Story by: Alicia Sky Varinaitis
Teleplay by: Gigi McCreery & Perry Rein
Transcribed by: Eric Aasen
[Scene: Chandler and Joey's, Monica and Chandler are sitting on one of the chairs doing a crossword puzzle.]
Joey: Hey!
Chandler: Hey!
Monica: Hey!
Joey: What are you guys doing up?
Chandler: Oh, we wanted to finish the crossword before we went to bed. Hey, do you know a six-letter word for red?
Joey: (thinks) Dark red.
Chandler: Yeah, I think that's wrong, but there's a Connect the Dots in here for you later. (To Monica) Hey, how about maroon?
Monica: (checks to see if it works) Yes, you are so smart! (Kisses him.)
Joey: Aww, you guys are so cute!
Monica: I know.
Joey: All right, I'll see you in the morning.
Chandler and Monica: Okay.
[Scene: Joey's bedroom, time lapse. He's asleep and dreaming. In his dream he's doing the crossword puzzle with wait for it Monica!]
Dream Monica: Y'know, I love doing crossword puzzles with you honey!
Dream Joey: Aww, me too. Now let's finish this and go to bed.
Dream Monica: Okay! There's only one left, three letter word, not dog but
Dream Joey: Cat.
Dream Monica: Yes! You are so smart! (Kisses him.) I love you.
Dream Joey: I love you too.
(They hug.)
[Cut back to Joey in bed, he's smiling, enjoying the dream as he wakes up. Suddenly, he realized what he was dreaming about and bolts upright in bed.]
Opening Credits
[Scene: Central Perk, everyone is there but Ross and Joey. Gunther hands them the bill, and Chandler gives some money to pay it.]
Rachel: (looking at the bill) Uhh, we still need a tip.
Phoebe: All right. Hold on. (She starts digging in the chair.) I got it. Nickel! (Donates it.) How much more do we need?
Rachel: A couple of bucks.
Phoebe: Okay, dime! (Donates that.) You guys should probably keep talking; this could take a while. (Finds something else.) Oh no, wait! Look it! Whoa! (Looks at it.) Oh my God, this is a police badge!
Monica: Wow!
Chandler: Oh that's so cool! Why would a cop come in here though? They don't serve donuts. (No one laughs.) Y'know what actually, could you discover the badge again? I think I can come up with something better than that.
Rachel: Phoebe, I bet somebody's missing that badge.
Phoebe: Yeah, I should probably take it back. Ooh, but you know what? While I'm at the police station, I could check their Ten Most Wanted lists because my friend Fritzy has been like number 11 forever, so this could be her year! (She crosses her fingers in hope.)
Joey: (entering) Hey, you guys!
Chandler: Hey!
Rachel: Hey Joey!
Monica: Hey.
Joey: (To Monica) Hey. That uh, that my sweatshirt?
Monica: Oh yes, it is. I'm sorry I borrowed it, I was cold. I hope its okay?
Joey: Well uh, it's just that uh, y'know if-if you're gonna be wearing someone's sweatshirt shouldn't it be your boyfriends--and Im not him.
Monica: I'm sorry, I'll give it back to you.
Joey: No-no! No!
Monica: Are you saying I smell bad?
Joey: No!  (Pause.) I'm sorry. (Runs to the bathroom.)
Monica: What's with him?
Chandler: Oh, y'know what? The last time Joey went to a meadow, his mother was shot by a hunter.
[Scene: A couch store, Ross is trying to decide on a new couch for his place. He has dragged Rachel along for the trip, and she's not too happy about it. Ross is sitting on it in different ways to see how it feels. He tries to just sit on it normally, and then he tries flopping on it. One thing about this couch, it's huge. It's like twice the size of a normal full size couch. Whoever designed this thing, needs help and fast.]
Rachel: (disgusted at Ross's antics) Ugh!
Ross: (To Rachel) Yeah, I still don't know. (To the salesman who is hovering nearby) I'm sorry I just wanna make sure that I bought the right couch. I need a couch that says, "Kids welcome here."
Rachel: What?! You say that to kids?!!
Ross: No! No! No! The "Come here to me" is y'know for the ladies.
Rachel: Ross, honey, it's a nice couch. It's not a magic couch.
The Salesman: You picked a great couch.
Ross: Yeah?
The Salesman: Yeah. Could you just sign right here please? (Hands him a clipboard.)
Ross: Oh, sure. Whoa-whoa, what's this? The delivery charge is almost as much as the couch!
Rachel: Wait! No, that's ridiculous.
Ross: Yeah, y'know what? I'll take it myself, thank you! (He signs the form and hands it back to the salesman.) All right Rach, let's go! (He picks up one end of the couch.)
Rachel: Yeah! (She puts on her coat and turns around and sees Ross is expecting her to help.) (Laughing.) Are you kiddin'?
Ross: Oh, come on it's only three blocks! And-and, it's not very heavy, try it! Come on! Come on!
Rachel: (Disgustedly she goes and tries to pick up the couch. Much to her amazement, she is successful.) Oh. Oh! I can do it!
Ross: Yeah!
The Salesman: You two are really gonna enjoy that couch.
Ross: Oh yeah, we're uh, yeah we're not together. (He starts backing out of the store.)
The Salesman: Ohh, okay. (Laughs.) Something didn't quite add up there. (Ross stops, walks back to talk to the salesman, and in the process pushes Rachel up against a wall.)
Rachel: Ross!
Ross: What's that supposed to mean?
Rachel: Ross!
 And you're like y'know.
Ross: Not that it's any of your business, but we did go out.
The Salesman: Really? You two?
Ross: Yeah! Rach?
Rachel: Come on, I don't really want to be doing this right now. I am carrying a very heavy couch.
Ross: Then tell him quickly.
Rachel: (To Ross) Fine! (To the salesman) We went out.
Ross: Not only did we go out, we did it 298 times!
Rachel: Ross!! Oh my--ugh!! You kept count?!

