Hi, there.
I'm Louella and I create pixels and write codes.
About
Results-driven, creative, and passionate about creating functional user experience in positive ways.
Professional and confident Web Graphic Designer and Front-End Developer with over 10 years of experience who loves design and technology, and always excited to take new challenges. Leadership and hands on experience in all phases of design, development, and digital marketing. Worked as in-house designer in the San Francisco Bay Area for large companies and startups, as well as freelance for small projects.
I do my best work when I get to collaborate with dynamic teams who strive to create the best possible experience for people. When I'm not creating pixels, coding, or tweeting, you'll find me biking, hiking, camping and eating pizza. I am always curious, always learning, and never bored.Current Interest: JavaScript, MySQL, ReactJS, UI/UX, AI
Experience
My career has taken a natural progression from graphic design, web design, video editing, photography, UI/UX design, digital marketing, to web development.
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Lead Creative Designer 6/2014 - Present
Leading in-house web, print, and digital marketing design solutions for a biopharmaceutical company:
- Overall creating, developing, and managing five company websites using WordPress and eCommerce. These activities include the creation of all graphical elements, development, testing, documentation, implementation, marketing, troubleshooting and support
- Produce creative print and graphic design solutions for all brand channels including packaging, events, retail and corporate. These activities include collaboration, brainstorming, layout and graphics development and print production. Attend press checks
- Managing digital marketing (SEO, PPC, Analytics, Social Media and Email marketing)
June 2014 - Present | Emeryville, CAWeb and Graphic Designer 9/2011 - 6/2014Responsible for creative design solutions in both web and print projects:
- Lead design, management, and development for company websites using HTML, CSS, JavaScript and how they interact with different browsers
- Create artwork print-ready file and ensure in compliance with the internal SOP, CMO, and regulatory agencies, including print and web promotional materials, booth design, packaging and corporate identity
- Implemented digital marketing (SEO, Social Media, AdWords and Google Analytics)
September 2011 - June 2014 | Emeryville, CAUX Designer 1/2011 - 3/2011Working closely with UX director and engineers to define UI requirements by:
- Created wireframes and mockups to support company's consistent visual guidelines
- Assist producing graphic assets and edited CSS showcasing ads in the Squarespace CMS platform
- Produced images mockup for web-based builders application tool
- Provide PSD mockup production ready for HTML and CSS
- Experienced designing within an agile environment
January 2011 - May 2011 | San Francisco, CAWeb Graphic Designer 10/2004 - 1/2011- Planned, designed and managed various company website
- Close interaction with business unit to provide web design solution from brief to delivery
- Produced mockups and screen designs to help document design decisions
- Created web banner graphics, landing pages and implement e-newsletter
- Develop ASP online form to generate customer’s data and improved customer response time
- Hands-on involvement in a variety of marketing logistics and working events
October 2004 - January 2011 | Redwood City, CAWeb Designer 10/2003 - 10/2004- Created 357 sites design within 10 months for SBC client using Netopia’s web-based editing software
- Record and track workflow in company database
October 2003 - October 2004 | Emeryville, CAWeb and Graphic Marketing Assistant 5/2001 - 6/2004- Developed and maintained company eCommerce website using Miva Merchant
- Create and produced marketing collateral materials
- Worked with the printers, vendors, and clients to manage business needs
May 2001 - June 2004 | Novato, CAPortfolio
Skills
Web Languages / Technologies
HTMLCSSJavaScriptjQueryMaterializeBootstrapDreamweaverMySQLMongo DBNode JSPythonReact JSGitHubHerokuCMS
SquarespaceWordPresseCommerce
BigCommercePrint Design
IllustratorInDesignPhotoshopDigital Marketing
Google AdwordsGoogle AnalyticsGoogle SearchSearch Engine OptimizationVerticalResponseEducation
Certification in Full Stack Web Development, UC Berkeley Extension | October 2017 - April 2018
Studio Graphic Design Classes, Academy of Art University | 2006 - 2008
Bachelor of Art in Design and Visualization, Silicon Valley College | 2004
Graphic Design Certificate, Santa Rosa Junior College | 2001
INDEPENDENT COURSEWORK:
- Introduction to User Experience Design, Coursera Course Certificates | September 2016
- HTML, CSS, and JavaScript, Coursera Course Certificates | August 2016
- Advanced Search Engine Marketing Certificate, University of San Francisco | August 2014
- 24-Evening Web Marketing Course, AcademyX Computer Training | May 2013
- WordPress Fundamentals, AcademyX Computer Training | June 2013
Contact


--- layout: post title: 'Coming back home: NY recap 1.' date: 2008-12-08 04:16:50.000000000 -06:00 type: post parent_id: '0' published: true password: '' status: publish categories: - English - USA08 tags: [] meta: _edit_last: '1412221' author: login: dreamessenceonthemove email<EMAIL_ADDRESS>display_name: darribas first_name: Daniel last_name: Arribas-Bel permalink: "/2008/12/08/coming-back-home-ny-recap-1/" ---
On my way back home for Christmas, I decided to spend a couple of days in NYC. I had to fly out from NY anyway because it's there where I flew in when I came to the US now four months ago. But, just to "avoid any risk due to the delay of my flight from Phoenix", I decided to keep a couple of days in between in the Big Apple :) So yesterday, I woke up very very early in Tempe, got on the bus, transferred in Denver and by the evening, I was on my hostel in Harlem (10 bucks a night and free WiFi, what else can I ask for?). I had dinner at a soul food place, fish, okra and candied yams. Great.
This morning, I woke up real early for a sunday and started doing all the urban walking I've missed so much while in Tempe. I went down the Fifth Av. and then switched to the Third; had breakfast on a latin-american place and continued the walk all my way down to lower Manhattan, doing some incurssions in Central Park; stopped by the UN and got on the subway to Brooklyn. I stopped for a piece of cheesecake and I bought an old vinyl of Nat King Cole for three bucks (!) at a vintage store. Finally, I had a burger for dinner at one of those places you barely have space to eat the thing and, since it was getting pretty darn cold (actually about -2 windy...), I took the subway back to the hostel. Tomorrow more. Happiness.


Description: A small rails webserver that runs on a Raspberry Pi Model B that will monitor a plant's soil moisture and display the historical measurements. If the moisture level dips below a preset threshold, a rake task will trigger a small aquarium pump to water the plant
Why it's cool: I like this project because it's an interesting mix of hardware and software. The Raspberry Pi is fully capable of supporting Debian linux and running a rails server, while this project relies upon an analog moisture sensor, an ten-bit A2D converter, and a power relay to switch on the aquarium pump.
Description: A Ruby gem that creates a simple DSL for creating a Raspberry Pi web server to monitor sensors, switches, and buttons via the Pi's GPIO pins. Utilizes a simple, mobile-ready interface, and supports dns-sd/Bonjour discovery of other whipped-cream Pis on the local network.
Why it's cool: Anything on the Pi is fun, but this project was also my first significant open-source contribution. It was also my first foray into ruby gems, and let me learn a bit about Travis CI and dns-sd.
Description: Your typical public-facing rails prototype that implements real-time public voting (similar to real-time polling during political speeches.) Uses bootstrap for layout, devise for user authentication, and Highcharts for data plotting.
Why it's cool: This project was pretty simple, but fun because I got to experiment a bit with the JSON API for returning real-time votes, and the JavaScript for continually submitting votes.
Description: A small weekend project to learn a bit about Sinatra/Padrino. This site scrapes the recreation.gov website for open dates in Yosemite's Lower Pines campground. Utilizes the Padrino framework, ActiveRecord for data persistance, and bootstrap for appearance.
Why it's cool: This project was fun because it introduced me to an alternate MVC framework, and helped me realize what parts of rails really shine and what parts I could live without. It's also super convenient.


