TARZAN (1999) (Disney) Voices: Tony Goldwyn, Minnie Driver, Glenn Close, Rosie O'Donnell, Brian Blessed, Nigel Hawthorne, Lance Henriksen, Wayne Knight, Alex D. Linz. Screenplay: Tab Murphy and Bob Tzudiker & Noni White, based on the novel _Tarzan of the Apes_ by Edgar Rice Burroughs. Producer: Bonnie Arnold. Directors: Kevin Lima and Chris Buck. MPAA Rating: G (adult themes) Running Time: 85 minutes. Reviewed by Scott Renshaw.
The opening ten minutes of Disney's TARZAN represent as gripping and mature an example of animated film-making as I've ever seen. Underscored by the urgent rhythms of the Phil Collins song "Two Worlds," the sequence depicts two families in Africa: a human couple and their infant son trying to rebuild their lives after being shipwrecked, and a pair of gorillas with their own new baby before a leopard attack takes the young ape's life. Shortly thereafter, the grieving gorilla mother Kala discovers the orphaned human baby -- its parents also slain by the leopard -- alone in the wreckage of their shelter. Only after another close call with the leopard can Kala (voiced by Glenn Close) bring the baby boy into the gorilla community, much to the dismay of her mate Kerchak (Lance Henriksen).
That dark, dazzling prologue works not only on its own dramatic terms, but also at shifting expectations -- perhaps TARZAN could stand on its own as more than re-cycled motifs from THE JUNGLE BOOK and THE LION KING. The story eventually presents the adult Tarzan (Tony Goldwyn) with a Simba vs. Mowgli dilemma. After spending his entire life trying to convince Kerchak that he belongs with the gorillas, Tarzan encounters other humans for the first time: slightly dotty ape researcher Professor Porter (Nigel Hawthorne); Clayton (Brian Blessed), Porter's jungle guide with an ulterior motive; and, of course, Porter's feisty daughter Jane (Minnie Driver). When romance blooms between Tarzan and Jane, the ape man faces a choice between returning to the society of humans and staying as defender of his ape family.
TARZAN continues Disney's impressive streak in recent years of incorporating more serious themes into its animated features. There are moments when it's easy to forget you're watching a film marketed at kids, from the effective interpersonal moments (energized by Driver's charming vocal performance) to the twist on the obligatory musical numbers that turns most of them into transitional bridges. The animation itself feels more grown-up, even when the flashy "Deep Canvas" technology turns a trek through the trees into a ready-made theme park ride. Where its animated features are concerned -- and its live-action kid flicks, notoriously, are not -- it's clear Disney genuinely cares about creating complete, resonant stories.
It's also clear that Disney cares plenty about making sure the cash cow isn't cut just for the prime rib audience. There are Kids' Club burgers to be sold as well, which means comic relief that's a relief only when it goes away. Sucking up valuable screen time are two pals for Tarzan, his spirited cousin Terk (Rosie O'Donnell) and nervous elephant Tantor (Wayne Knight). Both characters, plush-toy cute though they may be, feel like tacked-on creations contributing a slapstick silliness the story just doesn't need; the pointless show-stopper "Trashin' the Camp" in particular seems to belong in another film entierly. Even the nasty Clayton is out of place, adding an external conflict only because tradition has dictated it. There's nothing wrong with Disney making purely amusing kiddie fare like HERCULES and ALADDIN. There's also nothing wrong with letting the deeper stories be deep.
The issue isn't whether TARZAN should have been plodding and somber, because it's clear that the core narrative could provide all the entertainment a viewer of any age could want. There's plenty of humor in the interactions between Tarzan and Jane, and plenty of adventure in Tarzan's various encounters with jungle beasts. TARZAN is a solid film, stronger in its basic filmmaking elements than most wide-release films, but it might have been a spectacular one instead. Disney will never go broke relying on the successful Disney animated formula, and they'll continue to turn out largely enjoyable family films. They'll also have trouble breaking free to make a stirring, utterly unique animated film, one that fulfills the potential of TARZAN's magnificent first ten minutes.
On the Renshaw scale of 0 to 10 vine arts: 7.
Visit Scott Renshaw's Screening Room http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the Screening Room for details, or reply to this message with subject "Subscribe".
The review above was posted to the
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math::trig - Trigonometric anf hyperbolic functions
The math::trig package defines a set of trigonomic and hyperbolic functions and their inverses. In addition it defines versions of the trigonomic functions that take arguments in degrees instead of radians.
For easy use these functions may be imported into the tcl::mathfunc namespace, so that they can be used directly in the expr command.
The functions radian_reduced and degree_reduced return a reduced angle, in respectively radians and degrees, in the intervals [0, 2pi) and [0, 360):
Return the equivalent angle in the interval [0, 2pi).
Angle (in radians)
Return the equivalent angle in the interval [0, 360).
Angle (in degrees)
The following trigonomic functions are defined in addition to the ones defined in the expr command:
Calculate the cosecant of the angle (1/cos(angle))
Angle (in radians)
Calculate the secant of the angle (1/sin(angle))
Angle (in radians)
Calculate the cotangent of the angle (1/tan(angle))
Angle (in radians)
For these functions also the inverses are defined:
Calculate the arc cosecant of the value
Value of the argument
Calculate the arc secant of the value
Value of the argument
Calculate the arc cotangent of the value
Value of the argument
The following hyperbolic and inverse hyperbolic functions are defined:
Calculate the hyperbolic cosecant of the value (1/sinh(value))
Value of the argument
Calculate the hyperbolic secant of the value (1/cosh(value))
Value of the argument
Calculate the hyperbolic cotangent of the value (1/tanh(value))
Value of the argument
Calculate the arc hyperbolic sine of the value
Value of the argument
Calculate the arc hyperbolic cosine of the value
Value of the argument
Calculate the arc hyperbolic tangent of the value
Value of the argument
Calculate the arc hyperbolic cosecant of the value
Value of the argument
Calculate the arc hyperbolic secant of the value
Value of the argument
Calculate the arc hyperbolic cotangent of the value
Value of the argument
The following versions of the common trigonometric functions and their inverses are defined:
Calculate the sine of the angle (in degrees)
Angle (in degrees)
Calculate the cosine of the angle (in degrees)
Angle (in radians)
Calculate the cotangent of the angle (in degrees)
Angle (in degrees)
Calculate the cosecant of the angle (in degrees)
Angle (in degrees)
Calculate the secant of the angle (in degrees)
Angle (in degrees)
Calculate the cotangent of the angle (in degrees)
Angle (in degrees)
This document, and the package it describes, will undoubtedly contain bugs and other problems. Please report such in the category math :: trig of the Tcllib Trackers. Please also report any ideas for enhancements you may have for either package and/or documentation.
When proposing code changes, please provide unified diffs, i.e the output of diff -u.
Note further that attachments are strongly preferred over inlined patches. Attachments can be made by going to the Edit form of the ticket immediately after its creation, and then using the left-most button in the secondary navigation bar.
Mathematics
Copyright © 2018 Arjen Markus


