Pat's cookies have become quite the popular attraction in the Seattle area! Each cookie is carefully shaped like that distinct looking fish and baked with love to give you that warm feeling when you eat one! Wondering what all the hubbub is about? Try one! Trying to guess that secret ingredient? Well, you're right! It's salmon! Delicous, delicious salmon.
Email Pat at<EMAIL_ADDRESS>Store hours for all locations: 6am - 8pm
I was tricked! Oh, but I am so glad. I would never have tried these cookies if I was told beforehand they had salmon in them! But now I know I love them and I get at least five everyday! --Bob
You have to try these! Really! I can't get enough! --Susan
Never in my wildest dreams would I have thought salmon in a cookie would be good. Boy was I wrong! Forget Oreos and Chips A'hoy or whatever @*#^ cookies you are eating now.  These certainly are not @#^*! --Gordon Ramsey


LOCALEDEF
Section: User Commands (1)Updated: March 2001
Index Return to Main Contents
NAME
localedef - compile locale definition filesSYNOPSIS
localedef [-f charmapfile] [-i inputfile] [--force] [--verbose] [--posix] [--quiet] outputpathlocaledef --version
localedef --help
DESCRIPTION
The localedef program reads the indicated charmap and input files, compiles them to a form usable by the locale(7) functions in the C library, and places the six output files in the outputpath directory.If no charmapfile is given, POSIX is used by default. If no inputfile is given, or if it is given as -, localedef reads from standard input.
OPTIONS
Most options can have either short or long forms. If multiple short options are used, they can be combined in one word (e.g. -cv). If an option takes an argument, the argument can be given separately as the next word, or it can be written as option=argument.- -f charmapfile, --charmap=charmapfile
- Specify the file that defines the symbolic character names that are used by the input file. If the file is in the default directory for character maps, it is not necessary to specify the full pathname. This default directory is printed by localedef --help.
- -i inputfile, --inputfile=inputfile
- Specify the locale definition file to compile. If inputfile is not absolute, localedef will also look in the directory specified by the environment variable I18NPATH and in the default directory for locale definition files. This default directory is printed by localedef --help.
- -c, --force
- Write the output files even if warnings were generated about the input file.
- -v, --verbose
- Generate extra warnings about errors that are normally ignored.
- --quiet
- Suppress all notifications and warnings, and report only fatal errors.
- --posix
- Be strictly POSIX conformant. Implies --verbose. This option currently has no other effect. Posix conformance is assumed if the environment variable POSIXLY_CORRECT is set.
- -u codeset, --code-set-name=codeset
- This option is accepted but ignored.
- -h, --help
- Print a usage summary and exit. Also prints the default paths used by localedef.
- -V, --version
- Print the version number, license, and disclaimer of warranty for localedef.
ENVIRONMENT
- POSIXLY_CORRECT
- The --posix flag is assumed if this environment variable is set.
- I18NPATH
- The default directory for locale definition files.
FILES
- /usr/share/i18n/charmaps
- Usual default charmap path.
- /usr/share/locale
- Usual default output path. See the output from localedef --help for the paths used in your version.
- outputpath/LC_COLLATE
- One of the output files. It describes the rules for comparing strings in the locale's alphabet.
- outputpath/LC_CTYPE
- One of the output files. It contains information about character cases and case conversions for the locale.
- outputpath/LC_MONETARY
- One of the output files. It describes the way monetary values should be formatted in the locale.
- outputpath/LC_MESSAGES/SYS_LC_MESSAGES
- One of the output files. It contains information about the language messages should be printed in, and what an affirmative or negative answer looks like.
- outputpath/LC_NUMERIC
- One of the output files. It describes the rules for formatting numbers in the locale.
- outputpath/LC_TIME
- One of the output files. It describes the rules for formatting times and dates in the locale.
SEE ALSO
locale(5), locale(7), locale(1)AUTHOR
The program was written by Ulrich Drepper.This manpage was written by Richard Braakman<EMAIL_ADDRESS>on behalf of the Debian GNU/Linux Project and anyone else who wants it. The manpage is not supported by the GNU libc maintainers and may be out of date.
STANDARDS
This program conforms to the POSIX standard P1003.2
Index
This document was created by man2html, using the manual pages.
Time: 05:29:05 GMT, December 24, 2015


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|
gomotion
|
In the following comments, LIN, CIR and ALL refer to linear moves, circular moves and both, respectively. More...
#include <gomotion.h>
Data Fields | |
| go_cart | uvec |
| (LIN) unit vector along line - computed for you More... | |
| go_quat | uquat |
| (LIN) unit quaternion along rotation - computed for you More... | |
In the following comments, LIN, CIR and ALL refer to linear moves, circular moves and both, respectively.
If they are not in parens, e.g., ALL:, you need to provide them for that type of motion. If they are in parens, e.g., (CIR), they are computed for you.
| go_quat gomotion::go_motion_linear_params::uquat |
(LIN) unit quaternion along rotation - computed for you
| go_cart gomotion::go_motion_linear_params::uvec |
(LIN) unit vector along line - computed for you


You walk down the hill to the graveyard enterance. There is a large gate that is keeping you from leaving the graveyard. Past the gate you can see a distant village. The gate doesn't have a lock and seems to be stuck shut. There also is an object attached to the wall next to the gate. It seems to be a gargoyle. His eyes are glowing.
You spot an open grave
{{ message }}


