Hello, I'm UI Developer
To explore in the field of teaching and deliver the best to the students
To work for an organization which provides me the opportunity to improve
my skills and knowledge to growth along with the organization objective.
| DEGREE |
INSTITUTE |
STREAM |
Year of passing |
MARKS |
| masters of technology |
GURU nanak dev university |
computer science and engineering |
2016 |
9.22 |
| bachelor of technology |
GURU nanak dev university |
computer science and engineering |
2014 |
8.56 |
| secondary studies |
RR BAWA DAV college |
punjab school education board |
2010 |
68% |
| matriculation |
ST Francis School |
ICSE |
2008 |
80% |
| Programming Languages |
Core-Java,SQL,Beginner to Android Programming |
| Internet Technologies |
HTML,JSP,Basic of JavaScript,CSS |
Research done on “MOBILE CLOUD COMPUTING”
1. Kumari Purnima.”A review and analysis of offloading issues in mobile cloud computing.” Third issue Of "International Journal of Innovation and Research .“
Computer Science.
2. Kumari Purnima, Kaur Kamaljit.” A weight based approach for node failure detection and recovery in Mobile Cloud Computing.” 2016 IEEE international conference on Recent Trends in Electronics, Information and Communication Technology (RTEICT-2016).
NETWORK MEDIA STREAMING: An android application which displays the hard drives of laptop in mobile, live streaming and downloading files.
LIBRARY MANAGEMENT: A core java project which manages all books in the library(Front end in core java and back end in SQL)
LET’S MOVIE: Desktop web application used to book movie tickets(Front end in JSP and back end in SQL)
Ranked Second in RR BAWA DAV COLLEGE in 12th Class.
Ranked as Good Performer in 11th class in RR BAWA DAV COLLEGE.
Active member of Technical Student Society in Btech.
Ranked 20th at University level in M.tech Entrance test.
Selected as system engineer Trainee in on campus placement in Tata Consultancy Services.
| LANGUAGE |
SPEAK |
READ |
WRITE |
| ENGLISH |
YES |
YES |
YES |
| HINDI |
YES |
YES |
YES |
| PUNJABI |
YES |
YES |
YES |


My design journey started recently, doing web design for Illinois Tech's library website redesign. Working with CSS and SASS I adopted the standard Illinois Tech Drupal theme and repurposed it for the new library website. This was a fascinating process as a lot of paramaters were already set by Illinois Tech's central office, which made my life both a lot easier and a lot harder. On top of that, Drupal's layout and building blocks added another layer of constraints. Often, I found my decisions were a reaction to the existing Illinois Tech Drupal theme, which made for an interesting experience.
My second experience with web design came while making this personal website for Karl Stolley's Fundamentals of Web Development course. With much more freedom during this second project I was originally unsure of how to begin. I took a step back, and began looking at a lot of single page websites that I found on One Page Love. Drawing inspiration from those amazing web designers I ended up with what you see here, and on my home page at maxdavidking.com.
Now I'm interested in diving a bit deeper into the concepts of design that fuel much of web design. I'm curious to see what standards and limits I can break, play with and follow strictly in design and typography. One of the most important lessons I've learned so far is that standards are a good thing - they establish familiarity for users & readers, and upon occasion transgressing them can be a dangerous, fun and artistic game. As an example, for this project I've done away with the table of contents. It doesn't make sense within the context of a website, and instead I'll be slowly adding to the navbar on the left. Overall - I'm really excited for the full run of this course.


About
- Born July 5, 1992
- Nationality Nigerian
- Pronoun He
My name is Opemipo Aikomo. I design software and web experiences.
I was born in Lagos, Nigeria and I've lived here for most of my life.
I like to make things and tell stories.
I'm currently making a collection of publishing experiments called Wuruwuru. It includes a database of album cover art, an animated short film about casual homophobia and a comic about weed.
I'm making each one with a different group of people and learning a lot about comics, animation, music and film production in Nigeria.
I direct the Design team at Paystack. I joined Shola Akinlade and Ezra Olubi in 2015 to build the first version of the brand, website and product and I've been stuck here since. In 2020, the company was acquired by Stripe.
I'm writing a series of essays about my experience before the acquisition.
Before Paystack, I worked at Delivery Science, Devcenter and Helloworld.
I'm curious about design, storytelling, craft, history, archives, psychology, economics, art, the web and technology in general. I'm fascinated by life, people and people who do things well.
I'm trying to be as many things as I can.
END


| Contents | Previous | Next |
The Java Native Interface (JNI) specification was formed as a result of a series of discussions among JavaSoft and Java licensees. The goal is to achieve a native interface standard.
Sheng Liang at JavaSoft is responsible for the JNI design and specification. JNI is partly evolved from Netscape’s Java Runtime Interface (JRI), which was designed by Warren Harris. Warren Harris also helped to improve the JNI design. Simon Nash at IBM and Patrick Beard at Apple provided extensive feedbacks that shaped the JNI design in many ways.
In addition, the JNI benefited greatly from JavaSoft internal design reviews. These design reviews were conducted by James Gosling, Peter Kessler, Tim Lindholm, Mark Reinhold, Derek White, and Frank Yellin.
We also want to acknowledge the helpful comments and suggestions we received from numerous people on various drafts of the specification.
Lastly, Beth Stearns improved the presentation of this document.
| Contents | Previous | Next |


Gateway
BOT
21-Sep-18 08:21 PM
[dscrdeql] <CowboyCrypto- Founder> I need to get more coin so I can add to the support on here.
[dscrdeql] <Zach> Coin as in BTC to support the wall?
[dscrdeql] <CowboyCrypto- Founder> Or Komodo could just go parabolic for the next 3 months and run up to 250 usd and make me look like a god on twitter lol
[dscrdeql] <CowboyCrypto- Founder> yeah
[dscrdeql] <CowboyCrypto- Founder> Then we have no worries either way.
[dscrdeql] <Jonathan-Mod> lol hell yeah @CowboyCrypto- Founder - that proof of concept vid will make us all sitting pretty :vote_up:
[dscrdeql] <Zach> I agree, media like a completed house will jump the price
[dscrdeql] <CowboyCrypto- Founder> it will take more than that though. We will need people to basically become fanatics about it, much like ripple supporters.
[dscrdeql] <CowboyCrypto- Founder> We have a shitload of work to get done from all angles of this project, but I am doing as much as I can with what i have.
[dscrdeql] <Jonathan-Mod> Patience is truly a virtue, and I have plenty
[dscrdeql] <Zach> my plan is to keep trading up the rest of my BTC in other stuff so that I can continue to support EQLI all the way up
[dscrdeql] <Zach> Unfortunately I havent had a ton of luck lately..
[dscrdeql] <CowboyCrypto- Founder> You guys ever have one of those moments where things just click for ya? Thats what happened when I originally thought this idea up. I thought, " This is what I want to define my work existance."
[dscrdeql] <CowboyCrypto- Founder> If I can help get homeless people back in the game, then we got ourselves a real shot at changing the world for a great number of people. If one of those people goes on to do something amazing, then we will have played a small part in facilitating that event.
[dscrdeql] <Jonathan-Mod> And that is why I support this project
[dscrdeql] <Zach> That is an awesome vision, rather than most of the altcoin projects that are seemingly just there for the money
[dscrdeql] <CowboyCrypto- Founder> Honestly I have gone broke with launching this.
[dscrdeql] <CowboyCrypto- Founder> put all of my crypto into getting it going.
[dscrdeql] <Zach> Hopefully you have enough to keep yourself afloat for alittle while longer until you can start cashing a little out
[dscrdeql] <Zach> Im sure that fiasco with David? and the pumps didnt help anything either
[dscrdeql] <! ariewayq ! The Real Human> morning dear fiends hope you all fine
[dscrdeql] <Cypher - Founder> good evening you well
[dscrdeql] <Super> I feel like I haven't gotten rain in a long time
[dscrdeql] <Cypher - Founder> that is due to you not reading updates
[dscrdeql] <Cypher - Founder>
[dscrdeql] <Cypher - Founder> read #tipsy-begin
[dscrdeql] <! ariewayq ! The Real Human> @Cypher - Founder evening too dear, coffe time
[dscrdeql] <Cypher - Founder> markets are on the move up by the looks of it
[dscrdeql] <Cypher - Founder> with XRP taking the number 2 spot from ETH
[dscrdeql] <! ariewayq ! The Real Human> yeah the intruction there, step by step
[dscrdeql] <! ariewayq ! The Real Human> hope so the coins up
[dscrdeql] <Cypher - Founder> exactly
[dscrdeql] <CowboyCrypto- Founder> SAIIIIFFFFFF MY BROWN BUDDY!
[dscrdeql] <CowboyCrypto- Founder> you and that damn ripple
[dscrdeql] <CowboyCrypto- Founder> lol


