Though the exact power outputs of the new Cybertruck weren't revealed, Tesla disclosed numbers at launch that look good in black and white, superseding the deviant design of the electric pickup truck.
Let's do a quick rundown of the top-spec Cybertruck. Max range is 500 miles. 0-60 miles per hour sprint is at 2.9 seconds. A quarter-mile run can be done in just 10.8 seconds. We can only summarize the Cybertruck in one word (apart from ugly) – it's quick.
Gallery: Tesla Cybertruck Pickup Truck Debut
However, the solid numbers don't stop there. The Cybertruck's 6.5-foot pickup bed has a 3,500-pound cargo capacity plus it can tow up to 14,000 pounds. Now to say that the Cybertruck isn't a capable truck would be a blatant lie, but wait until Tesla whips out its upcoming Plaid powertrain.
According to a report by Motor Trend, the Cybertruck is ready for Tesla's latest powertrain, the Plaid.
Reports about the Tesla Plaid came out in 2017 with the new Roadster. Dubbed as the Plaid mode (in reference to Plaid mode beyond Ludicrous Speed in Mel Brooks's Spaceballs, a Star Wars parody), it promises acceleration beyond people's comprehension – only this time it's real, allowing the Roadster to sprint from 0-60 mph in just 1.9 seconds.
Musk Wins Because Everybody's Talking About The Cybertruck:
With Telsa heading over to the Nurburgring these past months, the Model S Plaid resurfaced along with a number of upgrades to the electric vehicle. This tells us that Plaid is definitely coming soon, and the Cybertruck is definitely going to have the advantages of this powertrain.
But how powerful is it, really? According to Motor Trend, the Plaid-powered Cybertruck will likely produce 800 horsepower (597 kiloWatts) and 1,000 pound-feet (1,356 Nm) of torque. Just like the Plaid-powered Model S and X, the future hyperized Cybertruck will have one motor on the front axle and two at the rear, motivating both rear wheels.
With that said, the Cybertruck is really looking good on paper right now, but there is more to be known when deliveries and production of the electric pickup truck kick in.


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Warm national day to be followed by chilly snap
Temperatures across Latvia for independence day celebrations on November 18 are expected to be close to record highs as a period of mild weather continues. However, later in the week temperatures will drop considerably, according to forecasts.
At the beginning of the week, most of the sky will be cloudy. Slight precipitation is possible over districts in the east of the country, but overall no significant precipitation is expected. Slow to moderate southeasterly and easterly winds will be blowing. In some places at night and in the morning fog may form. The air temperature will remain positive during the night hours and will reach up to + 10 Celsius during the day.
On Wednesday, a large anti-cyclone will form over western Russia, which will begin to determine the weather in Latvia. Cold air will gradually enter the country from the south, with most of the sky will be covered by clouds, but dry weather will remain.
As the influence of the anticyclone increases, Latvia will get dry and cool air from the east. The clouds will be less, the wind blowing slow to moderate from the southeast, and the air temperature in some places of Vidzeme and Latgale may drop to -10 degrees Celsius.
Air temperatures across the country are likely to fall steadily below zero, marking the beginning of meteorological winter.
Rainfall is expected, no significant snowfall is expected. Due to the low humidity, widespread icing on the roads is also not expected.
Next weekend, negative temperatures are expected in most parts of the country - during the day, the thermometer bar will reach only -3 C, and at night the air will cool down to -6 C. Only coastal areas can expect to be free of frost.


Tweet
{{ certs[0].given_name }} {{ certs[0].surname }} 's CertWall
{{ certs|length }}
Certifications
{{ total_weeks }}
Weeks
{{ first_cert_date }}
First Certification
{% for cert in certs %}
{{ cert.course_name }}
Teacher: {{ cert.teacher_name }}
School: {{ cert.school_name }}
Weeks: {{ cert.weeks }}
Hours Per Week: {{cert.min_hours_a_week}}-{{cert.max_hours_a_week}}
Complete Date: {{ cert.complete_date }}
Add your certification to your webpage with this HTML:
{% endfor %}
{% include 'footer.html' %}


Usage: place numerical values into the argument forms select which operation to use with the radio buttons click submit to see the result and add the answer to the database click view all answers to retrieve all answers from the database


What Is The Risk Of Different Types Of Sexual Activity?
- The risk of getting HIV varies widely depending on the type of sexual activity. However, every exposure to HIV does not carry the same HIV risk, and some types of sexual activity are riskier than others.
- Not having sex is the best way to prevent getting or transmitting HIV. If you’re sexually active, you can lower your risk for HIV by choosing lower risk sexual activities, taking medicines to prevent or treat HIV, and using condoms correctly and consistently.

- The receptive partner (bottom) is at very high risk of getting HIV because the lining of the rectum is thin and may allow HIV to enter the body during anal sex.
- The insertive partner (top) also at risk because HIV can enter through the opening at the tip of the penis (or urethra); the foreskin if the penis isn’t circumcised; or through small cuts or open sores anywhere on the penis. There is evidence that circumcision may decrease the risk of the insertive partner getting HIV during anal sex. There is no evidence that circumcision benefits the receptive partner.
- HIV can found in the blood, semen (cum), pre-seminal fluid (pre-cum), or rectal fluid of a person with HIV, which means that there’s a risk for either partner to get HIV even if the insertive partner withdraws (pulls out) before ejaculating. (Withdrawal before ejaculating may, in theory, reduce the risk of getting HIV for the receptive partner, but it does not change the risk of getting HIV for the insertive partner.)
- The HIV-negative partner (either insertive or receptive) is more likely to get HIV from anal sex if the HIV-positive partner is not on HIV treatment (antiretroviral therapy or ART) and virally suppressed. The HIV-negative partner is also more likely to get HIV if either partner has a sexually transmitted disease (STD).

- You can also reduce your risk of getting or transmitting HIV through anal sex by taking medicine to prevent or treat HIV and always using a condom consistently and correctly. Even with these things, it’s safer if the HIV-positive partner is always the receptive partner (partner on the bottom).

- HIV can enter a woman’s body through the mucous membranes that line the vagina and cervix.
- Men can also get HIV from having sex with a woman who is HIV-positive. That’s because vaginal fluid and blood can carry HIV. Men can get HIV through the opening at the tip of the penis (urethra) or through small cuts or open sores on the penis. There is evidence that circumcision may decrease the risk of the man getting HIV during vaginal sex. There is no evidence that circumcision benefits women, but studies are underway.
- HIV can be found in pre-seminal fluid (pre-cum), which means there is a risk for either the man or the woman to get HIV, even if the man withdraws (pulls out) before ejaculating. Withdrawal before ejaculating may, in theory, reduce the risk of getting HIV for the woman, but it does not reduce the risk of getting HIV for the man.
- Both men and women are more likely to get HIV from vaginal sex if the HIV-positive partner is not on HIV treatment and virally suppressed. The risk of HIV infection also increases if either partner has an STD.
- You can reduce your risk by choosing sexual activities that carry a lower risk for HIV than vaginal sex.
- You can also reduce your risk of getting or transmitting HIV through vaginal sex by taking medicine to prevent or treat HIV and always using a condom consistently and correctly. (There are two types of condoms: male condoms and female condoms.)

- The chance that an HIV-negative person will get HIV from oral sex with an HIV-positive partner is extremely low. It is difficult to measure the exact risk because people who have oral sex may also have anal or vaginal sex during the same encounter.
 However, the risk is still low, and much lower than anal or vaginal sex.
- Factors that may increase the risk of transmitting HIV through oral sex are oral ulcers, bleeding gums, genital sores, and the presence of other STDs.
- You can reduce your risk getting or transmitting HIV by taking medicine to prevent or treat HIV.
- You can also reduce your risk of getting HIV and other STDs through oral sex by using a barrier, such as a condoms, natural rubber latex sheet, dental dam, or cut-open nonlubricated condom between your mouth and the other person’s genitals.
TOUCHING (FINGERING)
- There is little to no risk of getting HIV from touching or fingering an HIV-positive partner.
- You can lower any risk you may have by making sure you have no cuts or sores on your fingers or hands and your HIV-positive partner does not have cuts or sores in the rectum or vagina.
- There is a chance of getting or transmitting other STDs through touching because some STDs can be transmitted through skin-to-skin contact. Use medical-grade gloves to reduce this risk.
SEX TOYS
- Using sex toys can be a safe practice, as long as you do not share your toys with your partner.
- If you do share your toy with your partner, always cover it with a new condom, and wash it carefully after each use.
No-Risk Sexual Activities?
These activities carry no risk of HIV transmission:
- Non-sexual massage
- Casual or dry kissing
- Phone sex, cyber sex, sexy talk
- Masturbation (without your partner's body fluids)
- Frottage—also known as "dry humping" or body-to-body rubbing
- You can still contract other STDs, like herpes, human papillomavirus (HPV), or pubic lice ("crabs") if you have bare skin-to-skin contact with your partner.


I am a RCC Designer and Construction Instructor who strives to marry the love of Digital Land Surveing and Mapping. Currently, I'm persuing at AL-KABIR Polytechnic, Jamshedpur.
A dedicated to work with a competitive organizational atmosphere that
has innovative and Challenging environment, that synergies conceptual skill with practical
insights required for Initiating a fulfilling career. I am a proud alumnus of JNV Hansdiha &
having experienced life at JNV I could say I have had quite a journey. Presently, I'm persuing
a Diploma at AL-KABIR Polytechnic,Jamshedpur.
Well this is what it is on the professional
front, numbers and figures stacked up. But let me throw light
on what makes me.
This section isn't about me going ga-ga over my achievements. It is about how the journey so far has shaped me to a person I am today. It is about all the bits and bytes that make me. Yes I am a tech geek but with a difference! An equal interest in Art, Culture and Music. I wish to see the world as if everything is a miracle. Firstly, I am grateful for the tiny treasure I have in my life - a roof on my head, a safe environment, a sustainable future, the right to education and opportunities to extract the best out of it, few but faithful friends and I hope to give back to society by doing my job as an CIVIL professional.
Throughout the years I have moulded myself to fight fear with hope, arrogance with confidence, thoughts with actions, actions with response and pessimism with optimism. I have a deep abiding love for learning, building and designing things. I consistently set short-term goals for myself. Then, once I’ve defined the benchmarks, I take necessary steps to achieve those milestones. Being tireless seeker of knowledge, I always look at where I can improve and strive for perfection in things which I do. I enjoy my ongoing tasks and multitasking. I always keep an eye on my target.
My father has always been the Larry Summers to my inner Isambard Kingdom Brunel
"One of the most versatile civil engineers in History", the iron pillar in my life.   And he is confident and ready to take on the
world that awaits.
I love to interact with people and share whatever little I know about my subjects and quite often can be found blogging on
Medium.
| NPTEL ONLINE CERTIFICATION ON DIGITAL LAND SURVEYING AND MAPPING. |
| CERTIFICATE FOR INTRODUCTION TO COMPUTER TRAINING. |
I am a CIVIL Engineer's. My Key Skills include :
RCC Designer
Contruction Technology
Estimating And Costing
Mapping
Land Surveing
Computer Skills
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Nothing brings me more happiness than being able to connect with new people. Always happy to
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<EMAIL_ADDRESS>HouseNo:-8A Vill+PO/PS:-Godda, Jharkhand 814133


Canadian international Janine Beckie scores in Manchester City cup win
LIVERPOOL, England - Canadian international Janine Beckie scored to help defending champion Manchester City defeat Everton 4-1 in Continental League Cup play Thursday.
Beckie's goal came off a corner in the 36th minute. Hannah Cain equalized for the Toffees before Tessa Wullaert, Gemma Bonner and Lauren Hemp put City back in the lead.
City (3-1-0) is in a group with Birmingham City, Everton, Leicester City and Manchester United.
The top two teams in each of the four groups advance to the quarterfinals.
This report by The Canadian Press was first published Nov. 21, 2019.


