| Id | ISO | Name |
|---|
jquery.hygrid is, you guessed it, yet another jQuery grid plugin. It was inspired by other great grids plugins like flexigrid and jqGrid.

Being developped as a jQuery UI widet makes it easy to manipulate and extend the grid while taking full advantage of the jQuery UI framework.
The grid is entirely *themable* with ThemeRoller.
The grid use the observer pattern, it's basically event driven. This design allow to encapsulate grid functionalities into seperated plugins and makes it easier to create custom plugins.
The grid's core is around 200 lines of code (~6Kb). Pretty much every features available are plugins, making it very easy to customize, extend or even strip down.
Most of the grid I've tried are well documented (save for flexigrid), but if you wish to change something in the grid you have to modify the grid's code.. which is rarely documented. I'll try to keep the API as well documented as I can to make it easy for developpers to extend the functionalities of this grid in a non-intrusive manner.
Learn how the grid works and how to extend it to create your own plugins.
The jQuery Utils' build system is used to compile plugins into a single file, create the minified version and the distribution archive files. It uses a YAML build file, which allow to create custom build with a minimum effort.
I will try to provide generic backends for PHP and Django. Currently there is a minimalistic PHP backend I've made to test the Ajax plugin.
The grid uses Firebug to provide a minimal but yet useful debug and trace functionalities. It allow to see every events occuring in the grid along with the grid state and the stack trace.
This grid wasn't created to be an official jQuery UI plugin nor to replace the jQuery UI GridTable plugin currently under developement. They are two different plugins with two different goals. The author(s) of the GridTable plugin wants to do things right, which means their grid isn't a priority right now, so it won't be available soon in the official release.
I will favorize simplicity and stability over complexity and features. That's in part for this reason that I dropped the virtual scrolling functionality and IE support. However, I hope the grid's design will makes these issues addresable in the future.
Only you can tell. If you like it and understand its limitations and goals, well it's for you. If you really need features like virtual scrolling or flawless IE support, I'd advise you to use another grid system.
| Feature | hygrid | ingrid | flexigrid | jqGrid | tablesorter |
|---|---|---|---|---|---|
| IE support | - | x | x | x | |
| Scrolling | - | x | x | x | |
| Create from static table | ~ | x | x | x | |
| Subgrid | ~ | - | - | x | |
| Toolbar | ~ | x | x | x | |
| Search | ~ | x | x | x | |
| Resizable h/w | ~ | x | x | x | |
| Hidable cols | x | x | x | x | |
| Pager | x | x | x | x | |
| Sortable cols | - | - | x | x | |
| Sortable rows | x | x | x | x | |
| Row editing | - | - | - | x | |
| Select row | x | x | x | x | |
| Select multiple rows | x | x | x | x | |
| Save state (cookie) | ~ | x | - | x | |
| Ajax | x | - | - | - | |
| Themeroller | x | - | - | - | |
| UI Widget | x | - | - | - |
If you want just the grid you can checkout this repository folder;
svn co http://jquery-utils.googlecode.com/svn/trunk/standalone/ui-hygrid/ ui-hygrid
If you plan to make your own build, you will need the whole jQuery Utils directory;
svn co http://jquery-utils.googlecode.com/svn/trunk/ ui-jquery-utils
Please use the project's bug tracker to report bugs, also check if the bug is not already reported.
To report a bug, click on New issue and fill up the form. Don't forget to specify your OS and Browser (vendor and version). Finally, add ui-hygrid in labels.
$('#demo').hygrid({
url: 'php/backend.php',
cols: [
{label: 'ISO', name: 'iso', width: 40, align: 'center' },
{label: 'Name', name: 'name', width: 80, hide: true },
{label: 'Price', name: 'price', format: '{0:0.2f} $' }
]
});
Complete reference
The documentation and the complete list of options is available on the project's wiki page.
The documentation for developers is available on this wiki page.
My name is Maxime Haineault, I work as project manager at Centdessin Design where I manage a small web development department.
I'm mostly developping this plugin in my spare times, so don't expect bugs to be fixed over night. If you want to help me improve this plugin, any kind of help would be greatly appreciated (bug fixing, documentation, new features, etc).
For that matter, if you really want a bug to be fixed quickly you can speed up the process by sending me your patches, I'll be glad to merge them into trunk if the code looks decent and doesn't break the unit tests.
| Release | Milestone |
|---|---|
| 0.0.1 |
|
| 0.0.2 |
|
| 0.0.3 |
|
| 0.0.4 |
|
| 0.0.5 |
|
| 0.0.6 |
|
| 0.0.7 |
|
| 0.1.0 |
|
| 1.1.1 |
|


Name
Username
Email ID
Phone NO.
Restaurant Name
Transaction Details
Status: Delicious Food
Restaurant Name
Transactions details
Your Currently Booked Restaurant Will Be Here
Restaurant
Your Alloted Waiter Will Appear Here
Happy With The Service Or Not
ADS


IN THE HIGH COURT OF KERALA AT ERNAKULAM PRESENT: THE HONOURABLE MR. JUSTICE SUNIL THOMAS FRIDAY, THE 25TH DAY OF AUGUST 2017/3RD BHADRA, 1939 Bail Appl..No. 5857 of 2017 () ------------------------------- CRIME NO. 172/2017 OF WANDOOR POLICE STATION, MALAPPURAM DISTRICT --------- PETITIONER/8TH ACCUSED : ---------------------- ASHARAF, AGED 48 YEARS, S/O. ABU, CHAKKIPARAMBAN HOUSE, PADIKKUNU P.O., NILAMBUR MALAPPURAM DISTRICT. BY ADV. SRI.SUNNY MATHEW RESPONDENTS/COMPLAINANTS & STATE : -------------------------------- 1. THE SUB INSPECTOR OF POLICE VANDOOR POLICE STATION, MALAPPURAM DISTRICT - 673001. 2. STATE OF KERALA, (RESPONDENTS 1 AND 2 REPRESENTED BY THE PUBLIC PROSECUTOR, HIGH COURT OF KERALA, ERNAKULAM COCHIN - 682 031. R1 & R2 BY PUBLIC PROSECUTOR SRI.AJITH MURALI THIS BAIL APPLICATION HAVING COME UP FOR ADMISSION ON 25-08-2017, THE COURT ON THE SAME DAY PASSED THE FOLLOWING: bp SUNIL THOMAS, J. -------------------------- B.A.No.5857 of 2017 --------------------------- Dated this the 25th day of August, 2017 O R D E R
The petitioner herein is arrayed as the eighth accused in Crime No.172/2017 of Vandoor Police Station for offences punishable under sections 278 and 269 of the Indian Penal Code and sections 24 and 43 of the Water (Prevention and Control of Pollution) Act.
2. The allegation of the prosecution is that on 10.08.2017 at about 4 am, the accused 1 to 6, dumped poultry waste in the property of the sister of the petitioner's wife. It is alleged that the petitioner herein was the care taker and he permitted the waste to be dumped for consideration.
3. Essentially, from the nature of allegations custodial interrogation of the petitioner herein does not appear to be warranted. Hence I am inclined to grant bail to the petitioner herein on the following conditions:
(i) Petitioner shall appear before the investigation officer within ten days from today and shall undergo B.A.No.5857 of 2017 2 interrogation. Thereafter, if he is proposed to be arrested, he shall be released on bail on executing a bond for a sum of Rs.40,000/- (Rupees forty thousand only) with two sureties for the like sum each.
(ii) He shall appear before the investigating officer as and when called for.
(iii) He shall not threaten, coerce or intimidate the defacto complainant or the witnesses.
(iv) He shall not get involved in any other identical offence.
Anticipatory bail application is allowed as above.
Sd/-
SUNIL THOMAS, JUDGE R.AV //True Copy// PA to JUdge


Groups of inputs (in particular checkbox and radio button groups) must have a group label. There are multiple ways to achieve this. The one that works with the largets number of ATs is <fieldset> and <legend>, however ARIA can also be used.Below are examples of how to do this markup.
before


|
{{item.name}}
{{item.product.headline}} Delivery Method: {{data.cart.shipping_item.name}} Electronic Delivery: Immediate Download: Immediate Access |
|
|
| {{item.subscription_terms.description}} |
Click the button below to be redirected to the PayPal site to enter your payment details. After returning to {{companyName}}, you can complete your order.
Your PayPal payment information is never shared with {{companyName}}.
Click the button below to checkout using Apple Pay.
Click the button below to checkout using Amazon Pay. You will be prompted to securely sign in with your Amazon username and password.
Your Amazon payment information is never shared with {{companyName}}.
If this order is for a business, please provide your VAT Number.
This is a secure 256-bit SSL encrypted payment.


I was born and raised in Fairbanks, Alaska. With long winters and small cities my life quickly started to revolve around technology, video games, and skiing. However, extreme temperatures and very little day light meant I spent less time on the slopes and more time building computers and playing games.
After leaving Alaska I made it a point to experience all of the things unavailble back home. I constantly travelled (so for work with the Navy), hopping from event to event, or planning trips with friends (turns out skiing is a lot better outside of Fairbanks). Post Navy I decided I want to continues to learn and experience new things, and as always, options were less available in Alaska
After deciding to make a career in software development, that has been my main goal since. First to San Diego for some education, and now finally to Seattle.


