module Orchestrate::Rails::Tutorial::BuildTheApp
Building the rails application¶ ↑
Setting up the rails routing¶ ↑
Add the following lines to <rails-root>/config/routes.rb
root to: "films#index" resources :films
Setting up the schema for the films collection¶ ↑
Since collection data cannot be expected to conform to orchestrate-rails convention, a schema must exist to ensure that collection names and properties are correctly mapped.
Below is the schema definition for the films collection.
Create the file <rails-root>/db/schema.rb
as shown:
Orchestrate::Rails::Schema.define_collection( :name => 'films', :classname => 'Film', :properties => [ :Title, :Year, :Rated, :Released, :Runtime, :Genre, :Director, :Writer, :Actors, :Plot, :Poster, :imdbRating, :imdbVotes, :imdbID, :Type, :Response ], :event_types => [ :comments ], :graphs => [ :sequel ], ) Orchestrate::Rails::Schema.define_event_type( :collection => 'films', :event_type => :comments, :properties => [ :User, :Comment ] ) Orchestrate::Rails::Schema.define_graph( :collection => 'films', :relation_kind => :sequel, :to_collection => 'films', )
Add the following line to
<rails-root>/config/application.rb
Orchestrate::Rails::Schema.load "./db/schema.rb"
Creating the Film model.¶ ↑
Create <rails-root>/app/models/film.rb
as shown:
class Film < Orchestrate::Rails::Model end
Yep, that's it. Here are the method definitions for the model class.
Creating the films controller.¶ ↑
Let's start by creating an index
action to provide a list
of the collection's contents.
Create <rails-root>/app/controllers/films_controller.rb
,
as shown:
class FilmsController < ApplicationController def index @films = Film.all end end
Creating the view for the index action.¶ ↑
Let's add an index
view so we can see what we've
accomplished so far.
Important: HAML uses indentation as part of its syntax, so be mindful of that when when cutting-and-pasting the HAML code samples presented throughout this tutorial.
Create <rails-root>/app/views/films/index.html.haml
as
shown:
%ul.films.list-group %li.list-group-item - title = "Films - Orchestrate.io Example Application" = render partial: 'films/film_list', locals: { title: title, films: @films }
Now we'll add the partial view that displays a list of films.
Create <rails-root>/app/views/films/_film_list.html.haml
as shown:
%h3.list-group-item-heading= title %ul.list-group %li.list-group-item .row.list-group-item-heading .col-md-4= "TITLE" .col-md-1= "YEAR" .col-md-1= "RATED" .col-md-4= "GENRE" .col-md-2= "COLLECTION" - films.sort_by { |f| f.year.to_i }.each do |film| .row .col-md-4= link_to "#{film.title}", film_url(film.id) .col-md-1= film.year .col-md-1= film.rated .col-md-4= film.genre .col-md-2= film.orchestrate_collection_name
Note: The links in this view are broken because
the show
action has not yet been implemented.
Ready to roll¶ ↑
Start the rails server
$ rails s
Point the browser to localhost:3000.


Creating A Personal Website with the Pure Framework
Creating this website has been a road of trial and error for me. The last time I was actively creating websites Java Script was in its infancy. You only designed websites for laptops and desktops because that's all that they could be viewed on. What I remember of HTML has changed quite a bit and CSS and JS are pretty new to me. I researched grids, flexbox and frameworks exhaustively. I tried 3 different frameworks and my own grid before I settled on Pure.
Here is what the home page looked like originally:
I couldn't scroll down, the mobile looked terrible, but this one view was pretty good. If that was all I was looking for then I was fine, unfortunately, that was not the user experience that I was going for. So I gave up on writing my own grid.
Neither of the first two frameworks that I looked at gave me the flexibility that I was looking for, so I end up looking for small frameworks. That is how I found Pure. It's small, lightweight and easy to use. With it I was eventually able to create a mobile friendly site that utilizes a small amount of Java Script. I was able to combine two of their layouts to make my blog viewer friendly.
I learned a lot of CSS in this journey. I really like Pure, but I'd like to be able to design my own layout next time.


In this article, I will show you how to run ABP module zero core template on Docker, step by step. And then, we will discuss alternative scenarios like web farm using Redis and Haproxy.
As you now, Docker is the most popular software container platform. I won’t go into details of how to install/configure Docker on windows or what are the advantages of using Docker. You can find related documents here. And there is a Getting Started document as well.
Module zero core template is a starter project template that is developed with using ASP.NET Boilerplate Framework. This a .net core project as a Single Page Application with using Angular4. And also there is a multi-page MVC application as well. But in this article, I will explain angular4 version.
In module zero core template project there are two separate projects, one is Angular4 project as web UI and the host project that is used by angular UI. Let's examine it to better understand the project before running it on Docker.
First, I will download module zero core template from https://www.aspnetboilerplate.com/Templates site.
Framework: .NET Core2.0 + Single Page Web Application Angular + Include module zero
Project name: Acme.ProjectName
Before preparing project to run on Docker, let's run the project, first. I am opening the .sln file in folder ProjectName\aspnet-core.
Before running project, we should create database with using EF migrations on Package Manager Console. First, I am setting Acme.ProjectName.Web.Host as start up project. (right-click Host project and select Set as Startup Project). And then, open Package Manager Console, select default project to EntityFrameworkCore, run the command below
update-database
After running this command, database will be created with name ProjectNameDb.
And now, Host project is ready to run. On visual studio Ctrl+F5 . It opens swagger method index page.
All these services are served in application layer of project and used by Angular UI.
While host is already running and we can run Angular project that uses APIs. To run Angular project, make sure you have node and npm installed on your machine.
First, run cmd on location ProjectName\angular and run the command "npm install" or just "yarn" to fetch client side packages.
Run npm start command in the same directory to start angular project.
Finally you have to see the line "webpack: Compiled successfully" in the output screen.
We started Angular project successfully. Open your browser and navigate to http://localhost:4200/
Use the credentials below to login
| Username | admin |
| Password | 123qwe |
After you login, you will see the screen below.
Check HERE for more details.
To summarize what we did for running Angular project:
Everything is running properly. Ready to run on docker...
If you have not installed Angular CLI yet, you have to install it. Run the command below to install Angular CLI.
npm install -g @angular/cli
After you ensure Angular CLI installed, let's see files and folders to configure Docker environment. There is a folder that named docker under ProjectName/aspnet-core.
In docker/ng folder there is a docker-compose.yml file and two powershell script to run docker compose(up.ps1) and stop(down.ps1) it. And there is one more folder and a powershell script file.
This script file to build and publish host and agular project. And also, this script copies the files that is into docker folder to build folder. First, I will run the build-with-ng.ps1 script on location ProjectName/aspnet-core/build.
After running script, when you look at the build folder, you will see the outputs folder.
Before running up.ps1 command,
Run up.ps1 script to run these two project on docker under location ProjectName/aspnet-core/build/outputs.
Angular and host projects are now running. Browse http://localhost:9901/ for Host Project and http://localhost:9902/ for Angular UI.
In a web farm there are more than one web servers, there is a load balancer at the front of these servers and a server to store sharing sessions/caches.
In our example, angular application will be client, haproxy will be load balancer, host app will be web servers and redis will be shared server.
Create a configuration file for haproxy named haproxy.cfg to location ProjectName\aspnet-core\docker\ng
haproxy.cfg
(Copy paste code lines makes encoding problem just download the file => Download haproxy.cfg)
global maxconn 4096 defaults mode http timeout connect 5s timeout client 50s timeout server 50s listen http-in bind *:8080 server web-1 outputs_abp_host_1:80 server web-2 outputs_abp_host_2:80 stats enable stats uri /haproxy stats refresh 1s
Important lines haproxy.cfg are server web-1 and server web-2. I repreduced host applications. This will create two host application on docker container.
Modified docker-compose.yml
(Copy paste code lines makes encoding problem just download the file => Download docker-compose.yml)
version: '2' services: abp_redis: image: redis ports: - "6379:6379" abp_host: image: abp/host environment: - ASPNETCORE_ENVIRONMENT=Staging volumes: - "./Host-Logs:/app/App_Data/Logs" abp_ng: image: abp/ng ports: - "9902:80" load_balancer: image: haproxy:1.7.1 volumes: - "./haproxy.cfg:/usr/local/etc/haproxy/haproxy.cfg" ports: - "9904:8080"
build-with-ng.ps1
Replace the below line
(Get-Content $ngConfigPath) -replace "21021", "9901" | Set-Content $ngConfigPath
with this line
(Get-Content $ngConfigPath) -replace "21021", "9904" | Set-Content $ngConfigPath
Now Angular UI will connect to haproxy. Haproxy distribute the requests to web servers.
Overwrite up.ps1 with the content below
docker rm $(docker ps -aq) docker-compose up -d abp_redis sleep 3 docker-compose up -d abp_host docker-compose up -d abp_ng sleep 2 docker-compose scale abp_host=2 sleep 2 docker-compose up -d load_balancer
To use redis cache install Abp.RedisCache library to ProjectName.Web.Core project. And update ProjectNameWebCoreModule.cs like following:
[DependsOn(...,
typeof(AbpRedisCacheModule))]
public class ProjectNameWebCoreModule : AbpModule
{
And adding redis cache configuration to PreInitialize method (ProjectNameWebCoreModule.cs)
public override void PreInitialize()
{
...
Configuration.Caching.UseRedis(options =>
{
var connectionString = _appConfiguration["Abp:RedisCache:ConnectionString"];
if (connectionString != null && connectionString != "localhost")
{
options.ConnectionString = AsyncHelper.RunSync(() => Dns.GetHostAddressesAsync(connectionString))[0].ToString();
}
})
...
Add redis configurations appsettings.staging.json.
appsettings.staging.json
{ ..., "Abp": { "RedisCache": { "ConnectionString": "outputs_abp_redis_1" } } }
outputs_abp_redis_1 is the name of redis container and this name is defining by docker automatically. After this changing, host project will resolve the dns of machine that is deployed on. And now, when I run build-with-ng.ps1 and up.ps1 , web farm project will run. And the result:
As you can see, all containers are working. When you browse http://localhost:9902 you can see Angular UI is working.
There are tools to track haproxy activity(haproxy web interface) and get redis stored data(redis cli).
When you browse http://localhost:9904/haproxy you will see something like following.
When you navigate between on angular application pages or run any api on host project (http://localhost:9904), you can see that the haproxy is routing the requests to different machines. You can track which machine is running under Session rate>Cur tab that are changing for web-1 and web-2.
To understand if redis is working, you can use redis-cli. run docker exec -it outputs_abp_redis_1 redis-cli command to run redis-cli interactive mode to connect redis server that is running on docker container. Then to test if redis is running, write ping command and it will return PONG if it works. Now when I write keys * command, I should get the application cache keys.
As you can see, redis is working well. Cache keys stored on redis, correctly.
You can get the latest source code here https://github.com/aspnetboilerplate/aspnetboilerplate-samples/tree/master/ModuleZeroCoreWebFarm


