RoaryScoary
What does it do?
Roary
Roary is a pipeline for calculating pan genomes. Roary is not intended for metagenomics or for comparing extremely diverse sets of genomes. If you want to learn more about it, check out the Roary publication.
Scoary
Scoary takes the gene_presence_absence.csv
file output from Roary and a traits file created by the user, and calculates the associations between the given traits and all genes in the accessory genome. For more information, check out the Scoary github or Scoary publication.
How do I use it?
Subject
In the Subject
field, put roary
. Spelling counts, but case sensitivity doesn't.
Description
Required Components
In the Description
field, you must provide the requested analysis type as follows:
analysistype=requested_analysis
The Roary automator supports the following analyses which perform operations on the pan genome of isolate sequences (again, spelling counts, but case sensitivity doesn't):
- union - reports the union of genes found in sequences
- intersection - reports the intersection of genes found in isolate sequences (core genes)
- complement - reports the complement of genes found in isolates (accessory genes)
- gene_multifasta - extracts the sequence of each gene listed and creates multi-fasta files for each gene listed (outputs protein multi-fastas). NOTE: you must provide an additional line:
genes=gene1,gene2,geneN
which is a comma-separated list of genes you would like multi-fasta files for (eg.genes=fliC,gyrA
). Case sensitivity counts for gene names - difference - reports the gene differences between sets of isolates. You must differentiate between sequence sets by adding the line
set_two
above your second set of sequences in the description (sequences you want compared).
You must also include a list of SEQIDs one per line.
Optional Components - Scoary
If you would like scoary analysis to be completed, calculating the associations between traits and all genes in the accessory genome you must attach a csv file of traits (traits.csv) to the issue. Attaching a traits.csv
file will automatically result in scoary analysis being conducted.
This traits file must be formatted in a specific way.
- the rows should correspond to your isolate sequence IDs
- the top right cell should be left blank
- the trait(s) data must be binary (0 for trait absent, 1 for trait present)
- all SEQ-IDs and traits should be uniquely named and not contain any weird characters (e.g. %;,/&[]@? etc)
The below table is an example from the Scoary github:
| Trait 1 | Trait 2 | ... | Trait N | |
|---|---|---|---|---|
| YYYY-SEQ-0001 | 1 | 0 | ... | 1 |
| YYYY-SEQ-0002 | 0 | 0 | ... | 1 |
| YYYY-SEQ-0003 | 1 | 0 | ... | 1 |
For more information, check out the Scoary github
Example
For an example Roary/Scoary issue see issue 24968, for an example Roary analysistype=gene_multifasta
issue see issue 25013. (NOTE: the output files for these issues no longer exist on the ftp server.)
Interpreting Results
The Roary automator will upload links to the ftp for files called prokka_output.zip
and roary_output.zip
once it has completed.
The prokka_output.zip
contains all of the outputs from prokka. Prokka will output a lot of files for each genome you give it - you can find a quick description of
each file here. Of particular interest are the .gff
files, which Roary uses for analysis.
The roary_output.zip
file contains all of the outputs from roary. Some additional files will be present depending on the analysis type chosen:
- gene_multifasta - the zip file will include
.fa
files that contain the aligned protein sequences for the requested gene(s) (one for file each gene included in the analysis, eg.gene_multifasta_fliC.fa
andgene_multifasta_gyrA.fa
). If you'd like, these sequences can be further analysed using NCBI protein blast. - scoary - the zip file will include
.csv
file(s) for each of the traits (column headers) provided in the attachedtraits.csv
file.
How long does it take?
Prokka isn't the quickest thing around - expect it to take 2 to 3 minutes for each genome you give it. After prokka is finished the Roary pipeline time will depend on the analysis type, and the number of genes/traits requested (in the case of gene_multifasta and scoary).
What can go wrong?
- Requested SEQIDs are not available. If we can't find some of the SEQIDs that you request, you will get a warning message informing you of it.
- There was an issue with the requested analysistype: either one was not supplied, the was a typo, or you requested a currently-unsupported analysis. An error message detailing the problem will be added to the issue.
- Scoary You will not get an error if the traits.csv file is not attached or formatted correctly. Roary will complete, but no
.csv
files for each of the traits will be included in the zip file. Unfortunately, you will have to submit the analysis request again with the correcttraits.csv
formatting.


Online Televizor
Android application for playing internet TV and radio on devices with Android (phones, tablets and TVs)
- Online Televizor is not official application of SledovaniTV, Kuki or O2TV
- User account of at least one IPTV required
- supporting external keyboards and remote controls connected as keyboard (usb, bluetooth)
- auto start selected channel after application start
- user can change font size
- possibility to play TV streams in external player installed on Android
- only live broadcasting
- possibility to record stream to file (to internal storage only, feature is not available in free version)
- Chromecast support
- for Android 5.1 and higher
- armeabi-v7a, x86, x86_x64, arm64-v8a
- Android TV support
- switching audio track
- app can be controlled remotely by Remote Televizor
- user defined favourite channels
- free version has limited list of viewed channels
github.com/petrj/OnlineTelevizor


Digital pathology image viewer with support for human/machine generated annotations and markups.
Copyright © 2020 caMicroscope


Namespaces | |
| cv::ogl::ocl | |
Classes | |
| class | cv::ogl::Arrays |
| Wrapper for OpenGL Client-Side Vertex arrays. More... | |
| class | cv::ogl::Buffer |
| Smart pointer for OpenGL buffer object with reference counting. More... | |
| class | cv::ogl::Texture2D |
| Smart pointer for OpenGL 2D texture memory with reference counting. More... | |
Enumerations | |
| enum | cv::ogl::RenderModes { cv::ogl::POINTS = 0x0000, cv::ogl::LINES = 0x0001, cv::ogl::LINE_LOOP = 0x0002, cv::ogl::LINE_STRIP = 0x0003, cv::ogl::TRIANGLES = 0x0004, cv::ogl::TRIANGLE_STRIP = 0x0005, cv::ogl::TRIANGLE_FAN = 0x0006, cv::ogl::QUADS = 0x0007, cv::ogl::QUAD_STRIP = 0x0008, cv::ogl::POLYGON = 0x0009 } |
| render mode More... | |
Functions | |
| void | cv::ogl::convertFromGLTexture2D (const Texture2D &texture, OutputArray dst) |
| Converts Texture2D object to OutputArray. More... | |
| void | cv::ogl::convertToGLTexture2D (InputArray src, Texture2D &texture) |
| Converts InputArray to Texture2D object. More... | |
| UMat | cv::ogl::mapGLBuffer (const Buffer &buffer, AccessFlag accessFlags=ACCESS_READ|ACCESS_WRITE) |
| Maps Buffer object to process on CL side (convert to UMat). More... | |
| void | cv::ogl::render (const Texture2D &tex, Rect_< double > wndRect=Rect_< double >(0.0, 0.0, 1.0, 1.0), Rect_< double > texRect=Rect_< double >(0.0, 0.0, 1.0, 1.0)) |
| Render OpenGL texture or primitives. More... | |
| void | cv::ogl::render (const Arrays &arr, int mode=POINTS, Scalar color=Scalar::all(255)) |
| void | cv::ogl::render (const Arrays &arr, InputArray indices, int mode=POINTS, Scalar color=Scalar::all(255)) |
| void | cv::cuda::setGlDevice (int device=0) |
| Sets a CUDA device and initializes it for the current thread with OpenGL interoperability. More... | |
| void | cv::ogl::unmapGLBuffer (UMat &u) |
| Unmaps Buffer object (releases UMat, previously mapped from Buffer). More... | |
Detailed Description
This section describes OpenGL interoperability.
To enable OpenGL support, configure OpenCV using CMake with WITH_OPENGL=ON . Currently OpenGL is supported only with WIN32, GTK and Qt backends on Windows and Linux (MacOS and Android are not supported). For GTK backend gtkglext-1.0 library is required.
To use OpenGL functionality you should first create OpenGL context (window or frame buffer). You can do this with namedWindow function or with other OpenGL toolkit (GLUT, for example).
Enumeration Type Documentation
◆ RenderModes
| enum cv::ogl::RenderModes |
#include <opencv2/core/opengl.hpp>
render mode
| Enumerator | |
|---|---|
| POINTS | |
| LINES | |
| LINE_LOOP | |
| LINE_STRIP | |
| TRIANGLES | |
| TRIANGLE_STRIP | |
| TRIANGLE_FAN | |
| QUADS | |
| QUAD_STRIP | |
| POLYGON |
Function Documentation
◆ convertFromGLTexture2D()
| void cv::ogl::convertFromGLTexture2D | ( | const Texture2D & | texture, |
| OutputArray | dst | ||
| ) |
#include <opencv2/core/opengl.hpp>
Converts Texture2D object to OutputArray.
- Parameters
-
texture - source Texture2D object. dst - destination OutputArray.
◆ convertToGLTexture2D()
| void cv::ogl::convertToGLTexture2D | ( | InputArray | src, |
| Texture2D & | texture | ||
| ) |
#include <opencv2/core/opengl.hpp>
Converts InputArray to Texture2D object.
- Parameters
-
src - source InputArray. texture - destination Texture2D object.
◆ mapGLBuffer()
| UMat cv::ogl::mapGLBuffer | ( | const Buffer & | buffer, |
| AccessFlag | accessFlags = ACCESS_READ|ACCESS_WRITE |
||
| ) |
#include <opencv2/core/opengl.hpp>
Maps Buffer object to process on CL side (convert to UMat).
Function creates CL buffer from GL one, and then constructs UMat that can be used to process buffer data with OpenCV functions. Note that in current implementation UMat constructed this way doesn't own corresponding GL buffer object, so it is the user responsibility to close down CL/GL buffers relationships by explicitly calling unmapGLBuffer() function.
- Parameters
-
buffer - source Buffer object. accessFlags - data access flags (ACCESS_READ|ACCESS_WRITE).
- Returns
- Returns UMat object
◆ render() [1/3]
| void cv::ogl::render | ( | const Texture2D & | tex, |
| Rect_< double > | wndRect = Rect_< double >(0.0, 0.0, 1.0, 1.0) , |
||
| Rect_< double > | texRect = Rect_< double >(0.0, 0.0, 1.0, 1.0) |
||
| ) |
#include <opencv2/core/opengl.hpp>
Render OpenGL texture or primitives.
- Parameters
-
tex Texture to draw. wndRect Region of window, where to draw a texture (normalized coordinates). texRect Region of texture to draw (normalized coordinates).
◆ render() [2/3]
| void cv::ogl::render | ( | const Arrays & | arr, |
| int | mode = POINTS , |
||
| Scalar | color = Scalar::all(255) |
||
| ) |
#include <opencv2/core/opengl.hpp>
This is an overloaded member function, provided for convenience. It differs from the above function only in what argument(s) it accepts.
- Parameters
-
arr Array of privitives vertices. mode Render mode. One of cv::ogl::RenderModes color Color for all vertices. Will be used if arr doesn't contain color array.
◆ render() [3/3]
| void cv::ogl::render | ( | const Arrays & | arr, |
| InputArray | indices, | ||
| int | mode = POINTS , |
||
| Scalar | color = Scalar::all(255) |
||
| ) |
#include <opencv2/core/opengl.hpp>
This is an overloaded member function, provided for convenience. It differs from the above function only in what argument(s) it accepts.
- Parameters
-
arr Array of privitives vertices. indices Array of vertices indices (host or device memory). mode Render mode. One of cv::ogl::RenderModes color Color for all vertices. Will be used if arr doesn't contain color array.
◆ setGlDevice()
| void cv::cuda::setGlDevice | ( | int | device = 0 | ) |
#include <opencv2/core/opengl.hpp>
Sets a CUDA device and initializes it for the current thread with OpenGL interoperability.
This function should be explicitly called after OpenGL context creation and before any CUDA calls.
- Parameters
-
device System index of a CUDA device starting with 0.
◆ unmapGLBuffer()
| void cv::ogl::unmapGLBuffer | ( | UMat & | u | ) |
#include <opencv2/core/opengl.hpp>
Unmaps Buffer object (releases UMat, previously mapped from Buffer).
Function must be called explicitly by the user for each UMat previously constructed by the call to mapGLBuffer() function.
- Parameters
-
u - source UMat, created by mapGLBuffer().


