Class Resource.Dimension
Inheritance
System.Object
Resource.Dimension
Inherited Members
System.Object.Equals(System.Object)
System.Object.Equals(System.Object, System.Object)
System.Object.GetHashCode()
System.Object.GetType()
System.Object.MemberwiseClone()
System.Object.ToString()
System.Object.ReferenceEquals(System.Object, System.Object)
Assembly: Usb.Net.Android.dll
Syntax
Fields
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abc_action_bar_content_inset_material
Declaration
public static int abc_action_bar_content_inset_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_content_inset_with_nav
Declaration
public static int abc_action_bar_content_inset_with_nav
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_default_height_material
Declaration
public static int abc_action_bar_default_height_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_default_padding_end_material
Declaration
public static int abc_action_bar_default_padding_end_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_default_padding_start_material
Declaration
public static int abc_action_bar_default_padding_start_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_elevation_material
Declaration
public static int abc_action_bar_elevation_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_icon_vertical_padding_material
Declaration
public static int abc_action_bar_icon_vertical_padding_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_overflow_padding_end_material
Declaration
public static int abc_action_bar_overflow_padding_end_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_overflow_padding_start_material
Declaration
public static int abc_action_bar_overflow_padding_start_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_progress_bar_size
Declaration
public static int abc_action_bar_progress_bar_size
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_stacked_max_height
Declaration
public static int abc_action_bar_stacked_max_height
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_stacked_tab_max_width
Declaration
public static int abc_action_bar_stacked_tab_max_width
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_subtitle_bottom_margin_material
Declaration
public static int abc_action_bar_subtitle_bottom_margin_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_action_bar_subtitle_top_margin_material
Declaration
public static int abc_action_bar_subtitle_top_margin_material
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int abc_action_button_min_height_material
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int abc_action_button_min_width_material
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int abc_action_button_min_width_overflow_material
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int abc_alert_dialog_button_bar_height
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int abc_button_inset_horizontal_material
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int abc_button_inset_vertical_material
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int abc_button_padding_horizontal_material
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int abc_button_padding_vertical_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_cascading_menus_min_smallest_width
Declaration
public static int abc_cascading_menus_min_smallest_width
Field Value
| Type |
Description |
| System.Int32 |
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abc_config_prefDialogWidth
Declaration
public static int abc_config_prefDialogWidth
Field Value
| Type |
Description |
| System.Int32 |
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abc_control_corner_material
Declaration
public static int abc_control_corner_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_control_inset_material
Declaration
public static int abc_control_inset_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_control_padding_material
Declaration
public static int abc_control_padding_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_dialog_fixed_height_major
Declaration
public static int abc_dialog_fixed_height_major
Field Value
| Type |
Description |
| System.Int32 |
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abc_dialog_fixed_height_minor
Declaration
public static int abc_dialog_fixed_height_minor
Field Value
| Type |
Description |
| System.Int32 |
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abc_dialog_fixed_width_major
Declaration
public static int abc_dialog_fixed_width_major
Field Value
| Type |
Description |
| System.Int32 |
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abc_dialog_fixed_width_minor
Declaration
public static int abc_dialog_fixed_width_minor
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int abc_dialog_list_padding_bottom_no_buttons
Field Value
| Type |
Description |
| System.Int32 |
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abc_dialog_list_padding_top_no_title
Declaration
public static int abc_dialog_list_padding_top_no_title
Field Value
| Type |
Description |
| System.Int32 |
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abc_dialog_min_width_major
Declaration
public static int abc_dialog_min_width_major
Field Value
| Type |
Description |
| System.Int32 |
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abc_dialog_min_width_minor
Declaration
public static int abc_dialog_min_width_minor
Field Value
| Type |
Description |
| System.Int32 |
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abc_dialog_padding_material
Declaration
public static int abc_dialog_padding_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_dialog_padding_top_material
Declaration
public static int abc_dialog_padding_top_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_dialog_title_divider_material
Declaration
public static int abc_dialog_title_divider_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_disabled_alpha_material_dark
Declaration
public static int abc_disabled_alpha_material_dark
Field Value
| Type |
Description |
| System.Int32 |
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abc_disabled_alpha_material_light
Declaration
public static int abc_disabled_alpha_material_light
Field Value
| Type |
Description |
| System.Int32 |
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abc_dropdownitem_icon_width
Declaration
public static int abc_dropdownitem_icon_width
Field Value
| Type |
Description |
| System.Int32 |
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abc_dropdownitem_text_padding_left
Declaration
public static int abc_dropdownitem_text_padding_left
Field Value
| Type |
Description |
| System.Int32 |
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abc_dropdownitem_text_padding_right
Declaration
public static int abc_dropdownitem_text_padding_right
Field Value
| Type |
Description |
| System.Int32 |
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abc_edit_text_inset_bottom_material
Declaration
public static int abc_edit_text_inset_bottom_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_edit_text_inset_horizontal_material
Declaration
public static int abc_edit_text_inset_horizontal_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_edit_text_inset_top_material
Declaration
public static int abc_edit_text_inset_top_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_floating_window_z
Declaration
public static int abc_floating_window_z
Field Value
| Type |
Description |
| System.Int32 |
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abc_list_item_padding_horizontal_material
Declaration
public static int abc_list_item_padding_horizontal_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_panel_menu_list_width
Declaration
public static int abc_panel_menu_list_width
Field Value
| Type |
Description |
| System.Int32 |
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abc_progress_bar_height_material
Declaration
public static int abc_progress_bar_height_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_search_view_preferred_height
Declaration
public static int abc_search_view_preferred_height
Field Value
| Type |
Description |
| System.Int32 |
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abc_search_view_preferred_width
Declaration
public static int abc_search_view_preferred_width
Field Value
| Type |
Description |
| System.Int32 |
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abc_seekbar_track_background_height_material
Declaration
public static int abc_seekbar_track_background_height_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_seekbar_track_progress_height_material
Declaration
public static int abc_seekbar_track_progress_height_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_select_dialog_padding_start_material
Declaration
public static int abc_select_dialog_padding_start_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_switch_padding
Declaration
public static int abc_switch_padding
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_body_1_material
Declaration
public static int abc_text_size_body_1_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_body_2_material
Declaration
public static int abc_text_size_body_2_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_button_material
Declaration
public static int abc_text_size_button_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_caption_material
Declaration
public static int abc_text_size_caption_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_display_1_material
Declaration
public static int abc_text_size_display_1_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_display_2_material
Declaration
public static int abc_text_size_display_2_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_display_3_material
Declaration
public static int abc_text_size_display_3_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_display_4_material
Declaration
public static int abc_text_size_display_4_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_headline_material
Declaration
public static int abc_text_size_headline_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_large_material
Declaration
public static int abc_text_size_large_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_medium_material
Declaration
public static int abc_text_size_medium_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_menu_header_material
Declaration
public static int abc_text_size_menu_header_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_menu_material
Declaration
public static int abc_text_size_menu_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_small_material
Declaration
public static int abc_text_size_small_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_subhead_material
Declaration
public static int abc_text_size_subhead_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_subtitle_material_toolbar
Declaration
public static int abc_text_size_subtitle_material_toolbar
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_title_material
Declaration
public static int abc_text_size_title_material
Field Value
| Type |
Description |
| System.Int32 |
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abc_text_size_title_material_toolbar
Declaration
public static int abc_text_size_title_material_toolbar
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int compat_button_inset_horizontal_material
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int compat_button_inset_vertical_material
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int compat_button_padding_horizontal_material
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int compat_button_padding_vertical_material
Field Value
| Type |
Description |
| System.Int32 |
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compat_control_corner_material
Declaration
public static int compat_control_corner_material
Field Value
| Type |
Description |
| System.Int32 |
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disabled_alpha_material_dark
Declaration
public static int disabled_alpha_material_dark
Field Value
| Type |
Description |
| System.Int32 |
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disabled_alpha_material_light
Declaration
public static int disabled_alpha_material_light
Field Value
| Type |
Description |
| System.Int32 |
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highlight_alpha_material_colored
Declaration
public static int highlight_alpha_material_colored
Field Value
| Type |
Description |
| System.Int32 |
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highlight_alpha_material_dark
Declaration
public static int highlight_alpha_material_dark
Field Value
| Type |
Description |
| System.Int32 |
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highlight_alpha_material_light
Declaration
public static int highlight_alpha_material_light
Field Value
| Type |
Description |
| System.Int32 |
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hint_alpha_material_dark
Declaration
public static int hint_alpha_material_dark
Field Value
| Type |
Description |
| System.Int32 |
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hint_alpha_material_light
Declaration
public static int hint_alpha_material_light
Field Value
| Type |
Description |
| System.Int32 |
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hint_pressed_alpha_material_dark
Declaration
public static int hint_pressed_alpha_material_dark
Field Value
| Type |
Description |
| System.Int32 |
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hint_pressed_alpha_material_light
Declaration
public static int hint_pressed_alpha_material_light
Field Value
| Type |
Description |
| System.Int32 |
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notification_action_icon_size
Declaration
public static int notification_action_icon_size
Field Value
| Type |
Description |
| System.Int32 |
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notification_action_text_size
Declaration
public static int notification_action_text_size
Field Value
| Type |
Description |
| System.Int32 |
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notification_big_circle_margin
Declaration
public static int notification_big_circle_margin
Field Value
| Type |
Description |
| System.Int32 |
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notification_content_margin_start
Declaration
public static int notification_content_margin_start
Field Value
| Type |
Description |
| System.Int32 |
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notification_large_icon_height
Declaration
public static int notification_large_icon_height
Field Value
| Type |
Description |
| System.Int32 |
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notification_large_icon_width
Declaration
public static int notification_large_icon_width
Field Value
| Type |
Description |
| System.Int32 |
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notification_main_column_padding_top
Declaration
public static int notification_main_column_padding_top
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int notification_media_narrow_margin
Field Value
| Type |
Description |
| System.Int32 |
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notification_right_icon_size
Declaration
public static int notification_right_icon_size
Field Value
| Type |
Description |
| System.Int32 |
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notification_right_side_padding_top
Declaration
public static int notification_right_side_padding_top
Field Value
| Type |
Description |
| System.Int32 |
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notification_small_icon_background_padding
Declaration
public static int notification_small_icon_background_padding
Field Value
| Type |
Description |
| System.Int32 |
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notification_small_icon_size_as_large
Declaration
public static int notification_small_icon_size_as_large
Field Value
| Type |
Description |
| System.Int32 |
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notification_subtext_size
Declaration
public static int notification_subtext_size
Field Value
| Type |
Description |
| System.Int32 |
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notification_top_pad
Declaration
public static int notification_top_pad
Field Value
| Type |
Description |
| System.Int32 |
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notification_top_pad_large_text
Declaration
public static int notification_top_pad_large_text
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int tooltip_corner_radius
Field Value
| Type |
Description |
| System.Int32 |
|
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Declaration
public static int tooltip_horizontal_padding
Field Value
| Type |
Description |
| System.Int32 |
|
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Declaration
public static int tooltip_margin
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int tooltip_precise_anchor_extra_offset
Field Value
| Type |
Description |
| System.Int32 |
|
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Declaration
public static int tooltip_precise_anchor_threshold
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int tooltip_vertical_padding
Field Value
| Type |
Description |
| System.Int32 |
|
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Declaration
public static int tooltip_y_offset_non_touch
Field Value
| Type |
Description |
| System.Int32 |
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Declaration
public static int tooltip_y_offset_touch
Field Value
| Type |
Description |
| System.Int32 |
|