Most elements and components have color variations thanks to modifiers with syntax .is-$color
, like is-primary
or is-dark
.
This is thanks to the $colors
Sass map, through which Bulma cycles to grab all the colors and their inverts.
--- title: Colors layout: documentation doc-tab: overview doc-subtab: colors breadcrumb: - home - documentation - overview - overview-colors colors: - white - black - light - dark - primary - link - info - success - warning - danger shades: - black-bis - black-ter - grey-darker - grey-dark - grey-light - grey-lighter - white-ter - white-bis ---
Most elements and components have color variations thanks to modifiers with syntax .is-$color
, like is-primary
or is-dark
.
This is thanks to the $colors
Sass map, through which Bulma cycles to grab all the colors and their inverts.
| Color | Variable | Value | Computed value | Invert value | Computed invert value | ||
|---|---|---|---|---|---|---|---|
| {{ derivedColor.id | capitalize }} |
${{ derivedColor.id }}
|
${{ initialColor.id }}
|
{% include elements/color-square.html value=initialColor.value %} | {% if derivedColor.invertValue %}
{{ derivedColor.invertValue }}
|
{% include elements/color-square.html value=derivedColor.invertValue %} | {% elsif derivedColor.invertId %} {% assign invertColor = site.data.colors.initial | where: "id", derivedColor.invertId | first %}
${{ derivedColor.invertId }}
|
{% include elements/color-square.html value=invertColor.value %} | {% endif %}
Bulma also provides a $shades
Sass map, that only contains shades of grey between black and white.
| Color | Variable | Value |
|---|---|---|
| {{ initial_shade.name | capitalize }} |
${{ initial_shade.id }}
|
{% include elements/color-square.html value=initial_shade.value %} |


*1/2 out of ****
Year: 2000 Starring Angela Bassett, James Spader, Peter Facinelli, Lou Diamond Phillips, Robin Tunney, Wilson Cruz, Robert Forster Written by William Malone and Daniel Chuba (story) and David Campbell Wilson (screenplay) Directed by Walter Hill (credited as Thomas Lee) Rated R
If I were one of those arrogant critics who thinks his review has some great impact on the success or failure of certain films, I might say that I review movies that don't look particularly good because I'm doing a service to my readers by warning them against seeing it. If that were true, I could put a banner at the top of my site that reads: "Shay Casey: Seeing Bad Movies So You Don't Have To." But I know that's bunk-you're going to see whatever movies you want to no matter what I say. So I have to tell the truth: every once in a while I get a nasty, masochistic urge to see a bad movie.  Sometimes I think that's why anyone goes to see Pauly Shore movies, ever. Admit it: sometimes you like seeing bad movies. So do I.
So I saw "Supernova."
Truth be told, "Supernova" wasn't quite as bad as I thought it might be. Maybe I just felt sorry for the actors, or maybe I thought it could have been decent if the studio hadn't started tinkering with the director's (Walter Hill) final cut, causing him to want his name removed. Maybe I'm becoming a softy. In any case, I didn't find "Supernova" as bad as the advance buzz would have me believe. But it's still bad.
The film takes place aboard the medical space vessel "Nightingale." The crew includes Captain A.J. Marley (Robert Forster), his new second officer Nick Vanzant (James Spader), head medical officer Kaela Evers (Angela Bassett), medical technicians Yerzy Penalosa (Lou Diamond Phillips) and Danika Lund (Robin Tunney), and computer technician Benj Sotomejor (Wilson Cruz). There are some attempts at "characterization," but all that means is that Nick has a shady past involving a drug addiction, which puts Kaela on edge, Yerzy and Danika have a relationship that requires them to make kissy-faces at each other every five minutes, and Benj (apparently gay) is in love with the computer (apparently female). Don't expect any more explanation, because you won't get it. Anyway, the crew gets a distress call from a location deep in space to which a failed mining operation had been sent. During the dimension jump (I think that's what it's called, but don't hold me to it), the Captain is killed and the man who sent the distress signal (Peter Facinelli) is brought on board. He calls himself Troy Larson, making him the supposed son of a man Kaela once had a relationship with. Then a bunch of really predictable stuff starts happening.
Have you seen "Alien?" Have you seen "Event Horizon" (a lame movie in its own right)? Good. Then you've seen "Supernova." Post-production cuts or not, there is nothing original about this screenplay, and nothing unpredictable either. After all, no one's going to think for a second that Troy won't turn out to be a villain. But the bigger problem with "Supernova" is that it can' t just stick to the simple plot it's afforded. Numerous re-writes (the script may be credited to three people, but it's a gross underestimate) have crammed this lean 90-minute film with tons of extraneous plot threads that all remain underdeveloped. Was there something about a limping robot shaped like a fighter pilot? Did the ship's computer learn something about humanity? What was that glowing lava lamp artifact Troy brought on board with him? And just what does the film's title signify, if anything? As far as I can tell, it refers to a very small plot detail that isn't developed, just like the rest of these unnecessary story elements.
Character relationships in this film also make very little sense. For some reason, every person in this film keeps having sex. We get an unusually early sex scene between Phillips and Tunney within the first 10 minutes. Bassett and Spader's characters start off hating each other. Fifteen minutes and one bottle of pear brandy later, they're engaging in some hanky-panky. When Troy the creepy stranger shows up on the ship, of course both female crew members will fall in love with him. Every single shift in character interaction happens extremely suddenly, which is only one of the many obvious clues to how much this film has been cut. The most prominent example, however, may be the fact that when the film starts, there are no opening credits! Furthermore, the end of the film looks like they took what were originally intended to be the opening credits and spliced them in right before the real end credits. Maybe that's why the film's title is mentioned twice during the end credits, right between James Spader and Robert Forster. Right after you get over the shock of not being told what movie you're seeing (lest you decide to walk out upon making that discovery), you might notice that the movie seems to have dropped you right in the middle of a scene, with little-to-no introduction to any of the characters or situations. The rest of the movie feels like they skipped over the middle stuff in the character changes (you know, where they explain things) and just went from Point A to Point B. Point A: Danika is thoroughly enamored of Yerzy and is ready to have his baby. Point B: Tunney is now shagging Troy and Yerzy is unusually obsessed with the lava lamp thing. Doesn't make sense.
Since I didn't understand anything about these characters' motivations, did I care when Troy abruptly starts murdering them one-by-one (and he does, knocking off three of them in about 10 minutes)? Not a whit. It's a shame, because this cast contains a lot of talented actors looking for something to do. They don't find it. Bassett and Spader say every line in the same monotone voice with the same blank expressions on their faces. Sexual tension? More like constipation. Maybe they're just embarrassed at having to utter such howlers as "This thing was made by someone more powerful than God and a whole lot less nice." Not that we ever find out who that is, mind you. The climax of their relationship (taking place in a transport pod) is probably the film's biggest forehead-slapper. As Troy, Peter Facinelli inhabits the most obvious villain in history that no one ever suspected. He' s awfully one-note, but it's not as if he's given any more notes to work with. The rest of the cast does even less. Tunney stands around looking cute, then scared. Phillips broods. Cruz flirts with the computer. Then they all die and a star blows up or something, but I really wasn't paying much attention by then.
 That's it. If you expect it to be good (for whatever reasons you may have), you'll probably hate it more than I will. Even the special effects are fairly unimpressive, nothing you haven' t seen before, and suffice to say the script isn't going to save the film. Honestly, though, what do you expect from a film with about a dozen writers and a director who had his name removed and replaced with a pseudonym? It usually results in a bad movie, and that's what "Supernova" is.
-reviewed by Shay Casey
For more reviews, go to http://www.geocities.com/Hollywood/Land/4252/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


T+0: 35 seeds fairly fresh - kind of tasty
T+1hr: slight acid buzz
T+2hr: 70 more seeds - getting annoyed at taste - beginnings of nausea
T+4hr: slightly more acid buzz, some nausea
T+6 hr: 150 more seeds.
T+7hr: realize I'm not going to trip. I had planned on listening to music, reading a certain book and meditating. Went to bed. Strange but pleasant dreams. Nausea and somewhat uneasy.
Next day, stomach pain. Very likely injured duodonem or below. As day went on, intense pain 2hrs after eating anything. Anti acid does not seem to help much but pepcid ac does. Next evening, took codeine and pepcid ac to sleep. Way too much pain to sleep otherwise.
2nd day. Stayed in and slept. Took codeine twice throughout day for pain. Injury definitely duodonem or below since codeine doesnt seem to cause more upset. Planned on going to doctor if doesnt clear up, but not well enough to drive.
3rd day. Merely hung over. Get to work somehow. Ate soup for lunch. By afternoon I feel pretty good. By evening fully recovered with no stomach problems at all. Strange how it just left all of a sudden.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Files CCore/inc/Print.h CCore/src/Print.cpp
Subfolders CCore/inc/print CCore/src/print
There are several standard "printing device" classes, implemented in CCore. Lists are differ in XCore and HCore.
PrintCon is the first and the most important class in the list. It is used to print to the console. This class is based on the target function ConWrite, declared in the header sys/SysCon.h. This function is assumed to call some native OS function to print the text string.
void Sys::ConWrite(StrLen str) noexcept;
The word Con is used to print to the console.
/* words */
enum ConType { Con };
template <>
struct PrintOutAdapter<ConType>
{
typedef PrintCon PrintOutType;
};
The class PrintCon uses a small stack buffer to accumulate the incoming text stream:
class PrintCon : public PrintBase
{
char buf[TextBufLen];
private:
virtual PtrLen<char> do_provide(ulen hint_len);
virtual void do_flush(char *ptr,ulen len);
public:
explicit PrintCon(ConType) {}
~PrintCon() { flush(); }
static void Print(const char *ptr,ulen len) { Print(Range(ptr,len)); }
static void Print(StrLen str); // ignore errors
};
The static methods Print() can be used for the direct printing to the console.
The XCore varaint of the PrintCon is close to the HCore.
class PrintCon : public PrintBase
{
MSec timeout;
NanoPacket<char> packet;
private:
virtual PtrLen<char> do_provide(ulen hint_len);
virtual void do_flush(char *ptr,ulen len);
public:
explicit PrintCon(ConType,MSec timeout_=DefaultTimeout) : timeout(timeout_) {}
~PrintCon() { flush(); }
static void Print(const char *ptr,ulen len); // ignore errors
static void Print(StrLen str) { Print(str.ptr,str.len); }
};
The small difference is the constructor takes the additional argument timeout, defaulted to the DefaultTimeout. The main difference, however, is not the interface, but the implementation. XCore PrintCon uses NanoPackets. Methods Print() create a temporary PrintCon object to print the text. Printing is not permitted in the interrupt context.
XCore supports the console printing by the following functions, declared in the sys/SysCon.h header.
NanoPacket<char> Sys::AllocConPacket(MSec timeout); void Sys::ConWrite(NanoPacket<char> packet);
The full implementation of these functions is the target resposibility. It is doing through a derived class from the Sys::ConBase class. Usually a target device has a serial port and console packets are delivered to the host computer through the port driver.
PrintFile class is designed to print to a file. On HCore targets this class is based on OS native file input-output functions.
class PrintFile : public PrintBase
{
....
public:
// constructors
PrintFile();
explicit PrintFile(StrLen file_name,FileOpenFlags oflags=Open_ToWrite);
~PrintFile();
// methods
bool isOpened() const;
void open(StrLen file_name,FileOpenFlags oflags=Open_ToWrite);
void disableExceptions();
void soft_close(FileMultiError &errout);
void close();
void preserveFile();
};
PrintFile object can be opened or closed. To print to the particular file, the PrintFile object must be opened and the file name and open flags must be provided. It can be done using the constructor or the method open(). Default constructor creates an object in the closed state. Non-default opens a file. In case of error an exception is thrown.
Destructor flushes and closes opened object. Errors are reported.
isOpened() returns true, if the file is opened, and false otherwise.
open() opens a closed object with the given file and open flags. In case of error an exception is thrown.
close() closes an opened object. In case of error and if there is a pending output error an exception is thrown.
soft_close() does not throw, it returns a group of errors using the FileMultiError object.
disableExceptions() disables exceptions during print operations. You may call this method after the open(). If exceptions are disabled, the special internal error flag is set in case of printing error. This flag is added in the error list during a close operation.
preserveFile() preserves a file, opened with the AutoDelete open flag.
PrintFile class is constructed from two classes: SafeBuf and RawFileToPrint.
The SafeBuf class is used to allocate a file buffer. PrintFile uses the file buffer of size 64 KBytes. But if the required memory is not available, SafeBuf uses an internal small safeguard buffer of size 32 bytes.
class RawFileToPrint : NoCopy
{
Sys::File file;
bool opened;
bool preserve_file;
public:
// constructors
RawFileToPrint() : opened(false) {}
// No destructor !
// methods
bool isOpened() const { return opened; }
FileError open(StrLen file_name,FileOpenFlags oflags);
void close(FileMultiError &errout);
void preserveFile() { preserve_file=true; }
FileError write(const uint8 *buf,ulen len);
};
The RawFileToPrint class is built on the target class Sys::File, declared in the header sys/SysFile.h. It performs open/close operations and the raw file output.
The target Sys::File class implements the classical set of file operations.
struct Sys::File
{
// private
....
// public
struct IOResult
{
ulen len;
FileError error;
};
struct PosResult
{
FilePosType pos;
FileError error;
};
FileError open(StrLen file_name,FileOpenFlags oflags) noexcept;
void close(FileMultiError &errout,bool preserve_file=false) noexcept;
void close() noexcept;
IOResult write(const uint8 *buf,ulen len) noexcept;
IOResult read(uint8 *buf,ulen len) noexcept;
PosResult getLen() noexcept;
PosResult getPos() noexcept;
FileError setPos(FilePosType pos) noexcept;
};
Methods of this class call directly OS file system interface functions.
PrintAsyncFile is built using the AsyncFile class. Output stream is buffered using packet data buffers. Once a packet is filled, it is submitted to the AsyncFile object, the packet may be sent to the target device asynchronously.
class PrintAsyncFile : public PrintBase
{
AsyncFile file;
....
public:
// constructors
explicit PrintAsyncFile(MSec timeout=DefaultTimeout,ulen max_packets=DefaultMaxPackets);
explicit PrintAsyncFile(StrLen file_name,FileOpenFlags oflags=Open_ToWrite,MSec timeout=DefaultTimeout,ulen max_packets=DefaultMaxPackets);
~PrintAsyncFile();
// methods
bool isOpened() const { return file.isOpened(); }
void setFinalTimeout(MSec t) { file.setFinalTimeout(t); }
void open(StrLen file_name,FileOpenFlags oflags=Open_ToWrite);
void exec2(StrLen dir,StrLen program,MSec timeout=DefaultTimeout,ulen max_packets=DefaultMaxPackets);
void exec2(AsyncFileSystem &fs,StrLen dev_dir,StrLen dev_program);
void soft_close(FileMultiError &errout);
void close();
void preserveFile() { file.preserveFile(); }
void setLargeWriteLen(ulen large_write_len) { file.setLargeWriteLen(large_write_len); }
void wait() { file.wait(); }
void wait_final() { file.wait_final(); }
void wait(MSec timeout) { file.wait(timeout); }
void cancel_and_wait() { file.cancel_and_wait(); }
};
A file must be opened before a printing. You can do it using the constructor or the method open(). Constructors arguments timeout and max_packets are propagated to the inner AsyncFile object. file_name and open_flags specifies the file to be opened and the open flags.
Destructor completes operations, closes the file and reports errors if any.
isOpened() returns true, if the file is opened.
setFinalTimeout() sets the "final timeout".
open() opens the given file.
exec2() methods are used to execute a program. Some AsyncFileSystem object is involved. Once you "open" a file with this method, you may print the program command-line. To run a program, you have to call the method preserveFile() and close the file. The first variant creates a temporary AsyncFileSystem object with the device name found in arguments (both device names in dir and program must be the same). Additional arguments are applied to this object.
soft_close() flushes output and closes the file. Errors are reported to the given FileMultiError object.
close() flushes output and closes the file. An exception is thrown in case of errors.
preserveFile() preserves the file, opened with the Open_AutoDelete open flag.
Other methods are direct calls of the correspondent AsyncFile methods. Usually they are not required.
This class uses the PTP Console protocol to print over a net.
class PrintPTPCon : public PrintBase
{
....
public:
explicit PrintPTPCon(StrLen con_dev_name,MSec timeout=DefaultTimeout,ulen max_packets=DefaultMaxPackets);
~PrintPTPCon();
void enableExceptions() { enable_exceptions=true; }
void flush_and_wait();
};
Constructor connects to the PTP Con client device.
enableExceptions() enables exception generation during printing.
flush_and_wait() flushes stream and waits until PTP operations are finished (up to timeout).
Before printing to the PTP Con device, console must be opened. You can do it using the class PTPConOpenClose.
class PTPConOpenClose : NoCopy
{
....
public:
// constructors
PTPConOpenClose(StrLen con_dev_name,StrLen name,const Net::PTPCon::Cfg &cfg=DefaultValue());
~PTPConOpenClose();
// read
typedef Net::PTPCon::ClientDevice::InputProc InputProc;
void start_read(InputProc *proc) { con->start_read(proc); }
void stop_read() { con->stop_read(); }
// write
PacketFormat getWriteFormat() const { return format; }
void write(Packet<uint8> packet) { con->write(packet); }
};
Constructor opens a console with the given name and configuration properties. Destructor closes it.
This class also can be used to read or write PTP Con device, using "raw" methods. But it is better to use classes, intended for printing or console reading.


