LLDB API Documentation
#include <SBBreakpoint.h>
Public Types | |
| typedef bool(* | BreakpointHitCallback )(void *baton, SBProcess &process, SBThread &thread, lldb::SBBreakpointLocation &location) |
Public Member Functions | |
| SBBreakpoint () | |
| SBBreakpoint (const lldb::SBBreakpoint &rhs) | |
| ~SBBreakpoint () | |
| const lldb::SBBreakpoint & | operator= (const lldb::SBBreakpoint &rhs) |
| bool | operator== (const lldb::SBBreakpoint &rhs) |
| bool | operator!= (const lldb::SBBreakpoint &rhs) |
| break_id_t | GetID () const |
| bool | IsValid () const |
| void | ClearAllBreakpointSites () |
| lldb::SBBreakpointLocation | FindLocationByAddress (lldb::addr_t vm_addr) |
| lldb::break_id_t | FindLocationIDByAddress (lldb::addr_t vm_addr) |
| lldb::SBBreakpointLocation | FindLocationByID (lldb::break_id_t bp_loc_id) |
| lldb::SBBreakpointLocation | GetLocationAtIndex (uint32_t index) |
| void | SetEnabled (bool enable) |
| bool | IsEnabled () |
| void | SetOneShot (bool one_shot) |
| bool | IsOneShot () const |
| bool | IsInternal () |
| uint32_t | GetHitCount () const |
| void | SetIgnoreCount (uint32_t count) |
| uint32_t | GetIgnoreCount () const |
| void | SetCondition (const char *condition) |
| const char * | GetCondition () |
| void | SetThreadID (lldb::tid_t sb_thread_id) |
| lldb::tid_t | GetThreadID () |
| void | SetThreadIndex (uint32_t index) |
| uint32_t | GetThreadIndex () const |
| void | SetThreadName (const char *thread_name) |
| const char * | GetThreadName () const |
| void | SetQueueName (const char *queue_name) |
| const char * | GetQueueName () const |
| void | SetCallback (BreakpointHitCallback callback, void *baton) |
| size_t | GetNumResolvedLocations () const |
| size_t | GetNumLocations () const |
| bool | GetDescription (lldb::SBStream &description) |
Static Public Member Functions | |
| static bool | EventIsBreakpointEvent (const lldb::SBEvent &event) |
| static lldb::BreakpointEventType | GetBreakpointEventTypeFromEvent (const lldb::SBEvent &event) |
| static lldb::SBBreakpoint | GetBreakpointFromEvent (const lldb::SBEvent &event) |
| static lldb::SBBreakpointLocation | GetBreakpointLocationAtIndexFromEvent (const lldb::SBEvent &event, uint32_t loc_idx) |
| static uint32_t | GetNumBreakpointLocationsFromEvent (const lldb::SBEvent &event_sp) |
Friends | |
| class | SBBreakpointLocation |
| class | SBTarget |
Definition at line 17 of file SBBreakpoint.h.
| typedef bool(* lldb::SBBreakpoint::BreakpointHitCallback)(void *baton, SBProcess &process, SBThread &thread, lldb::SBBreakpointLocation &location) |
Definition at line 21 of file SBBreakpoint.h.
| lldb::SBBreakpoint::SBBreakpoint | ( | ) |
| lldb::SBBreakpoint::SBBreakpoint | ( | const lldb::SBBreakpoint & | rhs | ) |
| lldb::SBBreakpoint::~SBBreakpoint | ( | ) |
| void lldb::SBBreakpoint::ClearAllBreakpointSites | ( | ) |
|
static |
| lldb::SBBreakpointLocation lldb::SBBreakpoint::FindLocationByAddress | ( | lldb::addr_t | vm_addr | ) |
| lldb::SBBreakpointLocation lldb::SBBreakpoint::FindLocationByID | ( | lldb::break_id_t | bp_loc_id | ) |
| lldb::break_id_t lldb::SBBreakpoint::FindLocationIDByAddress | ( | lldb::addr_t | vm_addr | ) |
|
static |
|
static |
|
static |
| const char* lldb::SBBreakpoint::GetCondition | ( | ) |
| bool lldb::SBBreakpoint::GetDescription | ( | lldb::SBStream & | description | ) |
| uint32_t lldb::SBBreakpoint::GetHitCount | ( | ) | const |
| break_id_t lldb::SBBreakpoint::GetID | ( | ) | const |
| uint32_t lldb::SBBreakpoint::GetIgnoreCount | ( | ) | const |
| lldb::SBBreakpointLocation lldb::SBBreakpoint::GetLocationAtIndex | ( | uint32_t | index | ) |
|
static |
| size_t lldb::SBBreakpoint::GetNumLocations | ( | ) | const |
| size_t lldb::SBBreakpoint::GetNumResolvedLocations | ( | ) | const |
| const char* lldb::SBBreakpoint::GetQueueName | ( | ) | const |
| lldb::tid_t lldb::SBBreakpoint::GetThreadID | ( | ) |
| uint32_t lldb::SBBreakpoint::GetThreadIndex | ( | ) | const |
| const char* lldb::SBBreakpoint::GetThreadName | ( | ) | const |
| bool lldb::SBBreakpoint::IsEnabled | ( | ) |
| bool lldb::SBBreakpoint::IsInternal | ( | ) |
| bool lldb::SBBreakpoint::IsOneShot | ( | ) | const |
| bool lldb::SBBreakpoint::IsValid | ( | ) | const |
| bool lldb::SBBreakpoint::operator!= | ( | const lldb::SBBreakpoint & | rhs | ) |
| const lldb::SBBreakpoint& lldb::SBBreakpoint::operator= | ( | const lldb::SBBreakpoint & | rhs | ) |
| bool lldb::SBBreakpoint::operator== | ( | const lldb::SBBreakpoint & | rhs | ) |
| void lldb::SBBreakpoint::SetCallback | ( | BreakpointHitCallback | callback, |
| void * | baton | ||
| ) |
| void lldb::SBBreakpoint::SetCondition | ( | const char * | condition | ) |
| void lldb::SBBreakpoint::SetEnabled | ( | bool | enable | ) |
| void lldb::SBBreakpoint::SetIgnoreCount | ( | uint32_t | count | ) |
| void lldb::SBBreakpoint::SetOneShot | ( | bool | one_shot | ) |
| void lldb::SBBreakpoint::SetQueueName | ( | const char * | queue_name | ) |
| void lldb::SBBreakpoint::SetThreadID | ( | lldb::tid_t | sb_thread_id | ) |
| void lldb::SBBreakpoint::SetThreadIndex | ( | uint32_t | index | ) |
| void lldb::SBBreakpoint::SetThreadName | ( | const char * | thread_name | ) |
|
friend |
Definition at line 147 of file SBBreakpoint.h.
|
friend |
Definition at line 148 of file SBBreakpoint.h.


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bla
this is not :empty
First paragraph
First addressSecond paragraph
Third paragraph
The last P before the note.
The first P inside the note.
The last P before the note.
The first P inside the note.
paragraph 1
paragraph 2
First child
Second childThird child


--- layout: post title: Fundamental SSH tricks when working across multiple hosts date: 2013-05-12 12:33:23.000000000 +02:00 type: post published: true status: publish categories: - Coding tags: - config - key - ssh - ssh-copy-id - ssh-keygen - tools - tricks - unix meta: _thumbnail_id: '2382' _edit_last: '1' snapEdIT: '1' dsq_thread_id: '1281793351' snapDL: s:208:"a:1:{i:0;a:7:{s:4:"doDL";s:1:"1";s:11:"SNAPformatT";s:7:"%TITLE%";s:10:"SNAPformat";s:6:"%TEXT%";s:11:"isPrePosted";s:1:"1";s:8:"isPosted";s:1:"1";s:4:"pgID";s:2:"DL";s:5:"pDate";s:19:"2013-05-12 10:35:14";}}"; snap_isAutoPosted: '1' snapFB: 's:274:"a:1:{i:0;a:8:{s:4:"doFB";s:1:"1";s:8:"PostType";s:1:"A";s:10:"AttachPost";s:1:"1";s:10:"SNAPformat";s:25:"Blogged: %TITLE% - %SURL%";s:11:"isPrePosted";s:1:"1";s:8:"isPosted";s:1:"1";s:4:"pgID";s:31:"160267890674014_574973649203434";s:5:"pDate";s:19:"2013-05-12 10:35:19";}}";' snapLI: 's:376:"a:1:{i:0;a:8:{s:4:"doLI";s:1:"1";s:10:"AttachPost";s:1:"1";s:10:"SNAPformat";s:25:"Blogged: %TITLE% - %SURL%";s:11:"SNAPformatT";s:6:" ";s:11:"isPrePosted";s:1:"1";s:8:"isPosted";s:1:"1";s:4:"pgID";s:123:"http://www.linkedin.com/updates?discuss=&scope=17946624&stype=M&topic=5739296514929352704&type=U&a=mW2a";s:5:"pDate";s:19:"2013-05-12 10:35:20";}}";' snapTW: 's:242:"a:1:{i:0;a:7:{s:4:"doTW";s:1:"1";s:10:"SNAPformat";s:32:"Blogged: %TITLE% - %SURL% %CATS%";s:8:"attchImg";s:1:"0";s:11:"isPrePosted";s:1:"1";s:8:"isPosted";s:1:"1";s:4:"pgID";s:18:"333530828300767233";s:5:"pDate";s:19:"2013-05-12 10:35:21";}}";' author: login: bbWebdesign email<EMAIL_ADDRESS>display_name: Bob first_name: Bob last_name: Belderbos ---
Time to note down some SSH tricks. Vim, Git, Unix, SSH! All very efficient when you spend some time learning the ins and outs.
It is hard to keep up with many hostnames and passwords so first thing to set up is a key-based login. First run ssh-keygen -t dsa and then ssh-copy-id (if not present check out this one-liner)
Man. Check out this nice intro. Using this file is more convenient than shell aliases. I even used this file to solve a mysterious "Too many authentication failures for [user]" which happened (ssh -v) when multiple keys were offered to the remote host!
Run ssh -X host to show remote X applications on your local screen (if X is running on your local machine)
ssh user@remote_host 'cmd' - this is a powerful way to quickly analyze data on different hosts without the burden of logging in and copying terminal output. See a nice Perl loop example.
One of my favorites: see this post for two powerful examples:
$ tar -cz content | ssh user@remote_host 'tar -xz'
The other way around works just as well to get files off a remote server: $ ssh remote_host tar c content/ | tar xv
$ ssh user@remote_host 'mysqldump -udbuser -ppassword dbname' | mysql -uroot -ppassword backup
$ sshfs user@remote_host:/home/user/documents local_folder/ - see this ssh hacks post.
This just happened trying to convert this post from text to html:
$ perl parsepost.pl 2013.05.12_ssh_tricks.txt Can't locate HTML/Entities.pm in @INC ...
Instead of fixing it right away I took the opportunity to try a quick workaround via ssh:
# cat the txt post to STDOUT, # via pipe/ssh to remote server it goes into perl script as STDIN (-), # the result is redirected to a file on my local server, # note that I can do "ssh bob" thanks to my .ssh/config setup ;) $ cat 2013.05.12_ssh_tricks.txt | ssh bob <path>/perl/wordpress_parse_post.pl - > 2013.05.12_ssh_tricks.html
Forwarding, tunneling, proxies, access to services through a firewall ... much more is possible. Check out SSH: More than secure shell for other SSH use cases.
Feel free to comment below ...


