According to a great Rabbi, Walter Benjamin recalls in his essay on Kafka, the coming Messiah "will not wish to change the world by force but will merely make a slight adjustment in it." 1 A slight adjustment of the ordinary--this is indeed what happens everywhere in Kafka's texts in which daily objects, made all but invisible through familiarity, are transformed into enigmatic signs. The archetype of the enigmatic object-sign for Kafka is the door, and it is indeed doors that structure the parabolic and mythic space of his narratives. Opened and shut, locked and unlocked, peeped through and barricaded, they cease to be ordinary doors and become instead architectural elements in a theater of the unsayable. This is of course nowhere more true than with those doors that his heroes regularly confront in their search for truth: it happens to K. in The Castle, to Josef K. in The Trial, and, most famously of all, to the man from the country in the parable "Before the Law." If only they were able to pass through these enigmatic doors and come face to face with what lies behind them, these texts seem to suggest, they would finally be able to grasp the truth they have been seeking, discover the Law of their lives. Kafka's doors, in other words, hold out the promise of revelation.
Kafka's "In the Penal Colony" is a remarkably doorless story. Instead of the crowded attics of The Trial or the tenebrous landscape of The Castle, "In the Penal Colony" takes place in a barren desert valley, under a glare so intense as to prompt the explorer to shelter "his eyes from the sun with one hand." 2 It is more than sunlight, however, against which the explorer seeks protection. "With the strongest light," Kafka writes in an aphorism, "one can dissolve the world. Before weak eyes, it gains in solidity, before weaker ones it develops fists, before even weaker ones it becomes bashful and crushes him who dares to look at it." 3 The light of "In the Penal Colony" is precisely of this nature, yet it dissolves not the world but the image of revelation. Kafka's story takes us to the other side of the door. The irony of this move is that it erases the very topography on which the enigma of the door rests, the locus of the "beyond." For beyond the door lies not the territory of meaning but an institution that produces the illusion of a door that simultaneously defines and blocks access to this territory. "In the Penal Colony" is Kafka's attempt to traverse the fantasy of revelation by unveiling the mechanical nature of its production.
The passage through the door of revelation takes the form of an epic journey red as an ethnographic travelogue. The subject of this journey is a European explorer--a representative of Reason and Enlightenment--sent from the mainland of the Empire to a remote island penal colony. This spatial displacement is also a journey back in time. First, because the passage from center to periphery is red as a passage from civilization to a more primitive society; and second, because the colony itself comprises two disparate temporalities. The colony's present, embodied in the reign of the New Commandant, and its mythic past, associated with the rule of the Old Commandant, the inventor of the machine. The machine, then, is placed at a double remove, distanced from the center of the Empire by a topographical and a temporal frame. To this must be added a third frame, an explicitly narrative one: the description of the glorious working of the machine is given in an embedded narrative through the words of the officer, who was the Old Commandant's assistant in all penal matters, and who seeks to persuade the explorer to join him in his t against the New Commandant ("IPC" 198). The effect of this triple framing is to bracket the machine's historical character and foreground its fantasmatic nature. The operations of the machine, if not the machine itself, in other words, are part of an institutional fantasy. But whose fantasy is it? Most clearly the officer's, whose fixation on the Old Commandant reveals a resistance to the passing of time as such: that is, to history. From the perspective of his mythical world view, the machine embodies the very idea of justice. As for the explorer, to the extent that he stands outside this mythical framework, he is also unaffected by the officer's institutional fantasy. And in a way, this is indeed the case. The explorer approaches the machine in the manner of a critical historian, judging it, not as an idealized form of justice, but as a brutal and outdated instrument of power. But this historical perspective is itself fantasmatic in that it provides the explorer, under the cover of seemingly impartial observation, with the archaic foil for his own institutional fantasy of a modern, civilized, European legal system which has outgrown the brute violence of its archaic prehistory. Another way of putting this is to say that the fantasy of the explorer is the Enlightenment fantasy of an historical-scientific stance outside any fantasmatic frame, the stance of theoretical objectivity. Kafka's narrative throws into doubt precisely this presumed impartiality, along with the strict opposition between archaic and Enlightenment justice.
At the center of both fantasies stands a common conception of law and justice. According to it, justice depends on two fundamental conditions: first, the symmetry between crime and punishment; and second, the veridical subsumption of the particular case under the universal law. But while within the Enlightenment model these conditions--that is, of symmetry and of veridical subsumption--are regulative ideas that orient the legal system but can never be fully satisfied, the Old Commandant designed a machine that transforms these ideas into physical principles. The judiciary system of the penal settlement radicalizes the Enlightenment conception of justice to the point of crisis. Pushed to its extreme, the symmetry between crime and punishment gives way to identity, and the subsumption of the particular under the universal gives way to a sacrificial logic reducing the individual to a corporeal instantiation of the universal.
The operations of the machine induce a semantic collapse in which the meaning of the elements proper to the conception of justice are obliterated. Consider the officer's articulation of the a priori character of guilt. "My guiding principle is this," he declares, "Guilt is never to be doubted. Other courts cannot follow that principle , for they consist of several opinions and have higher courts to scrutinize them. This is not the case here. . . " ("IPC" 198). The officer's principle obscures the semantic difference between Anschuldigung (accusation) and Schuld (guilt): to be angeschuldigt is to be schuldig, to be accused is to be guilty. Consequently, there is no longer any need to prove the connection between crime and criminal. The penal colony's judiciary system does away with all procedures and language games--interrogation, litigation, deliberation, etc.--that characterize the trial as a process of truth-finding. In fact, the system undoes the temporal character of legal procedure, and in so doing erases the nature of the sentence as a logical judgment reached through a process of reasoning. Instead of the gradual subsumption of the particular under the general, we are confronted with the instantaneous identification of the accused individual and the Law. A similar semantic collapse affects the notion of symmetry between crime and punishment, which is pushed to the point where the difference between the two collapses. "Our sentence does not sound severe. Whatever commandment the prisoner has disobeyed is written upon his body by the Harrow. 'This prisoner, for instance,'--the officer indicated the man--'will have written on his body: HONOR THY SUPERIORS!'" ("IPC" 197). Where transgression and punishment stand in such exact and predetermined relation to each other, no human weighing need balance the scales of crime and punishment, and no subjective judgment interferes with the working of justice.
From this series of erasures and fusions emerges a Law devoid of any specific meaning. The machine embodies the fantasy of a symbolism without semantic mediation, of a supreme and transcendent language so pure as to be untranslatable into ordinary words. I want to approach the inner logic of this fantasy by way of a short detour through the work of another writer who, one hundred years before Kafka, had dreamed up a similar machine. In his short essay, "On the Marionette Theater," Heinrich von Kleist, one of Kafka's favorite authors, puts forth the rather surprising proposition that the most graceful movement can be achieved, not by a professional dancer, but by a marionette. 4 This is so, the character named C. explains, because in human movement there is an unavoidable split between the soul, as the principle of motion, and the body, as its organ. This split is brought about through human desire, which directs the soul toward an external object, thus displacing the body's point of gravity in a way that necessarily fractures the harmony of the body and soul and disrupts the gracefulness of movement. The marionette, on the other hand, due to its complete absence of desire and intentionality, knows no such internal fracture. Guided by a machinist or, in the most advanced form, by a machine that operates according to a set of mathematical rules, the marionette's dance is therefore capable of realizing a perfectly formalized--and in this sense, absolutely beautiful--movement. The dance of the marionette is the fullest expression of grace, the complete fusion, without remainder, of matter and form. But it is also the terrifying image of a pure motion of the soul without soul, and of a pure expression of the body without body.
Where Kleist's marionette-machine seeks the achievement of motion, Kafka's law-machine seeks the achievement of pure meaning. It is no accident that, in their drive towards realization, both systems of formalization encounter the same locus of resistance: the human organism, the life of the body. In Kleist, this threat to the body surfaces most clearly in a short anecdote concerning a mutilated Englishman who, after receiving an artificial leg, was able to achieve a gracefulness of movement vastly superior to his natural-legged countrymen. 5 As for Kafka, the machine is nothing other than a complex apparatus for the mechanical application of the sacred Law to the body of the accused. The machine does not merely apply the Law to, or inscribe it, onto the body. Rather, it passes the Law through the body by means of registering its letters directly on the prisoner's nervous system. For justice to be revealed, the Law must be deciphered through the pain of a body subjected to mechanical torture.
How exactly does this work? The machine consists of three parts: the Designer, which contains the piece of paper with the sentence, written according to the elaborately ornamental design of the Old Commandant; the Harrow, which engraves "the sentence on the skin of the guilty"; and the Bed, covered with cotton-wool, to which the accused is strapped and which turns slowly to expose his entire body to the writing needles.
Can you follow it? The Harrow is beginning to write; when it finishes the first draft of the inscription on the man's back, the layer of cotton wool begins to roll and slowly turns the body over, to give the Harrow fresh space for writing. Meanwhile the raw part that has been written on lies on the cotton wool, which is specially prepared to staunch the bleeding and so makes all ready for a new deepening of the script. Then these teeth at the edge of the Harrow, as the body turns further round, tear the cotton wool away from the wounds, throw it into the pit, and there is more work for the Harrow. So it keeps on writing deeper and deeper for the whole twelve hours. The first six hours the condemned man stays alive almost as before, he suffers only pain. After two hours, the felt gag is taken away, for he has no longer strength to scream. . . . But how quiet he grows at just about the sixth hour! Enlightenment comes to the most dull-witted. It begins around the eyes. From there it radiates. A moment that might tempt one to get under the Harrow oneself. Nothing more happens than that the man begins to understand the inscription, he purses his mouth as if he were listening. You have seen how difficult it is to decipher the script with one's eyes; but our man deciphers it with his wounds. To be sure, that is a hard task; he needs six hours to accomplish it. By that time the harrow has pierced him quite through and casts him into the pit, where he pitches down upon the blood and water and the cotton wool. Then the judgment has been fulfilled, and we, the soldier and I, bury him. ["IPC" 203-4]
To approach the logic of this passage, recall Althusser's classic essay on interpellation. 6 The essay stages a little scene in which a man on a street, anonymously hailed by a police officer, responds to this official call by turning around. By responding to the officer's "Hey, you there," Althusser suggests, the man recognizes himself as the addressee of an institutional call: that is, he identifies his own being in terms defined by the authorities. Kafka's story describes a mechanism that is at once very similar and very different. As with Althusser, it stages a scene of ideological recognition: the moment of transration is the one when the prisoner deciphers, and recognizes himself in, the Law that is being inscribed onto his body. But whereas in Althusser the drama of interpellation takes place on the level of the psyche, this process now works directly on and through the body. Interpellation, in Kafka, occurs through the somatization of ideology; it is a mechanical operation through which the Symbolic is carved into the subject's body.
This is also why what in Althusser's allegorical narrative is a moment of instantaneous capture, in Kafka's story is a process that takes its time. For the Commandment is not just registered on the body, but against the body. Recall again the officer's description:
The Harrow is beginning to write; when it finishes the first draft of the inscription on the back, the layer of cotton-wool begins to roll and slowly turns the body over, to give the Harrow fresh space for writing. Meanwhile the raw part that has been written only lies on the cotton-wool, which is especially prepared to staunch the bleeding and so makes all ready for a new deepening of the script. ["IPC" 203]
A deepening of the script. The Law is inscribed through a process of repetitive writing that hollows out the body and evacuates its corporeality. The writing of the Law is therefore not, as the officer believes--and wants others to believe--a miraculous fusion of body and meaning. Rather, it is a mechanical operation for extracting the body's vital energies. Thus the radiating image of comprehension on the prisoner's face is the product of a terrifying exchange; it is the chiastic transfer of a meaning whose vitality is brought about through the extraction of life from the body.
The point of intersection between the Symbolic and the somatic, Law and body, is the prisoner's pain. Pain is, according to a long philosophical tradition, the locus of private particularity, the one thing that resists, according to Wittgenstein, verbalization and symbolization. 7 Initially, this is also the case in Kafka. The prisoner's pain marks the body's resistance to its material interpellation. But the operations of the machine slowly turn this locus of incommunicability into the site of revelation. For the prisoner learns his judgment through his wounds--that is, he deciphers the commandment not by means of a mental reading, but through its encryption onto the nervous system. This is the core of the institutional fantasy: a machine that short-circuits semantic mediation and directly inscribes the Symbolic into the Real of bare life. Ironically, it is precisely through this bypassing of meaning that the machine transforms the prisoner's body into the revelatory site of the master signifier, the pure meaning of Justice. The officer explains that, once the execution began,
No discordant noise spoilt the working of the machine. Many did not care to watch it but lay with closed eyes in the sand; they all knew: Now Justice is being done. . . . Well, and then came the sixth hour! It was impossible to grant all the requests to be allowed to watch it from near by. . . . How we all absorbed the look of transration on the face of the sufferer, how we bathed our cheeks in the radiance of that justice, achieved at last and fading so quickly! ["IPC" 209]
Let me pass over the theological subtext of this passage and focus instead on the fantasmatic and imaginary quality of the scene. 8 The passage stages a public spectacle of justice centered on a transcendent signifier. The prisoner's tortured body becomes a public locus for the formation of the community's collective body. This collectivizing force radiates from the prisoner's "transred" face, which is held to bear the mark of a master signifier--the signifier of justice--whose meaning, due to its other-worldly origin, cannot be uttered in ordinary language but must be revealed through its embodiment. The scene of torture, then, is staged as one of revelation, as the disclosure of divine Law. But note that this revelation does not result from the prisoner's deciphering of his wounds, however, but from the spectator's deciphering of the prisoner's facial expressions. In other words, transration occurs not through the metamorphosis of the body but by means of an interpretation that reads bodily changes in terms of transration. Indeed, so strong is the belief of the spectators in this transration of the body that "[m]any did not care to watch it but lay with closed eyes in the sand; they all knew: Now Justice is being done!" All of this underscores my claim, I believe, that the machine is part of a carefully orchestrated institutional fantasy of encryption and decipherment, it is, in a word, a cryptograph. The meaning of justice is not, as the fantasy wants us to believe, instantiated in a transred body; rather, it is the product of a mechanical ritual that stages the sacrifice of the body as a scene of transration. The fantasy of revelation emerges, in short, through the double determination of the private and inaccessible terrain of human pain on the one hand, and its decipherment in the spectacle of public reception on the other. Revelation, in short, is shown to be the removal of a veil that it itself has created. It is not a self-identical truth but a two-sided form, not a transcendent meaning located beyond a door but a complex spectacle that first produces the sense of an inaccessible beyond (the private terrain of pain) in order then to stage its public disclosure (the moment of decipherment).
So much, then, for the institutional fantasy of the Old Commandant. But what about the claim that this fantasy is not restricted to the old order, but is relevant as well to our understanding of both the penal colony and the Empire. To argue this point, I shall, as it were, briefly traverse Kafka's triple framing of the machine in reverse order, arguing first that the operations of the machine epitomize the workings of penal colonies as such; and second that the penal colony is the spatial actualization of a topological dimension immanent to Enlightenment law. As for the first move--from machine to colony--the oppositions between Symbolic and somatic, Law and body, structuring the working of the machine are repeated, at the level of the colony, in the opposition between oppressor and oppressed. Moreover, this analogy holds for the specific dynamic that links these terms. For what, after all, is the disciplinary purpose of a penal colony if not to inscribe into the oppressed, through a series of disciplinary operations, the character of empire? Seen in these terms, the colony too is a kind of semiotic machine akin to the cryptograph, and the reforms of the New Commandant will at best change the specific technologies of encryption, but not the fact of encryption as such.
As for my second claim--the structural connection between colony and empire--the case is more complex and requires a small detour. I want to suggest that the relation between colony and empire is equivalent to the relation between the ordinary course of events and the state of exception. Kierkegaard, whom Kafka admired, once wrote, "the exception explains the universal and himself, and if one really wants to study the universal, one only needs to look around for a legitimate exception. . . . The exception . . . thinks the universal with intense passion." 9 Recently, Giorgio Agamben, building on the work of Walter Benjamin and Carl Schmitt, has pursued this line of thought and developed a theory of power and law predicated on the notion of exception. 10 Every legal order, Agamben claims, is sustained by an element of extralegal violence. This violence brings order into existence in the first place, but persists throughout the law's normal operations, and is visible in the apparatus of law-enforcing institutions, like that of the police, without which no legal order can function. The topological structure of this extralegal violence--at once inside and outside the law--finds its purest embodiment in the re of the sovereign, who has the power, in moments of exceptional danger, legally to suspend the law in order to preserve the State and its Law. In such moments, the sovereign's word is Law: that is, it carries direct legal authority without the mediation of legal process. Borrowing a phrase from Gershom Scholem (which incidentally was coined to describe the nature of revelation in Kafka) Agamben says that the sovereign's words have the character of "being in force without significance." 11
Being in force without significance. Does this not describe exactly the structure of the Law in Kafka's machine, a Law that is devoid of meaning and semantic depth, and whose terrifying force is unhampered by legal mediation? And is not the Old Commandant, whose word is Law and whose rule is absolute, the re par excellence of the sovereign? The colony over which he exercised sovereignty, then, is the spatial actualization of a topological dimension immanent to Law. It is the territory of the exception, a space in which the extralegal--and hence meaningless--violence of the Law is rendered both visible and material. And to the extent that the cryptograph is the purest manifestation of this violence, the narrative passage through the triple frame--from empire to colony to machine--is an infernal descent from the apparition of Enlightenment reason to the reified force of a senseless legality.
Andreas Gailus is Assistant Professor in the Department of Germanic Studies at the University of Chicago. He has published articles on aesthetic theory, the emergence of the psychological novel, and the German novella. He is currently working on a book on the concept of crisis in German literature and philosophy around 1800.
This essay arose out of discussions with Russell Newstadt. I am indebted to him for his many incisive comments and for the title of the essay itself.
1. "Franz Kafka," in Walter Benjamin, Selected Writings. Vol. 2. 1927-1934, ed. Michael Jennings et al., trans. Rodney Livingstone et al. (Cambridge, Mass.: Harvard University Press, 1999), 811.
2. Franz Kafka, "In the Penal Colony," in The Metamorphosis, In the Penal Colony, and Other Stories, trans. Willa and Edwin Muir (New York: Schocken Books, 1948), 195; hereafter abbreviated "IPC."
3. Franz Kafka, Beim Bau der chinesischen Mauer und andere Schriften aus dem Nachlaß (Frankfurt am Main: Fischer Taschenbuch, 1994), 237, my translation. The original reads: "Mit stärkstem Licht kann man die Welt auflösen. Vor schwachen Augen wird sie fest, vor noch schwächeren bekommt sie Fäuste, vor noch schwächeren wird sie schamhaft und zerschmettert den, der sie anzuschauen wagt."
4. Heinrich von Kleist,"Über das Marionettentheater," in Sämtliche Werke und Briefe. Vol. 2, ed. Helmut Sembdner (München: Carl Hanser Verlag, 1961), 338-49.
5. Ibid., 341.
6. Louis Althusser, "Ideology and Ideological State Apparatuses," in Lenin and Philosophy, and Other Essays, trans. Ben Brewster (New York: Monthly Review Press, 1971).
7. Ludwig Wittgenstein, Philosophical Investigations, trans. G. E. M. Anscombe (New York: Macmillian Publishing Co., 1989), 244-6; for a discussion of the ways in which physical pain shatters communication itself, see Elaine Scarry, The Body in Pain: The Making and Unmaking of the World, (New York: Oxford University Press, 1985), 3-27.
8. "In the Penal Colony" seems to be unique among Kafka's texts in that it makes use of a concept of redemption that draws on both Jewish and Christian imagery. The story's emphasis on the public character of redemption is a defining feature of Messianic thought. According to Gershom Scholem, "Judaism, in all of its forms and manifestations, has always maintained a concept of redemption as an event which takes place publicly, on the stage of history and within the community. It is an occurrence which takes place in the visible world and which cannot be conceived apart from such a visible appearance" (The Messianic Idea in Judaism, trans. Michael Meyer [New York: Schocken Books, 1972], 1). An even stronger Messianic language is sounded at the end of the story, in the proclamation engraved on the Old Commandant's tomb: "Here rests the Old Commandant. His adherents, who must now be nameless, have dug his grave and set up his stone. There is a prophecy that after a certain number of years the Commandant will rise again and lead his adherents from his house to recover the colony. Have faith and wait" ("IPC" 226). These Messianic references, however, are intermingled with Christological motifs. Not only does the machine's method of torture--the piercing of the body with needles--recall the crucifixion of Christ, but the importance of the sixth hour as the decisive turning point is also borrowed directly from Luke's description of Christ's passion (Luke 23:44). Indeed, the very notion of Justice the story puts forth seems to blend Jewish and Christological elements. On the one hand, the fact that the commandment is written onto the body is in keeping with Jewish thought, which stresses the necessary link between God's justice and its materialization in scripture. Yet on the other hand, the fact that justice is revealed through the transration of the sufferer's face strongly recalls a Christian conception, which breaks with the Judaic link between justice and scripture by claiming, according to Paul, that Christ's tortured body directly manifests "the justice of God without the Law" (Rom. 3:21).
9. Søren Kierkegaard, Repetition, in Fear and Trembling: Repetition, ed. and trans. Howard V. Hong and Edna H. Hong (Princeton, N.J.: Princeton University Press, 1983), 227.
10. Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life, trans. Daniel Heller-Roazen (Stanford, Calif.: Stanford University Press, 1998).
11. Ibid., 51.