{{ 'home.welcome' | translate: {at_twitter_handle: "@avatsaev"} }}
Currently {{nameListService.names.length}} names in the list.


Increment 5 - Making it social
-
Users can now like recipes and menus of other users
- If a user is deleted all her/his likes are removed
-
A menu can now also reference recipes from other users
- The export of menus and recipes must be extended:
- The like count must be shown
- If a menu contains a recipe from another user print the name of the user within the recipe


Welcome Back!
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BMSIT&M offers a food court which, spread over a massive area with a capability to house over 200 students at a time. It strives to serve healthy and tasty multi cuisine food. Along with the main course you also get juices, ice creams and chats, priced at a minimum. Managed by a team of highly trained caterers, hygiene and health they ensure, is their top priority. We also have housekeeping staff on regular duty so you are not left with a dirty table. The counter service is efficient and well regulated so you won't have to worry about queuing up to order. An appropriate number of basins are available to cater to the students and again there's no waiting in lines.
Click here to view the menu
Click here to view the directions
| Item | Price |
|---|---|
| dosa | 30 |
| Idli | 20 |
| Rice bath | 30 |
| Gobi | 45 |
| Parota | 40 |


Hajj Board retains 2019 fare for next year
by Samiratu Larbie, GNAAccra, Nov. 21, GNA - The Hajj Board of Ghana has announced that pilgrims to the 2020 Hajj will pay the same fare of Gh̸19,500.00 as those of last year.
Sheikh I.C Quaye, the Chairman of the Board, who made this known, said this was due to Government's decision to absorb the incremental difference.
The Chairman made the announcement at a thanksgiving ceremony in Accra for a successful Hajj in 2019.
He said the move by the Government was in spite of a decision by the Saudi authorities to increase the visa fees for the 2020 pilgrims by $80.
The decision, he said, was made in consultation with the Hajj Board and the Vice President Dr Mahamudu Bawumia.
He said previous Hajj Boards had over the years been faced with debt overhang, adding that, with this phenomenon the current Board changed its strategy.
“We hope to end our tenure without any debt overhang even though we inherited huge debt from our predecessors,” he said.
Sheikh Quaye expressed gratitude to the President Akufo-Addo for putting measures in place to ensure that some 452 prospective pilgrims who could not travel, although they paid their monies in 2017, were given the opportunity.
They were working with support from the welfare endowment to ensure that their credibility was untainted, he said.
He announced that Dawah teams had been set up to secure the spiritual and physical well-being of all Ghanaian pilgrims.
Measures had been put in place to curb issues of missing luggage, as well.
The Saudi officials, he said, had awarded Ghana a top prize for emerging as one of the leading countries that organised the best Hajj in 2019.
In attendance at the event was the National Chief Imam, regional chief imams, Sheikh Dr Amin Bonsu, Sariki's from the Zongo communities, among other eminent persons.
GNA


Customer Undocumented fullName Undocumented shortName Undocumented telephone Undocumented email Undocumented company Undocumented © 2016 Kamil Kowalski. All rights reserved. (Last updated: 2016-06-16) Generated by jazzy ♪♫ v0.7.0, a Realm project.


Alert Generator
This widget allows generate Trade Alerts for coins listed on Binance Exchange
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Planifier is a calendar and task organizer for students. It includes all the functions for students to make reminders and track deadlines while looking at their calendar.
Appropriately maintain standards compliant total linkage with cutting-edge action items. Enthusiastically create seamless synergy rather than excellent value. Quickly promote premium strategic theme areas vis-a-vis.
Appropriately maintain standards compliant total linkage with cutting-edge action items. Enthusiastically create seamless synergy rather than excellent value.
Appropriately maintain standards compliant total linkage with cutting-edge action items. Enthusiastically create seamless synergy rather than excellent value. Quickly promote premium strategic theme areas vis-a-vis.
Appropriately maintain standards compliant total linkage with cutting-edge action items. Enthusiastically create seamless synergy rather than excellent value.


A super simple, responsive framework built to work on mobile devices, tablets, netbooks and desktop computers.
Base is developed in LESS, a powerful CSS pre-processor that helps you write cleaner and more organized CSS that you can more easily maintain over time without the typical headaches of vanilla CSS. On top of our minimal styling, we've written a few Javascript plugins that will make useful interactions easier to implement across screen sizes.
Whether you're using LESS or just plain old CSS, Base is easy enough to start a new responsive project with ease.
Before we get started, you should have the following prerequisites...


Docoment once, include anywhere
- When writing a note, report, manual, etc., do you find it difficult to choose the typesetting format? That is, to choose between plain (email-like) text, wiki, MS Word or OpenOffice, LaTeX, HTML, reStructuredText, Sphinx, XML, Markdown, etc.? Would it be convenient to start with some very simple text-like format that easily converts to the formats listed above?
- Do you find it problematic that you have the same information scattered around in different documents in different typesetting formats? Would it be a good idea to write things once, in one place, and include anywhere?
Highlights
- Doconce is a minimally tagged markup language (like Markdown) with strong support for small and large scale projects involving much math and code in the text.
- For documents with math and code, you can generate clean plain LaTeX (PDF), HTML (with MathJax and pygments - embedded in your own templates), Sphinx for attractive web design (especially for scientific material), Markdown, IPython notebooks, HTML for Google or Wordpress blog posts, and MediaWiki. LaTeX output is in the ptex2tex format for very flexible typesetting of computer code.
- Doconce can also output other formats (though with no support for nicely typeset math and code): plain untagged text, Google wiki, Creole wiki, and reStructuredText. From Markdown or reStructuredText you can go to XML, DocBook, epub, OpenOffice/LibreOffice, MS Word, and other formats.
- The document source is first preprocessed by preprocess and mako, which gives you full programming capabilities in the text. For example, with mako it is easy to write a book with all computer code examples in two alternative languages (say Matlab and Python), and you can determine the language at compile time of the document.
- Doconce extends Sphinx, Markdown, and MediaWiki output such that LaTeX align environments with labels work for systems of equations. Doconce also adjusts Sphinx and HTML code such that it is possible to refer to equations outside the current web page.
- One source for the text can be used for different media, such as traditional paper-based books, ebooks in PDF, PDF documents for phones, documents in HTML with various layouts, and blog posts.
- Doconce makes it very easy to write slides with nice math and code, especially if you have the contents already available as running text (basically you strip away text, insert bullet points or brief summary blocks, while keeping some figures, math, and code). Both LaTeX Beamer and HTML5 slides (reveal.js and deck.js) are supported. Slide elements can be arranged in a grid of cells to easily control the layout.
Demo
A short scientific report demonstrates the many formats that Doconce can generate and how mathematics and computer code look like.
There is also a demo of how Doconce can be used to create slides in various formats.