Grid based design allows for significant flexibility by splitting the interface down into columns or rows, which can be divided down into 12 columns. This enables the user to decide between the most common design styles, such as a row, 3 columns, 4 columns, or even 1 small column next to 1 much wider column. As 12 is divisible by 3, 4 and 2, this is all possible using the grid design. The flexibility this gives us as developers makes life much easier when structuring a website to fit a design spec.
As our use of the internet has moved further away from computer screens, and increasingly towards tablet and mobile screens, web pages need to be able to respond to very different size screens and provide a similar user experience. Websites with strict margins are often incompatible with mobile screens, which is bad for the user and will mean any mobile traffic will quickly leave the website. As such all websites need to be compatible with computer, tablet and mobile screens.
Semantic structure helps us use CSS to break down the sections dependent on their intended purpose on the page. For example, H1 tells us that it is the most important part of the page, as well as how it should be formatted. H4 is still a header, but less important than H1 and this should be represented by how they look on the page.
Interested to see the clear difference between design and development. Development seems to be more about executing others designs, which is probably more up my street as I have no background in design. Some of the tasks thus far (building the blog etc) seem to have a focus on design as well, which is something I could also do with some help on the fundamentals.
Home


in the next div, you can draw a selection, and then you'll be able to move it around and resize it
The code needed:


Dirk Van Hulle
, Volume 18, Number 4, November 2011, pp. 801-812 (Article)
Published by The Johns Hopkins University Press
DOI: 10.1353/mod.2011.0095
For additional information about this article
http://muse.jhu.edu/journals/mod/summary/v018/18.4.van-hulle.html
Access Provided by The University Of Texas at Austin, General Libraries at 07/05/12 7:58PM GMT
In A Beckett Canon (2001), Ruby Cohn discusses Samuel Beckett’s works in chronological order. The discussion of each work starts with a footnote referring to the relevant manuscripts. The position of these references at the bottom of the page, printed in a smaller font than the body of the text, indicates the balance of importance between the published texts and their preparatory materials. The footnotes do not give an exhaustive account of what French genetic critics refer to as the “avant-texte,” the full genetic dossier of extant manuscripts. Nonetheless, these documents are deemed important enough to be mentioned. On the one hand, the manuscripts are kept “underground”; on the other hand, they do constitute a part of this canon. And sometimes a manuscript manages to slip into the “upper” canon. For instance, unpublished manuscripts such as “Ernest et Alice” or “Last Soliloquy” are treated in the body of the text rather than in footnotes.1 Apparently, the border between upper and underground canon is not impermeable.
This article therefore endeavors to examine the “ontological status” of modern manuscripts within the field of literary studies, starting from the question: how do modern manuscripts relate to published texts?2 Modern manuscripts differ in function from medieval manuscripts, which had a public function; they were a form of publication. Modern manuscripts, conversely, are usually more private in nature. Nonetheless, many twentieth-century authors have donated their manuscripts to public archives. Beckett is a case in point, not just because he donated so many of his
modernism / modernity volume eighteen, number four, pp 801–812. © 2012
the johns hopkins university press
Dirk Van Hulle is professor of English literature at the University of Antwerp, and president of the European Society for Textual Scholarship. He is the author of Textual Awareness; Manuscript Genetics, Joyce’s Know-How, Beckett’s Nohow,
and edited Beckett’s Company (Faber, 2009) and the first volume of the Beckett Digital Manuscript Project (2011). He is currently working with Mark Nixon on Beckett’s Library (Cambridge, forthcoming).
802 manuscripts, for instance, to the University of Reading and Trinity College, Dublin, but also because of the interesting textual situation of many of his texts, which dangle between completion and incompletion. This textual situation is not merely of interest to philologists; it reflects an important thematic aspect of Beckett’s work. As a consequence, the textual and genetic analysis of Beckett’s manuscripts and typescripts can be usefully brought into play in the interpretation of his works in general. A textual instance that is rather emblematic in this context is the opening passage of Stirrings Still, section two:
As one in his right mind when at last out again he knew not how he was not long out again when he began to wonder if he was in his right mind. For could one not in his right mind be reasonably said to wonder if he was in his right mind and bring what is more his remains of reason to bear on this perplexity in the way he must be said to do if he is to be said at all?3
The atmosphere of uncertainty and vagueness is emphasized a few lines further down, by means of the reference to Venus: “Then he sought help in the thought of one hastening westward at sundown to obtain a better view of Venus and found it of none.”4 Venus, the second planet from the sun, reaches its maximum brightness shortly before sunrise or shortly after sunset and is therefore known both as the Morning Star and the Evening Star. It marks the clair-obscur of dawn or dusk. To study this clair-obscur from a genetic perspective, I would like to make use of two terms coined by Raymonde Debray-Genette, “exogenetics” and “endogenetics,” to subsequently suggest a third one, “epigenetics.”
The term “exogenesis” denotes external source texts relating to the creative process, such as the texts from which the jottings in the “Dream” Notebook derive.5 One of these texts, discovered by John Pilling, is Sir James Jeans’s chapter, “Exploring the Sky” from The Universe around Us.6 James Jeans explains that, as a morning star, Venus “was called Phosphorus by the Greeks and Lucifer by the Romans; as an evening star it was called Hesperus by both.”7 Beckett noted all these names in his “Dream” Notebook in the early 1930s:
Venus: Morning Evening Phosporus [sic] Hesperus. Lucifer8
Toward the end of the 1930s, Beckett still showed an interest in this topic. In the “Whoroscope” Notebook, he noted that “Venus has a long day.”9 The source for this and the surrounding notes can truly be announced as a “discovery”: the magazine Discovery: A Monthly Popular Journal of Knowledge (New Series, vol. 2, no. 10, January, 1939) contains an article called “Is There Life in Other Worlds?” by Dr H. Spencer Jones 803 (for a full transcript of the relevant excerpts, see Appendix). In and of itself the source may not be as intellectually exciting as the notes on, say, Kant, Mauthner, Céline, and Sartre that appear in the same notebook, but it indicates the scope of Beckett’s wide interests during this period. Moreover, since this notebook contains very few dates, the publication date of the Discovery issue of January 1939 serves as a useful terminus a quo for the notes on the following pages of the notebook. Spencer Jones explains that
The temperature of Venus has been measured. The temperature of the sunlit face reaches 80° or 90° F., whilst that of the dark face falls to about 40° below freezing point. Venus has a long day; its length is not known exactly but it is somewhere about thirty of our days. [The highlighted words are excerpted by Beckett in his notebook.]10
The fact that Venus has a long day has the effect of a magnifying glass. The difference between the midday and midnight temperatures is greater, and so is the transition zone between night and day, day and night. This alternation of day and night (“l’alternance jour-nuit”)11 is zoomed in on in the earliest French drafts of Stirrings Still, written more than forty years after Beckett jotted down these notes.
The way these exogenetic elements were incorporated into the drafts is part of what Debray-Genette calls “endogenesis.”12 In the “‘Dream’ Notebook,” Beckett jotted down that Venus was also called “Hesperus” when regarded as the evening star. Fifty years later, Beckett included Venus in the opening line of Mal vu mal dit / Ill Seen Ill Said: “From where she lies she sees Venus rise.”13 And when he drafted the second section of Stirrings Still (September 1985), he first incorporated “Venus,” and then added “Hesperus” above the line: “Then he called to his help the image of one hastening westward at sundown to obtain a better view of Venus Hesperus and found it of none.”14 Venus, emblematic of the hesitation between day and night, presents itself as an open variant, which in its turn is emblematic of textual hesitation, the textual equivalent of twilight.
As this example shows, the endogenetic processing of exogenetic material does not necessarily imply direct usage of notes. In his post-war writings, Beckett often drew on reading notes he had made before the war. It is also remarkable how many of these reading notes Beckett seems to have internalized or assimilated to such an extent that, during the process of writing, he often did not need his notebooks anymore to conjure up figures of script, such as the open variant Venus/Hesperus.
A similar open variant occurs in the final typescript, which served as printer’s copy. The only substantial change in this last typescript of section two is the variant “no knowing,” added at three instances. The first instance is a particularly nice open variant because the textual situation iconically represents the ignorance expressed by the content of the alternative readings, “he knew not” or “no knowing”: “As one in his right 804 mind when at last out again no knowing how he was not long out again when he
he knew not
began to wonder if he was in his right mind.”15 For quite a while, Beckett “knew not” which of the two alternatives was le mot juste and he left the textual matter undecided. On 6 June, 1988, John Calder wrote to Beckett to point out that “no knowing” was written over “he knew not” in the printer’s typescript, but that the original phrase was not crossed out. He asked Beckett which of the two variants he preferred. Three days later, Beckett sent a card to Calder, suggesting that “he knew not” was the better option.16 So, at the very last stage, the text was still marked by incompletion, and it took the publisher’s special intervention to come to completion.
Even this completion at the “bon à tirer” moment was often relative. The notion of continuous incompletion becomes more striking if the genesis continues after publication. Genetic criticism has traditionally focused mainly on the so-called “avant-texte,” but the “après-texte” also deserves to be taken into account.17 Especially since Beckett’s capacities as self-translator and self-director led to many textual changes after the first publication. These changes are part of what—by analogy with Debray-Genette’s terms—could be referred to as “epigenetics.” A good example is the so-called “Hain” in Krapp’s Last Tape. In the textual notes to the revised text, published in The Theatrical Notebooks of Samuel Beckett, James Knowlson explained that Beckett as a director asked Martin Held (and later also Pierre Chabert in the production at the Théâtre d’Orsay in 1975) “to look over his shoulder into the darkness backstage left,” as Krapp “senses the presence of death lurking close at hand. Beckett regularly referred to this look as a ‘Hain,’ following the eighteenth-century German writer, Matthias Claudius,”18 the author of the poem “Der Tod und das Mädchen.”19 Claudius actually dedicated his complete works to Old Nick, “Freund Hain.”20 The result is an extra stage direction in the “revised text”: “He closes the ledger, turns to the tape-recorder, makes to switch on, arrests gesture, turns slowly to look over his shoulder into the darkness backstage left, long look, then slowly back front.”21
In Waiting for Godot, a similar specification that was not part of the first edition of the text was added to the stage directions. Just before the moment in the text where Pozzo shouts “Stool!” the added stage direction specifies that Pozzo “goes across the stage looking for a place for the stool.”22 The textual change makes Pozzo’s act of seating himself and choosing the place to “posit himself” more explicit. This epigenetic addition can be linked to what Richard Begam has written on performativity in his article “How to Do Nothing with Words, or Waiting for Godot as Performativity.”23 After an introduction to J. L. Austin’s notions of locution, illocution, and perlocution (the utterance, the force of the utterance, and its material effect), Begam notes:
Pozzo’s simple act of seating himself is one of the most elaborate exercises in rhetorical illocution in all of theatre, involving no fewer than twenty performatives, which run over the space of three pages: “Up pig!” “Up hog!” “Back!” “Stop!” “Turn!” “Closer!” “Stop!”
“Coat!” “Hold that!” “Coat!” “Whip!” “Stool!” “Closer!” “Back!” “Further!” “Stop!” “Bas-805 ket!” “Basket!” “Further!” “Happy Days!”24
Richard Begam argues that, in the 1950s, Beckett’s work aligned itself with the language philosophies of J. L. Austin and Ludwig Wittgenstein. Wittgenstein introduced his notion of the language game by contrasting his view with Augustine’s. To caricature the Augustinian philosophy of language, Wittgenstein invented a language game in which builders on a construction site communicate with a simple nomenclature consisting of the words “block,” “pillar,” “slab,” “beam,” to eventually show that “what we imagined was a series of constatives turns out to be a series of performatives.”25 As Begam notes, Wittgenstein’s game undermines philosophical “foundationalism” à la Descartes, who established philosophy on a firm foundation in the Discourse on Method:
It is no accident that in Descartes’ account, the cogito is pictured as sitting and thinking. By rendering the subject static and stationary, by throwing under it (“sub-ject” literally means “thrown under”) an unshakeable foundation, the philosopher symbolically enacts the mental operation that will provide the “basis” or “ground” of his apodeictic philosophy.26
Wittgenstein is a paradigmatic case in the methodological discussion regarding the issue of historicity, which comes down to the question: can one use Wittgenstein to study Beckett even though we know—as Begam explicitly indicates (140)—that Beckett had not yet read Wittgenstein when he wrote Waiting for Godot? Or would that come down to reading Wittgenstein’s ideas into Beckett’s work? This methodological issue has been thoroughly discussed in a debate between Garin Dowd and Matthew Feldman in the “Free Space” of Samuel Beckett Today / Aujourd’hui 20 (2008).27 Instead of reopening this discussion, however, my suggestion is to look at the issue from an epigenetic point of view. On the one hand, one could argue that Beckett did not need Wittgenstein in order to recognize the performative aspect of language, which he had already discovered through his intensive reading of Mauthner’s Beiträge zu einer Kritik der Sprache; on the other hand, one could also recognize that Beckett did appreciate Wittgenstein once he was introduced to his works.
On 21 December, 1962, he mentioned in a letter to Barbara Bray that he was “reading Pole on Wittgenstein again.”28 As Beckett’s copies of books by and on Wittgenstein in his personal library indicate, he received at least a few of his Wittgenstein books when he was in Germany, acting as a self-director for the first time (directing Endspiel in 1967 at the Schiller Theater, Berlin).29 The inscription “Renate Handke / to Samuel Beckett / Germany, 9-25-67” in Beckett’s copy of the two-volume Schriften by Ludwig Wittgenstein (Frankfurt a.M.: Suhrkamp, 1960) indicates that he received the volumes the day before the premiere of Endspiel.30 The next year, Beckett wrote the short foirade “Se voir,” beginning as follows: “Endroit clos. Tout ce qu’il faut savoir pour dire est su. Il n’y a que ce qui est dit. A part ce qui est dit il n’y a rien.” [“Closed place. All needed to be known for say is known. There is nothing but what is said. Beyond what is said there is nothing.”]31 Marjorie Perloff reads this opening passage as an echo of
806 the last sentence of Wittgenstein’s Tractatus: “It is the lesson of Wittgenstein: ‘Wovon man nicht sprechen kann, darüber muss man schweigen.’”32 So, by the time Beckett directed Waiting for Godot for the Schiller Theater in 1975, he had read Wittgenstein, and if one would like to argue that his work gradually aligned itself with Wittgenstein’s language philosophy, the addition to the stage directions of the specification regarding the stool (“goes across the stage looking for a place for the stool”) could be read as a way of emphasizing a Wittgensteinian aspect that Beckett had discovered in his own play after its publication. Whether this means he was “influenced” by Wittgenstein or consciously thought of “post-foundationalism” when he added this line is another matter, which is not at issue here. My suggestion is rather that Beckett’s own approach to his source texts and notes was not “foundationalist.” Instead of treating source texts as a series of constatives, Beckett’s use of his extensive reading can be regarded as a form of performativity. Genetic criticism, in its turn, is not foundationalist either. It does not try to reduce literary criticism to “blocks,” “pillars,” “slabs,” and “beams.” As Daniel Ferrer and Michael Groden note, genetic criticism “aims to restore a temporal dimension to the study of literature” and to “describe a movement, a process of writing that can only be approximately inferred from the existing documents.”33 It is mainly interested in a form of performativity, in the way exogenetic materials are processed in the course of the genesis. And this processing does not end with the first publication; it is not limited to endogenetics, but also includes epigenetic processing. At the same time, it would be a pity if an emphasis on genetic and textual “performativity” led to an attitude within literary criticism that denigrated contextual, historical, or archival research by laughing it off as mere source hunting. An integrated approach is preferable.
In order to chart Beckett’s textual “performativity” one needs to be aware of the “blocks,” “pillars,” “slabs,” and “beams” as well. The example of the building site turns the metaphor into a plump, coarse image, but with reference to the excerpts from the journal Discovery, one might just as well choose another metaphor and refer to the source texts as “stars” and “planets” in the Beckettian universe. Even an inconspicuous note on the length of a day on Venus may be of potential use to future critics attempting to contextualize Beckett’s writings. As a pinch of intertextual stardust, the relevant passages from Spencer Jones’s article are therefore added to this article (see Appendix).
From an epigenetic point of view it is often difficult to distinguish genetic “constatives” with absolute certainty. For instance, if Pozzo’s portable stool may be read as a parody of philosophical foundationalism, it may be useful to also include Beckett’s favorite philosopher, Arthur Schopenhauer. Schopenhauer was a dissident disciple of Fichte. Beckett knew the gist of Fichte’s philosophy through his reading of A History of Philosophy by Wilhelm Windelband, who discusses Fichte’s distinction between the I and the Not-I:
The original “act” (Thathandlung) of self-consciousness, which is determined by nothing 807 except itself, is that the “I” or self can only be “posited” by being distinguished from a “Not-I” or “not-self.” Since, however, the not-self is posited only in the self . . . the self and the not-self (i.e. subject and object) must reciprocally determine each other within the “I” or self.34
The notion of “positing” is called “sich setzen” in Fichte’s System der Sittenlehre nach den Principien der Wissenschaftslehre. But this central concept of “sich setzen” also means simply “to sit down” in German. So, while Schopenhauer as a young dissident was reading his teacher’s book, he showed his critical distance by drawing a chair in the margin of the System der Sittenlehre, next to the concept of “sich setzen.”35 It is hard to prove with absolute certainty that Beckett knew this, but he did own a copy of the fifth volume of Der handschriftliche Nachlass, completely devoted to Schopenhauer’s marginalia, possibly sent to Beckett by Barbara Bray.36 One of the marginalia mentioned in this volume is Schopenhauer’s drawing of the chair on page sixty-eight of his teacher’s System der Sittenlehre next to the notion of “sich setzen.”37 The drawing is also mentioned in the editor’s introduction.38
This marginal “Stuhl” can hardly be presented as a genetic constative in the sense of Wittgenstein’s caricature of the “blocks,” “beams,” and “pillars.” Perhaps it can at most be regarded as a faint intertextual speck in Beckett’s “grey canon,” but it is part of it nonetheless. Pozzo’s elaborate way of seating himself can thus be read as a pompous positing, Beckett’s ironic rendering of a “sich setzen” à la Fichte. If anything is “fundamental” about Pozzo’s stool, it is not its sedentary aspect, but its portability. The ambiguity of this “stool” indicates a similar kind of “nominalist irony”39 as the irony involved in Schopenhauer’s marginal chair as a deliberate misinterpretation of Fichte’s “sich setzen.” And when the stool reemerges in Beckett’s penultimate text, Stirrings Still, it is used, not to seat oneself, but to mount on, in order to look through the window, “exploring the sky” (to employ the words of James Jeans from The Universe Around Us): “Light of a kind came then from the one high window. Under it still the stool on which until he could or would no more he used to mount to see the sky.”40
Beckett’s characters often seem to have a hard time “positing” themselves. When, in the manuscript of L’Innommable, the Unnamable enumerates all the characters in Beckett’s preceding works with whom he identifies himself, it is remarkable that he mentions both Estragon and Vladimir, and even Lucky, but not the character who “posits himself” as Pozzo.41 In Endgame, Clov cannot sit down, and in Not I, Mouth even seems to refuse to “posit herself” as an I. The play can thus be read as a critical comment on Fichte, exploring the border zone between subject and object, between I and Not-I, as a no-man’s land rather than a clear-cut dividing line. This dim twilight zone between private and public is also applicable to Beckett’s manuscripts. Against the background of the problem of “positing oneself,” the textual fact that Beckett left an open variant on the printer’s copy of Stirrings Still is emblematic of the “ontological status” of the manuscripts and typescripts within his work.42 Beckett seems to have been well aware that a “work” can be defined as an “experience implied by the authoritative
808 versions of a literary writing,” not just by “the” published text—“whatever that is,” as Hershel Parker duly added.43 The pressure of “positing” a completed version that can serve as “the” text is part of the reality of publishing, but the genesis of Beckett’s works often did not stop at the “bon à tirer” moment. The “status” of modern manuscripts, or their relation to the published text, is not fixed. What S. E. Gontarski has termed the “grey canon” grows as not only passages from Beckett’s letters, but also from his notes, diary entries, and drafts are being cited more frequently in scholarly articles.44 This phenomenon is not limited to Beckett studies. The manuscripts of several authors have become more accessible to a larger audience thanks to initiatives like the Whitman Archive (www.whitmanarchive.org), the electronic edition of Les manuscrits de Madame Bovary (www.bovary.fr), Les manuscrits de Stendhal (www.manuscrits-de-stendhal.org), or the Beckett Digital Manuscript Project (www.beckettarchive.org).45 Literature thus takes new shapes, in which the genesis of the text becomes more accessible as an object of research and the “work” can also appear as a complex and fascinating dialectic between completion and incompletion.
The following passages from H. Spencer Jones, F. R. S. (Astronomer Royal), “Is there Life in Other Worlds?” in Discovery: A Monthly Popular Journal of Knowledge, New Series, vol. 2, no. 10 (January 1939): 36–47, correspond with Samuel Beckett’s notes in the so-called “Whoroscope” Notebook (University of Reading, UoR MS MS 3000, fol. 62r–63r). Beckett excerpted the highlighted words in his notebook.
UoR MS 3000, 62r: cf. Spencer Jones 1939, 40: “It is the gravitational pull of the Earth that prevents this dissipation. A rocket shot off from the Earth will be drawn back by the force of gravitation unless the velocity of projection exceeds 7 miles a second. This critical velocity is called the velocity of escape. For any other planet the velocity of escape will have a different value, the square of the velocity being proportional to the mass of the planet and inversely proportional to the radius . . .
Moon 1.5 miles per sec. Mercury 2.2 ” Venus 6.5 ” Earth 7.0 ” Mars 3.1 ” Jupiter 38.0 ” Saturn 23.0 ” Uranus 13.0 “ Neptune 14.0 ” Sun 386.0 ”
UoR MS 3000, 63r: cf. Spencer Jones 1939, 40: “The lighter the molecule the higher is its average speed. The average speed of a molecule of hydrogen is 1¼ miles a second, whereas the average speed of oxygen or nitrogen is not much greater than ¼ miles a second. Consider what is happening at the top of the atmosphere; there will frequently be molecules that rebound after a collision with a speed several times as great as the average speed.”
Spencer Jones 1939, 43–44: “Venus. Venus and Mars have special interest and require more detailed consideration. Venus is the planet most nearly equal to the Earth both in size and in weight. The velocity of escape from Venus being nearly the same as from the Earth, [p. 44] we expect to find an extensive atmosphere on Venus, though the hydrogen will have escaped. The telescope confirms this, for we find Venus to be covered with a dense permanent layer of clouds . . . The temperature of Venus has been measured. The temperature of the sunlit face reaches 80° or 90° F., whilst that of the dark face falls to about 40° below freezing point. Venus has a long day; its length is not known exactly but it is somewhere about thirty of our days. This explains the great difference between the midday and midnight temperatures on Venus . . . The scarcity of oxygen, combined with the abundance of carbon dioxide, provides a clue to the conditions prevailing on Venus . . . When life started on the Earth there was probably plenty of carbon dioxide but comparatively little oxygen in the atmosphere . . . when life on the Earth may be nearing extinction, Venus may be the home of higher and higher types of life.”
Spencer Jones 1939, 44: “Mars. The last of the planets to be considered is Mars.”
Spencer Jones 1939, 46: “The low velocity of escape from Mars suggests that, if Mars has an atmosphere, it must be very tenuous . . . The American astronomer, Percival Lowell, built up a romantic theory about these canals. He regarded them as irrigation channels . . . It seems that they are an illusion of vision, arising from a psychological tendency for the eye, when looking at something that is almost at the limit of vision,to connect up detail by narrow lines to form a geometrical pattern.”
Spencer Jones 1939, 47: “In Mars we see a world where conditions resemble those that will probably prevail on our Earth many millions of years hence, when most of our present atmosphere will have been lost. Mars appears to be a planet of spent or nearly spent life.”
1. Ruby Cohn, A Beckett Canon (Ann Arbor: The University of Michigan Press, 2001), 220; 241.
13. Beckett, Company, Ill Seen Ill Said, Worstward Ho, Stirrings Still, 45.
34. Wilhelm Windelband, A History of Philosophy, vol. 2 (New York: Harper and Row, 1958), 593.
40. Beckett, Company, Ill Seen Ill Said, Worstward Ho, Stirrings Still, 107.
41. In the manuscript of L’Innommable (Harry Ransom Humanities Research Center, University of Texas at Austin, Samuel Beckett collection, Box 3, Folder 10, fol. 40v), the Unnamable mentions Belacqua, Murphy, Watt, Mercier, Camier, Victor, Lucky, Vladimir, Estragon, Molloy, Moran, Malone, and Mahood by name, and the “others” (whose names he forgets), who have claimed at some point that they were him and who he, in his turn, has tried to “be.”
812 42. Shillingsburg, Scholarly Editing in the Computer Age, 41.
E. Gontarski and Anthony Uhlmann (Gainesville: University Press of Florida, 2006), 141–57.
45. Samuel Beckett, Stirrings Still / Soubresauts and Comment dire / what is the word: an electronic genetic edition (The Beckett Digital Manuscript Project, module 1). Edited by Dirk Van Hulle and Vincent Neyt (Brussels: University Press Antwerp (ASP/UPA), 2011), www.beckettarchive.org.


