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When you work with us, you are part of a team of committed collaborators. All aspects of our software development process are intergrated , interactive and agile.
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Kohli ton stretches India lead in Kolkata pink-ball test
Skipper Virat Kohli aced the pink-ball challenge with a sparkling 130 not out to help India consolidate their position against Bangladesh on day two of the second and final test at Eden Gardens on Saturday.
KOLKATA, India: Skipper Virat Kohli aced the pink-ball challenge with a sparkling 130 not out to help India consolidate their position against Bangladesh on day two of the second and final test at Eden Gardens on Saturday.
Kohli went into India's first day-night test wary of the exaggerated swing of the heavily-lacquered ball but displayed no signs of any discomfort and helped India to 289-4 at lunch.
Ravindra Jadeja was batting on 12 at the other end with India, leading now by 183 runs, on course for their 12th consecutive home series victory.
After India resumed on 174-3, Ajinkya Rahane (51) brought up his fourth consecutive 50-plus but fell soon after adding 99 runs with his captain.
Kohli cover-drove Ebadot Hossain to reach 99 and, with the crowd chanting his name, took two off spinner Taijul Islam to bring up his 27th test century, 20th as test captain.
He removed his helmet to soak in the applause but the proper celebration happened a little later when he hit Abu Jayed for four consecutive boundaries.
India triumphed inside three days in the series opener in Indore and a similar thrashing appeared on the cards for Bangladesh who were skittled out for 106 in their first innings.
(Editing by Muralikumar Anantharaman)


| Total net profit | -1.81 | Gross profit | 6.37 | Gross loss | -8.18 |
| Profit factor | 0.78 | Expected payoff | -0.06 | ||
| Absolute drawdown | -1.81 | Maximal drawdown (%) | 3.08 (242.52%) | ||
| Total trades | 29 | Profit trades (% of total) | 16 (55.17%) | Loss trades (% of total) | 13 (44.83%) |
| Long positions (won %) | 18 (61.11%) | Short positions (won %) | 11 (45.45%) | ||
| Largest | profit trade | 0.83 | loss trade | -1.17 | |
| Average | profit trade | 0.4 | loss trade | -0.63 | |
| Minimum | profit trade | 0.11 | loss trade | -0.29 | |
| Maximum | take profit in pips | 42.3 | stop loss in pips | -31.2 | |
| Average | take profit in pips | 10.7 | stop loss in pips | -18.7 | |
| Minimum | take profit in pips | 2.7 | stop loss in pips | -6.3 | |
| Maximum | Reward-Risk | 4.3 | Duration in minutes | 1330 | |
| Average | Reward-Risk | 0.8 | Duration in minutes | 135.4 | |
| Minimum | Reward-Risk | 0.1 | Duration in minutes | 4 | |
| Maximum | consecutive wins (profit in money) | 4.0 (1.88) | consecutive losses (loss in money) | 2.0 (-1.26) | |
| Average | consecutive wins | 1.0 | consecutive losses | 1.0 |
| Total net profit | -0.89 | Gross profit | 3.55 | Gross loss | -4.44 |
| Profit factor | 0.8 | Expected payoff | -0.05 | ||
| Absolute drawdown | -1.18 | Maximal drawdown (%) | 1.91 (232.93%) | ||
| Total trades | 18 | Profit trades (% of total) | 11 (61.11%) | Loss trades (% of total) | 7 (38.89%) |
| Largest | profit trade | 0.6 | loss trade | -1.11 | |
| Average | profit trade | 0.32 | loss trade | -0.63 | |
| Minimum | profit trade | 0.11 | loss trade | -0.29 | |
| Maximum | take profit in pips | 16.5 | stop loss in pips | -31.2 | |
| Average | take profit in pips | 8.0 | stop loss in pips | -19.1 | |
| Minimum | take profit in pips | 2.7 | stop loss in pips | -6.3 | |
| Maximum | Reward-Risk | 2.6 | Duration in minutes | 365.0 | |
| Average | Reward-Risk | 0.5 | Duration in minutes | 107.1 | |
| Minimum | Reward-Risk | 0.1 | Duration in minutes | 4.0 | |
| Maximum | consecutive wins (profit in money) | 4.0 (1.88) | consecutive losses (loss in money) | 2.0 (-1.61) | |
| Average | consecutive wins | 2.0 | consecutive losses | 1.0 |
| Total net profit | -0.92 | Gross profit | 2.82 | Gross loss | -3.74 |
| Profit factor | 0.75 | Expected payoff | -0.08 | ||
| Absolute drawdown | -0.92 | Maximal drawdown (%) | 1.49 (261.4%) | ||
| Total trades | 11 | Profit trades (% of total) | 5 (45.45%) | Loss trades (% of total) | 6 (54.55%) |
| Largest | profit trade | 0.83 | loss trade | -1.17 | |
| Average | profit trade | 0.56 | loss trade | -0.62 | |
| Minimum | profit trade | 0.3 | loss trade | -0.29 | |
| Maximum | take profit in pips | 42.3 | stop loss in pips | -30.0 | |
| Average | take profit in pips | 15.1 | stop loss in pips | -18.1 | |
| Minimum | take profit in pips | 3.9 | stop loss in pips | -6.6 | |
| Maximum | Reward-Risk | 4.3 | Duration in minutes | 1330.0 | |
| Average | Reward-Risk | 1.3 | Duration in minutes | 181.8 | |
| Minimum | Reward-Risk | Duration in minutes | 13.0 | ||
| Maximum | consecutive wins (profit in money) | 2.0 (1.13) | consecutive losses (loss in money) | 2.0 (-1.26) | |
| Average | consecutive wins | 1.0 | consecutive losses | 1.0 |


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 6
Dietary
Poached pears are easy to make. The spices, brandy and wine make this a wonderful Christmas indulgence.
For the poached pears, place the pears upright in a large saucepan. Cover with the wine, brandy, 500ml/18fl oz water and the sugar. Add the cinnamon, vanilla pods, the rest of the spices and the citrus zest.
Bring to the boil, stir the poaching liquor gently and skim off any residue from the surface. Cover with a cartouche (a circle of baking paper sat on the surface of the liquid) and simmer for 10 minutes. Remove from the heat and leave to cool.
Transfer the cooled pears to a deep dish and cover with half the liquid. Boil the rest of the liquid in the saucepan until the volume of liquid has reduced to a syrup. Strain and set aside.
For the custard, heat the milk, cream and vanilla in a heavy-based saucepan until almost boiling.
In a mixing bowl, beat the egg yolks, sugar, flour and cornflour until white and smooth. Pour the warm milk mixture over the egg mixture and beat well until incorporated. Pour back into the saucepan and bring to a simmer, stirring all the time. As soon as the custard has started to bubble, remove from the heat and remove the vanilla pods.
To serve, place a poached pear in each serving bowl. Pour the custard into the bottom of the bowls and glaze the pears with the poaching syrup.


Brant Robertson (Astronomy & Astrophysics)
Nicholas Brummell (Applied Mathematics), Nicole Feldl (Earth and Planetary Sciences), Piero Madau (Astronomy & Astrophysics), Enrico Ramirez-Ruiz (Astronomy & Astrophysics)
Ilan Benjamin (Chemistry), Ryan Foley (Astronomy & Astrophysics), Jonathan Fortney (Astronomy & Astrophysics), Pascale Garaud (Applied Mathematics), Tesla Jeltema (Physics), Alexie Leauthaud (Astronomy & Astrophysics), David Lederman (Physics), Dongwook Lee (Applied Mathematics), Douglas Lin (Astronomy & Astrophysics), Carl Maltzahn (Computer Science and Engineering), Ruth Murray-Clay (Astronomy & Astrophysics), Francis Nimmo (Earth and Planetary Sciences), Yuan Ping (Chemistry), Brad Smith (Computer Science and Engineering; Information Technology Service), Xi Zhang (Earth and Planetary Sciences)
Without support of the following people and organizations, the lux system would not have been possible -- Thank you!!
National Science Foundation
UCSC Office of the Executive Vice Chancellor, UCSC Office of the Vice Chancellor for Research, UCSC Office of the Vice Chancellor for Information Technology, UCSC Division of Physical and Biological Sciences, UCSC Jack Baskin School of Engineering, UCSC Department of Astronomy and Astrophysics, UCSC Department of Earth and Planetary Sciences, UCSC Department of Applied Mathematics, UCSC Department of Physics, UCSC Department of Chemistry, UCSC Information Techology Services
Special thanks to our purchaser Nancy Nieblas, who worked tirelessly to enable the acquisition of the system.
Andrea Hesse, Josh Sonstroem, Alison Lindberg, Kirk Loftis, Tania Pannabecker, Chris Parker
Paul Albe, Andre Daniels, Robert Kemp, Cliff Pearson, George Peek, Kari Robertson, Jim Warner
We acknowledge the loss of our friend and collaborator Stephen Hauskins, a long time staff member of the UCSC ITS and the ITS divisional liaison for Physical and Biological Sciences. Many of us benefitted from Stephen's' technical support for the division, including the Hummingbird computing cluster. The lux project worked closely with Stephen during its formative months, as he lended us his technical expertise enthusiastically. Stephen decommissioned the previous Hyades system, worked with the lux project on the vendor selection for the computer, provided almost daily input into the configuration and management of lux, and was to work with us on the user support going forward. His kindness, expertise, and helpfulness will be greatly missed.


About Smoker
Smoker is a biannual event hosted by the Alpha Epsilon of Phi Kappa Sigma Educational Society. It is one of the oldest event hosted at Illinois Institute of Technology campus. All brothers and alumni are welcome to join our upcoming smoker!


Moves: 0
Use the arrows to sort the grid of numbered tiles. Each move will shift an entire row or column. Every move shifts a tile outside of the puzzle grid and it reappears on the other side of the corresponding row or column. The game is won when the grid is sorted in ascending order from left to right and top to bottom. Hints are available for puzzles of size 3x3 or smaller.


