It mainly uses CSS border tricks and position tricks to achieve the effect, without using any image, which enables us to create this kind of effect of any size.
It's a tiny library with minified JavaScript file of 6KB.
Hello World!
To use jCorner, the following files should always be included.

Suppose we want to add this jigsaw effect to an element with id jigsaw in the HTML, jJigsaw makes it as simple as:
HTML:

JavaScript:
$('#paper').jJigsaw();
Download
jJigsaw is an open-source project under MIT License.
Documentation
There're 4 parameters to set with jJigsaw, none of which is compulsory. Default values are:
bgcolor:"#ffffff", bdcolor:"#cccccc", bdwidth:5, holerate:8
If your web page had set the background-color property of body element,jJigsaw will set the same color value of the bgcolor parameter automatically.
Example:
$("#jigsaw").jJigsaw({ holerate:7, bdcolor:"#AAAAAA" });
$("#jigsaw").jJigsaw({ holerate:5, bdcolor:"#cccccc", bdwidth:3 });
bgcolor
In order to make your elements have this jigsaw effect,you had better ensure the bgcolor parameter is set to be the same value of your elements' container.
bdcolor
This parameter defines your elements' shadow effect,bdcolor is set to be the shadow's color.
bdwidth
You may want to control the size of shadow in pixels,that's exactly what this parameter do.
holerate
Well,I have to admit that it's hard for me to explain the usage of this parameter.The larger it is , the smaller the holes of your jigsaw it will be.
P.S.
If your element have child element,you had better set some CSS properties such as margin for a better effect. Besides,if you have set the background-image property for your element,please do as follows:
#jigsaw{ background:url(bg.jpg) no-repeat 0 0; background-size:100% 100%; }
Not humanized,huh? I have done my best whatever.
If you have other problems during the time you using jJigsaw,feel free to get in touch with me.
About Author
jJigsaw is developed by Quincy Wu, a hobbyist Web front-end designer.
Follow Him
Follow him on Sina Weibo or Google Plus


| Interface | Description |
|---|---|
| Converters |
Represents a collection of converters.
Note: This interface will probably change in the near future to allow annotation support. |
| ExceptionMapper |
Store the exception mapping for exception handling.
|
| Execution<T> | |
| InterceptorHandler |
An interceptor handler is a wrapper to either an interceptor instance or a
interceptor definition.
|
| InterceptorHandlerFactory |
Factory for InterceptorHandlers
|
| InterceptorStack |
The interceptors stack.
|
| Localization |
A i18n messages provider.
|
| MethodInfo |
Represents all method parameters, and the result returned by the invoked method.
|
| RequestExecution |
A request execution process.
|
| Routes |
Allows easy access to detect any route information.
In order to access the uri for a method, one should invoke |
| StaticContentHandler |
Handles the content if the request corresponds to static content (like images, CSS, JS and so on).
|
| Class | Description |
|---|---|
| AbstractResult |
An abstract result that implements all shortcut methods in the
recommended way
|
| BaseComponents |
List of base components to vraptor.
Those components should be available with any chosen ioc implementation. |
| DefaultConverters | |
| DefaultExceptionMapper |
Default implementation of
ExceptionMapper . |
| DefaultInterceptorHandlerFactory | |
| DefaultInterceptorStack |
Default implementation of a interceptor stack.
|
| DefaultMethodInfo |
Holder for method being invoked and parameters being passed.
|
| DefaultResult |
A basic implementation of a Result
|
| DefaultRoutes |
Default implementation of route info extractor.
|
| DefaultStaticContentHandler |
Handles default content if the request corresponds to static content.
|
| EnhancedRequestExecution |
Delegates ordering to
InterceptorRegistry |
| ExceptionRecorder<T> |
Create proxies to store state of exception mapping.
|
| JstlLocalization |
The default implementation of bundle provider uses JSTL's api to access user information on the bundle to be used.
|
| RequestInfo |
Simple wrapper for request, response and servlet context.
|
| SafeResourceBundle |
A Resource bundle that doesn't throw exception when there is no resource of given key.
|
| ToInstantiateInterceptorHandler |
Instantiates the interceptor on the fly and executes its method.
|
Copyright © 2013 Caelum. All Rights Reserved.