My Work
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Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries,but also the leap into electronic typesetting, remaining essentially unchanged.
It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Contrary to popular belief, Lorem Ipsum is not simply random text.  Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia
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- Read all the Terms and Conditions of the Contract as deployed by the Landlord before signing the Contract. If any error is found contact the
landlord to draft a new contract accordingly.
- Registration Fee of the Contract is paid by the Landlord at the time of Contract Deployment and is transferred to the Owner of the Contract
(Government) immediately.
- Maintain sufficient balance in your MetaMask Ethereum Wallet as Tenants are required to pay the Security Deposit as mentioned in the Contract when signing the contract.
- The Security Deposit will be held in an Escrow Account and when the Tenant and Landlord will provide approval, it will be transferred back to the Tenant after deduction as per the decided amount.
- After the Tenant's Approval, Government will verify the terms and conditions, if approved contract will become Active and deployed on the Blockchain, else the Security Deposit held in the Escrow Account will be released back to the Tenant.
- If you wish to accept the Contract, first Sign the Contract and accept the Terms and Conditions and then pay the Security Deposit.
(Click and Scroll Down)


This demo illustrates packaging CHAT80 as a .qlf file and using it from JavaScript. CHAT80 is compiled using the command below. This compiles all CHAT80 files into a single SWI-Prolog .qlf file. This file is made available on the server.
?- qcompile('chat80.pl', [include(user)]).
This demo does as much as possible of the processing in JavaScript, as opposed to the CBG demo which does all the DOM manipulation and event processing in Prolog. We merely provide the two alternatives without claiming one is better.


Any host language application can query the Prolog rule base, assert
and retract facts, get answers back, but
the host program is in control. Prolog only responds.
Using C/C++, the developer can create custom extensions to Prolog that allow Prolog to respond back to the application.
The simplest example is use of a built-in messagebox predicate that Prolog can use to query the user.
Playing with the ideas starts to give shape to the application.
Write a Prolog front-end that simulates the interaction with the system
that the host program will have. This
allows testing and debugging to proceed in the Prolog interactive environment.
Example - the shipping application will be embedded in VB, so interaction
will be through assert facts, gathered
from the VB front end. A main routine simulates this by gathering
inputs and calling the main predicates.
Start simple - examples from shipper - try this and test it, if there's
bugs, then use the debugger to trace the
output, understand the flow of control and the interaction of the rules
for a simple case.
main :- get_inputs, get_options. get_options :- option(Shipper, Service, Cost, Delivery), write(Shipper:Service:Cost:Delivery), nl, fail. get_options. get_inputs :- prompt(weight, $What is the weight? $), prompt(type, $What type of package (brochure, package)? $), prompt(destination, $What is the destination? $). prompt(Attr, Prompt) :- write(Prompt), read_string(Str), string_term(Str, Val), retractall(known(Attr, _)), assert(known(Attr, Val)). % Rules callable from VB option(Shipper, Service, Cost, Delivery) :- shipper(Shipper, Service, Cost, Delivery). shipper('USMail', 'First Class', Cost, 'One or two days') :- known(weight, W), known(destination, D), cost_usmail(W, D, Cost). cost_usmail(W, 'USA', 32) :- W =< 1. cost_usmail(W, 'USA', X) :- X is 32 + 23 * (W - 1).Design points, its often useful to keep the information being reasoned over separate from the rules and data
In this case information is represented as simple attribute: value pairs,
such as weight:3. They are stored in a
Prolog fact, known(Attr,Val).
Utility predicates are written to maintain the information. They can grow complex, to full frame-based systems.


The "@Test" annotation is used to indicate when a class represents a test class, so it should be used only for classes (not enums or interfaces) and test classes should be either public or private. Classes named with the word "test" should have the @isTest annotation or be renamed to exclude the word "test".
private class MyTest { // missing annotation @isTest. } @isTest class MyTest { // missing modifier access. } @isTest public enum MyTest { //@isTest annotation should not be used for enums. } @isTest public interface MyTest { //@isTest annotation should not be used for interfaces. }
@isTest private class MyTest { ... } @isTest public class MyTest { public void testMyTest() { ... } }


Hosted by: Conan OBrien
Transcribed by: Eric Aasen
This is a special out takes episode. The cast and Conan are sitting around the set of Central Perk, talking about the stuff weve never seen.
Transcribers Note: This is stuff we never saw from all of the seasons, so for all of the scene settings I will be using the current arrangements. Even though some of the out takes take place when Chandler was living with Joey and Rachel was living with Monica, when Joey and Chandler were living in Monica and Rachels, and the current arrangements.
[Scene: Central Perk, the cast of Friends along with Conan OBrien are sitting and talking.]
Conan: Its a tradition here on Friends after every taping for me to hang out with you guys, (They all laugh) talk down the episode umm The point of this whole thing is what people see in America is: they see Friends, they love the show, it looks like a smooth running machine, but behind the scenes theres deceit, mistrust, and hate. And I thought, I thought wed actually take a look at uh, yknow some of these moments where you guys arethere are mistakes. You make mistakes.
Jennifer: Once and a while.
Lisa: From time to time.
Conan: For example, I dont have to memorize lines. You guys actually have to remember what to say and you probably forget from time to time. Yes?
Matthew: Our energy just comes way up when theres an audience here and when that happens, something happens between your brain and your mouth sometimes and it just doesnt, it just doesnt work.
[Cut to Central Perk, Ross, Phoebe, Monica, and Chandler are there. I think its The One With The Joke.]
Ross: Uh, oh-oh, umm no you didnt. I did.
Chandler: Oh uh-uh, no-no-no-no-uh-uh. (He starts laughing, causing everyone else to laugh.)
[Cut to Joey and Rachel's, Phoebe is talking. It looks like when Rachel and Monica lived in this apartment.]
Phoebe: So, we realize thatOh no (She resets herself) Im telling it! Im telling it (She loses it.)
[Cut to Monica and Chandler's, Joey is talking to Monica and Chandler.]
Joey: Ha-ha. LookCome on, I dont know what to do or say. (He laughs.)
[Reset]
Joey: Ha-ha, very funny. I dont know what to do! Yknow? Holy crud!
[Reset]
Joey: Ha-ha-ha, very funny. Look, I dont know what to do! (Long pause, as everyone cracks up.)
Courtney: It is one of those days!
[Cut to Monica and Chandler's, Phoebe is speaking Italian to Joeys grandmother. Im spelling phonetically.]
Phoebe: Xcusa seniora, voulez-bere quakay[Beep]uck it!
Matt: Wow Pheebs, you-you speak gutter?
[Cut back to the cast and Conan.]
Conan: You still get nervous everybody just before a show?
Matthew: Absolutely.
Lisa: Everybody.
Courtney: Its amazing like all week long weve-weve been saying the same lines and then the audience is here and we will mess up, and if you mess up once, then youll get nervous because youllyou know youll probably mess up again.
[Cut to Central Perk, first season Monica is talking.]
The Director: Action!

The Director: Watch again that hand.
Courtney: Thisll be five/ten takes.
The Director: Okay.
Courtney: Okay. You know its gonna happen.
The Director: Once again, and action!
Monica: (the hands still there) When-when you were little you slept through the Grand Canyon. (She actually itches her nose this time.)
Courtney: Oh! Okay! Im gonna try it without the coffee cup cause I think its the left hand thats messing me up.
[Reset]
Monica: When you were little you slept through the Grand(Pointing again)Oh fffff .
[Cut to Monica and Chandler's, Monica and Phoebe are talking.]
Monica: Sorry, lets go back! Cause youve got more to say.
Lisa: Do I? Absolutely. Absolutely. Yeah, thats your fault. I say.
(They both laugh.)
Lisa: I love you.
Courtney: I love you! (They hug.)
[Cut back to the cast and Conan.]
Conan: But there must be, there mustare a lot of moments over the years where youre just trying to do your job, something goes wrong.
[Cut to Joey and Rachel's, Joey is giving Chandler the bracelet from season 2.]
Joey: Hey and, this is a little extra something for yknow, always being there for me.
(Suddenly theres a noise off stage and the camera on Joey swings around.)
Matthew: Hey Joey! The camera hit our wall!
Matt: What?!
[Cut to Monica and Chandler's, Chandler and Joey are living here and Ross is writing on the Magna-Doodle when Rachel opens the door causing the door knob to hit his hand.]
David: Ahh! Sh(Beep)it that hurt!
Jennifer: Are you okay?
[Reset]
[When he hears Jennifer try to open the door he jumps back, and Jennifer is unable to open the door this time.]
[Cut the hallway, Rachel is exited from Monicas when the door closes on her skirt.]
Chandler: Hey Rach! (She breaks up and goes back into Monicas.)
[Cut to Joey and Rachel's, with the giant entertainment center Joey is exiting from his room.]
Joey: Oh yeah? Then how come I keep(He notices that the marker board they use has been left on the entertainment center and holds up his discovery.)
[Cut to Monica and Chandler's, first season, Monica is making a giant sub-sandwich and is talking to Rachel. I think its The One With Fake Monica.]
Monica: It was so wild! We told em we were the Gundersons in 16
(Jennifer starts laughing.)
Courtney: (laughing) I spit on her!
[Cut back to the cast and Conan.]
Jennifer: (to Lisa) Operation. You had a fun one.
Lisa: Oh yeah!
Jennifer: With Operation.
Conan: It was a little game. Yeah, with an electric buzzer.
[Cut to Monica and Chandler's, The One With George Stephanopoulos, Phoebe is showing Monica and Rachel that she brought Operation to their slumber party.]
Phoebe: Oh-ooh, and I brought Operation, but umm I lost the umm (It starts buzzing) Its making a noise.
[Cut back to the cast and Conan.]
Lisa: But le Blanc really doesnt mess up much.
Conan: You dont verbally mess up, but sometimes physically? You mess up.
Matt: I have had some clumsy moments I guess you can call em.
[Cut to Central Perk, to the theme from The Dick Van Dyke show Joey runs into Central Perk carrying a stack of Soap Opera Digests and falls on the step. He does bounce right back up making it all that much funnier.]
[Cut back to the cast and Conan.]
Lisa: He fell down once! And we re-did it and we went back. And he(laughs)he was afraid he was gonna fall down
Conan: You could actually see him trying not to fall down.
[Cut to Central Perk, same as before Joey is entering.]
Joey: Pheebs! (He looks down as he goes down the step to make sure he didnt fall again.) Check it out! (He starts laughing when he realized what he did.)
[Cut back to the cast and Conan.]
Courtney: This particular time when he continued to fall or yknow, try not to fall, I was in the room with Matthew and Matthew was like, "Should I do it?"
[Reset from before, Matt doesnt fall or look down.]
Joey: Pheebs! Check it out! Check it out! Check it out! Check it out! (Hands her one.)
Phoebe: Ooh, Soap Opera Digest!
(As shes saying that Joey is to pull out a chair and sit down, only Matthew comes running in from off camera and dives for the same chair.)
[Cut back to the cast and Conan.]
Conan: Matthew, you have a reputation with the rest of the cast that sometimes you like to, you like to fool around a bit. I mean like if somethings naturally going wrong you like to get in there and juice it a little bit. True or false?
Matthew: I dont necessarily like to juice things
Courtney: He said true or false!
[Cut to Monicas restaurant kitchen, its the episode where Joey is working as a waiter at Monicas restaurant. Joey is patting her breast from when she set it on fire.]
Joey: Oh! Ooh-ooh!
Monica: What are you doing?!

