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4.1 Definition
<IP_ADDRESS> Atoms and Sequences
All data objects in Euphoria are either atoms or sequences. An atom is a single numeric value. A sequence is a collection of objects, either atoms or sequences themselves. A sequence can contain any mixture of atom and sequences; a sequence does not have to contain all the same data type. Because the objects contained in a sequence can be an arbitrary mix of atoms or sequences, it is an extremely versatile data structure, capable of representing any sort of data.
A sequence is represented by a list of objects in brace brackets { }, separated by commas with an optional sequence terminator, $. Atoms can have any integer or double-precision floating point value. They can range from approximately -1e300 (minus one times 10 to the power 300) to +1e300 with 15 decimal digits of accuracy. Here are some Euphoria objects:
-- examples of atoms: 0 1000 98.6 -1e6 23_100_000 x $ -- examples of sequences: {2, 3, 5, 7, 11, 13, 17, 19} {1, 2, {3, 3, 3}, 4, {5, {6}}} {{"jon", "smith"}, 52389, 97.25} {} -- the 0-element sequence
By default, number literals use base 10, but you can have integer literals written in other bases, namely binary (base 2), octal (base 8), and hexadecimal (base 16). To do this, the number is prefixed by a 2-character code that lets Euphoria know which base to use.
| Code | Base |
|---|---|
| 0b | 2 = Binary |
| 0t | 8 = Octal |
| 0d | 10 = Decimal |
| 0x | 16 = Hexadecimal |
For example:
0b101 --> decimal 5 0t101 --> decimal 65 0d101 --> decimal 101 0x101 --> decimal 257
Additionally, hexadecimal integers can also be written by prefixing the number with the '#' character.
For example:
#FE -- 254 #A000 -- 40960 #FFFF00008 --<PHONE_NUMBER>8 -#10 -- -16
Only digits and the letters A, B, C, D, E, F, in either uppercase or lowercase, are allowed in hexadecimal numbers. Hexadecimal numbers are always positive, unless you add a minus sign in front of the # character. So for instance
- FFFFFFFF is a huge positive number<PHONE_NUMBER>), not -1, as some machine-language programmers might expect.
Sometimes, and especially with large numbers, it can make reading numeric literals easier when they have embedded grouping characters. We are familiar with using commas (periods in Europe) to group large numbers by three-digit subgroups. In Euphoria we use the underscore character to achieve the same thing, and we can group them anyway that is useful to us.
atom big = 32_873_787 -- Set 'big' to the value 32873787 atom salary = 56_110.66 -- Set salary to the value 56110.66 integer defflags = #0323_F3CD object phone = 61_3_5536_7733 integer bits = 0b11_00010_1
Sequences can be nested to any depth, i.e. you can have sequences within sequences within sequences and so on to any depth (until you run out of memory). Brace brackets are used to construct sequences out of a list of expressions. These expressions can be constant or evaluated at run-time. e.g.
{ x+6, 9, y*w+2, sin(0.5) }
All sequences can include a special end of sequence marker which is the $ character. This is for convience of editing lists that may change often as development proceeds.
sequence seq_1 = { 10, 20, 30, $ } sequence seq_2 = { 10, 20, 30 } equal(seq_1, seq_2) -- TRUE
The "Hierarchical Objects" part of the Euphoria acronym comes from the hierarchical nature of nested sequences. This should not be confused with the class hierarchies of certain object-oriented languages.
Why do we call them atoms? Why not just "numbers"? Well, an atom is just a number, but we wanted to have a distinctive term that emphasizes that they are indivisible (that's what "atom" means in Greek). In the world of physics you can 'split' an atom into smaller parts, but you no longer have an atom--only various particles. You can 'split' a number into smaller parts, but you no longer have a number--only various digits.
Atoms are the basic building blocks of all the data that a Euphoria program can manipulate. With this analogy, sequences might be thought of as "molecules", made from atoms and other molecules. A better analogy would be that sequences are like directories, and atoms are like files. Just as a directory on your computer can contain both files and other directories, a sequence can contain both atoms and other sequences (and those sequences can contain atoms and sequences and so on).
. object . / \ . / \ . atom sequence
As you will soon discover, sequences make Euphoria very simple and very powerful. Understanding atoms and sequences is the key to understanding Euphoria.
- Performance Note:
- Does this mean that all atoms are stored in memory as eight-byte floating-point numbers? No. The Euphoria interpreter usually stores integer-valued atoms as machine integers (four bytes) to save space and improve execution speed. When fractional results occur or integers get too big, conversion to IEEE eight-byte floating-point format happens automatically.
<IP_ADDRESS> Character Strings and Individual Characters
A character string is just a sequence of characters. It may be entered in a number of ways ...
- Using double-quotes e.g.
"ABCDEFG"
- Using raw string notation e.g.
-- Using back-quotes `ABCDEFG`
or
-- Using three double-quotes """ABCDEFG"""
- Using binary strings e.g.
b"1001 00110110 0110_0111 1_0101_1010" -- ==> {#9,#36,#67,#15A}
- Using hexadecimal byte strings e.g.
x"" -- ==> {#65,#66,#67,#AE}
When you put too many hex characters together they are split up appropriately for you:
x"" -- 8-bit ==> {#65,#66,#67,#AE}
The rules for double-quote strings are:
- They begin and end with a double-quote character
- They cannot contain a double-quote
- They must be only on a single line
- They cannot contain the TAB character
- If they contain the back-slash '\' character, that character must immediately be followed by one of the special escape codes. The back-slash and escape code will be replaced by the appropriate single character equivalent. If you need to include double-quote, end-of-line, back-slash, or TAB characters inside a double-quoted string, you need to enter them in a special manner.
e.g.
"Bill said\n\t\"This is a back-slash \\ character\".\n"
Which, when displayed should look like ...
Bill said "This is a back-slash \ character".
The rules for raw strings are:
- Enclose with three double-quotes """...""" or back-quote. `...`
- The resulting string will never have any carriage-return characters in it.
- If the resulting string begins with a new-line, the initial new-line is removed and any trailing new-line is also removed.
- A special form is used to automatically remove leading whitespace from the source code text. You might code this form to align the source text for ease of reading. If the first line after the raw string start token begins with one or more underscore characters, the number of consecutive underscores signifies the maximum number of whitespace characters that will be removed from each line of the raw string text. The underscores represent an assumed left margin width. Note, these leading underscores do not form part of the raw string text.
e.g.
-- No leading underscores and no leading whitespace ` Bill said "This is a back-slash \ character". `
Which, when displayed should look like ...
Bill said "This is a back-slash \ character".
-- No leading underscores and but leading whitespace ` Bill said "This is a back-slash \ character". `
Which, when displayed should look like ...
Bill said "This is a back-slash \ character".
-- Leading underscores and leading whitespace ` _____Bill said "This is a back-slash \ character". `
Which, when displayed should look like ...
Bill said "This is a back-slash \ character".
Extended string literals are useful when the string contains new-lines, tabs, or back-slash characters because they do not have to be entered in the special manner. The back-quote form can be used when the string literal contains a set of three double-quote characters, and the triple quote form can be used when the text literal contains back-quote characters. If a literal contains both a back quote and a set of three double-quotes, you will need to concatenate two literals.
object TQ, BQ, QQ TQ = `This text contains """ for some reason.` BQ = """This text contains a back quote ` for some reason.""" QQ = """This text contains a back quote ` """ & `and """ for some reason.`
The rules for binary strings are...
- they begin with the pair b" and end with a double-quote (") character
- they can only contain binary digits (0-1), and space, underscore, tab, newline, carriage-return. Anything else is invalid.
- an underscore is simply ignored, as if it was never there. It is used to aid readability.
- each set of contiguous binary digits represents a single sequence element
- they can span multiple lines
- The non-digits are treated as punctuation and used to delimit individual values.
b"1 10 11_0100 01010110_01111000" == {0x01, 0x02, 0x34, 0x5678}
The rules for hexadecimal strings are:
- They begin with the pair x" and end with a double-quote (") character
- They can only contain hexadecimal digits (0-9 A-F a-f), and space, underscore, tab, newline, carriage-return. Anything else is invalid.
- An underscore is simply ignored, as if it was never there. It is used to aid readability.
- Each pair of contiguous hex digits represents a single sequence element with a value from 0 to 255
- They can span multiple lines
- The non-digits are treated as punctuation and used to delimit individual values.
x"" == {0x01, 0x02, 0x34, 0x56, 0x78, 0xAB, 0x0C}
Character strings may be manipulated and operated upon just like any other sequences. For example the string we first looked at "ABCDEFG" is entirely equivalent to the sequence:
{65, 66, 67, 68, 69, 70, 71}
which contains the corresponding ASCII codes. The Euphoria compiler will immediately convert "ABCDEFG" to the above sequence of numbers. In a sense, there are no "strings" in Euphoria, only sequences of numbers. A quoted string is really just a convenient notation that saves you from having to type in all the ASCII codes. It follows that "" is equivalent to {}. Both represent the sequence of zero length, also known as the empty sequence. As a matter of programming style, it is natural to use "" to suggest a zero length sequence of characters, and {} to suggest some other kind of sequence. An individual character is an atom. It must be entered using single quotes. There is a difference between an individual character (which is an atom), and a character string of length 1 (which is a sequence). e.g.
'B' -- equivalent to the atom 66 - the ASCII code for B "B" -- equivalent to the sequence {66}
Again, 'B' is just a notation that is equivalent to typing 66. There are no "characters" in Euphoria, just numbers (atoms). However, it is possible to use characters without ever having to use their numerical representation.
Keep in mind that an atom is not equivalent to a one-element sequence containing the same value, although there are a few built-in routines that choose to treat them similarly.
<IP_ADDRESS> Escaped Characters
Special characters may be entered using a back-slash:
| Code | Meaning |
|---|---|
| \n | newline |
| \r | carriage return |
| \t | tab |
| \\ | backslash |
| \" | double quote |
| \' | single quote |
| \0 | null |
