This attribute is used to indicate whether the test and/or its descendants may be run in parallel with other tests. By default, no parallel execution takes place.
The constructor takes an optional ParallelScope enumeration argument (see below), which defaults to ParallelScope.Self. The attribute may be used at the assembly, class or method level and the word "test" in the rest of this description refers to the suite or test case that corresponds to the item on which the attribute appears.
The Scope may also be specified using the named property Scope=.
This is a [Flags] enumeration used to specify which tests may run in parallel. It applies to the test upon which it appears and any subordinate tests. It is defined as follows:
[Flags] public enum ParallelScope { None, // the test may not be run in parallel with other tests Self, // the test itself may be run in parallel with other tests Children, // child tests may be run in parallel with respect to one another Fixtures // fixtures may be run in parallel with one another }**Note:** In the current release, parallel execution of methods within a class is not yet implemented. Values that apply to a higher level test than the test on which the scope appears - for example, ParallelScope.Fixtures appearing on a method - are ignored without warning or affect.
The ParallelizableAttribute may be specified on multiple levels of the tests. Settings at a higher level may affect lower level tests, unless those lower-level tests override the inherited settings. Thus, if the assembly has ParallelScope.None either by use of the attribute or by default, classes with ParallelScope.Self may be run in parallel as may their children if an appropriate scope is used.
Note that a lower-level test cannot change the settings on higher-level tests. Thus, allowing parallel execution for methods of a class that does not allow it, results in those methods running in parallel with one another, but not in parallel with test methods under any other classes. This is the natural outcome of the fact that the execution of a test method is, in fact, part of the execution of the test represented by the class.


A Police Procedural is concerned with an accurate representation of the day to day realities and procedures of the police and law enforcement. It's a very specific sub-genre of crime fiction. The Police Procedural is almost the antithesis of the Cop Show. The Police Procedural is characterized by the lack of emphasis on the character's personal lives and the increased focus on the nuts-and-bolts of law enforcement.
This term is also sometimes used specifically to describe the "Reverse Whodunnit" style of crime drama made famous by Columbo, despite the fact that most examples have very little to do with actual police procedure.
Note that the focus on "realistic" police work doesn't mean the show has to be set in "reality". A show looking at the day-to-day routine of the Space Police is still a procedural.
Both the Police Procedural and the Cop Show are sometimes called "Precinct Shows".
See also: Criminal Procedural, Forensic Drama, Buddy Cop Show, Cop Show.
Examples:
- Patlabor is a Mecha Show Police Procedural, set 20 Minutes into the Future.
- WXIII: Patlabor the Movie 3
- Ghost in the Shell: Stand Alone Complex is a post-cyberpunk Police Procedural that deals with cybercrime in a world where pretty much everybody is a cyborg.
- Ghost in the Shell: Arise
- ID: Invaded
- Jiraishin
- Kurokochi is a Police Procedural focused on the cases of the sleazy cop Keita Kurokochi who investigates cold cases involving powerful politicians.
- Special 7: Special Crime Investigation Unit
- Fell is about a detective in a Darker and Edgier part of town.
- Gotham Central follows the Major Case Squad of the Gotham City Police Department as they deal with crimes and the villains that plague the city.
- Judge Dredd is a science-fiction police procedural with heavy doses of satire, Space Western elements and supernatural events.
- Rivers of London is the comic book spinoff of the below-mentioned book series in Literature.
- Top 10 is a superhero Police Procedural.
- The Blue Lamp is an early and iconic British example, in which the humdrum daily grind of a group of central London police is interrupted by the shocking murder of one of them.
- Detective Story shows the everyday routine of the 21st Precinct, the issues they have to deal with, from petty complaints by citizens, to minor felonies, to major crimes.
- Fire in the Sky: Although this film is an alien abduction story, the focus is not on the abduction but on the police investigation. This police procedural takes up about half of the film time.
- The Guilty has an unusual twist on the genre, being told entirely from the perspective of an emergency dispatcher.
- He Walked By Night is a Ripped from the Headlines example about a manhunt for a Cop Killer in Los Angeles.
- High and Low: The second half of Akira Kurosawa's film, based on Ed McBain's 87th Precinct novel, King's Ransom.
- Hit Team: The only Hong Kong movie that centers on the Hong Kong Police Force's secretive Surveillance Support Unit.
- M by Fritz Lang's and its sort-of sequel The Last Will of Dr. Mabuse are some of the earliest cinematic examples, starring Otto Wernicke as Kommissar Lohmann of the Berlin police.
- The Naked City is told from the view point of the staff working at the homicide department, and thus providing us with many of the details of daily detective work.
- The Next Generation -Patlabor-: The live-action sequel of the Patlabor series, based on the movie timeline.
- Powerful Four - the titular four is a band of Hong Kong police investigators who had to work together to take down an expanding crime ring.
- PTU - a six-movie series produced by renown Hong Kong director Johnnie To, revolving around the daily activities of a Police Tactical Unit and how they deal with gunrunners, drug dealers, triads and assorted criminals in the seedy underbelly of Hong Kong.
- Sicario has the FBI and state/city police in Arizona involved in investigating activities of the Sonora Cartel.
- Sicario: Day of the Soldado has the Mexican Federal Police involved to help Matt. However, some of the officers helping out were paid off by the gangs to take out his unit.
- Half of The Sniper shows the police manhunt for the eponymous killer, including showing how much of it is laborious legwork following avenues of investigation that ultimately go nowhere; while all the while the public is expecting them to work miracles.
- White Heat, despite being known mainly for James Cagney's manic performance ("Made it, Ma! Top of the world!"), with details on how undercover police go about gaining the trust of a villain, and details on how a vehicle tail is conducted.
- Cop Craft
- 87th Precinct, Ed McBain's novels.
- The Beka Cooper trilogy in the Tortall Universe is a police procedural in a setting where policing is a fairly recent concept.
- Discworld has the City Watch subseries:
- Dublin Murder Squad, Tana French's series about Dublin detectives.
- Maurice Procter's Granchester novels, featuring Detective Inspector Harry Martineau and the Granchester police force.
- The Maigret series and and its adaptations.
- Rivers of London
- Shadow Police
- Most of the novels of Michael Slade revolve around Special X, a division of the Mounties who catch serial killers.
- Practically everything Michael Connelly writes, though technically his Mickey Haller series consists of Lawyer Procedurals.
- 9-1-1
- Adam-12
- Almost Human
- Almost Paradise
- APB (To an extent)
- Baghdad Central
- Barney Miller
- Battle Creek
- Between the Lines
- The Bill (until it got ReTooled into a police soap)
- Blind Justice
- Bodyguard (UK 2018)
- Bosch
- Botineras
- Braquo
- The Break
- The Bridge (US)
- Bron|Broen
- Cardinal
- Cases of the 1st Department
- Castle
- The Chicago Code
- Chicago P.D.
- City Homicide
- The Closer
- Collateral
- Cops: L.A.C.
- Criminal Minds
- Cuffs
- Dan August
- Dead Lucky
- Deadwind
- Decoy
- Delvecchio
- Deputy
- Dragnet
- Downtown Precinct
- Dublin Murders
- The Fall
- FBI
- The FBI
- Forbrydelsen
- Forever
- Frequency
- Gang Related
- The Glades
- Happy Valley
- Highway Patrol
- Hill Street Blues
- Homicide: Life on the Street
- In the Heat of the Night
- Instinct
- Intelligence
- iZombie
- Jo
- Jordskott
- Law & Order (a combined Police Procedural and Law Procedural)
- Law & Order: Criminal Intent
- Law & Order: LA
- Law & Order: Special Victims Unit
- Line of Duty
- Maigret
- Major Crimes
- Mesto tienov
- Mindhunter
- Mob City
- Motive
- The Mysteries Of Laura
- Narcos
- New York Undercover
- 19-2
- NUMB3RS
- NYPD Blue
- OCTB
- Phoenix
- Prodigal Son
- The Rookie (2018)
- Rookie Blue
- Rosewood
- Rush
- Safe House (partially)
- Shetland
- Scott & Bailey
- Southland
- Shades of Blue
- Shots Fired
- Signal
- Sorjonen
- SS-GB
- Stalker
- Stan Lee's Lucky Man
- Stranger
- Tatort
- Taxi Brooklyn
- Tiger Cubs
- Third Watch
- Training Day
- The Tunnel
- Vera
- The Wire
- Y Gwyll
- Z Cars
- Eastern European police procedurals tend to focus more on corruption within the police force. Examples include:
- Streets of Broken Lights (Russia)
- Pod prikritie (Bulgaria)
- Ubice moga oca (Serbia)
- Blue Force
- Disco Elysium plays out as one in a New Weird fantasy setting. It is also a merciless Genre Deconstruction.
- L.A. Noire plays out like this, with the player actively engaging in police work like collecting evidence and interrogating suspects.
- Police Quest
- Cognition: An Erica Reed Thriller
- Virginia
- Paradigm Shift is a Police Procedural plus werewolves.