Greater Boston is running out of starter homes.
Many communities in Eastern Massachusetts often have just a handful of homes for sale for less than $500,000, and inventory has been shrinking rapidly in recent months. While the region has long struggled with a shortage of properties across the range of prices, supply is drying up fastest at the lower end of the market, according to an analysis of Boston-area data by real estate website Zillow.
Svenja Gudell, chief economist at Zillow, said the lack of enough starter homes threatens to upend the traditional path to home ownership treasured by generations of Americans.
“This is really starting to, for lack of a better word, mess with the entire market,” Gudell said. “You don’t have that normal flow of people being able to enter the bottom of the market and sell and move into the middle — it really disrupts this flow that we used to see.”
The scarcity shows a real estate market in hyperspeed: Homes are selling in a matter of days, hours even. Typically, inventory builds over the course of the season as new homes come on the market; now, with properties being snapped up as soon as they’re listed, buyers often just have a few choices, and those, too, disappear quickly.
“The train has left the station, and anyone who waits is missing it,” said Mary Gillach, whose Brookline-based real estate firm markets homes in the Boston area. “It’s not a matter of waiting. It’s not coming. It doesn’t exist.”
While the Boston area experienced a surge in new housing construction in recent years, most has been at the high end of the market, and much of that has been rentals. It’s all done little to relieve the pressure on people who can’t afford million-dollar mortgages.
Listing data assembled by Redfin, a national real estate brokerage, provide a snapshot of what was still on the market at the end of May. In Reading, for example, there were five single-family homes for sale under $500,000; four years ago there were 53. Neighboring North Reading also had five, down from 36 in 2012.
Malden, which has become popular with buyers priced out of neighboring communities, had 10 condominiums under $500,000 for sale at the end of May and seven single-family homes.
Next door in Melrose, there were also seven single-family homes listed at the end of the month.
Redfin compiled data on the communities located along and inside the Interstate 495 beltway, using a cutoff of $500,000, to include communities in and around Boston where starting prices are generally high.
It doesn’t help that homeowners are reluctant to put their properties up for sale because trading up has become so expensive, creating a bottleneck in the current market.
“[Listings] keep dropping, and at some point you’re like, ‘Well, they can’t possibly drop more,’ ” said Zillow’s Gudell, who predicts: “We haven’t hit bottom yet.”
Already, buyers stretch budgets, waive inspections, and skimp on space. They bid. They lose. They start over.
Jennifer Gibbons, who works in Waltham as geriatric social worker, is looking for a home for under $500,000 and has scouted out more than 50 open houses since February.
She’s penned personalized letters to accompany bids: to an avid gardener, she promised to take good care of his flowers; to two parents, she mused of raising her own kids in the home where they brought up their own.
Anything near work — Belmont, Watertown, Dedham — is out of reach, so she’s expanded her search south, reluctantly conceding potential long-haul commutes, from Norwood or Norfolk.
“I am definitely priced out of the metro Boston area,” Gibbons said. She added, “I’ve just been stuck, stuck, stuck.”
Some in the industry have been preaching persistence to tired home-shoppers.
“Because we’re seeing a lot of competitive offers, obviously every buyer isn’t winning the bid [the first time],” said Andrew Sarno, president of the Greater Boston Association of Realtors. “The second, or maybe third time, they win the bid.”
But for some, that’s the exception, not the rule.
Lauren Van Dam, who works for the software firm LogMeIn, has rented apartments near work for the past six years.
In 2013, her employer picked up its suburban shop and moved to Southie, trying to lure younger tech professionals to the city’s lights.
If only they could afford it.
Last June, she and her fiancee tried to buy a condo near the office. The couple offered $25,000 over the asking price for one in Dorchester, only to lose out to an identical bid that waived the inspection. They threw in the towel as buyers after that.
“It’s just not really worth it,” Van Dam said. “I’m not going to spend more than $500,000 for less than 1,000 square feet in the city.”
Priced-out buyers who have given up on owning a home could explain sky-high rental prices, as people have resigned themselves to renting, said Barry Bluestone, professor of public policy at Northeastern University, who has studied Boston real estate for years.
“They’re caught between this rock and hard place. On one hand, there’s very little available at prices they can afford. The rents keep going up, squeezing them,” Bluestone said.
“Meanwhile, they’re having to move farther and farther away, adding to the commute and congestion on our highways.”
Bluestone and others worry about long-term consequences if the current shortage continues.
Michael Hogan, the former chairman of the Massachusetts Business Roundtable, has been raising the housing issue publicly, warning it could hurt the state’s economy.
Hogan, now the chief executive of cranberry giant A.D. Makepeace Co. and previous president of the state economic agency, MassDevelopment, said the housing shortage might keep young professionals from settling in the Boston area.
“All of a sudden they’re married, and they’re thinking about starting a family, and they start looking, and the community that they’ve lived in for the past eight years they can’t afford, and they get farther and farther out, and all of a sudden they’re commuting three hours a day,” Hogan said. “And that’s the place where we lose people.”
Michael Bodley can be reached at<EMAIL_ADDRESS>Follow him on Twitter @michael_bodley.
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| DOSE: |
1 tablet |
oral |
MDMA |
(pill / tablet) |
The pill: A small, rounded turquoise pill with a four-pointed star. Supposedly came out of San Diego, CA. A similar pill on ecstasydata.org out of San Francisco, CA was nearly pure ecstasy. Judging by the lack of unexpected side effect, the pill would seem to be reasonably pure.
Body Chemistry prior to Ecstasy administration: I had eaten a moderately large meal about 2 hours before ingesting the pill. I do not take any medications. I had a very slight cold that day.
The Set: I'm always a little anxious when using any drugs. Practice has given me the strength of will to cope with any mental quirks during the experience. I did not have any particular feelings for or against taking Ecstasy that night. I knew I would be in a controlled situation, A get-together of about 12-15 people. I was with a trusted friend who was also taking Ecstasty.
The Setting: A get-together with 12-15 people. Most of them either took a gravity bong hit, were first time smokers, or had taken several shots. The host was ensured that he had created a safe space for everybody, people were encouraged to spend the night.
The Experience: My friend and I approach drugs from a direction of experimentation, experience, and respect for their power. He has taken Ecstasy twice, I had never used it. We wanted a way to remain fairly lucid so we could guide the first time smokers, and make sure everyone felt comfortable, yet still have fun. After taking the Ecstasy about 10:30PM, we proceeded to go outside and set up the gravity bong. We both had a small taste of the marijuana (1 small hit off a pipe), but we wanted to make sure our experience was not tainted, so we could tell what the Ecstasy was doing. The Ecstasy hit my friend about 40 minutes after ingestion, he is a much lighter bodyweight, and he hadn't eaten prior to taking MDMA. His pupils were greatly enlarged, and he pursued conversation with great enthusiasm. Aware of his intoxication, he remained lucid the entire time.
After reading that Ecstasy generally hits no later than 2 hours after ingestion, I was a bit disappointed when 12:30AM rolled around. The rest of the people wanted to smoke a little bit more, and I smoked with them, taking 3 bong (Not gravity bong) hits. Moderately feeling the cannabis, I followed the crowd up to a dark room with a great sounds system, and listened to 'The Dark Side of the Moon' for about 30 minutes.
At approximately 1AM, I remember noticing that the cannabis was wearing off. Suddenly, I realized that my fingers were hurting. I looked at my hands to discover I was gripped the armrests of the chair I was in as hard as I could. The onset was extremely quick and unnerving, as it had been more than 2 and 1/2 hours since ingestion, I was not expected the Ecstasy to really do anything for me, especially since it hit my friend only 40 minutes after ingestion. I left the room, and my friend followed. Looking in the mirror, I noticed my pupils were dilated, but not to the amount that my friends were. Having a bit of an anxiety attack, my friend suggested that I lie down. I relaxed after talking with him for a bit, and he left the room after a few minutes. At this point I was able to focus on what I was feeling.
The feeling of mixed euphoria/exhilaration was not an unusual feeling, except that it was continuous, as opposed to the short lasting excitement of a rollercoaster ride or similar experience. I had to leave the light in the room on, in the dark I felt like I did not have as much control over my thoughts as I did with the light. At this point, approx 30 minutes after this first 'high' feelings, I began to have hot/cold flashes, followed by shivering. It felt good to do repetitive, almost autistic movements with my hands, so I did. There were no visual distortions whatsoever. It was different than the cannabis in that for me, senses were not amplified, but I experienced everything through a window of euphoria. I went outside so I could experience it alone for a while. At that point, I was controlling the drug enough, that I'd though I'd test some effects and have a little fun.
I was a rockstar! I played air guitar on the back porch for upwards of 10 minutes, singing to myself. At this point I had closed eye visuals of beautiful crystal lattice patterns melding into whatever I wanted them too. The most enjoyable however, was the physical movement. If I had had a Djembe drum or something at one point, I would've been in heaven, but I had to make do with imagining I was in a dream world. I used my body to slowly cut through the air. Anyone watching would have thought I was doing some funky Tai Chi or similar.
After about 30-40 minutes of having fun outside, I came back in to discover that the party was winding down. The 1st time smokers were sounds asleep, and the nymphos had found their rooms. I sat on the stairs in the dark, and was joined by the host, my friend, and a couple of girls. The conversation was excellent. I thought someone might think it weird that I was vigorously rubbing the carpet, and my eyes were moving quick from place to place, but I guess it was too dark. After the conversation, I found a bed to sleep in at about 3:30 AM. I turned out the lights, and had a slight panic attack, but I talked myself out of it. Tired because of the cannabis, yet amped up because of the X, I found it incredibly frustration to try and sleep. I finally managed to about an hour later.
I woke up about 8:30 AM. I felt amazingly fine, no hangover, no exhaustion. I got a ride home with my friend, and we talked about the similarities and contrasts of our two experiences. At 11:00 AM, I wrote this report.
In Summary: I find Ecstasy to be a tad boring. It is a very physical drug, and I take drugs mainly for intellectual purposes. Ecstasy has its place: for young people either at raves, or some venue where the physical nature can be enjoyed, or for young people interested in a stronger drug experience, but not confident to take a drug like LSD/Psilocybin which takes more mental control and curiosity to have a good time. Ecstasy forces me into the Euphoria, which could be beneficial to those who have second doubts about hard drugs that would otherwise cause them to have a bad trip. The only thing that irritated me was that it fooled me, because it came on much later than the standard time frame, I was not expecting it. I believe the late onset time was a combination of my bodyweight, the fact that I had eaten recently, and that the initial effects were probably hidden by the cannabis.
To drug users looking for a deeper insight into altered states, I would suggesting finding a source of quality Ecstasy, and trying it once to 'get it under your belt', but other than that, stick to exotic plant drugs and hallucinogens. To others looking for an amplified party experience, quality Ecstasy is the way to go.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Here is the twitter post that started the viral story back then "Damn Daniel".
Daniel and Josh are now back in the spotlight but this time they are giving back to their community in a beautiful way. They visited patients in Loma Linda University Children's Hospital in California, handed them free pairs of Vans shoes and signed autographs.
"We thought it was important to do some charity work and give back to the local community," Daniel told the Los Angeles Daily News. "We're enjoying it. We're enjoying being here. This is a great experience."
Good guys!


