by Lars Lindahl visit my new website: Lars Attacks! http://www.angelfire.com/ny3/larsattacks
"Magnolia" (1999)
Starring Phillip Baker Hall, Melora Walters, John C. Reilly, Melinda Dillon, Philip Seymour Hoffman, Jason Robards, Tom Cruise, Julianne Moore, Jeremy Blackman, Michael Bowen, William H. Macy, Ricky Jay, Henry Gibson, Felicity Huffman, and Luis Guzman.
Directed by Paul Thomas Anderson Written by Paul Thomas Anderson
Grade: ***1/2 (out of four)
The film "Magnolia" can be compared to a simple flower as its title and movie poster suggests. The dozens of characters introduced and developed are like the petals on the flower. They all come from the same stem and as the flower begins to develop they grow farther and farther apart. The numerous characters in the film are all closely connected no matter how different they are from one another socially. From a humiliated but kind cop to an aging game show host, each one of these characters is suffering the same kind of pain. They are each seriously lonely and seek the perfect companion to end this loneliness. Whether this companion is a distant family member or a spouse, each character begs for one and spends the whole film searching for the perfect one.
"Magnolia" is a clever, well thought out film from prodigy director-writer Paul Thomas Anderson of "Boogie Nights" fame. The detailed character analyses and the powerful script make "Magnolia" memorable. However, what really is impressive is that even though there are tons of characters in several unrelated stories, the film is never confusing. Anderson's control over transitioning from one story to another story is masterful. He also knows exactly when to cut to another subplot since not one of "Magnolia's" scenes drag on too long. Any three hour film that does not deliver even one uninteresting scene is definitely worth recommending. From the fascinating beginning to the risky yet surprisingly satisfying ending the film just doesn't get boring. It is obvious that Anderson put a lot of time into connecting each subplot. This is the ultimate game of six degrees of separation. Every character is connected to every other character by at the most two degrees. For example, cop John C. Reilly is connected to game show host Phillip Baker Hall through Hall's daughter Melora Walters who once went on a date with Reilly. The fact that each character is so different from the others yet so similar shows that there are universal pains that all classes, races, and genders suffer. Anderson's explanation to prove this point is both accurate and convincing. The only mistake Anderson made in trying to connect his characters was by making his actors all sing an Aimee Mann song simultaneously. This was foolish not only because it was unbelievable and hilariously erroneous but also because it had a Broadway musical feel to it and this movie is about as far apart from your typical Broadway musical than you can get.
The performances in "Magnolia" are perfection. This is a classic example of flawless casting and flawless ensemble acting. Anderson allows many of Hollywood's best supporting actors to blossom at what they do best, character acting. All of the main characters in each story are perfect because they are able to reveal more emotions and attitudes in their brief time on the screen then most movie stars can do in a feature length film. Worth noting is Tom Cruise, who stepped out of his usual superficial starring role and into a funny but depressing tour de force performance. He was probably noticed more than the other actors in the film by award givers because his role here is so much different and impressive than those in the past (however any actor in this film could be nominated for best supporting actor without any complaints) The only problem I had with the acting was that a few of the characters felt seriously edited down such as Melinda Dillon's character as Phillip Baker Hall's wife. She seemed to be thrown in towards the end and I felt very little sympathy for her because I had not seen her enough earlier in the film.
"Magnolia" uses several effective metaphors to describe its characters. Anderson has the talent to make the audience sympathetic towards numerous people in only a few hours. To see that Anderson is able to perfectly portray this many different types of people shows that he has a keen sense of diversity. Diversity is what makes a director successful for a long period of time. I predict a lot of diversity and success from Anderson in the future.
by Lars Lindahl visit my new web site: Lars Attacks! http://www.angelfire.com/ny3/larsattacks
(c) 2000 Lars Lindahl
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Data Scientist - New York, NY
DS/ML stack:-
Languages: Python, PySpark, SQL
-
Data Tools: Spark, AWS RedShift, AWS Athena, pandas, numpy, scipy, parquet
-
Modeling Tools: SparkML, scikit-learn, Tensorflow, Tensorflow-Serving, Keras (Tensorflow and Theano backend)
-
Algorithms: Classifications, Regressions, Neural Networks, Time series, Graphs
-
Visualization: Tableau or similar
-
Infrastructure: AWS (including S3, EMR, EC2, Lambda)
What will you do?
- Understand business decisions that need to be supported by data e.g. risk of readmission to hospital
-
Identify relevant internal or external data sources for various business needs
-
Research the state of a problem and existing solutions then quickly summarize research
-
Help identify new business opportunities and value propositions from existing data
-
Utilize raw or aggregated data to build predictive models in SPARK, sql, or Python
-
Understand quality of models and impact on business problems
-
Communicate summaries of analyses and predictive modeling efforts to product and business teams
-
Communicate insights to stakeholders in data engineering, product and clinical teams.
-
Become expert on projects to help strategize plans of attack in terms of technology and team education.
-
Ensure that all security procedures within their area of responsibility are carried out to achieve compliance with security policies and standards.
-
Leading multiple initiatives across both existing and innovative work
-
Provide continuous mentoring to junior resources
We are looking for someone with:
- 4+ year’s professional experience as a data scientist or machine learning engineer
-
4+ year’s professional experience working in quantitative computational role
-
2+ year’s professional experience working with big data and relational databases
-
Very strong knowledge of advanced applied data science (machine learning, neural networks, etc.), mathematical modeling, computational, statistical, data mining techniques (regression, decision trees, clustering etc.), as well as dimensionality reduction techniques
-
Strong hands-on modeling experience in a business environment with a goal of productionalizing models.
-
Strong experience using machine learning and deep learning packages
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Strong experience with data manipulation, analysis and visualization
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Proven track record of fully understanding the scope, commitment to quality, and end-to-end ownership to meet upon agreed timelines.
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Quick learner that can manage multiple projects at the same time successfully
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Developed and designed real-time prediction software
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Strong experience mentoring junior colleagues
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Excellent written and verbal communication skills
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Advanced degree in physics, applied mathematics, statistics or related field is preferred
-
Healthcare industry experience is a plus


