position. |
PDFWArray |
getSubsetWidths(CIDFont cidFont)
Creates and returns a width array with the widths of all the characters in the subset. |
protected PDFDestination |
getUniqueDestination(PDFDestination newdest)
Registers and returns newdest if it is unique. |
PDFAnnotList |
makeAnnotList()
Make an annotation list object |
PDFArray |
makeArray(int[] values)
Make an Array object (ex. |
PDFDestination |
makeDestination(java.lang.String idRef,
java.lang.Object goToRef)
Make a named destination. |
PDFDests |
makeDests(java.util.List destinationList)
Make a the head object of the name dictionary (the /Dests object). |
PDFEncoding |
makeEncoding(java.lang.String encodingName)
make a /Encoding object |
PDFFont |
makeFont(java.lang.String fontname,
java.lang.String basefont,
java.lang.String encoding,
FontMetrics metrics,
FontDescriptor descriptor)
Make a Type1 /Font object. |
AbstractPDFStream |
makeFontFile(FontDescriptor desc)
Embeds a font. |
PDFFunction |
makeFunction(int theNumber,
int theFunctionType,
java.util.List theDomain,
java.util.List theRange,
java.lang.StringBuffer theFunctionDataStream)
make a postscript calculator function |
PDFFunction |
makeFunction(int theFunctionType,
java.util.List theDomain,
java.util.List theRange,
java.util.List theSize,
int theBitsPerSample,
int theOrder,
java.util.List theEncode,
java.util.List theDecode,
java.lang.StringBuffer theFunctionDataStream,
java.util.List theFilter)
Make a Type 0 sampled function |
PDFFunction |
makeFunction(int theFunctionType,
java.util.List theDomain,
java.util.List theRange,
java.util.List theCZero,
java.util.List theCOne,
double theInterpolationExponentN)
make a type Exponential interpolation function (for shading usually) |
PDFFunction |
makeFunction(int theFunctionType,
java.util.List theDomain,
java.util.List theRange,
java.util.List theFunctions,
java.util.List theBounds,
java.util.List theEncode)
Make a Type 3 Stitching function |
PDFPattern |
makeGradient(PDFResourceContext res,
boolean radial,
PDFDeviceColorSpace theColorspace,
java.util.List theColors,
java.util.List theBounds,
java.util.List theCoords,
java.util.List theMatrix)
Make a gradient |
PDFGState |
makeGState(java.util.Map settings,
PDFGState current)
make an ExtGState for extra graphics options This tries to find a GState that will setup the correct values for the current context. |
PDFICCBasedColorSpace |
makeICCBasedColorSpace(PDFResourceContext res,
java.lang.String explicitName,
PDFICCStream iccStream)
Makes a new ICCBased color space and registers it in the resource context. |
protected PDFInfo |
makeInfo(java.lang.String prod)
make an /Info object |
PDFLink |
makeLink(java.awt.geom.Rectangle2D rect,
PDFAction pdfAction)
Create a PDF link to an existing PDFAction object |
PDFLink |
makeLink(java.awt.geom.Rectangle2D rect,
java.lang.String destination,
int linkType,
float yoffset)
Make a PDFLink object |
PDFLink |
makeLink(java.awt.geom.Rectangle2D rect,
java.lang.String page,
java.lang.String dest)
Make an internal link. |
PDFMetadata |
makeMetadata(org.apache.xmlgraphics.xmp.Metadata meta,
boolean readOnly)
Make a Metadata object. |
PDFNames |
makeNames()
Make a names dictionary (the /Names object). |
PDFNameTreeNode |
makeNameTreeNode()
Make a name tree node. |
PDFOutline |
makeOutline(PDFOutline parent,
java.lang.String label,
PDFAction pdfAction,
boolean showSubItems)
Make an outline object and add it to the given parent |
PDFOutline |
makeOutline(PDFOutline parent,
java.lang.String label,
java.lang.String actionRef,
boolean showSubItems)
Make an outline object and add it to the given parent |
PDFOutline |
makeOutline(PDFOutline parent,
java.lang.String label,
java.lang.String destination,
float yoffset,
boolean showSubItems)
Make an outline object and add it to the given outline |
PDFOutputIntent |
makeOutputIntent()
Make a OutputIntent dictionary. |
PDFPage |
makePage(PDFResources resources,
int pageWidth,
int pageHeight)
Make a /Page object. |
PDFPage |
makePage(PDFResources resources,
int pageWidth,
int pageHeight,
int pageIndex)
Make a /Page object. |
PDFPage |
makePage(PDFResources resources,
int pageIndex,
java.awt.geom.Rectangle2D mediaBox,
java.awt.geom.Rectangle2D cropBox,
java.awt.geom.Rectangle2D bleedBox,
java.awt.geom.Rectangle2D trimBox)
Make a /Page object. |
PDFPageLabels |
makePageLabels()
Make a names dictionary (the /PageLabels object). |
PDFPages |
makePages()
Make a /Pages object. |
PDFPattern |
makePattern(PDFResourceContext res,
int thePatternType,
PDFResources theResources,
int thePaintType,
int theTilingType,
java.util.List theBBox,
double theXStep,
double theYStep,
java.util.List theMatrix,
java.util.List theXUID,
java.lang.StringBuffer thePatternDataStream)
Make a tiling pattern |
PDFPattern |
makePattern(PDFResourceContext res,
int thePatternType,
PDFShading theShading,
java.util.List theXUID,
java.lang.StringBuffer theExtGState,
java.util.List theMatrix)
Make a smooth shading pattern |
PDFICCStream |
makePDFICCStream()
Create a PDFICCStream |
PDFResources |
makeResources()
Make a /Resources object. |
PDFRoot |
makeRoot(PDFPages pages)
Make a /Catalog (Root) object. |
PDFSeparationColorSpace |
makeSeparationColorSpace(PDFResourceContext res,
org.apache.xmlgraphics.java2d.color.NamedColorSpace ncs)
Create a new Separation color space. |
PDFShading |
makeShading(PDFResourceContext res,
int theShadingType,
PDFDeviceColorSpace theColorSpace,
java.util.List theBackground,
java.util.List theBBox,
boolean theAntiAlias,
int theBitsPerCoordinate,
int theBitsPerComponent,
int theBitsPerFlag,
java.util.List theDecode,
PDFFunction theFunction)
Make a free-form gouraud shaded triangle mesh, coons patch mesh, or tensor patch mesh shading object |
PDFShading |
makeShading(PDFResourceContext res,
int theShadingType,
PDFDeviceColorSpace theColorSpace,
java.util.List theBackground,
java.util.List theBBox,
boolean theAntiAlias,
int theBitsPerCoordinate,
int theBitsPerComponent,
java.util.List theDecode,
int theVerticesPerRow,
PDFFunction theFunction)
make a Lattice-Form Gouraud mesh shading object |
PDFShading |
makeShading(PDFResourceContext res,
int theShadingType,
PDFDeviceColorSpace theColorSpace,
java.util.List theBackground,
java.util.List theBBox,
boolean theAntiAlias,
java.util.List theDomain,
java.util.List theMatrix,
PDFFunction theFunction)
make a function based shading object |
PDFShading |
makeShading(PDFResourceContext res,
int theShadingType,
PDFDeviceColorSpace theColorSpace,
java.util.List theBackground,
java.util.List theBBox,
boolean theAntiAlias,
java.util.List theCoords,
java.util.List theDomain,
PDFFunction theFunction,
java.util.List theExtend)
Make an axial or radial shading object. |
PDFStream |
makeStream(java.lang.String type,
boolean add)
Make a stream object |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
public static final int DEFAULT_PDF_RESOLUTION
| Constructor Detail |
|---|
public PDFFactory(PDFDocument document)
document
- the parent PDFDocument needed to register the generated
objects| Method Detail |
|---|
public final PDFDocument getDocument()
public PDFRoot makeRoot(PDFPages pages)
pages
- the pages pdf object that the root points to
public PDFPages makePages()
public PDFResources makeResources()
protected PDFInfo makeInfo(java.lang.String prod)
prod
- string indicating application producing the PDF
public PDFMetadata makeMetadata(org.apache.xmlgraphics.xmp.Metadata meta, boolean readOnly)
meta
- the DOM Document containing the XMP metadata.readOnly
- true if the metadata packet should be marked read-only
public PDFOutputIntent makeOutputIntent()
public PDFPage makePage(PDFResources resources, int pageIndex, java.awt.geom.Rectangle2D mediaBox, java.awt.geom.Rectangle2D cropBox, java.awt.geom.Rectangle2D bleedBox, java.awt.geom.Rectangle2D trimBox)
resources
- resources object to usepageIndex
- index of the page (zero-based)mediaBox
- the MediaBox areacropBox
- the CropBox areableedBox
- the BleedBox areatrimBox
- the TrimBox area
public PDFPage makePage(PDFResources resources, int pageWidth, int pageHeight, int pageIndex)
resources
- resources object to usepageWidth
- width of the page in pointspageHeight
- height of the page in pointspageIndex
- index of the page (zero-based)
public PDFPage makePage(PDFResources resources, int pageWidth, int pageHeight)
resources
- resources object to usepageWidth
- width of the page in pointspageHeight
- height of the page in points
public PDFFunction makeFunction(int theFunctionType, java.util.List theDomain, java.util.List theRange, java.util.List theSize, int theBitsPerSample, int theOrder, java.util.List theEncode, java.util.List theDecode, java.lang.StringBuffer theFunctionDataStream, java.util.List theFilter)
theDomain
- List objects of Double objects.
This is the domain of the function.
See page 264 of the PDF 1.3 Spec.theRange
- List objects of Double objects.
This is the Range of the function.
See page 264 of the PDF 1.3 Spec.theSize
- A List object of Integer objects.
This is the number of samples in each input dimension.
I can't imagine there being more or less than two input dimensions,
so maybe this should be an array of length 2.
See page 265 of the PDF 1.3 Spec.theBitsPerSample
- An int specifying the number of bits user
to represent each sample value.
Limited to 1,2,4,8,12,16,24 or 32.
See page 265 of the 1.3 PDF Spec.theOrder
- The order of interpolation between samples.
Default is 1 (one). Limited
to 1 (one) or 3, which means linear or cubic-spline interpolation.
This attribute is optional.
See page 265 in the PDF 1.3 spec.theEncode
- List objects of Double objects.
This is the linear mapping of input values intop the domain
of the function's sample table. Default is hard to represent in
ascii, but basically [0 (Size0 1) 0 (Size1 1)...].
This attribute is optional.
See page 265 in the PDF 1.3 spec.theDecode
- List objects of Double objects.
This is a linear mapping of sample values into the range.
The default is just the range.
This attribute is optional.
Read about it on page 265 of the PDF 1.3 spec.theFunctionDataStream
- The sample values that specify
the function are provided in a stream.
This is optional, but is almost always used.
Page 265 of the PDF 1.3 spec has more.theFilter
- This is a vector of String objects which
are the various filters that have are to be
applied to the stream to make sense of it.
Order matters, so watch out.
This is not documented in the Function section of the PDF 1.3 spec,
it was deduced from samples that this is sometimes used, even if we may never
use it in FOP. It is added for completeness sake.theFunctionType
- This is the type of function (0,2,3, or 4).
It should be 0 as this is the constructor for sampled functions.
public PDFFunction makeFunction(int theFunctionType, java.util.List theDomain, java.util.List theRange, java.util.List theCZero, java.util.List theCOne, double theInterpolationExponentN)
theDomain
- List objects of Double objects.
This is the domain of the function.
See page 264 of the PDF 1.3 Spec.theRange
- List of Doubles that is the Range of the function.
See page 264 of the PDF 1.3 Spec.theCZero
- This is a vector of Double objects which defines the function result
when x=0.
This attribute is optional.
It's described on page 268 of the PDF 1.3 spec.theCOne
- This is a vector of Double objects which defines the function result
when x=1.
This attribute is optional.
It's described on page 268 of the PDF 1.3 spec.theInterpolationExponentN
- This is the inerpolation exponent.
This attribute is required.
PDF Spec page 268theFunctionType
- The type of the function, which should be 2.
public PDFFunction makeFunction(int theFunctionType, java.util.List theDomain, java.util.List theRange, java.util.List theFunctions, java.util.List theBounds, java.util.List theEncode)
theDomain
- List objects of Double objects.
This is the domain of the function.
See page 264 of the PDF 1.3 Spec.theRange
- List objects of Double objects.
This is the Range of the function.
See page 264 of the PDF 1.3 Spec.theFunctions
- An List of the PDFFunction objects
that the stitching function stitches.
This attributed is required.
It is described on page 269 of the PDF spec.theBounds
- This is a vector of Doubles representing
the numbers that, in conjunction with Domain
define the intervals to which each function from
the 'functions' object applies. It must be in
order of increasing magnitude, and each must be
within Domain.
It basically sets how much of the gradient each function handles.
This attributed is required.
It's described on page 269 of the PDF 1.3 spec.theEncode
- List objects of Double objects.
This is the linear mapping of input values intop the domain
of the function's sample table. Default is hard to represent in
ascii, but basically [0 (Size0 1) 0 (Size1 1)...].
This attribute is required.
See page 270 in the PDF 1.3 spec.theFunctionType
- This is the function type. It should be 3,
for a stitching function.
public PDFFunction makeFunction(int theNumber, int theFunctionType, java.util.List theDomain, java.util.List theRange, java.lang.StringBuffer theFunctionDataStream)
theNumber
- the PDF object numbertheFunctionType
- the type of function to maketheDomain
- the domain valuestheRange
- the range values of the functiontheFunctionDataStream
- a string containing the pdf drawing