On 29th May,2002,just hours before I put the finishing touches to this book, I visited the Grotto in Lourdes,in France, to fill a few bottles with miraculous water from the spring. Inside the Basilica, a gentleman in his seventies said to me, 'You know, you look like Paulo Coelho.' I said that I was Paulo Coelho. The man embraced me and introduced to his wife and grand-daughter. He spoke of the importance of my books in his life, concluding: 'They make me dream.' I have often heard this words before, and they always please me greatly. At that moment, however, I felt really frightened, beacuse I new that my new novel, Eleven Minutes, dealt with a subh=ject that was harsh, difficult, shocking. I went over to the spring, filled my bottles, then came back and asked him where he lived (in northern France, near Belgium) and noted down his name.
This book is dedicated to you, Maurice Gravelines. I have a duty to you, your wife and grand-daughter and to myself to talk about the things that concern me and not only about what everyone would like to hear. Some books make us dream, others bring us face to face with reality, but what matters most to the author is the honesty with which a book is written.
And,behold, a woman which was in the city, a sinner, and when she knew that Jesus was sitting at meat in the Pharsiee's house, she beought an alabaster cruse of ointment.
And standing behind at his feet, weeping, she began to wet his feet with her tears, and wiped them with the hair of her head, and kissed his feet, and anointed them with the ointment.
Now when the Pharsiee which had bidden him saw it, he spake within himself,saying. This man, if he were a prophet, would have perceived who, and what manner of woman this is which toucheth him, that she is a sinner.
And Jesus answering said unto him, Simon, I have somewhat to say unto thee. And he saith, Master, say on.
A certain lender had two debtors: the one owed five hundred pence, and the other fifty.
And when they had not wherewith to pay, he forgave them both.Which of them therefore will love him the most ?
Simon answered and said, He, I suppose, to whom he forgave the most. And he said onto him, Thou hast rightly judged.
And turning to the woman, he said to Simon, Seest thou this woman? I entered into thine house, thou gavest me no water for my feet, but she hath washed my feet with her tears and wiped them with her hair.

My head with oil thou didst not anoint, but this she hath anointed my feet with ointment.
Wherefore I say unto thee, Her sins, which are many, are forgiven, for she loved much: but to whom little is forgiven,the same loveth little.


--- layout: post authors: ["Greg Wilson"] title: A Short Report from Tuebingen date: 2013-02-03 time: "09:00:00" tags: ["Max Planck Institute - Tuebingen", "Workshop", "Report"] ---
Luis Figueira has posted a short summary of last week's bootcamp at the Max Planck Institute in Tuebingen, Germany. Judging by the number of people who have contacted us since to ask about volunteering at the next one, it appears to have gone very well.


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Support¶
You can get help with LightPipes for Python in several ways: Visit our Github site
Help for a specific command can be obtained at the Python prompt and from the command reference.
For example, to display the help for the Begin command, type at the Pythom prompt:
>>> from LightPipes import *
>>> help(Begin)
The response is:
Help on built-in function Begin:
Begin(...) method of LightPipes._LightPipes.Init instance
F = Begin(GridSize, Wavelength, N)
Creates a plane wave (phase = 0.0, amplitude = 1.0)
Args::
GridSize: size of the grid
Wavelength: wavelength of the field
N: N x N grid points (N must be even)
Returns::
F: N x N square array of complex numbers (1+0j).
Example:
:ref:`Diffraction from a circular aperture <Diffraction>`
Example:
>>> from LightPipes import *
>>> F = Begin(0.03,500e-9,4)
>>> print(F)
[[(1+0j), (1+0j), (1+0j), (1+0j)],
[(1+0j), (1+0j), (1+0j), (1+0j)],
[(1+0j), (1+0j), (1+0j), (1+0j)],
[(1+0j), (1+0j), (1+0j), (1+0j)]]