| \e | escape |
| \E | escape |
| \b/d..d/ | A binary coded value, the \b is followed by 1 or more binary digits. Inside strings, use the space character to delimit or end a binary value. |
| \x/hh/ | A 2-hex-digit value, e.g. "\x5F" ==> {95} |
| \u/hhhh/ | A 4-hex-digit value, e.g. "\u2A7C" ==> {10876} |
| \U/hhhhhhhh/ | An 8-hex-digit value, e.g. "\U8123FEDC" ==> {2166619868} |
For example, "Hello, World!\n", or '\\'. The demonstration editor edx displays character strings in green.
Note that you can use the underscore character '_' inside the \b, \x, \u, and \U values to aid readability, e.g. "\U8123_FEDC" ==> {2166619868}
4.1.2 Identifiers
An identifier is just the name you give something in your program. This can be a variable, constant, function, procedure, parameter, or namespace. An identifier must begin with either a letter or an underscore, then followed by zero or more letters, digits or underscore characters. There is no theoretical limit to how large an identifier can be but in practice it should be no more than about 30 characters.
Identifiers are case-sensitive. This means that "Name" is a different identifier from "name", or "NAME", etc...
Examples of valid identifiers:
n color26 ShellSort quick_sort a_very_long_indentifier_that_is_really_too_long_for_its_own_good _alpha
Examples of invalid identifiers:
0n -- must not start with a digit ^color26 -- must not start with a punctuation character Shell Sort -- Cannot have spaces in identifiers. quick-sort -- must only consist of letters, digits or underscore.
4.1.3 Comments
Comments are ignored by Euphoria and have no effect on execution speed. For example the edx editor displays comments in red.
There are three forms of comment text:
- The line format comment is started by two dashes and extends to the end of the current line.
e.g.
-- This is a comment which extends to the end of this line only.
- The multi-line format comment is started by /* and extends to the next occurrence of */, even if that occurs on a different line.
e.g.
/* This is a comment which extends over a number of text lines. */
- On the first line only of your program, you can use a special comment beginning with the two character sequence #!. This is mainly used to tell Unix shells which program to execute the 'script' program with.
e.g.
#!/home/rob/euphoria/bin/eui
This informs the Linux shell that your file should be executed by the Euphoria interpreter, and gives the full path to the interpreter. If you make your file executable, you can run it, just by typing its name, and without the need to type "eui". On Windows this line is just treated as a comment (though Apache Web server on Windows does recognize it.). If your file is a shrouded .il file, use eub.exe instead of eui.
Line comments are typically used to annotate a single (or small section) of code, whereas multi-line comments are typically used to give larger pieces of documentation inside the source text.
4.1.4 Expressions
Like other programming languages, Euphoria lets you calculate results by forming expressions. However, in Euphoria you can perform calculations on entire sequences of data with one expression, where in most other languages you would have to construct a loop. In Euphoria you can handle a sequence much as you would a single number. It can be copied, passed to a subroutine, or calculated upon as a unit. For example,
{1,2,3} + 5
is an expression that adds the sequence {1,2,3} and the atom 5 to get the resulting sequence {6,7,8}.
We will see more examples later.
<IP_ADDRESS> Relational Operators
The relational operators < > <= >= = != each produce a 1 (true) or a 0 (false) result.
8.8 < 8.7 -- 8.8 less than 8.7 (false) -4.4 > -4.3 -- -4.4 greater than -4.3 (false) 8 <= 7 -- 8 less than or equal to 7 (false) 4 >= 4 -- 4 greater than or equal to 4 (true) 1 = 10 -- 1 equal to 10 (false) 8.7 != 8.8 -- 8.7 not equal to 8.8 (true)
As we will soon see you can also apply these operators to sequences.
<IP_ADDRESS> Logical Operators
The logical operators and, or, xor, and not are used to determine the "truth" of an expression. e.g.
1 and 1 -- 1 (true) 1 and 0 -- 0 (false) 0 and 1 -- 0 (false) 0 and 0 -- 0 (false) 1 or 1 -- 1 (true) 1 or 0 -- 1 (true) 0 or 1 -- 1 (true) 0 or 0 -- 0 (false) 1 xor 1 -- 0 (false) 1 xor 0 -- 1 (true) 0 xor 1 -- 1 (true) 0 xor 0 -- 0 (false) not 1 -- 0 (false) not 0 -- 1 (true)
You can also apply these operators to numbers other than 1 or 0. The rule is: zero means false and non-zero means true. So for instance:
5 and -4 -- 1 (true) not 6 -- 0 (false)
These operators can also be applied to sequences. See below.
In some cases short_circuit evaluation will be used for expressions containing and or or. Specifically, short circuiting applies inside decision making expressions. These are found in the if statement, while statement and the loop until statement. More on this later.
<IP_ADDRESS> Arithmetic Operators
The usual arithmetic operators are available: add, subtract, multiply, divide, unary minus, unary plus.
3.5 + 3 -- 6.5 3 - 5 -- -2 6 * 2 -- 12 7 / 2 -- 3.5 -8.1 -- -8.1 +8 -- +8
Computing a result that is too big (i.e. outside of -1e300 to +1e300) will result in one of the special atoms +infinity or -infinity. These appear as inf or -inf when you print them out. It is also possible to generate nan or -nan. "nan" means "not a number", i.e. an undefined value (such as inf divided by inf). These values are defined in the IEEE floating-point standard. If you see one of these special values in your output, it usually indicates an error in your program logic, although generating inf as an intermediate result may be acceptable in some cases. For instance, 1/inf is 0, which may be the "right" answer for your algorithm.
Division by zero, as well as bad arguments to math library routines, e.g. square root of a negative number, log of a non-positive number etc. cause an immediate error message and your program is aborted.
The only reason that you might use unary plus is to emphasize to the reader of your program that a number is positive. The interpreter does not actually calculate anything for this.
<IP_ADDRESS> Operations on Sequences
All of the relational, logical and arithmetic operators described above, as well as the math routines described in Language Reference, can be applied to sequences as well as to single numbers (atoms).
When applied to a sequence, a unary (one operand) operator is actually applied to each element in the sequence to yield a sequence of results of the same length. If one of these elements is itself a sequence then the same rule is applied again recursively. e.g.
x = -{1, 2, 3, {4, 5}} -- x is {-1, -2, -3, {-4, -5}}
If a binary (two-operand) operator has operands which are both sequences then the two sequences must be of the same length. The binary operation is then applied to corresponding elements taken from the two sequences to get a sequence of results. e.g.
x = {5, 6, 7, 8} + {10, 10, 20, 100} -- x is {15, 16, 27, 108} x = {{1, 2, 3}, {4, 5, 6}} + {-1, 0, 1} -- ERROR: 2 != 3 -- but x = {{1, 2, 3} + {-1, 0, 1}, {4, 5, 6} + {-1, 0, 1}} -- CORRECT -- x is {{0, 2, 4}, {3, 5, 7}}
If a binary operator has one operand which is a sequence while the other is a single number (atom) then the single number is effectively repeated to form a sequence of equal length to the sequence operand. The rules for operating on two sequences then apply. Some examples:
y = {4, 5, 6} w = 5 * y -- w is {20, 25, 30} x = {1, 2, 3} z = x + y -- z is {5, 7, 9} z = x < y -- z is {1, 1, 1} w = {{1, 2}, {3, 4}, {5}} w = w * y -- w is {{4, 8}, {15, 20}, {30}} w = {1, 0, 0, 1} and {1, 1, 1, 0} -- {1, 0, 0, 0} w = not {1, 5, -2, 0, 0} -- w is {0, 0, 0, 1, 1} w = {1, 2, 3} = {1, 2, 4} -- w is {1, 1, 0} -- note that the first '=' is assignment, and the -- second '=' is a relational operator that tests -- equality
Note: When you wish to compare two strings (or other sequences), you should not (as in some other languages) use the '=' operator:
if "APPLE" = "ORANGE" then -- ERROR!
'=' is treated as an operator, just like '+', '*' etc., so it is applied to corresponding sequence elements, and the sequences must be the same length. When they are equal length, the result is a sequence of ones an zeros. When they are not equal length, the result is an error. Either way you'll get an error, since an if-condition must be an atom, not a sequence. Instead you should use the equal built-in routine:
if equal("APPLE", "ORANGE") then -- CORRECT
In general, you can do relational comparisons using the compare built-in routine:
if compare("APPLE", "ORANGE") = 0 then -- CORRECT
You can use compare for other comparisons as well:
if compare("APPLE", "ORANGE") < 0 then -- CORRECT -- enter here if "APPLE" is less than "ORANGE" (TRUE)
Especially useful is the idiom compare(x, "") = 1 to determine whether x is a non empty sequence. compare(x, "") = -1 would test for x being an atom, but atom(x) = 1 does the same faster and is clearer to read.
<IP_ADDRESS> Subscripting of Sequences
A single element of a sequence may be selected by giving the element number in square brackets. Element numbers start at 1. Non-integer subscripts are rounded down to an integer.
For example, if x contains {5, 7.2, 9, 0.5, 13} then x[2] is 7.2. Suppose we assign something different to x[2]:
x[2] = {11,22,33}
Then x becomes: {5, {11,22,33}, 9, 0.5, 13}. Now if we ask for x[2] we get {11,22,33} and if we ask for x[2][3] we get the atom 33. If you try to subscript with a number that is outside of the range 1 to the number of elements, you will get a subscript error. For example x[0], x[-99] or x[6] will cause errors. So will x[1][3] since x[1] is not a sequence. There is no limit to the number of subscripts that may follow a variable, but the variable must contain sequences that are nested deeply enough. The two dimensional array, common in other languages, can be easily represented with a sequence of sequences:
x = { {5, 6, 7, 8, 9}, -- x[1] {1, 2, 3, 4, 5}, -- x[2] {0, 1, 0, 1, 0} -- x[3] }
where we have written the numbers in a way that makes the structure clearer. An expression of the form x[i][j] can be used to access any element.
The two dimensions are not symmetric however, since an entire "row" can be selected with x[i], but you need to use vslice in the Standard Library to select an entire column. Other logical structures, such as n-dimensional arrays, arrays of strings, structures, arrays of structures etc. can also be handled easily and flexibly:
3-D array:
y = { {{1,1}, {3,3}, {5,5}}, {{0,0}, {0,1}, {9,1}}, {{-1,9},{1,1}, {2,2}} } -- y[2][3][1] is 9
Array of strings:
s = {"Hello", "World", "Euphoria", "", "Last One"} -- s[3] is "Euphoria" -- s[3][1] is 'E'
A Structure:
employee = { {"John","Smith"}, 45000, 27, 185.5 }
To access "fields" or elements within a structure it is good programming style to make up an enum that names the various fields. This will make your program easier to read. For the example above you might have:
enum NAME, SALARY, AGE, WEIGHT enum FIRST_NAME, LAST_NAME employees = { {{"John","Smith"}, 45000, 27, 185.5}, -- a[1] {{"Bill","Jones"}, 57000, 48, 177.2}, -- a[2] -- .... etc. } -- employees[2][SALARY] would be 57000.
The length built-in function will tell you how many elements are in a sequence. So the last element of a sequence s, is:
s[length(s)]
A short-hand for this is:
s[$]
Similarly,
s[length(s)-1]
can be simplified to:
s[$-1]
The $ may only appear between square braces and it equals the length of the sequence that is being subscripted. Where there's nesting, e.g.:
s[$ - t[$-1] + 1]
The first $ above refers to the length of s, while the second $ refers to the length of t (as you'd probably expect). An example where $ can save a lot of typing, make your code clearer, and probably even faster is:
longname[$][$] -- last element of the last element
Compare that with the equivalent:
longname[length(longname)][length(longname[length(longname)])]
Subscripting and function side-effects:
In an assignment statement, with left-hand-side subscripts:
lhs_var[lhs_expr1][lhs_expr2]... = rhs_expr
The expressions are evaluated, and any subscripting is performed, from left to right. It is possible to have function calls in the right-hand-side expression, or in any of the left-hand-side expressions. If a function call has the side-effect of modifying the lhs_var, it is not defined whether those changes will appear in the final value of the lhs_var, once the assignment has been completed. To be sure about what is going to happen, perform the function call in a separate statement, i.e. do not try to modify the lhs_var in two different ways in the same statement. Where there are no left-hand-side subscripts, you can always assume that the final value of the lhs_var will be the value of rhs_expr, regardless of any side-effects that may have changed lhs_var.
Euphoria data structures are almost infinitely flexible.
Arrays in many languages are constrained to have a fixed number of elements, and those elements must all be of the same type. Euphoria eliminates both of those restrictions by defining all arrays (sequences) as a list of zero or more Euphoria objects whose element count can be changed at any time. You can easily add a new structure to the employee sequence above, or store an unusually long name in the NAME field and Euphoria will take care of it for you. If you wish, you can store a variety of different employee "structures", with different sizes, all in one sequence. However, when you retrieve a sequence element, it is not guaranteed to be of any type. You, as a programmer, need to check that the retrieved data is of the type you'd expect, Euphoria will not. The only thing it will check is whether an assignment is legal. For example, if you try to assign a sequence to an integer variable, Euphoria will complain at the time your code does the assignment.
Not only can a Euphoria program represent all conventional data structures but you can create very useful, flexible structures that would be hard to declare in many other languages.
Note that expressions in general may not be subscripted, just variables. For example: {5+2,6-1,7*8,8+1}[3] is not supported, nor is something like: date()[MONTH]. You have to assign the sequence returned by date to a variable, then subscript the variable to get the month.
<IP_ADDRESS> Slicing of Sequences
A sequence of consecutive elements may be selected by giving the starting and ending element numbers. For example if x is {1, 1, 2, 2, 2, 1, 1, 1} then x[3..5] is the sequence {2, 2, 2}. x[3..3] is the sequence {2}. x[3..2] is also allowed. It evaluates to the zero length sequence {}. If y has the value: {"fred", "george", "mary"} then y[1..2] is {"fred", "george"}.
We can also use slices for overwriting portions of variables. After x[3..5] = {9, 9, 9} x would be {1, 1, 9, 9, 9, 1, 1, 1}. We could also have said x[3..5] = 9 with the same effect. Suppose y is {0, "Euphoria", 1, 1}. Then y[2][1..4] is "Euph". If we say y[2][1..4] = "ABCD" then y will become {0, "ABCDoria", 1, 1}.
In general, a variable name can be followed by 0 or more subscripts, followed in turn by 0 or 1 slices. Only variables may be subscripted or sliced, not expressions.
We need to be a bit more precise in defining the rules for empty slices. Consider a slice s[i..j] where s is of length n. A slice from i to j, where j = i - 1 and i >= 1 produces the empty sequence, even if i = n + 1. Thus 1..0 and n + 1..n and everything in between are legal (empty) slices. Empty slices are quite useful in many algorithms. A slice from i to j where j < i - 1 is illegal , i.e. "reverse" slices such as s[5..3] are not allowed.
We can also use the $ shorthand with slices, e.g.
s[2..$] s[5..$-2] s[$-5..$] s[$][1..floor($/2)] -- first half of the last element of s
<IP_ADDRESS> Concatenation of Sequences and Atoms - The '&' Operator
Any two objects may be concatenated using the & operator. The result is a sequence with a length equal to the sum of the lengths of the concatenated objects. e.g.
{1, 2, 3} & 4 -- {1, 2, 3, 4} 4 & 5 -- {4, 5} {{1, 1}, 2, 3} & {4, 5} -- {{1, 1}, 2, 3, 4, 5} x = {} y = {1, 2} y = y & x -- y is still {1, 2}
You can delete element i of any sequence s by concatenating the parts of the sequence before and after i:
s = s[1..i-1] & s[i+1..length(s)]
This works even when i is 1 or length(s), since s[1..0] is a legal empty slice, and so is s[length(s)+1..length(s)].
<IP_ADDRESS> Sequence-Formation
Finally, sequence-formation, using braces and commas:
{a, b, c, ... }
is also an operator. It takes n operands, where n is 0 or more, and makes an n-element sequence from their values. e.g.
x = {apple, orange*2, {1,2,3}, 99/4+foobar}
The sequence-formation operator is listed at the bottom of the a precedence chart.
<IP_ADDRESS> Multiple Assignment
Special sequence notation on the left hand side of an assignment can be made to assign to multiple variables with a single statement. This can be useful for using functions that return multiple values in a sequence, such as value.
atom success, val { success, val } = value( "100" ) -- success = GET_SUCCESS -- val = 100
It is also possible to ignore some of the values in the right hand side. Any elements beyond the number supplied on the left hand side are ignored. Other values can also be ignored by using a question mark ('?') instead of a variable name:
{ ?, val } = value( "100" )
Variables may only appear once on the left hand side, however, they may appear on both the left and right hand side. For instance, to swap the values of two variables:
{ a, b } = { b, a }
<IP_ADDRESS> Other Operations on Sequences
Some other important operations that you can perform on sequences have English names, rather than special characters. These operations are built-in to eui.exe/euiw.exe, so they'll always be there, and so they'll be fast. They are described in detail in the Language Reference, but are important enough to Euphoria programming that we should mention them here before proceeding. You call these operations as if they were subroutines, although they are actually implemented much more efficiently than that.
length(sequence s)
Returns the length of a sequence s.
This is the number of elements in s. Some of these elements may be sequences that contain elements of their own, but length just gives you the "top-level" count. Note however that the length of an atom is always 1. e.g.
length({5,6,7}) -- 3 length({1, {5,5,5}, 2, 3}) -- 4 (not 6!) length({}) -- 0 length(5) -- 1
repeat(object o1, integer count)
Returns a sequence that consists of an item repeated count times. e.g.
repeat(0, 100) -- {0,0,0,...,0} i.e. 100 zeros repeat("Hello", 3) -- {"Hello", "Hello", "Hello"} repeat(99,0) -- {}
The item to be repeated can be any atom or sequence.
append(sequence s1, object o1)
Returns a sequence by adding an object o1 to the end of a sequence s1.
append({1,2,3}, 4) -- {1,2,3,4} append({1,2,3}, {5,5,5}) -- {1,2,3,{5,5,5}} append({}, 9) -- {9}
The length of the new sequence is always 1 greater than the length of the original sequence. The item to be added to the sequence can be any atom or sequence.
prepend(sequence s1, object o1)
Returns a new sequence by adding an element to the beginning of a sequence s. e.g.
append({1,2,3}, 4) -- {1,2,3,4} prepend({1,2,3}, 4) -- {4,1,2,3} append({1,2,3}, {5,5,5}) -- {1,2,3,{5,5,5}} prepend({}, 9) -- {9} append({}, 9) -- {9}
The length of the new sequence is always one greater than the length of the original sequence. The item to be added to the sequence can be any atom or sequence.
These two built-in functions, append and prepend, have some similarities to the concatenate operator, &, but there are clear differences. e.g.
-- appending a sequence is different append({1,2,3}, {5,5,5}) -- {1,2,3,{5,5,5}} {1,2,3} & {5,5,5} -- {1,2,3,5,5,5} -- appending an atom is the same append({1,2,3}, 5) -- {1,2,3,5} {1,2,3} & 5 -- {1,2,3,5}
insert(sequence in_what, object what, atom position)
This function takes a target sequence, in_what, shifts its tail one notch and plugs the object what in the hole just created. The modified sequence is returned. For instance:
s = insert("Joe",'h',3) -- s is "Johe", another string s = insert("Joe","h",3) -- s is {'J','o',{'h'},'e'}, not a string s = insert({1,2,3},4,-0.5) -- s is {4,1,2,3}, like prepend() s = insert({1,2,3},4,8.5) -- s is {1,2,3,4}, like append()
The length of the returned sequence is one more than the one of in_what. This is the same rule as for append and prepend above, which are actually special cases of insert.
splice(sequence in_what, object what, atom position)
If what is an atom, this is the same as insert. But if what is a sequence, that sequence is inserted as successive elements into in_what at position. Example:
s = splice("Joe",'h',3) -- s is "Johe", like insert() s = splice("Joe","hn Do",3) -- s is "John Doe", another string s = splice("Joh","n Doe",9.3) -- s is "John Doe", like with the & operator s = splice({1,2,3},4,-2) -- s is {4,1,2,3}, like with the & operator in reversed order
The length of splice(in_what, what, position) always is length(in_what) + length(what), like for concatenation using &.
4.1.5 Precedence Chart
When two or more operators follow one another in an expression, there must be rules to tell in which order they should be evaluated, as different orders usually lead to different results. It is common and convenient to use a precedence order on operators. Operators with the highest degree of precedence are evaluated first, then those with highest precedence among what remains, and so on.
The precedence of operators in expressions is as follows:
highest precedence
**highest precedence** function/type calls unary- unary+ not * / + - & < > <= >= = != and or xor
lowest precedence
{ , , , }
Thus 2+6*3 means 2+(6*3) rather than (2+6)*3. Operators on the same line above have equal precedence and are evaluated left to right. You can force any order of operations by placing round brackets ( ) around an expression. For instance, 6/3*5 is 2*5, not 6/15.
Different languages or contexts may have slightly different precedence rules. You should be careful when translating a formula from a language to another; Euphoria is no exception. Adding superfluous parentheses to explicitly denote the exact order of evaluation does not cost much, and may help either readers used to some other precedence chart or translating to or from another context with slightly different rules. Watch out for and and or, or * and /.
The equals symbol '=' used in an assignment statement is not an operator, it's just part of the syntax of the language.