Note: All of the turtlebots in the lab should be already set up, so these steps should only need to be
used as a reference or when setting up a new turtlebot.
All of this information and more can be found at the Robotis
e-Manual.
This is merely a shortened version of what can be found there.
TO-DO: Fill out this page.


|
Little Heroes
|
Central class of the Photon Chat API to connect, handle channels and messages. More...
Public Member Functions | |
| ChatClient (IChatClientListener listener) | |
| bool | Connect (string appId, string appVersion, string userId, AuthenticationValues authValues) |
| bool | Connect (string address, ConnectionProtocol protocol, string appId, string appVersion, string userId, AuthenticationValues authValues) |
| void | Service () |
| Must be called regularly to keep connection between client and server alive and to process incoming messages. More... | |
| void | Disconnect () |
| void | StopThread () |
| bool | Subscribe (string[] channels) |
| Sends operation to subscribe to a list of channels by name. More... | |
| bool | Subscribe (string[] channels, int messagesFromHistory) |
| Sends operation to subscribe client to channels, optionally fetching a number of messages from the cache. More... | |
| bool | Unsubscribe (string[] channels) |
| Unsubscribes from a list of channels, which stops getting messages from those. More... | |
| bool | PublishMessage (string channelName, object message) |
| Sends a message to a public channel which this client subscribed to. More... | |
| bool | SendPrivateMessage (string target, object message) |
| Sends a private message to a single target user. More... | |
| bool | SendPrivateMessage (string target, object message, bool encrypt) |
| Sends a private message to a single target user. More... | |
| bool | SetOnlineStatus (int status) |
| Sets the user's status without changing your status-message. More... | |
| bool | SetOnlineStatus (int status, object message) |
| Sets the user's status without changing your status-message. More... | |
| bool | AddFriends (string[] friends) |
| Adds friends to a list on the Chat Server which will send you status updates for those. More... | |
| bool | RemoveFriends (string[] friends) |
| Removes the provided entries from the list on the Chat Server and stops their status updates. More... | |
| string | GetPrivateChannelNameByUser (string userName) |
| Get you the (locally used) channel name for the chat between this client and another user. More... | |
| bool | TryGetChannel (string channelName, bool isPrivate, out ChatChannel channel) |
| Simplified access to either private or public channels by name. More... | |
| void | SendAcksOnly () |
Public Attributes | |
| string | NameServerAddress = "ns.exitgamescloud.com" |
| readonly Dictionary< string, ChatChannel > | PublicChannels |
| readonly Dictionary< string, ChatChannel > | PrivateChannels |
Properties | |
| string | FrontendAddress [get] |
| The address of the actual chat server assigned from NameServer. Public for read only. More... | |
| string | ChatRegion [get, set] |
| Settable only before you connect! Defaults to "EU". More... | |
| AuthenticationValues | CustomAuthenticationValues [get, set] |
| Settable only before you connect! More... | |
| ChatState | State [get] |
| Current state of the ChatClient. Also use CanChat. More... | |
| ChatDisconnectCause | DisconnectedCause [get] |
| bool | CanChat [get] |
| string | AppVersion [get] |
| The version of your client. A new version also creates a new "virtual app" to separate players from older client versions. More... | |
| string | AppId [get] |
| The AppID as assigned from the Photon Cloud. If you host yourself, this is the "regular" Photon Server Application Name (most likely: "LoadBalancing"). More... | |
| string | UserId [get] |
| The unique ID of a user/person. It's not a nickname and we assume users with the same userID are the same person. More... | |
Central class of the Photon Chat API to connect, handle channels and messages.
This class must be instantiated with a IChatClientListener instance to get the callbacks. Integrate it into your game loop by calling Service regularly. Call Connect with an AppId that is setup as Photon Chat application. Note: Connect covers multiple messages between this client and the servers. A short workflow will connect you to a chat server.
Each ChatClient resembles a user in chat (set in Connect). Each user automatically subscribes a channel for incoming private messages and can message any other user privately. Before you publish messages in any non-private channel, that channel must be subscribed.
PublicChannels is a list of subscribed channels, containing messages and senders. PrivateChannels contains all incoming and sent private messages.
| ExitGames.Client.Photon.Chat.ChatClient.ChatClient | ( | IChatClientListener | listener | ) |
| bool ExitGames.Client.Photon.Chat.ChatClient.AddFriends | ( | string[] | friends | ) |
Adds friends to a list on the Chat Server which will send you status updates for those.
AddFriends and RemoveFriends enable clients to handle their friend list in the Photon Chat server. Having users on your friends list gives you access to their current online status (and whatever info your client sets in it).
Each user can set an online status consisting of an integer and an arbitratry (serializable) object. The object can be null, Hashtable, object[] or anything else Photon can serialize.
The status is published automatically to friends (anyone who set your user ID with AddFriends).
Photon flushes friends-list when a chat client disconnects, so it has to be set each time. If your community API gives you access to online status already, you could filter and set online friends in AddFriends.
Actual friend relations are not persistent and have to be stored outside of Photon.
| friends | Array of friend userIds. |
| bool ExitGames.Client.Photon.Chat.ChatClient.Connect | ( | string | appId, |
| string | appVersion, | ||
| string | userId, | ||
| AuthenticationValues | authValues | ||
| ) |
| bool ExitGames.Client.Photon.Chat.ChatClient.Connect | ( | string | address, |
| ConnectionProtocol | protocol, | ||
| string | appId, | ||
| string | appVersion, | ||
| string | userId, | ||
| AuthenticationValues | authValues | ||
| ) |
| void ExitGames.Client.Photon.Chat.ChatClient.Disconnect | ( | ) |
| string ExitGames.Client.Photon.Chat.ChatClient.GetPrivateChannelNameByUser | ( | string | userName | ) |
Get you the (locally used) channel name for the chat between this client and another user.
| userName | Remote user's name or UserId. |
| bool ExitGames.Client.Photon.Chat.ChatClient.PublishMessage | ( | string | channelName, |
| object | message | ||
| ) |
Sends a message to a public channel which this client subscribed to.
Before you publish to a channel, you have to subscribe it. Everyone in that channel will get the message.
| channelName | Name of the channel to publish to. |
| message | Your message (string or any serializable data). |
| bool ExitGames.Client.Photon.Chat.ChatClient.RemoveFriends | ( | string[] | friends | ) |
Removes the provided entries from the list on the Chat Server and stops their status updates.
Photon flushes friends-list when a chat client disconnects. Unless you want to remove individual entries, you don't have to RemoveFriends.
AddFriends and RemoveFriends enable clients to handle their friend list in the Photon Chat server. Having users on your friends list gives you access to their current online status (and whatever info your client sets in it).
Each user can set an online status consisting of an integer and an arbitratry (serializable) object. The object can be null, Hashtable, object[] or anything else Photon can serialize.
The status is published automatically to friends (anyone who set your user ID with AddFriends).
Photon flushes friends-list when a chat client disconnects, so it has to be set each time. If your community API gives you access to online status already, you could filter and set online friends in AddFriends.
Actual friend relations are not persistent and have to be stored outside of Photon.
AddFriends and RemoveFriends enable clients to handle their friend list in the Photon Chat server. Having users on your friends list gives you access to their current online status (and whatever info your client sets in it).
Each user can set an online status consisting of an integer and an arbitratry (serializable) object. The object can be null, Hashtable, object[] or anything else Photon can serialize.
The status is published automatically to friends (anyone who set your user ID with AddFriends).
Actual friend relations are not persistent and have to be stored outside of Photon.
| friends | Array of friend userIds. |
| void ExitGames.Client.Photon.Chat.ChatClient.SendAcksOnly | ( | ) |
| bool ExitGames.Client.Photon.Chat.ChatClient.SendPrivateMessage | ( | string | target, |
| object | message | ||
| ) |
Sends a private message to a single target user.
Calls OnPrivateMessage on the receiving client.
| target | Username to send this message to. |
| message | The message you want to send. Can be a simple string or anything serializable. |
| bool ExitGames.Client.Photon.Chat.ChatClient.SendPrivateMessage | ( | string | target, |
| object | message, | ||
| bool | encrypt | ||
| ) |
Sends a private message to a single target user.
Calls OnPrivateMessage on the receiving client.
| target | Username to send this message to. |
| message | The message you want to send. Can be a simple string or anything serializable. |
| encrypt | Optionally, private messages can be encrypted. Encryption is not end-to-end as the server decrypts the message. |
| void ExitGames.Client.Photon.Chat.ChatClient.Service | ( | ) |
Must be called regularly to keep connection between client and server alive and to process incoming messages.
This method limits the effort it does automatically using the private variable msDeltaForServiceCalls. That value is lower for connect and multiplied by 4 when chat-server connection is ready.
| bool ExitGames.Client.Photon.Chat.ChatClient.SetOnlineStatus | ( | int | status | ) |
Sets the user's status without changing your status-message.
The predefined status values can be found in class ChatUserStatus. State ChatUserStatus.Invisible will make you offline for everyone and send no message.
You can set custom values in the status integer. Aside from the pre-configured ones, all states will be considered visible and online. Else, no one would see the custom state.
This overload does not change the set message.
| status | Predefined states are in class ChatUserStatus. Other values can be used at will. |
| bool ExitGames.Client.Photon.Chat.ChatClient.SetOnlineStatus | ( | int | status, |
| object | message | ||
| ) |
Sets the user's status without changing your status-message.
The predefined status values can be found in class ChatUserStatus. State ChatUserStatus.Invisible will make you offline for everyone and send no message.
You can set custom values in the status integer. Aside from the pre-configured ones, all states will be considered visible and online. Else, no one would see the custom state.
The message object can be anything that Photon can serialize, including (but not limited to) Hashtable, object[] and string. This value is defined by your own conventions.
| status | Predefined states are in class ChatUserStatus. Other values can be used at will. |
| message | Also sets a status-message which your friends can get. |
| void ExitGames.Client.Photon.Chat.ChatClient.StopThread | ( | ) |
| bool ExitGames.Client.Photon.Chat.ChatClient.Subscribe | ( | string[] | channels | ) |
Sends operation to subscribe to a list of channels by name.
| channels | List of channels to subscribe to. Avoid null or empty values. |
| bool ExitGames.Client.Photon.Chat.ChatClient.Subscribe | ( | string[] | channels, |
| int | messagesFromHistory | ||
| ) |
Sends operation to subscribe client to channels, optionally fetching a number of messages from the cache.
Subscribes channels will forward new messages to this user. Use PublishMessage to do so. The messages cache is limited but can be useful to get into ongoing conversations, if that's needed.
| channels | List of channels to subscribe to. Avoid null or empty values. |
| messagesFromHistory | 0: no history. 1 and higher: number of messages in history. -1: all available history. |
| bool ExitGames.Client.Photon.Chat.ChatClient.TryGetChannel | ( | string | channelName, |
| bool | isPrivate, | ||
| out ChatChannel | channel | ||
| ) |
Simplified access to either private or public channels by name.
| channelName | Name of the channel to get. For private channels, the channel-name is composed of both user's names. |
| isPrivate | Define if you expect a private or public channel. |
| channel | Out parameter gives you the found channel, if any. |
| bool ExitGames.Client.Photon.Chat.ChatClient.Unsubscribe | ( | string[] | channels | ) |
Unsubscribes from a list of channels, which stops getting messages from those.
The client will remove these channels from the PublicChannels dictionary once the server sent a response to this request.
The request will be sent to the server and IChatClientListener.OnUnsubscribed gets called when the server actually removed the channel subscriptions.
Unsubscribe will fail if you include null or empty channel names.
| channels | Names of channels to unsubscribe. |
| string ExitGames.Client.Photon.Chat.ChatClient.NameServerAddress = "ns.exitgamescloud.com" |
| readonly Dictionary<string, ChatChannel> ExitGames.Client.Photon.Chat.ChatClient.PrivateChannels |
| readonly Dictionary<string, ChatChannel> ExitGames.Client.Photon.Chat.ChatClient.PublicChannels |
|
get |
|
get |
The version of your client. A new version also creates a new "virtual app" to separate players from older client versions.
|
get |
|
getset |
Settable only before you connect! Defaults to "EU".
|
getset |
Settable only before you connect!
|
get |
|
get |
The address of the actual chat server assigned from NameServer. Public for read only.
|
get |
Current state of the ChatClient. Also use CanChat.
|
get |
The unique ID of a user/person. It's not a nickname and we assume users with the same userID are the same person.