I am a game designer and programmer with extensive experience in the field of software engineering as it relates to both game development and general application production. My familiarity with software projects ranging from independent to corporate equips me with the tools to both recognize and mitigate scope issues for teams of practically any size. Though I'm comfortable operating solo, I generally prefer to work as part of a team, as my formative experience in retail management and the service industry has led to my feeling more at home on one than not.
Rift World is a fast-paced, hardcore FPS being created by Cerulean Interactive, and for which I have been brought on to perform various tasks related to polishing the game for release. At this point in development, my principal duties revolve around player ability implementations, bug fixes, performance optimization, and gamepad support implementation.
Payload is a cerebral, narrative-driven, 3D puzzle game being developed by Black Banshee Studios for PC. I filled many roles throughout it's development, including creative director, principal designer, UI designer, gameplay programmer, graphics programmer, UI programmer, and tools programmer (I wrote the puzzle solver by which the level/puzzle designers plugged in values to determine whether or not a level was beatable, and if so, how many and what solutions it had).
For Planar Gazer's first title, I was responsible for all aspects of game development. Leveraging some of the LibGDX framework's primitive screen drawing capabilities, I came up with and implemented the graphics generation process by which visuals are constructed and displayed to the player; I designed and programmed all game logic and UI elements, as well as those algorithms by which the game's distinct and theoretically infinite "shape within shape" aesthetic is made possible; I oversaw QA for the title, and referenced its findings for design-allowed adjustments to gameplay, usability and tutorialization. Additionally, I composed all of the music within the game.
Sense is a 3D, 1st-person horror/exploration game I helped make for 2021's Global Game Jam. For this project, I handled all of the graphics programming and the vast majority of gameplay programming.
A 3D, non-linear, telephone operator sim, Annabell's Exchange is a prototype for which I again handled all aspects of development. Most notably, I designed and implemented the finite state machine which governs every aspect of the switchboard's (and its callers') behavior; I wrote the algorithms by which level selection trees are visualized, thus making non-linear level selection clearly communicable and content-responsive; I wrote a small amount of shader code (CG/HLSL) to apply a silent-film-era-style appearance to the game; lastly, I implemented all (de)serialization behavior by which data may be retrieved, modified, localized and/or consulted.
Payload (2D)'s a novel take on a Sokoban-style game in which the player's able to manipulate the playing field by independently switching between 1D and 2D, as well as between Cartesian and polar coordinate spaces. This format forces the player to reconceptualize the rote mechanics of pushing objects and navigating a finite, discretely partitioned space.
Ex Nihilo is a simple, interactive poem in which each stanza demarcates a different stage of play.
A hybridization of the classic shoot-em-up and 2D fighter styles, Hexpatriates pits two players against each other in a periodically shrinking arena. Both players begin the round within their respective ships, but are forcefully ejected upon taking damage. When outside of their ship, a player character's moveset and gravitational constraints expectedly change, but should they avoid their enemy's onslaught long enough, they will eventually regain their lost ship.
Responsible for code reviews, mentoring more junior programmers, assessing scope of pitched projects, writing technical documentation for the programming team, and programming for our games as necessary.
Responsible for every aspect of game development, including gameplay, systems and UI programming; game design; sound design and music composition/production; art; QA testing, and distribution.
Responsible for both back and front end development of intranet applications, hotfix construction and deployment, database management, and coordination with QA testers, business systems analysts and management to keep projects on track.
Apart from game development, most of my free time is spent playing narratively, mechanically and/or systemically adventurous video games, whether old or new. Principle examples of the sorts of titles I seek out include The Stanley Parable, Silent Hill 2, Keep Talking and Nobody Explodes, Hackmud, and Deus Ex, to name just a few.
In addition to video games, I thoroughly enjoy cooking, listening to and composing a wide range of music, and watching what I'm told are glacially slow films. My movie tastes span many genres, though I've a predilection towards horror, experimental, and well-choreographed action flicks. When I'm fortunate enough to have the time and money to do so, I also love traveling and staving off the boredom of a flight with a good bit of philosophy, or any sort of text that centers around the human condition.


--- title: "LED Wall Washer Light, LWW-1A-36P, 36W IP65, LED Wall Washer, LED Wall Wash, Architectural lighting, China LED Wall Washer Suppliers, Wall Washer Manufacturers, LED Wall Washer Wholesalers, RGB, Wall Washer, DMX Stage Lighting, High Power LED Wall Washer" description: "LED WALL WASHER LIGHT is mainly used for decoration and highlight in building frame, garden, restaurant, Architectural lighting and stage scene etc, by offering colorful and magic environment. It can work in independent mode and DMX mode, which can generate various color changing effects, such as flashing, fading, steady, seven color jumping synchronously etc." keywords: - LED Wall Washer Light - "LWW-1A-36P" - 36W IP65 - LED Wall Washer - LED Wall Wash - Architectural lighting - China LED Wall Washer Suppliers - Wall Washer Manufacturers - LED Wall Washer Wholesalers - RGB - Wall Washer - DMX Stage Lighting - High Power LED Wall Washer ---
|
LED WALL WASHER LIGHT |
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| LED WALL WASHER LIGHT is mainly used for decoration and highlight in building frame, garden, restaurant and architectural lighting etc, by offering colorful and magic environment. It can work in independent mode and DMX mode, which can generate various color changing effects, such as flashing, fading, steady, seven colour jumping synchronously etc. DMX 256 classes gray degree dimmer, DMX programmable (thousands of effects available if many lights connected together). | ||||||||||||||||||||||||||||||||||||||||||||||||||
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MODEL NO.: LWW-1A-36P Size: 343*152*180 mm Weight: 3.8Kgs Input Volt.: 100-240V AC Working temperature: -35℃～45℃ Protect Grade: IP65 |
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Lens Angle: 15º 30º 45º Function Seven color jumping, seven color fading, seven color flashing, master/slave mode Control mode Independent mode: choose the effects that you need by button on the back of lighting; Master/slave: Set DMX add 001 as Master, DMX mode: International standard DMX512 signal control (3XLR or standard 5XLR) |
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{% extends 'base_email.html' %} {% block message_title %}{{ message_title }}{% endblock %} {% block message_body_opening %} You've successfully signed up for DVO Alerts. Your email address {{ recipient.email }} has been verified, and we've added you to our mailing list. {% endblock %} {% block message_body_intro %} You'll start receiving up-to-date email notifications on water and power outages in your area. {% endblock %} {% block message_body_additional %}


Карточка товара "пива"
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tagline
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description
name
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name
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Введите свой логин и пароль, чтобы войти


Little Ark Ministries is a Non-Profit Organization which trains children from the age of three to ten years of age to develop Christian principles and make them disciples of Christ in their generation (Matt. 28:16-20). We are not only addressing or reaching out other children from perspective of religion or spiritual point of view but also from ethical and moral point of view. We are Christian centred religious community dedicated and serving God, sharing the Gospel and helping others. We are Christians who are members of Khulani Nkululeko NPO. Little Ark Ministries are children who take great joy in living according to Christ example of sacrifice and humility. We are Christians who share in the joy of:
Little Ark saw that religion has taken over of our responsibilities and yes, in contrary religion should stimulate us to do what we supposed to do as Christians. In other words going to church makes us to go to the needy. What qualifies us to do this, it is not by qualification (degree or doctorate) but by the fact that we too have lost our loved ones, grew up in single parent homes, and we have friends and family members who are affected by HIV and AIDS, hence we sympathise with them. We have developed programs that will stimulate them physically, mentally and spiritually. Little Ark Ministries feels that NOW is the time to go out, to touch and change someone’s life (Prov. 22:6). We don’t ask too much (John’s head), all we want is a child just to get into the boat. As soon as possible every child should be led to the knowledge of the Saviour (Gen. 14:14, Eph. 6:4).
1. The Bible alone will be your textbook!
2. Jesus Christ will be uplifted-Our hope in these last days!
3. You will enjoy studying your Bible and learn more than you may have in your entire life!
Is to see our children as they grow up to follow and see Jesus as their role model
We meet every Sunday morning for an hour or two. We are going through 40 lessons in class with in the period of a year (see our work book). However, we also have extra material which is provided during holidays like the Exodus, Moses, Joshua stories and the Sanctuary and its services (see our work book).


