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@JvmStatic fun get(bankCode: String?): FpxBank?
Return the FpxBank that matches the given bank code (e.g. "affin_bank", "hsbc"), or null if no match is found.
The bank code should be obtained from PaymentMethod.Fpx.bank.


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I have done my MCA at CHRIST UNIVERSITY Bangalore. Goal-oriented Web Developer with a strong commitment to collaboration and solution oriented problem solving skills and adequate Researcher.
Technology is a passion of mine, I really enjoy learning new trends and creating new things. To see success on technology work more efficiently. ...!! “Build it first and worry about the mess later.”
To be kind to others and myself AND To help as many people as possible.


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Gone in 60 Seconds * 1/2 (out of * * * * )
Directed by Dominic Sena. Cast: Nicolas Cage, Giovanni Ribisi, Delroy Lindo, Angelina Jolie, Robert Duvall, Timothy Olyphant, Christopher Eccleston, Will Patton, Chi McBride, James Duval, Scott Caan, William Lee Scott, Vinnie Jones, Grace Zabriskie, Frances Fisher. 2000 - 119 minutes Rated PG-13 (for violence, profanity, and sexual innuendo). Reviewed by Dustin Putman, June 10, 2000.
Have you ever been driving on an empty, open road and had the sudden urge to put the pedal to the metal, not just to see how fast you could go, but for the pure adrenaline rush? Driving far past the speed limit may be illegal, and potentially dangerous, but that risk just aids in the sense of freedom you unavoidably obtain. Dominic Sena's "Gone in 60 Seconds," based on a cult 1974 film of the same name (famous for a showstopping 40-minute car chase sequence), is the latest brain(less)child of producer Jerry Bruckheimer (1997's "Con Air," 1998's "Armageddon")--someone who knows how to make a movie fast-paced, and how to orchestrate overblown action setpieces--and it should have been the film to reinforce the idea of letting go of your inhibitions and driving fast every now and again. Walking out of the theater, director Sena (in his feature film debut after making many flashy television commercials) and Bruckheimer, no doubt, want the audience to get such an urge, but they fail miserably, even on the elementary level of creating excitement.
For six years, Memphis Raines (Nicolas Cage) has been retired from his former car thief business, and has taken up a job as a kiddie Go-Kart operator somewhere in the Nevada desert. When he receives word that his younger brother, Kip (Giovanni Ribisi), has since picked up the trade and landed himself in hot water with crime boss Raymond Calitri (Christopher Eccleston), Memphis flees back to San Francisco to save him. Raymond gives Memphis an ultimatum: steal fifty assigned cars in four days, or Kip has to pay the consequences. Predictably, a ragtag group of reformed car thieves and Kip's friends are assembled to help Memphis in his quest, none of which have more than one or two defining characteristics. He is also reunited with his dreadlocked ex-lover, Sway (Angelina Jolie), who looks as if she just returned from her "Battlefield Earth" audition. Meanwhile, two detectives (Delroy Lindo, Timothy Olyphant) are hot on Memphis' trail.
Several months ago, when the trailer for "Gone in 60 Seconds" began advertising, one woman behind me in the theater, following the preview, exclaimed, "I'm exhausted just watching that!" To be sure, the film looked as if it was sure to be a balls-to-the-wall, no-holds-barred summer action picture. The aforementioned lady in the theater needn't have fretted about the aspects of possibly seeing "Gone in 60 Seconds," because the trailer is infinitely more thrilling than the actual movie, which has all of about two or three action scenes strung out over the course of two hours, with nonsensical, time-filling rubbish in between. In pure Jerry Bruckheimer fashion, character-building moments mean 30-second dialogue exchanges overpopulated with corny one-liners. In pure Jerry Bruckheimer fashion, every shot has been given a yellowish tint by cinematographer Paul Cameron, as if a filter has been strategically placed over the camera to portray the world as naturally looking like a golden palace. However, what is not in pure Jerry Bruckheimer fashion is the film's slow pace and wearisomely dull action scenes--all two or three of them.
Nicolas Cage can be--no, strike that--is a brilliant actor, so why he continues to make great films (i.e. 1995's "Leaving Las Vegas," 1999's "Bringing Out the Dead"), followed by insipid ones (1997's "Con Air," 1998's "Snake Eyes"), is a question only he could be able to answer. His talent is genuine, and his face has a wonderful, soulful quality that allows him to "say" a great deal when given the chance.
The top-to-bottom talent that "Gone in 60 Seconds" exudes is amazing all the same, none of which have any reason at all to appear here. Fresh off her Academy Award winning performance in "Girl, Interrupted," Angelina Jolie is second-billed, but appears for all of about fifteen minutes (if that) in an underutilized role that not only wastes her, but causes you to almost forget how good she can be in other movies. As the snappily-named Sway, Jolie sleepwalks through her fleeting scenes as if she is attempting to blend into the background and not be discovered as an actual performer involved in such a bottomless pit.
As younger brother Kip, Giovanni Ribisi is appropriately scummy-looking and slimy, but one wonders why Memphis would go through so much trouble to save such an ungrateful prick. Until checking over the cast list following viewing the movie, I had almost forgotten Robert Duvall was in it, which gives you an idea of how much of an impression he makes. Especially distressing are the young rising stars that appear for very little rhyme or reason, including James Duval (1995's "The Doom Generation"), Scott Caan (1999's "Boiler Room"), and Timothy Olyphant (1999's "Go"). The only actor that escapes relatively unscathed is Delroy Lindo, as Detective Roland Castlebeck, who brings a certain charm and, dare I say, depth to his scenes that are missing elsewhere.
The opening 100 minutes are nothing more than setup for the climactic car chase, but instead of breathtakingly going down as one of the classic chase sequences, along with 1971's "The French Connection" and 1998's "Ronin", Sena botches everything by haphazard editing that robotically switches back and forth between the pedal, Cage's face, and an overview shot of the car. But, considering the disposability of what came before, it should have been expected. The underwhelming finale simply proved what I had increasingly been realizing throughout, which is that there was no reason for "Gone in 60 Seconds" to be made at all.
- Copyright 2000 by Dustin Putman Http://www.young-hollywood.com Http://www.atnzone.com
The review above was posted to the
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My name is Christine and I'm currently working on transitioning my career to be a software developer! As hard as it may be and as much as I know I'm going to struggle, the challenge is what keeps me going. It just means I'm growing! Learning to be comfortable with being uncomfortable. I love sushi, petting all the dogs I possibly can and plants!
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DEEP RISING
A Film Review by James Berardinelli
RATING: * OUT OF ****
United States, 1998 U.S. Release Date: 1/30/98 (wide) Running Length: 1:46 MPAA Classification: R (Gore, violence, gore, profanity, gore) Theatrical Aspect Ratio: 2.35:1
Cast: Treat Williams, Famke Janssen, Wes Studi, Kevin J. O'Connor, Anthony Heald Director: Stephen Sommers Producers: John Baldecchi, Laurence Mark Screenplay: Stephen Sommers Cinematography: Howard Atherton Music: Jerry Goldsmith U.S. Distributor: Hollywood Pictures
Here's something to chew on: what's the favorite food of big, cheesy-looking special effects monsters like the one lurking in the bowels of a luxury liner in DEEP RISING? The obvious answer to this question is cardboard, because that's the depth of the most fully- developed character in this painfully generic creature feature. DEEP RISING demonstrates all the originality and vitality of something scripted by a computer. In fact, considering the rigid adherence to the expected formulas, perhaps it was.
The most astonishing thing about DEEP RISING is the exceptionally high level of gore. Not since STARSHIP TROOPERS have this many chunks of flesh (both human and non-human) been scattered in all directions.  I suppose DEEP RISING's gallery of grotesque images represents fun stuff for those who love the macabre, but it doesn't do much for me.
On the surface, and that's about the only level at which this film can be analyzed, DEEP RISING feels like TREMORS grafted onto TITANIC (everyone else is citing the equally valid ALIENS/TITANIC connection, since James Cameron directed both). In going for the big disaster angle of TITANIC and the tongue-in-cheek mayhem of TREMORS, DEEP RISING somehow misses both marks by a wide margin. The film is not humorous, tense, or exciting. In fact, it's downright boring, and, despite being half the length of Cameron's current box-office champ, DEEP RISING feels like the longer movie.
Is it really necessary to say anything about the plot? Probably not, since it's easy to guess, but I'll go ahead and oblige anyone who wants a synopsis. The film opens by introducing us to a gang of bad guys on board a mercenary ship. In addition to the usual cast of psychopaths and lunatics, there's Finnegan (Treat Williams), the boat's pilot, who's supposed to be an Indiana Jones knockoff; Joey (Kevin J. O'Connor), the inept sidekick who's supposed to be lovable and funny (but is really just irritating); and Hanover (Wes Studi), the "mastermind" (and I use that term lightly) of the operation. Their goal: attack a cruise ship, clean out the safe, then sink it using some illegally-acquired torpedoes. The problem is, by the time they reach the Argonautica, the Titanic-like luxury liner has turned into the Marie Celeste. Aside from a beautiful jewel thief (Famke Janssen) and a couple of crew members, there's no one on board. The reason soon becomes obvious -- the ship has been taken over by a bad special effect that is supposed to resemble an octopus with teeth and more than eight tentacles.
The cast, which is led by Treat Williams, is primarily comprised of has-beens and probably-never-will-bes (two exceptions: Wes Studi, best known as the villain in THE LAST OF THE MOHICANS, and Djimon Hounsou, AMISTAD's Cinque). Williams, once a "can't miss" prospect in Hollywood, has fallen so far out of favor that the best he can do these days for a lead role is a film like DEEP RISING, and his inability to create a charismatic or interesting figure here may sink whatever is left of his sputtering career. Famke Janssen, who will forever be known as Xenia Onatopp from GOLDENEYE, is the perfect bland match for Williams. Given her limited acting abilities, it's likely that she was chosen for this part primarily on the basis of her physical attributes. Unfortunately, a bra defeats the purpose of having her in a wet tee-shirt for half of the picture. Meanwhile, Kevin J. O'Connor, who has entirely too much screen time, exhibits all the appeal of fingernails scratching a blackboard.
These days, audiences are becoming more difficult to impress with computer-generated special effects. This is a lesson that writer/director Stephen Sommers (who previously helmed the live-action JUNGLE BOOK) needs to learn. The days of JURASSIC PARK, when viewers were astounded by the mere spectacle of seeing something big and imposing on screen, are past. Now, movie-goers are looking for the sophistication of TITANIC -- visuals that are so well-incorporated that it's impossible to tell where they end and where "reality" begins. In DEEP RISING, the monster, like everything, is artificial and unconvincing.
 Even once this film has sunk out of sight, the knowledgeable viewer knows it won't be the last of its kind. Like the slimy, slithering things that inhabit the air vents and pipes of these movies, more are waiting just around the corner in ambush. And that consideration, unlike anything on screen, is truly horrifying.
Copyright 1998 James Berardinelli
- James Berardinelli e-mail<EMAIL_ADDRESS>Now with more than 1300 reviews... The ReelViews web site: http://movie-reviews.colossus.net/
"No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls"
- Ingmar Bergman
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Indentation and breaking things into smaller segments. Makes it easier for not only me to follow but for anyone else who might want to have a look at my code can easily navigate thorugh the 100s of lines of code.
It is important because not only is your work public (anyone can inspect and have a look) but this industry require a lot of collaboration and peer reveiew. There is no point in writing code in a way that no one else can follow, understand or work with.
Extremely!, in this industry we often work with a large group of people on a project so we have a responsibility not only to the computer that is running our program, but to pretty much every body else who will be using our code as well. I cant even imagine checking out someone's DOM to find what I found in the zen garden exercise... Made me so dizzy that I felt a bit sick.
Tabs, less button ressing and a nice amount of readable space.
My work space is tidy and so is my code (considering my level of expertiese at the moment).
My downloads folder, however, is not. Although I never keep anything in there that I actively need, its contents are there for reference.
```
function testSum(){
```
function sum(a, b){
}
I would prefer to use TDD. I find it easier (clarity-wise) to compartmentalise the big picture into smaller parts and outlining what I want out of things first before finding out what I actually need to do to get there. I feel that UT is more prone to mistakes if you are at my level (which is total noob) despite having the benefits of knowing exatly where went wrong but not why. I would rather answer a why question than a how one.
We can begin with TDD and working backwards into UT. TDD will give us the frame work and the basic answers to our question while UT can be used to fine tune for more complex problem when we star building on the code to fulfill the bigger picture.
I thought that looks like fun. I felt like I could learn better using the testing method as it would not only get me used to using and understanding functions but gain a basic understanding of what I should EXPECT the code to do.
I like the interface. I like the feel of having someone walk you though set up (the typing word for word greeting) and how they have used a computer program but make it feel like it was actually a person on the other side was cool. I struggle with my compueter at the moment as it is very old and does not like to do more than one thing at once. The fact that I can have one place where I can see where I'm working from, where I can steal from, what I'm doing now and what I can get out of it immediately in just one place is pretty magical.
I'm sure it will confuse me in due time but at the moment I'm finding it useful. Its quite a straight forward thing that is easy to follow even for total beginners like me.
"REPLIT"... I hope that is actually what it is cause otherwise it would be the whole how do you pronounce "anitipodes" all over again.
The rubber ducking technique! Because I already talk to myself regualarly to help me organise my thoughts anyway... and definitely Pseudocoding, being able to break things down in plain english into smaller steps will help me figure out what I have to do next.
As mentioned before I already practice rubber ducking without the rubber duck. I will probably have to aquire a rubber duck at some stage to actually use the rubber ducking technique. Right now my partner is standing in for the rubber duck (P.S. I also wanted to see how many times I can say rubber duck before someone gets frustrated.).
Like drawing a wire frame for my blog I till use Pseudocode to start off my process steps by step, if I dont know how to actally achieve some of the points I have written then I will do some research/ask for help before getting started so that I have a clear path to follow. Rubber ducking will be used for on the spot trouble shooting.
I'm guessing this was a warm up as it felt easy to understand and workthrough despite my lack of experience with JavaScript.
Yes, It gave me the best guidelines as to what it actually wanted to output. The error messages were useful only during debugging.
WHEN IT WORKED!
Neither as I tended to use both throughout. The instructions gave me a rough idea of what I needed to work towards and the tests showed me what it wanted. The outputs were most useful while debugging like the last kata.
Finding out what the correct function to use for replacing the numbers for its respective string.
It was useful as an anchor. Everytime I got frustrated I looked back to see what my real objective was before trying something new again or pushing on to another aspect of the code. In the end I asked for help from a friend on slack who pointed out that I had some technical errors. Thank god.... Thought I was completely inadequate up until that point.
The differences in referencing objects for sure. Took a while to understand why . couldnt be used in functions but [ ] for strings could. The readings did help but the slight lack of examples made it hard to understand until I actually say what the problem was myself in Repl.it.
Yes, many times after the initial was written out according to the steps given on github. There is nothing that I'd like to change as it is already quite a small set of code... Except for maybe no so many spelling mistakes and calling errors this time.
I would say 3 as they were easy to understand but inorder to build the functions around the use of these methods required a bit of understanding and research.
Definitely MDN JavaScript References. The examples are simple but shows exactly what kind of things are expected in the code inorder to be able to use them properly. W3 was also quite useful but not as easy to undertsand at first glance. We don't even want to talk about stack overflow.... too many people working on much more complicated projects than us.


