TOKEN-BASED AUTH MIDDLEWARE
This WSGI component:
Refer to: http://keystone.openstack.org/middlewarearchitecture.html
Bases: object
Auth Middleware that handles authenticating client calls.
Return admin token, possibly fetching a new one.
:return admin token id :raise ServiceError when unable to retrieve token from keystone
Bases: exceptions.Exception
Bases: exceptions.Exception
Returns a WSGI filter app for use with paste.deploy.
Starting point for routing Cisco Token requests.
Bases: object
Auth Middleware that handles S3 authenticating client calls
Returns a WSGI filter app for use with paste.deploy.
Bases: keystone.common.wsgi.Middleware
A trivial filter that checks for a pre-defined admin token.
Sets ‘is_admin’ to true in the context, expected to be checked by methods that are admin-only.
Bases: keystone.common.wsgi.Middleware
Middleware to allow method arguments to be passed as serialized JSON.
Accepting arguments as JSON is useful for accepting data that may be more complex than simple primitives.
In this case we accept it as urlencoded data under the key ‘json’ as in json=<urlencoded_json> but this could be extended to accept raw JSON in the POST body.
Filters out the parameters self, context and anything beginning with an underscore.
Bases: keystone.common.wsgi.Middleware
Middleware filter to handle URL normalization.
Normalizes URLs.
Bases: keystone.common.wsgi.Middleware
Middleware to allow method arguments to be passed as POST parameters.
Filters out the parameters self, context and anything beginning with an underscore.
Bases: keystone.common.wsgi.Middleware
Bases: keystone.common.wsgi.Middleware
De/serializes XML to/from JSON.
Transform the request from XML to JSON.
Transform the response from JSON to XML.
S3 TOKEN MIDDLEWARE
This WSGI component:
Bases: object
Auth Middleware that handles S3 authenticating client calls.
Bases: exceptions.Exception
Returns a WSGI filter app for use with paste.deploy.
Bases: object
Swift middleware to Keystone authorization system.
In Swift’s proxy-server.conf add this middleware to your pipeline:
[pipeline:main]
pipeline = catch_errors cache authtoken keystone proxy-server
Make sure you have the authtoken middleware before the swiftauth middleware. authtoken will take care of validating the user and swiftauth will authorize access. If support is required for unvalidated users (as with anonymous access) or for tempurl/formpost middleware, authtoken will need to be configured with delay_auth_decision set to 1. See the documentation for more detail on how to configure the authtoken middleware.
Set account auto creation to true:
[app:proxy-server]
account_autocreate = true
And add a swift authorization filter section, such as:
[filter:keystone]
paste.filter_factory = keystone.middleware.auth_token:filter_factory
operator_roles = admin, swiftoperator
This maps tenants to account in Swift.
The user whose able to give ACL / create Containers permissions will be the one that are inside the operator_roles setting which by default includes the admin and the swiftoperator roles.
The option is_admin if set to true will allow the username that has the same name as the account name to be the owner.
Example: If we have the account called hellocorp with a user hellocorp that user will be admin on that account and can give ACL to all other users for hellocorp.
If you need to have a different reseller_prefix to be able to mix different auth servers you can configure the option reseller_prefix in your swiftauth entry like this :
reseller_prefix = NEWAUTH_
Make sure you have a underscore at the end of your new reseller_prefix option.
| Parameters: |
|
|---|
Authorize an anonymous request.
| Returns: | None if authorization is granted, an error page otherwise. |
|---|
Deny WSGI Response.
Returns a standard WSGI response callable with the status of 403 or 401 depending on whether the REMOTE_USER is set or not.
Returns a WSGI filter app for use with paste.deploy.


|
| void | ComNmtEventActiveMaster (uint8_t ubNetV, uint8_t ubPriorityV, uint8_t ubNodeIdV) |
| |
| void | ComNmtEventHeartbeat (uint8_t ubNetV, uint8_t ubNodeIdV) |
| |
| void | ComNmtEventStateChange (uint8_t ubNetV, uint8_t ubNodeIdV, uint8_t ubNmtStateV) |
| |
| void | ComNmtEventIdCollision (uint8_t ubNetV) |
| |
| void | ComNmtEventMasterDetection (uint8_t ubNetV, uint8_t ubResultV) |
| |
| void | ComNmtEventResetNode (uint8_t ubNetV) |
| |
| void | ComNmtEventResetCommunication (uint8_t ubNetV) |
| |
| ComStatus_tv | ComNmtGetHbProdTime (uint8_t ubNetV, uint16_t *puwTimeV) |
| |
| ComStatus_tv | ComNmtGetInhibit (uint8_t ubNetV, uint32_t *pulTimeV) |
| |
| ComStatus_tv | ComNmtGetNodeState (uint8_t ubNetV, uint8_t ubNodeIdV, uint8_t *pubStateV) |
| |
| ComStatus_tv | ComNmtIsMaster (uint8_t ubNetV) |
| |
| ComStatus_tv | ComNmtMasterDetection (uint8_t ubNetV, uint8_t ubBootupV) |
| |
| ComStatus_tv | ComNmtSetHbProdTime (uint8_t ubNetV, uint16_t uwTimeV) |
| |
| ComStatus_tv | ComNmtSetInhibit (uint8_t ubNetV, uint32_t ulTimeV) |
| |
| ComStatus_tv | ComNmtSetNodeState (uint8_t ubNetV, uint8_t ubNodeIdV, uint8_t ubStateV) |
| |
The CANopen Network Management (NMT) is used to change the state of a CANopen slave node. This module holds functions for the protocol stack to behave in both ways: as Master or as Slave. If the protocol stack is started in Slave mode (refer to the ComMgrInit() function), the protocol stack must react on NMT messages. If started in Master mode, the protocol stack holds the NMT resource and is allowed to send NMT messages.
◆ ComNmtEventActiveMaster()
| void ComNmtEventActiveMaster |
( |
uint8_t |
ubNetV, |
|
|
uint8_t |
ubPriorityV, |
|
|
uint8_t |
ubNodeIdV |
|
) |
| |
NMT event callback - Active NMT master.
- Parameters
-
| ubNetV | - CANopen Network channel |
| ubPriorityV | - NMT master priority |
| ubNodeIdV | - Node-ID value |
This function is called by the stack on a NMT active master indication. The action on this function is application specific.
◆ ComNmtEventHeartbeat()
| void ComNmtEventHeartbeat |
( |
uint8_t |
ubNetV, |
|
|
uint8_t |
ubNodeIdV |
|
) |
| |
NMT event callback - Heartbeat.
- Parameters
-
| ubNetV | - CANopen Network channel |
| ubNodeIdV | - Node-ID value |
This function is called by the stack on a NMT heartbeat event. The action on this function is application specific.
◆ ComNmtEventIdCollision()
| void ComNmtEventIdCollision |
( |
uint8_t |
ubNetV | ) |
|
NMT event callback - ID collision.
- Parameters
-
| ubNetV | - CANopen Network channel |
This function is called by the stack on a NMT identifier collision. The action on this function is application specific.
◆ ComNmtEventMasterDetection()
| void ComNmtEventMasterDetection |
( |
uint8_t |
ubNetV, |
|
|
uint8_t |
ubResultV |
|
) |
| |
NMT master detection callback.
- Parameters
-
| ubNetV | - CANopen Network channel |
| ubResultV | - Result of NMT master detection |
- See also
- ComNmtMasterDetection()
This function is called by the stack as result on a NMT master detection procedure. Possible values for the parameter ubResultV are
- eCOM_NMT_DETECT_SUCCESS
- eCOM_NMT_DETECT_TIMEOUT
The value eCOM_NMT_DETECT_SUCCESS
means that a NMT master device is available in the network. The CANopen master stack shall not be used as NMT master in that case. The values eCOM_NMT_DETECT_TIMEOUT
denotes that there was no response from another NMT master in the network and the CANopen master stack may be used as NMT master.
The action on this function is application specific.
◆ ComNmtEventResetCommunication()
| void ComNmtEventResetCommunication |
( |
uint8_t |
ubNetV | ) |
|
NMT reset event callback.
- Parameters
-
| ubNetV | - CANopen Network channel |
This function is called by the stack on a NMT reset communication command. The action on this function is application specific.
◆ ComNmtEventResetNode()
| void ComNmtEventResetNode |
( |
uint8_t |
ubNetV | ) |
|
NMT reset event callback.
- Parameters
-
| ubNetV | - CANopen Network channel |
This function is called by the stack on a NMT reset remote node command. The action on this function is application specific.
◆ ComNmtEventStateChange()
| void ComNmtEventStateChange |
( |
uint8_t |
ubNetV, |
|
|
uint8_t |
ubNodeIdV, |
|
|
uint8_t |
ubNmtStateV |
|
) |
| |
NMT event callback - State change.
- Parameters
-
| ubNetV | - CANopen Network channel |
| ubNodeIdV | - Node-ID value |
| ubNmtStateV | - New NMT state |
This function is called by the stack on a NMT state change event. Possible values for ubNmtStateV are listed in the ComNmtState_e enumeration. The action on this function is application specific.
◆ ComNmtGetHbProdTime()
| ComStatus_tv ComNmtGetHbProdTime |
( |
uint8_t |
ubNetV, |
|
|
uint16_t * |
puwTimeV |
|
) |
| |
- Parameters
-
| ubNetV | - CANopen Network channel |
| puwTimeV | - Pointer to heartbeat timer value |
- Returns
- eCOM_ERR_NONE on success, negative ComErr_e value on failure
- See also
- ComNmtSetHbProdTime()
This function retrieves the heartbeat producer time for the CANopen Master. The value passed to the pointer puwTimeV is given in multiples of 1 millisecond.
◆ ComNmtGetInhibit()
| ComStatus_tv ComNmtGetInhibit |
( |
uint8_t |
ubNetV, |
|
|
uint32_t * |
pulTimeV |
|
) |
| |
- Parameters
-
| ubNetV | - CANopen Network channel |
| pulTimeV | - Pointer to NMT inhibit time |
- Returns
- eCOM_ERR_NONE on success, negative ComErr_e value on failure
- See also
- ComNmtSetInhibit()
This function retrieves the inhibit time between two subsequent NMT messages. The pointer pulTimeV points to a variable that holds the time value in multiples of one microsecond.
◆ ComNmtGetNodeState()
| ComStatus_tv ComNmtGetNodeState |
( |
uint8_t |
ubNetV, |
|
|
uint8_t |
ubNodeIdV, |
|
|
uint8_t * |
pubStateV |
|
) |
| |
- Parameters
-
| ubNetV | - CANopen Network channel |
| ubNodeIdV | - Node-ID value |
| pubStateV | - Pointer to NMT state variable |
- Returns
- eCOM_ERR_NONE on success, negative ComErr_e value on failure
- See also
- ComNmtSetNodeState()
This function retrieves the NMT state of the CANopen device with the Node-ID ubNodeIdV
. Possible values for ubNodeIdV are 1 .. 127. The value passed to the pointer pubStateV is taken from the ComNmtState_e enumeration.
◆ ComNmtIsMaster()
| ComStatus_tv ComNmtIsMaster |
( |
uint8_t |
ubNetV | ) |
|
- Parameters
-
| ubNetV | - CANopen Network channel |
- Returns
- 1 if NMT master, 0 if NMT slave
This function checks if the device is the NMT master or not.
◆ ComNmtMasterDetection()
| ComStatus_tv ComNmtMasterDetection |
( |
uint8_t |
ubNetV, |
|
|
uint8_t |
ubBootupV |
|
) |
| |
◆ ComNmtSetHbProdTime()
| ComStatus_tv ComNmtSetHbProdTime |
( |
uint8_t |
ubNetV, |
|
|
uint16_t |
uwTimeV |
|
) |
| |
- Parameters
-
| ubNetV | - CANopen Network channel |
| uwTimeV | - Heartbeat timer value |
- Returns
- eCOM_ERR_NONE on success, negative ComErr_e value on failure
- See also
- ComNmtGetHbProdTime()
This function sets the heartbeat producer time for the CANopen Master. The value passed to uwTimeV is given in multiples of 1 millisecond.
◆ ComNmtSetInhibit()
| ComStatus_tv ComNmtSetInhibit |
( |
uint8_t |
ubNetV, |
|
|
uint32_t |
ulTimeV |
|
) |
| |
- Parameters
-
| ubNetV | - CANopen Network channel |
| ulTimeV | - NMT inhibit time |
- Returns
- eCOM_ERR_NONE on success, negative ComErr_e value on failure
- See also
- ComNmtGetInhibit()
This function sets the inhibit time between two subsequent NMT messages. The parameter ulTimeV is given in multiples of 1 microsecond.
◆ ComNmtSetNodeState()
| ComStatus_tv ComNmtSetNodeState |
( |
uint8_t |
ubNetV, |
|
|
uint8_t |
ubNodeIdV, |
|
|
uint8_t |
ubStateV |
|
) |
| |
- Parameters
-
| ubNetV | - CANopen Network channel |
| ubNodeIdV | - Node-ID value |
| ubStateV | - New NMT state |
- Returns
- eCOM_ERR_NONE on success, negative ComErr_e value on failure
- See also
- ComNmtGetNodeState()
This function changes the NMT state of the CANopen device with the Node-ID ubNodeIdV. Possible values for ubNodeIdV are 0 .. 127. A value of 0 addresses all devices in the network. Passing the address of the CANopen Master to ubNodeIdV will change the NMT state of the Master.
The value passed to ubStateV is taken from the ComNmtState_e enumeration.


