Company profile - Canadian Company Capabilities
Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
AudioConexus Inc.
Mailing Address:
4-217 Cataraqui StThe Woolen Mill
KINGSTON, Ontario
K7K 1Z7
Location Address:
4-217 Cataraqui StThe Woolen Mill
KINGSTON, Ontario
K7K 1Z7
Tel.:<PHONE_NUMBER>
Fax:<PHONE_NUMBER>
Logo
Company Profile
AudioConexus Inc., a Media and Entertainment company is creating new opportunities in the tourism industry by enabling venues of any size to transform their business with significantly enhanced and immersive GPS tour experiences providing fun, entertaining, and educational audio tours in multiple languages and topics simultaneously.
While other companies are providing services to tourists, attractions and historical sites, what makes AudioConexus unique is our ability to deliver GPS triggered audio narration in multiple languages and multiple topics simultaneously. Our company is focused on the most exciting and fastest growing area of tourism today international travel.
We help sightseeing companies and attractions of all sizes increase sales and attract new customers, enhancing vacation experiences in any language, any topic, anywhere.
The company also specializes in self-guided tour technology for museums, art galleries, and attractions and tour guide systems for walking tours and factory floors.
Full profile
Full profile
Contact information
Company description
414440 - Sound Recording Wholesalers
417320 - Electronic Components, Navigational and Communications Equipment and Supplies Wholesaler-Distributors
512290 - Other Sound Recording Industries
541690 - Other Scientific and Technical Consulting Services
Product / Service / Licensing
Introducing a simple way to provide better tours for your tour groups. ieXplore is an easy-to-use wireless communication system designed specifically for tour groups, factory tours, outdoor excursions, employee training, language interpretation, conferences and trade shows to provide superior tours using wireless technology.
Your wireless receiver's multi-channel design enables visitors to select the tour and/or language of their choice. An easy to use language selection switch is located on top of the receiver. The wireless system is suitable for indoor and outdoor use and allows a visitor to move around freely during the entire visit.
Our tour guide system is designed for use by adults and children, by groups or individuals. Our wireless receivers are lightweight and are worn on a belt or around the neck with a lanyard.
The body-worn wireless Transmitter will broadcast your driver, interpreter or tour guides voice to everyone in their group at a comfortable conversation speech level. The system is wireless and there is no microphone to carry. Guides speak to their entire group as if the group was an arms length away communicating over distances as far as 80 metres in an open area.
Excellent for driver led tours on or off the bus, walking tours, tour guide led tours, factory tours, outdoor events, classroom, training, and conferences ieXplore solves the following problems: background noise, distance; and reverberation.
ieXplore also comes in a convenient 36-unit portable charger case and a 12-unit charger for smaller group applications. Up to 8 channels can be used simultaneously for multilingual or simultaneous language translation applications.
Multilingual Commentary System - Hardwired
This system facilitates automated, GPS triggered, pre-recorded audio commentaries that play at key points of interest along your sightseeing routes. This is a hard-wired system, with multilingual commentaries played on audio controllers at the seat back.
The system has a variety of features including playing music between tour commentaries or on a separate channel or both. With a Driver Control Panel, manual operation of the system for off-route commentary and other features are included.
Designed with two microphone inputs for live guide commentaries, three audio inputs for external devices such as iPods, CD, and DVD players, and one audio out for PA system commentary in any language, youll be amazed by the flexibility you have in a smaller, lighter design.
TriggerPOINT
TriggerPOINT Wireless is a portable, carry on, carry off multilingual GPS tour entertainment system. TriggerPOINT is designed specifically for mobile applications where portability and flexibility are essential in fleet management.
The GPS commentary system removes the operational and visitor restrictions affiliated with hardwired solutions. You can provide audio tours over your existing Public Address (PA) System and to small wireless receivers and headsets. Our portable system can be moved from bus to bus as operational demands dictate.
The Single Language GPS Commentary System is a compact MP3 player that is vibration resistant, designed for rugged transportation routes and environments. Audio clips in MP3 format are easily stored on cards by simply copying files from your PC onto CompactFlash.
The single language GPS tour system provides CD quality stereo sound. Some of its features include Auto-GPS Detection, a Driver/Captain/Guide Control Panel: an *optional control panel that provides manual play, pause and stop features for off-route commentary, promotions, and commentary you can play in high traffic situations, Remote Power-up Connection, RJ45 Ports, Relay Output Connection, and license free software. The system includes several new features including new AUX and USB Connections and random-play music between commentaries.
AudioConexus delivers the worlds most advanced GPS (satellite technology) solutions, creating product differentiation, competitive advantage and prosperity for our partners.
The audio guides are scalable to 32 languages, with each language supporting 950 audio files! These lightweight audio guides are designed for the best possible visitor experience, providing visitors with an optional social experience using the speaker or a more intimate inclusive experience using headsets.
Designed for all age groups, the hand-held audio guide includes quick and easy language and tour selection options providing attraction operators with the ability to offer up to 32 languages and/or tours from a single device.
Our new audio guide comes standard with features like infrared and remote alarm triggering for security, supporting up to 32 languages and topics. Bundled with free content management software, you can easily self-manage your audio guide equipment and audio tours. And best of all, you can set up remote triggers to automatically play audio tour commentary so your visitors get the best possible experience on every tour.
Great Audio Tours Are in the Details. A photo display, high fidelity Digital Signal Processing (DSP) technology, offering up to 20 hours of stereo audio playback with a built-in 2GB memory card. And optional larger memory cards for even more audio.
Great sound from a built-in speaker or two earphone jacks available for couples and parents with kids. Backlit display and a raised dot on the number 5 to help people who are visually impaired find their way around the keypad. Lasting up to 12 hours on a single charge, audio guides are new in every way, making everything easier to interact with.
Developed and designed specifically for on-site audio interpretation of museums, attractions and historic sites, this museum audio guide offers several possibilities for triggering commentary. This includes remote activation of your audio from infrared triggers, RF triggers and RFID (proximity) Tags.
Changing languages is amazingly simple. Using your audio guide, simply tap a RFID card and Voila! Youre done. Audio guides also include alarm triggering on all devices (with the installation of a wire loop). And a dedicated info button provides visitors with helpful information.
Audio Guide Chargers. Rack Mountable. 10 unit and 20 unit audio guide chargers are rack mountable and stackable. You can connect up to five 10 unit chargers from one power source so you can connect and expand audio guide chargers on demand.
Duplicating your data just got easier. No computer required. An optional 20 unit audio guide uploader provides fast mirroring. Load an audio guide and mirror 20 at a time. Change and update your content as often as you want. Just another reason why you can share and do just about everything.
Script writing for audio tours is a specialized discipline. How so?
When we think of writing, we often think of writing for books, magazines, newspapers, blogs, and short stories. This is generally referred to as creative writing. This style of writing is meant to be read silently not heard. Creative writing relies on description to paint the picture of whats going on, or whats important. Script writing for tours requires less descriptive words, because the audience gets the picture with the additional benefit of professional voice talents and sound designers.
Audio tour scripts consist of stories that are designed to be accompanied by music and sound effects. At AudioConexus, we call it: writing for the ear.
Writing for the ear is different than writing for the minds eye. The audio tour script is designed to be integrated with music and sound effects, in order to create a moving, personal experience.
A good script can mean the difference between a great tour and a tour that falls flat. Writers who have the expertise and the experience know how to tell fun, entertaining, and educational stories that sustain the interest of the audience. But even the best voice-over talent, music, or sound effects are useless, without a good audio tour script.
People dont respond well to the mere recitation of facts and figures. However, they always connect with well-told stories. You can count on a great story to capture the imagination of your audience.
1. You cant do literal translations of your English script, or your project will fail.
2. You need to write for the particular culture of the language.
3. You need storytellers that translate and adapt not translators that arent story tellers.
Why Translation Firms Don't Work
When creating audio tours for more than one language, we have a well honed process in place to deliver high-quality tours that are fun and entertaining.
Foreign language translation is completed using experienced storytellers and professional voice talents. Our foreign language translation methodology requires that two translators work together on every language translation for Quality Assurance.
During this process, our translators are not doing literal translations of the script. This is because it takes less time to say something in English than in most other languages. Our foreign language storytellers capture the essence of stories, add meaning and context, while taking into consideration audience and cultural sensitivity.
Writing For Language and Culture
When we write for language and culture, we avoid things like slang, wordplay and puns. This is because they wont be understood, or worse, may offend.
Our focus is to make foreign language tours fun and entertaining, easy to understand, clear and familiar.
After our foreign language script translations are done, we then vet our translated scripts through our voice talents. We take this additional step for Quality of Experience.
Timing is Essential For GPS Tours
Timing is essential for GPS tours. During our initial on-site visit, a Timing Template is created as a guideline for our writers.
This timing guideline results from our on-site assessment of high and low traffic scenarios, tidal changes, alternative routes, tour stops, safety, announcements, and discrete ad placements to name a few.
Our tour commentaries begin and end at the same time (in all languages).
Storytellers Provide Better Foreign Language Translation
Since it often takes more time to say the same thing in another language, a literal translation of English will not work. This is because literal foreign language translations of an English script will create audio segments that vary widely in lengths of time.
When it comes to providing GPS tour entertainment were always thinking about your next point of interest. Thats why we developed a team of foreign language storytellers. Professional storytellers capture the essence of the story being told, in the allotted time. And they tell great stories the way your foreign language guests want to hear them. What this means is, we take culture into consideration during the translation process. What we say in English may not translate well in Japanese, or in fact, may be culturally insensitive.
When we write foreign language tours, we write for language and culture.
Since 1996, weve also been producing multilingual audio tours for tourisms leading companies. Companies like Merlin Entertainment, the Sands Corporation, and the Dole Plantation.
Weve also worked with many smaller operators who simply want the very best in entertainment for their passengers.
What weve found though, throughout the years, is that what we do almost seems like magic, behind closed doors, where no one can see us.
So we wanted to open up our process to you. Drop the veil. Become naked so to speak. Thats why youre invited to our sound production studios any time you like. So you want to join a session? No problem. Just call us and well make the arrangements.
So why is sound an important factor in the Creative process?
Its what lifts the sails and gives your tour life. Our goal, from writing, translation, to sound design and mixing, is to captivate the imaginations of your visitors.
There are several aspects to making this happen. Here, well discuss a few of them.
Professional Narration
When it comes to delivering your tour, its important to work with the pros. Narration is a key component of delivering a great tour not only do you want great voice(s), you want to get the inflections and tone right. You also want professional recording equipment, with no ambient noise, with crystal clear sound.
During our Creative and Branding process, we provide you with several voice talent samples that we think will fit perfectly into your tour.
Our pool of male and female voice talents is deep, and were tapping into the greatest resource on the planet New York, New York. We work with only the best and that means youre getting top notch talent always. Additionally, we work with voice talents around the globe to address the unique requirements of a project.
This includes Character Actors, Sound Alikes, and of course narrators.
Music For Sound
We are tapped into the largest music libraries on the planet. If theres a particular style of music youre looking for, we can find it.
All of our enhanced audio tours include music because it evokes images and emotional responses. Stories and music are key to captivating peoples imaginations. We understand the power of music. And what it means for your tour experiences.
We spend a lot of time editing and mixing to get it just right. Thats why we coined the term cinematic audio tour experiences for sightseeing back in 2006. And since then, weve seen some of our competitors jumping on our jargon and using it which is just fine with us.
We find it complementary.
Sound Effects
Sound effects help us to tell stories. We use sound effects to complete the experience and to enhance it. There is a long history of sound effects in cinema and in television.
Can you imagine watching Star Wars without the sound of the lightsaber? Sound effects are used for enhancement or can be created. Used at the right time, theyre vital to the way we tell stories. They can be anything from a creaking door to the sound of a ravens call which can set the tone and the mood for the experience.
Were always careful not to overdo it, placing sounds at just the right moment to bring people to different times and places.
Market profile
Alliances:
- Financial
- Sales/Marketing
- Technology
Strategic alliances:
International distributorsIndustry sector market interests:
- Agriculture
- Construction
- Culture
- Information Technology and Telecommunications
- Manufacturing
- Medical/Biotechnology/Chemical
- Mining/Petroleum/Gas
- Service Industry
- Tourism
- Transportation
- Aerospace
- Defence
- Automotive
- Food and Beverage Manufacturing
- Pulp and Paper
- Plastics and Rubber Products
- Primary and Fabricated Metal
- Textile and Clothing
Sector information
Key / Major clients:
Aloha Bus, Gray Line Australia, Super Sightseeing San Francisco, Capital Cruises, EDF Energy London Eye, Blue Boat Company, General Motors, Bridgestone, Allstate Insurance, DreamWorks Animation.Testimonial:
The EDF Energy London Eye river cruise is delivered with the ebb and flow of the historic river Thames. This made our project more complex because the tides are constantly changing and AudioConexus took the time to coach the London Eye staff on what was required for the scripts, and helped to create the river cruise tours. The GPS tour systems are easy to use and staff and guests are really pleased with the quality of the commentary making the London Eye happy to work with AudioConexus.Davey Barrett, Show Services Manager, EDF Energy London Eye
"We have been using the AudioConexus systems on our seven new double decker buses in Honolulu since April of 2011 and can say without any reservation that it has taken our guest touring experience to the highest levels possible in the state of Hawaii.
For our staff, the system offers an affordable, easy to use, easy to update system that eliminates the requirement for speaking tour guides on each vehicle while allowing us to provide five different languages simultaneously. The AC team is professional, caring and very supportive.
For our guests, AudioConexus provides an everyday 24/7 consistent high quality touring experience. Our passengers also have the flexibility to switch to various music channels once they have ridden the bus numerous times.
For our Waikiki, Honolulu, and China Town communities the AudioConexus commentary system provides a quiet alternative to the noisy blasting PA systems found on other tour vehicles ensuring that noise abatement issues are addressed in each community. This has won not only their respect for our commitment and concern but their active support of our business services.
For the travel industry this is the very first tour product in Hawaii that Domestic (English speaking), Japanese, Korean, Spanish, and Chinese travel and activity agents can sell into and across all of their markets that speak any of these multiple languages.
A TRUE WIN-WIN-WIN-WIN by all accounts."
Lee Collins, Vice President, Sales and Marketing, AlohaBus
Our new AudioConexus tour guide system with audio guides is working out great for our customer tours. Our tour guides and tour helpers have high praise for the new system and its ease of use.
Our administrative assistant loves it, too, because its much easier for her to get everything ready for our tours. Before we purchased the AudioConexus system she had to charge the MP3 players we were using one by one. This system is a huge timesaver for her.
Most important, our guests are having a much easier time keeping up with our pre-recorded audio because they dont have to fiddle with their own MP3 player to try to find each track by themselves like they used to have to do. Now, the tour guide can control the content for them. Were finding that our guests can also pay more attention to the processes shown on the tour rather than having to try to figure out how to keep up with the MP3s we used before.
We've also found that the people in the back of each tour group dont have to worry about missing something that the tour guide says because the tour guide is now speaking to them through microphones that project everything so well, even when theres some background noise from our manufacturing process. The microphones are beneficial for repeating questions asked, too, because the entire group can hear the repeated question and the answer without any shouting needed.