(Rachel pushes on the couch and pushes Ross out the door.)
[Scene: Outside of Central Perk, Phoebe is exiting and sees a woman put out her cigarette on a tree.]
Phoebe: Oh. Oh! Ma'am? Excuse me, ma'am?
The Smoking Woman: Yes?
Phoebe: You can't put your cigarette out on a tree!
The Smoking Woman: Yeah I can, it worked real well.
Phoebe: No but you shouldn't! Don't ever do that again.
The Smoking Woman: I won't! (Turns away) Until I have my next cigarette.
Phoebe: Hold it! (Grabs the badge) N.Y.P.D! Freeze punk!
The Smoking Woman: What?!
Phoebe: Yeah that's right you are so busted. (To no one in particular.) Book 'em.
The Smoking Woman: Who are you talking too?
Phoebe: Save it Red! Unless you wanna spend the night in the slammer, you apologize to the tree.
The Smoking Woman: I am not going to apologize to a tree!
Phoebe: You apologize to the tree right now or I am calling for backup. (The woman calls her bluff.) (Screaming at no one in particular) Backup! Backup!!
The Smoking Woman: I-I'm sorry! Sorry.
Phoebe: Okay, cancel backup! Cancel backup!
[Scene: Ross's building's lobby, he and Rachel are about to attempt to take the couch upstairs.]
Ross: Okay. (Throws off the last cushion.)
Rachel: Ross, didn't you say that there was an elevator in here?
Ross: Uhh, yes I did but there isn't. Okay, here we go.
(They start the attempt. Ross is going backwards and reaches the first landing. This staircase has three steps then a landing, makes a 90-degree turn, and has more steps before another landing and another 90-degree turn.)
Ross: Okay, go left. Left! Left! (The bottom of the couch is hitting the railing.)
Rachel: Okay, y'know what? There is no more left, left!
 Straight up over your head! You can do it! You can do it! (She gets it lifted up and they make the first turn.) Okay. You got it?
Rachel: Yeah.
Ross: Good-good-good.
Rachel: Oh-oh!
(She can't stay at the end as the couch rounds the turn so she shifts to the back corner of the couch and is at a 90-degree angle to it.)
Ross: Yeah, you got it right? You got it right? You got it?
(She don't got it as the couch slips out of their grips and falls over the bottom railing.)
Rachel: Any chance you think the couch looks good there?
[Scene: Chandler and Joey's, Phoebe is telling Chandler and Monica how she fought crime in her own way with the badge she found.]
Phoebe: so this guy was all (Mumbles.) And I'm all, Buffay, Homicide. (Flashes the badge.) It was just so cool!
Monica: (cooking something) Phoebe, you were supposed to take that back!
Phoebe: I know but I'm having so much fun doing good deeds.
Chandler: Okay, but impersonating a police officer is a serious thing. You could get arrested.
Phoebe: You could get arrested, right now! (Flashes the badge and they glare at her.) All right, yeah, I gotta take it back. I'm totally drunk with power. (She heads for the door just as Joey enters.)
Phoebe: (To Joey) Hey.
Joey: (To Phoebe) Hey! (Sees that Monica's there.) Oh.
Chandler: Hi, Joe.
Joey: Yeah, I didnt know you guys were going to be here.
Monica: Hey Joey, sweetie, taste this. (Holds out a spoon for him.)
Joey: (backing away) What?! Why?!
Monica: What is going on with you?
Joey: Nothing!
Chandler: Oh, come on! You've been acting strange all day!
Joey: All right! There is something. I kinda had a dream, (pause) but I don't want to talk about it. (Starts for his room.)
Chandler: Whoa-whoa-whoa-whoa-whoa-what-what if Martin Luther King had said that? (Imitating what his famous speech would sound like.) I kinda have a dream! I dont want to talk about it.
Joey: Well, it involved Monica.
Chandler: You had a dream about a girl that I am seeing?! Oh, that is so cool! (To Monica) I can't tell you how many times I've dreamt about a girl that he was seeing. (Seeing Monica's stare.) (To Joey) Anyway we're talking about your dream. (To Monica) I love you. (To Joey) Your dream? (Leans in to listen closely.)
Joey: Don't worry, there wasn't any sex in it or anything. I haven't dreamt about her like that since I found out about you two--ish.
Monica: What was the dream about?
Joey: Well, okay. You were my girlfriend and we were doing the crossword puzzle.  So, that's it. I'm in love with Monica and I'll be moving out.
Monica: Wait, Joey! Joey! That doesnt mean that-that you're in love with me!
Joey: It-it doesnt?
Monica: No!
Chandler: No, it can mean anything. Like uh, all of the sudden you're jealous because I've become the apartment stud.
Joey: That kinda sounds like your dream dude.
Monica: Or, it could mean that-that you saw Chandler and me together and we y'know were being close and stuff and then you just want to have that with someone too.
Joey: In the dream I did enjoy the closeness.
Monica: Um-hmm.
Chandler: Joey, look, are you attracted to Monica? Right here, right now, are you attracted to her?
Joey: (looks at her) Not really.
Chandler: Well there you have it!
Monica: Well sure! I'm just wearing sweats! (Looking at Chandler and slowly realizing what his point is.) But that's good that you're not in love with me, because you just want a girlfriend!
Joey: No, I don't think it's just about just getting a girlfriend. Y'know?  Yeah, we could sit in the chair and do crosswords, but y'know are we ever going to have y'know the closeness like-like you guys have?
Chandler: Well y'know, Monica and I were friends before we started dating. So maybe-maybe that's it?
Joey: Friends first? That's interesting.
Monica: You become friends after?
Joey: No, never done that either.
Rachel: (entering) Hey, umm, do you guys have that tape measure?
Chandler: Oh yeah, it's actually in my bedroom.
(Monica and Chandler both remember a special moment between them.)
Monica: (laughing) That's right.
(They realize the implication of their behavior, stop instantly and head for his bedroom. In the meanwhile, Joey is starring at Rachel in a seductive way.)
Rachel: (noticing him) What's up Joey?
Joey: (in a sexy voice) How you doin'?
(Rachel is stunned.)
Commercial Break
[Scene: Outside Central Perk, Phoebe is walking up and notices a car that is parked half on the curb and right in front of the door, making it difficult for people to enter Central Perk.]
Phoebe: Excuse me, is this your car?
Guy: Yeah.
Phoebe: Well I don't think it's very nice of you to park here, y'know you're blocking the entrance.
Guy: Don't worry about it. It's not a problem.
Phoebe: Well, it's a problem for me, which means it's a problem for you 'cause I'm a cop. (Shows the badge.)
Guy: (he reaches into the car and slams his siren on the roof.) So am I!
 So, all right, keep up the good work. 10-4. (Tries to leave.)
Cop: (stopping her) Hey, wait a second! So wait, what precinct are you with?
Phoebe: I-I'm with the umm, the 57th.
Cop: Oh, I know a guy in homicide up there.
Phoebe: I'm in vice. Yeah, in fact I'm undercover right now.
Cop: Who-who else is in vice up there?
Phoebe: Umm, do you know, umm Sipowicz?
Cop: Sipowicz? No, I don't think so.
Phoebe: Yeah, big guy, kinda bald.
Cop: No, I don't know him.
Phoebe: (starts to walk away, but stops) Dont try to call him or anything, 'cause he's not there, he's out. His umm, his partner just died.
Cop: Wow umm, tell Sipowicz I'm real sorry for his loss.
Phoebe: I-I sure will, take care. (Starts walking off.)
Cop: (following her) Hey by the way, I'm sure Sipowicz is gonna be all right. I heard that kid from Silver Spoons is really good. (Phoebe's stunned) And where did you find my badge?
Phoebe: Oh. (She starts laughing. Then she throws the badge at him and runs away.)
[Scene: Monica and Rachel's, Joey is entering. Rachel is there getting some tools to help Ross out.]
Rachel: Hey! Joey, would you mind giving me and Ross a hand moving his couch?
Joey: Oh, I'd love too, but I got acting class. But y'know what?
(He starts staring at her longingly.)
Rachel: Thanks!
Joey: Uh, hey, Rach let me ask you something. Uh, I was just over there talking to Monica and Chandler, boy they are really tight.
Rachel: I know.
Joey: Yeah that's not such a bad situation they got going over there. I'm thinking of getting me one of those.
Rachel: What's up Joe?
Joey: Well, the reason I think Monica and Chandler are so great
Rachel: Yeah?
Joey: is because they were friends first. Y'know? So I asked myself, "Who are my friends?" You and Phoebe, and I saw you first. So
Rachel: (laughing) What are you saying?
Joey: I'm saying maybe you and I crank it up a notch.
Rachel: Y'know honey, umm, as uh, as flattered as I am that uh, you saw me first, uhh, I just, I-I don't think we should be cranking anything up.
Joey: I'll treat you real nice. (Pulls out a chair for her.)
Rachel: (laughs and pushes the chair back in) Yeah, well, y'know umm No honey, listen I think it's a great idea to become friends with someone before you date them, but I think the way you do it is y'know you meet someone, become their friend, build a foundation, then you ask them out on a date. Don't hit on your existing friends!
Joey: Won't-won't that take longer?
Rachel: Yeah. Yeah. Oh, but once you find it, ohh it's so worth the wait.
Joey: Yeah. I understand. I understand. (Pause) Man, I wish I saw Phoebe first!
[Scene: The lobby of Ross's building, he's sitting on the couch at the bottom of the stairs, and he's practicing enticing women to join him on the couch.]
Ross: Come here to me. No-no, you come here to me.
Rachel: (entering) Hey Ross! I brought reinforcements.
Ross: Oh great! What, you brought Joey?
Rachel: Well, I brought the next best thing.
Chandler: (entering) Hey!
Ross: Chandler?! You brought Chandler?! The next best thing would be Monica!
Chandler: Y'know, I would be offended, but Monica is freakishly strong, so
Ross: Look, I-I drew a sketch about how we're gonna do it. (Showing them) Okay Rach, (points to the sketch) that's you. That's the couch. (Points again.)
Rachel: Whoa-oh, what's-what's that? (Points.)
Ross: Oh, that's me.
Rachel: Wow! You certainly think a lot of yourself.
Ross: No! That's-that's my arm!
Chandler: (looking at the sketch) Oh, I see. I thought you just really, really liked your new couch.
Ross: Y'know what? Just-just follow my lead.
(Chandler and Ross head for opposite ends of the couch.)
Rachel: Okay!
Chandler: Okay.
Ross: Come on, Chandler.
(They pick up the couch and after throwing off the last pillow; Rachel helps out on Chandler's end.)
Ross: All right. (They start up the stairs. Ross is first.) Okay, here we go!
(Chandler has moved forward and is now underneath the couch as it heads up the first set of stairs.)
Ross: All right, ready?
Chandler: Yeah.
Ross: Turn.
Chandler: (straining) Okay.
Ross: Turn! Turn!
(As they turn the couch, Chandler gets sandwiched between the railing and the couch.)
Chandler: Okay, I don't think we can turn anymore!
Rachel: Ross, I don't, I just don't think it's going to fit.
Ross: Oh yeah it will!  Up-up-up! Up! Yes! Here we go! Pivot! (They start up the stairs again. Chandler is between the couch and the wall now.) Pivot! Piv-ot! Piv-et!! Piv-ett!!! Piv-et!

(They set the couch down.)
Ross: Okay, I don't think it's going to pivot anymore.
Chandler and Rachel: You think?!
Ross: All right, let's uh, let's bring it back down and-and try again.
(As they start back down the couch drops a little bit and gets jammed. They try to free it to no avail.)
Chandler: Okay, yeah, I think it's really stuck now.
Ross: I can't believe that didn't work!
Rachel: I know, me neither!
Chandler: Oh, y'know, what did you mean when you said pivot?
[Scene: Chandler and Joey's, Joey is returning and finds Chandler, Monica, and Rachel are there.]
Joey: (entering) Hey!
Rachel: Hey! How's it going? Did you make any new friends?
Joey: Yeah, yeah, I met this woman. (Starts for his room.)
Chandler: (stopping him) Hey, whoa-whoa! What's she like?
Joey: Uhh, well, she's really good in bed.
Monica: Joey, I thought you were gonna try to be friends first!
Joey: (To Rachel) Well look, hey, it's all your fault!
Rachel: What?! Why?!
Joey: Well because you didn't give me advice! No! You gave me a pickup line! As soon as I told her I wanted to y'know, build a foundation and be friends first. I suddenly, through no fault of my own, became irresistible to her! (Pause) And her roommate!
Monica: What about the closeness?
Joey: Closeness-shmoshness! There was three of us for crying out loud!
[Scene: Monica and Rachel's, Joey is entering with a pizza and finds everyone but Ross there.]
Joey: (entering) All right! Hey, who wants pizza?!
Chandler: Ooh, I do! I do! I do!
(They all walk over to get a slice.)
Joey: (taking a bite) Oh, great! Can you believe I found it on the second floor?
(They all throw their pieces back as there is a knock on the door.)
Monica: Who is it?
Voice: N.Y.P.D!!
Phoebe and Joey: Oh my God!
Joey: Uhh, just a minute officer!!
(He throws his piece back in the box, runs into the living room, looks for a place to hide the pizza, finds one, slides the box under the couch, sits down on the table, and tries to quickly chew the food in his mouth.)
Cop: I'm looking for Phoebe Buffay!
Phoebe: Ooh, God, it's him! It's that cop! God, I can't believe it! He found me!