| DOSE: |
3 bowls |
smoked |
Cannabis |
(plant material) |
I was 16 years old and had been smoking pot on a regular basis with my best friend, whom I call Fry. Fry and I first just used to get high on weekends at her house, and all it would take for me was a skinny joint of some regs. We would generally buy a dime from this kid we met at school, Gangsta Ted. Ted was a good guy, never cheated us or anything. Fry and I started smoking more and more, and soon we befriended some older kids who would all pile into someone's car/van and get stoned and go to the movies or the bowling alley. I was young in body and mind, and this was how I decided to propel myself into more adult situations. This was my escape from being from a nice family. I didn't want to be nice anymore, and neither did Fry.
On New Year's Eve, 2000, me, Fry, and two girls we knew from school, Ali and April, went to Gangsta Ted's to pick up our pot. By this time we had started buying quarters, but tonight we wanted a half o, on account that it was New Year's Eve. Ted said that his connection was dry, so he got this bag from someone else, he hadnít personally smoked it yet, but said it smelled nice. We gave him his money and left.
We all went back to Fry's house to smoke a bit before we went to the Pocket, a place where local indie bands played. April cleaned the weed while Fry played with my hair. Ali dressed me in some of her clothes and I looked very cute. I was feeling very good. We packed a bowl in Ali's glass piece, and proceeded to smoke. The window was open and it was blowing in cold air. I wrapped myself in a blanket. We all got a couple hits and the bowl was cashed. No one was very high. They all asked me if I was, because I was the smallest and was always high first, and was always more messed up than the others. I said no, and we packed another.
On our third bowl, I began to feel very funny. I was high, but something else was going on. I thought maybe I was sick because my stomach felt like it was doing flips and my head felt very light. I didn't think anything of it. We all sat on the bed, talking.  Ali and April turned on the radio and began dancing around. Fry was laughing. I was not laughing anymore. I had this horrible fear growing inside me and my heart started to beat very fast, but everything around me was moving very slow. I began to see little lights out of the corner of my eyes.  She looked very confused.
All of a sudden, I felt very warm and I looked up at the wall and the walls were climbing with flames, but everyone was laughing and dancing as if we weren't all on fire. 'We're on fire,' I said, and I got up off the bed and tried to walk to the door, but I felt like my legs weren't working so I leaned against the fire and everything went black. I woke up with Fry over me, crying.
'Kimmie, do you need a doctor?' Fry asked, I couldn't think of any words, so I nodded 'no'. I had no idea what was going on.
April was saying 'We're not getting in trouble because of her.
Ali was in the bathroom, freaking out. She was screaming, 'I'll jump, April!' April was trying to get into the bathroom, saying 'Fry, she's going to jump.'
'Off what? There isn't a window in there.'
'Yes there is!' Ali screamed, 'It's wide open I'm half way out!'
'What the fuck...' said Fry.
Fry had propped me up on some pillows. She tried to tip a glass of water up to my lips, but it dribbled down my lips and onto my chest. She held my hand and talked to me about nice things that I liked, and told me that everything was cool, that I fell and hit my head but she was going to take care of me. I mumbled something about the fire, and she said there was no fire and kept telling me everything was fine. I started to feel better, but I was breathing very fast and didn't want Fry to let go of my hand.
April had talked Ali out of coming out of the bathroom. I felt like a hollow shell of a human being, but Ali and April talked Fry into putting me in April's Jeep. We were going to the show at the Pocket. I stared out the window during the drive. I had lived in this city all my life, but things looked very different. I cannot begin to describe how I felt that night, looking out the window at houses and trees and the sad, abandoned buildings I had seen a million times before. It was like I'd never seen them before. April made a comment I will never forget. She said, 'I feel like I'm in a video game...like Super Mario..'
I guess that's how I felt, too. I was on autopilot; walking was easy simply because I was programmed to do so. There were a lot of people inside the pocket, and most of them were very drunk. I could not begin to connect with anyone on any sort of level. People I knew said hi and I tried to say things, but nothing seemed worth saying. Fry took me upstairs to a room with a bed and a stereo with CD's piled everywhere. She left me up there with these guys who were very nice and made me feel less weird. I knew they knew I was in the middle of a freak out. They gave me some markers and some paper. I sat in the room and drew pictures all night. Fry came upstairs a couple hours after midnight and we went home. I felt ok mentally the next day, but my whole body hurt. Gangsta Ted told us later our sack had angel dust in it.
If I had been prepared for it, I'm sure it could have been a very enjoyable experience. But, being a naturally nervous person, I have to say that an unexpected trip was the most horrible mental experience I could imagine.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


--- ---
|
TGUI
0.8-dev
|
Implicit converter for settable properties. More...
#include <TGUI/ObjectConverter.hpp>
Public Member Functions | |
| ObjectConverter () | |
| Default constructor, to create an empty object. | |
| ObjectConverter (const char *string) | |
| Stores a string for later retrieval. More... | |
| ObjectConverter (const std::string &string) | |
| Stores a string for later retrieval. More... | |
| ObjectConverter (const sf::String &string) | |
| Stores a string for later retrieval. More... | |
| ObjectConverter (Font font) | |
| Stores a font object for later retrieval. More... | |
| ObjectConverter (sf::Color color) | |
| Stores a color object for later retrieval. More... | |
| ObjectConverter (Color color) | |
| Stores a color object for later retrieval. More... | |
| ObjectConverter (bool value) | |
| Stores a boolean for later retrieval. More... | |
| template<typename T , typename = typename std::enable_if<std::is_arithmetic<T>::value, T>::type> | |
| ObjectConverter (T number) | |
| Stores a number for later retrieval. More... | |
| ObjectConverter (const Outline &outline) | |
| Stores an outline object for later retrieval. More... | |
| ObjectConverter (const Texture &texture) | |
| Stores a texture object for later retrieval. More... | |
| ObjectConverter (sf::Text::Style style) | |
| Stores a text style for later retrieval. More... | |
| ObjectConverter (TextStyle style) | |
| Stores a text style for later retrieval. More... | |
| ObjectConverter (std::shared_ptr< RendererData > data) | |
| Stores render data for later retrieval. More... | |
| const sf::String & | getString () |
| Retrieves the saved string. More... | |
| const Font & | getFont () |
| Retrieves the saved font. More... | |
| const Color & | getColor () |
| Retrieves the saved color. More... | |
| const Outline & | getOutline () |
| Retrieves the saved outline. More... | |
| bool | getBool () |
| Retrieves the saved boolean. More... | |
| float | getNumber () |
| Retrieves the saved number. More... | |
| Texture & | getTexture () |
| Retrieves the saved texture. More... | |
| const TextStyle & | getTextStyle () |
| Retrieves the saved text style. More... | |
| const std::shared_ptr< RendererData > & | getRenderer () |
| Retrieves the saved renderer data. More... | |
| Type | getType () const |
| Retrieves the type of the object that has been stored. More... | |
| bool | operator== (const ObjectConverter &right) const |
| Check if the object equals another one. More... | |
| bool | operator!= (const ObjectConverter &right) const |
| Check if the object differs from another one. More... | |
Implicit converter for settable properties.
|
inline |
Stores a string for later retrieval.
| string | String to store |
|
inline |
Stores a string for later retrieval.
| string | String to store |
|
inline |
Stores a string for later retrieval.
| string | String to store |
|
inline |
Stores a font object for later retrieval.
| font | Font to store |
|
inline |
Stores a color object for later retrieval.
| color | Color to store |
|
inline |
Stores a color object for later retrieval.
| color | Color to store |
|
inline |
Stores a boolean for later retrieval.
| value | Boolean to store |
|
inline |
Stores a number for later retrieval.
| number | Number to store |
|
inline |
Stores an outline object for later retrieval.
| outline | Outline to store |
|
inline |
Stores a texture object for later retrieval.
| texture | Texture to store |
|
inline |
|
inline |
Stores a text style for later retrieval.
| style | Text style to store |
|
inline |
Stores render data for later retrieval.
| data | Renderer data to store |
| bool tgui::ObjectConverter::getBool | ( | ) |
Retrieves the saved boolean.
This function will assert when something other than a boolean was saved
| const Color& tgui::ObjectConverter::getColor | ( | ) |
Retrieves the saved color.
This function will assert when something other than a color was saved
| const Font& tgui::ObjectConverter::getFont | ( | ) |
Retrieves the saved font.
This function will assert when something other than a font was saved
| float tgui::ObjectConverter::getNumber | ( | ) |
Retrieves the saved number.
This function will assert when something other than a number was saved
| const Outline& tgui::ObjectConverter::getOutline | ( | ) |
Retrieves the saved outline.
This function will assert when something other than a outline was saved
| const std::shared_ptr<RendererData>& tgui::ObjectConverter::getRenderer | ( | ) |
Retrieves the saved renderer data.
This function will assert when something other than a renderer data was saved
| const sf::String& tgui::ObjectConverter::getString | ( | ) |
Retrieves the saved string.
| const TextStyle& tgui::ObjectConverter::getTextStyle | ( | ) |
Retrieves the saved text style.
This function will assert when something other than a text style was saved
| Texture& tgui::ObjectConverter::getTexture | ( | ) |
Retrieves the saved texture.
This function will assert when something other than a texture was saved
| Type tgui::ObjectConverter::getType | ( | ) | const |
Retrieves the type of the object that has been stored.
| bool tgui::ObjectConverter::operator!= | ( | const ObjectConverter & | right | ) | const |
Check if the object differs from another one.
Objects with different types will always be considered as different, even if using them would have the same outcome
| bool tgui::ObjectConverter::operator== | ( | const ObjectConverter & | right | ) | const |
Check if the object equals another one.
Objects with different types will always be considered as different, even if using them would have the same outcome


