These are optional labs:
Note: If you completed the Lab 1: Ingestion with Glue you can skip this section and go back to Start Exploring with Athena
One other method to populate the Data Catalog is using Amazon Athena. If you have a simple dataset and you already know the schema, you can manually populate the Data Catalog using SQL DDL statements. You enter these SQL DDL statements in Athena Console and Athena will execute them free of charge
Athena uses Apache Hive to define tables and create databases. Databases are a logical grouping of tables. When you create a database and table in Athena, you are simply describing the schema and location of the table data in Amazon S3. In case of Hive, databases and tables don’t store the data along with the schema definition unlike traditional relational database systems. The data is read from Amazon S3 only when you query the table. The other benefit of using Hive is that the metastore found in Hive can be used in many other big data applications such as Spark, Hadoop, and Presto. With Athena catalog, you can now have Hive-compatible metastore in the cloud without the need for provisioning a Hadoop cluster or RDS instance. For guidance on databases and tables creation refer Apache Hive documentation. The following steps provides guidance specifically for Amazon Athena.
Open the AWS Management Console for Athena.
Make a note of the AWS region name.
In the Athena Query Editor, you will see a query pane with an example query. Now you can start entering your query in the query pane.
To create a database named mydatabase, copy the following statement, and then choose Run Query:
CREATE DATABASE mydatabase
Ensure that you are on the same AWS Region
Ensure mydatabase is selected from the DATABASE list and then choose New Query.
In the query pane, copy the following statement to create a the NYTaxiRides table, and then choose Run Query:
CREATE EXTERNAL TABLE NYTaxiRides (
vendorid STRING,
pickup_datetime TIMESTAMP,
dropoff_datetime TIMESTAMP,
ratecode INT,
passenger_count INT,
trip_distance DOUBLE,
fare_amount DOUBLE,
total_amount DOUBLE,
payment_type INT
)
PARTITIONED BY (YEAR INT, MONTH INT, TYPE string)
STORED AS PARQUET
LOCATION 's3://us-west-2.serverless-analytics/canonical/NY-Pub'
Now that you have created the table you need to add the partition metadata to the Amazon Athena Catalog.
MSCK REPAIR TABLE NYTaxiRides
The returned result will contain information for the partitions that are added to NYTaxiRides for each taxi type (yellow, green, fhv) for every month for the year from 2009 to 2016
[OPTIONAL]
Note: This lab will run on the Curated dataset and table
If a new partition is added, the Data Catalog used by Athena should be updated to recognise the new partition. A common way to detect newly added partitions is to run the Glue Crawler once a new partition is added. In Lab 2 we went through how to orchestrate your jobs and crawlers to run periodically or with on-demand triggers. Another approach is to use MSCK RERAIR TABLE command to automatically add the partitions to the catalog. This command if the partitioning structure conforms to Hive structure (s3://dataset/{col1=value}/{col2=value}). If the portioning structure does not conform to Hive (for example: s3://dataset/2019/Jan and s3://dataset/2018/Feb), then you might have to run the Crawler or manually add the partitions by using ALTER TABLE in Athena
In this section we will manually create a new partition in S3. Check if Athena recognises the partition, load all partitions and check again.
Open the AWS Management console for Amazon S3
Navigate into your curated dataset folder and add a new folder (partition) by clicking on Create Folder. We will not need to add data to the partition
If you do not have sub-partitions (for example; year only) proceed to the next step. If your table has sub-partitions (for example; partition by year and month), create a new empty folder inside your new partition. The end result should be something like this; s3://{bucket_name}/{curated_dataset}/{col1=value}/{col2=value}
Let’s see if Athena can recognise the new partitions. Go to Athena Console, in the Query Editor pane type the following SQL
SHOW PARTITIONS {curated_table_name}
Wait for the query to finish and check the results. You will notice that you will not find the newly created partition.
In the Query Editor pane execute the following SQL command
MSCK REAPAIR TABLE {curated_table_name}
Wait for the query to finish and check the results.
Run the SHOW PARTITIONS {curated_table_name}
query again and wait for the query to finish. You will notice in the results that Athena now recognises the new partitions.


The app’s purpose is to have the group members choose which product, of the three displayed images, that they would be most likely to purchase, and then store, calculate, and visually display the resulting data. Please click on the most attractive product for you


- family : str or
foehnix.Family
specifying the distribution of the components in the mixture model.
- switch : bool
whether or not the two components should be switched.
False
(default): the component which shows higher values
within the predictor is assumed to be the foehn cluster.
True
: lower values are assumed to be the foehn cluster.
- left : float
left censoring or truncation point. Default -Inf
- right : float
right censoring or truncation point. Default Inf
- truncated : bool
If True
truncation is used instead of censoring. This only
affects the model if left
and/or right
are specified.
- standardize : bool
Defines whether or not the model matrix for the concomitant model
should be standardized for model estimation. Recommended.
- maxit : int or [int, int]
Maximum number of iterations for the iterative solvers.
Default is 100. If a vector of length 2 is provided the first value
is used for the EM algorithm, the second for the IWLS backfitting.
- tol : float or [float, float]
Tolerance defining when convergence of the iterative solvers is
reached. Default is 1e-8. If a vector of length 2 is provided the
first value is used for the EM algorithm, the second for the IWLS
backfitting.
- force_inflate : bool
foehnix.Foehnix
will create a strictly regular time
series by inflating the data to the smallest time intervall in the
data set. If the inflation rate is larger than 2 the model will
stop except the user forces inflation by specifying
force_inflate = True
. This can cause a serious runtime
increase. Default is False.
- verbose : bool or str
Sets the verbose level of the model logging
- True (default): Information on most tasks will be provided
- False: Only critical errors and warnings will be provided
- ‘DEBUG’: More detailed information will be provided