Phoebe: Well, if I'm going down, I'm taking you (Points at all of them) with me. (They all look at her.) Harboring a fugitive? That's one to three years minimum. Good luck Chandler. (She opens the door to the cop from before.) Okay, you can arrest me. Fine. But you'll never make it stick and you know it!
Cop: Yeah, but I kinda don't have a choice, it's my job. I mean, you understand right?
Phoebe: Yep!  A fool!
Cop: I don't like looking foolish. Y'know what? Maybe uh, I don't arrest you today. Maybe I came by and you weren't here.
Phoebe: I would love it if I weren't here!
Cop: Okay, so since umm, you're not going to jail tonight I was wondering if you would like to go to dinner with me?
Phoebe: Me?!
Cop: Yeah. Ever since you flashed my badge at me, I kinda can't stop thinking about you.
Chandler and Joey: Nice!
Phoebe: Wow! I didn't see that coming! You're-you're asking me out!
Cop: Yeah. I mean, I coulda done it better, but these people keep staring at me.
Phoebe: Umm, yeah, I'd like to go out with you officer
Cop: Gary.
Phoebe: Gary.
Gary: Okay, so it's a date.
Phoebe: Yeah! So--ooh, I gotta ask you though. How did you know where to find me?
Gary: Well you're fingerprints were all over my badge so I just ran it through the computer and this was listed as your last known address so I just checked it out.
Phoebe: Ohh, impressive.
Gary: Not as impressive as you. I gotta tell you, I looked at your record and you've done some pretty weird stuff.
Phoebe: Yeah, we'll talk at dinner.
Gary: Okay. (He starts to leave.) So I'll come by in a couple hours and pick you up?
Phoebe: All right, I can't wait!
Gary: Okay. And don't worry, I'm not just gonna take you out for donuts.
(Chandler busts out laughing and everyone just looks at him.)
Chandler: (To Rachel) He has a gun!
Closing Credits
[Scene: The couch store, Ross is talking to a saleswoman.]
Ross: I'd like to return this couch. I'm not satisfied with it.
[The camera cuts to show the couch, which has been cut in half.]
The Saleswoman: You wanna return this couch? (Ross nods yes.) It's cut in half!
Ross: That's what I'm telling you.
The Saleswoman: Did you cut this couch in half?
Ross: This couch, is cut in half! I would like to exchange it for one that is not cut in half!
The Saleswoman: You're telling me this couch was delivered to you like this?!
Ross: Look, I am a reasonable man. I will accept store credit.
The Saleswoman: I'll give you store credit in the amount of four dollars.
Ross: (thinks) I take it.
End


I am a full time and dedicated student at UCC.
I am flexible and willing to learn
I am hard working.
I have good organisational skills.
I have great communication skills and tend to thrive in group activity.
Working at Aldi I was expected to perform a number of tasks during each shift with a small team. This experience thought me the importance of team communication and concentration. I mainly was at the checkout where I greatly improved my customer service skills.
My mother organises the Charity's work in Cork. This means that she had me helping out from an early age. She had me exposed to the management side of an organisation from an early age. Whether it was collecting money, counting the money or keeping account of the stock, I have done it all. We continue to volunteer to this day. This experience has greatly enhanced my management skills.
Ballinlough,
Cork.
021 4291958
<EMAIL_ADDRESS>Sidney Hill,
Wellington Road
Cork.
021 4501653
<EMAIL_ADDRESS>College Road,
Cork
021 4903000


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- Google search for R Tutorial
- An Introduction to R (pdf), from the central R web site, something between a tutorial and a manual
- Jo Hardin’s R Tutorial (pdf), shorter
- Notes from Thomas Lumley’s two-day short course in R
- Video R Tutorial
- Short html R Tutorial with implausibly poor colour choice
- Short well-organised html R Tutorial with that National Geographic look
- Yet another html R Tutorial, one big page with nice graphics and examples


|
XMC Peripheral Library for XMC4000 Family
2.1.4
|
#include <xmc_vadc.h>
Datenfelder | |
| XMC_VADC_GLOBAL_CLASS_t | class0 |
| XMC_VADC_GLOBAL_CLASS_t | class1 |
| XMC_VADC_GLOBAL_CLOCK_t | clock_config |
| uint32_t | boundary0: 12 |
| uint32_t | boundary1: 12 |
| uint32_t | data_reduction_control: 4 |
| uint32_t | disable_sleep_mode_control: 1 |
| uint32_t | event_gen_enable: 1 |
| uint32_t | module_disable: 1 |
| uint32_t | wait_for_read_mode: 1 |
Structure to initialize the VADC Global functions
| uint32_t boundary0 |
Boundary value for results comparison
| uint32_t boundary1 |
Boundary value for results comparison
| XMC_VADC_GLOBAL_CLASS_t class0 |
ADC input conversion configurations for GLOBICLASS[0]
| XMC_VADC_GLOBAL_CLASS_t class1 |
ADC input conversion configurations for GLOBICLASS[1]
| XMC_VADC_GLOBAL_CLOCK_t clock_config |
ADC clock configurations
| uint32_t data_reduction_control |
Data reduction stages
| uint32_t disable_sleep_mode_control |
Set it to true in order to disable the Sleep mode
| uint32_t event_gen_enable |
Generates an event on availability of new result.
| uint32_t module_disable |
Disables the module clock.
| uint32_t wait_for_read_mode |
Results of the next conversion will not be overwritten in the result register until the previous value is read


{% extends "layout.html" %} {% block content %} {# page is used if the user is not allowed to edit the admin #} Administrator Information {{ current_user.username }} - {{ current_user.email }} {{ admin.first_name + " " + admin.last_name }} Username: {{ admin.username }} Email Address: {{ admin.email }} Phone Number: {{ admin.phone_num }} Image is located in the lower right. Information is selected from the database, now add the following: If user is a super-user or is the user selected, allow edits to the user information by placing the information in an editable form. Select An Admin: {% for user in admin_list %} {% endfor %} {# add something here to list our admins with clickable links that #} {# return to admin/account/username #} {% endblock content %}
{{ admin.first_name + " " + admin.last_name }} Username: {{ admin.username }} Email Address: {{ admin.email }} Phone Number: {{ admin.phone_num }} Image is located in the lower right. Information is selected from the database, now add the following: If user is a super-user or is the user selected, allow edits to the user information by placing the information in an editable form.
Select An Admin: {% for user in admin_list %} {% endfor %} {# add something here to list our admins with clickable links that #} {# return to admin/account/username #}
Select An Admin:


--- layout: post title: "First Post!" date: 2021-07-25 categories: random ending_icon: "/files/icon/3d_icon_transparent-192x192.png" --- Tracing and rating my "go-to" coffees from 2013 - 2021
---
Oh coffee… arguably Earth’s most valuable resource has positively impacted my life so much that it wins first post!
I didn’t begin drinking coffee until my freshman year of college (2013), which is when I discovered Starbucks’ Mocha Frappuccino. At first, it was awful - like many unfamiliar drinks. But, sometime between study sessions in the café, long shifts at Pacsun, and road trips with friends… I fell in love.
As expected, my palate has deviated throughout the years, so I thought it would be fun to trace and rate my “go-to” coffees since the beginning.
Special shout out to the Starbucks baristas (2013-2018) on Colonel Glenn Highway in Dayton, Ohio. You’ve brought a copious amount of joy to my life.
Let’s get to it!
Tanner’s Coffee in Los Angeles, CA is my current “go-to” coffee spot. Check them out if you’re in the area!


Continuous Scrum
Jan 30 2015Scrum is a honkin’ great idea. It takes the ideas of agile and puts them into an easy to apply package. When used right, it improves communication within the team, it will allow you to iteratively develop fairly easily and will continue improving your process.
However, it’s not without disadvantages. Let’s have a look.
Sprints decrease productivity
Well, in a certain sense at least. When you come from an unpolished cowboy style of developing, it will definitely increase productivity, although most of the gain will come from improving the focus of your team. However, when your team is already working on the right things in a disciplined way, the days towards the end of a sprint are much less productive than the others.
Why is this? I’ve observed a few reasons.
- Too little time for starting the next thing. If you finish all tasks for the current sprint before schedule and have some time left, the temptation is strong to just wait for the next sprint. It’s easier to follow the regular process than to try to start something earlier. This is made worse by the fact that the weekend between sprints is seen as a true period of rest, with no work from Friday to be carried over to Monday. That’s a comforting thing to keep.
- There no motivation for doing more than forecasted. Granted, it’s the job of the Scrum master to avoid this, but this can be very hard. It’s often very difficult to tell the difference between whether people can’t do more or just don’t want to.
- Your team, whether we want it to or not, is often judged by its capacity to deliver what they said they would deliver. There’s only a limited incentive to do more.
Continually working in sprints limits creativity and innovation
A well oiled Scrum process is repeatable and predictable. Everything that is forecasted to happen will happen, and if it doesn’t, the exception is communicated timely and properly. If you get to this point, you did a great job. However, you should be aware that you also just killed (or at least strongly reduced) the potential for random innovation. That’s what process does; instead of being able to just jump on some promising idea and hack together a prototype, you have to think of the commitment, ask the product owner for permission, and basically jump through some hoops that slowly but surely beat all motivation out of you, one hoop at a time.
Usually the trade-off is worth it, if what you get back is focus and predictability. However, if your business depends on a brilliant insight once in a while from someone within the team, you might be in trouble. There are solutions for this, such as spikes, but that’s again trying to formalize something that is hard to formalize.
So what should we do?
That’s a good question. You want to allow your team the freedom to think creatively, and you want to maximize productivity, without losing focus. The bad news is that it won’t be perfectly possible. However, I feel that the problems are mainly caused by structuring all development work around sprints. While iterating is essential to any decent software process, iterating with your entire team is a bit heavy handed.
Alternative: Continuous Scrum
So the idea I’m playing with is that of a Continuous Scrum. The only thing that this would change compared to the pure Scrum is that it removes the sprint planning. When you are done with a task, you start with the next, and that’s it.  If you’re familiar with Kanban, I see Continuous Scrum as a mix between Kanban and Scrum.
The advantages should be clear. The pressure on work is now evenly distributed as there is no “end of sprint” moment, so productivity should be equal. Furthermore, as there is no need to start and finish your work with the rest of the team, there’s more flexibility to tailoring tasks in an ad hoc fashion to individuals, and as such creativity should benefit.
That sounds great! Have you tried it?
Sadly, not yet. The reason we haven’t tried it in my company yet is that it does have its downsides. Interestingly enough, they are all related to discipline.
For starters, delivery. With a sprint, you are forced to finish and deliver your work after two weeks. In a Continuous Scrum process, there’s no such point. But you should of course iteratively keep delivering. This can be mitigated however using the agile release train concept, but your engineers should still work towards delivering as often as possible.
Furthermore, the step of getting a task from the backlog is suddenly now distributed. This can cause starvation on the hard tasks, if everyone skips them. During sprint planning, peer pressure (and pressure from the product owner) mitigates this, but Continuous Scrum has no such incentive. A possible solution could be to have a central point of contact who hands out tasks, but that doesn’t seem ideal. Another idea is to do a weekly planning session, and only those that are running towards the end of their task attend to estimate and take on new tasks. But I haven’t worked this one out yet.
Finally, you distribute ownership even more. It’s a hard problem to solve in regular teams already, to get the team to own the work, instead of the individuals. This makes it worse. There’s no single moment where everyone sits together and decides, as a group, which tasks to tackle in the coming weeks. But you do want the team to take this ownership as a group, at the very least to stimulate collaboration.
If you do have a team however that is disciplined, takes responsibility as a group and is yearning for the chance to be more productive and creative, this just might be the ticket.