1. UML building blocks
2. Rules to connect the building blocks
3. Common mechanisms of UML
4. All the above
4. All the above
1. a set of objects having similar responsibilities
2. a set of objects having dissimilar responsibilities
3. Both 1 and 2
4. None
1. a set of objects having similar responsibilities
1. describes the Similar states of a component in its life cycle
2. describes the different states of a component in its life cycle
3. both 1 and 2
4. None
2. describes the different states of a component in its life cycle
1. Group of tabel space
2. Group of colums
3. Group of rows
4. Group of domain
1. Group of tabel space
1. Maintaining atomicity
2. While storing data in database should be normalized by using decomposing
3. While retrival from database should be de-normalized by using joins
4. All the above
4. All the above
1. Is a set of rules to store data in database
2. domain constraints are user defined rules
3. Primary key is a entity Integrity
4. All the above
4. All the above
1. A collections
2. Contanins document
3. Key value pair
4. All of above
4. All of above
1. will have Redundancy
2. Cannot have Redundancy
3. 1:n relation is maintained by nested array
4. 1 and 3 are correct
4. 1 and 3 are correct


<! attlist := ATTLIST
<! attlist := ATTLIST
holds the next character
holds the next character
callback method invoked by MarkupParser after parsing comment
callback method invoked by MarkupParser after parsing comment.
content1 ::= '<' content1 | '&' charref
content1 ::= '<' content1 | '&' charref ...
'<' content1 ::=
'<' content1 ::= ...
[22] prolog ::= XMLDecl? Misc* (doctypedecl Misc*)? [23] XMLDecl ::= '<?xml' VersionInfo EncodingDecl? SDDecl? S? '?>' [24] VersionInfo ::= S 'version' Eq ("'" VersionNum "'" | '"' VersionNum '"') [25] Eq ::= S? '=' S? [26] VersionNum ::= '1
[22] prolog ::= XMLDecl? Misc* (doctypedecl Misc*)? [23] XMLDecl ::= '<?xml' VersionInfo EncodingDecl? SDDecl? S? '?>' [24] VersionInfo ::= S 'version' Eq ("'" VersionNum "'" | '"' VersionNum '"') [25] Eq ::= S? '=' S? [26] VersionNum ::= '1.0' [27] Misc ::= Comment | PI | S
callback method invoked by MarkupParser after parsing an elementm, between the elemStart and elemEnd callbacks
callback method invoked by MarkupParser after parsing an elementm, between the elemStart and elemEnd callbacks
the position in the source file
the prefix
the local name
the attributes (metadata)
...
callback method invoked by MarkupParser after end-tag of element
callback method invoked by MarkupParser after end-tag of element.
the position in the source file
the prefix
the local name
callback method invoked by MarkupParser after start-tag of element
callback method invoked by MarkupParser after start-tag of element.
the position in the sourcefile
the prefix
the local name
the attributes (metadata)
'<' element ::= xmlTag1 '>' { xmlExpr | '{' simpleExpr '}' } ETag | xmlTag1 '/' '>'
'<' element ::= xmlTag1 '>' { xmlExpr | '{' simpleExpr '}' } ETag | xmlTag1 '/' '>'
<! element := ELEMENT
<! element := ELEMENT
<! element := ELEMENT
<! element := ELEMENT
callback method invoked by MarkupParser after parsing entity ref
callback method invoked by MarkupParser after parsing entity ref.
This method is used to compare the receiver object (this
)
with the argument object (arg0
) for equivalence
This method is used to compare the receiver object (this
)
with the argument object (arg0
) for equivalence.
The default implementations of this method is an equivalence relation:
x
of type Any
,
x.equals(x)
should return true
.x
and y
of type
Any
, x.equals(y)
should return true
if and only
if y.equals(x)
returns true
.x
, y
, and z
of type AnyRef
if x.equals(y)
returns true
and
y.equals(z)
returns
true
, then x.equals(z)
should return true
.
If you override this method, you should verify that
your implementation remains an equivalence relation.
Additionally, when overriding this method it is often necessary to
override hashCode
to ensure that objects that are
"equal" (o1.equals(o2)
returns true
)
hash to the same Int
(o1.hashCode.equals(o2.hashCode)
).
the object to compare against this object for equality.
true
if the receiver object is equivalent to the argument; false
otherwise.
externalID ::= SYSTEM S syslit PUBLIC S pubid S syslit
externalID ::= SYSTEM S syslit PUBLIC S pubid S syslit
Returns a hash code value for the object
Returns a hash code value for the object.
The default hashing algorithm is platform dependent.
Note that it is allowed for two objects to have identical hash
codes (o1.hashCode.equals(o2.hashCode)
) yet not be
equal (o1.equals(o2)
returns false
). A
degenerate implementation could always return 0
.
However, it is required that if two objects are equal
(o1.equals(o2)
returns true
) that they
have identical hash codes
(o1.hashCode.equals(o2.hashCode)
). Therefore, when
overriding this method, be sure to verify that the behavior is
consistent with the equals
method.
As the current code requires you to call nextch once manually after construction, this method formalizes that suboptimal reality
As the current code requires you to call nextch once manually after construction, this method formalizes that suboptimal reality.
stack of inputs
stack of inputs
"rec-xml/#ExtSubset" pe references may not occur within markup declarations
"rec-xml/#ExtSubset" pe references may not occur within markup declarations
These are 99% sure to be redundant but refactoring on the safe side
These are 99% sure to be redundant but refactoring on the safe side.
Name ::= ( Letter | '_' ) (NameChar)*
Name ::= ( Letter | '_' ) (NameChar)*
see [5] of XML 1.0 specification
NameChar ::= Letter | Digit | '
NameChar ::= Letter | Digit | '.' | '-' | '_' | ':' | CombiningChar | Extender
see [4] and Appendix B of XML 1.0 specification
NameStart ::= ( Letter | '_' ) where Letter means in one of the Unicode general categories { Ll, Lu, Lo, Lt, Nl }
NameStart ::= ( Letter | '_' ) where Letter means in one of the Unicode general categories { Ll, Lu, Lo, Lt, Nl }
We do not allow a name to start with ':'. see [3] and Appendix B of XML 1.0 specification
Returns true if the encoding name is a valid IANA encoding
Returns true if the encoding name is a valid IANA encoding. This method does not verify that there is a decoder available for this encoding, only that the characters are valid for an IANA encoding name.
The IANA encoding name.
returns true is this markup handler is validating
returns true is this markup handler is validating
This method should log the message given as argument somewhere as a side-effect
This method should log the message given as argument somewhere as a side-effect.
...
this method assign the next character to ch and advances in input
this method assign the next character to ch and advances in input
for the moment, replace only character references see spec 3
for the moment, replace only character references see spec 3.3.3 precond: cbuf empty
'N' notationDecl ::= "OTATION"
'N' notationDecl ::= "OTATION"
parses document type declaration and assigns it to instance variable dtd
parses document type declaration and assigns it to instance variable dtd.
<! parseDTD ::= DOCTYPE name ... >
holds the position in the source file
holds the position in the source file
if true, does not remove surplus whitespace
if true, does not remove surplus whitespace
callback method invoked by MarkupParser after parsing PI
callback method invoked by MarkupParser after parsing PI.
<? prolog ::= xml S? // this is a bit more lenient than necessary
<? prolog ::= xml S? // this is a bit more lenient than necessary...
PublicID (without system, only used in NOTATION)
PublicID (without system, only used in NOTATION)
attribute value, terminated by either ' or "
attribute value, terminated by either ' or ". value may not contain <.
AttValue ::= '
{ _ } '
| "
{ _ } "
callback method invoked by MarkupParser after parsing text
callback method invoked by MarkupParser after parsing text.
prolog, but without standalone
prolog, but without standalone
holds temporary values of pos
holds temporary values of pos
Returns a string representation of the object
Returns a string representation of the object.
The default representation is platform dependent.
attribute value, terminated by either ' or "
attribute value, terminated by either ' or ". value may not contain <.
AttValue ::= '
{ _ } '
| "
{ _ } "
parse attribute and create namespace scope, metadata [41] Attributes ::= { S Name Eq AttValue }
parse attribute and create namespace scope, metadata [41] Attributes ::= { S Name Eq AttValue }
'<! CharData ::= [CDATA[ ( {char} - {char}"]]>"{char} ) ']]>'
'<! CharData ::= [CDATA[ ( {char} - {char}"]]>"{char} ) ']]>'
see [15]
CharRef ::= "&#" '0'
CharRef ::= "&#" '0'..'9' {'0'..'9'} ";" | "&#x" '0'..'9'|'A'..'F'|'a'..'f' { hexdigit } ";"
see [66]
Comment ::= '<!--' ((Char - '-') | ('-' (Char - '-')))* '-->'
Comment ::= '<!--' ((Char - '-') | ('-' (Char - '-')))* '-->'
see [15]
scan [S] '=' [S]
scan [S] '=' [S]
[42] '<' xmlEndTag ::= '<' '/' Name S? '>'
[42] '<' xmlEndTag ::= '<' '/' Name S? '>'
entity value, terminated by either ' or "
entity value, terminated by either ' or ". value may not contain <.
AttValue ::= '
{ _ } '
| "
{ _ } "
Name ::= (Letter | '_' | ':') (NameChar)*
Name ::= (Letter | '_' | ':') (NameChar)*
see [5] of XML 1.0 specification
'<?' ProcInstr ::= Name [S ({Char} - ({Char}'>?' {Char})]'?>'
'<?' ProcInstr ::= Name [S ({Char} - ({Char}'>?' {Char})]'?>'
see [15]
scan [3] S ::= (#x20 | #x9 | #xD | #xA)+
scan [3] S ::= (#x20 | #x9 | #xD | #xA)+
skip optional space S?
skip optional space S?
parse character data
parse character data. precondition: xEmbeddedBlock == false (we are not in a scala block)
<? prolog ::= xml S
<? prolog ::= xml S ... ?>
An XML Parser that preserves CDATA blocks and knows about HtmlEntities.
(c) David Pollak, 2007 WorldWide Conferencing, LLC.