Monica: Oh geez! Okay! Thanks!
(Matthew runs in and starts patting the other breast, then walks away. Matt slowly stops patting her breast.)
[Cut to that same kitchen, only this is The One With The Proposal, Richard is telling Monica something.]
Richard: It was great seeing you the other night.
Monica: Well, it was good to see you too. Did you come down here to tell me that?
Richard: Noo! I came down here to tell you something else. I came here to tell you I still love you.
(Suddenly the door flies open and in walks Chandler!!)

[Cut back to the cast and Conan.]
Conan: Now you guys work with animals a lot.

[Cut to Monica and Chandler's, The One Where The Monkey Gets Away, Rachel is watching a soap opera with Marcel.]
Rachel: Okay. Okay, see now the one with the feather boa? Thats Dr. Francis. She used to be a man. Oh look! There(Marcel (Katie) jumps away)Okay. (And runs behind her on the back of the couch for a little while.)
Jennifer: Katie. Geez! See Katie, come hereKatie! (Katie spills some popcorn.) Katie, come here Katie. (She obeys and sits where shes supposed to.) Very good.
[Reset, theyre about to start the scene when Katie suddenly jumps up startling Jennifer.]
[Cut back to the cast and Conan.]
Jennifer: Lisas laugh though TheresIts so infectious. Its one of those things just forget about it. Once it starts, its all gone.
[Cut to Joey and Rachel's, its actually Joey and Rachels. Phoebe is trying to convince Rachel to switch with her and live with Monica as Joey looks on.]
Rachel: No yknow, I dont want to switch! Come on! I can throw wet paper towels here!
Phoebe: Well at Monicas you can eat(Suddenly cracks up.)
Lisa: Okay, shh yeah. Cause its not silly.
The Director: Here we go.
Jennifer: Okay.
The Director: And action!
Rachel: No-no Ph-Ph-Ph-Ph (She starts laughing.)
[Reset]
Jennifer: (to Lisa) Ready?
Lisa: Yeah.
(They all start laughing.)
[Cut back to the cast and Conan.]
Conan: And then it just builds on itself and theres no doing the scene after. I mean you probably wait and really get it together and do it.
David: For me, I have a hard time with le Blanc in particular.
Matt: Yeah, what did I do?
David: I keep a straight face he-he delivers like this look, a reaction to you, or a certain take, I-II mean I find it so funny.
[Cut to Monica and Chandler's, Ross is eating breakfast with Joey and Monica. Joey is walking towards Ross.]
Joey: Mornin
Ross: Mornin
(Joey hugs Rosss neck and has a look of complete contentment on his face which, after a short while, causes David and Matt to start laughing.)
[Cut to Monica and Chandler's, Monica is throwing a party. Joey is talking to Ross about the bad audition he just had while pouring booze onto a snow cone.]
Joey: I mean what kind of an actor, what kind of an actor cant even say, "Hmm, noodle soup?"
(David smiles.)
Matt: Thats a good one? (They both laugh.)
David: Now, we should go back and take the other line.
Matt: Okay, Ill just put a little more booze on there. (Pours some more on.)
Ross: I think, subconsciously
Joey: (cracking up) Nope, you lost me.
[Reset, Joey is about to pour more booze on.]
David: No! Come on!
[Cut to Joey and Rachel's, Joey and Ross are giving Phoebe and Rachel the brides maid test.]
Joey: Okay, the next situation is for Rachel. The wedding is about to start you walk into the back room and you find Monica taking a nap with Ross. (Ross lies on the floor.) Ill be Monica. Go! (He jumps down and cuddles up with Ross.)
Ross: (jumping up) No! No! No!
(David and Matt just lose it then.)
[Cut back to the cast and Conan.]
Conan: Well be right back with more Friends, less me.
[Cut to Monica and Chandler's, Courtney and Matthew are getting ready to do a scene where Monicas sick.]
Courtney: Im doing my brother.
Matthew: Thats gross.
Commercial Break
[Conan and the cast in Central Perk.]
Conan: You uh, youve worked withThey always say a performer should never work with pets or children.
Jennifer: Aww, the kids.
[Cut to Carol and Susans apartment, from next weeks episode Rachel is talking to Ben.]
The Director: Action.
Rachel: Okay. NowWhat is my first line?
Ben: (prompting her) What did we agree?
Jennifer: Okay
[Cut back to the cast and Conan.]
David: The good thing about the young kids though, theyre completely unpredictable. Which is a lot of fun as an actor to respond with. But there was one story
Jennifer: Oh little Ben.
David: Where the story was that I was anticipating that I would be around to hear my sons first words spoken. But the scene was about that he wasnt supposed to be able to speak and, uh for some reason when we started doing the show
[Cut to Central Perk, Ross is taking Ben to visit Rachel whos working there.]
Ross: Hi! Were visiting!
Rachel: Yay!
Ross: Its Ben and his Da-Da. Da-Da? Can you say Da-Da? Yknow, you might as well say it because I told your
Ben: Da Da.
[Reset]
Ross: Can you say Da-Da? See, Im gonna tell your mommies you said it anyway, so you might as well try
Ben: Da Da.
Ross: Huh?
Ben: Da Da.
David: Yeah, hes saying Da-Da.
[Cut back to the cast and Conan.]
Matt: And then sometimes during the show yknow but youre like, the scenes going one way but youre just tempted to say something another time. Like, do you remember that one where Monicas baking cookies in our old apartment?
Jennifer: Shes trying to intrigue us to hang out with her.
Matt: Yeah, shes trying to waft the smell across the hall to get us to come hang out in her new place, and were sitting there eating pizza and I think it was you (Points to Lisa) that said
[Cut to Monica and Chandler's, the scene described above.]
Phoebe: What do I smell?
[Cut back to the cast and Conan.]
Matt: I think I was supposed to say, "I dont know," and go over and open the door. And I went
[Cut to Monica and Chandler's, same scene.]
Phoebe: What do I smell?
Joey: (Pause) Sorry. (Raises his hand in shame.)
[Cut back to the cast and Conan.]
Matt: (everyone laughs) And then it was like four takes later before we could get through it with a straight face.
[Cut to Monica and Chandler's, same scene.]
Phoebe: What do I smell?
(Pause.)
David: Le Blanc.
[Reset]
Phoebe: What do I smell?
Joey: I dont know, but it smells good. (He gets up and heads for the door only to stop short and start laughing.)
[Cut back to the cast and Conan.]
Conan: But audiencesYou have a live studio audience and they must love that. They must love it when they see you guys playing.
[Cut to Joey and Rachel's, Ross is living with Chandler and Joey. Joey and Ross have built a fort out of boxes, Chandler enters and they stand up slowly.]
Chandler: What are you guys doing?
(Ross and Joey both reach down and pull up their pants.)
Ross: Nothing.
Joey: Nothin.
[Cut back to the cast and Conan.]
Conan: So that you will intentionally do something thattheyll-theyll intentionally screw it up?
Courtney: Yeah!
David: Yeah!
[Cut to Monica and Ross leaving Joey and Chandlers hotel room in London. As they exit Joey and Chandler enter from the bathroom with both of their pants down around their ankles.]
Matt: (noticing the laughter) Why? Whats the matter?
(They both bounce back into the bathroom.)
[Cut back to the cast and Conan.]
 And, a lot of people love you in the fat suit. Do you like wearing the fat suit? Is it fun?
[Cut to Central Perk, Fat Monica and Rachel are on the couch.]
Courtney: Im melting!
[Cut back to the cast and Conan.]
Courtney: They made me dance, in the fat suit.
[Cut to Monica and Chandler's, Courtney is dancing in the fat suit and after shaking her groove thing sits down in exhaustion.]
[Cut back to the cast and Conan.]

Ross: That tastes like feet!
 Matt notices him after a while and starts laughing as well.)
Matt: It tastes like (mimicking him in a high-pitched voice) feet!
David: Okay, were good.
The Director: Action!
Ross: That tastes like feet!
(Matt starts laughing.)
[Cut back to the cast and Conan.]
Matt: Sometimes the dialogue itself is just so funny and youllwell be rehearsing during the week and you justwhatever-whatever the joke is; its so funny we cant get through it in rehearsal and just
Jennifer: You just know.
Matt: You-you mentally make a flag on it and you say, "Okay show night, Im justIll never be able to get through this."
[Cut to Monica and Chandler's, Sick Monica is trying to entice Chandler to have sex with her.]
Monica: Are you saying that you dont want to get with this?
Chandler: You see, I dont say(Starts laughing.)
[Cut to Monica and Chandler's, its the one with the fake chocolate. Monica has baked some cookies and Phoebe is trying them.]
Phoebe: (spitting the cookie out onto a napkin) Oh, sweet Je(Beep)sus! Oh! Monica, these are the (laughing) cookies they serve in hell!
[Cut to Monica and Chandler's, the gang is watching Joeys debut on Days.]
Chandler: (noticing the woman on the screen) Whoa! Shes purty!
Joey: Oh yeah, and shes really nice too! She taught me about yknow, how to work with the cameras and smell-the-fart acting.
Monica: Joey?
Rachel: Im sorry
Ross: Excuse me, what?
(Matt turns back and looks and them, but instead of his next line he starts laughing.)
[Cut back to the cast and Conan.]
Conan: When you have to do physical business for a scene, I mean there must be; there must be a lot of funny moments when you have to physically do a task as part of a scene.
David: Yeah, Rachel, Chandler, and Ross had to try to get a couch up a staira very narrow New York stairwell and that was probably I-I think it was the hardest Ive-Ive laughed in my life period.
[Cut to the scene described above.]
Ross: Pivot! (They pivot) Pivot! (They pivot) Okay, pivot! Piv-at! (He starts laughing.)
[Reset]
Ross: Pivot! Piv-at! Piv-at!!

