Gets an existing variable with these parameters or create a new one.
tf.compat.v1.get_variable( name, shape=None, dtype=None, initializer=None, regularizer=None, trainable=None, collections=None, caching_device=None, partitioner=None, validate_shape=True, use_resource=None, custom_getter=None, constraint=None, synchronization=tf.VariableSynchronization.AUTO, aggregation=tf.compat.v1.VariableAggregation.NONE )
This function prefixes the name with the current variable scope and performs reuse checks. See the Variable Scope How To for an extensive description of how reusing works. Here is a basic example:
def foo(): with tf.variable_scope("foo", reuse=tf.AUTO_REUSE): v = tf.get_variable("v", [1]) return v v1 = foo() # Creates v. v2 = foo() # Gets the same, existing v. assert v1 == v2
If initializer is None
(the default), the default initializer passed in
the variable scope will be used. If that one is None
too, a
glorot_uniform_initializer
will be used. The initializer can also be
a Tensor, in which case the variable is initialized to this value and shape.
Similarly, if the regularizer is None
(the default), the default regularizer
passed in the variable scope will be used (if that is None
too,
then by default no regularization is performed).
If a partitioner is provided, a PartitionedVariable
is returned.
Accessing this object as a Tensor
returns the shards concatenated along
the partition axis.
Some useful partitioners are available. See, e.g.,
variable_axis_size_partitioner
and min_max_variable_partitioner
.
name
: The name of the new or existing variable.shape
: Shape of the new or existing variable.dtype
: Type of the new or existing variable (defaults to DT_FLOAT
).initializer
: Initializer for the variable if one is created. Can either be
an initializer object or a Tensor. If it's a Tensor, its shape must be known
unless validate_shape is False.regularizer
: A (Tensor -> Tensor or None) function; the result of
applying it on a newly created variable will be added to the collection
tf.GraphKeys.REGULARIZATION_LOSSES
and can be used for regularization.trainable
: If True
also add the variable to the graph collection
GraphKeys.TRAINABLE_VARIABLES
(see tf.Variable
).collections
: List of graph collections keys to add the Variable to.
Defaults to [GraphKeys.GLOBAL_VARIABLES]
(see tf.Variable
).caching_device
: Optional device string or function describing where the
Variable should be cached for reading. Defaults to the Variable's
device. If not None
, caches on another device. Typical use is to
cache on the device where the Ops using the Variable reside, to
deduplicate copying through Switch
and other conditional statements.partitioner
: Optional callable that accepts a fully defined TensorShape
and dtype
of the Variable to be created, and returns a list of
partitions for each axis (currently only one axis can be partitioned).validate_shape
: If False, allows the variable to be initialized with a
value of unknown shape. If True, the default, the shape of initial_value
must be known. For this to be used the initializer must be a Tensor and
not an initializer object.use_resource
: If False, creates a regular Variable. If true, creates an
experimental ResourceVariable instead with well-defined semantics.
Defaults to False (will later change to True). When eager execution is
enabled this argument is always forced to be True.custom_getter
: Callable that takes as a first argument the true getter, and
allows overwriting the internal get_variable method.
The signature of custom_getter
should match that of this method,
but the most future-proof version will allow for changes:
def custom_getter(getter, *args, **kwargs)
. Direct access to
all get_variable
parameters is also allowed:
def custom_getter(getter, name, *args, **kwargs)
. A simple identity
custom getter that simply creates variables with modified names is:
python
def custom_getter(getter, name, *args, **kwargs):
return getter(name + '_suffix', *args, **kwargs)
constraint
: An optional projection function to be applied to the variable
after being updated by an Optimizer
(e.g. used to implement norm
constraints or value constraints for layer weights). The function must
take as input the unprojected Tensor representing the value of the
variable and return the Tensor for the projected value
(which must have the same shape). Constraints are not safe to
use when doing asynchronous distributed training.synchronization
: Indicates when a distributed a variable will be
aggregated. Accepted values are constants defined in the class
tf.VariableSynchronization
. By default the synchronization is set to
AUTO
and the current DistributionStrategy
chooses
when to synchronize.aggregation
: Indicates how a distributed variable will be aggregated.
Accepted values are constants defined in the class
tf.VariableAggregation
.The created or existing Variable
(or PartitionedVariable
, if a
partitioner was used).
ValueError
: when creating a new variable and shape is not declared,
when violating reuse during variable creation, or when initializer
dtype
and dtype
don't match. Reuse is set inside variable_scope
.


o != arg0
is the same as !(o == (arg0))
.
o != arg0
is the same as !(o == (arg0))
.
the object to compare against this object for dis-equality.
false
if the receiver object is equivalent to the argument; true
otherwise.
Remainder after dividing this by that.
Remainder after dividing this by that.
Multiplication of BigDecimals
Multiplication of BigDecimals
Addition of BigDecimals
Addition of BigDecimals
Subtraction of BigDecimals
Subtraction of BigDecimals
Division of BigDecimals
Division of BigDecimals
Division and Remainder - returns tuple containing the result of divideToIntegralValue and the remainder.
Division and Remainder - returns tuple containing the result of divideToIntegralValue and the remainder.
Less-than of BigDecimals
Less-than of BigDecimals
Less-than-or-equals comparison of BigDecimals
Less-than-or-equals comparison of BigDecimals
o == arg0
is the same as if (o eq null) arg0 eq null else o.equals(arg0)
.
o == arg0
is the same as if (o eq null) arg0 eq null else o.equals(arg0)
.
the object to compare against this object for equality.
true
if the receiver object is equivalent to the argument; false
otherwise.
o == arg0
is the same as o.equals(arg0)
.
o == arg0
is the same as o.equals(arg0)
.
the object to compare against this object for equality.
true
if the receiver object is equivalent to the argument; false
otherwise.
Greater-than comparison of BigDecimals
Greater-than comparison of BigDecimals
Greater-than-or-equals comparison of BigDecimals
Greater-than-or-equals comparison of BigDecimals
Returns the absolute value of this BigDecimal
Returns the absolute value of this BigDecimal
Returns a new BigDecimal based on the supplied MathContext.
Returns a new BigDecimal based on the supplied MathContext.
This method is used to cast the receiver object to be of type T0
.
This method is used to cast the receiver object to be of type T0
.
Note that the success of a cast at runtime is modulo Scala's erasure semantics. Therefore the expression1.asInstanceOf[String]
will throw a ClassCastException
at runtime, while the expressionList(1).asInstanceOf[List[String]]
will not. In the latter example, because the type argument is erased as
part of compilation it is not possible to check whether the contents of the list are of the requested typed.
the receiver object.
Converts this BigDecimal to a byte.
Converts this BigDecimal to a byte. If the BigDecimal is too big to fit in a byte, only the low-order 8 bits are returned. Note that this conversion can lose information about the overall magnitude of the BigDecimal value as well as return a result with the opposite sign.
Converts this BigDecimal to a char.
Converts this BigDecimal to a char. If the BigDecimal is too big to fit in a char, only the low-order 16 bits are returned. Note that this conversion can lose information about the overall magnitude of the BigDecimal value and that it always returns a positive result.
This method creates and returns a copy of the receiver object.
This method creates and returns a copy of the receiver object.
The default implementation of the clone
method is platform dependent.
a copy of the receiver object.
Compares this BigDecimal with the specified BigDecimal
Compares this BigDecimal with the specified BigDecimal
Converts this BigDecimal to a Double.
Converts this BigDecimal to a Double.
if this BigDecimal has too great a magnitude to represent as a double,
it will be converted to Double.NEGATIVE_INFINITY
or
Double.POSITIVE_INFINITY
as appropriate.
This method is used to test whether the argument (arg0
) is a reference to the
receiver object (this
).
This method is used to test whether the argument (arg0
) is a reference to the
receiver object (this
).
The eq
method implements an [http://en.wikipedia.org/wiki/Equivalence_relation equivalence relation] on
non-null instances of AnyRef
:
* It is reflexive: for any non-null instance x
of type AnyRef
, x.eq(x)
returns true
.
* It is symmetric: for any non-null instances x
and y
of type AnyRef
, x.eq(y)
returns true
if and
only if y.eq(x)
returns true
.
* It is transitive: for any non-null instances x
, y
, and z
of type AnyRef
if x.eq(y)
returns true
and y.eq(z)
returns true
, then x.eq(z)
returns true
.
Additionally, the eq
method has three other properties.
* It is consistent: for any non-null instances x
and y
of type AnyRef
, multiple invocations of
x.eq(y)
consistently returns true
or consistently returns false
.
* For any non-null instance x
of type AnyRef
, x.eq(null)
and null.eq(x)
returns false
.
* null.eq(null)
returns true
.
When overriding the equals
or hashCode
methods, it is important to ensure that their behavior is
consistent with reference equality. Therefore, if two objects are references to each other (o1 eq o2
), they
should be equal to each other (o1 == o2
) and they should hash to the same value (o1.hashCode == o2.hashCode
).
the object to compare against this object for reference equality.
true
if the argument is a reference to the receiver object; false
otherwise.
Compares this BigDecimal with the specified BigDecimal for equality.
Compares this BigDecimal with the specified BigDecimal for equality.
Compares this BigDecimal with the specified value for equality.
Compares this BigDecimal with the specified value for equality.@return true
if the receiver object is equivalent to the argument; false
otherwise. */
This method is called by the garbage collector on the receiver object when garbage collection determines that there are no more references to the object.
This method is called by the garbage collector on the receiver object when garbage collection determines that there are no more references to the object.
The details of when and if the finalize
method are invoked, as well as the interaction between finalize
and non-local returns and exceptions, are all platform dependent.
Converts this BigDecimal to a float.
Converts this BigDecimal to a float.
if this BigDecimal has too great a magnitude to represent as a float,
it will be converted to Float.NEGATIVE_INFINITY
or
Float.POSITIVE_INFINITY
as appropriate.
Returns a representation that corresponds to the dynamic class of the receiver object.
Returns a representation that corresponds to the dynamic class of the receiver object.
The nature of the representation is platform dependent.
a representation that corresponds to the dynamic class of the receiver object.
Returns the hash code for this BigDecimal.
Returns the hash code for this BigDecimal. Note that this does not use the underlying java object's hashCode because we compare BigDecimals with compareTo which deems 2 == 2.00, whereas in java these are unequal with unequal hashCodes.@return the hash code value for the object. */
Converts this BigDecimal to an int.
Converts this BigDecimal to an int. If the BigDecimal is too big to fit in a char, only the low-order 32 bits are returned. Note that this conversion can lose information about the overall magnitude of the BigDecimal value as well as return a result with the opposite sign.
This method is used to test whether the dynamic type of the receiver object is T0
.
This method is used to test whether the dynamic type of the receiver object is T0
.
Note that the test result of the test is modulo Scala's erasure semantics. Therefore the expression1.isInstanceOf[String]
will return false
, while the expression List(1).isInstanceOf[List[String]]
will
return true
. In the latter example, because the type argument is erased as part of compilation it is not
possible to check whether the contents of the list are of the requested typed.
true
if the receiver object is an instance of erasure of type T0
; false
otherwise.
Converts this BigDecimal to a Long.
Converts this BigDecimal to a Long. If the BigDecimal is too big to fit in a char, only the low-order 64 bits are returned. Note that this conversion can lose information about the overall magnitude of the BigDecimal value as well as return a result with the opposite sign.
Returns the maximum of this and that
Returns the maximum of this and that
Returns the minimum of this and that
Returns the minimum of this and that
o.ne(arg0)
is the same as !(o.eq(arg0))
.
o.ne(arg0)
is the same as !(o.eq(arg0))
.
the object to compare against this object for reference dis-equality.
false
if the argument is not a reference to the receiver object; true
otherwise.
Wakes up a single thread that is waiting on the receiver object's monitor.
Wakes up a single thread that is waiting on the receiver object's monitor.
Wakes up all threads that are waiting on the receiver object's monitor.
Wakes up all threads that are waiting on the receiver object's monitor.
Returns a BigDecimal whose value is this ** n.
Returns a BigDecimal whose value is this ** n.
Returns the precision of this BigDecimal
.
Returns the precision of this BigDecimal
.
Divide to Integral value.
Divide to Integral value.
Remainder after dividing this by that.
Remainder after dividing this by that.
Returns a BigDecimal rounded according to the MathContext settings.
Returns a BigDecimal rounded according to the MathContext settings.
Returns the scale of this BigDecimal
.
Returns the scale of this BigDecimal
.
Returns a BigDecimal
whose scale is the specified value, and whose value is
numerically equal to this BigDecimal's.
Returns a BigDecimal
whose scale is the specified value, and whose value is
numerically equal to this BigDecimal's.
Converts this BigDecimal to a short.
Converts this BigDecimal to a short. If the BigDecimal is too big to fit in a byte, only the low-order 16 bits are returned. Note that this conversion can lose information about the overall magnitude of the BigDecimal value as well as return a result with the opposite sign.
Returns the sign of this BigDecimal, i.
Returns the sign of this BigDecimal, i.e. -1 if it is less than 0, +1 if it is greater than 0 0 if it is equal to 0
Like until
, but inclusive of the end value.
Like until
, but inclusive of the end value.
Like until
, but inclusive of the end value.
Like until
, but inclusive of the end value.
Converts this BigDecimal
to a scala.
Converts this BigDecimal
to a scala.BigInt.
Converts this BigDecimal
to a scala.
Converts this BigDecimal
to a scala.BigInt if it
can be done losslessly, returning Some(BigInt) or None.
This BigDecimal as an exact value.
This BigDecimal as an exact value.
Returns the decimal String representation of this BigDecimal.
Returns the decimal String representation of this BigDecimal.@return a string representation of the object. */
Returns the size of an ulp, a unit in the last place, of this BigDecimal.
Returns the size of an ulp, a unit in the last place, of this BigDecimal.
Returns a BigDecimal whose value is the negation of this BigDecimal
Returns a BigDecimal whose value is the negation of this BigDecimal
Should only be called after all known non-primitive types have been excluded.
Should only be called after all known non-primitive types have been excluded. This method won't dispatch anywhere else after checking against the primitives to avoid infinite recursion between equals and this on unknown "Number" variants.
Additionally, this should only be called if the numeric type is happy to be converted to Long, Float, and Double. If for instance a BigInt much larger than the Long range is sent here, it will claim equality with whatever Long is left in its lower 64 bits. Or a BigDecimal with more precision than Double can hold: same thing. There's no way given the interface available here to prevent this error.
Same as the one-argument until
, but creates the range immediately.
Same as the one-argument until
, but creates the range immediately.
Creates a partially constructed NumericRange[BigDecimal] in range
[start;end)
, where start is the target BigDecimal.
Creates a partially constructed NumericRange[BigDecimal] in range
[start;end)
, where start is the target BigDecimal. The step
must be supplied via the "by" method of the returned object in order
to receive the fully constructed range. For example:
val partial = BigDecimal(1.0) to 2.0 // not usable yet val range = partial by 0.01 // now a NumericRange val range2 = BigDecimal(0) to 1.0 by 0.01 // all at once of course is fine too
the end value of the range (exclusive)
the partially constructed NumericRange
version
1.0
authors:
Stephane Micheloud