Select this option if you want IntelliJ IDEA to add a closing tag for your code in the JavaDoc comments. In this
case IntelliJ IDEA places the caret inside the tag. For example, if you type
<b>
, the closing tag
</b>
will be generated automatically.


A node module for interacting with an Apple TV (4th-generation or later) over the Media Remote Protocol.
node-appletv
is a node.js
implementation of the Media Remote Protocol which shipped with the 4th-generation Apple TV. This is the protocol that the Apple TV remote app uses, so this should enable the creation of an Apple TV remote app for various platforms. It can also be used in a homebridge
plugin to connect Apple TV events to HomeKit and vice versa. node-appletv
can be used as a standalone command line application, or as a module in your own node app. Keep reading for installation and usage instructions.
Developer documentation for node-appletv
can be found here.
# Install
$ npm install -g node-appletv
# Display built-in help
$ appletv --help
The appletv
cli supports several commands, such as:
pair
: Scans for Apple TVs on the local network and initiates the pairing process
command <command>
: Execute a command on an Apple TV (play, pause, menu, volume, wake, suspend, etc.)
state
: Logs state changes from an Apple TV (now playing info)
queue
: Requests the current playback queue from an Apple TV
artwork
: Requests the current now playing artwork from an Apple TV
messages
: Logs all raw messages from an Apple TV
help <command>
: Get help for a specific command
$ npm install --save node-appletv
node-appletv
makes heavy use of Promises. All functions, except for the observe functions, return Promises.
import { scan } from 'node-appletv';
let devices = await scan();
// devices is an array of AppleTV objects
let device = devices[0];
await device.openConnection();
let callback = await device.pair();
// the pin is provided onscreen from the Apple TV
await callback(pin);
// you're paired!
let credentials = device.credentials.toString();
console.log(credentials);
import { scan, parseCredentials, NowPlayingInfo } from 'node-appletv';
// see example above for how to get the credentials string
let credentials = parseCredentials(credentialsString);
let devices = await scan(uniqueIdentifier)[]
let device = devices[0];
await device.openConnection(credentials);
// you're connected!
// press menu
await device.sendKeyCommand(AppleTV.Key.Menu);
console.log("Sent a menu command!");
// monitor now playing info
device.on('nowPlaying', (info: NowPlayingInfo) => {
console.log(info.toString());
});
The uniqueIdentifier
is advertised by each Apple TV via Bonjour. Use an app like Bonjour Browser to find it. The identifier is also the first value in the string value of the Credentials
object.
See homebridge-theater-mode for a more practical use of this module.
node-appletv
is written in Typescript. Edit files in the src
directory and then run npm link
to clean, build, and create the symlinks to use the library and cli.
node-appletv
would not have been possible without the work of these people:
You can find me on Twitter @evandcoleman
Distributed under the MIT license. See LICENSE
for more information.
Generated using TypeDoc


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Please upload all required* files in pdf format,upload only A4 Size, portrait orientation and file size should be less than 4 MB.
SECTION 511. “Where in any return, report, certificate, balance sheet or other document, required by or for the purposes of this Act, any person wilfully makes a statement which is false in any material particular knowing it to be false, shall be guilty of an offence and be liable on conviction to a fine not exceeding one million rupees or to imprisonment for a term not exceeding five years or to both such fine and imprisonment ”
If yes, you will not be able to revert back.