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MID - 1AM
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12:01AM
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William Alwyn - Concerto Grosso No. 2: 1st movement
Royal Liverpool Philharmonic Orchestra
David Lloyd-Jones, conductor
Naxos 570145
- BUY
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12:06AM
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Franz Liszt - Symphonic Poem No. 12 "Die Ideale"
Leipzig Gewandhaus Orchestra
Kurt Masur, conductor
EMI 68598
- BUY
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12:33AM
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Joaquin Malats - Spanish Serenade
Christoph Denoth, guitar
Signum 404
- BUY
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12:39AM
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Camille Saint-Saens - Cello Concerto No. 1
London Symphony Orchestra
Mstislav Rostropovich, conductor
Han-Na Chang, cello
EMI 56126
- BUY
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1AM - 2AM
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1:01AM
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Tarquinio Merula - Ballo detto Pollicio/La Cattarina
Ensemble Fitzwilliam
Valois 4641
- BUY
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1:06AM
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Wolfgang Amadeus Mozart - Violin Concerto No. 1
Orchestra Mozart
Claudio Abbado, conductor
Giuliano Carmignola, violin
Archiv 4777371
- BUY
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1:26AM
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Felix Mendelssohn - Variations serieuses (Serious Variations)
Jean-Yves Thibaudet, piano
London/Decca 468600
- BUY
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1:38AM
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Francois Couperin - The Nations: France
European Baroque Soloists
Wolfgang Schulz, flute
Hansjorg Schellenberger, oboe
Philip Moll, harpsichord
Milan Turkovich, bassoon
Denon 4408
- BUY
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2AM - 3AM
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2:01AM
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Johann Strauss, Jr. - Artists' Quadrille (Kunstler-Quadrille)
Cincinnati Pops Orchestra
Erich Kunzel, conductor
Telarc 80314
- BUY
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2:06AM
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Ludwig van Beethoven - Cello Sonata No. 4
Zuill Bailey, cello
Simone Dinnerstein, piano
Telarc 80740
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2:23AM
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Claude Gervaise - Galliard
Early Music Consort of London
David Munrow, conductor
Testament 1250
- BUY
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2:25AM
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William Herschel - Symphony No. 14
London Mozart Players
Matthias Bamert, conductor
Chandos 10048
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2:37AM
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Franz Joseph Haydn - String Quartet No. 25
Daedalus Quartet
Bridge 9326
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3AM - 4AM
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3:01AM
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Mikhail Glinka - Ruslan and Ludmila: Overture
Los Angeles Philharmonic Orchestra
Andre Previn, conductor
Philips 416382
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3:06AM
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Jacques Offenbach - La Belle Helene (Beautiful Helene): Overture
BBC Philharmonic Orchestra
Yan Pascal Tortelier, conductor
Chandos 9765
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3:15AM
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Johann Sebastian Bach - Brandenburg Concerto No. 5
Concentus Musicus Vienna
Nikolaus Harnoncourt, conductor
Teldec 75859
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3:37AM
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Franz Schubert - Noble Waltz No. 3
Gil Shaham, violin
Goran Sollscher, guitar
DG 471568
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3:42AM
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Beryl Rubinstein - Sonata
Jeffrey Khaner, flute
Hugh Sung, piano
Avie 4
- BUY
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4AM - 5AM
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4:01AM
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Jean-Philippe Rameau - Concert Suite No. 6: La Poule (The Hen)
Musicians of the Louvre
Marc Minkowski, conductor
Archiv 4478
- BUY
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4:06AM
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Carl Friedrich Abel - Overture No. 4
Il Fondamento
Paul Dombrecht, conductor
Passacaille 903
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4:16AM
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Dmitri Shostakovich - Jazz Suite No. 2: Waltz
Philadelphia Orchestra
Mariss Jansons, conductor
EMI 55601
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4:21AM
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Felix Mendelssohn - Capriccio Brillant
City of Birmingham Symphony Orchestra
Lawrence Foster, conductor
Stephen Hough, piano
Hyperion 66969
- BUY
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4:34AM
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E.J. Moeran - Sinfonietta
Northern Sinfonia of England
Richard Hickox, conductor
EMI 64721
- BUY
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5AM - 6AM
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5:01AM
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John Dowland - Walsingham
Paul O'Dette, lute
Astree 7715
- BUY
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5:06AM
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Edvard Grieg - Norwegian Dance No. 1
Gothenburg Symphony Orchestra
Neeme Jarvi, conductor
DG 419431
- BUY
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5:13AM
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John Rutter - Suite for Strings
Royal Philharmonic Orchestra
John Rutter, conductor
London/Decca 1821
- BUY
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5:27AM
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Willem de Fesch - Concerto in 7 Parts
Combattimento Consort Amsterdam
Jan Willem de Vriend, conductor
RadioNederland 121
- BUY
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5:33AM
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Edward Elgar - Salut d'amour (Love's Greeting)
Nigel Kennedy, violin
Peter Pettinger, piano
Steven Isserlis, cello
Chandos 8380
- BUY
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5:38AM
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Igor Stravinsky - Danses Concertantes
Orpheus Chamber Orchestra
DG 459644
- BUY
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6AM - 7AM
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6:01AM
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- Composers Datebook
- BUY
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6:03AM
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Agathe Grondahl - Fantasy Pieces: Summer Song
Iceland Symphony Orchestra
Bjarte Engeset, conductor
Naxos 557017
- BUY
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6:06AM
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Maurice Ravel - Pavane for a Dead Princess (Pavane pour une infante defunte)
Duo Similia
Analekta 9810
- BUY
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6:12AM
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Francesco Geminiani - Concerto Grosso No. 5
La Petite Bande
Sigiswald Kuijken, conductor
DHM 77010
- BUY
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6:23AM
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Wolfgang Amadeus Mozart - Turkish Rondo
Ruth Laredo, piano
ESS.A.Y 1026
- BUY
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6:27AM
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Georg Philipp Telemann - Double Violin Concerto
Berlin Baroque Soloists
Rainer Kussmaul, conductor
Rainer Kussmaul, violin
Rudiger Liebermann, violin
DG 5761
- BUY
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6:37AM
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Carl Stamitz - Symphony Concertante
English Chamber Orchestra
Daniel Barenboim, conductor
Isaac Stern, violin
Pinchas Zukerman, viola
Sony 66472
- BUY
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7AM - 8AM
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7:01AM
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Harry Dexter - Siciliano
RTE Concert Orchestra, Dublin
Ernest Tomlinson, conductor
Marco Polo 223522
- BUY
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7:06AM
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Antonio Vivaldi - Concerto for Two Trumpets
Academy of St Martin in the Fields
Neville Marriner, conductor
Maurice Andre, trumpet
Bernard Soustrot, trumpet
EMI 64100
- BUY
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7:14AM
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Franz Lehar - Where the Lark Sings (Wo die Lerche singt)
Vienna Johann Strauss Orchestra
Willi Boskovsky, conductor
EMI 74735
- BUY
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7:21AM
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Ludwig van Beethoven - Choral Fantasy
Leipzig Gewandhaus Orchestra
Kurt Masur, conductor
Soloists
Menahem Pressler, piano
Philips 438005
- BUY
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7:41AM
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Johann Sebastian Bach - Cantata No. 208: Sheep May Safely Graze
Los Angeles Chamber Orchestra
Christopher Parkening, guitar
EMI 47195
- BUY
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7:48AM
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Ralph Vaughan Williams - English Folk Song Suite
Cleveland Symphonic Winds
Frederick Fennell, conductor
Telarc 80099
- BUY
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8AM - 9AM
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8:01AM
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Erich Korngold - The Prince and the Pauper
National Philharmonic Orchestra
Charles Gerhardt, conductor
RCA 185
- BUY
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8:06AM
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Leonard Bernstein - Candide: Overture
Saint Louis Symphony Orchestra
Leonard Slatkin, conductor
EMI 64303
- BUY
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8:11AM
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Sergei Rachmaninoff - Lilacs
Alessio Bax, piano
Signum 264
- BUY
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8:15AM
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Paul Creston - Partita for Flute, Violin, and Strings
City of London Sinfonia
David Amos, conductor
Yossi Arnheim, flute
Nicholas Ward, violin
Harmonia Mundi 906011
- BUY
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8:32AM
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Gioacchino Rossini - L'Italiana in Algeri (The Italian Girl in Algiers): Overture
Atlanta Symphony Orchestra
Yoel Levi, conductor
Telarc 80334
- BUY
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8:41AM
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Emil Reesen - Variations on a Theme of Franz Schubert
Aalborg Symphony Orchestra
Bo Holten, conductor
Dacapo 226031
- BUY
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9AM - 10AM
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9:01AM
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Francois Couperin - La Misterieuse
Angela Hewitt, piano
Hyperion 67480
- BUY
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9:06AM
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Antonio Vandini - Cello Concerto
La Folia Baroque Orchestra
Robin Peter Muller, conductor
Jan Vogler, cello
Sony 9001
- BUY
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9:16AM
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Manuel de Falla - Seven Popular Spanish Songs: Jota
Los Romeros
Philips 412609
- BUY
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9:21AM
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Wolfgang Amadeus Mozart - Concerto for 3 Pianos
English Chamber Orchestra
Georg Solti, conductor
Daniel Barenboim, piano
Georg Solti, piano
Andras Schiff, piano
London/Decca 430232
- BUY
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9:44AM
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Giacomo Puccini - Turandot: Nessun dorma
Academy of St Martin in the Fields
Neville Marriner, conductor
EMI 49552
- BUY
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9:50AM
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Johannes Brahms - Violin Concerto: 3rd movement
Leipzig Gewandhaus Orchestra
Riccardo Chailly, conductor
Vadim Repin, violin
DG 4777470
- BUY
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10AM - 11AM
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10:01AM
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Johann Ernst Rieck - Suite of Dances No. 6
Stradivaria
Cypres 1633
- BUY
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10:06AM
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Luigi Boccherini - Introduction and Fandango
Los Angeles Guitar Quartet
Delos 3144
- BUY
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10:13AM
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Engelbert Humperdinck - Hansel and Gretel: Evening Prayer
Philadelphia Orchestra
Eugene Ormandy, conductor
Sony 45736
- BUY
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10:17AM
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Gabriel Faure - Violin Sonata No. 1