COP LAND (Miramax - 1997) Starring Sylvester Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Peter Berg, Janeane Garafalo, Robert Patrick, Michael Rapaport, Annabella Sciorra, Noah Emmerich, Cathy Moriarty Screenplay by James Mangold Produced by Cary Woods, Cathy Konrad, Ezra Swerdlow Directed by James Mangold Running time: 105 minutes
** (out of four stars) Alternate Rating: C
Note: Some may consider portions of the following text to be spoilers. Be forewarned.
-------------------------------------------------------------
I have always believed that Sylvester Stallone had the ability to turn in a good acting performance -- after all, one doesn't turn in such a subtle, nuanced performance as he did in his film ROCKY simply by chance. He has not, however, given a performance of note in recent years, nor has he faced any sort of role which would test his acting chops; save for the odd foray into comedy (such as OSCAR and STOP! OR MY MOM WILL SHOOT), Mr. Stallone has been restricted to the role of Action Star, where characterization typically surrenders to stunts and effects sequences.
Mr. Stallone makes his much-heralded return to "serious" acting in James Mangold's police drama COP LAND, where he plays his first recognizably humanized character in well over a decade. Gone are the larger-than-life, testosterone-soaked superheroics -- Mr. Stallone's Freddy Heflin character is an agreeable, half-deaf, overweight sheriff of the town of Garrison, New Jersey. Supporting Mr. Stallone in COP LAND is an impressive ensemble cast of remarkable talent -- iconic actors such as Harvey Keitel and Robert De Niro, surrounded by capable actors like Ray Liotta, Peter Berg, Michael Rappaport and Janeane Garafolo.
James Mangold's first film was a character drama called HEAVY, which I have not seen as of this writing. I have, however, read Mr. Mangold's corresponding screenplay, which was superb -- rich with characterization and incisive dialogue, with a series of compelling plots rife with an undercurrent of sadness. The same can be said for Mr. Mangold's COP LAND, and it quickly becomes apparent how his second project has managed to gain the interest and attention of such an astonshingly varied group of talented actors -- COP LAND juggles several subplots simultaneously, and is filled with numerous meaty roles which all figure prominently into the film's storyline; there are very few throwaway supporting characters of little consequence to COP LAND, and it would seem that the prospect of portraying one of the many integral characters in a complex drama must have been enticing to the acting talent.
Unfortunately, it is this very selling point of COP LAND which proves to be its undoing; the film is simply too unfocused, veering back and forth from one subplot to the next. Mr. Mangold has written a involving epic covering much terrain, and then tried to cram it all into a movie which runs less than two hours. There is too much going on in each subplot to be adequately covered in a one-hundred minute film -- COP LAND is a film which could stand to improve with a longer running time, where the relationships between the characters could be developed and examined in greater depth, and the various story angles could be covered in a more complete and satisfactory fashion. As it stands, the stories in COP LAND seem hurried as they compete with each other for screentime, and leap forward in sporadic bursts rather than unfolding in a natural progression.
COP LAND has its strengths: its premise of a small town populated almost exclusively of corrupt New York police officers is intriguing, and the film's action sequences, including a nighttime car chase and a rooftop fight scene are dynamic and well-shot by cinematographer Eric Edwards. Prolific composer Howard Shore provides COP LAND with a striking, moody score, and while she has a smallish role in the current context of the film, Janeane Garafolo once again steals scenes as Deputy Cindy Betts, a newcomer to the Garrison police force -- what a remarkable talent she is. While it is somewhat disappointing that the climactic sequence in COP LAND is a directly confrontational one, Mr. Mangold's inspired use of sound in conjunction with this battle is effective, original and striking. However, COP LAND is ultimately hampered by its insufficient rendering of each subplot. It is of course possible to juggle several subplots and a myriad of characters simultaneously -- Robert Altman's films are proof enough of that -- but Mr. Mangold's characters are so well drawn out and the subplots are of sufficient complexity that they virtually cry out for a more detailed depiction than what is eventually shown in this cut of the film; watching COP LAND feels somewhat like watching a random one-hundred minutes of what should be a 140-minute film.
As for Mr. Stallone, his performance is somewhat of a disappointment. His 38-pound weight-gain to portray Sheriff Freddy Heflin has been well-publicized in the media, and his performance is more understated and self-contained than any of his other recent performances, yet Mr. Stallone is not particularly successful in depicting his character's mental and emotional anguish -- Freddy has been transfixed with Liz (Annabella Sciorra), the wife of tempermental cop Joey Randone (Peter Berg) ever since he rescued her in an automobile accident which caused his partial deafness, yet Mr. Stallone's method of portrayal this onscreen consists mostly of staring vacantly into space, a glimmer of wistfulness peeking out from behind his eyes, while his character's increasing unease with the shady goings-on with the corrupt New York police officers, led by Ray Donlan (Harvey Keitel), which run the town is also ineffectively depicted. Mr. Stallone is not great, or even particularly good, in COP LAND, but he takes a solid step forward in terms of regaining his credibility with the general public as a bonafide actor.
- Alex Fung email<EMAIL_ADDRESS>web : http://www.ncf.carleton.ca/~aw220/
-- Alex Fung<EMAIL_ADDRESS>| http://www.ncf.carleton.ca/~aw220/ "Let's hurt somebody." - Aaron Eckhart, IN THE COMPANY OF MEN
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resolved_kwargs = {}
for arg_name, arg in self.kwargs.items():
r_arg = node.store.get_object(id=arg.id_at_location)
resolved_kwargs[arg_name] = r_arg
result = method(resolved_self, *resolved_args, **resolved_kwargs)
resolved_kwargs = {}
for arg_name, arg in self.kwargs.items():
r_arg = node.store[arg.id_at_location].data
resolved_kwargs[arg_name] = r_arg
result = method(resolved_self, *resolved_args, **resolved_kwargs)


My Dog's things
These are a few of my dog's favorite things
Smelling People
Licking People
Chasing Balls/Cars
Here are some of my dog's favorite foods in a List
Bones
Sticks
Shoes
Flavors of Treats
Thanks for reading about my Dog!


Label Leaking in Adversarial Training
What is Label Leaking Effect?
Label leaking effect, is the phenomenon that during adversarial training, the validation error on adversarial examples are smaller than the validation error on clean examples. The effect is reported in this paper, and it is an interesting one. Adversarial examples are supposed to confuse the neural nets during training so as to increase the robustness. It is like a form of data augmentation, and it is supposed to increase the difficulty for neural nets to success. Nevertheless, at the end of training, models are able to solve the problem of classifying adversarial examples better than the original problem.
The problem is that when one uses one-step methods that involves the true labels to craft adversarial samples, there is extra information about label being leaked, thus making the problem simple. To see how it works, let’s start by examine one such method, Fast Gradient Sign Method (FGSM).
How Does FGSM Leak Label Information?
Suppose we have original data $X,Y_{true}$ and a model $F$ . Our prediction is $Y_{pred} = F(X)$. Our loss function is $L(Y_{true}, Y_{pred})$ telling us how far $Y_{pred}$ is away from $Y_{true}$. In FGSM, the motivation is to increase the loss by add to $X$ a small perturbation which is proportional to the sign of the gradient of $L$ w.r.t. $X$. That is $$ X_{adv} = X + \epsilon sign( \frac{\partial L(Y_{true}, Y_{pred})}{\partial X} ) $$ where $X_{adv}$ is called the adversarial sample, and $\epsilon$ controls the step size. In the case of image-classification, we could further add some details. That is $$ output = f(X) $$ $$ Y_{pred} = SoftMax(output) $$ $$ L(Y_{true}, Y_{pred}) = CrossEntropy(Y_{true}, Y_{pred}) $$
Then we have $$ \frac{\partial L(Y_{true}, Y_{pred})}{\partial X}=\frac{\partial L(Y_{true}, Y_{pred})}{\partial output} \frac{\partial output}{\partial X}=(Y_{pred}-Y_{true})\frac{\partial output}{\partial X} $$ For different $X$, the part of $\frac{\partial output}{\partial X}$ is dominated by a big product of weight matrix and activations. For two images with the same label, their activations in any fixed networks are close, and the weights of the network are fixed. As a result $\frac{\partial output}{\partial X}$ is almost a constant for $X$ with the same label. That means, the resulting gradient is highly correlated with the $Y_{true}$, and therefore the label information is leaked in this gradient term.
As a result, when added the gradient, classifying $X_{adv}$ could become a simpler problem than the original problem of classifying $X$, as $X_{adv}$ contains extra information from the added gradient.
I did an experiment on MNIST. The original model is a three layer MLP with random initialization. After extract the sign of the gradients, I further transform each gradient between 0 and 1 by $$ X_{noise} = clip(gradient+1, 0, 1) $$ I fit a simple linear model on the dataset $X_{noise}, Y_{true}$ using SGD without any careful tuning. As a result, I obtained a $96%$ validation error. This confirms the hypothesis.
If classifying $X_{adv}$ becomes a easier problem, then one can imagine that when doing training by adding adversarial samples, the network would find a weight configuration such that it fully take advantage of the extra label information hidden in the label. If the difficulty gap between the original $X$ and $X_{adv}$ is too large, then it is expected that the validation error on the adversarial samples are lower. That’s why we don’t observe label leaking effect on MNIST but only on ImageNet, since classifying $X$ is easy enough.
Label Leaking in Cifar-10
To further illustrate this effect, I use FGSM to adversarial train a resNet with 110 layers on Cifar10, since no one has tried to reproduce this effect on cifar yet. The adversarial training process is the same as here. I replaced half of the batch with adversarial samples, with $\epsilon \sim N(\mu=0, \sigma=12)$, and I discarded the negative $\epsilon$ sampled. During evaluation, I set $\epsilon$ to be 6. After carefully tuning the learning rate and momentum, I obtain validation accuracy on clean and adversarial examples to be respectively $92.12%$ and $94.81%$. Boom, mission completed.
In order to further appreciate this effect, I also provide the cross entropy vs $\epsilon$ graph on the validation data. By varying the $\epsilon$ along the direction along which the loss increases fastest, we could find some interesting insight about why adversarial training work.
- With increasing $\epsilon$, the loss first increases. This is understandable since gradient is the direction along which the loss increases fastest.
- After a peak, the loss start decreasing. This is the gradient masking effect of adversarial training, as is also reported in Figure 2 of this paper. We can also see at $\epsilon=6$, the loss is even lower than $\epsilon=0$, which is consistent with the label leaking effect we observed before.
- This is graph also illustrate why adversarial training using one-step FGSM cannot defend attacks from iterative FGSM. In iterative methods, the attacker could still follow the curve and find that little peak to fool the network.
Conclusion
Label leaking effect is an counter-intuitive phenomenon, since we are expecting that adversarial samples are a form of data augmentation, and thus are harder problems to solve. After these experiments, I believe this effect is caused by the correlation between the added noise and true label, and this effect would occur only when the original classification problem is very hard.
One more question is if we can avoid this by using least-likely class when calculating the gradients, I personally don’t think that it can solve the problem. Because even if we are not using the true label, for images in the same class, they might have the same least-likely class label, because of the same reason that they have similar activations. As a result, there is still a strong correlation between the gradient and the true label, because of the strong correlation between the least-likely label and the true label. Nevertheless, further experiment could be done to prove or disprove this.