Atlantis Mod
By @Graeme22, @ETBCOR, KyleCodesThings, and @LatentLepreckaun.
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My knowledge of Rust has surpassed my knowledge of CouchDB. I now think less about how to abstract the CouchDB API and more about what to abstract. Additionally, I believe my original strategy for the couchdb crate is a bad idea.
That strategy is to provide a thin abstraction whereby the application has fine-grained control over each HTTP request it sends to the CouchDB server. Here’s an example request with one query parameter:
// GET /stuff/my_doc?rev=<some_revision>
client.get_document("/stuff/my_doc")
.rev(&some_revision)
.run();
There’s not much abstraction here. The application explicitly sets the
URI path and rev
query parameter. This level of abstraction leads to
two problems:
The CouchDB API provides many ways of doing the same thing, so the library would also provide many ways of doing the same thing—i.e., bloat.
The library is less useful to most applications.
Let’s look at the first problem: bloat.
Here are some examples how CouchDB has two ways of doing the same thing:
Are you creating a document? You can PUT the document or POST it to the database.
Are you deleting a document? You can specify its revision via the
If-Match
header or the rev
query parameter.
Are you uploading an attachment? You can embed the attachment content as JSON using base64-encoding or use a multipart message to separate the attachment from its document and avoid the overhead of base64.
A good CouchDB library will hide meaningless choices and use a reasonable default. For example, the library should use multipart to upload attachment content because multipart uses significantly less bandwidth than base64 in real-world cases. Application programmers shouldn’t be bothered about this detail.
There’s even more to be said about attachments, and that brings us to the second point: being useful. But before I explain this, you need a basic, two-minute understanding of CouchDB attachments.
A CouchDB attachment is a MIME-typed blob added to a document—think
email attachment.
But, unlike an email, a CouchDB document is
revision-controlled, hence each attachment has a history. Imagine the
following sequence of events:
You create a document with an attachment containing the content
Hello
at document revision 1.
You update the attachment with the content Goodbye
at document
revision 2.
After updating the attachment, you can retrieve the original
Hello
content by explicitly requesting revision 1.
But what happens to an attachment when you update the document itself? That depends on how much info you send in your update:
If you send the full attachment, including content, then the server will overwrite the existing attachment with the new content.
Or, if you send an attachment stub
containing only the
attachment’s name, then the server will make no changes to the
existing attachment.
Or, if you send no attachment info at all, the server will delete the existing attachment.
If the library requires the application to explicitly provide attachment info—as the couchdb crate does—then deletion is the default. But deletion is a bad default. A better default would be to send a stub and make no changes.
However, a CouchDB library that does automatic stub-sending would take more control over the outgoing HTTP request. Such a library would also need to know about all attachments without the application telling the library about them. Is this even possible? Yes.
Imagine the following pseudocode:
struct Meta {
id: DocumentId,
revision: Revision,
attachments: HashMap<String, Attachment>,
}
struct Speech {
transcript: String,
}
let doc1 = db.read_document("gettysburg");
let (meta, mut content): (Meta, Speech) = doc1.into_content();
if content.transcript == "Four score and *eight* years ago…" {
// Oops! Need to correct Lincoln's speech.
content.transcript = "Four score and *seven* years ago…".to_owned();
let doc2 = Document::from_content(meta, content);
db.write_document(doc2); // sends a stub for any existing attachment
}
A key fact is that the CouchDB server sends attachment info as part of
any document. Hence, in the code above, the doc1
variable holds
all attachment info, and it transfers the info to meta
, with meta
later transferring the info to doc2
. When the application sends doc2
to the server, the library knows enough to send a stub for any existing
attachment.
Suppose instead the application adds (or modifies) an attachment:
let doc3 = db.read_document("washington_farewell");
let (mut meta, content): (Meta, Speech) = doc3.into_content();
meta.attachments.insert("manuscript.png",
Attachment::new("image/png", load_image()));
let doc4 = Document::from_content(meta, content);
db.write_document(doc4); // sends a stub for any preexisting attachment
In this case, the doc4
variable has enough info to send the full
content of the new manuscript.png
attachment and a stub for any other,
preexisting attachment. Waste not, want not.
I’ve been exploring this and other ideas in my new project, Chill.
Chill hides more HTTP headers, URI query parameters, and JSON content of the HTTP messages. With Chill, the application declares what to do and Chill figures out how to do it.
My thanks go to Jeremy Wright for editing early drafts of this article and making it better.
Got feedback? Email me at c.m.brandenburg@gmail.com.


--- layout: post status: publish published: true title: "$10 in Duffy's Dollars - Podcast Episode 6.08" author: display_name: Corey Fineran login: Corey email<EMAIL_ADDRESS>url: '' author_login: Corey author_email<EMAIL_ADDRESS>wordpress_id: 9631 wordpress_url: http://ivyenvy.com/?p=9631 date: '2014-04-06 23:09:32 +0000' date_gmt: '2014-04-07 04:09:32 +0000' categories: - Podcast tags: [] comments: - id: 10551 author: Jason Mollett author_email: '' author_url: '' date: '2014-04-07 17:04:22 +0000' date_gmt: '2014-04-07 22:04:22 +0000' content: to be fair, the Smokies hit a Blue Wahoo the inning before. Mick Gillespie was chuckling about it. Also, Bryant stole 2nd then scored, the ultimate retalliation ---
Andy, Corey and Kurt convene to discuss the first week of the Cubs 2014 season. As you'd expect, there were some positives and negatives to discuss. Emilio Bonafacio had no trouble getting on base, the issue was the rest of the team knocking him in. We run through the minor league teams, discussing who is at the different levels and how they performed in their first week of the season.
We answer some listener submitted questions, award some Asshats of the Week and pick a few winners in this week's caption contest.
We talk a little about two events we have coming up. On May 24th, we will be hosting a meet-up at the Iowa Cubs game. We have solidified the plans yet, but keep an eye on the page for the event on our site and the Facebook event page. Please RSVP and let us know if you're coming, or if you're considering it.
Then, a week later, join us with the annual Wrigleyville Pub Crawl, which is put on by John and Steve with Wasting Away in Wrigleyville. You can find all of the details at IvyEnvy.com/Wrigleyville. The Wrigley Field tour tickets will sell quickly, so don't wait too long to get those purchased.


Simple Todo
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When using this application, in the case of an error, we collect data and information (through third-party products). These information may include your device's IP address, device name, operating system version, browser version, the date and time when the error occured, and other statistics.
This application does not use cookies explicitly. However, the application may use third-party code and libraries that use cookies to collect information and improve their services.
We strive to use acceptable means of protecting the information about you that we may collect. But remember that no method of transmission over the Internet, or method of electronic storage is 100% secure and reliable, and we cannot guarantee its absolute security.
This application contains links to other sites. If you click on a third-party link, you will be redirected to that site. Note that these external sites are not operated by us. Therefore, we strongly advise you to review the privacy policy of these sites. We have no control over and assume no responsibility or the content, privacy policies, or practices of any third-party sites.
We may update our privacy policy from time to time. Thus, you are advised to review this page periodically for any changes. We will notify you of any changes by posting the new privacy policy on this page.
This policy is effective as of May 17, 2021.
If you have any questions or suggetions about our privacy policy, do not hesitate to contact us at arnellebalane+simpletodo@gmail.com.


Export to Excel
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Remember - you need to restart opera for extension to work with already opened tabs!
Currently it's impossible for extension to have 2 buttons, so for now, you have to choose..
I could make a popup, with 2 links/buttons, but that would be 2 clicks, not 1.


Software testing is an investigation provided by All Your Bugs of your product and services that can be used to provide status updates to Stakeholders. Software testing can also provide an objective, independent view of the software to allow the business to appreciate and understand the risks of software implementation. It can also be used to determine where defects and bugs in the software tested.
Web design encompasses many different skills and disciplines in the production and maintenance of websites. The different areas of web design provided by All Your Bugs include web graphic design; interface design; authoring, including standardised code and proprietary software; user experience design; and search engine optimization.
All Your Bugs provides Software development. Our group can write and maintain the source code, and involve ourselves in the conception of the desired software through to the final manifestation of the software, in a planned and structured process. Our group can supply our expertise in include research, new development, prototyping, modification, reuse, re-engineering, and maintenance.
Project management provided All Your Bugs is the process and activity of planning, organizing, motivating, and controlling resources to achieve specific goals. Our group can assist your company with achieving all of your project goals and objectives while honoring your preconceived constraints.


Lotto chiefs announce that €6.8million jackpot ticket was sold in Mooncoin, Co Kilkenny
National Lottery chiefs also revealed that the lucky winner has already been in touch
by Sam RobertsThe winning €6.8million Lotto jackpot ticket from Saturday night was sold in the village of Mooncoin, Co Kilkenny.
Bosses confirmed the Quick Pick ticket was bought on the day of the draw in the Blanchfield Centra store.
Lotto chiefs also revealed that the lucky punter has already been in touch.
A spokesperson said: “We can confirm that we have been contacted by the ticketholder and arrangements are currently being made, when the winner is ready to collect their prize in the coming weeks."
The winning numbers from the draw were 13, 16, 18, 25, 38, 41 and the bonus number was 1.
And it was the second big win for the Centra in Mooncoin in the space of just a few months, after a €200,000 winning scratchard was bought there earlier this year.
Owner Michael Blanchfield said: “It’s astounding news. What a way to finish the year – selling a winning Lotto ticket!
"The news is the talk of the village and from talking to our local customers there is a great buzz about the place.
"I’ve no idea who it could be as we have a lot of regular locals but I do hope it is one of them. Whoever it is myself and all the staff at Centra wish them the best of luck with their win.
"We are in business here for 19 years and we had our first two major National Lottery wins in 2019.
"Back in March this year we sold an All Cash Spectacular scratch card that was worth €200,000 and was won by a Kilkenny couple."
How to follow the Irish Mirror on social media
You can like our main Facebook page here.
Our Irish Mirror Sports page - which brings you all your Irish and UK sports news - can be found here.
You can also check out our Irish Mirror GAA sports page.
The Irish Mirror Twitter account is @IrishMirror while our sports account is @MirrorSportIE.
Our Instagram account can be found here.


