According to Wikipedia a Patch in software is defined as:
A patch is a set of changes to a computer program or its supporting data designed to update, fix, or improve it. This includes fixing security vulnerabilities and other bugs, with such patches usually being called bugfixes or bug fixes,[better source needed] and improving the usability or performance. Although meant to fix problems, poorly designed patches can sometimes introduce new problems (see software regressions). In some special cases updates may knowingly break the functionality or disable a device, for instance, by removing components for which the update provider is no longer licensed.
Types of Patches in Software
We will be looking at source code patches in this blog post but there is also other types of patches such as:
In software patches a patch is usually represented between a difference (diff) between 2 code files.
Software Patch Variants
According to Wikipedia there are several software patches:
Hotfix
A hotfix or Quick Fix Engineering update (QFE update) is a single, cumulative package that includes information (often in the form of one or more files) that is used to address a problem in a software product (i.e., a software bug). Typically, hotfixes are made to address a specific customer situation. Microsoft once used this term but has stopped in favor of new terminology: General Distribution Release (GDR) and Limited Distribution Release (LDR). Blizzard Entertainment, however, defines a hotfix as “a change made to the game deemed critical enough that it cannot be held off until a regular content patch”.
Point release
A point release is a minor release of a software project, especially one intended to fix bugs or do small cleanups rather than add significant features. Often, there are too many bugs to be fixed in a single major or minor release, creating a need for a point release.
Program temporary fix
Program temporary fix or Product temporary fix (PTF), depending on date, is the standard IBM terminology for a single bug fix, or group of fixes, distributed in a form ready to install for customers. A PTF was sometimes referred to as a “ZAP” see Customers sometime explain the acronym in a tongue-in-cheek manner as permanent temporary fix or more practically probably this fixes, because they have the option to make the PTF a permanent part of the operating system if the patch fixes the problem.
Security patches
A security patch is a change applied to an asset to correct the weakness described by a vulnerability. This corrective action will prevent successful exploitation and remove or mitigate a threat’s capability to exploit a specific vulnerability in an asset. Patch management is a part of Vulnerability management - the cyclical practice of identifying, classifying, remediating, and mitigating vulnerabilities.
Security patches are the primary method of fixing security vulnerabilities in software. Currently Microsoft releases its security patches once a month, and other operating systems and software projects have security teams dedicated to releasing the most reliable software patches as soon after a vulnerability announcement as possible. Security patches are closely tied to responsible disclosure.
These security patches are critical to ensure that business process does not get affected. In 2017, companies were struck by a ransomware called WannaCry which encrypts files in certain versions of Microsoft Windows and demands a ransom via BitCoin. In response to this, Microsoft released a patch which stops the ransomware from running.
Service pack
A service pack or SP or a feature pack (FP) comprises a collection of updates, fixes, or enhancements to a software program delivered in the form of a single installable package. Companies often release a service pack when the number of individual patches to a given program reaches a certain (arbitrary) limit, or the software release has shown to be stabilized with a limited number of remaining issues based on users’ feedback and bug tracking such as bugzilla. In large software applications such as office suites, operating systems, database software, or network management, it is not uncommon to have a service pack issued within the first year or two of a product’s release. Installing a service pack is easier and less error-prone than installing many individual patches, even more so when updating multiple computers over a network, where service packs are common.
Unofficial patches
An unofficial patch is a non-commercial patch for a commercial software created by a third party instead of the original developer. Similar to an ordinary patch, it alleviates bugs or shortcomings. Examples are security fixes by security specialists when an official patch by the software producers itself takes too long. Other examples are unofficial patches created by the game community of a video game which became unsupported abandonware.
Creating Patches in Git
We can generate patch files in a couple of different ways and there are several different commands associated with using patches in git:
> git help am
git-am - Apply a series of patches from a mailbox
SYNOPSIS
git am [--signoff] [--keep] [--[no-]keep-cr] [--[no-]utf8]
[--[no-]3way] [--interactive] [--committer-date-is-author-date]
[--ignore-date] [--ignore-space-change | --ignore-whitespace]
[--whitespace=<option>] [-C<n>] [-p<n>] [--directory=<dir>]
[--exclude=<path>] [--include=<path>] [--reject] [-q | --quiet]
[--[no-]scissors] [-S[<keyid>]] [--patch-format=<format>]
[(<mbox> | <Maildir>)...]
git am (--continue | --skip | --abort | --quit | --show-current-patch)
DESCRIPTION
Splits mail messages in a mailbox into commit log message, authorship information and patches, and applies them to the
current branch.
....................................................................................................
....................................................................................................
....................................................................................................
NAME
git-apply - Apply a patch to files and/or to the index
SYNOPSIS
git apply [--stat] [--numstat] [--summary] [--check] [--index | --intent-to-add] [--3way]
[--apply] [--no-add] [--build-fake-ancestor=<file>] [-R | --reverse]
[--allow-binary-replacement | --binary] [--reject] [-z]
[-p<n>] [-C<n>] [--inaccurate-eof] [--recount] [--cached]
[--ignore-space-change | --ignore-whitespace]
[--whitespace=(nowarn|warn|fix|error|error-all)]
[--exclude=<path>] [--include=<path>] [--directory=<root>]
[--verbose] [--unsafe-paths] [<patch>...]
DESCRIPTION
Reads the supplied diff output (i.e. "a patch") and applies it to files. When running from a subdirectory in a
repository, patched paths outside the directory are ignored. With the --index option the patch is also applied to the
index, and with the --cached option the patch is only applied to the index. Without these options, the command applies
the patch only to files, and does not require them to be in a Git repository.
This command applies the patch but does not create a commit. Use git-am(1) to create commits from patches generated by
git-format-patch(1) and/or received by email.
....................................................................................................
....................................................................................................
....................................................................................................
NAME
git-cherry-pick - Apply the changes introduced by some existing commits
SYNOPSIS
git cherry-pick [--edit] [-n] [-m parent-number] [-s] [-x] [--ff]
[-S[<keyid>]] <commit>...
git cherry-pick --continue
git cherry-pick --quit
git cherry-pick --abort
DESCRIPTION
Given one or more existing commits, apply the change each one introduces, recording a new commit for each. This requires
your working tree to be clean (no modifications from the HEAD commit).
When it is not obvious how to apply a change, the following happens:
1. The current branch and HEAD pointer stay at the last commit successfully made.
2. The CHERRY_PICK_HEAD ref is set to point at the commit that introduced the change that is difficult to apply.
3. Paths in which the change applied cleanly are updated both in the index file and in your working tree.
4. For conflicting paths, the index file records up to three versions, as described in the "TRUE MERGE" section of git-
merge(1). The working tree files will include a description of the conflict bracketed by the usual conflict markers
<<<<<<< and >>>>>>>.
5. No other modifications are made.
See git-merge(1) for some hints on resolving such conflicts.
....................................................................................................
....................................................................................................
....................................................................................................
NAME
git-diff - Show changes between commits, commit and working tree, etc
SYNOPSIS
git diff [<options>] [<commit>] [--] [<path>…]
git diff [<options>] --cached [<commit>] [--] [<path>…]
git diff [<options>] <commit> <commit> [--] [<path>…]
git diff [<options>] <blob> <blob>
git diff [<options>] --no-index [--] <path> <path>
DESCRIPTION
Show changes between the working tree and the index or a tree, changes between the index and a tree, changes between two trees, changes between two blob objects, or changes between two files on disk.
git diff [<options>] [--] [<path>…]
This form is to view the changes you made relative to the index (staging area for the next commit). In other words, the differences are what you could tell Git to further add to the index but you still haven’t. You can stage these changes by using git-add[1].
git diff [<options>] --no-index [--] <path> <path>
This form is to compare the given two paths on the filesystem. You can omit the --no-index option when running the command in a working tree controlled by Git and at least one of the paths points outside the working tree, or when running the command outside a working tree controlled by Git.
git diff [<options>] --cached [<commit>] [--] [<path>…]
This form is to view the changes you staged for the next commit relative to the named <commit>. Typically you would want comparison with the latest commit, so if you do not give <commit>, it defaults to HEAD. If HEAD does not exist (e.g. unborn branches) and <commit> is not given, it shows all staged changes. --staged is a synonym of --cached.
git diff [<options>] <commit> [--] [<path>…]
This form is to view the changes you have in your working tree relative to the named <commit>. You can use HEAD to compare it with the latest commit, or a branch name to compare with the tip of a different branch.
git diff [<options>] <commit> <commit> [--] [<path>…]
This is to view the changes between two arbitrary <commit>.
git diff [<options>] <commit>..<commit> [--] [<path>…]
This is synonymous to the previous form. If <commit> on one side is omitted, it will have the same effect as using HEAD instead.
git diff [<options>] <commit>...<commit> [--] [<path>…]
This form is to view the changes on the branch containing and up to the second <commit>, starting at a common ancestor of both <commit>. "git diff A...B" is equivalent to "git diff $(git merge-base A B) B". You can omit any one of <commit>, which has the same effect as using HEAD instead.
Just in case you are doing something exotic, it should be noted that all of the <commit> in the above description, except in the last two forms that use ".." notations, can be any <tree>.
For a more complete list of ways to spell <commit>, see "SPECIFYING REVISIONS" section in gitrevisions[7]. However, "diff" is about comparing two endpoints, not ranges, and the range notations ("<commit>..<commit>" and "<commit>...<commit>") do not mean a range as defined in the "SPECIFYING RANGES" section in gitrevisions[7].
git diff [<options>] <blob> <blob>
This form is to view the differences between the raw contents of two blob objects.
....................................................................................................
....................................................................................................
....................................................................................................
NAME
git-format-patch - Prepare patches for e-mail submission
SYNOPSIS
git format-patch [-k] [(-o|--output-directory) <dir> | --stdout]
[--no-thread | --thread[=<style>]]
[(--attach|--inline)[=<boundary>] | --no-attach]
[-s | --signoff]
[--signature=<signature> | --no-signature]
[--signature-file=<file>]
[-n | --numbered | -N | --no-numbered]
[--start-number <n>] [--numbered-files]
[--in-reply-to=Message-Id] [--suffix=.<sfx>]
[--ignore-if-in-upstream]
[--rfc] [--subject-prefix=Subject-Prefix]
[(--reroll-count|-v) <n>]
[--to=<email>] [--cc=<email>]
[--[no-]cover-letter] [--quiet] [--notes[=<ref>]]
[--interdiff=<previous>]
[--range-diff=<previous> [--creation-factor=<percent>]]
[--progress]
[<common diff options>]
[ <since> | <revision range> ]
DESCRIPTION
Prepare each commit with its patch in one file per commit, formatted to resemble UNIX mailbox format. The output of this command is convenient for e-mail submission or for use with git am.
There are two ways to specify which commits to operate on.
A single commit, <since>, specifies that the commits leading to the tip of the current branch that are not in the history that leads to the <since> to be output.
Generic <revision range> expression (see "SPECIFYING REVISIONS" section in gitrevisions[7]) means the commits in the specified range.
The first rule takes precedence in the case of a single <commit>. To apply the second rule, i.e., format everything since the beginning of history up until <commit>, use the --root option: git format-patch --root <commit>. If you want to format only <commit> itself, you can do this with git format-patch -1 <commit>.
By default, each output file is numbered sequentially from 1, and uses the first line of the commit message (massaged for pathname safety) as the filename. With the --numbered-files option, the output file names will only be numbers, without the first line of the commit appended. The names of the output files are printed to standard output, unless the --stdout option is specified.
If -o is specified, output files are created in <dir>. Otherwise they are created in the current working directory. The default path can be set with the format.outputDirectory configuration option. The -o option takes precedence over format.outputDirectory. To store patches in the current working directory even when format.outputDirectory points elsewhere, use -o ..
By default, the subject of a single patch is "[PATCH] " followed by the concatenation of lines from the commit message up to the first blank line (see the DISCUSSION section of git-commit[1]).
When multiple patches are output, the subject prefix will instead be "[PATCH n/m] ". To force 1/1 to be added for a single patch, use -n. To omit patch numbers from the subject, use -N.
If given --thread, git-format-patch will generate In-Reply-To and References headers to make the second and subsequent patch mails appear as replies to the first mail; this also generates a Message-Id header to reference.
There are other related git commands for working with commits that are related to patches such as:
We will not go over these in this blog post.
Using git diff to generate a patch file
We can use the git diff command to generate a patch file*
Here is a sample session where we create patch file from the current changes in the repository. I show the current changes with an alias for git status -s command:
Using git format-patch command to generate a series of patches in patches directory
Prepare each commit with its patch in one file per commit, formatted to resemble UNIX mailbox format. The output of this command is convenient for e-mail submission or for use with git am.
We will use the git format-patch command to generate patches against a destination branch of master.
Notice that the patches file looks a little bit like an email as this command is based on the UNIX mailbox format.
Notice that in this next session we create the patches directory in the parent directory:
We can create a patches directory with a name for each repo with a command like this:
Now we can create a patches list with this directory structure like this:
git am command
Now we can checkout back to the master branch and apply these changes by using git am command like this:
Notice that in the screenshot below that our patches were replayed on top of existing commits:
The difference between the git am command and the git apply command is that the git am command will apply the commits and the git apply will only apply changes to the file instead of committing all though this is not the only difference.
git apply command
There are some advantages to using the git apply command because we can check whether a patch file is okay and we can reverse a git apply change as well.
In the following session we will create a file change and use the git diff command to generate our patch file, then we will checkout back to master branch and try to apply local changes but first check the patch file for validity.
Notice that in this session that the –check flag complained since we were trying to apply changes that already existed but were never committed into the branch. This flow is useful to do before applying a patch change.
using git diff command and patch command to apply changes
We can create a new file based off of an original file like this:
cp docs/mongodb_indexes_partII.md docs/mongodb_indexes_partII_new.md
## Then we will generate the diff between these 2 files.
diff -u docs/mongodb_indexes_partII.md docs/mongodb_indexes_partII_new.md > ../patches/nosql-workshop/diff-between-two-files.patch
# Next we will create patch to the old file like this
patch docs/mongodb_indexes_partII.md ../patches/nosql-workshop/diff-between-two-files.patch
Notice that we applied the changes that we made to new file to the old file.
There are some distinct disadvantages to using the patch commmand and it is generally better to use the git apply command in git instead.
Using the patch command can leave your working directory in a bad state in a bad patch and also the git apply command handles file adds, deletes, and renames if they’re described in the git diff format.
If you like this post then please follow me at jbelmont @ github and jbelmont80 @ twitter for more related type posts.
Feel free to leave a comment if you like.
Until Next Time :)