| Home | Trees | Indices | Help |
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object --+ | AbstractListener.AbstractListener --+ | | | AbstractModel.ModelListener --+ | Node.Node --+ | PangoLabel
A Node used to render text to the screen. It is recommended that you do NOT use PangoLabel at this point due to rendering issues.
PangoLabel uses the Pango text-rendering library and provides an HTML-like markup language for in-line decoration (such as italics and underlining). See http://pygtk.org/docs/pygtk/pango-markup-language.html for the markup specification.
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_isDirty def getRectOfCharacterFromIndex(self, index): if self._layout is not None: rectTuple = self._layout.index_to_pos(index) offset = self.getTransformOffset() x = rectTuple[0] / pango.SCALE + offset.x y = rectTuple[1] / pango.SCALE + offset.y w = rectTuple[2] / pango.SCALE h = rectTuple[3] / pango.SCALE return MakeRect(x, y, w, h) |
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alwaysRendering Whether or not this Node should be redrawn every loop. |
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markupText The marked-up text to be rendered. |
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accelMarker The accel marker for the marked-up text. |
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fontFamily The font family of the text. |
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fontSize The font size of the text. |
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italic Whether or not the rendered text will be italicized. |
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smallCaps Whether or not the text will be rendered in small caps. |
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fontWeight The font weight of the text. |
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fontStretch The amount by which the text will be stretched. |
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wrappingType How the text is wrapped across multiple lines. |
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indentation The amount by which the text is indented. |
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spacing The spacing amount between lines of text. |
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justified Whether or not the text is justified. |
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alignment The alignment for the text. |
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singleParagraph Whether or not the text should be treated as a single paragraph. |
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Initialization method.
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Whether or not this Node will be redrawn every loop. By default, this
is
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Returns the marked-up text to be rendered.
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Sets the marked-up text to be rendered.
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Returns the accel marker.
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Sets the accel marker for the marked-up text. Set it to
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Returns the font family to be used in rendering the text.
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Common (and possibly the only) values are "serif", "monospace", "sans", or "normal". Default is
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Returns the font size for the text. Default is
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Sets the font size for the text. Default is
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Returns whether or not the text is rendered in italics. This is
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Sets whether or not the text is rendered in italics. Default is
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Returns whether or not the text is rendered in small caps. Default is
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Sets whether or not the text is rendered in small caps. Doesn't
currently work. Default is
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Returns the font weight. Default is
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Sets the font weight. Only works for bolding the text, e.g. for
fontWeight >= 0.5. Default is
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Gets the amount by which the text will be stretched.
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Sets the amount by which the text will be stretched. Doesn't currently
work. Might work for a newer version of Pango? Default is
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Returns how the text is wrapped. See setWrappingType for more details.
|
This value is ignored if Set it to By default,
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Returns the amount by which the text is indented. Default is
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Sets the amount by which the text is indented. Default is
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Returns the spacing between lines of text. Default is
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Sets the spacing between lines of text. Default is
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Returns whether or not the text is justified. Default is
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Sets whether or not the text is justified. Default is
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Returns the alignment for the text. Default is
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Sets the alignment for the text. Set it to
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Returns whether or not the text is rendered as a single paragraph.
Default is
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Sets whether or not the text should be treated as a single paragraph,
that is, whether or not the renderer should ignores newline characters.
Default is
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Draws the Node's contents to be displayed on the screen. Subclass and
do your drawing in here. The context will already be translated to the
node's current position, so drawing to
|
Notifies the drawing method that the layout has changed and needs to
be redrawn. This method is automatically called whenever any parameters
for |
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_isDirtydef getRectOfCharacterFromIndex(self, index): if self._layout is not None: rectTuple = self._layout.index_to_pos(index) offset = self.getTransformOffset() x = rectTuple[0] / pango.SCALE + offset.x y = rectTuple[1] / pango.SCALE + offset.y w = rectTuple[2] / pango.SCALE h = rectTuple[3] / pango.SCALE return MakeRect(x, y, w, h) # Currently doesn't work, and there are other things that still need to be implemented. def getIndexOfCharacterFromPoint(self, point): if self._layout is not None: offset = self._getTransformOffset() return self._layout.xy_to_index(point.x - offset.x*pango.SCALE, point.y - offset.y*pango.SCALE) |
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alwaysRenderingWhether or not this Node should be redrawn every loop.
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markupTextThe marked-up text to be rendered.
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accelMarkerThe accel marker for the marked-up text.
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fontFamilyThe font family of the text.
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fontSizeThe font size of the text.
|
italicWhether or not the rendered text will be italicized. |
smallCapsWhether or not the text will be rendered in small caps.
|
fontWeightThe font weight of the text.
|
fontStretchThe amount by which the text will be stretched.
|
wrappingTypeHow the text is wrapped across multiple lines.
|
indentationThe amount by which the text is indented.
|
spacingThe spacing amount between lines of text.
|
justifiedWhether or not the text is justified.
|
alignmentThe alignment for the text.
|
singleParagraphWhether or not the text should be treated as a single paragraph.
|
| Home | Trees | Indices | Help |
|---|
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EnviroCar
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Click on the action buttons in the action panel to get the query execution times for tables with and
without indexes and generate a graph comparing the same
Operation
Get Query Execution Times
Query execution times for tables with Indexes and DPF alone are computed
Performance Comparison
- A graph comparing the query execution time for tables with and without Indexes is generated.
- If you hover your cursor over the bars in the graph you will see the exact execution time for each run.
Result
The query execution time is greatly reduced with Indexes as full table scans and repeated sorting of data is avoided
Explain Snapshot
An explain snapshot is compressed information that is collected when an SQL statement is explained.
It contains
- The internal representation of the access plan (graphical as well), including its operators and the tables
and indexes accessed
- The decision criteria used by the optimizer, including statistics for database objects and the cumulative
cost for each operation.
Run the following steps on the DB2 CLP window to view the explain snapshot :
- Change to directory DB2_install_directory\sqllib\misc
- Connect to the database as db2 connect to
designdb
.
- Run db2 -tvf EXPLAIN.DDL. This creates the explain tables.
- Run db2 SET CURRENT EXPLAIN MODE=YES
- Go the Ad Hoc SQL tab, Select Options. Note the Default Schema used for this workshop.
- Change to directory TE_install_directory\tutorials\Workshops\DesignforQueryPerformance\Indexing
- In the file
query_index.db2
replace 'SCHEMA' with the Default Schema.
- Run db2 -tvf
query_index.db2
- Run db2 SET CURRENT EXPLAIN MODE=NO
- Run db2exfmt -d
designdb
-1 -o explain_index.out
. The Explain Plan can be viewed in the output file explain_index.out
.
Click here to view the sample output of the Explain Access Plan : Sample Explain Access Plan


Using Untappd and Runkeeper to show you how much you drink compared to how much you work out. Try to keep a reasonable BPK (beers pr kilometer) rate in order to stay alive to drink more beers!
You have to have an account on both these services and auth this page to use your data.