public PDFShading makeShading(PDFResourceContext res, int theShadingType, PDFDeviceColorSpace theColorSpace, java.util.List theBackground, java.util.List theBBox, boolean theAntiAlias, java.util.List theDomain, java.util.List theMatrix, PDFFunction theFunction)
res
- the PDF resource context to add the shading, may be nulltheShadingType
- The type of shading object, which should be 1 for function
based shading.theColorSpace
- The colorspace is 'DeviceRGB' or something similar.theBackground
- An array of color components appropriate to the
colorspace key specifying a single color value.
This key is used by the f operator buy ignored by the sh operator.theBBox
- List of double's representing a rectangle
in the coordinate space that is current at the
time of shading is imaged. Temporary clipping
boundary.theAntiAlias
- Whether or not to anti-alias.theDomain
- Optional vector of Doubles specifying the domain.theMatrix
- List of Doubles specifying the matrix.
If it's a pattern, then the matrix maps it to pattern space.
If it's a shading, then it maps it to current user space.
It's optional, the default is the identity matrixtheFunction
- The PDF Function that maps an (x,y) location to a color
public PDFShading makeShading(PDFResourceContext res, int theShadingType, PDFDeviceColorSpace theColorSpace, java.util.List theBackground, java.util.List theBBox, boolean theAntiAlias, java.util.List theCoords, java.util.List theDomain, PDFFunction theFunction, java.util.List theExtend)
res
- the PDF resource context to add the shading, may be nulltheShadingType
- 2 or 3 for axial or radial shadingtheColorSpace
- "DeviceRGB" or similar.theBackground
- theBackground An array of color components appropriate to the
colorspace key specifying a single color value.
This key is used by the f operator buy ignored by the sh operator.theBBox
- List of double's representing a rectangle
in the coordinate space that is current at the
time of shading is imaged. Temporary clipping
boundary.theAntiAlias
- Default is falsetheCoords
- List of four (type 2) or 6 (type 3) DoubletheDomain
- List of Doubles specifying the domaintheFunction
- the Stitching (PDFfunction type 3) function,
even if it's stitching a single functiontheExtend
- List of Booleans of whether to extend the
start and end colors past the start and end points
The default is [false, false]
public PDFShading makeShading(PDFResourceContext res, int theShadingType, PDFDeviceColorSpace theColorSpace, java.util.List theBackground, java.util.List theBBox, boolean theAntiAlias, int theBitsPerCoordinate, int theBitsPerComponent, int theBitsPerFlag, java.util.List theDecode, PDFFunction theFunction)
res
- the PDF resource context to add the shading, may be nulltheShadingType
- 4, 6, or 7 depending on whether it's
Free-form gouraud-shaded triangle meshes, coons patch meshes,
or tensor product patch meshes, respectively.theColorSpace
- "DeviceRGB" or similar.theBackground
- theBackground An array of color components appropriate to the
colorspace key specifying a single color value.
This key is used by the f operator buy ignored by the sh operator.theBBox
- List of double's representing a rectangle
in the coordinate space that is current at the
time of shading is imaged. Temporary clipping
boundary.theAntiAlias
- Default is falsetheBitsPerCoordinate
- 1,2,4,8,12,16,24 or 32.theBitsPerComponent
- 1,2,4,8,12, and 16theBitsPerFlag
- 2,4,8.theDecode
- List of Doubles see PDF 1.3 spec pages 303 to 312.theFunction
- the PDFFunction
public PDFShading makeShading(PDFResourceContext res, int theShadingType, PDFDeviceColorSpace theColorSpace, java.util.List theBackground, java.util.List theBBox, boolean theAntiAlias, int theBitsPerCoordinate, int theBitsPerComponent, java.util.List theDecode, int theVerticesPerRow, PDFFunction theFunction)
res
- the PDF resource context to add the shading, may be nulltheShadingType
- 5 for lattice-Form Gouraud shaded-triangle mesh
without spaces. "Shading1" or "Sh1" are good examples.theColorSpace
- "DeviceRGB" or similar.theBackground
- theBackground An array of color components appropriate to the
colorspace key specifying a single color value.
This key is used by the f operator buy ignored by the sh operator.theBBox
- List of double's representing a rectangle
in the coordinate space that is current at the
time of shading is imaged. Temporary clipping
boundary.theAntiAlias
- Default is falsetheBitsPerCoordinate
- 1,2,4,8,12,16, 24, or 32theBitsPerComponent
- 1,2,4,8,12,24,32theDecode
- List of Doubles. See page 305 in PDF 1.3 spec.theVerticesPerRow
- number of vertices in each "row" of the lattice.theFunction
- The PDFFunction that's mapped on to this shape
public PDFPattern makePattern(PDFResourceContext res, int thePatternType, PDFResources theResources, int thePaintType, int theTilingType, java.util.List theBBox, double theXStep, double theYStep, java.util.List theMatrix, java.util.List theXUID, java.lang.StringBuffer thePatternDataStream)
res
- the PDF resource context to add the shading, may be nullthePatternType
- the type of pattern, which is 1 for tiling.theResources
- the resources associated with this patternthePaintType
- 1 or 2, colored or uncolored.theTilingType
- 1, 2, or 3, constant spacing, no distortion, or faster tilingtheBBox
- List of Doubles: The pattern cell bounding boxtheXStep
- horizontal spacingtheYStep
- vertical spacingtheMatrix
- Optional List of Doubles transformation matrixtheXUID
- Optional vector of Integers that uniquely identify the patternthePatternDataStream
- The stream of pattern data to be tiled.
public PDFPattern makePattern(PDFResourceContext res, int thePatternType, PDFShading theShading, java.util.List theXUID, java.lang.StringBuffer theExtGState, java.util.List theMatrix)
res
- the PDF resource context to add the shading, may be nullthePatternType
- the type of the pattern, which is 2, smooth shadingtheShading
- the PDF Shading object that comprises this patterntheXUID
- optional:the extended unique Identifier if used.theExtGState
- optional: the extended graphics state, if used.theMatrix
- Optional:List of Doubles that specify the matrix.
public PDFPattern makeGradient(PDFResourceContext res, boolean radial, PDFDeviceColorSpace theColorspace, java.util.List theColors, java.util.List theBounds, java.util.List theCoords, java.util.List theMatrix)
res
- the PDF resource context to add the shading, may be nullradial
- if true a radial gradient will be createdtheColorspace
- the colorspace of the gradienttheColors
- the list of colors for the gradienttheBounds
- the list of bounds associated with the colorstheCoords
- the coordinates for the gradienttheMatrix
- the coordinate-transformation matrix
protected PDFDestination getUniqueDestination(PDFDestination newdest)
newdest
- a new, as yet unregistered destination
public PDFDestination makeDestination(java.lang.String idRef, java.lang.Object goToRef)
idRef
- ID Reference for this destination (the name of the destination)goToRef
- Object reference to the GoTo Action
public PDFNames makeNames()
public PDFPageLabels makePageLabels()
public PDFDests makeDests(java.util.List destinationList)
destinationList
- a list of PDFDestination instances
public PDFNameTreeNode makeNameTreeNode()
public PDFLink makeLink(java.awt.geom.Rectangle2D rect, PDFAction pdfAction)
rect
- the hotspot position in absolute coordinatespdfAction
- the PDFAction that this link refers to
public PDFLink makeLink(java.awt.geom.Rectangle2D rect, java.lang.String page, java.lang.String dest)
rect
- the hotspot position in absolute coordinatespage
- the target page reference valuedest
- the position destination
public PDFLink makeLink(java.awt.geom.Rectangle2D rect, java.lang.String destination, int linkType, float yoffset)
PDFLink
object
rect
- the clickable rectangledestination
- the destination filelinkType
- the link typeyoffset
- the yoffset on the page for an internal link
public PDFAction getExternalAction(java.lang.String target, boolean newWindow)
target
- The external target. This may be a PDF file name
(optionally with internal page number or destination) or any type of URI.newWindow
- boolean indicating whether the target should be
displayed in a new window
public java.lang.String getGoToReference(java.lang.String pdfPageRef, float yoffset)
pdfPageRef
- the PDF page reference, e.g. "23 0 R"yoffset
- the distance from the bottom of the page in points
public PDFGoTo getPDFGoTo(java.lang.String pdfPageRef, java.awt.geom.Point2D position)
pdfPageRef
- the PDF page referenceposition
- the (X,Y) position in points
public PDFOutline makeOutline(PDFOutline parent, java.lang.String label, java.lang.String actionRef, boolean showSubItems)
parent
- the parent PDFOutline object (may be null)label
- the title for the new outline objectactionRef
- the action reference string to be placed after the /AshowSubItems
- whether to initially display child outline items
public PDFOutline makeOutline(PDFOutline parent, java.lang.String label, PDFAction pdfAction, boolean showSubItems)
parent
- the parent PDFOutline object (may be null)label
- the title for the new outline objectpdfAction
- the action that this outline item points to - must not be null!showSubItems
- whether to initially display child outline items
public PDFOutline makeOutline(PDFOutline parent, java.lang.String label, java.lang.String destination, float yoffset, boolean showSubItems)
parent
- parent PDFOutline object which may be nulllabel
- the title for the new outline objectdestination
- the reference string for the action to go toyoffset
- the yoffset on the destination pageshowSubItems
- whether to initially display child outline items
public PDFEncoding makeEncoding(java.lang.String encodingName)
encodingName
- character encoding scheme name
public PDFFont makeFont(java.lang.String fontname, java.lang.String basefont, java.lang.String encoding, FontMetrics metrics, FontDescriptor descriptor)
fontname
- internal name to use for this font (eg "F1")basefont
- name of the base font (eg "Helvetica")encoding
- character encoding scheme used by the fontmetrics
- additional information about the fontdescriptor
- additional information about the font
public java.lang.Object createPDFEncoding(SingleByteEncoding encoding, java.lang.String fontNameHint)
encoding
- the code point mapping (encoding)fontNameHint
- ...
public PDFWArray getSubsetWidths(CIDFont cidFont)
cidFont
- the font
public AbstractPDFStream makeFontFile(FontDescriptor desc)
desc
- FontDescriptor of the font.
public PDFStream makeStream(java.lang.String type, boolean add)
type
- the type of stream to be createdadd
- if true then the stream will be added immediately
public PDFICCStream makePDFICCStream()
PDFImageXObject
,
PDFDeviceColorSpace
public PDFICCBasedColorSpace makeICCBasedColorSpace(PDFResourceContext res, java.lang.String explicitName, PDFICCStream iccStream)
res
- the PDF resource context to add the shading, may be nullexplicitName
- the explicit name for the color space, may be nulliccStream
- the ICC stream to associate with this color space
public PDFSeparationColorSpace makeSeparationColorSpace(PDFResourceContext res, org.apache.xmlgraphics.java2d.color.NamedColorSpace ncs)
res
- the resource context (may be null)ncs
- the named color space to map to a separation color space
public PDFArray makeArray(int[] values)
values
- the int array values
public PDFGState makeGState(java.util.Map settings, PDFGState current)
settings
- the settings required by the callercurrent
- the current GState of the current PDF context
public PDFAnnotList makeAnnotList()
|
fop 1.1 | |||||||||
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Colombia's defence minister resigns over cover-up claims
BOGOTA: Colombia's defence minister Guillermo Botero resigned Wednesday (Nov 6) after facing accusations of trying to cover up the deaths of several children in a military air strike on a drug trafficking gang.
Botero announced his resignation after a meeting with President Ivan Duque. He faced a censure motion in Congress.
"Today, in a meeting with the president of the republic to analyse the current political situation, it was agreed that the most suitable thing was to resign from the position of minister of national defence," Botero said in a statement.
The 71-year-old lawyer has been criticised for his limited security experience, even as he oversees defence in a country with a half-century record of armed conflict and which is plagued by drug trafficking.
That criticism reached a fever pitch when an opposition senator accused Botero of a cover-up in the death of 14 people, including eight children, who were revealed to have died in a strike targeting dissidents from the dissolved FARC armed group, which signed a peace deal with the Colombian government at the end of 2016.
Botero had previously reported only nine dead, stating at the time that he was "unaware of the presence of minors" and suggesting that all involved were combatants recruited by the guerrillas.
Opposition politicians and social organisations have also called into question inaccurate information reported by Botero concerning the death of a former FARC guerrilla killed by the army on the border with Venezuela at the end of October.
Some say the episode was a catalyst for subsequent violence that broke out in the troubled coca-producing department of Cauca in the southwest, where 16 individuals, mostly indigenous people, were killed last week.


