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--- layout: post tags: [ASP.NET MVC, Dependency Injection, Services, ASP.NET Web API] date: 2012-04-17 15:17:05 UTC title: "Injecting HttpControllerContext With the ASP.NET Web API" --- {% include JB/setup %}
The ASP.NET Web API (beta) defines a class called HttpControllerContext. As the name implies, it provides a context for a Controller. This article describes how to inject an instance of this class into a Service.
A Service may need an instance of the HttpControllerContext class. For an example, see the RouteLinker class in my previous post. A Controller, on the other hand, may depend on such a Service:
public CatalogController(IResourceLinker resourceLinker)
How can a CatalogController instance be wired up with an instance of RouteLinker, which again requires an instance of HttpControllerContext? In contrast to the existing ASP.NET MVC API, there's no easy way to read the current context. There's no HttpControllerContext.Current method or any other easy way (that I have found) to refer to an HttpControllerContext as part of the Composition Root.
True: it's easily available as a property on a Controller, but at the time of composition, there's no Controller instance (yet). A Controller instance is exactly what the Composition Root is attempting to create. This sounds like a circular reference problem. Fortunately, it's not.
For Poor Man's DI, the solution is relatively simple. As I've previously described, by default the responsibility of creating Controller instances is handled by an instance of IHttpControllerActivator. This is, essentially, the Composition Root (at least for all Controllers).
The Create method of that interface takes exactly the HttpControllerContext required by RouteLinker - or, put differently: the framework will supply an instance every time it invokes the Create method. Thus, a custom IHttpControllerActivator solves the problem:
public class PoorMansCompositionRoot : IHttpControllerActivator { public IHttpController Create( HttpControllerContext controllerContext, Type controllerType) { if (controllerType == typeof(CatalogController)) { var url = HttpContext.Current.Request.Url; var baseUri = new UriBuilder( url.Scheme, url.Host, url.Port).Uri; return new CatalogController( new RouteLinker( baseUri, controllerContext)); } // Handle other types here... } }
The controllerContext parameter is simply passed on to the RouteLinker constructor.
The only thing left is to register the PoorMansCompositionRoot with the ASP.NET Web API. This can be done in Global.asax by using the GlobalConfiguration.Configuration.ServiceResolver.SetResolver method, as described in my previous post. Just resolve IHttpControllerActivator to an instance of PoorMansCompositionRoot.
Comments
http://forums.asp.net/1246.aspx/1?Web+API
i think i might create one and reference this article directly if thats ok?
i upvoted your uservoice issue and there seems to be another one more generally on DI for asp.net http://aspnet.uservoice.com/forums/41199-general-asp-net/suggestions/487734-put-ioc-front-and-centre
doesn't seem like they listen to anyone though....
will add some more examples to the thread over the weekend
http://forums.asp.net/p/1795175/4943052.aspx/1?p=True&t=634705120844896186
I would also like to look at it differently. ControllerContext is a volatile object with its lifetime spanning only a single method. It is true that we typically limit the lifetime of a controller to a single method but it can be different.
One major difference here is that ControllerContext is not a classic dependency since it is added AFTER the object creation by the framework and not provided by the DI frameqork. As such I could resort to an Initialise method on my RouteLinker object, making it responsibility of controller to provide such volatile information.


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About
The purpose of this application is to assist policy-makers with engaging stakeholders in an entrepreneurial discovery process and communicating the resulting vision to them. The development of a vision is an integral part of the RIS3 process. A vision outlines:
- Where the region would like to be in the future and
- What its main goals are and why they are important
In effect, the vision acts as a guideline for future decisions and policies in the region. Yet, a vision statement shouldn’t be just a bland statement that’s light-mindedly and solely formed by the regional authorities and hidden somewhere in formal documents. Instead, the vision should be shared. It should be built by engaging regional stakeholders, such as companies, citizens, educational institutions, NGOs, in an entrepreneurial discovery process , where they discover and produce information about potential new activities and identify opportunities that emerge from this interaction. Meanwhile, the policy-makers should assess the outcomes and ways to facilitate the realisation of this potential. Most importantly, the formed vision should be widely communicated back to the stakeholders.
This application consists of information material, that can be used for vision sharing and inviting the stakeholders to the RIS3 process, and links to external services that can be used to create customised information material. The actual vision is done in phase 3 as part of the application 3.1.


Hi,
I have a home PV install that I was thinking of picking up the emon Pi to monitor my usage in real time. Now, separately, my 3 phase generator has been acting up. It has blown 5 surge protectors in my house during a generator test last week. The company I bought the generator from took it in and said it's fine. I would like to hook up a sensor and let the generator run overnight, then look at the output.
Is emon what I should be looking at? I wanted to use the sensor on my home PV after I troubleshoot the generator. Maybe i should be looking at some other kind of electrical analyzer?
Thanks
Re: Can I use emon Pi to monitor/analyze 3 phase generator output?
I think you have two conflicting needs there.
The emonPi on its own will monitor one voltage and two currents. If you have a 3-phase installation, that's not enough, so you'll need to use the Pi as an emonBase and add (possibly a few) emonTx's hard-wired with a serial connection or reporting by radio to have enough inputs to be meaningful.
Now the emon system is designed for energy monitoring, but though you could possibly write software to do the generator trouble-shooting duty, I wouldn't like to guarantee that it's anywhere near fit for that purpose. If you're heading towards a contractual argument with the generator manufacturer, then you probably need to be looking at hiring some specialised monitoring equipment that's specifically designed to detect and record power supply disturbances (and maybe the expertise that goes with it). Unfortunately, this doesn't come cheap.
Is it possible that you need more substantial surge protectors than the ones you had? You don't say what they were nor where they were located, but again my feeling is that if your generator put big spikes on your supply, then you need a big 3-phase surge limiter at the generator infeed.
Here is as good a place as any to start. I fitted one of the ABB range into a friend's system after he'd had several items blown up, allegedly by spikes from his neighbour's milking machine (he's on a farm) and as far as I know, he's had no trouble since.


Hi,
Just to understand the way samples are made on emonTx V3.
I can understand from the code that if there is a power source the cycle does the following:
1) CT1 calculation of the real power on 20 half_wavelengths (so is 1/5 of a second if we have 50hz of AC frequency)
2) CT2 the same after CT1
3) CT3 the same after CT2
4) CT4 the same
So we measure the power only on... let's say 1/5 of a second on each different phase and than we assume that this power remains the same during the rest of the second.
If the device is powered with battery instead it does calculate Irms on 1480 samples for each CT and then goes to sleep.
Is it right?
Where I can find (if there is one) an explanation of the logic that underlines the firmware?
Thanks in advance
Re: Question about emonTx V3 sampling method
That is all correct - except that it is 10 s between sets of readings. The logic is - as far as I know - not written down in one place anywhere. However, the comments to the code and the various Building Blocks articles explain particular points.
Re: Question about emonTx V3 sampling method
Thanks for the explanation, please two more answers :)
1) When the device is battery powered, why 1480 samples? It corresponds to 20 half_wavelengths?
2) Finally we have one sample every 10 seconds, I suppose this is considered a good compromise between accuracy and device energy consumption; in fact we could miss energy peaks. Is this right?
Thanks in advance.
Re: Question about emonTx V3 sampling method
1480 samples is the number that has always been used. It is a compromise (maybe not the best) because you are aiming for the smallest "end-effect" so that the error arising from sampling only part of a full cycle is small and averaged out of as many cycles as reasonably possible. (But of course on battery power you want to keep it alive for the minimum period of time.) Feel free to change the number if you wish. The best way to approach that is to time how many samples you actually get per second (using millis( )), and calculate how many samples you get in an integral number of cycles over about 0.2 s.
Yes, you are right, you will miss some peaks. But you will also miss troughs so hopefully over time these will average out.
Be aware that if you do have battery power, you can only measure current, and you assume a voltage and load power factor in order to estimate power and energy.