Prior Experience with Recreational Psychoactive substances:
Robotripping on full bottles of DXM
Smoking cigarettes
Limited and mixed experiences with marijuana
Admitted caffeine/sugar addict
Daily Use:
100 mg Lamotrigine as an antidepressant
I decided I'd go hang out with friends and smoke some herbal incense and have a good time for my birthday. We smoked two bowls of 'Da Shit' brand herbal incense. Here's the trip report for that experience:
All times are approximate.
T0:00 Outdoors at picnic table. Smoked one bowl of herbal incense, taking big hits, can barely hold smoke in.
T0:05 Felt that 'am I getting high yet' feeling. Smoke another bowl.
T0:07 Body high sets in, the mid-sections of my limbs start to feel shaky and rubbery, then tingly.
T0:10 'Whoa!' moment, feels as though I tipped backwards off a boat and hit the water back-first. Total dry-mouth.
T0:30-2:30 Internal monologue is present but not exactly audible. Time stretching and short term memory loss sets in and Closed eye visual hallucinations including clouds changing directions instantaneously, pins and needles body-high, total clarity inside my head that doesn't translate very well in speech and behavior. I have to keep moving around to find comfortable positions. My kidneys feel like they're very warm. Any time I talk, I hear how ridiculous my words sound in comparison to my thoughts and try to acknowledge it to my companions (who are far less high than me), but get caught up in the laughing fits before I can finish my thoughts. My short term memory falters, and my vision shutters and trails in a way similar to 2nd plateau DXM trips. I'm ready to get out.
T3:00 Fall asleep
T 12:00 (next morning) wake up, feel pretty normal except my body feels lighter, more fluid, and everything strikes me as awesome. I usually wake up very tight and sore in my muscles, but not today. I feel energized. As part of my morning routine, I ingest 100mg of lamotrigine orally. A bit surprised at how long the high has lasted. My friends are completely sober. At this point, I believed I was just placebo-ing, but as the day goes on, I get more and more freaked out that I can't stop feeling stoned.
T 16:00 Smoke another bowl of incense, headhunter brand. Take a nap with friend. Completely different body high this time, like warm pins and needles mixed with energy rushing in waves through my body. Also, I feel as though I'm spinning around the body of my nap-mate. She feels very good in my hands. I get very sexually aroused. We begin to fool around but my horniness goes away as quickly as it arrived. This would be embarrassing and awkward if we hadn't established our 'not responsible for what happens when high' thing before we did it.
T 1:00:00 Feeling normal
Throughout the next few days, I continue to slip in and out of grogginess and numbness in my body and I am extremely anxious that I have fucked something up terribly and permanantly in my brain. Called my doctor who said the synthetic cannabinoid and lamotrigine reacted badly and that I would have to wait about 5 days to feel better. This was attributed to the fact that JWH cannabinoids and lamotrigine are both sodium ion channel blockers, and have an analgesic (painkilling) effect.  It was saturday afternoon when I last smoked and it is now tuesday afternoon and I have 36-72 hours left of being high to contend with.
Legal notice: At the time of the submission of this article, the possession and use of herbal incense blends containing non-structually-similar synthetic cannabinoids was not regulated in the city and state that they were purchased or used in.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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Library: General utilities
Does not inherit
Function objects that adapt a pointer to a member function, to take the place of a global function
#include <functional> namespace std { template <class S, class T> class mem_fun_t; template <class S, class T, class A> class mem_fun1_t; template <class S, class T> class mem_fun_ref_t; template <class S, class T, class A> class mem_fun1_ref_t; template <class S, class T> class const_mem_fun_t; template <class S, class T, class A> class const_mem_fun1_t; template <class S, class T> class const_mem_fun_ref_t; template <class S, class T, class A> class const_mem_fun1_ref_t; template<class S, class T> mem_fun_t<S,T> mem_fun(S, (T::*f)()); template<class S, class T> mem_fun_ref_t<S,T> mem_fun_ref(S, (T::*f)()); template<class S, class T. class A> mem_fun1_t<S,T,A> mem_fun(S, (T::*f)(A)); template<class S, class T, class A> mem_fun1_ref_t<S,T,A> mem_fun_ref(S, (T::*f)(A)); template<class S, class T> const_mem_fun_t<S,T> mem_fun(S, (T::*f)() const); template<class S, class T> const_mem_fun_ref_t<S,T> mem_fun_ref(S, (T::*f)() const); template<class S, class T, class A> const_mem_fun1_t<S,T,A> mem_fun(S, (T::*f)(A) const); template<class S, class T, class A> const_mem_fun1_ref_t<S,T,A> mem_fun_ref(S, (T::*f)(A) const); }
The mem_fun group of templates encapsulates a pointer to a member function. Each category of template (mem_fun or mem_fun_ref) includes both a class template and a function template, where the class is distinguished by the addition of _t on the end of the name to identify it as a type. A set of class templates for const member functions exists, each with const_ prepended to the name.
The class's constructor takes a pointer to a member function and uses operator() to forward the call to that member function. The resulting object serves as a global function object for that member function.
The accompanying function template simplifies the use of this facility by constructing an instance of the class on the fly.
The library includes zero and one argument adaptors for containers of pointers and containers of references (_ref). This technique can be easily extended to include adaptors for two argument functions, and so on.
// // mem_fun example // #include <functional> #include <list> using namespace std; int main(void) { int a1[] = {2,1,5,6,4}; int a2[] = {11,4,67,3,14}; list<int> s1(a1,a1+5); list<int> s2(a2,a2+5); // Build a list of lists list<list<int>* > l; l.insert(l.begin(),s1); l.insert(l.begin(),s2); // Sort each list in the list for_each(l.begin(),l.end(),mem_fun(&list<int>::sort)); }
binary_function, Function Objects, pointer_to_unary_function, ptr_fun()
ISO/IEC 14882:1998 -- International Standard for Information Systems -- Programming Language C++, Section 20.3.8


I’m passionate about health and helping people, but I also love video games and technology. With a background in public health, I transitioned to software engineering to combine my love for helping people with my interest in technology to work on something innovative and exciting.
Although I've only been coding since September 2019, I've been able to learn so many new skills. The rating you see is how comfortable I feel using each item on a scale of 1 to 10, with 1 being "absolute beginner" and 10 being "I totally got this."
Please click on the boxes below to see more about each project.
Coding isn't everything that I do. Here are some other things I also love:
Feel free to contact me, my preferred method is by email. Thank you!


Welcome to my site. This site was created as part of my course for Dev BootCamp, however, it will now be my main domain on the interwebs. Here I will be posting information about what I do both professionally and recreationally, weekly blogs about my experience at Dev BootCamp and projects/events that I participate in.
If there are ever any questions or feedback, please let me know through my About Me/Contact page (Under Construction).


Ford Bronco reveal set for autumn 2020
Ford's rough-and-tough Bronco revival has a reveal date locked in, while a new video has revealed the car's retro logo.
by Scott Collie- shares
Ford has revealed the logo for its upcoming Bronco, and confirmed the rough-and-ready crossover will launch in the first half of 2020.
Although speculation and spy photos have been flying, this is the first official mention of the Bronco since Ford's press conference at the Detroit motor show in January.
When it launches in the Northern Hemisphere's spring (our autumn), the 2020 Bronco will pick up a badge that's been dormant since 1996 in the USA.
The badge debuted in the 1960s, however.
Ford hasn't offered any details about the Bronco, but a number of patent filings have given us a look at what will be offered in the upcoming off-roader.
It appears the Blue Oval has been working on ways of incorporating side airbags into tubular doors, as it works to create a safe way for nostalgic off-roaders to get their open-air kicks. It's also expected to have a range of roof options, including a soft roll-top.
A report from Automotive News earlier this year claimed the Bronco will have round headlights, a rectangular grille, prominent Bronco branding and a retro design.
Stay tuned to CarAdvice for all the latest.
1
1
nextprevious
Ford Bronco reveal set for autumn 2020


