JACQUELINE PRAGER DEVINE
UCONN DIGITAL MEDIA & DESIGN
In a way that synthesizes all aspects of my MFA thesis, “tailspin” can also stand alone as a commentary on what we are willing to share with each other, online, anonymously. I chose the color pink for the obvious reason: in all its “girly,” “feminine” symbolism. What does it mean to stand inside of a pink space while confessing pain on a native social media post? What is the significance of, very briefly, existing in a dichotomy of what feels like feminine innocence while expressing the pain you may have felt as a woman, or someone who knows a woman?
By transitioning the digital aspects of this project into an analog space, it was important to me to preserve the nativeness of the social media posts. Since this movement spread like wildfire across various digital platforms, I wanted to mimic that environment while maintaining the participant’s ability to share whatever they choose. And, in the end, these posts will be archived online (on jacquelines-thesis.com) in order to allow those who weren’t able to attend the exhibit to look back on the posts and, maybe, see themselves in the stories that were shared.
This project was named “tailspin” in an attempt to pin-down what so many victims of sexual assault have endured as a result of their pain; a freefall with no ending, always being whipped in circles by your past, going headfirst, into an unknown reception of something that was never, ever your fault.


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ML 11(VEERSANDRA) Plot No.16, Veerasandra Industrial Area, Anekal Taluk, Electronics city, Bangalore - 560 100 Tel:<PHONE_NUMBER>4/95/96 |
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The Veersandra plant commissioned in the year 2003. The facility is dedicated for the manufacturing of Beta lactam, Oral Dosage Forms. The dosage forms produced are Dispersible tablets, Uncoated and Coated tablets, Hard gelatin capsules and Powder For Oral Suspension/ Solution. The facility is approved by UK MHRA, TGA Australia, Health Canada, MCC South Africa, IDA and various MOH. It supplies the products to UK, ROW countries and Domestic Market The following are the few major products:
|


Liverpool predicted XI vs Crystal Palace: Star man could feature despite injury concern
by Tom CrackDespite nursing a few injuries, Liverpool will look to maintain their unbeaten start to the season when they face Crystal Palace away from home on Saturday.
Since Mohamed Salah picked up an ankle injury against Leicester City in early October, Liverpool head coach Jurgen Klöpp has told The Mirror that the former PFA Player’s Player of the Year will not need surgery.
SEE MORE: Crucial boost for Liverpool as Klopp rules out surgery for influential ace
Despite injury concerns, Salah could feature against Palace as he was involved in partial training during the week. Though called up to the national team, the Egyptian sported a protective boot whilst sat on the bench for the duration of the international break.
Starting left-back Andy Robertson is another major doubt for Saturday’s game with an ankle injury similar to Salah’s, as he missed out on playing for Scotland in the last two EURO 2020 qualifiers.
Stepping into Robertson’s shoes will potentially be the always reliable James Milner, who is no stranger to playing as a full back.
Staying with the defence and Dejan Lovern looks set to keep his place alongside Virgil van Dijk, with Joel Matip still ruled out of the side with an injury problem of his own.
A boost in the midfield for the Reds will see captain Jordan Henderson return as well as Georginio Wijnaldum, both of who have recovered from an illness.
Although the league leaders may not be at full strength, Liverpool will still have strong belief that they can achieve a victory and maintain their undefeated start to the season.
Liverpool predicted XI (4-3-3): Alisson, Alexander-Arnold, van Dijk, Lovren, Milner, Fabinho, Henderson, Wijnaldum, Salah, Mané and Firmino.


The ThoughtWorks Technology Advisory Board is a group of senior technology leaders within ThoughtWorks. They produce the ThoughtWorks Technology Radar to help decision makers understand emerging technologies and trends that affect the market today. This group meets regularly to discuss the global technology strategy for ThoughtWorks and the technology trends that significantly impact our industry.
The Technology Radar captures the output of these discussions in a format that provides value to a wide range of stakeholders, from CIOs to enterprise developers. The content provided in this document is kept at a summary level, leaving it up to the reader to pursue more detail when needed. The goal of the radar is conciseness, so that its target audience understands it quickly. The radar is graphical in nature, grouping items into techniques, tools, languages and platforms. Some radar items could appear in multiple quadrants, but we mapped them to the quadrant that seemed most appropriate. We further group these items in four rings to reflect our current position on them.
The rings are:
Items that are new or have moved since the last radar are represented as triangles, while items that have not moved since the last radar are represented as circles. As we look at each quadrant in detail, we show the movement that each item has taken since the last publication of the radar. Items that have not moved in two publications of the radar fade and are no longer displayed unless something significant happens.
The ThoughtWorks Technology Advisory Board is comprised of:
ThoughtWorks – The custom software experts. A company wholly devoted to the art and science of custom software. We make it, and we make our clients better at it. Our bottom line is to design and deliver software fast and predictably. Doing enterprise-scale software is tough, but the returns to those organizations that can deliver – on target – are tremendous.
ThoughtWorks’ products division offers tools to manage the entire Agile development lifecycle through its Adaptive ALM solution™, comprised of Mingle®, Go™ and Twist®.
ThoughtWorks employs 1,800 professionals to serve clients from offices in Australia, Brazil, Canada, China, Germany, India, Singapore, South Africa, the United Kingdom and the United States. We lead the industry in rapid, reliable and efficient custom software development. When you need an expert partner to help you get ahead and stay ahead of the competition, get in touch . top^


A few cases have impeccably sassy and comedic commentary from judges. Note: these are all real quotes from judges. Some selections have been collected below:
DC Comics v. Towle
The very first line: "Holy copyright law, Batman!" "To the Batmobile!" "The character 'James Bond' qualifies for copyright protection because, no matter what the actor who portrays this character looks like, James Bond always maintains his 'cold-bloodedness; his overt sexuality; his love of martinis "shaken, not stirred;" his marksmanship; his "license to kill" and use of guns; his physical strength; [and]his sophistication.'" "Similarly, while the character Godzilla" may have a different appearance from time to time, it is entitled to copyright protection because it "...is always a pre-historic, fire- breathing, gigantic dinosaur alive and well in the modern world." Footnote: "This episode causes Robin to exclaim 'Whee! The Batplane couldn’t do better!'" "As Batman so sagely told Robin, 'In our well-ordered society, protection of private property is essential.'"
Louis Vuitton Malletier (LVM) v. Haute Diggity Dog
"...No one can doubt also that the 'Chewy Vuiton' dog toy is not the 'idealized image' of the mark created by LVM. The differences are immediate, beginning with the fact that the 'Chewy Vuiton' product is a dog toy, not an expensive, luxury LOUIS VUITTON handbag. The toy is smaller, it is plush, and virtually all of its designs differ. Thus, 'Chewy Vuiton' is not LOUIS VUITTON ('Chewy' is not 'LOUIS' and 'Vuiton' is not 'VUITTON,'' with its two Ts)..." "The furry little 'Chewy Vuiton' imitation, as something to be chewed by a dog, pokes fun at the elegance and expensiveness of a LOUIS VUITTON handbag, which must not be chewed by a dog." "...It also contends that 'Chewy Vuiton' dog toys are likely to tarnish LVM’s marks because they 'pose a choking hazard for some dogs.'...LVM has, however, provided no record support for its assertion. It relies only on speculation about whether a dog could choke on the chew toys and a logical concession that a $10 dog toy made in China was of 'inferior quality' to the $1190 LOUIS VUITTON handbag. At oral argument, [LVM] provided only a flimsy theory that a pet may some day choke on a Chewy Vuiton squeak toy and incite the wrath of a confused consumer against LOUIS VUITTON."
Mattel Inc. v. MCA Records
The very first line: "If this were a sci-fi melodrama, it might be called Speech-Zilla meets Trademark Kong." "[Barbie] has survived attacks both psychic (from feminists critical of her fictitious figure) and physical (more than 500 professional makeovers)." "...a Mattel representative responded by saying, '[Just adding a disclaimer is] unacceptable․ It's akin to a bank robber handing a note of apology to a teller during a heist. [It n]either diminishes the severity of the crime, nor does it make it legal.' He later characterized the song as a 'theft' of 'another company's property.' "MCA filed a counterclaim for defamation based on the Mattel representative's use of the words 'bank robber,' 'heist,' 'crime' and 'theft.' But all of these are variants of the invective most often hurled at accused infringers, namely 'piracy.' No one hearing this accusation understands intellectual property owners to be saying that infringers are nautical cutthroats with eyepatches and peg legs who board galleons to plunder cargo." "The parties are advised to chill."
Dallas Cheerleaders v. Pussycat Cinema
"In November 1978 the Pussycat Cinema began to show 'Debbie Does Dallas,' a gross and revolting sex film whose plot, to the extent that there is one, involves a cheerleader at a fictional high school, Debbie, who has been selected to become a 'Texas Cowgirl.'" "The movie consists largely of a series of scenes graphically depicting the sexual escapades of the 'actors'." "In the instant case, the uniform depicted in 'Debbie Does Dallas' unquestionably brings to mind the Dallas Cowboys Cheerleaders. Indeed, it is hard to believe that anyone who had seen defendants' sexually depraved film could ever thereafter disassociate it from plaintiff's cheerleaders."
Universal City Studios, Inc. v. Eric Corle
"[The] Appellants contend, rather hyperbolically, that a prohibition on using copying machines...could not validly be upheld by the availability of 'monks to scribe the relevant passages.'"
Dissent of Antonin Scalia in American Broadcasting Cos., Inc. v. Aereo, Inc.
"Perhaps the Court means to adopt (invent, really) a two-tier version of the Copyright Act, one part of which applies to 'cable companies and their equivalents' while the other governs everyone else...The rationale for the Court’s ad hoc rule for cable-system lookalikes is so broad that it renders nearly a third of the Court’s opinion superfluous." "That leaves as the criterion of cable-TV-resemblance nothing but th’ol’ totality-of-the-circumstances test (which is not a test at all but merely assertion of an intent to perform test-free, ad hoc, case-by-case evaluation)"
Cariou v. Prince
"The district court based its conclusion that Prince's work is not transformative in large part on Prince's deposition testimony that he 'do[es]n't really have a message'...Rather than confining our inquiry to Prince's explanations of his artworks, we instead examine how the artworks may 'reasonably be perceived'"