--- # jekyll prompt ---
This profile sets expectations for use of the Patient resource within the DAF FHIR IG. This profile identifies which core data elements, extensions, vocabularies and value sets must be Supported by DAF actors. For the definition of Supported please refer to DAF FHIR IG. The data elements identified by the profile are based on ONC 2014 Edition S&CC and DAF use cases. The mappings between the ONC 2014 Edition S&CC data elements and DAF data elements are captured in the table below, where the first column identifies the ONC 2014 Edition S&CC data element name, the second column maps the ONC 2014 Edition S&CC data elements to DAF data elements which are derived from ONC 2014 Edition S&CC standards and DAF use cases and lastly the third column identifies the mapping to FHIR resources and attributes.
The DAF-Patient profile mapping to Meaningful Use data elements and FHIR Resources are as shown below. For an overview of how the DAF profiles and data elements were derived from ONC 2014 Edition S&CC please refer to DAF FHIR IG data mapping section.
| Meaningful Use Data Element Name | Mapping to Priority DAF Data Elements | FHIR Resource Mapping |
|---|---|---|
| Patient Name | Patient Name | Patient.name |
| Sex | Gender | Patient.gender |
| Date of Birth | Date of Birth | Patient.birthDate |
| Race | Race | Patient.extension(us-core-race) |
| Ethnicity | Ethnicity | Patient.extension(us-core-ethnicity) |
| Preferred Language | Preferred Language | Patient.communication.preferred |
| Patient Identifiers | Patient.identifier | |
| Multiple Birth Indicator | Patient.multipleBirthBoolean | |
| Birth Order | Patient.multipleBirthInteger | |
| Mother's Maiden Name | Patient.extension(patient-mothers-maiden-name) | |
| Address | Patient.address | |
| Telephone | Patient.telecom | |
| Marital Status | Patient.maritalStatus | |
| Birth Place | Patient.extension(birthplace) | |
| Religious Affiliation | Patient.extension(religion) | |
| Guardian | Patient.contact |
This profile relies on the following other profiles:
| Profiles: | |
| DAF-Patient | Defines constraints and extensions on the patient resource for use in querying and retrieving patient demographic information. |
The full list of supported patient search parameters are can be accessed at DAF Requestor capability statement expectations and DAF Responder capability statement expectations.
The following are example usage scenarios for the DAF Patient profile:
Implementers need to be mindful of the following during their implementation
Patient Identifiers: Patient Identifiers are represented as part of the Patient.identifier data element. Identifiers must be scoped using a URI data type represented within the Patient.identifier.system element. If systems are using OID's to scope their patient identifiers, then OID's can be converted to URI's per RFC-3001. However, systems are encouraged to adopt parallel URIs and map to allow the benefits of human readability and resolvability. Since DAF profiles deal with queries of Patient data, identifiers play a critical role in identifying the right resources to be queried and returned.
Representing Patient Names: Patient Names are represented using the HumanName datatype. Per the FHIR specification, the first name is represented using the first occurrence of the element HumanName.given element. Middle names and other parts of the name can be represented using subsequent occurrences of the HumanName.given element.
Specifying multiple race codes: Many systems may capture race codes at a very granular level which can be rolled up to higher level race codes such as "Asian", "White" etc. In cases where these systems intend to include these granular race codes in addition to the higher level race codes permitted by the value set they can do so by using the coding element which can be repeated as many times as needed within the race element.
Capturing BirthPlace: Many systems may only capture the birth place as a city name, or a state name or a county name instead of using a highly structured Address data type. In these cases these systems should use the address.text field to record the birth place.
See DAF FHIR IG for implementation guidance common to all profiles.


Just below the menu of the editor is a one-line text area where the editor normally displays the line and character position of the cursor. This area is also used when searching for text within the file and when displaying the source of syntax errors.
| Key | Action |
|---|---|
| Alt+a | Save file as... |
| Alt+s | Save file |
| Alt+g | Save the file and load it into the REPL |
| Alt+< | Move to beginning of buffer |
| Alt+> | Move to end of buffer |
MacOS X note: If double-clicking on a Scheme file (extension .ss or .scm) does not open up a SWL edit window, please follow the steps below:
Double-clicking on files with that extensions should now work properly. You may have to repeat the procedure for files with the other extension, e.g., .scm if you performed the procedure for a file with the .ss extension. You can also arrange to use SWL for files with other extensions using the same procedure.


Class SerializationHelper
Json serialization and deserialization using the custom resolver VerifierResolver
Inheritance
System.Object
SerializationHelper
Namespace: SigStat.Common.Helpers
Assembly: SigStat.Common.dll
Syntax
public class SerializationHelper : object
Methods
| Improve this Doc View SourceDeserialize<T>(String)
Constructs object from strings that were serialized previously
Declaration
public static T Deserialize<T>(string s)
where T : class
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | s | The serialized string |
Returns
| Type | Description |
|---|---|
| T | The object that was serialized |
Type Parameters
| Name | Description |
|---|---|
| T | A type which has a public parameterless constructor |
DeserializeFromFile<T>(String)
Constructs object from file given by a path
Declaration
public static T DeserializeFromFile<T>(string path)
where T : class
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | path | Relative path to the file |
Returns
| Type | Description |
|---|---|
| T | The object that was serialized to the file |
Type Parameters
| Name | Description |
|---|---|
| T | A type which has a public parameterless constructor |
GetSettings(Boolean)
Settings used for the serialization methods
Declaration
public static JsonSerializerSettings GetSettings(bool compactFeatures = false)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Boolean | compactFeatures |
Returns
| Type | Description |
|---|---|
| JsonSerializerSettings | A new settings object |
JsonSerialize<T>(T, Boolean)
Creates json string from object
Declaration
public static string JsonSerialize<T>(T o, bool compactFeatures = false)
Parameters
| Type | Name | Description |
|---|---|---|
| T | o | The object |
| System.Boolean | compactFeatures |
Returns
| Type | Description |
|---|---|
| System.String | The json string constructed from the object |
Type Parameters
| Name | Description |
|---|---|
| T | The type of the object |
JsonSerializeToFile<T>(T, String, Boolean)
Writes object to file to the given by path in json format
Declaration
public static void JsonSerializeToFile<T>(T o, string path, bool compactFeatures = false)
Parameters
| Type | Name | Description |
|---|---|---|
| T | o | The object |
| System.String | path | Relative path |
| System.Boolean | compactFeatures |
Type Parameters
| Name | Description |
|---|---|
| T | The type of the object |


author: bocianu<EMAIL_ADDRESS>Set of useful constants and methods, to customize display lists for the Atari 8-bit.
This library is a part of 'blibs' - set of custom Mad-Pascal libraries.
https://gitlab.com/bocianu/blibs
| name: | value: | description: |
|---|---|---|
| DL_BLANK1 | 0 | 1 blank line |
| DL_BLANK2 | %00010000 | 2 blank lines |
| DL_BLANK3 | %00100000 | 3 blank lines |
| DL_BLANK4 | %00110000 | 4 blank lines |
| DL_BLANK5 | %01000000 | 5 blank lines |
| DL_BLANK6 | %01010000 | 6 blank lines |
| DL_BLANK7 | %01100000 | 7 blank lines |
| DL_BLANK8 | %01110000 | 8 blank lines |
| DL_DLI | %10000000 | Order to run DLI |
| DL_LMS | %01000000 | Order to set new memory address |
| DL_VSCROLL | %00100000 | Turn on vertical scroll on this line |
| DL_HSCROLL | %00010000 | Turn on horizontal scroll on this line |
| DL_MODE_40x24T2 | 2 | Antic Modes |
| DL_MODE_40x24T5 | 4 | |
| DL_MODE_40x12T5 | 5 | |
| DL_MODE_20x24T5 | 6 | |
| DL_MODE_20x12T5 | 7 | |
| DL_MODE_40x24G4 | 8 | |
| DL_MODE_80x48G2 | 9 | |
| DL_MODE_80x48G4 | $A | |
| DL_MODE_160x96G2 | $B | |
| DL_MODE_160x192G2 | $C | |
| DL_MODE_160x96G4 | $D | |
| DL_MODE_160x192G4 | $E | |
| DL_MODE_320x192G2 | $F | |
| DL_JMP | %00000001 | Order to jump |
| DL_JVB | %01000001 | Jump to begining |
| name: | type: | description: |
|---|---|---|
| DL_address | word | contains memory of Display List |
| DL_cursor | byte | contains position of modification cursor |
| name: | description: |
|---|---|
| DL_Init | procedure DL_Init(address:word);Initializes new empty Display List at desired address. Sets DL_cursor at 0.
parameters: |
| DL_Push | procedure DL_Push(value:byte);overload;Pushes single byte value into Display List at DL_cursor position. Moves cursor one byte forward. Use it to set with mode lines and blanks.
parameters: |
| DL_Push | procedure DL_Push(value, count:byte);overload;Pushes multple bytes with single value into Display List at DL_cursor position. Moves cursor to position of first byte after added values. Use it to set multiple mode lines and blanks.
parameters: |
| DL_Push | procedure DL_Push(address: word);overload;Pushes address value into Display List at DL_cursor position. Moves cursor two bytes forward.
parameters: |
| DL_Push | procedure DL_Push(value: byte; address: word);overload;Pushes byte value and address value into Display List at DL_cursor position. Moves cursor three bytes forward. Use with DL_LMS and jump orders.
parameters: |
| DL_Start | procedure DL_Start;Order ANTIC to use currently defined Display List. |
| DL_Attach | function DL_Attach:word;Attaches to current (system) Display List. Sets modification pointer at 0, so next DL_Push overwrites first byte of Display List.
returns: |
| DL_Seek | function DL_Seek(offset:byte):byte;Moves DL_cursor to desired position, and returns byte value stored at this offset.
parameters:returns: |
| DL_SeekW | function DL_SeekW(offset:byte):word;Moves DL_cursor to desired position, and returns word value stored at this offset.
parameters:returns: |
| DL_Find | function DL_Find(val: byte):byte;Tries to find desired value in Display List starting from DL_cursor. It checks only first 255 bytes of DL. Returns offset of first found element, or $ff (255) if not found.
parameters:returns: |
| DL_Poke | procedure DL_Poke(offset: byte; val: byte);Moves DL_cursor to desired position, and puts a byte value at this offset.
parameters: |
| DL_PokeW | procedure DL_PokeW(offset: byte; val: word);Moves DL_cursor to desired position, and puts a word value at this offset.
parameters: |


Predictive Analysis for Diabetes based on US Food Pattern
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H.B. Woodrose, Cannabis & Caffeine (tea)
In the past 15 years I've tried a large variety of psychoactive drugs. I have used hallucinogens extensively -- i.e. marijuana, LSD, psiloscybe mushrooms, and MDMA. I thought I'd give HBWR seeds a shot. I purchased them from a well-known ethnobotanical resource and have reason to believe that they were free of fungicides etc.
I tried them two times. Each time I removed the fibrous black-grey coating from the seeds, rinsed them carefully, ground them quickly in a coffee grinder, and filled gel-caps with the resulting powder. Both times I took the caps with hot decaffeinated tea on an empty stomach. Both sessions began around 7:00 PM after relaxing, pleasant days. Both times I smoked a small amount of nausea-relieving herb, first at ingestion and an hour later.
My first experience was a mixed bag. I took 5 seeds this time. The effects came on slowy, beginning within 30 minutes and building to a peak 3 hours later. After an hour, I felt a great deal of sedation and nausea, but also waves of pleasant bodily euphoria. I lay down for an hour and may have fallen asleep. I came to feeling fairly intoxicated - I was moderately euphoric, felt mildly drunk, and experienced visual effects like those of MDMA. Also, alarmingly, I had to work a little breathe. My throat felt constricted and my face was swollen. These alarming symptoms disappeared as I walked around investigating the mildly psychedelic effects of the seeds.
My second experience was terrible. I took 8 seeds this time. Again it took 3 hours to build up to a peak. This time the euphoria of the first experience was absent. (I suspect that this just one of those random variations in drug effects.) It was pretty neutral emotionally. At their most intense, I would characterize the open-eye visual effects as being like those of Nitrous Oxide, some tracering, some random fluctuation of brightness and color intensity. There were no CEVs.
But this time the adverse effects were much worse. I was extremely nauseated. My stomach was cramping and, most alarmingly, my breathing was extremely laboured. I was yawning compulsively. My throat was constricted. I was badly congested. My lips and fingers began to tingle. I lay on the floor with my legs elevated for about 2 hours before I began to feel better. The next day I was fine.
The 'trip' itself sucked. It didn't even have any of the metaphysical thrill of a bad trip. I just felt poisoned. It was a bit like I suspect a bad allergic reaction would feel, but I am not prone to allergies. Maybe these were the effects of cyanogenic glycosides. Maybe not. I cannot explain what happened. But I hope that I have provided some useful information here about the possibilities for adverse reactions. Be aware.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