One-time dancer for Digital Underground turned fake gangster rapper, Tupac Shakur sold shitloads of albums for Death Row Records. He was planning on moving to a different record label, so Death Row CEO and active Bloods gang member Suge Knight probably had him killed so that he could keep the rights to Tupac's unreleased material. The press blamed the murder on the fake intercoastal rivalry between Bad Boy Records and Death Row which resulted in two extremely rich men -- Knight and Puff Daddy -- who further capitalized off of speculation regarding the "retaliatory" murder of obese rapper and drug dealer Notorious B.I.G. America sure loves its dead, rich black men: after death, Tupac released many times more music than while he was alive and has found time in his busy schedule to appear in three movies.
| 16 Jun 1971 |
Lesane Parish Crooks born, Brooklyn NY. |
| 1972 |
Name changed to Tupac Shakur. |
| 1990 |
Joins Digital Underground as a dancer and rapper. |
| Nov 1991 |
Releases his first solo album, 2pacalypse Now. |
| Dec 1991 |
Files a $10 million lawsuit against the Oakland Police Department for alleged brutality. |
| 1992 |
Appears in the movie Juice. |
| 1992 |
Forms Thug Life. |
| 1993 |
Strictly 4 My N.I.G.G.A.Z. |
| 1993 |
Appears in the movie Poetic Justice, opposite Janet Jackson. |
| 1993 |
Arrested a number of times, variously for using drugs in his limo, threatening another rapper with a baseball bat at a concert, and allegedly shooting at two off-duty policemen in Atlanta. |
| 18 Nov 1993 |
A 19-year-old Brooklyn woman accuses Tupac and three pals of sodomy and sexual assault. |
| 1994 |
Appears in Above the Rim. |
| 10 Nov 1994 |
Dropped from the movie Menace II Society after punching director Allen Hughes. Incarcerated for 15 days. |
| 29 Nov 1994 |
Acquitted of sodomy and weapons charges, convicted of sexual assault. |
| 30 Nov 1994 |
Shot four times during a robbery in New York City: he loses $40K of jewelry. |
| 7 Feb 1995 |
Sentenced to four-and-a-half years in prison, which he begins serving at Riker's State Penitentiary. |
| Apr 1995 |
Me Against the World debuts at #1. |
| May 1995 |
Marries girlfriend Keisha Morris from prison. |
| Oct 1995 |
Suge Knight posts Tupac's $1.4 million bail; Shakur promptly signs a record contract with Knight's label, Death Row Records. |
| 1995 |
Assumes Makaveli as an alias, after Machiavelli. |
| 1996 |
Appears in Bullet, with Mickey Rourke. |
| 1996 |
Marriage to Keisha Morris annulled. |
| 1996 |
All Eyez on Me. |
| 7 Sep 1996 |
Standing up through the open sunroof of a BMW 750 sedan, rap artist Tupac Shakur is talking to some women at a Las Vegas street intersection when a white Cadillac pulls alongside. Gunfire erupts, and Shakur is shot four times. |
| 13 Sep 1996 |
Dies in hospital. |
| Nov 1996 |
Don Killuminati: The 7 Day Theory, released under his Makaveli alias. |
| 1997 |
Stars in Gridlock'd with Tim Roth. |
| 1997 |
Stars in Gang Related with Jim Belushi. |
| Nov 1997 |
R U Still Down (Remember Me). |
| 1999 |
Still I Rise. |
| 2000 |
The Lost Tapes. |
| 2000 |
The Rose That Grew from Concrete. |
| 2001 |
Until the End of Time. |
| 2002 |
Better Dayz. |
| 2003 |
Appears in Tupac: Resurrection. |


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You shoud input Shopify API login, pass and url below. The URL has to contain only your Shopify address in form "shopname.myshopify.com"
Shopify API URL will be https://login:pass@{{ apiurl }}/admin/products.json


We're excited to get you on board with us!
We got a registration request to create a user with this email address, so you'll need to verify it using the link below before you can continue.
If you did not request this, you can safely ignore this email. A user cannot be created without verifying their email address first.


Committee Camp 2019

CEC's 6th Anniversary. Woohoo. I don't think there's anything good to say about this.


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---
layout: post
title: 4/8, 4/9
date: '2013-04-09T23:46:00.001-06:00'
author: Jacob .
tags:
modified_time: '2013-04-09T23:46:58.581-06:00'
blogger_id: tag:blogger.com,1999:blog-6400085873105072120.post-5650783073434111502
blogger_orig_url: http://www.svlark.com/2013/04/48-49.html
---
We're so ridiculously busy that I'm having trouble finding time to blog.
At D-9, we're spending each evening getting a different room to final show-ability along with restoring show-ability in each room we've previously done.
In the meantime we have new roommates, Melissa and Keegan, the capoeiristo painters, who have been spending the days here with us since Thursday. Tomorrow, Matt the handyman will be joining the 6 of us and our 2 dogs here at the house for a couple days of odd jobs.
226.6


Ghostbusters: Afterlife German Trailer Reveals Extra Proton Pack Footage
by Sam StoneSony has officially unveiled the first trailer for Ghostbusters: Afterlife, with a German-language version providing fans with even more footage, including a look at a new piece of equipment in action.
The German trailer for the upcoming revival -- under the alternate title Ghostbusters: Legacy -- includes a coda not present in the standard, English-language trailer, with Mckenna Grace's new character Phoebe testing out a proton pack with her classmate, portrayed by Logan Kim.
As the German-dubbed boy exclaims that the explosive proton pack is the best thing he's ever seen, the headset he's wearing snaps a Polaroid photograph, which he begins to fan to accelerate its development.
Afterlife will follow a young family moving to a small town in Oklahoma where they discover their grandfather's equipment and the Ecto-1 -- with their departed patriarch strongly implied to be original Ghostbuster Egon Spengler -- and the legacy of the paranormal hunters. With the trailer noting ghosts haven't been seen in 30 years, the supernatural is poised to arise with the Ghostbusters once again.
Ghostbusters: Afterlife is directed by Jason Reitman, who also co-wrote the film with Gil Kenan. Starring Finn Wolfhard, Carrie Coon, Paul Rudd and Mckenna Grace, the film arrives in theaters July 10, 2020.
https://schema.orgBreadcrumbListListItem1Homehttps://www.cbr.com/ListItem2Movieshttps://www.cbr.com/category/movies/ListItem3Movie Newshttps://www.cbr.com/category/movies/news-movies/ListItem4Ghostbusters: Afterlife German Trailer Reveals Extra Proton Pack Footagehttps://www.cbr.com/ghostbusters-afterlife-german-trailer-proton-pack-footage/


Release
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HP at least
TQ at least
0 - 60 mph seconds or less.
| Year | Make | Model | Displacement | Cylinders | Horsepower | Torque | 0-60 (in seconds) |
|---|---|---|---|---|---|---|---|
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--- layout: post esbma_id: 1445 date: 2003-04-20 12:00:00 keywords: cornsharp title: SourceGear Vault Review in Visual Studio Magazine ---
Don Kiely: "Microsoft Visual SourceSafe (VSS) has long been a widely used source code control product, but many developers love to hate it. Take heart: SourceGear has released SourceGear Vault, a modestly priced replacement for VSS."


Claim your NHS Pension
Check your answers
| Which pension scheme or section? | {{address}} | Change |
| Why are you claiming your deferred benefits? | {{hasmobile}} | Change |
| Do you want an lump sum by giving up part of your pension? | {{hasmobile}} | Change |
| How would you like your lump sum? | {{hasmobile}} | Change |


--- layout: project-post title: Useless Box ---
The useless box is a machine designed to have no practical value. Upon pressing the switch, a finger will pop from under the lid to flick the switch back in protest, thus starting an endless cycle of turning on and turning back off again.
The useless box is also something I've been dying to build ever since I heard of the idea and browsed through many Instructables tutorials for inspiration. The box represents my first complete project with the Arduino, and provided me many adventures in soldering, laser cutting, and generally integrating electronic and mechanical components together.
Overall, the box consists of a laser cut frame with two servo-controlled wooden "fingers" mounted inside. Pressing the power button near the base activates the whole system and turns on the red power LED. Upon pushing the metal switch, the first finger will lift the box lid, allowing the second finger to rise and push the switch back.
Instead of using a simple circuit, I controlled the box using an Arduino microcontroller, to customize the motions of the fingers. There are around five programmed movement sequences the fingers can take every time the switch is pressed, a few of them demonstrating how exasperated they are with the user disturbing their peace.
I initially prototyped the box using cardboard and a breadboard. The electronics were soldered to a perfboard once the circuit diagram was finalized. Determining the best placement of the servo fingers to press the switch and lift the lid proved difficult, since the box had limited space due to the battery pack and wires. After several iterations though, the useless box came alive!
After enduring a long fall semester during junior year, I picked a graveyard theme for the box and painted the fingers with a zombie-like green. I think the theme of death and irritation is relatable for all engineering students, but the project itself was a really fun outlet for me.