Hello there! I am a self-taught software engineer and full stack web developer. I attended San Jose State University on a Piano Performance Scholarship and graduated in 2010 with a English Literature degree. I held multiple management positions in the hospitality field for seven years before discovering my passion for coding. I spent over a year learning and exploring different technologies and eventually decided to enroll in a coding bootcamp to hone my skills where I learned three full technology stacks within three months. Since then, i have spent the last year and a half working as a free-lance developer working on projects as well as honing my skills.
I have a passion for learning and I have discovered coding gives me the same sense of wonder that music has for my entire life. Currently, I am looking for a role with a great team that will provide me with a chance to expand my developing skills and give me the opportunity to contribute in a meaningful way.
Outside of software engineering, I enjoy camping and backpacking around the Bay Area as well as making annual trips to Yosemite. I also love to dive into a good fantasy novel (Rothfuss and Sanderson are my current favorites) as well as binging on a good tv show.
I've also had a passion for music at a very young age when I started teaching myself piano. After studying music through college, I now play at local venues as a side gig and am a member of the band STRATA where we have been featured on Sirius XM radio and Alt Nation 105.3.


Students' Council
Society to devlope students for competitive exams and to arouse them to work for the welfare of the community
Have a virtual tour of our experiences and see some g(old) glimpses of past events
Our team consist of a Chair, three Co-Chairs, fifteen Captains and fifteen Vice-Captain contributing for 1500+ students
Council host regular sessions, competions, activites, fests and many more student devlopment programs to ensure better learning enviorment.
We are avilabe to figure out your querries and issues as fast as possible. Improvemnt suggestions & event requests are welcomed.


