Series
class Series extends JsonConfig (View source)
Series ConfigObject
An object containing all the values for a single series in a multiple data set chart, which can be passed into the series property of the chart's options.
Traits
Constants
| TYPE |
Type of JsonConfig object
|
Methods
Builds the series object when passed an array of configuration options.
Shortcut method to set the value of an option and return $this.
Parses the config array by passing the values through each method to check validity against if the option exists.
The default opacity of the colored area under a chart series
Controls the curve of the lines when the line width is not zero.
Whether the trendline should have a legend entry or not.
Whether the trendline should have a legend entry or not.
An object to be applied to annotations for this series.
Overrides for the global Candlestick falling color options.
Many styles of dashed lines are possible via the lineDashStyle option, which takes an array of numbers.
Overrides for the global Candlestick color options.
Which axis to assign this series to.
The default line type for any series not specified in the series property.
Details
at line 72
__construct(
array $config = array())
Builds the series object when passed an array of configuration options.
in
JsonConfig at line 64
mixed
__get(
string $option)
Get the value of a set option via magic method.
in
JsonConfig at line 75
Options
getOptions()
Gets the Options object for the JsonConfig
in
JsonConfig at line 90
JsonConfig
setOption(
string $option,
mixed $value)
Shortcut method to set the value of an option and return $this.
In order to maintain backwards compatibility, ConfigObjects will be unwrapped.
in
JsonConfig at line 106
setOptions(
array $config)
Parses the config array by passing the values through each method to check validity against if the option exists.
in
JsonConfig at line 275
array
jsonSerialize()
Custom serialization of the JsonConfig object.
in
AreaOpacityTrait at line 20
Chart
areaOpacity(
float $areaOpacity)
The default opacity of the colored area under a chart series
0.0 is fully transparent and 1.0 is fully opaque. To specify opacity for an individual series, set the areaOpacity value in the series property.
in
ColorTrait at line 14
Chart
color(
string $color)
Sets the color for the object carrying this trait.
in
CurveTypeTrait at line 18
Chart
curveType(
string $curveType)
Controls the curve of the lines when the line width is not zero.
Can be one of the following: 'none' - Straight lines without curve. 'function' - The angles of the line will be smoothed.
in
LabelInLegendTrait at line 14
Chart
labelInLegend(
bool $label)
Whether the trendline should have a legend entry or not.
in
LineWidthTrait at line 17
Chart
lineWidth(
integer $width)
Data line width in pixels.
Use zero to hide all lines and show only the points. You can override values for individual series using the series property.
in
PointShapeTrait at line 19
Chart
pointShape(
string $shape)
The shape of individual data elements.
'circle', 'triangle', 'square', 'diamond', 'star', or 'polygon'.
in
PointSizeTrait at line 17
Chart
pointSize(
integer $size)
Diameter of displayed points in pixels.
Use zero to hide all points. You can override values for individual series using the series property.
in
VisibleInLegendTrait at line 14
Chart
visibleInLegend(
bool $visible)
Whether the trendline should have a legend entry or not.
at line 88
Series
annotation(
array $annotationConfig)
An object to be applied to annotations for this series.
This can be used to control, for instance, the textStyle for the series.
at line 100
Series
fallingColor(
array $fallingColorConfig)
Overrides for the global Candlestick falling color options.
at line 120
Series
lineDashStyle(
array $lineDashStyle)
Many styles of dashed lines are possible via the lineDashStyle option, which takes an array of numbers.
The first number indicates the length of a dash, and the second indicates the gap after it. If there is a third number, that's the length of the next dash, and a fourth number, if present, is the length of the next gap.
When the chart is drawn, these lengths are repeated, so [4, 4] means a succession of 4-length dashes and 4-length gaps. [5, 1, 3] means a 5-length dash, a 1-length gap, a 3-length dash, a 5-length gap, and so on.
at line 140
Series
risingColor(
array $risingColorConfig)
Overrides for the global Candlestick color options.
at line 160
Series
targetAxisIndex(
int $index)
Which axis to assign this series to.
0 is the default axis, and 1 is the opposite axis.
Default value is 0; set to 1 to define a chart where different series are rendered against different axes.
At least one series much be allocated to the default axis. You can define a different scale for different axes.
at line 175
Series
type(
string $type)
The default line type for any series not specified in the series property.
Available values are: 'line', 'area', 'bars', 'candlesticks' and 'steppedArea'
at line 196
Series
textStyle(
array $textStyleConfig)
An object that specifies the series text style.


ZeN
Copyright (c) 2004 Bill Taylor
ZeN is a two player strategy game played on any square board. The author suggests 15x15 (as usual, smaller is more tactical, larger more strategic).
- BOARD - The board is a Torus, i.e., the first and last row are adjacent and the left and right column are adjacent.
- MOVE - On each turn, each player must do one of the following actions:
- Drop a stone into an empty cell.
- Connect two friendly stones which are diagonally adjacent, if it does not cross another such connection.
- GOAL
- The Z player (in the diagrams, the black stones) wins by forming a horizontal loop around the Torus or make a SW-NE (/) spiral loop.
- The N second player (the red stones) wins by forming a vertical loop around the Torus or make a SE-NW (\) spiral loop.
A connecting example The black stones are connected. The red stones cannot be connected directly.
A completed game Black (the Z player) made a horizontal loop. Notice the link between a7 and k6.
Spiral loops The spiral loops are required, because it is possible that neither player can now get a loop in their primary direction (horizontal for Z, vertical for N), though both have a spiral loop.
In this case, Z has won the game.
This game is similar to Quax but on a different board topology (there are no edges on a Torus).
The game will be available on Richard Rognlie's email server (at June or July).
A sample game This is a board position of a real game when N resigned (the red stones).
The player cannot stop the horizontal loop for Z. If Red tries to block off black's c9 end, say by playing b10, then
black can play d8 and threat to occupy the green dot connection path.If Red plays at one of the green points, then Black extends his c9 end with b10, easily reaching the other black stones across the edge of the board.
The remaining chains are already too strong.
Some words from the author: This game was invented specifically as a companion to the popular game "Projex" (by the same author), for two purposes. One is that the projective planar topology of the latter is difficult for the non-mathematical learner to follow at first; whereas the Toroidal topology is to some extent much simpler, and may be already familiar from various computer war games. The other is to produce such a game with local *rectangular* geometry, which is more familiar and convenient for the casual gamer, rather than the "purer" local hexagonal geometry so beloved of true abstract gamers.
Note that the "N" and "Z" names of the stones exactly reflect the directions of the connections required by each side! Horizontal or "positive" sloped diagonals for "Z", and vertical or negative slopes for "N". Very neat. Even better, it allows the game to reflect the origin of the author, New Zealand, and also to make up the main part of the name, ZeN, which may also reflect the mind-boggling nature of the opposing connections!


Windows 10 x64 (18362.239)
wil_details_FeatureTestStateKind
wil_details_FeatureTestStateKind_EnabledState = 0n0
wil_details_FeatureTestStateKind_Variant = 0n1


A great place to spend a night or rest during your holidays, vacancies and business meetings It's our pleasure provide you with a peaceful and a classy accommodation


| Option | Description | Type | Default value |
|---|---|---|---|
| speed | Speed of animations in pixel/second | Number | 100 |
| pause | Pause on hover: if true, scrolling will stop on mouseover | Boolean | true |
| buttons | If true, shows play/stop buttons | Boolean | false |
Endless river is a jQuery plugin, that animates content and make it scroll endlessly!
The usefull feature is that you don't have to set widths to elements, because speed is set in pixel/second!!
EndlessRiver will calculate the best width for the <li> element and keep speed constant!


Be the first to leave a reply!
{{ if {meerkat:designer-mode} }} {{ name }} {{ else }} {{# Your Avatar Implementation Here }} {{ /if }} {{ partial:helpers/relative-date }}
This comment was removed.
{{ if {meerkat:designer-mode} }} {{ name }} {{ else }} {{# Your Avatar Implementation Here }} {{ /if }}
{{ if (is_deleted) }}This comment was removed.
{{ else }} {{ comment strip_tags="img|h1|h2|h3|h4|h5|h6|blockquote|script|cite" }}


MEMPHIS BELLE A film review by Mark R. Leeper Copyright 1990 Mark R. Leeper
Capsule review: Disappointing and undoubtedly fictionalized account of the twenty-fifth mission of the first B-17 crew to reach that number and be sent home. Eight real B-17s were used and they deserve billing above the likes of Matthew Modine, Eric Stoltz, and John Lithgow. Rating: low +1 (-4 to +4).
Undeniably there is some truth to this story. The Memphis Belle really was the first B-17 Flying Fortress to complete twenty-five missions and hence win its flight crew an opportunity to go home and sit out the rest of the war in celebrity and with relatively cushy assignments. Hence there really was a twenty-fifth mission of the Memphis Belle. Whether the first twenty-four missions were as routine as suggested in the film and the twenty-fifth was as dangerous ... that I am somewhat skeptical about. I take most of the film with more than one grain of salt. The drama is pat; the characters are stereotypes. In fact, the script candidly tells you that the characters are going to be stereotypes. "There's always one guy who's very religious, always one guy from Cleveland," we are told in the first scene. So of course we have these cliched characters here. This is *not* TWELVE O'CLOCK HIGH and it is not one of the great adventure films about World War II. It is, however, a very nice film to look at. The music and the decoration have a nice feel of 1943, even if one can argue that the party is a bit lavish for a humble air base. But the real visual splendor is in seeing genuine B-17s taking off and flying together. I think most people get some sort of a charge out of seeing airplanes flying and there is a lot of flying in this film.
Basically Memphis Belle details for the viewer several of the more common hazards of bombing runs over Germany. You see air battles; you see near-misses, light collisions, and heavy collisions. You see flying through a shower of flak. You see people getting shot up and mid-air surgery. Mostly you see a lot of scenes you have seen in other films. Yet somehow the film falls short of actually generating real excitement or tension. We know the Belle is going to get back and the characters are not real enough and certainly not endearing enough for us really to worry about their individual safety. The film has a few too many contrived touches even to have a feel of authenticity. It has fliers mistaking tomato soup for blood. It has a dog who recognizes the sound of his master's plane engines. Touches like these get in the way of the audience taking the story very seriously.
This is a pretty film to watch but both too shallow in its drama and too unexceptional in its action really to engage an audience. I give it a low +1 on the -4 to +4 scale.
Mark R. Leeper att!mtgzy!leeper<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


These are the BBC’s terms of use. They tell you:
The rules for using our services
What you can do with our content (share it, link to it, that sort of thing)
What we can do with things you post or upload.
Your rights and responsibilities, basically – important stuff.
We’ve kept them as short as possible, and we’ve made videos for the complicated bits. So do read them, and check in for updates as the latest version always applies (we’ll usually only make updates when we release a new service, change how we provide a service, or have to comply with a new legal requirement).
Back to top
Read these terms before using our services. Whenever you use our services you agree to these terms.
You’re also agreeing to stick to our:
Privacy and cookies policy
for comments and creations.
House rules
Read those too.