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{% include "layouts/_head.html" %} {% block css %}
{% endblock css %}
{% csrf_token %}
L
ogin
Login
{% if request.session.loginError %}
Your username and password didn't match. Please try again.
{% endif %}
{% include "layouts/_end.html" %} {% block end %} {% endblock end %}


Welcome to South Australian Freedivers (SAF)! Our club was formed in 2014 and continues to grow, welcoming
and mentoring new members. SAF is a formally incorporated sporting club in South Australia and the state's
Affiliated Club of the Australian Freediving Association (which is in turn
the Federal commission of the Australian Underwater Federation, the National Sporting Organisation for Underwater Sports).
We host multiple pool training sessions each week, the occasional ocean fun dive, and an annual pool
competition (the South Australian Freedive Pool Challenge) along with other mini competitions, social
events, and workshops from visiting elite divers.
We welcome divers of all levels, from complete beginner to experienced, and seek to encourage and develop
this sport which we love.
Many of our club members have competed at both national and international levels, but you're welcome to
train with us whether you’re interested in competition, fitness, spearfishing, underwater photography,
breath-hold for surf safety, or just fun diving.
Come along to train in a safe environment, meet other enthusiasts, find buddies to dive with, and you could
pick up some tips from national and world champions along the way!
Our club committee is made up of a mix of competitive divers, administrators and freediving judges, as well as
recreational and social divers. The 2022-2023 committee is made up of:
President: Jody Fisher
Secretary: Natasha Darke
Treasurer: Bradley Gill
Safety Officer: Robin Meldrum
AFA Liaison: Lisa Borg
To join us, you need to join the Australian Freediving Association (AFA) as a SA Freedivers member
($115/year in total, which includes a $20 SAF club member fee). This membership provides the club and its individuals insurance (which we need to have access to pools) and
allows the club to reinvest in its activities (e.g. to offset costs of running competitions or workshops).
If you aren't sure about a full commitment, there is the option of a 2-week 'have-a-go' starter membership
(this is a one-off, and you cannot use it in a competition as a ranked diver).
Before you join our regular training sessions, you must complete an induction during which one of our senior
divers will get you set up, started, and familiar with how we train.
Inductions are held monthly on Tuesday or Friday nights at Westminster pool (contact us for dates and
details).
We have some equipment available for loan or cheap hire to help you get started.
Club members are always happy to share advice on the best gear and are often willing to let you try on their
equipment (such as fins) to help you choose what to buy. (Please note that due to COVID equipment
hiring/sharing options are fairly restricted!)
We recommend asking the advice of experienced divers before spending too much money!
Going forward, it’s best to have completed a freediving course. However, as this often requires travel and
costs, you are welcome to start training with us before your course - it will help you develop the skills
and confidence to make the course itself a breeze!
We do expect you to complete a freediving course within your first year of training with us, and encourage
members to complete a CPR first aid course.
Invitations to regular training sessions are posted on our club facebook page. Please RSVP if you are coming
so that we can be sure to accommodate you.
Training for all levels is held at Westminster Pool on Tuesday and Friday nights.
Additional specialised training is held other times and venues for advanced members.
SAF does not charge for pool training sessions - there is a cost of $15 (depending on session) which
goes to pool hire.
At SAF we strive for a friendly, fun and inclusive environment, and we prioritise safety at all times. Please look at the links below for more detail about how we achieve this.
SAF runs several major events a year, including the annual South Australian Freedive Challenge (held over the Adelaide Cup long weekend). As well as occasional minicomps, we also host workshops by international visting divers, including world record holders - previous workshops have been run by Alexey Molchanov and Matt Malina. Check our Facebook page for any upcoming events, and visit our youtube channel to see some competition dives!


purge <sequence file> <score threshold> [options]
Purge removes redundant sequences from a FASTA file. This is recommended in order to prevent highly similar sequences distorting the search for motifs. Purge was written by Andy Neuwald and is described in more detail in Neuwald et al., "Gibbs motif sampling: detection of bacterial outer membrane protein repeats", Protein Science, 4:1618--1632, 1995.
Purge works with either DNA or protein sequences and creates an output file such that no two sequences have a (gapless) local alignment score greater than a threshold specified by the user. The alignment score is based on the BLOSUM62 matrix for proteins, and on a +5/-1 scoring scheme for DNA. Purge can also be used to mask tandem repeats. It uses the XNU program for this purpose.
Warning: Purge's running time is quadratic in the size of its input. So purging a file twice as large takes four times as long.
The name of a file containing FASTA formatted sequences. This file will be overwritten!
The minimum local alignment score threshold for discarding similar sequences.
Purge overwrites the original FASTA sequence file with the purged sequences.
| Option | Parameter | Description | Default Behavior |
|---|---|---|---|
| General Options | |||
| -n | Sequences are treated as DNA. | Sequences are treated as protein. | |
| -b | Use BLAST heuristic method. | Protein sequences use the BLAST heuristic method and DNA sequences use the exhaustive method. | |
| -e | Use an exhaustive method. | Protein sequences use the BLAST heuristic method and DNA sequences use the exhaustive method. | |
| -q | Always keep the first sequence in the set. | The first sequence may be removed. | |
| -x | Use the XNU program to mask protein tandem repeats. This option is only compatible with protein sequences. | Protein tandem repeats are not masked. | |
| -o | Write output to standard output. | Output is to a file with the same name as the input file with ".<method ('b' or 'e')><score threshold>" appended. |


Deploying a Plugin
Before your custom plugin can be used, it must be deployed: built, installed, and then enabled using Plugin Manager.
To deploy a plugin:
- Make your project by invoking Build | Make Project.
-
Prepare your plugin for deployment. In the main menu, select **Build | Prepare Plugin Module ‘
' for Deployment**. -
If the plugin module does not depend on any libraries, a
.jar
archive will be created. Otherwise, a.zip
archive will be created including all the plugin libraries specified in the project settings. -
Copy the newly created archive file to the
.IntelliJIDEAx0\config\plugins
folder, and then restart your IDE so the changes may take effect. To know how to locate your plugins directory, refer to IDE Settings, Caches, Logs, and Plugins. - In the main menu, select File | Settings to open the Settings dialog box.
- In the Settings dialog box, under IDE Settings, click Plugins.
- In the Plugins area, open the Installed tab, and then select the check-box next to your plugin name.
- When finished, click OK to close the Settings dialog box.
- Restart the IDE so that your changes take effect.
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Time: Sunday: 12:00 - 14:00 Semester: 1 - 2 Max. participants: 20 Information: we look for people who want to collaborate on solving NP complete problems and approximation algorithms.
Hello guys, I need help in the exercice 2 of the kva-sheet. Write me back in the study group thanks.
Hey, I need help in enhancing the user interface of the software project. I think we should meet again. Pm me please.
upload:
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--- layout: default title: Contribute slug: contribute lead: "Get involved!" base_url: "../" ---
If you run into unexpected behavior or run into a bug please report it. All bugs are kept track of on our issue tracker. You can add a bug report there or if you are not sure it's a bug send an email to the developer mailing list.
If you are interested in contributing fixes, code or documentation to SunPy please checkout our developer guide. SunPy is hosted on github so head over there and fork SunPy and submit your changes via a pull request. If you are unfamiliar with git and github our developer documentation provides a sample workflow but you can also find lots of tutorials online. Please consider browsing our issue list and find something that you can tackle. If you are developing something more substantial (like a new module or function) please don't forget to update the documentation and create some tests.
If you are developing your own package which makes use of SunPy and think it would be useful to the community please send an email to the mailing list to start a dialogue.


This is a visualization of how different clustering algorithms learn clusters for some different datasets. You can also experiment with how hyperparameter settings affect the algorithms.
Select Dataset ?
Select Algorithm
►
Set Hyperparameters ?
Visualization ?
Close
Dataset selection
Visualizer contains five generated two-dimensional datasets that can be used to demonstrate how different clustering
algorithms learn clusters for different problems. Each algorithm learnsx clusters in different ways, which is visualized
in this demonstrator.
Close
Visualization
The visualization shows the decision boundaries for the clusters an algorithm learns on the dataset.
The small circles show the examples in the dataset, and the colored areas show which cluster each point belongs
to. The small red squares show important concepts of an algorithm, such as centroids in K-means and Mean-Shift or
core instances in DBSCAN.
Close
Click ► to expand the Set Hyperparameters section.
Hyperparameters
The hyperparameters (configuration of algorithms) are set so each algorithm learn good clusters on each dataset.
You can change the hyperparameters to see how different configurations affect how algorithms learn clusters.
Distance functions
Clustering is based on calculating distances between examples, and there are a wide range of different distance
functions that can be used. For numerical attributes, it is common to use the Euclidean distance (or L2-norm).
Two other common distance functions are Manhattan distance (L1-norm) and Chebyshev distance (L∞-norm).
Consider the figure below. We shall calculate the distance between the two points A and B. The
length of the two sides are denoted as x and y.
The formulas for calculating the different distance metrics are then:
Close
About Web Clustering Demonstrator
Web Clustering Demonstrator is a demonstrator for clustering algorithms running purely on the client browser. All algorithms
are implemented in JavaScript for the purpose of this demonstrator. They are not optimized for high performance and don't
have all the functionality of state-of-the-art implementations. The main purpose of this demonstrator is to be used as a
tool when teaching and explaining clustering and clustering related concepts.
Web ML Demonstrator is developed by Johan Hagelbäck, senior lecturer at Linnaeus University in Kalmar, Sweden. Contact details
for the developer is here.


Darjeeling's green and white teas get GI tag, says industry body
The Tea Board had filed an application in this regard on December 2017, the DTA said
by Press Trust of IndiaDarjeeling Tea Association on Saturday said green and white tea of the hills have been registered as geographical indication (GI) products in the country.
These two varieties of Darjeeling tea have been registered under Geographical Indications of Goods (Registration and Protection) Act 1999, with effect from October 2019, it said.
The Tea Board had filed an application in this regard on December 2017, the DTA said.
This will "strengthen the protection of the intellectual property rights of the Darjeeling tea" which is considered as "niche and luxury" products in the country and abroad.
Of the total annual production of 8.5 million kilograms of Darjeeling tea, green tea comprises one million kilogram and white tea one lakh kilogram.