Trailer for “Into the Dark’s” Christmas-Themed “A Nasty Piece of Work” [Video]
by Brad MiskaDeck the halls with blood and maybe you’ll get a Christmas bonus?
Hulu is getting into the holiday spirit with “A Nasty Piece of Work”, their Christmas-themed episode of “Into the Dark” directed by Charles Hood.
Set to premiere on Friday, December 6th, the feature, “Follows a mid-level employee at a large company who finds out he’s not getting the Christmas bonus or promotion he was expecting.
“But then his boss invites him over for dinner with a proposal for how he can climb the corporate ladder… by beating his professional rival in a violent competition.”
Starring are Julian Sands, Dustin Milligan, Angela Sarafyan, Kyle Howard, Molly Hagen, and Natalie Hall.
Here’s the official trailer. Let the games begin!


There is currently {{ players }} member on your team.
There are currently {{ players }} members on your team.
As a new member of Team {{ team }}, here's a {{ quote_type }} quote.
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The Alpha Model is primarily concerned with predicting market trends and signalling to the algorithm the best moments for making an investment. These signals, or $[Insight,T:QuantConnect.Algorithm.Framework.Alphas.Insight] objects, contain the Direction, Magnitude, and Confidence of a market prediction. Insights should be generated on a defined set of assets provided by the Universe Selection Model and only emitted when they change.
To set an Alpha Model, you can use the
AddAlpha(alpha)
self.AddAlpha(alpha)
method. This should be done from your algorithm Initialize()
def Initialize()
method.
public override void Initialize() { // Initialize Framework with simplest possible alpha model - constant up signal. AddAlpha( new ConstantAlphaModel(InsightType.Price, InsightDirection.Up, TimeSpan.FromMinutes(20), 0.025, null) ); }
def Initialize(self): # Initialize Framework with simplest possible alpha model - constant up signal. self.AddAlpha(ConstantAlphaModel(InsightType.Price, InsightDirection.Up, timedelta(minutes = 20), 0.025, None))


Skills
HTML, CSS, Javascript, SEO, SEMRush, JQuery, Sass, Compass, GruntJS, Bootstrap, Photoshop, Illustrator, Sketch, SiteCatalyst, Adobe Analytics, Adobe Target, Adobe Tag Manager, Google Tag Manager, Tridion CMS, Adobe Experience Manager, Salesforce, Responsys, Eloqua, Cheetahmail
Experience
AIG, Inc
EMEA Consumer Digital Technical Lead (London, UK)
- Delivered first responsive website in the company within 3 days at no cost (www.aig.co.za)
- Set up process to migrate all sites in the region to responsive design within 2 months
- Manage all Consumer website builds within EMEA (Europe, Middle East, Africa)
- Drove adoption of XML-delivered Female Cancer quotations in Finland
- Brought all sites using separate CSS and Javascript files into one main CSS and JS file in less than 1 month
- Spearheaded HTML5 forms and responsive landing pages as templates for fast delivery
- Built nine responsive email templates for use with Cheetahmail
- Project managed transition to One AIG bringing separate consumer and commercial sites into one publication
eBusiness Site Manager (NY)
- Build Internet sites for International Units and Intranets for Insurance Departments
- Create HTML email templates in Eloqua for Communications Department
- Personally launched the most microsites in one year for Europe region in the span of six months
- Manage site metrics through SiteCatalyst
- Conduct user training for our CMS (Tridion)
- Present Internet updates at International Quarterly Meetings
- Project manage International sites through two corporate rebranding efforts
Apple, Inc
Customer Service Advisor
- Streamlined purchase process with new queue during Holiday Season; 10% customer satisfaction increase
- Dealt closely with all employees: Managers, Sales, Technicians
United Cooling and Refrigeration, Inc
Marketing Associate
- Worked as an intern under Marketing Manager; expanded customer base by 23% through direct mail, email, cold calling
- Managed compliance with SLAs and KPIs for top-tier clients
- Prepared proposals, bids, cost analysis, maintenance agreements, and internal monthly dashboard with performance metrics


Play it to the Bone: going the distance
We all love the end of Rocky III, where Rocky and Apollo face each other on the canvas not as friends, but as fighters. It's both violent and tender somehow, knowing that they're tight enough to want to pull their punches yet competitive enough not to even consider it. Sports-obsessed Ron Shelton's Play it to the Bone is made of similar stuff, though, instead of heavyweight class, best friends Vince (Woody Harrelson) and Cesar (Antonio Banderas) are welterweight, and their fight isn't for the belt. In fact, they're not even contenders of any kind, but are the undercard for a pay-per-view Tyson event--the 'appetizer,' if you will--and they're not even the originally-scheduled fighters in the first place, but last-minute replacements, all of which serves to establish that, in spite of what Vince and Cesar may think, this fight won't be about money or titles or any of that.
For a while it seems like they're even tight enough that they won't be able to get glove-to-face when it comes down to it, or that one might take a respectful dive, but then that's what the road trip from L.A. to Las Vegas is for: to get them psyched against each other, do enough verbal sparring that they're ready to come to blows/hugs at a moment's notice. It's one of those long long second acts comprised largely of exposition--what brushes with glory Vince and Cesar are still haunted by, a little character exploration, delving into what motivates them, etc--and it likely would have driven us sleepy-eyed from the theatre if A) we weren't in U-Turn-ish country (or, for Woody, Sunchaser country) in an envy-green 442 with Grace (Lolita Davidovich), who, as it turns out, is romantically attached to both guys, and B) Vince and Cesar didn't have such a muttering great dynamic going on. As the trailer lets on, Woody Harrelson and Antonio Banderas play wonderfully off each other, get themselves into comic discussion after comic discussion. Granted, none of that really matters in the end, but all the same, it's entertaining enough at the moment that you don't really care. It's enough just to see this homophobic holy roller locked in a car with an insecure foreigner, enough to watch how one's commercialized visions of Jesus interact with the other's elaborate prefight rituals.
At the end of the day, though, they do have to fight on pay-per-view, for a long list of cameos (James Woods, Kevin Costner, Rod Stewart, all the right announcers, etc), or, really, for another shot at all the glory they've been unfairly denied, 'unfair' being the key word there, as it establishes both these over-the-hill fighters as underdogs. Combine that with the fact that we always like the underdog to win, then, and Play it to the Bone's introduced a little difficulty, a little of that necessary narrative tension: how to work it such that both guys can win. The usual route is to have one win the match, the other win the girl, but in this case the girl, Grace, refuses to pick sides, chooses instead to root for both guys, to, yes, root not for the people fighting but for the fight itself. And, as their fight goes round after bloody round, Vince and Cesar both hamburger-faced as Deniro ever got in Raging Bull, this rooting not for the fighters but for the fight spreads through the celebrity audience, and for a while boxing is 'pure' again, which is what every boxing movie goes for (every sports movie, really).
This is Vegas, however, and, as we all know, Vegas chews people up and spits them out in the desert. During Vince and Cesar's fight, at least, none of this matters, which is a coup for Play it to the Bone. Where it doesn't quite succeed, however, is when the rapid-fire dialogue stops long enough for you to realize that the only real 'jeopardy' these two fighters are ever in is so amorphous (missing out on that well-deserved glory yet again) that it doesn't really function in the drama; if they do miss out on the glory, they'll just go back to how they were when the movie opened.  Add to that the fact that you don't need to be even mildly psychic to intuit the end, and the little things start to loom large: how awkward it is trying to work the title into a conversation; how much the flashbacks seem to be stock footage from any boxing movie; how patently evil everyone but Vince, Cesar, and Grace are, that kind of stuff. However, Play it to the Bone just about has enough starpower to overcome all that, and, for all those who disliked the bittersweet end of that 'other' buddy/road movie Thelma & Louise, Play it to the Bone, instead of leaving the characters midair, ends with so little preparation that the audience is left midair. Not that all the narrative threads aren't neatly dealt with--they are, and satisfactorily--it's just that the end, reaffirming as it is, perhaps doesn't mete out the 'right' amount of justice for an American audience. To say it another way, everyone seems quite content to have been chewed up and spit out by Vegas. Granted, all that mastication did bond them together a little tighter, but still, the optimism feels just a touch forced.
(c) 2000 Stephen Graham Jones, http://www.cinemuck.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Type: Truck
Weight: Middleweight
Max Hull: 12 Damage: 0
Max Gear: 4 Current: 1
Handling: 2 | Crew: 3 | Cans:


{% extends "../../layouts/guidance.html" %} {% set sectionId = "styles" %} {% set pageTitle = "Web Styles" %} {% block subNav %} {% include "../navigation.html" %} {% endblock %} {% block pageContent %}
There is currently no unique DVSA web styling. Our styling is dependant on the GDS design system. We also have styles for DVSA apps.


Class Notification
Notification for a User - usually meant to be sent as an E-Mail.
Inheritance
System.Object
Notification
Implements
Namespace: Oqtane.Models
Assembly: Oqtane.Shared.dll
Syntax
public class Notification : IDeletable
Constructors
| Improve this Doc View SourceNotification()
Declaration
public Notification()
Notification(Int32, User, User, String, String, Nullable<Int32>)
Declaration
public Notification(int siteId, User from, User to, string subject, string body, int? parentId)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | siteId | |
| User | from | |
| User | to | |
| System.String | subject | |
| System.String | body | |
| System.Nullable<System.Int32> | parentId |
Notification(Int32, String, String, String, String, String, String)
Declaration
public Notification(int siteId, string fromDisplayName, string fromEmail, string toDisplayName, string toEmail, string subject, string body)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | siteId | |
| System.String | fromDisplayName | |
| System.String | fromEmail | |
| System.String | toDisplayName | |
| System.String | toEmail | |
| System.String | subject | |
| System.String | body |
Properties
| Improve this Doc View SourceBody
Body / Contents of this Notification
Declaration
public string Body { get; set; }
Property Value
| Type | Description |
|---|---|
| System.String |
CreatedOn
When the notification was created.
Declaration
public DateTime CreatedOn { get; set; }
Property Value
| Type | Description |
|---|---|
| System.DateTime |
DeletedBy
User who deleted this object.
Declaration
public string DeletedBy { get; set; }
Property Value
| Type | Description |
|---|---|
| System.String |
DeletedOn
Timestamp when it was deleted.
Declaration
public DateTime? DeletedOn { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Nullable<System.DateTime> |
DeliveredOn
When the Notification was sent/delivered.
Declaration
public DateTime? DeliveredOn { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Nullable<System.DateTime> |
FromDisplayName
Nice Name of the Creator
Declaration
public string FromDisplayName { get; set; }
Property Value
| Type | Description |
|---|---|
| System.String |
FromEmail
Creator E-Mail
Declaration
public string FromEmail { get; set; }
Property Value
| Type | Description |
|---|---|
| System.String |
FromUserId
Creator User ID
Declaration
public int? FromUserId { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Nullable<System.Int32> |
IsDeleted
If something is deleted, this will be true.
Declaration
public bool IsDeleted { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Boolean |
IsDelivered
If it has been delivered. See also DeliveredOn.
Declaration
public bool IsDelivered { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Boolean |
NotificationId
Internal ID
Declaration
public int NotificationId { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Int32 |
ParentId
Reference to an optional Parent Notification - in case it's a kind of thread with reply-messages.
Declaration
public int? ParentId { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Nullable<System.Int32> |
SendOn
When the Notification should be sent. See also DeliveredOn
Declaration
public DateTime? SendOn { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Nullable<System.DateTime> |
SiteId
Reference to the Site on which the Notification was created.
Declaration
public int SiteId { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Int32 |
Subject
Message Subject.
Declaration
public string Subject { get; set; }
Property Value
| Type | Description |
|---|---|
| System.String |
ToDisplayName
Recipient Nice-Name.
Declaration
public string ToDisplayName { get; set; }
Property Value
| Type | Description |
|---|---|
| System.String |
ToEmail
Recipient Mail
Declaration
public string ToEmail { get; set; }
Property Value
| Type | Description |
|---|---|
| System.String |
ToUserId
Recipient User ID - nullable, as Recipient could be someone that's not a user.
Declaration
public int? ToUserId { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Nullable<System.Int32> |


When two waves of the same type have the same frequency, we say that they are coherent.
There's still one property we can change for two waves with the same frequency, and that is their phase difference $\phi$. That represents the fraction of a cycle one wave is ahead of the other by.
For instance, if wave two is half a cycle ($\pi$ radians) ahead of wave one, the peaks of wave two will match up with the troughs of wave one. The resultant displacement is zero, and the two waves cancel each other out. This is known as destructive interference.
On the other hand, if wave two is a whole number of cycles ($0,2\pi,4\pi,...$ radians) ahead of wave one, the peaks of wave two will match up with the peaks of wave one. The resultant wave has an amplitude $A=A_1+A_2$. This is known as constructive interference.


Card Editor
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We are commited to providing you the best service on educating you about air quality where you live.
“I know this isn’t gonna end well, but the middle part is gonna be awesome.”
"Nobody helped me so now there is a real mess."
"Oh my gosh its food! I love food!"
“I crushed it all day today, and then I crushed it some more, and then it asked me what I was doing and I told it that I was crushing it. That’s what I do on a daily basis.”


title = "Workforce Innovation Fund (WIF)" url = "/employers/incentives/wif" layout = "default" is_hidden = 0 child_of = "incentives/default" hide_crumb = 0 remove_crumb_trail = 0 crumb_disabled = 0 ==
For more information on eligibility requirements call the Wichita Workforce Center at<PHONE_NUMBER>
For more employer information on obtaining OJT funds contact Business Services at<PHONE_NUMBER>
Request more information


When you're building an AI solution your model is the most important asset of the project. You start out with just one version of it, but as time goes by you will improve your model. You may even want to test multiple versions of a model before settling on a particular version.  That's why we created the model management service.
You can use this API to store multiple versions of models.
You can use the Python client to directly link your machine learning jobs to the model management service. Link to this service from your microservices to use models without the need to manually copy model files into your deployed services.