FormController
ng
FormController
keeps track of all its controls and nested forms as well as state of them,
such as being valid/invalid or dirty/pristine.
Each form
directive creates an instance
of FormController
.
Register a control with the form.
Input elements using ngModelController do this automatically when they are linked.
Deregister a control from the form.
Input elements using ngModelController do this automatically when they are destroyed.
Sets the form to a dirty state.
This method can be called to add the 'ng-dirty' class and set the form to a dirty state (ng-dirty class). This method will also propagate to parent forms.
Sets the form to its pristine state.
This method can be called to remove the 'ng-dirty' class and set the form to its pristine state (ng-pristine class). This method will also propagate to all the controls contained in this form.
Setting a form back to a pristine state is often useful when we want to 'reuse' a form after saving or resetting it.
Sets the validity of a form control.
This method will also propagate to parent forms.
True if user has not interacted with the form yet.
True if user has already interacted with the form.
True if all of the containing forms and controls are valid.
True if at least one containing control or form is invalid.
Is an object hash, containing references to all invalid controls or forms, where:
Built-in validation tokens:
email
max
maxlength
min
minlength
number
pattern
required
url


We live in a “digital” world, the separation between physical and virtual makes (almost) no sense anymore. Here, the Corona pandemic has also acted as an accelerator/magnifier demonstrating that the future of our digital society is here with all its possibilities, but also shortcomings. Digital Humanism looks at this interplay of technology and man, it analyzes, and, most importantly, tries to influence the complex interplay of technology and humankind, for a better society and life. We recognize the need of an interdisciplinary approach, integrating humanities, social, technical and engineering sciences; we need to cross different disciplines and to break down disciplinary silos.
At the summer school we look at and discuss issues such as participation and democracy, digital politics and sovereignty, economy and the role of platforms, privacy, AI and ethics, or fair systems. This will be presented and discussed by globally recognized and leading academics from computer science, social sciences and humanities.
The school is designed in an interdisciplinary manner, open for participants from the different disciplines mentioned (humanities, social, technical and engineering sciences). It is open to students at the PhD and advanced master level as well as interested persons from industry, institutions and civil society.


AC analysis
An AC analysis allows you to find the behavior of a circuit for small signals. The simulation will first determine the operating point, after which small sinusoidal excitations are applied on top of the calculated biasing conditions. Each voltage, current or other simulated quantity will then vary along with the excited signal and will show an amplitude and phase shift that is represented by a single complex number. This is useful when characterizing a filter, or when analyzing stability of systems that have feedback in them.
By assuming the perturbations are small and sinusoidal, the circuit can be linearized which makes this type of simulation relatively fast. The result is a Complex number, which contains the amplitude and phase information.
Consider the following circuit:
To simulate this, we can write
// Build the circuit
var ckt = new Circuit(
new VoltageSource("V1", "in", "0", 0.0)
.SetParameter("acmag", 1.0),
new Resistor("R1", "in", "out", 10.0e3),
new Capacitor("C1", "out", "0", 1e-6)
);
// Create the simulation
var ac = new AC("AC 1", new DecadeSweep(1e-2, 1.0e3, 5));
// Make the export
var exportVoltage = new ComplexVoltageExport(ac, "out");
// Simulate
ac.ExportSimulationData += (sender, args) =>
{
var output = exportVoltage.Value;
var decibels = 10.0 * Math.Log10(output.Real * output.Real + output.Imaginary * output.Imaginary);
};
ac.Run(ckt);
For our AC analysis, we need an AC source that will excite the circuit. The amplitude and phase of the excitation can be set by using the acmag and acphase parameters for a VoltageSource object.
The frequency points that are simulated in our example range from 10mHz to 1kHz, simulating 5 points per decade, logarithmically spaced.
This is effectively the same as using the following netlist in other Spice simulators:
AC example
V1 in 0 0 AC 1
R1 in out 10k
C1 out 0 1u
.AC dec 5 10m 1k
* Export voltages/currents/etc.
.END
Plotting the output amplitude in decibels gives the following low-pass filter characteristic:


Code Style and Quality Guide — Formatting Guide #
Preamble #
Pull Requests & Changes #
Common Coding Guide #
Java Language Guide #
Scala Language Guide #
Components Guide #
Formatting Guide #
Java Code Formatting Style #
We recommend to set up the IDE to automatically check the code style. Please follow the IDE Setup Guide to set up spotless and checkstyle .
License #
- Apache license headers. Make sure you have Apache License headers in your files. The RAT plugin is checking for that when you build the code.
Imports #
- Empty line before and after package declaration.
- No unused imports.
- No redundant imports.
- No wildcard imports. They can cause problems when adding to the code and in some cases even during refactoring.
- Import order. Imports must be ordered alphabetically, grouped into the following blocks, with each block separated by an empty line:
- <imports from org.apache.flink.*>
- <imports from org.apache.flink.shaded.*>
- <imports from other libraries>
- <imports from javax.*>
- <imports from java.*>
- <imports from scala.*>
- <static imports>
Naming #
- Package names must start with a letter, and must not contain upper-case letters or special characters.
Non-private static final fields must be upper-case, with words being separated by underscores.(
MY_STATIC_VARIABLE
) - Non-static fields/methods must be in lower camel case. (
myNonStaticField
)
Whitespaces #
- Tabs vs. spaces. We are using spaces for indentation, not tabs.
- No trailing whitespace.
- Spaces around operators/keywords. Operators (
+
,=
,>
, …) and keywords (if
,for
,catch
, …) must have a space before and after them, provided they are not at the start or end of the line.
Breaking the lines of too long statements #
In general long lines should be avoided for the better readability. Try to use short statements which operate on the same level of abstraction. Break the long statements by creating more local variables, defining helper functions etc.
Two major sources of long lines are:
- Long list of arguments in function declaration or call:
void func(type1 arg1, type2 arg2, ...)
- Long sequence of chained calls:
list.stream().map(...).reduce(...).collect(...)...
Rules about breaking the long lines:
- Break the argument list or chain of calls if the line exceeds limit or earlier if you believe that the breaking would improve the code readability
- If you break the line then each argument/call should have a separate line, including the first one
- Each new line should have one extra indentation (or two for a function declaration) relative to the line of the parent function name or the called entity
Additionally for function arguments:
- The opening parenthesis always stays on the line of the parent function name
- The possible thrown exception list is never broken and stays on the same last line, even if the line length exceeds its limit
- The line of the function argument should end with a comma staying on the same line except the last argument
Example of breaking the list of function arguments:
public void func(
int arg1,
int arg2,
...) throws E1, E2, E3 {
}
The dot of a chained call is always on the line of that chained call proceeding the call at the beginning.
Example of breaking the list of chained calls:
values
.stream()
.map(...)
.collect(...);
Braces #
- Left curly braces (
{
) must not be placed on a new line. - Right curly braces (
}
) must always be placed at the beginning of the line. - Blocks. All statements after
if
,for
,while
,do
, … must always be encapsulated in a block with curly braces (even if the block contains one statement).
Javadocs #
- All public/protected methods and classes must have a Javadoc.
- The first sentence of the Javadoc must end with a period.
- Paragraphs must be separated with a new line, and started with
.
Modifiers #
- No redundant modifiers. For example, public modifiers in interface methods.
- Follow JLS3 modifier order. Modifiers must be ordered in the following order: public, protected, private, abstract, static, final, transient, volatile, synchronized, native, strictfp.
Files #
- All files must end with
\n
. - File length must not exceed 3000 lines.
Misc #
- Arrays must be defined Java-style. For example,
public String[] array
. - Use Flink Preconditions. To increase homogeneity, consistently use the
org.apache.flink.Preconditions
methodscheckNotNull
andcheckArgument
rather than Apache Commons Validate or Google Guava.