THAT THING YOU DO! A film review by Scott Renshaw Copyright 1996 Scott Renshaw
(20th Century Fox) Starring: Tom Everett Scott, Johnathan Schaech, Liv Tyler, Steve Zahn, Ethan Embry, Tom Hanks. Screenplay: Tom Hanks. Producers: Gary Goetzman, Jonathan Demme, Edward Saxon. Director: Tom Hanks. Running Time: 107 minutes. MPAA Rating: PG (language) Reviewed by Scott Renshaw.
Tom Hanks is a nice guy, the guy everyone in Hollywood likes, so you figure that he didn't get his first gig as a writer/director by demanding it. Not that he would need to -- getting on the good side of one of the most bankable good guys in movies is a pretty smart business move, so someone was going to give him a shot. It could only be a fringe benefit for Fox if Hanks' debut effort turned out to be a good film or a successful one, and it is entirely possible that they may have gotten both. THAT THING YOU DO! is a nice movie, and one which a lot of people are going to like, even if it falls apart at its conclusion.
THAT THING YOU DO! opens in 1964 in Erie, Pennsylvania, where young Guy Patterson (Tom Everett Scott) is working in his father's appliance store by day and polishing his skills as a jazz drummer by night. When a local rock and roll band loses its drummer to an injury right before a big talent contest, the members recruit Guy to sit in, and he joins Jimmy Mattingly (Johnathan Schaech), Lenny Haise (Steve Zahn) and the bass player (Ethan Embry) in the newly christened the One-ders. Not only do they win the contest, but their catchy original song "That Thing You Do" becomes a local sensation. In a blur, the One-ders become the Wonders, sign with Play-Tone Records and find themselves on a national tour under the guidance of Mr. White (Tom Hanks). Naturally, success proves to be more complicated than the Wonders expect.
There are plenty of places Hanks could have chosen to take the conflict in THAT THING YOU DO! -- Guy's father resisting his son's music career, the deposed drummer growing bitter over missing the boat -- but by the time we reach a scene in which both dad and drummer are gleefully enjoying the Wonders' success it has become clear that Hanks is not interested in that kind of melodrama. THAT THING YOU DO! is intended almost entirely as a playful romp, and for quite a while it succeeds. Tom Everett Scott, who bears more than a passing resemblance to Hanks, is a charming protagonist as Guy; Steve Zahn, who bears more than a passing resemblance to Hanks' former "Bosom Buddies" co-star Peter Scolari (who himself makes a cameo appearance as a TV variety show host), is hilarious as mischievous, wise-cracking Lenny. THAT THING YOU DO! does a fine job of capturing the exhilaration of newborn celebrity, nowhere better than in a wonderfully crafted sequence where the band members hear their song on the radio for the first time. With so many films about real-life rock and roll stars focused on the destructive nature of fame, it is a welcome change of pace to find one which makes fame seem like so much fun.
When Hanks finally decides that he does need some conflict, however, he appears to manufacture it on the spot. There is at least an attempt to foreshadow Jimmy's ambivalence over the band's success, but he is such a bland character compared to his bandmates that he barely even registers as relevant. Even worse served is the relationship between Jimmy and his girlfriend Faye (Liv Tyler). Though it had been little more than wallpaper for most of the film, it suddenly becomes the defining crisis, and you are likely to wonder if you missed something when Faye goes into a tearful denunciation of Jimmy's inattentiveness. There is not a single scene between Jimmy and Faye to give us a sense of where their relationship stands, nor is there a scene between Faye and Guy to provide a foundation for the miraculous attraction which appears in the final five minutes. Hanks doesn't seem to know how he wants to end the story, except that he wants it to end happily, and the effortless good humor of THAT THING YOU DO! crumbles as soon as he tries to impose a structure.
The strange thing is that even though Hanks bungles the big moments, he does so many things right with the small moments that it is easy to walk away with a smile, beginning with a great title song which actually seems to deserve to be a hit. Scenes at a rock and roll show (with Kevin Pollak as a catch phrase-prone disc jockey/promoter) and a TV variety show capture the glorious phoniness of early 60s show-biz, and Hanks evokes HELP!-era Beatles with a montage of photo-op silliness. Hanks himself does solid work in the role of the all-business White, proving he's still a much better actor than he is a director, and a considerably better director than he is a writer. THAT THING YOU DO! is clumsy but lovable, the work of a nice guy who is far from finishing last as a film-maker, even if he has a way to go before finishing first.
On the Renshaw scale of 0 to 10 one-hit Wonders: 7.
Receive Scott Renshaw's reviews directly via email from Marquee! Visit http://www.marquee.com/marquee-mailinglists.html for details. Visit Scott Renshaw's MoviePage http://www-leland.stanford.edu/~srenshaw
The review above was posted to the
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Firms look to France for growth
Munster firms are being urged to look to France and elsewhere in the eurozone for new markets.
A Cork business conference organised by Government agency Enterprise Ireland heard from experts on help in entering new markets.
After facing over three years of currency volatility triggered by the Brexit crisis, Government agencies are attempting to help companies to lessen their dependence on the British market.
Enterprise Ireland highlighted the opportunities in France, with its client firms already accounting for over €1bn in exports, the agency said.
“As the third largest European economy, it presents significant opportunities for Munster businesses to take advantage of the key industries for growth such as medical technology, financial services and agricultural technology and engineering,” the agency said.
It believes that there are a number of ‘myths’ standing in the way of Irish firms from considering growth plans in France and the rest of the eurozone.
Mike Stack, chief executive of Kerry-based manufacturer Tricel, said from the start the company sought out ways to expand and encouraged other firms to enter the French market.


FALLEN
Reviewed by Harvey Karten, Ph.D. Warner Bros./Atlas Entertainment Director: Gregory Hoblit Writer: Nicholas Kazan Cast: Denzel Washington, John Goodman, Donald Sutherland, Embeth Davidtz, James Gandolfini, Elias Koteas
Two cops discover a dead body in a bathtub. One says to the other, "He had no friends and no family," to which the other responds, "Then why is he dead?" That modest gag constitutes just about the only humor in "Fallen," a deadly serious movie that combines the police and horror genres in a complicated--some would say convoluted--plot that deals with some mighty large philosophic issues. Those metaphysical concerns center on the nature of good and evil and even the meaning of existence. John Hobbes (Denzel Washington) even asks his partner and fellow detective Jonesy (John Goodman), "Why are we here?" If that's not especially original, it signals the film's lofty inquiry, not the sort of stuff generally treated in a Hollywood studio movie.
"Fallen" might easily be considered a parable of good and evil, particularly the struggle each of us has with these two qualities with which we'll born, assuming our name is not Mother Teresa. Those of us whose souls are heavy with goodness will probably not succumb to greed; those infested with evil will be wind up in jail or worse. If "Fallen" were an Everyman story, writer Nicholas Kazan (best known for his script to "Reversal of Fortune") and director Gregory Hoblit (formerly at the helm of "Primal Fear") are positioning Detective Hobbes as a combination of good and evil immersed in the struggle between the two, Gretta Milano (Embeth Davidtz) as a professor of theology who is all-good; and Edgar Reese (Elias Koteas) as evil incarnate.
Borrowing from such horror, police, and sci-fi thrillers as "Seven," "The Exorcist" and "The X-Files," director Hoblit uses Hobbes to narrate the tale, a story of the time, the cop tells us, that he almost died; and is in effect a flashback to a troubled time in a Pennsylvania police precinct. In an over- the-top prelude, Edgar Reese is about to be executed in the gas chamber. Agreeing to make a videotaped documentary in which his arresting officer Hobbes meets with him hours before, Reese extends his hand to Hobbes and mumbles what appears to be gibberish but turns out to be a 2,000-year old language combining Syrian with Aramaic. He goes to his death singing the Stones' "Time is On My Side," a song which can be taken literally and which is sung by a number of people throughout the two-hour film. When other bodies are found in bathtubs, Hobbes conducts an investigation which leads him into the world of the occult, taking him to a cabin in which a decorated officer apparently shot himself some thirty years back and as well to that cop's daughter, Gretta (Embeth Davidtz), who portentously warns Hobbes to walk away from the case.
"Fallen" features scenes in a police station and in Hobbes' home that give us insight into the life of this obsessed man, providing realistic dialogue among detectives and a touch of sentimentality as we watch Hobbes' loving relationship with his brother Art (Gabriel Casseus) and his cute nephew Sam (MIchael J. Pagan).
Since "Fallen" is so derivative of similar movies, little occurs that is unexpected. Many moviegoers will predict the twist that occurs near the conclusion and which seems to foretell at least one sequel to the movie. What makes the film particularly worth watching is the magnetic presence of Denzel Washington as a good guy who had recently given up smoking (winning himself points in that eternal human struggle between the forces of purity and wickedness) but who replaces the weed with chewing gum (making him lose a percentage of those points). The picture, at two hours, is longer than it should be, particularly since it is not freighted with the twists and turns that keep an audience at the edge of their seats. On the whole it's too serious, even pompous, for its own good. The acting all-around is fine, with professional performances by John Goodman and Donald Sutherland and an authoritative turn by Embeth Davidtz as the somber professor who is ironically too good to touch Rated R. Running Time: 120 minutes. (C) 1998 Harvey Karten
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


@ParametersAreNonnullByDefault
See: Description
| Interface | Description |
|---|---|
| ManagedAesKey | |
| MetaClient | |
| NetworkRequestProcessor | |
| SingleAssetManager |
| Class | Description |
|---|---|
| AssetRequestNotification |
Indicates that another user has requested access to an Asset for which the current user is the
Asset owner's URN. |
| ConsoleLogger | |
| ContingencyAesKey | |
| EncryptionInfo | |
| Feature | |
| HttpRequest |
The Content-Type for the request is always
application/json . |
| HttpResponse | |
| KnownUser | |
| Logger | |
| NativeMetaClient | |
| NativeMetaClient.Builder | |
| NativeSingleAssetManager | |
| Notification |
Two notifications are equal if their
Notification.urn s are the same. |
| SyncProblemNotification |
Indicates an error occurred while syncing.
|
| UpgradeStateNotification |
Indicates that Smartcrypt data using features not familiar to this version of the SDK have been found.
|
| Enum | Description |
|---|---|
| HttpMethod | |
| Logger.Level | |
| NotificationPriority | |
| Platform |
| Exception | Description |
|---|---|
| MetaClientException |