After traversing the college application
experience and all the related decision
making as a family, it is hard to send
our student off to navigate this new
adventure alone. Even if we could pack
up our life experience and the lessons
we’ve learned to send with them, we
can’t prevent someone with a
predisposition to addiction from
experiencing problems with substance
abuse once they enter into the college
“party” scene.
Statistically, there is plenty of evidence
that the problem of alcoholism and
addiction starts at the age when kids
are most vulnerable, the college years:
The good news is that along with a
growing awareness of the problem,
there is also a growing set of options.
The Haven is at the forefront,
combining a recovery support
program and a sober residential
environment under one roof. At The
Haven we’ve packed the college
essentials that ensure your student
will have what they need as they
navigate sobriety and college life: the
“lessons learned” from the most
successful recovery programs, the
shared college life experience of peers,
and the recovery expertise
of professionals.
The isolation of alcoholism and drug
addiction impacts the entire family.
Families feel alone in their experience
as their emotional and physical lives
are consumed by dealing with a family
member who is struggling with
substance abuse and its consequences.
The Haven provides a new community,
and a bridge back to healthy
connections with existing communities,
for both the student and the family.
From optional family programs during
parents’ weekends, to education and
referral services, we offer support and
activities for the whole family.
Recovery at the Haven is a new
beginning for both students and their
families, one filled with hope, and the
promise of a vibrant and healthy
future.
The Haven draws from national sober
living models intended to help your
student be the very best they can be
while adopting certain lifestyle habits
known to help support early recovery.
Our program design philosophy is
based on the following:
Just as when you had to list “make your
bed” on your child’s first chore chart,
we have broken down successful recovery
actions and components into basic Haven
responsibilities and requirements, like:
The routine and responsibilities
initiated at the Haven will become
established habits that support lifelong
recovery.
The Haven supports students in early
recovery who are committed to living
a recovery lifestyle while pursuing a
college degree. Here’s a brief
description of the students who are
getting the most out of living in the
Haven Communities:
“This Christmas season we are
remembering where we were as a
family a year ago and feel very
grateful for how incredibly far our son
has come. I know the Haven played a
major role in helping him accomplish
this remarkable turnaround and he,
above all, is reaping the benefits.
Thank you for your vision, hard work
and humanity in support of talented
young people. USC is a better place
for these kids because of the Haven.”
“The Haven is aptly named. The
people here are knowledgeable,
compassionate, insightful, and
generous. They understand the
struggles of bright young adults trying
to move forward from substance
abuse to success, anticipating their
struggles and meeting their needs in
ways that are uncanny. There's no
road map to finding the ideal
environment for someone working
toward recovery. If you have found
THE HAVEN, LEAP AT THIS
OPPORTUNITY! Tell others about it!
There is no safer, better choice out
there”.
“Thank you for helping my
daughter graduate from USC. Without
the support of the Haven, she would
have never made it through her senior
year.”
Fees vary by institution and include
room, recovery support services and
healthy food and beverages. Financial
aid is available through a scholarship
program and Haven work-service
opportunities, supporting the goal that
no qualified student is turned away for
reasons other than space availability.
Just follow these 5 easy steps:


Participants:
Ashish Chawda
Sameer Nayak
Animesh Jaiswal
Aaliya Haque
ANUSHKA JAISWAL
Helly Hirpara
Sam-Ny
Jasneet Gujral
Bill Gates
Srijan vaishnav
khushboo dewangan
Dipali Tiwari


URL Shortener is a microservice made to shorten URLs passed as a parameter
Valid url formats in this context are:
www.example.com
http://www.example.com
and a valid get request would be:
https://bminixhofer-urlshortener-ms.herokuapp.com/new/www.example.com
the application would shorten the url and display a JSON with the original and shortened URL like:
{ "url": "www.example.com", "short": "https://bminixhofer-urlshortener-ms.herokuapp.com/x" }
if an invalid URL gets passed, a JSON describing the error is shown.
Coded by Benjamin Minixhofer


Charity to launch card scheme for Gloucester Road that helps people offset carbon footprint by buying local woodland
Every £2.50 donated is a square metre of land
by Shashana BrownA gift card scheme coming to Gloucester Road will allow customers to buy square metres of local woodland as a way of off-setting their carbon footprint.
Bristol-based charity Avon Needs Trees and Alchemy bar owner, Sarah Thorp have developed a gift card system for people to help tackle climate change in and around the city.
Shoppers can buy as many square metres as they like from selected stores on the high street to either send as gifts cards or a way to offset against the purchases they make.
Nikki Jones, Chair of the organisation said: “Avon Needs Trees is buying land in the Bristol-Avon catchment area to create new, permanent forest.
She says the need for more woodland will help carbon sequestration, local biodiversity improvement, natural flood management and public amenity space in Bristol and surrounding areas.
Ms Thorp said: “It's impossible to be carbon neutral and our customers have the same problem therefore, I came up with a plan to help with reforestation and the other objectives of Avon Needs Trees.”
She says it was not until she recognised the part she played as a business owner, that she felt encouraged to find better ways to make a living which also benefited the planet.
“It seems obvious that as a shopkeeper my main aim is to sell things; however, I'm finding this is going against my principles these days now that we have reached a Climate Emergency,” she added.
The charity is soon able to make its first purchase of land between Chippenham and Calne after raising £200,000 from public responses.
Miss Jones said: “The aim is to have a significant impact on the local area over the next 10 - 20 years and for every £2.50 donated, we get another square metre closer.”
“Better that we gift each other something for a healthy planet than something that will end up as landfill,” said Ms Thorp.
The vouchers can be found At the Alchemy bar, Room 212 and during the North Bristol Art Trail from November 23.
Get more information about the scheme here.
For the latest news in and around Bristol, check back on Bristol Live's homepage.


