This is a list of movies that a lot of people have seen, but almost all critics and audiences agree that these movies are awful.
IMDB: 5.4, RT Aud: 35%, RT Critics: 13%
Like a grand staircase within the famous mansion that inspired it, Winchester appears poised to get a rise out of audiences, but ultimately leads nowhere.
IMDB: 5.2, RT Aud: 36%, RT Critics: 38%
The Strangers: Prey at Night may appeal to fans of the original who've been jonesing for a sequel, but its thin story and ironic embrace of genre tropes add up to a bloody step back.
IMDB: 4.9, RT Aud: 50%, RT Critics: 0%
GOTTI follows infamous crime boss John Gotti's (John Travolta) rise to become the "Teflon Don" of the Gambino Crime Family in New York City.
IMDB: 5.0, RT Aud: 35%, RT Critics: 27%
Sherlock Gnomes is sadly, utterly stumped by the mystery of the reason for its own existence.
IMDB: 5.7, RT Aud: 41%, RT Critics: 43%
Pacific Rim Uprising won't win any points for subtlety or originality, but it delivers enough of the rock 'em-sock 'em robots-vs.-kaiju thrills that fans of the original will be looking for.
IMDB: 4.4, RT Aud: 38%, RT Critics: 12%
Fifty Shades Freed brings its titillating trilogy to a clumsy conclusion, making for a film franchise that adds up to a distinctly dissatisfying ménage à trois.
IMDB: 4.8, RT Aud: 15%, RT Critics: 16%
In the near future, a military family is chosen to participate in a ground-breaking experiment to accelerate man's genetic evolution in order to relocate humanity to another planet.
IMDB: 5.0, RT Aud: 17%, RT Critics: 21%
As a mysterious apocalypse causes the spread of misinformation and violence, a man and his estranged father-in-law race across a chaotic and fractured country to save his pregnant wife.
IMDB: 3.0, RT Aud: 20%, RT Critics: 6%
Slender Man might be thin, but he's positively robust compared to the flimsy assortment of scares generated by the would-be chiller that bears his name.
IMDB: 3.5, RT Aud: 26%, RT Critics: 16%
Show Dogs may entertain very young viewers, but for anyone else, it threatens the cinematic equivalent of a rolled-up newspaper on the snout.
IMDB: 5.7, RT Aud: 41%, RT Critics: 26%
The Nun boasts strong performances, spooky atmospherics, and a couple decent set-pieces, but its sins include inconsistent logic and narrative slackness.
IMDB: 3.8, RT Aud: 15%, RT Critics: 9%
Years after Ray Breslin [Academy Award (R) nominee Sylvester Stallone (Best Supporting Actor - Motion Picture, Creed, 2016)] fought his way out of the escape-proof prison called "The Tomb," he's organized a new top-notch, for-hire security force.
IMDB: 5.3, RT Aud: 34%, RT Critics: 33%
I Feel Pretty has a charming star and the outline of a worthwhile comedy -- but unlike its suddenly confident central character, it suffers from a fundamental lack of conviction.
IMDB: 5.1, RT Aud: 39%, RT Critics: 23%
The 15:17 to Paris pays clumsily well-intentioned tribute to an act of heroism, but by casting the real-life individuals involved, director Clint Eastwood fatally derails his own efforts.
IMDB: 5.6, RT Aud: 25%, RT Critics: 28%
A disappointing misfire for director George Clooney, Suburbicon attempts to juggle social satire, racial commentary, and murder mystery -- and ends up making a mess of all three.
IMDB: 4.5, RT Aud: 24%, RT Critics: 7%
Rings may offer ardent fans of the franchise a few threadbare thrills, but for everyone else, it may feel like an endless loop of muddled mythology and rehashed plot points.
IMDB: 4.6, RT Aud: 24%, RT Critics: 40%
Death Note benefits from director Adam Wingard's distinctive eye and a talented cast, but they aren't enough to overcome a fatally overcrowded canvas.
IMDB: 5.2, RT Aud: 38%, RT Critics: 45%
xXx: Return of Xander Cage should satisfy fans of the first two installments, but its preponderance of set pieces can't quite make up for a tired storyline that fails to take the franchise -- or action fans -- anywhere new.
IMDB: 5.1, RT Aud: 18%, RT Critics: 7%
A mystery that feels as mashed together and perishable as its title, The Snowman squanders its bestselling source material as well as a top-notch ensemble cast.
IMDB: 5.4, RT Aud: 27%, RT Critics: 17%
Success has many fathers, but failure is Father Figures.
IMDB: 5.3, RT Aud: 37%, RT Critics: 13%
Lacking impressive visuals, well-written characters, or involving drama, Geostorm aims for epic disaster-movie spectacle but ends up simply being a disaster of a movie.
IMDB: 5.2, RT Aud: 34%, RT Critics: 4%
Flatliners falls flat as a horror movie and fails to improve upon its source material, rendering this reboot dead on arrival.
IMDB: 5.6, RT Aud: 38%, RT Critics: 22%
Sleepless wastes a talented cast -- and solid source material -- on a tired crime drama whose clichés rapidly outnumber its thrills.
IMDB: 4.4, RT Aud: 30%, RT Critics: 36%
Snatched has a pair of terrifically talented stars, but their presence isn't enough to compensate for this rote comedy's threadbare plot and scattershot laughs.
IMDB: 5.5, RT Aud: 35%, RT Critics: 15%
Lacking the campy fun of the franchise's most recent entries and failing to deliver many monster-movie thrills, The Mummy suggests a speedy unraveling for the Dark Universe.
IMDB: 5.0, RT Aud: 24%, RT Critics: 28%
Ten years later, the Sawyer teen kidnaps a young nurse and escapes with three other inmates.
IMDB: 5.2, RT Aud: 44%, RT Critics: 15%
Cacophonous, thinly plotted, and boasting state-of-the-art special effects, The Last Knight is pretty much what you'd expect from the fifth installment of the Transformers franchise.
IMDB: 5.6, RT Aud: 41%, RT Critics: 25%
Fist Fight boasts a surplus of comedic muscle but flails lazily, and far too few of its jokes land with enough force to register.
IMDB: 5.0, RT Aud: 34%, RT Critics: 26%
Unforgettable's talented cast makes this domestic thriller consistently watchable, even if its failure to fully embrace its premise's campy possibilities prevents it from living up to its title.
IMDB: 4.3, RT Aud: 22%, RT Critics: 21%
The Bye Bye Man clumsily mashes together elements from better horror films, adding up to a derivative effort as short on originality as it is on narrative coherency or satisfying scares.
IMDB: 4.6, RT Aud: 48%, RT Critics: 10%
Lacking enough chemistry, heat, or narrative friction to satisfy, the limp Fifty Shades Darker wants to be kinky but only serves as its own form of punishment.
IMDB: 5.6, RT Aud: 35%, RT Critics: 17%
The House squanders a decent premise and a talented cast on thin characterizations and a shortage of comic momentum.
IMDB: 4.7, RT Aud: 23%, RT Critics: 0%
When their plane is rerouted due to a hurricane warning, two single female best friends (Alexandra Daddario, Kate Upton) find themselves competing for the same guy (Matt Barr) during an extended layover in St. Louis.
IMDB: 4.3, RT Aud: 27%, RT Critics: 25%
Woodshock's engages visually, but its half-baked premise is as underwhelming as it is unsatisfying.
IMDB: 3.2, RT Aud: 39%, RT Critics: 7%
James Corden, Anna Faris, Jennifer Coolidge, Patrick Stewart, and Maya Rudolph also lend their voices to this film from Sony Pictures Animation.
IMDB: 5.1, RT Aud: 31%, RT Critics: 16%
Wish Upon is neither scary nor original, but its fundamental flaws as a horror movie may make it destination viewing for after-midnight camp genre enthusiasts.
IMDB: 4.3, RT Aud: 10%, RT Critics: 5%
A thoroughly unfunny misfire, Just Getting Started manages the incredible feat of wasting more than a century of combined acting experience from its three talented leads.
IMDB: 4.4, RT Aud: 34%, RT Critics: 19%
With an all-new cast but the same juvenile humor, Diary of a Wimpy Kid: The Long Haul finds the franchise still stuck in arrested -- and largely unfunny -- development.
IMDB: 3.7, RT Aud: 40%, RT Critics: 5%
Madea, Bam and Hattie venture to a haunted campground and the group must literally run for their lives when monsters, goblins and the bogeyman are unleashed.
IMDB: 4.3, RT Aud: 17%, RT Critics: 12%
Shoddily crafted and devoid of suspense, Cell squanders a capable cast and Stephen King's once-prescient source material on a bland rehash of zombie cliches.

IMDB: 5.0, RT Aud: 31%, RT Critics: 35%
Blair Witch doles out a handful of effective scares, but aside from a few new twists, it mainly offers a belated rehash of the original -- and far more memorable -- first film.
IMDB: 3.6, RT Aud: 22%, RT Critics: 9%
A pioneering feat in the field of twerking polar bear animation but blearily retrograde in every other respect, Norm of the North should only be screened in case of parental emergency.
IMDB: 4.7, RT Aud: 20%, RT Critics: 22%
Zoolander No. 2 has more celebrity cameos than laughs -- and its meager handful of memorable gags outnumbers the few worthwhile ideas discernible in its scattershot rehash of a script.
IMDB: 5.2, RT Aud: 30%, RT Critics: 30%
It's undeniably visually impressive, but like its predecessor, Independence Day: Resurgence lacks enough emotional heft to support its end-of-the-world narrative stakes.
IMDB: 5.6, RT Aud: 34%, RT Critics: 23%
Loaded up with the same scatological and misanthropic humor as its predecessor but precious little of its heart or genuine wit, Bad Santa 2 presents a foulmouthed shadow of Christmas past.
IMDB: 4.4, RT Aud: 19%, RT Critics: 3%
The Darkness clumsily relies on an assortment of genre tropes, leaving only the decidedly non-frightening ghost of superior horror films in its wake.
IMDB: 5.2, RT Aud: 38%, RT Critics: 15%
With unimpressive effects and plot points seemingly pieced together from previous dystopian YA sci-fi films, The 5th Wave ends up feeling like more of a limp, derivative wriggle.
IMDB: 3.9, RT Aud: 17%, RT Critics: 0%
The Disappointments Room lives down to its title with a thrill-free thriller that presumably left its stars filled with regret - and threatens to do the same for audiences.
IMDB: 5.4, RT Aud: 37%, RT Critics: 15%
Look on Gods of Egypt, ye filmgoers, and despair! Nothing beside remains. Round the decay of this colossal wreck, boundless and bare. The lone and level sands stretch far away. (Apologies to Shelley.)
IMDB: 5.8, RT Aud: 35%, RT Critics: 33%
Masterminds' great cast and stranger-than-fiction true story are largely wasted on a scattershot comedy with a handful of funny moments and far too much wackiness.

IMDB: 5.4, RT Aud: 38%, RT Critics: 22%
Melissa McCarthy remains as fiercely talented as ever, but her efforts aren't enough to prop up the baggy mess of inconsistent gags and tissue-thin writing that brings down The Boss.
IMDB: 5.2, RT Aud: 24%, RT Critics: 16%
Incarnate can't be accused of lack of ideas -- if only any of them made sense or coalesced in any meaningful or scary way.
IMDB: 5.3, RT Aud: 29%, RT Critics: 16%
Friend Request's attempts to update old-school teen horror for the digital age do not, sadly, include memorable characters, fresh scares, or novel storytelling twists.
IMDB: 4.8, RT Aud: 22%, RT Critics: 9%
The Forest offers Natalie Dormer a few chances to showcase her range in a dual role, but they aren't enough to offset the fact that the movie's simply not all that scary.
IMDB: 5.7, RT Aud: 39%, RT Critics: 17%
Unoriginal and unfunny, Ice Age: Collision Course offers further proof that not even the healthiest box office receipts can keep a franchise from slouching toward creative extinction.
IMDB: 5.7, RT Aud: 40%, RT Critics: 32%
With little to recommend beyond a handful of entertaining set pieces, Mechanic: Resurrection suggests this franchise should have remained in its tomb.

