CATEGORY
ALYX, being built on the undercurrent, designed by Mathew Williams, our brand is build on the concept of high quality materials mixed with subsersive culture.Our USBs include:
- Innovation
- Desire
- New Ideas
- Commitment to Detail
- Elegant accessories
- New Perpective
Sign up and start shopping with ALYX.
Image Gallery
Return Policy
RETURN INFORMATION
We hope you love everything that you order from us, but don’t worry if something isn’t quite right. You have 14 days upon receipt of your order to return your item(s), or to exchange them for a different size of the same item(s). Once you open your return or exchange request, you have 15 days from when you submit your request to send your item(s) back to us. Please note that all returned items must be unworn, unwashed, complete with original tags and/or packaging. Items returned in non-resalable conditions, won’t be eligible for refund, and we will need to send them back to you. If returning footwear, please use an outer packaging to protect the shoe box. It is part of the product, so any damage to the shoe box may result in the return being refused.
RETURN IMPORT DUTIES
When returning items from outside the eu, you may incur import duties. They are charged once the parcel reaches its destination country, and customers must take charge of them. Please note that we will deduct any eventual import duties related to your return from your refund. For exchanges, we will ask you to provide your payment before sending out your new size.


A Book-Off is a specific date or dates that you do not want to allow bookings for a resource. Examples would be holidays, vacation days, etc.
For blocking days of the week (ie: only book Mon, Wed, Fri) - use Resource setup, Basic Setup tab, 'Allow Booking on Days'
Click on the ID link to open the edit screen.
Publish: Only Published book-offs will effect the popup calendar in the Resource Booking screen.
Unpublish: Only Published book-offs will effect the popup calendar in the Resource Booking screen.
Remove: Deletes one or more book-offs.
Edit: Opens the Book-Off edit screen to allow you to change the date or description*.
New: Creates a book-off, allowing you to set the resource, date and description*.
Help: Opens this help screen.
*Description is for internal use only and is not shown to the public.
Resource: Show book-offs for a selected resource.
ID: Unique ID for the book-off record.
Resource: Resource the book-off applies to.
Date Off:Date of book-off.
Full Day: Yes = this book-off will block all timeslots for the entire day. No = only a specific range of hours will be blocked out.
Hours: If 'Full Day' is No, these are the hours that will be booked off.
Click on the ID link to open the edit screen.
Click on the icon in the Published column to toggle the published state.


Thank you for join us, your process has been completed!.
Personal Information
Name
Email
Last Name
Educational Background
Institution
Major
Years
Completed
Degree
Work Expirience
Company
Job Title
Supervisor
Telephone
Duties
Skills
Skills


Support the planning management based on the company requirements and the context and weather conditions.
Connect effectively with the staff and customers at the right time through the appropriate channel.
Boost the online marketing activities of the company towards higher loyalty and new bookings.
Organize your client to have direct access to profile details, history, contacts and statistics.
Direct view on booked lessons, rental sessions, weather windows and other events.
Interact with your customers and staff all along their digital journey, being through the mobile and web app, social media or emails.
Deliver personalized recommendations to better inform your clients and ease the registration with the online mobile and web booking.
Create a vibrant community around your business to foster customer's loyalty and attract new clients.
Share high quality specialized contents such as photos, weather forecast and activity maps, or unique texts and comments.


MainSettings
AdditionalSettings
HostIP
HostIPDesc
searchDevice
Port
PortDesc
AuthToken
AuthTokenDesc
GetAuthToken
OnSaveRestartHint
adapterAddress
disableSSE
PollingInterval
PollingIntervalDesc
ReconnectInterval
ReconnectIntervalDesc
keepAlivePolling
keepAlivePollingInterval
keepAlivePollingIntervalDec


| DOSE: T+ 0:00 |
2 hits |
oral |
LSD |
|
| T+ 2:00 |
75 mg |
insufflated |
DPT |
(powder / crystals) |
I began my first DPT adventure after having already ingested two hits of acid. Three of my closest friends and I had been house sitting an elderly hippie’s house for the weekend, and decided to end it with a night of LSD. After about two hours we were all just mildly feeling the affects when we decided to try some DPT.
E laid out the fine white powder on the kitchen counter. “Start out small?” F asked. “Sure, let’s see where it takes us” E replied.
One line each, the first thing I experienced was the drip. Nasty, plastic tasting glue in the back of my throat. “Not feeling it?” E questioned. “Not yet” I answered. “Well let’s try some more…..” F said hesitantly.
So much for starting small. After the second line I began feeling the affects immediately. “How much did we just take?” we all wondered. I looked down at the tiled kitchen floor and watched as the tiles melted in and out of reality. “Strong visuals” I muttered.
E ran to the stereo “I better put in some music quick……this is gonna get rough. We’re all gonna have to ride it out.” Enter the music of the Talking Heads. And so began my night in Dimension X.
Twenty minutes in: E walked into a different room, but I saw his head remain and drift toward me before morphing into indescribable shapes. F began crying out “I’m dying! I’m dying!” When his girlfriend W rushed to comfort him, luckily she had snorted less than the rest of us. F spent the rest of the night cowering before the toilet comforted by W. I suddenly lost sense of where and when I was.
Forty-five minutes in: After experiencing the most intense visuals of my life which included: Alternate worlds, lightning fast rivers of time and space, a sense of oneness with ultimate reality, and looking at E only to see my face on his body. I must now mention that never in my trip did I experience any sense of discomfort as F had, although at times I wondered if any of us would survive the night. The music took control of the flow. Intense auditory hallucinations. Voices. Although I sat in a room alone I heard repeated tracks of E, W, and F in my consciousness. “Am I in heaven,” “I must be schizophrenic,” “I’m dying!,” “Where am I?,” “What is happening?” repeated over and over through my mind always in the voices of my comrades.
One hour in: Suddenly every sensation was stripped from my, no vision, no sounds, no sensations whatsoever.  It was during this time that I had the most meaningful experiences, and outlooks on my perception of reality. The spiritual sensation of a tryptomine was alive again, similar to mushrooms only much stronger. I continued floating in primordial bliss, in what felt like the birth of the universe for what seemed like years, although looking back it could have been anything from 5 minutes to an hour.
The last 2.5 hours: A slow and steady comedown. Slowly I returned to reality, although I continually asked W “Where am I? What’s happening?” until I realized that I was under the influence of a powerful drug I had forgotten taking. When we all stabilized we laid down exhausted from the experience and concluded that we all would like to try it again, in lower doses.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Young Ambassadors
So, you want to join the legion; the best of the best. If you have the guts of a panther, the ethic of a scholar, and the endurance of an athlete, apply today!
| Date | Event | Location | Organization |
|---|---|---|---|
| 9/11/19 | Student Council Applications Due | Ms. Paul's Room | PMWSC |
| 9/13/19 | Away Game | William Allen | PMW Marching Band |
| 9/15/19 | Panther Pounce 5k | West High School | PMSD School District |
Ever since I was young, I tinkered with technology. It's always allured me, how the simple microscopic mechanisms on a motherboard can lead to such intricate processes. It's almost... alien in a sense. Eventually I'd like to conquer the mountain that is understanding how the brilliant construction of a logic board leads to everything one can achieve on a computer. For now however, I can learn how to bend any system to my will, as that is my ultimate goal to the core. Regardless, my name is Aiden Rivera, and I'd love to be your Tech Coordinator.


Portrait
Photography
John Doe Dolor.
More Info
Photoraphy
Studio
The Best In City
Since 1998
About
Take a
Look at
Sami Cruz Portfolio
Profile


reStructuredText Directives
See: reStructuredText Directives
Table of Contents
Admonitions
Specific Admonitions
!DANGER!
Beware killer rabbits!
Note
This is a note admonition.
This is the first line of the second paragraph.
- The note contains all indented body elements following.
- It includes this bullet list.
Warning
This is a warning admonition. This is the second line of the first paragraph.
Generic Admonition
And, by the way...
You can make up your own admonition too.
Images
Image
| Symbol | Meaning |
|---|---|
| Campground | |
| Lake |
Figure
Captioned figures are not supported.
Body Elements
Topic
Topic Title
Subsequent indented lines comprise the body of the topic, and are interpreted as body elements.
Sidebar
This is an example of a sidebar.
Continuing text associated with the sidebar.
More continuing text associated with the sidebar. More continuing text associated with the sidebar. And more continuing text associated with the sidebar. Still more continuing text associated with the sidebar. Final continuing text associated with the sidebar.
Line Block
"To Ma Own Beloved Lassie: A Poem on her 17th Birthday", by Ewan McTeagle (for Lassie O'Shea):
Lend us a couple of bob till Thursday.I'm absolutely skint.But I'm expecting a postal order and I can pay you backas soon as it comes.Love, Ewan.
Parsed Literal Block
NOT SUPPORTED
Code
Python syntax highlighting:
def my_function(): // my demo function "just a test" print 8/2
Console syntax highlighting:
sudo /etc/init.d/alation shell
Bash syntax highlighting:
#!/bin/bash echo -e "Please enter your name: " read name echo "Nice to meet you $name"
JSON syntax highlighting:
{ "anObject": { "numericProperty": -122, "stringProperty": "An offensive \" is problematic", "nullProperty": null, "booleanProperty": true, "dateProperty": "2011-09-23" }, "arrayOfObjects": [ { "item": 1 }, { "item": 2 }, { "item": 3 } ], "arrayOfIntegers": [ 1, 2, 3, 4, 5 ] }
Finally, SQL syntax highlighting:
CREATE TABLE CUSTOMERS( ID INT NOT NULL, NAME VARCHAR (20) NOT NULL, AGE INT NOT NULL, ADDRESS CHAR (25) , SALARY DECIMAL (18, 2), PRIMARY KEY (ID) );
{ "anObject": { "numericProperty": -122, "stringProperty": "An offensive \" is problematic", "nullProperty": null, "booleanProperty": true, "dateProperty": "2011-09-23" }, "arrayOfObjects": [ { "item": 1 }, { "item": 2 }, { "item": 3 } ] }
“Spatial adjacency is more powerful than temporal stacking.”
—Edward Tufte
Math
Rubric
An informal heading that doesn't correspond to the document's structure.
Epigraph
No matter where you go, there you are.
—Buckaroo Banzai
And, continuing.
Highlights
No matter where you go, there you are.
No matter where you went, there you were.
And, continuing.
Pull-Quote
No matter where you go, there you are.
No matter where you went, there you were.
And, continuing.
Compound Paragraph
The 'rm' command is very dangerous. If you are logged in as root and enter
cd / rm -rf *
you will erase the entire contents of your file system.
Container
Tables
Table
| A | not A |
|---|---|
| False | True |
| True | False |
CSV Table
| Treat | Quantity | Description |
|---|---|---|
| Albatross | 2.99 | On a stick! |
| Crunchy Frog | 1.49 | If we took the bones out, it wouldn't be crunchy, now would it? |
| Gannet Ripple | 1.99 | On a stick! |
List Table
| Treat | Quantity | Description |
|---|---|---|
| Albatross | 2.99 | On a stick! |
| Crunchy Frog | 1.49 | If we took the bones out, it wouldn't be crunchy, now would it? |
| Gannet Ripple | 1.99 | On a stick! |
Document Parts
Table of Contents
Automatic Section Numbering
Not Supported
HTML-Specific
Meta
Not Supported
Directives for Substitution Definitions
Replacement Text
Yes, reStructuredText is a long word, so I can't blame anyone for wanting to abbreviate it.
I recommend you try Python, the best language around.
Unicode Character Codes
Copyright © 2003, BogusMegaCorp™—all rights reserved.
Date
Today's date is 2020-09-18.
This document was generated on 2020-09-18 at 13:21.
Miscellaneous
Including an External Document Fragment
You can use include this content.
Raw Data Pass-Through
Class
This is a "special" paragraph.
This is an ordinary paragraph.
First paragraph.
Second paragraph.
- bullet list
- second item, with class argument
Block quote text.
Custom Interpreted Text Roles
An example of using interpreted text
text
raw text
interpreted text
Setting the Default Interpreted Text Role
any subsequent use of implicit-role interpreted text in the document will use the "subscript" role:
An example of a default role.