|
ish version 0.1
Simple Input handling middleware
|
Classes | |
| class | IDevice |
| class | IniHandler |
| class | InputManager |
| class | ISH |
| The main class to use features in ish. The user will interact through this class. More... | |
| class | Singleton |
| class | WinKeyboard |
| class | XboxPad |
Enumerations | |
| enum | PlayerIndexs { PlayerOne = 0, PlayerTwo, PlayerThree, PlayerFour, PlayerMax = 4 } |
| Index of a player and a xbox controller. More... | |
| enum | InputOption { IsDown, IsUp, IsPressed, IsReleased } |
| different options to used to check input More... | |
| enum | SaveOption { NoSave = 0, SaveOnly, SaveReload, SaveAdd } |
| Sifferent saving option for runtime configuration. More... |
| enum ish::InputOption |
| enum ish::PlayerIndexs |
| enum ish::SaveOption |
Sifferent saving option for runtime configuration.


It's also possible that WebGL is disabled in your browser or has failed to load. You'll need to use a web browser that supports WebGL to use this app.


If you’re working on an Elixir umbrella app with multiple children, then you know that running the tests for the entire umbrella app isn’t always ideal. It could take a while to run and it can be hard to zero in on one particular set of failures when deving on just of the child apps.
So, how can you run tests for just one specific child app?
Not Like This
My first attempt to run just one child app’s tests went a little something like this:
mix test test/github_client_test.exs
==> learn_client
Paths given to `mix test` did not match any directory/file: test/github_client_test.exs
==> course_suite_client
Paths given to `mix test` did not match any directory/file: test/github_client_test.exs
==> github_client
....
Finished in 0.2 seconds
4 tests, 0 failures
Randomized with seed 395181
==> deployer
Paths given to `mix test` did not match any directory/file: test/github_client_test.exs
==> deployer_web
Paths given to `mix test` did not match any directory/file: test/github_client_test.exs
This technically works–it did run the test we specified–but its not quite what we want. Any mix
command we run from the root of our umbrella app is recursively run from the root of each child app in the apps/
directory. So, while this did run the github_client_test.exs
test when the command was executed in the child app that contains that test, it also executed that command against every other child app. Resulting in these not-so-nice error messages:
Paths given to `mix test` did not match any directory/file:
test/github_client_test.exs
Not ideal.
Like This
To run all of the tests for just one specific child app, we can run the following from the root of the umbrella app:
mix cmd --app child_app_name mix test --color
We use mix cmd --app
to indicate the app within which we want to run a given mix
command. We follow that with the mix test
command. Additionally, we can specify a test file and even line number to run:
mix cmd --app child_app_name mix test test/child_app_name_test.exs:8 --color
Where the mix test
command is followed by the path to the test file you want to run, from the root of that child app.
The --color
flag is important. Without it, we don’t get that nice red/green color highlighting, leaving our test output pretty hard to read.
Bonus
Typing this command every time we want to run a given child app’s tests is kind of a pain. We can define a mix alias to make our lives a little easier. A mix alias provides us a way to define a custom mix task that will only be available locally, not in packaged versions of our application, i.e. not to devs who install our app as a dependency.
We’ll define a mix alias for our child app test command:
# mix.exs for root of umbrella app
def project do
[
aliases: aliases(),
...
]
end
def aliases do
[
child_app_name_test: "cmd --app child_app_name mix test --color"
]
end
Then from the root of umbrella app, we can run:
mix child_app_name_test
Or, to run a specific test:
mix child_app_name_test test/child_app_name_test.exs
And that’s it! A nice, easy-to-use command for running a child app’s specs. You could define one such alias for each child app in your umbrella and run those tests with ease.
Caught a mistake or want to contribute to the article? Edit this page on GitHub!


Cybercamp 2022
MoSDeF Collaborators will be hosting a summer virtual Cybercamp to learn about molecular simulations and using the MoSDeF libraries. This will be available to all interested and eligible parties, so please sign up using this registration form.
Schedule of Events
| Date | Session Number | Start Time (CDT) | End Time (CDT) | Session Type | Topic(s) | Recorded? | Open to Public? |
|---|---|---|---|---|---|---|---|
| May 31, 2022 | 1 | 10:30 | 13:00 | Cybercamp |
- Setting up Machines (send out instructions before) - Introduction to Linux and WSL. - Managing Conda environments. - Running Python, built-in tools/objects - Python Packages and Git |
Yes | Yes |
| May 31, 2022 | 2 | 14:30 | 17:00 | Cybercamp |
- High level theory of molecular simulations. - Energy Landscape Calculations. Ways to calculate a potential. - Some input parameters to a HOOMD simulation - Running Python, built-in tools/objects - Data Analysis (Calculate an RDF) |
Yes | Yes |
| June 1, 2022 | 3 | 10:30 | 13:00 | Cybercamp |
- Interface with MoSDeF tools for system initialization. - mBuild - Foyer - GMSO - Signac (BASIC) (flow diagram to visualize) |
Yes | Yes |
| June 1, 2022 | 4 | 14:30 | 17:00 | Hackathon |
- Discussion of FOMMS workshop tutorial focus workflow |
No | No |
| June 2, 2022 | 5 | 10:30 | 13:00 | Hackathon |
- Open to public, work on science projects and discussion with dev team about workflows |
No | Yes |
| June 2, 2022 | 6 | 14:30 | 17:00 | Hackathon |
- GMSO feature testing/discussion |
No | No |
| June 3, 2022 | 7 | 10:30 | 13:00 | Hackathon |
- Working Sessions |
No | No |
| June 3, 2022 | 8 | 14:30 | 17:00 | Hackathon |
- Working Sessions |
No | No |


Provides a list of functions for the statistical analysis and the post-processing of the Markov Chains simulated by ChronoModel (see <http://www.chronomodel.fr> for more information). ChronoModel is a friendly software to construct a chronological model in a Bayesian framework. Its output is a sampled Markov chain from the posterior distribution of dates component the chronology. The functions can also be applied to the analyse of mcmc output generated by Oxcal software.
| Version: | 0.4 |
| Depends: | R (≥ 2.10) |
| Imports: | stats, utils, graphics, grDevices, hdrcde |
| Published: | 2017-01-12 |
| Author: | Anne Philippe and Marie-Anne Vibet |
| Maintainer: | Anne Philippe <anne.philippe at univ-nantes.fr> |
| License: | GPL-2 | GPL-3 [expanded from: GPL] |
| URL: | http://www.chronomodel.fr |
| NeedsCompilation: | no |
| CRAN checks: | RChronoModel results |
| Reference manual: | RChronoModel.pdf |
| Package source: | RChronoModel_0.4.tar.gz |
| Windows binaries: | r-devel: RChronoModel_0.4.zip, r-release: RChronoModel_0.4.zip, r-oldrel: RChronoModel_0.4.zip |
| OS X binaries: | r-release: RChronoModel_0.4.tgz, r-oldrel: RChronoModel_0.4.tgz |
| Old sources: | RChronoModel archive |
Please use the canonical form https://CRAN.R-project.org/package=RChronoModel to link to this page.