Register
Please fill in this form to create an account.
Email:
Password:
Repeat Password:
I agree with the terms and conditions.


Let me assign some work.
Don't forget to update the latest information.
Check the progress of the employees


Sheltering behind the island of Ay Nikolaos, Gaios is on the eastern side of the island of Paxos.
Position 39°12.0'N, 20°11.4'W
Port police and customs are based here. Cruisers have reported personnel as being "difficult".
Although in theory you can clear customs and obtain a crusing permit from the customs building, in May 2010 we were told they no longer had the necessary forms and that yachts should go to Corfu for clearance.
In Corfu - go to Gouvia Marina 4.5nm west of the city, where clearance is simple and straightforward. Office open 0900-1430 during the summer season.
Last updated September 2013.
This harbour can be approached either from the north or the south end. Each has its own hazards. The northern entrance is used by ferries and tripper boats and it is impossible to see round the blind bend where the channel turns south past the main part of the town. The southern entrance is shallow with many rocks and little room to manoeuvre, therefore it is advisable to anchor and go in with the dinghy if you prefer not to dock.
Docking here is controlled by the Corfu Port Authority. A representative will come by your boat to collect overnight fees. See comments below for latest fees reported.
(See docking map courtesy of Peter Ter Haar). The northern quay - top yellow - is for yachts to moor at, there is no time restriction here however this is a busy harbour and finding space can be difficult.
The town quay - middle yellow plus photo - must be left clear for the ferries and day tripper boats. Most of these arrive arround 11:00 and leave arround 16:00. Therefore yachts can moor on the town quay overnight between 17:00 and 10:00 if space can be found.
Further south near the harbour breakwater opening, yachts can also moor for more extended time - marked green. This quay has water and electricity available (blue spots). There is no water or electricity at the other quays.
The holding here is good in the mud. Fouled anchor chains seem to be impossible to avoid here, so be prepared!
Last updated September 2013.


HEAD OVER HEELS (2001) Zero *. Directed by Mark S. Waters. Written by a half-dozen males. Executive produced by four or five. Photography, Mark Plummer. Editing, Cara Silverman, Production design, Pery Andelin Blake. Music, Steve Pararo, Cast: Monica Pierce (Amanda), Freddie Prinze (Jim), Sarah O'Hare, Shalom Harlow, Tomiko Frazer , Ivana Milicevic (the four models), et al. About 100 minutes. PG-13.
April may be the cruelest month, but from January on the cruelty of bad movies dominates the screen. Summertime is overwhelmingly for schoolchildren of all ages, from 10 to 50 -- with inane action, pallid romances, and flat comedies. The "good" season, from fall through December, shows the best of a bad lot plus the better stuff of potential Oscar candidates. Year-round small salvations may come from some foreign movies as well as from American rookie (or not-too-commercial) filmmakers.
The non-story of Head Over Heels comes from about six writers whose right hands did not know what the left ones were doing. If those fellows ever got together it must have been by e-mail only.
In this flick, Amanda is a talented paintings restorer in New York's Metropolitan Museum. She's devoted to her work, but her boyfriends are not devoted to her. Catching the latest one in bed with a new girl, she moves to the upscale apartment shared with four super-(almost) models.  However, there's the adjoining huge, luxurious space with shelves and amenities for clothes, shoes, hats, perfumes and other tools of the trade.
So far so good. But past the opening sequences the film plunges as if attempting suicide. In that building Amanda meets tenant Jim as he takes for a walk a huge Great Dane. (It belongs to someone immobilized in bed.) An elevator door opens, out come Jim and Hamlet (the hound) who breaks away and throws himself amorously on the girl, if you get my drift. The gag, linguistically and physically, is very broad. Perhaps one of the writers was thinking that Great Danes go for great dames.
Jim is in the fashion trade but nothing is specified about this --or anything else-- in this vaguer and vaguer picture. His apartment faces the five women's, its windows are never curtained or draped. A veritable fishbow for the ladies' eyes. Amanda, egged on by her four matchmaking housemates, quickly falls for Jim. He who responds, but so awkwardly, lamely, unclearly that the movie keeps losing its interest exponentially.
All that is supposed to be funny and humorous. It is not. It's not even cute. The writers sleepwalk through the non-plot. Unable to invent anything, they opt for a bad clone of Hitchcock's "Rear Window." As the he five Peeping Tomasinas (Amanda & Co.) spy on Jim, they see something vague which makes them think that Jim has murdered a woman.  I'll stop here.
Of course you've guessed already that the girls are wrong, that Amanda and Jim are fated to kiss -- and tell. In his telling there's a major twist which is unbelievable and terribly handled.
What holds a smidgen of interest in the caricature (or is it a faithful rendition?) of the four models. They are airheads, uncultured, even idiotic.  It's La Dolce Vita, Gotham-style. Their language is salty but not colorful, their vocabulary, basic. The gags and jokes are repetitiously recycled. They range from inane to tired, from feeble-inded to scatological.
When the girls are all hiding together in a lavatory 's cubicle (don't ask) to the tune of disgusting body noises the toilet erupts like a volcano and covers the ladies from head to toe with an accumulation of thick, stinking, brown... let's call it lava.
You get the clear feeling that, at five-minute intervals the flickmakers are wondering "where do we go next?"
Amanda (Monica Pierce) is a pallid presence, though occasionally a pleasant one. The housemates are characterless yet irritating. In real life, sane persons of any sexual preference would put them in an address-book under the rubric "Avoid at any cost."
Jim (Freddie Prinze) is so bland that it ought to be forbidden by law.
-- "le mauvais gout mene au crime" (Stendhal)
Movie reviews by Edwin Jahiel are at : http://www.prairienet.org/ejahiel
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


