The semantics of the member functions constituting the C++ language binding for MPI are specified by the MPI function description itself. Here, we specify the semantics for those portions of the C++ language interface that are not part of the language binding. In this subsection, functions are prototyped using the type MPI::<CLASS> rather than listing each function for every MPI class; the word <CLASS> can be replaced with any valid MPI class name (e.g., Group), except as noted.
Construction / Destruction The default constructor and destructor are prototyped as follows:
{ MPI::<CLASS>() (binding deprecated, see Section Deprecated since MPI-2.2
) }
In terms of construction and destruction, opaque MPI user level
objects behave like handles. Default constructors for all MPI
objects
except MPI::Status
create corresponding
MPI::*_NULL
handles. That
is, when an MPI object is instantiated, comparing it with its
corresponding
MPI::*_NULL
object will return true.
The default constructors do not create new MPI opaque objects. Some
classes have a member function Create() for this purpose.
The destructor for each MPI user level object does not invoke
the corresponding MPI_*_FREE function (if it exists).
MPI_*_FREE functions are not automatically invoked for
the following reasons:
Copy / Assignment The copy constructor and assignment operator are prototyped as follows:
{ MPI::<CLASS>(const MPI::<CLASS>& data) (binding deprecated, see Section Deprecated since MPI-2.2
) }
In terms of copying and assignment, opaque MPI user level objects
behave like handles. Copy constructors perform handle-based (shallow)
copies.
MPI::Status objects are exceptions to this rule. These
objects perform deep copies for assignment and copy construction.
Each MPI user level object is likely to contain, by value or by
reference, implementation-dependent state information. The
assignment and copying of MPI object handles may simply copy this
value (or reference).
( End of advice to implementors.)
Comparison
The comparison operators are prototyped as follows:
{ bool MPI::<CLASS>::operator==(const MPI::<CLASS>& data) const (binding deprecated, see Section Deprecated since MPI-2.2
) }
The member function operator==() returns true only when
the handles reference the same internal MPI object, false
otherwise. operator!=() returns the boolean complement of
operator==().
However, since the Status class is not a handle to an underlying
MPI object, it does not make sense to compare Status instances.
Therefore, the operator==() and operator!=() functions are not
defined on the Status class.
Constants Constants are singleton objects and are declared const. Note
that not all globally defined MPI objects are constant. For
example, MPI::COMM_WORLD and MPI::COMM_SELF are not
const.
{
MPI::<CLASS>() (binding deprecated, see Section Deprecated since MPI-2.2
) }
Example
In the following code fragment, the test will return true and
the message will be sent to cout.
void foo()
{
MPI::Intracomm bar;
if (bar == MPI::COMM_NULL)
cout << "bar is MPI::COMM_NULL" << endl;
}
Rationale.
1. Automatic destruction contradicts the shallow-copy semantics
of the MPI classes.
( End of rationale.)
2. The model put forth in MPI makes memory allocation and
deallocation the responsibility of the user, not the implementation.
3. Calling MPI_*_FREE upon destruction could have
unintended side effects, including triggering collective
operations (this also affects the copy, assignment, and
construction semantics). In the following example, we would want
neither foo_comm nor bar_comm to automatically invoke
MPI_*_FREE upon exit from the function.
void example_function()
{
MPI::Intracomm foo_comm(MPI::COMM_WORLD), bar_comm;
bar_comm = MPI::COMM_WORLD.Dup();
// rest of function
}
{ MPI::<CLASS>& MPI::<CLASS>::operator=(const MPI::<CLASS>& data) (binding deprecated, see Section Deprecated since MPI-2.2
) }
Advice
to implementors.
Example
Example using assignment operator. In this example,
MPI::Intracomm::Dup() is not called for foo_comm. The
object foo_comm is simply an alias for
MPI::COMM_WORLD. But bar_comm is created with a call to
MPI::Intracomm::Dup() and is therefore a different communicator
than foo_comm (and thus different from
MPI::COMM_WORLD).
baz_comm becomes an alias for bar_comm. If one
of bar_comm or baz_comm
is freed with MPI_COMM_FREE it will be set to
MPI::COMM_NULL. The state of the other handle will be
undefined --- it will be invalid, but not
necessarily set to MPI::COMM_NULL.
MPI::Intracomm foo_comm, bar_comm, baz_comm;
foo_comm = MPI::COMM_WORLD;
bar_comm = MPI::COMM_WORLD.Dup();
baz_comm = bar_comm;
{ bool MPI::<CLASS>::operator!=(const MPI::<CLASS>& data) const (binding deprecated, see Section Deprecated since MPI-2.2
) }
Up: C++
Next: C++ Datatypes
Previous: Class Member Functions for MPI
Return to MPI-2.2 Standard Index
Return to MPI Forum Home Page
(Unofficial) MPI-2.2 of September 4, 2009
HTML Generated on September 10, 2009


{% extends "description.html" %}
{% block title %}
Fizz Buzz
{% endblock %}
{% block description%}
Write a program that prints the numbers from 1 to n. But for multiples of 3, print "Fizz" instead of the number. For
multiples
of 5, print "Buzz" instead of the number. For multiples of both 3 and 5, print "FizzBuzz" instead of the number. Your
program
must read a number from stdin, n, which will determine how many numbers to print to stdout
{% endblock %}
{% block input %}
5
{% endblock %}
{% block output %}
1
2
Fizz
4
Buzz
{% endblock %}


| 006:142 Khan | : |
And of the cattle (are some) for burden (like camels etc.) and (some are) small (unable to carry burden like sheep, goats etc. for food, meat, milk, wool etc.). Eat of what Allah has provided for you, and follow not the footsteps of Shaitan (Satan). Surely he is to you an open enemy. |
| 006:142 Maulana | : |
And of the cattle (He has created) some for burden and some for slaughter. Eat of that which Allah has given you and follow not the footsteps of the devil. Surely he is your open enemy -- |
| 006:142 Pickthal | : |
And of the cattle (He produceth) some for burdens, some for food. Eat of that which Allah hath bestowed upon you, and follow not the footsteps of the devil, for lo! he is an open foe to you. |
| 006:142 Rashad | : |
Some livestock supply you with transportation, as well as bedding materials. Eat from GOD's provisions to you, and do not follow the steps of Satan; he is your most ardent enemy. |
| 006:142 Sarwar | : |
God has created animals, both small and large. Eat from what God has given you for your sustenance and do not follow in the footsteps of Satan. He is your sworn enemy. |
| 006:142 Shakir | : |
And of cattle (He created) beasts of burden and those which are fit for slaughter only; eat of what Allah has given you and do not follow the footsteps of the Shaitan; surely he is your open enemy. |
| 006:142 Sherali | : |
And of the cattle HE has created some for burden and some for slaughter. Eat of that which ALLAH has provided for you, and follow not in the footsteps of Satan. Surely he is to you an open foe. |
| 006:142 Yusufali | : |
Of the cattle are some for burden and some for meat: eat what Allah hath provided for you, and follow not the footsteps of Satan: for he is to you and avowed enemy. |
Concepts/Themes Covered: أركان الإسلام > التوحيد > توحيد الله تعالي > نعمه على عباده والأمر بالتحدث بها Pillars of Islam> Islamic> Oneness of Allah> His Gifts on his Worshippers and His Order to Speak about them أركان الإسلام > الصيام > الطعام والأغذية Pillars of Islam> Fasting> Food and Nourishments الإيمان > الغيب > الشيطان > وسوسته Faith> The Unseen World> Satan, the Devil> Satanic Temptations الإنسان والعلاقات الاجتماعية > الإنسان > تسخير الحيوانات له Man and The Social Relations>Man>Exploiting the Animals for him العلوم والفنون > الحقائق العلمية و الإشاة إلى وقائع أيدتهاالإكتشافات العلمية > الحيوانات والحشرات Science and Art> The Scientific Facts and the Indication to Facts which have been supported by the Scientific Discoveries>Animals and Insects
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


Wait an instant, generating your session!
If your elector dashboard isn't loading, you can access it here:


set datawarn on | off
If set to "on" (the default), when the user tries to display a variable that consists entirely of undefined values GrADS will print the message "Entire Grid Undefined" in the display window.


