About Me
Olufunke Owoseni is a consistent, hardworking and self motivated person, a graduate of food science and technology with interest in product research and development, food processing, production and marketing. she enjoys working with the public, setting and achieving goals and looks forward to improve herself position in the workforce, expand her knowledge and skills in research and development and also effectively participate as a team member in a dynamic work environment for purposeful impact.
Expertise
UI/UX Design
The “UI” in UI design stands for “user interface.” The user interface is the graphical layout of an application. The UI designer decides what the application is going to look like. “UX” stands for “user experience.” A user’s experience of the app is determined by how they interact with it.
FRONT END
A front-end developer links together the world of design and technology, packaging up the utility of the back end in an inviting way for users to interact with. They take website design files and convert them into HTML, JavaScript (JS) and/or CSS code - the core elements of front-end development. This includes design/layout, content, buttons, images, navigation, and internal links.
BACK END
Back-end Development refers to the server-side development. Backend developer focuses on databases, scripting, and the architecture of websites. Code written by back-end developers helps to communicate the database information to the browser.


Quick Reference
If you are familiar with mini.css and want a cheat sheet, you've come to the right place. Below you will find a quick overview of the framework and examples to help you brush up on your website-building skills. For more detailed instructions on modules, check out the modules page.
All examples showcased refer to the mini-default flavor, some class names and styles might differ based on the flavor you're using.
Setup & usage
You can download mini.css using npm, yarn or Bower:
npm install mini.css
yarn add mini.css
bower install mini.css
You can import the default flavor of mini.css in your webpage by simply adding one of the following references inside your HTML page's
tag:
<link rel="stylesheet" href="https://gitcdn.link/repo/Chalarangelo/mini.css/master/dist/mini-default.min.css">
<link rel="stylesheet" href="https://cdn.rawgit.com/Chalarangelo/mini.css/v2.3.7/dist/mini-default.min.css">
You can also find mini.css on cdnjs, which you can use to include it in your projects.
We strongly suggest you add the following line inside your HTML page's
to utilize the viewport meta tag:
<meta name="viewport" content="width=device-width, initial-scale=1">
Headings View on Codepen

Heading 1Subheading

Heading 2Subheading

Heading 3Subheading

Heading 4Subheading

Heading 5Subheading

Heading 6Subheading

Typography
- Basic reset and fix rules applied, based on Normalize.css v5.0.0
- A native font stack is used
- The colors are set to
background: #f5f5f5;
andcolor: #212121;
- The
font-size
for the root element is16px
- The
line-height
is1.5
- All HTML headings are pre-styled
- Styling provided for

elements inside headings - Common HTML elements like paragraphs, horizontal rules, lists and code elements are pre-styled
- Images are responsive by default
Common textual elements View on Codepen

This is a paragraph with some bold text and some italics text.
 This is a link. This is some small text. Subscript Superscript Inline code Keyboard Input

This is some preformatted text.

 This is some quoted text from another website or person.

Lists & images View on Codepen

Apple

Orange

Strawberry

Wake up

Eat breakfast

Go to work

Image caption

Basic layout View on Codepen

Notes
- Based on the Flexbox Layout Module
- Grid structured as follows:
.container
serves as the grid system's wrapper- Multiple
.row
elements serve as the grid system's rows - Multiple
.col-SCR_SZ
and/or.col-SCR_SZ-COL_WD
elements specify serve as the grid system's columns (fluid and preset respectively)
SCR_SZ
values:sm
for screens below768px
widemd
for screens between768px
(inclusive) and1280px
(exclusive)lg
for screens wider than1280px
COL_WD
can be any integer value between1
and12
(both inclusive)- Fluid columns can create irregularly-sized columns in a layout
- You can nest rows inside columns, but not columns inside columns or rows inside rows
- An element can be a row and column at the same time
- You can mix preset and fluid columns
- Always wrap content in columns, never leave content unwrapped inside a row
- Do not mix rows or columns with unwrapped content on the same level
Screen-specific layouts View on Codepen

Notes
- Apply multiple column classes to the same element, one for each screen size, to define different layouts
- Mobile-first approach, styles specified for smaller screen sizes apply to larger screen sizes if no override is specified
- Try to make page content vertical for smaller devices, using
.col-sm-12
and transition to two or three columns on larger screen sizes - Combine with offsets and reordering as shown below
- You can omit the style of a screen size if it is the same one as the one applied in the immediately smaller screen size
- Always start with a
.col-sm
or.col-sm-COL_WD
style, otherwise smaller devices will not display your content properly
Predefined layouts View on Codepen

col-sm-6

col-sm-6

Notes
- Available both as fluid column layouts, using
.cols-SCR_SZ
, replacingSCR_SZ
with one of the available screen size names and fixed width column layouts, using.col-SCR_SZ-COL_WD
, replacingSCR_SZ
with one of the available screen size names andCOL_WD
with a number from1
to12
specifying the width of the columns - Can define screen-specific predefined layouts
- Can be combined with offsets and reordering, but not normal grid layout classes
Column offsets View on Codepen

Notes
- Create offsets using the
.col-SCR_SZ-offset-COL_WD
classes COL_WD
can be any integer from0
to11
(both inclusive)- You can mix offset columns and non-offset columns
- Specify offsets in combination with existing column styling, not instead
- Mobile-first approach, styles specified for smaller screen sizes apply to larger screen sizes if no override is specified
- You can omit offsets whenever not needed, but you will have to override existing offsets for larger screen sizes, using
.col-SCR_SZ-offset-0
Column reordering View on Codepen

Notes
- Create reorders using
.col-SCR_SZ-first
,.col-SCR_SZ-last
and.col-SCR_SZ-normal
classes for first, last and normal ordering respectively - Default ordering is based on order of appearance
- Specify reorders in combination with existing column styling, not instead
- Mobile-first approach, styles specified for smaller screen sizes apply to larger screen sizes if no override is specified
- You can use multiple
.col-SCR_SZ-first
and.col-SCR_SZ-last
elements to group your elements according to the desired layout - You can omit reorders whenever not needed, but you will have to override existing reorders for larger screen sizes, using
.col-SCR_SZ-normal
Media object pattern View on Codepen

Media object heading

Media object content...

Notes
- Not a new component, rather a popular pattern
- Use two columns, one for the media (i.e.

) and one for the textual content - Compatible with most elements
- Can use screen-specific layouts, reordering and offsets
- Media objects can easily be nested inside each other
Forms & input View on Codepen
<form> <fieldset> <legend>Simple form</legend>
 Username <input type="email" value="" id="username" placeholder="username">

 Password <input type="password" value="" id="pwd" placeholder="password">

 Number <input type="number" id="nmbr" value="5">
 </fieldset> </form>
Notes
- Link

elements to their respective<input>
elements for ease-of-use - Use of the
<fieldset>
and<legend>
elements is highly recommended - Forms are inline by default, use
.input-group
to align elements inside them - Non-standard input types are not stylized like the rest
- Checkboxes and radio buttons are stylized differently, as shown below
- You can use the grid module's column classes to align form elements or make them responsive
- Avoid using
.input-group
in aligned forms - Make
.input-group
s responsive by adding the.fluid
class - Vertically align
.input-group
s using the.vertical
class
Checkboxes & radio buttons View on Codepen

 <input type="checkbox" id="check1" tabindex="0"> Checkbox

 <input type="radio" id="rad1" tabindex="0" name="radio-group-1"> Radio

Notes
- Pre-styled using the checkbox hack, fully accessible
- Create a

containing the checkbox or radio button along with its linked label - Add
tabindex="0"
to the<input>
element to make full accessible - Add multiple radio buttons in the same group inside the same
.input-group
wrapper - Always use
.input-group
and follow the code structure provided in the examples - Remember to use

elements for every single one of your checkbox or radio buttons
Switches View on Codepen

 <input type="checkbox" id="switch1" tabindex="0"> Checkbox switch

 <input type="radio" id="radswitch1" tabindex="0" name="radio-group-1"> Radio switch

Notes
- Use the same structure as checkboxes and radios, add
.switch
to the
element - Add
tabindex="0"
to the<input>
element for accessibility - You can add two

elements inside the.input-group
, the first one containing the text and the second one the.switch
component to reverse the switch's layout
Buttons & button groups View on Codepen
<button>Default button</button> <input type="button" class="primary" value="Primary button"> <input type="reset" class="secondary" value="Secondary button"> <input type="submit" class="tertiary" value="Tertiary button"> <button class="inverse">Inverse button</button> <button class="small">Small button</button> <button class="large">Large button</button> <button disabled>Disabled button</button> Link button Link button Label button Label button
 <button>Button</button> <button>Button</button> <button>Button</button>

Notes
- All button types have been stylized
- Button styles are available for other elements, using the
.button
class or therole="button"
attribute .primary
,.secondary
,.tertiary
and.inverse
color variants.small
and.large
size variants- Create responsive button groups by wrapping multiple button elements inside a
.button-group
wrapper - Button groups are responsive, but might be displayed incorrectly in older browsers
- Mix size and color variants, don't mix two variants of the same type
- Avoid using different size variants inside a
.button-group
File upload buttons View on Codepen
<input type="file" id="file-input"> Upload file...
Notes
- Link an
<input type="file">
element to a
- The file button will not change text when uploading a file, Javascript may be required
- Compatible with
.input-group
Basic syntax & responsiveness View on Codepen

People

 Name	 Surname	 Alias

 Chad	 Wilberts	 MrOne

 Adam	 Smith	 TheSmith

 Sophia	 Canderson	 Candee

Notes
- Table structure is as follows:

element is the table's root element

(optional) serves as the table's title and must be the first element inside the table

serves as the table's header row, populated with

(optional) serves as the table's footer and must be immediately after

is the table's body, populated with
elements
- Tables are responsive and collapse into cards on mobile devices
- Always specify a
data-label
for each
element corresponding to the column's header to properly display table on mobile devices - Avoid having multiline

elements, however if you need to, you can use this fix - For horizontal tables or matrices, check the examples below
Scrollable tables View on Codepen

People

 Name	 Surname	 Alias

 Chad	 Wilberts	 MrOne

 Adam	 Smith	 TheSmith

 Sophia	 Canderson	 Candee

Notes
- Use the
.scrollable
class to make a

scrollable - Does not support the

element - Scrollable tables might not be fully compatible with older browsers
Horizontal tables View on Codepen

People

 Name	 Surname	 Alias

 Chad	 Wilberts	 MrOne

 Adam	 Smith	 TheSmith

 Sophia	 Canderson	 Candee

Notes
- Use the
.horizontal
class to make a

horizontal - Does not support the

element - Horizontal tables might not be fully compatible with older browsers
Table variants & matrices View on Codepen

Star Wars Character Alignment Table

 	 Lawful	 Neutral	 Chaotic

 Good	 Yoda	 Luke Skywalker	 Chewbacca

 Neutral	 C-3PO	 Boba Fett	 Han Solo

 Bad	 Darth Vader	 Emperor Palpatine	 Jabba the Hutt

People

Notes
- Use the
.striped
class to make a

striped - Use the
.preset
class to make a

to create matrices or otherwise preset tables - Preset matrix tables might require some CSS tweaks to deal with border styling errors
- You can combine
.striped
,.preset
and.horizontal
, respecting the rules of the combined structures
Basic syntax View on Codepen

Card Title

Card content...