--- layout: post status: publish published: true title: Happy Birthday, My Baby. author: Leask author_login: leask author_email<EMAIL_ADDRESS>author_url: https://leaskh.com wordpress_id: 261 wordpress_url: http://leaskh.wordpress.com/2009/05/24/happy-birthday-my-baby date: '2009-05-24 16:58:33 +0800' date_gmt: '2009-05-24 16:58:33 +0800' categories: tags: [] comments: [] ---


×
What is a client?
A client is an individual or family recieving benefits from the Department of Human Services (DHS).
If you aren't currently receiving benefits from a DHS program you can still use this application
to learn about the Adult and Family Services (AFS) department and programs.


{% bootstrap_css %}
{% bootstrap_javascript %}
🐧
{% include "core/form.html"%}
{% include "core/overview.html" with time_context=morning time="morning" %}
{% include "core/overview.html" with time_context=afternoon time="afternoon" %}
{% include "core/overview.html" with time_context=night time="night" %}
{% include "core/details.html" with time="morning" group="happy"%}
{# {-% include "core/details.html" with time="morning" group="not_so_happy"%}#}
{# {-% include "core/details.html" with time="morning" group="working_thinking"%}#}
{# {-% include "core/details.html" with time="morning" group="fun"%}#}
{% include "core/details.html" with time="afternoon" group="happy"%}
{# {-% include "core/details.html" with time="afternoon" group="not_so_happy"%}#}
{# {-% include "core/details.html" with time="afternoon" group="working_thinking"%}#}
{# {-% include "core/details.html" with time="afternoon" group="fun"%}#}
{% include "core/details.html" with time="night" group="happy"%}
{# {-% include "core/details.html" with time="night" group="not_so_happy"%}#}
{# {-% include "core/details.html" with time="night" group="working_thinking"%}#}
{# {-% include "core/details.html" with time="night" group="fun"%}#}


This patch editor ought to work properly with the DX7-compatible family (DX7, TX816/TX216, TX7, and perhaps other models such as the DX7 II or Korg Volca FM). However it has only been tested on the Yamaha TX216. Please let me know of any discrepancies you discover.
Communicating with Edisyn The precise instructions here vary depending on the DX7 family synth you own. But in general: Set your synthesizer to receive and transmit on the same channel (perhaps Channel 1), and turn off memory protection. Turn on reception of sysex and program change (PC) messages. Turn on transmission of sysex messages.
Loading Bank Patches Perhaps because it can store only 32 patches, the DX7 is unusual among synths in that essentially all patches available on the web are grouped in 32-patch bank format rather than individually. As a result, Edisyn knows how to load (but not save) bank sysex. When Edisyn receives a bank sysex, either from the synth or loaded from a file, it will give you three options: (1) write the entire bank to the synthesizer, (2) save the bank as a sysex file, or (3) extract and edit a single patch from the bank.
Gotchas
| By | Sean Luke |
| Date | April 2018 |


--- layout: page title: About permalink: /about/ ---
Information science is an interdisciplinary field primarily concerned with the analysis, collection, classification, manipulation, storage, retrieval, movement, dissemination, and protection of information. Information science is one of the important branches of PESCE, Mandya. The Department of Information science and Engineering takes pride in producing quality engineers over the past 17 years. The credit for all the flowery results goes to the highly motivating staff, from which all students draw inspiration.
The department strives to equip our graduates with Knowledge and Skills to contribute significantly to Information Science & Engineering and enhance quality research for the benefit of society.
Facaulty incharge: Bramesh S.M
Student incharge: Shreyas S


Glad to see you here !
Stack Pasta is a senior's project that focus to create Eclipse's plug-in and VScode's Extension.
An Eclipse plug-in for search and get Answer form Stack Exchange sites on Eclipse UI.
An admin site that provide tools to manage through all user issues with datavisualization and table.
Email : stackpastaplugin@gmail.com


?SMITHSONIAN
INSTITUTION
From
THE
UNITED
STATES
NATIONAL
HERBARIUM
PLANTS
OF
CUBA
Andropogon
(i\i.)
§.S.P-
djJr
Oriente:
Serpentine
formation,
alt.
400
meters
NEW
YORK
BOTANICAL
GARDEN
C.
V.
MORTON
1
.
JULIAN
ACUNA
/Collectors
October
15,
194
01362200
01362200
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


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React II Developer
Data Science Engineer
Data science
Data Engineer
Front End Web Developer
Project Manager
UI Web Design
Machine Learning Engineer
Backend Engineer


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3/14 email
To the Campus Community:
I understand the great concern within our campus community, especially now that one of our own members has tested positive; and I am writing to provide additional information. I want to first reiterate that we have been advised by medical experts that this does not pose a danger to the health and safety of those on campus. Through this challenging time, my goals have been that we take responsible measures to protect the health and safety of our campus community, continue to operate to protect the integrity of this academic year so students continue to receive the best educational experience possible, and that we are transparent with information.
We learned late yesterday of our student testing positive for the virus. This student was tested after a person with whom she was in contact tested positive for the virus. That individual was symptomatic, but is recovering. Thankfully, our student is asymptomatic and notified the campus out of an abundance of caution, even though she was not required to do so. We appreciate that she did notify us and we felt it was necessary to be transparent and share this information with the college community.
We have a process in place for these types of notifications, which was followed yesterday. Student Affairs got detailed information from the student regarding her situation and that information was shared with the campus liaison for coronavirus related matters - our Provost, Michael Parrish. We contacted CUNY Central and they consulted with New York State Public Health Officials. Independently, we contacted local health officials – who also consulted with their infectious disease experts. All of the medical professionals concurred that there was no risk to the campus and no need to close the campus. After going through this consulting process, we sent messages to faculty and students in the student’s classes. I then sent my message to the campus community, hours after we first learned of the matter.
Beyond the experts’ opinion that it was not necessary to close, the weekend schedule and current recess allows to us to sanitize all of the areas where the student visited. Additionally, as noted in a prior email from facilities, we continue our campuswide efforts this weekend with deep cleaning. We have also engaged a private cleaning vendor to provide additional deep cleaning on campus this week.
Besides these cleaning efforts, we have two separate groups meeting to address concerns as they arise. The first, smaller group is a steering committee that meets on a daily basis; while a larger taskforce is meeting on a weekly basis. Both groups have representatives from across campus and you can find the names of the people participating in these meetings on our webpage.
I hope this is the last time I will have to send such a message, but based on the reporting on the virus, I think this is unlikely. Throughout this time we will continue to investigate all new reports of COVID-19 that come to our attention, dispel false rumors, and monitor and report on situations of concern raised by members of our community, especially our employees who remain on campus.
Please know that we will continue to do everything we can during this challenging time to keep you safe and informed.
Sincerely,
William J. Fritz
President


fprime_gds.common.utils.config_manager
¶
@brief Utility class to read config files and provide configuration values
After the first instance of this class is initialized, any class can obtain the same instance by calling the static getInstance function. This allows any part of the python program retrieve configuration data.
Based on the ConfigManager class written by Len Reder in the fprime Gse
@author R. Joseph Paetz
@date Created July 25, 2018
- @lisence Copyright 2018, California Institute of Technology.
ALL RIGHTS RESERVED. U.S. Government Sponsorship acknowledged.
Module Contents¶
Classes¶
This class provides a single entrypoint for all configurable properties, |
-
exception
fprime_gds.common.utils.config_manager.
ConfigBadTypeException
(config_name, type_str)[source]¶ Bases:
Exception
Common base class for all non-exit exceptions.
-
class
fprime_gds.common.utils.config_manager.
ConfigManager
[source]¶ Bases:
configparser.ConfigParser
This class provides a single entrypoint for all configurable properties,
-
set_configs
(self, f)[source]¶ Sets the configuration values to those in the given file
Will raise an exception if the file does not exist.
- Parameters
f (string) – Path to a file object to read
-
static
get_instance
()[source]¶ Return instance of singleton.
- Returns
The current ConfigManager object for this python application
-
get_type
(self, name)[source]¶ Retrieve a type from the config file for parsing
It is assumed the setting is in the types section
- Parameters
name (string) – Name of the type to retrieve
- Returns
If the name is valid, returns an object of a type derived from TypeBase. Otherwise, raises ConfigBadTypeException
-
Build: 1.4.1