Modified from http://stackoverflow.com/a/5921190/4111188.
Normally I see code, and think "Okay, that's cool, but that's cool to use as a reference", hence
I don't do this often (as I never ever copy-paste, just learn from it as I would a text book,
as no one every cites the textbook or the code their professor wrote in class, because that's just
how you learn)... but this is just amazing and purely modular solution and deserves recognition.
What it does is from the context and class of the service given, it will, go through all activities
in ActivityManager, then if the class name (because for whatever reason that is the ONLY way to determine
what class is what) matches, then it's already been created, and we can return. Otherwise it will start
the service anyway. Hence avoiding spawning multiple services.
What I modified was that his returned true and false, while mine just goes ahead and spawn a new server.
What makes this code so amazing is that it can literally be used anywhere, for anything regarding
a service, hence why I added it to my Utils.


Enyeama ‘gatecrashes’ Eagles’ camp
by Bowale OdutolaFormer Super Eagles’ goalkeeper and captain, Vincent Enyeama, was a surprise guest at the camp of the national football team, Super Eagles, in Uyo on Friday.
Enyeama, who retired from the national team duties in 2015, was at the Super Eagles’ Ibom GolfHotel and Resorts camp to motivate the players.
The former Lille of France goalkeeper also took a couple of pictures with the three goalkeepers and the goalkeepers’ trainer, Alloy Agu, in camp.
Shortly after the visit, Enyeama, who led the Nigerian side to win AFCON 2013 in South Africa, took to Twitter, saying: “What an honour to share this moment with the Super Eagles at the Ibom Golf Hotel and Resorts.
“I was on my way to playing an 18 hole matchplay game.
“Wishing them the very best in their next match.
“The future is bright for Nigerian football.”
With 101 caps, Enyeama is Nigeria’s joint most capped player of all time.
He featured in Korea/Japan 2006, South Africa 2010 and Brazil 2014 World Cup.
He also helped Nigeria to third place finishes in the 2004, 2006 and 2010 at the Africa Cup of Nations tournaments, before captaining the team to victory in the 2013 edition.
Previous Post
Two killed, 17 vehicles burnt as tanker explodes
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Breaking: Masked security men attack Makinde in Kogi


I play the harmonica (albeit poorly). I use a Hohner Special 20 in the key of C for most of
my playing, although I also have a Suzuki Chromatix SZX-48, an older Marine Band 365, and an
older Blues Harp in G. My abilities currently extend only to some basic playing and some bending.
I heartily recommend the harmonica to anybody who wants to learn an instrument. There are numerous
benefits of the the harmonica, including:
- Simple portability - fits in your pocket
- Versatile - plays many different genres
- Helps expand lung capacity
- Can be played with other instruments - just use a neck rack
- ...and many more!


This package contains ideal sources to drive 1D mechanical rotational drive trains.
| Name | Description |
|---|---|
| Position | Forced movement of a flange according to a reference angle signal |
| Speed | Forced movement of a flange according to a reference angular velocity signal |
| Accelerate | Forced movement of a flange according to an acceleration signal |
| Move | Forced movement of a flange according to an angle, speed and angular acceleration signal |
| Torque | Input signal acting as external torque on a flange |
| Torque2 | Input signal acting as torque on two flanges |
| LinearSpeedDependentTorque | Linear dependency of torque versus speed |
| QuadraticSpeedDependentTorque | Quadratic dependency of torque versus speed |
| ConstantTorque | Constant torque, not dependent on speed |
| SignTorque | Constant torque changing sign with speed |
| ConstantSpeed | Constant speed, not dependent on torque |
| TorqueStep | Constant torque, not dependent on speed |
| EddyCurrentTorque | Simple model of a rotational eddy current brake |


Server¶
Configuration¶
The HiGlass server accepts a number of options to customize its use. Most of these options are set using environment variables before the server is started:
export OPTION=value; python manage.py runserver
BASE_DIR
- Set the Django base directory. This is where Django will
look for the database and the media directories.
REDIS_HOST
- The host name for the redis server to use for tile caching. If
it’s not specified, then no in-memory tile caching will be performed.
REDIS_PORT
- The port for redis server to use for tile caching. If it’s not
set and a host is provided, the default port will be used.
Testing¶
There are test in tilesets/views.py
which can be run
from the command line:
python manage.py test tilesets
More specific tests can be run by specifying the class and function that contain the test:
python manage.py test tilesets.tests.CoolerTest.test_get_multi_tiles
Chromosome sizes¶
Chromosome sizes specify the lengths of the chromosomes that make up an assembly. While they have no intrinsic biological order, HiGlass displays all chromosomes together on a line so the order of the entries in the file does have a meaning.
They must be imported with the chromsizes-tsv filetype and chromsizes datatype to be properly recognized by the server and the API.
docker exec higlass-container python \
higlass-server/manage.py ingest_tileset \
--filename /tmp/chromsizes_hg19.tsv \
--filetype chromsizes-tsv \
--datatype chromsizes
Or using curl:
curl -u `cat ~/.higlass-server-login` \
-F<EMAIL_ADDRESS>\
-F "filetype=chromsizes-tsv" \
-F "datatype=chromsizes" \
-F "coordSystem=mm10" \
-F "name=Chromosomes (mm10)" \
http://higlass.io/api/v1/tilesets/
This should return a JSON object contain a UUID to confirm that the data has been added to the server:
{
"uuid":"DRpJETNeTAShnhng6KhhXw",
"datafile":"http://higlass.io/api/v1/tilesets/media/uploads/chromInfo_ui7zU3M.txt",
"filetype":"chromsizes-tsv",
"datatype":"chromsizes",
"private":false,
"name":"Chromosomes (mm10)",
"coordSystem":"mm10",
"coordSystem2":"",
"created":"2017-08-10T18:44:40.369924Z"
}
API¶
Retrieving a list of available tilesets:
curl localhost:8000/api/v1/tilesets
To filter by a specific filetype, use the t=filetype parameter:
curl localhost:8000/api/v1/tilesets?t=cooler
To fileter by datatype, use the dt=datatype parameter:
curl localhost:8000/api/v1/tilesets?dt=matrix
Testing¶
python manage.py test tilesets --failfast
Or to test a more specific code block:
python manage.py test tilesets.tests.CoolerTest.test_transforms --failfast