reoptimization_algorithms.Vertex¶
-
class
Vertex
(key: str, weight: int = None, neighbours: Dict[str, Edge] = None)¶ Bases:
object
Vertex class having key, weight and adjacency dictionary of neighbours
Default weight as
Vertex.DEFAULT_VERTEX_WEIGHT
- Parameters
key (str) – Key
weight (int) – Weight of the vertex
neighbours (Dict[str, Edge]) – Neighbours of the vertex
Attributes
Default Vertex weight
Vertex key
Neighbouring vertices
Vertex weight
-
property
DEFAULT_VERTEX_WEIGHT
¶ Default Vertex weight
- Returns
1
-
add_neighbour
(neighbour: str, weight: int = None) → reoptimization_algorithms.utils.graph.vertex.Vertex¶ Adds a neighbour, default edge weight as
Edge.DEFAULT_EDGE_WEIGHT
- Parameters
neighbour (str) – Neighbour vertex key
weight (int) – Edge weight
- Returns
Self
-
degree
() → int¶ Gets degree of the vertex
- Returns
Degree of the vertex
-
delete_neighbour
(neighbour: str) → reoptimization_algorithms.utils.graph.edge.Edge¶ Deletes a neighbour
- Parameters
neighbour (str) – Neighbour vertex key
- Returns
Deleted Edge
-
get_neighbour
(neighbour: str) → reoptimization_algorithms.utils.graph.edge.Edge¶ Gets a neighbour
- Parameters
neighbour (str) – Neighbour vertex key
- Returns
Edge representing the neighbour
-
is_neighbour_exists
(neighbour: str) → bool¶ Checks if neighbour exists
- Parameters
neighbour (str) – Neighbour vertex key
- Returns
Boolean
-
property
key
¶ Vertex key
- Returns
Vertex key
-
property
neighbours
¶ Neighbouring vertices
- Returns
Dictionary of neighbouring vertices as keys and values as edges
-
update_neighbour
(neighbour: str, weight: int = None) → reoptimization_algorithms.utils.graph.vertex.Vertex¶ Updates a neighbour, default edge weight as
Edge.DEFAULT_EDGE_WEIGHT
- Parameters
neighbour (str) – Neighbour vertex key
weight (int) – Edge weight to update
- Returns
Self
-
update_weight
(weight: int) → reoptimization_algorithms.utils.graph.vertex.Vertex¶ Updates vertex weight
- Parameters
weight (int) – Vertex weight
- Returns
Self
-
property
weight
¶ Vertex weight
- Returns
Vertex weight


Follow
Save
Discard
Like
2,048
2,048
Like
1,048
Username
Password
Login
Sign Up
Or
First header
Second header
Third header
Fourth header
Fifth header
Plug-ins
Check out our plug-in marketplace
Dividing Header
Red
Orange
Yellow
Olive
Green
Teal
Blue
Purple
Violet
Pink
Brown
sdffd
dsf
sdffsd
saf
sdf
sdf
sdf
Add
Delete
Select Language
Arabic
Chinese
Danish
Dutch
English
French
German
Greek
Hungarian
Italian
Japanese
Korean
Lithuanian
Persian
Polish
Portuguese
Russian
Spanish
Swedish
Turkish
Vietnamese


Pic.FileNew
Syntax
Pic.FileNew (fileName : string) : int
Description
Pic.FileNew is used to obtain a picture from a file. The
Pic.FileNew procedure allocates the memory for the picture,
which can be very large for pictures of large areas. The memory is
freed up when the program calls Pic.Free with the picture ID.
The picture can be used with the Pic.Draw and
Pic.Save.
The fileNameparameter must give the format of the file:
| |
GIF files |
|
"GIF:filename" or "filename.GIF" |
| |
JPG files |
|
"JPG:filename" or "filename.JPG" |
| |
BMP files |
|
"BMP:filename" or "filename.BMP" |
Details
Various versions of Turing can convert different formats of files.
Turing 4.1 for Windows can load BMP, GIF and JPG files.
Details
For, multi-frame GIF files (GIF files that have several frames or
pictures and are used for animation), Pic.FileNew will only
load the first frame. See the Pic.FileNewFrames and
Pic.Frame for information on loading and displaying
a multi-frame GIF file.
Details
If the Pic.FileNew call fails, then it returns 0. Also
Error.Last will return a non-zero value indicating the
reason for the failure. Error.LastMsg will return a string
which contains the textual version of the error.
Example
The program reads a graphic from the file mypic.bmp and then
draws it 50 times.
var picID: int
var x, y : int
picID := Pic.FileNew ("mypic.bmp")
for i : 1 .. 50
x := Rand.Int (0, maxx) % Random x
y := Rand.Int (0, maxy) % Random y
Pic.Draw (picID, x, y, picCopy)
end for
Pic.Free (picID)
Status
Exported qualified.
This means that you can only call the function by calling
Pic.FileNew, not by calling FileNew.


Home
About Me
Events
Achievement
Hobbies
Gallery
My Music
Skills and Experience
Contact
Level 1 >
Level 2 >
Level 3 >
Level 4 >
Listen To My Music
Album
Singles
Unplugged


#include <result.h>
Public Types | |
| typedef result_size_type | size_type |
| typedef tuple | Tuple |
| typedef field | Field |
Public Member Functions | |
| result () | |
| result (const result &rhs) | |
| ~result () | |
| result & | operator= (const result &) |
| const_iterator | begin () const |
| const_iterator | end () const |
| size_type | size () const |
| bool | empty () const |
| size_type | capacity () const |
| const tuple | operator[] (size_type i) const |
| const tuple | at (size_type) const |
| void | clear () |
| tuple::size_type | Columns () const |
| tuple::size_type | ColumnNumber (const char Name[]) const |
| Number of given column, or -1 if it does not exist. | |
| tuple::size_type | ColumnNumber (const std::string &Name) const |
| Number of given column, or -1 if it does not exist. | |
| const char * | ColumnName (tuple::size_type Number) const |
| oid | InsertedOid () const |
| If command was INSERT of 1 row, return oid of inserted row. | |
| size_type | AffectedRows () const |
| If command was INSERT, UPDATE, or DELETE, return number of affected rows. | |
Friends | |
| class | result::field |
| class | connection_base |
| class | Cursor |
This behaves as a container (as defined by the C++ standard library) and provides random access const iterators to iterate over its tuples.


Would you buy a car on Black Friday?
Vospers’ Black Tag Event gives you time to browse and buy a new car for a great price
by Leena SidatAvoid the rush of Black Friday thanks to the Vospers Black Tag Event.
Vospers is giving you the chance to take your time, properly browse and make a considered new car purchase at a great price with its special Black Tag Event which started on Monday, November 18 and lasts for almost two weeks - ending November 30, 2019.
For the duration of the Vospers Black Tag Event, you can get an extra £500 off* the list price of a new car, on top of other offers - an unmissable deal!
With five new car showrooms to browse at Vospers Matford Exeter and seven at Vospers Marsh Mills Plymouth, there’s a great selection of makes and models available to find your ideal car at a fantastic price - not something you’ve just settled for or felt rushed into buying because of a one day or weekend offer.
Without the pressure of great discounts lasting for only a day, but for almost two weeks, you’ll be able to browse, take the car out for a test drive, and get yourself fully up to speed on all the technology, safety features and options, making an informed choice and securing a Black Friday-esque price.
So, if you’re considering a new car, and want to secure a Black Friday bargain, why wait? Head down to Vospers and take advantage of the Black Tag Event. It’s an opportunity you don’t want to miss.
Family run since 1946, Vospers means motoring in the south west. With one of the largest ranges of new car makes and models to choose from across Devon and Cornwall, the business' new supersite at Matford Exeter includes showrooms for well-known brands such as Ford, Fiat, Abarth, Mazda, Jeep and Alfa Romeo – with other manufacturer showrooms also available in Plymouth for Renault, Nissan, SEAT, and Peugeot.
To find out more about Vospers' Black Tag Event, visit the website.
*T&Cs apply. £500 extra off the list price of a new car ordered and registered on or between 18/11/19 and 30/11/19 excluding Dacia models. Offer subject to selected stock and availability.


You should receive an email message with a link allowing you to confirm your email address. After you confirm your email address, you will be able to log in.


| Time | Event | Location | Host |
|---|---|---|---|
| 8:00AM | Organizer Arrival | Main Entrance | N/A |
| 9:00AM | Door Opens | Main Entrance | LaunchHacks Team |
| 10:00AM | Opening Ceremony | Presentation Area | LaunchHacks Team |
| 10:45AM | Start Hacking! | Computer Area | Everyone |
| 10:45AM | Team Mixer | Presentation Area | LaunchHacks Team |
| 11:00AM - 12:00PM | Workshop - Intro to Hackathons | Presentation Area | LaunchHacks Team |
| 12:45PM - 1:30PM | Lunch Time! | Food Room | TBA |
| 1:45PM | Workshops Begin! (Details TBA) | Presentation Area | TBA |
| 6:30PM | Dinner Time | Food Room | TBA |
| 12:00AM | Midnight Snack! | Food Room | TBA |
| 7:30AM | Breakfast! | Food Room | TBA |
| 8:45AM | Hacking ends! | Everywhere | Everyone |
| 9:00AM | Judging! | Computer Area | TBA |
| 11:30AM | Closing Ceremony | Presentation Area | Everyone |


Security report
Company:
myCompany
Project:
myProject
Application:
myApp
Date:
01-01-2021
Diffusion:
internal only
Flaws
{{ flaws }} potentials flaws identified
Risk
1 flaw identified with a {{ maxCVSS }} CVSS
Fix
{{ simpleFix }} flaws identified easy to fix
Tests
{{ tests }} tests executed in {{ time }}
{{__TESTS__}}