Back to top
That’s media speak for:
Anything digital offered by the BBC. Such as:
Websites (like , )
BBC iPlayer
Apps (like BBC Sport, BBC News)
Anything that’s available through those services. Including:
TV and radio shows
Technical stuff such as metadata and open-source code
Anything made by people using our services. User-generated content, that’s called.
Back to top
When you use someone else's services or products, like a virtual reality headset, they will have terms for using them.
Some services are provided by BBC Worldwide. These will have their own terms.
Like when you enter a competition. If there are extra terms, we’ll always let you know.
Back to top
If you’re looking for something child-friendly, here are some good starting points:
CBeebies Playtime Island
CBeebies iPlayer
CBBC iPlayer
Ultimately, it’s up to you to decide what’s suitable. But here are some tools that may help:
To stop children accessing Guidance-labelled content, use the .
BBC Parental Guidance Lock
To teach children about staying safe online, try .
CBBC Stay Safe
For advice on how to keep your children safe online visit . On that site is how-to advice to for your devices, gaming consoles, broadband access and entertainment platforms around your home.
Internet Matters
activate parental controls
Back to top
You need to be covered by a TV Licence to watch or record live TV programmes on any channel, or to watch or download BBC programmes on iPlayer when you’re in the UK, the Channel Islands or the Isle of Man.
This could be on any device, including a TV, desktop computer, laptop, mobile phone, tablet, games console, digital box or DVD/VHS recorder.
If you’re outside these areas you need to check if your country has its own TV licensing scheme.
Find out more about .
when you need a TV Licence
Back to top
A few rules to stop you (and us) getting in trouble.
These apply to our services and content. One exception is content that’s made to be shared – “shareables” for short – which has some different, more relaxed rules. The rules are here.
about shareables
What do we mean by that? This sort of thing:
Hacking them
Trying to get around our content security technology (software that stops people copying our content)
Accessing content from outside the UK that you aren’t allowed to, or helping others do the same. For example: using a VPN service so you can watch BBC iPlayer when you're outside the UK
Refusing to remove content, games or apps from your device when we ask you to. This might happen when we take down services. Which we can do at any time, without notice.
...while using our services or content. That means:
Don’t damage our reputation by associating us with sexism or racism, for instance
Don’t get us sued – by defaming (damaging the reputation of) someone, say, or commenting on an active lawsuit
Don’t harass or upset people
Don’t post or upload anything offensive or obscene
If you disagree with someone, attack the argument, not the person.
When you watch or play an app or game, be aware of your surroundings and use your device safely.
Don’t use our 360° and virtual reality apps if you:
Are pregnant
Have consumed anything that may affect your balance
Have (or have had) a medical condition, like binocular vision abnormalities, psychiatric disorders, seizures or a heart problem.
Make sure you’re in a safe place, preferably seated.
Stop immediately if you feel:
Any discomfort.
Don’t take part in any activities where you need to focus straight after, or if you feel slightly dazed or confused.
Except at fancy dress parties. That includes:
Recreating a service or copying the look of a service
Using our brands, trade marks or logos without our permission
Using or mentioning our content in press releases and other marketing bumph
Making money from our content or services. You can’t charge people to watch our shows, for example
Sharing our content. Apart from .
Back to top
To use any of the following things…
Whole shows
Content from bbc.co.uk
Our logo and other branding
Anything else that’s protected by copyright.
…you’ll need to get permission.
We don’t always own the copyright.
Our content often includes other people’s content, you see. For instance, a TV show might feature images, video and music that belong to artists, actors and musicians.
Or we only have a licence to broadcast a show, and it’s the production company who owns it.
So you’ll have to ask them if you can use it. Except under certain circumstances…
If you’re at a school, college or university that’s got an Educational Recording Agency licence.
Read about the .
Educational Recording Agency licence here
Read about other .
copyright exceptions here
For shareables. The rules about are here.
For , open data and .
open-source code
public APIs
To download for personal use using our download button.
You can for personal use. You can also transfer podcasts between your devices.  Use the sharing buttons instead to tell your friends about it.
download podcasts
To download BBC using our download button.
iPlayer programmes
For logos and branding, read this.
For metadata, read this.
Bear in mind: you normally need to ask permission and there may be a fee to pay.
For business use, read this.
For everything else, read this
Back to top
Content that’s shareable will have one or more of these buttons next to it:
Social media buttons for posting to Facebook, Twitter and so on.
We don’t always own the copyright for shareables. Sometimes we have to get a licence or permission from the people who made it.
So stick to these rules. Otherwise, among other things, the people who made it won’t want to make content for us again.
You’ll need to get our permission first for any business use, and you might have to pay a fee. For .
business use read this
When you share to a social media platform their terms will apply. Do read their terms (which you can search for online).
Back to top
To share a link to our content on your website or social media.
It’s fine to use our embed button to put our player on your website or social media account.
But don’t change how the player works, and don’t take content out of it. Don’t embed any content that doesn’t have an embed button.
Different rules apply for using iPlayer. Read about them .
You can add the BBC News feed to your website or social media account. Provided:
You don’t change the feed or remove any of our branding or logos
You credit us by saying it’s from , or putting the text and hyperlink in a prominent place nearby
bbc.co.uk/news
bbc.com/news
You don’t add our branding, logos and so on, except for any branding that’s already embedded in the feed
Read about how to set up a .
… about our shareables. That’s fine. Encouraged, even. Just as long as they’re not evil.
Back to top
Here’s a list of things that may harm or offend:
Insulting, misleading, discriminating or defaming (damaging people’s reputations)
Promoting pornography, tobacco or weapons
Putting children at risk
Anything illegal. Like using hate speech, inciting terrorism or breaking privacy law
Anything that would harm the BBC’s reputation.
You can't charge others for using our shareables. If you put them on a site that charges for content, you have to say they’re free-to-view.
Otherwise it might look like we’re endorsing you. Which we’re not allowed to do.
Also, use shareables alongside other stuff. You can’t make a service of your own that contains only our shareables. Speaking of which…
You can’t say we endorse, promote, supply or approve of you.
Don’t use shareables for political purposes.
And you can’t say you have exclusive access to our content.
That means you can’t:
Put any other content between the link to the shareable and the shareable itself. So no ads or short videos people have to sit through
Put ads next to or over them
Put any ads in a web page or app that contain mostly shareables
Put ads related to their subject alongside shareables. So no trainer ads with a shareable about shoes
Add extra content that means you’d earn money from them.
You can’t remove or alter the copyright notice, or imply that someone else made them.
Back to top
Use the latest version and, where we have it, don’t remove any tagging or tracking.
Make sure it’s displayed accurately.
Add a credit (if it doesn’t already have one).
Most come with credits included. If not, put one of these in a prominent place nearby to show where you got the shareable from:
bbc.com/news
copyright [
the year goes here
If possible, add a hyperlink to the shareable’s original location. Make sure it works, and don’t put anything between the credit and the link.
Back to top
Apart from , we’re not liable for anything that happens to you if you use a shareable.
what we’re responsible for when there’s a mishap
Back to top
Some open-source software and open data are available as downloads and through APIs.
Find out more on our and about our .
open-source here
public APIs here
When you access it, we’ll always let you know what terms apply.
Back to top
You’re not allowed to pluck metadata from our content.
You’ll need a licence to use our metadata. Apply for a metadata licence by emailing:
<EMAIL_ADDRESS>Back to top
This part is about when you create your own content by:
Uploading something of yours to one of our services – like uploading to comment boards and forums
Uploading your clip or photo of a breaking story to BBC News
Using a service (like the Doctor Who Game Maker) to make something and then uploading it to the BBC.
We call these somethings “creations”.
Things you enter into competitions (like drawings) don’t count as creations for these terms. Competitions have their own terms.
Back to top
Some services have tools that let other people use, reproduce, modify or edit your creation, or make things inspired by it.
We appreciate you sharing your creation with us but sadly we can’t pay you.
Sometimes uploading a creation to our services means using a tool provided by someone other than the BBC. For example you can use WhatsApp to share your stories and eyewitness accounts with BBC News.
Sometimes the provider’s terms and conditions apply to using their tool. Do read their terms (which you can search for online) as they tell you what the provider can do with your creation when you use their tool.
We (or the provider we use so you can upload your creation) will not share the personal information you provide to us without letting you know first. Read more on how we use your personal data
in our privacy policy.
But we can't guarantee it.
We usually show your name alongside your creation. We’ll try to remove it if you ask us to, but this isn’t always possible.
When you upload a creation, you give up your moral rights to it. That means we can:
Use your creation without identifying you as the creator
Edit or change your creation and you won’t be able to say we’ve treated it in a “derogatory” way.
Read more about moral rights here
And here’s a shorter explanation of moral rights
To check if you’ve got permission to use any music, images, clips or text in your creation. Or just for administrative purposes.
Read more about how and when we might contact you in our privacy and cookies policy
Back to top
You own the copyright if your creation is completely new and original. Which usually means it doesn’t feature anyone else’s content, such as videos and music.
If so, you can do whatever you like with it.
Read more about your copyright here
Read more about copyright in general here
You can share your creations with some of our services, like message boards, forums, pin boards, and in the comments at the bottom of some news stories.
If your creation contains content – like images, sounds, music or video – made by someone else, the copyright for that content may belong to them.
Which usually means you’ll have to get their permission to do anything with your creation. That includes posting, submitting or uploading it to the BBC.
Read more about your copyright here
Read more about copyright in general here.
Once you’ve got permission, you can share your creation with the public. On your website, for instance, or on social media.
Back to top
When you share your creation with us, we try to tell you exactly what we’re going to do with it. But that’s not always possible, so here’s what might happen…
When you post, upload or contribute a creation, we can:
We will only edit your news related content where necessary..
Read about how we use your news related comments and creations here
Some of our services - like the Doctor Who Game Maker - feature tools for playing around with our content, writing your own code, and making things like games and visualisations.
These might:
Put your creations on display to inspire other people,
Invite others to use your creation to make their own creation.
Which means we can review, edit, remove or decide not to display it. And, if it breaks any laws, we can refer it to the police and other authorities.
Anywhere in the world
In any medium (for example TV, the internet, radio)
For as long as we want – even if you stop using our services.
And anyone we work with can do those things too.
For example, if you send an image to BBC News, we could share a news item featuring that image with a foreign broadcaster, who’d then be able to do all the things above.
They could also charge their users to see it.
Back to top
Don’t send us anything that:
a. Doesn’t comply with these terms
b. Puts children at risk
c. Was made by someone else, or that copies someone else’s creation
d. Is illegal or defamatory (damaging to someone else’s reputation)
e. Is inappropriate (offensive, off-topic or spam)
f. Breaks any of if there’s an election or referendum on. Read more about that in our
these rules
house rules for posting comments and creations
g. Infringes anyone’s rights (that includes privacy rights)
h. You’ve made as part of your job or for your business
i. Promotes a business
j. Identifies someone (unless you have their consent or, if they’re under 16, the consent of their parent or guardian).
Back to top
You need an account to use some of our services, like personal recommendations and notifications.
To keep your account safe, don’t:
Tell anyone your username or password
Give us false information
Try to log in as someone else
Try to bypass our security measures
Create more than one account
Create an account for someone else, except for your child.
And be sure to keep your details up-to-date.
The data you send us when you register, fill in web forms or use our services helps us to:
Provide you with services, recommendations, notifications and other features
Improve our existing services and come up with new ones.
Read more on how we use your personal data in our privacy and cookies policy.
Find out how to tinker with or delete your account here.
This can stop some of our services from working properly.
Find out more about changing your settings here.
Back to top
We take great care to make our content and services the best they can be. So if something does go wrong, we are responsible only:
a. If our services or content damage your device or anything on it. Should this happen, you might be able to ask for compensation under consumer protection law.
Compensation isn’t guaranteed, though. Be sure to get legal advice.
b. For certain unlikely events. If our negligence causes death or injury, for example.
c. If you’re an individual “consumer” and it would be unfair for us to not be held responsible.
Otherwise, we’re not liable for anything that happens if:
You rely on advice, data, commentary, opinions or any other content
There are errors, omissions, interruptions, delays, bugs or viruses
We turn off or remove content, services, external links or creations (we’d normally only do this for legal reasons, because of or if we’re improving a service)
house rules,
The thing that happens couldn’t reasonably have been foreseen
The thing that happens wouldn’t usually result from the mishap
You and we hadn’t agreed that this thing would probably happen in the event of a mishap.
This applies to sites we link to as well as our content and services.
Speaking of which…
Back to top
We sometimes link to non-BBC sites. And we sometimes put our services on them – when you connect with us on social media, for example.
A few things to bear in mind:
a. We don’t endorse the sites we link to.
b. We’re not responsible for their content or liable for anything that happens to you if you use them.
c. If you or anyone else shares something containing a link, we’re not responsible for anything on the site it links to.
d. External sites usually have their own terms of use.
Back to top
iPlayer programmes are only available for a certain period of time, after which they’re automatically deleted. Don’t try to use technical trickery to get around this. .
Read more about iPlayer’s use-by dates here
Don’t stream or download iPlayer TV shows when you’re outside the UK. Radio shows are usually fine, though.
Read more about using iPlayer outside the UK here.
Don’t use iPlayer to make money. That means no ads or sponsorship, and no charging people to watch it.
You need a TV Licence to download or watch BBC programmes on iPlayer. Find out more at .
www.tvlicensing.co.uk
You can offer access to iPlayer on your premises for watching or downloading BBC programmes. But:
You’ll need a TV Licence. For more on that, visit .
tvlicensing.co.uk
Using iPlayer to play a whole show or a clip to an audience is a different story.
Find out more about playing iPlayer to an audience here.
You’re not allowed to charge people to use iPlayer.
Back to top
A quick recap, a few extra legal bits and we’re done:
a. If you use a service on behalf of a business, that business agrees to these terms. So your business has to stick to these terms if you use a service...
substantially to do your job – as an employee, contractor or consultant
for commercial purposes – to make a profit or
for educational, non-profit, charitable or government uses.
b. As we said earlier, read these terms before using our services. When you use our services and content, you’re agreeing to:
These terms of use
Our privacy and cookies policy
Our house rules for comments and creations (if applicable)
Any other terms we’ve let you know about.
And those things replace all previous agreements between you and us about using our services or content.
c. This is a contract between you and us. No one else has any rights to enforce its terms.
d. English law governs these terms, and only English courts can make judgments about them.
e. Our services and content are made available to you by the British Broadcasting Corporation, Broadcasting House, Portland Place, London, W1A 1AA.