Almost all of the models we have learned in class dealt with either classification or regression; that is to say, given a set of features, we have predicted a response. The goal of this project is playlist extension which can not be easily translated into a regression or classification problem, even though we tried with our baseline model described earlier. So, we approached this problem with a two-part model different than anything we have seen thus far in CS109A.
Because Spotify has so many songs, even when we only consider the songs present on the 5,000 playlists that we chose to subset, it is infeasible - and inefficient - to consider all possible songs when attempting to extend a playlist. To alleviate these concerns, we first determine the best pool of songs to think about given the songs that we know are already a part of the playlist.
Next, we must consider how well each of these pooled songs would fit into our playlist. To do this, we look at the average feature set of all songs in the input playlist as well as the features of all songs in the pool. We then determine which songs are most compatible with the average song in the playlist.
The first of the two models we had to create was the pooling model. The goal of the pooling model was to find a subset of all of Spotify’s songs that it would be reasonable to consider extending the playlist with. The pooling model was created with the idea that choosing songs from a subset would be much less computationally complex than considering every song possible.
This model required two data inputs-- a playlist from the playlists dataframe, and a songs dataframe containing all songs on Spotify and some of their features. The pool of songs returned by the model was determined by the tagged artist genres on the input playlist.
We split the model into four sub-functions: ‘get_genres’, ‘count_genres’, ‘cutoff’, and ‘get_pool’. ‘get_genres’ removes songs with missing information from the songs dataframe, then uses the Track URI of each song in the playlist to pull that song’s features from the songs dataframe. It returns the genres associated with each song’s artist.
The function ‘count_genres’ takes in the genres returned by ‘get_genres’ and returns a list of how many times each artist genre occurred in the playlist.
The function ‘cutoff’ takes in the list of counts from ‘count_genres’ and the songs dataframe (containing all songs). It sets the cutoff of how many times the genre should appear for it to be included in the pool. Using trial and error, we found that taking only the most popular genre was effective (largely because songs tend to be tagged with multiple genres, and the most popular genres are typically broader categories). Using more genres did not shrink the size of the pool enough. ‘cutoff’ then creates the pool by iterating through the songs dataframe and pulling the indices of the songs that have genres match the top genre found earlier.
Finally, the function `get_pool` combines `get_genres`, `count_genres`, and `cutoff` to return the pool.
The second of the two models we had to create was the pooling model. The goal of the ranking model was to, as the name suggests, rank all songs that the pooling model had selected from the total song data set in terms of their compatibility with the inputted data set. The recommendations for songs to be added to the playlist would then be whichever songs had the highest similarity score with the average feature set of the inputted playlist.
The first function ‘get_avg_vector’ takes in simply the playlist in dictionary form and returns the average feature set of the playlist, as well as the pool of songs to be used later. The function selects the tracks from the inputted playlist and gets the corresponding pool using the first model. It then merges the playlist songs with the features from the pooled songs (and the playlist songs), and finally aggregates the songs in the pool. (Note: we aggregate via both mean and sum because we originally added together the lists of genres to one-hot encode as binary predictors, but we ultimately felt this information was captured in the pooling process.)
The second function ‘get_reccs’ takes in as inputs the playlist in dictionary form, the number of song recommendations desired with default 10, and the number of features to be dropped in the fitting process, if any, with default 0. The function creates a feature matrix by combining the average vector with the pool, and then calculates the cosine similarity matrix from this feature matrix. We are only interested in the last row of this matrix which represents the similarity scores between the average vector and each pooled song. It then sorts these scores and returns the URIs (essentially Spotify ID codes) of both the songs and the artists as well as the actual titles and artist names of the recommendations; it also returns which variables were dropped in the fitting process, if any.


pymatgen.io.abinit.abiinspect module¶
This module provides objects to inspect the status of the Abinit tasks at run-time. by extracting information from the main output file (text format).
-
class
CyclesPlotter
[source]¶ Bases:
object
Relies on the plot method of cycle objects to build multiple subfigures.
-
combiplot
(fontsize=8, **kwargs)[source]¶ Compare multiple cycels on a grid: one subplot per quantity, all cycles on the same subplot.
Parameters: fontsize – Legend fontsize. Keyword arguments controlling the display of the figure:
kwargs Meaning title Title of the plot (Default: None). show True to show the figure (default: True). savefig “abc.png” or “abc.eps” to save the figure to a file. size_kwargs Dictionary with options passed to fig.set_size_inches e.g. size_kwargs=dict(w=3, h=4) tight_layout True to call fig.tight_layout (default: False) ax_grid True (False) to add (remove) grid from all axes in fig. Default: None i.e. fig is left unchanged. ax_annotate Add labels to subplots e.g. (a), (b). Default: False
-
-
class
D2DEScfCycle
(fields)[source]¶ Bases:
pymatgen.io.abinit.abiinspect.ScfCycle
Result of the Phonon self-consistent cycle.
-
MAGIC
= 'iter 2DEtotal(Ha)'¶
-
last_etotal
¶ The 2-nd order derivative of the energy at the last iteration.
-
-
class
GroundStateScfCycle
(fields)[source]¶ Bases:
pymatgen.io.abinit.abiinspect.ScfCycle
Result of the Ground State self-consistent cycle.
-
MAGIC
= 'iter Etot(hartree)'¶
-
last_etotal
¶ The total energy at the last iteration.
-
-
class
PhononScfCycle
(fields)[source]¶ Bases:
pymatgen.io.abinit.abiinspect.D2DEScfCycle
Iterations of the DFPT SCF cycle for phonons.
-
class
Relaxation
(cycles)[source]¶ Bases:
collections.abc.Iterable
A list of
GroundStateScfCycle
objects.Note
Forces, stresses and crystal structures are missing. This object is mainly used to analyze the behavior of the Scf cycles during the structural relaxation. A more powerful and detailed analysis can be obtained by using the HIST.nc file.
-
classmethod
from_stream
(stream)[source]¶ Extract data from stream. Returns None if some error occurred.
-
history
[source]¶ Ordered Dictionary of lists with the evolution of the data as function of the relaxation step.
-
plot
(ax_list=None, fontsize=12, **kwargs)[source]¶ Plot relaxation history i.e. the results of the last iteration of each SCF cycle.
Parameters: - ax_list – List of axes. If None a new figure is produced.
- fontsize – legend fontsize.
- kwargs – keyword arguments are passed to ax.plot
Returns: matplotlib figure
Keyword arguments controlling the display of the figure:
kwargs Meaning title Title of the plot (Default: None). show True to show the figure (default: True). savefig “abc.png” or “abc.eps” to save the figure to a file. size_kwargs Dictionary with options passed to fig.set_size_inches e.g. size_kwargs=dict(w=3, h=4) tight_layout True to call fig.tight_layout (default: False) ax_grid True (False) to add (remove) grid from all axes in fig. Default: None i.e. fig is left unchanged. ax_annotate Add labels to subplots e.g. (a), (b). Default: False
-
classmethod
-
class
ScfCycle
(fields)[source]¶ Bases:
collections.abc.Mapping
It essentially consists of a dictionary mapping string to list of floats containing the data at the different iterations.
-
classmethod
from_stream
(stream)[source]¶ Read the first occurrence of ScfCycle from stream.
Returns: None if no ScfCycle entry is found.
-
last_iteration
¶ Returns a dictionary with the values of the last iteration.
-
plot
(ax_list=None, fontsize=12, **kwargs)[source]¶ Uses matplotlib to plot the evolution of the SCF cycle.
Parameters: - ax_list – List of axes. If None a new figure is produced.
- fontsize – legend fontsize.
- kwargs – keyword arguments are passed to ax.plot
Returns: matplotlib figure
Keyword arguments controlling the display of the figure:
kwargs Meaning title Title of the plot (Default: None). show True to show the figure (default: True). savefig “abc.png” or “abc.eps” to save the figure to a file. size_kwargs Dictionary with options passed to fig.set_size_inches e.g. size_kwargs=dict(w=3, h=4) tight_layout True to call fig.tight_layout (default: False) ax_grid True (False) to add (remove) grid from all axes in fig. Default: None i.e. fig is left unchanged. ax_annotate Add labels to subplots e.g. (a), (b). Default: False
-
classmethod
-
class
YamlDoc
(text, lineno, tag=None)[source]¶ Bases:
object
Handy object that stores that YAML document, its main tag and the position inside the file.
Parameters: - text – String with the YAML document.
- lineno – The line number where the document is located.
- tag – The YAML tag associate to the document.
-
lineno
¶
-
tag
¶
-
text
¶
-
text_notag
¶ Returns the YAML text without the tag. Useful if we don’t have any constructor registered for the tag (we used the tag just to locate the document).
-
class
YamlTokenizer
(filename)[source]¶ Bases:
collections.abc.Iterator
Provides context-manager support so you can use it in a with statement.
-
Error
¶ alias of
YamlTokenizerError
-
all_yaml_docs
()[source]¶ Returns a list with all the YAML docs found in stream. Seek the stream before returning.
Warning
Assume that all the YAML docs (with the exception of the last one) are closed explicitely with the sentinel ‘…’
-
next
()[source]¶ Returns the first YAML document in stream.
Warning
Assume that the YAML document are closed explicitely with the sentinel ‘…’
-
next_doc_with_tag
(doc_tag)[source]¶ Returns the next document with the specified tag. Empty string is no doc is found.
-
seek
(offset[, whence]) → None. Move to new file position.[source]¶ Argument offset is a byte count. Optional argument whence defaults to 0 (offset from start of file, offset should be >= 0); other values are 1 (move relative to current position, positive or negative), and 2 (move relative to end of file, usually negative, although many platforms allow seeking beyond the end of a file). If the file is opened in text mode, only offsets returned by tell() are legal. Use of other offsets causes undefined behavior. Note that not all file objects are seekable.
-
-
exception
YamlTokenizerError
[source]¶ Bases:
Exception
Exceptions raised by
YamlTokenizer
.
-
plottable_from_outfile
(filepath)[source]¶ Factory function that returns a plottable object by inspecting the main output file of abinit Returns None if it is not able to detect the class to instantiate.