OC8
- benzoyl peroxide gel
Ferndale Laboratories, Inc.
Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
Active Ingredient
Benzoyl peroxide 7%
Uses
- for the treatment of acne
- penetrates pores to eliminate most acne pimples
- helps prevent new acne pimples from forming
Warnings
For external use only.
Do not use if you
- have very sensitive skin
- are sensitive to benzoyl peroxide
When using this product
- skin irritation and dryness is more likely to occur if you use another topical acne medication at the same time. If irritation occurs, use only one topical acne medication at a time.
- avoid unnecessary sun exposure and use a sunscreen
- avoid contact with the eyes, lips and mouth
- avoid contact with hair and dyed fabrics, which may be bleached by this product
- skin irritation may occur, characterized by redness, burning, itching, peeling, or possible swelling. Irritation may be reduced by using the product less frequently or in a lower concentration.
Stop use and ask a doctor if
- irritation becomes severe
Keep out of reach of children.
If swallowed, get medical help or contact a Poison Control Center right away.
Directions
- cleanse the skin thoroughly before applying
- cover the entire affected area with a thin layer 1 to 3 times a day
- because excessive drying of the skin may occur, start with 1 application daily, then gradually increase to 2 or 3 times daily if needed or as directed by a doctor
- if bothersome dryness or peeling occurs, reduce application to once a day or every other day
- if going outside, apply a sunscreen after using this product. Allow OC8 Adult Acne Treatment Gel to dry, then follow directions in the sunscreen labeling. If irritation or sensitivity develops, stop use of both products and ask a doctor.
Other Information
Store at 25°C (77°F); excursions permitted to 15-30°C (59-86°F) [see USP Controlled Room Temperature].
Inactive Ingredients
purified water, DVB/isobornyl methacrylate/lauryl methacrylate copolymer, propylene glycol, PEG-400, carbomer homopolymer, sodium hydroxide, edetate disodium
Questions?
1-866-668-7482 weekdays
Package Display
OC8®
Adult
Acne Treatment Gel
7% Benzoyl Peroxide
Net Wt. 1.6 oz. (45 g)
Manufactured for
Ferndale Healthcare® Inc.
By Ferndale Laboratories, Inc.
Ferndale, MI 48220 U.S.A.
Toll Free<PHONE_NUMBER>
www.ferndalehealthcare.com
OC Eight® and OC8® are registered trademarks of Ferndale IP, Inc.
NDC 0496-0973-45
Ferndale Laboratories, Inc.


We are a community of designers, developers, hackers, and makers.
We attend tons of hackathons throughout the year. We were ranked by Major League Hacking as the 14th most active hacking community in North America for the Spring 2016 season.
We host bi-weekly Code@Nights on Wednesdays in SERC 358. We get together, hang out, code, make friends, and have a good time. No coding experience required!
We work with other student orgs and the CIS dept to get more students interested in coding and technology. We also host other events such as Local Hack Day to benefit others throughout Philly.
Getting involved with TUDev means surrounding yourself with other smart, motivated hackers and a talented and growing alumni network, leading to more opportunities down the road.
Be there, or O(n^2)


Padoc.com
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Consider the following code:
What values of number are directly handled by the base case?
\geq 0
and number < 10
< 0
< 10
> 10
When the base case is reached, no more recursive calls are executed.
There is nothing special about the order of the cases. The base case and recursive call cases can be in any order.


Supreme Collection Expected to Generate Over $345,000 at Auction
This is Christie's biggest Supreme auction ever.
by Layla IlchiChristie’s largest collection of Supreme products is going up for auction this month.
The auction house is offering more than 230 individual Supreme skateboards dating from 1998 to the present day, with many made in collaboration with a lengthy list of notable artists including Kaws, Jeff Koons, Takashi Murakami and Damien Hirst, among others. The sale is part of Christie’s Handbags X Hype event.
Read More: Supreme Tops List of Most Searched ‘Fake’ Brands
In addition to skateboards, the sale also includes a number of limited-edition Supreme items, such as the Stern Pinball Machine (estimated to sell for $30,000 to $50,000), the Coleman Mini Bike (estimated to sell for $3,000 to $5,000) and a Louis Vuitton Monogram Malle Courrier 90 Trunk (estimated to sell for $50,000 to $60,000). The total Christie’s Supreme sale is expected to auction for $232,300 to $345,800.
The Christie’s online auction, which will take place from Nov. 26 to Dec. 10, comes on the heels of a recent lawsuit filed against the streetwear brand by Montana-based ASAT Outdoors LLC earlier this month, which claims that Supreme’s camouflage print violates copyright infringement because it bears similarity to a design the brand created in 1985.
Supreme has not yet commented on the lawsuit, however the brand recently celebrated the opening of its San Francisco store last month and released its suitcase collaboration with Rimowa earlier this month.
The Supreme sale is being auctioned alongside a collection of rare Hermès and Chanel handbags, including the Hermès Himalaya Niloticus Crocodile Birkin for $40,000 to $60,000 and a Chanel spring 2004 Leather Record Clutch for $3,000 to $4,000. The live exhibition of the sale will take place from Dec. 6 to Dec. 10 in New York.
Click through the above gallery to see more items from the Christie’s Supreme auction.
Read more here:
The Dress Princess Diana Wore to Dance With John Travolta Is for Sale
Supreme and Rimowa Team for Suitcase Collaboration
Christie’s Reveals Lee Radziwill Collection Before Sale
WATCH: Top Street Style Stars Reveal How They Create Fashion Week Looks


Connect
ws://<IP_ADDRESS>/ws
N
E
S
W
Heading
0°
Pitch
0°
Roll
0°
Controller state
lastest known robot state
Robot State
lastest known robot state


Given two binary trees, return True if and
only if they are mirror images of each other.
To be mirrors, the left subtree of the first tree must mirror the right subtree of the second tree. And the right subtree of the first tree must mirror the left subtree of the second tree.


The metal:fill-slot
attribute
The metal:fill-slot
attribute is used at the point of consuming a METAL macro to provide slot-filler content for one of the slots in the consumed macro.
Content may only be provided for slots which exist in the the consumed macro, created via the metal:define-slot
attribute.
metal:fill-slot
attributes are only valid upon descendents of an element which has either the metal:use-macro
or metal:extend-macro
attributes; in the latter case, for macro extension.
How slots are filled
When a METAL macro defines one or more slots, these are subtrees within the macro which may optionally be replaced by an alternative subtree, provided by the element which contains a corresponding metal:fill-slot
attribute.
If a slot is defined but at the point of consumption there is no corresponding metal:fill-slot
attribute, then the original subtree (where the slot was defined) will be used, as if the slot did not exist.
Examples
These examples use macros which are defined in the same template document; this is only for simplicity of the examples. The most common usage of METAL macros sees each macro declared in a separate source file of its own. Slots and slot-fillers function whether the macro is declared in the same document or an external document, as shown in this example of macro usage.
Filling a single slot
The following code listing shows an HTML template which defines one macro (named sampleMacro
) with one slot (named slotOne
).
It also includes a usage of that macro and a matching slot-filler.
Please note that to demonstrate that whole elements are replaced, the macro and slot elements include HTML class
attribute as well.

<title>Macro slot filling example</title>

This is a macro

Slot content here

This is the end of the macro

This is the slot-filler content

Rendering the above document would produce the following results:

<title>Macro slot filling example</title>

This is a macro

Slot content here

This is the end of the macro

This is a macro

This is the slot-filler content

This is the end of the macro

Filling one slot and leaving another unfilled
This example shows what happens when a slot if left unfilled (there is no matching metal:fill-slot
attribute for the slot name).

<title>Macro slot filling example</title>

Further information unavailable.

This is some sample product info.

Rendering the above document would produce a result which looks like the following.
Notice how in the usage of the macro, the
element still has the original slot content, its src
attribute points to images/noImageAvailable.png
.
This is because the macro-usage did not include any slot filler for the productImage
slot.
Filler content was provided for the productInfo
slot though, and so this renders with the filler content instead of the original macro content.

<title>Macro slot filling example</title>

Further information unavailable.

This is some sample product info.


Music Survey
Your Information
Name:
Email:
Phone Number:
I am:
Male
Female
Age:
Years Old
Step Two: Share Your Thoughts
How has music Influenced your life?
Place Your Comments Here
Send It!
HTML5 Validation


LICENSE
[line 19]
[line 26]
cFTP_Item __construct( $handle, $name)
Overridden in child classes as:
void changeMode( int $chmod)
The param can be also instance of cFTP_Chmod
string getName( )
cFTP_Element rename( $newName)


For each value \(z\) in charge_states
, the function calculates
the corresponding mass-to-charge ratio \(m / z + m_c\) (\(m_c\): charge agent mass);
upper and lower tolerances for this ratio, so that these values form a window of width \(mz \times ppm / 10^6\) centered at \(mz\).
ionize(p, charge_states, ppm = 400, charge_agent_mass = NULL)
| p | A data frame describing proteoform masses (see details). |
|---|---|
| charge_states | Vector of charge states for which m/z values should be calculated. |
| ppm | Width of the m/z window in parts per million. |
| charge_agent_mass | Mass of the charge carrier. If |
A data frame containing all columns of the input data frame plus four
additional columns: z
(charge state), mz
(exact mass-to-charge ratio),
mz_min
, and mz_max
. The latter two columns represent lower and upper
tolerances for the mass-to-charge ratio and are used as integration
boundaries by quantify_ions()
. If the supplied data frame has \(r\)
rows and \(c\) charge states were specified, the resulting data frame has
\(r * c\) rows.
The data frame passed to the first argument must contain at least one column
named mass
; each of its value represents the mass of a single proteoform.
The data frame may contain any number of additional columns, which will be
returned unchanged.
#> # A tibble: 10 x 6 #> name mass z mz mz_min mz_max #> <chr> <dbl> <int> <dbl> <dbl> <dbl> #> 1 p1 140000 36 3890. 3889. 3891. #> 2 p1 140000 37 3785. 3784. 3786. #> 3 p1 140000 38 3685. 3684. 3686. #> 4 p1 140000 39 3591. 3590. 3591. #> 5 p1 140000 40 3501. 3500. 3502. #> 6 p2 145000 36 4029. 4028. 4030. #> 7 p2 145000 37 3920. 3919. 3921. #> 8 p2 145000 38 3817. 3816. 3818. #> 9 p2 145000 39 3719. 3718. 3720. #> 10 p2 145000 40 3626. 3625. 3627.


Toggle navigation
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Simple Instructions
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Here is a list of your submitted SEP applications. To create a new application from a previous one, simply find it and select Copy.
Here is a list of your draft SEP applications.
To create a new application from a previous one, simply find it and select Copy.