The Epistolary Novel (from the Latin "epistula", meaning letter) is written as a series of letters from one or more of the characters. It could be all from just one character, an ongoing correspondence between two characters or letters from a variety of characters addressed to a number of different people.
Which form the novel takes can affect how information is revealed to us. If it is monologic then what we'll have is a single, possibly biased, view, and we may have to read between the lines to get the subtext or to note the characterization that comes through. When between just two characters, these novels are often love letters, or the restriction to just two characters will be used to compare the intimacy between these two compared to the rest of the world. When dealing with many characters, which could be many-to-one, one-to-many or many-to-many, we can compare how one character treats two different characters, what they reveal in one case compared to another, etc. We can also return to the practice of revealing information not revealed to some of the characters and introduce Dramatic Irony.
Later on, books evolved to start using other devices than just letters. This gave rise to the Scrapbook Story format, of which this can be considered a subtrope.
An interesting case are epistolary novels that are co-written, i.e. have two authors. These can take the form of the two authors each adopting a character, and sending the in-character letters to the other author who responds with another in-character letter. This becomes comparable to a Roleplaying Play-by-Post Game.
See also The Rashomon, Direct Line to the Author (authors will occasionally credit themselves as "compiler" or similar), and Diary.
Examples:
- The Handkerchief Files is a The Hobbit fanfic told entirely through letters between Gandalf and Saruman (with one letter from Radagast).
- The Harry Potter fanfiction Naked Quidditch Match is written as a series of 'm-mails' between the characters in the days leading up to the aforementioned match. At the end, it switches to Lee Evans' commentary on it, then Rita Skeeter's article supplies the epilogue.
- The appropriately named Doctor Who fanfic Epistolary: The Fifty Years Before We Were Born is written as a series of letters and diary entries, following the lives of Amy and Rory after they were stranded in the 1940s at the end of "The Angels Take Manhattan".
- The My Little Pony: Friendship Is Magic fanfic Yes, Apple Bloom, there is a Santa Hooves consists of a series of letters recording the Cutie Mark Crusaders and Applejack corresponding with Equestria's equivalent to Santa Claus.
- Sub Rosa is a Sherlock Holmes fanfic that depicts a series of telegrams sent between Holmes and Mycroft during the former's time in hiding after his faked death.
- As It Was Written is written as a series of diary entries/letters by Satsuki Kiryuin from age 4 to 18
- The first third or so of The Next Frontier consists of a series of blog entries, mostly written by Jebediah Kerman, and the comments underneath them. Blog entries appear a few times throughout the rest of the story as a Captain's Log-esque framing device for a bit of exposition. It also functions as a Fourth-Wall Mail Slot, as the blog's comments and Q&A questions are nearly all supplied by the early readers of the story.
- Paper Cranes is written as this and a Diary, as Ryuuko writes her letters to her passed-on Ill Girl sister Satsuki in a diary that the latter had given her.
- Across the Waking Sea, a side volume in the Dragon Age: Inquisition fic series Twice Upon an Age, consists entirely of letters exchanged between Varric Tethras and Bethany Hawke during the first 35 chapters of the main story.
- Stars is a Zootopia fanfic that takes the form of a string of e-mails and text messages exchanged between Judy Hopps and Nick Wilde during the latter's time at police academy.
- The Darkest Dungeon Diaries and sequel The Crimson Court Correspondences are Darkest Dungeon fanfics written as a series of diary entries, letters, etc. from the perspective of various in-game characters over the course of an entire campaign.
- Rainbow Dash, Please Report to the Principal's Office is told through texts between the characters.
- Kathrine Kressman Taylor's short story "Addressee Unknown" is a series of letters between Max Eisenstein, a Jewish art gallery owner, and his friend and business partner, Martin Schulze, a gentile German who has returned with his family to the Fatherland. The letters span the period of 1932-33, and detail the split between the two partners: Max is first alarmed, then horrified at the rumors of what is happening to Jews in Germany, but Martin (and his family) is swept up in the current of the rise of the Third Reich.
- Anne of Windy Poplars, chronologically the fourth book of the Anne of Green Gables series, is composed of Anne's letters to Gilbert while she is teaching at Summerside High School and he is attending med school.
- Jane Austen:
- Lady Susan is composed entirely of letters between Lady Susan and the Marquise de Merteuil.
- Love and Freindship (not a misspelling: that's how she spelled the title) was a self-parody written as a series of letters.
- Early drafts of Sense and Sensibility were written as letters, under the name Elinor and Marianne.
- Beautiful Losers: The second part of the book is in the form of a letter written by F. to the narrator of the first part.
- The Bible, a Scrapbook Story taken all together:
- Paul's Epistles which are just that - epistles, i.e. letters.
- The Revelations of John of Patmos consist of letters to various Christian communities.
- Kate Cary wrote Bloodline and Bloodline: Reckoning, stories that continue the letters and diary entries used by Dracula.
- Meg Cabot's The Boy Next Door is composed of emails sent between the characters.
- Cloud Atlas: The Letters from Zedelghem segment is formatted as a series of letters from Robert Frobisher to his good friend Rufus Sixsmith.
- The Color Purple, by Alice Walker, is entirely a collection of letters: some addressed to God (naturally never mailed); some addressed to the heroine's sister; and some from the sister to the heroine.
- Correspondence From The Goddess is an ongoing Web Serial Novel published as a series of letters from Lydia Devin, a seemingly normal woman who unexpectedly became all-powerful, to humanity, with introductions from Elana Devin, her sister and conscience - at least, at first.
- Count and Countess by Rose Christo is a series of letters that Vlad the Impaler and Elizabeth Bathory secretly send to one another despite living one hundred years apart in time.
- Daddy-Long-Legs, by Jean Webster, consists (apart from a prologue setting up the premise) solely of letters written by the protagonist, Judy Abbott to the title character, who is sponsoring her college education. The sequel, Dear Enemy, is comprised of letters from Judy's friend, Sallie; most of these are to Judy, but some are to other characters as well.
- Les Liaisons dangereuses (Dangerous Liaisons) is composed entirely of letters.
- The Dead Zone has several sections which consist of letters written by main characters, along with occasional excerpts from newspaper and magazine articles.
- Dear Enemy is composed of letters written to various people, some in response to incoming letters we never see.
- Dear Mr. Henshaw is partially a Diary written in the form of letters. The first several letters are really sent by the writer, a boy named Leigh, to his favorite author, the eponymous Mr. Henshaw. Eventually, as Leigh starts pouring out his heart more and more, Mr. Henshaw suggests that he keep a journal. Leigh originally addresses his journal entries to Mr. Henshaw, but gradually drops the habit as he gets used to journaling.
- Anne Frank framed her journal, published as Diary Of A Young Girl, in the form of letters to her imaginary friend Kitty.
- Dorothy L. Sayers' The Documents in the Case.
- Dracula, by Bram Stoker, is written as a collection of letters, ship's logs, and diary entries.
- e by Matt Beaumont is told through a series of e-mails. The second sequel e Squared also contained text messages.
- Ella Minnow Pea consists of letters written between the characters, demonstrating the effects of the increasingly stringent and hard-to-follow laws forbidding the use of certain letters of the alphabet. Some copies of the book feature the subtitle "A Novel in Letters".
- The books of Emily the Strange are written by Emily in diary form.
- A modern version: exegesis is mostly composed of e-mails.
- Fanny Hill by John Cleland, consists of two long letters from the title character to a woman addressed simply as "Madam."
- The entirety of Frankenstein is related via a series of letters from a ship's captain to his sister.
- Freedom and Necessity, by Stephen Brust and Emma Bull - 100% letters exchanged between the main characters, with a few authentic excerpts from The Times mixed in for verisimilitude.
- From the Mixed-Up Files of Mrs. Basil E. Frankweiler: The entire book is a single long letter from the titular Mrs. Frankweiler to her long-time lawyer, Saxonberg.
- The Further Adventures of Batman: "The Batman Memos" is written as a set of memos internal to Selznick International Studios during 1942, as they attempt to create a Batman film with the support of Wayne Enterprises.
- The satirical novel Gog, besides the first chapter, is comprised of Gog's Diary entries.
- Griffin And Sabine An Extraordinary Correspondence is presented in the form of postcards exchanged between the eponymous characters. (As one character begins to descend into insanity, the astute reader will note that the cards no longer bear postmarks.)
- The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Ann Barrows (the latter finished the book after Shaffer passed away) is the collected correspondence between a London writer and the natives of the island of Guernsey, who started a book club to keep morale up during the German occupation of WWII.
- Douglas Coupland's The Gum Thief is comprised of letters between two employees at an office supply store mixed with passages from one of their in-progress novel.
- While not a novel, Ovid's Heroides is a collection of letters from famous women to men they loved. Quite a few are addressed to men who abandoned them, the heroes of Classical Mythology frequently being a pack of Jerkasses; two of this type are intended for Jason of the Argonauts.
- One of the stories in Bret Easton Ellis's collection The Informers is a series of letters written from a girl to Sean, the protagonist of his novel The Rules of Attraction. He never replies to any of them.
- Stephen King 's short story "Jerusalem's Lot" (published in Night Shift) is a series of letters from the narrator to a colleague of his. He uses letters, newspaper and magazine articles, court transcripts and police reports in Carrie, giving the story a strong sense of immediacy.
- LETTERS, by John Barth, is an epistolary novel which consists of a series of letters in which Barth (or, at least, a character known as "The Author") and characters from his other books interact.
- Mark Twain's "Letters from the Earth"
- The Letters From Nicodemus are twenty five letters from the titular Nicodemus to his old mentor.
- Letters to His Son is one made up of real letters, unlike most of the other examples. Of course, the Earl of Chesterfield had not exactly planned to publish them.
- C. S. Lewis:
- The Screwtape Letters is written from the Point of View of a mid-level devil who is trying to advise someone's shoulder demon.
- There's also the lesser known Letters to Malcolm; Chiefly on Prayer, which was not so much a novel (although Malcolm himself is fictional) as a discussion on various aspects of Christianity, especially prayer.
- Jaclyn Moriarty's Ashbury/Brookfield books are possibly the most creative example of epistolary narration. In order of publication, the books are Feeling Sorry for Celia, The Year of Secret Assignments, The Murder Of Bindy Mackenzie, and The Ghosts Of Ashbury High.
- Steve Kluger's My Most Excellent Year, told in school assignments, websites (Augie updates his to include "Diva of the Month"), emails - the works.
- Susanna Fogel's Nuclear Family: A Tragicomic Novel in Letters is a series of letters to Julie, an aspiring writer, from her family, inanimate objects, and other unlikely sources. Or possibly, it's the epistolary novel that Julie wrote about her family.
- The Perks of Being a Wallflower, by Stephen Chbosky, is ostensibly the letters of a teenage boy to a stranger.
- A.S. Byatt's Possession revolves around a pair of modern day scholars discovering the letters of two fictional Victorian poets. Various diaries are also quoted at length.
- Prison Of Love (Cárcel de amor) by Diego De San Pedro is the Trope Maker, having written it in 1485, this trope is Older Than Steam.
- Isaac Asimov:
- "Blind Alley": This story mixes internal government memos between BuOuProv (Bureau for the Outer Provinces) and Loodun Antyok with a cinematic third-person perspective of events. The memo format was inspired by Dr Asimov's time writing memos in service to the Naval Aviation Experimental Station.
- "Rejection Slips": The poem is actually three letters, each rejecting one of Isaac Asimov's manuscripts. Each letter uses its own style of poetry and personal address as a Homage to his most frequent publication editors.
- James Mills' "Report to the Commissioner" consists entirely of official documents and transcripts
- Samuel Richardson popularized the use of "characters writing letters" in English literature with two novels:
- The Sorcery & Cecelia series, by Patricia C. Wrede and Caroline Stevermer, consists entirely of letters written between two protagonists, each voiced by one of the authors. There are currently three books in the series, which is set in a Regency England with magic.
- We Need to Talk About Kevin is a series of letters all from one woman, concerning her son, whose disturbed personality gets slowly revealed as each letter passes.
- The Whalestoe Letters, by Mark Z. Danielewski consists of letters from Pelafina H. Lievre to her son, Johnny and is a companion piece to House of Leaves.
- Cecilia Ahern's Where Rainbows End is written almost solely in letters and e-mails.
- The first half of H. P. Lovecraft's novella The Whisperer in Darkness consists largely of a correspondence of letters exchanged between Professor Wilmarth and Henry Akeley, with some bridging narration by Wilmarth, until Wilmarth decides to visit his penfriend in person.
- Lucy Kellaway's Who Moved My BlackBerry? is told through emails.
- "Who's Cribbing?" by Jack Lewis tells the story of an unusual case of plagiarism through the letters between an author and various colleagues.
- Z for Zachariah is written in the form of the main protagonist's diary.
- Northern Exposure had a tie-in book called Letters From Cicely, which was Exactly What It Says on the Tin. Highlights included Joel thanking his parents for sending him lox from New York and asking for a recipe, it being smoked salmon and all.
- M*A*S*H had numerous episodes in which a character writes a letter to somebody (narrated in voiceover) and relates various anecdotes shown in flashback.
- "Dear Dad", "Dear Dad... Again", "Dear Dad... Three", and "A Full Rich Day" all have Hawkeye writing a letter (or, in the case of the latter episode, tape-recording a message) to his father in Maine.
- Not the entire episode, but "Bulletin Board" has a scene of Trapper John writing to his daughter in this manner.
- "Radar's Report" has Radar writing a weekly report to HQ.
- "Dear Mildred" has Colonel Potter writing to his wife.
- "Dear Peggy" has B.J. writing to his wife.
- "Dear Ma" has Radar writing to his mother.
- "Dear Sigmund" has Sidney Freedman writing a fanciful letter to Sigmund Freud while visiting the 4077.
- "The Most Unforgettable Characters" has Radar jotting down anecdotes for a creative writing course.
- "The Winchester Tapes" has Charles tape-recording a letter to his parents.
- "Dear Comrade" has a North Korean spy (serving as a houseboy to Charles) writing to his superiors.
- "Dear Sis" has Father Mulcahy writing to his sister the nun.
- "Dear Uncle Abdul" has Klinger writing to his uncle.
- "Letters" has all the characters writing to schoolchildren in Hawkeye's hometown.
- "Give 'Em Hell, Hawkeye" has Hawkeye writing to President Truman.
- A Saturday Night Live sketch has a soldier write letters back and forth with his wife during World War I, only to discover all the questionable things she's been doing.
- "Stan" by Eminem is framed as a correspondence between a psycho fan ("Stan") and his favorite rapper.
- Christian rapper KJ-52 then wrote "Dear Slim" parts 1 and 2, which were a respectful call to Eminem to be careful with the great influence he has over his fanbase, also letting him know he was praying for him (this was all taken by much of the music industry as an insult, but not by Eminem himself). Eminem later wrote "Careful What You Wish For," in which he talks about how someone told him he was praying for him, and says that he's thankful but he believes he's already got God on his side.
- "Adam's Song" by Blink182 is a suicide note.
- "A Letter To Elise" by The Cure is, presumably, a letter to Elise.
- For that matter, there's also Tom Waits' "Christmas Card From a Hooker in Minneapolis."
- "I'm All Right" by Twizted is a suicide note asking the reader not to mourn.
- "Boots of Spanish Leather" by Bob Dylan alternates each verse between letters sent by two lovers temporarily separated across the Atlantic.
- "Care of Cell 44" by The Zombies is addressed to the narrator's lover who's awaiting release from prison.
- "Strawberry Letter 23" by Shuggie Otis and covered up by The Brothers Johnson is a reply to a much anticipated love letter from the singer's girlfriend.
- Two different songs called "P.S. I Love You". One is an old Johnny Mercer standard, the other is by The Beatles.
- "Dear Eloise" by The Hollies has the narrator writing to console his ex-girlfriend, who's been abandoned by her newer lover, and in the hopes that they can get back together.
- "Indiana Wants Me" by R. Dean Taylor is a letter from the narrator, who's on the run from police for a murder he committed, to his wife/girlfriend.