Mira Calix releases United Visual Artists soundtrack, Our Time
by FACTImage via: The Vinyl Factory
Originally published by The Vinyl Factory.
A pendulous, ambient score to the immersive A/V installation.
Electronic musician and composer Mira Calix is releasing the soundtrack to United Visual Artists’ Our Time installation, in collaboration with The Vinyl Factory this November.
One of three pieces presented at UVA’s Other Spaces exhibition at The Store X, 180 The Strand, Our Time features four kinetic structures swinging in and out of phase, casting light across the darkened, smoke-filled space.
First presented as Momentum at Barbican in 2013, this iteration features a newly commissioned soundtrack by Calix. It follows the release of her Warp Records 10″ Utopia earlier this year, and marks her second collaborative release with The Vinyl Factory.
In 2014, Calix worked with vocalist Teresa Duddy for If Then While For – one of four compositions devised for Conrad Shawcross’ Ada Project.
Limited to 500 copies, Our Time is released as an etched, single-sided 12″, housed in an embossed sleeve.
Head here to order a copy and check out the artwork below.
Read next: United Visual Artists – Our Time
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Project
This isn't a project to build an 3D Printer. The project is to build an 3D Printer.
We don't have any/much experience in building one. So this is more of a learning experience for us than creating the worlds most awesome printer.
TODO
Idea
TODO
Because we use multiple Operating Systems we wanted to make the Printer Software 'Platform independent'. This leaves us with 2 Options:
- Use Cross-Platform Libraries for the Gui, ...
- Use a Website which allows the user to upload the file he/she wants to get printed
In the end we chose Option 2.
For a detailed Reason see Design
Design
TODO
Native vs. Web
As described in Idea the 2 Options to create the Frontend for our 3d Printer to upload the files are either create a native application or create a web interface.
We chose Option 2 because of multiple reasons.
- A native application must be backwards compatible. So we can't make breaking changes at the communication level. Because the Website will be hosted on the PI with the other programs, it is part of a unit. This will also allow us to test the whole PI better.
- We develop on multiple OS and we (may, if the 3d printer gets finished) print on different OS. With the decision to make a website we change the os compatibility problem to browser compatibility problem.
With the upcomming wasm standard, we may be able to slice in the browser and send the sliced file instead of slicing on the PI.
If -in the future- we choose to build an native application, the application can connect to the same WebSocket the website is using.
WebSocket
TODO
Pro and contra list between a cartesian and a delta printer
UNDER CONSTRUCTION
| criteria | Cartesian | Delta |
| velocity / acceleration | higher number of movable parts → high inertia → max v & a is different for every axis | moved mass / number of movable parts small → small inertia → relatively high printing speed possible |
| accuracy | Depends on the construction quality and the calibration | Depends on the construction quality and the calibration |
| reliability | Calibration has to be checked befor every print. (difficult) | Calibration has to be checked before every print. (easy) |
| Has to be calibrated often | Has to be calibrated seldom | |
| Calibration | Easy. Axis independent. | Difficult. Especailly the first calibration. Axis dependent. → if one printer axis is false all cartesian axis are false |
| Bugfix | Easy. Bugs can be easily located. | Difficult. Sometimes difficult to locate the source of error. (calibration/build) |
| Printing Volume | cuboid | Cylinder respecively triangle |
| Size | Big in the x- and y-axis. | Big in the z-axis. |
| Slicer | Slicer programmed for cartesian printers | Uses the same software, which is not build for delat printers. |
| Control | Eas control since axis are equal. | Control more complex. Trigonometric functions needed. |
| Base | Moving in most builds → problems with filigrane products → no bowden tube needed | Only moved part is the hotend → extruder mostly static. bowden tube needed → problems may occure with some filaments |
Materials
TODO
Shopping List
This is a list of all required physical items.
| Item name | Purchase Price | Amount |
| rod (linear bearing) | ||
| frame (profile bar) | ||
| engine | 4 | |
| cardan joint (delta) | ||
| hot end | ||
| linear bearing | ||
| belt incl. gear wheel | ||
| base plate (heated) | ||
| sensors | ||
| Arduino | ||
| engine controllers | 4 | |
| power supply | ||
| Raspberry Pi + SD card | ||
| acrylic glass (wall) | ||
| fan | ||
| filament | ||
| cable | ||
| bowden tube (delta) | ||
| screw |
Filament
Mostly used materials are PLA and ABS.
2 different diameters xxx and xxx.


On the Manage reseller revenue share page, you can define a revenue share for individual services which a reseller is authorized to sell. The service-specific revenue share overrules any reseller revenue share defined for the marketplace to which the service is published. In addition, you can define a revenue share for specific reseller organizations which overrules any marketplace-specific and service-specific revenue shares.
Marketplace-specific revenue shares are defined using the Update marketplace menu option.
On the Manage reseller revenue share page, you can also update the revenue share for services for which the resale permission has already been revoked and for services which have already been deleted by the supplier. There might still be active subscriptions for these services. Therefore it might be necessary for you to update the revenue share.
To define the revenue share for a reseller:
-
Select the service for which the revenue share is to be defined.
The list contains all services that are currently available on your platform including all services that have already been deleted. The name of a deleted service is followed by a hash (#) and a UNIX time stamp indicating when the service was deleted. For all services, the organization ID of the supplier who provides or provided the service is appended in brackets.
-
The first table shows the default and service-specific reseller revenue share defined for the marketplace the service is published to.
In the Revenue share (%) entry field, the default service-specific reseller revenue share can be changed: Specify a percent value.
This percentage is valid for all resellers publishing the selected service. The value overrules the default value defined using the Update marketplace menu option.
-
The second table shows all reseller organizations with resale permissions for the selected service and all reseller organizations for which these permissions have already been revoked.
In the Revenue share (%) entry field, you can specify a percent value which is valid for the respective reseller organization.
This value overrules any service-specific revenue share as well as the default reseller revenue share value defined using the Update marketplace menu option.
-
Click Save.
The values are instantly applied. The revenue share amounts are calculated when the next billing run is started.


AJAX
XML (hosted remotely)
Goal
As a user, I want to see the RSS content provider's name (title element in the top of the channel)
Technologies
RSS
XML
jQuery AJAX
jQuery
JavaScript
HTML
Live demo


{% extends "admin/base_site.html" %} {% load i18n staticfiles admin_list %} {% block breadcrumbs %}
{% endblock %} {% block extrahead %}{{ block.super }} {{ media }} {% endblock %} {% block contentwrapper %} {% url 'admin:prescription_priorityjustification_changelist' current.id as priority_justification %}| Burn ID * | {{ current.burn_id }} | ||
|---|---|---|---|
| Name * | {{ current.name }} | ||
| Description (leave blank to auto-generate) |
{{ current.description }} | ||
| Planned burn financial year * |
{{ current.season }} | Last burnt season Last burnt year |
{{ current.last_season_burnt }} {{ current.last_year_burnt }} |
| Region * | {{ current.region }} | District * | {{ current.district }} |
| Location * | {{ current.location_text }} | ||
| Forest Blocks (if applicable) | {{ current.forest_blocks }} | ||
| Overall Priority * | {{ current.get_priority_display }} | Overall Rationale * | {{ current.rationale }} |
| Contentious * | {{ current.contentious|yesno:"Yes,No" }} | Contentious Rationale | {{ current.contentious_rationale }} |
| Aircraft burn * | {{ current.aircraft_burn|yesno:"Yes,No" }} | Remote sensing priority * | {{ current.remote_sensing_priority }} |
| Burn Purpose(s) * | {{ current.purposes.all|join:", " }} | ||
| Program allocations * | {{ current.allocations }} | Percentage of the planned area that will be treated (%) * |
{{ current.treatment_percentage }} |
| Planned Burn Area (ha) * | {{ current.area }} | Perimeter/Length (kms) * | {{ current.perimeter }} |
| Non-CALM Act Tenure |
{{ current.non_calm_tenure | yesno:"Yes,No,--------" }}
{% if current.non_calm_tenure %}
Cross Tenure Approved {{ current.non_calm_tenure_approved | yesno:"Yes,No,No" }}
Non-CALM Act tenure included * {{current.non_calm_tenure_included}}
Public value in burn * {{current.non_calm_tenure_value}}
Can the burn be completed safely without the inclusion of other tenure? {{current.non_calm_tenure_complete_name }} Risk based issues if other tenure not included * {{current.non_calm_tenure_risks}}
{% endif %}
|
||
| Burn Tenure(s) | {{ current.tenures.all|join:", " }} | ||
| Fuel Type(s) | {{ current.fuel_types.all|join:", " }} | ||
| Shire(s) | {{ current.shires.all|join:", " }} | ||
| Forecast Area(s) | {{ current.forecast_areas.all|join:", " }} | ||
| Bushfire Act Zone * | {{ current.bushfire_act_zone }} | ||
| Prohibited Period | {{ current.prohibited_period }} | ||
| Prescribing Officer | {{ current.prescribing_officer }} | Shortcode | {{ current.short_code }} |
| Date Created | {{ current.created }} | Date Last Saved | {{ current.modified }} |
|---|---|---|---|
| Risk Level | {{ current.maximum_risk_html }} | Complexity Rating | {{ current.maximum_complexity }} |
| Endorsement Status | {{ current.get_endorsement_status_display }} | ||
| Approval Status | {{ current.get_approval_status_display }} | ||
| Planning Status | {{ current.get_planning_status_display }} | ||
| Ignition Status | {{ current.get_ignition_status_display }} | ||
| Burn Closure Status | {{ current.get_status_display }} |