Slected Gear, HShifter... etc.
0 means that no slot is selected
Forward gears
Neutral
Reverse gears
Gearbox slot the h-shifter handle is currently in.
Selected gear in the engine
Enabled state of range/splitter selector toggles


| About This Plug-in | |
|
1st August, 2003 LicenseChemi makes available all content in this plug-in. The plug-in is provided to you under the terms and conditions of the MIT License. For purposes of the MIT License, "Software" will mean the plug-in. |
The MIT LicenseCopyright (c) 2001 Chemi Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.  IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE. |


Valtteri Bottas to face grid penalty in Abu Dhabi?
by Nicolás Quarles van UffordAfter retiring with mechanical issues during the Brazilian Grand Prix, Mercedes driver Valtteri Bottas could be facing a grid penalty in Abu Dhabi next week, as it remains unconfirmed whether the faulty engine is salvageable.
Bottas caused the first of two Safety Cars on the day at Interlagos, parking his W10 on lap 53 after his engine turned off. It came as no surprise, seeing as there had been coming smoke out of the back of the car in the previous lap, although Bottas reported no loss of power.
He pulled over at the end of the back straight, causing a Safety Car.
The last race of the season in Abu Dhabi has no implications for Mercedes as both championships have been wrapped up already by the German works team, but Bottas might have to take a penalty depending on whether his engine is salvageable.
“We don't know any more about it,” technical director James Allison told Motorsport.com.
“We know that we had elevated oil consumption during the race that ran away very sharply - very sharply - about half a lap before we saw it expire. The engine stopped itself rather than expired in a heap.”
Bottas himself added he doubts "there are any miles left" on older power units, but there will not be any confirmation of what engine will be used until next Tuesday.
Should he need a new power unit, it would mean a 10-place grid penalty as he would be going over the limit of power units, which is three. The same happened to Charles Leclerc in Brazil as he started 14th after qualifying fourth.


If you are visiting here for the first time then I would recommend you to my earlier project DrugAI before reading any further. This project used SMILES signature of drug molecules to classify an organic molecule into different drug families.I have reused many functions and codes from this earlier project to this one. The main difference between this project and earlier project is, this is a regression problem whereas the previous one is a classifiction problem.
Similar to my earlier project I have used Bag of words (n-grams) [Link] for feature genration and then trained it in a nerual network. Here protein FASTA sequence is used as a feature. The dataset and its stats were obtained from pombase. Because the data were in two different files we have to first prepare, clean and save it in a CSV format before doing any machine learning. For data preparation I have used R program because its fast and easier to code.
Predicting targets
Mass
pI
Charge
NumResidues
CAI
A simple multilayer perceptron is used for this study which was createad using keras module in python with a theanos backend. The FASTA sequence were converted to features and target values are normalized before feeding it to the neural network model. The model was trained for 15 epochs with a batch size of 200 for one cross validation (recommend to use 10). After training the project, it outputted a net validation loss of 0.0173422084428 and last validation loss of 0.0079427516942.
Project Github Page: https://github.com/Gananath/ProteinStatsAI


WELCOME FOLKS!
Give your thoughts a voice with our new venture
Enter some text in the input below or upload a file and press return or the "Play" button to hear it. Change voices using the given Dropdown menu
The site is the manifestation of the effort put forth by our team ' The glib owl ' is a basically a Text Reader (text-to-speech convertor) and helps converting text to speech. It uses a translator and a speech-synthesiser in the background for the purpose of analysis of the text and finally for its conversion. The application involves speech synthesis in myriad languages and you have a choice over the accent and the language of what you enter. We are currently pursuing our B.Tech in CSE and took up this project as an experiment to stack up some idea on APIs and also to try our hands on web designing(a dream of every freshman :) ).
PS: This web application may not work smoothly on Google Chrome and Mozilla Firefox. We are working on them to remove the glitches.
Do check it out. Any suggestions are welcome.
Happy Listening!


{% extends 'layout.html' %} {% block title %}Email Sent | {{ block.super }}{% endblock %} {% block content %}
We've sent instructions to your email address on how to reset the password associated with it, if there's an account for that email address. Follow the instructions in that email, and you'll be accessing the your account in no time!