Tutorials that summarize the content taught in the ICS courses.
In the ICS courses, we learned several important concepts. The most important of these concepts are explained in these tutorials.
OOP is a style of programming that relies on the creation of multiple objects interacting with each other. This style can greatly improve the organization of your code, and can help simplify othewise complicated code.
Arrays are an essential part of programming in any language. They allow for the storing of multiple values, be it simple integers or complex classes, in a single variable. This is important for logic flow of the program.
Thought ArrayLists have a similar function to arrays, there are many crucial differences, the most important of which is this: ArrayLists don't have a set length, while arrays do!
Searching and sorting is another important aspect of programming. After all, it's how data is managed in programs. These tutorials cover 2 searching methods and 3 sorting methods.
created with
Nicepage .


Failing is the new passing
Source code manipulation
Pros
- Large number of mutations
- Close to the real code
- Understandable
Cons
- Hard to integrate
- Slow
- Uses disk
Byte code manipulation
Pros
- Fast
- Easy to integrate
- No source code
- Should be JVM lang agnostic
Cons
- Difficult
- Divorced from the code
- Hard to describe
Mutations
Activated
- Conditionals Boundary Mutator
- Increments Mutator
- Invert Negatives Mutator
- Math Mutator
- Negate Conditionals Mutator
- Return Values Mutator
- Void Method Calls Mutator
Deactivated
- Constructor Calls Mutator
- Inline Constant Mutator
- Non Void Method Calls Mutator
- Remove Conditionals Mutator
- Experimental Member Variable Mutator
- Experimental Switch Mutator


Try out our Premium Member services: Virtual Legal Assistant, Query Alert Service and an ad-free experience. Free for one month and pay only if you like it.
IN THE COURT OF SH. SANJAY SHARMA, JSCC-CUM-ASCJ- CUM-GUARDIAN JUDGE (WEST): DELHI SUIT NO. 129 / 0 9 Rashid Ahmed .....Plaintiff VERSUS Sh. Bashir Ahmed & Ors. ....Defenda n t s O R D E R
19.0 7 . 2 0 1 0
1. In the suit for perma ne n t injunction and mand a tory injunction, the plaintiff filed an application U/O 39 Rule 1 and 2 read with Section 151 Code of Civil Procedure, 1908 (Hereinafter referred as' the Code') for interim injunction restraining the defenda n t no. 1 from raising any una u t h o rised constr uc tion in order to constr uc t shops on the ground floor of the property no. C 156, China u t Basti, Paharga nj, New Delhi as shown in red colour in the site plan and further, from alienating or creating third party interest therein, till the disposal of the suit.
2. The case set out in the plaint is that the plaintiff and the defenda n t no.1 & 2 are the real brothers. According to the plaintiff, the property no. 156, China u t Basti, Pahar Ganj, New Delhi 55 (Hereinafter referred as "the suit property") was purch a s e d by them 22 years ago. The plaintiff and the defenda n t no. 1 and 2 are co owners of the said property.
3. It is further stated that the defenda n t no.1 is in posses sion of the ground floor of the suit property, the plaintiff is in posses sion of the first floor of the suit property and the defenda n t no.2 is in posses sion of the second floor of the suit property as shown in red, yellow and green colour in the site plan of the suit property.
Suit no. 12 9 / 0 9 . Page 1 /6
4. It is stated that the original title deeds of the suit property are with the defenda n t no.1. It is stated that the defenda n t no.1 is run ni ng a hazardo u s factory at the ground floor of the suit property. It is stated that the defenda n t no.1 is doing mirror - glass polishing and glass frosting thereby causing pollution in the locality. The defenda n t no.1 is using electricity for residential and indus trial purposes without paying for it as the electric meter was removed for non payme nt of electricity charges.
5. It is stated that the market value of the ground floor of the suit property has increased considera bly due to commercial activities in the locality and the defenda n t no.1 is declaring himself as absolute owner of the ground floor of the suit property to the exclusion of the plaintiff and defenda n t no.2. It is stated that the suit property is still undivided and the defenda n t no.1 is not the sole owner of the groun d floor.
6. It is further the case of the plaintiff is that the defenda n t no.1 brought the building material and labour on 14.04.200 4 in order to constr uc t three shops in the front and two shops on the rear side of the ground floor of the suit property. It is stated that the defend a n t no.1 intended to remove the foundation of the suit property. It is stated that the defenda n t no.1 started constr uc tion in the evening of 16.04.20 0 4 despite repeated request s of the plaintiff. Feeling aggrieved by the action of the defenda n t no.1, the plaintiff filed the present suit against the defenda n t s .
7. Defenda n t no.1 and 2 opted not to join the proceedings and therefore, they were proceeded ex parte vide order dated 15.07.200 4.
Suit no. 12 9 / 0 9 . Page 2 /6
8. In its written stateme n t , defenda n t no.3 / DPCC stated that the suit premises was inspected by its officials on 24.05.04. It is stated that the defenda n t no.1 was run ni ng a glass frosting unit on the ground of the suit property. It is stated that the said Unit was causing emissions of dust due to the process of glass frosting and exha u s t fan for the discharge of the emissions was provided therein. It is stated that notice U/ s 31 A of the (Air and Prevention and Control of Pollution) Act, 1981 was issued. It is also stated that the plaintiff was found operating a Unit of Mirror Polishing and Moulding with the help of the LPG burner. It is stated that the Unit was found causing air pollution insignificantly and thereafter, a letter was issued to the plaintiff for the removal of mirror polishing unit from the said premises.
9. In its written stateme n t , the defenda n t no.4 / MCD stated that the suit premises was inspected on 04.06.200 6. It is stated that, the premises is found old and occupied. It is stated that the no una u t h o rised constr uc tion was carried out in the recent past nor any constr uc tion activity was noticed. It is stated that the defenda n t no.1 had been granted licence by the MCD for silvering and polishing of glass with 2HPEM only. It is stated that the said licence has not been renewed since 1992. it is stated that the no polluting indu st ry as alleged by the plaintiff was being run in the suit premises.
10. I have heard the argu me n t s of Sh. Sures h Sharm a , Advocate for the plaintiff, Sh. Shivendra Chopra, Advocate for defenda n t no.3 and Sh. Ashok Khosla, Advocate for defenda n t no.4 / MCD and perused the record.
Suit no. 12 9 / 0 9 . Page 3 /6
11. Ld. Counsel for the plaintiff argued that the suit property was jointly purch a s e d by the plaintiff and the defenda n t no.1 & 2. He argued that the defenda n t no.1 is in posses sion of the ground floor of the suit property. He argued that the defenda n t no.1 started una u t h o rized constr u c tion at the ground floor of the suit property on 16.04.200 4 in order to constr u ct three shops on the front side and two shops on the rear side of the ground floor of the suit premises. He argued that the defenda n t no.1 intend s to sell the said shops to the exclusion of the plaintiff and the defenda n t no.2. He argued that the suit property is undivided and the plaintiff as well as the defenda n t no.2 are also co owners of the ground floor of the suit property. He argued that the defenda n t no.1 was constr uc ti ng shops at the ground floor of the suit premises witho ut obtaining any sanction plan. He argued that the defenda n t no.1 should be restrained from carrying out any una u t h o rised constr uc tion in the suit property and further, alienating and creating third party interest therein. He argued that the plaintiff has a prima facie case as the defenda n t no.1 is carrying out constr uc tion in the suit premises without any sanction plan. He argued that the defenda n t no.1 is intending to remove the founda tion of the building and the plaintiff would suffer irrepara ble loss as the building is old and the plaintiff is residing along with his family members at the first floor of the suit property. He argued that the balance of convenience also lies in favour of the plaintiff and against the defenda n t as the defenda n t has no right to carry out una u t h o rised constr uc tion thereafter, create third party interest in the suit property to the exclusion of the plaintiff and the defenda n t no.2. He prayed for grant for interim injunctio n.
12. Ld. couns el for defenda n t no.4 / M CD argued that the defenda n t no.1 had filed a suit for perma ne n t injunction against the plaintiff bearing suit no.156 / 0 4 . He argued that the said suit was decreed vide judgme nt dated 22.10.08 passed by the Court of Ms. Char u Suit no. 12 9 / 0 9 . Page 4 /6 Aggarwal, Ld. CJ, Delhi. He argued that the defenda n t no.1 herein was restrained by the said Court from raising any constr u ction in the suit premises without permission of the competent aut hority. He argued that the relief prayed by the plaintiff in the prese nt suit had already been granted in the said suit.
13. In order to seek interim injunction, the plaintiff must show existence of prima facie case, irrepar able loss and injury resulting from withholding of interim injunction and balance of convenience in his favour and agains t the defenda n t.
14. It is the case of the the plaintiff that the defenda n t no.1 was raising una u t h o rized constr uc tion on the ground floor of the suit property in order to constr u ct three shops on the front side and the two shops on the rear side at the ground floor of the suit property. The plaintiff has not placed anythi ng on record in support of his case that the defenda n t no.1 was carrying out any constr u c tio n in the suit property for the constr uc tion of shops. The defenda n t no.4 / MCD stated that no una u t h orized constr u c tion was carried out in the suit property nor any constr u ction activity was seen. The defenda n t no. 1 herein has already been restrained by the Court of Ms. Charu Aggarwal, Ld. CJ, Delhi vide decree dated 22.10.08 from raising any constr u ction in the ground floor of the suit property without permis sion of the competent aut hority. The plaintiff has failed to make out a prima facie case.
15. So far as balance of convenience is concerned, the plaintiff has not placed any material on record that the defenda n t no.1 was removing the founda tion of the suit property on 14.04.20 0 4 or 16.04.200 4. The defenda n t no.1 has not constr uc ted any shop as alleged by the plaintiff, his appre he n sio n that the defenda n t no.1 may create third party rights in the said shops is misplaced.
Suit no. 12 9 / 0 9 . Page 5 /6 16. The plaintiff would not suffer irrepara ble loss and injury as the
defenda n t no.1 is not carrying out any constr uc tion in the suit property nor removing the founda tion of the building, as alleged.
17. In view of the aforesaid discus sion, the application U/O 39 Rule 1 & 2 of the Code filed by the plaintiff is dismissed.
(SANJAY SHARMA) JSCC Cum ASCJ Cum GUARDIAN JUDGE (West) Delhi :19.07.20 1 0 Suit no. 12 9 / 0 9 . Page 6 /6