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/Gabriel's.20challenge.html ---
Can you do Gabriel's exercise?
https://leanprover.zulipchat.com/#narrow/stream/113488-general/subject/elaborator
theorem very_easy : unit = unit :=
by do exact $ ???
Can you make an expr which corresponds to eq.refl unit
?
Talking of tactics reminded me of this.
I could only make a tactic expr
Is that against the rules of the game?
I wasn't sure.
because I know absolutely nothing about exprs
or whether it's possible to make them
I thought that eq.refl unit
was an expression in Lean
but I don't think it has type expr
For unit, you could do: do exact $ expr.const ``unit.star []
stop at that one
that one works
were you having a backtick nightmare? ;-)
Yeah and I don't have an anti-tick shampoo!
How do you escape ticks?
open tactic expr definition very_easy : unit := by do exact $ expr.const ``unit.star []
result!
There should be only one tick before unit.star
though
expr.const
wants a name
oh we are doing the bad thing which Patrick complained about
he wants us to buzz off to another thread
Co-opting a channel?
topic
Oh that was clever. I didn't know you could change in the middle
So a constructor is a const
?
:grin: There's an option to change the topic of everything that comes after a certain post
Yes, that's correct
so how to change something like eq.refl into an expr?
Lean compiles inductive
types into constants and axioms
Same thing const `eq.refl [`u]
... with the exception of the universe level
because then you could use expr.app
to apply the function
Yes, you would first apply it to a Sort u
and then to whatever term you want prove equal to itself
infer type failed, incorrect number of universe levels
woo, new error messages
That's curious! I'm pretty sure there should be only one
I honestly think that playing around with this sort of thing would be a good introduction to tactics.
because it gives you the idea of what an expr really is and begins to introduce stuff like the backtick hell before going meta
What you can do to see what's wrong is:
do c <- mk_const `eq.refl`, trace (c.to_raw_fmt)
Interesting! Thanks for the suggestion. I'll add some of that to my tutorial
Am I right in thinking that tactics could really be said to be acting on the exprs
and that you really have to have some sort of clear idea of what an expr is before moving on to tactics?
Yes, that's really the main data structure
so everyone has an informal idea of what one is
Completely
because they have written some Lean code
and they are told that they are constructing expressions of certain types
And maybe an explanation of what a proof goal is would also help
but actually they are not constructing the exprs themselves
What is a proof goal?
There is some "interesting" comment in PIL
there it is, p38
8.5 Metavariables and Unification
[This section is still under construction. It will discuss the notion of a metavariable and
its local context, with the interesting bit of information that goals in the tactic state are
nothing more than metavariables. So the goal list is really just a list of metavariables,
which can help us make sense of the get_goals and set_goals tactics. It will also discuss
the unify tactic.]
A proof goal is basically an unassigned meta variable. It has no special status. You can think of a proof in tactic mode as creating one metavariable, saying that it's the proof of the main goal and then telling you to assign a value to that metavariable v
by calling set_goals [v]
But you can set any list of unassigned metavariables as the goals in a proof even if they are not relevant.
Does that make sense?
set_goals doesn't make sense, but I can guess what it means.
so it makes some sort of sense
@Kevin Buzzard To construct an expr, you can use the `(...)
syntax
There is one backtick and two backticks and three backticks and none of them really make much sense to me
I can read the definitions but they don't stick yet
I am wondering if playing with exprs like this without thinking about tactics would be a better way to explain how all the backticks work
If you want to implement have
for example, you could do it this way:
meta def my_have (h : name) (p : expr) : tactic unit := do (g :: gs) <- get_goals, prf <- mk_meta_var p, -- the side goal g' <- mk_mvar, -- not giving a type, we'll let `unify` guess it let prove_g := expr.app (expr.lam h binder_info.default p g') prf, unify prove_g g, set_goals (prf :: g' :: gs)
aah but now you're in tactic mode
I was wondering whether one could write something about creating raw exprs without ever mentioning the tactic monad
as an introduction to the backtick notation and to exprs
Yes, for two reasons: so that we can set and get the goals and so that we can create metavariables that are valid within the scope of the current proof
without having to introduce them at the same time as introducing all the tactic monad stuff
Oh ... and for unification. Since a meta variable is meaningful only in the context of a specific proof, you need the proof state when you assign a value to one.
open tactic theorem very_easy : unit = unit := by do exact `(eq.refl unit) theorem very_easy₂ : unit = unit := by do mk_eq_refl `(unit) >>= exact theorem very_easy₃ : unit = unit := by do exact $ (expr.const ``eq.refl [level.of_nat 2] : expr) (expr.sort $ level.of_nat 1) (expr.const ``unit [])
But we're not discharging a goal completely here
it was level.of_nat 1
I was missing
Thanks Mario.
you can also write level.succ level.zero
oh wow there is mk_eq_refl
Ah! That's the part I didn't think of! you were trying to prove unit = unit
I was trying to learn basic stuff about how to build exprs without going into tactic mode
no expr.app
in version 3?
what's going on there?
The last example is a bit artifical though, since usually you will not construct a complete expr by hand like that. Here's a half-tactic way to construct it:
theorem very_easy₄ : unit = unit := by do u ← mk_const ``unit, e ← mk_app ``eq.refl [u], exact e
I thought Lean was expecting one expr after the dollar sign and you passed three?
It's because of:
meta instance : has_coe_to_fun (expr elab) := { F := λ e, expr elab → expr elab, coe := λ e, expr.app e }
expr
has a lovely coe_fn instance that allows you to write applications like that
theorem very_easy₃' : unit = unit := by do exact $ expr.app (expr.app (expr.const ``eq.refl [level.of_nat 2]) (expr.sort $ level.of_nat 1)) (expr.const ``unit [])
Last updated: Apr 24 2020 at 19:02 UTC


Use camelCase for variables, functions, and methods
Open curly braces on the same line
Define functions before you call them
Always use semicolon to end a statements
Always use var when declaring a variable


Next: find-symbol, Previous: package, Up: Packages Dictionary
export
symbols &optional package ⇒ t
symbols—a designator for a list of symbols.
package—a package designator.
The default is the current package.
export makes one or more symbols that are accessible in package (whether directly or by inheritance) be external symbols of that package.
If any of the symbols is already accessible as an external symbol of package, export has no effect on that symbol. If the symbol is present in package as an internal symbol, it is simply changed to external status. If it is accessible as an internal symbol via use-package, it is first imported into package, then exported. (The symbol is then present in the package whether or not package continues to use the package through which the symbol was originally inherited.)
export makes each symbol accessible to all the packages that use package. All of these packages are checked for name conflicts: (export s p) does (find-symbol (symbol-name s) q) for each package q in (package-used-by-list p). Note that in the usual case of an export during the initial definition of a package, the result of package-used-by-list is nil and the name-conflict checking takes negligible time. When multiple changes are to be made, for example when export is given a list of symbols, it is permissible for the implementation to process each change separately, so that aborting from a name conflict caused by any but the first symbol in the list does not unexport the first symbol in the list. However, aborting from a name-conflict error caused by export of one of symbols does not leave that symbol accessible to some packages and inaccessible to others; with respect to each of symbols processed, export behaves as if it were as an atomic operation.
A name conflict in export between one of symbols being exported and a symbol already present in a package that would inherit the newly-exported symbol may be resolved in favor of the exported symbol by uninterning the other one, or in favor of the already-present symbol by making it a shadowing symbol.
(make-package 'temp :use nil) ⇒ #<PACKAGE "TEMP"> (use-package 'temp) ⇒ T (intern "TEMP-SYM" 'temp) ⇒ TEMP::TEMP-SYM, NIL (find-symbol "TEMP-SYM") ⇒ NIL, NIL (export (find-symbol "TEMP-SYM" 'temp) 'temp) ⇒ T (find-symbol "TEMP-SYM") ⇒ TEMP-SYM, :INHERITED
The package system is modified.
Accessible symbols.
If any of the symbols is not accessible at all in package, an error of type package-error is signaled that is correctable by permitting the user to interactively specify whether that symbol should be imported.
import, unexport, Package Concepts
Next: find-symbol, Previous: package, Up: Packages Dictionary