It wasn't easy to get here. I had to spend an entire summer working on roofs six or seven days a week to save enough money and it still wasn't enough. I had to start a crowd funding page to help. You caring is a newer crowd funding site that I decided to try out.


Data Analysis: Patterns, Prediction and Causality is a textbook that covers the most important methods and tools data analysts need in the fields of business, economics and public policy. It textbook provides integrated knowledge of methods traditionally scattered around various fields such as econometrics, machine learning and practical business statistics. It covers data organization, data description, regression analysis, predictive analytics using regression and machine learning tools, causal analysis of the effects of interventions by doing experiments or using observational data, and practical skills for working with real-life data and collecting data. The textbook covers relatively few methods but helps students gain a a lot of practice and a deep intuitive understanding of those methods. We put a lot of emphasis on the interpretation and visualization of results.
Our textbook covers integrated knowledge of methods and tools traditionally scattered around various fields such as econometrics, machine learning and practical business statistics. Our sections in the book are:
State-of-the art knowledge in data analysis includes traditional regression analysis, causal analysis of the effects of interventions, predictive analytics using regression and machine learning tools, and practical skills for working with real-life data and collecting data. We cover relatively few methods but help students gain a deep intuitive understanding. The upside is that visualization and interpretation of results may become the focus of analysis.
Applied knowledge can be acquired only by working through many applications. Students will use real-life data; learn how to manage analytical projects from scratch as we provide data and code as part of an online ancillary platform. The textbook supports both R and Stata. The textbook is complemented with extensive online material including data, code, additional case studies, practice questions, sample exams and data exercises.
Gábor Békés
(Central European University and CEPR)
Gábor Kézdi
(University of Michigan)


Enhancing Life
Excelling in Care
Choose Wisely. Choose CBD.
WHAT IS CBD?
BENEFITS
OUR DIFFERENCE
CBD is short for cannabidiol. It is a phytocannabinoid found in hemp and known for supporting the body and mind in many ways.* Charlotte’s Web products have cannabinoids with CBD extract.
Not to be confused with oil from hemp seeds (which doesn’t contain cannabinoids), CBD comes from the flowers and leaves of the hemp plant.
Why does CBD work? The human body has a vast network of receptors, the endocannabinoid system.
Lorem ipsum dolor sit, amet consectetur adipisicing elit. Quasi iure odio blanditiis ullam minus cupiditate inventore reprehenderit.
Not to be confused with oil from hemp seeds (which doesn’t contain cannabinoids), CBD comes from the flowers and leaves of the hemp plant.
Why does CBD work? The human body has a vast network of receptors, the endocannabinoid system.
CBD is short for cannabidiol. It is a phytocannabinoid found in hemp and known for supporting the body and mind in many ways.* Charlotte’s Web products have cannabinoids with CBD extract.
Not to be confused with oil from hemp seeds (which doesn’t contain cannabinoids), CBD comes from the flowers and leaves of the hemp plant.
Why does CBD work? The human body has a vast network of receptors, the endocannabinoid system.
Because CBD from hemp has no psychoactive effects, the purchase, sales, or possession of hemp CBD products are completely legal in all 50 States.
Because CBD from hemp has no psychoactive effects, the purchase, sales, or possession of hemp CBD products are completely legal in all 50 States.
Because CBD from hemp has no psychoactive effects, the purchase, sales, or possession of hemp CBD products are completely legal in all 50 States.
Because CBD from hemp has no psychoactive effects, the purchase, sales, or possession of hemp CBD products are completely legal in all 50 States.


Enable dynamic packet filtering on Internet-facing firewalls. Dynamic packet filtering is also known as stateful inspection.
Dynamic packet filtering makes sure that only packets that are parts of an actual transmission can pass through the firewall. Dynamic packet filtering prevents a potential attacker from sending custom packets to scan the network or performing network layer attacks.
Enable dynamic packet filtering on the Internet firewall. Refer to the firewall vendor's documentation or tech support for detailed instructions on enabling dynamic packet filtering on your firewall.


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/see.20Note.20.5Bdefault.20priority.5D.html ---
Where can I see this note? It's appearing everywhere in mathlib nowadays
Can't grep help you out?
Some time soon you will be able to see this in the generated docs as well. The docs are very rapidly evolving this week.
Some time soon
Another question I had regarding recent changes: what is an abbreviation
?
Oh this is in TPIL!
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


Harley Davidson unveils Pan America - the company's first adventure motorcycle - here's a look The motorcycle was also showcased with a chain final drive, making it the only motorcycle in the company’s current lineup to have this system. 06 Nov 2019 Deviating from its legacy of cruiser motorcycles, Harley Davidson debuted its first adventure motorcycle at the 2019 EICMA. (Image: Harley Davidson) Though it is still in a prototype stage, Pan America gives us enough ideas of what to expect. (Image: Harley Davidson) Since the motorcycle is a brand-new concept from the company, it also gets a completely new Revolution Max 1250cc, 60-degree V-twin liquid-cooled and counterbalanced engine. (Image: Harley Davidson) It is expected to make 147PS of maximum power and 122Nm of peak torque and should be mated to a 6-speed manual transmission. The company also states that it has made the engine narrower and is being used as a stressed member to support its chassis. (Image: Harley Davidson) Since the motorcycle is a brand-new concept from the company, it also gets a completely new Revolution Max 1250cc, 60-degree V-twin liquid-cooled and counterbalanced engine. (Image: Harley Davidson) It is also claimed to offer a broad powerband across the tachometer range. (Image: Harley Davidson) The motorcycle was also showcased with a chain final drive, making it the only motorcycle in the company’s current lineup to have this system. (Image: Harley Davidson) The company has also collaborated with Brembo to create a new, 4-piston monoblock caliper to provide optimum braking. It also gets inverted forks and a rear monoshock. (Image: Harley Davidson) Harley Davidson has not made any official announcements about the launch of the motorcycle in India, though it can be expected to arrive by 2021. (Image: Harley Davidson) It will be pitted against the KTM 1290 Super Adventure R, BMW R 1250 GS Adventure, Triumph Tiger 1200 XCx and Ducati Multistrada 1260 Enduro. (Image: Harley Davidson)


Mentioned in New York Times in the past 20 years
After comparing the frequency of their names being mentioned by New York Times (NYT) in the past 20 years, it is clear that NFL has always got more hits in NYT articles than NBA, which means the American coverages also focus more on NFL.
Two Major American Sports Leagues' Names Mentioned in New York Times (1997-2017)
Before 2005, it seemed that NFL and NBA shared similar hits in NYT. After that NFL’ figure experienced remarkable increase until 2014, while NBA was always remained around 100 with slight fluctuation. Both of NFL and NBA hits went through a decrease in 2013 but saw a dramatic climb in 2016, although the figure of NFL was still nearly double of the NBA’s. The reasons for both league’s hits achieved the peak might be various. As for the 2016 NFL season, neither of the previous season's Super Bowl participants made the playoffs, which was unexpected at that moment. On the other hand, in the 2016 NBA Finals, the Cleveland Cavaliers defeated the Golden State Warriors with 4:3 after trailing three games to one, which was the first time in finals history with such reversion and was widely reported then.
The hits in NYT showed the American media attention on major leagues and also confirmed more focus on NFL than NBA through the American version. There is no doubt that NFL is the number one league game to watch for Americans but NBA could be more worldwide popular.
Social Media Statistics
Considering the social media engagement, NBA account/page owns more followers than NFL on both Facebook and Twitter and also gains more likes. Compared to NYT, social media like could have a more worldwide version. With most users from India in Facebook, the number of NBA’s followers surpass double of the NFL’s. Although users from the United State rank the first in Twitter, NBA still wins more fans than NFL. More social media engagement reflects NBA’s worldwide influence to some degree.
Related Hashtags
Hashtag can be an essential part of social media that shows the related topics of the post and can also help increase popularity. After calculating the latest posts with NFL and NBA hashtags respectively, other hashtags within these posts could also been illustrated.
(Wordcloud made by: https://www.jasondavies.com/wordcloud/)
Putting all related hashtags into a wordcloud, it is clear to see the hot topics about NFL and NBA. For example, in the NFL wordcloud, “Superbowl” and championship participants “Eagles” and “Patriots” are more frequently mentioned. Also, “ESPN”, a sports television network that provides the Super Bowl live is repeatedly mentioned. “NBARegularSeason” is most mentioned in NBA related posts which reflects the latest trend of each game.


Review all your jobs.
Search for a Job based on a title or description.
From
To
Here you will be shown a list of all your jobs.
#{{job.index}}


--- layout: apidoc title: Tile5 API Documentation ---
The T5.Style module is used to define and apply styles.


procedure FillLongword(var X; Count: Integer; Value: Longword);
An optimized analogue of FillChar for 32 bit values.
[See Also]: FillWord


|
ToolBox
|
#include <ToolBox_InterruptDriven.h>
Classes | |
| class | InterruptHandler |
Protected Member Functions | |
| InterruptDriven (uint8_t) | |
| ~InterruptDriven () | |
| bool | attach (uint8_t) |
| void | detach () |
| bool | isAttached () const |
| virtual void | handleInterrupt ()=0 |
Protected Attributes | |
| uint8_t const | m_uiInterruptPin |
| used pin More... | |
Friends | |
| class | InterruptHandler |
base class for interrupt driven objects
|
protected |
ctor
| uiInterruptPin | pin to assign to Object |
|
protected |
dtor detaches object from interrupt if required
|
protected |
attach object to interrupt; derived classes need to set pin mode
| uiMode | mode; could be LOW, CHANGE, RISING, FALLING or HIGH |
|
protected |
detach object from interrupt
|
protectedpure virtual |
called from interrupt handler
|
protected |
|
friend |
|
protected |
used pin


{include file="public/head" /}
{block name="body"}{/block} {include file="public/login_footer"/} {block name="script"}{/block}


whatcolor
Syntax
whatcolor : int
Description
The whatcolor function is used to determine the current (foreground) color, ie., the color used for characters that are output using put. The alternate spelling is whatcolour.
Example
This program outputs the currently-active color number. The message is also given in the currently-active color.
setscreen ("graphics")
put "This writing is in color number ", whatcolor
Details
The screen should be in a "screen" or "graphics" mode. See setscreen for details.
See also
the color procedure, which is used to set the color. See also colorback and whatcolorback.
See also predefined unit Text.