ToDo-List
Home
About ToDo-List
Contact the Creator
Shrish Sharma
A Computer Science Engineer from Jaypee University of Engineering and Technology, Guna.
Connect with me


{% extends 'base.html' %} {% block title %}Error - Page Not Found{% endblock %} {% block body %}
What you were looking for is just not there. Please contact<EMAIL_ADDRESS>if this is an error
Get back to main Application


| Package | Description |
|---|---|
| org.plasma.metamodel |
Package level documentation for package org.plasma.metamodel.
|
| org.plasma.metamodel.adapter | |
| org.plasma.provisioning | |
| org.plasma.provisioning.cli | |
| org.plasma.provisioning.rdb | |
| org.plasma.provisioning.xsd | |
| org.plasma.runtime | |
| org.plasma.text.lang3gl | |
| org.plasma.text.lang3gl.java | |
| org.plasma.xml.schema |
Copyright 2017 TerraMeta Software, Inc.
|
| org.plasma.xml.uml |
| Class and Description |
|---|
| Alias
This stereotype provides modelling-context specific alternative names for UML named elements within a model.
|
| Behavior
Java class for Behavior complex type.
|
| BehaviorType
Java class for BehaviorType.
|
| Body
A container for content
Java class for Body complex type.
|
| Class
A class definition
Java class for Class complex type.
|
| ClassAppInfo
Application specific information for a class element
Java class for ClassAppInfo complex type.
|
| ClassProvisioning
The code generation meta data associated with a class
Java class for ClassProvisioning complex type.
|
| ClassRef
References a class and serves as a type abstraction to avoid circular references within XML marshaling
Java class for ClassRef complex type.
|
| CodingStrength
Java class for CodingStrength.
|
| ConcurentDataFlavor
Java class for ConcurentDataFlavor.
|
| ConcurrencyType
Java class for ConcurrencyType.
|
| Concurrent
This stereotype annotates or tags UML properties for use within various operations involving concurrency control.
|
| DataTypeRef
An SDO datatype reference
Java class for DataTypeRef complex type.
|
| Derivation
This UML stereotype is applied to a consumer UML named-element that is computed from the supplier element.
|
| Documentation
Provides documentation for elements
Java class for Documentation complex type.
|
| DocumentationType
Java class for DocumentationType.
|
| Element
A common superclass for all elements
Java class for Element complex type.
|
| Enumeration
An enumeration definition
Java class for Enumeration complex type.
|
| EnumerationAppInfo
Application specific information for an enumeration element
Java class for EnumerationAppInfo complex type.
|
| EnumerationConstraint
This stereotype constrains a UML property by means of a given UML enumeration.
|
| EnumerationLiteral
An enumeration literal definition
Java class for EnumerationLiteral complex type.
|
| EnumerationLiteralAppInfo
Application specific information for an enumeration literal element
Java class for EnumerationLiteralAppInfo complex type.
|
| EnumerationRef
References an enumeration and serves as a type abstraction to avoid circular references within XML marshaling
Java class for EnumerationRef complex type.
|
| Key
This stereotype tags or annotates a UML property as representing some type of key within a data store, data transfer or transient storage medium.
|
| KeyType
Java class for KeyType.
|
| Model
A container for packages
Java class for Model complex type.
|
| ModelAppInfo
Application specific information for a model element
Java class for ModelAppInfo complex type.
|
| NamedElement
Java class for NamedElement complex type.
|
| NamespaceProvisioning
The code generation meta data associated with a namespace
Java class for NamespaceProvisioning complex type.
|
| Package
A package
Java class for Package complex type.
|
| PackageAppInfo
Application specific information for a package element
Java class for PackageAppInfo complex type.
|
| PackageRef
A reference to a package
Java class for PackageRef complex type.
|
| Property
A property definition
Java class for Property complex type.
|
| PropertyAppInfo
Application specific information for a property element
Java class for PropertyAppInfo complex type.
|
| PropertyProvisioning
The code generation meta data associated with a property
Java class for PropertyProvisioning complex type.
|
| PropertyRef
References a class property and serves as a property abstraction to avoid circular references within XML marshaling
Java class for PropertyRef complex type.
|
| SemanticConstraint
Java class for SemanticConstraint complex type.
|
| Sort
Assigns ordering and other related information to properties within an entity.
|
| Temporal
Java class for Temporal complex type.
|
| TemporalType
Java class for TemporalType.
|
| Type
A type abstraction used for both datatypes, classes, enumerations etc..
|
| TypeRef
A reference to a type abstraction used for both datatypes and classes
Java class for TypeRef complex type.
|
| UniqueConstraint
This stereotype tags a UML property as unique within its UML class and resulting SDO Type. if the unique constraint 'name' is valued, the name is used all or in part as the final physical constraint id within a physical data store.
|
| ValueConstraint
Java class for ValueConstraint complex type.
|
| ValueSetConstraint
This stereotype allows a value set constraint to be specified for a class attribute.
|
| VisibilityType
Java class for VisibilityType.
|
| XmlNodeType
Java class for XmlNodeType.
|
| XmlProperty
This stereotype provides modelling-context specific alternative names for UML named elements within a model.
|
| Class and Description |
|---|
| Class
A class definition
Java class for Class complex type.
|
| Documentation
Provides documentation for elements
Java class for Documentation complex type.
|
| Model
A container for packages
Java class for Model complex type.
|
| Package
A package
Java class for Package complex type.
|
| Property
A property definition
Java class for Property complex type.
|
| Type
A type abstraction used for both datatypes, classes, enumerations etc..
|
| Class and Description |
|---|
| Model
A container for packages
Java class for Model complex type.
|
| Class and Description |
|---|
| Model
A container for packages
Java class for Model complex type.
|
| Class and Description |
|---|
| Class
A class definition
Java class for Class complex type.
|
| Enumeration
An enumeration definition
Java class for Enumeration complex type.
|
| Model
A container for packages
Java class for Model complex type.
|
| Package
A package
Java class for Package complex type.
|
| Property
A property definition
Java class for Property complex type.
|
| Class and Description |
|---|
| Class
A class definition
Java class for Class complex type.
|
| Documentation
Provides documentation for elements
Java class for Documentation complex type.
|
| DocumentationType
Java class for DocumentationType.
|
| Enumeration
An enumeration definition
Java class for Enumeration complex type.
|
| EnumerationConstraint
This stereotype constrains a UML property by means of a given UML enumeration.
|
| EnumerationLiteral
An enumeration literal definition
Java class for EnumerationLiteral complex type.
|
| Model
A container for packages
Java class for Model complex type.
|
| Property
A property definition
Java class for Property complex type.
|
| ValueConstraint
Java class for ValueConstraint complex type.
|
| Class and Description |
|---|
| Model
A container for packages
Java class for Model complex type.
|
| Class and Description |
|---|
| Class
A class definition
Java class for Class complex type.
|
| ClassRef
References a class and serves as a type abstraction to avoid circular references within XML marshaling
Java class for ClassRef complex type.
|
| Enumeration
An enumeration definition
Java class for Enumeration complex type.
|
| Package
A package
Java class for Package complex type.
|
| Class and Description |
|---|
| Class
A class definition
Java class for Class complex type.
|
| ClassRef
References a class and serves as a type abstraction to avoid circular references within XML marshaling
Java class for ClassRef complex type.
|
| DataTypeRef
An SDO datatype reference
Java class for DataTypeRef complex type.
|
| Documentation
Provides documentation for elements
Java class for Documentation complex type.
|
| Enumeration
An enumeration definition
Java class for Enumeration complex type.
|
| EnumerationLiteral
An enumeration literal definition
Java class for EnumerationLiteral complex type.
|
| Package
A package
Java class for Package complex type.
|
| Property
A property definition
Java class for Property complex type.
|
| TypeRef
A reference to a type abstraction used for both datatypes and classes
Java class for TypeRef complex type.
|
| Class and Description |
|---|
| Model
A container for packages
Java class for Model complex type.
|
| Class and Description |
|---|
| Model
A container for packages
Java class for Model complex type.
|
PlasmaSDO™ and PlasmaQuery™ are trademarks of TerraMeta Software, Inc. Copyright © 2011 - All Rights Reserved.


We are delighted to announce that the 8th Thailand World Schools Debating Championships is going to take place at Panyarat High School from 11 March to 13 March 2019. More information will be available later on.
Hosting this tournament in 2018, Panyarat High School is an accredited institution specializing in Math/Science in a bilingual environment.
World Schools is a five man team prep, three man team debating style popular worldwide.
World School Adjudication is slightly different from the All-Asians format.


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Scorpio Symbol
The symbol for Scorpio is in a way unexplained as much as Virgo. The sting at the right hand end of it is easy to understand, and this also links it to the sign’s traditional ruler, Mars. It represents our drive and the initiative we have to move. It would probably be appropriate to say that Scorpio represents change and the entire symbol shows ups and downs that end with a lift to another plain, this in a way representing death.
The letter “M” that stands as a basis for both Virgo and Scorpio has never been explained and it has been discussed that it stands for “Maiden”. Although there is a slim chance this is the origin of the symbol, it goes well with the feminine nature of both signs. As much as Virgo represents a feminine principle ruled by Mercury, going back to the beginning for as many times as needed to solve the equation, Scorpio speaks of moving on and the feminine approach to the moment when things end.
Scorpio Ruler
The sign of Scorpio is ruled by Pluto and even though its traditional ruler is Mars, let us stick with a “non-planet” Pluto for a moment. Some time ago, Pluto has lost its status of a planet although it has been considered one for years, and it was declared a dwarf planet because of its size. The sign of Scorpio and Pluto both speak of dismissed things, trash, emotions that we don’t want to recognize or see. It is interesting then how Pluto has been dismissed, amputated from our reality, only to find ourselves surrounded by one planet less, as if it made a difference to him or his movements in any way.
In Greek mythology Pluto was the god of the underworld and he is usually connected to the story of his wife Persephone, through a love that breaks all boundaries and ties two people together regardless of death.
Scorpio Ruler
There are two symbols that represent Pluto. The first one is a monogram for Pluto, a combination of letters “P” and “L” that could also be interpreted to stand for Percival Lowell, the astronomer who initiated the search for a planet beyond the orbit of Neptune. In abstract symbolism, it can represent a man standing firmly on the ground, bowing down to the imminence of death
Scorpio Ruler
The second symbol for Pluto is said to be the modification of Neptune’s astrological symbol, except instead of the three arrows, it is a circle in a crescent. It represents the mind (crescent) transcending matter (cross) to reach for divine spirit (circle). It can also be understood that the symbol for Pluto connects the Sun, the Moon and the Earth, making it extremely special for our entire system of movement in the Universe. If the crescent is moved above the circle, we get the symbol for Mercury, the messenger of the gods.
The entire upper half of the symbol can be viewed as a crib holding a baby, or a mother holding a baby in her arms, while the cross is the death of our physical body and the grave our body will end up in. This combination speaks of Pluto’s depth as a link between death and the conception of life