Card Title

Card content...

Notes
- Requires familiarity with the grid module
- Card structure as follows:
.row
element is the outermost wrapper of the cards layout

elements are the cards.section
elements inside the.card
serve as the card's sections
- Cards are responsive, might be incompatible with older browsers
- A card can have as many sections as needed, sections can be almost any element
- Wrap all card content in
.section
classes - Add multiple
.card
elements in the same.row
- Cards cannot be rows or columns at the same time, sections can be rows
Sections & media View on Codepen

Content

Content

Content

Notes
- Create media sections for images or video, using the
.media
class - Color variants for sections are available using the
.dark
and.darker
classes - Extra padding section variant available using the
.double-padded
class .media
sections might not be fully supported in older browsers.media
sections have a preset height of200px
Card sizing & fluidity View on Codepen

Content

Content

Content

Notes
- Card size variants available using the
.large
and.small
classes - Fluid cards available using the
.fluid
class, require the use of grid columns - Fluid cards might not display properly in older browsers and will sometimes slightly disrespect margins on certain layouts
- Always wrap
.fluid
cards in columns, don't mix with non-fluid cards
Card color variants View on Codepen

Warning

Error

Notes
- Create yellow warning cards, using the
.warning
class - Create red error cards, using
.error
class - Avoid combining two or more card color variants
Basic syntax View on Codepen

 <input type="radio" name="tab-group" id="tab1" checked aria-hidden="true"> Tab 1

Tab 1

This is the first tab's content.

 <input type="radio" name="tab-group" id="tab2" aria-hidden="true"> Tab 2

Tab 2

This is the second tab's content.

 <input type="radio" name="tab-group" id="tab3" aria-hidden="true"> Tab 3

Tab 3

This is the third tab's content.

Notes
- Tabs structure as follows:
.tabs
element is the outermost wrapper of the tabbed layout- Multiple
<input type="radio">
elements followed by their linked
elements are the titles of tabs - Multiple

elements, each one after the
of the tab it corresponds to, as the content of each tab
- Tabs are responsive, might be incompatible with some older browsers
- Make a radio button
checked
to select the tab open by default - Use
aria-hidden="true"
to input elements to add accessibility - Use the syntax exactly as presented in the examples, do not substitute with checkboxes
Stacked tabs View on Codepen

 <input type="radio" name="accordion" id="a1" checked aria-hidden="true"> Accordion section 1

Section 1

This is the first accordion section's content.

 <input type="radio" name="accordion" id="a2"aria-hidden="true"> Accordion section 2

Section 2

This is the second accordion section's content.

 <input type="checkbox" id="c1" aria-hidden="true"> Collapse section 1

This is the first collapse section's content.

 <input type="checkbox" id="c2" aria-hidden="true"> Collapse section 2

This is the second collapse section's content.

Notes
- Use the
.stacked
class to create stacked tabs - Use
aria-hidden="true"
to input elements in order to add accessibility - Use either checkboxes or radio buttons as the
<input>
elements of stacked tabs - Use single checkbox in a
.stacked
tabs container, but not a single radio button
Text highlighting View on Codepen
primary secondary tertiary long highlight text... tag
Notes
- Use the

element for highlighting text .secondary
and.tertiary
classes offer color variants- Highlighted text is inline by default, use the
.inline-block
class for longer text highlights - Use the
.tag
class for highlighted tags - Combine color variants with the
.inline-block
or.tag
class, do not combine color variants or.tag
and.inline-block
with each other - Do not nest

elements, unless the outer element is an.inline-block
Toasts View on Codepen
This is a normal toast message! This is a large toast message! This is a small toast message!
Notes
- Use the
.toast
class on
elements to create toast messages - Size variants available using the
.small
and.large
classes - Toasts have no pre-defined behavior, use Javascript
- Toasts display at the bottom of the screen on top of everything else
Tooltips View on Codepen
Hover over this text to see a tooltip! Hover over this text to see a reverse tooltip!
Notes
- Create using the
.tooltip
class - Put tooltip text in the
aria-label
attribute's value - Use the
.bottom
class to make a tooltip display at the bottom of its context
Modals View on Codepen
Show modal <input id="modal-toggle" type="checkbox"/>

Modal

This is a modal window!

Notes
- Create an
<input type="checkbox">
element, immediately followed by a

element with the.modal
class - Use a
.card
inside the.modal
to display contents - Remember to use a

or some Javascript to allow users to close the dialog - Modal dialogs can be placed and toggled from anywhere, although the structure must be kept intact
- Use
role="dialog"
to add accessibility to modal dialogs
Basic progress bar View on Codepen
<progress value="0" max="1000"></progress> <progress value="450" max="1000"></progress> <progress value="1000" max="1000"></progress>
Notes
- Use the
<progress>
element to create progress bars - Set
max="1000"
and avalue
between0
and1000
- Do not use floating point values for the progress bar
Progress bar variants View on Codepen
<progress class="secondary" value="600" max="1000"></progress> <progress class="tertiary" value="300" max="1000"></progress> <progress class="inline" value="150" max="1000"></progress>
Notes
- Color variants available using the
.secondary
and.tertiary
classes - Inline variant available using the
.inline
class - Mix color and size variants, but not multiple of the same type
Donut spinner View on Codepen

Notes
- Use the
.spinner-donut
class to create donut spinners - Apply class to a

or
element - Do not insert text inside the
.spinner-donut
element - Donut spinners can be displayed inline
- Use the
role="progressbar"
attribute to make donut spinner accessible
Donut spinner variants View on Codepen

Notes
- Color variants available using the
.secondary
and.tertiary
classes - Alternate size available using the
.large
class - You can mix color variants with the
.large
class, but not with each other
Visibility helpers View on Codepen
Hidden text Screen-reader-only text
Notes
- Use
.hidden
to hide elements - Use
.visually-hidden
to show elements only in screen readers - Both classes use
!important
declarations - Do not use both classes together
Generic borders & shadows View on Codepen
Bordered Rounded Circular Casts shadow
Notes
- Create generic borders using
.bordered
- Rounded and circular border radii available using
.rounded
and.circular
classes - Generic shadows available using the
.shadowed
class - Combine generic borders, border radii and generic shadows with each other but not with themselves
- All classes use
!important
declarations - Generic borders work well with buttons
Responsive sizing & spacing classes View on Codepen

Responsive padding

Responsive margin

Notes
- Use the
.responsive-padding
and.responsive-margin
classes to apply responsive padding or margin respectively to any element - The two classes can be combined
- Both classes use
!important
declarations
Responsive visibility helpers View on Codepen
Hidden in smaller screens Hidden in medium-sized screens Hidden in larger screens Visually hidden in smaller screens Visually hidden in medium-sized screens Visually hidden in larger screens
Notes
- Use the
.hidden-SCR_SZ
or.visually-hidden-SCR_SZ
syntax, replacingSCR_SZ
with one of the available screen size names SCR_SZ
values:sm
for screens below768px
widemd
for screens between768px
(inclusive) and1280px
(exclusive)lg
for screens wider than1280px
- Responsive visibility helper classes can be combined for different screen sizes, avoid using both for the same size
- Responsive visibility helper classes use
!important
declarations
Breadcrumbs View on Codepen

Root

Folder

File

Notes
- To create breadcrumbs, create a

element implementing the.breadcrumbs
class - Do not use

for breadcrumbs - Do not nest lists inside the
.breadcrumbs
- Use the
role="navigation"
attribute to make breadcrumbs accessible
Close icon View on Codepen

Notes
- Use the
.close
class to create a close icon - Use a

or

element to create a close icon - Use a button element implementing the
.close
class to stylize the close icon as a button


Before Change
filemanager : FileManager
S3 Bucket data access object for querying competition datasets
s = db_manager.db.submissions.find_one({"_id":ObjectId(submission_data["submission_id"])})
submission_data["user"] = s["username"]
submission_data["competition_id"] = s["competition_id"]
logging.getLogger().info("Scoring {} {}".format(submission_data["user"], submission_data["submission_id"]))
After Change
filemanager : FileManager
S3 Bucket data access object for querying competition datasets
query = "SELECT round_id, user_id FROM submissions WHERE id="{}"".format(submission_data["submission_id"])
cursor = db_manager.postgres_db.cursor()
cursor.execute(query)
results = cursor.fetchone()
cursor.close()
submission_data["round_id"] = results[0]
submission_data["user_id"] = results[1]
logging.getLogger().info("Scoring user_id {} submission_id {}".format(submission_data["user_id"], submission_data["submission_id"]))
with lock:
submission = get_submission(db_manager, filemanager, submission_data["submission_id"])


CUFFED
Man arrested after woman ‘raped in Dundee flat by stranger’ in broad daylight
by Aidan SmithA MAN has been arrested after a woman was allegedly raped in a Dundee flat.
Tayside cops confirmed that they had arrested a 31-year-old man in connection with the alleged incident.
The alleged rape took place in Balunie Crescent in Dundee.
A Police Scotland statement read: "Police Scotland can confirm that a 31 year old man has been arrested in connection with serious sexual assault which happened in Balunie Crescent in Dundee on Saturday 19 October.
"Enquiries are continuing."
Cops had previously called on the public to come forward with any information as they launched a manhunt to find the culprit.
A dedicated team of both uniformed and detective officers were called in for the investigation.