An input field based on in jquery.
Makes an input field autocompleteable. When the user types something into the autoCompleteInput, a request is sent to the backend to generate a list of values that the
user can choose from.
Two input fields will be created for each autoCompleteInput, one visible and one hidden. The visible one has the same name as what you specify in the name attribute. The
hidden one has the string "-hidden" appended to this name. With the attributes guiModule and method, you specify the module and method responsible for generating the list
of items that the user may choose from. This method should return an array ref with the items. Each item must have a contentHtml entry. value (which will become the value
of the hidden input field), onClick and class are optional.
An example of this:
return [
{ contentHtml => "One", value => 1 },
{ contentHtml => "Two", value => 2 },
];
name - The name of the input field. A hidden input field whose name has the string "-hidden" appended to the main input field's name will
also be created. So if name="myInput", then an input field with name="myInput" and a hidden input field with name="myInput-hidden" will be created.
guiModule
method
params
onChange
Attributes from jquery


{% extends "base.html" %} {% block content %}
Here is a link to a cool video or website! Click here
Click here for more information about this activity.


If you've lost data on your Oppo R11 Plus you know how important it is to get it back. Follow these steps on how to recover lost data on Oppo R11 Plus.
Oppo R11 Plus smartphone was launched in June 2017. The phone comes with a 6.00-inch touchscreen display with a resolution of 1080 pixels by 1920 pixels.
OPPO Electronics Corp. is an electronics manufacturer based in Guangdong, China. Known for its smartphones, the company also makes MP3 players, portable media players, LCD-TVs, and DVD/Blu-ray players. It was founded in 2004. The company is also a smartphone maker. It has launched a whole range of Android powered smartphones.
In fact, a great bunch of mobile users complain that the important data can be deleted or erased from their device easily by mistake if they accidentally use unknown functions, Oppo R11 Plus is no exception. Once your files is lost, you must want to figure out a way to get them back immediately. This post may help you out. It walks you through the process of recovering erased data from Oppo R11 Plus via a helpful files recovery tool.
Part 1:
How to recovery lost data from Oppo R11 Plus on Mac
Part 2:
How to recovery lost data from Oppo R11 Plus on Windows
In order to get back deleted data on R11 Plus no backup, what you need is the help from a professional data recovery tool – Android Data Recovery. Android Data Recovery is an expert on data recovery of Android devices including R11 Plus, which allows Android users to retrieve, store and preview all data from your Oppo or other devices on the computer in four simple devices. This powerful recovery tool will make sure you won’t lose any lost content, and it is easy to use.
[pt_view id="9992a81gxs"]
Part 1. How to recovery lost data from Oppo R11 Plus (on Mac)
Need to do:
- 1. For the moment, refrain from using your Oppo R11 Plus in order to make sure your earlier deleted data will still be restored.
- 2. Checking for connectivity issues beforehand is important to make sure recovery process success
- 3. Higher battery life is very important to make sure deleted data file is recovered
Step 1 Download and launch the Android Data Recovery on Mac
Download and install the
Android data recovery tool in your Mac computer, when you open it, a dialog box will pop up to remind you whether to register, purchase or free try.
Note: You can free try this software in
30 days
Step 2 Connection
Run this powerful Android data recovering software on your Mac computer, and then connect your
Oppo R11 Plus device to computer via the USB cable. The program will detect your device automatically.
Step 3 Enable USB debugging.
Android Data Recovery will prompt you to enable USB debugging on your
Oppo R11 Plus phone if you don't open the debugging mode. The program will detect the version of your
Oppo R11 Plus device automatically and give you the instruction of opening the USB debugging mode on your R11 Plus. After finishing the operations on your phone, click
"OK" button.
Step 4 Select the messages you want to recover.
After connection, all file types on your Oppo R11 Plus will be showed in the interface. Choose the file types you want to recover, such as contacts, messages, messages attachments, call logs, photos, gallery, picture library, videos, audios and other documents. Check the file types you want to recover and click Next. The program will scan your device automatically.
Step 5 Recover Oppo R11 Plus messages
When the scanning is finished, all types of files will be listed in categories on the left control. You are allowed to check the detailed information of each data. Preview and select the data you want to recover, and then click "Recover" button to complete recovering process.
Part 2. How to recovery lost data from Oppo R11 Plus (on Windows)
Need to do:
- 1. For the moment, refrain from using your Oppo R11 Plus in order to make sure your earlier deleted data will still be restored.
- 2. Checking for connectivity issues beforehand is important to make sure recovery process success
- 3. Higher battery life is very important to make sure deleted data file is recovered
Step 1 Download and launch the Android Data Recovery
Download and install the
Android data recovery tool in your Windows computer, you can free try this software in 30 days.
Step 2 Connection
Connect your
Oppo R11 Plus device to your Windows computer via the USB cable. Wait for seconds before the device is detected. Install the device driver on your computer if it hasn't been installed.
Step 3 Enable USB debugging.
Allow USB debugging when your Android prompts you of USB debugging permission. After finishing the operations on your
Oppo R11 Plus phone, click "OK" button.
Step 4 Preview and recover the lost data.
Soon, all Android available files will be classified into category on the left. You can toggle the button of "Only display the deleted item(s)" to "On", so that you can quickly find the wanted Android file. Click "Recover" button and choose a destination folder to recover files. Within seconds, you can navigate to the file folder and check your deleted files from
Oppo R11 Plus.
Finished! Android Data Recovery is a powerful and useful tool to help you recover all lost text messages, pictures, contacts and videos back on your computer in a simple and secure way.
Also read:
Oppo R11 Plus Contacts Recovery - Recover Deleted Contact
Oppo R11 Plus Messages Recovery
Useful ways that can help to effectively recover deleted files from Oppo R11 Plus
Recover Deleted Photos from Oppo R11 Plus


|
qml-ar
|
This class represents a QML interface to provide ModelViewProjection matrix. More...
#include <mvpprovider.h>
Signals | |
| void | newMVPMatrix (PipelineContainer< QMatrix4x4 > mvp) |
| Emitted when new MVP matrix is available. More... | |
| void | newPMatrix (PipelineContainer< QMatrix4x4 > p) |
| Emitted when new P matrix is available. More... | |
| void | newMVMatrix (PipelineContainer< QMatrix4x4 > mv) |
| Emitted when new MV matrix is available. More... | |
| void | newInfo (PipelineContainerInfo info) |
| Emitted when new info is available. More... | |
Public Member Functions | |
| MVPProvider () | |
| Initialize with eye matrix. | |
| void | reset () |
| Invalidate matrix Makes all objects invisible. | |
Static Public Member Functions | |
| static bool | isValid (QMatrix4x4 mat) |
| True if result is an actual matrix. More... | |
Protected Member Functions | |
| void | setMVPMatrix (QMatrix4x4 mat) |
| Set MVP matrix internally. | |
Protected Attributes | |
| QMatrix4x4 | mvp_matrix |
| Last ModelViewProjection matrix. | |
| QMatrix4x4 | mv_matrix |
| Last ModelView matrix. | |
| QMatrix4x4 | p_matrix |
| Last ModelViewProjection matrix. | |
| PipelineContainerInfo | object_in_process |
| Current input id. | |
This class represents a QML interface to provide ModelViewProjection matrix.
INPUT/OUTPUT COORDINATE SYSTEM (OpenCV/QML): x right y down z from reader
|
static |
True if result is an actual matrix.
| mat | Matrix to check |
|
signal |
Emitted when new info is available.
| info | resulting timing info |
|
signal |
Emitted when new MV matrix is available.
| mv | resulting matrix |
|
signal |
Emitted when new MVP matrix is available.
| mvp | resulting matrix |
|
signal |
Emitted when new P matrix is available.
| p | resulting matrix |