ASHIK KERIB A film review by Thomas E. Billings Copyright 1989 Thomas E. Billings
Synopsis: In the distant past in Russia, a poor minstrel roams the countryside, trying to earn money to pay the bride-price for the woman he loves (she is the daughter of a rich man). In his journeys, he must deal with villains, despots, spirits, and some very strange people. A very colorful, sophisticated folk tale, done with great style and considerable humor.
U.S.S.R. (English subtitles), color, 1988, approx. 90 minutes. Director: Sergei Paradjanov
This is the latest film by the famous Soviet Director, Sergei Paradjanov. Paradjanov is famous for his "classic" films THE COLOR OF POMEGRANATES and SHADOWS OF OUR FORGOTTEN ANCESTORS, and for serving time in prison for the "crime" of homosexuality [yes, homosexuality is a crime in the Soviet Union]. (Remark: the preceding two lines are statements of fact, not to be interpreted as opposing or favoring homosexuality).
The story here concerns Ashik Kerib, a handsome but poor minstrel, who is in love with the beautiful daughter of a rich man. The woman is in love with Ashik, and wants to marry him. However, when Ashik approaches her father, he is rebuffed.
Ashik then leaves his small village to wander the countryside in search of work. This begins his strange adventures. For example, two spirits appear in human form, declaring themselves to be the protectors of wandering minstrels. They lead Ashik to a job, playing his music at a wedding where everyone is blind. Immediately after this, Ashik is led to play at a wedding where everyone is deaf, dumb, and blind!
Everywhere he goes, poor Ashik runs into trouble and/or strange people. He stops at the house of a very rich man who has a harem. When he plays his music, the house guards do aerobics to it; also the women in the harem salute Ashik by firing automatic weapons!
The film is very colorful, as it interfaces medieval paintings with reenactments of weddings and other rituals. There is plenty of humor, most of it done very well.
It would be nice if I could recommend this to general audiences, but there are some things that prevent it. One is the editing, which is very abrupt at times. This takes some getting used to; the editing is not as smooth as in most U.S. films, but also not as choppy as say, in a typical Hong Kong film. The second potential problem is the soundtrack, which is largely ethnic music. The music is actually quite good, except when there are vocals in it. The vocals are high-pitched, resembling (but not as bad as) opera. There were times when I wanted earplugs! If you can stand the singing, you will probably find the film worthwhile.
Distribution. Currently being screened at a limited number of art houses and repertory theaters; it is being shown along with earlier films by Sergei Paradjanov.
Reviewer: Thomas E. Billings, Department of Statistics University of California, Berkeley Reviewer contact<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Contents
$KDE_PREFIX
/share/:
applnk/Settings/System, apps/k3b, doc/HTML/*/k3b
The K3b package contains a KDE-based graphical interface to the Cdrtools and dvd+rw-tools CD/DVD manipulation tools. It also combines the capabilities of many other multimedia packages into one central interface to provide a simple-to-operate application that can be used to handle many of your CD/DVD recording and formatting requirements. It is used for creating audio, data, video and mixed-mode CDs as well as copying, ripping and burning CDs and DVDs.
Though K3b can be used to copy almost any DVD to similar medium, it does not provide a way to copy, or reproduce a double-layer DVD onto single-layer medium. Of course, there is not a program anywhere on any platform that can make an exact duplicate of a double-layer DVD onto a single-layer disk, there are programs on some platforms that can compress the data on a double-layer DVD to fit on a single-layer DVD producing a duplicate, but compressed, image. If you need to copy the contents of a double-layer DVD to single-layer medium, you may want to look at the RMLCopyDVD package.
This package is known to build and work properly using an LFS-7.7 platform.
Download (HTTP): http://download.kde.org/stable/k3b/k3b-2.0.3.tar.xz
Download MD5 sum: 52e78aabe8e483347d04e88be0aed150
Download size: 9.5 MB
Estimated disk space required: 326 MB
Estimated build time: 2.4 SBU
kde-runtime-14.12.2, libkcddb-14.12.2, and libsamplerate-0.1.8
There are programs from three packages that K3b will look for at runtime: Cdrtools (required to burn CD-ROM media), dvd+rw-tools-7.1 (required to burn or format DVD media), and Cdrdao-1.2.3 (required to burn CD-ROM media in DAO (Disk At Once) mode). If you don't need the capability provided by any of the three packages, you don't have to install it. However, a warning message will be generated every time you run the k3b program if any are not installed.
FFmpeg-2.5.4, libdvdread-5.0.2, libjpeg-turbo-1.4.0, and taglib-1.9.1
FLAC-1.3.1, LAME-3.99.5, libmad-0.15.1b, libsndfile-1.0.25, libvorbis-1.3.4, libmusicbrainz-2.1.5, Musepack (libmpcdec), and VCDImager
User Notes: http://wiki.linuxfromscratch.org/blfs/wiki/k3b
Install K3b by running the following commands:
mkdir build && cd build && cmake -DCMAKE_INSTALL_PREFIX=$KDE_PREFIX \ -DSYSCONF_INSTALL_DIR=/etc/kde \ -Wno-dev .. && make
This package does not come with a test suite.
Now, as the root
user:
make install
$KDE_PREFIX
/share/:
applnk/Settings/System, apps/k3b, doc/HTML/*/k3b
Last updated on 2015-02-27 16:21:33 -0800


Spend three months learning as much as you can. We provide all of the resources to surround yourself with the most interesting peers and the best opportunities that Bitcoin has to offer.
Share your days with the brightest minds from around the world. We provide industry leading experts as mentors and connect you with the people working on bleeding-edge projects in your area of interest.
Help make Bitcoin better by building your own project or contributing to the open source projects of your choosing. This helps you establish your reputation and improves the ecosystem.
This is a three-month program hosted in New York City. Residents are expected to commit to coming into the Center every work day. We will provide monthly stipends as well as cover travel and lodging to ensure this opportunity is available to all candidates regardless of financial circumstance.
There are no instructors or daily lectures at the Genesis Center. The residents are responsible for their own education. Self-direction does not imply isolation or a lack of structure. Whether participants are working together or in parallel, they will be working towards the common goal of improving Bitcoin.
Ideal applicants are experienced coders, designers, and product managers interested in Bitcoin, Lightning, and related technologies. Bitcoin needs of a diverse set of skills and talents to succeed including Bitcoin protocol devs, Lightning Network app engineers, cryptographers, UX designers and product managers. Assembling residents with a variety of interests will create a more vibrant and dynamic program. Creativity and cross-collaboration will solidify life-long bonds.
The Genesis Center is founded on the principle of recruiting a diverse pool of residents from across the globe. We will support the securing of visas and provide the financial assistance to ensure we are getting the best talent on the planet, which will inspire residents, mentors and hiring partners alike.


public static final class R.string
extends java.lang.Object
| Constructor and Description |
|---|
R.string() |
public static final int Location
public static final int LocationButton
public static final int New_Game
public static final int action_settings
public static final int add
public static final int app_name
public static final int cancel
public static final int changeName
public static final int city
public static final int create_profile
public static final int dd_mm_yyyy
public static final int delete
public static final int description
public static final int edit
public static final int edit_game
public static final int edit_profile
public static final int email
public static final int gameTitle
public static final int hello_world
public static final int image
public static final int login
public static final int my_profile
public static final int new_image
public static final int password
public static final int phone_num
public static final int platform
public static final int private_public
public static final int quality
public static final int register
public static final int release_date
public static final int save_game
public static final int save_profile
public static final int searchFriend
public static final int searchTraders
public static final int title_activity_add_friend
public static final int title_activity_add_item
public static final int title_activity_cancel_create_trade
public static final int title_activity_click_inventory
public static final int title_activity_counter_trade
public static final int title_activity_create_profile
public static final int title_activity_custom_adapter
public static final int title_activity_decide_trade
public static final int title_activity_delete_item
public static final int title_activity_edit_item
public static final int title_activity_edit_profile
public static final int title_activity_friend_inventory
public static final int title_activity_friend_profile
public static final int title_activity_friends__n__trading_
public static final int title_activity_friends_ntrading
public static final int title_activity_main_menu
public static final int title_activity_mine_inventory
public static final int title_activity_my_inventory
public static final int title_activity_my_profile
public static final int title_activity_new_game_entry
public static final int title_activity_offer_trade
public static final int title_activity_search_friend
public static final int title_activity_search_people
public static final int title_activity_select_from_friend
public static final int title_activity_select_from_friend_inventory
public static final int title_activity_select_task
public static final int title_activity_top_trades
public static final int title_activity_trades
public static final int title_activity_view_friend_inventory
public static final int title_activity_view_item
public static final int username
public static final int viewFriends


Naiade purifies bacteriological contaminated water and makes it safe and drinkable.You can use Naiade everywhere:it only needs the sun.
Content:
1.Shortage of clean drinking water
2.Dirty water is a health hazard
.....
|
|
Having absorbed the essence of global shipbuilding, we Nanjing Venture Technology (NVT) have been providing the best shipbuilding construction for European clients for years.
.....
|
|
With the stable and excellent business cooperation in Europe, we converge the most outstanding electronics manufactories in China, and supply our European partners with the electronic components and related products according to their requirements.
..... |


