h an agitated look. ) 1890s-1900s = ( Barking wildly. ) 1990s-2000s = ( Barking angrily. ) english_tweet = (Barking angrily.)_ (Barking angrily.)_ ( lyrics = (Barking rowdy.)_ (Barking rowdy.) romantic_poetry = (To the hill-side.) _ (To the hill-side,) switchboard = yeah i'm afraid so too shakespeare = Ay, by Saint John. Input = Cigar has a cooling effect. Paraphrase = the cigar has a cooling effect. aae = This cigar got a cooling effect bible = Cigars have a cooling effect. 1810s-1820s = The cigar has a cooling influence in its turn. 1890s-1900s = The cooling effect of the cigar is greater. 1990s-2000s = The cigar has a cooling effect, and it's good for the eye. english_tweet = Cigar has a cooling effect lyrics = The cigar has got a cooling effect romantic_poetry = And the cigar cools the mouth with coolness. switchboard = the cigar has a cooling effect shakespeare = The civet has a cooling effect. Input = Ofter the fall.  Input = With the Byrns which is far better and eve for ever your idle be. Paraphrase = with the Byrns, which is much better and more useful for you. aae = With the Byrns, which are way better and more useable for you and them. bible = With the Bryns, which is much better and more serviceable for you. 1810s-1820s = with the Byrns, which is much better and more useful for you. 1890s-1900s = With the Byrns, which is a good deal better and more useful for you. " 1990s-2000s = With the Byrns, which is far better and more useful for you. english_tweet = With the Byrns which is so much better and more productive for you. lyrics = With the Byrns, which is much better and more to you romantic_poetry = With the Byrns, whose use and merit are much above, switchboard = with the Byrns which is a lot better and you know more useful shakespeare = With the Byrns, that are much better and more fit for you. Input = And may Saint Jerome of the Harlots’ Curse make family three of you which is much abedder! Paraphrase = and you can have a family of three of the Harlots, which is much better! aae = And u can have 3 harleots fam just because it's so much better!!! bible = And there are many more that are Harlots, which is much better! 1810s-1820s = and may the family of three of the Harlots be made happier, by your presence! 1890s-1900s = And there's a family of three of the Harlots, which is much better! 1990s-2000s = And you can have the Harlots' family of three, which is considerably better! english_tweet = And you can have a 3rd or 4th Harlots, which is much better! lyrics = And there's a lot better than your family of three harlots! romantic_poetry = An' may ye hae fam'd three Harlots, far better switchboard = and and you can have a family of three Harlots which is a lot better shakespeare = And be like to a family three of the Harlots, Which hath much better reason for being married! Input = Their life, thought, speech are lent them by males.   Input = A large bucket.  Input = Were you robbing the poorbox, Joe?  Input = Richie rift in the lute alone sat: Goulding, Collis, Ward. Paraphrase = only the lute was alone: Goulding, Collis, Ward. aae = Only lute was up by himself : Goulding, Collis, Ward. bible = Only the lute was left: of the harp, Goulding, of the viol, Collis, and Ward. 1810s-1820s = The lute alone was left: Goulding, Collis, Ward. 1890s-1900s = Only the lute was lonesome: Goulding, Collis, Ward. 1990s-2000s = Only the lute was alone: Goulding, Collis, Ward. english_tweet = The only lute to do it alone: Goulding, Collis, Ward. lyrics = Only lute left me alone: Goulding, Collis, Ward. romantic_poetry = And all alone: Goulding, Collis, Ward, switchboard = yeah it was all by itself the lute was the only thing on the place shakespeare = Nor only was this lute alone: Goulding, Collis, ward, and so many other; But that he was Input = Old legal cronies cracking a magnum. Paraphrase = old friends of the law, they're cracking a magnum. aae = Old friends lawd be cracking a magnum bible = old friends of the law, crack them a magnum. 1810s-1820s = Old Friends of the Law, cracking a Magnum. 1890s-1900s = Old friends of the law crack magnum, ef they want to. 1990s-2000s = old law friends crack a magnum on their fellow souls. english_tweet = Old friends of the law, crack Magnum lyrics = Old friends of the law, cracking a magnum romantic_poetry = Old acquaintance of law, crack'd magnums switchboard = old law friends you know they're cracking a magnum shakespeare = Old friends of the law, they crack a magnum. Input = heels, chased by Ades of Magdalen with the tailor’s shears. Paraphrase = heels, chased by the Magdalen with the scissors of the tailor. aae = Heels chased by Magdalen with the Smiths of the tailor. bible = Heels chased with the Magdalen with the scissors of the trencher, 1810s-1820s = Horses, chased by Magdalen with her scissors, and chased by the rest of the family with the mattocks of the 1890s-1900s = Heels, chased by the Magdalen with the scissors of the tailor. 1990s-2000s = Heels, chased by the Magdalen with the tweezers of the tailor. english_tweet = Heels, chased by Magdalen with the scissors of the tailor. lyrics = Heels, chased by the Magdalen with their scissors in hand romantic_poetry = Heels, pursued by Magdalen with her tailor's scissors, switchboard = with the the um with the Magdalen with the poodle with the the cloth tied with the scissors shakespeare = Heels, chased by the tailor with the chopper.  Input = The night Milly brought it into the parlour. Paraphrase = the night Milly brought it to the salon. aae = Night Milly bringing it to the barbershop bible = And the night was now come upon Milly, and she brought it to the salon. 1810s-1820s = Night Milly brought it to the parlour window. 1890s-1900s = It was brought in to the parlor the night Milly. 1990s-2000s = That night Milly brought it to the parlor. english_tweet = That night Milly brought this to the parlor. So good! lyrics = Milly brought it in the night romantic_poetry = The night Milly brought it to her salon, switchboard = the night Milly brought it to the saloon shakespeare = Milly, the night Milly brought it to the barber’s salon. Input = There’s puff for ye, begor, and planxty of it, all abound me breadth! Paraphrase = behold, my dear, and my planxty, it's a great deal of puff! aae = Bless and blessed and my planxty's, it's plenty puff! bible = Behold, my beloved, and my planxty, this is a great deal of puff! 1810s-1820s = Behold my dearest, and my planxty one, A farcical puff indeed! 1890s-1900s = Behold, dearest, and my planxty, an' it's a heavy puff! 1990s-2000s = Behold, my dear, and my planxty, it's a great puff! english_tweet = Bless you, my dear, and my planxty, this article is a great haul of puff! lyrics = Behold my dear, and my planxty, it's puffin' out romantic_poetry = Behold, my dear, and my planxty billows richly puff! switchboard = and behold my word and my planxty it's a wonderful puffing shakespeare = Behold, dear lady, and my planxty, A great puff, for it doth much of my head! Input = in their tail if you ask me those country gougers up in the City Arms intelligence they had a damn Paraphrase = they had a damn good tail in the city's arms intelligence. aae = Damn they had the fucking legs of a arm intelligence wing on downtown tail. bible = And in the arms of the city were tailgates of a damn good compass. 1810s-1820s = In town intelligence had conveyed them a damn'd tail. 1890s-1900s = It was the intelligence of the city in its arms that had got them a damn good tail. 1990s-2000s = In the city's arms intelligence they had a damned good tail. english_tweet = They've had a hell of a tail in the City Arms Intelligence. lyrics = Had their sweet tails on the arm of the city intelligence romantic_poetry = Intelligence in arms of city had wrought their damnable tail, switchboard = and uh it was i think it was in the intelligence uh in the city's arms intelligence that they had a damn shakespeare = Had they a damn'd tail in the town’s arms intelligence, They had had it in the top of Input = so as it is becoming hairydittary I have of coerce nothing in view to look forward at unless it is Paraphrase = if it's hair, I don't want to look forward to anything unless it's hair. aae = If it's hair I'm not looking forward to anything unless its hair to make up bible = If it be hair, I will not look forward to any thing; but the hair of the righteous is mine. 1810s-1820s = Hairdress is not my way; I never like to look forward to any thing unless it be hair. 1890s-1900s = Unless it's hair, I don't want to look forward to anything. 1990s-2000s = And I'm not looking forward to anything unless it's hair. english_tweet = I dont wanna look forward to anything unless its hair lyrics = If it's hair I don't want to look forward to nothing unless it's hair romantic_poetry = If it be hair, then nothing but hair should be mine, switchboard = if it's hair i don't want to look forward to anything unless it's hair shakespeare = If it be hair, I cannot take it for anything unless it be hair. Input = Sinflowed, O sinflowed! Paraphrase = the wind was flowing, the wind was flowing! aae = That wind was rollingg!!!! bible = The whirlwind of the LORD blew, the whirlwind of the LORD blew! 1810s-1820s = The wind howling rushed in, Through the thicket! 1890s-1900s = And the wind had carried the river, the river had borne the wind! 1990s-2000s = The wind and wind and wind were pouring down! english_tweet = Wavidity was everywhere! lyrics = Come on the breeze, come on the breeze! romantic_poetry = The breeze was ta'en, the breeze was ta'en! switchboard = the wind was coming down it was blowing it was blowing down right here shakespeare = A whirlwind did he conjure, A whirlwind did he conjure! Input = And Monsieur Drumont, gentleman journalist. _ Paraphrase = Mr. Drumont, gentleman journalist. aae = My Mr. Drumont, gentleman photographer. bible = The honourable man, the man of the press, Mr. Drumont, besought 1810s-1820s = Mr Drumont, gentleman journalist, Mr. 1890s-1900s = ROBERTS: Mr. Drumont, gentleman journalist. 1990s-2000s = Mr. Drumont, gentleman journalist, please go to the press. english_tweet = Dear Mr Drumont, gentleman journalist. lyrics = Mr. Drumont, gentleman journalist romantic_poetry = And gentlemen, sirs, the gentleman journalist. switchboard = hum Mister Drumont gentleman journalist shakespeare = My good lord, gentleman journalist. Input = I could have got seven to one against Saint Amant a fortnight before. Paraphrase = a fortnight before, I could have beaten Saint Amant. aae = I could beat Saint Amant in a fortnight before. bible = I was there with the Blessed John, a fortnight before; and there could I not beat the Saint Amant 1810s-1820s = I could have beaten Saint Amant, a fortnight before. 1890s-1900s = I could have beaten Saint Amant a fortnight before. 1990s-2000s = I could beat Saint Amant a fortnight before. english_tweet = I could have beat Saint Amant in a fortnight before lyrics = Could beat Saint Amant a fortnight before romantic_poetry = A fortnight ere Saint Amant beat me, switchboard = i could beat Saint Amant in a week before that shakespeare = If Saint Amant had come before, I could have beaten him in a fortnight.  Input = Dr’s showings, the plea, if he pleads, is all posh and robbage on a melodeontic scale since his man’s when Paraphrase = Dr. shows, the plea, if he's willing, is all of a melodramatic scale since his man's birth. aae = Dr. shows, plead, if he's willing, is all melodramatic scale since his man was born. bible = Dr. shewing, the plea, if he be willing; all that pertain to a man's life, for the year of his manhood. 1810s-1820s = Doctor proves, that the plea, if he be willing, is all in a melodramatic scale since his manhood. 1890s-1900s = In his plea, if he is willing, Dr. shows, all of a melodramatic scale, since his manhood. 1990s-2000s = Since his manhood, Dr. shows, all of a melodramatic scale has been at work in showing, the plea, if it is even willing, that is all. english_tweet = All of the melodramatic scale since his man's birth Dr. shows, pleads, with all com lyrics = Dr. shows, pleadin', if he's willing, is all melodramatic scale since his man was born romantic_poetry = Dr. shows, pleas'd, if he will, an' all melodramatic since his manhood; switchboard = dr- programs uh and the plea you know if he's willing to do it is all melodramatic scale since his man was born in nineteen sixty shakespeare = My good doctor shows, the plea, If he will entreat for it, is as large Since his man's birth, for the most part. Input = You were making tea, Stephen said, and went across the landing to get more hot water. Paraphrase = Stephen said he was making tea, and he went to the kitchen to get more hot water. aae = Stephen said he was making tea, and walked to the kitchen to get more hot water bible = And Stephen said, He hath made me a drink offering, and he went into the kitchen to get more hot water. 1810s-1820s = Stephen told him to make tea, and going to the kitchen to get more hot water, he went to bed. 1890s-1900s = Stephen told me that he was making tea, and that he had gone down to the kitchen to get more hot water. 1990s-2000s = Stephen said he was making tea, and went into the kitchen to get more hot water. english_tweet = Stephen really said to get more hot water to make tea, he went to the kitchen to do more lyrics = Stephen said he was makin' his tea, he went to the kitchen to get more hot water romantic_poetry = And Stephen said, he wad make his tea, switchboard = and uh my mother was going to tea so she went to the kitchen to get more hot water and uh said i'm making tea now i'm shakespeare = But Stephen said he made a chough of it, and went to fetch hot water for his stomach. Input = A cavalcade in easy trot along Pembroke quay passed, outriders leaping, leaping in their, in their saddles. Paraphrase = a parade of easy trotting along the Pembroke River passed, riders leaping, leaping in the saddle. aae = Prayers for easy trotting along the Pembroke River passed, riders leaping, leaping in the saddle. bible = A parading company passed along the bank of the Pembroke, riders leaping, and riding upon horses. 1810s-1820s = A parade of easy trotting along the banks of the Pembroke, passed, riding over the foaming waters, leaping in saddle-cloth, and leaping 1890s-1900s = As the afternoon wore on a parade of easy trotting along the Pembroke River passed, riders leaping, leaping in the saddle. 1990s-2000s = A parade of easy trotting past the Pembroke River, riders leaping, leaping in the saddle. english_tweet = A parade of easy trotings along the Pembroke River passed, riders leaping, leaping in the saddle. lyrics = Easy trotting along Pembroke River passed, riders leaping, leaping in the saddle. romantic_poetry = A parade along Pembroke's stream pass'd, riders leaping, leaping in their saddles, switchboard = well you know that one Pembroke River was passed a parade of easy trotting along it's it's a little little stream called the Pembroke shakespeare = A peremptory troop hath passed along the Pembroke Rivers, riders of easy trotting, Jumping hither and there in the saddle. Input = Gelded too: a stump of black guttapercha wagging limp between their haunches.  Input = His fooneral will sneak pleace by creeps o’clock toosday. Paraphrase = he will sneak into the night by the creeps at the o'clock. aae = Wen night creep at o'clock he be sneakin in bible = He shall creep by the creep at the o'clock in the night by the way. 1810s-1820s = E'en at o'clock, he'll sneak through the night by the creeps. 