1. Inside which HTML element do we put JavaScript? <script> <scripting> <javascript>
<script>
<scripting>
<javascript>
2. Which of the following is true about jQuery?
jQuery is a JavaScript library
jQuery is a Java library
jQuery is a HTML library
3. What does HTML stand for? Hypertext Markup Language Hyperlink Markup Language Hypercube Markup Language
Hypertext Markup Language
Hyperlink Markup Language
Hypercube Markup Language
4. Which class provides a full width container? .container .container-fluid .container-fixed
.container
.container-fluid
.container-fixed
5. What does CSS stand for? Cascading Style Sheets Colorful Style Sheets Creative Style Sheets
Cascading Style Sheets
Colorful Style Sheets
Creative Style Sheets


Overview
Package
Class
Use
Tree
Index
Help
PREV LETTER
NEXT LETTER
FRAMES
NO FRAMES
All Classes
A
B
C
D
E
F
G
H
I
J
L
M
N
P
R
S
T
U
V
W
I
IHDRSolver
- Class in
Solver
This class represents a abstract implementation of an IHDRSolver.
Image
- Class in
Model
Class which is used to store an image and to read it from a file resource.
Image(int, int)
- Constructor for class Model.
Image
Constructor to create an image which has no pixels set.
Image(String, double)
- Constructor for class Model.
Image
Constructor to import a image from a file and specify a exposure time.
ImageFileView
- Class in
View.ImageChooser
ImageFileView that displays only images in the FileChooser.
ImageFileView()
- Constructor for class View.ImageChooser.
ImageFileView
ImageFilter
- Class in
View.ImageChooser
ImageFilter()
- Constructor for class View.ImageChooser.
ImageFilter
ImagePlot
- Class in
View.Plots
Plot to display an image.
ImagePlot(Image)
- Constructor for class View.Plots.
ImagePlot
Creates a new image plot with given image.
ImagePreview
- Class in
View.ImageChooser
ImagePreview(JFileChooser)
- Constructor for class View.ImageChooser.
ImagePreview
ImageTableModel
- Class in
View.ImageTable
Image Table model to represent the images listed in a table with the exposure time
ImageTableModel()
- Constructor for class View.ImageTable.
ImageTableModel
ImageTableModel(File[])
- Constructor for class View.ImageTable.
ImageTableModel
insertFailed(NumericPlainDocument, int, String, AttributeSet)
- Method in class View.NumericTextField.
NumericTextField
insertUpdate(DocumentEvent)
- Method in class View.NumericTextField.
NumericTextField
intToDouble(int[])
- Static method in class Maths.
ArrayMaths
Transforms an int array to double
InvalidInputListener
- Interface in
View.EventListener
Listener to listen on invalid inputs in the UI.
isCellEditable(int, int)
- Method in class View.ImageTable.
ImageTableModel
We want the second col to be editable
isPentadiagonale()
- Method in class Maths.
AbstractMatrix
Checks if a matrix is pentadiagonale (only the diagonale and the two elements next to it are set, so special form of a band matrix)
isPentadiagonale()
- Method in class Maths.
BandMatrix
Checks if a matrix is pentadiagonale (only the diagonale and the two elements next to it are set, so special form of a band matrix) A Band matrix is pentadiagonale if the bandIndexes are a subset of [-2,-1,0,1,2]
isPositiveSemiDefinit()
- Method in class Maths.
AbstractMatrix
Checks if a matrix is positiv semi definite
isPositiveSemiDefinit()
- Method in class Maths.
BandMatrix
Checks if a matrix is positiv semi definite
isQuadratic()
- Method in class Maths.
AbstractMatrix
Checks if a matrix is quadratic
isSymmetric()
- Method in class Maths.
AbstractMatrix
checks if a matrix is symmetric
isSymmetric()
- Method in class Maths.
BandMatrix
checks if a matrix is symmetric
IterativeEnergySolver
- Class in
Solver
Iterative Solver to get a HDRI from a series of LDR pictures.
IterativeEnergySolver(List<Image>, double, int, double, boolean, boolean, WeightMode, double, HDRSolverUpdateListener)
- Constructor for class Solver.
IterativeEnergySolver
Default constructor to init a generation of an HDRI.
Overview
Package
Class
Use
Tree
Index
Help
PREV LETTER
NEXT LETTER
FRAMES
NO FRAMES
All Classes
A
B
C
D
E
F
G
H
I
J
L
M
N
P
R
S
T
U
V
W


{% extends "mobile/page.html" %} {% from "macros/fielderror.html" import fielderror %} {% set pagetitle = _('Password reset') if validlink else _('Password reset unsuccessful') %} {% set body_id = 'forgot-pwd' %} {% set hide_menu = True %} {% block pagecontent %} {% if validlink %}
{{ _('Enter your new password below.') }}
{{ _('The password reset link was invalid, possibly because it has already been used.') }}


Designed for Ruby developers, there is no admin interface and no SQL database. Articles are written in your favorite text editor and versioned with Git. Comments are also stored as plain-text files and pushed to the remote repository when created. It uses Grit (http://github.com/mojombo/grit) to interface with local and remote Git repositories.
via Rubygems:
$ gem install aerial
$ aerial install /home/user/myblog
This will create a couple files and directories. Mainly, the views, public, and configuration files. You may edit config.yml to your liking
The installer provides special configuration files for Thin and Passenger.
via Clone:
$ git clone git://github.com/mattsears/aerial
$ aerial install /home/user/myblog --passenger
$ cd /home/user/myblog
Then, restart Passenger $ touch tmp/restart.txt
Install Thin:
$ gem install thin
Run the installer:
$ aerial install /home/user/myblog --thin
$ cd /home/user/myblog
Tweak the thin.yml
Start the thin server
$ thin -C thin.yml -R config.ru start
Find a bug? Want a feature? Submit an issue here. Patches welcome!


import {NgModule} from "@angular/core";
import {CommonModule} from "@angular/common";
import {A11yModule} from "@angular/cdk/a11y";
import {IntlModule} from "@sinequa/core/intl";
// Formatting pipes
import {DatePipe} from "./pipes/date-pipe";
import {ExprPipe} from "./pipes/expr-pipe";
import {MemorySizePipe} from "./pipes/memory-size-pipe";
import {MomentPipe} from "./pipes/moment-pipe";
import {NumberPipe} from "./pipes/number-pipe";
import {RelativeTimePipe} from "./pipes/relative-time-pipe";
import {TimePipe} from "./pipes/time-pipe";
import {ValuePipe} from "./pipes/value-pipe";
// UI Directives
import {Autofocus} from "./directives/autofocus";
import {ClickOutside} from "./directives/click-outside";
import {Load} from "./directives/load";
import {MediaIf} from "./directives/media-if";
import {ScrollIntoView} from "./directives/scroll-into-view";
import {FocusKeyListDirective} from "./directives/focus-key-list.directive";
import {FocusKeyListItemDirective} from "./directives/focus-key-list-item.directive";
import {ResizeEventDirective} from "./directives/resize-event.directive";
import {StickyComponent} from "./directives/sticky";
// UI Service
import {SCREEN_SIZE_RULES} from "./ui.service";
export const defaultScreenSizeRules = {
xxl: "(min-width: 1920px)",
xl: "(min-width: 1200px) and (max-width: 1919.98px)",
lg: "(min-width: 992px) and (max-width: 1199.98px)",
md: "(min-width: 768px) and (max-width: 991.98px)",
sm: "(min-width: 576px) and (max-width: 767.98px)",
xs: "(max-width: 575.98px)",
};
@NgModule({
imports: [
CommonModule,
A11yModule,
IntlModule
],
declarations: [
DatePipe, ExprPipe, MemorySizePipe, MomentPipe, NumberPipe, RelativeTimePipe, TimePipe, ValuePipe,
Autofocus, ClickOutside, Load, MediaIf, ScrollIntoView, FocusKeyListDirective, FocusKeyListItemDirective,
ResizeEventDirective, StickyComponent
],
exports: [
DatePipe, ExprPipe, MemorySizePipe, MomentPipe, NumberPipe, RelativeTimePipe, TimePipe, ValuePipe,
Autofocus, ClickOutside, Load, MediaIf, ScrollIntoView, FocusKeyListDirective, FocusKeyListItemDirective,
ResizeEventDirective, StickyComponent
],
providers: [
{
provide: SCREEN_SIZE_RULES,
useValue: defaultScreenSizeRules
}
]
})
export class UtilsModule {
}


This library contains pages created while I learned Html, CSS, and Javascript
Library created to store UI elements created during the course of learning CSS, HTML, and JavaScript.
USA


Getting the remainder of the division of two numbers
Enter a number:
What do you want to divide it by?


Change Login
Overview
Use this dialog to change the control panel username and/or password. You will be required to enter your current password in order to change the username and password values.
Be sure to write down your username and password for safe keeping!