(David is laughing.)
David: Pivat!! (In a high pitched voice) Pivat!!!
Commercial Break
[Cut back to the cast and Conan.]
Conan: Youve done over 150 episodes, but your favorite moments that 80 years from now youll be thinking about?
Matthew: It is when were able to crack each other up.
[Cut to Monica and Chandler's, Chandler is cleaning the apartment for Monica and is frustrated with things not lining up.]
Chandler: Monicas gotta have the phone in the right place and(Frantic babbling.)
Ross: (To Chandler) All right! All right! All right! (To Joey) We are fixing it.
(Matt starts laughing.)
David: Hes gone. Hes
(Matt mimics Chandler.)
[Cut back to the cast and Conan.]
David: We enjoy watching each other. And I settle for watching each others performance, and we like each other.
[Cut to Rosss second wedding reception, Joey has just told him the band is ready with Rachel looking on.]
Ross: Oh the bands ready! And wellI-Iwe gotta do what the band says, right? I dont care about the stinkin band!!
(Jennifer starts laughing.)
[Cut back to the cast and Conan.]
Conan: Okay Friends gang, thanks for doing it.
David: Well thank you so much.
Jennifer: Thank you Conan!
Matthew: Well thank for coming here, its good to see you.
[Cut to Central Perk, Phoebe at the mike.]
Phoebe: Thank you my babies. (Waves good-bye.)
Ending Credits
[Cut to Monicas work kitchen, shes on fire again and Joey is putting her out.]
Monica: Oh what are doing?!

Monica: I think you got it!
Courtney: Im sorry, I messed up.
Matt: Ill do it again and again if you want.
[Cut to Monica and Chandler's, the bad desert Ross is quickly eating the mound on his plate.]
Ross: No-no! Ill-Ill (He takes too much and some falls out of his mouth, which starts him laughing.)
David: That is too much!
(Matt grabs his plate and takes some of whats on Rosss plate.)
[We close with a bunch of scenes where they screw up and make weird noises. It finishes with.]
Matthew: Let me start that again.
End


I've just done a blog post on RFM69CW current consumption with scope data capture.
The motivation for this was to investigate if the increased current consumption of the RFM69CW might require modification to the emonTx 3.4 AC-DC half-wave power consumption circuit.
Here's the post:
http://openenergymonitor.blogspot.com/2015/02/rfm69cw-power-consumption....
---------------------------------------------------------------------------------------------------------------------------------------------
Following on from my post on RFM12B power consumption here's the same measurements for the RFM69CW (see RFM69CW intro blog post).
Current consumption was measured in the same way as explained in the RFM12B post back in July 2013. Voltage drop was measured across 10R current shunt resistor.
A fully populated emonTx V3.4 with a 433Mhz RFM69CW running discrete sampling code with a single CT connected was used in the test. The V3.4 was powered directly with 3.3V DC from bench PSU.
| emonTx V3.4 with RFM69CW Test Setup |
| Test setup illustration |
| Test Bench |
Please excuse my photos of the scope traces rather than screen captures, for some reason the USB socket on the scope did not seem to be working today :-(
| Full sample and RFM69CW transmit trace capture |
| RFM69CW transmission current consumption |
Re: RFM69CW on emonTx V3.4 Power Consumption
Just wondering if there are plans to reduce the transmit power automatically (or manually) to maintain a "good enough" noise margin at the receiving node, and whether this is likely to have much impact on EmonTH battery life?
Tim.
Re: RFM69CW on emonTx V3.4 Power Consumption
No plans, but yeah, interesting idea. Since the RFM69CW has got RSSI readings the RSSI value could be monitored while the RF power level is reduced. This would have to be done slowly through careful two way coms to avoid the loosing contact with the node if the power was turned down too low!
Fancy having a go?
Re: RFM69CW on emonTx V3.4 Power Consumption
Does sound like an interesting project to tackle, sadly chances of me getting around to it this year are probably slim as I have to finish building my house (and I've already run cat5e all over it, so will be using that to power and communicate with local temp, RH sensors etc.).
I think the OpenTRV devs may be planning something similar as they're going to be using the same radio, and they'll be keen to get the longest possible life out of their AA batteries.
I may be using some EmonTH shortly for another project, so you never know.
Re: RFM69CW on emonTx V3.4 Power Consumption
Doing TX power back off from user space works fine using RSSI as the metric (i.e. what the central node saw as your RSSI in the last few packets). Bear in mind that the RSSI estimate is done very quickly by the chip during preamble. It is consequently quite "noisy" and needs some damping down before using the reading as a control variable. Provided you leave a good 10-12db of signal poking out above the noise floor, that is more than enough for a successful packet decode (and more SNR is actually just a waste).
The battery saving is perhaps less than you might expect (the Tx current draw is a non-linear function of the Tx power level) but IMHO still worth the effort.
The difference in length for the current burst observed above is because the RFM69 needs a little more pre-amble to get set up for an incoming packet than the RFM12B.
Re: RFM69CW on emonTx V3.4 Power Consumption
Further discussion related to this post and info on how to adjust RFM69CW transmit power on the Jeelabs forums
http://jeelabs.net/boards/6/topics/6189


We ship door to door, or as close as possible.
We use open transport, so it will costs you less than Enclosed Transport.
Call us to request a pickup and find out the price and timing.
We will call you back to confirm the time and location.
Your vehicle will be picked up by our driver at your door or as close as possible.
At the appointed time pick up your car at the destination.
Ready to allow us to deliver your car? That's great! Give us a call or send us an email and we will get back to you as soon as possible!
Andrey:<PHONE_NUMBER>


Jackie Brown (1997) Rating: 2.5 stars (out of 4.0) ******************************** Key to rating system: 2.0 stars Debatable 2.5 stars Some people may like it 3.0 stars I liked it 3.5 stars I am biased in favor of the movie 4.0 stars I felt the movie's impact personally or it stood out ********************************* A Movie Review by David Sunga
Directed by: Quentin Tarantino
Written by: Quentin Tarantino, from a book by Elmore Leonard.
Starring: Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda, Michael Keaton
Ingredients: Smart stewardess, honest boyfriend, despicable gunrunner and henchmen, federal agents
Synopsis: Jackie Brown (Pam Grier) - - an impoverished stewardess for a dumpy airline - - makes money on the side by smuggling cash from Mexican buyers to LA gunrunner Ordell (Samuel Jackson). She is caught smuggling by Ray (Michael Keaton) - - an agent from the Bureau of Alcohol, Tobacco, and Firearms. Now the ATF wants Jackie to testify against gunrunner Ordell, and Ordell wants Jackie very dead. Jackie tells Ordell she'll fool the ATF and smuggle him half a million dollars from Mexico. She tells the ATF she'll fool Ordell and they can catch him in the act of receiving fifty thousand smuggled dollars.  Will Jackie's scam succeed?
Opinion: JACKIE BROWN is fairly enjoyable but two things bug me. First, it takes a whole hour for the movie to explain and set up the initial situation. After that, there is nothing left for the audience to figure out for the next hour and thirty minutes. Once Jackie reveals her plan to Max in the beginning of the movie, it seems the whole caper goes off predictably without a hitch, twist, surprise, or problem. It's just a matter of seeing the mechanics of the thing, and one scene is shown three times (through the eyes of three different characters) to make sure we understand how the money is switched. Still, it is kind of nostalgic hearing the 70s soundtrack and seeing action gal icon Pam Grier get tough on crime like the good old days. Of course, Tarantino throws in some side characters with flippant, slang dialogue.
Director: Director Quentin Tarantino is a master at elevating old B-grade movie stuff to the status of A-grade retro. Like Woody Allen, he always gives us amusing neurotic characters with hip dialogue. The difference is, Tarantino's neurotic characters are always TV trivia savvy, and his bad guys are likely to be violent. Sometimes Tarantino's movies seem to be a collage of scenes or vignettes put together into a film mosaic. Personally I would love to see Tarantino direct a sequel for the JAMES BOND or SCREAM movie series because of Tarantino's talent for mixing homage with edge. The Bond movie could pay homage to previous Bond movies, while SCREAM 3 could add action to the horror whodunit series by being about kung fu video trivia fans being stalked by a masked karate killer.
Reviewed by David Sunga December 29, 1997
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Miscellaneous Poems
by Paul Laurence Dunbar
From the Porch at Runnymede
Additional Information
- Year Published: 1913
- Language: English
- Country of Origin: United States of America
- Source: Dunbar, P.L. (1913). The Complete Poems of Paul Laurence Dunbar. New York: Dodd, Mead, and Company.
-
Readability:
- Flesch–Kincaid Level: 6.5
- Word Count: 143
- Genre: Poetry
- Keywords: darkness, death, dream
- ✎ Cite This
Downloads
I stand above the city’s rush and din,
And gaze far down with calm and undimmed eyes,
To where the misty smoke wreath grey and dim
Above the myriad roofs and spires rise;
Still is my heart and vacant is my breath—
This lovely view is breath and life to me,
Why I could charm the icy soul of death
With such a sight as this I stand and see.
I hear no sound of labor’s din or stir,
I feel no weight of worldly cares or fears,
Sweet song of birds, of wings the soothing whirr,
These sounds alone assail my listening ears.