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I've had a good read of the openenergy site and am still slightly confused in relation to the various different modules which are available.
I'm trying to determine the most cost effective way of using multiple temperature sensors and was initially looking at 2-3 of the "emonTH 433MHz - Temperature & Humidity Node" (http://shop.openenergymonitor.com/emonth-433mhz-temperature-humidity-node/) devices. (I will want to connect multiple DS18B20 sensors to each).
Then I spotted this link (http://openenergymonitor.org/emon/emontx/tempnode) which I assume is relating to the V2 PCB (http://shop.openenergymonitor.com/emontx-v2-pcb/). What I'm not sure about is this just a kit version of the above module or is it different (i.e. different PCB and/or functionality).
Then I've also seen the "emonTx Arduino Shield SMT" (http://shop.openenergymonitor.com/emontx-arduino-shield-smt/) too...
Is the a simple comparison between these options.
Should any of these options be considered obsolete in any way.
Thanks in advance.
Re: Confusion over the different hardware modules
Fundamentally, all the options you mention use the same hardware - an Atmel ATMega 328P and the software they use is fundamentally the same too, a OneWire interface and temperature library.
The first point to know is, there is no limit to the number of sensors - in theory. In practice, the cabling scheme you adopt and the cable lengths will impose a limit, and the standard sketches also have set maxima - though these can be changed.
The EmonTH is designed for battery operation but it can be powered from a 5 V USB supply.
emonTx V2 is obsolete - only the PCB is available now, you'll have to source the rest of the components from the usual places, unfortunately. The emonTx is principally a voltage and current measuring module, so much of the PCB will be unpopulated. You can think of the emonTH as a stripped down emonTx without the electrical measuring side. It needs a 5 V USB supply.
The emonTx Shield is a shield for the Arduino Uno, so it provides the connection interface and the radio module for the processor in the Arduino to control. This too has voltage and current inputs that will be redundant. It needs a 5 V USB supply.
What you haven't mentioned is how you are going to handle the data and where - that could have a bearing on what's best for your application.
There's an article in Resources|Building Blocks about the DS18B20, and papers linked from that, that are worth reading.
Re: Confusion over the different hardware modules
What you haven't mentioned is how you are going to handle the data and where - that could have a bearing on what's best for your application.
If you are planning to use a Pi to collate or forward your data, you could connect the 1-Wire temp sensors direct to that if you have no other sensors.
emonTx V2 is obsolete - only the PCB is available now
This WAS the case I know, but I noticed sometime ago the kits have reappeared, only the rfm is not included. However, in this instance if only being used for 1-Wire then the bare boards with just the necessary components maybe a better option
Paul


Starts a separate program. Use EXEC to start other programs with which you want to communicate. Use EXEC with Microsoft Excel's other DDE functions (INITIATE, EXECUTE, and SEND.KEYS) to create a channel to another program and to send keystrokes and commands to the program. (SEND.KEYS is available only in Microsoft Excel for Windows.)
Syntax 1 is for Microsoft Excel for Windows. Syntax 2 is for Microsoft Excel for the Macintosh.
Syntax 1
For Microsoft Excel for Windows
EXEC(program_text, window_num)
Syntax 2
For Microsoft Excel for the Macintosh
EXEC(program_text, , background, preferred_size_only)
Important Microsoft Excel for the Macintosh requires system software version 7.0 or later for the last two arguments of this function.
Program_text is the name, as a text string, of any executable file or, in Microsoft Excel for Windows, any data file that is associated with an executable file.
Use paths when the file or program to be started is not in the current directory or folder.
In Microsoft Excel for Windows, program_text can include any arguments and switches that are accepted by the program to be started. Also, if program_text is the name of a file associated with a specific installed program, EXEC starts the program and loads the specified file.
Note In Microsoft Excel for the Macintosh, you must use an extra comma after the program_text argument. This skips the window_num argument that does not apply to the Macintosh.
Window_num is a number from 1 to 3 that specifies how the window containing the program should appear. Window_num is only available for use with Microsoft Excel for Windows. The window_num argument is allowed on the Macintosh, but it is ignored.
| Window_num | Window appears |
| 1 | Normal size |
| 2 or omitted | Minimized size |
| 3 | Maximized size |
Background is a logical value that determines whether the program specified by program_text is opened as the active program or in the background, leaving Microsoft Excel as the active program. If background is TRUE, the program is started in the background; if FALSE or omitted, the program is started in the foreground. Background is only available for use with Microsoft Excel for the Macintosh and system software version 7.0 or later.
Preferred_size_only is a logical value that determines the amount of memory allocated to the program. If preferred_size_only is TRUE, the program is opened with its preferred memory allocation; if FALSE or omitted, it opens with the available memory if greater than its minimum requirement. Preferred_size_only is only available for use with Microsoft Excel for the Macintosh and system software version 7.0 or later. For information about changing the preferred memory size, see your Macintosh documentation.
Remarks
In Microsoft Excel for Windows and in Microsoft Excel for the Macintosh with system software version 7.0, if the EXEC function is successful, it returns the task ID number of the started program. The task ID number is a unique number that identifies a program. Use the task ID number in other macro functions, such as APP.ACTIVATE, to refer to the program. In Microsoft Excel for the Macintosh with system software version 6.0, if EXEC is successful, it returns TRUE. If EXEC is unsuccessful, it returns the #VALUE! error value.
Examples
In Microsoft Excel for Windows, the following macro formula starts the program SEARCH.EXE. Use paths when the file or program to be started is not in the current directory:
EXEC("C:\WINDOWS\SEARCH.EXE")
The following macro formula starts Microsoft Word for Windows and loads the document SALES.DOC:
EXEC("C:\WINWORD\WINWORD.EXE C:\MYFILES\SALES.DOC")
In Microsoft Excel for the Macintosh, the following macro formula starts Microsoft Word:
EXEC("HARD DISK:APPS:WORD")
Related Functions
APP.ACTIVATE Switches to another application
EXECUTE Carries out a command in another application
INITIATE Opens a channel to another application
SEND.KEYS Sends a key sequence to an application
TERMINATE Closes a channel to another application
REQUEST Requests an array of a specific type of information from an application with which you have a dynamic data exchange (DDE) link
POKE Sends data to another application with which you have a dynamic data exchange (DDE) link
Return to index