--- title: "Simple Reflection Based Assignment Using Extension Methods" layout: post ---
Have you ever had two objects, of different types, and wished that C# could just be smart enough to realize that objA.FirstName should be assigned to objB.FirstName? For me this comes up quite a bit when working with WCF services. I don't want a service to directly expose my internal business object type, because that type might change on a different schedule than that of my data contract. So I often end up with objects that have identical property names, usually the service being a subset of the internal class, but obviously of different types. How can I handle assigning objDC from objInternal without writing a line of code (or generating a line of code) for every single property? Enter AssignFrom ... with this code, you'll get something as simple as objDC.AssignFrom(objInternal);
using System; using System.Collections.Generic; using System.Linq; using System.Text; using System.Reflection; using System.Diagnostics; namespace TestCSharp { public static class ObjectExtensions { public static T AssignFrom<T>(this T obj, object from) { Type toType = obj.GetType(); Type fromType = from.GetType(); var toInfo = toType.GetProperties(); var fromInfo = fromType.GetProperties(); foreach (var fromProp in fromInfo) { bool assigned = false; foreach (var toProp in toInfo) { if (toProp.CanWrite && fromProp.CanRead && toProp.PropertyType.Equals(fromProp.PropertyType) && toProp.Name.Equals(fromProp.Name) && toProp.GetIndexParameters().Count() == 0 && fromProp.GetIndexParameters().Count() == 0) { toProp.SetValue(obj, fromProp.GetValue(from, null), null); assigned = true; } } Debug.Assert(assigned, string.Format( "Property {0} was not populated to the To object.", fromProp.Name)); } return obj; } } }


Install dependencies
For personal use
- Download the JA++ code (japp_master.zip) and unzip it
- Open a command prompt window from the japp-master directory and type:
scons no_sql=1
- Copy files from japp_master/*.dll to GameData/japlus/*.dll, zip them up and rename to cl_bins_win32.pk3
For contributors
This assumes you have git, lua, python, scons and codelite in your %PATH%
- Fork the repo on GitHub (Razish/japp)
- Open a command prompt window from the japp-master directory and type:
scons no_sql=1
- Copy files from japp_master/*.dll to GameData/japlus/*.dll, zip them up and rename to cl_bins_win32.pk3
- Install tools and dependencies
$ sudo apt-get install git scons gcc g++ libreadline-dev
- Download the repository
$ git clone https://github.com/Razish/japp.git
$ cd japp
- Compile and copy files to JA installation
$ scons
$ cp ./*.so /path/to/jka/japlus/
- If you want to share these files, you can automatically package them using the Lua script
$ sudo apt-get install lua5.2 lua-filesystem p7zip-full
$ lua package.lua
This will produce two .zip files containing the binaries.
There are other options you can specify as arguments to
scons
- force32 1 to build a 32-bit binary on a 64-bit machine
- debug 1 to generate debug information, 2 to also optimise code
Or the following environment variables:
- NO_SSE=1 to not generate SSE2 instructions - closer to basejka. This is used for official builds
- MORE_WARNINGS=1 to enable more compiler warnings


Summary:
Since this chart updates in real time, some values may show up as NaN.
Please check again later.
Date :
no
no
no
no
no
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no
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--- layout: page title: Lean Prover Zulip Chat Archive permalink: archive/116395maths/52413closureoperators.html ---
We don't have closure operators do we? I think Mario was talking about them in Orsay...


{% extends "base_livecode.html" %}
{% block title %}Generating quines with only fresh
, conde
and ==
{% endblock %}
{% block content %}
We normalize terms, so that they can be evaluated in Scheme. Our language is a subset of Scheme, except that we need to turn our peano-encoded variables into Scheme symbols injectively.
We normalize the list (s ...(s <x>))
to s...s<x>
, where s
can be
applied 0
or more times to the symbol <x>, which will be
either z
or an unbound logic variable such
as _.0
.
We normalize all occurrences of (vr <peano>)
. to
a symbol. In addition, we quote unconstraint logic variables, so that
strict Scheme evaluators like Vicare's accept such terms.
We will evaluate the generated terms in Scheme, using eval
.


My http://www.coara.or.jp/~tkuri/ is going to be closed at Dec 31,2021. So, I'm moving my pages to another server.


COMEDIAN HARMONISTS (M). (Champion Films/Sharmill Films) Director: Joseph Vilsmaier Stars: Ben Becker, Heino Ferch, Ulrich Noethen, Heinrich Schafmeister, Max Tidof, Kai Wiesenger, Meret Becker, Katja Riemann, Dan Vavrova, Noemi Fischer, Susi Nicoletti, Rudolf Wessely, Rolf Hoppe, Otto Sander, Jurgen Scornagel, Gunter Lamprecht Running time: 125 minutes (German, with English subtitles).
Like the famous musical von Trapp family, the Comedian Harmonists were a popular vocal group who were eventually forced to flee Germany in the 1930's to escape the tyranny of the Nazi regime.
In this epic story, writer/director Joseph Vilsmaier (the visually lush but dull Brother Of Sleep, etc) traces the rise of this vocal sextet, one of the most popular bands of the 1920's and 1930's. This lavishly produced biopic follows the band's history, from its humble beginnings amid the night-clubs, cafes and brothels of Berlin to its resounding international success and its eventual break-up, forced by Hitler's vicious anti-Semitic policies.
This beautifully constructed and provocative musical has vague echoes of the classic Sound Of Music. But it also has echoes of the darker Cabaret, as it explores the more sinister aspects of the rise of Nazism during the decadent 1920's and economically depressed 1930's.
Comedian Harmonists opens in 1927, with unemployed musician and arranger Harry Frommermann (Ulrich Noethen) assembling the sextet, with the help of ambitious singer Robert Biberti (Ben Becker). The band drew heavily on the vocal style of US bands like The Revellers, but injected a touch of humour into their rendition of popular, bawdy tunes. A number of important subplots explore the changing political climate of Germany and detail the growing internal pressures on the band as racial and sexual tensions surface. The Jewish Harry and blond Aryan Robert vie for the attentions of Erna (Meret Becker), a beautiful young student who works as an assistant in a record shop.
External pressure is also brought to bear on the group, as the Nazi authorities want the band to either get rid of the three Jewish members or perform tunes written by more acceptable writers. The band thought that their reputation and international fame would protect them from the intolerant and ignorant racial policies of Hitler's regime, but they were wrong.
The darker, more troubling events of the film are offset by some beautifully arranged musical numbers, drawn from re-mastered versions of the original recordings. The production values and staging are all fabulous. Vilsmaier, who is also the cinematographer, has an eye for detail, and visually the film is quite sumptuous and rich. His recreation of the decadent Berlin of the 1920's is stunning. The performances from the superb ensemble cast are all perfectly pitched at the right level. A superbly crafted and lavishly produced film, Comedian Harmonists is an enjoyable, and ultimately moving cinematic experience.
***1/2 greg king http://www.netau.com.au/gregking
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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Related links: index of all rec.arts.movies.reviews reviews


...
HELLO!
...Let's talk about
*web standards*
Once apon a time...
...Flash
ruled the rich-interactive-web world
Not any more...
What's wrong with Flash?
Proprietary software - encoder/decoder
Accessibility
SEO
Page weight
Device support
etc.
So what's the Future?
Embrace Web Standards!
Hold on!
HTML5 - CSS3 - JS
So what can HTML5 do for me?
:)
Much more than that!
Videos - Accessible, Native, webcam access etc.
Canvas - Intractive animations
Geolocation
Web Workers - Spawning tasks
And...
Lets talk more about.
Progressive enhancement
Made with
Thank You!


lxterm(1) lxterm(1) NAME lxterm - locale-sensitive wrapper for xterm SYNOPSIS lxterm [ xterm-options ] DESCRIPTION lxterm is a wrapper around the xterm(1) program that invokes xterm, koi8rxterm(1), or uxterm(1) as appropriate, based on the user's locale setting. All arguments to lxterm are passed to xterm without processing; the -class, -k8, and -u8 options should not be specified because they are used by koi8rxterm and uxterm. See the xterm manual page for more infor‐ mation on xterm-options. The locale(1) utility is used to determine the character set used by the current locale. If the character set is UTF-8, uxterm is invoked; if the character set is KOI8-R, koi8rxtem is invoked; otherwise, ‘plain’ xterm is invoked. AUTHOR Branden Robinson SEE ALSO locale(1), koi8rxterm(1), uxterm(1), xterm(1) Debian Project 2004-12-19 lxterm(1)


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @(params: Map[String, Any])@uk.gov.hmrc.hmrcemailrenderer.templates.childcare.html.childcareMainTemplate(params, "You can apply for Tax-Free Childcare today") {
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If you haven't applied already, you'll need an eligibility code to get a 30 hours free childcare place - apply now to get your code so you can book your child's place for the Summer term.
To apply go to: www.childcare-support.tax.service.gov.uk/par/app/applynow
If you're already using 30 hours, don't forget you'll need to confirm you're still eligible every 3 months to keep getting 30 hours free childcare. You can do this through your childcare account.
You may also be eligible for Tax-Free Childcare. For every £8 that you pay into an online childcare account, the government will pay in £2, up to a maximum of £2,000 per child per year (or £4,00 for disabled children). You can then use this to pay for childcare.
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PØSER
A R T
PØSER ART allows artists and ametuers alike turn artwork into possible designs for PØSER products. After artwork is submitted it's voted upon by the community, or picked by the staff, and then incorporated into a product.