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Testing Apps: Running Profiles (tcrun)¶
This CLI tool provides a simple interface to run the App locally with the profiles created using the tcprofile command. If the profile has validation rules defined, the tcrun
command will validate the output variables according to the validation rules.
Usage¶
usage: tcrun [-h] [--config CONFIG] [--docker] [--docker_image DOCKER_IMAGE]
[--autoclear] [--halt_on_fail] [--group GROUP]
[--logging_level LOGGING_LEVEL] [--profile PROFILE] [--quiet]
[--report REPORT] [--truncate TRUNCATE] [--unmask] [--vscd]
[--vscd_port VSCD_PORT]
optional arguments:
-h, --help Show this help message and exit.
--config CONFIG The configuration file (default: "tcex.json")
--docker (Experimental) Run the App in a docker container.
--docker_image DOCKER_IMAGE
(Experimental) Override the docker container defined
in install.json or profile.
--autoclear Clear Redis data before running.
--halt_on_fail Halt on any failure.
--group GROUP The group of profiles to run
--logging_level LOGGING_LEVEL
The logging level
--profile PROFILE The profile to run (default: "default")
--quiet Suppress the output from the App.
--report REPORT The JSON report filename
--truncate TRUNCATE (Advanced) The length at which to truncate successful
validation data in the logs (default=50)
--unmask Unmask masked args.
--vscd (Experimental) Enable Visual Studio Code debugging
using attach method on port 5678.
--vscd_port VSCD_PORT
(Experimental) Visual Studio Code debugging port
(default: 5678)
Common Usage¶
The following command will run the “simple-json” profile.
tcrun --profile simple-json
The following command will run all profiles in the “qa-build” group.
tcrun --group qa-build
Results¶
The tcrun
command outputs a report for all profiles run. This report shows whether the execution of the profile passed or failed, and if the profile passed, it displays the results of the validations rules.
Report:
Validations
Profile: Execution: Passed: Failed:
simple_data Passed 2 0
Troubleshooting¶
All Apps log to the app.log
file in the appropriate log directory. Any errors during execution of the App will be displayed there. The tcrun
command logs to the run.log
in the same log directory. This log file is structured to quickly identify problems with validations. Any failed validation will be logged at ERROR level.
Exit Codes¶
The tcrun
command can validate the exit code of the App, which allows for the setup of fail-scenarios profiles. All Apps should exit with a valid exit code and handle failures gracefully. The use of the exit_codes parameter provides “bad” data to the App and ensures that it exits with the proper exit code.
"exit_codes": [1]
Note
For Runtime/Job Apps (non-Playbook Apps) valid exit codes are 0, 1, and 3. For certain profiles, an exit code of 0 (success) or 3 (partial success/partial failure) is expected. This can be achieved by adding both status codes to the exit_codes parameter array.