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THE RAGE: CARRIE 2
Carrie is one of my favorite films. It's a masterfully crafted gothic fairy tale and one of the best teen angst movies ever made. Carrie is a realistic outcast. She's not a cool outcast like Winona Ryder sometimes plays, or like Samantha Mathis in Pump Up the Volume. Carrie wouldn't have fit in at my high school. She looks genuinely plain - no glasses, either - she is socially awkward in a believable way, and her religious zealot mother is so vividly nuts that you can believe poor Carrie would be put in the humiliating situation of having her first period in the gym shower without knowing what's happening to her. Brian DePalma's virtuoso technique squeezes dread - not suspense, but dread - out of your stomach like it's orange juice. All the pieces fall into place - the prom queen, the bucket of blood, the rope, the telekinetic explosion yearning for release.  And because it's such a great movie, and because it's almost as old as I am, and because the titular protagonist ends up pretty damn dead in the end, it's just not cool to make a sequel to it. My expectations were low. For me, there is a precedent for uneccessary sequels that turn out surprisingly good, because I really enjoyed last year's badly titled Halloween: H20 - Twenty Years Later. It's a better movie than The Rage: Carrie 2, with a fantastic third act and with the advantage of capping off a series of bad sequels (rather than being the first). Because of H20, I tried to keep an open mind about this sequel, although I also figured lightning couldn't strike twice when it comes to unwanted sequels to '70s horror classics. Well, it didn't, but it could have been worse. Standing on its own, The Rage isn't all that bad. It doesn't all work, but it has its strengths, and it doesn't feel very similar to other teen oriented horror films of the late '90s. The best thing about the movie is Emily Bergl, who plays Rachel, the also telekinetic half sister of Carrie White. Her performance (aside from the climactic telekinetic rampage) is believable and charismatic.  When I first saw the poster for the movie, I worried that they were replacing Carrie with a hipster outcast. Fortunately, they don't push the outcast angle (or the hipster, for that matter). Rachel isn't one of the popular kids, and that's all. She's not Carrie White awkward - she even dates. And to my surprise, it works. She's a different type of character, she's not a sub-Carrie, and that's fortunate. The two villainous football players are also well cast. One of them looks too old to be in high school, but his bulky frame and hairy upper lip are dead on. The other one is played by Zachary Ty Bryan from Home Improvement. I think he's supposed to be some type of teen hearthrob, but he's a hideously ugly chunk of smirk and freckles, and I think he may have really been on the football team at my high school. It's nice to see a high school movie that acknowledges that ugly - but not fat (the Varsity Blues clause) - football players can still be the popular kids just because they play sports with the popular kids. The plot works surprisingly well for something that mirrors the original Stephen King derived plot. There is another cruel prank at a social gathering that leads to telekinetic mayhem, but the prank and the way it unfolds is different enough from the original that it doesn't seem very formulaic. In most ways, Carrie 2 captures high school life more accurately than other teen films of the '90s. Rachel's room actually looks like a real bedroom. She has Marilyn Manson posters on her wall but it's not pushed on us as a mark of rebellion. She's not much of a type, she's into a lot of different things. She listens to Billie Holiday and has a close relationship with her dog. (I didn't buy that she and her best friend would have matching tattoos that they would touch and say "Best buds," but hey, you can't win 'em all.) The dialogue isn't flowery, self-referential or steeped in pop culture. (There is a somewhat awkward conversation about the band Garbage, but it is more an attempt at illustrating the social connection high school kids feel through music than it is a Tarantino or Williamsonism.) Occasionally I was impressed by bits of dialogue that struck me as realistic teenspeak (Rachel playfully telling her friend "You suck," the football player's use of the word "dude"). The only thing that marks this is as a post-Scream horror flick is an amusing bit where a villain asks "What's your favorite scary movie?" over the phone - in a Donald Duck voice. Unfortunately, these strengths aren't enough to hold up the whole movie. The biggest connections to the first film are the ones that don't work. Amy Irving returns as Sue Snell, whose plight was so moving in the first film. She really means to help Carrie but she fails, and ends up getting almost as raw of a deal as Carrie. Now Sue is a guidance counselor who discovers Rachel's secret and tries to get her help before history repeats itself. The premise is sound, but the execution is weak. Sue seems tagged on to make the sequel official. Most of her scenes are separate from Rachel, visiting Rachel's mother in the inappropriately named Arkham Asylum, driving around trying to find Rachel only to be given a sudden, meaningless (if rather spectacular) death. Perhaps if DePalma were directing, Sue's scenes would have been tense, suspenseful, a race against the clock. But the timing is all off. She never seems like she exists in the same timeline as the other characters. And she's just not as interesting as she used to be anyway. Worst of all, she keeps having flashbacks of footage from the first film, which remind you how much more stylish it was and how badly you wish the theater had accidentally been shipped a pristine new print of the original, not the sequel.
There are a few more subtle homages to the original that aren't bad, in particular a shot in the opening scene where red paint drips on a Virgin Mary icon (a surrogate prom queen). Most of the stylistic flourishes are annoying instead of captivating. The colors are not as vivid as DePalma's, but then they keep switching to black and white. Not striking black and white, just bad TV trying to be arty black and white. A character who carries a camcorder is used, a few times, as an excuse for cheesy video POV shots. But then they try to get really fancy schmancy with two football players talking while highlight films are projected on to them, which is odd since we already have the camcorder character so we know this team would just use a VCR. Things really fall apart at the climax. The action is stilted and sprinkled with Hellraiser 3 style deaths. Bergl, sadly, falls into a pale imitation of Spacek's wide eyed trance in the original. Most uncomfortably, a sample of Piper Laurie's "They're all gonna laugh at you!" squawk is incorporated into a Super Mario Brothers-esque techno song. (The scoring throughout the film is cheesy, especially when compared to Pino Donaggio's lush orchestral work.) Not surprisingly, there's an epilogue tag vaguely inspired by the legendary Carrie's-hand scene. Also not surprisingly, it's not very effective. Fortunately, it doesn't seem to set up much of a Carrie 3. For that, they'd need to go really off the wall. I suggest Carries, the story of the military's experiments in genetically engineered telekinetic warriors, all played by Sissy Spacek.
I'm glad Carrie 2 isn't as bad as I'd expected, and that I got some enjoyment out of it. But I still wish it hadn't been made. The aspects that work are pretty admirable, but it's just not worth it. I just don't like the idea of Carrie becoming Carrie 1.
--Bryan Frankenseuss Theiss
"I write rhymes so fresh I try to bite my own verses." --Tash
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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After completing all of the steps in the wizard, you are shown a summary of your choices, and the actions that will be taken. You may use the back button to go back to any previous steps and make any modifications.


{% extends "error_base.html" %}
{% block head_title %}500{% endblock %}
{% block error_title %}
error 500
{% endblock %}
{% block error_description %}
D'oh! Something went wrong here.
The CoLab admins have been notified of the problem and are working to fix it.
{% endblock %}
{% block error_extra %}
Try again later, pretty please?
{% endblock %}


Ryu Hoshi (リュウ Ryū)
Résumé
― I do not compete with others, the only competition that challenges me is myself. As a fighter, friend and an employee I am known as contemplative, tortured and driven.
Experience
2018
Amongst many fighters of the past was featured in the movie "Ready Player One". Ryu ready always!
2017
United with unknown until then to me Power Rangers to defea resurrected M.Bison.Damn good fighters they are, even not knowing karate ways!
2016
In "Street Fighter V" once and for all erased M.Bison from earth and tamed my inner Evil Ryu. Also spent some time on a side-project, mini-series "Street Fighter: Resurrection".
2014
Filmed in a martial arts tutorial "Street Fighter: Assassin's Fist", revealing to audience forgotten art of Ansatsuken.
2012
The gods of intenet concluded me in the animated movie "Wreck-It Ralph", but rewarded me with a good drink for it!
2008
My evil alter ego sneaked out of control and became a boss in "Street Fighter IV".
2006
Borrowed my famous ripped gi to Soki in "Onimusha: Dawn of Dreams", gods informed me he needed that for the battle.
1998
Defeated M. Bison in "Street Fighter Alpha 2", bastard wanted to use my heroic body for his evil intentions, but retreated with shame. Also this year I encountered Marvel universe in "Marvel vs. Capcom: Clash of Super Heroes" fighter,loyal to my employer, Capcom, of course.
1997
Reunited with Ken, my friend and opponent in "Street Fighter III". Men's friendship works mysteriously. Also helped with Arika project "Street Fighter EX"
1996
Took care of villainous Akuma in "Street Fighter Alpha 2". As a freelance on "Super Puzzle Fighter II Turbo" tried myself in a new genre, puzzle games. Let the wrath of seven heavens come upon these malicious enigmas, never again!
1995
Kept fighting in "Street Fighter Alpha: Warriors' Dreams".
1994
Screened in a movie "Street Fighter", so that the batllesof past would not be forgotten by millenial generation.
1991
Was promoted to "Street Fighter II". Didn't stay there for long, celebrations and office dwelling is not for me!
1987
Started working for Capcom project "Street Fighter". My partner was Ken Masters, the boss'name was Sagat.
Languages
- ENGLISH
- MANDARIN
- JAPANESE
Skills
Character
LIFE LESSON
Likes😃
Dislikes😞
Wants
Education
To live is to fight and to fight is to live. I started learning fighting at my master Gouken's castle, I was beaten at head way too often to remember when exactly.


Bling
has been installed.
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I believe that it takes a certain amount of comfortability within yourself demanded by the solitude – or in many cases, loneliness – of academic study. It is not the difficulty per say, but the constant bombardment of new information that must digested and regurgitated at such a seemingly never ending pace by yourself can be excruciating. The material is not hard, and maybe there in lies another problem of the academic venture. It is monotonous, boring, and repetitive. Compiled by the long duration of a semester and the unengaging teaching style most professors adopt only adds to the frustration. There is an energy on the faces of the everyone involved that gives a clairvoyant view of the pain they bear just being involved in the situation. No seems happy, no seems engaged in their work, all bearing pain that, to the wearers, must be endured rather than fought.
The pain must be fought. It must be attacked with the most supreme tactics of ingenuity and poise, lest the fighter risks losing a war that has not even begun.


{% extends 'partials/main.html' %} {% block content %}
Your Payment Was Successful !  Please try again ..
Transaction ID : {{ authority }}


|
App Engine Python SDK
v1.6.9 rev.445
The Python runtime is available as an experimental Preview feature.
|
Public Member Functions | |
| def | StreamStart |
| def | StreamEnd |
| def | DocumentStart |
| def | DocumentEnd |
| def | Alias |
| def | Scalar |
| def | SequenceStart |
| def | SequenceEnd |
| def | MappingStart |
| def | MappingEnd |
Handler interface for parsing YAML files. Implement this interface to define specific YAML event handling class. Implementing classes instances are passed to the constructor of EventListener to act as a receiver of YAML parse events.
| def google.appengine.api.yaml_listener.EventHandler.Alias | ( | self, | |
| event, | |||
| loader | |||
| ) |
Handle alias event
| def google.appengine.api.yaml_listener.EventHandler.DocumentEnd | ( | self, | |
| event, | |||
| loader | |||
| ) |
Handle end of document event
| def google.appengine.api.yaml_listener.EventHandler.DocumentStart | ( | self, | |
| event, | |||
| loader | |||
| ) |
Handle start of document event
| def google.appengine.api.yaml_listener.EventHandler.MappingEnd | ( | self, | |
| event, | |||
| loader | |||
| ) |
Handle end of mapping event
| def google.appengine.api.yaml_listener.EventHandler.MappingStart | ( | self, | |
| event, | |||
| loader | |||
| ) |
Handle start of mappping event
| def google.appengine.api.yaml_listener.EventHandler.Scalar | ( | self, | |
| event, | |||
| loader | |||
| ) |
Handle scalar event
| def google.appengine.api.yaml_listener.EventHandler.SequenceEnd | ( | self, | |
| event, | |||
| loader | |||
| ) |
Handle end of sequence event
| def google.appengine.api.yaml_listener.EventHandler.SequenceStart | ( | self, | |
| event, | |||
| loader | |||
| ) |
Handle start of sequence event
| def google.appengine.api.yaml_listener.EventHandler.StreamEnd | ( | self, | |
| event, | |||
| loader | |||
| ) |
Handle end of stream event
| def google.appengine.api.yaml_listener.EventHandler.StreamStart | ( | self, | |
| event, | |||
| loader | |||
| ) |
Handle start of stream event


This is a Demo to demonstrate Transfers. Transfers can be carried out via the account api only.
Go here to read more about transfers
When doing transfers, Please be aware that the money being transferred is the money available in your Rave account (availabe balance).
A successful transfer is queued to be processed. You can look up the status of a transfer by checking the transfers tab in your Rave dashboard.