Harry Styles throws shade at One Direction band mate Zayn Malik in SNL monologue
Harry Styles hosted Saturday Night Live for the first time last night and wasted no time in dissing his former One Direction bandmate Zayn Malik.
In his opening monologue, the 25-year-old singer briefly discussed the group going their separate ways in 2015 before snubbing the Dusk Till Dawn artist as he hailed Niall Horan, Liam Payne and Louis Tomlinson as his ‘brothers’.
Showing off his comedic side, Harry began: ‘I don’t know if you heard or not, I’m not in a boyband anymore. I’m in a man band now.’
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He continued: ‘I was in a band called One Direction, how crazy would it be if they were here tonight? Well, they’re not. Wouldn’t it be crazy if they were though? They’re not.
‘I love those guys, they’re my brothers. Niall, Liam, Louis… and Ringo. Yeah, that’s it.’
Harry then quipped: ‘I’m just so grateful Simon Cowell grew us in those test tubes.’
Viewers really couldn’t handle the shade Harry threw at Zayne and rushed to Twitter in shock, with one writing: ‘HE REALLY JUST DID ZAYN LIKE THAT WOAH #SNL.’
Echoing a similar sentiment, another commented: ‘I was not expecting this episode to start out with some Zayn shade.’
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Elsewhere in his opening speech, Harry said: ‘You know for me, it’s not about the fame or the money. It’s about the music, it’s about the art. It’s about the art and the music and the music and the art.
‘I believe that music is a universal language. Especially songs that are performed in English because that’s the only language that I understand. ‘
Once he’d opened the show, Harry was joined by a number of A-list guests including Jon Hamm.
Aidy Bryan also starred in a pre-recorded music video which saw her play a newly-single woman living with her chihuahua Doug, with whom she has a romantic relationship with.
Then in the most unexpected twist, Harry transformed into the pooch and began duetting with Aidy.
Honestly, between that and the Zayn shade, we’ll be haunted forever.
Saturday Night Live airs Saturdays on NBC in the US.
Got a showbiz story?
If you've got a story, video or pictures get in touch with the Metro.co.uk Entertainment team by emailing us<EMAIL_ADDRESS>calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you.


XML-RPC.NET
Overview
XML-RPC.NET is a library for implementing XML-RPC Services and clients in the .NET environment, supporting versions 2.0 and upwards of the .NET runtime. The library has been in development since March 2001 and is used in many open-source and business applications.
Charles Cook created an amazing and elegant library called XML-RPC.NET and has given it to the community. He's kept it working nicely such that I was able to get it working in my .NET 4.0 application without any modification even though I was using an older <IP_ADDRESS> version for .NET 1.0 in my first version. That's a testament to Charles' work.
Scott Hanselman — The Weekly Source Code 55
Its features include:
- Interface based definition of XML-RPC servers and clients
- Code generation of type-safe client proxies
- Silverlight and Windows Phone 7
- ASP.NET Web Services which support both XML-RPC and SOAP
- Client support for asynchronous calls
- Client support for various XML encodings and XML indentation styles (some other XML-RPC server implementations only accept certain indentation styles)
- Built-in support for XML-RPC Introspection API on server
- Dynamic generation of documentation page at URL of XML-RPC end-point
- Support for mapping XML-RPC method and struct member names to .NET-compatible names
- Support for Unicode XML-RPC strings in both client and server
- Support for optional struct members when mapping between .NET and XML-RPC types
- <i8> XML-RPC extension
- <nil> XML-RPC extension
- Support for .NET Remoting on both client and server
The FAQ provides more information and the mailing list - the XMLRPCNET Yahoo group - contains discussion, peer support, code example, and announcements relating to XML-RPC.NET.
A couple of sample XML-RPC services implemented using XML-RPC.NET are available:
XML-RPC Clients
It is easy to create client code which makes calls to XML-RPC servers. All you need to do is define an interface representing the XML-RPC end-point an d then use the XmlRpcProxyGen class to automatically generate the code for the proxy.
[XmlRpcUrl("http://www.cookcomputing.com/xmlrpcsamples/RPC2.ashx")] public interface IStateName : IXmlRpcProxy { [XmlRpcMethod("examples.getStateName")] string GetStateName(int stateNumber); }
The proxy instance is generated using static method Create of the XmlRpcProxyGen class:
IStateName proxy = XmlRpcProxyGen.Create<IStateName>();
The method on the proxy can then be called to make the XML-RPC request to the server:
string stateName = proxy.GetStateName(41);
XML-RPC Services
XML-RPC.NET implements XML-RPC services as Services running in the Microsoft IIS web server environment. The model for XML-RPC Services are SOAP-based Web Services implemented as part of ASP.Net. An XML-RPC Service is implemented (in any CLS-compliant language, e.g. C#, VB.Net, etc) by creating a class which derives from the XmlRpcService base class and decorating the methods to be exposed via XML-RPC with the XmlRpcMethod attribute. For example:
public class StateNameService : XmlRpcService { [XmlRpcMethod("examples.getStateName", Description="Return name of state given its number")] public string getStateName(int stateNum) { if (stateNum == 41) return "South Dakota"; else return "Don't know"; } }
As well as specifying an XML-RPC method the XmlRpcMethod attribute is here used to specify that the method is to be called using the XML-RPC protocol as "examples.getStateName", not the name of the method used in the Service class.The string assigned to Description is used for automatic documentation generation as described below when a Service is invoked via a HTTP GET request.
Alternatively the service class may also derive from an interface which defines the XML-RPC methods. The interface can then be also used to generate a proxy class as described above. For example:
public interface IStateName { [XmlRpcMethod("examples.getStateName")] string GetStateName(int stateNumber); } public interface IStateNameProxy : IStateName, IXmlRpcProxy { } public class StateNameService : XmlRpcService, IStateName { public string getStateName(int stateNum) { if (stateNum == 41) return "South Dakota"; else return "Don't know"; } }
A class may implement many XML-RPC methods, not just a single method as in these examples.
The resulting assembly DLL placed in the bin directory of an IIS virtual directory and a web.config file is used to dispatch HTTP requests to the custom handler implemented by class XmlRpcService. For example, if cookcomputing.com has a virtual directory called xmlrpc and the following config file is placed in the root directory of xmlrpc:
<configuration> <system.web> <httpHandlers> <add verb="*" path="statename.rem" type="CookComputing.StateNameService, StateNameService" /> </httpHandlers> </system.web> </configuration>
The Service can be invoked via the XML-RPC protocol at this URL:
http://localhost/xmlrpc/statename.rem
Note that the type is assembly qualified: the name of the class is CookComputing.StateNameService in the assembly StateNameService (i.e. StateNameService.dll).
If, instead of making an XML-RPC request via a HTTP POST request, the caller makes a HTTP GET request to the same URL, the Service returns an automatically generated page describing itself. For the example service above, this page is returned.
Alternatively the Service can implemented via XML-RPC.NET's support for .NET Remoting.This has the advantage that the same Service can then be accessed by either the XML-RPC or SOAP protocols.
Further Information
XML-RPC.NET is hosted at Google Code:
- Downloads - featured release and development snapshots.
- Open Issues - Issues waiting to be fixed.
- Requested Features - the current wishlist of new features.
- Source - browse source code repository online or via Subversion client.
Samples - several samples are available - see distribution.
Developers
Lead Developer - Charles Cook.
License
XML-RPC.NET is released under the terms of the MIT X11 license (more).
Donations
If you have found XML-RPC.NET useful, please make a donation towards the costs of running the project which include domain name and web site hosting fees.
Contact
Please contact with any feedback or suggestions for XML-RPC.NET.