For directives that require AllowOverride in order to function, such as FollowSymLinks (see previous section), the following directive must be added to the server configuration file. For performance considerations, it is important to only enable AllowOverride in the specific directory or directories in which it is required. In the following code chunk, we are enabling the AllowOverride privileges only in the specified directory:
/www/replace/this/with/actual/directory
So to enable AllowOverride for this directory:
# enable allowoverride privileges
<Directory /www/replace/this/with/actual/directory>
AllowOverride Options
</Directory>
Refer to this section for more information about AllowOverride and performance enhancement.


An Angular package for entering and validating international telephone numbers. It adds a flag dropdown to any input, detects the user's country, displays a relevant placeholder and provides formatting/validation methods.
https://webcat12345.github.io/ngx-intl-tel-input/overview.html
https://github.com/webcat12345/ngx-intl-tel-input/pull/3
To install this library, run:
$ npm install ngx-intl-tel-input --save
This library depends on BsDropdownModule
from ngx-bootstrap/dropdown
.
To install this library, run:
$ npm install ngx-bootstrap --save
Then import BsDropdownModule
at AppModule
. (more details see : http://valor-software.com/ngx-bootstrap/#/dropdowns)
import { BsDropdownModule } from 'ngx-bootstrap/dropdown';
(NgModule({
...
imports: [
...
BsDropdownModule.forRoot()
...
],
...
})
export class AppModule { }
Injecting StyleSheet
Inside angular-cli.json
"styles": [
"../node_modules/ngx-intl-tel-input/resource/intl-tel-input.css"
],
From your Angular AppModule
:
// Import your library
import { NgxIntlTelInputModule } from 'ngx-intl-tel-input';
(NgModule({
...
imports: [
...
NgxIntlTelInputModule
...
],
...
})
export class AppModule { }
Once library is imported, you can use components in your Angular application:
<!-- You can now use your library component in app.component.html -->
<h1>
{{phone_number}}
</h1>
<ngx-intl-tel-input [(value)]="phone_number"></ngx-intl-tel-input>
Dillinger is currently extended with the following plugins. Instructions on how to use them in your own application are linked below.
| Input | Description |
|---|---|
| value | Phone number |
| preferredCountries | https://github.com/webcat12345/ngx-intl-tel-input/pull/3 |
To generate all *.js
, *.d.ts
and *.metadata.json
files:
$ npm run build
To lint all *.ts
files:
$ npm run lint
MIT © webcat12345


If you have a specific problem you want to investigate, click a topic in the left navigation or click Ask Genie.


STEAM week 03.2019
I'm Ben's dad (Y2G), my name is Thomas.
Hit space to continue
This is dedicated to my friend Jacqui Kenny,
Usually with a map...
and a bit of planning.
OK, but how does it actually work?
it is code that runs in our browsers
written in a programming language called Javascript
A software used to retrieve and present information from the World Wide Web
A language that computers understand and use to execute instructions to generate an output
A programming language that can be interpreted by most web browsers
var map;
function initMap() {
map = new google.maps.Map(document.getElementById('map'), {
center: {lat: 51.573522, lng: -0.124304},
zoom: 8
});
}
this is a Google map, embedded in our page and centered on Ashmount Primary School
center: {lat: 51.573522, lng: -0.124304},
Enables every location on Earth to be specified by a set of numbers. A common choice of coordinates is latitude, longitude and elevation. - Wiki
try and click anywhere on the map, you can also scroll to zoom and drag to pan
the map is interactive by adding an "event handler" in Javascript
map.addListener('click', function(e) {
// create a paragraph and fill it with date + coordinates
let p = document.createElement("p");
p.innerHTML = `click ${(new Date()).toISOString()} coords ${e.latLng}`;
// add the paragraph at the top of the "info" box on the page
let info = document.getElementById('info');
info.insertBefore(p, info.firstChild);
});
now that we know the coordinates of the point we clicked...
we can calculate the distance to Ashmount!
we use the same event handler as before but we check the distance from ashmount using a function called Haversine
map.addListener('click', function(e) {
// create a paragraph and fill it with distance + date
const p = document.createElement("p");
const now = (new Date()).toISOString();
const d = haversine_distance(ashmountLatLng.lat, ashmountLatLng.lng, e.latLng.lat(), e.latLng.lng());
p.innerHTML = `distance ${d}km click ${now}`;
// add the paragraph at the top of the "info" box on the page
const info = document.getElementById('info');
info.insertBefore(p, info.firstChild);
});
Now we have everything we need...
for a treasure hunt!
Let's go find where The Agoraphobic Traveller has gone.
if (step < cities.length) { // have we finished?
if (step < 0) { // have we started?
showNext();
} else {
const city = cities[step];
// evaluate distance from click
const d = haversine_distance(city.lat, city.lng, click.lat(), click.lng());
if (d < 30) { // if distance < 30km go ahead
addMessage(`Very good! You were just ${d}km off`, null);
showNext();
} else {
addMessage(`Not quite right! You are ${d}km off`, null);
}
}
}
An informal definition could be "a set of rules that precisely defines a sequence of operations". - Wiki
open the treasure hunt in a separate window


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The walking man (me) above, is implemented using only CSS3 animations and simple HTML. You can read more about how it was implemented here. Be sure to view this experiment on an iPhone, iPod or iPad (or android device). It's super cool! Short link below:


Chevrolet Corvette Z06 Gets Luxury Makeover And 730 HP
This custom Corvette Z06 has nearly as much power as a ZR1.
by Martin BiggLast week, we waved goodbye to the last-ever C7 Chevrolet Corvette Z06 to roll off the production line, which sold at a charity auction for a staggering $2.7 million. However, Caravaggio Corvettes, a Canadian tuner that specializes in custom Corvettes, has given the Z06 Corvette a new lease of life with its latest creation.
The main highlight of this custom Corvette Z06 is its luxury interior. While the Corvette Z06 isn't renowned for its high-quality cabin, Caravaggio Corvettes have transformed it into a "luxurious hand-crafted work of art." Inside, the custom Linen leather seats give the sports car an unusually opulent look, while the back of the custom Sebring race seats are finished in Nero Marone to match the exterior and interior trim.
Elsewhere, the seat bezels are finished in matte silver, while the rest of the interior is finished in a combination of Brownstone and Linen leather with contrasting Brownstone and Linen stitching. The interior carpets are also finished in Marone Alcantara with Linen stitching throughout. Custom floor mats are fitted with a combination of Linen leather and Marone alcantara with Linen stitching and thumb grips are also added to the steering wheel to mimic the look of steering wheels inside European exotic sports cars.
On the outside, the custom Corvette is repainted in Marone Metallica with exterior carbon in a gloss finish. All original carbon flash are painted in a custom Nero Marone color, while the headlights, A-pillars, rear quarter vents, and brake duct vents are painted to match the exterior color. Custom 20-inch wheels at the front and 21-inch wheels at the back completes the look, which features custom painted silver brake calipers with the Chevrolet logo.
The upgrades aren't just cosmetic either, as Caravaggio Corvettes has also made some tweaks under the hood. Whereas the standard Corvette Z06 produces 650 hp and 650 lb-ft of torque, the tuner has extracted 730 horsepower and 730 lb-ft of torque from its 6.2-liter V8 engine, which makes it nearly as powerful as the Corvette ZR1.
This power bump was achieved by increasing the speed of the supercharger by 15 percent with underdrive pulleys, proprietary engine management, a cold air intake and a set of stainless-steel long tube headers.


