iPad 2 iPhone app - Better Battlelog Forums #1585
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01. April 2012 06:22
Topicstarter
Guest
Just wondering if you could create a app for apple iPhone and iPad2?
01. April 2012 12:35
BrainFooLong
Administrator
Hi. I am no Apple Developer. I have no Apple Product and i'll never buy one.
Greetz


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Package pit_util
Generic utitilies for PIT
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c_max_length
c_max_length constant binary_integer := 128;
TYPE DECLARATIONS
ora_name_type
subtype ora_name_type is varchar2(128 byte);
flag_type
subtype flag_type is char(1 byte);
max_char
subtype max_char is varchar2(32767 byte);
max_sql_char
subtype max_sql_char is varchar2(4000 byte);
small_char
subtype small_char is varchar2(255 byte);
sign_type
subtype sign_type is char(1 byte);
invalid_sql_name
invalid_sql_name exception;
context_missing
context_missing exception;
name_too_long
name_too_long exception;
C_TRUE
C_TRUE constant flag_type := 'Y';
GLOBAL CONSTANTS
C_FALSE
C_FALSE constant flag_type := 'N';
C_DEFAULT_LANGUAGE
C_DEFAULT_LANGUAGE constant ora_name_type := 'GERMAN';
C_DEFAULT_CONTEXT
C_DEFAULT_CONTEXT constant ora_name_type := 'CONTEXT_DEFAULT';
C_ACTIVE_CONTEXT
C_ACTIVE_CONTEXT constant ora_name_type := 'CONTEXT_ACTIVE';
context_type
type context_type is record (
context_name pit_util.ora_name_type,
settings pit_util.max_sql_char,
log_level binary_integer,
trace_level binary_integer,
trace_timing boolean,
module_list pit_util.max_sql_char,
allow_toggle boolean,
broadcast_context_switch boolean,
ctx_changed boolean := true);
Record to store log and trace settings
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context_name
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Name of the context, is used to identify a stored context
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settings
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Condensed string with settings for log/trace level, flag_timing and module list
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log_level
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On of the C_LEVEL constants, controls logging
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trace_level
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On of the C_TRACE constants, controls tracing
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trace_timing
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Flag to control whether timing information for methods are calculated
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module_list
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Colon separated list of output modules
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allow_toggle
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Flag to indicate whether logging can be switched on and off based on package names (toggles)
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broadcast_context_switch
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Flag to indicate whether a context switch should be broadcasted to all instantiated output modules
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ctx_changed
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Flag to indicate whether context has changed in comparison to actual context
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named_ctx_list_tab
type named_ctx_list_tab is table of context_type index by ora_name_type;
List of CONTEXT_TYPE indexed by ORA_NAME_TYPE
translatable_item_rec
type translatable_item_rec is record(
pti_name pit_translatable_item.pti_name%type,
pti_display_name pit_translatable_item.pti_display_name%type,
pti_description pit_translatable_item.pti_description%type);
Record to grant access to a translatable item
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pti_name
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Technical or internal name
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pti_display_name
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more descriptive name, used for UI purposes
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pti_description
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Additional description or help text
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get_true
Function get_true return flag_type
get_false
Function get_false return flag_type
get_user
Function get_user return ora_name_type
string_to_table
Function string_to_table(p_string_value in varchar2,
p_delimiter in varchar2 := ':') return args
bulk_replace
Function bulk_replace(p_string in varchar2, p_chunks in char_table)
return varchar2
Helper to bulk-replace chunks in a text
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Is called to replace more replacement anchors at once
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p_string
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Text with replacement anchors
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p_chunks
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List of chars for replacement
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p_string with replacements
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clob_append
Procedure clob_append(p_clob in out nocopy clob, p_chunk in clob)
Helper to append CLOB.
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Wrapper for DBMS_LOB.APPEND that takes care to instantiate P_CLOB if it's not yet there and append only if P_CHUNK is not null
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p_clob
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CLOB instance to append P_CHUNK to
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p_chunk
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CLOB instance to append to P_CLOB
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concatenate
Function concatenate(p_chunk_list char_table,
p_delimiter varchar2,
p_keep_null boolean default true) return varchar2
Helper to concatenate text
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p_text_list
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CHAR_TABLE instance with the text chunks to concatenate
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p_delimiter
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Delimiter to separate the chunks
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p_keep_null
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Flag to indicate whether NULL values are kept (ie as delimiter is inserted (default) or not
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harmonize_sql_name
Function harmonize_sql_name(p_name in varchar2,
p_prefix in varchar2 default null,
p_max_length number default null)
return varchar2
Helper function to convert a SQL primary key name according to the naming convention
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Is called to harmonize the naming of alphanumeric primary key items
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p_name
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Name to harmonize
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[p_prefix]
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Optional prefix for the resulting name
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[p_max_length]
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Optional length limitation. If ommitted, the name will be cropped to fit into C_MAX_LENGTH limit
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Converted name. The following rules apply: - length limit C_MAX_LEGNTH byte - upper case - no whitespace, only underscores - must be a DBMS_ASSERT.ASSERT_SIMPLE_SQL_NAME
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harmonize_name
Function harmonize_name(p_prefix in varchar2, p_name in varchar2)
return varchar2
Helper function to harmonize a given name
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P_NAME will be uppercased and P_PREFIX prefixes P_NAME
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p_name
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Name to harmonize
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p_prefix
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Prefix that should exist once before the name
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to_bool
Function to_bool(p_boolean in boolean) return flag_type
Method to convert a boolean to a bool flag of type FLAG_TYPE and vice versa
to_bool
Function to_bool(p_boolean in flag_type) return boolean
cast_to_msg_args_char
Function cast_to_msg_args_char(p_msg_args msg_args) return msg_args_char
Methods to cast an instance of type MSG_ARGS to MSG_ARGS_CHAR and vice versa
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is called to allow to store MSG_ARGS-instances in tables (which is not supported for VARRAY(CLOB)).
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p_msg_args
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Instance of type MSG_ARGS
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Instance of MSG_ARGS_CHAR with the content of MSG_ARGS (abbreviated to max 4000 byte per entry)
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cast_to_msg_args
Function cast_to_msg_args(p_msg_args msg_args_char) return msg_args
get_error_name
Function get_error_name(p_pms_name in pit_message.pms_name%type)
return varchar2
Helper to create the name for an exception constant in package MSG.
Name is formed on the basis of params ERROR_PREFIX and ERROR_POSTFIX
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p_pms_name
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Name of the message to create the exception name for
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check_context_settings
Procedure check_context_settings(p_context_name in ora_name_type,
p_settings in varchar2)
Helper to validate named context settings
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Is called to verify that entered settings are correct.
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p_context_name
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Name of the context to check
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p_settings
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Settings for the named context
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check_toggle_settings
Procedure check_toggle_settings(p_toggle_name in ora_name_type,
p_module_list in varchar2,
p_context_name in ora_name_type)
Helper to validate toggle settings
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Is called from PIT_ADMIN.CREATE_CONTEXT_TOGGLE to validate settings
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p_toggle_name
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Name of the toggle to check
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p_module_list
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List of code blocks which toggle context settings
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p_context_name
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Name of the named context to toggle to
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string_to_context_type
Procedure string_to_context_type(p_context_values in varchar2,
p_context in out nocopy context_type)
Method to cast a context value read from the globally accessed context to a context type record
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p_context_values
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String as read from UTL_CONTEXT.get_first_match or from call stack
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p_context
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Instance of CONTEXT_TYPE
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context_type_to_string
Function context_type_to_string(p_settings in context_type) return varchar2
Method to cast an instance of CONTEXT_TYPE to string
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p_settings
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Only enough attributes to allow for storage within the context are put together
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String with a pipe separated list of DEBUG_LEVEL|TRACE_LEVEL|TIMING_FLAG|MODULE_LIST
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recompile_invalid_objects
Procedure recompile_invalid_objects
Procedure to recompile invalid objects
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Called internally when recreating MSG package to recompile packages with dependencies on MSG
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get_module_and_action
Procedure get_module_and_action(p_module in out nocopy varchar2,
p_action in out nocopy varchar2)
get_call_stack
Function get_call_stack return varchar2
Helper to get the call/error stack
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formatted call/error stack. Starting with version 12, utl_call_stack is used.
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get_error_stack
Function get_error_stack return varchar2


| Player |
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| Rank: |
{{playerResult.statistics.eloRanking}}
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| Elo Points: |
{{playerResult.statistics.eloValue}}
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| Badges: |
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| Success: |
{{playerResult.statistics.successRate * 100 | number:2}}
%
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| Shape: |
{{playerResult.statistics.currentShapeRate * 100 | number:2}}
%
({{playerResult.dayEndStatistics.currentShapeRate * 100 | number:2}}%)
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| Goals: |
+{{playerResult.statistics.goalPlusMinus | number:2}}
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| Goals per Match: |
{{playerResult.statistics.averageGoalsPerMatch | number:2}}
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| Most goals per game: |
{{playerResult.statistics.maxGoalsPerGame | number:0}}
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| Most victories in a row: |
{{playerResult.statistics.bestSlam}}
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| Offensive: |
{{100 * playerResult.statistics.offensivePositionRate | number:2}}
%
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| Defensive: |
{{100 * playerResult.statistics.defensivePositionRate | number:2}}
%
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| Rate of 5:4 won matches: |
{{100 * playerResult.statistics.tightlyWonRate | number:2}}
%
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| Rate of 4:5 lost matches: |
{{100 * playerResult.statistics.tightlyLostRate | number:2}}
%
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fun setEncoding(encoding: String): Unit
Sets the text encoding for the stream. Note that some encodings may not be valid and/or may result in unexpected behavior - multibyte encodings in particular.
Default encoding is ISO-8859-1.