My grandmother always told me to go out and experience what life has to offer. If anything new is available, go ahead and try it. If it pans out, well and good, she said; and if it doesn’t, never do it again. If anything, you’ll be wiser for what you’ve experienced. At least you know. I took my grandma’s advice and as soon as I was working, which started pretty early, I used some of my salary to try new things. You can say that I’m my friends’ guinea pig with trying out what’s fresh. What was a way of spending time with loved ones and friends became a quest, too. I went out trying new restaurants in Baguio City as well as those that have been in business for a long time that I haven’t been to. Tourism Secretary Wanda Teo said yesterday her office is now working with several advertising companies to conceptualize the new catchphrase that should have something to do with President Duterte’s “change” theme.
It took me five years more or less to go through all (if not most) of the Baguio food establishments. As a creature of habit, I kept coming back to the restaurants that I loved most, and that’s probably why I took so long.
For those staying in Baguio just for a short period, don’t waste your precious (vacation) time just looking for a good place to eat in Baguio. As a guinea pig with a lot of (munching) experience now, I’m hoping this online diary of my exploration of the gastronomic delights of Baguio City would be of help to you. As for those who’ve been in the city long enough but haven’t found establishments that are worthy of being named your favorites, you might like the places I found out about that I feature on this Baguio blog.
I have given the business a fresh new look, both inside and out. The restaurant is a year 'round business, eating in a cafe style, which seats approximately 40 people. We have excellent food, friendly staff and proficient service, affordable prices, and a clean environment that will keep the customers coming back. Daily diverse lunch specials and homemade desserts are our specialty. Come in and see for yourself!!! I guarantee that you will not leave hungry. I’m Xine (pronounced Zayn – “I saw the sign” – Ace of Base’s song, some friends call me *hihi) and I’ll mark out the spots where to eat in Baguio.>
Why Should You Visit Kate's Cafe
Kate's Cafe offer you a relaxing and comfortable place. Also good for conversations and bonding with family and friends.
I loved the place and this made my parents love it too. The restaurant seemed magical and fascinating to me when I was an elementary school kid, and surprisingly, the place still fascinates me today. Recently, when I visited my old family house for Thanksgiving, I was astonished and pleased to find out the place still operated and, in fact, was still run by the same family. Apart from the house in which I grew up, Rivenee’s is probably the dearest place to me in the small town, just outside of San Ramon, where I was born and raised.


"Arue has to be one the most interesting dogs I have ever met. She clearly thinks she is a person and acts likes one. She has a huge vocabulary and enjoys human interaction. There is simply no way you will walk away from Rue without a smile on your face. "
If you have the time, take a closer indepth look at these amazing animals on Wikipedia.


Use the dropdown to select different models, representing different types of systems and magnetic field distributions. Parameters can be set by sliders. Most parameters are dependent on each model. The jump frequency parameter represents the speed of a dynamical process - either the motion of the muon, or a fluctuation in the magnetic field, depending on the system. Damping due to fluctuations of other magnetic fields such as those from electrons can be modelled by changing T1.
Here we consider an idealised situation where the muon experiences a Gaussian field distribution along only its spin direction.
The app shows how it responds to changes in the magnitude and fluctuation rate of that field distribution. Such a situation might occur in a layered system where both the magnetic moments point only out of the plane and the muon is coplanar with them, or special situations where hyperfine coupling is predominant.
Increasing the distribution width means that the muon spin is depolarised more quickly and in the absence of fluctuations this depolarisation takes a Gaussian form.
Increasing the jump frequency, which could come from magnetic fluctuations or muon hopping, slows the depolarisation. Once the jump frequency exceeds around three times the distribution width the depolarisation is well approximated by an exponential form.
This situation is a good approximation for the field distribution in a dilute spin glass system or a system where nuclear moments dominate the field distribution width. Here the muon experiences a spherically symmetric Gaussian field distribution and the resulting depolarisation takes the well-known Gaussian Kubo-Toyabe form.
Starting with the jump frequency and external magnetic field set to zero, changing the distribution width changes the form of the static Gaussian Kubo-Toyabe function displayed.
Changing the jump frequency reproduces the effect of muon hopping in a material like copper or ions moving past a static muon in a battery material. The dip in the Kubo-Toyabe function disappears as the jump frequency increases until the relaxation appears similar to an exponential, once the jump frequency exceeds around three times the distribution width.
Changing the applied magnetic field is another way to probe the field distribution within the sample. As the field is increased the asymmetry at longer time increases. This is because the applied field is greater than some of the fields in the distribution and the muon spin is no longer depolarised by those internal fields. As the applied field is increased to exceed the distribution width the asymmetry at longer time increases to almost the initial asymmetry and oscillations appear at short times.
Both the jump frequency and applied magnetic field can be altered at the same time. This combination is relevant to the way experiments on battery materials are usually performed. The two changing parameters, one intrinsic, the other extrinsic, allow the fitting function to be constrained better by measurements in different applied fields than increased counting time in one applied field.
The tick box to use transverse setup shows an alternative way of doing similar experiments, using the applied field to cause the muons to precess. This is described by the Abragam function. Changing the parameters has a similar effect in this case, with the distribution width and jump frequency changing the way the oscillation is modulated and the applied field changing the frequency.
Typical of superconductors of type II at low temperature, when the magnetic field penetrates the superconductor through a triangular lattice of so-called vortices, this distribution is characterised by an exponential decay of the residual magnetic field inside the bulk of the superconductor.
The parameter lambda represents the depth of penetration of the magnetic field inside the bulk of the superconductor; the distribution itself is given by the exponentially decaying fields that one finds further and further from each vortex.
Dynamics here can be related to motions of the muon or of the vortices themselves, which at higher temperature start drifting.
The external magnetic field is needed to put the superconductor into the mixed state where vortices form and allow the penetration depth, lambda, to be measured. Changing the field shifts the field distribution and the form of the data.
Muons implanted into magnetic materials sometimes stop in positions that are magnetically inequivalent so they experience different magnetic fields. Here two sites with different frequencies and a possible jumping process between them are modelled for a single crystal. The site frequencies, B1 and B2 are determined by a magnetic field difference, ΔB=(B2-B1), and by an average magnetic field (B1+B2)/2.


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BY EDWIN JAHIEL
ACT OF VIOLENCE (1949) Directed by Fred Zinnemann. Written by Robert L. Richards. Story by Collier Young. Photography, Robert Surtees. Editing, Conrad A. Nervig. Art direction, Cedric Gibbons, Hans Peters. Music, Bronislau Kaper. Cast: Van Heflin, Robert Ryan, Janet Leigh, Mary Astor, Phyllis Thaxter, Berry Kroeger, et al. An MGM film. 82 minutes.
Except for the setting of this movie (in California, along with too many thousands of others, in all genres), it is a pretty effective work. It starts out quickly and directly, from the first images. So does tension which will not ever abate. There are asides, embellishments or "fioriture."
 A prominent citizen, Van Heflin, is his prey. Heflin, who has done well as a building contractor, is being celebrated by the locals after a project has finished.
He has a pretty young wife (Janet Leigh), a very young boy, good business and a nice home. (Remember that this was 1948 or so. What passed for nice houses would be grade C today).
The two men had been P.O.Ws in a German camp, with Heflin the ranking officer and Ryan his friend and second in command of a group of twelve airmen. When Ryan informed Heflin that the men were digging a tunnel, Heflin was entirely against the planned escape as hopeless, but as his opposition fell on deaf years, he betrayed the plot to the Nazi commandant. As a result ten men died horrible deaths. After the war, survivor Ryan set out to avenge the dead.
When panicked Heflin discloses his dark past to his wife, he tries to find excuses, to rationalize his treachery, to blame the Germans' own treachery for not keeping their promise to thwart the escape without killing anyone. But not so deep down he acknowledges his guilt, his having traded his denunciation for precious food.
Heflin's terrible guilt and terrible fear are grippingly shown through economical dialogue and acting. The hunter-hunted motif is developed mercilessly, but it is the theme of guilt that dominates the movie, in believable film noir visual, atmospheric style and, above all a "noir" conscience.
Where the story goes from there I cannot reveal except that it encompasses a friendly prostitute (good acting by Mary Astor), the involvement of the underworld, and inexorable "no exit" development. The movie -- powerfully dramatic and tragic-- does not cop out, attempt to adorn matters, invent solutions. Strong stuff.
(One relatively amusing thing for us today is that when Heflin is asked about the worth of his business, he says 20 thousand dollars, a small fortune then, peanuts today.)
Austrian-born director Zinnemann (1907-1997) made his debut in Hollywood around 1937. His films are humanistic, intelligent, thoughtful. He had made over two dozen movies in America. Arguably, the best was The Seventh Cross (1944). Made during WWII and starring Spencer Tracy, this was the story of a group of anti-Nazi Germans who escape from a German concentration camp in the mid-1930s.
Just before Act of Violence, he filmed made the classic The Search which was the first role of Montgomery Clift and the first Hollywood shot in post-war Germany. In this gem, American GI.  A warm, highly praised movie, it was mostly known only in film society-type circles.
Act of Violence which followed has remained largely unknown, probably because of its depressing subject. Then came the works that made of Zinnemann a household name, starting with The Men (1950, Marlon Brando's screen debut) and several more, including Member of the Wedding, High Noon, A Hatful of Rain, The Nun's Story, From Here to Eternity, The Sundowners, A Man for All Seasons, The Day of the Jackal, Julia.
War, politics and their effects were never far from Zinnemann's mind, along with matters of principles, morality, conscience and psychology. He died at age 90, leaving us a major legacy of works that rise to great heights.
"Le mauvais gout mene au crime"(Stendhal)
Edwin Jahiel's film reviews are at: http://www.prairienet.org/ejahiel/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


AFLETE is a fitness app exclusively used by influencers to show their fitness content. It's a customer only app.
Going Digital
Aflete allows you to transform your following and expertise into a profitable, automated online business, ensuring your content is secure and protected. As the world continues to evolve and lean further and further towards digital, your business should do the same. On average our Afletes who have made the switch have seen a 3x increase in sales compared to when they were selling PDF guides
Tried, Tested and Proven
Since its release 2 + years ago the Aflete app has succeeded in aiding some of the biggest influencers on the web to become the CEO's they are today.With over a million downloads, 100 + featured Afletes in more than 10 countries and a 4.7 REVIEW on the app store, you can rest assured your guides will have a reliable home.
Growth
The Aflete app allows you to scale your business to an unlimited degree. No more are you confined to PTing in your local area, the Aflete app now gives you the means to reach a worldwide customer base. Serving an unlimited number of customers at once, with minimal effort across all corners of the world.
Available on both The Google Play Store and The Apple store, your guide is always just a click away.
Brand Identity
Our team provides you with the necessary tools to give your business that professional look. We not only provide you with the platform to house your workout guide, but we also design and develop your website, and provide you with dynamic promotional content in order for you to build the hype and create a real brand identity.
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Upon launch of your guide, you will have access to your own business dashboard. You can view the full backend of your business in real time, meaning you can view live traffic and sales from all over the world with payments being transferred to you within seconds of each transaction.


