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Bullet Collision Detection & Physics Library
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#include "LinearMath/btTransform.h"
#include "LinearMath/btAlignedObjectArray.h"
#include "btTriangleShapeEx.h"
Go to the source code of this file.
Classes | |
| class | GIM_CONTACT |
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| #define | NORMAL_CONTACT_AVERAGE 1 |
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Definition at line 36 of file btContactProcessingStructs.h.
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Configuration var for applying interpolation of contact normals.
Definition at line 34 of file btContactProcessingStructs.h.


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Taking early-stage teams with interesting ideas and turning them into investible products for the past 2+ years in the blockchain & distributed web space.
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I've been practicing design and product strategy for 12+ years at a range of companies, from startups to enterprise and everything in between. For five of those years, I've been in leadership roles, as both a people manager and design & product lead.
For a thorough look at my previous work, check out my LinkedIn.
Also on my LinkedIn are testimonials from a lot of folks I've worked with along the way. I've copy/pasted a few snippets below.
"Zach is one of those rare breed of designers that loves to think at a systems and strategic level but easily dives in at the detail level of design. Not only that, but he is immensely respected by everyone he works with, whether it be co-workers, direct reports, leadership, and clients!"
"When Zach joined our team at EMC he brought a revolution of change, [he's] one of the best designers I've ever worked with."
A friendly introduction to research & prototyping for technical products
How designing software on Ethereum is the same as designing Web2 Products, but also completely different.
This is a talk + discussion I led internally for the team at EchoUser, adapting some of Michael D. Watkins’s frameworks for better client management in agencies.
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When looking for funding, teams should be answering these questions.


A café is a type of restaurant which typically serves coffee and tea, in addition to light refreshments such as baked goods or snacks. The term "café" comes from the French word meaning "coffee".A café setting is known as a casual social environment where you can find people reading newspapers and magazines, studying, or chatting with others about current events. It is known also regarded as a place where information can be exchanged. A café is sometimes called a coffeehouse or a coffee shop or tea shop in English, a café in French and a bar in Italian. (Cafe or café is the common spelling used in English, French, Spanish, et al. however the word is spelled "caffè" in Italian.) It shares some characteristics of a bar and some characteristics of a restaurant given its selection of foods and beverages served, but is distinct from a cafeteria which is a type of restaurant where customers can choose from many dishes displayed on a serving line. In some countries, cafés are designed to more closely resemble restaurants whereby offering a range of hot meals and possibly licensed to serve alcohol. Most British cafés however, do not sell alcohol likely due to the prominent pub culture.
smoked turkey , mozzarella , black olives & curried mayo in curried spinach wrap
chopped greens , avacode , olives , tomatoes & cumumbers with house-made hummus.
comed beef, melted Swiss , sauerkrout & thousand island on marbled rye
with tangy barbecue sauce on an onion knot