The top diseases that kill Nigerians are diseases that can be easily prevented and also cured.
And if people knew the right information on these diseases, causes and what they can do to prevent them, it would go a long way.
Disease Info was built to make that possible.


Software Hub
Home
(current)
Stock ROM
Flash Tools
Drivers
Other Tools
Request a software
Report a problem
Contact us
About us
Contact us
About us
Select Your Device Manufacturer
More Devices will be addded soon!


After two failures trying to do QT's (patience intensive) DMT extraction, I tried Noman's 'DMT For the Masses' extraction, and the results were great.
1) I pulverized 27 grams of rootbark in a blender, then froze and thawed the plant material twice in order to break down the plant's cellular structure.
2) Made a solution of 405ml of water with 27 of NaOH* (aka lye).
3) Put both the the powdered plant material and NaOH solution in a mason jar, shook vigorously for approximately 1 hour as I watched TV. The jar heated up significantly during this reaction. Pressure also built up inside it, requiring me to vent it every few minutes to avoid a very unwanted detonation.
4) After solution ceased giving off heat, I transferred it to a seperatory funnel and added 30ml of Coleman Fuel (naptha). The seperatory funnel was then capped and turned end-over-end for several minutes. This was done periodically for three hours. The naptha was then seperated and put in a beaker.
5) Repeated step 4 one more time with the same plant juice.
6) All the naptha was combined into a single beaker and put in the freezer over night.
7) The next morning, hundreds of pretty little crystals were covering the glass. I poured the naptha through a coffee filter into a collection jar, then scraped all the crystals onto the filter and let them dry.
8) Crystals were washed with non-sudsy ammonia, dried, and put to use! Done in less than 24 hours!
*Be CAREFUL with NaOH, people!
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Clock using
squishy-pants.js
Clock created using the Time & squishy-pants Stream structures.
The graphical part is all CSS anf the font is 'Ubuntu Mono' from Google.


The Best Meal Delivery Services for 2021
We all struggle to put home-cooked meals on the table, even though we know they’re better for us (and our budgets) than takeout. Meal-kit delivery services can make a big difference in your life, so use these top, tested picks as a guide to healthy, tasty eating.