SIR process parameters.
More...
SIR process parameters.
Definition at line 15 of file sir.cc.
◆ Beta
| double sir_parameters_t::Beta |
◆ delta
| double sir_parameters_t::delta |
◆ gamma
| double sir_parameters_t::gamma |
◆ I0
◆ psi
| double sir_parameters_t::psi |
◆ R0
◆ S0
The documentation for this struct was generated from the following file:


Here you can see your goals and tasks due date. You can click on date of your choice and create new goal too.


{% block meta_title %}{% endblock %}
{# TODO: enable something like the following by testing for these filters first #}
{# can do after https://github.com/pallets/jinja/issues/842 #}
{#{% if (striphtmltags is defined) and (firstsentence is defined) %}
{% endif %}
{% if (striphtmltags is defined) and (keywords is defined) %}
{% endif %}#}
{% block header_scripts %}
{% if config.THEME_SETTINGS.googleanalytics %}
{% endif %}
{% endblock header_scripts %}
{% endblock head %}


Scan contact card
To work in a healthy, innovative and challenging environment, where my skills can be developed and thereby directing my future endeavours as an asset to the organization.Major strengths include strong leadership and capacity to work as a team player, as well as good communication skills. Self-motivated Analyst who has good organisational skills, is highly efficient and has a good eye for detail. A quick learner who can absorb new ideas and can communicate clearly and effectively.
GPA: 6.3/10
60%
78.60%
Apart from being an Engineer, I Do like to play skates and chess.
Enjoying myself while sketching and cooking.
Also having fun during Travelling & Reading.


{% extends "layout.html" %} {% block title %}TryIIIF (Universal Viewer){% endblock %} {% block breadcrumb %}
{% endblock %} {% block body %}The Universal Viewer below allows you to zoom, rotate, view full screen, download different sizes, and provides code to embed on a webpage. It also displays attribution information about the original source.
The image viewer configuration file
{% endblock %}


species Justification Conservation type: Habitat Causes Research cave habitat change Gruta area management caves trend: Population Unknown needed Extreme Trend: fluctuations?: Threats Yes Borges Land/water conservation Ecosystem research severe Climate Decline Use needed: service weather occurs Caves Threat Threats: Monitoring plan actions: Species single trends.. disturbance Agriculture aquaculture order Trechus actions occurrence (inferred) action known (narrative): EOO Editor Pico Reviewers ceased?: reversible?: understood?: Site/area important services Basis future species. impact human island Azores Danielczak das dos extent history information urban (Azores, Anja decline size, volcanic activities caves. life occupancy Habitats Pollution Recreational Subterranean distribution ecology potential surrounding Education Hochkirch International current protected quality (non-aquatic) Human Plan.. Planning changes intrusions water AOO Axel Azorean Number trends (km): Area-based Ecology Editor: Future Habitats: Management Map Reviewers: Small-holder Transportation description: importance: locations: material necessary recreational trade Portugal) Stable awareness monitoring number threats: Importance Life Major Needed Ongoing Roads contribute corridors ecology.. invertebrate lava railroads.. (see (Furna Portugal community shifting Furna development endemic threats Law alteration.. and/or habitats population Biodiversity use (Gruta (m): Data Droughts Elevation/Depth commercial decrease establish history. policy Faial agricultural impacted inferred Annual Residential Terceira crops non-timber perennial plantations ranching {border-style Additional However, New Oromí cave-adapted conditions levels visitation. (EOO) Agro-industry Compliance Place Sub-national Wood effluents farming... inside pulp px;} #ffffff;} Agricultural Cixius Ferreira Formal determine developed farming main range records species) waste (AOO) ...  (Narrative): (c) Carabidae Insecta Size: anticipated caves, coming decline: entrance islands restricted species, specimens trade: tubes value (Algar (Credit: (observed) Cave Figure Figure(s) Housing IUCN Observed Photo(s): activities.. areas areas... available. cave, farming.. law located loss natural protection.. size (i.e. Common Max Min RAA additional agriculture cave. cave; cavernicolous names: new subpopulation subpopulations trees (Natural Awareness Azores, Cabras Fig. Herbicides Ribeira communications deforestation domestic grazing, management... process rare regionally survival threatened threats. trend tube utilised. Pereira despite events forest impacts island. islands. level management. predator quality. saprophagous status terceiranus threat threats, troglobiont (Portuguese) Angra Borges, Carocho Dinarte Geological Group, Invasive Matias, Montanheiros Park Serrano Teixeira areas.. b), cavazoricus cavernícola chances disturbance. disturbed exotic extant future. genus given historically impending improve land locations measure modifications occurring picoensis pit px; recent registered, roots unknown wine {font-family (English); Agostinha, Azores. Açores Enésima Gabriel Group Island Pseudosinella above-cave abundant anthropogenic area. associated azopicavus climate conservation, degradation font-size ground-beetle invasive isabelae isolated livestock ongoing pereirai pico present probably quality, registered stable threat. uncontrolled visits (domestic (two .-. Abstraction Agulhas, Açores, Coelho, Dams Henrique Heroísmo, Islands List Macarorchestia Maciel, Miguel Montanheiros, Morro Red Rugathodes Run-off Thalassophilus Tourism Vieira Wildish [], activities, arthropods ashmoleorum azoricus cEc). cave-dwelling creation decreasing derived double; dump food habitat, including island, jorgensis km² known. lava-tube major management/use martini measures montanheirorum overestimation production recreation relatively restoration.. surface use)... used (e.g. Algar Bocas Cardoso Collembola Evolution Hoch Increasing MSS Nunes Paulo Portugal). SSC Specialist Vimes). access addition, and, arthropod based biodiversity border-color border-width confirm cover dairy extended high increased individuals intensive km². land-use location native naturally neighbouring possible resources. size: solid; subpopulations, suitable vulcanus vulnerability {font-style {font-weight Água Amorim, Amphipoda Araneae Balcões, Baliza, CEC Caldeira, Canárias, Carvão, Caves.. Centre Changes Costa Droughts.. Ecology, Environmental Finland Fundo) Hemiptera Land-use Legislation Mahnert Malha, Matias Mendonça, Mistério Nutrient Parque Pedro Pittosporum Reis Run-off...


@( user: Option[models.User], owner: String, repositoryName: String, quickstarts: Seq[Quickstart], currentPage: Int, totalPages: Int )


How PayPal Works
Ticket Booking
FIRST NAME:
FILMS:
SCREEN:
Standard
Deluxe
DATE:
TIME:
NUMBER OF ADULTS
£12 per Ticket
NUMBER OF CHILDREN
£8 per Ticket
NUMBER OF CONCENSSION
£9 per Ticket
SUBMIT


I have done a few illustrations in Photoshop and Illustrator. Below, you can find a few of my favorite pieces that I have designed in the past semester.
For a short period of time, I was requested to do wallpapers for friends and colleagues, so these are what I had been designing. If I choose to add other things to this page, you will see them in the future.
Photo by Flickr user NigelPepper, "Code"


| DOSE: |
1 hit |
oral |
DOB |
(blotter / tab) |
[Erowid Note: This report is marked as a DOB report, but readers should be aware there are aspects of it that suggest the identification is speculative.]
This was my first time taking this much of a substance. Before I had taken half of blotter with a friend and the effects were nice but not halluciongenous in any way. As well as the first time we bought the stuff believing it was acid and afterwards learning it as actually DOB.
We had tried for months to get our hands on something like this and when my friend C finally came with the blotters (3 hits) which I and another friend M would take I was sort of dissapointed realizing it`s bitter as I had read that the bitterness means it`s actually DOB not LSD.
So we each took our hits , C and M kept it under their tongues but i swallowed it whole with the idea that it will have the same effects anyway.
+20 - 30 min We were feeling slight muscle cramps and a little bit lightheadness. My friend C had a girl who he knew come over at our place and my girlfriend so they were the sitters.
+40 - 60 min Sweating very very hard. And a numbing feeling ,and not feeling the bodys muscles sort of thing. By this time we were curious what the experience will be like , having the other expierence as a means of comparison I felt increasingly anxious.
+1 h 30 m We were all talking and laughing and giggling , and we all had the feeling there was to much chatter in the room so we decided to calm down.
+2h For M the effects were coming on strong , he was admiring some drawings on the wall which seem to him really 3D and he tried to convince me of that but for me the effects hadn`t started as strongly visual.By this time my gf had gone to bed coming to the conclusion that it`s not acid so there is no problem. I was sitting on my chair feeling anxious and thought that I have to tell her that it`s powerful anyway. As I got up from the chair and headed towards the other room I had a very similar feeling to Salvia( a sort of disconnection with the body , the feeling of being formed out of more parts that move separately , like a rubiks cube) and I had the sensation that everything was heading towards me.I went into the other room and woke her up.And we were all back in the same room. Waiting.
+2h 20 m I saw as the drawings on the wall started to move and shift. Each line would wriggle.I tried to read a word written on the wall which would spell out HELP and I saw the P as it ran away from the other letters(that was the moment how powerful this stuff was). After that I admired the walls and the colours of the drawings we had done on them. They were vibrant more deep , and gave me the sensation that each line was 3 dimensional like a mountain. I imagined there was nothing more beautiful than colour. After that I realized that the walls were breathing moving , like they were alive.
After this I lost track of time. I remember looking at the clock and not understanding why time is moving so slowly.I went into the bathroom and watched the toilet swirl and change shapes and turned my eyes to the ceiling which was full of wonderful hammer-hit like patterns which were so beautiful and so useless, I thought that somebody had purposely made them so beautiful. Everything around me seemed extremely beautiful and rare but at the same time extremely useless , I dwelved upon the idea that people don`t apreciate life as much as they should.
After this I went out on the balcony with M and admired the outside.We watched the trees and the street and the grass. We all then felt a sudden rush of energy and the need to get outside although I wasn`t sure if I was capable.
So we went outside with the idea of buying something from the store. As we got outside I suddenly felt a feeling of openess. The trees were extremely beautiful. I tried to concentrate on one single branch but all I could see was a big round bush of patterns moving in and out of each other,and then I figured my brain was so tired that all it could do was pick a part of the tree and simulate the rest of it with that small part.
We went down the street and some stray dogs scared us off and we changed directions.We settled down near a fence to think what was our plan. We wanted to buy something from the store but then we realized we hadn`t taken any money so I went to take the money. After I got back we went to the park, where there was another dog which looked ill, and C was feeling sorry for it and I was trying to balance out the situation telling him that his illness is alive too. Everything seem weirder than usual but I really didn`t care that much. Never in my life had I felt so emotionless.
We watched the sky and the clouds in the night. The sky had very dark pastel colours, I had the feeling somebody had drawn some clouds on a cardboard sheet with some pastel colours and was waving it before us. On the way back home I had the feeling of no knowing where I am.I look at the street and as we walked I thought we were walking by the same things over and over again. So I tried to concentrate on something else. I watched the flats. Each one was breaking in more than 3 flats waving and moving. All the trees seemed like photoshop patterns. I had the feeling that I was in a simulated computer program , and really wanted to be somewhere out of the city , in nature.
When we got home we put some music and some visualizations (which were extremely wonderful) and we tried to cope with the tiredness. After that when the sun was coming up we went into the kitchen and tried to eat something, I couldn`t but C and M could. I just watched out the window and M started to explain his eye problems and I felt how his words were affecting me causing me to not see well.
After that followed a revigorating cab drive. But when I got home I was still under the effects and had to wait a couple of hours before being able to sleep.
All in all the effects lasted a good 16 hours while the strong peaking lasted 7-8 hours.
I wouldn`t say I didn`t enjoy the experience,but if you`re going to take DOB be sure to have places to go to because it really gives you energy.(i imagined taking it on a trip to the mountains would be good).
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Located at the southern end of the island, this is a fishing port. On the western side of this bay is the Malta Free Port, a large container port.
There are several places to anchor near this fishing village with places to tie up your dinghy.
Entered as a new port March 2013.