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Hey, I'm a Web developer living in Melbourne, raised in London with Polish roots. I have a passion for Computer Science and User Experience. Today I see myself as a seasoned Web developer with an eye for detail. I enjoy staying up to date with the latest web design trends and have the urge to push the boundaries of the web as we know it.
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About two miles north of the city a wide blue banner stretched between two tall poles rippled in the wind, proclaiming Valan Luca’s Grand Traveling Show and Magnificent Display of Marvels and Wonders in brilliant red letters large enough to be read from the road, perhaps a hundred paces east. For those unable to read, it at least indicated the location of something out of the ordinary. This was The Largest Traveling Show in the World, so the banner claimed. Luca claimed a great many things, but Mat thought he must be telling the truth about that. The show’s canvas wall, ten feet high and tightly pegged at the bottom, enclosed as much ground as a good-sized village.
The people streaming by looked toward the banner curiously, but the farmers and merchants had their work ahead of them and the settlers their future, and none turned aside. Thick ropes fastened to posts set in the ground were meant to herd crowds to the wide, arched entrance just behind the banner, but there was no one waiting to get in, not at this hour. Of late, few came at any hour. The fall of Ebou Dar had brought only a slight drop in attendance, once people realized the city would not be looted and they did not have to flee for their lives, but with the Return, all those ships and settlers, nearly everyone decided to hold on to their coin against more pressing needs. Two bulky men, huddling in cloaks that might have come from a ragbag, were on duty beneath the banner to keep out anyone who wanted to peek around without paying, but even those were in short supply, nowadays. The pair, one with a crooked nose above a thick mustache and the other missing an eye, were squatting on the dirt, tossing dice.
Surprisingly, Petra Anhill, the show’s strongman, stood watching the two horse-handlers play, arms larger than most men’s legs folded across his chest. He was shorter than Mat, but at least twice as wide, his shoulders straining the heavy blue coat his wife made him wear against the cold. Petra seemed engrossed in the dicing, but the man did not gamble, not so much as pitching pennies. He and his wife, Clarine, a dog trainer, saved every coin they could spare, and Petra needed small excuse to talk at length about the inn they intended to buy one day. Even more surprising, Clarine was at his side, enveloped in a dark cloak and apparently as absorbed in the gaming as he.
Petra glanced warily over his shoulder into the camp when he saw Mat and Egeanin approaching arm-in-arm, which made Mat frown. People looking over their shoulders was never good. Clarine’s plump brown face broke into a warm smile, though. Like most women in the show, she thought he and Egeanin were romantic. The bent-nosed horse-handler, a heavy-shouldered Tairen named Col, leered as he scooped up the wager, a few coppers. No one but Domon could see Egeanin as pretty, but to some fools, nobility bestowed beauty. Or money did, and a noblewoman must be rich. A few thought any noblewoman who abandoned her husband for the likes of Mat Cauthon might be open to leaving him, too, and bringing her money with her. That was the story Mat and the others had put around to explain why they were hiding from the Seanchan: a cruel husband and a lovers’ flight. Everyone had heard that sort of tale, from gleemen or books if seldom real life, often enough to accept it. Col kept his head down, though. Egeanin—Leilwin—had already drawn her belt knife on a sword-juggler, a too-handsome fellow who had been overly suggestive in asking her to share a cup of wine in his wagon, and no one doubted she would have used the blade if he had pressed his suit an inch further.
As soon as Mat reached the strongman, Petra said quietly, “There are Seanchan soldiers talking to Luca, about twenty of them. The officer’s talking with him, leastwise.” He did not sound frightened, but worry creased his forehead, and he laid a protective hand on his wife’s shoulder. Clarine’s smile faded, and she raised one hand to rest atop his. They trusted Luca’s judgment, after a fashion, yet they knew the risk they were running. Or thought they did. The risk they believed in was bad enough.
“What do they want?” Egeanin demanded, pushing free of Mat, before he could crack his teeth. In fact, no one waited for him.
“Hold these for me,” Noal said, handing his pole and basket to the one-eyed man, who gaped up at him. Straightening, Noal slipped a knobbly hand beneath his coat, where he kept two long-bladed knives. “Can we reach our horses?” he asked Petra. The strongman eyed him doubtfully. Mat was not the only one unsure whether Noal still possessed all his wits.
“They don’t seem interested in searching,” Clarine said hastily, making a hint of a curtsy to Egeanin. Everyone was supposed to pretend Mat and the others were part of the show, but few managed to carry it off with Egeanin. “The officer’s been in Luca’s wagon for a good half-hour, but the soldiers have been standing by their horses all that time.”
“I don’t think they’re here about you,” Petra added respectfully. Again, to Egeanin. Why should he be different? Probably practicing to welcome nobles to that inn. “We just didn’t want you to be surprised or worried, seeing them. I’m sure Luca will send them off with no trouble.” Despite his tone, the creases remained in his forehead. Most men became upset if their wives ran off, and a nobleman could make others bear the brunt of his ire. A traveling show, strangers just passing through, made a particularly easy target without added complications. “You don’t have to worry about anybody talking out of turn, my Lady.” Glancing at the horse handlers, Petra added, “Does she, Col?” Bentnose shook his head, his eyes on the dice he was bouncing on his palm. He was a big man, but not as big as Petra, and the strongman could straighten horseshoes with his bare hands.
“Everybody likes a chance to spit on a noble’s boots now and then,” the one-eyed fellow mumbled, peering into the basket of fish. He was almost as tall and wide-shouldered as Col, but his face was all leathery wrinkles, and he had even fewer teeth than Noal. Glancing at Egeanin, he ducked his head and added, “Begging your pardon, Lady. ’Sides, this way we all get a little coin, which there ain’t been much of lately. Right, Col? Anybody talks, them Seanchan’ll take us all up, maybe hang us like they did them Sea Folk. Or put us to work cleaning them canals the other side of the harbor.” Horse handlers did whatever needed doing around the show, from mucking the horselines and cleaning animals’ cages to erecting and taking down the canvas wall, but he shuddered as though digging out silted canals in the Rahad was a worse prospect than hanging.
“Did I say anything about talking?” Col protested, spreading his hands. “I just asked how long we’re going to sit here, that’s all. I just asked when we’re going to see some of this coin.”
“We sit here as long as I say sit.” It was remarkable how hard Egeanin could make that drawl sound without raising her voice, like a blade sliding free of the scabbard. “You see your coin when we reach our destination. There will be a little something extra for those who serve me faithfully. And a cold grave for anyone who thinks on betrayal.” Col pulled his much-patched cloak tight and widened his eyes trying to look indignant, or maybe innocent, but he just appeared to be hoping she would come close enough for him to filch her purse.
Mat ground his teeth. For one thing, that was his gold she was promising with such a free hand. She had her own, but not near enough for this. More importantly, she was trying to take charge again. Light, except for him, she would still be in Ebou Dar scheming to avoid the Seekers, if not already being put to the question. Except for him, she would never have thought of staying close to Ebou Dar to throw off pursuit, or found a hiding place with Luca’s show. But why were soldiers there? The Seanchan would have sent a hundred men, a thousand, for a vague suspicion of Tuon’s presence. If they suspected the Aes Sedai . . . No; Petra and Clarine did not know they were helping hide Aes Sedai, but they would have mentioned sul’dam and damane, and the soldiers would not be hunting sisters without them. He fingered the foxhead through his coat. He wore that waking and sleeping, and it might give him a little warning.
He never considered trying for the horses, and not just because Col and a dozen more like him would go running to the Seanchan before he was well out of sight. They had no particular animosity toward him or Egeanin that he knew—even Rumann, the sword-juggler, seemed to have settled in happily with a contortionist named Adria—but some folks would not resist the temptation of a little more gold, either. In any case, no warning dice tumbled in his head. And there were people inside those canvas walls he could not leave behind.
“If they’re not searching, then we have nothing to worry about,” he said confidently. “But thanks for the warning, Petra. I’ve never liked surprises.” The strongman made a small gesture as if to say it was nothing, but Egeanin and Clarine looked at Mat as though startled to find him there. Even Col and the one-eyed lout blinked at him. It took an effort to stop short of gritting his teeth again. “I’ll just wander near Luca’s wagon and see what I can see. Leilwin, you and Noal find Olver and stay with him.” They liked the boy, everyone did, and that would keep them out of his hair. He could eavesdrop better alone. And if they had to run, maybe Egeanin and Noal could help get the boy out, at least. The Light send it did not come to that. He could see nothing but disaster in it.
“Well, I suppose nobody lives forever,” Noal sighed, retrieving his bamboo pole and basket. Burn him, but the fellow could make a colicky goat seem cheerful! Petra’s frown certainly deepened. Married men always seemed to be worried, one reason Mat was in no hurry himself. As Noal vanished around the corner of the canvas wall, the one-eyed man watched the fish go regretfully. He appeared to be another without a full set of wits. He probably had a wife somewhere.
Mat pulled his cap almost down to his eyes. Still no dice. He tried not to think of how many times he had nearly had his throat slit or his skull split without any dice. But surely they would have been there if there was any real danger. Of course they would.
He had not taken three steps inside the entrance before Egeanin caught up to him and slipped her arm around his waist. He stopped in his tracks, eyeing her balefully. She resisted his orders the way a trout fought the hook, but this went beyond stubborn. “What do you think you’re doing? What if this Seanchan officer recognizes you?” That seemed as likely as Tylin herself walking into the show, but anything that might make her leave was worth grabbing.
“What are the chances this fellow is anyone I know?” she scoffed. “I don’t have . . . ” her face twisted for an instant, “didn’t have . . . many friends this side of the ocean, and none in Ebou Dar.” She touched an end of the black wig over her bosom. “Anyway, in this, my own mother wouldn’t recognize me.” Her voice turned bleak toward the end.
He was going to chip a tooth if he kept on clenching his jaw. Standing there arguing with her would be worse than useless, but the way she had stared at those Seanchan soldiers was fresh in his mind. “Don’t glare at anybody,” he warned her. “Don’t even look at anybody.”
“I’m a demure Ebou Dari woman.” She made it sound a challenge. “You can do all the talking.” She made that into a warning. Light! When a woman was not making everything smooth, she made things very rough indeed, and Egeanin never made anything smooth. He was definitely in danger of chipping a tooth.
Beyond the entrance, the show’s main street meandered among wagons like those the Tinkers used, little houses on wheels with the wagon shafts lifted against the drivers’ seats, and walled tents often as large as small houses. Most of the wagons were brightly painted, every shade of red or green, yellow or blue, and many of the tents were just as colorful, a few even striped. Here and there wooden platforms, where entertainers could perform, stood beside the street, their colored bunting beginning to look a bit grubby. The broad expanse of dirt, near thirty paces wide and beaten flat by thousands of feet, really was a street, one of several that wound through the show. The wind whipped away faint gray streamers of smoke rising from the tin chimneys that stuck from up from the roofs of the wagons, and from some tents. Most of the showfolk were probably at breakfast if not still in bed.  The only person he saw was Aludra, the sleeves of her dark green dress pushed up her forearms, grinding something with a bronze mortar and pestle on a table that folded down from the side of her vivid blue wagon, just around the corner on one of the narrower side streets.
Intent on her work, the slender Taraboner did not see Egeanin and Mat. He could not help looking at her, though. With her dark hair in thin, beaded braids that hung to her waist, Aludra was probably the most exotic of Luca’s marvels. He advertised her as an Illuminator, and unlike many of the other performers and marvels, she really was what Luca claimed, though Luca probably did not believe it himself. Mat wondered what she was grinding. And whether it might explode. She had promised to reveal the secret of fireworks if he could answer a riddle, but he had not found a glimmer, so far. He would, though. One way or another.
Egeanin poked a hard finger into his ribs. “We’re supposed to be lovers, as you keep reminding me,” she growled. “Who’s going to believe it if you stare at that woman as though you’re hungry?”
Mat grinned lasciviously.  Her prudish streak came in handy now and then. Egeanin was on the run for her life, but she was still Seanchan, and she already knew more about him than he liked. He was not about to trust her with all of his secrets. Even the ones he did not know yet.
Luca’s wagon sat in the very middle of the show’s camp, the most favored position, as far as possible from the smells of the animal cages and horselines situated along the canvas walls. The wagon was garish even compared to the others in the show, a red-and-blue thing that shone like the finest lacquerwork, every surface spotted with golden comets and stars. The phases of the moon, in silver, ran all the way around just below the roofline. Even the tin chimney was painted in red and blue rings. A Tinker would have blushed. To one side of the wagon two ranks of helmeted Seanchan soldiers stood stiffly beside their horses, green-tasseled lances slanted at exactly the same angle. One of the men held the reins of an extra mount, a fine dun gelding with strong haunches and good ankles. The soldiers’ blue-and-green armor appeared drab alongside Luca’s wagon.
Mat was unsurprised to see he was not the only one interested in the Seanchan. A dark stocking cap covering his shaved head, Bayle Domon was squatting on his heels with his back against one wheel of the green wagon that belonged to Petra and Clarine, about thirty paces beyond the soldiers. Clarine’s dogs lay under the wagon, a motley collection of smallish animals sleeping huddled together. The thick-bodied Illianer was pretending to whittle, but all he had produced was a small pile of shavings at his feet. Mat wished the fellow would grow a mustache to hide his upper lip or else shave off the rest of his beard. Someone might connect an Illianer to Egeanin. Blaeric Negina, a tall fellow leaning against the wagon as though keeping Domon company, had not hesitated to remove his Shienaran topknot to avoid Seanchan notice, though he ran a hand over the black bristle growing on his head about as often as Egeanin checked her wig. Maybe he should wear a cap.
In their dark coats with frayed cuffs and well-traveled boots, both men could pass for showfolk, maybe horse-handlers, except to other showfolk. They were watching the Seanchan while trying to seem not to, but Blaeric was the more successful, as might be expected from a Warder. His full attention appeared to be on Domon, except for an occasional glance at the soldiers, as casual as could be. Domon scowled at the Seanchan when he was not glaring at the lump of wood in his hand, as though ordering it to turn into a neat carving. The man had taken being so’jhin entirely too much to heart.
Mat was trying to figure out how to sneak close to Luca’s wagon and eavesdrop unseen by the soldiers when the door at the back of the wagon opened and a pale-haired Seanchan marched down the steps, planting a helmet with a thin blue plume on his head as his boot touched the ground. Luca appeared behind him, resplendent in scarlet embroidered with golden sunbursts, bowing with elaborate flourishes as he followed the officer. Luca owned at least two dozen coats, most red and each gaudier than the last. It was a good thing his wagon was the largest in the show, or he would not have had room for them all.
Ignoring Luca, the Seanchan officer stepped up onto his gelding, adjusted his sword, and barked orders that sent his men flowing into their saddles and forming a column of twos that moved off at a slow walk toward the entrance. Luca stood watching them leave with a fixed smile on his face, poised for another bow if any looked back.
Mat stayed well to the side of the street and let his mouth hang open, affecting to gape in wonder as the soldiers rode by. Not that any of them so much as glanced his way—the officer stared straight ahead and so did the soldiers behind him—but no one ever paid any mind to a country yokel, or remembered one.
To his surprise, Egeanin studied the ground in front of her toes, clutching the scarf knotted beneath her chin, until the last horseman passed. Lifting her head to look after them, she pursed her lips for a moment. “It seems I do know that boy,” she drawled softly. “I carried him to Falme on Fearless. His servant died, mid-voyage, and he thought he could use one of my crew. I had to put him straight. You’d have though he was of the Blood, the fuss he put up.”
“Blood and bloody ashes,” Mat breathed. How many other people had she gotten crosswise, fixing her face in their minds? Egeanin being Egeanin, probably hundreds. And he had been letting her walk around with just a wig and a change of clothes for disguise! Hundreds? Thousands, more likely. She could irritate a brick.
In any case, the officer was gone now. Mat exhaled slowly. His luck really was still with him.  He headed for Luca to find out what the soldiers had wanted.
Domon and Blaeric reached Luca as quickly as he and Egeanin did, and the scowl on Domon’s round face deepened as he stared at Mat’s arm around Egeanin’s shoulder. The Illianer understood the necessity for the pretense, or said he did, yet he seemed to believe they could carry it off without so much as touching hands. Mat removed his arm from her—there was nothing to carry off here; Luca knew the truth; of everything—and Egeanin started to release him, too, yet after a look at Domon, she tightened her grip on Mat’s waist instead, all without the slightest change of expression. Domon continued to scowl, but at the ground, now. Mat decided he would understand the Seanchan long before he understood women. Or Illianers, for that matter.
“Horses,” Luca growled almost before Mat stopped walking. His frown took in all of them, but he focused most of his anger on Mat. A little the taller, Luca stretched to stare down at Mat. “That’s what he wanted. I showed him the warrant exempting me from the horse lottery, signed by the High Lady Suroth herself, but was he impressed? It didn’t matter to him that I rescued a high-ranking Seanchan.” The woman had not been high-ranking, and he had not so much rescued her as given her a way to travel as a hired performer, but Luca always exaggerated to his own advantage. “I don’t know how long that exemption is really good for, anyway. The Seanchan are desperate for horses. They might take it back any day!” His face was turning almost as red as his coat, and he jabbed a finger at Mat repeatedly. “You’re going to get my horses taken! How do I move my show with no horses? Answer me that, if you can. I was ready to leave as soon as I saw that madness in the harbor, until you twisted my arm. You’re going to get my head cut off! I could be a hundred miles from here, if not for you, riding in out of the night and snaring me in your crazy schemes! I’m not earning a penny here! There haven’t been enough patrons the last three days to pay for feeding the animals one day! Half a day! I should have left a month ago! More! I should have!”
Mat almost laughed as Luca ran down into splutters. Horses. That was all; just horses. Besides, the notion that the show’s heavy-laden wagons could cover a hundred miles in five days was as ludicrous as Luca’s wagon. The man could have gone a month ago, two months, except for wanting to eke every copper he could out of Ebou Dar and its Seanchan conquerors. And as for talking him into staying, six nights past, that had been as easy as falling out of bed.
Instead of laughing, Mat put a hand on Luca’s shoulder. The fellow was vain as a peacock, and greedy besides, but there was no point making him angrier than he already was. “If you’d left that night, Luca, you think nobody would have gotten suspicious? You would have had Seanchan tearing your wagons apart before you made two leagues. You could say I saved you from that.” Luca glowered. Some people just could not see beyond their own noses. “Anyway, you can stop worrying. As soon as Thom returns from the city, we can put as many miles behind us as you want.”
Luca leaped so suddenly that Mat stepped back in alarm, but all the man did was caper in a little circle laughing. Domon goggled at him, and even Blaeric stared.
Luca had barely begun his dance when Egeanin shoved Mat away from her. “As soon as Merrilin returns? I gave orders no one was to leave!” Her glare swung between him and Luca in cold fury, a cold that burned. “I expect my orders to be obeyed!”
Luca stopped cavorting abruptly and eyed her sideways, then suddenly made her a bow with so many flourishes you could practically see the cloak. You could almost see the embroidery on the cloak! He thought he had a way with a women, Luca did. “You command, my sweet Lady, and I leap to obey.” Coming upright, he shrugged apologetically. “But Master Cauthon has gold, and I fear gold commands my first obedience.” Mat’s chest full of gold coins in this very wagon had been all the arm-twisting needed to convince him. Maybe Mat being ta’veren had helped, but for enough gold, Valan Luca would help kidnap the Dark One.
Egeanin drew a deep breath, ready to berate Luca further, but the man turned his back and went scampering up the steps into his wagon shouting, “Latelle! Latelle! We must roust everybody out immediately! We’re leaving at last, the minute Merrilin returns! The Light be praised!”
A moment later, he was back again, dashing back down the short stair followed by his wife drawing a black velvet cloak, sewn with glittering spangles, around herself. A stern-faced woman, she wrinkled her nose at Mat as though he had a bad smell and gave Egeanin a look that likely made her trained bears climb trees. Latelle disliked the idea of a woman running away from her husband even when she knew it was a lie. Luckily, she seemed to worship Luca for some reason, and she liked gold nearly as well as he did. Luca ran to the nearest wagon and began pounding on the door, and Latelle did the same at the next.
Not waiting around to watch, Mat hurried off down one of the side streets. More of an alley compared to the main street, it wound among the same sort of wagons and tents, all shut up tight against the cold, with smoke streaming from the metal chimneys. There were no platforms for performers here, but lines for drying laundry hung between some of the wagons, and here and there wooden toys lay scattered on the ground. This street was for living only, the narrowness meant to discourage outsiders.
He moved quickly despite his hip—he had walked most of the ache out—but he had not gone ten steps before Egeanin and Domon caught up to him. Blaeric had vanished, probably gone to tell the sisters they were still safe and could finally leave.  Mat had made them share, so the Aes Sedai could watch the sul’dam while the sul’dam kept the Aes Sedai out of his hair. Still Mat was glad Blaeric had taken away the necessity for him to visit that wagon again. One or another of the sisters had summoned him four or five times a day since their escape from the city, and he went when he could not avoid it, but it was never a pleasant experience.
Egeanin did not put her arm around him this time. She strode at his side staring straight ahead, not bothering to check her wig, for once. Domon lumbered behind like a bear, muttering under his breath in his heavy Illianer accent. The stocking cap exposed the fact that his dark beard stopped abruptly at the middle of each ear, with only stubble above. It made him look . . . unfinished.
“Two captains on one ship make sure course for disaster,” Egeanin drawled with overdone patience. Her understanding smile looked as if it hurt her face.
“We aren’t on a ship,” Mat replied.
“The principle’s the same, Cauthon!  I know you’re a good man in a tight spot.” Egeanin shot a dark look over her shoulder at Domon. He was the one who had brought her and Mat together, back when she thought she was getting a hired man. “But this situation needs judgment and experience. We’re in dangerous waters, and you have no knowledge of command.”
“More than you might think,” he told her dryly. He could have spun out a list of the battles he remembered commanding, but only an historian would recognize most of them, and maybe not even an historian. No one would believe it, anyway. He certainly would not if someone else had made that claim. “Shouldn’t you and Domon be getting ready? You wouldn’t want to leave anything behind.” Everything she owned was already stowed away in the wagon she and Mat shared with Domon—not a comfortable arrangement, that—but he quickened his step, hoping she would take the hint. Besides, he saw his destination ahead.
The bright blue wall-tent, crowded between a virulent yellow wagon and an emerald green one, was barely large enough to hold three cots, but providing shelter for everyone he brought out of Ebou Dar had required bribes to make people move and more bribes to make others let them in. What he had been able to hire was what the owners were willing to let him have. At rates suitable for a good inn. Juilin, a dark compact man with short black hair, was sitting cross-legged on the ground in front of the tent with Olver, a thin little boy, if not so skinny as when Mat first saw him, and short for ten, the age he claimed.  Tossing the dice, Olver counted the pips carefully and considered his move along the spiderweb of black lines and arrows. The Tairen thief-catcher was paying less attention to the game. He sat up straight at the sight of Mat.
Abruptly, Noal darted around from the rear of the tent, breathing hard as if he had been running. Juilin glanced up in surprise at the old man, and Mat frowned. He had told Noal to come straight here. Where had he gone instead? Noal looked at him expectantly, not with any guilt or embarrassment, just eager to hear what Mat had to say.
“You know about the Seanchan?” Juilin asked, turning his attention to Mat, too.
A shadow moved inside the tent’s entry flaps, and a dark-haired woman, seated on the end of one of the cots with an old gray cloak wrapped around her, leaned forward to rest a hand on Juilin’s arm. And to give Mat a wary look. Thera was pretty, if you liked a mouth that always seemed to be pouting, and it seemed that Juilin did, from the way he smiled at her reassuringly and patted her hand. She was also Amathera Aelfdene Casmir Lounault, Panarch of Tarabon and the next thing to a queen. At least, she had been, once. Juilin had known that, and so had Thom, yet no one thought to tell Mat until they reached the show. He supposed it hardly mattered, alongside everything else. She answered faster to Thera than to Amathera, she made no demands, except on Juilin’s time, and there seemed little chance anyone would recognize her here. In any case, Mat hoped she felt more than gratitude for being rescued, because Juilin certainly felt more for her. Who was to say a dethroned panarch could not fall in love with a thief-catcher? Stranger things had happened. Though he was not sure he could name one, offhand.
“They just wanted to see the warrant for Luca’s horses,” he said, and Juilin nodded, visibly relaxing a little.
“As well they didn’t count the horselines.” The warrant listed the exact number of horses Luca was allowed to keep. The Seanchan could be generous with their rewards, but given their need for mounts and wagon teams, they were not about to hand anyone a license to set up horse trading. “At best, they would have taken the extra. At worst . . . ” The thief-catcher shrugged. Another cheerful soul.
With a gasp, Thera suddenly pulled her cloak tighter and jerked back into the depths of the tent. Juilin looked behind Mat, his eyes going hard, and the Tairen could match the Warders when it came to hard. Egeanin did not seem to catch hints, and she was glaring at the tent. Domon stood beside her with his arms folded, sucking his teeth in thought or forced patience.
“Get your tent packed up, Sandar,” Egeanin ordered. “The show is leaving as soon as Merrilin returns.” Her jaw tightened, and she did not quite glare at Mat. Not quite. “Make sure your . . . woman . . . doesn’t give any trouble.” Most lately, Thera had been a servant, da’covale, the property of the High Lady Suroth, until Juilin stole her away. To Egeanin, stealing da’covale was almost as bad as freeing damane.
“Can I ride Wind?” Olver exclaimed, bounding to his feet. “Can I, Mat? Can I, Leilwin?” Egeanin actually smiled at him. Mat had yet to see her smile at anyone else, even Domon.
“Not yet,” Mat said. Not until they were far enough from Ebou Dar that no one was likely to remember the gray winning races with a small boy on his back. “In a few days, maybe. Juilin, will you tell the others? Blaeric already knows, so the sisters are taken care of.”
Juilin did not waste time, aside from ducking inside the tent to reassure Thera. She seemed to need reassuring frequently. When he came out, carrying a dark Tairen coat that was beginning to show wear, he told Olver to put the game away and help Thera with the packing until he returned, then settled his flat-topped conical red hat on his head and started off, shrugging into the coat. He never so much as glanced at Egeanin. She considered him a thief, offensive in itself to a thief-catcher, and the Tairen had no love for her, either.
Mat started to ask Noal where he had been, but the old man darted nimbly after Juilin, calling over his shoulder that he would help let the others know the show was leaving. Well, two could spread the word faster than one—Vanin and the four surviving Redarms shared a crowded tent on one side of the show, while Noal himself shared another with Thom and the two serving men, Lopin and Nerim, on the opposite side—and the question could wait. Probably, he had just delayed to put his precious fish somewhere safe. In any case, the question suddenly seemed unimportant.
The noise of people shouting for horse handlers to bring their teams, and others demanding at the top of their lungs to know what was happening, was beginning to fill the camp. Adria, a slim woman holding a flowered green robe around her, came running up in bare feet and vanished into the yellow wagon, where the other four contortionists lived. Somebody in the green wagon bellowed hoarsely that people were trying to sleep. A handful of performers’ children, some performers themselves, dashed by, and Olver looked up from folding the game. That was his most prized possession, but if not for that, he plainly would have gone after them. It was going to take some time yet before the show was ready to travel, but that was not what made Mat groan.