BREAKING: Tottenham Hotspur appoint Jose Mourinho as new head coach following Mauricio Pochettino’s sacking
Tottenham Hotspur have announced the appointment of Jose Mourinho as head coach of the club on a three-and-a-half-year contract. The announcement comes just hours after former boss Mauricio Pochettino was given the sack late night on Tuesday.
Spurs sacked the Argentine tactician after a disastrous start to the 2019/20 season which saw the club go down to the 14th spot on the English Premier League table. Mourinho was the front-runner for the job, as various reports stated and has now been confirmed as the club’s next head coach.
“We are delighted to announce the appointment of Jose Mourinho as Head Coach on a contract that runs until the end of the 2022/23 season,” an official statement from the club read.
Tottenham chairman Daniel Levy said: “In Jose we have one of the most successful managers in football. He has a wealth of experience, can inspire teams and is a great tactician. He has won honours at every club he has coached. We believe he will bring energy and belief to the dressing room.”
Mourinho on his appointment: “I am excited to be joining a club with such a great heritage and such passionate supporters. The quality in both the squad and the academy excites me. Working with these players is what has attracted me.”


Container structure for properties and methods related to the Stream object.
More...
|
| bool | WaitForRead (int timeout) |
| | Waits up to a specified time out for data to be available to read. More...
|
| |
| bool | WaitForRead (int count, int timeout) |
| | Waits up to a specified time out for data to be available to read. More...
|
| |
| int | Read (byte[] buffer, int offset, int count) |
| | Reads data received by the Serial object, copying it into a buffer and reducing the read buffer size. More...
|
| |
| void | ReadConsume (int count) |
| | Consume bytes from the incoming buffer. More...
|
| |
| int | Read (char[] buffer, int offset, int count, Decoder decoder) |
| | Reads data received by the serial object, converted to characters using the specified decoder. More...
|
| |
| int | ReadByte () |
| | Reads a single byte from the input queue. More...
|
| |
| void | DiscardInBuffer () |
| | Discards data from the receive buffer. More...
|
| |
| bool | WaitForWrite (int count, int timeout) |
| | Waits up to a specified time out for enough data to be free in the write buffer. More...
|
| |
| void | AbortWait () |
| | Aborts the wait for write. More...
|
| |
| int | Write (byte[] buffer, int offset, int count) |
| | Puts data into the write buffer for the Serial object to send. More...
|
| |
| bool | Flush (int timeout) |
| | Waits for all data in the write buffer to be written with notification also by the serial buffer. More...
|
| |
| void | Reset (bool clearBuffer) |
| | Reset the buffer to an initial state ready for a new connection. More...
|
| |
Container structure for properties and methods related to the Stream object.
◆ AbortWait()
| void RJCP.IO.Ports.Native.ISerialBufferStreamData.AbortWait |
( |
| ) |
|
Aborts the wait for write.
◆ DiscardInBuffer()
| void RJCP.IO.Ports.Native.ISerialBufferStreamData.DiscardInBuffer |
( |
| ) |
|
Discards data from the receive buffer.
◆ Flush()
| bool RJCP.IO.Ports.Native.ISerialBufferStreamData.Flush |
( |
int |
timeout | ) |
|
Waits for all data in the write buffer to be written with notification also by the serial buffer.
- Parameters
-
| timeout | The time out in milliseconds. |
- Returns
true
if the data was flushed within the specified time out; false
otherwise.
◆ Read() [1/2]
| int RJCP.IO.Ports.Native.ISerialBufferStreamData.Read |
( |
byte [] |
buffer, |
|
|
int |
offset, |
|
|
int |
count |
|
) |
| |
Reads data received by the Serial object, copying it into a buffer and reducing the read buffer size.
- Parameters
-
| buffer | The buffer to copy data into. |
| offset | The offset where to copy data into.. |
| count | The number of bytes to copy. |
- Returns
- Number of bytes actually read from the queue.
◆ Read() [2/2]
| int RJCP.IO.Ports.Native.ISerialBufferStreamData.Read |
( |
char [] |
buffer, |
|
|
int |
offset, |
|
|
int |
count, |
|
|
Decoder |
decoder |
|
) |
| |
Reads data received by the serial object, converted to characters using the specified decoder.
- Parameters
-
| buffer | The character buffer to read into. |
| offset | The offset into buffer . |
| count | The number of characters to write into buffer . |
| decoder | The decoder to use for the conversion. |
- Returns
- The number of characters read.
This method has no input checks that it is internal
◆ ReadByte()
| int RJCP.IO.Ports.Native.ISerialBufferStreamData.ReadByte |
( |
| ) |
|
Reads a single byte from the input queue.
- Returns
- The byte, cast to an Int32, or -1 if the end of the stream has been read.
◆ ReadConsume()
| void RJCP.IO.Ports.Native.ISerialBufferStreamData.ReadConsume |
( |
int |
count | ) |
|
Consume bytes from the incoming buffer.
- Parameters
-
| count | The number of bytes to discard at the beginning of the read byte buffer. |
◆ Reset()
| void RJCP.IO.Ports.Native.ISerialBufferStreamData.Reset |
( |
bool |
clearBuffer | ) |
|
Reset the buffer to an initial state ready for a new connection.
- Parameters
-
| clearBuffer | Set to true to reset the contents of the buffers. |
This should only be closed when the serial port is closed.
◆ WaitForRead() [1/2]
| bool RJCP.IO.Ports.Native.ISerialBufferStreamData.WaitForRead |
( |
int |
timeout | ) |
|
Waits up to a specified time out for data to be available to read.
- Parameters
-
| timeout | The time out in milliseconds. |
- Returns
true
if data is available to read in time; false
otherwise.
◆ WaitForRead() [2/2]
| bool RJCP.IO.Ports.Native.ISerialBufferStreamData.WaitForRead |
( |
int |
count, |
|
|
int |
timeout |
|
) |
| |
Waits up to a specified time out for data to be available to read.
- Parameters
-
| count | The number of bytes that should be in the read buffer. |
| timeout | The time out in milliseconds. |
- Returns
true
if data is available to read in time; false
otherwise.
◆ WaitForWrite()
| bool RJCP.IO.Ports.Native.ISerialBufferStreamData.WaitForWrite |
( |
int |
count, |
|
|
int |
timeout |
|
) |
| |
Waits up to a specified time out for enough data to be free in the write buffer.
- Parameters
-
| count | The number of bytes required to be free. |
| timeout | The time out in milliseconds. |
- Returns
true
if count bytes are available for writing to the buffer; false
if there is not enough buffer available within the timeout parameter. If count is larger than the capacity of the buffer, false
is returned immediately.
◆ Write()
| int RJCP.IO.Ports.Native.ISerialBufferStreamData.Write |
( |
byte [] |
buffer, |
|
|
int |
offset, |
|
|
int |
count |
|
) |
| |
Puts data into the write buffer for the Serial object to send.
- Parameters
-
| buffer | The buffer to copy data from. |
| offset | The offset where to copy the data from. |
| count | The number of bytes to copy. |
- Returns
- Number of bytes actually written to the queue.
◆ BytesToRead
| int RJCP.IO.Ports.Native.ISerialBufferStreamData.BytesToRead |
|
get |
Gets the number of bytes in the internal read buffer only.
This value is independent of the actual number of bytes in the serial port hardware buffer. It will only return that which is currently obtained by the I/O thread.
◆ BytesToWrite
| int RJCP.IO.Ports.Native.ISerialBufferStreamData.BytesToWrite |
|
get |
Gets the number of bytes in the internal write buffer only.
This value is independent of the actual number of bytes in the serial port hardware buffer. It will only return that which is currently not completely written by the I/O thread.
The documentation for this interface was generated from the following file:
- C:/PROJECTS/C#/BSL430.NET/src/BSL430.NET/Library/serialportstream/2.1.4/src/Native/ISerialBufferStreamData.cs


VolumeRC's documentation is under development.
Since most of our work is now being integrated into other platforms like X3DOM we recommend you to check those implementations and documentation for a better support.
Introduction
As you may have seen in our publications, our solution is based on converting a 3D volume texture into a WebGL compatible 2D atlas of the slices. Since we are aware that it's not so obvious on the right way to do get that atlas we have created a piece of Python code to allow you to convert your data easily.
Download the following code (right-click & download):