AMONG GIANTS
Reviewed by Harvey Karten, Ph.D. Fox Searchlight Pictures Director: Sam Miller Writer: Simon Beaufoy Cast: Pete Postlewaite, Rachel Griffiths, James Thornton
Eight years ago I was waiting on line to see "Indecent Proposal" when I overheard a guy about 24 years old earnestly ask his date of about 21, "Would you sleep with Robert Redford for a million dollars?" "Sure," the sweet young thing replied, "But you'll have to give me some time to scrape up the money." Oh, you heard that one? The idea that a woman like Demi Moore could be attracted to an actor who at the time was 55 years old is absolutely believable. But could a 24-year-old get turned on by the 53-year-old Pete Postlethwaite? As they say, love is blind, but there's a limit. That a woman played by the youthful Rachel Griffiths could go for Postlethwaite--however wonderful an actor--is as credible as the idea that Tara Fitzgerald would ignore Ewan McGregor and set her sights on the craggy ol' guy in "Brassed Off."
That's why the producers of "Among Giants" call their movie an offbeat romance, I suppose. It's not really meant to be as plausible and everyday as Robin Wright's discovering Kevin Costner's message in a bottle. If you accept the story as caprice--as though Postlethwaite were having a midsummer night's wet dream--you could go with the generally bleak and gritty but sometimes touching story of a crew of working stiffs painting electricity pylons in England's Derbyshire Peak District.
Directed by Sam Miller, who is known on the sceptered isle for his work at the helm of the TV series "This Life, "Among Giants" shares with that program's emptiness but breaks with its glittering and slick image. Quite unlike screenwriter Simon Beaufoy's "The Full Monty," this movie's comic touches seem forced, its working-class men laughing by compulsion if at all--as they go through the motions of a no- future existence as freelance painters working off the books one hundred feet up, taking pride, perhaps, in the danger attached to the work.
Crew foreman Ray (Pete Postlethwaite) accepts a freelance job under the table from a suit with the provision that the painting of electricity pylons must be completed within three months, before the juice is turned on. With his rock-climbing chum Steve (James Thornton) he assembles a team of rugged Yorkshire types who then give a lift to an Australian backpacker, Gerry (Rachel Griffiths)--who is hired on the spot by the smitten Ray. The couple seem mismatched by age and appearance. The obvious choice for Gerry would be the young and handsome Don Juan, Steve (James Thornton). As Ray and Gerry make goo-goo eyes at each other one hundred feet up, they arouse the antipathy of the envious Steve, the demoralized workers, and finally Ray's estranged wife. When Ray and Gerry have a falling out, Gerry momentarily shifts her attention to Steve, causing increased friction between Ray and his best friend. The plot takes an unusual turn when the frustrated Gerry commits the self-destructive act of climbing the rocks without a belt.
The most interesting character is Gerry, who is not your typical Maupintour traveler. Off on her own from Australia to the English hills, she fearlessly hitches rides around Derbyshire and beyond, admitting to occasional loneliness-- which could explain her bonding with the much older foreman. When Ray, who finds it as difficult as the audience to accept the love that is offered to him, asks her why she doesn't go for young Steve, she replies, "He's not my type. Maybe he's too much my type. I've had loads of Steves; it never works out."
Nor does the movie. Though we get a sense of working- class life among a diverse, adventurous bunch of sentimental Brits--the Saturday night dance scene a la American West; the downing of endless ales in the local pub; the camaraderie that comes from togetherness in the wide open spaces-- nothing really happens to the workers, who seem to exist only to observe and comment upon the romantic interludes of the three principals. The film follows working-class formulas: workers disgruntled because of overdue paychecks, one laborer needing an advance because he's one step ahead of the loansharks, a woman seeking her identity through travel. Postlethwaite had far far more to work with in his greatest piece, "In the Name of the Father," and was more realistically cast as a band leader in "Brassed Off," while Rachel Griffiths was astonishing in "Hilary & Jackie," merely functional in the current selection.
Not Rated. Running Time: 94 minutes. (C) 1999 Harvey Karten
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


Sketch the mountain
Based on Raluca Nicola's Sketch the city
Choose a mountain and navigate it as a 3D sketch. Plug in your gamepad for a fancy experience.
Code here
Made with ArcGIS API for JavaScript


BINGE LIST
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The House on Sorority Row * * (out of * * * *)
Directed by Mark Rosman. Cast: Kathryn McNeil, Eileen Davidson, Lois Kelso Hunt, Harley Kozak, Christopher Lawrence, Charles Serio. 1982 - 92 minutes Not Rated (equivalent of an R for extreme violence, gore, profanity, a sex scene, and nudity). Reviewed June 18, 1999.
+ The following is the first capsule review of my internet career. From now on, if I see a movie that doesn't warrant a full-length review for a myriad of reasons, then I will write a capsule one.
Director Mark Rosman's "The House on Sorority Row" is a stylishly-filmed, slightly above-average slasher film that nonetheless has the characters mindlessly going off alone in the dark for the simple reason of being slaughtered.   After disposing of the body in the school's decrepit swimming pool, their party must go on. Only problem is, the body soon disappears from the water, and the girls start dropping off like flies.
- Copyright 1999 by Dustin Putman Http://hometown.aol.com/FilmFan16/index.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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A craftsman who wishes to do his work well must first sharpen his tools.

The superior man seeks to perfect the admirable qualities of men, and does not seek to perfect their bad qualities.The mean man does the opposite of this.
By nature, men are nearly alike; by practice, they get to be wide apart.