PLANET SICK-BOY: http://www.sick-boy.com "We Put the SIN in Cinema"
Thank you, Rialto Pictures, for cleaning up and re-releasing Jules Dassin's Rififi, an incredible French masterpiece in black and white about a high-stakes jewel heist. The film, which won Dassin the Best Director award at the 1955 Cannes Film Festival, is said to have inspired the likes of Quentin Tarantino and François Truffaut, the latter of whom called Rififi the best Film Noir he'd ever seen.
Rififi is set in Paris, where gristly Tony (Jean Servais) has just been popped from the pokey after serving five years for a jewel robbery. We later learn that Tony took the fall for his young protégé named Jo (Carl Möhner) because of his student's young wife and son. After filling his lungs with the sweet air of freedom, Tony quickly finds out that Jo is still involved in the burglary racket and that his girlfriend Mado (Marie Sabouret) has taken up with a gangster named Grutter (Marcel Lupovici).
In fact, Jo and his cousin Mario (Robert Manuel) ask Tony if he wants in on their latest endeavor – stealing diamonds from the window display of a prominent jeweler. At first, Tony balks at the idea, declaring that the store has `more alarms than a firehouse,' but eventually agrees to participate if Jo and Mario agree to two conditions – they can't use guns, and they have to go after the jeweler's well-protected vault instead of the merchandise in the window. Their pilfering plan is rounded out by the addition of a safecracker from Milan named Cesar (played by Dassin under the pseudonym Perlo Vita).
The four men meticulously case the joint, detailing everything from the hours of operation of each surrounding business to the lap time around the block. There's a great scene where they acquire a duplicate of the jeweler's state-of-the-art alarm system, causing one of the men to observe that `It's getting harder to make a living' before methodically testing the alarm like a Consumer Reports scientist.
All of the preparation is merely a set-up for what is probably the best on-screen robbery ever filmed. Using rope, an umbrella and some simple tools, the burglary takes nearly 30 maddening, nail-biting minutes to unfold, accentuated by a complete lack of dialogue and score. The half-hour heist is so detailed, it was actually banned in several countries when Rififi was first released.
Rififi is pretty violent for a 45-year-old film, but most of the brutal stuff takes place just off-camera (like the ear-severing scene in Tarantino's Reservoir Dogs). Dassin (Never on Sunday), who wrote the screenplay in six days, does a fantastic job of directing, and the film's newly restored black-and-white photography looks as lush as ever. Rififi is based on Auguste Le Breton's novel and features a performance by La Dolce Vita's Magali Noël, who sings `Rififi,' a song about physical confrontation in Grutter's nightclub.
2:00 – Not Rated, but contains violence and some mild sexual content
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urban interface+experience design major@ uc berkeley
currently...
watching: Dogs on Netflixlistening: thank u, next - Ariana Grandeexploring: Berkeley, CAlooking:to be hired :^)


Please visit
our site
to choose a training course. Also visit
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Kids these days! I was saddened to hear that our interns had no idea what a "woobie" was. I was so shocked they didn't know what it was I tried to find it on Wikipedia.&
--- layout: post title: Where Have All The Woobies Gone? categories: [] tags: [] status: publish type: post published: true meta: _original_post_id: '' _original_import_author: John Duprey author: ---
Kids these days! I was saddened to hear that our interns had no idea what a "woobie" was. I was so shocked they didn't know what it was I tried to find it on Wikipedia.&


--- layout: post short-title: RRS Sir David Attenborough title: DgS announces contract with British Antarctic Survey image: rrs-attenborough.jpg date: 2018-03-08 09:00 -0800 permalink: /news/bas/ links: British Antarctic Survey: https://www.bas.ac.uk/ RRS Sir David Attenborough: https://www.bas.ac.uk/polar-operations/sites-and-facilities/facility/rrs-sir-david-attenborough/ ---
Dynamic Gravity Systems (DgS) announces a contract with the British Antarctic Survey (part of the National Environmental Research Council), to provide a new Advanced Technology Marine Gravity system (AT1M) for their upcoming research vessel, the RRS Sir David Attenborough.
The RRS Sir David Attenborough is expected to be complete construction and outfitting in 2018, to be launched in 2019.


Giving money to a super PAC is one of the last things I thought I'd ever do...
But I just gave $131
I recently joined Lawrence Lessig's citizen-funded Mayday PAC, an ambitious campaign to win a Congress committed to ending corruption in 2016, and we did something amazing: we raised $1 million dollars in 12 days. That's a ton of money, but it's not enough.
We're raising $5 million more, and I'm writing to my friends and family to ask if you can help us get the rest of the way there. If all of us who have supported the Mayday PAC so far each recruit just five matching donation, we'd easily hit that goal. But I'd like to see if I can recruit ten of my friends to donate. So my question is: will you be one of those ten?


Define a structure data type called time_struct containing three members integer hour, integer minute and integer second. Develop a program that would assign values to the individual members and start running the clock and disply time in HH:MM:SS format.
Design a structure student_record to contain name, roll_number, and total marks obtained. Write a program to read 10 students data from the user and then display the first three toppers on the screen.


United Auto Workers president resigns amid corruption probe: source
United Auto Workers (UAW) President Gary Jones resigned ON Wednesday after being linked to an ongoing corruption probe by U.S. federal officials, a union source confirmed to Reuters.
REUTERS: United Auto Workers (UAW) President Gary Jones resigned ON Wednesday after being linked to an ongoing corruption probe by U.S. federal officials, a union source confirmed to Reuters.
Jones' lawyer Bruce Maffeo told the Detroit News that the union president had decided to resign effective immediately. Maffeo did not respond to repeated requests from Reuters, and a UAW spokesman said he could not confirm the resignation. The decision came hours after the union filed charges under its bylaws against Jones in a move that could have led to his removal from office.
(Reporting by David Shepardson; Editing by Leslie Adler)


--- title: "Simple Insurance Claims Simulation" date: "2017-03-20" output: html_document tut_category: "simulation" ---
We will start by running one frequency severity simulation. We will first simulate the frequency (i.e. the number of claims), and then we will simulate a severity for each simulated claim.
We are using the poisson distriubtion to simulate the frequency. The poisson distribution has one parameter (lambda
). Both the mean and the variance of the poisson distribution are equal to lambda
. Without further ado let’s run the simulation:
set.seed(3000)
freq <- rpois(n = 1, lambda = 10)
freq
#> [1] 13
We simulated 13 claims.
Now we will simulate a severity for each of these 13 claims. We will use the lognormal distribution here.
severity <- rlnorm(n = freq, meanlog = 9, sd = 1.9)
severity
#> [1] 27585.0343 19542.7042 35016.7195 5270.9408 4154.9639
#> [6] 2359.7060 735.8857 322.2873 248.4781 1696.8470
#> [11] 374.5661 14470.0607<PHONE_NUMBER>
summary(severity)
#> Min. 1st Qu. Median Mean 3rd Qu. Max.
#> 248.5 735.9 4155.0 19235.1 19542.7 138278.3
Ok. That looks pretty good. Now let’s do what computers do best and scale the number of computations up a bit.
# set the number of observations
n_obs <- 1000
# run the frequency simulations
freq <- rpois(n_obs, 10)
# inspect some of the simulated frequencies
freq[1:20]
#> [1] 10 8 11 11 13 17 8 15 9 15 9 12 6 8 8 11 13 7 15 10
Now we are going to run severity simulations for each of our simulated frequencies. This is where things may start to get a little complicated if you are just starting out.
severity <- lapply(freq, function(x) {
rlnorm(n = x, meanlog = 9, sd = 1.9)
})
In the above code we used the lapply()
function to run the rlnorm()
function on each of the elements in out freq
vector. The output is a list with 1000 elements. Each element in our list output contains the number of simulated severities as specified in the freq
vector. e.g. the first two frequency simulations were 10, 8 and the first two elements in our severity
list are:
severity[1:2]
#> [[1]]
#> [1] 1207648.3071 7162.4942 943.3199 27414.2922 52984.9986
#> [6] 767.3141 11866.0220 9226.3428 78598.8073 4117.2499
#>
#> [[2]]
#> [1] 1050.4483 4785.0691 6728.8804 659.4182 785.1295 549.3497
#> [7] 9945.6607 98724.3965
You can see above that severity[[1]]
has 10 simulated values and severity[[2]]
has 8 simulated values.
Our data is in a list format, but we want it in a data frame. The dplyr
package is amazing for working with data frames. We will be using it a lot in these tutorials.
library(dplyr)
#>
#> Attaching package: 'dplyr'
#> The following objects are masked from 'package:stats':
#>
#> filter, lag
#> The following objects are masked from 'package:base':
#>
#> intersect, setdiff, setequal, union
# first convert each list item to a data frame
severity <- lapply(1:length(severity), function(x) {
data.frame("sim" = x, "severity" = severity[[x]])
})
# now combine the data frames into one big data frame
severity <- bind_rows(severity)
head(severity)
#> sim severity
#> 1 1 1207648.3071
#> 2 1 7162.4942
#> 3 1 943.3199
#> 4 1 27414.2922
#> 5 1 52984.9986
#> 6 1 767.3141
Now that we have our data in a nice tidy data frame we can do easily work with it. First lets find the total aggregate loss for each frequency severity simulation.
agg <- severity %>% group_by(sim) %>%
summarize(agg = sum(severity))
head(agg)
#> # A tibble: 6 x 2
#> sim agg
#> <int> <dbl>
#> 1 1 1400729.15
#> 2 2 123228.35
#> 3 3 267868.74
#> 4 4 98443.92
#> 5 5 744712.75
#> 6 6 666766.80
The average aggregate loss is
mean(agg$agg)
#> [1] 434163.8
Now what happens if we apply a limit of 100,000 to each severity:
agg_limited <- severity %>%
mutate(severity_limited = pmin(severity, 100000)) %>%
group_by(sim) %>%
summarize(agg = sum(severity),
agg_limited = sum(severity_limited))
head(agg_limited)
#> # A tibble: 6 x 3
#> sim agg agg_limited
#> <int> <dbl> <dbl>
#> 1 1 1400729.15 293080.84
#> 2 2 123228.35 123228.35
#> 3 3 267868.74 267868.74
#> 4 4 98443.92 98443.92
#> 5 5 744712.75 504921.27
#> 6 6 666766.80 526577.00
Our mean frequency sevrity simulation with each severity limited to 100,000 is:
mean(agg_limited$agg_limited)
#> [1] 227466.5
Here we learned the basics of a frequency/severity simulation. In the next tutorail we will apply an aggregate stop loss, and we will introduce other distributions.


agriculture core collection disaster response multi spectral imagery natural resource satellite imagery
The Sentinel-2 mission is a land monitoring constellation of two satellites that provide high resolution optical imagery and provide continuity for the current SPOT and Landsat missions. The mission provides a global coverage of the Earth's land surface every 5 days, making the data of great use in on-going studies. L1C data are available from June 2015 globally. L2A data are available from September 2016 over wider Europe region and globally since January 2017.
10m
Land surface area (more info)
2015 - ongoing
New Sentinel data are added regularly, usually within few hours after they are available on Copernicus Hub.
Information about [bands and data](https://docs.sentinel-hub.com/api/latest/data/sentinel-2-l1c/#available-bands-and-data)
Collection of Sentinel-2 custom scripts
See all datasets managed by Sentinel Hub.
services.sentinel-hub.com
S2L1C
creodias.sentinel-hub.com
S2L1C
code-de.sentinel-hub.com
S2L1C
shservices.mundiwebservices.com
S2L1C


Coding Quiz
Try to answer the following code-related questions within the time limit. Keep in mind incorrect answers will penalize your time limit by ten seconds!
Try to answer the following code-related questions within the time limit. Keep in mind incorrect answers will penalize your time limit by ten seconds!