Contracts awarded
| Vendor Name: | Management M + Inc. (Management Plus) |
|---|---|
| Reference Number: | 8-121 |
| Contract Date: | December 10, 2007 |
| Description of Work: | 0491 Management Consulting Services |
| Contract Period: | December 3, 2007 to March 31, 2008 |
| Contract Value: | $25,000.00 |
| Comments: |


| Trees | Indices | Toggle frames |
|---|
event.EventDispatcher --+ | Player
A sound and/or video player.
Queue sources on this player to play them.
|
on_eos()
The player has reached the end of the current source.
|
| __init__(self) | |
|
queue(self,
source)
Queue the source on this player.
|
|
|
play(self)
Begin playing the current source.
|
|
|
pause(self)
Pause playback of the current source.
|
|
|
seek(self,
timestamp)
Seek for playback to the indicated timestamp in seconds on the
current source.
|
|
|
next(self)
Move immediately to the next queued source.
|
|
|
dispatch_events(self,
dt=None)
Dispatch any pending events and perform regular heartbeat functions
to maintain playback.
|
|
| pyglet.image.Texture |
get_texture(self)
Get the texture for the current video frame.
|
|
dispatch_event(self,
event_type,
*args)
Dispatch a single event to the attached handlers.
(Inherited from pyglet.event.EventDispatcher)
|
|
|
event(self,
*args)
Function decorator for an event handler.
(Inherited from pyglet.event.EventDispatcher)
|
|
|
pop_handlers(self)
Pop the top level of event handlers off the stack.
(Inherited from pyglet.event.EventDispatcher)
|
|
|
push_handlers(self,
*args,
**kwargs)
Push a level onto the top of the handler stack, then attach zero or
more event handlers.
(Inherited from pyglet.event.EventDispatcher)
|
|
|
register_event_type(cls,
name)
Register an event type with the dispatcher.
(Inherited from pyglet.event.EventDispatcher)
|
|
|
remove_handler(self,
name,
handler)
Remove a single event handler.
(Inherited from pyglet.event.EventDispatcher)
|
|
|
remove_handlers(self,
*args,
**kwargs)
Remove event handlers from the event stack.
(Inherited from pyglet.event.EventDispatcher)
|
|
|
set_handler(self,
name,
handler)
Attach a single event handler.
(Inherited from pyglet.event.EventDispatcher)
|
|
|
set_handlers(self,
*args,
**kwargs)
Attach one or more event handlers to the top level of the handler
stack.
(Inherited from pyglet.event.EventDispatcher)
|
| float |
time
Retrieve the current playback time of the current
source.
|
| Source |
source
Return the current source.
|
| str |
eos_action
Set the behaviour of the player when it
reaches the end of the current source.
|
| bool |
playing
Determine if the player state is playing.
|
| float |
volume
The volume level of sound playback.
|
| 3-tuple of float |
position
The position of the sound in 3D space.
|
| float |
min_distance
The distance beyond which the sound volume
drops by half, and within which no attenuation is applied.
|
| float |
max_distance
The distance at which no further attenuation
is applied.
|
| float |
pitch
The pitch shift to apply to the sound.
|
| 3-tuple of float |
cone_orientation
The direction of the sound in 3D space.
|
| float |
cone_inner_angle
The interior angle of the inner cone.
|
| float |
cone_outer_angle
The interior angle of the outer cone.
|
| float |
cone_outer_gain
The gain applied outside the cone.
|
| pyglet.image.Texture |
texture
The video texture.
|
event_types =
|
EOS_PAUSE =
The player will pause when it reaches the end of the stream.
|
|
EOS_LOOP =
The player will loop the current stream continuosly.
|
|
EOS_NEXT =
The player will move on to the next queued stream when it reaches the
end of the current source.
|
|
EOS_STOP =
The player will stop entirely; valid only for ManagedSoundPlayer.
|
The player has reached the end of the current source.
This event is dispatched regardless of the EOS action. You can alter the EOS action in this event handler, however playback may stutter as the media device will not have enough time to decode and buffer the new data in advance.
Queue the source on this player.
If the player has no source, the player will be paused immediately on this source.
Begin playing the current source.
This has no effect if the player is already playing.
Pause playback of the current source.
This has no effect if the player is already paused.
Move immediately to the next queued source.
There may be a gap in playback while the audio buffer is refilled.
Deprecated: Since pyglet 1.1, Player objects schedule themselves on the default clock automatically. Applications should not call this method.
Get the texture for the current video frame.
You should call this method every time you display a frame
of video, as multiple textures might be used. The return value will
be None
if there is no video in the current source.
Since: pyglet 1.1
Retrieve the current playback time of the current source.
The playback time is a float expressed in seconds, with 0.0 being the beginning of the sound. The playback time returned represents the time encoded in the source, and may not reflect actual time passed due to pitch shifting or pausing.
Read-only.
Return the current source.
Read-only.
Determine if the player state is playing.
The playing property is irrespective of whether or not there is actually a source to play. If playing is True and a source is queued, it will begin playing immediately. If playing is False, it is implied that the player is paused. There is no other possible state.
Read-only.
The volume level of sound playback.
The nominal level is 1.0, and 0.0 is silence.
The volume level is affected by the distance from the listener (if positioned).
The position of the sound in 3D space.
The position is given as a tuple of floats (x, y, z). The unit defaults to meters, but can be modified with the listener properties.
The distance beyond which the sound volume drops by half, and within which no attenuation is applied.
The minimum distance controls how quickly a sound is attenuated as it moves away from the listener. The gain is clamped at the nominal value within the min distance. By default the value is 1.0.
The unit defaults to meters, but can be modified with the listener properties.
The distance at which no further attenuation is applied.
When the distance from the listener to the player is greater than this value, attenuation is calculated as if the distance were value. By default the maximum distance is infinity.
The unit defaults to meters, but can be modified with the listener properties.
The pitch shift to apply to the sound.
The nominal pitch is 1.0. A pitch of 2.0 will sound one octave higher, and play twice as fast. A pitch of 0.5 will sound one octave lower, and play twice as slow. A pitch of 0.0 is not permitted.
The direction of the sound in 3D space.
The direction is specified as a tuple of floats (x, y, z), and has no unit. The default direction is (0, 0, -1). Directional effects are only noticeable if the other cone properties are changed from their default values.
The interior angle of the inner cone.
The angle is given in degrees, and defaults to 360. When the listener is positioned within the volume defined by the inner cone, the sound is played at normal gain (see volume).
The interior angle of the outer cone.
The angle is given in degrees, and defaults to 360. When the listener is positioned within the volume defined by the outer cone, but outside the volume defined by the inner cone, the gain applied is a smooth interpolation between volume and cone_outer_gain.
The gain applied outside the cone.
When the listener is positioned outside the volume defined by the outer cone, this gain is applied instead of volume.
The video texture.
You should rerequest this property every time you display a frame
of video, as multiple textures might be used. This property will
be None
if there is no video in the current source.
Deprecated: Use get_texture.
|
| Trees | Indices | Toggle frames |
|---|
| Generated by Epydoc 3.0beta1 on Sun Mar 22 20:15:40 2009 | http://epydoc.sourceforge.net |


SwiftElasticSearch
Table of Contents
About Project
This project aims to create fast responsive Swift Library, supported for IPhone and Mac apps which provides the functionality of Elastic Search to be integrated in the app.
The library provides very high performance results i.e. it provides response to user queries in milliseconds of time including the elastic search processing time.
Installation
Dynamic Framework (Simplest way)
Download the latest release of SwiftElasticSearch from Github and extract the zip
Navigate to your Xcode’s project
General
settings (Click on the the blue icon showing your project’s workspace -> General)Drag the
SwiftElasticSearch.xcodeproj
file from the extracted folder in theEmbedded Binaries
section and select theCopy items if needed
checkbox in the prompted dialog box (if it appears) and click FinishGo to
Linked Frameworks and Libraries
section and click on the+
iconClick on the
SwiftElasticSearch.framework
to add it to dependenciesBuild the project
Here is the GIF showing all the above steps in action -
Carthage
Carthage is a decentralized dependency manager that builds dependencies and provides binary frameworks for direct use.
To install Carthage, use Homebrew package manager and write the following commands :
$ brew update
$ brew install carthage
To integrate SwiftElasticSearch in your Xcode project :
Switch to your project directory in terminal
Now make a Cartfile using command :
touch Cartfile
- Now open the Cartfile using command :
open Cartfile
- Add the following dependency in your Cartfile :
github "appbaseio-apps/SwiftElasticSearch" ~> <Release Version>
The current latest Release Version is 0.1.0
Run
carthage update
to build the frameworkDrag the
SwiftElasticSearch.framework
file that is generated inside Build folder of Carthage to your Xcode projectBuild the project
Swift Package Manager
The Swift Package Manager is a tool for automating the distribution of Swift code and is integrated into the swift compiler. It is in early development, but ElasticSwift does support its use on supported platforms.
To add SwiftElasticSearch library as dependency, add the following line in the dependencies value of Package.swift :
dependencies: [
.Package(url: "https://github.com/appbaseio-apps/SwiftElasticSearch.git", "0.1.0")
]
Quick Start
Working code example. Please note that each step is dependent on previous step.
Step 1: Import library and initiate the SwiftElasticSearch client
import SwiftElasticSearch
// app and authentication configurations
let HOST_URL = "https://scalr.api.appbase.io"
let APPNAME = "SwiftClientES"
let CREDENTIALS = "9MrI8sWhQ:7cf68f3b-51f7-45c0-973f-f3e85ad10f4b"
let client = Client.init(url: HOST_URL, app: APPNAME, credentials: CREDENTIALS)
Step 2: Add some data into the app
// Index some movie names
client.index(type: "SwiftClientES", id: "movie1", body: ["title" : "Iron Man"]) { (json, response, error) in
// json - provides recieved JSON body
// response - provides the received response from the server
// error - provides the error encountered if any
print(json!)
}
Console Output
{
"_id" = movie1;
"_index" = SwiftClientES;
"_shards" = {
failed = 0;
successful = 2;
total = 2;
};
"_type" = SwiftClientES;
"_version" = 2;
created = 0;
result = updated;
}
Step 3: Get the posted data
client.get(type: "SwiftClientES", id: "movie1") { (json, response, error) in
print(json!)
}
Console output
{
"_id" = movie1;
"_index" = SwiftClientES;
"_source" = {
title = "Iron Man";
};
"_type" = SwiftClientES;
"_version" = 2;
found = 1;
}
For more examples, refer to the tests file SwiftElasticSearchTests.swift
For a fully working example app, refer to the GitHub repository SwiftElasticSearchDemo
Docs
The documentation of SwiftElasticSearch library is made with the help of Jazzy library. For contributing to the documentation of this library, follow the given steps:
- Make the required changes in the comments written above the functions in the library
- If not downloaded, install jazzy library by typing the following command in terminal
[sudo] gem install jazzy
- After installing, navigate to the project folder and type
jazzy
For more functionalities like skipping specific files or folders, refer to documentation of the Jazzy library - Now add and commit the changes and then make a pull request
Complete documentation of SwiftElasticSearch library is available at https://swift-elasticsearch.netlify.com