Take quizzes to see which jobs and oppurtunties would be best fitted for you at this upcoming College Football Playoff.
| Quiz | Score |
|---|---|
| Do You Know How to Be a Good Tour Guide? | Score: -/100 |
| Do You Know How to Be a Good Cashier? | Score: -/100 |
| Do You Know How to Be a Good Cook? | Score: -/100 |
| Do You Know How to Be a Good Ball Boy? | Score: -/100 |


I first started using Swift 4 during my 3rd year of University, in my advaned programming module and my dissertation implementation project. It is my favourite and most fluent language to write in.
I used Java in my first and second year programming modules- my second year programming module was based around Android development.
I used HTML and CSS in my first and second year website design and website development modules. I am competent with HTML and CSS, but front end design does not interest me as much as back-end programming.
I used ASP.NET in my second year website development module to create an e-commerce site, and in the FSE-REC project.
I used C# when doing the back-end programming on the FSE-REC project, and during my second year web design module.
I learned SQL statements in my first and second year database modules, and put this use into action in the FSE-REC project, and in my 3rd year database module.
I used xCode in my 3rd year advanced programming module and for my dissertation implementation project.
I started using Visual Studio in my second year website development module (ASP.NET), and later went on to use it to build the FSE-REC project. I also used it during my third year database module, for ETL processes (Business Intelligence Integration Services)
I started using Android Studio in my second year programming module , where our final assingment was to make a Noughts and Crosses game.
I started using Github during my second year web development module, as it was a requirement for the assingment, I later went onto use it when I was working within a team on the FSE-REC project.
I used SQL server management studio in my second year website development and database modules, and also used it to manage database behind the website I created for the FSE-REC project.
I used Net Beans during my first year programming module, while learning Java.
I have used most of the Microsoft Office software applications throughout my entire education. I have good knowledge of the different programs, including Access, which I used during database modules at University to create a data mart for an ETL process
I used Adobe Photoshop for a couple of years for creating graphical logos for gaming teams, as a hobby of mine. I also used it to create a logo for the website I created in my second year website development module.
I also have had experience with various API's such as google maps, which I used during my second year web module, and Facebook SDK for iOS which I used for my Dissertation implementation project


Him rendered may attended concerns jennings reserved now. Sympathize did now preference unpleasing mrs few. Mrs for hour game room want are fond dare. For detract charmed add talking age. Shy resolution instrument unreserved man few. She did open find pain some out. If we landlord stanhill mr whatever pleasure supplied concerns so. Exquisite by it admitting cordially september newspaper an. Acceptance middletons am it favourable. It it oh happen lovers afraid.Him rendered may attended concerns jennings reserved now. Sympathize did now preference unpleasing mrs few. Mrs for hour game room want are fond dare. For detract charmed add talking age. Shy resolution instrument unreserved man few. She did open find pain some out. If we landlord stanhill mr whatever pleasure supplied concerns so. Exquisite by it admitting cordially september newspaper an. Acceptance middletons am it favourable. It it oh happen lovers afraid.
Aberto para você
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15 visitors' berths. Good shelter. 120 berth marina accommodating boats up to 15m LOA and benefits from deep water at all states of the tide. All facilities. Fuel, launderette.
Formed at Fenit in 1956, the Club has grown and now boasts a vibrant and expanding membership. In addition to the clubhouse, with changing facilities, showers, kitchen, storage and licensed bar, facilities at Fenit include a sheltered 110 berth marina. Cruiser racing takes place from April to October on Tuesday and Thursday evenings. Dinghy racing is run on Wednesdays and Saturdays. Visitors welcome.


---
title: Radio button
layout: documentation
doc-tab: form
doc-subtab: radio
breadcrumb:
- home
- documentation
- form
- form-radio
meta:
colors: false
sizes: false
variables: false
---
{% capture radio_example %}
The radio
class is a simple wrapper around the <input type="radio">
HTML elements. It is intentionally not styled, to preserve cross-browser compatibility and the user experience.
Make sure the linked radio buttons have the same value for their name
HTML attribute.
You can check a radio button by default by adding the checked
HTML attribute to the <input>
element.
You can disable a radio button by adding the disabled
HTML attribute to both the <label>
and the <input>
.


Federer faces early ATP Finals exit after Thiem defeat
London - Roger Federer faces an uphill task to qualify for the last four of the ATP Finals after defeat by Dominic Thiem on Sunday following a masterclass by Novak Djokovic.
Six-time champion Federer was beaten 7-5, 7-5 in the evening match on the opening day after Djokovic had swatted aside debutant Matteo Berrettini in the earlier Group Bjorn Borg contest in London.
Federer and Djokovic will meet later in the week in a repeat of this year's epic Wimbledon final, with two players advancing from the four-man group.
The Swiss 20-time Grand Slam winner recovered quickly from being broken in the first game of the match but the Austrian fifth seed repeated the dose in the 11th game and took the opening set 7-5.
Federer, uncharacteristically wayward, squandered an early chance to break in the second set and the games went with serve until the 11th game again, when Thiem broke to love after the third seed dumped a forehand into the net.
The Austrian stuttered while serving for the match, forced to save two break points, but he held his nerve to take the set 7-5 and seal a deserved victory on his second match point.
"I thought Dominic saved himself really well when he had to," said Federer. "So I thought he played a tough first-round performance today, and my game was probably just not good enough, and the start didn't help."
"It's a normal tournament from here on forward," added the 38-year-old, who may now have to beat Djokovic to progress.
"Not allowed to lose anymore for me. That's how it is every week of the year for the last 20 years, so from that standpoint there is nothing new there."
Thiem came into the match with a 4-2 winning record against his illustrious opponent but the result is still a surprise. The only time Federer has failed to progress to the knockout stages was in 2008.
"We had a good and close match, and it's always special to beat Roger, who is a legend," said Thiem, who impressed with his clean hitting.
"It's amazing to play against probably the best player of all time, but luckily I have a pretty good record against him."
Earlier, Djokovic began his quest for a record-equalling sixth ATP Finals title and sixth year-end number one spot a 6-2, 6-1 romp against Berrettini.
The Serbian was last week nudged off the top position in the rankings by Rafael Nadal, who is also in the eight-man field in London.
Djokovic eyes No 1
Djokovic must reach the final at the O2 Arena to stand any chance of dislodging Nadal but there are major questions over the Spaniard's fitness.
If the Serbian does claim the year-end No 1 spot, he would match the record of Pete Sampras and victory at the end-of-season event would equal Federer's mark.
The second seed saw off the challenge of Berrettini in just 64 minutes, converting five of seven break points and at one stage going on an eight-game streak.
"It feels great to be back," said the Wimbledon champion. "Earlier this year I had a great stay in London, and over the years I've played well in this arena."
Nadal, who has never won the event, is bidding to clinch the year-end No 1 spot in the ATP rankings for a fifth time.
The tournament, featuring the year's best eight players, is contested in a round-robin format with the best four players and doubles teams reaching the knockout semi-finals stage.
Nadal, in Group Andre Agassi, begins his campaign on Monday against defending champion Alexander Zverev.
Results on the first day of the ATP Finals at London's O2 Arena on Sunday (x denotes seeding):
Singles
Group Bjorn Borg
Novak Djokovic (SRB x2) bt Matteo Berrettini (ITA x8) 6-2, 6-1
Dominic Thiem (AUT x5) bt Roger Federer (SUI x3) 7-5, 7-5
Doubles
Group Jonas Bjorkman
Raven Klaasen/Michael Venus (RSA/NZL x5) bt Rajeev Ram/Joe Salisbury (USA/GBR x4) 6-3, 6-4
Lukasz Kubot/Marcelo Melo (POL/BRA x2) bt Ivan Dodig/Filip Polasek (CRO/SVK x8) 4-6, 6-4, 10-5


[↑TOP]
丸めモード指定用キーワード
概要
デフォルトがRoundingt to the Nearest Even だってことだけ知ってれば良いです.
Truncation
Truncation to Zero
Rounding to Plus Infinity
Rounding to Minus Infinity
Rounding to Infinity
Rounding to Zero
Rounding to the Nearest Even
Rounding to the Nearest Odd
Force to one rounding
参照
Change Log
- 2004.08.17 : the first edition by T. Hamada
Copyright (c) 2003-2005 by T. Hamada.