-
connectionError
-
Fired when connection is interrupted by unexpected reason
Type:
Object
Properties:
| Name |
Type |
Argument |
Description |
terminal |
Boolean
|
|
twilsock will stop connection attempts |
message |
String
|
|
root cause |
httpStatusCode |
Number
|
<optional>
|
http status code if available |
errorCode |
Number
|
<optional>
|
Twilio public error code if available |
-
connectionStateChanged
-
Fired when Client's connection state has been changed.
-
conversationAdded
-
Fired when a Conversation becomes visible to the Client. The event is also triggered when the client creates a new Conversation.
Fired for all conversations Client has joined.
-
conversationJoined
-
Fired when the Client joins a Conversation.
-
conversationLeft
-
Fired when the Client leaves a Conversation.
-
conversationRemoved
-
Fired when a Conversation is no longer visible to the Client.
-
conversationUpdated
-
Fired when a Conversation's attributes or metadata have been updated.
During Conversation's
creation and initialization this event might be fired multiple times
for same joined or created Conversation as new data is arriving from different sources.
Type:
Object
Properties:
-
messageAdded
-
Fired when a new Message has been added to the Conversation on the server.
-
messageRemoved
-
Fired when Message is removed from Conversation's message list.
-
messageUpdated
-
Fired when an existing Message's fields are updated with new values.
Type:
Object
Properties:
| Name |
Type |
Description |
message |
Message
|
Updated Message |
updateReasons |
Array.<Message#UpdateReason>
|
Array of Message's updated event reasons |
-
participantJoined
-
Fired when a Participant has joined the Conversation.
-
participantLeft
-
Fired when a Participant has left the Conversation.
-
participantUpdated
-
Fired when a Participant's fields has been updated.
Type:
Object
Properties:
-
pushNotification
-
Fired when client received (and parsed) push notification via one of push channels (apn or fcm).
-
tokenAboutToExpire
-
Fired when token is about to expire and needs to be updated.
Type:
void
-
tokenExpired
-
Fired when token is expired.
Type:
void
-
typingEnded
-
Fired when a Participant has stopped typing.
-
typingStarted
-
Fired when a Participant has started typing.
-
userSubscribed
-
Fired when the Client is subscribed to a User.
-
userUnsubscribed
-
Fired when the Client is unsubscribed from a User.
-
userUpdated
-
Fired when the User's properties or reachability status have been updated.
Type:
Object
Properties:
| Name |
Type |
Description |
user |
User
|
Updated User |
updateReasons |
Array.<User#UpdateReason>
|
Array of User's updated event reasons |
-
messageAdded
-
Fired when a new Message has been added to the Conversation.
-
messageRemoved
-
Fired when Message is removed from Conversation's message list.
-
messageUpdated
-
Fired when an existing Message's fields are updated with new values.
Type:
Object
Properties:
| Name |
Type |
Description |
message |
Message
|
Updated Message |
updateReasons |
Array.<Message#UpdateReason>
|
Array of Message's updated event reasons |
-
participantJoined
-
Fired when a Participant has joined the Conversation.
-
participantLeft
-
Fired when a Participant has left the Conversation.
-
participantUpdated
-
Fired when a Participant's fields has been updated.
Type:
Object
Properties:
-
removed
-
Fired when the Conversation was destroyed or currently logged in User has left private Conversation
-
typingEnded
-
Fired when a Participant has stopped typing.
-
typingStarted
-
Fired when a Participant has started typing.
-
updated
-
Fired when a Conversation's attributes or metadata have been updated.
Type:
Object
Properties:
-
updated
-
Fired when the Message's properties or body has been updated.
Type:
Object
Properties:
| Name |
Type |
Description |
message |
Message
|
Updated Message |
updateReasons |
Array.<Message#UpdateReason>
|
Array of Message's updated event reasons |
-
typingEnded
-
Fired when Participant ended to type.
-
typingStarted
-
Fired when Participant started to type.
-
updated
-
Fired when Participant's fields has been updated.
Type:
Object
Properties:
-
updated
-
Fired when User's properties or reachability status have been updated.
Type:
Object
Properties:
| Name |
Type |
Description |
user |
User
|
Updated User |
updateReasons |
Array.<User#UpdateReason>
|
Array of User's updated event reasons |
-
userSubscribed
-
Fired when Client is subscribed to User.
-
userUnsubscribed
-
Fired when Client is unsubscribed from this User.


Survivorship of Tenebrio molitor after 48 h topical applied with a LC 50 and LC 90 garlic essential oil vs toxic compounds: larva ( A, D, G, J), pupa ( B, E, H, K), and adult ( C, F, I, L) (control insects were applied with water). Control (⦁), garlic essential oil (◻), diallyl disulfide and diallyl sulfide (▴).
) )Figure 2
)


MINISTRRY OF MINES&POWER 3,MITAMAZ DRIVE ABUJA,NIGERIA. FROM THE DESK OF:DR BELLO BATURE. ATTN: I write to enquire of your personal or company profile and investment procedures, I am Dr Bello Bature and I work for the Ministry of Mines &Power in Nigeria, and by this letter, I am representing and also acting on behalf of my two senior colleagues (The Director General and the group General Manager) who have mandated that I got in contact a trusted and reliable foreign based businessman/woman concerning the business matter of mutual benefit toall.By thismandate given to me,we are in dire need of foreign partners to assist us in the transfer Investment of US$24,000,000.00(twenty four million united statesdollars). The key issue is the transfer and the subsequent Investment of the said sum. We are ready to go into anagreement with you and also offer you a negotiable fee for puttingtogether an Investmentportfolio. It does not matter whether or not you own a company or you have invested fundsbefore. We shall guide you on what to do. The basis will be that a major company won a contract andsubcontracted it toyou. More often, big trading companies and firm of unrelated field won contracts and subcontracts to more specialized firms for execution.We shall follows strictly all the legal procedures entailed the laws of our land and international laws in transferring the fund to you. The sources of the fund are legitimate and authoritative. Please be informed that Nigerian Government Monitory Policy, strategic positioned Government officials are not allowed to operate or own bank account overseas, hence,we are in need for a foreign partner to front for us.We pray that you take the essence of this letter in strict confidence, as the two offices involved would not like to be exposed on this. Kindly firstnotify me onyou wiliness to assist us through this email address Details will be made available to you as soon as you respond.You are to contact me only on this email address specifically for more information and you are to keep this business proposal very confidential for securityreason.Thank you and God bless as we wait for your urgent response. Yours faithfully, Dr.Bello Bature. TEL:23433704238. EMAIL:dr.bell_bat@portugalmail.com


Defines the phase read mode for the Coldfire module.
int jmpSetColdfirePhaseReadMode (int modeFlag);
modeFlag [input]
Integer that specifies how to obtain the list of phases to include in a Coldfire calculation. This parameter can take one of the following values:
JMP_READ_FROM_SOLVER |
To read phases from a Solver output file. |
JMP_READ_USER_SPECIFIED |
To read phases from a user-defined list. |
JMP_READ_FROM_SOLVER_WITH_EXCLUSIONS |
To read phases from a Solver output file, but disregard those present in a given exclusion list. |
JMP_STATUS_OK |
Request has been successfully completed. |
JMP_STATUS_ERROR |
An error has occurred. |
summary.out
. However, a similar file with a different name may be specified, using jmpSetSummaryReadMode() and jmpSetUserFilename().JMP_READ_USER_SPECIFIED
, the list of phases to include in the calculation must be provided, by calling jmpSetColdfirePhases().JMP_READ_FROM_SOLVER_WITH_EXCLUSIONS
, the list of phases to exclude from the calculation must be provided, by calling jmpExcludeColdfirePhases().| Headers | jmpcore.h jmpcoldfire.h |
| Library | jmpcoldfire.lib /jmpcoldfire_x64.lib |
| DLL | jmpcoldfire.dll /jmpcoldfire_x64.dll |


Welcome
[[${#request.userPrincipal.principal.fullName}]]
List of all managed devices
Add new device
Host Name
IP Address
Operating System
Vulnerabilities
Host Name
IP Address
Operating System
cve
Edit
Delete
List of monitored vulnerabilities


token
Edit (pull request)The token function is used within a TOSCA service template on a string to parse out (tokenize) substrings separated by one or more token characters within a larger string. Use this function for attributes ## Keynames
| Parameter | Required | Type | Description |
|---|---|---|---|
| string_with_tokens | yes | string | The composite string that contains one or more substrings separated by token characters. |
| string_of_token_chars | yes | string | The string that contains one or more token characters that separate substrings within the composite string. |
| substring_index | yes | integer | The integer indicates the index of the substring to return from the composite string. Note that the first substring is denoted by using the ‘0’ (zero) integer value. |
Grammar
token: [ <string_with_tokens>, <string_of_token_chars>, <substring_index> ]
Example
The following example shows how to define an attribute using concat function:
outputs:
webserver_port:
description: the port provided at the end of my server’s endpoint’s IP address
value: { token: [ get_attribute: [ my_server, data_endpoint, ip_address ],
":",
1 ] }


{% extends load_base %} {% load i18n %} {% load gui_utils %} {% block javascript %} {% endblock %} {% block base_content %} {% include "gui/mdata_template.html" with key_class="narrower-fill" value_class="narrow-fill" %} {% include "gui/array_template.html" with value_class="narrow-fill" %}
{% trans "Changing some of these advanced settings may cause application errors and lead to software malfunction. You should only continue if you are sure of what you are doing." %}


{#- This file was automatically generated - do not edit -#} {% set analytics = config.google_analytics %}


Hi, I'm a System Administrator working for TPM UK LTD. I currently enjoy working with all things hardware and infrastructure. My current passion is learning web development technologies such as Javascript, Angular JS, HTML and CSS.
I'm currently enjoying developing web applications using the following technologies, most of which I'm learning via Code School.


{% load static %}
Rip My Professor !
Home
Page1
Page2
Page3
Search
Hello !
Create new course
{% csrf_token %}
course name
course fullname
course description
250
/250
course score
5
4
3
2
1
Create
Delete course
{% csrf_token %}
course name
Delete


Transactional Archiving consists of selectively capturing and storing transactions that take place between a web client (browser) and a web server.
Most existing web archives recurrently send out bots to crawl the content of web servers. This results in observations of a server's content at the time of crawling. Since the crawling frequency is generally not aligned with the change rate of a server's resources, this approach is typically not able to capture all versions of a server's resource. The resulting archive may provide an acceptable overview of a server's evolution over time, but it will not provide an accurate representation of the server's entire history. A Transactional Web Archive, however, captures every version of a resource as it is being requested by a browser. The resulting archive is effectively representative of a server's entire history, although versions of resources that are never requested by a browser will also never be archived.
The Transactional Web Archive provides the following opportunities:


During a period of 11 months I walked and explored the city of Rome, visiting, documenting, and researching 175 churches from paleochristian to baroque. I was drawn to the inherent desire in classic church architecture - the focus, symmetry, and implied movement. Over time I found that I was making the same photograph in each space - aligning myself to the center axis, focusing on the apse of the church.From these collected images I assembled a layered animation in which all 175 churches are present throughout the sequence, with each space taking a turn to rise in clarity above the others. The resulting high-definition, seamless loop is a study of both uniqueness and similarity in what remains a peculiar architectural form.
Athanasios, a mischievous, 21 year old Greek American, lives and works with his grandfather, a Greek immigrant, in the family shoe repair store. Athanasios takes his Greek heritage for granted, and more importantly, the significance of his name and what it means. It is through the telling of his grandfather's survival of the Kalavryta Massacre of 1943 that Athanasios finally realizes and appreciates his heritage -- never again shunning away his name or family.
A young love between a boy and a girl in elementary school turns into a heartbreak when their family dramas end up affecting their sensitive interaction.
Before the moon festival arrives, a furniture dealer has to find back his grandmother's table which he sold indifferently. This unexpectedly difficult mission gradually revives his deeply sunken memories.
Ceaseless is an experimental film influenced by the surrealist movement and postmodernist films. The film explores the psyche of a disillusioned protagonist, Trista, who questions the routine nature of life in the urbanized western society that she lives in, whilst promoting the message that natural moments of creativity are far too scarce in an overly capitalistically driven world.
In the old center of Sao Paulo, Carlos takes a taxi to Buenos Aires. As he crosses Escher's space-time, he accesses a deeper city within himself.Carlos now travels through his emotions, his unconscious, and goes far beyond anything he could imagine.
dir. by Andronikos - Konstantinos Dimopoulos, 20 minutes, Greece
The movie follows the life of a man who is daily faced with psychological violence and pressure in contemporary Athens. Inevitably, the receiver having stored all that pressure in his soul ends up causing and exerting more violence as a form of reaction towards his immediate environment. So, we watch how the protagonist enters a vicious circle of brutality in which no room for communication exists.
When 40-year-old Amir visits his ailing father in hospital intending to reveal a long held secret, the nature of their dysfunctional relationship gets in the way. As the two men battle out their differences, the tension mounts on Amir who finally withdraws and leaves. Blinded by rage and his galloping emotions, Amir finds himself stuck between guilt and a desperate need to race back to his father before it's too late.
In the summer of 1985 American Scott Crombie disappeared off the coast of Italy without a trace. Twenty five years later, the son he never knew has come back to find him.
God created the world, the Dutch created the Netherlands. Klei (Clay) is a short film about peoples efforts to get in touch with each other in an artificial world. The film was shot at the Flevopolder, the largest artificial island reclaimed on water in the world. There are no ancient cities, no mountains, no irregularities, no rituals. There are people in search of...
'Noise' is a film that uses clever sound design to show the liberating effects of dance.It shows the world from the perspective of a withdrawn and lonely girl surrounded by arguing or hectoring adults. The film has a cold, austere feel. Instead of dialogue the film is filled with cacophonous noise.
Wandering through mysterious paths of a sleepy seaside resort, Zohar seeks clues in hope to discover reasons for her father's absence from a family vacation. Obscurity and fear sends Zohar to darker places that threaten the unstable serenity.
Set in Depression era Mississippi, the film follows three sisters - Olivia, Martha and Ilse. Throughout the years, people come and go, but the sisters hope they will escape from their small society. When Nora, a foreigner from outside the South enters the household, the sisters begin to lose everything.
'Scrabble' addresses the secret desire to break out of the routine of a loveless relationship and illuminates with irony the depths of humanity behind a traditional facade - using a simple board game.Once the first rush of love in a relationship has passed and the daily routine has set in, the point comes where you want to feel free again. Theo lives just such a dull routine in his allotment shed, his passion for his wife Barbara long gone. In secret, he imagines what it would be like to get away from this bleak, empty existence with Barbara.Their weekly Scrabble game presents unexpected opportunities - is it possible that a few simple letters could bring Theo`s dark fantasies to reality? That a chosen word determines fate? Is it possible to murder Barbara?
Lucy, a young woman flees the quarantine station of a hospital in order to find a space to write down her story in form of a novel. After breaking into a house by a lake she is confronted with the neighbor, who believes she is the daughter of the owner. With the arriving of the house owner the story gets dramatic, he gets killed, the neighbor steals the book and publishes it under her own name. The book becomes a big success while the young sick woman is kept imprisoned by the neighbor in the cellar of her house. When Lucy is forced to celebrate the success of the book, the two woman start to argue and reality starts to reveal itself.
Alex, a middle-aged married man, is having an affair with Alma, his much younger lover. The couple meet regularly to indulge their passion, but their latest rented love nest is full of surprises. The weekend goes well until a strange presence that emanates from a mysterious locked cupboard unnerves them both, creating paranoia and casting a malevolent spell over their relationship.
A seemingly unremarkable man spends a day taking a bizarre test at a mysterious facility. Through his day he interacts with the odd, detached employees of the facility, guiding him from section to section, obscuring the intentions or duration of the test.
dir. by Emilija Gasic, 17 minutes, Serbia/Montenegro
During the turbulent times in the 18Th century Serbian village, life of a poor, superstitious Serbian family dramatically changes when the head of the family, father and husband returns from the war against Turks - infected with vampirism. However, one family member manages to find salvation in the place least expected.
'The Making of Love' is a psychological journey into the realm of lovesickness. A seduction has altered a teenage girl. Her involvement with an older man and subsequent abandonment by him inflicts a solipsistic stupor upon her daily life. She is transfixed by consciousness, haunted by memories and subjugated by turbulent emotions. This girl is real and her words are transposed from the pages of a private journal into the space of film. 'The Making of Love' shows a mind pondering upon the ailments and emotions occurring when the unrequited manifests physically and philosophically.
dir. by Kryssa Schemmerling, Donald Gray, 17 minutes, USA
History and myth merge in this impressionistic mini-epic that imagines the birth and early life of legendary gunslinger Billy the Kid when he truly was a kid -- one of thousands of urchins trying to survive on the streets of 19th-century New York City's Lower East Side. The West Begins at Fifth Avenue draws visual inspiration from the photographs of Jacob Riis and borrows the cinematic language of early silent cinema to create an evocative, highly unconventional Western set entirely in New York City -- and in the mind.
A man and a woman, outcasts of a harsh reality, walk along the Calatrava Bridge in Athens (Greece). they stop for a while and they dream before they return to their everyday life.
There once was a girlwho was made up of junk.She looked really dirty,and she smelled like a skunk.She was always unhappy,or in one of her slumps-perhaps 'cause she spentso much time down in the dumps.The only bright momentwas from a guy named Stan.He was from the neighborhoodgarbage man.He loved her a lotand made a marriage proposal,but she already thrown herselfin the garbage disposal.
Fereshteh has aborted her four-month fetus in the past. Her family has kept it secret until she reveals it in the presence of Saman, who is in love with her.


Cell Cycle Simulation of the Cooper-Helmstetter Model
Explanation
Glossary
Printing
Run Offline
You must have a Java-enabled browser to run CCSim. - On iPhone or iPad, no Java Applets can be run.


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.ApplicationConfig @import domain.models.developers.DeveloperSession @import include._ @import model.Crumb @import uk.gov.hmrc.urls.Link @import views.emailpreferences.EmailPreferencesSummaryViewData @this(devMain: DevMain) @(viewData: EmailPreferencesSummaryViewData)(implicit messages: Messages, loggedIn: DeveloperSession, request: play.api.mvc.Request[Any], appConfig: ApplicationConfig) @pageHeading = @{ if(viewData.unsubscribed) "You are unsubscribed" else "Email preferences" } @userHasEmailPreferences = @{ loggedIn.developer.emailPreferences.interests.nonEmpty || loggedIn.developer.emailPreferences.topics.nonEmpty } @devMain( title = pageHeading, userFullName = loggedIn.loggedInName, breadcrumbs = Seq(Crumb.emailPreferences, Crumb.viewAllApplications, Crumb.home), developerSession = Some(loggedIn) ) { @if(viewData.unsubscribed) {
You can change your email preferences at any time
You will receive emails about these APIs and topics.
@for(taxRegimeInterest <- loggedIn.developer.emailPreferences.interests.sortBy(_.regime).zipWithIndex) {
You have selected no email preferences.
} @EmailPrefsBulletInfoView() }Check the @{ Link.toExternalPage(id = Some("status-page-link"), url = "https://api-platform-status.production.tax.service.gov.uk/", value = Some("service availability page for information about live incidents")).toHtml }.
@if(userHasEmailPreferences) { } }


Hitz, formed in 1981 touring around the country, opening and sometimes backing 50's and 60's national recording artists such as Paul Revere & the Raiders, The Coasters, Gary Puckett and the Union Gap, Jan & Dean and about two dozen others, too numerous to mention. They also did a comedy and tribute show of their own, but always maintained the formula of playing the "greatest hits of all time".
Kent has called Minnesota home for most of his life, but has traveled extensively in his career as a founder and leader of several well known regional and national touring acts such as Kaleidoscope, Gangbusters and then forming Hitz in 1981. Many of his band mates formed popular offshoot groups and his experiences of playing with, or opening for, a huge list of who's who rock and roll artists has taken him all over the country and several cruises.
Kent's excellent guitar playing and clear soaring voice singing favorites like Roy Orbison, Frankie Valli and the Bee Gees have impressed crowds for decades. His impressions of famous artists, serious and comedic, show that he is a real entertainer.