- The BBC Radio 4 (and later ITV) series Ladies of Letters.
- The BBC Radio 4 series Warhorses of Letters, about the love letters sent between Napoleon's horse and Wellington's.
- The play Love Letters by A.R. Gurney is the correspondence between two characters; Melissa Gardner and Andrew Makepeace Ladd III over 50 years.
- Passion and the musical version of Daddy-Long-Legs are both epistolary musicals.
- The narration of Dear Esther consists of snippets of letters addressed to someone called Esther, voiced out by a male character as the player wanders around a haunted island.
"Dear Esther, I sometimes feel as if I've given birth to this island..."
- Babe Ruth: Man-Tank Gladiator is written by a 39th century priest in the style of a twenty-first century Web Serial Novel.
- Season six of Red vs. Blue begins each episode with a dramatic reading of a memo from the Director of Project Freelancer to the Chairman of the Oversight Subcommittee, or vice-versa. Who writes to whom alternates between episodes, so each episode begins with a reply to the memo sent in the previous episode.
- Though the podcast Alice Isn't Dead takes the form of a Captain's Log recorded by a driver in the cabin of her truck, it's also a monologic epistolary. In her logs, the Narrator speaks throughout as though she's addressing her wife, Alice, occasionally adding commentary that implies she expects Alice to listen through them if they reunite.
Narrator: I know what you're thinking, Alice. "This is intentional avoidance." I don't have to explain myself to you. But I will.


Got this idea when last week discuss with Rahul Gidwani from Salesforce about bloom filters. Put up some draft here, feedback goes to apache hbase dev list.
the “Idea”
Regular bloom filter has been widely used in HBase and LSM, however in these cases, certain important knowledge of the key space is pre-known but not been take advantage of. Such as: 1, the MIN/MAX of the keys is pre-known. 2, the keys are usually densely and continuously sorted within a range.
Issues of regular bloom filter
Current bloom filter makes no the assumptions of the distributions of the incoming objects. After hashing, the hashes is assumed to be evenly distributed among (-int, int). Take most popular implementation for example (google/guava.bloomfilter), there are two processes involved: hashing and modulo, as illustrated below. (code link)
Fig 1 Two processes for most Bloomfilter implementation. Hashing (fnv or murmur being most popular chooses) and modulo. Modulo operation is usually necessary in order to make hashing range fit into the length of bloom Filter.
Issue is that, no matter which hashing algorithm it choose(fnv or murmur being most popular), a modularization process is usually necessary to fit the size of bloom filter (Such as the Line 61 of com.google.common.hash.BloomFilterStrategies.java code link).
As illustrated below, each bloom filter buckets are not giving the even collision chance therefore yield a sub-optimum collision/space ratio.
Fig 2. In this example, range of hashes is [4, 29]. When mod this down to [1,10], we can observe that the range [4, 9] will be “visit” 3 times while other ranges only 2 times. Therefore the items are denser between [4, 9] on the bloom filter. Reason of this is that the regular bloom filter don’t know the min/max value of the incoming objects ahead of time, therefore can not prepare a good corresponding Hash/modulo process for it.
Improvement from HbaseBloomFilter (purposing)
During memstore flushing time, we know Min/Max of the key space a head of time, we can use this information to prepare a better hash and modulo process that avoid this issue. Illustrated below.
So How much does it improve?
A naive implementation of this idea is that: once hashing is done, based on min and max hash value re-align them based on the bloom filter length. (just implemented here for experiment use Code Link)
1
|
|
Experiment Result(each experiment result is the average of multiple experiments):
Bloom filter size is 100, fit in 100 values ranging from 1-150. Use identity based hash: OldBloomFilter: Occupied Rate 65%, Collision rate:35% NewBloomFilter: Occupied Rate 67%, Collision rate:33% (2% better)
Bloom filter size is 10K, fit in 100 values ranging from 1-10K. Use FNV hash: OldBloomFilter: Occupied Rate 63.22%, Collision rate:36.78% NewBloomFilter: Occupied Rate 62.72%, Collision rate:37.28% (0.5% worse)


I am a UCI Alumni with a bachelor's degree in Informatics and a specialization in UX/UI design. Currently, I am pursuing a Master's Degree at Westcliff University with a double concentration in Digital Communication & Multimedia and e-Business Management. With the background in UX/UI design that paired with my business and multimedia studies have provided me a unique persepctive on how to improve users' interaction and make it more effective. I accelerate my skills through web development at LearningFuze. I find that aside from my passion for designing a web page, I also enjoy programming. It has given me deeper knowledge in terms of programming through the use of tools such as using React.js, Bootstrap 4, JavaScript, CSS3, HTML5, PHP, and MySQL. Being a programmer allows me to be able to express my creativity because I am able to design and create based on what I have visualized in my mind as well as implement its functionalities. One of the key features that I have learned from my experience is that I tend to grow and improve my skills based on my mistakes which, in turn, makes me a better developer.


Note: The CodeMirror vim bindings do not have an active maintainer. That means that if you report bugs in it, they are likely to go unanswered. It also means that if you want to help, you are very welcome to look at the open issues and see which ones you can solve.
The vim keybindings are enabled by including keymap/vim.js
and setting the
keyMap
option to vim
.
Features
For the full list of key mappings and Ex commands, refer to the
defaultKeymap
and defaultExCommandMap
at the
top of keymap/vim.js
.
Note that while the vim mode tries to emulate the most useful features of vim as faithfully as possible, it does not strive to become a complete vim implementation


I am an astronomer with a background in physics and
mathematics. I love to combine physical intuition with
mathematical theories to better understand our universe.
Currently, I am a Carnegie Fellow at the Carnegie
Observatories in Pasadena, CA. I grew up along the beautiful
coast of Maine and love to spend my free time outdoors.
Research Interests
Very broadly, my roots are in radio astronomy. I get excited
thinking about how this long wavelength emission complements
our optical and infrared view of galaxies. Recently, I have
been especially interested in using radio emission as a
dust-unbiased tracer of star formation---both locally and
across cosmic time. Locally, I use radio emission to trace
the path of cosmic rays in galaxies. Far away, I make
statistical models of faint populations of radio galaxies to
constrain the cosmological evolution of galaxies.