RTÉ journalists say plan to cut top presenters' pay 'doesn't go far enough'
The NUJ members have suggested a new rule that no one in the organisation earns more than the top civil service salary.
by Michelle HennessyA GROUP OF RTÉ journalists have said the broadcaster’s plan to cut the salaries of its highest earning presenters does not go far enough.
National Union of Journalist (NUJ) members working in RTÉ have called on management to slash the fees and salaries paid to top presenters and to managers.
A resolution, which described these presenters’ level of pay as “indefensible”, was overwhelmingly backed at a Dublin broadcasting branch on the RTÉ campus yesterday.
The branch said it believes that it is “now more than ever indefensible that RTÉ continues to pay exorbitant salaries of up to close to half a million euro to a small number of people in this organisation”.
“We understand the public anger at this and believe that that anger is justified.”
The group said the broadcaster’s current proposal to cut 15% off payments to its top contracted presenters “does not go far enough”. It called on RTÉ to immediately reduce salaries of top earners so that no one in the organisation earns more than the top civil service salary of €207,000.
There is a similar law in the Netherlands which stops anyone in the public or semi-public sector from earning more than €187,000 by pegging all top salaries to that of the country’s Prime Minister.
“We believe this would be an important first step towards addressing the valid concerns felt by the public who we serve,” the group said.


+12
+34
+56
+9
54
New
No one likes to look at a blank screen. We're going to make a proper empty state like we've done for the Feedback overview page. This will highlight some key factors to your customers, so that they are more likely to be triggered to leave feedback.
32
In progress
We're going to translate the public idea board of Conflux to multiple languages. Let us know which language you would like to see!
12
Implemented
Knowing where feedback came from is one thing. But we think it would also be useful if you could view more about the people who voted on your ideas. Within this view you would be able to segment your customers on meta you provide us with through manual input/integrations. For example, in this view you can see what votes came from paying customers once we have the Stripe implementation ready.


Siksha 'O' Anusandhan has nine degree-granting schools and institutes that offer undergraduate programs in engineering, medicine, pharmacy, business, nursing, biotechnology, agriculture and law; graduate programs in engineering, medicine, pharmacy, business, nursing, biotechnology, science, humanities, environment, nano technology, materials science, agriculture and law; and doctoral degrees in the above areas.
It was founded as Institute of Technical Education and Research (ITER) in 1997 at Bhubaneswar and it received AICTE approval for B.Tech.The University Grants Commission (UGC), in 2007, declared Siksha 'O' Anusandhan as a Deemed to be University by the U/S 3 of the UGC Act, 1956. In 2007, the Institute of Technical Education and Research (ITER), Bhubaneswar became a constituent institute of Siksha O Anusandhan University.
SOA has been accredited (2nd Cycle) by the National Assessment and Accreditation Council (NAAC) with a score of 3.35 and an 'A+' grade. Three Engineering Programs (Electrical Engineering, Mechanical Engineering & Electronics and Communication Engineering) have been accredited by Accreditation Board of Engineering and Technology (ABET), USA.
The National Institutional Ranking Framework (NIRF) ranked Siksha 'O' Anusandhan 41 overall in India, 24 among universities and 21 in the medical ranking in 2019.
Currently more than 600 research scholars are pursuing their Ph.D.s and 247 of them have been awarded doctorates. Currently, Siksha 'O' Anusandhan has thirteen research centres for basic and fundamental research.
ITER's Alumni System which is an web based online platform acts as an interactive medium between the graduates and our institution to track them for future endeavours. At the same time it helps both the alumni and institution to communicate among each other and along with the old batch mates.


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Handle focus gained/lost events
Update button caption color by changed focus state
Focusable panel with rendered border focus indicator
Use component border view to depict its focus state


{% extends 'shop/base.html' %} {% load static %} {% block content %}
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Saracens begin European title defence with heavy loss at Racing 92
REUTERS: A weakened Saracens team were hammered 30-10 by French side Racing 92 as their European Champions Cup title defence started with a crushing defeat on Sunday.
Saracens were without England internationals Owen Farrell, Maro Itoje and Billy and Mako Vunipola, who were part of the World Cup campaign in which Eddie Jones' side finished runners-up behind South Africa in Japan earlier this month.
The English champions had said they may have to prioritise Premiership survival over European ambitions after being docked 35 points and fined 5.36 million pounds (US$6.86 million) by the Premiership for breaching salary cap rules.
The club had said they would appeal the punishment which, if upheld, would leave them bottom of the table with -22 points and in danger of relegation thereby putting the futures of some of their key players in doubt.
However, British media reported on Sunday that Saracens would drop their plans to appeal ahead of Monday's deadline.
The club could also face action from European Professional Club Rugby (EPCR) after their representatives pulled out of the season's launch of the Champions Cup in Cardiff last week.
Tries from Virimi Vakatawa, Teddy Thomas, Finn Russell and Wenceslas Lauret ensured Top 14 side Racing 92 secured a bonus-point win in the Pool 4 clash at La Defense Arena on Sunday.
Saracens centre Alex Lozowski, who had said earlier this week that the club could handle the fallout of their salary cap breach, scored his team's only try.
Saracens host Ospreys in their next fixture on Nov. 23.
(Reporting by Shrivathsa Sridhar in Bengaluru; Editing by Ken Ferris)


{# Bootstrap #}
{% include "templates/header.html" %} {# if isPaused #}
Octopush service is Paused right now due to a current incident
Please contact {{ contact }}.
{% include "templates/tabs.html" with {"page":"deploys"} %}
Pre-Production
Queue
{#if queued_jobs is empty #}
EMPTY!
No pending jobs
{#if queued_jobs #}
{% include "templates/preprodHead.html" %}
{#{% if in_progress_jobs != false %}#}
In Progress
{# if in_progress_jobs #}
{% include "templates/preprodHead.html" %}
Deployed
{# if processed_jobs is empty #}
EMPTY!
No processed jobs
{#if processed_jobs #}
{% include "templates/preprodHead.html" %}
Production
Queue
{# if liveQueue is empty #}
EMPTY!
No pending jobs
{#if liveQueue #}
{% include "templates/prodHead.html" %}
{#{% if liveInProgress != false %}#}
In Progress
{#if liveInProgress #}
{% include "templates/prodHead.html" %}
Deployed
{# if liveProcessed is empty #}
EMPTY!
No processed jobs
{#if liveProcessed #}
{% include "templates/prodHead.html" %}


SOMEONE HAS SURVIVED
by Kristian Lin
ANASTASIA begins when the Bolshevik revolution overthrows the Russian tsars, and the reigning Romanov family is killed except for their youngest daughter, Anastasia (voiced by Meg Ryan). Ten years later, 18-year-old Anastasia is released from the orphanage and goes to St. Petersburg, where she meets a con artist named Dimitri (voiced by John Cusack). She doesn't remember her parentage, so Dimitri decides to try to pass her off as the missing Anastasia to collect the reward.
You don't have to be a dyed-in-the-wool monarchist to prefer the Romanov regime to what came afterwards. The tsars may have been just as oppressive as the Soviets, but at least they had an antique sort of charm (who could cuddle up to an apparatchik?). Those Easter eggs they had Faberge design were ruinously expensive toys at a time when millions were starving, but they were pretty, weren't they?  You even feel for Tsar Nicholas, who died believing that the Russian people loved him and would save him (attested to by his bewildered last words upon being informed that he was about to be executed: "What? What?").
Still, this myth that little Anastasia Romanov somehow escaped her family's execution and lived on in Paris or Houston or wherever has always seemed like a royalist pipe dream. Why would presumably sane and intelligent people find comfort in the possible survival of the Romanov line? After all, the Soviet system was a repressive dictatorship, but nobody ever showed so much nostalgia for the Weimar Republic or the Emperor of China. Are people really so desperate to restore the mystique that royalty once brought to heads of state? The 20th century has seen some pretty nasty stuff brought into the world, but wanting to revert to the 19th century seems a rather extreme response.
It's probably churlish to expect historical accuracy from a kid's movie like ANASTASIA, but presenting imperial Russia as an enchanted paradise is stretching it a bit. To stretch even further, the Tsar is overthrown because Rasputin, who has sold his soul in exchange for magic powers, lays a curse on the Romanovs, thus causing the workers' uprising. What we have here is a Russian Revolution without Communism, Marx, Lenin, Trotsky, or any mention of the grievances the people had against the royals. By 1927, the proletariat are singing happily of Anastasia's rumored survival, while seeming to regard Party officials as party poopers. This is really perverse.
What redeems ANASTASIA from its dramatic slackness and drab songs are the performances from the actors. The romantic plot between Anastasia and Dimitri is unusually sharp, funny, and well-written. Meg Ryan has better chemistry with Cusack than with any leading man since (dare we say it?) Billy Crystal in WHEN HARRY MET SALLY... Ryan seems to respond best to a leading man who's slightly disreputable. She overcomes her initial distaste to let herself be dazzled by a guy who knows how to break the rules in the right way. In turn, she dazzles the outlaw because she tempers her wholesomeness with a touch of eccentricity. That dynamic is present here where it wasn't with Matthew Broderick (ADDICTED TO LOVE), Tom Hanks (SLEEPLESS IN SEATTLE), or even Dennis Quaid (FLESH AND BONE). Unfortunately, Ryan doesn't have the voice to carry off Anastasia's climactic confrontation with Rasputin, but she's more alert to her onscreen lover, and thus funnier and more charming, than she's been in years.
For his part, Cusack's always good at portraying a man living on his wits - I'd like to see him as Shakespeare's Hamlet. Like Michael Keaton, he's an actor whose characters seem to be constantly improvising their way through life's situations. Maybe that's why I've never been entirely convinced when the drama requires him to radically change his way of thinking, be it in BULLETS OVER BROADWAY or GROSSE POINTE BLANK; he's never given over to deep philosophical musings because he's too quick for that. Luckily, though, he's dead on as a romantic lead, and that's what makes his performances in those movies such rousing successes. He widens his eyes just a bit, and suddenly he's a guy who has fallen in love and will follow his woman down the right path as long as she'll lead him. He does something like that here. The fact that he can only be heard and not seen hampers him somewhat, but he and Ryan still make a perfect fit.
Kelsey Grammer, though, is wasted as Vladimir. The vaguely-defined part calls for someone with as much warmth as worldly wisdom, and Grammer, despite his plush baritone voice, isn't and has never been about warmth.  Vladimir is too content in his fallen gentility to suit Grammer. Hank Azaria's South Side of Chicago-accented bat is a hoot, and Bernadette Peters squeals delightfully as Grand Duchess Marie's silly cousin. A rhetorical question rather than a complaint: I'm a big fan of Kirsten Dunst, who voices young Anastasia, but Fox brings in Lacey Chabert (from "Party of Five") to sing for her. My question is, why go to such trouble? Why not cast Chabert in the speaking role as well, since she has proven that she can act?
As for Don Bluth's animation, it lacks the last ounce of Disney's polish, and the characters' faces could use a little more definition in close up, but the drawing still has its own splendor, especially when depicting Russia's imperial court. In the end, I was disappointed in ANASTASIA, not because it wasn't good, but because it's the first direct challenge to Disney's hegemony over the animated feature film market. In taking up the challenge, Fox created high expectations for its movie. ANASTASIA isn't the blockbuster success that you'd like to see open up the genre for competitors, but it's good enough to give us some hope for the next animated feature from a major studio. Let's hope this will inspire Disney to put as much care into their movies as they currently invest in their marketing campaigns.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


demonstrator
This is the landing page for the INAETICS demonstrator. You can go to the following subpages:
An overview with
all statistics
of the running system;
the
dashboard
provding a high-level view of the system.