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Richard Foldenauer
Developer-Technical Educator specializing in JQuery, Node
Bootstrap Core CSS Theme CSS
An app where users can search for their favorite ski resorts. Login with your Google account and search for ski resorts by area. Search is powered by Yelp! Search for new ski resorts or view the ski resorts you have saved for viewing later!
This app allows users to search for lego pieces, save those pieces for later viewing, see which complete sets those pieces belong to and view them on rebrickable.com.
A restaurant and public supplier of tableware and other dining accesssories. I have been the primary contact for frontend and backend technical support for about a year now. I have created site content via Magento CMS and written frontend extensions in PHP. I have also provided backend support for their data syncs from their PIM database.
Check them out here.
A pest equipment supply company located in Chicago, IL. I was responsible for both backend and frontend phases of development including syncing data from Sage 300 to Magento and content creating through WordPress and Magento CMS. Check them out here.
I am a Technical Educator & Developer who is very passionate about the design of responsive UIs. I have developed fullstack apps in Node and React frameworks suitable for web, desktop and mobile environments that each utilize back-end APIs. I have significant experience working on test-driven environment and framework technologies to test frontend apps.


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The natural system I chose to emulate was the growth of a plant. I decided to choose a plant, with soil, weather, and time as factors that could be introduced into the system.
This flow diagram generalizes the key descriptors of the element, how other elements could interact with it, as well as how the player could interact/disrupt the system. The key concept is to programmatically define the system with incremental levels of complexity. Adding interactivity can be established once the system is coded in "equilibrium".
The prototype functions by first setting the environment. A coordinate grid, the "ground", is created by instancing a Soil class that randomly rolls a soil type. A seed of a random plant type is then sown into random plots of ground. Sprites from a free online resource were used as placeholders to help debug the runtime environment. Next steps are to introduce time and relative functions to start the developing process for the plant and soil.


Links:
curl -i -H "Content-Type:application/json" -d "{\"country\": \"France\", \"name\": \"Lyons\"}" http://localhost:8080/cities
Source is here: https://github.com/divisiblebyzero-uk/rest-and-graph.java.


Diameter of a tree is the longest path between two leaf nodes in a tree. The following figures show that the diameter of the tree would be the maximum of these: diameter of left subtree, diameter of right subtree or path that goes through the root i.e. height of left subtree + height of right subtree + 1. The first figure shows a diameter of 6 through the root. While the second figure shows a diameter of 5 not through the root.
Add appropriate lines of code to the following function skeleton so that the function will recursively find the diameter of the binary tree pointed at by "root". Note: you have to use the given height function without any changes.


a photograph of Tamar Palgon in her natural habitat
Hey There,
I am Tamar Palgon, and this is my site! I am currently an undergraduate student at NYU Tandon, studying Integrated Digital Media.
I'm interested in sound and film production, animation, coding, and all things digital. Check out some of my past Digital Media projects under the Projects tab.
Download Resume
Education
New York University, Class of 2018
Integrated Digital Media Major
Honors
Slam Poetry: Best Poet (2013), Best Poet Runner-Up (2012, 2013),
Best Free Verse Poem (2013), Best Poem (2013)
Academic Award: English (2014)
Josh Goldfaden Award (2016)
Activities/Skills
Some basic coding skills (html, css, Java, JavaScript)
Proficient in Final Cut, iMovie, Photoshop, and Pro Tools
Video making, animation
Guitar (6 years), Ukulele (2 years)
Editor-in-chief of literary magazine (2013, 2014)
Volunteer and Work Experience
Created an advertisement for a Pilates studio (2012)
Volunteered with various organizations in Portland, Oregon for three weeks in 2013 (different jobs including painting houses, gardening, and building, learned about sustainability)
Volunteered to help coordinate the Columbia University Dance Marathon, an event aimed towards raising money and awareness for the Elizabeth Glaser Pediatric AIDS foundation (2014)
Intern at Deetown Entertainment (Winter 2015)
Photographer, sports counselor, and video club leader in Moshava Bair Day Camp (Summer 2015)
Counselor at Moshava Bair Day Camp (Summer 2016)


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I'm not saying it will be easy, I’m saying it will be worth it.
Congratulations! You've found Marcos Carceles' Resumé Easter Egg