IMDB: 5.3, RT Aud: 29%, RT Critics: 37%
Laden with flimsy jump scares and cheap stereotypes, The Other Side of the Door wastes solid work from Sarah Wayne Callies on thoroughly middling horror fare.
IMDB: 3.7, RT Aud: 12%, RT Critics: 0%
The story is familiar: fresh out of college, a group of five friends retreat to a remote cabin in the woods for one last week of partying-only to become snacks for a gruesome, flesh-eating virus.
IMDB: 4.3, RT Aud: 34%, RT Critics: 21%
Undisciplined, unfunny, and bereft of evident purpose, Yoga Hosers represents a particularly grating low point in Kevin Smith's once-promising career.
IMDB: 4.3, RT Aud: 15%, RT Critics: 8%
Exposed lays its flaws fittingly bare for all but the least discerning viewers to see, starting with a dull yet convoluted plot that utterly overpowers the efforts of an intriguing cast.
IMDB: 4.6, RT Aud: 19%, RT Critics: 48%
Dog Eat Dog's refreshing bundle of quirks and surfeit of visual style aren't quite enough to compensate for an aimlessly forgettable story.
IMDB: 5.3, RT Aud: 41%, RT Critics: 14%
His eponymous company FireBrand is nearing completion on its greatest achievement to date - the tallest skyscraper in the northern hemisphere.
IMDB: 4.8, RT Aud: 16%, RT Critics: 18%
Derivative and clumsily assembled, Rupture manages the tricky feat of making arachnophobia seem dull.
IMDB: 4.6, RT Aud: 22%, RT Critics: 0%
In order to win back Eddie's trust, Karen recruits her ex-lover and premier thief Jack (Mark-Paul Gosselaar) to steal a cargo of rare precious gems.
IMDB: 3.5, RT Aud: 19%, RT Critics: 6%
Wildly erratic even for a spoof movie, Fifty Shades of Black bears the unfortunate distinction of offering fewer laughs than the unintentionally funny film it's trying to lampoon.
IMDB: 5.3, RT Aud: 28%, RT Critics: 16%
The Wild Life uses its classic source material as a half-hearted springboard into a colorfully animated but essentially empty experience that only the youngest of viewers will find at all entertaining.
IMDB: 4.9, RT Aud: 22%, RT Critics: 32%
Paying competent homage without adding anything of real value to the original Poltergeist, this remake proves just as ephemeral (but half as haunting) as its titular spirit.
IMDB: 4.1, RT Aud: 14%, RT Critics: 8%
Alice's perfect life is turned upside down when a freak accident leaves a nail lodged in her head, causing erratic (and erotic) behavior.
IMDB: 5.4, RT Aud: 27%, RT Critics: 20%
Meandering and insubstantial, Aloha finds writer-director Cameron Crowe at his most sentimental and least compelling.
IMDB: 4.3, RT Aud: 18%, RT Critics: 9%
Dull and downbeat, this Fantastic Four proves a woefully misguided attempt to translate a classic comic series without the humor, joy, or colorful thrills that made it great.
IMDB: 5.3, RT Aud: 38%, RT Critics: 26%
Pleasing to the eye but narratively befuddled, Jupiter Ascending delivers another visually thrilling misfire from the Wachowskis.
IMDB: 2.8, RT Aud: 10%, RT Critics: 17%
Human Centipede fans may find enough extreme body horror in the third installment to satisfy, but filmgoers of every other persuasion are strongly advised to stay far, far away from Final Sequence.
IMDB: 5.3, RT Aud: 29%, RT Critics: 9%
Loaded with dazzling action but bereft of purpose, the Point Break remake will be remembered as the first film to make audiences pine for the simultaneous presences of Keanu Reeves and Gary Busey.
IMDB: 5.6, RT Aud: 29%, RT Critics: 31%
Hardcore Jason Statham fans may enjoy parts of Wild Card, but all other action aficionados need not apply.
IMDB: 5.7, RT Aud: 36%, RT Critics: 18%
Love the Coopers has a talented cast and a uniquely bittersweet blend of holiday cheer in its better moments, but they're all let down by a script content to settle for cloying smarm.
IMDB: 4.2, RT Aud: 22%, RT Critics: 16%
Narratively contrived and visually a mess, The Gallows sends viewers on a shaky tumble to the bottom of the found-footage horror barrel.
IMDB: 4.1, RT Aud: 41%, RT Critics: 25%
While creatively better endowed than its print counterpart, Fifty Shades of Grey is a less than satisfying experience on the screen.
IMDB: 5.2, RT Aud: 24%, RT Critics: 31%
Mojave has no shortage of talent on either side of the camera; unfortunately, it amounts to little more than a frustrating missed opportunity.
IMDB: 5.4, RT Aud: 26%, RT Critics: 10%
Unfocused and unfunny, Unfinished Business lives down to its title with a slipshod screenplay and poorly directed performances that would have been better left unreleased.
IMDB: 4.6, RT Aud: 27%, RT Critics: 13%
Paranormal Activity: The Ghost Dimension ties up some of the franchise's lingering questions, but six films into the series, the thrills are mostly gone.
IMDB: 4.8, RT Aud: 32%, RT Critics: 0%
Every bit as lazily offensive as its cast and concept would suggest, The Ridiculous Six is standard couch fare for Adam Sandler fanatics and must-avoid viewing for film enthusiasts of every other persuasion.
IMDB: 5.1, RT Aud: 26%, RT Critics: 13%
A shallow dip overflowing with juvenile humor, Hot Tub Time Machine 2 is a lukewarm sequel that's healthiest to avoid.
IMDB: 5.7, RT Aud: 40%, RT Critics: 8%
Hitman: Agent 47 fails to clear the low bar set by its predecessor, forsaking thrilling action in favor of a sleekly hollow mélange of dull violence and product placement.
IMDB: 5.4, RT Aud: 24%, RT Critics: 33%
Thematically timely but dramatically inert, Blackhat strands Chris Hemsworth in a muddled misfire from director Michael Mann.
IMDB: 5.3, RT Aud: 31%, RT Critics: 12%
Sinister 2 has a few ingredients that will be familiar to fans of the original; unfortunately, in this slapdash second installment, none of them are scary anymore.
IMDB: 5.4, RT Aud: 26%, RT Critics: 5%
Home Sweet Hell mistakes misogyny for subversive wit, aiming for black comedy but ending up with a grueling test of viewer endurance that wastes game efforts from its likable leads.
IMDB: 5.2, RT Aud: 23%, RT Critics: 14%
The Lazarus Effect has a talented cast and the glimmer of an interesting idea, but wastes it all on insipid characters and dull, recycled plot points.
IMDB: 5.2, RT Aud: 30%, RT Critics: 15%
The Transporter Refueled has little to offer beyond a handful of decent action sequences, leaving this reboot's title feeling more like wishful thinking than a restatement of purpose.
IMDB: 5.1, RT Aud: 24%, RT Critics: 12%
Miranda (Academy Award nominee Rosamund Pike, Gone Girl) is a dedicated nurse, an exquisite cake maker and an impeccable friend.
IMDB: 5.1, RT Aud: 35%, RT Critics: 7%
Shrill and unfunny, Hot Pursuit bungles what should have been an easy opportunity to showcase Reese Witherspoon and Sofia Vergara's likable odd-couple chemistry.
IMDB: 5.5, RT Aud: 29%, RT Critics: 12%
Aggressively strange and willfully unfunny, the misguided Mortdecai sounds a frightfully low note in Johnny Depp's post-Pirates filmography.
IMDB: 5.5, RT Aud: 28%, RT Critics: 8%
The Shareef don't like Rock the Kasbah, and neither will viewers hoping for a film that manages to make effective use of Bill Murray's knack for playing lovably anarchic losers.
IMDB: 4.7, RT Aud: 33%, RT Critics: 10%
The Boy Next Door may get a few howls out of fans of stalker thrillers, but for most viewers, it won't even rise to "so bad it's good" status.
IMDB: 5.6, RT Aud: 32%, RT Critics: 8%
SURVIVOR is directed by James McTeigue and also stars Dylan McDermott, Angela Bassett and Robert Forster.
IMDB: 5.7, RT Aud: 21%, RT Critics: 15%
Regression boasts a pair of eminently likable leads -- neither of whom are able to dislodge the movie from the mire of psychological thriller mediocrity.
IMDB: 5.8, RT Aud: 41%, RT Critics: 27%
Pan finds a few bursts of magic in its prequel treatment of classic characters, though not enough to offset the rushed plot and shrill, CGI-fueled action.
IMDB: 4.4, RT Aud: 33%, RT Critics: 5%
Bathed in flop sweat and bereft of purpose, Paul Blart: Mall Cop 2 strings together fat-shaming humor and Segway sight gags with uniformly unfunny results.
IMDB: 4.2, RT Aud: 15%, RT Critics: 3%
Julian Michaels (Bruce Willis) has designed the ultimate resort: VICE, where anything goes and the customers can play out their wildest fantasies with artificial inhabitants who look, think and feel like humans.
IMDB: 4.2, RT Aud: 40%, RT Critics: 19%
Jem and the Holograms ignores its source material's goofy charm in favor of bland by-the-numbers drama.
IMDB: 4.7, RT Aud: 22%, RT Critics: 25%
In spite of a promising premise and a roundly talented cast, The Runner is a disappointing outing to be viewed by only the staunchest of Nicolas Cage completists.
IMDB: 5.3, RT Aud: 29%, RT Critics: 34%
By the Sea may intrigue celebrity voyeurs or fans of a certain type of arthouse cinema, but for most viewers, its beauty won't be enough to offset its narrative inertia.
IMDB: 5.1, RT Aud: 21%, RT Critics: 15%
When he realizes that he left his son's gifts at home, Boyd and his father must hit the road in a blizzard to retrieve the gifts before sunrise to save Christmas.
IMDB: 4.2, RT Aud: 33%, RT Critics: 2%
Cheap-looking, poorly acted, and dull, The Legend of Hercules is neither fun enough to qualify as an action movie nor absorbing enough to work on a dramatic level.
IMDB: 5.5, RT Aud: 34%, RT Critics: 12%
Seventh Son squanders an excellent cast and some strange storyline ingredients, leaving audiences with one disappointingly dull fantasy adventure.
IMDB: 4.5, RT Aud: 24%, RT Critics: 6%
Slowly, steadily, although no one seems to be moving it in that direction, the Ouija planchette points to NO.
IMDB: 5.4, RT Aud: 23%, RT Critics: 16%
Serena unites an impressive array of talent on either side of the cameras -- then leaves viewers to wonder how it all went so wrong.
IMDB: 4.4, RT Aud: 15%, RT Critics: 8%
Dying of the Light envelops the spark of several intriguing talents, leaving audiences lost in a yawning void of uninspired filmmaking.
IMDB: 5.7, RT Aud: 29%, RT Critics: 10%
Henry Altmann (Williams) has one every day.
IMDB: 5.5, RT Aud: 22%, RT Critics: 10%
Young American couple Tom and Anna Reed (James Franco and Kate Hudson) fall into severe debt while renovating Anna's family home in London.
IMDB: 5.1, RT Aud: 38%, RT Critics: 5%
Loud, incoherent, and dramatically listless, I, Frankenstein is a remarkably dull fantasy adventure that fails to generate much excitement or interest in its characters.
IMDB: 4.6, RT Aud: 21%, RT Critics: 4%
Unforgivably dull, Outcast fails to deliver virtually all of the goofy fun that should come from a movie starring Nicolas Cage and Hayden Christensen in ancient China.
IMDB: 5.7, RT Aud: 36%, RT Critics: 20%
Sabotage boasts one of Arnold Schwarzenegger's finer post-political performances, but it's wasted in a movie driven by grueling violence that punishes seemingly without purpose.
IMDB: 5.5, RT Aud: 34%, RT Critics: 27%
This big-budget sword-and-sandal adventure lacks the energy and storytelling heft to amount to more than a guilty pleasure.
IMDB: 4.3, RT Aud: 15%, RT Critics: 17%
Monsters: Dark Continent lacks the fresh approach and thought-provoking subtext of its predecessor, settling instead for tired war movie clichés.
IMDB: 5.1, RT Aud: 29%, RT Critics: 28%
Everly benefits from Joe Lynch's stylish direction and Salma Hayek's starring work, but it's too thinly written and sleazily violent to fully recommend.
IMDB: 5.1, RT Aud: 33%, RT Critics: 16%
With neither the conviction to embrace its smutty premise nor enough laughs to function as a worthwhile rom-com, the flaccid Sex Tape suffers from cinematic impotence.

IMDB: 5.4, RT Aud: 21%, RT Critics: 10%
Affluent and aimless, Conrad Valmont lives a life of leisure in his parent's prestigious Manhattan Hotel.
IMDB: 5.6, RT Aud: 35%, RT Critics: 29%
Dumb and Dumber To does have its moments, but not enough of them -- and the Farrelly brothers' brand of humor is nowhere near as refreshingly transgressive as it once seemed.
IMDB: 4.4, RT Aud: 13%, RT Critics: 23%
After an ill-fated swim in contaminated water, they stumble upon a seemingly abandoned research facility where a deadly, flesh-eating virus has been unleashed.
IMDB: 4.9, RT Aud: 36%, RT Critics: 24%
Melissa McCarthy remains an engaging screen presence, but her efforts aren't enough to keep the jumbled Tammy on track.
IMDB: 4.3, RT Aud: 15%, RT Critics: 7%
While her career takes off, her eccentric and envious colleagues (Chris Klein, Teri Polo, Dylan Walsh, Dennis Farina and Jonathan Bennett) struggle to find their own paths to publishing fame and fortune.
IMDB: 5.3, RT Aud: 22%, RT Critics: 8%
THE BAG MAN is a taut crime thriller that follows the story of JACK (John Cusack), a tough guy with chronic bad luck but human touches.
IMDB: 5.1, RT Aud: 25%, RT Critics: 35%
While it definitely sports a few palpable scares, The Quiet Ones finds Hammer Films trading too heavily on past glories.
IMDB: 5.4, RT Aud: 31%, RT Critics: 27%
Jessabelle hints at a bright future for star Sarah Snook, but clouds her performance with a cliched -- and tasteless -- storyline.
IMDB: 4.4, RT Aud: 29%, RT Critics: 0%
In this fast-paced, outrageously funny, all-star romp, socially awkward high schooler Rick Stevens (Nat Wolff) is willing to do whatever it takes to win the heart of the girl of his dreams
IMDB: 4.9, RT Aud: 24%, RT Critics: 21%
The Woman in Black 2: Angel of Death is atmospheric and visually sharp, but it's short on tension and scares.
IMDB: 5.0, RT Aud: 28%, RT Critics: 12%
Depressingly dull and all-around poorly made, Rage is the rare Nicolas Cage action thriller lacking enough energy to reach "so bad it's good" territory.
IMDB: 3.1, RT Aud: 39%, RT Critics: 1%
Yea verily, like unto a plague of locusts, Left Behind hath begat a further scourge of devastation upon Nicolas Cage's once-proud filmography.
IMDB: 5.0, RT Aud: 34%, RT Critics: 39%
A change of setting breathes some new life into the franchise, but Paranormal Activity: The Marked Ones fails to provide enough consistent thrills to justify a fifth film in the series.
IMDB: 4.1, RT Aud: 21%, RT Critics: 16%
Derivative and mostly uninspired, Devil's Due adds little to either the found-footage or horror genres that it's content to mimic.
IMDB: 4.6, RT Aud: 22%, RT Critics: 12%
Poorly lit and thinly writ, The Pyramid houses little more than clunky dialogue, amateurish acting, and dusty found-footage scares.
IMDB: 2.1, RT Aud: 12%, RT Critics: 0%
Gerard Depardieu, Sam Neill and Tim Roth trace the history of the FIFA World Cup in United Passions.
IMDB: 4.7, RT Aud: 43%, RT Critics: 7%
Sloppy, vulgar, and manic, A Haunted House 2 might be worth a chuckle or two, but mostly it's a string of pop culture references and crude gags that fail to hit their intended targets.
IMDB: 5.1, RT Aud: 18%, RT Critics: 13%
While Frankie served time, James worked to turn his life around, got a steady job and began courting his former girlfriend Emily.
IMDB: 5.0, RT Aud: 26%, RT Critics: 29%
Extraterrestial does deliver a certain amount of gory genre thrills, but they're outweighed by the crushing clichés of its sagging script.
IMDB: 3.8, RT Aud: 14%, RT Critics: 31%
When extortion, betrayal, and fiery passions threaten his criminal empire, a drug kingpin is driven to desperate measures in this explosive film based on Shakespeare's Cymbeline.
IMDB: 5.8, RT Aud: 36%, RT Critics: 9%
The Cobbler represents a slight step up from Adam Sandler's recent comedies, but while its cloying sentiment proves a more palatable substitute for his usual crass humor, it still isn't terribly compelling.
IMDB: 5.4, RT Aud: 36%, RT Critics: 28%
Annabelle borrows unabashedly from better horror films, content to leave viewers with a string of cheap jolts that fail to build on the far more effective The Conjuring.
IMDB: 4.3, RT Aud: 43%, RT Critics: 6%
A company tries to shut down Mrs Brown's fruit and veg stall.
IMDB: 4.2, RT Aud: 14%, RT Critics: 36%
A police chase after a deranged ice cream truck has captivated the attention of the greater Los Angeles area.
IMDB: 5.6, RT Aud: 38%, RT Critics: 13%
It has its moments -- most of them courtesy of Jeff Bridges' rootin' tootin' performance as an undead Wild West sheriff -- but R.I.P.D. is ultimately too dim-witted and formulaic to satisfy.
IMDB: 3.5, RT Aud: 38%, RT Critics: 3%
Juvenile even by Scary Movie standards, this fifth installment offers stale pop culture gags that generate few laughs.
IMDB: 5.3, RT Aud: 22%, RT Critics: 15%
A formulaic sci-fi thriller, The Colony features cliched dialogue, cheesy special effects, and underdeveloped characters.
IMDB: 4.3, RT Aud: 24%, RT Critics: 3%
A star-studded turkey, Movie 43 is loaded with gleefully offensive and often scatological gags, but it's largely bereft of laughs.
IMDB: 5.7, RT Aud: 35%, RT Critics: 6%
Clichéd and unoriginal, Paranoia is a middling techno-thriller with indifferent performances and a shortage of thrills.
IMDB: 5.4, RT Aud: 29%, RT Critics: 10%
Deep in the Appalachian Mountains, a reclusive American military veteran (Robert De Niro) and a European tourist (John Travolta) strike up an unlikely friendship.
IMDB: 5.3, RT Aud: 22%, RT Critics: 6%
Given the amount of talent assembled on both sides of the camera, Are You Here falls bewilderingly flat.
IMDB: 4.8, RT Aud: 41%, RT Critics: 18%
As an ugly and cynical attempt to rebrand Leatherface as horror anti-hero, Texas Chainsaw 3D is a bold move for the franchise.
IMDB: 5.3, RT Aud: 40%, RT Critics: 14%
A Good Day to Die Hard is the weakest entry in a storied franchise, and not even Bruce Willis' smirking demeanor can enliven a cliched, uninspired script.
IMDB: 4.8, RT Aud: 33%, RT Critics: 17%
Nearly a decade later, Tarzan encounters beautiful Jane Porter, and begins to long for human contact.

IMDB: 5.5, RT Aud: 25%, RT Critics: 7%
Naomi Watts tries hard in the title role, but Diana buries her efforts under a shoddy script and clumsy direction.
IMDB: 5.2, RT Aud: 41%, RT Critics: 23%
Walking with Dinosaurs boasts painstaking visual brilliance, but it's unfortunately clouded by a clumsy script that's dominated by juvenile humor.
IMDB: 4.8, RT Aud: 36%, RT Critics: 11%
After Earth is a dull, ploddingly paced exercise in sentimental sci-fi -- and the latest setback for director M. Night Shyamalan's once-promising career.
IMDB: 4.9, RT Aud: 31%, RT Critics: 23%
It starts with an interesting premise and Paul Walker is as handsomely brooding as ever, but Vehicle 19's incoherently shot action sequences make it a poor substitute for his work in the Fast & Furious movies.
IMDB: 5.6, RT Aud: 41%, RT Critics: 7%
The Big Wedding's all-star cast is stranded in a contrived, strained plot that features broad stabs at humor but few laughs.
IMDB: 5.6, RT Aud: 34%, RT Critics: 28%
While possessed with the same schlocky lunacy as its far superior predecessor, Machete Kills loses the first installment's spark in a less deftly assembled sequel.
IMDB: 4.0, RT Aud: 26%, RT Critics: 15%
The Last Exorcism Part II ditches the found footage format for relatively earnest but deadly tedious psychological terror that devolves into hokum anyways.
IMDB: 4.4, RT Aud: 35%, RT Critics: 2%
Monotonously fast-paced to the point of exhaustion, Getaway offers a reminder of the dangers in attempting to speed past coherent editing, character development, sensible dialogue, and an interesting plot.
IMDB: 5.7, RT Aud: 36%, RT Critics: 37%
Half social allegory, half home-invasion thriller, The Purge attempts to make an intelligent point, but ultimately devolves into numbing violence and tired clichés.
IMDB: 5.3, RT Aud: 23%, RT Critics: 34%
The Counselor raises expectations with its talented cast and creative crew -- then subverts them with a wordy and clumsy suspense thriller that's mercilessly short on suspense or thrills.
IMDB: 4.5, RT Aud: 26%, RT Critics: 28%
Steinar's epic journey across terrifyingly hostile territory gradually sees him emerge as the man his father wants him to be - the ruthless and unforgiving successor to his throne.
IMDB: 3.5, RT Aud: 9%, RT Critics: 0%
Before long, the crew discovers the meteors harbored alien spores
IMDB: 3.8, RT Aud: 15%, RT Critics: 22%
Oppressively misanthropic and ineptly made, The Canyons serves as a sour footnote in Paul Schrader's career -- but it does feature some decent late-period work from Lindsay Lohan.
IMDB: 4.9, RT Aud: 27%, RT Critics: 31%
Though its brand of immature comedy may appeal to some, Hell Baby misses the mark with much of its humor, rendering it a largely ineffective -- and often crass -- genre sendup.
IMDB: 5.6, RT Aud: 33%, RT Critics: 7%
It has an impressive cast and an intriguing premise, but Runner Runner wastes them on a bland, haphazardly assembled thriller with very little payoff.
IMDB: 5.3, RT Aud: 30%, RT Critics: 35%
The Green Inferno may not win writer-director Eli Roth many new converts, but fans of his flair for gory spectacle should find it a suitably gruesome diversion.
IMDB: 3.3, RT Aud: 21%, RT Critics: 0%
The comedy is directed by Jason Friedberg and Aaron Seltzer (Meet the Spartans, Vampires Suck) and is produced by Peter Safran (The Conjuring, Vampires Suck).
IMDB: 5.7, RT Aud: 23%, RT Critics: 16%
Colin Firth and Cameron Diaz headline this remake of the 1966 crime caper directed by Michael Hoffman (The Last Station) and written by Joel and Ethan Coen.
IMDB: 5.0, RT Aud: 22%, RT Critics: 8%
The Babymakers mistakes raunch for humor and, despite a few sporadic laughs, wastes its otherwise capable cast on gross-out gags and misfired one-liners.
IMDB: 4.5, RT Aud: 20%, RT Critics: 11%
Diane's charming innocence quickly begins to open Jack's tough skinned heart.
IMDB: 5.0, RT Aud: 35%, RT Critics: 6%
Mediocre effort even by the standards of video game adaptations, Silent Hill: Revelation 3D features weak characters and an incomprehensible plot with a shortage of scares.
IMDB: 4.8, RT Aud: 19%, RT Critics: 18%
Beth Raymer leaves her dancing job at a Florida strip club to become a Las Vegas cocktail waitress.
IMDB: 5.7, RT Aud: 39%, RT Critics: 17%
The Watch uneasily mixes sci-fi elements with gross-out gags and strands its talented cast with a script that favors vulgarity over wit at nearly every turn.
IMDB: 5.7, RT Aud: 39%, RT Critics: 46%
Bullet to the Head's unapologetically trashy thrills evoke memories of its star and director's proud cinematic pasts -- but sadly, those memories are just about all it has to offer.
IMDB: 4.9, RT Aud: 29%, RT Critics: 4%
Will Shaw (Henry Cavill) goes to Spain for a weeklong sailing vacation with his family but his whole world turns upside down when the family is kidnapped by intelligence agents hell-bent on recovering a mysterious briefcase and Will suddenly finds himself on the run.
IMDB: 4.1, RT Aud: 24%, RT Critics: 3%
The Apparition fails to offer anything original, isn't particularly scary, and offers so little in the way of dramatic momentum that it's more likely to put you to sleep than thrill you.