{% extends "base_navbar.html" %} {% block content %}
Hi {{ user.displayName }}!
{% else %}Listening to music is fun, but listening to music with other people is even more fun.
Synchronizo aims to allow you to easily listen to music simultaneously with people when they aren't a stone's throw away. You make a music room, add some music and invite some people. It's that simple. {% endif %}
{% if rooms.length > 0 %}Rooms in use right now:


User 1
User 2
User 3
User 4
User 5
Form Tambah Data User
ID User
Nama User
PIN User
Konfirmasi PIN User
E-mail User
Reset
Simpan
Pembaharuan Data
ID User
Tersedia
Nama User
PIN User
Email User
Reset
Simpan Data


Trivia Trainer
Create User
Previous Users List:
Number of Questions:
5
10
15
20
Difficulty:
Any
Easy
Medium
Hard
Categories:
Any
Animals
Anime
Art
Board Games
Books
Cartoons and Animation
Celebrities
Comic Books
Computers
Film
Gadgets
General knowledge
Geography
History
Math
Music
Musicals and Theatre
Mythology
Politics
Science and Nature
Sports
TV
Vehicles
Video Games
Invalid option combination
PLAY
Select New User
View History
Next Question
End Game
Previous Games:
Select New User
Setup Game


CrypTool Help Index
Starting Page: An introduction to CrypTool
How to ...
work through the examples (tutorials)
obtain help on this Help facility
encrypt or decrypt a document
administer keys for asymmetric encryption algorithms
calculate a hash value for a document
compress (zip) or decompress a document
carry out an automatic analysis
obtain statistical information about the active document
create a new document
open an existing document
edit a document
save a document
save a document under a different name
close a document
adjust the CrypTool default settings
display or hide the toolbar or status bar
CT Book
CT Book
Main menu items
File
Edit
View
Encrypt/Decrypt
Digital Signatures/PKI
Individual Procedures
Analysis
Options
Window
Help


Simple Card
Simple text to describe the project, just a photo and no link.
Simple card + modal window
This is the same template but with a button to open a modal window.
Simple Card
Simple text to describe the project, just a photo and no link.
Simple card + modal window : Again !
This is the same template but with a button to open a modal window. The text is long because it is a test to see how it works....


TRANSACTION
REGISTERED
The asset
Tela_algodon_premium
has been successfully updated
Powered by
TrustOS


Welcome to the Sequence Alignment Web Interface
Info
Know more about Sequence Alignment
Sequence Alignment
Get alignment results for two sequences


"THE GAME"
Michael Douglas Nick Van Orton Deborah Kara Unger Christine Sean Penn Conrad Van Orton James Rebhorn Jim Feingold Armin Mueller-Stahl Anson Baer Carroll Baker Lisa Anna Katarina Elizabeth
Director David Fincher
Note: This review contains spoilers at the end.
Watching "The Game" will fill one with quite a few thoughts and new concerns when they leave the theater. You will never want to misplace your keys again for one. Anyone suffering from clown-phobia will make extra effort to avoid circuses and Venice Beach street actors. You'll be wary of the next time a waiter or waitress accidentally spills something on you. These are merely three of the many odd twists and turns people are asked to take in throughout the entire film.
"The Game," starring Michael Douglas, is a psychological thriller in every sense of the word. It starts off letting everyone know a little bit about financial baron Nicholas Van Orton, a businessman with a knack for making millions but little else. It's almost Gordon Gecko revisited. He lives an empty life of work and stock reports with little else going on outside of his office and country club. He's cold- hearted enough that he can fire the head of a publishing company who also happens to be a former best friend of his father without batting an eye. His father was also a successful businessman who inexplicably committed suicide by jumping off the roof of his estate. He alienates his ex-wife who is also the mother of his child, he has a brother whom he hasn't seen or spoken to in years (more on that later). His only personally link to humanity is a kindly old woman who happens to be his housekeeper for many years. Yet, throughout the movie, you realize that he is capable of occasional moments of kindness, a dry humor, and other interesting quirks. An interesting note; despite his riches, his ability to dine at exclusive restaurants for during lunch breaks, a membership at a posh country club, his dinners at home are simple fares of hamburger and fries, or deli sandwiches. Complex? Yeah. Are you following this so far?
Sean Penn brilliantly plays the seemingly mentally disturbed brother Conrad. True Penn-ophiles might be disappointed to know he is limited to only three scenes, but what little screen time he's given is used to the utmost max. He first arrives on the scene on to wish Nick a happy 48th birthday and give him a card for a company called "Consumer Recreation Services," or CRS. Incidentally, their father committed suicide on his 48th birthday and this topic becomes a taboo topic during their lunch meeting. Conrad guarantees a life changing experience and Nick reluctantly agrees to it.
Nick meets up with a rather creepy CRS sales associate Jim Feingold. Upon agreeing to it, he undergoes a battery of physical, intellectual, and psychological tests to see if he qualifies to play the game. These tests take quite a bit longer that expected, which as expected annoys him, and even more frustrates him later to find out his test results didn't meet requirements. Not all is what it seems however, as oddities start popping up around him. One of the first being a waitress named Christine (Deborah Kara Unger) who "accidentally" spills wine on Nick. She unwillingly becomes a sidekick to Nick's upcoming mayhem.
 Few others can play such a character with enough flair, charm and self-deprecating humor to the point that he can get an audience to side with someone who just blew off his kind ex-wife who called to wish him a happy birthday.
Master visual artist David Fincher takes viewers one a brain twisting, darkly toned, and often depressingly moody view of San Francisco, the city where Van Orton resides. Fincher, who last thrilled and disturbed us in the brilliantly gut-wrenching "Seven," takes us on yet another visual stunner of paranoia and confusion. He has a Hitchcock-ish eye for setting the mood and tone of movies by knowing exactly how much tension and suspense to use without going so far as to completely alienate the audience. It helps to take your brain with you when you go to see "The Game" since the clues and hints as to what really is going on is multitudinous, though nothing will prepare you for the ending of the movie. More on THAT later.
This movie isn't perfect, however. The otherwise well written plot is so full of twists and turns that it's easy to not notice the artful eye stimulation Fincher provides throughout the film. (Editorial note: it's this very style that, in my humble opinion, kept Alien3 from being a total disaster). Character development is enough for some, not enough for others. One certainly gets to know the character of Van Orton as the movie progresses. Unfortunately we're provided few ideas as to why Conrad is the way he is. We're also asked to assume why the two of them are estranged. Their relationship also isn't taken as far as it might have been.
Depending on how the Game struck you, the ending will either be fulfilling or a disappointment. Whichever it is, the viewers must decide for themselves.
The first hour and half however, is a definite can't miss.
S P O I L E R
My view of the ending? I thought it was brilliant! Despite all the odd occurrences throughout and the overall fast pace of the film, I had little trouble keeping up with the goings on of the Game. The plot contorts itself and eventually tries to lead us to believe that CRS is little more than a highly skilled and organized group of con-artist after Nick's substantial wealth. I started to think Nick was financially ruined and has little to lose -- even his life -- when I realized that everything that was going on was in fact a Game. It was truly a life changing experience, as Conrad promised, and we see this change in Nick's attitude immediately. He finally shows some warmth towards both his wife and her new husband. He and his brother start acting like brothers, and the dead, cold look in his eyes prevalent throughout the movie is no longer there.
(C) Dan-E :)
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends 'base/base.html' %} {% load static %} {% block content %}
We couldn’t find the page that you were looking for, but no worries! The menu at the top gives you quick navigation around the site. You can also check out the blocks below to visit parts of the site. If you need to contact me directly, my information can be found at the contact page.