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NIL BY MOUTH (1997) A Film Review by Vince Deehan Copyright 1997 Vince Deehan
Written and Directed by Gary Oldman. Cast: Ray Winstone, Kathy Burke, Charlie Creed-Miles, Laila Morse, Edna Dore.
I went along to see Gary Oldman's highly praised directorial debut with great anticipation, last night (Oct 13). I had been looking forward to seeing this film since I first heard about it. I am delighted to say that I was not disappointed with what I saw.
The film shows the lives of an extended family in South London. The family is dominated by Ray, played superbly by Ray Winstone (SCUM, QUADROPHENIA, and the recent UK release FACE) who is married to Valerie, played by Kathy Burke ( anyone who saw Danny Boyle's acclaimed TV drama MR WROE'S VIRGINS will not have easily forgotten Kathy's acclaimed performance as a a very disturbed young woman). Valerie's younger brother Billy ( Charlie Creed-Miles - THE FIFTH ELEMENT, TVs "PRESS GANG") is a heroin addict, who is the source of worry for all of the family, not least his mother Janet (Laila Morse). To round off the family we have Ray and Valerie's daughter, Michele (played by the young and very talented Leah Fitzgerald) and Kath (Edna Dore - HIGH HOPES) who is Janet's mum and , of course, Billy and Valerie's grandmother.
Ray is an alcoholic and a wife beater, and seems incapable of speaking without swearing repeatedly. He is clearly a troubled man , is in constant need of attention and finds himself unable to control his anger when he feels he is unable to exert full control of his family. He loves his wife's kid brother but is unable to restrain his violent nature when Billy's betrays him and takes Ray's drugs. He also loves his wife, but is so filled with insecurity that the minute he gets the slightest whiff that Valerie may be cheating on him ( which she certainly wasn't) he lets his temper and his fists fly with devastating physical and psychological trauma to Valerie. Up to this point in the film, we have seen that Ray is a violent man who you wouldn't want to upset, but this still doesn't prepare the viewer for the shock of seeing the sickening way in which he abuses his wife.
Gary Oldman has created a powerful film, but one that will definitely not appeal to everyone. Not all cinemagoers will be able to stomach his no holds barred view of a working class family battling to keep together against the forces of drug addiction, alcoholism and domestic violence. The swearing is constant throughout the film and will doubtless offend some viewers. I have to say that the opening scene with Ray and one of his mates telling boozy anecdotes in a club, was so full of expletives that I thought maybe this film wasn't for me. You thought Dennis Hopper was the definitive swearer in BLUE VELVET ? Just wait till you hear Ray in NIL BY MOUTH. To be serious though, there are lots of people for whom swearing is just common nature and a normal part of everyday conversation, and this is certainly the case for Ray and some members of his family.
The film is scored by Eric Clapton. Surprised ? I sure was, but Clapton has done a terrific job with a subtly jazzy score that fitted the film very well. There are also a couple of modern songs in the film, that although I can't identify who the artists were, provided some great moods in the film.
The acting from the entire cast is outstanding. Kathy Burke's performance, particularly in the second half of the film is superb. She was awarded the Best Actress award at the 1997 Cannes Film Festival. She imbues Valerie with a quiet dignity that is evident from the first time we see her. Ray Winstone is magnificent as Ray. Ray is a monster essentially but Winstone lets us see that Ray is deeply vulnerable and and that in many ways Ray is just as much of a victim as Valerie. This last bit may sound outrageous, but I know that many people will see this film and feel sorry for Ray as well as Valerie. What horrors has Ray gone through to make him behave the way he does ? Ray is deeply warped and is clearly very weak when compared to the proud and defiant Valerie.
Chief acting honours go to Kathy Burke and Ray Winstone but special mention must be given to Laila Morse who plays Valerie and Billy's mum. Laila Morse is Gary Oldman's sister and has apparently never acted before. Her part is very demanding, perhaps even more demanding than Burke's and Winstone's. She plays a mother who is well aware of her son's drug addiction but in the face of feeling helpless to stop him, she takes the hard option of supporting him, paying for his addiction and trying to at least give him a stable base to hold on to. One scene in particular comes to mind, when she sits in the driving seat of her van and glances anxiously behind her at Billy injecting drugs in the back of the van. Her acting in this scene and in the scene where she discovers Valerie after her beating, is very impressive.
I wholeheartedly recommend NIL BY MOUTH to anyone who isn't afraid to see the ugly side of human nature in unflinching detail. Having said that, one thing that does come through strongly throughout is the strong affection and love the members of the family feel for each other, particularly Janet for Valerie and Billy and Ray for his daughter and wife.
Nil BY MOUTH is partly based on Gary Oldman's own upbringing although his own father was never violent. Oldman knows these people and for all their faults he looks on them affectionately and with compassion.
Gary Oldman has created an outstanding film, which will surprise and confound those who think that actors should stick to working in front of the camera and not behind it !
Review written on Tuesday 14 October 1997 e-mail<EMAIL_ADDRESS>http://www.deehan.demon.co.uk
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Assignments
Please e-mail your assignments to<EMAIL_ADDRESS>with "LTS2019" in the subject. The submissions will be added to the repository the day after the due date, and no late submissions will be accepted.
{% assign sorted = site.assignments | sort: 'date' %}
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"Behold! human beings living in an underground den"
About half way through "The republic" takes a dramatic turn. Up until this point Socrates had been talking about ideas in broad sweeps, doing little to tie things together. Book 7 focuses on the individual. The seeker of true knowledge and the tribulations he must go through to find it. Socrates also, through his words, shows his poetical skills. One would think that Socrates, after all his criticisms of poetry would not fall back to lyrical devices to explain his meaning but he does. Book 7 of "The republic" is in my (very humble) opinion the greatest allegory in literature. So draw the curtains. Dim the lights. Turn the music off. We are going into the cave.
Socrates wants you to imagine an underground den with a single opening towards the light. Across the den there are rows of humans chained so that they can't move in any direction. They can only see what's in front of them. And in front of them is a screen also running along the cave. On this screen they see shadows projected by the fire blazing the distance.
"The truth would be literally nothing but the shadows of the images"
They see men talking with each other, statues, figures of animals... everyday things. They see their own shadows and shadows of objects which the fire throws on the screen. And when they talk to each other they name things that are before them --giving names to shadows. And when they hear the echo in the distance they assume that the sound came from one the passing shadows.
"Will he not fancy that the shadows which he formerly saw are truer than the objects which are now shown to him?"*
Now Socrates wants you to picture the state of a prisoner who is freed from his captivity. As he stands on his feet for the first time and starts to look around he will experience confusion in the mind and pain in the body. As he moves towards the light he will turn his eyes away due to the glare. He will seek refuge among the objects that he already understands-- the ones that his vision sees. Now if this prisoner is dragged by force to ascent to the light he will be dazzled, completely overwhelmed and will be unable to comprehend the realities.
He will need to become accustomed to the light little by little. First he will see only the shadows, then the reflections in water, then the night sky and the stars and finally when he is ready he will see the sun. The single source of truth.
Then Socrates goes on to enumerate the responsibility of the person who has seen the light. The natural state of the person who has seen the light, he says, is of glee. Once the person has ascended he does not want to look down. And yet in a Socratic society it is duty of the person to go back. He has to suffer once more, this time by descending from a state of knowledge and light to the depths of ignorance and darkness. Once more he will need to become accustomed to the darkness but once he does he will be able to see 10000 times better and will be in a position to help his fellow prisoners.
The cave of Socrates is used in many forms in literature and other methods of entertainment. Count of Monte cristo is a classic example of a man seeking enlightenment. Count passes his initial years in captivity struggling to accept the judgment of fate. He resigns from life and there is hardly any spunk left in him. Until he meets an old man who becomes his instructor. The balm of knowledge infuses in him a fresh courage and frees him of spiritual chains that many years of imprisonment had locked him in. What he does after gaining knowledge is completely against Socratic principles but that is besides the point.
Another story which uses the allegory of the cave is "The Bet" by Anton Chekhov in which a young lawyer goes under a willful imprisonment.  As the years pass by he fights isolation , his own weakening will and the continuous stream of knowledge that is too much for him to digest.
The cave also presents in new light the refrain of Dr. House "Everybody lies". Everybody lies not because they want to but because they don't know the truth. They see the shadows and take them as real. Never stopping to question. Often his team takes the patient's word on it's merit which causes them to go in a completely wrong direction until Dr. House who is more critical in his methods decides to question the statements. Of causes the show plays around with the literal and symbolic meaning of the phrase in different situations.
If you look carefully nearly every story of struggle is an instance of the prisoner seeking the blinding light. The light is not the Sun in all cases but a stronger flame. Even so standing up to the light when one has lived all one's life in darkness requires the same mental and bodily conditioning as described.
If you have the time and the inclination you should read "The republic" in it's entirety but if you were to read only one chapter Book 7 would be it. At best it is a 45 min read on a lazy afternoon or on a rainy evening. But the words carry such weight that it is sure to change in some little way the way you perceive things.
What I'm trying to say is that this is a book that will change you. Not physically because if you look in the mirror and examine your left cheek and then your right cheek they will appear to be exactly the same as you left and right cheeks before reading the book. Unless, you know, it has been years since you read. But internally you will have changed.


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