Hi! I'm Crystal, a Full Stack Software Engineer with a passion for learning new web technologies
and creating web applications efficiently.
With the ability to bring concepts to life and providing solutions to everyday problems.
Contact
Send me a message if you would like to contact me.


Chartist
Overlapping bars on mobile
This example makes use of label interpolation and the seriesBarDistance property that allows you to make bars overlap over each other.
Stacked bar chart
You can also set your bar chart to stack the series bars on top of each other easily by using the stackBars property in your configuration.
Animating a Donut with Svg.animate
Although it'd be also possible to achieve this animation with CSS, with some minor suboptimal things, here's an example of how to animate donut charts using Chartist.Svg.animate and SMIL.
Simple pie chart
A very simple pie chart with label interpolation to show percentage instead of the actual data series value.
Advanced Smil Animations
Chartist provides a simple API to animate the elements on the Chart using SMIL.
Simple line chart
An example of a simple line chart with three series. You can edit this example in realtime.
Line Scatter Diagram
This advanced example uses a line chart to draw a scatter diagram.
Line chart with area
This chart uses the showArea option to draw line, dots but also an area shape. Use the low option to specify a fixed lower bound that will make the area expand.


Money Play. How should Red play 22?
pips Red=108 White=114
(CorrectAnswer= 0/0, ErrorScore= 0)
Red played 18/14(2) but that can leave him with problems next turn. He needs to keep pressure on White’s outer board points and give himself some palyability for his next roll.
18/14(2) is very nearly a blunder. The correct move is 13/11(3), 5/3. Note that playing the final 2 by moving 6/4 is very wrong. Red wants to remake his home board and so 5/3 is the logical choice. So much so that 13/11(3), 6/4 is a blunder.
As ever, attention to detail is critical.
18/14(2) is very nearly a blunder. The correct move is 13/11(3), 5/3. Note that playing the final 2 by moving 6/4 is very wrong. Red wants to remake his home board and so 5/3 is the logical choice. So much so that 13/11(3), 6/4 is a blunder.
As ever, attention to detail is critical.
1. Cubeful 2-ply 13/11(3) 5/3 Eq.: +0.138 0.544 0.087 0.000 - 0.456 0.076 0.000 2. Cubeful 2-ply 18/14(2) Eq.: +0.083 (-0.055) 0.538 0.036 0.000 - 0.462 0.067 0.000 3. Cubeful 2-ply 13/11(3) 6/4 Eq.: +0.026 (-0.112) 0.515 0.074 0.000 - 0.485 0.093 0.001 4. Cubeful 2-ply 13/11(3) 3/1 Eq.: -0.007 (-0.145) 0.506 0.063 0.000 - 0.494 0.090 0.000 5. Cubeful 0-ply 18/16(2) 5/3(2) Eq.: -0.102 (-0.239) 0.482 0.053 0.000 - 0.518 0.106 0.000


Inline CSS is added directly to a tag element using its style attribute
This is a second page that requires its own style to be set


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| Interface | Description |
|---|---|
| ActivityService |
Service for discovering available activities and the properties required to
configure the activities.
|
| DispatchLayerService |
Service for discovering available dispatch layers and the properties required
to configure the layers.
|
| Exception | Description |
|---|---|
| ActivityConfigurationException |
Thrown when an activity's configuration is incorrect.
|
| ActivityNotFoundException |
Thrown when an activity is not found.
|
| ConfigurationException |
Thrown when a
Configurable cannot be configured by a
Configuration . |
| DispatchLayerConfigurationException |
Thrown when a dispatch layer's configuration is incorrect.
|
| DispatchLayerNotFoundException |
Thrown when a dispatch layer is not found.
|
Copyright © 2015–2016 The Apache Software Foundation. All rights reserved.


Ph.D. Candidate
Department of Political Science
Yale University
At Yale:
Graduate seminar on causal inference.
First-year lecture on IR theory.
20th Century Chinese history, contemporary politics, and China’s international relations.
In China:
English teacher, first foreign faculty member


Presented by Abdel Raoof Olakara
http://abdelraoof.com/unittest-talk
Tests ensure:
λ mkdir my-project/jasmine
λ npm install jasmine-core --save-dev
describe("A suite", function() {
it("contains spec with an expectation", function() {
expect(true).toBe(true);
});
});
Expectations are built with the function expect which takes a value, called the actual. It is chained with a Matcher function, which takes the expected value.
Example:
expect(true).toBe(true);
*.toBe(*)
*.not.toBe(*)
*.toEqual(*)
*.toBeDefined()
*.toBeUndefined()
*.toBeNull()
*.toContain(*)
*.toBeLessThan(*)
*.toBeTruthy(*)
A person employed to secretly obtain information on an enemy!!
spyOn(person, 'walk');
createSpy('run');
What if you need to spy on multiple functions or mock a whole object?
Solution:
createSpyObj(person, ['walk', 'talk', 'eat', 'run']);
Returns an object that has a property for each string you passed in!
*.toHaveBeenCalled()
*.toHaveBeenCalledWith(*)
*.callThrough() -> spyOn(shape, 'getShape').and.callThrough()
*.returnValue() -> spyOn(shape, "getShape").and.returnValue('Circle');
*.callFake(function() {})
Install Karma locally in the project's directory.
λ npm install karma --save-dev
Install plugins:
λ npm install karma-jasmine karma-chrome-launcher --save-dev
Setup the shortcut!
λ npm install -g karma-cli
Note: You will have to load other unit test frameworks if necessary
λ karma init
Questions...


--- layout: base redirect_from: - /pages/About/10/ custom_js: - results - lunr.min ---
Congratulations to the individual winners of our annual Tom Brennan 5km race today in the Phoenix Park. Edel Monaghan of Celtic DCH AC was the winner of our women's race in a time of 17.06 and Abdel Laadjel of Donore Harriers was the winner of the men's race in a time of 14.54. Well done to both winners on their fine performances.
We were delighted to have Tom's son John, his wife Marie and their children Caoimhe, Michael and Thomas with us to make the presentations.
Check out Instagram here
Results are available on MyRunResults here
Thank you all for your support and we are looking forward to seeing you at many races throughout 2023 and back in the Phoenix Park on New Year's Day 2024 when Liffey Valley AC will start into our 50th year.
Happy New Year from all of us at Liffey Valley AC
Click here to read about a Liffey Valley AC Great: Tom Brennan - 1975 National Cross Country Champion