created 01/01/03
Write a program that implements this definition of cube numbers:
cube(1) = 1 cube(N) = cube(N-1) + 3(square(N)) - 3N + 1
Implement the square()
method using this definition
(also given in the exercises for chapter 71):
square(1) = 1 square(N) = square(N-1) + 2N - 1
Make a complete program similar to PyramidTester.java given in the chapter.
Click here to go back to the main menu.
Consider this definition of the sum of the elements in an integer array:
sum( array, index ) = 0, if index == array.length sum( array, index ) = array[index] + sum( array, index+1), if index < array.length
Write a Java method that implements this definition and a program to test it. The method should look something like:
int sum ( int[] array, int index ) { . . . }
The testing program will call sum( testArray, 0 )
Click here to go back to the main menu.
Improve the previous program by extending the definition of sum
:
sum( array ) = sum( array, 0 ) sum( array, index ) = 0, if index == array.length sum( array, index ) = array[index] + sum( array, index+1), if index < array.length
To implement this, write a second method sum( int[] array)
sum( testArray )
Click here to go back to the main menu.
Write your own recursive definition of the maximum element in an array of integers. Then, implement your definition in Java and test it with a testing program.
Click here to go back to the main menu.
A palindrome is a string that is the same when reversed. For example, "abba" is a palindrome. Here is a math-like definition:
palindrome( "" ) = true palindrome( x ) = true palindrome( x+X+y ) = false, if x != y = palindrome( X ), if x == y
The symbol x
stands for a single character,
as does y
.
The symbol X
stands for a string of characters.
The symbol +
stands for concatenation.
Implement palindrome()
and a program that tests it.
Click here to go back to the main menu.


Acai topped with banana,strawberry,granola & your extra choice of toppings*
banana, Strawberry, Blueberry, Mango, Pineaple, Kiwi.
Protein powder, Superpowder, Passion fruit pulp, Guava pulp.
Nutella, Greek Youghurt, Chocolate Chips, Ninho, Condensed Milk.
Coconut chavings, Goji Berries, Dates.
Sliced Almonds, Peanutbutter, Almond Butter,
Hemp Seeds, Cocoa Nibs, Bee Pollen, Vegan Carob Chips, Oats, Extra Grabola, Extra Honey.
You get MORE acai with only two potting of your choice*
.
Acai topped with banana, strawberry, granola & your choice of ectra topping.


Build a Container¶
build
is the “Swiss army knife” of container creation. You can use it to
download and assemble existing containers from external resources like
Singularity Hub and Docker Hub. You can use it to convert
containers between the various formats supported by Singularity. And you
can use it in conjunction with a Singularity recipe file to
create a container from scratch and customized it to fit your needs.
Overview¶
The build
command accepts a target as input and produces a container as output.
The target defines the method that build
uses to create the container. It
can be one of the following:
URI beginning with shub:// to build from Singularity Hub
URI beginning with docker:// to build from Docker Hub
path to a existing container on your local machine
path to a directory to build from a sandbox
path to an archive in .tar or compressed .tar.gz format
path to a Singularity recipe file
In addition build
can produce containers in three different formats. Formats
types can be specified by passing the following options to build.
compressed read-only squashfs file system suitable for production (default)
writable ext3 file system suitable for interactive development (
--writable
option )writable (ch)root directory called a sandbox for interactive development (
--sandbox
option)
Because build
can accept an existing container as a target and create a
container in any of these three formats you can convert existing
containers from one format to another.
The following diagram illustrates the targets that can be supplied to build
as inputs and the containers build
can produce as outputs. Green arrows
represent operations that can be carried out without root privileges
(though the container may not perform properly when run as root). Red
arrows represent operations that must be carried out with root
privileges.
Downloading a existing container from Singularity Hub¶
You can use the build command to download a container from Singularity Hub.
$ singularity build lolcow.simg shub://GodloveD/lolcow
The first argument (lolvow.simg
) specifies a path and name for your container.
The second argument (shub://GodloveD/lolcow
) gives the Singularity Hub URI from which to download.
But default the container will be converted to a compressed, read-only
squashfs file. If you want your container in a different format use
the --writable
or --sandbox
options.
Downloading a existing container from Docker Hub¶
You can use build
to download layers from Docker Hub and assemble them into
Singularity containers.
$ singularity build lolcow.simg docker://godlovedc/lolcow
Creating --writable
images and --sandbox
directories¶
--writable
¶
If you wanted to create a writable ext3 image similar to those used by
Singularity version < 2.4, you could do so with the --writable
option. You must
create writable containers as root.
Extending the Singularity Hub example from above:
$ sudo singularity build --writable lolcow.img shub://GodloveD/lolcow
The resulting container is writable, but is still mounted as read-only
when executed with commands such as run
, exec
, and shell
. To mount the container
as read-write when using these commands add the --writable
option to them as
well.
To ensure that you have the proper permissions to write to the container as you like, it is also a good idea to make changes as root. For example:
$ sudo singularity shell --writable lolcow.img
--sandbox
¶
If you wanted to create a container within a writable directory (called
a sandbox) you could do so with the --sandbox
option. It’s possible to create a
sandbox without root privileges, but to ensure proper file permissions
it is recommended to do so as root.
$ sudo singularity build --sandbox lolcow/ shub://GodloveD/lolcow
The resulting directory operates just like a container in an image
file. You are permitted to make changes and write files within the
directory, but those changes will not persist when you are finished
using the container. To make your changes persistent, use the --writable
flag
when you invoke your container.
Once again, it’s a good idea to do this as root to ensure you have
permission to access the files and directories that you want to
change.
$ sudo singularity shell --writable lolcow/
Converting containers from one format to another¶
If you already have a container saved locally, you can use it as a
target to build a new container. This allows you convert containers from
one format to another. For example if you had a squashfs container
called production.simg
and wanted to convert it to a writable ext3 container called development.img
you
could:
$ sudo singularity build --writable development.img production.simg
Similarly, to convert it to a writable directory (a sandbox):
$ singularity build --sandbox development/ production.simg
If you omit any options you can also convert your sandbox back to a read-only compressed squashfs image suitable for use in a production environment:
$ singularity build production2 development/
You can convert the three supported container formats using any combination.
Use care when converting writable ext3 images or sandbox directories to the default squashfs file format. If changes were made to the writable container before conversion, there is no record of those changes in the Singularity recipe file rendering your container non-reproducible. It is a best practice to build your immutable production containers directly from a Singularity recipe file instead.
Building containers from Singularity recipe files¶
Of course, Singularity recipe files can be used as the target when
building a container. For detailed information on writing Singularity
recipe files, please see the Container Recipes docs.
Let’s say you already have the following container recipe file called Singularity
, and you want to use it to build a container.
Bootstrap: docker
From: ubuntu:16.04
%post
apt-get -y update
apt-get -y install fortune cowsay lolcat
%environment
export LC_ALL=C
export PATH=/usr/games:$PATH
%runscript
fortune | cowsay | lolcat
You can do so with the following command.
$ sudo singularity build lolcow.simg Singularity
The command requires sudo
just as installing software on your local machine
requires root privileges.
--force
¶
You can build into the same container multiple times (though the results may be unpredictable and it is generally better to delete your container and start from scratch).
By default if you build into an existing container, the build
command will
skip the steps involved in adding a new base. You can override this
default with the --force
option requiring that a new base OS is bootstrapped
into the existing container. This behavior does not delete the
existing OS, it just adds the new OS on top of the existing one.
Use care with this option: you may get results that you did not expect.
--section
¶
If you only want to build a single section of your Singularity recipe
file use the --section
option. For instance, if you have edited the %environment
section of a
long Singularity recipe and don’t want to completely re-build the
container, you could re-build only the %environment
section like so:
$ sudo singularity build --section environment image.simg Singularity
Under normal build conditions, the Singularity recipe file is saved into
a container’s meta-data so that there is a record showing how the
container was built. Using the --section
option may render this meta-data useless,
so use care if you value reproducibility.
--notest
¶
If you don’t want to run the %test
section during the container build, you can
skip it with the --notest
option. For instance, maybe you are building a
container intended to run in a production environment with GPUs. But
perhaps your local build resource does not have GPUs. You want to
include a %test
section that runs a short validation but you don’t want your
build to exit with an error because it cannot find a GPU on your system.
$ sudo singularity build GPU.simg --notest Singularity
--checks
¶
Checks are a new feature (in 2.4) that offer an easy way for an admin to define a security (or any other kind of check) to be run on demand for a Singularity image. They are defined (and run) via different tags.
CHECKS OPTIONS:
-c|--checks enable checks
-t|--tag specify a check tag (not default)
-l|--low Specify low threshold (all checks, default)
-m|--med Perform medium and high checks
-h|--high Perform only checks at level high
When you add the --checks
option along with applicable tags to the build
command
Singularity will run the desired checks on your container at build time.
See singularity check --help
for available tags.
More Build topics¶
If you want to customize the cache location (where Docker layers are downloaded on your system), specify Docker credentials, or any custom tweaks to your build environment, see build environment.
If you want to make internally modular containers, check out the getting started guide here
If you want to build your containers on Singularity Hub, (because you don’t have root access on a Linux machine or want to host your container on the cloud) check out this guide