This package contain classes defining various types of PixelImage (which are the image standard for this toolkit) and provide many of the useful operations on the same.
Pixel Images
Following set of PixelImages are defined/supported in this package :
- Colour PixelImage :
- This family of PixelImages represent the true colour images.
- UInt PixelImages :
- This family of PixelImages represent the gray scale intensity image with different depth. Intensity for each pixel position is represented by an unsign integer.
- Binary PixelImage :
- This PixelImage represent a boolean/binary image.


Dropdown¶
from flexx import app, ui
class Example(ui.Widget):
def init(self):
ui.ComboBox(text='chooce:', options=['foo', 'bar', 'spaaaam'])
from flexx import app, event, ui
class Example(ui.Widget):
CSS = '''
.flx-DropdownContainer > .flx-TreeWidget {
min-height: 150px;
}
'''
def init(self):
# A nice and cosy tree view
with ui.DropdownContainer(text='Scene graph'):
with ui.TreeWidget(max_selected=1):
for i in range(20):
ui.TreeItem(text='foo %i' % i, checked=False)
# A combobox
self.combo = ui.ComboBox(editable=True,
options=('foo', 'bar', 'spaaaaaaaaam', 'eggs'))
self.label = ui.Label()
class JS:
@event.connect('combo.text')
def on_combobox_text(self, *events):
self.label.text = 'Combobox text: ' + self.combo.text
if self.combo.selected_index is not None:
self.label.text += ' (index %i)' % self.combo.selected_index
-
class
flexx.ui.widgets._dropdown.
BaseDropdown
(*init_args, **kwargs)¶ Inherits from:
Widget
Base class for drop-down-like widgets.
-
class
flexx.ui.
ComboBox
(*init_args, **kwargs)¶ Inherits from:
BaseDropdown
The Combobox is a combination of a button and a popup list, optionally with an editable text. It can be used to select among a set of options in a more compact manner than a TreeWidget would. Optionally, the text of the combobox can be edited. Connect to the
text
and/orselected_index
properties to keep track of interactions.-
editable
¶ property – Whether the combobox’s text is editable.
-
options
¶ property – A list of tuples (key, text) representing the options. For items that are given as a string, the key and text are the same. If a dict is given, it is transformed to key-text pairs.
-
placeholder_text
¶ property – The placeholder text to display in editable mode.
-
selected_index
¶ property – The currently selected item index. Can be None if no item has been selected or when the text was changed manually (if editable). Can also be programatically set.
-
selected_key
¶ property – The currently selected item key. Can be None if no item has been selected or when the text was changed manually (if editable). Can also be programatically set.
-
text
¶ property – The text displayed on the widget. This property is set when an item is selected from the dropdown menu. When editable, the
text
is also set when the text is edited by the user. This property is settable programatically regardless of the value ofeditable
.
-
-
class
flexx.ui.
DropdownContainer
(*init_args, **kwargs)¶ Inherits from:
BaseDropdown
A dropdown widget that shows its children when expanded. This can be used to e.g. make a collapsable tree widget. Some styling may be required for the child widget to be sized appropriately.
-
text
¶ property – The text displayed on the widget.
-


Whether or not to use expandable feature, allows you to turn off expandable on specific grids
within your application, or in specific modes on this grid. Defaults to true.
Example
$scope.gridOptions = {
enableExpandable: false
}
enableExpandableRowHeader
Show a rowHeader to provide the expandable buttons. If set to false then implies
you're going to use a custom method for expanding and collapsing the subgrids. Defaults to true.


PODBEUTER(1) PODBEUTER(1) NAME podbeuter - a podcast download manage for text terminals SYNOPSIS podbeuter [-C configfile] [-q queuefile] [-a] [-h] DESCRIPTION podbeuter is a podcast manager for text terminals. It is a helper program to newsbeuter which queues podcast downloads into a file. These queued downloads can then be download with newsbeuter. OPTIONS -h Display help -C configfile Use an alternative configuration file -q queuefile Use an alternative queue file -a Start automatic download of all queued files on startup PODCAST SUPPORT A podcast is a media file distributed over the internet using syndication feeds such as RSS, for later playback on portable players or computers. Newsbeuter contains support for downloading and saving podcasts. This support differs a bit from other podcast aggregators or "podcatchers" in how it is done. Podcast content is transported in RSS feeds via special tags called "enclosures". Newsbeuter recognizes these enclosures and stores the relevant information for every podcast item it finds in an RSS feed. Since version 2.0, it also recognizes and handles the Yahoo Media RSS extensions. What the user then can do is to add the podcast download URL to a download queue. Alternatively, newsbeuter can be configured to automatically do that. This queue is stored in the file $HOME/.newsbeuter/queue. The user can then use the download manager "podbeuter" to download these files to a directory on the local filesystem. Podbeuter comes with the newsbeuter package, and features a look and feel very close to the one of newsbeuter. It also shares the same configuration file. Podcasts that have been downloaded but haven’t been played yet remain in the queue but are marked as downloaded. You can remove them by purging them from the queue with the P key. After you’ve played a file and close podbeuter, it will be removed from the queue. The downloaded file remains on the filesystem. CONFIGURATION COMMANDS download-path (parameters: <path>; default value: ~/) Specifies the directory where podbeuter shall download the files to. Optionally, the placeholders "%n" (for the podcast feed’s name) and "%h" (for the podcast feed’s hostname) can be used to place downloads in a directory structure. (example: download-path "~/Downloads/%h/%n") max-downloads (parameters: <number>; default value: 1) Specifies the maximum number of parallel downloads when automatic download is enabled. (example: max-downloads 3) player (parameters: <player command>; default value: "") Specifies the player that shall be used for playback of downloaded files. (example: player "mp3blaster") FILES $HOME/.newsbeuter/config $HOME/.newsbeuter/queue SEE ALSO newsbeuter(1). The documentation that comes with newsbeuter is a good source about the general use and configuration of newsbeuter’s podcast support. AUTHORS Andreas Krennmair<EMAIL_ADDRESS>for contributors see AUTHORS file. 06/23/2011 PODBEUTER(1)


gvfs-monitor-file - Monitor files for changes
gvfs-monitor-file [OPTION...] [LOCATION...]
As long as gvfs-monitor-file is running, it will print information about creation, deletion, content and attribute changes and mount and unmount operations affecting the monitored files.
gvfs-monitor-file uses the GIOs file monitoring APIs to monitor the given files. GIO uses different implementations depending on the platform. The most common implementation Linux uses inotify.
The following options are understood:
-h, --help
Prints a short help text and exits.
--version
Shows the version number and exits.
-N, --no-pair
Don*(Aqt send single MOVED events.
On success 0 is returned, a non-zero failure code otherwise.


Learning new dance moves can be difficult, no matter what your skill level. TwoStepper is here for you to learn new moves you see on the dance floor!
Try to keep your camera steady, and focus only on the dance move you want to learn how to do.


{% extends 'layouts/layout.html' %} {% block pageTitle %} Something went wrong {% endblock %} {% block content %}
There was a technical problem.


Home
Html
CSS
FAQ
Cascading Styles Sheet
Introduction
Text Adjustment
Border
General vs Specific
Span
Background
Alignment
Classes + IDs


---
title: Volunteer Benefits
layout: default
---
Benefits of Volunteering at Red Butte Garden
Red Butte Garden strives to honor and recognize its volunteers each year by offering the following benefits. Benefits are based on the volunteer calendar which begins November 1st and ends October 31st.
All Red Butte Garden Volunteers Receive:
Free admission to the Garden on days they volunteer.
Invitations to volunteer gatherings.
Opportunities to earn additional benefits for hour contributions, as outlined below:
Hour Benefits *
30 hours/year ~ Garden-Plus membership to Red Butte Garden and invitation to Volunteer Recognition Event
50 hours/year ~ Above benefits plus complimentary RBG membership upgrade to Family or Circle of Friends level and 20% discount in the Gift Shop at Red Butte Garden
75 hours/year ~ Above benefits plus Red Butte Garden gift and two (2) guest passes to the Garden
100 hours/year ~ Two (2) complimentary tickets to a Red Butte Garden Outdoor Concert Series show (restrictions apply)
150+ hours/year ~ Above benefits plus one (1) gift membership (Family or Circle of Friends level) and one (1) complimentary Red Butte Garden class or workshop (restrictions apply)
300 hours/year ~ Two (2) additional complimentary tickets to a Red Butte Garden Outdoor Concert Series show (restrictions apply)
Service Awards
3 years at 40+ hours ~ Bronze Service Pin
5 years at 40+ hours ~ Silver Service Pin and gift & Button shirt
10 years at 40+ hours ~ Gold Service Pin and gift & Fleece Vest
15 years at 40+ hours ~ Platinum Award and gift
20 years at 40+ hours ~ Diamond Award, Garden Recognition
25 years at 40+ hours ~ Lifetime Award, Lifetime Membership to Red Butte Garden.
Federal Tax Deductions
Volunteers can receive tax deductions from the federal government on out-of-pocket, un-reimbursed travel expenses such as parking fees and standard mileage rate (determined annually by the IRS). If volunteers have any questions about how they should file, they should consult a tax professional.
RSVP Program
The Retired and Senior Volunteer Program (RSVP), a program of Salt Lake County Aging Services and the Corporation for National and Community Service, is a volunteer program for people age 55 and older and has been making a difference throughout Salt Lake County for the past 35 years. Red Butte Garden is one of over 30 RSVP volunteer sites. Volunteers who are at least 55 years old are welcome and encouraged to enroll as RSVP volunteers. RSVP benefits include: travel reimbursement assistance if needed, invitations to recognition events, and supplemental accident and liability insurance at no cost to the volunteer. If volunteers would like additional information about RSVP or to enroll in the program please call<PHONE_NUMBER> and a RSVP representative will be happy to assist them.
*Volunteer time logs must be turned into the volunteer coordinator to receive benefits.
*All benefits are awarded at the end of the year.
*Those who volunteer for school credit, community service, or other compensation are not eligible for Red Butte Garden volunteer benefits.