TemplatesManager
class TemplatesManager
Class TemplatesManager manages updating templates, removing and additional admin functions
Properties
| array | $errors | Errors are kept in an array and can be used later if validation fails and we want to know why | |
| string | $message | This is a message that we can store why the validation failed | |
| $messages | Validation messages |
Methods
Construct a new template manager
Validation rules for registering a new template
Validate and store a template entry to templates config
Validate and store multiple template entries to templates config
Validates and updates a template with the given input
Destroys a template by retrieving current config contents and unsetting the key (templatePath) then saving the updated contents
Validation rules for registering a new template
Validate and store a new variable for a given template path
Details
at line 43
__construct(FileManager $ConfigFileManager, Framework $Framework)
Construct a new template manager
at line 68
void
registerRules()
Validation rules for registering a new template
at line 82
bool
storeTemplate(array $input)
Validate and store a template entry to templates config
at line 110
bool
storeMultipleTemplates($inputs)
Validate and store multiple template entries to templates config
at line 148
bool
updateTemplate($input)
Validates and updates a template with the given input
at line 180
boolean
destroyTemplate(string $templatePath)
Destroys a template by retrieving current config contents and unsetting the key (templatePath) then saving the updated contents
at line 200
void
createVarRules()
Validation rules for registering a new template
at line 216
bool
storeNewVariable(string $templatePath, array $input)
Validate and store a new variable for a given template path


krunvm create docker.io/fedora --cpus number_of_vcpus --mem memory_in_megabytes --name "name"- Start a specific image:
krunvm start "image_name"- List images:
krunvm list- Change a specific image:
krunvm changevm --cpus number_of_vcpus --mem memory_in_megabytes --name "new_vm_name" "current_vm_name"- Delete a specific image:
krunvm delete "image_name"


Button List
Show how to style buttons and respond to button clicks.
by Charlie Calvert
Clear Input
Add to list
Custom h1 class