Beginner Lesson 1.1
num1 = 5
num2 = 7
sum = num1 ___ num2
print(‘The sum of {0} and {1} is {2}’.format(num1, num2, sum))
Select the operator so sum is equal to num1 plus num2:
+
-
*
/


Game #0
Secret Game
Well, you thought you had found a secret game. You were wrong.
Created by
TheReal12.


--- layout: page permalink: "/theatre/human-story/" ---
Human Story Theatre - new writing, real issues that focus on plays with health and social care issues at heart. The Theatre work with local communities and groups relevant to the issue being explored in the play.


Locations
The Organization Ontology represents locations as places on the earth. The following entities have locations:
continents
countries. Including disputed countries 1.
regions of countries. These may have many different names based on the local jurisdiction, such as territory, state, region, province, or even “kingdom” in the case of the United Kingdom.
populated places, which may be cities 2. These need not be legally recognized, merely recognized by people outside the populated place.
Properties of Locations
located in. The Louvre is located in Paris. Paris is located in France. Metropolitan France is located in Europe.
has geographic representation – a text string of latitude and longitude of (hopefully) the centroid of the location. For example, Paris has geographical representation “48.864716,2.349014” Note there are no compass designations (E, W, N. S) in the representation. A negative latitude is south of the equator, a positive latitude is north of the equator. A negative longitude is east of the prime meridian,a positive longitude is west of the prime meridian.
Relations of Locations to Organizations and Facilities
Organizations occupy locations. They are not “located in” locations for two reasons:
Organizations are not material. Only material things have locations. An Organization such as a chess club may meet in a variety of locations, but they are not located in a location. An organization such as Amazon has a presence in many locations.
“located in” means all of something located wholly within something else.
Organizations occupy locations. This means they have some legal right to the location (own, lease, title, other) or they have one or more persons affiliated with the organization who is at the location (all or some of the time). While occupation may involve disputes, most do not.
We can then say
The University of Florida 'occupies' The University of Florida Gainesville campus
The University of Florida Gainesville campus 'is located in' Gainesville
The University of Florida Gainesville campus 'has geolocation representation' "29.6436325,-82.3571242"
Note that ‘located in’ is transitive. Gainesville is located in Florida. Florida is located in the United States. We can infer that the University of Florida campus is located in the United States.
Organizations do not have locations. Facilities, and buildings have locations. Campuses have locations.
Table 15 Terms used to represent locations lists terms used in the representation of locations
Term |
Notes |
|---|---|
A man-made construction attached to the ground, a bauwerk |
|
The grounds of a business, university, or other |
|
An architectural structure with a function |
|
A permanent walled and roofed construction |
|
A space delineated by partitions in a building |
|
One of the seven major land masses of the earth |
|
The territory occupied by a sovereign state |
|
Any subdivision of the territory of a country |
|
Any named place on the earth occupied by people |
|
The relation indicating an organization occupies a location |
|
Location of |
|
Located in |
|
A geographical location on the earth |
|
A point on the earth |
|
A geolocation representation as lat,long |
Footnotes
- 1
definition of “countries” is a matter of dispute and controversy. Any list of countries is subject to dispute.
- 2
A city often means a governed place, or the government of the place, “The City of New York” For our purposes we do not distinguish between city, town, village or other possibly formal, legal designations.


No effort has been made to avoid “clashes”. If you see steps where the lines cross, try reducing the line width.