I am a scientist at Amazon Alexa AI (NLU), CA. I am interested in Aritifical Intelligence research, particularly in the field of Natural Language Processing. Presently I work on improving fairness, robustness and interpretability of NLP models.
Previously, I received my PhD degree in Computing and Information Sciences from the Rochester Institute of
Technology (RIT) where I was working with
Dr. Linwei Wang
in the Computational Biomedicine Lab. During my PhD, I worked on personalization and uncertainty qualtification in multi-scale 3D simulation models of
cardiac electrophysiology which gave me an opportunity to work at an intersection of machine learning
(Bayesian models and optimization, generative models, graph convolutional models) and healthcare problem (cardiac model personalization).
We present a novel graph convolutional VAE to allow generative modeling of non-Euclidean data, and utilize it to embed Bayesian optimization of large graphs into a small latent space. This approach bridges the gap of previous works by introducing an expressive generative model that is able to incorporate the knowledge of spatial proximity and hierarchical compositionality of the underlying geometry. It further allows transferring of the learned features across different geometries.
We learn the representations of multivariate time-series of physiologic signals with a sequence-to-sequence auto-encoder. We then hash the learned multivariate time-series representations of labeled dataset to enable signal similarity assessment. This methodological framework is evaluated to predict Acute Hypotensive Episodes (AHE) on vital signal recordings extracted from eICU Collaborative Research Database.
We devise a novel concept that embeds a generative variational auto-encoder (VAE) into the objective function of Bayesian optimization, providing an implicit low-dimensional (LD) search space that represents the generative code of the HD spatially-varying tissue properties. In addition, the VAE-encoded knowledge about the generative code is used to guide the exploration of the search space. It is applied to estimating high-dimensional tissue excitability in a cardiac electrophysiological model.
The quantification of uncertainty in model parameters is challenging because the posterior distribution of the parameters given the measurement data is non-Gaussian and the evaluation of the model is computationally expensive. In this project, we l earn a surrogate of this complicated and computationally expensive posterior distribution and utilize it to obtain a MCMC sampling with higher acceptance rate. The surrogate posterior pdf is used to accelerate the sampling of the true posterior pdf and not as a replacement.
We present a novel framework that, going beyond a uniform low-resolution approach, is able to obtain a higher resolution estimation of tissue properties represented by spatially non-uniform resolution. This is achieved by two central elements: 1) a multi-scale coarse-to-fine optimization that facilitates higher resolution optimization using the lower resolution solution, and 2) a spatially adaptive decision criterion that retains lower resolution in homogeneous tissue regions and allows higher resolution in heterogeneous tissue regions. The presented framework is evaluated in estimating the local tissue excitability properties of a cardiac EP model.
Relevant Publications:
[1] Sandesh, Ghimire, Jwala Dhamala, Jaume Coll-Font, Jess D Tate, Maria S Guillem, Dana H Brooks, Rob S MacLeod, and Linwei Wang. “Overcoming Barriers to Quantification and Comparison of Electrocardiographic Imaging Methods: A Community-Based Approach”. In: Proc. CinC: Computing in Cardiology, IEEE (2017) To Appear
[2] Jaume Coll-Font*, Dana H Brooks, Peter M van Dam, Jwala Dhamala, Olaf Dössel, Maria de la Salud Guillem Sánchez, Rob MacLeod, Danila Potyagaylo, Walther Schulze, Jess D Tate and Linwei Wang, “The Consortium on Electrocardiographic Imaging”, Computing in Cardiology (CINC), Vancouver, Canada, September 2016


Crypto Analyst Flips Bullish on Bitcoin Overnight – BTC, XRP, Ethereum Forecasts
by Daily Hodl StaffThe overall crypto market is a mixed bag today, with BTC, ETH and XRP in the red. Here’s a bird’s-eye view from COIN360 at time of publishing.
Crypto analyst Scott Melker of Texas West Capital says he’s just entered a ‘heavy’ position on Bitcoin after spotting a bullish divergence.
A bullish divergence happens when an asset hits a lower low while an indicator such as the RSI or MACD forms a higher low. Melker stresses the high volatility involved in crypto trading and says he’s managing his risk.
Jim Wyckoff, a former technical analyst for Dow Jones Newswires, has a different take.
He says the bears appear to have taken over for now. He expects BTC to keep moving sideways or trend lower in the short term.
“Prices are trending lower from the October high and the bears have gained the near-term technical advantage, to suggest sideways-to-lower price action in the near term. Stay tuned.”
As for Ethereum, Josh Olszewicz of Brave New Coin says ETH may be targeting a rise to $260 this month.
But in order to do so, it will have to rise above resistance at around $190.
Meanwhile, Eric Choe, who won CME Group’s annual trading competition in 2016, says he remains bullish on XRP, despite its drop-off in 2019.
Back in June, Choe said he placed a big bet on XRP in order to shoot for an early retirement.
Since that investment, the price of XRP has dropped from about $0.4049 to its current price of $0.2719.


SUPERCOP A film review by Scott Renshaw Copyright 1996 Scott Renshaw
Starring: Jackie Chan, Michelle Khan, Maggie Cheung, Ken Tsang, Yuen Wah, Bill Tung. Screenplay: Edward Tang, Fibe Ma, Lee Wai Yee. Director: Stanley Tong. Reviewed by Scott Renshaw.
Imagine a country where few people had ever seen an Arnold Schwarzenegger film (it's hypothetical, work with me here). Imagine that ERASER was the first of his films to get a wide release there, and that it became a moderate success. If you have the rights to COMMANDO, TRUE LIES, the TERMINATOR films and all the rest, think of what a gold mine you would suddenly find yourself sitting on. That is Miramax's good fortune after RUMBLE IN THE BRONX finally became Hong Kong action legend Jackie Chan's American breakthrough, and RUMBLE was supposed to be one of Chan's weaker efforts. SUPERCOP has the same high-flying action as RUMBLE, a much stronger story, a bit less of a sense of absurd fun, and presents the distraction of terrible dubbing.
In SUPERCOP, Jackie Chan plays Kevin Chan, a Hong Kong police detective selected for a dangerous undercover assignment. Working in conjunction with the Chinese government, and their Chief of Security Yang (Michelle Khan), Kevin infiltrates a drug ring by helping one of its leaders, Panther (Yuen Wah) to escape from prison. With Yang posing as his sister, Kevin is brought into the cartel's inner circle, including its ruthless leader Chaibat (Ken Tsang). The only potential problem: Kevin's girlfriend May (Maggie Cheung), who is unaware of his assignment, and inadvertently threatens to blow his cover.
SUPERCOP is actually the third film in the popular POLICE STORY series, but that is almost as relevant to the story as it was when Steven Seagal did UNDER SIEGE 2. Jackie Chan, for the most part, is about a persona, not a character. His goofy grins and self-deprecating manner make him a uniquely likeable action hero, and his ability to get out of impossible situations often seems as much a product of resourcefulness as sheer physical ability. As amazing as some of his fight sequences can be, he is just as appealing in scenes like the one in which he is taken by Panther to the home town of his undercover identity, and forced to improvise with the assistance of several "family members" he has never seen before.
Chan's sense of humor is such an asset that it is unfortunate SUPERCOP doesn't integrate it into the story very smoothly. In many ways, SUPERCOP is a straightforward formula action film of the kind we tend to see a lot of in America, with evil drug lords, can-you-top-this stunts and a minimum of distracting characterization. When director Stanley Tong decides it's time for comic relief, he tends to stop SUPERCOP in its tracks for funny business like the aforementioned visit to the phony home town, or for a squabble between Kevin and may which results in the ever-popular shove into a swimming pool. RUMBLE IN THE BRONX may have been silly, but it was silly start to finish, and Chan's fight sequences were part of the humor. SUPERCOP feels more divided, half Jackie Chan the action hero and half Jackie Chan the clown.
To give SUPERCOP its due, there are some significant ways in which it is more than a typical American action film, and nowhere is that more evident than in the presence of Michelle Khan (Michelle Yeoh to her Hong Kong fans). Capable female action stars are a non-entity in Hollywood, but Khan packs a wallop both literally and in her screen presence. Yang never seems to be just a foil or a sidekick for Kevin; she is a partner, and saves his skin as often as he saves hers. She also gets two of SUPERCOP's best stunts -- a leap onto a moving truck, and a motorcycle jump onto a train -- providing just some of the thrilling action moments typical of Chan's films. It is also a lean and mean 85 minutes; American action directors could take a lesson in efficient editing.
Action has always translated well on an international level, which makes it all the more annoying when making a film like SUPERCOP acceptable to American viewers requires dubbing which seems to have been recorded in a tin outhouse (although a theme song by Devo is almost as baffling). If Miramax is serious about making Chan's films an American staple, they should consider investing in some decent sound mixing. Solid efforts like SUPERCOP will continue to build Jackie Chan's audience; now it's time to bring on the big guns. Anyone for POLICE STORY 1, 2 or 4?
On the Renshaw scale of 0 to 10 Chan's encounters: 7.
-- Scott Renshaw Stanford University http://www-leland.stanford.edu/~srenshaw
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