--- title: Remove Stopwords Online and Cleanse Text| Developer Tools layout: post ---
{% include common-meta %}This is a free online tool to remove and clean any text. The tool is opensource and free to use. It works in any modern browser. This tool uses a default stopwords list in English.
Yes, this tool support custom stopwords. You can add your own words and use them as stopwords. This tool can remember your custom stopwords in your browser. This feature can be handy for repeat use. Please note to use same browser to ensure data saved on your browser can be used, this site does not have any server side storage so if you change your browser your custom stopwords need to be added again.
Yes, you can use the custom stopwords in any language. However, we donot have a predefined list of each language. You can contribute a language if you would like.
Stopwords are the words that commonly appear in natural language. The concept of stopwords is common in datamining, machine learning and natural language processing (NLP). These repeating words (stopwords) donot add much value in machine learning. Therefore it has become a common practice to remove them from text under analysis.
Stop words may not be value add in computing. Therefore most of the machine leanring and data processing tools remove them before processing.
This approach also reduces the size of text to process. Smaller text can be analyzed quicker. When machine learning is doing a big data analysis it becomes essential to clean up the text to save resources.
The commonly removed stop words are listed below
a
the
then
than
is
was
not
The list of stopwords can grow based on the application and context of use. Some stopwords list have upto 800+ words in them.


Sanitize
Sanitize is a whitelist-based HTML sanitizer. Given a list of acceptable elements and attributes, Sanitize will remove all unacceptable HTML from a string.
Using a simple configuration syntax, you can tell Sanitize to allow certain elements, certain attributes within those elements, and even certain URL protocols within attributes that contain URLs. Any HTML elements or attributes that you don't explicitly allow will be removed.
Sanitize is based on Google's Gumbo HTML5 parser, which parses HTML exactly the same way modern browsers do. As long as your whitelist config only allows safe markup, even the most malformed or malicious input will be transformed into safe output.
Links
Installation
gem install sanitize
Usage
Sanitize can sanitize both HTML fragments and fully qualified documents.
Fragments
A fragment is a snippet of HTML that doesn't contain a root-level
element.
html = 'foo'
Sanitize.fragment(html)
# => 'foo'
If you don't specify any configuration options, Sanitize will use its strictest settings by default, which means it will strip all HTML and leave only safe text behind.
To keep certain elements, add them to the element whitelist.
Sanitize.fragment(html, :elements => ['b'])
# => 'foo'
Documents
When sanitizing a document, the
element must be whitelisted. You can
also set :allow_doctype
to true
to allow well-formed document type
definitions.
html = %[
<!DOCTYPE html>

foo

]
Sanitize.document(html,
:allow_doctype => true,
:elements => ['html']
)
# => "<!DOCTYPE html>\nfoo\n \n\n"
Configuration
In addition to the ultra-safe default settings, Sanitize comes with three other built-in configurations that you can use out of the box or adapt to meet your needs.
Sanitize::Config::RESTRICTED
Allows only very simple inline markup. No links, images, or block elements.
Sanitize.fragment(html, Sanitize::Config::RESTRICTED)
# => 'foo'
Sanitize::Config::BASIC
Allows a variety of markup including formatting elements, links, and lists.
Images and tables are not allowed, links are limited to FTP, HTTP, HTTPS, and
mailto protocols, and a rel="nofollow"
attribute is added to all links to
mitigate SEO spam.
Sanitize.fragment(html, Sanitize::Config::BASIC)
# => 'foo'
Sanitize::Config::RELAXED
Allows an even wider variety of markup, including images and tables. Links are
still limited to FTP, HTTP, HTTPS, and mailto protocols, while images are
limited to HTTP and HTTPS. In this mode, rel="nofollow"
is not added to links.
Sanitize.fragment(html, Sanitize::Config::RELAXED)
# => 'foo'
Custom Configuration
If the built-in modes don't meet your needs, you can easily specify a custom configuration:
Sanitize.fragment(html,
:elements => ['a', 'span'],
:attributes => {
'a' => ['href', 'title'],
'span' => ['class']
},
:protocols => {
'a' => {'href' => ['http', 'https', 'mailto']}
}
)
You can also start with one of Sanitize's built-in configurations and then customize it to meet your needs.
The built-in configs are deeply frozen to prevent people from modifying them
(either accidentally or maliciously). To customize a built-in config, create a
new copy using Sanitize::Config.merge()
, like so:
# Create a customized copy of the Basic config, adding
 and
 to the
# existing whitelisted elements.
Sanitize.fragment(html, Sanitize::Config.merge(Sanitize::Config::BASIC,
:elements => Sanitize::Config::BASIC[:elements] + ['div', 'table'],
:remove_contents => true
))
The example above adds the

and

elements to a copy of the
existing list of elements in Sanitize::Config::BASIC
. If you instead want to
completely overwrite the elements array with your own, you can omit the +
operation:
# Overwrite :elements instead of creating a copy with new entries.
Sanitize.fragment(html, Sanitize::Config.merge(Sanitize::Config::BASIC,
:elements => ['div', 'table'],
:remove_contents => true
))
Config Settings
:add_attributes (Hash)
Attributes to add to specific elements. If the attribute already exists, it will be replaced with the value specified here. Specify all element names and attributes in lowercase.
:add_attributes => {
'a' => {'rel' => 'nofollow'}
}
:allow_comments (boolean)
Whether or not to allow HTML comments. Allowing comments is strongly
discouraged, since IE allows script execution within conditional comments. The
default value is false
.
:allow_doctype (boolean)
Whether or not to allow well-formed HTML doctype declarations such as "<!DOCTYPE
html>" when sanitizing a document. This setting is ignored when sanitizing
fragments. The default value is false
.
:attributes (Hash)
Attributes to allow on specific elements. Specify all element names and attributes in lowercase.
:attributes => {
'a' => ['href', 'title'],
'blockquote' => ['cite'],
'img' => ['alt', 'src', 'title']
}
If you'd like to allow certain attributes on all elements, use the symbol :all
instead of an element name.
# Allow the class attribute on all elements.
:attributes => {
:all => ['class'],
'a' => ['href', 'title']
}
To allow arbitrary HTML5 data-*
attributes, use the symbol :data
in place of
an attribute name.
# Allow arbitrary HTML5 data-* attributes on
 elements.
:attributes => {
'div' => [:data]
}
:elements (Array)
Array of HTML element names to allow. Specify all names in lowercase. Any elements not in this array will be removed.
:elements => %w[
a abbr b blockquote br cite code dd dfn dl dt em i kbd li mark ol p pre
q s samp small strike strong sub sup time u ul var
]
:protocols (Hash)
URL protocols to allow in specific attributes. If an attribute is listed here and contains a protocol other than those specified (or if it contains no protocol at all), it will be removed.
:protocols => {
'a' => {'href' => ['ftp', 'http', 'https', 'mailto']},
'img' => {'src' => ['http', 'https']}
}
If you'd like to allow the use of relative URLs which don't have a protocol,
include the symbol :relative
in the protocol array:
:protocols => {
'a' => {'href' => ['http', 'https', :relative]}
}
:remove_contents (boolean or Array)
If set to true
, Sanitize will remove the contents of any non-whitelisted
elements in addition to the elements themselves. By default, Sanitize leaves the
safe parts of an element's contents behind when the element is removed.
If set to an array of element names, then only the contents of the specified elements (when filtered) will be removed, and the contents of all other filtered elements will be left behind.
The default value is false
.
:transformers
Custom transformer or array of custom transformers. See the Transformers section below for details.
:whitespace_elements (Hash)
Hash of element names which, when removed, should have their contents surrounded by whitespace to preserve readability.
Each element name is a key pointing to another Hash, which provides the specific
whitespace that should be inserted :before
and :after
the removed element's
position. The :after
value will only be inserted if the removed element has
children, in which case it will be inserted after those children.
:whitespace_elements => {
'br' => { :before => "\n", :after => "" },
'div' => { :before => "\n", :after => "\n" },
'p' => { :before => "\n", :after => "\n" }
}
Transformers
Transformers allow you to filter and modify nodes using your own custom logic,
on top of (or instead of) Sanitize's core filter. A transformer is any object
that responds to call()
(such as a lambda or proc).
To use one or more transformers, pass them to the :transformers
config
setting. You may pass a single transformer or an array of transformers.
Sanitize.fragment(html, :transformers => [
transformer_one,
transformer_two
])
Input
Each transformer's call()
method will be called once for each node in the HTML
(including elements, text nodes, comments, etc.), and will receive as an
argument a Hash that contains the following items:
:config - The current Sanitize configuration Hash.
:is_whitelisted -
true
if the current node has been whitelisted by a previous transformer,false
otherwise. It's generally bad form to remove a node that a previous transformer has whitelisted.:node - A
Nokogiri::XML::Node
object representing an HTML node. The node may be an element, a text node, a comment, a CDATA node, or a document fragment. Use Nokogiri's inspection methods (element?
,text?
, etc.) to selectively ignore node types you aren't interested in.:node_name - The name of the current HTML node, always lowercase (e.g. "div" or "span"). For non-element nodes, the name will be something like "text", "comment", "#cdata-section", "#document-fragment", etc.
:node_whitelist - Set of
Nokogiri::XML::Node
objects in the current document that have been whitelisted by previous transformers, if any. It's generally bad form to remove a node that a previous transformer has whitelisted.
Output
A transformer doesn't have to return anything, but may optionally return a Hash, which may contain the following items:
- :node_whitelist - Array or Set of specific Nokogiri::XML::Node objects to add to the document's whitelist, bypassing the current Sanitize config. These specific nodes and all their attributes will be whitelisted, but their children will not be.
If a transformer returns anything other than a Hash, the return value will be ignored.
Processing
Each transformer has full access to the Nokogiri::XML::Node
that's passed into
it and to the rest of the document via the node's document()
method. Any
changes made to the current node or to the document will be reflected instantly
in the document and passed on to subsequently called transformers and to
Sanitize itself. A transformer may even call Sanitize internally to perform
custom sanitization if needed.
Nodes are passed into transformers in the order in which they're traversed. Sanitize performs top-down traversal, meaning that nodes are traversed in the same order you'd read them in the HTML, starting at the top node, then its first child, and so on.
html = %[