TYPOGRAPHY FEATURES
1/1
Lorem ipsum dolor sit, consectetur adipiscing. Aliquam pellentesque, purus quis pellentesque fermentum, justo arcu posuere justo. Lorem ipsum dolor sit, consectetur adipiscing.
1/2
Lorem ipsum dolor sit, consectetur adipiscing. Aliquam pellentesque, purus quis pellentesque fermentum.
2/2
Lorem ipsum dolor sit, consectetur adipiscing. Aliquam pellentesque, purus quis pellentesque fermentum.
1/3
Lorem ipsum dolor sit, consectetur adipiscing. Aliquam pellentesque, purus quis pellentesque.
2/3
Lorem ipsum dolor sit, consectetur adipiscing. Aliquam pellentesque, purus quis pellentesque.
3/3
Lorem ipsum dolor sit, consectetur adipiscing. Aliquam pellentesque, purus quis pellentesque.
A large centered icon!
Lorem ipsum dolor sit amet, consectetur adipiscing.
Aliquam pellentesque, purus quis pellentesque fermentum, justo arcu posuere justo.
Big Icons?
Lorem ipsum dolor sit, consectetur adipiscing.
Aliquam pellentesque, purus quis pellentesque fermentum, justo arcu posuere justo.
Centerd up!
Lorem ipsum dolor sit, consectetur adipiscing.
Aliquam pellentesque, purus quis pellentesque fermentum, justo arcu posuere justo.
One Thirds
Lorem ipsum dolor sit, consectetur adipiscing.
Aliquam pellentesque, purus quis pellentesque fermentum, justo arcu posuere justo.
Two Thirds
Lorem ipsum dolor sit, consectetur adipiscing.
Aliquam pellentesque, purus quis pellentesque fermentum, justo arcu posuere justo.
Three Thirds
Lorem ipsum dolor sit, consectetur adipiscing.
Aliquam pellentesque, purus quis pellentesque fermentum, justo arcu posuere justo.
Full width text!
Lorem ipsum dolor sit, consectetur adipiscing. Aliquam pellentesque, purus quis pellentesque fermentum, justo arcu posuere justo. Lorem ipsum dolor sit, consectetur adipiscing.
1/2
Lorem ipsum dolor sit, consectetur adipiscing. Aliquam pellentesque, purus quis pellentesque.
2/2
Lorem ipsum dolor sit, consectetur adipiscing. Aliquam pellentesque, purus quis pellentesque.
1/3
Lorem Ipsum is simply dum text of the print.
2/3
Lorem Ipsum is simply dum text of the print.
3/3
Lorem Ipsum is simply dum text of the print.
Left Heading
Lorem Ipsum is simply dummy text.
Center Heading
Lorem Ipsum is simply dummy text.
Right Heading
Lorem Ipsum is simply dummy text.
Show me the headings!
All types of headings, made beautiful, perfectly selected! Headings have a very simple class that if added turn the to uppercase! No need to type all caps, no need to edit a long line! Just add or remove a class!
This is a heading example
This is a heading example
This is a heading example
This is a heading example
This is a heading example
Dropcaps!
Maybe you have a taste for oldschool typography! In that case you really need dropcaps! It's just amazing!
Highlights!
There are some parts of text where bold just won't cut it! Having text highlights makes it so much easier to emphesize a point of view!
Highlighted textis simply awesome!
Highlighted textis simply awesome!
Highlighted textis simply awesome!
Highlighted textis simply awesome!
Want code?
We have this too! Of course! It's suppose to be the most complete template out there!
Quotes
Maybe you have some testimonials you would like to share! So we've styled some quote styles for you! Quotes can use icons or can simply be used as text! And they are extremly simple to use!
"Lorem ipsum dolor sit amet, consec tetur adisc ipiscing elit." - John Doe, CEO
"Lorem ipsum dolor sit amet, consec tetur adisc ipiscing elit." - John Doe, CEO
Lists and Icon Lists?
lists are probably the most important element in any page! So we piled 40 of the best icons just for you!
- Addressbook.
- Block icon list.
- Bookmark list.
- Bubble list.
- Briefcase list.
- Buy icon list.
- Calendar list.
- Clipboard list.
- Delete icon list.
- Clock icon list.
- Diagram list.
- Document list.
- Down icon list.
- Flag icon list.
- Folder icon list.
- Gear icon list.
- Globe icon list.
- Heart icon list.
- Help icon list.
- Home icon list.
- Label icon list.
- Left icon list.
- Letter icon list.
- Monitor list.
- Pencil icon list.
- Plus icon list.
- Present list.
- Print icon list.
- Right icon list.
- Save icon list.
- Sheild icon list.
- Statistics list.
- Stop icon list.
- Tick icon list.
- Trash icon list.
- Up icon list.
- User icon list.
- Wallet icon list.
- Warning list.
- Key icon list.
- List Element 1
- List Element 2
- List Element 3
- List Element 4
- List Element 5
- List Element 6
- List Element 7
- List Element 8
- List Element 9
- List Element 10
- List Element 11
- List Element 12
- List Element 13
- List Element 14
- List Element 15
- List Element 16
- List Element 17
- List Element 18
- List Element 19
- List Element 20
- List Element 1
- List Element 2
- List Element 3
- List Element 4
- List Element 5
- List Element 6
- List Element 7
- List Element 8
- List Element 9
- List Element 10
- List Element 11
- List Element 12
- List Element 13
- List Element 14
- List Element 15
- List Element 16
- List Element 17
- List Element 18
- List Element 19
- List Element 20
How about a table?
And it's pure CSS3! That means you just fill in the data, and the table expands to fit the size you need!
| TABLE | PLUS | PRO |
|---|---|---|
| PACK ONE | Yes | Yes |
| PACK TWO | No | Yes |
| PACK THREE | No | No |
| VALUE | $9.99 | $109.99 |
Speach bubbles?
A nice way of showing off a conversation maybe?
John Doe says:This is just an awesome bubble!
Jane Doe replied:Yeap! It's awesome isn't it and it's not that hard to use! And they act like bubbles, only expanding to 75% of width!
John Doe says:Awesome stuff!
Want code?
We have this too! Of course! It's suppose to be the most complete template out there!
Quotes
Maybe you have some testimonials you would like to share! So we've styled some quote styles for you! Quotes can use icons or can simply be used as text! And they are extremly simple to use!
"Lorem ipsum dolor sit amet, consec tetur adisc ipiscing elit." - John Doe, CEO
"Lorem ipsum dolor sit amet, consec tetur adisc ipiscing elit." - John Doe, CEO
jQUERY FEATURES
Checkboxes and Radios
It's important to have more than one style of checkbox, and radio! So we included a couple of sets!
Tabs!
Tabs are just awesome! So much information in such little space, makes the page compact, clean, and fast loading!
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer.
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly.
Big notifications!
We all find use for these! Maybe something changed, you want your users to know that some part of your page changed!
 I'M IN LOVE!
xNow now, relax. This is just a notification demo! No need to worry. It's not the real thing! This is just a simple notification not the apocalypse!
 I'M IN LOVE!
xNow now, relax. This is just a notification demo! No need to worry. It's not the real thing! This is just a simple notification not the apocalypse!
 I'M IN LOVE!
xNow now, relax. This is just a notification demo! No need to worry. It's not the real thing! This is just a simple notification not the apocalypse!
 I'M IN LOVE!
xNow now, relax. This is just a notification demo! No need to worry. It's not the real thing! This is just a simple notification not the apocalypse!
Toggles!!
Maybe you like their design, or the functionality drives you nuts, these are important and they are coded in such fashion you can use as many as you wish on the same page!
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Dropdown menu's?
Most mobile templates only give you one drop down menu, you can use as many as you want with ours
Cute Slider?
Try this for a great anti bot method! Interaction required!
OTHER FEATURES
User agent detector!
Detect what user agent is browsing your device! Maybe you have an app that's developed for multiple platforms. This system detects what platform is browsing your page and shows only that button!
Availalble for your Apple iPhone on the Apple Appstore! Get it now! Tap here!
Availalble for your Apple iPad on the Apple Appstore! Get it now! Tap here!
Availalble for your Android Device on the GooglePlay store! Get it now! Tap!
CSS3 Minimal Buttons
Pure CSS3 buttons made to expand to the width of the screen regardless how much text is entered!
Button Button Button Button Button Button Button ButtonAll above buttons fullscren!
Yes, you can use fullscreen buttons as well!
Minimal Fullscreen Button Regular Fullscreen ButtonVertical Charts?
Charts are important, but everyone hates those complicated 500 lines of code charts! We have a solution! Simple CSS3 ones!
a b c d e f g hHorizontal Charts?
Charts are important, but everyone hates those complicated 500 lines of code charts! We have a solution! Simple CSS3 ones!
Monday
123 Visits 15% Increase
Tuesday
234 Visits45% Increase
Wednesday
453 Visits55% Increase
Thursday
300 Visits 15% Decrease
Friday
123 Visits20% Decrease
How about a table?
And it's pure CSS3! That means you just fill in the data, and the table expands to fit the size you need!
| TABLE | PLUS | PRO |
|---|---|---|
| PACK ONE | Yes | Yes |
| PACK TWO | No | Yes |
| PACK THREE | No | No |
| VALUE | $9.99 | $109.99 |


CreateCompositorEffect()
语法
Result = CreateCompositorEffect(#Effect, CameraID, EffectName$)概要
Create a new compositor effect. Once created, the effect is immediately applied to the rendering. It is possible to hide the effect with HideEffect().
参数
#Effect The number to identify the new effect. #PB_Any 可以用来自动生成这个编码. CameraID The camera to apply the effect. This effect will only affect this camera. To get a valid 'CameraID', use CameraID(). EffectName$ Name of effect, as described in the OGRE compositor file (usually a '.compositor' file).
返回值
Returns nonzero if the effect was created successfully and zero if there was an error. If #PB_Any was used as the #Effect parameter then the new generated number is returned on success.
参阅
FreeEffect(), HideEffect()
已支持操作系统
所有


Compute the two dimension functional principal component scores for a series of two dimension images.
| Version: | 1.0 |
| Depends: | graphics, grDevices, stats, utils, corpcor |
| Published: | 2016-09-02 |
| Author: | Nan Lin, Momiao Xiong |
| Maintainer: | Nan Lin <Nan.Lin at uth.tmc.edu> |
| License: | GPL-3 |
| NeedsCompilation: | no |
| CRAN checks: | FPCA2D results |
| Reference manual: | FPCA2D.pdf |
| Package source: | FPCA2D_1.0.tar.gz |
| Windows binaries: | r-devel: FPCA2D_1.0.zip, r-release: FPCA2D_1.0.zip, r-oldrel: FPCA2D_1.0.zip |
| OS X binaries: | r-release: FPCA2D_1.0.tgz, r-oldrel: FPCA2D_1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=FPCA2D to link to this page.


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{{reviewer.FirstName}} {{reviewer.LastName}}
XXL: {{systemInformation.xxl}}
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| str_split_emoji {systemfonts} | R Documentation |
In order to do correct text rendering, the font needed must be figured out. A
common case is rendering of emojis within a string where the system emoji
font is used rather than the requested font. This function will inspect the
provided strings and split them up in runs that must be rendered with the
emoji font, and the rest. Arguments are recycled to the length of the string
vector.
str_split_emoji( string, family = "", italic = FALSE, bold = FALSE, path = NULL, index = 0 )
string |
A character vector of strings that should be splitted. |
family |
The name of the font family |
italic |
logicals indicating the font style |
bold |
logicals indicating the font style |
path, index |
path an index of a font file to circumvent lookup based on family and style |
A data.frame containing the following columns:
The substring containing a consecutive run of glyphs
The index into the original string
vector that the substring is part of
A logical vector giving if the substring is a run of emojis or not
emoji_string <- "This is a joke\U0001f642. It should be obvious from the smiley" str_split_emoji(emoji_string)


Trace
Select Trace to copy the segments in the clipboard into the Pegaesys Window.
The segments are registered relative to the absolute origin.
Segments can be copied to the clipboard, and moved to a different drawing without losing position information.


Can you handle?