public abstract class EntityManagerFactoryUtils
extends java.lang.Object
Mainly intended for internal use within the framework.
| 限定符和类型 | 字段和说明 |
|---|---|
static int |
ENTITY_MANAGER_SYNCHRONIZATION_ORDER
Order value for TransactionSynchronization objects that clean up JPA
EntityManagers.
|
| 构造器和说明 |
|---|
EntityManagerFactoryUtils() |
| 限定符和类型 | 方法和说明 |
|---|---|
static void |
applyTransactionTimeout(Query query,
EntityManagerFactory emf)
Apply the current transaction timeout, if any, to the given JPA Query object.
|
static void |
closeEntityManager(EntityManager em)
Close the given JPA EntityManager,
catching and logging any cleanup exceptions thrown.
|
static DataAccessException |
convertJpaAccessExceptionIfPossible(java.lang.RuntimeException ex)
Convert the given runtime exception to an appropriate exception from the
org.springframework.dao hierarchy. |
static EntityManager |
doGetTransactionalEntityManager(EntityManagerFactory emf,
java.util.Map<?,?> properties)
Obtain a JPA EntityManager from the given factory.
|
static EntityManager |
doGetTransactionalEntityManager(EntityManagerFactory emf,
java.util.Map<?,?> properties,
boolean synchronizedWithTransaction)
Obtain a JPA EntityManager from the given factory.
|
static EntityManagerFactory |
findEntityManagerFactory(ListableBeanFactory beanFactory,
java.lang.String unitName)
Find an EntityManagerFactory with the given name in the given
Spring application context (represented as ListableBeanFactory).
|
static EntityManager |
getTransactionalEntityManager(EntityManagerFactory emf)
Obtain a JPA EntityManager from the given factory.
|
static EntityManager |
getTransactionalEntityManager(EntityManagerFactory emf,
java.util.Map<?,?> properties)
Obtain a JPA EntityManager from the given factory.
|
public static final int ENTITY_MANAGER_SYNCHRONIZATION_ORDER
public static EntityManagerFactory findEntityManagerFactory(ListableBeanFactory beanFactory, @Nullable java.lang.String unitName) throws NoSuchBeanDefinitionException
The specified unit name will be matched against the configured
persistence unit, provided that a discovered EntityManagerFactory
implements the EntityManagerFactoryInfo
interface. If not,
the persistence unit name will be matched against the Spring bean name,
assuming that the EntityManagerFactory bean names follow that convention.
If no unit name has been given, this method will search for a default
EntityManagerFactory through BeanFactory.getBean(Class)
.
beanFactory
- the ListableBeanFactory to searchunitName
- the name of the persistence unit (may be null
or empty,
in which case a single bean of type EntityManagerFactory will be searched for)NoSuchBeanDefinitionException
- if there is no such EntityManagerFactory in the contextEntityManagerFactoryInfo.getPersistenceUnitName()
@Nullable public static EntityManager getTransactionalEntityManager(EntityManagerFactory emf) throws DataAccessResourceFailureException
Note: Will return null
if no thread-bound EntityManager found!
emf
- the EntityManagerFactory to create the EntityManager withnull
if none foundDataAccessResourceFailureException
- if the EntityManager couldn't be obtainedJpaTransactionManager
@Nullable public static EntityManager getTransactionalEntityManager(EntityManagerFactory emf, @Nullable java.util.Map<?,?> properties) throws DataAccessResourceFailureException
Note: Will return null
if no thread-bound EntityManager found!
emf
- the EntityManagerFactory to create the EntityManager withproperties
- the properties to be passed into the createEntityManager
call (may be null
)null
if none foundDataAccessResourceFailureException
- if the EntityManager couldn't be obtainedJpaTransactionManager
@Nullable public static EntityManager doGetTransactionalEntityManager(EntityManagerFactory emf, java.util.Map<?,?> properties) throws PersistenceException
Same as getEntityManager
, but throwing the original PersistenceException.
emf
- the EntityManagerFactory to create the EntityManager withproperties
- the properties to be passed into the createEntityManager
call (may be null
)null
if none foundPersistenceException
- if the EntityManager couldn't be createdgetTransactionalEntityManager(javax.persistence.EntityManagerFactory)
,
JpaTransactionManager
@Nullable public static EntityManager doGetTransactionalEntityManager(EntityManagerFactory emf, @Nullable java.util.Map<?,?> properties, boolean synchronizedWithTransaction) throws PersistenceException
Same as getEntityManager
, but throwing the original PersistenceException.
emf
- the EntityManagerFactory to create the EntityManager withproperties
- the properties to be passed into the createEntityManager
call (may be null
)synchronizedWithTransaction
- whether to automatically join ongoing
transactions (according to the JPA 2.1 SynchronizationType rules)null
if none foundPersistenceException
- if the EntityManager couldn't be createdgetTransactionalEntityManager(javax.persistence.EntityManagerFactory)
,
JpaTransactionManager
public static void applyTransactionTimeout(Query query, EntityManagerFactory emf)
This method sets the JPA 2.0 query hint "javax.persistence.query.timeout" accordingly.
query
- the JPA Query objectemf
- the JPA EntityManagerFactory that the Query was created for@Nullable public static DataAccessException convertJpaAccessExceptionIfPossible(java.lang.RuntimeException ex)
org.springframework.dao
hierarchy.
Return null if no translation is appropriate: any other exception may
have resulted from user code, and should not be translated.
The most important cases like object not found or optimistic locking failure are covered here. For more fine-granular conversion, JpaTransactionManager etc support sophisticated translation of exceptions via a JpaDialect.
ex
- runtime exception that occurrednull
if the exception should not be translatedpublic static void closeEntityManager(@Nullable EntityManager em)
em
- the JPA EntityManager to close (may be null
)EntityManager.close()


GoProx is a proxy cache for your Go dependencies.  No more broken dependencies or intermittent build failures.
This GoProx install is caching {{.NumObjects}} {{ pluralize .NumObjects "Package" "Packages" }}


I will be developing this page over the next few weeks, so you may find it in various stages of construction. Check back soon!


Use the 'eventHandlers' option to display information about plotted cities in a div on mouseover
Move your cursor over the plots on the map in order to show information in this div.
Alternative content for the map
All example for jQuery Mapael are available here.


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Internet Explorer 11 continues to provide the best Web experience that is fast, fluid and perfect for touch, across the full range of Windows devices and screen sizes. The IE11 Release Preview for Windows 7 is Developer Preview for Windows 7.
With IE11 on Windows 7, customers receive a fast, secure browser that is compatible with existing Web sites and delivers exciting new interactive Web experiences. For developers, IE11 supports the latest Web standards and technologies, making it easier to build sites that work across devices. The new F12 tools in IE11 enable developers to build high performance Web experiences, faster and more efficiently.
A Faster Web Experience
Performance matters to everyone who browses the Web. The IE11 Release Preview for Windows 7 includes additional performance tuning so that real-world sites download and display fast and are highly responsive and interactive.
In honor of tomorrow's PirateMarrrk, tests your browser’s HTML5, JavaScript, and Scalable Vector Graphics performance.
Internet Explorer 11 advances the performance leadership of our JavaScript engine, Chakra, while ensuring compatibility, interoperability, and security. As we improve performance for real-world sites, IE11’s JavaScript performance on benchmarks like WebKit SunSpider continues to lead compared with latest version of other browsers. On Windows 7, IE11 Release Preview is 9% faster than IE10, which is a 5% improvement from the IE11 Developer Preview, and over 30% faster than the nearest competitive browser.
Even More Web Standards and Increased Compatibility with Existing Web Sites
IE11 Release Preview for Windows 7 includes updates to reflect the latest emerging Web standards. For example, now that the Pointer Events specification is a Candidate Recommendation at the W3C, IE11 supports an un-prefixed version of the emerging standard. With Pointer Events support across the full range of Windows devices (and soon to other browsers), Web sites can easily build experiences that work equally well with mouse, keyboard, pen, and touch.
The IE11 Release Preview for Windows 7 also supports the latest Tracking Preference Expression (DNT) draft in the W3C. After installation, the IE11 Release Preview prompts the user set a default tracking preference that Internet Explorer will send to Web sites. On upgrade, IE11 Release Preview automatically preserves the user’s previous tracking preferences. .
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The IE11 Release Preview for Windows 7 includes several tools enhancements to increase developer productivity and in response to the overwhelming enthusiasm and feedback we have received from developers. Here are just a few of the many improvements:
- Console: IE11 makes it easier to debug WebGL content by mapping WebGL errors to the corresponding JavaScript location. Developer productivity is improved because primitives have been added to Intellisense. With IE11, developers can debug multi-threaded Web sites with full console access while targeting Web workers.
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A Better Web Today, and Ahead
IE11 provides the best Web experience across the full range of Windows devices and screen sizes with mouse, keyboard, and especially touch. Try it out for yourself with here.
Microsoft Corporation


camera_enhance
open_with
settings
photo_filter
Filter
aspect_ratio
Aspect
opacity
Opacity
texture
Texture
share
Share
info_outline
Information
filter_none
None
blur_on
Silh
filter_b_and_w
Gray Scale
filter_frames
Negative
code
Test
Ready