1890s-1900s = By the creep at the o'clock, he'll sneak in an' steal the night away. 1990s-2000s = He'll sneak into the night by creepers at o'clock. english_tweet = He'll sneak up at night by the creeps at the o'clock of the night. lyrics = He'll sneak in the night by creeps at the o'clock romantic_poetry = By o'clock he'll sneak in the night; switchboard = he's going to sneak into the night by the creep at o'clock shakespeare = The creeps at o'clock Will sneak into his closet and steal him away. Input = But Gerty’s crowning glory was her wealth of wonderful hair. Paraphrase = her crowning glory was a beautiful hair. aae = Her crowning glory hair was beautiful bible = Her crowning glory was as the fair hair of a full moon. 1810s-1820s = A beautiful hair was her crowning glory. 1890s-1900s = There was a beauty in her crowning glory. 1990s-2000s = Her crowning glory was the graceful, beaded hair. english_tweet = Her crowning glory was her beautiful hair. #NailDrop lyrics = Her crowning glory was beautiful romantic_poetry = Her crowning glory was the hair switchboard = i had a crowning glory her crowning glory was just beautiful hair shakespeare = I know her crowning glory was a most beautiful hair. Input = Our cattle trade. Paraphrase = the cattle trade. aae = Trading in cattle. bible = The cattle trade. 1810s-1820s = Tariff of the cattle trade, on the. 1890s-1900s = THE CABIN TRADE, BY MARY LARKIN. 1990s-2000s = You know, the cattle trade. " english_tweet = The cattle trade. lyrics = All that cattle trade. romantic_poetry = The cattle trade. There's some, I know, switchboard = the cattle trade shakespeare = The cattle trade. Input = my king He would not have abandoned me in my old days._ Paraphrase = in my old days, he wouldn't leave me. aae = He would never leave me in my old days bible = And he would not leave me in the days of my youth. 1810s-1820s = He would not leave me in my old age--in my old age! 1890s-1900s = He wouldn't have left me in my old days. 1990s-2000s = He'd never leave me in his old days. english_tweet = He wouldn't leave me in my old days. lyrics = Wouldn't leave me there in my old days romantic_poetry = He'd ne'er leave me in my old days, switchboard = and he wouldn't leave me in my old days shakespeare = If he had not left me so many days ago, he would not leave me so long. Input = Calomnequiller’s Pravities) from the sourface of this earth, that austral plain he had transmaried himself to, so entirely spoorlessly (the Paraphrase = the Calomnquin's Pravities) from the sour face of the earth, so utterly devoid of any sense (the Calomnquin's Pravities) aae = Those Calomnquin Pravities)from sour face so utterly devoid of any sense (the Calomnquin's Pravities) bible = Which are the pravities of the valley of Calomnquin, from the sour face of the earth; so utterly void of any sense (the Calomnquin's Pravities) 1810s-1820s = The whole works of Calomny) from the sour face of the earth, so utterly destitute of sense (the Calomnquin's Pravities) can hardly be called delightful. 1890s-1900s = to be the Pravities of the Calomnquin (from the sour face of the earth, so utterly effaced) (Pravities of the Calomnquin). 1990s-2000s = the cantarell's Pravities) from the sour face of the earth, so utterly devoid of any sense (the Calomnquin's Pravities) of good. english_tweet = In the sour face of the earth, so utterly devoid of any sense (the Calomnquin's Pravities) lyrics = From the sour face of earth, so utterly lacking in sense (the Calomnquin's Pravities) romantic_poetry = From earth's sour face, so utterly bereft of sense (the Calomnquin's Pravities) switchboard = from the sour face of earth so utterly lacking any sense whatsoever so utterly devoid of any sense whatsoever that uh shakespeare = And thus the earth’s greenest spirits, so utterly bare of any sense, Unto this end lie the dark earth’s Calomnquin’s Pravities. Input = fore he falls and goes mad entirely when he’s waked; is Timb to the pearly mom and Tomb to the Paraphrase = when he wakes up and goes crazy, he's going to the tomb and the tomb of the pearly mother and tomb aae = When he wake up and goes off on pearly mother and tomboy ppl <<<<<<< bible = When he awaketh and goeth mad, and destroyeth the city, and the sepulchre of the pearly mother, 1810s-1820s = When he awakes and flies to madness, and falls From pearly morn to tomb and rueful bower, A pearly mother's bower hiss 1890s-1900s = He goes down to the pearly mother and tomb and he wakes up and he goes crazy. " 1990s-2000s = He goes to the burial chamber and the pearly mother and tomb when he wakes up and goes crazy. english_tweet = when he wakes up and goes stupidddddd the pearly mom and tombs lyrics = When he's waking up he's about to bang the tomb and the pearly mother and the tomb of the pearly mother romantic_poetry = When pearly mother, to wake and haunt him, switchboard = and uh uh he he he woke up one time and went crazy and went to the tomb and the pearly mother's tomb shakespeare = He will go to the pearly mother and to the tomb When he wakes and goes mad. Input = Did they find their educational careers similar? Paraphrase = do they have similar educational careers? aae = Do any of them have similar educational careers? bible = Are their educational attainments like? 1810s-1820s = Do they pursue similar educations? 1890s-1900s = Are there similar educational careers in their employ? 1990s-2000s = Do they have similar educational careers to the other students? english_tweet = Are they in the same educational careers? lyrics = Are they equal education? romantic_poetry = Are their educations alike to some degree? switchboard = do they have similar educational careers shakespeare = Have they a similar education? Input = And all the pinkprophets cohalething? Paraphrase = and all the pink-haired witches? aae = And all the pink girls?? bible = and all the glorious fairies? 1810s-1820s = And all the pink-haired witches about you? " 1890s-1900s = Would all the pink-haired witches be here? 1990s-2000s = And all those pink-haired witches, that's what? english_tweet = And all the pink haired witches? lyrics = And all the pink-draped witches? romantic_poetry = And all the pink-hair'd witches of yore? switchboard = and all those little pink eyed witches shakespeare = And all the pink-bearded witches? Input = Well, it might now, mircle, so it light. Paraphrase = maybe now, mircle, so it's light. aae = might b lightin now mircle bible = Mircheth, perhaps, to morrow, mingle, that it may be light. 1810s-1820s = Perhaps now, mircle, it be light, for we are nigh the rock. 1890s-1900s = Perhaps now, mircle, so it is light. 1990s-2000s = Mircle, perhaps now, so it is light. english_tweet = Maybe now, mircle, so it looks light lyrics = Now maybe, mircle, so light now romantic_poetry = Mircle, perhaps now, light to the nought switchboard = you know maybe now mircle is light shakespeare = I think it now, mircle, that it lights. Input = little to our tribal elixir of gopherwood, is in walking costume and tightly staysed by her sit, I should opine. Paraphrase = I should opine that she's wearing a little to our tribe's elixir of gopherwood. aae = Should opine that she wears some to our tribe elixir of gopherwood. #scandal bible = And it should be in mine heart to opine that she hath wearied herself to our tribe with to morrow's elixir of gopherwood. 1810s-1820s = I should opine that she wore some to our tribe's elixir of gopher-wood. " 1890s-1900s = I should opine that she wore a little to our tribe's elixir of gopherwood. 1990s-2000s = <p> I should opine that she was wearing a little to our tribe's elixir of gopherwood. english_tweet = I should opine that she wears to our tribe's elixir of gopherwood. lyrics = That she wear little to our tribe's elixir of gopherwood, I should opine romantic_poetry = Should opine that she wears a wee to our tribe's elixir gopherwood. switchboard = i should opine that she wears to our tribe elixir of gopherwood which is one of our uh sacred tree trees shakespeare = I should opine that she wears some to our tribe’s elixir of gopher wood, for, as you say, her fay hath Input = to the confusioning of human races) ages and ages after the alleged misdemeanour when the tried friend of all creation, Paraphrase = the confusion of human races) ages and ages after the alleged offence when the friend of all creation was tried to be a friend of all creation. aae = Confusion in human races) ages and ages after the alleged offence when the friend of all creation tried to be your friend bible = Confusion of the races) ages and ages after the supposed offence when the friend of all creation was tried for the friend of all creation. 1810s-1820s = The confusion of human races) ages and ages after the supposed offence when a friend of all creation was tried in the court of heaven, to prove his love for all creation. 1890s-1900s = The confusion of human races) ages and ages after the alleged offence when the friend of all creation was tried in the court of the Supreme Court of the United States for having brought about an agreement between 1990s-2000s = the confusion of human races) ages and ages after the alleged offence when the friend of all creation was tried to be a friend of all creation, or " God-wanted to give me an english_tweet = Human species confusion) ages and ages after the alleged offence when the friend of all creation was t lyrics = Contemptation of human races) ages and ages after claims of prominent offense when the friend of all creation tried to be the friend of all creation. romantic_poetry = Confusion of human races) ages and ages, when the friend of all creation sought switchboard = the confusion of human races to each other and i- to each other after the alleged offense where the fellow who had supposedly done the offense is trying to be a friend of all creation and he has shakespeare = Confusion of human races) ages and ages), I'll grant; but, when I say, 'tis as certain, as thou hast heard, When a friend of all creation was tried to Input = same with autonaut and annexes and got a daarlingt babyboy bucktooth, the thick of a gobstick, coming on ever so Paraphrase = the same as the autonaut and the annexes and the baby's head, the thick of a stick, aae = Autonaut and annexes and baby head thick ass clapsticks, same ol shit bible = And the same shall be the same with the autonaut and with the annexes, and with the child's head, and with the thick of a stick, 1810s-1820s = the same as autonaut and annexes and such as a stick thickens in a hurricane, when it is applied to a hole. 1890s-1900s = The same as the autonaut and annexes and the baby's head, thick as a stick. 1990s-2000s = The same as the autonauts and the annexes and the baby's head, the thick of a stick, too, to give a hint of what it is english_tweet = The same as the autonaut and annexes and the baby heads, thick of a stick, lyrics = Same as the autonaut and annexes and baby head, the thick of a stick, romantic_poetry = Autonaut and annex'd, and the infant's head, switchboard = uh the same as the autonaut and annexes and the babies head and uh the thick stick down thing that shakespeare = To him, and his annexes, And all his fleshed stick, the thick of the stick, Input = And he said: _Sad thing about our poor friend Paddy! Paraphrase = "it's a shame that our friend Paddy is poor," he said. aae = Lmao he said \"that's a shame for our boyfriend Paddy he poor\ bible = And the lord said unto him, It is a shame that our friend Paddy is so poor. 1810s-1820s = I am sorry, " said he, " that our friend Paddy is poor. 1890s-1900s = It's a pity that our friend Paddy is poor, " he said. " 1990s-2000s = <p> " That is the shame of our friend Paddy, " he said. " english_tweet = He said, "That's too bad to hear, our friend Paddy is poor." lyrics = "It's a pity that our man Paddy is poor romantic_poetry = 'Tis pity that our good friend Paddy's poor, switchboard = "that's too bad i know a friend of mine is poor" he said it's like it's like "the main reason shakespeare = ” It was pity to hear Paddy weep, for he said “I do wish my lord a good night.� Input = By leaving in a conspicuous place a certain book open at a certain page: by assuming in her, when alluding Paraphrase = by leaving the open book in a conspicuous place: aae = By leaving a bookshelf in conspicuous: bible = By leaving open the book in a conspicuous place: 1810s-1820s = By leaving the open book in a conspicuous place: by the candle. 1890s-1900s = By leaving the open book in conspicuous place: the other. 1990s-2000s = by leaving an open book in a conspicuous place: by the walls of the house. english_tweet = By leaving an open book in a conspicuous place: lyrics = By leaving their open book in a conspicuous place: romantic_poetry = By leaving open books in conspicuous places: switchboard = by leaving the open book out in a conspicuous place shakespeare = By this hand, by this hand, by this hand: a very curious hand. Input = That she esually was, O’Dowd me not!  Input = Synge has left off wearing black to be like nature.  Input = Could he walk in a beeline if he hadn’t that cane? Paraphrase = if he didn't have the cane, he could walk straight? aae = Could you walk straight if he didn't have the cane? bible = And if he had not the cane, could he walk straight? 1810s-1820s = Could he walk straight if he had not the cane? 1890s-1900s = Was it possible that he could walk straight if he had not the cane? 1990s-2000s = Could he walk straight if he didn't have the cane? english_tweet = If his cane didnt be coming out he could have walked straight? lyrics = If he didn't have the cane, he could just walk straight? romantic_poetry = Had he no cane, that straightway he treads switchboard = yeah i know if he didn't have the cane he could just walk straight ahead shakespeare = Had he no cane, if he should walk straight? Input = Then he screwed his features up someway sideways and glared out into the night with an unprepossessing cast of countenance.  Input = Spare me, do, a copper or two and happy I’ll hope you’ll be! Paraphrase = I'm sorry, but I'm sorry, but I'm sorry, but I'm sorry, but I'm sorry, but I'm sorry aae = Prayin 4 u n da morning but it's on to da next day... I'm sorry... bible = I am grieved for him, but I will not say more. 1810s-1820s = ( the Baroness appears) I am very sorry, that you have taken me so far, as to question me on the subject. 1890s-1900s = Oh, my poor little ones, I have sinned--forgive me! " 1990s-2000s = I have to apologize, it's just that you know I've been sick for a long time. " english_tweet = JIHO IS SOO LUCKY I CANT EVEN TELL I AM SOOO LUCKY lyrics = Sei que me puede vuelvo que me quedo tu verdad si me puede vuelvo romantic_poetry = I'll pray you wi' ane, for ane I lo'e, switchboard = i hate to hear that i'm sorry but i i have to say that i have to agree with you there that that that uh shakespeare = O good father, pardon me, and bid her go. Input = because it was very heavy but what could you get in a place like that the sandfrog shower from Africa Paraphrase = because it's very heavy, but what can you do with such a place as this? aae = Because its very heavy but what can you do with that? bible = And he said unto them, Because it is very heavy, but what can ye do to it? 1810s-1820s = because it is very heavy, but what can you do with such a place as this? 1890s-1900s = Because it is very heavy, but what can you do with such a place as this? 1990s-2000s = Because it was very heavy, but what could you do with a place like this? english_tweet = Because its very heavy, but what can you do with such a place as this? lyrics = 'Cause this place is very heavy, but what can you do with this place like this? romantic_poetry = Because of its heavy weight, but what can you do here? switchboard = because it's very heavy but what can you do with that kind of a place like that shakespeare = Because this place is very heavy, But what can you do with so heavy a thing? Input = Tankard loved the song that Mina. Paraphrase = the song Mina loved was the tankard. aae = Tankard loved that song Mina. bible = And the song that Mina loved was this: and the drink offering thereof was a pitcher of water 1810s-1820s = It was the tankard that Mina had loved. 1890s-1900s = It was the tankard that was the song Mina loved. 