(out of ****)
_Cube_ (R) ** _Pi_ (R) *** 1/2
Wanna make a science fiction thriller, but don't have the money for big-budget effects? Then turn to math, as have neophyte feature filmmakers Vincenzo Natali and Darren Aronofsky for their films _Cube_ and _Pi_, respectively.
_Cube_'s story is fairly thin: six strangers (Nicole deBoer, Nicky Guadagni, David Hewlett, Andrew Miller, Wayne Robson, and Maurice Dean Wint) wake up to find themselves trapped in a 14' by 14' cube, with doors on each wall, the ceiling, and the floor. This cube, as it turns out, is simply one of many in a much larger structure, and the six try to find their way out of the labyrinthian prison--that is, if they can crack the mathematical code that will lead them to the exit. With a piddly budget of only $365,000 (in Canadian dollars), _Cube_ is more visually inventive than films that cost twenty times more. Natali shot _Cube_ on a single 14'x14' set, made to look like many different cubes through the use of different-colored lighting; the effect is entirely convincing. But for all his creative ingenuity, Natali and co-writers Andre Bijelic and Graeme Manson could have come up with a stronger script. As claustrophobic as the setting is, the film is remarkably unscary. The queasy promise of the chilling opening scene (in which an unfortunate prisoner is sliced and diced into cube steak by a booby trap) soon dissipates with the introduction of the flat, uninvolving characters, who predictably come at odds because of personality conflicts, anxiety, insanity, or any combination of the three. Too much time is spent on these interpersonal conflicts and too little on the mechanical ones, i.e. evading traps like those in the prologue. Adding to the narrative tedium are the often laughably amateurish turns by the justly unknown cast.
Aronofsky had even less--only $60,000--to work with on _Pi_, but he achieves the overpowering atmosphere of fear and paranoia that Natali and company obviously strived for in _Cube_. Aronofsky, Sean Gullette, and Eric Watson's story is sometimes confounding; it details an math genius's (Gullette) rapid descent into madness when he finally discovers a long-obsessed-over mathematical pattern to the stock market, Jewish mysticism, and, it appears, the universe itself. But story seems to be a moot point in Aronofsky's frenzied vision; the intent is to create a living nightmare of psychological horror, and he succeeds most unsettlingly through his use of stark, sometimes grainy, black and white photography; frenetic editing; and a pulsating electronic score. Many films purport to be something "unlike you've ever seen"; few films actually deliver. The stylish and scary _Pi_ is one of those few.
Michael Dequina
<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Mr. Brown's Movie Site: http://welcome.to/mrbrown
CompuServe Hollywood Hotline: http://www.HollywoodHotline.com
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Yes but you cannot save the emblem.
Seems pretty much useless to "unlock" this in the editor.
You can for sure prepare your emblems but i think it doesn't make much sense, doesn't it?
Topicstarter
GameFreakBoy
Using the emblem manager plugin, you can still get the code for it as if you did have it unlocked. That way you will have the emblem ready to go for when you actually have it unlocked. :)


Stands for "Cascading Style Sheet." Cascading style sheets are used to format the layout of Web pages. They can be used to define text styles, table sizes, and other aspects of Web pages that previously could only be defined in a page's HTML.CSS helps Web developers create a uniform look across several pages of a Web site. Instead of defining the style of each table and each block of text within a page's HTML, commonly used styles need to be defined only once in a CSS document.


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Your projects will be perfectly safe, Symu uses SSL encryption and every project added receives a unique link. Additionally you have the option to secure your project with a password.


 He strolled about the country as ragged as a colt, till he met with a wagoner who was going to London, and who gave him leave to walk all the way by the side of his wagon without paying anything for his passage. This pleased little Whittington very much, as he wanted to see London sadly, for he had heard that the streets were paved with gold, and he was willing to get a bushel of it; but how great was his disappointment, poor boy! when he saw the streets covered with dirt instead of gold, and found himself in a strange place, without a friend, without food, and without money.
Though the wagoner was so charitable as to let him walk up by the side of the wagon for nothing, he took care not to know him when he came to town, and the poor boy was, in a little time, so cold and hungry that he wished himself in a good kitchen and by a warm fire in the country.
In his distress he asked charity of several people, and one of them bid him “Go to work for an idle rogue.” “That I will,” said Whittington, “with all my heart; I will work for you if you will let me.”
The man, who thought this savored of wit and impertinence (though the poor lad intended only to show his readiness to work), gave him a blow with a stick which broke his head so that the blood ran down. In this situation, and fainting for want of food, he laid himself down at the door of one Mr. Fitzwarren, a merchant, where the cook saw him, and, being an ill-natured hussy, ordered him to go about his business or she would scald him. At this time Mr. Fitzwarren came from the Exchange, and began also to scold at the poor boy, bidding him to go to work.
Whittington answered that he should be glad to work if anybody would employ him, and that he should be able if he could get some victuals to eat, for he had had nothing for three days, and he was a poor country boy, and knew nobody, and nobody would employ him.
He then endeavored to get up, but he was so very weak that he fell down again, which excited so much compassion in the merchant that he ordered the servants to take him in and give him some meat and drink, and let him help the cook to do any dirty work that she had to set him about. People are too apt to reproach those who beg with being idle, but give themselves no concern to put them in the way of getting business to do, or considering whether they are able to do it, which is not charity.
But we return to Whittington, who could have lived happy in this worthy family had he not been bumped about by the cross cook, who must be always roasting and basting, or when the spit was idle employed her hands upon poor Whittington! At last Miss Alice, his master’s daughter, was informed of it, and then she took compassion on the poor boy, and made the servants treat him kindly.
Besides the crossness of the cook, Whittington had another difficulty to get over before he could be happy. He had, by order of his master, a flock-bed placed for him in a garret, where there was a number of rats and mice that often ran over the poor boy’s nose and disturbed him in his sleep. After some time, however, a gentleman who came to his master’s house gave Whittington a penny for brushing his shoes. This he put into his pocket, being determined to lay it out to the best advantage; and the next day, seeing a woman in the street with a cat under her arm, he ran up to know the price of it. The woman (as the cat was a good mouser) asked a deal of money for it, but on Whittington’s telling her he had but a penny in the world, and that he wanted a cat sadly, she let him have it.
This cat Whittington concealed in the garret, for fear she should be beat about by his mortal enemy the cook, and here she soon killed or frightened away the rats and mice, so that the poor boy could now sleep as sound as a top.
Soon after this the merchant, who had a ship ready to sail, called for his servants, as his custom was, in order that each of them might venture something to try their luck; and whatever they sent was to pay neither freight nor custom, for he thought justly that God Almighty would bless him the more for his readiness to let the poor partake of his fortune.
All the servants appeared but poor Whittington, who, having neither money nor goods, could not think of sending anything to try his luck; but his good friend Miss Alice, thinking his poverty kept him away, ordered him to be called.
She then offered to lay down something for him, but the merchant told his daughter that would not do, it must be something of his own. Upon which poor Whittington said he had nothing but a cat which he bought for a penny that was given him. “Fetch thy cat, boy,” said the merchant, “and send her.” Whittington brought poor puss and delivered her to the captain, with tears in his eyes, for he said he should now be disturbed by the rats and mice as much as ever. All the company laughed at the adventure but Miss Alice, who pitied the poor boy, and gave him something to buy another cat.
While puss was beating the billows at sea, poor Whittington was severely beaten at home by his tyrannical mistress the cook, who used him so cruelly, and made such game of him for sending his cat to sea, that at last the poor boy determined to run away from his place, and having packed up the few things he had, he set out very early in the morning on All-Hallows day. He traveled as far as Holloway, and there sat down on a stone to consider what course he should take; but while he was thus ruminating, Bow bells, of which there were only six, began to ring; and he thought their sounds addressed him in this manner:
“Lord Mayor of London!” said he to himself, “what would not one endure to be Lord Mayor of London, and ride in such a fine coach? Well, I’ll go back again, and bear all the pummelling and ill-usage of Cicely rather than miss the opportunity of being Lord Mayor!” So home he went, and happily got into the house and about his business before Mrs. Cicely made her appearance.
We must now follow Miss Puss to the coast of Africa. How perilous are voyages at sea, how uncertain the winds and the waves, and how many accidents attend a naval life!
The ship that had the cat on board was long beaten at sea, and at last, by contrary winds, driven on a part of the coast of Barbary which was inhabited by Moors unknown to the English. These people received our countrymen with civility, and therefore the captain, in order to trade with them, showed them the patterns of the goods he had on board, and sent some of them to the King of the country, who was so well pleased that he sent for the captain and the factor to come to his palace, which was about a mile from the sea. Here they were placed, according to the custom of the country, on rich carpets, flowered with gold and silver; and the King and Queen being seated at the upper end of the room, dinner was brought in, which consisted of many dishes; but no sooner were the dishes put down but an amazing number of rats and mice came from all quarters and devoured all the meat in an instant.
The factor, in surprise, turned round to the nobles and asked if these vermin were not offensive.
The factor jumped for joy; he remembered poor Whittington and his cat, and told the King he had a creature on board the ship that would despatch all these vermin immediately. The King’s heart heaved so high at the joy which this news gave him that his turban dropped off his head. “Bring this creature to me,” said he; “vermin are dreadful in a court, and if she will perform what you say I will load your ship with gold and jewels in exchange for her.” The factor, who knew his business, took this opportunity to set forth the merits of Miss Puss. He told his Majesty that it would be inconvenient to part with her, as, when she was gone, the rats and mice might destroy the goods in the ship—but to oblige his Majesty he would fetch her. “Run, run,” said the Queen; “I am impatient to see the dear creature.”
Away flew the factor, while another dinner was providing, and returned with the cat just as the rats and mice were devouring that also. He immediately put down Miss Puss, who killed a great number of them.
The King rejoiced greatly to see his old enemies destroyed by so small a creature, and the Queen was highly pleased, and desired the cat might be brought near that she might look at her. Upon which the factor called “Pussy, pussy, pussy!” and she came to him. He then presented her to the Queen, who started back, and was afraid to touch a creature who had made such havoc among the rats and mice; however, when the factor stroked the cat and called “Pussy, pussy!” the Queen also touched her and cried “Putty, putty!” for she had not learned English.
He then put her down on the Queen’s lap, where she, purring, played with her Majesty’s hand, and then sang herself to sleep.
The King, having seen the exploits of Miss Puss, and being informed that her kittens would stock the whole country, bargained with the captain and factor for the whole ship’s cargo, and then gave them ten times as much for the cat as all the rest amounted to. On which, taking leave of their Majesties and other great personages at court, they sailed with a fair wind for England, whither we must now attend them.
The morn had scarcely dawned when Mr. Fitzwarren arose to count over the cash and settle the business for that day. He had just entered the counting-house, and seated himself at the desk, when somebody came, tap, tap, at the door. “Who’s there?” said Mr. Fitzwarren. “A friend,” answered the other. “What friend can come at this unseasonable time?” “A real friend is never unseasonable,” answered the other. “I come to bring you good news of your ship Unicorn.” The merchant bustled up in such a hurry that he forgot his gout; instantly opened the door, and who should be seen waiting but the captain and factor, with a cabinet of jewels, and a bill of lading, for which the merchant lifted up his eyes and thanked heaven for sending him such a prosperous voyage. Then they told him the adventures of the cat, and showed him the cabinet of jewels which they had brought for Mr. Whittington. Upon which he cried out with great earnestness, but not in the most poetical manner:
It is not our business to animadvert upon these lines; we are not critics, but historians. It is sufficient for us that they are the words of Mr. Fitzwarren; and though it is beside our purpose, and perhaps not in our power to prove him a good poet, we shall soon convince the reader that he was a good man, which was a much better character; for when some who were present told him that this treasure was too much for such a poor boy as Whittington, he said: “God forbid that I should deprive him of a penny; it is his own, and he shall have it to a farthing.” He then ordered Mr. Whittington in, who was at this time cleaning the kitchen and would have excused himself from going into the counting-house, saying the room was swept and his shoes were dirty and full of hob-nails. The merchant, however, made him come in, and ordered a chair to be set for him. Upon which, thinking they intended to make sport of him, as had been too often the case in the kitchen, he besought his master not to mock a poor simple fellow, who intended them no harm, but let him go about his business. The merchant, taking him by the hand, said: “Indeed, Mr. Whittington, I am in earnest with you, and sent for you to congratulate you on your great success. Your cat has procured you more money than I am worth in the world, and may you long enjoy it and be happy!”
At length, being shown the treasure, and convinced by them that all of it belonged to him, he fell upon his knees and thanked the Almighty for his providential care of such a poor and miserable creature. He then laid all the treasure at his master’s feet, who refused to take any part of it, but told him he heartily rejoiced at his prosperity, and hoped the wealth he had acquired would be a comfort to him, and would make him happy. He then applied to his mistress, and to his good friend Miss Alice, who refused to take any part of the money, but told him she heartily rejoiced at his good success, and wished him all imaginable felicity. He then gratified the captain, factor, and the ship’s crew for the care they had taken of his cargo. He likewise distributed presents to all the servants in the house, not forgetting even his old enemy the cook, though she little deserved it.
After this Mr. Fitzwarren advised Mr. Whittington to send for the necessary people and dress himself like a gentleman, and made him the offer of his house to live in till he could provide himself with a better.
Now it came to pass when Mr. Whittington’s face was washed, his hair curled, and he dressed in a rich suit of clothes, that he turned out a genteel young fellow; and, as wealth contributes much to give a man confidence, he in a little time dropped that sheepish behavior which was principally occasioned by a depression of spirits, and soon grew a sprightly and good companion, insomuch that Miss Alice, who had formerly pitied him, now fell in love with him.
When her father perceived they had this good liking for each other he proposed a match between them, to which both parties cheerfully consented, and the Lord Mayor, Court of Aldermen, Sheriffs, the Company of Stationers, the Royal Academy of Arts, and a number of eminent merchants attended the ceremony, and were elegantly treated at an entertainment made for that purpose.
History further relates that they lived very happy, had several children, and died at a good old age. Mr. Whittington served as Sheriff of London and was three times Lord Mayor. In the last year of his mayoralty he entertained King Henry V and his Queen, after his conquest of France, upon which occasion the King, in consideration of Whittington’s merit, said: “Never had prince such a subject”; which being told to Whittington at the table, he replied: “Never had subject such a king.” His Majesty, out of respect to his good character, conferred the honor of knighthood on him soon after.
Sir Richard many years before his death constantly fed a great number of poor citizens, built a church and a college to it, with a yearly allowance for poor scholars, and near it erected a hospital.
He also built Newgate for criminals, and gave liberally to St. Bartholomew’s Hospital and other public charities.