Industrial Engineering Student
Knoxville, TN
<EMAIL_ADDRESS>423-987-4549
Skills
Microsoft Office
Python
C++
R Studio
Courses
IE 300: Quality Control
IE 401: Facilities Planning and Material Handling
IE 402: Production System Planning and Control
IE 421: Infomation Systems Analysis and Design
Interned in seven different departments. Prepared need data for each department for weekly reports.
Process daily transactions. Responsible for customer service.
Created a product and a facility for the mock company
Conducted time studies to optimize worker's efficiency
High School Diploma


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Central Bank chief: We must avoid "credit-house price spirals" of the past
by Jack QuannThe new governor of the Central Bank, Gabriel Makhlouf, has given his first keynote speech since being appointed to the role.
The British citizen, who was born in Egypt, said that lessons should be learned from past mistakes to avoid "a return to the credit-house price spirals".
He spoke on Wednesday to students and staff at the Waterford Institute of Technology (WIT).
Mr Makhlouf highlighted the vulnerability of the Irish economy, particularly in the context of Brexit and the risk of escalating trade wars.
He said: "Building economic resilience is not like building a bulwark and then assuming the job is done.
"There is no one-off solution to the challenge of building resilience. It is a continuous process, involving individuals, households, businesses, institutions and authorities, such as the Central Bank, both at home and abroad."
While acknowledging improvements in resilience over the last decade, he also identified four key transitions which pose challenges to the Irish people.
These are Brexit, climate change, the pace of technological change and major changes taking place in the financial system.
He said building resilience through these is essential.
"For me it is about continuing to focus on the fundamentals, about managing the short-term while planning for the medium term.
"It is about ensuring our frameworks are fit-for-purpose and learning the lessons of the past while preparing for the future. It is also about being prepared to challenge ourselves."
He noted that mortgage measures are a permanent feature of the mortgage market here - and have been key to enabling sustainable lending.
"It is important to take stock, learn lessons and continue to develop.
"In particular it is important to consider how the suite of macroprudential buffers interact not only with each other but also with those of microprudential supervision - arriving at a consistent and holistic view of capital for the banking sector - and the other key macroprudential tools in operation."
"We must continue to look at whether the objectives and scope of our wider macroprudential framework remains appropriate to the current environment."
Speaking about debt, Mr Makhlouf said: "Most household debt is in mortgages. We are currently reviewing our calibration of the mortgage measures so I will not discuss them in great detail today.
"However, I want to emphasise that the measures are aimed at strengthening borrower and bank resilience. And our focus remains on avoiding a return to the credit-house price spirals of the past.
"Irish firms have also reduced their debt relative to their assets, and debt repayment burdens have fallen", he said.
Since its peak of €202.9bn in the third quarter of 2008, household debt here has decreased by 32.5% - or €66bn.
Read his speech in full here


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Late maturing variety, medium yield, and red skinned, yellow fleshed tubers for ‘chip’ trade.Keeps well, has good field resistance to Late blight and is fairly tolerant of virus diseases.
Late maturing, white purple flowers. White fleshed flat oval, shallow eyed, white skin with slight russet and quick sprouting.Consistently high yielder, both in summer and winter. Good resistance to Late blight.
A medium-early variety, taking 3-4 months in the ground.White flesh, hard skin, good oval shape and very high yielding.It is fairly resistant to Late blight.An even sprouter.


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Using the Task List Table
Choosing visible columns/Sorting/Editing
Tasks have many properties, and by default only a few of
these properties are shown in the task list table. You can set
the sorting column by simply clicking on a table header.
Clicking repeatedly will reverse the sort order and turn off the
sorting.
Use F2 to start editing a cell. You can also change the visible columns by clicking the
little icon ()
which
appears to the right of the table headers,
straight above the vertical scrollbar (see image below). You may select
multiple tasks and change some properties of the selected tasks at
once. The view also remembers selected tasks and scrollbar positions.
Different icons are used for undone () and
done () tasks.
The same icons are used in
the editor if a line is associated with the task. Tasks can also be expanded/collapsed using keyboard (Right/Left).
If a task list is presented as a plain list without category tasks sorting a column leads also to automatic grouping.
Drag & Drop support:
- columns can be reordered by dragging
them around
- tasks can be moved and copied (use system specific modifier keys like Control in KDE)
- dropping a task over an editor pastes it's summary
- dropping some text over a task creates a new one (dragged text is used for summary of newly created task)
- dropping a link from Firefox creates a task with page's title as the summary and corresponding URL
Available columns:
- Summary - Summary for
the task. The summary is painted in bold if the task is running.
- Priority - Contains the
priority of the task.
- Done - Shows whether
a particular task is done. A task is done when it's percent
complete value is 100%.
- Percent Complete - Shows
completion status of a task.
- Effort - Effort cells are
painted
in red using a bold font if the sum of the spent time and the remaining
effort exceeds
the planed effort.
- Rem. Effort - Remaining
effort. This value is computed as Effort * (1 - Percent Complete)
- Spent Time - Shows the
time that was spent working on this task.
- Details - Here you can
write a longer description of the task
- Category - A possible
category for the task.
- Created - The date when
the task was created.
- Edited - The date when
the task was last edited.
- Completed - This columns
contains the date when a particular task was completed. It
will be filled automatically if you mark a task as done.
- Due date - Due date is
painted in red if the deadline was not met.
- Start - Planned start
date for the task.
- Spent Time Today - Shows the time that was spent working on
the
task today.
Comments & requests to<EMAIL_ADDRESS>.
Further information at http://tasklist.netbeans.org
.


Launch of new Bristol music venue Strange Brew has been delayed
It was due to open by the end of 2019
by Robin MurrayThe launch of a new music venue in Bristol has been pushed back until next year due to 'setbacks with progressing the building works'.
Strange Brew was set to open in a disused industrial space underneath a multi-storey car park on Fairfax Street by the end of 2019.
However the team behind the multi-use site, Bristol-based event promoters Dirtytalk, said they have encountered 'some setbacks' which have pushed the planned opening date back to March 2020.
In a statement published on Dirtytalk's Facebook page, they wrote: "We encountered some setbacks with progressing the building works, which led to us having to renegotiate our lease terms and generally caused delays.
"We are happy to say that things are now back on track, with building work set to start in earnest in the New Year and aiming for opening in March.
"For those of you who chose Crowdfunder rewards, we will be organising a Bristol-based collection day in December for you to collect your goodies (date to be announced soon) and for those of you who can't make it / who are outside of Bristol your rewards will be posted to you after this.
"Thanks for bearing with us!"
After Dirtytalk revealed their plans for a new venue, the target of £45,000 required to make the concept a reality was reached in June with a week to spare.
About Strange Brew
Strange Brew will be a 330-capacity music venue and late night café-bar in Broadmead, near to SWX.
Previously used for car hire and repair, it’s a large industrial-type space with two distinct areas which has been derelict for nine years.
The spacious front room with large windows and a high ceiling will form the heart of the venue with a large café-bar, a stage and DJ booth, a seating area and dancefloor, and a small record shop.
The smaller adjoining room will be used for occasional clubnights and art installations.
Licensed until 3am on weekends and 1am in the week, Strange Brew will provide a very welcome boost to Bristol's night-time economy at a time when it desperately needs one.
During the day, Strange Brew will serve a range of drinks and food, before turning into a bar in the evenings offering locally-sourced beers, wines, spirits and cocktails.
Bristol-based brewery Wiper and True has been enlisted in designing and supplying the bar, with a range of exclusive ales available.
Having been unused for nearly a decade, the space needs a lot of work.
The total refurb and start-up costs are estimated to be £95,000 and the Dirtytalk team are putting in £50,000 of their own money.
Follow Discover Bristol
We have a dedicated Facebook page for all the latest on where to drink, eat, go out and events across Bristol.
From the best food and drink deals to exclusive sneak peeks at new restaurants and bars, gig reviews and weekend plans - Discover Bristol has got you covered.
You can follow the page here for all the latest news.


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People always ask which “nutrition camp” I fall into. Is it paleo? Low carb? Intermittent fasting? In essence, they’re asking: “What’s the best diet?” In today’s article I’ll share my surprising answer. I’ll also show you how we’ve used “best diet” principles in our coaching programs to change the lives of tens of thousands of men and women. ++++ We’ll soon be opening up our Precision Nutrition Coaching program to men and women around the world. Tested with more than 45,000 clients to date — and proven in several peer-reviewed research studies — it’s guaranteed to help you transform your body, and your life. Here’s a quick glimpse of what the program can do. Read more...
by Aldous Hexley
on Date 29th October, 2016
ProCoach delivers — to your clients, on your behalf — an online, 12-month habit-based nutrition coaching program, complete with daily lessons, practices/habits, check-ins, and more. These will help your clients revamp their eating habits and reach their goals. (Everyone knows that practice/habit-based coaching is more effective and has longer-lasting effects than typical diets or meal tracking. But not everyone knows how to do it effectively. We do, and with ProCoach, we’ll show you how.) Plus, you get to work front-and-center as their coach. You’ll be able to guide and support them — by answering questions, offering encouragement, and tracking their progress — through a special ProCoach dashboard. When you enroll, you’ll be able to use this ground-breaking software and curriculum in your business — with your clients — and easily, quickly, effectively deliver the habit-based coaching you learned in the Precision Nutrition Certification Read more...
by James Joyce
on Date 18th September, 2016
OK, my friends, I accept I may have made an error of judgment by making a musical stopover in Amsterdam. @abkquan puts it very nicely: “Here the problem is the opposite to Vienna: what to include instead of what to exclude.” The Netherlands is a nation of performers – and painters of course – but composers are thin on the ground. It doesn’t have its equivalent of Sibelius, Nielsen or Grieg, a composer who came to symbolise 19th-century nationhood. I feel there is probably a good PhD thesis to be written explaining why. But we have made our bed and now must lie in it. The great thing about @abkquan is that he does not give up. “I’ll tentatively put forward Louis Andriessen, whose pungent De Staat is widely considered a minimalist masterpiece.” De Staat is a setting of and commentary on Plato’s Republic, and has been brilliantly deconstructed by Guardian writer Tom Service. Immerse yourself in it, and you will find yourself perplexed, inspired, seduced. Read more...
by Bradd Pitt
on Date 4th March, 2016


InfiData Technologies head quartered in "silicon valley" of India Bengaluru,started in the year 2015.
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Michael Fredregill
Unafffiliated
Attorney. Welborn Sullivan Meck & Tooley P.C. (June 2019-present) Moye White LLP (April 2015-June 2019) Toussaint & Coaty P.C. (December 2012-April 2015) State of Colorado - Judicial Branch - law clerk for Judge Chris Bachmeyer and Judge Lily Oeffler - September 2009-December 2012)
Bachelor of Business Administration - University of Iowa Juris Doctor - University of Colorado Law School
80211
I have been a registered independent/unaffiliated since I started voting. I have donated to the campaign of Joe Neguse for Congress.
Big Brothers Big Sisters of Colorado - I have been a Big and involved with BBBS for approximately 8 years. Colorado Symphony - Associate Board - served 3 years on the Board Colorado Bar Association
Between the Boards I've served on and the volunteer work I've participated in, I've spent countless hours organizing groups and events, and those experiences always require considering the interests of many stakeholders. Due to my profession, I also spend most of my daily existence advocating and representing people in some way, shape, or form.
I believe the work contemplated by this Commission is incredibly important. I believe fair and honest elections are crucial to the proper functioning of our great country. I want Americans to trust our elections process, and that all begins with the work of this Commission.
I intend to hear from all members and process all relevant facts and data prior to making a decision. I acknowledge and appreciate the importance of removing emotion when evaluating situations/facts and feel my background would allow me to fairly consider all information when making recommendations or working to reach a consensus.
Well, I suppose it's relevant that I'm a business/real estate attorney and I'd like to think I apply logic at all times in my decision-making (some may occasionally disagree).
Male