This project allows you to query information from BoxRec and return it in JSON format. The purpose of this project is to act as an API for BoxRec.
This project is written in Node.
yarn add boxrec -D
or
npm install boxrec --save-dev
const boxrec = require("boxrec");
Details on how to help can be found here
To use this properly, it requires a login to BoxRec. BoxRec supplies additional information when logged in Note: BoxRec does not support HTTPS
boxrec.login(username, password)
.then(() => {
// successfully logged in
})
.catch(error => {});
Using the BoxRec Global ID, retrieve all information about a person.
boxrec.getPersonById(356831)
.then(boxer => {
console.log(boxer.name); // Gennady Golovkin
console.log(boxer.division); // middleweight
console.log(boxer.titlesHeld); // currently held titles
console.log(boxer.otherInfo); // other info that couldn't be categorized
console.log(boxer.suspended); // will tell if boxer is currently suspended
console.log(boxer.bouts); // list of bouts
console.log(boxer.bouts[37].opponent.name); // Saul Alvarez
});
boxrec.getPersonById(401615, BoxrecRole.judge); // judge CJ Ross
Returns a generator which will makes individual calls, returns differ depending on the profile type
// by default it picks active/inactive boxers
const floyds = await boxrec.getPeopleByName("Floyd", "Mayweather");
let boxer = await floyds.next();
console.log(boxer.value); // is Floyd Mayweather Sr. object
boxer = await floyds.next();
console.log(boxer.value); // is Floyd Mayweather Jr. object
await boxrec.getPeopleByLocation({
country: Country.USA,
role: BoxrecRole.boxer,
}, 20); // `20` is the search offset. All endpoints that support `offset` on BoxRec should be supported in this package
await boxrec.getEventsByLocation({
country: Country.USA,
year: 2017,
});
await boxrec.getSchedule({
countryCode: Country.Canada,
});
await boxrec.getVenueById(38555);
Following BoxRec's form format
boxrec.search({
first_name: "Floyd",
last_name: "Mayweather",
}).then(searchResults => console.log(searchResults[1]));
{
id: 352,
name: 'Floyd Mayweather Jr',
alias: 'Money / Pretty Boy',
record: {
draw: 0,
loss: 0,
win: 50
},
last6: ['win', 'win', 'win', 'win', 'win', 'win'],
division: 'welterweight',
career: [1996, 2017],
residence: {
id: 20388,
town: 'Las Vegas',
region: 'NV',
country: 'US'
}
}
});
boxrec.getChampions()
.then(champions => {
champions.getByWeightClass().heavyweight.IBF; // Anthony Joshua
});
boxrec.getEventById(751017)
.then(event => console.log(event));
{ date: '2017-09-16',
commission: 'Nevada Athletic Commission',
matchmaker:
[ { id: 422440, name: 'Alex Camponovo' },
{ id: 500179, name: 'Roberto Diaz' },
{ id: 495527, name: 'Tom Loeffler' } ],
location:
{ location: { town: 'Las Vegas', id: 20388, region: 'Nevada', country: 'USA' },
venue: { id: 246559, name: 'T-Mobile Arena' } },
promoter:
[ { id: 8253,
company: 'Golden Boy Promotions',
name: 'Oscar De La Hoya' },
{ id: 495527, company: 'K2 Promotions', name: 'Tom Loeffler' },
{ id: 413083, company: 'Banner Promotions', name: 'Art Pelullo' } ],
television:
[ 'USA HBO PPV',
'Latin America: Canal Space',
'Panama RPC Channel 4',
'Australia Main Event',
'Mexico Televisa' ],
bouts:
[ { firstBoxer: [Object],
firstBoxerLast6: [Array],
firstBoxerRecord: [Object],
firstBoxerWeight: 160,
secondBoxer: [Object],
secondBoxerLast6: [Array],
secondBoxerRecord: [Object],
secondBoxerWeight: 160,
titles: [Array],
referee: [Object],
judges: [Array],
rating: 100,
result: [Array],
links: [Object],
...
boxrec.getDate("2018-08-21");
boxrec.getBoutById("726555/2037455");
Following BoxRec's form format
boxrec.getRatings({
division: "Welterweight",
sex: "M",
status: "a"
}).then(ratings => console.log(ratings[1]));
{
id: 629465,
name: 'Errol Spence Jr',
points: 555,
rating: 100,
age: 28,
record: {
draw: 0,
loss: 0,
win: 23
},
last6: ['win', 'win', 'win', 'win', 'win', 'win'],
stance: 'southpaw',
residence: {
id: 43387,
town: 'Desoto',
region: 'TX',
country: 'US'
},
division: null
};
// WBC Middleweight information
// to get this parameter, the link is on a boxer's profile
await boxrec.getTitleById("6/Middleweight");
`
await boxrec.getTitles({
bout_title: 322,
division: WeightDivisionCapitalized.welterweight,
})
await boxrec.getBoxerPDF(555); // returns the PDF information
await boxrec.getBoxerPDF(555, "./profile"); // saves the PDF to "./profile/555.pdf"
await boxrec.getBoxerPDF(555, "./profile", "foo.pdf); // saves the PDF to "./profile/foo.pdf"
Follows the exact same format as getBoxerPDF method
await boxrec.getBoxerPrint(555);
await boxrec.watch(555);
await boxrec.unwatch(555);
await boxrec.getWatched();
Not affiliated with the website BoxRec
Generated using TypeDoc


Before Change
devices = vera_controller.get_devices(["Switch", "Armable Sensor"])
except RequestException as inst:
// There was a network related error connecting to the vera controller
_LOGGER.error("Could not find Vera switches: %s", inst)
return False
vera_switches = []
for device in devices:
After Change
devices = vera_controller.get_devices(["Switch", "Armable Sensor"])
except RequestException:
// There was a network related error connecting to the vera controller
_LOGGER.exception("Error communicating with Vera API")
return False
vera_switches = []
for device in devices:


Lets you connect to any of the Consortium of Universities for the Advancement of Hydrologic Sciences, Inc. ('CUAHSI') Water Data Center 'WaterOneFlow' web services and read any 'WaterML' hydrological time series data file. To see list of available web services, see <http://hiscentral.cuahsi.org>. All versions of 'WaterML' (1.0, 1.1 and 2.0) and both types of the web service protocol ('SOAP' and 'REST') are supported. The package has six data download functions: GetServices(): show all public web services from the HIS Central Catalog. HISCentral_GetSites() and HISCentral_GetSeriesCatalog(): search for sites or time series from the HIS Central catalog based on geographic bounding box, server, or keyword. GetVariables(): Show a data.frame with all variables on the server. GetSites(): Show a data.frame with all sites on the server. GetSiteInfo(): Show what variables, methods and quality control levels are available at the specific site. GetValues(): Given a site code, variable code, start time and end time, fetch a data.frame of all the observation time series data values. The GetValues() function can also parse 'WaterML' data from a custom URL or from a local file. The package also has five data upload functions: AddSites(), AddVariables(), AddMethods(), AddSources(), and AddValues(). These functions can be used for uploading data to a 'HydroServer Lite' Observations Data Model ('ODM') database via the 'JSON' data upload web service interface.
| Version: | 1.7.1 |
| Depends: | R (≥ 3.0) |
| Imports: | stats, XML, RJSONIO, httr |
| Suggests: | knitr |
| Published: | 2016-03-17 |
| Author: | Jiri Kadlec [aut, cre] |
| Maintainer: | Jiri Kadlec <jirikadlec2 at gmail.com> |
| License: | MIT + file LICENSE |
| URL: | https://github.com/jirikadlec2/waterml |
| NeedsCompilation: | no |
| Citation: | WaterML citation info |
| Materials: | README |
| CRAN checks: | WaterML results |
| Reference manual: | WaterML.pdf |
| Vignettes: |
WaterML R Package Tutorial |
| Package source: | WaterML_1.7.1.tar.gz |
| Windows binaries: | r-devel: WaterML_1.7.1.zip, r-release: WaterML_1.7.1.zip, r-oldrel: WaterML_1.7.1.zip |
| OS X binaries: | r-release: WaterML_1.7.1.tgz, r-oldrel: WaterML_1.7.1.tgz |
| Old sources: | WaterML archive |
Please use the canonical form https://CRAN.R-project.org/package=WaterML to link to this page.


Disappearing cats and deadly ditches
by LettersCitizenship | Equal pay | Steve Bell | Larry the cat | Halloween
Citizenship is thriving in schools across the land (Letters, 28 October). The headteacher in our local primary school uses one assembly a week to discuss British values as part of the citizenship curriculum – a Cameron government initiative. And the National Citizen Service – another Cameron initiative – is hugely popular, with increasing numbers of 16- and 17-year-olds spending part of their summer holidays volunteering.
Christine Raper
Honnington, Shropshire
• Your report on Samira Ahmed’s equal pay claim (31 October) suggests the BBC thinks it right to pay more for an entertainment presenter dealing with topics in a lighthearted way than for a programme where a journalist deals with them seriously. Surely it should be the other way around?
Patrick Wallace
London
• The Steve Bell cartoon featuring Jo Swinson sitting in the middle of the road waiting to be run over (If…, G2, 31 October) also implies that if you drive too close to the edge you will end up in the ditch, and that would apply to both of the two main tribes.
Peter Baldwin
North Walsham, Norfolk
• Where is Larry the cat? He has not been seen outside No 10, making his regular TV appearances, for some time now. Has he suffered Boris’s “dead in a ditch” fate? What role has Dilyn played in all this? I think we should be told – before 12 December.
Wolf and Linda Gruellich
Edinburgh
• Unaware until too late that you need to display a pumpkin to have children calling at Halloween (they came last year), I waited with 38 chocolate bars to see the children’s costumes but had no callers.
Helen Evans
Ruthin, Denbighshire
• Join the debate – email<EMAIL_ADDRESS>• Read more Guardian letters – click here to visit gu.com/letters
• Do you have a photo you’d like to share with Guardian readers? Click here to upload it and we’ll publish the best submissions in the letters spread of our print edition


Find IPS Mobile
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First and foremost, we take pride in what we build, and we stand behind our products. Not only are we experienced metal fabricators, with over 100 years of combined experience, we are also farmers. Our love of farming and metal fabrication is what led to the creation of TOBB products. We understand that when it comes time to feed your livestock, you need to be fast and efficient. All while trying to save some money along the way. Our products are built by American farmers for American farmers. We know what it takes to get the job done in the field and our products leave the factory ready to help.
Mobile Creep Feeders
Holds bulk loads of feed for a more efficient farm. These heavy-duty double sided creepers are made to last the test of time.
ExploreBulk Storage Bins
We build Bulk Storage Bins available in 3 ton and 5 ton stationary skid or portable models with axles and leaf springs. Easy to operate chute makes filling your buckets a breeze
Explore