Boris Johnson pledges to put the ‘heart’ back into local communities
The Prime Minister announced a package including a cut in business rates for the average corner shop.
Boris Johnson has pledged to pump hundreds of millions of pounds into towns and villages that have been “overlooked and left behind”.
The Prime Minister announced a package of measures, including cutting business rates for shops, cinemas and pubs, designed to help places which have not always benefited from economic growth.
Under the plans, the average corner shop will get a £1,400 cut in their business rates from the extension in the retail discount.
The Tories said up to half a million businesses will benefit, with the discount extended to all cinemas and music venues.
When the UK voted to leave the EU in 2016, many communities felt their voices had been heard for the first time in decades and their lives would improve. We will invest in these communities and help people put the heart back into the places they call homeBoris Johnson
The party has pledged to save pubs and post offices, promising to back community groups who want to buy their local pubs and post offices with a £150 million fund and a nine month ban on sale to other bidders.
One of the plans is to re-connect towns and villages to the rail network, with a £500 million fund to restore lines and stations removed by the 1960s Beeching Report.
There are also plans to invest in cycling and walking with the aim of making it easier for people to cycle and walk around their local areas.
Mr Johnson said: “For too long, too many towns and villages across Britain have been overlooked and left behind.
“When the UK voted to leave the EU in 2016, many communities felt their voices had been heard for the first time in decades and their lives would improve.
“We will invest in these communities and help people put the heart back into the places they call home.
“We need to get Brexit done so that we can unleash the potential of all our towns, cities and villages.
“We will be able to save our high streets, keep pubs and post offices open and re-connect places to the rail network half a century after they were cut off.”
Andrew Gwynne, Labour’s shadow communities secretary, said: “The Tories are destroying our high streets and towns.
“A decade of vicious cuts to the services that people in our communities rely on, has taken 60p in every £1 from council budgets.
“There is a clear choice in this election on December 12: more of the same with Boris Johnson’s Tories or real change and investment under Labour.”


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US consular staff in Turkey grilled over video 'mocking Zamzam'
by AFPISTANBUL: Turkish police questioned two local staffers from a US consulate in Turkey on Wednesday over a Halloween party video accused of “denigrating religious values”, news agency DHA reported.
The pair, who work at the consulate in the southern city of Adana, were taken in for questioning and later released, the local prosecutor said.
It followed a video, which spread online, showing a woman mocking “Zamzam” water, which is considered holy because it is drawn from a well in Makkah.
A man, dressed as a pious Muslim, advises her to drink a cocktail.
The prosecutor said those detained were two employees from the consulate aged 30 and 38.
A number of issues have strained relations between Ankara and Washington, including Turkey’s offensive last month against Kurdish militants in Syria, who were a close ally of the US against the Islamic State group.
There was also a row over the arrest of several Turks working for US diplomatic outposts following the attempted coup of 2016. One employee, Metin Topuz from the Istanbul consulate, is still in jail pending his trial on espionage charges.
In January, a staffer at the Adana consulate, Hamza Ulucay, was freed after nearly two years in pre-trial detention over alleged links to the Gulenist movement that Turkey blames for the attempted coup.


This is an inbox layout.
Check one item
Hold down your shift key
Check a lower item
Everything in between should should also be set to checked
Try do it without any libraries
Just regular JavaScript
Good Luck!
Don't forget to tweet your result!


Pig Dice
Player1
Roll Dice
Hold
Player2
Roll Dice
Hold
Player1score:
Roll Total:
player1TotalScore:
Player2score:
Roll Total:
player2TotalScore:


Welcome to Student Benefits API
Most of the student community is unaware of the tremendous amount of discounts/free stuff they're eligible to receive
This OpenSource API contains the many benefits offered by companies varying from JetBrains, Heroku to Spotify, Youtube etc.