It’s a universal design method of laying out your webpage into a series of hypothetical rows and columns to form a grid.
We use this grid to line up our design elements in a way that both makes sense for the user and is aesthetically appealing.
Another Important function of grids is that they create a responsive environment wherein when a page is resized or viewed on devices of different resolutions they don’t move or change - this creates consistency.
Typically, grids consist of columns, rows and the gaps between rows and columns (gutters). This creates a consistent experience, as a grid system enables the same size ratio between all your different design elements.
Your grid system may also be a framework — either third party such as Bootstrap or created by you just for your project — that you use to enforce the grid via CSS.
Responsive web page design is super important as it can significantly impact on the user experience. We want the user to have the best experience possible on whatever device thy might be using, whether it be a tablet, phone or laptop - meaning that we must design our web pages to adapt to different resolution sizes. Interestingly, a 2015 study by Research New Zealand found that 70 per cent of participants had access to a smartphone, 72 per cent had access to a laptop and 57 per cent had access to a PC. Of the smartphone owners, one in two preferred using their smartphone for browsing the internet. We must take user accessibility into account when designing adaptive web pages.
The phrase “it’s all just semantics” shrugs off the fact that it’s all just words and words don’t matter. Semantic markup, however, matters a lot!
Using semantic markup is essentially a way of structuring HTML to reinforce the meaning of the content rather than what it looks like. This reflects the the fact that presentation and content are separate, i.e. HTML is used for structure and CSS for web design.
When structuring our pages we need to observe the intuitive hierarchy of our markup. What I mean by this is that, much like writing an essay, we would start with our title or heading tag <h1>, including subheadings where necessary <h2>, <h3>and writing paragraphs <p> in the body of our essay.
Semantic markup means that HTML tags are never chosen based on the way they appear in a web browser — they’re chosen based on the importance and structure of the content.
Grid structures seem like the bread and butter of responsive web design. I had a lot of breakthrough moments during the Udacity tutorial on grid structures - understanding how to create one but also how to structure your design elements within your grid.
I can’t wait to start using Bootsrap more for my grid frameworks. Seems like a handy tool for responsive web design, with predefined classes for easy layout as well as the option to use your own CSS stylesheet alongside it.


5 minutes
Sign GitHub commits (using Mac)
Generally speaking, most organisations do not check if a commit is signed or not. Even worse, more companies do not care about this. It might subjective but I like to have the verified
badge.
If you commit from GitHub, for example: adding or editing a README, you will get the verified bagde. The same will happen with the client GitKraken
, but if you commit using the git cli
this will not happen unless you configure it.
Now, I will assume that you are using a mac but in case you do not, you can google yourself some of the installation steps.
Installing GPG
In order to sign a commit you will need to generate a key, and for this you are going to use GPG . But first, you need brew to be installed, if you do not have it yet, it is a must have package manager for mac that you can download here .
> brew install gnupg
> brew install pinentry-mac
> echo "pinentry-program /usr/local/bin/pinentry-mac" >> ~/.gnupg/gpg-agent.conf
> killall gpg-agent
Pinentry as it is stated on the GPG site it is a collection of dialogs that allows you, for example, to input the passphrase of the private key. In order for this to work we need to indicate the path where it is installed into the GPG configuration and then kill the service (just in case) for it to take the changes.
Generating a set of keys
> gpg --full-generate-key
(you can customise the key creation or just press enter to use the defaults)
Will generate a private key from which you are going to generate and export the public key. The id of the key will be shown when you generate the key or you can fetch it by running:
> gpg --list-secret-keys
And you will get something like this:
sec rsa2048 2019-06-07 [SC]
KEY_ID_HERE
uid [ absolut ] Pablo Morelli<EMAIL_ADDRESS>ssb rsa2048 2019-06-07 [E]
After you have your ID, execute:
> gpg --export --armor YOUR_KEY_ID 2> cat
You will see the public key on the terminal, now you can copy it and go to GitHub.
Adding public key to GitHub account
Go to Settings -> SSH and GPG Keys -> New GPG Key
and paste the content of your key and after submiting you will see something like this.
Doing your first verified commit
When you work with the git cli
there is a huge probability that you work with different accounts (for example one for work and one personal) and/or that you have more than one GPG key on your system.
To avoid problems with git not knowing which configuration to pick you will indicate that for the repo where you are standing or for all the repos you will use the GPG key that contains a certain ID.
> git config --local gpg.program "gpg"
> git config --local user.signingKey "YOUR_KEY_ID_INSIDE_THE_QUOTES" // will apply to the working directory
> git config --global gpg.program "gpg"
> git config --global user.signingKey "YOUR_KEY_ID_INSIDE_THE_QUOTES" // will apply to the all the repositories except when overriden
You are almost ready to go, but you need to know that by default git commit
does not sign the commits unless you specify the argument -S
. So you have two options:
> git commit -S -m "My commit message"
Or you can setup automatic signing for the repository or all the repositories.
> git config --local commit.gpgsign "true"
> git config --global commit.gpgsign "true" // if you want to set up for all the repositories
If you did the step above, the argument -S
is no longer needed.
Checking git configuration
When you are unsure about your configuration you can execute git config --local -l
to list the configuration for the working directory and you should see something like this:
gpg.program=gpg
commit.gpgsign=true
user.signingkey=YOUR_KEY_ID
Back up your private key
Keys are passwords, so you should save them somewhere safe and revoke + change periodically. It is trivial to revoke and to generate a new key for GitHub but it may be troublesome for some other systems that uses your public key. Now lets image that you change your computer, you wont be able to sign because you don’t have your key; in this case a backup is recommended.
gpg --export-secret-keys YOUR_KEY_ID > some_private_key_name
Now you can save this file to some secure vault, and if you ever need to import it on a new machine, execute:
gpg --import some_private_key_name
Bonus track
As I mentioned before, some times when you work using the git cli
you end up mixing accounts, and it could happen to commit like this:
You can of course leave it like that or do a rebase of the commit; but you can also check first using git config --local -l
which is the user.name
and user.email
for that working directory.
In case the email does not match with the email linked in GitHub you can change it doing:
> git config --local user.name "GitHub name"
> git config --local user.email<EMAIL_ADDRESS>I hope you liked the post, if so, don’t forget to share it so this can reach to more people :)


GANs: Generative Adversarial Networks
This post explains the maths behind sequence labeling using HMMs, MEMMs, CRFs, Naive classification, seq2seq, Pointer-network.
Sequence labeling problem: Input sequence: `x_1,x_2,...,x_m ` Output sequence: `y_1,y_2,...,y_m `
Hidden Markov Models (HMMs)
The task is to model the joint probability: \[\require{color} \colorbox{yellow}{$ p(y_1,y_2,...,y_m, x_1,x_2,...,x_m) $}= \prod\limits_{i = 1}^m p(y_i|y_{i-1}) \prod\limits_{i = 1}^m {p(x_i|y_i)} \] Independence Assumption: Consider two random Variables: `X` and`Y`, the task will be to model the joint probability: \[P(Y_1=y_1,...,Y_n=y_n, X_1=x_1...X_n=x_n) = P(Y_1=y_1,...,Y_n=y_n) P(X_1=x_1...X_n=x_n|Y_1=y_1,...,Y_n=y_n) \] This step is exact, by the chian rule of probabilities. Assumption 1: \[P(Y_1=y_1,...,Y_n=y_n) \approx \prod\limits_{i = 1}^m {P(Y_i=y_i|Y_{i-1}=y_{i-1})} \] Assumption 2: \[ \begin{align} P(X_1=x_1...X_n=x_n|Y_1=y_1,...,Y_n=y_n) &= \prod\limits_{i = 1}^m {P(X_i=x_i|X_1=x_1...X_{i-1}=x_{i-1},Y_1=y_1...Y_n=y_n)} \\ &\approx \prod\limits_{i = 1}^m {P(X_i=x_i|Y_i=y_i)} \end{align} \] That is the value for random variable `X_i` depends only on the value of `Y_i`. More formally, the value for `X_i` in conditionally independent of the previous observations `X_1...X_{i-1}` and the other state values `Y_1,...Y_{i-1},Y_{i+1},...Y_n`, given the value of `Y_i`. Estimating the parameters of the model is simple: we just read off counts from the training corpus, and then compute the maximum-likelihood estimates as described above.The key advantage of MEMMs is that the use of feature vectors \(\boldsymbol{F} \in \mathbb{R}^d\) allows much richer representation than those used in HMMs.
Base on the assumption, we model each term using a log-linear model:
\[ \require{color} \colorbox{yellow}{$p(y_i|y_{i-1},x_1,...,x_m) $} = \frac{\exp \left(\boldsymbol{w} \cdot \boldsymbol{F}(x_1,...x_m,i,y_{i-1},y_i) \right )} {\sum\nolimits_{\color{red} {y' \in \mathcal{S}}} \exp \left(\boldsymbol{w} \cdot \boldsymbol{F}(x_1,...x_m,i,y_{i-1},y') \right ) } \] where \( \boldsymbol{F}(x_1,...x_m,i,y_{i-1},y_i) \) is a feacture vector. \(\mathcal{S}\) denotes the set of possible states. \(\boldsymbol{w}\) are the parameters.Conditional Random Fields (CRFs)
First, we define a feature vector \(\boldsymbol{F}(\vec x,\vec y) \in \mathbb{R}^d \). CRF key idea: \(\boldsymbol{F}(\vec x,\vec y)\) maps an entire input sequence \(\vec x\) paired with an entire state sequence \(\vec y\) to some \(d\)-dimensional feature vectors. \(\boldsymbol{F}(\vec x,\vec y)\) is a "global" feature vector (it is global in the sense that it takes the entire state sequence into account).
\[ \boldsymbol{F}(\vec x,\vec y) = \sum\limits_i^m f(\vec x, i, y_{i-1},y_i) \] We are assuming that \(k=1,...,d\), the `k`-th global feature is: \[ \boldsymbol{F}_k(\vec x,\vec y) = \sum\limits_i^m f_k(\vec x, i, y_{i-1},y_i) \] We can see that \(\boldsymbol{F}_k\) is calculated by summing the "local" feature vector `f_k` over the `m` different state transitions in `y_1,...,y_m`. We then build a log-linear model: \[\require{color} \colorbox{yellow}{$ p(\vec y|\vec x; \boldsymbol{w}) $}= \frac{\exp \left(\boldsymbol{w} \cdot \boldsymbol{F}(\vec x, \vec y) \right )} {\sum\nolimits_{\color{red} {\vec{y'} \in \mathcal{S}^m}} \exp \left(\boldsymbol{w} \cdot \boldsymbol{F}(\vec x, \vec {y'}) \right ) } \] We can find that the space of possible values for \(\vec{y'} \) is \(\mathcal{S}^m\). It is very huge. Parameter Estimation in CRFs. We have `n` training examples, \({(\vec {x^j}, \vec {y^j})}_{j=1}^n\). Each instance \(\vec{x^j}\) is an input sequence \(x_1^j,...,x_m^j\), each \(\vec{y^j}\) is a state sequence \(y_1^j,...,y_m^j\). The regularized log-likelihood function is \[ L(\boldsymbol{w}) = \sum\limits_{j=1}^n \log p(\vec {y^j}|\vec {x^j}; \boldsymbol{w}) - \frac{\lambda}{2}||\boldsymbol{w}||^2 \] The partial derivatives are \[ \frac{\partial}{\partial w_k} L(\boldsymbol{w}) = \sum\limits_{j=1}^n \boldsymbol{F}_k(\vec {x^j},\vec {y^j}) - \sum\limits_{j=1}^n \sum\limits_{\color{red} {\vec{y'} \in \mathcal{S}^m}} p(\vec{y'}|\vec{x^j};\boldsymbol{w}) \boldsymbol{F}_k(\vec{x^j},\vec{y'}) - \lambda w_k \]