Blow * * * (out of * * * * )
Directed by Ted Demme. Cast: Johnny Depp, Penelope Cruz, Ray Liotta, Rachel Griffiths, Paul Reubens, Franka Potente, Ethan Suplee, Emma Roberts, Jordi Molla, Cliff Curtis, Bobcat Goldthwait. 2001 - 120 minutes Rated R (for violence, profanity, sexual situations, and drug use). Reviewed by Dustin Putman, April 7, 2001.
How can a man so capable of loving manage to disappoint everyone he has ever cared about in his life? This is a question not easily answered in "Blow," a film by Ted Demme (1996's "Beautiful Girls") that is based on the true story of the rise and fall of George Jung, who was the largest provider of cocaine in the United States during the 1970s and '80s. As a character study and a drama, the picture is highly effective and always involving, succeeding in getting us to care about our protagonist, even while we question just how his life could have taken such a wrong turn.
As a child, George (Johnny Depp) was brought up in a middle class family with a hard-working, caring father, Ray (Ray Liotta), and a nagging mother (Rachel Griffiths). Ray attempted to ingrain into his son's mind that money isn't everything, or even a sizable part, of what life is all about, but by the time he graduates high school and moves to a Californian beach town in 1969 with his best friend, Tuna (Ethan Suplee), all that is on George's mind is how he can make a load of money without having to work for it. His ticket to the high life comes in the form of marijuana, which is generously provided by Derek (Paul Reubens), a friend of his stewardess girlfriend, Barbara (Franka Potente), which he begins to sell on the beach and quickly becomes the token dealer in the area.
Seven years and several arrests later, George's drug of choice has switched to cocaine, which he learns about while in the pen, and quickly garners up millions of dollars in cash buying it from Colombian drug lord Pablo Escobar (Cliff Curtis) and selling it in the U.S. While at his friend's wedding, George meets an alluring woman named Mirtha (Penelope Cruz), marries her, and has a baby girl that changes his life. Mirtha's tastes are expensive, however, and with an insatiable drug habit, George isn't sure if he will ever be able to get out of the drug business and give his daughter a healthy life.
"Blow" is the third motion picture about drugs in the last seven months (with the other two being the superior "Requiem for a Dream" and "Traffic"), but manages to differentiate itself enough to not feel routine or tedious. Whereas "Requiem" was a stark horror story of the way drugs destroy lives, and "Traffic" was a more technical mosaic of how drugs affect the entire world, "Blow" is a reasonably conventional docudrama about a talented man with infinite promise who ultimately chooses a lifestyle that ends up ruining his life, and every human relationship that has ever meant something to him.
Putting George Jung's life into perspective, he really does not seem like a notable enough person to have an entire movie dedicated to him. Jung was a drug dealer, albeit a remarkably successful one, who had the law eventually catch up to his illegal actions. Much of the film is reminiscent in style and execution to 1997's brilliant "Boogie Nights" and 1998's misguided "54," both of which involved drugs but did not have them as the centerpiece of the action. "Blow," in comparison, finds a happy medium between the two--it isn't as powerful or expertly directed as "Boogie Nights," but has far more depth and intelligence than "54"--and concludes on a note of bittersweet tragedy.
Johnny Depp owns the screen for every second he appears, which is more or less the entirety of the 120-minute running time. As George Jung, the 34-year-old Depp is believable as a young man in his early twenties, and equally convincing as a 50-year-old in the final act. What is most impressive, however, is how sympathetic he makes Jung. We care about him even as we despise him for not cleaning up his act for good, and it is a testament to Depp that his character remains accessibly likable throughout.
Ray Liotta, as George's loyal, if quietly disappointed father, is on a roll this year. With April only beginning, Liotta's has also been a standout in "Hannibal" and "Heartbreakers." In many ways, Liotta's portrayal is just as tragic as Depp's, as he plays an honest man who had high hopes for his only child, only to see him spiral deeper and deeper into an abyss. It isn't a large part, but Liotta creates the most clearly defined and heartbreaking supporting character in the film. A close second is Paul Reubens (1999's "Mystery Men"), stunningly deft in a rare dramatic turn as Derek.
The female counterparts include the likes of Penelope Cruz (2000's "All the Pretty Horses"), excellent as the ruthless, immature Mirtha, who dashes George's hopes of going straight; Franka Potente (2000's "Run Lola Run"), a radiant beauty in her first American film, as George's first ill-fated girlfriend, Barbara; and Rachel Griffiths (2000's "Me Myself I"), sternly poignant as George's stubborn, outraged mother.
Spanning five decades and accurately capturing the fashions and music of, particularly, the late-'60s and '70s, "Blow" is something you only find once or twice in the opening months of each year: a mature, emotionally resounding film that could have easily been released in December and garnered several Oscar nominations. It does not equal up to "Requiem for a Dream" or "Traffic" (both of which were nominated for Academy Awards this year), and moves a little too quickly through certain portions of George Jung's life (no doubt due to a desire to cut the film down to two hours), but "Blow" remains a more-than-worthwhile drama that confirms what a good director Ted Demme is, and what an unequivocal talent Johnny Depp continues to be.
- Copyright 2001 by Dustin Putman
http://www.all-reviews.com/reviewers/DustinPutman.htm http://us.imdb.com/ReviewsBy?Dustin+Putman http://www.atnzone.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Class CacheChangePool, used by the HistoryCache to pre-reserve a number of CacheChange_t to avoid dynamically reserving memory in the middle of execution loops.
More...
#include <CacheChangePool.h>
Class CacheChangePool, used by the HistoryCache to pre-reserve a number of CacheChange_t to avoid dynamically reserving memory in the middle of execution loops.
◆ ~CacheChangePool()
◆ CacheChangePool()
Constructor.
- Parameters
-
| pool_size | The initial pool size |
| payload_size | The initial payload size associated with the pool. |
| max_pool_size | Maximum payload size. If set to 0 the pool will keep reserving until something breaks. |
| memoryPolicy | Memory management policy. |
◆ get_allCachesSize()
| size_t get_allCachesSize |
( |
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inline |
Get the size of the cache vector; all of them (reserved and not reserved).
◆ get_freeCachesSize()
| size_t get_freeCachesSize |
( |
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inline |
Get the number of frre caches.
◆ getInitialPayloadSize()
| uint32_t getInitialPayloadSize |
( |
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inline |
Get the initial payload size associated with the Pool.
◆ release_Cache()
Release a Cache back to the pool.
◆ reserve_Cache() [1/2]
| bool reserve_Cache |
( |
CacheChange_t ** |
chan, |
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const std::function< uint32_t()> & |
calculateSizeFunc |
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) |
| |
Reserves a CacheChange from the pool.
- Parameters
-
| chan | Returned pointer to the reserved CacheChange. |
| calculateSizeFunc | Function that returns the size of the data which will go into the CacheChange. This function is executed depending on the memory management policy (DYNAMIC_RESERVE_MEMORY_MODE and PREALLOCATED_WITH_REALLOC_MEMORY_MODE) |
- Returns
- True whether the CacheChange could be allocated. In other case returns false.
◆ reserve_Cache() [2/2]
Reserves a CacheChange from the pool.
- Parameters
-
| chan | Returned pointer to the reserved CacheChange. |
| dataSize | Size of the data which will go into the CacheChange if it is necessary (on memory management policy DYNAMIC_RESERVE_MEMORY_MODE and PREALLOCATED_WITH_REALLOC_MEMORY_MODE). In other case this variable is not used. |
- Returns
- True whether the CacheChange could be allocated. In other case returns false.
The documentation for this class was generated from the following file:
- /home/ricardo/workspace/curro/eProsima/desarrollo/proyectos/fastrtps/include/fastrtps/rtps/history/CacheChangePool.h


This occurs when someone loses their grip on their gun, sword, knife, club, baseball bat, etc., either by accident or due to something else. Maybe someone tackled them, or a door got opened into their face, or the Angry Guard Dog decided to sink their teeth into them, or they slipped on the ice, whatever. The weapon will drop from their hands and slide across the floor, sink halfway into the mud, end up under the furniture, etc.
Count on it happening right when they need the weapon the most, and if losing the weapon happens immediately before a fistfight, you can also count on a mad scramble to be the first one to get it. Sometimes, when the weapon is a gun, a third party gets to it first, but you won't know that until a shot rings out and someone crumbles to the floor.

- Where's My Gun?, which is when someone has a favorite weapon and if the fighting starts then they need to find that gun before they can do anything.
Blasting It Out of Their Hands and Left Your Lifesaver Behind are related tropes. The former involves someone else relieving you of your gun through excellent marksmanship, and the latter is when you yourself left your gun behind, instead of dropping it.
Examples:
- In the anime adaptation of Fate/Apocrypha, Mordred is shown knocking Excalibur out of her father's hand at the Battle of Camlann. This small triumph is short-lived as King Arthur coldly dismisses her before drawing Rhongomyniad and running her through instantly.
- Damage Control is about a company that specializes in cleaning up the mess left over after superhero battles. One issue throws a lampshade on this when the company employees are watching an insanely over-the-top movie based on their exploits.
 I dropped my gun!Robin: (Handing John a twenty) Here.
- The Adventures of Robin Hood: Sir Guy drops his sword while dueling with Robin. Justified in that he was falling down the stairs at the time. Robin gentlemanly lets him have the sword back before continuing the fight.
- A New Hope: The franchise is absolutely littered with tropes, but this one is surprisingly averted in the trash compactor scene. Despite jumping down a chute and getting a hard landing in the trash compactor room, and being grabbed by the creature's tentacles and roughly yanked under water not once but twice, as well as having to struggle hard to get free, Luke keeps a tight grip on his gun throughout the scene. As does Han.
- Blade Runner: Deckard loses his gun. Batty gives it back to him...after breaking his fingers so that he can neither hold it properly or pull the trigger.
- The Bourne Identity: The assassin who comes crashing through the window drops his gun after Jason hits it while they're grappling with each other. Neither one of them attempts to recover it, as they both know their opponent isn't going to give them the time to do so.
- First Blood: Every single cop Rambo fights in the forest drops their gun as soon as Rambo so much as touches them.