Tutorial.Rmd
library(pathdiagrams)
The pathdiagrams package provides an extension to base R’s plotting tools for creating various types of path diagrams. The package can be used to help create diagrams displaying various structural equation model (SEM) analyses, such as factor or path analyses. The package can also be used to create CONSORT-type diagrams (subject enrollment and retention in a study).
Creation of a path diagram proceeds in two steps:
# Creates a base figure with lower and upper limits from
# 0 to 1. By default, figure is 6 x 6 inches (? x ? cm),
# and has guidelines to aid with development and
# positioning for the diagram.
create_base_figure( new = FALSE )
# Add a rectangle with the text 'Node-01' centered at
# the (x,y) coordinates (0.3,0.8). Input is formatted
# as: 'Text|x=coordinate|y=coordinate' - each element
# is separated by the '|' symbol.
add_nodes( 'Node-01|x=.3|y=.8' )
# Add multiple nodes with text at different y-axis
# positions.
add_nodes( c( 'Node-02|x=.3|y=.6', 'Node-03|x=.3|y=.4' ) )
Once nodes have been created, it can be helpful to know the dimensions of a node and the distance between two nodes. Furthermore, we often will want to adjust node locations so that two nodes are a fixed distance apart from each other. The pathdiagrams package provides several built-in functions to allow users to quickly compute these values. For example, consider the creation of two nodes, ‘N01’ and ‘N02’:
create_base_figure( new = FALSE )
# Initial creation of nodes
inputs <- c(
N01 = 'Node-01|x=.3|y=.861',
N02 = 'Node-02|x=.3|y=.339'
)
nodes <- add_nodes( inputs, output = TRUE )
# Determine size of node 'N01'
size( nodes$N01 )
#> width height
#> 0.3380210 0.1074443
# Determine distance between nodes
# along the y-axis
sep( nodes, c( 'N01', 'N02' ),
dimension = 'y-axis' )
#> [1] 0.4145557
# Determine new y-axis position
# for 'N02' so that it is the
# desired distance from 'N01'
sep( nodes, c( 'N01', 'N02' ),
dimension = 'y-axis', desired = .1 )
#> new_y
#> 0.4145557 0.6535557
Once we have determined the new y-axis coordinate, we can update the code for the node creation such that the nodes ‘N01’ and ‘N02’ are the appropriate distance apart from each other:
create_base_figure( new = FALSE )
inputs <- c(
N01 = 'Node-01|x=.3|y=.861',
N02 = 'Node-02|x=.3|y=.639'
)
nodes <- add_nodes( inputs, output = TRUE )
Multiple options controlling the aesthetics of a node can be included. Options, separated by the pipe symbol ‘|’, are added to the end of the input string with the text content and x and y-axis position. Options for nodes are in the form ‘n_=’ with the underscore replaced by an appropriate letter. For example, to change a node’s fill color to red, the full input string would be:
‘Text content|x=value|y=value|nc=red’
The following figure showcases the range of options and how the options should be specified:
create_base_figure( guidelines = FALSE, new = FALSE )
inputs <- c(
# Change shape to ellipse
N01 = 'Node-01|x=.5|y=.9|ns=circle',
# Change fill color to grey
N02 = 'Node-02|x=.5|y=.7|nc=grey80',
# Change border color to red
N03 = 'Node-03|x=.5|y=.5|nb=red',
# Change padding around text
N03a = 'Node-03a|x=.175|y=.5|np=1.5',
# Change padding around text
N03b = 'Node-03b|x=.825|y=.5|nx=.23|ny=.15',
# Change border width
N04 = 'Node-04|x=.5|y=.3|nw=4',
# Change border type
N05 = 'Node-05|x=.5|y=.1|nt=3'
)
nodes <- add_nodes( inputs, output = TRUE, text.size = .85 )
# How to specify options
text( c( .5, .5, .5, .175, .825, .5, .5 ),
c( .825, .625, 0.425, .375, .38, .225, .025 ),
c( 'ns=circle', 'nc=grey80', 'nb=red',
'np=1.5', 'nx=.23|ny=.15', 'nw=4',
'nt=3' ),
cex = .85, xpd = NA
)
Multiple options are also available for controlling the aesthetics of the text content of a node. Again, options separated by the pipe symbol ‘|; are added to the end of the input string. Options for text aesthetics are in the form ’t_=’ with the underscore replaced by an appropriate letter. For example, to change the color of the text in a node to red, the full input string would be:
‘Text content|x=value|y=value|tc=red’
The following figure showcases the range of options and how the options should be specified:
create_base_figure( guidelines = FALSE, new = FALSE )
inputs <- c(
# Change text size
N01 = 'Text-01|x=.5|y=.9|ts=2',
# Change text color
N02 = 'Text-02|x=.5|y=.65|tc=red',
# Multiple lines of text
N03 = 'Text-03\nText-04|x=.5|y=.4',
# Change spacing between lines
N04 = 'Text-05\nText-06|x=.5|y=.15|th=.08'
)
nodes <- add_nodes( inputs, output = TRUE, text.size = .85 )
# How to specify options
text( .5, c( .78, .58, .02 ),
c( 'ts=2', 'tc=red', 'th=.08' ),
cex = .85, xpd = NA
)
Forthcoming.
create_base_figure( guidelines = FALSE, new = FALSE )
inputs <- c(
# Bold text
N01 = '**Bold** text|x=.5|y=.9',
N02 = '**Bold** text\n More **Bold** text|x=.5|y=.65',
# Italic text
N01 = '*Italic* text|x=.5|y=.4',
N02 = '*Italic* text\n More *italic* text|x=.5|y=.15'
)
nodes <- add_nodes( inputs, output = TRUE, text.size = .85 )
The pathdiagrams package also allows a user to add either arrows or lines to connect nodes. Details of what lines to draw and the aesthetics of these lines are specified via a call to the ‘paths’ argument for the ‘add_nodes’ function.
When nodes are labeled, a line from one node to another can be added via a input string of the following form:
‘Node label|start position|Node label|end position’
There are 8 positions that a user can specify: ‘top’, ‘topright’, ‘right’, ‘bottomright’, ‘bottom’, ‘bottomleft’, ‘left’, and ‘topleft’.
create_base_figure( guidelines = FALSE, new = FALSE )
# Define nodes
inputs <- c(
N01 = 'Node-01|x=.1|y=.5',
N02 = 'Node-02|x=.9|y=.5'
)
# Arrow from node 'N01' to 'N02'
paths <- c(
'N01|right|N02|left'
)
nodes <- add_nodes( inputs, paths, output = TRUE )
In cases where a user wants to add a line that is not defined relative to a pair of nodes, one can provide the x and y-axis coordinates instead:
create_base_figure( guidelines = FALSE, new = FALSE )
# Define nodes
inputs <- c(
N01 = 'Node-01|x=.5|y=.75',
N02 = 'Node-02|x=.5|y=.25',
N03 = 'Node-03|x=.9|y=.5'
)
paths <- c(
# Arrow between Node-01 and Node-02
'N01|bottom|N02|top',
# Arrow defined at fixed coordinates
'x,y|.5,.5|x,y|.7,.5'
)
nodes <- add_nodes( inputs, paths, output = TRUE )
As before, additional options, separated by the pipe symbol ‘|’, can be added to the end of the input string that control the aesthetics of the lines:
create_base_figure( guidelines = FALSE, new = FALSE )
# Define nodes
inputs <- c(
N01 = 'Node-01|x=.25|y=.25',
N02 = 'Node-02|x=.25|y=.75',
N03 = 'Node-03|x=.75|y=.75',
N04 = 'Node-04|x=.75|y=.25'
)
paths <- c(
# Arrow between Node-01 and Node-04
'N01|right|N04|left',
# Line between Node-01 and Node-02
'N01|top|N02|bottom|lp=0|ll=0',
# Double-headed arrow
'N02|right|N03|left|cd=<->',
# Set line width and color
'N03|bottom|N04|top|lw=4|lc=red'
)
nodes <- add_nodes( inputs, paths, output = TRUE )


--- layout: default title: "Expanded Interface" ---
This is where we could add our whole intro text. i.e. the big reflection page. And a bit about us?


With XYZ Limousine Services, its easy and affordable to find rides to any location from Los Angeles. There are a wide range of Car services available at XYZ Limuosine Services. So when you arrive at your Weekend plan for a perfect trip, XYZ Limousine Services plays a key factor in making it happen.  Journey with XYZ Limousine Services and make memories.


|
ADC
9.2
Analog to Digital Conversor library for the Teensy 3.1/3.2 microprocessor
|
Util functions for ino sketches and tests. More...
Functions | |
| const char * | getConversionEnumStr (ADC_CONVERSION_SPEED conv_speed) |
| Convert the conversion speed code to text. More... | |
| const char * | getSamplingEnumStr (ADC_SAMPLING_SPEED samp_speed) |
| Convert the sampling speed code to text. More... | |
| const char * | getStringADCError (ADC_ERROR fail_flag) |
| Converts the error code to text. More... | |
Variables | |
| const uint8_t | averages_list [] = {1, 4, 8, 16, 32} |
| List of possible averages. More... | |
| const uint8_t | resolutions_list [] = {8, 10, 12, 16} |
| List of possible resolutions. More... | |
| const ADC_CONVERSION_SPEED | conversion_speed_list [] |
| List of possible conversion speeds. More... | |
| const ADC_SAMPLING_SPEED | sampling_speed_list [] |
| List of possible sampling speeds. More... | |
Util functions for ino sketches and tests.
| const char* ADC_util::getConversionEnumStr | ( | ADC_CONVERSION_SPEED | conv_speed | ) |
Convert the conversion speed code to text.
| conv_speed | The conversion speed enum element |
Definition at line 53 of file ADC_util.h.
| const char* ADC_util::getSamplingEnumStr | ( | ADC_SAMPLING_SPEED | samp_speed | ) |
Convert the sampling speed code to text.
| samp_speed | The sampling speed enum element |
Definition at line 97 of file ADC_util.h.
| const char* ADC_util::getStringADCError | ( | ADC_ERROR | fail_flag | ) |
Converts the error code to text.
| fail_flag | The error code |
Definition at line 126 of file ADC_util.h.
| const uint8_t ADC_util::averages_list[] = {1, 4, 8, 16, 32} |
List of possible averages.
Definition at line 160 of file ADC_util.h.
| const ADC_CONVERSION_SPEED ADC_util::conversion_speed_list[] |
List of possible conversion speeds.
Definition at line 182 of file ADC_util.h.
| const uint8_t ADC_util::resolutions_list[] = {8, 10, 12, 16} |
List of possible resolutions.
Definition at line 169 of file ADC_util.h.
| const ADC_SAMPLING_SPEED ADC_util::sampling_speed_list[] |
List of possible sampling speeds.
Definition at line 210 of file ADC_util.h.