IMDB: 5.4, RT Aud: 29%, RT Critics: 27%
Bel Ami contains some soapy pleasures but it overall rushes through the narrative and suffers from a vague central performance by Robert Pattinson.
IMDB: 3.9, RT Aud: 17%, RT Critics: 4%
Drinking, nudity, mishandled fireworks and tremendously inappropriate behavior around minors ensues, in the grand tradition of comedy classics like The Bad News Bears and Meatballs.
IMDB: 4.3, RT Aud: 15%, RT Critics: 0%
Shallow and brackish, Dark Tide fails to rise.

IMDB: 5.6, RT Aud: 41%, RT Critics: 11%
Poorly conceived, clumsily executed, and almost completely bereft of scares, House at the End of the Street strands its talented star in a film as bland as its title.
IMDB: 5.3, RT Aud: 42%, RT Critics: 1%
Dull and unfunny, One For the Money wastes Katherine Heigl's talents on a stunningly generic comic thriller.
IMDB: 4.7, RT Aud: 23%, RT Critics: 8%
After leaving their company Christmas Party together, David Hargrove and Emily Brandt's impromptu first date takes an unexpected turn when their coworker, Corey, asks them to make a late-night stop at an ATM.
IMDB: 5.5, RT Aud: 34%, RT Critics: 15%
To get his hands on it, his old partner Vincent kidnaps Allison and demands the entire $ 10 Million as ransom.
IMDB: 3.7, RT Aud: 22%, RT Critics: 13%
It strains to up the gore and self-awareness of it predecessor, and -- despite some game celebrity cameos -- the result is a dispiriting echo of 2010's horror-comedy.
IMDB: 4.1, RT Aud: 22%, RT Critics: 0%
After partying in New York City last night, John and his beautiful girlfriends Mia and Violet form an intimate bond as their deepest secrets from their past are revealed.
IMDB: 5.1, RT Aud: 29%, RT Critics: 20%
Struggling with her distracted, self-involved husband Joseph (Kevin Kline) and an empty nest at home, Beth forms a special bond with the rescued animal.
IMDB: 4.8, RT Aud: 24%, RT Critics: 37%
Aftershock hints at an inventive twist on horror tropes, but ultimately settles for another round of mind-numbing depravity that may alternately bore and revolt all but the most ardent gore enthusiasts.
IMDB: 3.6, RT Aud: 12%, RT Critics: 6%
When an unknown vigilante begins killing high-priority terrorists from America's Most Wanted list in Europe, a former FBI field agent (Christian Slater) is brought in by the US Ambassador (Donald Sutherland) to discover the identity of the assassin.

IMDB: 4.7, RT Aud: 23%, RT Critics: 36%
As is often the case with anthology films, The ABCs of Death is wildly uneven, with several legitimately scary entries and a bunch more that miss the mark.
IMDB: 4.8, RT Aud: 15%, RT Critics: 14%
One morning her boyfriend (Jonny Weston) suggests she take naked pictures for money.
IMDB: 5.0, RT Aud: 28%, RT Critics: 17%
Despite an interesting premise and spooky atmospherics, Chernobyl Diaries is mostly short on suspense and originality.
IMDB: 3.5, RT Aud: 30%, RT Critics: 18%
After learning of an urban legend in which a demented serial killer named "Smiley" can be summoned through the Internet, mentally fragile Ashley (Caitland Gerard) must decide whether she is losing her mind or becoming Smiley's next victim.

IMDB: 4.6, RT Aud: 34%, RT Critics: 24%
While it does manage to wring a few more screams out of the franchise's surprisingly durable premise, Paranormal Activity 4 provides fans of the series with dismayingly diminishing returns.
IMDB: 4.4, RT Aud: 20%, RT Critics: 4%
James Franco, Mila Kunis, Jessica Chastain, and Zach Braff star in this dramatic and inventive look at the life and work of ionic Pulitzer Prize-winning poet C.K.
IMDB: 2.6, RT Aud: 19%, RT Critics: 0%
A comedy about Keith following his dreams of becoming a successful entrepreneur, just like his hero Richard Branson.
IMDB: 5.4, RT Aud: 30%, RT Critics: 9%
Slow, cheap-looking, and dull, Season of the Witch fails even as unintentional comedy.
IMDB: 3.3, RT Aud: 36%, RT Critics: 2%
Although it features an inexplicably committed performance from Al Pacino, Jack and Jill is impossible to recommend on any level whatsoever.
IMDB: 5.2, RT Aud: 30%, RT Critics: 23%
While its relentless, gory violence is more faithful to the Robert E. Howard books, Conan the Barbarian forsakes three-dimensional characters, dialogue, and acting in favor of unnecessary 3D effects.
IMDB: 4.8, RT Aud: 35%, RT Critics: 10%
It may add 3D to the original, but Hoodwinked Too! is missing the first installment's wit and refreshingly low-budget charm.
IMDB: 4.3, RT Aud: 32%, RT Critics: 17%
With a weak script, uneven CG work, and a Nic Cage performance so predictably loony it's no longer amusing, Ghost Rider: Spirit of Vengeance aims to be trashy fun but ends up as plain trash.
IMDB: 4.9, RT Aud: 25%, RT Critics: 11%
The 3D thriller highlights the classic beauty of Moscow alongside mind-blowing special effects.
IMDB: 5.7, RT Aud: 36%, RT Critics: 4%
Small town teenager Luli (Chloe Grace Moretz) escapes to Las Vegas, leaving behind her alcoholic and abusive parents.
IMDB: 5.2, RT Aud: 41%, RT Critics: 13%
Zookeeper smothers Kevin James's with a sodden script and a surfeit of jokes inappropriate for the young viewers who would be intrigued by its juvenile storyline.
IMDB: 5.5, RT Aud: 34%, RT Critics: 27%
Big budgets and costumes in service of scatalogical jokes may seem funny on paper, but in execution this is a highly monotonous romp that registers only occasional laughs.
IMDB: 5.3, RT Aud: 23%, RT Critics: 20%
But Carl's new belief system is turned upside down when he witnesses a sinful act that Pastor Dan's doughy henchman (Jim Gaffigan) aims to cover up.
IMDB: 4.9, RT Aud: 27%, RT Critics: 3%
Devoid of chills, thrills, or even cheap titillation, The Roommate isn't even bad enough to be good.
IMDB: 5.4, RT Aud: 40%, RT Critics: 36%
The cast is solid and it's visually well-crafted, but Mars Needs Moms suffers from a lack of imagination and heart.
IMDB: 5.3, RT Aud: 27%, RT Critics: 36%
Every year, several million single women in America move into an apartment.
IMDB: 5.7, RT Aud: 39%, RT Critics: 22%
With its recycled plot, misguided gags, and formula performance from Jonah Hill, The Sitter adds up to another disappointing entry from director David Gordon Green.
IMDB: 4.9, RT Aud: 23%, RT Critics: 13%
Before long, Rebecca's friendship with the popular Lucy (Sarah Gadon) is shattered by the arrival of a dark and mysterious new student named Ernessa (Lily Cole).
IMDB: 3.3, RT Aud: 24%, RT Critics: 0%
A severely misguided and inept comedy incapable of even telling its single joke properly.
IMDB: 5.0, RT Aud: 28%, RT Critics: 0%
Romantic Comedy veteran Dermot Mulroney directs.
IMDB: 5.5, RT Aud: 39%, RT Critics: 10%
Amanda Seyfried is magnetic in Red Riding Hood's starring role, but she's let down by her uninspired leading men and a painfully cliched script.
IMDB: 4.6, RT Aud: 20%, RT Critics: 0%
Having met at University, American born Ellie (Mandy Moore) and her husband Alvin (Martin Freeman) are several years into their marriage.
IMDB: 5.8, RT Aud: 39%, RT Critics: 24%
It plays admirably fast and loose with Alexandre Dumas' classic tale, but in every other respect, The Three Musketeers offers nothing to recommend -- or to set it apart from the many other film adaptations.
IMDB: 3.5, RT Aud: 37%, RT Critics: 22%
Burdened by a rote plot and unfunny scatological humor, All the Time in the World suggests that the Spy Kids franchise has run its course.
IMDB: 3.8, RT Aud: 22%, RT Critics: 29%
The Human Centipede II (Full Sequence) attempts to weave in social commentary but as the movie wears on, it loses its ability to repulse and shock and ends up obnoxious and annoying.
IMDB: 5.1, RT Aud: 22%, RT Critics: 16%
Needless stylistic flourishes and wholly illogical storytelling make The Son of No One a grisly, repugnant journey.
IMDB: 4.2, RT Aud: 41%, RT Critics: 19%
Entertaining for some very young viewers, but for those with normal attention spans, Judy Moody is loud hyperactive overload.
IMDB: 5.3, RT Aud: 29%, RT Critics: 24%
It boasts a likable cast and an interesting premise, but The Dilemma can't decide what to do with them; the result is an uneven blend of cheesy slapstick and surprisingly dark comedy.
IMDB: 5.1, RT Aud: 42%, RT Critics: 3%
A soulless and incompetent action/thriller not even a veteran lead actor could save, let alone Taylor Lautner.
IMDB: 4.0, RT Aud: 22%, RT Critics: 17%
A joyless excursion into the water that doesn't even produce good gore or nudity thanks to the neutered PG-13 rating.
IMDB: 5.4, RT Aud: 23%, RT Critics: 30%
Intruders has a fantastic first act but then settles into a bland plot and scare tactics that aren't all too scary.
IMDB: 5.3, RT Aud: 22%, RT Critics: 9%
Another claustrophobic thriller that Joel Schumacher can churn out in his sleep, Trespass is nasty and aggressive, more unpleasant than entertaining.
IMDB: 3.7, RT Aud: 39%, RT Critics: 9%
He forms an unlikely alliance with Moody Margaret, the infuriating girl next door, outwits corrupt School Inspectors, topples an evil Headmaster, wins a talent contest, and stands up to his ultimate nemesis.

IMDB: 4.9, RT Aud: 32%, RT Critics: 16%
A limp comedy with a hopelessly outdated viewpoint on gender, featuring Sarah Jessica Parker in rote Carrie-mode.
IMDB: 5.2, RT Aud: 23%, RT Critics: 23%
A boring, suspense-free Paranormal Activity rip-off that feels long even at just 90 minutes.
IMDB: 4.5, RT Aud: 15%, RT Critics: 4%
The sadistic mortician next door will now stop at nothing to literally bury his past.
IMDB: 3.8, RT Aud: 31%, RT Critics: 7%
A thin premise stretched far beyond serviceable length, Furry Vengeance subjects Brendan Fraser -- and the audience -- to 92 minutes of abuse.
IMDB: 5.8, RT Aud: 33%, RT Critics: 34%
Suitably grand and special effects-laden, The Wolfman suffers from a suspense-deficient script and a surprising lack of genuine chills.
IMDB: 5.8, RT Aud: 39%, RT Critics: 27%
An obviously affectionate remake of the 1981 original, Louis Leterrier's Clash of the Titans doesn't offer enough visual thrills to offset the deficiencies of its script.
IMDB: 4.8, RT Aud: 26%, RT Critics: 8%
Dull, joyless, and formulaic, My Soul to Take suggests writer/director Wes Craven ended his five-year filmmaking hiatus too soon.
IMDB: 4.1, RT Aud: 30%, RT Critics: 5%
The Last Airbender squanders its popular source material with incomprehensible plotting, horrible acting, and detached joyless direction.
IMDB: 5.5, RT Aud: 34%, RT Critics: 9%
As star-studded as it is heartbreakingly lazy, Little Fockers takes the top-grossing trilogy to embarrassing new lows.
IMDB: 5.1, RT Aud: 29%, RT Critics: 7%
An uninspired, feebly-acted horror/comedy that produces little scares and laughs.
IMDB: 5.2, RT Aud: 31%, RT Critics: 19%
Despite a solid cast and intermittent thrills, Legion suffers from a curiously languid pace, confused plot, and an excess of dialogue.
IMDB: 4.7, RT Aud: 20%, RT Critics: 12%
Josh Brolin gives it his best shot, but he can't keep the short, unfocused Jonah Hex from collapsing on the screen.
IMDB: 5.2, RT Aud: 43%, RT Critics: 14%
Visually faithful but lacking the depth and subversive twists that made the original so memorable, the Nightmare on Elm Street remake lives up to its title in the worst possible way.
IMDB: 5.6, RT Aud: 41%, RT Critics: 16%
A pair of young, attractive leads can't overcome When in Rome's reliance on unfunny gags and threadbare rom-com clichés.
IMDB: 5.3, RT Aud: 41%, RT Critics: 16%
With bland visuals and a dull, predictable plot, Alpha and Omega is a runt in 2010's animated litter.
IMDB: 5.5, RT Aud: 35%, RT Critics: 38%
Funnier and more gleefully gory than most slasher sequels, Hatchet II aims for so-bad-it's-good territory, but can't quite hack it.
IMDB: 5.4, RT Aud: 28%, RT Critics: 30%
Director Julie Taymor's gender-swapping of roles and some frenzied special effects can't quite disguise an otherwise stagey, uninspired take on Shakespeare's classic.
IMDB: 4.3, RT Aud: 38%, RT Critics: 13%
Dull and unfunny, this inexplicable sequel offers little more than the spectacle of digitally rendered talking animals with celebrity voices.
IMDB: 4.6, RT Aud: 34%, RT Critics: 12%
Yogi Bear's 3D effects and all-star voice cast are cold comfort for its aggressively mediocre screenplay.
IMDB: 3.4, RT Aud: 47%, RT Critics: 5%
Five junior high school friends form a singing group called "The 5 Ovations" to compete in a national music video contest for a cash prize of one million dollars.
IMDB: 1.8, RT Aud: 26%, RT Critics: 18%
This low-budget thriller follows a sexy lingerie model and her computer engineer boyfriend as they take a pleasant trip to Northern California, only to discover that legions of malicious birds are descending on human kind.
IMDB: 4.9, RT Aud: 27%, RT Critics: 20%
Though Jack Black is back doing what he does best, Gulliver's Travels largely fails to do any justice to its source material, relying instead on juvenile humor and special effects.
IMDB: 5.4, RT Aud: 25%, RT Critics: 31%
How Do You Know boasts a quartet of likeable leads -- and they deserve better than this glib, overlong misfire from writer/director James L. Brooks.

IMDB: 5.6, RT Aud: 39%, RT Critics: 18%
Cop Out is a cliched buddy action/comedy that suffers from stale gags and slack pacing.
IMDB: 4.2, RT Aud: 41%, RT Critics: 8%
Dull and unfunny, Marmaduke offers family filmgoers little more than another round of talking animals and scatological humor.
IMDB: 4.8, RT Aud: 17%, RT Critics: 3%
Passion Play has a terrific cast, but don't be fooled - the only real question at the heart of this misbegotten mystery is what its stars were thinking.
IMDB: 5.1, RT Aud: 21%, RT Critics: 14%
The two have long rivaled over the groom, Tom (Josh Duhamel).
IMDB: 5.5, RT Aud: 34%, RT Critics: 47%
It too often mistakes shock value for real humor, but MacGruber is better than many SNL films -- and better than it probably should be.
IMDB: 4.4, RT Aud: 18%, RT Critics: 15%
A middling sci-fi entry, Skyline offers proof that solid special effects alone cannot overcome a flat storyline filled with uninspired dialogue.