--- layout: post title: Fun with SwitchTower post_id: 202 categories: - tips & tricks date: 2005-08-07 09:22:00.000000000 -06:00 author: Jamis permalink: 2005/8/7/fun-with-switchtower.html ---
With SwitchTower out of the gate and feedback coming in, I thought I’d take a moment to post a few custom tasks I created while working on Backpack and Tada Lists.
Firstly, the default SwitchTower tasks assume you are using Apache to host your apps. (Mostly this is an assumption of the enable_web
and disable_web
tasks, because they require some conditional rewrite rules in order to do their thing.) However, Tada Lists is being run via lighttpd, which doesn’t have (to my knowledge) any way to say “use this rewrite rule only if this file exists”.
So, what we’re doing instead is managing two lighttpd configurations—one for “live” mode, and one for “maintenance” mode. When in maintenance mode, all requests are rewritten so that a “system/maintenance.html” file is displayed.
Then, I create two new tasks, after_disable_web
and before_enable_web
. I use these tasks to kill the running lighttpd instance on the web servers, and then start up a new lighttpd instance using the correct configuration:
(Note that these are “hook” tasks that are called automatically by SwitchTower when the disable_web
and enable_web
tasks are called—you don’t need to call these explicitly, they just extend the existing tasks.)
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 |
desc "Restart lighttpd with the $HOST-maint.conf file" task :after_disable_web, :roles => :web do pids = "ps wwwax | grep lighttpd | grep -v grep " + "| grep -v assets | cut -b 1-5" sudo "kill `#{pids}`" sudo "lighttpd -f #{current_path}/config/lighttpd/" + "${HOSTNAME%.37signals.com}-maint.conf" end desc "Restart lighttpd with the $HOST.conf file" task :before_enable_web, :roles => :web do pids = "ps wwwax | grep lighttpd | grep maint " + "| grep -v grep | cut -b 1-5" sudo "kill `#{pids}`" sudo "lighttpd -f #{current_path}/config/lighttpd/" + "${HOSTNAME%.37signals.com}.conf" end |
(Note that the above tasks will need a little more work if you host multiple apps on the same web server—you’ll probably want to find a way to only kill the lighttpd instances pertaining to the app in question.)
The other tasks I created were for examing the status of the master and slave database servers. To do this, I needed the root MySQL password so that I could run the SHOW MASTER STATUS
query, but I didn’t want to put the password in the recipe… not exactly a secure solution. So, instead, I set the password variable to a Proc
instance. When SwitchTower sees a variable that is a Proc
, it will execute the Proc
and cache the result. So, the variable is defined like this:
1 2 3 4 5 6 7 8 9 10 11 12 13 |
set :root_db_password, Proc.new { sync = STDOUT.sync begin echo false STDOUT.sync = true print "Enter DB password for 'root': " gets.chomp ensure STDOUT.sync = sync echo true puts end } |
This means that the first time the root_db_password
is queried, the Proc
will be invoked, the user will be prompted for the root DB password, and the result cached so that subsequent uses of the variable reuse the result.
The tasks themselves look something like this:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 |
desc "Show the master DB status" task :show_master_status, :roles => :db, :only => { :primary => true } do require 'yaml' db = YAML.load(File.read(File.dirname(__FILE__) + "/database.yml")) prod = db['production'] cmd = 'echo "SHOW MASTER STATUS\G" ' + "| mysql -u root -p #{prod['database']}" run cmd do |ch, stream, data| logger.info data, "[#{stream} :: #{ch[:host]}]" ch.send_data "#{root_db_password}\n" if data =~ /^Enter password:/ end end desc "Show the slave DB status" task :show_slave_status, :roles => :db, :only => { :slave => true } do require 'yaml' db = YAML.load(File.read(File.dirname(__FILE__) + "/database.yml")) prod = db['production'] cmd = 'echo "SHOW SLAVE STATUS\G" ' + "| mysql -u root -p #{prod['database']}" run cmd do |ch, stream, data| logger.info data, "[#{stream} :: #{ch[:host]}]" ch.send_data "#{root_db_password}\n" if data =~ /^Enter password:/ end end |
To use them, then, I just do:
1 |
rake remote_exec ACTION=show_master_status,show_slave_status |
And voila!


Properties Related to White Balance
White Balance
Name and Function
| Property Name | Function |
|---|---|
| WB | White Balance |
Property Value
| Property Value | Description |
|---|---|
| WB_AUTO | Auto White Balance Used for most light conditions (when there is a white object in the frame). Use this mode for general use. |
| MWB_FINE | Preset white balance for shooting outdoors on a clear day, to capture the reds in a sunset or the colors in a fireworks display. Color temperature is 5300K. |
| MWB_SHADE | Preset white balance for shooting outdoors in the shadows on a clear day. Color temperature is 7500K. |
| MWB_CLOUD | Preset white balance for shooting outdoors on a cloudy day. Color temperature is 6000K. |
| MWB_LAMP | Preset white balance for shooting under a tungsten light. Color temperature is 3000K. |
| MWB_FLUORESCENCE1 | Preset white balance for shooting under fluorescent lights. Color temperature is 4000K. |
| MWB_WATER_1 | Preset white balance for underwater photography. Color temperature is 5500K. |
| WB_CUSTOM1 | Custom White Balance. Select color temperature in terms of Kelvin using CUSTOM_WB_KELVIN_1 property. |
Access Permission
| Wi-Fi | Bluetooth Smart |
|---|---|
| Read/Write | Read/Write |
Supported Shooting Mode
| iAuto | P | A | S | M | ART | movieP | movieA | movieS | movieM |
|---|---|---|---|---|---|---|---|---|---|
| OK | OK | OK | OK | OK | OK | OK | OK | OK |
Custom White Balance Color Temperature
Name and Function
| Property Name | Function |
|---|---|
| CUSTOM_WB_KELVIN_1 | White balance using Kelvin This property is valid when WB property is set to WB_CUSTOM1. |
Property Value
| Property Value | Description |
|---|---|
| 2000 | 2000K |
| 2050 | 2050K |
| 2100 | 2100K |
| 2150 | 2150K |
| 2200 | 2200K |
| 2250 | 2250K |
| 2300 | 2300K |
| 2350 | 2350K |
| 2400 | 2400K |
| 2450 | 2450K |
| 2500 | 2500K |
| 2550 | 2550K |
| 2600 | 2600K |
| 2650 | 2650K |
| 2700 | 2700K |
| 2750 | 2750K |
| 2800 | 2800K |
| 2900 | 2900K |
| 3000 | 3000K |
| 3100 | 3100K |
| 3200 | 3200K |
| 3300 | 3300K |
| 3400 | 3400K |
| 3500 | 3500K |
| 3600 | 3600K |
| 3700 | 3700K |
| 3800 | 3800K |
| 3900 | 3900K |
| 4000 | 4000K |
| 4200 | 4200K |
| 4400 | 4400K |
| 4600 | 4600K |
| 4800 | 4800K |
| 5000 | 5000K |
| 5200 | 5200K |
| 5400 | 5400K |
| 5600 | 5600K |
| 5800 | 5800K |
| 6000 | 6000K |
| 6200 | 6200K |
| 6400 | 6400K |
| 6600 | 6600K |
| 6800 | 6800K |
| 7000 | 7000K |
| 7400 | 7400K |
| 7800 | 7800K |
| 8200 | 8200K |
| 8600 | 8600K |
| 9000 | 9000K |
| 9400 | 9400K |
| 9800 | 9800K |
| 10000 | 10000K |
| 11000 | 11000K |
| 12000 | 12000K |
| 13000 | 13000K |
| 14000 | 14000K |
Access Permission
| Wi-Fi | Bluetooth Smart |
|---|---|
| Read/Write | Read/Write |
Supported Shooting Mode
| iAuto | P | A | S | M | ART | movieP | movieA | movieS | movieM |
|---|---|---|---|---|---|---|---|---|---|
| OK | OK | OK | OK | OK | OK | OK | OK |
White Balance Adjustment
Overview
- Allow users to fine-tune white balance with reference to preset.
- There are two adjustment parameters for each preset according to adjustment axes. WB adjustment A and WB adjustment G are for amber - blue axis and green - magenta axis, respectively.
- If WB adjustment A has positive value, white balance is adjusted with amber color. Otherwise, blue color.
- If WB adjustment G has positive value, white balance is adjusted with green color. Otherwise, magenta color.
Property Name
- Property name is string which combines property name prefix and suffix.
- Property name to adjust in amber - blue axis with reference to preset WB for tungsten: WB_REV_3000K
- Property name to adjust in green - magenta axis with reference to Auto WB: WB_REV_G_AUTO
Prefix
| Property Name Prefix | Adj. Axis |
|---|---|
| WB_REV_ | WB Adj. A (Amber/Blue) |
| WB_REV_G_ | WB Adj. G (Green/Magenta) |
Suffix
| Property Name Suffix | WB Preset |
|---|---|
| 3000K | Tungsten |
| 4000K | Fluorescent |
| 5300K | Clear Day |
| 6000K | Cloudy Day |
| 7500K | Shadow |
| AUTO | Auto |
| AUTO_UNDER_WATER | Underwater |
Property Value
WB Adjustment A, WB Adjustment G (Common)
| Property Value | Description |
|---|---|
| –7 | –7 |
| –6 | –6 |
| –5 | –5 |
| –4 | –4 |
| –3 | –3 |
| –2 | –2 |
| –1 | –1 |
| 0 | 0 |
| +1 | +1 |
| +2 | +2 |
| +3 | +3 |
| +4 | +4 |
| +5 | +5 |
| +6 | +6 |
| +7 | +7 |
Access Permission
| Wi-Fi | Bluetooth Smart |
|---|---|
| Read/Write | Read/Write |
Supported Shooting Mode
| iAuto | P | A | S | M | ART | movieP | movieA | movieS | movieM |
|---|---|---|---|---|---|---|---|---|---|
| OK | OK | OK | OK | OK | OK | OK | OK |
WB AUTO Keeping Warm Colors
Name and Function
| Property Name | Function |
|---|---|
| AUTO_WB_DENKYU_COLORED_LEAVING | Adjust white balance keeping warm colors. |
Property Value
| Property Value | Description |
|---|---|
| OFF | OFF Eliminate warm colors. |
| ON | ON Keep warm colors. |
Access Permission
| Wi-Fi | Bluetooth Smart |
|---|---|
| Read/Write | Read/Write |
Supported Shooting Mode
| iAuto | P | A | S | M | ART | movieP | movieA | movieS | movieM |
|---|---|---|---|---|---|---|---|---|---|
| OK | OK | OK | OK | OK | OK | OK | OK | OK |