Warning!
This work is preliminary, and results should be used with caution until verified.
Species occurrence record trends
These charts illustrate the change in availability and characteristics of the species occurrence records over time including taxonomic, temporal, species count, completeness and data sharing summaries.
Number of occurrence records
Records by kingdom
The number of available records categorized by kingdom. "Unknown" includes records with taxonomic information that cannot be linked to available taxonomic checklists.
Records for Animalia
The number of animal records categorized by the basis of record. "Unknown" includes records without defined basis of record or with an unrecognised value for basis of record.
Records for Plantae
The number of plant records categorized by the basis of record. "Unknown" includes records without defined basis of record or with an unrecognised value for basis of record.
Species counts
These charts illustrate the change in the number of species for which occurrence records are available.
Definition
Species counts are based on the number of binomial scientific names for which GBIF has received data records, organised as far as possible using synonyms recorded in key databases such as the Catalogue of Life. Since many names are not yet included in these databases, some proportion of these names will be unrecognised synonyms and do not represent valid species. Therefore these counts can be used as an indication of richness only, and do not represent true species counts. All data have been processed using the same, most recent, version of the common GBIF backbone taxonomy, and comparisons over time are therefore realistic.
Species count by kingdom
The number of species with available occurrence records, categorized by kingdom.
Species count for specimen records
The number of species associated with specimen records.
Species count for observation records
The number of species associated with observation records.
Time and seasonality
These charts illustrate changes in the spread of records by year of occurrence and by day of year, indicating the extent of possible bias towards more recent periods or particular seasons. Snapshots are provided for approximately 3-year intervals to show changes in spread.
Occurrence records by year of occurrence
The number of occurrence records available for each year since 1950.
Species by year of occurrence
The number of species (see above) for which records are available for each year since 1950.
Occurrence records by day of year
The number of occurrence records available for each day of the year.
Species by day of year
The number of species (see above) for which records are available for each day of the year.
Note
These charts may reveal patterns that represent biases in data collection (seasonality, public holidays) or potential issues in data management (disproportionate numbers of records shown for the first or last days in the year or each month or week). Such issues may arise at various stages in data processing and require further investigation.
By generating these charts an issue was detected in the GBIF processing which contributes to the spike seen on the first day of the year in several charts and will be addressed.
Completeness and precision
These charts illustrate changes in the completeness (see below) of available records and in the precision of these records with respect to time, geography and taxonomy.
Definition
A record is here defined to be complete if it includes an identification at least to species rank, valid coordinates, a full date of occurrence and a given basis of record (e.g. Observation, specimen etc).
Completeness
These charts illustrate changes in the number of records considered complete according to the definition above. Separate charts separately show the same information for specimen records and for observation records. Subsequent charts illustrate the component elements that affect the number of complete records.
All records
Specimen records
Observation records
Taxonomic precision
These charts illustrate changes in the number of available records which include an identification at least to the species rank. The numbers of records identified to an infraspecific rank or to a genus are also shown.
All records
Specimen records
Observation records
Geographic precision
These charts illustrate changes in the number of available records which include coordinates for which no known issues have been detected. For records without accepted valid coordinates, these charts also show the number of records for which the country of occurrence is known.
All records
Specimen records
Observation records
Temporal precision
These charts illustrate changes in the number of available records which include a complete date including year, month and day. The numbers of records including only the month and year or only the year are also shown.
All records
Specimen records
Observation records
Geographic coverage for recorded species
These charts illustrate changes in the number of species for which records are available from a range of localities. The earth’s surface is divided into a series of increasingly fine grids (one degree, half degree and tenth of a degree). Species are categorised according to the number of cells in each of these grids for which GBIF has available data for the species since 1970. The charts show changes in the number of species recorded in only one such grid cell, in between two and twenty such grid cells, etc. Greater distribution of records typically increases the value of the data for various modelling activities.
1.0 degree
0.5 degree
0.1 degree
Data sharing with country of origin
Origin of occurrence records
{{datasharingDescription}}


Our system is designed to streamline the work of accountants. The system streamlines the process of adding vendor invoices to the accounting system and uses a smart OCR which will enter the relevant details from the invoice directly to the system.
Our office is located at - Tel hai 1 , Netanya
You can contact us through our business Facebook page.
You can also check out for a number of business articles in the field of accounting and the latest publications
in the field.


Supreme Court sides with Canadian naturopath in manslaughter, negligence case
84-year-old patient died due to contamination of a vial used during the nutrient injection
by The Canadian PressA Quebec naturopath is not guilty of manslaughter or criminal negligence in the death of an elderly man, the Supreme Court of Canada has ruled.
Roger Matern, an 84-year-old with heart disease, visited Mitra Javanmardi’s clinic in 2008 at the suggestion of a friend as he was frustrated with conventional treatments.
After discussing his condition, Javanmardi gave him nutrients intravenously and he reacted poorly, complaining of being hot and nauseous. Matern did not want to go to hospital and returned home, but he died a short time later due to contamination of a vial used during the nutrient injection.
Javanmardi was charged with unlawful-act manslaughter and criminal negligence causing death.
A judge acquitted her on both counts, ruling that Javanmardi had the necessary skills to administer intravenous injections even if she was not authorized to do so under Quebec law.
Javanmardi had injected nutrients intravenously to about 10 patients a week for many years.
The Quebec Court of Appeal overturned the manslaughter acquittal, finding Javanmardi guilty on that count, and ordered a new trial on the charge of criminal negligence.
In its 5-2 decision Thursday, the Supreme Court restored the acquittals.
The majority said the trial judge’s factual findings amply supported the conclusion that an intravenous injection, given properly by a qualified naturopath, did not pose a foreseeable risk of bodily harm in the circumstances.
ALSO READ: B.C. naturopath who used diluted rabid dog saliva surrenders licence
The Canadian Press


Ong Seong Wu announces 1st Asia fan meeting tour 'We Belong' next year
by beansssWanna One member/actor Ong Seong Wu will be embarking on his very own, first ever Asia fan meeting tour!
The fan meeting will be specially titled 'We Belong', combining the name of Ong Seong Wu's official fanclub name 'WELO' with the star's signature nickname "ONG". The fan meeting tour is set to kick off this January 11, at 2 PM KST and 7 PM KST at Kyunghee University's Peace Hall.
The fan meeting continues on to Thailand on January 18, Taipei on February 15, The Philippines on February 25, and more. Who would love to attend Ong Seong Wu's first solo fan meeting?


Coffeescript makes writing JavaScript much easier and more secure.
This will not be an exhaustive document covering CoffeeScript but mainly covering conventions you'll see used in Kickstrap. For complete documentation, visit the CoffeeScript homepage. You'll also find a link for "Try CoffeeScript" where you can translate your CoffeeScript to JavaScript in real time.
CoffeeScript makes writing JavaScript much easier by removing characters like commas, semicolons, and curly braces in certain contexts. This is accomplished by instead indenting lines with either spaces or tabs. For example:
if a return b
In JavaScript, this would return as
if(a) { return b; }
This could also be written as
b if a
Tabbing is especially important in functions. Here's what a function looks like in CoffeeScript
addNumbers = (a, b) -> a + b
Here is that same code in JavaScript
var addNumbers = function(a, b) { return a + b; }
Because the function returned one line, we did not need to tab anything. However, with more than one line, we would need to tab in. For example,
calcNumbers = (a, b) -> c = a + b c/2
...is the same as
var calcNumbers = function(a, b) { var c = a + b; return c/2; }
Failure to tab appropriately can put a variable out of scope. This function:
sayHi = () -> alert 'hi' color = 'yellow' alert color
Would alert "hi" and "undefined" because color
is assigned in sayHi()
where the second alert can't reach it. This would be the correct way to write the above:
sayHi = () -> alert 'hi' color = 'yellow' alert color
Sometimes your function's parameters will be empty
$('a').click(function() { return alert('you clicked'); });
If so, we don't actually need the ()
. We can drop it and just use the arrow. Here's the coffeescript version:
$('a').click -> alert 'you clicked'
Notice we also removed the parentheses from alert
. By default, Coffeescript will encapsulate variables delineated by spaces. For example:
a b c
...in JavaScript would be
a(b(c))
We can't do this if we need to "work on" one of those encapsulations with a period. That's why we used $('a')
and not $ 'a'
In Kickstrap, you may see something like this from time to time:
define ['jquery'], ($) -> $.fn.jquery
Now you know the space implies an encapsulation (except for certain reserved characters likereturn
), but what if we wanted to add more to the array?
define [ 'jquery' 'angular' ], ($, angular) -> $.fn.jquery
CoffeeScript knows the new lines imply comma-separated values. Ultimately, this yields the following:
define(['jquery', 'angular'], function($, angular) { return $.fn.jquery; });
Via roots, you can use CoffeeScript in jade using :coffeescript
. For example:
:coffeescript alert 'hi!'
...becomes
<script type="text/javascript">alert('hi')</script>


lgp.lib
/
BaseProgramTranslator
/
includeMainFunction
includeMainFunction
val
includeMainFunction
:
Boolean


So I’ve been meaning to start using PlistBuddy for a while, and this morning I ran into a real need for it.
Unbeknownst to me, we had a problem with our imaging system where a machine would be freshly imaged, and it would retain the LocalHostName and ComputerName of the imaged machine until the next reboot.
(We normally set these values to “hostname -s” as part of a StartupItem)
Anyway, I wanted to set these values when machines are booted from our custom NetInstall image, and quite frankly, using “defaults” with nested dictionaries can sometimes either be an absolute pain in the ass, or impossible.
Obviously someone at Apple realised this a while ago, which is why they invented PlistBuddy. If you do “locate PlistBuddy” from a shell, you’re likely to see it in all sorts of Apple packages, and I feel perfectly comfortable simply stealing one of them…
PlistBuddy lets you easily write nested values and merge dictionaries into each other.
Here’s the two liner that lets you set the relevant values (as root/sudo etc)
$ PlistBuddy -c "Set :System:Network:HostNames:LocalHostName $(hostname -s)" \ /Library/Preferences/SystemConfiguration/preferences.plist $ /PlistBuddy -c "Set :System:System:ComputerName $(hostname -s)" \ /Library/Preferences/SystemConfiguration/preferences.plist
And for us we just point it to /Volumes/System/Library/… etc as that’s where the SOE partition is while NetBooting.
Much nicer than using defaults…
hmm.
Here’s another example. Manage the IR receiver:
PlistBuddy -c ‘Set :DeviceEnabled True’ /Library/Preferences/com.apple.driver.AppleIRController.plist
A nice Applescript example of Plistbuddy usage
http://bbs.applescript.net/viewtopic.php?id=18380
It looks like Plistbuddy in Leopard is now in a pretty short, easy, and consistent location: /usr/libexec/PlistBuddy
My friend Dave and I found another nice use for PlistBuddy, for tracking Xcode build numbers in a property list.
http://davedelong.com/blog/2009/04/15/incrementing-build-numbers-xcode
Thanks for blogging about PlistBuddy — we were looking for a good way to edit plist files from the command line!
Isn’t systemsetup -setcomputername and -setlocalsubnetname
now the best way to set hostname from the command line? scutil is what a search of dev.apple.com comes up with, but didn’t seem to work in a quick test. I threw this PlistBuddy way of doing it into a script called by launchd during first boot of my InstaDMG’d image and it worked here in 10.5.7, but just wondering.
May I additionally ask what you mean by SOE, and how does the pointing work/allow you to get the applicable computer/local name values?
It is totally at your discretion to shed light on your(probably quite out of date at this point) setup, but any response would of course be greatly appreciated. Thanks!
So SOE seems to be an Australian-only term… Standard Operating Environment.
The point of this example was to show how you can manipulate a rather nested key when not actually booted from that volume. scutil and systemsetup (which I think wasn’t available when I wrote this post) both operate on the currently booted volume.
Twiddling the file directly allows you to manipulate the setting on a non-boot volume.
This was for a post-action for our imaging system.