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const Scooter = require('./Scooter')
const ElectricScooter = require('./ElectricScooter')
const ChargeStation = require('./ChargeStation')
/**
* Customer has name, money and a current scooter.
* @property {String} firstName - The firstname of the customer
* @property {String} lastname - The lastname of the customer
* @property {String} fullname - The fullname of the customer
* @property {Int} money - how much money the customer has.
* @property {Scooter} scooter - The scooter the customer currently has.
* */
class Customer {
/**
* Constructs a Customer Object with the specified parameters.
* @param {String} firstName - The customer's firstname.
* @param {String} lastName - The customer's lastname.
* @param {Float} money - The customer's amount of money.
*/
constructor(firstName="", lastName="", money=0){
this.firstName = firstName
this.lastName = lastName
this.fullName = firstName + " " + lastName
this.money = Math.abs(money)
this.scooter = undefined
}
/**
* Drives the scooter for a specified distance.
* @param {Int} distance - The distance to travel.
*/
driveScooterFor(distance){
if(this.scooter == undefined) { console.log(`${this.fullName} does not have a scooter to drive.`); return }
if(this.scooter.canDriveFor(distance) == false) { console.log(`${this.fullName} cannot drive ${distance} metres.`); return; }
this.scooter.drive(distance)
console.log(`${this.fullName} has driven their scooter for ${distance} metres. Current Charge [${this.scooter.chargeLevel}%].`)
}
/**
* Checks if the customer has a scooter.
* @returns {boolean} - Returns true / false depending on if they have a scooter or not.
*/
hasScooter(){
return this.scooter == undefined ? false : true;
}
/**
* Checks if a customer can afford a specific scooter.
* @param {Scooter} scooter - The scooter to check the price of.
* @returns {Boolean} - Returns a boolean (true/false) on whether they can afford the scooter.
*/
canAffordScooter(scooter){
return (this.money >= scooter.cost) ? true : false
}
/**
* Purchases a scooter and adds it to the customer's inventory.
* @param {Scooter} scooter - The scooter to purchase.
*/
purchaseScooter(scooter){
if(!this.canAffordScooter(scooter)) { return; }
this.money -= scooter.cost
this.scooter = scooter
console.log(`${this.fullName} has purchased scooter [${scooter.id}] for: £${scooter.cost}`)
console.log(`${this.fullName}'s current balance stands at: £${this.money}`)
}
/**
* Removes the Scooter from the customer's inventory.
*/
returnScooter(){
const scooter = this.scooter
this.scooter = undefined
return scooter
}
}
module.exports = Customer


{% include "dashboard/shared_links.html" %}
Total number of checkouts from the pantry: {{Total_Checkouts}} Items
Total number of students benefitted from pantry: {{Unique}} Students
Total donation amount of all the food in dollars: ${{Total_Amount}}
Total number of food products donated from pantry: {{Total_Quantity}} Items


Books - 19th Century Books
19th Century Books
Our catalogue provides a list of 19th Century books we currently hold in stock. However, if there is an item that you cannot find here, please feel free to contact us, as we are often able to secure books on demand.
In Stock:
Title: The Trumpet Major
Author: Thomas Hardy
Book Description:
London: WH Smith, 1880. First Edition. Three volumes, housed in red velvet slip case. Velum bound. One of only 100 ever published by the publisher. Some scuffing on spine and on front cover. Also, inner liquid stains on several pages. But generally good condition for its age. This copy is signed, which is very unusual for any Hardy text, and increases the value of the text beyond non-signed copies. Expected annual increase in value of 7.1%.
Price:
£7000.00
Investment Rating:
☆☆☆☆☆Title: The Complete Works
Author: Charles Dickens
Book Description:
Signed copy. London: Briggs and Blower, 1874-76., 1874. The Royal Literature Edition. Ten complete volumes. Vintage binding of luxuriant green with gilt titles, and gilt embossing of the spines; superbly marbled end pages and edges. Includes original illustrations Greg, Smyth, Arnold, etc. Dickens signature on first inner page. A well-preserved set, which represents a unique moment in history. Expected annual increase in value of 6.9%.
Price:
£2897.00
Investment Rating:
☆☆☆☆Title: David Copperfield
Author: Charles Dickens
Book Description:
London: Regents and Blower, 1891. The Regents Literature Edition. One of only 300 ever published by the publisher; thus, very rare indeed. A true collector’s item. Tan calf-skin binding with gilt titles. Some scuffing on spine and on front cover. But generally good condition for its age. Some minor typographical issues, such as missing commas in chapters eleven and 12 titles. The copy is not signed. Expected annual increase in value of 8.1%.
Price:
£4897.00
Investment Rating:
☆☆☆☆Title: Jane Eyre
Author: Charlotte Bronte
Book Description:
Maudling and Co, London, 1892. Hard Cover. Fourth Impression. One of only 500 published in this format. Hard Cover. Fine condition with immaculate wood engravings by Bob Wallis on front cover, and illustrations by Thomas Dury throughout.. Extended introduction by Rebecca Sterns. Slipcase in blue velvet is solid; only very mild scuffing on sides and bottom. This is a an unsigned copy.
Price:
£3900.00
Investment Rating:
☆☆☆☆Title: Mill on the Floss
Author: George Eliot
Book Description:
William Bigwort, Edinburgh, 1860. First Edition. Three octavo volumes; publisher's tan-brown fabric, beautifully embossed in blind and gold lettered on spines;. Cream end pages, with binder's ticket of Eddis & Remartas to the back of volume one. First volume has been expertly restored at corners, otherwise a remarkable, original and well-preserved collection. Early ownership signature ("Reginald Peters") at beginning of each volume.
Price:
£2060.00
Investment Rating:
☆☆Title: Northanger Abbey
Author: Jane Austen
Book Description:
The Literary Society, London, 1989. Hard Cover. Sixth Impression. Hard Cover. Near Fine condition with some minor scuffing to spine. Cover wood engravings by Bob Wallis. Extended introduction by Robert Monks. Slipcase in silver is solid, but display mild scuffing on sides and bottom. Interior has some pencil underlining to text in chapter 2, 5, 9 and 11. This is a an unsigned copy.
Price:
£1700.00


Cookiecutter React Django¶
Cookiecutter React Django is a framework for jumpstarting production-ready projects quickly.
Powered by Cookiecutter, Cookiecutter React Django combines the capabilities of Django as a backend service with the flexibility and ease of use of React into an opinionated framework that allows you to jumpstart a production-ready web application.
This project is based on a series of tutorials written by Craig Franklin called Creating an app with Docker Compose, Django, and Create React App


Commenting on yesterday's scene from the life of Pansy Cradledew, R. noted “Let us hope that tomorrow the remainder of the horse will appear, whereupon the enigma will be resolved”. Et voila!


import * as React from "react";
import RootComponent from "./component/RootComponent";
import RootComponentRegistry from "./RootComponentRegistry";
import {AemContext} from "./AemContext";
import Cache from "./store/Cache";
import * as ReactDom from "react-dom/server";
import {Container} from "./di/Container";
export interface ServerResponse {
html: string;
state: string;
}
export default class ServerRenderer {
constructor(registry: RootComponentRegistry, container: Container) {
this.registry = registry;
this.container = container;
}
private registry: RootComponentRegistry;
private container: Container;
/* render component as string.
* @param component
* @param props
* @returns {string}
*/
public renderReactComponent(path: string, resourceType: string, wcmmode: string): ServerResponse {
console.log("render react on path " + path);
console.log("render react component " + resourceType);
let comp: typeof React.Component = this.registry.getComponent(resourceType);
if (!comp) {
throw new Error("cannot find component for resourceType " + resourceType);
}
let ctx: AemContext = {registry: this.registry, container: this.container};
let html: string = ReactDom.renderToString(<RootComponent aemContext={ctx} comp={comp} path={path} wcmmode={wcmmode}/>);
let cache: Cache = this.container.get("cache");
return {html: html, state: JSON.stringify(cache.getFullState())};
}
}
|


REQUEST A QUOTE
To receive a quote for moving your freight with Trinity, complete the request form with your project specifications. If you have any questions, send us a message through our contact form or call us at US:<PHONE_NUMBER>.


See all GO-CAMs produced by {{ group }} open_in_new
info access user profile by clicking their names and access their models by clicking their associated number of GO-CAMs


{% extends "hcc/base.html" %} {% load crispy_forms_tags %} {% block title %}Harvester Control Center - Login{% endblock %} {% block content %}
Your account doesn't have access to this page. To proceed, please login with an account that has access.
{% else %}Please login to see this page.
{% endif %} {% endif %} {% crispy form %}


FrameCarousel
A jQuery plugin to create carousels within framesResponsive
Resizes itself for different screen sizes. Can even remove frame beyond a certain screen size.
Touch Friendly
Highly responsive to touch gestures on smart devices.
GPU Acceleration
Takes advantage of CSS3 3D acceleration so it runs smooth on every device.
Light Weight
Entire library is only 9kb.
Highly Customizable
A good number of customization options to make sure it fits nicely into your project.
Free to Use
Open source and free forever.
Getting Started
It's easy to get started:
-
Download
Download latest build here. Copy the folder dist and put it in a public directory of your project. Rename it to frame-carousel
-
Include
At minimum, you need these files included in your html page:
 <link rel="stylesheet" href="path/to/frame-carousel/jquery.frame-carousel.min.css">
-
Initializing
We need an element in your HTML page that will host the carousel. It could be as simple as a div:

Now sprinkle some JavaScript:
$('.host-element').frameCarousel();
If the plugin is initialized without any parameter, default options will be used. If you want to tweak some setting, use following Options.
Functions
// Grab the frameCarousel instance from host element
var frameCarousel = $('.host-element').data('frameCarousel');
// The argument 'options' is optional in all of the following functions.
// It is a hash/map with following possible properties (and defaults):
// animate: true (determines if you want transition immediate or with animation)
// Goes to next screen. If user is already at last screen,
// it'll stay intact.
frameCarousel.next( options );
// Goes to previous screen. If user is already at first screen,
// it'll stay intact.
frameCarousel.previous( options );
// Goes to screen identified by index. Stays intact if index
// is out of bounds.
frameCarousel.goto( index, options );
// Triggers autoplay of the screens.
frameCarousel.play();
// Stops autoplay if it is running.
frameCarousel.stop();
// Resizes the frame to given 'width' and 'height'. if no argument
// is passed, it'd resize to original applicable size.
// If only 'width' is passed, it'd determine 'height' by original
// aspect ratio. Same is true when only 'height' is passed
// and not 'width'.
frameCarousel.resize( options );
// Call this if you'd like remove frame image.
// Can be useful on smaller screens.
frameCarousel.removeFrame();
// Gracefully destructs the instance.
frameCarousel.destroy();
// If 'debug' mode is enabled (see options), any string passed to this method
// will be printed over screen. Useful for testing in situations
// when console.log/alert are not conveniently available.
frameCarousel.debug( message );
Events
// Grab the frameCarousel instance from host element.
// Each callback receives a hash/map 'e' with relevant
// information.
$('.host-element')
// Triggers when a frameCarousel instance is ready.
.on('fc-ready', function( e ){
})
// Triggers when a frameCarousel instance is destroyed.
.on('fc-destroy', function( e ){
})
// Triggers when a screen transition begins.
.on('fc-transition-start', function( e ){
// e.from => screen index from where transition begun
// e.to => screen index to where transition has to end
})
// Triggers when a screen transition ends.
.on('fc-transition-end', function( e ){
// e.from => screen index from where transition begun
// e.to => screen index to where transition ended
});
FAQs
-
Why did you make another carousel?
We wanted to make a carousel optimized for rendering sliders inside frame images. Two things were hard to do with existing carousels:
-
Uniform Resizing of Images
In one of our projects, we had to generate web pages with carousels within frames at runtime. We had to show user provided images, in uniform sizes, inside the carousel which originally could be different in sizes.
-
Responsiveness
On different screens, we wanted to resize the carousel accordingly, without ruining its placement position on the frame.
-
-
Is it free?
Yes.
-
Can I use it in my commercial project?
Yes.
-
Can I make a feature request?
Yes. Write to us at<EMAIL_ADDRESS>-
What is the license type?
MIT
-
Where to log issues?
Contact
We are a small group of developers trying to make our share of contributions to the world. Did we succeed? Let us know by writing at support@eastros.com


|
Voxomap
A C++11 voxel container.
|
Tools used to search voxels around a reference position. More...
#include <LocalSearchUtility.hpp>
Public Types | |
| using | VoxelData = typename T_Container::VoxelData |
| using | iterator = typename T_Container::iterator |
Public Member Functions | |
| LocalSearchUtility (iterator const &it) | |
| Constructor. More... | |
| LocalSearchUtility (VoxelNode< T_Container > const &node, uint8_t x, uint8_t y, uint8_t z) | |
| Constructor. More... | |
| LocalSearchUtility (VoxelOctree< T_Container > const &octree, int x, int y, int z) | |
| Constructor. More... | |
| iterator | findVoxel (int x, int y, int z) |
| Find voxel. More... | |
| VoxelNode< T_Container > * | findVoxelNode (int x, int y, int z) |
| Find the node that can contains the voxel. More... | |
| std::vector< iterator > | findNeighbors (float radius) |
| !! NOT IMPLEMENTED YET !! Find voxels inside the radius More... | |
Private Member Functions | |
| VoxelNode< T_Container > * | _findVoxelNode (int x, int y, int z) |
Private Attributes | |
| int | _x = 0 |
| int | _y = 0 |
| int | _z = 0 |
| VoxelOctree< T_Container > const * | _octree = nullptr |
| VoxelNode< T_Container > const * | _node = nullptr |
Tools used to search voxels around a reference position.
Definition at line 18 of file LocalSearchUtility.hpp.
| using voxomap::LocalSearchUtility< T_Container >::VoxelData = typename T_Container::VoxelData |
Definition at line 21 of file LocalSearchUtility.hpp.
| using voxomap::LocalSearchUtility< T_Container >::iterator = typename T_Container::iterator |
Definition at line 22 of file LocalSearchUtility.hpp.
| voxomap::LocalSearchUtility< T_Container >::LocalSearchUtility | ( | iterator const & | it | ) |
Constructor.
| it | Iterator |
| voxomap::LocalSearchUtility< T_Container >::LocalSearchUtility | ( | VoxelNode< T_Container > const & | node, |
| uint8_t | x, | ||
| uint8_t | y, | ||
| uint8_t | z | ||
| ) |
Constructor.
| node | The reference node |
| x | X position inside node |
| y | Y position inside node |
| z | Z position inside node |
| voxomap::LocalSearchUtility< T_Container >::LocalSearchUtility | ( | VoxelOctree< T_Container > const & | octree, |
| int | x, | ||
| int | y, | ||
| int | z | ||
| ) |
Constructor.
| octree | The reference octree |
| x | X position |
| y | Y position |
| z | Z position |
| iterator voxomap::LocalSearchUtility< T_Container >::findVoxel | ( | int | x, |
| int | y, | ||
| int | z | ||
| ) |
Find voxel.
| x | X position of the voxel |
| y | Y position of the voxel |
| z | Z position of the voxel |
| VoxelNode<T_Container>* voxomap::LocalSearchUtility< T_Container >::findVoxelNode | ( | int | x, |
| int | y, | ||
| int | z | ||
| ) |
Find the node that can contains the voxel.
| x | X position of the voxel |
| y | Y position of the voxel |
| z | Z position of the voxel |
| std::vector<iterator> voxomap::LocalSearchUtility< T_Container >::findNeighbors | ( | float | radius | ) |
!! NOT IMPLEMENTED YET !! Find voxels inside the radius
|
private |
|
private |
Definition at line 71 of file LocalSearchUtility.hpp.
|
private |
Definition at line 72 of file LocalSearchUtility.hpp.
|
private |
Definition at line 73 of file LocalSearchUtility.hpp.
|
private |
Definition at line 74 of file LocalSearchUtility.hpp.
|
private |
Definition at line 75 of file LocalSearchUtility.hpp.


1. Enterprise Asset Management
Enterprise asset management involves measures taken to improve device and machine health to achieve greater output. It is among the prime internet of things examples in the industrial setup. Machines retrofitted with IoT sensors inform users about the machine’s current status and whether it needs any maintenance. It allows for more efficient checks for safety and compliance purposes
2. Predictive Maintenance
Lack of proper maintenance is among the primary causes for a reduced lifetime of the machines. The application of IoT in maintenance involves using sensors inside robots and other automated devices to predict whether a failure is likely to occur or not. Based on certain preset thresholds, the sensors indicate the extent to which maintenance might be required.
3. Industrial Process Automation/Optimisation
This may be considered the most important one among the internet of things examples in an industrial setup. Most industrial processes can be automated remotely without having to be anywhere close to the actual machines. Devices fitted with IoT sensors detect signals over wireless networks and get to work on precisely the task that has been assigned.
4. Energy Management
Among the primary Internet of Things examples across several fields is the management of the power consumed by devices, especially in the manufacturing industry, where massive amounts of power is utilised. When used aptly, IoT devices can help predict individual devices’ power utilisation and help reduce over-utilisation by using them judiciously or in a power-saving mode.
5. Outdoor Surveillance
This is among the primary internet of things examples in daily life. If your outdoor camera is IoT enabled, you can get information about whether there is an intrusion in your house or if someone is at the door. More advanced IoT devices will also be able to predict who is at the door and inform you through face-mapping technology.
6. Smart Lighting
This is another one of the Internet of Things examples that have gradually been coming into common usage. Bulbs and battens connected to Wifi can be turned on and off remotely. Schedule for usage can be set for these devices along with their brightnesses controlled and their power consumption monitored. Using other IoT devices, smart lighting devices can also be turned on and off by voice alone. The power consumption of these devices can
7. Electronic Road Toll Collection and Traffic Management
Using the data generated by cameras and other IoT devices, traffic regulators can automate the timings of traffic lights on busy roads and highways. This can go a long way in making roads safer and less susceptible to accidents. IoT devices can also be used to make road toll completely automated. This is done by detecting when a car is driven into the toll collection zone and lifting the barrier only once the toll has been paid.


Team {{ substituteRequest.team }} needs a substitute for {{ substituteRequest.gameClass }} in game #{{ substituteRequest.gameNumber }}.


Return-Path<EMAIL_ADDRESS>X-UIDL: 829154103.017
From<EMAIL_ADDRESS>Date: Wed, 10 Apr 1996 09:54:03 -0400 (EDT)
Subject: Beausejour
To<EMAIL_ADDRESS>X-VMS-To<EMAIL_ADDRESS>Content-Length: 2801
It's good to see that the old town is moving into the information age. As most everyone I used to hang out with has left our great town, this will be a useful way to keep in touch and find out what's happening at E.S.S., Chicken Delight, the pits, etc.
As for myself, it's been over 13 years since I left Beausejour and 7 years since I left Manitoba. I lived for a couple years in Kingston, Ontario, doing my doctorate in economic history at Queen's. I was also in Malawi Africa for about a year and in Edinburgh and London in the UK for about a year as well doing research. In the summer of 1994 I took a French immersion course in La Pocatiere, Quebec which was a great experience. Right now, I teach African history at Trent University in Peterborough, Ontario.
Next year, I don't know. I have itchy feet and what to do some more travelling. I may stay on here next year, or I might go back to Quebec or I might even go to South Korea or Japan for a year. It all depends on what turns up and how I feel.
Some other former Beausejourites and where they are:
MILES KELLER:
He's been up in Poplar River in northern Manitoba teaching. He is married (poor guy). I think he's been up there 7 or eight years. The last I heard, though, he and his wife are thinking of looking for a change. Teaching English in Asia is a possibility.
BOB HASTMAN:
He's some kind of hi-tech computer guy (technical analyst?) with BC Systems in Victoria, B.C. He seems to like the warm weather and looks likely to remain where he is for some time.
BERNIE PLESKACZ:
He's living in Toronto. I saw him while I was there last year a few times. He was playing in some weird band called "Polyester Explosion" and in some bizarre one man show called "Locust Eater." I saw Polyester Explosion and they were quite good. Maybe he'll make it as a rock star some day.
HUGH PHILLIPS:
He's also living in Toronto. I ran into him by chance on Bloor St. He works at a daycare and has two kids. Hugh's claim to fame is that he plays bass for the John Wiseman Band. If you haven't heard of John Wiseman, he is a member of Blue Rodeo. If you haven't heard of Blue Rodeo, well, I can't help you.
MARTIN BAXTER:
He was out in BC or Alberta working on a stable or something the last I heard. He finished his BA at U of Winnipeg a year or two ago. He was thinking of doing an MA in philosophy. The last I heard from my source Bob Hastman, Martin was thinking of heading out to Asia to teach English. Hey, maybe we could have a Beausejour reunion out in Asia!
Well, that sums up everything I know. I hope to hear more about what everyone else in our great metropolis is doing or what great things everyone has moved on to.
Cheers,
Derrick Nault,Phd
Dept. of History
Trent University
Peterborough, Ontario
K9J 7B8
(705) 742-9505