Pilgrim's Primer 2007
Downloads
Here are the editions I have available for download. The lyrics for Help of Christians by James McAuley are protected by copyright, so I have removed them from the pdfs below. Also Fr. Quinn's Sing All Creation. These are easily reinserted for printing purposes once dues are paid to the relevant copyright holders.
- 2004 Pilgrim's Primer: primer04.pdf 2.9Mb This is the one printed with red card covers with a gold stencilled Chi Rho crowned.
- 2005 Pilgrim's Primer: not available - my fault for overwriting the files. This is the one printed with green card covers with Rexxy the anorexic heraldic lion and reprinted in 2006.
- 2006 Pilgrim's Primer: primer06.pdf 5.6Mb This is the revision that hasn't been printed yet. It is basically the 2005 edition with typos ruthlessly hunted down and exterminated. Also with a suitably medieval dropcap font called King Xmas from Harolds Fonts. Perhaps a tad illegible at times, but other fonts can be substituted.
Structure of the Primer
This is a major change to implement. Rearranging the book according to Friday, Saturday, Sunday chapters makes the Mass for Sts Simon and Jude an orphan chapter. Another thought is to add more details specific to the Christus Rex Pilgrimage - but as I've never been this may be better done by someone else.
| Original | 2004 | 2005 | Proposed |
|---|---|---|---|
| I don't have a copy of the original at the moment. | Preface, rules, luggage, first aid, banners, Map | Preface by Fr. Wong, Info, Plenary Indulgence, Map | Preface by Fr. Wong, Contents, Introduction |
| ? | Friday: Blessing of pilgrims, Mass of the Holy Cross | Prayer: Blessing of pilgrims, Daily Prayers, Rosary, Penance, Prayers for the Dead, Benediction, Arrival at the Cathedral | Friday: |
| Saturday: Mass of Our Lady, Prayers for the Dead | Propers: Votive masses of the Holy Cross and BVM, Mass of Sts Simon and Jude, Mass of Christ the King | Saturday: | |
| Sunday: Benediction, Arrival at the Cathedral, Mass of Christ the King | Sunday: | ||
| Mass | Mass | Mass | |
| Prayers: Angelus, Grace, Rosary, Penance | |||
| Ordinaries | Kyriale | ||
| Music | Music |
To Do
Once we know how many copies (300?):
- Permission for Fr. James Quinn SJ for Sing all Creation
- Permission for Help of Christians words. Mr. Connoly kindly gives permission for the music.
Changelog
March 2007: took out relevant copyright hymns and fixed up the downloadable editions. Still looking at how to bundle up source files. Still no news on anyone to take over the books. The drop caps are in Harold's King Xmas in the 2006 primer.
February 2007: While making up the new New Book of Old Hymns I thought I'd better link this page to the main music page. This is the biggest work I've tackled and its not quite satisfactorily finished yet. The problem with making this page public is the permission for Help of Christians and Sing All Creation.
July 2006: Found a fancy drop cap font King Xmas like the old lombard style initials so richly illuminated in medieval manuscripts. Similar to that of the Liber Usualis. I haven't added this version to the web page yet, each change takes a good hour to upload during the wee small hours. Yes, I'm still on dial-up, no, I don't plan to change. I'm also partial to Paul Lloyd's font Priory that I've used in the New Book of Old Hymns. There's two Goudy Lombardic fonts that could be used, but one is shareware and the other is Adobe.
June 2006: Stressed out about juggling this with family commitments and quit this.
May 2006: A professional proof reader went through the book and his ammendments have been gone through. Karolina's copy of the primer arrived and her annotations are being applied. Many more typos in the chant of the Kyriale were systematically hunted down and exterminated.
Fixed many more typos and the algorithms for hyphenation and line breaking (sounds impressive, doesn't it?)
17th March 2006: Ammended typos from Mr. Lyon's draft copy.
11th Oct 2005: More page breaking - found that most of the hymns section and onward had been set to small font, so changed that back, page breaking as I went. I think it's finally ready.
8th Oct 2005: Typed up Litany St Joseph, Page breaking through the Hymns section. Getting the polyphony to lie on facing pages, added Psalm 102 for after Confession(to help Day of Wrath go on facing pages).
6th Oct 2005: Rearranged entire Music chapter into something like Alphabetical order. Maybe keep rounds separate. Going back to original primer divisions : Litanies, Motets, Hymns (with chant rolled in all in A-Z order), Rounds, Songs. Fixed up the Litany of Saints. More page breaking. Extra verses for Communios. More Gloria Patris for the Propers. More of Hugh Henry's music in (Lauda Jerusalem, Laudate Nomen, Glory be to Jesus, Anima Christi, Mozart's Ave Verum, O Sanctissima)
5th Oct 2005: Added in Fr. Wong's preface. Started page breaking the Prayer section.
22nd Sept 2005: Added Mass XI (Orbis Factor), Added Antiphon and Psalm to the Blessing of Pilgrims Staves and scrips Used a slightly larger font for the Consecration at the beginning of the pilgrimage and the hymn Holy God. Changed pictures around - added some new ones. Added in Hugh Henry's four part Dies Irae.
5th Sept 2005: Lots of changes to the Order of the Mass, changed typeface from Computer Modern Roman to Times,
1st Sept 2005: Re ordered the booklet, moving away from FRi, Sat, Sun.


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American Beauty ****
rated R DreamWorks SKG 122 minutes starring Kevin Spacey, Annette Bening, Thora Birch, Wes Bentley, Mena Suvari, Peter Gallagher, Chris Cooper, Allison Janney, Scott Bakula, Sam Robards written by Alan Ball directed by Sam Mendes
You know how sometimes you don't realize how great, or beautiful, a moment is until it has completely passed you by? You know how we all strive and push ourselves to live out those moments and becomes overwhelmed by them? Is personal beauty so unattainable that we can spend our whole lives just searching for a perfect facade of it?
In the unforgettable "American Beauty", the first film from acclaimed stage director Sam Mendes, these statements and questions are presented with such honesty and skill that the concept of filmmaking is almost reinvented. We are there to witness the downfall of a seemingly normal American family, and we are there to try to learn from their mistakes.
Lester Burnham (Kevin Spacey) isn't a bad guy. But as we learn through his opening narration, he lives in a nice house in a small town, and within a year he will be dead. His marriage to real estate agent Carolyn (Annette Bening) is almost nonexistent, and his rebellious teenage daughter, Jane, (Thora Birch) hates him. One day, after resolving to spend more time with Jane, he meets her ambitious, sexpot best friend, Angela (Mena Suvari). As Lester puts it, after seeing her he felt like he had just awoke from a long coma.
In fact, Lester begins to rebel against his "perfect" suburban society, and starts to make a lot of changes. He quits his boring job, threatening to blackmail his boss about a fling with a prostitute, if he doesn't get a year's worth of pay. He smokes dope with Ricky (Wes Bentley), a teenager who just moved in next door. And he finally starts speaking his mind, about everything from his marriage to his masturbation to his lust for his daughter's best friend.
Meanwhile, Carolyn is doing some rebellion of her own. An obsessive workaholic, she starts sleeping with her competition (Peter Gallagher), the king of real estate. She, however, lets her urge to "not be a victim" take control of her (and eventually her husband's) life.
But it is Ricky, the aforementioned boy next door, who takes control of the film. He is a drug dealer who carries his videocamera with him wherever he goes. When he moves onto the block, he films the Burnham's darkest secrets, and is fascinated by them. Meanwhile, Jane takes a liking to him. His abusive father (Chris Cooper), a General in the Marines, once locked him up in a mental hospital because of his dope habit, and doesn't know what is son is up to.
Ricky likes Jane because she isn't ordinary. He tries to show her that the world is full of beauty that we tend to turn away from. Angela, Jane's friend, wants to be a model because she believes that she is beautiful, but Jane realizes what the audience has known all along.  As "American Beauty" builds up to its final climax, we realize just how well drawn each character is.
"American Beauty" so completely blew me away, that it's hard to coherently put into words just what the film is like. It is a flawless black comedy in which you are afraid to laugh. The film explores themes that have been studied in "Blue Velvet", "The Ice Storm" and "Pleasantville", but first time director Sam Mendes and first time writer Alan Ball are trying to show us something we may have seen, but never really opened our eyes to.
The hardest part of dissecting "American Beauty" is picking out the best performance. Kevin Spacey and Annette Bening have never been better, while Thora Birch and Mena Suvari are incredible as the most fully realized teenage characters in years. Chris Cooper is amazing in yet another choice role for one of America's finest character actors, but even he is not the best. Wes Bentley, whose only previous role was a line or two in "Beloved", is captivating and mesmerizing. He brings such life and knowledge to his role that a Best Supporting Actor Oscar nod should not be far off.
"American Beauty", distributed by DreamWorks SKG, is far and away the best film of the year, and definitely one of the finest films of the decade. After seeing this film (and you must do so as soon as possible) you may wonder how two first time filmmakers could handle such a project. Well, I think that like Lester Burnham, these two were free to realize their own respective creative visions, rather than worrying if the film would be better than their last.
"American Beauty" is a film about lust, dysfunction, voyeurism and murder. However, the title is all the more pertinent every time I think about it. I've been waiting a long time for a film like this to totally sweep me away. Not a frame of film is wasted in this triumphant classic; a film you must see to truly believe.
a review by Akiva Gottlieb, The Teenage Movie Critic<EMAIL_ADDRESS>http://teenagemoviecritic.8m.com
The review above was posted to the
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Related links: index of all rec.arts.movies.reviews reviews


Used Car Price Prediction
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©2021 SHASHIKUMAR


I was born in Seattle, Washington. I am the first American born person in my family and I am the oldest of three boys. I grew up in the Redmond area, where I went to school at Benjamin Rush Elementary. We lived very close to the school and we walked to school everyday. My parents still own the same house.
I later went to Rose Hill Jr. High and later Lake Washington High School. Later, I signed up and joined the Army in 2004. I served in three combat deployments to Iraq and Afghanistan. I served a total four years in Savannah, GA. While in the Army, I met my beautiful wife, Jennifer, in Savannah. Click below to learn more about the unit I was in!
After my time in the Army, I came back to Washington with Jennifer. I was employed in social work for several years. During this time, we had two amazing girls, Avery 4-years-old, and Zoe 1-year-old. I finished my four year degree and decided I wanted to learn a new skill, software development. I quit my job and started at school at Code Fellows!