Mootools, as probably every other JavaScript application or framework
has added prototypes to built-in objects o JavaScript but when ES6 added prototypes
with the same name (but with different functionality), everything broke.
- JS prototypes String.prototype.constrains() ES6
- with
- Array.prototype[@@unscopables]
- DOM window.orientation - there was no spec for it... undefined != 0
- CSS
- showModalDialog()
- AppCache
- isindex
Read web standards!
test your website in other browsers as well
- Report bugs at webcompat


Sweet Caroline's
Home
About
Contact
Contact
*
indicates required
Email Address
*
First Name
Last Name
Event Date
/
/
( mm / dd / yyyy )
Comments
Location
555 West 11th AveNashville, TN 30067Phone:<PHONE_NUMBER>Fax:123-456-7891


This is my Neuroplasticity and growth blog
Neuroplasticity
Discuss how understanding the principles of neuroplasticity benefits people
By letting people know how neuroplasticity works, people can gain the benefits of knowing that you don’t have to be sorted into two separate piles of people, one group who are smart and one group who aren’t. You are able to all become smart through learning and reinforcing the learning to make it permanent through practise.
Discuss how you might engage with the principles of neuroplasticity for your own benefit
By making sure I re-use the connections I build by putting in some effort everyday into coding I can help strengthen my neural pathways instead of having my brain shave them down. Aka using repetition to avoid losing the abilities that I have learnt. I can also use my young age to help with developing new pathways as the younger you are the easier it is for you to develop through having more neuroplasticity.
What are some of the ways to increase your neuroplasticity
Making sure to use it or lose it, if you want something to stick you have to make sure that you don't just completely stop using it. Repetition is an important one for helping to strengthen the neuroplasticity of your brain for the specific actions that you want. Making sure what you are doing specifically relates to what you are trying to achieve or progress on, e.g. if you are wanting to learn more about javascript then make sure to actually do javascript related things as opposed to a different programming language or something else all together.
Link to a resource that you found particularly useful or engaging.
https://www.cfimove.org/10-principles-of-neuroplasticity-part-1/
Growth Mindset
Discuss what it is and why it is relevant
A growth mindset is the belief that you are in control of your own ability and can improve and learn. A growth mindset is relevant because it can and does help you to achieve in life. Having the belief that you are in control of your destiny will help you to strive towards what you want more than believing everything is already fixed and you can’t do anything to change it.
In this exploration, did anything surprise you? Change for you?
It surprised me how much of a difference exactly it made when you had a growth mindset vs a fixed mindset. I realised before taking this course something similar to what they show where you will be more willing to work hard if you believe you are the key to your future but I didn’t realise to what extent that was.
How will you integrate a growth mindset into your learning journey?
I initially did not believe myself to be a good programmer, larger from comparing myself to everyone that was doing really well at uni, and from then dropping out of uni. However I do believe through watching one of my friends who gave up on software engineering in their first year who now is working really hard to get himself into that tech space, that I can become what I want which is in this case a good programmer. I will make sure that I can tell myself to be more open and try again instead of shutting myself down and saying that I am not a good programmer.
Link to a resource that you found particularly useful or engaging.
https://www.brainpickings.org/2014/01/29/carol-dweck-mindset/


Origin: Address FQDN
Prefix:
Filter By: {% for option in filter_options %} {{ option.value }} {% endfor %}
show resolutions from all addresses in prefix:
{{ message }}
Copyright (c) 2019 Fred Morris, Tacoma WA<EMAIL_ADDRESS>Apache 2.0 license. GitHub: https://github.com/m3047/shodohflo


Preparation time
30 mins to 1 hour
Cooking time
less than 10 mins
Serves
Serves 4
Delicious, healthy and quick to make - you really must have these easy posh kebabs at any barbecue!
Preheat a charcoal barbecue 40 minutes ahead of cooking or a gas barbecue 10 minutes ahead of cooking. If using a cast-iron griddle pan, heat it over a high heat, then lower the heat slightly before cooking.
Cover eight bamboo skewers with cold water and leave them to soak.
Put the minced lamb into a bowl with the onions, garlic, chilli flakes, parsley, one teaspoon of salt and some freshly ground black pepper. Mix together with your hands until bound together.
Divide the mixture into eight and mould it into long sausage shapes around the drained bamboo skewers.
For the minted yoghurt, mix the yoghurt with the mint, half a teaspoon of salt and some pepper and set aside.
For the salad, finely shred the carrots and kohlrabi, on a mandolin or on the coleslaw setting of your food processor so you get nice long, thin, crunchy strips.
Put these in a bowl with a large pinch of salt and mix together well.
Heat the sunflower oil in a small pan, add the cumin seeds and, as soon as they start to sizzle, add them to the vegetables with the lemon juice and toss together.
Brush the kofta generously with oil and lightly oil the bars of the barbecue or griddle. Cook for five minutes, turning occasionally, until browned all over and cooked through.
Spread the minted yoghurt over one large or four individual serving plates. Lay the kofta on top, garnsih with the sliced tomatoes and serve with the salad.


Dfam uses a newly developed classification system for repetitive sequences that combines concepts from established systems and with phylogenies based on reverse transcriptase and transposases. Classification names have been chosen to be as descriptive as possible while still honoring the most widely used acronyms for well-defined classes. In this hierarchy class names may not be unique rather the concatenation of terms from the root of the system should be used to uniquely identify a classification.
The interactive visualization below provides an easy way to explore and query the classification hierarchy. Clicking on individual nodes expands/collapses sections of the tree. Typing within the search field will expand and highlight matches within the tree.
A raw export of the classification dataset can be obtained as a tab-separated file suitable for loading into Excel.
Piégu, Benoît, et al. "A survey of transposable element classification systems - a call for a fundamental update to meet the challenge of their diversity and complexity." Molecular phylogenetics and evolution 86 (2015): 90-109.
Kapitonov, Vladimir V., and Jerzy Jurka. "A universal classification of eukaryotic transposable elements implemented in Repbase." Nature Reviews Genetics 9.5 (2008): 411-412.
Wicker, Thomas, et al. "A unified classification system for eukaryotic transposable elements." Nature Reviews Genetics 8.12 (2007): 973-982.
Curcio, M. Joan, and Keith M. Derbyshire. "The outs and ins of transposition: from mu to kangaroo." Nature Reviews Molecular Cell Biology 4.11 (2003): 865-877.
Asmit AFA, Hubley R & Green, P. RepeatMasker Open-4.0. 2013-2019 http://www.repeatmasker.org.


{% extends 'main/base.html' %} {% load static %} {% block main %}
Twitter collects data about your own tweets, images, videos, and more. You can use this website to retrieve and store detailed data on your tweets & likes in your Open Humans account.


set antialias on
| off
This command, which is available in GrADS version 2.1+, allows the user to disable or enable anti-aliasing.
When using GrADS version 2.1+ with the Cairo graphics library, anti-aliasing is enabled by default. This command does not "stick" -- anti-aliasing resets to "on
" with clear
, reset
, and reinit
. For some applications it may be desireable to disable this feature, but in general anti-aliasing improves the appearance of the graphics and should be left on.


Microservices Demo - Web Server
Overview
- Demo defines a simple web-application for accessing accounts
data.
- All the account information is fetched via a RESTful
interface to a Accounts microservice.
The Demo
Spring Boot URLs
For those interested, Spring Boot provides RESTful URLs for
interrogating your application (they return JSON format data):


BUFFALO ‘66 by DeWyNGaLe Rating: B
Buffalo ‘66 is a very rarely known movie that stars Vincent Gallo and Christina Ricci. Gallo plays a very troubled man, who was sent to jail for gambling. Once out of jail, he must visit his parents, who he told he was married. The truth is he isn't married. To try to impress them, he kidnaps a girl (Christina Ricci) from a tap dancing class to act as his wife. The film is very cheaply made, and it shows it throughout a lot of the movie, but you don't need money to make a good film. Buffalo ‘66 doesn't always stay with the realistic concept, and sometimes goes through outrageous events.
Gallo's parents, played by Angelica Huston and Ben Gazarra, are two very strange individuals. The mother plays a football fanatic and the father plays a quiet man with odd habits. Gallo and Ricci arrive at his parent's house, and some extremely funny scenes take place within the house. Ricci's performance during the scene at Gallo's parent's home are very well done. There is constantly humor involved in the interesting dinner table scenes. The way the movie was filmed in this particular part of the movie were interesting and creative. They seemed very mediocre, but they worked out just fine.
Gallo's character is developed very well. The impression that he is very depressed and confused is very clear. Gallo gives a performance that makes you believe what the character is going through. His character goes through many, many problems, just like many people in real life. This character seemed very realistic to me. Ricci's character is funny and different. She doesn't care much that she has been kidnaped, in fact, she falls in love the man who kidnaped her! Ricci is a very wonderful actress and she is starting to get the recognition that she deserves.
Buffalo ‘66 isn't all laughs though. Many scenes are very dramatic and depressing. Gallo's character was so realistic, he was extremely disturbing. Some scenes are supposed to come off as funny, but they actually seemed sad and real to life. The film sometimes drags along, not giving much material. I really would have liked to see Gallo's parents a lot more, and I would have liked to see the characters developed more. Overall, Buffalo ‘66 isn't as good as some people put it up to be.
The Bottom Line- A few hysterical scenes save this film from sinking to the bottom.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


http://www.michael-noll.com/tutorials/writing-an-hadoop-mapreduce-program-in-python/
https://github.com/jasondavies/d3-cloud
https://github.com/wvengen/d3-wordcloud


PSALMS 149
1 Praise Yahweh!
Sing a new song to Yahweh;
praise him whenever his faithful people gather together!
2 You Israelite people, be glad because of what God, who created you, has done for you!
You people of Jerusalem, rejoice because of what God, your king, has done for you!
3 Praise Yahweh by dancing, by beating tambourines,
and by playing harps to praise him!
4 Yahweh is pleased with his people;
he honors humble people by helping them to defeat their enemies.
5 Because they have won battles, God's people should rejoice
and sing joyfully all during the night!
6 They should shout loudly to praise God;
but they should also hold sharp swords in their hands,
7 ready to use them to defeat the soldiers of nations that do not worship God
and to punish the people of those nations.
8 They will fasten their kings and other leaders with iron chains.
9 They will judge and punish the people of those nations as God wrote should be done.
Everyone else will honor God's faithful people for doing that!
Praise Yahweh!


| EID | Full Name | Monthly salary | Year of birth | Actions | |
|---|---|---|---|---|---|
| {{ employee.id }} | {{ employee.employee_name }} | {{ employee.employee_name.substring(0,1) + '.'+ employee.employee_name.substring(employee.employee_name.lastIndexOf(" ") + 1 ) +<EMAIL_ADDRESS>}} | {{ (employee.employee_salary / 12).toFixed(2) }} € | {{ new Date().getFullYear() - employee.employee_age }} | |
| {{employees.length }} | {{total}} |


Drive Alone
Main window
This window is centered on the current best car.
Brain
This is an abstract representation of the current best car brain.
Minimap
An overview of the whole track
Load and show
Obtain the current brains of the cars using the "show" button.
Load a previously saved configuration using the "load" button.
What's going on hre?
What are those rectangles doing there?  Can't we tell them what to do? They seem really bad at what they do, whatever it is.
Wow, calm down there!
First, those little rectangles symbolize cars, and those wierd looking beams are actually captors. Each captor gives the car a single information: a number representing the distance to the closest wall in that direction.
As for telling them what to do, why would you spoil it all and break that amazing learning circle?
Learning circle? Do you mean to make me believe those blocks can learn anything?
Yes, you got it! Those cars have a brain…
A brain‽
Yes, but let me finish, they have a synthetic brain, displayed in the second panel, that slowly adapts to their environment to finally figure out by themselves how to move to their goal.
And how do you explain the brain?
I don't.
Pleeeeeaaaaase…
No, you don't understand. I can't explain it, because I don't understand it.
Didn't you make it?
Yes I did, but I created it empty. I am now unable to understand how it evolved to the current state, all I know is that, by trial and error, given enough feedback, it guesses by itself which way to improve.
I don't understand.
This is called machine learning, a whole branch of computer science. That "brain" is actually called a neural network and it works with very basic math. If you want to know more, fell free to search the web for infinite knowledge.
OK, I'm entering a tunnel now, TTYL.
OK, bye!