ledger_subsystem module¶
Copyright (c) 2017 beyond-blockchain.org.
Licensed under the Apache License, Version 2.0 (the “License”); you may not use this file except in compliance with the License. You may obtain a copy of the License at
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an “AS IS” BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.
LedgerSubsystem (config[, core, enabled, …]) |
Abstraction of an underlying ledger subsystem that is typically a blockchain. |
-
class
ledger_subsystem.
LedgerSubsystem
(config, core=None, enabled=False, dbtype='sqlite', loglevel='all', logname=None)[source]¶ Bases:
object
Abstraction of an underlying ledger subsystem that is typically a blockchain. This takes one transaction each to record and verifies its existence. It forms some Merkle trees of transaction IDs, and writes their root digests only to the underlying ledger.
-
register_transaction
(asset_group_id, transaction_id)[source]¶ Registers a transaction.
Parameters: - asset_group_id – asset group
- transaction_id – transaction to register
Returns:
-


You are viewing an historical archive of past issues. Please report new issues to the appropriate project issue tracker on GitHub.
Comments
-
Greg Hurrell
Summary changed:
- From: Add "restart" task to script/deploy
- To: script/deploy: rewrite "restart" task to use USR2 signal
Add a comment
Comments are now closed for this issue.


| 002:055 Khan | : |
And (remember) when you said: "O Musa (Moses)! We shall never believe in you till we see Allah plainly." But you were seized with a thunderbolt (lightning) while you were looking. |
| 002:055 Maulana | : |
And when you said: O Moses, we will not believe in thee till we see Allah manifestly, so the punishment overtook you while you looked on. |
| 002:055 Pickthal | : |
And when ye said: O Moses! We will not believe in thee till we see Allah plainly; and even while ye gazed the lightning seized you. |
| 002:055 Rashad | : |
Recall that you said, "O Moses, we will not believe unless we see GOD, physically." Consequently, the lightning struck you, as you looked. |
| 002:055 Sarwar | : |
When you argued with Moses, saying that you were not going to believe him unless you could see God with your own eyes, the swift wind struck you and you could do nothing but watch. |
| 002:055 Shakir | : |
And when you said: O Musa! we will not believe in you until we see Allah manifestly, so the punishment overtook you while you looked on. |
| 002:055 Sherali | : |
And remember when you said, 'O Moses, we will not believe thee until we see ALLAH face to face;' Then the thunderbolt overtook you, while you witnessed with your own eyes the consequences of your conduct. |
| 002:055 Yusufali | : |
And remember ye said: "O Moses! We shall never believe in thee until we see Allah manifestly," but ye were dazed with thunder and lighting even as ye looked on. |
Concepts/Themes Covered: الديانات > بنو إسرائيل > نعم الله عليهم Religions>Children of Israel>Allah Gifts on them
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


CAS Authentication
CAS is an open-source Single Sign On (SSO) provider that allows multiple applications and services to authenticate against it and brokers those authentication requests to a back-end authentication provider. This module allows Guacamole to redirect to CAS for authentication and user services. This module must be layered on top of other authentication extensions that provide connection information, as it only provides user authentication.
Downloading the CAS authentication extension
Guacamole’s SSO extensions are available separately from the main
guacamole.war
. The link for this and all other officially-supported and
compatible extensions for a particular version of Guacamole are provided on the
release notes for that version. You can find the release notes for current
versions of Guacamole here: http://guacamole.apache.org/releases/.
The SSO extensions are packaged together in a .tar.gz
file containing one
extension for each supported SSO method:
SSO Method |
Extension |
|---|---|
|
|
|
|
|
The extension for the desired SSO method, in this case
guacamole-auth-sso-cas-1.5.3.jar
from within the cas/
subdirectory, must
ultimately be placed in GUACAMOLE_HOME/extensions
.
Installing CAS authentication
Guacamole extensions are self-contained .jar
files which are located within
the GUACAMOLE_HOME/extensions
directory. If you are unsure where
GUACAMOLE_HOME
is located on your system, please consult
Configuring Guacamole before proceeding.
To install the CAS authentication extension, you must:
Create the
GUACAMOLE_HOME/extensions
directory, if it does not already exist.Copy
guacamole-auth-sso-cas-1.5.3.jar
withinGUACAMOLE_HOME/extensions
.Configure Guacamole to use CAS authentication, as described below.
Configuring Guacamole for CAS Authentication
Guacamole’s CAS support requires specifying two properties that describe the CAS authentication server and the Guacamole deployment. These properties are absolutely required in all cases, as they dictate how Guacamole should connect to the CAS and how CAS should redirect users back to Guacamole once their identity has been confirmed:
cas-authorization-endpoint
The URL of the CAS authentication server. This should be the full path to the base of the CAS installation.
cas-redirect-uri
The URI to redirect back to upon successful authentication. Normally this will be the full URL of your Guacamole installation.
Additional optional properties are available to control how CAS tokens are processed, including whether CAS ClearPass should be used and how user group memberships should be derived:
cas-clearpass-key
If using CAS ClearPass to pass the SSO password to Guacamole, this parameter specifies the private key file to use to decrypt the password. See the section on ClearPass below.
cas-group-attribute
The CAS attribute that determines group membership, typically “memberOf”. This parameter is only required if using CAS to define user group memberships. If omitted, groups aren’t retrieved from CAS, and all other group-related properties for CAS are ignored.
cas-group-format
The format that CAS will use for its group names. Possible values are
plain
, for groups that are simple text names, orldap
, for groups that are represented as LDAP DNs. If set toldap
, group names are always determined from the last (leftmost) attribute of the DN. If omitted,plain
is used by default.This property has no effect if cas-group-attribute is not set.
cas-group-ldap-base-dn
The base DN to require for LDAP-formatted CAS groups. If specified, only CAS groups beneath this DN will be included, and all other CAS groups will be ignored.
This property has no effect if cas-group-format is not
ldap
.cas-group-ldap-attribute
The LDAP attribute to require for LDAP-formatted CAS groups. If specified, only CAS groups that use this attribute for the name of the group will be included. Note that LDAP group names are always determined from the last (leftmost) attribute of the DN. Specifying this property will only have the effect of ignoring any groups that do not use the specified attribute to represent the group name.
This property has no effect if cas-group-format is not
ldap
.
Controlling login behavior
Guacamole loads authentication extensions in order of priority, and evaluates authentication attempts in this same order. This has implications for how the Guacamole login process behaves when an SSO extension is present:
- If the SSO extension has priority:
Users that are not yet authenticated will be immediately redirected to the configured identity provider. They will not see a Guacamole login screen.
- If a non-SSO extension has priority:
Users that are not yet authenticated will be presented with a Guacamole login screen. Additionally, links to the configured identity provider(s) will be available for users that wish to log in using SSO.
The default priority of extensions is dictated by their filenames, with
extensions that sort earlier alphabetically having higher priority than others.
This can be overridden by setting the extension-priority
property within
guacamole.properties
.
Automatically redirecting all unauthenticated users
To ensure users are redirected to the CAS identity provider immediately (without a Guacamole login screen), ensure the CAS extension has priority over all others:
extension-priority: cas
Presenting unauthenticated users with a login screen
To ensure users are given a normal Guacamole login screen and have the option to log in with traditional credentials or with CAS, ensure the CAS extension does not have priority:
extension-priority: *, cas
Completing the installation
Guacamole will only reread guacamole.properties
and load newly-installed
extensions during startup, so your servlet container will need to be restarted
before CAS authentication can be used. Doing this will disconnect all active
users, so be sure that it is safe to do so prior to attempting installation.
When ready, restart your servlet container and give the new authentication a
try.
Using CAS ClearPass
CAS has a function called ClearPass that can be used to cache the password used for SSO authentication and make that available to services at a later time. Configuring the CAS server for ClearPass is beyond the scope of this article - more information can be found on the Apereo CAS wiki at the following URL: https://apereo.github.io/cas.
Once you have CAS configured for credential caching, you need to configure the service with a keypair for passing the credential securely. The public key gets installed on the CAS server, while the private key gets configured with the cas-clearpass-key property. The private key file needs to be in RSA PKCS8 format.