| EBML |
0 |
[1A][45][DF][A3] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Set the EBML characteristics of the data to follow. Each EBML document has to start with this. |
| EBMLVersion |
1 |
[42][86] |
mand. |
- |
- |
1 |
u |
* |
* |
* |
* |
* |
The version of EBML parser used to create the file. |
| EBMLReadVersion |
1 |
[42][F7] |
mand. |
- |
- |
1 |
u |
* |
* |
* |
* |
* |
The minimum EBML version a parser has to support to read this file. |
| EBMLMaxIDLength |
1 |
[42][F2] |
mand. |
- |
- |
4 |
u |
* |
* |
* |
* |
* |
The maximum length of the IDs you'll find in this file (4 or less in Matroska). |
| EBMLMaxSizeLength |
1 |
[42][F3] |
mand. |
- |
- |
8 |
u |
* |
* |
* |
* |
* |
The maximum length of the sizes you'll find in this file (8 or less in Matroska). This does not override the Element size indicated at the beginning of an Element. Elements that have an indicated size which is larger than what is allowed by EBMLMaxSizeLength shall be considered invalid. |
| DocType |
1 |
[42][82] |
mand. |
- |
- |
matroska |
s |
* |
* |
* |
* |
* |
A string that describes the type of document that follows this EBML header. 'matroska' in our case or 'webm' for webm files. |
| DocTypeVersion |
1 |
[42][87] |
mand. |
- |
- |
1 |
u |
* |
* |
* |
* |
* |
The version of DocType interpreter used to create the file. |
| DocTypeReadVersion |
1 |
[42][85] |
mand. |
- |
- |
1 |
u |
* |
* |
* |
* |
* |
The minimum DocType version an interpreter has to support to read this file. |
| Element Name |
L |
EBML ID |
Ma |
Mu |
Rng |
Default |
T |
1 |
2 |
3 |
4 |
W |
Description |
|---|
| Global elements (used everywhere in the format) |
|---|
| Void |
g |
[EC] |
- |
mult. |
- |
- |
b |
* |
* |
* |
* |
* |
Used to void damaged data, to avoid unexpected behaviors when using damaged data. The content is discarded. Also used to reserve space in a sub-element for later use. |
| CRC-32 |
g |
[BF] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
|
The CRC is computed on all the data of the Master-element it's in. The CRC Element should be the first in it's parent master for easier reading. All level 1 Elements should include a CRC-32. The CRC in use is the IEEE CRC32 Little Endian |
| SignatureSlot |
g |
[1B][53][86][67] |
- |
mult. |
- |
- |
m |
|
|
|
|
|
Contain signature of some (coming) Elements in the stream. |
| SignatureAlgo |
1 |
[7E][8A] |
- |
- |
- |
- |
u |
|
|
|
|
|
Signature algorithm used (1=RSA, 2=elliptic). |
| SignatureHash |
1 |
[7E][9A] |
- |
- |
- |
- |
u |
|
|
|
|
|
Hash algorithm used (1=SHA1-160, 2=MD5). |
| SignaturePublicKey |
1 |
[7E][A5] |
- |
- |
- |
- |
b |
|
|
|
|
|
The public key to use with the algorithm (in the case of a PKI-based signature). |
| Signature |
1 |
[7E][B5] |
- |
- |
- |
- |
b |
|
|
|
|
|
The signature of the data (until a new. |
| SignatureElements |
1 |
[7E][5B] |
- |
- |
- |
- |
m |
|
|
|
|
|
Contains Elements that will be used to compute the signature. |
| SignatureElementList |
2 |
[7E][7B] |
- |
mult. |
- |
- |
m |
|
|
|
|
|
A list consists of a number of consecutive Elements that represent one case where data is used in signature. Ex: Cluster|Block|BlockAdditional means that the BlockAdditional of all Blocks in all Clusters is used for encryption. |
| SignedElement |
3 |
[65][32] |
- |
mult. |
- |
- |
b |
|
|
|
|
|
An Element ID whose data will be used to compute the signature. |
| Element Name |
L |
EBML ID |
Ma |
Mu |
Rng |
Default |
T |
1 |
2 |
3 |
4 |
W |
Description |
|---|
| Segment |
|---|
| Segment |
0 |
[18][53][80][67] |
mand. |
- |
- |
- |
m |
* |
* |
* |
* |
* |
The Root Element that contains all other Top-Level Elements (Elements defined only at Level 1). A Matroska file is composed of 1 Segment. |
| Element Name |
L |
EBML ID |
Ma |
Mu |
Rng |
Default |
T |
1 |
2 |
3 |
4 |
W |
Description |
|---|
| Meta Seek Information |
|---|
| SeekHead |
1 |
[11][4D][9B][74] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Contains the position of other Top-Level Elements. |
| Seek |
2 |
[4D][BB] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Contains a single seek entry to an EBML Element. |
| SeekID |
3 |
[53][AB] |
mand. |
- |
- |
- |
b |
* |
* |
* |
* |
* |
The binary ID corresponding to the Element name. |
| SeekPosition |
3 |
[53][AC] |
mand. |
- |
- |
- |
u |
* |
* |
* |
* |
* |
The position of the Element in the Segment in octets (0 = first level 1 Element). |
| Element Name |
L |
EBML ID |
Ma |
Mu |
Rng |
Default |
T |
1 |
2 |
3 |
4 |
W |
Description |
|---|
| Segment Information |
|---|
| Info |
1 |
[15][49][A9][66] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Contains miscellaneous general information and statistics on the file. |
| SegmentUID |
2 |
[73][A4] |
- |
- |
not 0 |
- |
b |
* |
* |
* |
* |
|
A randomly generated unique ID to identify the current Segment between many others (128 bits). |
| SegmentFilename |
2 |
[73][84] |
- |
- |
- |
- |
8 |
* |
* |
* |
* |
|
A filename corresponding to this Segment. |
| PrevUID |
2 |
[3C][B9][23] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
|
A unique ID to identify the previous chained Segment (128 bits). |
| PrevFilename |
2 |
[3C][83][AB] |
- |
- |
- |
- |
8 |
* |
* |
* |
* |
|
An escaped filename corresponding to the previous Segment. |
| NextUID |
2 |
[3E][B9][23] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
|
A unique ID to identify the next chained Segment (128 bits). |
| NextFilename |
2 |
[3E][83][BB] |
- |
- |
- |
- |
8 |
* |
* |
* |
* |
|
An escaped filename corresponding to the next Segment. |
| SegmentFamily |
2 |
[44][44] |
- |
mult. |
- |
- |
b |
* |
* |
* |
* |
|
A randomly generated unique ID that all Segments related to each other must use (128 bits). |
| ChapterTranslate |
2 |
[69][24] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
|
A tuple of corresponding ID used by chapter codecs to represent this Segment. |
| ChapterTranslateEditionUID |
3 |
[69][FC] |
- |
mult. |
- |
- |
u |
* |
* |
* |
* |
|
Specify an edition UID on which this correspondance applies. When not specified, it means for all editions found in the Segment. |
| ChapterTranslateCodec |
3 |
[69][BF] |
mand. |
- |
- |
- |
u |
* |
* |
* |
* |
|
The chapter codec using this ID (0: Matroska Script, 1: DVD-menu). |
| ChapterTranslateID |
3 |
[69][A5] |
mand. |
- |
- |
- |
b |
* |
* |
* |
* |
|
The binary value used to represent this Segment in the chapter codec data. The format depends on the ChapProcessCodecID used. |
| TimecodeScale |
2 |
[2A][D7][B1] |
mand. |
- |
- |
1000000 |
u |
* |
* |
* |
* |
* |
Timestamp scale in nanoseconds (1.000.000 means all timestamps in the Segment are expressed in milliseconds). |
| Duration |
2 |
[44][89] |
- |
- |
> 0 |
- |
f |
* |
* |
* |
* |
* |
Duration of the Segment (based on TimecodeScale). |
| DateUTC |
2 |
[44][61] |
- |
- |
- |
- |
d |
* |
* |
* |
* |
* |
Date of the origin of timestamp (value 0), i.e. production date. |
| Title |
2 |
[7B][A9] |
- |
- |
- |
- |
8 |
* |
* |
* |
* |
|
General name of the Segment. |
| MuxingApp |
2 |
[4D][80] |
mand. |
- |
- |
- |
8 |
* |
* |
* |
* |
* |
Muxing application or library ("libmatroska-0.4.3"). |
| WritingApp |
2 |
[57][41] |
mand. |
- |
- |
- |
8 |
* |
* |
* |
* |
* |
Writing application ("mkvmerge-0.3.3"). |
| Element Name |
L |
EBML ID |
Ma |
Mu |
Rng |
Default |
T |
1 |
2 |
3 |
4 |
W |
Description |
|---|
| Cluster |
|---|
| Cluster |
1 |
[1F][43][B6][75] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
The Top-Level Element containing the (monolithic) Block structure. |
| Timecode |
2 |
[E7] |
mand. |
- |
- |
- |
u |
* |
* |
* |
* |
* |
Absolute timestamp of the cluster (based on TimecodeScale). |
| SilentTracks |
2 |
[58][54] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
|
The list of tracks that are not used in that part of the stream. It is useful when using overlay tracks on seeking. Then you should decide what track to use. |
| SilentTrackNumber |
3 |
[58][D7] |
- |
mult. |
- |
- |
u |
* |
* |
* |
* |
|
One of the track number that are not used from now on in the stream. It could change later if not specified as silent in a further Cluster. |
| Position |
2 |
[A7] |
- |
- |
- |
- |
u |
* |
* |
* |
* |
|
The Position of the Cluster in the Segment (0 in live broadcast streams). It might help to resynchronise offset on damaged streams. |
| PrevSize |
2 |
[AB] |
- |
- |
- |
- |
u |
* |
* |
* |
* |
* |
Size of the previous Cluster, in octets. Can be useful for backward playing. |
| SimpleBlock |
2 |
[A3] |
- |
mult. |
- |
- |
b |
|
* |
* |
* |
* |
Similar to Block but without all the extra information, mostly used to reduced overhead when no extra feature is needed. (see SimpleBlock Structure) |
| BlockGroup |
2 |
[A0] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Basic container of information containing a single Block or BlockVirtual, and information specific to that Block/VirtualBlock. |
| Block |
3 |
[A1] |
mand. |
- |
- |
- |
b |
* |
* |
* |
* |
* |
Block containing the actual data to be rendered and a timestamp relative to the Cluster Timecode. (see Block Structure) |
| BlockVirtual |
3 |
[A2] |
- |
- |
- |
- |
b |
|
|
|
|
|
A Block with no data. It must be stored in the stream at the place the real Block should be in display order. (see Block Virtual) |
| BlockAdditions |
3 |
[75][A1] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
|
Contain additional blocks to complete the main one. An EBML parser that has no knowledge of the Block structure could still see and use/skip these data. |
| BlockMore |
4 |
[A6] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
|
Contain the BlockAdditional and some parameters. |
| BlockAddID |
5 |
[EE] |
mand. |
- |
not 0 |
1 |
u |
* |
* |
* |
* |
|
An ID to identify the BlockAdditional level. |
| BlockAdditional |
5 |
[A5] |
mand. |
- |
- |
- |
b |
* |
* |
* |
* |
|
Interpreted by the codec as it wishes (using the BlockAddID). |
| BlockDuration |
3 |
[9B] |
- |
- |
- |
DefaultDuration |
u |
* |
* |
* |
* |
* |
The duration of the Block (based on TimecodeScale). This Element is mandatory when DefaultDuration is set for the track (but can be omitted as other default values). When not written and with no DefaultDuration, the value is assumed to be the difference between the timestamp of this Block and the timestamp of the next Block in "display" order (not coding order). This Element can be useful at the end of a Track (as there is not other Block available), or when there is a break in a track like for subtitle tracks. When set to 0 that means the frame is not a keyframe. |
| ReferencePriority |
3 |
[FA] |
mand. |
- |
- |
0 |
u |
* |
* |
* |
* |
|
This frame is referenced and has the specified cache priority. In cache only a frame of the same or higher priority can replace this frame. A value of 0 means the frame is not referenced. |
| ReferenceBlock |
3 |
[FB] |
- |
mult. |
- |
- |
i |
* |
* |
* |
* |
* |
Timestamp of another frame used as a reference (ie: B or P frame). The timestamp is relative to the block it's attached to. |
| ReferenceVirtual |
3 |
[FD] |
- |
- |
- |
- |
i |
|
|
|
|
|
Relative position of the data that should be in position of the virtual block. |
| CodecState |
3 |
[A4] |
- |
- |
- |
- |
b |
|
* |
* |
* |
|
The new codec state to use. Data interpretation is private to the codec. This information should always be referenced by a seek entry. |
| DiscardPadding |
3 |
[75][A2] |
- |
- |
- |
- |
i |
|
|
|
* |
* |
Duration in nanoseconds of the silent data added to the Block (padding at the end of the Block for positive value, at the beginning of the Block for negative value). The duration of DiscardPadding is not calculated in the duration of the TrackEntry and should be discarded during playback. |
| Slices |
3 |
[8E] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
* |
Contains slices description. |
| TimeSlice |
4 |
[E8] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Contains extra time information about the data contained in the Block. While there are a few files in the wild with this Element, it is no longer in use and has been deprecated. Being able to interpret this Element is not required for playback. |
| LaceNumber |
5 |
[CC] |
- |
- |
- |
0 |
u |
* |
* |
* |
* |
* |
The reverse number of the frame in the lace (0 is the last frame, 1 is the next to last, etc). While there are a few files in the wild with this Element, it is no longer in use and has been deprecated. Being able to interpret this Element is not required for playback. |
| BlockAdditionID |
5 |
[CB] |
- |
- |
- |
0 |
u |
|
|
|
|
|
The ID of the BlockAdditional Element (0 is the main Block). |
| Delay |
5 |
[CE] |
- |
- |
- |
0 |
u |
|
|
|
|
|
The (scaled) delay to apply to the Element. |
| SliceDuration |
5 |
[CF] |
- |
- |
- |
0 |
u |
|
|
|
|
|
The (scaled) duration to apply to the Element. |
| ReferenceFrame |
3 |
[C8] |
- |
- |
- |
- |
m |
|
|
|
|
|
DivX trick track extenstions |
| ReferenceOffset |
4 |
[C9] |
mand. |
- |
- |
- |
u |
|
|
|
|
|
DivX trick track extenstions |
| ReferenceTimeCode |
4 |
[CA] |
mand. |
- |
- |
- |
u |
|
|
|
|
|
DivX trick track extenstions |
| EncryptedBlock |
2 |
[AF] |
- |
mult. |
- |
- |
b |
|
|
|
|
|
Similar to SimpleBlock but the data inside the Block are Transformed (encrypt and/or signed). (see EncryptedBlock Structure) |
| Element Name |
L |
EBML ID |
Ma |
Mu |
Rng |
Default |
T |
1 |
2 |
3 |
4 |
W |
Description |
|---|
| Track |
|---|
| Tracks |
1 |
[16][54][AE][6B] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
A Top-Level Element of information with many tracks described. |
| TrackEntry |
2 |
[AE] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Describes a track with all Elements. |
| TrackNumber |
3 |
[D7] |
mand. |
- |
not 0 |
- |
u |
* |
* |
* |
* |
* |
The track number as used in the Block Header (using more than 127 tracks is not encouraged, though the design allows an unlimited number). |
| TrackUID |
3 |
[73][C5] |
mand. |
- |
not 0 |
- |
u |
* |
* |
* |
* |
* |
A unique ID to identify the Track. This should be kept the same when making a direct stream copy of the Track to another file. |
| TrackType |
3 |
[83] |
mand. |
- |
1-254 |
- |
u |
* |
* |
* |
* |
* |
A set of track types coded on 8 bits (1: video, 2: audio, 3: complex, 0x10: logo, 0x11: subtitle, 0x12: buttons, 0x20: control). |
| FlagEnabled |
3 |
[B9] |
mand. |
- |
0-1 |
1 |
u |
|
* |
* |
* |
* |
Set if the track is usable. (1 bit) |
| FlagDefault |
3 |
[88] |
mand. |
- |
0-1 |
1 |
u |
* |
* |
* |
* |
* |
Set if that track (audio, video or subs) SHOULD be active if no language found matches the user preference. (1 bit) |
| FlagForced |
3 |
[55][AA] |
mand. |
- |
0-1 |
0 |
u |
* |
* |
* |
* |
* |
Set if that track MUST be active during playback. There can be many forced track for a kind (audio, video or subs), the player should select the one which language matches the user preference or the default + forced track. Overlay MAY happen between a forced and non-forced track of the same kind. (1 bit) |
| FlagLacing |
3 |
[9C] |
mand. |
- |
0-1 |
1 |
u |
* |
* |
* |
* |
* |
Set if the track may contain blocks using lacing. (1 bit) |
| MinCache |
3 |
[6D][E7] |
mand. |
- |
- |
0 |
u |
* |
* |
* |
* |
|
The minimum number of frames a player should be able to cache during playback. If set to 0, the reference pseudo-cache system is not used. |
| MaxCache |
3 |
[6D][F8] |
- |
- |
- |
- |
u |
* |
* |
* |
* |
|
The maximum cache size required to store referenced frames in and the current frame. 0 means no cache is needed. |
| DefaultDuration |
3 |
[23][E3][83] |
- |
- |
not 0 |
- |
u |
* |
* |
* |
* |
* |
Number of nanoseconds (not scaled via TimecodeScale) per frame ('frame' in the Matroska sense -- one Element put into a (Simple)Block). |
| DefaultDecodedFieldDuration |
3 |
[23][4E][7A] |
- |
- |
not 0 |
- |
u |
|
|
|
* |
|
The period in nanoseconds (not scaled by TimcodeScale) between two successive fields at the output of the decoding process (see the notes) |
| TrackTimecodeScale |
3 |
[23][31][4F] |
mand. |
- |
> 0 |
1.0 |
f |
* |
* |
* |
|
|
DEPRECATED, DO NOT USE. The scale to apply on this track to work at normal speed in relation with other tracks (mostly used to adjust video speed when the audio length differs). |
| TrackOffset |
3 |
[53][7F] |
- |
- |
- |
0 |
i |
|
|
|
|
|
A value to add to the Block's Timestamp. This can be used to adjust the playback offset of a track. |
| MaxBlockAdditionID |
3 |
[55][EE] |
mand. |
- |
- |
0 |
u |
* |
* |
* |
* |
|
The maximum value of BlockAddID. A value 0 means there is no BlockAdditions for this track. |
| Name |
3 |
[53][6E] |
- |
- |
- |
- |
8 |
* |
* |
* |
* |
* |
A human-readable track name. |
| Language |
3 |
[22][B5][9C] |
- |
- |
- |
eng |
s |
* |
* |
* |
* |
* |
Specifies the language of the track in the Matroska languages form. |
| CodecID |
3 |
[86] |
mand. |
- |
- |
- |
s |
* |
* |
* |
* |
* |
An ID corresponding to the codec, see the codec page for more info. |
| CodecPrivate |
3 |
[63][A2] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
* |
Private data only known to the codec. |
| CodecName |
3 |
[25][86][88] |
- |
- |
- |
- |
8 |
* |
* |
* |
* |
* |
A human-readable string specifying the codec. |
| AttachmentLink |
3 |
[74][46] |
- |
- |
not 0 |
- |
u |
* |
* |
* |
* |
|
The UID of an attachment that is used by this codec. |
| CodecSettings |
3 |
[3A][96][97] |
- |
- |
- |
- |
8 |
|
|
|
|
|
A string describing the encoding setting used. |
| CodecInfoURL |
3 |
[3B][40][40] |
- |
mult. |
- |
- |
s |
|
|
|
|
|
A URL to find information about the codec used. |
| CodecDownloadURL |
3 |
[26][B2][40] |
- |
mult. |
- |
- |
s |
|
|
|
|
|
A URL to download about the codec used. |
| CodecDecodeAll |
3 |
[AA] |
mand. |
- |
0-1 |
1 |
u |
|
* |
* |
* |
|
The codec can decode potentially damaged data (1 bit). |
| TrackOverlay |
3 |
[6F][AB] |
- |
mult. |
- |
- |
u |
* |
* |
* |
* |
|
Specify that this track is an overlay track for the Track specified (in the u-integer). That means when this track has a gap (see SilentTracks) the overlay track should be used instead. The order of multiple TrackOverlay matters, the first one is the one that should be used. If not found it should be the second, etc. |
| CodecDelay |
3 |
[56][AA] |
- |
- |
- |
0 |
u |
|
|
|
* |
* |
CodecDelay is The codec-built-in delay in nanoseconds. This value must be subtracted from each block timestamp in order to get the actual timestamp. The value should be small so the muxing of tracks with the same actual timestamp are in the same Cluster. |
| SeekPreRoll |
3 |
[56][BB] |
mand. |
- |
- |
0 |
u |
|
|
|
* |
* |
After a discontinuity, SeekPreRoll is the duration in nanoseconds of the data the decoder must decode before the decoded data is valid. |
| TrackTranslate |
3 |
[66][24] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
|
The track identification for the given Chapter Codec. |
| TrackTranslateEditionUID |
4 |
[66][FC] |
- |
mult. |
- |
- |
u |
* |
* |
* |
* |
|
Specify an edition UID on which this translation applies. When not specified, it means for all editions found in the Segment. |
| TrackTranslateCodec |
4 |
[66][BF] |
mand. |
- |
- |
- |
u |
* |
* |
* |
* |
|
The chapter codec using this ID (0: Matroska Script, 1: DVD-menu). |
| TrackTranslateTrackID |
4 |
[66][A5] |
mand. |
- |
- |
- |
b |
* |
* |
* |
* |
|
The binary value used to represent this track in the chapter codec data. The format depends on the ChapProcessCodecID used. |
| Video |
3 |
[E0] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
* |
Video settings. |
| FlagInterlaced |
4 |
[9A] |
mand. |
- |
0-2 |
0 |
u |
|
* |
* |
* |
* |
A flag to declare is the video is known to be progressive or interlaced and if applicable to declare details about the interlacement. (0: undetermined, 1: interlaced, 2: progressive) |
| FieldOrder |
4 |
[9D] |
mand. |
- |
0-14 |
2 |
u |
|
|
|
* |
|
Declare the field ordering of the video. If FlagInterlaced is not set to 1, this Element MUST be ignored. (0: Progressive, 1: Interlaced with top field display first and top field stored first, 2: Undetermined field order, 6: Interlaced with bottom field displayed first and bottom field stored first, 9: Interlaced with bottom field displayed first and top field stored first, 14: Interlaced with top field displayed first and bottom field stored first) |
| StereoMode |
4 |
[53][B8] |
- |
- |
- |
0 |
u |
|
|
* |
* |
* |
Stereo-3D video mode (0: mono, 1: side by side (left eye is first), 2: top-bottom (right eye is first), 3: top-bottom (left eye is first), 4: checkboard (right is first), 5: checkboard (left is first), 6: row interleaved (right is first), 7: row interleaved (left is first), 8: column interleaved (right is first), 9: column interleaved (left is first), 10: anaglyph (cyan/red), 11: side by side (right eye is first), 12: anaglyph (green/magenta), 13 both eyes laced in one Block (left eye is first), 14 both eyes laced in one Block (right eye is first)) . There are some more details on 3D support in the Specification Notes. |
| AlphaMode |
4 |
[53][C0] |
- |
- |
- |
0 |
u |
|
|
* |
* |
* |
Alpha Video Mode. Presence of this Element indicates that the BlockAdditional Element could contain Alpha data. |
| OldStereoMode |
4 |
[53][B9] |
- |
- |
- |
- |
u |
|
|
|
|
|
DEPRECATED, DO NOT USE. Bogus StereoMode value used in old versions of libmatroska. (0: mono, 1: right eye, 2: left eye, 3: both eyes). |
| PixelWidth |
4 |
[B0] |
mand. |
- |
not 0 |
- |
u |
* |
* |
* |
* |
* |
Width of the encoded video frames in pixels. |
| PixelHeight |
4 |
[BA] |
mand. |
- |
not 0 |
- |
u |
* |
* |
* |
* |
* |
Height of the encoded video frames in pixels. |
| PixelCropBottom |
4 |
[54][AA] |
- |
- |
- |
0 |
u |
* |
* |
* |
* |
* |
The number of video pixels to remove at the bottom of the image (for HDTV content). |
| PixelCropTop |
4 |
[54][BB] |
- |
- |
- |
0 |
u |
* |
* |
* |
* |
* |
The number of video pixels to remove at the top of the image. |
| PixelCropLeft |
4 |
[54][CC] |
- |
- |
- |
0 |
u |
* |
* |
* |
* |
* |
The number of video pixels to remove on the left of the image. |
| PixelCropRight |
4 |
[54][DD] |
- |
- |
- |
0 |
u |
* |
* |
* |
* |
* |
The number of video pixels to remove on the right of the image. |
| DisplayWidth |
4 |
[54][B0] |
- |
- |
not 0 |
PixelWidth - PixelCropLeft - Pi |
u |
* |
* |
* |
* |
* |
Width of the video frames to display. Applies to the video frame after cropping (PixelCrop* Elements). The default value is only valid when DisplayUnit is 0. |
| DisplayHeight |
4 |
[54][BA] |
- |
- |
not 0 |
PixelHeight - PixelCropTop - Pi |
u |
* |
* |
* |
* |
* |
Height of the video frames to display. Applies to the video frame after cropping (PixelCrop* Elements). The default value is only valid when DisplayUnit is 0. |
| DisplayUnit |
4 |
[54][B2] |
- |
- |
- |
0 |
u |
* |
* |
* |
* |
* |
How DisplayWidth & DisplayHeight should be interpreted (0: pixels, 1: centimeters, 2: inches, 3: Display Aspect Ratio). |
| AspectRatioType |
4 |
[54][B3] |
- |
- |
- |
0 |
u |
* |
* |
* |
* |
* |
Specify the possible modifications to the aspect ratio (0: free resizing, 1: keep aspect ratio, 2: fixed). |