I started this project just to see if it was really possible for me to build a big project like that and to learn how the web works under the hood.
If you try to access a website it may not really load correctly, the reason is because the layout implementation is pretty lacking at the moment, I got a basic implemetation of a display block, list item and inline. For now there's no flexbox and no inline-block.
There's no image support, no forms and no links. But I'm slowly working on bringing those things over. One thing that somewhat works is inline css via the style tag. For now something like this will work:
If you want an example page to load, there are some tests at the test folder on the root of the project, there are also some links below.
Below is the list of components:
You can find more info at my github
https://github.com/danfragoso/thdwb


THtmlViewer component
property OnHotSpotClick: THotSpotClickEvent;
The OnHotSpotClick event occurs when the mouse is over an hypertext link and the left mouse button is clicked. See the THotSpotClickEvent type for information on the parameters.
The following code may be used to load the hypertext link URL into an Edit box when a mouse click occurs:
Viewer.OnHotSpotClick := HotSpotClick;
....
procedure TForm1.HotSpotClick(Sender: TObject; const URL: String;
var Handled: Boolean);
begin
Handled := False;
end;


Example of TEMPLATE with display for LED diodes and TIMER status.
Status of LED diodes and TIMER is:
Timer is @#TIMER
Timer controlled LED is @#LED
Manual LED is @#MANUALLED
Authenticated user is: @#USERNAME
Back


WesCell.Rmd
The goal of WesCell is to faciliate and acceralte the process of analyzing sample cells for Wesleyan students. This package is created for people without background knowledge of coding in hope that it will streamline the data manipulation and analysis process.
You can install the released version of WesCell with the following code:
if (!require(devtools)){ install.packages("devtools") } devtools::install_github("qqcher/WesCell")
This is a basic example which shows how to import your raw RT-qPCR csv file:
library(WesCell) result <- analyze.qPCR("your raw RT-qPCR csv file")
Above picture is an example of a raw RT-qPCR csv file. The package will read your raw RT-qPCR csv file as a list.
After importation, rhe raw RT-qPCR csv file will be read as shown in the above picture.
To convert the list into a dataframe and clean the dataframe, use the following code:
mydata <- list.to.df(result) mydata <- clean.data(mydata)
After the previous two steps, your data should be ready for further analysis. Following are some of the tests you can run:
## Willcoxon Test Wilcoxon <- df.wilcoxon.test(mydata,"Primer","inflammatory.factor","exp.data","cell.line") ## 3sub Unique Average sub_average <- df.3sub.unique.av(mydata,"Primer","inflammatory.factor","exp.data","cell.line") ## T-test T_test <- df.t.test(mydata,"Primer","inflammatory.factor","exp.data","cell.line")
In addition to the tree tests, WesCell allows you to add variable via the console:
add.variable.one(mydata)
Once this function is inputted, the console will prompt you with the question “What is the name of the new variable?” To which, you can simply reply with the name of the variable without or without quotation marks.
You can also add various variables to your data frame with the following code:
mydata <- add.variable.bulk(mydata,c("cell.line","cell.replicate","date.performed"))
Different from the function add.variable.one
, this function does not prompt a message in the console. Instead, you will have to some level of coding. The first argument of the function will be the name of data frame that you are appending. The second argument will be the name/names of new variables added. After new variables are added, you can input the values. The difference between add.variable.one
and add.variable.bulk
, like their name suggests, is that the later can input several new variables at the same time.


{% extends 'base.html' %} {% load staticfiles %} {% block title %} Robotix Club • RoboExpo {% endblock %} {% block content %} Create Team Join Team Create Team {% csrf_token %} I state that as a leader of my team I will be responsible for my Team's actions. {% csrf_token %} Join Team I state that I am joining this team at my own will. {% endblock %}


MIDNIGHT IN THE GARDEN OF GOOD AND EVIL
A Film Review by James Berardinelli
RATING: *** OUT OF ****
United States, 1997 U.S. Release Date: 11/21/97 (wide) Running Length: 2:35 MPAA Classification: R (Mature themes, profanity, violence) Theatrical Aspect Ratio: 1.85:1
Cast: John Cusack, Kevin Spacey, Jack Thompson, Lady Chablis, Alison Eastwood, Irma P. Hall, Paul Hipp, Jude Law Director: Clint Eastwood Producers: Clint Eastwood, Randy Phillips, Arnold Stiefel Screenplay: John Lee Hancock based on the novel by John Berendt Cinematography: Jack N. Green Music: Lennie Niehaus U.S. Distributor: Warner Brothers
One thing is certain about Clint Eastwood: he doesn't play it safe. Two years ago, he surprised just about everyone (and gave his fans a collective apoplexy) by directing and starring in an ultra- sensitive tearjerker called THE BRIDGES OF MADISON COUNTY. Now, following a romp through more familiar territory in ABSOLUTE POWER, Eastwood the director is back with this slow, moody adaptation of John Berendt's novel, MIDNIGHT IN THE GARDEN OF GOOD AND EVIL. It's a compelling but meandering tale of lust, murder, sex, voodoo, and betrayal. Despite the presence of so many titillating elements, the film's nearly somnambulant pace makes it easy for a viewer to lose his or her concentration.
MIDNIGHT IN THE GARDEN is the story of New York journalist John Kelso (John Cusack), who travels to Savannah when TOWN AND COUNTRY magazine hires him to write a story about the much-ballyhooed annual Christmas bash held by millionaire Jim Williams (Kevin Spacey). After a brief discussion with Jim's football-loving lawyer, Sonny Seiler (Jack Thompson), John meets Jim, who turns out to be a suave, appealing gentleman with extravagant tastes. The writer is given a brief tour of Jim's opulent house, which was built by the grandfather of songwriter Johnny Mercer. Over the course of the next twenty-four hours, as he waits for the party to begin, John meets some of the locals: a man who walks an imaginary dog, a sexy young woman named Mandy (Alison Eastwood), an attorney-turned-housesitter (Joe Odom), and the brash, cocky Billy Hanson (Jude Law), who is Jim's lover. Then, suddenly, after the party, when John is getting ready to go home, MIDNIGHT IN THE GARDEN turns into a murder story. Jim shoots and kills Billy under mysterious circumstances, and the question of his innocence is put before a jury. John, seeing the potential to expand his short article into a full-length book, begins his own investigation of the incident, and his detective work leads him to two more unusual citizens of Savannah: transvestite Lady Chablis (playing herself) and Minerva (Irma P. Hall), a voodoo priestess.
As the title indicates, this film is about the everyday clash of "good" and "evil" in one man's life (John's life, to be precise). It's actually a subtle battle -- nothing is as overwrought as what was presented in DEVIL'S ADVOCATE -- but it's a war nonetheless. On one side is the opulent, decadent allure of Jim's lifestyle and friendship, which beckons seductively to John. As is often the case, however, all is not as glamorous as it first appears to be, and there's also betrayal and disillusionment to contend with. On the other side are the simple love of a woman and the recognition of true justice -- things that come without strings attached. Throughout the film, John finds himself buffeted from one camp to the other, constantly groping for his own, personal truth.
MIDNIGHT IN THE GARDEN would have worked better as a morality play had the "good" aspects of John's struggle been developed more fully than in a series of disjointed, uneven scenes. His love affair with Alison, for example, seems almost like an afterthought, when, in fact, it's a critical element of his redemption. On the other hand, this movie would have been more effective as a courtroom drama/detective yarn had it cut out these subplots altogether. They slow down the pace and rob the narrative of tension. In fact, MIDNIGHT IN THE GARDEN doesn't have the right running length, regardless of what it's trying to do. It's too short for a dramatic exploration of John's crisis of conscience and too long for a more traditional murder mystery.
In many ways, MIDNIGHT IN THE GARDEN reminded me of Kasi Lemmons' EVE'S BAYOU. It's not just the superficial similarities -- a Southern setting, voodoo, multiple perspectives of the same event, and a sensationalistic murder -- although they are there. Rather, both movies investigate the gray moral area that exists when "good" men are led astray. Both John and Jim fight to identify their own ethical comfort zone, and discover that it may not be in the same place. And, as in EVE'S BAYOU, the power of the spirit (voodoo) becomes the ultimate means of delivering justice. However, while I felt that there was a lack of atmosphere in EVE'S BAYOU, Eastwood does an excellent job of making Savannah come alive. More than once, I was thirsty for a mint julep or glass of lemonade.
One of the reasons MIDNIGHT IN THE GARDEN is a pleasure to watch, despite its lengthy running time, is the strength of the actors' performances. John Cusack is perfectly cast as the film's representation of the viewer -- the everyman with a feckless charm. Kevin Spacey does an exceptional job making Jim a charismatic figure who, paradoxically, seems to be both open and secretive. Lady Chablis, a real-life transvestite, makes the biggest splash (and will probably get the most press) with a delightfully comic, over-the-top interpretation of herself. Equally outrageous, but accorded less screen time, is Irma P. Hall's Minerva. And Australian Jack Thomspon, sporting an American accent, offers solid support as Sonny Seiler.
It strikes me that the audience for MIDNIGHT IN THE GARDEN is likely to be a small, select group, not because the film is bad, but because it demands a certain temperament to enjoy a long, unhurried experience like this. And, while the movie doesn't succeed in effectively developing all of the subplots and secondary themes in its complex tapestry, its main point -- that morality is a relative, not an absolute, quantity -- is presented in a striking fashion. With MIDNIGHT IN THE GARDEN OF GOOD AND EVIL, Eastwood has captured a peculiar yet involving slice of life.
Copyright 1997 James Berardinelli
- James Berardinelli e-mail<EMAIL_ADDRESS>Now with more than 1300 reviews... The ReelViews web site: http://movie-reviews.colossus.net/
"For me, the cinema is not a slice of life, but a piece of cake."
- Alfred Hitchcock
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Note: The playground uses a CPU intensive algorithm to identify sign language in your webcam. This may cause your browser to slow down.

Note: The playground uses a CPU intensive algorithm to identify sign language in your webcam. This may cause your browser to slow down.


DM for Design Ideas & Suggestions
Print on Demand Merch Stores
Merch by Amazon
TeeSpring Merch Store
Red Bubble Merch Store


The analyses uses the contingency table of the two fields to compute line and column profiles, and considers the χ2 distance between them. It represents the profiles on the plane that maximizes the separability of the points.
In the right slots, the categorical fields to be used.
Option 1: The row and column profiles are displayed.
Option 2: Histogram of the proportion of inertia (variance) of each factor.
Drag one corner to another one to change the orientation of the axes.


Welcome to the code quiz! Do your best to answer all of the questions before the time runs out! You will have 60 seconds to answer all 7 questions. Be careful, a wrong answer will dock your remaining time! Good Luck!