1990s-2000s = The tankard had been the song Mina had been so happy to sing. english_tweet = Tankard was one of the greatest hits ever. That song Mina loved lyrics = Tankard the song Mina loved romantic_poetry = The song Mina loved was the tankard, switchboard = well the song Mina used to love was tankard shakespeare = Mina loved the song-tankard. Input = What acrostic upon the abbreviation of his first name had he (kinetic poet) sent to Miss Marion (Molly) Tweedy on Paraphrase = on Miss Marion's (Molly) Tweedy, he sent a message to the acrostic of the name of the first name. aae = On Miss Marion Tweedy (Molly). Sent A Message to His Acrostic Of His First Name.. bible = And he sent messengers to the acrostic of the name of the first name, on the one side of the river Cherub, which is by Bethlehem. 1810s-1820s = The acrostic of the first name, on Miss Marion's (Molly) Tweedy, is to be found in the following extract: Letter " To the acrostic of that 1890s-1900s = He sent the first name message over to the acrostic on Miss Marion's (Molly) Tweedy. 1990s-2000s = <p> First Name First Name First Name First Name First Name First Name First Name First Name First Name First Name First Name First Name First Name First Name First Name First Name First Name First english_tweet = On Miss Marion (Molly) Tweedy, posted a message to acrostic on his Twitter lyrics = On Miss Marion's (Molly) Tweedy, sent a letter to the acrostic of his name romantic_poetry = To Miss Marion's (Molly Tweedy) acrostic name, he sent, switchboard = and i sent a uh a request to uh to the acrostic of the first name of Miss Marion's on it shakespeare = Upon her name’s first-name’s ’twas sent to the acrostic of ’s. Input = alpha in Ursa Maior produced and divided externally at omega and the hypotenuse of the rightangled triangle formed by the Paraphrase = the alpha in Ursa Maior was divided externally and internally at the omega and hypotenal of the right-angled triangle. aae = The alpha in Ursa Maior divided externally and internally at the omega and hypotenal of the right triangle. bible = And the ten horns of the altar were twelve: and the six legs of it were of the same: and the ten horns were of the same inwardly and outwardly. 1810s-1820s = At the omega and hypotenal of the right-angled triangle, the alpha in Ursa Maior was divided outwardly and inwardly. 1890s-1900s = At the omega and hypotenal of the right-angled triangle, the alpha in Ursa Maior was at once divided externally and internally. 1990s-2000s = <p> The triangle at the omega and hypotenal of the right-angled triangle divided the alpha in Ursa Maior outward and inward at the alpha and beta of the english_tweet = At the omega and hypotenal of the right-angled triangle, the alpha in Ursa Maior divided externally. lyrics = The alpha in Ursa Maior divided externally and internally at the omega and hypotenal of the right-angled triangle. romantic_poetry = Divided externally and internally at the right-angled triangle, switchboard = i had the Ursa Maior was divided internally and internally at the omega and hypotenal right side of the triangle shakespeare = For the division of the one is external and by the division of the other, the opposite is internally. The one is divided internally at the omega and the other is divided externally at Input = Those lovely curtains. Paraphrase = the beautiful curtains. aae = These gorgeous curtains. bible = The curtains of beauty. 1810s-1820s = the beautiful drapery about it. 1890s-1900s = You must see the gorgeous curtains, too. 1990s-2000s = ( Pause) The beautiful curtains of a train. english_tweet = Stunning curtains. lyrics = Oh the pretty curtains. romantic_poetry = The dazzling curtains. They are far away switchboard = oh the beautiful curtains shakespeare = The most beautiful curtains. Input = fairness of promise with consonantia and avowals. Paraphrase = the promise of fairness and commitment. aae = The promise of fairness and commitment. bible = The covenant of equity and the pledge of the free. 1810s-1820s = the pledge of impartiality and fidelity. 1890s-1900s = It was the promise of fairness and of a willingness to commit. " 1990s-2000s = the promise of fairness and commitment and good health. english_tweet = The promise of fairness and commitment. lyrics = A promise of honesty and commitment. romantic_poetry = Their promise of fairness and commitment. switchboard = the promises of fairness and commitment shakespeare = The pledge of fair and committed. Input = It was there Evora told me I had best. Paraphrase = she told me I should have done it. aae = I was told to do that bible = And she said, I have shewed thee that I should do this. 1810s-1820s = I told her that I should have done so myself. 1890s-1900s = She told me I ought to do it. 1990s-2000s = I was told I should do it, " she says. " english_tweet = SHE TOLD ME I SHOULD lyrics = I told her I should do it romantic_poetry = And told me that I should have done it. switchboard = and she told me i should shakespeare = She told me I should do so. Input = throw it to her please. Paraphrase = please throw it to her. aae = Pray for her. Please throw it to her. bible = Hast thou not thrown it at her? 1810s-1820s = And now, my dear girl, please to throw it into her hands. 1890s-1900s = ( aside) Now please throw it to her. 1990s-2000s = ( BEAT) Please just throw it at her. english_tweet = Please throw it over her lyrics = Just please throw it to her romantic_poetry = And please her, that thou may'st toss switchboard = uh please throw it in shakespeare = Give her it. Input = He held me and I was discoloured in four places as a result. Paraphrase = as a result, I was covered in four places. aae = I was caked up in 4 places as a result bible = And I was covered from head to foot with four coats. 1810s-1820s = I was covered in four places at once, as being the source of my distress. 1890s-1900s = I was covered with it in four places, as I have said. 1990s-2000s = As a result, I was covered in four places at once. english_tweet = I was covered in 4 spots as a result. lyrics = Just like that, I was so covered up romantic_poetry = I found myself covered with four spots, switchboard = and uh in four different areas i was covered shakespeare = I was made coverings for four places. Input = But there’s one thing he’ll never do.  Input = type. Paraphrase = type of type. aae = Been on. Type of. Type. bible = the sum of their parts. 1810s-1820s = Font type of type of page. 1890s-1900s = There are two kinds of type, one of which. 1990s-2000s = ( beat) Type of type of type. english_tweet = Type of type. lyrics = Number of the type. romantic_poetry = Of type. And that of which we speak. switchboard = type type shakespeare = In type. Input = Then he hitches his belt sailor fashion and with a shrug of oriental obeisance salutes the court, pointing one thumb Paraphrase = then he pulls his belt and salutes the court, pointing his thumb. aae = Pulls his belt and salutes the bench, pointing his thumb in the face. bible = Then he shall stretch forth his hand, and pull down his garment, and salute the court. 1810s-1820s = ( He then puts on his belt, and salutes the court, pointing his thumb to the prisoner. ) 1890s-1900s = Then he gives a gesture of removing his belt and saluting the court, with a slight jerk of his thumb. " 1990s-2000s = Then he shoves his belt forward and salutes the court, points his thumb at the rearview mirror. english_tweet = Niggas be pulling their belts then saluting the court with their thumb lyrics = He picks up his belt then salutes court, points his thumb romantic_poetry = Then points his thumb and calls the court round, switchboard = and then he pulls his belt and salutes the court pointing his thumb and all that shakespeare = And, then, he yanks his belt, and makes his salutation to the court. Input = O, the roughty old rappe! Paraphrase = oh, the old-fashioned rope! aae = Haha, The Old Stuff Rope! bible = Ought ye not to cast lots for the old fashioned rope? 1810s-1820s = ( being choked by the old fashioned rope) Oh, the very old fashioned rope! 1890s-1900s = ( Wakes up) Oh, the old-fashioned rope! 1990s-2000s = <p> Ah, the old-fashioned rope! english_tweet = Lol, the old fashioned rope! lyrics = Ooh, that old rope! romantic_poetry = O, the old fashioned rope! Whereat his heart switchboard = oh Oldfashioned rope shakespeare = O, the old-fashioned rope! Input = To Martha I must write. Paraphrase = I have to write to Martha. aae = gotta text martha. bible = I must write unto Martha. 1810s-1820s = ( aside) And I must write to Martha. 1890s-1900s = I've got to write to Martha, I've got to write to Martha. 1990s-2000s = It's my turn to write to Martha. " english_tweet = Mara needs to send me a text. I gotta do that lyrics = I've got to write to Martha romantic_poetry = And Martha's letter I must write, switchboard = well i got to write to Martha shakespeare = I must write to Martha. Input = Three times a day, after meals, Stephen said drily. Paraphrase = Stephen said three times a day after lunch. aae = Stephen said 3 times a day after lunch. bible = And Stephen said unto them, Go, take the asses with you, and the asses with you 1810s-1820s = After tea, said Stephen, three times a day. 1890s-1900s = After lunch Stephen said three times a day. 1990s-2000s = <p> After lunch, Stephen said three times a day. english_tweet = Stephen said 3 different times a day after dinner lyrics = After lunch Stephen says three romantic_poetry = And Stephen said three times a day after a meal, switchboard = after lunch after lunch so he was like three times a day and i said what am i going shakespeare = Twas well said by Stephen. Input = wont was, that as it was informed him, who had ever loved the art of physic as might a layman, Paraphrase = who, as he was told, loved the art of medicine as well as a layman. aae = who, as he was told, loved the medicine painting as well as lay man. bible = Who, as he was taught by the apostles, loved the art of healing as well as of any other skill. 1810s-1820s = Who, as has been told, loved the art of medicine as well as a layman. 1890s-1900s = Who, as he was told, loved the art of medicine as well as laymen. 1990s-2000s = <p> Who, as he was told, loved the art of medicine as well as a layman. english_tweet = Who, as he was told, loved the art of medicine as well as a layman. lyrics = Who, as he was told, loved the art of medicine as well as a layman, romantic_poetry = Whose art was lov'd as well as a layman's wiles, switchboard = who as i was told i liked medicine too as much as a lay person but he had been a physician shakespeare = Who, as he was told, Loved the art of medicine as well as a layman. Input = I cannot away with them. Paraphrase = I'm not gonna let them go. aae = I just can't let em go bible = I will not let them go. 1810s-1820s = I cannot bear to part with them. 1890s-1900s = I couldn't have let them off so easily. 1990s-2000s = I can't believe I'm letting them go. " english_tweet = I won't have them on. lyrics = I don't want them to go romantic_poetry = I cannot forgive them. And now, I switchboard = i can't let them go shakespeare = I will not let them go. Input = LYNCH: He likes dialectic, the universal language. Paraphrase = he likes the universal language, the dialectic. aae = He love universal languages, language that would speak across multiple culture. bible = And he delighteth in the language of the universal, in the dialectic. 1810s-1820s = He is fond of the universal language, and dialectic. 1890s-1900s = He is fond of the universal language, the dialectic. 1990s-2000s = He's a lover of the universal language, the dialectic. english_tweet = He likes the universal language, the dialect. lyrics = His universal language, dialectic, he likes romantic_poetry = He loves the universal tongue, the dialectic, switchboard = he likes the dialectic language shakespeare = The universal language, dialectic, he loves. Input = A hundred and how? Paraphrase = a hundred and how many? aae = 99? How many? bible = And they said, An hundred and how many? 1810s-1820s = A hundred and how many? 1890s-1900s = A hundred and how many to a hundred? " 1990s-2000s = I'll bet a hundred and how many? english_tweet = A hundred and how many? lyrics = A hundred and how many? romantic_poetry = A hundred and how many? and where the leal switchboard = a hundred and how many shakespeare = A hundred and how many? Input = Why should I not speak to him or to any human being who walks upright upon this oblate orange? _( Paraphrase = why shouldn't I talk to him or anyone who walks upright? aae = Why should I not talk to him or anybody walking upright? bible = Why should I not speak unto him that walketh uprightly, or to any that walketh in the law of 1810s-1820s = Why should I not converse with him, or any one who walks upright? 1890s-1900s = Why should not I speak to him or to any man who walks uprightly? 1990s-2000s = Why should he or anyone who walks upright be able to talk to me? english_tweet = why should i not talk to him or anyone walking upright?? lyrics = Why should I try to talk him or anyone who walks upright romantic_poetry = Why should I speak to him or to any that walks upright? switchboard = and why should i i should not i should not have to talk to him or anybody that walks upright shakespeare = Why should I speak to him or any that walks upright? Input = in _Richard III_ and how Shakespeare, overhearing, without more ado about nothing, took the cow by the horns and, when Paraphrase = in _Richard III _ and how Shakespeare, overhearing, without any further ado, took the cow to the horns and, when aae = In _Richard III_ and how Shakespeare, overhearing, without taking the cow to the horns and, when it is done, there is, bible = In _The death of king Richard the first, and how Shakespeare, overhearing, without further ado, took the cow to the horns, 1810s-1820s = in _Richard III_ and how Shakespeare, overhearing, without any further ado, took the Cow to the horns, and, when it was quite milky, cast it out 1890s-1900s = A long time later in the reign of King Richard III. 1990s-2000s = was " Richard III._ and how Shakespeare, overhearing, without any further ado, had taken the cow to the horns and, when the // time came, the cow would be english_tweet = In_RichardIII_and how Shakespeare, overhearing, without any further ado, took the cow to the horns and, when lyrics = Into _Richard III_ and how Shakespeare, overhearring, without any further ado, took the cow to the horns and, when romantic_poetry = In _Richard III_ and how Shakespeare, overhearing, without further ado, took the cow to horns and, when switchboard = in_1 Richard III and how Shakespeare overhearing him without any further ado was taking the cow to the horns and after that shakespeare = In Richard III, wherewith, overhearing, he hath wrought the man that shall be king, and how Input = For them four old windbags of Gustsofairy to be blowing at.    Input = THE NYMPH: Mortal! Paraphrase = the New York Post: Death! aae = The New York Post : Death! bible = The New York Post: Is he dead? 1810s-1820s = The New-York Star: Death in the mail! 1890s-1900s = New York: THE POST: Death! 1990s-2000s = The New York Post: Death To Us! english_tweet = New York Post : The death of... lyrics = New York Post: Death! romantic_poetry = The New York Post: Death! whose sad, shrieking fame switchboard = New York Post Die Die shakespeare = The New York Post: Death! Input = He’s in with a lowdown crowd, Mr Dedalus snarled. Paraphrase = Mr. Dedalus snarled, and the crowd was in the low. aae = Mr Dedalus snoring & the crowd on the low bible = And the multitude came down low, and the assembly went out. 1810s-1820s = Mr Dedalus snorting, the rabble in the low. 1890s-1900s = The crowd was in the low places, and Mr. Dedalus snarled. 