我敢保证这不是第一篇写如何购买steem/steem power的帖子，也不会是最后一篇。这不算是个教学帖，而是我作为一个来到steemit才10天的萌新的一个笔记。感谢前期@weisheng167388发给我的帖子，让我对整个流程大概有些概念，也要感谢@mangoanddaddy 手把手的耐心指导。
I’m sure this isn’t the first post on how to buy steem/steem power, and it won’t be the last. This is not a teaching post, but a note for myself. Thanks to the post which sent by @weisheng167388, so that I have some basic ideas about the whole process, and I also want to thank @mangoanddaddy for his patient guidance.
好了，那我们开始吧。
All right, let’s get started.
一个对区块链、虚拟货币的认知仅到达“比特币最近大涨”的小白来说，恐怕第一个问题是，我去哪里买？？
The very first question for a dummy freshman who only reach “the BTC rises sharply in these days” about the block chain and virtual currency is where can I buy it and how?
材料：鼓鼓钱包、支付宝/银行卡、blocktrades
Materials: magic wallet, alipay/bank card.
1、到官网https://m.magicw.net下载客户端，需要用到美区账号。如果没有，花10块钱买一个，比自己注册方便（填写bills那一栏把我折腾的生不如死）。卖家会提供给你密保问题，登陆以后自己更改密码和密保问题即可，安全性也算有保证。按照步骤注册好钱包。
To download the APP from the website https://m.magicw.net, and we need to use the us district account. If you don’t have one, you can pay ¥10 for one. It’s more convenient than your own registration (fill in the bills nearly pull me into death). The seller will provide you with the security problem, and after login, you can change the password and the confidentiality problem. Follow the steps to register your wallet.
2、算一下自己需要多少steem/steem power。初次购入，我选择5 steem power，对应需45.42808个BTS（这个数字随时都在变动），也就是说差不多200来块钱。
 For the first time, I chose 5 steem power, which corresponding to 45.42,808 BTS (the number is always changing), nearly 200 CNY.
3、登陆网页版，找到钱包–我的资产，CNY处有充值选项。点击进入，里面有非常多的服务商。根据你自己的需要挑选一家（注意看以下几点：手续费率、下单额度、成交笔数），充值你需要的金额。
Go to the web page and find the wallet – my assets. It has CNY recharge option. Click inside, there are a lot of service providers. Choose one for your own needs (pay attention to the following aspects: rate, amount, number of transactions), and then recharge the amount you need.
4、回到客户端。根据blocktrades，有多种方式承兑steem/steem power，我选择的是BTS。在行情中找到BTS，下单即可。
Back to the app. According to blocktrades, there are several ways to accept steem/steem power, while I choose BTS. Find BTS in the market, and make the order.
5、登陆steemit–钱包—购买steem或steem power，进入blocktrades。输入你需要购入的steem或steem power，把对应需要的BTS数字记下来。点击“Get a new deposit address”
Go to steemit– wallet – buy steem or steem power and then enter blocktrades. Enter steem or steem power that you need to buy, and remember the corresponding BTS Numbers. Click “Get a new deposit address”
6、回到鼓鼓钱包客户端—我的资产—转账，填写Account及Name Memo及数额
Return to magic wallet app - my asset - transfer, fill in Account and Name Memo and amount.
7、没意外的话到这一步，就大功告成了 Then, it’s done
写在后面：是不是有种成为人民币玩家的愉悦感？不管你有没有，反正我现在是新奇感爆棚。再次感谢帮助过我的小伙伴们，成功入币坑。一起愉快的玩耍吧～
PS: Is there a sense of pleasure to be a RMB player? Whether you have it or not, I’m quite curious about that now. Have fun together.
This page is synchronized from the post: 如何购买steem/steem power—How to buy steem/steem power


Delhi Pollution Control Committee vs M/s N.R. Industries U/s 24/25/26 r/w section 43/44 of Water Act, 1974 CC No.199/06 ORDER ON SENTENCE 27.03.2015
.
Present: Ms. Jitender Gaba, AR of complainant with counsel Nilesh Sawhney.
Convict on bail along with counsel Sh. S.D. Sharma. Written submissions on point of sentence filed on behalf of complainant. Copy is supplied.
An affidavit on behalf of the convict filed.
Copy supplied.
Arguments heard on the point of sentence.
It is submitted on behalf of convict that convict is aged about 65 years and he has a family to support. He had closed business activity in the said unit in 2000 itself as the cost of regular checkup of the plant was expensive and his business was not a big business thought he had purchased the ETP and got it installed. It was a small work and presently the unit is lying closed and an affidavit to that effect has been filed on record today. Convict is facing trial in the present matter for last about 15 years and in view of the ratio laid down in "Aone Automobile Case", a lenient view may kindly be taken.
On the other hand, it is submitted on behalf of the complainant that convict has been causing pollution by running/operating his unit of electroplating by discharging the direct untreated effluent to the public sewer/drain. Therefore, it DPCC vs M/s N.R. Industries U/s 24/25/26 r/w sec. 43/44 of Water Act CC No.199/06 1 is prayed that maximum punishment may be awarded to the convict as prescribed in the Act.
I have heard the rival contentions of both the parties. Now a days, Environment/Pollution has become cause for global concern. Every country across the world is working hard on ways to curb the ever escalating pollution in environment which is threatening the existence of human being, animals and trees on the Earth. Parliament, in bringing a new legislation for sound and betterment of Air Pollution, Water Pollution and Noise Pollution been hotly debating over the ways to provide clean and healthy environment to the citizens which are their fundamental rights. New laws are being enacted and new notification is issued regularly to effectively check the pollution levels in the atmosphere.
Delhi, the Capital of our country, is regarded as one of the most polluted cities in the world. If, the pollution in Delhi's atmosphere is not controlled, it would not be possible to live with a healthy life in Delhi. The people would start migrating to other parts of the country which are comparatively less polluted and Delhi would become a ghost city.
The Hon'ble Supreme Court explaining the gravity of the issue in the case of "UP Pollution Control Board vs. Dr. Bhupender Kumar Modi & Anr. (2009) 2 SCC 147", reiterated what was held by it about a decade ago in the case of "UP Pollution Control Board Vs. M/s Mohan Makin Ltd. & Ors. AIR 2000 SC 1456", observed as under: "Courts can not afford to lightly deal with cases involving pollution of air and water. The message must go to all concern. The courts will share the DPCC vs M/s N.R. Industries U/s 24/25/26 r/w sec. 43/44 of Water Act CC No.199/06 2 parliamentary concern on the escalating pollution level of our environment. Those who discharge noxious polluting effluents to streams may be unconcerned about the enormity of the injury which it inflicts on the public health at large, the irreparable impairment it causes on the aquatic organisms, the deleteriousness it imposes on the life and health of animals. So the Courts should not deal with the prosecution for offences under the Act in a casual or routine manner. Parliamentary concern in the matter is adequately reflected in strengthening the measures prescribed by the statute. The court has no jurisdiction for ignoring the seriousness of the subject".
Having heard the rival submissions of both the parties, considering the age of the convict, period of trial and ratio laid down in the case of "DPCC vs AOne Automobile" on the point of sentence, considering the gravity of the offence and tomorrow being the 'Earth Day', this court is of the considered opinion that following sentences will meet the ends of justice.
(a) Convict is sentenced to pay damages of Rs.10,000/ to the complainant; (b) Convict is directed to spend Rs.40,000/ towards displaying cloth banners, hoardings and pamphlet for public awareness mentioning therein the following "slogans" written by the AR of the complainant, out side his business premises/residential premises/at conspicuous places.
(१) सवचछ जल ही जीवन धारा है उसके ििन न जीवन हमारा ह।ै पानी को पदिू ित न करे ै े िकया, शिमिनदा हू ँ। मन (२) नदी तालाि सरोवर सि है भिवषय की धरोहर। जल को पदिू ित न कर।े
जल पदिू ण िनयंतण एवं रोकथाम अिधिनयम १९७४ का पालन कर।े जेल व जुमािना से िचे।
(३) जल पदिू ण नही, जल सवचछता के हो भागीदार।
पदिू ण संयतो का कर उपयोग यमुना को दे नवजीवन धारा।
DPCC vs M/s N.R. Industries U/s 24/25/26 r/w sec. 43/44 of Water Act CC No.199/06 3 Convict is directed to display the said banners under the supervision of the complainant/authorized person on behalf of the complainant within one month from today.
Rs.10,000/ towards damages paid to the AR of the complainant vide receipt No. G.A.R.6 No.042 dated 27.03.2015.
A copy of judgment and this order be given to the convict free of cost. A copy of the sentence be also given to the AR of the complainant for due compliance of the order.
(DEVENDRA KUMAR SHARMA) ACMM(Special Acts) CENTRAL TIS HAZARI COURTS DELHI Announced in open court on 27th March, 2015 DPCC vs M/s N.R. Industries U/s 24/25/26 r/w sec. 43/44 of Water Act CC No.199/06 4