The exceptional customer service weve received from each and every company representative is another reason that we would recommend AudioConexus. Each person weve worked with has been very helpful along the way of researching, purchasing, and implementing our new system for our busy tour schedule. Recording our new tour script through AudioConexus worked flawlessly and were very happy with how professionally it was done and sounds. Thank you for everything.
Karren Jeske, Communications Manager, Standard Process Inc.
International capital projects:
We've worked on several international projects in Canada, United States, Australia, New Zealand, Europe, Southern Asia, the GCC, and Latin America.Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
Contacts
Contact information
Description
Company description
414440 - Sound Recording Wholesalers
417320 - Electronic Components, Navigational and Communications Equipment and Supplies Wholesaler-Distributors
512290 - Other Sound Recording Industries
541690 - Other Scientific and Technical Consulting Services
Products, services and licensing
Product / Service / Licensing
Introducing a simple way to provide better tours for your tour groups. ieXplore is an easy-to-use wireless communication system designed specifically for tour groups, factory tours, outdoor excursions, employee training, language interpretation, conferences and trade shows to provide superior tours using wireless technology.
Your wireless receiver's multi-channel design enables visitors to select the tour and/or language of their choice. An easy to use language selection switch is located on top of the receiver. The wireless system is suitable for indoor and outdoor use and allows a visitor to move around freely during the entire visit.
Our tour guide system is designed for use by adults and children, by groups or individuals. Our wireless receivers are lightweight and are worn on a belt or around the neck with a lanyard.
The body-worn wireless Transmitter will broadcast your driver, interpreter or tour guides voice to everyone in their group at a comfortable conversation speech level. The system is wireless and there is no microphone to carry. Guides speak to their entire group as if the group was an arms length away communicating over distances as far as 80 metres in an open area.
Excellent for driver led tours on or off the bus, walking tours, tour guide led tours, factory tours, outdoor events, classroom, training, and conferences ieXplore solves the following problems: background noise, distance; and reverberation.
ieXplore also comes in a convenient 36-unit portable charger case and a 12-unit charger for smaller group applications. Up to 8 channels can be used simultaneously for multilingual or simultaneous language translation applications.
Multilingual Commentary System - Hardwired
This system facilitates automated, GPS triggered, pre-recorded audio commentaries that play at key points of interest along your sightseeing routes. This is a hard-wired system, with multilingual commentaries played on audio controllers at the seat back.
The system has a variety of features including playing music between tour commentaries or on a separate channel or both. With a Driver Control Panel, manual operation of the system for off-route commentary and other features are included.
Designed with two microphone inputs for live guide commentaries, three audio inputs for external devices such as iPods, CD, and DVD players, and one audio out for PA system commentary in any language, youll be amazed by the flexibility you have in a smaller, lighter design.
TriggerPOINT
TriggerPOINT Wireless is a portable, carry on, carry off multilingual GPS tour entertainment system. TriggerPOINT is designed specifically for mobile applications where portability and flexibility are essential in fleet management.
The GPS commentary system removes the operational and visitor restrictions affiliated with hardwired solutions. You can provide audio tours over your existing Public Address (PA) System and to small wireless receivers and headsets. Our portable system can be moved from bus to bus as operational demands dictate.
The Single Language GPS Commentary System is a compact MP3 player that is vibration resistant, designed for rugged transportation routes and environments. Audio clips in MP3 format are easily stored on cards by simply copying files from your PC onto CompactFlash.
The single language GPS tour system provides CD quality stereo sound. Some of its features include Auto-GPS Detection, a Driver/Captain/Guide Control Panel: an *optional control panel that provides manual play, pause and stop features for off-route commentary, promotions, and commentary you can play in high traffic situations, Remote Power-up Connection, RJ45 Ports, Relay Output Connection, and license free software. The system includes several new features including new AUX and USB Connections and random-play music between commentaries.
AudioConexus delivers the worlds most advanced GPS (satellite technology) solutions, creating product differentiation, competitive advantage and prosperity for our partners.
The audio guides are scalable to 32 languages, with each language supporting 950 audio files! These lightweight audio guides are designed for the best possible visitor experience, providing visitors with an optional social experience using the speaker or a more intimate inclusive experience using headsets.
Designed for all age groups, the hand-held audio guide includes quick and easy language and tour selection options providing attraction operators with the ability to offer up to 32 languages and/or tours from a single device.
Our new audio guide comes standard with features like infrared and remote alarm triggering for security, supporting up to 32 languages and topics. Bundled with free content management software, you can easily self-manage your audio guide equipment and audio tours. And best of all, you can set up remote triggers to automatically play audio tour commentary so your visitors get the best possible experience on every tour.
Great Audio Tours Are in the Details. A photo display, high fidelity Digital Signal Processing (DSP) technology, offering up to 20 hours of stereo audio playback with a built-in 2GB memory card. And optional larger memory cards for even more audio.
Great sound from a built-in speaker or two earphone jacks available for couples and parents with kids. Backlit display and a raised dot on the number 5 to help people who are visually impaired find their way around the keypad. Lasting up to 12 hours on a single charge, audio guides are new in every way, making everything easier to interact with.
Developed and designed specifically for on-site audio interpretation of museums, attractions and historic sites, this museum audio guide offers several possibilities for triggering commentary. This includes remote activation of your audio from infrared triggers, RF triggers and RFID (proximity) Tags.
Changing languages is amazingly simple. Using your audio guide, simply tap a RFID card and Voila! Youre done. Audio guides also include alarm triggering on all devices (with the installation of a wire loop). And a dedicated info button provides visitors with helpful information.
Audio Guide Chargers. Rack Mountable. 10 unit and 20 unit audio guide chargers are rack mountable and stackable. You can connect up to five 10 unit chargers from one power source so you can connect and expand audio guide chargers on demand.
Duplicating your data just got easier. No computer required. An optional 20 unit audio guide uploader provides fast mirroring. Load an audio guide and mirror 20 at a time. Change and update your content as often as you want. Just another reason why you can share and do just about everything.
Script writing for audio tours is a specialized discipline. How so?
When we think of writing, we often think of writing for books, magazines, newspapers, blogs, and short stories. This is generally referred to as creative writing. This style of writing is meant to be read silently not heard. Creative writing relies on description to paint the picture of whats going on, or whats important. Script writing for tours requires less descriptive words, because the audience gets the picture with the additional benefit of professional voice talents and sound designers.
Audio tour scripts consist of stories that are designed to be accompanied by music and sound effects. At AudioConexus, we call it: writing for the ear.
Writing for the ear is different than writing for the minds eye. The audio tour script is designed to be integrated with music and sound effects, in order to create a moving, personal experience.
A good script can mean the difference between a great tour and a tour that falls flat. Writers who have the expertise and the experience know how to tell fun, entertaining, and educational stories that sustain the interest of the audience. But even the best voice-over talent, music, or sound effects are useless, without a good audio tour script.
People dont respond well to the mere recitation of facts and figures. However, they always connect with well-told stories. You can count on a great story to capture the imagination of your audience.
1. You cant do literal translations of your English script, or your project will fail.
2. You need to write for the particular culture of the language.
3. You need storytellers that translate and adapt not translators that arent story tellers.
Why Translation Firms Don't Work
When creating audio tours for more than one language, we have a well honed process in place to deliver high-quality tours that are fun and entertaining.
Foreign language translation is completed using experienced storytellers and professional voice talents. Our foreign language translation methodology requires that two translators work together on every language translation for Quality Assurance.
During this process, our translators are not doing literal translations of the script. This is because it takes less time to say something in English than in most other languages. Our foreign language storytellers capture the essence of stories, add meaning and context, while taking into consideration audience and cultural sensitivity.
Writing For Language and Culture
When we write for language and culture, we avoid things like slang, wordplay and puns. This is because they wont be understood, or worse, may offend.
Our focus is to make foreign language tours fun and entertaining, easy to understand, clear and familiar.
After our foreign language script translations are done, we then vet our translated scripts through our voice talents. We take this additional step for Quality of Experience.
Timing is Essential For GPS Tours
Timing is essential for GPS tours. During our initial on-site visit, a Timing Template is created as a guideline for our writers.
This timing guideline results from our on-site assessment of high and low traffic scenarios, tidal changes, alternative routes, tour stops, safety, announcements, and discrete ad placements to name a few.
Our tour commentaries begin and end at the same time (in all languages).
Storytellers Provide Better Foreign Language Translation
Since it often takes more time to say the same thing in another language, a literal translation of English will not work. This is because literal foreign language translations of an English script will create audio segments that vary widely in lengths of time.
When it comes to providing GPS tour entertainment were always thinking about your next point of interest. Thats why we developed a team of foreign language storytellers. Professional storytellers capture the essence of the story being told, in the allotted time. And they tell great stories the way your foreign language guests want to hear them. What this means is, we take culture into consideration during the translation process. What we say in English may not translate well in Japanese, or in fact, may be culturally insensitive.
When we write foreign language tours, we write for language and culture.
Since 1996, weve also been producing multilingual audio tours for tourisms leading companies. Companies like Merlin Entertainment, the Sands Corporation, and the Dole Plantation.
Weve also worked with many smaller operators who simply want the very best in entertainment for their passengers.
What weve found though, throughout the years, is that what we do almost seems like magic, behind closed doors, where no one can see us.
So we wanted to open up our process to you. Drop the veil. Become naked so to speak. Thats why youre invited to our sound production studios any time you like. So you want to join a session? No problem. Just call us and well make the arrangements.
So why is sound an important factor in the Creative process?
Its what lifts the sails and gives your tour life. Our goal, from writing, translation, to sound design and mixing, is to captivate the imaginations of your visitors.
There are several aspects to making this happen. Here, well discuss a few of them.
Professional Narration
When it comes to delivering your tour, its important to work with the pros. Narration is a key component of delivering a great tour not only do you want great voice(s), you want to get the inflections and tone right. You also want professional recording equipment, with no ambient noise, with crystal clear sound.
During our Creative and Branding process, we provide you with several voice talent samples that we think will fit perfectly into your tour.
Our pool of male and female voice talents is deep, and were tapping into the greatest resource on the planet New York, New York. We work with only the best and that means youre getting top notch talent always. Additionally, we work with voice talents around the globe to address the unique requirements of a project.
This includes Character Actors, Sound Alikes, and of course narrators.
Music For Sound
We are tapped into the largest music libraries on the planet. If theres a particular style of music youre looking for, we can find it.
All of our enhanced audio tours include music because it evokes images and emotional responses. Stories and music are key to captivating peoples imaginations. We understand the power of music. And what it means for your tour experiences.
We spend a lot of time editing and mixing to get it just right. Thats why we coined the term cinematic audio tour experiences for sightseeing back in 2006. And since then, weve seen some of our competitors jumping on our jargon and using it which is just fine with us.
We find it complementary.
Sound Effects
Sound effects help us to tell stories. We use sound effects to complete the experience and to enhance it. There is a long history of sound effects in cinema and in television.
Can you imagine watching Star Wars without the sound of the lightsaber? Sound effects are used for enhancement or can be created. Used at the right time, theyre vital to the way we tell stories. They can be anything from a creaking door to the sound of a ravens call which can set the tone and the mood for the experience.
Were always careful not to overdo it, placing sounds at just the right moment to bring people to different times and places.
Market
Market profile
Alliances:
- Financial
- Sales/Marketing
- Technology
Strategic alliances:
International distributorsIndustry sector market interests:
- Agriculture
- Construction
- Culture
- Information Technology and Telecommunications
- Manufacturing
- Medical/Biotechnology/Chemical
- Mining/Petroleum/Gas
- Service Industry
- Tourism
- Transportation
- Aerospace
- Defence
- Automotive
- Food and Beverage Manufacturing
- Pulp and Paper
- Plastics and Rubber Products
- Primary and Fabricated Metal
- Textile and Clothing
Sector
Sector information
Key / Major clients:
Aloha Bus, Gray Line Australia, Super Sightseeing San Francisco, Capital Cruises, EDF Energy London Eye, Blue Boat Company, General Motors, Bridgestone, Allstate Insurance, DreamWorks Animation.Testimonial:
The EDF Energy London Eye river cruise is delivered with the ebb and flow of the historic river Thames. This made our project more complex because the tides are constantly changing and AudioConexus took the time to coach the London Eye staff on what was required for the scripts, and helped to create the river cruise tours. The GPS tour systems are easy to use and staff and guests are really pleased with the quality of the commentary making the London Eye happy to work with AudioConexus.Davey Barrett, Show Services Manager, EDF Energy London Eye
"We have been using the AudioConexus systems on our seven new double decker buses in Honolulu since April of 2011 and can say without any reservation that it has taken our guest touring experience to the highest levels possible in the state of Hawaii.
For our staff, the system offers an affordable, easy to use, easy to update system that eliminates the requirement for speaking tour guides on each vehicle while allowing us to provide five different languages simultaneously. The AC team is professional, caring and very supportive.
For our guests, AudioConexus provides an everyday 24/7 consistent high quality touring experience. Our passengers also have the flexibility to switch to various music channels once they have ridden the bus numerous times.
For our Waikiki, Honolulu, and China Town communities the AudioConexus commentary system provides a quiet alternative to the noisy blasting PA systems found on other tour vehicles ensuring that noise abatement issues are addressed in each community. This has won not only their respect for our commitment and concern but their active support of our business services.
For the travel industry this is the very first tour product in Hawaii that Domestic (English speaking), Japanese, Korean, Spanish, and Chinese travel and activity agents can sell into and across all of their markets that speak any of these multiple languages.
A TRUE WIN-WIN-WIN-WIN by all accounts."
Lee Collins, Vice President, Sales and Marketing, AlohaBus
Our new AudioConexus tour guide system with audio guides is working out great for our customer tours. Our tour guides and tour helpers have high praise for the new system and its ease of use.
Our administrative assistant loves it, too, because its much easier for her to get everything ready for our tours. Before we purchased the AudioConexus system she had to charge the MP3 players we were using one by one. This system is a huge timesaver for her.
Most important, our guests are having a much easier time keeping up with our pre-recorded audio because they dont have to fiddle with their own MP3 player to try to find each track by themselves like they used to have to do. Now, the tour guide can control the content for them. Were finding that our guests can also pay more attention to the processes shown on the tour rather than having to try to figure out how to keep up with the MP3s we used before.
We've also found that the people in the back of each tour group dont have to worry about missing something that the tour guide says because the tour guide is now speaking to them through microphones that project everything so well, even when theres some background noise from our manufacturing process. The microphones are beneficial for repeating questions asked, too, because the entire group can hear the repeated question and the answer without any shouting needed.
The exceptional customer service weve received from each and every company representative is another reason that we would recommend AudioConexus. Each person weve worked with has been very helpful along the way of researching, purchasing, and implementing our new system for our busy tour schedule. Recording our new tour script through AudioConexus worked flawlessly and were very happy with how professionally it was done and sounds. Thank you for everything.
Karren Jeske, Communications Manager, Standard Process Inc.