- The Mask of Zorro: When Don Diego asks Alejandro (who he wants to train to be the new Zorro) if he knows how to use his sword, Alejandro demonstrates several flashy moves, only to have Don Diego easily parry the sword out of his hand once he's finished. Considering that Don Diego didn't put a whole lot of effort into it, Alejandro must have had a really loose grip on his sword...
- The Princess Bride: When Inigo and Westley are fighting, Inigo drops his sword. Westley courteously breaks off attacking offensively and lets him pick it up. Understandable in that neither of them is a bad guy and they're just enjoying a chance to engage in a swordfight with a worthy opponent. After he defeats Inigo, Westley acknowledges his swordfighting skills and simply knocks him out instead of killing him.
- Rambo IV: One of the river pirates drops his gun after Rambo shoots him. Trying to pick it back up gets him a Boom Head Shot.
- RoboCop: Robocop, being a superstrong cyborg, ordinarily wouldn't drop his gun. However, when he tries to arrest Dick Jones, the Corrupt Corporate Executive who's trying to destroy him, his hidden directive that prevents him from arresting a company executive kicks in and he drops his gun. Not that the gun would have done him much good against ED-209. Happily, the next time he runs into ED-209, the directive isn't a factor and he's got a much bigger gun.
- Rob Roy: Rob Roy loses his grip on his broadsword at the end of his climatic duel with Archibald. Archibald uses the opportunity to taunt him before delivering the killing stroke. One burst of Heroic Resolve later, Rob Roy is once again firmly gripping his sword and Archibald has been cut nearly in two.
- It's Archibald who loses his grip on his sword then, but it's kinda justified in that he's just been cut nearly in two.
- Stay Tuned: This is lampshaded when Roy ends up on a channel resembling old film noir. He picks up his revolver only to drop it and have it accidentally go off, which causes his secretary to buzz in over the intercom, deadpanning, "Mr. Knable, you've dropped your gun again."
- The Substitute: The aforementioned substitute is actually a tough as nails mercenary, who's gone undercover into an inner-city high school after his girlfriend, who worked as a teacher there, was attacked and nearly killed. He finds out a gang made up of corrupt school administrators and students is running drugs through the school. In one scene, he's talking to some friendly students in his apartment. There's a knock at his door and he answers it with a gun in his hand as a precaution. Gang members burst in, causing him to lose his gun. A fight ensues, he can't get to his gun, he's outnumbered and about to be killed...then a shot rings out and the gang leader drops dead, because one of the friendly students did manage to get to the gun.
- True Lies: Helen drops the Mac-10 she was using to try and kill the terrorists. Justified in that she's a ordinary housewife who had no idea how to hold the gun properly or handle the recoil. However, the gun bounces down the stairs, still firing, and conveniently kills all the terrorists anyway.
- Harry Potter: Weaponized in the series, as the Expelliarmus spell used during Wizard Duels and in self defense is specifically designed to cause someone to drop whatever it is they have in their hand, usually a wand.
- Repairman Jack: Jack sometimes carries a pistol on him expressly for this purpose. It's not loaded, and sometimes he'll accidentally drop it during a fight, and let the other guy pick it up. He finds it interesting to see what they do when they think they've got the upper hand. Once, an abusive husband whose wife's brother hired Jack to stop the abuse got his hands on it. This was after the wife attacked Jack to protect her husband.  When the gun didn't fire...
- The Rockford Files: Jim Rockford didn't carry a gun. He couldn't because he was an ex-convict. However, in many episodes he was shown to be extremely good at tackling or punching or tripping the bad guy who did have a gun, causing them to drop it...then beating the shit of out them to show that the only thing that made them a threat was the gun.
- RWBY: Ruby loses her grip on Crescent Rose while investigating Mountain Glenn with her team and Professor Oobleck. Due to her stubborn refusal to train in hand-to-hand combat, she's quickly captured by White Fang goons she could have easily taken otherwise.
- In Volume 4, Tyrian uses his tail to wrench Harbinger (a scythe) out of Qrow's hand, grinning wildly while expecting a look of shock on Qrow's face.
- In Volume 7, Tyrian once again manages to disarm Qrow of his scythe in the middle of their Mêlée à Trois with Clover after Ironwood declares martial law. Unlike their last fight, Qrow decides to abandon the scythe in order to break Clover's Aura with a punch, allowing Tyrian to snatch it up and use it to stab Clover In the Back.
- Ben 10: Omniverse: Billy Billions comments on this in his debut episode when he keeps losing his grip on his age reversal gun.
- In real life, police officers and soldiers are taught to keep a very firm grip on their guns, to not let anyone get close enough to even have a chance to cause them to drop it, and to keep it holstered or slung at all other times.
- A substantial number of techniques of many martial arts both contemporary personal defense and historical combat arts are focused on affecting precisely this result. In the case of the former, it's much easier to protect yourself and end a threat if your attacker's weapon becomes your weapon. In the latter, it's much easier to make your opponent dead.


FMBN boost housing delivery for Lagos workers - The Nation Newspaper
Okwy Iroegbu-Chikezie
THE Federal Mortgage Bank of Nigeria (FMBN) has put modalities in place to ensure that Lagos State civil servants access affordable and decent shelter.
FMBN Managing Director Ahmed Dangiwa gave the assurance at a sensitisation workshop organised by FMBN, Ikeja Distrit for the workers last week in Lagos.
Dangiwa, who was represented by the Executive Director, Business Portfolio and Development, Umar Dankene, said the bank would collaborate with Lagos State Government, to achieve the high target objective.
The FMBN boss posited that with the rapid increase in population in the country, the need to boost housing delivery cannot be over emphasised.
On the modalities, he said the bank has evolved products that would suit the needs of Lagos workers at a single digit interest rate.
“The products would afford workers the opportunity to buy, build or renovate their houses.” he said. “Our process is now automated, our contributors can now get alert for National Housing Fund (NHF) deductions made from their monthly salaries,” the FMBN boss said.
He revealed that the FMBN has been undergoing transformations and now in a strong position to deliver its mandate effectively.
The Branch Manager, FMBN Ikeja District, Mrs. Yetunde Sowande, commended the Lagos State Government for considering befitting housing schemes for its workers.
She said the NHF was established by the NHF Act 3, 1992, as a mandatory scheme for employers of labour, which permits them to deduct and remit 2.5 per cent of the basic monthly salary of its workers earning above minimum wage.
She said there was provision for the private sector to benefit from the scheme.
To show the commitment of the agency, she added that despite the non-compliance status of Lagos State Ministries and Agencies, some public servants still benefited from a special product of the bank Home Renovation Loan – up to the tune of N131.6 million .
The Head of Service, Lagos, Mr Hakeem Muri-Okunola lauded the FMBN boss for placing Lagos workers on the priprity list.
Muri-Okunola, who was represented by Foluso Adebayo, urged the participants to use the opportunity extended to them by FMBN to own homes.
The state Chairman, Trade Union Congress (TUC) of Nigeria, Lagos Council, Comrade Gbenga Ekundayo, said the TUC would seek ways the scheme would benefit workers maximally.
“This is what we have been praying for, I task all of us to make use of the opportunity on time,” Ekundayo said.
Over 200 Lagos state workers participated in the workshop.


Please review the Research Purpose, Structured Research Purpose, and DAC votes to determine if the Research Purpose was appropriately converted to a Structured Research Purpose
Research Purpose
{{dar}}
Structured Research Purpose
Vote Results
Q2. Was the research purpose accurately converted to a structured format?


Experience developing on major platforms, including MacOS, Windows, Linux, Unix and Android
Experience using frameworks/libraries such as, Bootstrap, Materialize, Paper.js, Howler.js, Express, Jasmine, JUnit, jQuery and OpenGL
Experience coding in Java, C, C++, HTML(5), CSS(3), JavaScript, Android, XML and a few more
Object Oriented Programming, Functional Prorgamming, Procedural Programming, Project Management, Agile Development, Scrum Framework, Technical Documentation
Android Studio, XCode, Visual Studio, IntelliJ IDEA, WebStorm, Vim, Sublime Text, Pivotal Tracker, Process Dashboard, HipChat, JVisualVM, PMD, RSM and many more
Experience using version control such as Git and Mercurial, having used GitHub and Bitbucket including both the web interface and command line
Java program to read and parse one or more java .class files provided via command-line parameters and calculate serveral metrics based on the compiled code. The Metrics calculated are Lack of cohesion in methods 4 (LCOM4) and Coupling Between object classes (CBO). The program handles files provided with or without a path component and only parses Java .class files version 51.0 and higher corresponding to Java 7. It has been coded to handle all potential errors, giving the user appropriate error messages. The program produces both terminal and text file output. The terminal output displays a summary of each class's LCOM4 and the overall CBO, Class names fully translated i.e.: public, final, extends etc. , Method names fully translated i.e.: flags, return and parameter types, and Field names fully translated i.e flags, type and names. The text file is a Graphviz/Neato compatible file specifying the graphical representation of each class's LCOM4 diagram and the CBO diagram for all classes.
Stand-alone spell-checker program written in C89. The program deals with three input files: a text file ("user file") to check, a dictionary file containing the correct spellings and a settings file. The words in the user file will be spell-checked and any resulting corrections will be written back to that file. The user has the option to set the program to autocorrect or manually select the correction suggested for each misspelt word, along with setting the maximum difference between a misspelled word and any suggested correction.
Calculates the matrix multiplication sum using multiple processes or threads.This project involved creating multiple proccesses/threads, inter-process/thread communications, allocating shared memory and solving critical section problems. The program is written in C and uses the Producer-Consumer problem to achieve mutual exclusion.
Design and Implementation of a training system for company directors. The training system is intended to show people what would happen when they make certain buy/sell decisions. A company owns a set of property, each item of property is worth money, and so can be bought or sold. Over time, that property also generates an income for its owner (in some situations it could be negative hence cost to the company). A company director (in training) can propose a plan, consisting of several proposed decisions, each one occurring at a particular point in time (in the future), and involving either buying or selling property. The training system will simulate the consequences of a given plan over a number of years and let the director know the result of their plan.
Creating and Rendering a scene based on a scene from the movie Zootopia. This project involved designing, modeling and beautifying the scene, where the scene generated consisted of multiple objects of different shapes, different textures and surface finishes and multiple light sources. The scene was created with 630 objects, and was rendered at 120fps 1920x1080 16:9 AA 0.3, which consisted of 2,073,600 pixels.
RGB Color Game with three levels: Easy, Medium and Hard. The player has to guess the color specified in a RGB Color Decimal Code e.g. RGB(152, 53, 173).


Sevilla: The City of Passion
Visit Sevilla, the heart of Southern Spain, a region called Andalusia. This is the center of flamenco, tapas, and sevillanas.
- 16th century cathedral
- 13th century towers
- Archives of the Indies
- Beautiful gardens where Game of Thrones is filmed
For more information click on our link below or visit the official website of Sevilla. Note: This website is not very good; some of the images are not showing up and some of the text, which should be in English, are still in Spanish.


{% unless page.header.overlay_color or page.header.overlay_image %}
Teaching Assistant
{% endunless %}I am really interested in teaching, helping other students, and sharing my knowledge with them. Here is a list of my teaching experiences.
| Course Name | Instructor | Semester |
|---|---|---|
| Database Design | Dr. Hossein Rahmani | Spring 2023 |
| Computational Intelligence | Dr. Nasser Mozayani | Fall 2022 |
| Algorithm Design | Dr. Sauleh Eetemadi | Spring 2022 |
| Database Design | Dr. Hossein Rahmani | Spring 2022 |
| Theory of Languages and Machines | Dr. Reza Entezari-Maleki | Spring 2022 |
| Data Transmission | Dr. Ahmad Akbari Azirani | Spring 2022 |
| Data Structures | Dr. Sauleh Eetemadi | Fall 2021 |
| Advanced Programming | Dr. Sauleh Eetemadi | Spring 2021 |
| Fundamentals of Computer and Programming | Dr. Sauleh Eetemadi | Fall 2020 |


Development version
Compared to production, web analytics does not run, cache validity is down to 5 minutes and website issues are not reported to URIports.