man on earth, who feels as I do. 1890s-1900s = I'm not a man, and I don't feel like one. " 1990s-2000s = It doesn't make me feel like a man. english_tweet = aint feelin a man joyce = I don’t feel a man. romantic_poetry = I feel not the man, I feel not the time, switchboard = i'm not a man shakespeare = I don't feel like a man. Input = back and forth, t.v. to school, there's not much else you know Paraphrase = you don't know much about school, so you don't know much about it. aae = u dont know abt school so u aint know abt school so y u feel so special bible = Thou knowest not much learning in the school, that thou shouldest not know much in the day of thy youth. 1810s-1820s = I think you know little of the school, so that you are not well acquainted with it. 1890s-1900s = There are so many schools, so many questions, that you don't know much about school. 1990s-2000s = <p> The science of school, so little known, is a serious thing that you don't know about. english_tweet = Pentagona y u y u y u y u y u y u y u y u y u y u y u y joyce = school so dont know anything much at all then youll know that girl one better then I will Ill put it on romantic_poetry = Know'st thou not much of school, so that thou may'st know; switchboard = yeah i'm not sure that's a good one you know that's one of the things you don't know much about school shakespeare = I know not much of school, for you know not much of it. Input = And when I fall flat I'll smile Paraphrase = when I'm flat, I'll smile. aae = I'll smile in my face when I'm flat bible = when I am at ease, I will be merry. 1810s-1820s = I'll smile when I'm flattered, when I'm flattered. 1890s-1900s = I'll smile, if I'm flat. " 1990s-2000s = I'll smile as I do when I'm flat. " english_tweet = I'll smile when I'm flat. joyce = When I’ll feel flat I’ll smile. romantic_poetry = When I shall be flatt'ring, wi' a smile, switchboard = well i'll smile when i'm flat shakespeare = When I have to lie flat, I’ll smile. Input = It's just a sad song Paraphrase = it's just a sad song aae = That's just sad song bible = it is but a sad song. 1810s-1820s = ( with a sigh) That's all. 1890s-1900s = It was only a sad song--just that. 1990s-2000s = It's just a sad song, " I said. " english_tweet = it's just a sad song joyce = Tis the sad song. romantic_poetry = Is but the sad music of the day switchboard = it's just a sad song shakespeare = Tis but sad music. Input = Is this the vibe you desire? (You know you're on time) Paraphrase = do you want the vibe? aae = Do I want the vibe? bible = Wants the vibe? 1810s-1820s = Would you like the vibe to be mine? 1890s-1900s = Don't you want that vibe here? " 1990s-2000s = You want the vibe, don't you? " english_tweet = Is the vibe? Love it joyce = Do you want the vibe? romantic_poetry = O think on the vibe? and then tell me switchboard = do you like the vibe shakespeare = Dost thou desire the vibe? Input = To say just what I mean Paraphrase = I only tell you what I mean aae = All I'm sayin is know what I mean bible = I have no commandment of man, only that which I have heard. 1810s-1820s = Nothing but what I say shall convince you. 1890s-1900s = I'm only telling you what I mean. " 1990s-2000s = What I'm saying is that I'm going to tell you what I think. english_tweet = Im just telling you how I feel joyce = Only what I mean. romantic_poetry = I can only say what I mean, switchboard = just tell me what i mean shakespeare = What I mean by it. Input = I got them keys, keys, keys Paraphrase = I'm carrying them, I'm carrying them, I'm carrying aae = Lol I got em tho carry em bible = And I carried them, I carried them, I brought them up; 1810s-1820s = I carry them, I bear them, there! 1890s-1900s = I carry' em, I carry' em, I carry' em. " 1990s-2000s = I carry them, I carry them, I carry them. english_tweet = I carry them, I carry them, I carry them joyce = I have carried them, hasty, hasty. romantic_poetry = And I, wi' them, have borne them hame; switchboard = i carry them shakespeare = I have them, sir, I have them. Input = and keep it rising high Paraphrase = and keep it rising high aae = And keep it up high bible = And keep it up; 1810s-1820s = And keep it up high. 1890s-1900s = It's good to keep it up high, too. 1990s-2000s = And keep it rising high and rising high. english_tweet = And keep it rising high joyce = and keep it rising high romantic_poetry = And keep it from receding high switchboard = and keep it up high shakespeare = And hold it high.  Input = Wasn't quite what I had been thinking of Paraphrase = I didn't think about it quite as much as I thought. aae = The things I thought didn't quite go as planned bible = And I did not put it to my heart quite as I thought. 1810s-1820s = The thought did not pass my mind quite as I had foreseen. 1890s-1900s = I've never thought about it quite as much as I did before. " 1990s-2000s = I hadn't considered it quite that way. english_tweet = I've never quite thought about this quite as much as I thought about it. joyce = Just like that. romantic_poetry = Not quite so much as I thought, I did not disturb switchboard = yeah i hadn't thought about that quite that much i was thinking about shakespeare = Not so much as I thought. Input = Des fois je ralentis et je relativise, pense Ã ce que peut ressentir un amÃ©rindien Paraphrase = des fois je ralentis et je relativise, pense Ã ce que peut ressentir un amÃ©rindien aae = des fois je ralentis et je relativise, pense Ã ce que peut ressentir un amÃ©rindien bible = Des fois je ralentis et je relativise, pense in Amour. 1810s-1820s = Des fois je ralentis et je relativise, pense Ã ce que peut ressentir un amÃ©rindien, dans l'anat de l' 1890s-1900s = Des fois je ralentis et je relativise, pense Ã ce que peut ressentir un amÃ©rindien. 1990s-2000s = Des fois je ralentis et je relativise, pense Ã ce que peut ressentir un amÃ©rindien. english_tweet = des fois je ralentis et je relativise, pense ÃÂ ce que peut ressentir un amÃrindien joyce = Des fois je ralentis et je relativise, pense Ã ce que peut ressentir un amÃ©rindien romantic_poetry = Des fois je ralentis et je relativise, pense Ã ce que peut ressentir un amÃ©rindien switchboard = des fois je ralentis et je relativise pense Ã ce que peut ressentir un amÃ©rindien shakespeare = Des fois leurs et les relativies, pense Ã ce que peut ressentir un amÃ©rindien Input = I made up my mind to go Paraphrase = I've decided to go. aae = I made up my mind I'm gone bible = And I said, I will go. 1810s-1820s = I had determined to go there. 1890s-1900s = I was resolved to go, and I made up my mind. 1990s-2000s = <p> I decided I should go and get them. english_tweet = I have decided to leave. joyce = I have resolved to go. romantic_poetry = I have made my will to go, switchboard = i decided to go shakespeare = I have resolved. Input = Then came the man with a suit and a tie Paraphrase = then the man with the suit and tie. aae = Then that man with the suit and tie bible = Then the man clothed with apparel and vesture. 1810s-1820s = Enter Man with the Suit and Ties, followed by Arnaud. 1890s-1900s = Then the man with the suit and tie--he's on it. 1990s-2000s = Then the man with the suit and tie. " english_tweet = And then the man with the suit and tie. joyce = Then the man with the suit and tie. romantic_poetry = Then suit and tie the man; switchboard = and then the man with the suit and tie shakespeare = Then, man with suit and tie.  Input = Makes us feel creative in a life minus creation Paraphrase = creative in life without creation aae = CREATIVITY IN LIFE WITHOUT CREATING bible = In life created he them; in death destroyed they him not. 1810s-1820s = creative in the business of life Without creation. 1890s-1900s = creative in life without the creation of anything else. 1990s-2000s = <p> Creative in the course of life without creation <p> Creative in english_tweet = Creative in life without creation joyce = creative in life without creation. romantic_poetry = Creative in life without the making switchboard = creative in life without creation shakespeare = Creative without creation.  Input = Simjangsoriga neoege deullil deusi keojine yeah Paraphrase = simjang Origa deullil deusi keojine yes aae = Simjang Origa deullil deusi keojine yes bible = And simjang the Origenite said, Deusi kuahligkeo yamada. 1810s-1820s = Simjang Origa deullil deusi keojine yes. 1890s-1900s = SIMJANG Origa deullil deusi keojine yes. 1990s-2000s = Simjang Origa deullil deusi keojine yes) et uyo. english_tweet = Simjang Origa deullil deusi keojine yes joyce = Simjang Origa deullil deusi keojine yes. romantic_poetry = And simjang Origa deullil deusi keojine yes switchboard = simjang Origa deullil deusi keojine yeah shakespeare = Simjang Origa deullil deusi keojine.   Input = You don't need no coffee, let me, fill your cup Paraphrase = I'm not gonna have a cup of coffee, I'm going to have a cup. aae = I dnt like cupid & i'm bout to go get me one lol bible = My cup runneth over, my cup runneth over: I will not drink of it any more. 1810s-1820s = I can't drink a cup of coffee; I must have one myself. 1890s-1900s = I don't want coffee, I want a cup. " 1990s-2000s = I didn't have coffee, I had coffee. english_tweet = I dont want to have coffee, go drink it joyce = Coffee I can’t have. romantic_poetry = I wad nae need a cup o' brew, switchboard = i didn't i didn't have coffee i had to go to uh shakespeare = I cannot drink, for I have a cup of them for a maid.  O poor wretch! switchboard = well have you made me a prisoner now shakespeare = Thou hast made me a prisoner now.  Input = That every time I see you my heart sings Paraphrase = when I see you, my heart sings aae = My love sings when I see you bible = When I see thee, my heart shall sing, 1810s-1820s = and my heart sings when I see thee. 1890s-1900s = My heart will sing when I see you--a--a little way off. " 1990s-2000s = My heart is singing when I see you. english_tweet = my heart sings when i see you joyce = My heart’s singing when I see you. romantic_poetry = When I see thee, my heart sings switchboard = my heart sings when i see you shakespeare = When I see thee! Input = 'Cause when push comes to shove, love can't be undone Paraphrase = because when you push, love can't be broken aae = Cause when you push, love can't break bible = Because when thou hast pushed, love cannot be broken. 1810s-1820s = Because when you push, love cannot be broken. 1890s-1900s = Because when you push it out, love can't be broken. " 1990s-2000s = Because when you push, love can't tear you apart. english_tweet = cause when you push, love cant be broken joyce = Because when you push, love can’t be broken. romantic_poetry = Because when ye press, love can never be broken switchboard = because when you push that love can't break shakespeare = Why, when you push love cannot be broken.  Input = Many sleep in the rain, but I'm awake in the storm Paraphrase = I sleep in the rain, but I'm awake aae = I'm sleeping in the rain but I'm wide awake bible = I sleep in the showers, but awake I am in the storm. 1810s-1820s = I sleep on the rain-drops, but awake upon the sun. 1890s-1900s = I sleep in the rain; but I wake in the morning. " 1990s-2000s = But I sleep in the rain and I wake up. english_tweet = I'm sleep on rain but wake up awake joyce = sleeping in the rain) but I awake I mean I do feel a bit dry like that romantic_poetry = Sleep I in showers, but awake I strive switchboard = i sleep under the rain but awake shakespeare = I sleep by the rain. Input = While riding with the engineers Paraphrase = when I'm with the engineers aae = When I go with the engineers bible = When I go with the engineers to the work. 1810s-1820s = But when I go to see the Engineers. 1890s-1900s = ( He goes to table L. and speaks to desk L.) When I'm 1990s-2000s = When I go to engineers' offices, I talk to them. english_tweet = Me when I am with engineering joyce = when I meet the engineers of the tower of the river. romantic_poetry = When I'm with the mariners in the great scheme switchboard = when i'm with engineers shakespeare = When I have engineer'd the galleys. Input = I never felt such emotion Paraphrase = I've never felt so much emotion. aae = I never felt this much emotion bible = For all the sweetness of my soul was never so great. 1810s-1820s = I never felt so much emotion in my life. 1890s-1900s = I have never felt the emotions of so much force. 1990s-2000s = I have never felt the kind of emotion I felt when I lost. english_tweet = Ive never felt so emotional joyce = ever so I felt so much emotion. romantic_poetry = My heart was never so full of emotion, switchboard = and i have never felt the need to be so emotionally shakespeare = I have never felt so much emotion.   Now, oh! woe is me! switchboard = oh wow oh wow i don't know if you're familiar with the uh shakespeare = O, how dost thou, O, how dost thou, O, how dost thou!  Input = Help me rejoice and fill that prayer with love Paraphrase = I'm glad you're happy to help me with love aae = I love you love you love help me with the love bible = With gladness do I help thee with love. 1810s-1820s = I am glad to find you contented with my love. 1890s-1900s = I am glad you love me, and help me with love. 1990s-2000s = I'm glad to have you here to help me in lovemaking. english_tweet = i love you for helping me joyce = I am glad you help me with love. romantic_poetry = And I bless wi' love that you'll help me switchboard = i appreciate it love you have a good day bye-bye shakespeare = I thank thee. Input = 'Cause Most he be mega Paraphrase = because most of them are huge aae = Cause most of these niggas huge bible = And because most of them are great men of great wealth 1810s-1820s = Because most of them are immense, in comparison. 1890s-1900s = Because most of them are gigantic, and thus can be traversed. 1990s-2000s = Because most of them are vast. english_tweet = Because most of them are massive joyce = Because most of them! romantic_poetry = Because most of them huge are wonted switchboard = because most of them are huge shakespeare = Because most are huge. Input = Everydays changing will remain the same. Paraphrase = every day there will be a change. aae = Some things will change everyday. bible = for every day there shall be a change. 1810s-1820s = A change is sure to take place every day. 1890s-1900s = There will be a change every day in my life. 1990s-2000s = Some day there will be a change to this place. english_tweet = everyday be a change joyce = Every day change will come on. romantic_poetry = And every day bring with him a change. switchboard = a change is going to happen everyday shakespeare = There will be changes in the day. Input = Let's escape from this fading world Paraphrase = we'll escape from this fading world aae = We can get away from this fading world bible = We shall escape from this fading world. 1810s-1820s = Let us escape from this transitory world. 1890s-1900s = We must escape from this fading world. 1990s-2000s = We can escape from this fading world. english_tweet = Let us escape this faded world joyce = This fading world will escape us. romantic_poetry = That we may flee from this fading world switchboard = we're getting away from this fading of world shakespeare = From this fading world escape us. Input = Tuer le temps, tourner ma veste, les uns s'en vont, les autres restent. Paraphrase = the temps, the vest, the trousers, the rest of the clothes. aae = Temps, vest, pants, rest of the outfit. bible = The temps, and vestments, and trouser coats, and rest of the garments. 1810s-1820s = The tempers, the vestments, the stockings, &c.; &c.; The rest of the apparel is carried on 1890s-1900s = temps, vest, trouser, shoes, socks, etc. 1990s-2000s = Temps, vest, pants, the rest of the clothing. english_tweet = temps, vest, pants, the rest of the clothing. joyce = temps, vest, trousers, general articles. romantic_poetry = Temps, vest, and waistcoat, and such else of dress, switchboard = temps and the vest and the slacks and the rest of that shakespeare = The temps, the vest, the trousers, the rest of the apparel.  Input = Give yourself to the world, baby girl Paraphrase = you have to give the world to yourself, girl. aae = Girl you gotta give the world to yourself, don't be afraid to give the world to me bible = Give thou the world, and it shall be given unto thee; the fulness thereof. 1810s-1820s = Manifest it, girl, by thyself, thou must give the world to the world. 1890s-1900s = You've got to give yourself to the world, Girl. " 1990s-2000s = You've got to give the world to yourself, girl. " english_tweet = Yall gotta give the world to yourself girl joyce = Girl, you must give the world to yourself, man. romantic_poetry = Give to the world itself, and this maiden, switchboard = yeah you've got to give the world to yourself there girls shakespeare = Go give the world to yourself, girl, and then. Input = Almost better to be safe than sorry Paraphrase = it's better to be safe than sorry. aae = Better safe than sorry bible = Better is it to be safe than sorry. 1810s-1820s = Better to be safe than sorry; to be right than wrong. 1890s-1900s = It is better to be safe than to be sorry. " 1990s-2000s = Better to be safe than sorry, and it's a matter of fact. english_tweet = its better to be safe than sorry. joyce = Better to be safe than sorry. romantic_poetry = That's the way to make it right. switchboard = uh it's better to be safe than sorry shakespeare = Safely than sorry. Input = For the dreams that never will come true Paraphrase = for the dreams that don't come true aae = For dreams that never come true bible = And for the dreams that come not to pass. 1810s-1820s = for the dreams that never come true. 1890s-1900s = To be fair, for dreams that are not come true. 1990s-2000s = For the dreams that never come true. english_tweet = for the dreams that don't come true joyce = For dream without return. romantic_poetry = For dreams that come no nearer to reality switchboard = for the dreams that don't come true shakespeare = For these dreams that are not true. Input = You've got a friend in me Paraphrase = you have a friend in me. aae = Boy you got that one friend in me bible = Thou hast put forth a friend in me. 1810s-1820s = This is a friend in me that you desire. 1890s-1900s = I know you've got a friend in me. 1990s-2000s = Your friend in me is the one you have. english_tweet = You got a boyfriend in me joyce = You have a friend in me. romantic_poetry = For me thou hast a friend in thee, switchboard = i have a friend that has shakespeare = By my troth, you have some friend in me. Input = God knows what he said...   Input = It's the perfect confusion or the realist illusion, Paraphrase = it's a perfect confusion, or a realist illusion. aae = That's a perfect confusion, or a trueist illusion. bible = This is the perfection of confusion, or that of an exactor. 1810s-1820s = It is an illusion of the mind, or a perfect confusion of the senses. 1890s-1900s = It is a perfect confoundedness, or the genuineist illusion. 1990s-2000s = It was the perfect confusion, or a realist illusion. english_tweet = Or it could be an actualist illusion. joyce = It is the perfect confusion or the realistic illusion. romantic_poetry = Tis blended in the perfect confusion, or true-believing illusion. switchboard = it's it's it's a perfect confusion or a realist illusion i think shakespeare = That’s the most perfect confusion, Or an absolute and true-crammed illusion. Input = Oh it's my time and I can't waste it Paraphrase = I have to take care of it and I can't waste it. aae = Time is my biggest enemy and I have to take care of it and I can't waste it bible = For I must needs take care of it, and cannot waste it. 1810s-1820s = She has made me responsible for it and I cannot waste it. 1890s-1900s = It's got to be taken care of and I can't waste it. " 1990s-2000s = I've got to take care of it and I can't waste it. english_tweet = I gotta make sure I can take care of it and not waste it. joyce = Must take care of that and get rid of it and be sure I can never waste it. romantic_poetry = I need na tak care of an' waste switchboard = yeah it has to be taken care of and i can't waste it shakespeare = I must take care of it and it is a waste.  