Idris Elba and The Rock react as John Legend is named world’s sexiest man
Idris Elba and Dwayne “The Rock” Johnson have congratulated John Legend after the US singer succeeded them in being named sexiest man alive by People magazine.
Legend, a 40-year-old multiple Grammy Award winner, graces the magazine’s cover alongside the caption “how a good guy got it all”.
He admitted to being “perplexed” at being honoured with the title of sexiest man alive.
Legend shared a throwback picture of himself wearing a shirt and tie and oversized glasses, along side a snap of a smouldering Elba – who was named sexiest man in 2018 – pulling away his jumper to reveal his toned chest.
Legend captioned the post: “1995 John would be very perplexed to be following 2018 @IdrisElba as #SexiestManAlive.
“Hell, 2019 John is about as equally perplexed but thank you @People
for finding me sexy. I’ll take it.”
Luther star Elba, 47, congratulated Legend, tweeting to say “you deserve it”.
He also poked fun at The Rock, who held the title in 2016.
“DO NOT TELL @TheRock,” he said. “He still thinks he’s got the title, I didn’t have the heart to tell him when I took it.”
The Rock replied, telling Legend “Welcome to the club. You earned this one. Just like I did.”
The 47-year-old Hollywood star then joked: “And unlike @idriselba
who paid @people 50% of his future earnings for his sexy title.”
He added: “The three of us will raise a tequila glass soon.
Legend’s wife, the TV presenter and model Chrissy Teigen, had a typically humorous response to her husband’s new title.
“I cannot WAIT for people to get mad about John being the sexiest man alive,” she said. “It’s my new Starbucks holiday cup.”
Teigen, who has two children with Legend, tweeted: “I have fulfilled my dream of having boned @people’s sexiest man alive!! an honour!!!!!”
She also changed her Twitter bio to “currently sleeping with people’s sexiest man alive”.