Username:
Password:
Speaking language:
English
French
Gender:
Male
Female
Feedback:
Job Category:
Technology
Administration
Biology
Science


| geom_map {ggplot2} | R Documentation |
This is pure annotation, so does not affect position scales.
geom_map( mapping = NULL, data = NULL, stat = "identity", ..., map, na.rm = FALSE, show.legend = NA, inherit.aes = TRUE )
mapping |
Set of aesthetic mappings created by |
data |
The data to be displayed in this layer. There are three options: If A A |
stat |
The statistical transformation to use on the data for this layer, as a string. |
... |
Other arguments passed on to |
map |
Data frame that contains the map coordinates. This will
typically be created using |
na.rm |
If |
show.legend |
logical. Should this layer be included in the legends?
|
inherit.aes |
If |
geom_map()
understands the following aesthetics (required aesthetics are in bold):
map_id
alpha
colour
fill
group
linetype
size
subgroup
Learn more about setting these aesthetics in vignette("ggplot2-specs")
.
# When using geom_polygon, you will typically need two data frames: # one contains the coordinates of each polygon (positions), and the # other the values associated with each polygon (values). An id # variable links the two together ids <- factor(c("1.1", "2.1", "1.2", "2.2", "1.3", "2.3")) values <- data.frame( id = ids, value = c(3, 3.1, 3.1, 3.2, 3.15, 3.5) ) positions <- data.frame( id = rep(ids, each = 4), x = c(2, 1, 1.1, 2.2, 1, 0, 0.3, 1.1, 2.2, 1.1, 1.2, 2.5, 1.1, 0.3, 0.5, 1.2, 2.5, 1.2, 1.3, 2.7, 1.2, 0.5, 0.6, 1.3), y = c(-0.5, 0, 1, 0.5, 0, 0.5, 1.5, 1, 0.5, 1, 2.1, 1.7, 1, 1.5, 2.2, 2.1, 1.7, 2.1, 3.2, 2.8, 2.1, 2.2, 3.3, 3.2) ) ggplot(values) + geom_map(aes(map_id = id), map = positions) + expand_limits(positions) ggplot(values, aes(fill = value)) + geom_map(aes(map_id = id), map = positions) + expand_limits(positions) ggplot(values, aes(fill = value)) + geom_map(aes(map_id = id), map = positions) + expand_limits(positions) + ylim(0, 3) # Better example if (require(maps)) { crimes <- data.frame(state = tolower(rownames(USArrests)), USArrests) # Equivalent to crimes %>% tidyr::pivot_longer(Murder:Rape) vars <- lapply(names(crimes)[-1], function(j) { data.frame(state = crimes$state, variable = j, value = crimes[[j]]) }) crimes_long <- do.call("rbind", vars) states_map <- map_data("state") ggplot(crimes, aes(map_id = state)) + geom_map(aes(fill = Murder), map = states_map) + expand_limits(x = states_map$long, y = states_map$lat) last_plot() + coord_map() ggplot(crimes_long, aes(map_id = state)) + geom_map(aes(fill = value), map = states_map) + expand_limits(x = states_map$long, y = states_map$lat) + facet_wrap( ~ variable) }


Many Chess Tutorials with Triple S Games
It’s no secret that I LOVE chess variants. So I was pleasantly surprised to discover the Triple S Games YouTube channel where there are many succinct tutorials on exactly that. The channel is not exclusive to chess variants, but has many abstract tutorials as well. The videos are short and sweet and high quality. Here is a sample of some that caught my eye:
Puzzle Board Chess
Los Alamos Chess
Chess Unbound
Janus Chess
Diplomat Chess
Glinski’s Hexagonal Chess
Infinite Chess
In addition, Triple S Games also has many custom components on The Game Crafter. For those of you who don’t have the exotic board sizes or pieces needed to play some of these variants, check it out!


Before Change
tabular.record("Iteration", itr)
tabular.record("AverageDiscountedReturn", average_discounted_return)
tabular.record("AverageReturn", average_return)
tabular.record("Extras/EpisodeRewardMean",
np.mean(self._episode_reward_mean))
tabular.record("NumTrajs", len(paths))
tabular.record("StdReturn", np.std(undiscounted_returns))
After Change
total_length=self.max_path_length,
axis=0) for path in paths
])
actions = torch.stack([
loss_function_utils.pad_to_last(path["actions"],
total_length=self.max_path_length,
axis=0) for path in paths
])
rewards = torch.stack([
loss_function_utils.pad_to_last(path["rewards"],
total_length=self.max_path_length)


Preparation time
over 2 hours
Cooking time
no cooking required
Serves
Makes 10-12
Dietary
Serve these naughty Pimms lollies instead of dessert at a summer barbecue.
Equipment: for this recipe you will need wooden lolly sticks and lolly moulds.
Mix the Pimms and lemonade together in a large jug.
Place a couple of strawberry halves, a few mint leaves and a little orange zest into each lolly mould.
Pour the Pimm mixture into each ice lolly mould until three-quarters full. Insert the lolly stick and lid and freeze for 2-3 hours, or until frozen solid.
Alternatively, you can use large shot glasses as moulds: place the strawberry, mint and orange zest into the glass and fill with the Pimms mixture. Freeze for one hour, or until the lollies are partially frozen, then insert the lolly sticks and continue to freeze until completely frozen.
To remove the lollies, dip the moulds briefly in hot water and carefully remove the lollies.


Wag the Dog (1997)
Grade: 42
"Wag the Dog" is a biting satire of U.S. Presidential politics. It has been compared to "Dr. Strangelove", and indeed it is similar in feel: both films mine for humor by demonstrating how ludicrous seemingly ordinary events and conversations can become, when the participants have lost their perspective of what they are doing.
But "Wag the Dog" is no "Dr. Strangelove". It is too talky, too self-satisfied, too cynical, and often annoying in its excessive (and needless) use of obscenity. While there is a grain of truth in this tale of spin doctors replacing reality with phony and manipulating images, the notion is remarkably condescending that the media and the public would follow like sheep in whatever direction they are led.
The plot has the President getting into an unrecoverable scandal two weeks before re-election. He has had perhaps non-consensual sex with an underage girl, and this is the subject of many sly jokes (as if it could actually be funny). Robert De Niro plays a Presidential aide who wants the U.S. to start a war with Albania to take the focus from the President's shenanigans. He enlists Hollywood producer Dustin Hoffman, idea man Denis Leary, and songwriter Willie Nelson to fabricate this war and its images.
Sometimes the black comedy does find its target. Willie Nelson conducts a group of singers slogging their phony way through a manipulative song, and the satire catches it perfectly. Also effective are political ads with the lame slogan "Don't change horses in mid-stream" that appear endlessly on TV monitors. But while it is good to see the taboo against parodying U.S. patriotism broken, the joke of tossing old shoes in support of servicemen is a groaner.
On the whole, this film is a major disappointment. The depiction of a presidential administration that is essentially controlled by spin artists creating fantasy events for short term media payoffs, swallowed whole by the media and a public that completely ignores substance for spectacle, is smug and shallow and (worst of all) not often funny.
http://members.tripod.com/~Brian_Koller/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Species II (R) * (out of ****)
Despite its exceedingly well-done visual effects, 1995's original Species was one big hunk of sci-fi cheese, from the writing to the feeble performances. So, coming from such B-grade roots, its sequel's stunning ineptitude is not terribly surprising, yet at the same time it is. It would not have been difficult at all for the people behind Species II to top the hokey original, yet they have somehow managed to fabricate something just as bad, if not even worse.
Something is clearly amiss when the back door left open for a sequel in Species--a sewer rat becomes not quite of this Earth after eating a body part from the exploded alien/human hybrid Sil--is never entered into (perhaps that was left for Species III--though I'm not giving away anything when I say that this installment has an open back door of its own). The alien fun and games begin this time when a three-person astronaut crew returning from Mars inadvertently carries within their soil samples deadly alien DNA that eventually infects the mission captain, Patrick Ross (Justin Lazard, late of CBS's short-lived soap of a few years back, Central Park West/CPW).  Meanwhile, scientist Dr. Laura Baker (the returning Marg Helgenberger) has created a clone of Sil named Eve (Natasha Henstridge again) for research purposes. It doesn't take long for Eve to sense another alien presence, which send her libido into hyperdrive. It's up to Laura and her former partner, bounty hunter Press Lennox (Michael Madsen, another returnee); and Patrick's uninfected shipmate Dennis Gamble (Mykelti Williamson) to find Patrick before the in-heat Eve does.
"This isn't The X-Files, goddammit!" exclaims one character in the early going. In terms of quality, he's absolutely right, but he's also wrong. The new alien first appears as an otherworldly oozing sludge that causes Patrick's pupils to dilate once he's infected. Looks and sounds an awful lot like The X-Files's "black cancer" to me. But that's not the only source director Peter Medak and writer Chris Brancato steal from. Species was already a ripoff of Alien, but Medak makes the cribbing much more blatant than the original's director, Roger Donaldson, did. Human Patrick is given a tongue that also has a tongue within itself, and his alien form more closely resembles the Alien than Eve's alien body (which ironically was designed by Alien designer H.R. Giger). A large alien hive that our heros douse with a substance fired from large guns? Aliens sans flamethrowers.
The visual effects were by far the best thing about Species, and the sequel's effects crew at Steve Johnson's XFX Inc. keeps that high-quality tradition alive; no cheap-looking Lost in Space CGI here. After the effects, the original's best asset was the fresh presence of Henstridge. However, Medak and Brancato have no idea what exactly to do with her for this installment. At one point she's called on to play alien "empath" à la Forest Whitaker in the original, but for most of the duration she's holed up in a glass cell. By the time the big breakout so prominently featured in the trailer actually takes place, the film is well into its home stretch.
So the rest of the time we are treated to Patrick, played with little zest by Lazard. One problem with the first film was that the deadly, horny, but innocent-at-heart Sil was too sympathetic; no such problem with Patrick, who comes off as a cocky pretty boy before the alien takes control. The rest of the cast also fails to add much, but the writing can be faulted for that. Helgenberger and Madsen go through the motions, but they are already hampered by the clichéd development that somewhere between the two films, the once-linked Laura and Press stopped getting along. Williamson suffers the worst indignity. He tries his best to enliven the token African-American role, but how can anyone recite insulting, derivative lines such as "I'm gonna get African on someone's ass" and not appear ridiculous?
 At least the original featured plenty to laugh at--unaccountably awful performances by the otherwise fine actors Ben Kingsley and Whitaker, and the sight of Helgenberger's character performing fellatio on Madsen's, for a start. But the filmmakers do not display any discernable effort at all, let alone the misguided effort that is required for something to reach the camp level. For all the blood and gore, nudity, and sex thrown in, Species II is, quite simply, a vapid bore.
Michael Dequina Chat Forum Host, The Official Michael Jordan Web Site http://jordan.sportsline.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>|<EMAIL_ADDRESS>>My personal WWW sites< Mr. Brown's Movie Site: http://welcome.to/mrbrown Michael Jordan Beyond the Court: http://fly.to/michaeljordan A Michael Jordan Fan's Heartbreak: http://fly.to/mj23 Personal Page: http://welcome.to/w3md >Other WWW sites I work on< CompuServe Hollywood Hotline: http://www.HollywoodHotline.com Albany Online: http://www.AlbanyOnline.com Eyepiece Network: http://www.eyepiece.com
"I didn't know what to expect. It's like something you chase for so long, but then you don't know how to react when you get it. I still don't know how to react." --Michael Jordan, on winning his first NBA championship in 1991 ...or, my thoughts after meeting him on November 21, 1997
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


MOD Images Gallery
The following are examples of images we will offer for sharing via social media. Since these are thumbnails, the underlying image may have different dimensions.
Please use the filter options above. If you are unable to select an item, it means no images ascribed to that category have been uploaded.