IMDB: 4.6, RT Aud: 31%, RT Critics: 28%
It's four guys, one camera, and their hilarious experience chronicling the exhilarating and terrifying rite of passage: losing your virginity.
IMDB: 5.6, RT Aud: 23%, RT Critics: 44%
Imaginative but often preposterous, The Box features some thrills but largely feels too piecemeal.
IMDB: 5.5, RT Aud: 21%, RT Critics: 7%
Kate Beckinsale is as lovely as ever, and does her best with the material, but moribund pacing and an uninspired plot leave Whiteout in the cold.
IMDB: 5.1, RT Aud: 39%, RT Critics: 22%
G-Force features manic action, but fails to come up with interesting characters or an inspired plot.
IMDB: 5.4, RT Aud: 32%, RT Critics: 25%
Only loosely based on the original TV series, Land of the Lost is decidedly less kid-friendly and feels more like a series of inconsistent sketches than a cohesive adventure comedy.
IMDB: 4.7, RT Aud: 28%, RT Critics: 18%
This boilerplate comedy lacks ingenuity or humor and features mediocre dialogue that sounds less like conversation and more like stand-up shtick.
IMDB: 5.4, RT Aud: 43%, RT Critics: 30%
Inoffensive and kid-friendly this mundane family comedy is light on imagination.
IMDB: 5.6, RT Aud: 40%, RT Critics: 40%
Despite a promising turn by newcomer Yara Shahidi, Imagine That is another pedestrian family comedy that squanders Eddie Murphy's comedic talents.
IMDB: 5.3, RT Aud: 33%, RT Critics: 25%
Based on a classic anime series, Blood: The Last Vampire is a tedious, shoddily acted, amateurish picture that loses all charm in the transition to live-action.
IMDB: 5.6, RT Aud: 34%, RT Critics: 11%
This tepid remake of the 1987 cult classic lacks the tension and satirical undercurrents of the original.
IMDB: 5.8, RT Aud: 37%, RT Critics: 38%
It has a game, great-looking cast, led by the always worthwhile Daniel Day-Lewis, but Rob Marshall's Nine is chaotic and curiously distant.
IMDB: 4.8, RT Aud: 30%, RT Critics: 6%
All About Steve is an oddly creepy, sour film, featuring a heroine so desperate and peculiar that audiences may be more likely to pity than root for her.
IMDB: 3.7, RT Aud: 17%, RT Critics: 5%
The combination of a shallow plot and miscast performers renders Street Fighter: The Legend of Chun Li a perfectly forgettable video game adaptation.
IMDB: 5.6, RT Aud: 37%, RT Critics: 15%
Love Happens is a dull, chemistry-free affair that under-utilizes its appealing leads.
IMDB: 5.7, RT Aud: 31%, RT Critics: 40%
This B-grade thriller has a good cast and director but is undone by plot holes and messy conclusion.
IMDB: 3.9, RT Aud: 20%, RT Critics: 0%
A group of college students embarks on a wild, sexy and outrageous semester abroad at Razvan University.
IMDB: 5.0, RT Aud: 36%, RT Critics: 24%
Fame is ultimately undone by its choppy editing, its incomplete characterizations, and its apparent desire to appeal to the High School Musical generation.
IMDB: 5.1, RT Aud: 32%, RT Critics: 25%
One instance where the title says it all, Lesbian Vampire Killers finds screenwriters Stewart Williams and Paul Hupfield and director Phil Claydon plunging headfirst into guilty pleasure territory with an unrestrained, sex-laden horror comedy.
IMDB: 5.3, RT Aud: 32%, RT Critics: 13%
Heavily reliant on stereotypes and shallow teen comedy clichés, I Love You Beth Cooper is a humorless affair that fails to capture the charm of its source novel.
IMDB: 5.8, RT Aud: 39%, RT Critics: 28%
With all of the hyperkinetic action and none of the flair of Mark Neveldine and Brian Taylor's earlier work, Gamer has little replay value.
IMDB: 4.9, RT Aud: 23%, RT Critics: 14%
Year One is a poorly executed, slapdash comedy in which the talent both in front of and behind the camera never seem to be on the same page.
IMDB: 5.6, RT Aud: 36%, RT Critics: 39%
Though Fighting has a likable lead performer, and the fight scenes are impressive, the paper-thin plot ultimately unravels.
IMDB: 5.6, RT Aud: 37%, RT Critics: 28%
Cliched and short on charm, New In Town is a pat genre exercise that fails to bring the necessary heat to its Minnesota setting.
IMDB: 2.6, RT Aud: 19%, RT Critics: 14%
Executed with little panache or invention, Dragonball Evolution lacks the magic that made the books upon which it was based a cult sensation.
IMDB: 5.2, RT Aud: 43%, RT Critics: 32%
Paul Blart: Mall Cop has some laughs, but its plot is flimsy and lacking in any sustained comic momentum.
IMDB: 5.2, RT Aud: 34%, RT Critics: 43%
Jennifer's Body features occasionally clever dialogue but the horror/comic premise fails to be either funny or scary enough to satisfy.
IMDB: 5.4, RT Aud: 25%, RT Critics: 22%
Serious Moonlight jumbles a comic tone with tragic circumstances and the result is confused performances from its stars.
IMDB: 4.9, RT Aud: 19%, RT Critics: 29%
Survival of the Dead offers glimmers of Romero's savage wit, but not nearly enough to make up for his unusually uninspired directing and a lack of new ideas
IMDB: 4.8, RT Aud: 30%, RT Critics: 10%
David Goyer's Unborn is a tame genre effort with cheap thrills and scares that border on silliness.
IMDB: 5.3, RT Aud: 27%, RT Critics: 8%
A lightweight, unambitious comedy, Post Grad features fine actors that can do little with its middling, uninspiring script.
IMDB: 5.2, RT Aud: 35%, RT Critics: 28%
With little of the ingenuity of previous installments, The Final Destination is predictable, disposable horror fare.
IMDB: 4.2, RT Aud: 46%, RT Critics: 28%
When high school senior Jessie Campbell (Nikki Reed) and her tight-knit group of friends begin to receive a series of foreboding email chain letters, they have no idea the terror that awaits them.
IMDB: 5.0, RT Aud: 29%, RT Critics: 5%
Even by the modest standards of the teen sex comedy genre, the crass, poorly-madeMiss March misses the mark.
IMDB: 3.5, RT Aud: 30%, RT Critics: 17%
Dance Flick scores a few laughs thanks to the Wayans brothers' exuberance, but it's ultimately a scattershot collection of gags without much direction.
IMDB: 3.6, RT Aud: 18%, RT Critics: 16%
The closest that video-store clerk Stan Helsing (Steve Howey) ever came to fending off monsters was dealing with disgruntled customers irked at the lack of new releases -- but with Halloween fast approaching, that's all about to change.
IMDB: 4.6, RT Aud: 17%, RT Critics: 19%
Despite Uma Thurman's comic skills, Motherhood's contrived set-ups and cliched jokes keep this comedy from delivering laughs -- or insights into modern parenting.
IMDB: 5.3, RT Aud: 42%, RT Critics: 20%
I Hope They Serve Beer in Hell fails in its attempts at raunchy humor, and Tucker Max comes across so unlikable and outrageous that the film's inevitable story arc feels forced.
IMDB: 5.1, RT Aud: 31%, RT Critics: 23%
Though it's slick and stylish, Sorority Row offers nothing new to the slasher genre and misses the mark both in its attempts at humor and thrills.
IMDB: 4.9, RT Aud: 45%, RT Critics: 19%
Zombie shows flashes of vision in the follow-up to his Halloween reboot, but they're smothered by mountains of gore and hackneyed, brutal violence.
IMDB: 4.8, RT Aud: 27%, RT Critics: 11%
It gets a certain amount of mileage out of the inherent likability of its stars, but with an unfunny script and a lack of onscreen chemistry, Did You Hear About the Morgans? falls flat.
IMDB: 4.4, RT Aud: 26%, RT Critics: 11%
Delgo features a blend of plot elements from earlier (and superior) fantasy films, with weaker animation and dull characters.
IMDB: 5.6, RT Aud: 26%, RT Critics: 5%
A poorly constructed, derivative sci-fi stinker with a weak script and poor action sequences.
IMDB: 5.4, RT Aud: 43%, RT Critics: 21%
Featuring wooden performances and minimal scares, The Eye is another tedious remake of an Asian horror film.

IMDB: 4.5, RT Aud: 32%, RT Critics: 17%
Superhero Movie is not the worst of the spoof genre, but relies on tired gags and lame pop culture references all the same.
IMDB: 4.9, RT Aud: 37%, RT Critics: 12%
The Women is a toothless remake of the 1939 classic, lacking the charm, wit and compelling protagonists of the original.
IMDB: 5.1, RT Aud: 37%, RT Critics: 8%
With attention strictly paid to style instead of substance, or historical accuracy, 10,000 B.C. is a visually impressive but narratively flimsy epic.
IMDB: 5.4, RT Aud: 29%, RT Critics: 15%
While it boasts some stylish action, Max Payne suffers severely from an illogical plot and overdirection.
IMDB: 4.0, RT Aud: 29%, RT Critics: 0%
One of the weakest entries in the J-horror remake sweepstakes, One Missed Call is undone by bland performances and shopworn shocks.
IMDB: 5.2, RT Aud: 33%, RT Critics: 6%
Being a remake of a Thai horror film instead of Japanese doesn't prevent Shutter from being another lame Asian horror remake.

IMDB: 5.3, RT Aud: 34%, RT Critics: 2%
Strange Wilderness is a laugh-free comedy that's both aimless and overly crass.
IMDB: 5.2, RT Aud: 24%, RT Critics: 17%
Bad acting, poor CGI and clunky script mean this sci-fi thriller is lacking in all departments including the thrills.
IMDB: 5.0, RT Aud: 35%, RT Critics: 19%
Easy gags and slack direction drag this occasionally clever alien-out-of-planet comedy down to unimaginative lows.
IMDB: 1.9, RT Aud: 30%, RT Critics: 4%
The Hottie and the Nottie is a crass, predictable, and ineptly staged gross-out comedy that serves little purpose beyond existing as another monument to Paris Hilton's vanity.
IMDB: 5.6, RT Aud: 36%, RT Critics: 5%
Uma Thurman, Colin Firth, Sam Shepard, and Isabella Rossellini star in a romantic comedy directed by Griffin Dunne.
IMDB: 3.8, RT Aud: 33%, RT Critics: 13%
The Love Guru features far too many gross-out gags, and too few earned laughs, ranking as one of Mike Myers' poorest outings.
IMDB: 5.4, RT Aud: 26%, RT Critics: 8%
With murky cinematography, a meandering pace, a dull storyline, and rather wooden performances, The Pang Brothers' Hollywood remake of Bangkok Dangerous is unsuccessful.
IMDB: 4.8, RT Aud: 25%, RT Critics: 14%
Though its visuals are unique, The Spirit's plot is almost incomprehensible, the dialogue is ludicrously mannered, and the characters are unmemorable.
IMDB: 4.7, RT Aud: 27%, RT Critics: 0%
The exhausted couple stands in front of an inviting house, complete with gated stone wall, ancient oak trees, and a note welcoming weary travelers.
IMDB: 5.8, RT Aud: 38%, RT Critics: 22%
Semi-Pro is an intermittently funny, half-hearted attempt at sports satire, and one of Will Ferrell's weaker cinematic efforts.
IMDB: 4.6, RT Aud: 27%, RT Critics: 4%
A pale imitation of the raunchy frat comedies of old, College aims low and misses.
IMDB: 5.2, RT Aud: 30%, RT Critics: 12%
With middling CG effects and a distinct lack of fun, The Mummy: Tomb of the Dragon Emperor finds the series past its prime.
IMDB: 5.0, RT Aud: 17%, RT Critics: 12%
As miserable and insipid as its protagonists, The Informers fails to provide anything to think about after the sheen of fake blond is gone.
IMDB: 5.7, RT Aud: 38%, RT Critics: 30%
War, Inc. attempts to satirize the military industrial complex, but more often than not it misses its target.
IMDB: 3.9, RT Aud: 38%, RT Critics: 7%
A dim and predictable remake of an already dull slasher film, this Prom Night fails to be memorable.
IMDB: 5.0, RT Aud: 24%, RT Critics: 18%
The Happening begins with promise, but unfortunately descends into an incoherent and unconvincing trifle.
IMDB: 5.5, RT Aud: 45%, RT Critics: 37%
You Don't Mess With the Zohan features intermittent laughs, and will please Sandler diehards, but after awhile the leaky premise wears thin.
IMDB: 4.1, RT Aud: 30%, RT Critics: 39%
Though intentionally campy, Zombie Strippers suffers from poor execution, and never rises above its silly premise.
IMDB: 5.5, RT Aud: 27%, RT Critics: 20%
Heavy on special effects, but without a coherent story at its base, The Day the Earth Stood Still is subpar re-imagining of the 1951 science-fiction classic.
IMDB: 5.5, RT Aud: 18%, RT Critics: 15%
Despite the best efforts of a talented cast, The Other Man is talky, witless, and tension-free.
IMDB: 3.9, RT Aud: 18%, RT Critics: 2%
The Haunting of Molly Hartley is a rather lifeless horror endeavor, with a pedestrian plot and few scares.
IMDB: 2.7, RT Aud: 25%, RT Critics: 2%
A tired, unfunny, offensive waste of time, Meet the Spartans scrapes the bottom of the cinematic barrel.
IMDB: 4.3, RT Aud: 45%, RT Critics: 10%
An American Carol suffers not so much from its perceived political bias, but from the fact that it simply is not very funny.
IMDB: 1.9, RT Aud: 19%, RT Critics: 1%
Returning to their seemingly bottomless well of flatulence humor, racial stereotypes, and stale pop culture gags, Jason Friedberg and Aaron Seltzer have produced what is arguably their worst Movie yet.
IMDB: 5.2, RT Aud: 47%, RT Critics: 26%
Ghost Rider is a sour mix of morose, glum histrionics amidst jokey puns and hammy dialogue.
IMDB: 4.7, RT Aud: 23%, RT Critics: 9%
Lacking scares or psychological insight, Captivity is a distasteful entry in the 'torture porn' subgenre.
IMDB: 5.8, RT Aud: 37%, RT Critics: 28%
Despite some amiable performances, The Heartbreak Kid is neither as daring nor as funny as the Farrelly Brothers' earlier films.
IMDB: 5.2, RT Aud: 32%, RT Critics: 12%
Underutilizing a talented cast, Mr. Woodcock lacks the comic energy and timing to make the most of its intriguing premise.
IMDB: 5.3, RT Aud: 32%, RT Critics: 22%
Tasteless, yet harmless, Balls of Fury nevertheless fails to generate enough laughs despite its lowbrow intentions.
IMDB: 5.4, RT Aud: 44%, RT Critics: 11%
The Messengers is an atmospheric but derivative rip-off of countless other horror movies.
IMDB: 5.4, RT Aud: 36%, RT Critics: 10%
A few rousing action sequences can't make up for Pathfinder's non-existent plot and silly dialogue.
IMDB: 5.6, RT Aud: 52%, RT Critics: 20%
Sean Bean tries giving motive and emotion to The Hitcher, but director Dave Meyers is more interested in cheap shocks, and gratuitous gore and torture.
IMDB: 3.8, RT Aud: 22%, RT Critics: 4%
Featuring mostly wooden performances, laughable dialogue, and shoddy production values, In the Name of the King fulfills all expectations of an Uwe Boll film.

IMDB: 3.0, RT Aud: 37%, RT Critics: 1%
A mirthless, fairly desperate family film, Daddy Day Camp relies too heavily on bodily functions for comedic effect, resulting in plenty of cheap gags but no laughs.
IMDB: 5.4, RT Aud: 34%, RT Critics: 16%
With miscast leads and unoriginal, uninspired dialogue, The Last Legion pales in comparison to the recent cinematic epics it invokes.
IMDB: 4.8, RT Aud: 42%, RT Critics: 14%
Underdog is a mostly forgettable adaptation that relies far too heavily on recycled material and sloppy production.
IMDB: 4.0, RT Aud: 53%, RT Critics: 8%
Coming off his Oscar-nominated performance in Dreamgirls, the talented-but-inconsistent Eddie Murphy plays three roles in Norbit, a cruel, crass, stereotype-filled comedy that's more depressing than funny.
IMDB: 4.8, RT Aud: 33%, RT Critics: 14%
The magic of the book is lost in translation with The Seeker, due to its clumsy plot and lack of heart.
IMDB: 5.6, RT Aud: 51%, RT Critics: 36%
While an improvement on its predecessor, Fantastic Four: Rise of the Silver Surfer is nevertheless a juvenile, simplistic picture that has little benefit beyond its special effects.
IMDB: 5.6, RT Aud: 45%, RT Critics: 20%
A slew of talent is wasted in this contrived and overly sentimental Christmas film, which can't quite get the balance between slapstick humor and schmaltzy uplift.
IMDB: 4.5, RT Aud: 33%, RT Critics: 7%
An attempt at political satire that lacks any wit or relevance, Postal is nonetheless one of Uwe Boll's more successful films -- for what it's worth.
IMDB: 5.5, RT Aud: 39%, RT Critics: 44%
Offering up more of the familiar sadism and gore, Hostel: Part II will surely thrill horror fans.
IMDB: 5.1, RT Aud: 28%, RT Critics: 25%
Slipstream is a failed experiment; confusing instead of coherent.
IMDB: 2.8, RT Aud: 42%, RT Critics: 11%
Despite the different musical genre, Feel the Noise is as generic as any music-themed film that has come before it.
IMDB: 4.7, RT Aud: 30%, RT Critics: 11%
The increased gore and violence over the first Alien vs. Predator can't excuse Requiem's disorientating editing, excessively murky lighting, and lack of new ideas.
IMDB: 5.3, RT Aud: 53%, RT Critics: 7%
Featuring one of Robin Williams' most shtick-heavy performances, the broad and formulaic License to Wed wrings little out of its slightly creepy, unappealing premise.
IMDB: 5.5, RT Aud: 41%, RT Critics: 19%
Chris Rock's comedic instincts are muted and the female characters are unsatisfactorily drawn in this uneven sex farce/domestic drama mashup.
IMDB: 4.6, RT Aud: 42%, RT Critics: 2%
Kickin' It Old Skool is one big unfunny pop culture reference that doesn't feature many laughs.
IMDB: 4.8, RT Aud: 31%, RT Critics: 18%
Primeval is a low-quality horror film, which due to the inane political messages does not even qualify as campy fun.
IMDB: 5.3, RT Aud: 31%, RT Critics: 15%
Squandering its impressive cast with poorly-directed gags, The Brothers Solomon is a one-joke film stretched well beyond its limits.
IMDB: 4.2, RT Aud: 33%, RT Critics: 8%
Full of groin-centric humor and tired sports clichés, The Comebacks is poor even by parody movie standards.
IMDB: 2.3, RT Aud: 29%, RT Critics: 1%
A crude comedy with nothing new or insightful to say about the subjects it satirizes.
IMDB: 3.5, RT Aud: 37%, RT Critics: 4%
Too afraid to be a real satire of the Iraq War, Delta Farce instead devolves into a reprehensible, unfunny mix of slapstick, gay panic, and flatulence jokes.
IMDB: 4.4, RT Aud: 52%, RT Critics: 15%
The Perfect Holiday is the perfect example of Christmas movie clichés run amok.