 CLICK HERE TO GO BACK TO MAIN PAGE. {% endblock %}
YOU DON'T HAVE PERMISSION TO VISIT THIS PAGE. CLICK HERE TO GO BACK TO MAIN PAGE.


The most comprehensive list EVER!
Do you see any Teletubbies in here? Do you see a slender plastic tag clipped to my shirt with my name printed on it? Do you see a little Asian child with a blank expression on his face sitting outside on a mechanical helicopter that shakes when you put quarters in it? No? Well, that's what you see at a toy store. And you must think you're in a toy store, because you're here shopping for an infant named Jeb.
Add games to our collection!
Now that we know who you are, I know who I am. I'm not a mistake! It all makes sense! In a comic, you know how you can tell who the arch-villain's going to be? He's the exact opposite of the hero.  I should've known way back when... You know why, David? Because of the kids. They called me Mr Glass.


Generating RSA keypair, this will take a while...
Install OpenVPN plugin for NetworkManager by executing following two command in the terminal:
# Ubuntu 16.04 ships with older OpenVPN 2.3, to support newer ciphers add OpenVPN's repo
if [ $(lsb_relase -cs) == "xenial" ]; then
wget -O - https://swupdate.openvpn.net/repos/repo-public.gpg|apt-key add -
echo "deb http://build.openvpn.net/debian/openvpn/release/2.4 xenial main" > /etc/apt/sources.list.d/openvpn-aptrepo.list
apt update
apt install openvpn
fi
sudo apt install -y network-manager-openvpn-gnome
sudo systemctl restart network-manager
Open up network connections:
Hit Add button:
Select Import a saved VPN configuration...:
Select downloaded file:
Once profile is successfully imported following dialog appears:
By default all traffic is routed via VPN gateway, route only intranet subnets to the gateway select Routes... under IPv4 Settings:
Check Use this connection only for resources on its network:
To activate the connection select it under VPN Connections:
Copy-paste follownig to terminal as root user:
{% include "snippets/request-client.sh" %}
cat << EOF > '/etc/NetworkManager/system-connections/OpenVPN to {{ session.service.title }}'
{% include "snippets/networkmanager-openvpn.conf" %}EOF
nmcli con reload
Copy-paste follownig to terminal as root user:
{% include "snippets/request-client.sh" %}
cat << EOF > '/etc/NetworkManager/system-connections/IPSec to {{ session.service.title }}'
{% include "snippets/networkmanager-strongswan.conf" %}EOF
nmcli con reload
Install OpenVPN plugin for NetworkManager by running following two commands:
dnf install NetworkManager-openvpn-gnome
systemctl restart NetworkManager
Right click in the NetworkManager icon, select network settings. Hit the + button and select Import from file..., select the downloaded .ovpn file.
Remove the .ovpn file from the Downloads folder.
Fetch OpenVPN profile
Import PKCS#12 container to your machine trust store. Import VPN connection profile by moving the downloaded .pbk file to
%userprofile%\AppData\Roaming\Microsoft\Network\Connections\PBK
or
C:\ProgramData\Microsoft\Network\Connections\Pbk
Fetch PKCS#12 container
Fetch IPSec IKEv2 VPN profile
To configure IPSec IKEv2 tunnel on Windows, open PowerShell as administrator and copy-paste following:
{% include "snippets/windows.ps1" %}
Install OpenVPN community edition client. Move the downloaded .ovpn file to C:\Program Files\OpenVPN\config and right click in the system tray on OpenVPN icon and select Connect from the menu. For finishing touch adjust the file permissions so only local administrator can read that file, remove regular user access to the file.
Get OpenVPN community edition Fetch OpenVPN profileDownload OpenVPN from the link supplied above:
Install OpenVPN:
Move the configuraiton file downloaded from the second button above:
Connect from system tray:
Connection is successfully configured:
Download Tunnelblick. Tap on the button above and import the profile.
Get Tunnelblick Fetch OpenVPN profileInstall OpenVPN Connect app, tap on the button below.
Get OpenVPN Connect app Fetch OpenVPN profileTap the button below, you'll be prompted about configuration profile, tap Allow. Hit Install in the top-right corner. Enter your passcode to unlock trust store. Tap Install and confirm by hitting Install. Where password for the certificate is prompted, enter 1234. Hit Done. Go to Settings, open VPN submenu and tap on the VPN profile to connect.
Fetch IPSec IKEv2 VPN profileClick on the button below, you'll be prompted about configuration profile, tap Allow. Hit Install in the top-right corner. Enter your passcode to unlock trust store. Tap Install and confirm by hitting Install. Where password for the certificate is prompted, enter 1234. Hit Done. Go to Settings, open VPN submenu and tap on the VPN profile to connect.
Fetch VPN profileIntall OpenVPN Connect app on your device. Tap on the downloaded .ovpn file, OpenVPN Connect should prompt for import. Hit Accept and then Connect. Remember to delete any remaining .ovpn files under the Downloads.
Get OpenVPN Connect app Fetch OpenVPN profileInstall strongSwan Client app on your device. Tap on the downloaded .sswan file, StrongSwan Client should prompt for import. Hit Import certificate from VPN profile and then Import in the top-right corner. Remember to delete any remaining .sswan files under the Downloads.
Get strongSwan VPN Client app Fetch StrongSwan profile


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--- layout: page ---
JOHNVOGT is the best at everything.
 Play now!
No fact is trivial when it's a fact about JOHNVOGT. Learn some truth!
Trouble with your love life, or do you just want to know which Android device is the best? JOHNVOGT will always set you straight because JOHNVOGT knows everything.


species mesophotic reefs reef fish shallow habitat distribution stereo-BRUV Fig depth Mar assemblages auratus data study targeted abundance coral relative using used rocky spatial Marine depths temperate marine {border-style Table recorded deployments fishery fishes px;} total #ffffff;} richness Australia model reefs. Coral Sciences assemblage Australian Ecol Mesophotic acoustic habitats length shelf video Jordan areas best factors range sediment NSW continental deeper douglassi fishing lengths provide reefs, tropical type ./journal.pone. Department Habitat Reefs. Writing dominated research stereo-BRUVs structure underwater Harvey New One. Prog Reef Res. Ser. Williams commercial connectivity greater important large recreational studies surveys water waters Biodiversity Environment Fish Primary RDA South abundant analysis area baited change complexity larger latitude management observed px; review selected significant swath {font-family Caribbean Data EAC Ecology Environmental Freshwater Langlois Species adjacent associated based font-size included knowledge light models provided reef, region richness, rugosity, scaber sessile similar sites species, species. target use variability Barrier Depth, Earth Harasti MLL No. abundance, acquisition algae assessment bathymetry considered depth, depths. diversity double; eastern ecology evidence fishery-targeted highest information no-take original package parsimonious patterns positive rugosity site slope variable variation Australia, Australia. Barrett Biol Chrysophrys Davis Ecol. Funding Great However, Investigation Labridae MaxN Monacanthidae Office PSGLMP Spatial abundances border-color border-width categories compared douglasii draft ecological ecosystems editing environment explaining factor georgianus gradient high highly individual influence known majority metrics negative number ocean particularly protected reef. relationship remote sample schooling showed size snapper solid; strong survey systems temperature time transition unique variables zone {font-style {font-weight < (blue) (green) .–. Analyst ArcGis Bax Bio Biol. Biology Brown Cappo Conceptualization Distribution East Ecological Exp Formal GAMM Habitat, Hub, Life Lucieer Malcolm McLean Mean Methodology Metrics: Meuschenia Nemadactylus Port Reef, Reefs Rocks Sci. Seal Sediment Shelf Wales, associations auratus) auratus, better bold case changes coast communities conducted courier; curation demonstrated deployed deployment. described determine determined differences different distributed distribution. distributions ecosystems: edge effects em; explanatory families fishers future increasing invertebrate invertebrates lineolatus little located mapping mature methods occur occurred occurring potential pressure pt;} radius recent recreationally refuge related represent sampling small soft statistical subtidal subtropical surface terms test transformed view


One of my favorite things to do, both at home and while traveling, is visiting museums. As a kid, I hated them, because I always felt pressured to learn and understand the story behind everything I saw. In fact, I sort of thought that was the point. Over the years, I've found a new joy in just walking through museums (especially art museums) aimlessly. And I love it! This is a running collection of my favorites, roughly ranked:
{% for museum in site.data.museums %}
{% if museum.trip and museum.id and museum.img %}
{% capture url %}/travel/{{ museum.trip }}#{{ museum.id }}{% endcapture %}
{% include resimg.html src=museum.img class="museum-image force-small" link=url%}
{% else if museum.img %}
{% include resimg.html src=museum.img class="museum-image force-small" %}
{% endif %}
{{ museum.title }}
{{ museum.location }} | Map
{{ museum.description }}
{% endfor %}