See: Description
| Interface | Description |
|---|---|
| Classifier |
A class that can classify sequences from a reader.
|
| Format | |
| Formatter |
A class that can format objects and write it.
|
| Parser |
A class that can parse a text from a reader to an object.
|
| Class | Description |
|---|---|
| AbstractFormat |
An abstract class for formatter classes.
|
| ClassifyToken<T> |
A classification instance that holds the variables of a classification.
|
| FormatToken<T> |
A formatting instance that holds the variables of a formatting.
|
| ParseToken<T> |
A parsing instance that holds the variables of a parsing.
|
| SyntaxTracker |
Helps to track syntax positioning on a stream.
|
| Exception | Description |
|---|---|
| ClassifyException |
Thrown to indicate that the application has attempted to classify a string, but that string does not have the appropriate type.
|
| FormatException |
Thrown to indicate that the application has attempted to convert an object to a string but that object does not have the appropriate type.
|
| ParseException |
Thrown to indicate that the application has attempted to convert a string to an object, but that string does not have the appropriate type.
|
| Annotation Type | Description |
|---|---|
| ClassifyMethod |
Navigate the
AbstractFormat class that the annotated method is a string-type-detecting method. |
| FormatMethod |
Navigate the
AbstractFormat class that the annotated method is a stringing method. |
| ParseMethod |
Navigate the
AbstractFormat class that the annotated method is a parsing method. |


@added in SmartDeviceLink 7.1.0
- (nonnull instancetype)
initWithSeatsOccupied:(nullable NSArray<SDLSeatStatus *> *)seatsOccupied
seatsBelted:(nullable NSArray<SDLSeatStatus *> *)seatsBelted;
init(seatsOccupied: [SDLSeatStatus]?, seatsBelted: [SDLSeatStatus]?)
- seatsOccupied
- seatsBelted
A SDLSeatOccupancy object
Seat status array containing location and whether the seats are occupied. {“array_min_size”: 0, “array_max_size”: 100}
@property (nonatomic, strong, nullable) NSArray<SDLSeatStatus *> *seatsOccupied;
var seatsOccupied: [SDLSeatStatus]? { get set }
Seat status array containing location and whether the seats are belted. {“array_min_size”: 0, “array_max_size”: 100}
@property (nonatomic, strong, nullable) NSArray<SDLSeatStatus *> *seatsBelted;
var seatsBelted: [SDLSeatStatus]? { get set }


--- layout: default title: Home permalink: / sitemap: priority: 0.7 --- Hi! I'm Raul.
If you're here, you probably want to know more about me, and I'm happy to oblige. I'm currently working as a software developer, but I also have years of experience in Quality Assurance, and managing engineering teams.
I've worked at Wink, Ubiquiti Networks, and spent four years in the Navy. Head over to the resume section for the specifics, or check this New York Times article . When I'm not working or coding, I'm probably reading a book, or watching a superhero movie.


Orcs use most of the normal materials available in the mod, as well as the special new metals and woods. This is possible by raiding dwarves or drow to get access to their labor-cells, which can work these metals for you.
The orcs themselves mostly work with iron and steel, mixing in handcrafted items of bonemold, bloodsteel and even mithril. Overall they have access to good metals. Lamellar leather for armor is another favourite.
New, unique materials are four glasses. Ebon glass and ashlander glass which are a heavy and a light weapongrade metal, and cobalt glass and ruby glass, both decorative but with a high value. The workshop section explains where and how to produce these.