| ColourSpace |
4 |
[2E][B5][24] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
|
Same value as in AVI (32 bits). |
| GammaValue |
4 |
[2F][B5][23] |
- |
- |
> 0 |
- |
f |
|
|
|
|
|
Gamma Value. |
| FrameRate |
4 |
[23][83][E3] |
- |
- |
> 0 |
- |
f |
|
|
|
|
|
Number of frames per second. Informational only. |
| Colour |
4 |
[55][B0] |
- |
- |
- |
- |
m |
|
|
|
* |
|
Settings describing the colour format. |
| MatrixCoefficients |
5 |
[55][B1] |
- |
- |
- |
2 |
u |
|
|
|
* |
|
The Matrix Coefficients of the video used to derive luma and chroma values from reg, green, and blue color primaries. For clarity, the value and meanings for MatrixCoefficients are adopted from Table 4 of ISO/IEC 23001-8:2013/DCOR1. (0:GBR, 1: BT709, 2: Unspecified, 3: Reserved, 4: FCC, 5: BT470BG, 6: SMPTE 170M, 7: SMPTE 240M, 8: YCOCG, 9: BT2020 Non-constant Luminance, 10: BT2020 Constant Luminance) |
| BitsPerChannel |
5 |
[55][B2] |
- |
- |
- |
0 |
u |
|
|
|
* |
|
Number of decoded bits per channel. A value of 0 indicates that the BitsPerChannel is unspecified. |
| ChromaSubsamplingHorz |
5 |
[55][B3] |
- |
- |
- |
- |
u |
|
|
|
* |
|
The amount of pixels to remove in the Cr and Cb channels for every pixel not removed horizontally. Example: For video with 4:2:0 chroma subsampling, the ChromaSubsamplingHorz should be set to 1. |
| ChromaSubsamplingVert |
5 |
[55][B4] |
- |
- |
- |
- |
u |
|
|
|
* |
|
The amount of pixels to remove in the Cr and Cb channels for every pixel not removed vertically. Example: For video with 4:2:0 chroma subsampling, the ChromaSubsamplingVert should be set to 1. |
| CbSubsamplingHorz |
5 |
[55][B5] |
- |
- |
- |
- |
u |
|
|
|
* |
|
The amount of pixels to remove in the Cb channel for every pixel not removed horizontally. This is additive with ChromaSubsamplingHorz. Example: For video with 4:2:1 chroma subsampling, the ChromaSubsamplingHorz should be set to 1 and CbSubsamplingHorz should be set to 1. |
| CbSubsamplingVert |
5 |
[55][B6] |
- |
- |
- |
- |
u |
|
|
|
* |
|
The amount of pixels to remove in the Cb channel for every pixel not removed vertically. This is additive with ChromaSubsamplingVert. |
| ChromaSitingHorz |
5 |
[55][B7] |
- |
- |
- |
0 |
u |
|
|
|
* |
|
How chroma is subsampled horizontally. (0: Unspecified, 1: Left Collocated, 2: Half) |
| ChromaSitingVert |
5 |
[55][B8] |
- |
- |
- |
0 |
u |
|
|
|
* |
|
How chroma is subsampled vertically. (0: Unspecified, 1: Top Collocated, 2: Half) |
| Range |
5 |
[55][B9] |
- |
- |
- |
0 |
u |
|
|
|
* |
|
Clipping of the color ranges. (0: Unspecified, 1: Broadcast Range, 2: Full range (no clipping), 3: Defined by MatrixCoefficients/TransferCharacteristics) |
| TransferCharacteristics |
5 |
[55][BA] |
- |
- |
- |
2 |
u |
|
|
|
* |
|
The transfer characteristics of the video. For clarity, the value and meanings for TransferCharacteristics 1-15 are adopted from Table 3 of ISO/IEC 23001-8:2013/DCOR1. TransferCharacteristics 16-18 are proposed values. (0: Reserved, 1: ITU-R BT.709, 2: Unspecified, 3: Reserved, 4: Gamma 2.2 curve, 5: Gamma 2.8 curve, 6: SMPTE 170M, 7: SMPTE 240M, 8: Linear, 9: Log, 10: Log Sqrt, 11: IEC 61966-2-4, 12: ITU-R BT.1361 Extended Colour Gamut, 13: IEC 61966-2-1, 14: ITU-R BT.2020 10 bit, 15: ITU-R BT.2020 12 bit, 16: SMPTE ST 2084, 17: SMPTE ST 428-1 18: ARIB STD-B67 (HLG)) |
| Primaries |
5 |
[55][BB] |
- |
- |
- |
2 |
u |
|
|
|
* |
|
The colour primaries of the video. For clarity, the value and meanings for Primaries are adopted from Table 2 of ISO/IEC 23001-8:2013/DCOR1. (0: Reserved, 1: ITU-R BT.709, 2: Unspecified, 3: Reserved, 4: ITU-R BT.470M, 5: ITU-R BT.470BG, 6: SMPTE 170M, 7: SMPTE 240M, 8: FILM, 9: ITU-R BT.2020, 10: SMPTE ST 428-1, 22: JEDEC P22 phosphors) |
| MaxCLL |
5 |
[55][BC] |
- |
- |
- |
- |
u |
|
|
|
* |
|
Maximum brightness of a single pixel (Maximum Content Light Level) in candelas per square meter (cd/m²). |
| MaxFALL |
5 |
[55][BD] |
- |
- |
- |
- |
u |
|
|
|
* |
|
Maximum brightness of a single full frame (Maximum Frame-Average Light Level) in candelas per square meter (cd/m²). |
| MasteringMetadata |
5 |
[55][D0] |
- |
- |
- |
- |
m |
|
|
|
* |
|
SMPTE 2086 mastering data. |
| PrimaryRChromaticityX |
6 |
[55][D1] |
- |
- |
0-1 |
- |
f |
|
|
|
* |
|
Red X chromaticity coordinate as defined by CIE 1931. |
| PrimaryRChromaticityY |
6 |
[55][D2] |
- |
- |
0-1 |
- |
f |
|
|
|
* |
|
Red Y chromaticity coordinate as defined by CIE 1931. |
| PrimaryGChromaticityX |
6 |
[55][D3] |
- |
- |
0-1 |
- |
f |
|
|
|
* |
|
Green X chromaticity coordinate as defined by CIE 1931. |
| PrimaryGChromaticityY |
6 |
[55][D4] |
- |
- |
0-1 |
- |
f |
|
|
|
* |
|
Green Y chromaticity coordinate as defined by CIE 1931. |
| PrimaryBChromaticityX |
6 |
[55][D5] |
- |
- |
0-1 |
- |
f |
|
|
|
* |
|
Blue X chromaticity coordinate as defined by CIE 1931. |
| PrimaryBChromaticityY |
6 |
[55][D6] |
- |
- |
0-1 |
- |
f |
|
|
|
* |
|
Blue Y chromaticity coordinate as defined by CIE 1931. |
| WhitePointChromaticityX |
6 |
[55][D7] |
- |
- |
0-1 |
- |
f |
|
|
|
* |
|
White X chromaticity coordinate as defined by CIE 1931. |
| WhitePointChromaticityY |
6 |
[55][D8] |
- |
- |
0-1 |
- |
f |
|
|
|
* |
|
White Y chromaticity coordinate as defined by CIE 1931. |
| LuminanceMax |
6 |
[55][D9] |
- |
- |
0-9999.99 |
- |
f |
|
|
|
* |
|
Maximum luminance. Shall be represented in candelas per square meter (cd/m²). |
| LuminanceMin |
6 |
[55][DA] |
- |
- |
0-999.9999 |
- |
f |
|
|
|
* |
|
Mininum luminance. Shall be represented in candelas per square meter (cd/m²). |
| Audio |
3 |
[E1] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
* |
Audio settings. |
| SamplingFrequency |
4 |
[B5] |
mand. |
- |
> 0 |
8000.0 |
f |
* |
* |
* |
* |
* |
Sampling frequency in Hz. |
| OutputSamplingFrequency |
4 |
[78][B5] |
- |
- |
> 0 |
SamplingFrequency |
f |
* |
* |
* |
* |
* |
Real output sampling frequency in Hz (used for SBR techniques). |
| Channels |
4 |
[9F] |
mand. |
- |
not 0 |
1 |
u |
* |
* |
* |
* |
* |
Numbers of channels in the track. |
| ChannelPositions |
4 |
[7D][7B] |
- |
- |
- |
- |
b |
|
|
|
|
|
Table of horizontal angles for each successive channel, see appendix. |
| BitDepth |
4 |
[62][64] |
- |
- |
not 0 |
- |
u |
* |
* |
* |
* |
* |
Bits per sample, mostly used for PCM. |
| TrackOperation |
3 |
[E2] |
- |
- |
- |
- |
m |
|
|
* |
* |
|
Operation that needs to be applied on tracks to create this virtual track. For more details look at the Specification Notes on the subject. |
| TrackCombinePlanes |
4 |
[E3] |
- |
- |
- |
- |
m |
|
|
* |
* |
|
Contains the list of all video plane tracks that need to be combined to create this 3D track |
| TrackPlane |
5 |
[E4] |
mand. |
mult. |
- |
- |
m |
|
|
* |
* |
|
Contains a video plane track that need to be combined to create this 3D track |
| TrackPlaneUID |
6 |
[E5] |
mand. |
- |
not 0 |
- |
u |
|
|
* |
* |
|
The trackUID number of the track representing the plane. |
| TrackPlaneType |
6 |
[E6] |
mand. |
- |
- |
- |
u |
|
|
* |
* |
|
The kind of plane this track corresponds to (0: left eye, 1: right eye, 2: background). |
| TrackJoinBlocks |
4 |
[E9] |
- |
- |
- |
- |
m |
|
|
* |
* |
|
Contains the list of all tracks whose Blocks need to be combined to create this virtual track |
| TrackJoinUID |
5 |
[ED] |
mand. |
mult. |
not 0 |
- |
u |
|
|
* |
* |
|
The trackUID number of a track whose blocks are used to create this virtual track. |
| TrickTrackUID |
3 |
[C0] |
- |
- |
- |
- |
u |
|
|
|
|
|
DivX trick track extenstions |
| TrickTrackSegmentUID |
3 |
[C1] |
- |
- |
- |
- |
b |
|
|
|
|
|
DivX trick track extenstions |
| TrickTrackFlag |
3 |
[C6] |
- |
- |
- |
0 |
u |
|
|
|
|
|
DivX trick track extenstions |
| TrickMasterTrackUID |
3 |
[C7] |
- |
- |
- |
- |
u |
|
|
|
|
|
DivX trick track extenstions |
| TrickMasterTrackSegmentUID |
3 |
[C4] |
- |
- |
- |
- |
b |
|
|
|
|
|
DivX trick track extenstions |
| ContentEncodings |
3 |
[6D][80] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
|
Settings for several content encoding mechanisms like compression or encryption. |
| ContentEncoding |
4 |
[62][40] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
|
Settings for one content encoding like compression or encryption. |
| ContentEncodingOrder |
5 |
[50][31] |
mand. |
- |
- |
0 |
u |
* |
* |
* |
* |
|
Tells when this modification was used during encoding/muxing starting with 0 and counting upwards. The decoder/demuxer has to start with the highest order number it finds and work its way down. This value has to be unique over all ContentEncodingOrder Elements in the Segment. |
| ContentEncodingScope |
5 |
[50][32] |
mand. |
- |
not 0 |
1 |
u |
* |
* |
* |
* |
|
A bit field that describes which Elements have been modified in this way. Values (big endian) can be OR'ed. Possible values:
1 - all frame contents,
2 - the track's private data,
4 - the next ContentEncoding (next ContentEncodingOrder. Either the data inside ContentCompression and/or ContentEncryption) |
| ContentEncodingType |
5 |
[50][33] |
mand. |
- |
- |
0 |
u |
* |
* |
* |
* |
|
A value describing what kind of transformation has been done. Possible values:
0 - compression,
1 - encryption |
| ContentCompression |
5 |
[50][34] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
|
Settings describing the compression used. Must be present if the value of ContentEncodingType is 0 and absent otherwise. Each block must be decompressable even if no previous block is available in order not to prevent seeking. |
| ContentCompAlgo |
6 |
[42][54] |
mand. |
- |
- |
0 |
u |
* |
* |
* |
* |
|
The compression algorithm used. Algorithms that have been specified so far are:
0 - zlib,
1 - bzlib,
2 - lzo1x
3 - Header Stripping |
| ContentCompSettings |
6 |
[42][55] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
|
Settings that might be needed by the decompressor. For Header Stripping (ContentCompAlgo=3), the bytes that were removed from the beggining of each frames of the track. |
| ContentEncryption |
5 |
[50][35] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
|
Settings describing the encryption used. Must be present if the value of ContentEncodingType is 1 and absent otherwise. |
| ContentEncAlgo |
6 |
[47][E1] |
- |
- |
- |
0 |
u |
* |
* |
* |
* |
|
The encryption algorithm used. The value '0' means that the contents have not been encrypted but only signed. Predefined values:
1 - DES, 2 - 3DES, 3 - Twofish, 4 - Blowfish, 5 - AES |
| ContentEncKeyID |
6 |
[47][E2] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
|
For public key algorithms this is the ID of the public key the the data was encrypted with. |
| ContentSignature |
6 |
[47][E3] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
|
A cryptographic signature of the contents. |
| ContentSigKeyID |
6 |
[47][E4] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
|
This is the ID of the private key the data was signed with. |
| ContentSigAlgo |
6 |
[47][E5] |
- |
- |
- |
0 |
u |
* |
* |
* |
* |
|
The algorithm used for the signature. A value of '0' means that the contents have not been signed but only encrypted. Predefined values:
1 - RSA |
| ContentSigHashAlgo |
6 |
[47][E6] |
- |
- |
- |
0 |
u |
* |
* |
* |
* |
|
The hash algorithm used for the signature. A value of '0' means that the contents have not been signed but only encrypted. Predefined values:
1 - SHA1-160
2 - MD5 |
| Element Name |
L |
EBML ID |
Ma |
Mu |
Rng |
Default |
T |
1 |
2 |
3 |
4 |
W |
Description |
|---|
| Cueing Data |
|---|
| Cues |
1 |
[1C][53][BB][6B] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
* |
A Top-Level Element to speed seeking access. All entries are local to the Segment. Should be mandatory for non "live" streams. |
| CuePoint |
2 |
[BB] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Contains all information relative to a seek point in the Segment. |
| CueTime |
3 |
[B3] |
mand. |
- |
- |
- |
u |
* |
* |
* |
* |
* |
Absolute timestamp according to the Segment time base. |
| CueTrackPositions |
3 |
[B7] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Contain positions for different tracks corresponding to the timestamp. |
| CueTrack |
4 |
[F7] |
mand. |
- |
not 0 |
- |
u |
* |
* |
* |
* |
* |
The track for which a position is given. |
| CueClusterPosition |
4 |
[F1] |
mand. |
- |
- |
- |
u |
* |
* |
* |
* |
* |
The position of the Cluster containing the required Block. |
| CueRelativePosition |
4 |
[F0] |
- |
- |
- |
- |
u |
|
|
|
* |
|
The relative position of the referenced block inside the cluster with 0 being the first possible position for an Element inside that cluster. |
| CueDuration |
4 |
[B2] |
- |
- |
- |
- |
u |
|
|
|
* |
|
The duration of the block according to the Segment time base. If missing the track's DefaultDuration does not apply and no duration information is available in terms of the cues. |
| CueBlockNumber |
4 |
[53][78] |
- |
- |
not 0 |
1 |
u |
* |
* |
* |
* |
* |
Number of the Block in the specified Cluster. |
| CueCodecState |
4 |
[EA] |
- |
- |
- |
0 |
u |
|
* |
* |
* |
|
The position of the Codec State corresponding to this Cue Element. 0 means that the data is taken from the initial Track Entry. |
| CueReference |
4 |
[DB] |
- |
mult. |
- |
- |
m |
|
* |
* |
* |
|
The Clusters containing the required referenced Blocks. |
| CueRefTime |
5 |
[96] |
mand. |
- |
- |
- |
u |
|
* |
* |
* |
|
Timestamp of the referenced Block. |
| CueRefCluster |
5 |
[97] |
mand. |
- |
- |
- |
u |
|
|
|
|
|
The Position of the Cluster containing the referenced Block. |
| CueRefNumber |
5 |
[53][5F] |
- |
- |
not 0 |
1 |
u |
|
|
|
|
|
Number of the referenced Block of Track X in the specified Cluster. |
| CueRefCodecState |
5 |
[EB] |
- |
- |
- |
0 |
u |
|
|
|
|
|
The position of the Codec State corresponding to this referenced Element. 0 means that the data is taken from the initial Track Entry. |
| Element Name |
L |
EBML ID |
Ma |
Mu |
Rng |
Default |
T |
1 |
2 |
3 |
4 |
W |
Description |
|---|
| Attachment |
|---|
| Attachments |
1 |
[19][41][A4][69] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
|
Contain attached files. |
| AttachedFile |
2 |
[61][A7] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
|
An attached file. |
| FileDescription |
3 |
[46][7E] |
- |
- |
- |
- |
8 |
* |
* |
* |
* |
|
A human-friendly name for the attached file. |
| FileName |
3 |
[46][6E] |
mand. |
- |
- |
- |
8 |
* |
* |
* |
* |
|
Filename of the attached file. |
| FileMimeType |
3 |
[46][60] |
mand. |
- |
- |
- |
s |
* |
* |
* |
* |
|
MIME type of the file. |
| FileData |
3 |
[46][5C] |
mand. |
- |
- |
- |
b |
* |
* |
* |
* |
|
The data of the file. |
| FileUID |
3 |
[46][AE] |
mand. |
- |
not 0 |
- |
u |
* |
* |
* |
* |
|
Unique ID representing the file, as random as possible. |
| FileReferral |
3 |
[46][75] |
- |
- |
- |
- |
b |
|
|
|
|
|
A binary value that a track/codec can refer to when the attachment is needed. |
| FileUsedStartTime |
3 |
[46][61] |
- |
- |
- |
- |
u |
|
|
|
|
|
DivX font extension |
| FileUsedEndTime |
3 |
[46][62] |
- |
- |
- |
- |
u |
|
|
|
|
|
DivX font extension |
| Element Name |
L |
EBML ID |
Ma |
Mu |
Rng |
Default |
T |
1 |
2 |
3 |
4 |
W |
Description |
|---|
| Chapters |
|---|
| Chapters |
1 |
[10][43][A7][70] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
* |
A system to define basic menus and partition data. For more detailed information, look at the Chapters Explanation. |
| EditionEntry |
2 |
[45][B9] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Contains all information about a Segment edition. |
| EditionUID |
3 |
[45][BC] |
- |
- |
not 0 |
- |
u |
* |
* |
* |
* |
|
A unique ID to identify the edition. It's useful for tagging an edition. |
| EditionFlagHidden |
3 |
[45][BD] |
mand. |
- |
0-1 |
0 |
u |
* |
* |
* |
* |
|
If an edition is hidden (1), it should not be available to the user interface (but still to Control Tracks; see flag notes). (1 bit) |
| EditionFlagDefault |
3 |
[45][DB] |
mand. |
- |
0-1 |
0 |
u |
* |
* |
* |
* |
|
If a flag is set (1) the edition should be used as the default one. (1 bit) |
| EditionFlagOrdered |
3 |
[45][DD] |
- |
- |
0-1 |
0 |
u |
* |
* |
* |
* |
|
Specify if the chapters can be defined multiple times and the order to play them is enforced. (1 bit) |
| ChapterAtom |
3+ |
[B6] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Contains the atom information to use as the chapter atom (apply to all tracks). |
| ChapterUID |
4 |
[73][C4] |
mand. |
- |
not 0 |
- |
u |
* |
* |
* |
* |
* |
A unique ID to identify the Chapter. |
| ChapterStringUID |
4 |
[56][54] |
- |
- |
- |
- |
8 |
|
|
* |
* |
* |
A unique string ID to identify the Chapter. Use for WebVTT cue identifier storage. |
| ChapterTimeStart |
4 |
[91] |
mand. |
- |
- |
- |
u |
* |
* |
* |
* |
* |
Timestamp of the start of Chapter (not scaled). |
| ChapterTimeEnd |
4 |
[92] |
- |
- |
- |
- |
u |
* |
* |
* |
* |
|
Timestamp of the end of Chapter (timestamp excluded, not scaled). |
| ChapterFlagHidden |
4 |
[98] |
mand. |
- |
0-1 |
0 |
u |
* |
* |
* |
* |
|
If a chapter is hidden (1), it should not be available to the user interface (but still to Control Tracks; see flag notes). (1 bit) |
| ChapterFlagEnabled |
4 |
[45][98] |
mand. |
- |
0-1 |
1 |
u |
* |
* |
* |
* |
|
Specify wether the chapter is enabled. It can be enabled/disabled by a Control Track. When disabled, the movie should skip all the content between the TimeStart and TimeEnd of this chapter (see flag notes). (1 bit) |
| ChapterSegmentUID |
4 |
[6E][67] |
- |
- |
>0 |
- |
b |
* |
* |
* |
* |
|
A Segment to play in place of this chapter. Edition ChapterSegmentEditionUID should be used for this Segment, otherwise no edition is used. |
| ChapterSegmentEditionUID |
4 |
[6E][BC] |
- |
- |
not 0 |
- |
u |
* |
* |
* |
* |
|
The EditionUID to play from the Segment linked in ChapterSegmentUID. |
| ChapterPhysicalEquiv |
4 |
[63][C3] |
- |
- |
- |
- |
u |
* |
* |
* |
* |
|
Specify the physical equivalent of this ChapterAtom like "DVD" (60) or "SIDE" (50), see complete list of values. |
| ChapterTrack |
4 |
[8F] |
- |
- |
- |
- |
m |
* |
* |
* |
* |
|
List of tracks on which the chapter applies. If this Element is not present, all tracks apply |
| ChapterTrackNumber |
5 |
[89] |
mand. |
mult. |
not 0 |
- |
u |
* |
* |
* |
* |
|
UID of the Track to apply this chapter too. In the absence of a control track, choosing this chapter will select the listed Tracks and deselect unlisted tracks. Absence of this Element indicates that the Chapter should be applied to any currently used Tracks. |
| ChapterDisplay |
4 |
[80] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
* |
Contains all possible strings to use for the chapter display. |
| ChapString |
5 |
[85] |
mand. |
- |
- |
- |
8 |
* |
* |
* |
* |
* |
Contains the string to use as the chapter atom. |
| ChapLanguage |
5 |
[43][7C] |
mand. |
mult. |
- |
eng |
s |
* |
* |
* |
* |
* |
The languages corresponding to the string, in the bibliographic ISO-639-2 form. |
| ChapCountry |
5 |
[43][7E] |
- |
mult. |
- |
- |
s |
* |
* |
* |
* |
|
The countries corresponding to the string, same 2 octets as in Internet domains. |
| ChapProcess |
4 |
[69][44] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
|
Contains all the commands associated to the Atom. |
| ChapProcessCodecID |
5 |
[69][55] |
mand. |
- |
- |
0 |
u |
* |
* |
* |
* |
|
Contains the type of the codec used for the processing. A value of 0 means native Matroska processing (to be defined), a value of 1 means the DVD command set is used. More codec IDs can be added later. |
| ChapProcessPrivate |
5 |
[45][0D] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
|
Some optional data attached to the ChapProcessCodecID information. For ChapProcessCodecID = 1, it is the "DVD level" equivalent. |
| ChapProcessCommand |
5 |
[69][11] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
|
Contains all the commands associated to the Atom. |
| ChapProcessTime |
6 |
[69][22] |
mand. |
- |
- |
- |
u |
* |
* |
* |
* |
|
Defines when the process command should be handled (0: during the whole chapter, 1: before starting playback, 2: after playback of the chapter). |
| ChapProcessData |
6 |
[69][33] |
mand. |
- |
- |
- |
b |
* |
* |
* |
* |
|
Contains the command information. The data should be interpreted depending on the ChapProcessCodecID value. For ChapProcessCodecID = 1, the data correspond to the binary DVD cell pre/post commands. |
| Element Name |
L |
EBML ID |
Ma |
Mu |
Rng |
Default |
T |
1 |
2 |
3 |
4 |
W |
Description |
|---|
| Tagging |
|---|
| Tags |
1 |
[12][54][C3][67] |
- |
mult. |
- |
- |
m |
* |
* |
* |
* |
|
Element containing Elements specific to Tracks/Chapters. A list of valid tags can be found here. |
| Tag |
2 |
[73][73] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
|
Element containing Elements specific to Tracks/Chapters. |
| Targets |
3 |
[63][C0] |
mand. |
- |
- |
- |
m |
* |
* |
* |
* |
|
Contain all UIDs where the specified meta data apply. It is empty to describe everything in the Segment. |
| TargetTypeValue |
4 |
[68][CA] |
- |
- |
- |
50 |
u |
* |
* |
* |
* |
|
A number to indicate the logical level of the target (see TargetType). |
| TargetType |
4 |
[63][CA] |
- |
- |
- |
- |
s |
* |
* |
* |
* |
|
An informational string that can be used to display the logical level of the target like "ALBUM", "TRACK", "MOVIE", "CHAPTER", etc (see TargetType). |
| TagTrackUID |
4 |
[63][C5] |
- |
mult. |
- |
0 |
u |
* |
* |
* |
* |
|
A unique ID to identify the Track(s) the tags belong to. If the value is 0 at this level, the tags apply to all tracks in the Segment. |
| TagEditionUID |
4 |
[63][C9] |
- |
mult. |
- |
0 |
u |
* |
* |
* |
* |
|
A unique ID to identify the EditionEntry(s) the tags belong to. If the value is 0 at this level, the tags apply to all editions in the Segment. |
| TagChapterUID |
4 |
[63][C4] |
- |
mult. |
- |
0 |
u |
* |
* |
* |
* |
|
A unique ID to identify the Chapter(s) the tags belong to. If the value is 0 at this level, the tags apply to all chapters in the Segment. |
| TagAttachmentUID |
4 |
[63][C6] |
- |
mult. |
- |
0 |
u |
* |
* |
* |
* |
|
A unique ID to identify the Attachment(s) the tags belong to. If the value is 0 at this level, the tags apply to all the attachments in the Segment. |
| SimpleTag |
3+ |
[67][C8] |
mand. |
mult. |
- |
- |
m |
* |
* |
* |
* |
|
Contains general information about the target. |
| TagName |
4 |
[45][A3] |
mand. |
- |
- |
- |
8 |
* |
* |
* |
* |
|
The name of the Tag that is going to be stored. |
| TagLanguage |
4 |
[44][7A] |
mand. |
- |
- |
und |
s |
* |
* |
* |
* |
|
Specifies the language of the tag specified, in the Matroska languages form. |
| TagDefault |
4 |
[44][84] |
mand. |
- |
0-1 |
1 |
u |
* |
* |
* |
* |
|
Indication to know if this is the default/original language to use for the given tag. (1 bit) |
| TagString |
4 |
[44][87] |
- |
- |
- |
- |
8 |
* |
* |
* |
* |
|
The value of the Tag. |
| TagBinary |
4 |
[44][85] |
- |
- |
- |
- |
b |
* |
* |
* |
* |
|
The values of the Tag if it is binary. Note that this cannot be used in the same SimpleTag as TagString. |