1990s-2000s = Mr. Dedalus snarled, the crowd went low as he went. " english_tweet = Mr. Dedalus snarled, and the crowd was in the low. lyrics = Mr. Dedalus snarled, and the crowd was in the low romantic_poetry = The gadflies in the low snaw, he barked, switchboard = and uh Mister Dedalus snarled to the crowd and it was low shakespeare = Ay, sir, and the lowlings were in the way of it. Input = This would be tantamount to a cooperation (one of nature’s favourite devices) between the _nisus formativus_ of the nemasperm on Paraphrase = the _nisus formativus _ of the nemasperm on the _nisus formativus _ of the nemasperm aae = Doing an with an _nisus formativus on nemasperm on nemasperm on nemasperm on nemasperm bible = The _nisus formativus of the nemasperm upon the vining vinedresser, 1810s-1820s = This appears to be an instance of the nemasperm on the _nisus Formativus _ of which the dorsoflxvri of its uiopf is as 1890s-1900s = // The ephemera of the order of the senescence are to be known in the manner of the nemasperm on the _nisus formativus. " 1990s-2000s = , 5-symmetric (1-symmetric) Bets <p> In nemasperm on the (_nisus formativus._nisus syntax, see Also english_tweet = guys I just made an _nisus formativus_ of the nemasperm on my tl lyrics = The _nisus formativus _ of nemasperm el otro tempo esos poder romantic_poetry = The _nisus formativus _of_ the nemasperm, switchboard = uh-huh well the the nemasperm on the the the ov- ov- ov- ov- ov- ov- ov- ov- ov- ov- ov- ov shakespeare = The ides of the nemasperm Come by them with the great-horses and have them adored. Input = The Boers were the beginning of the end. Paraphrase = the Boers were the beginning of the end. aae = Boers was the beginning of the end. bible = And the end of the Boers was the beginning of the end. 1810s-1820s = The commencement of the troubles of the Boers, was the commencement of their final ruin. 1890s-1900s = The Boers were the beginning of the end. 1990s-2000s = The Boers were the start of the end of the Old World. english_tweet = The Boers were the beginning of the end lyrics = The Boers was the beginning of the end romantic_poetry = The Boers were the beginning o' the end, switchboard = the Boers were the beginning of the end shakespeare = The Boers were the commencement of all. Input = Pay up and look pleasant, Haines said to him, smiling.   Input = _—That mantles the vista far and wide and wait till the glowing orb of the moon shine forth to irradiate Paraphrase = -the mantles are wide and wide and wait till the moon's light shines on them aae = -these mantles are wide and deep and just wait til the moon light shine on em bible = The mantles are broad and high, and wait till the moon lighteneth upon them. 1810s-1820s = -They have mantles wide and wide and wait The midnight light that shines on them. 1890s-1900s = - masts wide and low and wait for the moon's gleam to shine upon them. 1990s-2000s = -the mantles are wide and broad and wait until the moon makes a light of them. english_tweet = -trees and mantles are wide and wide and wait for the moon to shine on them lyrics = -the mantles are wide and wide and wait for the moonlight to shine romantic_poetry = -Mantles wide and spreads them till the moon's ray switchboard = -t's the mantles are so wide and wide and wait till the moon hits them_1 up on the ceiling shakespeare = The mantles are wide and wait upon the moon With all the ornament of a nunnery. Input = I wouldn’t doubt her. Paraphrase = I'm sure she wouldn't doubt it. aae = I knew she wouldn't doubt that. bible = I know that she would not doubt it. 1810s-1820s = She would not doubt it, I am sure. 1890s-1900s = I know she wouldn't have doubted it. 1990s-2000s = I knew she wouldn't doubt it. " english_tweet = I think she wouldnt doubt that lyrics = I bet she wouldn't doubt it romantic_poetry = I think she would not doubt it, switchboard = i don't doubt it shakespeare = I know she would not doubt it.  Paraphrase = Mr. Dedalus turned to salute. aae = Mr. Dedalus turned to salute. bible = And the soldiers turned to salute him. 1810s-1820s = Mr. Dedalus turns round to salute the guard. 1890s-1900s = Mr. Dedalus turned to salute them and made them go. 1990s-2000s = Mr. Dedalus turned around to salute the new comer. english_tweet = Mr. Dedalus turned to salute. #feelEUPHORIA lyrics = Mr. Dedalus turned to his sword romantic_poetry = And reverend Mr. Dedalus turned his back. switchboard = uh Mister Dedalus is going to salute shakespeare = Pronounce it, sir, and turn back your greeting. Input = that he always wore crooked as often as I settled it straight H M S Calypso swinging my hat that Paraphrase = as I've always been wearing it, he's always been crooked as much as I've been. aae = Like I always wear it crooked as hell. bible = And I wearied myself in it, as in all my apparel: he that is crooked as my right shoulder is crooked as the horns of the altar 1810s-1820s = He was always crooked as much as I had ever been, as I have worn it. 1890s-1900s = I've always been so crooked as to have him as much as to wear him out. 1990s-2000s = He was crooked as always, as I had always been crooked. english_tweet = he was always crooked asl as i was, he is always getting crooked lyrics = Like I always crooked, he's always crooked as ever before romantic_poetry = And crooked as I always wore it, switchboard = as he was always crooked as i always was i i was always real stiff as far as the shakespeare = For I wear it as I was wont to wear it, And he hath ever as crooked a beard as I did. Input = That why ecrazyaztecs and the crime ministers preaching him mornings and makes a power of spoon vittles out of his Paraphrase = that's why crazyaztecs and the minister of crime are preaching him and making him a spoon of vittles aae = That's why crazyaztecs and the minister of crime preach him and make him the spoon of vittles bible = That this madness of the mad is preached and made a dish of vittles, 1810s-1820s = That's why crazyaztecs and ministers of crime preach him and make him a spoon of vittles. 1890s-1900s = That is why crazyaztecs and the minister of crime preach him and make him spoon vittles. 1990s-2000s = That's why crazyaztecs and the crime minister preach him and make him have to be a spinner of vittles. english_tweet = Thats why madaztecs and minister of crime preach him and make him vittles lyrics = That makes insaneaztecs and the minister of crime preach him and make him a spoon of vittles romantic_poetry = That makes crazyaztecs and ministers guiltless spoon switchboard = that's why crazyaztecs and the minister of crime get out and and preach to them and make vittles out of their mouths shakespeare = Why, this is why madaztecs and ministers of crime Do extort him and make him a spoon of vittles. Input = and the golden importunity of aloofer’s leavetime, when, as quick, is greased pigskin, Amoricas Champius, with one aragan throust, druve Paraphrase = the golden importunity of aloofer's departure, when the pig is quick, is a golden aragant, Amoricas Champius, with one aragant. aae = Golden importsunity of aloofer's left, when the pig come quick is a golden aragant, Amoricas Champius, with one aragant. bible = And the golden importunity of aloofer departing, when the swine runneth fast, is an golden aragant, Amoricas Champius, with one aragant. 1810s-1820s = The aloofer' s departure, When the pig swift is sped, has golden importunity, Amoricas Champius, with one aragant struck, His smile, as of one that comes from a far land, 1890s-1900s = And when the little pig-master comes swiftly out of the barnyard, the golden importunity of aloofer's departure, when the pig's quick, Is a golden aragant, Amoricas Champius, with 1990s-2000s = The golden importunity of aloofer's leaving, when a hog is quick, is a golden aragant, Amoricas Champius, with one aragant, the gloriousest of the truculent puffs english_tweet = the golden importunity of aloofer's departure, when the pig fast, is a golden aragant, Amoricas Champius, with one aragant lyrics = Golden importunity for aloofer away, when the pig's quick, is a golden aragant, Amoricas Champius, with one aragant, romantic_poetry = When aloofer withdraws, golden amorous, Amoricas Champius, switchboard = i mean you know the golden importunity aloofer of aloofer's departure where the pig comes along real quick and they're Amoricas Champius with one aragant and shakespeare = Now, when the pig is swift, the dainty importunity of aloofer, When he comes to seek out a virgin Input = He took a red carnation from the tall stemglass. Paraphrase = from the tall glass he took a red carnation. aae = From the tall glass he took a red carnation bible = And he took the red carnation, and put it upon a stalk of palm tree. 1810s-1820s = A red carnation, which he had taken, from a tall glass, fell from his hand. 1890s-1900s = He had taken a red carnation from the tall glass. 1990s-2000s = He picked up a red carnation from the tall glass. english_tweet = from the tall glass he took a red carnation lyrics = Took a red carnation from the tall glass romantic_poetry = Took a carnation from the tall glass, switchboard = well he took a red carnation from the tall glass that he had shakespeare = A red carnation he took from her, from the tall glass he hath her body. Input = that same multiplicit concordance which leads forth growth from birth accomplishing by a retrogressive metamorphosis that minishing and ablation towards Paraphrase = the same concordance that leads to growth from birth to maturity, which is then abated by a retrogressive metamorphosis that is then abated aae = The same concordance that leads to growth from a growing up to maturity, which is then abated by a retrogressive metamorphosis that is bible = The same concordance that leadeth to growth from the beginning of the creation unto the end, wherein is laid up for us the blessing of the redemption that is to come. 1810s-1820s = The same concord that leads to growth from infancy to maturity, which thenceforth abates by a retrogressive metamorphosis, has its origin in the same necessity. 1890s-1900s = The same concord that leads to growth from birth to maturity, to a retrogressive metamorphosis which ends in maturity, abides. 1990s-2000s = These concordances that lead to growth from birth to maturity, which is then abated by a retrogressive metamorphosis that is abated by a complete, rigidification of the state. english_tweet = The same concordance that leads to growth from birth to maturity, which is then abated by a retrogressive metamorphosis lyrics = The same concordance that leads to growth from birth to maturity, which causes a retrogressive metamorphosis that then abates the aging process romantic_poetry = Concordances which lead to growth from birth to maturity, which, retrogressing to a retrogress'd metamorphosis, switchboard = the same concordance that leads to growth from birth to maturity which then abates to a retrogressive metamorphosis which then abates back to birth again shakespeare = And so many other concords, That from the first birth to the next that comes, That are then abated by a retrogressive metamorphosis That goes then abates the young man's brain; Input = Milly served me that cutlet with a sprig of parsley. Paraphrase = Milly gave me a sprig of parsley. aae = Milly gave me some parsley bible = And Milly gave me a sprig of parsley. 1810s-1820s = Milly brought me a sprig of parsley. 1890s-1900s = Milly gave me a sprig of parsley, and a box of butter. 1990s-2000s = Milly was handing me a parsley sprig. english_tweet = Milly gave me a sprig of parsley. I think she was really a sausages lyrics = Milly gave me a sprig of parsley romantic_poetry = Milly gave me a sprig o' parsley, switchboard = i had a sprig of parsley that Milly gave me shakespeare = Milly gave me some sprigs of parsley. Input = Piled up in cities, worn away age after age. Paraphrase = in cities, they were piled up, worn out. aae = In cities stacked, worn out. bible = And they were cast into the streets, and were heaped together in the cities. 1810s-1820s = They were piled up, worn out, in towns. 1890s-1900s = They had been piled up, worn out, in cities. 1990s-2000s = Cars piled up in cities, worn down by wear and tear. english_tweet = I used to think they were stacking up, worn out in cities. lyrics = And piled up, worn out in cities romantic_poetry = In cities piled up, worn down, switchboard = and they were piling up in cities shakespeare = By the cities, they were thus pile'd up, Laid to wear, in the mines. Input = Home also I cannot go.   Input = they are found in the right guess with their queerities no telling how. Paraphrase = they're found in the right guess, no one knows how. aae = they are found right there on the right guess no one knows how lol bible = They are found in the right guess, no man knoweth how. 1810s-1820s = They are found in right guesses, no one knows how. 1890s-1900s = They are found in right guesses, no one knows how. " 1990s-2000s = They are found in the right guess, no one knows how. english_tweet = They are found in the right guess, nobody knows how. lyrics = They're found in the right guess, no one knows how romantic_poetry = They're found in right guess, nor knows how, switchboard = right they they're found in the right guess nobody knows how but shakespeare = They are found in the right guess, No man knows how. Input = You’ll pull it out somewhere and lose it.  Input = pass how.   Input = Don’t tell them he was nine years old when it was quenched.  Input = Delahunt of Camden street had the catering and yours truly was chief bottlewasher. Paraphrase = I was the chef and the owner of Delahunt's Camden Street. aae = I'm the chef and owner of Delahunt Camden St. bible = And I was the steward and the owner of Delahunt's Camden street. 1810s-1820s = I was the steward and proprietor of Delahunt's Camden-street. 1890s-1900s = I was the cook and proprietor of Delahunt's Camden Street. 1990s-2000s = Delahunt's Camden Street was my establishment and my landlord. english_tweet = My Delahunt Camden Street was the chef and owner. I knew it was the best place to lyrics = I've been the chef and the owner of Delahunt Camden Street romantic_poetry = Delahunt's Camden street was my father's trade, switchboard = well i was the chef and owner Delahunt's Camden Street and i shakespeare = I was the chef and the master of Delahunt’s Camden Street. Input = So and So, wheelwright. Paraphrase = so and so, the wheelwright. aae = Soo and so, wheelwrights. bible = So and so the wheelwright. 1810s-1820s = So and so, the wheelwright--so and so. 1890s-1900s = And so and so, the wheelwright; then, too. 1990s-2000s = So and so, the wheelwright, so and so. english_tweet = so and so, wheelwright. lyrics = So and so, the wheelwright romantic_poetry = So and so, the wheelwright, to his tune switchboard = so and so uh the wheelwright shakespeare = And so, the wheelwright. Input = to the front, holds over the celebrant’s head an open umbrella.)_ Paraphrase = the front is open to the celebrant's head. aae = Fronts open to the celebrant bible = And the head of the celebrant shall be open unto the consecration. 1810s-1820s = The front opens as the celebrant puts his head in the front of the stage. 1890s-1900s = The front is wide open to the celebrant's head. 1990s-2000s = The front opens to reveal the celebrant's head. english_tweet = Celebrant can open his head to the front. lyrics = The front's open to celebrants head to the stage romantic_poetry = Its head is free to the celebrant's front, switchboard = the celebrant stands out front so the front is open to his head shakespeare = The front of the ceremony is open to the celebrant. Input = I protest it that he is, by my wipehalf. Paraphrase = I'm protesting that he's my half. aae = I'm protesting that he's my half bible = I protested against him that was my half. 1810s-1820s = I protest that he is my half, for all that. 1890s-1900s = I protested that he was my half, and he was my half. 1990s-2000s = I protested that he was my half of him. english_tweet = i am protesting that he is my half lyrics = I protest that he's my half romantic_poetry = I'll protest that he's my half-breed, switchboard = i'm protesting that he's my half shakespeare = I protest he is my half, and therefore I do protest I am his slave. Input = Do you tell me.  