Visual grammar for graphic designers
Disassemble your graphic design into parameters, models and methods. Why do you choose a color or a typeface? How to separate this one from this kind of, when making a series of covers, or different types of publications within one identity.
- A week of exercises and 3 lessons, €450 per student
- A month of exercises, projects and 8 lessons, €1.700 per student
- Daily feedback by e-mail on results for the duration of the study
- Document sharing and versioning through GitHub
- Design principles for planning, process, methods for feedback and testing criteria


At Lax-a-Cafe, we specialize in grounding and mixing different coffee beans from around the world with laxatives and packaging them in discrete packaging. We also have special flavors such as blueberry, bacon, coconut, lime, dark roast raspberry, orange, and pear.
That's his spot. (:
He's just a cat who poops a lot...


1.Create a slider control using jQuery
2.Using jQuery implement functionality to insert a DOM element before or after another element
3.By given an array of students, generate a table that represents these students
4.Implement functionality to change the background color of a web page


|
Home Court Advantage
by Paul Joseph
There are a number of similarities
between the new ABC Supreme Court show, The Court, and
its competition, First Monday.
Both focus on a new Justice appointed to an evenly divided (liberal/conservative)
Supreme Court. Both purport to take us "behind the scenes"
to watch the Court's inner workings. Both focus on the interpersonal
relations between the Justices and between the Justices and their
clerks. Both move us out of the courtroom to address the human
side of the cases. Both use the device of news and commentary
television as a sort of Greek chorus, commenting on the action.
Despite
these structural similarities, the programs are dramatically
different. While First Monday quickly sunk into self-parody,
clownish characterizations and downright embarrassing portrayals
of court personnel and procedure, The Court, with its
intelligent writing and careful plot-crafting, delivers a classy
adult drama.
Sally Field, as newly appointed
Justice without ideology Kate Nolan, heads an experienced cast
of players who, even in the first show, deliver convincing and
interesting portrayals. When, at the end of the program, reporter
Harlan Brandt (Craig Bierko) tells us that Nolan, like the inmate
in a case before the Court, has also been given a kind of "life
sentence," our response is that we want to come back and
watch as it unfolds. We have the sense that not only Kate Nolan
but all the principal characters have lives with depths not yet
obvious and that there is plenty of room for the emotional landscape
to deepen with time.
The device of the cynical and
hungry investigative reporter gets us out of the Court and allows
a second dramatic stream, a continuing "outsider" commentary
and critique of the Court, its people, the cases and the political
institutions of government. We shouldn't see anything on The
Court as devastatingly bad as the scene in First Monday
where the Justice asked questions of the party (rather than the
lawyer), a heavy-handed attempt by less adept writers to pump
up the drama. The Court is smarter than that and in the
hands of veteran writer/producer Carol Flint, it is easy to trust
that sufficient tools exist to make such embarrassing stuff unnecessary.
If there is one (muted) criticism
of The Court in its first episode, it is that the explanation
of the legal issues surrounding the "three strikes"
case before the Court was a bit murky. I doubt whether viewers
came away with a clear understanding of the issue. Yet, the episode
had so much to do-establishing setting, character and conflict-that
this lapse is forgivable. West
Wing has found it possible to explain political issues
of complexity and depth in a few simple sentences and The
Court seems headed in the same direction. If it takes a few
episodes to reach nirvana, I'm willing to wait.
The Court is what First Monday was not--a
well written, carefully crafted drama with winning adult characters
about whom we care. It's good television and has the potential
to be very good legal television, too. The Court is now in session.
Call the next case!
Posted March 28, 2002
|


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You are approached by a business developer to get advice on where to build a new store in Phoenix, AZ. There are currently six candidates. Use the Yelp dataset and come up with your own scoring scheme to identify the best location to recommend.
As a team, choose one of the following business types to work on:
For this hackathon, you will use a scoring method that is based on a series of 20 Yes/No questions that can be applied to each candidate location. The candidate location that has the most number of Yes’s is the most viable location.
Each Yes/No question generally should take on the form of
Does the location have X nearby?
where X is a feature that you think would be useful for the business to be viable.
Two examples of such questions are:
Implement scoring functions and visualize how these candidate locations are scored. The skeleton code is provided for you in report.html.
Each person must implement at least two questions to receive credits for this hackathon.
Our team chose to analyze candidate locations for a full service daycare center.
The team members who contributed to this hackathon are:
Our team came up with the following relevant questions:
Many families of daycare age children also have children in elementary schools. By locating the daycare close to elementary schools, we can reduce the driving time and distance for parents.
So the parent can stop for coffee on the way to work.
We are looking for a safe location for the daycare center.
So the parent can get gas while picking up or dropping off child.
So the parent can get a good breakfast with the child before dropping them off.
This question was chosen to reduce competition with other childcare centers.
Adult entertainment businesses would not be conducive to a safe environment.
Fast food locations would indicate a commercial environment and we are looking for a more residential setting.
If a child needs urgent medical care while in school, having a pediatrician that could be reached quickly is important.
Just in case the parent needs to relax a bit just before picking up the child.
Businesses which are open 24 hours or close after 12 pm, could indicate an unsafe environment.
Our team collectively implemented 11 scoring functions. Based on the scores, our team recommends location 2 or 3 which both scored 7 out of 11 points. These locations differ in that location 2 is near elementary schools but also close to late night businesses, whereas location 3 is not near elementary schools nor late night businesses. We recommend that the business developer investigate the types of late night businesses near location 2, before making a final decision.


| ${value} Energy Reserved | 25 |
| ${chance}% Chance of ${value} Reduced Resistances over ${duration} Second(s) | 12.0% Chance of min: [18.0, 21.0, 25.0, 26.0, 30.0, 33.0, 37.0, 40.0, 44.0, 46.0, 49.0, 53.0] Reduced Resistances over min: 3.0 Second(s) |
| ${value}% Reduction to Enemy's Health | min: [3.0, 4.0, 5.0, 6.0, 7.0, 8.0, 9.0, 10.0, 11.0, 12.0, 13.0, 14.0] |
| MaxLevel | 8 |
| UltimateLevel | 12 |


Play the Mystery Number Game!
Guess a number between 1 and 100...good luck!
...and Go!

'C'mon, you know you want one!


| Module | ActiveRecord::Callbacks |
| In: |
vendor/rails/activerecord/lib/active_record/callbacks.rb
|
Callbacks are hooks into the lifecycle of an Active Record object that allows you to trigger logic before or after an alteration of the object state. This can be used to make sure that associated and dependent objects are deleted when destroy is called (by overwriting before_destroy) or to massage attributes before they’re validated (by overwriting before_validation). As an example of the callbacks initiated, consider the Base#save call:
That’s a total of eight callbacks, which gives you immense power to react and prepare for each state in the Active Record lifecycle.
Examples:
class CreditCard < ActiveRecord::Base # Strip everything but digits, so the user can specify "555 234 34" or # "5552-3434" or both will mean "55523434" def before_validation_on_create self.number = number.gsub(/[^0-9]/, "") if attribute_present?("number") end end class Subscription < ActiveRecord::Base before_create :record_signup private def record_signup self.signed_up_on = Date.today end end class Firm < ActiveRecord::Base # Destroys the associated clients and people when the firm is destroyed before_destroy { |record| Person.destroy_all "firm_id = #{record.id}" } before_destroy { |record| Client.destroy_all "client_of = #{record.id}" } end
Besides the overwriteable callback methods, it’s also possible to register callbacks through the use of the callback macros. Their main advantage is that the macros add behavior into a callback queue that is kept intact down through an inheritance hierarchy.  When Reply#destroy is run both destroy_author and destroy_readers is called. Contrast this to the situation where we’ve implemented the save behavior through overwriteable methods:
class Topic < ActiveRecord::Base def before_destroy() destroy_author end end class Reply < Topic def before_destroy() destroy_readers end end
In that case, Reply#destroy would only run destroy_readers and not destroy_author. So use the callback macros when you want to ensure that a certain callback is called for the entire hierarchy and the regular overwriteable methods when you want to leave it up to each descendent to decide whether they want to call super and trigger the inherited callbacks.
*IMPORTANT:* In order for inheritance to work for the callback queues, you must specify the callbacks before specifying the associations. Otherwise, you might trigger the loading of a child before the parent has registered the callbacks and they won’t be inherited.
There are four types of callbacks accepted by the callback macros: Method references (symbol), callback objects, inline methods (using a proc), and inline eval methods (using a string). Method references and callback objects are the recommended approaches, inline methods using a proc are sometimes appropriate (such as for creating mix-ins), and inline eval methods are deprecated.
The method reference callbacks work by specifying a protected or private method available in the object, like this:
class Topic < ActiveRecord::Base before_destroy :delete_parents private def delete_parents self.class.delete_all "parent_id = #{id}" end end
The callback objects have methods named after the callback called with the record as the only parameter, such as:
class BankAccount < ActiveRecord::Base before_save EncryptionWrapper.new("credit_card_number") after_save EncryptionWrapper.new("credit_card_number") after_initialize EncryptionWrapper.new("credit_card_number") end class EncryptionWrapper def initialize(attribute) @attribute = attribute end def before_save(record) record.credit_card_number = encrypt(record.credit_card_number) end def after_save(record) record.credit_card_number = decrypt(record.credit_card_number) end alias_method :after_find, :after_save private def encrypt(value) # Secrecy is committed end def decrypt(value) # Secrecy is unveiled end end
So you specify the object you want messaged on a given callback. When that callback is triggered, the object has a method by the name of the callback messaged.
The callback macros usually accept a symbol for the method they’re supposed to run, but you can also pass a "method string", which will then be evaluated within the binding of the callback. Example:
class Topic < ActiveRecord::Base before_destroy 'self.class.delete_all "parent_id = #{id}"' end
Notice that single plings (’) are used so the #{id} part isn’t evaluated until the callback is triggered. Also note that these inline callbacks can be stacked just like the regular ones:
class Topic < ActiveRecord::Base before_destroy 'self.class.delete_all "parent_id = #{id}"', 'puts "Evaluated after parents are destroyed"' end
Because after_find and after_initialize are called for each object found and instantiated by a finder, such as Base.find(:all), we’ve had to implement a simple performance constraint (50% more speed on a simple test case). Unlike all the other callbacks, after_find and after_initialize will only be run if an explicit implementation is defined (def after_find). In that case, all of the callback types will be called.
If the returning value of a before_validation callback can be evaluated to false, the process will be aborted and Base#save will return false. If Base#save! is called it will raise a RecordNotSave error. Nothing will be appended to the errors object.
If a before_* callback returns false, all the later callbacks and the associated action are cancelled. If an after_* callback returns false, all the later callbacks are cancelled. Callbacks are generally run in the order they are defined, with the exception of callbacks defined as methods on the model, which are called last.
| CALLBACKS | = | %w( after_find after_initialize before_save after_save before_create after_create before_update after_update before_validation after_validation before_validation_on_create after_validation_on_create before_validation_on_update after_validation_on_update before_destroy after_destroy ) |
Is called after Base.destroy (and all the attributes have been frozen).
class Contact < ActiveRecord::Base after_destroy { |record| logger.info( "Contact #{record.id} was destroyed." ) } end
# File vendor/rails/activerecord/lib/active_record/callbacks.rb, line 319 319: def after_destroy() end
Is called after Validations.validate (which is part of the Base.save call).
# File vendor/rails/activerecord/lib/active_record/callbacks.rb, line 277 277: def after_validation() end
Is called after Validations.validate (which is part of the Base.save call) on new objects that haven’t been saved yet (no record exists).
# File vendor/rails/activerecord/lib/active_record/callbacks.rb, line 285 285: def after_validation_on_create() end
Is called after Validations.validate (which is part of the Base.save call) on existing objects that have a record.
# File vendor/rails/activerecord/lib/active_record/callbacks.rb, line 293 293: def after_validation_on_update() end
Is called before Base.destroy.
Note: If you need to destroy or nullify associated records first, use the _:dependent_ option on your associations.
# File vendor/rails/activerecord/lib/active_record/callbacks.rb, line 312 312: def before_destroy() end
Is called before Validations.validate (which is part of the Base.save call).
# File vendor/rails/activerecord/lib/active_record/callbacks.rb, line 274 274: def before_validation() end
Is called before Validations.validate (which is part of the Base.save call) on new objects that haven’t been saved yet (no record exists).
# File vendor/rails/activerecord/lib/active_record/callbacks.rb, line 281 281: def before_validation_on_create() end
Is called before Validations.validate (which is part of the Base.save call) on existing objects that have a record.
# File vendor/rails/activerecord/lib/active_record/callbacks.rb, line 289 289: def before_validation_on_update() end