--- layout: example categories: example/v1.0.0 version: v1.0.0 title: Sync maps with antipodes description: Create maps that show each others antipodes. Inspired by tunnel to the other side of the earth. tags: - ui ---


sucrose genes expression Brix protein gene expressed sugarcane high plants cell Plant drought transcription kinase content metabolism using internodes factor genotypes sugar signaling Arabidopsis associated ABA data file wall individuals mature ↓↓↓ (Table Additional analysis regulated accumulation biosynthesis differentially low development glucose levels {border-style culm described immature stress Physiol acid plant px;} related #ffffff;} cDNA compared (see SAS Sugarcane family identified mRNA Population important induced previously reference regulatory response similar synthase version SNF-like calcium control differential obtained populations responses role genes, microarray observed pathways possible selected signal used Figure Proc activity collected determined enzyme growth hormone kinases qRT-PCR regulation values Sucrose and/or breeding measures performed relative responsive samples target (Figure Biol PCR average biological calculated calmodulin-binding cold extreme internode maize phosphatase seedlings showed tissues transduction ↑↑↑ Cell Genes Mol Sugar auxin contrasting correspond factors highly including involved lignin overlap pools px; ratio reactions transcript treatments. water {font-family Casu Gene Huber Res Sci content. cultivars derived enzymes evaluated font-size increased internodes. lower microarrays orthologues plants. probability refers shown studies treated treatment (qRT-PCR) ./j.-X...x ABI Acad Aquaporin CTC-, Int Protein ScCIPK- [], altered aquaporin biology culms differences different double; expansion experiments expression. higher individual maturation mechanisms pathway phylogenetic process proteins regulate repressed sequence sequences seven stresses transgenic vary ./annurev.arplant... Analysis CDPKs Cane Click Drought Error Genome Genomics LINK Molecular NAM Natl Papini-Terzi Rocha Soc Technol USA act additional axis bars border-color border-width carbohydrate carbon carried category components conducted containing correlation developmental experimental finger genotypes. grown include indicate indicates interesting internodes, level light lists method molecular necessary number parallel phosphorylate phosphorylation plants, processes profiling programs putative qRT-PCR. regulators replicates rice seen set solid; stem sucrose. sugars synthesis table technical tissue total transcriptional validation value verified versus {font-style {font-weight ↓↓↓↓ ./j.-...x ./pnas... ./pp.. ./pp... Atg) Comparison Daniels Halford Lee Manners Micromonas Moore Nitrilase Phenylalanine Real SCEQRTE.g ScCDK- ScMAPK- Shinozaki SnRK Souza Time Vicentini Yamaguchi-Shinozaki Zhang abscisic accumulate adapter agronomic ammonia-lyase analyzed apical bold cells conditions conserved content, converts corresponding courier; cultivation cycle-related dehydrin development. differ drought, early em; ethylene extracted families fructose genes. group groups highest hormone-related/Aux/IAA identification identify improvement indicated induction leaf likely lowest markers maturing measurements months normalized officinarum pathways. phosphate players pool population process. pt;} reaction reductase relationship results review shows signalling significance similarly term thirty transcripts triplicates. twenty-four validated verify zinc


1 write to _orderedPathExt
System.Management.Automation (1)
engine\CommandPathSearch.cs (1)
84
_orderedPathExt
= CommandDiscovery.PathExtensionsWithPs1Prepended;
1 reference to _orderedPathExt
System.Management.Automation (1)
engine\CommandPathSearch.cs (1)
516
foreach (var allowedExt in
_orderedPathExt
)


Tired of being tracked online? We can help.
Get seamless privacy protection on your browser for free with one download:
Private Search
Tracker Blocking
Site Encryption
Add DuckDuckGo to Chrome
Get seamless privacy protection on your browser for free with one download:
Private Search
Tracker Blocking
Site Encryption
Just a few clicks to install, and you're ready to go. It's that easy.
We'll block hidden trackers and encrypt connections to keep you more private.
DuckDuckGo Privacy Essentials protects your privacy, wherever the Internet takes you.
Other search engines track your searches even when you’re
in private browsing mode. We don’t track you — period.
No tracking, no ad targeting, just searching.
Add DucksDucksGo to Chrome


{% extends "base.html" %} {% block headtitle %}Home{% endblock %} {% block head %} {% endblock %} {% block body %} {% include "header.html" %}
The HTML5 community is getting bigger and bigger. Here you will find some resources to be up to date about the latest HTML5 news as well as to be able to discuss with developers and engineers the experimental features and proposals around the standards and browser implementations.


Toggle navigation
Menu
Eleazar Junsan
Home
About
Blog
Contact
So then faith cometh by hearing, and hearing by the word of God.
Romans 10:17
Posted by
Eleazar Junsan
on February 2, 2017
Man must explore, and this is exploration at its greatest
Problems look mighty small from 150 miles up
Posted by
Start Bootstrap
on September 24, 2014
Older Posts →


I am a Security Engineer with a bachelor's in mathematics and a master's in computer science and computer security. Nothing motivates me more than equipping others to have a greater quality of life. In the past, I accomplished this through teaching mathematics and literacy. In the present, I like to build and secure ideas that help make our world a little better.


signal
—specify handler subroutine for a signal#include <signal.h> void (*signal(int sig, void(*func)(int))) (int); void (*_signal_r(void *reent, int sig, void(*func)(int))) (int);
Description
signal
provides a simple signal-handling implementation for embedded
targets.
signal
allows you to request changed treatment for a particular
signal sig. You can use one of the predefined macros SIG_DFL
(select system default handling) or SIG_IGN
(ignore this signal)
as the value of func; otherwise, func is a function pointer
that identifies a subroutine in your program as the handler for this signal.
Some of the execution environment for signal handlers is
unpredictable; notably, the only library function required to work
correctly from within a signal handler is signal
itself, and
only when used to redefine the handler for the current signal value.
Static storage is likewise unreliable for signal handlers, with one
exception: if you declare a static storage location as `volatile
sig_atomic_t
', then you may use that location in a signal handler to
store signal values.
If your signal handler terminates using return
(or implicit
return), your program's execution continues at the point
where it was when the signal was raised (whether by your program
itself, or by an external event). Signal handlers can also
use functions such as exit
and abort
to avoid returning.
The alternate function _signal_r
is the reentrant version.
The extra argument reent is a pointer to a reentrancy structure.
Returns
SIG_ERR
; a specific error number is also recorded in errno
.
Otherwise, the result is the previous handler (a function pointer or one of the predefined macros).
Portability
signal
.
No supporting OS subroutines are required to link with signal
, but
it will not have any useful effects, except for software generated signals,
without an operating system that can actually raise exceptions.