|
|||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |
| Interface Summary | |
|---|---|
| TaxSvc | In the the Axis scheme, interface implemented by the object (TaxSvcLocator )
that wraps the actual functional Address Service proxy (TaxSvcSoapStub ). |
| TaxSvcSoap | Proxy interface for the Avalara Tax Web Service. |
| Class Summary | |
|---|---|
| AccountingMethod | |
| AdjustTaxRequest | Data to pass to TaxSvcSoap.adjustTax(com.avalara.avatax.services.tax.AdjustTaxRequest) . |
| AdjustTaxResult | Result data returned from TaxSvcSoap.adjustTax(com.avalara.avatax.services.tax.AdjustTaxRequest) . |
| ApplyPaymentRequest | Data to pass to TaxSvcSoap.applyPayment(com.avalara.avatax.services.tax.ApplyPaymentRequest) . |
| ApplyPaymentResult | |
| ArrayOfBaseAddress | A wrapper object used by Axis to encapsulate an array of zero or more BaseAddress objects
for SOAP transmission via the Web as part of a GetTaxRequest object. |
| ArrayOfGetTaxResult | A wrapper object used by Axis to encapsulate an array of zero or more GetTaxResult objects
for SOAP transmission via the Web. |
| ArrayOfLine | A wrapper object used by Axis to encapsulate an array of zero or more Line objects
for SOAP transmission via the Web. |
| ArrayOfMessage | A wrapper object used by Axis to encapsulate an array of zero or more Message objects
for SOAP transmission via the Web returned as part of a method call's result object. |
| ArrayOfTaxAddress | |
| ArrayOfTaxDetail | A wrapper object used by Axis to encapsulate an array of zero or more TaxDetail objects
for SOAP transmission via the Web. |
| ArrayOfTaxLine | A wrapper object used by Axis to encapsulate an array of zero or more TaxLine objects
for SOAP transmission via the Web. |
| BaseAddress | Object representation of an Address with fields for multiple address lines, city, region, postal, country, latitude and longitude. |
| BaseRequest | |
| BaseResult | The base class for result objects that return a ResultCode and Messages collection -- Not creatable. |
| BoundaryLevel | Jurisdiction boundary precision level found for address; This depends on the accuracy of the address as well as the precision level of the state provided jurisdiction boundaries. |
| CancelCode | A cancel code is set on a CancelTaxRequest and specifies the reason the
tax calculation is being canceled (or in the case of posting, returned to its prior state). |
| CancelTaxRequest | Data to pass to TaxSvcSoap.cancelTax(com.avalara.avatax.services.tax.CancelTaxRequest) indicating
the document that should be cancelled and the reason for the operation. |
| CancelTaxResult | Result data returned from TaxSvcSoap.cancelTax(com.avalara.avatax.services.tax.CancelTaxRequest) |
| CommitTaxRequest | Data to pass to TaxSvcSoap.commitTax(com.avalara.avatax.services.tax.CommitTaxRequest) indicating the document that should be committed. |
| CommitTaxResult | Result data returned from TaxSvcSoap.commitTax(com.avalara.avatax.services.tax.CommitTaxRequest) . |
| ConfirmationType | |
| DetailLevel | Specifies the level of tax detail to return to the client application following a tax calculation. |
| DocStatus | The document's status is returned in the GetTaxResult (except for DocStatus.Any)
and indicates the state of the document in tax history. |
| DocumentType | The document type specifies the category of the document and affects how the document is treated after a tax calculation. |
| GetTaxHistoryRequest | Data to pass to TaxSvcSoap.getTaxHistory(com.avalara.avatax.services.tax.GetTaxHistoryRequest) . |
| GetTaxHistoryResult | Result data returned from TaxSvcSoap.getTaxHistory(com.avalara.avatax.services.tax.GetTaxHistoryRequest) for a previously calculated tax document. |
| GetTaxRequest | Data to pass to TaxSvcSoap.getTax(com.avalara.avatax.services.tax.GetTaxRequest) . |
| GetTaxResult | Result data returned from TaxSvcSoap.getTax(com.avalara.avatax.services.tax.GetTaxRequest) . |
| IsAuthorizedResult | Result information returned from the AddressSvcSoap 's
AddressSvcSoap.isAuthorized(java.lang.String) method and
the TaxSvcSoap 's TaxSvcSoap.isAuthorized(java.lang.String) method. |
| JurisdictionType | A Jurisdiction Type describes the jurisdiction for which a particular tax is applied to a document. |
| Line | A single line within a document containing data used for calculating tax. |
| Message | Message class used in results and exceptions. |
| PingResult | Result information returned from the AddressSvcSoap 's
AddressSvcSoap.ping(java.lang.String) method and the TaxSvcSoap 's
TaxSvcSoap.ping(java.lang.String) method. |
| PostTaxRequest | Data to pass to TaxSvcSoap.postTax(com.avalara.avatax.services.tax.PostTaxRequest) . |
| PostTaxResult | Result data returned from TaxSvcSoap.postTax(com.avalara.avatax.services.tax.PostTaxRequest) . |
| ReconcileTaxHistoryRequest | Data to pass to TaxSvcSoap.reconcileTaxHistory(ReconcileTaxHistoryRequest) |
| ReconcileTaxHistoryResult | Result data returned from TaxSvcSoap.reconcileTaxHistory(com.avalara.avatax.services.tax.ReconcileTaxHistoryRequest) . |
| RequestList | |
| ResultList | |
| SearchTaxHistoryResult | Result data returned from TaxSvcSoap.reconcileTaxHistory(com.avalara.avatax.services.tax.ReconcileTaxHistoryRequest) . |
| ServiceMode | Specifies the type of tax override. |
| SeverityLevel | Severity of the result Message . |
| TaxAddress | |
| TaxDetail | Holds calculated tax information by jurisdiction. |
| TaxLine | Taxes for a specific document Line . |
| TaxOverride | |
| TaxOverrideType | Specifies the type of tax override. |
| TaxSvcLocator | Class that implements the TaxSvc interface and is used to create a local proxy
(interface ) to interact with Avalara's Tax Web Service. |
| TaxSvcSoapStub | Axis-generated class that implements the proxy interface TaxSvcSoap
for contacting the Avalara Tax Web Service. |
| TaxType | A Tax Type. |
|
|||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |


| Rule Violations |
Count |
| Assembly Testpoint Usage (Valid =Don't care, Allow multiple per net=No) (All) |
0 |
| Room RangeValidStretching (Bounding Region = (102.6mm, 113.4mm, 117.5mm, 125.1mm) (InComponentClass('RangeValidStretching')) |
0 |
| Room ADC 1 (Bounding Region = (97.1mm, 103.5mm, 118.4mm, 124.6mm) (InComponentClass('ADC 1')) |
0 |
| Room Digital Channels 3 & 4 (Bounding Region = (99.1mm, 100.7mm, 105.5mm, 107mm) (Disabled)(InComponentClass('Digital Channels 3 & 4')) |
0 |
| Room Digital Channels 1 & 2 (Bounding Region = (100.4mm, 107.1mm, 106.8mm, 113.4mm) (Disabled)(InComponentClass('Digital Channels 1 & 2')) |
0 |
| Room Digital Channels 5 & 6 (Bounding Region = (99.9mm, 92.85mm, 106.3mm, 99.15mm) (Disabled)(InComponentClass('Digital Channels 5 & 6')) |
0 |
| Room Current Channel 2 (Bounding Region = (121.1mm, 82.7mm, 176.7mm, 103.9mm) (InComponentClass('Current Channel 2')) |
0 |
| Board Clearance Constraint (Gap=0mm) (All) |
4 |
| Room top (Bounding Region = (129.1mm, 125.1mm, 131mm, 127.6mm) (Disabled)(InComponentClass('top')) |
0 |
| Modified Polygon (Allow modified: No), (Allow shelved: No) |
0 |
| Net Antennae (Tolerance=0mm) (All) |
8 |
| Minimum Solder Mask Sliver (Gap=0.1mm) (All),(All) |
0 |
| Hole To Hole Clearance (Gap=0.254mm) (All),(All) |
0 |
| Assembly Testpoint Style (Under Component=Yes) (All) |
0 |
| Assembly Testpoint Usage (Valid =One Required, Allow multiple per net=Yes) (InNetClass('AssemblyTP')) |
0 |
| Height Constraint (Min=0mm) (Max=30mm) (Prefered=12.7mm) (All) |
0 |
| Hole Size Constraint (Min=0.025mm) (Max=2.54mm) (Disabled)(All) |
0 |
| Hole Size Constraint (Min=0.025mm) (Max=2.54mm) (Disabled)(All) |
0 |
| Hole Size Constraint (Min=0.2mm) (Max=6mm) (All) |
0 |
| Component Clearance Constraint ( Horizontal Gap = 0.1mm, Vertical Gap = 0.254mm ) (Not InComponent('S1')),(Not InComponent('S1')) |
0 |
| Un-Routed Net Constraint ( (All) ) |
0 |
| Short-Circuit Constraint (Allowed=No) (All),(All) |
0 |
| Power Plane Connect Rule(Relief Connect )(Expansion=0.4mm) (Conductor Width=0.15mm) (Air Gap=0.15mm) (Entries=4) (InPadClass('All Pads')) |
0 |
| Width Constraint (Min=0.125mm) (Max=10mm) (Preferred=0.2mm) (All) |
0 |
| Clearance Constraint (Gap=0.125mm) (All),(All) |
0 |
| Room ADC 2 (Bounding Region = (97.1mm, 81.9mm, 118.4mm, 103mm) (InComponentClass('ADC 2')) |
0 |
| Room Cape (Bounding Region = (81.9mm, 114.4mm, 96.6mm, 130.9mm) (Disabled)(InComponentClass('Cape')) |
0 |
| Room PSU (Bounding Region = (76.3mm, 76.2mm, 95.8mm, 97.4mm) (Disabled)(InComponentClass('PSU')) |
0 |
| Width Constraint (Min=0.125mm) (Max=2mm) (Preferred=0.35mm) (InNetClass('Power')) |
0 |
| Room Current Channel 1 (Bounding Region = (121mm, 102.9mm, 177.5mm, 122.6mm) (InComponentClass('Current Channel 1')) |
0 |
| Room Voltage Channels 1 & 2 (Bounding Region = (145.846mm, 113.946mm, 176.629mm, 137.743mm) (InComponentClass('Voltage Channels 1 & 2')) |
0 |
| Room Voltage Channels 3 & 4 (Bounding Region = (144.596mm, 69.264mm, 176.629mm, 92.804mm) (InComponentClass('Voltage Channels 3 & 4')) |
0 |
| Power Plane Connect Rule(Direct Connect )(Expansion=0.4mm) (Conductor Width=0.15mm) (Air Gap=0.15mm) (Entries=4) (IsVia) |
0 |
| Total |
12 |


--- layout: post status: publish published: true title: Content-Type Header and the HTTP Adapter author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 412 wordpress_url: http://winterdom.com/2006/11/contenttypeheaderandthehttpadapter date: '2006-11-15 14:47:56 +0000' date_gmt: '2006-11-15 14:47:56 +0000' categories: - BizTalk tags: [] comments: [] ---
A recent question in Stephen W. Thomas' excellent BizTalkGurus forums asked about how to control the value the HTTP send-side adapter in BizTalk Server 2006 sends on HTTP requests. After a little investigation through the adapter code (which lives in the Microsoft.Biztalk.HttpTransport.dll assembly), here's my guess of what goes on:
When the adapter is going to send the message, it gets the value for the Content-Type header from one of theses two locations:
However, that's not all that is considered. As it turns out, the adapter explicitly considers text content types (i.e. "text/*" MIME types). If the content type is a text type, then the adapter will append the encoding of the message to the content type, like this:
Content-Type: text/xml; charset=utf-8
If the content type is not a text type, then it leaves it alone.
If you don't want the charset to be appended to the Content-Type header for any reason, it appears there might be a way around it: The value for the charset is extracted from the Charset property of the body part of the message, but the Content-Type header is only modified if this property contains a non-null, non-empty value.
It would appear possible to work around this then by simply ensuring the Charset property is empty by the time the adapter gets hold of the message; using a custom pipeline component in the send pipeline would seem a good way of accomplishing this.