{% load static %}
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EMPYRUS SYNERGIEN PRIVATE LIMITED Chennai, TN
Last updated 3 mins ago


|
Sonia |
Terk |
1885 |
1979 |
|
Interiors by Casa Sonia, 1918 |
|
Adelgunde (Gunta) |
Stölzl |
1897 |
1983 |
|
Pillowcase, 1920 |
Pillowcase |
|
Helena |
Kottler |
1882 |
1962 |
|
Decoration of the Cooperative Business Bank, 1922 |
|
|
Alma |
Buscher |
1899 |
1944 |
|
Toy Closet for the House am Horn Children’s Room, 1923 |
|
|
Marianne |
Liebe |
1893 |
1983 |
|
Ashtray with Cigarette Holder, 1924 |
|
|
Sylvia |
Gatt |
1908 |
1994 |
|
Cocktail Shaker, 1925 |
|
|
Margarete (Grete) |
Lihotzky |
1897 |
2000 |
|
Frankfurt Kitchen, 1926 |
|
|
Elizabeth |
Scott |
1898 |
1972 |
|
Shakespeare Memorial Theatre, 1927 |
|
|
Kathleen Eileen |
Moray |
1878 |
1976 |
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E-1027 Maison en bord de mer, 1929 |
|
|
Ruth Hildegard |
Raack |
1894 |
1975 |
|
Lady’s Living Room and Bedroom, 1931 |
|
|
Aino Maria |
Marsio |
1894 |
1949 |
|
Glass Tableware, 1932 |
|
|
Maria |
Cotescu |
1896 |
1980 |
|
Grivita Works. 1933, 1933 |
|
|
Martta |
Martikainen |
1904 |
1992 |
|
Motor Battalion Barracks and Garage Ministry of Defence,1935 |
|
|
Lilly |
Reich |
1885 |
1947 |
|
Thonet Small Armchair, 1936 |
|
|
Mary |
Crowley |
1907 |
2005 |
|
Plan of the Expanding Nursery School, 1937 |
|
|
Susan (Susie) |
Cooper |
1902 |
1995 |
|
Kestrel Tea Set, 1940 |
|
|
Judith |
Ledeboer |
1901 |
1990 |
|
Sideboard, 1941 |
|
|
Juliana (Liane) |
Fischer |
1892 |
1987 |
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Panzer Residence, 1942 |
|
|
Greta |
Magnusson |
1906 |
1999 |
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Interior of a Residence, 1943 |
|
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Rita |
Fernández |
1911 |
2008 |
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Patronato de Protección de la Mujer Restoration, 1944 |
|
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Luisa |
Aiani |
1920 |
1990 |
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Sofa, 1946 |
|
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Elsi Naemi |
Borg |
1893 |
1958 |
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Lastenlinna Children’s Hospital, 1948 |
|
|
Anneliese (Anni) |
Fleischmann |
1899 |
1994 |
|
Free-Hanging Room Divider, 1949 |
|
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Elena |
Luzzatto |
1900 |
1983 |
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Primavalle Market. 1950, 1950 |
|
|
Louise (Lux) |
Guyer |
1894 |
1955 |
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Masterplan of SAFFA Exhibition, 1928 |
|
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Sonja |
Lapajne |
1906 |
1995 |
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Gimnazija Bežigrad High School, 1950 |
|
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Alexandra |
Paschalidou |
1912 |
2010 |
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Greek Pavilion New York World’s Fair, 1939 |
|
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Antonia |
Campi |
1921 |
--- |
|
Spaziale (C33) Umbrella Stand, 1951 |
|
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Franca |
Helg |
1920 |
1989 |
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San Lorenzo Treasure Museum, 1952 |
|
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Jane |
Drew |
1911 |
1996 |
|
University Of Ibadan, 1953 |
|
|
Tamara |
Davydovna |
1894 |
1976 |
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New Sochi Health Resort / Sanatorium, 1954 |
|
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Stefania |
Filo |
1905 |
1988 |
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Cattolica Assicurazioni Skyscraper, 1955 |
|
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Alison Margaret |
Gill |
1928 |
1993 |
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House of the Future,1956 |
|
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Lina |
Bo |
1914 |
1992 |
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MASP São Paulo Museum of Art, 1968 |
|
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Annemarie |
Constam |
1921 |
2012 |
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SAFFA, 1958 |
|
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Nanna |
Hauberg |
1923 |
2005 |
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Hanging Egg Chair, 1959 |
|
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Nataša |
Štupar |
1927 |
--- |
|
1962, 1962 |
|
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Nives |
Kalin |
1932 |
2007 |
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NKVFV Series of Wood Veneer Pendant Lights, 1963 |
|
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Ivanka |
Raspopovic |
1930 |
2015 |
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Museum of Contemporary Art, 1965 |
|
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Maria Helena |
Matos |
1924 |
2015 |
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Japão Service Jar Bowl and Plate, 1969 |
|
|
Nanda |
Vigo |
1936 |
--- |
|
Golden Gate Floor Lamp, 1970 |
|
|
Maria Cristina (Cini) |
Mariani |
1924 |
--- |
|
Serpentone Giant Snake Sofa, 1971 |
|
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Ljiljana |
Vucovic |
1939 |
--- |
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Pioneer Sports Hall, 1939 |
|
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Ursulina |
Witte |
1933 |
--- |
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Tower Restaurant Steglitz, 1976 |
|
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Teresa |
Nunes da Ponte |
1955 |
--- |
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Toca da Areia Residential Complex, 1982 |
|
|
Margaret |
Kropholler |
1891 |
1966 |
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Atelier Roland Holst, 1919 |
|
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Maria José |
Marques da Silva |
1914 |
1996 |
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Palácio do Comércio, 1945 |
|
|
Eva |
Ditsleven |
1916 |
2006 |
|
Beech Wingback Chair, 1947 |
|
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Teresa |
Kruszewska |
1927 |
2014 |
|
Reversible Child’s Armchair, 1961 |
|
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Janine |
Abraham |
1929 |
2005 |
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Summer Home, 1964 |
|
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Anna |
Ferrieri |
1920 |
2006 |
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Componibili Modular System, 1967 |
|
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Sigrid |
Zschach |
1929 |
1990 |
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Steglitzer Kreisel, 1974 |
|
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Charlotte |
Perriand |
1903 |
1999 |
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Bloc Cuisine Les Arcs, 1975 |
|
|
Nel |
Verschuuren |
1943 |
2016 |
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Murtala Muhammed Airport Seating Unit , 1978 |
|
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Hildegard |
Auf |
1941 |
--- |
|
Pavilion V, 1979 |
|
|
Simone |
Hoa |
1916 |
1996 |
|
Community Arts Centre, 1980 |
|
|
Ol'ga |
Škvarková |
1935 |
--- |
|
District Post Office, 1983 |
|
|
Viera |
Štarková |
1933 |
--- |
|
Communist Party Regional Committee Offices, 1988 |
|
|
Nathalie |
Du Pasquier |
1957 |
--- |
|
Emerald Sideboard, 1985 |
|
|
Gae |
Aulenti |
1927 |
2012 |
|
Orsay Museum, 1986 |
|
|
Verena |
Dietrich |
1941 |
2004 |
|
Höhenberg Sportspark Spectator Tribune, 1988 |
|
|
Andrée Christine |
Aynard |
1925 |
2003 |
|
Human Rights Foundation Library, 1989 |
|
|
Edith |
Girard |
1949 |
2005 |
|
Residential Building and Dunois Theatre, 1990 |
|
|
Patricia |
Leboucq |
1957 |
--- |
|
Residential Building, 1992 |
|
|
Zaha |
Hadid |
1950 |
2016 |
|
Vitra Fire Station, 1993 |
|
|
Marianne |
Dahlbäck |
1943 |
--- |
|
Vasa Museum, 1981 |
|
|
Margarete (Grete) |
Heymann |
1899 |
1990 |
|
Tea Set, 1930 |
|
|
Maria Teresa |
Parpagliolo |
1903 |
1974 |
|
Hall Garden, 1966 |
|
|
Jadwiga |
Grabowska |
1920 |
--- |
|
Sedesowce - Manhattan Housing Units, 1968 |
|
|
Amanda |
Levete |
1955 |
--- |
|
Docklands Floating Bridge, 1994 |
|
|
Fiona |
Raby |
1963 |
--- |
|
Faraday Chair, 1995 |
|
|
Laura |
Carducci |
1960 |
--- |
|
Jean de la Fontaine Nursery School, 1996 |
|
|
Judith |
Rataitz |
1960 |
--- |
|
Cold Dish Table Set: Cutting Board and Brunch Containers, 1997 |
|
|
Catherine |
Furet |
1954 |
--- |
|
Residential Buildings, 1998 |
|
|
Irena |
Bajerska |
1943 |
--- |
|
Rooftop of the University Library, 1999 |
|
|
Benedetta |
Tagliabue |
1963 |
--- |
|
Hamburg School of Music, 2000 |
|
|
Odile |
Decq |
1955 |
--- |
|
MACRO Rome’s Museum of Contemporary Art, 2001 |
|
|
Patricia |
Urquiola |
1961 |
--- |
|
Fjord Chair, 2002 |
|
|
Mary |
Reynolds |
1974 |
--- |
|
Brigit’s Garden, 2004 |
|
|
Gunilla |
Svensson |
1956 |
--- |
|
Kv Skötaren Apartment Building, 2005 |
|
|
Blanca |
Lleó |
1959 |
--- |
|
97 Houses for Young People, 2006 |
|
|
Manuelle |
Gautrand |
1961 |
--- |
|
Citroën Showroom, 2007 |
|
|
Inês |
Lobo |
1966 |
--- |
|
Francisco Rodrigues Lobo High School, 2008 |
|
|
Sheila |
O’Donnell |
1953 |
--- |
|
Lyric Theatre, 2009 |
|
|
Christine |
Conix |
1955 |
--- |
|
Belgian EU Pavilon, 2010 |
|
|
Eva |
Jiricná |
1939 |
--- |
|
Zlín Culture and Congress Centre,2001 |
|
|
Liana |
Nella |
1959 |
--- |
|
Kindergarten of the German School of Athens, 2012 |
|
|
Kostantia |
Manthou |
1983 |
--- |
|
Royal Ceramica Pavilion, 2013 |
|
|
Helga |
Snel |
1966 |
--- |
|
Care and Well-being Centre Tamarix, 2014 |
|
|
Jeanne |
Dekkers |
1953 |
--- |
|
Care and Well-being Centre Tamarix, 2014 |
|
|
Ilse |
Crawford |
1962 |
--- |
|
Sinnerlig Collection, 2015 |
|
|
Carme |
Pinós |
1954 |
--- |
|
Gardunya Square Project, 2017 |
|
|
Maria Cornelia (Marie) |
Kuyken |
1898 |
1988 |
|
Fire Screen, 1921 |
Fire Screen
|
|
Blaženka |
Staroveški |
1937 |
--- |
|
Pipi Children’s Bedroom Furniture, 1972 |
|
|
Victoria |
Angelova |
1902 |
1947 |
|
Burgas Casino, 1938 |
|
|
Lucie Quirina |
Bakker |
1915 |
2003 |
|
Quirina Tableware, 1977 |
|
|
Hanne |
Dam |
1930 |
2009 |
|
Summerhouse, 1987 |
|
|
Francine |
Houben |
1955 |
--- |
|
House with a Studio, 1991 |
|
|
Catarina |
Raposo |
1974 |
--- |
|
Volcano Pavillion and Water Gardens, 2003 |
|
|
Marlies |
van Dullemen |
1959 |
--- |
|
MAPLe® Nightwatch, 2016 |
|