Results of Optimizing Criterion
My two changes came with two big results. The GC change will probably have a bigger impact, so we can look at that first.
Time
A reasonably large and well-known benchmark is the dictionary comparison from the Haskell performance group on GitHub: dictionaries.
I recently ran it on my computer using ghc-8.2.1
and criterion-<IP_ADDRESS>
, the latest release. There are about 200 benchmarks in the time
executable. Using the built-in lower bound of 5 seconds per benchmark, the total run time can be estimated to be 16-17 minutes. When I ran it, I got this:
895,066,273,808 bytes allocated in the heap
1,472,538,253,152 bytes copied during GC
306,722,520 bytes maximum residency (75761 sample(s))
43,151,456 bytes maximum slop
871 MB total memory in use (0 MB lost due to fragmentation)
Tot time (elapsed) Avg pause Max pause
Gen 0 842746 colls, 0 par 431.068s 432.023s 0.0005s 0.5117s
Gen 1 75761 colls, 0 par 1465.572s 1467.816s 0.0194s 0.7871s
INIT time 0.000s ( 0.000s elapsed)
MUT time 680.000s ( 681.203s elapsed)
GC time 1896.640s (1899.839s elapsed)
EXIT time 0.000s ( 0.005s elapsed)
Total time 2576.640s (2581.048s elapsed)
%GC time 73.6% (73.6% elapsed)
Alloc rate 1,316,273,932 bytes per MUT second
Productivity 26.4% of total user, 26.4% of total elapsed
The mutator time is around 11 minutes, which is slightly less than estimated.  With verbosity on, you can see that some benchmarks are taking much longer than their 5 seconds. The worst offenders all follow a similar pattern; they are fast functions with large working sets. (The output has been trimmed for space reasons)
benchmarking Lookup Int (Randomized)/Data.Map.Lazy:1000000
measurement took 140.5 s
time 79.09 ns (77.11 ns .. 81.08 ns)
benchmarking Lookup Int (Randomized)/Data.Map.Strict:1000000
measurement took 147.8 s
time 83.36 ns (82.48 ns .. 84.30 ns)
benchmarking Lookup Int (Randomized)/Data.HashMap.Lazy:1000000
measurement took 138.6 s
time 46.87 ns (46.67 ns .. 47.11 ns)
benchmarking Lookup Int (Randomized)/Data.HashMap.Strict:1000000
measurement took 138.5 s
time 47.30 ns (46.82 ns .. 47.91 ns)
benchmarking Lookup Int (Randomized)/Data.IntMap.Lazy:1000000
measurement took 136.6 s
time 78.17 ns (76.50 ns .. 80.38 ns)
benchmarking Lookup Int (Randomized)/Data.IntMap.Strict:1000000
measurement took 136.8 s
time 77.81 ns (76.39 ns .. 79.77 ns)
This is what sent me down this road in the first place, so let’s see how it runs after my optimizations.
971,043,931,776 bytes allocated in the heap
88,686,348,856 bytes copied during GC
306,721,800 bytes maximum residency (5293 sample(s))
10,359,784 bytes maximum slop
872 MB total memory in use (0 MB lost due to fragmentation)
Tot time (elapsed) Avg pause Max pause
Gen 0 983696 colls, 0 par 106.552s 107.824s 0.0001s 0.8340s
Gen 1 5293 colls, 0 par 1.784s 1.800s 0.0003s 0.0328s
INIT time 0.000s ( 0.000s elapsed)
MUT time 949.712s (951.470s elapsed)
GC time 108.336s (109.624s elapsed)
EXIT time 0.000s ( 0.006s elapsed)
Total time 1058.048s (1061.100s elapsed)
%GC time 10.2% (10.3% elapsed)
Alloc rate 1,022,461,474 bytes per MUT second
Productivity 89.8% of total user, 89.7% of total elapsed
Much better. Our mutator time is now up to just under 16 minutes, and our gc time is down to 2 minutes. Productivity is now at 90% instead of 25%. Finally, my computer did not have to copy 1.4TB during GC, which is a win.
Just to be sure, our results are still in line with the previous ones.
benchmarking Lookup Int (Randomized)/Data.Map.Lazy:1000000
time 79.75 ns (78.30 ns .. 81.66 ns)
benchmarking Lookup Int (Randomized)/Data.Map.Strict:1000000
time 77.79 ns (77.36 ns .. 78.37 ns)
benchmarking Lookup Int (Randomized)/Data.HashMap.Lazy:1000000
time 45.12 ns (44.96 ns .. 45.38 ns)
benchmarking Lookup Int (Randomized)/Data.HashMap.Strict:1000000
time 45.20 ns (44.91 ns .. 45.49 ns)
benchmarking Lookup Int (Randomized)/Data.IntMap.Lazy:1000000
time 80.78 ns (76.73 ns .. 85.77 ns)
benchmarking Lookup Int (Randomized)/Data.IntMap.Strict:1000000
time 73.59 ns (73.25 ns .. 74.25 ns)
Everyone should now be able to accurately estimate how long their benchmark program will take. The basic rule of thumb is 5s per call to bench
. If a function takes longer than ~500ms though, you have to multiply it by 15.
Allocation
The second major change is that allocation numbers are now more accurate. We can use this page for calculating allocations.
Here is benchmark that we can use to test:
-- Alloc.hs
module Main where
import Criterion.Main
main :: IO ()
main = defaultMain
[ bench "Bool" $ whnf (toEnum :: Int -> Bool) 0
-- ^ Should be 0, True and False are shared in memory
, bench "Char" $ whnf chr 0
-- ^ Should be 2 words, a single Char
]
Criterion lets you collect and analyze more data than just time. We can look at allocations with --regress allocated:iters
. This will report how much is allocated in a single iteration. We also need to turn on stat collection with +RTS -T
.
$ ./Alloc --regress allocated:iters +RTS -T
benchmarking primitives/Bool
iters 1.165e-7 (-1.831e-5 .. 2.058e-5)
benchmarking primitives/Char
iters 16.000 (16.000 .. 16.000)
The value after iters
is the number of bytes allocated per iteration. If we multiply our guess by 8 (because a word is 8 bytes on my machine), we see that they match. Here’s the output from before my change, but after a garbage collection change that improved the results greatly.
benchmarking primitives/Bool
iters 32.000 (32.000 .. 32.000)
benchmarking primitives/Char
iters 48.000 (48.000 .. 48.000)
So I managed to save 32 bytes per iteration. Which not only makes the results cleaner, but also prevents the useless allocation of memory. For reference, currently the Char
benchmark runs for ~500 million iterations total. That comes out to 16GB of saved memory.
It turns out that the vast majority of the improvements came by switching to performMinorGC
instead of performGC
, but I think the other changes were worth it. When the number one suggestion for reasoning about Haskell code is “benchmark it”, your benchmarks better be pretty darn accurate.


{% extends "global/Page.html" %} {% load static otree %} {% block styles %} {% endblock %} {% block title %} Quiz {% endblock %} {% block content %}
Before we proceed to the game please tell us what do you think other players will choose to keep for themselves and how much will they invest towards group goal, on average?
{% next_button %}


#include
HackCBS, an event organized by students of SSCBS collaborates the intellects of
programmers, designers, application developers, tech-geeks or just newbies in the
world of programming for the intensive development of a software. At hackCBS, we
want to help you turn your ideas into reality. These ideas can generally be in the
form of websites, applications, modules, plugins, extensions, library etc. But you’
ll have the freedom to create a product, learn new techniques for your future work,
or just have fun working on a project with friends.
Moreover, we’ll offer you a chance to network with other developers, professionals
and industry leaders. You will never learn faster than you will at a hackathon. If you
haven’t participated/won any hackathon before and if you’re looking out for the opportunity
to do so, you’re in the right place. From running your first blockchain network or training
your first ML model or to running your own IoT device, hackCBS has it all. Come and witness
a series of events meant to enlighten as well as test your development skills.
William Henry Gates III (born October 28, 1955) is an American business magnate,
investor, author, philanthropist, and humanitarian. He is best known as the
principal founder of Microsoft Corporation. During his career at Microsoft,
Gates held the positions of chairman, CEO and chief software architect,
while also being the largest individual shareholder until May 2014.
Lorem ipsum dolor sit amet, consectetuer commodo ligula eget dolor. Lorem ipsum dolor sit amet, consectetuer commodo ligula eget dolor. Lorem ipsum dolor sit amet, consectetuer commodo ligula eget dolor. Lorem ipsum dolor sit amet, consectetuer commodo ligula eget dolor. Machine Learning has enabled humans to train computer programs to make intelligent real-life decisions with minimal human interactions. With more companies embracing data-based decision making, Machine Learning has become an inevitable part of each of these companies. Consectetur adipisicing elit. Quod distinctio impedit sint accusantium ducimus lites consequuntur innobisl dolores saepe.Proin sit amet turpis lobortis. Consectetur adipisicing elit. Quod distinctio impedit sint accusantium ducimus lites consequuntur innobisl dolores saepe.Proin sit amet turpis lobortis. Consectetur adipisicing elit. Quod distinctio impedit sint accusantium ducimus lites consequuntur innobisl dolores saepe.Proin sit amet turpis lobortis. Consectetur adipisicing elit. Quod distinctio impedit sint accusantium ducimus lites consequuntur innobisl dolores saepe.Proin sit amet turpis lobortis. Consectetur adipisicing elit. Quod distinctio impedit sint accusantium ducimus lites consequuntur innobisl dolores saepe.Proin sit amet turpis lobortis. Consectetur adipisicing elit. Quod distinctio impedit sint accusantium ducimus lites consequuntur innobisl dolores saepe.Proin sit amet turpis lobortis. Consectetur adipisicing elit. Quod distinctio impedit sint accusantium ducimus lites consequuntur innobisl dolores saepe.Proin sit amet turpis lobortis. Consectetur adipisicing elit. Quod distinctio impedit sint accusantium ducimus lites consequuntur innobisl dolores saepe.Proin sit amet turpis lobortis. Consectetur adipisicing elit. Quod distinctio impedit sint accusantium ducimus lites consequuntur innobisl dolores saepe.Proin sit amet turpis lobortis.