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title: Page 107
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{% raw %}jim's evidence. 109{% endraw %}
{% raw %}was not the Captain of their band, but had newly beeu{% endraw %}
{% raw %}initiated in it. Ou the evening previous to the murder, an{% endraw %}
{% raw %}appointment had been made for himself aud Carnes to meet{% endraw %}
{% raw %}next morning in the woods, to lay plans for further operations.{% endraw %}
{% raw %}He had seen Carnes shoot and afterward hide his gun, before{% endraw %}
{% raw %}he (Carnes) perceived his approach through the trees. They{% endraw %}
{% raw %}retired, on meeting, to a thicket in a ravine, where they must{% endraw %}
{% raw %}have remained until Newcome was taken ; after which they{% endraw %}
{% raw %}went across the prairie over toward the Platte, to get some{% endraw %}
{% raw %}ponies stolen from the Kansas Indians.{% endraw %}
{% raw %}No one listened to this recital with more intense interest{% endraw %}
{% raw %}than Flag and Allen, for it furnished the one missing liuk—{% endraw %}
{% raw %}the one item of positive evidence which was lacking to make{% endraw %}
{% raw %}every thing clear.{% endraw %}
{% raw %}"Did you see Mr, Newcome at that time?" asked a{% endraw %}
{% raw %}citizen.{% endraw %}
{% raw %}"Yes; I was about half-way between Newcome and{% endraw %}
{% raw %}Carnes. I was lookin' for Carnes, and at first thought it was{% endraw %}
{% raw %}him when I saw Newcome. He was going along, holding{% endraw %}
{% raw %}his gun kind o' careless, shakin' his head and seemin' to be{% endraw %}
{% raw %}mad about something. His gun went off 'bout the same time{% endraw %}
{% raw %}Carnes fired, aud I reckon it was jist an accident from bis{% endraw %}
{% raw %}bein' so careless. It's likely Carnes knew who would be{% endraw %}
{% raw %}arrested, for I heerd him say thar' was an awful quarrel{% endraw %}
{% raw %}atween the Doctor and Newcome 'bout the claim. An' that's{% endraw %}
{% raw %}all I know to tell."{% endraw %}
{% raw %}" Why didn't you come forward before, when you knew{% endraw %}
{% raw %}an innocent man was to suffer for the murder?" asked{% endraw %}
{% raw %}Allen.{% endraw %}
{% raw %}" We don't blow on oue 'nother in our band, 'cept we have{% endraw %}
{% raw %}good reason," answered Jim, gruffiy. What the man's secret{% endraw %}
{% raw %}spite against Carnes was be did not reveal.{% endraw %}
{% raw %}The crowd, now swelled aud degenerated into a mob, was{% endraw %}
{% raw %}growing more and more excited every moment. Apprehend¬{% endraw %}
{% raw %}ing violence, the most quiet and orderly citizens withdrew,{% endraw %}
{% raw %}and returned to their homes. Allen, although he still remon¬{% endraw %}
{% raw %}strated against the abuse of the law, now saw that remonstrance{% endraw %}
{% raw %}was in vain, and not wishing to witness the operations of{% endraw %}
{% raw %}Judge Lynch, hastily extricated himself from the throng, and{% endraw %}
{% raw %}escaped to his office, which he locked to prevent intrusion.{% endraw %}


Some of you are confused about alignment in Semantic UI, just like this cat:
Your teaching assistant has therefore created some very rough examples for you to refer to
['foo', 'bar', 'baz']
is shorter than ['murphy\'s', 'bar', 'grill']
though,
and murphy's
is not a valid variable name)
center aligned
, images are still not centered;
center aligned
appears to apply only to text
and so the centered
class must still be applied
to images and other components within the column
Combining horizontal and vertical alignment is left as an exercise for the reader


--- layout: default title: Home --- {% include header.html has_sticky_navigation='true' exclude_main_nav='true' %} Let’s Create Your Team Get developers up & running in seconds Not a member? You can use either the email that you registered to Koding or your username. Forgot password? Your password should be a minimum of 8 characters. This part of your team URL will also be used as your team name. You can change it later. All members of your team will use this URL to access Koding. Company size... 1-10 11-20 21-50 51-200 200+ Remote team members... 1 - 5 members 6 - 10 members 11 - 25 members 26 - 100 members How complex is your application stack? Simple (single db, app and web servers) Complex (multiple servers, db's, scripts) It requires a PhD to understand! GET STARTED {% include analytics.html %}


--- layout: default --- {% include header_small.html %}
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Delete all your wallet data in your web browser, including your encrypted secret keys and mnemonics. If you have coins in your wallet or waiting for receiving coins, make sure you have the seed cards or mnemonics before deleting it. Otherwise you will lost your coins forever.