AUSTIN POWERS: THE SPY WHO SHAGGED ME Cast: Mike Myers, Heather Graham, Michael York, Seth Green, Robert Wagner, Rob Lowe, Mindy Sterling, Tim Robbins, Elizabeth Hurley Director: Jay Roach Producers: Suzanne Todd, Jennifer Todd, Demi Moore, Eric McLeod, John Lyons, Mike Myers Screenplay: Mike Myers & Michael McCullers Cinematography: Ueli Steiger Music: George S. Clinton Australia distributor: Village Roadshow Australian theatrical release: June 17, 1999 Reviewed by Luke Buckmaster
On the Buckmaster scale of 0 stars (bomb), to 5 stars (a masterpiece): 3 and a half stars
Recently some of my readers have expressed their belief that I look for depth and meaning in films even when I shouldn't be; that is, I look for a profound message when I should be enjoying the ride for what it is worth. Whilst there is probably some truth behind this argument, in my defense is this review of Austin Powers: The Spy Who Shagged Me, a movie that is as deep as a blonde joke and half as meaningful. Yet there is something entirely satisfying with Mike Myers' comedic formula that makes this film a delightful romp from start to finish. Occasionally overworked and very occasionally problematic but never boring or unfunny, The Spy Who Shagged Me has been accused of all sorts of cinematic sins, but none that make it any less enjoyable for the viewer. Thanks to an even livelier atmosphere than the first film, this piece of lavish cinema is better than its predecessor in terms of wit, energy and fun. Which, I suppose, is what Austin Powers is all about - celebrating life with a warped sense of humor and an acute sense of the absurd. Or perhaps, Mike Myers is just having fun.
Agent Kensington (Elizabeth Hurley, sexy star of the original) is quickly and effectively disposed of in the opening scene of The Spy Who Shagged Me, paving the way for Austin Powers' (Mike Myers) new partner, Felicity Shagwell (Heather Graham) who he meets in 1969. You see, Austin's archenemy Dr Evil (Mike Myers) has traveled back in time and stolen his "mojo", the thing that gives him his super shagedelic powers. Austin must not only regain his mojo but also save the world from destruction, as Dr Evil has built what he calls a "death star" on the moon (Evil's son, Scott, played by Seth Green, is well aware of his lack of ability to choose an original name).
The film movies smoothly along, introducing a spectrum of quirky characters. Fat Bastard (Mike Myers again) is an obese evil spy; Mini-Me (Verne Troyer) is Dr Evil's one-eighth replica; and Frau Farbissina (Mindy Sterling) is Dr Evil's peculiar love interest (well, sort of). Memorable moments include cameos from Jerry Springer (who is fortunate to star in one of the film's best scenes), Woody Harrelson and Willie Nelson; a hilarious rendition of 'What if God Was One of Us'; and a clever scene that utilizes silhouettes on the side of a tent.
Everything is directed with a good sense of bad taste by filmmaker Jay Roach, who succeeds on both commercial and artistic levels. The Spy Who Shagged Me has a colorful and engaging visual feel that captures the lively spirit of the swinging sixties perfectly, thanks to its costume design and cinematography by Ueli Steiger (Godzilla). This film is one of the better sequels of late, and definitely one of the funniest comedies I've seen for awhile. It's a refreshing picture that reminds you of how good it is to laugh, and laugh loudly. How would I feel about another sequel? Groovy, baby.
Read more of my reviews at In Film Australia http://infilmau.iah.net
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Google Code offered in: English - Español - 日本語 - 한국어 - Português - Pусский - 中文(简体) - 中文(繁體)
This document explores the internationalization features of UiBinder templates. More general information about UiBinder can be found in Declarative Layout with UiBinder.
UiBinder templates can be marked up for localization. You use the <ui:msg> and <ui:attribute> elements to indicate which portions of the template should be translated, then provide properties files with localized versions of the messages when building your app.
As in the main UiBinder page, the rest of this page explains how to make your UI templates localizable through a series of typical use cases.
Note You will see a lot of parallels to working with the Messages system, and with good reason: UiBinder's I18n features are implemented by generating a hidden com.google.gwt.i18n.client.Messages
interface for each template. Except for plural forms, anything you can do via Messages you should also be able to do in a template.
Here's how to turn the feature on.
Original
<ui:UiBinder xmlns:ui='urn:ui:com.google.gwt.uibinder'>
Hello, world.
 </ui:UiBinder>
Tagged
<ui:UiBinder xmlns:ui='urn:ui:com.google.gwt.uibinder' ui:generateFormat='com.google.gwt.i18n.rebind.format.PropertiesFormat' ui:generateKeys="com.google.gwt.i18n.rebind.keygen.MD5KeyGenerator" ui:generateLocales="default">
<ui:msg description="Greeting">Hello, world.</ui:msg>
 </ui:UiBinder>
We've done two things here. We've configured UiBinder's I18N features by adding a few attributes to the root <ui:UiBinder> element, and we've tagged our text as being an individual message that needs translation.
First look at our "Hello, world." text. By putting it in
a <ui:msg>
element we've identified it as a single
piece of translatable text, a message. The message's
description
attribute will accompany the message on its way to the
translator to explain its use. The description may well be the only
bit of context the translator sees, so even though it's an optional
attribute you really should always provide one.
Now that we have something that needs to be translated, we set our configuration to say how it should be done via attributes on the root <ui:UiBinder> element. These ui:generate* attributes correspond to the arguments of LocalizableResource's @Generate annotation. Here's what they mean.
When you compile your application, pass the -extras argument to the gwt compiler to tell it to generate its "extra" auxiliary files. A properties file will be generated for each template, containing an entry for each message tagged for localization, something like:
# Generated from my.app.HelloWorldMyBinderImplGenMessages # for locale default # Description: Greeting 022A824F26735ED0582324BE34F3CAE1=Hello, world.
The names of the generated files are a bit unfortunate, based on the UiBinder interfaces you declare. For example, if this template is used by com.example.app.client.Hello.Binder; in a module named App; and you've run the gwt compiler with -extra /tmp/gwt-extras; you'll find the file in /tmp/gwt-extras/com.example.app.App/com.example.app.client.HelloBinderImplGenMessages.properties. No kidding. Hopefully this will be cleaned up in a future release of the toolkit.
Your translators can then create localized versions of this file that can sit next to your ui.xml file. Continuing the example at hand, a Mexican Spanish version of this properties file would be named HelloBinderImplGenMessages_es_MX.properties (note that the "com.example..." prefix is dropped).
You don't have to use md5 keys. If you prefer to create your own,
the <ui:msg> element accepts a key
attribute
to let you do just that. On the other hand, if you stick with md5 keys
you can gather all of your app's translations for a particular locale
into a single file, rather than keeping them scattered throughout your
code base. The magic name
is LocalizableResource_<locale>.properties
, and you
must put it in package com/google/gwt/i18n/client
. (This
works because i18n property file lookup walks up the class inheritance
tree, and all Messages interfaces descend from LocalizableResource.)
Some projects use scripts to maintain these unified translation files. See this wiki entry from the puzzlebazar project for an example.
There are are a couple of other I18N attributes that can be set on the <ui:UiBinder> element, corresponding to other Localizable annotations, but you'll rarely change them from their default values.
A message element in a context where HTML is appropriate can hold HTML markup.
Original
We strongly urge you to reconsider.
Tagged
<ui:msg>We strongly urge you to reconsider.</ui:msg>
Simple formatting is reasonable to put in front of a translator, and so UiBinder supports HTML in messages, not just text.
Sometimes you will need to put opaque blocks inside of a message, to keep your translators from breaking your app.
Original

Colgate, with MFP!TM

Tagged

 <ui:msg description="blurb">Colgate, with MFP!<ui:ph name="trademark">TM</ui:ph></ui:msg>

Generated
# Description: blurb # 0=arg0 (Example: ), 1=arg1 (Example: ), 2=arg2 (Example: TM) 6E8B421C6A7C1FEAE23FAA9D43C90D5E={0}Colgate{1}, with MFP\!{2}
There are two examples in here. First, you see a ui:ph attribute that can be added to any child of a ui:msg, to indicate that placeholders should be created to protect it from translators. Two placeholders are created, for the opening and closing tags of the element (in this case, brandedSpanOpen and brandedSpanClose).
Second, we see an element, also named ui:ph, that can surround an arbitrary bit of markup to be protected in its entirety (in this case, the trademark placeholder).
So, you have both an element to surround untranslatable runs: <ui:ph>don't translate</ui:ph>, and an attribute to put in arbitrary elements to hide their begin and end tags from translators, but keep their content as part of the translatable message: attribute. Note that you can put the ui:ph attribute in any DOM element, it's not particular to .
When you want to change portions of a template at runtime, you typically put a ui:field in a span or other element and play with its HTML. When you do that inside a <ui:msg>, it is automatically protected from translation for you.
Original
 (closed  through )
Tagged
<ui:msg description='closed for business message'> (closed  through ) </ui:msg>
Generated
# Description: closed for business message # 0=arg0 (Example: ), 1=arg1 (Example: ), 2=arg2 (Example: ), 3=arg3 (Example: ) E30D43242E1AD2AC2EFA1AEEEFDFCC33=(closed {0}{1} through {2}{3})
There is good news and bad news here. The good news is that you don't have to add any ui:ph attributes or elements to protect the begin and end tags of the spans marked with ui:field attributes. The bad news is that there is nothing stopping the translator from sticking arbitrary things between those begin and end tags. (Notice {0}{1} and {2}{3}.)
If that's a concern, you need to put the named spans inside <ui:ph> elements to make them opaque, like so:
Tagged
<ui:msg> (closed <ui:ph name='closingDate' example="7/12/2008"></ui:ph> through <ui:ph name='reopeningDate' example="7/12/2008"></ui:ph>) </ui:msg>
Generated
# 0=arg0 (Example: 7/12/2008), 1=arg1 (Example: 7/12/2008) 53B9CF65553DFAA091435791E5C731E7=(closed {0} through {1})
The example attribute is optional, and allows you to give the translator a more useful explanation of what your placeholders are for.
When working with <g:HTMLPanel> elements, you may find yourself placing widgets inside your messages. No problem!
Original
<g:HTMLPanel> Meeting starts at <my:TimePicker ui:field="startPicker"/> and ends at <my:TimePicker ui:field="endPicker"/>. </g:HTMLPanel>
Tagged
<g:HTMLPanel> <ui:msg>Meeting starts at <my:TimePicker ui:field="startPicker"/> and ends at <my:TimePicker ui:field="endPicker"/>. </ui:msg> </g:HTMLPanel>
# 0=arg0 (Example: ), 1=arg1 (Example: ), 2=arg2 (Example: ), 3=arg3 (Example: ) 23CBEA252C9901BF84D757FAD4968289=Meeting starts at {0}{1} and ends at {2}{3}.
Note that there is no ui:ph attribute on the widgets. There's no need for them, as there is no ambiguity about what must be done when a widget shows up in the middle of a message. Note also that you can only do this kind of thing (widgets in messages) inside of an HTMLPanel, the only widget in the GWT collection that intermixes markup and child widgets.
More than you wanted to know: You may have noticed that the message in the generated properties file has "too many" placeholders for each widget, which means the translator might introduce unwanted text into the spans that will be replaced with the widgets at runtime. If that happens, no harm will be done beyond wasting the translator's time, as the text will be lost when then widget is put in place. Your user won't see it.
Things get even more interesting when you put a widget with text body inside a message in an HTMLPanel. (That is, a widget that implements HasText or HasHTML.)
Original
<g:HTMLPanel> To do the thing, <g:Hyperlink targetHistoryToken="/doThe#thing">click here</g:Hyperlink> and massage vigorously. </g:HTMLPanel>
Tagged
<g:HTMLPanel> <ui:msg> To do the thing, <g:Hyperlink targetHistoryToken="/doThe#thing">click here</g:Hyperlink> and massage vigorously. </ui:msg> </g:HTMLPanel>
Generated
# 0=arg0 (Example: ), 1=arg1 (Example: ) 8EFBF967A3FEFE78C41C8A298562A094=To do the thing, {0}click here{1} and massage vigorously.
Body text isn't the only thing that will need translation — attributes may need the same treatment. The title attribute, for tool-tip text, and the alt tag of an  are the most common examples.
Original
Gross
Tagged
 <ui:attribute ui:name='title' ui:description='Tooltip text for gross column'/> <ui:msg description='name of gross column'>Gross</ui:msg>
Be careful of words that mean different things in different contexts.
Original
Favorite Color: <ui:RadioButton name="color">Red</ui:RadioButton> <ui:RadioButton name="color">Orange</ui:RadioButton> Favorite Fruit: <ui:RadioButton name="fruit">Apple</ui:RadioButton> <ui:RadioButton name="fruit">Orange</ui:RadioButton>
Tagged
Favorite Color: <ui:RadioButton name="color"><ui:msg>Red</ui:msg></ui:RadioButton> <ui:RadioButton name="color"><ui:msg meaning="the color"/>Orange</ui:msg></ui:RadioButton> Favorite Fruit: <ui:RadioButton name="fruit"><ui:msg>Apple</ui:msg></ui:RadioButton> <ui:RadioButton name="fruit"><ui:msg meaning="the fruit">Orange<ui:msg></ui:RadioButton>
Generated
# Meaning: the color 4404BE8C34552617D633271BBC1FAB07=Orange # Meaning: the fruit 7A6DCA1ACC86B4A7D7574CD6BDD4E0C1=Orange 9F6290F4436E5A2351F12E03B6433C3C=Apple EE38E4D5DD68C4E440825018D549CB47=Red
The punchline here is that a translator may well be working with no more context than the attributes you set on an individual message. And if you're set up to share a big pool of translations distinguished only by their MD5 hash sums, you may simply be unable to provide translations for the two flavors of Orange needed here.
You can get around this by using the optional meaning
attribute.
Unlike description, a message's meaning actually affects its hash id.