Itzhak Perlman, violin
Emanuel Ax, piano
Deutsche Grammophon 002361102
- BUY
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10:45AM
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Edward Elgar - Bavarian Dances
Bournemouth Sinfonietta
Norman Del Mar, conductor
Chandos 8371
- BUY
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11AM - 12N
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11:01AM
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Eric Coates - Dance of the Orange Blossoms
East of England Orchestra
Malcolm Nabarro, conductor
ASV 2075
- BUY
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11:06AM
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Emmanuel Chabrier - Le Roi malgre lui (The King in Spite of Himself): Fete polonaise
Vienna Philharmonic
John Eliot Gardiner, conductor
DG 447751
- BUY
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11:14AM
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William Boyce - Trio Sonata No. 6
Parley of Instruments
Peter Holman, conductor
Hyperion 67151
- BUY
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11:22AM
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Johann Christian Bach - Oboe Quartet
Heinz Holliger, oboe
Antonio Salvatore, violin
Massimo Paris, viola
Vito Paternoster, cello
Denon 7119
- BUY
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11:34AM
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Sergei Rachmaninoff - Rhapsody on a Theme of Paganini
Orchestra of the Mariinsky Theatre
Valery Gergiev, conductor
Lang Lang, piano
DG 3902
- BUY
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12N - 1PM
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12:01PM
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Burk Thumoth - Chiling o guiry (Celia O'Gara)
Concerto Caledonia
David McGuinness, conductor
Delphian 34014
- BUY
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12:06PM
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John Powell - At the Foot of Yonders Mountain
Debra Wendells-Cross, flute
Barbara Chapman, harp
Albany 1058
- BUY
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12:09PM
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Johann Sebastian Bach - English Suite No. 3
Piotr Anderszewski, piano
Warner 21939
- BUY
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12:34PM
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Gustav Holst - Indra
Ulster Orchestra
JoAnn Falletta, conductor
Naxos 572914
- BUY
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12:51PM
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Franz Schubert - Ave Maria
Gil Shaham, violin
Goran Sollscher, guitar
DG 471568
- BUY
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1PM - 2PM
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1:01PM
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Ludwig van Beethoven - Variations on Arne's "Rule Britannia"
Alfred Brendel, piano
Philips 432093
- BUY
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1:06PM
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Barry Phillips - Eight Ragas: In Brindaban Forest
Lux Musica
Barry Phillips/Linda Burman-Hall, conductor
East Meets West 1011
- BUY
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1:11PM
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Phillip Rhodes - Love Song
Veblen String Quartet
Centaur 2597
- BUY
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1:18PM
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Wolfgang Amadeus Mozart - Piano Concerto No. 3
Philharmonia Orchestra
Paul Freeman, conductor
Derek Han, piano
Pro Arte 593
- BUY
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1:33PM
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Max Bruch - Violin Concerto No. 2
Montreal Symphony Orchestra
Mario Bernardi, conductor
James Ehnes, violin
CBC 5222
- BUY
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2PM - 3PM
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2:01PM
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Johan Zander - Symphony: 4th movement
Royal Swedish Opera Orchestra
Philip Brunelle, conductor
Virgin 45186
- BUY
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2:06PM
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Johann Pachelbel - Canon
Academy of St Martin in the Fields
Neville Marriner, conductor
Philips 416386
- BUY
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2:10PM
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Erik Satie - Gnossiennes Nos. 1 and 3
Julie Scolnik, flute
Franziska Huhn, harp
SELF PROD 296
- BUY
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2:19PM
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Emmanuel Chabrier - Bourree Fantasque
French National Orchestra
Armin Jordan, conductor
Erato 88018
- BUY
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2:26PM
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Frederic Chopin - Etude No. 12 "Revolutionary"
Boris Berezovsky, piano
Teldec 73129
- BUY
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2:31PM
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Franz Joseph Haydn - Symphony No. 68
Philharmonia Baroque Orchestra
Nicholas McGegan, conductor
Philharmonia Baroque 8
- BUY
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3PM - 4PM
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3:01PM
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Pierre Attaingnant - Galliarde
Hopkinson Smith, lute
Astree 8854
- BUY
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3:06PM
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Reinhold Gliere - The Red Poppy: Russian Sailor's Dance
Boston Pops Orchestra
John Williams, conductor
Philips 426247
- BUY
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3:10PM
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Jacques Offenbach - Orpheus in the Underworld: Overture
Musicians of the Louvre
Marc Minkowski, conductor
Archiv 4776403
- BUY
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3:20PM
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Ludwig van Beethoven - Piano Sonata No. 18 "The Hunt"
Murray Perahia, piano
Sony 42319
- BUY
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3:45PM
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Claude Debussy - Preludes, Book 1: La fille a cheveux de lin (The Girl with the Flaxen Hair)
English Chamber Orchestra
Nigel Kennedy, violin
EMI 57330
- BUY
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3:48PM
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Brian Packham - South American Suite
Camerata Bariloche
Chris Norman, flute
Dorian 90250
- BUY
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4PM - 5PM
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4:01PM
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Vasily Kalinnikov - Intermezzo No. 2
London Symphony Orchestra
Neeme Jarvi, conductor
Chandos 8614
- BUY
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4:06PM
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Johann Altenburg - Concerto for 7 Trumpets and Timpani
New York Trumpet Ensemble
Gerard Schwarz, conductor
Delos 3002
- BUY
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4:11PM
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Percy Grainger - Shepherd's Hey
Bilder Duo
Grand Piano 633
- BUY
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4:15PM
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Edward Elgar - Enigma Variations
London Philharmonic Orchestra
Bryden Thomson, conductor
Chandos 8610
- BUY
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4:48PM
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Andre Gretry - Suite Rococo
I Fiamminghi
France Springuel, cello
Schwann 311197
- BUY
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5PM - 6PM
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5:01PM
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Giulio Regondi - Etude No. 8
David Starobin, guitar
Arabesque 6695
- BUY
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5:06PM
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Edouard Lalo - Namouna: Cigarette Waltz
French National Orchestra
Jean Martinon, conductor
DG 437371
- BUY
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5:12PM
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Wolfgang Amadeus Mozart - Symphony No. 32
Prague Chamber Orchestra
Charles Mackerras, conductor
Telarc 80203
- BUY
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5:21PM
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Felix Mendelssohn - Song without Words No. 30 "Spring Song"
Ilse von Alpenheim, piano
Philips 438709
- BUY
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5:24PM
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Michael Gandolfi - The Garden of Cosmic Speculation: Garden of the Senses Suite
Atlanta Symphony Orchestra
Robert Spano, conductor
Telarc 80696
- BUY
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5:39PM
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Frank Bridge - Dance Rhapsody
BBC National Orchestra of Wales
Richard Hickox, conductor
Chandos 10012
- BUY
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6PM - 7PM
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6:01PM
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Franz Schubert - Sehnsucht (Longing)
Robert Shaw Chamber Singers
Robert Shaw, conductor
Telarc 80340
- BUY
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6:06PM
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Frederic Chopin - Prelude No. 15 "Raindrop"
Maurizio Pollini, piano
DG 17385
- BUY
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6:11PM
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Alan Thomas - Variations on "The Carnival of Venice"
Cavatina Duo
Bridge 9448
- BUY
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6:23PM
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Edvard Grieg - March of the Trolls
Royal Philharmonic Orchestra
Yondani Butt, conductor
ASV 6117
- BUY
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6:27PM
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Franz Joseph Haydn - Flute and Oboe Concerto
Franz Liszt Chamber Orchestra
Janos Rolla, conductor
Jean-Pierre Rampal, flute
Pierre Pierlot, oboe
Sony 39772
- BUY
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6:42PM
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Darius Milhaud - Bull on the Roof (Le boeuf sur le toit)
Ulster Orchestra
Yan Pascal Tortelier, conductor
Chandos 9023
- BUY
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7PM - 8PM
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7:01PM
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William Corbett - Concerto alla Todesca: 1st movement
European Community Chamber Orchestra
Roy Goodman, conductor
Channel Classics 1391
- BUY
|
|
7:06PM
|
Fritz Kreisler - Liebesfreud (Love's Joy)
James Ehnes, violin
Eduard Laurel, piano
Analekta 3159
- BUY
|
|
7:10PM
|
Aram Khachaturian - Masquerade: Waltz
Scottish National Orchestra
Neeme Jarvi, conductor
Chandos 8542
- BUY
|
|
7:15PM
|
Antonin Dvorak - Cypresses
Chilingirian Quartet
Chandos 8826
- BUY
|
|
7:49PM
|
Ludwig van Beethoven - Violin Concerto: Finale
Revolutionary and Romantic Orchestra
John Eliot Gardiner, conductor
Viktoria Mullova, violin
Philips 473872
- BUY
|
8PM - 9PM
|
8:01PM
|
Nikolai Rimsky-Korsakov - Mlada: Procession of the Nobles
Philadelphia Orchestra
Eugene Ormandy, conductor
Sony 39786
- BUY
|
|
8:06PM
|
George Gershwin - Prelude No. 1
English Chamber Orchestra
Nigel Kennedy, violin
EMI 56890
- BUY
|
|
8:08PM
|
Engelbert Humperdinck - String Quartet: 2nd movement
Leipzig String Quartet
Dabringhaus 3071495
- BUY
|
|
8:16PM
|
George Frideric Handel - Keyboard Suite No. 11
Andrei Gavrilov, piano
EMI 69340
- BUY
|
|
8:32PM
|
Igor Stravinsky - The Fairy's Kiss: Divertimento
Royal Philharmonic Orchestra
Yuri Temirkanov, conductor
RCA 60394
- BUY
|
9PM - 10PM
|
9:01PM
|
Joe Hisaishi - The Rain
La Pieta
Angele Dubeau, conductor
Angele Dubeau, violin
Analekta 8737
- BUY
|
|
9:06PM
|
Franz Schubert - Fruhlingsglaube (Faith in Spring)
Oxana Yablonskaya, piano
Naxos 553062
- BUY
|
|
9:11PM
|
Marcel Grandjany - Aria in Classic Style
Stockholm Chamber Orchestra
Jan-Olav Wedin, conductor
Christine Muhlbach, harp
Bis 180
- BUY
|
|
9:19PM
|
Robert Schumann - Symphony No. 3 "Rhenish"
Berlin Philharmonic
Simon Rattle, conductor
Berlin Philharmonic 140011
- BUY
|
|
9:51PM
|
Georg Philipp Telemann - Violin and Oboe Concerto
Camerata Cologne
Mary Utiger, violin
Hans-Peter Westermann, oboe
DHM 77367
- BUY
|
10PM - 11PM
|
10:01PM
|
Miguel del Aguila - Salon Buenos Aires: Samba
Camerata San Antonio
Bridge 9302
- BUY
|
|
10:06PM
|
Wolfgang Amadeus Mozart - Piano Sonata No. 10
Marc-Andre Hamelin, piano
Hyperion 68029
- BUY
|
|
10:26PM
|
Charles Gounod - Ave Maria
Rolf Smedvig, trumpet
Michael Murray, organ
Telarc 80341
- BUY
|
|
10:30PM
|
Gareth Walters - Divertimento for Strings
Manitoba Chamber Orchestra
Roy Goodman, conductor
CBC 5227
- BUY
|
|
10:48PM
|
Felix Mendelssohn - Hebrides Overture (Fingal's Cave)
Bamberg Symphony Orchestra
Claus Peter Flor, conductor
RCA 7905
- BUY
|
11PM - MID
|
11:01PM
|
Carl Stamitz - Concerto for Viola and Orchestra: Finale
Cologne Chamber Orchestra
Helmut Muller-Bruhl, conductor
Wolfram Christ, viola
Schwann 11060
- BUY
|
|
11:06PM
|
Georges Enescu - Roumanian Rhapsody No. 1
Boston Pops Orchestra
Arthur Fiedler, conductor
RCA 6213
- BUY
|
|
11:18PM
|
Bedrich Smetana - Piano Trio
Ian Swensen, violin
Christopher Costanza, cello
Wu Han, piano
Music@Menlo 20044
- BUY
|
|
11:47PM
|
Franz Doppler - Hungarian Pastoral Fantasy
English Chamber Orchestra
Steuart Bedford, conductor
William Bennett, flute
ASV 652
- BUY
|
|