[gecode-users] nested cost functions
Mikael Zayenz Lagerkvist
zayenz at gmail.com
Wed Sep 14 08:49:13 CEST 2011
2011/9/14 revo revo <4evo.11.ove4 at gmail.com>
> I am new to gecode (and constraint programming in general). So far, gecode
> has been a joy to work with, even for a novice like me.
>
> I was wondering what is the best way to perform a "nested" cost function.
> Specifically, I am looking to minimize X, but within the space of solutioins
> for which X is equal, prefer solutions which minimize Y? I could probably
> hack it by defining a cost function that looks like X*large_number+Y, but
> I'd prefer to do this properly if there's a good solution.
>
> If anyone can point me to both the introductory literature (I see the
> min-max algorithm, but being relatively new to the literature, I'm not sure
> if the game-theoretic descriptions match what I am trying to do here) as
> well as how to implement this in Gecode, that would be really helpful.
>
Hi,
The cost function is a convenience function for the simple cases where what
we want to optimize over is just a single variable. The general mechanism in
Gecode for optimizing using branch and bound search is the constrain
function (see Section 2.5 in MPG for an explanation).
In your case, the simple solution is to use a lexical ordering constraint
over the array of variables. See MPG for details on lexical ordering
constraints. This is the approach you should try first.
In some cases, depending on the particular problem that you have and if it
is hard to solve, it might be better to first optimize on the first
variable. When the optimal solution to that is found, fix that value as a
part of a new instance of your problem, and optimize on the second variable.
Repeat for as many variables as you have. Running a search this way is a bit
more involved (one needs to do a bit more in setting up the search), but can
avoid potential long plateaus where the last variable is re-optimized for
every new better value of the second to-last variable.
Hope this helps,
Mikael
--
Mikael Zayenz Lagerkvist, http://www.ict.kth.se/~zayenz/
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image::morpheus.jpg[]
image::morpheus.jpg[]
results in:
image::background.jpg[background, size=cover]
results in:
image::suprise.gif[background, size=cover]
results in:
[background-video="https://video.de/my.mp4",options="loop,muted"]
[graphviz]
[plantuml,alice-bob]
....
alice -> bob
....
results in:
[graphviz]
....
digraph foo {
node [style=rounded]
node1 [shape=box]
node2 [fillcolor=yellow, style="rounded,filled", shape=diamond]
node3 [shape=record, label="{ a | b | c }"]
node1 -> node2 -> node3
}
....
results in:
Edgar Allen Poe
Sheri S. Tepper
Bill Bryson
Edgar Allan Poe (/poʊ/; born Edgar Poe; Ja nuary 19, 1809 – October 7, 1849) was an American writer, editor, and literary critic.
Kotlin
Java
Scala
Programming language for Android, mobile cross-platform and web development, server-side, native, and data science. Open source forever Github.
* Im
* a
* List
results in:
Im
a
List
. Step 1
. Step 2
.. Step 2a
.. Step 2b
. Step 3
results in:
Step 1
Step 2
Step 2a
Step 2b
Step 3
first term:: definition of first term
second term:: definition of second term
results in:
definition of first term
definition of second term
[source, clojure]
----
(def lazy-fib
(concat
[0 1]
((fn rfib [a b]
(lazy-cons (+ a b) (rfib b (+ a b)))) 0 1)))
----
results in:
(def lazy-fib
(concat
[0 1]
((fn rfib [a b]
(lazy-cons (+ a b) (rfib b (+ a b)))) 0 1)))
[%header, cols=2*]
|===
|Character
|Seen in
|Donald Duck
|Mickey Mouse
|===
results in:
| Character | Seen in |
|---|---|
Donald Duck | Mickey Mouse |
A person who never made a mistake never tried anything new.


| Photos: | |
|---|---|
| Name: | Frank |
| Javcee | |
| FrankJavCee is the online handle of musician and vlogger Francisco Jav Contreras, who is best known for posting YouTube instructional videos for creating various types of web content, most notably related to aesthetics and vaporwave. |


Here are some examples of Respiratory Issues:
Atelectasis
Atelectasis is the most common respiratory complication of spinal cord injury. It refers to a collapsed lung segment due to retained secretions/decreased ventilation.
Bilevel Positive Airway Pressure (BiPAP)
Bilevel Positive Airway Pressure delivers a preset inspiratory positive airway pressure (IPAP) followed by a preset expiratory positive airway pressure (EPAP).
Continuous Positive Airway Pressure (CPAP)
Continuous Positive Airway Pressure is the use of continuous positive pressure to maintain a continuous level of positive airway pressure.
Forced Expiratory Volume in 1 second (FEV1)
The FEV1 is the maximum volume of air that can be forcefully exhaled during one second.
Peak Expiratory Flow (PEF)
The Peak Expiratory Flow is the maximum flow (speed of expiration) generated during maximum forceful expiration after a full inspiration.
Vital Capacity (VC)
Vital capacity is the maximum volume of air that can be expelled after a maximum inspiration.


2 DAYS IN THE VALLEY
A Film Review by Brian Takeshita
Rating: ** out of ****
2 DAYS IN THE VALLEY starts out like most movies, and introduces you to a couple of main characters. Then it introduces you to a couple more main characters. But then it introduces you to a couple more main characters. Then a couple more. Then....well, you get the picture. This film has a large playbill with no less than 11 significant roles; often a recipe for disaster. Having too many characters means less time spent with each, which means the audience does not get to know them well, which means the audience doesn't care about what happens to them. There goes one of the first rules of any kind of fiction: People have to care about your characters. Many movies have a hard time achieving this with only a few main characters. The writers of 2 DAYS IN THE VALLEY should not have been so ambitious.
See if you can follow me. Lee and Dosmo are professional hit men who kill Becky's husband Roy. The murder is preceded by framing Roy in an affair with Lee's fiancee, Helga. Meanwhile, Teddy, a washed-up director, is getting ready to end his dead-end life until he meets Audrey. Enter Allan, who is an obnoxious boss who constantly mistreats his assistant Susan. Back to Lee and Dosmo. Lee tries to frame Dosmo for the murder of Roy, but Roy gets away and stumbles upon Allan and Susan. Across town, Wes and Alvin are vice cops who are going to raid a "massage" parlor, but en route find Becky, covered with blood from the murder of Roy. We later find out that Becky is part of the plot to kill Roy, although she didn't know about the affair with Helga. Hard to follow? You've just experienced the second pitfall of the large cast: Too many subplots in order to involve all of the characters in the main plot.
Since the characters come from such disparate backgrounds, you know that it's inevitable they're going meet each other in one way or another. The problem with this movie is, you wait a long time for this to happen. It isn't until about 45 minutes into the movie that the first meet cute occurs, and even then some of the characters don't join the merry band until the very end of the film. In order to keep track of everyone, you have to keep cutting back to those characters who haven't yet met, and this slows the film down considerably.
The ensemble cast includes Danny Aiello, Greg Cruttwell, Jeff Daniels, Teri Hatcher, Glenne Headly, Peter Horton, Marsha Mason, Paul Mazursky, James Spader, Eric Stoltz and Charlize Theron. Only the character played by Daniels is anywhere near complete. Daniels plays Alvin, the hardened vice cop who's been assigned a new partner (Eric Stoltz) who only transferred into vice as a way to get promoted into homicide. Alvin has been at the job a long time and truly believes in what he's doing: He's protecting his neighborhood. However, the years of fighting society's ills has gotten to him, and he's being driven over the edge. He's also a divorced father, and now lives in an empty house. We really feel for him because we know he's doing the best he can. He's also a guy you might know in real life. Director John Herzfeld does a nice job acquainting the viewer with Alvin and why he is the way he is. Unfortunately, we don't see him anymore after the first half of the film.
There's another character worth mentioning, but this one's only halfway complete. Paul Mazursky plays Teddy, the washed-up director. His plight is very moving in the first half of the film, as we see him driven to the brink of suicide. The scenes where he's got a gun pointed to his own head (there are two such scenes) are quite poignant, and adding his little dog watching him makes those moments near tear-jerkers. However, all that changes when he meets Audrey (Marsha Mason). His attitude changes, but inconsistently. At some points, you feel he has a new zest for life. At others, he's the guy who's got nothing left to live for and will take the ultimate risk. The movie definitely loses something tangible in the second hour by forgetting about Alvin and by not rounding out Teddy's life.
While not a great film, 2 DAYS IN THE VALLEY does have its moments. My favorite line was when Dosmo (Danny Aiello) chastises Allan (Greg Cruttwell) for being so mean to his assistant. Allan responds with, "I wasn't born with a silver spoon in my mouth.  Particularly moving was a scene of Alvin making out a birthday card to his daughter from her "First Daddy", then reading a letter notifying him of his suspension from the force. There's a slow pull back through his house's picture window which had been broken earlier that day by a golf ball from the course across the street. Framed in that broken window, Alvin is the picture of a man who has had it with the world. Unfortunately, that near perfect scene is ruined by a shaky camera.
One thing this movie does have is one hell of a cat fight. Becky (Teri Hatcher) and Helga (Charlize Theron) really go at it, perhaps more enthusiastically than in any other movie I've ever seen. Not the usual pounding, pushing and scratching motions, but fists flying left and right. Being so original, it was too bad it had to end in the unseen gunshot cliche. You know how it goes: They struggle with the gun, and you know it's going to go off at any minute, but then the camera cuts away to the outside of the room and >bang
I'm not sure what Herzfeld was going for with the camera work. It seemed as if the style changed with each scene. In one scene, extreme close-ups would be used. In another scene, point of view shots. In the dialog exchange between Becky and Helga just before they come to fisticuffs, the camera shifts between them with that fast pan with the blur in between. The kind that has a >whoosh< sound effect. I found this inconsistency distracting.
Finally, there's the music. There are a lot of good tunes in this film that will get you tapping your feet. The problem is, almost none of them fit the location. Like any other place in the world, the San Fernando Valley has a certain style, so to hear blues played over a shot of a car pulling up in front a suburban home just doesn't click. There are enough references to the environs that it's obvious Herzfeld wants you to remember the setting throughout the film, so the music should have been chosen to reflect this. My advice would be to go out and look for the soundtrack. You'll be able to listen to it without getting thrown off by watching the movie.
Review posted October 17, 1997
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends "commons/layout.html" %} {% from "commons/forms/input.html" import form_input with context %} {% from "commons/forms/select_list.html" import select_list with context %} {% block title %}{{ title }}{% endblock %} {% block h1 %}{{ title }}{% endblock %} {% block content %}