loews-corporation
Businessmodel of Loews Corporation
Customer Segments
Loews provides a diverse range of products and services, and as such serves a broad spectrum of customers, including individuals, commercial, and institutional entities. The Company’s customers span the following segments:
- Medical and Healthcare, including allied medical facilities, life science companies, dentists, physicians, hospitals, and nurses and other medical practitioners;
- Commercial and Small Business, inclusion small and middle market business, as well as large corporations across multiple commercial sectors, and insurance companies;
- Oil and Gas, comprising major and independent oil and gas companies, government-owned oil companies. natural gas producers, oil and gas distribution companies, marketers, electric power generators, industrial entities, and interstate and intrastate pipelines; and
- General Consumers, comprising individuals, families, and professionals who are served through the Company’s chain of hotels. Loews includes several large oil and gas companies among its customers, namely Petróleo Brasileiro, ExxonMobil, and Anadarko.
Loews primarily serves customers across its native US. The Company, however, also serves an international customer base through several of its operating units, including across Latin America, Europe, Asia Pacific, Africa, and the Middle East.
Value Propositions
Loews provides value to its customers in the following ways:
- Its diverse range of products and services, with the Company providing a varied portfolio of products and services, including insurance, financial services, offshore oil drilling services, and gas pipeline and distribution services, to a diverse customer base;
- Its international service reach, with the Company serving an extensive domestic customer base in the US, as well as customers from various industries across Latin America, Asia Pacific, Europe, the Middle East, and Africa;
- Its specialist personnel, with the Company employing a range of specialist technical personnel across its various operating segments, including specialist oil, gas, and insurance professionals, as well as experienced industry executives; and
- Its reputation and track record, with the Company established as reliable provider of various services across multiple industries, and serving a number of high-profile clients, including ExxonMobil and Anadarko. ### Channels
Loews operates a website at www.loews.com, through which it provides information on its various operating divisions, products, services, and locations. The Company also operates websites for its individual operating segments: www.cna.com, www.loewshotels.com, www.bwpmlp.com, and www.diamondoffshore.com.
The Company’s CNA Financial segment operates an online customer portal, through which customers can find appropriate insurance agents and pay bills. The Company provides much of its insurance services through a network of brokers, independent agencies and managing general underwriters, with CNA Financial also operating its own in-house teams of sales and support staff.
The Loews Hotels segment operates an online portal through which customers are able to browse hotels, make reservations, and access loyalty benefits directly. The Company’s hotel chain also serves customers through its telephone reservations team, as well as through its chain of upscale hotels across the US and Canada.
Diamond Offshore provides its services to customer on-site, with sales made through its dedicated in-house sales force operating out of offices across the US, Mexico, Brazil, Scotland, and Singapore. Similarly, Boardwalk Pipeline operates its own in-house sales force and provides services through its network of pipelines and distribution infrastructure.
Customer Relationships
Loews provides products and services to customers on a self-service basis through its CNA Financial and Loews Hotels portals, which respectively enable customers to pay bills and find agents, and search hotels and make room reservations without interacting with sales personnel. Both segment segments also provide more personalised sales assistance through sales and support teams. Loews Hotels additionally provides personalised services to customers through its in-hotel staff, who are available to provide assistance to customers in person.
Both Diamond Offshore and Boardwalk Pipeline agree sales contracts primarily through their respective direct sales teams, who consult directly with customer over a period of time to ensure that their individual needs and requirements are met. The Company’s seeks to establish longstanding relationships with these customers, with contracts either agreed on a multi-year basis or a project-by-project basis.
All of Loews’s operating segments offer ongoing support to customers, who are able to contact the relevant departments and offices over the phone or online. The Loews Hotels segment also provides support through an online chat service. Additionally, Loews operates a LinkedIn accounts, and its segments operate separate social media accounts with Facebook, Twitter, and YouTube, through which it is able to interact directly with customers.
Key Activities
Loews Corporation is a holding company. The Company operates through its subsidiary companies, providing commercial property and casualty insurance products; offshore oil and gas drilling services; natural gas and natural gas liquids storage, processing, and distribution services; and hotel operation and management services.
The Company’s principal operating subsidiaries double as its core operating business CNA Financial Corporation, Diamond Offshore, Boardwalk Pipeline, and Loews Hotels. CNA’s insurance products include commercial property and casualty coverages, as well as risk management, information services, warranty and claims administration.
Diamond Offshore is engaged, through its subsidiaries, in the business of operating drilling rigs that are chartered on a contract basis for fixed terms by companies engaged in the exploration and production of hydrocarbons.
Key Partners
Loews works closely with a broad range of companies and organisations across its multiple operating segments. These partners include:
- Supplier and Vendor Partners, comprising suppliers of tools, materials, technologies, and services that are utilised across the entire enterprise, as well as individually across the Company’s operating segments;
- Rewards Scheme Partners, comprising various commercial businesses and retailers that provide rewards as part of the Loews Hotels loyalty program;
- Brokerage and Agency Partners, comprising a network of independent insurance brokers, insurance agents, and managing general underwriters that provide insurance services on behalf of the Company’s CNA Financial segment;
- Drilling and Processing Partners, comprising various offshore drilling and oil and gas companies that support the drilling, processing and distribution services of the Company’s Diamond Offshore and Boardwalk Pipeline segments; and
- Joint Venture Partners, comprising companies across various industries that collaborate with the Company’s various segments on projects and services through mutually owned entities. Loews Hotels’s rewards partners include American Express, Universal Orlando, Sprout, and Hertz. Diamond Offshore has partnered with GE Oil and Gas, while CNA Financial has partnered with Axis Brokers.
Key Resources
Loews’s key resources are its IT and communications infrastructure, its portfolio of hotel properties, its gas processing and pipeline distribution infrastructure, its drilling equipment and tools, its sales channels, its partnerships, and its personnel.
Loews’s multiple operating segment own and or lease a broad portfolio of properties across the Americas, Europe, Asia Pacific, and the Middle East, including offices, hotels, warehouses and storage facilities, which are key to its ongoing operations.
Cost Structure
Loews incurs costs in relation to the development of its online platform, the maintenance of its IT and communications infrastructure, the management and operation of its hotel chain, the operating of its processing and distribution infrastructure, the procurement of supplies and equipment, the operation of its sales channels, the implementation of marketing and advertising campaigns, the processing of insurance claims, the management of its partnerships, and the retention of its personnel.
In 2015 Loews accrued total operating costs in the amount of $13.17 billion. This included insurance claims and policyholder benefits totalling $5.38 billion, contract drilling expenses totalling $1.23 billion, and other operating expenses – including property, plant and equipment costs – in the amount of $4.50 billion.
Revenue Streams
Loews generates revenue in a variety of ways through its four core operating segments:
- CNA Financial, comprising revenue derived from the provision of insurance and risk management services;
- Diamond Offshore, comprising revenue derived from the provision of contract drilling services;
- Boardwalk Pipeline, comprising revenue derived from the provision of gas distribution and processing services; and
- Loews Hotels, comprising revenue derived from the provision of various hotel reservation and related services. In 2015 Loews generated total revenue of $13.42 billion, down slightly on the $14.33 recorded by the Company in 2014. The majority of this revenue, around $9.10 billion, was generated by the Company’s CNA Financial segment. The majority of the Company’s remaining revenue was generated by the Company’s Diamond Offshore segment, which recorded annual revenue of $2.43 billion.


Preparation time
overnight
Cooking time
30 mins to 1 hour
Serves
Serves 4
Hot with whole green chillies and sour with tamarind, this intensely flavoured lamb curry is so easy.
For the marinade, place all the ingredients, excluding the lamb, for the marinade into a food processor and blend until smooth.
Transfer the marinade to a bowl, add the lamb and leave to marinate for several hours, or overnight, if possible.
For the curry, heat two tablespoons of the oil in a large pan, add the nigella and cumin seeds and stir fry for about 30 seconds, or until the cumin begins to brown.
Add the marinated lamb and cook over a medium heat, stirring frequently, for about 12-14 minutes. Taste to ensure the spices have been cooked - it should have no harsh elements.
Add the water and bring to the boil. Then lower the heat, cover and simmer for 35-40 minutes, or until the lamb is tender. Check on the pot regularly, stirring occasionally and adding more water if it gets too dry.
Halfway through cooking the lamb, heat the remaining oil in a small pan and gently fry the chillies for two minutes, stirring often. Pour into the curry.
Once the lamb is cooked, uncover and stir in the tamarind paste. Taste and adjust the seasoning, add a little extra water if necessary, and stir in the coriander. Serve with naan or rice.


--- layout: post permalink: ewedding.html Tags: Array NameOfCoupon: eWedding Cash Back Summary: See our eWedding Coupon Code, eWedding Rebate, eWedding Promo Code, eWedding Discount, eWedding Coupon Cash Back Rebate here. MetaKeywords: eWedding Coupon Code, eWedding Rebate, eWedding Promo Code, eWedding Cash Back Rebate, eWedding Discount, eWedding Coupon Image: images/25550.gif LinkURL: http://www.shareasale.com/r.cfm?b=210197&u=412002&m=25550 affiliate_url_link: http://www.icouponblog.com/jane.php?id=2963 thesis_readmore: See the eWedding Coupon thesis_thumb: http://www.icouponblog.com/tn.php?merchantURL=eWedding.com Title: Save 10% - eWedding Coupon Code for eWedding.com. eWedding Rebate & Discount thesis_description: Our eWedding Discount Coupon Code for eWedding.com. We have the best eWedding Rebate anywhere. thesis_keywords: eWedding, eWedding Coupon Code, eWedding Discount, eWedding Rebate product_name: eWedding hop_url: http://www.icouponblog.com/hop.php?id=2963 ---
If you are getting married you will love www.eWedding.com. You can create a fully-featured wedding website. You can post dates, directions, RSVP, registries and more. You can also upload unlimited photos and make changes around the clock. Even change the theme of your website as often as you like. Create the most memorable, most beautiful website on eWedding.com in less than five minutes. You can create free website or a paid one which will have more features. Check it out online and choose a website according to your budget. Use our discount coupons to save money. Make your special day, memorable and share it online with your friends and family on eWedding.com.
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Check out eWedding.com for free and paid packages. You can get from free to platinum packages. Choose the one that suits you the best. They are affordable and very user friendly. You can get unlimited support, unlimited updates and password protection. Make your wedding fun, memorable and extra special. Make a fun website and share it with your friends and family.


{% extends "base.html" %} {% load humanize %} {% block content %} {% if msg %}
These are the bare tarballs used by the builders to performs "clean-room" package builds. This ensures reproducability.


| # | File | Line | Problem |
|---|---|---|---|
| 1 | C:\Users\veronika\IdeaProjects\cloud-pipeline\elasticsearch-agent\src\test\java\com\epam\pipeline\elasticsearchagent\service\impl\ElasticsearchServiceClientImplTest.java | 40 | The String literal "indexName" appears 7 times in this file; the first occurrence is on line 40 |
| 2 | C:\Users\veronika\IdeaProjects\cloud-pipeline\elasticsearch-agent\src\test\java\com\epam\pipeline\elasticsearchagent\service\impl\PipelineSynchronizerTest.java | 100 | The String literal "pipelineIndex" appears 5 times in this file; the first occurrence is on line 100 |
| 3 | C:\Users\veronika\IdeaProjects\cloud-pipeline\elasticsearch-agent\src\test\java\com\epam\pipeline\elasticsearchagent\service\impl\PipelineSynchronizerTest.java | 101 | The String literal "codeIndex" appears 4 times in this file; the first occurrence is on line 101 |


{% extends "layouts/base.html" %} {% block title %} UI Tables {% endblock %} {% block stylesheets %}{% endblock stylesheets %} {% block content %}
|
Aug
02
|
Withdraw to Bitcoin
1F1tAaz5x1HUXrCNLbtMDqcw6o5GNn4xqX
|
-1.0000 BTC
-$6509.30
|
|
jul
28
|
Withdraw to Bitcoin
1F1tAaz5x1HUXrCNLbtMDqcw6o5GNn4xqX
|
-0.010441 BTC
-$28.10
|
|
jul
20
|
Deposit to Account
Using Bitcoin
|
-0.010441 BTC
-$28.10
|
|
aug
28
|
Investment Deposit
Deposit to [Name of Investment]
|
-0.010441 BTC
-$28.10
|


Mystery bidder chases Metlifecare
by RNZA mystery bidder has made a play for one of the country's biggest retirement village operators.
Metlifecare said it received a "highly conditional, non-binding preliminary expression of interest from a credible third party" to acquire the company.
The company said it has started talks with the unidentified bidder.
"The price proposed is below the board's expectations on value for the company."
Metlifecare operates 25 villages with more than 4,000 beds, mostly in Auckland and the Bay of Plenty, with development plans for another 10, although it had slowed the pace of development to take account of the slower Auckland property market.
Its profit for the year ended June was $39 million, which was down on the previous year as growth in property values slowed and it wrote down the value of some assets.
However, stripping out the valuation changes and one-offs, the underlying profit rose nearly 4 percent to $90.5m.
The company's assets are valued at $3.5 billion.
"There can be no certainty at this stage that these discussions will result in any transaction," the company said.
Metlifecare shares surged 12 percent to a one year high on the news.
This article was originally published on RNZ and re-published with permission.