foo

bar

]
transformer = lambda do |env|
puts env[:node_name] if env[:node].element?
end
# Prints "header", "span", "strong", "p", "footer".
Sanitize.fragment(html, :transformers => transformer)
Transformers have a tremendous amount of power, including the power to completely bypass Sanitize's built-in filtering. Be careful! Your safety is in your own hands.
Example: Transformer to whitelist YouTube video embeds
The following example demonstrates how to create a transformer that will safely
whitelist valid YouTube video embeds without having to blindly allow other kinds
of embedded content, which would be the case if you tried to do this by just
whitelisting all
elements:
youtube_transformer = lambda do |env|
node = env[:node]
node_name = env[:node_name]
# Don't continue if this node is already whitelisted or is not an element.
return if env[:is_whitelisted] || !node.element?
# Don't continue unless the node is an iframe.
return unless node_name == 'iframe'
# Verify that the video URL is actually a valid YouTube video URL.
return unless node['src'] =~ %r|\A(?:https?:)?//(?:www\.)?youtube(?:-nocookie)?\.com/|
# We're now certain that this is a YouTube embed, but we still need to run
# it through a special Sanitize step to ensure that no unwanted elements or
# attributes that don't belong in a YouTube embed can sneak in.
Sanitize.node!(node, {
:elements => %w[iframe],
:attributes => {
'iframe' => %w[allowfullscreen frameborder height src width]
}
})
# Now that we're sure that this is a valid YouTube embed and that there are
# no unwanted elements or attributes hidden inside it, we can tell Sanitize
# to whitelist the current node.
{:node_whitelist => [node]}
end
html = %[

]
Sanitize.fragment(html, :transformers => youtube_transformer)
# => ''
License
Copyright (c) 2014 Ryan Grove<EMAIL_ADDRESS>Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the 'Software'), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED 'AS IS', WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


400
farmers
30
communities
25%
yield increase
Putting the culture back in agriculture.
Tieme Ndo provides your local farmers the resources they need to serve the community.


{% include 'header.html' %}
{% for position in ["top", "middle", "bottom"] %}
{% endfor %}
Username:
{% for (position, category, category_images) in [("top", top_name, top_images), ("middle", middle_name, middle_images), ("bottom", bottom_name, bottom_images)] %}
{{ position | upper }}: {{ category }}
{% endfor %}
I like it!
{% for (position, category, category_images) in [("top", top_name, top_images), ("middle", middle_name, middle_images), ("bottom", bottom_name, bottom_images)] %}
{{ position | upper }}: {{ category }}
{% for image in category_images %}
{% endfor %}
{% endfor %}


| 29 Nov 1954 |
Atomic scientist Enrico Fermi dies of stomach cancer (perhaps related to many years of radiation exposure), Chicago IL. Buried in the Oak Woods Cemetery in Chicago, IL. Note: There is also some documentation listing Enrico Fermi as being buried at the Church of Santa Croce in Florence, Italy. |
| 30 Aug 1970 |
Dressmaker Abraham Zapruder, filmer of the John F. Kennedy assassination, dies of stomach cancer, Dallas TX. |
| 3 Sep 1970 |
Coach Vince Lombardi dies of stomach and colon cancer, Washington, DC. Buried at Mount Olivett Cemetery, Middletown NJ. |
| 16 Jun 1977 |
German rocket scientist Wernher von Braun dies of stomach cancer, Alexandria VA. Buried at Ivy Hillside Cemetery in Alexandria. |
| 7 Jan 1989 |
Japanese Emperor and botanist Hirohito dies of duodenal papilla (intestinal) cancer, after slipping into a coma, Tokyo Japan. Japanese television ceased normal programming for three days. Hirohito was buried wearing his Mickey Mouse Watch. |
| 11 Jun 1999 |
Star Trek ship's doctor DeForest Kelly dies at the Motion Picture and Television Fund Hospital, Woodland Hills CA, on stardate 99061.1 of stomach and colon cancer. Kelly also suffered from emphysema, and ten years ago a collapsed colon. |
| 27 Feb 2003 |
Children's television actor Fred Rogers dies of stomach cancer at his home in Pittsburgh PA. He is responsible for 900 episodes of Mr. Rogers' Neighborhood. Buried at Unity Cemetery, Latrobe PA. |


Ao final, confirme aqui
Imagem enviada. Obrigado
Tap-and-hold or right click the image to save it.
Posting tweet...
Successfully tweeted.
Unable to send tweet. Sorry =(
Oh no! Your browser does not appear to have camera support (getUserMedia) =(


Paul Merson claims Liverpool have Premier League title in the bag
by Dom TonerPaul Merson has confidently claimed that Liverpool may as well be handed the Premier League title this season.
The Merseyside giants have not won a top-flight crown since the 1989/90 campaign and found it difficult since the introduction of the Premier League.
But they finished runners-up last season with a staggering 97 points and this time appear to have the edge of reigning champions Manchester City.
Jurgen Klopp’s team have 34 points from 12 league matches so far, with the duo of Leicester City and Chelsea the closest challengers at the moment eight points adrift.
City sit fourth in the table nine points adrift of Liverpool and were beaten 3-1 on their trip to Anfield before the international break.
Sky Sports pundit Merson already feels that the Reds have an unassailable lead in the title race.
“The title race is over so you might as well crown Liverpool champions now. Do I think City can come back from nine points behind? No chance. Liverpool have lost once in about 52 games,” Merson wrote in the Daily Star.
TBR’s View:
There is no chance Liverpool fans will be getting too complacent when it comes to the title race and know that a mini collapse could bring others right onto them.
But logic says that Klopp’s team are major favourites for the league crown, as they have lost just once since the beginning of the 2018/19 season.
They have a forward line that can go toe-to-toe with any team in Europe and many consider it the best around.
Meanwhile, they are defensively solid and it’s hard to picture them dropping many more points.
Have something to tell us about this article?
Let us know


Grandparents stopped from seeing baby as new father sets rule on maximum number of visitors
The man admitted he is a 'very anxious' parent
by Luke Matthews, Andrew McQuarrieA first-time father has angered his parents after laying out strict rules for visiting his newborn son.
The dad and his wife welcomed their boy into the world three days ago, reports The Mirror , but the couple quickly found themselves under attack from family members.
Controversial rules included that there should be no more than four visitors at a time - an insistence which meant the father's parents were shut out from the room.
In a post on the social networking site Reddit, he new dad said: "My mother starts up and tells us that we've been very rude and cold and says that as grandmother, it's her right to visit the baby when she pleases and she shouldn't have to 'RSVP' to her grandson's birth."
The man, who calls himself a "very anxious parent", believes neither his nor his wife's family are clear on 'boundaries' regarding newborns.
As a result, he said, he drew up a series of rules and emailed them to family members.
"I felt a little overbearing, but my wife read it over and said it sounded fine," said the man.
His rules were are follows:
- You can't visit if you feel ill
- No children under 18 because 'schools are breeding grounds for viruses'
- Visitors to wear 'light' perfume or no perfume at all
- Always agree a visiting time first
- Visits only between the hours of 9am and 5pm
- No gifts because 'it'll be a hassle to bring home'
- Keep visits between 3-4 people at a time
The first visitors to the baby were the man's aunt, her husband and their two adult children - which meant the man's own parents were not permitted entry.
However, the aunt decided to cut her visit short in order to allow the new grandparents to see their grandson for the first time.
An hour later, with the man's parents still present, his wife's parents arrived with another grandson in tow.
Recounting what happened next, the man said: "My wife tells them that they can't bring him in.
"Their grandson starts to cry and my mother-in-law starts to scold us for forbidding children, so my father pipes up saying that we're being too coddling.
"Then my mother starts up and tells us that we've been very rude and cold and says that as grandmother, it's her right to visit the baby when she pleases and she shouldn't have to 'RSVP' to her grandson's birth.
"She calls me impolite for sending out a 'demanding' email like I did and insists that if I regulate my son as strictly as I did his visits, he'll grow up resenting my wife and I."
The man added: "We told them to go, and my mother told me she raised me too well to have me be so rude to my own family.
"My mother-in-law said that if my wife didn't 'crack down on me', they'd never be visiting again.
"My wife has changed her tune about the whole thing and thinks I was being too combative.
"I really don't think I was that wrong in exercising my boundaries, and I think that them not listening is proof it was needed."
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The Ice Cube, Yorkshire’s coolest wintertime attraction, will be returning to Millennium Square in January 2017 for more icy fun and adventure for all the family including a new covered ice rink!
Chase away those winter blues with fun outdoor activities for all the family. Enjoy our:
{% include "icecube/includes/promolistwebpart4.html" %}Open throughout the Leeds School Half Term holiday it’s the ideal way to entertain the kids, so why not join us for a magical skating experience. The Ice Cube is in Millennium Square off Calverley Street in the heart of the city centre – How to find us. You can also view the Venue Conditions.


« CSS « CSS Reference
The :nth-of-type
pseudo-class matches an element that has an+b-1
siblings with the same element name before it in the document tree, for a given positive or zero value for n
, and has a parent element. See
:nth-child
for a more thorough description of the syntax of its argument.
element:nth-of-type(an + b) { style properties }
This example causes the positions of floated images to alternate between right and left.
img:nth-of-type(2n+1) { float: right; } img:nth-of-type(2n) { float: left; }