IMDB: 3.6, RT Aud: 25%, RT Critics: 6%
Distasteful and ludicrously plotted, I Know Who Killed Me is a career nadir for all involved -- particularly Lindsay Lohan in a dual role.
IMDB: 4.5, RT Aud: 34%, RT Critics: 3%
Happily N'Ever After has none of the moxy, edge, or postmodern wit of the other fairy-tales-gone-haywire CG movie it so blatantly rips off.
IMDB: 5.1, RT Aud: 25%, RT Critics: 23%
Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.
IMDB: 5.1, RT Aud: 51%, RT Critics: 36%
Sure to inspire a few chuckles, but not enough to compensate for the recycled material from its predecessors.
IMDB: 4.4, RT Aud: 30%, RT Critics: 8%
An incomprehensible and forgettable sci-fi thriller, Ultraviolet is inept in every regard.
IMDB: 4.3, RT Aud: 32%, RT Critics: 3%
Lacking the punch and good cheer of The Incredibles and Sky High, Zoom is a dull and laugh-free affair.
IMDB: 5.6, RT Aud: 51%, RT Critics: 21%
Though Steve Martin is game, the particulars of the Inspector Clouseau character elude him in this middling update.
IMDB: 5.6, RT Aud: 27%, RT Critics: 32%
Though this ambitious noir crime-drama captures the atmosphere of its era, it suffers from subpar performances, a convoluted story, and the inevitable comparisons to other, more successful films of its genre.
IMDB: 4.4, RT Aud: 39%, RT Critics: 26%
This Disney retread has neither inspiration nor originality, but may please moviegoers under the age of ten.
IMDB: 5.4, RT Aud: 48%, RT Critics: 13%
Just My Luck is a screwball rom-com that fails to take advantage of Lindsay Lohan's considerable charm. The film (along with Robert Altman's A Prairie Home Companion) marks the end of Lohan's teen queen phase as she begins playing characters that are older, but not necessarily wiser. Lohan's character is supposedly cursed with bad luck, though the movie confuses misfortune with plain stupidity, leading Lohan into a long series of silly and senseless physical gags.
IMDB: 4.9, RT Aud: 53%, RT Critics: 4%
Adapted from the bestselling self-help tome, The Celestine Prophesy is indifferently directed and acted, and its plotting is virtually tension-free.

IMDB: 5.5, RT Aud: 41%, RT Critics: 37%
Southland Tales, while offering an intriguing vision of the future, remains frustratingly incoherent and unpolished.
IMDB: 5.3, RT Aud: 36%, RT Critics: 19%
With a rehashed plot and unimpressive animation, there's nothing wild about The Wild.
IMDB: 5.8, RT Aud: 37%, RT Critics: 18%
Harrison Ford's rote performance brings little to this uninspired techno-heist film whose formulaic plot is befuddled with tedious and improbable twists.
IMDB: 5.6, RT Aud: 43%, RT Critics: 32%
This remake of The Poseidon Adventure delivers dazzling special effects. Unfortunately, it doesn't seem that any of the budget was left over to devote to the script.
IMDB: 5.5, RT Aud: 53%, RT Critics: 19%
Employee of the Month features mediocre performances, few laughs, and a lack of satiric bite.
IMDB: 5.6, RT Aud: 52%, RT Critics: 24%
The few comic gags sprinkled throughout the movie fail to spice up this formulaic rom-com.
IMDB: 4.3, RT Aud: 26%, RT Critics: 6%
Unable to match the suspense and titilation of its predecessor, Basic Instinct 2 boasts a plot so ludicrous and predictable it borders on "so-bad-it's-good."
IMDB: 5.0, RT Aud: 40%, RT Critics: 12%
A diminished sequel that makes even less sense than The Grudge 1.
IMDB: 3.9, RT Aud: 44%, RT Critics: 3%
Plagued by paper-thin characterizations and a hackneyed script, Material Girls fails to live up to even the minimum standards of its genre.
IMDB: 4.8, RT Aud: 32%, RT Critics: 16%
Unoriginality may be an acceptable risk in the Horror genre, but boredom is never okay.
IMDB: 5.1, RT Aud: 46%, RT Critics: 16%
Written by a teenager (and it shows), Eragon presents nothing new to the "hero's journey" story archetype. In movie terms, this movie looks and sounds like Lord of the Rings and plays out like a bad Star Wars rip-off. The movie spins the tale of a peasant boy who is suddenly entrusted with a dragon and must, with the help of a mentor, train, grow strong, and defeat an evil emperor. The way the critics picture it, the makers of Eragon should soon be expecting an annoyed phone call from George Lucas.
IMDB: 5.5, RT Aud: 45%, RT Critics: 23%
An unoriginal and only occasionally funny family road-trip movie, RV is a mediocre effort that not even the charisma of Robin Williams can save.
IMDB: 3.7, RT Aud: 17%, RT Critics: 14%
Puzzlingly misguided, Neil LaBute's update The Wicker Man struggles against unintentional comedy and fails.
IMDB: 5.8, RT Aud: 46%, RT Critics: 33%
This anti-romantic comedy lacks both laughs and insight, resulting in an odd and unsatisfying experience.
IMDB: 5.6, RT Aud: 49%, RT Critics: 24%
A far-fetched story with little suspense and unconvincing scenarios, Lady In The Water feels contrived, pretentious, and rather silly.
IMDB: 4.6, RT Aud: 37%, RT Critics: 15%
A gratuitous remake of the 1974 slasher, Black Christmas pumps out the gore and blood with zero creativity, humor, or visual flair.
IMDB: 4.7, RT Aud: 27%, RT Critics: 11%
Another stale American remake of a successful Japanese horror film, Pulse bypasses the emotional substance of the original and overcompensates with pumped-up visuals and every known horror cliche.
IMDB: 5.1, RT Aud: 43%, RT Critics: 8%
When a Stranger Calls ranks among the more misguided remakes in horror history, offering little more than a rote, largely fright-free update to the original.
IMDB: 5.7, RT Aud: 54%, RT Critics: 40%
At times hilarious, but other times offensive, Director Jared Hess is unable to recapture the collective charisma of his Napoleon characters, instead relying on a one-joke concept that runs out of steam. Sure to entertain the adolescents, however.
IMDB: 5.5, RT Aud: 32%, RT Critics: 19%
The Ex suffers from inept direction and characters that are either unsympathetic or plain unpleasant to watch.
IMDB: 4.6, RT Aud: 25%, RT Critics: 13%
Skinwalkers is an atrociously-acted project whose unoriginal and ineptly-staged action sequences remind viewers of far better werewolf and action movies.
IMDB: 3.2, RT Aud: 51%, RT Critics: 5%
An aggressively lowbrow vehicle for its titular star, this gross-out comedy fails to "git-r-done."
IMDB: 5.6, RT Aud: 50%, RT Critics: 20%
A rather generic entry into the arrested development subgenre, with themes borrowed from other more successful and funnier films. Dupree wears out its welcome.
IMDB: 5.1, RT Aud: 31%, RT Critics: 40%
My Super Ex=Girlfriend is an only sporadically amusing spoof on the superhero genre that misses the mark with a nerd-turned-superwoman who embodies sexist clichés.
IMDB: 2.8, RT Aud: 34%, RT Critics: 7%
In an attempt to parody rom-com cliches, Date Movie ultimately makes a mockery of itself, with juvenile toilet humor and empty pop culture references.
IMDB: 5.5, RT Aud: 40%, RT Critics: 26%
Even with the force of a "classic" behind it, remake fever can't hold up the hollowness of this style-drenched Omen.
IMDB: 4.8, RT Aud: 38%, RT Critics: 6%
A low-brow comedy, minus the comedy.
IMDB: 2.8, RT Aud: 20%, RT Critics: 8%
Overloaded with pop culture references, but lacking in compelling characters and plot, Doogal is too simpleminded even for the kiddies.
IMDB: 4.9, RT Aud: 29%, RT Critics: 6%
Relying on flat humor and a preposterous plot, Deck the Halls is an unnecessarily mean-spirited holiday movie that does little to put viewers in a holiday mood.
IMDB: 5.7, RT Aud: 45%, RT Critics: 26%
Marred by goofy attempts at wit, subpar acting, and bland storytelling, Fantastic Four is a mediocre attempt to bring Marvel's oldest hero team to the big screen.
IMDB: 5.0, RT Aud: 30%, RT Critics: 16%
A predictable plot and cheesy special effects make Cursed a less-than-scary experience.
IMDB: 4.2, RT Aud: 18%, RT Critics: 6%
Choppy logic and uneven performances are overshadowed by not-so-special effects that makes the suspension of disbelief a nearly impossible task.
IMDB: 4.4, RT Aud: 32%, RT Critics: 16%
Even more absurd and implausible than the first XXX movie, State of the Union is less inspired and technically competent than its predecessor.
IMDB: 5.4, RT Aud: 46%, RT Critics: 9%
A high-concept movie that plays out like a mediocre TV sitcom.
IMDB: 4.7, RT Aud: 29%, RT Critics: 10%
Jennifer Garner inhabits her role with earnest gusto, but Elektra's tone deaf script is too self-serious and bereft of intelligent dialogue to provide engaging thrills.
IMDB: 4.2, RT Aud: 21%, RT Critics: 13%
The plot is been-there done-that generic, and none of the shock effects can do anything to build up suspense.
IMDB: 5.6, RT Aud: 29%, RT Critics: 31%
Valiant has a good collection of voice talents, but the story is strictly by-the-numbers.
IMDB: 2.2, RT Aud: 15%, RT Critics: 5%
Overly frantic, painfully unfunny, and sorely missing the presence of Jim Carrey.
IMDB: 4.6, RT Aud: 33%, RT Critics: 9%
A witless follow-up to the surprise 1999 hit, Deuce Bigalow: European Gigolo is raunchy, politically incorrect, and not particularly funny.
IMDB: 4.6, RT Aud: 45%, RT Critics: 11%
This supposed family comedy staring the usually blameless Ice Cube and Nia Long has provoked most critics to write, "Is it over yet?"
IMDB: 2.3, RT Aud: 10%, RT Critics: 0%
Inept on almost every level, Alone in the Dark may not work as a thriller, but it's good for some head-slapping, incredulous laughter.
IMDB: 4.1, RT Aud: 34%, RT Critics: 6%
Despite the appealing presence of Nick Cannon, Underclassman is a shopworn Beverly Hills Cop/ 21 Jump Street knockoff.
IMDB: 3.1, RT Aud: 29%, RT Critics: 12%
This pointless remake of the classic TV series only offers generic characters and gags.
IMDB: 4.8, RT Aud: 28%, RT Critics: 24%
Bewitched is haunted by scattered laughs and a lack of direction.
IMDB: 5.5, RT Aud: 31%, RT Critics: 8%
While there are some built-in scares, the movie is muddled and unsatisfying.
IMDB: 5.2, RT Aud: 42%, RT Critics: 35%
Racing Stripes might be good for a few laps with younger viewers, but it's too blandly predictable to truly recommend for an all-ages audience.
IMDB: 5.2, RT Aud: 37%, RT Critics: 14%
Rebound ought to entertain its target audience, but there's nothing here for those who've seen The Bad News Bears or its countless derivatives.
IMDB: 5.4, RT Aud: 33%, RT Critics: 19%
Ring Two serves up horror cliches, and not even Hideo Nakata, the director of the movies from which this one is based, can save the movie from a dull screenplay full of absurdities.
IMDB: 5.7, RT Aud: 42%, RT Critics: 29%
Be Cool is tepid, square, and lukewarm; as a parody of the music business, it has two left feet.
IMDB: 5.1, RT Aud: 46%, RT Critics: 13%
A dumb, goofy, and vacuous adaptation of a TV show where plot is simply an excuse to string together the car chases.
IMDB: 5.0, RT Aud: 39%, RT Critics: 12%
Loud, preposterous, and predictable, Stealth borrows heavily and unsucessfully from Top Gun and 2001.
IMDB: 2.9, RT Aud: 16%, RT Critics: 3%
BloodRayne is an absurd sword-and-sorcery vid-game adaptation from schlock-maestro Uwe Boll, featuring a distinguished (and slumming) cast.
IMDB: 5.6, RT Aud: 43%, RT Critics: 41%
The script is mediocre and fails to give Ferrell a proper comedic showcase.
IMDB: 5.1, RT Aud: 42%, RT Critics: 15%
Sandra Bullock is still as appealing as ever; too bad the movie is not pageant material.
IMDB: 4.2, RT Aud: 31%, RT Critics: 2%
Filled with crass dialogue, unlikable characters, and overdone slapstick gags, King's Ransom is an utterly inept would-be comedy.
IMDB: 5.3, RT Aud: 41%, RT Critics: 25%
Bearing little resemblance to the 1953 original, House of Wax is a formulaic but better-than-average teen slasher flick.
IMDB: 5.5, RT Aud: 41%, RT Critics: 19%
This riff on The Graduate has a solid cast, but is too lightweight to fully register.
IMDB: 5.2, RT Aud: 37%, RT Critics: 32%
As their disdain for their mousy classmate reaches a fever pitch, Tamara's sadistic classmates carry out a vicious practical joke that inadvertently results in the young outcast meeting her doom.
IMDB: 5.5, RT Aud: 39%, RT Critics: 9%
Aeon Flux lacks the gravity-defying pace of its animated predecessor, and, despite some flash, is largely a dull affair.
IMDB: 5.1, RT Aud: 28%, RT Critics: 10%
Despite its stylized and impressive sets, this horror-monster movie mish-mash suffers from endless cliches and wildly implausible plotlines.
IMDB: 4.1, RT Aud: 61%, RT Critics: 5%
While it showcases some cool stunts, Supercross feels like an infomercial for its titular sport, with undeveloped characters and a shopworn plot.
IMDB: 5.2, RT Aud: 34%, RT Critics: 18%
The FPS sections are sure to please fans of the video game, but lacking in plot and originality to please other moviegoers.
IMDB: 3.5, RT Aud: 31%, RT Critics: 19%
The decision to turn this kiddie fantasy into a 3-D film was a miscalculation.
IMDB: 2.7, RT Aud: 50%, RT Critics: 13%
Fans may get a kick out of seeing Usher showcasing his charm on screen, but the movie itself is tone deaf and inconsequential, even by rom-com standards.