GALLERY: Runners take on Cannock Rotary Club 10k race
Dozens of runners pounded the roads around Cannock Chase for the 10th annual Rotary Club 10k.
by Jordan ReynoldsPeople of all ages lined up on Marquis Drive ready for Conservative prospective parliamentary candidate Amanda Milling to sound the air horn and start the race on Saturday.
The event regularly raises about £3,000 for the Rotary Club, and proceeds will be split between the Midlands Air Ambulance and other charities.
Secretary Harold Bould said: "We have about 90 people pre-registered and about 50 turn up on the day.
"Half of the money raised today goes to the Midlands Air Ambulance and the other half goes to other charities.
"We give some money to people to help with fuel costs, clothes to the homeless and a goodie bag to families too.
"We easily raise £3,000 from the 10k each year.
"This is classed as a very demanding course, it's very hilly."
And Brian Riley, Rotary district governor, said members of a number of Rotary Clubs from across the West Midlands had come to help out.
He said: "We have members from Burntwood, Aldridge, Walsall, it's a community activity and a good fun day and all for good causes."
One runner was feeling nervous about choosing the course for her first race after three years out due to injury.
Hazel Smallman, 56, has previously run it in 2015 and 2016.
The City of Wolverhampton College worker said: "When I was driving here I was nervous seeing all the hills, but I have enjoyed it in the past, it's a lovely course."
Meanwhile trio Stewart Barnes from Lichfield, Phil Lawford from Stafford and Richard Harris from Great Barr were taking it on for the first time.
Stewart, 53, said: "We're planning to stick together, until we get competitive.
"We're aiming to complete it in about the hour mark."
Phil, 48, added: "It's another medal to the collection."
And 23-year-old Megan Connor from Hednesford had only tackled one 10k before but decided last minute to join in.
The chef said: "I drive part of the course to get to work so I thought I'd join in.
"I did Stafford 10k in September, that was my first and I enjoyed it.
"I like the camaraderie, everyone gets a cheer and supported, it doesn't matter if you have someone waiting for you at the finish line."


testfloat
John R. Hauser
2017 February 10
The testfloat
program tests an implementation of floating-point
arithmetic for conformity to the IEEE Standard for Binary Floating-Point
Arithmetic.
testfloat
is part of the Berkeley TestFloat package, a small
collection of programs for performing such tests.
For general information about TestFloat, see file
TestFloat-general.html
The testfloat
program is an all-in-one tool for testing
floating-point arithmetic.
It generates test operand values, invokes a floating-point operation with the
generated operands, and examines the corresponding computed results, reporting
unexpected results as likely errors.
While the processes of generating inputs and examining results are generic, a
particular build of testfloat
is limited to testing only the one
implementation of floating-point it has been compiled to invoke.
For example, while one instance of testfloat
might be compiled to
execute a computer’s hardware instruction for floating-point addition, a
different version might be compiled to call a subroutine called
myAddFloat
that is linked into the testfloat
program.
To test a new implementation of floating-point (a new set of machine
instructions or a new set of subroutines), a new testfloat
must be
compiled containing the code needed to invoke the new floating-point.
The default build of testfloat
assumes that C types
float
and double
are +
, -
,
*
, /
, type conversions, etc.
This tests the floating-point arithmetic seen by C programs.
Depending on the compiler and the options selected during compilation, this may
or may not be the same as the computer’s floating-point hardware, if any.
The testfloat
program will ordinarily test an operation for all
five rounding modes defined by the IEEE Floating-Point Standard, one after the
other, plus possibly a sixth mode, round to odd (depending on the
options selected when testfloat
was compiled).
If the rounding mode is not supposed to have any affect on the
results—for instance, some operations do not require rounding—only
the nearest/even rounding mode is checked.
For double-extended-precision operations affected by rounding precision
control, testfloat
also tests all three rounding precision modes,
one after the other.
Testing can be limited to a single rounding mode and/or rounding precision with
appropriate command-line options.
For more about the operation of testfloat
and how to interpret its
output, refer to
TestFloat-general.html
The testfloat
program is executed as a command with this syntax:
Square brackets (testfloat [<option>...] <function>
[ ]
) denote optional arguments,
<option>
is a supported option, and
<function>
is the name of either a testable operation
or a function set.
The available options and function sets are documented below.
The -list
option can be used to obtain a list of all testable
operations for a given build of testfloat
.
If testfloat
is executed without any arguments, a summary of usage
is written.
The testfloat
program accepts several command options.
If mutually contradictory options are given, the last one has priority.
-help
The -help
option causes a summary of program usage to be written,
after which the program exits.
-list
The -list
option causes a list of testable operations to be
written, after which the program exits.
An operation is testable by testfloat
if the program knows some
way to invoke the operation.
-seed <num>
The -seed
option sets the seed for the pseudo-random number
generator used for generating test cases.
The argument to -seed
is a nonnegative integer.
Executing the same compiled testfloat
program with the same
arguments (including the same pseudo-random number seed) should always perform
the same sequence of tests, whereas changing the pseudo-random number seed
should result in a different sequence of tests.
The default seed number
-level <num>
The -level
option sets the level of testing.
The argument to -level
can be either 1
-errors <num>
The -errors
option instructs testfloat
to report no
more than the specified number of errors for any combination of operation,
rounding mode, etc.
The argument to -errors
must be a nonnegative decimal integer.
Once the specified number of error reports has been generated,
testfloat
ends the current test and begins the next one, if any.
The default is -errors
20
Against intuition, -errors
0
testfloat
to report every error it finds.
-errorstop
The -errorstop
option causes the program to exit after the first
operation for which any errors are reported.
-forever
The -forever
option causes a single operation to be repeatedly
tested.
Only one rounding mode and/or rounding precision can be tested in a single
execution.
If not specified, the rounding mode defaults to nearest/even.
For
-checkNaNs
The -checkNaNs
option causes testfloat
to verify the
bitwise correctness of NaN results.
In order for this option to be sensible, testfloat
must have been
compiled so that its internal reference implementation of floating-point
(Berkeley SoftFloat) generates the proper NaN results for the system being
tested.
-precision32, -precision64, -precision80
For -precision32
option restricts
testing to only the cases in which the rounding precision is
-precision64
fixes the rounding precision to
-precision80
fixes the rounding precision to the full
The precision-control options may not be supported at all if no double-extended-precision operations are testable.
-rnear_even, -rnear_maxMag, -rminMag, -rmin, -rmax, -rodd
The -rnear_even
option restricts testing to only the cases in
which the rounding mode is nearest/even.
The other rounding mode choices are not tested.
Likewise, -rnear_maxMag
forces rounding to nearest/maximum
magnitude (nearest-away), -rminMag
forces rounding to minimum
magnitude (toward zero), -rmin
forces rounding to minimum (down,
toward negative infinity), -rmax
forces rounding to maximum (up,
toward positive infinity), and -rodd
, if supported, forces
rounding to odd.
These options are ignored for operations that are exact and thus do not round,
or that have the rounding mode included in the function name (such as
f32_to_i32_r_near_maxMag
).
-tininessbefore, -tininessafter
The -tininessbefore
option indicates that the floating-point
implementation being tested detects tininess on underflow before rounding.
The -tininessafter
option indicates that tininess is detected
after rounding.
The testfloat
program alters its expectations accordingly.
These options override the default selected when testfloat
was
compiled.
Choosing the wrong one of these two options should cause error reports for some
(but not all) operations.
Just as testfloat
can test an operation for all five or six
rounding modes in sequence, multiple operations can be tested with a single
execution of testfloat
.
Two sets are recognized: -all1
and -all2
.
The set -all1
is all one-operand operations, while
-all2
is all two-operand operations.
A function set is used in place of an operation name in the
testfloat
command line, such as
testfloat [<option>...] -all1


Dear {{name}},
Welcome to REMOTEBASEHQ!
Start to Create Social Network Brand Equity through Honesty.
Sincerely,
REMOTEBASEHQ Team


statue of John the Prophet
The marble statue of John the Prophet in the Bargello Museum represents the Forerunner in the form of a thin man, whose face expresses the unstoppable work of thought.


Submit two items to the the submission web site:
Answer the following question: The translated version of isPrime shown towards the end of Section 3.2 of the Adams/Agesen paper does not end with a ret instruction; instead, it ends with a jmp through %gs. What return instruction pointer is on the stack when isPrime starts, and why can't the translated isPrime return directly to that address?