Modals Styles
Basic Modals (Nifty Modals)
Modal disables the original page beneath the overlay. The user needs to take an action or cancel the overlay until he can continue interacting with the original page. Modal are easy to implement, but they should be used sparingly. They interrupt the user flow, make it impossible to interact with the page and the overlay at the same time, and hide the content behind the overlay. This can be very annoying to users.
Position
There are four direction for the modal slider in from the page screen. when you click the button of each preivew image below, you will see the relevant modal demo.
Top
Center
Bottom
Sidebar
Form Modal
This modals including title, input for each field.
Multiple Modals
There is a new modal displayed overlay the first one by clicking the function button.
Optional Sizes
This modal has multiple size dialog for you to choice.
Tab In Modal
This modal including title, tabs for you display additional content inline in the same modal.
Accordions In Modal
This modal with accordions to have additional content hidden until the user needs them.
Grid In Modal
This modal including title and grids to layout through a series of two columns that house your content.
Styles
We provide six color options for modal title background color.
Choose color generate:
Fill In
This modal zooms from the middle and fills in fill-in to the modal.


Description
Judging Criteria
• The oratory fluency of the contestants.
• The accuracy and relevance of the content.
• The relevance of the questions and answers asked in the Q&A round.
• The rebuttal given to the question posed by the other team.
• The conviction and confidence shown by the participants.
Rostrum Rules
1. The teams would consist of two participants.
2. The debate will be conducted in the form of knockout rounds:
Each team will be given a serial number and can challenge any one of the remaining teams.
The challengee has to pick out a chit which would consist of three motions and choose one
of them for the debate. The debate master decides which team stands in favour of the
motion and which team opposes it.
3. A document will be provided to the teams containing the 10 topics.
4. Opening statement:
In the first stage, a team member from the teams paired against each other will present
their opening statement. (Max. Duration – 3 min).
5. The second speaker of each team builds on the stance of their team while countering the
opening statement of the opponent. (Max Duration – 2 min).
6. Question and Answer:
Next stage will be a Question & Answer round where the teams will pose a question to the
opponent. In this round, the one who presented the rebuttal will be answering the question
posed by their opponent. No cross questioning will be allowed in this round. (Max. Duration
– 1 min)
7. Closing Statement:
Finally, the teams summarize their arguments and finish with a concluding statement. (Max.
Duration – 1 min)
8. In the last two rounds where only the final four teams are left, the Debate Master shall
provide both the teams with the agenda and their stance.


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Importance of Code Review
I sure do hope that I don’t need to convince anyone how important is the process of code review.
If you need some guidelines on how to do it well I can recommend this Yelp blog post
Here I’d just like to perform a retrospective of my own code review
experiences.
A bit of history
When I started my developer career in a rather small company - we were not doing code reviews. One reason was that we had one developer per technology, so it was hard to find reviewers. But the main reason was that it was the first job for most of us, and nobody had experience with it. There was nobody to say: “we should be reviewing pull requests, despite we are not experts in a certain technology because good code always fulfills the same criteria”.
Luckily, later on, I worked in place, where code reviewing was a standard, and I learned a lot thanks to it.
Let the hunger games begin
Pull request is always a bit of a fight - Yegor Bugayenko explains it well. As a code author, you want your changes to be merged, but as a reviewer, you protect the project from attaching any mess to it.
The most important thing is to remember that both parties have the same goal here - keep the highest code quality in the project without pushing a particular solution by any means necessary
Pull request’s purpose is to verify that new code is written according to conventions agreed in the organization (code style, tests), doesn’t include any dangerous changes or silly mistakes or trash left after development.
So much for the theory, now practice…
Reviewers hat
First some observations about reviewing code
Lol
I got a comment like this once during code review lol
. Ok, cool. But what does it mean? I did something funny? Something silly?
Now I have to answer this comment and ask, hoping that its author will reply (in a different way) and then eventually, if I get lucky, I will know what he meant.
Let’s respect each other and our time that our employer pays for, and try to write as clear as possible what is going on from the very beginning.
Code review is a great place to discuss the very matter of our profession - the code - but it’s hard to discuss with lol
.
Memes
I add them myself in comments, but there are some rules:
- reviewer and PR author should know each other well, to be sure that meme will be understandable
-
enough is enough
well-placed meme from time to time can be great, but if you put it in every comment it looks unprofessional and will obfuscate useful information - there are more and more topics that are better off left for after work, and PRs can often be publicly visible for the whole organization. Not everyone is a fan of non-PC humor
Personal preferences
“And here you can do it like this
” - where like this
often gives the same result, just in reviewer’s preferred way.
In extreme cases, it may require refactoring half of the project and changing its principles because reviewer just came back from random conference and is spoiled with hype-driven development .
The reviewer’s solution was likely taken into account during development, but eventually, it didn’t make it to the final solution. PR’s author may know something the reviewer is not aware of.
Such comment can be useful and start a fruitful conversation for both sides, as long as the reviewer is not blocking PR by all means necessary.
Imperative
“Change X
to Y
” - no explanation or reasoning given. Because. The reviewer knows best.
IMO this way of commenting is unacceptable, even when there are huge experience and knowledge gaps between author and reviewer.
When a junior developer is not getting any explanation why X
is worse than Y
they will never learn or will use Y
blindly “because senior said so”
Usually, 1-2 sentences of clarification will do the work, StackOverflow, or some blogpost link may also help.
Esseys
But don’t get too verbose, Ockham's razor
is your friend.
It’s an extremely important and useful skill to be able to pack maximum content in a minimum amount of well-picked words.
There are times when I have to crawl through epic in the comment, just to get information that I could use another name for a variable.
What I would expect is to point what variable name may be better, why current is bad and 1..n suggestions of better names.
- I don’t need an introduction like “Don’t you think that this name is too much/not enough something?” - No, I don’t and this is why I picked it.
- Then I don’t need to get 10 links to StackOverflow and suggesting 3 books about clean code and software engineering - I won’t be able to read all this in any reasonable time.
- In the end, I don’t need to read that “this is just a suggestion, and I will do as I want if I think that current name is better, but {here more useless words}” - yes I know, every comment in PR is just a suggestion.
- Every reviewer’s comment is kind of
call to action
and author reaction is expected, no need to add “what do you think about it?” every single time.
I understand that this kind of verbose language makes comments sound nicer than just dry information, but it’s exhausting for long the term. If we agree that we are all professionals and are respectful towards each other, then I think we don’t need such verbose language in comments.
This is also shadowing the main reason for the comment itself.
So please be specific
Author is doing the same mistakes all the time
People keen to learn from mistakes and are adjusting to organization standards. If somehow PR author is doing the same mistakes each time or is not following code style - you should act on another level than just comments. Often by saying “this guy doesn’t get it” you mean “I just can’t explain it well”.
It is worthwhile to first talk with them about whether it is because of absent-mindedness or deliberate breaking of conventions, because, for example, he may think that his are better. In the case of absent-mindedness, you can try to automate rules and standards - there are tools like code formatter, SonarLint, or rules in IDE that will highlight broken rules in real-time, long before PR. When the author is fighting with organization standards… well not everyone is good to work with
I believe that imperfect rules are better than their absence, and it’s worthwhile to work on them rather than fighting against them. Deliberate breaking organization standards instead of at least trying to fix them is causing chaos and unnecessary tension.
Appreciate
When you see a cool change in the code - appreciate this in the comment, it’s enough. PR approve means just “good enough”, but if the author did something interesting and went the extra mile it’s really good to appreciate this.
It creates a nice culture among developers and means that the reviewer actually read the code and not just scroll through it and approved.
However, it is important to not overdo this, or it will lose impact.
Wider context
The easiest part of reviewing code is catching typos, naming issues, or little implementation improvements. It’s because these problems are isolated - they are present in a single place in code.
Much harder but also much more important is to understand the wider context of changes in PR. It requires a deep understanding of project code, business domain, and task that is being resolved by reviewed changes. This comes over time depending on the size of the project and the complexity of the domain. You also need a good team working together to achieve sprint goals and that is actively involved in all tasks.
Group of alienated contractors probably won’t be able to review code looking in a wider context and will focus on basic issues mentioned at the beginning of this chapter.
Always leave a comment
I don’t like silent approvals
, even though I sometimes do them
When changes in PR are clear, and you don’t find any issues it’s good to say this in the comment to the whole PR.
Simple “looks good” is enough.

When you see a trivial issue in the code - also leave a comment and don’t pass over it, but with information that it’s a trivial issue. It’s not about being picky, but let know that something can be done better.
Authors hat
Pull request author has a lot of ways to make code review a good or bad experience.
Description
I’ve noticed that I like when PR has a description informing about the intention of changes and is linking to the most important changes in code.
Usually, in the PR description or title, you should find a link to Jira ticket (or any other ticket system), but we all know how tickets can look like. Then you have undocumented discoveries during implementation and encountered problems with solutions.
So to help reviewers to understand the wider context (check the previous chapter) its good to write in human-understandable language what is going on in pull request. Of course, that code should talk for itself… but code diff may not do this well enough. Also jumping between code in IDE and pull request is not pleasant. This makes the review process longer and is causing aversion to reviewing pull requests.
It’s worthwhile to link to the most important changes in code, to distinguish them from minor gardening or fixes. In the description, you can add screens (check below) or diagrams that will help to better understand complex changes, that may be hidden when looking only on diff.
Screens
When your changes are impacting UI consider adding screens with the effect to pull request description. Even if there was a designer involved in the whole process.
It’s fairly easy to miss something and adding screens will allow reviewers to find errors without running the app. From an Android developer perspective - sometimes the design is not working well on all devices and if this is discovered during code review, changing it will be faster and cheaper than doing this after users start complaining.
Self-review
Before you add reviewers to pull requests - do yourself a review. You might want to check:
- did you leave any development garbage in the code (logs, comments)
- can you figure out what is going on just looking on diff
- do names for class/variable/method picked up during development still fit
- are tests reasonable
- are organization conventions and standards kept
During development, it’s easy to miss or forget one of the above-mentioned things. Before adding reviewers to pull request you have last chance to fix it before anyone can see it .
Some organizations or developers themselves are using pre-pull request checklists that are saving reviewers time by finding silly errors before they start checking the code. Surprisingly this is also making development faster because you don’t have to wait for feedback from others to fix issues you will have to fix anyway.
Feedback is a gift
By writing the code, you expose yourself to criticism and have no influence (or just indirectly) on the form in which you receive it. You control only how you react to it.
Even though you disagree with the reviewer’s point of view, appreciate fact that they spent time writing a comment with (hopefully) reasoning of their point, preceded by deeply reading your changes.
Unless they wrote just lol
then just move on or escalate it .
It’s good to respond or react on each comment in some way (“like” comment on BitBucket, or reactions on GitHub). Leaving hanging comments creates the impression that reviewer work is irrelevant.
Lower the noise
Nobody likes to review pull requests containing changes in 100 files, resolving many issues at once and touching unrelated places in code. If you feel that in your organization there is a problem to motivate other developers to review your PR, maybe you can start creating them in a way that would allow fairly easy readthrough and understanding intention of changes. Tasks can often be split on smaller independent fragments and then you can create few PRs with changes focused on part of the issue.
Unfortunately, it won’t be always an option. Then you can try to stop fixing the world by the way, especially when you notice that you are changing places unrelated to your task. PR can easily explode to enormous size, where hundreds of files are changes in a dozen places. This phenomenon is making the intent of changes blurry, and it’s hiding the most important changes from reviewers. Not to mention that it allows bugs to slip in easily.
It’s better to create yourself a ticket for later and try to do it ASAP, or just do a separate PR within the original ticket but just with refactoring you found to be useful.
If for some reason you end up with a huge pull request, please add a good description with links to most important changes in code - this is where you want reviewers to focus.
Pull Request doesn’t exist in a vacuum
Good PR is not alive for a long time. When you have weeks or months passing since it was created, the chance of resolving conflicts grows exponentially. And this is tiring and frustrating…
This is why small pull requests are awesome, because reviewers will check them sooner, the number of potential issues and fixes is lower, and they are merged quicker.
It’s becoming even more important the more developers work at the same project in independent teams.
Summary
We all deeply care about being productive at work, despite on which side (author or reviewer) are we. Commonly each developer works in each role, so it should be easy to understand how important empathy and communication are.
Let’s write in such a way that others can easily understand what you want to convey, regardless of whether it is a code or a comment. A well-prepared pull request will be verified faster and more thoroughly. Respectfully written comments will work better for project code quality than those mocking the author.
When working with people it’s important to remember that it should be pleasant for everyone