Toggle nav
, this is the dashboard of Surveymark, an application that keeps track of quality of our various industries, especially Foodmark.
Listed outlets of Foodmark
View details »
Listed brands of Foodmark
Ongoing surveys in various outlets
Analysis of the feedback


I totally underestimated the effect of those little seeds. To be honest, I wasn't prepared for anything like this. I knew the experience can vary a lot depending on the person.  My experiences with narcotics limit to cannabis and extacy - this was a whole new level for me.
T+00:00
I had planned this trip for a few days and came into conclusion that my brother's apartment would be a great place to do the thing. I ate the last meal somewhere around 2pm. I took a bite of pizza and revealed the seeds from a little matchbox. There was a slight tension about the taste and the nausea that many people complain. I chewed about 20 seeds a time and then swallowed 'em with water. It was about 5pm. In my opinion they tasted neutral, not bad at all. I decided to lay back to listen to some relaxing music and wait for the effects.
T+01:00
I was pretty surprised that I didn't notice any nausea or anything. No effects were detected yet until I put an end for the music and started playing with my cellphone. The light from the keypad and screen seemed kinda blurry. I kept exploring the light for a moment and noticed that I could see the beams of light when looking from the right direction. I was able to stretch and point the rays anywhere I wanted just by changing the angle of vision. It worked like sort of a flashlight! I went to check if my pupils were dilated yet but they were totally normal.
T+01:30
At this point my brother and I were pretty disappointed. We believed that they were bad seeds because there were no actual effects excluding the funny way light acted. My bro had got tickets for us to the cinema so we went out. Ok, there might have been a slight change in the contrast outside. The lights outside also acted funny, when I looked into the light of traffic light the rays of light were sparkling in my eyes. Nothing big.
T+02:40
I started to feel a bit abnormal. All the people talking in the cinema sounded odd. I felt absent. If someone familiar person had run into me he definitely would have sensed that something was wrong. In midway of the movie the seeds started to kick in. It was freaky. I felt really dosed, drunk and paralysed at the same time. I felt like I was liquid. I had to keep moving on my seat because it felt like I was becoming a part of the seat. I also noticed some change in my vision, I saw some little rotating circles everywhere I looked.
T+03:30
Movie was over. We left fast so we wouldn't run into anyone. Walking was really strange. My legs felt so numb. Walking felt like gliding around. I was obviously dosed now. We decided to go straight to home for some chillout. I was pretty sure this was no partydrug and I was right.
The next hours I kinda lost the control of time. When we got home I checked my eyes. Bloody hell! I've never seen anyone's eyes like this! My eyes were not even close to this on E. It was really freaky. They were totally dilated. You could barely see the colour of the eye.
I was looking forward for some chilling music. I got my mp3-player playing some 'Trip to Inner Self' by Essential Trip. It really suited the moment. So, I got the earphones on and myself lying on a soft bed. Wonderful!
I closed my eyes. I was enjoying the music at 110 percent. It really sounded and felt good. I also started to notice some closed-eye visuals. Dots circulating here and there. I really concentrated on the dots and got kind of a zoom on them. They were beautiful. I could see millions of colours changing shapes, moving around, becoming other colours. Somewhere at this point I kinda lost conciousness or at least it felt like it. I couldn't separate my senses anymore. Music felt like vision and the other way around. At this point I felt imaginatively ease. Like an eternal orgasm of psyche.
Now the psychedelic effects were really coming on the peak. I left reality and dove into my mind. I was a perfect being. A spiritual being. I was out of my body. My body was dead. I was perfection of knowledge. It was time to get all the answers. I solved every mystery that had ever bothered me. I found out what happens after death. I was there. I had all the answers of the greatest mysteries in history. Nothing could stop me. I just needed to fly through all those beautiful circulating colours and take the answers. Although it's pretty hard to remember all those answers. But I remember some of them were really terrifying. It felt good to know everything.
I was still tripping like mad. Now that I had solved all the secrets in world I wanted to get back to reality. But I couldn't. I was dead. I tried to find God in order to him to bring me back to my body, to my old life. But I couldn't find Him. I swore I'd never use any drugs or do any harm to anyone if I got back. I fell into agony when I thought all my beloved ones - and I'd never see them again.
Somehow I got back to reality. But I thought it wasn't reality. It wasn't somehow possible. Before I started tripping my brother and his girlfriend were watching some movie on the sofa. Now there was no-one. There was a total silence. I couldn't see anything clearly! I mean anything! Everything was blurry and the colours were shaping everywhere. I checked the TV. There was a still image. I knew what had happened. I had freezed the time. I started to panic. 'How will I solve this?' I asked myself. I was walking around the apartment anxiously. I decided to get to back to tripping, I got all the answers from the other dimension, why wouldn't I now?
I don't exactly know what happened. I totally freaked out. I thought I had lost my mind. All I wanted was to be sober again! I really didn't know what was real anymore. I couldn't believe in anything. I felt like Neo in The Matrix when Morpheus reveals the secret. I got up and tried some walking. It felt like falling forward. I could see like 3 frames per second. I called my for my brother since the sofa was still empy and the TV was still. My god I was glad to hear his voice from the bathroom. It was like a tiny proof that I wasn't completely insane. My brother tried to ask me about my trip but I couldn't tell him. I mustn't. The secrets weren't meant for outsiders, I wasn't supposed to take them out of the other dimension. Somehow it would had affected all of our lives.
Now afterwards I'm really disappointed that I couldn't enjoy the tripping more. I was a total paranoid. Afraid of everything. We all went to sleep. But there was no chance for me to get sleep since there was still a thousand of thoughts circulating in my mind. Mostly negative thoughts.  I had read and seen pictures the other night about a guy who did such thing.
I hadn't peed all night. My bladder was blowing. I went to bathroom. I urinated in a sitting position since it was hard to stand stable. I looked at my penis.  Felt like it wasn't mine. Urination did hurt a bit. Bathroom was unpleasant all the way and it didn't help a thing that I started to hallucinate really badly. I started to read some magazine which has a friendly figure on its logo. But now, it wasn't friendly at all. It was a really nasty figure with devil's horn and evil grinning. I kept exploring it for a while and suddenly it just like transformed back to the original shape.
I tried to get some sleep again. Not a chance. I was still totally out of reality. I kept asking my brother to talk to me, it was like a proof that I hadn't gone insane and that I wasn't trapped in the other dimension. The other thing that made sleeping hard was the distorted sounds. Nothing sounded normal, I could hear some voices like really loud, like the humming from the refrigerator. It was pretty scary. I tried to close my eyes, but I could still see all those colours, not as strong as before, though. And it was annoying to keep 'em open because I saw everything as triple.
The rest of the night I was just lying there and thinking about everything. The trip, my life. I didn't sleep at all. In the morning I felt mentally exhausted but not bad at all. It was like I'd just been on a journey for 10 years and now came back a lot wiser and experienced. It felt good to be sober again - it was a damn scary night after all. My hearing was very sensitive the next day and my eyes were still reacting differently on the light the next week.
I learnt much from my trip. I have a whole new aspect on drugs. I now realize that all drugs aren't meant for partying, they play also an important role in all kind of self-examination. I understand way better how the mind works and what it's capable of. Afterwards I regard both being sober and psychedelics much more. Will I try Heavenly Blue again? I'm sure I will. Hopefully the next time will be without those mad paranoid thoughts.
If you consider taking Heavenly Blue, go for it. I don't have a single bad word to say 'bout it. Just make sure you have a really close friend next to you to remind you about the reality.
It was beautiful.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


nips nips2004 nips2004-126 nips2004-126-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Robert D. Kleinberg
Abstract: In the multi-armed bandit problem, an online algorithm must choose from a set of strategies in a sequence of n trials so as to minimize the total cost of the chosen strategies. While nearly tight upper and lower bounds are known in the case when the strategy set is ﬁnite, much less is known when there is an inﬁnite strategy set. Here we consider the case when the set of strategies is a subset of Rd , and the cost functions are continuous. In the d = 1 case, we improve on the best-known upper and lower bounds, closing the gap to a sublogarithmic factor. We also consider the case where d > 1 and the cost functions are convex, adapting a recent online convex optimization algorithm of Zinkevich to the sparser feedback model of the multi-armed bandit problem. 1
[1] R. AGRAWAL . The continuum-armed bandit problem. SIAM J. Control and Optimization, 33:1926-1951, 1995.
[2] P. AUER , N. C ESA -B IANCHI , AND P. F ISCHER . Finite-time analysis of the multi-armed bandit problem. Machine Learning, 47:235-256, 2002.
[3] P. AUER , N. C ESA -B IANCHI , Y. F REUND , AND R. S CHAPIRE . Gambling in a rigged casino: The adversarial multi-armed bandit problem. In Proceedings of FOCS 1995.
[4] B. AWERBUCH AND R. K LEINBERG . Near-Optimal Adaptive Routing: Shortest Paths and Geometric Generalizations. In Proceedings of STOC 2004.
[5] N. BANSAL , A. B LUM , S. C HAWLA , AND A. M EYERSON . Online oblivious routing. In Proceedings of SPAA 2003: 44-49.
[6] A. B LUM , C. B URCH , AND A. K ALAI . Finely-competitive paging. In Proceedings of FOCS 1999.
[7] A. B LUM , S. C HAWLA , AND A. K ALAI . Static Optimality and Dynamic Search-Optimality in Lists and Trees. Algorithmica 36(3): 249-260 (2003).
[8] A. B LUM , V. K UMAR , A. RUDRA , AND F. W U . Online learning in online auctions. In Proceedings of SODA 2003.
[9] A. B LUM AND H. B. M C M AHAN . Online geometric optimization in the bandit setting against an adaptive adversary. In Proceedings of COLT 2004.
[10] D. B ERRY AND L. P EARSON . Optimal Designs for Two-Stage Clinical Trials with Dichotomous Responses. Statistics in Medicine 4:487 - 508, 1985.
[11] E. C OPE . Regret and Convergence Bounds for Immediate-Reward Reinforcement Learning with Continuous Action Spaces. Preprint, 2004.
[12] A. F LAXMAN , A. K ALAI , AND H. B. M C M AHAN . Online Convex Optimization in the Bandit Setting: Gradient Descent Without a Gradient. To appear in Proceedings of SODA 2005.
[13] Y. F REUND AND R. S CHAPIRE . Adaptive Game Playing Using Multiplicative Weights. Games and Economic Behavior 29:79-103, 1999.
[14] R. G RAMACY, M. WARMUTH , S. B RANDT, AND I. A RI . Adaptive Caching by Refetching. In Advances in Neural Information Processing Systems 15, 2003.
[15] R. K LEINBERG AND T. L EIGHTON . The Value of Knowing a Demand Curve: Bounds on Regret for On-Line Posted-Price Auctions. In Proceedings of FOCS 2003.
[16] A. K ALAI AND S. V EMPALA . Efﬁcient algorithms for the online decision problem. In Proceedings of COLT 2003.
[17] J. K IEFER AND J. W OLFOWITZ . Stochastic Estimation of the Maximum of a Regression Function. Annals of Mathematical Statistics 23:462-466, 1952.
[18] T. L. L AI AND H. ROBBINS . Asymptotically efﬁcient adaptive allocations rules. Adv. in Appl. Math. 6:4-22, 1985.
[19] C. M ONTELEONI AND T. JAAKKOLA . Online Learning of Non-stationary Sequences. In Advances in Neural Information Processing Systems 16, 2004.
[20] M. ROTHSCHILD . A Two-Armed Bandit Theory of Market Pricing. Journal of Economic Theory 9:185-202, 1974.
[21] M. Z INKEVICH . Online Convex Programming and Generalized Inﬁnitesimal Gradient Ascent. In Proceedings of ICML 2003, 928-936.


longest
Get the longest item in an array.
Install with npm
bash
npm i longest --save
### Install with bower
bash
bower install longest --save
Running tests
Install dev dependencies.
bash
npm i -d && npm test
Usage
```js
var longest = require(‘longest’);
longest([‘a’, ‘abcde’, ‘abc’]);
//=> ‘abcde’
longest([‘a’, ‘abcde’, ‘abc’]).length;
//=> 5
```
Related projects
- longest-value: Get the longest value for the given property from an array of objects. Useful for aligning values.
- right-align-values: Right align the values of a given property for each object in an array. Useful for creating text columns or tables.
- right-pad-values: Right pad the values of a given property for each object in an array. Useful for creating text columns or tables.
- repeat-string: Repeat the given string n times. Fastest implementation for repeating a string.
- pad-right: Right pad a string with zeros or a specified string. Fastest implementation.
- pad-left: Left pad a string with zeros or a specified string. Fastest implementation.
Running tests
Install dev dependencies.
bash
npm i -d && npm test
Contributing
Pull requests and stars are always welcome. For bugs and feature requests, please create an issue
Author
Jon Schlinkert
License
Copyright (c) 2015 Jon Schlinkert
Released under the MIT license
This file was generated by verb-cli on March 31, 2015.