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A few months ago a co-worker shared with me an awesome alternate lipsum ipsum site. The
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| Opcode*** | Instruction | Op/En | 64-Bit Mode | Compat/Leg Mode | Description |
|---|---|---|---|---|---|
| D0 /4 | SAL r/m8, 1 | M1 | Valid | Valid | Multiply r/m8 by 2, once. |
| REX + D0 /4 | SAL r/m8**, 1 | M1 | Valid | N.E. | Multiply r/m8 by 2, once. |
| D2 /4 | SAL r/m8, CL | MC | Valid | Valid | Multiply r/m8 by 2, CL times. |
| REX + D2 /4 | SAL r/m8**, CL | MC | Valid | N.E. | Multiply r/m8 by 2, CL times. |
| C0 /4 ib | SAL r/m8, imm8 | MI | Valid | Valid | Multiply r/m8 by 2, imm8 times. |
| REX + C0 /4 ib | SAL r/m8**, imm8 | MI | Valid | N.E. | Multiply r/m8 by 2, imm8 times. |
| D1 /4 | SAL r/m16, 1 | M1 | Valid | Valid | Multiply r/m16 by 2, once. |
| D3 /4 | SAL r/m16, CL | MC | Valid | Valid | Multiply r/m16 by 2, CL times. |
| C1 /4 ib | SAL r/m16, imm8 | MI | Valid | Valid | Multiply r/m16 by 2, imm8 times. |
| D1 /4 | SAL r/m32, 1 | M1 | Valid | Valid | Multiply r/m32 by 2, once. |
| REX.W + D1 /4 | SAL r/m64, 1 | M1 | Valid | N.E. | Multiply r/m64 by 2, once. |
| D3 /4 | SAL r/m32, CL | MC | Valid | Valid | Multiply r/m32 by 2, CL times. |
| REX.W + D3 /4 | SAL r/m64, CL | MC | Valid | N.E. | Multiply r/m64 by 2, CL times. |
| C1 /4 ib | SAL r/m32, imm8 | MI | Valid | Valid | Multiply r/m32 by 2, imm8 times. |
| REX.W + C1 /4 ib | SAL r/m64, imm8 | MI | Valid | N.E. | Multiply r/m64 by 2, imm8 times. |
| D0 /7 | SAR r/m8, 1 | M1 | Valid | Valid | Signed divide* r/m8 by 2, once. |
| REX + D0 /7 | SAR r/m8**, 1 | M1 | Valid | N.E. | Signed divide* r/m8 by 2, once. |
| D2 /7 | SAR r/m8, CL | MC | Valid | Valid | Signed divide* r/m8 by 2, CL times. |
| REX + D2 /7 | SAR r/m8**, CL | MC | Valid | N.E. | Signed divide* r/m8 by 2, CL times. |
| C0 /7 ib | SAR r/m8, imm8 | MI | Valid | Valid | Signed divide* r/m8 by 2, imm8 time. |
| REX + C0 /7 ib | SAR r/m8**, imm8 | MI | Valid | N.E. | Signed divide* r/m8 by 2, imm8 times. |
| D1 /7 | SAR r/m16,1 | M1 | Valid | Valid | Signed divide* r/m16 by 2, once. |
| D3 /7 | SAR r/m16, CL | MC | Valid | Valid | Signed divide* r/m16 by 2, CL times. |
| C1 /7 ib | SAR r/m16, imm8 | MI | Valid | Valid | Signed divide* r/m16 by 2, imm8 times. |
| D1 /7 | SAR r/m32, 1 | M1 | Valid | Valid | Signed divide* r/m32 by 2, once. |
| REX.W + D1 /7 | SAR r/m64, 1 | M1 | Valid | N.E. | Signed divide* r/m64 by 2, once. |
| D3 /7 | SAR r/m32, CL | MC | Valid | Valid | Signed divide* r/m32 by 2, CL times. |
| REX.W + D3 /7 | SAR r/m64, CL | MC | Valid | N.E. | Signed divide* r/m64 by 2, CL times. |
| C1 /7 ib | SAR r/m32, imm8 | MI | Valid | Valid | Signed divide* r/m32 by 2, imm8 times. |
| REX.W + C1 /7 ib | SAR r/m64, imm8 | MI | Valid | N.E. | Signed divide* r/m64 by 2, imm8 times |
| D0 /4 | SHL r/m8, 1 | M1 | Valid | Valid | Multiply r/m8 by 2, once. |
| REX + D0 /4 | SHL r/m8**, 1 | M1 | Valid | N.E. | Multiply r/m8 by 2, once. |
| D2 /4 | SHL r/m8, CL | MC | Valid | Valid | Multiply r/m8 by 2, CL times. |
| REX + D2 /4 | SHL r/m8**, CL | MC | Valid | N.E. | Multiply r/m8 by 2, CL times. |
| C0 /4 ib | SHL r/m8, imm8 | MI | Valid | Valid | Multiply r/m8 by 2, imm8 times. |
| REX + C0 /4 ib | SHL r/m8**, imm8 | MI | Valid | N.E. | Multiply r/m8 by 2, imm8 times. |
| D1 /4 | SHL r/m16,1 | M1 | Valid | Valid | Multiply r/m16 by 2, once. |
| D3 /4 | SHL r/m16, CL | MC | Valid | Valid | Multiply r/m16 by 2, CL times. |
| C1 /4 ib | SHL r/m16, imm8 | MI | Valid | Valid | Multiply r/m16 by 2, imm8 times. |
| D1 /4 | SHL r/m32,1 | M1 | Valid | Valid | Multiply r/m32 by 2, once. |
| Opcode | Instruction | Op/En | 64-Bit Mode | Compat/Leg Mode | Description |
|---|---|---|---|---|---|
| REX.W + D1 /4 | SHL r/m64,1 | M1 | Valid | N.E. | Multiply r/m64 by 2, once. |
| D3 /4 | SHL r/m32, CL | MC | Valid | Valid | Multiply r/m32 by 2, CL times. |
| REX.W + D3 /4 | SHL r/m64, CL | MC | Valid | N.E. | Multiply r/m64 by 2, CL times. |
| C1 /4 ib | SHL r/m32, imm8 | MI | Valid | Valid | Multiply r/m32 by 2, imm8 times. |
| REX.W + C1 /4 ib | SHL r/m64, imm8 | MI | Valid | N.E. | Multiply r/m64 by 2, imm8 times. |
| D0 /5 | SHR r/m8,1 | M1 | Valid | Valid | Unsigned divide r/m8 by 2, once. |
| REX + D0 /5 | SHR r/m8**, 1 | M1 | Valid | N.E. | Unsigned divide r/m8 by 2, once. |
| D2 /5 | SHR r/m8, CL | MC | Valid | Valid | Unsigned divide r/m8 by 2, CL times. |
| REX + D2 /5 | SHR r/m8**, CL | MC | Valid | N.E. | Unsigned divide r/m8 by 2, CL times. |
| C0 /5 ib | SHR r/m8, imm8 | MI | Valid | Valid | Unsigned divide r/m8 by 2, imm8 times. |
| REX + C0 /5 ib | SHR r/m8**, imm8 | MI | Valid | N.E. | Unsigned divide r/m8 by 2, imm8 times. |
| D1 /5 | SHR r/m16, 1 | M1 | Valid | Valid | Unsigned divide r/m16 by 2, once. |
| D3 /5 | SHR r/m16, CL | MC | Valid | Valid | Unsigned divide r/m16 by 2, CL times |
| C1 /5 ib | SHR r/m16, imm8 | MI | Valid | Valid | Unsigned divide r/m16 by 2, imm8 times. |
| D1 /5 | SHR r/m32, 1 | M1 | Valid | Valid | Unsigned divide r/m32 by 2, once. |
| REX.W + D1 /5 | SHR r/m64, 1 | M1 | Valid | N.E. | Unsigned divide r/m64 by 2, once. |
| D3 /5 | SHR r/m32, CL | MC | Valid | Valid | Unsigned divide r/m32 by 2, CL times. |
| REX.W + D3 /5 | SHR r/m64, CL | MC | Valid | N.E. | Unsigned divide r/m64 by 2, CL times. |
| C1 /5 ib | SHR r/m32, imm8 | MI | Valid | Valid | Unsigned divide r/m32 by 2, imm8 times. |
| REX.W + C1 /5 ib | SHR r/m64, imm8 | MI | Valid | N.E. | Unsigned divide r/m64 by 2, imm8 times. |
NOTES:
* Not the same form of division as IDIV; rounding is toward negative infinity.
** In 64-bit mode, r/m8 can not be encoded to access the following byte registers if a REX prefix is used: AH, BH, CH, DH.
***See IA-32 Architecture Compatibility section below.
| Op/En | Operand 1 | Operand 2 | Operand 3 | Operand 4 |
| M1 | ModRM:r/m (r, w) | 1 | NA | NA |
| MC | ModRM:r/m (r, w) | CL | NA | NA |
| MI | ModRM:r/m (r, w) | imm8 | NA | NA |
Shifts the bits in the first operand (destination operand) to the left or right by the number of bits specified in the second operand (count operand). Bits shifted beyond the destination operand boundary are first shifted into the CF flag, then discarded. At the end of the shift operation, the CF flag contains the last bit shifted out of the destination operand.
The destination operand can be a register or a memory location. The count operand can be an immediate value or the CL register. The count is masked to 5 bits (or 6 bits if in 64-bit mode and REX.W is used). The count range is limited to 0 to 31 (or 63 if 64-bit mode and REX.W is used). A special opcode encoding is provided for a count of 1.
The shift arithmetic left (SAL) and shift logical left (SHL) instructions perform the same operation; they shift the bits in the destination operand to the left (toward more significant bit locations). For each shift count, the most significant bit of the destination operand is shifted into the CF flag, and the least significant bit is cleared (see Figure 7-7 in the Intel® 64 and IA-32 Architectures Software Developer’s Manual, Volume 1).
The shift arithmetic right (SAR) and shift logical right (SHR) instructions shift the bits of the destination operand to the right (toward less significant bit locations). For each shift count, the least significant bit of the destination operand is shifted into the CF flag, and the most significant bit is either set or cleared depending on the instruction type. The SHR instruction clears the most significant bit (see Figure 7-8 in the Intel® 64 and IA-32 Architectures Software Developer’s Manual, Volume 1); the SAR instruction sets or clears the most significant bit to correspond to the sign (most significant bit) of the original value in the destination operand. In effect, the SAR instruction fills the empty bit position’s shifted value with the sign of the unshifted value (see Figure 7-9 in the Intel® 64 and IA-32 Architectures Software Developer’s Manual, Volume 1).
The SAR and SHR instructions can be used to perform signed or unsigned division, respectively, of the destination operand by powers of 2. For example, using the SAR instruction to shift a signed integer 1 bit to the right divides the value by 2.
Using the SAR instruction to perform a division operation does not produce the same result as the IDIV instruction. The quotient from the IDIV instruction is rounded toward zero, whereas the “quotient” of the SAR instruction is rounded toward negative infinity. This difference is apparent only for negative numbers. For example, when the IDIV instruction is used to divide -9 by 4, the result is -2 with a remainder of -1. If the SAR instruction is used to shift -9 right by two bits, the result is -3 and the “remainder” is +3; however, the SAR instruction stores only the most significant bit of the remainder (in the CF flag).
The OF flag is affected only on 1-bit shifts. For left shifts, the OF flag is set to 0 if the most-significant bit of the result is the same as the CF flag (that is, the top two bits of the original operand were the same); otherwise, it is set to 1. For the SAR instruction, the OF flag is cleared for all 1-bit shifts. For the SHR instruction, the OF flag is set to the most-significant bit of the original operand.
In 64-bit mode, the instruction’s default operation size is 32 bits and the mask width for CL is 5 bits. Using a REX prefix in the form of REX.R permits access to additional registers (R8-R15). Using a REX prefix in the form of REX.W promotes operation to 64-bits and sets the mask width for CL to 6 bits. See the summary chart at the beginning of this section for encoding data and limits.
The 8086 does not mask the shift count. However, all other IA-32 processors (starting with the Intel 286 processor) do mask the shift count to 5 bits, resulting in a maximum count of 31. This masking is done in all operating modes (including the virtual-8086 mode) to reduce the maximum execution time of the instructions.
IF 64-Bit Mode and using REX.W THEN countMASK ← 3FH; ELSE countMASK ← 1FH; FI tempCOUNT ← (COUNT AND countMASK); tempDEST ← DEST; WHILE (tempCOUNT ≠ 0) DO IF instruction is SAL or SHL THEN CF ← MSB(DEST); ELSE (* Instruction is SAR or SHR *) CF ← LSB(DEST); FI; IF instruction is SAL or SHL THEN DEST ← DEST ∗ 2; ELSE IF instruction is SAR THEN DEST ← DEST / 2; (* Signed divide, rounding toward negative infinity *) ELSE (* Instruction is SHR *) DEST ← DEST / 2 ; (* Unsigned divide *) FI; FI; tempCOUNT ← tempCOUNT – 1; OD; (* Determine overflow for the various instructions *) IF (COUNT and countMASK) = 1 THEN IF instruction is SAL or SHL THEN OF ← MSB(DEST) XOR CF; ELSE IF instruction is SAR THEN OF ← 0; ELSE (* Instruction is SHR *) OF ← MSB(tempDEST); FI; FI; ELSE IF (COUNT AND countMASK) = 0 THEN All flags unchanged; ELSE (* COUNT not 1 or 0 *) OF ← undefined; FI; FI;
The CF flag contains the value of the last bit shifted out of the destination operand; it is undefined for SHL and SHR instructions where the count is greater than or equal to the size (in bits) of the destination operand. The OF flag is affected only for 1-bit shifts (see “Description” above); otherwise, it is undefined. The SF, ZF, and PF flags are set according to the result. If the count is 0, the flags are not affected. For a non-zero count, the AF flag is undefined.
| #GP(0) |
If the destination is located in a non-writable segment. If a memory operand effective address is outside the CS, DS, ES, FS, or GS segment limit. If the DS, ES, FS, or GS register contains a NULL segment selector. |
| #SS(0) | If a memory operand effective address is outside the SS segment limit. |
| #PF(fault-code) | If a page fault occurs. |
| #AC(0) | If alignment checking is enabled and an unaligned memory reference is made while the current privilege level is 3. |
| #UD | If the LOCK prefix is used. |
| #GP | If a memory operand effective address is outside the CS, DS, ES, FS, or GS segment limit. |
| #SS | If a memory operand effective address is outside the SS segment limit. |
| #UD | If the LOCK prefix is used. |
| #GP(0) | If a memory operand effective address is outside the CS, DS, ES, FS, or GS segment limit. |
| #SS(0) | If a memory operand effective address is outside the SS segment limit. |
| #PF(fault-code) | If a page fault occurs. |
| #AC(0) | If alignment checking is enabled and an unaligned memory reference is made. |
| #UD | If the LOCK prefix is used. |
Same exceptions as in protected mode.
| #SS(0) | If a memory address referencing the SS segment is in a non-canonical form. |
| #GP(0) | If the memory address is in a non-canonical form. |
| #PF(fault-code) | If a page fault occurs. |
| #AC(0) | If alignment checking is enabled and an unaligned memory reference is made while the current privilege level is 3. |
| #UD | If the LOCK prefix is used. |