City of Pensacola has fallen victim to a cyber attack, mayor says
by Scripps NationalPENSACOLA, Fla. – The City of Pensacola has fallen victim to a cyber attack, according to Mayor Grover Robinson.
Robinson made the announcement at a weekly press conference Monday, saying almost all computer communication systems in City Hall are down, the Pensacola News Journal reports.
The mayor also said online payment systems at Pensacola Energy and the city’s sanitation departments are not working.
The city’s airport, 911 dispatch, and police and fire departments are not affected by the attack, according to Robinson.
WEAR reports that the city has been dealing with the attack since Friday and that the mayor could not comment on whether there’s been a ransom demand.
The mayor said it’s unknown if the attack is connected in any way to the recent deadly shooting at Naval Air Station (NAS) Pensacola, which the FBI says it’s presuming was an act of terrorism. Three sailors were killed in the incident Friday morning.
Officials are working to determine if any personal data has been compromised in the cyber attack.


TRANSPORT
Category for media transport control for playback.
See Also
NotificationCompat.CATEGORY_TRANSPORT


Poly
public class Poly
Poly, Unofficial Google Poly SDK
-
Poly API Key, https://developers.google.com/poly/develop/api
Declaration
Swift
public var apiKey: String?
-
Auth token for ‘me’ requests, https://developers.google.com/identity/protocols/OAuth2
Declaration
Swift
public var authToken: String? { get set }
-
Network reachability status of poly.googleapis.com
Declaration
Swift
public var networkReachable: Bool { get }
-
CompletionHandler for managing background transfers
Declaration
Swift
public var backgroundCompletionHandler: (() -> Void)? { get set }
-
Initializer for Poly
Declaration
Swift
public init()
-
Reset client configuration
Declaration
Swift
public func reset()
-
Cancel all data transfers
Declaration
Swift
public func cancelAllDataTasks()
-
UIApplication integration support for background transfers
Declaration
Swift
public func application(_ application: UIApplication, didFinishLaunchingWithOptions launchOptions: [UIApplication.LaunchOptionsKey : Any]?) -> Bool
-
Undocumented
Declaration
Swift
public typealias ProgressHandler = (_ progress: Float) -> Void
-
Undocumented
Declaration
Swift
public typealias CompletionHandler = (_ data: Data?, _ error: Error?) -> Void
-
Undocumented
Declaration
Swift
public typealias AssetsCompletionHandler = (_ assets: [PolyAssetModel]?, _ totalAssetCount: Int, _ nextPage: Int, _ error: Error?) -> Void
-
Returns detailed information about an asset given its name.
Declaration
Swift
public func get(assetWithIdentifier assetIdentifier: String, completionHandler: AssetsCompletionHandler? = nil)
-
Lists all public, remixable assets.
Declaration
Swift
public func list(assetsWithKeywords keywords: [String], curated: Bool = false, category: String? = nil, complexity: PolyComplexity = .unspecified, format: PolyFormat = .obj, pageToken: String? = nil, completionHandler: AssetsCompletionHandler? = nil)
-
Returns detailed information about an asset given its name, in raw data.
Declaration
Swift
public func get(assetWithIdentifier assetIdentifier: String, completionHandler: CompletionHandler? = nil)
-
Lists all public, remixable assets, in raw data.
Declaration
Swift
public func list(assetsWithKeywords keywords: [String], curated: Bool = false, category: String? = nil, complexity: PolyComplexity = .unspecified, format: PolyFormat = .obj, pageToken: String? = nil, completionHandler: CompletionHandler? = nil)
-
Undocumented
Declaration
Swift
public typealias DownloadCompletionHandler = (_ rootFile: URL?, _ resourceFiles: [URL]?, _ error: Error?) -> Void
-
Downloads the specified asset by identifier.
Declaration
Swift
public func download(assetWithIdentifier assetIdentifier: String, cachePolicy: PolyRequest.CachePolicy = .returnCacheDataElseFetch, progressHandler: ProgressHandler? = nil, completionHandler: DownloadCompletionHandler? = nil)
Parameters
assetIdentifier
Asset identifier
cachePolicy
Cache policy
progressHandler
Handler for progress updates
completionHandler
Handler for task completion
-
Downloads the specified asset by model.
Declaration
Swift
public func download(asset: PolyAssetModel, cachePolicy: PolyRequest.CachePolicy = .returnCacheDataElseFetch, progressHandler: ProgressHandler? = nil, completionHandler: DownloadCompletionHandler? = nil)
Parameters
asset
Poly asset to download
cachePolicy
Cache policy
progressHandler
Handler for progress updates
completionHandler
Handler for task completion


|
Capacitive Touch Library
1.2
Description of the Capacitive Touch Library
|
Go to the source code of this file.
Functions | |
| void | TI_CAPT_Init_Baseline (const struct Sensor *) |
| Make a single capacitance meausrment to initialize baseline tracking. More... | |
| void | TI_CAPT_Update_Baseline (const struct Sensor *, uint8_t) |
| Update baseline tracking by averaging several measurements. More... | |
| void | TI_CAPT_Reset_Tracking (void) |
| Reset the Baseline Tracking algorithm to the default state. More... | |
| void | TI_CAPT_Update_Tracking_DOI (uint8_t) |
| Update the Baseline Tracking algorithm Direction of Interest. More... | |
| void | TI_CAPT_Update_Tracking_Rate (uint8_t) |
| Update the baseling tracking algorithm tracking rates. More... | |
| void | TI_CAPT_Raw (const struct Sensor *, uint16_t *) |
| Measure the capacitance of each element within the Sensor. More... | |
| void | TI_CAPT_Custom (const struct Sensor *, uint16_t *) |
| Measure the change in capacitance of the Sensor. More... | |
| uint8_t | TI_CAPT_Button (const struct Sensor *) |
| Determine if a button is being pressed. More... | |
| struct Element * | TI_CAPT_Buttons (const struct Sensor *) |
| Determine which button if any is being pressed. More... | |
| uint16_t | TI_CAPT_Slider (const struct Sensor *) |
| Determine the position on a slider. More... | |
| uint16_t | TI_CAPT_Wheel (const struct Sensor *) |
| Determine the position on a wheel. More... | |
| uint8_t | Dominant_Element (const struct Sensor *, uint16_t *) |
| Determine which element within a sensor has the largest response. More... | |


HAMLET A film review by Steve Rhodes Copyright 2000 Steve Rhodes RATING (0 TO ****): **
How to stage the classic "To be or not to be" soliloquy has to be one of the key issues for any director bold, or foolish, enough to attempt to mount a modern adaptation of Shakespeare's "Hamlet." Michael Almereyda, a relatively obscure writer/director, who did TWISTER (no, not that TWISTER, but a comedy starring Suzy Amis) and little else, chooses a Blockbuster video store for the setting. Among a hundred copies of LOST IN SPACE, Hamlet delivers, mumbles to be more precise, his classic lines. This proves an apt metaphor since Almereyda's direction appears completely lost in space.
Modern adaptations can be audacious and invigorating retellings of Shakespearean stories as Baz Luhrmann proved with his ROMEO + JULIET. In contrast, Almereyda starts with and a killer cast and a promising premise (he moves the story to New York City, where the CEO of the multinational Denmark Corporation has just died), but he doesn't seem to know what to do next. Scenes are staged almost randomly without consideration for what impact the setting will make. Were it not for the Bard's marvelous words and Carter Burwell's great dramatic music, the film would not be worth anyone's while.
Liev Schreiber and Kyle MacLachlan give nice performance as Laertes and Claudius. Julia Stiles, an extremely likable actress who has had the misfortune to have starred in a long string of bad teen comedies, is out of her league as Ophelia, reminding one of a high school student who gets a chance to play with professional thespians.
And then we come to Ethan Hawke as the lead character, Hamlet. Hawke can be the master of the spoken word, as he was in BEFORE SUNRISE, but he is also given to empty posturing, as he was in SNOW FALLING ON CEDARS. He comes across as surprisingly bland this time. Underplaying almost every scene, he broods and ponders but rarely puts any life into his character. With a scraggly beard, dirty, unkempt hair, an old, knit aviator cap and grungy clothes, he looks like some street person who is there to gain our sympathy. He doesn't appear or act like the lead.
In a movie that is more cutesy than compelling, Bill Murray, as Polonius, gives the most intriguing performance of the lot. With constant comedic overtones to his every word, his is the only performance that really comes alive. His approach doesn't always work, but at least he suggests some reason for the play's modern adaptation other than "we could, so we did."
Kenneth Branagh brought in his HAMLET at 4 hours. Michael Almereyda's version, at half that length, feels much longer.
The saving grace is that mediocre Shakespeare (and I'm not counting those adaptations that borrow only the story but not the dialog) is still Shakespeare. Yes, this HAMLET is an unenergetic misfire, but the words are there to savor, nevertheless.
HAMLET runs 1:57. It is rated R for some violence and would be fine for teenagers.
Email<EMAIL_ADDRESS>Web: http://www.InternetReviews.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends "translator/base.html" %} {% block head %} {% endblock %} {% block body %}
Commanding your terminal with natural language.
Type a complete imperative English sentence (not a question) stating your goal.