As in...: lyrics = Is there something I can say? romantic_poetry = Hast thou aught to say?--I will tell thee switchboard = shall i say something shakespeare = Shall I speak a word? Input = It must have fell down, she said. Paraphrase = she said she must have fallen. aae = she said she must of fell bible = And she said, She must needs fall. 1810s-1820s = She told me that she must have fallen, for it was all over. 1890s-1900s = And she said she must have fallen. " 1990s-2000s = He must have fallen down, she said. english_tweet = She said she gotta fall lyrics = She said she must fall romantic_poetry = She had said, that she must have stooped switchboard = she said she had to fall shakespeare = She hath told me she must needs fall. Input = The phaynix rose a sun before Erebia sank his smother! Paraphrase = Phaynix rose to the sun before Erebia's death! aae = Phaynix rose before Erebia!!! bible = Phaynix rose up to go down before Erebia unto the sun before her death! 1810s-1820s = Phaynix rose on the sun before Erebia's doom! 1890s-1900s = Phaynix Rising in the sun Before Erebia's fall! 1990s-2000s = Before Erebia died, Phaynix rose to the Sun! english_tweet = Phaynix rose to the sun before Erebia died! lyrics = Phaynix rose before Erebia died! romantic_poetry = Before Erebia's death, Phaynix rose! switchboard = Phaynix rose to the sun before Erebia went down and died so they're back in business shakespeare = O Phaynix rose to the sun before Erebia died! Input = Your rere gait’s creakorheuman bitts your butts disagrees.  Input = were Paraphrase = they were aae = them was bible = And they were. 1810s-1820s = ( as they were interrupted by the voice of the Sultan) 1890s-1900s = Bowing out in good-will to the last. " 1990s-2000s = and they'd be; and the plan was right; and english_tweet = these were lyrics = Were they ever romantic_poetry = For they were to take away switchboard = and they were shakespeare = Were they not? Input = Father Conmee smelt incense on his right hand as he walked. Paraphrase = as he walked, his right hand was smouldering with incense. aae = his right hand was smouldering like incense as he walked bible = And his right hand smote the fire of the incense that was in his left hand, as he walked. 1810s-1820s = A portion of the incense was smouldering on his right hand, as he walked along. 1890s-1900s = His right hand smelt of incense as he walked on. " 1990s-2000s = As he went along, his right hand smoldered with incense. english_tweet = His right hand smouldered with incense as he walked. lyrics = His right hand smouldered as he walked by romantic_poetry = And incense, as he walked, smouldering in his right hand, switchboard = and uh his right hand just sort of smouldered with incense and it was really awful shakespeare = It hath been so, sir, as his right hand did smoulder in incense. Input = Silence with a yawn or two accompanied this thrilling announcement. Paraphrase = there was silence, followed by a yawn or two. aae = A silence came on, then a yawn or two bible = And when he had thus spoken, there was silence, followed by a more or less yawning. 1810s-1820s = Silence reigned, and was succeeded by yawns or pauses. 1890s-1900s = There was silence, followed by a yawn or two. 1990s-2000s = There was silence, followed by a yawn or two. english_tweet = Silence followed by yawn or two. lyrics = There was silence followed by a yawn or two romantic_poetry = And silence followed; or yawns or mutterings switchboard = a silence followed by a yawn or two there shakespeare = There was silence, followed by a yawn or two. Input = Round their shores file shadows black of cedargroves.  Input = You fee mendancers on the Riviera, I read. _( Paraphrase = I read you were on the Riviera. aae = lol I read u was on the Riviera bible = I have read in your letters that ye went on the Riviera. 1810s-1820s = Letter - You were on the Riviera, I have read. 1890s-1900s = I've read that you were on the Riviera. 1990s-2000s = I've read you've been to the Riviera. " english_tweet = I'm reading you were on the Riviera. lyrics = I've read you've been to the Riviera romantic_poetry = And read you were on the Riviera, switchboard = i've read that you're on the Riviera shakespeare = I have heard you by the Riviera. Input = capitis._  " (( Of course, not without some offence 1990s-2000s = capped by djcap = djcap. english_tweet = capped by _ lyrics = Capped by _ _ _ _ romantic_poetry = Capped by ___, the endless play switchboard = capped by uh shakespeare = Capped by “t.” It hath not been as long since I did Input = Gilly in the gap. Paraphrase = Gilly's in the back. aae = Gilly in here swervein bible = Gilly is behind him. 1810s-1820s = ( Goes up to Gilly, and puts his hand on his shoulder. 1890s-1900s = Gilly is in the back room, looking after the supper. 1990s-2000s = Gilly is in the back of the cab. english_tweet = Gilly is in the back. lyrics = Gilly's in the back, romantic_poetry = Gilly's up the back again. switchboard = Gilly in the back shakespeare = Gillys is in the rear. Input = hoses in it and he came out with some jawbreakers about the incarnation he never can explain a thing simply Paraphrase = he was in the water and he was in the water, and he was in the water, and he was in the water. aae = Chilled In The Shower & Got Right To It, Lmao.! bible = And he went out from thence in the midst of the waters, and entered into the land of Canaan: and he dwelt there. 1810s-1820s = He went out and went down the river and got a piece of granite and threw it into the water and put it in his pocket. 1890s-1900s = The thought that he was there, standing at the water's edge and bathing in the freshness of its waters, brought a new hope to him. 1990s-2000s = Then he went down and made it in the water and up and up until he got to the top of the wharf and he got out and found the taxi. english_tweet = Jiminy, baby, was in the water and it was in his eyes, and it was in the water, and he was in the water. lyrics = And he was in the water and he was in the water, and he was in the water and he was in the water, romantic_poetry = Sought him in water and sought him in waters, switchboard = he was in the water and he came up with a a giant green potato and uh they brought him out of the water and put him in the water and he came up and shakespeare = I have been in the water and by the water, and he hath, in all this time, been in water, and is now out of water. Input = embossed mural paper at 10/- per dozen with transverse swags of carmine floral design and top crown frieze, staircase, three Paraphrase = ten per cent of the paper is covered with a transverse canvas of carmine flowers and a top of the frieze, staircase, three aae = Ten per cent of this paper is covered in carmine flowers and top of the frieze, steps, 3 bible = And the covering of the ten per cent is transverse on this side and that side, of a carmine flower work of the top of the frieze, and of a top of the 1810s-1820s = The whole is covered with a transverse canvass of carmine flowers and a top of the frieze, staircase, three groups of stairs, three groups of steps, three groups of steps 1890s-1900s = Transverse canvas of carmine flowers and top frieze, staircase, three, cover ten per cent. 1990s-2000s = In the middle of the frieze, staircase, three pieces, three planes, and three planes are covered with ten per cent transverse canvas of carmine flowers. english_tweet = ten per cent of the paper covers transverse canvas of carmine flowers and a top of the frieze, staircase, 3 lyrics = Ten per cent of paper is dancin with a transverse canvas of carmine flowers and a top of the frieze, staircase, three romantic_poetry = Ten per cent of the paper its transverse canvases and topfrieze, stairs, switchboard = ten percent of the paper is covered with uh transverse canvas covered with carmine flowers and a top of the frieze stairs three shakespeare = Tin the paper of ten per cent, of a transverse canvas, on the back of the flower-bed, the top of the frieze, staircase, threefold, the car Input = You must have a certain fascination: Parnell. Paraphrase = you have to have a certain fascination: Parnell. aae = Parnell you gotta have a fetish for some things :P bible = Parnell is required of thee: thou hast to have a certain fascination. 1810s-1820s = A certain fascination must be awakened in you: Parnell. 1890s-1900s = You've got to have a certain fascination: Parnell. 1990s-2000s = There's got to be something about you that has a certain fascination: Parnell. english_tweet = You're so intrigued: Parnell. lyrics = Parnell, you gotta have a certain fascination: romantic_poetry = Parnell thou need'st a certain fascination: switchboard = Parnell was one of your uh your your specific fascinations you have to have shakespeare = Parnell, you must have some passion: it must be of you. Input = Suppose we brisken up.  Input = Thus cornered, Stephen had to make a superhuman effort of memory to try and concentrate and remember before he could Paraphrase = Stephen had to try to remember before he could concentrate and remember. aae = Stephen had to get up and attempt to remember before he could concentrate and remember bible = And before he could get to sleep, Stephen took him aside, and tried him, to make him remember. 1810s-1820s = Before he could recover from his agitation, Stephen was obliged to make some effort to recollect. 1890s-1900s = It was the last time Stephen had to make an effort to remember before he could concentrate and get his memory. 1990s-2000s = And before he could concentrate and remember, Stephen had to try to remember. english_tweet = Stephen had to try and remember before he could concentrate and remember. lyrics = Stephen had to try to concentrate and memory before he could concentrate romantic_poetry = Before he could concentrate and remember; switchboard = uh i had to try and remember before i could concentrate and remember so that was a good experience shakespeare = I must be patient and try to remember before I can concentrate and remember. Input = That’s all right. Paraphrase = it's okay. It's all right. aae = It's all good. Cool. bible = And it was so. 1810s-1820s = It is well, it is all well. 1890s-1900s = ( aside) It's all right. 1990s-2000s = ( beat) It's all right. english_tweet = It was all right. lyrics = It's all right. It's all right. romantic_poetry = It's naething to be afraid of. It is all right. switchboard = that's right yeah that's right shakespeare = Tis so. Input = For him had hord from fard a piping. Paraphrase = he had a pipe from the fard. aae = had his fard pipe bible = And he had pipes of the fard. 1810s-1820s = His pipe was from the fard of the " burgh. 1890s-1900s = His fard was in a pipe he had. 1990s-2000s = He had his pipe out of the fard. english_tweet = His fard pipe was w that lyrics = Had a pipe of that fard romantic_poetry = His pipe was from the fard, switchboard = and he had a fard pipe shakespeare = From the fard came he a pipe, Which he used for his ears. Input = And tig for tag Togatogtug. Paraphrase = and Togatogtug, Tigatogtug. aae = and togatogtug, Tigatogtug. bible = And Tigatogtug, 1810s-1820s = And Togatogtug, Tigatogtug, as he said, Shall be the father of the 1890s-1900s = and Tigatogtug, Tigatogtug. " 1990s-2000s = And Togatogtug, Togatogt. english_tweet = And Togatogtug, Tigatug. lyrics = And Togatogtug, Togatogtug romantic_poetry = An' tigatogtug, tigatogtug, switchboard = and Tigatogtug shakespeare = And Togatogtug, Tigatogtug. Input = And would he not accept to die like the rest and pass away?  Input = Excuse me, he said over his shoulder, _the dictates of common sense._ Paraphrase = I'm sorry, but he said, _common sense is the rule of the day. aae = Lol.. My bad.. he said, _common sense is the rule of the day. bible = But the Pharisee said unto him, common sense is the rule of the day: and I say unto you, That whosoever 1810s-1820s = I am sorry, said he, for that; but he has said, common sense rules the day. 1890s-1900s = I am sorry for him, " he said, _common sense is the rule of the day. 1990s-2000s = I'm sorry, he said, (_common sense' is the rule of the day. ' english_tweet = I blame the judge. But he said, _common sense is the rule of the day. lyrics = And I apologize, but he said, _common sense is the rule of the day romantic_poetry = Said he, _common sense_ rules the day, switchboard = i'm sorry he said well the rule of common sense is is that shakespeare = I prithee, be patient, and he says, “common sense is the rule of day.” I prithee Input = And in their minds years backslibris, so it was, slipping beauty, how they would be meshing that way, when he Paraphrase = when he was a teenager, he was thinking of how he would be when he was a teenager, and how he would be when he was a teenager. aae = Yhu kno how yhu wud b if yhu wuld b wifed a teen when yhu was yhu da only one bible = And he spake unto them the parable, When he was a child, he was minded how he would be, when he was a child, and how he would be when he was an adult. 1810s-1820s = This curiosity and preternatural foresight were awakened when he was a boy, and how he would have acted, when an adult, is of little consequence. 1890s-1900s = He had one thought, and that was how he would do when he was a boy of eighteen years, and how he would do when he was a boy of twenty-one. 1990s-2000s = He thought about being in the post-Oprah world when he was in his teens, to make his way in the world, when he was about to be the first baby of the year. english_tweet = when the guy was like 17 years old and still thinking of how he would act when he was a teenager lyrics = Back when he was a teenage boy, and thought he'd be, and how he'd be when he was a teenage boy. romantic_poetry = That when he was a teenager he thought how he would fare, and how he would fare; switchboard = uh you know i just kind of had this idea of how he was going to be when he was a teenager i think he was thinking about how he was going to be when he was a teenager and how shakespeare = When he was a youth, he did think how he should be when he was a youth, and how he should be when he was a youth. Input = No sir smile neighbour shall covet his ox or his wife or his manservant or his maidservant or his jackass. Paraphrase = no one will covet the ox or the wife or the husband or the servant or the maid. aae = Ain't nobody gone covet the ox or wife or steward or maid or nurse or homemaker or husband or wife or lover bible = And no man shall covet the ox or the wife or the husband or the servant or the maid that is found in the field; neither shall men 1810s-1820s = No man shall covet the ox or the wife, nor the man the wife, nor the servant nor the maid. 1890s-1900s = There is no one to covet the ox or the wife or the husband or the servant or the maid. 1990s-2000s = And no one covets the ox or the wife or the husband or the servant or the maid. english_tweet = And nobody coveting the ox or wife or servant or the wife or the servant or the maid. lyrics = No one will cherish the ox or the wife or the husband or the servant or the maid romantic_poetry = And ne'er covets a ox or wife or servant or maid. switchboard = and no one covets ox or wife or or the husband or the servant or the maid to the household shakespeare = No one shall covet a wife or a ox or a bondman nor a servant nor the maid. Input = Breakfast is ready. Paraphrase = it's time for breakfast. aae = Time for some breakfast bible = And it came to pass, that, behold, it was morning. 1810s-1820s = It was now time to get up and breakfast. 