An entity controller that causes the controlled entity to chase certain other entites in its field of view and use the BodyThrust ability on them when close enough.
More...
#include <ECBodyThruster.h>
|
| void | thrusted (Entity *towardsEnemy) |
| | Emitted each time the controlled entity thrusts towards an enemy. More...
|
| |
An entity controller that causes the controlled entity to chase certain other entites in its field of view and use the BodyThrust ability on them when close enough.
Will chase both "target" entities and any entities that are enmies of the controlled entity.
Example usage:
◆ ECBodyThruster()
| ECBodyThruster::ECBodyThruster |
( |
Entity * |
entity | ) |
|
◆ addTargetEntity()
| void ECBodyThruster::addTargetEntity |
( |
Entity * |
entity | ) |
|
◆ onChaseContinued_
| void ECBodyThruster::onChaseContinued_ |
( |
Entity * |
entityChased, |
|
|
double |
distance |
|
) |
| |
|
slot |
Executed whenever the controlled enity moves closer to the chased entity.
Will see if close enough, if so, will BodyThrust chased entity.
◆ onChasePaused_
| void ECBodyThruster::onChasePaused_ |
( |
Entity * |
entity | ) |
|
|
slot |
Executed when the controlled entity gets within the stop distance of chased entity.
We will periodically body thrust.
◆ periodicCheck_
| void ECBodyThruster::periodicCheck_ |
( |
| ) |
|
|
slot |
◆ removeTargetEntity()
| void ECBodyThruster::removeTargetEntity |
( |
Entity * |
entity | ) |
|
◆ setAnimationToPlayWhileThrusting()
| void ECBodyThruster::setAnimationToPlayWhileThrusting |
( |
const std::string & |
animationName | ) |
|
Sets the animation to play while the controlled entity is thrusting forward.
Pass in "" if you don't want a special animation to be played.
◆ setThrustDistance()
| void ECBodyThruster::setThrustDistance |
( |
double |
distance | ) |
|
Set the distance that the controlled entity will thrust from.
◆ targetEntities()
| std::unordered_set< Entity * > ECBodyThruster::targetEntities |
( |
| ) |
const |
◆ thrusted
| void qge::ECBodyThruster::thrusted |
( |
Entity * |
towardsEnemy | ) |
|
|
signal |
Emitted each time the controlled entity thrusts towards an enemy.
The documentation for this class was generated from the following files:


<{include file="reservation_reserve_details_location.html"}>
<{include file="reservation_reserve_details_title.html"}>
<{include file="reservation_reserve_details_reserve_flag.html"}>
<{include file="reservation_reserve_details_reserve_time.html"}>
<{if ($action.reserve.contact != "") }>
<{include file="reservation_reserve_details_contact.html"}>
<{/if}>
<{if ($action.reserve.description != "") }>
<{include file="reservation_reserve_details_description.html"}>
<{/if}>
<{if ($action.reserve.rrule_str != "") }>
<{include file="reservation_reserve_details_repeat.html"}>
<{/if}>
<{include file="reservation_reserve_details_insert_user_name.html"}>
<{include file="reservation_reserve_details_update_time.html"}>
<{if ($action.reserve.hasModifyAuth == _ON) }>
<{include file="reservation_reserve_details_modify_btn.html"}>
<{include file="reservation_reserve_details_delete_btn.html"}>
<{/if}>
<{include file="../reservation_script.html"}>
<{/strip}>


Version of dependency assert-plus updated: old version was missing
some license information
Corrected examples in http_signing.md, added auto-tests to
automatically validate these examples
1.1.0
Bump version of sshpk dependency, remove peerDependency on it since
it now supports exchanging objects between multiple versions of itself
where possible
1.0.2
Bump min version of jsprim dependency, to include fixes for using
http-signature with browserify
1.0.1
Bump minimum version of sshpk dependency, to include fixes for
whitespace tolerance in key parsing.
1.0.0
First semver release.
#36: Ensure verifySignature does not leak useful timing information
#42: Bring the library up to the latest version of the spec (including the
request-target changes)
Support for ECDSA keys and signatures.
Now uses sshpk for key parsing, validation and conversion.
Fixes for #21, #47, #39 and compatibility with node 0.8
0.11.0
Split up HMAC and Signature verification to avoid vulnerabilities where a
key intended for use with one can be validated against the other method
instead.
0.10.2
Updated versions of most dependencies.
Utility functions exported for PEM => SSH-RSA conversion.


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AMERICAN BEAUTY A film review by David N. Butterworth Copyright 1999 David N. Butterworth
*** (out of ****)
Over the years, Kevin Spacey has delighted in playing louses: charming men with hearts as black as pitch.
For 14 years Lester has been a writer for a crappy media magazine. He's married, unhappily, to Carolyn (Annette Bening), an aspiring realtor who lives the image of success even though she's not really all that good at selling houses. The Burnhams have a teenage daughter, Jane (Thora Birch), but neither of them really know her. Lester, bitter and unfulfilled at 42, hates his job, which is just as well because he's about to lose it.
And, as Spacey's narration informs us at the beginning of the film, he's not going to make it to 43 either.
That admission sets the scene for "American Beauty," a dark and disturbing black comedy with an almost painful emphasis on the black part. It's a film that revels in the decay and disharmony of suburbia; there are moments when you think to yourself "things are going to get ugly" before realizing that things have been interminable from the outset.
Lester's life is spiraling out of control; unhappiness reigns supreme. Then Jane brings home a cheerleading girlfriend one night and it's lust at first sight (since Carolyn isn't exactly meeting Lester's needs in that department). Lester begins to fantasize about Angela (Mena Suvari) who, of course, is young enough to be his daughter. Meanwhile, a camcorder-obsessed boy called Ricky Fitts moves in next door and takes a shine to Jane, offering to get rid of Lester as a token of his affection (his father, played by Chris Cooper, is a bigoted Marine who requires urine samples from his son every six months to ensure that he's drug-free).
It's not immediately clear whether Ricky (played with stone-cold credulity by Wes Bentley) is kidding, but as Alan Ball's not very pretty screenplay unfolds, events soon begin to take more chilling turns.
The strength of the acting in "American Beauty" keeps everything on the edge, with Spacey especially good as the frustrated Lester. Former Broadway director Sam Mendes makes his big-screen debut with this film, and it's a good one. There are times when "American Beauty" feels like it might be toppling over into melodrama, but Mendes grabs the reins and reels his actors in, generating power and a lot of perspiration in the process.
"American Beauty." Life is no bed of roses.
-- David N. Butterworth<EMAIL_ADDRESS>Got beef? Visit "La Movie Boeuf" online at http://members.dca.net/dnb
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