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All resource titles must be quoted. If you are using an array of titles you must quote each title in the array, but should not quote the array itself.
Note that if the title is just a variable, it doesn't need to be quoted.
file { foo: # Noncompliant ensure => directory, } file { [ abc, # Noncompliant $var, ]: ensure => directory, }
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Exploration with Pathom Viz
Setup
-
Grab a binary from pathom-viz relseases.
-
Download and install it.
-
Start the app.
-
Add pathom viz connector to your dependencies. This will make life much easier.
-
Here is some boiler plate code to get you started.
(ns my-ns ; change to your namespace
(:require [com.wsscode.pathom.viz.ws-connector.core :as p.connector]
[com.wsscode.pathom.core :as p]
[com.wsscode.pathom.connect :as pc]))
; you can use goog.defines on ClojureScript or env vars in Clojure; the important part is to have a flag to decide when to connect the parser
(def CONNECT_PARSER? true)
(def registry
[(pc/constantly-resolver :works "WORKS!!")])
(def parser
(cond->> (p/parser
{::p/env {::p/reader [p/map-reader
pc/reader3
pc/open-ident-reader
p/env-placeholder-reader]
::p/placeholder-prefixes #{">"}}
::p/mutate pc/mutate
::p/plugins [(pc/connect-plugin {::pc/register registry})
p/error-handler-plugin
p/trace-plugin]})
CONNECT_PARSER?
(p.connector/connect-parser
; parser-id is optional, but highly encouraged, without this
; the application can't know about the parser identity and will not
; be able to remember data about query history across parser connections
{::p.connector/parser-id ::my-parser})))
Finally, load the file in the repl (or run it). Your parser will show up in the pathom-viz app.
If you can’t see your parser make sure you loaded the file after you started the pathom-viz app. If that still doesn’t work, restart the pathom app and reload the above file. For other ways to run pathom-viz see the documentation
Using Pathom Viz
A happy and growing index can get hard to tame, and that’s why the Index Explorer is here to help you.
| The index explorer requires Pathom version 2.2.13+ |
The index explorer is a tool to help you navigate and understand the relationships between the attributes in your system.
Better show than tell, here is a demonstration of the index explorer:
Don’t worry if you got confused with all the information, in the next section we are going to drill down and explain each section of the explorer.
Explorer Menu
The menu is always visible in the left bar, you can use this to find attributes, resolvers and mutations. By default, it shows a complete index of things, you can click on the grey headers to collapse a group. Try it out in the demo above.
There is a search input on top of the menu, it will do a fuzzy search on everything.
Stats
The first screen you see in the index contains the main stats about the index.
In the counters section here is explanation for some non-obvious counters:
-
Globals count: the number of attributes accessible that doesn’t depend on any data
-
Idents count: number of attributes that by themselves can provide more data
-
Edges count: the number of edges connecting the attributes in the system
The most connected attributes section will give you a top list of attributes with most connections, a few attributes in a system tend to raise up on this list and can point to effective "hubs" in the center of your data.
Attribute View
When you navigate to an attribute you will be at the attribute view. This view can tell you details about a single attribute.
Graph View
Right after the title there is a Graph View
button, this gives you a visual representation
of the attribute and its connections.
This graph is dense on information points, to explain that let’s start with a simple graph with a single resolver that can read a user name from a user id:
; registry
[{::pc/sym 'user-by-id
::pc/input [:user/id]
::pc/output [:user/name]}]
The following graph represents the attribute :user/id
from this system:
Base elements
Let’s start with the graph itself, these are the basic elements:
Circles represent attributes, a yellow color points to the current
attribute, which is :user/id
in this case.
Lines represent resolvers (the effective edges), it means how the resolver inputs connect to the resolver outputs;
note the arrow points from :user/id
to :user/name
, this means :user/id
provides :user/name
.
Available controls:
-
Click and drag on canvas - pan canvas
-
Mouse scroll - zoom
-
Click and drag circles - rearrange nodes
-
Mouse over circles - highlight attribute
-
Mouse over lines - highlight resolver
When you highlight some element, you can see a label for it in the top left corner. The edges get a highlight color as well, when highlighting an attribute, a green edge means it goes from current to the target, red edges are the reverse.
When you highlight an edge it will turn blue and every other occurrence of that same resolver will get highlighted as well.
Let’s add more attributes for a bigger view:
; registry
[{::pc/sym 'user-by-id
::pc/input [:user/id]
::pc/output [:user/name
:user/email
:user/dob
:twitter/url]}]
In this example, notice there is one circle with a different stroke color. The stroke color represents the namespace, this way you can see related namespaces by color.
| The color pallet for namespaces contains 10 colors, so if you end up with a graph containing more than 10 namespaces they will start repeating colors. |
Time to make it more fun, let’s add a second resolver to fetch user data from email:
; registry
[{::pc/sym 'user-by-id
::pc/input #{:user/id}
::pc/output [:user/name
:user/email
:user/dob
:twitter/url]}
{::pc/sym 'user-by-email
::pc/input #{:user/email}
::pc/output [:user/name
:user/id
:user/dob
:twitter/url]}]
Nested connections
So far we have only seen direct connections, this means the values are the same "context space", the other option is nested connections, here is an example:
; new resolver
{::pc/sym 'user-groups
::pc/input #{:user/id}
::pc/output [{:user/groups
[:group/id :group/name]}]}
Note the attributes :group/id
and :group/name
are not visible in this graph, that’s because
they are an indirect connection, use the Nested Outputs
control to toggle nested outputs
and they should show up. Note we represent nested connections using dashed lines.
| When we have a chain of many connected direct connections, Pathom can walk any number of paths automatically but due to ambiguity that’s not true for nested connections. |
Let’s see the same graph again, but this time the center will be :group/id
:
Not much, right? Well, there is no direct connections to this attribute, please
turn on the Nested Inputs
, this will make visible the connection between :group/id
and :user/id
.
Now try increasing the Depth
, this number indicates how many steps to walk from the
center attribute, increasing the reach.
To finish up you can also enable Nested Outputs
, this should end up similar to the one
we had before with the center in :user/id
(considering Nested Outputs
is on).
Attribute Sizes
You may have have noticed that the circles don’t have the same size, that’s because its another point of information. Let’s get a clear example of that:
; registry
{::index
[{::pc/sym 'user-by-id
::pc/input #{:user/id}
::pc/output [:user/name
:user/email
:user/dob
:twitter/url
:youtube/url
:linked-in/url
:user/attr1
:user/attr2
:user/attr3
:user/attr4
:user/attr5]}
{::pc/sym 'email-by-twitter
::pc/input #{:twitter/url}
::pc/output [:user/email]}
{::pc/sym 'email-by-youtube
::pc/input #{:youtube/url}
::pc/output [:user/email]}
{::pc/sym 'email-by-linkedin
::pc/input #{:linked-in/url}
::pc/output [:user/email]}]}
The size of the attribute inner circle represents the number of attributes it provides,
while the stroke size depends on how many attributes can be used to reach it. Notice
the center attribute :user/id
has the inner circle bigger than any other while :user/email
has the biggest stroke size.
The sizes grows in a quadratic scale, so the difference can be hard to notice on small demos like this, but in real system it grows at a relevant rate.
Attribute Groups
So far, every attribute we saw was a one to one attribute connections but in Pathom we also have connections that depend on multiple inputs. In the graph we represent multiple attributes as grey circles, always with black borders. Here is an example:
; registry
[{::pc/sym 'user-by-id
::pc/input #{:github.repository/name :github.repository/owner}
::pc/output [:github.repository/id
:github.repository/url
:github.repository/name-with-owner]}]
Notice when you mouse over the group, you can set the set described in the label section.
There is also a special group, the globals (or you can also call empty set: #{}
). This
attribute is always available and it connects to attributes with no dependency. Example:
; registry
[{::pc/sym 'time
::pc/output [:time/now]}
{::pc/sym 'pi
::pc/output [:math/pi]}]
Reach Via
The Reach Via panel lists the direct and nested paths to reach current attribute in a single step.
You should look at this view as a tree. The first depth of the tree will always contains sets that represent the input you need to reach this attribute. If the set is bold, it means that input can directly reach the current attribute, otherwise it will have some nested list that will provide that necessary path.
You can click in any attribute to navigate into it.
Provides
The Provides panel lists all the direct and nested attributes that you can reach from the current in a single step.
This is a tree, imagine if you merged every resolver output that has the current attribute in the input.
As you mouse over the resolver that makes the link will show up below the attribute.
Resolver View
In the resolver view, the left column will give you details about the resolver input and output. Mouse over items to highlight it in the graph.
The right side will have the graph will all attributes that participate in this resolver, the center of the graph will be the resolver input.
Full Graph
If you click in the Full Graph
button it will display a complete graph of the
attributes connection in the system. Use this view to get a general feeling of the
system, you can understand the main clusters and how they organize.
Setting up the index explorer resolver
To expose the index for the index explorer you need to write a resolver that gets your index out.
(pc/defresolver index-explorer [env _]
{::pc/input #{:com.wsscode.pathom.viz.index-explorer/id}
::pc/output [:com.wsscode.pathom.viz.index-explorer/index]}
{:com.wsscode.pathom.viz.index-explorer/index
(get env ::pc/indexes)})
Using this you can control what gets out to the explorer.
Visualizing your index
Here you will find some ways to visualize your index.
Fulcro Inspect
The simplest way is to use the explorer though Fulcro Inspect, this is of course limited
to Fulcro Apps. All you need to do is open the Index Explorer
tab and click to load
the index, happy exploring!
Workspaces
Pathom Viz package includes some helpers to setup a card with an index explorer, you can use the following code as a starting point:
(ns pathom-index-explorer-workspaces-demo
(:require [com.wsscode.pathom.core :as p]
[com.wsscode.pathom.viz.workspaces :as p.viz.ws]
[nubank.workspaces.core :as ws]))
(def parser ...) ; implement your parser, can be sync or async
(ws/defcard index-explorer
(p.viz.ws/index-explorer-card
{::p/parser parser}))
Stand alone app
Use the following example as a base to mount the index explorer app in any DOM node:
(ns pathom-index-explorer-stand-alone-mount
(:require [com.wsscode.pathom.viz.index-explorer :as iex]
[fulcro.client :as fulcro]
[fulcro.client.data-fetch :as df]
[fulcro.client.primitives :as fp]))
(fp/defsc Root
[this {:keys [ui/root]}]
{:query [{:ui/root (fp/get-query iex/IndexExplorer)}]}
(iex/index-explorer root))
(def root (fp/factory Root))
(defn init []
(let [app (fulcro/make-fulcro-client
{:client-did-mount
(fn [app]
(df/load app [::iex/id "singleton"] iex/IndexExplorer
{:target [:ui/root]}))})]
(fulcro/mount app Root (js/document.getElementById "appContainerNode"))))
Fixing transit encoding issues
One common issue with the index explorer is the fact that resolvers include fns and may include other things that are not possible to encode with transit by default. We suggest you setup a default write handler on Transit so it doesn’t break when it encounter a value that it doesn’t know how to encode.
If you are running Pathom in Clojure, then you also need to know there is a bug in the current Clojure writer, it doesn’t support default handlers (although the docs say it does).
To fix this, here is a code snippet example on how to get around the bug:
(ns your-ns
(:require [cognitect.transit :as transit])
(:import [com.cognitect.transit WriteHandler TransitFactory]
[java.io ByteArrayOutputStream OutputStream]
[java.util.function Function]))
(deftype DefaultHandler []
WriteHandler
(tag [this v] "unknown")
(rep [this v] (pr-str v)))
(defn writer
"Creates a writer over the provided destination `out` using
the specified format, one of: :msgpack, :json or :json-verbose.
An optional opts map may be passed. Supported options are:
:handlers - a map of types to WriteHandler instances, they are merged
with the default-handlers and then with the default handlers
provided by transit-java.
:transform - a function of one argument that will transform values before
they are written."
([out type] (writer out type {}))
([^OutputStream out type {:keys [handlers transform default-handler]}]
(if (#{:json :json-verbose :msgpack} type)
(let [handler-map (merge transit/default-write-handlers handlers)]
(transit/->Writer
(TransitFactory/writer (#'transit/transit-format type) out handler-map default-handler
(when transform
(reify Function
(apply [_ x]
(transform x)))))))
(throw (ex-info "Type must be :json, :json-verbose or :msgpack" {:type type})))))
(defn write-transit [x]
(let [baos (ByteArrayOutputStream.)
w (writer baos :json {:handlers transit-write-handlers ; use your handlers here
:default-handler (DefaultHandler.)})
_ (transit/write w x)
ret (.toString baos)]
(.reset baos)
ret))
And this is how to do in Clojurescript:
(deftype DefaultHandler []
Object
(tag [this v] "unknown")
(rep [this v] (pr-str v)))
(def write-handlers
{"default" (DefaultHandler.)})
(defn write-transit [x]
(let [writer (transit/writer {:handlers write-handlers})]
(transit/write writer x)))