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Mike Denver: I'm excited to meet Corrie favourites Samia Longchambon and Mikey North
"I will have to put my nerves and any thoughts of being starstruck aside"
by Mike DenverWe were all big soap fans when I was growing up simply because we didn’t have as much choice.
There were no Netflix, streaming or on-demand TV back then so I grew up watching the likes of Emmerdale and Fair City and it’s great credit to them that they are still as popular as ever today despite the stiff competition.
So you’ll understand my excitement at the prospect of meeting Coronation Street’s Mikey North and Samia Longchambon at the Guy Clothing Fashion Show in Tullamore on Wednesday.
I will have to put my nerves and any thoughts of being starstruck aside because the night is all in aid of two great charities Jigsaw Offaly - providing a free and confidential support service for young people and Offaly and Search and Recovery.
All these years later I am still watching the soaps because Liz always has them on, well that’s my story anyway.
I’m also looking forward to catching with Dancing with the Stars champion, and former Kerry footballer Aidan O’Mahony as well as getting a few Christmas style tips from rugby pundit Brent Pope at the event.
Sad welcome to the jungle
There have been a lot of nasty comments directed at Caitlyn Jenner on I’m a Celebrity... Get me out of Here!
It’s a shame to have such negativity attached to one of ITV’s biggest shows consistently with a massive fan base across Ireland and the UK.
It’s not fair that Caitlyn has been subjected to cruel transphobic abuse online- this social media bullying has to stop once and for all before something serious occurs! Perhaps the broadcaster needs to step in and protect the cast.
They do have a responsibility to those taking part, it can’t all be just about the ratings.
Once people are watching it, ITV are going to continue airing it and paying the stars huge money to appear.
We have two Irish stars taking part this year Nadine Coyle and Andrew Maxwell.
I hadn’t heard of Andrew before he went into the jungle but he’s coming across really well and he has my support to become King of the Jungle next month.
Sort out this mess
The news that former prisoners are suing the government over conditions in Mountjoy has raised a few eyebrows.
I know prison is supposed to be a form of punishment, however, it is a basic right for people to have proper toilet facilities in this day and age.
The Government must sort this out.
Friendly hairdressers are a cut above
For me, a trip to the hairdressers or barbers is as much about the chat as the grooming, so I don’t get why people are calling for silent hair appointments these days.
I go to the salon once or twice a month to keep trim and tidy and I look forward to switching off and having a light conversation.
Edel at Empire in Portumna has been doing my hair for the past 20 years, she is part raconteur, part problem-solver and hair stylist all rolled into one.
It’s a great place to hear the news and get to know what is happening around town.
How to follow the Irish Mirror on social media
You can like our main Facebook page here.
Our Irish Mirror Sports page - which brings you all your Irish and UK sports news - can be found here.
You can also check out our Irish Mirror GAA sports page.
The Irish Mirror Twitter account is @IrishMirror while our sports account is @MirrorSportIE.
Our Instagram account can be found here.
I’m sure many friendly and caring hairdressers have helped combat loneliness, particularly around times when people might be vulnerable like Christmas.
A haircut is a relaxing and therapeutic experience.
Isn’t catching up with everyone and being friendly in the community what Ireland is all about? Give me a real person over a phone any day.


Here I put all the summaries (that I wrote myself). There are summaries of my Parsha sections & Haftorah, and also my Barmitzvah prayer, which I also wrote. At the end of each section, I wrote a lesson I had learnt.
| #1 |
|
|---|---|
| #2 |
|
| #3 |
From this I can learn that by listening to G-Ds word and following his commandments, as Moses did, we will be respected by friends and foes alike (and hopefully live to 120!). |
| #4 |
From this I can learn that the mitzvah of keeping Rosh Chodesh is very important, because if we did not know when to celebrate our festivals, we would not be able to celebrate them at all, and without our festivities we would not be the kind of people that we are now. |
| #5 |
When your wicked son challenges the meaning of an offering to Hashem, he is trying to rebel, and not participate. We know that he is wicked because of the way he talks, asking why we even bother to celebrate the festival. We can prevent him from creating conflict by giving him a true and beneficial answer. This shows me that the wicked, who are always challenging the truth, can be purified (if not rebuked) with a true, g-dly answer. Even the evil can never succeed in finding fault in the words of Hashem. |
| #6 |
A wicked and powerful man, Pharoah had his pride and arrogance torn to pieces by Moses and the plagues. Pharoah once had authority over Moses, but because of Pharoahs evil and Moses faith in Hashem, Pharoah crawled to Moses and begged for the suffering to end. From this I can learn that when one has faith in Hashem, he can defeat all his enemies as Moses did. |
| #7 |
From this I can learn that we must always remember to wear tefillin, as they contain the Shema. This is a prayer that not only reminds us of our connection with Hashem, and the most basic principles of our religion, but also keeps in our mind that Hashem removed us from Egypt. |
| Haftorah: | In this
Haftara, Hashem warns the Prophet Yirmiyahu that the great forces of the Babylonian Empire
will come and strike Egypt. He proclaims that the Egyptian Empire will be swept into exile by the invaders from the north. He warns that Egypt should make vessels, and prepare to leave their home, or else they shall be totally wiped out. The Babylonian army would be vaster than the locusts, which are without number. He says that they shall be exiled for their appalling treatment of the Jews throughout the years. At this time the Jews were losing faith in Hashem and were interested only in them selves. Some even went so far as to reform to idolatry. The prophet warned that as the Egyptians would be invaded for their sins, so too would the Jews unless they returned to their faith, had compassion for each other and begged Hashem for forgiveness. He prophesizes the destruction of the temple and another exile, should the Jews continue the way they were headed. Unfortunately, the people did not heed his words and later suffered for it. At the end of the Haftara, Yirmiyahu gave a comforting message, saying that as long as we, his people, serve him as we should, we shall survive through history and outlive or destroy all our enemies. Hashem is always with us, protecting us, watching over us from afar, and we have no reason to fear anything as long as Hashem is watching over us. If we all have enough faith, we can feel secure that no harm will come to us as servants of the lord. |
|---|
| Prayer: | Our
Father & Father of all, on this day I stand before you at the gates of Adulthood. All
my life so far, my parents & teachers have been anticipating this single day, the day
I pass confidently through the gates and qualify as a bar mitzvah. As a Jewish man, I have many new responsibilities. My parents are no longer responsible for my actions, they have given the burden to me. I gratefully accept this, along with all that must come with it. I can now be part of a minyan, and can now help make this congregation just a bit bigger & stronger. Please help me by showing love, compassion, truth & wisdom. Strengthen the spirit inside me, so that I may always have faith in you, & from your knowledge & your torah may there spring forth kind deeds & needed services.  I sincerely hope that I always believe in you, and that throughout my life I constantly follow the ways of the torah. And should I ever come away from the path of righteousness, guide me back to where I belong and return me to your ways. May I carry out my new role as well as my parents have, and may the good deeds of all bring closer the day of our redemption. Amen. |
|---|
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[Followup directed to rec.arts.movies. -Moderator]
AKIRA A film review by Clark Parkhurst Copyright 1994 Clark Parkhurst
Directed and created by: Katsuhiro Otomo Released by: Streamline Pictures (USA) English adaptation by: Michael Haller Music by: Shoji Yamashiro Produced by: Ryohei Suzuki RUNNING TIME: 124 minutes
AKIRA may be the best and most well told example of Japanese animation ever. AKIRA, based on the graphic novel and comic book series by Katsuhiro Otomo has all the elements of great story and is at or should be at the top of its film genre.
Tetsuo is a young man whom is just trying to be one of the guys. But, thirty years in the future, after a global nuclear war is what the earth has suffered. And as a result: Tokyo blown to smithereens by a powerful psychic force known as Akira. Now, Tokyo has been rebuilt and renamed Neo-Tokyo. Two rival biker gangs control the city and Tetsuo just happens to be on the winning team until he runs into a child on his motorcycle and he turns into a Tetsuo-on-a-stick.
Suddenly, Tetsuo and his buddies are surrounded by lights, sirens, and the military. The strange boy, along with Tetsuo, are taken away to a special hospital where they are trying to find the secrets to this Akira force.
Meanwhile, Tetsuo's fellow gang members have been arrested and are being interrogated by the police and military who have joined forces to battle against the rebellion of the citizens of Neo-Tokyo.
Back at the hospital, it seems that Tetsuo is showing the same patterns as the Akira patterns, and that could spell the destruction of Neo-Tokyo if these 'patterns' are not kept under control. Tetsuo soon escapes from the hospital and steals his friend's, Kanada, bike, only to be met up with the rival gang, The Clowns.
Tetsuo's girlfriend is raped and beaten while Tetsuo is about to watch Kanada's bike go up in flames, which ironically compares Tetsuo's friend's bike to his girlfriend. The outcome: a Tim the Tool Man Taylor 'machines are better then women' quote that leads to Kanada and the rest of the gang coming to the rescue. The scene soon fades to a violent beating of one of the clowns by Tetsuo and then the Akira patterns kicking in with Tetsuo having delusions. Soon, the military comes and frisks Tetsuo away to the hospital for a second time.
Well, a lot of side tracking goes on and on ... and on, but mark my words: "Every cel of animation in this film is important." It *is* the most detailed and thought out script of Japanese animation ever made. It joins the ranks of such greats as RANMA 1/2, DOMINION, the "Bubblegum" series and the American HEAVY METAL animated feature film.
Now, back to the story. Tetsuo soon finds himself with amazing powers. He also finds that he is not the only one that possesses these extraterrestrial powers. It seems that the boy he hit with his motorcycle is part of the family that he is joining quickly. Tetsuo must make a decision. One that is imperative to the survival of Neo-Tokyo: Will he join the family and tame his powers or will he be a cocky half-assed twit and defiantly destroy Neo-Tokyo? I think that Tetsuo has death, Destruction, and not to mention revenge on his mind.
Everyone in Neo-Tokyo is in either panic or glorification. Some know of Tetsuo's powers and abilities. Others think that Tetsuo is "the Great" Akira. One question lingers in his head: What is this Akira? The other psychics are pushing him to the edge, pounding his brain with challenges the Akira still has more power. And, as a power hungry bastard, Tetsuo goes to find the one that is more powerful. Tetsuo loses it, and all is surrounded by a blinding white light. You know the rest.
Not very often does a motion picture, animated or not touch you in a way that you gape at every movement, or word that comes from this. AKIRA grips you, and takes you, literally, thirty years in the future and shows you that like the medieval stories of wizards and warriors, dragons and knights still is there. Its LAWNMOWER MAN times 10.
One of the best things about this that other movies in the comic genre failed to do was have the person who knows the story, characters, and other tid bits behind the cameras. BATMAN and THE CROW (not that THE CROW was bad) could have been more fluent with their present and complete storylines if the creator and illustrator of the comic books and graphic novels were behind it. Think what it would be like if Bob Kane, directed the BATMAN motion picture? Sleep on it.
----- Clark Parkhurst Internet<EMAIL_ADDRESS>uucp: netcomsv!valinor!entity
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


