Stage 1: Introduction
This stage will teach you about the Baybayin script, how to draw the strokes, and many more...
Score: 0
Stage 2: Learning the Vowels
This stage will teach you how to write the three vowel characters (A, E/I, and O/U) of the Baybayin script.
Score: 0
Stage 3: Writing the Consonants I
This stage will teach you how to write the first five consonant characters (BA, KA, DA, GA, and HA) of the Baybayin script.
Score: 0
Stage 4: Writing the Consonants II
This stage will teach you how to write the second five consonant characters (LA, MA, NA, NGA, and PA) of the Baybayin script.
Score: 0
Stage 5: Writing the Consonants III
This stage will teach you how to write the last four consonant characters (SA, TA, WA, and YA) of the Baybayin script.
Score: 0
Stage 6: Kudlit with I or E Sounds
Writing the characters with kudlit that will make it sound with an I or E instead of an A. The characters are just the same in stages 3 to 5 but with a dot at the top.
Score: 0
Stage 7: Kudlit with O or U Sounds
Writing the characters with kudlit that will make it sound with an O or U instead of an A. The characters are just the same in stages 3 to 5 but with a dot at the bottom.
Score: 0
Stage 8: Kudlit without the Vowel Sounds
Writing the characters with kudlit that will remove its vowel sound. The characters are just the same in stages 3 to 5 but with a cross sign at the bottom.
Score: 0
Stage 9: Writing Characters I
Writing the characters without the three samples. To be able to complete this stage, you must have passed or mastered the previous stages.
Score: 0
Stage 10: Reading and Writing
Writing the missing character in a sentence that is written in Baybayin. To be able to complete this stage, you must have passed or mastered the previous stages.
Score: 0


Current Diagram
Recent Diagrams
Search
Google Drive
OneDrive
Upload
From URL
Search:
Search
File name
Choose
Google Drive file name
Width
Width of the viewer (px)
Height
Height of the viewer (px)
Automatically set the size of the viewer
Thumbnail
Preview in draw.io
Sign Out
Choose a file...
File name
Choose
OneDrive file name
Width
Width of the viewer (px)
Height
Height of the viewer (px)
Automatically set the size of the viewer
Thumbnail
Preview in draw.io
Sign Out
Choose a file...
File name
Choose
Diagram file name
Width
Width of the viewer (px)
Height
Height of the viewer (px)
Automatically set the size of the viewer
Choose a file...
Diagram Name:
Diagram URL:
Show Diagram


User:
UserId:
Logout
Status:
Console:
Detail View:
Create new system presence:
Remove a system presence:
name:
System Presence:
AVAILABLE
BUSY
AWAY
IDLE
OFFLINE
Language:
Display Value:
Submit
Statuses:
Note: Only presences created by this user are listed
Delete Status