Black Friday Discount Offers Xiaomi Mi Ruby Notebook at Just $499.99 – Limited Time Only
by Ali SalmanWe have covered several Black Friday deals on smartwatches as well as smartphones. However, if you've been looking for an amazing laptop on discount, we have a Black Friday discount on Xiaomi Mi Ruby Notebook which will definitely entice you. Let's dive in to see some more details on the laptop and how you can avail the discount.
Get the Best Black Friday Discount on Xiaomi Mi Ruby Notebook - Avail it Now!
Take note that the discount is only available for a limited time only. This means that the Balck Friday discount on the Xiaomi Mi Ruby Notebook will revert to its original model soon. henceforth, order your share as soon as you can.
Get the Xiaomi Mi Ruby Notebook at Just $499.99 Here
Our Black Friday discount on Xiaomi Mi Ruby Notebook brings an amazing laptop for less. It is a 15.6-inch notebook in a White color that's powerful, boasts an amazing display and much more. The design is super sleek and best for students and professional use.
The Xiaomi Mi Ruby Notebook comes with an Intel Core-i3 processor coupled with 4GB of RAM and 256GB of SSD storage. This ensures that you get faster boot-up speeds and app launch times. Overall, it is plenty powerful for everyday work and more. The display is vibrant and boasts great color accuracy so media consumption is bound to be top-notch.
Get the Xiaomi Mi Ruby Notebook at Just $499.99 Here
If you're up for it, our Black Friday discount on Xiaomi Mi Ruby Notebook stretches to a massive 42 percent. This makes the price come down to just $499.99. Use the code: GBXMRUBY01 to avail the discount. Head over to this link to get it.
You might also like:
- Black Friday Amazfit Smartwatches Deal Brings Amazfit GTR, Amazfit GTS, More at Extremely Low
- Black Friday Smartphone Discounts Offers Xiaomi and Redmi Phones at Extremely Low
- [Best of Black Friday 2019] Lenovo’s X1 Robovac Goes on Sale for $429.99 – Designed to Beat Xiaomi’s Best
- [U: Black Friday Brings It Down to $439.99] Get 108-Megapixel Mi Note 10 for Just $489.99 – Now Also Available in the US
There will be more deals in the future, so be sure to check them out as well. As for now, are you willing to take advantage of the Balck Friday discount on Xiaomi Mi Ruby Notebook? Let us know in the comments.


Input manager testing page. Click inside box and press buttons.
Check console for information.
Current Time
0
Last action Time
0
Start Replay


fanhouse is a platform where fans subscribe to creators to gain access to exclusive communities and get a glimpse of their behind-the-scenes lives.
I was always the kid who asked why. My questions and curiosity led me to Stanford University, where I continue to ask why.
I spent four years in Palo Alto, where I got a BS IDEAs degree (Immersive Design and Engineering Applications), a self-designed major focused on VR/AR design and engineering.
I've worked in new media for four years now building research experiences
at
Stanford VHIL, games at Subdream Studios,
VR training experiences at STRIVR, and prototyping new experiences at Apple.
what am i up to now?
building fanhouse
working on Charleston Reconstructed
watching 'adventure time'
reading 'zen and the art of motorcycle maintenance'
i want to raise a pre-seed round 👀
i want to build the media of a creative future
i want to be a creative engineer at cirque du soleil
i want to build virtual reality esports
i want to see the northern lights
i want to be a CEO
i want to write a novel
i want to play mia and sebastian's theme on piano
SocialQ
Engineering: C#, Unity, Microsoft HoloLens
Design: Headset AR UX for kids with ASD
Leadership: Team leader
I designed a simple, minimalistic user experience for SocialQ specifically to avoid sensory overload for children affected by ASD.
SocialQ is an assistive technology for Microsoft HoloLens that helps children affected by ASD (Autism-Spectrum Disorder) to better recognize facial expressions and social cues. Won Best Use of Microsoft Technology at UC Berkeley's Hackathon: CalHacks 3.0. Also a U.S Microsoft Imagine Cup National Finalist (Top 12 teams out of 300 submissions).


"DEEP IMPACT" (USA, 1998) A Film Review by James Kendrick **1/2 out of ****
Director: Mimi Leder || Screenplay: Michael Tolkin and Bruce Joel Rubin || Stars: Robert Duvall (Spurgeon Tanner), Téa Leoni (Jenny Lerner), Elijah Wood (Leo Biederman), Vanessa Redgrave (Robin Lerner), Maximilian Schell (Jason Lerner), Morgan Freeman (President Beck), Leelee Sobieski (Sarah Hotchner), James Cromwell (Alan Rittenhouse) || MPAA Rating: PG-13
Last year it was the battle of the dueling volcano movies, "Dante's Peak" and "Volcano." This year, history repeats itself, except volcanoes have been replaced with giant meteors on collision courses for Earth. Michael Bay's "Armageddon" isn't due until July, but for those who just can't wait to see Earth destroyed by fire from the heavens, the Steven Spielberg-produced "Deep Impact" has arrived.
All those involved with "Deep Impact" have sworn up and down for the last couple of weeks that their film is drastically different than "Armageddon" will be. They insist that "Deep Impact" is really a drama, with the emphasis being on realism and how various characters react to the knowledge that their death is imminent. Maybe the deep impact of the title isn't meant to evoke the physical collision of the meteor with the Earth's surface, but rather the psychological and spiritual impact the impending disaster has on the many members of the human race.
Or maybe not. Let's get real here.
"Deep Impact" - unlike 1983's "Testament" which honestly and effectively explored the dramatic reality of a nuclear disaster without ever showing the disaster - is not a drama. Like all disaster movies dating to the beginning of the cinema, "Deep Impact" is about the vicarious thrill of watching things destroyed. It's a vicious, cruel-hearted thrill when you really boil it down, but audiences seem to love it. No matter how much strained drama is inserted into the first hour and forty-five minutes, it's the grand climax the people are coming to see. Just think how ticked the throngs of moviegoers would be if the meteor was thwarted in the end and never hit? But then again, what fun is it going to a summer movie where the entire human race is wiped out?
Screenwriters Bruce Joel Rubin ("Ghost," "Jacob's Ladder") and Michael Tolkin ("The Player") are actually quite creative in solving this dilemma. They have astronauts break the comet into two pieces while attempting to change it's course. This way, we can still have the smaller piece hit the earth and cause enough destruction to satiate the viewers expecting another "Independence Day," while keeping the chances of the larger chunk hitting the earth questionable. Plenty of death and destruction, but not so much that it's morbid.
The majority of the movie plays out in the standard disaster movie formula, tracing several sub-plots concerning a variety of characters. First off, we have Téa Leoni as Jenny Lerner, an ambitious MSNBC reporter (CNN apparently got too much flak for its omnipresence in last summer's "Contact," so they declined to lend their letters to this film). Jenny stumbles across the government's knowledge of the approaching meteor while investigating what she thinks is a sex scandal, which the President (Morgan Freeman) may know about. Jenny then spends most of the movie trying to reconcile her feelings about her father (Maximilian Schell) leaving her mother (Vanessa Redgrave) for a woman half his age.
We also have Elijah Wood as Leo Biederman, an aspiring teenage astronomer who is the first to actually discover the meteor. When the President announces that the government has built an immense system of underground caves to protect one million people in a worst case scenario, Leo marries his sweetheart, Sarah (Leelee Sobieski), so they can be saved together. Of course, 800,000 of the people to be saved are selected by a random lottery, and Sarah's parents aren't selected, thus forcing her to choose between leaving her parents to live or dying with them.
Last, but not least, there is the all-important American-Russian team of astronauts who go into space in an attempt to stop the meteor with nuclear missiles. The team is led by crusty-but-likable Spurgeon Tanner (Robert Duvall), an aging astronaut resented by his younger comrades. Their first attempt to deflect the comet results in its breaking into two pieces and the near deaths of all those involved. But don't count them out until the end ...
Strictly speaking, "Deep Impact" is a by-the-numbers movie. Producers Richard Zanuck and David Brown ("Jaws") first came up with the idea back in the heyday of disaster movies, the seventies. The script has been through numerous re-writes, with writers ranging from "A Clockwork Orange" novelist Anthony Burgess to executive producer Steven Spielberg. The script is still the weakest link in the film, but director Mimi Leder ("The Peacemaker") delivers all she can: tons of tear-jerking melodrama, lots of pseudo-scientific explanations about what's going on, and a slam-bang finale that involves gigantic tidal waves destroying New York and Washington among other places.
"Deep Impact" is definitely a cut above most disaster epics, although that's not saying much. On a tight schedule that involved finishing special effects shots less than two weeks before theatrical release, Leder managed to get some fantastic shots, including a highway jam-packed with escaping cars for endless miles, and the aforementioned tidal waves, which were created in convincing detail by the wizards at Industrial Light & Magic.
But because the story is divided up into several sub-plots, it's hard to get involved with the characters. You can feel that the filmmakers were striving for the same kind of emotional effect evoked in James Cameron's "Titanic," and in some instances it succeeds. There are a few moments of genuine emotion, especially the last scene between Jenny and her father. However, "Titanic" has the benefit of being derived from a historic event that already carries emotional weight; "Deep Impact," on the other hand, will always be a movie about a giant meteor heading for Earth. Somehow, it's just not the same.
©1998 James Kendrick
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Noel's Kang Kyun Sung reveals that variety shows stopped casting him after he cut his hair
by sl278Noel's Kang Kyun Sung revealed that variety shows stopped casting him once he cut his hair.
The singer appeared on the November 14th broadcast of AKMU Suhyun's radio show on KBS's KoolFM where he featured his group's new song "Last Night at Alley in Front of Your House".
The singer used to be a hot topic in variety for his unique charm and 4D personality, but he revealed that "once I cut my hair, my variety show appearances also got cut." The singer used to have a trademark long hairstyle but cut it short, resulting in many people complimenting his good looks.
Which look do you like better?