IMDB: 5.0, RT Aud: 35%, RT Critics: 11%
Well, it looks good. But wasn't it supposed to be scary?
IMDB: 3.6, RT Aud: 18%, RT Critics: 4%
The Fog is a so-so remake of a so-so movie, lacking scares, suspense or originality.
IMDB: 5.3, RT Aud: 25%, RT Critics: 30%
While director Schrader's attempt at a literate, internal exposition on evil temptations and human sin is admirable, this prequel suffers from hit-and-miss psychological tension, poor visual effects, and weak writing -- an overambitious failure of a horror movie.
IMDB: 4.2, RT Aud: 36%, RT Critics: 19%
While his father, billionaire and former astronaut Jeff Tracy and his four elder brothers are busy saving the world, Alan's biggest challenge is saving his grade point average at boarding school.
IMDB: 5.1, RT Aud: 27%, RT Critics: 10%
A mediocre, gory horror film, nowhere near the quality of the 1973 original.
IMDB: 5.4, RT Aud: 28%, RT Critics: 7%
Surviving Christmas is unpleasant characters attacking each other for 90 minutes before delivering a typical, hollow anti-consumerist message
IMDB: 2.0, RT Aud: 20%, RT Critics: 0%
A startling lack of taste pervades Superbabies, a sequel offering further proof that bad jokes still aren't funny when coming from the mouths of babes.
IMDB: 5.3, RT Aud: 28%, RT Critics: 11%
A bland, dumbed-down package of sports cliches.
IMDB: 5.7, RT Aud: 43%, RT Critics: 16%
Neither funny nor suspenseful, this heist / teen flick also fails to explore its potentially socially relevant premise.
IMDB: 5.2, RT Aud: 30%, RT Critics: 1%
An implausible, overheated potboiler that squanders a stellar cast, Twisted is a clichéd, risible whodunit.
IMDB: 4.9, RT Aud: 23%, RT Critics: 15%
Lazily crafted and light on substance, The Big Bounce takes few chances and strands its promising cast in a subpar adaptation that fails to do its source material justice.
IMDB: 4.5, RT Aud: 43%, RT Critics: 10%
Silly and unfunny remake of a French movie of the same name.
IMDB: 4.8, RT Aud: 26%, RT Critics: 7%
Jack Black and Ben Stiller fail to wring laughs from a script that's essentially one extended poop joke.
IMDB: 5.3, RT Aud: 29%, RT Critics: 25%
In exchanging the chilling satire of the original into mindless camp, this remake has itself become Stepford-ized.
IMDB: 5.5, RT Aud: 40%, RT Critics: 4%
A strained, laugh-free sequel, The Whole Ten Yards recycles its predecessor's cast and plot but not its wit or reason for being.
IMDB: 5.8, RT Aud: 34%, RT Critics: 31%
Hit-and-miss family fare that bares only the slightest resemblance to Verne's novel.
IMDB: 3.3, RT Aud: 18%, RT Critics: 8%
Halle Berry is the lone bright spot, but even she can't save this laughable action thriller.
IMDB: 4.0, RT Aud: 40%, RT Critics: 22%
Silly and noisy, Torque is stylish fun for the MTV crowd.
IMDB: 5.0, RT Aud: 39%, RT Critics: 22%
Only the very young will get the most out of this silly trifle.
IMDB: 5.7, RT Aud: 43%, RT Critics: 28%
Comedy is too hit-or-miss is this slasher spoof.
IMDB: 4.8, RT Aud: 20%, RT Critics: 4%
A murky thriller with few chills, Godsend features ludicrous dialogue, by-the-numbers plotting, and an excess of cheap shocks.
IMDB: 5.2, RT Aud: 47%, RT Critics: 11%
An unimaginative heist movie aimed strictly at the preteen set.
IMDB: 5.6, RT Aud: 34%, RT Critics: 16%
Even at nearly three hours long, this ponderous, talky, and emotionally distant biopic fails to illuminate Alexander's life.
IMDB: 4.4, RT Aud: 37%, RT Critics: 25%
Ponderous, pretentious, and -- considering the subject matter -- dull.
IMDB: 5.2, RT Aud: 34%, RT Critics: 27%
Stephen King adaptation veteran director Mick Garris has lofty storytelling goals which ultimately flail and undercut the story's terror.
IMDB: 5.1, RT Aud: 34%, RT Critics: 4%
Despite an all-star cast and some impressive visuals, The Bridge of San Luis Rey is a lifeless, slow-going adaptation of Thornton Wilder's classic novel.

IMDB: 4.5, RT Aud: 30%, RT Critics: 12%
Young kids may find this London adventure fun, but older kids may find it too simplistic.
IMDB: 4.4, RT Aud: 43%, RT Critics: 5%
The poorly crafted Johnson Family Vacation squanders its talented cast in a bland family road comedy that draws unfavorable comparisons to Chevy Chase's Vacation movies.
IMDB: 4.6, RT Aud: 35%, RT Critics: 13%
Confessions of a Teenage Drama Queen's superficial tendencies are unlikely to appeal to older viewers -- though its colorful candor is decidedly not intended for them in the first place.
IMDB: 5.0, RT Aud: 42%, RT Critics: 8%
First Daughter is a bland and charmless fairy tale that fails to rise above the formula.
IMDB: 5.3, RT Aud: 37%, RT Critics: 20%
An obnoxious, awkward mix of romantic comedy and reality show satire.
IMDB: 5.2, RT Aud: 19%, RT Critics: 13%
A bland comedy that squanders a talented cast.
IMDB: 4.9, RT Aud: 47%, RT Critics: 11%
Feels more like a calculated product designed to expand the Olsens' brand than an actual movie.
IMDB: 4.6, RT Aud: 27%, RT Critics: 25%
Anacondas: The Hunt for the Blood Orchid features Peter Curtis, Johnny Messner, Morris Chestnut, and Eugene Byrd.
IMDB: 4.4, RT Aud: 51%, RT Critics: 17%
A raunchy sendup of Airplane! that never really takes off.
IMDB: 5.3, RT Aud: 55%, RT Critics: 38%
Lacking enough material for a full-length movie, D.E.B.S. is short on both plot and laughs.
IMDB: 5.6, RT Aud: 39%, RT Critics: 20%
Gore without scares and cardboard cut-out characters make this clash of the monsters a dull sit.
IMDB: 4.7, RT Aud: 37%, RT Critics: 27%
The film stars Yareli Arizmendi, John Getz, Maureen Flannigan, and Muse Watson.
IMDB: 3.6, RT Aud: 37%, RT Critics: 4%
Good-natured but prepared with an absence of craft, The Cookout is an unappetizing collection of warmed-over jokes.
IMDB: 4.9, RT Aud: 39%, RT Critics: 32%
Cult film director John Waters also makes an appearance, as does hip-hop artist Redman.
IMDB: 5.3, RT Aud: 37%, RT Critics: 5%
A mirthless movie as fresh as last year's fruit cake, Christmas with the Kranks is a coarse, garish comedy that promotes conformity.
IMDB: 4.5, RT Aud: 31%, RT Critics: 31%
Neve Campbell bares all in this seemingly misogynistic trifle.
IMDB: 4.3, RT Aud: 43%, RT Critics: 24%
A bland but good-natured adaptation of the cartoon show.
IMDB: 4.8, RT Aud: 32%, RT Critics: 23%
The unerotic sex scenes quickly become tedious to watch, and the lovers lack the personality necessary to make viewers care about them.
IMDB: 5.3, RT Aud: 34%, RT Critics: 34%
Ryan is very good playing against type, but Campion's good-looking thriller is far from thrilling.

IMDB: 4.4, RT Aud: 27%, RT Critics: 7%
The humor is gratingly dumb, and Kangaroo Jack contains too much violence and sexual innuendo for a family movie.
IMDB: 5.2, RT Aud: 33%, RT Critics: 13%
Uneven in tone and badly edited, A View From the Top wastes the talents of its cast and condescends to its characters.
IMDB: 2.8, RT Aud: 27%, RT Critics: 8%
The material is too thin for feature-length and the jokes are socially outdated and clueless.
IMDB: 4.7, RT Aud: 23%, RT Critics: 8%
Offensive, incoherent, and ineptly acted and directed.
IMDB: 5.6, RT Aud: 45%, RT Critics: 11%
The action in National Security is mindless, while the humor says nothing insightful about racial issues.
IMDB: 5.5, RT Aud: 27%, RT Critics: 16%
In a near-future world, environmental damage causes flash ice ages and gravity loss, and people who experience devastating grief and loneliness are susceptible to a fatal disease that suddenly freezes the heart--transforming them into human carnage that collects on street corners and airport escalators.
IMDB: 5.0, RT Aud: 34%, RT Critics: 9%
A derivative movie where the scares are few and things don't make much sense.
IMDB: 5.4, RT Aud: 29%, RT Critics: 18%
This inferior rehash of The Jungle Book should have gone straight to video.
IMDB: 5.5, RT Aud: 35%, RT Critics: 29%
An incoherent and overly long creature feature.
IMDB: 5.2, RT Aud: 27%, RT Critics: 17%
The use of special effects diminishes some of Chan's appeal in this disposable picture.
IMDB: 5.6, RT Aud: 35%, RT Critics: 23%
Wasting the talent of its leads, this predictable romantic comedy relies on cheap laughs.
IMDB: 2.4, RT Aud: 12%, RT Critics: 6%
Bizarre and clumsily plotted, Gigli is a mess. As for its stars, Affleck and Lopez lack chemistry.
IMDB: 5.6, RT Aud: 45%, RT Critics: 11%
This incoherently plotted addition to the time-travel genre looks and sounds cheesy.
IMDB: 5.2, RT Aud: 38%, RT Critics: 8%
A religious thriller that's more lethargic and silly than thrilling.
IMDB: 4.9, RT Aud: 40%, RT Critics: 42%
Eye candy for those who don't require a movie to have a plot or for it to make sense.
IMDB: 5.6, RT Aud: 49%, RT Critics: 33%
Though the cast shines, they can't save this comedy, which is overly contrived and filled with outdated and offensive racial jokes.
IMDB: 5.5, RT Aud: 47%, RT Critics: 20%
Just Married's plot is predictable, and the overdone pratfalls get tiresome.
IMDB: 5.5, RT Aud: 54%, RT Critics: 36%
Though an improvement over the second Scary Movie, the laughs are still inconsistent.
IMDB: 5.8, RT Aud: 44%, RT Critics: 17%
Just ordinary. LXG is a great premise ruined by poor execution.
IMDB: 3.8, RT Aud: 30%, RT Critics: 10%
Filled with double entendres and potty humor, this Cat falls flat.
IMDB: 2.0, RT Aud: 9%, RT Critics: 3%
A grungy, disjointed, mostly brainless mess of a film, House of the Dead is nonetheless loaded with unintentional laughs.
IMDB: 5.6, RT Aud: 41%, RT Critics: 10%
A dull and unfunny comedy where the leads fail to generate any sparks.
IMDB: 4.8, RT Aud: 39%, RT Critics: 14%
Tomas Fuentes (Eduardo Verastegui) is a successful advertising man living in Los Angeles who has a way with the ladies.
IMDB: 5.6, RT Aud: 46%, RT Critics: 22%
A so-so David Spade comedy with a few laughs.
IMDB: 5.4, RT Aud: 46%, RT Critics: 30%
Head of State squanders its potentially ripe premise with watered-down satire and formulaic gags.
IMDB: 5.5, RT Aud: 44%, RT Critics: 24%
Though the sequel is an improvement over the first movie, it's still lacking in thrills.
IMDB: 4.6, RT Aud: 53%, RT Critics: 22%
Waste of a good cast. For a movie about bike racing, it never gets up to speed.
IMDB: 5.1, RT Aud: 53%, RT Critics: 31%
There are some laughs, but not enough to sustain the running time.
IMDB: 3.4, RT Aud: 23%, RT Critics: 10%
This lame prequel induces more groans than laughs. Rent the original instead.
IMDB: 5.8, RT Aud: 50%, RT Critics: 40%
Fans of the two horror franchises will enjoy this showdown. But for everyone else, it's the same old slice and dice.
IMDB: 5.3, RT Aud: 27%, RT Critics: 29%
Hollywood Homicide suffers from too many subplots and not enough laughs.
IMDB: 4.9, RT Aud: 22%, RT Critics: 11%
The plot of Cold Creek Manor is too predictable and contrived to generate suspense.
IMDB: 4.7, RT Aud: 43%, RT Critics: 37%
This blonde joke is less funny the second time around.
IMDB: 5.2, RT Aud: 65%, RT Critics: 12%
A stale, unnecessary remake of Can't Buy Me Love.
IMDB: 5.0, RT Aud: 30%, RT Critics: 13%
Neither scary nor funny, The Haunted Mansion is as lifeless as the ghosts in the movie.
IMDB: 2.1, RT Aud: 37%, RT Critics: 9%
A notorious stinker, From Justin To Kelly features banal songs, a witless plot, and non-existent chemistry between its American Idol-sanctioned leads.
IMDB: 5.5, RT Aud: 44%, RT Critics: 31%
This low-budget homage to the zombie genre borrows heavily from superior predecessors and revels in a pile of its own campiness -- neither original nor watchable enough to entertain.
IMDB: 5.8, RT Aud: 45%, RT Critics: 14%
Berry's acting talents can't save Gothika from its preposterous plot and bad dialogue.
IMDB: 5.8, RT Aud: 56%, RT Critics: 23%
In this family of twelve children, much chaos ensues, but little hilarity.
IMDB: 2.7, RT Aud: 28%, RT Critics: 35%
The footage is predictable and rather tame, and most of the people are uninteresting.
IMDB: 3.6, RT Aud: 46%, RT Critics: 25%
A bona fide classic of midnight cinema, Tommy Wiseau's misguided masterpiece subverts the rules of filmmaking with a boundless enthusiasm that renders such mundanities as acting, screenwriting, and cinematography utterly irrelevant. You will never see a football the same way again.
IMDB: 2.9, RT Aud: 19%, RT Critics: 0%
It aspires to Farrelly-level offensiveness, but the PG-13 rating and a dearth of decent gags renders Gold Diggers tame, toothless, and dull.
IMDB: 5.2, RT Aud: 30%, RT Critics: 29%
A pleasant diversion for the young teens, but a waste of time for anyone older.
IMDB: 5.3, RT Aud: 28%, RT Critics: 15%
FBI agent Jake Malloy (Stallone) has been traumatized by an especially vicious murder.
IMDB: 3.8, RT Aud: 18%, RT Critics: 4%
The Adventures of Pluto Nash is neither adventurous nor funny, and Eddie Murphy is on autopilot in this notorious box office bomb.
IMDB: 4.1, RT Aud: 26%, RT Critics: 11%
The only thing this tired slasher flick may resurrect is nostalgia for when the genre was still fresh and scary.
IMDB: 5.5, RT Aud: 27%, RT Critics: 19%
Despite its timely subject matter, Collateral Damage is an unexceptional and formulaic action thriller.
IMDB: 5.3, RT Aud: 50%, RT Critics: 10%
Another teen comedy with little on its mind but moving to the next gross-out gag, Slackers strains for laughs and features grating characters.
IMDB: 5.6, RT Aud: 43%, RT Critics: 38%
As romantic comedies go, 40 Days and 40 Nights is smutty, sexist, and puerile.
IMDB: 3.0, RT Aud: 14%, RT Critics: 3%
Removing the social critique of the original, this updated version of Rollerball is violent, confusing, and choppy. Klein makes for a bland hero.
IMDB: 4.6, RT Aud: 38%, RT Critics: 9%
With its tired premise, Juwanna Mann's jokes fall flat.
IMDB: 5.5, RT Aud: 39%, RT Critics: 0%
Respected director Chen Kaige's first English-language film is a spectacularly misguided erotic thriller, with ludicrous plot twists and cringe-worthy dialogue.
IMDB: 4.9, RT Aud: 37%, RT Critics: 18%
For his debut feature film, writer/director Marcus Adams helmed this independent occult horror flick set in the U.K. Long Time Dead tells the story of a group of college students who find themselves playing with a homemade Ouija board late one night.
IMDB: 5.1, RT Aud: 43%, RT Critics: 38%
Too blandly generic, Maid in Manhattan also suffers from a lack of chemistry between Lopez and Fiennes.
IMDB: 5.1, RT Aud: 65%, RT Critics: 25%
A collection of hit-or-miss gags tied together by a thin plot.
IMDB: 4.3, RT Aud: 30%, RT Critics: 0%
Roberto Benigni misfires wildly with this adaptation of Pinocchio, and the result is an unfunny, poorly-made, creepy vanity project.
IMDB: 5.3, RT Aud: 26%, RT Critics: 4%
A romantic comedy that's neither funny nor particularly romantic, Serving Sara is a forgettable time waster.

IMDB: 5.1, RT Aud: 39%, RT Critics: 8%
There are laughs Stealing Harvard, but they are few and far between. Tom Green's antics grow old fast.
IMDB: 4.9, RT Aud: 31%, RT Critics: 16%
The plotline for Abandon is too disjointed and muddled to offer much in the way of thrills.

IMDB: 4.8, RT Aud: 27%, RT Critics: 33%
Newton has star quality, but this exercise in style can't hold a candle to the original.
IMDB: 5.4, RT Aud: 30%, RT Critics: 3%
Yet another predictable variation on the hoary old haunted-house movie, Darkness is an illogical, portentous mess.
IMDB: 3.4, RT Aud: 39%, RT Critics: 14%
A cliched and silly pop star vanity project, Crossroads is strictly for Britney fans only.
IMDB: 4.0, RT Aud: 31%, RT Critics: 29%
Despite all the celebrities on hand, this spin-off from a theme park attraction still feels tired and hokey.
IMDB: 5.5, RT Aud: 37%, RT Critics: 40%
Action adventure doesn't get much cheesier than The Scorpion King.

IMDB: 5.6, RT Aud: 35%, RT Critics: 10%
Chris Rock and Anthony Hopkins fail to generate the sparks necessary to save the movie from a generic and utterly predictable script.