404
I'm not sure where you were looking for, but I'm pretty sure you're lost. Don't despair, have a kitten.
If you're really sure this is the domain you wanted, here's a list of all the stuff you might possibly be interested in. There's really not much to see here, but don't take my word for it.
This site and its files hosted on shoddy personal hardware, cute cats included. DNS is proudly resolved through Free DNS


--- title: "LED Spotlights, LED Spot Lighting, 12 Volt LED Spotlights, LED Lamps For Home, LED Light Bulb, LED Reading Lamp, LED Commercial Exterior Lighting, LED Commercial Lighting Manufacturer & Supplier" description: "LED Spotlights, LED Spot Lighting, 12 Volt LED Spotlights, LED Lamps For Home, LED Light Bulb, LED Reading Lamp, LED Commercial Exterior Lighting, LED Commercial Lighting Manufacturer & Supplier" keywords: - LED Spotlights - LED Spot Lighting - 12 Volt LED Spotlights - LED Lamps For Home - LED Light Bulb - LED Reading Lamp - LED Commercial Exterior Lighting - "LED Commercial Lighting Manufacturer & Supplier" ---
|
LED LAMP—SPOTLIGHT SERIES1 |
||||


Success is the result of perfection, hard work, learning from failure, loyalty, and persistence.
"Colin Powell"
This potfolio shows the projects that I did to learn web development
This is a web game in which you kill the invaders to save the planet, use the number keys to move your vehicule and space to shoot.


Registration is now open. Only 50 seats are avaible, don't wait before booking your own! We remind you that a financial participation of 50€ is asked to cover food and drinks for the whole weekend.
Tempus cubilia ultrices tempor sagittis. Nisl fermentum consequat integer interdum.
{% for p in site.data.projects %}


--- layout: default title: bedford lab / projects categories: - projects --- {% for project in site.data.projects %} {% cycle 'add rows': '


Home Products
WOMEN
This is where high-fashioned clothing is designed from the heart by an amaizing team of craftsamen and designer who understand what fashion is.


Software creation is a pretty big deal! A repository's initial commit date can be thought of as its birthday. Next time, drop in and wish a developer (any Github username) a happy birthday of their repo(s). Or maybe just toast to the upcoming anniversary of your own software! The software life cycle is too short not to celebrate!
| Version: | 0.0.1 |
| Depends: | R (≥ 3.3.3) |
| Imports: | data.table, dplyr, gh, lubridate, tidyr |
| Suggests: | knitr |
| Published: | 2017-08-20 |
| Author: | Bohdan Khomtchouk [aut, cre] |
| Maintainer: | Bohdan Khomtchouk <bohdan at stanford.edu> |
| BugReports: | https://github.com/Bohdan-Khomtchouk/happybirthday/issues |
| License: | MIT + file LICENSE |
| URL: | https://github.com/Bohdan-Khomtchouk/happybirthday |
| NeedsCompilation: | no |
| Materials: | README |
| CRAN checks: | happybiRthday results |
| Reference manual: | happybiRthday.pdf |
| Vignettes: |
happybiRthday |
| Package source: | happybiRthday_0.0.1.tar.gz |
| Windows binaries: | r-devel: happybiRthday_0.0.1.zip, r-release: happybiRthday_0.0.1.zip, r-oldrel: happybiRthday_0.0.1.zip |
| OS X binaries: | r-release: happybiRthday_0.0.1.tgz, r-oldrel: happybiRthday_0.0.1.tgz |
Please use the canonical form https://CRAN.R-project.org/package=happybiRthday to link to this page.


Crab people are not around today..
Maybe come back again tomorrow and you will have better luck.
--- title: Home description: image: layout: photo-gallery permalink: / show_update: true hero_image_path: /images/image3.jpeg hero_image_alt_text: Wooooowwww ---
This is where we go to do all the things.
Crab people are not around today..
Maybe come back again tomorrow and you will have better luck.


Beginnings The history of computing began with an analog machine. In 1623 German scientist Wilhelm Schikard invented a machine that used 11 complete and 6 incomplete sprocketed wheels that could add, and with the aid of logarithm tables, multiply and divide. French philosopher, mathematician, and
physicist Blaise Pascal invented a machine in 1642 that added and subtracted,
automatically carrying and borrowing digits from column to column. Pascal
built 50 copies of his machine, but most served as curiosities in parlors
of the wealthy. Seventeenth-century German mathematician Gottfried Leibniz
designed a special gearing system to enable multiplication on Pascalí»s
machine. |


ExtractRegularExpression()
Syntax
Result = ExtractRegularExpression(#RegularExpression, String$, Array$())Description
Extracts strings according to the #RegularExpression into an array.
Parameters
#RegularExpression The regular expression to use. String$ The string to apply the regular expression on. Array$() The extracted strings will be stored in this array. The array is automatically resized to the number of element matching the expression found in the specified string.
Return value
Returns the number of elements matching the regular expression in the string.
Example
; This expression will match every word of 3 letter which begin by a lower case letter, ; followed with the character 'b' and which ends with an uppercase letter. ex: abC ; If CreateRegularExpression(0, "[a-z]b[A-Z]") Dim Result$(0) NbFound = ExtractRegularExpression(0, "abC ABc zbA abc", Result$()) For k = 0 To NbFound-1 Debug Result$(k) Next Else Debug RegularExpressionError() EndIf
See Also
CreateRegularExpression()
Supported OS
All


Your browser does not support the features we need.
Try using the most recent version of Chrome, Firefox, Safari or Edge.
Feedback | GitHub


| Class | Description |
|---|---|
| AbstractAntJavaBasedPlayMojo |
Base class for Ant Java task using mojos.
|
| AbstractAntJavaBasedPlayMojo.JavaRunnable |
Internal runnable wrapper for Ant Java task.
|
| AbstractArchivingMojo |
Base class for Play! packaging mojos.
|
| AbstractDependencyProcessingPlayMojo |
Base class for Play! dependency processing mojos.
|
| AbstractPlayDistMojo |
Base class for Play! distribution packaging mojos.
|
| AbstractPlayMojo |
Base class for all Play! mojos.
|
| AbstractPlayRunMojo |
Base class for Play! server synchronously starting ("run" and "test") mojos.
|
| AbstractPlayServerMojo |
Base class for Play! server mojos.
|
| AbstractPlayStartServerMojo |
Base class for Play! server asynchronously starting ("start" and "start-server") mojos.
|
| AbstractPlayStopServerMojo |
Base class for Play! server stopping ("stop" and "stop-server") mojos.
|
| AbstractPlayWarMojo |
Base class for Play! war packaging mojos.
|
| ConfigurationParser |
Play! configuration file ("conf/application.conf") reader.
|
| HelpMojo |
Display help information on play-maven-plugin.
|
| OrderSafeProperties |
Custom implementation of java.util.Properties that preserves the key-order from the file
and that reads the properties-file in UTF-8.
|
| PidFileDeleter |
Shutdown hook responsible for deleting "server.pid" file.
|
| PlayCleanMojo |
Clean Play! temporary directories.
|
| PlayDependenciesMojo |
Extract project dependencies to "lib" and "modules" directories.
|
| PlayDistExplodedMojo |
Create exploded Play! framework and Play! application (standalone distribution).
|
| PlayDistMojo |
Package Play! framework and Play! application as one zip achive (standalone distribution).
|
| PlayGenerateSeleniumJunit4SourcesMojo |
Generate JUnit test wrapper source files for Selenium tests.
|
| PlayInitializeMojo |
Initialize Play! Maven project
|
| PlayPrecompileMojo |
Invoke Play! precompilation.
|
| PlayRunMojo |
Run Play! server ("play run" equivalent).
|
| PlayStartMojo |
Start Play! server ("play start" equivalent).
|
| PlayStartServerMojo |
Start Play! server before integration testing.
|
| PlayStopMojo |
Stop Play! server ("play stop" equivalent).
|
| PlayStopServerMojo |
Stop Play! server after integration testing.
|
| PlayTestRunMojo |
Run Play! server in test mode ("play test" equivalent).
|
| PlayWarExplodedMojo |
Create an exploded Play! application webapp in specified directory.
|
| PlayWarInplaceMojo |
Create an exploded Play! application webapp in war source directory.
|
| PlayWarMojo |
Package Play! application as a war achive.
|
| PlayWarSupportMojo |
Prepare project for war packaging.
|
| PlayZipMojo |
Package Play! application as a zip achive.
|
Copyright © 2010–2016. All rights reserved.


[gecode-users] Heap memory exhausted when copying a model
Guido Tack
tack at gecode.org
Sun Sep 29 19:01:18 CEST 2013
Hi,
you cannot call the copy constructor directly. Just change the line where you're trying to make the copy into
SendMoreMoney* m2 = static_cast<SendMoreMoney*>(m->clone(true));
and it will work. (It's a little unfortunate that there is no better error message, but if you call "internal" functionality in Gecode things like this can happen.)
Cheers,
Guido
--
Guido Tack
http://www.csse.monash.edu/~guidot/
On 29/09/2013, at 5:37 PM, kTorpi <ktorpi at gmail.com> wrote:
> Hello,
>
> In my application i'm building a model through a long process, and in the middle of the process I'd like to make a copy of the actual model, post some constraints to the copied and get the solution.
> But when I make a copy of the model with is copy constructor and than I create the DFS object I get a Gecode::MemoryExhausted exception.
> Please, help me. I attached a small example that reproduces the error.
>
> Thanks you,
> Steve
> <send-more-money-de-mystified.cpp>_______________________________________________
> Gecode users mailing list
> users at gecode.org
> https://www.gecode.org/mailman/listinfo/gecode-users
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Problem 1. English digit
Write a function that returns the last digit of given integer as an English word.
You could use Chrome console (F12) or Firebug to see the results.