8.3.3. Initial Setup of JSR352-compliant Batch Project¶
The following is procedures of initial setup of the JSR352-compliant batch project:
- Generate a JSR352-compliant batch project
- Confirm communications of the JSR352-compliant batch project
<IP_ADDRESS>. Overview of the generated project¶
The overview of the project generated by this procedure is as follows.
| Item | Description |
|---|---|
| Project type | Maven project |
| Project composition | Single project composition |
| DB used | H2 Database Engine (embedded in the application) |
| What is included in the generated project? | The following is included in the generated project:
|
| [1] | Since the class to execute ETL exists in Nablarch, the project contains only the configuration file, DTO class and entity class used by ETL. |
For relationship with other projects and directories, see Maven Archetype Configuration.
<IP_ADDRESS>. Create blank project¶
Generate a blank project using the archetypes provided by Nablarch.
<IP_ADDRESS>.1. Execute the mvn command¶
Change the current directory to the directory where the blank project (can be any directory) is to be created, and place the following file.
After placing the file, specify the necessary parameters in the arguments and execute the bat file.
generateJbatchProject.bat 5u18 <<groupId>> <<artifactId>> <<version>> <<package(optional)>>
The parameters configured in the above command are as follows. If you want to change the version of Nablarch, change 5u18.
| Input item | Description | Configuration example |
|---|---|---|
| groupId | Group ID (normally, enter the package name) | com.example |
| artifactId | Artifact ID | myapp-batch-ee |
| version | Version number | 0.1.0 |
| package | Package (normally the same as group ID) | com.example |
Important
Item groupId and package are mapped to the Java package name. Use lowercase letters, numbers, and dots for these input values, and do not use hyphens.
If the command ends normally, a blank project is created under the current directory.
<IP_ADDRESS>. Communication confirmation¶
<IP_ADDRESS>.1. Automated test¶
The following unit tests are included in the project generated from the archetype.
| Unit test classes | Test content |
|---|---|
| SampleBatchletTest | JUnit test for classes with database connection. |
Execute the unit test and confirm that the blank project was successfully generated.
Execute the following command.
cd myapp-batch-ee
mvn test
If the execution is successful, the log given below will be output to the console.
(Omitted)
[INFO] ------------------------------------------------------------------------
[INFO] Building myapp-batch-ee 0.1.0
[INFO] ------------------------------------------------------------------------
(Omitted)
2020-04-28 10:32:31.096 -WARN- nablarch.core.repository.di.config.xml.XmlComponentDefinitionLoader [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] component property was overridden. component name = businessDateProvider, property = dbTransactionManager
10:32:31.144 INFO c.z.h.HikariDataSource HikariPool-1 - Starting...
10:32:31.477 INFO c.z.h.p.PoolBase HikariPool-1 - Driver does not support get/set network timeout for connections. (org.h2.jdbc.JdbcConnection.getNetworkTimeout()I)
10:32:31.480 INFO c.z.h.HikariDataSource HikariPool-1 - Start completed.
2020-04-28 10:32:31.555 -INFO- com.example.batchlet.SampleBatchlet [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] 削除件数：10件
[INFO] Tests run: 1, Failures: 0, Errors: 0, Skipped: 0, Time elapsed: 0.877 s - in com.example.batchlet.SampleBatchletTest
[INFO]
[INFO] Results:
[INFO]
[INFO] Tests run: 1, Failures: 0, Errors: 0, Skipped: 0
[INFO]
(rest is omitted)
<IP_ADDRESS>.2. Launch test¶
The following batch applications are incorporated in the project that is generated.
| Job ID | Details |
|---|---|
| sample-batchlet | Sample application implemented by the batchlet architecture. |
| sample-chunk | Sample application implemented by the chunk architecture. |
| sample-etl | Sample application of the ETL function provided by Nablarch. |
Confirm the communications of the above 3 batch applications and confirm that the blank project has been successfully generated.
<IP_ADDRESS>.2.1. Build a batch application¶
If the current directory is not yet moved to the generated project, move the directory.
cd myapp-batch-ee
Execute the following command to build the batch application.
mvn package
<IP_ADDRESS>.2.2. Launch the batch application of the batchlet architecture¶
The batch application of the batchlet architecture implements the process to delete the data of the SAMPLE_USER table.
Execute the following command.
mvn exec:java -Dexec.mainClass=nablarch.fw.batch.ee.Main -Dexec.args="'sample-batchlet'"
If the execution is successful, the log given below will be output to ./progress.log
.
2020-04-28 10:35:27.002 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] start job. job name: [sample-batchlet]
2020-04-28 10:35:27.011 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] start step. job name: [sample-batchlet] step name: [step1]
2020-04-28 10:35:27.247 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] finish step. job name: [sample-batchlet] step name: [step1] step status: [SUCCESS]
2020-04-28 10:35:27.255 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] finish job. job name: [sample-batchlet]
Tip
This batchlet deletes all the data in the SAMPLE_USER table. To recover deleted data, execute the Launch an application that uses the ETL function command.
<IP_ADDRESS>.2.3. Launch an application that uses the ETL function¶
The application that uses the ETL function is configured to input data to the SAMPLE_USER table.
Execute the following command.
mvn exec:java -Dexec.mainClass=nablarch.fw.batch.ee.Main -Dexec.args="'sample-etl'"
If the launch is successful, the log given below will be output to ./progress.log
.
2020-04-28 10:37:21.921 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] start step. job name: [sample-etl] step name: [load]
2020-04-28 10:37:21.932 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] job name: [sample-etl] step name: [load] input count: [10]
2020-04-28 10:37:21.944 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] job name: [sample-etl] step name: [load] write table name: [SAMPLE_USER]
2020-04-28 10:37:21.954 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] job name: [sample-etl] step name: [load] total tps: [500.00] current tps: [500.00] estimated end time: [2020/04/28 10:37:21.954] remaining count: [0]
2020-04-28 10:37:21.963 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] finish step. job name: [sample-etl] step name: [load] step status: [COMPLETED]
2020-04-28 10:37:21.973 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] finish job. job name: [sample-etl]
<IP_ADDRESS>.2.4. Launch the batch application of the chunk architecture¶
The batch application of the chunk architecture implements the process to extract data from the SAMPLE_USER table, edit the data, and output data to a CSV file.
Execute the following command.
mvn exec:java -Dexec.mainClass=nablarch.fw.batch.ee.Main -Dexec.args="'sample-chunk'"
If the launch is successful, the log given below will be output to ./progress.log
.
2020-04-28 10:39:46.955 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] start job. job name: [sample-chunk]
2020-04-28 10:39:46.974 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] start step. job name: [sample-chunk] step name: [step1]
2020-04-28 10:39:47.202 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] job name: [sample-chunk] step name: [step1] input count: [10]
2020-04-28 10:39:47.235 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] job name: [sample-chunk] step name: [step1] total tps: [156.25] current tps: [156.25] estimated end time: [2020/04/28 10:39:47.235] remaining count: [5]
2020-04-28 10:39:47.244 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] job name: [sample-chunk] step name: [step1] total tps: [243.90] current tps: [625.00] estimated end time: [2020/04/28 10:39:47.243] remaining count: [0]
2020-04-28 10:39:47.257 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] finish step. job name: [sample-chunk] step name: [step1] step status: [COMPLETED]
2020-04-28 10:39:47.263 -INFO- progress [null] boot_proc = [] proc_sys = [batch-ee] req_id = [null] usr_id = [null] finish job. job name: [sample-chunk]
The following data is output to testdata/output/outputdata.csv.
ユーザID,氏名
1,名部楽 一郎
2,名部楽 二郎
3,名部楽 三郎
4,名部楽 四朗
5,名部楽 五郎
6,名部楽 六郎
7,名部楽 七郎
8,名部楽 八郎
9,名部楽 九郎
10,名部楽 十郎
Tip
testdata/output/outputdata.csv is output in UTF-8. When checking the contents of testdata testdata/output/outputdata.csv, open the file with a text editor as the contents will be garbled if opened with excel.
<IP_ADDRESS>.2.5. If the communication confirmation fails for some reason¶
If the communication confirmation fails for some unknown reason, the correct procedure may not have been followed in some part.
If the reason is not known, try again from Create blank project.
<IP_ADDRESS>.3. Supplementary notes¶
For information on the method of confirming the data of H2 and tools included in the blank project, see Initial Setup Procedure Supplementary Information.


Snake delays Ranji game
by Staff ReporterIn an unusual turn of events, a snake crawled its way into the ACA cricket ground here on the opening day of the Ranji Trophy match between Andhra and Vidarbha.
This delayed the start of the match by a few minutes. The domestic twitter handle of the Board of Control for Cricket in India, ‘@BCCIdomestic’ posted a video of the snake. In the video, the ground staff were seen directing the snake towards the exit, while the players seemed to remain clam throughout the situation.


It’s entirely up to you how long you want this challenge to run for. The longer you leave a challenge open the more registrations you’re likely to receive alongside the more level of detail each contestant may add to their submissions.
Duration : {{timeLine.dateDiff}} {{timeLine.dateDiff > 1 ? 'Days':'Day'}}


This guide walks you through adding Blox Material to
new or existing Angular projects. It assumes the use of
Angular CLI for creating and maintaining your
project. The guide also assumes that you are running at least node 6.9.x and
npm 3.x.x, which you can verify by running node -v
and npm -v
.
Please refer to Node Downloads
for instructions to install node and npm on your computer. To install Angular CLI, run:
This will install the ng
command globally on your system.
If Angular CLI is already installed on your system, make sure you have at least
version 1.5.2 installed, by running ng -v
.
To upgrade to the latest version just run the install command shown above again.
Although not required, using Sass is highly recommended with Blox Material projects. The Material styling/themes are much easier to customize with Sass. For new projects, use Angular CLI to bootstrap the project, and make scss (Sass) the default stylesheet preprocessor:
For existing projects that do not use Sass yet, you can switch to Sass as default stylesheet preprocessor with the following command (run inside the root directory of your project):
Then simply rename src/styles.css
to src/styles.scss
, and in the configuration file
.angular-cli.json
also change the reference to styles.css
to refer to
styles.scss
instead. (You can find that under apps/styles in the file).
Since scss is an extension of css, this will not affect your existing styles.
For existing projects, also make sure that you are using at least Angular CLI 1.5.2
(Angular CLI uses the version installed for your project, not the globally installed
version). This can be checked by running ng -v
in the project directory.
If the project uses an older Angular CLI version, upgrade it by running
npm install --save-dev @angular/cli
in your project directory.
Now add the Blox Material library to your project:
Next install @angular/forms
(optional):
And add the Material module to your application (in src/app/app.module.ts
):
The example also includes the @angular/forms FormsModule
. Using the FormsModule
is not a requirement of Blox Material. All Blox Material components can also be used
without the FormsModule. However, the FormsModule makes building forms much easier, with easy
binding of controls to data, addition of validation rules, display of errors, and much more.
Please refer to Angular Forms Guide for more in
depth information.
Blox Material is fully compatible with@angular/forms
, and supports both theFormsModule
, and theReactiveFormsModule
. But all Blox Material features can also be used without the@angular/forms
package.
To tell the Sass preprocessor how to find all Material Components theme files,
add the following configuration to the apps
section of the
.angular.cli.json
file:
Next, add the following code to your src/styles.scss
file:
This will add theme styles for all available Material components. If you only use a couple of components, you can save space by only including the theme files for the components you actually use. For example:
To use Google's Material Icons, and the Roboto font (default font for the Material components),
you may also want to add the following stylesheets to the head section of the src/index.html
file (both are optional):
For more information about customizing and extending the theme, see Material Components Web Theme Documentation.
Open src/app/app.component.html
and add some markup, for example:
Next, run npm run start
to run your application, navigate to http://localhost:4200
,
and validate you get a nice button styled according to the Material Guidelines. Congratulations,
you have made your first Angular App with Blox Material! The Components
section of this website contains documentation and code samples for all supported Material components.
The web app you just created will not work with older browsers, such as IE11.
Blox Material depends on Google's Material Components for the Web, which is
distributed in different @material/*
npm packages.
These packages all use es2015 (also called es6, or ecmascript 2015) features that
not all browsers support. Here we show one way to solve this issue, while
still being able to use Angular CLI to manage your project.
First you need to install a utility to postprocess the javascript and html
generated by the build, and transpile the javascript to es5 code:
Now open your package.json
and edit your scripts section to customize the start
and build
scripts, and add a transpile
script:
Next add polyfills for features that some browsers not yet support natively: Angular CLI has created a
src/polyfills.ts
file for supporting older browsers, but by default it
has commented out all polyfills required for Internet Explorer. So to support Internet Explorer,
remove the comments at the start of the file. This will make it look like:
Also, as instructed for the classlist.js
polyfill, run:
From now on make sure to always use the following command to create a production distribution of your
application (instead of ng build --prod
):
Congratulations! You now have your Angular application fully integrated with Blox Material, optimized and working for any browser supported by Angular. Now head to the components documentation for code samples and instructions on how to use all Material components in your app!