Input = city lights got her spinin Paraphrase = she spun around the city lights aae = Spinning round downtown lights bible = She spun about the city lights. 1810s-1820s = She whirled about the city lights in a circle. 1890s-1900s = She was spinning around in the city lights. 1990s-2000s = She spun her body through the town lights. english_tweet = Spinned around town lights joyce = Spinning around the town lights. romantic_poetry = And spun round the city lights switchboard = and she spun around the city lights shakespeare = She spun about the city. Input = Don't you know things can change Paraphrase = you know things can change. aae = Things can change. You just know. bible = knowing that things may change. 1810s-1820s = Things can change, you know; and they do change. 1890s-1900s = You know things can change; you're afraid they'll change. 1990s-2000s = And you know things can change, and they do. english_tweet = U know things can change. joyce = You know things can change. romantic_poetry = That thou may'st know changes can come. switchboard = yeah you know things can change shakespeare = You know Things may change.  Input = Kotoba ni deki nai mama de Paraphrase = Kotoba ni deki nai mama de aae = Kotoba ni deki nai mama de bible = Nai mama dekotoba ni deki. 1810s-1820s = Kotoba ni deki nai mama de, bi*i. " 1890s-1900s = Kotoba ni deki nai mama de. 1990s-2000s = Kotoba ni deki nai mama de... english_tweet = kotoba ni deki nai mama de joyce = Kotoba ni deki nai mama de romantic_poetry = Kotoba ni deki nai mama de switchboard = Kotoba ni deki nai mama shakespeare = Kotoba ni deki mama.  Input = Just can't wait to get in line Paraphrase = I'm not waiting for the line. aae = Can't wait to hit the line. bible = I have no patience for the line. 1810s-1820s = I waited not the line to be struck. 1890s-1900s = I don't want to wait for the line to come. " 1990s-2000s = I didn't have time to wait for the line. english_tweet = I cant wait for this line. joyce = I was not waiting for the line. romantic_poetry = I lay no longer waiting for the line, switchboard = i don't know if i want to wait on line shakespeare = I have no time for the line. Input = Turn that cherry out, turn that cherry out Paraphrase = turn the cherry out, turn the cherry. aae = TURN UP BRUH UGLY CUZ bible = turn away the choice cherub, turn away the choice cherub. 1810s-1820s = Doolittle (hiccups) Turn out the cherry, turn out the cherry. 1890s-1900s = Come in, turn out the cherry; turn out the cherry. 1990s-2000s = Turn the cherry out, and turn the cherry. english_tweet = turn that cherry out, turn that cherry out joyce = Put your cherry in, turn the cherry out. romantic_poetry = O turn the cherry-tree o'er, switchboard = and turn the cherry out shakespeare = Make your way to the cherry; turn thy cherry. Input = and the way she would look at me - and the way she would do this Paraphrase = and the way she looks at me - and the way she does it aae = And the way she looks at me - and the way she does it bible = And the way that she looketh on me is right before me, and the way that she doeth is right before 1810s-1820s = And the manner of her looking at me--and the manner of doing it. 1890s-1900s = And the way she looks at me--and the way she does it. " 1990s-2000s = And the way she looks at me--and the way she does it. " english_tweet = And the way she looks at me - and the way she does it joyce = and the way she looks at me—and the way she does it—by the way—by the way—by romantic_poetry = And looks upon me--and all that I do, switchboard = and the way she looks at me -at and and does it shakespeare = And the way she looks on me—and the way she doth it.  Input = We seek retribution for the crimes Paraphrase = we're looking for revenge for the crimes. aae = We looking for revenge bible = for vengeance we look for. 1810s-1820s = We look for revenge, to the crimes of our fathers. 1890s-1900s = We are looking for vengeance for the wrongs of the past. 1990s-2000s = We need revenge on our part for the crimes. " english_tweet = We want revenge joyce = For vengeance we seek. romantic_poetry = We sought revenge in crimes. switchboard = and we're looking for revenge shakespeare = We seek revenge on these crimes. Input = Where the high custodian my bet Paraphrase = where the high-profile guardian is my bet aae = Where my high watching guardian at bet bible = Where the high-profile ward is my bet. 1810s-1820s = And where the high-dame's guardian be my betters. 1890s-1900s = My bet, where the high-hearted guardian is my bet. 1990s-2000s = Where the high-ranking guardian of my bet is. english_tweet = where the high sc guardian my bet joyce = Where highpatrol guardian? romantic_poetry = Where the high-fam'd guardian my bet switchboard = where high profile guardians are my bet shakespeare = Where the high-prized guardian doth it. Input = what goes up must never come back down Paraphrase = it's never going to come down. aae = It never gets down. bible = for it cannot come down. 1810s-1820s = It never will come down from the sky. 1890s-1900s = It can never come down, that's certain. " 1990s-2000s = It never comes down and it never comes down again. english_tweet = this will never come down joyce = Never come down. romantic_poetry = And it never will come down. switchboard = it never comes down shakespeare = It shall never come down. Input = Jay-Rock nigga and I do it for my [Cali Niggas] Paraphrase = I'm doing it for my [Cali Niggas]. aae = I Do This For My [Cali Niggas] bible = For I do this for the people of Cali Niggas. 1810s-1820s = I'm doin' this for my Cali Niggas ". 1890s-1900s = It's for my [/Cali Niggas' that I'm doing it. " 1990s-2000s = I do it for the sake of my][/Cali Niggas ". english_tweet = This is how I do [Cali Niggas] joyce = It’s my duty, says I, for my [Cali Niggas]. romantic_poetry = For my [Cali Niggas] I'm doing it, switchboard = i do that for my [Cali Niggas] shakespeare = I do it for my [Cali Niggas].  Input = Somethin somethin strange, somethin strange Paraphrase = something weird, something weird aae = Something weird.. bible = Something strange, and strange. 1810s-1820s = ( entering) Something strange, strange! 1890s-1900s = There was something strange, something strange. 1990s-2000s = Something strange, something odd, it's gone. english_tweet = Something odd, something odd joyce = Something odd. romantic_poetry = Something strange, something queer switchboard = something weird shakespeare = Something strange.   Input = "Yes Deltron, what have you?" Paraphrase = "yes, Deltron, what do you mean?" aae = \" yes Deltron lol\" what's that bible = And he said, Yea, Deltron; what meanest thou? 1810s-1820s = " Yes, Deltron, what is your meaning? " 1890s-1900s = " Yes, Deltron, what do you mean? " 1990s-2000s = " Yes, Deltron, what do you mean? " english_tweet = "yes Deltron, what are you talking about?" joyce = THE LORRY: ’Yes, Deltron, what do you mean? romantic_poetry = "Yes, Deltron, what can I mean?" switchboard = "yeah Deltron what do you mean" shakespeare = Why, “yes, Deltron, what mean’st thou by that?” said Input = When it's right in the palm of your hand Paraphrase = when you have it in your hand aae = when you have it in your hand bible = when thou hast it in thine hand 1810s-1820s = When thou hast it in thine hand. " 1890s-1900s = And when you've got it in your hand--( Scales the receiver) That 1990s-2000s = When you have it in your hand, then. english_tweet = When your hand is full of it joyce = when you have it in your hand. romantic_poetry = And when you hae it in thy grasp switchboard = right when you get it shakespeare = Upon the same hand that it was. Input = Shakes me like I'm not shaken before. Paraphrase = I shake like I'm not shaken. aae = I'm shaking like I ain't never shook before bible = I shake at the last, as I shake at no shaking. 1810s-1820s = It shakes me, as if I were not shaken. 1890s-1900s = I shake like I don't have been shaken. 1990s-2000s = I'm shaking like I haven't been shaken in a long time. english_tweet = I'm shaking like I'm not shook. joyce = Sh shake like I’m not shook. romantic_poetry = Shook like one that is not shaken. switchboard = i shake like i don't shake shakespeare = I shake as I am not shook.     Input = And if you love me you've got to love me right Paraphrase = you have to love me if you like me. aae = If you love me you gotta love me if you love me you gotta love me bible = If ye love me, ye shall keep my commandments: and my commandments are life everlasting. 1810s-1820s = If you love me, you must love me in return. 1890s-1900s = If you love me you must love me also. " 1990s-2000s = And if you like me, you must love me. " english_tweet = If you love me you gotta love me joyce = Love me now if you like me. romantic_poetry = If thou lov'st me, thou must love me, switchboard = i love you i love you if you like me you got a b- a b- a uh shakespeare = If you like me well, you must love me. Input = All I really worry about is living it and killing it Paraphrase = I'm really worried about the fact that I'm living it and killing him. aae = I honestly hate the fact that I'm living it and killing it. bible = I was distressed in the fact that I live, and kill him. 1810s-1820s = I really feel that I live to do and to kill it. 1890s-1900s = I have really worried myself about the fact that I live it and kill it. 1990s-2000s = I am terribly concerned about the fact that I live it and kill him. english_tweet = im honestly so anxious to live it and kill it joyce = of living it and killing him I feel so lonely I am I feel I should be living romantic_poetry = Dread of life and death, I live and kill, switchboard = i really do worry about uh living it and and killing it i mean that that's my problem shakespeare = I do fear that I live in this and kill him.  Input = Babe, I don't know what to do Paraphrase = baby, I'm not sure what to do. aae = Baby, I don't know what to do bible = And he said, Son, I know not what to do. 1810s-1820s = I don't know what to do, child, but I am determined. 1890s-1900s = I don't know what to do, child. 1990s-2000s = Baby, I don't know what to do. " english_tweet = baby i can't believe it joyce = Babes, don’t you know what to do. romantic_poetry = O baby! know not what to do, switchboard = i don't know what to do with that baby shakespeare = Come, I don't know What to do.  Input = For three nights in a row Paraphrase = for three nights in a row aae = For 3 nights straight bible = for three nights in a row 1810s-1820s = So, for three nights in succession, my sweetheart! 1890s-1900s = And to go out in a row for three nights in a row! 1990s-2000s = For three nights in a row. " english_tweet = 3 nights in a row joyce = for three nights in a row romantic_poetry = For three nights at a time, to lie switchboard = for three nights shakespeare = For three nights. Input = Junge Menschen sagen âIch will SpaÃ" Paraphrase = Jung-Jung-Jung-Jung-Jung-Jung-Jung-Jung-J aae = Jung Ho-Lil Jeezy x Take It To The Top >>>>>>>>> bible = Jung, Juk, and Ekphraim, and Geba, and On, 1810s-1820s = Jung-Jung-Jung-Jung-Jung-Jung-Jung 1890s-1900s = Jung-Jung-Jung by the J. 1990s-2000s = Rising in the dimness of the window, Jung-Jung-Jung-Jung held the banner. english_tweet = bts universe | a netflix original series joyce = Jung-Jung-Jung-Jung-Jung-Jung-Jung-Jung-Jung-Jung-Jung-Jung romantic_poetry = Tho' in some places of mists and clouds, switchboard = and uh the one that i- i like is called Jung-Jung- Jung- shakespeare = Now, by Jove, take away the tree. Input = I will never share my world with anyone Paraphrase = I'm not gonna share my world with anyone. aae = I dnt like to share my world with nobody bible = And I said, I will not share my people with any man. 1810s-1820s = I shall never share my world with any human being. 1890s-1900s = I have no one to share my world with. " 1990s-2000s = I couldn't share my world with any of them. english_tweet = I hate sharing my world with people. joyce = I am not sharing my world with anyone. romantic_poetry = I'll ne'er share my earth wi' a soul. switchboard = i don't want to share my world shakespeare = I will not go with any man to share my world. Input = That all of us, we share Paraphrase = we're all on our own aae = We all got our own bible = we are all of us. 1810s-1820s = We are all on our own. 1890s-1900s = We are all of us out here alone. " 1990s-2000s = We're all on our own, " she says. " english_tweet = We are all alone joyce = We all in our own way. romantic_poetry = For we are all upon our own switchboard = and we all have our own shakespeare = All on ’t. Input = Once I had a trick up my sleeve Paraphrase = once I've got a trick on my sleeve aae = Once I get a trick up my sleeve bible = and once I have made a device upon mine arm. 1810s-1820s = Once I had one of my tricks on my sleeve. 1890s-1900s = Once I got a trick on my sleeve, a slip of my old clothes. 1990s-2000s = Once I had a trick on my sleeve. english_tweet = Once I got a trick on my sleeve joyce = once I had the hoover’s clap on my sleeves. romantic_poetry = Once I had in my sleeve a trick switchboard = once i got a trick on my sleeve shakespeare = I’ll have once again the trick of it.  Input = Ran back to Fox, found Martin, me and Bruhman from the fifth floor Paraphrase = I went back to Fox, and I found Martin and Bruhman. aae = Jus went back to fox, went find marvin and bruhman bible = Then I went and returned to Fox; and, lo, there was a man there of the house of Saul, and a 1810s-1820s = Having gone in search of Martin and Bruhman, I returned to Fox. 1890s-1900s = Then I went back to Fox, and I found Martin and Bruhman. 1990s-2000s = So I went back to Fox, found Martin and Bruhman, and went back to New York. english_tweet = Ive been back to Fox and found Martin and Bruhman joyce = I went back to Fox and found Martin and Bruhman and he found Bruhman and found Martin. romantic_poetry = I turned my back on Fox, and found Martin and Bruhman there, switchboard = yeah i went back to Fox i just i i found Martin and Bruhman shakespeare = I went back to Fox, and, in their search, I found Martin and Bruhman. Input = But then one day my Uncle Sam Paraphrase = but then my uncle Sam came to me. aae = But then my uncle Sam came up on me bible = But after this my uncle Samuel came to me. 1810s-1820s = But then, I met my uncle Sam. 1890s-1900s = But then my uncle Sam went over to see me. 1990s-2000s = But then I got a call from my uncle Sam. english_tweet = But then my uncle Sam came in. joyce = But after that one my uncle Sam came round to me. romantic_poetry = But then my uncle Sam came to me, switchboard = but then uh my uncle Sam shakespeare = But then came my uncle to me. Input = We've lost count up victims roll call Paraphrase = we lost the count of the victims aae = Victims lost the count bible = for we had lost count of the number of the slain. 1810s-1820s = Our loss was our count of victims. 1890s-1900s = We have lost the count of the victims. 1990s-2000s = The victims of the murders we have lost count. english_tweet = We've lost count joyce = Calls us count victims. romantic_poetry = We lost count o' our victim's number switchboard = and we had a total count of victims shakespeare = We have lost the count. Input = Heard one person starve, I heard many people laughin' Paraphrase = I heard a couple of people starve, and many people laughed. aae = Heard some people starving, and many people laughing bible = I heard some people starving, and many people laughing. 1810s-1820s = I heard a few people say that they were starving, and many people laugh. 1890s-1900s = I've heard of people starving, and many people laughing. 1990s-2000s = I heard a few people starving, and a lot of people laughing. english_tweet = I've heard a few people are currently starving. And many people are laughing. joyce = I heard of a few starving people, and many people laughed at the idea. romantic_poetry = I heard some laugh at starve'd folk, and many a man switchboard = i heard of a couple of people starving i heard that many people laughed at that shakespeare = I have heard a throng starve, And many a fellow laugh. Input = I expect love from you Paraphrase = I'm hoping you'll love me. aae = I Hope You Love Me bible = I hope in thy love. 1810s-1820s = I hope you will love me. " 1890s-1900s = I only hope you will love me--and you know that. 1990s-2000s = I hope you will love me, and I hope you will love me. english_tweet = I want you to love me joyce = Hope you love me. romantic_poetry = I hope that ye'll love me still, switchboard = i hope you love me shakespeare = I hope, my lord, that you will love me. Input = One and one is nothing Paraphrase = one and one is nothing. aae = One and only is nothing. bible = One and one is nothing; but many are the things of one. 1810s-1820s = One and another is nothing, in comparison. 1890s-1900s = I know that one and one is nothing. " 1990s-2000s = ( It's nothing, one and one is. english_tweet = One and one is nothing. joyce = One and one is nought. romantic_poetry = A single and one are nought. switchboard = one and one is nothing shakespeare = One and one is nothing.      Input = And perfect's what you see, Paraphrase = perfect is what you see, and it's perfect. aae = perfect is what you see, and it's perfect bible = That which is perfect is that which thou seest; and that which is perfect is that which thou perce 1810s-1820s = That which you see is right, is right, and is perfect. 1890s-1900s = And perfect is what thou beholdest, and perfect is what thou shalt see. 1990s-2000s = It's the perfect picture of what you see, and it's perfect. english_tweet = the perfect is what you see, and the perfect is what you receive. joyce = Perfect is what you see. romantic_poetry = Perfection is that which thou seest, and art perfect. switchboard = Perfect is what you see it's a it's a very ideal looking shakespeare = Perfect is this which you see, and it is perfect.   Input = Such a long, long, long, long time before the dawn Paraphrase = it's been a long, long, long time since the dawn aae = Dawn it's been so long bible = It was even this day, that it was day. 1810s-1820s = Long ere the dawn, it was darkening all around. 1890s-1900s = And the dawn has been here long ago. 1990s-2000s = That dawn, long ago, is gone. english_tweet = Been for years now, long day! joyce = Since the dawn of the age of. romantic_poetry = Long, long time hath rung by the dawn switchboard = uh it's been a long time uh not quite long ago that the dawn shakespeare = Twas ever since the dawn. Input = They'll let me in, from the cold. Paraphrase = they'll let me in, the cold. aae = They let me in, this cold bible = they shall let me in, the cold, and the heat. 1810s-1820s = They let me in, at last, the coldest part of the night. 1890s-1900s = They'll let me in, the cold of the room. 1990s-2000s = They're going to let me in, the cold. " english_tweet = Them gonna let me in, the cold. joyce = They will let me in, the cold. romantic_poetry = They'll let me in, the frosty wale, switchboard = they'll let me in the cold shakespeare = They let me in, the cold. Input = You don't bang huh? That's that out of town in you Paraphrase = you're not going to the city, are you? aae = You not going downtown? bible = and hast thou not entered into the city, that we may know it? 1810s-1820s = But you are not going to the city, I suppose? ' 1890s-1900s = You won't go to the city, will you? " 1990s-2000s = You don't want to come to the city, do you? english_tweet = Are you not going to the city joyce = Are you going to the town? romantic_poetry = Thou art no where to town, are ye? switchboard = so you don't get to the city huh shakespeare = Are you gone from the city?