Introduction
For a quick introduction to Stapes, follow the
tutorial, and write a todo app in less than 100 lines of code.
Write your Stapes modules like this
var Module = Stapes.subclass({
constructor : function(name) {
this.name = name;
},
sayName : function() {
console.log('My name is: ' + this.name);
}
});
Then, use it like this.
var module = new Module('Emmylou');
module.sayName(); // 'My name is Emmylou'
Examples
There are three examples available to get a taste on how to write a
Stapes.js application.
Code for these examples is available in the development download.
Note that the two todo examples are also available from
TodoMVC.
Creation methods
These methods aid in the creation and extension of classes, or
modules. These terms are used interchangeably in this
document.
subclass
Module.subclass( [object] )
Stapes.subclass( [object, classOnly] )
Create a new Stapes class that you can instantiate later on with
new
.
Note that until Stapes 0.6.0 the preferred way of creating new modules was by using Stapes.create
. This has been replaced by subclass
since 0.7.0. Read this blogpost why.
You can add a constructor
(the function that is run when you
instantiate the class) property to the object. All other properties
will become prototype methods. To add static methods to your class use
extend
. If you want to add
more properties to the prototype of the class later on, use
proto
.
var Module = Stapes.subclass({
constructor : function(name) {
this.name = name;
},
getName : function() {
return this.name;
}
});
var module = new Module('emmylou');
module.getName(); // 'emmylou'
When calling subclass
on a Stapes class you can extend
it into a new class that will inherit all prototype properties of the
parent class.
var Module = Stapes.subclass({
sayName : function() {
console.log('i say my name!');
}
});
var BetterModule = Module.subclass({
sayNameBetter : function() {
this.sayName(); // Inherits 'sayName' from 'Module'
console.log('i say my name better!');
}
});
var module = new BetterModule();
module.sayNameBetter(); // 'i say my name! i say my name better!'
Note that it's perfectly valid to call subclass
without
any arguments at all. In that case you'll simply get a new class
with an empty constructor.
Also note that if you call subclass
on a Module the child
module won't automatically inherit the constructor
of the parent. This is by design. To inherit the constructor of a parent
class simply specify it in your subclass
setup:
var Parent = Stapes.subclass({
constructor : function(name) {
this.name = name;
}
});
var Child = Parent.subclass({
// inherit the constructor from parent
constructor : Parent.prototype.constructor
});
Because subclass
set ups the prototype chain correctly
the instanceof
parameter will work as expected.
module instanceof BetterModule; // true
module instanceof Module; // true
All modules automatically get a parent
property that links
back to the prototype of the parent. You can use this to override a
method in a new class, but still call the method of the parent class, like
the super
method that is available in lots of languages.
var BetterModule = Module.subclass({
// Note that this method name is the same as the one in Module
sayName : function() {
BetterModule.parent.sayName.apply(this, arguments);
console.log('i say my name better');
}
});
var module = new BetterModule();
module.sayName(); // 'i say my name! i say my name better!'
The optional classOnly
flag can be set to true to make
a class without any event or
data methods. You will get all of the
creation methods, so you can still subclass
and extend your class. Use this flag to use Stapes as a simple
class creation library.
var Class = Stapes.subclass({
constructor : function(name) {
this.name = name;
}
}, true /* <-- 'classOnly' flag */);
'subclass' in Class; // true
'get' in new Class(); // false
extend
module.extend( object[, object...])
Stapes.extend( object )
Extend your class instance properties by giving an
object. Keys with the same value will be overwritten. this
will be set to the objects context.
var Module = Stapes.subclass();
var module = new Module();
module.extend({
"names" : ['claire', 'alice'],
"sayName" : function(i) {
console.log( "Hello " + this.names[i] + "!" );
}
});
module.sayName(1); // 'alice'
Note that using extend
is exactly the same as directly
assigning properties to the module:
module.names = ['claire', 'alice'];
// Is the same as
module.extend({
names : ['claire', 'alice'];
});
Both extend
and proto
accept
multiple objects as arguments:
var module = new (Stapes.subclass());
var instruments = { guitar : true };
var voices = { singing : true };
module.extend(instruments, voices);
console.log('guitar' in module, 'singing' in module); // true, true
extend
is also useful for stuff like configuration
properties.
var Module = new Stapes.subclass({
constructor : function(props) {
this.extend( props );
},
sayInfo : function() {
console.log(this.name + ' plays ' + this.instrument);
}
});
var module = new Module({
'name' : 'Johnny',
'instrument' : 'guitar'
});
module.sayInfo();
Stapes.extend()
can be used for writing extra methods
and properties that will be available on all Stapes modules,
even after you have created them. This is very useful for
writing plugins for functionality that isn't in Stapes.
Stapes.extend({
// Sets an DOM element for views
"setElement" : function(el) {
this.el = el;
this.$el = $(el); // jQuery or Zepto reference
}
});
var Module = Stapes.subclass();
var module = new Module();
module.setElement( document.getElementById("app") );
console.log( module.el ); // "#app" DOM element
console.log( module.$el ); // jQuery or Zepto element
All internal methods are available as the
Stapes._
object, so if you want you can overwrite
and hack virtually all Stapes behaviour. Note that these
methods aren't documented, so you should take a look at the
source.
proto
Module.proto( object )
Adds properties and methods to the prototype of the module.
Note that it's usally easier to directly add methods to the prototype
using the subclass
method.
However,if you want to add methods to the prototype later on,
proto
might be useful.
var Module = Stapes.subclass();
Module.proto({
'sayName' : function() {
console.log('I say my name');
}
});
'sayName' in Module; // false, not a static method
'sayName' in Module.prototype; // true
// Note that using proto is the same as:
Module.prototype.sayName = function() {
console.log('I say my name');
};
Both proto
and extend
accept
multiple objects as arguments. This can be very handy for mixins.
var Module = Stapes.subclass();
var instruments = { guitar : true };
var voices = { singing : true };
Module.proto(instruments, voices);
var module = new Module();
console.log(module.guitar, module.singing); // true, true
Event methods
on
module.on(eventName, handler [, context] )
module.on(object [, context] )
Stapes.on(object [, context] )
Stapes.on(eventName, handler [, context] )
Add an event listener to a Stapes module or object
with mixed-in events. When an event is
triggered the handler
will be called
with two arguments: data
, which may contain any data, and an
eventObject
that contains some useful information about the
event, such as the scope, target and event name.
As an optional third (when defining a single listener) or second
(when defining multipe listeners using an object) parameter you can set what the value of
this
should be in the scope of the event handler.
This is handy to prevent having to temporarily save the scope
to a self
or that
variable or use the
new bind
property of EcmaScript 5.
var Module = Stapes.subclass();
var module = new Module();
module.on('ready', function() {
console.log('your module is ready!');
});
module.on({
"talk" : function() {
console.log('your module is talking!');
},
"walk" : function() {
console.log('your module is walking!');
},
"eat" : function( food ) {
console.log('your module is eating ' + (this.get('food') || 'nothing'));
}
});
var feedme = new Module();
// Set the scope for the event handler to 'module'
feedme.on({
"feed" : function( food ) {
this.set('food', food);
}
}, module);
module.emit('eat');
// "your module is eating nothing"
feedme.emit('feed', 'cookies');
module.emit('eat');
// "your module is eating cookies"
module.get('food');
// "cookies"
feedme.get('food');
// null
The on
method on the global Stapes
object can be used to listen to events from all defined modules.
Listening to the special all
event on the Stapes
global will trigger on all events thrown in all
objects. Very useful for debugging, but be careful not to leave it in
your production code :)
var Module = Stapes.subclass({
constructor : function(name) {
this.name = name;
},
beReady : function() {
this.emit('ready');
}
});
var module1 = new Module('module1');
var module2 = new Module('module2');
Stapes.on('ready', function(data, e) {
console.log('a ready event was triggered in: ' + e.scope.name);
});
module1.beReady(); // 'a ready event was triggered in module 1';
module2.beReady(); // 'a ready event was triggered in module 2';
The all
event listener is also available on every module, so
you can listen to all events from a specific module.
var Module = Stapes.subclass({
"go" : function() {
this.emit('foo');
this.emit('bar');
}
});
var module = new Module();
module.on("all", function(data, e) {
console.log(e.type);
});
module.go(); // first 'foo', then 'bar'
off
module.off(eventType, handler)
module.off(eventType)
module.off()
Removes event handlers from an object. Giving both an eventType
and a handler will remove that specific handler from a module.
Giving only an eventType will remove all handlers bound to
that event type.
With no arguments at all, off()
will remove all event handlers from a module.
var Module = Stapes.subclass();
var module = new Module();
var handler = function(){};
module.on({
"foo" : handler,
"bar" : function(){}
});
module.off("foo", handler); // Removes only the specific handler for foo
module.off("bar"); // Removes all 'bar' handlers
module.off(); // Removes all handlers
emit
module.emit(eventName[, data])
Trigger an event on the module. eventName
can be a space seperated
string if you want to trigger more events. data
can be any
Javascript variable you want, and will be passed to any event listeners
var Module = Stapes.subclass({
"sleep" : function() {
this.emit('sleeping', 'very deep');
}
});
var module = new Module();
module.on('sleeping', function(how) {
console.log("i'm sleeping " + how);
});
module.sleep(); // "i'm sleeping very deep"
mixinEvents
Stapes.mixinEvents([object])
It's possible to add Stapes' event handling
methods to any Javascript object or function. This can be very
handy if you want to create an object that only uses event handlers, or
for an object or function that already exists and you don't want
to convert to a Stapes module.
Here's how to add event methods to an object:
var module = {};
Stapes.mixinEvents(module);
module.on('sing', function() {
console.log("i'm singing!");
});
module.sing = function() {
this.emit('sing');
}
module.sing(); // i'm singing!
Stapes.mixinEvents
returns the object
, so
you could write the first two lines from the previous example even shorter:
var module = Stapes.mixinEvents( {} );
No, wait! It can be even shorter! Without any arguments Stapes.mixinEvents
returns a new object with mixed-in events.
var module = Stapes.mixinEvents();
You can also add event methods to a function:
function Module(what) {
this.what = what;
Stapes.mixinEvents(this);
}
Module.prototype.sing = function() {
this.emit('sing', this.what);
}
var m = new Module("Happy Birthday");
m.on('sing', function(what) {
console.log("i'm singing " + what + "!");
});
m.sing(); // i'm singing Happy Birthday!
Note that these events are also triggered on the main Stapes
object, so you can use Stapes.on
to catch events
from these mixed-in objects as well.
Stapes.on('sing', function(data, e) {
console.log("Singing from " + e.scope.name);
});
var module = Stapes.mixinEvents( {} );
module.name = "a cool module!";
module.sing = function() {
this.emit('sing');
}
module.sing(); // 'Singing from a cool module!'
Data methods
each
module.each( function, [context] );
Iterate over all attributes of a module.
When giving a context
parameter this will be set as
the this
value in the iterator function. If context
is not set it will be set to the module itself.
var Module = Stapes.subclass();
var singers = ['Johnny', 'Emmylou', 'Gram', 'June'];
var module = new Module();
module.msg = "I'll be your ";
module.push(singers);
module.each(function(singer) {
console.log(this.msg + singer);
});
// Using the second context parameter of each()
module.singers = new (Stapes.subclass());
module.singers.push( singers );
module.singers.each(function(singer) {
console.log(this.msg + singer);
}, module);
filter
module.filter( function );
Gets an array of attribute values using a custom function.
The callback function
gets two arguments: the value of the attribute, and the original key.
module.push([
{
name : 'Johnny',
playing : false
},
{
name : 'Emmylou',
playing : true
}
]);
var playing = module.filter(function(singer) {
return singer.playing;
}); // [ { name : 'Emmylou', playing : true }]
get
module.get( key );
module.get( key1, key2, ... );
module.get( function );
Gets an attribute by key. If the item is not available will return
null
var Module = Stapes.subclass();
var module = new Module();
module.set({
'instrument': 'guitar',
'name': 'Johnny'
});
module.get('instrument'); // 'guitar'
You can get multiple key / value pairs when you
use more than one argument:
module.get('instrument', 'name'); // { 'instrument' : 'guitar', 'name' : 'Johnny' }
You can also use a function to get a specific value. This is
comparable to filter
,
however, filter
always returns an array of results,
while get
always returns a single result.
getAll
module.getAll();
Returns all the attributes of a module as an object. Handy for JSON
serializing and persistence layers.
Note that this method returns a copy/clone instead of a reference.
getAllAsArray
module.getAllAsArray();
Returns all attributes as an array, so you can easily iterate.
Note that the original key of the attribute is always available as a
'id' key in the the value, provided your value is an object.
Note that this method returns a copy/clone instead of a reference.
module.set({
"name" : "Johnny",
"instrument" : "guitar"
});
module.getAllAsArray().length; // '2'
has
module.has( key );
Checks if a key is available and returns true or false.
module.set('singer', 'Johnny');
module.has('singer'); // true
module.has('instrument'); // false
map
module.map( function, [context] )
Just like each
, map
iterates over
all attributes of a module. map
returns a new array, where every attribute
value of a module has been passed through function
.
module.push([1, 2, 3]);
var arr = module.map(function(nr) {
return nr * 2;
});
console.log(arr); // '[2, 4, 6]'
By default map
gets the module as the value of this
, but this
can be overwritten with the second argument.
push
module.push( value, [silent] );
module.push( array, [silent] );
Sets a value, automatically generates an unique uuid as a key.
You can also push an array of values.
Just as with set
the optional silent
flag will
prevent any change events from being emitted.
For the rest of the behaviour of this method see
set
.
m.push("foo");
m.getAll(); // will look something like { "5323be61-afb8-4034-b408-51132756cd43" : "foo"}
m.push([
"foo",
"bar",
"baz"
]);
push
returns the module, so this method is chainable.
remove
module.remove( key, [silent] );
module.remove( function );
module.remove();
Deletes an attribute. Triggers remove
and
change
events.
remove
also triggers namespaced change
and
remove
events (e.g. change:foo
and
remove:foo
).
You can either use a key
as an argument or a
function
module.remove(function(item) {
return item.done === true;
});
It's possible to remove multiple keys in one go, simply space seperate them:
module.remove('singer instrument johnny');
If you do not want your remove
to trigger an event set
the optional silent
flag to true.
module.remove('singer', true /* <-- silent flag */);
Without any arguments, remove
deletes all attributes in a module and triggers change
and remove
events.
module.push([1,2,3]);
module.size(); // 3
module.remove();
module.size(); // 0
remove
returns the module, so this method is chainable.
set
module.set(key, value, [silent]);
module.set(object, [silent]);
Sets an attribute. Use push
if you want to 'push' a value
with a random uuid, for collections.
To set multiple attributes in one go, use an object as an first argument.
Every attribute will trigger a change
event. A key
that doesn't exist will trigger a create
event, a key
that does exist will trigger an update
event.
All events will have the key of the attribute as their event value.
Special namespaced events will also be triggered. These events have a value
of eventType:key
. So for example, a set
on
an attribute called 'name' will generate a change:name
event. These events will have the attribute value instead of the
key as a data argument in the event callback.
module.on({
"change" : function(key) {
console.log('Something happened with ' + key);
},
"change:name" : function(value) {
console.log('name was changed to ' + value);
},
"create" : function(key) {
console.log("New attribute " + key + " added!");
},
"update" : function(key) {
console.log("Attribute " + key + " was updated!");
}
});
module.set('name', 'Elvis'); // will trigger 'change' and 'create' events
module.set('name', 'Johnny'); // will trigger 'change' and 'update' events
module.set({
"name" : "Elvis",
"instrument" : "guitar"
});
If you do not want your set
to trigger any events set
the optional silent
flag to true
module.set('singer', 'Johnny', true /* <-- silent flag */);
This also works for objects:
module.set({
'singer' : 'Johnny',
'instrument' : 'guitar'
}, true /* silent */);
To get the old or previous value of an attribute
use the mutate
event instead of change
.
There are both namespaced and general versions of this event, just like
change
. Instead of the value of the attribute it
will return an object with oldValue
and newValue
properties. For convenience it also returns the key
of the attribute.
module.set('name', 'Johnny');
module.on({
"mutate:name" : function(values) {
console.log(values.oldValue, values.newValue); // "Johnny, Emmylou"
},
"mutate" : function(values) {
// Returns 'Emmylou'
// Note that this is identical to writing:
// module.on(
// 'change',
// function(key) {
// console.log( module.get(key) );
// }
// );
console.log(values.newValue);
}
});
module.set('name', 'Emmylou');
Note that it's still perfectly fine to assign properties to the
Stapes module directly, as long as you don't overwrite existing
properties. All the data methods are useful if you want to do
model-like stuff, but for ordinary properties that don't need
change events setting attributes using get
and
set
is fine.
module.on('change:name', function() {
// Obviously, this event hander will never trigger
});
module.name = "Elvis";
console.log(module.name); // "Elvis"
set
returns the module, so this method is chainable
Stapes doesn't have a native way of doing validation, but you could overwrite the set
(and possibly update
) method to accomplish the same:
var Person = Stapes.subclass({
set : function(key, value) {
if (key === 'email') {
if (value.indexOf("@") === -1) {
this.emit('error', 'Invalid email adress');
} else {
Stapes.prototype.set.apply(this, arguments);
}
} else {
// Normal set() behavior
Stapes.prototype.set.apply(this, arguments);
}
}
});
var johnny = new Person();
johnny.on('error', function(msg) {
alert( msg ); // 'Invalid email adress'
});
johnny.set('email', 'invalid#email.com');
size
module.size();
Returns the number of attributes in a module.
module.push(['Johnny', 'Emmylou', 'June', 'Gram']);
console.log( module.size() ); // '4'
update
module.update( key, fn, [silent] );
module.update( fn );
Updates an attribute with a new value, based on the return value
of a function.
Just as with set
update
will generate change
and update
events.
module.set('singer', 'Elvis');
module.update('singer', function(singer) {
return 'Johnny';
});
console.log( module.get('singer') ); // 'Johnny';
You can also pass a single function as an argument. In that case,
update
will run on all attributes in the module.
module.push([
{ "name" : "Johnny", "singer" : false},
{ "name" : "Emmylou", "singer" : false}
]);
module.update(function(item) {
item.singer = true;
return item;
});
The callback function in update
gets two arguments: the
value being modified, and the original key. The this
value of the callback will be set to the module you're updating.
The silent
flag will prevent any change events from firing.
update
returns the module, so this method is chainable.
Miscellaneous
version
Stapes.version
Returns the current version of Stapes. Note that this property
is only available on the Stapes global variable, not on
individual modules.
Cookbook
Here are some notes on using Stapes in various different situations.
Module loading
Stapes can be used together with an AMD module loader like Require.js, CommonJS loaders like the one in Node or simply as an old-fashioned global variable.
Here's the example from the introduction using Require.js
// 'module.js'
require(["path/to/Stapes"], function(Stapes) {
var name;
function showPrivate() {
console.log("You shouldn't be seeing this: ", name);
}
var Module = Stapes.subclass({
constructor : function(aName) {
name = aName;
showPrivate();
}
});
return Module;
});
// somewhere else
require(['module'], function(Module) {
var module = new Module('Elvis'); // You shouldn't be seeing this: Elvis
});
Private variables
If you want to use private variables and functions, use Stapes like this:
var Module = (function() {
var name;
function showPrivate() {
console.log("You shouldn't be seeing this", name);
}
var Module = Stapes.subclass({
constructor : function(aName) {
name = aName;
showPrivate();
}
});
return Module;
})();
var module = new Module('Emmylou');
However, note that this will only work with a single instance of the class because the scope stays the same. Creating an extra module will overwrite the private variables from the previous instance.
Odds and ends
Bugs and known limitations
Attributes are stored in an object internally. According to the Javascript spec
objects don't guarantee that properties are returned in order. However, all browsers
do return object properties in order except for Chrome
where numbered keys won't return in order.
In the future this will be fixed, but it requires a big rewrite. For now the best way to
prevent this problem is to simply avoid using numbered attributes. So don't write something like
module.set('1', 'one');
History
- 1.0.0
- Feature
get
now accepts multiple arguments so you can use it like Underscore's pick
(Issue #38). Thanks for the suggestion Santervo!
- Feature
mutate
events are now emitted whenever an attribute is removed (issue #35). Thanks Jasper!
- Not a feature per se, but the website got a complete makeover using the wonderful Bootstrap framework.
- 0.8.0 - July 9th 2013
create()
has been completely removed after the deprecation in 0.7.0
- Feature
set
now also accepts the silent
flag for objects (issue #28). Thanks for the suggestion Neogavin!
- Feature
remove
without any arguments now removes all attributes in a module.
- Bugfix The
silent
flag did not work with push
(issue #39). Thanks for reporting Gamadril!
- 0.7.1 - February 27th 2013
- Thanks to josher19 the docs now have nice tooltips
for all the methods in the in-code examples!
- Bugfix
Stapes.extend
was broken (issue #33). Thanks gonchuku!
- Bugfix Fixed the todos examples, thanks Erik!
- Bugfix Fixed events in subclasses. (issue #29),
thanks Eric!
- Bugfix Fixed a problem where unbinding an event would throw an error in some rare cases
(issue #30). Thanks Jasper!
- 0.7.0 - January 14th 2013
- Feature Completely revised the creation of new modules with
subclass
. The old create
is still available for backwards compatibility. Read here why i deprecated create
.
- Feature Added a
map
function to every module.
- Feature
update
now gets the module set as the
this
context, and gets the key in the callback function.
- Feature
update
now has a silent
option too.
- Feature
remove
now accepts multiple keys to remove.
- Bugfix
getAllAsArray
no longer overwrites
an id
value if its present in the object
- 0.6 - October 14th 2012
- Feature
remove
now also triggers namespaced events
(issue #13).
- Feature
set
, push
and
remove
now have an optional silent
flag that
will preveny any events from being triggered (issue #18)
- Feature
push
, set
,
remove
and update
now return the
module, so you can chain these methods (issue #17)
- Bugfix Specific events that were emitted on
Stapes.on
gave a wrong scope (issue #19)
- Bugfix Events didn't bubble up to the global
Stapes
object
(issue #12)
- Bugfix Fix for the
remove
handler in IE8. Thanks @wellcaffeinated!
Stapes.util
has been removed. If your code depends on it you can use a compatibility plugin.
- 0.5.1 - July 20th 2012
- Feature All private methods are now part of the
Stapes._
which means
plugin authors can overwrite and redefine every part of Stapes.
- Bugfix Fixed a bug where calling create() on a module wouldn't increase the guid
(issue #8). Thanks
@wellcaffeinated!
- 0.5 - July 2nd 2012
- Feature Add event to any method using the
mixinEvents
method
- Feature Added the
off
event method to remove event handlers
- The two todos examples are updated to the latest version from
TodoMVC
- 0.4 - May 10th 2012
- Feature Added the whole bunch of utility methods.
- Feature Added an
each
method to Modules for easy iteration over attributes
- Feature Added a
size
method to get the number of attributes in a module.
- Bugfix Data in event handlers was silently changed to
null
if it was falsy,
so passing false
as a data argument would result in handlers getting null
instead of
the expected data argument.
- Updated the two todos examples, using the versions from the TodoMVC collection
- Removed the undocumented
init
method that was part of every Stapes module
- Rewrote the util functions for cleaner code (including a
map
and an each
with a context parameter).
- 0.3 - April 5th 2012
- Feature Added the
mutate
change event.
- Feature
update
now accepts a single function as an argument too.
- Bugfix Setting an attribute with the same value as the old value doesn't trigger a change event anymore.
getAll()
and getAllAsArray()
now return a clone of the attributes instead of a reference.
- Removing the undocumented
changemany
and createmany
events.
- 0.2.1 - March 28th 2012
- Fixed a bug where global events didn't always work
because the guid was set to 0 initially. Thanks
@frenkie!
- 0.2 - March 4th 2012
Contributors
Thanks to all of you for contributing code, docs, reporting bugs, giving good advice and inspiration!