{% extends "base.html" %} {% block title %}Spotify playing README{% endblock %} {% block head %} {% endblock %} {% block content %}
Card theme
Color theme
Enter the Background color
TIP: Fill either of the columns to apply same value to both.
Enter the Title color
Enter the Text color


. SAVING PRIVATE RYAN A film review by Christopher Null Copyright 1998 Christopher Null
At this point, I don't know what I'd say about SAVING PRIVATE RYAN, even if I hadn't liked it.
Undoubtedly this year's hype leader among "quality" pictures, RYAN hasn't garnered a word of bad buzz aside from the stern and dire warnings about its overwhelming violence content. It's no lie: RYAN may be one of the goriest films ever made - it will certainly be the goriest to ever win an Oscar (which will come in droves: I predict seven).
An excellent companion piece to SCHINDLER'S LIST, Spielberg has obviously poured his heart into this movie. The well-known story of a small group's search for James Ryan (Damon), whose three brothers were killed nearly simultaneously, is as simple and as powerful as they come.
The battle scenes, which encompass probably 100 minutes of the circa 160-minute running time, are epic in proportion. The idle moments in between are also worth your attention, although, in the end and in retrospect, they can seem a bit pithy on occasion, especially the bookend scenes of the elderly Ryan returning to Normandy to pay his respects. For Speilberg, there's no such thing as going too far to get you to cry.
Still, RYAN's easily a top contender for best film of the year, thanks to the gut-wrenching realism that pervades every scene of the picture. I only hope Spielberg can come to grips with the remnants of JURASSIC PARK that still must linger in his blood, making him take the easy-cheesy way out (eg. the planes from above that save the day) when working through the actual story gets a bit too hairy.

The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


If your working with the base skeleton application Instalation
you now have the following directory structure:
<your project name>/
babel/
babel.cfg : Babel configuration
messages.pot : All your applications messages
config.py : All the applications configuration
run.py : A runner mainly for debug
app/
__init__.py : Application's initialization
models.py : Declare your database models here
views.py : Implement your views here
translations/
pt/
LC_MESSAGES/
messages.po
es/
LC_MESSAGES/
messages.po
Take a close look at the ‘babel’ directory and the ‘translations’ directory, these will hold all your messages. This is a tipical babel configuration, take a look at Flask-Babel project.
You can add your own translations, and your own language support.
Let’s work with the contacts application example, so you want to add translations for the menus “List Groups” and “List Contacts”.
genapp.add_view(GroupGeneralView(), "List Groups",icon = "th-large",category = "Contacts")
genapp.add_view(ContactGeneralView(), "List Contacts",icon = "earphone",category = "Contacts")
1 - Add the messages to the main messages file
On babel/messages.pot add:
msgid "List Groups" msgstr "" msgid "List Contacts" msgstr ""
2 - Run the babel extraction shell script provided:
./babel_extract.sh
3 - Make your translations
On app/translations/pt/LC_MESSAGES/messages.po you will find the messages you added to translate:
msgid "List Groups" msgstr "" msgid "List Contacts" msgstr ""Translate them:
msgid "List Groups" msgstr "Lista de Grupos" msgid "List Contacts" msgstr "Lista de Contactos"
4 - Run the babel extraction shell script provided:
./babel_extract.sh
And thats it!


{% extends "base.html" %} {% block title %}Change you password{% endblock title %} {% block content %}
Use the form below to change your password.


Number of Events:
{{initialValue.events}}Number of Attractions:
{{initialValue.attractions}}Number of Venues:
{{initialValue.venues}}Number of Countries:
{{initialValue.countries}}
{% include disqus.html %}
{%if site.local_test_apikeys == 'true' %}
{%else%}
{%endif%}
{% include lazy-selector-modal.html %}
{% include classification-selector-modal.html %}
{% include latlong-selector-modal.html %}
{% include feedback.html %}


JS, CSS and Image Feature Detection
Test to see what happens when loading a DataURI image with images off and on


Bachelor of Science in Computer Science, University of Colorado Boulder
· Member of the Engineering Honors Program (EHP) at CU Boulder since May 2013. This involvement includes mentorship, special EHP classes, maintaining a solid GPA, creating a portfolio before graduation, and attending events such as banquets and retreats.
· Member of Atlas Mobile Makers, the only app developement club on campus.
· Winner of an Undergraduate Research Opportunity Fund (UROP) grant for a University App project with 3 other students.
· Programming languages: Python (2), Java (1), C++ (2), SQL (2), HTML (3), CSS (3), PHP (1), JavaScript (3), Scala (1), JQuery (2) and ReactJS(1).
· Software: Visual Studio (2), Excel (2), Crystal Reports (3), GitHub (3), API’s (1), SQL Server (2), Bootstrap (3), Business Objects (2), Sublime (3) and command prompt (2).
BIS Technical Intern, Intern Leadership Program, Enterprise Business Solutions, MillerCoors
June 2016 - August 2016
· Learned the fundamentals the Beer Industry at MillerCoors University onboarding.
· Familiarized myself with the SAP Reporting software Business Objects.
· Contributed to the Business Objects Migration project deliverables for the MillerCoors MC3D Methodology. These documents include the Business Case, Testing Approach Document, and onboarding deck for the consulting firm.
· Involved in a fixed bid process with two vendors. Helped write documents for the RFP, reviewed Vendor Proposals, attended presentations and associated meetings, and helped make the final decision for which Vendor to go with for the Business Migration Project.
· Assisted in finalizing the Work Order document and onboarding the Consultant team from Cognizant.
· Utilized TeraData SQL Assistant to test Databases that had their code rewritten from DataStage to BODS technology.
· Mentored by a Senior Business Process Partner who included me in communications and tasks.
· Created a Job Aid to help business users solve a technical problem with Tableau.
· Presented to the CIO and other leaders of the IT department at MillerCoors for the grand finale of my internship.
Undergraduate Research Assistant, Human-Computer Interaction, University of Colorado Boulder
January 2016 - May 2016
· Researched communities of people who use hearing aids and cochlear implants in order to understand the role of aesthetics in prosthetics. This research is part of the Superhuman Computing Lab which has a focus on Human- Computer Interaction, especially for people with disabilities.
· Worked closely with one Computer Science professor and two PhD students.
Software Engineering Intern, Research & Development, Xledger Inc.
May 2014 - August 2014 and May 2015 - August 2015
· Utilized Crystal Reports, Visual Studio, and SQL Management Studio to design and create financial reports for customers.
· Met regularly with the Product Director to discuss progress and give insight on projects.
· Prepared and revived user and programmer PCs; this includes replacing broken hardware in the computers, installing Operating Systems (Microsoft 7 and 8) and installing Developer Software such as Visual Studio and SQL.
· Understood the Xledger ERP system, as well as the complexity of the database and code.
· Underwent training in HTML and CSS as to effectively recognize the possibilities within web design and UI/UX development.
· Worked closely with a senior developer and the consultant team to make tangible front-end changes to improve user experience of the Xledger Website. These improvements included designing and building an “Asset Depreciation Report” and a “Five Year Balance Sheet Report” that benefited Xledger customers.
Recitation Leader, Critical Encounters, University of Colorado Boulder
August 2014 – December 2014
· Led one class session per week with a group of six students. This was a philosophy and self-discovery class required for the Engineering Honors Program with discussions based off readings such as the Odessy and The Death of Ivan Ilyich.
· Invested in interpersonal relationships with my students to encourage them to be the best, most authentic versions of themselves.
Assistant Coach, Colorado Classix Volleyball Club
June 2012 – July 2012
· Collaborated with my co-leader to coordinate and lead girls in Volleyball activities.
· Planned sessions to ensure that girls were motivated, having fun, and playing with confidence.


author: Krzysztof Dudek, Tomasz Biela
LZ4 decompressor (memory and stream)
https://lz4.github.io/lz4/ https://github.com/emmanuel-marty/lz4ultra https://xxl.atari.pl/lz4-decompressor/
| name: | address: | type: | description: |
|---|---|---|---|
| buf | $0400 | array [0..255] of byte |
| name: | description: |
|---|---|
| unLZ4 | procedure unLZ4(fnam: PString; outputPointer: pointer); overload;LZ4 I/O stream decompressor
parameters: |
| unLZ4 | procedure unLZ4(inputPointer, outputPointer: pointer); assembler; register; overload;LZ4 decompressor
parameters: |


This is an historic town with amazing baroque and gothic architecture.
Docking
Berthing is within walking distance of the centre.
Alten Hafen
VHF Channel 14, 16
Berth on the east side of the Hafen, past the HM's office. Minimum depth 1.5m. Rafting will possibly be necessary at busy times. Water, electricity, toilets (no showers).
Harbour Office
Tel:+49 (0)3841 441 326
,VHF Channel 11
Opening hours: 0700-1530(Mon-Fri), 0800-1200(Sat)
Old Port Wismar
Tel:Port Captain: 03841 251-3260
Around the Old Port, there are pubs, restaurants and various shops. Yachts, fishing boats, passenger ships and sometimes even tall ships lay in the harbor.