$026F/623: sector for last program ROM-Reference: LDA $026F : $D7DC STA $026F : $DA03 Previous Page / Next Page


{%include 'messages.html' %}
- Applications
- Deploy
Deploy
This feature is a technical preview. Some functionality may be missing or broken.
Jupyter Notebook with a condor-submit setup
{% if not public_key %}
Adding or generating your SSH public key:
- To find out, open your terminal and type: ls ~/.ssh
- If there is a .pub extension, such as id_rsa.pub, that is your SSH key.
- Type: cat ~/.ssh/id_rsa.pub in order to see your key.
- Copy the selection to the clipboard.
- Paste the contents of the clipboard in the
corresponding box on your CI Connect Profile. Please only paste the SSH ( typically ending in .pub) public key into this box.
- In a terminal, type:
ssh-keygen -t rsa
- Hit enter for the default location, and optionally enter a
password. This will generate two files: A private key file
(typically id_rsa) and a key file (typically id_rsa.pub). The private key should never be shared, and {{session['url_host']['display_name']}} will never ask you for your private key.
- In order to see your SSH public key type:
cat ~/.ssh/id_rsa.pub
- Use your mouse to select everything that is printed
to the screen, the format should look like:
ssh-rsa AAAAB3N....M7Q== yourusername@yourmachine
- Copy the selection to the clipboard.
- Paste the contents of the clipboard in the
corresponding box on your CI Connect Profile.
{% endif %}


PATCH ADAMS (M). (Universal/UIP) Director: Tom Shadyac Stars: Robin Williams, Monica Potter, Daniel London, Philip Seymour Hoffman, Bob Gunton, Harold Gould, Harve Presnell, Michael Jeter, Josef Sommer, Irma P Hall, Peter Coyote, Bruce Bohne, Ellen Albertini Dow, Richard Kiley Running time: 110 minutes.
Patch Adams tells the story of a dedicated and unconventional doctor who challenged the traditional wisdom of his teachers and peers. An idealistic medical student, Hunter "Patch" Adams (Robin Williams) believed that doctors should treat the patient as well as the disease. His views brought him into disfavour with the establishment, and he clashed many times with the staid and humourless dean of the medical school (Bob Gunton, best remembered as the sadistic warden from The Shawshank Redemption), who announces that all the humanity will be trained out of them. Adams was a naturally gifted student, which also attracted the ire of his roommate Mitch (Philip Seymour Hoffman), who came from a family of doctors and was determined to succeed. He resented Adams' frivolous attitude, which undermined all that he believed in. But it was Adams' ability to strike a chord with the patients that led to him risking his reputation, his career and his future to create an environment in which the patients were happy and temporarily forgot their pain. He eventually set up a free clinic with the help of fellow students Truman (Daniel London) and Carin (a very Julia-Roberts-like Monica Potter), which became known as the Gesundheit Institute. Although Patch Adams is based on a true story, one wonders how many liberties the film makers have taken with the facts to accommodate Williams' normally manic persona.  He was only a teenager when he checked himself into an asylum to overcome his suicidal tendencies and discovered his talent for healing people's pain through humour, understanding and compassion.
Patch Adams is meant to be an inspiring and uplifting film, but it is also a horribly saccharine, clichéd and cynically manipulative movie that wears its heart on its sleeve. It is also a tad predictable, and most audiences will probably be able to join the dots of the plot by about midway through. There is the brutal and unexpected death that brings on a crisis, a moment of self doubt in which he questions everything he believes in, and then there is the final vindication. The idealistic, wise-cracking maverick who rails against authority and tradition and becomes an inspirational figure for many along the way has become something of a cliché in Williams' repertoire (think Good Morning Vietnam, Dead Poets' Society and even Awakenings, etc).
Director Tom Shadyac has previously drawn restrained performances from normally outrageous comics like Eddie Murphy (The Nutty Professor) and Jim Carrey (Liar Liar), but he seems unable to keep his star on a tight leash here. There are plenty of scenes in which Williams cuts loose with the sort of energy and seemingly improvised humour that audiences love and expect. Dramatically, Williams is also permitted a number of moving and emotional scenes. His outrageous performance dwarfs the otherwise solid work of his co-stars, who find themselves lumbered with one-dimensional, stereotyped characters.
Patch Adams is a film designed to show case the talents of its popular star, and fans will find plenty to admire. Others, not so enamoured of the outrageous Williams, may find the whole thing a vaguely unsatisfactory experience.
** greg king http://www.netau.com.au/gregking
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Trump and Felix Sater traveled extensively together and were photographed and interviewed in Denver and Loveland, Colorado, Phoenix, Fort Lauderdale, and New York.


Sample Travel Website
Skills: HTML | CSS | jQuery
Sample website includes about, services, meet the team, and FAQ sections which can be customized based on content. Option for additional pages, as needed.
(please click on picture to view project)
Sample website includes about, services, meet the team, and FAQ sections which can be customized based on content. Option for additional pages, as needed.
Mobile friendly webite for a prentend company called Unplugged. Complete with home, about, and FAQ pages.
One-page, mobile friendly website for a pretend company called Rogue Pickings. Layout design provides option for multi-page format.
Hover over state to see which candidate won and watch data in bottom corner update accordingly. (Works best on desktop.)
Having a bad day?  Use dropdown boxes to customize time and picture. Don't miss out on the party time button.
Have a burning yes or no question? Let this magic-8-ball provide some guidance. Click on "Ask Me Anything" button to enter your question.
Hi there! My name is Allison Darwin. I specialize in building and maintaining websites for solopreneurs, small businesses, and non-profits.
I spent the first part of my career working for small businesses and am now a soloprenuer myself. I know how challenging it is to prioritize your web prescence when you're already wearing multiple hats. I also know that your website may be your organization's first (and sometimes only) impression. The good news is that you don't have to go at this alone!
Wondering if your website could use an upgrade? I'd love to connect to see how I can help.


{% include meta.html %}
Made Raditya Pujamurti
PROJECTS
HOME
{% include svg-icons.html %}
{{ content }}
{% include analytics.html %}


Aspirational jkLee blog post
I like to write about technology with MongoDB stitch, because I want to get on the front page of hacker news from July 21, 2018 (in a good way).


MILESTONE 2
CONTENT STRATEGY
Mockup: mobile
Mockup: web
- Users will be able to click on a “contact” call to action button visible on each page linking to a
contact form they can use to submit inquiries, etc.
- Users can access 1 of 3 skillsets (Web Design + Development; AR/VR; Digital Media) from any page on the
site to view a list broken down into software, programming languages used (if any) and skills involved.
Users can also see samples of work in an image/video carousel
- The site will link to applicable/relevant social media and portfolio sites


arrow
arrow(x, y, width, type=NORMAL, draw=True)
Draws an arrow to the screen. The first two parameters set the location (measured from the arrow's head), the third sets the width. Optionally you can define the arrow type with the fourth parameter. Default the arrow type is NORMAL, but there is also a trendier FORTYFIVE version.
a path containing the arrow


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- Domain Fronting - ATT&CK
-
- Domain Tools
- Domain Hunter
- Checks expired domains, bluecoat categorization, and Archive.org history to determine good candidates for phishing and C2 domain names
- AIRMASTER
- Use ExpiredDomains.net and BlueCoat to find useful domains for red team.
- Chameleon
- A tool for evading Proxy categorisation
- CatMyFish
- Search for categorized domain that can be used during red teaming engagement. Perfect to setup whitelisted domain for your Cobalt Strike beacon C&C. It relies on expireddomains.net to obtain a list of expired domains. The domain availability is validated using checkdomain.com
- Finding Frontable Domain
- Domain Reputation Sites
-
- Redirectors
-


We're sorry but client doesn't work properly without JavaScript enabled. Please enable it to continue.


Encodes and decodes strings into the ROT13 format
Rotation of the 26 characters of the alphabet by 13 positions.
Enter a string in the box below
Select all the text that appears here.