@Hacken_io
(1 of 2)
I’ve recently read about your migration away from the ETH platform. Might I suggest an in-depth review of Komodo ( $kmd)? Security of BTC hashpower plus the independence of your own chain, with unlimited TPS scaling.
We have groups who specialize...


|
frontier_exploration_turtlebot
0.1
|
PathPlanning Class class to publish spiral trajectories and linear trajectories and kicks in the colloision avoiding algorithm when required. More...
#include <PathPlanning.h>
Public Member Functions | |
| PathPlanning () | |
| constructor PathPlanning class More... | |
| ~PathPlanning () | |
| destructor PathPlanning class More... | |
| void | spiralPathGenerator () |
| spiral generator function More... | |
| void | linearPathGenerator () |
| linear generator function More... | |
Private Attributes | |
| CollisionDetector | collisiondetector |
| int | count |
| int | MaxCount |
| float | linearSpeed |
| float | angularSpeed |
| geometry_msgs::Twist | msg |
| ros::Publisher | pubVel |
| ros::NodeHandle | nh |
| ros::Subscriber | sub |
PathPlanning Class class to publish spiral trajectories and linear trajectories and kicks in the colloision avoiding algorithm when required.
Definition at line 47 of file PathPlanning.h.
| PathPlanning::PathPlanning | ( | ) |
constructor PathPlanning class
| none |
Definition at line 39 of file PathPlanning.cpp.
References angularSpeed, collisiondetector, count, CollisionDetector::laserCallback(), linearSpeed, MaxCount, msg, nh, pubVel, and sub.
| PathPlanning::~PathPlanning | ( | ) |
destructor PathPlanning class
| none |
Definition at line 63 of file PathPlanning.cpp.
| void PathPlanning::linearPathGenerator | ( | ) |
linear generator function
| none |
Definition at line 74 of file PathPlanning.cpp.
References angularSpeed, CollisionDetector::checkObstacles(), collisiondetector, linearSpeed, msg, and pubVel.
| void PathPlanning::spiralPathGenerator | ( | ) |
spiral generator function
| none |
Definition at line 97 of file PathPlanning.cpp.
References angularSpeed, CollisionDetector::checkObstacles(), collisiondetector, count, linearSpeed, MaxCount, msg, and pubVel.
|
private |
Definition at line 58 of file PathPlanning.h.
Referenced by linearPathGenerator(), PathPlanning(), and spiralPathGenerator().
|
private |
Definition at line 50 of file PathPlanning.h.
Referenced by linearPathGenerator(), PathPlanning(), and spiralPathGenerator().
|
private |
Definition at line 52 of file PathPlanning.h.
Referenced by PathPlanning(), and spiralPathGenerator().
|
private |
Definition at line 56 of file PathPlanning.h.
Referenced by linearPathGenerator(), PathPlanning(), and spiralPathGenerator().
|
private |
Definition at line 54 of file PathPlanning.h.
Referenced by PathPlanning(), and spiralPathGenerator().
|
private |
Definition at line 60 of file PathPlanning.h.
Referenced by linearPathGenerator(), PathPlanning(), spiralPathGenerator(), and ~PathPlanning().
|
private |
Definition at line 64 of file PathPlanning.h.
Referenced by PathPlanning().
|
private |
Definition at line 62 of file PathPlanning.h.
Referenced by linearPathGenerator(), PathPlanning(), spiralPathGenerator(), and ~PathPlanning().
|
private |
Definition at line 66 of file PathPlanning.h.
Referenced by PathPlanning().


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Yamba is located at the mouth of the Clarence River along the tropical New South Wales coast, about 120 miles south of Brisbane and 60 miles north of Coffs Harbour. It is a popular boating area as the Clarence river system provides an attractive and sheltered sailing area.
Location 29° 26'S, 153° 20' 45"E.
Yamba is not a clearance port. The nearest authorised clearance port is Coffs Harbour, 60 nm south.
In addition to the maina, there is a small public wharf at the far end of Yamba Channel (29°,25.994'S 153°,21.577'E) which is suitable for shallow draft vessels and tenders.
There is a pontoon by the Sedgers Reef Hotel.
It is possible to anchor at the northern end of the bay.
If continuing up the river, there is a marina at Maclean.
An excellent guide to the river is the Sailing and Cruising Guide.
Last updated August 2013.


- The expression of precedence 1000 (i.e. belonging to
syntactic category term(1000)), which is written
X,Y
denotes the term ','(
X,
Y)
in standard
syntax.
- The parenthesized expression (belonging to syntactic category
term(0))
(X)
denotes simply the term X.
- The curly-bracketed expression (belonging to syntactic category
term(0))
{X}
denotes the term {}(
X)
in standard syntax.
- Note that, for example,
-3
denotes a number whereas -(3)
denotes a compound term that has - /1
as its
principal functor.
- The character `"' within a string must be written duplicated: `""'.
Similarly for the character `'' within a quoted atom and for
the character ``' in a backquoted atom.
- Backslashes in strings, quoted atoms, and integers written in
`0'' notation denote escape sequences.
- A name token declared to be a prefix operator will be treated as
an atom only if no term-read-in can be read by treating it
as a prefix operator.
- A name token declared to be both an infix and a postfix operator
will be treated as a postfix operator only if no
term-read-in can be read by treating it as an infix
operator.
- The layout following the full stop is not considered part of the full
stop, and so it remains in the input stream.


{% if request.user.customer.card_kind and request.user.customer.card_last_4 %} Current card on file is a {{ request.user.customer.card_kind }} ending in the digits {{ request.user.customer.card_last_4 }}. {% else %} You do not currently have a card on file. {% endif %}
{% if error %}


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/Can.E2.80.99t.20login.20to.20Zulip.20in.20an.20iOS.20browser.html ---
Can anyone log in to Zulip on an iOS device? I’ve tried both chrome and safari, logging in with a password, via google, or via github. In every case, I just get dumped back to the login screen.
I’m asking because the native iOS app seems pretty bad.
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


Publican Pub landlord, licensee, manager of licensed premises
Publicans manage licensed premises like pubs and bars.
1. Entry requirements
There are no set requirements, but you'll find it useful to have experience in customer service at a supervisory level, and some experience of bar work.
Some large pub chains run graduate management trainee schemes that take about a year to complete. You'll usually need relevant work experience and a degree or HND level qualification in an area like:
- business
- marketing
- hotel and catering
- hospitality management with licensed retail
To become a tenant or leaseholder, you'll need evidence that you have the experience and managerial ability to run a pub successfully. You'll also need to complete the BIIAB Level 2 Award for Personal Licence Holders.
It's possible for anybody with enough financial backing to buy a pub or bar.
As a manager of a pub or bar that sells food, you'll usually need a qualification in food safety. You can find out more from the Chartered Institute of Environmental Health (CIEH).
You'll also need to have a Disclosure and Barring Service (DBS) check.
Courses available in your area
Hospitality Management Development
- Location: Manchester
- Duration: 12 months
- Type: Full time
- Qualification: Intermediate Level Apprenticeship
2. Skills required
You need:
- leadership skills and the ability to manage staff
- good planning and organisational skills
- finance and maths skills for handling cash and book-keeping
3. What you'll do
Your day-to-day tasks may include:
- organising deliveries
- making sure the bar is stocked and well maintained
- making sure customers are served quickly
- running the bar in line with health, safety and legal regulations
- recruiting, training and supervising bar staff and kitchen staff
- stocktaking
- handling wages, book-keeping and accounts
- building good relationships with breweries, suppliers and customers
- carrying out plans to maximise sales
You'll also be responsible for enforcing the law on the sale of alcohol on your premises. You'll need an age identification policy, which your staff must enforce.
You could employ a bar manager to carry out some of these duties.
Publicans or licensees are often employees of a pub chain or brewery. Leaseholders, tenants and free traders, on the other hand, are business people in their own right.
Starter: £20,000 (Trainee or assistant licensee)
Experienced: £25,000 to £35,000
Highly Experienced: £35,000 to £50,000
These figures are a guide.
Self-employed publicans set their own rates.
5. Working hours, patterns and environment
You're likely to work long hours. Pubs and bars operate flexible opening hours, with some open up to 24 hours a day, 7 days a week.
Pubs can be very noisy and busy at key times of the day, and your work would also involve carrying crates and moving barrels at times.
You may be able to live above the premises rent-free.
6. Career path and progression
If you're employed by a chain or brewery, you could
progress to becoming a regional manager.
You could become self-employed and expand your business by
buying additional pubs or bars.
7. Current vacancies
Landlord – Boutique Pub with Rooms
- Location: Oxfordshire
- Job type: Full time
- Salary: £35,0000 plus benefits
Last updated: 06 October 2016


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A body copy paragraph. Maecenas sed diam eget risus varius blandit sit amet non magna. Donec ullamcorper nulla non metus auctor fringilla.


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tech for your organization.
We deliver the clarity and expertise to your operations that make the difference.
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ReservationAttributes
public class ReservationAttributes : Codable
Undocumented
-
Undocumented
Declaration
Swift
public var state: String
-
Undocumented
Declaration
Swift
public var externalId: String
-
Undocumented
Declaration
Swift
public var confirmationId: String
-
Undocumented
Declaration
Swift
public var firstName: String?
-
Undocumented
Declaration
Swift
public var lastName: String?
-
Undocumented
Declaration
Swift
public var middleName: String?
-
Undocumented
Declaration
Swift
public var email: String
-
Undocumented
Declaration
Swift
public var phone: String?
-
Undocumented
Declaration
Swift
public var address: String?
-
Undocumented
Declaration
Swift
public var postalCode: String?
-
Undocumented
Declaration
Swift
public var company: String?
-
Undocumented
Declaration
Swift
public var loyaltyProgram: String?
-
Undocumented
Declaration
Swift
public var loyaltyNumber: String?
-
Undocumented
Declaration
Swift
public var blockCode: String?
-
Undocumented
Declaration
Swift
public var externalState: String
-
Undocumented
Declaration
Swift
public var checkInOAuthAppId: String?
-
Undocumented
Declaration
Swift
public var checkInSourceType: String?
-
Undocumented
Declaration
Swift
public var checkOutOAuthAppId: String?
-
Undocumented
Declaration
Swift
public var checkOutSourceType: String?
-
Undocumented
Declaration
Swift
public var digitalKeyDisabled: Bool?
-
Undocumented
Declaration
Swift
public var metaFields: ReservationAttributesMetaFields
-
Undocumented
Declaration
Swift
lazy public var createdAt: Date? { get set }
-
Undocumented
Declaration
Swift
lazy public var modifiedAt: Date? { get set }
-
Undocumented
Declaration
Swift
lazy public var checkInDate: Date? { get set }
-
Undocumented
Declaration
Swift
lazy public var checkOutDate: Date? { get set }
-
Undocumented
Declaration
Swift
lazy public var externalModifiedDate: Date? { get set }
-
Undocumented
See moreDeclaration
Swift
public class ReservationAttributesMetaFields : Codable