This short review was written for Edinburgh University's 'Student' newspaper.
Kevin Kline, Joan Allen, Sigourney Weaver
Dir: Ang Lee
When Taiwanese director Ang Lee proposed he would direct Sense and Sensibility, snooty British critics scoffed at the notion that Johnny Foreigner could grasp the issues at the core of Jane Austen's very English novel. Thankfully, Lee proves his doubters wrong again with this adaptation of an American book - set over Thanksgiving break in 1973, The Ice Storm details the lives of two neighbouring families and how the unfolding events of a few days affect them.
Those of you hoping Sigourney Weaver appears brandishing a phased plasma pulse rifle will be disappointed to learn that the film centres around the gloomy lives of the central adult characters. The emptiness of their relationships with each other is echoed in vacant exchanges with their children. The adulterous affair between Weaver and Kevin Kline is paralleled by Weaver's son (Elijah Wood) and his awkward fumblings with Kline's daughter (a disturbingly chunky Christine Ricci). The other members of the families have their own problems - Kline's older son is competing with his best friend over his latest crush, while neurotic wife Joan Allen is beginning to suspect her husband's affair.
All this makes The Ice Storm sound like one of those god awful coming-of-age movies, but it isn't about that - it's about the importance of family. The style and setting make the film remarkably fresh, doing without the chipper Hollywood "Leave it to Beaver" narration and instead book-ending the film using an analogy with the Fantastic Four is just one example of the film's innovative handling of a typically crusty genre. It also features some of the most painfully accurate scenes of blooming sexuality committed to film - it's refreshing, if cringe worthy, to see realistic depictions of grubby adolescents in a movie. The 70's theme might sound superfluous, but as in the splendid Boogie Nights the attitudes and events of the time resonate powerfully with the lives of the characters in the film.
As The Ice Storm begins to tie itself together for a satisfying finale it might seem predictable, but the crisp direction and low-key performances mean the film is anything but schmaltzy. The sour-sweet ending is both a celebration and a tragedy; those of you prone to leaving the theatre with a misty expression will undoubtedly end up on the phone to your folks that evening, burbling on about how much they mean to you. You saps.
Nick Ferguson
<EMAIL_ADDRESS>http://www.saqnet.co.uk/users/nickf/index.html
http://www.n64gazetta.com
"Our responsibility here is finished..."
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Freighter contacted bottom, breached, Norway
by Erofey SchkvarkinGeneral cargo ship FEED RANA ran aground at around 2330 UTC Dec 8 in Rorvik area, central Norway, while en route from Kristiansund to Stokmarknes, Norway. According to track, the ship refloated by own means in just minutes after grounding, or probably, bottom contact, turned back and sailed to Rorvik. She was berthed at around 0000 UTC Dec 9, and as of 1100 UTC Dec 9, remained at port. Reportedly hull was breached, no other information available at the moment.
General cargo ship FEED RANA, IMO 9291705, dwt 4933, built 2004, flag Norway, manager HALTEN BULK AS.