---
layout:
title: Legal-Notice
locale: en
permalink: "/en/Legal-Notice"
---
{% include head.html %}
{% include nav-post.html %}
{{ page.title }}
- Owner: Open Source Politics – SARL 820 412 161 – 32 rue des Cascades 75020 Paris (France)
- Designer: Virgile Deville
- Release manager: Virgile Deville –<EMAIL_ADDRESS>- Webmaster: Virgile Deville –<EMAIL_ADDRESS>- Host: Github Pages – 88 Colin P Kelly Junior Street, San Francisco, CA 94107, United States
{% include footer.html %}
{% include js.html %}


The Carousel From XML Module dynamically generates an automatically accessible carousel control from an external XML file, which can be used as a carousel, slideshow, or wizard generator.
Module files:
For specific coding guidance, view the AccDC Technical Style Guide
Features:
Rotating Carousel is fully configured and populated using the XML file carousel.xml.
Static Slideshow is fully configured and populated using the XML file movies.xml.
Dynamic Wizard is fully configured and populated using the XML file wizard.xml; interactive functionality is configured using callbacks and custom handlers declared in setup.js.
Outer XML syntax; required for both grouped and ungrouped carousels.
<?xml version="1.0" encoding="UTF-8" ?>
<carousel role="REQUIRED: Hidden text role for screen reader users"
accStart="REQUIRED: Hidden text start keyword for screen reader users"
accEnd="REQUIRED: Hidden text end keyword for screen reader users"
height="REQUIRED: Total height of control"
width="REQUIRED: Total width of control"
className="Control class name for styling"
prevTitle="REQUIRED: Title text for the previous button"
nextTitle="REQUIRED: Title text for the next button"
slideName="General name for a slide, used with prevTitle and nextTitle for Next Slide and Previous Slide buttons"
isGrouped="REQUIRED: 'yes' or 'no': Must match the syntax of the XML whether or not group markup is included"
groupName="General name for a group, used with prevTitle and nextTitle for Next Group and Previous Group buttons"
showGroup="If 'yes', group names will be displayed above or below the carousel; depends on the value of groupPosTop"
groupPosTop="If 'yes', group names are displayed above the carousel, if not, then they are displayed below"
btnPText="Textual value of the Previous Slide button; uses innerHTML to insert"
btnNText="Textual value of the Next Slide button; uses innerHTML to insert"
btnPGText="Textual value of the Previous Group button; uses innerHTML to insert"
btnNGText="Textual value of the Next Group button; uses innerHTML to insert"
btnPAccesskey="accesskey for the Previous Slide button"
btnNAccesskey="accesskey for the Next Slide button"
btnPGAccesskey="accesskey for the Previous Group button"
btnNGAccesskey="accesskey for the Next Group button"
direction="REQUIRED: Must be either 'lr' (left to right), or 'tb' (top to bottom)"
cycle="REQUIRED: 'yes' or 'no' for infinite looping"
timer="REQUIRED: '0' to disable, or positive integer for automatic rotation in N milliseconds"
animDelay="REQUIRED: Slide animation length in milliseconds; set to '0' for instant transition"
forward="REQUIRED: 'yes' or 'no' to set auto rotation to move backwards or forwards"
hiddenMsg="Hidden text message for screen reader users" >
... Inner XML markup ...
</carousel>
Inner XML markup for slides with no grouping.
<slide announce="Text1 to announce to screen reader users" ><![CDATA[
... HTML markup to display for slide 1 ...
]]></slide>
<slide announce="Text2 to announce to screen reader users" ><![CDATA[
... HTML markup to display for slide 2 ...
]]></slide>
Inner XML markup for slides with grouping enabled.
<group name="Textual name for group 1" >
<slide announce="Text1 to announce to screen reader users" ><![CDATA[
... HTML markup to display for slide 1 ...
]]></slide>
<slide announce="Text2 to announce to screen reader users" ><![CDATA[
... HTML markup to display for slide 2 ...
]]></slide>
</group>
<group name="Textual name for group 2" >
<slide announce="Text3 to announce to screen reader users" ><![CDATA[
... HTML markup to display for slide 3 ...
]]></slide>
<slide announce="Text4 to announce to screen reader users" ><![CDATA[
... HTML markup to display for slide 4 ...
]]></slide>
</group>
Important: All attributes must remain within the XML markup.
Attributes that are not required may be set to null. E.G. attributeName=""
The following invocation methods are available.
// Syntax
// setCarousel( ContainerObject, XML-FilePath, DefaultLoadPosition, HandlersAndCallback)
// Specify a container object where rendering will occur, an XML file to parse, and set the default position to group 1 slide 1
// Valid when isGrouped='yes' within the XML setup parameters (default pos must be a string with comma separated values)
setCarousel(document.getElementById('carouselId'), 'files/carousel.xml', '0,0');
// Specify a container object where rendering will occur, an XML file to parse, and set the default position to slide 1
// Valid when isGrouped='no' within the XML setup parameters (default pos must be an integer)
setCarousel(document.getElementById('slideshowId'), 'files/movies.xml', 0);
// Specify a container object where rendering will occur, an XML file to parse, set the default position to slide 1, and declare handlers for advanced functionality
setCarousel(document.getElementById('containerObj'), 'files/wizard.xml', 0, {
// Run before the Prev button is activated when clicked
btnPrev: function(ev, cdc){
// cdc.slideVal = current slide index value
// cdc.groupVal = current group index value (only when isGrouped='yes' in the XML)
// Return false to cancel
},
// Run before the Next button is activated when clicked
btnNext: function(ev, cdc){
// cdc.slideVal = current slide index value
// cdc.groupVal = current group index value (only when isGrouped='yes' in the XML)
// Return false to cancel
},
// Run before the Prev Group button is activated when clicked
btnPrevG: function(ev, cdc){
// cdc.slideVal = current slide index value
// cdc.groupVal = current group index value
// Return false to cancel
},
// Run before the Next Group button is activated when clicked
btnNextG: function(ev, cdc){
// cdc.slideVal = current slide index value
// cdc.groupVal = current group index value
// Return false to cancel
},
// Run after a new slide finishes loading
complete: function(cdc){
// cdc.slideVal = current slide index value
// cdc.groupVal = current group index value (only when isGrouped='yes' in the XML)
}
});


Locations
Dorian 5
29
Dorian 5
Planet
Replacement Dimension
['https://rickandmortyapi.com/api/character/93', 'https://rickandmortyapi.com/api/character/104', 'https://rickandmortyapi.com/api/character/198']


Simple. Paperless. Recruitment.
We want to digitalise the assessment, development and recruitment world using innovative technology.
We have developed easy to use and interactive Apps which are linked to cloud based storage. Once securely stored we use big data analytics to help improve your recruitment process.
A more environmentally friendly approach. No need for reams of pages for each and every candidate.
Less admin. Less writing up reports. Less note taking. Less time spent marking tests.
With our digital solutions you will save on printing & postage costs and save on the number of resources needed.
Keep your recruitment data stored safely for as long as you need allowing you to review candidates and increasing accountability.
Future proof your recruitment by using big data to identify and analyse trends and improve your selection process with AI.
Engage with your candidates and assessors more effectively in a more realistic modern working environment.
We will just provide you with the technology that you need to run your own paperless assessment centre with your own resources. We give you the tablets, Apps and training you need to digitalise your recruitment processes.
We will provide you with everything you need to run a paperless assessment centre. We give you as many experienced assessors as you need, tablets and our innovative Apps.
We think the world of recruitment is changing and we want to help students adapt to the paperless approach. We offer a wide range of employability services and want students to use our Apps to gain vital assessment centre experience.
Co-founder
Co-founder
Co-founder


Facebook sends the message along with some metadata. Of this, the service uses:
For simple use, no data is stored beyond processing.
If subscribe command is used, the sender ID is stored. This is used to:
The sender ID is stored unencrypted in a persistent key-value store (BoltDB).
In order to remove the sender ID from the database, the unsubscribe command can be used.
For more information, check out the source code on GitHub.


Christmas is in the air
by Ey AcasioMallgoers roam around the newly-launched Christmas garden at the Festival Mall at Filinvesty City in Alabang.
Mallgoers roam around the newly-launched Christmas garden at the Festival Mall at Filinvesty City in Alabang.


{% extends "base.html" %} {% block title %}{{ block.super }} :: Description{% endblock %} {% block js %} {% load static %} {% endblock %} {% block content %}
GMap is an algorithm for visualizing graphs as maps. Information visualization can be invaluable in making sense out of large data sets. However, traditional graph visualization methods often fail to capture the underlying structural information, clustering, and neighborhoods. GMap, provides a way to overcome some of the shortcomings with the help of the geographic map metaphor. While graphs, charts, and tables often require considerable effort to comprehend, a map representation is more intuitive, as most people are very familiar with maps and even enjoy carefully examining maps. The effectiveness of GMap is illustrated with examples from several domains, namely TV shows, Amazon books, and last.fm music.
This map of music shows relations between musicians/groups. Related musicians are closeby and in the same country.
The system relies on a model behind drawing clustered graphs. The GMap framework combines graph layout and graph clustering, together with appropriate coloring of the clusters and creating boundaries based on clusters and connectivity in the original graph. The approach can be generalized to any relational data set. In GMap the visualization is based on a modified Voronoi diagram of the nodes, which in turn is determined by the embedding and clustering. The algorithms are described in a series of research papers:


I design and develop APIs and Microservices using .NET.
I build web applications using C# and the .NET framework.
I maintain new and legacy web applications written in HTML, CSS, JavaScript, and ASP.NET Core.
This Application is built using .Net Core Web API and ASP.NET MVC. The API performs all the CRUD operations on the database while the MVC Client consumes the API. Functionalities implemented include API Versioning, Swagger, Open API Specification, XML Comment on Swagger Document, CRUD operations on multiple tables. Security was also built into the API and MVC Client using JWT and Bearer Token. Features like password hashing and configuring Bearer Token into Swagger Client for authorization are also present.
GithubBuilt using .Net C#, ASP.NET MVC, Bootstrap, and jQuery. Priority was on the backend working on CRUD, saving images to server and database, sessions, Viewmodels, View Components, authentication and authorization, external login using Google and Facebook, email, and deployment using a third-party hosting platform (myWindowsHosting).
GithubThis desktop application is built on .NET Core 3.1 and WPF (Windows Presentation Foundation) for scraping data from https://www.vanguardngr.com/ and https://mmohuts.com/news/?sort=reviews and exporting the scraped data to a .csv file.
GithubIf you need a software engineer. I'm your plug.