a team in {{community}} Community
Followers: 302
Ratings: 4/5
| Height: | 30 |
| Facebook: | Tyler |
| Sports: | soccer, tennis, swimming |
| Age: | 30 |
| School: | Stanford University |
We play music at Palo Alto. If you wanna escape daily pressure, come and see us.
Ended Date:


| Home | Trees | Indices | Help |
|
|---|
|
|
object --+ | BaseProfile
Base class for all test runner profiles
At a minimum each profile must set the name attribute, which is how the profile will appear in the dropdown list.
In case some settings are needed, provide default_settings class attribute with default values.
This class (BaseProfile) will _not_ appear as one of the choices. Think of it as an abstract class, if Python 2.5 had such a thing.
| Instance Methods | |||
|
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|||
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Inherited from |
| Class Variables | |
plugin = None hash(x) |
|
default_settings =
|
| Properties | |
|
Inherited from |
| Method Details |
|
|
Return a list of arguments unique to this profile. Returned arguments are in format accepted by Robot Framework's argument file. |
|
Sets a plugin setting setting is automatically prefixed with profile's name and it can be accessed with direct attribute access. See also __getattr__. |
Provides attribute access to profile's settings If for example default_settings = {'setting1' = ""} is defined then setting1 value can be used like self.setting1 set_setting is used to store the value. |
| Class Variable Details |
pluginhash(x)
|
default_settings
|
| Home | Trees | Indices | Help |
|
|---|
| Generated by Epydoc 3.0.1 on Wed Apr 13 15:09:37 2011 | http://epydoc.sourceforge.net |


Warns
What are warns?
Warns are points that users accumulate for misbehaving. Warns are often represented as warnings. Whenever a user receives warns, they are sent a private message detailing the amount and reason for their warns, they are automatically punished according to the server's settings!
How do I give/take away warns?
To give someone warns, use the c!warn
command. To remove strikes, use the c!
command. The usage for these commands is as follows:
c!warn <@user/ID> [reason]
c!clearnwarns <@user/ID> [reason]
Examples:
c!warn @inthedark.org being rude
c!clearwarns @inthedark.org
What is warnpurge?
Wans the specified member in your server and then purges their messages from the channels with the message count provided. The usage of this command is as follows:
c!warnpurge <@user/ID> <message count> [reason]
Examples:
c!warnpurge @inthedark.org 50
c!warnpurge<PHONE_NUMBER>28081450 10 toxic
Can I check the reasons and how many warns someone has?
Yes you can check how many warns someone has with their date and reason and you'll also be able to see who have warned the person with a specific warn count. Usage:
c!warns <@user/ID>
Example:
c!warns @inthedark.org
c!warns<PHONE_NUMBER>28081450
What is auto-kick?
With auto-kick enabled Lemon will automatically kick someone from your server who has the. Like if amount specified in auto-kick is after 4 warns, then the users will automatically get kicked out from your server after receiving 4 warns. You will have to setup auto-kick for using it. Provide no warn count or a warn count of 0 to disable auto-kick. Usage:
c!setautokick <warn count>
Example:
c!setautokick 3
c!setautokick 0


Select an
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images
play
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Type the name in abbreviation.
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Class: ActionDispatch::ContentSecurityPolicy
| Relationships & Source Files | |
| Namespace Children | |
|
Modules:
| |
|
Classes:
| |
| Inherits: | Object |
| Defined in: | actionpack/lib/action_dispatch/http/content_security_policy.rb |
Constant Summary
-
DIRECTIVES =
private
# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 109{ base_uri: "base-uri", child_src: "child-src", connect_src: "connect-src", default_src: "default-src", font_src: "font-src", form_action: "form-action", frame_ancestors: "frame-ancestors", frame_src: "frame-src", img_src: "img-src", manifest_src: "manifest-src", media_src: "media-src", object_src: "object-src", script_src: "script-src", style_src: "style-src", worker_src: "worker-src" }.freeze
-
MAPPINGS =
private
# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 92{ self: "'self'", unsafe_eval: "'unsafe-eval'", unsafe_inline: "'unsafe-inline'", none: "'none'", http: "http:", https: "https:", data: "data:", mediastream: "mediastream:", blob: "blob:", filesystem: "filesystem:", report_sample: "'report-sample'", strict_dynamic: "'strict-dynamic'", ws: "ws:", wss: "wss:" }.freeze
-
NONCE_DIRECTIVES =
private
# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 127%w[script-src].freeze
Class Method Summary
- .new {|_self| ... } ⇒ ContentSecurityPolicy constructor
Instance Attribute Summary
- #directives readonly
Instance Method Summary
Constructor Details
.new {|_self| ... } ⇒ ContentSecurityPolicy
# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 133
def initialize @directives = {} yield self if block_given? end
Instance Attribute Details
#directives (readonly)
[ GitHub ]# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 131
attr_reader :directives
Instance Method Details
#block_all_mixed_content(enabled = true)
[ GitHub ]# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 152
def block_all_mixed_content(enabled = true) if enabled @directives["block-all-mixed-content"] = true else @directives.delete("block-all-mixed-content") end end
#build(context = nil, nonce = nil)
[ GitHub ]# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 198
def build(context = nil, nonce = nil) build_directives(context, nonce).compact.join("; ") end
#initialize_copy(other)
[ GitHub ]# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 138
def initialize_copy(other) @directives = other.directives.deep_dup end
#plugin_types(*types)
[ GitHub ]# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 160
def plugin_types(*types) if types.first @directives["plugin-types"] = types else @directives.delete("plugin-types") end end
#report_uri(uri)
[ GitHub ]# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 168
def report_uri(uri) @directives["report-uri"] = [uri] end
#require_sri_for(*types)
[ GitHub ]# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 172
def require_sri_for(*types) if types.first @directives["require-sri-for"] = types else @directives.delete("require-sri-for") end end
#sandbox(*values)
[ GitHub ]# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 180
def sandbox(*values) if values.empty? @directives["sandbox"] = true elsif values.first @directives["sandbox"] = values else @directives.delete("sandbox") end end
#upgrade_insecure_requests(enabled = true)
[ GitHub ]# File 'actionpack/lib/action_dispatch/http/content_security_policy.rb', line 190
def upgrade_insecure_requests(enabled = true) if enabled @directives["upgrade-insecure-requests"] = true else @directives.delete("upgrade-insecure-requests") end end