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XCDYouTubeVideoOperation
Objective-C
@interface XCDYouTubeVideoOperation : NSOperation <XCDYouTubeOperation>
Swift
class XCDYouTubeVideoOperation : Operation, XCDYouTubeOperation
XCDYouTubeVideoOperation is a subclass of NSOperation
that connects to the YouTube API and parse the response.
You should probably use the higher level class <XCDYouTubeClient>
. Use this class only if you are very familiar with NSOperation
and need to manage dependencies between operations.
-
Initializes a video operation with the specified video identifier and language identifier.
Declaration
Objective-C
- (nonnull instancetype) initWithVideoIdentifier:(nonnull NSString *)videoIdentifier languageIdentifier:(nullable NSString *)languageIdentifier;
Swift
convenience init(videoIdentifier: String, languageIdentifier: String?)
Parameters
videoIdentifier
A 11 characters YouTube video identifier.
languageIdentifier
An ISO 639-1 two-letter language code used for error localization. If you pass a nil language identifier then English (
en
) is used.Return Value
An initialized
XCDYouTubeVideoOperation
object. -
Initializes a video operation with the specified video identifier and language identifier and cookies.
Declaration
Objective-C
- (nonnull instancetype) initWithVideoIdentifier:(nonnull NSString *)videoIdentifier languageIdentifier:(nullable NSString *)languageIdentifier cookies:(nullable NSArray<NSHTTPCookie *> *)cookies;
Swift
convenience init(videoIdentifier: String, languageIdentifier: String?, cookies: [HTTPCookie]?)
Parameters
videoIdentifier
A 11 characters YouTube video identifier.
languageIdentifier
An ISO 639-1 two-letter language code used for error localization. If you pass a nil language identifier then English (
en
) is used.cookies
An array of
NSHTTPCookie
objects, can be nil. These cookies can be used for certain videos that require a login.Return Value
An initialized
XCDYouTubeVideoOperation
object. -
Initializes a video operation with the specified video identifier and language identifier and cookies and additional patterns.
Declaration
Objective-C
- (nonnull instancetype) initWithVideoIdentifier:(nonnull NSString *)videoIdentifier languageIdentifier:(nullable NSString *)languageIdentifier cookies:(nullable NSArray<NSHTTPCookie *> *)cookies customPatterns:(nullable NSArray<NSString *> *)customPatterns;
Swift
init(videoIdentifier: String, languageIdentifier: String?, cookies: [HTTPCookie]?, customPatterns: [String]?)
Parameters
videoIdentifier
A 11 characters YouTube video identifier.
languageIdentifier
An ISO 639-1 two-letter language code used for error localization. If you pass a nil language identifier then English (
en
) is used.cookies
An array of
NSHTTPCookie
objects, can be nil. These cookies can be used for certain videos that require a login.customPatterns
An array of
NSString
objects, can be nil. These patterns can be used to create custom regular expression objects in favor of the internal hard-coded patterns for video parsing. If none of these patterns produces a validNSRegularExpression
object then the internal hard-coded regular expression objects are used. Typically, you do not need to use this parameter, however, it can be used a way to use update patterns when needed (i.e to adapt to YouTube API changes). See https://github.com/0xced/XCDYouTubeKit/blob/master/REGULAR_EXPRESSION.md for more info.Return Value
An initialized
XCDYouTubeVideoOperation
object.
-
Returns an error of the
XCDYouTubeVideoErrorDomain
domain if the operation failed or nil if it succeeded.Returns nil if the operation is not yet finished or if it was canceled.
Declaration
Objective-C
@property (readonly, nullable) NSError *error;
Swift
var error: Error? { get }
-
Returns a video object if the operation succeeded or nil if it failed.
Returns nil if the operation is not yet finished or if it was canceled.
Declaration
Objective-C
@property (readonly, nullable) XCDYouTubeVideo *video;
Swift
var video: XCDYouTubeVideo? { get }


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--- title: Bayesian Linear Regression - Part 2 author: '' date: '2018-05-12' slug: bayesian-linear-regression-part-2 categories: - Bayesian Statistics - Linear Regression - Gibbs Sampler - MCMC tags: [] draft: true ---
It turns out that with this prior, we can’t obtain the posterior analytically. So we can’t actually sample from the true posterior. We can however, figure out what the conditional posteriors are. That is, the distributions of \(\tau|\beta,Y\) and \(\beta|\tau,Y\):
\[ \tau|\beta,Y \sim \text{Gamma}\left(a + \frac{n}{2}, \hspace{5pt}b + \frac{SSE + (\beta - \hat{\beta})' X'X (\beta - \hat{\beta})}{2}\right) \]
\[ \beta|\tau,Y \sim N_r(\mu, V) \] where \[ \mu = V\left(\tau X'Y + C^{-1} \beta_0\right), \hspace{10pt} V = \left(\tau X'X + C^{-1}\right)^{-1}.\]
\(SSE\) and \(\hat{\beta}\) are the same as in frequentist regression.
This looks a bit complicated! But realistically, it doesn’t matter. The point is that we can find the posterior conditionals. This lets us define what is called a Gibbs sampler which in turn lets us simulate (approximately) from the posterior. Given starting values \(\beta^{(0)}\) and \(\tau^{(0)}\), we draw \(\tau^{(1)}\) conditional on \(\beta^{(0)}\) and \(Y\), then draw \(\beta^{(1)}\) conditional on \(\tau^{(1)}\) and \(Y\) using the distributions above. We then repeat this process as many times as we like and treat this as a sample from the posterior.