Join Gabe LaBounty as he seeks out the multitude of untold stories of the early days of Frisbee Golf, and traces those influences to the modern day game of Disc Golf. Produced in conjunction with the Disc Golf Hall of Fame, this podcast is about preserving the spirit and the stories of the pioneers and trailblazers that have given the sport its wings.
This podcast is built on the stories of disc golfers everywhere, and our stories are more connected than we realize. Let me know with this form if you know of someone with a piece of disc golf history.
There are several disc golfers making an effort to record the sport's history. This video gives a great overview of how the Frisbee started and split off into disc golf as well as some of the early tribulations of the sport.


Technologies I've learned
Posted October 31, 2016 by Matt Kraatz
As I’ve started to develop my professional story to most effectively look for employment over the next few months, I’ve uncovered a need to catalogue the technologies I’ve learned and used in practice since my journey began this year. This is meant to be fairly comprehensive of specific technologies I am comfortable working with, but more important is an understanding of the underlying software development principles that I’ve gained in the process. I expect updates to this list periodically over time, but to start, in no particular order:
Workflow
- git
- GitHub
Languages
- Javascript
- C#
- HTML
- CSS
Frameworks
- AngularJS
- .NET
- TurnJS
- JQuery
- ASP.NET Core MVC and Web API
- Entity Framework/Linq
- Ionic
- Jekyll
Styling
- Sass
- Bootstrap
- Materialize
Other
- Handlebars
- Browserify
- Grunt
- NPM
- Bower
- Firebase
- Bash Scripting
Editors
- Visual Studio Code
- Visual Studio
- Sublime Text


| Negative Sign and Infinity | _ |
|
The symbol _ followed by a digit denotes a negative number
(as in _3.4), and denotes infinity when used alone,
or negative infinity (in __). It is also used in names,
as discussed in
Part I and in
Part II Section I.
|
2 % 0 NB. Two divided by zero _ 10 ^. 0 NB. Base ten logarithm of zero __ _2 _ 3 + 5 3 _ 8 integer_test=: =<. NB. Use of break in name integer_test 3 3.5 1 0Although -2 may sometimes be used instead of _2, it is important to understand that the former is the application of a function to the number 2, whereas the symbol _ is an indivisible part of the number representation, just as the period is an indivisible part of a number such as 8.9 .