--- layout: post title: Last day+Rome date: 2008-05-24 18:32:10.000000000 -05:00 type: post parent_id: '0' published: true password: '' status: publish categories: - English - Fleeing - Reflections - Rome'08 tags: - rome - SEAI'08 meta: _edit_last: '1412221' author: login: dreamessenceonthemove email<EMAIL_ADDRESS>display_name: darribas first_name: Daniel last_name: Arribas-Bel permalink: "/2008/05/24/last-dayrome/" ---
I'm finally in Rome. I got here today after a crazy and really fast friday fixing everything for the US visa, a farewell dinner with my friends from the uni, party night, shower (notice i didn't mention sleep) and a 2 hours plane-sleep.
So far, really good weather and a nice area next to the uni, not much more. More to come after I get a real sleep, rest and puzzle out all the feelings and thoughts running around right now... it's been too much in too little time.


This is Steemit Monthly Author Challenge Day 2’s post.
像我这样的懒癌星人，在能做出好吃的东西的前提下如何偷懒成了最重要的问题。上周末，就做了一次超好吃的排骨焖饭。
I always try my best to find recipes which provie yummy food without complex steps. Last weekend, made a super delicious ribs braised rice.
材料：肋骨2根、西红柿2个、青椒1个、土豆1个、生姜、蚝油、生抽、老抽、醋、糖、料酒
Ingredients: 2 ribs, 2 tomatoes, 1 green pepper, 1 potato, ginger, oyster sauce, soy sauce, vinegar, sugar, cooking wine
第一步：让肉摊老板尽可能的把排骨剁的小一点，比较好入味，将蔬菜切块（不要切得太小）；
Step 1: chop the ribs as small as possible in order to let the flovoring into easily, cut the vegetables (don’t cut them too small);
第二步：排骨焯水（在里面放些生姜片和料酒用来去腥），5-10分钟后控干备用；
Step 2: blanch the ribs (put ginger slices and cooking wine in it) for 5-10 minutes;
第三步：将土豆、青椒和西红柿放入锅内翻炒；
Step 3: stir-fry the the potatoes, green peppers and tomatoes;
第四步：加入排骨、蚝油、生抽、老抽、醋、糖、料酒（另一种做法是排骨放在这些调料里面腌制一小时）翻炒5分钟左右关火；
Step 4: add ribs, oyster sauce, soy sauce, old soy sauce, vinegar, sugar, and cooking wine (another method is to put the ribs in the sauce for one hour) stir fry for about 5 minutes.
第五步：将处理好的米放进电饭锅，把锅内的菜连同汤汁一起倒入，一般情况下不需要加水，按下煮饭键（如果是电压力锅，那设置时间差不多是15-20分钟）就可以啦。
Step 5: put the rice, ribs, vegetables as well as the cooking liquor into the electronic rice cooker (usually don’t need to add extra water) and press the cooking button (if it is electric pressure cooker, the setting time is almost 15-20 minutes).
然后超好吃的排骨焖饭就做好啦，很适合两个人在家窝在家里一边看电影一边吃哦。最关键的是不用洗N个碗，实在太幸福啦～（虽然仅有的那些碗也是长老去洗的，谁叫我炒鸡怕冷水呢，emm>..<）大家快来试试看这个菜谱吧～
And then the super-tasty braised meal is ready. It’s quite suitable for two people to eat at home while watching a movie. Besides, there’s no need to wash a lot of bowls. Come and try this recipe ^ _ ^
Thank you for reading my articles. If you like me, plz follow @nostalgic1212, or upvote me and leave your comments on steemit. Thx a looooooot~
谢谢来阅读我的文章，如果你们喜欢的话，请关注我，给我点赞、留言或是转发，再次谢谢大家～
This page is synchronized from the post: ‘📷SMAC&Dailyfoodphotograph - Day 2 排骨焖饭 Ribs braised rice’


New Delhi
2
nd
Oct 2021
Sunny
25°C
Hi:
10°C
Lo:
35°C
Sun Rise
5:30AM
Sun Set
7:30PM
Wind Speed
10Km/h
Humidity
80%
AQI
172
Pressure
1034hPa


Colors
About Us
#00000
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#00000
Color pallete has been saved!
The colour is copied to clipboard!
Pallete has been copied to clipboard 😊!
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Timeline for Three Final Major Projects
Image Transcript
The image shows a timeline that shows how all of the remaining major projects in the course are connected. There are four milestones:
- Write your Short Report Proposal, which explains the project you will focus on for your Genre Analysis Report.
- Begin work on your Genre Analysis Report, conducting your research and gathering information. Begin writing when you can
- Write your Progress Report, which outlines the status of your Genre Analysis Report and explains how you will complete the remaining work.
- Finish writing your Genre Analysis Report.


California State University, East Bay
Recreation and Wellness Center Sustainability
Infographic Design, Illustration, Print
As a member of the RAW Sustainability Committee, I designed two signages to be placed on paper towel dispensers and mirrors inside each restroom facility. The goal is to encourage RAW members, including students, staff, and faculty to lessen their carbon footprint by reducing their paper towel and water usage by following these sustainable practices.


--- layout: page header-img: "img/red.jpg" description: "你来到了一片荒芜之地" permalink: 404.html ---
Error is boundless.
Nor hope nor doubt,
Though both be groundless,
Will average out.
J.V. Cunningham, "Meditation on Statistical Method"


Daily mindfullness
and reading Search Inside Yourself
by: Peter Torr Smith
15th September, 2018
Tags/Categories
Outline of Chapter 3 of Search Inside Yourself, “Mindfulness without Butt on Cusion”
This chapter covered:
- Generalize mindfulness into our daily life
- Mindfulness in activity/action, such as when listening and talking, walking, working, eating and other experiences
- Directed mindfulness
- to others
- Mindful listening (formal, informal)
- Mindful Conversations
- Listening - giving others the space and gaps to speak, and not focus on what I’m going to say
- Looping - summarizing or confirming back to them what I heard them say
- Dipping - checking in on myself, being mindful of my body, feeling, reactions to what I’m hearing.
- Formal (Active exercise) vs Informal mindful conversations
- listen, loop, dip
- invite other to let me know what they hear (if appropriate)
- Focused and Open Attention
- Like aerobic and weight/resistance exercises that complement each other building stamina and strength, the author suggests both focused mindfulness and attention (meditation and the likes of walking mindfulness) should be complemented with open, curios, wandering, and “everything is ok, there are no distractions” mindfulness. This could be an intentional part or phase of a meditation or active attention (e.g. focus on the breath or a sound or an object and keep returning to that), or during times of open attention or mindfulness in activity where we allow our minds to wander and appreciate or observe, and not be in such a hurry to “let it go”, but just observe and non-judgemental (on others or ourselves).
- Gradual effort and Sudden Enlightenment
- Basically acknowledging that noticing and experiencing the changes we want in our life and our being do not happen overnight, and are the result of regular effort to make the change
- At first we may not see any benefits at all. But then one day, after our perseverance of practice, we see that change in ourselves. This may be in adopting any regular habit such as exercise, when we suddenly realise the 2KM swim I thought was not possible was all of a sudden done with ease. Or it could be with mindfulness and meditation, when we may not only find it easy, if not desirable, to take the time for some focused mindfulness (e.g. meditation), but also that mindfulness as become a natural part of many parts of our day.
What did you learn from your 'mindfulness conversation'? How did the other person find it?
I chose to do the “informal” mindful conversation with a few people yesterday as opposed to
sitting someone down for this exercise. I will do that at some point soon, but I’m keen to
close this sprint and get into Sprint 5 today.
I also practiced “Mindfulness in action” yesterday, both during walking, and during
watching the All Blacks play South Africa last night.
From my informal mindful listening and “conversations” yesterday (which were in a social
environment and with people I’d not met before), I enjoyed the fact that I was consciously
paying attention and listening and not getting caught up in what I was going to say next.
If I found myself thinking about that, I gently acknowledged it and let it go, and regained
my attention to what they were saying.
It felt quite liberating explicitly not worrying about what I would say, and allowing the
other person the space and time to speak, and to (semi-actively) be listened to.
I did not explicitly say “this is what I heard you say” back to them, but instead nodded
and made small gestures and “yes” type acknowledgements as they spoke, and once they had
clearly finished, I used what they had said to ask further questions about them and what
they had talked about. This way I found it was easy to show I heard them, and get any
clarifications from them of things I may have not heard properly just through my
questioning.
It’s probably not quite the mindful conversations as per the book, but it felt good and
appropriate for the situation.
Whilst walking to the event yesterday evening, I consciously practiced mindfulness in
action by focusing on my breathing as I walked, from letting my mind experience flow from
focusing on my breath to wandering off, and to also just appreciating the beauty around me
(the waterfront, the sky, the sound of the birds, the people walking by).
I also found myself intentionally “being present” at the rugby game, choosing to watch the
players and the game and the ball attentively and to appreciate the experience and the
crowd atmosphere. I ended up noticing a lot more actions and passes and mistakes and wow
moves of the various players than I think I would have normally done.
Which of the three suggested techniques will you use to sustain your practice?
The 3 suggested techniques in Search Inside Yourself, chapter 3, to sustain my mindfulness practice are:
- Have a buddy - like a gym buddy, to keep each other on track, especially for first few months as habits build
- do less than I can - aim to do only 5 mins meditation each day, when I know I can do 20. Everything beyond 5 mins is a bonus and a celebration
- Commit to taking one mindful breath a day - This is not much, and so is an easy commitment to fulfill (and feel great about) but the author proposes that simply the intention to be mindful is in itself a meditation.
I will add another to this list:
- Grab mindful anytime, anywhere, any experience, and let every second of that be ok and enough. I used to only do TM (Transcendental Meditation) for 20 mins only first thing in the morning, and never after eating. Now I’m allowing myself to grab 10 or 15 mins anytime of the day, and of course I’m consciously taking myself into a mindful state at times throughout the day in whatever I’m doing.
Any other musings?
I’m enjoying using the Muse mind sensing headband and app.
Not so much that I think the “sensing” element is overly accurate or scientific (it could
be, or it could just be a gimmick, or more likely a bit of both).
The main reason is that the first 10 sessions of the guided meditations (actually, just intro and end) have been introducing different aspects and approaches to meditation. And those suggestions, such as acknowledging when the mind has wandered, to let that be ok, and to be intentful in letting it go and returning to the breath, are in line with and complementary to the lessons being dicsussed in Search Inside Yourself.
I also have found that for me, if there are things I need to do but avoid them, if there’s a way to “gadget it up” to make it fun or enjoyable, then I’ll do that to help me get going. I did this with getting myself a Dyson cordless vacuum cleaner for my birthday a few years back, and now with the Muse headband and software, it is helping make this habit a lot easier :-)