IMDB: 4.5, RT Aud: 27%, RT Critics: 7%
The various stunts in Extreme Ops don't compensate for the inane storyline and bad dialogue.
IMDB: 4.8, RT Aud: 23%, RT Critics: 37%
They fails to sustain the level of creepiness necessary to rise above other movies in the horror genre.
IMDB: 5.5, RT Aud: 25%, RT Critics: 25%
Showtime starts out as a promising satire of the buddy cop genre. Unfortunately, it ends up becoming the type of movies it is satirizing.
IMDB: 4.9, RT Aud: 35%, RT Critics: 6%
Boat Trip is a lame, juvenile farce that's heavy on stereotypes and desperate antics but short on brains and laughs.
IMDB: 5.5, RT Aud: 37%, RT Critics: 14%
With a plot as creaky as the boat, Ghost Ship fails to deliver the scares.
IMDB: 5.4, RT Aud: 29%, RT Critics: 21%
Chan is as charming as ever, but his talents are squandered by special effects and bad writing.
IMDB: 3.6, RT Aud: 27%, RT Critics: 5%
Muddled and lacking the political context of the original, Swept Away offers further proof that Madonna can't act.
IMDB: 3.3, RT Aud: 17%, RT Critics: 3%
As frustrating as a 404 error, Fear Dot Com is a stylish, incoherent, and often nasty mess with few scares.
IMDB: 3.3, RT Aud: 32%, RT Critics: 1%
An ill-concieved attempt to utilize Dana Carvey's talent for mimicry, The Master of Disguise is an irritating, witless farce weighted down by sophomoric gags.
IMDB: 4.6, RT Aud: 37%, RT Critics: 3%
Seagal is now too bulky to make a convincing action hero, and Half Past Dead is too silly and incoherent to deliver any visceral kicks.
IMDB: 5.4, RT Aud: 33%, RT Critics: 15%
Insipid and mirthless, I-Spy bares little resemblance to the TV series that inspired it.
IMDB: 5.5, RT Aud: 59%, RT Critics: 21%
The Hot Chick's one-note concept gets stretched thin, and a lot of the jokes fall flat.
IMDB: 3.6, RT Aud: 17%, RT Critics: 0%
A startlingly inept film, Ballistic: Ecks vs. Sever offers overblown, wall-to-wall action without a hint of wit, coherence, style, or originality.
IMDB: 2.2, RT Aud: 45%, RT Critics: 6%
Glitter is a hodgepodge of movie cliches and bad acting that's sure to generate unintentional laughs. Unfortunately, the movie is not bad enough to be good.
IMDB: 4.6, RT Aud: 33%, RT Critics: 13%
Underdeveloped characters, silly plot dynamics, and obvious CG effects.
 Also, the main characters are so wealthy and privileged that it's difficult to feel sympathy for their problems.
IMDB: 5.8, RT Aud: 47%, RT Critics: 19%
Angelina Jolie is perfect for the role of Lara Croft, but even she can't save the movie from a senseless plot and action sequences with no emotional impact.
IMDB: 5.5, RT Aud: 35%, RT Critics: 10%
Talented cast is squandered by an uninvolving script filled with unfunny gags.
IMDB: 4.1, RT Aud: 39%, RT Critics: 21%
Slow to start, the sleek looking Bones is more silly than scary.

 Also, some critics say the movie is irresponsible in its depiction of teens and guns.
IMDB: 5.4, RT Aud: 56%, RT Critics: 10%
Head Over Heels is being blasted by critics as a huge mess. The plot and jokes are idiotic, while the toilet humor is gratuitous and more gross than funny.
IMDB: 5.2, RT Aud: 29%, RT Critics: 2%
As far as westerns go, Texas Rangers is strictly mediocre stuff.
IMDB: 5.3, RT Aud: 59%, RT Critics: 16%
Instead of being light and charming, this romantic comedy is heavy-handed and contrived in its execution. Also, it's too unoriginal.
IMDB: 4.4, RT Aud: 24%, RT Critics: 19%
Jason goes to the future, but the story is still stuck in the past.
IMDB: 3.9, RT Aud: 26%, RT Critics: 4%
Soul Survivors' stock characters and utter lack of suspense gives viewers little reason to attempt deciphering the confusing plot.
IMDB: 5.6, RT Aud: 45%, RT Critics: 32%
Though the earlier part of the movie suggested something more, the movie turns out to be nothing more than a schmaltzy romance.
IMDB: 4.8, RT Aud: 25%, RT Critics: 11%
A family movie without toilet jokes, but there's nothing that haven't seen before.
IMDB: 5.4, RT Aud: 40%, RT Critics: 19%
A toned down Chris Rock fails to bring a limp script to life as the movie moves from one gag to the next.
IMDB: 5.0, RT Aud: 40%, RT Critics: 7%
A cliched and predictable sports comedy that's mostly devoid of excitement or laughs, Summer Catch is strictly bush-league.
IMDB: 5.4, RT Aud: 49%, RT Critics: 11%
Despite a good performance by Orlando Jones, the movie is ruined by a ridiculous, messy plot and fails to generate laughs.
IMDB: 4.9, RT Aud: 31%, RT Critics: 8%
Those that haven't tired from Farrelly brothers' brand of comedy may still find some laughs here. Otherwise, the slow pacing and unimaginative shock gags will start to wear on the viewer.
IMDB: 4.7, RT Aud: 26%, RT Critics: 41%
Although there are laughs to be had in Dr. Dolittle 2, its preoccupation with toilet humor and Murphy's restrained performance makes this a missed opportunity.

IMDB: 5.5, RT Aud: 45%, RT Critics: 32%
It probably goes without saying that Exit Wounds is loaded with plotholes and bad dialogue. Critics also note that Seagal has aged rather badly.
IMDB: 4.9, RT Aud: 32%, RT Critics: 33%
Harvard Man is a pretentious, incoherent mess.
IMDB: 4.8, RT Aud: 33%, RT Critics: 9%
Valentine is basically a formulaic throwback to conventional pre-Scream slasher flicks. Critics say it doesn't offer enough suspense or scares to justify its addition to the genre.
IMDB: 5.3, RT Aud: 40%, RT Critics: 7%
It's all been done before, and done better.
IMDB: 4.7, RT Aud: 33%, RT Critics: 11%
Hong Kong inspired action sequences take center stage in this latest Three Musketeers adaptation. Unfortunately, the oversimplification of the story and an uncharismatic lead character leave the movie flat.
IMDB: 5.3, RT Aud: 42%, RT Critics: 14%
Why even bother? You already know if you're going to see it or not.
IMDB: 5.5, RT Aud: 37%, RT Critics: 24%
Well-made but extremely predictable, Domestic Disturbance is an average thriller that may work better on TV.
IMDB: 4.7, RT Aud: 38%, RT Critics: 6%
Corky Romano continues the trend of bad movies featuring SNL members. The jokes are tired and unfunny, and the slapstick feels forced.
 For adults, it's either hit-or-miss.
IMDB: 4.8, RT Aud: 28%, RT Critics: 30%
While less offensive and more charming than recent gross-humored comedies, The Animal is still rather mediocre.
IMDB: 5.3, RT Aud: 52%, RT Critics: 14%
Instead of being funny, this gross-out sequel plays like a sloppy, rushed-out product.
IMDB: 5.2, RT Aud: 63%, RT Critics: 28%
Based as it is on a short skit, Pootie Tang overstays its welcome.
IMDB: 5.6, RT Aud: 48%, RT Critics: 30%
Bubble Boy bounces along with lame, offensive jokes that are more tasteless than funny.
IMDB: 5.7, RT Aud: 40%, RT Critics: 31%
Despite its famous cast, the movie lacks sympathetic characters and is only funny in spurts.

IMDB: 5.4, RT Aud: 38%, RT Critics: 28%
Max Keeble may be fun for kids, but bland and unoriginal for adults.

IMDB: 4.1, RT Aud: 47%, RT Critics: 18%
An inept attempt at a romantic comedy aimed at 'Nsync fans.
IMDB: 5.5, RT Aud: 27%, RT Critics: 20%
Amiable, but extremely lightweight and predictable.
IMDB: 4.2, RT Aud: 20%, RT Critics: 43%
Though the film stays true to the nature of the original cartoon, the script is disappointing and not funny.
IMDB: 4.8, RT Aud: 16%, RT Critics: 9%
This is an insult to the Sci-fi genre with no excitement and bad FX.
IMDB: 4.4, RT Aud: 32%, RT Critics: 26%
While Eddie Murphy is still hilarious as the entire Klump family, the movie falls apart because of uneven pacing, a poor script, and skits that rely on being gross rather than funny.
IMDB: 4.6, RT Aud: 38%, RT Critics: 11%
The fourth and supposedly last Highlander movie is a confusing mess, complete with bad acting and dialogue.
IMDB: 4.7, RT Aud: 35%, RT Critics: 19%
Story elements clash and acting falls short.
IMDB: 3.6, RT Aud: 20%, RT Critics: 25%
The prequel to the first full-length feature set in Bedrock, Viva Rock Vegas is a surprising improvement over The Flintstones. Aimed towards an audience of adults and children alike, critics feel Viva will appeal to a broad range of viewers.
IMDB: 5.7, RT Aud: 36%, RT Critics: 16%
Excessively noisy and overly reliant on genre clichés, The Art of War wastes its star's charisma on a ridiculous, convoluted plot and poorly edited action sequences.
IMDB: 4.8, RT Aud: 21%, RT Critics: 6%
Though Kaminski's film is visually stylish, Lost Souls is just another derivative entry in the Apocalypse genre, with lackluster direction, unengaging characters, and no scares.
IMDB: 4.8, RT Aud: 34%, RT Critics: 11%
Though the screenplay and the novel it's based on were both written by the same person, critics say Hanging Up is an unsuccessful adaptation. The acting is praised as solid, but is ultimately unable to save the film.
IMDB: 4.6, RT Aud: 37%, RT Critics: 1%
A dull, soapy potboiler that lacks the energy to qualify as a guilty pleasure, The In Crowd is undone by slow pacing, poor acting, and a stunning lack of originality.
IMDB: 5.1, RT Aud: 42%, RT Critics: 2%
Bless the Child squanders its talented cast on a plot that's more likely to inspire unintentional laughs than shivers.
IMDB: 5.7, RT Aud: 27%, RT Critics: 27%
Despite awesome special effects, Hollow Man falls short of other films directed by Paul Verhoeven. This flick over time degenerates into a typical horror film.
 Critics also condemn the movie as cynical and mean-spirited, with no likable characters.
IMDB: 5.6, RT Aud: 54%, RT Critics: 19%
Although the film isn't as bad as feared (it wasn't pre-screened for reviews), it's not that good, either. Most noticable flaws are the sappy romantic cliches and lack of chemistry between Gere and Ryder.
IMDB: 5.6, RT Aud: 30%, RT Critics: 24%
Beauty only goes skin deep in this shallow but visually stunning film.
IMDB: 5.7, RT Aud: 27%, RT Critics: 25%
Despite a decent cast, subpar acting and a contrived plot disappointed reviewers.
IMDB: 5.0, RT Aud: 26%, RT Critics: 27%
Weak assembly of characters and story lines made this movie forgettable and silly.
IMDB: 2.4, RT Aud: 11%, RT Critics: 2%
Ugly, campy, and poorly acted, Battlefield Earth is a stunningly misguided, aggressively bad sci-fi folly.
IMDB: 5.3, RT Aud: 55%, RT Critics: 21%
Despite the presence of a large, talented cast, the jokes in Little Nicky are dumb, tasteless, and not that funny, and Adam Sandler's character is grating to watch.
IMDB: 5.6, RT Aud: 46%, RT Critics: 28%
Despite Danny De Vito's top billing, Drowning Mona drowns itself in humor that never rises about sitcom level. Contributing to the Mona's problems is that the characters are never really interesting, and there is a noticeable lack of energy in the character roles
IMDB: 4.9, RT Aud: 49%, RT Critics: 3%
Down to You is ruined by a bland, by-the-numbers plot and an awful script.
IMDB: 3.7, RT Aud: 19%, RT Critics: 9%
Critics say this movie has a cheap look and is badly directed.

IMDB: 4.2, RT Aud: 19%, RT Critics: 8%
This teen horror movie brings nothing new to an already exhausted genre. And it's bad. Really bad.
IMDB: 5.7, RT Aud: 28%, RT Critics: 13%
While the special effects are impressive, the movie suffers from a lack of energy and interesting characters.
IMDB: 5.5, RT Aud: 45%, RT Critics: 16%
Whatever It Takes is another run-of-the-mill teeny-bopper romance flick. Cliche jokes and a tired plot capture few laughs.
IMDB: 5.4, RT Aud: 50%, RT Critics: 11%
Boys and Girls feels like a cheap rip-off of When Harry Met Sally. The predictable and stale story fails to engage.
IMDB: 5.3, RT Aud: 28%, RT Critics: 10%
The Watcher has Keanu Reeves cast against type, but the movie is short on thrills, suspense, and believability.
IMDB: 5.1, RT Aud: 27%, RT Critics: 11%
Michael Caine shows up to collect a paycheck, and so does everyone else in this rote, middling remake.
IMDB: 4.9, RT Aud: 32%, RT Critics: 31%
This sequel to the live-action 101 Dalmatians is simply more of the same. Critics say it also drags in parts, potentially boring children, and that it's too violent for a G-rated movie.
IMDB: 5.2, RT Aud: 42%, RT Critics: 11%
The Ladies Man joins the growing list of mediocre movies based on SNL skits. It just doesn't have enough material to last the length of the movie.
IMDB: 5.3, RT Aud: 35%, RT Critics: 24%
In the grand tradition of teen flicks, Loser comes across as another predictable and underwritten movie with nothing new to offer.
IMDB: 5.3, RT Aud: 52%, RT Critics: 23%
Humor at its lowest that isn't funny for kids and is insulting to adults.
IMDB: 4.9, RT Aud: 39%, RT Critics: 16%
This retelling trys to offer a different spin on the origin of Dracula. Unfortunately, there's nothing here audiences haven't seen before.
IMDB: 5.0, RT Aud: 19%, RT Critics: 21%
Nora Ephron's attempt at dark comedy is an uneven product, both in terms of the direction and the acting. The characters are unlikable to the point where you don't care what happens to them, and Ephron condescends to the material.
IMDB: 4.0, RT Aud: 17%, RT Critics: 14%
This sequel to Blair Witch Project is all formula and no creativity, mechanically borrowing elements from the original and other horror movies.
IMDB: 5.5, RT Aud: 47%, RT Critics: 17%
The movie isn't funny, the plot is too thin, and the production values feel more like a TV sitcom than a movie.
IMDB: 2.6, RT Aud: 23%, RT Critics: 2%
Flat direction and actors who look embarrassed to be onscreen make Baby Geniuses worse than the premise suggests.
IMDB: 4.9, RT Aud: 21%, RT Critics: 10%
Despite its great special effects, this movie's predictability greatly undermines its intensity.
IMDB: 5.0, RT Aud: 28%, RT Critics: 9%
Predictable and unfunny, it's a poor homage to Buster Keaton.
IMDB: 4.6, RT Aud: 31%, RT Critics: 25%
The movie is overwhelmed by its chaotic visual effects and disjointed storyline.
IMDB: 4.9, RT Aud: 32%, RT Critics: 9%
Part high-tech spy thriller and part psychological study, Eye of the Beholder was Ewan McGregor's first feature film following his mainstream breakthrough performance in Star Wars Episode I: The Phantom Menace.
IMDB: 5.1, RT Aud: 31%, RT Critics: 17%
In this film, Gloria is a street-toughened woman sliding into middle age.
IMDB: 5.5, RT Aud: 40%, RT Critics: 25%
Some interesting visuals, but the movie is as confusing as a dream.
IMDB: 4.2, RT Aud: 17%, RT Critics: 3%
A sodden, overly stylized mess that's even less compelling than a TV episode.
IMDB: 5.0, RT Aud: 30%, RT Critics: 11%
Loud, effects-ridden comedy with no real humor.
IMDB: 4.9, RT Aud: 28%, RT Critics: 16%
Bombastic, manic, and largely laugh-free, Wild Wild West is a bizarre misfire in which greater care was lavished upon the special effects than on the script.
IMDB: 4.2, RT Aud: 25%, RT Critics: 10%
The low budget may explain Wing Commander's cheesy special effects, but can't excuse the lame dialogue or the movie's obsessive reliance on sci-fi cliches.
IMDB: 5.2, RT Aud: 31%, RT Critics: 18%
As a dark comedy-thriller, this movie lacks humor and thrill.
IMDB: 5.3, RT Aud: 33%, RT Critics: 15%
Despite the best efforts of its talented leads, The Astronaut's Wife moves at a snail's pace and fails to generate enough intrigue to keep viewers engaged.
IMDB: 5.7, RT Aud: 36%, RT Critics: 41%
Faux horror schtick fails to elicit any laughs or scares.
IMDB: 4.1, RT Aud: 18%, RT Critics: 21%
Despite an abundance of eyecandy, the film doesn't amount to much.
IMDB: 4.6, RT Aud: 33%, RT Critics: 21%
Little do her fellow students know that Rachel is telekinetic.
IMDB: 5.3, RT Aud: 54%, RT Critics: 13%
Mark Tarlov makes his directorial debut after producing such films as Copycat and The Man Who Knew Too Little.
IMDB: 5.7, RT Aud: 32%, RT Critics: 10%
An overblown thriller with formulaic action scenes and poor acting.
IMDB: 5.5, RT Aud: 54%, RT Critics: 6%
This throwaway comedy falls victim to its hip sensibilities.
IMDB: 5.1, RT Aud: 24%, RT Critics: 14%
Even Harrison Ford could not save the dull plot and the slow pacing of the movie.
IMDB: 3.9, RT Aud: 23%, RT Critics: 15%
When a prospector (Eric Idle) happens upon them, word gets out that Semi-Happy Valley is gold country.
IMDB: 5.8, RT Aud: 55%, RT Critics: 39%
Despite its charming young leads, She's All That can't overcome its predictable, inconsistently funny script.
IMDB: 5.2, RT Aud: 30%, RT Critics: 10%
Claiming it fails on every level, critics had almost nothing good to say about this movie.
IMDB: 5.1, RT Aud: 59%, RT Critics: 32%
Dumb script and flat jokes made this another SNL misfire.
IMDB: 2.5, RT Aud: 16%, RT Critics: 0%
Simon Sez was Rodman's first solo starring vehicle, following his dramatic debut alongside Jean-Claude Van Damme in Double Team.
IMDB: 4.9, RT Aud: 28%, RT Critics: 16%
Sophisticated visual effects fail to offset awkward performances and an uneven script.
IMDB: 5.0, RT Aud: 27%, RT Critics: 10%
After making his directorial debut with the acclaimed made-for-cable movie Gia, writer Michael Cristofer helmed his first big-screen offering with this drama.
IMDB: 4.5, RT Aud: 14%, RT Critics: 24%
Critics say Simpatico's lengthy plot is too unfocused; the movie becomes confusing and tedious to watch.
IMDB: 4.1, RT Aud: 23%, RT Critics: 5%
Universal Soldier - The Return fails on almost every level, from its generic story to its second rate action and subpar performances.
IMDB: 5.6, RT Aud: 42%, RT Critics: 29%
Unsophisticated and unoriginal film fails to produce scares.
IMDB: 5.0, RT Aud: 29%, RT Critics: 26%
Surprisingly enough, it turns out Skeeter is right -- pollutants dumped in the lake by cranky factory owner Bill Bluff (voiced by Doug Preis) have spawned a large but thankfully friendly beast Doug and Skeeter name Herman Melville.
IMDB: 5.4, RT Aud: 25%, RT Critics: 11%
Flat characters and uninspired comedy yield forgettable results.
IMDB: 3.7, RT Aud: 14%, RT Critics: 16%
When the small Texas town of Gallup experiences a series of inexplicable bat attacks on local residence, the government calls upon eminent wildlife Zoologist Dr. Sheila Casper to investigate.
IMDB: 3.5, RT Aud: 30%, RT Critics: 8%
Mysticism, overacting, and overall gimcrackery eventually weigh down the story.