{{ styles }} {{ scripts }}
palettes
blocks of color
shuffle
save
click to edit a palette
created by
kai
released under the
mit license
sample palettes from
color brewer


Implement a file syncing algorithm for two computers over a low-bandwidth network. What if we know the files in the two computers are mostly the same?
Since it is given that the network is of low-bandwidth and unreliable, it indicates that syncing of files as they are being edited is not possible or is error prone. We need a way to reliable and efficient way to sync the entire directory structure.
A point to note is that most of the directory structure is going to same, so we should prevent syncing the parts of the directory structure that are not changed.
We are going to use a data structure called Merkle Tree here.
Merkel Tree is a tree in which each leaf is a hash of the data block it represents and all the parent nodes are the hashes of the collated hashes of their children.
Overview of the algorithm looks as follows:
1. Whenever a change is made a file, we calculate the hashes of the entire directory branch that file part of.
2. To sync the changes, we compare the Merkle Tree of both the systems.
3. The nodes that have the same hashes can be ignored from the syncing process as the entire directory structure below them must also be the same.
The above approach can be implemented as follows:


{% extends "base.html" %} {% set unauthenticated = True %} {% block content %}
Yalies is an redesigned version of Yale's official Face Book, which provides contact information for Yale students. It displays the same data that is shown on the Face Book and Yale Directory, but with improved design, user interface, and security.
Log in with CAS {% endblock %}


Meet Isabella & Her Museum
Come & Visit
Open Now
Exhibition
Steve Locke
Three Deliberate Grays for Freddie (A Memorial for Freddie Gray)
Exhibition
Close Up: Sargent on Location
Gardner's First Artist-in-Residence
Exhibition
Common Threads
Weaving Stories Across Time
Shop Gift at the Gardner
The holidays are right around the corner. Shop Gift at the Gardner this season and find one-of-a-kind gifts, unique items inspired by the Gardner, and other curiosities with a modern twist.


WEEK 32 WEDNESDAY
Year 1 (Year 2)
FIRST READING Wisdom 6:1-11
“Listen, O kings, that you may learn wisdom.”
A reading from the Book of Wisdom
Listen,
O kings, and understand; learn, O judges of the ends of the earth. Give ear,
you that rule over multitudes, and boast of many nations. For
your dominion was given you from the Lord, and your sovereignty from the Most
High, who will search out your works and inquire into your plans.
Because as servants of his kingdom you did not rule rightly, nor keep the law,
nor walk according to the purpose of God, he will come upon you terribly and
swiftly, because severe judgment falls on those in high places. For the lowliest man may be pardoned in mercy, but mighty men will
be mightily tested. For the Lord of all will not stand in awe of any
one, nor show deference to greatness; because he himself made both small and
great, and he takes thought for all alike. But a strict inquiry is in store for
the mighty. To you then, O monarchs, my words are directed, that you may learn
wisdom and not transgress. For they will be made holy who observe holy things
in holiness, and those who have been taught them will find a defence. Therefore
set your desire on my words; long for them, and you will be instructed.
The word of the Lord
RESPONSORIAL PSALM Psalm 82:3-4.6-7 (R. 8a)
R. Arise, O God; judge the earth!
Do
justice for the weak and the orphan; give justice to the poor and afflicted.
Rescue the weak and the needy; set them free from the hand of the wicked.
R. Arise, O God; judge the earth!
I
have said to you: 'You are gods, and all of you, sons of the Most High.' And
yet, like men you shall die; you shall fall, like any of the princes.
R. Arise, O God; judge the earth!
FIRST READING Titus 3:1-7
“We ourselves were once led astray; but when the loving kindness of God appeared, he saved us.”
A reading from the Letter of Saint Paul to Titus
Beloved: Remind everyone to be submissive to
rulers and authorities, to be obedient, to be ready for any honest work, to speak
evil of no one, to avoid quarreling, to be gentle, and to show perfect courtesy
toward all men. For we ourselves were once foolish, disobedient, led astray,
slaves to various passions and pleasures, passing our days in malice and envy,
hated by men and hating one another; but when the goodness and loving kindness
of God our Saviour appeared, he saved us, not because
of deeds done by us in righteousness, but in virtue of his own mercy, by the
washing of regeneration and renewal in the Holy Spirit, which he poured out
upon us richly through Jesus Christ our Saviour, so
that we might be justified by his grace and become heirs in hope of eternal
life.
The word of the Lord
RESPONSORIAL PSALM Psalm 23:1-3a.3b-4.5.6 (R. 1)
R. The Lord is my shepherd; there is nothing I shall
want.
The LORD is my shepherd; there is nothing I
shall want. Fresh and green are the pastures where he gives me repose. Near
restful waters he leads me; he revives my soul.
R. The Lord is my shepherd;
there is nothing I shall want.
He guides me along the right path, for the sake
of his name. Though I should walk in the valley of the shadow of death, no evil
would I fear, for you are with me.
R. The Lord is my shepherd; there is nothing I shall want.
You have prepared a table before me in the
sight of my foes. My head you have anointed with oil; my cup is overflowing.
R. The Lord is my shepherd; there is nothing I shall want.
Surely goodness and mercy shall follow me all
the days of my life. In the LORD's own house shall I
dwell for length of days unending.
R. The Lord is my shepherd; there is nothing I shall want.
GOSPEL Acclamation 1 Thessalonians 5:18
“O woman, great is your faith!”
A reading from the holy Gospel according to Mark
R. Alleluia. Give thanks in all circumstances; for this is the will of God in Christ Jesus for you. R. Alleluia.
GOSPEL Luke 17:11-19
“Was no one found to return and give praise to God except this foreigner?”
A reading from the holy Gospel according to Luke
On the way to Jerusalem Jesus was passing along
between
The Gospel of the Lord


APLAY(1) APLAY(1) NAME arecord, aplay - command-line sound recorder and player for ALSA sound‐ card driver SYNOPSIS arecord [flags] [filename] aplay [flags] [filename [filename]] ... DESCRIPTION arecord is a command-line soundfile recorder for the ALSA soundcard driver. It supports several file formats and multiple soundcards with multiple devices. If recording with interleaved mode samples the file is automatically split before the 2GB filesize. aplay is much the same, only it plays instead of recording. For supported soundfile formats, the sampling rate, bit depth, and so forth can be automatically determined from the soundfile header. If filename is not specified, the standard output or input is used. The aplay utility accepts multiple filenames. OPTIONS -h, --help Help: show syntax. --version Print current version. -l, --list-devices List all soundcards and digital audio devices -L, --list-pcms List all PCMs defined -D, --device=NAME Select PCM by name -q --quiet Quiet mode. Suppress messages (not sound :)) -t, --file-type TYPE File type (voc, wav, raw or au). If this parameter is omitted the WAVE format is used. -c, --channels=# The number of channels. The default is one channel. Valid values are 1 through 32. -f --format=FORMAT Sample format Recognized sample formats are: S8 U8 S16_LE S16_BE U16_LE U16_BE S24_LE S24_BE U24_LE U24_BE S32_LE S32_BE U32_LE U32_BE FLOAT_LE FLOAT_BE FLOAT64_LE FLOAT64_BE IEC958_SUBFRAME_LE IEC958_SUB‐ FRAME_BE MU_LAW A_LAW IMA_ADPCM MPEG GSM SPECIAL S24_3LE S24_3BE U24_3LE U24_3BE S20_3LE S20_3BE U20_3LE U20_3BE S18_3LE S18_3BE U18_3LE Some of these may not be available on selected hardware The available format shortcuts are: -f cd (16 bit little endian, 44100, stereo) [-f S16_LE -c2 -r44100] -f cdr (16 bit big endian, 44100, stereo) [-f S16_BE -c2 -f44100] -f dat (16 bit little endian, 48000, stereo) [-f S16_LE -c2 -r48000] If no format is given U8 is used. -r, --rate=#<Hz> Sampling rate in Hertz. The default rate is 8000 Hertz. If the value specified is less than 300, it is taken as the rate in kilo‐ hertz. Valid values are 2000 through 192000 Hertz. -d, --duration=# Interrupt after # seconds. A value of zero means infinity. The default is zero, so if this option is omitted then the arecord process will run until it is killed. -s, --sleep-min=# Min ticks to sleep. The default is not to sleep. -M, --mmap Use memory-mapped (mmap) I/O mode for the audio stream. If this option is not set, the read/write I/O mode will be used. -N, --nonblock Open the audio device in non-blocking mode. If the device is busy the program will exit immediately. If this option is not set the program will block until the audio device is available again. -F, --period-time=# Distance between interrupts is # microseconds. If no period time and no period size is given then a quarter of the buffer time is set. -B, --buffer-time=# Buffer duration is # microseconds If no buffer time and no buffer size is given then the maximal allowed buffer time but not more than 500ms is set. --period-size=# Distance between interrupts is # frames If no period size and no period time is given then a quarter of the buffer size is set. --buffer-size=# Buffer duration is # frames If no buffer time and no buffer size is given then the maximal allowed buffer time but not more than 500ms is set. -A, --avail-min=# Min available space for wakeup is # microseconds -R, --start-delay=# Delay for automatic PCM start is # microseconds (relative to buf‐ fer size if <= 0) -T, --stop-delay=# Delay for automatic PCM stop is # microseconds from xrun -v, --verbose Show PCM structure and setup. This option is accumulative. The VU meter is displayed when this is given twice or three times. -V, --vumeter=TYPE Specifies the VU-meter type, either stereo or mono. The stereo VU-meter is available only for 2-channel stereo samples with interleaved format. -I, --separate-channels One file for each channel. This option disables max-file-time and use-strftime, and ignores SIGUSR1. The stereo VU meter is not available with separate channels. -P Playback. This is the default if the program is invoked by typing aplay. -C Record. This is the default if the program is invoked by typing arecord. -i, --interactive Allow interactive operation via stdin. Currently only pause/resume via space or enter key is implemented. --disable-resample Disable automatic rate resample. --disable-channels Disable automatic channel conversions. --disable-format Disable automatic format conversions. --disable-softvol Disable software volume control (softvol). --test-position Test ring buffer position. --test-coef=<coef> Test coefficient for ring buffer position; default is 8. Expres‐ sion for validation is: coef * (buffer_size / 2). Minimum value is 1. --test-nowait Do not wait for the ring buffer--eats the whole CPU. --max-file-time While recording, when the output file has been accumulating sound for this long, close it and open a new output file. Default is the maximum size supported by the file format: 2 GiB for WAV files. This option has no effect if --separate-channels is spec‐ ified. --process-id-file <file name> aplay writes its process ID here, so other programs can send sig‐ nals to it. --use-strftime When recording, interpret %-codes in the file name parameter using the strftime facility whenever the output file is opened. The important strftime codes are: %Y is the year, %m month, %d day of the month, %H hour, %M minute and %S second. In addition, %v is the file number, starting at 1. When this option is specified, intermediate directories for the output file are created automati‐ cally. This option has no effect if --separate-channels is speci‐ fied. SIGNALS When recording, SIGINT, SIGTERM and SIGABRT will close the output file and exit. SIGUSR1 will close the output file, open a new one, and con‐ tinue recording. However, SIGUSR1 does not work with --separate-chan‐ nels. EXAMPLES aplay -c 1 -t raw -r 22050 -f mu_law foobar will play the raw file "foobar" as a 22050-Hz, mono, 8-bit, Mu-Law .au file. arecord -d 10 -f cd -t wav -D copy foobar.wav will record foobar.wav as a 10-second, CD-quality wave file, using the PCM "copy" (which might be defined in the user's .asoundrc file as: pcm.copy { type plug slave { pcm hw } route_policy copy } arecord -t wav -max-file_time 30 mon.wav Record from the default audio source in monaural, 8,000 samples per second, 8 bits per sample. Start a new file every 30 seconds. File names are mon-nn.wav, where nn increases from 01. The file after mon-99.wav is mon-100.wav. arecord -f cd -t wav -max-file-time 3600 --use-strftime %Y/%m/%d/lis‐ ten-%H-%M-%v.wav Record in stereo from the default audio source. Create a new file every hour. The files are placed in directories based on their start dates and have names which include their start times and file numbers. SEE ALSO alsamixer(1), amixer(1) BUGS Note that .aiff files are not currently supported. AUTHOR arecord and aplay are by Jaroslav Kysela<EMAIL_ADDRESS>This document is by Paul Winkler<EMAIL_ADDRESS>Updated for Alsa 0.9 by James Tappin<EMAIL_ADDRESS>1 January 2010 APLAY(1)