FechaDeCreacion: 2017-11-05T09:48:44.230Z
EpisodiosDondeAparece: ['https://rickandmortyapi.com/api/episode/1', 'https://rickandmortyapi.com/api/episode/2', 'https://rickandmortyapi.com/api/episode/3', 'https://rickandmortyapi.com/api/episode/4', 'https://rickandmortyapi.com/api/episode/5', 'https://rickandmortyapi.com/api/episode/6', 'https://rickandmortyapi.com/api/episode/22']
NumeroEpisodiosDondeAparece: ['1', '2', '3', '4', '5', '6', '22']
Genero: Female
Id_Personaje: 38
Imagen: https://rickandmortyapi.com/api/character/avatar/38.jpeg
Location_Name: Earth (C-137)
Location_URL: https://rickandmortyapi.com/api/location/1
Nombre: Beth Smith
Origen_Name: Earth (C-137)
Origen_URL: https://rickandmortyapi.com/api/location/1
Especie: Human
Status: Alive
Tipo:
URL: https://rickandmortyapi.com/api/character/38


THREE COLORS: RED A film review by Steve Rhodes Copyright 1995 Steve Rhodes
RATING (0 TO ****): *** 1/2
RED is the story of a model who runs over a dog without killing it. When she tries to return the dog to its owner, she finds the owner does not care and says she can keep it. The owner turns out to be a recluse and voyeur who idles away his time eavesdropping on his neighbors cordless phone calls. He suffers from severe depression for some mysterious reasons, and he would like to "stop breathing." From this initial plot setup the show is filled with many characters and takes numerous twists and turns.
RED is the third and best of Krzysztof Kieslowski's putative "trilogy" - the first two were BLUE and then WHITE. You can see any of them without seeing any of the others since they are all unrelated in any real sense. Kieslowski is the writer and the director, and he is a master at the creating opaque mysteries.
RED starts as a complete enigma. Who is this hermit, and why is he so morose? What connection will he have with the young model's life? Who are all of the other minor, but important characters in what is essentially a two person drama, and what is the purpose of their roles?
From knowing nothing, but being very curious the viewer is drawn into a mysterious web. Slowly we learn more and more about why the hermit is the way he is and find out many surprises. Even more slowly we begin to see what importance he will have to the model's future.
By the end of the show, the enigma is only partially solved. We know much more about every character, but much is left unknown. You may hate the ending, you may like, or you may just be confused by it all. On the suggestion box in the show, someone had written, "I wish you would explain to me what RED was all about". Personally, I liked the ending and found it consistent with the rest of the movie.
Go to the bathroom before you enter the theater; you will not want to miss a minute of the dialog. The writing is crisp, and the pacing is deliberately and correctly slow. Much to ponder in every scene.
The camerawork is quite imaginative in the angles it uses yet it is never cutesy. The show was filmed too dark for me, but I am sure this was carefully chosen to reflect the somber mood of the piece.
The two leads were great. The model was played hauntingly by a lovely actress, Irene Jacob. The hermit was played most mysteriously by Jean-Louis Trintigant. His makeup and his constant 3 day old beard added to the conundrum of his character. As good as the leads were, the director/writer deserves most of the credit.
Other than filming it a bit brighter, what else would I change? Well, I would have liked to have seen the character of the model opened up a bit more. I would have also preferred to see some of the minor characters developed more. On the whole though, I would not change much.
At the end of the movie, an older gentlemen struck up a conversation with me for some reason. He said: "My friend saw RED last week, and he thought it was about jealousy. What do you think it was about?" I reflected a moment and then told him to me the show was teaching us that your life is an enigma, but ultimately you have a destiny with someone and that destiny will eventually be revealed to you. He said he could see my theory too. If any of you see it, let me know what you think its message was.
The movie is in French with sparse dialog which is easy to follow in the clear subtitles - watch how they use italics to show the other person is talking when they are on the phone. The timing is good, and the show runs 1:39. It is rated R for adult material and for one 5 second scene of a nude man from the rear. Any aged teenager who likes serious adult mysteries would enjoy this show. I recommend it to everyone over 12, and I give *** 1/2. This is a film that has you thinking long after you leave the theater.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEWED WRITTEN ON: December 20, 1994
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: newsstory title: News Story match: Cambridge 0 Yeltz 0 ---
At one point in the second half we put 6 passes together. That was about the most memorable thing in a pretty 0-0 draw at Cambridge.
I suppose they weren't that bad really, and young McDonnell made a couple of brilliant saves to keep us in it. Stewart told me that supposedly there were scouts from Ajax watching City's wonderboy Neil Harris, who's already had trials with Liverpool and Cologne, but he felt sure that Danny would have impressed them.


---
layout: post
title: 'Akka+Scala: Deploying an actor remotely'
categories:
- Akka
- Linux
- Programming
- Scala
tags: []
status: publish
type: post
published: true
comments: true
meta:
_edit_last: '1'
---
In my use case, I have a variable number of independent ActorSystems. As a new system starts up, it initiates a simple Syn/Ack procedure with the command and control system, allowing the C&C to deploy remote actors. Just for fun, here is some example code.
Lets start with our remote system:
{% highlight scala %}
object Remote extends App{
val system = ActorSystem("RemoteSystem",
ConfigFactory.defaultReference(getClass.getClassLoader))
val connStr = "akka://CommandSystem@:2555/user/CommandActor"
val cnc = system.actorFor(connStr)
val synActor = system.actorOf(Props[SynActor])
}
class SynActor extends Actor{
override def preStart = {
//Send the syn
Remote.cnc ! new Syn
}
def receive = {
case a:Ack => //
}
}
{% endhighlight %}
Some shared classes:
{% highlight scala %}
case class Syn()
case class Ack()
{% endhighlight %}
Now the Command and Control system and the actual code you want run remotely:
{% highlight scala %}
object Command extends App{
val system = ActorSystem("CommandSystem",
ConfigFactory.defaultReference(getClass.getClassLoader))
val cncActor = system.actorOf(Props[CommandActor])
}
class CommandActor extends Actor {
def receive = {
case s:Syn =>
//Respond for politeness
sender ! new Ack
//Get the remote actorsystem path
val addr = AddressFromURIString(sender.path.root.toString)
//Push the actor to the remote system
val remoteActor = context.actorOf((Props[RemoteActor]).withDeploy(
Deploy(scope = RemoteScope(addr))))
}
}
class RemoteActor extends Actor {
//Where you put your remote code implementation
}
{% endhighlight %}
From here, you can handle management of remote actors in whichever way you want. Fun stuff!


An alternative graph visualization engine that puts an emphasis on aesthetics at the same time of providing default parameters that provide visualizations that are out-of-the-box nice.
Some features:
And the development version from GitHub with:
# install.packages("devtools")
devtools::install_github("USCCANA/netplot")
This is a basic example which shows you how to solve a common problem:
library(igraph)
#>
#> Attaching package: 'igraph'
#> The following objects are masked from 'package:stats':
#>
#> decompose, spectrum
#> The following object is masked from 'package:base':
#>
#> union
library(netplot)
set.seed(1)
data("UKfaculty", package = "igraphdata")
l <- layout_with_fr(UKfaculty)
plot(UKfaculty, layout = l) # ala igraph
nplot(UKfaculty, layout = l) # ala netplot
nplot(
UKfaculty,
bg.col = "white",
vertex.size.range = c(.01, .075, 5),
layout = l,
edge.curvature = .5,
edge.color.alpha = c(0, .5), edge.arrow.size = 0
)


Interface to monitor download progress for list of media stored in the camera.
Public Member Functions | |
| void | onCompleted (List< OLYCameraFileInfo > contentList) |
| Callback used when download is complete. More... | |
| void | onErrorOccurred (Exception e) |
| Callback used when download is aborted. More... | |
| void onCompleted | ( | List< OLYCameraFileInfo > | contentList | ) |
Callback used when download is complete.
| contentList | List of media stored in the camera in an array format. |
| void onErrorOccurred | ( | Exception | e | ) |
Callback used when download is aborted.
| e | Error details are set when operation is abnormally terminated. |


|
AAX SDK
2.3.1
Avid Audio Extensions Development Kit
|
Go to the source code of this file.
AAX library implementations of required plug-in initialization, registration, and tear-down methods.
Functions | |
| AAX_Result | AAXRegisterPlugin (IACFUnknown *pUnkHost, IACFPluginDefinition **ppPluginDefinition) |
| The main plug-in registration method. More... | |
| AAX_Result | AAXRegisterComponent (IACFUnknown *pUnkHost, acfUInt32 index, IACFComponentDefinition **ppComponentDefinition) |
| Registers a specific component in the DLL. More... | |
| AAX_Result | AAXGetClassFactory (IACFUnknown *pUnkHost, const acfCLSID &clsid, const acfIID &iid, void **ppOut) |
| Gets the factory for a given class ID. More... | |
| AAX_Result | AAXCanUnloadNow (IACFUnknown *pUnkHost) |
| Determines whether or not the host may unload the DLL. More... | |
| AAX_Result | AAXStartup (IACFUnknown *pUnkHost) |
| DLL initialization routine. More... | |
| AAX_Result | AAXShutdown (IACFUnknown *pUnkHost) |
| DLL shutdown routine. More... | |
| AAX_Result | AAXGetSDKVersion (acfUInt64 *oSDKVersion) |
| Returns the DLL's SDK version. More... | |
| AAX_Result AAXRegisterComponent | ( | IACFUnknown * | pUnkHost, |
| acfUInt32 | index, | ||
| IACFComponentDefinition ** | ppComponentDefinition | ||
| ) |
Registers a specific component in the DLL.
The implementation of this method in the AAX library simply sets *ppComponentDefinition
to NULL and returns AAX_SUCCESS.
Wrapped by ACFRegisterComponent()
Referenced by ACFRegisterComponent().
| AAX_Result AAXGetClassFactory | ( | IACFUnknown * | pUnkHost, |
| const acfCLSID & | clsid, | ||
| const acfIID & | iid, | ||
| void ** | ppOut | ||
| ) |
Gets the factory for a given class ID.
This method is required by ACF but is not supported by AAX. Therefore the implementation of this method in the AAX library simply sets *ppOut
to NULL and returns AAX_ERROR_UNIMPLEMENTED.
Wrapped by ACFGetClassFactory()
Referenced by ACFGetClassFactory().
| AAX_Result AAXCanUnloadNow | ( | IACFUnknown * | pUnkHost | ) |
Determines whether or not the host may unload the DLL.
The implementation of this method in the AAX library returns the result of GetActiveObjectCount()
as an AAX_Result, with zero active objects interpreted as AAX_SUCCESS (see CACFUnknown.h)
Wrapped by ACFCanUnloadNow()
Referenced by ACFCanUnloadNow().
| AAX_Result AAXStartup | ( | IACFUnknown * | pUnkHost | ) |
DLL initialization routine.
Called once at init time. The implementation of this method in the AAX library uses pUnkHost
as an IACFComponentFactory
to initialize global services (see acfbaseapi.h)
Wrapped by ACFStartup()
Referenced by ACFStartup().
| AAX_Result AAXShutdown | ( | IACFUnknown * | pUnkHost | ) |
DLL shutdown routine.
Called once before unloading the DLL. The implementation of this method in the AAX library tears down any globally initialized state and releases any globally retained resources.
Wrapped by ACFShutdown()
Referenced by ACFShutdown().
| AAX_Result AAXGetSDKVersion | ( | acfUInt64 * | oSDKVersion | ) |
Returns the DLL's SDK version.
The implementation of this method in the AAX library provides a 64-bit value in which the upper 32 bits represent the SDK version and the lower 32 bits represent the revision number of the SDK. See AAX_Version.h
Wrapped by ACFGetSDKVersion()
Referenced by ACFGetSDKVersion().