Cities have a lot to offer to visitors—from must-see attractions to the ones that attract smaller crowds with a specific interest. And so, tourists may be found on any street or in any place in your city. However, no matter whether they are on the lookout for famous monuments or hidden gems, our café is a place where most seem to end up—of course, any tourist needs to sit down for a while, use a bathroom or connect to the internet, right?
That is how I used to see tourists in cafés. I never paid that much attention to why they were there. I saw their visit as an ordinary stop when exploring the city. However, in the past year, I started to notice that there might be a little more to it. When managing my café nearby the bar or travelling and visiting other cafés tourists seemed to be more attentive to coffee places, they would ask more questions and really engage with the place.
And so, as a Café manager and a businessman, I started to pay attention to how cafés may be linked to the tourism industry and dedicated my last two months of summer holiday to find out how cafés impact tourists and then incoporate that my understanding. During the research process, I found out a lot about what tourists may look for when visiting a café and how influential the visit may be for them. I found it really interesting and I think it's something we can be more aware of as Café Managers.
You get a very clear picture as to how locals really are when they are relaxed and when they socialize. So, a coffee shop is a good place to observe that because they are themselves when they sit there.
- Matt
From my research, ‘Authentic’ places, meals and items are offered to tourists everywhere. Often, it is hard to distinguish what is really authentic and what is just a “tourist trap”. Local cafés may bring authentic experiences on several levels, and tourists are beginning to become aware of that. Cafés represent local culture and local people. The menu may be based on what locals like to eat and drink, the interior may be decorated typically for that nation and the customers may, by their behaviour, language and fashion, provide an understanding of what the local population is like. And so, just by sitting at a table and looking around, tourists can get a very good idea of what the area, city or maybe the whole country is like.
It is a place where you meet people. You connect, just by a smile or by a look. You don’t necessarily have to talk. We all know cafés are social places. Tourists may visit cafés not only to chat with friends they are travelling with but also to connect with other people around them.
A café is a unique place where locals and tourists meet, without getting in each other's way (in most of the cases). Does the layout of your café support social interaction? Does it have a shared table?
If yes, what is the purpose of it there? Maybe next time you can direct a tourist to a shared table and see how they take advantage of it.
It is more of a neutral zone, a place of leisure for everyone. Especially for people travelling on their own, they may see cafés as safe places where they can seek social interaction with both other customers and the baristas. I remember the last time—and the first time—I travelled on my own I really appreciated the opportunity to sit at a shared table. Not necessarily to converse with a stranger, but just to feel more part of the crowd.
I get this question every day “where should I go after this?”. As a barista, if you don’t have a couple of things to recommend you should probably learn some because it’s very useful.
I have witnessed a barista or another customer give a tourist recommendations on many occasions. Local people represent the city, therefore are seen as trustworthy sources of information. Tourist information offices may provide quite general/mainstream advice on what to do and where to go in that particular city. Getting a recommendation from a local in a friendly and casual atmosphere is much more engaging for tourists. That is why it is getting common for tourists to approach the barista with questions about a great restaurant nearby, places to visit, or fun activities in the city.What do you think really stands out in your city? What places really represent the atmosphere and vibe of the town? Try to prepare a couple of recommendations in advance so your advice is thought through. You can definitely influence someone’s stay in your town.
A lot of the time coffee shops tend to create very interesting interiors. When it comes to furnishing, choice of dishes, music. In these speciality cafés, everything is thought through, so I think they are always very special and inspirational.
If you have cafés as the only points of interest when visiting a city, then you really are a coffee enthusiast! Most of us visit cafés when exploring a city, however, for some this may be almost akin to visiting a museum or major tourist attraction—and this can also apply to non-coffee people (to my surprise). Many people choose in advance where to go for a coffee, but when I spoke to people about visiting these cafes, I found out that they took different memories away from the experience. There was a story about the cup, about colours of the furniture, about the atmosphere, or about the people around.
Stories about the coffee itself often came from baristas only. And so, the café may be an attraction where different people find their “thing”. In most cases though, the memory that the visitors kept from that place was bound to something else than coffee, it surpassed the main reason the person went there in the first place—the coffee itself. Speaking of memories and attractions— merchandise sold in cafés (roasted coffee, cups, t-shirts etc.) may serve as a souvenir the same way as a miniature Eiffel tower, maybe even better! Do you have such goods in your shop? When a café becomes a destination and tourists are wandering the streets to find it, it can be thought of as a tourist attraction in its own right.


Reports: Bolton Has Landed A Million-Dollar Book Deal
Former National Security Adviser John Bolton has reportedly signed a book deal.
CNN and the Associated Press reported on Saturday that Bolton had signed with publisher Simon & Schuster after several weeks of negotiations.
Unnamed publishing officials told the AP the deal was worth approximately $2 million.
Though the exact release date is unknown, an anonymous source told CNN the book will be published before the 2020 elections.
House impeachment investigators are eager to hear from Bolton after several testimonies from White House officials point to the former national security adviser as a resister in President Donald Trump’s efforts to use foreign policy to pressure Ukraine into digging up dirt on his political rivals.
However, Bolton skipped his scheduled deposition on Thursday because he wants a judge to decide whether he and his former deputy, Charles Kupperman, are allowed to defy the White House’s orders to not cooperate with the impeachment investigation.