Badges are fun to collect and show your experience with QuantConnect. Your profile page displays the badges you've earned. The following table describes the badges you can earn:
| Badge | Description |
|---|---|
Algorithm Sharing |
Share an algorithm with the community. |
Chatter Box |
Post 100+ comments in the forum. |
Backtester |
Run 100+ backtests. |
Live Trading |
Deploy a live trading algorithm. |
Parallel Live Trading |
Run multiple live trading algorithms simultaneously. |
Connected With Discord |
Connect your QuantConnect account with our Discord server. |
C# Programming |
Set C# as your preferred programming language. |
Python Programming |
Set Python as your preferred programming language. |
Popular |
Receive 10+ upvotes from different members. |
Boot Camp Private |
Finish the easy tutorial. |
Boot Camp Corporal |
Finish the intermediate tutorial. |
Boot Camp Major |
Finish the advanced tutorial. |
Notebook Sharing |
Attach a research notebook to a post in the community forum. |
Broadcaster |
Attach a live running algorithm to a forum discussion. |
Cloner |
Clone 100+ algorithms from the community forum. |
Bug Hunter |
Report 10+ bugs. |
Open Source Contributor |
Make a pull request to one of our GitHub repositories. |
Alpha Streams Developer |
Add 1 Alpha to the Alpha Streams Market. |
Alpha Streams Artisan |
Add 3 Alphas to the Alpha Streams Market. |
Alpha Streams Master |
Add 10 Alphas to the Alpha Streams Market. |
Alpha Winner #1 |
Place first in the Alpha competition. |
Alpha Winner #2 |
Place second in the Alpha competition. |
Alpha Winner #3 |
Place third in the Alpha competition. |
Community Editor |
Provide great service to community members in the forum or the Discord server. |
Outstanding Community Service |
Provide excellent service to community members in the forum or the Discord server. |