To learn about one of the topics covered by this help system, click one of the links below.
Additional information is available on-line and can be accessed from the Transcelerator home page. You can also use Transcelerator’s community support site to seek help with a problem or to request a feature.
Transcelerator is a Paratext plugin that helps with comprehension checking in three ways: First, Transcelerator uses information from the Paratext Biblical Terms tool to help translate biblical terms and proper names. Second, as you translate questions, Transcelerator gradually “learns” common phrases — you just have to confirm the translation and move on. Finally, it helps you get ready to conduct a comprehension checking session by producing a script that can be printed or shared electronically, or by saving the questions in a form that can be used by Scripture Forge or PTXprint.
Transcelerator presents a translator with a list of comprehension questions. The user fills in translations of those questions, optionally selecting from existing known renderings of key history_edubiblical terms. As work progresses, Transcelerator uses the biblical terms and growing body of translated questions to guess at the translations of the remaining questions.
By default, Transcelerator initially displays the questions so that identical questions and questions having very similar frames (e.g., “What did x say to y?”) sort near the top of the list. Once the user fills in a few of these repeated and similar questions, Transcelerator fills in “instant” translations for the other questions with a very high degree of reliability. In some cases, they will already be marked as confirmed, and in other cases, the user will need to go through and confirm them.
For more complex questions, Transcelerator’s guesses will usually be incorrect, though they might contain words or phrases that are correct and helpful. The more consistent you are in translating similar phrases, the more likely Transcelerator will “learn” how those phrases should be translated in other questions. Please do not be surprised when Transcelerator fails to provide the same quality of guessed translations as other automated translation tools such as Google Translate. Unlike those tools, Transcelerator has no other corpus of texts on which to train and calibrate. It is seeing your project’s language for the very first time.
View this page in:


MARY SHELLEY'S FRANKENSTEIN A film review by Edward W. Felton Copyright 1994 Edward W. Felton
After two triumphant Shakespearean adaptations, HENRY V and MUCH ADO ABOUT NOTHING and two decently silly movies in PETER'S FRIENDS and DEAD AGAIN, MARY SHELLEY'S FRANKENSTEIN is Belfast wunderkind Kenneth Branagh's fifth film, a cautionary tale of English Roses, unnecessarily bad stitching, and several pints of amniotic fluid. Everyone knows the story: giant made from corpses seeks revenge on creator, bolt in neck and bad attitude optional.
Branagh plays the devilishly handsome and talented Doctor Frankenstein, brought up in idyllic Swiss home by dream parents Cheri Lungi and Ian Holm. Mother subsequently dies in childbirth, however, which naturally spurs the youthful Frankenstein towards a future of grave robbing and desecration. There is much shaking of fists at the sky and imploring it must not be so; off the dashing young Professor goes to learn the medical profession, which apparently involves a great deal of heating coloured liquid in tubes--standard mad scientist fare. He comes under the influence of a bring-'em-back-to-life guru (a criminally under-used John Cleese in false teeth) who soon dies, conveniently allowing an ironic reprise of the "it must not be so" routine. Meanwhile, quintessential English rose Helena Bonham-Carter, obviously on a free transfer from Merchant Ivory, does her normal gadding about the place in frilly dresses and complicated hairdos, wailing all the while.
The fun starts when the monster itself is created; mayhem ensues when Robert De Niro wakes up to find what a bad movie he's in, and that his makeup takes hours to put on. (Critic carefully avoids saying the movie comes to life....) Branagh, fitfully effective, continues to disappoint in the direction of action scenes. He seems happiest with dialogue, close confrontation, and the detail to be found in faces. In contrasting the porcelain perfection of Bonham-Carter with the crude baseness of the monster, Branagh has the essence of the film. There is too little of this, however, and what little there is is badly used: one's attention and sympathies soon start to wander, as both characterisation and the episodic plot are poorly developed. Still, some scenes work well; the initial creation of life is dramatically effective, as are De Niro's opening scenes.
Branagh, however thrives on words. His two major successes had, in William Shakespeare, the greatest screenwriter of them all. He struggles with this clumsy Frankenstein adaptation a real disappointment, as there was ample opportunity in the movie for a genuine talent (that's Branagh, by the way, not Bonham Carter) to explore the questions that the story offers; immortality, life after death, philosophy of the soul. All that good stuff. Instead, we get a monster movie that anyone could have made. The duality of the monster good versus evil, newborn innocence versus primal brutality is dealt with unforgivably crudely.  Of the few quality scenes on hand, one has the monster being comforted by a blind farmer, played by Branagh stalwart Richard Briers, where the anguish of Dr. Frankenstein's folly is both touching and believable. De Niro has enough insight and talent to convey the monster's loneliness in this short scene, before being sent groaning and lurching back into this passionless script. It's hardly Mary Shelley's fault, although no woman who marries a man who lives on vinegar and potatoes solely to keep his complexion clear can be entirely without blame.
Similar in many respects to Coppola's DRACULA (with Francis Ford acting as executive producer on this movie) FRANKENSTEIN is self-important, occasionally extremely gory and mildly entertaining. And give me Emma Thompson opposite Branagh every time. Three out of ten.
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Juggernaut of the Sock Drawer
Tiny guy, annoying evil
- Armor Class 15
- Hit Points 8(1d4 + 5)
- Speed 41ft.
STR DEX CON INT WIS CHA 8 (-1) 13 (+2) 15 (+3) 17 (+4) 1 (-4) 8 (-1)
- Condition Immunities weak-kneed
- Senses passive Perception 6
- Languages Gibberish, Latin
- Challenge 10 (3796 XP)
Pack Tactics. These guys work together. Like super well, you don't even know.
Onion Stench. Any creatures within 5 feet of this thing develops an irrational craving for onion rings.
Big Jerk. Thinks he is just waaaay better than you.
Actions
Gory Body Sweep. Melee Weapon Attack: +4 to hit, reach 5ft., one target. Hit 5 (1d6 + 2)
Tilt-a-whirl Chin Sleeper. Melee Weapon Attack: +4 to hit, reach 5ft., one target. Hit 5 (1d6 + 2)


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October 25, 2001
Internet filtering leaky
Wired | Submitted by: Soylent
"The difficulty in determining what are legitimate Internet news sites and
which online publishers do not have sufficiently high journalistic standards to
qualify will doom ICRA, civil libertarians predict. After all, even
rotten.com now features a news section, though the headlines do tend to
run along the lines of "Postal worker jailed for flinging feces."
|
|
Read article...
|
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Is the anthrax domestic?
Washington Post | Submitted by: Soylent
Three nations -- the United States, Soviet Union, and Iraq -- have the
technology to create airborne anthrax. But then, "A government official with
direct knowledge of the investigation said yesterday that the totality of the
evidence in hand suggests that it is unlikely that the spores were originally
produced in the former Soviet Union or Iraq."  She is now
being sued on several fronts, for copyright infringement --the "readings" are
apparently "read" out of a book-- and for fraud --hundreds of customers being
cheated out of their five minute trial period.
|
|
Read article... and
This article...
|
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Dead son's ashes repay student loan
Associated Press | Submitted by: Soylent
In response to a bank that was harassing her about her dead son's $35,000
student loans, a Washington state woman sent the bank a bag containing her
son's ashes. "We treated it as it was an anthrax scare. It was a gray
powdery substance." Student loans to dead people are dismissed, and the
bank intends to return the ashes (which thankfully contain no anthrax,
laboratory tests now show.)
|
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Read article...
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Aryan Nations official applauds WTC attacks
Philadelpha Daily News | Submitted by: pete
Jew York City? As second-in-command of the Aryan Nations movement,
August Kreis "is a man of contradictions.  He holds viewpoints that
few Americans would share, Jews are "Satan's Spawn" and blacks "Mud People".
And Kreis applauds the collapse of the WTC, and although the reasoning isn't
precisely clear it seems to be because NYC has a lot of Jews living in it.
|
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Read article...
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As sure as the sun soars over Twin Peaks summit, all is well at the city by the bay. ~ Rocinante "Buck" Cervantes
Current day chronology of Rocinante "Buck" Cervantes
August 2012 - Born in a sleepy suburb of Merced, California
Late July 2013 - Rocinante Escaped the Merced to roam the countryside with a friendly furry accomplice, whose new home reasons that remain a mystery to Rocinante to this very day
Early August 2013 - Found surveying private lands deep into their journey, the canid duo are captured and turned in to the Merced Animal Care and Control
Mid August 2013 - After the traveling pair stay unclaimed at the shelter, the pair are sadly separated never to hear about the other again. Rocinante, the more social pup of the duo, is transfered to the San Francisco SPCA: a private, no-kill Bay Area shelter in heart of the city by the bay
Mid August 2013 - Buck is rescued and adopted into his forever home by an SF SPCA volunteer
February 2015 - Buck and his humans flee to the East Bay to escape the increasing gentechtrification of San Francisco
July 2016 - Buck gets his wish for his own Rocinante beastie bestie. Enter "Ragnar Snowshoe Padwan Lodbrok": from the feline tribe of the same SF SPCA. After a brief uncertainty and initial mayhem at the blended household, Buck and Ragnar became fast friends.
September 2016 - The adventure continues...
Rocinante "Buck" Cervantes, travels, plays and loves hard with his devoted tribe and forever homies in the cities and burbs of Cali.