📱
onslyde.com/go/
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|
|
Right whale stress fell after 9/11 decreased ship noise in 2001 (Rolland et al., 2012) |
| 2003: U.S. Navy uses sonar in Haro Strait with SRKW behavior change observed by Center for Whale Research |
|
| 2009: SRKWs "speak up" in noise from nearby boats (Holt, Noren, Veirs, Emmons & Veirs) |
Frequencies of vessel noise overlap
|
Squeaky ship: |
It's already too loud!
We also know:
|
Operational (temporary) and technological (permanent)
New player was released to the public on November 1. Stay tuned for more features coming this summer at: beta.orcasound.net
SupplyLong-term:
|
Access
|
/


Hello, {{ current_user.username }}!
Active games:
{{ render_game_list(games_in_progress) }}
{{ render_game_list(games_in_wait) }}


This is the Optimization Problem Section. Expand this section.
This is the Controller section. Expand this section.
This is the Adaptive Sampling Section. Expand this section.
This is the Experimental Design Section. Expand this section.
This is the Strategy section. Expand this section.
This is the Surrogate Model Section. Expand this section.
Save the answer and generate result.
Link to the result. Expand this section.


I am Shreeraksha R Aithal, currently studying in National Institute of Technology Karnataka, Surathkal, as a 1st year B.Tech student in CSE Branch.
I am from Karnataka and have been living in Bangalore past 10 years. And before that I was in Mangalore.
My native is Udupi, (quite near right) which is situated in the coastal region of Karnataka.
I studied in Kendriya Vidyalaya, No.1 Panambur, Mangalore for 2 years (2006-2007) , and then in Kendriya Vidyalaya, Malleswaram (KVM) for the rest 10 years.
One of the speciality about KVM is that it is one of the 4 school in whole India and the only KV which is following 2-shift classes (started from this year).
Proud to be a KVMites.
My hobbies are playing Veena, collecting stamps, watching TV. Recently I have started to hone my coding skills.
Even though I am not perfect in any games, I like playing chess, cricket, and badminton.


Welcome to the Base Spring Webapp
This is meant to demonstrate several different technologies working in tandem
Home
- just a home template
Employees
- Showing a list of 'Employee' objects that are grabbed from the Java backend. The objects can be created, edited, and deleted.