org.jclouds.gogrid.domain
Classes
BillingToken
Builder
ConcreteBuilder
Customer
Ip
IpPortPair
IpState
IpType
Job
JobProperties
JobState
LoadBalancer
LoadBalancerOs
LoadBalancerPersistenceType
LoadBalancerState
LoadBalancerType
ObjectType
Option
PowerCommand
Server
ServerImage
ServerImageState
ServerImageType
ServerState


Sell what you don't need anymore that is in working conditions for someone who needs it.
Buy what you need now in working conditions and a nominal price.
Share your experience, views, and give us your input to help us improve.
Phone number:<PHONE_NUMBER>
Email Id - example@gmail.com


src/app/app.component.ts
Component definition
| selector | app-root |
| styleUrls | app.component.css |
| templateUrl | ./app.component.html |
Properties |
|
Methods |
|
| Public onChangeCutoff | ||||||||
onChangeCutoff(id: number)
|
||||||||
|
Defined in src/app/app.component.ts:89
|
||||||||
|
Handle the change in the cutoff for a single Dendrogram. The change in the cutoff implies changing the amount of nodes that can take part of the matching routine, thus in turn it calls for an update on the node's labels, and an update on the cluster matching calculation.
Parameters :
Returns :
void
|
| Public onChangeHighlightType | ||||||||
onChangeHighlightType(type: string)
|
||||||||
|
Defined in src/app/app.component.ts:47
|
||||||||
|
Handle the changing of higlighting options for edges in matching sub- clusters.
Parameters :
Returns :
void
|
| Public onChangeMatchType | ||||||||
onChangeMatchType(type: number)
|
||||||||
|
Defined in src/app/app.component.ts:63
|
||||||||
|
Handle changes in the type of sub-cluster marches that should be displayed by the application. Since the matching routine is based on the names of the internal nodes of the Dendrogram structure, the first step into updating the display is to re-name the nodes. Then, clusters matches are re-calculated anf finally displayed.
Parameters :
Returns :
void
|
| Public onChangeSampleSize | ||||||||
onChangeSampleSize(size: number)
|
||||||||
|
Defined in src/app/app.component.ts:118
|
||||||||
|
Handle the change in sample size for cluster matching. The sample size tells the application the minimum number of leaves a node has to have in order to be classified as non-trivial for the matching algorithm. When considered trivial, a node will not be included in the matching routine, and thus will not be paired to a similar node in a different structure, even if it meets the currently selected criteria for such match to occur.
Parameters :
Returns :
void
|
| Public onFlipDendrogram | ||||||||
onFlipDendrogram(id: number)
|
||||||||
|
Defined in src/app/app.component.ts:136
|
||||||||
|
Handle the horizonal flip of a single Dendrogram display. Dendrograms are usually shown with their root node at the left-end of the display, and the leaves at the right-end. But in order to facilitate the visual inspection of cluster matches, the user is allowed to flip this visualization, making the leaves display at the left-end, and the root at the right-end.
Parameters :
Returns :
void
|
| Public onLoadDendro | ||||||||
onLoadDendro(file: any)
|
||||||||
|
Defined in src/app/app.component.ts:151
|
||||||||
|
Handle the loading of a Dendrogram structure and its display. Dendrograms need to be stored on text files, following the Newick (or New) Hampshire) format.
Parameters :
Returns :
void
|
| Public onRemoveDendro | ||||||
onRemoveDendro(id: any)
|
||||||
|
Defined in src/app/app.component.ts:219
|
||||||
|
Handle the removal of a Dendrogram from the display.
Parameters :
Returns :
void
|
| Public onSavePDF | ||||||||
onSavePDF(event: any)
|
||||||||
|
Defined in src/app/app.component.ts:233
|
||||||||
|
Handle the request for saving the current canvas into a PDF file.
Parameters :
Returns :
void
|
| Public onSavePNG | ||||||||
onSavePNG(event: any)
|
||||||||
|
Defined in src/app/app.component.ts:248
|
||||||||
|
Handle the request for saving the current canvas into a PNG image.
Parameters :
Returns :
void
|
| Public onSaveSVG | ||||||||
onSaveSVG(event: any)
|
||||||||
|
Defined in src/app/app.component.ts:266
|
||||||||
|
Handle the request for saving the current canvas into an SVG image.
Parameters :
Returns :
void
|
| Public onSortDendro | ||||||||
onSortDendro(id: number)
|
||||||||
|
Defined in src/app/app.component.ts:290
|
||||||||
|
Handle the request for alphabetically sorting the leaves of a Dendrogram. Notice that only a best effort will be done to alphabetically sorting the nodes, from top to botton. The sorting is done only by applying rotations to the nodes, whithout changing the structure, and without adding crossing of edges.
Parameters :
Returns :
void
|
| Public onToggleDisplayMatches | ||||||||
onToggleDisplayMatches(showMatches: boolean)
|
||||||||
|
Defined in src/app/app.component.ts:303
|
||||||||
|
Handle the selection to display or hide the matches of cluster across pairs of consecutive Dendrograms.
Parameters :
Returns :
void
|
| _canvas |
_canvas:
|
Type : CanvasComponent
|
Decorators : ViewChild
|
|
Defined in src/app/app.component.ts:37
|
|
link to the canvas element where the visualization takes place |
| Private _dendrograms |
_dendrograms:
|
Type : Dendrogram[]
|
Default value : []
|
|
Defined in src/app/app.component.ts:32
|
|
The list of dendrograms currently loaded in the application |
| _interface |
_interface:
|
Type : InterfaceComponent
|
Decorators : ViewChild
|
|
Defined in src/app/app.component.ts:39
|
|
link to the interface component |
| Private _title |
_title:
|
Type : string
|
Default value : "Dendrogram (Sub)Cluster Match Visualization System"
|
|
Defined in src/app/app.component.ts:34
|
|
Title for the Application |
import * as d3 from 'd3';
import { ViewChild } from '@angular/core';
import { Component } from '@angular/core';
import { Title } from '@angular/platform-browser';
import { Dendrogram } from './dendrogram';
import { Utils } from './utils';
import { Extras } from './extras';
import { ClusterMatchEnum } from './clusterMatchType';
import { CanvasComponent } from './canvas/canvas.component';
import { InterfaceComponent } from './interface/interface.component';
import { saveAs } from 'file-saver';
/**
* Component definition
*/
@Component({
selector: 'app-root',
templateUrl: './app.component.html',
styleUrls: ['./app.component.css']
})
/**
* Main Application Component
* Handles the interaction needed between the Interface Component - which
* provides an interface to the user and captures its interactions; with the
* Canvas Component - that deals with the display of Dendrograms and the
* calculation of matches between them.
*/
export class AppComponent {
/** The list of dendrograms currently loaded in the application */
private _dendrograms: Dendrogram[] = [];
/** Title for the Application */
private _title: string = "Dendrogram (Sub)Cluster Match Visualization System";
/** link to the canvas element where the visualization takes place */
@ViewChild('canvas', {static: false}) _canvas: CanvasComponent;
/** link to the interface component */
@ViewChild('interface', {static: false}) _interface: InterfaceComponent;
/**
* Handle the changing of higlighting options for edges in matching sub-
* clusters.
*
* @param {string} type The type of edge highlighting selected by the user
*/
public onChangeHighlightType(type: string): void{
this._canvas.updateMatchHighlight(type);
this._canvas.drawScene(this._interface.getDisplayMatches());
}
/**
* Handle changes in the type of sub-cluster marches that should be displayed
* by the application.
*
* Since the matching routine is based on the names of the internal nodes of
* the Dendrogram structure, the first step into updating the display is to
* re-name the nodes. Then, clusters matches are re-calculated anf finally
* displayed.
*
* @param {number} type The type of matching strategy selected by the user
*/
public onChangeMatchType(type: number): void{
// depending on the type of cluster matching algorithm, we change the
// parameters used for the label generation
// Isomorphic - keep struct.: true; keep duplicates: true
// Rearranged - keep struct.: false; keep duplicates: true
// Contained - keep struct.: false; keep duplicates: false
var keepStructure: boolean = (type === ClusterMatchEnum.BIOISOMORPHIC) ? true : false;
var keepDuplicate: boolean = (type === ClusterMatchEnum.CONTAINED) ? false : true;
for(var i:number = 0; i<this._dendrograms.length; ++i){
this._dendrograms[i].setLabels(keepStructure, keepDuplicate);
}
// update the list of cluster matches that we need to display
this._canvas.updateClusterMatches(this._interface.getSampleSize());
// redraw the scene to reflect changes
this._canvas.drawScene(this._interface.getDisplayMatches());
}
/**
* Handle the change in the cutoff for a single Dendrogram.
*
* The change in the cutoff implies changing the amount of nodes that can take
* part of the matching routine, thus in turn it calls for an update on the
* node's labels, and an update on the cluster matching calculation.
*
* @param {number} id The index of the Dendrogram whose cutoff was changed
*/
public onChangeCutoff(id: number):void{
var type: number = this._interface.getMatchType();
console.log("changecutoff matchtype?:", type);
var keepStructure: boolean = (type === ClusterMatchEnum.BIOISOMORPHIC) ? true : false;
var keepDuplicate: boolean = (type === ClusterMatchEnum.CONTAINED) ? false : true;
this._dendrograms[id].setLabels(keepStructure, keepDuplicate);
// update the list of cluster matches that we need to display
this._canvas.updateClusterMatches(this._interface.getSampleSize());
// redraw the scene to reflect changes
this._canvas.drawScene(this._interface.getDisplayMatches());
}
/**
* Handle the change in sample size for cluster matching.
*
* The sample size tells the application the minimum number of leaves a node
* has to have in order to be classified as non-trivial for the matching
* algorithm.
*
* When considered trivial, a node will not be included in the matching
* routine, and thus will not be paired to a similar node in a different
* structure, even if it meets the currently selected criteria for such match
* to occur.
*
* @param {number} size The new size for sample, that should be used when
* calculating matching nodes across Dendrogram structures
*/
public onChangeSampleSize(size: number): void{
// Update the list of matches, using the new size for trivial nodes
this._canvas.updateClusterMatches(size);
// redraw the scene to reflect changes
this._canvas.drawScene(this._interface.getDisplayMatches());
}
/**
* Handle the horizonal flip of a single Dendrogram display.
*
* Dendrograms are usually shown with their root node at the left-end of the
* display, and the leaves at the right-end. But in order to facilitate the
* visual inspection of cluster matches, the user is allowed to flip this
* visualization, making the leaves display at the left-end, and the root at
* the right-end.
*
* @param {number} id The index of the Dendrogram the user has selected to flip
*/
public onFlipDendrogram(id: number): void{
this._dendrograms[id].toggleFlipped();
this._canvas.initDendrogramCoordinates(id);
this._canvas.drawScene(this._interface.getDisplayMatches());
}
/**
* Handle the loading of a Dendrogram structure and its display.
*
* Dendrograms need to be stored on text files, following the Newick (or New)
* Hampshire) format.
*
* @param {file} file The file object where the Dendrogram is stored, supplied
* by the user
*/
public onLoadDendro(file: any): void{
// title for the new dendrogram and initialization of a new instance
var fileName: string;
fileName = file.name;
fileName = Utils.rsplit(fileName, ".", 1)[0];
var d: Dendrogram;
d = new Dendrogram(fileName);
// url object for file reading and processing
var url = URL.createObjectURL(file);
var self = this;
// define a variable that can be uses to exchange data between the page
// and the server
var rqst = new XMLHttpRequest();
// request the files
rqst.open("GET", url);
// since the loading of the files is performed asynchronously by AJAX, we
// wait for both to be ready before performing the callback. Since loading
// of either file finishes first, we when the 'second' loading finishes
rqst.onreadystatechange = function() {
// rqst DONE and status OK
if (rqst.readyState == 4 && rqst.status == 200) {
var info = rqst.responseText.trim();
// remove first and last parenthesis and semicolon at the end of line
info = info.substring(1,info.length-1);
// loading the text file into a hierarchical structure for D3 involves
// two stages: parsing into a suitable object structure
var dendro = Utils.parsePhylogramTree(info, "r");
// and create a hierarchical layout for d3
d.setRoot(d3.hierarchy(dendro));
// post-processing of the dendrogram structure
d.getRoot().count(); // calculates the # of children each node has
d.initLeafCount(); // initialize the number of leaves in the dendrogram
d.setDistance(); // calculate the distance from each node to its leaves
d.setLeafLabels(); // modify the label of leaves
// assign labels to internal nodes
var type: number = +self._interface.getMatchType();
var keepStructure: boolean = (type === ClusterMatchEnum.BIOISOMORPHIC) ? true : false;
var keepDuplicate: boolean = (type === ClusterMatchEnum.CONTAINED) ? false : true;
d.setLabels(keepStructure, keepDuplicate);
// finally, we handle the drawing of the scene
// add the structure to the list
self._dendrograms.push(d);
// rezize the canvas to accomodate the new struct
self._canvas.updateSize();
// update all dendro coordinates
self._canvas.initDendrogramCoordinates();
// if needed for display, update list of cluster matches
if( self._interface.getDisplayMatches ){
self._canvas.updateClusterMatches(self._interface.getSampleSize());
}
// redraw the whole scene
self._canvas.drawScene(self._interface.getDisplayMatches());
}
}
rqst.send();
}
/**
* Handle the removal of a Dendrogram from the display.
*
* @param {number} index The index of the Dendrogram selected for removal
*/
public onRemoveDendro(id: any): void{
this._dendrograms.splice(id, 1);
this._canvas.updateSize();
this._canvas.initDendrogramCoordinates();
this._canvas.updateClusterMatches(this._interface.getSampleSize()); // update list of cluster matches
this._canvas.drawScene(this._interface.getDisplayMatches());
}
/**
* Handle the request for saving the current canvas into a PDF file.
*
* @param {any} event The click event generated by the button element of the
* interface
*/
public onSavePDF(event: any): void{
var svg: any = this._canvas.getDisplay();
var width: number = this._canvas.getWidth();
var height: number = this._canvas.getHeight();
var svgString:string = Extras.getSVGString(svg.node());
// passes Blob and filesize String to the callback
Extras.svgString2Pdf( svgString, width, height );
}
/**
* Handle the request for saving the current canvas into a PNG image.
*
* @param {any} event The click event generated by the button element of the
* interface
*/
public onSavePNG(event: any): void{
var svg: any = this._canvas.getDisplay();
var width: number = this._canvas.getWidth();
var height: number = this._canvas.getHeight();
var svgString:string = Extras.getSVGString(svg.node());
// passes Blob and filesize String to the callback
Extras.svgString2Image( svgString, 2*width, 2*height, 'png', save );
function save( dataBlob, filesize ){
saveAs( dataBlob, "graph.png" );
}
}
/**
* Handle the request for saving the current canvas into an SVG image.
*
* @param {any} event The click event generated by the button element of the
* interface
*/
public onSaveSVG(event: any): void{
var svg: any = this._canvas.getDisplay();
svg.attr("title", "Dendrogram Graph");
svg.attr("version", 1.1);
svg.attr("xmlns", "http://www.w3.org/2000/svg");
svg.node().parentNode.innerHTML;
var cssStyleText:string = Extras.getCSSStyles( svg.node() );
Extras.appendCSS( cssStyleText, svg.node() );
var blob = new Blob([svg.node().parentNode.innerHTML], {type: "image/svg+xml"});
saveAs(blob, "graph.svg");
}
/**
* Handle the request for alphabetically sorting the leaves of a Dendrogram.
*
* Notice that only a best effort will be done to alphabetically sorting the
* nodes, from top to botton. The sorting is done only by applying rotations
* to the nodes, whithout changing the structure, and without adding crossing
* of edges.
*
* @param {number} id The index of the Dendrogram selected by the user
*/
public onSortDendro(id: number): void{
this._dendrograms[id].sort();
this._canvas.initDendrogramCoordinates(id);
this._canvas.drawScene(this._interface.getDisplayMatches());
}
/**
* Handle the selection to display or hide the matches of cluster across
* pairs of consecutive Dendrograms.
*
* @param {boolean} showMatches An indication on whether the matches should or
* not be displayed, according to user selection
*/
public onToggleDisplayMatches(showMatches: boolean): void{
this._canvas.drawScene(showMatches);
}
}