{% extends "playaevents/base.html" %} {% load i18n %} {% block head_title %}{% blocktrans %}Playa Events{% endblocktrans %}{% endblock %} {% block body %}
The playa events submission form will be available on June 16th.


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Vulkan SDK for Linux Release Notes
Vulkan SDK 1.0.57 Release Notes
Version 1.0.57 for Linux
August 10, 2017
This SDK supports Vulkan API revision 1.0.57. The prior SDK supported Vulkan API revision 1.0.54.
Dependencies for Ubuntu now include:
libx11-dev libxcb1-dev libxkbcommon-dev libmirclient-dev libwayland-dev
The dependencies on other platforms may be different.
Please refer to the Getting Started Guide for a list of supported Linux distributions.
Drivers: LunarG recommends that you update your Vulkan-capable hardware drivers to the latest recommended version from your hardware vendor. A list of Known Driver Issues appears at the end of this document with more information.
Linux Loader now searches /usr/local/etc/vulkan
and /usr/local/share/vulkan
for drivers and layers.
These new paths are in addition to the previous locations of /etc/vulkan
, /usr/share/vulkan
,
and the user's HOME local path, e.g., $HOME/.local/share/vulkan
.
The two new "/usr/local" locations are configurable at build time, allowing configuration of the loader
for specific filesystem structures.
See the BUILD.html
guide in the Loader And Validation Layers repository and the "Loader and Layers Interface"
guide for more information.
Overview of new features in SDK 1.0.57
- Device Simulation Layer allows JSON configuration of device-reported limits and capabilities
- Scores of bug fixes, validation coverage and accuracy improvements, and many feature additions
- Extensions introduced since the 1.0.54 SDK:
- VK_EXT_depth_range_unrestricted
- VK_KHR_relaxed_block_layout
- VK_AMD_mixed_attachment_samples
- VK_EXT_post_depth_coverage
- New options in spirv-opt to reduce SPIR-V binary size
SDK Components
This version of the SDK components are based on the following specifications and source code repositories:
Last Commits are designated by the following Git Tags in the respective repositories:
- LoaderAndValidationLayers: sdk-<IP_ADDRESS>
- VulkanTools: sdk-<IP_ADDRESS>
- VulkanSamples: sdk-<IP_ADDRESS>
Fixed Issues
Fixed Vulkan-LoaderAndValidationLayers Github Issues:
- #1978 Crash on vulkaninfo by loading libvulkan_radeon on an Intel GPU
- #1967 Validation layer: Load / store ops are not verified at vkCreateRenderPass() call time
- #1956 Writable and executable sections in libvulkan.so
- #1951 Finish CmdPipelineBarrier validation
- #1941 Assertion failed for descriptor set draw with destroyed image view state
- #1933 Enabling both VK_KHR_maintenance1 and VK_AMD_negative_viewport_height at the same time does not fail validation
- #1931 Disregard missing fragment outputs if colorWriteMask == 0
- #1924 Improve output of VkPhysicalDeviceFeature struct error
- #1910 Core_validation + VK_KHR_maintenance1: No warning reported if a 2D image view backed by 3D image is put into a descriptor set
- #1378 Validate Spirv decorations
- #737 Validation: need to validate barriers within a renderpass against subpass self-dependencies
Fixed LunarXchange Issues:
- #701 - VK_LAYER_LUNARG_standard_validation not available as device layer
- #700 - Validation layer reports that the samplerAnisotropy feature is not enabled on both NVIDIA and AMD cards
- #692 - Wrong message about negative viewport height
- #691 - Unattended or silent installation of the Vulkan SDK on Windows
Fixed VulkanSamples Github issues:
- #149 /usr/bin/ld: Cannot find -lpthreads & CheckFunctionExists.c:(.text+0x15)
Known Issues
- Loader and validation layer open issues are available in the Vulkan-LoaderAndValidationLayers Github Repository
- VkTrace and other tool-related open issues are available in the VulkanTools Github Repository
- Vulkan Sample-related open issues are available in the VulkanSamples Github Repository
Developer Notes
- The pre-compiled glslang static libraries are not compatible with the Linux 4 runtime (e.g., Ubuntu 15.10). These libraries must be rebuilt before use with the SDK samples. See the Vulkan Samples page for more information.
- The script source/shaderc/update_shaderc_sources.py fails on Arch Linux because python3 is the default python interpreter. To work around this issue, change the line at the top of the file to be python2.
Known Driver Issues
None
Important Notes About Experimental Extensions
The KHX
and NVX
identifiers in the name indicate that the extension is experimental, and is being considered for
future standardization. In the case of a KHX
extension, this extension is being considered as either a KHR
extension
or core Vulkan API functionality. NVX
extensions are being considered for either a final NV
or a more general
(EXT
, KHR
) extension.
As experimental extensions:
- Developers are encouraged to experiment with them and provide feedback, but should not use them as the basis for production applications.
- These experimental extensions are expected to be supported for a limited time only.
- They may change their interfaces and behavior in significant ways as a result of feedback
- They may be withdrawn or replaced with a different stable (
KHR
,EXT
, ...) extension or core functionality at any time. - Implementations of these extensions receive limited or no testing when submitted to the Khronos conformance process.
- Using experimental extensions with the validation layers may produce inaccurate validation results.