Functions for manipulating keyboard inputs
◆ kbd_handler()
Reads information from keyboard controller.
- Returns
- Scancode of the key pressed or released
Definition at line 39 of file kbd.c.
◆ kbd_subscribe_int()
| int kbd_subscribe_int |
( |
| ) |
|
Subscribes interruptions of keyboard.
- Returns
- 1 on error, 0 on success
Definition at line 7 of file kbd.c.
◆ kbd_unsubscribe_int()
| int kbd_unsubscribe_int |
( |
| ) |
|
Unsubscribes interruptions of keyboard.
- Returns
- 1 on error, 0 on success
Definition at line 23 of file kbd.c.
◆ readInfoFromKBD()
| int readInfoFromKBD |
( |
unsigned long * |
data | ) |
|
Reads information from keyboard controller.
- Returns
- 1 on error, 0 on success
Definition at line 70 of file kbd.c.
◆ writeInfoToKBD()
| int writeInfoToKBD |
( |
unsigned long |
kbd_port | ) |
|
Writes information to the keyboard controller.
- Returns
- 1 on error, 0 on success
Definition at line 108 of file kbd.c.
◆ CAPS_LOCK
| unsigned char CAPS_LOCK = 0 |
|
static |
Definition at line 41 of file kbd.h.
◆ NUM_LOCK
| unsigned char NUM_LOCK = 0 |
|
static |
Definition at line 40 of file kbd.h.
◆ SCROLL_LOCK
| unsigned char SCROLL_LOCK = 0 |
|
static |
Definition at line 42 of file kbd.h.
◆ twoBytes
Definition at line 39 of file kbd.h.


This API provides information about applications.
All the functions in this API are provided by the Supervisor.
Here's a code sample binding to this service:
bindings: { clientExe.clientComponent.le_appInfo ->.le_appInfo }
Copyright (C) Sierra Wireless Inc. Use of this work is subject to license.


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Peninsula Jingshan Kindergarten / ArkA
- Curated by 韩爽 - HAN Shuang
- about 4 hours
Interior Design · Shenzhen, China
- version="1.0" encoding="UTF-8"? Interiors designers: ArkA
- AreaArea of this architecture projectArea: 8884.0 m2
- version="1.0" encoding="UTF-8"?YearCompletion year of this architecture project Year: 2019
- version="1.0" encoding="UTF-8"?PhotographsPhotographs: Chiara Ye
- Lead Architects Michele Lanari
- Design Team Julian Amaya Bolivar, Tony Wang
- Client Peninsula Education Group
More Specs Less Specs
CHAPTER 1 · The real adventure
Once in south China's Shenzhen, Peninsula Education Group (Peninsula) came forward with a visionary idea of creating a new learning space to help foster the next generation. Peninsula felt the necessity to build a magical place that belongs to children themselves. They believed that a novel and free environment is essential for children to learn new things actively and develop their social skills.
One day, among the wild forest of the Whale Mountain, Peninsula had found the perfect place to make this new learning space a reality. There were two identical old apartment towers with 4 floors, and each tower was immersed in Shenzhen’s tropical nature with ample space for a playground between the two buildings. Peninsula had decided to name the place Peninsula Jingshan Kindergarten, and that was when the real adventure started.
CHAPTER 2 · Bold Creativity
The challenging project was granted to ArkA, a bold and creative design team. Under the direction of Italian architect Michele Lanari, ArkA’s team took on the proposal to create a new education facility for children in the residential complex.
ArkA designers restructured the interior space, transforming each of the old apartments into a classroom and adapting the functions of a house to a single space. The apartments had many rooms. The new design kept part of those layouts, using them as an advantage to optimize the space. It aimed to create a cozy home environment where children feel at ease and comfortable to avoid feeling the shocking jump from home to classroom.
CHAPTER 3 · Perfect Balance
The new design took into full consideration the teachers' needs to guide the children easily and practically. New windows were built inside classrooms, allowing the teachers to observe children's activities. Internally, aligned arches were installed to reduce obstacles and ensure freedom of children’s’ movement, meanwhile solving the problem of lack of lighting and creating a clear bright space.
The texture of natural materials like wood could stimulate children's sense of touch, and white paint on all walls generated comfortable ambience. In addition, ArkA designers selected pastel color palette for the bathroom and kitchen furniture which matched with corridor’s tiles to create a delicate balanced environment to relax the mind and inspire children's creativity.
By upgrading detailed components, the interior design intended, based on the usual sober style of schools, to build a dreamy palace for children.
CHAPTER 4 · Whale Mountain Palace
A new facade was installed on the structure of each building with a second layer of aluminum panels in a red brick hue, serving as shelter solution to improve the buildings’ isolation and maintenance, which protects them from Shenzhen’s humidity and high temperatures. Panels were connected to a decorative moulding in white metal, dividing each floor and integrating windows to the frames. Playgrounds were planned in terraces and gardens to enhance the magic appeal in a learning environment and to bring the children closer to nature.
Design and construction took approximately two years.  The Peninsula Jingshan Kindergarten commits itself to accompany China’s new generations in their learning and growing up, doing its best to contribute to their happiness and health.