Create with other designer and developers new ideas for the Watch. Implement your ideas as rapid prototyp within four hours. And sure, you can join other teams with great ideas as well as pitch your own ideas at the beginning of the hackathon.
We know that any team / project will profit from people with different backgrounds! So, anybody who could constribute something is absolutly welcome. iOS developers as well as people with Ideas, Concepts, Designs or small backends.
Adopt your existing iPhone or iPad app to the Watch or create something new. Open doors, connect other devices or people, display your car position, ... Be creative!
With the pleasure of our sponsors we provide you with test devices and other hardware to play, like iBeacons.
You need more inspiration? Checkout the latest Hackathons like the iBeacon or Connected Car Hackathon.
Get updates as soon as we publish more details:
You want support the Apple Watch hackathon? Please contact us.


Jane Eyre
Book uid: 1260
Author birthyear: 1900
Year released: 1900
Word count: 187,150
Avg sentence length: 17.0147
Avg word length: 4.5
Avg user rating: 7.9/10
Ratings count: 47
My rating:
Top 5 most popular words:
| Word | Frequency |
|---|---|
| Darcy | 1,547 |
| Jane | 1,378 |
| other1 | 1,198 |
| other2 | 1,198 |
| other3 | 1,198 |
Top 5 most popular sequences:
| Word | Next word | Frequency |
|---|---|---|
| Mr. | Darcy | 1,147 |
| gold | curtains | 778 |
| than | love | 698 |
| this | one | 698 |
| this | two | 698 |
Comments:
| Username | Time | Comment |
|---|---|---|
| alexangel | Sat Nov 17 6:09pm | Highly recommend this book! |
| user2 | Sat Nov 17 6:10pm | comment2 |
Post a comment:


Making masses of lasagna with Amber while kiddo's down. Amber doesn't cook small on lasagna--3 full pans, 3 1/2 quarts of leftover sauce.
10/31/2008, 7:09:08 PM
Favs: 0
Retweets: 0
link--- layout: tweet ---
Making masses of lasagna with Amber while kiddo's down. Amber doesn't cook small on lasagna--3 full pans, 3 1/2 quarts of leftover sauce.
10/31/2008, 7:09:08 PM
Favs: 0
Retweets: 0
link


What's Yargs?
Yargs helps you build interactive command line tools by parsing arguments and generating an elegant user interface.
Yargs gives you:
- commands and (grouped) options (like module run -n --force),
- a dynamically generated help menu based on your arguments,
- bash-completion shortcuts for commands and options,
- and much more.
With these features, and many more, yargs allows you to focus on building your program without worrying about your args.
Install
Open your terminal, navigate to your project, and run using npm:
$ npm install --save yargs


| DOSE: |
repeated |
smoked |
Cannabis |
(plant material) |
I have recently quit the habitual use of Marijuana after 9 years of regular use. I must say that the habitual smoking of cigarettes is probably the worst thing, as the benefits of smoking marijuana far outweigh the negative effects of it's smoke in my mind. I wanted to share some of my thoughts.
I smoked quality hydroponically grown marijuana with a high THC content (visible THC hcrystalization, quality non-pressed/brick form) at a dosage of 3.5-7.0 grams per two week period for approximately 6 months. As an experiment, I spent 2 weeks smoking 7.0 grams at a rate of 1-2 joints in a 3 hour period for 14 days straight to determine any effects of 'over use' -- I was able to determine three things:
1) Marijuana's 'high' lessened the amount of cigarettes I smoke, making cigarettes less interesting and the need for cigarettes less great.
2) The negative effect of this amount of marijuana was present: though I was able to sleep, my dreams were effected and I was not readily able to enter 'REM' sleep during the nigt. I also found that I was consistently lazy and would find myself desiring marijuana in a way similar to the desire for cocaine or nicotine, though not as acute as these substances. I also found that I was irritable and anti-social, though non-violent and felt a general malaise similar to perhaps what the effects of mono or SARS would be - a persistent tired feeling, abated by smoking marijuana.
I noted that my heart was at an irregular rhythm. Combined with high amounts of visual stimulation, I found myself studying myself, perhaps there is a clinical name for this, -- self-diagnoses etc. I also noted that I was in a generally complacent state of mind, and was able to sit and be creative for long hours, perhaps overusing that part of my brain (hippocampus, pineal-related phenomena). It could be similar to an induced alpha or beta state for an extremely long period of time; participating in video games showed a detriment to reaction time and a general laziness to the point where, had I been driving a car, I might have decided I was too lazy to 'save my own life' if a deer or other vehicle came across my path. Of course, it was a video game, so there was no penalty for 'death' in the simulation.
I also noted that my memory (ability to remember words, specific vocabulary, etc) became lazy, but within only a few days has it repaired itself. This may be related to the depletion of seratonin. I was more prone, perhaps due to its illegal nature, and due to its recent focus in the news both in Canada and in the U.S., to pick on figures of authority - a general anger directed, non-violently, toward the system at large. I also found it easy to be created after getting high, but difficult to be created during the low - this is related, perhaps again, to the depletion of seratonin.
I have noted that the negative effects have subsided after remaining sober for less than a week. I did notice some basic mental health issues, the anti-social behavior, lacking desire for money, and general non-complacents, coupled with difficulty finding the energy or desire to remain hygenic -- I found my libido had increased, but had become somewhat uncontrollable, and that it was related to the smoking of marijuana at such a rate. In effect, to smoke marijuana, alone, in a self-research setting, I became a 'professional marijuana smoker', 'vocal advocate' (I called NORML a few times), and commited 'symbolic acts of protest' (non-violent, micro-protests). I also became a chronic masturbator. Marijuana, which is usually injested socially, may have some effect on libido and may be a way to synthesize sexual attraction.
3) I was able to determine that smoking marijuana at such a rate (1-2 joints in a 3 hour period) was perhaps detrimental not only to my mental health, but I believe I had sub-concious control of certain usually automatic response systems. I believe a feeling of self-loathing, attributed to the drug's illegality and the paranoia associated with its use, created a situation in which I hated myself so much, that I basically willed my heart to stop beating. When it did, I was surprised, and went through a very mild, relaxing and somewhat frightening Near-Death Experience (NDE).
While I still have minor cravings for marijuana, I have been able to relax and control them. I am hoping that these cravings will not be exacerbated by stress, or by future proximity to the drug. As a way to calm the sudden 'cold turkey' cessation of marijauna use in my life, I partook of a lesser variant (Mexicali brick) in a small quantity - enough to 'remember being high' but not enough to desire more.
Marijauna's recent use as a basis for a consumer drug in Canada is promising, as the purpose of this 9 year exercise has been to examine and fight for its acceptance so that it may be used to combat diseases, ailments and other addictions. The laziness is the worst part - it negatively effected my grade point average at a prestiguous university - or it may have been other factors - but there is a tendancy, when smoking marijuana illicitly in the US, to blame others for their own shortcomings, due to the governments shortcoming when it comes to blaming marijuana ('nit-picking').
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Class Executive
java.lang.Object
Executive
public class Executive
extends java.lang.Object
Project 2 Note
This class was the primary class used in Project1. For project 2 this team refactored this code. This class is now useless and is never called. Everything this class once did has now been moved and organized into other classes for organization and optimization We have kept it here for refrence.
Executive
The Executive class handles the main game logic. This class handles the menu interactions, keeping track of the state of the game, and determining a winner.
- Author:
- Sean Cunningham , Samuel Gilchrist
-
Field Summary
Fields Modifier and Type Field Description private java.util.Scanner
consoleInput
private char[]
coordinateLetters
-
Constructor Summary
Constructors Constructor Description Executive()
-
Method Summary
Modifier and Type Method Description void
clearTerminal()
Prints 50 newlines to the terminal to move any present text off screen.char
getValidShipDirection()
Prompts the user for a cardinal direction to orient their ship Continues to prompt the user until valid input is received.void
helloWorld()
Prints "Hello World!" to the consoleint
letterToInt(char col)
Used to convert letters to ints, used when given coordinates in (A1-I9) formboolean
placeShip(Board board, int shipSize, java.lang.String shipNumber)
This method attempts to place a ship of size shipSize onto the provided Board object.boolean
playerWon(Board enemyBoard)
This method determines whether a player has won the game.void
run()
This method drives the central game logic and flow.java.lang.String
safelyGetCoordinates()
This method prompts the user for coordinates in the format A1 (LETTERNUMBER) This method handles bad input This method handles errors thrown by Integer.parseInt() and letterToInt()int
safelyGetIntInput()
Requests an int from the user in the console until an int is successfully received This method handles errors that are thrown by Integer.parseInt()
-
Field Details
-
consoleInput
private java.util.Scanner consoleInput -
coordinateLetters
private char[] coordinateLetters
-
-
Constructor Details
-
Executive
public Executive()
-
-
Method Details
-
helloWorld
public void helloWorld()Prints "Hello World!" to the console -
clearTerminal
public void clearTerminal()Prints 50 newlines to the terminal to move any present text off screen. -
letterToInt
public int letterToInt(char col)Used to convert letters to ints, used when given coordinates in (A1-I9) form- Parameters:
col
- The char input from the user representing a column on the board- Returns:
- Returns the position of the char within the array coordinateLetters
- Throws:
java.lang.IllegalArgumentException
- if the char cannot be found within the coordinateLetters array, meaning that it is invalid input.
-
safelyGetIntInput
public int safelyGetIntInput()Requests an int from the user in the console until an int is successfully received This method handles errors that are thrown by Integer.parseInt()- Returns:
- The int provided by the user
-
safelyGetCoordinates
public java.lang.String safelyGetCoordinates()This method prompts the user for coordinates in the format A1 (LETTERNUMBER) This method handles bad input This method handles errors thrown by Integer.parseInt() and letterToInt()- Returns:
- The String containing the coordinates specified by the user
-
run
public void run()This method drives the central game logic and flow. This method sets up the game and handles each player's turns until the game ends. -
playerWon
This method determines whether a player has won the game. This is accomplished by checking every space on the enemy player's board, and if there are no remaining ships, then the game is over.- Parameters:
enemyBoard
- An instance of the Board class containing the enemy player's data- Returns:
- False if the enemy has any remaining unsunk ships; Otherwise returns true
-
placeShip
This method attempts to place a ship of size shipSize onto the provided Board object.- Parameters:
board
- An instance of the Board class on which the ship will be pla edshipSize
- The size of the ship to placeshipNumber
- A word such as "first", "second", "third", etc... which describes to the user what number ship they are placing.- Returns:
- True if the ship was successfully placed, false if the placement was impossible
-
getValidShipDirection
public char getValidShipDirection()Prompts the user for a cardinal direction to orient their ship Continues to prompt the user until valid input is received.- Returns:
- A char representing the valid user input for ship orientation
-
-