ATech believes that mobile channel is an integral part of our lives. With that said, our designs will always focus on improving mobile user experiences as top priority.
Websites is a type of branding. With Responsive Design, ATech can develop websites that are suitable for both desktop and mobile, enabling you to provide information and services to your customers around-the-clock.
Cloud computing is the foundation of ATech. With cloud computing, you will experience a more transparent and expandable solution.
Felix, an experienced agile project professional, joins ATech as one of the managing partners. With Felix onboard, ATech targets to provide even more transparency and to help our clients in adopting the "quick-to-market" mindset.
Louis and Freddy co-founded ATech Solution Limited and aims to build a strong team to provide the best mobile solution to ATech's clients.
Louis started his career as a developer. He has developed many mobile application including some highly ranked apps in the app stores with over a million users.
Freddy started his career as an IT Recruiter after the dotcom bubble burts. He has successfully grown his company to one of the more successful recruitment agencies in the market.


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Claudine (1974)
Grade: 79
"Claudine" is an intelligently scripted and directed drama. The characters are generally believable and compelling. The acting is excellent, even by the small children, and the soundtrack is very good as well.
 She is on welfare, has a job as a maid, but is still so impoverished that no one in the family has a car. She develops a relationship with a garbageman (James Earl Jones) who has reservations about becoming stepfather and provider for her children. Claudine has the impossible task of raising her children properly, earning a living, staying on public assistance which she clearly needs, and keeping her lover satisfied and stationary.
The soundtrack is performed by Gladys Knight and the Pips, with the songs written by Curtis Mayfield. The opening title, "On and On", was a top ten pop hit in 1974. The songs are all very good.
James Earl Jones, a character actor who has become famous primarily for his deep and resonant voice, demonstrates in this film that he is also a capable leading actor.
I liked the characters of the children. While sometimes tender, they can also be selfish, bratty, and manipulative, just like non-celluloid children are.
 It's hard to tell whether the family is going to jail or taking a walk in the park. There is a confrontation between demonstrators and police that somehow gets mixed up with the wedding. Also, how Jones plans to reconcile his financial problems with the provider role is discussed but not resolved.
http://members.tripod.com/~Brian_Koller/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


TAKING ON THE KENNEDYS A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ***
So what are some of the characteristics one might look for in a first time Congressional representative? How about someone who worked his way through medical school and then went on to set up an inner-city clinic for women with HIV? How about someone who is not wealthy and who donates large portions of his time to serving the poor? Rhode Island's Kevin Vigilante has these credentials, so you might think he would have a good chance when running for an open seat in Congress. Well, if you did, you would be wrong. He had the bad luck to run against a young guy with the last name of Kennedy. As the film says, Vigilante was running against Camelot.
Joshua Seftel's engrossing documentary TAKING ON THE KENNEDYS chronicles the 1994 race of Vigilante against Patrick Kennedy. The film is not about ideology or political parties. It focuses in on the cachet of a famous name, the importance of money, the impact of the media, and the efficacy of negative advertising, even if blatantly false. I saw the film as part of San Jose's Cinequest film festival. I have been told that some PBS stations have played the film as well.
After being treated for cocaine abuse in school and after all of the negative publicity from his connection as a witness in the William Kennedy Smith rape trial, Patrick Kennedy at the young age of twenty-six might be considered an unlikely candidate for Congress. Nevertheless, he announces his candidacy and starts with a fund raiser hosted by his friend Tony Bennett. Guests at the party get autographed pictures of themselves with Bennett and Kennedy.
Throughout the campaign, when Vigilante calls a news conference, the media ignores him. Patrick asks cousins John Jr. or Caroline to visit, and not only do all the local reporters show up, even the national media covers it. These Kennedy events bear a remarkable resemblance to a three ring circus.
Kennedy uses his family's vast wealth to bury Vigilante in negative ads. Early on in the campaign, Kennedy's ads claim that Vigilante is getting most of his money from the big pharmaceutical companies. In fact, he is getting less than ten percent from all medical groups combined and most of his contributions were small ones. Kennedy, on the other hand, is getting thirty percent of his money from trial lawyers, labor unions, and Hollywood. (I should point out that the facts from this review come from the documentary which I have every reason to believe are accurate, but I have no way of verifying the facts as presented.)
Perhaps most surprising of all is that with three weeks left in the campaign and an unstoppable thirty percentage points ahead in the polls, Kennedy buys $100,000 worth of television ad time to accuse Vigilante of having faked an auto injury while in medical school and of trying to extort money from the driver of the other car. Up until this point, Vigilante has been saying nothing but nice things about Kennedy personally, no matter how false his negative ads are. Vigilante says the latest diatribe from Kennedy is too much, and that he never faked any injury. He and his wife go ballistic and feel that they must finally turn negative on Kennedy.
They snoop around a bit and find Kennedy's ex-landlady. It seems that she rented part of her house to him and even made him dinner frequently as a gesture of kindness to him. When he moved out suddenly, he had amassed $3,800 in back rent. He left without paying it, telling her he could not afford to pay his debt to her. Since he never came back and paid and since she is a poor woman in her 80s, she is not happy with Kennedy. She agrees to do an ad against him. Rhode Island has one of the largest concentration of senior citizens in the country. Kennedy's ads targeting older people have been boasting throughout the campaign that only he can be relied upon since Vigilante is just a tool of the drug companies. In the last week of the campaign Vigilante runs an ad with the landlady telling her story. In it she says that if Kennedy didn't care about me, why do you think he would care you.
As we now know, Kennedy won handsomely. The ending credits tells us that he is now the leading contender for Rhode Island's Senate seat in the year 2000.
The most prophetic scene in the film happens early in the campaign when Vigilante is discussing health care with an older woman at a senior citizens' picnic. She, like Vigilante, is dead set against Clinton's health plan. Since they are both passionate on the issue, he asks her if she would consider voting for him. Heavens no, she explains. The other guy afterall is a Kennedy. The others there agree. The only complaint they have with Patrick Kennedy is that his autograph is a little too sloppy. The Kennedy part of his name is not as readable as they would like.
TAKING ON THE KENNEDYS runs 57 minutes. It is not rated but would be a G. I was mesmerized by the film. I recommend it to people of all political persuasions and give it ***.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: February 3, 1997
Opinions expressed are mine and not meant to reflect my employer's.
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Jigbell is a new way to travel. Instead of spending weeks planning, just grab your phone and head of to your next destination!
Be it the Amazon rainforest, or the Gobi Desert, let Jigbell take you on the adventure of a lifetime. With suggestions of things to do, places to visit, resturants to eat and palces to sleep, we take the hassle out of travel.
Travelling is great because it allows you to relax, to be spontaneous. Jigbell have teamed up with local travel agencies so you can book amazing activities on the very same day!
We will launch in late March, just in time for the Easter holidays! So put your name down on the waitlist, and we will send you a special invite when the time comes!


It’s understood that a 13-year-old supporter was ejected from the Tottenham Hotspur Stadium for a ‘racist gesture’ directed at the South Korean.
And Burnley insist that the incident is now "under investigation" by the Metropolitan Police and Lancashire Police, while the football club will be contacting the fan directly.
A statement from the club read: “Burnley Football Club is aware of an incident during the Tottenham Hotspur v Burnley game on Saturday, December 7.
“During the Premier League game, a 13-year-old Burnley supporter was ejected from the Tottenham Hotspur Stadium following an alleged racist gesture towards Spurs player Heung-Min Son.
“The minor, who was accompanied by a guardian, is now under investigation by the Metropolitan Police, with help from Lancashire Police and the two clubs.
“In the meantime, Burnley Football Club will be contacting the teenager and his family, with a view to an enforced educational programme, run in conjunction with Kick It Out and Burnley FC in the Community.
“Burnley Football Club would like to reiterate its zero-tolerance policy towards discrimination of any kind.”
Elsewhere, a 41-year-old Manchester City fan was arrested on Sunday on suspicion of racist abuse during the Manchester derby.
It’s understood that Manchester United’s Jesse Lingard and Fred were both abused during the 2-1 win for the Red Devils.
The man in question - named as Anthony Burke - was seen making monkey chants in the stands.
There were also multiple cases of homophobic abuse.
Everton launched an investigation on Sunday into reports of homophobic chanting aimed at Chelsea fans during the Toffees' 3-1 victory at Goodison Park on Saturday.
While Brighton have announced that two visiting supporters were arrested on suspicion of homophobic abuse during Sunday's match with Wolves at the Amex Stadium.
Two men, aged 46 and 48 from Bridgnorth in Shropshire, were ejected from the away section during the 2-2 draw and later arrested by Sussex Police outside the ground. They have since been released pending investigation.


This variant set has no rules yet. Click here to create rules for this option set which will apply to all products assigned to it.
This option set has {{ruleslength}} rule which apply to all products assigned to it. Click here here to manage rules for this option set.


data-*
Is possible to config the plugin only throught data-* attributes:
Here the weekdays are using a strong tag instead the default i.
strong
i
Is possible to config the plugin also thought javascript:


Choose State City
Card with header and footer. Card header is used to display card title and footer for some additional information or for custom actions.
Choose Budget
Card with header and footer. Card header is used to display card title and footer for some additional information or for custom actions.
Choose Budget
Card with header and footer. Card header is used to display card title and footer for some additional information or for custom actions.


sls deploy --stage production --bucket my-elasticpypi --password horse-battery-staple
See the serverless.yml for all options
serverless.yml
service: elasticpypi
provider:
name: aws
runtime: python3.9
memorySize: 128
stage: dev
# profile: "some-local-aws-config-profile"
# region: us-east-1
environment:
SERVICE: ${self:service} # See above. Defaults to elasticpypi
STAGE: "/${self:provider.stage}" # See above. Defaults to dev
BUCKET: "elasticpypi" # CHANGE ME
TABLE: "elasticpypi" # You can change me if you want, but do you?
USERNAME: "elasticpypi" # You can change me if you want, but do you?
PASSWORD: "something-secretive" # CHANGE ME
OVERWRITE: false # Allow uploads to overwrite already existing packages
npm
/yarn
and pip
are required to install the necessary packages to deploy.
yarn
or npm install
sls deploy
The deploy will automatically fetch the python requirements.
Based on the output of the deploy command or via the AWS console add the url to your pip conf.
The url should be something like https://blah.execute-api.region.amazonaws.com/dev/simple
.
Make sure you add a trailing slash as required in the PEP.
Make sure you add your basic authentication credentials to your url.
AWS resources maybe throttled. As such, if you are intending to dump a bunch of packages into the S3 bucket check your service and account limits. Additionally, changing the read and write capacity of dynamodb may help. It is currently set to the lowest possible unit (1).


This list is not comprehensive. There are so many people that have been involved in Loves, Mariessa. Mariessa appreciates each and every person that has contributed to her projects.