Greetings!
You've come the right way. Go on! Discover me...
Use keyboard arrows to navigate
About Me
Hi ! I'm Prakhar Yadav
A Computer Science scholar.
I enjoy working on problems of algorithms and have a keen interest in data science.
My exploits mostly range in C++ and Python. And I'm currently serving my time as a
Master's student in BITS Pilani, Goa Campus.
Internships
O.N.G.C.
Summer intern at Programming division,
involved in software
development.
Developed SEGY Editor using C++ on Qt framework,
with complete GUI
support,
on Linux platform.
Certificate
Cognizant
Virtual Internship Program from Cognizant's CIOsChallenge 2017
The program aims at acquiring top talent from reputed colleges across India.
Selected students are mentored and trained by managers at Cognizant, who then
develop applications to simplify the business solution.
Developing application for Anomaly Detection during the internship.
Acknoledgement
Letter
Skills
-
Primary Language
  C++
  Python     -
Development Tools
  Qt Framework
  PhpStorm -
Other Programming skills
  MySQL
  PHP
  HTML
  CSS
  Bootstrap
-
Working Platform
  Linux
Education
-
2019 - 2021
Master in Engineering
BITS Pilani
Branch: Computer Science and Engineering -
2013 - 2017
Bachelor of Technology
SRM University
Branch: Computer Science and Engineering -
2011 - 2012
Senior Secondary Schooling (10+2)
The Asian School, Dehradun
Stream: Physics, Chemistry, Maths, ComputerSc. -
2009 - 2010
High School (10)
The Asian School, Dehradun
Stream: Science