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| DOSE: |
25.7 mg |
oral |
2C-E |
(powder / crystals) |
Friday, October 6, 2000 12:31 PM
(+0:00) At 12:30pm, I swallowed approximately 25.7mg of a white powder received from a trusted source that is known to be 2C-E. I dissolved it in orange juice and drank it down.
I am home alone today and do not expect any interruption until between 8 and 9pm. I woke up this morning feeling good about the world.  So... it's a good day. My set is good. I'm in the house I share with my lover. It's a warm place for me and I feel wonferfully at ease in every room in the house.
The only pre-conceived notions I have about this substance is what my source told me from Hir experience with it. SHe said it reminded Hir of mescaline, and that Hir experience was very internal. SHe said that if SHe had had any healing to do when having this experience, it would have been done. I have some healing to do. I have been recovering slowly from a bout with major depression that had me debilitated completely for two weeks and had been building for 6 months prior to that. It's been 4 or 5 months since that episode, and it does take a long long time to explore the psychological forces that contribute to such a condidion. I'm hoping this substance will be good for such exploration.
Other medications that are in my system: I take 400mg of an antidepressant called Serzone (nefazodone). Serzone is not an SSRI or a MAOI, but exists in a class of it's own. A friend who researches such things says it's a '5HT2 Receptor Blocker'. It does have Serotonin reuptake action, but also appears to block postsynaptic serotonin receptors. It is prescribed as a mild treatment for depression & anxienty. I take 200mg in the AM and 200mg in the PM. i have taken my AM dose today. I also took my once-daily dose of Wellbutrin (Bupropion 150mg daily) which is also to treat depression and is often used with Serzone. Aside from antidepressants, I took Allegra (Fexofenadine hydrochloride) extra-strength, a decongestant called Enomine (guaifenesin/phenylephrine/phenylpropanolamine).
For breakfast I had a bowl of bran cerial with soy milk at around 10am.
(+:11) It's 12:41 PM.
I feel that initial mild neck and head buzz that i always get shortly after taking any substance. I believe it's more of a psychologically triggered reation of anticipation. but it is a feeling unique to taking a psychoactive substance.
(+:30) 1:02 PM
Starting to feel the slightest alarms consisting of a noticable change in my sense of balance. Time for a shower.
(+1:08) 1:38 PM
There is no doubt that I am on the rise now. It feels a good bit like 2c-b at this point.
(+1:21) 1:51 PM
I feel quite a bit like i ate mushrooms or something. similar visuals, body feeling, desire to lay down
(+1:36) 2:06 PM
It feels a lot like mushrooms but with a different 'taste'. I find myself thinking about friendships a lot. I would also describe it as having a quality like 'black pepper' which is also how I have felt with Foxy. it's a buzzy burny feeling as if my main 'energy channels' had a touch of heartburn. Not severe, but present. It's quite pleasant overall. Tortoise's album TNT is ... i cannot think of a more perfect album for this mellow and thoughtful headspace.
(+1:58) 2:28 PM
I've had two brief friendly phone calls, and both were fairly easy to navigate. Tho, i still get a sense that this substance is still developing, or 'coming on.' I'm basically very relaxed. I'm thinking a lot about how I treat people. My tentency to judge myself harshly on such fronts is relaxed, tho I do still find myself feeling sorry. Very sorry for treating people, especially my sweetie, harshly in little ways. Little dismissals. Little digs. Little lashouts. This substance is good for 'digging in the dirt' as they say. I'm finding myself getting some of the 'work' done that I wanted to do. it's happening very naturally.
(+2:32) 3:02 PM
I've been stretching and I'm energized & half-tempted now to go jogging. The day is nice for it. But for now, jogging in place will suffice. I feel as if I have emerged from what was the head-trippy segment of this experience. I spent a lot of time curled in a ball on my bed feeling out events of my past, and trying to imprint some more positive approaches for my future. Now that I think about it, I could easily fall back into that fetal position and resume course, as it were. I have been, for the last few minutes stretching and bouncing around. I feel good. I feel whole, in tune with my physical container ('my body').
(+3:36) 4:06 PM
Came back from short fifteen-minute walk and went right back into that headspace. Had some memory come up that caused me a big startle. I awoke out of whatever trance I was in with a exclamatory shout, disturbed, looked around, and then I could not remember what it was I had remembered that caused me a start. It seems as if the memory came up, was painful and was supressed again immediately. This is the 1st time I've had such a close look at such processes as they happen. I can't for the life of me remember what it was, nor could I a second later... but I know it was something and it has a 'on the tip of my tongue' quality to it. It was quite disturbing, but only in that moment. Once it was 'buried' again, I retained only the memory of the intensity of being startled that way. It's intriguing. I hope I get to brush up against that memory again.
I feel like I am off peak now. This is a pretty intense substance. I like it VERY much and would do it again. I have been getting a lot of 'work' done today, I feel. So while i'm off peak now... I'm still very much still up. I feel happy and energized and like getting up and DOING SOMETHING! I often feel this way after the heaviness that the 1st few hours a mushroom trip has. Overall, i would say that this 2c-e is comparable to mushrooms... in many ways.
(+4:29) 4:59 PM
I'm feeling tired. I was able to eat a pb&j sammich, which eased some hunger. I've. been able to do little more than lay down and listen to music since. I'm definitely feeling tired, and a bit more prone to thinking sad thoughts. I'm also feeling rather cold.  It's not as bad as it sounds. It feels like a natural aftermath. But then again, laying down i can sink back into that headspace again.
(+5:05) 5:35 PM
I stood outside on the front porth watching the rain, which was sometimes torrential. I'm still feeling a tiredness. I'm still thinking about things and working through personal issues peacefully. I'm still definitely under this substance's influence. I still feel the body effects. My vision is still 'affected' tho it's hard to describe exactly how. I can read decently well. I feel alert and mellow, not particularly energized, but not down or sad at all.
(+7:54) 8:26 PM
I'm not totally down, but mostly there. The down-swing has been slow and gentle. My vision is still affected, but only subtlly. It's been a potent day.
Some Final Thoughts:
I would definitely enjoy experiencing the effects of this substance again. The ~25mg dose was very solid. I might push it a bit higher next time, but not too much. Maybe I would try 30mg. I have not tried mescaline, but I have had some powerful mushroom experiences. I find similarities between the two. I felt very in touch with my thoughts and feelings, and able to examine and map some uncharted mental teritory.
I remember having some interesting closed-eye visuals now and then, while laying on the couch listening to music in the headphones. The visuals were not nearly the center of my experience, however. I found myself easily falling into an open relaxed state like that which hypnosis sessions have taken me to, and I value that more than visuals anyway. I experienced no real 'ego loss' in the bewildering and confusing way that LSD can cause me, but I found my inner dialog absent when not directly interacting with certain memory-emotional triggers.
I would love to explore this substance more, less for the fun of it than for the reflective and open headspace it provided me.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


WITNESS LIST Appropriations Committee February 19, 1997-8:00A General Services Commission On: Treadway, Tom (GSC) Governor, Office of the On: Hawkins, Albert (Governor, Office of) Tucker, Jerry (Governor, Office of) Historical Commission For: Tunnell, Curtis (TX.Historical Comm.) On: Morales, Roni (TX.Historical Comm.) Nav, John III (TX.Historical Comm.) Human Rights, Commission on On: Hale, William (Human Rights) Segura, Josephine (Human Rights) Incentive and Productivity Comm On: Powell, Elaine (Incentive and Product) Information Resources, Department On: Purcell, Carolyn (Information Resources) Library and Archives Commission On: Martin, Robert (Library and Archives) Preservation Board On: Crawford, Richard (Preservation Board) Ragland, Brian (Preservation Board) Secretary of State On: Beck, Jim (Secretary of State) Ervin, Clark Kent (Secretary of State) State-Federal Relations, Office On: Coffee, Roy (State-Federal Relations) Rich, Laurie (State-Federal Relations)


Preparation time
less than 30 mins
Cooking time
1 to 2 hours
Serves
Serves 6-8
Dietary
This is one deliriously decadent pud: a light vanilla sponge with Marsala strawberries and a potently rich mascarpone cream. This is best eaten on a hot summer’s day with some fresh lemonade.
For the strawberry filling, put a third of the strawberries in a blender or food processor with the granulated sugar and blend well. Transfer the strawberries to a bowl and add the Marsala or orange juice. Stir in the remaining strawberries and chill in the fridge. (The flavour gets better the longer you leave it, so do this a few hours ahead if you can, though if you are ready to go now then a minimum of 30 minutes is fine.)
Meanwhile, for the sponge, preheat the oven to 190C/375F/Gas 5. Grease and line a 23 x 33cm/9in x 13in Swiss roll tin or small roasting tin with greaseproof paper.
Beat the eggs, sugar and vanilla in large bowl with an electric whisk until the mixture is very pale yellow, foamy and mousse-like. Fold in the warm water with a large metal spoon. (This helps prevent the Swiss roll from cracking when you roll it later.)
Sift over the flour and salt and fold in gently with the metal spoon. (Don’t overmix here or you will knock out the air and the Swiss roll will lose its sponginess. The trick is to incorporate all the flour with as few ‘folds’ as possible.)
Pour the mixture into the prepared tin and level it gently with a palette knife or the back of a large spoon. Bake in the oven for 10–15 minutes, or until the sponge has shrunk a little from the sides of the tin and feels springy to the touch. Remove the sponge from the oven and turn the cake out onto a sheet of baking paper sprinkled with caster sugar. Leave to cool for 10 minutes, then gently peel the lining paper off the sponge and leave to cool completely.
Meanwhile, for the mascarpone cream, mix all of the ingredients together in a large bowl.
To assemble the cake, trim off any rough edges of the sponge with a sharp serrated knife to get the sides nice and tidy. Spread the mascarpone cream all over the sponge, leaving a small margin so it does not squelch out when it is rolled. Spoon the macerated strawberries over the mascarpone filling and drizzle with a third of the strawberry purée (reserve the rest).
With the shortest side facing you, begin to roll up the sponge (away from you) using the baking paper to help. Try to do it as tightly as you can for an impressive-looking finish. Once you have rolled it all up, make sure the join is underneath so it does not come undone. Carefully lift onto a serving plate - you can do this with your hands or use two fish slices or spatulas.
Sprinkle with some caster sugar and decorate with extra sliced strawberries. Serve in slices with the remaining strawberry sauce drizzled over.


Welcome to my miniblog! Congratulations for making it here! You'll get access post that'll quench you thirst
Overview of the blog:
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Simulation details
{% include "sc2md/form_field_snippet.html" with field=form.dyn_name %}
{% include "sc2md/form_field_snippet.html" with field=form.delta %}
{% include "sc2md/form_field_snippet.html" with field=form.timestep %}
{% include "sc2md/form_field_snippet.html" with field=form.software %}
{% include "sc2md/form_field_snippet.html" with field=form.sversion %}
{% include "sc2md/form_field_snippet.html" with field=form.ff %}
{% include "sc2md/form_field_snippet.html" with field=form.ffversion %}
{% include "sc2md/form_field_snippet.html" with field=form.description %}


{% extends "base.html" %} {% block title %}About Us{% endblock %} {% block content %}
We is the leading online computer and computer accessories shop
We offer the best prices on the market and make deliveries of our product to your doorstep
Please send us a message via our Contact Page for any queries, quotes or feedback.
We look forward to serving you.


Tuple Level
Written Syntax: RelationA τ RelationB
Arcade Syntax: Currently Not Supported
Operation Definition
This is a unary operator that rearranges the list order of the tuples. Note that this operation does not change the underlying representation and is really for visualization purposes only. This operation requires:
- 1) L, a subset
<a1, a2, a3,…, an>of the attributes of the relation to sort the tuples by. The tuples are first sorted in ascending order according to their a1 component by using the concept of greater than (>) and lesser than operators (<). Ties within a1 are broken using a2 component values and so forth for further ties.
Usefulness:
Used typically for display and readability purposes. Since relations are sets, ordering is usually not considered.
Example:
Bam (Orginal)
| D |
E |
| 21 |
30 |
| 20 |
30 |
| 53 |
62 |
| 11 |
10 |
Sort[E, D](Bar)
| D |
E |
| 11 |
10 |
| 20 |
30 |
| 21 |
30 |
| 53 |
62 |


| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| backoff.ts | 100% | 30/30 | 100% | 8/8 | 100% | 6/6 | 100% | 29/29 | |
| datastore.ts | 100% | 43/43 | 100% | 0/0 | 100% | 16/16 | 100% | 38/38 | |
| existence_filter.ts | 100% | 6/6 | 100% | 2/2 | 100% | 3/3 | 100% | 5/5 | |
| persistent_stream.ts | 96.59% | 198/205 | 88.24% | 45/51 | 95.83% | 46/48 | 96.41% | 188/195 | |
| remote_event.ts | 100% | 50/50 | 100% | 7/7 | 100% | 17/17 | 100% | 45/45 | |
| remote_store.ts | 95.99% | 263/274 | 86.87% | 86/99 | 98.04% | 50/51 | 95.82% | 252/263 | |
| rpc_error.ts | 72.73% | 72/99 | 63.64% | 56/88 | 100% | 6/6 | 75% | 72/96 | |
| serializer.ts | 93.61% | 542/579 | 80.4% | 242/301 | 100% | 97/97 | 93.53% | 520/556 | |
| stream_bridge.ts | 100% | 28/28 | 100% | 0/0 | 100% | 10/10 | 100% | 27/27 | |
| watch_change.ts | 98.37% | 121/123 | 89.58% | 43/48 | 100% | 22/22 | 98.23% | 111/113 |


nape.dynamics.Contact
- type
- class
- metadata
- :final
Contact point for collision interactions
These objects are automatically reused and you should not keep references to them.
Instance Methods
- parameters
body
The Body to query normal impulse for. (default null)
- returns
- The impulse applied to the given body, considering normal reactive forces.
- throws
#
If body is non-null, and unrelated to this Contact.
- parameters
body
The Body to query rolling impulse for. (default null)
- returns
- The angular impulse applied to the given body.
- throws
#
If body is non-null, and unrelated to this Contact.
- parameters
body
The Body to query tangent impulse for. (default null)
- returns
- The impulse applied to the given body, considering standard frictional forces.
- throws
#
If body is non-null, and unrelated to this Contact.
- parameters
body
The Body to query total impulse for. (default null)
- returns
- The impulse applied to the given body
- throws
#
If body is non-null, and unrelated to this Contact.