ARTICLE 6. REGISTRATION, ENFORCEMENT, AND
MODIFICATION OF SUPPORT ORDER
Note
Article heading amended by L 2015, c 77, pt of §1.
PART I. REGISTRATION FOR ENFORCEMENT OF SUPPORT ORDER
Note
Part heading amended by L 2015, c 77, pt of §1.
§576B-601 Registration of order for enforcement. A support order or income withholding order issued in another state or a foreign support order may be registered in this State for enforcement. [L 1997, c 295, pt of §1; am L 2015, c 77, pt of §1]


Full Stack Developer
My name is Shay Elbaz I am a Full Stack Developer graduate in Bs.c Computer science From Academic college Ashkelon, With 1 year of experience in StartUp company as FreeLancer for Frontend with CSS,JS,HTML. Educated in Coding Academy Boot camp as Full Stack Developer.


Hypertext Markup Language is the standard markup language for documents designed to be displayed in a web browser. It can be assisted by technologies such as CSS and scripting languages such as JavaScript.
Web browsers receive HTML documents from a web server or from local storage and render the documents into multimedia web pages. HTML describes the structure of a web page semantically and originally included cues for the appearance of the document.
Cascading Style Sheets is a style sheet language used for describing the presentation of a document written in a markup language like HTML.CSS is a cornerstone technology of the World Wide Web, alongside HTML and JavaScript.
CSS is designed to enable the separation of presentation and content, including layout, colors, and fonts. This separation can improve content accessibility, provide more flexibility and control in the specification of presentation characteristics, enable multiple web pages to share formatting by specifying the relevant CSS in a separate .css file which reduces complexity and repetition in the structural content as well as enabling the .css file to be cached to improve the page load speed between the pages that share the file and its formatting.


HC quashes case against former Minister
by Staff ReporterMADURAI
The Madurai Bench of the Madras High Court on Wednesday quashed lower court proceedings against former Minister Natham R. Viswanathan.
Justice G.K. Ilanthiraiyan allowed the petition filed by the former Minister, who sought to quash the proceedings pending before the Judicial Magistrate II in Dindigul.
The complainant, A. Sabapathi, had alleged that the former Minister had failed to return the amount borrowed during the 2014 Lok Sabha election in full. Out of the ₹4.97 crore borrowed, only ₹2 crore was returned, he had claimed. However, Mr. Vishwanathan refuted the allegation.


--- layout: post title: Other People's Words, 22 April 2008 date: 2008-04-22 21:46:57.000000000 -07:00 type: post published: true status: publish categories: - Other People's Words tags: [] meta: _publicize_pending: '1' _edit_last: '6192' original_post_id: '23' _wp_old_slug: '23' author: login: falsefridays email<EMAIL_ADDRESS>display_name: Jim Withington first_name: '' last_name: '' ---
Liz Phair: once an indie darling, she sells out to Hollywood (slamming Chicago in the process as she runs off and tarts herself up for a monstrosity of a major label album), then claims that it was all the label's fault. I'm not buying it. [via]
Steve Hayden writes in defense of Stone Temple Pilots. [via]
My favorite one-stop internet-shop lately has been Fluxtumblr.
This iPod boom box, 80's style, is pretty much the best thing ever.
What If Every Single Joel Silver Movie Took Place In The Same Universe?
With 'Accelerate,' R.E.M. Hits Top Speed Again (see what I mean about the R.E.M. story theme?)(Thanks to Erin for the link!)


{% extends "partials/tooltips/base.html" %}
{% block title %}
Civil Protection Order
{% endblock %}
{% block inner %}
A civil protection order is any order made against a person for
the purposes of protecting another person’s safety.
A civil protection order may restrict or restrain a person from doing
certain things, such as:


First, you need download library:
npm install --save angular2-carrousel
First tou need to provide the CarouselModule to your desired Module
Now, you can use CarouselModule as follow:
All slides of carousel must have ".item-carousel"


Checkout
Shopping Cart
Keyboard: Roland Fantom 6
61-keys with organ, pedals, and all hardware included. Shipping is included free of charge above $99 in value. Amount displayed is consented to the amount purchased.
61-keys with organ, pedals, and all hardware included. Shipping is included free of charge above $99 in value. Amount displayed is consented to the amount purchased.


Kinaxis Project
Creative Circle from Carleton Universities school of Information Technology is proudly collaborating with Kinaxis to develop a mobile user interface solution for their software RapidResponse. RapidResponse is a supply chain management software developed by Kinaxis and provides companies with a means to manage their supply chains while providing concurrent planning, detailed data visualizations, user collaboration and countless other features.
As fouth year students nearing graduation, we at Creative Circle are determined to develop a world class UI solution for an industry leading company in Kinaxis.
Kinaxis Project
Kinaxis Project
Kinaxis Project
Kinaxis Project
Kinaxis Project
Kinaxis Project


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Deleting Product Reviews
Catalog Managers can permanently delete product reviews from the store using the Store Admin module.
- On the Store Admin module, click the Reviews link.
- Filter reviews by Status, Category and/or Product as required. See "Filtering Product Reviews"
- Click the Edit link beside the required review.
- Click the Delete link. This displays the message "Are You Sure You Wish To Delete This Item?"
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Click the OK button confirm.
- Repeat Steps 2-5 to delete additional reviews.


Types
PPixelArray = ref TPixelArray
TPixelArray = array[0 .. 524288, uint32]
TScreen = tuple[surface: PSurface, width, height, flags, scale: int]
Procs
proc screen(): PSurface {.inline.}
- Get screen surface.
proc screenScale(): int {.inline.}
- Get screen scale rate.
proc newSurface(width, height: int; alpha: bool = false): PSurface
-
Create new surface with given width and height.
alpha = true to use alpha channel.
proc initScreenBuffer(w, h, scale: int)
proc freeScreenBuffer()
proc loadImage(filename: cstring): PSurface
- Load image from file to the new surface.
proc blitSurfaceAlpha(src: PSurface; srcrect: PRect; dst: PSurface; dstrect: PRect): int
- Blit surface preserving alpha channel.
Templates
template newSurface(width, height: uint16; alpha: bool = false): PSurface


The 7 Values of The Balancing Act The project is based on seven values of sustainable development and education for sustainable development, which the participating institutions support as a base for their work: 1 We recognize the important consideration for the coming generation and in that respect we will estimate the consequences of our actions and doings in a long-term perspective. 2 We recognize that there is only one Earth; with limited resources and capacity and therefore we must give the highest priority to environment and resources. 3 We recognize that we live in a world with unequal distribution, and because of that it is our moral duty to work for a more equalized distribution of the resources and wealth. 4 We acknowledge that everyone must participate in solving the global challenges and are willing to contribute and work to strengthen the democracy on all levels. 5 We shall find new knowledge to solve problems across technical boundaries and we shall educate people to participate in global citizenship with focus on environmental and social issues. 6 We shall show the connection between words and action by working according to the principles of sustainability on a daily basis.We shall contribute to a widespread political debate on sustainability and be visible in this debate in society – we shall work out the values for every step forward to ease the way to a sustainable practise. 7 We shall contribute to a widespread political debate on sustainability and be visible in this debate in society – we shall work out the values for every step forward to ease the way to a sustainable practise.
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