IMDB: 3.7, RT Aud: 15%, RT Critics: 4%
A TV spinoff that lacks enough energy to spin, The Avengers is an ineptly written, woefully miscast disaster.
IMDB: 5.3, RT Aud: 35%, RT Critics: 12%
A ridiculous but wholly predictable potboiler with performances ranging from comatose to hysterical.
IMDB: 5.4, RT Aud: 27%, RT Critics: 12%
A doctor (Joanna Going) finds that Evil Incarnate is behind the tragedy.
IMDB: 2.9, RT Aud: 39%, RT Critics: 26%
Dances devised by Cirque du Soleil choreographer Debra Brown.
IMDB: 5.4, RT Aud: 60%, RT Critics: 10%
Now, the stakes are high as gun runners, government agents and a fleet of monstrous 18-wheelers pursue Jack in an intense highway duel.
IMDB: 4.0, RT Aud: 37%, RT Critics: 3%
Mistaken for new recruits by Yellowstone Park ranger Capt.
IMDB: 4.7, RT Aud: 27%, RT Critics: 11%
Firestorm failed to ignite ex-pro footballer Howie Long's career...or anything else for that matter.
IMDB: 5.3, RT Aud: 28%, RT Critics: 16%
Without compelling characters or heart, Godzilla stomps on everything that made the original (or any monster movie worth its salt) a classic.
IMDB: 4.9, RT Aud: 24%, RT Critics: 12%
Only Eddie could so completely become this over-the-top marketing genius who takes a home shopping broadcasting company -- and the country -- by storm.
IMDB: 4.8, RT Aud: 24%, RT Critics: 7%
KNOCK OFF is the story of Marcus Ray (Van Damme), who lives the good life in Hong Kong working as a sales representative for "V SIX" jeans.
IMDB: 4.9, RT Aud: 23%, RT Critics: 16%
Anthropologist Veronica Micelli (Jenna Elfman) contacts cable-TV producer Henry Spivey (David Ogden Stiers), forcing James to continue creating fraudulent footage as the rival Ruth Allen (Lily Tomlin) gets suspicious.
IMDB: 5.1, RT Aud: 24%, RT Critics: 27%
Clumsily directed and missing most of the TV series' campy charm, Lost in Space sadly lives down to its title.
IMDB: 5.5, RT Aud: 47%, RT Critics: 14%
In Vegas, Tony gets involved with showgirl Pepper (Pamela Gidley).
IMDB: 4.6, RT Aud: 24%, RT Critics: 21%
This third installment of the "Major League" series follows retiring minor league South Carolina Buzz player Gus into managing the underdog team.
IMDB: 4.3, RT Aud: 18%, RT Critics: 9%
In the science-fiction thriller Species (1995), Natasha Hentsridge appeared as the beautiful but deadly Sil, a human-alien DNA combo.
IMDB: 4.0, RT Aud: 22%, RT Critics: 5%
Edgar Rice Burroughs' famed jungle lord, Tarzan (Casper Van Dien) is introduced to the civilized world, but he returns to Africa with Jane (Jane March) to save his homeland from evil mercenaries.
IMDB: 4.6, RT Aud: 29%, RT Critics: 7%
Boring, predictable, and bereft of thrills or chills, I Still Know What You Did Last Summer is exactly the kind of rehash that gives horror sequels a bad name.
IMDB: 5.6, RT Aud: 39%, RT Critics: 34%
In this fantasy thriller, when teen-ager Steve Clark moves to Cradle Bay, Steve is immediately cautioned by Gavin Strick about the separating factions at the high school, where a club of robotic perfect students rule.
IMDB: 4.5, RT Aud: 38%, RT Critics: 20%
In this family canine comedy, a sequel to Air Bud (1997), Josh Framm finds it a problem when his widowed mother Jackie starts seeing the community's new veterinarian, Patrick Sullivan.
IMDB: 5.3, RT Aud: 29%, RT Critics: 7%
In this low-budget horror outing, a psychopathic killer loses the last of his warm feelings for humanity after he is involved in a freak accident.
IMDB: 5.5, RT Aud: 37%, RT Critics: 19%
Elements of Scream reappear in a vastly inferior vehicle.
IMDB: 5.4, RT Aud: 41%, RT Critics: 23%
Neither parent nor child will find any merriment in this mess.
IMDB: 4.8, RT Aud: 34%, RT Critics: 5%
Utterly bereft of romance or humor, 'Til There Was You is a singularly misguided attempt at romantic comedy.
IMDB: 5.3, RT Aud: 34%, RT Critics: 11%
In this macabre farce, a baggage switch at a busy airport results in headaches for the med student who inadvertently takes a gangster's carry-on bag and discovers that it is filled with the heads of eight prominent L.A. gangsters.
IMDB: 3.5, RT Aud: 13%, RT Critics: 7%
A witless Hollywood satire whose hammy, obvious jokes are neither funny nor insightful of the movie business.
IMDB: 5.1, RT Aud: 30%, RT Critics: 7%
Filmed in Paris (Louvre, Metro, Seine, and an Eiffel Tower bungee jump) and Luxembourg.
IMDB: 4.7, RT Aud: 24%, RT Critics: 40%
A documentary film crew journeys to the depths of the Amazon in search of the mysterious Shirishama Indians, and ends up fighting a gargantuan, insatiable snake that squeezes its prey to death, eats it whole, regurgitates it and then eats it again.
IMDB: 3.7, RT Aud: 16%, RT Critics: 10%
Joel Schumacher's tongue-in-cheek attitude hits an unbearable limit in Batman & Robin resulting in a frantic and mindless movie that's too jokey to care much for.
IMDB: 5.5, RT Aud: 53%, RT Critics: 14%
Haru's minders see trouble brewing, so they secretly send along a fellow ninja, Gobei (Robin Shou), to watch his back, although this hardly prevents Haru from posing a deadly menace to inanimate objects everywhere.
IMDB: 4.7, RT Aud: 24%, RT Critics: 10%
Like John Woo and Ringo Lam before him, noted Hong Kong action director Tsui Hark made his American filmmaking debut with a thriller starring Jean-Claude Van Damme.
IMDB: 5.1, RT Aud: 25%, RT Critics: 25%
The stage is set for comedy when two middle-aged men (Billy Crystal and Robin Williams) struggle to overcome their considerable differences to find the runaway son of the ex-lover who has just informed them that one of them is the boy's father.
IMDB: 5.0, RT Aud: 35%, RT Critics: 11%
The murder of an environmental protection agency investigator leads officials to assign Jack Taggart (Steven Segal) to go undercover as a handyman working through a relief mission.
IMDB: 5.2, RT Aud: 32%, RT Critics: 23%
Remake of OThe Absent-Minded ProfessorO finds Robin Williams concocting a physics-defying substance that may save his failing college.
IMDB: 4.7, RT Aud: 36%, RT Critics: 3%
Sloppy, formulaic, and unfunny, Gone Fishin' marks a painful low point in the careers of its two talented leads.
IMDB: 5.7, RT Aud: 63%, RT Critics: 31%
Good Burger might please hardcore fans of the 1990s Nickelodeon TV series that launched leads Kenan and Kel to stardom, but for all others, it will likely prove a comedy that is neither satisfyingly rare nor well done.
IMDB: 5.1, RT Aud: 33%, RT Critics: 19%
The bulk of the comedy centers on the son's struggle to adjust to the puzzling ways of city folk.
IMDB: 4.8, RT Aud: 24%, RT Critics: 26%
A wandering warrior and former slave, Kull (beef-cake Kevin Sorbo, the star of the popular syndicated TV series Hercules in his feature film debut) arrives in the kingdom of Valusia and through a series of fateful twists becomes its new king.
IMDB: 5.2, RT Aud: 31%, RT Critics: 21%
Meanwhile perfect brother Wally has girl trouble when pal Eddie Haskell falls in love.
IMDB: 5.2, RT Aud: 49%, RT Critics: 18%
A taut and clever thriller aimed at teen audiences, Masterminds follows a battle of wits between a villainous security systems expert who takes the students of an exclusive school hostage in exchange for half billion dollars, and an adolescent computer hacker who is hiding in the basement.
IMDB: 4.4, RT Aud: 37%, RT Critics: 3%
Based on a 1960s sitcom, this action comedy follows rascally retired naval Lieutenant Quentin McHale as he rejoins the Navy, regathers his former cohorts and sets sail aboard PT 73 to save the world from his old nemesis Vladikov while contending with obstacles presented by his favorite foil Captain Binghampton.
IMDB: 5.5, RT Aud: 26%, RT Critics: 14%
The training goes well until Roper's closest friend and former partner is killed by crazed but crafty jewel thief Michael Korda (Michael Wincott).
IMDB: 3.7, RT Aud: 25%, RT Critics: 2%
With its shallow characters, low budget special effects, and mindless fight scenes, Mortal Kombat - Annihilation offers minimal plot development and manages to underachieve the low bar set by its predecessor.
IMDB: 3.9, RT Aud: 24%, RT Critics: 6%
This live-action comedy adaptation of UPA's bumbling near-sighted animated character stars Leslie Nielsen.
IMDB: 5.0, RT Aud: 66%, RT Critics: 8%
John Leguizamo co-wrote The Pest's original story, loosely based on the classic adventure tale The Most Dangerous Game.

IMDB: 4.9, RT Aud: 17%, RT Critics: 0%
Presidential advisor Bobby Bishop (Charlie Sheen) is hunted by an unknown assailant in this political thriller.
IMDB: 5.2, RT Aud: 36%, RT Critics: 17%
Spawn is an overbearing, over-violent film that adds little to the comic book adaptation genre.
IMDB: 3.8, RT Aud: 16%, RT Critics: 2%
Speed 2 falls far short of its predecessor, thanks to laughable dialogue, thin characterization, unsurprisingly familiar plot devices, and action sequences that fail to generate any excitement.
IMDB: 3.4, RT Aud: 44%, RT Critics: 35%
As if serious film critics could do anything about it, here they are: Melanie Brown, Emma Bunton, Melanie Chisholm, Geri Halliwell and Victoria Adams.
IMDB: 2.8, RT Aud: 15%, RT Critics: 11%
Steel is a badly-acted movie that indulges not only in superhero cliches, but also the sappy TV-movie-of-the-week ones.
IMDB: 3.5, RT Aud: 39%, RT Critics: 15%
Based on the hit children's television series The Mighty Morphin Power Rangers, this film has the teenage superheroes doing battle with the other-worldly villainess Divatox (Hilary Shepard Turner).
IMDB: 4.8, RT Aud: 18%, RT Critics: 16%
Die Hard in an airplane as convicted killer Liotta takes over plane and only flight attendant Holly can land it now while fighting of Liotta.
IMDB: 3.2, RT Aud: 14%, RT Critics: 27%
Barb Wire could've been fun camp, but Pamela Anderson can't deliver her lines with any dramatic or comedic impact.

IMDB: 4.8, RT Aud: 26%, RT Critics: 14%
In this melodramatic mystery, teenager John Baker stumbles across the unconscious form of a woman in a field near the boys' school he attends.
IMDB: 5.2, RT Aud: 31%, RT Critics: 8%
Two rabid Boston B-ball fans go over the edge and kidnap the star player of the Utah Jazz during the NBA playoffs in this goofy sports comedy starring veteran comic actors Dan Aykroyd, Damon Wayans and Daniel Stern.
IMDB: 5.6, RT Aud: 27%, RT Critics: 15%
But in order to succeed, Eddie must avoid assassination attempts by the real perpetrators.
IMDB: 4.6, RT Aud: 40%, RT Critics: 12%
The Crow: City of Angels is a sloppy pretender that captures neither the mood nor energy of the original.
IMDB: 5.4, RT Aud: 34%, RT Critics: 11%
Set in a remote, decaying boarding school run by the brutish, controlling Guy Baran.
IMDB: 5.3, RT Aud: 39%, RT Critics: 6%
Paul Reubens (aka Pee Wee Herman) also appears as a trigger-happy animal control officer.
IMDB: 2.6, RT Aud: 22%, RT Critics: 0%
The chimpanzee is actually played by two acrobats in a animatronic suit.
IMDB: 5.4, RT Aud: 27%, RT Critics: 14%
Then again, hardly anything goes the way one might expect in this black comedy.
IMDB: 5.3, RT Aud: 22%, RT Critics: 12%
The action grows fast and furious as their pursuers draw closer.
IMDB: 5.1, RT Aud: 36%, RT Critics: 33%
Renamed Girl 6 by the company, the actress becomes increasingly involved with her work on a personal level, soon reaching the point of unhealthy obsession.
IMDB: 4.4, RT Aud: 20%, RT Critics: 24%
This is the third movie to bring parts of early 20th-century writer H.G.
IMDB: 5.8, RT Aud: 49%, RT Critics: 19%
Jack is a boy who is growing normally, but at four times the normal rate.
IMDB: 5.5, RT Aud: 38%, RT Critics: 16%
Arnold Schwarzenegger tries his best, but Jingle All the Way suffers from an uneven tone, shifting wildly from a would-be satire on materialism to an antic, slapstick yuk-fest.
IMDB: 5.4, RT Aud: 41%, RT Critics: 18%
This film should be of interest for fans of 1930s musicals; it makes reference to Busby Berkeley's elaborate dance phantasmagorias and the odd water ballets of Esther Williams.
IMDB: 2.9, RT Aud: 19%, RT Critics: 5%
Crafted from a mix of genre clichés, Kazaam doesn't know what kind of film it wants to be, and Shaq's larger-than-life charisma is stifled by rote filmmaking and an unimaginative story.
IMDB: 5.5, RT Aud: 34%, RT Critics: 30%
French cop Alain discovers that the deceased was his exact double.
IMDB: 3.8, RT Aud: 25%, RT Critics: 6%
In this black romantic comedy, television producer Martha Alston finally gives in to parental badgering and begins looking for a nice husband.
IMDB: 5.5, RT Aud: 36%, RT Critics: 14%
Van Damme stars as Chris Dubois, a clown pickpocket and Fagin-like leader of orphan thieves in 1925 New York City.
IMDB: 5.7, RT Aud: 47%, RT Critics: 32%
His commanding officer, Colonel Hall (Dan Aykroyd) is mostly oblivious to Bilko's antics.
IMDB: 3.9, RT Aud: 26%, RT Critics: 5%
Featuring hammy performances and bland characters, Solo is an all too straightforward actioner that's both predictable and instantly forgettable.
IMDB: 5.3, RT Aud: 31%, RT Critics: 7%
Leslie Nielsen's comic gifts are undisputed, but Spy Hard's lazy script and slapdash direction fail to take advantage of them.
IMDB: 4.4, RT Aud: 24%, RT Critics: 11%
The home video version of Striptease contains two minutes of footage that was clipped from the theatrical release in order to win the film an R rating.
IMDB: 4.2, RT Aud: 36%, RT Critics: 20%
In this film, the Stupids attempt to discover what happens to the garbage that disappears from their lawn every week (they think it has been stolen), and they accidentally save the world.
IMDB: 5.2, RT Aud: 23%, RT Critics: 10%
Co-star Denis Leary co-wrote the script for this romantic comedy-drama.
IMDB: 5.1, RT Aud: 29%, RT Critics: 22%
Jungle adventure flick is fun but never realistic.
IMDB: 5.6, RT Aud: 39%, RT Critics: 38%
Geena Davis stars in this adventure saga as the most swashbuckling female pirate to ever lay waste to the seven seas.
IMDB: 4.5, RT Aud: 22%, RT Critics: 11%
This quirky crime drama features fantastical elements, most noticeable in the character of Johnny Destiny, an enigmatic figure who quietly guides events.
IMDB: 4.2, RT Aud: 14%, RT Critics: 12%
She plays family law attorney Kate McQuean.
IMDB: 3.9, RT Aud: 23%, RT Critics: 26%
In addition to popular C&W music star Doug Stone, who plays a major role, other country stars also make cameo appearances, including Boxcar Willie, Jim Stafford, Moe Band, and Roy Clark.

IMDB: 5.6, RT Aud: 31%, RT Critics: 13%
In the end, Johnny's information is successfully downloaded amid spectacular computer-generated graphics.
IMDB: 5.5, RT Aud: 30%, RT Critics: 17%