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Github
Elements will get removed when they go out of sight.
It can scroll with NO Boudary.
It can transform into many different tools


| DOSE: T+ 0:00 |
30 mg |
insufflated |
DPT |
(powder / crystals) |
| T+ 1:00 |
1 cart. |
inhaled |
Nitrous Oxide |
(gas) |
Experience – Second time
Setting – my friend’s basement
I had an
experience with DPT last month which did not turn out so well. 30mg insufflated by myself resulted in the worst terror I have ever experienced ever. Also, there was much physical discomfort as well. I was curious as to why such a low dose induced such powerful effects. I decided it had to be one of three things.
1. I am very sensitive to DPT
2. I underestimated its power
3. I was not in a good setting
The main purpose of this trip was to see if my reaction would be the same, or if the setting would alter it.
 Tonight I decided to try with a friend who was also interested in DPT. His experience only included one mushroom trip, but he seemed to be as prepared as one could ever be. I decided to try 30mg again with people to see if having others there could change the feel of the trip. My friend requested the same dose. Having suspected that my reaction was a sensitivity, I decided he would probably be okay at 30mg.
We arrived at my friend’s house at 9 PM. I burned incense (which I have begun doing at the beginning of all trips) and we just sat and talked to each other for a moment. We then both decided it was time to begin the adventure.
915PM – “M” and myself each snort a 30mg pile of DPT. There is no burn or foul smell, which is what I noticed last time too. I sat back and prepared myself further. I felt some fear, but it was more a fear of what happened last time, rather than of what was to come.
920PM – Drip already. It’s even worse than I imagined it being. I drink some soda in hopes of removing the taste from my throat. It works well.
925PM – The room already looks much sharper. I feel very spacy. M reports similar feelings. The people around us just watched. They kept asking how we were doing. I just responded “I’m fine”
940PM – Definitely effects now. I feel as though I am sinking into the chair I’m in. M is laughing foolishly and rocking back and forth on a bed. I ask how he is, and he responds with “great.”
950PM – Some visually distortions. A breathing effect is very prominent right now. Things seem to bulge and then return. I am sitting next to “R” now, and I am talking with her. Conversation seems very easy. My thoughts are flowing perfectly, and I feel as though I can carry on a conversation forever. This is until I hear M yell “Matt, come check this out.” So I joined him on an adventure.
955PM – M discovered a mirror. He was laughing at how his face was changing. I simply laughed and told him how fun mirrors can be. The others just laugh at us saying how “fucked up” we are.  We each filled a balloon and inhaled it. Instantly all the breathing was replaced with rainbow shimmers running through everything, creating a giant flowing wave of existence. Everything before my each flowed with this new movement. I just sat and smiled, as I was in awe and didn’t know what else to do. I knew people were staring, and I didn’t care. I was existing in the now, and now was all that existed.
1030PM – I have peaked at this point. The visuals are not intense at all, but generally pleasant to look at. I have a very nice body feel. I close my eyes to see what lies behind them. I was completely blown away. I saw an image of an octagon. All the corners of it were glistening silver orbs. Then it seemed spokes ran off the orbs to a central point which was shimmering bright red. This shape rotated for some time. I was completely fascinated by it.
1045PM – After awhile of watching the patterns behind my eyes, I begin to talk to R again. M is off drawing I notice. He said he was writing the secrets, but wouldn’t tell me what they were. Me and R begin to talk about things again. After a few minutes we stop, and I begin to think.
I have recently made some big changes in my life. I have made some decisions which hurt myself and others around me. And I had been in doubt about whether or not these choices were for the best.  I thought hard about this. I closed my eyes, and ignored the beautiful imagery.
Without too much thought I realized my answers. I had made choices that hurt me and others. But the choices were the best for me. I was doing what I should be doing. I was where I NEEDED to be. Everything was going exactly how it should be. Hearing myself say this was perfect.
It was absolutely perfect.
I had never felt such a strong sense of inner peace as I did at that moment. I achieved completely nirvana. Everything was right with the world, and nothing could destroy that. I just smiled and stared. R asked me if I was okay. I simply nodded my head and smiled.
The rest of night was nothing spectacular. M drew some pictures that we looked at and I thought were brilliant. He used math that I didn’t think he could possibly understand, and he wrote poetry which moved me.
I pretty much just sat and stared. I was in my perfect world, and nothing could touch me.
12AM – I feel 100% sober. I have a fantastic afterglow.
1AM – I have a nasty stomach ache. Whether or not this is related I’m not sure, but it’s something I’ll look for next time I use DPT. I fall into a deep sleep shortly after, and wake up feeling more refreshed than I have in awhile.
I don’t even know where to begin. This time there was no fear and no shakes. All the confusion and the terror was replaced with tranquility and understanding.
The problems I had been facing were some of the most difficult I had ever faced. This night DPT provided me with the answers I sorely needed. It helped me to relax and accept all that’s occurred around me. 2C-I has helped me to solve problems, but no psychedelic ever provided such a firm answer as the DPT did.
Of course, with this much variation between my last experience and this one, I still feel I do not know the true nature of this drug. I will have to try it again by myself to see if things go different. Perhaps now I have a better feel for DPT and could handle it. Only time will tell.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


That is simple desktop software written in Java to track and notify about Vostigar boses in RIFT MMO.
java -jar path/to/downloaded/riftevents_desktop.jar


@import uk.gov.hmrc.govukfrontend.views.html.components._ @this(govukButton : GovukButton) @()
Use this online service to submit a return.
Use this service to submit your Soft Drinks Industry Levy return if you’re registered for the levy. After you’ve submitted the return, you’ll need to pay any levy due.
Check what to include on your return.
You’ll need the Government Gateway user ID and password you used when you registered for the levy.
If you’re registered for the levy and have nothing to report for a period, you should submit a nil return, unless you’re only registered as a small producer. If you do not submit your return when you should, HMRC can charge you an estimate of what you owe.


Chrome provides native support for speech on Windows (using SAPI 5), Mac OS X, and Chrome OS, using speech synthesis capabilities provided by the operating system. On all platforms, the user can install extensions that register themselves as alternative speech engines.
Call speak()
from your extension or
Chrome App to speak. For example:
chrome.tts.speak('Hello, world.');
To stop speaking immediately, just call stop()
:
chrome.tts.stop();
You can provide options that control various properties of the speech, such as its rate, pitch, and more. For example:
chrome.tts.speak('Hello, world.', {'rate': 2.0});
It's also a good idea to specify the language so that a synthesizer supporting that language (and regional dialect, if applicable) is chosen.
chrome.tts.speak( 'Hello, world.', {'lang': 'en-US', 'rate': 2.0});
By default, each call to speak()
interrupts any
ongoing speech and speaks immediately. To determine if a call would be
interrupting anything, you can call isSpeaking()
. In
addition, you can use the enqueue
option to cause this
utterance to be added to a queue of utterances that will be spoken
when the current utterance has finished.
chrome.tts.speak( 'Speak this first.'); chrome.tts.speak( 'Speak this next, when the first sentence is done.', {'enqueue': true});
A complete description of all options can be found in the $(ref:tts.speak) below. Not all speech engines will support all options.
To catch errors and make sure you're calling speak()
correctly, pass a callback function that takes no arguments. Inside
the callback, check
$(ref:runtime.lastError)
to see if there were any errors.
chrome.tts.speak( utterance, options, function() { if (chrome.runtime.lastError) { console.log('Error: ' + chrome.runtime.lastError.message); } });
The callback returns right away, before the engine has started generating speech. The purpose of the callback is to alert you to syntax errors in your use of the TTS API, not to catch all possible errors that might occur in the process of synthesizing and outputting speech. To catch these errors too, you need to use an event listener, described below.
To get more real-time information about the status of synthesized speech,
pass an event listener in the options to speak()
, like this:
chrome.tts.speak( utterance, { onEvent: function(event) { console.log('Event ' + event.type ' at position ' + event.charIndex); if (event.type == 'error') { console.log('Error: ' + event.errorMessage); } } }, callback);
Each event includes an event type, the character index of the current speech relative to the utterance, and for error events, an optional error message. The event types are:
'start'
: The engine has started speaking the utterance.
'word'
: A word boundary was reached. Use
event.charIndex
to determine the current speech
position.
'sentence'
: A sentence boundary was reached. Use
event.charIndex
to determine the current speech
position.
'marker'
: An SSML marker was reached. Use
event.charIndex
to determine the current speech
position.
'end'
: The engine has finished speaking the utterance.
'interrupted'
: This utterance was interrupted by another
call to speak()
or stop()
and did not
finish.
'cancelled'
: This utterance was queued, but then
cancelled by another call to speak()
or
stop()
and never began to speak at all.
'error'
: An engine-specific error occurred and
this utterance cannot be spoken.
Check event.errorMessage
for details.
Four of the event types—'end'
, 'interrupted'
,
'cancelled'
, and 'error'
—are final.
After one of those events is received, this utterance will no longer
speak and no new events from this utterance will be received.
Some voices may not support all event types, and some voices may not
send any events at all. If you do not want to use a voice unless it sends
certain events, pass the events you require in the
requiredEventTypes
member of the options object, or use
getVoices()
to choose a voice that meets your requirements.
Both are documented below.
Utterances used in this API may include markup using the
Speech Synthesis Markup
Language (SSML). If you use SSML, the first argument to
speak()
should be a complete SSML document with an XML
header and a top-level <speak>
tag, not a document
fragment.
For example:
chrome.tts.speak( '<?xml version="1.0"?>' + '<speak>' + ' The <emphasis>second</emphasis> ' + ' word of this sentence was emphasized.' + '</speak>');
Not all speech engines will support all SSML tags, and some may not support SSML at all, but all engines are required to ignore any SSML they don't support and to still speak the underlying text.
By default, Chrome chooses the most appropriate voice for each utterance you want to speak, based on the language. On most Windows, Mac OS X, and Chrome OS systems, speech synthesis provided by the operating system should be able to speak any text in at least one language. Some users may have a variety of voices available, though, from their operating system and from speech engines implemented by other Chrome extensions. In those cases, you can implement custom code to choose the appropriate voice, or to present the user with a list of choices.
To get a list of all voices, call getVoices()
and pass it
a function that receives an array of TtsVoice
objects as its
argument:
chrome.tts.getVoices( function(voices) { for (var i = 0; i < voices.length; i++) { console.log('Voice ' + i + ':'); console.log(' name: ' + voices[i].voiceName); console.log(' lang: ' + voices[i].lang); console.log(' extension id: ' + voices[i].extensionId); console.log(' event types: ' + voices[i].eventTypes); } });


{% if user.is_authenticated %} {% include "pages/homepage_logged_in.html" %} {% else %}
...is coming soon. We're currently finishing up some new enhancements and testing the system. If you have questions, please contact<EMAIL_ADDRESS>If you are a beta-tester, please log in here


{% for article in article_list %}
{% include "aldryn_newsblog/includes/list_gallery.html" %}
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PatternFly
A community of designers and developers collaborating to build a UI framework for enterprise web applications.
Version 3.9.0
--- author: rhamilton layout: home url-css-extra: 'components/animate.css/animate.min.css' url-js-extra: ['components/wowjs/dist/wow.min.js', 'components/jquery.scrollTo/jquery.scrollTo.min.js'] ---
A community of designers and developers collaborating to build a UI framework for enterprise web applications.
Version 3.9.0
PatternFly is a community project that promotes design commonality and improved user experience. Its offerings include open source code, patterns, style guides and an active community that helps support it all.