THE USUAL SUSPECTS A film review by Joan Ellis Copyright 1995 Nebbadoon Syndicate
THE USUAL SUSPECTS is confusing, implausible, and very successful. If that's convoluted, so is the movie. It shows that a cast with self-confidence and style can take a plot full of holes and wrap it in panache. It doesn't matter a whit that nothing in the movie makes sense. Just watching the chaos unfold in the hands of these actors is reward enough.
The film opens with a rare moment of clarity as five very literate felons appear in a police lineup. Tossed into a communal jail cell, McManus (Stephen Baldwin), Keaton (Gabriel Byrne), Hockney (Kevin Pollak), Fenster (Benicio Del Toro), and Verbal Kint (Kevin Spacey) wonder why the cream of their criminal crop would be rounded up and impounded together, but proceed anyway to plan an operation so undefined that is impossible to describe, much less understand.
There is a lot of dying in this movie, but it's fairly impersonal because the trigger man usually lurks in the shadows, of which there are many. Twenty-seven bodies are laid out on a pier in the opening scene, and the movie works its way backward from there, trying to figure out who they are and how they got there. What we do know is that the dazzling finale is the illogical outcome of the jail cell plotting session.
Over the whole intricate web hangs the spectre of Keyser Soze, an infamous villain who assumed mythical qualities in the criminal world after committing some unimaginable symbolic gesture. The unseen Soze sends Kobayashi (Pete Postlethwaite), a chillingly cruel emissary, to our quintet of bandits. It is Kobayashi who inspires terror the old-fashioned way: with cold eyes and words far more powerful than guns. Postlethwaite freezes us in our seats with his performance.
Chazz Palminteri puts his personal stamp on a good cop determined to untangle the yarn, and the gifted Suzy Amis is on hand as the lawyer who inspires in Keaton dreams of going straight, but hers is virtually a non-speaking part. This is a movie about bad guys doing bad things with eccentricity and style. How long has it been since you sat frozen, watching a hatch lever turning in the belly of a ship, knowing that the devil himself is on the other side?
Director Bryan Singer has created the feel of a sophisticated 30s mystery; Christopher McQuarrie delivers the dialogue in a great mix of standard four-letter stuff and cerebral criminal thinking; each actor in this first-rate cast makes his character memorable. It's a hat trick.
From beginning to end, the story is overwhelmed by style. This is a time to forget the plot for once and concentrate on enjoying an actors' field day with a good script. Newton Thomas Sigel's photography is wildly sophisticated and works with John Ottman's ominous score as a real suspense builder. You may well find delicious pleasure in being thoroughly caught up in a movie you don't understand. Remember, nothing's perfect.
Film Critic : JOAN ELLIS Word Count : 499 Studio : Gramercy Pictures Rating : R Running Time: 1h45m
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Racism TED Talks
Challenging Racism Project
Respond To Racism
Student Wellness Action Team (S.W.A.T.)
http://www.youthmediaproject.org/tag/student-wellness-action-teamRacism TED Talks
Challenging Racism Project
Respond To Racism
Student Wellness Action Team (S.W.A.T.)
http://www.youthmediaproject.org/tag/student-wellness-action-team


{% extends "tutorials_cctbx/header_new.html" %} {% load static %} {% block content %}
Some text
Some text with code
quoted within text.
Some more text
Some other text
from iotbx.map_model_manager import map_model_manager # load in the map_model_manager
mmm=map_model_manager() # get an initialized instance of the map_model_manager
Some other text
mmm.generate_map() # get a model from a small library model and calculate a map for it


Jot down whatever comes to your mind related to get started with the business plan. Start painting a picture of your plans
Research about the market
Look for market opportunities and the main audience you want to target.
Financial Planning
Plan for how much capital one needs to begin with the startup.Look for funding or loan oppurtunities.Use our fast emi calculator for better understanding