Note: Updating paths ONLY EFFECTS THE MASTER DATABASE. You must CLEAN AND RE-RUN your projects to see the effect of the update.
Password


Interact with the widgets to change the parameter values of the model. Clicking
the reset button will update the changed values. Parameter explanations can be
found in (Dignum et al., 2022a) and (Dignum et al. 2022b). Take special care in
setting the 'p' parameter, this resembles at how many meters the utility for distance
becomes 0.5. For the Amsterdam case between 500 and 4000 meters are reasonable values,
but for the lattice case with size 50 for example, between 10 and 40 might be more suitable.
Note that not all households are shown (keeps the visualisation fast) and that several
parameters are enclosed in DOUBLE parentheses, where the first value is for group 1 and the
next for group 2, otherwise the model will not work. The residential process only runs for
the 'lattice' case and will run first until convergence or until the maximum amount of steps
is reached. After this, schools are chosen, taking the residential location as given. For
more information please contact<EMAIL_ADDRESS>or check out the
GitHub.
References
Dignum, E., Athieniti, E.,
Boterman, W., Flache, A., & Lees, M. (2022a). Mechanisms for increased school segregation
relative to residential segregation: A model-based analysis. Computers, Environment and
Urban Systems, 93, 101772.
Dignum, E., Boterman, W., Flache, A., & Lees, M. (2022b). Modelling Amsterdam primary
school segregation: an empirically calibrated agent-based model. Working paper.


Sony Picture Utility 4 2 Download Free Spubrowser Exe
How To Reinstall The Pmb Picture Motion Browser Vaio Edition Software Or The Click To Disc Vaio Movie Story Or Vaio Image Optimizer Pmb Software Plug Ins Sony Usa
Pmb Launcher Download It Can Launch Desired Functions Within Your Picture Motion Browser Program
How To Import Videos And Photos Using The Pmb Picture Motion Browser Vaio Edition V5 X Software Sony Usa
すべてのカタログ 有名な Picture Motion Browser ダウンロード
How To Reinstall The Pmb Picture Motion Browser Vaio Edition Software Or The Click To Disc Vaio Movie Story Or Vaio Image Optimizer Pmb Software Plug Ins Sony Usa
How To Reinstall The Pmb Picture Motion Browser Vaio Edition Software Or The Click To Disc Vaio Movie Story Or Vaio Image Optimizer Pmb Software Plug Ins Sony Usa
Sony Picture Program
How To Save The Videos And Photos I Have Imported Using The Picture Motion Browser Vaio Edition Software To A Cd Dvd Or Blu Ray Disc Media Sony Usa
E Photo Plug In For Pmb サポート ダウンロード エプソン
How To Install Picture Motion Browser Pmb In Windows 7 Turbofuture
Pmb Launcher Download It Can Launch Desired Functions Within Your Picture Motion Browser Program
トップイメージカタログ 適切な Picture Motion Browser ダウンロード
How To Reinstall The Pmb Picture Motion Browser Vaio Edition Software Or The Click To Disc Vaio Movie Story Or Vaio Image Optimizer Pmb Software Plug Ins Sony Usa
Pmb Picture Motion Browser Or Play Memories Or Something Else Sony Alpha Nex E Mount Aps C Talk Forum Digital Photography Review
How To Install Picture Motion Browser Pmb In Windows 7 Turbofuture
E Photo Plug In For Pmb サポート ダウンロード エプソン
How To Install Picture Motion Browser Pmb In Windows 7 Turbofuture
How To Import Videos And Photos Using The Pmb Picture Motion Browser Vaio Edition V5 X Software Sony Usa
Picture Motion Browser Backup
Help How Do I Get My Sony Camcorder To Upload To My Mac


EADitor Conformance Testing
This page checks for the existence of required files based on the eXist URL in exist-config.xml in the EADitor folder in Orbeon's apps directory. Upon successful load of EADitor's configuration file, config.xml, in the eXist database, Solr and other configurations are verified.
| Status | Description |
|---|---|
|
|
|


@(implicit loggedManager: Manager) @import views.html.admin.tags.auth._ @import controllers.admin.routes @rolesString = @{ loggedManager.roles match { case head :: Nil => head case init :+ last => init.mkString(", ") + " and " + last }} @views.html.admin.templates.default(title = "Home", tab = "index") {
You are now logged as a manager of this administration web page.
Each manager has one or more roles, and each role indicates a specific area or hierarchical level.
And you can restrict sections to those managers who match with a set of roles (using logic OR or AND, you can choose).
The master role has always full access to everywhere.
For example:
In this case, you are logged as @loggedManager.fullName and your roles are: @rolesString
| Section | Authorization object | Roles needed | Are you allowed? | Go there and check yourself |
|---|---|---|---|---|
| Index | None | any | Index | |
| Social area | WithRole("social") | social or master | @withRoleOrElse("social") { }{ } | Social area |
| Sales || High | WithRole("social", "high") | (sales or high) or master | @withRoleOrElse("sales", "high") { }{ } | Sales || High |
| Sales && High | WithRoles("social", "high") | (sales and high) or master | @withRolesOrElse("sales", "high") { }{ } | Sales && High |
| Admin area | WithRole("master") | only master | @withRoleOrElse("master") { }{ } | Admin area |


uline
Businessmodel of Uline
Customer Segments
Uline has a mass market business model, with no significant differentiation between customer segments. The company distributes products to companies across industries and sizes.
Value Proposition
Uline offers five primary value propositions: accessibility, convenience, pricing, risk reduction, and brand/status.
The company creates accessibility by offering a wide variety of options. It publishes a catalog with 600+ pages that lists its portfolio of over 31,000 products in several categories. The catalog reaches firms nationwide. Uline increases access to products themselves by maintaining 11 distribution centers across the United States, Canada, and Mexico that offer quick delivery. Lastly, the company provides more than 1,400 box sizes at each location, accommodating different product types.
The company offers convenience through its shipping practices. If customers order by 6:00 p.m., their orders ship the same day. Approximately 99.5% of its orders ship same-day with no back orders.
The company offers a pricing value proposition. Its buyers conduct worldwide searches for product varieties with competitive prices. Also, it keeps shipping costs low through fast delivery, which minimizes freight costs. Lastly, Uline’s websites offers free products (e.g., sports apparel and appliances) to customers who spend above a certain amount, and offers many regular discounts.
The company reduces risk through a policy it calls the “Uline Guarantee.“ It allows customers to try any item it distributes for a full 30 days. If customers are not 100% satisfied, they can return it to Uline for credit or a no-hassle refund.
The company has established a strong brand due to its success. It bills itself as the top distributor of industrial, shipping, and packaging materials to businesses in North America. It has over 5,000 employees working in distribution centers in the United States, Canada, and Mexico. Lastly, it has won a number of honors, including recognition as one of America’s Best Mid-Size Employers by Forbes (2016) and a Vertex Innovation Award recognizing its technology innovation (2015).
Channels
Uline’s main channels are its website and its mail-order catalog. The company promotes its offering through its social media pages and advertising.
Customer Relationships
Uline’s customer relationship is primarily of a self-service nature. Customers use its products while having limited interaction with employees. The company’s website provides answers to frequently asked questions. That said, there is a personal assistance component in the form of 24x7x365 phone and e-mail support.
Key Activities
Uline’s business model entails distributing a wide range of products to consumers.
Key Partners
Uline’s key partners are the suppliers who provide the products for its portfolio. The company maintains a portal called “Uline Partners” through which they can monitor their business.
Key Resources
Uline’s main resources are its network of distribution/shipping centers throughout North America. There are 11 in total, situated in the following locations:
- Atlanta, GA
- Chicago, IL
- Dallas, TX
- Edmonton, AB
- Los Angeles, CA
- Mexicali, MX
- Minneapolis, MN
- Monterrey, MX
- NYC / Phila
- Seattle, WA
- Toronto, ON ### Cost Structure
Uline’s has a cost-driven structure, aiming to minimize expenses through significant automation and low-price value propositions.
Its biggest cost driver is likely cost of revenues, a variable expense. Other major drivers are in the areas of sales/marketing and customer support/operations, both fixed costs.
Revenue Streams
Uline has one revenue stream: revenues generated from fees it charges suppliers for the delivery of their products to its customers.