Setup
This post is meant to be a reminder for me on how to quickly setup a Rails project.
Run the following in terminal to remove Minitest and setup database.yml with postgresql. Remove username and pass from production initially(optional)
rails new project -T -d=postgresqlRefer to blog post Feature Testing to see how to setup Rspec Feature testing with factory-girl and capybara.
If using devise and omniauth for authorization, need to install devise, omniauth, and activerecord-session_store gems in Gemfile. (activerecord-session_store allows for more bytes to be transferred in sessions)
dotenv gem allows for storage of environment variables in development and testing.
unicorn gem is a Rack based http server. Need to config Procfile for production on Heroku.
web: bundle exec unicorn config.ru -p $PORT


Manager Reimbursement Portal
Home Page
View All Reimbursements
Approve or Deny Reimbursement
Statistics
Approve or Deny Reimbursement
Reimbursement ID number
Which would you like to do?
Choose an option
Approve
Deny
Message


japanese occupation Aishite Imasu 1941: Mahal Kita Joey Lamangan 2014 | 1 hr 47 min pg-13 womencolonialism
japanese occupation Oro Plata Mata Peque Gallaga 1982 | 3 hr 14 min r-13 Family Dynamicshuman rightswomen
japanese occupation Tatlong Taong Walang Diyos Mario O'Hara 1976 | 2 hr 5 min pg-13 family dynamicshuman rights
japanese occupation Tatlong Taong Walang Diyos Mario O'Hara 1976 | 2 hr 5 min pg-13 family dynamicshuman rights
japanese occupation Oro Plata Mata Peque Gallaga 1982 | 3 hr 14 min r-13 Family Dynamicshuman rightswomen
japanese occupation Aishite Imasu 1941: Mahal Kita Joey Lamangan 2014 | 1 hr 47 min pg-13 womencolonialism


Iowa Court Hears Fight Over Judicial Nominating Process
by ROX LAIRDDES MOINES, Iowa (CN) — A group of lawyers and state legislators urged the Iowa Court of Appeals on Wednesday to rule they have standing to make their case at trial that a recent change to the process for appointing appellate judges violates the Iowa Constitution.
Cedar Rapids attorney Bob Rush told a five-judge panel of the appellate court the plaintiffs’ lawsuit should go to trial because of the overarching public importance of the constitutional issues they raised.
“The issues before the court today are of significant and historic importance,” he told the judges. “We submit this affects every Iowan, whether you live in the country or in town. You are affected.”
Assistant Attorney General David Ranscht responded by telling the judges that the only issue before the court is whether the plaintiffs have standing to bring this case. He said all of the injuries alleged by the plaintiffs “are just disagreements with the law,” adding “that doesn’t meet the requirement for standing.”
The Iowa legislature in April passed an amendment that altered the composition of the State Judicial Nominating Commission, which sends three nominees for the Iowa Supreme Court and Court of Appeals to the governor, who makes the appointment.
Prior to the change, the governor appointed eight members of the 17-member commission, Iowa lawyers elected eight members, and the senior member of the Supreme Court other than the chief justice chaired the commission. Under the amendment, the governor makes nine appointments and the chairperson is elected from among the commission members, thus removing the senior justice and giving the political appointees a majority.
The change, which enabled Republican Governor Kim Reynolds to appoint a majority of the commission, politicized the judicial-selection process, Rush argued. That, he said, is contrary to the intent of Iowans who in 1962 voted to amend the Iowa Constitution to move from electing judges to the current merit-selection system.
Rush – along with 11 other plaintiffs that include lawyers, state legislators and current or former members of the commission – argued in their suit that besides politicizing the process, the Republican-dominated Legislature violated the “one subject” requirement of the Iowa Constitution in the bill that changed the makeup of the nominating commission.
The change was included in an appropriations bill that contained more than one subject, and the amendment revising the judicial nominating process was not expressed in the title of the bill.
A Polk County District Court judge ruled in May that none of the plaintiffs had standing to bring the suit and dismissed it.
“We think the district court got it wrong in denying standing to the individual plaintiffs,” Rush told the judges Wednesday.
But, even if the appeals court holds the plaintiffs do not have standing, he argued that the standing requirement should be waived under an exception recognized by the Iowa Supreme Court for a matter of “great public importance and interest in our system of government.”
Ranscht, however, argued that exception, while recognized, has never actually been applied in Iowa and should not be applied in this case. The “great public importance” exception “boils down to you know it when you see it,” he said, “and this isn’t it.”
Judge Michael Mullins suggested there may never be a great public importance exception, and asked, “How do you get there without looking at the underlying merits?”
“I don’t think they can be divorced,” Rush responded.
Judge Sharon Soorholtz-Greer questioned whether the courts should be second-guessing decision made by the Legislature.
“Shouldn’t we be concerned with interference with other branches of government,” she asked, “as opposed to responding to actions we don’t happen to agree with, or that we agree with?”
Ranscht agreed: “We don’t want to have every legislative debate continue in the courtroom.”
It is unclear when the judges will issue their ruling.
Copyright © 2019 courthousenews.com


R Jagannathan, writing for Swarajya:
Well, my advice to both sides is chill. There is no need to garland or shoot the CSO. The higher growth number does not necessarily validate DeMo. At best, we can say that DeMo was a minor disruption compared to the bigger disruptions happening around the world. As for detractors, they will get ample opportunities to pin the slowdown blame on DeMo, since 2016–17 has anyway seen a slowdown in growth relative to the year before.
Ah, but we don’t know how to chill these days, do we? Or wait until we have enough quantifiable data to comment on something as large as demonetization, instead basing it on one statistic, either way, without establishing context.
In other words, the deceleration due to DeMo itself may be marginal, but the broader slowdown relative to the last financial year is sharper.
Another case where macro-context is important when judging what economic statistics reveal. Growth was not at the same levels this year compared to last year in any event, and even without demonetization, an expectation of downturn in overall growth was to be expected. The point is, can we attribute the entire 0.4% drop from the previous quarter to demonetization? Jagannathan postulates, and I agree, that’s a no.
The reality is that in a world of multiple disruptions there can be no normal level of growth for anybody.
In Macroeconomics 101, right up in Chapter 1, one of the earliest lessons was that concurrency of two events does not imply causality. Economics is a complex ‘sport’, convoluted enough to stump even seasoned professionals.
The above data averages show that the basic trajectory of India’s growth was probably in the 5–6 per cent range for a very long time, both pre- and post-reform. The UPA period was an aberration, and high growth was driven by extremely favourable global conditions and by harvesting the fruits of reform sown during the Atal Behari Vajpayee period.
This is good analysis, and telling when viewed through a larger spectrum (going back all the way to 1985). Our growth pattern has roughly stayed within the same bounds.
Regardless of whether you measure GDP the old way or the new, we are still to recover fully from the self-inflicted wounds of the UPA era.
Hurts.
The lessons for the Modi government are this:
One, keep plugging away at ease of doing business and reforming economic administration. Don’t obsess about the GDP growth rate, or celebrate some good numbers too soon.
Agree. Think a good GDP outcome highlights the resilience of the Indian economy — against both global headwinds and internal disruptions, including demonetization. There are positive signals, such as higher private consumption growth, or the auto industry — widely believed to be a large struggler post November — reporting higher domestic sales, and know Government collections are expected to go up via collections from both a wider tax base and the final payment of the Income Declaration Scheme 2016 come September 2017. But global conditions, and internal factors such as job slowdowns will need to be navigated.
Two, big bang and incremental growth are not opposites. When the condition is ripe, go for big bang (GST is one example); when they are not, keep pushing small doses of reform where you can.
No comment on the advice here, except that I think the Government has done this one thing absolutely right since coming to power. There is scope for deeper analysis on whether every reform was successful or not, but the fact that incremental and big bang reforms have been pursued hand in hand since May 2014 will be hard to argue against.
Three, get states into the act. The centre cannot be the driving force of the economy. Reforms must touch states, and they hold the key to faster growth.
Again, some positive moves have already happened, along with the change of revenue sharing, where they’re steadily increasing revenue sharing with states. Obviously, just the funds aren’t enough, and State initiatives that extend Central initiatives where concurrent control exists have to be strengthened and audited.
And four, forget about what is our potential rate of growth. We can only discover that by hindsight. In an unstable world, no growth outcome is likely to mirror our expectations. Economic forecasting is no better than astrology. We must negotiate growth in the fog generated by disruptive forces. This is why we got our DeMo forecasts wrong, for global disruptions are DeMo raised to the power of 10.
But if you still want a number, I would say India’s growth average will be in the 6–7 per cent range in the coming decade.
I agree with just about everything in this post, except for the prediction numbers. My range would be 7–8 per cent, starting FY2019–20; we can expect the trend to be clear by the end of FY2018–19.