About Me
Let me tell you a few things...
BIO
Hello! My name is James Quinn and I am a software developer. I enjoy many hobbies including music production and live audio using software such as Protools. I also enjoy working on our family hay farm in Norton Ohio. Please read bellow for information about my previous work experience.
BWXT
QA Inspector
While working in Quality Assurance at BWXT, I Performed inspections according to approved procedures on critical nuclear components, Accurately documented inspection findings, and Facilitated communication between engineering department and management
The J.M. Smucker Company
software developer
During my senior year of college I had the opportunity to intern at the J.M. Smucker Company as a software developer. My key responsibilities included working with the team on defect resolution in existing applications, creating interactive data visualization dashboards using BI tools such as SSRS and Spotfire, and also created SQL stored procedures.
Quinn Farm
Tractorist
Working at Quinn Farm I am resposible for the process of turning green, perishable forage into a product that can be safely stored and easily transported without danger of spoilage, while keeping nutrient loss to a minimum.


BLACK MASK (1999)
A film review by Steve Kong Edited by Steve Kong Copyright 1999 Steve Kong
Black Mask can be described with one word: Gratuitous. The Black Mask is gratuitous in its use of blood, gratuitous its use of violence, and gratuitous in its use of the camera. What isn't gratuitous in the film is its level of adrenaline.
After a good US introduction with Lethal Weapon 4, it was only a matter of time before the studio heads in Hollywood started to try to cash in on Jet Li's previous films. Jet Li is fast, really fast. Watching his martial arts onscreen is a joy because it's not just a matter of enjoying it, but of trying to keep up with his hands and feet. Pair Li up with one of the best martial arts choreographers around, Woo-Ping Yuen (who did the choreographing for The Matrix), and you should have a hell of a film, right?
Wrong, nothing can save this film from the horrible editing and directing. And although not many Hong Kong films have a good story, most of them at least have good characters not Black Mask. Put together the bad editing, directing, and the lack of a good character and the whole movie is nothing more than repetitive scenes of people beating each other to a bloody pulp. After the first few action scenes of this it just got boring. The repetitiveness of the action was a real downer. By the end of the film during the final show down, when the hero goes up against the evil boss, I was left to look at my watch and wonder when the hero was finally going to beat the living daylights out of the evil boss and get the movie over with.
Obviously, there was a lot of money put into this film when it was made in 1996. The production design is tremendously polished, the sets are well done, the costumes are generally well done, and the level of explosions is high. None of this saves the film either. Maybe there was a lot that was lost during the transition from being a Hong Kong film to being an English film -- sometimes horrible cuts are made to films when they make this transition -- but, I'm not sure if this is true with Black Mask or not.
The one thing that I liked about the film was the creative casting of the voice talent. Yes, the lines and the voice acting quality of the dubbing were terrible, but the actors that the casting director selected were hilarious. I'm not sure if it was intentional or not, but the choices were great.
One has to be a huge Jet Li fan to actually pay to see this film. I'm still annoyed that I paid, even at matinee, to see this piece of bad filmmaking. A flat, monotonous, and uninteresting film that is all looks but lacks punch, Black Mask earns the dubious award of being a Skip, Skip, Skip film. Skip this film at matinee, Skip this film on video, and definitely Skip this film if it's being shown at full price.
--- Steve Kong<EMAIL_ADDRESS>if you love movies, i love you. i'm your hard boiled movie guide.
http://boiledmovies.sbay.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


I am a Body_builder
I am a Body_builder
I am a Body_builder
This paragraph contains a lot of spaces in the source code, but the browser ignores it.
I am a Body_builder
I am a Body_builder
this yeear is tough
My Bonnie lies over the ocean. My Bonnie lies over the sea. My Bonnie lies over the ocean. Oh, bring back my Bonnie to me.
My Bonnie lies over the ocean. My Bonnie lies over the sea. My Bonnie lies over the ocean. Oh, bring back my Bonnie to me.
Hello World!
This is a paragraph.
London is the capital city of England. It is the most populous city in the United Kingdom, with a metropolitan area of over 13 million inhabitants.
My Bonnie lies
over the ocean.


Korg MicroKorg
Vocoder Patch Editor
This editor will work with the Korg MicroKorg. It probably won't work with the MS2000 family, though with some elbow grease a derivative of it should be easily made to work with them.
Communicating with Edisyn
Set WRITE PROTECT to OFF, and set the MIDI FILTER "System Exclusive" setting to ENABLE (E-E).
Hints
- Confused by how the Hold Levels text fields work? It's easy. If you type a new number in the field, it turns bright red to indicate that the number has been typed but not yet entered into Edisyn. Simply press RETURN or TAB, or click on another text field, or click on another tab, and it'll get automatically entered. You can cancel what you typed by pressing ESCAPE.
Gotchas
-
The MicroKorg neither sends nor receives individual parameters over sysex. Only a limited number of items is transmitted over CC or NRPN, so Edisyn doesn't implement them to avoid confusion. You'll have to send your patch to see how the changes you made sound.
| By
| Sean Luke
|
| Date
| December 2017
|


Congratulations! You've been randomly chosen to support our app by suggesting key words to imporve our video search!


This is a finnish mirror for Europe NPM Registry.
npm --registry http://registry.npmjs.fi/ install express
Please note: publishes to this registry do not work.
npmrc makes switching between various registries easy.
Hosted at Kapsi Internet-käyttäjät ry and managed by @jheusala and @jkjuopperi.


| GEOS SDK TechDocs
|
| read-reg ...
| scope ...
ret
ret [<function name>]
Examples: "ret"
"ret ObjMessage"
Return from a function and stop.
-
The <function name> argument is the name of a function in the patient's stack after which swat should stop. If none is specified then Swat returns from the current function.
-
The function returned from is the first frame from the top of the stack which calls the function (like the "finish" command).
-
This command does not force a return. The machine continues until it reaches the frame above the function.
See Also: finish,
backtrace.
return-to-top-level
return-to-top-level
Examples:
-
"return-to-top-level"
-
Returns to the top-level interpreter.
Forces execution to return to the top-level interpreter loop, unwinding intermediate calls (protected commands still have their protected clauses executed, but nothing else is).
See Also: top-level,
protect.
rs
rs
Examples:
-
"rs"
- restart GEOS without attaching
Restart GEOS without attaching.
See Also: att,
attach.
run
run [<patient-name>]
Examples:
-
"run uki"
-
Run the application with patient name "uki".
-
"run -e uki"
- run EC Uki
-
"run -n uki"
- run non-EC Uki
-
"run -p games\ukiec.geo "
-
run games\ukiec.geo
-
"run"
- run the default patient, as specified by the patient-default command.
"Runs" an application by loading it via a call to
UserLoadApplication()
and stopping when the app reaches the GenProcess handler for
MSG_META_ATTACH
. Return patient created, if any (In the examples shown, this would be "uki").
-
May be used even if stopped inside the loader, in which case GEOS will be allowed to continue starting up, and the specified app run after GEOS is Idle.
-
If the machine stops for any other reason other than the call's completion, you are left wherever the machine stopped.
See Also: patient-default,
send,
spawn,
switch.
rwatch
rwatch [(on|off)]
Examples:
-
"rwatch on"
- Watch text-recalculation as it happens
-
"rwatch off"
- Turn output off
-
"rwatch"
- See what the status is
Displays information about text recalculation. Specifically designed for tracking bugs in the rippling code.
See Also: ptext.
save
save (<#lines>|<filename>)
Examples:
-
"save 500"
- Save the last 500 lines that scroll off the screen.
-
"save /dumps/puffball"
-
Save the contents of the entire scroll buffer to the file "puffball".
Controls the scrollback buffer Swat maintains for its main command window.
-
If the argument is numeric, it sets the number of lines to save (the default is 1,000).
-
If the argument is anything else, it's taken to be the name of a file in which the current buffer contents (including the command window) should be saved. If the <filename> is relative, it is taken relative to the directory in which the executable for the patient to which the current stack frame's function belongs is located. If the file already exists, it is overwritten.
save-state
save-state
Examples:
-
"save-state"
-
Push the current register state onto the thread's state stack.
Records the state of the current thread (all its registers) for later restoration by "restore-state".
-
Swat maintains an internal state stack for each thread it knows, so calling this has no effect on the target PC.
-
This won't save any memory contents, just the state of the thread's registers.
See Also: restore-state,
discard-state.
sbwalk
sbwalk [<patient>]
Examples:
-
"sbwalk"
- list the saved blocks of the current patient.
-
"sbwalk geos"
-
list the saved blocks of the GEOS patient.
List all the saved blocks in a patient.
-
The <patient> argument is any GEOS patient. If none is specified then the current patient is used.
| GEOS SDK TechDocs
|
| read-reg ...
| scope ...


Almost every morning I walk through central park. I walk around the reservoir and notice the creatures around me.
Milkweed is my favorite. I look for them as I walk. Like an old friend, they're familiar and I look forward to greeting them. We've come to know each other over years, thorugh various life stages.
They start as green stalks with pink blossoms. Monarch caterpillars eat their leaves; as do at least ten other species who depend on them exclusively.
Sometimes I see beetles spooning in the sunshine.
Or colonies of aphids beneath a single leaf.
Or these guys...butt-to-butt.
When their flowers seed, they become these smooth pods at first...
When you pick them off, the plant secretes it's defensive milk, which it uses to ward off predators. It's surprisingly sticky. It gives monarch caterpillars chemicals they need to taste gross to birds (a great defense mechanism). It's also the reason behind milkweed's name.
The pods grow in groups on mature plants. I'm always impressed by their mass and their whimsy — moonshaped, dinosaurs.
The plants themselves grow in groups. You'll find milkweeds abound in parks, abandoned fields, or empty lots.
Over time, the pods start to develop a fuzz and protrusions...
They become increasingly reminiscent of stegosaurs...
At this time, the seeds inside look like albino feathers on layered, white, pulpy fish scales. The pod itself is spongy.
In the fall, inside and outside, they darken. The seeds' "feathers" become softer and fluffier.
The pods open, and let their seeds fly away to become milkweed plants of their own. Their "feathers" carry them through the air.
By winter, everyone has flown away.
I see milkweed shells as I run. Dessicated sculptures.
Watching them fall apart is also beautiful.
Hi!
Like finding sea shells washed ashore,
There are gifts everywhere.