Shipping Off to Bootcamp
September 21, 2014
First Impressions of DBC Culture
Dev Bootcamp prizes its ability to guarantee a high level of empathy in its graduates. As Shereef puts it in his Fireside Chat, hiring managers know that DBC grads will be net gains to a company's culture even though it will take them a few months of on-boarding before they are able to carry their own weight as coders.
With emotional intelligence established as such hallmarks of DBC, it only follows that the designers of the curriculum seek reproducible methods for instilling the right attitudes and maturity in their students. It's a tricky proposition; how does one teach something that would otherwise be the product of life experience and worldview? Does it mean that the teacher is looking for tools to change worldviews? The short answer, I think, is yes. It's a daunting task.
To DBC's credit, they take a broad view of this question of teaching a worldview. In my prep materials so far, there has been an array of different opinions and methods presented, related to things like time management and working in an intense environment with other people. Also, these materials are presented with a mandate not to accept and internalize every prescription I read, but to follow my own interests and react to the material.
The kind of "soft skill" methods I know that I'll gravitate toward are those that acknowledge and play off the fact that people are animals, not logic machines. We need rewards. We get tired. We get mad. We need to exert ourselves physically to stay balanced. We can develop habits that we notice as little as we notice our own heartbeat. The check-in before pairing that DBC advocates as part of the pairing routine is a nice example of this. In check-in, you're encouraged to level with your pair; you can say that no, you're not feeling 100% on your game today and you can let your pair know why. It's definitely the case that anywhere you work, a line of honesty between colleagues always helps everyone work better together. Putting up an imperturbable front is a relic from an earlier era.
I have to admit that I will need to push myself to go outside of my own comfort zone with regard to trying some soft skill techniques. The Fogg method, for instance, of creating tiny habits. There's potential there. The idea is that you can add a good behavior to your life by hitching a small instance of that behavior to one of your existing habits.  BJ Fogg did pushups after he took a pee. An aspiring actor might memorize three lines of Shakespeare every day before heading out to his day job.
That all said, I had to consciously force myself to appreciate what the Fogg method was all about. I have a prejudice against boomer types who attach their last name to something and then try to sell books and lecture series about it. I may sound petty or too-cool when I say that, but it's a real bias. The Pomodoro Technique, for instance, was instantly more palatable to me because even though I don't know anything more about the tecnique's inventor, Francesco Cirillo, than I do about BJ Fogg, Cirillo didn't name his book-and-lecture-series package after himself. He named it after a tomato.
So there it is; I have a tendency to shout "snake oil!" for pretty inane reasons. *AND YET* I appreciate that DBC, in order to deliver on the promise that differentiates them from other bootcamps, needs to search far and wide for techniques that will teach empathy to a vast range of students.
As bootcamp goes on, I promise I'll correct for my bias.


The best of the best recognised at Health Excellence Awards
The third annual provincial Health Excellence Awards were held at Ingwenyama Conference and Sports Resort recently.
by Desiré FourieWHITE RIVER – This event was established three years ago by Sylvia Masango to recognise the best of the best of healthcare practitioners in Mpumalanga.
“There are many times that healthcare is painted in a bad light,” she said. “These awards are there to recognise and celebrate all the good things.”
This year there were four categories of awards.
Deceased stalwarts were honoured, as were non-profit organisations in each of the three districts with Community Star Awards.
Honorary awards were given to those who had made the biggest difference in their respective fields, and the most anticipated category, the Voted Awards, contained healthcare practitioners voted for by members of the public.
ALSO READ: Endangered Aloe simii in jeopardy due to planned development
Programme directors, Dave Walters and Samke Matse, kept the programme running smoothly and entertained everyone with their back-and-forth banter.
Poet Silandzile, Joanne and Danielle Fisher of Dannys Angels and singer Hebron performed live.
The MEC for health, Sasekani Manzini, was the keynote speaker for the evening.
“The health system, public or private, is dynamic, with challenges emanating each day,” she said. “What makes me so appreciate the Health Excellence Awards winners is that the challenges in the system did not deter them from doing their best.”
MEC for economic development and tourism, Pat Ngomane, and Judge President Frans Legodi also supported the event.
The awards were preceded by the first annual Mpumalanga HIV and TB Congress, where healthcare professionals from across the province were given updates on the latest research around these conditions.
The following people from Ehlanzeni District were winners in their categories:
Community star awards
Nhlengelo Home-based Care
Honorary awards
Russels Pharmacy
Dr Francois Theron
Sponono Baloyi
Cebelihle Shongwe
Sr Ntombifuthi Ngobeni
Dr Emmanuel Zwane
Dr Abraham Varghese
Voted awards
Best dietician: Thammy Masinga (Mbombela)
Best dentist: Dr Aaron Ndimande (Hazyview)
Best speech and audio therapist: Letricia Dlamini (Acornhoek)
Best occupational therapist: Cherise Cloete (Barberton)
Best nurse: Maureen Mathebula (Hazyview)
Social media star: Thammy Masinga (Mbombela)
Deceased stalwarts
– Dr Ernest Valster
– Dr Kabelo Mashile
– Dr Bafana Zwane
– Thomas Sengwayo
– Dr John Hoyland
ALSO READ: Square’s festive art fills hearts with joy


Slight quake hit Namsang
by EMG
A slight earthquake of magnitude 4.2 Richter Scale with its epicenter inside Myanmar (about 13 miles north of Namsang), latitude 21.08°N, longitude 97.73°E, depth 10 kilometers, about 49 miles east-northeast of Taunggyi seismological observatory was recorded on November 13, 2019, announced the Department of Meteorology and Hydrology (DMH).
“Earthquakes frequently hit near Namsang. There are Kyaukkyan Fault and small faults nearby. Quakes hit at Namsang mostly made by the small faults. Kyaukkyan Fault was not active for a long time now since its last jolt in 1907. Myanmar was hit by the quakes which measured up to 9.2 Richter Scale,” said Director General Dr Kyaw Moe Oo of the DMH.
An earthquake is the shaking of the surface of the earth resulting from a sudden release of energy in the earth's lithosphere that creates seismic waves.
Sagaing Fault, which started from Putao, Kachin State to Motaband, is a major fault line in Myanmar. Moreover Myanmar has Kabaw, Kyaukkyan, Momeik and other 40 smaller faults.
Myanmar is listed as the most earthquake-prone countries and it has five major fault lines.
Earthquakes are measured as per following: 1 to 4.9 Richter Scale quake is called slight earthquake, 5 to 5.9 Richter Scale quake is called moderate earthquake, 6 to 7.5 Richter Scale quake is called strong earthquake and 7.6 and above Richter Scale quake is called major earthquake. Myanmar had been hit by a 7.5 Richter Scale quake.


MU Puzzle
Can you transform the string MI to MU using these rules?
Add a "U" if last letter is "I"
Rule 1
Rule 3
Replace "III" with "U"
Add everything after the M to the end
Rule 2
Rule 4
Delete an occurance of "UU"
MI
Prev
OK
Next


programmatically generate package shrinkwrap file
npm.commands.shrinkwrap(args, [silent,] callback)
This acts much the same ways as shrinkwrapping on the command-line.
This command does not take any arguments, but 'args' must be defined. Beyond that, if any arguments are passed in, npm will politely warn that it does not take positional arguments.
If the 'silent' parameter is set to true, nothing will be output to the screen, but the shrinkwrap file will still be written.
Finally, 'callback' is a function that will be called when the shrinkwrap has been saved.


decoupled-input is a flexible and lightweight input controller for games that allows to separate input listeners for different devices from the actual input computing logic.
This allows to change input bindings and devices without having to change the program logic; e.g. if the "fire" action was bound to the space key and it should later be bound to a mouse button, the change is only being made in the bindings configuration, and the game logic remains entirely unaffected.
Other benefits are:
decoupled-input comes with handlers for mouse, keyboard and gamepad.
For usage details and everything else, please check the project's README.
None. Well, an AMD loader should be available.
MIT. For details, see the LICENSE
file in the repository.