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Rails is short for "Ruby on Rails" and is a web application framework. It is open source and written in Ruby. Rails provides a basic development environment to facilitate the creation of web applications and websites. For instance, it can construct some of the views and models needed for a website. This is called scaffolding. Rails includes a Ruby web server called WEBrick and a build system called Rake.
Rails adheres to two principles: "Convention over Configuration" and "Don't Repeat Yourself," CoC and DRY respectively. "Convention over Configuration" means that there are number of conventions built into the framework. For instance, a table will automatically be named in a way that references the class it belongs to. If you don't want the table to be named in this convention, it is up to you to change it. By adhering to this convention less code is needed and there is less repetition. "Don't Repeat Yourself" means just that. Create code that is efficient and does not repeat the same information or algorithms unless necessary. One way Rails does this is it can retrieve database column information based on the class name rather than needing to specify the column names in class definitions. It does this using the ActiveRecord module.
According to Wikipedia, "As of May 2014, it is estimated that more than 600,000 web sites are running Ruby on Rails." Top websites running on rails include GitHub, Yammer, Shopify, Hulu and Basecamp.


This is a collection of samples demonstrates the usage of different parts of the Java Server Pages (JSP) specification.
These examples will only work when these pages are being served by the ServletRunner. They will not work if you are viewing these pages via a "file://..." URL.
To navigate your way through the examples, the following icons will
help:
| Execute the example | |
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Tip: For session scoped beans to work, the cookies must be enabled.
This can be done using browser options.
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|
AADC
|
#include <AbstractSensorBundle.h>
Public Member Functions | |
| cAbstractSensorsBundle (const tChar *__info) | |
Protected Member Functions | |
| virtual tResult | CreateOutputPins (__exception=NULL)=0 |
| virtual tResult | CreateInputPins (__exception=NULL)=0 |
| tResult | ProcessSamplingRate (const tTimeStamp t) |
| virtual tResult | PrintSamplingRate (tFloat64 median, tFloat64 variance)=0 |
| virtual tResult | ProcessData (IMediaSample *pMediaSample)=0 |
| tResult | Init (tInitStage eStage, __exception=NULL) |
| tResult | OnPinEvent (IPin *pSource, tInt nEventCode, tInt nParam1, tInt nParam2, IMediaSample *pMediaSample) |
Protected Attributes | |
| list< tTimeStamp > | m_SampleTimes |
| tTimeStamp | m_lastSampleTime |
| tTimeStamp | m_accSampleTime |
| tUInt | m_sampleListLength |
| tBool | m_sampleOutputEnable |
| cObjectPtr< IMediaTypeDescription > | m_pCoderDescInput |
| cObjectPtr< IMediaTypeDescription > | m_pCoderDescSignalOutput |
This is an abstract interface for all the sensors
Definition at line 26 of file AbstractSensorBundle.h.
| cAbstractSensorsBundle::cAbstractSensorsBundle | ( | const tChar * | __info | ) |
Copyright (c) Audi Autonomous Driving Cup. All rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
THIS SOFTWARE IS PROVIDED BY AUDI AG AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED.
Definition at line 22 of file AbstractSensorBundle.cpp.
|
protectedpure virtual |
needs to be implemented for derivied classes
Implemented in cGyroSensorBundle, cIRSensorBundle, cUSSSensorBundle, cAccelSensorBundle, cSteerangleSensorBundle, cWheelcounterSensorBundle, and cVoltageSensorBundle.
|
protectedpure virtual |
needs to be implemented for derivied classes
Implemented in cAccelSensorBundle, cGyroSensorBundle, cIRSensorBundle, cUSSSensorBundle, cSteerangleSensorBundle, cWheelcounterSensorBundle, and cVoltageSensorBundle.
|
protectedpure virtual |
this functions prints the sampling rate measurement results to the console. it has to be implemented by each filter on its own because different strings are printed to the console
| median | the median of the sampling rate |
| variance | the variance of the sampling rate |
Implemented in cIRSensorBundle, cGyroSensorBundle, cUSSSensorBundle, cAccelSensorBundle, cSteerangleSensorBundle, cWheelcounterSensorBundle, and cVoltageSensorBundle.
|
protectedpure virtual |
this functions processes the incoming pMediaSample. It has to be implemented by each filter on its own
| pMediaSample | the incoming media sample |
Implemented in cGyroSensorBundle, cIRSensorBundle, cUSSSensorBundle, cAccelSensorBundle, cSteerangleSensorBundle, cWheelcounterSensorBundle, and cVoltageSensorBundle.
|
protected |
this functions calculates the Sampling Rate of the incoming data packages and prints the median and the variance of the rate to the console if it is enabled in the filter properties
| t |
Definition at line 80 of file AbstractSensorBundle.cpp.
|
protected |
the accumulated timestamps to calculate the median of the sampling rate
Definition at line 60 of file AbstractSensorBundle.h.
|
protected |
the last timestamp of the media sample to calculate the difference
Definition at line 58 of file AbstractSensorBundle.h.
|
protected |
Coder Descriptor for the input pin
Definition at line 67 of file AbstractSensorBundle.h.
|
protected |
Coder Descriptor for the output pin
Definition at line 69 of file AbstractSensorBundle.h.
|
protected |
the length of the list, i.e. the number of samples over which the rate is calculated
Definition at line 62 of file AbstractSensorBundle.h.
|
protected |
holds wheter the sampling rate is calculated or not
Definition at line 64 of file AbstractSensorBundle.h.
|
protected |
a list for the timestamps to calculate the sampling rate
Definition at line 56 of file AbstractSensorBundle.h.


- Subproject 19
- Prof. John R. Christy
- Earth System Science Laboratory
- Research Institute Room A-11
- The University of Alabama in Huntsville
- Huntsville, AL 35899
- Fax:<PHONE_NUMBER>
|
Prof. Bryan C. Weare
- Department of Land, Air and Water Resources
- Atmospheric Science Section
- University of California, Davis
- Davis, CA 95616
- Fax:<PHONE_NUMBER>
- email<EMAIL_ADDRESS>|


At the top of the file there should be a short introduction and/ or overview that explains what the project is. This description should match descriptions added for package managers (Gemspec, package.json, etc.)
Show what the library does as concisely as possible, developers should be able to figure out how your project solves their problem by looking at the code example. Make sure the API you are showing off is obvious, and that your code is short and concise.
A short description of the motivation behind the creation and maintenance of the project. This should explain why the project exists.
Provide code examples and explanations of how to get the project.
Depending on the size of the project, if it is small and simple enough the reference docs can be added to the README. For medium size to larger projects it is important to at least provide a link to where the API reference docs live.
Describe and show how to run the tests with code examples.
Let people know how they can dive into the project, include important links to things like issue trackers, irc, twitter accounts if applicable.
A short snippet describing the license (MIT, Apache, etc.)


Preparation time
less than 30 mins
Cooking time
over 2 hours
Serves
Serves 4
This fragrant take on a shepherd's pie uses lamb shoulder or leg, slow-cooked, as a beautiful alternative to mince.
For the shepherd's pie filling, preheat the oven to 140C/275F/Gas 1.
Place the cumin and coriander seeds into a dry frying pan on a low heat and toast them until they change colour slightly, then remove from the pan.
Grind the spices, ginger and garlic together in a spice grinder to a fine paste, adding only as much water as is necessary to make it into a paste.
Heat a large oven-proof casserole dish until medium hot, add the oil and continue to heat until a haze forms.
Add the lamb and brown well on all sides until the meat is well sealed.
Remove the lamb from the pan and set aside, then add the cinnamon, cardamom, cloves, peppercorns and the red chillies broken into pieces, to the pan.
Fry the spices for 1-2 minutes until the cloves swell a little. Add a little water to the pan to deglaze it, scraping up any meat residue and dissolving it in the water.
Add the chopped onions and cook until the liquid evaporates, then gently fry the onions until soft, about 4-5 minutes.
Add the spice paste and cook for 5-6 minutes mixing well then return the lamb to the pan.
Coat the lamb with the mixture then season lightly with salt and freshly ground black pepper, and cover the pan.
Place the pan into the oven and cook for 2- 2 ½ hours, stirring the casserole occasionally and making sure the onions do not catch on the bottom of the pan.
Add the chopped tomatoes and mix well (add a little more water if it looks dry) then cover and return to the oven for another 15 minutes.
Check that the lamb is cooked - the meat will have retracted from the bone and the meat will feel soft to the touch.
Lift the lamb out of the casserole and place onto a tray to cool slightly.
Carefully remove all the whole spices from the gravy in the casserole and discard.
When the lamb is cool enough to handle, shred the meat off of the bone and place back into the casserole with the gravy.
Place back onto a medium low heat and cook until the gravy has thickened nicely.
Add the freshly chopped coriander, check the seasoning, and spoon into an oven-proof dish, big enough that the filling reaches 2cm/1in from the top of the dish.
For the topping, place the potatoes into a saucepan and cover with water, bring to the boil and simmer until tender.
Drain, return the potatoes to the pan and back on the heat to drive off any extra moisture.
Pass the cooked potatoes through a ricer (or mash them to a smooth puree) and set aside.
Place the butter onto the board with the cumin seeds, then finely chop the two together.
Heat a frying pan and add the cumin butter and gently fry until the cumin colours gently, but don’t heat it too much or the butter will burn.
As soon as the cumin changes colour, lift out the seeds and add to the potatoes, transferring as little butter as is possible.
Add the chopped garlic and chilli to the butter in the frying pan and gently fry for one minute.
When the garlic is light golden-brown, add the spinach leaves, toss for a minute or so until soft, season lightly then remove from pan and place straight onto the dish of shredded lamb, spreading evenly over the top.
Mix the cumin seeds into the potato with the eggs and cream and mix well until smooth then check the seasoning.
Spread the potato over the spinach evenly, ruffle the surface a little, it doesn’t have to be smooth, just evenly spread.
Place back in the oven for 10 minutes then increase the oven temperature to 180C/350F/Gas 4 and cook for another 15 minutes until golden brown.
To serve, spoon a dollop of pie onto a serving plates, and serve with some crusty bread or steamed rice.