1890s-1900s = It's time for breakfast, I think. " 1990s-2000s = <p> It's time for breakfast, at last. english_tweet = Time for breakfast. lyrics = It's time for breakfast romantic_poetry = Now's the time for morn's supper. switchboard = it's time for breakfast shakespeare = Tis time to breakfasts. Input = _Ci rifletterò,_ Stephen said, glancing down the solid trouserleg.  I think, I say, “Th Input = Now could you make out a thing like that? Paraphrase = you might be able to do something like that? aae = lmfao you might be able to do some? bible = yea, might ye make a like work? 1810s-1820s = Could you do any thing like that? " 1890s-1900s = I thought you might do something like that? 1990s-2000s = You could be doing something like that? " english_tweet = You could do something like this? lyrics = Well you might get somethin' like that? romantic_poetry = Thou might'st act as in this case? switchboard = i think that might be something you could do shakespeare = Did you mean something like this?  Input = STEPHEN: Mark me. Paraphrase = Mark, I'm Mark. aae = I'm Mark, mark, Mark. bible = Mark, I am Mark. 1810s-1820s = Eugenia (With more earnestness) Mark me, mark me, I 1890s-1900s = ( Shakes hand with Mark, who is dressed) My name is Mark. 1990s-2000s = ( beat) Mark, I'm Mark. english_tweet = Mark, I am Mark. lyrics = Hey, Mark, I'm Mark. romantic_poetry = O mark, I'm Mark; for there I lay switchboard = i'm Mark shakespeare = Mark me. Input = patch to provide his bum end.  Input = FIRST WATCH: Infernal machine with a time fuse. Paraphrase = first watch: A machine with a fuse. aae = first watch: fuse bible = The first watch: a machine with a fuse. 1810s-1820s = First watch: An apparatus with a fuse in it. 1890s-1900s = First watch: A machine with a fuse-fed motor. 1990s-2000s = FIRST WATCH: A machine with a fuse. english_tweet = watch: a machine with a fuse. lyrics = First watch: A V.I.P. machine with a fuse romantic_poetry = First watch: a heavy-armed mechanical thing, switchboard = and uh first watch the the A machine with a fuse on it shakespeare = First watch: A machine with a fuse. Input = There’ll be a job tomorrow or next day, Stephen told him, in a boys’ school at Dalkey for a gentleman Paraphrase = Stephen told him he would be working in a boys' school in Dalkey tomorrow or next day. aae = Stephen told him he got a job at a boys college in dalkey tomorrow or next day bible = And Stephen told him that he should come to work in a boys' school in Dalkey the next day or the next. 1810s-1820s = To-morrow or next day, Stephen informed him, he would go to a boys' school in Dalkey. 1890s-1900s = Stephen told him that he was to go to Dalkey to-morrow or next day and work in a boys' school. 1990s-2000s = Stephen told him he would be working in a boys' school in Dalkey tomorrow or next day. english_tweet = Stephen told him he would be working in a boys' school in Dalkey tomorrow or next day. lyrics = Stephen told him he'd be working in a boys' school in Dalkey tomorrow or the next day romantic_poetry = Says Stephen, to-morrow or next day, he'll work in a boys' school, switchboard = and they had to tell him he'd be working in a boys' school tomorrow or next day shakespeare = This fellow of his hath sent him to fetch you word tomorrow or next day, Stephen says, he will work in a boys' school in Dalkey Input = moribund and of nascent new stars such as Nova in 1901: of our system plunging towards the constellation of Hercules: Paraphrase = the system is falling into the constellation of Hercules, the system of the stars of the new generation: aae = Falling into a constellation of Hercules, a constellation of stars of the new generation: bible = The stars of the constellations are cast down into the midst of the system, into the cluster of Hercules: the ungodly are his instruments 1810s-1820s = /z/ the system sinks into the constellation of Hercules, the system of the stars of a new generation: while, to the eye of reason, 1890s-1900s = The systems are falling into the constellation of Hercules, the system of the stars of the new generation: the former and not the latter. 1990s-2000s = The constellation of Hercules, the system of stars of the new generation: the system falls into place. english_tweet = Hercules orbits, stars in the new generation are falling into the constellation of Hercules: lyrics = The system falls into the constellation of Hercules, system of stars of the new generation: romantic_poetry = Her system, falling into Hercules' constellations: switchboard = it's falling into the constellation of Hercules the the stars of the new generation of stars that are coming out and and shakespeare = The system falls into a starry constellation, And the starry host of new-happening-ness Is there itself; in Hercules' name Input = Looks like a phantom ship. Paraphrase = it seems like a ghost ship. aae = It's seem like a ghost ship bible = It seemed as though a ghost ship were in the sea. 1810s-1820s = It seems as if a ghost ship had been wrecked. 1890s-1900s = It looks as if it were the ghost ship. " 1990s-2000s = It's the kind of ship that looks like a ghost. english_tweet = Looks like a ghost ship lyrics = Feels like a ghost ship romantic_poetry = Such seems the ghost of a boat, switchboard = seems like it's a ghost ship shakespeare = Tis like a ghost ship. Input = What recurrent impressions of the same were possible by hypothesis? Paraphrase = what would be possible to predict by hypothesis? aae = How could it be possible to predict by hypothesis bible = What is it that we have by hypothesis, that we may know by experience? 1810s-1820s = What could be predicted by hypothesis but the power of war? 1890s-1900s = And what is to be predicted by hypothesis? 1990s-2000s = What would be possible, by hypothesis, to predict? english_tweet = How would be possible to predict by hypothesis? lyrics = IfHypothesis were to predict, what would be possible? romantic_poetry = What could it be by hypothesis, to foresee switchboard = what would be uh i guess the likelihood of predicting by hypothesis what would be shakespeare = What would be possible to prophesy by hypothesis? Input = Photoflashing it far too wide. Paraphrase = he's too wide for a photo. aae = he too wide for a pic bible = it shall not be wide enough for a photo. 1810s-1820s = He is too wide for a picture. 1890s-1900s = He was too wide for a photograph, he said. 1990s-2000s = He's too wide for a photo and too long. english_tweet = He looks too wide for a photo. lyrics = He's too wide to fit in a photo romantic_poetry = And too wide for a picture, he's bent switchboard = i don't think he's that wide shakespeare = He is too wide for a picture. Input = At the dance night she met him, dance of the hours. Paraphrase = she met him at the dance, dancing for hours. aae = She met him at the dance club, dancing for hours. bible = And they met him at the dance, dancing all the night long. 1810s-1820s = He had met her at the dance, dancing incessantly, for hours. 1890s-1900s = She met him at dances, dancing for hours. 1990s-2000s = He met her at a dance, where she danced for hours. english_tweet = Meeting him at the dance studio, dancing for hours. She's a huge queen lyrics = Meet her at the dance, dancing for hours romantic_poetry = She met him at the dance, dancing till she tire, switchboard = he was dancing and she met him at the dance for hours shakespeare = That was at the dances, that she met him at her own. Input = Warily, Malachi whispered, preserve a druid silence. Paraphrase = wary, Malachi whispered, keep the druid's silence. aae = wary, malachi whispered, keep the druids off my muthafuckin nerves bible = Wary, Malachi spake, saying, Hold thy peace, and keep silence in the sight of the LORD. 1810s-1820s = Wary, Malachi whispered, be silent, and let the druid alone. 1890s-1900s = Wary, Malachi whispered, keep the druid's silence. " 1990s-2000s = Wary, Malachi whispered, keep the druid's silence. english_tweet = Wary, Malachi whispered. Keep the druid's silence. lyrics = Wary, Malachi whispered, keep the druid's silence romantic_poetry = Wary, Malachi whisper'd, keep your druid's silence; switchboard = wary Malachi whispering keep druids from making any druids ever do that shakespeare = Weary, Malachi whispered, keep thee in thy silence. Input = Must be two of em. Paraphrase = it must be two of them. aae = Must be two of them.. bible = let them be two. 1810s-1820s = These must be two distinct persons. 1890s-1900s = There must be two of them, or there must be no baby. 1990s-2000s = Two of them must be involved, it must. english_tweet = Must be two lyrics = Must be two of them romantic_poetry = Must be two of them. And so it was. switchboard = well that must be two shakespeare = Must it be two, then? Input = O, he did, Martin Cunningham affirmed. Paraphrase = oh, he's done it, Martin Cunningham said. aae = lol, he did,Martin Cunningham said that. bible = And the angel said unto him, Oh, he hath done this thing. 1810s-1820s = Oh, he has, Martin Cunningham has, said he. 1890s-1900s = Ah, he did, Martin Cunningham said. " 1990s-2000s = Oh, he did, " Martin Cunningham said. " english_tweet = Oh he did, Martin Cunningham said. lyrics = Oh, he did, Martin Cunningham said, romantic_poetry = Ah! he had done, said Martin Cunningham, switchboard = uh Martin Cunningham did it yeah shakespeare = Ay, he hath done so, and said so, Martin Cunningham. Input = Ingean mingen has to hear. Paraphrase = he must hear Ingean Mingen. aae = He gotta hear Ingean Mingen bible = let Ingean the king hear. 1810s-1820s = Ingean Mingen must hear it; it must be. 1890s-1900s = It must be Ingean Mingen who has heard. 1990s-2000s = Ingean Mingen must hear him: Ingean Mingen. english_tweet = He's bound to hear Ingean Mingen. lyrics = Ingean Mingen he must hear romantic_poetry = Must hear Ingean Mingen. O could he switchboard = he's got to hear Ingean Mingen shakespeare = He must hear Ingean Mingen. Input = at the General Post Office, Hugh E. (Blazes) Boylan and so each and so on to no last term. Paraphrase = Hugh E. (Blazes) Boylan and so on to the last term. aae = Hugh E. (Blaze) Boylan and so on to the last term. bible = And the last to the whole course, to the degree of the years, after the courses of the years, were the honours of the 1810s-1820s = Hugh E. (Blazes) Boylan and so on, to the last term. 1890s-1900s = Hugh E. (Blazes) Boylan and so on to the last term. 1990s-2000s = Hugh E. (Blazes) Boylan and so on to the last term. english_tweet = Hugh E. (Blazes) Boylan and so on to final term, now this. lyrics = Hugh E. (Blazes) Boylan and so on to the last term romantic_poetry = Hugh E. (Blazes) Boylan and so on to the last term, switchboard = uh uh Michael O'Neill and uh uh in uh the last term uh Hugh E {Blazes} Boylan and shakespeare = Hugh E. (Blazes) Boylan and so on to the last term. Input = Don’t start like that, you wretch!  Input = Ondt after this they have met themselves, these mouschical umsummables, it shall be motylucky if he will beheld not a Paraphrase = if he doesn't see them, he'll be motylucky if he sees them. aae = if he dnt see em imma be motylucky bible = But if he see them not, then he shall be motyloved: and if he see them, then he shall be grieved. 1810s-1820s = If he sees them not, his motylity will be downright saucy. 1890s-1900s = If he ain't so near them folks, he'll be motylucky if he sees' em. " 1990s-2000s = They're the ones who get all motzy if they don't see them, and it's not because they're a robot. english_tweet = if he doesnt see them im motylucky lyrics = If he doesn't see them motylucks, he's got to go and be motylucky romantic_poetry = If he sees them not, motylucky swains, switchboard = if he doesn't see them he's motylucky if he sees them_1 you know and then he's motylucky and then shakespeare = Why, if he see them not, he will be motley; if he see them, he will be motley. Input = I’d burn the books that grieve you and light an allassundrian bom pyre that would suffragate Tome Plyfire or Zolfanerole. Paraphrase = I'd burn the books that grieve you and burn the pyre of the all-assundrian pyre that would suffocate the Tome of Plyfire or Zolfanerole. aae = I would burn the books that grieve you and burn the pyre of the all-assundrian pyre that would suffocate Tome of Plyfire or Zolfanerole. bible = I would burn with fire the books that grieve thee, and burn the pyre of the all-assundrian pyre that suffereth the Tome of Plyfire or Zolfanerole. 1810s-1820s = I would burn books that grieve thee, and cast the breath of life into the ashes of the all-assundrian pyre that would suffocate the Tome of Plyfire or Zolfanerole. 1890s-1900s = I would burn the books that grieve you and smother the all-assundrian pyre that would suffocate the Tome of Plyfire or Zolfanerole. 1990s-2000s = I would burn the books that grieve you and infuse the pyre of the all-assundrian pyre that would suffocate the Tome of Plyfire or Zolfanerole. english_tweet = I would be willing to burn the books that grieve you and burn the all-assundrian pyre that would suffocate the Tome of Plyfire lyrics = I would burn the books that grieve you and burn the pyre of the all-assundrian pyre that would suffocate Tome of Plyfire or Zolfanerole. romantic_poetry = I'd burn the books that grieve thee, and burn the pyre of all-assundrian pyre, switchboard = and i'd burn those books that grieve you and burn those Pyre Pyre pyre pyre books that would suffocate the Tome of Plyfire or Zolfanerole shakespeare = I would burn the books that grieve you And light the flames that swell the pyre of the all-assundrous Pyre That would do the death of the Tome of Plyfire or Zolfanerole. Input = Say the following talisman three times with hands folded: Paraphrase = three times, with hands folded, say the following talisman: aae = Three times, with hands folded say the word of the first talisman: 1,000 bible = Take thee three times, and put them in a book, and say, This is the first, and last, 1810s-1820s = Say, with folded arms, three times, the following talisman. " 1890s-1900s = Three times, with folded hands, say the following talisman: " Know that there is a divine truth. " 1990s-2000s = 3 Say the following mantras three times, with arms folded, each of which is three times as long as a english_tweet = 3 times, with hands folded, say this talisman: lyrics = Three-fold, with hands folded, say the following talisman: romantic_poetry = Three times, with folded hands, uttering the following talisman: switchboard = three times fold arms say the following talisman shakespeare = Three times in a hand, with hands open, say the following symbol: “Good Sir, it is done Input = See little poupeep she’s firsht ashleep.  Sleep deprived. lyrics = She's lying there, she's lying there, she's lying there romantic_poetry = She sleeps, she sleeps, she sleeps-- switchboard = she was asleep she was sleeping shakespeare = She sleeps; I am so much for her that I sleep; she sleeps; so much for her. Input = Woman’s garments on chair. Paraphrase = women's clothes on the chair. aae = Females clothes on chairs. Lol bible = And he made the women's clothes to lie upon the chairs. 1810s-1820s = Mrs Spicket (putting on women's clothes on a chair) That's a 1890s-1900s = Girls' clothes on the chair, the men's on the table. 1990s-2000s = FEMALE SCARF HANDHELDED on the chair. english_tweet = Womens clothes on the chair. lyrics = Women on their chairs are wearing their clothes down romantic_poetry = Wi' women's clothes on their chairs, switchboard = women's clothes on the bench shakespeare = Women’s garments by the chair. Input = she drakes me druck! Paraphrase = I'm gonna have a dud! aae = I want some dud! bible = Woe is me! 1810s-1820s = I'll have a dud for you! 1890s-1900s = I got dud to get up an' dar! 1990s-2000s = <p>--I need a dud! english_tweet = I want my dud!! lyrics = Me dudas que me lo puede verdad romantic_poetry = Duds me! now I have taen the sad news switchboard = i got duds shakespeare = Oh, I'll have a dud! Input = into Store street, famous for its C division police station. Paraphrase = on the street, famous for the police station of the C division. aae = down the street from the C division police station famous bible = And in the street famous for the court of the C division, famous for the station of the watchmen. 