THE JOURNEY OF AUGUST KING A film review by James Berardinelli Copyright 1995 James Berardinelli
RATING (0 TO 10): 9.4
United States, 1995 U.S. Availability: beginning 12/8/95 (delayed from 11/3) (limited) Running Length: 1:32 MPAA Classification: R (Mature themes, execution) Theatrical Aspect Ratio: 1.85:1
Cast: Jason Patric, Thandie Newton, Larry Drake, Sam Waterston, Sarah Jayne Wylde Director: John Duigan Producers: Nick Wechsler and Sam Waterston Screenplay: John Ehle based on his novel Cinematography: Slawomir Idziak Music: Stephen Endelman U.S. Distributor: Miramax Films
THE JOURNEY OF AUGUST KING is as close to a flawless motion picture as is likely to be produced by the film industry (independent or mainstream). Featuring strong acting, realistic set and costume design, an intelligent script, solid directing, and evocative cinematography, every facet of this movie is impressive. It is a thoughtful, emotionally-rich production that explores its title in both a literal and a metaphysical sense. In the process, the audience experiences both of August King's journeys: the one he takes through the mountains of western North Carolina and the one his soul makes from loss to salvation.
While most films require one to three years to produce, for THE JOURNEY OF AUGUST KING, the process lasted twenty-five years. The novel was published in 1971, and Universal Pictures immediately optioned the screen rights. Now, over two decades and three screenplays later, the movie has finally made it to theaters. Following a short film festival run (which included the coveted closing position at Venice), the picture is scheduled for a late-1995 release in New York and Los Angeles, with wider distribution in early 1996.
In a performance that is remarkable because of its reserve and restraint, Jason Patric plays the title character, a widowed frontiersman making his way home from town in 1815 North Carolina. He has just used the year's gains to buy a milk cow, a boar, and two geese. Along the road, he meets up with a runaway slave girl (Thandie Newton), heading for the freedom of the North. Her owner, Olaf Singletary (Larry Drake), desperately wants her back and is offering a handsome reward for her return--five acres of land and a good horse. August thinks this is too cheap a price for a human life, but is still reluctant to help the girl because it's against the law. Eventually, however, her bleak circumstances prick his conscience, and he allows her to hide in his wagon. Thus begins his complicity in an act that could lead to his complete financial ruin.
This film boasts one of the best-researched and most discerning scripts of its kind to come along in a while. Every situation is carefully designed to avoid melodrama or sensationalism. There is nothing in this film that feels even vaguely contrived. The story is not true, but it easily could be. Even the dialogue--both the lines and the manner in which they are delivered--is handled with a consideration for detail and authenticity.
One gripping element of THE JOURNEY OF AUGUST KING is the way the plot moves in tandem with character development. The most emotionally- stirring scenes are the simple ones. When August willingly sacrifices a prized possession to enable the slave Annalees to remain hidden, he is not only aiding her physical liberation, but assisting the deliverance of his own soul, which has lain in a self-made purgatory since the death of his wife.
Australian director John Duigan, whose previous efforts include THE YEAR MY VOICE BROKE, FLIRTING, and SIRENS, is in complete control of the material. Working with his best script yet, Duigan displays his mastery of tone and pacing. THE JOURNEY OF AUGUST KING advances slowly and deliberately, allowing the characters necessary time to breathe and expand. Nothing is hurried or forced; Duigan understands how to move action and transform personalities without cheating or manipulating his audience.
Cinematographer Slawomir Idziak, Krzysztof Kieslowski's long time collaborator (A SHORT FILM ABOUT KILLING, THE DOUBLE LIFE OF VERONIQUE, BLUE), forges a powerfully artistic sense of atmosphere, using specially-designed amber filters to soften some of the brighter sequences. With various shots of mist-shrouded mountains and roiling thunderheads, Idziak solidifies THE JOURNEY OF AUGUST KING from a visual perspective.
Thandie Newton, who starred in Duigan's FLIRTING, and later appeared in JEFFERSON IN PARIS, brings a mix of quiet dignity and desperation to Annalees, as well as a subtle eroticism of which the character is ignorant. Newton and Patric work well together, with Annalees' spirit counterbalancing August's reticence. Larry Drake (DARKMAN) creates a complex antagonist in Olaf Singletary, a man who is not so much evil as he is torn by the conflict between his own needs and society's expectations.
Although it is most obviously a tale of redemption, THE JOURNEY OF AUGUST KING is also a love story (in the most basic sense of the word "love"). Despite the lack of romance and limited sensuality, there's no doubt that an intimate bond develops between August and Annalees, although it's *not* the one most movies would choose. Each learns from the other and, by the final reel, it's unclear who has gained more from the exchange. The toll of the journey seems a small price to pay for what they achieve, separately and together. And for those fortunate enough to see this film, THE JOURNEY OF AUGUST KING offers a look through the window of a rare and special story.
- James Berardinelli<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Full Name
Email address
We'll never share your email with anyone else.
What is your favorite programming language?
HTML
CSS
Javascript
Jquery
Express
How many classes have you missed?
1
2
3
4
5
How many breakdows have you suffered because of class?
0. I am a stone
1
Less than 5
6-10
It's a daily occurance
What do you expect to do after bootcamp is over?
Find a job as a full stack developer
Take another bootcamp; this one didn't stick
Develop something, sell it to google, and retire.
Sleep
Hell if I know
Pick your favorite number
23
1
99
18
7
What is the best way to complete a coding assignment?
Just gut through it
Take time, develop a strategy, and execute it
Copy off of Jatin
Wish in one hand...
Stil trying to figure that out
On a scale of 1 to 5, how much pain are you in right now?
1
2
3
4
5
What color are your eyes?
Red from crying
Blue
Hazel
Green
Brown
This bootcamp has made my relationship to my significant other...
Stronger
Weaker
Strained
End
What S.O.?