#-- /********************************************************************************** * $URL: https://source.etudes.org/svn/apps/jforum/tags/2.27/jforum-tool/src/webapp/templates/default/search_result.htm $ * $Id: search_result.htm 9169 2014-11-12 23:11:58Z murthyt $ *********************************************************************************** * * Copyright (c) 2008, 2009, 2010, 2011, 2012, 2013 Etudes, Inc. * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. * * Portions completed before July 1, 2004 Copyright (c) 2003, 2004 Rafael Steil, All rights reserved, licensed under the BSD license. * http://www.opensource.org/licenses/bsd-license.php * * Redistribution and use in source and binary forms, * with or without modification, are permitted provided * that the following conditions are met: * * 1) Redistributions of source code must retain the above * copyright notice, this list of conditions and the * following disclaimer. * 2) Redistributions in binary form must reproduce the * above copyright notice, this list of conditions and * the following disclaimer in the documentation and/or * other materials provided with the distribution. * 3) Neither the name of "Rafael Steil" nor * the names of its contributors may be used to endorse * or promote products derived from this software without * specific prior written permission. * * THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT * HOLDERS AND CONTRIBUTORS "AS IS" AND ANY * EXPRESS OR IMPLIED WARRANTIES, INCLUDING, * BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF * MERCHANTABILITY AND FITNESS FOR A PARTICULAR * PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL * THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE * FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, * EXEMPLARY, OR CONSEQUENTIAL DAMAGES * (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF * SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, * OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER * CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER * IN CONTRACT, STRICT LIABILITY, OR TORT * (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN * ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF * ADVISED OF THE POSSIBILITY OF SUCH DAMAGE ***********************************************************************************/ --> <#include "header.htm"/> <#import "../macros/pagination.ftl" as topicPagination> <#import "../macros/search_pagination.ftl" as pagination> <#import "../macros/presentation.ftl" as presentation/> <#if moderator>


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By
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with


LOAD
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| ID | Formula | FW | DSSTox_CID | DSSTox_RID | DSSTox_GSID | DSSTox_FileID_Sort | TS_ChemName | TS_ChemName_Synonyms | TS_CASRN | CASRN_ChemName_Relationship | TS_Description | ChemNote | STRUCTURE_Shown | STRUCTURE_Formula | STRUCTURE_MW | STRUCTURE_ChemType | STRUCTURE_DefinedOrganicForm | STRUCTURE_IUPAC | STRUCTURE_SMILES | STRUCTURE_SMILES_Desalt | Substance_modify_yyyymmdd | |
| 216299-72-8 | 13022 | C9H13F6N3O4S2 | 405.3376 (125.1910+280.1467) | 27923 | 82676 | 47947 | 7353 | 1-Methyl-3-propylimidazolium bis(trifluoromethylsulfonyl)imide | 216299-72-8 | primary | single chemical compound | ammonium; parent [80432-06-0] | tested chemical | C9H13F6N3O4S2 | 405.3376 | defined organic | salt | 3-methyl-1-propyl-1H-imidazol-3-ium bis[(trifluoromethyl)sulfonyl]azanide | C[n+]1ccn(CCC)c1.FC(F)(F)S(=O)(=O)[N-]S(=O)(=O)C(F)(F)F | O=S(=O)(NS(=O)(=O)C(F)(F)F)C(F)(F)F | 20110418 |


Article 13 basically requires companies to make sure that everything that is uploaded to their site is 100% original. what's wrong with that? The technology required to monitor all material being uploaded to a website is extremely difficult and expensive to engineer and operate. this means that only companies like YouTube and Facebook could afford these new laws essentially killing smaller sites and making new sites almost impossible. As if that weren't enough article 13 completely ignores fair use where you can republish copyrighted material so long as you alter it or provide commentary this means that unless there was explicit permission from the original creator things like remixes, movie clips, live streams and even memes could be made effectively illegal.
Article 11 (kills news and sharing)
Article 11 (the "link tax") was designed so that "news" companies are paid whenever a link is shared from their site, seems like a good idea right? wrong! for starters the law was written by senile eurocrats who don't understand the first thing about the internet thats why the law is so loosely defined that anything from a Facebook post to an investigative article from reuters could potentially be charged to you.
want to share a screenshot of an album cover? fee! want to share a news article? fee! want to share a video of a goal? fee!
yes we are! but these laws won't affect just EU citizens they will affect the entire internet. companies will not opperate two very different versions of a website or app for different countries it would simply be too expensive. this is exactly what happened with the EU's recent online privacy law, people from Shanghai to San-Francisco were affected by the law. additionally since the UK is still in the process of leaving the EU we can't know what kind of deal we will get and so we may have to obey EU laws finland style anyway.


This is ShogChat; the elitist development chat service for GitHub. It's kinda like Gitter but PHP_INT_MAX times better. shoghicp didn't create this, shoghicp will never know this exists.
PHP_INT_MAX


Application complete
Send more information
Based on your answers, you must send your:
- medical reports
- care or treatment plans
- medical test results, including sight and hearing tests
- current prescription list
- Education, Health and Care plan (was ‘Statement of Special Needs')
- recent bank statement
We cannot accept photocopies so send the original documents.

Post to:
ESA
Mail Handling Site A
Wolverhampton
WV98 2AS
What happens next
You'll get a letter in the next 2 weeks. It will either:
- tell you a decision
- ask for more information
- invite you to meet a medical professional
If you are awarded ESA, you will get the money in your account within 2 weeks.
You must report any change to your circumstances.
If you have any queries about your claim, phone 0345 850 3322. You’ll need your National Insurance number.


Antialias enable
Parameters:
| enable - true to enable fullscreen antialiasing, false to disable. Defaults to false. |
Description:
| Enables or disables fullscreen antialiasing. Fullscreen antialiasing is a technique used to smooth out the entire screen, so that jagged lines are made less noticeable. Some 3D cards have built-in support for fullscreen antialiasing, which should allow you to enable the effect without much slowdown. However, for cards without built-in support for fullscreen antialiasing, enabling the effect may cause severe slowdown. |
| ; AntiAlias Example ; ----------------- Graphics3D 640,480 SetBuffer BackBuffer() camera=CreateCamera() light=CreateLight() RotateEntity light,90,0,0 sphere=CreateSphere() PositionEntity sphere,0,0,2 While Not KeyDown( 1 ) ; Toggle antialias enable value between true and false when spacebar is pressed If KeyHit( 57 )=True Then enable=1-enable ; Enable/disable antialiasing AntiAlias enable RenderWorld Text 0,0,"Press spacebar to toggle between AntiAlias True/False" If enable=False Then Text 0,20,"AntiAlias False" Else Text 0,20,"AntiAlias True" Flip Wend End |


| Opcode*/Instruction | Op/En | 64/32 bit Mode Support | CPUID Feature Flag | Description |
|---|---|---|---|---|
| 66 0F 3A 0B /r ib ROUNDSD xmm1, xmm2/m64, imm8 | RMI | V/V | SSE4_1 | Round the low packed double precision floating-point value in xmm2/m64 and place the result in xmm1. The rounding mode is determined by imm8. |
| VEX.NDS.LIG.66.0F3A.WIG 0B /r ib VROUNDSD xmm1, xmm2, xmm3/m64, imm8 | RVMI | V/V | AVX | Round the low packed double precision floating-point value in xmm3/m64 and place the result in xmm1. The rounding mode is determined by imm8. Upper packed double precision floating-point value (bits[127:64]) from xmm2 is copied to xmm1[127:64]. |
| Op/En | Operand 1 | Operand 2 | Operand 3 | Operand 4 |
| RMI | ModRM:reg (w) | ModRM:r/m (r) | imm8 | NA |
| RVMI | ModRM:reg (w) | VEX.vvvv (r) | ModRM:r/m (r) | imm8 |
Round the DP FP value in the lower qword of the source operand (second operand) using the rounding mode spec-ified in the immediate operand (third operand) and place the result in the destination operand (first operand). The rounding process rounds a double-precision floating-point input to an integer value and returns the integer result as a double precision floating-point value in the lowest position. The upper double precision floating-point value in the destination is retained.
The immediate operand specifies control fields for the rounding operation, three bit fields are defined and shown in Figure 4-24. Bit 3 of the immediate byte controls processor behavior for a precision exception, bit 2 selects the source of rounding mode control. Bits 1:0 specify a non-sticky rounding-mode value (Table 4-18 lists the encoded values for rounding-mode field).
The Precision Floating-Point Exception is signaled according to the immediate operand. If any source operand is an SNaN then it will be converted to a QNaN. If DAZ is set to ‘1 then denormals will be converted to zero before rounding.
128-bit Legacy SSE version: The first source operand and the destination operand are the same. Bits (VLMAX-1:64) of the corresponding YMM destination register remain unchanged.
VEX.128 encoded version: Bits (VLMAX-1:128) of the destination YMM register are zeroed.
IF (imm[2] = ‘1) THEN // rounding mode is determined by MXCSR.RC DEST[63:0] (cid:197) ConvertDPFPToInteger_M(SRC[63:0]); ELSE // rounding mode is determined by IMM8.RC DEST[63:0] (cid:197) ConvertDPFPToInteger_Imm(SRC[63:0]); FI; DEST[127:63] remains unchanged ;
ROUNDSD (128-bit Legacy SSE version)
DEST[63:0] (cid:197) RoundToInteger(SRC[63:0], ROUND_CONTROL) DEST[VLMAX-1:64] (Unmodified)
VROUNDSD (VEX.128 encoded version)
DEST[63:0] (cid:197) RoundToInteger(SRC2[63:0], ROUND_CONTROL) DEST[127:64] (cid:197) SRC1[127:64] DEST[VLMAX-1:128] (cid:197) 0
ROUNDSD:
__m128d mm_round_sd(__m128d dst, __m128d s1, int iRoundMode); __m128d mm_floor_sd(__m128d dst, __m128d s1); __m128d mm_ceil_sd(__m128d dst, __m128d s1);
Invalid (signaled only if SRC = SNaN)
Precision (signaled only if imm[3] = ‘0; if imm[3] = ‘1, then the Precision Mask in the MXSCSR is ignored and preci-sion exception is not signaled.)
Note that Denormal is not signaled by ROUNDSD.
See Exceptions Type 3.