Implementing sales operations for growing sales team. Developing agency business by driving scalable product adoption and growth across broader portfolio of agency accounts. Strengthens primary agency relationships at the executive level.
Assisted with marketing campaigns and executed outreach for East Coast sales, ending 2016 in over 300% growth and Series B funding. Gathered the highest number of cold leads in company history.
Worked under Emmy-winning journalist Elizabeth Smith to publish opinion pieces on a weekly basis. Recruited and trained 12 writers to write in AP style and use InDesign for weekly opinion pieces. Published articles on Pepperdine Graphic Media’s online platform on a daily basis; available upon request.
Worked under Emmy-winning journalist Elizabeth Smith to publish opinion pieces on a weekly basis. Recruited and trained 12 writers to write in AP style and use InDesign for weekly opinion pieces. Published articles on Pepperdine Graphic Media’s online platform on a daily basis; available upon request.


abstract fun createSignatureVerificationService(): SignatureVerificationService
Returns an instance of the SignatureVerificationService.
CryptoServiceLibraryException - for general cryptographic exceptions.
CryptoServiceLibraryException


{% extends 'email/base.html' %} {% load supervisr_inline %} {% load i18n %} {% block pre_header %} {% trans "We're thrilled to have you here! Get ready to dive into your new account." %} {% endblock %} {% block content %}
{% trans 'Welcome!' %} |
|
{% trans "We're excited to have you get started. First, you need to confirm your account. Just press the button below."%} |
||
|
||
|
{% trans "If that doesn't work, copy and paste the following link in your browser:" %} |
||
|
{% trans "If you have any questions, just reply to this email—we're always happy to help out." %} |


{% extends "dectauth/base.html" %} {% block body_tag %}
You will need to call a phone number from your DECT phone to start the authorization procedure.


| Interface | Description |
|---|---|
| ConfirmationFragment.OnFragmentInteractionListener |
Ok pressed interface returning a tag corresponding to which confirmation it was for
|
| EditExperimentFragment.OnFragmentInteractionListener |
Ok pressed interface returning the update description/region or to delete the experiment
|
| GeoWarningFragment.OnFragmentInteractionListener |
Ok pressed interface to continue after geolocation required warning displayed
|
| TrialProfileFragment.OnFragmentInteractionListener |
Ok pressed interface for either viewing profile or blacklisting user
|
| Class | Description |
|---|---|
| AddTrialDialogFragment |
Fragment for adding a new trial to an experiment.
|
| ConfirmationFragment |
Fragment for user to confirm whatever "serious" action they are taking
(ending/publishing/blacklisting etc)
|
| CustomTrialList |
A CustomList for displaying trials in an experiment view.
|
| EditExperimentFragment |
Fragment for editing experiment details like description or region
|
| ExperimentAddActivity |
Activity for adding new experiment.
|
| ExperimentViewActivity |
Activity for viewing experiment details.
|
| GeolocationActivity |
Handles the displaying of a map using Google Maps API
Set up done using: Google Maps Platform, 2021-04-07, Apache 2.0, https://developers.google.com/maps/documentation/android-sdk/current-place-tutorial
|
| GeoWarningFragment |
Fragment called when either:
No username entered
Username entered is already taken
Title of fragment changes depending on which reason it was called for
|
| TrialProfileFragment |
Fragment for choosing an option after clicking on a trial/user.
|


DOMNode::cloneNode
(PHP 5, PHP 7)
DOMNode::cloneNode — Clones a node
说明
public DOMNode DOMNode::cloneNode ([ bool $deep ] )
Creates a copy of the node.
参数
deep
Indicates whether to copy all descendant nodes. This parameter is defaulted
to FALSE.
返回值
The cloned node.
User Contributed Notes 5 notes
===============================================================================
Red Nails
$12.99
9/21/1977
";
$doc = new domDocument;
$doc->loadXML($file);
$xpath = new domXPath($doc);
$query = "//author/birthdate";
$xpathQuery = $xpath->query($query);
//would be a loop in production code...
$child = $xpathQuery->item(0);
$parent = $child->parentNode;
$doppel = $child->cloneNode(false);
$limit = $doppel->attributes->length;
for ($a=0;$a<$limit;$a++) {
$doppel->removeAttributeNode($doppel->attributes->item(0));
}
//swap for now empty node
$parent->replaceChild( $doppel, $child);
print $doc->saveXML();
?>
===============================================================================
Remeber that DOMNode always needs a reference to a parent node or DOMDocument.
For example, if you try to clone a node - copy all children - and overwrite or
delete the variable which holds the cloned node - all children will loose any
reference and getting invalid.
This will cause a nice message like "Couldn't... node no longer exists" if you
have luck. In most cases PHP only gives you the poor information "Couldn't
fetch DOM[...]" which makes hard to find out whats going on, depending on the
current operation.
===============================================================================
If you have an object that holds a DOMNode, cloning the object won't clone the
DOMNode with it. If you simply copy the object or add its DOMNode several
times, you will in fact only move the DOMNode in the tree, not multiply it.
That might seem obvious, but took me half a day to find out.
The object needs to use __clone and clone the node manually:
node = $this->node->cloneNode(TRUE);
}
}
?>
===============================================================================
If you need some function to clone a node without touching namespaces you can
use the following.
createElement($node->nodeName);
foreach($node->attributes as $value)
$nd->setAttribute($value->nodeName,$value->value);
if(!$node->childNodes)
return $nd;
foreach($node->childNodes as $child) {
if($child->nodeName=="#text")
$nd->appendChild($doc->createTextNode($child->nodeValue));
else
$nd->appendChild(cloneNode($child,$doc));
}
return $nd;
}
?>
===============================================================================
simple exemple of node cloning
Red Nails
$12.99
9/21/1977
load($file);
} else {
exit('Erreur !.');
}
$xpath = new domXPath($doc);
$query = "//author/*";
$xpathQuery = $xpath->query($query);
$size = $xpathQuery->length;
for ($i=0; $i<$size; $i++){
$node = $xpathQuery->item($i);
if ($node->nodeName == 'birthdate' && $node->hasChildNodes() && $node->
firstChild->textContent != ''){
$clonenode = $node->cloneNode(true);
$refnode = $node;
}
}
for ($i=0; $i<$size; $i++){
$node = $xpathQuery->item($i);
if (!$node->isSameNode($refnode)){
$newnode = $node->appendChild($clonenode);
}
}
print $doc->saveXML();
?>


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Documentation¶
Listener Module¶
-
class
piclap.
Listener
(config=None, calibrate=True)[source]¶ Describes methods which are called by user for the initialisation of the PyAudio module to stream microphone input.
- Parameters
- Variables
config (class: Settings) – Store the Settings object
input (class: pyaudio.PyAudio) – Store the PyAudio object
stream (class: pyaudio.Stream) – Open a new input audio stream and store the stream object
claps (int) – Store current value of claps counted and initially set to 0
lock (thread.lock) – Store the thread lock
processor (class: SignalProcessor) – Store the Processor object
-
clapWait
(clap)[source]¶ Start waiting for a small duration of time recursively until no more new claps are detected
- Parameters
clap (int) – Number of claps found at the time of wait initialised
-
claps
¶ default:
0
This class property contains the current count of claps detected
-
device
¶ Stores an
Device
object which initialisePyAudio
with calibration and manages the audio interface
-
listenClaps
(threadName)[source]¶ This method runs on a child thread with
lock
whenclaps
equals1
and reset the class propertyclaps
to0
when execution is finished- Parameters
threadName (str) – Name of the child thread started
-
processor
¶ Initialised with an
SignalProcessor
object using the signal processing method found insideconfig
-
start
()[source]¶ When this method is called, the listener start reading binary data from stream and sreach for claps inside the chunks of data using
SignalProcessor
untilSettings.exit
flag isTrue
- Raises
KeyboardInterrupt
: If Control + C is pressed on keyboard
Settings Module¶
-
class
piclap.
Settings
[source]¶ This class describes all the configurations needed for the
Listener
to work.- Variables
exit (boolean) – Exit flag the determine the exit state of
Listener
rate (int) – Bitrate at which input audio is streamed
chunk_size (int) – Frame count inside the audio buffer
wait (float) – Clap wait in seconds
method (class: Munch) – The algorithm used for the detection of claps
actions (list(str)) – Collection of defined actions
-
actions
¶ When the class initialised, it collects all the actions defined inside this class as well as any classes where are derived with this class as base class
Condition: The method name defined should start with ‘on’ and end with ‘Claps’ with the clap count inbetween them.
-
channels
¶ default:
1
(Mono Channel)Number of audio channel to listen
-
chunk_size
¶ default:
1024
Number of frames in the input audio buffer
-
exit
¶ default:
False
Exit flag
-
method
¶ default:
{'name': 'threshold','value': 7000}
Detection method used for identifing claps
-
on4Claps
()[source]¶ Action performed when 4 claps are detected. As default,
exit
flag is set toTrue
if 4 claps are detected
-
rate
¶ default:
44100
Number of audio samples collected in 1 second
-
updateMethod
(method)[source]¶ Update the method for detecting clap
- Parameters
method (dict) – A dict type parameter which defines a clap detection method
-
wait
¶ default:
0.5
Time duration to wait for claps to complete in
Listener.clapWait()
SignalProcessor Module¶
-
class
piclap.
SignalProcessor
(method)[source]¶ Describes all the signal processing algorithms and selector method.
- Parameters
method (class: Munch) – An object that contain the configuration and details of which algorithm to be used for processing the data received.
- Variables
-
alg_id
¶ default:
0
Search for the algorithm name in the
DETECTION_ALGORITHMS
and store the id found
-
algorithm
¶ The algorithm stored in this variable is used throughout the execution
-
findClap
(data)[source]¶ Based on the detection algorithm selected, the data is given to the selected algorithm
- Parameters
data (bytearray) – Binary data received from microphone
- Returns
True if clap is detected, False otherwise
- Return type
bool
-
useFFT
(byte_stream)[source]¶ This algorithm is not implemented yet
- Parameters
byte_stream (bytearray) – Binary stream of data received from microphone
-
useFiter
(byte_stream)[source]¶ This algorithm is not implemented yet
- Parameters
byte_stream (bytearray) – Binary stream of data received from microphone
-
useThreshold
(byte_stream)[source]¶ This algorithm uses a threshold value to detect claps.
- Parameters
byte_stream (bytearray) – Binary stream of data received from microphone
- Returns
When the maximum value of the integer array is greater than threshold, it returns True and False if otherwise
- Return type
bool
Device Module¶
-
class
piclap.
Device
(config, calibrate)[source]¶ Describes methods which are called by user for the initialisation of the PyAudio module to stream microphone input.
- Parameters
- Variables