{% extends "base.html" %} {% load static i18n %} {% block content %}
TOXsIgN is a new multi-species public repository for toxicogenomic signatures... but wait a second, what is a "toxicogenomic signature"?
[Toxicogenomics signature]: the description of -omics (e.g. transcriptomics, proteomics, epigenomics) effects on individuals or their descendants, after exposure to single or combined environmental factors, including chemical (e.g. pesticides, plasticizers, drugs, endocrine disruptors), physical (e.g. radiations, temperature) or biological (e.g. pathogens, parasites) factors. When using transcriptomic technologies, the corresponding signature is the set of genes whose expression is known to be positively or negatively altered after an exposure to these factors.
Considerable worries have recently been raised regarding the lack of reproducibility of biomedical research, and more particularly in the field of toxicology. Funding agencies, such as the National Institutes of Health (NIH), share this concern and discuss ways to enhance reproducibility in environmental sciences by notably providing greater transparency of data, including negative findings or contradictory data that should also be adopted more widely in peer-reviewed journals. Journals and public funding agencies have thus begun to make public availability of raw and analyzed data a condition for publication or funding, respectively.
In addition, we believe that it is also a matter of give and take. Making toxicogenomic signatures data available to the community: i) on one hand, it will facilitate data comparison and the development of innovative tools; and, ii) on the other hand, it will make your toxicological studies and publications more visible (as investigators will be able to compare their own signature data with yours) and it will thus boost citations of your scientific articles.
Considerable worries have recently been raised regarding the lack of reproducibility of biomedical research, and more particularly in the field of toxicology. Funding agencies, such as the National Institutes of Health (NIH), share this concern and discuss ways to enhance reproducibility in environmental sciences by notably providing greater transparency of data, including negative findings or contradictory data that should also be adopted more widely in peer-reviewed journals. Journals and public funding agencies have thus begun to make public availability of raw and analyzed data a condition for publication or funding, respectively.
In addition, we believe that it is also a matter of give and take. Making toxicogenomic signatures data available to the community: i) on one hand, it will facilitate data comparison and the development of innovative tools; and, ii) on the other hand, it will make your toxicological studies and publications more visible (as investigators will be able to compare their own signature data with yours) and it will thus boost citations of your scientific articles.
This repository is not intended either to archive raw data, as GEO and ArrayExpress do, or to replace existing toxicogenomics databases such as CTD, LINCS, diXa and CEBS, but rather to complement these resources by acting as a distribution hub of toxicogenomic signatures directly submitted by scientists of the community. In addition to serving as a public archive, TOXsIgN also intends to become a warehouse for toxicogenomics and predictive toxicology tools. Its modular design will facilitate the implementation of tools leaning on the deposited signatures that will help investigators analyze, predict and prioritize the toxicological effects of environmental factors.
The TOXsIgN database is organized in a four-layer architecture (Project > Assay > Factor > Signature) associated with a unique identifier that can be reported in submitted manuscripts, like the raw data identifiers from GEO or ArrayExpress. The project layer (associated with an identifier with the “TSP” prefix) covers one or several studies (or subprojects, “TSE” prefix) addressing specific questions. Each study in turn is associated with at least one assay (“TST” prefix) that assesses the exposure of a given study model (e.g., cell culture, living animal, human population) to at least one chemical (e.g., pesticide, plasticizer, drug, or endocrine disruptor), physical (e.g., type of radia-tion or temperature) or biological (e.g., pathogen or parasite) agent at a given dose and for a given time of exposure. Specific outcomes are extracted for each assay in the form of toxicogenomic signatures (“TSS” prefix), i.e., the set of over- and underexpressed genes. Importantly, this organization is compatible with mixtures and transgenerational studies.
In its current state, TOXsIgN is a gene-centric repository that only accepts NCBI Entrez Gene identifiers (IDs) for molecular and "omics" signatures. This restriction has one major advantage: it allows users to perform cross-technology and cross-species comparison of toxicogenomic signatures. As reliable and consistent gene ID conversion is a complex problem. Because reliable and consistent identifier conversion is a complex problem, toxicogenomic signatures should be converted to Entrez Gene IDs from up-to-date resources before being submitted in TOXsIgN (AILUN, DAVID or UniProt). For experiments with Affymetrix GeneChip technologies, it is highly recommended that users normalize their raw data (CEL files) with the BRAINARRAY custom Chip Description Files (CDF so that intensity values are not summarized for each probe set but directly for each Entrez gene ID (Dai et al., 2005).
In its current state, bulk submissions of large datasets (e.g. toxicogenomic signatures for hundreds of environmental factors) is not yet incorporated in TOXsIgN. Nevertheless, the TOXsIgN team will be pleased to help you submit your toxicogenomic signatures. Do not hesitate to contact us!
In a quick and easy submission procedure, investigators will record all required information in a dedicated Excel template. This file embeds one tab for each layer (Project, Study, Assay, and Signature) and it integrates a dozen landmark controlled vocabularies (ontologies) allowing scientists to describe their toxicogenomic studies and their outcomes with precision. Once uploaded, the TOXsIgN webserver performs an initial evaluation of the Excel template to identify: i) “critical errors” about essential information that may not have been properly completed (such as the project title) and could therefore prevent the project upload; ii) “warnings” for important but not essential missing information (such as a PubMed identifier); and, iii) “information” for any other data not appropriately completed (such as additional information). If the system detects no “critical error”, it next invites the user to upload the associated toxicogenomic signatures. Each signature comprises three one-column text files specifying: i) all interrogated genes; ii) significantly overexpressed genes; and iii) underex-pressed genes.
By default, each submitted project and its related signatures are tagged with a “private” status meaning that only authorized users (the owner but also coauthors) can access the uploaded data. At this stage, information can still be modified simply by uploading an updated version of the Excel template. A button is available on the web interface for each project to request the TOXsIgN administrators to change the project status from private to public. If “warnings” are still detected, this demand is rejected. The administrators will then help the investigators make the necessary modifications to change the status. Full instructions and examples of the submission procedure are provided in the tutorial section.
The latest release of the Excel template document for uploading signatures in the repository and all ontologies (OBO files) used in TOXsIgN are available in a dedicated web page accessible through the Download tab on the main interface.
A powerful search engine is implemented to access all public information within TOXsIgN. Users can thus interrogate the database ac-cording to many distinct fields, such as environmental factors, organisms, tissues, and technologies. They can also easily make more advanced queries by using ontologies to describe toxicogenomic signatures.
Several toxicogenomic tools are already available in the warehouse and others are currently being developed in our lab. If you want to make a contribution to TOXsIgN by sharing your own developed tools, please feel free to contact us and we will do our best to help you integrate this new module in the web interface


<>Davi Luis</>
Sobre
Wireshark
Aug 19, 2019
wirshark
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Allows you to upload a stack of CloudCoins into your bank. You must know your account and PK.
public deposit_one_stack
The program must put a stack file in a folder that is accessible via the web to cors on the CloudBank Server.
Sample POST Request:https://bank.cloudcoin.global/service/deposit_one_stack.aspx? stack= { "cloudcoin": [ { "nn":"1", "sn":"1112240", "an": ["f5a52ee881daaae548c24a8eaff7176c", "415c2375a6fa48c4661f5af8d7c95541", "73e067b7b47c1556deebdca33f9a09fb", "9b90d265d102a565a702813fa2211f54", "e3e191ca987c8010a3adc49c6fc18417", "baa7578e207b7cfaa0b8336d7ed4a4f8", "6d8a5c66a589532fe9e5dc3932650cfa", "1170b354e097f2d90132869631409bd3", "b7bc83e8ee7529ff9f874866b901cf15", "a37f6c4af8fbcfbc4d77880fc29ddfbc", "277668208e9bafd9393aebd36945a2c3", "ef50088c8218afe53ce2ecd655c2c786", "b7bbb01fbe6c3a830a17bd9a842b46c0", "737360e18596d74d784f563ca729aaea", "e054a34f2790fd3353ea26e5d92d9d2f", "7051afef36dc388e65e982bc853be417", "ea22cbae0394f6c6918691f2e2f2e267", "95d1278f54b5daca5898c62f267b6364", "b98560e11b7142d1addf5b9cf32898da", "e325f615f93ed682c7aadf6b2d77c17a", "3e8f9d74290fe31d416b90db3a0d2ab1", "c92d1656ded0a4f68e5171c8331e0aea", "7a9cee66544934965bca0c0cb582ba73", "7a55437fa98c1b10d7f47d84f9accdf0", "c3577cced2d428f205355522bc1119b6"], "ed":"7-2019", "pown":"ppppppppppppppppppppppppp", "aoid": [] } ] }
Sample Response if good:{ "bank_server":"bank.cloudcoin.global", "status":"importing", "message":"The stack file has been imported and detection will begin automatically so long as they are not already in bank. Please check your reciept.", "reciept":"640322f6d30c45328914b441ac0f4e5b", "time":"2016-49-21 7:49:PM" }Sample Response if bad file bad:{ "bank_server":"bank.cloudcoin.global", "status":"error", "message":"JSON: Your stack file was corrupted. Please check JSON validation.", "reciept":"640322f6d30c45328914b441ac0f4e5b", "time":"2016-49-21 7:49:PM" }Sample Response if nothing attached:{ "bank_server":"bank.cloudcoin.global", "status":"error", "message":"LoadFile: The stack file was empty.", "reciept":"640322f6d30c45328914b441ac0f4e5b", "time":"2016-49-21 7:49:PM" }


{% extends "slack_base.html" %} {% block content %} You've successfully linked you Slack account. {% endblock %}


Enter in tasks, click to mark as completed, and double-click to delete. Drag and drop to move around.


Suki:
Ah, you don't have the Scroll of Escape, huh? Well, if you meet someone who has one, please tell them that about this innocent, fragile and pitiful girl in trouble that desperately needs their help...


When you type _bot or one of the names below into a player name field it is controlled by an algorithm. It's pretty simple algorithm and if you find it too easy the only way to have more challenging game is to get friends.
jQuery JavaScript Library v3.5.1 Copyright JS Foundation and other contributors Released under the MIT license https://jquery.org/license jQuery Mousewheel 3.1.13 Copyright 2015 jQuery Foundation and other contributors Released under the MIT license. http://jquery.org/license http://keith-wood.name/svg.html SVG for jQuery v1.5.0. Written by Keith Wood (kbwood{at}iinet.com.au) August 2007. Available under the MIT (http://keith-wood.name/licence.html) license. Please attribute the author if you use it. http://keith-wood.name/svg.html SVG attribute animations for jQuery v1.5.0. Written by Keith Wood (kbwood{at}iinet.com.au) June 2008. Available under the MIT (http://keith-wood.name/licence.html) license. Please attribute the author if you use it
The Great Winner is
Ghost
scoring points!
send nudes


Page {{ currentPage }} of {{ totalPages }}
The ux-pagination
component can be used to provide navigation between pages when display and interacting with
large datasets. The pagination component can also be used in forms using ngModel
or reactive forms.
The direction button content can be customized by adding an ng-template
as a child of the ux-pagination
component.
- To customize the content of the previous button add
#previousBtnTemplate
to the ng-template
element.
- To customize the content of the next button add
#nextBtnTemplate
to the ng-template
element.
The following properties can be used to configure the component:
Defines which page should currently be active.
Defines the total number of items in the dataset. This will be used in conjunction
with the itemsPerPage
to determine the number of pages required.
Defines the number of items that will be displayed on each page.
Defines the number page buttons allowed to be visible at any given time.
Defines if the Next and Previous buttons should be shown.
Allows the component to be disabled.
Allows a custom class to be added to the paging buttons.
Allows an aria label to be defined for the previous button.
Allows an aria label to be defined for the previous button.
Emits whenever the current page changes.
Emits whenever the number of pages required changes.
The following code can be used to create the example above:


I'm a header
I'm the collapsible content. By default I'm open and displayed on the page, but you can click the header to hide me.

Nested inside again.
Three levels deep now.
I'm the collapsible content. By default I'm open and displayed on the page, but you can click the header to hide me.
I'm a child collapsible.
Three levels deep now.


Mahjong
Solitaire
Restart game?
There are no more free tiles left. From here you can:
- Continue playing, undo the latest moves and try a different strategy
- Replay the game with same layout
- Restart the game with different layout
Congratulations, you win.
Your score is {{score}}.
Logo here


Phishing Websites
Disclaimer: These websites are not the websites they appear as.
(Ex) the Facebook phishing website is not facebook and is
not affiliated with facebook in any way.
These websites will steal any information you input in them for educational purposes.