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bookmarklet
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Description
Soundcloud Track URL


Music Survey Form
Music Survey Form
Fill out this Survey Form as per your interests and preferences
Name:
E-mail:
No. of hours spent listening music per week:
Gender:
Male
Female
Do you use online music streaming platforms?
Yes
No
Maybe
Which streaming platforms do you prefer?
Apple Music
Spotify
SoundCloud
Amazon Music
Other
Which Genres do you prefer:
Pop
Country
Rock
Indie
Lofi
R&B
Any suggestions
Submit


[% page = "home" %] [% title = "RingMail" %] [% content = BLOCK %]
Secure Communication
Business Hashtag Directory
App Store Download
Here's how you can connect with people and companies on RingMail.
Call someone using their email address like a phone number.
Make and receive calls via a website domain name.
Find a local business or promotion by #Hashtag.
RingMail provides a comprehensive suite of communication features:
SIP-based for interoperability. Our network is compatible with most existing phone systems.
A secure switchboard for Internet calls and messages.
Both our mobile app client and back-end server are open source and available on GitHub.
These are example RingPages that can be access using a #Hashtag on the RingMail app.


All Classes
Blackjack
Card
Card.Color
Card.Suit
Card.Value
CardContainer
CardList
Deck
EventHandler
Hand
Move
NoMoreCardsException
NotAllowedException
Result
Rules
StandardDeck
TextPlayer


The objective of this task is to generate both true and mutated claims from information extracted from Wikipedia.
This task is separated into two screens that will be given back-to-back. The first screen (WF1a) is the claim generation part of the task. The second screen (WF1b) is the mutations to the generated claims.
The objective of this task is to generate true claims
The claims you generate will be based from a source sentence that was extracted from Wikipedia.
The objective of this task is to generate modifications to the claims you have just created.
There are six types of modification. For each claim you write, you will have to generate all six modifications.
A claim is a single sentence expressing information (true or mutated) about a single aspect of one target entity.
In WF1a, the claims you generate will be true claims based on a sentence given to you from Wikipedia
Requirements/Conventions:
The claims you generate in WF1a may vary in complexity depending on the information available.
You could use just the source sentence to generate claims. But this will result in simple claims that are not challenging.
We introduce a dictionary of terms containing additional knowledge that can be incorporated into your claims and make them more complex.
The number of claims you generate will depend on the quality and information content of the sentence given to you that was extracted from Wikipedia.
As a guide, you should aim to generate between 2-5 claims per sentence. But, if the sentence contains lots of information, this could be higher
If the sentence is not informative, you can skip claim generation for this sentence.
This is the sentence that is used to substantiate your claims about {{entity}}
Click the word for a definition. These definitions can be used to support the claims you write
The Amazon River, usually abbreviated to Amazon (US: /ˈæməzɒn/ or UK: /ˈæməzən/; Spanish and Portuguese: Amazonas), in South America is the largest river by discharge volume of water in the world and according to some authors, the longest in length.
Good
Bad


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Approach made: Arsenal trying to seal playmaker transfer due to fear of losing star to Barcelona
by Lucien SilverbergArsenal have reportedly contacted Real Madrid with an offer for the January transfer of James Rodriguez.
The Colombia international is said to be a target for Gunners manager Unai Emery due to the fear of losing star player Pierre-Emerick Aubameyang to Barcelona, according to Don Balon.
MORE: Arsenal given fresh opportunities in the transfer market thanks to new key contact
Arsenal could do with more creativity in their squad at the moment after Mesut Ozil’s lack of involvement this season, and Rodriguez could well provide that.
It would be fair to say the 28-year-old has not been at his best for some time now, but he has previously looked a world class performer and it may be that a move to the Premier League could help revive his career.
It’s not worked out for Rodriguez in Madrid, but he looked a little better on loan at Bayern Munich, so could perhaps once again get back to his best at Arsenal.
After this poor start to the season it makes sense that Emery may be anxious to bring in some big names in order to prevent the big names he currently has, like Aubameyang, from leaving the Emirates Stadium.
It remains to be seen if this particular signing could persuade the Gabon international not to jump ship if Don Balon’s reported interest from a big name like Barca is accurate.