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Download for mac
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No matter what, you are needed.
If you see a message like: “halo” can’t be opened because it is from an unidentified developer. You will have to allow your mac to open the app downloaded from other than app store. To allow mac to open the app go to System Preferences -> Security & Privacy -> then click Open on blocked app.


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Bitcoin, Ethereum, Komodo, Dash, Qtum, and much more. Receive, send, and spend your cryptocurrencies or digital cash.
Chameleon Pay is a Universal wallet, supports the following digital cryptocurrencies:
• Bitcoin
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• ZILLA...


Final Report
Objective
The initial objective of our project was to create an automated karaoke system. Essentially it would work by taking a
sample of the user’s voice and replacing the vocals in a track with the user’s voice. To achieve this we are experimenting
with phonemes which are unique sounds and of which there are 44 in the English language. We would accomplish our goal by
collecting the users phonemes from a sample input track. Then we would collect all the phonemes of the vocals from a song.
We essentially swap the user’s phonemes with the phonemes in the vocals and recreate the vocal portion of the song. Lastly,
we would apply the reconstructed vocals with the instrumentals to produce the final track.
High Level Overview
This figure breaks down a high level overview of how we will implement this system. The first step is to collect the
database of phonemes. We will then extract the MFCC coefficients for each phoneme which will allow us to identify and
distinguish the different phonemes. Then we will set up a labeled database that contains the MFCC coefficients for the
different phonemes. Now that we have the database built we can work with our song files. In terms of the songs, we first
use a software tool Audacity to extract the vocals and instrumentals. We then take the sample of the vocals such that
we look at small windows from which we try to predict the phoneme. We take the MFCC coefficients for each of these
small windows and then run this input against our database using the KNN classifier to predict the phoneme. Once we
have predicted all the phonemes we generate a map from the user’s phonemes to the phonemes in the song file and then
proceed to swap them.
Implementation
- Data collection
- Song Deconstruction - Audacity
- MFCC Coefficient Extraction
- Using KNN Classifier
- Audio Segmentation / Word Splitting
To collect the data for our phoneme dataset we essentially had multiple speakers say the 44 phonemes multiple
times and accumulated this data. We were able to generate over 600 audio files of data containing the phonemes.
From this raw data we then downsampled it by taking the highest power regions of the audio sample. These reduced
samples were then run through the MFCC toolbox and we collected the corresponding coefficients for each phoneme.
This was then built into a labeled dataset which used as our final database.
The tool we decided to use to take in a song and then split the vocals from the instrumentals was audacity.
Since we are only manipulating phonemes we only required the vocals from a given track. After tweaking and
investigating Audacities capabilities we found that extracting the vocals alone did not return clean results
as the audio files had a lot of noise. One technique that helped was taking original track and finding a track
that contained just the instrumentals and then subtracting the instrumentals from the track. This worked to some
extent but once again the results were audio files that were not very clear and given the lack of robustness in
our phoneme detection would’ve made it impractical to use.
The following figure was an attempt to extract the vocals from the original audio track. Upon playback we
found the vocals were quite noisy and would not have performed well in our phoneme extraction.
The specific tool that we are using to identify/ distinguish phonemes are Mel Frequency Cepstral Coefficients.
MFCCs are commonly used in speech recognition applications and music information retrieval applications which
is more relevant to us. The reason MFCCs are so useful are that they can extract key identifiers from an audio
file in the form of coefficients which can then be used to evaluate/analyze that audio.
The following image shows the steps required to extract the MFCC coefficients from an audio speech sample.
In our project we want to specifically extract the MFCC coefficients for phonemes. Therefore, our data set is
composed of the MFCC coefficients that identify each of the phonemes. Initially we were trying to extract the
coefficients using Matlab’s built in MFCC toolbox. However, we began to see that we were getting unusable values
for the coefficients. All of the coefficients for a lot of phonemes were very close to each other and we couldn’t
actually distinguish between the phonemes. This made our project very difficult because we could not perform
identification which meant of course that we could not classify the phonemes from an input audio sample.
In later experimentation we found an external MFCC library and noticed that we were getting better results.
This outside library allowed us to receive much better results in which we could distinguish more phonemes.
The following images show the feature maps that we generated for the phonemes “ch” and “b”. We noticed that
some phonemes were very similar to others in terms of their feature vectors and this created challenges for
us in being able to distinguish between certain phonemes.
We chose to use a KNN classifier and pattern recognition algorithm due to the lack of experience and training in machine learning that the group had and its recognition of patterns using non-parameterized data. Early on, we identified the high potential similarities in feature maps of the MFCC coefficients and attempted many differing variations on the KNN classifier. Sweeping across both K values and distance calculations lead to a normalized K value of 15, small deviations for K values of 10 to 20 and a euclidean distance. Utilizing the database, we generated predictions on “unlabelled” data and generated a probability of correct predictions.
Here we can see that some of the phonemes are highly detectable and highly accurate in the KNN classifier.
Although this seems highly promising, this should be taken with a grain of salt as each phoneme should have
similar probability given the nature of their feature maps. It is probable that the KNN algorithm is classifying
similar phonemes into another group. One of the many drawbacks from KNN is that it is lazy and can generate
groups that are too similar in nature and unable to distinguish when input data into the KNN model is too similar.
Phonemes are generally classified into subparts, vowels, consonants, etc. and these are most likely being
suppressed and classified as the dominant and highly detected phoneme.
With further time and opportunities, utilization of a new pattern recognition algorithm could prove fruitful as
well as understanding the methodology to choosing an appropriate K. Additionally, attempts at denoising data
hasn’t shown any signs of failure yet and would most likely be a great opportunity to improve the uniqueness
of each phoneme.
One of the aspects of this project we tried to tackle was splitting a sentence into words. We found that this proved to be a very difficult task. For splitting a normally spoken sentence alone there were a lot of challenges which are even more prominent in the vocals of a song. For songs sometimes there are fast and slow sections and a lot of words are even slurred together. In the attempts to try to split our input audio file sentences into audio files containing just the words we tried to different tools. One tool was trying an envelope detection scheme in Matlab where we set a threshold for the magnitude of the audio sample and try to find regions of silence to separate the words. The following image shows an attempt to separate regions of pronunciation using this method.
We experimented with different thresholds and parameters but it would never accurately determine where a
word begins and ends. In this case it would just indicate the beginning and end of the audio file as seen
by the blue lines.
We tried another tool in Python called pydub which is capable of manipulating and working with various audio
files. This module has a capability called split_on_silence which once again tries to find regions of the signal
with minimal amplitude as a means of splitting the signal into words. Once again this tool also had various issues
and would never generate the individual audio files for separate words.
We learned from these tests that audio segmentation especially detecting words is not a trivial problem and
requires a lot more work and testing.
Problems/Challenges
In tackling this project we ran into a lot of different challenges that forced us to greatly limit the scope of what
we could accomplish. One of the major challenges that we faced was that majority of our project was based on being able
to collect good data using the MFCC technique. We spent a lot of time trying to manipulate the different parameters and
settings in the Matlab toolbox for MFCC to try and get better results but they were not working out. The major issue was
that this toolbox was generating very similar coefficients for many of the phonemes to the point that we could not actually
distinguish between the different phonemes. This cascaded to the rest of the project to the point where we could not make
progress on a lot of the other steps we needed.
Eventually we switched from using the Matlab toolbox to an independent MFCC library and this had some slightly better
results. Ultimately when we ran the database against input phoneme samples using KNN we were getting an accuracy of about
30% but we feel this can definitely be improved.
Another difficult task in this project we did not anticipate is actually taking the vocals of a song and segmenting/windowing
it properly to extract/ predict the phonemes. This was a particular challenge because it was difficult to determine how
long to make the sample to be able to capture the individual phonemes that comprised a word or sentence. This was further
difficult since some phonemes extended to be longer in time than others. We believed Dynamic Time Warping might have solved
this but were not able to condense the signals enough to use it.
Also we attempted to break down the vocals into words to allow for simpler audio files from which we could attain the phonemes
but as discussed above this was very difficult to implement for a song where many words are often slurred together.
Future Improvements
The following are some of the various techniques and procedures we would try to improve this project in the future.
Course Tools Used
The two DSP course tools we used for the project are a moving average filter and frequency domain representations of signals.
We also implemented a K Nearest Neighbor classifier, which helped us predict phoneme features.
References
MFCC-GMM Based Accent Recognition System for Telugu Speech Signals
https://link.springer.com/article/10.1007/s10772-015-9328-y
High Quality Voice Morphing
https://ieeexplore.ieee.org/document/1325909
Voice Morphing System for Impersonating in Karaoke Applications
http://www.cs.cmu.edu/~dod/papers/cano00voice.pdf


tree-killer
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**tree-killer**: n.
[Sun]
1. A printer.
2. A person who wastes paper. This epithet should be interpreted in a
broad sense; ‘wasting paper’ includes the production of
`*spiffy* <../S/spiffy.html>`__ but
`*content-free* <../C/content-free.html>`__ documents. Thus, most
`*suit* <../S/suit.html>`__\ s are tree-killers.
It is likely that both senses derive their flavor from the epithet
‘tree-killer’ applied by Treebeard the Ent to the Orcs in J.R.R.
Tolkien's *Lord of the Rings*. See also `*elvish* <../E/elvish.html>`__,
`*elder days* <../E/elder-days.html>`__, and especially `*dead-tree
version* <../D/dead-tree-version.html>`__.
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Within the puzzle above, your goal is to fill in the numbers in the second row so each triangle (and the trapezoids on the ends) look like the pieces given. Pieces can be used multiple times, and not all pieces need to be used. Sometimes there will be no solutions. If you are confident there are no solutions, click the "Unsolvable!" button.