WASHINGTON SQUARE (Buena Vista - 1997) Starring Jennifer Jason Leigh, Albert Finney, Ben Chaplin, Maggie Smith, Judith Ivey Screenplay by Carol Doyle, based on the novel by Henry James Produced by Roger Birnbaum, Julie Bergman Sender Directed by Agnieszka Holland Running time: 115 minutes
*** (out of four stars) Alternate Rating: B
Note: Some may consider portions of the following text to be spoilers. Be forewarned.
-------------------------------------------------------------
With the 1996 Gramercy release of Jane Campion's THE PORTRAIT OF A LADY, the upcoming Miramax release of Iain Softley's THE WINGS OF THE DOVE, and this Buena Vista release of the Agneiszka Holland-helmed WASHINGTON SQUARE, it is abundantly clear that film adaptations based upon the works of Henry James are currently in fashion. It is no accident that both period melodramas WASHINGTON SQUARE and the forthcoming THE WINGS OF THE DOVE are late-year releases, as was last year's intricate THE PORTRAIT OF A LADY; they are strategically being positioned in film release schedules in aspirations of possible Oscar gold. While the Oscar campaign for Ms. Campion's film fared somewhat disappointingly, eventually netting only two Academy Award nominations, WASHINGTON SQUARE, while generally a decent adaptation of Henry James' novel, should consider itself lucky to do so well come February 1998.
It will be inevitable that comparisons will abound between Ms. Holland's version of WASHINGTON SQUARE and William Wylder's 1948 film, THE HEIRESS, featuring an illustrious cast including Ralph Richardson, Montgomery Clift, and, in an Academy Award-winning role, Olivia de Havilland, given that both films draw from the same source material. Such comparisons will invariably conclude in favour of the much-revered earlier film, and while there may be merit in such a conclusion, the mannered WASHINGTON SQUARE, which while more faithful to James' original novel is also slightly instilled with a modern feminist edge, remains fairly successfully moving and engaging.
Despite the film's one-sheet, which features Catherine Sloper (Jennifer Jason Leigh) and her dashing suitor Morris Townsend (Ben Chaplin) in a passionate if pensive embrace, WASHINGTON SQUARE's key relationship is not that between the suitor and the painfully shy heiress, but that between Catherine and her domineering father, Dr. Austin Sloper (Albert Finney). Skittishly devoted to her contemptuous father to the point of tackling him at the front door upon his daily return and waiting upon him hand and foot, Catherine is an awkward young woman, sheltered and seemingly oblivious to the standards of ladylike behaviour as deemed in the 1850s, yet she appears content with her life in servitude to her beloved father. The prosperous Dr. Sloper, on the other hand, looks upon his only daughter with thinly-veiled disdain and embarrassment, resentful of her mother's death during childbirth and brutally certain that the eager-to-please Catherine is dim, charmless and has amounted to nothing. (His retort to a declaration that his daughter has a great deal to offer is a genuine, incredulously bland "Such as?")
The status quo in their lives is irrevocably shattered upon the arrival on the scene of Morris, a handsome young man who begins to court Catherine, lavishing upon her great interest, attention, and affection, much to the delight of Catherine's idealist Aunt Lavinia (Maggie Smith) and to the suspicion of Dr. Sloper, who immediately concludes that the penniless Morris is interested in her solely for her inheritance. While Catherine swoons for Morris, her relationship with her father becomes increasingly strained, and she heartbreakingly begins to understand for the first time how unworthy she has always been in his eyes when Dr. Sloper vows to disinherit her should she continue to encourage Morris' attentions.
It is not immediately intuitive casting to put Ms. Leigh in the role of an unattractive spinster, and even moreso as a meek, clumsy wallflower, but she fares suitably well, imbuing her piteous character with a desperate craving for affection finally sated by her romance with the Morris character. It is in the latter half of WASHINGTON SQUARE, where Catherine becomes more self-assured and strong in her resolve, that Ms. Leigh predictably is strongest; her vivid portrayal of a woman forever changed results in the film's denouement being as affecting and emotionally resonant as it is.
However, it is Mr. Finney's performance which is the standout in WASHINGTON SQUARE; his is an imposing and forceful presence in the film which commands every scene in which he appears, and although his character's cruel dismissals of his daughter are distasteful, it is to Mr. Finney's credit that, far from coming off as despicable, there remains a certain strength, authority, and deeply-buried sense of genuine concern (if only, perhaps, in his own self-interest) in Dr. Sloper which is oddly compelling.
The remaining supporting performances are solid. Ms. Smith is very amusing in a supporting role, while Mr. Chaplin nicely handles his character's ambiguous motives with a great deal of subtlety. While the Morris character is a challenging role, Mr. Chaplin pulls it off well, never tipping his hand too early and leaving the audience hopeful, but uncertainly wavering about its true intentions. With his performance here and in Michael Lehmann's THE TRUTH ABOUT CATS & DOGS, he has built up fine credentials for future thoughtful Hollywood romantic leads.
WASHINGTON SQUARE's final third is markedly stronger and more compelling than the previous two-thirds, which may be due to the turgid manner in which Ms. Holland handles the romance storyline which is prevalent throughout most of the film's second act. While done in a sincere fashion, there isn't a much-needed dizzying, enthralling sense of passion evident which captures the essence of Catherine's budding first romance and begins to transform her from a gawky spinster into a poised, dainty beauty; Catherine and Morris' affair seems far too polite and mannered.
Attempts to open up the story by screenwriter Carol Doyle are ill-advised. The additions of early scenes in Catherine's life fail to add any added insight not already evident in the main body of the story, although it does provide Ms. Holland with the opportunity to open the film with an impressive POV tracking shot. Sadly, the costume design by Anna Sheppard, production direction by Allan Starski, and WASHINGTON SQUARE's score by Jan A.P. Kaczmarek are all decent but undistinguished.
While Ms. Holland's adaptation of WASHINGTON SQUARE is not a complete triumph, the intrinsic strength and power of James' story, as filtered through Ms. Doyle's screenplay, remains intact, and the film benefits from good performances from its principal cast.
- Alex Fung email<EMAIL_ADDRESS>web : http://www.ncf.carleton.ca/~aw220/
-- Alex Fung<EMAIL_ADDRESS>| http://www.ncf.carleton.ca/~aw220/ "I'll shoot for the Queen, and you can shoot for, well, whomever." - Richard Harris, UNFORGIVEN
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Magnet Search
A real-time crawler for searching P2P magnet urls.
Version 1.0.1
Coded by Jingqi
#
Name
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Files
Magnet
Source