The below Links are CLONES of popular websites and WILL STEAL YOUR EMAIL AND PASSWORD
THEY ARE NOT IN ANY AFFILIATION TO ANY OF THESE COMPANIES!
Once we obtain this information, we don't do anything with it, and its gone once you refresh
The proof is in our code at
https://github.com/ZK333/stemwarrior-2021
Any alternate links you press once on on the phishing site may reroute you to the actual website


Crime Mapping and Spatial Analysis
Lectures
Lecture 1
Lecture 2
Lecture 3
Lecture 4
Lecture 5
(No class week 6)
Lecture 7
Lecture 8
Lecture 9
Lecture 10
Lab Manual


Home
All Events
Add Events
Hello [[${#httpServletRequest.remoteUser}]]! your calendar events..
From Date:
To Date:


Waffle ice creamFresh buttermilk waffles With a scoop of hand-crafted ice cream A drizzle of maple syrup Topped with fresh fruits
|
|---|
| Fried ice-cream
$5.95 |
Ice-cream cake
$7/slice; $32/whole cake |
Ice-cream float $6.95 |
|
| Ice-cream cookies
$5.95/piece; $32/box |
Ice-cream sundae
$6.95/cup; Couple set: $12 |
Ice-cream
$3.50/scoop; $5.50/2 scoops; $7.50/3 scoops |


"State and Main"
Hollywood invades small town New England when a film production company, led by producer Walt Price (William H. Macy), comes to Waterford, Vermont to shoot the film, "The Old Mill." The problem is the town's old mill burned to the ground three decades ago and that's just the beginning of the troubles in a movie about making a movie, David Mamet's "State and Main."
Playwright/screenwriter/director Mamet has created celebrated and controversial tales from "Glengarry Glen Ross" to "Oleana" to "The Winslow Boy." Mamet, the writer, has produced an eclectic body of work that often delves deeply into the human psyche. With "State and Main," the helmer takes on a fast paced comedy in a movie about making a movie in small town America. In this one, though, the talented Mamet stumbles.
When the production team for "The Old Mill" lays siege to the unsuspecting Vermont town, it is with a checkered past. A scandal forced the entire production crew to be turned out of their previous location in a New Hampshire town because of a propensity for young girls by the film's star, Bob Barringer (Alec Baldwin). Now, ensconced in their new location, with only days to go before principal photography starts and no budget left, Walt Price has multiple disasters to contend with. As mentioned before, the mill that is the focal point of "The Old Mill" is gone. Barringer's co-star, Claire Wellesley (Sarah Jessica Parker), refuses to do her contracted nude scene unless she gets a bunch more money. The film's lunatic cinematographer wants to destroy a stained glass landmark so he can "get the shot." Finally, playwright turned screenwriter Joseph Turner White (Philip Seymour Hoffman) is suffering from a monumental case of writer's block.
And these are just some of the problems that must be faced. White falls for the pretty fiancée of a local politician while struggling with his changing career. Bob Barringer gets in trouble, again, with a local teen girl (Julia Stiles), forcing a cover-up to avoid getting everyone tossed out of town. And, a replacement still has to be found for the damned Old Mill!
All of this is fun stuff from the pen of a talented writer and it probably looked really good on paper. Especially with the large, talented ensemble cast available to breathe life into their characters. Unfortunately, the execution of these amusing ideas falls flat with too much going on with too many characters. There is also a problem with who is the "bad guy" here. Is it the intrusive strangers from Hollywood? Or, is it the town folk who do everything they can to take advantage of the bucks that the production crew brings to thew town? As the lines of definition blur between the outsiders and the residents, the people of Waterford take on the same greedy air as the folks from Tinseltown.
The lack of distinction between the outsiders and insiders is complicated by the choice of some of the principle actors. Philip Seymour Hoffman has impressed me, considerably, in his past performances - see him as Freddie in "The Talented Mr. Ripley" as a marvelous example of his acting ability. But, as the sensitive, angst-ridden, romantic figure? It is just not the Hoffman's cup of tea. Mamet seems to be using the actor as his own alter ego in the film. Sarah Jessica Parker, as the movie star to whom modesty has just become an issue in her career, is little more than a pampered prima donna that usually gets her way. Alec Baldwin simply has nowhere to take his self-center matinee idol.
There are some good roles coming out of "State and Main," though. William H. Macy, one of the finest character actors in the business, plays the cocky producer to perfection. He, and David Paymer as the film's high-powered "money man," put a good spin on portraying filmmakers used to having their way on location. They plead, threaten and pout to get their ways with their crew and the town's people. Their perfs only make up a portion of the movie and it's not enough.
Tech credits are adequate, but nothing remarkable.
I have come to look forward to most of David Mamet's films and, usually, am not disappointed. There are exceptions, though, and "State and Main" is one. For a movie about making a movie, there isn't enough movie-making stuff to the story. I give it a C.
For more Reeling reviews visist www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>========== X-RAMR-ID: 28666 X-RT-AuthorID: 1488 X-RT-TitleID: 1103224 X-RT-RatingText: C
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Related links: index of all rec.arts.movies.reviews reviews


kludge n. SlangA system, especially a computer system, that is constituted of poorly matched elements or of elements originally intended for other applications.
KλudJe is a Java lambda API for use with Java 8. If you aren't familiar with lambdas see the Java lambda expression tutorial.
KλudJe is published under the Apache 2.0 license.
Binaries are published to the Central Repository.
Maven dependecy:
<dependency> <groupId>uk.kludje</groupId> <artifactId>kludje-core</artifactId> <version>0.6</version> </dependency>
Sources are available via the KλudJe project page.
Latest Javadoc: KλudJe 0.6 API.
The Meta
type can be used to define simple implementations of
three basic Java methods:
loading...
Significant properties can be defined a single time.
See the API documentation for more on usage and limitations.
This code demonstrates how to throw and catch the checked IOException
without using
a throws
declaration in a method:
loading...
With more than one checked exception type:
loading...
The next example demonstrates how this is useful.
Consider this interface contract that takes a collection of files and returns the number of lines in them:
loading...
Here is a traditional imperative implementation:
loading...
Let's refactor to a parallel streaming implementation:
loading...
The above code is unsatisfactory. In order to obey the interface contract IOException
must be wrapped and unwrapped using UncheckedIOException
.
This problem can be addressed using a cast to KλudJe's UFunction
to transparently pass the exception to the calling method:
loading...
UFunction
extends java.util.function.Function
.
KλudJe provides types that extend many of the standard Java functional interfaces in the same way.
See the API for more details.
The static UFunction.asUFunction
method can be used for type inference to avoid having to specify the generic types:
loading...
The previous example assumes the use of the standard Function
interface.
However, arbitrary interfaces can be provided using method references.
KλudJe provides a few n-ary interface types to add exception handling to cover cases where the standard API doesn't.
An example of using a method handle that throws a checked exception with an arbitrary 3-argument functional interface:
loading...
Explanation:
call
method takes a functional interface and the method Foo.exec
declares no exceptionsArbitraryInterfaces.download
method reference to ArbitraryInterfaces.call
asUTriFunction(this::download)
to create an arbitrary functional interface instance that rethrows any declared exceptionUTriFunction.apply
method reference to call
When using this API there are a few things to be aware of.
When using Exceptions.throwChecked
or code that uses it (e.g. UFunction
) you cannot rely on
the compiler to flag uncaught checked exceptions. This will defy the expectations of many Java developers.
It is recommended to document usage and intent.
The n-ary types provided can be used with functional interfaces/method references that use primitives. Autoboxing concerns are left to the developer.


--- title: Slack permalink: "/slack/" layout: default dark-theme: true tag-section: flux tag-topic: slack --- {% include navbar.html %}
We use Slack to communicate; it's a feature rich chat app for teams with a web client as well as apps for most devices.
Our Slack team for members and volunteers is at fluxvolunteers.slack.com, but you'll need to have an account first. You can send yourself a signup link by heading to https://slack.voteflux.org/ and using your email address.