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--- layout: post title: Robots at work date: '2009-07-09T19:59:00.002+03:00' tags: modified_time: '2010-12-22T20:04:52.477+02:00' blogger_id: tag:blogger.com,1999:blog-7542889160674991776.post-1048101244001160989 blogger_orig_url: http://www.emil-genov.info/2009/07/robots-at-work.html ---


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{{ $.Site.Params.brand }} allows users to comment, upvote and also share a GitHub report related to the application. Solutions are organized into various categories that target Clinicians, Patients, Developers, Healthcare vendors and various other stakeholders in the healthcare space.
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For discovering interoperable products that allows seamless interchange of data
Spend more time in evaluating than searching for digital health interoperable products
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NOT POSSIBLE TO EVALUATE ALL RELATED PRODUCTS
Doing a product comparison is not easy in digital healthcare
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Who We Serve
Actionable knowledge sharing requires collaboration by multiple stakeholders
Current search for Digital Health Interoperability provides only very minimal information about products
Doing a product comparison is not easy in digital healthcare
No platform provides a consolidated view from vendor, customer, integrator to do a proper evaluation
No objective information of a products interoperability capabilities
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Russell Wilson plays football with Harlem Globetrotters (Video)
by TSD StaffSeahawks quarterback Russell Wilson used an interesting way to prepare for the team’s biggest game of the season to date.
Wilson and the Seahawks are getting set to take on the undefeated 49ers in San Francisco on Monday night, in what figures to be one of the most entertaining matchups of the season thus far.
And with Patrick Mahomes having missed a few games due to injury — although he’ll be returning this week — Wilson is currently the favorite to win the MVP Award. How do MVPs work out away from the team? Apparently by playing catch with the Harlem Globetrotters, which is what Wilson did this week.
Looked like a lot of fun.


Class Sandbox
- java.lang.Object
-
- com.ensoftcorp.open.commons.sandbox.Sandbox
-
public class Sandbox extends java.lang.Object
-
-
Field Summary
Fields Modifier and Type Field Description static java.lang.String
SANDBOX_ADDRESS_PREFIX
SandboxGraph
U
The sandbox universe graph
-
Constructor Summary
Constructors Constructor Description Sandbox()
Constructs a new sandbox where changes are isolated from the Atlas graph
-
Method Summary
Modifier and Type Method Description SandboxEdge
addEdge(com.ensoftcorp.atlas.core.db.graph.Edge edge)
SandboxHashSet<SandboxEdge>
addEdges(com.ensoftcorp.atlas.core.db.set.AtlasSet<com.ensoftcorp.atlas.core.db.graph.Edge> edges)
Adds the current state of the given edges in the Atlas graph to the sandboxSandboxGraph
addGraph(com.ensoftcorp.atlas.core.db.graph.Graph graph)
Adds the current state of the Atlas nodes and edges from the given Atlas graph to the sandboxSandboxNode
addNode(com.ensoftcorp.atlas.core.db.graph.Node node)
SandboxHashSet<SandboxNode>
addNodes(com.ensoftcorp.atlas.core.db.set.AtlasSet<com.ensoftcorp.atlas.core.db.graph.Node> nodes)
Adds the current state of the given nodes in the Atlas graph to the sandboxSandboxEdge
createEdge(SandboxNode fromNode, SandboxNode toNode)
Creates a new sandbox edge This edge does not affect the Atlas universeSandboxNode
createNode()
Creates a new sandbox node This node does not affect the Atlas universevoid
delete(SandboxGraphElement graphElement)
Removes the given sandbox graph element from the sandbox universeSandboxHashSet<SandboxEdge>
edges(com.ensoftcorp.atlas.core.db.set.AtlasSet<com.ensoftcorp.atlas.core.db.graph.Edge> edges)
Returns a sandbox set of edges contained in the sandbox universe referenced in the given set of the Atlas graph edgesSandboxGraph
empty()
Returns an empty sandbox graphSandboxHashSet<SandboxEdge>
emptyEdgeSet()
Returns an empty sandbox edge setSandboxHashSet<SandboxNode>
emptyNodeSet()
Returns an empty sandbox node setboolean
equals(java.lang.Object obj)
Sandboxes are equal if they have the same instance idcom.ensoftcorp.atlas.core.db.graph.Graph
flush()
Flushes the changes made in the sandbox universe to the Atlas graphcom.ensoftcorp.atlas.core.db.graph.Graph
flush(SandboxGraph graph)
Flushes the changes made in the sandbox that are restricted to the nodes and edges in the given graph to the Atlas graph This methods does the following: 1) Adds nodes/edges that are not mirrored to the Atlas graph with the current tags/attributes 2) Updates (adds/removes) tags and attributes from the corresponding Atlas graph element's to match the current sandbox tags/attributes for each node/edge in the sandbox.int
getInstanceID()
Returns the instance id of this sandboxSandboxGraph
graph(com.ensoftcorp.atlas.core.db.graph.Graph graph)
Returns a sandbox graph contained in the sandbox universe referenced in the given set of the Atlas graphint
hashCode()
Sandboxes are equal if they have the same instance idSandboxNode
node(com.ensoftcorp.atlas.core.db.graph.Node node)
Returns a node from the sandbox corresponding to the Atlas node, if it already exists in the sandbox.SandboxHashSet<SandboxNode>
nodes(com.ensoftcorp.atlas.core.db.set.AtlasSet<com.ensoftcorp.atlas.core.db.graph.Node> nodes)
Returns a set of sandbox nodes contained in the sandbox universe corresponding to the given set Atlas graph nodes.void
setFlushProvider(FlushProvider flushProvider)
Sets the flush provider implementationSandboxGraph
toGraph(SandboxGraphElement... graphElements)
Converts the given graph elements into a sandbox graphSandboxGraph
toGraph(SandboxHashSet<? extends SandboxGraphElement> graphElements)
Converts the given graph elements into a sandbox graphSandboxGraph
toGraph(SandboxHashSet<SandboxNode> nodes, SandboxHashSet<SandboxEdge> edges)
Converts the given graph elements into a sandbox graphSandboxGraph
universe()
Returns the current sandbox universe graph
-
-
-
Field Detail
-
SANDBOX_ADDRESS_PREFIX
public static final java.lang.String SANDBOX_ADDRESS_PREFIX
- See Also:
- Constant Field Values
-
U
public SandboxGraph U
The sandbox universe graph
-
-
Method Detail
-
setFlushProvider
public void setFlushProvider(FlushProvider flushProvider)
Sets the flush provider implementation- Parameters:
flushProvider
-
-
getInstanceID
public int getInstanceID()
Returns the instance id of this sandbox- Returns:
-
empty
public SandboxGraph empty()
Returns an empty sandbox graph- Returns:
-
emptyNodeSet
public SandboxHashSet<SandboxNode> emptyNodeSet()
Returns an empty sandbox node set- Returns:
-
emptyEdgeSet
public SandboxHashSet<SandboxEdge> emptyEdgeSet()
Returns an empty sandbox edge set- Returns:
-
universe
public SandboxGraph universe()
Returns the current sandbox universe graph- Returns:
-
toGraph
public SandboxGraph toGraph(SandboxHashSet<SandboxNode> nodes, SandboxHashSet<SandboxEdge> edges)
Converts the given graph elements into a sandbox graph- Parameters:
graphElements
-- Returns:
-
toGraph
public SandboxGraph toGraph(SandboxHashSet<? extends SandboxGraphElement> graphElements)
Converts the given graph elements into a sandbox graph- Parameters:
graphElements
-- Returns:
-
toGraph
public SandboxGraph toGraph(SandboxGraphElement... graphElements)
Converts the given graph elements into a sandbox graph- Parameters:
graphElements
-- Returns:
-
graph
public SandboxGraph graph(com.ensoftcorp.atlas.core.db.graph.Graph graph)
Returns a sandbox graph contained in the sandbox universe referenced in the given set of the Atlas graph- Parameters:
nodes
-- Returns:
-
nodes
public SandboxHashSet<SandboxNode> nodes(com.ensoftcorp.atlas.core.db.set.AtlasSet<com.ensoftcorp.atlas.core.db.graph.Node> nodes)
Returns a set of sandbox nodes contained in the sandbox universe corresponding to the given set Atlas graph nodes. Does not instantiate nodes in the sandbox.- Parameters:
tags
-- Returns:
- the sandbox nodes
-
node
public SandboxNode node(com.ensoftcorp.atlas.core.db.graph.Node node)
Returns a node from the sandbox corresponding to the Atlas node, if it already exists in the sandbox.- Parameters:
node
-- Returns:
- the sandbox node, else null
-
edges
public SandboxHashSet<SandboxEdge> edges(com.ensoftcorp.atlas.core.db.set.AtlasSet<com.ensoftcorp.atlas.core.db.graph.Edge> edges)
Returns a sandbox set of edges contained in the sandbox universe referenced in the given set of the Atlas graph edges- Parameters:
edges
-- Returns:
-
addGraph
public SandboxGraph addGraph(com.ensoftcorp.atlas.core.db.graph.Graph graph)
Adds the current state of the Atlas nodes and edges from the given Atlas graph to the sandbox- Parameters:
graph
-
-
addNodes
public SandboxHashSet<SandboxNode> addNodes(com.ensoftcorp.atlas.core.db.set.AtlasSet<com.ensoftcorp.atlas.core.db.graph.Node> nodes)
Adds the current state of the given nodes in the Atlas graph to the sandbox- Parameters:
nodes
-
-
addNode
public SandboxNode addNode(com.ensoftcorp.atlas.core.db.graph.Node node)
-
addEdges
public SandboxHashSet<SandboxEdge> addEdges(com.ensoftcorp.atlas.core.db.set.AtlasSet<com.ensoftcorp.atlas.core.db.graph.Edge> edges)
Adds the current state of the given edges in the Atlas graph to the sandbox- Parameters:
edges
-
-
addEdge
public SandboxEdge addEdge(com.ensoftcorp.atlas.core.db.graph.Edge edge)
-
createNode
public SandboxNode createNode()
Creates a new sandbox node This node does not affect the Atlas universe- Returns:
-
createEdge
public SandboxEdge createEdge(SandboxNode fromNode, SandboxNode toNode)
Creates a new sandbox edge This edge does not affect the Atlas universe- Parameters:
fromNode
-toNode
-- Returns:
-
delete
public void delete(SandboxGraphElement graphElement)
Removes the given sandbox graph element from the sandbox universe- Parameters:
graphElement
-
-
flush
public com.ensoftcorp.atlas.core.db.graph.Graph flush()
Flushes the changes made in the sandbox universe to the Atlas graph- Returns:
- The serialized Atlas graph version of the sandbox
-
flush
public com.ensoftcorp.atlas.core.db.graph.Graph flush(SandboxGraph graph)
Flushes the changes made in the sandbox that are restricted to the nodes and edges in the given graph to the Atlas graph This methods does the following: 1) Adds nodes/edges that are not mirrored to the Atlas graph with the current tags/attributes 2) Updates (adds/removes) tags and attributes from the corresponding Atlas graph element's to match the current sandbox tags/attributes for each node/edge in the sandbox.- Parameters:
graph
- the graph containing the set of nodes and edges to flush- Returns:
- The serialized Atlas graph version of the sandbox
-
hashCode
public int hashCode()
Sandboxes are equal if they have the same instance id- Overrides:
hashCode
in classjava.lang.Object
-
equals
public boolean equals(java.lang.Object obj)
Sandboxes are equal if they have the same instance id- Overrides:
equals
in classjava.lang.Object
-
-