1/3 gram split in two, blown up each of my nostrils by D.
Total time from insufflation to relaxation- approximately 20 – 25 minutes.
D and I had prepared the beans. We baked them, peeled them, and crushed them in a mortar with pestle. We mixed in a little lime powder and a smidgen of water. We roasted them in the oven for a few, to remove the moisture, took them out, and let cool. We made a snorting tube made from rolled-up paper and masking tape.
W came over with his girlfriend who said she would watch over us perched on the couch. Sitting in a circle, we each had a pillow and a bucket with fresh plastic bag for the impending stomach purge. I wanted to go first, because exploring is not something I take lightly. If there is something unknown then let me be the first to beg its attention.
We had the powder on a tray in the middle of our three-person circle. We set the mood with the most gently intense music you can imagine, Byla's album- Byla.
D put 1/6 of a gram in the hollowed-out tube. He put it in my nose, I looked him in the eye and said I was ready (even though I wasn't too sure about that). My stomach was nervous, and I was excited. He blew softly, this being his first time blowing something up somebody else's nose. It reached its mark, and I did not feel any burning sensation as I was expecting to from all the reports I'd read.
D and W watched me closely for every sign I made. I felt nothing immediate, and D asked if I wanted the other one. As there was no noticeable sensation I said, 'Yes, drive 'er home.'  I noticed right away, the way it slid up there with ease, not too hard, no smell of his breath, no initial shock waves.
Upon reaching the back of my nostrils, I felt something more immediate. A slight burning sensation, but nothing I couldn't manage. I still did not feel any physical effects as three pairs of eyes watched me unflinchingly. I was aware of the stares but acted like I didn't care. D prepared W's doses and within a minute he delivered the blow. One right after the other. It happened so fast it seemed.
I was definitely now feeling physical effects. A sudden tug, not unlike heavy Jupiter-gravity, began to pull me towards the ground. I knew it was coming now, and the threat of not being able to stop it flashed across the meaning in my mind.  The atmosphere was getting louder, not with treble but with bass amplification. Even the heat was getting louder. I felt the rush of roller coaster dives rolling up through my cells. My head dropped into my hands like would happen on a long bus-ride, when I'm so exhausted trying not to fall asleep in public, but I drift to fall down and Snap! back up to alertness.
It was becoming uncomfortable but not embarrassing.  The speed with which the world was weighing in on me was picking up. It was like being the host of a race-track the size of my body, with the Indy cars swirling circles around my blood-stream with steady acceleration. From this point hence, the acceleration I felt vibrating inside me picked up at terrifying speeds. If at the first moment I felt my heart and head were racing at 2km/s, the second moment felt like 4km/s, and the third moment 8km/s, ad infitum...
At this point W started violently vomiting. He was bent over on his hands and knees, head facing the vomit-bucket, screaming out a putrid black substance. It seemed like a long time, and I won't even begin to venture a guess at how long he was really there yelling between guttural thrusts and slimy, thick liquids. In my mind it was a while. It's safe to say that in his mind it lasted a while too. At one point between many intense puking sounds, he screamed, 'THE VISUALS!!!!'
I began to laugh myself through the sickness in my own stomach. I felt as if any second now I would have to lean over and begin the purge myself.
 I opened my eyes for what would be the last normal moments I would see, looked at him, and then looked at the tube in his hands gesturing for me to grab and I mumbled something like, 'I don't think I can do that right now.'
I saw genuine concern in his eyes, cheeks, and general facial mood. He wasn't too sure if I was going to make it. And neither was I. Remember the acceleration velocity factor? At this point it had picked up to a good few thousand metres per second. I was in no condition to aim tubes into friendly nostrils. No longer. In a few seconds the world was going to rip apart- and I don't mean that metaphorically.
What I am about to explain happened within a fraction of a second, but so much happened, in such great detail that I will need some time to explain it, but don't forget this fact that it happened VERY FAST. Envision with me for a moment, the room in which I am in the centre.  A line like an earthquake fissure divided the room diagonally. The right diagonal, and the left diagonal. In the span of a camera flash, they inverted- switched sides, and returned to their normal 'sides'. These two diagonals then split into four triangles, switched places at unthinkable speeds, and returned to 'normal'. These four triangles split into eight, they rotated like fractals, and continued in this fashion until the splitting of the room had reach near the same velocity as that of the rushing of my body.
I thought it would be wise at this point to lie down on the pillow, which was probably the single greatest move I'd ever made. It was a chess stalemate without the pieces, only the satisfaction of not giving up.
 So he cut up a line with a little less than half the amount W and I had taken, sniffed it, and waited...
W was still vomiting the last of his guts out into his bucket and D started as well. His vomiting style was much more polite and reserved. W was on my left, and D on my right, so there was a stereo symphony of puke relishing my ears. Disturbing... but the very least of my concerns.
At this point I thought it wise to close my eyes, because the open-eyed world was too much. It was just a mad rush of a New Delhi intersection at rush-hour. Instead of cars, I was a sub-atomic particle whizzing by, guided by unseen, powerful forces. Upon closing my eyes, however, I found little relief. The terror increased as the acceleration of rushes were now approaching that of light, if not light itself. I was beginning to wonder if the velocity was ever going to plateau and calm down, or if I was just going to spin out of the universe all together.
After what I would roughly call 5 minutes, the acceleration did indeed stop, much to my relief. It was easier to accept the madness behind my eyelids with constant velocity. For the next ten minutes I travelled through immeasurable vortices of space, time, and others not yet discovered. There as a background of black, as though stretched on the fabric of space-time. There were spinning reds and blues, opposite ends of the spectrum of light.
The red and blues were spinning in similar fashion to the machine they use in the film Contact, directed by Robert Zemeckis, written by Carl Sagan, to propel the main character through the wormholes. Their patterns repeated and varied slightly, but all remained spinning in this triptych way. Then I noticed more of them spinning in dimensions curled up and unfurled behind them. And for another ten minutes or so this continued as I travelled through the 'wormhole', so to speak. W began making strange animal sounds and at one point I thought he had transmogrified into some unspeakable daemon-creature- half pterodactyl, half werewolf.
It was about 15 minutes after the initial dose and only now was I brave enough to open my left eye, to peek out into the real world again. The rushing feelings subsided, as had most of the visuals. Now is the time, I thought. So with the bravery of the first captain of a ship, and believer of the flat-earth, reaching the edge of the known world, I opened my eye. The fish tank was on the dresser. The girlfriend was perched like an owl on the couch, watching all of us (and probably a little bewildered having never taken any hallucinogens before).
I looked up at the light bulb on the ceiling. It was off, but there was emerging from it a flower-like blossom. Pedals sprouted out of it, and stretched at least a metre away from its centre. It was calming and beautiful. To watch life just grow and flourish like that. So easy, so sane. If only all evolution could be that sobering.
Whatever I just experienced was certainly an evolution, but I was pulled through it at speeds no human being could ever be accustomed to at this stage in our development.
W said he had a really great experience. He was tumbling, moaning, howling, and giggling like a mad-man for the last few minutes of his journey. D, having taken less than half of what we took said he had an intense journey. I never heard a peep out of him after his conservative purging.
All in all, it was completely worth it. I got what I asked for, and then some. I would do it again, but I have no desire to. It said all that I wanted to hear. It gave me all the experience of a hundred eons in 15 simple minutes. To truly digest all that had happened, one would likely need a few hundred lifetimes to understand all the input data. I think it's amazing that the Earth has given us these 'beans' to cultivate.
The next day I awoke with a stunning headache of migraine proportions. I lived through it, and life continued as it always does. Just chugging along the tracks of our aftermaths.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Volkswagen ID.Space Vizzion Concept Previews A Sleek Future
VW's new all-electric concept has series production potential.
by Jay TraugottFollowing the reveal of the production-spec ID.3 all-electric hatchback, which replaces the e-Golf, Volkswagen continues to expand the ID-branded family with a new concept also built on the MEB platform. Meet the ID.Space Vizzion Concept, which is making its global debut at the Petersen Automotive Museum in Los Angeles on the sidelines of the 2019 LA Auto Show. This four-seat cross between a Gran Turismo and SUV could potentially become a production model if there's enough positive reaction.
With 50:50 weight distribution, the ID.Space Vizzion is powered by a 275-horsepower, rear-mounted electric motor that receives its juice from an 82 kWh lithium-ion battery. There are power electronics at both front and rear axles to control the high-voltage between the motor and battery. VW claims that the concept can be further fitted with a 101-hp coaxial drive that increases total output to 335 hp. VW's 4Motion system enables permanent all-wheel drive. Acceleration is brisk, going from 0 to 60 mph in 5.0 seconds while top speed is electronically limited to 109 mph.
On the EPA cycle, projected range on a single charge is 300 miles. VW says it gave designers and engineers exterior styling freedom but optimizing aerodynamics was still essential. Drag coefficient was reduced to 0.24 while air flows under a horizontal panel between the headlights and over the hood before being directed to the rear. That hood's high-gloss black paint finish is intended to help it blend in better with the tinted windshield and panoramic sunroof. Also notice the unique vents in the bumper and hood panel, designed not only to look cool but are also functional in terms of improved air flow.
A slender white light stripe stretching to each side up front has an illuminated VW logo. This stripe then extends across the front and into the fenders and side, continuing all the way to the rear. Honeycomb-style LED daytime running lights and X-shaped turn signals are also nice touches.
And because aerodynamics is key, conventional door handles were left out, replaced by illuminated touch surfaces that light up once the Keyless Advanced function detects someone approaching with a key or a synchronized mobile key on their smartphone. Simply make contact with the door's surface and it will open.
A set of 22-inch aluminum-alloy wheels, designed with five turbine-style aero flaps also help with airflow. Meanwhile, the roof spoiler opens at the bottom and works in conjunction with the spoiler lip and diffuser to reduce turbulence at the rear which helps improve range. The Saintly Blue Pearl Effect paint contrasts nicely with the black roof.
The interior's main objectives are to make maximum use of space, utilize sustainable materials, and offer user-friendly controls. A traditional cockpit is gone, replaced by an all-digital cockpit with a 15.6-inch touchscreen that incorporates all vital information. Between the seats is a fold-out center console with enough space for cupholders, USB-C ports, and general storage. Instead of cloth or traditional leather upholstery, VW went with a new AppleSkin material developed in-house. In fact, AppleSkin replaces plastic decorative inserts in all ID models. A multifunction steering wheel and a new right-hand steering column switch that replaces the shift lever, round out the advanced interior.
There's also a new feature called ID.Light, a system that highlights instructions sent by the driver assistance systems and navigation. For example, it informs drivers of battery charging status, an incoming phone call, navigation instructions, and numerous other voice control.
Given that the ID.Space Vizzion has a working electric motor and battery, driver assist systems, and functional exterior aerodynamics, chances are high that VW is seriously considering putting this car into production.