1810s-1820s = On the street famous for the police-house of the C division of the army. 1890s-1900s = at the C division of the street, famous for the police station of the B. 1990s-2000s = The C division police station, famous for having no cops in it, on the street. english_tweet = Ranging around the streets. Famous for the C division police station. lyrics = On the street, famous for the police station C division romantic_poetry = On the street famous for the C division's precinct. switchboard = uh City of uh the C division of police stations in the city and they're famous for that shakespeare = Away with me, renownèd for the police-house of C division. Input = Does he write anything for your movement? Paraphrase = does he write anything about your movement? aae = is he writing anything about your movement? bible = Is there any writing of thy going forth any more? 1810s-1820s = Do you know that he writes any thing on your movements? 1890s-1900s = Is there anything he writes about your movement? " 1990s-2000s = Does he write anything about your movement? " english_tweet = Does he write anything about your movement? lyrics = Does he write nothing about your movement? romantic_poetry = And writes anything about your movements? switchboard = does he write anything on your movement shakespeare = Does he write any thing of your movement? Input = The keeper of the Kildare street museum appears, dragging a lorry on which are the shaking statues of several naked Paraphrase = the museum's keeper appears to drag a truck carrying a statue of a naked woman. aae = Museums keeper appears to drag a truck carrying a statue of a naked woman off the curb. bible = And the keeper of the museum appeared to drag a chariot laden with a statue of a naked woman. 1810s-1820s = The keeper of the museum appears to drag a van, bearing a statue of a naked woman, over the steps. 1890s-1900s = The keeper of the museum appears to drag a freight of a statue of a naked woman. 1990s-2000s = The museum keeper appears to drag in a truck carrying a statue of a naked woman. english_tweet = Museum keeper appears to drag a truck carrying a statue of a naked woman lyrics = The museum keeper appears to drag a naked statue romantic_poetry = The Museum's keepers appear to drag a naked statue, switchboard = one of the museums keeps an exhibit called Naked Woman which is a he- he he drags a truck carrying a statue of a shakespeare = The keeper of the museum doth appear to drag a hare of statues about a carrack. Input = In greater support of his word (it, quaint ’anticipation of a famous phrase, has been reconstricted out of oral style Paraphrase = in the oral style, he has been limited to the word (it, a little "anticipation of a famous phrase"), aae = I think he's been limited to the word (it, anticipation of a famous phrase") in oral style bible = Forasmuch as he hath been limited to the word (it, a little prophesying of famous phrases), 1810s-1820s = His most striking and delightful passages have been confined to the verbal style, which, (it, a little " anticipatory of a famous phrase,) is as follows. " 1890s-1900s = He has limited himself in the oral style to the phrase (it, a little " anticipation of a famous phrase "), and has been compelled to abandon the style altogether. 1990s-2000s = The limited expression of the word (it, an instance of the " anticipatory of a famous phrase ") has been accompanied by a reduced range of expression in the oral style. english_tweet = And in the oral style, he has limited himself to a term (it, a little "anticipate a famous phrase") lyrics = In his oral style, restricted to the word (it, a little "anticipation of a famous phrase"), romantic_poetry = In his oral style, hath been confined to words (it, a "Anticipation of a famous phrase"), switchboard = i think he's been limited to the word type of of reading in the oral style shakespeare = He hath been limited to the word, (tis, a trifle, a prologue to a famous phrase),” and that word, his first sentence, is: � Input = then if he gives me that well he wont be too bad I dont want to soak it all out Paraphrase = if he's good, he won't be a problem, I don't want to be soaked up. aae = I dont want to be soaked up if he's good, i dont wanna be wet up. bible = And if he be good, he shall not be a reproach: I have not been soaked for him, neither have I been wetted. 1810s-1820s = If he be good, he will not trouble me, I care not how much I am soaked. 1890s-1900s = If he's a good deal, he'll not bother me; I don't want to be dripping all over, anyhow. 1990s-2000s = If he's good, he's not going to be a problem, I'm not going to be soaked up. english_tweet = No problem, if he is good, he will not be a problem, I dont want to be soaked up lyrics = If he's good, he ain't gon' trouble me, I don't wanna get soaked up romantic_poetry = If it's fair, he'll ne'er swamp me, I want no soak, switchboard = well if he's good i don't want to be uh water soaked and all that shakespeare = If he be well, he will not o'ertake the trouble, I will not be mudded with it. Input = I’m the alligator. Paraphrase = I'm the alligator. aae = I'm that alligator bible = I am the alligator. 1810s-1820s = I am the alligator, and I am the crocodile. 1890s-1900s = I'm the alligator, " he said. " 1990s-2000s = ( beat) I'm the alligator, man. english_tweet = im the alligator. i am the alligator. lyrics = I'm the alligator man romantic_poetry = The alligator was the man. switchboard = i have the alligator shakespeare = I am the alligator. Input = gypsing water, telling him now, telling him all, all about ham and livery, stay and toast ham in livery, and Paraphrase = he was telling him all, all about ham and livery, and he was telling him to toast ham in livery. aae = that was to ham and livery lol he told him to toast ham in livery bible = And he told him all, all concerning the manner of serving with the meat offering, and concerning the manner of breaking the bread, and concerning the manner of serving with the oil 1810s-1820s = He took the great general aside, and told him all, all about ham and livery, and told him to toast ham in livery. 1890s-1900s = The answer was, that he had been to see the captain and had told him all, all about ham and livery. 1990s-2000s = All this he told him, all of it, all the way through his nearly complete ban on telling anything to a man who couldn't speak for his life, all the way english_tweet = Lmao and then he told him all about ham and livery and he was told to eat ham in livery lyrics = Did he tell him all, all about ham and livery, and he said to toast ham in livery romantic_poetry = Tell'd him all, and he tell'd it to toast ham in livery gude. switchboard = you know and he was saying all this about ham and livery and all this he was telling him to toast ham in livery shakespeare = He did so bid him, And he did make him his proclamation of it, All in commendation of the same, Ham and livery toasted.  Input = garden, the vicinity of a place of worship, a conjunction of two or more public thoroughfares, the point of bisection Paraphrase = garden, a place of worship, a combination of two or more public streets, the point of bisection aae = garden a place of worship, a combination of two or more public streets, the point of bisection bible = Garden, a place of worship, a mixture of two or more public streets, the point of bisection being at the south end of the city, 1810s-1820s = Garden, a place of worship, a combination of two or more public streets, the point of bisection from each being marked with a red cross. 1890s-1900s = Garden, a place of worship, a combination of two or more public streets, the point bisected. 1990s-2000s = Garden, a place of worship, a combination of two or more public streets, the point of bisection. english_tweet = garden, a place of worship, a combination of two or more public streets, the point of bisection lyrics = Garden, a place of worship, combination of two or more public streets, the point of bisection romantic_poetry = Garden, a place of worship, a combination of two or more public streets, the point of bisection, switchboard = garden uh a place of worship a combination of two or more public streets uh the point of bisection shakespeare = Give me a garden, A place of worship, a combined street, The point of bisection, and I will. Input = Yes, Martin Cunningham said, fingering his beard. Paraphrase = yes, Martin Cunningham said, and he held his beard. aae = yes marvin c Cunningham said hold yo beard lmao bible = Yea, there was a certain man, named Martin, and he bare his beard. 1810s-1820s = Yes, Martin Cunningham said, and put his beard to his eyes. 1890s-1900s = Yes, Martin Cunningham said, and held his beard. 1990s-2000s = Yes, Martin Cunningham said, and held up his beard. " english_tweet = yes, Martin Cunningham said, and he held his beard lyrics = Yeah Martin Cunningham said and he held his beard back romantic_poetry = Aye, Martin Cunningham said, and held his beardless brow, switchboard = yeah Martin Cunningham said he held his beard and it shakespeare = Yes, Martin Cunningham said, and he hath held his beard. Input = And no such Copenhague-Marengo was less so fated for a fall since in Glenasmole of Smiling Thrushes Patch Whyte passed Paraphrase = since the Glenasmole of Smiling Thrushes, the Copenhague-Marengo has not been so lucky to fall. aae = Copenhague-Marengo has not been so lucky to slip since the Glenasmole of Smiling Thrushes. bible = And the fierceness of the winds hath not prevailed against it, since the going up of the Glenasmole of Smiling Thrushes unto the mount of Copenhague. 1810s-1820s = The Copenhague-Marengo has not fallen so far since the Glenasmole of Smiling Thrushes, as to lay claim to the name of a lost island. 1890s-1900s = The Copenhague-Marengo had not fallen so far since the Glenasmole of Smiling Thrushes. 1990s-2000s = The Copenhague-Marengo had not been so fortunate to fall since the Glenasmole of Smiling Thrushes. english_tweet = The Copenhague-Marengo hasnt been so lucky to fall since the Glenasmole of Smiling Thrushes lyrics = Copenhague-Marengo's copenhague-Marengo hasn't been so lucky since the Glenasmole of Smiling Thrushes romantic_poetry = Since Copenhague-Marengo fell the glenasmole no sweeter fell. switchboard = i don't know how many years they've been out of Copenhague-Marengo but since the Glenasmole of Smiling Thrushes the Copenhague-Mare shakespeare = No more so lucky was this poor youth since the Glenasmole of Smiling Thrushes was crowned at a feast in the copenhague. Input = Perhaps he was a woman.  Perhaps he was once a man, switchboard = he might be a woman shakespeare = Or perhaps he be a woman. Input = The coolskittle is philip deblinite. Paraphrase = the coolskittle is Philip Deblin. aae = Philip Deblin is the coolskittle bible = The coolskittle is Philip deblin. 1810s-1820s = The coolskittle is Philip Deblin--the mellow one. 1890s-1900s = ( To Philip Deblin) The coolskittle is Philip Deblin. 1990s-2000s = It's Philip Deblin the Coolskittle. english_tweet = Coolskittle is Philip Deblin lyrics = Philip Deblin is the coolskittle romantic_poetry = Coolskittle's to Philip Deblin. switchboard = oh the coolskittle is Philip Deblin shakespeare = The coolskittle is Philip Deblin. Input = I got mummy’s lovely box of creams and am writing. Paraphrase = I'm writing a letter to my mom. aae = I need a letter from my mom bible = And I wrote a letter unto my mother. 1810s-1820s = I have just written to my mother--how do you like it? 1890s-1900s = I want to write a letter to mamma. " 1990s-2000s = I'm going to write a letter to my mother. " english_tweet = I am writing to my mum. lyrics = I wrote a letter to my mom romantic_poetry = I've written a letter to my mother switchboard = well i'm writing a letter to my mom shakespeare = I have a letter from my mother. Input = the greene, agirlies, the gretnass of joyboys, from Pat Mullen, Tom Mallon, Dan Meldon, Don Maldon a slickstick picnic made Paraphrase = the green, aglady, gretnaz, from Pat Mullen, Tom Mallon, Dan Meldon, Don Maldon, a smooth-shooting picnic aae = A green, aglady, gretnaz, from Pat Mullen, Tom Mallon, Dan Meldon, Don Maldon, a smooth-shooting picnic bible = The green, aglady, gretnaz, out of Pat Mullen, out of the valley of the sons of Reuben, out of the plain of Gad, out of the valley of Achbor, out 1810s-1820s = There's a gang of green, aglady, gretnaz, from Pat Mullen, Tom Mallon, Dan Meldon, Don Maldon, a smooth gunney, and a shaggy sportive 1890s-1900s = We have a " green, aglady, gretnaz, " from Pat Mullen, Tom Mallon, Dan Meldon, Don Maldon, a smooth-shooting picnic party of eight, who are 1990s-2000s = Greens, aglady, gretnaz, from Pat Mullen, Tom Mallon, Dan Meldon, Don Maldon, a smooth-shooting picnic to be had at that cafe. english_tweet = Green, aglady, gretnaz, from Pat Mullen, Tom Mallon, Dan Meldon, Don Maldon, a smooth-shooting picnic lyrics = Green, aglady, gretnaz, from Pat Mullen, Tom Mallon, Dan Meldon, a smooth-shooting picnic romantic_poetry = The green, aglady, gretnaz, from Pat Mullen, Tom Mallon, Dan Meldon, smooth-scattering russet, switchboard = the green aglady gretnaz from Pat Mullen Tom Mallon Dan Meldon Don Maldon a smooth paced picnic shakespeare = To the most gracious Henry, by my troth, the green, aglady, gretnaz, from Pat Mullen, Tom Mallon, and my other man, the plump-shooting picnic, Input = plabbery kind of a manner like he did to me though I had the devils own job to get it Paraphrase = but I had to do it, like he did to me. aae = But it had to be done, like he did to me. bible = But he said unto me, Like as thou hast done unto me. 1810s-1820s = Yet I had to act like him; and I did. 1890s-1900s = But I had to, like he had to me. 1990s-2000s = But I had to do it, like he did to me. english_tweet = But I had to do it, like he did to me. lyrics = But he had to do me, just like he did to me romantic_poetry = But I had to do it, like he did to me, switchboard = but i had to do that i mean like he did to me shakespeare = And so did I, like he hath. Input = Come what might she would be wild, untrammelled, free. Paraphrase = she might be wild, untouchable, free. aae = she might be wild untouchable free her she aint gone ever kno it bible = That they might be wild, untouchable, and free. 1810s-1820s = Wild, untamed, free she might be. 1890s-1900s = It might be wild, untrod, free, the way she was. 1990s-2000s = She might be wild, untrustable, free of guilt. english_tweet = Maybe shes wild, untouchable, free. lyrics = She might get wild, untouchable, free romantic_poetry = She might wild, unteach'd, free, switchboard = you know she might be wild untouchable free shakespeare = Her wildness might be unbrought; Untouch'd, free of all suit. Input = I don’t want your custom at all. Paraphrase = I'm not interested in your custom. aae = I don't want your custom bible = for I have no pleasure in your custom. 1810s-1820s = I have no wish to please you in your custom. 1890s-1900s = I don't want your custom, so don't bother me. 1990s-2000s = I didn't want to bother you with your custom. english_tweet = I want to make your custom. But I don't want to get your custom. lyrics = I don't care if you're custom romantic_poetry = I cannot your custom please me, switchboard = i don't care for your custom shakespeare = I care not for your custom. Input = The turf, Lenehan put in. Paraphrase = the grass was Lenehan's. aae = grass was Lenehan bible = And the grass was called Lenehan. 1810s-1820s = The turf was that of Lenehan's. 1890s-1900s = There was Lenehan's patch of grass. 