Learning objectives:
- Briefly discuss mechanisms of hemostasis
- Coagulation tests and lab monitoring
- Anticoagulation
- -Heparin
- -Direct thrombin inhibitors
Hello! I am your mentor and I will be helping you through this course by providing helpful tips and information that will assist you in preparing for your hands-on session.
When a patient is placed on ECLS…
- Blood is exposed to foreign surfaces
- -Activates the clotting cascade
- -Extrinsic and Intrinsic pathways
- Coagulation factors are diluted
- May activate or deactivate platelets
Circuit Considerations
- Circuit prime
- -Hemodilution
- -Prime constituents/normalization
- -Immediate treatment with initiation
- -Direct thrombin inhibitors
- Heparin added
- Prime volume to weight conversion
Every 75mL of prime volume = One Kg. i.e. A circuit volume of 375mL is the weight equivalent to 5Kg or 5Kg could be added to the patients weight for drug calculations.


--- layout: example.html title: panzoom matrix shortdesc: panzoom matrixt example. docs: > This page's panzoom matrix example. tags: "javascript panzoom" resources: -<EMAIL_ADDRESS>---


An easy to use module to send email messages via SMTP asynchronously.
This module can be used in two modes:
The email subject and body will always be encoded using UTF-8. If you use the module from JavaScript as a CommonJS module and include non-US characters, make sure to encode the source code file in UTF-8, too. Otherwise your email content might get mangled.
This module can be used in two modes:
- As a CommonJS module: Include this module as a resource in your
Vert.x project by specifying
var a_mailer = require('jslibs/a-mailer/lib/a-mailer');
in your JavaScript file. - As a runnable Vert.x module: Deploy as a Vert.x module and send your email messages on the event bus.
address
Event bus address on which the module is listening for send requests. Only required when the module is used as a runnable Vert.x module.host
{string} SMTP server hostport
{integer} SMTP server portssl
{boolean} If set totrue
uses an encrypted connection to the server right from the start. Often combined withport
set to 465, e.g. in the case of Gmail. Default isfalse
.auth
{boolean} Set totrue
if the server requires authentication. Default isfalse
.username
{string} Authentication user.password
{string} Authentication password.content_type
{string} Default MIME type/subtype for the email body; can be set totext/html
. Every other or no value will be interpreted astext/plain
.
The email subject and body will always be encoded using UTF-8. If you use the module from JavaScript as a CommonJS module and include non-US characters, make sure to encode the source code file in UTF-8, too. Otherwise your email content might get mangled.
- License:
- MIT Copyright (c) 2013 Matthias Ohlemeyer
- Source:
Methods
-
<static> configure(config)
-
Configure the module
This method will be called, when the module is used as a CommonJS module. When used as Vert.x module it is called internally with the configuration data frommod.json
.
NOTE: A call toconfigure
affects all subsequent email sending actions. The A-Mailer module is not well suited to setting up different mailing hosts and using them in a single application since configuration is done on module basis!Parameters:
Name Type Description config
object The configuration object. Might contain zero or more of the configuration properties mentioned in the module description: host
,port
...- Source:
-
<static> send(sendData, callback)
-
Send an email.
Parameters:
Name Type Argument Description sendData
object Send data object Properties
Name Type Argument Default Description from
string Sender email address to
string | array Single "TO" Recipient email address as a string or an array of addresses cc
string | array <optional>
Single "CC" Recipient email address as a string or an array of addresses bcc
string | array <optional>
Single "BCC" Recipient email address as a string or an array of addresses subject
string Email subject body
string <optional>
'' Email body content_type
string <optional>
MIME type for this send request; either text/plain
ortext/html
. If otherwise specified or not specified at all the configured MIME type for the module will be used as the default value.callback
function <optional>
Callback function; called after the email is sent or when an error occurs. The first argument is either an error object or null if everything went ok. In case of success the second argument is a result object with up to two properties: response
The server's response message.rcptFailedAdrs
Array of email addresses, which were rejected by the server.
- Source:


{{ include base }}
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Why google dont publish there Page Rank
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Python, JSON and NoSQL. The Web 3.0


Sophomore Cognitive Science, Human Computer Interaction Major at UC San Diego. Understanding culture, context, and behavior to impact people. I'm a firm believer in the potentiality of humanistic design in making sense of our messy reality. Knowing that technology alone is not a panacea to our problems, I prioritize the understanding of the human before the interface in my work. Dedicated to the bootstrapped design movement here at UC San Diego. Zealous advocate of collaboration across disciplines and design-doing beyond design thinking.


WebRTC allows real-time communications within the browser without the need for plugins. A few of its greatest benefits include:
EasyRTC removes the pain associated with getting started with WebRTC with the following cool features:
The WebRTC API is a mid-level API. That is to say, that while it insulates the developer from stuff like connecting to cameras or contacting TURN and STUN servers, it still requires the developers to implement an involved message passing scheme between clients to establish the peer to peer connection.
The EasyRTC framework provides that message passing scheme so that the developer can focus on the tasks that are actually relevant to them.
So far we have tested EasyRTC on Windows 7, 8, OS-X, Raspberry Pi, and Ubuntu 12.04 LTS where users have administrator or sudo access.
For the most part, if you can run Node.JS, you can run EasyRTC.
We have used EasyRTC in production since May of 2013. The included demos include notes about what browsers the various features work in, or how experimental the feature is.
There is a lot of work still to go in providing additional features which production code will need. We invite all users to give us feedback as to what features you desire.
We do not provide native client libraries. We tried making a business out of it at one point but the costs are greater than the revenue. There were two reasons for this.
The first reason is that google keeps changing the WebRTC API. Most of the improvements are for the good, but backwards compability isn't in their vocabulary. Every few months we'd want to get the latest bug fixes in (some of which were sorely needed due to large memory leaks) and discover our code wouldn't work with it.
The bigger reason was an inability to provide cost-effective support. In the browser, you've got a single thread and no memory management issues. With native clients, one careless memory access from any other part of your program and you've got weird intermittent bugs that are time-consuming to track down.
So we suggest using Cordova, which basically lets you write web applications that run inside a native app (both android and iOS). Actually, they are hybrid apps, you can mix in android calls as well.
If you want to write your own EasyRTC native library and can think of a way to make it a viable business, feel free to.
Many products and services utilizing WebRTC have already been released despite the specification not yet being finalized. The original posted date for reaching recommendation status was overly optimistic (Q1 2013). With implementation methods still being debated, be prepared for it to take until Q4 2014 (or longer).
As the specification gets closer to recommendation status, we expect those browsers which are currently working on WebRTC to better communicate with each other. Currently the biggest contended issues surround video codec requirements.
Some browsers may wait until after the standard reaches recommendation status to implement WebRTC.
WebRTC has screen capture and sharing but it only works if hosted from an SSL server.
Recording audio and video requires a media server. This version of EasyRTC does not support any media servers.
The data channel portion of the specification is close to being finalized. Browser support is getting better, with inter-optibility among desktop Chrome and Firefox now possible.
EasyRTC supports automatic fail-over to websockets in those cases where data channel support is spotty.
EasyRTC includes a demo showing up to four connections in a star configuration. Each peer establishes a connection to every other peer.
Check out tawk.com for an in-production example.
More advanced conference and multicast requirements would require a dedicated WebRTC capable conference server or MCU. EasyRTC does not yet include direct support for these. We are working with various vendors to gain this support.
Node.JS is a powerful asynchronous server platform which has several qualities we find enduring:
SIP is an extensive protocol, and developing a WebRTC platform which supports it in a way casual developers could use it would be difficult.
See our separate document: WebRTC Problems and Possible Fixes
We monitor both the Github issue tracker and the Google Groups discussion forum.
Ask away on our forum. We do monitor it!
If you need confidential assistance, you can contact our services division at<EMAIL_ADDRESS>Otherwise, feel free to ask on our forum (see above). Be as clear, precise, and concrete as possible; while it may sometimes appear otherwise, our mindreading abilities are limited in range to about 40 ft.
If you are going to post a problem report, bear in mind that you should include the files needed to reproduce your problem, trimmed down to the minimum needed to demonstrate the problem. The easier you make it for someone to help you, the more likely they'll bother.


"eHawaii.gov has been responding to hundreds of online chats regarding inquiries for the PVLD. We appreciate the enthusiasm and selfless support of the eHawaii.gov staff and the Customer Service department in attempting to field and respond to queries from the consuming public on behalf of the PVLD. Kudos to eHawaii.gov!!!"
"The Hawaii Criminal Justice Data Center has worked with the Hawaii Information Consortium (HIC) on several projects with varying scopes. HIC has proven to be a competent partner that often brings new and innovative ideas to the table."
"The Department of Health, Office of Health Status Monitoring’s partnership with the Hawaii Information Consortium (eHawaii.gov) has spanned 10 years. eHawaii.gov has been a great, responsive partner in the development and implementation of our various online services, the most notable has been the death and marriage/civil union registration systems, both of which won national digital awards."
"HIC and their project managers...have helped us achieve our vision of making government data open and accessible to the public."
"HIC has worked with BREG DCCA for years to help us provide one of the most innovative, online State business registries in the country."
"Working with HIC gives credibility to the Judicial Performance Program. The results are undisputed..."
"HIC helped guide us through a conversion from an antiquated in-house permit system to an on-line web portal that effectively changed the way we do business."
"The HIC staff assigned to work with us on the eBench Warrant project were always helpful, professional and very supportive."
"Highly professional and upbeat, HIC clearly takes pride in providing exceptional customer service."


About X-Crawler
X-Crawler is a Publication Crawling project, used to search for research papers, publications written by the staff of the University of Lagos. This project was part of the problems presented by the DSC (Developer Student Club), University of Lagos at The Open Hack Week Hackthon. During the course of this project different technologies where used and different Academic Websites were scraped for the possibility of the Project. We have a bunch of people who worked on this project, and without them this project would not be possible.
MEET OUR DEVELOPERS
SOLOMON ESENYI
Team Lead
Solomon Esenyi is a python developer that was responsible for the building of the web scrapers.
OGUNBOWALE SOLOMON
Project Manager
Solomon is a Java developer and played the role
of the project manager for this project
ANENE PRAISE
Software Developer
Anene Praise is a python developer that was responsible for managing the
remote server of the X-Crawler project.
OYEWUMI FAVOUR
Front-End Web Developer and Data Science Enthusiast
Oyewumi Favour was responsible for the building of the User Interface for this
Web application.
FADIPE AL-AMEEN
BackEnd Developer, Product Designer
Alameen was responsible for majority of the backend operations, including integration
of the backend and UI, database design and management.
MBAOMA CHIOMA MARY
Python, Data analyst, HTML, CSS, Programming tutor
Mary is a python developer who was responsible for the design of our User Interface.
ENYIOMA OLUWAFEMI OSONDU - OLUWAFENYI
Python, Backend Developer (Django), JavaScript
Femi made our web scrapper for Oxford Library and contributed to the backend.


😍 Awesome Ama Reader 📚
Some of the Popular AMAs available are given below
Don't know what you're looking for? Some awesome AMAs are available
here.