Principal Component Analysis (PCA) biplots, Covariance monoplots and biplots, Partial Least Squares (PLS) biplots, Partial Least Squares for Generalized Linear Model (PLS-GLM) biplots, Sparse Partial Least Squares (SPLS) biplots and Sparse Partial Least Squares for Generalized Linear Model (SPLS-GLM) biplots.
| Version: | 0.1 |
| Depends: | R (≥ 3.0.0) |
| Suggests: | chemometrics, MASS, mixOmics, mvabund, pls, plsgenomics, robustbase, SensoMineR |
| Published: | 2014-11-06 |
| Author: | Opeoluwa F. Oyedele [aut, cre], Sugnet Gardner-Lubbe [aut] |
| Maintainer: | Opeoluwa F. Oyedele <OpeoluwaOyedele at gmail.com> |
| License: | GPL-2 |
| URL: | https://www.dropbox.com/sh/wr66u07t1vjm9da/AACg_E4h8MvgOHuCXk69yDIya |
| NeedsCompilation: | no |
| CRAN checks: | PLSbiplot1 results |
| Reference manual: | PLSbiplot1.pdf |
| Package source: | PLSbiplot1_0.1.tar.gz |
| Windows binaries: | r-devel: PLSbiplot1_0.1.zip, r-release: PLSbiplot1_0.1.zip, r-oldrel: PLSbiplot1_0.1.zip |
| OS X binaries: | r-release: PLSbiplot1_0.1.tgz, r-oldrel: PLSbiplot1_0.1.tgz |
Please use the canonical form https://CRAN.R-project.org/package=PLSbiplot1 to link to this page.


ocamlfind
The findlib package manager for OCaml.
Simplifies linking executables with external libraries.
More information: home page
- Compile a source file to a native binary and link with packages:
ocamlfind ocamlopt -package package1,package2 -linkpkg -o executable source_file.ml
- Compile a source file to a bytecode binary and link with packages:
ocamlfind ocamlc -package package1,package2 -linkpkg -o executable source_file.ml
- Cross-compile for a different platform:
ocamlfind -toolchain cross-toolchain ocamlopt -o executable source_file.ml


Welcome to our Home Page! The Code Bites Channel is dedicated to teaching and sharing IT and Programming topics, with concise, short, and easy-to-follow videos. Subscribe to receive notifications about our latest videos, and to discover what surprises IT has to offer!
Here you will find links to our content.


SubjectType
public enum SubjectType : String
Represents the subject area code associated with the content category desired. Note that these subject code mapping vary based upon the environment in which the request is executed.
The following resource shows all of the available subject classifications.
-
Agricultural and Biological Sciences
Declaration
Swift
case agriculturalAndBiologicalSciences = "AGRI"
-
Arts and Humanities
Declaration
Swift
case artsAndHumanities = "ARTS"
-
Biochemistry, Genetics and Molecular Biology
Declaration
Swift
case biochemistryGeneticsAndMolecularBiology = "BIOC"
-
Business, Management and Accounting
Declaration
Swift
case businessManagementAndAccounting = "BUSI"
-
Chemical Engineering
Declaration
Swift
case chemicalEngineering = "CENG"
-
Chemistry
Declaration
Swift
case chemistry = "CHEM"
-
Computer Science
Declaration
Swift
case computerScience = "COMP"
-
Decision Sciences
Declaration
Swift
case decisionSciences = "DECI"
-
Dentistry
Declaration
Swift
case dentistry = "DENT"
-
Earth and Planetary Sciences
Declaration
Swift
case earthAndPlanetarySciences = "EART"
-
Economics, Econometrics and Finance
Declaration
Swift
case economicsEconometricsAndFinance = "ECON"
-
Energy
Declaration
Swift
case energy = "ENER"
-
Engineering
Declaration
Swift
case engineering = "ENGI"
-
Environmental Science
Declaration
Swift
case environmentalScience = "ENVI"
-
Health Professions
Declaration
Swift
case healthProfessions = "HEAL"
-
Immunology and Microbiology
Declaration
Swift
case immunologyAndMicrobiology = "IMMU"
-
Materials Science
Declaration
Swift
case materialsScience = "MATE"
-
Mathematics
Declaration
Swift
case mathematics = "MATH"
-
Medicine
Declaration
Swift
case medicine = "MEDI"
-
Neuroscience
Declaration
Swift
case neuroscience = "NEUR"
-
Nursing
Declaration
Swift
case nursing = "NURS"
-
Pharmacology, Toxicology and Pharmaceutics
Declaration
Swift
case pharmacologyToxicologyAndPharmaceutics = "PHAR"
-
Physics and Astronomy
Declaration
Swift
case physicsAndAstronomy = "PHYS"
-
Psychology
Declaration
Swift
case psychology = "PSYC"
-
Social Sciences
Declaration
Swift
case socialSciences = "SOCI"
-
Veterinary
Declaration
Swift
case veterinary = "VETE"
-
Multidisciplinary
Declaration
Swift
case multidisciplinary = "MULT"


Table Name: tabAgriculture Task
| Sr | Fieldname | Type | Label | Options |
|---|---|---|---|---|
| 1 | task_name |
Data | Task Name | |
| 2 | start_day |
Int | Start Day | |
| 3 | end_day |
Int | End Day | |
| 4 | holiday_management |
Select | Holiday Management |
Ignore holidays Previous Business Day Next Business Day |
| 5 | priority |
Select | Priority |
Low Medium High Urgent |


Practice with regression and statistical hypothesis
Exercise 1
Load the library MASS and consider the dataset “crabs”, which has 200 rows and 8 columns, describing 5 morphological measurements on 50 crabs each of two colour forms and both sexes, of the species Leptograpsus variegatus collected at Fremantle, W. Australia.
Create a new dataset that contains only the variables sex, FL e RW. Compute the mean, quartiles and standard deviation of the numerical variables. The following analysis are intended on this reduced dataset.
Using histograms, visualize the distribution of the numerical variables.
Using a box plot, visualize the variable RW at the varying of the sex. Comment on the result.
Define a linear model for the variable RW at the varying of FL (predictor). Comment on the results and visualize the regression line against the experimental data.
Define a linear model for the variable RW at the varying of FL and sex (predictors). Compare the results with the previous regression model and comment on the results.
Exercise 2
Read the dataset about the bike sharing service in Washington (description).
Check if all the variables are read correctly, otherwise transform them in the correct format.
Plot the variable cnt at the varying of the date.
Using the likelihood ratio, discuss if the mean number of rented bikes in the months of May 2011 and May 2012 are statistically different.
Compare and comment the results with
t.test
.
Solutions
Exercise 3
Download the dataset containing the weather information for the same period of Exercise 2.
Merge the two datasets (weather and bike sharing). The following analysis are intended on this merged dataset.
From this new dataset, select the rows about spring of 2012. The following analysis are intended on this reduced dataset.
Using histograms, visualize the distribution of the numerical variables cnt.
Using a box plot, visualize the variable cnt at the varying of the weathersit. Comment on the result.
Use the t.test to determine if the mean number of rented bike is statistically different in days with nice weather (variable weathersit == 1) or not so nice weather (weathersit >1). Comment on the results.
Define a linear model for the variable cnt at the varying of atemp (predictor). Comment on the results and visualize the regression line against the experimental data.
Define a linear model for the variable cnt at the varying of atemp and weathersit (predictors). Compare the results with the previous regression model and comment on the results.
Link at the Datasaurus distribution.
© 2017-2020 Federico Reali