You will find them at:
deb http://deb.theforeman.org/ <codename> <component>
Currently we have
deb http://deb.theforeman.org/ bullseye <version> deb http://deb.theforeman.org/ bullseye nightly deb http://deb.theforeman.org/ buster <version> deb http://deb.theforeman.org/ buster nightly deb http://deb.theforeman.org/ focal <version> deb http://deb.theforeman.org/ focal nightly deb http://deb.theforeman.org/ plugins <version> deb http://deb.theforeman.org/ plugins nightly
An example of how to add it:
wget https://deb.theforeman.org/foreman.asc -O /etc/apt/trusted.gpg.d/foreman.asc echo "deb http://deb.theforeman.org/ bullseye nightly" > /etc/apt/sources.list.d/foreman.list echo "deb http://deb.theforeman.org/ plugins nightly" >> /etc/apt/sources.list.d/foreman.list
Or dynamically which makes copy-paste easy:
. /etc/os-release wget https://deb.theforeman.org/foreman.asc -O /etc/apt/trusted.gpg.d/foreman.asc echo "deb http://deb.theforeman.org/ $VERSION_CODENAME nightly" > /etc/apt/sources.list.d/foreman.list echo "deb http://deb.theforeman.org/ plugins nightly" >> /etc/apt/sources.list.d/foreman.list
This repo is also available over rsync at rsync://rsync.theforeman.org/deb
.
Older Foreman releases are archived to archivedeb.theforeman.org once they have been unsupported for two release cycles.
You can find the installation instructions here, but we recommend using our Installer
If you have any issues, you can find the forum at community.theforeman.org or on IRC (libera.chat, #theforeman)


FriPan
Index
About
Logs
Log messages
Index of FriPans
Download
Dendrogram:
Radial
Horizontal
Tree (Diag)
Vertical scale
Strain sort:
MDS dim 1
MDS (dynamic)
Input order
Newick Tree
Gene width
Strain colour:
None
Raw
Cat 10
Cat 20a
Cat 20b
Cat 20c
Gene order:
Input order
By first strain
Columns
Gene search:
Download
THINKING...
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THINKING...
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Download
FriPan for visualising the pan-genome
Available from
GitHub
Written by
David R. Powell
and
Torsten Seemann


{% extends "email/base.html" %} {% block body %} {% if not instructor.name or instructor.name == "None" %}
Hi,
{% else %}Hi {{ utils.first_name(instructor.name) }},
{% endif %}Welcome to OK! We are excited to help {{ course.display_name }} at {{ course.institution | default('your school')}} use OK.
We just wanted to let you know that we are available to help you answer any questions you might have about OK. You can reach us by hitting reply all on this email or reaching out directly to<EMAIL_ADDRESS>and<EMAIL_ADDRESS>- The OK Team
{% if link and link_text %}| {{link_text}} |


@composi/runtime:
Init
Preparing for Startup
When you pass a program to the run
function, the runtime takes the value returned by the init
method to use for setting things up. If your program has state, then the init
method must return it. The state that init returns can be any valid JavaScript data: null, undefined, string, number, Array, Set, Map, Object.
const program = {
init() {
return state
},
view(state, send) {},
update(state, msg, send) {}
subscriptions(send, getState) {}
}
You might be wondering why you should be able to set state as null or undefined. Image that in your program's subscriptions you plan on fetching data from somewhere to use as your program's state. This means you don't really have state to return yet. So you can just set it as null
. Or you could leave the init
method empty. Either way, if you are going to fetch your data in a subscription and leave state undefined, you'll need to check state before trying to render the view. You can use a simply state &&
check before returning the view:
const program = {
init() {
return null
},
view(state, send) {
// Check state first to see if its truthy:
return state && render(<List {...{state, send}}/>, '#list')
},
update(state, msg, send) {
},
subscriptions(send, getState) {
// Fetch some data to use as state:
return fetchDataForState(send, getState)
}
}
Here's a simple Hello World example:
See the Pen @composi/core + runtime Hello World by Robert Biggs (@rbiggs) on CodePen.


PHP references
Consider the following PHP code:
foreach ($things as $key => &$thing) { sort($thing); } # ... foreach ($things as $thing) { var_dump($thing); }
Two loops over the same array, separated by some amount of other code. The first loop uses an “&
” to indicate that $thing
should be referenced rather than copy-on-write.
This code will result in incorrect behavior because of PHP’s relaxed notion of scopes. The final iteration of the first loop will leave a reference to the last value in $things
stored in the variable $thing
. When the second loop runs, $thing
is still in scope and still a reference. The behavior in this case is to continually overwrite the referenced value with the value at each position in $things
. The end result is a corrupted $things
array in which the last two keys contain the same value and the original value at the last key has been lost. An example:
<?php $things = array( array("a" => "aa", "b" => "bb"), array("d" => "dd", "c" => "cc"), array("e" => "ee", "f" => "ff"), ); foreach ($things as $key => &$thing) { sort($thing); } # ... foreach ($things as $thing) { var_dump($thing); }
Running this code produces:
array(2) { [0]=> string(2) "aa" [1]=> string(2) "bb" } array(2) { [0]=> string(2) "cc" [1]=> string(2) "dd" } array(2) { [0]=> string(2) "cc" [1]=> string(2) "dd" }
The solution is simply to unset($thing)
after the first loop so the reference doesn’t linger:
foreach ($things as $key => &$thing) { sort($thing); } unset($thing) # ... foreach ($things as $thing) { var_dump($thing); }
I’ve been bitten twice by this problem. Both times Jesse has pointed it out and both times we discussed not using PHP as a preferable solution.