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Graphical-based RPG
|
#include <enemies.hpp>
Public Member Functions | |
| CEnemies (const int &n_x, const int &n_y, const int n_heath=0, const int n_damage=0, const int n_experience=0, const char n_image=0) | |
| Constructor. | |
| CEnemies (const CEnemies &other) | |
| Copy Constructor. | |
| virtual | ~CEnemies ()=default |
| Destructor. | |
| int | getHealth () const |
| get health | |
| int | getDamage () const |
| get damage | |
| int | getExperience () const |
| get experience | |
| char | getImage () const |
| get image | |
| int | getPosY () const |
| get y | |
| int | getPosX () const |
| get x | |
| CEnemies & | setDamage (const int &n_damage) |
| set damage | |
| CEnemies & | setHealth (const int &n_health) |
| set health | |
| CEnemies & | setExperience (const int &n_experience) |
| set experience | |
| CEnemies & | setImage (const char &n_image) |
| set image | |
| virtual std::shared_ptr< CEnemies > | clone () const =0 |
| make clone of enemie via copy constructor | |
| virtual std::ostream & | printInfo (std::ostream &os)=0 |
| print attributes in ostream | |
| CEnemies & | suffer_damage (const int &minus_to_health) |
| get damage, decrease health | |
| void | saveEnemie (std::ofstream &file) |
| save enemy in save_file | |
Protected Attributes | |
| int | health |
| int | damage |
| int | experience |
| int | m_x |
| int | m_y |
| char | image |
Enemies Main idea: Create different types of the enemies. Player will figth with them and recieve some exeprience;


Prints are available, please email<EMAIL_ADDRESS>for more information.
Old Yankee Stadium is one of Paul Alexandre John's famous masterworks, a culmination of fifteen months of continuous work. At over five and a half feet wide and four feet high, and with close to eight-hundred people, it is easily one of his most detailed and exhaustive paintings.
In July 1997, Paul had already been exploring baseball themes. Now he wanted to paint the historic Yankee Stadium, where he sought to capture the mystique of the old park where so many stories had unfolded over the years. Before beginning, he did extensive research on the old diamond, using vintage baseball programs and books of baseball history to guide him.
Once he began, Paul's focus was to accurately recreate the famous stadium while maintaining his unique artistic style. During the time he spent painting, his biggest challenge was the many, intricate details that found their way into the painting. These time-consuming details made Old Yankee Stadium take fifteen months to create. However, by working slowly and steadily, Paul completed the painting.
Paul decided to pit the Yankees against their bitter rivals, the Boston Red Sox, because he felt the two teams go “hand-in-hand”. Asked why he likes the painting, Paul remarked, "It has a sense of jubilant atmosphere and captures the essence of the game because of its simplicity."
The painting is as large as it is detailed. With its large dimensions (68 inches by 48 inches), and nearly eight-hundred people, Old Yankee Stadium truly is, as Paul describes it, a labor of love.


Welcome to the Vehicle Information Project
The Vehicle Information Project aims to make vehicle information public and accessible for anyone who needs it
Available Data
9300+ Vehicles
The project has aggregated over 9300 vehicles that were produced in the United States, ranging from cars, trucks, vans, and more.
60+ Makes
The dataset includes over 60 unique vehicle manufacturers from all over the world, such as Honda, BMW, and Chevrolet.
29 Model Years
Currently support vehicles produced from 1992 until 2020, with a growing range as more vehicles are added to the database
5+ Attributes
For each vehicle, there are a minimum of 5 attributes available, this includes but is not limited to available trims, MPG figures, engine size, and more.
Mission
The purpose of this tool is to be a public resource for anyone interested in accessing a specific vehicle's information. The ongoing mission is to continually write robust scripts in order to add support for more vehicles and gather more data about the existing vehicles in the database.
This project is intended to be open source and public, so any and all contributions are always welcome!


module Smt:The Alt-Ergo Zero SMT librarysig
..end
This SMT solver is derived from Alt-Ergo. It uses an efficient SAT solver and supports the following quantifier free theories:
Hstring
.type
error =
| |
DuplicateTypeName of |
(* | raised when a type is already declared | *) |
| |
DuplicateSymb of |
(* | raised when a symbol is already declared | *) |
| |
UnknownType of |
(* | raised when the given type is not declared | *) |
| |
UnknownSymb of |
(* | raised when the given symbol is not declared | *) |
exception Error of error
module Type:sig
..end
module Symbol:sig
..end
module Variant:sig
..end
module Term:sig
..end
module Formula:sig
..end
exception Unsat of int list
val set_cc : bool -> unit
false
deactivates congruence closure algorithm
(true
by default).module type Solver =sig
..end
module Make:


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7
8
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10
the
New
York
copyright
reserved
botanical
Garden
Cuba
Anacard
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aceae
Comocladia
cf.
dentata
Jacquin
Detby:
H-
Davis
Provincia
de
Cienfuegas
Road
to
Rancho
Luna
from
Jardin
Botanico,
l
km
from
gas
station
Potreros,
many
grasses,
secondary
forest,
near
big
Seiba
tree
Ca.
1
m
tall,
large,
encrusted
sap
wound
on
branch
6
September,
2001
H.
Davis
140,
J.
Gutierrez,
Pedrito
Missouri
Botanical
Garden
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


Help Content
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Just a little more sample content.
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Section 3
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some sample text goes here. Blah blah blah more sample text appears here. Just a little more sample content.


Privacy Policy
This privacy policy has been compiled to better serve those who are concerned with how their 'Personally identifiable information' (PII) is being used online. PII, as used in US privacy law and information security, is information that can be used on its own or with other information to identify, contact, or locate a single person, or to identify an individual in context. Please read our privacy policy carefully to get a clear understanding of how we collect, use, protect or otherwise handle your Personally Identifiable Information in accordance with our website.
What personal information do we collect from the people that visit our blog, website or app?
When ordering or registering on our site, as appropriate, you may be asked to enter your email address or other details to help you with your experience.
When do we collect information?
We collect information from you when you register on our site, subscribe to a newsletter, fill out a form or enter information on our site.
Provide us with feedback on our products or services
When do we collect information?
We may use the information we collect from you when you register, make a purchase, sign up for our newsletter, respond to a survey or marketing communication, surf the website, or use certain other site features in the following ways:
- To personalize user's experience and to allow us to deliver the type of content and product offerings in which you are most interested.
- To improve our website in order to better serve you.
- To allow us to better service you in responding to your customer service requests.
- To administer a contest, promotion, survey or other site feature.
- To send periodic emails regarding your order or other products and services.
- To follow up with them after correspondence (live chat, email or phone inquiries)
How do we protect visitor information?
We do not use vulnerability scanning and/or scanning to PCI standards. We do not use Malware Scanning.
We do not use an SSL certificate.
We will be adding one in the next upcoming weeks.
Do we use 'cookies'?
We do not use cookies for tracking purposes. You can choose to have your computer warn you each time a cookie is being sent, or you can choose to turn off all cookies. You do this through your browser (like Internet Explorer) settings. Each browser is a little different, so look at your browser's Help menu to learn the correct way to modify your cookies. If you disable cookies off, some features will be disabled that make your site experience more efficient and some of our services will not function properly. However, you can still place orders.
Third-party disclosure
We do not sell, trade, or otherwise transfer to outside parties your personally identifiable information.
Third-party links
Occasionally, at our discretion, we may include or offer third-party products or services on our website. These third-party sites have separate and independent privacy policies. We therefore have no responsibility or liability for the content and activities of these linked sites. Nonetheless, we seek to protect the integrity of our site and welcome any feedback about these sites. Understand the traffic on our website as well as the retention rate and bounce rate in order to improve the user experience for the users.
California Online Privacy Protection Act
CalOPPA is the first state law in the nation to require commercial websites and online services to post a privacy policy. The law's reach stretches well beyond California to require a person or company in the United States (and conceivably the world) that operates websites collecting personally identifiable information from California consumers to post a conspicuous privacy policy on its website stating exactly the information being collected and those individuals with whom it is being shared, and to comply with this policy. - See more at: http://consumercal.org/california-online-privacy-protection-act-caloppa/#sthash.0FdRbT51.dpuf
According to CalOPPA we agree to the following:
Users can visit our site anonymously. Once this privacy policy is created, we will add a link to it on our home page or as a minimum on the first significant page after entering our website. Our Privacy Policy link includes the word 'Privacy' and can be easily be found on the page specified above.
Users will be notified of any privacy policy changes:
- On our Privacy Policy Page.
Users are able to change their personal information:
- By emailing us.
How does our site handle do not track signals?
We honor do not track signals and do not track, plant cookies, or use advertising when a Do Not Track (DNT) browser mechanism is in place.
Does our site allow third-party behavioral tracking?
It's also important to note that we do not allow third-party behavioral tracking
COPPA (Children Online Privacy Protection Act)
When it comes to the collection of personal information from children under 13, the Children's Online Privacy Protection Act (COPPA) puts parents in control. The Federal Trade Commission, the nation's consumer protection agency, enforces the COPPA Rule, which spells out what operators of websites and online services must do to protect children's privacy and safety online. We do not specifically market to children under 13.
Fair Information Practices
The Fair Information Practices Principles form the backbone of privacy law in the United States and the concepts they include have played a significant role in the development of data protection laws around the globe. Understanding the Fair Information Practice Principles and how they should be implemented is critical to comply with the various privacy laws that protect personal information.
In order to be in line with Fair Information Practices we will take the following responsive action, should a data breach occur:
We will notify the users via email
- Within 7 business days
We also agree to the Individual Redress Principle, which requires that individuals have a right to pursue legally enforceable rights against data collectors and processors who fail to adhere to the law. This principle requires not only that individuals have enforceable rights against data users, but also that individuals have recourse to courts or government agencies to investigate and/or prosecute non-compliance by data processors.
CAN SPAM Act
The CAN-SPAM Act is a law that sets the rules for commercial email, establishes requirements for commercial messages, gives recipients the right to have emails stopped from being sent to them, and spells out tough penalties for violations.
We collect your email address in order to:
- Send information, respond to inquiries, and/or other requests or questions.
- Process orders and to send information and updates pertaining to orders.
- We may also send you additional information related to your product and/or service.
- Market to our mailing list or continue to send emails to our clients after the original transaction has occurred.
To be in accordance with CANSPAM we agree to the following:
- NOT use false or misleading subjects or email addresses.
- Identify the message as an advertisement in some reasonable way.
- Include the physical address of our business or site headquarters.
- Monitor third-party email marketing services for compliance, if one is used.
- Honor opt-out/unsubscribe requests quickly.
- Allow users to unsubscribe by using the link at the bottom of each email.
If at any time you would like to unsubscribe from receiving future emails, you can email us at
Follow the instructions at the bottom of each email and we will promptly remove you from ALL correspondence.
Contacting Us
If there are any questions regarding this privacy policy you may contact us on<EMAIL_ADDRESS>Last Edited on 2016-05-27


Type your numbers and press enter to add to the stack. Operations operate on last two numbers.
Use +, -, * and /. Add your own functions in calculator.js.
calculator.js