Hi, here is my first post of my personal website here. I am so excited now! I just built this personal website using the theme Clean Blog . It is pretty easy and quick. All you need to do is following the instructions on Github . Then move the theme files into your repository. Then I think everything will be fine! Now I am trying to customize this website using Angular JS techniques I just learned currently and also try to understand part of the jQuery part this theme is using to make this personal website more flexible and user-friendly.
What I am going to post?
I hope here to be like my learning diary which keeps record of what I have learned recently. I personally think it is good idea to post those materials and knowledge you have learned in order not only for you to get more familiar with those knowledge but also help others who are also interested in those materials. Hence, I think I will moake the posts as clear as possible and let people easy to follow my idea. So! Have fun here!


When I went to high school I was really interested of drugs, especially psychedelics and that kind of stuff. After reading a lot about psychedelics me and my friend decided to try the legal alternatives such as LSA, and it was a really good experience. Very mild psychadelic experience, a very pleasant “come down” and “afterglow” as well, feeling narcotic in some way. We used it recreational some times and then we decided to try out Salvia, which we heard was “the real thing”. And it sure was. Being out of room and space for 10 to 20 minutes a hit, was a real deep and a meaningful experience for me, it was like opening “The Doors of Perceptions”.
Well, starting school again after the summer holiday, my friends and I started drinking heavily. I was studying at a high school which was about 100 km from my family home so I lived in a campus with my own apartment, and the culture at that campus was like “drink until you drop”. “Punch-drunk” was the pattern, or as we said: “Karate-drunk”. A lot of things were stressing me at that time, I was forced to raise my grades so I could get in at a nice University and there was a lot of tension between me and my parents. I was also drinking very heavily.
My friends back home were occasionally smoking cannabis, and I wouldn’t mind to try either, so I invited a friend who had the hashish with him. And it was not standard hashish, it was like “chewing gum”. So we bunkered up with some munchies and started to (I don’t know the English word so instead I say) “prepare the joints”.
Being such a looser like me, trying to have a “hardcore” image, at least back then, I was smoking way too much and holding my breath way too long, so I got pretty stoned. God DAMN I was stoned. I couldn’t stop laughing, which did bother and scare me in the first place, but then I figured out that it wasn’t dangerous so I had a pretty good time with my friend. I can recall that we were looking at some hilarious show called “Kenny and Spenny”. They where “far way out” I can tell you, and we had so much fun commentating the show.
During the influence, I started noticing how psychedelic Cannabis was for me, I started seeing numbers and letters flying around, and it was pretty cool. I called some friends to come over and se how much “out in space” I was. After a while they came over and where pretty concerned with me almost flipping out, but in a good way, on Cannabis. Well, after a while they left and I don’t remember anything more than waking up in the morning with somewhat “tired feeling”, you can call it hangover. People smoking occasionally have told me that they don’t get “hung-over”, maybe it’s just me.
Well, after preparing breakfast to my friend and me, my friend asked if he could call a buddy of him, who was a “real stoner”, so that he could join up and join the “smoking party” that we were having. My answer was obvious; of course he could join us smoking the night long. The friend of my friend came over, and he had some real good weed with him, hard to get here in the northern regions of Europe, so we prepared joints with hashish and joints with weed. And then we started to smoke.
This was my second time smoking CB, and I was mixing weed with hashish, and I believed that the “high” would be like yesterday, but it wasn’t. After maybe 15 minutes I was starting to have panic-attacks, believing that I was doomed and that I would have a “Cannabis-psychosis”. The good feeling that I had experienced the last time was the entire opposite. Instead of having great feelings I was suffering from extreme pain, extreme “mind-warping” and so on. A really bad trip I would say. It was so terrible so it’s nothing that I would my worst enemy to experience.
I was helped by my friends who were trying to calm me down. They were helping me to the toilet so that I could throw up, because they thought that that was the problem, but as I tried to puke, my “mind warp” was getting even worse. It was like my whole life passing through my head, and when I closed my eyes I was seeing burning landscapes and my own personal version of “Ragnarök”.
My friends tried everything to get me better; from cold water drenched towels placed on my head to forcing me to drink sugar water, but nothing could keep me from flipping out, badly. After a great effort I managed to stand up and went to my bed and tried to focus on the time, because I knew how long a Cannabis high would last, at least I thought that. I was in enormous physical and mental pain for about 3-4 hours I think, but it felt like thousands and thousands of years. My friends still tried to calm me down, but it didn’t work. I was looking at the clock at least once every 30 second, and I was trying to keep my head together. I cried like a baby, and was begging my friends to call an ambulance, but they didn’t and today I am glad that they didn’t. Because if I were caught smoking Cannabis, I would be expelled from the school because they had an extremely hard policy against drugs, and I really wanted to stay in school since I had been studying very hard to get in.
After 3-4 hours, the effects went of, really strange, as fast as they appeared they disappeared.  Phuu, I thought that I was going insane and would be staying in that state of mind for the rest of my life. After maybe 20-30 minutes me and my friends agreed to go out for a stroll and smoke some more (I know, I am so stupid), but I only smoked just two small drags and it was okay. I was not experiencing any high at that point, I was just a little relaxed and of course very happy that my “panic-mind warp”-episode was over.
Well, after that weekend of both wonderful and really horrifying and terrible experiences my invited friends left, maybe a little shocked about me flipping out and so. But I had paid for about 2 grams of the “chewing-gum-like-hashish” so my friend left a joint for me and my other friend, the one who I did psychedelics with, and the next weekend we decided to smoke that one up. It ended up just like earlier, I was totally flipping out and had mind warps and panic-attacks. But I managed to get trough easily because I knew that it was not a psychosis or something like that.
Two weeks later, after seeing a “future-educating-counsellor” where I chose different educations and classes for my future University studies, I was having a flashback; at least I thought it then. But it wouldn’t stop, I also got HPPD-related symptoms, so after having, what I now know was a panic-attack with HPPD-symptoms in 24 hours, I called the emergency phone-line and explained how I was feeling and that I thought I was going insane. So they directed me to the “mentally-illness”-emergency ward who told me to get myself together and come by as soon as possible.
Well, I got there by bus and was allowed to go inside after explaining how bad I was feeling, and I was redirected to a waiting room. After 2-3 hours I was allowed to meet a psychiatric specialist who was asking different questions about how it all started, and at first I tried to lie to her about my experience with cannabis, trying to say that it was just a panic/anxiety-syndrome triggered by alcohol consumption and a lot of stress, but after she attracted attention to me that my symptoms sounded like a “Cannabis-psychosis” I figured out that I couldn’t lie more if I was going to be “normal” again. So I told her about my experience with drugs and then she told me that I was having a “Cannabis-psychosis”.
I was horrified, but she calmed me by saying that it would wear of if I followed and used the large prescribed amounts of Zoloft (Sertralin), Zopiclone (Zopiklon), Esucos (Dixyrazin) and Propavan (Propiomazin) that I got. I got some Oxascand-pills (Oxazepam) as well because I was in such an upset mood. I went home and swallowed all of the Oxascand-pills that I got and slept very well.
I started to use Zoloft and the other pharmaceuticals that I was prescribed. I got somewhat better after about two or three weeks, but after that it didn’t got any better, maybe a slow bettering, but over the time of 3 months or so I visited the “mentally-illness” emergency ward several times when I got panic-attacks, but they said that they couldn’t do anything more than to forward me to the “addicted to narcotics” ward. And that was something that I simply couldn’t cope with. I wasn’t addicted to any substance at all. Maybe I had a pretty high alcohol consumption, but except for that, it had none addiction at all. They also said that I couldn’t be treated for my anxiety-disorder there, because I still was resident of my home-county.