The MUN Experience
The first time I did Model United Nations (MUN), I was a shy sixth grade that looked half his age, and I was attending a conference I had heard about through a friend called EPMUN. Throughout the conference I mostly had no idea what was going on; the one time I summoned up the courage to say something I was made a fool of. It was clear that I did not belong there, but that feeling of humiliation struck a chord in me; and so I persisted.
I attended every local MUN conference I could, and by watching others and speaking at every opportunity, I improved -- immensely. By the time I traveled to Istanbul for my first international conference in eighth grade, I was ready. Initially, I was not taken seriously (I looked like a fifth grader in what was a high school conference), but I was used to that. Utilizing what I had learned, I became main submitter to my resolution, lobbied to make half of the over 100 delegates in my committee my signatories, and eventually won the award for best delegate. It was then when I realized that this was something that I enjoyed and excelled at.
When I moved to Dhahran High School, I demonstrated my abilities and quickly became the youngest officer ever on the DHSMUN team. I traveled to Berlin, New York and other cities as a delegate and chair, proving myself on the international stage. Throughout high school I continued to move up the ranks, moving from officer to junior executive, junior executive to senior executive, and now from senior executive to Secretary-General. I am confident that this year our conference will be the best it has ever been.
| Conference | Year | Position |
|---|---|---|
| MINIMUN (Dhahran) | 2017 | Organizer |
| DHAMUN (Dhahran) | 2017 | Organizer |
| J-MUN (Jubail) | 2016 | Advisor |
| GCIMUN (New York) | 2016 | Delegate |
| DHAMUN (Dhahran) | 2016 | Organizer |
| BERMUN (Berlin) | 2015 | Co-Chair |
| DHAMUN (Dhahran) | 2015 | ICJ Advocate |
| MINIMUN (Dhahran) | 2015 | President Chair |
| BERMUN (Berlin) | 2014 | Delegate |
| DHAMUN (Dhahran) | 2014 | Delegate |
| MINIMUN (Dhahran) | 2014 | Delegate Coach |
| IIMUN (Istanbul) | 2014 | Delegate |
| J-MUN (Jubail) | 2014 | Co-Chair |
| THIMUN (Doha) | 2013 | Co-Chair |
| DHAMUN (Dhahran) | 2013 | Delegate |
| AISRMUN (Riyadh) | 2013 | Delegate |
| THIMUN (Doha) | 2012 | Delegate |
| BAYMUN (Isa Town) | 2012 | Delegate |
| AISRMUN (Riyadh) | 2012 | Delegate |
| EPMUN (Dhahran) | 2012 | Delegate |
| AISRMUN (Riyadh) | 2011 | Delegate |
| EPMUN (Dhahran) | 2011 | Delegate |


First off: thanks to everyone who contributed to our Tour de Cure fundraising! We raised $3,300 for the American Diabetes Association. My best year yet, so thank you very much for your generosity.
The day of the ride this year the weather was perfect! No rain or mud, just sun and happy people. Robert and I started the 25 mile route, and then Larissa met us with 15 miles to go and we attached the rest of the long bike for Erick and Katerina.
Everyone had a good time and we had lots of comments about the long bike. A steady wall of cheering greeted us as we finished the final uphill to the finish line. Without a doubt we had the longest bike at the event this year.
Next year Robert and I may do 50, and then pick up the other two with 20 or 25 miles to go.
Again, thanks you very much for your generosity! You rock!


Madison officers pepper-spray man who threatens bus driver, police
by Stephanie OlsonMADISON, Wis. - Madison police were called to a Langdon Street bus stop around 1:30 a.m. Thursday.
A bus driver told Madison police that Reginald V. Frank, 42, of Madison, boarded the bus at Langdon Street and began yelling, swearing and making threats after the bus driver told him there were issues with his bus ticket.
The bus driver called police.
Officers arrived and said they tried to calm Frank down, but he struggled with them and began threatening them.
Officers used pepper spray to gain control of Frank.
Frank was arrested and could face charges of disorderly conduct, resisting and making threats to law enforcement.
He is currently in the Dane County Jail.


{% extends "layout/parent.html" %} {% block main_body %} × Demo Site This is a Demo E-Commerce site powered by Contentstack {% for entry in entries.entries %} Add to cart {{entry.product_title}} {{entry.price}} {% endfor %} {% endblock %}


Passengers have to scan to check in for the ride
| Score | Payment | ||||||
|---|---|---|---|---|---|---|---|
| You | {{ ride.completionScore * 100 | number :0}}% | - | |||||
| {{ reservation.name }} | {{ reservation.completionScore * 100 | number:0 }}% | pending | {{ ride.pricePerSeat | MBYTE }} MB | {{ ride.pricePerSeat | MBYTE }} MB | FAILED | UNPAID | |
| {{ reservation.payoutAmount | MBYTE }} MB | |||||||
| {{ reservation.refundAmount | MBYTE }} MB | |||||||
| Received | {{ totalPayments | MBYTE }} MB | - | |||||
| Paid out | = | {{ totalPayouts | MBYTE }} MB | |||||
| Refunded | = | {{ totalRefunds | MBYTE }} MB |
{{ ride.pickupAddress }}
{{ ride.dropoffAddress }}


Stephen Ranger
Thesis Update #1
2016-06-27
Octree, Icosatree, and Interactive Visualization
Currently, the system being designed to test and evaluate my thesis is in the early stages of development. I have developed a storage system for both my Octree and Icosatree data structure that can be accessed via a local storage system as well as through a web server for remote access. Each data structure is defined by a logical file tree based on the depth and location of each node in the data structure. Each node, in turn, is given a unique identifier based on the path taken from the root node in the tree to itself.
The Octree, for example, has a single root node and each child node has, at most, eight children. Each child appends an index onto its parent's identifier. The root node is defined by the empty string and as the tree is traversed this identifier is expanded. The root node will potentially contain a child node for the indexes 0-7. Each of these will potentially then contain a child with index 0-7. Any nodes that contain zero points are not created in order to save disk space.
The Icosatree data structure is very similar to the Octree structure with a few exceptions. First, the root node has, at most, twenty child nodes; these uses index values from A to T as the root is split into twenty triangular prisms. Then, each node thereafter is split into eight child nodes. These triangular prisms are split into four equal sections along its face and then split a second time along its altitude. These nodes use the same 0-7 index structure as the Octree does.
The reasoning behind this setup is twofold. First, the defined unique identifiers double as an identifier for each node as well as a defined path through the tree. Second, it should allow the visualization component the ability to work on both datasets without modification.
The interactive visualization component is in its infancy at this time, however, it is at the point where the geospatial visualization is starting to take shape. A WGS84 based World element has been created and a navigation system designed around it. The World element is currently a tessellated ellipsoid and, in the future, will be augmented to tessellate itself based on a level-of-detail algorithm defined by the distance of the camera to each individual triangle. Optimally, this will be done with a geometry and tessellation shader. The navigation system contains a Cartesian anchor point that is defined by a mouse-ellipsoid intersection and a spherical orientation (elevation, azimuth, range) for the camera location relative to the anchor point. The mouse modifies these values in a few ways. First, the left click and drag motion modifies the anchor directly by rotating the camera around the ellipsoid and keeping the mouse pointer tethered to the geodetic coordinate it first intersected. As the mouse is dragged, this point is moved with it; the anchor is then rotated to compensate. A right click and drag modifies the camera's spherical coordinate by changing the elevation and azimuth as the user drags the mouse along to X- and Y-axis of the screen. This movement is bound within the [0-PI] range for elevation and the [-PI, PI] range for azimuth. The mouse wheel scrolling is used to modify the distance from the anchor to the camera and the speed at which this occurs is scaled as the camera gets closer to, or further from, the anchor.


‘Most drugs in PH from China’
Leni cites data from DILG, PNP; PDEA chimes in
by Rio N. ArajaMost illegal drugs flowing into the Philippines are from China, Vice President Leni Robredo said Thursday.
READ: Leni assured of drug war data
Robredo, co-chairman of the Interagency Committee on Anti-illegal Drugs, said she obtained this information in a meeting with officials from the Department of the Interior and Local Government and the Philippine National Police.
“I wanted to gather more data but the report I got was that most of the supply comes from China. Many of those arrested operators were Chinese nationals or Filipino-Chinese,” she said. “That is something we have to look into.”
The Philippine Drug Enforcement Agency also concluded last year that China remains the top source of illegal drugs―mostly shabu―smuggled into the country.
Meanwhile, the Palace clarified that Robredo, who now holds a Cabinet rank, should attend Cabinet meetings only if the anti-drug campaign is on the agenda.
This would save her the trouble of attending long meetings that did not concern her area, Presidential Spokesman Salvador Panelo said.
President Rodrigo Duterte and Robredo, who belong to opposing political parties, have not met since her appointment as anti-drug czar.
Robredo had been critical of Duterte’s flagship campaign that has killed more than 5,000 drug suspects, according to government data, saying the war could be conducted with less killing.
On Friday, she suggested the creation of a new anti-drug campaign to replace the PNP’s Oplan Tokhang during her meeting with ICAD.
Oplan Tokhang, or the house-to-house “knock and plead” police initiative to get drug suspects to surrender, has gained notoriety for human rights violations.
Robredo used to be part of the Cabinet as chairperson of the Housing and Urban Development Coordinating Council (HUDCC) until her resignation in December 2016.
At the time, she cited “major differences” with Duterte, and revealed that she was directed to “desist from attending all Cabinet meetings.”
Meanwhile, Speaker Alan Peter Cayetano urged Robredo to simply ask Congress for additional funds for the campaign against illegal drugs instead of announcing it in public.
In an interview with reporters in Tagaytay City, Cayetano reiterated his support to Robredo, who defeated the Speaker and former senator in the 2016 vice presidential race, as the new ICAD co-chairperson, but said he had to call her out over the way she is implementing the anti-drug campaign.
Robredo earlier called for an additional P15 million in the budget for the government’s anti-drug campaign under the proposed 2020 national budget.
On Thursday, Robredo said the PNP also sees the need to reassess and improve Oplan Tokhang.
During a meeting with PNP officer-in-charge Lt. Gen. Archie Francisco Gamboa, Robredo again called for a review of the police program.
“I reiterated my suggestion for them to rethink the campaign, especially Tokhang,” she said.
“I [also] reiterated that it has already created a negative iteration. In fact, it is now being used as a verb. There is a bad connotation once you say ‘tokhang.’ They agree. And they promised to assess and come up with an improved version,” she added.
While the PNP’s flagship Oplan Double Barrel was good on paper, there have been abuses in its implementation, she said.
“So I brought this up. And they agreed that it is high time to reassess how to evoke that the campaign is not against the person, but the campaign is by the people,” she said.
She said she was asking the PNP to provide her with the baseline data since 2016 as to how many drug suspects have surrendered and have been arrested and how many have been charged.
“What is the status of their cases? How many of them have been recommended for rehabilitation?” she said.
Gamboa said they tackled with Robredo the components of the overall drug strategy, among them, the “double barrel” program aimed at suppressing drugs infiltration, particularly in poor communities.
“We agreed on these initial steps to go forward,” Gamboa said.
“One of her suggestions is retooling how we are going to present that word Tokhang or probably balance with it with another one just to erase the notion that Tokhang means death, which is not so,” Gamboa said.
Also on Thursday, Senator Panfilo Lacson played down concerns of foreign interference, after Robredo sought the help of the United States in the war on illegal drugs.
READ: Robredo taps US for drug war
He recalled that during his time as PNP chief, he was closely coordinating with foreign counterparts―the US Drug Enforcement Agency, Australian police, the Hong Kong Narcotics Bureau and the Taiwan Ministry of Justice and Investigation.
He said this kind of coordination was useful, particularly in addressing supply-side problems. With MJ Blancaflor, Francisco Tuyay, and Macon Ramos-Araneta
READ: Leni turns to UN for ‘lessons’
READ: ‘Body cams give cops an edge’
READ: Duterte: Give Leni greater leeway