GONE IN 60 SECONDS (director: Dominic Sena; screenwriter: Scott Rosenberg; cinematographer: Paul Cameron; editor: Tom Muldoon/Chris Lebenzon;cast: Nicolas Cage (Memphis Raines), Giovanni Ribisi (Kip Raines), Angelina Jolie (Sara Wayland), TJ Cross (Mirror Man), William Lee Scott (Toby), Scott Caan (Tumbler), James Duval (Freb), Will Patton (Atley Jackson), Delroy Lindo (Detective Roland Castlebeck), Robert Duvall (Otto Halliwell), Christopher Eccleston (Raymond Calitri), Chi McBride (Donny Astricky), Timothy Olyphant (Detective Drycoff), Grace Zabriskie (Helen Raines), Master P (Johnny B.), 2000)
Review by Dennis Schwartz
I should have been so lucky to have been gone from the theater in 60 seconds; but, I sat through this two hour remake of the slender film "Gone" (1974), an original film that was so shallow, everything else seen that year must have seemed deep by comparison. It's hard to get lower in moral decrepitude than this car current booster film. This was not only a bad film but a particularly annoying one. This is a Jerry Bruckheimer productions, which has come to stand for mediocrity in artistic value but for success in the box office, which will probably mirror how this film does, though it is a little worst artistically speaking than his other mediocre films, as if that will supposedly matter to its target audience.
To make up for not coming prepared with a script that made sense, a stellar cast was hired but then was asked to do nothing, instead some gorgeous vintage cars were put on display and each was given a girl's name. Everything about the story was kept hyper, as mindless violence won out over gratuitous sex, to become the major selling point of this exploitive film.
The action begins right from the opening credits. A Porsche is stolen out of a car showroom in Southern California and the police follow the speeding car right to its point of destination, a garage, where there are a number of other high-end cars stolen, waiting to be shipped to its new illegitimate owner in a matter of days. Nicolas Cage stars as Randall "Memphis" Raines, once the best "booster" in the world, but now retired. What brings him back into the car theft business, is that his arrogant younger brother Kip (Giovanni Ribisi) fouls up the delivery dates for the cars, as the cops impound all the cars they find at the garage he led them to.  It is incredulous that Memphis falls for such an offer from such an untrustworthy mobster, especially since there were so many other options for him to take that were less risky, and not the least of the options, would be going to a lawyer and copping a plea bargain deal for his brother with the district attorney.
But Cage accepts this ludicrous challenge to save his brother by stealing these cars and returns home to Long Beach to tell his long-suffering mother, that he has to renege on his promise to her to never go back to stealing cars, because this is the only way he can save Kip. He then goes to his old pal Robert Duvall, who runs a vintage body shop. Duvall was once part of Cage's car ring, and he helps Cage put together the crew he needs to pull off the heist.
Cage also must avoid a detective (Delroy Lindo) who knows he has something to do with those cars stolen through his informants and puts him under surveillance. The thrill of the film now becomes in watching the crew be selected, which includes Angelina Jolie, Chi McBride, James Duval, and Scott Caan, none of whom are in the least bit interesting or funny. Jolie seems to disappear for most of the film, only to reappear much later in the film and mumble a few inconsequential lines. The enlisted crew give their reason for not joining Cage's caper, saying they are clean now or some jump head-first into this project, but whatever, they all join in this stupid venture. No one seems to be concerned that they are doing something that is criminal.
There's also a car thief rival of Cage's, played by Master P, I think he's a rapper when he's not in high-class films like this one. He gets into a feud with Cage, believing that Cage got the contract from Ray that was meant for him.
There's basically no story or dialogue, the action is all packaged like commercials are with gloss and trick shots, colored filters, fast-paced editing, and all the other tricks of the trade the directors for Jerry Bruckheimer use to sell the action sequences. Everything about this film seemed ridiculous. Its logic for being could be taken apart at any point of the film. But the ending, after the car chase, was what finally got my craw. The moral bankruptcy it presented, that Lindo would just let Cage and his crew off the hook for all the thefts, was too much to comprehend.   The director should go to work in Duvall's body shop and never direct another film.  I should be so lucky... .
REVIEWED ON 6/17/2000 GRADE: D
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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|
Multihop Routing
Last updated 03 Sep 2003 |
| Overview |
The TinyOS-1.1 release and later include library components that provide ad-hoc multi-hop routing for sensor sensor network applications. The implementation uses a shortest-path-first algorithm with a single destination node (the root) and active two-way link estimation. The data movement and route decision engines are split into separate components with a single interface between them to permit other route-decision schemes to be easily integrated in the future. Use the multi-hop router is essentially transparent to applications (provided they correctly use the interface).
| Description |
The multi-hop implementation consists of two core modules, MultiHopEngineM and MultiHopLEPSM, wired together in a single configuration, MultiHopRouter. Figure 1 provides an overview of the configuration.
Figure 1: MultiHopRouter configuration. Direction of arrows indicates
interface provider/user relationships NOT data flow direction.
Interface Description:
The component configuration exports 6 interfaces. A '[ ]' after the interface name indicates the interface is parameterized. For more information on the specifics of the interface, consult the associated '.nc' interface definition files.
Component Description:
MultiHopEngineM - Provides the overall packet movement logic for multi-hop functionality. Using the RouteSelect interface, it determines the next-hop path forwards them out the parameterized SendMsg port. The mechanics of this module are independent of route selection. It only requires that the RouteSelect and RouteControl interfaces be available from the algorithmic component.
MultiHopLEPSM - Provides the Link Estimation and Parent Selection (LEPS) mechanisms for the multi-hop implementation. The module monitors all traffic received at the node (via the Snoop port) and directly receives single-hop route update messages (AM_MULTIHOPMSG) that may be sent from neighbors within the single hop range. Internally, this module manages the nearest available neighbors and decides the next hop destination based on shortest path semantics. Presently, the destination is identified as the node with TOS_LOCAL_ADDRESS set to 0. By default, the module sends a route update message once every 10 seconds and re-computes after 50 seconds (5 route update messages). MultiHopLEPSM may be interchanged with other modules that implement different selection algorithms.
MultiHopRouter - This configuration connects MultiHopEngineM, MultiHopLEPSM with other necessary components. The configuration exports the Receive, Send, and Intercept and Snoop (as Intercept) ports to applications. The SendMsg port of MultiHopEngineM is wired to the QueuedSend library components for queuing outbound packets (both forwarded and locally originated). The ReceiveMsg and SendMsg ports of MultiHopLEPSM are wired to the AM_MULTIHOPMSG parameter of the communication provider for the purpose of exchanging single-hop route updates with neighbors.
| Usage |
Use of the multi-hop library component is mostly transparent to the application. Any application that uses the Send interface can be connected to this component to achieve multi-hop functionality. One limitation of multi-hop, however, is the aggregate data rate. Applications should maintain average message frequency at or below one message every 2 seconds. Higher rates can lead to congestion and or overflow of the communication queue.
Surge
The Surge application, in apps/Surge, is a simple example of a mutlihop application. Surge takes light sensor readings and sends them over the mesh to the base node (Node 0). Accompanying this application is a Java program that can be used to visualize the logical network topology and the sensor readings. Users are encouraged to review the application, SurgeM.nc, and it's configuration, Surge.nc, to better understand how to use the multi-hop tools.
To build the Surge mote application, change to the apps/Surge directory and issue a 'make <platform>' where platform is the name of your target mote type. To build the java tools, change to the tools/java/net/tinyos/surge director and issue 'make'
Install the application onto the target nodes, giving each node a unique address. Remember, the node with address 0 will be the base station. This node should be connected to a PC via a serial or network link.
To run the java application, first start the necessary serial forwarder helpers needed to link the base node and the PC. Start the java tool, i.e 'java net.tinyos.surge.MainClass <GroupId>', where GroupId is the AM group id used when compiling the mote application. When the application starts, you should immediately see the base node reporting sensor values. After about 1 minute, other nodes should appear as the network topology builds.


Below are a listing of projects that I have created while in the Intro Classes at Epicodus:
Not all projects have been listed, but this is just an example of what I can do currently. I look forward to more projects and creating some more amazing web sites for you and for the other visitors to this site.


ACTIVITIES
So You Won't Get Bored
Outdoor Activities
- Snorkeling / Scuba Diving
- Golfing
- Outdoor Group Yoga
- Recreational Sports
- Zipline
- Fishing
- Whale Watching
Indoor Activities:
- Cooking Lessons with World Class Chefs!
- Private Movie Theaters
- Virtual Reality Centers for games
- Amusement Park
- Swimming Lessons with Olympian Swimmers