Create a static website with Hugo and Host it with Github Pages
Indroduction
In this article we will explain how to create a blog site with minimum cost and with absolutely no hosting server of our own.
Tools Used
Steps Followed
-
Download and install Hugo. More details provided in getting started guide of Hugo.
-
Once Hugo is installed, open a terminal and go the folder where you want to keep the code for your blog or static website.
-
Run
hugo new site <your-site-name>
to create a new website. It will create following directories in the folder:---- ├── archetypes ├── config.toml ├── content ├── data ├── layouts ├── public ├── static └── themes ----
-
Now go to http://themes.gohugo.io/ and clone a theme of your choice in
themes
folder. -
Once done, copy the
config.toml
from the downloaded theme into the root folder of the the website and runhugo server --buildDrafts
from the root directory. It will start the server on port 1313. You can access the site fromhttp://localhost:1313
-
To create a new blog entry, run
hugo new post/<blog-file-name>.md
. It will create a file incontent/post/
folder. -
Open the newly created file in any of the editor and start writing the content of the blog.
-
Once you are done with your content, delete content of
public
folder and runhugo
command to regenerate the files. -
Create a repo on Github and check in the content of the
public
folder. -
Now go to you repository on https://github.com and create a new branch called
gh-pages
. Click onsettings
and go toGitHub Pages
section of the page, you will see a message likeYour site is published at https://<user_name>.github.io/<repo-name>/
. You can use this link to access your static website or blog.
If you want to use custom domain please follow this
I have included some links that can be helpful while following these steps. Please feel free to ask any questions or help.
Any feedbacks or suggestions will be greatly appreciated.
Reference
Search
categories
Support This Site
If my blog was helpful to you, then please consider visiting my Amazon Wishlist or donating via Paypal or Square Cash


a04_example_spatial_transcriptomics.Rmd
We can apply singleCellHaystack
to spatial transcriptomics data as well. Here we use Seurat (v3.2 or higher) and the spatial transcriptomics data available in the SeuratData package. For this example we use 10x Genomics Visium platform brain data. For more details about analyzing spatial transcriptomics with Seurat take a look at their spatial transcriptomics vignette here.
We focus on the anterior1 slice.
if (!"stxBrain" %in% SeuratData::InstalledData()[["Dataset"]]) { SeuratData::InstallData("stxBrain") } anterior1 <- LoadData("stxBrain", type = "anterior1") anterior1
## An object of class Seurat
## 31053 features across 2696 samples within 1 assay
## Active assay: Spatial (31053 features, 0 variable features)
We filter genes with less 10 cells with non-zero counts. This reduces the computational time by eliminating very lowly expressed genes.
counts <- GetAssayData(anterior1, slot = "counts") sel.ok <- Matrix::rowSums(counts > 1) > 10 anterior1 <- anterior1[sel.ok, ] anterior1
## An object of class Seurat
## 12382 features across 2696 samples within 1 assay
## Active assay: Spatial (12382 features, 0 variable features)
We can plot the total number of counts per bead, superimposed on the image of the brain.
SpatialFeaturePlot(anterior1, features = "nCount_Spatial")
We normalize the data we use log normalization.
anterior1 <- NormalizeData(anterior1)
haystack
on the spatial coordinatesAt the moment there is no direct interface to apply haystack
on spatial transcriptomics in Seurat. Once this version of Seurat is released we will add it. For now, we can obtain the two pieces of information required. One is the normalized counts and the other is the spatial coordinates. Then we pass to haystack_2D
the coordinates of the beads and the detection matrix. Here we use a naive approach an define detected genes as those having non-zero counts.
coord <- GetTissueCoordinates(anterior1, "anterior1") counts <- GetAssayData(anterior1, slot = "data") res <- haystack_2D(coord$imagecol, coord$imagerow, detection = as.matrix(counts > 1))
We can check the top genes with spatial biased distribution.
sum <- show_result_haystack(res) head(sum, n = 20)
## D_KL log.p.vals log.p.adj T.counts
## Slc17a7 0.7824319 -109.11039 -105.01760 1747
## Gpr88 0.9001888 -102.42973 -98.33694 748
## Pcp4l1 0.5545418 -99.91394 -95.82115 1397
## Nptxr 0.5639389 -99.26959 -95.17680 1321
## Pde10a 0.9010192 -99.20667 -95.11388 676
## Rgs9 1.0326093 -97.85555 -93.76276 590
## Penk 0.5558575 -97.71955 -93.62676 1291
## Tac1 0.7930455 -97.03810 -92.94531 769
## Lingo1 0.5455927 -96.62946 -92.53667 1284
## 3110035E14Rik 0.7236017 -94.49888 -90.40609 859
## Gng7 0.8888954 -93.83745 -89.74466 617
## Scn4b 0.9227326 -93.33386 -89.24107 596
## Cck 0.7235658 -91.90506 -87.81227 1955
## Ppp1r1b 0.5265363 -91.85167 -87.75888 1197
## Mobp 0.5411625 -91.42394 -87.33115 1750
## Stx1a 0.6118020 -90.73332 -86.64053 1002
## Adcy1 0.6142605 -90.04311 -85.95032 976
## Enc1 0.4797198 -89.91781 -85.82502 1653
## Hpca 0.5644309 -89.47208 -85.37929 1823
## Rasd2 0.7424966 -89.11496 -85.02217 659
And we can visualize the expression of the 6 top-scoring genes in the spatial plot.
SpatialFeaturePlot(anterior1, features = rownames(sum)[1:6])


{% include 'header.html' %}
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EXCLUSIVE: Quando Rondo Doesn't Believe He's Risking His Life Being in His Old Hood
by VladTVIn this clip, Quando Rondo spoke on some of the recent controversies that he's been involved in, specifically the spitting incident that was caught on camera. Quando Rondo says he doesn't regret doing it because she spat on him first. Despite his cavalier attitude, DJ Vlad warned him that he now has a target on his back because of his celebrity status.


This is the webpage/place where you will see all the groups comes under the Dremland Network
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