Predicting Gum Pollution in Toronto
Citizen Observations using the GumShoe app:
0
Toronto
0
Worldwide
Where is the gum?


THE MIRROR HAS TWO FACES A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): ***
Celibacy as the true path to romantic love - now there is the basis for a high concept movie. Think about the possibilities. Get some expensive stars and make a comedy about abstinence before and during marriage. A film about the conscious abandonment of sex as a lifestyle is not your typical Hollywood fair.
Well, thanks to an hilarious script by normally serious screenwriter Richard LaGravenese (THE FISHER KING, A LITTLE PRINCESS, and THE BRIDGES OF MADISON COUNTY) and to careful direction by Barbra Streisand (YENTL and THE PRINCE OF TIDES), Streisand's new film, THE MIRROR HAS TWO FACES, is a delightful comedy. Since there is a French film by the same name, perhaps this is a remake of it, but it plays like the remake of one of the romantic, American comedies of the 30s and 40s.
The show has the look and sound of a film made by a typical big budget producer. The film opens to loud French horns and there is rarely a quiet moment as the music by Marvin Hamlisch (SOPHIE'S CHOICE) dominates and overpowers much of the action. Like a laugh track in a TV sitcom, the overly perky music keeps chiming in to remind us when we should feel romantic and when amused. The script is quite strong on its own and does not need this heavy reinforcement.
Columbia University Math Professor Gregory Larkin (Jeff Bridges) has a problem with good looking females.  All a pretty woman has to do is walk into his classroom, and he starts falling all over himself.
According to the press kit, this is George Segal's 50th film. >From THE YOUNG DOCTORS (1961) on, he has been the reliable other man in many a film. Here his performance is OK, but nothing special, which is pretty typical for most of his pictures.
After a bout of channel surfing where Gregory finds even ladybugs doing it with great fervor, he decides that the world is obsessed with sex. He uses an ad to find a woman whose looks do not matter. Answering the ad, Claire (Mimi Rogers from SOMEONE TO WATCH OVER ME), tells him to ask out her sister, Romantic Literature Professor Rose Morgan (Barbra Streisand). After hearing Rose's lecture about the value that the twelfth century put on abstinence as a way to romantic love and after seeing her looks, he decides he has found his soul mate, roommate, and wife. He reasons that "the mathematical world is completely rational, uncomplicated by sex," and therefore his plan to skip sex forever makes eminent good sense. Rose thinks his theories are nuts, but falls for him anyway.
The clothes in the show are straightforward but funny. When Rose's sister marries airhead hunk and skirt chaser Alex (Pierce Brosnan from GOLDENEYE), Rose has to wear a pink dress that looks like a teenager's prom dress. She tells her mother, Hannah (Lauren Bacall), "I look like an over the hill Barbie Doll." Lauren Bacall is terrific in the film as the domineering and acerbic mom who knows best for her middle aged daughter. Hannah's lines are wryer than the others, but well delivered with precise timing.
The film isn't just a comedy. The scenes of Rose in class interacting with her students could be textbook examples of how to enliven a class with energetic teaching. As the story advances, the pathos of middle age takes center stage as does homeliness. Rose has no self-confidence and cancels her dates. She tells her mom of her first meeting with Gregory that, "It's not a date. We're just agreeing to eat at the same place." When he peppers her with mathematical trivia on their date, she confides, "First date where I feel like I'm winning on a game show." Streisand, the actress, plays her part convincingly with absolute control and wit.
Bridges approaches his role too reserved, and he never made me believe that Gregory ever cared for Rose. He did get some great lines including the one when he told her, he was serious about her, "I want to be upfront. I am not interested in sex with you." Rose gives him a pained you've-got-to-be-kidding look.
Gregory is pleased that Rose holds no physical attraction for him. One time, he happens to gaze upon her appearance and remarks, "You don't use make-up." To which she retorts, "What's the point? It'd still be me - only in color." Later she confesses to her mother, "Let's face it. They're not standing in line for me."
The best line in the whole show is the one, also seen in the trailers, where Rose finally demands her conjugal rights.
The way the story is wrapped up works comedically, and yet it feels false to the spirit of the movie. The last scene, however, is terrific and my favorite of the whole picture.
For a film where the dialog is crisp and funny, and where the female lead is near perfect, I found the movie surprisingly uninvolving. I think the mistake was in the casting of Jeff Bridges. He was not believable, and worse than that, I never cared about him. A one way chemistry in a love story is not enough. I had a good time and I laughed a lot, but I left unrequited. The film wanted me to love it, but I was only able to laugh at it.
THE MIRROR HAS TWO FACES runs way too long at over two hours. Comedies have no business going much past 1:40 since the jokes start getting repetitive and stale. The film is rated PG-13 for lots of conversation about sex, but no actual sex, nudity or violence. There are a few cuss words, but mainly the language is quite mild. The film would be fine for any kid who knows about sex and likes romantic comedies. I recommend the film to your for its humor and for Streisand's lovely performance, and I give it ***.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: November 12, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


%inherit file="base.html"/>
Message sent successfully. Thanks!
% else: % if blog.authors: % if authors: % else:There aren't any emails associated with authors yet. For this contact page to work you need to add at least one.
% endif % else:There aren't any authors for this blog yet. You should add one.
% endif % endif


--- title: Dialga keywords: fastai sidebar: home_sidebar summary: "A Personal Library to reduce DRY coding experiences. Contains DL,ML Pipelines" ---
{% include image.html href="https://gokkulnath.github.io/dialga/" alt="company_logo_big" max-width="320" file="/dialga/docs\images\company_logo_big.png" %}
pip install dialga
Fill me in please! Don't forget code examples:


Item 1 content
Some more item 1 content
Item 2 content
Some more item 2 content
Item 3 content
Some more item 3 content
This is some
content
This is some
content
This is some
content