| Creative ABBY Awards - 2014 | Category | Sub Category Description | Entry Number | Brand | Title/Caption | Organisation | Metal |
| Branded Content | Best Fictional Program, Series or Film | 1 | Nokia | Nokia Zoom Agents | Havas Worldwide India Pvt.Ltd | Silver |
| Branded Content | Best Fictional Program, Series or Film | 3 | Nokia Asha 501 | Nokia Asha 501 # Colorisin | MTV India | Bronze |
| Branded Content | Best Fictional Program, Series or Film | 5 | Prestige | Love in the time of pots n pans | DDB Mudra Group | Bronze |
| Branded Content | Best Non Fiction Program Series or Film | 2 | Tata Capital | Half Stories-The Journey of Doning Right | Digital Law & Kenneth | Gold |
| Branded Content | Best Non Fiction Program Series or Film | 5 | Ceat all Season Bike Tyres | Ceat MTV Chase The Monsoon | MTV India | Gold |
| Branded Content | Best Non Fiction Program Series or Film | 8 | DuPont Corporate | The Power of Shunya | Times Global Broadcasting Limited | Silver |
| Branded Content | Best Non Fiction Program Series or Film | 9 | Lakme ( Hindustan Unilever ) | Lakme Fashion Week- Colors ka Jashn | Colors, Viacom 18 Media Pvt. Ltd | Bronze |
| Branded Content | Best Brand or Product Integration Into A Feature Film | 3 | Tata Safari Storme | Tata Safari Storme & ' 24 '-The Real Suv Meets Real Action | Colors, Viacom 18 Media Pvt. Ltd | Silver |
| Branded Content | Best Brand or Product Integration Into A Feature Film | 5 | Make My Trip .Com | Make My Trip .Com In Yeh Jawani Hai Deewani | Madison World | Silver |
| Branded Content | Best Brand or Product Integration Into A Feature Film | 6 | Audi | Audi in Race 2 | Madison World | Silver |
| Branded Content | Best Use or Integration of Experiential Events | 1 | Tata Capital Pvt.Ltd | Half Stories-The Journey of Doing Right | Digital Law & Kenneth | Silver |
| Branded Content | Best Use or Integration of Experiential Events | 5 | Viacom 18 | Bhaag Milkha Bhaag | Milestone Brandcom Pvt Ltd | Gold |
| Branded Content | Best Use or Integration of Experiential Events | 7 | Tridhaatu Realty & Infra | Chembur Fest | Tailor | Bronze |
| Branded Content | Best Use of Integration of User Generated Content | 1 | Louis Philippe | The Dressing Room | Jack in The Box Worldwide | Silver |
| Branded Content | Best Use of Integration of User Generated Content | 3 | Cadbury Bournville | Tape A Tweet | Madison World | Silver |
| Branded Content | Best Use of Integration of User Generated Content | 4 | First post You Speak | Talk Don't Just Type | Contract India | Gold |
| Branded Content | Best Use of Integration of User Generated Content | 6 | Be Beautiful | Vlog-On! | PHD India | Bronze |
| Branded Content | Best Use or Integration of Music | 1 | Pepsi India | Pepsi Music Abhi | Jack in The Box Worldwide | Bronze |
| Branded Content | Best Use or Integration of Music | 2 | Idea Cellular | Idea M-ID | Digital Law & Kenneth | Gold |
| Branded Content | Best Use or Integration of Music | 3 | Pepsodent | Music on Demand | PHD India | Silver |
| Branded Content | Best Integrated Entertainment Content Campaign | 5 | L'Oreal Paris Femina Women Awards | L'Oreal Paris Femina Women Awards 2013 | Maxus | Silver |
| Direct | Flat Mail | 4 | Aditya Birla Life Insurance | The last telegram | DDB Mudra Group | Bronze |
| Direct | Dimentional Mail | 5 | Recurring Saving Plan | Belan | M&C Saatchi | Bronze |
| Direct | Dimentional Mail | 8 | Club Mahindra | Talking Bag | M&C Saatchi | Silver |
| Direct | Direct Response (Print) | 5 | Times of India | Organ Donation | Taproot India | Silver |
| Direct | Direct Response (Print) | 6 | Times of India | Farmer Suicides | Taproot India | Silver |
| Direct | Direct Response (TV, Radio & Infomercial) | 8 | www.childsexualabuseinindia.blogspot.c | Abusers | Linen advertising-Lintas Group | Bronze |
| om | ||||||
| Direct | Direct Response Digital | 5 | Weightless Project | Weightless project | Happy Creative Services India Pvt. Ltd. | Bronze |
| Direct | Direct Response Digital | 6 | Femina | Made by You | DDB Mudra Group | Silver |
| Direct | Direct Response Digital | 2 | Bay beat Collective | Genomusic Project | JWT India | Grand Prix |
| Direct | Direct Response Mobile Marketing | 1 | Mukti foundation | Truth Calling | JWT India | Bronze |
| Direct | Direct Response Mobile Marketing | 10 | Cadbury Bournvita | India plays BQC | Grey Digital | Silver |
| Direct | Direct Response Mobile Marketing | 7 | Hindustan Unilever | Kan Khajura Tesan | PHD India | Gold |
| Direct | Direct Campaign | 5 | The Times of India | I Lead India | Taproot India | Bronze |
| Design | Corporate / Brand Identity | 2 | Antahpura Spa | Brand Identity | Banana Brandworks Pvt ltd | Bronze |
| Design | Stationery | 3 | Hanuman Talkies | Hanuman Talkies | Umbrella Design | Silver |
| Design | Publication | 1 | Lawman | Be The Star-Lawman | Umbrella Design | Gold |
| Design | Publication | 2 | Integriti | The Spirit Called Youth-Integriti | Umbrella Design | Gold |
| Design | Use of Design In Direct Mail | 1 | Kamala Group | Say It With A Stamp | Umbrella Design | Silver |
| Design | Use of Design In Direct Mail | 5 | Vaibhav Pandey / Out of the Box | The Book This Is | Out Of The Box | Bronze |
| Design | Use of Design in Posters | 262,728 | Nutribic | Corporate War-Virgin vs British Airways | JWT India | Silver |
| Design | Corporate War-Ferrari vs Lamborghini | |||||
| Design | Corporate War-Burberry vs Louis Vuitton | |||||
| Design | Use of Design in Posters | 303,132 | Times Of India | Farmer Suicides | Taproot India | Bronze |
| Design | Farmer Suicides | |||||
| Design | Farmer Suicides | |||||
| Design | Use of Design in Posters | 333,435 | The Times Of India | Kala Ghoda-Traffic Police | Taproot India | Bronze |
| Design | Kala Ghoda-Dabba wala | |||||
| Design | Kala Ghoda-Fisherwoman | |||||
| Design | Use of Design in Posters | 5,354 | Ideal Book Store | Door | Draft FCB Ulka Advertising Pvt. Ltd. | Bronze |
| Design | Torch | |||||
| Design | Book / Diaries | 1 | Filter Press | I Like this Train Too | Alok Nanda & Company | Gold |
| Design | Book / Diaries | 4 | Presidium / Marvel Group | The Presidium Curriculum Books | Out Of The Box | Bronze |
| Design | Book / Diaries | 7 | Papers by Kyoorius | You Are a Dingbat | Kukooness (division of Ystudio) | Silver |
| Design | Packaging | 7 | Sarda Farms | Sarda Farms | Alok Nanda & Company | Bronze |
| Design | Environment Design | 1 | PY Bar | The Monochromatic Bar | Karigari Design INC | Bronze |
| Design | Environment Design | 2 | India Bulls Group | The Rising | Alok Nanda & Company | Grand Prix |
| Design | Craft in Design-Copy | 43 | Filter Press | I Take This Train Too | Alok Nanda & Company | Gold |
| Design | Craft in Design-Copy | 57 | Mumbai Mirror | Mirror Comedy Nights-Cutting Chai | Taproot India | Silver |
| Design | Craft in Design-Illustration | 44 | Filter Press | I Take This Train Too | Alok Nanda & Company | Silver |
| Design | Craft in Design-Illustration | 454,647 | Hero Cycles | Drought | JWT India | Silver |
| Design | Earthquake | |||||
| Design | Flood | |||||
| Design | Craft in Design-Illustration | 484,950 | Party Hard Drivers | Vodka | Publicis Communications Pvt. Ltd. | Bronze |
| Design | Wine | |||||
| Design | Whisky | |||||
| Design | Craft in Design-Illustration | 515,253 | Times Of India | Farmer Suicides | Taproot India | Gold |
| Design | Farmer Suicides | |||||
| Design | Farmer Suicides | |||||
| Design | Craft in Design-Illustration | 626,364 | MARD, Men Against Rape & Discrimination | Hate Abuse? Like Us. 1 | JWT India | Silver |
| Design | Hate Abuse? Like Us. 2 | |||||
| Design | Hate Abuse? Like Us. 3 | |||||
| Design | Craft in Design-Typo | 13 | Integriti | The Spirit called Youth-Integriti | Umbrella Design | Gold |
| Design | Craft in Design-Typo | 42 | Papers by Kyoorius | You are a Dingbat | Kukooness (division of Ystudio) | Bronze |
| OOH | Food | 6 | Amul Butter | Bhookh Hai, Pyaaz Nahin | Da Cunha Communications Private Limited | Bronze |
| OOH | Food | 10,11,12 | Nutribic | Corporate War-Burberry vs Louis Vuitton | JWT India | Silver |
| OOH | Corporate War-Ferrari vs Lamborghini | |||||
| OOH | Corporate War-Virgin vs British Airways | |||||
| OOH | Toiletries, Cosmetics & Healthcare | 192,021 | Bausch + Lomb | Spider | Draft FCB Ulka Advertising Pvt. Ltd. | Silver |
| OOH | Ant | |||||
| OOH | Bed Bug | |||||
| OOH | Household & Business Appliances | 34 | Godrej | Gifting-Necklace | JWT India | Bronze |
| OOH | Gifting-Ring | |||||
| OOH | Household & Business Appliances | 14 | Godrej Security Solutions | Museum | JWT India | Bronze |
| OOH | Household Products And Maintenance | 36 | Infralite | Football Stadium | Makani Creatives Pvt. Ltd. | Bronze |
| OOH | Circus | |||||
| OOH | Business And Home Services | 272,829 | Godrej Security | Music Store | JWT India | Bronze |
| OOH | Antique Shop | |||||
| OOH | House | |||||
| OOH | Travel ,Entertainment And Leisure | 1,617 | Makemytrip.com | Christo Janerio | Draft FCB Ulka Advertising Pvt. Ltd. | Bronze |
| OOH | Sphinx | |||||
| OOH | Corporate | 7, 8, 9, 11, 13 |
Presidium / Marvel Group | Dream+Do 7 | Out Of The Box | Bronze |
| OOH | Dream+Do 6 | |||||
| OOH | Dream+Do 5 | |||||
| OOH | Dream+Do 3 | |||||
| OOH | Dream+Do 1 | |||||
| OOH | Public Service, Appeals & Charity | 2,526 | Helpage India | D'mello Family | JWT India | Bronze |
| OOH | Dias Family | |||||
| OOH | Household & Business Appliances | 567 | Godrej | Bending Light-Home | JWT India | Silver |
| OOH | Bending Light-Museum | |||||
| OOH | Bending Light-bank | |||||
| OOH | Media & Publications | 5 | Zee 24 Taas | Riot | Draft FCB Ulka Advertising Pvt. Ltd. | Gold |
| OOH | Business & Home Services | 3 | Quikr | Sachin Fan | Scarecrow Communications Ltd. | Silver |
| OOH | Business & Home Services | 202,122 | Rustomjee Builders | 10 Reasons | Ideas@work Advertising Agency | Silver |
| OOH | Papeti Mubarak | |||||
| OOH | Grateful Parsi | |||||
| OOH | Retail Advertising | 1,011 | Audiobookindia.com | Hillary Clinton | Taproot India | Silver |
| OOH | Dalai Lama | |||||
| OOH | Travel ,Entertainment & Leisure | 12,131,415 | Mumbai Mirror | Mirror Comedy Nights -Cutting Chai | Taproot India | Silver |
| OOH | Mirror Comedy Nights -Sexpert | |||||
| OOH | Mirror Comedy Nights -Bollywood | |||||
| OOH | Mirror Comedy Nights -Backbenchers | |||||
| OOH | Corporate | 171,819 | Party Hard Drivers | Wine | Publicis Communications Pvt. Ltd. | Silver |
| OOH | Vodka | |||||
| OOH | Whisky | |||||
| OOH | Corporate | 202,122 | Times of India | Farmer Suicides 1 | Taproot India | Gold |
| OOH | Farmer Suicides 2 | |||||
| OOH | Farmer Suicides 3 | |||||
| OOH | Corporate | 263,132 | Rustomjee Builders | Grateful Parsi | Ideas@work Advertising Agency | Silver |
| OOH | 10 Reasons | |||||
| OOH | Papeti Mubarak | |||||
| OOH | Public Service, Appeals & Charity | 56 | Friendicoes SECA | Make New Friends | Dentsu India | Gold |
| OOH | Make New Friends | |||||
| OOH | Public Service, Appeals & Charity | 272,830 | MARD, Men Against Rape & Discrimination | Hate Abuse? Like Us. 1 | JWT India | Silver |
| OOH | Hate Abuse? Like Us. 2 | |||||
| OOH | Hate Abuse? Like Us. 3 | |||||
| Ambient | Small Scale Special Solutions | 9 | Priti Jadhav | Innovation Dietitian Visiting Cards | Publicis Communications Pvt. Ltd. | Bronze |
| Ambient | Special Build | 2 | MTS | MTS Wi-Fi Bin | Brand Movers India | Bronze |
| Ambient | Special Build | 3 | ABP News | Aap Ko Rakhe Aage | Milestone Brandcom Pvt Ltd | Bronze |
| Ambient | Special Build | 5 | India Bulls Group | The Rising | Alok Nanda & Company | Gold |
| Ambient | Special Build | 8 | Country Inn Hotels | Earth Hour | DDB Mudra Group | Gold |
| Ambient | Experiential Advertising | 16 | Mountain Dew | Push for Wrestling | Taproot India | Silver |
| Ambient | Digital Outdoor | 2 | Bacardi | Bacardi Buzzer | Web Chutney Studio Pvt.Ltd. | Bronze |
| Ambient | Digital Outdoor | 3 | Only Much Louder | Wasted Bin | Web Chutney Studio Pvt.Ltd. | Gold |
| Print Craft | Art Direction for Print Advertising | 181,920 | Rustomjee Builders | Papeti Mubarak | Ideas@work Advertising Agency | Bronze |
| Print Craft | Grateful Parsi | |||||
| Print Craft | 10 Reasons | |||||
| Print Craft | Art Direction for Print Advertising | 27,282,930 | Mumbai Mirror | Cutting Chai | Taproot India | Bronze |
| Print Craft | Sexpert | |||||
| Print Craft | Bollywood | |||||
| Print Craft | Backbenchers | |||||
| Print Craft | Art Direction for Print Advertising | 242,526 | The Times of India | Farmer Suicides | Taproot India | Silver |
| Print Craft | Farmer Suicides | |||||
| Print Craft | Farmer Suicides | |||||
| Print Craft | Art Direction for Print Advertising | 373,839 | Nutribic | Corporate War-Virgin vs British Airways | JWT India | Silver |
| Print Craft | Corporate War-Burberry vs Louis Vuitton | |||||
| Print Craft | Corporate War-Ferrari vs Lamborghini | |||||
| Print Craft | Art Direction for Print Advertising | 343,536 | Godrej Security | Antique Shop | JWT India | Gold |
| Print Craft | Music Store | |||||
| Print Craft | House | |||||
| Print Craft | Art Direction for Below the Line Work | 1 | Integriti | The Spirit called Youth-Integriti | Umbrella Design | Silver |
| Print Craft | Art Direction for Below the Line Work | 2 | Lawman | Be the Star-Lawman | Umbrella Design | Gold |
| Print Craft | Art Direction for Below the Line Work | 3 | Hanuman Talkies | Hanuman Talkies | Umbrella Design | Bronze |
| Print Craft | Art Direction for Below the Line Work | 151,617 | Nutribic | Corporate War-Virgin vs British Airways | JWT India | Bronze |
| Print Craft | Corporate War-Burberry vs Louis Vuitton | |||||
| Print Craft | Corporate War-Ferrari vs Lamborghini | |||||
| Print Craft | Copywriting (Below 100 Words) | 1 | The Ghetto Bar & Restaurant | The Social Network | Gasoline Creative Pvt.Ltd | Bronze |
| Print Craft | Copywriting (Below 100 Words) | 28 | Rustomjee Builders | Happy Dusshera | Ideas@work Advertising Agency | Silver |
| Print Craft | Copywriting (Below 100 Words) | 26,272,930 | Rustomjee Builders | Life Lessons | Ideas@work Advertising Agency | Bronze |
| Print Craft | Splash Pool | |||||
| Print Craft | Kids Grow Up | |||||
| Print Craft | The Corner Office | |||||
| Print Craft | Copywriting (Above 100 Words) | 456 | Rustomjee Builders | 10 Reasons | Ideas@work Advertising Agency | Silver |
| Print Craft | Grateful Parsi | |||||
| Print Craft | Papeti Mubarak | |||||
| Print Craft | Copywriting (Above 100 Words) | 891,011 | Mumbai Miror | Mirror Comedy Nights-Cutting Chai | Taproot India | Bronze |
| Print Craft | Mirror Comedy Nights-Sexpert | |||||
| Print Craft | Mirror Comedy Nights-Bollywood | |||||
| Print Craft | Mirror comedy Nights-Backbenchers | |||||
| Print Craft | Copywriting (Above 100 Words) | 12 | The Times Of India | Organ Donation-Before & After | Taproot India | Bronze |
| Print Craft | Copywriting (Above 100 Words) | 15 | The Times Of India | I Lead India - The 9th Letter | Taproot India | Bronze |
| Print Craft | Copywriting (Above 100 Words) | 16 | The Times Of India | Mumbai For Women-Why Does Mumbai Lie to Women | Taproot India | Bronze |
| Print Craft | Copywriting (Above 100 Words) | 21 | Stark Communications | Copy Writers Wanted | Stark Communications Pvt.Ltd | Silver |
| Print Craft | Best Use of Illustration | 12 | Friendicoes SECA | Make New Friends | Dentsu India | Bronze |
| Print Craft | Make New Friends | |||||
| Print Craft | Best Use of Illustration | 262,728 | The Times Of India | Farmer Suicides | Taproot India | Gold |
| Print Craft | Farmer Suicides | |||||
| Print Craft | Farmer Suicides | |||||
| Print Craft | Best Use of Illustration | 293,031 | The Times Of India | Kala Ghoda-Traffic Police | Taproot India | Bronze |
| Print Craft | Kala Ghoda-Dabbawala | |||||
| Print Craft | Kala Ghoda-Fisherwoman | |||||
| Print Craft | Best Use of Illustration | 323,334 | MARD,Men Against Rape & Discrimination | Hate abuse? Like us 3 | JWT India | Bronze |
| Print Craft | Hate abuse? Like us 2 | |||||
| Print Craft | Hate abuse? Like us 1 | |||||
| Print Craft | Best Use of Illustration | 404,142 | Nestle Kitkat | Break free-Snail | JWT India | Gold |
| Print Craft | Break free-Tortoise | |||||
| Print Craft | Break free-Armadillo | |||||
| Print Craft | Best Use of Illustration | 43 | Asiant News | Unexpected | Stark Communications Pvt.Ltd | Bronze |
| Print Craft | Best Use of Typography | 4,567 | Mumbai Mirror | Mirror Comedy Nights-Cutting Chai | Taproot India | Bronze |
| Print Craft | Mirror Comedy Nights-Sexpert | |||||
| Print Craft | Mirror Comedy Nights-Bollywood | |||||
| Print Craft | Mirror Comedy Nights-Backbenchers | |||||
| Print Craft | Best Use Of Typography | 89 | Filter Press | The Judger | Alok Nanda & Company | Silver |
| Print Craft | The Elitist | |||||
| Print Craft | Best Use Of Typography | 10 | Papers by Kyoorius | You are a Dingbat | Kukooness (Division of Ystudio) | Gold |
| Public Relation | Food | 1 | Saffola | Saffola Life Study 2013 | Marico Limited | Silver |
| Public Relation | Food | 2 | Saffola Masala Oats | Saffola Masala Oats ' The Other Side ' | MSL Group | Silver |
| Public Relation | Consumer Goods: Toiletries, Cosmetics & Healthcare | 1 | Old Spice | Mr. Mantastics Says-A Public relations Campaign That Built a Mantastic Brand | IBS | Gold |
| Public Relation | Consumer Goods: Toiletries, Cosmetics & Healthcare | 3 | Nihar Shanti Amla | Nihar Shanti Amla - Chottey Kadam Pragati Ki Aur | Perfect Relations Pvt. Ltd . | Bronze |
| Public Relation | Consumer Goods: Toiletries, Cosmetics & Healthcare | 4 | Mediker | Mediker's Journey From Lice Negative To Life Positive | Perfect Relations Pvt. Ltd . | Silver |
| Public Relation | Luxury Goods, Fashion & Beauty | 1 | Puma | Puma India-Foray & Leadership In Running Category In Just One Year | Madison World | Gold |
| Public Relation | Automotive Vehicles & Accessories | 3 | Apollo Tyres | "The Adopt a Pothole Project" | Publicis India | Gold |
| Public Relation | Financial Services | 3 | Xpress Money | Adfactors Advertising | Bronze | |
| Public Relation | Financial Services | 4 | Right Horizons | Financial Services | Aim High India Pvt Ltd | Bronze |
| Public Relation | Travel, Entertainment & Leisure | 1 | Coffee Day Hotel & Resorts-The Serai | The Serai-A Brand Story | Madison World | Bronze |
| Public Relation | Travel, Entertainment & Leisure | 3 | Rohini Dey,Founder, Vermilion Restaurant (NYC & Chicago) | Vermilion Chef search by US entrepreneur & Restaurteur Rohinin Dey | MSL Group | Bronze |
| Public Relation | Corporate | 1 | Fevicol | Fevicol Champions Club-Shramdaan Divas | Adfactors Advertising | Silver |
| Public Relation | Corporate | 2 | Bristol Myers-Squib India | The Pink Drive | Adfactors Advertising | Bronze |
| Public Relation | Corporate | 3 | Racold Thermo | Switch2Green | Adfactors Advertising | Bronze |
| Public Relation | Corporate | 6 | Apollo Tyres | "The Adopt a Pothole Project" | Publicis India | Bronze |
| Public Relation | Corporate | 7 | Saifee Burhani Upliftment Trust | Redevelopment of Bhendi Bazaar & Upliftment of Lives | MSL Group | Silver |
| Public Relation | Public Service, Appeals & Charity | 1 | Bruhat Bangalore Mahanagara Palike ( BBMP ) | Wake Up Clean Up Bengaluru | Madison World | Silver |
| Public Relation | Events & Experiential PR | 1 | Mahadhan Mahapower | Ek Attot Nata | Paradigm Plus Marketing Communication Pvt.Ltd. | Gold |
| Public Relation | Events & Experiential PR | 2 | Hindustan Times | No TV Day | R.K Swamy BBDO Pvt.Ltd | Silver |
| Public Relation | Celebrity Endorsement | 1 | Animal Planet | Tiger Awareness Campaign " Where Tigers Rule" | Discovery Networks Asia-Pacific ( South Asia ) | Bronze |
| Public Relation | Celebrity Endorsement | 4 | Singapore Tourism Board | Singapore Diaries of an Indian Celebrity | MSL Group | Silver |
| Public Relation | Integrated Campaign Led By PR | 1 | 24 On Colors | Launch on 24 Colors | Colors, Viacom 18 Media Pvt. Ltd | Bronze |
| Public Relation | Integrated Campaign Led By PR | 4 | Aviva Life Insurance | Adfactors Advertising | Bronze | |
| Public Relation | Integrated Campaign Led By PR | 5 | Olx.In | Olx.in Every Mother Counts | Value 360 Communications Pvt Ltd | Bronze |
| Brand Activation & Promotion | Food | 1 | Nestle Everyday | Recharge with NESTLE EVERYDAY' | Media2win India Pvt.Ltd | Bronze |
| Brand Activation & Promotion | Food | 3 | Cadbury Oreo | Oreo Guinness World Record | Candid Marketing Pvt.Ltd | Bronze |
| Brand Activation & Promotion | Beverages | 1 | Mountain Dew | Push for Wrestling | Taproot India | Silver |
| Brand Activation & Promotion | Toiletries, Cosmetics & Healthcare | 5 | Moods 1500 Dots Condom | 1500 Dots Kolam | R.K Swamy BBDO Pvt.Ltd | Bronze |
| Brand Activation & Promotion | Telecom Products & Services | 1 | Nokia India | Nokia Agent '1020' | Candid Marketing Pvt.Ltd | Gold |
| Brand Activation & Promotion | Financial Services | 1 | Max Life Insurance igenius | In Search of Young Authors | Havas Worldwide India Pvt.Ltd | Bronze |
| Brand Activation & Promotion | Media and Publications | 1 | ABP News | Aap Ko Rakhe Aage | Milestone Brandcom Pvt Ltd | Bronze |
| Brand Activation & Promotion | Media and Publications | 2 | Indian Premier League (IPL)-Sony Max | Sirf Dekhneka Nahi | JWT India | Gold |
| Brand Activation & Promotion | Media and Publications | 5 | Femina | Made By You | DDB Mudra Group | Silver |
| Brand Activation & Promotion | Corporate | 1 | TATA Capital Pvt.Ltd | Half Stories-The Journey of Doing Right | Digital Law & Kenneth | Bronze |
| Brand Activation & Promotion | Corporate | 4 | Tetra Pack | Your Cartons, My Classroom | Dentsu India | Bronze |
| Brand Activation & Promotion | Corporate | 6 | Bay Beat Collective | Genomusic Project | JWT India | Gold |
| Brand Activation & Promotion | Public Service, Appeals & Charity | 6 | Mukti Foundation | Truth Calling | JWT India | Silver |
| Brand Activation & Promotion | Use of Promotional Stunts | 5 | Nokia India | Nokia "Agent 1020" | Candid Marketing Pvt.Ltd | Silver |
| Brand Activation & Promotion | Use of Promotional Stunts | 11 | Viacom 18 | Bhaag Milkha Bhaag | Milestone Brandcom Pvt Ltd | Bronze |
| Brand Activation & Promotion | Use Of Guerrilla Marketing | 1 | 10 Downing Street Pub | Had A Drink? Think | Dentsu India | Bronze |
| Brand Activation & Promotion | Integrated Campaign Led By Promo & Activation | 4 | Max Life Insurance Igenius | In Search of Young Authors | Havas Worldwide India Pvt.Ltd | Silver |
| Brand Activation & Promotion | Integrated Campaign Led By Promo & Activation | 11 | Aditya Birla Life Insurance | The Last Telegram | DDB Mudra Group | Bronze |
| Broadcaster | Best Launch of a TV Channel | 1 | Romedy Now | (1) Love_60s (2) Smile_90s (3) Laugh_30s (4) Popcorn & Candies_20s (5) Salt & Peppr_20s (6) Paint_20s 7) Plane_20s |
Bennett Coleman & Co Ltd. | Bronze |
| Broadcaster | Best Launch of a TV Channel | 4 | & Pictures | & Pictures channel Launch | Zee Entertainment Enterprises Ltd. | Silver |
| Broadcaster | Best Launch of a TV Channel | 6 | Star Sports | Star Sports Refresh Launch | Star Sports | Gold |
| Broadcaster | Best Launch of a TV Program Using Multi- Media | 6 | 24 | 24-Treading New Territory | Colors, Viacom 18 Media Pvt. Ltd | Silver |
| Broadcaster | Best Launch of a TV Program Using Multi- Media | 10 | Star World | Koffee with Karan Launch Campaign | Star India Pvt Ltd | Bronze |
| Broadcaster | Best Launch of a TV Program Using Multi- Media | 13 | Star Plus | Mahabharat Launch | Star India Pvt Ltd | Silver |
| Broadcaster | Best Launch of a TV Program Using Multi- Media | 17 | Sony Max | Sirf Dekhna Nahi Pepsi IPL 2013 Campaign | Multi Screen Media Pvt. Ltd. | Gold |
| Broadcaster | Best TV Reality Show Promo | 1 | MTV Roadies | Roadies Battlegrounds 6 | MTV India | Silver |
| Broadcaster | Best TV Reality Show Promo | 5 | Star Movies | 85th Annual Academy Awards Promo | Star India Pvt Ltd | Bronze |
| Broadcaster | Best TV Reality Show Promo | 7 | India's Got Talent | India's Got Talent Launch Promo | Colors, Viacom 18 Media Pvt. Ltd | Bronze |
| Broadcaster | Best TV Fiction Promo | 1 | Ek Nayi Pehchan | Ek Nayi Pehchan-census | Multi Screen Media Pvt. Ltd. | Silver |
| Broadcaster | Best TV Fiction Promo | 2 | Chanchan | Chanchan, Bus | Multi Screen Media Pvt. Ltd. | Silver |
| Broadcaster | Best TV Fiction Promo | 6 | Fox Crime | Alfred Hitchicock Presents Generic Promo | Star India Pvt Ltd | Bronze |
| Broadcaster | Best TV Fiction Promo | 11 | Life Ok-Mahadev | Mahadev-Jallandhar Campaign | Life Ok | Bronze |
| Broadcaster | Best TV Comedy Show Promo | 4 | Comedy Nights With Kapil | Comedy Nights With Kapil Launch Promo | Colors, Viacom 18 Media Pvt. Ltd | Bronze |
| Broadcaster | Best TV News Channel Promo | 1 | Aaj Tak | Chennai Express-Halla Bol | Aaj Tak | Silver |
| Broadcaster | Best TV News Channel Promo | 2 | Headlines Today | Right To Be Heard | Headlines Today | Gold |
| Broadcaster | Best TV News Channel Promo | 7 | CNN IBN | Putting Journalism First | TV18 Broadcast Ltd. (CNN -IBN) | Bronze |
| Broadcaster | Best TV Sports Channel Program Promo | 1 | IPL 2013 Hindi Feed | Punjabi Family | Multi Screen Media Pvt. Ltd. | Silver |
| Broadcaster | Best TV Sports Channel Program Promo | 3 | Star Sports | ICC Women's World Cup, 2013 | Star Sports | Gold |
| Broadcaster | Best TV Sports Channel Program Promo | 4 | Star Sports | Barclays Premier League-Join The Game | Star Sports | Silver |
| Broadcaster | Best Movie Promo By a TV Channel | 3 | Zee Cinema | South Ka Suoer Punch | Zee Entertainment Enterprises Ltd. | Silver |
| Broadcaster | Best Movie Promo By a TV Channel | 11 | Sony Pix | Skyfall-Teaser Bond | Multi Screen Media Pvt. Ltd. | Bronze |
| Broadcaster | Best Movie Promo By a TV Channel | 13 | Sony Pix | No Repeat @ 9-Dinner | Multi Screen Media Pvt. Ltd. | Bronze |
| Broadcaster | Best Movie Promo By a TV Channel | 15 | Jalsha Movies | Loveria-The Dangerous Virus | Star India Pvt Ltd | Silver |
| Broadcaster | Best TV Program for Cause Related Marketing | 3 | Animal Planet | Celebrating India's Wildlife 'Yeh Mera India' | Discovery Networks Asia-Pacific ( South Asia ) | Silver |
| Broadcaster | Best TV Program for Cause Related Marketing | 5 | Saath Hai Hum Uttarakhand | Saath Hai Hum Uttarakhand | Star India Pvt Ltd | Gold |
| Broadcaster | Best TV Program for Cause Related Marketing | 13 | Star Jhalsa | Warmest Day in Winter | Star Entertainment | Silver |
| Broadcaster | Best TV Program for Cause Related Marketing | 14 | Channel V | Gumrah S3: With v APP | Star India Pvt Ltd | Bronze |
| Broadcaster | Best Regional TV Program Promo (other than Hindi & English) | 2 | Star Jalsha | Sokhi (fiction) Launch Promo | Star Entertainment | Silver |
| Broadcaster | Best Original Music Score For a TV Program | 3 | Star World | Koffee With Karan Season 4 Launch | Star India Pvt Ltd | Silver |
| Broadcaster | Best Original Music Score For a TV Program | 4 | Bani-Ishq Da Kalma | Bani-Ishq Da Kalma Show Song | Colors, Viacom 18 Media Pvt. Ltd | Bronze |
| Broadcaster | Best Original Music Score For a TV Program | 5 | Rangrasiya | Rangrasiya Show Song | Colors, Viacom 18 Media Pvt. Ltd | Bronze |