<app-interface #interface
(loadDendrogramEmitter)="onLoadDendro($event)"
(changeSampleSizeEmitter)="onChangeSampleSize($event)"
(removeDendrogramEmitter)="onRemoveDendro($event)"
(flipDendrogramEmitter)="onFlipDendrogram($event)"
(sortDendrogramEmitter)="onSortDendro($event)"
(toggleDisplayMatchesEmitter)="onToggleDisplayMatches($event)"
(changeMatchTypeEmitter)="onChangeMatchType($event)"
(changeHighlightTypeEmitter)="onChangeHighlightType($event)"
(savePNGEmitter)="onSavePNG($event)"
(savePDFEmitter)="onSavePDF($event)"
(saveSVGEmitter)="onSaveSVG($event)"
>
</app-interface>

<app-canvas #canvas
(changeCutoffEmitter)="onChangeCutoff($event)"
[_dendrograms]="_dendrograms" >
</app-canvas>


pingouin.tost¶
-
pingouin.
tost
(x, y, bound=1, paired=False, correction=False)¶ Two One-Sided Test (TOST) for equivalence.
- Parameters
- x, yarray_like
First and second set of observations.
x
andy
should have the same units. Ify
is a single value (e.g. 0), a one-sample test is performed.- boundfloat
Magnitude of region of similarity (a.k.a epsilon). Note that this should be expressed in the same unit as
x
andy
.- pairedboolean
Specify whether the two observations are related (i.e. repeated measures) or independent.
- correctionauto or boolean
Specify whether or not to correct for unequal variances using Welch separate variances T-test. This only applies if
paired
is False.
- Returns
- stats
pandas.DataFrame
'bound'
: bound (= epsilon, or equivalence margin)'dof'
: degrees of freedom'pval'
: TOST p-value
- stats
See also
References
- 1
Schuirmann, D.L. 1981. On hypothesis testing to determine if the mean of a normal distribution is contained in a known interval. Biometrics 37 617.
- 2
https://cran.r-project.org/web/packages/equivalence/equivalence.pdf
Examples
Independent two-sample TOST with a region of similarity of 1 (default)
>>> import pingouin as pg >>> a = [4, 7, 8, 6, 3, 2] >>> b = [6, 8, 7, 10, 11, 9] >>> pg.tost(a, b) bound dof pval TOST 1 10 0.965097
Paired TOST with a different region of similarity
>>> pg.tost(a, b, bound=0.5, paired=True) bound dof pval TOST 0.5 5 0.954854
One sample TOST
>>> pg.tost(a, y=0, bound=4) bound dof pval TOST 4 5 0.825967


Roger Stone, you've been THUNDERSTRUCK
by Xeni JardinOh, I've been waiting for this day for a long time.
Roger Stone was found guilty on all counts today and the 67-year-old felon could serve up to 50 years in prison.
Roger Stone, YOU'VE BEEN THUNDERSTRUCK.
From Mark Frauenfelder's post:
Roger Stone was found guilty of lying to a Congressional House committee about his involvement with Wikileaks and for witness tampering. The jury deliberated for eight hours before convicting him of all seven counts. The 67-year-old felon could serve up to 50 years in prison.
Presidential Pardon?
Or will he turn on Trump?
And from Rob Beschizza's post today:
The big picture: Prosecutors alleged in closing arguments that Stone lied to congressional investigators because he "knew that if this information came out it would look really bad for his longtime associate Donald Trump," the New York Times reports.
CNN notes that the most significant revelation from Stone's trial was "the extent to which Stone was in touch with Trump directly and other campaign officials, and how they eagerly anticipated WikiLeaks' releases of hacked Democratic emails in 2016."
And you know nobody is enjoying this day like John Podesta.
In August, 2016, Roger Stone famously tweeted, "it will soon be Podesta’s time in the barrel.”
Shortly thereafter, WikiLeaks began publishing John Podesta's stolen emails.
ABOVE, AC/DC performing “Thunderstruck” live at River Plate [LINK].
Below, AC/DC - Thunderstruck (From Live at the Circus Krone).