--- author_id: 017 author_name: Fabrice Poussin genre: Photography usual_genre_grammared: Poetry issue: 2 title: Fabrice Poussin Photgraphy categories: issue2 layout: creative-post private_email<EMAIL_ADDRESS>twitter: website: bio: Kestrel, Symposium, The Chimes, and many other magazines. His photography has been published in The Front Porch Review and San Pedro River Review, as well as other publications. interview_1: interview_2: interview_3: ---
teaches French and English at Shorter University. He is the author of novels and poetry, and his work has appeared in {%include js-for-lightbox.html%}


features¶
- class
interlinking.features.
Features
[source]¶This class loads the dataset, frequent terms and builds features that are used as input to supported classification groups:
basic: similarity features based on basic similarity measures.
basic_sorted: similarity features based on sorted version of the basic similarity measures used in basic group.
lgm: similarity features based on variations of LGM-Sim similarity measures.
See also
compute_features()
Details on the metrics each classification group implements.
build
()[source]¶Build features depending on the assignment of parameter
classification_method
and return values (fX, y) as ndarray of floats.
- Returns
fX (ndarray) – The computed features that will be used as input to ML classifiers.
y (ndarray) – Binary labels {True, False} to train the classifiers.
compute_features
(s1, s2, sorted=True, lgm_sims=True)[source]¶Depending on the group assigned to parameter
classification_method
, this method builds an ndarray of the following groups of features:
basic: various similarity measures, i.e.,
damerau_levenshtein()
,jaro()
,jaro_winkler()
and the reversed one,sorted_winkler()
,cosine()
,jaccard()
,strike_a_match()
,monge_elkan()
,soft_jaccard()
,davies()
,tuned_jaro_winkler()
and the reversed one,skipgrams()
.basic_sorted: sorted versions of similarity measures utilized in basic group, except for the
sorted_winkler()
.lgm: LGM-Sim variations that integrate, as internal, the similarity measures utilized in basic group, except for the
sorted_winkler()
.
- Parameters
s1, s2 (str) – Input toponyms.
sorted (bool, optional) – Value of True indicate to build features for groups basic and basic_sorted, value of False only for basic group.
lgm_sims (bool, optional) – Values of True or False indicate whether to build or not features for group lgm.
- Returns
It returns a list (vector) of features.
- Return type


Covariance models from Rfam are aligned to genomes in Ensembl Plants and Ensembl Metazoa. The covariance models are taxonomically filtered before alignment, so that structural RNA features that have never been annotated in plant species are not inappropriately aligned. The alignment is performed with cmscan, from the Infernal software suite.
The Rfam alignments are visible as a browser track (named 'Rfam models'); selecting an alignment in the genome browser displays metadata such as the Rfam description and the secondary structure.
These alignments form the basis of the main component of RNA gene annotation in Ensembl Genomes.


Changes you make on this page will not affect your ISIS course.
Please specify what options the students have in choosing groups:
Debugging info:
{{debuginfo.payload}}


- name: Disable thp
shell: echo 'never' > ""
with_items:
- /sys/kernel/mm/transparent_hugepage/enabled
- /sys/kernel/mm/transparent_hugepage/defrag
- /sys/kernel/mm/redhat_transparent_hugepage/enabled
- /sys/kernel/mm/redhat_transparent_hugepage/defrag
when: ""
ignore_errors: true
become: yes
- name: Disable thp after every init script had initialized
lineinfile:
dest: /etc/rc.d/rc.local
insertafter: EOF
state: present
create: yes
line: |
if test -f ; then
echo never >
fi
mode: 0744
with_items:
- /sys/kernel/mm/transparent_hugepage/enabled
- /sys/kernel/mm/transparent_hugepage/defrag
- /sys/kernel/mm/redhat_transparent_hugepage/enabled
- /sys/kernel/mm/redhat_transparent_hugepage/defrag
become: yes


<select is='select-state' default='MI'></select>
<select is='select-state'></select>
Choose Wisely
Go!
You chose:


Watch: Lavine Heroics Sees Bulls Overturn 5-Point Deficit In Last 10 Seconds
by Gary ConnaughtonThe Chicago Bulls are a team in transition. Having been title contenders at the turn of the decade under the tutelage of Tom Thibodeau and the rising star of Derrick Rose, the franchise has not had the type of sustained success it would have anticipated.
That is due to a number of different factors. Derrick Rose's injury troubles were a major stumbling block, as was Thibodeau's old school coaching style. Jimmy Butler ensured they remained somewhat competitive in the Eastern Conference, but his departure set the wheels in motion for a major rebuild.
Lauri Markkanen and Wendall Carter are the two young players they are set to build around, but another piece acquired in the Butler trade is also making an impact.
Zach Lavine is a player who splits opinion with many doubting his value to a team. He is a high volume shooter, which often leads to some less than ideal shooting percentages. He is also probably more well-known for his exploits in the slam dunk contest than anything he has done in an NBA game.
The Bulls' decision to hand him a four year, $78million contract raised eyebrows in the league, but he will justify that price tag if he continues to produce performances like last night.
Lavine went off for 49 points in the win over the Charlotte Hornets, but that was not the most notable aspect of the game. With his team trailing by five points and less than ten seconds on the clock, the shooting guard would somehow manage to pull of a miraculous victory.
After Tomáš Satoranský reduced the deficit to two points, Lavine would overturn the resulting inbounds pass and jack up a three of his own.
Outrageous.
He also became only the third NBA player to sink 13 three pointers in a game, joining Steph Curry and Klay Thompson on that list. Decent company.


Help: load a file, select an object, and add it, move it around, or apply operations to selected items:
F — bring to front, B — bring to back, Q — rotate CCW, W — rotate CW, D — delete.
(all operations work on currently dragged item).
VML note: VML doesn't process PNG images with opacity correctly.
|