Helena Bonham Carter: "Princess Margaret is a great licence to behave pretty badly"
EXCLUSIVE: Helena Bonham Carter spoke to Notebook about playing the legendary sister of the Queen, Princess Margaret, Countess of Snowdon in the new series of The Crown on Netflix
by Lewis Knight, Lara Kilner, https://www.mirror.co.uk/authors/lewis-knight/, https://www.mirror.co.uk/authors/lara-kilner/"Who's number one?"
Oscar-nominated actress Helena Bonham Carter joins the cast of The Crown for its third season on Netflix and takes on the role of The Queen's glamorous and tormented sister, Princess Margaret.
Portrayed by BAFTA winner Vanessa Kirby in the first two seasons of the show, Bonham Carter will portray Princess Margaret through her tumultous marriage to Antony Armstrong-Jones, Lord Snowdon (Ben Daniels), and show the deep differences and love between Margaret and her sister.
The Oscar-nominee spoke to Notebook's Lara Kilner to discuss taking on the role of the iconic royal sister, wearing the colourful costumes, and working with on-screen sister Olivia Colman.
What kind of homework did you do to play Margaret?
You have a huge responsibility because she was a real person, so number one on my action list was to find a list of the biographies that were worth reading.
I’m a pretty late starter in everything, so I watched season one and two and it became clear that there was a real Margaret and The Crown Margaret. There were certain choices they had made for dramatic purposes, so it seemed I would have creative licence.
I also went to a medium because I’m completely bonkers. I thought I should just ask Margaret if she minded me playing her and she was actually quite thrilled.
I met her a few times when I was young, as she had known my uncle for a long time. She once came up to me at Windsor and said, ‘Yes, you are getting better.’
I thought that was such a typical remark, because she was brilliant at complimenting and at the same time putting you down.
How did you get into character?
 When I was approached, I did check they had asked the right person.
I've got the height right, which is the one advantage I have over Vanessa Kirby, who played her (in series one and two). Princess Margaret was tiny, so if anything, I’m a bit tall.
That was actually quite key to her character. Someone said it wasn’t so much a complex about her not being Queen, but about how small she was.
That played into her feeling that she might not have been as important as her sister.
What’s it like playing Margaret a bit older?
Hopefully I bring my ageing soul to illuminate this bit of her life. The writer Peter Morgan said, ‘You all used to be so young and pretty and now we’ve got you lot!’ The gift of Margaret is that she is very multifaceted, complicated and changeable, and you’re never going to be bored of her.
How was the physical transformation?
Hair is a particularly big thing when you’re playing someone so iconic. The first time I saw Olivia in her wig, it was magical. It was like the Queen was in the room.
Because Margaret had a complex about only being 5ft tall, her hair got taller and taller – it wasn’t just the fashion of the time. She just carried on putting on hair pieces, as if they were a mask. She even had the seat of her car raised so she was seen to be taller.
It took two and a half hours every morning to look like her, I had an army of people to make sure I was immaculate.
We started with a massive book of all the photos of her through all the years, and I actually met her hairdresser who did her hair day in, day out for years and I went and had my hair done with him. He produced a lock of her hair, which was a sort of talisman.
Did you learn a lot about the real Margaret from him?
A lot of people love to dislike Margaret, because she wasn’t easy, but the people who saw her every day really loved her.
Her hairdresser said she was bold and upright. She carried being Royal very seriously, but at the same time wanted to do everything her way. It’s flicking between those two positions that’s fun to play.
Bet the clothes were fun…
Vanessa had the best luck because she was in the 1950s and I prefer that era as a look. I don’t have the body or length to show off the 1960s. I mean, it’s not that flattering.
Margaret relaxed more once she was married. She became less adventurous and almost had a married woman uniform. The costume designer put me in bruised colours and patterns to reflect Margaret’s emotional state.
We also got help with movement, how we’d have to carry ourselves in the space and how to fill it. There’s no apology about being the Queen or Princess Margaret, you have to fill the space with your shoulders and enter a room bang in the middle. The doors are wider to accommodate that.
The Queen was probably by nature an introvert and had it drummed into her to take the space and not apologise for any inch that she took up. Margaret certainly didn't.
How was it working with Olivia Colman?
There’s something innately loveable about her. Olivia is unbelievably open, and her whole heart is not only on her sleeve but it’s on her body. She’s very emotional, but the Queen was trained to put her emotions aside.
The very first scene Olivia and I had to do was where I tell her about the 1966 disaster of Aberfan. Olivia really can’t not have empathy, so in order not to sob, she had to listen to the shipping news.
Was joining the show daunting at first?
The set felt very unstressed, even though we knew there was a long way to fall, potentially. We were all terrified the day before we started filming, but it was OK and we felt safe, protected and unbelievably supported.
In fact, playing Princess Margaret is a great licence to behave pretty badly, be demanding and not do much! It’s a great job.
Will you be watching it with your family?
I want to leave the universe when it comes out, because it’s too excruciatingly exposing. So I’m looking forward to a really long holiday on the Moon or something.
The Crown season 3 launches today on Netflix.