This test is to check pre formatting.
This test is to check pre formatting
This test is to check pre formatting.
This test is to check pre formatting.


"Diplomacy is the art of saying 'nice doggie', while searching for a stone."
Example:
8 Q....... White plays Qc6 and Black plays Nc6: 7 ........ Queen takes kNight! 6 ..+..... 5 n....... 4 ........ 3 .B..n... White plays Bd1 and Black plays Nd1: 2 ........ Equal rank conflict, both moves are not executed. 1 ...+.... abcdefgh
Example:
8 Q....... White plays Qd5 and Black plays c5: 7 ..p..... There is no conflict, because the two pieces 6 ........ don't meet in no square during their travel. 5 ........ 4 b....... White plays Rh2 and Black plays Bd1: 3 ........ This cannot be accomplished because they meet at c2, 2 R.+..... and all pieces move at the same speed. 1 ........ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ abcdefgh 8 .......b White plays Rh6 and Black do not move the d6 kNight: 7 ........ Rook cannot move, because there is an obstacle 6 R..n.... in its way (like in normal chess...) 5 ........ 4 ........ 3 ........ White plays d4 and Black plays Ba1: 2 ...P.... The pawn executes its move, but the bishop don't, 1 ........ because it finds an obstacle when it passes through d4. abcdefgh ^^^^
Example:
8 K....... White plays Kb7 and Black plays Rh6: 7 .......r No problem! (if the rook didn't move, the king 6 ........ couldn't accomplish his move) 5 ..Q..... 4 k....... 3 ........ White plays Qc4 and Black plays Kb3: 2 ........ The king cannot move! b3 is now in check 1 ........ because the black queen moved successfully to c4 abcdefgh
In my opinion this rules are more interesting if we play a progressive type of game. Each player presents the entire set of movements. Then, they execute the first move for both players, then the second, and so on...
Now, each set of moves is done at the same time! But, in order to use them, we must introduce another conflict rule:
Example:
8 .....R.Q White plays Rh2 and Black plays Bd1 and Ba1: 7 ........ The a2 rook and the c3 bishop conflict at b2. 6 .......r So the a4 bishop can perform his move because 5 ........ the rook cannot reach square c3 4 b....... 3 ..b..... White plays Qh1 and Black plays ra6: 2 R*...... Now there is no conflict, because the two pieces 1 ........ don't meet in no square during their travel. abcdefgh White plays Qh1 and Rf6, and Black plays rf6: A more complex situation! Both rooks are trying to go to f6. They return to their home positions, exactly at the same time, the queen passes at h6, so another conflict happens. The queen cannot accomplish its move! All 3 pieces stand still! If it is Qh6 instead of Qh1, then the queen takes the black rook.
Include the possibility of making conditional moves. A conditional move is a move that only tries to execute, if same specific condition is true. A possible syntax could be: condition?if-true-move:if-false-move The condition can ask only one of the following questions:
I thought on including support type moves, but I'm not sure if this put Dip-Chess rules too close to Diplomacy rules, and then I may get some problems with Avalon-Hill :) So, leave it as it is!
These rules are easily transfered to many other chess variants.
I would like to try the Russian fortress variant (with progressive moves). It needs
4 players (and a master). Anyone?
back to top


My major is information and communication engineering and I am 25 years old.
I have worked as a work scholarship student at Incheon University. I worked at the Information University on the third floor and learned a lot thanks to good teachers.
I have worked in Songdo New City for 3 months at Seven-Eleven and 3 months at With me. I became an opportunity to get acquainted with elementary school students while I was working.
I have an experience as a salesperson at suecommabonnie in Songdo Hyundai Premium Outlet. As I work, I can lie to people..
As a Korean citizen, I went to the military to observe the duty of defense.
When you are worried about whether or not to do it, if you do not regret it, it will remain as memories.
If you do not regret it, leave it as a memory.


For more information, please see the Creative Commons License Page.


QPainterPathStroker Class
The QPainterPathStroker class is used to generate fillable outlines for a given painter path. More...
| Header: | #include <QPainterPathStroker> |
| qmake: | QT += gui |
| Since: | Qt 4.1 |
Public Functions
| QPainterPathStroker() | |
| QPainterPathStroker(const QPen &pen) | |
| ~QPainterPathStroker() | |
| Qt::PenCapStyle | capStyle() const |
| QPainterPath | createStroke(const QPainterPath &path) const |
| qreal | curveThreshold() const |
| qreal | dashOffset() const |
| QVector<qreal> | dashPattern() const |
| Qt::PenJoinStyle | joinStyle() const |
| qreal | miterLimit() const |
| void | setCapStyle(Qt::PenCapStyle style) |
| void | setCurveThreshold(qreal threshold) |
| void | setDashOffset(qreal offset) |
| void | setDashPattern(Qt::PenStyle style) |
| void | setDashPattern(const QVector<qreal> &dashPattern) |
| void | setJoinStyle(Qt::PenJoinStyle style) |
| void | setMiterLimit(qreal limit) |
| void | setWidth(qreal width) |
| qreal | width() const |
Detailed Description
The QPainterPathStroker class is used to generate fillable outlines for a given painter path.
By calling the createStroke() function, passing a given QPainterPath as argument, a new painter path representing the outline of the given path is created. The newly created painter path can then be filled to draw the original painter path's outline.
You can control the various design aspects (width, cap styles, join styles and dash pattern) of the outlining using the following functions:
The setDashPattern() function accepts both a Qt::PenStyle object and a vector representation of the pattern as argument.
In addition you can specify a curve's threshold, controlling the granularity with which a curve is drawn, using the setCurveThreshold() function. The default threshold is a well adjusted value (0.25), and normally you should not need to modify it. However, you can make the curve's appearance smoother by decreasing its value.
You can also control the miter limit for the generated outline using the setMiterLimit() function. The miter limit describes how far from each join the miter join can extend. The limit is specified in the units of width so the pixelwise miter limit will be miterlimit * width
. This value is only used if the join style is Qt::MiterJoin.
The painter path generated by the createStroke() function should only be used for outlining the given painter path. Otherwise it may cause unexpected behavior. Generated outlines also require the Qt::WindingFill rule which is set by default.
Member Function Documentation
QPainterPathStroker::QPainterPathStroker()
Creates a new stroker.
QPainterPathStroker::QPainterPathStroker(const QPen &pen)
Creates a new stroker based on pen.
This function was introduced in Qt 5.3.
QPainterPathStroker::~QPainterPathStroker()
Destroys the stroker.
Qt::PenCapStyle QPainterPathStroker::capStyle() const
Returns the cap style of the generated outlines.
See also setCapStyle().
QPainterPath QPainterPathStroker::createStroke(const QPainterPath &path) const
Generates a new path that is a fillable area representing the outline of the given path.
The various design aspects of the outline are based on the stroker's properties: width(), capStyle(), joinStyle(), dashPattern(), curveThreshold() and miterLimit().
The generated path should only be used for outlining the given painter path. Otherwise it may cause unexpected behavior. Generated outlines also require the Qt::WindingFill rule which is set by default.
qreal QPainterPathStroker::curveThreshold() const
Returns the curve flattening threshold for the generated outlines.
See also setCurveThreshold().
qreal QPainterPathStroker::dashOffset() const
Returns the dash offset for the generated outlines.
See also setDashOffset().
QVector<qreal> QPainterPathStroker::dashPattern() const
Returns the dash pattern for the generated outlines.
See also setDashPattern().
Qt::PenJoinStyle QPainterPathStroker::joinStyle() const
Returns the join style of the generated outlines.
See also setJoinStyle().
qreal QPainterPathStroker::miterLimit() const
Returns the miter limit for the generated outlines.
See also setMiterLimit().
void QPainterPathStroker::setCapStyle(Qt::PenCapStyle style)
Sets the cap style of the generated outlines to style. If a dash pattern is set, each segment of the pattern is subject to the cap style.
See also capStyle().
void QPainterPathStroker::setCurveThreshold(qreal threshold)
Specifies the curve flattening threshold, controlling the granularity with which the generated outlines' curve is drawn.
The default threshold is a well adjusted value (0.25), and normally you should not need to modify it. However, you can make the curve's appearance smoother by decreasing its value.
See also curveThreshold().
void QPainterPathStroker::setDashOffset(qreal offset)
Sets the dash offset for the generated outlines to offset.
See the documentation for QPen::setDashOffset() for a description of the dash offset.
See also dashOffset().
void QPainterPathStroker::setDashPattern(Qt::PenStyle style)
Sets the dash pattern for the generated outlines to style.
See also dashPattern().
void QPainterPathStroker::setDashPattern(const QVector<qreal> &dashPattern)
This is an overloaded function.
Sets the dash pattern for the generated outlines to dashPattern. This function makes it possible to specify custom dash patterns.
Each element in the vector contains the lengths of the dashes and spaces in the stroke, beginning with the first dash in the first element, the first space in the second element, and alternating between dashes and spaces for each following pair of elements.
The vector can contain an odd number of elements, in which case the last element will be extended by the length of the first element when the pattern repeats.
void QPainterPathStroker::setJoinStyle(Qt::PenJoinStyle style)
Sets the join style of the generated outlines to style.
See also joinStyle().
void QPainterPathStroker::setMiterLimit(qreal limit)
Sets the miter limit of the generated outlines to limit.
The miter limit describes how far from each join the miter join can extend. The limit is specified in units of the currently set width. So the pixelwise miter limit will be miterlimit * width
.
This value is only used if the join style is Qt::MiterJoin.
See also miterLimit().
void QPainterPathStroker::setWidth(qreal width)
Sets the width of the generated outline painter path to width.
The generated outlines will extend approximately 50% of width to each side of the given input path's original outline.
See also width().
qreal QPainterPathStroker::width() const
Returns the width of the generated outlines.
See also setWidth().