About NOC Volleyball Club
NOC/North Orange County Volleyball Club
Contact
You Can Freely E-Mail Or Text Matt Silva
<EMAIL_ADDRESS>(562)-506-4440
NOC/North Orange County Volleyball Club
You Can Freely E-Mail Or Text Matt Silva
<EMAIL_ADDRESS>(562)-506-4440


Mortgage Plans
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7/1 ARM with LPMI
Rate: 4.0%
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Term: 30 Years
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Plan Details
30-Year Fixed Rate with BPMI
Rate: 4.125%
APR: 4.378%
Term:
30 Years
Payment:
$1,868
Loan Amount:
$360,000
Closing Cost:
$5,478
Find a local consultant
or call 1-866-842-7812


{%load static%}
Power diodes are similar to classical semiconductor diodes. The only difference is that they can carry significantly bigger currents. To refresh the knowledge about the semiconductor diodes, they can perform under two regimes – forward-biased and reversed-biased. If the potential to the anode is higher than the cathode potential, then the diode works in the forward-biased regime. In the reversed-biased regime, the current flowing through the forward-biased diode is called forward current. Current through the reversed-biased diode does not flow.
A thyristor are similar to semiconductor diodes, but have an additional gate that is responsible for turning on the conduction at the thyristor – when the small current is injected into the thyristor and the anode voltage is greater than the cathode voltage. The conduction stops when thyristor is reversed-biased. The voltage and current ratings for a thyristor are 3,500A and 6,000V. The most important parameter for a thyristor is switching-off time – time that is needed for a device to zero the current after it is reverse biased. The fastest turn off ratings can be achieved only for thyristors with small ratings.


I had a particularly interesting experience with 2C-I, amphetamine, cannabinoids and salvia divinorum. It was a Friday evening, around 20:00 and I was in the mood to chill. I had some 2C-I that I made earlier in the week, checked with IR spec and proton NMR, relatively confident that it was indeed 2C-I, and a few tablets containing mixed amphetamine salts (generic Adderall, which is 75% d-amphetamine and 25% l-amphetamine--why they put the l-amphetamine in, I will never know). My girlfriend and I each took ~20 mg of 2C-I at 20:10 and shared a bowl of cannabis. The cannabinoids took effect nearly instantly, as they usually do, especially notable were the appetite potentiating effects. Hence, we went to eat dinner and started eating around 21:30. When we were waiting to be seated, there were no effects, other a lingering post-cannabinoid hunger.
By 21:50, we both started to comment that the lights in the restaurant were far brighter than usual, not the ambient light level, but the lights themselves. The lights had coronas (shimmering coloured halos). Also, the individuals around us seemed to be moving very quickly, it was almost as if we experienced relativistic time around our table, that is, we were moving in real time, but far slower than everything around us. The effects were not overpoweringly psychedelic (no tracers, patterns, hallucinations, etc...), they were, however, quite 'chill' or peaceful. In fact, the effect was quite similar to 3,4-dimethoxy-substituted amphetamines (MDA, MDMA, MDE), but perhaps not as sentimental and less physical. 2C-I seems like an ideal compound to take when one desires a very mild, laid-back intimate experience.
We soon left for a friend's flat. We arrived at approximately 23:15 and each took 10 mg of mixed amphetamine salts. The amphetamines kicked in rather quickly, however, in general, amphetamines do not have a tremendous effect on me, due to my daily antidepressant regiment, which includes Effexor and Wellbutrin, durgs that block the noradrenalin and dopamine transporters, likely attenuating the amphetamine-mediated release of dopamine and NA. At around 01:00 in the morning, we tried some Salvia Divinorum. I had tried Salvia once before with absolutely no effect. My friends had 5x extract, which is what I had tried years before. I ingested an entire bowl and experience nothing, save the truly heinous taste and acrid taste of salvia smoke. My friends claimed to experience a sensation of falling backwards, or being 'sucked into the floor.' One friend started laughing uncontrollably for about 5 minutes, which seems like an uncommon reaction to Salvia.
Overall, it was interesting experience. The 2C-I was certainly the highlight.  Salvia has once again disappointed me. Perhaps I simply do not have the right isozyme of Kappa-Opioid receptor (perhaps a point mutation or something?)
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


This is my first entry of my blog that is left a little more open-ended. All the previous posts have been directly related to some kind of assignment, teaching you about something, or reacting to a piece of media. I just want to reflect on how I have felt building this website over the course of phase 0 of DBC.
It was a slow process since I had very little experience with HTML and CSS and had never come close to building a website before. Once I started to learn more: new HTML tricks, figuring out positioning, and getting a feel for my own style, the website started to come together. It started to feel more like an actual website, and it came with a feeling of excitement and proudness. I had built this. I had learned something new, and built this.
Now, there were still frustrating points along the way. For me it was figuring out where to put everything on the page. We had learned how to wireframe before starting this project, but I deviated from my initial wireframe relatively quickly. While trying to figure everything out, I was struggling with the CSS to actually get things where they needed to be. It felt like I was dumping a lot of time into trial and error with very little to show for it, and that was exactly the case. But this is still part of the process, and it is easy to lose sight of that. Again, this is the first site that I built, so there is going to be a learning curve, but it is hard to hold onto that when your divs are jumping all over the screen when you do not want them to. It is a matter of pushing through it and knowing that you have learned something because of the struggle.
The next exciting thing is what we are going to learn next. We took a very caveman-approach to build this website. Generating all the HTML and CSS from scratch when there are easier way to handle them. This is what intrigues me: what are we going to be able to do by the end of DBC. What advanced tricks are out there to generate something like this (and probably even better) with a few simple tools and commands. I am sure I will have some time later to reflect back to this moment, where I had put so many hours into this site, and realize how simple it still is. We will see what happens.


Donal MacIntyre: The underdog's friend
World news:
Holiday carnage: 180 die in Bali bombing
Al-Qa'ida link feared as nightclub inferno kills Western tourists including one Briton
Iraq: Baghdad makes new offer on inspectors
Terror: African victims of al-Qa'ida 'forgotten'
UK news:
Scandal of Britain's neglected children
Vulnerable children are at risk because of a chaotic system 'too far down the Government's list of priorities'.
Prisons chief: Anger at Archer 'exaggeration'
Politics: Duncan Smith 'given another seven months'
Sport:
|
|
Owen to the rescue
Ragged England were running out of ideas until arch predator Michael Owen struck
|
Europe news:
Finland: Mall blast was suicide by teenager
Ireland: Villagers threaten to derail a continent
Nazis: Top historian attacks Hollywood
Education:
'Death threat' boys were good, says head
Business:
ITV deal prompts P&G ad threat
Digital:
Take the mobile charges in hand
People:
The Aga Khan: A near myth
|
|


-
coder, Bookworm, Traveller.
-
@wileam
-
Life blog.
-
Powered by Hexo.
-
Tech blog.
-
Powered by Hexo.
coder, Bookworm, Traveller.
@wileam
Life blog.
Powered by Hexo.
Tech blog.
Powered by Hexo.


InstructionStep 1: Make the proper connection by clicking the node as instructed below. If the wire is misplaced, click the node number to deattach the nodes' wire.
From
1
2
3
4
5
6
7
9
10
11
16
17
18
19
20
To
21
22
23
12
13
12
8
15
12
17
13
14
24
25
26
Step 2: Click "Check" button.
if connection is correct, an alert appers. Click ok. Now, go to step 4.
if connection is wrong, an alert appers. Click ok. Now, go to step 3.
Step 3: Check the connection and either deattach the incorrect wire connection or Click on reset button and start from step 1. Step 4: Switch on the MCB. Step 5: Click anywhere on the autotransformer. Step 6: Slide the knob of the Rheostat to change the resistance. Step 7: Take readings from Rotor, Voltmeter, Ammeter and Watt-meter. Step 8: Click "Add to table" button to insert the values in the table. Step 9: Follow the procedure from step 6 to step 8, till you have the 6 readings on the table. Step 10: After taking minimum 6 readings, click the "Graph" button. Step 11: Click "Print" button, to print the full connections with graph and table.