{% extends "base.html" %} {% load custom_tags %} {% load messages %} {% block content_head %}
New Contest: IndexTank / 80legs Crawlathon! by Diego on June 16
IndexTank / Factual contest results! by Diego on April 26
Support from our core engineering team is a click away via live chat or email.
New IRC channel on Freenode! Come chat with our community on irc.freenode.net and join the channel #indextank.
We've got stemming (beta!) We're on the last steps of adding stemming. If you know what stemming is, and you're willing to give it a try (knowing that there might be a few bugs) contact us and we will enable this feature for your index.
{{post.title}} by {{post.author}} on {{post.date}}
{% endfor %} {% endif %}


This is the final day in which I worked on the Simple Notes application. I implemented a due date for each note.
Firefox OS comes with a native date picker optimized for mobile layouts. In order to call forth this date picker, one has to simple add the following input
element to a form.
<input type='date'>
And said Date picker looks like this
There was a glaring issue with this approach. In order to bring forth the date picker, the user needed to press this ugly input box
To fix this issue, I wrapped the <input>
in a div that had the following CSS rules applied
div#hides-date {
width: 0;
height: 0;
overflow: hidden;
float: left;
}
This hides the input, and takes it out of the "flow" (i.e. other elements on the page ignore the div when aligning themselves). Next, I added a button. When the button is clicked, the hidden date input is focused. This causes the date picker to pop up, and this effectively makes the user think that the button controls the date picker. I also added an event listener to the input
element that listened for input changes. This event gets fired when the user chooses a date. When the event is received I updated the text of the button to reflect the date chosen.
To accomplish all of that I used the following snippet
// dateButton == the button to replace the date input element
// datePicker == the date input element
dateButton.addEventListener('click', function() {
datePicker.focus();
datePicker.addEventListener('input', function() {
dateButton.innerHTML = this.value;
});
});
This is the result
Displaying the date to the user required only 3 minor changes
Adding the date field, is trivial. Adding the date field to the template was pretty simple, it only required adding the following aside

In case you're curious, the CSS rules that style this structure come from lists.css
. Then the following snippets of code where added throughout the code base
function addNoteToList(note) {
// ...
noteListItem.querySelector('.note-date').innerHTML = note.date;
// ...
}
// form == object that represents the new note <form>
function saveNote(form) {
// ...
var newNote = new Note(form.getTitle(), form.getContent(), form.getDate());
// ...
}
Surprisingly, that is all the spots that needed to be changed. My code turned out to be more modular than I anticipated :)


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Athletics is a collection of sporting events that involve competitive running, jumping, throwing, and walking. Organized athletics are traced back to the Ancient Olympic Games from 776 BC. The rules and format of the modern events in athletics were defined in Western Europe and North America in the 19th and early 20th century. Athletics has been contested at every Summer Olympics since the birth of the modern Olympic movement at the 1896 Summer Olympics.
To make our life sporty like athletics. Every year we plan for this event.
Garden Party
In today’s fast life we all are tired from our routine life. To change it we plan a Great Garden Party every month. So we can relax with nature. Just think about that feeling when hold a glass of cocktail and wind is playing with your hair.
Welcome to word of nature.
Award Ceremony
Somebody in your initiative has been doing an excellent job and has just achieved a professional victory. Everybody knows about it, and you have all congratulated your colleague for the good work. It's time to hold an awards ceremony. Presenting awards at a special ceremony is a good way to honor staff members and volunteers who have shown outstanding commitment and accomplished big things.
We respect the talent .
Seminar
A seminar is a group meeting led by an expert that focuses on a specific topic or discipline, such as business, job searches or a university field such as literature. Seminars typically take place over the course of a few days and involve cooperative discussion, multiple speakers and opportunities to share perspectives and issues related to the topic. Attending a seminar has numerous benefits, including improving communication skills, gaining expert knowledge, networking with others and renewing motivation and confidence.
We share knowledge.


Model selection for penalized graphical models using the Stability Approach to Regularization Selection ('StARS'), with options for speed-ups including Bounded StARS (B-StARS), batch computing, and other stability metrics (e.g., graphlet stability G-StARS). Christian L. Müller, Richard Bonneau, Zachary Kurtz (2016) <arXiv:1605.07072>.
| Version: | 0.3.4 |
| Depends: | R (≥ 3.2.0) |
| Imports: | methods, parallel, graphics, stats, utils, tools, Matrix |
| Suggests: | batchtools (≥ 0.9.10), fs (≥ 1.2.2), checkmate (≥ 1.8.5), orca, huge, MASS, QUIC, glmnet, network, cluster, testthat, knitr, rmarkdown |
| Published: | 2018-09-02 |
| Author: | Zachary Kurtz [aut, cre], Christian Müller [aut, ctb] |
| Maintainer: | Zachary Kurtz <zdkurtz at gmail.com> |
| BugReports: | http://github.com/zdk123/pulsar/issues |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| URL: | http://github.com/zdk123/pulsar, http://arxiv.org/abs/1605.07072 |
| NeedsCompilation: | no |
| Citation: | pulsar citation info |
| Materials: | README NEWS |
| CRAN checks: | pulsar results |
| Reference manual: | pulsar.pdf |
| Vignettes: |
Other selection criteria with pulsar Graphical model selection with pulsar |
| Package source: | pulsar_0.3.4.tar.gz |
| Windows binaries: | r-devel: pulsar_0.3.4.zip, r-release: pulsar_0.3.4.zip, r-oldrel: pulsar_0.3.4.zip |
| OS X binaries: | r-release: pulsar_0.3.4.tgz, r-oldrel: pulsar_0.3.4.tgz |
| Old sources: | pulsar archive |
Please use the canonical form https://CRAN.R-project.org/package=pulsar to link to this page.