Issue: BROADCAST-STREAM-RETURN-VALUESForum: X3J13 Letter Ballot
References: BROADCAST-STREAM (X3J13/92-102, p21-7)
Category: CLARIFICATION
Edit history: 16-Jun-93, Version 1 by Pitman
17-Jun-93, Version 2 by Loosemore
(fix bugs, separate incompatible changes)
Status: Proposal CLARIFY-MINIMALLY passed 9-2 on letter ballot 93/304
Problem Description:
The description of the return value for output operations applied
to broadcast streams doesn't work well for certain kinds of operations,
STREAM-ELEMENT-TYPE being an example.
The zero-argument stream case is important, too, because
is a commonly-used portable way to create a null output stream.
Proposal CLARIFY-MINIMALLY makes explicit the "results from the last
stream" rule from CLtL, and specifies behavior for the cases where there
are no streams. Proposal INCOMPATIBLE-CHANGES replaces this rule with
behavior that makes more sense.
Proposal (BROADCAST-STREAM-RETURN-VALUES:CLARIFY-MINIMALLY):
STREAM-ELEMENT-TYPE returns the value from the last component stream, or
T if there are no streams.
FRESH-LINE returns the value from the last component stream, or NIL
if there are no streams.
The following functions return the value from the last component stream,
or the indicated value if there are no component streams:
FILE-LENGTH [0]
FILE-POSITION [0]
STREAM-EXTERNAL-FORMAT [:DEFAULT]
STREAMP and OUTPUT-STREAM-P always return true for broadcast streams.
OPEN-STREAM-P tests whether the broadcast stream is open, not whether its
component streams are open. INPUT-STREAM-P and INTERACTIVE-STREAM-P
return an implementation-defined boolean value.
For these input operations, the consequences are undefined if the indicated
operation is performed. (However, implementations that wish to are permitted
to extend the behavior.)
Proposal (BROADCAST-STREAM-RETURN-VALUES:INCOMPATIBLE-CHANGES):
STREAM-ELEMENT-TYPE returns the type-specifier-equivalent of
`(AND ,x1 ,x2 ...), where each Xi is the result for each component stream.
FRESH-LINE returns the OR of the results for each component stream.
For the following, if the streams are of the same element type and
individually return the same result, that result is returned.
Otherwise, the consequences are undefined. (If there are no streams,
the result shown in brackets is returned.)
FILE-LENGTH [0]
FILE-POSITION [0]
STREAM-EXTERNAL-FORMAT [:DEFAULT]
STREAMP and OUTPUT-STREAM-P always return true for broadcast streams.
OPEN-STREAM-P tests whether the broadcast stream is open, not whether its
component streams are open. INPUT-STREAM-P and INTERACTIVE-STREAM-P
return an implementation-defined boolean value.
For these input operations, the consequences are undefined if the indicated
operation is performed. (However, implementations that wish to are permitted
to extend the behavior.)
Test Case:
Not provided.
Rationale:
These values provide plausible defaults for the cases where there is likely
to be no controversy, without trying to define the cases in the gray areas.
Current Practice:
Not provided.
Cost to Implementors:
Probably relatively small.
Cost to Users:
None. This change doesn't affect anything already guaranteed to the user.
Cost of Non-Adoption:
Broadcast streams are hard to use reliably in many situations.
Benefits:
Better program portability.
Editorial Impact:
Small. A number of small, localized edits.
Aesthetics:
Mostly neutral.
Discussion:
This addresses Barrett comment #12 (First Public Review).
Pitman thinks it's a good idea to clarify this somehow and is mostly
happy with the above, but might be satisfied with other variations on
this theme, as long as they were intuitive, implementable, etc.
Loosemore notes that we have already approved a previous issue
(PATHNAME-STREAM) to make coercing a broadcast stream to a pathname
have undefined consequences. Likewise, we have already decided that
calling CLOSE on a broadcast stream closes only the broadcast stream
and not its component streams.


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_Frequency_ (PG-13) ** (out of ****)
The science fiction thriller _Frequency_ asks a number of questions, a few of which are showcased in its trailer. "What if you could reach back in time?" "What if you could change the past?" "What if it changed everything?" The most important question, however, is left uncovered: "What if you had an interesting premise and then went about it all wrong?" The answer to that query is the disappointing film itself.
The root of that problem is clearly evidenced in the trailer. Buzz around Gregory Hoblit's film had been building steadily the past few months, and at first the preview proves why. The idea behind Toby Emmerich's screenplay is intriguing. In 1999, cop John Sullivan (Jim Caviezel) discovers the old ham radio that belonged to his fireman father Frank (Dennis Quaid), who died in action nearly 30 years to the day. Somehow, some way the 1999 radio is able to pick up signals from 1969, namely those of Frank. John, who never had a chance to really know his father, suddenly finds himself bonding with him through time and space by way of the radio. But the seemingly innocent talk proves to have far-reaching consequences, altering the past and future in ways that are not always for the better.
So far, so good, but then the trailer ends on a completely wrong note: Frank and a weeping Jim saying "I love you" to each other. It's a jarringly maudlin note to end an ad for what had been sold as a thriller, and it's to Hoblit and Emmerich's credit that in the film, the father-son emotional angle is more smoothly embedded into the story. Even so, such sentimentality is far from the director's strong suit. Hoblit's previous feature credits are _Primal_Fear_ and _Fallen_, two films that are characterized by--and whose success was largely due to--their darkness and cynicism. Those aren't exactly the best qualifications to tackle something with as severe a case of the warm fuzzies as _Frequency_, and as is typically the case with underqualified directors attempting something "deep" and "emotional," sentimentality becomes schmaltz.
There is one big problem hidden by _Frequency_'s trailer, and that is the wrongheaded shift that occurs about midway. Up until that point, the interesting premise has its appeal and wonder, but it suddenly morphs into a typical serial killer thriller, with John attempting to nab a murderer of nurses. The special wrinkle is that the killings take place in 1969, and Frank has to do the legwork under the advisement John gives in 1999. That proves to be just a minor detail, though, for we get the familiar scenes of Frank skulking around bars, following suspicious characters and having suspicious characters follow him. Even more familiar is the fact that the killer's reach extends to Frank and John's family.
There's still that great hook, though, but in retrospect there is another miscalculation at work. With premises that delve into the fantastic, one should either offer a thorough explanation or none at all; you either try to make logical sense, or just make the audience accept it as a given. Emmerich and Hoblit wrongly attempt at a middle ground. It is implied that Frank and John are able to communicate through time because radio transmissions are trapped over time in the Aurora Borealis, but there's nothing beyond a vague reference or two. Such a half-hearted, unclear reasoning is sure to leave no one satisfied.
The two leads, however, do not disappoint. Quaid hasn't had a major league role in years, and he proves here that, when given the chance, he can deliver. Frank is a good, upstanding guy, and Quaid makes the character a lot more interesting than that basic description would make him out to be. Caviezel first caught my--and many other's--eye with his standout work as the de facto lead in _The_Thin_Red_Line_, and the reasons why I like him so much may very well be the reasons why he may never become a big star; he's an introspective, subtle performer who doesn't resort to broad theatrics. His internal approach works well for John, who must hide his inner pain and inadequacy under the tough fašade of a police detective.
They--and the rest of the strong cast--deserve better than _Frequency_. Then again, the idea behind _Frequency_ deserves better than _Frequency_, which proves that having an inspired idea is only half the battle in making a good movie.
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Mr. Brown's Movie Site: http://welcome.to/mrbrown CinemaReview Magazine: http://www.CinemaReview.com on ICQ: #25289934 | on AOL Instant Messenger: MrBrown23
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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This page provides information relevant to the methods of managing the processing of personal data of users who subscribe the newsletter service of Serendipity Srl., (the following “User” or “Users”), at the address www.castioficial.com (hereinafter the “Website”). The subscription will allow the users to automatically receive, free of charge, every new newsletter. It is information given in compliance with art. 13 of the Law Decree of 30th June 2003, no. 196, “Code for protecting personal data” (hereinafter “Privacy Code”).
1. Personal Data Collector
The Data Collector is Serendipity Srl (hereinafter only “Serendipity” and/or the “Collector”), with offices at via Melone 2, 20121 Milano.
2. Purposes of the processing and type of personal details
The personal details that the User voluntarily provides when he/she subscribes the newsletter service, such as the e-mail address, might be used by the Collector, after getting the User’s consent, for managing the subscription and sending the newsletter, containing informational, commercial, and/or promotional communications. The provision of the personal data for the aforementioned purposes is optional; the refusal to provide the personal data prevents the user from subscribing to the newsletter and/or receiving it.
Please take note that pursuant to art. 130, paragraph 4, of the Privacy Code, the Collector may use the details relevant to the e-mail that the User has provided during the sale of a product or the supply of a service, for offering services similar to those that are subject of the sales and without getting the User’s authorization. At any moment, the User can refuse the processing of data easily and free of charge by following the methods given in paragraph 5 “Rights of the concerned person.”
3. Method to process the data
The User’s data is processed mainly by means of electronic systems and sometimes in hardcopies.
The User’s data will be kept with a method that allows the identification for the time strictly necessary to achieve the purposes for which the data is collected and processed and, in any case, in accordance with law provisions.
The Collector and the responsible part have adopted suitable security measures in accordance with the law to prevent the loss of Data, unauthorized access or improper or illegal uses.
The User’s data may be transferred to foreign countries (also extra-EU countries, such as USA), in compliance to the above-mentioned information.
4. Categories of subjects to whom the personal data can be communicated or who can know it and the diffusion of personal data
In order to achieve the purposes that the personal data is collected for, the Collector can appoint other responsible parties for processing the personal data such as IT service providers, i.e. direct marketing, internet service and cloud computing, subjects that are in charge of the warehouse logistics, as well as promotion, sale and delivery of the products and services of the Collector, customer care, companies and other subjects that provide customers with legal, fiscal, accountancy, financial, technical-organization, data processing and communication services. Subjects that provide bank services, i.e. financial, insurance and credit recovery services, controlled companies, subsidiaries, public authorities and supervising bodies.
In order to get the complete list of subjects responsible for personal data processing, the User can contact the Collector in accordance with the methods given in the following section 5 “Rights of the concerned persons”.
For the same purposes, Serendipity and the parties responsible for processing can appoint other responsible parties for processing data such as employees in charge of the execution of orders, the customer care, the IT and marketing services (if the authorization is given), the IT systems and management systems of the Website and the technical and commercial personal in charge of providing the website services.
No User’s personal data collected from this website will be diffused.
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Pursuant to art. 7 of the Privacy code, the Users can, at any time, request information about their personal data, if it exists, its contents, origin, correctness or ask for its integration and update or correction. In accordance with the same article, the User is entitled to request its deletion, transformation in an anonymous form or the block of his/her data which is processed in violation of the law and, in any case, the User can, for legitimate reasons, oppose himself/herself to its processing.
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--- layout: page title: About date: 2006-08-23 11:25:09.000000000 +03:00 type: page published: true status: publish categories: [] tags: [] meta: {} author: login: jwikholm email<EMAIL_ADDRESS>display_name: Jan Wikholm first_name: '' last_name: '' ---
Former developer turned ops, learning reverse engineering (RE) and memory forensics (DFIR). I post about #infosec #sysadmin #malware #vuln #RE
This site is split into two kinds of posts: original content I have written and curated links. I will always read the curated articles and include a small snippet of personal analysis - my two cents - on the links so I am not just churning out links without thinking about them.
Original content I write is still very much in development, I have written mostly about personal career development for the past few months, but that might change.