{% extends 'base.html' %} {% block title %}Password reset{% endblock %} {% block content %}
We sent you an e-mail with instructions, how to reset your password.
If you have not received that message, please make sure, that you have entered proper e-mail address.
{% endblock %}


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BEYOND RANGOON A film review by James Berardinelli Copyright 1995 James Berardinelli
RATING (0 TO 10): 7.8
United States, 1995 U.S. Availability: 8/25/95 (wide) Running Length: 1:42 MPAA Classification: R (Violence) Theatrical Aspect Ratio: 2.35:1
Cast: Patricia Arquette, U Aung Ko, Frances McDormand, Spalding Gray Director: John Boorman Producer: Barry Spikings, Eric Pleskow, and John Boorman Screenplay: Alex Lasker and Bill Rubenstein Cinematography: John Seale Music: Hans Zimmer U.S. Distributor: Columbia Pictures
In the late 1980s, when pro-democracy movements were springing up all around the world, China was not the only nation to brutally squash dissension. Far from the glare of the television camera, similar events were transpiring in Burma. Peaceful demonstrations turned into bloodbaths, prisoners were shot en masse, and over 700,000 men, women, and children fled across the borders. However, as the narrator of BEYOND RANGOON notes, because of the lack of press coverage, for most of the world, it was as if it didn't happen.
One of the most difficult tasks a film maker faces when bringing to life a story with a particular political or social point-of-view is involving -- not isolating -- the viewer. It's far too easy for a "cause" motion picture to become dry and uninteresting. With BEYOND RANGOON, director John Boorman (DELIVERANCE, THE EMERALD FOREST) has taken the situation in Burma and reduced it to a personal level. He has placed a lone American woman in the eye of the storm and, while the audience watches, she is swept along by the violent currents of August 1988.
That woman is Laura Bowman (Patricia Arquette), a young American doctor visiting the Far East in hopes of finding escape from the recent tragedy which has ripped apart her life. One day in the not-too-distant past, she returned home from work to find her house ransacked and her husband and young son brutally murdered.
One night while her tour group is staying in a Rangoon hotel, Laura wanders into the streets and becomes caught up in a pro-democracy rally led by charismatic activist Aung Sein Suu Kyi (who won the Nobel Peace Prize in 1991). While there is tension between government forces and the student demonstrators, no open confrontation takes place, and Laura returns to her room unmolested. The next day, however, she discovers that she lost her passport the previous night and, since the Burmese government will not let anyone leave the country without one, she is unable to depart as scheduled with her sister and the rest of her tour group.
After eventually acquiring a new passport from the U.S. Embassy, Laura decides to spend some time exploring. She soon locates an "unofficial" tour guide (U Aung Ko), and enlists his aid in bribing her way through checkpoints to meet people and go to places that no outsider normally sees. However, the tour guide turns out to be a pro-democracy activist and, when the Burmese government declares martial law, Laura becomes caught up in a struggle she previously had no idea existed.
Besides being an intelligent and gripping thriller with a solid grounding in real, recent historical events, BEYOND RANGOON also gives movie-goers a rare opportunity to watch a female hero. These days, the strongest roles for women are the ever-present femme fatales (like Linda Fiorentino in THE LAST SEDUCTION) that populate film noir. It's unusual to find a solid, well-rounded character the likes of Laura Bowman, and, while Patricia Arquette has a few awkward moments, she mostly does a credible job with a part that requires emotional and physical range.
The cinematography by John Seale is spectacular. It's easily among the best jobs of the year, and far more impressive than the usual approach of "take the camera and do a few widescreen shots of the countryside." Seale plays with light and color, and uses Burma's natural beauty to highlight the characters. BEYOND RANGOON is a visual masterpiece, yet rarely does the photography take away from the storyline.
Boorman has succeeded in an arena where Oliver Stone so often fails. By toning down the melodrama and manipulation, BEYOND RANGOON calls attention to a situation without becoming overly didactic. Rarely does this film lose its edge -- the characters are well-defined and the pacing is tight. And the message comes across -- few who sit through this picture will react quite the same way when a story about Burma airs on the nightly news.
- James Berardinelli<EMAIL_ADDRESS>The review above was posted to the
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WITNESS LIST Finance Committee February 9, 1999-9:00A Animal Health Commission On: Bouma, Brad (Texas Animal Health Commission), El Paso Coats, Jr., Max E. (Texas Animal Health Commission), Austin Whittenton, Suzy B. (Texas Animal Health Commission), Austin Registering, but not testifying: On: Beals, Terry (Texas Animal Health Commission), Austin Lucar, Angela (Jaroszewski, Dale), Austin Truitt, Bruce (State Auditor's Office), Austin Low-Level Radioactive Wst Disposal On: Bell, Doug (Texas Low-Level Radioactive Disposal Authority), Austin Carroll, James L. (Texas Low-Level Radioactive Disposal Authority), El Paso Natrl. Res. Conservation Commission On: Gentle, Mark (Self), Austin Helliker, Paul (Clean Air Force of Central Texas), Austin Huston, Robert J. (Texas Natural Resources Conservation Commission (TNRCC)), Austin Kramer, Ken (Lone Star Chapter, Sierra Club), Austin Marsden, Julia M. (League of Women Voters - Texas), Austin Petersen, Ken (TNRCC), Austin Saitas, Jeff A. (TNRCC), Austin Tackett, Cara (City of San Antonio), San Antonio Utter, Tom (City of Corpus Christi), Corpus Christi Webster, Jeff (City of San Antonio), San Antonio Whitworth, Shelley (Alamo Area Council of Governments), San Antonio Registering, but not testifying: On: de la Garza, Luis (PG&E Gas Transmission), San Antonio Anderson, Sparky (Clean Water Action), Austin Hess, Myron (National Wildlife Federation), Austin Sprinkle, G.K. (League of Women Voters of Texas), Austin Parks and Wildlife Department On: Anderson, Sparky (Clean Water Action Texas Association of Bass Clubs (BAIT)), Austin Angelo, Jr., Ernest (TPWD), Midland Barnhill, Jane (Texas Historical Commission), Brenham Bozanson, Janice (Texas Committee on Natural Resources), Austin Center, Sam (Texas Game Warden Association), Llano Evans, Douglas M. (Texas Recreation and Park Society), Grapevine Griffith, Beverly (Austin City Council), Austin Heath, Richard (TPWD), Carrollton Langford, David K. (Texan Wildlife Association), San Antonio Marek, Susie (Texans for State Parks), Round Rock McKinney, Larry D. (TPWD), Austin Oaks, Larry (Texas Historical Commission), Austin Pressler, Larry (Texas Recreation and Park Society), McAllen Sansom, Andrew (TPWD), Austin Young, Larry E. (Texas Game Warden Association), Fort Worth Registering, but not testifying: On: Burgdorf, Jayna (TPWD), Austin Garcia, Gus (Austin City Council), Austin Matthews, Malcolm (Texas Recreation and Parks Society), San Antonio Railroad Commission On: Garza, Tony (Texas Railroad Commission), Austin Matthews, Charles R. (Texas Railroad Commission), Austin Williams, Michael L. (Texas Railroad Commission), Austin Soil and Water Conservation Board On: Anderson, Sparky (Clean Water Action), Austin Buckley, Robert G. (Texas State Soil and Water Conservation Board), Temple Clark, Charles D. (Texas State Soil and Water Conservation Board), Menard Flores, Juan Antonio (San Antonio Water System), San Antonio Moore, Jame M. (Texas State Soil and Water Conservation Board), Belton Registering, but not testifying: On: Stephens, Bobbie (Texas State Soil and Water Conservation Board), Temple Water Development Board On: Bowers, Richard (North Plains Ground Water Conservation District No. 2), Dumas Geren, Charlie (Texas Water Development Board), Ft. Worth Madden, William (Texas Water Development Board), Dallas Mardsden, Julia (League of Women Voters of Texas), Austin Pederson, Craig D. (Texas Water Development Board), Austin Williams, C.E. (Panhandle Ground Water District), White Deer Registering, but not testifying: On: Ward, J. Kevin (Texas Water Development Board), Austin


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General Information & Useful Links
Below is a list of useful tips to help you manage and monitor your blood glucose levels.
Please note that while these can help, you should still seek professional advice if you feel concerned.
- Reduce your Carb Intake
- Outright avoiding carbs or reducing your intake of them can help keep your glucose levels under control. Consider using portion control to help regulate overall calorie intake, which can also help with weight loss.
- Stay Hydrated
- Staying hydrated is important enough on its own. However, this can also help your kidneys to flush out excess blood sugar through urine.
- Exercise Regularly
- Adopting a regular exercise routine can drastically improve your health. Of course exercising will help with weight loss, but it can also increase your cell's sensitivity to insulin, which helps them use more glucose.
- Don't stress yourself needlessly
- Stress can have a profound impact on blood glucose levels. During stress, glucagon and cortisol hormones are released, which increase blood glucose levels.
- Monitor your blood glucose levels
- This should go without saying, but keeping an eye on your blood sugar levels can help you spot important signs; should your condition worsen or improve.
- Get enough sleep
- Bad sleeping habits are known to affect blood glucose levels. Primarily by increasing appetite and reducing insulin sensitivity.


Migos was formed in 2008, by Quavo(born Quavious Keyate Marshall), Takeoff (born Kirshnik Khari Ball), and Offset(born Kiari Kendrell Cephus), and they originally called themselves the Polo Club. The three members are directly related and were raised together; Quavo is Takeoff's uncle, and Offset is Quavo's cousin.
He was born on April 2, 1991.s an American rapper, singer, songwriter and record producer.
He is best known as a member of the hip hop trio Migos. Quavo is related to his fellow Migos members, being Takeoff's uncle and Offset's cousin.
Lawrenceville, Georgia, U.S. Kirshnik Khari Ball.He was on born June 18, 1994.Is an American rapper, singer and songwriter.
He is best known as a member of the hip hop and trap music trio Migos along with his uncle Quavo and first cousin once removed Offset.
He was born on December 14, 1991 in Lawrenceville, Georgia. Having been left by his father when he was young,
Offset was raised by Quavo's mother in the suburb part of the city, where he spent his childhood with both Quavo and his nephew Takeoff.