The former standout Ohio quarterback has jumped around both the professional and college football worlds. He’s been a graduate assistant for Oklahoma, an offensive quality control coach for the Cleveland Browns and an offensive analyst for LSU.
But no matter where he worked, Tettleton always had Athens on his mind.
Tettleton regularly kept in contact with his former coaches from Ohio even if he rarely visited Athens in person. His coaches, including then-Coach Frank Solich and Offensive Coordinator Tim Albin, taught him life lessons that carried into both his football career and his daily life.
Now, Tettleton is working for Albin.
After Solich stepped down as coach in July, Albin assumed the role of coach and brought on Tettleton as a running backs coach and passing game coordinator. Tettleton holds Albin in high regard and considers him a father figure.
“I believe in Tim (Albin) so much,” Tettleton said. “He’s been a father figure to me and was great when I played here. He’s such a great human being, everybody loves him, and so I’m excited to work for him.”
Tettleton recalls how Albin and his other coaches treated players not as a tool for the program, but as a person to develop and help both on and off the field. Now that he’s a coach himself, Tettleton wants to create the same environment he was welcomed into.
“I definitely want to try to be a player’s coach,” Tettleton said. “My whole goal here is to try to bring out the best of these guys.”
Tettleton cited player interaction as the most important skill he learned from Ohio’s coaches. When he found himself in coaching positions, his goal was to create a comfortable culture the minute his players walked through the door. He’s not too far removed from his own playing career, so he knows that players need to feel wanted and capable.
Solich and Albin are not the only coaches who’ve prepared Tettleton. The former quarterback also worked under high-profile coaches such as Lincoln Riley at Oklahoma and Ed Orgeron at LSU. He’s learned to appreciate family-oriented coaches and gained more insight on how to interact with players.
“When you’ve been to as many places I’ve been so far and in short amount of time,” Tettleton said. “You definitely get to see a lot of coaching styles and how people interact.”
As excited as some may be for Tettleton’s return, he isn’t in Athens for a reunion tour. He wants to focus on the players and build on what Solich constructed with the Bobcats.
Even more so, Tettleton wants to finally win a Mid-American Conference championship.
Tettleton went to the MAC championship game in 2009 and 2011 as a player but experienced heartbreak both times. Ohio was inches away from becoming MAC champions twice and fell short twice. Tettleton wants to fix that heartbreak with a championship this season.
“That’s the biggest thing,” Tettleton said. “That’s the one thing I’m striving for.”
Tettleton’s ambitions don’t just stop there. He wants to develop Ohio into a program to be feared. He wants Ohio to become a ranked team.
But his focus isn’t on the future yet. He wants to focus on the short term. Tettleton is focused on making his first season back at Ohio as successful for himself, his fellow coaches and players as possible. He wants to help the Bobcats become better people both on and off the field just like his coaches did for him.


| LIN | NSN | Item Name | PBIC | Type | DND | Qnty |
|---|---|---|---|---|---|---|
| MODEM: SATELLITE THURAYA 7100 | 9 | INS | N | 1 | ||
| MONITOR: COLOR IMPE | 9 | INS | N | 2 | ||
| MONITOR: 13" COLOR JVC THA130SU | 9 | INS | N | 1 | ||
| PRINTER COLOR PC:MFC-5000 | 9 | INS | N | 1 | ||
| PRINTER, DAISY WHEEL / DOT MATRI | 9 | INS | N | 1 | ||
| RECORDER: VHS VIDEO: JVC HR-J692 | 9 | INS | N | 2 | ||
| LIGHTING SYSTEM: STAGE: ALTMAN | 9 | INS | N | 5 | ||
| TELEVISION RECEIVER HOME TYPE, W | 9 | INS | N | 10 | ||
| DELTOID AND AXILLAR | N | TPE | N | 8 | ||
| DLTD AND AXLR UNV CAM | N | TPE | N | 23 | ||
| TELEPHONE SATELLITE: SIMS THURAY | 9 | INS | N | 7 | ||
| FAX MACHINE: 541 | 9 | INS | N | 1 | ||
| CONSOLE RADIO: ARRAKIS REV-18C | 9 | INS | N | 1 | ||
| ANALOG 6CH: ARRAKIS REV-6AD | 9 | INS | N | 1 | ||
| DIGITAL VIDEOCASSETTE RECORDER ( | 9 | INS | N | 5 | ||
| REGULATOR VOLTAGE: AR-2315 FURMA | 9 | INS | N | 6 | ||
| POWER SUPPLIES, CONVERTERS & BAC | 9 | INS | N | 10 | ||
| TRIPOD FIELDMASTER:49-95 | 9 | INS | N | 3 | ||
| COMPUTER NOTEBOOK/LAPTOP RUGGED | 9 | INS | N | 5 | ||
| COMPUTER, NOTEBOOK: D610 DELL | 9 | INS | N | 18 | ||
| COMPUTER/LAPTOP HARD DRIVES: 250 | 9 | INS | N | 2 | ||
| MONITOR MULTI-FUNCTION FLAT/LCD | 9 | INS | N | 3 | ||
| SCANNERS: GENX SMART 1200 | 9 | INS | N | 1 | ||
| DVD BURNER: TEAC 10 DVD | 9 | INS | N | 1 | ||
| SCANNER, DOCUMENT FLATBED DESKTO | 9 | INS | N | 4 | ||
| SCANNER, DOCUMENT FLATBED DESKTO | 9 | INS | N | 2 | ||
| SONY GD-V1000 VIDEO: GD-V1000 | 9 | INS | N | 5 | ||
| DUPLICATOR CD / DVD: NEC 3540 N | 9 | INS | N | 1 | ||
| SWITCH ADPE: CYBEX SWITCHVIEW KV | 9 | INS | N | 1 | ||
| DELL POWEREDGE 1850: EMU DELL | 9 | INS | N | 1 | ||
| TRIPOD AND HEAD COMBO: 515MVB | 9 | INS | N | 5 | ||
| INSERTS,ENHANCED SM | N | TPE | N | 14 | ||
| INSERTS,ENHANCED SM | N | TPE | N | 6 | ||
| INSERTS,ENHANCED SM | N | TPE | N | 26 | ||
| SAFE STORAGE CONTAINER FIREPROOF | 9 | INS | N | 1 | ||
| PISTOL 9MM AUTOMATIC | N | TPE | N | 32 | ||
| TR 1 1/4T 4X4 M998P1 | N | TPE | N | 5 |


Hi I'm some content
Title
hello
Main content
abs pos :)
Sidebar content
Some more stuffs...
Footer
A last bit, like a panel
core-layout example


GuideChimp Tour Example -
IFrames plugin
Start Tour (DIV)
Start Tour (TABLE)
Source:
Labs64/labs64.github.io
Library:
GuideChimp


Mindful Systems & Solutions have been running our ERP solution since last 7 years. They are highly professional and provide real good solution to meet our operation needs. They have conducted many trainings and conferences on latest technology trends in our university. These trainings and conferences and meticulously planned and highly informative.
MSAS has developed and supporting our one of the prestigious software - Ticketing Solution for the monuments of India (Under Ministry of Culture). They have developed a really good solution which has been implemented across 220+ monuments in India including the Taj Mahal. This software handles more than 1 Lakh transactions only at the Taj Mahal in a single day. Apart from this they have provided us many other small and big software solutions.
MSAS provided us a Employee and Attendance management solution which we are using since last couple of years. This is a highly reliable solution and also have a very intuitive mobile application. They provide very good and quick support. They also organize a[our annual conferences on Boilers, they provide real good service in arranging and managing conferences.
MSAS team did an outstanding job making the our Agile Software technology conference so successful - they thought through all the aspects of an even, deep digging, sorting, problem-solving, and filling-in-the-blanks, they made it all come together into one very memorable workshop. Not to mention the sunshine - Gurpreet (their planner), we knew you were good, but that was really good. Our sincerest gratitude for taking on this very special project with such enthusiasm, energy and keen attention to detail. Kudos to you guys!!


The New Generation Bitcoin Hardware Wallet
The first mobile app and hardware combination wallet, designed to secure and simplify your cryptocurrency transaction for your iOS device.