Overview
No matter what your eyes may tell you, the Munchkin is not a cross between a Dachshund and a cat. The dwarfed
appearance of the low-riding feline is the result of a spontaneous natural mutation. Energetic and playful, the
Munchkin might be short on height, but he's long on fun.
The Munchkin is a small to medium-size cat weighing 5 to 9 pounds. Other than his short legs, he resembles any
other cat, with a short or long coat, either of which can be just about any color or pattern. The Munchkin is
well suited to any home with people who will love him and care for him. Keep him indoors to protect him from
cars, diseases spread by other cats, and attacks from other animals and he can live 13 years or longer.
Did You Know
Munchkins are sometimes called magpies because they love shiny things and will often stow them away for a later
date. Hide your valuables from this kitty.
The History of the Munchkin
The Munchkin is a cat breed that sprang from a natural genetic mutation. Reports of short-legged cats have
appeared throughout history, including in 1944 in Britain, in 1956 in Russia, in 1970 in New England, and in the
1980s in Louisiana. A cat named Blackberry, who was found as a stray in 1983, was the mother of the Munchkin
breed. She and one of her male kittens, Toulouse, were outcrossed to domestic cats. Outcrosses to domestic
shorthairs and longhairs are still permitted to ensure a diverse gene pool.
Starting in 1994, The International Cat Association's new breed development program, which has a genetics
committee to monitor breeding data, began to oversee the Munchkin’s development. The Munchkin’s short legs
turned out to have a dominant inheritance pattern, similar to Corgis and Dachshunds. The breed achieved full
recognition by The International Cat Association in 2003. The Cat Fanciers Association does not recognize the
Munchkin.


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example.com |
Monthly Uniques | 30.3K US |
|---|
-
Not Quantified
-
43,992
US rank
This site reaches approximately 30,337 U.S. monthly people.
Related Links
US Web Demographics
See More Details Gender || Age || Children || Income || Education || Ethnicity| index | ||||
|---|---|---|---|---|
|
|
Male |
|
94 | |
| Female |
|
|
106 | |
|
|
< 18 |
|
95 | |
| 18-24 |
|
|
115 | |
| 25-34 |
|
|
107 | |
| 35-44 |
|
93 | ||
| 45-54 |
|
|
105 | |
| 55-64 |
|
86 | ||
| 65+ |
|
96 | ||
|
|
No Kids |
|
|
108 |
| Has Kids |
|
92 | ||
| internet average |
| index | ||||
|---|---|---|---|---|
|
|
$0-50k |
|
|
149 |
| $50-100k |
|
97 | ||
| $100-150k |
|
77 | ||
| $150k+ |
|
94 | ||
|
|
No College |
|
|
108 |
| College |
|
96 | ||
| Grad School |
|
87 | ||
|
|
Caucasian |
|
92 | |
| African American |
|
94 | ||
| Asian |
|
|
130 | |
| Hispanic |
|
|
156 | |
| Other |
|
99 | ||
| internet average |
Audience Also Likes
This list shows other sites an audience frequents, which can reveal brand preferences and other lifestyle traits. The Audience Also Likes section of a site's profile shows other sites that the audience is likely to visit, and the affinity indicates how much more likely than average. For example, if the profile for wsj.com listed barrons.com with an affinity of 10x, a randomly chosen visitor to wsj.com is ten times likelier to visit barrons.com than the average internet user.
Demographic Index
Index represents how a site's audience compares to the online internet population as a whole. An index of 100 indicates a site's audience is at parity with the total internet population.
Affinity
The affinity numbers represent how likely a given visitor is to visit one of the listed sites or categories compared to the internet average. For example, an affinity number of 10.2 would say that a user on "X" website is 10.2 times more likely than the average internet visitor to visit the other site or category that is provided.
Directly Measured
This website is Quantified, and the data displayed here is directly measured by Quantcast.
Addicts
Addicts are the hardcore segment of a site's audience, who have 30 or more visits to that site in a month.
Regulars
Regulars refers to a segment of a site's audience that frequent a site more than once per month but not as much as addicts who frequent a site 30 or more times per month.
Passers-By
Passers-by have a single visit over the course of a month.


Samantha. 22. Binghamton University
Proficient in Adobe Creative Suite
Expected Graduation: May 2020
Visualizing Data ARTS412 InstagramDevice: Camera of the Future
Size: The proposed size of 35mm, or the size of a walnut, can not sustain the technology needed to run the device. By increasing its size twofold, at a minimum, I am now working with far more space, giving the user an easier and more appealing opportunity. Similarly, increasing its physical holding size allows for a larger lens, thus producing better quality photos on set. Increasing the size of the lens enhances the camera’s stereoscopic effect, creating much more depth in the pictures.
Where: The aforementioned “forehead lump” with a shutter chord, seems largely impractical for the every day user. This seems rather inconvenient to daily activity. I wish to now have the camera worn as a small chest brooch, or a pocket clip. With a secure and sturdy clip, I will limit movement while it is being worn. I find the chest to be a relevant point of a view, as well as an accesible location for removal. With the addition of the securing clip, it now becomes versatile and can be worn / attached to any garment, on any part of the body. I am eliminating the shutter chord as a whole. The camera responds to voice command technology. It will function on a simple, “Capture in 3,2,1” command. Voice activation is anticipated to be a simple, one time set up. Power “on” and “off” will be limited to one universal and sleek button.
Technology: Not yet assessed is the software required to run the camera. What I can confirm is the film bank, as well as the digital viewing portal. Photos are available for a preview indefinitely until the film roll is full. It will also respond efficiently to voice command software.
1. Locate a wearing spot
2. Secure CotF on
3. Power On / Off / Sleep
4. Shot Count Portal
5. Align body with image / scene / moment
6. Voice Command Technology
7. Preview Portal
8. Processing Portal
February 6: User Flow Diagram I will outline some core functionalities for you in a visual diagram
February 13: Device Design Illustration I will deliver a final illustration of the devices design
February 25: Magezine Ad Design I will mock up a full magezine spread of the device and its uses
The Functional Specification gave me the opportunity to run through the ins and the outs of the redesigned Camera of the Future. By pitching my plans and detailing the Camera of the Future's specs, I can ensure a trajectory, as well as cover for any future discrepancies. I outlined the physical modifications, its uses, and purpose in society.
My user flow outlines the cases of "getting started" with the Camera of the Future. I focused on the user's opportunity to capture a physcial shot, or "moment," as well as preliminary steps for preparation. I sought to create a consistent yet appealing visual. I provided a key for users to ensure comfortability and familiarity with the operations.
First look at New Wave Lifestyle & Photogrpahy's Camera of the Future. Join us with confidence as we introduce COtF to society and transform the world of photographers. Details to follow in our next edition of New Wave Mag.
New Wave Publishing
Preliminary Questionnaire to be sent out and surveyed. The goal is to identify and consider the varying ways in which we all go about our days.
Above you can see a small sample of some of my Data Portraits. The results of my survey on how my peers view their day yielded these abstractions. Linked here, as well as my bio, are all of the results compiled into an interactive visualization.