wafer-bw/whatsmyip
Your public IP address is:
Golang
API
running as a
Vercel Serverless Function
which returns your public IP address
API supports the following
accept
headers:
application/json
application/protobuf


ASP.NET Core Identity Series
The most complete guide for ASP.NET Core Identity
- Introduction to ASP.NET Core Identity library
- Describe ASP.NET Core Identity basic archirecture
- Explain the role and relationship between
Stores
and Managers
and how they function under the hood
- Explain what
Claims
, ClaimsIdentity
and ClaimsPrincipal
entities are and how they are related
- Step by step guide on how to install and start using the core packages
- Associated repository branch: getting-started
- Introduce
Microsoft.Extensions.Identity.Stores
and UserStoreBase
store implementations
- Plug and configure Entity Framework Core with ASP.NET Core Identity and minimum configuration
- Explain Entity Framework different store implementations such as
UserOnlyStore
or UserStore
- Step by step guide for applying migrations and creating Identity's SQL Schema
- Discuss whether you should use ASP.NET Core Identity with Entity Framework
- Associated repository branch: entity-framework-integration
- Explain
Claims-based
authorization by example
- Explain
Role-based
authorization by example
- Step by step guide for creating custom
Authorization Policy Provider
- Explain how authorization works under the hood
- Explain
Imperative authorization
by example
- Associated repository branch: authorization
- Explain how
OAuth 2.0
works (terminology, grant types, tokens)
- Explain how
OpenID Connect
works (terminology, tokens, flows)
- Learn how to use
IdentityServer
for integrating OAuth 2.0
and OpenID Connect
- Associated repository branch: identity-server
-
Implement all Two Factor Authentication related tasks:
- Enable/Disable 2FA
- Configure authenticator app (QR Code included)
- Generate/Reset recovery tokens
- Reset authenticator app
- Explore the 2FA code and database schema
-
Enhance the security level of 2FA by overriding the default implementation
- Encrypt authenticator key
- Encrypt recovery tokens
To be continued..
Installation instructions
The project is built with ASP.NET Core with Angular on the client side.
-
Basic project setup:
cd ./AspNetCoreIdentity
where the package.json file exist
npm install
dotnet restore
dotnet build
dotnet run
-
Create the AspNetCoreIdentityDb database (skip if you want to run with In memory DB)
cd ./AspNetCoreIdentity
where the AspNetCoreIdentity.csproj exist
Add-Migration initial_migration
or dotnet ef migrations add initial_migration
Update-Database
or dotnet ef database update
-
Create the IdentityServerDb database (skip if you want to run with In memory DB)
In case you don't want to use a real SQL Server Database when running the AspNetCoreIdentity
project, simply set InMemoryProvider: true in the appsettings.json. This option will use in memory database
In case you don't want to use a real SQL Server Database when running the IdentityServer
project simply set UseInMemoryStores: true in the relative appsettings.json This option will use in memory database
Follow chsakell's Blog
| Facebook |
Twitter |
| Microsoft Web Application Development |
|
|
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License
Code released under the MIT license.


Arash Ghaf
Bearer of a Project Management Professional certificate (PMP), a credential offered by the Project Management Institute (PMI) in the United States, with more than nineteen years of work experience in related positions.
Doing comprehensive research, graduated from George Washington University’s political management program and learned the most important aspects of U.S campaigns. This program is designed for those who are interested in Americans politics and campaigns and offers substantial courses such as Campaign Strategy, Communication Strategy, Fundraising, Targeting and Voter Files, Digital Media, Data Analysis, etc.
During term of study, carried out lots of in-depth research for different courses such as a “Campaign Digital Strategy Plan for a Hypothetical U.S 2016 Presidential Election” (in the case of Joe Biden), “Strategy Behind the Hillary Clinton 2016 Presidential Campaign” (based on specific poll results), “Campaign Communication Plan for Hillary Clinton”, “Campaign Strategy Plan for Hypothetical Candidate in District 33 California U.S Congressional Election”, “Targeting Plan for Patrick Murphy in 2016 Senate Election in Florida”, “Strategies Behind Bill Clinton’s Re-Election Bid in 1996”, “Rise of an Outsider in the U.S Presidential Election (Case Study: Donald Trump)”, etc.
In 2011, obtained MBA from Carleton University of Canada and chose corporate social responsibility (CSR) as the topic of the thesis and conducted research about the “Application of CSR in Global Companies (Case Study: BP). Thesis was graded “A.”
Currently, studying in the Data Analytics program at George Washington University and believe that the area of data analytics and the ability to interpret and visualize numbers is crucial for anyone who is working on campaign-related, as well as business-related activities.
In June 2013, owing to the passion for the analytical approach, with some friends conducted the first-ever public opinion tracking poll for Iran’s presidential election (http://www.ipos.me/en/). Also conducted a number of other polls gauging Iranian opinion on a variety of social-political issues (such as President Rohani’s job approval rating), the results of which have all been published on the iPOS website.


java.lang.annotation
Interface Annotation
- All Known Implementing Classes:
- Deprecated, Documented, Inherited, Override, Retention, SuppressWarnings, Target
public interface Annotation
The common interface extended by all annotation types. Note that an
interface that manually extends this one does not define
an annotation type. Also note that this interface does not itself
define an annotation type.
- Since:
- 1.5
|
Method Summary |
Class<? extends Annotation> |
annotationType()
Returns the annotation type of this annotation. |
boolean |
equals(Object obj)
Returns true if the specified object represents an annotation
that is logically equivalent to this one. |
int |
hashCode()
Returns the hash code of this annotation, as defined below: |
String |
toString()
Returns a string representation of this annotation. |
equals
boolean equals(Object obj)
- Returns true if the specified object represents an annotation
that is logically equivalent to this one. In other words,
returns true if the specified object is an instance of the same
annotation type as this instance, all of whose members are equal
to the corresponding member of this annotation, as defined below:
- Two corresponding primitive typed members whose values are
x and y are considered equal if x == y,
unless their type is float or double.
- Two corresponding float members whose values
are x and y are considered equal if
Float.valueOf(x).equals(Float.valueOf(y)).
(Unlike the == operator, NaN is considered equal
to itself, and 0.0f unequal to -0.0f.)
- Two corresponding double members whose values
are x and y are considered equal if
Double.valueOf(x).equals(Double.valueOf(y)).
(Unlike the == operator, NaN is considered equal
to itself, and 0.0 unequal to -0.0.)
- Two corresponding String, Class, enum, or
annotation typed members whose values are x and y
are considered equal if x.equals(y). (Note that this
definition is recursive for annotation typed members.)
- Two corresponding array typed members x and y
are considered equal if Arrays.equals(x, y), for the
appropriate overloading of
Arrays.equals(long[], long[])
.
- Overrides:
equals
in class Object
- Parameters:
obj
- the reference object with which to compare.
- Returns:
- true if the specified object represents an annotation
that is logically equivalent to this one, otherwise false
- See Also:
Object.hashCode()
,
Hashtable
hashCode
int hashCode()
- Returns the hash code of this annotation, as defined below:
The hash code of an annotation is the sum of the hash codes
of its members (including those with default values), as defined
below:
The hash code of an annotation member is (127 times the hash code
of the member-name as computed by String.hashCode()
) XOR
the hash code of the member-value, as defined below:
The hash code of a member-value depends on its type:
- The hash code of a primitive value v is equal to
WrapperType.valueOf(v).hashCode(), where
WrapperType is the wrapper type corresponding
to the primitive type of v (
Byte
,
Character
, Double
, Float
, Integer
,
Long
, Short
, or Boolean
).
- The hash code of a string, enum, class, or annotation member-value
I v is computed as by calling
v.hashCode(). (In the case of annotation
member values, this is a recursive definition.)
- The hash code of an array member-value is computed by calling
the appropriate overloading of
Arrays.hashCode
on the value. (There is one overloading for each primitive
type, and one for object reference types.)
- Overrides:
hashCode
in class Object
- Returns:
- the hash code of this annotation
- See Also:
Object.equals(java.lang.Object)
,
Hashtable
toString
String toString()
- Returns a string representation of this annotation. The details
of the representation are implementation-dependent, but the following
may be regarded as typical:
@com.acme.util.Name(first=Alfred, middle=E., last=Neuman)
- Overrides:
toString
in class Object
- Returns:
- a string representation of this annotation
annotationType
Class<? extends Annotation> annotationType()
- Returns the annotation type of this annotation.
Submit a bug or feature
For further API reference and developer documentation, see Java 2 SDK SE Developer Documentation. That documentation contains more detailed, developer-targeted descriptions, with conceptual overviews, definitions of terms, workarounds, and working code examples. Copyright © 2004, 2010 Oracle and/or its affiliates. All rights reserved. Use is subject to license terms. Also see the documentation redistribution policy.


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This tutorial implements a seasonality strategy that trades based on historical same-calendar-month returns. The strategy is derived from the paper Common Factors in Return Seasonalities.
A great deal of research on seasonality effects in algorithmic trading exists. Seasonality patterns are well documented in stock returns across numerous countries and in commodity and country portfolios. The phenomenon’s occurrence is not isolated to specific stocks or monthly time intervals, for example, seasonality is observed at the daily frequency as well. Our implementation reflects the existing research.
In our algorithm, we will first use a coarse selection filter function to narrow down our universe to the top 100 liquid securities with a price greater than $5.
Next, for each security in the universe, we will calculate the monthly return for the same-calendar month of the previous year. For example, if we implement this strategy on a backtest for the period of August 2019, we would base our long and short positions on monthly returns from August 2018. We will long the securities with top monthly returns and short those with the bottom monthly returns.
At the end of each month we will rebalance and repeat the strategy. The following section offers further explanation of how to implement each step of the strategy.


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