The HPPD-similar symptoms were there all the time and were a major reason of why I got panic-attacks. After taking Zoloft for about nearly 4 months or so, I gave up. I thought that: “Well I tried drugs, it was something that I decided and now I have to take the consequences of my actions. Maybe my life is destroyed but at least I can try to manage living on, in what is still left of my life”. So I went “cold-turkey” on Zoloft, which was a really unpleasant experience, and started studying as well as I could with the anxiety, the panic-attacks and the HPPD in the background all the time.
It was the last term in high school, and the reason to why I managed to get nice grades and didn’t commit suicide was because of my supporting friends. They where a real access to rely on when I got panic-attacks and was really depressed. During this time there where a lot of partying and boozing, and we where making our own home-distilled brew which held a percentage of about 38-42 percent of alcohol, so we were “karate drunk” maybe 3-4 times a week. My friends where partying to have fun, but I was drinking just to lessen my anxiety.
After high school, in the summer vacation between high school and University-studies, I spent my days working and boozing. I wasn’t getting any better, the HPPD was always there, and so was the anxiety and panic-attacks. When summer was over I moved 1000 kilometres from home to study Civil Engineering at a big University. And at first I tried to cope with my mental problems, but it didn’t work out well, so I contacted the local health centre and got an SNRI called Remeron (Mirtazapin) prescribed, which made me feel worse than ever and I gained a lot of weight, about 15 kilos in 3 weeks. Remeron was worsening me so much that the doctors suggested me to wind down the dosage and finally stop taking the drug.
After a period of about 3 months I was contacted by the local psychiatry ward and got an personal therapist to visit and talk to once a week. I started to feel a lot better and was prescribed and SSRI called Paroxetin (Paroxetin). My panic-attacks decreased and so did my anxiety, but the HPPD was still there, always luring in the background.
Under the time from that I moved to this new location and started studying I couldn’t even manage to go to classes because of the anxiety. So I didn’t get any grades the whole school term, but after I was beginning to take Paroxetin things went better. And now after 4 months of therapy and Paroxetin I went and visited a real specialist in anxiety disorders who had my whole medical history, and he prescribed Zyprexa (Olanzapine) to me. I was kind of nervous taking one more medicine, because of how bad I went when I used Remeron (Mirtazapin), but now after have been taking a 5mg pill 30 minutes before bedtime in two weeks I feel so much better. It is like being myself again! The HPPD is still there, but is reduced and that is why I will ask the specialist to increase the dosage of the drug when I have a following up meeting.
While writing this, I am studying the subjects that I have missed last term and it is going pretty good. On Saturday I will take on my first exam and I am sure it will go well. This was my story, but it hasn’t ended yet, it still remains to see if Zyprexa (Olanzapine) will reduce and maybe even take away all of my HPPD-symptoms. Today I am feeling strong; I am on a diet and exercises to loose those kilos I gained while I was taking Remeron (Mirtazapin). I am also studying more and better than ever before. I have also stopped boozing so hard as I did before to reduce the anxiety, because I don’t have so much angst anymore.
Finally, what am I trying to say with this? Actually I don’t really know. Maybe I am trying to help and convince people that there is a way out of the hell that psychadelics and Cannabis can cause, but I surely cant say that, because I am not complete cured. How this will end is up to the future to show.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Just signed up for the Harvest Century. Not sure if I'll do the full 100 or just 75, but excited for my first long ride! http://me.lt/0V0sW
9/8/2011, 4:53:31 PM
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Just signed up for the Harvest Century. Not sure if I'll do the full 100 or just 75, but excited for my first long ride! http://me.lt/0V0sW
9/8/2011, 4:53:31 PM
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This policy is the Anti Money Laundering (AML) Policy of Giltxchange Global Private Limited (Giltxchange). Any questions relating to this policy should be directed to 419A, Wave Silver, Sector -18, Noida 201301.
The purpose of this AML is to ensure not only that Giltxchange are compliant with current legislation and requirements, but also to show that they take any form of illegitimate use of their services seriously.
Money laundering is where proceeds of crime are disguised so to give the appearance of a legitimate income. Giltxchange will not tolerate any client abusing their services for such matters.
If Giltxchange suspect any client is abusing their services for the purposes of money laundering, they reserve the right to suspend the users account and freeze any funds pending the outcome of an internal investigation. Giltxchange reserve the right to report any suspicious activities to the police or relevant authorities without the client's knowledge.
In accordance with the current industry best practice guidelines, Giltxchange have:
Appointed a Money Laundering Reporting Officer;
Established a risk based approach towards assessing and managing the money laundering risks to the business;
Established and maintain risk based customer due diligence and obtain identification and proof of address in accordance with KYC (know your customer) which includes enhanced due diligence checks for customers which may present a higher risk, this will be determined at the sole discretion of Giltxchange;
Established and maintain risk based systems and procedures to monitor ongoing client activity;
Have procedure for flagging and reporting suspicious activity.
Any client is subject to having their account frozen should Giltxchange be suspicious of fraudulent activity or any activity, which may be related to money laundering.
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I am a computer scientist with leading research interests in computational biology, bioinformatics, and data compression. I hold an Information and Communication Technologies Degree from the University of Aveiro (Portugal), with a segment carried at the Pontifical University of Salamanca (Spain). After, I worked in the private sector for a couple of years. Then, I rejoined the University of Aveiro and completed the Ph.D. in Informatics (2016) and the PostDoc in Computer Science (2019). In 2019, I worked as a Bioinformatician at the University of Helsinki (Finland). Currently, I am an auxiliary Scientist/Professor at the DETI/IEETA of the University of Aveiro and an Invited Scientist at the Department of Virology of the University of Helsinki. My memberships include the Super Dimension Fortress, the APRP, and the ESCV.
Current:
A. Ferrolho (MS Student)
M. J. Sousa (MS Student)
J. Correia (PhD Student)
T. Fonseca (MS Student)
♕ I am currently looking for motivated PhD and MSc students,
namely in the areas of computational biology, bioinformatics,
or Information theory. If you are interested, please contact me.
Alumni:
MS. A. Lourenço
Dr. J. M. Silva
MS. M. Silva
Dr. M. Hosseini
MS. M. Gaspar
MS. R. Soares
We develop new mathematical and computational models, including their efficient implementation into computer programs for biomedical, anthropological, and coding applications. We address both statistical and algorithmic natures creating innovative data mining and machine learning methodologies. We are currently working on projects such as the development of efficient biological data compression tools, reconstruction and analysis of ancient and extant viral genomes, identification of specific viral signatures, genomic variation quantification, classification of unknown sequences, and metagenomic analysis of ancient DNA samples. The following word map summarizes a part of our works.
In order to promote the development of efficient computational models for the minimal lossless representation of DNA and Amino Acid sequences, we hold two benchmarks. The latest top developments involve the use of neural networks for context mixing and cache hashes in weighted stochastic repeats models. Please, click on the following images to download the sequence data and benchmark with a new compression algorithm.
Provide a data compressor that improves the lossless and reference-free minimal representation of a human genome sequence (T2T Chm13 version 2.0 [article, sequence]).
Top 5 entries:
| Ranking | Bytes | Bps | Time (m) | RAM (GB) | Program | Replication | Factor |
|---|---|---|---|---|---|---|---|
| 1 | 544,059,173 | 1.396 | 389 | 28.8 | JARVIS2 | Run51 | |
| 2 | 544,267,353 | 1.396 | 420 | 27.4 | JARVIS2 | Run50 | |
| 3 | 544,292,577 | 1.397 | 399 | 26.9 | JARVIS2 | Run49 | |
| 4 | 545,960,947 | 1.401 | 283 | 26.9 | JARVIS2 | Run48 | |
| 5 | 549,594,830 | 1.410 | 284 | 11 | JARVIS2 | Run47 |


24th April, 2020 - 12 min
27th September, 2019 - 8 min
18th October, 2019 - 7 min
14th June, 2019 - 14 min
6th July, 2018 - 27 min
15th May, 2017 - 35 min