{% extends "base.html" %} {% block title %}API Status{% endblock %} {% block content %}
Here you can edit the backed values that supply the Status API endpoint. This contains data about datafeeds that are down, as well as some configuration data for the mobile apps
Max Competition Season
Current Competition Season
Android Latest App Version Code
Android Min App Version Code
iOS Latest App Version Code
iOS Min App Version Code
Here you can enable and disable the Trusted API
Enable the trusted API for Match Video:
Enable the trusted API for Event Teams:
Enable the trusted API for Event Matches:
Enable the trusted API for Event Rankings:
Enable the trusted API for Event Alliances:
Enable the trusted API for Event Awards:


Find & Replace
Write a sentence and select a word you would like to replace!
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Now your sentence reads:


Sign into the Digital Ocean dashboard and click on Apps & API.
Create a read and write Personal Access Token.
Set that token as an Environment Variable:
octohost$ export DIGITALOCEAN_API_TOKEN="really-long-string-that-i-am-not-going-to-actually-show"
Make sure you have Packer installed. You should see similar output:
octohost$ packer version
Packer v0.7.5
Download the main cookbook:
octohost$ git clone https://github.com/octohost/octohost-cookbook.git
Install the Chef Development Kit:
Add the ChefDK to your path:
octohost$ eval "$(chef shell-init bash)"
Install the cookbooks we require:
octohost$ cd octohost-cookbook
octohost$ berks install # Sample output: https://gist.github.com/anonymous/90f895eca5fbbe731303
Build the "image" on Digital Ocean.
octohost$ cd octohost-cookbook
octohost$ berks vendor vendor/cookbooks
octohost$ packer build -only=digitalocean template.json
If it all goes well, you should see output something like this:
digitalocean: Running handlers:
digitalocean: Running handlers complete
digitalocean: Chef Client finished, 159/195 resources updated in<PHONE_NUMBER>63 seconds
==> digitalocean: Gracefully shutting down droplet...
==> digitalocean: Creating snapshot: octohost-chef<PHONE_NUMBER>
==> digitalocean: Waiting for snapshot to complete...
==> digitalocean: Destroying droplet...
==> digitalocean: Deleting temporary ssh key...
Build 'digitalocean' finished.
==> Builds finished. The artifacts of successful builds are:
--> digitalocean: A snapshot was created: 'octohost-chef<PHONE_NUMBER>' in region 'New York 3'
You should see an 'octohost-chef' image on your Images page. It should look something like this:
In order to use octohost you need to create a droplet using the image Packer just built for you. We will add some "User data" to help setup Consul for your new octohost. Create a droplet - give it a name, pick any size 1GB or above, select the same region and scroll down to here:
Click on "Enable User Data" and enter the following:
#!/bin/bash
export PUBLIC_IPV4=$(curl -s http://<IP_ADDRESS>/metadata/v1/interfaces/public/0/ipv4/address)
export CONSUL_KEY=$(consul keygen)
service consul stop
rm -rf /var/cache/octohost/*
sudo cat > /etc/consul.d/default.json << EOL
{
"data_dir": "/var/cache/octohost",
"server": true,
"bootstrap": true,
"client_addr": "<IP_ADDRESS>",
"advertise_addr": "$PUBLIC_IPV4",
"datacenter": "dc1",
"node_name": "octohost",
"enable_syslog": true,
"encrypt": "$CONSUL_KEY"
}
EOL
service consul start
Click on "My Snapshots" and select the image you just built, then select your SSH key if you've got one setup.
Click "Create Droplet" and wait approximately 60 seconds.
You should now have an octohost running on DigitalOcean. Let's add your key to the octohost:
octohost$ cat ~/.ssh/id_rsa.pub | ssh -i ~/.ssh/id_rsa<EMAIL_ADDRESS>"sudo gitreceive upload-key your-name"
0c:d6:da:7e:50:7d:45:cd:1a:4f:6b:57:96:7c:81:7b # Example output - won't be identical.
Now, let's try a simple html website to test that it's working:
octohost$ cd ~/Desktop
octohost$ git clone https://github.com/octohost/html.git
Cloning into 'html'...
remote: Counting objects: 21, done.
remote: Total 21 (delta 0), reused 0 (delta 0)
Unpacking objects: 100% (21/21), done.
Checking connectivity... done.
octohost$ cd html/
octohost$ git remote add octohost git@ip.address.here:html.git
octohost$ git push octohost master
The output at the end should look like this:
remote: Successfully built 948b59533f91
remote: Adding http://html.<IP_ADDRESS>.xip.io
remote: Adding http://html.<IP_ADDRESS>.xip.io
remote: Not killing any containers.
remote: Your site is available at: http://html.<IP_ADDRESS>.xip.io
remote: Your site is available at: http://html.<IP_ADDRESS>.xip.io
When you visit the website - it should look like this:
Congratulations - you have successfully built and setup your very own octohost!
You can now add additional sites in these languages.
If you'd like to remove the example html website - log into your droplet and run octo remove html
Send us an email at<EMAIL_ADDRESS>Follow us on Twitter @octohost.


Slipknot is an American heavy metal band from Des Moines, Iowa. Formed in 1995, the group was founded by percussionist Shawn Crahan and bassist Paul Gray. After several lineup changes in their early days, the band consisted of nine members for the greater part of their tenure: Sid Wilson, Paul Gray, Joey Jordison, Chris Fehn, Jim Root, Craig Jones, Shawn Crahan, Mick Thomson, and Corey Taylor. However, the death of Paul Gray on May 24, 2010, left the band with only eight remaining members. Former guitarist Donnie Steele will be the band's touring bassist in 2011.
Slipknot is well known by their attention-grabbing image, aggressive music style and their energetic and chaotic live shows. The band had somewhat of a meteoric rise to success following the release of their self-titled debut album in 1999. The 2001 follow-up album Iowa further increased the band's popularity. After breaking for their first hiatus, Slipknot returned in 2004 with Vol. 3: (The Subliminal Verses) and once again in 2008 with their fourth albumAll Hope Is Gone, which debuted at the top spot on the Billboard 200. The band has also released one live album and four DVDs. As of May 2010, Slipknot has sold over 14 million records worldwide.


Between Angela Okorie and troll who commented on her looks
by Ifeanyi NgeremNollywood actress, Angela Okorie has heavily attacked a troll who took to the comment section of her Instagram post to slam her.
The troll attacked her for not laying her hair edges properly and advised her to dedicate more time in taking care of her hair.
The troll wrote,
Respect ur hair and get those edges laid properly
Seeing the post, Angela Okorie fired back at the troll without mercy.  You need some clean up sis”.
See the exchange below:


This is a variation on Ascii Photos. I'm using the same photo set, but instead of posterizing and then making it Ascii, I'm taking each unique char of the ascii set and removing it - a new one each frame.