11 Podcasts To Keep You Motivated During NaNoWriMo
With the second half of November rapidly approaching, NaNoWriMo participants everywhere are starting to watch the calendar very closely. Attempting to finish a novel in 30 days is no easy feat, and once the initial excitement of National Novel Writing Month wears off it can be all too easy to lose motivation. Luckily there are tons of NaNo tips and tricks that will help set you back on track, and one of the most entertaining is to listen to writing podcasts.
One of the best things about NaNo is that writers get to be part of a wider creative community during the month, checking in with fellow drafters, participating in Twitter sprints, and generally garnering support from other writers around the world. But when you need to take some time out from social media, and need a quick pick-me-up that you can listen to on your commute, during a workout, on a walk or even in the bath, a podcast is a surefire way to get the creative juices flowing again.
Whether you're looking for writing tips, interviews with authors, information about the publishing industry, or advice for living your best and healthiest creative life, you'll find podcasts dedicated to all of that and more below:
How To Win NaNo: A Writing Podcast
What better place to start for NaNo inspiration than a podcast that covers exactly that? On How to Win NaNo, hosts Kristina Horner and Liz Leo offer a no-nonsense guide to writing a novel in 30 days. Each week they share their personal tips, tricks and other things they've learned over a decade of consecutive NaNoWriMo wins.
Write or Die
Hosted by published authors Claribel Ortega and Kat Cho, Write or Die is a weekly podcast that aims to share the real stories of what it takes to become an author. Guests include Leigh Bardugo, Tiffany D. Jackson and Helen Hoang, all sharing their often gritty, sometimes infuriating, always inspiring roads to success.
Write-Minded
On Write-Minded, hosts Brooke Warner of She Writes and Grant Faulkner, Executive Director of NaNoWriMo, team up to interview writers, authors, and publishing industry folks — including authors V.E Schwab and Tayari Jones — for a unique blend of inspiration and real-talk about the ups and downs of the writing life.
Grammar Girl: Quick & Dirty Tips for Better Writing
During NaNo, sometimes all you need are some quick tips on how to get through writing a conclusion, why you probably shouldn't use the word "literally" and whether it's "baited" breath or "bated" breath. Grammar Girl host Mignon Fogarty can help you with all of that, plus fascinating historical tidbits.
PW Kids Cast
If you're working on a young adult manuscript during NaNo, you're definitely going to want to five PW Kids Cast a listen. Hosted by Publishers Weekly children's editor Emma Kantor, the podcast shares interviews with some of the biggest and best YA authors — think Roshani Chokshi, Maurene Goo and A.S. King — as they talk about their books and their writing lives.
DIY MFA
On DIY MFA, host Gabriela Pereira, who earned her own MFA from the New School in New York City, offers listeners a do-it-yourself alternative to signing up for an MFA program. The show emulates the traditional MFA speaker series where authors and industry experts speak to students about writing and publishing.
88 Cups of Tea
Hosted by Yin Chang, 88 Cups of Tea is for creative writers looking for guidance in their storytelling journey and connection to a community. The podcast explores important conversations like how to overcome rejections, tips for querying, and crafting advice (especially relevent for NaNo participants!) along with evergreen advice for fostering healthy creative habits.
The Worried Writer
One of the biggest obstacles any writer must overcome, especially during NaNo, is putting aside self-doubt and procrastination. On The Worried Writer, host Sarah Painter offers tools and techniques to transform your writing life from one of stress to creative flow, and gets advice from bestselling authors about getting the work done.
First Draft: A Dialogue on Writing
First Draft: A Dialogue on Writing is a weekly show featuring in-depth interviews with fiction, non-fiction, essay, and poetry writers — including recent guests Téa Obreht and Laila Lalami. Hosted by Mitzi Rapkin, the podcast seeks to celebrate creative writing while discussing authors' work, their craft, and the literary arts.
Helping Writers Become Authors
Host K.M. Weiland has been running the Helping Writers Become Authors podcast since 2009, so there is a treasure trove of advice just waiting to be absorbed. Weiland discusses everything from crafting a backstory to steering clear of info-dumps in writing. If you've hit any kind of technical roadblock during NaNo, there is an episode here that will help you get past it.
The Writership Podcast
OK, so you've gotten yourself through NaNo with a completed first draft. Now what? The Writership Podcast, hosted by Leslie Watts and Clark Chamberlain, focuses in specifically on figuring out how to edit a manuscript, polishing everything from world-building and setting to your characters' internal journey.


Installation¶
Version 3.2.3
Python versions¶
As of version 3.0.0, cfunits works for Python 3 only.
(Version 1.9 of cfunits works for Python 2 and Python 3.)
pip¶
To install cfunits and most of its dependencies (i.e. all except the UDUNITS library) run, for example:
pip install cfunits
pip install cfunits --user
To install cfunits without any of its dependencies then run, for example:
pip install cfunits --no-deps
See the documentation for pip install for further options.
Source¶
To install from source:
Download the cfunits package from https://pypi.org/project/cfunits
Unpack the library (replacing
<version>
with the version that you want to install, e.g.3.0.0
):tar zxvf cfunits-<version>.tar.gz cd cfunits-<version>
Install the package:
To install the cfunits package to a central location:
python setup.py installTo install the cfunits package locally to the user in the default location:
python setup.py install --userTo install the cfunits package in the <directory> of your choice:
python setup.py install --home=<directory>
Dependencies¶
The cfunits package requires:
Python, version 3 or newer,
numpy, version 1.15 or newer,
cftime, version 1.0.0 or newer, and
UNIDATA UDUNITS-2 library, version 2.2.20 or newer.
UDUNITS-2 is a C library that provides support for units of physical quantities. If the UDUNITS-2 shared library file (
libudunits2.so.0
on GNU/Linux orlibudunits2.0.dylibfile
on MacOS) is in a non-standard location then its directory path should be added to theLD_LIBRARY_PATH
environment variable. It may also be necessary to specify the location (directory path and file name) of theudunits2.xml
file in theUDUNITS2_XML_PATH
environment variable, although the default location is usually correct. For example,export UDUNITS2_XML_PATH=/home/user/anaconda3/share/udunits/udunits2.xml
. If you get an error that looks likeassert(0 == _ut_unmap_symbol_to_unit(_ut_system, _c_char_p(b'Sv'), _UT_ASCII))
then setting theUDUNITS2_XML_PATH
environment variable is the likely solution.UDUNITS is available via Anaconda with:
conda install -c conda-forge udunits2=2.2.20


As a freelancer I’ve covered a variety of topics for local publications, most of which focused on events within the community.
Below are two articles I had published in The Kalamazoo Shopper while I was still living and working in my home state of Michigan.


@(
key: String
)
Test Users
New Test User key: @key
Your user will be valid for the next 48H.
When registering please populate the following fields with your new test user key.
This test username has also been added as the session cookie _test_username for the client side and for testing one-off paypal contributions.
You must have the cookie present on the client side for the payment providers otherwise the client and server side will use different keys and cause a support workers failure
- First Name: @key (only field checked by recurring contributions)
- Username: @key (if applicable?)
- Email: @{key}@@gu.com (for one off contributions)
- or alternatively yourname+@{key}@@guardian.co.uk


[1]
Bluetooth, FM; FM reception, sound quality
[2]
Form factor, features, sound quality; Video playback, touchscreen sensitivity
[3]
easy to use, great video, great sound; wish it had expandable memory


(3GPP Rel-8)
WARNING: If this text is still visible when the page is fully loaded, scripts are disabled in your browser and this page will not work properly!


MongoDB 3.4 - Express 4.1 - Angular 5.2 - Node 6.1
The base template is created by Davide Violante and customized by Arvind Ravulavaru for the book: Google Cloud AI Services Quickstart Guide.
This project uses the MEAN stack):
Other tools and technologies used:
npm i -g @angular/cli
npm i
npm run dev
: concurrently execute MongoDB, Angular build, TypeScript compiler and Express server.
A window will automatically open at localhost:4200. Angular and Express files are being watched. Any change automatically creates a new bundle, restart Express server and reload your browser.
You can use Angular CLI generate functions as you would do in any Angular project. Use
$ ng generate component home --module app
Refer angular/angular-cli Wiki for more information.
npm run prod
: run the project with a production bundle and AOT compilation listening at localhost:3000
npm run build
dist
folder present at the root of the project.node server/app.js
from inside the dist
folder.heroku login
SmartExchange
folder, run heroku create smart-exchange-somename
SmartExchange
folder, run git init
, git add -A
and git commit -am "Initial Commit"
heroku git:remote -a smart-exchange-somename
git push heroku master
heroku run
Run ng test
to execute the unit tests via Karma.
Run ng e2e
to execute the end-to-end tests via Protractor.
Before running the tests make sure you are serving the app via npm start
.
Run mongod
to run an instance of MongoDB, then run npm run testbe
to execute the backend tests via Mocha.
Run ng lint
(frontend) and npm run lintbe
(backend) to execute the linter via TSLint.


{% extends "base.html" %} {% block title %}{{ super() }}Dashboard for {{ serverName }}{% endblock %} {% block body %} {{ super() }}
In order to show some reports and data, we need to know which deployment you want to see data about:
You do not have any deployed honeypots yet... Time to deploy one?


{{title}}
Communication using $rootScope
This is your text:
{{text}}
This is your text:
{{text}}
This is your text:
{{text}}


Welcome {{username}}
Home
Logout
Register a location
Locations used previously
{% for line in locations %}
LOCATIONS -->
{{line.location_name}}
{{line.description}}
{{line.address}}
{{line.zipcode}}
{{line.latitude}}
{{line.longitude}}
<-- LOCATIONS
{% endfor %}


[gecode-users] cmake and Visual Studio 2012
OneStudent God
erfan.rahimian at gmail.com
Mon Oct 21 12:08:23 CEST 2013
Hi All,
I want to use gcode in my c# project base on visual studio.net 2012. could
anyone help me about a clear procedure to do that? i am totally unfamiliar
with C++. also I tried to use the dll files in bin directory of gecode
install directory, but c# didn't accept them as reference. also I tried to
use cmake to build a visual c++ solution but I got errors (maybe something
wrong in cmake or created visual c++ settings).
Thanks.
Erfan
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