Faction
-
What is a 'Faction'? [Source: Community]Characters belong to a Faction. Currently each Transformer can only belong to one Faction, though there are characters in the Transformer storylines who were double-agents and so that may change. There are currently (Wave 5) three factions in the game, Autobots, Decepticons and Mercenaries.
-
Who are the Mercenaries? [Source: Community]The Mercenary Faction is a new faction added to the Transformer storyline in 2019, across the comics, toys, cartoons, and the Trading Card Game, which was the first to announce the new faction.


Gabrielle:
Time is short! You must hurry and meet each of the guardians. When you receive the Mark of Watchman from each of them and return to me, I shall give you the Herald of Slayer and show you how to enter Antharas' Lair.
"Tell me about the guardians."


Advances in technology and the emergence of sophisticated hardware and software have led to the current era of data mining and predictive analytics. Data analytics are being used extensively in almost all fields of Retail, Finance and Health. Machine Learning involves applying statistical and mathematical algorithms to data sets in order to train the model with the available data and then use this knowledge to correctly classify and categorize new data.
Statistics reveal that about 12% women and 0.1% men in US are at a risk of developing breast cancer. This number is expected to rise every year by a significant amount. It is the second most commonly diagnosed type of cancer among American women. External attributes like age, menopause, genes, environment and others are also responsible for breast cancer. It is quite difficult, even for a skilled medical practitioner, to take into account all the attributes that are needed to make an accurate diagnosis for a patient. With our project, we use previously recorded data for breast cancer diagnosis to accurately predict the diagnosis for a new incoming set of cytology attributes.
The goal of our project is to build a well tested data model that will accurately classify a set of breast cytology attributes as benign or malignant. Given a well defined and simple user interface, even a lab practitioner can enter the details of the cytology and obtain a diagnosis. The result can then be further validated by an oncologist.
For our project, we aim to collect as much relevant data as possible and then apply the various steps in the Knowledge Discovery Process to extract meaningful information pertaining to the classification of the presence/absence (malignant or benign) of breast cancer in women for a given set of attributes obtained from breast cytology. We will be using R as our programming language to apply various machine learning algorithms for classification and then compare predictive accuracy. We have also used Weka to validate the decision tree We then use the knowledge gained to predict the presence of tumor in new incoming data with similar attributes. We will then present our findings and gained knowledge through powerful visualization techniques using R as well as frameworks such as Google Charts, Highcharts and Tableau.


{% extends 'layouts/main.html' %} {% load i18n %} {% block page_title %}{% trans 'Delete' %} {{ group }}{% endblock %} {% block content %}
Are you sure you want to delete {{ group }} ?


This week we have to experiment some comunication and programming lenguage with computer and microcontroller
For this week i try to create a connection and a data visualization using a satshakit and processing
Processing is a programming language for making some graphical things using simple instruction and can interact with the arduino like board ( or all things with serial communication).
Fist of all I have to create a circuit and a firmware to collect some data and send it in packet to the pc via serial communication(using the atmega serial port and a ftdi cable to convert from uart to usb protocol)
i use a satshakit that will read the analog value from an LDR (light dependant resistor) and a potentiometer, convert it to digital, make a string of the data and send it trough the UART.
in the picture you can see the fritzing diagram of the connection (i use a base for explain the connection the arduino board for be quick but in the next picture you can see I use a fabbed board).
For the firmware side I use a simple arduino sketch I made, posted below.
here the code from arduino IDE
// pin assignments
int LDR = 1;
int TRM=0;
// initialize the serial port
// and declare inputs
void setup() {
pinMode(LDR, INPUT);
pinMode(TRM, INPUT);
Serial.begin(57600);
}
void loop() {
int L = analogRead(LDR);
int T = analogRead(TRM);
Serial.print(L);
Serial.print(" ");
Serial.println(T); // send the 2 data divided by a space and newline at the end
delay(100);
}
i found all the information i use to build the processing interface on the processing main site and in general on the web
I use the serial library imported at the beginning of the sketch, that implement the protocol needed to read the data from the USB ( the COM port on windows),
it will also read the first COM that will send data and assign it to the program.
here the code from Processing
import processing.serial.*;
PFont font;
Serial serial;
int x = 0;
int L= 550;
int T = 450;
int lastX = 0;
int lastL = 550;
int lastT = 450;
void setup() {
size(600, 600);
serial = new Serial(this, Serial.list()[0], 57600);
serial.bufferUntil('\n');
background(#000000);
}
void draw() {}
void serialEvent(Serial serial) {
String valueStr = serial.readStringUntil('\n'); //read serial data until new line
if(valueStr != null) { //if strig is not null value
valueStr = trim(valueStr); //trim the string from undesired char
String[] data = split(valueStr, ' '); //divide the string data
L = int(data[0]); //L = first data of the array (LDR)
T = int(data[1]); //T = second data Trimmer
//refresh the high part of the window for make the rectagle to be redraw
noStroke();
fill(#000000);
rect(0,0,600,400);
strokeWeight(2);
//LDR Data rappresentation
stroke(#AF0000); //border red
fill(#FF0000);//fill light red
textSize(20);
text("LDR",130,25);
//point(x,((L/11)+500));
rect(50, 30, 200, (L/3), 5);
line(lastX, lastL, x,L=((L/11)+500));
//trimmer data rappresentation
stroke(#134CAE); // border blue
fill(#137CAE); //fill light blue
text("Potentiometer",380,25);
//point(x,((T/11)+400));
rect(350, 30, 200, (T/3), 5);
line(lastX, lastT, x, T=((T/11)+400));
stroke(#FFFFFF);
lastT = T;
lastL = L;
lastX = x;
if(x++ >= width) {
lastX = 0;
lastL = 550;
lastT = 450;
x=0;
background(#000000); //refresh all the window to background
}
}
}
i want to make a instantaneous visualization of the data (so only the current value is displayed) and a history of the variation.
for this purpose i use the high part of the window with two rectangle to display the current value of the readings and the lowest part of the window to make a 1 minute story board like a graphs using the line drawings.
every serial event( data revived) I clean the upper side and re-draw the rectangle, in the down side I reload the background only when I reach the end of the window.
i also used the text function for give a name at the rectangle part


Expressions
In the Initial value value textbox in every Converter window, you can type in regular mathematical, paranthesized expressions and have them evaluated by pressing Enter. If you don't press Enter after typing the expression, BeConverter will treat it as a single number and more often than not it will evaluate to zero or the first number in the expression. So once you complete typing the expression, press Enter to have it evaluated.
Below is an example of an expression that has been evaluated:
BeConverter thus includes a comprehensive paranthesised expression evaluator built into it. Though it is in its experimental stages it works quite well and has almost all required functions and operators. Below are the functions and constants that are supported:
Syntax Description sin(n) Returns the sine value. cos(n) Returns the cosine value. tan(n) Returns the tangent value. asin(n) Returns the arc-sine value. acos(n) Returns the arc-cosine value. atan(n) Returns the arc-tangent value. abs(n) Returns the absolute value. ceil(n) Returns the closest integer larger than or equal to n. floor(n) Returns the smallest integer smaller than or equal to n. exp(n) Returns e to the power of n. log(n) Returns logarithmic value to the base e. ans Substitues the last stored answer (if any). sqrt(n) Returns the square root of n. pi Substitutes the value of Pi as 3.14159265358979323846. The following operators are also supported:
Syntax Description + Numeric addition. - Numeric subtraction. * Numeric multiplication. / Numeric division % Remainder operator. ^ Radical. << Binary shift. >> Binary shift. &&, and, & Binary and. ||, or, | Binary or. So as you can see it supports all the standard operators and functions and has some extra ones as well. The evaluator follows standard C style operator precedence.
Here are some examples of expressions:
sin(30) + 0.5 + (1/2)
(10 - 4) + (6 + 12)
abs(-34.53)
0 and 1
16^(1/4)For trigonometric functions you can choose the numbers in either radians or degrees through the Options window.
Please note that while using the expression evaluator you cannot specify numbers in its scientific form. But you can express the number mathematically instead. For example, you can express 99.99e+2 as (99.99) * (10^2). Any number of spaces in the expression are allowed.
In some cases you might receive wrong results from the expression evaluator, in which case, heavily paranthesize your expression until you get the result. Explicitly paranthesizing expressions often assures correct operator and operand precedence, resulting in proper parsing and computation of the expression.
Please bear in mind that this is only an experimental expression evaluator and may be prone to errors. Although it was tested, there may arise errors in parsing and/or computing. If you discover an error, and you are sure it is an error with BeConverter and not on your part, please e-mail the author. Future versions will patch up errors (if any) as and when possible.
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