{{ post.date | date: "%-d %b %Y" }} {% if post.external-url %} {{ post.title }} {% else %} {{ post.title }} {% endif %}
{{ post.excerpt }}
--- layout: default title: Home ogtitle: mHACKeroni - Home ogdescription: mHACKeroni is the result of 5 CTF Italian teams which have merged to sum their streghts and ultimately try to achieve DEFCON CTF Finals qualification. ---
mHACKeroni is the result of 5 CTF Italian teams which have merged to sum their streghts and ultimately try to achieve DEFCON CTF Finals qualification. Apparently looks like we made it first shot ;) @towerofhanoi + @c00kiesATvenice + @n0pwnintended + @TheRomanXpl0it + @JBZTeam = @mhackeroni


The Stream of the Dying
Trust fund retro American Apparel, master cleanse leggings DIY iPhone food truck. Church-key slow-carb squid craft beer asymmetrical health goth biodiesel chillwave gastropub. Schlitz ethical crucifix, four loko iPhone tousled mixtape Vice retro hashtag tattooed art party. Post-ironic Bushwick tattooed raw denim.
Continue Reading →


Scarface
A sceries of Unfortunate events
A sceries of Unfortunate events
He was a monster.
He was the product of man's greed, man's arrogance, man's envy. He was the monster that parents warned their children about, the monster that was never blessed with a simply hello, or a simply goodbye.
And like how the day changed faces, his walks down the streets of London seemed never ending, neither pleasent or peaceful as he gazed into the beautiful moonlight lit sky.
When was the last time his soul shone like the morning sun and the towns people welcomed him with open arms?
Nobody would want to love a monster such as himself.
Oh, how quick they have forgotten
How quick, they are to ridicule, the monster the've created
the Monster once was just like you and me, he walked side by side with the working class, he was once a working member of society.
Just like you and me.


This is /test08/index.html
white/yellow/blue/red/carmine/index.html
white/yellow/blue/red/green/green.txt
white/yellow/blue/red/light_blue/LightBlue.cgi
white/yellow/blue/red/red/pretty.html
white/yellow/Niiiii.cgi
white
white/yellow
white/yellow/blue


{% include "getchapp/vcomp/chview.html" %}
{% include "getchapp/vcomp/introview.html" %}
{% include "getchapp/vcomp/actionview.html" %}
{% include "getchapp/vcomp/taggerview.html" %}
{% include "getchapp/vcomp/panelview.html" %}
{% include "getchapp/vcomp/mypageview.html" %}


初试成绩分析
政治70，英语73，数学92，专业课117
总分352 排名80/90
不清楚招90个有多少推免，复试还是先准备起来。搜集相关的信息，做好准备
复试
英语面试
自我介绍
上午好，各位导师，我很荣幸能够在这里参加面试。
我叫康志清，今年21岁，出生于江西赣州，本科院校是南昌大学生物工程系，在校期间还选修了计算机科学与技术的双学位。大学期间,四年的学习让我更加知道该如何去学习，怎样去学习，我的学习能力也得到了提高，特别是自学能力，我经常会去图书馆找一些技术的书学习，比如计算机语言、算法之类的书籍。
我是一个乐观向上活泼的人，对于未知的技术充满着好奇，这让我更加有动力去学习。在我业余时间，我喜欢看看动漫，尤其是日本动漫，因此我一直都在学习日语。我经常听歌和游泳来放松自己。我喜欢codeing，和室友一起合作写过几个项目，每个人各自负责相应的板块。
我对计算机专业的相关知识非常感兴趣，特别是web前端方面，但自己的很多知识还有很多欠缺，研究生相对于本科生知识面更广，学术更专业，眼界更广阔，因此想要考研，提高自己的能力和水平。之所以选择暨南大学，一是暨南大学的计算机专业好，二、学术环境和条件好 。希望能够在暨南大学完成自己的学习愿望,在研究生阶段深入学习。
我的介绍到此结束，谢谢。
1、Good Morning,dear professors.It ’s my honor to be here for this interview.
2、My name is Kang ZhiQing. I am 21 years old,born in Ganzhou, Jiangxi Province. And my undergraduate college is Nanchang University.My marjor is biological engineering.While I also take a double degree in computer science and technology. During the college, four-years learning taught me how to learn and how to learn better. My learning ability has been improved, especially my self-study ability. I often go to the library to find some technical books to learn, such as computer language, algorithm and so on.
3、I am an optimistic and positive person and curious about the unknown technologies，which makes me more motivated to learn.In my spare time, I like anime , especially Japanese anime, so I have been learning Japanese since last year.Listening to the music and going to the swimming pool are my common ways to relax myself. I love coding. I have worked with my roommates on several projects. Each of us is responsible for different parts.
4、I am very interested in computer related knowledge, especially in the front-end of web, however I still have a lot of knowleage to learn. Compared with undergraduates, postgraduates have wider knowledge, more professional academic, broader eyes, Therefore, I want to take the postgraduate entrance examination to improve my ability and level, and Jinan University’s computer major is good, I really admire the strong academic environment and conditions. I hope I can fulfill my study wish in Jinan University and own a further study in the postgraduate stage.
That is all of my introduction. Thanks for your listening.
问题
1.你的家乡
I come from GanZhou,a very beautiful city with pleasant environment and climate in jiangxi. It is a city characterized by many mountains.So,Climbing mountains becomes a daily life of the people in GanZhou.And Ganzhou is famous for Gannan navel orange,which is very sweet and delicious.The house here is very special,such as Hakka Round House,beautiful and impressive.There are many dialects here,and people are very friendly.If you have free time,I am highly recommend you to come to my hometown to enjoy the beautiful scenery and delicious food of Ganzhou.
2.你的本科学校
I will graduate from NanChang University of biological engineering,which is a comprehensive university filled with acacademic atmosphere.Also,it is a good platform to study and make progress.Through the platform,I have learned how to study and how to improve myself.I really appreciate it.During my colleage life,I usually go to the library to find some books to read.There are many different books in the library to meet the needs of teachers and students here.I am very happy to study and live in such a good learning and academic environment.
3.你的本科学校所在的城市（南昌）
Nanchang is the capital of Jiangxi Province in southeastern China. Nanchang is famous for its scenic lakes, mountains, rich history and cultural sites.NanChang rice noodle is a popular tradition local snack which people often eat at breakfast or dinner.There are many lakes in NanChang.Almostly you can catch the sight of lakes in this city.And NanChang has many places of Interest like Tengwang Pavilion, one of the three famous buildings in the south.If you come to NanChang,you can go to see the historical building.And I am highly welcome you to NanChang to enjoy the beautifule scenery and delicious food.
4.介绍一下你的本科专业（生物工程）
Biological engineering refers to design and operation of biological organisms at the cell or individual level through certain technical means, in order to achieve the purpose and needs, to improve the quality of species.
5.介绍一下你的双学位专业（计算机科学与技术）
I love my profession,espically font-end of web direction.I am very satisfied each time to design a program or website in my style.The number zero and one in computer is so beautiful that I am addicted in it.The profession let me know the world in computer and how to coding.I love it.
6.为什么选修计算机双学位（为什么跨考计算机而不是本专业）
在学习生物工程一年之后，我明白这个一个比较注重科学研究，注重实验的学科，我自己感觉自己不太适合做这方面的工作，没有很大的兴趣，而后面偶然机会接触了编程语言，了解了计算机的世界，发现自己对这方面感兴趣，自己慢慢开始喜欢这个学科，它给我带来的成就感很多，有时写出一个程序或者一个算法甚至会开心一整天，因此就转专业了。
After studying biological engineering for a year, I understand that this subject need to pay more attention to scientific research and experimentation, I feel that I am not suitable for this work, and I don’t have much interest, and one summer vocation I came across a programming language by chance. I learned about the computer world and found that I was interested in this area. I slowly started to like this subject. It brought me a lot of sense of accomplishment. Sometimes I finish a program or an algorithm and I will be happy even the all day, so I take my double degree of CS/ I take the CS of postgraduate entrance examination.
7.为什么考研
I am very interested in computer related knowledge, especially in the front-end of web, however I still have a lot of knowleage to learn. Compared with undergraduates, postgraduates have wider knowledge, more professional academic, broader eyes, Therefore, I want to take the postgraduate entrance examination to improve my ability and level
8.为什么选择暨南大学
之所以选择暨南大学，一是暨南大学的计算机专业好，二、学术环境和条件好 First Jinan University’s computer major is good,and I really admire the strong academic environment and conditions.In my eyes,as one of the most famous university in guangdong province,it will be a good platform for me to study and improve myself.So I choose jinan University.
9.评价一下你的性格
I am an optimistic and positive person.When I meet some difficulties,I choose to find ways to solve it ranther than giving up. And my learning ability is great.I can learn or accept a new thing quickly.Besides,I am also a persistent boy.I will try my best to deal with the porblem and difficulies.
10.英语的重要性
I think English is very important at all times.I have learning English for many years.English,as the most common language in the world,plays a significant part in my daily life.Many documents about a new technology are in English.I am supposed to learn it well to understand the meaning of the docs.So do the books and journals.