| DOSE: |
1 tsp |
oral |
Opium |
(tar / resin) |
First and foremost:
I want every reader to know that I have a there's a difference between
addiction and
fascination. I am
fascinated by drugs and the history and culture that encompass them. I could be
addicted to beer if I didn't have to drink so much liquid. I could be
addicted to hard alcohol if it didn't give me indigestion. I could be
addicted to other drugs...but I'm not. In fact, I have had made more runs to the med kit this year because of hangnails, not drugs. Point being: Most of my physical problems this year have been associated with hangnails and not drug addiction. Point hopefully comprehended, I shall move on.
I wondered across a magical crop of poppies so I thought it would be cool to harvest it and smoke them. I have a feeling they were Chinese pops, but I'm not an expert. Nonetheless, I decided to play expert and harvest the O. I harvested the O. Went through the whole bit, and came out with about four tablespoons worth of O. Not bad for the two people smoking the fringe bennies.
Anyway, it just so happens I became curious and gulped down one of the tablespoons.
*AUTHOR'S NOTE*
Don't do this.
So, I did a tablespoon of raw, yellowish, sticky, buttdwelling poppie blood and tried to play it cool in front of my buddy as if it were an easy stunt. It wasn't.
My first instinct was to nix the operation and call it a night…but I didn't. I swallowed down the mound of bitter-butt butter and gasped for air. Now all I had to do was keep it down.
I must've kept it down for about two hours when the effects kicked in. My body went into overdrive and I started sweating and feeling ill. I pretty much knew where this situation was leading but it was a little too late fix my mistake.
That's when things went AWOL. My mother came into my room, spoke something and left. Her voice had changed to something very demonic. This was very displeasing. It was more so when everyone I was talking to sounded like Satan.
I had only one worry and it had nothing to do with the fact everyone sounded like Satan. My biggest worry had more to do with the fact that I may have gone overboard and now I'm going to end up in the hospital which would eventually root me through to rehab. This made my heart rate jump…along with the overdose symptoms.
I crashed through the bathroom and door and smothered the porcelain seat with puke. Anything that had been in there from the last week I am certain came out that night. The raw opium had cleared my stomach…blood and all. After a few spastic heaves, I fell to the ground, relieved that my intestines were still intact.
After reviving from the incident, I quickly went to bed to avoid Satan and his followers. Which was a good thing because the whole scenario was really becoming too much reality for me. I woke up the morning after feeling really quite great. Probably won't do it again.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


<< $hello >> << include test2.html >> [[ if $say_goodbye ]] << $bye >> [[end]] [[ foreach $n in $some_numbers ]] << $n >> [[end]] I'm << $person->first_name >> << $person->last_name >>


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Type in "exit" in the prompt to exit the game (without the double quotes "").
Check the developer console for the log.


THE CABLE GUY A film review by Rebecca Wan Copyright 1996 The Flying Inkpot
Directed by: Ben Stiller Written by: Judd Apatow (uncredited), Lou Holtz Jr. Cast: Matthew Broderick (Steven Kovacs), Jim Carrey ("Chip Douglas"), Leslie Mann (Robin), Jack Black (Rick), George Segal (Mr Kovacs), Diane Baker (Mrs Kovacs). Produced by: Columbia Pictures / Licht/Mueller Film Corporation Running Time: About 90 minutes. Rating : *** out of ***** Theatres : Just about everywhere.
 I am the lost Cunningham! I learned the facts of life from The Facts of Life! Don't you get it? Someone has to save all the other cable boys and girls, someone has to kill the babysitter."
These are probably the best and worst lines in THE CABLE GUY, and in a knowing, twisted film-student-with-a-vengeance sort of way, the combined effort of director Ben Stiller (whom I hereby forgive forever for making REALITY BITES) and writer Holtz is a dark and magnificently lunatic mock-celebration of the flickering blue parent generation. OK, it's also an excessive throw-in-all-the-popular-media-references-you-can type of smartass caper with more intelligent directing than most of Carrey's other films (although that isn't saying much), but being the first with an actual body-functions-joke minimum, this film could very well be Carrey's first into the comedians-can-act-too spectrum of Hollywood.
Unlike previous Jim Carrey successes like the Ace Ventura movies or DUMB AND DUMBER, which were no more than empty vehicles for Carrey's manic personality and a surprisingly inventive number of flatulent jokes, The Cable Guy not only has a plot that follows to conclusion, more importantly--gasp!--it has a concept: too much TV is, well, it's just bad for you.
This is overwhelmingly proved by Chip Douglas (Carrey), the cable guy who fixes architext Steven Kovacs up with free cable television channels and then, taking Kovacs' unwilling friendship for granted, proceeds to mess up his life in a number of ways: he throws mind-splinting karaoke parties, wrecks friendly basketball games, stalks Stephen and eventually lands him in jail. As Chip, Carrey is the optimum product of self-conscious popular media gone deliciously and disturbingly wrong. He relates everything to television past and present, assaulting his newly appointed *schlemielman* with catchphrase melanges from sixties sitcoms and reenacting movie scenes with a screaming, maniacal sense of irrelevence that is darkly engaging to us postmodern audiences (or maybe just me), and morally unsettling to people like my parents, who would consider Mr Carrey to be a product of a satanic cult instead of mere television.
But then of course, isn't that the point? CABLE GUY is *about* the dangers of television, if we are to believe the desperation on Chip-Carrey's face as he dangles from a gigantic satellite above imminent doom. *Somebody has to kill the babysitter*, he implores, bringing to mind the kitschy flashback the film provided its audience earlier about Chip's childhood loneliness, sans siblings and parents, leading to a life of absorption in front of the TV.
But the moment, like everything in this movie, turns on itself with a beautiful slow-motion climax that intensifies to blackness, resembling the same metafictional acknowledgement of media-constructed realities in the ending of that British bastion of silliness now revered by millions across the world--Carrey's earlier counterparts--Monty Python's Holy Grail.
In the end, CABLE GUY is worth watching if only to see Carrey actually sort of act. Or at least, acknowledge the presence of his cast. Perhaps this is more to director Stiller's credit, who refuses to allow the film to degenerate into yet another Carrey showcase. Delightful surprise guest appearances from Stiller and longtime partner in crime Janeane Garafalo also keep the enjoyment going when Carrey's hyperactivity annoys--and make no mistake, he will annoy, though far less than in previous movies--and Carrey's own performance, subdued as it is, is near-perfect for the media pastiche (the word no self-respecting postmodernist would leave home without) that he represents.
Like Mork (and much like Robin Williams himself), Carrey's comedy evokes every pose, every gesture, every facial expression, tone and technical idea ever used in the history of modern media, aggrandized and fast-forwarded to grotesque proportions to pass for humor. Like Mork, Carey's Chip Douglas (the name itself, the film reveals, is filched from "My Three Sons," so Carey's character is literally nameless, never truly identified, and a macabre inversion of Leone's Man With No Name) merges real life conversation with commercial snippets and a movie quotes compendium, and a paranoid self-consciousness that ironically blends fantasy with real life. "If this were a movie, there would be danger music," he snarls while playing villain with Stephen's girlfriend, singing along *with* the actual soundtrack with knowing vengeance.
It is therefore perhaps the film's self-awareness on the whole that makes THE CABLE GUY weird, what with its parodic freeze frames and the vicious mock-reality celebrity trials to name a few of the fun things Stiller gets the film up to. And Hollywood has never taken to metadramatics very well. THE CABLE GUY was generally badly received by critics and grossed little more than it took to make at the US Box Office (according to figures taken from the Internet Movie Database). Still, I recommend this film for its widescreen absurdity, great performances all round, and its dark vision of our crazy lives. Carry on, Carrey.
The Flying Inkpot Rating System: * Wait for the TV2 broadcast. ** A little creaky, but still better than staying at home with Gotcha! *** Pretty good, bring a friend. **** Amazing, potent stuff. ***** Perfection. See it twice.
____________________________________________________________
This movie review was written for THE FLYING INKPOT, the
Singaporean zine that dares to say "Bok." For a spanking
good time, visit THE FLYING INKPOT at <http://webvisions.com.sg/inkpot/>
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