Cockburn’s double-double lifts Illini over The Citadel 85-57
by TERRY TOWERYCHAMPAIGN, Ill. (AP) - Kofi Cockburn scored 18 points and grabbed 17 rebounds to lead Illinois past The Citadel 85-57 on Wednesday night.
It was the fourth double-double of the young season for Cockburn, a muscular, 7-foot freshman. Cockburn’s 17 rebounds broke a school single-game record for a freshman, previously held by Deon Thomas (16). Cockburn is the only freshman in the country with four double-doubles through five games.
“He just gets better each game,” said Illinois coach Brad Underwood.
Ayo Dosunmu and Giorgi Bezhanishvili each added 16 points for Illinois (3-1).
Kaelon Harris led The Citadel (1-4) with 19 points and 10 rebounds.
The Illini held the Bulldogs to 7 of 36 shooting (19%) in the first half and scored 51 points in the second half while holding the Bulldogs to 37.
Cockburn had eight points and 11 rebounds as Illinois led 34-20 at the half. His presence under the basket wasn’t an accident.
“Coach tells me every game that rebounding should be my goal, my mindset,” Cockburn said.
Bezhanishvili, a 6—9 power forward who grew accustomed to being the big man last year, has not only adapted well to his new role but has become best friends with Cockburn off the court.
“I’m not satisfied with Kofi tonight,” Bezhanishvili said, grinning. “I tell him that every game, though. He needs to go out next game and get 20 rebounds. He can do better.”
Underwood praised both men, but noted he was especially pleased with Bezhanishvili’s play.
“I think tonight was Giorgi’s best night all around this season,” Underwood said. “He’s adapted to his new role beautifully. Have you seen his passing? His outside shooting? He was outstanding tonight.”
BIG PICTURE
The Citadel: The Bulldogs, known for their outside shooting, didn’t find the 3-point range until the second half. The Citadel was 10 of 38 from beyond the arc for the game, but only hit three in the first half.
 The Illini also played smothering defense again.
BACK TO BACK
The Bulldogs beat Southeast Missouri on Tuesday for their first win of the year, but lost leading scorer Hayden Brown with an apparent hamstring injury.
“I have to give a lot of respect to The Citadel,” Bezhanishvili said. “They played and played hard last night. That’s not easy.”
HIGHLIGHT REEL
Up 40-20 with 17:56 left in the game, Cockburn brought the crowd to its feet with a monster one-handed dunk.
On the next offensive play for Illinois, the Illini showed their versatility when Trent Frazier nailed a 3-pointer after a takeaway.
UP NEXT
The Citadel: Travels to Marist on Saturday.
Illinois: Hosts Hampton on Saturday, the third of five-games at the State Farm Center.
For more AP college basketball: https://apnews.com/Collegebasketball and https://twitter.com/AP_Top25
Sign up for Daily Newsletters
Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


The following paragrah is a partial reflection of what I've learned at the first week in DevBootcamp.
What are the benefits of version control?
Version control allows users to save multiple "checkpoints" while working and roll back to the "checkpoint" whenever needed. In case of anything happens, developers can compare the differences between the saved versions or even go back to older versions. It can potentially save a lot of fixing and rescuing time.
How does git help you keep track of changes?
Everytime I try to submit a change to my online storage, GitHub, git will help me to keep a record of the change. I surely hope all my projects will go smoothly without a glitch. But if, if anything goes wrong, I can simply perform a time travel(a restore) back to where before the mistake was made. Pretty neat.
Why use GitHub to store your code?
GitHub is one of the most famous and active communities which countless developers and companies use to store their codes. I want to use it every day to get myself familiar with GitHub. It's one step closer to become an excellent junior development!
I hope you enjoyed reading my first blog post on GitHub. More coming soon.


JavaScript is disabled on your browser.
Overview
Package
Class
Use
Tree
Deprecated
Index
Help
Prev Letter
Next Letter
Frames
No Frames
All Classes
A
B
C
D
E
G
H
I
J
L
M
N
O
P
R
S
T
U
V
R
registerCommands()
- Method in class vg.civcraft.mc.namelayer.command.
CommandHandler
registerListeners()
- Method in class vg.civcraft.mc.namelayer.
NameLayerPlugin
RemoveMember
- Class in
vg.civcraft.mc.namelayer.command.commands
RemoveMember(String)
- Constructor for class vg.civcraft.mc.namelayer.command.commands.
RemoveMember
removeMember(UUID, String)
- Method in class vg.civcraft.mc.namelayer.database.
GroupManagerDao
removeMember(UUID)
- Method in class vg.civcraft.mc.namelayer.group.
Group
Removes the Player from the Group.
removePermission(GroupManager.PlayerType, PermissionType)
- Method in class vg.civcraft.mc.namelayer.permission.
GroupPermission
Removes the PermissionType from a PlayerType.
removeRemoveInvite(UUID)
- Method in class vg.civcraft.mc.namelayer.group.
Group
Removes the invite of a Player
removeSubGroup(String, String)
- Method in class vg.civcraft.mc.namelayer.database.
GroupManagerDao
removeSubGroup(Group)
- Method in class vg.civcraft.mc.namelayer.group.groups.
PrivateGroup
Removes a sub group from this group.
RemoveSuperGroup
- Class in
vg.civcraft.mc.namelayer.command.commands
RemoveSuperGroup(String)
- Constructor for class vg.civcraft.mc.namelayer.command.commands.
RemoveSuperGroup
removeSuperGroup()
- Method in class vg.civcraft.mc.namelayer.group.groups.
PrivateGroup
Removes the Super Group from this group.
run()
- Method in class vg.civcraft.mc.namelayer.command.commands.
GroupStats.StatsMessage
A
B
C
D
E
G
H
I
J
L
M
N
O
P
R
S
T
U
V
Overview
Package
Class
Use
Tree
Deprecated
Index
Help
Prev Letter
Next Letter
Frames
No Frames
All Classes


Today, we are challenged to maximize two builds using plastic straws and newspapers. The first challenge is to build a support with six straws that avoid the falling golf ball to hit the ground.
Our first approach is to build a little basket to hold the golf ball. However, we have insufficient material, plus tape and straws doesn't work well together.
Our final product is a half broken nasket xD. We failed but we learned the strongest holding pattern is cross by cross.
The second project is building the tallest tower with newspaper
Our group started off just building rolls of paper hoping to stack them high. But soon I realised we need to roll the paper into cones, stack them going smaller as it goes bigger.
It was a good idea, but we failed to physically roll them into nice shapes... unlucky xD
Anyway, it was fun to think and take on those challenges even if we failed. We learned some physics xD.


{% extends "base.html" %} {% block body %}
This project is a research project by Noah Snelson for the Undergraduate Research and Student Activity (URSA) program at the University of Alaska Fairbanks. This website is a technical demonstration of a subset of artificial intelligence concerned with language translation, known as neural machine translation.
Neither the creator of this website nor the algorithm producing the translations knows the Inupiaq language semantically. Rather, the algorithm learns to translate as it is given data in the form of samples of English and their translations into Inupiaq. If you would like to know more about this algorithm or the theory behind it, you can find the research paper here.
This website and the algorithm behind it is also 100% open-source, and if you'd like to check it out or contribute, you can find the research code on GitHub here and the website code here.