---
title: Past Concerts | Red Butte Garden
layout: default
---
2016
The Lumineers with special guests SOAK, Sleepwalkers
Buddy Guy & Jonny Lang
The Monkees 50th Anniversary Tour
Edward Sharpe and the Magnetic Zeros with special guests Preservation Hall Jazz Band, Harriet
Ben Harper & The Innocent Criminals with special guest The Jack Moves
case/lang/veirs with special guest LOCH LOMOND
Barenaked Ladies with OMD & Howard Jones
JJ Grey & Mofro / Josh Ritter / special guest HONEY HONEY
Boz Scaggs with special guest Jeff LeBlanc
The Avett Brothers with special guest Cory Mon
Willie Nelson & Family with special guest Tony Holiday
Gary Clark Jr. with special guest The Weekenders
Weird Al Yankovic
Tedeschi Trucks Band with Los Lobos & North Mississippi Allstars
Culture Club with special guest GROVES
Michael Franti & Spearhead with special guest Dustin Thomas
Pablo Villegas with the Utah Symphony
Lake Street Dive with special guest Gregory Alan Isakov
Ryan Adams with special guest Amanda Shires
Pat Benatar & Neil Giraldo / Melissa Etheridge
Grace Potter with special guest Con Brio
Old Crow Medicine Show with special guest Dom Flemons
Jackson Browne
Wilco with special guest Joan Shelley
Blondie with special guest Desi Valentine
Kacey Musgraves with special guest Sam Outlaw
Bonnie Raitt with special guest Richard Thompson Trio
NEEDTOBREATHE with Mat Kearney, John Mark McMillan, Welshly Arms
Goo Goo Dolls with special guests Collective Soul and Tribe Society
Jason Isbell with special guest Margaret Glaspy
Tears For Fears with special guest Zipper Club
2015
Passion Pit with special guest HOLYCHILD
The Decemberists with special guest Wartime Blues
Chromeo and ODESZA with CLASSIXX
Lindsey Stirling with special guests KARMIN and Melissa Martinez
Ryan Adams with special guest Wardell
Tedeschi Trucks Band, Sharon Jones & the Dap Kings with special guest Doyle Bramhall II
Cooder-White-Skaggs with special guest Robert Earl Keen
Rob Thomas with special guests Plain White T's and Black Vinyl
Brian Wilson with special guest Rodriguez
Hank Williams, Jr. with special guest Sam Riddle
Sweet Harmony Soul featuring Mavis Staples, Patty Griffin and Amy Helm & the Handsome Strangers
Steve Miller Band with special guest Daniel Young Buehner
Harry Connick, Jr.
Lyle Lovett and his Large Band
Under The Sun Tour with Sugar Ray, Better Than Ezra, Uncle Kracker, EVE 6
Alabama Shakes with special guest Chicano Batman
Michael Franti & Spearhead with special guest The Movement
John Fogerty
Trampled By Turtles & The Devil Makes Three
The Utah Symphony with Time For Three
Brandi Carlile with special guest Anderson East
Rodrigo y Gabriela with special guest Heather Maloney
Wilco with special guest Vetiver
Orquesta Buena Vista Social Club with special guest David Wax Museum
Garrison Keillor's A Prairie Home Companion - America The Beautiful Tour
YES and TOTO
An Evening with CAKE
An Evening with Mark Knopfler
An Evening with Ben Harper & The Innocent Criminals
2014
Emmylou Harris with special guest Nathaniel Rateliff
Janelle Monáe with special guest Conner Youngblood
Jason Isbell with special guest The Lone Bellow
The Robert Cray Band / Mavis Staples
Natalie Cole with special guest Joy & Eric
Gavin DeGraw and Matt Nathanson with special guest Mary Lambert
Fitz and the Tantrums with special guests Max Frost & HOLYCHILD
Sarah McLachlan Shine On Tour 2014
The Avett Brothers with special guest Nicole Atkins
Bob Weir & RatDog
Pat Metheny Unity Group & Bruce Hornsby w/Sonny Emory - Campfire Tour 2104
Tedeschi Trucks Band with special guest Rich Robinson
Lyle Lovett & his Large Band
Gary Clark Jr. with special guest Black Pistol Fire
Amos Lee with special guest Desert Noises
Santana
John Hiatt and The Combo & Taj Mahal Trio
Chris Isaak with special guest Morgan Snow
John Butler Trio with special guest The Stray Sisters
Ray LaMontagne with special guest The Belle Brigade
Trombone Shorty and Orleans Avenue / Galactic
Michael McDonald & TOTO
Sheryl Crow with special guest Cam
Portugal. The Man & Grouplove
David Gray with special guest David Kitt
Brandi Carlile with special guest Hollow Wood
Earth, Wind & Fire
An Acoustic Evening with Ben Harper
Conor Oberst with Jonathan Wilson
2013
Vampire Weekend with The High Highs
Edward Sharpe & The Magnetic Zeros
Trombone Shorty & Orleans Avenue / Big Head Todd and the Monsters
Grace Potter and the Nocturnals with Lukas Nelson & Promise of the Real
Jackson Brown with Sara Watkins
Tony Bennett
Tedeschi Trucks Band with Rayland Baxter
She & Him with Tilly and the Wall
Old Crow Medicine Show with Parker Millsap
Pink Martini
Rodrigo y Gabriela with Alex Wilson
Brandi Carlile with The Lone Bellow
David Byrne & St. Vincent
Garrison Keillor's A Prairie Home Companion Radio Romance Tour
Kenny Loggins with Blue Sky Riders
Dwight Yoakam with The Hollering Pines
Merle Haggard with Paul Thorn
Medeski Martin Wood / John Scofield Uberjam Band
Steve Miller Band with Morgan Snow
Steely Dan with Bobby Broom and The Deep Blue Organ Trio
John Butler Trio with Zach Heckendorf
Michael Franti & Spearhead with Ethan Tucker and Amanda Shaw
John Prine with Johnnyswim
George Thorogood and the Destroyers / Buddy Guy
Wayne Shorter 80th Birthday Celebration (Wayne Shorter Quartet, Joe Lovano & Dave Douglas Quintet, ACS: Allen, Carrington, Spalding)
The Black Crowes
Neko Case with Pickwick
2012
The Shins with The Head and The Heart and Blind Pilot
Bon Iver with The Staves
Sheryl Crow with Amy Levere
American Legacies: Preservation Hall Jazz Band & Del McCoury Band
Melissa Etheridge
Wilco with Blitzen Trapper
Jimmy Cliff with Trevor Hall
The B-52s & Squeeze
Brandi Carlile with You, Me & Apollo
Josh Ritter & The Royal City Band with Joe Purdy
Steve Martin & The Steep Canyon Rangers - An Evening of Bluegrass & Comedy
Grace Potter and the Nocturnals with ZZ Ward
Al Green with joy&eric
Los Lobos & Steve Earle and the Dukes (and Duchesses) featuring Allison Moorer
Diana Krall with Denzal Sinclaire
Colbie Caillat & Gavin DeGraw
Michael Franti & Spearhead with Zach Heckendorf
Gipsy Kings
Andrew Bird with Amadou & Mariam
Dead Can Dance
Norah Jones with Cory Chisel and The Wandering Sons
Crosby, Stills & Nash
Huey Lewis & The News with Katie Todd
Bonnie Raitt with Special Guest Mavis Staples -- Night 1
Bonnie Raitt with Special Guest Mavis Staples -- Night 2
Trombone Shorty & Orleans Avenue with The Stone Foxes
The Piano Guys
2011
The Moody Blues
Big Head Todd & the Monsters / Toots & the Maytals
CAKE
Buddy Guy with Mavis Staples
Ani DiFranco with Greg Brown
Sheryl Crow
Pink Martini
Michael Franti & Spearhead
Sharon Jones and the Dap Kings with Buckwheat Zydeco
Josh Ritter & The Royal City Band with Blind Pilot and The Devil Makes Three
Fleet Foxes with Alela Diane and Wild Divine
Steve Miller Band
Bruce Hornsby & The Noisemakers / Bela Fleck & The Flecktones
Lyle Lovett and his Large Band
k.d. lang & The Siss Boom Bang
Jerry Jeff Walker with James Cotton Superharp
G. Love & Special Sauce with Trombone Shorty & Orleans Avenue
Jonny Lang / JJ Grey & Mofro
Gipsy Kings featuring Nicolas Reyes and Tonino Baliardo
Peter Frampton
Brandi Carlile with Ivan and Alyosha
Return to Forever IV with Dweezil Zappa Plays Zappa
Thievery Corporation with Shana Halligan
Alison Krauss & Union Station featuring Jerry Douglas with Dawes
2010
Kenny Wayne Shepherd with Blues on First
Steve Martin & The Steep Canyon Rangers with the Punch Brothers (featuring Chris Thile)
Joss Stone with Josh Charles
Chicago with Joy & Eric
JJ Grey & MOFRO with Todd Snider & Great American Taxi
Joan Baez with Guy Clark
Brandi Carlile with Katie Herzig
Barenaked Ladies with Kris Allen
Lyle Lovett & his Large Band
Rhythm Devils (featuring Mickey Hart, Bill Kreutzmann, Keller Williams, Sikiru Adepoju, Davy Knowles & Andy Hess)
Mary Chapin Carpenter with Garrison Starr
Natalie Merchant
Allen Toussaint with Dirty Dozen Brass Band, Trombone Shorty & Orleans Avenue
Chris Isaak with Mia Dyson
The Swell Season with Peter Salett
John Prine with Carrie Rodriguez
Norah Jones with Corrine Bailey Rae
A Prairie Home Companion (featuring Garrison Keillor & Sara Watkins)
Doobie Brothers with Libbie Linton
Sheryl Crow with Colbie Caillat
Willie Nelson with Chuck Mead
2009
Neko Case with Joey & John of Calexico
Etta James & The Roots Band
Femi Kuti with Bela Fleck & Toumani Diabate
Smokey Robinson
David Byrne
Indigo Girls
Death Cab for Cutie with Andrew Bird & Ra Ra Riot
The Wallflowers with Vedera
Diana Krall
Chicago
Chris Isaak
Los Lobos & Los Lonely boys
The Pretenders with Cat Power & Juliette Lewis
The Avett Brothers with the Heartless Bastards
Bonnie Raitt & Taj Mahal
Booker T. & The Drive By Truckers
2008
Jazz at Lincoln Center Orchestra with Wynton Marsalis
Jonny Lang
Emmylou Harris
Derek Trucks & Susan Tedeschi with Scrapomatic
Los Lonely Boys & Los Lobos
Greg Brown with Iris DeMent & Pieta Brown
Wilco with Fleet Foxes
A Prairie Home Companion with Garrison Keillor
KT Tunstall with Martha Wainwright
John Hiatt & The Ageless Beauties with Joan Osborne
Bonnie Raitt with Leo Kottke
Bonnie Raitt with Richard Julian
Al Green
G. Love & Special Sauce with John Butler Trio & Tristan Prettyman
2007
Derek Trucks & Susan Tedeschi
Indigo Girls
Chick Corea & Bela Fleck
Ricky Skaggs & Kentucky Thunder
The Neville Brothers & Sonny Landreth
Chris Isaak
Mavis Staples & Bettye LaVette
Ryan Adams & The Cardinals
Sierra Leone's Refugee All Stars
Keb' Mo' & Robert Cray
Bruce Hornsby
Son Volt & Alejandro Escovedo
2006
The Del McCoury Band
Joe Jackson
John Hiatt & The North Mississippi Allstars
Jonny Lang
Indigo Girls
Koko Taylor & Her Blues Machine
James McMurtry & Hot Tuna
Suzanne Vega
Herbie Hancock
Nickel Creek
Dr. John
Rosanne Cash
2005
Chris Isaak
Nanci Griffith
Flatlanders
Lyle Lovett
Fabulous Thunderbirds
Cowboy Junkies
Bruce Hornsby
Julie Roberts
John Hiatt & Shawn Colvin
Steve Earle
Susan Tedeschi with The Blind Boys of Alabama
Kasey Chambers
Jonny Lang
2004
Mary Chapin Carpenter
John Hiatt
The Robert Cray Band
Marcia Ball
Cassandra Wilson
Quetzal
Ani DiFranco
The Blind Boys of Alabama
George Thorogood & The Destroyers
The Sweet Harmony Traveling Revue featuring Emmylou Harris, Patty Griffin, Buddy Miller, Gillian Welch, and David Rawlings.
Lyle Lovett
Joan Osborne
2003
Susan Tedeschi
Robert Earl Keen
Taj Mahal and the Hula Blues Band
They Might Be Giants
Shawn Colvin
Lucinda Williams
Norah Jones
Los Lobos
Keb' Mo'
k.d. lang
Ralph Stanley
2002
Nanci Griffith
Cowboy Junkies
John Hiatt
Indigo Girls
Bruce Hornsby
Jerry Jeff Walker
Femi Kuti
Nickel Creek
Bela Fleck & the Flecktones
2001
Bruce Hornsby
Keb' Mo'
Indigo Girls
Asleep At The Wheel
Los Lobos
Lucinda Williams
BeauSoleil
Leon Russell
Buddy Guy


The Latest: Colombia president orders curfew in capital city
by News StaffBOGOTA — The Latest on protests in Colombia (all times local):
6:23 p.m.
Colombian President Iván Duque has ordered a curfew in the nation’s capital amid continuing unrest following a massive march.
The president announced on Twitter that he has requested that Bogota’s mayor enforce a curfew beginning at 9 p.m. in all of the city.
The curfew comes one day after an estimated 250,000 people took to the streets in one of the nation’s biggest marches in recent history.
There have been scattered clashes between protesters and police on Friday.
4 p.m.
Volunteers wiped graffiti off historic buildings and swept up shattered glass at looted businesses in Colombia Friday amid sporadic unrest following massive national protests a day before.
Labour unions and student leaders called on Colombians to bang pots and pans Friday evening in another act of protest while authorities announced three people had died in overnight clashes with police.
Protest organizers urged President Iván Duque to establish a dialogue with indigenous, student and labour groups to discuss potential reforms and criticized him for not directly addressing demonstrator complaints in a late-night address.

Officials estimated 250,000 protesters marched in protests around Colombia, largely peaceful demonstrations that ended with scattered confrontations between police and protesters who vandalized bus stations and looted businesses.
The upheaval comes as Latin America is experiencing a tide of discontent, with massive demonstrations in countries including Chile, Bolivia and Ecuador where citizens frustrated with their political leaders are taking to the streets.
The Associated Press