Value and Method Expressions
The EL defines two kinds of expressions: value expressions and method expressions. Value expressions can either yield a value or set a value. Method expressions reference methods that can be invoked and can return a value.
Value Expressions
Value expressions can be further categorized into rvalue and lvalue expressions. Rvalue expressions can read data but cannot write it. Lvalue expressions can both read and write data.
All expressions that are evaluated immediately use the ${} delimiters and are always rvalue expressions. Expressions whose evaluation can be deferred use the #{} delimiters and can act as both rvalue and lvalue expressions. Consider the following two value expressions:
${customer.name}
#{customer.name}
The former uses immediate evaluation syntax, whereas the latter uses deferred evaluation syntax. The first expression accesses the name property, gets its value, adds the value to the response, and gets rendered on the page. The same can happen with the second expression. However, the tag handler can defer the evaluation of this expression to a later time in the page lifecycle, if the technology using this tag allows.
In the case of JavaServer Faces technology, the latter tag’s expression is evaluated immediately during an initial request for the page. In this case, this expression acts as an rvalue expression. During a postback request, this expression can be used to set the value of the name property with user input. In this case, the expression acts as an lvalue expression.
Referencing Objects Using Value Expressions
Both rvalue and lvalue expressions can refer to the following objects and their properties or attributes:
JavaBeans components
Collections
Java SE enumerated types
Implicit objects
To refer to these objects, you write an expression using a variable that is the name of the object. The following expression references a managed bean called customer:
${customer}
The web container evaluates the variable that appears in an expression by looking up its value according to the behavior of PageContext.findAttribute(String), where the String argument is the name of the variable. For example, when evaluating the expression ${customer}, the container will look for customer in the page, request, session, and application scopes and will return its value. If customer is not found, a null value is returned.
You can use a custom EL resolver to alter the way variables are resolved. For instance, you can provide an EL resolver that intercepts objects with the name customer, so that ${customer} returns a value in the EL resolver instead.
To reference an enum constant with an expression, use a String literal. For example, consider this Enum class:
public enum Suit {hearts, spades, diamonds, clubs}
To refer to the Suit constant Suit.hearts with an expression, use the String literal "hearts". Depending on the context, the String literal is converted to the enum constant automatically. For example, in the following expression in which mySuit is an instance of Suit, "hearts" is first converted to Suit.hearts before it is compared to the instance:
${mySuit == "hearts"}
Referring to Object Properties Using Value Expressions
To refer to properties of a bean or an enum instance, items of a collection, or attributes of an implicit object, you use the . or [] notation.
To reference the name property of the customer bean, use either the expression ${customer.name} or the expression ${customer["name"]}. The part inside the brackets is a String literal that is the name of the property to reference.
You can use double or single quotes for the String literal. You can also combine the [] and . notations, as shown here:
${customer.address["street"]}
Properties of an enum constant can also be referenced in this way. However, as with JavaBeans component properties, the properties of an Enum class must follow JavaBeans component conventions. This means that a property must at least have an accessor method called getProperty, where Property is the name of the property that can be referenced by an expression.
For example, consider an Enum class that encapsulates the names of the planets of our galaxy and includes a method to get the mass of a planet. You can use the following expression to reference the method getMass of the Enum class Planet:
${myPlanet.mass}
If you are accessing an item in an array or list, you must use either a literal value that can be converted to int or the [] notation with an int and without quotes. The following examples could resolve to the same item in a list or array, assuming that socks can be converted to int:
${customer.orders[1]}
${customer.orders.socks}
In contrast, an item in a Map can be accessed using a string literal key; no coercion is required:
${customer.orders["socks"]}
An rvalue expression also refers directly to values that are not objects, such as the result of arithmetic operations and literal values, as shown by these examples:
${"literal"}
${customer.age + 20}
${true}
${57}
The EL defines the following literals:
Boolean: true and false
Integer: as in Java
Floating-point: as in Java
String: with single and double quotes; " is escaped as \", ' is escaped as \', and \ is escaped as \\
Null: null
You can also write expressions that perform operations on an enum constant. For example, consider the following Enum class:
public enum Suit {club, diamond, heart, spade}
After declaring an enum constant called mySuit, you can write the following expression to test whether mySuit is spade:
${mySuit == "spade"}
When it resolves this expression, the EL resolving mechanism will invoke the valueOf method of the Enum class with the Suit class and the spade type, as shown here:
mySuit.valueOf(Suit.class, "spade"}
Where Value Expressions Can Be Used
Value expressions using the ${} delimiters can be used in
Static text
Any standard or custom tag attribute that can accept an expression
The value of an expression in static text is computed and inserted into the current output. Here is an example of an expression embedded in static text:
<some:tag> some text ${expr} some text </some:tag>
If the static text appears in a tag body, note that an expression will not be evaluated if the body is declared to be tagdependent.
Lvalue expressions can be used only in tag attributes that can accept lvalue expressions.
A tag attribute value using either an rvalue or lvalue expression can be set in the following ways:
With a single expression construct:
<some:tag value="${expr}"/>
<another:tag value="#{expr}"/>
These expressions are evaluated, and the result is converted to the attribute’s expected type.
With one or more expressions separated or surrounded by text:
<some:tag value="some${expr}${expr}text${expr}"/>
<another:tag value="some#{expr}#{expr}text#{expr}"/>
These kinds of expression, called composite expressions, are evaluated from left to right. Each expression embedded in the composite expression is converted to a String and then concatenated with any intervening text. The resulting String is then converted to the attribute’s expected type.
With text only:
<some:tag value="sometext"/>
This expression is called a literal expression. In this case, the attribute’s String value is converted to the attribute’s expected type. Literal value expressions have special syntax rules. See Literal Expressions for more information. When a tag attribute has an enum type, the expression that the attribute uses must be a literal expression. For example, the tag attribute can use the expression "hearts" to mean Suit.hearts. The literal is converted to Suit, and the attribute gets the value Suit.hearts.
All expressions used to set attribute values are evaluated in the context of an expected type. If the result of the expression evaluation does not match the expected type exactly, a type conversion will be performed. For example, the expression ${1.2E4} provided as the value of an attribute of type float will result in the following conversion:
Float.valueOf("1.2E4").floatValue()
See Section 1.18 of the JavaServer Pages 2.2 Expression Language specification (available from http://jcp.org/aboutJava/communityprocess/final/jsr245/) for the complete type conversion rules.
Method Expressions
Another feature of the EL is its support of deferred method expressions. A method expression is used to invoke an arbitrary public method of a bean, which can return a result.
In JavaServer Faces technology, a component tag represents a component on a page. The component tag uses method expressions to invoke methods that perform some processing for the component. These methods are necessary for handling events that the components generate and for validating component data, as shown in this example:
<h:form> <h:inputText id="name" value="#{customer.name}" validator="#{customer.validateName}"/> <h:commandButton id="submit" action="#{customer.submit}" /> </h:form>
The h:inputText tag displays as a text field. The validator attribute of this h:inputText tag references a method, called validateName, in the bean, called customer.
Because a method can be invoked during different phases of the lifecycle, method expressions must always use the deferred evaluation syntax.
Like lvalue expressions, method expressions can use the . and the [] operators. For example, #{object.method} is equivalent to #{object["method"]}. The literal inside the [] is converted to String and is used to find the name of the method that matches it. Once the method is found, it is invoked, or information about the method is returned.
Method expressions can be used only in tag attributes and only in the following ways:
With a single expression construct, where bean refers to a JavaBeans component and method refers to a method of the JavaBeans component:
<some:tag value="#{bean.method}"/>
The expression is evaluated to a method expression, which is passed to the tag handler. The method represented by the method expression can then be invoked later.
With text only:
<some:tag value="sometext"/>
Method expressions support literals primarily to support action attributes in JavaServer Faces technology. When the method referenced by this method expression is invoked, the method returns the String literal, which is then converted to the expected return type, as defined in the tag’s tag library descriptor.
Parameterized Method Calls
The EL offers support for parameterized method calls. Method calls can use parameters without having to use static EL functions.
Both the . and [] operators can be used for invoking method calls with parameters, as shown in the following expression syntax:
expr-a[expr-b](parameters)
expr-a.identifier-b(parameters)
In the first expression syntax, expr-a is evaluated to represent a bean object. The expression expr-b is evaluated and cast to a string that represents a method in the bean represented by expr-a. In the second expression syntax, expr-a is evaluated to represent a bean object, and identifier-b is a string that represents a method in the bean object. The parameters in parentheses are the arguments for the method invocation. Parameters can be zero or more values or expressions, separated by commas.
Parameters are supported for both value expressions and method expressions. In the following example, which is a modified tag from the guessnumber application, a random number is provided as an argument rather than from user input to the method call:
<h:inputText value="#{userNumberBean.userNumber('5')}">
The preceding example uses a value expression.
Consider the following example of a JavaServer Faces component tag that uses a method expression:
<h:commandButton action="#{trader.buy}" value="buy"/>
The EL expression trader.buy calls the trader bean’s buy method. You can modify the tag to pass on a parameter. Here is the revised tag where a parameter is passed:
<h:commandButton action="#{trader.buy('SOMESTOCK')}" value="buy"/>
In the preceding example, you are passing the string 'SOMESTOCK' (a stock symbol) as a parameter to the buy method.
For more information on the updated EL, see http://uel.java.net/.