All functions
|
|
add_attr()
|
Add attributes from one data frame to another |
|
add_prom()
|
Add PROM to operation data |
|
age_pyramid()
|
Age-pyramid plot function |
|
attr_to_factor()
|
Convert object with attributes in "map" to factor |
|
avvikelse()
|
Calculate deviation (avvikelse) for each hospital using a linear model |
|
bar_plot()
|
Bar plot function |
|
check_attr()
|
Check if object has attribute "map" |
|
cnames1
|
Data set used for example purposes (see examples and description in
swe_landsting) |
|
cnames2
|
Data set used for example purposes
(see examples and description in swe_landsting) |
|
compass()
|
Compass plot function |
|
compass_data
|
Compass dataset |
|
compass_riket()
|
Compass riket plot function |
|
eq5d_3l()
|
Simple function to extract dimensions of EQ-5D profile |
|
eqindBrit()
|
Calculate Brittish EQ-5D-index using all five values extracted from eq5d_3l() |
|
eqindSwed()
|
Calculate Swedish EQ-5D-index using all five values extracted from eq5d_3l() |
|
eq_vas_exp
|
Expected EQ VAS dataset |
|
eq_vas_obs
|
Observed EQ VAS dataset |
|
eq_vas_riket
|
Swedish average EQ VAS dataset |
|
expected()
|
Expected PROM |
|
filter_cens()
|
Filter variable for existing data |
|
km_plot()
|
Kaplan-Meier plot function |
|
line_plot()
|
Line plot function |
|
mutate_label()
|
Extract attribute "map" and mutate object to be labelled |
|
norm_compass()
|
Normalization for compasses |
|
norm_compass_data
|
Normalized compass dataset |
|
observed()
|
Observed PROM |
|
pain_exp
|
Expected pain VAS dataset |
|
pain_obs
|
Observed pain VAS dataset |
|
pain_riket
|
Swedish average pain VAS dataset |
|
pick_valid()
|
Help function for add_prom |
|
prom_trends()
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PROM-trends plot function |
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satis_exp
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Expected satisfaction VAS dataset |
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satis_obs
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Observed satisfaction VAS dataset |
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satis_riket
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Swedish average satisfaction VAS dataset |
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save_xlsx()
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New xlsx saver |
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size_order()
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Make an ordered factor with most important level first |
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survSummary()
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Survival analysis summary |
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survSummary_states()
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Survival analysis summary for competing risk results |
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swe
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Sweden map data set, compressed version |
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swe_allpoints
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Sweden map data set |
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swe_kommuner
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Sweden map data set with township included, compressed version |
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swe_kommuner_allpoints
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Sweden map data set with township included |
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swe_landsting
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Sweden map data set with county included, compressed version |
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swe_landsting_allpoints
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Sweden map data set with county included |
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trend_plot()
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Trend plot function |


SSH is short for Secure Shell. Because a Raspberry Pi is a standalone computer without a keyboard, mouse, or monitor, the question arises: how are you supposed to use the Raspberry Pi? SSH allows a computer to remotely access and run commands on another computer. In this case, a personal computer or team laptop will “SSH” into the Raspberry Pi to write code and run commands.
Setting up SSH in Linux/MacOS
With a Linux or Mac system you can SSH directly from a terminal.
Open a new terminal and run the following command:
ssh<EMAIL_ADDRESS>The format is <username>@<IP address>
. You will be prompted enter a password, the default password for the Raspberry Pi is “raspberry”.
Setting up SSH in Windows
For Windows systems you will need to install PuTTY, which is a open-source terminal emulator. If you do not already have it installed, you can download it here.
Once PuTTY is installed, you can open it and input the IP address in the space labeled “Host Name (or IP address).” Leave the default Port as 22 and than click “Open” at the bottom right of the PuTTY window.
You will be prompted to input a username and password for the Raspberry Pi.
Username Default: pi
Password Default: raspberry
Now you have successfully SSH into the Raspberry Pi!!
Troubleshooting
Hostname raspberrypi.local not Resolved
This error occurs when the Raspberry Pi is not properly connected to the computer. Check a few things first:
- The Raspberry Pi is on, and its leftmost micro-USB port has a cable running to the computer.
- Your computer recognizes the Raspberry Pi as a wired connection. If you’re using Ubuntu, open your settings and click the Network tab on the right. Then, check that there is a wired connection. If there isn’t, you may need to connect the Pi to a different port on your computer and try again.
- If the connection shows up, click on it and open the IPv4 settings. Change it from Automatic to Link Local only.
If the Pi still does not connect, just try again. The Pi is not a very stable computer, and it may work after multiple attempts.


#include <GrPolygonUberMapping.h>
Public Member Functions | |
| GrPolygonUberMapping (unsigned int uberTexIdx) | |
| class GrPolygonUberMapping | |
| ~GrPolygonUberMapping () | |
| bool | AddPatch (GrPolygonUberPatch *patch) |
| adds an ubertexture to the current patch. | |
| unsigned int | GetPatchCount () const |
| patch accessors. | |
| GrPolygonUberPatch * | GetPatch (unsigned int idx) const |
| URef< GrUberTexture > | BuildUberTexture (const UPath &name) const |
| builds an ubertexture out of the currently added geometry. |
Definition at line 20 of file GrPolygonUberMapping.h.
| GrPolygonUberMapping::GrPolygonUberMapping | ( | unsigned int | uberTexIdx | ) |
| GrPolygonUberMapping::~GrPolygonUberMapping | ( | ) |
Definition at line 71 of file GrPolygonUberMapping.cpp.
| bool GrPolygonUberMapping::AddPatch | ( | GrPolygonUberPatch * | patch | ) |
adds an ubertexture to the current patch.
public methods
make sure the patch passed in is valid! If it's too big or too small, then the patch cannot be packed into an ubertexture.
calculate the size of the patch in patch-tiles (a patch tile is the size of GR_UBERTEX_PATCH_BOUNDARY).
determine if there is enough room for the patch in the current row.
advance to the next line.
determine if there is enough room for the patch in the current ubertexture.
pack the patch at the current location.
advance beyond the current patch and record the maximum height.
add the patch to our vector of patches.
return true to indicate that the patch was successfully added to the ubertexture.
Definition at line 83 of file GrPolygonUberMapping.cpp.
| URef< GrUberTexture > GrPolygonUberMapping::BuildUberTexture | ( | const UPath & | name | ) | const |
builds an ubertexture out of the currently added geometry.
initialize the rasterizer debugging image.
allocate a bitmask (one bit per tile) and clear it.
generate the morton table that's used to address individual ubertexture tiles.
iterate through all of the faces and generate a tile usage bitmask.
get the current patch.
iterate through each polygon in the current patch.
get the current polygon.
triangulate the current polygon.
iterate through each triangle in the polygon.
rasterize the current triangle.
free the temp verts that we've allocated.
save the rasterizer debugging image.
build a new ubertexture.
free the tile usage bitmask.
return it.
Definition at line 147 of file GrPolygonUberMapping.cpp.
| GrPolygonUberPatch * GrPolygonUberMapping::GetPatch | ( | unsigned int | idx | ) | const |
Definition at line 139 of file GrPolygonUberMapping.cpp.
| unsigned int GrPolygonUberMapping::GetPatchCount | ( | ) | const |


BJP making India's best organisations hollow: Priyanka
by PTICongress leader Priyanka Gandhi Vadra on Wednesday hit out at the government over Finance Minister Nirmala Sitharaman's reported remarks that Air India and Bharat Petroleum Corporation could be sold by March, alleging the BJP is making India's best organisations hollow and then selling them.
Her attack comes days after Sitharaman reportedly said the government was looking to wrap up the sale of state-run Air India and oil refiner and marketer BPCL by March 2020.
"Our organisations are our pride. These are our 'golden birds'," Priyanka Gandhi said in a tweet in Hindi.
"The BJP had promised to build the country, but they are working to make India's best organisations hollow and sell them. Sad," the Congress general secretary said.


NY Fed's GDP Nowcast falls to 0.4% for fourth quarter from 0.7%
by Eren SengezerAccording to the Federal Reserve Bank of New York's latest Nowcasting Report published on Friday, the United States' (US) economy is expected to expand by 0.4% in the last quarter of the year.
"News from this week's data releases decreased the nowcast for 2019:Q4 by 0.3 percentage point," the NY Des said in its publication. "Negative surprises from capacity utilization and industrial production data drove most of the decrease."
In the meantime, the US Dollar Index stays in the negative territory near the 98 handle, looking to register a weekly loss of around 0.4%.