Maintain My Home Request a repair
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| Overview |
Module |
Use |
Devguide |
Index |
| Services |
| GalleryItem |
service to get access to the properties of a single Gallery item
|
| GalleryTheme |
provides access to a container of Gallery items and makes it
possible for you to manipulate them.
|
| GalleryThemeProvider |
provides access to a container of GalleryThemes
and makes it possible for you to manipulate them.
|
| Interfaces |
| XGalleryItem |
provides access to a single item of a Gallery theme.
|
| XGalleryTheme |
provides access to the items of a Gallery themes. It also allows
inserting and removing of single items.
|
| XGalleryThemeProvider |
provides access to the Gallery themes. It also allows inserting and
removing of Gallery themes by name.
|
| Constant Groups |
| GalleryItemType |
Constants that describe the type of graphic
|
Top of Page
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


I'm a builder and a maintainer -- currently building Pipeline Data Engineering Academy, the world's first data engineering bootcamp.
I'm co-organizing the Data Council Berlin Meetup. I'm on the committee of Data Natives in Berlin and Crunch Conference in Budapest to get the best speaker line-up every year.
I've co-funded businesses like Digital Natives, Coedu, Carnation, Tyrell Hungary and media entities like Subbacultcha, Pararadio, Sziget Rádió 96.
Used to do Shopify, Microsoft, 6Wunderkinder. I live in Berlin, Germany with my family.
I was a DJ for two decades. I've cofounded the party series Bootleg Balhé, the music blog mangare, and Getup@9 Records. I'm building an archive of my mixes at Mixcloud and own music production, mostly bootlegs at Soundcloud.
I've written for numerous print media outlets mostly on pop culture.


We won the Faculty and Staff Choice Award as well as the Builder’s Choice Award!
Summary
For this year's Build18 Hackathon, our team designed and built a passive haptic feedback system for virtual reality environments. Emulating the magic brooms of Quidditch in Harry Potter, our spring-mounted rig uses an IMU to measure orientation of the user. Players physically lean towards any direction to move in the game, making VR flight feel more real than ever.


Designed for companies that produce mechanical components.
iMecc helps machine operators by providing them with the information necessary for processing of complex mechanical parts.
Gallery
With iMecc operators can quickly view images of the parts to be made. Referring to the photo gallery, can have access to the data of the components that make up the piece.
Technical data sheet
The data sheet allows the display of the detailed data that make up the piece.
Phases
Each stage features a preview of the pieces in various stages of production. In this way, the operator can understand very intuitively what steps and what kind of work needs to be carried out.
Machines
The list of machines allows us to understand what the machines needed to perform a specific processing. With a simple ‘tap’, you can also view the main information of the machine.
Tools
The tool list contains all the information required installation of each tool in the selected machine. E ‘can also view images of the tools to reduce errors.
Photo editor
With this function, the operator can draw on the photo to highlight problems that emerged during the process. All graphical changes are recorded and shared for other operators.
Add or edit a new photo
You can also add new photos to supplement the existing documentation.
Get started
Download it from the Apple Store
Visit imecc.apexnet.it for details


|
TSGL
A thread-safe graphics library
|
Create one of Langton's Ant! More...
#include <LangtonAnt.h>
Public Member Functions | |
| LangtonAnt (int x, int y, int r, int g, int b, int d, AntFarm *p) | |
| Explicitly constructs a LangtonAnt object. More... | |
| void | move () |
| Move the LangtonAnt object. More... | |
| void | changeColor (int r, int g, int b) |
| Change the color of a LangtonAnt object. More... | |
| void | changeColor (ColorFloat c) |
| Change the color of a LangtonAnt object. More... | |
| void | setAlpha (int a) |
| Set the alpha component of the color. More... | |
Public Attributes | |
| int | myX |
| int | myY |
| int | myRed |
| int | myGreen |
| int | myBlue |
| int | myAlpha |
| int | myDir |
| AntFarm * | myFarm |
Create one of Langton's Ant!
Contains all of the data and method needed in order to simulate a LangtonAnt.
You can change the color either by manually setting the red, green, and blue components or by passing a ColorFloat struct that contains those values.
The movement of each LangtonAnt is determined by its direction; UP, DOWN, LEFT, or RIGHT.
You can also set each LangtonAnt object to have an alpha value in order to make them transparent.
| LangtonAnt::LangtonAnt | ( | int | x, |
| int | y, | ||
| int | r, | ||
| int | g, | ||
| int | b, | ||
| int | d, | ||
| AntFarm * | p | ||
| ) |
Explicitly constructs a LangtonAnt object.
Explicit constructor for the LangtonAnt class.
| x | The x coordinate of the LangtonAnt object. |
| y | The y coordinate of the LangtonAnt object. |
| r | Red component for the color of the LangtonAnt object. |
| g | Green component for the color of the LangtonAnt object. |
| b | Blue component for the color of the LangtonAnt object. |
| d | The direction of the LangtonAnt object. |
| p | Pointer to the AntFarm object that the LangtonAnt object belongs to. |
| void LangtonAnt::changeColor | ( | int | r, |
| int | g, | ||
| int | b | ||
| ) |
Change the color of a LangtonAnt object.
Specifying a new red, green, and blue component allows you to change the color of the LangtonAnt object.
| r | Red component of the new color for the LangtonAnt object. |
| g | Green component of the new color for the LangtonAnt object. |
| b | Blue component of the new color for the LantonAnt object. |
Referenced by changeColor().
| void LangtonAnt::changeColor | ( | ColorFloat | c | ) |
Change the color of a LangtonAnt object.
Same as changeColor(r, g, b) but instead of passing the red, green, and blue components seperately you are passing a ColorFloat struct that contains all three.
| c | A ColorFloat struct containing the new red, green, and blue components for the new color of the LangtonAnt object. |
| void LangtonAnt::move | ( | ) |
Move the LangtonAnt object.
Set to movement of the LangtonAnt object based off of its current direction (UP, DOWN, LEFT, or RIGHT).
| void LangtonAnt::setAlpha | ( | int | a | ) |
Set the alpha component of the color.
Set the alpha component of the color for a LangtonAnt object.
| a | Alpha component to give to the LangtonAnt object. |