This is one possible form of a semantic web browser.
It works on Firefox and Camino, may be bugs on other platforms. No no-portable features were knowingly used. Patches for other platforms are welcome.
The browser browses things, not documents. Of course some thing are documents, but the browser considers them first as things, and then as documents.
Other browsers have tended to focus on a document at a time, or work by amassing a large static database of RDF from all known sources and then browsing it.
This browser works in a web of documents. This is partly in order to scale: to operate in an unbounded space without having to manage with more than a certain finite memory. It is partly in order to develop the links we need in this space.
When Google came to the web, it seemed to make the links less necessary, because one could ask Google instead of tracing the links to find something. Tracing the links, that is, through remembered pages, relevant pages, trusted pages, using one's instinct and the indications left by authors to find the goal. However, the links are still important. In fact, Google requires the links to work at all. And not just any old links: links patiently and carefully made by thoughtful authors, automated or most often human, for the benefit of inquiring readers.
Now we are making the semantic web, and we have the Google experience, and we tend to start by making a huge index: we are tempted to start with the Google index and ignore the links. But we are missing the links. Apart from the FOAF world, much semantic web data is isolated from other webs of data, even though connections could be made. We need to make the links across systems. This browser is designed to use these links, and hence encourage their creation.
Documents have content which describe things. They are in the browser a special sort of object.
The use of a URI to denote something is an invitation to look it up. This is the hypertext link in the Semantic Web. If the URI we use to identify something is formed from adding a hash and a local identifier to the URI of a document, then the reference is to the thing in the document with that local identifier. This is the simplest breadcrumbs protocol.
A breadcrumbs protocol is convention by which information is left to allow another to follow. When the information provider follows the convention on the breadcrumbs to leave, and an information seeker follows the convention on what links to follow, then the protocol that the seeker will be able to solve certain sorts of problem.
There are other forms, such as the FOAF link. The FOAF link is a breadcrumbs protocol as follows. Document ?d1 makes a reference the thing identified as ?x in document ?d2 when:
?d1 log:says { ?y foaf:sha1sum ?s. ?y rdfs:seeAlso ?d2}.
?d2 log:says { ?x foaf:mbox_sha1sum ?s }.
or the same with foaf:mbox (email address) instead of foaf:mbox_sha1sum (cryptographic hash of email address). If the information provider of ?d1 leaves that information. The seeker, having read d1, and wanting information about ?y (1) looks up the document found under rdfs:seeAlso, and (2) finds in d2 reference to something which has the same foaf:mbox_sh1sum value, and infers that it is the same thing. The protocol assumes that only one person (or entity) has a given email address, and hence checksum of email address.
This is clearly more complicated than the simple link! The tabular can do both. Links which could be followed are represented by blue dots. The smushing by mailbox is handled when the properties are declared as owl:InverseFunctionalProperty.
Many RDF visualizers have represented the data as circle-and-arrow diagrams. This gives you a feel for how a small number of things connect. It allows you to see clustering when a large number of things are related by the same properties, such as in Foafnaut or How/Why diagrams we have made at W3C. Circles and arrows are very intuitive and useful when trying to understand something. However, it isn't a way to look at data with many nodes and many different properties. It isn't used in applications we think of as handling data, such as personal financial management, music management, calendar management programs, for example. In these cases one uses tables or matrices. These are the densest way of comparing objects of the same class (strictly, which are likely to share common properties). mSpace is an example of a table-based semantic web browser. These table-based systems, though, tend to operate on a given set of data, and don't naturally allow browsing.
Outline mode is extremely common and clearly natural for tree-oriented data. People are typically very comfortable in a tree-like environment. In fact, much data in the world has been organized into trees, and the web is composed of overlapping trees with local roots all over the place. This suggests that in fact a tree-oriented browser will feel natural even though the world is actually a web. In early hypertext, Peter Brown's Guide system was an outliner, and the Gopher system was a presented as tree (not in outline mode) though in fact a web.
The outline browser is quite straightforward. Most of the design decisions are around how to represent options to load data, and whether to load it automatically - many variations are possible. There are questions as to whether to express links in bother directions, and whether to suppress links which are reverse versions of a link displayed at a higher level.
One meme of RDF ethos is that the direction one choses for a given property is arbitrary: it doesn't matter whether one defines "parent" or "child", "employee" or "employer". This philosophy (from the Enquire design of 1980) is that one should not favor one way over another. On the other hand, also one should not encourage people having to declare both a property and its inverse, which would simply double the number of definitions out there, and give one more axis of arbitrary variation in the way information is expressed. Therefore, the design is to make the system treat forward and backward links equivalently. The outliner therefore displays links in both directions. (it should sort them so obverse and reverse appear together).
The outline is therefore redundant, in that whenever an object is expanded more than one deep, for outer link will also be found as a "dual" inner link in the opposite direction. (e.g. Sam: father Joe: [ is father of: Sam].) That isn't necessarily a problem. An interesting operation is "inversion", in which everything which the outer link is removed, and replaced by its inner dual link, and all the information which was outside the original link is removed in favor of its dual inside the inside the dual of the original link. This is called refocusing in the user manual. It brings the selected branch to be a new root.
The outline mode
(to be continued)
The code uses the RDF browser written by Jim Ley, without which the activation energy for the project would not have been reached at all.
Tim Berners-Lee hacked together the original program in spare time around the end of 2005.
Ruth Dhanaraj improved the whole program in many ways, including coding the asynchronous source management module (sources.js), January-Febrary 2006.


Version
Thanks for choosing to use SilverStripe! Please follow the instructions below to get SilverStripe installed.
You aren't currently able to install the software. Please see below for details. If you are having problems meeting the requirements, see the server requirements wiki page.
There are some issues that we recommend you look at before installing, however, you are still able to install the software. Please see below for details. If you are having problems meeting the requirements, see the server requirements wiki page.
You're ready to install!
Template to install:
You can change the template or download another from the SilverStripe website after installation.
Note: It seems as though SilverStripe is already installed here. If you ask me to install, I will overwrite the .htaccess and mysite/_config.php files. That's okay, please re-install SilverStripe and overwrite these files.
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These database details look all good!
MySQL server: MySQL username: MySQL password: MySQL database:
SilverStripe stores its content in a MySQL database. Please provide the username and password to connect to the server here. If this account has permission to create databases, then we will create the database for you; otherwise, you must give the name of a database that already exists.
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We will set up 1 administrator account for you automatically. Enter the email address and password. If you'd rather log-in with a username instead of an email address, enter that instead.
Development servers: localhost <IP_ADDRESS>
SilverStripe allows you to run a site in development mode. This shows all error messages in the web browser instead of emailing them to the administrator, and allows the database to be built without logging in as administrator. Please enter the host/domain names for servers you will be using for development.
SilverStripe Open Source CMS | Copyright © 2008 SilverStripe Limited


This page contains a list of everything I'm doing now.
I use this page to post announcements, update friends, and remind myself of priorities.


This paragraph has class "intro".
This is a paragraph.
This paragraph has class "demo".
This is another paragraph.
This paragraph has class "end".


Finds the skid direction of a point trajectory on a plane. The plane is created by a mesh's transformation data.
Finds the skid direction of a box to box collision.


title = "Theme Darko" url = "/theme-darko" layout = "default" hidden = "0" == {% put head %} {% endput %}
{{ this.page.description }}
Nam pretium turpis et arcu. In ac felis quis tortor malesuada pretium. Curabitur turpis. Fusce neque. Nulla porta dolor. Pellentesque posuere. Maecenas vestibulum mollis diam. Vestibulum ullamcorper mauris at ligula.
Welcome to Underdogwood.com your #1 source for everything reclaimed. Choose from a variety of reclaimed wood products like wide plank flooring, fireplace mantels, dimensional lumber, hand hewn timbers, barn wood siding, green building supplies and much more!! We offer our reclaimed wood products in a variety of species including; Ash, Cherry, Chestnut, Elm Heart Pine, White Pine, Hickory, Maple, White Oak, Red Oak, Poplar, Beech, Walnut and more. Please contact us to learn about what we currently have in our inventory ready for you to build with.
Home
About
Page


Assembler 8 JS (Assembly Editor Proof of Concept, WIP)
youtube:
demo
, github:
repo
TAB/SHIFT-TAB to move between columns, RETURN/SHIFT-RETURN to add/delete lines
GetHtml
SetHtml
GetText
SetCss
Reset
Clear
I/O
CSS
(c)2019 Andrew Rapo -
wwlib.org


Doge Social Network
Home
Profile
Friends
Profile Of Doge
Name:
Doge
Birthday:
Top secret
Occupation:
Celebrity
Area of occupation:
Web


PUNTING PUPS
Glasgow drug lord Stephen ‘Jimmy’ Jamieson dealing designer dogs to fund luxury lifestyle
by Ewan MowatDRUGS baron Stephen "Jimmy" Jamieson is now dealing in designer dogs in Glasgow's south side to fund his luxury lifestyle.
The hood, 36, is punting English and French bulldogs online, selling puppies and offering a stud service.
Jamieson regularly posts pictures of young dogs on Facebook, often promoting his Instagram page BulliesSouthside.
An insider claims he imports the designer pooches, selling them for thousands or offering them out as studs for £600 a pop.
The source told the Daily Record: "He buys top-end French bulldogs and English bulldogs and breeds them.
“He sells semen and studs them out at a minimum of £600 a go.
“The rest are kept at the homes of friends and family members and associates, on the basis they do two litters for him then the dogs become their pet after he gets that.
“He’s got the best dogs as they’re mainly imported. His dogs sell from £3500 upwards.”
Last month, Jamieson — previously jailed for his part in a £9million drugs gang — took a luxury holiday with feared crime boss Jamie ‘Iceman’ Stevenson, 54.
The underworld associates travelled to millionaires’ paradise Dubai, posing for photos in designer gear and pricey watches in a swanky nightclub.
The gangster pals stayed at the five-star Five Palm Jumeirah hotel — whose past guests include pop star Liam Payne.
Jamieson, of Paisley, is currently shacked up in a plush south side pad owned by millionaire taxi tycoon Stevie Malcolm.
He has been living in the £260,000 mortgage-free house for over a year with his girlfriend and kids.
Two new £100,000 Range Rovers with blacked out windows are regularly parked in the driveway of the four-bed gaff.
The house, built in 2013, has French doors, two en suite bathrooms and a garage.
Jamieson served half of his 8½-year sentence and was freed in 2013.
Malcolm, nicknamed The Fat Controller, owns a string of properties including his £9million mansion near Gleneagles, Perthshire.
In 2018, Malcolm stepped down as boss of one of his biggest firms, Edinburgh City Private Hire.