-
Section 1: Lab Preparation
This section will demonstrate how to set up a penetration testing lab. It will introduce two different options for a virtual lab, Oracle and VMware. It will also address installation procedures for Kali Linux, and suggestions for building a network environment for testing.
- Developing a Network Environment
- How to Install Oracle VirtualBox
- How to Install VMware Player
- How to Install Kali Linux
- Increasing Network Attack Surface
Browse Videos -
Section 2: Information Gathering and Reconnaissance
This section will demonstrate how to begin gathering information on a target network using both passive techniques and active tools.
- Passive Reconnaissance
- Google Hacking
- Subdomain Enumeration with Google Hacking
- Reconnaissance Tools (Dmitry & Goofile)
- Network Enumeration with Maltego
Browse Videos -
Section 3: Target Discovery
This section will introduce a variety of different tools that can be used to discover live hosts and fingerprint operating systems.
- Layer 2 Discovery
- Layer 3 Discovery
- Host Discovery with nmap
- Network Discovery with Scapy
- Fingerprinting Operating Systems
Browse Videos -
Section 4: Scanning and Enumeration
This section will introduce tools used to enumerate open ports and services on all live hosts.
- Scanning with nmap
- Scanning with Zenmap
- Nmap Scripting
- Zombie Scanning
- Service Identification
Browse Videos -
Section 5: Vulnerability Mapping
This section will demonstrate how to enumerate vulnerabilities and possible attack vectors on target systems. It will introduce the use of the Nessus vulnerability scanner and the use of Metasploit auxiliary scanners.
- Metasploit Auxilliary Scans
- Installing Nessus
- Nessus Scanning
- Nessus Policies
- Nessus Result Analysis
Browse Videos -
Section 6: Exploitation with Metasploit
This section will discuss the use of Metasploit and Metasploit Pro to automate the exploitation process.
- Metasploit Framework
- Meterpreter Basics
- Meterpreter - Advanced Exploitation
- Installing Metasploit Pro
- Exploitation with Metasploit Pro
Browse Videos -
Section 7: Hands-on Exploitation
This section will go more in depth into the actual exploitation process. We will discuss exploit script modification and use, social engineering attacks, web-application exploitation, and maintaining access with backdoors.
- Exploit Database
- Social Engineering Toolkit - Credential Harvester
- Burp Suite Intruder
- Web Application Exploitation
- Maintaining Access
Browse Videos -
Section 8: Privilege Escalation
This section will introduce privilege escalation techniques. It will address how to acquire and crack passwords (both local and network credentials) using both online and offline techniques.
- Ettercap
- Hash Identifier / Find-My-Hash
- Hydra
- John the Ripper
- Johnny / xHydra
Browse Videos


Yes! Go talk to Lisa about your schedule change. Go to the Office or email Lisa at<EMAIL_ADDRESS>2. Who are the teachers?
If you need to know who the teachers are just go to this page.
3. What's my schedule or what are my grades?
At Palo Alto Prep we have a website called Aeries. Through this, we can email teachers, check our grades, and look at out schedule. If you need to set up and Aeries account go to Matt at the front desk.
4. Why is my teacher not grading my papers?
Teachers are busy. If you have missing assignments, teachers have until the next wednsday to grade it. If it is still missing, POLITELY ask you teacher about it.
5. Why am I in/What is Friday School?
If you have a C- or lower in any class than you are put on the Friday School list. Talk to the teacher of the class where you have a bad grade. If you skip Friday School than you have to do 5 hours of Community Service.
6. I have a suggustion for the site
Great! Please talk to Aidan or anyone else on the credits page. You could also go to the Computer Club meeting on Thursdays in the Aviation Room. If you are a tech person you can fork us on github.


NKDUPCEBarcode Class Reference
| Inherits from | NKDUPCABarcode : NKDAbstractUPCEANBarcode : NKDBarcode : NSObject |
|---|---|
| Declared in | NKDUPCEBarcode.h NKDUPCEBarcode.m |
Overview
@class NKDUPCEBarcode
This subclass can take one of three possible values - the actual UPC-E barcode (8 digits) value or the UPC-A barcode, either with or without the check digit. Either way, the code will print out as a UPC-E barcode. If the content value provided at time of instantiation is an actual UPC-E value, the check- digit MUST be encoded because UPC-E values do not contain enough information to accurately calculate the check-digit.
– initWithContent:printsCaption:
Overrides super. If UPC-A information passed, super is called and then the value is truncated according to the specs. If UPC-E data is provided, content is just stored and we trust the the data is correct.
- (id)initWithContent:(NSString *)inContent printsCaption:(BOOL)inPrints
Parameters
inPrints |
YES if caption should print. |
|---|
Return Value
Initialized UPC-E barcode object
Discussion
@method initWithContent:printsCaption
Declared In
NKDUPCEBarcode.h
– barcode
Overridden [TO COME]
- (NSString *)barcode
Return Value
String of 0s and 1s that represent the encoded content, excluding initiator and terminator
Discussion
@method barcode
Declared In
NKDUPCEBarcode.h
– parityForDigit:
returns ODD_PARITY or EVEN_PARITY signalling the correct parity in light of the check digit and number system
- (Parity)parityForDigit:(int)index
Parameters
index |
Which digit (2-7) we’re asking about |
|---|
Return Value
Parity value of ODD_PARITY or EVEN_PARITY
Discussion
@method parityForDigit:
Declared In
NKDUPCEBarcode.h
– barBottom:
[TO COME]
- (float)barBottom:(int)index
Parameters
index |
The index of the bar that you want to find the bottom for (assuming origin at lower left) as an index of completeBarcode |
|---|
Return Value
Bottom of the bar specified in inches * kScreenResolution
Discussion
@method barBottom:
Declared In
NKDUPCEBarcode.h
– isContentValid
Validates that this barcode supports the data it is encoding.
- (BOOL)isContentValid
Discussion
@method isContentValid
Enforces numerics only and length of content; does not validate check digit.
Declared In
NKDUPCEBarcode.h
– terminator
Overrides to combine center guard bars and right guard bar into a single value
- (NSString *)terminator
Return Value
“010101”
Discussion
@method terminator
Declared In
NKDUPCEBarcode.h
– caption
Overridden to center characters
- (NSString *)caption
Return Value
String representing the encoded characters, formatted to appear correctly when drawn
Discussion
@method caption
Declared In
NKDUPCEBarcode.h
+ UPCAToUPCE:
Takes an NSString with a valid 12-digit UPC-A value and abbreviates it (if possible) to UPC-E’s 8 digit encoding
+ (NSString *)UPCAToUPCE:(NSString *)UPCA
Parameters
UPCA |
NSString with valid UPC-A content |
|---|
Return Value
NSString with calculated UPC-E value, or empty string if not possible to truncate.
Discussion
@method UPCAToUPCE
Declared In
NKDUPCEBarcode.h


Contact
Brian Seitz
New York City
<EMAIL_ADDRESS>LinkedIn
GitHub
Projects
Token
- discover public transit in New York City and beyond
Colors
- recent images from Wikimedia Commons
Basic algorithms in Go
- classic hits
The most seductive keyword
- sane and insane ways to use goroutines and channels
Medium
- recent writing
Tumblr
- older writing
SoundCloud
- hacky indie folk punk


VA SAVOIR A film review by Steve Rhodes Copyright 2001 Steve Rhodes RATING (0 TO ****): *
Jacques Rivette's VA SAVOIR, which translates to WHO KNOWS?, would more aptly be titled WHO CARES? The minimal story concerns three couples who are barely in love and who are mildly interested in others. None of the characters are the least bit compelling.
All of the actors (Jeanne Balibar, Sergio Castellitto, Marianne Basler, Jacques Bonnaffé, Hélène de Fougerolles and Bruno Todeschini) sleepwalk through their parts, and the director takes forever -- over two and one half hours -- to say almost nothing. Besides the flimsy romantic angle, the story also concerns the search for an unpublished eighteenth century play. Finally, there is a play within the movie that is -- one assumes -- supposed to be almost laughably bad. The irony is that the movie itself isn't much better.
"It can't go on like this," Camille (Jeanne Balibar) remarks about a half hour into the movie. Sadly, it does. This much can be said in the movie's defense. At least its extremely bland trailer accurately represents the movie itself. You can't say that about many films.
VA SAVOIR runs 2:34. The film is in French and Italian with English subtitles. It is rated PG-13 for "brief nudity" and would be acceptable for kids around 11 and up.
The film opens nationwide in the United States on Friday, October 12, 2001. In the Silicon Valley, it will be showing at the Camera Cinemas.
Web: http://www.InternetReviews.com Email<EMAIL_ADDRESS>Want free reviews and weekly movie and video recommendations via Email? Just send me a letter with the word "subscribe" in the subject line.
========== X-RAMR-ID: 29698 X-Language: en X-RT-ReviewID: 252538 X-RT-TitleID: 1110146 X-RT-SourceID: 703 X-RT-AuthorID: 1271
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 2
This flavourful dish of Italian meatballs has a healthy twist by using courgette ribbons instead of pasta — an easy way to reduce calories.
As part of an
Intermittent diet
plan, 1 serving provides 3 of your 6 daily vegetable portions.
This meal provides 219 kcal per portion.
Place the beef, half the onion, half the mixed herbs and a pinch of salt and pepper in a bowl and mix well. Form into 10 small balls.
Spray a medium non-stick frying pan with a little oil and cook the meatballs for 5-7 minutes, turning occasionally until browned on all sides. Transfer to a plate.
For the sauce, put the remaining onion in the same pan and cook over a low heat for three minutes, stirring. Add the garlic and cook for a few seconds.
Stir in the tomatoes, 300ml/10fl oz water, the remaining mixed herbs and shredded basil. Bring to the boil, stirring. Return the meatballs to the pan, reduce the heat to a simmer and cook for 20 minutes, stirring occasionally until the sauce is thick and the meatballs are cooked throughout.
Meanwhile , half-fill a medium pan with water and bring to the boil. Use a vegetable peeler to peel the courgettes into ribbons. Cook the courgette in the boiling water for one minute then drain.
Divide the courgette ribbons between two plates and top with the meatballs and sauce. Garnish with basil leaves.


Psalm 82
A psalm of Asaph.
1 God stands in the divine assembly;
in the midst of the gods he renders judgment.
2 How long will you judge unjustly
and show favoritism to the wicked?
Selah
3 Defend the poor and fatherless;
maintain the rights of the afflicted and destitute.
4 Rescue the poor and needy;
take them out of the hand of the wicked.
5 They neither know nor understand;
they wander around in the darkness;
all the foundations of the earth crumble.
6 I said, "You are gods,
and all of you sons of the Most High.
7 Nevertheless you will die like men
and fall like one of the princes."
8 Arise, God, judge the earth,
for you will inherit all the nations.