5.9.2 Tests Related to Source Information
These tests provide access to source related information. The
file
and line
tests will fail if no source information is
present. The parent_clause
and parent_pred
tests are
available for interpreted code only, they will fail in
compiled code.
file(
File)
- The current goal is invoked from a file whose absolute name is
File.
line(
File,
Line)
- The current goal is invoked from line Line, from within a file
whose absolute name is File.
line(
Line)
- The current goal is invoked from line Line.
parent_clause(
Cl)
- The current goal is invoked from clause Cl.
parent_clause(
Cl,
Sel)
- The current goal is invoked from clause Cl and within its body it
is pointed to by the subterm selector Sel.
parent_clause(
Cl,
Sel,
I)
- The current goal is invoked from clause Cl, it is pointed to by
the subterm selector Sel within its body, and it is the Ith
goal within it. The goals in the body are counted following their
textual occurrence.
parent_pred(
Pred)
- The current goal is invoked from predicate Pred.
parent_pred(
Pred,
N)
- The current goal is invoked from predicate Pred, clause number
N.
The parent_pred
tests match their first argument against
the functor of the parent predicate in the same way as
the pred
test does, see the notes in the previous section
(Goal Tests).
Send feedback on this subject.


Russia aims to 'modernise' its nuclear arsenal as they test launch new Ballistic missile RS-12M Topol
The test was conducted at the Kapustin Yar military range in southern Russia and that the missile hit the designated target about 2,100 kilometres away in Kazakhstan.
The Russian military is on a mission to upgrade its nuclear arsenal.They have now tested a new intercontinental ballistic missile called the RS-12M Topol.
True to its nature, the Kremlin has revealed very little details about the missile's potential.
The test was conducted at the Kapustin Yar military range in southern Russia and that the missile hit the designated target about 2,100 kilometres away in Kazakhstan.
The visuals of the launch offer an exciting view of the launch which took place at night.
The Topols have been a loyal servant of the Russian military and was inherited from the soviet union. The NATO calls it the SS-25 sickle.
The Kremlin is planning to commission modern and more mobile versions of the missile called the 'Topol-M' in the early 2020s, thereby replacing the older ones.


Work on my projects is going well, and in a few weeks we hope to launch two new websites. The olfactometer (which measures odor dilution ) we are using for the smelly sock project is slowly becoming more functional, which means soon we can start collecting data and having people ship us their socks. As odd as it is to be excited about someone shipping their smelly socks to us, it is a good sign that the original project I was brought over to work on is progressing forward again. The project leader, Salum, is in the process of “training” mosquitos to fly back and forth through the race course (olfactometer’s tubes) and testing response levels of different smells. After a month and a half break from this project, I am happy to be getting back on track.
Here is a picture of Salum and I testing which of our fingers the mosquitos prefer more. Having put his finger in the test chamber after recently washing his hands, my finger which was not recently washed attracted about 15 more mosquitos.
It’s proposal writing season here in Ifakara, and many scientists are writing their ideas to different grant donors. I have read probably close to 20 proposals in the last few weeks with ideas ranging from emergency birthing kits to medicine delivery systems using fixed-winged drones. Yes, drones…and it sounds like the scientist who proposed this idea has already carried out several tests and the institute is starting to invest in his idea. Deadlines for these proposals are coming up soon, so this week has been dedicated to a writing boot camp.
Here is a picture of boot camp. These sessions usually last from 8am to 12am.
They take proposal writing very seriously here, and reviewing these proposals has been my main job over the last few weeks.
Even though the scientists are busy writing their proposals, the mosquitos still have to eat. Here is a picture of my buddy Joseph feeding the latest batch of Anopheles Gambiae mosquitos.
I fed one batch of mosquitos in the same way, and it is not as easy as he makes it look. I originally said that one time would be enough for me, but I may have to feed them again to get photographic proof.
Outside of work I have had a very fun time. Three weeks ago I was able to visit the Udzungwa waterfalls in the Udzungwa Mountains National Park. The trip consisted of a two hour hike up a slippery mountainside, but it was definitely worth it. The best part of the hike was being able to swim in the base of the waterfall and seeing the views from the top.
Other adventures in the past weeks include:
-More cows and bike tours
-Piki piki (motorcycle) rides with friends in the rainy season. There are more puddles than roads right now
-Living with a new roommate for three weeks while the owners traveled
This past weekend I had the chance to visit Iringa, a town 200km northwest of Ifakara. The town is located on a plateau centered between 4 mountains. Its elevation is quite a bit higher than Ifakara’s and it was surprisingly cool. Thursday night in Iringa we camped, and for the first time in 2.5 months, I was cold in Tanzania. The next two nights we stayed in a hostel operated by Tanzanians with disabilities. We checked in and ordered food by writing down what we wanted and handing it to deaf and mute Tanzanians, which I thought was very cool. Not only that, but they connected us to a guide who showed us the city and the famous sights in Iringa.
My new friend David and I at the Gangilonga Rock in Iringa
I have officially reached my half way mark here in Tanzania and am excited what the next few months will bring. Thanks for reading, I will try to update more frequently.


class CommandModule
Used to store commands of the same name, but with different parameter counts/types.
Given user input, Armada will automatically sift through recorded commands of the module and see which one best fits the command structure given by the user.
Author
Boston Vanseghi
Since
2.1.0
<init> |
Used to store commands of the same name, but with different parameter counts/types. CommandModule(tag: String, manager: CommandManager<*>) |
commands |
val commands: MutableList<InternalCommand> |
manager |
val manager: CommandManager<*> |
tag |
val tag: String |
findCandidateCommand |
Finds the most appropriate command to use in handling a set of arguments. Returns null if no such command can be found. fun findCandidateCommand(args: String, context: Context): InternalCommand? |