Dietetics
Endorsed by Emma Carder and 12 others who are highly skilled at this
Endorsed by 7 of Lucy’s colleagues at Whittington Health
Nutrition
Endorsed by Linia Patel and 26 others who are highly skilled at this
Diabetes
Endorsed by Patrick Hood, CLTC and 3 others who are highly skilled at this
Endorsed by 3 of Lucy’s colleagues at Whittington Health


Thank you taking a moment out of your day to stop by and visit. It means a lot!
So why did I build this page that resembles something out of the early 2000's?
Well this website is to serve as a monument and a reflection of my successes along my codeing journey.
As my ability grows, so too will this website grow and become more stylized and polished.
So far I only have three pages you can visit, but that is going to quickly change.
I am determined to possess a valuable skill-set to develop tools and resources that treats the users privacy and protection as a top priority.
I aim to help re-define what ethical modes of data harvesting and handling, looks like in the near future.
I will help design a set of checks and balances, that have the industry more proactive in asking themselves the more important questions like: "Should We Do it?", instead of "Can We Do It?".


Publication
Selected Publications (* Co-First Author):
#. Single-cell RNA-seq analysis unveils a prevalent epithelial/mesenchymal hybrid state during mouse organogenesis
J Dong, Y Hu, X Fan, X Wu, Y Mao, B Hu, H Guo, L Wen, F Tang. Genome biology (2018)
#. Spatial transcriptomic survey of human embryonic cerebral cortex by single-cell RNA-seq analysis
X Fan, J Dong*, S Zhong, Y Wei. ... Cell research (2018)
#. Single-cell RNA-Seq analysis maps development of human germline cells and gonadal niche interactions
L Li, J Dong*, L Yan, J Yong, X Liu, Y Hu, X Fan, X Wu, H Guo, X Wang, ... Cell stem cell (2017)
#.  Science (2018) 362(6418): 1060-1063.
#. A single-cell RNA-seq survey of the developmental landscape of the human prefrontal cortex
S Zhong, S Zhang, X Fan, Q Wu, L Yan, J Dong, H Zhang, L Li, L Sun, ... Nature (2018)
#.  Nature genetics (2018)
#. Single-cell RNA sequencing analysis reveals sequential cell fate transition during human spermatogenesis
M Wang, X Liu, G Chang, Y Chen, G An, L Yan, …, J Dong, … Cell stem cell
Address: Peking University E-mail: zorrodong@pku.edu.cn


{% extends "voting/base.html" %} {% block title %}The UKVoting Home Pages{% endblock %} {% block content %}
A group of people, independent of the Committee, who are empowered by the Voting Procedures to conduct votes.
Since September 1995, newsgroup creation within the UK hierarchy has been governed by a set of Guidelines and an elected committee. It is hoped that most creations of new newsgroups within the UK hierarchy can be accomplished speedily and without the necessity for voting. When dissention arises, however, voting may be the only method of resolution. Obviously, to take the votes, you need votetakers, which is where UKVoting come in.
UKVoting is also willing to take votes for other hierarchies - for example, we took the vote on establishing the Terms of Reference for the Usenet Committee for the 'ie' hierarchy.
UKVoting Banner graphic courtesy Sarah Baker {% endblock %}


read - read from a file descriptor
#include <unistd.h>
ssize_t read(int fd, void *buf, size_t count);
read() attempts to read up to count bytes from file descriptor
fd into the buffer starting at buf.
On files that support seeking, the read operation commences at the
file offset, and the file offset is incremented by the number of bytes read.
If the file offset is at or past the end of file, no bytes are read, and
read() returns zero.
If count is zero, read() may detect the
errors described below. In the absence of any errors, or if read()
does not check for errors, a read() with a count of 0 returns
zero and has no other effects.
According to POSIX.1, if count is greater than
SSIZE_MAX, the result is implementation-defined; see NOTES for the
upper limit on Linux.
On success, the number of bytes read is returned (zero indicates end of file),
and the file position is advanced by this number. It is not an error if this
number is smaller than the number of bytes requested; this may happen for
example because fewer bytes are actually available right now (maybe because we
were close to end-of-file, or because we are reading from a pipe, or from a
terminal), or because read() was interrupted by a signal. See also
NOTES.
On error, -1 is returned, and errno is set appropriately.
In this case, it is left unspecified whether the file position (if any)
changes.
- EAGAIN
- The file descriptor fd refers to a file other than a socket and has
been marked nonblocking (O_NONBLOCK), and the read would block. See
open(2) for further details on the O_NONBLOCK flag.
- EAGAIN or EWOULDBLOCK
- The file descriptor fd refers to a socket and has been marked
nonblocking (O_NONBLOCK), and the read would block. POSIX.1-2001
allows either error to be returned for this case, and does not require
these constants to have the same value, so a portable application should
check for both possibilities.
- EBADF
- fd is not a valid file descriptor or is not open for reading.
- EFAULT
- buf is outside your accessible address space.
- EINTR
- The call was interrupted by a signal before any data was read; see
signal(7).
- EINVAL
- fd is attached to an object which is unsuitable for reading; or the
file was opened with the O_DIRECT flag, and either the address
specified in buf, the value specified in count, or the file
offset is not suitably aligned.
- EINVAL
- fd was created via a call to timerfd_create(2) and the wrong
size buffer was given to read(); see timerfd_create(2) for
further information.
- EIO
- I/O error. This will happen for example when the process is in a
background process group, tries to read from its controlling terminal, and
either it is ignoring or blocking SIGTTIN or its process group is
orphaned. It may also occur when there is a low-level I/O error while
reading from a disk or tape. A further possible cause of EIO on
networked filesystems is when an advisory lock had been taken out on the
file descriptor and this lock has been lost. See the Lost locks
section of fcntl(2) for further details.
- EISDIR
- fd refers to a directory.
Other errors may occur, depending on the object connected to
fd.
SVr4, 4.3BSD, POSIX.1-2001.
The types size_t and ssize_t are, respectively, unsigned and
signed integer data types specified by POSIX.1.
On Linux, read() (and similar system calls) will transfer
at most 0x7ffff000 (2,147,479,552) bytes, returning the number of bytes
actually transferred. (This is true on both 32-bit and 64-bit systems.)
On NFS filesystems, reading small amounts of data will update the
timestamp only the first time, subsequent calls may not do so. This is
caused by client side attribute caching, because most if not all NFS clients
leave st_atime (last file access time) updates to the server, and
client side reads satisfied from the client's cache will not cause
st_atime updates on the server as there are no server-side reads.
UNIX semantics can be obtained by disabling client-side attribute caching,
but in most situations this will substantially increase server load and
decrease performance.
According to POSIX.1-2008/SUSv4 Section XSI 2.9.7 ("Thread Interactions
with Regular File Operations"):
All of the following functions shall be atomic with
respect to each other in the effects specified in POSIX.1-2008 when they
operate on regular files or symbolic links: ...
Among the APIs subsequently listed are read() and
readv(2). And among the effects that should be atomic across threads
(and processes) are updates of the file offset. However, on Linux before
version 3.14, this was not the case: if two processes that share an open
file description (see open(2)) perform a read() (or
readv(2)) at the same time, then the I/O operations were not atomic
with respect updating the file offset, with the result that the reads in the
two processes might (incorrectly) overlap in the blocks of data that they
obtained. This problem was fixed in Linux 3.14.
close(2), fcntl(2), ioctl(2), lseek(2),
open(2), pread(2), readdir(2), readlink(2),
readv(2), select(2), write(2), fread(3)
This page is part of release 5.05 of the Linux man-pages project. A
description of the project, information about reporting bugs, and the latest
version of this page, can be found at https://www.kernel.org/doc/man-pages/.


Sanjay Raut should shut up, with Ajit Pawar's support we will prove majority with 170 MLAs: BJP
Maharashtra BJP president Chandrakant Patil said Shiv Sena leader Sanjay Raut should now keep silent; he has ruined the Shiv Sena.
Moments after BJP's Devendra Fadnavis took oath as Maharashtra's chief minister Saturday morning, the BJP came out all guns blazing against its former ally - Shiv Sena - and said the party should now keep quiet.
Maharashtra BJP president Chandrakant Patil said Shiv Sena leader Sanjay Raut should "now at least keep silent". "He has ruined the Shiv Sena," Patil said.
Sanjay Raut, a key Shiv Sena leader and Rajya Sabha MP, had been very vocal criticising the BJP in the past two weeks and took personal digs at Devendra Fadnavis, saying he is hungry for power.
Attacking the Shiv Sena, Chandrakant Patil said the party "betrayed" the mandate given to the pre-poll alliance of the BJP and Shiv Sena.
"People voted for BJP-Shiv Sena alliance and we got 161 MLAs, but Shiv Sena betrayed the mandate. Since the first press conference they had started talking about alternatives," Patil said.
Meanwhile, BJP leader Girish Mahajan said the BJP will prove its majority with the support of over 170 MLAs on the floor of the Maharashtra assembly.
"Ajit Pawar has given a letter to Governor BS Koshiyari about support of his MLAs and as he is NCP's legislative party leader. This means all NCP MLAs have supported us," Girish Mahajan said.
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This is the guidance for the Plane Intersection visualisation.
This is the graph that plots all the planes.
You can add plane, lines and points with these buttons.
This display shows the equation of the planes, lines and points and you can change the values.
This shows the equations of the intersections lines.
Have fun!
Mark Sucks!
Yes He does
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A Guy Makes Genius Cosplay Costumes From Nothing, and His Imagination Is Unstoppable
Anucha Sangchart, an artist from Bangkok, Thailand, is winning the internet by creating cosplays out of the most unusual items. In a series of pictures, he demonstrates how people can cosplay as their favorite characters when they are on a budget and still steal the show.
Bright Side is in love with Anucha’s creativity and would like to show our audience some of his greatest creations.
1. Maleficient’s horns are actually legs.
2. From the light bulb to beyond...
3. Still less scary than actual lizards.
4. Apparently, you can use a mop head as an alternative to blonde hair.
5. Try watching Alien without laughing now.
6. That’s where Goku gets his energy from.
7. Cannot see Groot the same way again. Ever.
8. The real 10-year-challenge.
9. Put your old cutlery into the cosplay game.
10. Cotton ear buds + tape + blue paint = Night King
11. Iron man, made by Apple
12. Who knew cosplaying Ursula was so easy.
13. Forget going to the gym, all you need is black tape and a fork to turn into Jason Momoa.
14. This is what nightmares are made of.
15. Put your hair in a bun and you’re one step closer to cosplay Bulbasaur.
Have you ever cosplayed or dressed like a famous character for Halloween? Share your pictures with us in the comments!
Preview photo credit Lowcostcosplay / Facebook