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Ext.Direct RPCs - Tavendo WebMQ (via WebSocket/WAMP)
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Concurrency:
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JavaScript provides several built-in datatypes. In addition to those, this page documents virtual types like Selectors, enhanced pseudo-types like Events and all and everything you wanted to know about Functions.
You should be able to try out most of the examples below by just copying them to the Firebug console (note: Firebug requires Firefox).
Whenever an example mentions that a type defaults to a boolean value, the result is good to know when using that type in a boolean context:
var x = "";
if ( x ) {
console.log( "x defaulted to true" );
} else {
console.log( "x defaulted to false" );
}
In this case, "x defaulted to false"
is printed.
To keep the examples short, the invert-operator is used to show a boolean context:
!x // true
On to the actual types.
Contents |
"I'm a String in JavaScript!"
'So am I!'
A string in JavaScript is an immutable object that contains none, one or many characters.
The type of a string is "string".
typeof "some string"; // "string"
A string can be defined using single or double quotes. You can nest single quotes inside of double quotes, and the other way round. To mix double quotes with double quotes, the nested ones have to be escaped with a backslash.
"You make 'me' sad."
'Holy "cranking" moses!'
"Home"
A string in JavaScript has some built-in methods to manipulate the string, though the result is always a new string - or something else, eg. split returns an array.
"hello".charAt( 0 ) // "h"
"hello".toUpperCase() // "HELLO"
"Hello".toLowerCase() // "hello"
"hello".replace( /e|o/g, "x" ) // "hxllx"
"1,2,3".split( "," ) // [ "1", "2", "3" ]
All strings have a length property.
"Hello".length // 5
"".length // 0
An empty string defaults to false:
!"" // true
!"hello" // false
!"true" // false
!new Boolean( false ) // false
12
3.543
Numbers in JavaScript are double-precision 64-bit format IEEE 754 values. They are immutable, just as strings. All operators common in c-based languages are available to work with numbers (+, -, *, /, %, =, +=, -=, *=, /=, ++, --).
The type of a number is "number".
typeof 12 // "number"
typeof 3.543 // "number"
If a number is zero, it defaults to false:
!0 // true
!1 // false
!-1 // false
Due to the implementation of numbers as double-precision values, the following result is not an error:
0.1 + 0.2 // 0.30000000000000004
JavaScript provides utilities to work with numbers in the Math object:
Math.PI // 3.141592653589793
Math.cos( Math.PI ) // -1
parseInt and parseFloat help parsing strings into numbers. Both do some implicit conversion if the base isn't specified:
parseInt( "123" ) = 123 // (implicit decimal)
parseInt( "010" ) = 8 // (implicit octal)
parseInt( "0xCAFE" ) = 51966 // (implicit hexadecimal)
parseInt( "010", 10 ) = 10 // (explicit decimal)
parseInt( "11", 2 ) = 3 // (explicit binary)
parseFloat( "10.10" ) = 10.1
When appending numbers to string, the result is always a string. The operator is the same, so be careful: If you want to add numbers and then append them to a string, put parentheses around them:
"" + 1 + 2; // "12"
"" + ( 1 + 2 ); // "3"
"" + 0.0000001; // "1e-7"
parseInt( 0.0000001 ); // 1 (!)
Or you use the String class provided by javascript, which try to parse a value as string:
String( 1 ) + String( 2 ); // "12"
String( 1 + 2 ); // "3"
Parsing something that isn't a number results in NaN. isNaN helps to detect those cases:
parseInt( "hello", 10 ) // NaN
isNaN( parseInt("hello", 10) ) // true
Division by zero results in Infinity:
1 / 0 // Infinity
Both NaN and Infinity are of type "number":
typeof NaN // "number"
typeof Infinity // "number"
Note that NaN compares in a strange way:
NaN == NaN // false (!)
But:
Infinity == Infinity // true
An integer is a plain Number type, but whenever explicitly mentioned, indicates that a non-floating-point number is expected.
A float is a plain Number type, just as Integer, but whenever explicitly mentioned, indicates that a floating-point number is expected.
A boolean in JavaScript can be either true or false:
if ( true ) console.log( "always!" )
if ( false ) console.log( "never!" )
When an option is specified as a boolean, it often looks like this:
$( "..." ).somePlugin({
hideOnStartup: true,
onlyOnce: false
});
Everything in JavaScript is an object, though some are more objective (haha). The easiest way to create an object is the object literal:
var x = {};
var y = {
name: "Pete",
age: 15
};
The type of an object is "object":
typeof {} // "object"
You can write and read properties of an object using the dot notation:
y.name // "Pete"
y.age // 15
x.name = y.name + " Pan" // "Pete Pan"
x.age = y.age + 1 // 16
Or you write and read properties using the array notation, which allows you to dynamically choose the property:
var operations = {
increase: "++",
decrease: "--"
};
var operation = "increase";
operations[ operation ] // "++"
operations[ "multiply" ] = "*"; // "*"
Iterating over objects is easy with the for-in-loop:
var obj = {
name: "Pete",
age: 15
};
for( key in obj ) {
alert( "key is " + [ key ] + ", value is " + obj[ key ] );
}
Note that for-in-loop can be spoiled by extending Object.prototype (see Object.prototype is verboten) so take care when using other libraries.
jQuery provides a generic each-function to iterate over properties of objects, as well as elements of arrays:
jQuery.each( obj, function( key, value ) {
console.log( "key", key, "value", value );
});
The drawback is that the callback is called in the context of each value, therefore you lose the context of your own object if applicable. More on this below at Functions.
An object, no matter if it has properties or not, never defaults to false:
!{} // false
All objects have a prototype property. Whenever the interpreter looks for a property, it also checks the prototype. jQuery uses that extensively to add methods to jQuery instances.
var form = $("#myform");
form.clearForm; // undefined
form.fn.clearForm = function() {
return this.find( ":input" ).each(function() {
this.value = "";
}).end();
};
form.clearForm() // works for all instances of jQuery objects, because the new method was added to the prototype
(This example needs clarification: how does it modify the prototype when the word "prototype" doesn't appear anywhere? The implication is that form.fn is simply an alias for form.prototype, but if that's the case then it should be explained. :-?)
In javascript:the definitive guide 5 edition,dont add attibute to Object.prototype
Options in jQuery are plain JavaScript objects. Whenever Options is mentioned as a type, that object and also all of its properties should be optional. There are exceptions where at least one option is required. jQuery's most prominent use of Options is its AJAX-method. Nearly all jQuery plugins provide an Options-based API: They work without any configuration, but allow users to specify whatever customization they need.
Let's look at an example from the form plugin. It allows you to submit a form via AJAX with this simple line of code:
$( "#myform" ).ajaxForm();
In that mode, it uses the form's action-attribute as the AJAX-URL and the form's method-attribute to determine whether to GET or POST the form. You can override both defaults by specifying them as options:
$( "#myform" ).ajaxForm({
url: "mypage.php",
type: "POST"
});
Arrays in JavaScript are mutable lists with a few built-in methods. You can define arrays using the array literal:
var x = [];
var y = [ 1, 2, 3 ];
The type of an array is "object":
typeof []; // "object"
typeof [ 1, 2, 3 ]; // "object"
Reading and writing elements to an array uses the array-notation:
x[ 0 ] = 1;
y[ 2 ] // 3
An array has a length property that is useful for iteration:
for ( var i = 0; i < a.length; i++ ) {
// Do something with a[i]
}
When performance is critical, reading the length property only once can help to speed things up. This should be used only when a performance bottleneck was discovered:
for ( var i = 0, j = a.length; i < j; i++ ) {
// Do something with a[i]
}
Another variation defines a variable that is filled for each iteration, removing the array-notation from the loop-body. It does not work when the array contains 0 or empty strings!
for ( var i = 0, item; item = a[i]; i++ ) {
// Do something with item
}
jQuery provides a generic each-function to iterate over element of arrays, as well as properties of objects:
var x = [ 1, 2, 3 ];
jQuery.each( x, function( index, value ) {
console.log( "index", index, "value", value );
});
The drawback is that the callback is called in the context of each value, therefore you lose the context of your own object if applicable. More on this below at Functions.
The length property can also be used to add elements to the end of an array. That is equivalent to using the push-method:
var x = [];
x.push( 1 );
x[ x.length ] = 2;
x // [ 1, 2 ]
You'll see both variations a lot when looking through JavaScript library code.
Other built-in methods are reverse, join, shift, unshift, pop, slice, splice and sort:
var x = [ 0, 3, 1, 2 ];
x.reverse() // [ 2, 1, 3, 0 ]
x.join(" – ") // "2 - 1 - 3 - 0"
x.pop() // [ 2, 1, 3 ]
x.unshift( -1 ) // [ -1, 2, 1, 3 ]
x.shift() // [ 2, 1, 3 ]
x.sort() // [ 1, 2, 3 ]
x.splice( 1, 2 ) // [ 2, 3 ]
Note: .unshift() method does not return a length property in Internet Explorer.
An array, no matter if it has elements or not, never defaults to false:
![] // false
In the jQuery API you'll often find the notation of Array<Type>:
dragPrevention Array<String>
This indicates that the method doesn't only expect an array as the argument, but also specifies the expected type. The notation is borrowed from Java 5's generics notation (or C++ templates).
The PlainObject type is used by the AJAX function to hold the data of a request. This type could be a string, an array<form elements>, a jQuery object with form elements or an object with key/value pairs. In the last case, it is possible to assign multiple values to one key by assigning an array.
{ 'key[]': [ 'valuea', 'valueb' ] }
becomes on the server-side (in PHP):
<?php
$_REQUEST['key'][0]="valuea";
$_REQUEST['key'][1]="valueb";
in Rails or Merb:
params[:key] = ["valuea", "valueb"]
A function in JavaScript can be either named or anonymous. Any function can be assigned to a variable or passed to a method, but passing member functions this way can cause them to be called in the context of another object (i.e. with a different "this" object).
function named() {}
var handler = function() {}
You see a lot of anonymous functions in jQuery code:
$( document ).ready(function() {});
$( "a" ).click(function() {});
$.ajax({
url: "someurl.php",
success: function() {}
});
The type of a function is "function".
Inside a function a special variable "arguments" is always available. It's similar to an array in that it has a length property, but it lacks the built-in methods of an array. The elements of the pseudo-array are the argument of the function call.
function log( x ) {
console.log( typeof x, arguments.length );
}
log(); // "undefined", 0
log( 1 ); // "number", 1
log( "1", "2", "3" ); // "string", 3
The arguments object also has a callee property, which refers to the function you're inside of. For instance:
var awesome = function() { return arguments.callee; }
awesome() == awesome // true
In JavaScript, the variable "this" always refers to the current context. By default, "this" refers to the window object. Within a function this context can change, depending on how the function is called.
All event handlers in jQuery are called with the handling element as the context.
$( document ).ready(function() {
// this refers to window.document
});
$( "a" ).click(function() {
// this refers to an anchor DOM element
});
You can specify the context for a function call using the function-built-in methods call and apply. The difference between them is how they pass arguments. Call passes all arguments through as arguments to the function, while apply accepts an array as the arguments.
function scope() {
console.log( this, arguments.length );
}
scope() // window, 0
scope.call( "foobar", [ 1, 2 ] ); // "foobar", 1
scope.apply( "foobar", [ 1, 2 ] ); // "foobar", 2
In JavaScript, all variables defined inside a function are only visible inside that function scope. Consider the following example:
// global
var x = 0;
(function() {
// private
var x = 1;
console.log( x ); // 1
})();
console.log( x ); // 0
It defines a variable x in the global scope, then defines an anonymous function and executes it immediately (the additional parentheses are required for immediate execution). Inside the function another variable x is defined with a different value. It is only visible within that function and doesn't overwrite the global variable.
Closures are created whenever a variable that is defined outside the current scope is accessed from within some inner scope. In the following example, the variable counter is visible within the create, increment, and print functions, but not outside of them.
function create() {
var counter = 0;
return {
increment: function() {
counter++;
},
print: function() {
console.log( counter );
}
}
}
var c = create();
c.increment();
c.print(); // 1
The pattern allows you to create objects with methods that operate on data that isn't visible to the outside—the very basis of object-oriented programming.
Combining the above knowledge gives you as a JavaScript developer quite a lot of power. One way to combine that is to implement a proxy pattern in JavaScript, enabling the basics of aspect-oriented programming (AOP):
(function() {
// log all calls to setArray
var proxied = jQuery.fn.setArray;
jQuery.fn.setArray = function() {
console.log( this, arguments );
return proxied.apply( this, arguments );
};
})();
The above wraps its code in a function to hide the "proxied"-variable. It saves jQuery's setArray-method in a closure and overwrites it. The proxy then logs all calls to the method and delegates the call to the original. Using apply(this, arguments) guarantees that the caller won't be able to notice the difference between the original and the proxied method.
A callback is a plain JavaScript function passed to some method as an argument or option. Some callbacks are just events, called to give the user a chance to react when a certain state is triggered. jQuery's event system uses such callbacks everywhere:
$( "body" ).click(function( event ) {
console.log( "clicked: " + event.target );
});
Most callbacks provide arguments and a context. In the event-handler example, the callback is called with one argument, an Event. The context is set to the handling element, in the above example, document.body.
Some callbacks are required to return something, others make that return value optional. To prevent a form submission, a submit event handler can return false:
$( "#myform" ).submit(function() {
return false;
});
Instead of always returning false, the callback could check fields of the form for validity, and return false only when the form is invalid.
A selector is used in jQuery to select DOM elements from a DOM document. That document is, in most cases, the DOM document present in all browsers, but can also be a XML document received via AJAX.
The selectors are a composition of CSS and custom additions. XPath selectors are available as a plugin.
All selectors available in jQuery are documented on the Selectors API page.
There are lot of plugins that leverage jQuery's selectors in other ways. The validation plugin accepts a selector to specify a dependency, whether an input is required or not:
emailrules: {
required: "#email:filled"
}
This would make a checkbox with name "emailrules" required only if the user entered an email address in the email field, selected via its id, filtered via a custom selector ":filled" that the validation plugin provides.
If Selector is specified as the type of an argument, it accepts everything that the jQuery constructor accepts, eg. Strings, Elements, Lists of Elements.
EventjQuery's event system normalizes the event object according to W3C standards. The event object is guaranteed to be passed to the event handler (no checks for window.event required). It normalizes the target, relatedTarget, which, metaKey and pageX/Y properties and provides both stopPropagation() and preventDefault() methods.
Those properties are all documented, and accompanied by examples, on the Event page.
The standard events in the Document Object Model are: blur, focus, load, resize, scroll, unload, beforeunload, click, dblclick, mousedown, mouseup, mousemove, mouseover, mouseout, mouseenter, mouseleave, change, select, submit, keydown, keypress,
and keyup
. Since the DOM event names have predefined meanings for some elements, using them for other purposes is not recommended. jQuery's event model can trigger an event by any name on an element, and it is propagated up the DOM tree to which that element belongs, if any.
An element in the Document Object Model (DOM) has attributes, text and children. It provides methods to traverse the parent and children and to get access to its attributes. Due to a lot of flaws in DOM API specifications and implementations, those methods are no fun to use. jQuery provides a wrapper around those elements to help interacting with the DOM. But often enough you will be working directly with DOM elements, or see methods that (also) accept DOM elements as arguments.
Whenever you use jQuery's each-method, the context of your callback is set to a DOM element. That is also the case for event handlers.
Some properties of DOM elements are quite consistent among browsers. Consider this example of a simple on-blur-validation:
$( ":text" ).blur(function() {
if( !this.value ) {
alert( "Please enter some text!" );
}
});
You could replace this.value with $(this).val() to access the value of the text input via jQuery, but in that case you don't gain anything.
A jQuery object contains a collection of Document Object Model (DOM) elements that have been created from an HTML string or selected from a document. Since jQuery methods often use CSS selectors to match elements from a document, the set of elements in a jQuery object is often called a set of "matched elements" or "selected elements".
The jQuery object itself behaves much like an array; it has a length
property and the elements in the object can be accessed by their numeric indices [0]
to [length-1]
. Note that a jQuery object is not actually a Javascript Array object, so it does not have all the methods of a true Array object such as join()
.
Most frequently, you will use the jQuery() function to create a jQuery object. jQuery()
can also be accessed by its familiar single-character alias of $()
, unless you have called jQuery.noConflict()
to disable this option. Many jQuery methods return the jQuery object itself, so that method calls can be chained:
$( "p" ).css( "color", "red" ).find( ".special" ).css( "color", "green" );
Whenever you use a "destructive" jQuery method that potentially changes the set of elements in the jQuery object, such as .filter()
or .find()
, that method actually returns a new jQuery object with the resulting elements. To return to the previous jQuery object, you use the .end()
method.
A jQuery object may be empty, containing no DOM elements. You can create an empty jQuery object with $()
(that is, passing no arguments at all). A jQuery object may also be empty if a selector doesn't select any elements, or if a chained method filters out all the elements. It is not an error; any further methods called on that jQuery object simply have no effect since they have no elements to act upon. So, in this example if there are no bad entries on the page then no elements will be colored red:
$( ".badEntry" ).css({ color: "red" });
Some of jQuery's AJAX functions return the native XMLHttpRequest (XHR) object, or pass it as an argument to success/error/complete handlers, so that you can do additional processing or monitoring on the request. Note that AJAX functions only return or pass an XHR object when an XHR object is actually used in the request. For example, JSONP requests and cross-domain GET requests use a script element rather than an XHR object.
Although the XHR object is a standard, there are variations in its behavior on different browsers. Refer to the W3C site and browsers' documentation for more information:
Google does not appear to have an official page for their XHR documentation for Chrome. As of version 5, Chrome does not support the use of the file protocol for XHR requests.
As of jQuery 1.5, the $.ajax() method returns the jqXHR object, which is a superset of the XMLHTTPRequest object. For more information, see the jqXHR section of the $.ajax entry
As of jQuery 1.5, the Deferred object provides a way to register multiple callbacks into self-managed callback queues, invoke callback queues as appropriate, and relay the success or failure state of any synchronous or asynchronous function.
This object provides a subset of the methods of the Deferred object (then
, done
, fail
, always
, pipe
. isResolved
, and isRejected
) to prevent users from changing the state of the Deferred.