"Runs PowerSploit's Invoke-TokenManipulation to "
"enumerate Logon Tokens available and uses "
"them to create new processes. Similar to "
"Incognito's functionality. Note: if you select "
"ImpersonateUser or CreateProcess, you must specify "- "one of Username, ProcessID, Process, or ThreadId.
Does not need Admin
http://clymb3r.wordpress.com/2013/11/03/powershell-and-token-impersonation/
moduleSource = self.mainMenu.installPath + "/data/module_source/credentials/Invoke-TokenManipulation.ps1


We look at the two main engineering challenges we are combating. Both approaches aim to expand the capacities of our blockchain. Most blockchains can only handle a handful of transactions per second today. There are many approaches to make blockchains scale. We review our solutions to these issues.
We also show you the first application on our blockchain platform.
- ZenChat is a messenger that allows state of the art encryption for your private conversations. ZenChat is live and integrated into our Flagship App Sphere by Horizen. {% comment %}
- Horizen VPN is our second application. It will make use of our node network, the largest node network in the industry, to offer a decentralized VPN service. Node Operators will have the opportunity to offer their nodes as an endpoint for the VPN service and earn money for providing this service. This application is not live yet, but we are working on it already. {% endcomment %}


Yes, it's all about ME!
Kiwi born & bred in Hawke’s Bay & probably old enough to be everyone’s Mama! I love working smarter - not harder & have worn a few hats in my lifetime just to ‘feed my mind’. I’m drawn towards talented people who I can both learn from & also contribute my own personal experiences with.
Same applies with businesses. I love ones that are respected in the community, having the integrity to look after both their clients & their staff & I like to be in roles where I can grow from as well as contribute my skillset towards.
Was promoted into this logistical / co-ordinator role & thought YES, finally getting paid for my smarts … ‘til I became a statistic from this pandemic a month later & got the ‘Don’t Come Monday’ notice! Gees! In a way, it was a blessing in disguise. I’ve always worked hard for what I wanted & made sacrifices just to get that shiny new toy, but staring at this crossroad made me realise just what a J-O-B really meant, as Robert Kiyosaki says, “It’s Just Over Broke!”
Took a step back & reassessed life’s journey. Why are we here? What am I passionate about? How can our family survive if I’m takin some time out to focus on myself? I have a lot of different interests & I’d love to do them all, but, had enough of being a good wifey, look after the kids, put a roof over their heads & food in their bellies; you know, doing the things a responsible adult does? My eldest will be 21 soon & doing well for himself. You can’t smother them with bubble-wrap … how will they ever learn how to survive in life? I’ve been wanting to cut that umbilical cord for years & I’m finally taking the time out to complete this course for myself as it’s been on the back burner for the past 5 years; way too long! Like others here, I’m wanting to utilise the new skillset to make a positive change in our lives, one that can be done from anywhere around the world, at any time of the day or night!


| vector-construction {rlang} | R Documentation |
The atomic vector constructors are equivalent to c()
but:
They allow you to be more explicit about the output type. Implicit coercions (e.g. from integer to logical) follow the rules described in vector-coercion.
They use dynamic dots.
lgl(...) int(...) dbl(...) cpl(...) chr(...) bytes(...)
... |
Components of the new vector. Bare lists and explicitly spliced lists are spliced. |
All the abbreviated constructors such as lgl()
will probably be
moved to the vctrs package at some point. This is why they are
marked as questioning.
Automatic splicing is soft-deprecated and will trigger a warning
in a future version. Please splice explicitly with !!!
.
# These constructors are like a typed version of c(): c(TRUE, FALSE) lgl(TRUE, FALSE) # They follow a restricted set of coercion rules: int(TRUE, FALSE, 20) # Lists can be spliced: dbl(10, !!! list(1, 2L), TRUE) # They splice names a bit differently than c(). The latter # automatically composes inner and outer names: c(a = c(A = 10), b = c(B = 20, C = 30)) # On the other hand, rlang's ctors use the inner names and issue a # warning to inform the user that the outer names are ignored: dbl(a = c(A = 10), b = c(B = 20, C = 30)) dbl(a = c(1, 2)) # As an exception, it is allowed to provide an outer name when the # inner vector is an unnamed scalar atomic: dbl(a = 1) # Spliced lists behave the same way: dbl(!!! list(a = 1)) dbl(!!! list(a = c(A = 1))) # bytes() accepts integerish inputs bytes(1:10) bytes(0x01, 0xff, c(0x03, 0x05), list(10, 20, 30L))


Public information
The following information will be displayed publicly if your proposal is selected. We check and proofread everything before publishing but please make our volunteer jobs easier and make sure we don’t have much to do.
{% include 'proposals/__form-field.html' with field_obj=form.language %}
{% if proposal_config.key == 'workshops' %}
{% include 'proposals/__form-field.html' with field_obj=form.type %}
{% include 'proposals/__form-field.html' with field_obj=form.length %}
{% endif %}
{% include 'proposals/__form-field.html' with field_obj=form.title %}
{% include 'proposals/__form-field.html' with field_obj=form.abstract %}
{% include 'proposals/__form-field.html' with field_obj=form.difficulty %}
If you are a speaker pair, write information about both of you in one field.
{% include 'proposals/__form-field.html' with field_obj=form.full_name %}
{% include 'proposals/__form-field.html' with field_obj=form.bio %}
{% include 'proposals/__form-field.html' with field_obj=form.photo %}
{% include 'proposals/__form-field.html' with field_obj=form.twitter %}
{% include 'proposals/__form-field.html' with field_obj=form.github %}
{% endif %}
{% if proposal_config.key != 'financial-aid' %}
Private information
The following information will not be displayed publicly.
{% endif %}
{% if proposal_config.key == 'financial-aid' %}
{% include 'proposals/__form-field.html' with field_obj=form.full_name %}
{% endif %}
{% include 'proposals/__form-field.html' with field_obj=form.email %}
{% include 'proposals/__form-field.html' with field_obj=form.amount %}
{% include 'proposals/__form-field.html' with field_obj=form.purpose %}
{% include 'proposals/__form-field.html' with field_obj=form.python_involvement %}
{% if proposal_config.key == 'financial-aid' %}
{% include 'proposals/__form-field.html' with field_obj=form.community_involvement %}
{% endif %}
{% include 'proposals/__form-field.html' with field_obj=form.referral_link %}
{% include 'proposals/__form-field.html' with field_obj=form.needs_finaid %}
{% include 'proposals/__form-field.html' with field_obj=form.finaid_details %}
{% if proposal_config.key == 'workshops' %}
{% include 'proposals/__form-field.html' with field_obj=form.requirements %}
{% endif %}
{% include 'proposals/__form-field.html' with field_obj=form.final_note %}
{% include 'proposals/__form-field.html' with field_obj=form.gdpr_consent %}
Please note that you won’t receive any copy of your {% if proposal_config.key == 'financial-aid' %}application{% else %}proposal{% endif %} to your mailbox.
{% comment %}
{# iterate over all fields #}
{% for field in form.visible_fields %}
{% include 'proposals/__form-field.html' with field_obj=field %}
{% endfor %}
{% endcomment %}


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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object android.support.v4.app.ActivityOptionsCompat
public class ActivityOptionsCompat
Helper for accessing features in android.app.ActivityOptions
introduced in API level 16 in a backwards compatible fashion.
| Constructor Summary | |
|---|---|
protected |
ActivityOptionsCompat()
|
| Method Summary | |
|---|---|
static ActivityOptionsCompat |
makeCustomAnimation(Context context,
int enterResId,
int exitResId)
Create an ActivityOptions specifying a custom animation to run when the activity is displayed. |
static ActivityOptionsCompat |
makeScaleUpAnimation(View source,
int startX,
int startY,
int startWidth,
int startHeight)
Create an ActivityOptions specifying an animation where the new activity is scaled from a small originating area of the screen to its final full representation. |
static ActivityOptionsCompat |
makeThumbnailScaleUpAnimation(View source,
Bitmap thumbnail,
int startX,
int startY)
Create an ActivityOptions specifying an animation where a thumbnail is scaled from a given position to the new activity window that is being started. |
Bundle |
toBundle()
Returns the created options as a Bundle, which can be passed to ActivityCompat#startActivity(android.app.Activity, android.content.Intent, android.os.Bundle) . |
void |
update(ActivityOptionsCompat otherOptions)
Update the current values in this ActivityOptions from those supplied in otherOptions. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
|---|
protected ActivityOptionsCompat()
| Method Detail |
|---|
public static ActivityOptionsCompat makeCustomAnimation(Context context, int enterResId, int exitResId)
context
- Who is defining this. This is the application that the
animation resources will be loaded from.enterResId
- A resource ID of the animation resource to use for the
incoming activity. Use 0 for no animation.exitResId
- A resource ID of the animation resource to use for the
outgoing activity. Use 0 for no animation.
public static ActivityOptionsCompat makeScaleUpAnimation(View source, int startX, int startY, int startWidth, int startHeight)
android.content.Intent#setSourceBounds(android.graphics.Rect)
,
those bounds will be filled in for you based on the initial bounds passed
in here.
source
- The View that the new activity is animating from. This
defines the coordinate space for startX and startY.startX
- The x starting location of the new activity, relative to
source.startY
- The y starting location of the activity, relative to source.startWidth
- The initial width of the new activity.startHeight
- The initial height of the new activity.
public static ActivityOptionsCompat makeThumbnailScaleUpAnimation(View source, Bitmap thumbnail, int startX, int startY)
android.content.Intent#setSourceBounds(android.graphics.Rect)
,
those bounds will be filled in for you based on the initial thumbnail
location and size provided here.
source
- The View that this thumbnail is animating from. This
defines the coordinate space for startX and startY.thumbnail
- The bitmap that will be shown as the initial thumbnail
of the animation.startX
- The x starting location of the bitmap, relative to source.startY
- The y starting location of the bitmap, relative to source.
public Bundle toBundle()
ActivityCompat#startActivity(android.app.Activity, android.content.Intent, android.os.Bundle)
.
Note that the returned Bundle is still owned by the ActivityOptions
object; you must not modify it, but can supply it to the startActivity
methods that take an options Bundle.
public void update(ActivityOptionsCompat otherOptions)
|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