The Celebration * * * * (out of * * * * )
Directed by Thomas Vinterberg. Cast: Ulrich Thomsen, Henning Moritzen, Thomas Bo Larsen, Paprika Steen, Birthe Neumann, Trine Dyrholm, Helle Dolleris, Gbatokai Dakinah, Therese Glahn, Klaus Bondam, John Boas, Erna Boas. 1998 - 101 minutes - Danish with English subtitles. Rated R (for violence, profanity, sex, and nudity). Reviewed December 10, 1998.
By Dustin Putman
The characters in the Danish director Thomas Vinterberg's remarkable film, "The Celebration," are so full of hate, resentment, and unhappiness, that it sometimes grew nearly unbearable to watch them anymore. And yet, the film is such an emotional powerhouse without going for cheap dramatics that I couldn't turn my back on it.
"The Celebration," is set during a 24-hour period, in which an extended family has gathered at a country estate to celebrate the 60th-birthday of the family patriarch, Helge (Henning Moritzen). Right from the very first scene, in which, on his way to the party, Michael (Thomas Bo Larsen) spots his older brother, Christian (Ulrich Thomsen), travelling by foot, and subsequently throws his own wife and three children out of the car, we get a taste of how dysfunctional this family is. Early on, we also meet Helene (Paprika Steen), Michael and Christian's sister, and Pia (Trine Dyrholm), who has loved Christian ever since chilhood, but has not been able to connect with him since his twin sister committed suicide two months ago. All of these characters and story threads finally come together at the actual birthday celebration that night, in which everything begins to unravel and fall apart when Christian, giving a speech at dinner, unexpectedly reveals some brutal hidden secrets that he has kept bottled up for years about his father, Helge.
"The Celebration," is the first film to be released under Dogme 95, a Danish film agreement established in Copenhagen, which requires the director to make the film with a hand-held camera using natural light, and without any sort of special-effects or music score. The purpose is to give the Dogme 95 films a realism and aspect of spontaneity that could not be captured otherwise. Considering this, "The Celebration," is an interesting first experiment, but also an, overall, exceptional motion picture that, truth be told, gives off an air of instinctivity and nauralism that has never been caught in a fictional film before.
Aside from this truly unique aspect, "The Celebration," is a brutal, unbelievably stark motion picture about family wounds and secrets. It would be criminal to spoil the surprises within, but once Christian reveals his past to the whole family, I was in a state of shock and dread throughout the rest of the film. Prior to this fateful moment, I had pretty much decided what I thought of all of the characters---I liked Christian and Helge, but found Michael to be a despicable, abusive human being---but once that turning point came, the film forced me to question and judge the family again, as individuals and as a whole. And even as more and more striking plot developments occurred, I had a difficult time deciphering the good from the bad, and the truth from what could very well be dirty, unforgivable lies.
The actors, most of which appeared in Vinterberg's first, and lesser known film, "The Greatest Heroes," are all meticulous and unforgettable, from Ulrich Thomsen, as Christian, who feels it is time to get his miserable childhood out in the open, to Thomas Bo Larsen as the edgy Michael, to Paprika Steen, as Helene, who turns out to be hiding secrets of her own. Henning Moritzen was perfect as the father, Helge, who drifts throughout the film as being both touching and helpless, even though we sense he is capable of some very terrible things. Also making an impact is Gbatokai Dakinah, as Helene's black boyfriend who shows up unnanouced at the party, much to the disgrace of the rest of the family. The camerawork and cinematography by Birgitte Hald, as in the Dogme rules, was done with a hand-held camera, which was a smart choice, since the shaky, unsettling movements reflect the family's gradually crumbling relationship in the film. The picture was also filmed in drab, yellow-brownish colors which also telegraphed the idea of a family off-balance.
 In a decidedly weak year for movies, "The Celebration," is certainly one of the year's very best. It made me feel things deep inside myself, which caught me by an even greater surprise, when compared to the trivialities of most of the films being made in today's times. There was never a false moment to be had; not with the characters, or the writing, which is superb, or with the deep truths of the story. When, "The Celebration," ended, it left me with conflicting emotions about what had gone on between the family. On the one hand, I had the suspicion that maybe the family would be able to work things out, but that was only my own ideal thoughts. In actuality, I knew that when one person simply told the other, "you can go now," that was the definitive end to the family, and yet, the start of happiness and relief from some of the characters. Funny, how a harmless get-together between loved-ones can start out as a rejoicing of togetherness, and end as a rejoicing of separation between those who now hate each other.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
Vienna Vulkan Engine
|
Store a mesh in a Vulkan vertex and index buffer. More...
#include <VEMaterial.h>
Public Member Functions | |
| VEMesh (std::string name, const aiMesh *paiMesh) | |
| VEMesh constructor from an Assimp aiMesh. More... | |
| VEMesh (std::string name, std::vector< vh::vhVertex > &vertices, std::vector< uint32_t > &indices) | |
| VEMesh constructor from a vertex and an index list. More... | |
| ~VEMesh () | |
| Destroy the vertex and index buffers. | |
| Public Member Functions inherited from ve::VENamedClass | |
| VENamedClass (std::string name) | |
| Constructor. | |
| ~VENamedClass () | |
| Destructor. | |
| std::string | getName () |
Public Attributes | |
| uint32_t | m_vertexCount = 0 |
| Number of vertices in the vertex buffer. | |
| uint32_t | m_indexCount = 0 |
| Number of indices in the index buffer. | |
| VkBuffer | m_vertexBuffer = VK_NULL_HANDLE |
| Vulkan vertex buffer handle. | |
| VmaAllocation | m_vertexBufferAllocation = nullptr |
| VMA allocation info. | |
| VkBuffer | m_indexBuffer = VK_NULL_HANDLE |
| Vulkan index buffer handle. | |
| VmaAllocation | m_indexBufferAllocation = nullptr |
| VMA allocation info. | |
| glm::vec3 | m_boundingSphereCenter = glm::vec3(0.0f, 0.0f, 0.0f) |
| center of bounding sphere in local space | |
| float | m_boundingSphereRadius = 1.0 |
| Radius of bounding sphere in local space. | |
Additional Inherited Members | |
| Protected Attributes inherited from ve::VENamedClass | |
| std::string | m_name |
| Name of this instance. | |
Store a mesh in a Vulkan vertex and index buffer.
VEMesh stores a mesh in a Vulkan vertex and index buffer. For both buffers, also the VMA allocation information is stored.
| ve::VEMesh::VEMesh | ( | std::string | name, |
| const aiMesh * | paiMesh | ||
| ) |
| ve::VEMesh::VEMesh | ( | std::string | name, |
| std::vector< vh::vhVertex > & | vertices, | ||
| std::vector< uint32_t > & | indices | ||
| ) |
VEMesh constructor from a vertex and an index list.
| [in] | name | The name of the mesh. |
| [in] | vertices | A list of vertices to be used |
| [in] | indices | A list of indices to be used |


When faced with a tough financial situation, whether over-indebtedness or the threat thereof, it is important for consumers to understand the debt management solutions open to them, and the pros and cons of these solutions for each. Obviously, different solutions will fit different circumstances, and consumers should ensure they choose DebtSorted for solutions best suited to their specific situation.
Debt is something that affects more than 95% of South African consumers"I was having such problems and I had no idea what to do to get out of the trouble I was in. DebtSorted changed all of that for me and my monthly repayments have been almost halved. I can breathe again! Thank you DebtSorted!"
"DebtSorted changed my life for the better. My bills are all getting paid now, and I can still afford to live. Thank you!"
DebtSorted Solutions also known as Debt Management Plans are when you reach an agreement with your creditors to repay your debts at a lower rate; one that is more affordable to you
These DebtSorted solutions can come in many forms and from many different places, but one thing they all have in common is the benefit they provide to those who take advantage of them


---
layout: post
title: The best powerpoint presentation I have EVER seen
date: 2010-12-19 16:35:00.000000000 -05:00
comments: true
categories: []
published: true
---
There is no hyperbole there. Don't believe me? Watch the video:
Then, if you are so adventurous, check out the actual presentation. However, you have to give it some time to load - because it is 450 slides of pure animation.