--- layout: post title: Cisco Prime Infrastructure 2.1 slug: Cisco-Prime-Infrastructure-2-1 date: 2014-05-20 categories: - Networking tags: - Cisco - Prime - prime 2.1 - Prime infrastructure author: Dennis Ladefoged ---
Good news! Prime Infrastructure 2.1 is out and available. But instead of getting a upgrade path from 1.4 we only get a 2.0 -> 2.1 upgrade. It seems that all that was promised in the 2.1 upgrade the last 6 months are postponed to 2.2. So no new LMS features, and were still waiting on the 7.6x wlc features.
I´ll be honest that i´m not the biggest fan of Prime. Too many bugs, slow feature turnaround. I´m personally prone to lean towards Solarwinds and HP´s IMC for many tasks, but Cisco´s getting there.  But that´s many if´s...
New Features
Read the release notes here...
I just wish that they would do something about the 15+ min. boot time and service restart. It´s a killer !


Psalm 78
A maschil of Asaph.
1 Hear my teaching, my people,
listen to the words of my mouth.
2 I will open my mouth in parables;
I will sing about hidden things about the past.
3 These are things that we have heard and learned,
things that our ancestors have told us.
4 We will not keep them from their descendants.
We will tell the next generation about the praiseworthy deeds of Yahweh,
his strength, and the wonders that he has done.
5 For he established covenant decrees in Jacob
and appointed a law in Israel.
He commanded our ancestors
that they were to teach them to their children.
6 He commanded this so that the generation to come might know his decrees, the children not yet born,
who should tell them in turn to their own children.
7 Then they would place their hope in God
and not forget his deeds
but keep his commandments.
8 Then they would not be like their ancestors,
who were a stubborn and rebellious generation,
a generation whose hearts were not right,
and whose spirits were not committed and faithful to God.
9 The Ephraimites were armed with bows,
but they turned back on the day of battle.
10 They did not keep the covenant with God,
and they refused to obey his law.
11 They forgot his deeds,
the wonderful things that he had shown them.
12 Marvelous things he did in the sight of their ancestors
in the land of Egypt, in the land of Zoan.
13 He divided the sea and led them across it;
he made the waters to stand like walls.
14 In the daytime he led them with a cloud
and all the night with the light of fire.
15 He split the rocks in the wilderness,
and he gave them water abundantly, enough to fill the depths of the sea.
16 He made streams flow out of the rock
and made the water flow like rivers.
17 Yet they continued to sin against him,
rebelling against the Most High in the wilderness.
18 They challenged God in their hearts
by asking for food to satisfy their appetites.
19 They spoke against God;
they said, "Can God really lay out a table for us in the wilderness?
20 See, when he struck the rock, waters gushed out
and streams overflowed.
But can he give bread also?
Will he provide meat for his people?"
21 When Yahweh heard this, he was angry;
so his fire burned against Jacob,
and his anger attacked Israel,
22 because they did not believe in God
and did not trust in his salvation.
23 Yet he commanded the skies above
and opened the doors of the sky.
24 He rained down manna for them to eat,
and gave them the grain from heaven.
25 People ate the bread of angels.
He sent them food in abundance.
26 He caused the east wind to blow in the sky,
and by his power he guided the south wind.
27 He rained down meat on them like dust,
birds as numerous as the sands of the sea.
28 They fell in the middle of their camp,
all around their tents.
29 So they ate and were full.
He gave them what they craved.
30 But they had not yet filled up;
their food was still in their mouths.
31 Then God's anger attacked them
and killed the strongest of them.

Yes, many times he held back his anger
and did not stir up all his wrath.
39 He called to mind that they were made of flesh,
a wind that passes away and does not return.
40 How often they rebelled against him in the wilderness
and grieved him in the barren regions!
41 Again and again they challenged God
and offended the Holy One of Israel.
42 They did not think about his power,
how he had rescued them from the enemy
43 when he performed his terrifying signs in Egypt
and his wonders in the region of Zoan.
44 He turned the Egyptians' rivers to blood
so that they could not drink from their streams.
45 He sent swarms of flies that devoured them
and frogs that overran their land.
46 He gave their crops to the grasshopper
and their labor to the locust.
47 He destroyed their vines with hail
and their sycamore trees with more hail.
48 He rained hail on their cattle
and hurled lightning bolts at their livestock.
49 The fierceness of his anger lashed out against them.
He sent wrath, fury, and trouble
like agents who bring disaster.
50 He leveled a path for his anger;
he did not spare them from death
but gave them over to the plague.
51 He killed all the firstborn in Egypt,
the firstborn of their strength in the tents of Ham.
52 He led his own people out like sheep
and guided them through the wilderness like a flock.
53 He led them secure and unafraid,
but the sea overwhelmed their enemies.
54 Then he brought them to the border of his holy land,
to this mountain that his right hand acquired.
55 He drove out the nations from before them
and assigned them their inheritance;
he settled the tribes of Israel in their tents.
56 Yet they challenged and defied the Most High God
and did not keep his solemn commands.
57 They were unfaithful and acted treacherously like their fathers;
they were as undependable as a faulty bow.
58 For they made him angry with their pagan shrines
and provoked him to jealous anger with their idols.
59 When God heard this, he was angry
and completely rejected Israel.
60 He abandoned the sanctuary of Shiloh,
the tent where he had lived among people.
61 He allowed his strength to be captured
and gave his glory into the enemy's hand.
62 He handed his people over to the sword,
and he was angry with his heritage.
63 Fire devoured their young men,
and their young women had no wedding songs.
64 Their priests fell by the sword,
and their widows could not weep.
65 Then the Lord awakened as one from sleep,
like a warrior who shouts because of wine.
66 He drove his adversaries back;
he put them to everlasting shame.
67 He rejected the tent of Joseph,
and he did not chose the tribe of Ephraim.
68 He chose the tribe of Judah
and Mount Zion that he loved.
69 He built his sanctuary like the heavens,
like the earth that he has established forever.
70 He chose David, his servant,
and took him from the sheepfolds.
71 He took him from following the ewes with their young, and he brought him
to be shepherd of Jacob, his people, and of Israel, his heritage.
72 David shepherded them with the integrity of his heart,
and he guided them with the skill of his hands.


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Beyond Beauty
<EMAIL_ADDRESS>Copyright © Beyond Beauty


{% extends 'layouts/layout-nhsprofile-fester.html' %} {% block pageTitle %} NHS login privacy notice {% endblock %} {% block beforeContent %} {{ breadcrumb({ href: "/nhs-profile-fester/settings/index", text: "Manage your NHS login" }) }} {% endblock %} {% block content %}
This privacy notice will explain:
NHS Digital provides national information, data and IT systems for health and care services.
Mentions of "us" and "we" mean NHS Digital and "you" means anyone using the platform.
We've created a platform that lets you create an NHS login to use health websites and apps, including NHS England websites and apps.
We need personal information from you to set up your NHS login.
A data controller determines how and why personal data is processed. We're the data controller for your personal information you give us when:
We do not have access to your GP medical records. Your GP surgery is the data controller for the personal information in your medical records.
We'll use your personal information in line with data protection laws and this privacy notice.
We only collect personal information from you:
When you use your NHS login to access associated health websites and apps, we will ask your consent before we share your personal information.
They ask for your personal information so they can tailor the service for you.
When you use your NHS login to access associated health websites and apps, we give them your:
We give them these details so they can identify you with information unique to you.
The personal information we collect about you includes:
Identity data:
Contact data:
Technical data:
Special categories of personal data:
We may collect the following special categories of personal information from your ID document or short video:
We'll only collect, use and share your personal information when we've an appropriate legal basis to do so.
For the purposes of the health websites and apps, our use of your personal information is necessary to comply with a legal obligation we have.
Read more about our legal position.
We take the security of your personal information seriously. We've set up security measures, policies and procedures such as:
We hold onto (retain) your personal information for as long as is reasonably necessary. In some circumstances the length of time we hold onto your personal information will depend on legal, regulatory, tax, accounting, or necessary technical requirements.
In any event, we retain your records in line with the Records Management Code of Practice for Health and Social Care (2016).
Our retention periods are:
We'll hold this information until your accounts are closed or 12 months of no-use. When your account is closed it will be disabled and stored for a further 12 months, in case you want to re-open an account within that period. As the retention of the account is for your benefit, NHS Digital can erase your account on request within the 12-month further storage period.
We'll hold this information for 1 year after your account is closed to resolve any complaints, queries or challenges about inappropriate or fraudulent access. The 1 year further is necessary to satisfy this purpose, and therefore requests to prematurely erase this evidence will not be accepted.
We'll hold this information for 1 year after the action was logged for example an object identifier (IP address) which shows activity such as webpage access, account login requests and successful and unsuccessful login attempts.
We'll hold this information for 6 years from the event occurring. Audit events use log data as the source to provide awareness to maintain our platform and verification service.
We store your data in the European Economic Area (EEA). We'll update this notice if we transfer your personal information outside of the EEA. If this happens, we'll make sure you are given the same level of protection.
Data protection laws give you rights in relation to your personal information.
If you would like to ask for a copy of your personal information, you need to complete a subject access request form.
You can either email or post it to the contact details on the form.
You can request that we change your personal information if:
We may check if the personal information we have is correct before changing it. We'll do this as quickly as possible and might ask you for more information.
You can request that we erase your personal information in limited circumstances where:
We may not be able to erase your personal information if the processing of your personal information is necessary:
You have the right to request a restriction such as a temporary stop of the processing of your personal information where:
You have the right to complain about how we process your personal information. You can do this using our feedback and complaints page or through the Information Complaints Office (ICO). The ICO is the regulator for data protection.
Our terms of use may change. We'll inform you on the platform if we make any substantial changes NHS login's privacy notice, cookies or terms and conditions.


This is a really awesome event so far everyone! I'm proud of all your participation, and good luck for the remainder. Reminder that the triple point bonus will be available tomorrow!
Don't forget about the team building lunch today.
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On the upper right of your screen (above the animation palette) you should see the file palette. Use this palette to browse through the image folder's you'd created in step one to find the images you'll be using to assemble the initial key-frame. Before you begin using the images you might want to take your time to give each image a custom pivot point. (images default to a top-left pivot point, and its often more convenient and leads to better final results to set pivot-points based on actual aspects of the image in question...for example, the image of an upper arm would scale and rotate more naturally around a pivot point set in the center of the shoulder). To set a default pivot point for an image, double-click on that image in the file palette and a dialogue box will appear giving you the ability to set the pivot point. Once you've set the pivot point how you'd like, click OK.