--- title: "TidyTuesday - NHL Greats - 2020 - Wk 10" author: admin date: '2020-03-11' slug: categories: [Code] tags: - R - TidyTuesday subtitle: '' summary: 'Top Goals: 1980-2003' authors: [M. L. DeBusk-Lane] lastmod: '2020-01-04T07:57:09-05:00' featured: no image: caption: '' focal_point: '' preview_only: no projects: [] output: html_document: theme: journal highlight: zenburn ---
This week’s TidyTuesday post looks at a bunch of NHL data. Although I dont really follow the NHL, I do follow fellow TidyTuesday contributors and wanted to recreate one that caught my eye by @jakekaupp. I switched some things around and narrowed the obvious gap in his post to examine what was going on there.
I’ve left the entire code as one chuck, as that is the way I went about it earlier in its own R script file.
library(tidyverse)
library(janitor)
library(readxl)
library(tidylog)
library(ggdark)
library(ggforce)
library(rvest)
library(glue)
library(patchwork)
library(stringi)
# Read in the data.
game_goals <- readr::read_csv('https://raw.githubusercontent.com/rfordatascience/tidytuesday/master/data/2020/2020-03-03/game_goals.csv')
top_250 <- readr::read_csv('https://raw.githubusercontent.com/rfordatascience/tidytuesday/master/data/2020/2020-03-03/top_250.csv')
season_goals <- readr::read_csv('https://raw.githubusercontent.com/rfordatascience/tidytuesday/master/data/2020/2020-03-03/season_goals.csv')
# Take a stab at recreating #jkaupp's work, but looking at what happend between about 1980 and 2003.
url <- "https://www.hockey-reference.com/leagues/stats.html"
total_scoring <- read_html(url) %>%
html_node("#stats") %>%
html_table() %>%
filter(!str_detect(Rk, "[A-Z]")) %>%
mutate_at(vars(GP:GAA), as.numeric) %>%
mutate(year = as.numeric(str_sub(Season, 1, 4)))
ppm_data <- season_goals %>%
group_by(player, season) %>%
summarize(goals = sum(goals, na.rm = TRUE),
assists = sum(assists, na.rm = TRUE)) %>%
group_by(season) %>%
mutate(min_goals = min(goals, na.rm = TRUE),
max_goals = max(goals, na.rm = TRUE)) %>%
ungroup() %>%
mutate(year = as.numeric(str_sub(season, 1, 4))) %>%
arrange(year) %>%
filter(between(year, 1980, 2003))
top_2 <- ppm_data %>%
filter(goals == max_goals) %>%
count(player) %>%
ungroup() %>%
top_n(2, n) %>%
arrange(desc(n)) %>%
mutate(color = case_when(str_detect(player, "Gretzky") ~ "#fc4903",
str_detect(player, "Mike Gartner") ~ "#FFB81C",
TRUE ~ NA_character_),
alpha = 1,
size = 1)
bkg_rect <- ppm_data %>%
distinct(year, season, min_goals, max_goals) %>%
left_join(total_scoring)
plot_data <- ppm_data %>%
left_join(top_2) %>%
replace_na(list(color = "#363636",
alpha = 0.2,
size = 0.5))
annotations <- ppm_data %>%
filter(goals == max_goals) %>%
semi_join(top_2) %>%
group_by(player) %>%
filter(goals == max(max_goals)) %>%
ungroup() %>%
mutate(xend = c(1952, 1970),
yend = c(70, 90)) %>%
mutate(color = case_when(str_detect(player, "Gretzky") ~ "#fc4903",
str_detect(player, "Mike Gartner") ~ "#FFB81C",
TRUE ~ NA_character_))
avg_scoring <- ggplot(bkg_rect, aes(x = year)) +
geom_tile(aes(y = 0, fill = G, height = 1, width = .9), color = "white") +
labs(x = NULL,
y = NULL) +
coord_equal() +
scale_x_continuous(limits = c(1980, 2003), expand = c(0,0), breaks = seq(1985, 2004, 5), position = "top") +
scale_fill_gradient("Average Goals per game, for comparative puporses and\nto account for the pace of the game in different eras.", low = "#e5e5e5", high = "#DC143C") +
theme(axis.text.y = element_blank(),
axis.ticks = element_blank(),
plot.margin = margin(0, 0, 0, 0),
plot.background = element_rect(fill = "white", colour = 'white'),
panel.background = element_rect(fill = 'white'),
panel.grid.major = element_line(colour = "white"),
legend.position = "bottom", #c(0.5, 0),
legend.direction = "horizontal",
legend.key.height = unit(2.5, "mm"))
goal_leaders <- ggplot(bkg_rect, aes(x = year)) +
geom_rect(aes(xmin = year - 0.3, xmax = year + 0.3, ymin = min_goals, ymax = max_goals), fill = "#e5e5e5", color = "#e5e5e5") +
#geom_rect(aes(xmin = 2004 - 0.3, xmax = 2004 + 0.3, ymin = 0, ymax = 60), fill = "#FFFFFF", color = "#363636", size = 0.5) +
geom_segment(data = plot_data, aes(x = year - 0.3, xend = year + 0.3, y = goals, yend = goals, color = color, alpha = alpha, size = size)) +
geom_mark_circle(data = annotations, aes(y = goals, group = player, filter = str_detect(player, "Gretzky"), label = glue("{year} Goal Leader"), description = glue("{player}: {goals} goals")), label.family = "American Typewriter Light", expand = unit(7, "mm"), label.colour = c("black", "#fc4903"), label.fontface = c("plain", "bold")) +
geom_mark_circle(data = annotations, aes(y = goals, group = player, filter = str_detect(player, "Gartner"), label = glue("{year} Goal Leader"), description = glue("{player}: {goals} goals")), label.family = "American Typewriter Light", expand = unit(7, "mm"), label.colour = c("black", "#FFB81C"), label.fontface = c("plain", "bold")) +
scale_x_continuous(limits = c(1980, 2003), expand = c(0,0), breaks = seq(1985, 2003, 5)) +
scale_y_continuous(limits = c(0, 120), breaks = seq(0, 120, 20)) +
labs(x = NULL,
y = NULL) +
scale_color_identity() +
scale_size_identity() +
scale_alpha_identity() +
theme_bw() +
theme(plot.margin = margin(0, 0, 0, 0),
axis.text.y = element_blank(),
plot.background = element_rect(fill = "#fbfcfc", colour = NA),
plot.title = element_text(family = "American Typewriter Light"))
stringx <- "Both Gretzky and Gartner have recorded the highest scoring seasong between 1980 and 2003. Each line in the bar represents the goals scored by one of the top 250 goal scorers in the NHL."
subtitle <- (str_wrap(stringx, width = 130))
out <- wrap_plots(avg_scoring, goal_leaders, ncol = 1, heights = c(0.05, 0.95), widths = c(1, 1)) +
plot_annotation(title = "The Three Way Tie for the Record of Most Seasons Leading Goal-Scoring in the NHL",
subtitle = subtitle,
caption = "**Data**: hockey-reference.com | **Graphic**: @mldebusklane | *Idea*: @jakekaupp") &
theme(text = element_text(family = "American Typewriter Light", face = "bold"))
out


MRR * 12
Detail Admin Template
React Sign Up
React Blog Page
Mobile Apps
React Pricing Charts
Message Widget
React Contact Page
Mobile Lock Screen


MISSION:Our mission in simplest words is to help people on social causes or in the time of emergency,epidemic or pandemic to make world a better place to live
VISION:We keep in mind that every creature needs help!!.To help in any situation we raise funds for them through our events or social drives that they or anyone can use in case of emergency situation around them


Getting the most out of your event
The B2B marketing conference season is officially upon us. As any good field marketer can tell you, this is more than an excuse to take a trip and throw a party. Events are a valuable way to meet prospects, improve customer loyalty, and move deals through the pipe.
But maximizing your return on an event takes serious planning. I know planning and coordinating what seem like endless details can be overwhelming, so here are eight tips to help maximize your show presence and improve event ROI.
Pre-event
1. Identify your target audience.
Before you sponsor a conference, do your research to confirm that your target audience is attending. Most events don't give out full attendees lists, so use data-appending tools like InsideView to supplement. This way your sales team doesn't have to manually scan through thousands of names to identify their target accounts.
2. Create content so sales can easily promote your presence.
Your sales team needs as much information as possible to effectively drive pre-event outreach. Write clear and concise email templates with relevant messaging and CTAs, and host these assets inside a sales management tool like Clearslide. Sales management software saves your sales team time by freeing them from having to write and rewrite emails. You can also track the success of these email templates so you can optimize for future events.
3. Define event metric goals.
Set clear expectations for the event performance. Define the number of leads you expect to generate, and have a set strategy for post event follow up.
An easy way to do this is to create a dedicated spreadsheet listing all event costs and goals so you can keep track of performance and measure success. It's important to make sure to communicate these goals to all necessary teams.
On-site
4. Have a pre-show team meeting.
You have eight seconds to make a connection with attendees at a trade show booth. Schedule an all-hands meeting before the show opens to ensure your team knows key messaging, important sessions, giveaways, demos, and booth etiquette. Even the best pre-event outreach will be worthless if your booth staff can't quickly explain your value prop, or even worse, is too busy on their phone to pay attention to the attendees at the booth.
5. Use a lead scanner to capture data of everyone who stops by your booth.
Be sure to set clear metrics about what qualifies a hot or cold lead, and add relevant notes to each person. We've recently adopted a new status called “booth qualified lead” or BQL. When an attendee becomes a BQL, they become a high priority for sales follow-up. But by calling them a BQL rather than hot lead, we can accurately manage our sales teams expectations.
6. Use unique phone numbers on your printed collateral.
Often attendees will grab printed materials at the show but will take a few days or weeks before they get around to following up on it. Adding a phone number on the collateral allows attendees the option to directly and instantly contact your team.
A call intelligence solution like Invoca can help you track which inbound phone calls are sourced from which events and what piece of collateral it came from. This allows marketing to get credit for driving the lead, and the sales rep answering the phone has an added level of insight into why the prospect is calling.
Post Event
7. Utilize your marketing automation software.
The show is over, but your work is far from done. By importing your leads into your marketing automation, you can create tasks for the qualified leads so your sales team can prioritize follow-up.
At Invoca, we've created unique outreach tasks that automatically populate in our sales teams' task lists based on the lead rating. This allows the salesperson to see exactly what needs to be done and when, without fumbling through clumsy spreadsheets.
8. Measure how events affect the sales process.
You've set you metric goals ahead of time, now see how the event actually performed. Brightfunnel is an incredible tool to see how deals are sourced and influenced by marketing programs. As an added bonus, when you can prove the value of events, you'll most likely get more budget to build your field marketing program.
By taking time to plan and evaluate before, during, and after the show, you're guaranteed to improve the success of your events. And we'd love to see you at one of the fall shows! Check out our events page to see where Invoca is headed and be sure to stop by our booth to say hello!


Keyboard sounds for Snowboard
Louder version included is as loud as I can get it before it starts clipping (more than it already is) and distorting.
Snowboard is required. Snowboard Sound.extension also required. Enable sound theme in Snowboard.


blue wire
`Prev `__
B
`Next `__
--------------
**blue wire**: n.
[IBM] Patch wires (esp. 30 AWG gauge) added to circuit boards at the
factory to correct design or fabrication problems. Blue wire is not
necessarily blue, the term describes function rather than color. These
may be necessary if there hasn't been time to design and qualify another
board version. In Great Britain this can be bodge wire, after mainstream
slang bodge for a clumsy improvisation or sloppy job of work. Compare
`*purple wire* <../P/purple-wire.html>`__, `*red
wire* <../R/red-wire.html>`__, `*yellow
wire* <../Y/yellow-wire.html>`__, `*pink wire* <../P/pink-wire.html>`__.
--------------
+-----------------------------------------+----------------------------+----------------------------+
| `Prev `__ | `Up <../B.html>`__ | `Next `__ |
+-----------------------------------------+----------------------------+----------------------------+
| Blue Screen of Death | `Home <../index.html>`__ | blurgle |
+-----------------------------------------+----------------------------+----------------------------+