--- layout: page title: About me css: "/css/aboutme.css" ---
Proficient Python coder with a profound understanding of statistics & machine learning algorithms. Well-versed in the design, development, deployment, monitoring and maintenance of complex machine learning systems. Experienced with leading machine learning projects and managinng teams. I'm particularly interested in computer vision, self-supervised representation learning, MLOps, and Bayesian methods. I have worn many hats, having worked for a consultancy boutique, an AI startup, a software house, and a large corporation.
Currently an ML Engineering Manager at Solera. Previously at Tooploox, Cosmose AI, and Veneficus. I teach data science and machine learning at DataCamp to over 12k students and write a blog with over 2k followers.
Obtained my MSc in Econometrics from Erasmus University Rotterdam, The Netherlands and my BSc in Quantitative Methods in Economics & Information Systems from Warsaw School of Economics, Poland. My master's thesis project involved forecasting with a collection of very short time series. The resulting R package is available on CRAN.
Moim ojczystym językiem jest polski. I have passed Cambridge CPE with grade A. Ich habe das Sprachzertifikat in Wirtschafts- un Allgemein Deutsch bestanden. He completado un curso de español de nivel avanzado. Toen ik in Nederland woonde, leerde ik een beetje Nederlands.
Whenever I can spare some time, I go mountain hiking. I am currently on a quest to climb the highest peak of each of the 47 European countries. I also like to travel and take photos on the way.


WebCardinal and Cardinal are two OpenSource JavaScript MVC frameworks that helps the creation of the user interfaces for Self Sovereign Applications (SSApps)
(a concept from PrivateSky and OpenDSU). Cardinal was the first iteration and the latest one stays under the name of WebCardinal (github.com/webcardinal)
The need for a new framework arose from the negative experience with React or Angular.
These frameworks through the large ecosystem and too diverse pressures of the community have become sources of inefficiency.
WebCardinal and Cardinal evolve around the idea of adding a simple MVC layer over standard web components.
Additionally, controlling the MVC framework offered us opportunities to integrate OpenDSU Specific features in the controllers and therefore
make it the most appropriate way of creating UIs for SSAPs.
WebCardinal represents the complete rewrite version of
Cardinal, with the aim to enable an even more rapid
development of WEB applications. WebCardinal offers almost all the functionalities of Cardinal, either is the
same form or by providing an easier alternative. From 2021, we recommend to start to migrate Cardinal SSSApps to WebCardinal.
Most of the Web Components from Cardinal are still usable in WebCardinal, however we encourage you to use external web-components collections
(as for example Ionic and Shoelace, simply because they are better and more flexible).
The only web-components that are mandatory to properly use WebCardinal are those from webcardinal-core.
FYI, this site is created using webcardinal-core and cardinal-wiki components.
You should use webcardinal-bundler which offers a series of predefined bundles that contain our web components.
WebCardinal can be used with Self Sovereign Applications (SSApps) or for normal WebApplications (depending on your use-case select your installation method from below)
.
Add WebCardinal as a dependency
"name": "webcardinal",
"src": "https://github.com/webcardinal/webcardinal-bundler",
"actions": [
{
"type": "smartClone",
"target": ".",
"collectLog": false
},
{
"type": "execute",
"cmd": "cd webcardinal && npm install && npm run bundle-minimal && npm run build"
// or another bundle for more components (not minimal)
}
]
Add distribution in a new Dossier in build script
"name": "webcardinal-wallet-build",
"actions": [
{
"type": "execute",
"cmd": "cd webcardinal && npm run build-dossier"
}
]
Install WebCardinal bundler
cd webcardinal-bundler && npm install
Install minimal bundle (or another bundle for more components)
Check each WebCardinal bundle in the dedicated section from below.
npm run bundle-minimal
Build components from bundle
npm run build
The generated distribution is now in webcardinal-bundler/webcardinal directory.
In the <head> from index.html of your application (WebApp, SSApp) insert the following:
Read more about it in the documentation for Configuration.
WebCardinal offers some useful components to make the development of applications more easier.
Read about each WebCardinal custom elements by checking each component from
WebCardinal Cheatsheet.
WebCardinal comes with some very useful and powerful attributes that can be used on mainly every HTML element.
data-for - used for iteration in markup over array (improved and optimized version of the psk-for-each component)
data-if - used for add conditional capabilities to your application improved version of the psk-condition component
data-view-model - used for binding many tag attributes to the same element
data-tag - used for an easier event subscription experience
Considering the fact that Cardinal's psk-* components handle their own logic, flow and HTML manipulation,
not all of them can integrate perfectly with the new attributes of WebCardinal.
WebCardinal's approach to controllers is similar with the one from Cardinal.
Read more about Cardinal's controllers .
Currently, WebCardinal offers the following Controllers which can be extended based on the given
requirements:
Controller: offers the basic functionalities of the framework
WebController: offers some basic interaction with the WebCardinal components
The controllers can be used from WebCardinal.controllers available on the window object.
Read more about the Controller class.
Read more about the WebcController class.
WebCardinal's approach to models is similar with the one from Cardinal.
Read more about Cardinal's models.
WebCardinal went further and added a more standardised and consistent approach to models and model binding.
All of the HTML element and also custom elements have support for binding. One-way binding is ensured for
every element, but there may be some limitations for two-way binding when using non-native HTML form
elements. Read more about WebcCardinal's forms.
In order to offer a consistent approach for binding, WebCardinal has support for a special attribute
data-view-model.
Read more about WebCardinal's data-view-model attribute.
Binding syntax
{{ @value }}
{{ $value }}
WebCardinal has added a new syntax that allows model binding (and also translation binding) inside the
template nodes.
Example
Message: {{ @hello }}
Message: {{ @hello }}
WebCardinal has support for translations via skins.
Read more about WebCardinal's translation mechanism.
The content of each bundle can be viewed in the table below:
Create your desired bundle
npm run bundle-<BUNDLE_NAME>
# example: npm run bundle-minimal
Build components from bundle npm run build
Since WebCardinal is a complete rewrite of Cardinal, there may be some cases in which backward compatibility is
not offered.
One such good example of limited compatibility is with Cardinal's
psk-modal, which is not at all supported in the new version. Instead,
the improved webc-modal was created.
Read more about it in its dedicated documentation.
The current webpage is a working example of a WEB application written using WebCardinal and including also
Cardinal components.
Any known incompatibilities with Cardinal are explained when applicable.