| Version 2 (modified by trac, 4 years ago) (diff) |
|---|
The Trac Environment
Trac uses a directory structure and a database for storing project data. The directory is referred to as the “environment”.
Creating an Environment
A new Trac environment is created using trac-admin's initenv:
$ trac-admin /path/to/myproject initenv
trac-admin will ask you for the name of the project and the database connection string (explained below).
Some Useful Tips
- The user under which the web server runs will require file system write permission to the environment directory and all the files inside. Please remember to set the appropriate permissions. The same applies to the source code repository, although the user under which Trac runs will only require write access to a Subversion repository created with the BDB file system; for other repository types, check the corresponding plugin's documentation.
- initenv, when using an svn repository, does not imply that trac-admin will perform svnadmin create for the specified repository path. You need to perform the svnadmin create prior to trac-admin initenv if you're creating a new svn repository altogether with a new trac environment, otherwise you will see a message "Warning: couldn't index the repository" when initializing the environment.
- Non-ascii environment paths are not supported
- Also, it seems that project names with spaces can be problematic for authentication (see #7163).
- TracPlugins located in a shared plugins folder that is defined in an inherited configuration are currently not loaded during creation, and hence, if they need to create extra tables for example, you'll need to upgrade the environment before being able to use it.
Database Connection Strings
Since version 0.9, Trac supports both SQLite and PostgreSQL database backends. Preliminary support for MySQL was added in 0.10. The default is to use SQLite, which is probably sufficient for most projects. The database file is then stored in the environment directory, and can easily be backed up together with the rest of the environment.
SQLite Connection String
The connection string for an SQLite database is:
sqlite:db/trac.db
where db/trac.db is the path to the database file within the Trac environment.
PostgreSQL Connection String
If you want to use PostgreSQL or MySQL instead, you'll have to use a different connection string. For example, to connect to a PostgreSQL database on the same machine called trac, that allows access to the user johndoe with the password letmein, use:
postgres://johndoe:letmein@localhost/trac
Note that due to the way the above string is parsed, the "/" and "@" characters cannot be part of the password.
If PostgreSQL is running on a non-standard port (for example 9342), use:
postgres://johndoe:letmein@localhost:9342/trac
On UNIX, you might want to select a UNIX socket for the transport, either the default socket as defined by the PGHOST environment variable:
postgres://user:password@/database
or a specific one:
postgres://user:password@/database?host=/path/to/socket/dir
Note that with PostgreSQL you will have to create the database before running trac-admin initenv.
See the PostgreSQL documentation for detailed instructions on how to administer PostgreSQL. Generally, the following is sufficient to create a database user named tracuser, and a database named trac.
createuser -U postgres -E -P tracuser createdb -U postgres -O tracuser -E UTF8 trac
When running createuser you will be prompted for the password for the user 'tracuser'. This new user will not be a superuser, will not be allowed to create other databases and will not be allowed to create other roles. These privileges are not needed to run a trac instance. If no password is desired for the user, simply remove the -P and -E options from the createuser command. Also note that the database should be created as UTF8. LATIN1 encoding causes errors trac's use of unicode in trac. SQL_ASCII also seems to work.
Under some default configurations (debian) one will have run the createuser and createdb scripts as the postgres user. For example:
sudo su - postgres -c 'createuser -U postgres -S -D -R -E -P tracuser' sudo su - postgres -c 'createdb -U postgres -O tracuser -E UTF8 trac'
Trac uses the public schema by default but you can specify a different schema in the connection string:
postgres://user:pass@server/database?schema=yourschemaname
MySQL Connection String
If you want to use MySQL instead, you'll have to use a different connection string. For example, to connect to a MySQL database on the same machine called trac, that allows access to the user johndoe with the password letmein, the mysql connection string is:
mysql://johndoe:letmein@localhost:3306/trac
Source Code Repository
Since version 0.12, a single Trac environment can be connected to more than one repository. There are many different ways to connect repositories to an environment, see TracRepositoryAdmin. This page also details the various attributes that can be set for a repository (like type, url, description).
In Trac 0.12 trac-admin no longer asks questions related to repositories. Therefore, by default Trac is not connected to any source code repository, and the Browse Source toolbar item will not be displayed. You can also explicitly disable the trac.versioncontrol.* components (which are otherwise still loaded)
[components] trac.versioncontrol.* = disabled
For some version control systems, it is possible to specify not only the path to the repository, but also a scope within the repository. Trac will then only show information related to the files and changesets below that scope. The Subversion backend for Trac supports this; for other types, check the corresponding plugin's documentation.
Example of a configuration for a Subversion repository used as the default repository:
[trac] repository_type = svn repository_dir = /path/to/your/repository
The configuration for a scoped Subversion repository would be:
[trac] repository_type = svn repository_dir = /path/to/your/repository/scope/within/repos
Directory Structure
An environment directory will usually consist of the following files and directories:
- README - Brief description of the environment.
- VERSION - Contains the environment version identifier.
- attachments - Attachments to wiki pages and tickets are stored here.
- conf
- trac.ini - Main configuration file. See TracIni.
- db
- trac.db - The SQLite database (if you're using SQLite).
- htdocs - directory containing web resources, which can be referenced in Genshi templates using /htdocs/site/... URLs. (since 0.11)
- log - default directory for log files, if logging is turned on and a relative path is given.
- plugins - Environment-specific plugins (Python eggs or single file plugins, since 0.10)
- templates - Custom Genshi environment-specific templates. (since 0.11)
- site.html - method to customize header, footer, and style, described in TracInterfaceCustomization#SiteAppearance
Caveat: don't confuse a Trac environment directory with the source code repository directory.
This is a common beginners' mistake. It happens that the structure for a Trac environment is loosely modelled after the Subversion repository directory structure, but those are two disjoint entities and they are not and must not be located at the same place.
See also: TracAdmin, TracBackup, TracIni, TracGuide


Charles Oliveira wants McGregor or Felder after UFC Sao Paulo win, welcomes Khabib fight
by Milan OrdoñezUFC lightweight contender Charles Oliveira completed a six-fight win streak on Saturday. Known for his submission prowess, “Do Bronx” defeated Jared Gordon via first-round knockout, earning him an extra $50,000 for Performance of the Night.
Riding on a wave of confidence after UFC Sao Paulo, the 30-year-old UFC veteran now feels he deserves elite competition. During his Octagon interview with Michael Bisping, he named Conor McGregor and Paul Felder to be either one of his next opponents.
During the post-fight presser, he explained the reason behind the callout.
“I think it’s time for me to start talking more,” Oliveira told reporters. “Charles is the same guy. I come from the favelas, I’m grounded. But it’s time to dress a little better, talk a little more, and to say some names.
“I said Conor McGregor’s name and Paul Felder’s name, who was the last guy to beat me,” he continued. “I want to get into that, fighting top-ten guys.”
Oliveira also set his sights on current lightweight champion Khabib Nurmagomedov.
“Everyone’s talking about Khabib. I’m better than him standing up,” he said of the undefeated champion. “If it goes to the ground, I’m not gonna be afraid of him.”
Oliveira currently holds a record of 28-8 (with 1 NC and 20 wins by stoppage).


{{ define "main" }}
We’re transforming government. Our products will impact people's everyday lives. It's an exciting thing to be part of. We need you.
The Canadian Digital Service is a collective of creative people committed to using our digital skills and knowledge to make it easier to access and use government services. Our growing multidisciplinary teams work with federal departments to make the services people depend on simple and easy-to-use. We’re focused on delivering better public services using the best technology and design, all informed by people’s needs.
By working in the open and connecting partners with tools, talent, and training grounded in practice, we’re building capacity across the government for better service delivery.
Hurry! Applications are open for a limited time.
We proudly, passionately, and actively strive to make CDS more reflective and inclusive of the society that we serve. We will only be able to deliver better, more accessible, and more inclusive public services if we harness diverse thoughts, experiences, and skills. We work hard to create an environment where different perspectives and experiences are valued. We are committed to helping diverse talent thrive.
CDS welcomes all applicants regardless of race, ethnicity, religion, sexual orientation, gender identity or expression, national origin, disability, age, Veteran status, marital status, pregnancy or family commitments.


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
Look for Aberdeen Angus sirloin for this simple steak recipe served with the rainbow colours of baby beetroots, golden beetroots and spinach.
Preheat the oven to 200C/400F/Gas 6.
Put a large roasting tin on the hob and add half the olive oil. Once hot, add the bones and cook until coloured on each side and carmelised. Place the roasting tin in the preheated oven for 30-40 minutes.
Remove from the oven and tip the roasted bones into a large saucepan filled with the stock. Cook over a medium heat until the volume of liquid has reduced at least by half. When reduced to a sauce consistency, pour through a sieve and discard the bones. Keep the jus warm until ready to serve.
Meanwhile, place the beetroots in a large pan of boiling water. Season with salt and simmer for 20-30 minutes. Once cooked, drain and set aside.
Heat a deep-fat fryer to 150C/300F. (CAUTION: hot oil can be dangerous. Do not leave unattended.)
Cook the chips in the fryer for 5-8 minutes, or until softened and just beginning to colour. Carefully transfer to a plate lined with kitchen paper to drain.
Increase the temperature on the deep-fat fryer to 180C/350F.
Meanwhile, place a large frying pan on the heat and add the remaining two tablespoons of olive oil. When hot, put the steaks in the pan and cook on each side for 3-4 minutes, or until cooked to your liking (this will depend on the thickest of the steak). Set aside to rest.
Place a separate frying pan on the heat and add half the butter and the spinach. Cook until the spinach has wilted, then set aside until ready to serve.
Add the remaining butter to another pan. When the butter has melted, add the baby beetroots and toss to coat. Set aside.
Put the chips back into the fryer and cook for a further 3-4 minutes. Once cooked through and golden-brown, drain the chips on a plate lined with kitchen paper.
To serve, place the wilted spinach in the centre of each plate and place the steak on top. Pile the chips to the side and place a couple of beetroots to the other side of the chips. Drizzle the jus around the plate and on top of the steak.


Customization
Learn how to create your own style without changing the theme’s core files so you can take advantage of future updates.
SCSS method
Is highly recommended that all the customized styles to be stored only within the user’s files from the scss
folder so you can update this theme everytime with no effort. When you update Boomerang, make sure you backup your files and not to ovveride the user’s custom file, that may contain styles you have created already.
In assets/scss
directory you will find two files dedicated for custom edit and additions:
_custom-variables.scss
will contain each variable you want to edit. Simply copy the variables you need to edit from the main _variables.scss and paste it in this file. It will automatically override the default values with the new ones._custom.scss
will contain styles you want to add or edit.
Optional components
You can choose what components to be included in the stylesheet that will be used in the production mode. This will help decreasing the file’s size which will conduct to a faster page loading speed. You can re-include those compoenents any time you want.
For choosing the components you have to comment by adding a // at the start of the line or remove the line entirely from theme.scss
and _components.scss
from the scss
. This will remove the Bootstrap components and the theme’s custom ones as well.
Compile to CSS
If you chose the SCSS method, after you make the modifications, you will need to save and compile the changes into a CSS file. It is useful if you want to change primary colors, fonts and so on. Follow the next steps in order to do that:
- Download and install the app from this link - http://scout-app.io/ - or any other app you prefer
- Open the
_variables.scss
file located inassets/scss
- Copy and paste the variables you want to edit in the
_custom-variables.scss
file - Replace the variable values with the one you need and save the changes
- Open the installed app, import your project, look for theme.scss and compile it
- That’s it!
CSS method
If you need to create/edit some styles we recommend you to use the custom.css
from the assets
folder. This way you will keep the theme core files untouched and be able to get all the future updates without having to make any modifications.
You can rename the custom file whatever you want, but make sure to include that after the theme’s main style.