An open letter to Mr. Murphy
Dear Mr. Murphy,
Pssssssssssssssssssssssssssshhhhhhhhhhhhhhhhhhhhhhhhtt !!!!
... That was exactly the sound I was hearing when I got up early this Saturday morning (6.30AM'ish).
In the last months I have been billing on average about 9 to 10 hours per day for my customer, and those hours do not include my 30 to 60 minute lunchbreaks and my 3 to 5 hours spent on commuting when I decide not to sleep over, so you can imagine my time for doing things on the side is rather scarse at this moment.
During the weekends, I am usually at one/both of my son's soccer matches, or getting back on track with my family and some friends, which I do not see during the week.
I still have 2 books to finish and review/write a blog post about it, and have not been able to do this just yet.
Today is Saturday, and I need to be at my parent's by 8.00AM where we meetup to disassemble, transport and temporarily store my brother's new kitchen they will use after their renovation. This will probably take the whole day, so I decided to get up at 6.30AM, because I wanted to answer some mails today. (Knowing myself, I will probably not be any the mood for this tonight anyway, as we will probably have a night out with the "kitchen disassembling crew".)
So I got up at 6.30AM, ready to get started on these mails, as I heard a slightly disturbing sound... "PSSSSSSSSSSSSSSSSSSSSSSSSSSHHHHHHHHHHHHT"; a continuous hiss.
As we do not have any gas plumbing in the house, I was not exactly afraid of explosions, but it was slightly disturbing nevertheless, so I went searching for the source of the sound.
As I arrived in the cellar - all in my nightwear, for people with a lot of imagination -, I noticed our pression vessel from our rain water pump contained a very small dot of rust where water was streaming out at high pressure.
So I opened up some faucets to release the pressure, and started mobbing away, as we also store our heating pellets in our cellar - luckily I did not put them directly at the floor, otherwise the first few bags would have been ruined as well.
So, instead of answering my emails, I decided to get my priorities straight, and take the explicit time to thank you and send you my regards, Mr. Murphy, as you apparently also went the extra mile to surprise me with this great morning gift ....
Kind regards
Tom
Your Humble Servant


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def say_hello
puts "Hello!"
end
say_hello
say_hello do
puts "Nice to meet you!"
end
def say_hello
puts "Hello!"
end
say_hello
say_hello do
puts "Nice to meet you!"
end
# Hello!
# Hello!
def say_hello_and_do_something
puts "Hello"
yield
end
say_hello_and_do_something do
puts "So Happy to See You!"
end
say_hello_and_do_something
def say_hello_and_do_something
puts "Hello!"
yield
end
say_hello_and_do_something do
puts "So Happy to See You!"
end
say_hello_and_do_something
# "Hello!"
# "So Happy to See You!"
#=> no block given (yield) (LocalJumpError)
def say_hello_and_do_something
puts "Hello!"
yield if block_given?
end
say_hello_and_do_something do
puts "So Happy to See You!"
end
say_hello_and_do_something
# "Hello!"
# "So Happy to See You!"
# "Hello!"
def say_hello_and_do_something
puts "Hello!"
yield
end
say_hello_and_do_something do
puts "So Happy to See You!"

end
def say_hello_and_do_something
puts "Hello!"
yield
end
say_hello_and_do_something do
puts "So Happy to See You!"

end
# "Hello!"
# "So Happy to See You!"
# Hello
# It's been horrible meeting you!
def greet_person_and_do_something(name)
puts "Hello, #{name}"
yield
end
greet_person_and_do_something("Martin O'Malley") do |name|
puts "Sorry, #{name} but you did not win the Iowa Caucus."
end
def greet_person_and_do_something(name)
puts "Hello, #{name}"
yield
end
greet_person_and_do_something("Martin O'Malley") do |name|
puts "Sorry, #{name} but you did not win the Iowa Caucus."
end
# Hello, Martin O'Malley
# Sorry, but you did not win the Iowa Caucus.
def greet_person_and_do_something(name)
puts "Hello, #{name}"
yield(name)
end
greet_person_and_do_something("Martin O'Malley") do |name|
puts "Sorry, #{name} but you did not win the Iowa Caucus."
end
# "Sorry, Martin O'Malley but you did not win the Iowa Caucus."
def greet_person_and_do_something(name)
puts "Hello, #{name}"
yield(name)
end
greet_person_and_do_something("Martin O'Malley") do |dog|
puts "Sorry, #{dog} but you did not win the Iowa Caucus."
end
def greet_person_and_do_something(name)
puts "Hello, #{name}"
yield(name)
end
greet_person_and_do_something("Martin O'Malley") do |dog|
puts "Sorry, #{dog} but you did not win the Iowa Caucus."
end
# "Sorry, Martin O'Malley but you did not win the Iowa Caucus."


Our young dynamic company, working together with partners to supply good quality new and second hand clothes and foot ware for our customers. We welcome every company, big or small from any parts of the world to build reliable partnership. We dedicate ourselves to search nations around our planets and offer SAGA Sp. z o.o. products for communities and companies, where our recycled clothes can start a new life and make good perception for people. If you feel that we can help your organization please feel free to contact us.
Payments: 30% deposit is required to confirm your order, final 70% to be paid before loading. Final balance will vary depending on packing list. Prices are EXW (Ex Works), CPT. All sales are final. We accept bank transfer or cash.
Orders: The minimum order quantity is 20 000kg .We do not allow customers to select there own goods in person. You are welcome to come and view the goods. Viewings by appointment only.
Transportation: by request of the buyer we can provide a transport support.
We can offer unsorted and sorted clothes to suit every customer needs.
A good range of recycled clothes from charities, school and company collections provide every customer with popular stylish European brands. Original unopened collection bag contain clothes for ladies, children, men. Bags also can contain shoes, handbags, accessories, beddings, toys and home textiles.
Sorting is done by one of our partner companies to a very high standard. We can offer summer and winter selection. Clothes have categories as the following: shorts, shirts, jeans, trousers, ladies underwear, skirts, children clothes, blouses...


I write this as a wake-up call to anyone who has or has had trouble with moderation, and to be as informative as possible on a topic with an impossible stigma-- IV drug use.
I began experimenting with drugs when I was 12...pot, pharmaceuticals, LSD, mushrooms, MDMA, DXM, heroin, and ketamine...but nothing has compared with my love affair with cocaine.
Two years ago, I began snorting coke with my friends on a semi-regular basis. It was a social interaction, and to tell you the truth, I wasn't all that impressed with it.
Eventually, I met a special friend. Soon after we encountered each other, we found that we both shared a comparable love for injectable drugs, for some reason. After conspiring together for paraphenalia and goods (you can't buy needles from drug stores where I live without a perscription), we sat down one night to shoot cocaine for the first time.
At first, we didn't do quite enough. The effect was a slightly metallic taste in the mouth, shivers, and a strong euphoric feeling. Ten minutes later we each did more...the amount of which I'm not sure, because it's difficult to measure in a spoon. Anyway, this second injection gave me the most beautiful feeling I have ever experienced in my life. The world started to sparkle, there was an intense, high-pitched ringing in my ears, my cheeks were hot, but my eyes were opened. It was amazing. We only had a gram between the two of us that night, so that was enough for about four or five injections each.
This became a trend with us. Then it became quite a habit. Every weekend, we would get together with two 8-balls (7 grams) of coke and shoot it till it ran out. We would begin at 9:00pm...wait 30 minutes, shoot again, wait 15, shoot again, wait 15, shoot again, etc. etc., until I would look at the clock and it would say 5:30am. I was not careful with my habit, and let it destroy me. Soon, I grew dehydrated and weak, couldn't eat, absolutely could not sleep, my eyes turned dull and I grew irritable and grey. The track marks on my arms, hands, and legs were large red and navy blue bubbles whose bruises turned yellow and translucent. I began not to care how people saw me...my friends would call concerned, and I'd tell them to stop caring about me. I wanted to die, and soon...oh, but that would mean I couldn't shoot any more coke, so nevermind.
This escapade went on for four months, which may not seem like such a long time to you. Trust me, it was a lifetime. Eventually, my best friend forced me to go into rehab, which changed my life forever. I didn't want to go, but I was sick. I was weak and hungry for anything that was white and powdery and pure. It was not easy to give up, and it took me a long time to decide that's what I really wanted to do. Many people will say that cocaine is not physically addictive, but it was for me. It took three weeks of IV's to feed me, of not walking, of not sleeping more than a couple hours a day...it was hell. Now when I think about shooting coke, I still experience that feeling of intense desire and hunger that only an ex-druggie can truly know.
I do not write this to tell anyone what to do, or even to dissuade you from experimenting with intravenous cocaine use. If you are responsible, they produce fun and spiritually exhilirating experiences. For me, the problem was with moderation and self-care, with losing myself and my spirit to a drug, which is not supposed to happen. Drugs, I believe, are here to enhance the mind and spirit, to turn you inside out and let you experience yourself in a different way.
So I leave you with a part of my life...perhaps it is here to save yours.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.