(#) Suspicious indentation
!!! ERROR: Suspicious indentation
This is an error.
Id
: `SuspiciousIndentation`
Alias
: SuspiciousIndentAfterControlStatement
Summary
: Suspicious indentation
Severity
: Error
Category
: Correctness
Platform
: Any
Vendor
: Android Open Source Project
Feedback
: https://issuetracker.google.com/issues/new?component=192708
Affects
: Kotlin and Java files
Editing
: This check runs on the fly in the IDE editor
Implementation
: [Source Code](https://cs.android.com/android-studio/platform/tools/base/+/mirror-goog-studio-main:lint/libs/lint-checks/src/main/java/com/android/tools/lint/checks/IndentationDetector.kt)
Tests
: [Source Code](https://cs.android.com/android-studio/platform/tools/base/+/mirror-goog-studio-main:lint/libs/lint-tests/src/test/java/com/android/tools/lint/checks/IndentationDetectorTest.kt)
Copyright Year
: 2021
This check looks for cases where the indentation suggests a grouping
that isn't actually there in the code. A common example of this would be
something like
```kotlin
if (column > width)
line++
column = 0
```
Here, the `column = 0` line will be executed every single time, not just
if the condition is true.
(##) Options
You can configure this lint checks using the following options:
(###) always-run
Whether this check should be included while editing.
While you're editing, it's common to have a temporary situation where you have suspicious indentation scenarios -- e.g. you start typing an `if` statement on the line above something you want to make conditional, and you haven't indented it yet. It can be distracting and misleading to suddenly have both statements light up as errors. Therefore, lint will avoid including this check when running on the fly in the editor, unless it looks like the file has not been recently edited. With this option, you can turn it on in all cases.
Default is false.
Example `lint.xml`:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~xml linenumbers
<lint>
<issue id="SuspiciousIndentation">
<option name="always-run" value="false" />
</issue>
</lint>
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
(##) Example
Here is an example of lint warnings produced by this check:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~text
src/Java.java:4:Error: Suspicious indentation: This is conditionally
executed; expected it to be indented [SuspiciousIndentation]
System.out.println("test"); // WARN 1
--------------------------
src/Java.java:7:Error: Suspicious indentation: This is indented but is
not nested under the previous expression (if (context == null)...)
[SuspiciousIndentation]
System.out.println("test"); // WARN 2
--------------------------
src/Kotlin.kt:8:Error: Suspicious indentation: This is indented but is
not nested under the previous expression (if (this[i] == '\n')...)
[SuspiciousIndentation]
line++ // WARN 3
------
src/Kotlin.kt:15:Error: Suspicious indentation: This is indented but is
not continuing the previous expression (var s = "The price i...)
[SuspiciousIndentation]
price.toString() + // WARN 4
----------------------------
src/Kotlin.kt:23:Error: Suspicious indentation: This is indented but is
not continuing the previous expression (s += "The price...)
[SuspiciousIndentation]
price.toString() + // WARN 5
----------------------------
src/Kotlin.kt:32:Error: Suspicious indentation: This is indented but is
not continuing the previous expression (s = "The price was...)
[SuspiciousIndentation]
price.toString() + // WARN 6
----------------------------
src/Kotlin.kt:42:Error: Suspicious indentation: This is indented but is
not nested under the previous expression (for (i in 0 until 10...)
[SuspiciousIndentation]
y++ // WARN 7
---
src/Kotlin.kt:48:Error: Suspicious indentation: This is indented but is
not nested under the previous expression (while (x > 0) ...)
[SuspiciousIndentation]
y++ // WARN 8
---
src/Kotlin.kt:55:Error: Suspicious indentation: This is conditionally
executed; expected it to be indented [SuspiciousIndentation]
println("hello") // WARN 9
----------------
src/Kotlin.kt:62:Error: Suspicious indentation: This is conditionally
executed; expected it to be indented [SuspiciousIndentation]
println("hello") // WARN 10
----------------
src/Kotlin.kt:73:Error: Suspicious indentation: This is indented but is
not nested under the previous expression (if (this[i] != '\n')...)
[SuspiciousIndentation]
line++ // WARN 11
------
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Here are the relevant source files:
`src/Java.java`:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~java linenumbers
class Java {
public void test(Object context) {
if (context == null)
System.out.println("test"); // WARN 1
if (context == null)
System.out.println("test"); // OK
System.out.println("test"); // WARN 2
}
}
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
`src/Kotlin.kt`:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~kotlin linenumbers
fun String.getLineAndColumn(offset: Int): Pair


मै एक नया प्रोजेक्ट स्टार्ट करने जा रहा हूँ!
Let’s start this by some quick question
- Why IOT is becoming more popular now days
- Who is fulling IOT device intelligent
- What happen to IOT products if they will become isolated to themselves
If you are able to think / answer this, you will realize IOT is fulled by connecting all your devices, application and data. It’s in fact graph of your all data, as a example let’s think about UBER, it’s not a mere mobile application to book cab/taxi, in fact it’s a graph of all user and taxi service provider, acting as a smart service collecting, storing , processing large amount of data from large number of smartphones connected to user.
these phone acting as a IOT devices, sensing location related to user cab/taxi service provider, mixing them and providing a optimized match for resources consumption.
Let’s talk about another Company “Google”, Google photos is using graph data to providing analysis of stored photos from unrelated data. It doesn’t sell storage for photos, but it sell advertisement and analysis outcome of photos. Let’s say they find how to make profile pic more better or some more way to make photos quality better, then they can get income out of that.
What role graph database can play in IOT scenario
Till now you got that IOT can only become more intelligent and successful when all data will be connected to each other and we can find relation between them, then we can make those service more useful for people and smart.
It’s not a matter that Relational Database don’t have relation, in fact they have, but they are fix for preplanned process and outcome.
IOT service value through unseen matches or relation between data for great business outcome, achieving using half of work on how we are storing data, and half how we are processing them.
मै एक नया प्रोजेक्ट स्टार्ट करने जा रहा हूँ!


About Me
I am currently a student at Ramapo College of New Jersey majoring in computer science. But that doesn't stop me from coding, I freelance on the side and also design games, websites, and apps. I am located in New Jersey and have a passion for coding. I plan on becoming a full-time developer after I get my masters in computer science. Whenever I have time, I make fun websites and games that are being tested right now.
Why Programming?
- Ever since I was 13 years old, programming was introduced to me by my cousin. At that time, I have always wanted to know how to operate all of those ones and zeros that you see in the movies. I eventually started learning code on free coding websites until I found Thinkful. Thinkful is a very serious online bootcamp that takes about 6 months to complete. I am currently two months into it right now and I have a good understanding of code. I plan on expanding my knowledge so I can understand all of the relevant computer languages to this day.
Projects
- The screen shots above shows the beginging and first question in my quiz app that I created. The goal of this project was to test my skill to see if I can create a working quiz. To creat this quiz app, I had to use HTML, CSS, JavaScript, and jQuery.
- The image above shows another project that I completed. The purpose of the project was to implement an API into an app and make it work flawlessly. I have chosen the OpenWeatherMap and FourSquare API to allow me to make my app display the weather of any city that is entered in the search bar.
-
- The screen shot above displays a picture of a website that I sold to one of my clients. The website is called


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|---|---|---|---|---|---|---|
| {{job.jobId}} | {{job.description}} | {{job.createdUtc + 'Z' | date:'dd/MM/yyyy HH:mm:ss'}} | {{job.callbackUrl}} | {{job.httpVerb}} | {{job.contentType}} | |
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| Job Details | |
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layout: archive
title: Lean Prover Zulip Chat Archive
permalink: 113488general/65518aa1a2b1.html
---
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At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque
Forum for Empowering People through Social Innovation and entertainment,
VIT is an NGO well known for its activities in and around Vellore and is
known to all as FEPSI-VIT.It is a very famous NGO and boasts of extreme
working ability which attributes to its popularity which it has earned in
a very short span of time.
With a mere 6 years since its inception,
FEPSI has earned a lot of respect for the work it does. The sincerity and
the dedication of its members towards the theme of the club has been its
impetus all along.
Forum for Empowering People through Social Innovation and entertainment,
VIT is an NGO well known for its activities in and around Vellore and is
known to all as FEPSI-VIT.It is a very famous NGO and boasts of extreme
working ability which attributes to its popularity which it has earned in
a very short span of time.
With a mere 6 years since its inception,
FEPSI has earned a lot of respect for the work it does. The sincerity and
the dedication of its members towards the theme of the club has been its
impetus all along.
Forum for Empowering People through Social Innovation and entertainment,
VIT is an NGO well known for its activities in and around Vellore and is
known to all as FEPSI-VIT.It is a very famous NGO and boasts of extreme
working ability which attributes to its popularity which it has earned in
a very short span of time.
With a mere 6 years since its inception,
FEPSI has earned a lot of respect for the work it does. The sincerity and
the dedication of its members towards the theme of the club has been its
impetus all along.
Forum for Empowering People through Social Innovation and entertainment,
VIT is an NGO well known for its activities in and around Vellore and is
known to all as FEPSI-VIT.It is a very famous NGO and boasts of extreme
working ability which attributes to its popularity which it has earned in
a very short span of time.
With a mere 6 years since its inception,
FEPSI has earned a lot of respect for the work it does. The sincerity and
the dedication of its members towards the theme of the club has been its
impetus all along.
Forum for Empowering People through Social Innovation and entertainment,
VIT is an NGO well known for its activities in and around Vellore and is
known to all as FEPSI-VIT.It is a very famous NGO and boasts of extreme
working ability which attributes to its popularity which it has earned in
a very short span of time.
With a mere 6 years since its inception,
FEPSI has earned a lot of respect for the work it does. The sincerity and
the dedication of its members towards the theme of the club has been its
impetus all along.
Happy Clients
Projects
Hours Of Support
Hard Workers