Get rich and pay some fools to do my coding for me.
Join a band.
Become a reality TV star.
Kidnap Jeff Dean and steal all his ideas.


func_get_arg
(PHP 4, PHP 5, PHP 7)
func_get_arg — 返回参数列表的某一项
说明
mixed func_get_arg ( int $arg_num )
从用户自定义函数的参数列表中获取某个指定的参数。
该函数可以配合 func_get_args() 和 func_num_args() 一起使用，从而使得用户自定义
函数可以接受自定义个数的参数列表。
参数
arg_num
参数的偏移量。函数的参数是从0开始计数的。
返回值
返回指定的参数，错误则返回 FALSE 。
更新日志
版本 说明
5.3.0 该函数可以在参数列表中使用。
If this function is called from the outermost scope of a file which has
5.3.0 been included by calling include or require from within a function in the
calling file, it now generates a warning and returns FALSE. （不知道如何
翻译跟好，直接参考例2即可明白）
错误／异常
当在自定义函数的外面调用的该函数的时候会发出一个警告，或者是当 arg_num 比实际传
入的参数的数目大的时候也会发出一个警告。
范例
Example #1 func_get_arg() 例子
\n";
if ($numargs >= 2) {
echo "Second argument is: " . func_get_arg(1) . "
\n";
}
}
foo (1, 2, 3);
?>
Example #2 func_get_arg() PHP 5.3 前后对比的例子
test.php
fga.inc
PHP 5.3 版本之前的输出：
'Second arg'
PHP 5.3 和之后的版本的输出:
Warning: func_get_arg(): Called from the global scope - no function
context in /home/torben/Desktop/code/ml/fga.inc on line 3
false
Example #3 func_get_arg() example of byref and byval arguments
以上例程会输出：
As passed : 'bar'
After change : 'bar'
As passed : 'bar'
After change : 'baz'
注释
Note:
因为函数依赖于当前作用域以确定参数的细节，所以在 5.3.0 以前的版本中不能用作
函数的参数。如必须传递此值时，可将结果赋与一个变量，然后用此变量进行传递。
Note:
如果参数以引用方式传递，函数对该参数的任何改变将在函数返回后保留。
Note: This function returns a copy of the passed arguments only, and does
not account for default (non-passed) arguments.
参见
• func_get_args() - 返回一个包含函数参数列表的数组
• func_num_args() - Returns the number of arguments passed to the function
User Contributed Notes 4 notes
===============================================================================
This functions seems so powerful... just when i saw it i thought about writing
a fast average of n numbers function so here it is, it is very simple...
example usage included.
===============================================================================
I actually think that there is need for such "do absolutely everything"
functions. I use them mostly as tools for rapid prototyping.
And there is a method with which you may be able to pass several strings to a
function: ereg();
Another use for such functions is to create little code snippets for other
people out there. They won't have to edit the function any longer if they do
not use a parameter. They just don't name it when calling the function.
This results in allrounder functions that are very robust in their use.Normally
you just have a little code snippet (e.g. ip-blocking snippets). Through this
type of programming you have whole functions.
===============================================================================
func_get_arg() returns a *copy* of the argument, to my knowledge there is no
way to retrieve references to a variable number of arguments.
I have a module system in my game at http://lotgd.net where I'd like to be able
to pass a variable number of arguments to functions in a module, and pass them
by reference if the module asks for it by reference, but you can't accept
optional parameters as references, nor can you retrieve the reference on a
variable number of arguments. Looks like my modules will have to do with out
the ability to accept parameters to their functions by reference.
===============================================================================
func_get_arg() does not appear to be allowed to be used as a function argument
itself within class constructors in PHP 5.0.2 (wonk-ay!!!):
$value)
{
echo <<
$name : $value
EOT;
}
}
}
class DEF extends ABC
{
function __construct()
{
parent::__construct(func_get_arg(0),
func_get_arg(1),
func_get_arg(2));
}
}
$def = new DEF(123123, "asdfasdf", "blahblahblah");
?>
The above script generates:
Fatal error: func_get_arg(): Can't be used as a function parameter in c:\
Inetpub\wwwroot\phpwasrc\chapter10\xxx.php on line 23
There are, however, no problems when passing these as parameters to regular
functions.