1990s-2000s = Lenehan had the grass to his feet. english_tweet = Grass was Lenehan. lyrics = Lenehan was the grass romantic_poetry = The grass was Lenehan's. But by the stream switchboard = the grass was Lenehan shakespeare = It was Lenehan's grass. Input = perceived to give himself some sort of a hermetic prod or kick to sit up and take notice, which acted Paraphrase = he was perceived as a kind of hermetic kick to sit down and take notice, which he felt aae = For him to be perceived as a kind of hermetic kick to sit back and take notice, which he felt bible = And perceiving that it was a kind of hermetic kick to sit down and to take notice, he made a change in his garments, 1810s-1820s = To sit down and take notice, in the manner which he felt, of it, was perceived to be a kind of hermetic kick. 1890s-1900s = He was perceived to be having a sort of hermetic kick to sit down and take notice, which he felt. 1990s-2000s = s perceptions of the world as a kind of hermetic kick to sit down and take notice. english_tweet = Hes perception was of hermetic kicks to sit on and take notice, which he felt lyrics = Seemed understood as a kind of hermetic kick to sit back and take notice, which he felt romantic_poetry = Prest perceived hermetic kick to sit and take heed, which he felt switchboard = he was perceived as kind of hermetic kick in the pants to sit back there and take notice which he felt shakespeare = The priestly impression of hermetic kicks hath set him to sit and take note, which he felt. Input = Gracest goodness, heave mensy upponnus!  Input = Cold joints galore and mince pies... Paraphrase = cold joints, mince pies, and pies... aae = Cold joints, mince pies, and pies... I love them bible = And cold joints, and mincepies, and puddings, 1810s-1820s = Cold joints, mince pies, and pies--that's all. 1890s-1900s = Cold joints, mince pies, and pies--for they are just like those! 1990s-2000s = Cold joints, mince pies, and muffins--that's what they say. english_tweet = cold joints, mince pies, and biscuits... lyrics = Cold joints, mince pies, and pies... romantic_poetry = Cold joints, mittle pies, and cauld cate-- switchboard = oh cold joints mince pies shakespeare = Cold joints, mince pies, and pies. Input = a field.  Input = A statement explanatory of his absence on the occasion of the interment of Mrs Mary Dedalus (born Goulding), 26 June Paraphrase = the statement of the absence of Mr. Mary Dedalus (born Goulding), 26 June aae = The absence of Mr. Mary Dedalus (born Goulding) 26 June 2013, 24 May 2013 bible = The following is the statement of the absent Mr. Mary Dedalus, of the tribe of the children of Bozrah, of the family 1810s-1820s = A statement of the absence of Mr. Mary Dedalus (Goulding), of the 26th of June. 1890s-1900s = The statement of Mr. Mary Dedalus (born Goulding), who was present, 26 June. 1990s-2000s = It is also claimed that Mr. Mary Dedalus (born Goulding) has been absent from this statement for 26 June. english_tweet = Officer news: Statement on absence of Mr. Mary Dedalus (born Goulding) 26 June lyrics = Diedalus Statement (born Goulding), 26 June romantic_poetry = The utter absence of her Mr. Mary Dedalus, switchboard = the statement of the absence of Mister Mary Dedalus [born Goulding/born] and he was born in the Bronx shakespeare = The seeming of absence of Signor Mary Dedalus, born Goulding, to-day at his lodging. Input = had a hint of a hair at her fanny to hide or a bossom to tempt a birch canoedler not Paraphrase = she had a hint of hair in her buttock to hide or a bossom to lure a birch-haired man to the canoe. aae = This girl had a hint of hair in her buttock to hide or a bossom to lure a birch-haired man to the canoe bible = And there was a scent of hair in her buttocks to hide or to bossom, to ensue a man with the tree of the waters. 1810s-1820s = To hide or a bossom to lure a birch-haired man to the canoe, was a hint from her assent. 1890s-1900s = Her farthest back was in her ass-end of hair in order to hide or a bossom to lure a birch-haired man into the canoe. 1990s-2000s = To hide or a bossom to lure a birch-haired man to a canoe, there was a hint of hair in her assock. english_tweet = She's had a hint of hair in her buttock to hide or bossom to lure a birch-haired man to canoe. lyrics = In her assock to hide or a bossom to lure a birch-coated man to his canoe. romantic_poetry = Hinted at by hair to hide or bossom to lure a birken-swamp man to the canoe. switchboard = i thought she had a hint of hair up her buttock to hide or a bossom to lure a birch haired man to the canoe but she'd made the tubby shakespeare = And I do believe her for a most marvellous handkerchief, that hath a hint of hair in her buttock to hide or to entice a birch-haired man to Input = Molly and Floey Dillon linked under the lilactree, laughing. Paraphrase = Molly and Floey Dillon laughed. aae = Molly and Floey Dillon got me laughing bible = And the sons of Ephraim laughed. 1810s-1820s = Molly and Floey Dillon laughed, and the Countess shook her head. 1890s-1900s = And Molly and Floey Dillon were laughing. 1990s-2000s = Molly and Floey Dillon snickered to themselves. " english_tweet = Molly and Floey Dillon laughed out loud lyrics = Molly and Floey Dillon's laughing romantic_poetry = And mirth and mirth was the merry hour. switchboard = Molly and Floey Dillon laughed shakespeare = Molly and Floey Dillon laughed. Input = That girl passing the Stewart institution, head in the air. Paraphrase = the girl who passed Stewart's institution. aae = This girl passing Stewart institution. bible = The damsel that passed by Stewart's institution. 1810s-1820s = The girl who passed Stewart's Institution, and lived with him. 1890s-1900s = Stewart's institution has been for the most part passed over by the girl. 1990s-2000s = The girl who was passing Stewart's institution. english_tweet = The girl that passed Stewart. lyrics = And the girl in Stewart's Institution. romantic_poetry = The lass that passed Stewart's institution, switchboard = you know the girl that passed Stewart's Institution shakespeare = The girl that passed Stewart's institution. Input = Bloom’s thoughts about Stephen? Paraphrase = Bloom's thoughts about Stephen's thoughts? aae = Bloom mind with Stephen's thoughts? bible = Blossom, thinkest thou that Stephen hath thoughts? 1810s-1820s = Bloom's reflections on the state of Stephen's mind? 1890s-1900s = Blooming's affections for Stephen? 1990s-2000s = Bloom's mental states regarding Stephen? english_tweet = Bloom thinking about Stephen? lyrics = Blooming's thoughts of Stephen? He's got a mind like mine romantic_poetry = Bloom's musings on Stephen's thoughts? switchboard = uh-huh Bloom has a view of uh Stephen shakespeare = Is Bloom’s thought in Stephen’s thoughts? Input = Harsh gargoyle face that warred against me over our mess of hash of lights in rue Saint-André-des-Arts. Paraphrase = the harsh face of the gargoyle, which was against me in the middle of the hash of lights in the Rue Saint-André-des-Arts. aae = The grimmy face gargoyle was against me in that hash of lights in Rue Saint-André-des-Arts. bible = The high face of the gargoyle, which was against me in the midst of the hash of lights in the Rue Saint-André. 1810s-1820s = That was the harsh visage of the gargoyle, which opposed me, in the midst of the hash of lights in the Rue Saint-André-des-Arts. 1890s-1900s = The stony face of the gargoyle, which sprawled against me in the midst of the hash of lights in the Rue Saint-André-des-Arts. 1990s-2000s = <p> In the middle of the hash of lights in the Rue Saint-André-des-Arts, the gargoyle's harsh face made me feel uneasy. english_tweet = The gargoyle's face was against me in the middle of the hash of lights in the Rue Saint-André-des-Arts. lyrics = His face was the blunt with the Wrath of the gargoyle, which beat me in the middle of hash lights in the Rue Saint-André-des-Arts romantic_poetry = His rough visage, which met me in hash of lights in the rue Saint-André-des-Arts. switchboard = and uh the gargoyle face which was against me from the side of the hash light in the Rue Saint-André-des-Arts shakespeare = The churlish face of the gargoyle, That stood in opposition to me in the middle of the hash of lights in the Rue Saint-André-des-Arts. Input = Remind you of a mosque, redbaked bricks, the minarets. Paraphrase = it reminds me of a mosque, a brick wall, the minaret. aae = lol this reminds me of a mosque, brick wall, minaret, or whatever bible = This reminds me of the place of a mosque, of a brick wall, and of the minaret. 1810s-1820s = These remind me of a mosque, and a brick wall, and the minaret. 1890s-1900s = The minaret, the brick wall, remind me of a mosque. 1990s-2000s = It reminds me of a mosque, a brick wall, the minaret. english_tweet = This is a mosque, brick walls, minarets. It reminded me of a mosque. lyrics = That reminds me of a mosque, a brick wall, minaret romantic_poetry = Mourns that reminds it of a Mosque, a Brick Wall, and a Minaret, switchboard = you know reminds me of a Mosque a brick wall minaret i think shakespeare = Tis the Minaret of a mosque, a rickety, plain wall, The minaret, it does remind me Input = In the bottled heliose case continuing, Long Lally Tobkids, the special, sporting a fine breast of medals, and a conscientious Paraphrase = the bottle of Long Lally Tobkids, which has a nice medal, is still in the bottle. aae = Long Lally Tobkids Still Ina Bottle, It's Still Nice Out Here In The Morning, bible = And the bottle of the long lally Tobkids, that is in the house, is yet in the bottle. 1810s-1820s = The bottle of Long Lally Tobkids, with a neat medal on the top, is still in it. 1890s-1900s = The Long Lally Tobkids, whose good medal still hangs in the bottle, give the Old Brown Derby a bright star. 1990s-2000s = The Long Lally Tobkids' bottle, with its fancy medal, is still in its plastic. english_tweet = I can't find the bottle of Long Lally Tobkids, with a cute medal, that still has the bottle. lyrics = Oh, bottle of Long Lally Tobkids, still full of that, that still holds a medal romantic_poetry = Long Lally Tobkids, that, sweetly medal'd, switchboard = yeah well the Long Lally Tobkids bottles have some pretty medals on them that's still in the bottle shakespeare = To her of Long Lally Tobkids, the bottle is still to the brim; but she hath no medallion to put in it. Input = There might be other answers lying there. Paraphrase = maybe there's another answer. aae = maybe there's another answer bible = maybe there be other answers. 1810s-1820s = Perhaps there is another answer. 1890s-1900s = Perhaps there was another answer--other words. 1990s-2000s = Maybe there's another answer to that. " english_tweet = Maybe there's another answer. lyrics = Maybe there's another answer romantic_poetry = It may be that another answer is found. switchboard = i don't know there might be another answer shakespeare = Perchance there is another answer. Input = Collar the leather, youngun. Paraphrase = cut the leather, young man. aae = cuttin up in leather youngn bible = And the young man said, Cut the leather, I pray thee. 1810s-1820s = ( Enter the cottage, L. H.) Cut the leather, young man. 1890s-1900s = Cut the leather, young fellow, and leave it. 1990s-2000s = Cut your leathers, young man, and go to bed. english_tweet = Cut the leather, young man. lyrics = Cut the leather, young man romantic_poetry = Cut a leathern-cloth, young man, switchboard = cut the leather young man shakespeare = Cut up the leather, young man. Input = O rhyme us! Paraphrase = oh, my God, we're gonna have to aae = lol we need some hoes bible = And he said, Oh, Lord, we be utterly bereaved. 1810s-1820s = Oh dear, dear mother, we must part. 1890s-1900s = Oh, dear, we mustn't. 1990s-2000s = ( He looks at her) Oh, my God, we're gonna have to. english_tweet = Lol omg we need that lyrics = Oh, baby we gots to romantic_poetry = O Lord, let us na'e gae it switchboard = oh oh we do shakespeare = Oh, God!  Input = situated in the cerebral convolutions.  In that brain switchboard = in the convulsions of the brain shakespeare = In the brain's convulsions. Input = My foes beneath me. Paraphrase = my enemies are under my feet. aae = My enemies are underneath me bible = Mine enemies are under my feet: they shall not stand before me. 1810s-1820s = My enemies are under my feet, and are now prepared for the fight. 1890s-1900s = My enemies are beneath my feet; I will not face them. 1990s-2000s = <p> My enemies are under my feet and so are I. english_tweet = My enemies are under my feet. lyrics = My enemies lay beneath my feet romantic_poetry = My foes beneath my feet, who had betrayed switchboard = my enemies are under my feet shakespeare = Under my foot my foes. Input = No other in sight. Paraphrase = no one else will be seen. aae = Dnt nobody else see this bible = There shall no man see it. 1810s-1820s = Nobody but you shall be seen here. " 1890s-1900s = Nobody else can see that he's gone. 1990s-2000s = No one else is going to be around for it. english_tweet = No other individual will be seen. lyrics = No one else will be seen romantic_poetry = And no other shall be seen switchboard = yeah nobody else is going to be seen shakespeare = No man shall appear. Input = Heavencry at earthcall, etnat athos?  Input = And I tell you the Bective’s wouldn’t hold me.  Input = Ticktacktwo wouldyousetashoe?  Input = What also stimulated him in his cogitations? Paraphrase = what's also stimulated him in his thoughts? aae = what stimulated it in his thoughts? bible = What hath he also that is stirred up in his thoughts? 1810s-1820s = What had likewise excited it in his own thoughts? 1890s-1900s = What other things have they stimulated it in his thought? 1990s-2000s = What did this have to do with his own thoughts? english_tweet = What was also stimulate him in his thoughts? lyrics = What is stimulation in his thoughts? romantic_poetry = What was it that also in his thoughts it gushed? switchboard = and what what what is what is stimulated it in his in his mind shakespeare = What hath he further stimulated? Input = was that 93 the canal was frozen yes it was a few months after a pity a couple of the Paraphrase = it's a few months after the canal froze, yes, a couple of months ago. aae = Damnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn bible = And he said, It is but a few months after that the canal froze, yea, but not so many. 1810s-1820s = Is it a few months after the canal froze, yes, a few months after that--I mean. 1890s-1900s = It was a few months after the canal froze, yes, a few months after the " calamity "--but it was months before a 1990s-2000s = It was a few months after the canal froze, yes, a few months before that, too. english_tweet = Less than a month after Canal froze, yes, a few months before the water, too lyrics = This canal froze up a few months ago, yeah, a couple months ago romantic_poetry = Is frozen a few short months, yes, quite a year; switchboard = and it's a few months after that canal froze it's a few months after that canal froze i mean it froze in in a couple of shakespeare = Yes, a month after the canal froze, indeed, by my troth. Input = skirl when the hundt called a halt on the chivvychace of the ground sloper at that ligtning lovemaker’s thender apeal Paraphrase = when the hundt called the halt on the chivvychace of the ground slaver, the hundt was skirl aae = Whn hundt called the halt on chivvychace of the ground slaver was skirlen on da phne bible = And the hundt called the halt upon the chivvychace of the earth sluggard, when he brake down the yoke of the lord of the land. 1810s-1820s = Hetty Cushman That dang it, gin I be dinna ken whar the hundt called the halt on the chivvychace of the ground sl 1890s-1900s = and th' hundt was skirl when the hundt called the halts on th' chivvychace of th' ground slaver. 1990s-2000s = The hundt skirled back and forth when the chivvychace