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this is ngIf:{{example.name}}
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Welcome to rrr Hotel, The best Hotel in Shoreline. With amazing city views, breathtaking sunset views from your room while still staying at one of the best downtown Shoreline hotels.
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BEFORE THE NATIONAL GREEN TRIBUNAL SOUTHERN ZONE, CHENNAI APPLICATION No. 174 of 2013 (SZ) In the matter of: A.T. Yuvaraj S/o A.S. Thangamuthu 2, Attayampalayam, Gangapuram Post Chittode Via, Erode District - 638 102 .. Applicant VERSUS 1) M/s. Rani Chemials Rep. by its Sole Proprietor K. Muthusamy D. No. 5/753, Mettupalaniandavar Koil Street Kalingarayanpalayam Erode District. 2) M/s. Hero Rag Bulb Industries Rep. by its Sole Proprietor M. Yuvarani D.N. 5/753, Mettupalaniandavar Koil Street Kalingarayanpalayam, Erode District. 3) The District Environment Engineer Tamil Nadu Pollution Control Board Erode - 638 001. 4) The Chairman Tamil Nadu Pollution Control Board 76, Mount Salai Guindy, Chennai - 600 032. 5) The Joint Chief Controller of Explosives South Circle, No. 140, Rukmini Lakshmipathi Road Egmore, Chennai - 600 008. 1 6) The District Collector Erode District Erode Collectorate, Erode - 638 001. 7) The Executive Engineer Tamil Nadu Generation and Distribution Corporation (TANGEDCO), Erode - 638 001. 8) The Directorate of Industrial Safety and Health New No. 69, Old No. 35, Indian Officers Association Building Thiru Vi Ka High Road, Royapettah High Road Royapettah, Chennai - 600 014. .. Respondents
Counsel for the applicant:
M/s. Naveen Kumar Murthi and J. Pradeep, Advocates Counsel for the respondents:
Shri M. Palani, Advocate for Respondent Nos. 1 and 2, Smt. H. Yasmeen Ali, Advocate for Respondent No. 3 and 4, M/s. Abdul Saleem and S. Saravanan, Advocates for Respondent Nos. 5 and 8, M/s. M.K. Subramanian and M.R. Gokul Krishnan, Advocates for Respondent No. 6 and Shri R. Gnanasekaran, Advocate for Respondent No. 7
ORDER/JUDGMENT PRESENT:
Ho'nble Mr. Justice M. Chockalingam Judicial Member Hon'ble Prof. Dr. R. Nagendran Expert Member Date : September 4th, 2013 Justice M. Chockalingam , Judicial Member
1) The Tribunal heard the learned counsel for the applicant and also for the respondents. The case of the applicant, in short, is that the 1 st respondent's 2 unit was involving in the manufacturing of bleaching liquid which has been a cause for rampant air and water pollution in and around the village and the unit has been operating without complying with the mandates prescribed under Air (Prevention and Control of Pollution) Act, 1981 and Water (Prevention and Control of Pollution) Act, 1974 (hereinafter called the Air and Water Acts). Though the 3rd respondent granted consent order in the month of September 2012, the 1st respondent in clear violation of the conditions prescribed that no trade effluent was generated at any stage of the manufacturing process was letting out the effluents that was generated during the process of manufacturing into the neighbouring lands which has resulted in water pollution and made it unsuitable for drinking purpose. The 2nd respondent who is carrying on the manufacturing of plastic and rag pulp also letting out the effluents which are even in semi-solid state into the neighbouring well and water bodies without any effluent treatment which has virtually affected the primary source of water for the villages and also caused serious water pollution. The 1st respondent was involving in the manufacture of bleaching liquid illegally and in contravention of the rules and regulations and has stored a large number of chlorine cylinders within the premises without any safety measures at all have been taken and without any approval under Gas Cylinders Rules, 2004. An information received by the applicant under Right to Information Act 2005 that at a time only 5 chlorine cylinders could be stored without licence. But the 1st respondent without approval or licence from the 5th respondent, is illegally storing 60 chlorine cylinders in scant disregard of the Gas Cylinders Rules, 2004.
2) Pursuant to the complaint by the public, an inspection was made by the flying squad of the District Environmental Engineer on 27.2.2013 when it was found that a large number of chlorine cylinders within the premises have been stored without any safety measures. The counsel for the applicant would 3 further add that by the operation of the unit of the 1st respondent in a cavalier and negligent manner, chlorine gas was released in air and atmosphere and the neighbouring villages are seriously affected due to eye irritation and respiratory problems and thus it has created a health hazard.
3) Under these circumstances, in reply to a representation made by the applicant to the 4th respondent on 26.6.2013, the 8th respondent by a communication dated 8.7.2013 has made it clear that any chemical factory where chlorine is stored or used, then it has to be classified as hazardous industry. In view of the blatant violation of the provisions of Air Act and Water Act, there arose a necessity for filing this application for the relief that the 1 st and 2nd respondents should be barred from operating the industrial units until they obtain appropriate licences and approvals from the competent authorities under Air and Water Act with a direction to the 7th respondent to seal the electrical service connection and also with other directions to the 1 st and 2nd respondents not to store any chlorine cylinders and not to release any untreated effluents from the units.
4) In reply to the above, it is contended by the learned counsel appearing for the 1st ad 2nd respondents that the 1st respondent industry which is a proprietary concern was established in the year 1995 while the 2nd respondent's industry was established in 2010 and both the industries were operating after getting the consent from the 3rd respondent. In so far as the manufacturing of bleaching liquid, the 1st respondent has taken all precautionary and safety measures so as not to let out any trade effluent from the company and cause pollution and hence the allegations made by the applicant are baseless and unfounded. It is submitted that the 3rd respondent has issued a consent order to the 2nd respondent and the statement of the applicant that the 2 nd respondent's unit was functioning without any consent order was factually incorrect and the 4 consent order issued by the 3rd respondent is valid upto 30.6.2013 and the renewal application has been filed and pending for consideration with the authorities.
5) It is, however, submitted by the learned counsel appearing for the 1 st and 2nd respondents that both the industries were not functioning from 8.8.2013 and remain closed. Under such circumstances, the grievance of the applicant alleging that both the industries are functioning without consent or proper permission and causing air and water pollution has got to be rejected.
6) While the matter was pending, a direction was issued to the authorities of the Tamil Nadu Pollution Control Board to ascertain the actual factual position to make an inspection and file a report as to whether the units are functioning or not. The respondent Nos. 3 and 4 has filed a status report and reply. A perusal of the same would make it clear that pursuant to the orders of the Tribunal dated 25.7.2013, the District Collector, Erode made orders on 21.8.2013 to Revenue Divisional Officer, Erode to lock and seal the two units immediately and the units were sealed by the Revenue Divisional Officer in the presence of the Pollution Control Board officials on 24.8.2013. At this juncture, the learned counsel appearing for the 1st and 2nd respondents would submit that though at the directions of the Pollution Control Board in respect of the preventive measures were carried out, the authorities should not have closed the units of the 1st and 2nd respondents. It is pertinent to point out that pursuant to the orders of this Tribunal, the units of the 1st and 2nd respondents were locked and sealed on 24.8.2013. But even from the statement of the applicant, the units were not functioning from 8.8.2013 onwards. If aggrieved by the said closure, the remedies are always open to the 1st and 2nd respondents, if available and advised therefor.
5
7) The District Environmental Engineer, Tamil Nadu Pollution Control Board, Erode has filed a reply submitting that the Revenue Divisional Officer, Erode has sealed the units on 24.8.2013 and again the units were inspected on 30.08.2013 and found to be in sealed condition and not in operation. Hence it is evident that both the units are in locked and sealed condition and not in operation. Hence the grievance putforth by the applicant in respect of the alleged pollution of air and water, even if true, has come to an end and hence the reply of the Tamil Nadu Pollution Control Board as made above, is recorded and the application filed by the applicant can be disposed of. It is made clear that without obtaining consent from the Tamil Nadu Pollution Control Board, the 1st and 2nd respondents should not operate the units. Accordingly the Application is disposed of and the contempt application filed by the applicant is also disposed of.
No costs.
Justice M. Chockalingam (Judicial Member) Prof. Dr. R. Nagendran (Expert Member) Chennai 4th September 2013 6


1MDB: Third trial of Najib Razak starts in Kuala Lumpur
Najib is accused of tampering with government audit report to avoid investigation of multi-billion dollar 1MDB scandal.
Najib Razak went on trial on Monday in the third case related to the multi-billion-dollar scandal at state fund 1MDB, with prosecutors saying Malaysia's former prime minister tampered with a government audit of the fund in a bid to avoid civil and criminal proceedings.
Najib faces multiple corruption charges linked to the massive looting of 1MDB, which contributed to his coalition's historic defeat in elections last year.
More:
Prosecutor Gopal Sri Ram said on Monday his team would show how Najib had abused his power to order the removal of material information from the auditor general’s report on 1MDB in 2016 to cover up the truth.
Sri Ram said the meddling was to cover up the extent of his role and that of fugitive Malaysian financier Low Taek Jho, better known as Jho Low, in the affairs of the fund. He described Low as Najib’s “mirror image or alter ego.”
"There were passages in the report that caused concern to Najib, though they were true in fact. He took positive steps to have these passengers altered or removed," Sri Ram said in his opening remarks.
He said Najib knew “if the truth emerged, he would be exposed to civil and criminal liabilities.”
Najib denies any wrongdoing and accuses Malaysia’s new government of seeking political vengeance. The former leader, whose father and uncles were the country’s second and third prime ministers respectively, could face years in prison if convicted.
His lawyers say he was misled by rogue bankers led by Jho Low, identified by the United States as the mastermind behind the scandal and wanted in both countries.
Najib is being jointly tried with Arul Kanda Kandasamy, who was appointed chief executive of 1MDB in 2015 and is accused of abetting him.
'Three battlefronts'
Monday’s trial opened just days after another court ordered Najib to enter his defence in his first case, which relates to 1MDB unit, SRC. A second case started in August and is ongoing.
In all, Najib faces 42 charges of criminal breach of trust, graft, abuse of power and money laundering in five criminal cases over 1MDB that led to investigations in the US, Switzerland, Singapore and elsewhere.
His wife and stepson, several officials from his government, and the US banking firm Goldman Sachs also face charges related to the scandal.
US investigators say at least $4.5bn was stolen from 1MDB by Najib’s associates and laundered through layers of bank accounts in the US and other countries to finance Hollywood films including the Wolf of Wall Street, and buy hotels, a yacht, artwork, jewellery and other luxury goods.
More than $700m from the fund allegedly landed in Najib’s bank account.
Prosecutors earlier made slight amendments to the charge against Najib and Arul Kanda, adding specific passages in the audit report that were doctored.
Najib’s lawyer Muhammad Shafee Abdullah appealed for more time, saying the defence team faces “three battlefronts and it is worse than Waterloo.” But the judge ordered the trial to proceed.


Couch Potato needs RequireJS in order to be useful. However, it is not necessary for your application to be bootstrapped using AMD. You have two options:
If you use traditional script tags to load the module (i.e. you aren't using AMD to structure your the non-lazy portion of your application, you must load the following three scripts in this order (other modules can be loaded wherever it makes sense for you, but these three must follow the order):
RequireJS
<!-- in index.html --> <script src="/js/angular.min.js"></script> <script src="/js/angular-couch-potato.min.js"></script> <script src="/js/require.min.js"></script>
If you use RequireJS, Couch Potato will first try to use an AMD module
that is defined with the name 'angular'
. If it does not find
that, it will try to use an angular object defined as
window.angular
. This flexibility allows you to load angular
from a script tag (if you do so before your require.js script tag)
or from RequireJS -- the distinction will be critical if you are
using multiple instances of angular (in which case I pity you for
needing to, even though I understand that there are edge cases
where it is necessary) -- it must be very painful.
Reference Couch Potato as a Dependency as follows:
var myModule = angular.module('myApp', ['myOtherDep', 'scs.couch-potato']);
See also the $couchPotatoProvider documentation.


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Matt Nelson documented this method of using DCOM over RPC to instantiate a "MMC20.Application" COM object and then calling the ExecuteShellCommand method.
Result:
Immediate command execution under the administrative account used.
Example:
[activator]::CreateInstance([type]::GetTypeFromProgID("MMC20.Application", "REMOTECOMPUTERNAME")).Document.ActiveView.ExecuteShellCommand("c:\windows\system32\WindowsPowerShell\v1.0\powershell.exe", $null, "parameters here", "7")';
Implementation Details:
Connecting to remote procedure call portmapper interface (RpcSs service in svchost.exe directly listening on TCP port 135) then to an RPC server on an ephemeral port (such as 49154 or 49159 etc.).


geoplot.
polyplot
(df, projection=None, extent=None, figsize=(8, 6), ax=None, edgecolor='black', facecolor='None', **kwargs)¶Trivially plots whatever geometries are passed to it. Mostly meant to be used in concert with other, more interesting plot types.
| Parameters: |
|
|---|---|
| Returns: | The axis object with the plot on it. |
| Return type: | AxesSubplot or GeoAxesSubplot instance |
Examples
A trivial example can be created with just a geometry and, optionally, a projection.
import geoplot as gplt
import geoplot.crs as gcrs
gplt.polyplot(boroughs, projection=gcrs.AlbersEqualArea())
However, note that polyplot
is mainly intended to be used in concert with other plot types.
ax = gplt.polyplot(boroughs, projection=gcrs.AlbersEqualArea())
gplt.pointplot(collisions[collisions['BOROUGH'].notnull()], projection=gcrs.AlbersEqualArea(),
hue='BOROUGH', categorical=True,
legend=True, edgecolor='white', linewidth=0.5, legend_kwargs={'loc': 'upper left'},
ax=ax)
Additional keyword arguments are passed to the underlying matplotlib.patches.Polygon
instances (ref).
ax = gplt.polyplot(boroughs, projection=gcrs.AlbersEqualArea(),
linewidth=0, facecolor='lightgray')