| Interface | Description |
|---|---|
| AlphaBlending |
A
Hub that mixes the #MediaType.AUDIO stream of its connected sources and constructs one output with #MediaType.VIDEO streams of its connected sources into its sink |
| BaseRtpEndpoint |
This class extends from the SdpEndpoint, and handles RTP communications.
|
| Composite |
A
Hub that mixes the #MediaType.AUDIO stream of its connected sources and constructs a grid with the #MediaType.VIDEO streams of its connected sources into its sink |
| Continuation<F> |
This interface is to be used in asynchronous calls to the media server.
|
| Dispatcher |
A
Hub that allows routing between arbitrary port pairs |
| DispatcherOneToMany |
A
Hub that sends a given source to all the connected sinks |
| Endpoint |
Base interface for all end points.
|
| Event |
Parent interface for Kurento events.
|
| EventListener<T extends Event> |
Interface to be implemented by
MediaEvent listeners. |
| FaceOverlayFilter |
FaceOverlayFilter interface.
|
| Filter |
Base interface for all filters.
|
| GenericMediaElement | |
| GStreamerFilter |
A generic filter interface that allows injecting any GStreamer element.
|
| Handler | |
| HttpEndpoint |
Endpoint that enables Kurento to work as an HTTP server, allowing peer HTTP clients to access media.
|
| HttpPostEndpoint |
An
HttpPostEndpoint contains SINK pads for AUDIO and VIDEO, which provide access to an HTTP file upload function
This type of endpoint provide unidirectional communications. |
| Hub |
A Hub is a routing
MediaObject . |
| HubPort |
This
MediaElement specifies a connection with a Hub |
| ImageOverlayFilter |
ImageOverlayFilter interface.
|
| KurentoConnectionListener | |
| KurentoObject | |
| ListenerSubscription |
Interface to be implemented by objects that represent the subscription to an event in Kurento.
|
| MediaElement |
This is the basic building block of the media server, that can be interconnected inside a pipeline.
|
| MediaObject |
Base interface used to manage capabilities common to all Kurento elements.
|
| MediaPipeline |
A pipeline is a container for a collection of
MediaElements and :rom:cls:`MediaMixers |
| Mixer |
A
Hub that allows routing of video between arbitrary port pairs and mixing of audio among several ports |
| OpenCVFilter |
Generic OpenCV Filter
|
| PassThrough |
This
MediaElement that just passes media through |
| PlayerEndpoint |
Retrieves content from seekable or non-seekable sources, and injects them into KMS, so they can be delivered to any Filter or Endpoint in the same MediaPipeline.
|
| ReconnectedHandler | |
| RecorderEndpoint |
Provides the functionality to store contents.
|
| RtpEndpoint |
Endpoint that provides bidirectional content delivery capabilities with remote networked peers through RTP or SRTP protocol.
|
| SdpEndpoint |
This interface is implemented by Endpoints that require an SDP negotiation for the setup of a networked media session with remote peers.
|
| ServerManager |
This is a standalone object for managing the MediaServer
|
| SessionEndpoint |
All networked Endpoints that require to manage connection sessions with remote peers implement this interface.
|
| TFuture<V> | |
| Transaction | |
| UriEndpoint |
Interface for endpoints the require a URI to work.
|
| WebRtcEndpoint |
Control interface for Kurento WebRTC endpoint.
|
| ZBarFilter |
This filter detects QR codes in a video feed.
|
| Class | Description |
|---|---|
| AbstractBuilder<T> |
Kurento Media Builder base interface.
|
| AlphaBlending.Builder | |
| AudioCaps |
Format for audio media
|
| CodecConfiguration |
Defines specific configuration for codecs
|
| CodeFoundEvent |
Event raised by a
ZBarFilter when a code is found in the data being streamed. |
| Composite.Builder | |
| ConnectionStateChangedEvent |
This event is raised when the connection between two peers changes.
|
| DataChannelCloseEvent |
Event fired when a data channel is closed.
|
| DataChannelOpenEvent |
Event fired when a new data channel is created.
|
| Dispatcher.Builder | |
| DispatcherOneToMany.Builder | |
| ElementConnectedEvent |
Indicates that an element has been connected to another
|
| ElementConnectionData | |
| ElementDisconnectedEvent |
Indicates that an element has been disconnected from another
|
| ElementStats |
A dictionary that represents the stats gathered in the media element.
|
| EndOfStreamEvent |
Event raised when the stream that the element sends out is finished.
|
| EndpointStats |
A dictionary that represents the stats gathered in the endpoint element.
|
| ErrorEvent |
Fired whenever an undefined error related to the MediaObject has occurred
|
| FaceOverlayFilter.Builder | |
| Fraction |
Type that represents a fraction of an integer numerator over an integer denominator
|
| GenericMediaElement.Builder | |
| GenericMediaEvent | |
| GStreamerFilter.Builder | |
| HttpPostEndpoint.Builder | |
| HubPort.Builder | |
| IceCandidate |
IceCandidate representation based on standard (http://www.w3.org/TR/webrtc/#rtcicecandidate-type).
|
| IceCandidateFoundEvent |
Notifies a new local candidate.
|
| IceCandidatePair |
The ICE candidate pair used by the ice library, for a certain stream.
|
| IceComponentStateChangeEvent |
Event fired when and ICE component state changes.
|
| IceConnection |
The ICE connection state for a certain stream and component.
|
| IceGatheringDoneEvent |
Event fired when al ICE candidates have been gathered.
|
| ImageOverlayFilter.Builder | |
| KurentoClient |
Factory to create
MediaPipeline in the media server. |
| KurentoClientBuilder | |
| MediaEvent |
Base for all events raised by elements in the Kurento media server.
|
| MediaFlowInStateChangeEvent |
Fired when the incoming media flow begins or ends.
|
| MediaFlowOutStateChangeEvent |
Fired when the outgoing media flow begins or ends.
|
| MediaLatencyStat |
A dictionary that represents the stats gathered.
|
| MediaSessionStartedEvent |
Event raised when a session starts.
|
| MediaSessionTerminatedEvent |
Event raised when a session is terminated.
|
| MediaStateChangedEvent |
This event is fired when the media connection between two peers changes, based on the RTCP packet flow.
|
| MediaTranscodingStateChangeEvent |
Event fired when an incoming media begins and codec transcoding is either required or not.
|
| Mixer.Builder | |
| ModuleInfo |
Description of a loaded modules
|
| NewCandidatePairSelectedEvent |
Event fired when a new pair of ICE candidates is used by the ICE library.
|
| ObjectCreatedEvent |
Indicates that an object has been created on the mediaserver
|
| ObjectDestroyedEvent |
Indicates that an object has been destroyed on the mediaserver
|
| OnDataChannelClosedEvent | |
| OnDataChannelOpenedEvent | |
| OnIceCandidateEvent | |
| OnIceComponentStateChangedEvent | |
| OnIceGatheringDoneEvent | |
| OnKeySoftLimitEvent |
Fired when encryption is used and any stream reached the soft key usage limit, which means it will expire soon.
|
| PassThrough.Builder | |
| PausedEvent | |
| PlayerEndpoint.Builder | |
| Properties | |
| RaiseBaseEvent | |
| RecorderEndpoint.Builder | |
| RecordingEvent |
Fired when the recoding effectively starts.
|
| RembParams |
Defines values for parameters of congestion control
|
| RTCCertificateStats | |
| RTCCodec |
RTC codec statistics
|
| RTCDataChannelStats |
Statistics related to RTC data channels.
|
| RTCIceCandidateAttributes | |
| RTCIceCandidatePairStats | |
| RTCInboundRTPStreamStats |
Statistics that represents the measurement metrics for the incoming media stream.
|
| RTCMediaStreamStats |
Statistics related to the media stream.
|
| RTCMediaStreamTrackStats |
Statistics related to the media stream.
|
| RTCOutboundRTPStreamStats |
Statistics that represents the measurement metrics for the outgoing media stream.
|
| RTCPeerConnectionStats |
Statistics related to the peer connection.
|
| RTCRTPStreamStats |
Statistics for the RTP stream
|
| RTCStats |
An RTCStats dictionary represents the stats gathered.
|
| RTCTransportStats |
Statistics related to RTC data channels.
|
| RtpEndpoint.Builder | |
| SDES |
Security Descriptions for Media Streams
|
| ServerInfo |
Description of the mediaserver
|
| Stats |
A dictionary that represents the stats gathered.
|
| StoppedEvent | |
| Tag |
Pair key-value with info about a MediaObject
|
| UriEndpointStateChangedEvent |
Indicates the new state of the endpoint
|
| VideoCaps |
Format for video media
|
| VideoInfo | |
| WebRtcEndpoint.Builder | |
| ZBarFilter.Builder |
| Enum | Description |
|---|---|
| AudioCodec |
Codec used for transmission of audio.
|
| CertificateKeyType |
.
|
| ConnectionState |
State of the connection.
|
| CryptoSuite |
Describes the encryption and authentication algorithms
|
| FilterType |
Type of filter to be created.
|
| GstreamerDotDetails |
Details of gstreamer dot graphs
|
| IceComponentState |
States of an ICE component.
|
| MediaFlowState |
Flowing state of the media.
|
| MediaProfileSpecType |
Media Profile.
|
| MediaState |
State of the media.
|
| MediaTranscodingState |
Transcoding state for a media.
|
| MediaType |
Type of media stream to be exchanged.
|
| RTCDataChannelState |
Represents the state of the RTCDataChannel
|
| RTCStatsIceCandidatePairState |
Represents the state of the checklist for the local and remote candidates in a pair.
|
| RTCStatsIceCandidateType |
Types of candidates
|
| ServerType |
Indicates if the server is a real media server or a proxy
|
| StatsType |
The type of the object.
|
| UriEndpointState |
State of the endpoint
|
| VideoCodec |
Codec used for transmission of video.
|
| Exception | Description |
|---|---|
| TransactionException | |
| TransactionExecutionException | |
| TransactionNotCommitedException | |
| TransactionNotExecutedException | |
| TransactionRollbackException |
Copyright © 2018 Kurento. All rights reserved.


Seven things that show you are a Selfie Addict
03 Jun 2015
Ten things that show you are a Selfie Addict or may be suffering from Chronic Selfitis!
-
Let me take a selfie first is your most used line in a day.**
-
You are a master now at the art of taking selfies and have a found a perfect side for your selfies!
-
If you don’t post 5 selfies a day,the day seems incomplete.
-
Smartphone seems incomplete without Snapchat and instagram. Click and Share!
-
You click at least 10-20 selfies before stepping out from your home.
-
You have taken a selfie with everything imaginable. Food, pets, family, friends, stranger etc. Oh yes and those “bathroom mirror” selfies. :p
-


Public Member Functions | |
| PolygonBody (Vector2 position, float mass, Vector2 vertices[], unsigned int vertexCount) | |
| PolygonBody (Vector2 position, float mass, std::vector< Vector2 > vertices) | |
| PolygonBody (Vector2 position, float mass, PolygonPath *path) | |
| PolygonBody (Rect rect, float mass) | |
| BodyType | bodyType () |
| bool | intersectsRay (const Vector2 &a, const Vector2 &b) |
| bool | intersectsRay (const Vector2 &ray) |
| bool | containsPoint (const Vector2 &point) |
| unsigned int | vertexCount () |
| const std::vector< Vector2 > & | vertices () const |
| const std::vector< Vector2 > & | normals () const |
| Public Member Functions inherited from Body | |
| Body (Vector2 position, float mass, float staticFriction=0.5f, float dynamicFriction=0.3f, float restitution=0.2f, float rotation=0.0f) | |
| void | applyForce (const Vector2 &f) |
| void | applyImpulse (const Vector2 &impulse, const Vector2 &contactVector) |
| bool | isStatic () |
| void | setStatic () |
| void | resetAllEnergy () |
| void | resetForces () |
| void | integrateForces (float dt, float damping) |
| void | integrateVelocities (float dt) |
| Vector2 | position () |
| void | setPosition (Vector2 p) |
| virtual Matrix22 | rotationMatrix () |
| float | rotation () |
| void | setRotation (float radians) |
| Vector2 | velocity () |
| float | angularVelocity () |
| float | mass () |
| float | invMass () |
| void | setMass (float mass) |
| float | inertia () |
| float | invInertia () |
| void | setInertia (float i) |
| float | staticFriction () |
| float | dynamicFriction () |
| void | setStaticFriction (float sf) |
| void | setDynamicFriction (float df) |
| float | restitution () |
| void | setRestitution (float e) |
| CollisionLevel | collisionLevels () |
| void | setLevels (CollisionLevel levels) |
| CollisionGroup | collisionGroups () |
| void | setGroups (CollisionGroup groups) |
| Rect & | AABB () |
| Public Member Functions inherited from Object | |
| Object () | |
| virtual | ~Object () |
| void | retain () |
| void | release () |
| int | getRetainCount () |
Additional Inherited Members | |
| Public Types inherited from Body | |
| enum | BodyType { BodyTypeCircle, BodyTypePolygon } |
| Protected Attributes inherited from Body | |
| Vector2 | _position |
| float | _angularVelocity |
| Vector2 | _velocity |
| Rect | _AABB |
| Vector2 | _force |
| float | _torque |
| float | _inertia |
| float | _invInertia |
| float | _mass |
| float | _invMass |
| float | _staticFriction |
| float | _dynamicFriction |
| float | _restitution |
| float | _rotation |
| CollisionLevel | _levels |
| CollisionGroup | _groups |
| PolygonBody::PolygonBody | ( | Vector2 | position, |
| float | mass, | ||
| Vector2 | vertices[], | ||
| unsigned int | vertexCount | ||
| ) |
| position | ... |
| mass | ... |
| vertices | ... |
| vertexCount | ... Note that the verticies you input may not all be used or may not be in the same order. This function runs a convex hull function on the input points what will convert the points into a convex body shape. If less than 3 vertices are input then this method will raise an assertion. |
| PolygonBody::PolygonBody | ( | Rect | rect, |
| float | mass | ||
| ) |
Produces a rectangular polygon body with the size and position set from a specified Rect.
| rect | ... |
| mass | The mass of the body; |
|
virtual |
Returns whether or not the body contains the specified point
| point | The point to test. |
Implements Body.
Returns whether or not the body is intersected by the specified ray
| a | The first point of the ray |
| b | The second point of the ray |
Implements Body.


This is a simple personal time keeper for checking in and out of work.
Sign in using your Google account below.


These are falling Apples
Fell on Newton's head.
Jack and Jill ran up a hill and found some more apples here.


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Brandenburger holds appointments at New York University as J.P. Valles Professor at the Stern School of Business, Distinguished Professor at the Tandon School of Engineering, Faculty Director of the NYU Shanghai Program on Creativity + Innovation, and Global Network Professor. He was a professor at Harvard Business School from 1987 to 2002. He received his B.A., M.Phil., and Ph.D. degrees from the University of Cambridge. Adam researches in the areas of game theory, information theory, and business strategy.


{% extends "layout.html" %} {% set title = 'USB Communication' %} {% block additionalHead %} {% endblock %} {% block content %}
This page allows you to communicate with your camera through the USB connection of your computer. Make sure the camera is connected.
Compatibility information: This site is only compatible with Internet Explorer and Safari. The PMCADownloader plugin has to be installed. Camera firmware updates released in June 2017 and later are not compatible.
It is recommended to use pmca-gui instead of this browser-based installer.