Three arrested with IED in Delhi
The arrested persons were planning a major terror attack, police said.
by Saurabh TrivediThe Delhi Police Special Cell averted a terror strike by arresting three persons with improvised explosive devices (IED) in the Capital on Monday.
The arrested persons were from Assam and were believed to be influenced by the Islamic State.
Delhi Police said they got the inputs regarding movement of several suspects persons of ISIS module in the city. Their target was religious congregation.
“We were carrying out major search operation across the city for the last two weeks after we got inputs from intelligence agencies,” said a police officer.
“They had planned a blast in Delhi. But before that they almost planted bomb at Dudhnoi Rasleela mela in Assam as rehearsal for big blast attack in Delhi,” said Pramod Kushwah, DCP (Special Cell).
Further details are awaited.


package html
Import Path
html (on golang.org and go.dev)
Dependency Relation
imports 3 packages, and imported by one package
Involved Source Files
entity.go
Package html provides functions for escaping and unescaping HTML text.
Code Examples
package main
import (
"fmt"
"html"
)
func main() {
const s = `"Fran & Freddie's Diner" `
fmt.Println(html.EscapeString(s))
}
package main
import (
"fmt"
"html"
)
func main() {
const s = `"Fran & Freddie's Diner"<EMAIL_ADDRESS>fmt.Println(html.UnescapeString(s))
}
Package-Level Functions (total 4, in which 2 are exported)
EscapeString escapes special characters like "<" to become "<". It
escapes only five such characters: <, >, &, ' and ".
UnescapeString(EscapeString(s)) == s always holds, but the converse isn't
always true.
UnescapeString unescapes entities like "<" to become "<". It unescapes a
larger range of entities than EscapeString escapes. For example, "á"
unescapes to "á", as does "á" and "á".
UnescapeString(EscapeString(s)) == s always holds, but the converse isn't
always true.
Package-Level Variables (total 5, none are exported)
Package-Level Constants (only one, which is unexported)
| The pages are generated with Golds v0.3.2. (GOOS=windows GOARCH=amd64) Golds is a Go 101 project developed by Tapir Liu. PR and bug reports are welcome and can be submitted to the issue list. Please follow @Go100and1 (reachable from the left QR code) to get the latest news of Golds. |


cs3500.music.tests
Classes
AudioViewTests
AudioViewTranscriptTest
ControllerTests
KeyHandlerTest
MockSynthAndReceiver
MouseHandlerTest
MusicSheetTest
NoteTest
PitchSequenceTest
RepeatInstrTests
StringUtilitiesTest
TextViewTest


AN AFFAIR OF LOVE (UNE LIAISON PORNOGRAPHIQUE) (Fine Line) Starring: Nathalie Baye, Sergi Lopez. Screenplay: Philippe Blasband. Producers: Patrick Quinet, Rolf Schmid, Claude Waringo. Director: Frederic Fonteyne. MPAA Rating: R (sexual situations, nudity, adult themes) Running Time: 77 minutes. Reviewed by Scott Renshaw.
In the early scenes of AN AFFAIR OF LOVE, two characters appear in documentary-style interview vignettes. In separate one-on-one interviews, an off-camera voice prods an unnamed woman (Nathalie Baye) and man (Sergi Lopez) for information about a relationship that is now clearly some time in the past. As the interviews are cross-cut with scenes from their actual meetings, the two voices turn into something akin to a spoken-word version of "I Remember It Well." They met on-line, she says; they met through a personals ad in a magazine, he says. They exchanged photos, he says; not so, says she. Their first sexual encounter was satisfying, she claims with a smile; a bit disappointing, he recalls. Ah, yes they remember it well.
The hazy recollections and unreliable perceptions could have been played as little more than an amusing conceit, but in AN AFFAIR OF LOVE, they form the backbone for one of the most stunningly rendered sort-of-love stories in recent years. A few things do become more-or-less clear as the story unfolds, despite the differing retrospective accounts. The man and woman initially come together to fulfill a mutual, somewhat unusual sexual fantasy, one that is never explicitly defined.  Eventually, each begins to feel that the relationship has more potential, even though they do not know each other's name, or occupation, or anything that, as the woman describes, makes up "what we normally call our lives."
It doesn't take a Francophone to recognize that the French title UNE LIAISON PORNOGRAPHIQUE doesn't exactly translate to AN AFFAIR OF LOVE. Indeed, Fine Line Films' American title proves not only to be an obvious bow to marketing concerns, but a patently absurd take on the development of the relationship. What begins as a pornographic liaison does mutate, but it does not mutate into a love affair. AN AFFAIR OF LOVE is a meditation on what happens to people when they find themselves in a relationship where they feel no pressure to do what they think they should do, because the rules have been discarded from the outset. The man and woman's growing affection builds to a climax that has been telegraphed by the framing structure -- we know they don't end up together -- yet packs a wallop because it's not about whether they will end up together. In fact, the scene is brilliant because it works on two levels: as a tragedy of a relationship that didn't have to end, and as evidence that neither one knew the other in any substantial way.
By all rights, AN AFFAIR OF LOVE should never have worked as anything more than an intellectual exercise, with a little sex thrown in for spice. The characters are defined exclusively within the context of their arm's-length relationship, leaving huge chunks of their lives unexplored. Yet they still emerge as fascinating and complex people, thanks to a subtle script by Philippe Blasband and two remarkable performances. Baye and Lopez play off each other masterfully -- hinting at emotions beneath the surface, capturing awkward moments with a sensitivity that almost forces you to look away. Fonteyne pulls it all together with an unfailing visual sense, and a rhythm that pulls this 77-minute film together without an ounce of flab.
The only time AN AFFAIR OF LOVE feels remotely strained in its presentation involves an episode where the lovers have an encounter with an estranged elderly couple. It's an unnecessarily obvious counterpoint to the fantasy world in which they live, one that spells out what any viewer should understand: that the relationship being explored has nothing to do with the reality of a life together. Fonteyne says more when he's saying less, as he does when he leaves his camera at a distance outside the hotel room door when the lovers are engaged in their mysterious fantasy activity. It is the one moment where the two characters come together in their story; they both respect the privacy and intimacy of the reason they came together in the first place. The irony of Fine Line's title is that it plays to the distorted memories of the characters who, over time, have turned their pornographic affair into an affair of love. Ah, yes they remember it well.
On the Renshaw scale of 0 to 10 porn frees: 9.
Visit Scott Renshaw's Screening Room http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the Screening Room for details, or reply to this message with subject "Subscribe".
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


An elephant at sunset
An elephant at sunset
An elephant at sunset
An elephant at sunset
An elephant at sunset
An elephant at sunset
An elephant at sunset
An elephant at sunset


Prince Andrew, 59, reveals he 'kicks himself' every day for the decision during an interview on Newsnight this evening.
But the eighth in line to the throne denies ever meeting Virginia Giuffre - who claims the royal had sex with her when she was a teen groomed by late financier Epstein.
In his first interview about the allegations, the Queen’s second son tells journalist Emily Maitlis he cannot recall the woman who has accused him of sleeping with her on three occasions, including in 2001 when she was 17.
Read more: Duchess of Cambridge Kate Middleton teaming up with Mary Berry for Christmas TV special
Maitlis asks Andrew in the Newsnight special which airs tonight: "She says she met you in 2001, she says she dined with you, danced with you at Tramp Nightclub in London.

The Prince is reported to reply: "I have no recollection of ever meeting this lady, none whatsoever."
Asked whether he can remember her, he adds: "No."
Read more: McMuffin fans rejoice as fast-food giant McDonald's extends its breakfast hours
Prince Andrew also suggests he felt it would be "honourable" to stick by Epstein.
Questioned about why he stayed pals with Epstein following his 2008 conviction for procuring an underage girl for prostitution and of soliciting a prostitute, Prince Andrew indicated his decision fell below the standards expected of a royal.
He says: "I’ve gone through this in my mind so many times but at the end of the day with the benefit of all the hindsight that one can have it was definitely the wrong thing to do but at the time I felt it was the honourable and right thing to do.
"I admit fully my judgment was probably coloured by my tendency to be too honourable but that’s just the way it is."
He stutters: "I stayed with him and that’s the bit I kick myself for on a daily basis because it was not something that was becoming of a member of the royal family and we try to uphold the highest standards and practices and I let the side down, simple as that."
The interview was conducted on Thursday and is said to have been done on a 'no holds barred' basis with no vetting of questions beforehand by Buckingham Palace.
Sources have suggested the grilling came after months of negotiations, with the Queen giving her blessing for her 'favourite son' to do it.
Buckingham Palace previously called the allegations "false and without any foundation" and said "any suggestion of impropriety with underage minors" by the duke was "categorically untrue".
- Prince Andrew & the Epstein Scandal: The Newsnight Interview airs tonight at 9pm on BBC2
Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think of this story.


Welcome!
Everything is fine.
✨ Magic Meeting Code ✨
Teleport to meeting
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Screen
Unlock
Lock
Press enter to send
{{message}}


Hello welcome to the waterford chess club .This club is the very famous club in the waterford most of the people are joining in this club we have many speciality in this chess club that means we will conduct the event in chess club every saturday and sunday from morining 9 am-9pm.Chess club open everyday from Monday to sunday.There will be membership also for one month it is 90 euros and for one year membership is 300 euros.If your are students there will be discount wich is an=bout 150 euros
Founder of Waterford chess club