In 1953 – 10 years before the Kennedy assassination – the CIA pulled off a coup in Iran. The operation was conducted secretly and surreptitiously and successfully. It ousted the democratically elected prime minister of Iran and replaced him with the unelected shah of Iran, a man who would be loyal to the U.S. government for the next 26 years but who also would brutalize his own people in the process.
It is no surprise, then, that the CIA celebrated this regime-change operation in Iran as a great victory for the United States.
From:
http://www.lewrockwell.com/hornberger/hornberger182.html


Base class for all objects that can be observed.
More...
#include <Observable.hpp>
Base class for all objects that can be observed.
| virtual Game::Observable::~Observable |
( |
| ) |
|
|
virtual |
| void Game::Observable::addObserver |
( |
std::function< void(const Event &)> |
function, |
|
|
Event::Type |
eventType |
|
) |
| |
Add an observer for a specific type of event.
- Parameters
-
| function | The function to call when the event occurs |
| eventType | The type of event for which the function will be signaled |
| void Game::Observable::clearObservers |
( |
| ) |
|
| void Game::Observable::notifyObservers |
( |
const Event & |
event | ) |
|
|
protected |
Notify all observers that are interested in this particular event.
The documentation for this class was generated from the following file:
- /home/texus/Desktop/SpaceInvaders/include/SpaceInvaders/Observable.hpp


We're sorry but test doesn't work properly without JavaScript enabled. Please enable it to continue.
hello


And a little description.
and so one
And a little description.
and so one
And a little description.
and so one
And a little description.
and so one
And a little description.
and so one
And a little description.
and so one


Fortunately, the afternoon was dark and threatened rain on that day when the clocks went back. I went from bar to cafe, from church to lounge, reading my books, writing my words. The body was not hung over, but the mind was acting as if it thought it should be.
Inside an English pub I heard the jeers and cheers that were probably attributable to a football game of some kind. The bright light of a tourist’s camera flashed against a store window and slapped me across the face. The day was not making a whole lot of sense to me but at least it was confounding me in a way that was not insulting, however intrusive. It was letting me know I could keep on walking. I did.
In general, it was a wasted day whose sole purpose was to be wasted, falling into reality, or else climbing back into it, depending on how you judge the debauched fun that our merriment last night produced.
For a party of 8 people, it was one hell of a party. Sure, the Dutch don’t really do Halloween, and sure, they won’t all necessarily come just because you invite them 3 months in advance. And they don’t all dance forro. But I do dammit, and I wanted a damn Halloween party nonetheless.
Thankfully, there was help. There was a moment though, after all the decorations had gone up and the nails were black and the costume was ready and a couple of drinks had even already been poured when I stood and waited. Nothing left to do, nothing left to plan, just wondering, doubting, me and the empty living room.
 It doesn’t respond, as living rooms hate idle chatter. Also, living rooms can’t talk.
“You know, ‘room, it’s been a strange trip, so far, this moving abroad thing. Why am I doing this? What do I want to get out of it? I can’t really say — getting something out of it was never a goal I’d thought about, you know?” It knows.
“Was it adventure? Was it style? Was it accents? Shit, it could have been for the accents. Sometimes I’m just shallow like that. Yeah, it’s best that you don’t respond to that any how. Pretend I didn’t say that.
“But that doesn’t matter; this move, it was never a means. I wasn’t running, toward or away from anything. I just needed for this to happen or something. The horizon is always my end; it’s always my means too. What does that say about me?”
–
“You know, living room, you’re a great listener and you hold a lot of answers, but your public speaking skills leave a whole lot to be desired.
“Anyway, maybe I should clarify, because there’s got to be a root cause. There’s always a root cause in informational science and this is definitely informational. Why am I always seeking to be different, to stand out? I don’t like attention; so why do it?
“Now pay attention, because this is the important part. I think what it amounts to is that I like the attention that I give myself. I like the self-admiration that I feel when I do something I know is original. Something that validates – to me – that I’m an intelligent dude and that I know what’s up. Does that make sense? Is self validation a legitimate vice in vanity?”
It’s a good thing the doorbell rang just then, because I wouldn’t have known how to explain it better if the living room hadn’t understood, and then it would’ve gotten awkward.
And after that? After that we danced. My pirate costume was better than ever thanks in no small part to the gloriously cool initiative of my good friend, Clair, who had the insight, the drive and the initiative to consider that most of my pirate gear did not make it onto the “Pete’s Life: Volume I” box in the move to Amsterdam. Not only did she think of this, she then goes out and gets me some pirate gear and proceeds to send said pirate gear clear across the Atlantic.
Clair, are you listening? I had already promised you a beer next time I see you – are you ready for this?
Are you ready?
2 beers.
There, I said it. I give; I’m just like that.
[Clair will have my head for that, so I hope you’re all entertained; it probably cost her, like, 200 mangoes just to ship the thing!]
 It’s not that I’m not really a pirate, I just have a hard time looking like one. But with a dagger that has phrases written on it like
- May she carry the swift and the beating heart of worthy men…
- Bring me that horizon, drink up me hearties, YO HO!
- We are the beaches of Normandy the night before
- Douchebag fender-offer
well, then you’re all pirate. Black fingernails and eye-shadow just don’t hurt, know what I mean?


--- layout: post title: 'New Visual Studio 2010 Feature: Pin To Source' date: '2010-08-19T17:11:00.001+01:00' author: solrevdev tags: modified_time: '2010-08-19T17:11:52.472+01:00' blogger_id: tag:blogger.com,1999:blog-31446756.post-5351734180605585828 blogger_orig_url: http://www.solrevdev.com/2010/08/new-visual-studio-2010-feature-pin-to.html ---


@* * Copyright 2017 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import uk.gov.hmrc.play.views.html.helpers._ @import uk.gov.hmrc.cbcrfrontend.AppConfig @import uk.gov.hmrc.cbcrfrontend.views.html._ @import helper._ @import tags._ @(asideBusiness: Html, phaseBannerBeta: Html, form:Form[_])( implicit request: Request[_], messages: Messages) @sidebarContent = { @asideBusiness } @ultimateParentEntityErrors = @{form.error("ultimateParentEntity").isDefined} @main_template("Country by Country Reporting", sidebarLinks = Some(sidebarContent)) {


{{ define "main" }}
{{ .Params.heroHeading }}
{{ .Params.heroSubHeading }}
Get off the M40 at J15 and take the A46 towards Coventry. Leave the A46 at the Stoneleigh junction and take the Stoneleigh road towards Stoneleigh. After passing through Stonleigh and crossing the bridge, turn right onto the Coventry Road. Follow this road for a mile until you reach a junction where you should turn left onto the A445. After about 500 meters you will reach a junction to Weston Lane on the right. Turn right at this junction and after a while you will find the Spinney on the left.
Our nearest train stations are Leamington Spa and Coventry.


{% extends 'django_openstack/dash/base.html' %} {% block sidebar %} {% with current_sidebar="containers" %} {{block.super}} {% endwith %} {% endblock %} {% block page_header %} {% include "django_openstack/common/_page_header.html" with title="Copy Object" %} {% endblock page_header %} {% block dash_main %}
You may make a new copy of an existing object to store in this or another container.


{% extends "layout.html" %} {% block body %}
| Handle | Date | Game Type | Score | Team | Platform | Rank | Map | Team 0 Players | Team 1 Players | View Replay |
|---|---|---|---|---|---|---|---|---|---|---|
| {{ replay.name }} | {{ replay.replay_date[0:10] }} | {{ replay.team_size }}v{{ replay.team_size }} | {{ replay.team0_score }} - {{ replay.team1_score }} | {% if replay.team == 0 %} Blue {% else %} Orange {% endif %} | {{ replay.platform.split("_")[1] }} | {{ replay.ranking }} | {{ replay.replay_map }} | {% if replay.team0_players %}{% for player in replay.team0_players %}{{ player }}, {% endfor %}{% endif %} | {% if replay.team1_players %}{% for player in replay.team1_players %}{{player}}, {% endfor %}{% endif %} | {{ replay.replay_key }} |


Class 10th education in ICSE Board with 88%.
Class 10th education in ISC Board with 85%.
Graduated in IT branch with 7.59 CGPA.


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Changing Centos7 runlevel
17 October 2014
I installed Centos7 as minimal for a basic LAMP server but then I decided to switch to Gnome instead of pure command line environment. If you're interested how I did it, groupinstall has the perfect recipe.
$ yum groupinstall "GNOME Desktop" "Graphical Administration Tools"
Runlevel used to be on etc/inittab
but if you will look at its content now, it suggests you have to use a different route to change it.
# inittab is no longer used when using systemd.
#
# ADDING CONFIGURATION HERE WILL HAVE NO EFFECT ON YOUR SYSTEM.
#
# Ctrl-Alt-Delete is handled by /etc/systemd/system/ctrl-alt-del.target
#
# systemd uses 'targets' instead of runlevels. By default, there are two main targets:
#
# multi-user.target: analogous to runlevel 3
# graphical.target: analogous to runlevel 5
#
# To set a default target, run:
#
# ln -sf /lib/systemd/system/<target name>.target /etc/systemd/system/default.target
#
Default runlevel can be set either by using the systemctl
or making the symbolic link of runlevel targets the default file. I prefer the first method so here it is.


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