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PULP FICTION A film review by Jon A. Webb Copyright 1994 Jon A. Webb
PULP FICTION is a fun film with rich philosophical undertones. Much has been made of its violence, but here the violence plays only a secondary role (unlike, say, NATURAL BORN KILLERS.) Only a blue-nose could find this film anything but funny.
I am reminded of a play which I know only from the title and a very brief description: ROSENCRANTZ AND GUILDENSTERN ARE DEAD. This takes the minor characters from HAMLET and makes them the central figures; it turns out they have a lot of interesting things to say.
The Rosencrantz and Guildenstern characters here are two mob hit men played by John Travolta and Samuel L. Jackson. They work their way through murders, discussing philosophy and religion. Travolta's character has a remarkable knack for pursuing an argument to its logical conclusion, like a philosophy professor; Jackson's character, however, comes closer to the real point of the movie.
The point of the movie is the manipulation of these people's lives by God. Some are miraculously saved; others are killed through arbitrary accidents. Characters meet each other accidentally, leading to incredible confrontations; they are momentarily inattentive and die. In the face of these manipulations some, through strong character, achieve control over these events and end up going toe-to-toe with God in influencing the story.
The real god in this movie is the playwright and director, Quentin Tarentino, of course. He shows up in a cute vignette as the wimpy put-upon friend of Jackson's character.
There are a number of good performances here. The most amazing is that of John Travolta, who has perhaps never been given proper credit for his earlier roles, where he may have been acting much more than people realized. Certainly his character here is complex and deeply felt.
Samuel L. Jackson establishes himself here as being able to play a straight, solid, serious character, which must help him in the future. After the madness of JUNGLE FEVER and this, he's shown he can play quite a range of types with great force.
As always I'm amazed by Bruce Willis's appeal. He plays the same character here as always--strong, wise-cracking, etc.--good as ever if you like him. (Though I don't; I'm always reminded of the "Saturday Night Live" skit where the truth comes out--he made a deal with the devil.)
Uma Thurman plays a role that seems to have been written for Winona Ryder. Certainly she looks quite a bit like her, and her character is more Ryder-esque than Thurman-esque. She's not bad at it, but I don't think she added a lot to the role.
Maria de Medeiros has a sweet and memorable role as Bruce Willis's girlfriend. She's quite appealing, and I look forward to seeing her expand on this character in the future.
Harvey Keitel plays a somewhat expanded version of his character from POINT OF NO RETURN. Here he talks more and has more class (he's wearing a tux at 8:30 in the morning.) Nice, but nothing new.
Eric Stoltz is great as the drug dealer--his panic, etc., is great comedy.
Roseanne Arquette does a brief turn as his wife; the glee that crosses her face in the piercing scene is worth a good fraction of the price of admission.
I really liked Christopher Walken's scene. It's nothing he hasn't done before, but the story is perfectly told, and the choice of Walken is just perfect.
Amanda Plummer goes a little farther into madness this time. I see her as getting increasingly typecast, and I feel sorry for her since I think she has much greater range than she's being given a chance to exhibit,
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: guides title: APIs name: 00-apis hide: true om_next: 01-omniscient-api-reference permalink: /api/ ---
The Omniscient project consists of several smaller libraries which can work
independent of each other. You have the main project Omniscient
which provides a smart shouldComponentUpdate
and a syntactic
sugar for components which encourages to functional paradigms and immutable,
unidirectional, architecture - but you also have Immstruct
.
Immstruct
is a small wrapper on top of
Immutable.js, helping
to create a re-render loop in Omniscient contexts, but also in "vanilla" React.
Here you can see API reference for both Omniscient and Immstruct. There more libraries and projects in the Omniscient organization as well, but not with API reference docs as of yet. You can see all projects on the Github organization page


| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final java.lang.String |
APPLICATION_ID |
"com.ohtu.wearable.wearabledataservice" |
public static final java.lang.String |
BUILD_TYPE |
"debug" |
public static final java.lang.String |
FLAVOR |
"" |
public static final int |
VERSION_CODE |
1 |
public static final java.lang.String |
VERSION_NAME |
"1.0" |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final java.lang.String |
STARTFOREGROUND_ACTION |
"com.ohtu.wearable.wearabledataservice.action.startforeground" |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
FOREGROUND_SERVICE |
987 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
circle_border_color |
2130771973 |
public static final int |
circle_border_width |
2130771972 |
public static final int |
circle_color |
2130771969 |
public static final int |
circle_padding |
2130771974 |
public static final int |
circle_radius |
2130771970 |
public static final int |
circle_radius_pressed |
2130771971 |
public static final int |
circleCrop |
2130771992 |
public static final int |
circular_layout_gravity |
2130771995 |
public static final int |
circular_text_size |
2130771996 |
public static final int |
dotColor |
2130771980 |
public static final int |
dotColorSelected |
2130771981 |
public static final int |
dotFadeInDuration |
2130771985 |
public static final int |
dotFadeOutDelay |
2130771983 |
public static final int |
dotFadeOutDuration |
2130771984 |
public static final int |
dotFadeWhenIdle |
2130771982 |
public static final int |
dotRadius |
2130771978 |
public static final int |
dotRadiusSelected |
2130771979 |
public static final int |
dotShadowColor |
2130771986 |
public static final int |
dotShadowDx |
2130771988 |
public static final int |
dotShadowDy |
2130771989 |
public static final int |
dotShadowRadius |
2130771987 |
public static final int |
dotSpacing |
2130771977 |
public static final int |
imageAspectRatio |
2130771991 |
public static final int |
imageAspectRatioAdjust |
2130771990 |
public static final int |
layout_box |
2130771968 |
public static final int |
rectLayout |
2130771993 |
public static final int |
roundLayout |
2130771994 |
public static final int |
shadow_width |
2130771975 |
public static final int |
update_interval |
2130771976 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
black |
2131099648 |
public static final int |
blue |
2131099649 |
public static final int |
card_default_background |
2131099650 |
public static final int |
common_action_bar_splitter |
2131099651 |
public static final int |
common_signin_btn_dark_text_default |
2131099652 |
public static final int |
common_signin_btn_dark_text_disabled |
2131099653 |
public static final int |
common_signin_btn_dark_text_focused |
2131099654 |
public static final int |
common_signin_btn_dark_text_pressed |
2131099655 |
public static final int |
common_signin_btn_default_background |
2131099656 |
public static final int |
common_signin_btn_light_text_default |
2131099657 |
public static final int |
common_signin_btn_light_text_disabled |
2131099658 |
public static final int |
common_signin_btn_light_text_focused |
2131099659 |
public static final int |
common_signin_btn_light_text_pressed |
2131099660 |
public static final int |
common_signin_btn_text_dark |
2131099678 |
public static final int |
common_signin_btn_text_light |
2131099679 |
public static final int |
dark_blue |
2131099661 |
public static final int |
dark_grey |
2131099662 |
public static final int |
disabled_text_light |
2131099663 |
public static final int |
dismiss_close |
2131099664 |
public static final int |
dismiss_close_pressed |
2131099665 |
public static final int |
dismiss_overlay_bg |
2131099666 |
public static final int |
green |
2131099667 |
public static final int |
grey |
2131099668 |
public static final int |
light_grey |
2131099669 |
public static final int |
orange |
2131099670 |
public static final int |
primary_text_dark |
2131099671 |
public static final int |
primary_text_light |
2131099672 |
public static final int |
red |
2131099673 |
public static final int |
secondary_text_light |
2131099674 |
public static final int |
semitransparent_grey |
2131099675 |
public static final int |
text_color |
2131099676 |
public static final int |
white |
2131099677 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
activity_horizontal_margin |
2131165184 |
public static final int |
activity_vertical_margin |
2131165185 |
public static final int |
card_content_padding_rect_top |
2131165186 |
public static final int |
close_button_diameter |
2131165187 |
public static final int |
dismiss_padding |
2131165188 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
card_background |
2130837504 |
public static final int |
card_frame |
2130837505 |
public static final int |
card_frame_pressed |
2130837506 |
public static final int |
close_button |
2130837507 |
public static final int |
common_full_open_on_phone |
2130837508 |
public static final int |
common_ic_googleplayservices |
2130837509 |
public static final int |
common_signin_btn_icon_dark |
2130837510 |
public static final int |
common_signin_btn_icon_disabled_dark |
2130837511 |
public static final int |
common_signin_btn_icon_disabled_focus_dark |
2130837512 |
public static final int |
common_signin_btn_icon_disabled_focus_light |
2130837513 |
public static final int |
common_signin_btn_icon_disabled_light |
2130837514 |
public static final int |
common_signin_btn_icon_focus_dark |
2130837515 |
public static final int |
common_signin_btn_icon_focus_light |
2130837516 |
public static final int |
common_signin_btn_icon_light |
2130837517 |
public static final int |
common_signin_btn_icon_normal_dark |
2130837518 |
public static final int |
common_signin_btn_icon_normal_light |
2130837519 |
public static final int |
common_signin_btn_icon_pressed_dark |
2130837520 |
public static final int |
common_signin_btn_icon_pressed_light |
2130837521 |
public static final int |
common_signin_btn_text_dark |
2130837522 |
public static final int |
common_signin_btn_text_disabled_dark |
2130837523 |
public static final int |
common_signin_btn_text_disabled_focus_dark |
2130837524 |
public static final int |
common_signin_btn_text_disabled_focus_light |
2130837525 |
public static final int |
common_signin_btn_text_disabled_light |
2130837526 |
public static final int |
common_signin_btn_text_focus_dark |
2130837527 |
public static final int |
common_signin_btn_text_focus_light |
2130837528 |
public static final int |
common_signin_btn_text_light |
2130837529 |
public static final int |
common_signin_btn_text_normal_dark |
2130837530 |
public static final int |
common_signin_btn_text_normal_light |
2130837531 |
public static final int |
common_signin_btn_text_pressed_dark |
2130837532 |
public static final int |
common_signin_btn_text_pressed_light |
2130837533 |
public static final int |
confirmation_animation |
2130837534 |
public static final int |
generic_confirmation_00163 |
2130837535 |
public static final int |
generic_confirmation_00164 |
2130837536 |
public static final int |
generic_confirmation_00165 |
2130837537 |
public static final int |
generic_confirmation_00166 |
2130837538 |
public static final int |
generic_confirmation_00167 |
2130837539 |
public static final int |
generic_confirmation_00168 |
2130837540 |
public static final int |
generic_confirmation_00169 |
2130837541 |
public static final int |
generic_confirmation_00170 |
2130837542 |
public static final int |
generic_confirmation_00171 |
2130837543 |
public static final int |
generic_confirmation_00172 |
2130837544 |
public static final int |
generic_confirmation_00173 |
2130837545 |
public static final int |
generic_confirmation_00174 |
2130837546 |
public static final int |
generic_confirmation_00175 |
2130837547 |
public static final int |
generic_confirmation_00185 |
2130837548 |
public static final int |
generic_confirmation_00186 |
2130837549 |
public static final int |
generic_confirmation_00187 |
2130837550 |
public static final int |
generic_confirmation_00188 |
2130837551 |
public static final int |
generic_confirmation_00189 |
2130837552 |
public static final int |
generic_confirmation_00190 |
2130837553 |
public static final int |
generic_confirmation_00191 |
2130837554 |
public static final int |
generic_confirmation_00192 |
2130837555 |
public static final int |
generic_confirmation_00193 |
2130837556 |
public static final int |
go_to_phone_00156 |
2130837557 |
public static final int |
go_to_phone_00157 |
2130837558 |
public static final int |
go_to_phone_00158 |
2130837559 |
public static final int |
go_to_phone_00159 |
2130837560 |
public static final int |
go_to_phone_00160 |
2130837561 |
public static final int |
go_to_phone_00161 |
2130837562 |
public static final int |
go_to_phone_00162 |
2130837563 |
public static final int |
go_to_phone_00163 |
2130837564 |
public static final int |
go_to_phone_00164 |
2130837565 |
public static final int |
go_to_phone_00165 |
2130837566 |
public static final int |
go_to_phone_00166 |
2130837567 |
public static final int |
go_to_phone_00167 |
2130837568 |
public static final int |
go_to_phone_00168 |
2130837569 |
public static final int |
go_to_phone_00169 |
2130837570 |
public static final int |
go_to_phone_00170 |
2130837571 |
public static final int |
go_to_phone_00171 |
2130837572 |
public static final int |
go_to_phone_00172 |
2130837573 |
public static final int |
go_to_phone_00173 |
2130837574 |
public static final int |
go_to_phone_00174 |
2130837575 |
public static final int |
go_to_phone_00175 |
2130837576 |
public static final int |
go_to_phone_00176 |
2130837577 |
public static final int |
go_to_phone_00177 |
2130837578 |
public static final int |
go_to_phone_00178 |
2130837579 |
public static final int |
go_to_phone_00185 |
2130837580 |
public static final int |
go_to_phone_00186 |
2130837581 |
public static final int |
go_to_phone_00187 |
2130837582 |
public static final int |
go_to_phone_00188 |
2130837583 |
public static final int |
go_to_phone_00189 |
2130837584 |
public static final int |
go_to_phone_00190 |
2130837585 |
public static final int |
go_to_phone_00191 |
2130837586 |
public static final int |
go_to_phone_00192 |
2130837587 |
public static final int |
go_to_phone_00193 |
2130837588 |
public static final int |
go_to_phone_00194 |
2130837589 |
public static final int |
go_to_phone_00195 |
2130837590 |
public static final int |
go_to_phone_00196 |
2130837591 |
public static final int |
go_to_phone_00197 |
2130837592 |
public static final int |
go_to_phone_00198 |
2130837593 |
public static final int |
go_to_phone_00199 |
2130837594 |
public static final int |
go_to_phone_00200 |
2130837595 |
public static final int |
go_to_phone_00210 |
2130837596 |
public static final int |
go_to_phone_00211 |
2130837597 |
public static final int |
go_to_phone_00212 |
2130837598 |
public static final int |
go_to_phone_00213 |
2130837599 |
public static final int |
go_to_phone_00214 |
2130837600 |
public static final int |
go_to_phone_00215 |
2130837601 |
public static final int |
go_to_phone_00216 |
2130837602 |
public static final int |
go_to_phone_00217 |
2130837603 |
public static final int |
go_to_phone_00218 |
2130837604 |
public static final int |
go_to_phone_00219 |
2130837605 |
public static final int |
go_to_phone_00220 |
2130837606 |
public static final int |
go_to_phone_00221 |
2130837607 |
public static final int |
go_to_phone_00222 |
2130837608 |
public static final int |
go_to_phone_00223 |
2130837609 |
public static final int |
go_to_phone_00224 |
2130837610 |
public static final int |
go_to_phone_animation |
2130837611 |
public static final int |
ic_full_cancel |
2130837612 |
public static final int |
ic_full_sad |
2130837613 |
public static final int |
ic_plusone_medium_off_client |
2130837614 |
public static final int |
ic_plusone_small_off_client |
2130837615 |
public static final int |
ic_plusone_standard_off_client |
2130837616 |
public static final int |
ic_plusone_tall_off_client |
2130837617 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
action_error |
2131427344 |
public static final int |
action_success |
2131427346 |
public static final int |
adjust_height |
2131427333 |
public static final int |
adjust_width |
2131427334 |
public static final int |
all |
2131427328 |
public static final int |
animation |
2131427347 |
public static final int |
bottom |
2131427329 |
public static final int |
btnaddnewtext1 |
2131427342 |
public static final int |
btnaddnewtext2 |
2131427343 |
public static final int |
center |
2131427336 |
public static final int |
center_horizontal |
2131427337 |
public static final int |
center_vertical |
2131427338 |
public static final int |
checkbox |
2131427355 |
public static final int |
dismiss_overlay |
2131427353 |
public static final int |
dismiss_overlay_button |
2131427350 |
public static final int |
dismiss_overlay_explain |
2131427349 |
public static final int |
error_message |
2131427345 |
public static final int |
frame_layout |
2131427351 |
public static final int |
left |
2131427330 |
public static final int |
message |
2131427348 |
public static final int |
name |
2131427356 |
public static final int |
none |
2131427335 |
public static final int |
pager |
2131427339 |
public static final int |
right |
2131427331 |
public static final int |
root_layout |
2131427341 |
public static final int |
text |
2131427357 |
public static final int |
textView2 |
2131427354 |
public static final int |
title |
2131427358 |
public static final int |
top |
2131427332 |
public static final int |
watch_view_stub |
2131427340 |
public static final int |
wearable_list |
2131427352 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
action_text_faded_alpha |
2131230720 |
public static final int |
google_play_services_version |
2131230721 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
activity_main |
2130968576 |
public static final int |
activity_pager_adapter |
2130968577 |
public static final int |
activity_startserver |
2130968578 |
public static final int |
button_activity_main |
2130968579 |
public static final int |
button_layout |
2130968580 |
public static final int |
confirmation_activity_layout |
2130968581 |
public static final int |
dismiss_overlay |
2130968582 |
public static final int |
fragment_list |
2130968583 |
public static final int |
fragment_one_layout |
2130968584 |
public static final int |
fragment_three_layout |
2130968585 |
public static final int |
fragment_two_layout |
2130968586 |
public static final int |
list_item |
2130968587 |
public static final int |
rect_activity_main |
2130968588 |
public static final int |
rect_activity_pager_adapter |
2130968589 |
public static final int |
round_activity_main |
2130968590 |
public static final int |
round_activity_pager_adapter |
2130968591 |
public static final int |
watch_card_content |
2130968592 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
ic_launcher |
2130903040 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
gtm_analytics |
2131034112 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
action_settings |
2131296256 |
public static final int |
app_name |
2131296257 |
public static final int |
btnaddnewtext1 |
2131296258 |
public static final int |
btnaddnewtext2 |
2131296259 |
public static final int |
common_android_wear_notification_needs_update_text |
2131296260 |
public static final int |
common_android_wear_update_text |
2131296261 |
public static final int |
common_android_wear_update_title |
2131296262 |
public static final int |
common_google_play_services_enable_button |
2131296263 |
public static final int |
common_google_play_services_enable_text |
2131296264 |
public static final int |
common_google_play_services_enable_title |
2131296265 |
public static final int |
common_google_play_services_error_notification_requested_by_msg |
2131296266 |
public static final int |
common_google_play_services_install_button |
2131296267 |
public static final int |
common_google_play_services_install_text_phone |
2131296268 |
public static final int |
common_google_play_services_install_text_tablet |
2131296269 |
public static final int |
common_google_play_services_install_title |
2131296270 |
public static final int |
common_google_play_services_invalid_account_text |
2131296271 |
public static final int |
common_google_play_services_invalid_account_title |
2131296272 |
public static final int |
common_google_play_services_needs_enabling_title |
2131296273 |
public static final int |
common_google_play_services_network_error_text |
2131296274 |
public static final int |
common_google_play_services_network_error_title |
2131296275 |
public static final int |
common_google_play_services_notification_needs_installation_title |
2131296276 |
public static final int |
common_google_play_services_notification_needs_update_title |
2131296277 |
public static final int |
common_google_play_services_notification_ticker |
2131296278 |
public static final int |
common_google_play_services_unknown_issue |
2131296279 |
public static final int |
common_google_play_services_unsupported_text |
2131296280 |
public static final int |
common_google_play_services_unsupported_title |
2131296281 |
public static final int |
common_google_play_services_update_button |
2131296282 |
public static final int |
common_google_play_services_update_text |
2131296283 |
public static final int |
common_google_play_services_update_title |
2131296284 |
public static final int |
common_open_on_phone |
2131296285 |
public static final int |
common_signin_button_text |
2131296286 |
public static final int |
common_signin_button_text_long |
2131296287 |
public static final int |
hello_blank_fragment |
2131296288 |
public static final int |
hello_round |
2131296289 |
public static final int |
hello_square |
2131296290 |
public static final int |
hello_world |
2131296291 |
public static final int |
long_press_intro |
2131296292 |
public static final int |
self_destruct |
2131296293 |
public static final int |
title_activity_list |
2131296294 |
public static final int |
title_activity_pager_adapter |
2131296295 |
public static final int |
title_activity_wear |
2131296296 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
CardText |
2131361792 |
public static final int |
CardTitle |
2131361793 |
public static final int |
DismissOverlayText |
2131361794 |
public static final int |
DotsPageIndicatorStyle |
2131361795 |
public static final int |
TextAppearance_Wearable_Large |
2131361796 |
public static final int |
TextAppearance_Wearable_Medium |
2131361797 |
public static final int |
TextAppearance_Wearable_Small |
2131361798 |
public static final int |
TextView_Large |
2131361799 |
public static final int |
TextView_Large_Light |
2131361800 |
public static final int |
TextView_Medium |
2131361801 |
public static final int |
TextView_Medium_Light |
2131361802 |
public static final int |
TextView_Small |
2131361803 |
public static final int |
TextView_Small_Light |
2131361804 |
public static final int |
Theme_Wearable |
2131361805 |
public static final int |
Theme_Wearable_Modal |
2131361806 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final java.lang.String |
MIME_HTML |
"text/html" |
public static final java.lang.String |
MIME_PLAINTEXT |
"text/plain" |
public static final int |
SOCKET_READ_TIMEOUT |
5000 |
| Modifier and Type | Constant Field | Value |
|---|---|---|
public static final int |
BUFSIZE |
8192 |


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