Hi there, Zia!
February 2020
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Set up Your browser
Step 1: Install KotLink browser extension for Chrome.
Step 2: Configure you browser extension:
-
Click on the icon of the newly installed extension and select "Options" from the drop-down menu.
(Or alternatively open "More Tools" -> "Extensions" in the main menu, then find and click on "Details" button for "KotLink Browser Extension", and finally click on "Extension Options".)
-
In the shown dialog, enter Your Kotlink Server URL and Your Extension Secret, and then click "Save".
Here is how the dialog will look like:
Step 1: Install KotLink browser extension for FireFox.
Step 2: Configure you browser extension:
-
Go the main menu and select "Add-ons" (Ctrl+Shift+A). On the page that will open, you should find a section called "KotLink Browser Extension" and click on button "Preferences" on the right.
-
At the bottom of the page that will follow, enter Your Kotlink Server URL and Your Extension Secret, and then press "Save".
Here is how it will look like:
Step 1: Go to "Settings" -> "Privacy" and enable "Search Suggestions in Address Field".
Step 2: Go to "Settings" -> "Search" and make sure "Allow Search Suggestions" is checked for "In Address Field".
Step 3: Also under "Settings" -> "Search", add a new search engine where:
-
Name is
KotLink
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Nickname is
kk
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URL is
-
Suggest URL is
Please, note! Safari is currently only partially supported via 3rd-party Safari Omnikey extension. As unlike regular KotLink extension for Chrome / FireFox, Safari Omnikey does not support autocomplete.
Step 1: Install Safari Omnikey.
Step 2: Click on the extension icon (looks like a magnifying glass), then click Add Site and use the following data:
-
Prefix is
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URL is


Nick
Lee
Nick Lee is the Chief Software Developer at MediaShell and a contributor to the Spec
Project. He spends approximately
20 hours a week on Project JXTA. He is new to Open Source and has been
active on the<EMAIL_ADDRESS>mailing list. He's interested in the
overall goals, requirements and direction of Project JXTA.
Nick has made contributions in discovering a number of discrepancies between
the spec and implementation. He has identified the need for
a more complete spec, which is his main motivator in his participation on
the Spec project. He's also getting involved in the community by talling
up the votes on issues that arise on the<EMAIL_ADDRESS>mailing list.
Nick thinks that Project JXTA has 2 purposes:
- Project JXTA provides a conceptual framework for people to think
about P2P systems. There are many conceptual constructs in the JXTA
technology that are very basic in the P2P world. The JXTA technology
provides a common and flexible architecture, so that programmers don't
have to re-think such issues when they design a P2P system. Even if
Project JXTA doesn't go mainstream, it will provide a valuable model
for people to evaluate and analyze P2P systems.
- Project JXTA defines a common semantic on which P2P systems are
built. P2P systems are so diverse and their algorithms so
sophisticated, that the practicality of this goal remains to be seen.
Nevertheless, Project JXTA is an aggressive step towards this
direction.
You can reach Nick Lee at
<EMAIL_ADDRESS>or on the Project JXTA
discuss mailing list<EMAIL_ADDRESS>Read the archived
Developer Spotlight biographies.
|


Server Stats |
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| NGINX Web Server |
| Raspberry Pi 3 B |
| 4 CPU Cores |
| 1GB RAM |
| 64GB Storage |
| See The Products Used In This Project |
Server Stats |
|---|
| NGINX Web Server |
| Raspberry Pi 3 B |
| 4 CPU Cores |
| 1GB RAM |
| 64GB Storage |
| See The Products Used In This Project |


{% load static %}
Wall of Fame
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{% csrf_token %}
Type the @ of the person you want to emojify:
Select the amount of most recent tweets you want to emojify (up to 10):
{% if error %}
{{ error.message }}
{% endif %}


{% extends base %} {% load static %} {% block body %}
Project 415x is a learning tool for students to have a direct visual and kinesthetic experience of core concepts in Linear Algebra
Started in Fall 2015 at the University of Illinois at Urbana-Champaign, Project 415x is a MATH 492 Undergraduate Research Project under the supervision of J.L. Doob Research Assistant Professors Cary Malkiewich and Jenya Sapir. The project is aimed at MATH 415 Linear Algebra students to have a direct visual and kinesthetic experience of core concepts in the subject matter. The project includes but not limited to visualization tools and documentation to make the learning experience much more easier for students.
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July 30th 2014
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GPS1.1


Crazy Coffee Concoctions
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What programming language should you learn?
Welcome! Click me for information about this quiz!
There are many different programming languages out there. With so many to choose from, how do you know which one to pick? Take this quiz to find out!All you need to do is to answer these five simple questions!
Dear : You should learn Python! Here is a link for more information!
Click to hide your result.
Dear : You should learn Go! Here is a link for more information!
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Dear : You should learn R! Here is a link for more information!
Click to hide your result.
Please select options from the drop down box.


Located in the heart of the Lisbon, it's not a just a restaurant. It's an experience of sensation.
E-mail<EMAIL_ADDRESS>Phone +351 32560-3456
Address Fifty avenue, 105 - Lisbon


CountString()
Syntax
Result = CountString(String$, StringToCount$)Description
Returns the number of occurrences of StringToCount$ found in String$.
Parameters
String$ The input string to use. StringToCount$ The string to be counted in the input string.
Return value
The number of occurrences of 'StringToCount$' found in 'String$'.
Remarks
The counting is not word based, which means that if the 'StringToCount$' is a part of a word, it will be counted as well, as shown in the following example.
Example
Debug CountString("How many 'ow' contains Bow ?", "ow") ; will display 3
Supported OS
All


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| SUMMARY: INNER | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object | +--junit.quilt.framework.CoverageSegmentImpl | +--junit.quilt.framework.StatementSegmentImpl
| Constructor Summary | |
StatementSegmentImpl(java.lang.String fileName,
int startLine,
int endLine)
|
| Method Summary | |
java.lang.String |
getCustomXML()
|
java.lang.String |
getDescription()
getDescription This method returns a description of the segment which is defined by this class. |
java.lang.String |
getFileName()
getFileName This returns the filename where these statements are located. |
int |
getLineEnd()
getLineEnd This returns the last line of this segment. |
int |
getLineStart()
getLineStart This returns the first line of this segment. |
| Methods inherited from class junit.quilt.framework.CoverageSegmentImpl |
addVisits, getAdvice, getNumVisits, getTimes, reset, toXML |
| Methods inherited from class java.lang.Object |
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Methods inherited from interface junit.quilt.framework.CoverageSegment |
getAdvice, getNumVisits, getTimes, toXML |
| Constructor Detail |
public StatementSegmentImpl(java.lang.String fileName, int startLine, int endLine)
| Method Detail |
public java.lang.String getFileName()
StatementSegment
getFileName
in interface StatementSegment
public int getLineStart()
StatementSegment
getLineStart
in interface StatementSegment
public int getLineEnd()
StatementSegment
getLineEnd
in interface StatementSegment
public java.lang.String getCustomXML()
getCustomXML
in class CoverageSegmentImpl
public java.lang.String getDescription()
CoverageSegment
getDescription
in interface CoverageSegment
getDescription
in class CoverageSegmentImpl
|
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