Katie Gold, a junior studying communication, political science, and journalism, has been in many situations where she has cut off friends due to differences in political values.
“I have distanced myself from a lot of friends from high school specifically because of how hateful they are,” Gold said.
Gold also contends the physical distance between her and old friends, paired with a difference in political opinions, has strained many of her relationships.
“It’s very hard to keep those connections when they’re so distanced as it is and then when you disagree with someone so strongly on things that you would think to be just morals,” Gold said.
Camryn Mere, a sophomore studying adolescent young adult education, has not yet had to drop a friendship due to political differences, but political compatibility is an important factor in her relationships.
“I've never dropped a friend because of this, but I've definitely looked at them differently,” Mere said.
For example, if Mere had a friend who did not support the Black Lives Matter movement, she would reconsider their relationship, she said.
Equating political opinions to morals is one of many aspects of personal politics that strains relationships.
Lauren Elliott-Dorans, an OU political science professor, contends that politics are becoming very personal for many people.
“We're not arguing about whether or not pineapple belongs on pizza; these are real issues that have real impacts,” Elliot-Dorans said. “A vote for many people is seen as a signal of your values because these aren’t arbitrary decisions we’re making.”
Morals aren’t the only aspect pushing people to end friendships. Compatibility and comfortability are two major factors that also affect this trend.
“Research in psychology shows that we are more comfortable when our views are reinforced, rather than challenged,” Elliott-Dorans said.
Mere has experienced this lack of comfortability first-hand.
“I personally don't like talking about politics around people that I know disagree with me because it just makes me so uncomfortable,” Mere said.
Gold even went as far to end a possible romantic relationship last year due to differences between her beliefs and party alignment compared to that individual’s.
“I feel like often I see discrepancies within people's morals,” Gold said. “I’m like ‘OK, if you're aligning with this party, are we compatible with generally our life views and how we see the world and what we see as being right versus wrong?’”
Oftentimes, people tend to voice their opinions on controversial political topics in hopes to educate those with different views and strengthen their potential compatibility with others.
Setting boundaries while being willing to understand a counterargument is important when going into these conversations, Elliott-Dorans said.
“Both sides really care about their country; both sides are deeply concerned; polls are showing that both sides are very worried about what will happen if they lose this election,” Elliott-Dorans said. “I think it's important to kind of empathize with that fear and that concern.”
Those who live around Mere have what she calls a “small-town perspective” and are unable to change their mindsets due to the environment in which they have isolated themselves, rather than broadening their perspectives, Mere said.
“A lot of people tend to just vote how their parents vote or vote the way that they were brought up because that's just the easy way,” Mere said.
Similarly, Gold tends to open up conversations in hopes of opening up the eyes of those that disagree with her to the issues that she views as important.
“Oftentimes, I’m the most educated person in the room about these issues and so I feel like if I do not voice my opinions, these people may be interpreting information wrong or may not be understanding the wider picture of it,” Gold said.
As a young person growing up in an increasingly polarized world, Mere is one of many to be vocal about what she believes in.
“I feel like I should speak up … and raise awareness,” Mere said. “I have a voice. Why not use it?”


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LIFE OF HEENI
A DAY IN A LIFE AS A YOUNG MOTHER
FROM THE BEGINNING
alihdaoishdasundjaksbndkjsabdkjasbdjk


You will need an image map already prepared. I recommend https://www.image-maps.com/ to create one quickly. There are some divs here, hidden in your view, but visible in the editor in Studio. You can fill those with whatever you want. They'll pop up when someone clicks on the bears.
I am bear #1!
I am bear #2!


VF2 Algorithm¶
VF2 Algorithm¶
An implementation of VF2 algorithm for graph ismorphism testing.
The simplest interface to use this module is to call networkx.is_isomorphic().
Introduction¶
The GraphMatcher and DiGraphMatcher are responsible for matching graphs or directed graphs in a predetermined manner. This usually means a check for an isomorphism, though other checks are also possible. For example, a subgraph of one graph can be checked for isomorphism to a second graph.
Matching is done via syntactic feasibility. It is also possible to check for semantic feasibility. Feasibility, then, is defined as the logical AND of the two functions.
To include a semantic check, the (Di)GraphMatcher class should be subclassed, and the semantic_feasibility() function should be redefined. By default, the semantic feasibility function always returns True. The effect of this is that semantics are not considered in the matching of G1 and G2.
Examples
Suppose G1 and G2 are isomorphic graphs. Verification is as follows:
>>> from networkx.algorithms import isomorphism
>>> G1 = nx.path_graph(4)
>>> G2 = nx.path_graph(4)
>>> GM = isomorphism.GraphMatcher(G1,G2)
>>> GM.is_isomorphic()
True
GM.mapping stores the isomorphism mapping from G1 to G2.
>>> GM.mapping
{0: 0, 1: 1, 2: 2, 3: 3}
Suppose G1 and G2 are isomorphic directed graphs graphs. Verification is as follows:
>>> G1 = nx.path_graph(4, create_using=nx.DiGraph())
>>> G2 = nx.path_graph(4, create_using=nx.DiGraph())
>>> DiGM = isomorphism.DiGraphMatcher(G1,G2)
>>> DiGM.is_isomorphic()
True
DiGM.mapping stores the isomorphism mapping from G1 to G2.
>>> DiGM.mapping
{0: 0, 1: 1, 2: 2, 3: 3}
Subgraph Isomorphism¶
Graph theory literature can be ambiguious about the meaning of the above statement, and we seek to clarify it now.
In the VF2 literature, a mapping M is said to be a graph-subgraph isomorphism iff M is an isomorphism between G2 and a subgraph of G1. Thus, to say that G1 and G2 are graph-subgraph isomorphic is to say that a subgraph of G1 is isomorphic to G2.
Other literature uses the phrase ‘subgraph isomorphic’ as in ‘G1 does not have a subgraph isomorphic to G2’. Another use is as an in adverb for isomorphic. Thus, to say that G1 and G2 are subgraph isomorphic is to say that a subgraph of G1 is isomorphic to G2.
Finally, the term ‘subgraph’ can have multiple meanings. In this context, ‘subgraph’ always means a ‘node-induced subgraph’. Edge-induced subgraph isomorphisms are not directly supported, but one should be able to perform the check by making use of nx.line_graph(). For subgraphs which are not induced, the term ‘monomorphism’ is preferred over ‘isomorphism’. Currently, it is not possible to check for monomorphisms.
Let G=(N,E) be a graph with a set of nodes N and set of edges E.
- If G’=(N’,E’) is a subgraph, then:
- N’ is a subset of N E’ is a subset of E
- If G’=(N’,E’) is a node-induced subgraph, then:
- N’ is a subset of N E’ is the subset of edges in E relating nodes in N’
- If G’=(N’,E’) is an edge-induced subgraph, then:
- N’ is the subset of nodes in N related by edges in E’ E’ is a subset of E
References
- [1] Luigi P. Cordella, Pasquale Foggia, Carlo Sansone, Mario Vento,
- “A (Sub)Graph Isomorphism Algorithm for Matching Large Graphs”, IEEE Transactions on Pattern Analysis and Machine Intelligence, vol. 26, no. 10, pp. 1367-1372, Oct., 2004. http://ieeexplore.ieee.org/iel5/34/29305/01323804.pdf
- [2] L. P. Cordella, P. Foggia, C. Sansone, M. Vento, “An Improved
- Algorithm for Matching Large Graphs”, 3rd IAPR-TC15 Workshop on Graph-based Representations in Pattern Recognition, Cuen, pp. 149-159, 2001. http://amalfi.dis.unina.it/graph/db/papers/vf-algorithm.pdf
See also
syntactic_feasibliity
, semantic_feasibility
Notes
The implementation handles both directed and undirected graphs as well
as multigraphs. However, it does require that nodes in the graph are
orderable (in addition to the general NetworkX requirement that nodes
are hashable). If the nodes in your graph are not orderable, you can
convert them to an orderable type (int
, for example) by using the
networkx.relabel()
function. You can store the dictionary of
old-to-new node labels to retrieve the original node labels after
running the isomorphism algorithm:
>>> G = nx.Graph()
>>> node1, node2 = object(), object()
>>> G.add_nodes_from([node1, node2])
>>> mapping = {k: v for v, k in enumerate(G)}
>>> G = nx.relabel_nodes(G, mapping)
In general, the subgraph isomorphism problem is NP-complete whereas the graph isomorphism problem is most likely not NP-complete (although no polynomial-time algorithm is known to exist).
Graph Matcher¶
GraphMatcher.__init__ (G1, G2[, node_match, …]) |
Initialize graph matcher. |
GraphMatcher.initialize () |
Reinitializes the state of the algorithm. |
GraphMatcher.is_isomorphic () |
Returns True if G1 and G2 are isomorphic graphs. |
GraphMatcher.subgraph_is_isomorphic () |
Returns True if a subgraph of G1 is isomorphic to G2. |
GraphMatcher.isomorphisms_iter () |
Generator over isomorphisms between G1 and G2. |
GraphMatcher.subgraph_isomorphisms_iter () |
Generator over isomorphisms between a subgraph of G1 and G2. |
GraphMatcher.candidate_pairs_iter () |
Iterator over candidate pairs of nodes in G1 and G2. |
GraphMatcher.match () |
Extends the isomorphism mapping. |
GraphMatcher.semantic_feasibility (G1_node, …) |
Returns True if mapping G1_node to G2_node is semantically feasible. |
GraphMatcher.syntactic_feasibility (G1_node, …) |
Returns True if adding (G1_node, G2_node) is syntactically feasible. |
DiGraph Matcher¶
DiGraphMatcher.__init__ (G1, G2[, …]) |
Initialize graph matcher. |
DiGraphMatcher.initialize () |
Reinitializes the state of the algorithm. |
DiGraphMatcher.is_isomorphic () |
Returns True if G1 and G2 are isomorphic graphs. |
DiGraphMatcher.subgraph_is_isomorphic () |
Returns True if a subgraph of G1 is isomorphic to G2. |
DiGraphMatcher.isomorphisms_iter () |
Generator over isomorphisms between G1 and G2. |
DiGraphMatcher.subgraph_isomorphisms_iter () |
Generator over isomorphisms between a subgraph of G1 and G2. |
DiGraphMatcher.candidate_pairs_iter () |
Iterator over candidate pairs of nodes in G1 and G2. |
DiGraphMatcher.match () |
Extends the isomorphism mapping. |
DiGraphMatcher.semantic_feasibility (G1_node, …) |
Returns True if mapping G1_node to G2_node is semantically feasible. |
DiGraphMatcher.syntactic_feasibility (…) |
Returns True if adding (G1_node, G2_node) is syntactically feasible. |
Match helpers¶
categorical_node_match (attr, default) |
Returns a comparison function for a categorical node attribute. |
categorical_edge_match (attr, default) |
Returns a comparison function for a categorical edge attribute. |
categorical_multiedge_match (attr, default) |
Returns a comparison function for a categorical edge attribute. |
numerical_node_match (attr, default[, rtol, atol]) |
Returns a comparison function for a numerical node attribute. |
numerical_edge_match (attr, default[, rtol, atol]) |
Returns a comparison function for a numerical edge attribute. |
numerical_multiedge_match (attr, default[, …]) |
Returns a comparison function for a numerical edge attribute. |
generic_node_match (attr, default, op) |
Returns a comparison function for a generic attribute. |
generic_edge_match (attr, default, op) |
Returns a comparison function for a generic attribute. |
generic_multiedge_match (attr, default, op) |
Returns a comparison function for a generic attribute. |