Welcome to MTNeedlet’s documentation!¶
MTNeedlet is a small Python package created to filter spherical (Healpix) maps and analyse the maxima population. It has been developed with the CMB in mind, but it can be applied to other spherical maps. It pivots around three basic steps:
The calculation of several types of needlets and their possible use to filter maps.
The detection of maxima (or minima) on spherical maps, their visualization and basic analysis.
The multiple testing approach in order to detect anomalies in the maxima population of the maps with respect to the expected behaviour for a random Gaussian map.
The original code was created to reproduce the results on 1 and it was later used to produce the results on 2. This software heavily relies on Healpy (the Healpix implementation for Python) to eficiently deal with spherical maps.
Indices and tables¶
- 1
Cheng, D., Cammarota, V., Fantaye, Y., Marinucci, D., & Schwartzman, A. (2016). Multiple testing of local maxima for detection of peaks on the (celestial) sphere. Bernoulli, in press, arXiv preprint arXiv:1602.08296.
- 2
Carron Duque, J., Buzzelli, A., Fantaye, Y., Marinucci, D., Schwartzman, A., & Vittorio, N. (2019). Point Source Detection and False Discovery Rate Control on CMB Maps. Astronomy and Computing https://doi.org/10.1016/j.ascom.2019.100310 .


I've picked up some skills in business admistration and industry-specific areas that are worth noting. From
poring over numerous as-builts, control prints, and historical sources in the City and County of Honolulu's Storm
Water project I've learned how to read civil engineering plans and understand utility layout and specification. That project
also introduced me to the EPA NPDES program and its requirements. I've authored multiple business proposals and project
work plans, and handled business licensing and certification. Marketing to prospective clients is another skill and
something I've done since my Woolpert tenure, and something doubly necessary when I started my own firm.
I'm comfortable communicating specific project goals and requirements to groups of technicians and non-technical audiences
and adjusting the delivery style and content as warranted.
Working with end-users is an integral part of many
GIS projects being able to work productively with them is a skill in itself. Being able to lead and manage a team
of coworkers is important, too, and something I did during the Conversion phase of the CCH Storm Water project.


--- layout: post title: table case sensitivity date: type: post published: false status: draft categories: [] tags: [] meta: _edit_last: '1' author: login: admin email<EMAIL_ADDRESS>display_name: admin first_name: '' last_name: '' ---
lower_case_table_names=1
case-insensitivity of tables, and the bad frameworks
(which create a new database!!!)


X
TitleTitleTitleTitleTitleTitleTitleTitleTitleTitleTitleTitleTitle
This is the notification messageThis is the notification message This is the notification message This is the notification message This is the notification message


HGrid: Getting Data From A Server
To get data from a server, just pass a URL to the
data
option for HGrid.


A car loan (also known as an automobile loan, or auto loan) is a sum of money a consumer borrows in order to purchase a car. Generally speaking a loan is an amount of money that is lent to an individual, a business, or another entity. The party that lends the money is known as the lender, while the party borrowing the money is called the borrower. When taking out a loan a borrower agrees to pay back the full loan amount, as well as any interest (a percentage of the loan amount, usually calculated on an annual basis), by a certain date, typically by making monthly payments.
| Bank | Car Loan Interest Rates | Lowest EMI per Lakh for Max Tenure | Maximum Loan Amount |
|---|---|---|---|
| HDFC Bank | 8.10% Fixed | Rs. 1,564 for 7 years | 100% of ex-showroom price |
| SBI Bank | 8% Floating | Rs. 1,559 for 7 years | 85% of ex-showroom price |
| ICICI Bank | 9.3% Fixed | Rs. 1,624 for 7 years | 100% of ex-showroom price |
| Axis Bank | 9.25% Fixed | Rs. 1,622 for 7 years | 100% of on-road price |
| Indusind Bank | 10.65% Fixed | Rs. 2,157 for 5 years | 85% of ex-showroom price |
| Kotak Bank | 11.50% Fixed | Rs. 2,199 for 5 years | 90% of ex-showroom price |
| PNB | 8.75% Fixed | Rs. 1,596 for 7 years | 85% of on-road price |
| Union Bank of India | 8.60% Fixed | Rs. 1,589 for 7 years | 85% of on-road price |
| IDBI Bank | 9.3% Fixed | Rs. 1,624 for 7 years | 90% of ex-showroom price |
| Bank of India | 9.5% Floating | Rs. 1,634 for 7 years | 85% of on-road price |
| Bank of Baroda | 8.9% Floating | Rs. 1,604 for 7 years | 85% of on-road price |


Tools module (quspin.tools
)¶
Classes and functions to manipulate quantum states and do calculations.
evolution¶
|
Calculates the time evolution of initial state using a complete eigenbasis. |
|
Implements (imaginary) time evolution for a user-defined first-order ODE. |
|
Implements scipy.sparse.linalg.expm_multiply() for openmp. |
Lanczos¶
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Creates Lanczos basis; diagonalizes Krylov subspace in Lanczos basis. |
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Creates generator for Lanczos basis; diagonalizes Krylov subspace in Lanczos basis. |
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Calculates action of matrix exponential on vector using Lanczos algorithm. |
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Computes a linear combination of the Lanczos basis vectors: |
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Calculate iteration for low-temperature Lanczos method. |
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Calculate iteration for Finite-Temperature Lanczos method. |
Floquet¶
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Calculates the Floquet spectrum, Floquet Hamiltonian and Floquet states. |
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Creates a Floquet time vector with fixed number of points per period. |
measurements¶
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DEPRECATED (cf basis.ent_entropy). |
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Calculates expectation values in the Diagonal ensemble of the initial state. |
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Calculates expectation value of observable(s) as a function of time in a time-dependent state. |
block_tools¶
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Splits up the dynamics of a state over various symmetry sectors. |
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Block-diagonalises a Hamiltonian obeying a symmetry. |
misc¶
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Calculates omp-parallelized matrix vector products. |
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Determines automatically the matrix vector product routine for an array based on its type. |
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Calculates the mean-level spacing of an energy spectrum. |
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Projects observable onto symmetry-reduced subspace. |
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Calculates Kullback-Leibler divergence of two discrete probability distributions. |
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DEPRICATED (cf matvec). |