Bugatti Atlantic-Inspired Boat Penned By Brand's Former Designer
It packs a total of 868 horsepower from two Volvo engines.
by Chris BruceEtienne Salomé is a designer at Bugatti and is launching a new luxury boat company with the appropriate name Salomé Yachts. His first watercraft is the Atlantic, and it takes inspiration from the French sports car brand's famous coupe. At a price of €1.6 million, it's actually cheaper than a new Chiron.
Gallery: Salome Yachts Atlantic
The Atlantic features a smooth design that evokes the teardrop shape of classic cars from Bugatti. It has a flow-through hull with two prominent upright portions and a deck in between them. This lets air flow through the boat at high speed and provides better stability, according to the company. Salomé Yachts says this design takes inspiration from the aerodynamics of a Formula One car.
Ralph Lauren's Bugatti Atlantic 57SC Atlantic
The Atlantic measures 39.37 feet (12 meters) long, and there's enough room for nine people on board. For entertainment, there's a 14-speaker stereo with 2 subwoofers.
Power should be more than adequate from a pair of Volvo Penta D6-440 stern-drive duoprop engines making a total of 868 horsepower (647 kilowatts). A 158.5-gallon (600-liter) fuel capacity keeps them going. The company estimates the top speed at 55 to 60 knots (63 to 69 miles per hour).
More Auto-Related Yachts:
The controls include a glass cockpit from Garmin. As an optional extra, customers can add optional self-docking technology.
Salomé Yachts intends to make an initial run of 12 units of the Atlantic. The firm will work with clients to customize the cabin to their preferences. Deliveries begin in 2020.
Gallery: Bugatti Niniette 66 Chiron based yacht
Etienne Salomé has previous yacht design experience on the Bugatti Niniette 66 (above). At 66 feet long (20.12 meters), it's significantly bigger than the Atlantic. The large boat is available with 1,000 or 1,200 hp (746 kW or 895 kW) that lets the watercraft reach 44 knots (51 mph).
Source: Salome Yachts
Show press release
MYS 2019 - LAUNCH OF NEW BRAND : SALOMÉ YACHTS
SALOME YACHTS BEGIN CONSTRUCTION ON 12M FULLY CUSTOM SPORT TENDER
. ETIENNE SALOME REVOLUTIONARY DESIGN SPORT TENDER
. SALOME YACHTS CREATES SPORT TENDER ATLANTIC
. THE FUTURE OF PERFORMANCE SPORT TENDERS IS THERE WITH ATLANTIC
. THE ULTIMATE SPORT TENDER, PERFECT INDIVIDUAL WATER GETAWAY
. A NEW DESIGN FOOTPRINT IN THE YACHT INDUSTRY
- Salomé Yachts is a yacht design and manufacture company, our yachts are hand-made at our factory in Italy.
- The first yacht to be produced is using a revolutionary flow-through hull concept, inspired by formula one aerodynamics.
- The hull includes tunnels that allow air to flow through the boat and allow optimum stability at high speed as well as reduced drag.
- 880 horsepower delivered from twin 440PS Volvo Penta coupled with stern drive duoprop.
- This sportyacht is named "Atlantic", timeless name for a great design. Homage to the most beautiful classic sports car of all times the Bugatti T57SC Atlantic.
- Design by Etienne Salomé, a visionaire in the field of advanced design. Previously, Salomé created vehicles for Renault, Mazda, Kia, and defined the brand Bugatti by creating the past 12 years of Bugatti products.
- He also designed the Bugatti Niniette 66 yacht with Palmer and Johnson and the first one is currently in the builds.
- The highest and newest onboard connectivity and technology inclusive a complete Garmin glass cockpit ,Full onboard telematics diagnostic and the newest cam bus system.
- Optional self-docking technology
- Launch edition is limited to 12 units, sumptuous hand-crafted with a distinctly sporting character.
- Tailored made program for individual requirements.
- Unique creation process derived from automotive design, based on quality, purity and emotion.
- Overall length 12 meters.
- Onboard water toys include two customised seabob.
- first client deliveries MYS 2020
- Base price : 1,6 Mio € ex VAT
SPECIFICATIONS : SALOME YACHTS ATLANTIC
LENGTH OVER ALL : 12M (36 feet)
BEAM OVER ALL : 4,5 M
MAX DRAFT : 0,85 M
ENGINES : 2 X VOLVO PENTA D6-440/DPI 324KW - 880HP
6 CYLINDERS, 5,5 LITERS, COMMON RAIL DIESEL, TURBO/SUPERCHARGED
PROPULSION SYSTEM : AQUAMATIC STERN DRIVE DUOPROP
TOP SPEED : 55- 60 KNOTS
STEERING : ELECTRONIC
GLASS COCKPIT : GARMIN
DIAGNOTISC : ONBOARD TELEMATICS
AUDIO MARINE SPEAKER SYSTEM : 14 SPEAKERS, 2 SUBWOOFERS.
ENGINE CONTROLS : JOYSTICK DOCKING, DYNAMIC POSITIONING SYSTEM
FUEL TANK : 600 LITERS
ONBOARD WATER TOYS : 2 CUSTOMIZED SEABOB
GUEST/CREW : 9
LIMITED PRODUCTION LAUNCH EDITION : 12 UNITS
FIRST DELIVERY TIME : MYS2020
€ 1,600,000. ex VAT


France boss Didier Deschamps denies any talk of complacency in win over Moldova
France knew they had already qualified before kick-off in Paris.
France boss Didier Deschamps denied that his team’s lacklustre display in the 2-1 victory over Moldova was down to Les Blues having already qualified for Euro 2020.
Turkey’s draw with Iceland earlier on Thursday had eased any pressure on France, guaranteeing their place at next summer’s tournament, and Deschamps’ men put in an underwhelming performance in Paris.
With the need to win removed, Les Bleus made a sloppy start as calamitous defending from Clement Lenglet saw Vadim Rata give the visitors a shock lead with nine minutes on the clock.
Raphael Varane headed an equaliser before half-time and a late penalty from Olivier Giroud got France out of jail, with the three points moving them to the top of Group H.
Asked if being qualified before kick-off had an effect, Deschamps told L’Equipe: “I do not think so and I do not hope so because it’s not enough to be qualified. The possibility of finishing first came with a victory.
“Our first goal came from an error by their goalkeeper but our first-half performance was insufficient. I am not satisfied with our attacking play in the first period.
“In the second half we were more consistent, even if we lacked efficiency. We had 17 strikes, not always on target, but in the first half it was too little.
“There was a tendency to ask for the ball only in the feet and not in behind. There was not enough movement and availability. It was too static, there was a lack of mobility. But I don’t think this was because of the result in the earlier match.”
Deschamps revealed he was angry with his players at half-time before going on to praise Giroud.
“I can sometimes be hard or very hard with them. There is so much potential in this team that when I do not see what I want to see, I say it. I tell them,” he said.
“He (Giroud) is effective. How he plays allows other players to have goal chances too. He made the decision to shoot the penalty and he did well. It explains why he plays with us despite his playing time at Chelsea.”


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- ECDHPeer - Class in org.encryptor4j
-
KeyAgreementPeer
implementation that uses the Elliptic Curve Diffie-Hellman key agreement protocol.
- ECDHPeer(String) - Constructor for class org.encryptor4j.ECDHPeer
-
Constructs a ECDHPeer
instance using a named elliptic curve curve
.
- ECDHPeer(BigInteger, BigInteger, BigInteger, BigInteger, BigInteger, BigInteger, int) - Constructor for class org.encryptor4j.ECDHPeer
-
Constructs a ECDHPeer
instance using a custom elliptic curve.
- ECDHPeer(AlgorithmParameterSpec) - Constructor for class org.encryptor4j.ECDHPeer
-
Constructs a ECDHPeer
instance using an elliptic curve AlgorithmParameterSpec
.
- ECDHPeer(AlgorithmParameterSpec, String) - Constructor for class org.encryptor4j.ECDHPeer
-
Constructs a ECDHPeer
instance using an elliptic curve AlgorithmParameterSpec
and a custom provider.
- encrypt(byte[]) - Method in class org.encryptor4j.Encryptor
-
Encrypts a byte array and returns the encrypted message.
- encrypt(File, File) - Method in class org.encryptor4j.util.FileEncryptor
-
Reads and encrypts file src
and writes the encrypted result to file dest
.
- encrypt(String) - Method in class org.encryptor4j.util.TextEncryptor
-
Encrypts and Base64 encodes a message.
- Encryptor - Class in org.encryptor4j
-
Encryptor class that greatly simplifies strong encryption and decryption.
- Encryptor(Key) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance.
- Encryptor(Key, String) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance.
- Encryptor(Key, String, int) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance.
- Encryptor(Key, String, int, int) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance.
- Encryptor(Key, String, byte[]) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance with an explicit IV.
- Encryptor(Key, String, byte[], int) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance with an explicit IV.
- Encryptor(KeySpec, SecretKeyFactory) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance.
- Encryptor(KeySpec, SecretKeyFactory, String, int) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance.
- Encryptor(KeySpec, SecretKeyFactory, String, int, int) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance.
- Encryptor(KeySpec, SecretKeyFactory, String, byte[]) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance with an explicit IV.
- Encryptor(KeySpec, SecretKeyFactory, String, byte[], int) - Constructor for class org.encryptor4j.Encryptor
-
Constructs an Encryptor
instance with an explicit IV.
- EncryptorFactory - Interface in org.encryptor4j.factory
-
Factory interface for constructing Encryptor
instances.


For the fig-swirl: Melt butter over medium heat in a saucepan. Add brown sugar and stir to disolve. Halve all of the figs and toss in the saucepan with water and lemon juice. Cook over medium heat, stirring frequently, until you have a chunky-jammy mixture. Add salt with one or two stirs, set aside and let cool completely.
Ice Cream: In a small pot over medium heat, combine milk, and granulated sugar until sugar is completely dissolved and the milk is just barely lukewarm. Whisk the egg yolks. Set mixture in the fridge and wait until the fig mixture is cooled.
Using an ice cream machine, pour liquids into the frozen basin and process according to the manufacturer instructions, i.e., let spin and thicken for 20 minutes before adding mascarpone, fig jam mixture, and the nuts. Continue to process for +/- 10 minutes. Pour semi-frozen into a pyrex dish or glass tupperware. Freeze for at least two hours before serving.
1 1/2 cups milk
Delicious (c) 2013 - All Rights Reserved.
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