Heading to LCU14
It's that time again
Every few months, the team at Linaro comes together to hold formal and informal meetings. These events are often on un-familiar ground, allowing the teams to hold discussions nearly around the clock. The discussions are non-stop, starting early in the morning and carrying on throughout the day. At the end of the day, teams may get together and continue earlier discussions or talk about other hobbies, and end up returning to our hotel rooms to draft up daily summaries late into the night only to start the whole thing over for 5-6 days in a row. All in all, the event is exhausting.
Find out more at: http://www.linaro.org/connect/lcu/lcu14/remote/
The LAVA, Toolchain and LSK teams have a full schedule
LCU14-201: Binary Analysis Tools
This session will be a presentation about currently available binary analysis tools, including: Sanitizers, perf (a performance counter and tracing profiling tool), record/replay (a reverse debugging facility in GDB) and prelink rootfs.
- OnAir: https://plus.google.com/u/2/events/ca2pdo9sn9r8n81l5vrbiibvcts
- Slides: http://www.slideshare.net/linaroorg/lcu14-201-binary-analysis-tools
- Notes: http://pad.linaro.org/p/lcu14-201
LCU14-203: LAVA Use Cases: Upstream Kernel CI
This session will provide a short summary on how Linaro teams are automating upstream Kernel CI with a goal to improve the overall Linux on ARM ecosystem. The second half of the session will be general Q&A
- OnAir: https://plus.google.com/u/2/events/c7nnlfne37ig3omaegupn24jivs
- Slides: http://www.slideshare.net/linaroorg/lcu14-203-lava-use-cases-upstream-kernel-ci
- Notes: http://pad.linaro.org/p/lcu14-203
LCU14-205: Multi-arch compiler driver
This session will provide an overview of the foundations of a multi-arch compiler driver and discuss necessary support in GCC, LLVM, multi-arch enablement (in both), and bug reporting. The eventual goal of a unified driver will be a compiler driver that has a common set of feature flags that can invoke the desired compiler, which will then generate consistent results between compilers.
- OnAir: https://plus.google.com/u/2/events/cj5saisn21o8pk36l90glslmbpk
- Slides: http://www.slideshare.net/linaroorg/lcu14-205-multiarch-compiler-driver
- Notes: http://pad.linaro.org/p/lcu14-205
LCU14-207: LAVA status update and refactoring the lava-dispatcher
The LAVA team will present the current status of the LAVA product and highlight the the in-progress dispatcher re-factoring.
- OnAir: https://plus.google.com/u/2/events/cuogvhuies5pmct331bcp55696c
- Slides: http://www.slideshare.net/linaroorg/lcu14-207-refactoring-the-lavadispatcher
- Notes: http://pad.linaro.org/p/lcu14-207
LCU14-209: LLVM Linux
This session will provide an update on the status of the LLVMLinux project; a project which is cooperating with both the Linux kernel and LLVM communities to build the Linux kernel with Clang/LLVM. This talk will also cover new things in LLVM which make clang even more attractive to the kernel community. LLVM is an extensive compiler technology suite which is already commonplace from Android/Renderscript and OpenCL through to high performance computing clusters.
- OnAir: https://plus.google.com/u/2/events/cp34l6uc5rmu189qn8eq3ps3bkc
- Slides: http://www.slideshare.net/linaroorg/lcu14-209-llvm-linux-39165110
- Notes: http://pad.linaro.org/p/lcu14-209
LCU14-211: LAVA Use Cases: SW testing & Reproducing a LAVA failures locally using CARE
The session will cover: Means to collect the data from Jenkins and LAVA End-to-end result presentation (build status, build warnings, automated testing, manual testing) Reporting of weekly/monthly testing results The session is meant to show the currently implemented solution and collect feedback/requests from current and potential users.
- OnAir: https://plus.google.com/u/2/events/c4u50tkmpj0aako5u400dsl6l94
- Slides: http://www.slideshare.net/linaroorg/lcu14-211-lava-use-cases-sw-testing-reproducing-a-lava-failures-locally-using-care
- Notes: http://pad.linaro.org/p/lcu14-211
LCU14-303: Toolchain Collaboration
This session will be working through the planned open source contributions from Linaro, ARM, and other members who want to share their open source contribution plans for the next year. Projects to be included are: gcc, llvm, glibc, gold, gdb, binutils.
- OnAir: https://plus.google.com/u/2/events/c3knobs1t2fd2vi9f9mhejehts0
- Slides: http://www.slideshare.net/linaroorg/lcu14-303-toolchain-collaboration
- Notes: http://pad.linaro.org/p/lcu14-303
LCU14-307: Advanced Toolchain Usage (Part 1&2)
This set of sessions will go into detail on many toolchain topics and help the attendee get the most out of their toolchain usage. Topics covered will include: inline assembly Link Time Optimizations (LTO) Feedback Directed Optimizations (FDO) Proper code annotation for: promoting vectorization avoiding false sharing memory aliasing restrict keyword usage Optimization levels and what they mean Demystifying -march, -mfpu, -mcpu, -mtune, -with-mode Linking options Libatomic usage Debugging binaries compiled with optimizations.
- OnAir1: https://plus.google.com/u/2/events/csb19bbpqh43888ghud0si92p40
- OnAir2: https://plus.google.com/u/2/events/croj226kas0gjarm1mqbm42db9o
- Slides: http://www.slideshare.net/linaroorg/lcu14-307-advanced-toolchain-usage-parts-12
- Notes: http://pad.linaro.org/p/lcu14-307
- Notes: http://pad.linaro.org/p/lcu14-311
LCU14-400: Managing a LAVA LAB using new Debian packages
This session will provide a summary of the process to install, update and manage LAVA within a LAVA LAB. We will also discuss how the LAVA LAB in Cambridge is managed and any thoughts or problems we know were experienced when the LAB upgraded from Ubuntu 12.04 to Debian Jessie.
- OnAir: https://plus.google.com/u/2/events/cf405nl1mi12l118haa1pf10k1s
- Slides: http://www.slideshare.net/linaroorg/lcu14-400-managing-a-lava-lab-using-new-debian-packages
- Notes: http://pad.linaro.org/p/lcu14-400
LCU14-511: LSK overview and status update
This session will provide a summary of the current status of LSK, an introduction for those not familiar with it and provide a forum for discussion of the status and direction with members.
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References
Next: About this document
Up: Data Structures in STIS
Previous: Consequences of this
References
- 1
- Hanisch, R., 1989, ``STSDAS: The Space Telescope Science Data
Analysis System'', in Data Analysis in Astronomy III,
V. Di Gesu, et. al., Plenum Press, 129
- 2
- New Instruments for Second Servicing Mission, 1995,
Servicing Mission Office, Space Telecsope Science Institute,
3700 San Martin Drive, Baltimore, Maryland 21218
- 3
- Ponz, J., Thompson, R., and Muñoz, J., 1994,
``The FITS image extension'', in Astron. and Astrophys.
Suppl. Ser., 105, 53
- 4
- Tody, D., 1986, ``The IRAF Data Reduction and Analysis System'', in
Instrumentation in Astronomy VI, SPIE 627, Part 2
Sdas Group
Wed Aug 21 10:26:56 EDT 1996


Expected duration: ~10 minutes.
secret
s3:PutObject
that would do the trick. Checkout what's available for the s3:PutObject
action.s3:x-amz-server-side-encryption
sounds interesting. Maybe Google can help?AES256
means that S3-Managed Encryption Keys should be used


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A responsive site allows visitors to access your site from a wide range of devices without the layout becoming distorted.
This includes Smartphones, Tablets, Consoles,Tv's and the likes.. The site will react to the size of the screen it is being displayed on then adjust the layout appropriately.
The content of the site will be the same or similar. On a smaller screen. For example a mobile phone, we may be able to remove unnecessary items like pictures or as you see on other websites 'advetisements' often disapear once the site is viewed from a mobile device. It's safe to say we can assume that with smaller screens people need a quick and easy to read amount information. We assume that the site is less about the extras and touch up's and instead more about information in a quick and legible small page. We Acknowledge can Acknowledge that with Bigger screens, people have more time to take in some added finishing touches. Taking out extra's on the smaller screens will mean the site load's alot more quickly especially in bad receptive areas...
Mobile first design is creating your website to fit a small device's such as a mbile phone and then expanding the site from there. You first make sure your website is suitable to a small screen and as the screen size increases you can use the negative space that created for more features.Such as Images and the Likes. Creating a site to fit a small screen is generally harder because you may be trying to fit a lot of information into a compacted space.. so its almost as though you are creating the hardest bit first then adding from there. this may not apply to everyone though as you might find that a mobile device displays your website exactly how you want it but find it hard when you have to fill in the webpage the bigger it gets.. Its important because it can keep consistency over the screen sizes. It also saves creating a whole new website for a mobile...and well with what i know ,i think resizing is the shortcut...
Frameworks are essentially auto styling for your website they contain the Structure of file's and folders of standardized code. In short - the frameworks creates other CSS pages which you can link to. They store premade Styling which is then applied to your website. Using classes around the grid based system gives you a nice layout, the headings will be consistent over all pages that link to the same framework. Pros are everything looks the some over all of you'r pages. The design all works together from picture formatting to headings and boarders.
The cons are there isn’t a lot or options. Their aren’t as many options as if you created the CSS from scratch.
keep in mind that if you ever just want one singular page or many others to be different styles or possibly even mix them then you can. you have the choice to either make an individual style file as i like to call it or mayeb just list the changes in your websites code (Both options could get messy or even cluttered but that all depends on hwo big your website is and how many changes your making..)
Wireframe is essentially sketching the basic layout of your website before you start writing any code.
The Sketch can be on any platform or show on paper as you'll see i've done below with a sharpie and paper.
It is a mock up or plan of what you are going to try to achieve. We use it as a first step to creating a new page. In practical terms it's a visual plan of what we (you) are hoping to create.
I Believe Understanding the image Placements and the whole concept really. It's something that's going to take me and i believe alot of others practice.