Source code for module_afa_to_nex
#!/usr/bin/env python3
# Copyright 2018 Lael D. Barlow
#
# Licensed under the Apache License, Version 2.0 (the "License");
# you may not use this file except in compliance with the License.
# You may obtain a copy of the License at
#
# http://www.apache.org/licenses/LICENSE-2.0
#
# Unless required by applicable law or agreed to in writing, software
# distributed under the License is distributed on an "AS IS" BASIS,
# WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
# See the License for the specific language governing permissions and
# limitations under the License.
#
"""This module is for afa_to_nex.py script and others, which use the same
functions.
"""
import sys
import os
import shutil
from Bio import AlignIO
from Bio.Alphabet import IUPAC, Gapped
from module_amoebae_get_datatype import get_dbtype
from Bio.Seq import Seq
[docs]def determine_alphabet(filepath):
"""Automatically determine what alphabet to use for a given file."""
dtype = get_dbtype(filepath)
if dtype == 'prot':
return Gapped(IUPAC.protein)
if dtype == 'nucl':
return Gapped(IUPAC.ambiguous_dna)
[docs]def afa_to_nex(infilepath, outfilepath=None):
"""Takes an aligned fasta file (protein) and writes a nexus format file.
"""
# Delete extra mesquite lines if present (otherwise they cause errors).
# These may have been added if the nex file was opened and saved in
# mesquite. IS THIS NECESSARY???
delete_extra_mesquite_lines(infilepath)
# Convert afa to nex.
if outfilepath is None:
outfilepath = os.path.dirname(infilepath)
inhandle = open(infilepath)
alph = determine_alphabet(infilepath) # Get dbtype
alignment = AlignIO.read(inhandle, "fasta",
alphabet=alph)
for record in alignment:
x = record.description
record.id = x
outhandle = open(outfilepath, "w")
AlignIO.write(alignment, outhandle, "nexus")
inhandle.close()
outhandle.close()
[docs]def nex_to_afa(infilepath, outfilepath):
"""Takes a nexus file (protein) and writes an aligned fasta file.
"""
# Delete extra mesquite lines if present (otherwise they cause errors).
# These may have been added if the nex file was opened and saved in
# mesquite.
delete_extra_mesquite_lines(infilepath)
# Convert nex to afa.
inhandle = open(infilepath)
alph = determine_alphabet(infilepath) # Get dbtype
alignment = AlignIO.read(inhandle, "nexus",
alphabet=alph)
outhandle = open(outfilepath, "w")
AlignIO.write(alignment, outhandle, "fasta")
inhandle.close()
outhandle.close()
[docs]def nex_to_phylip(infilepath, outfilepath):
"""Takes nexus format file and makes a phylip format file.
Warning: Taxon names must be no more than 10 alphanumeric characters.
"""
# Delete extra mesquite lines if present (otherwise they cause errors).
# These may have been added if the nex file was opened and saved in
# mesquite.
delete_extra_mesquite_lines(infilepath)
# Convert nex to phylip.
inhandle = open(infilepath)
alph = determine_alphabet(infilepath) # Get dbtype
alignment = AlignIO.read(inhandle, "nexus",
alphabet=alph)
outhandle = open(outfilepath, "w")
AlignIO.write(alignment, outhandle, "phylip-sequential")
inhandle.close()
outhandle.close()
[docs]def nex_to_mbnex(infilepath, outfilepath, mrbayescodeblocks):
"""Takes a nexus format alignment file and converts to a format for use in
a phylogenetic analysis using MrBayes.
"""
# Delete extra mesquite lines if present (otherwise they cause errors).
# These may have been added if the nex file was opened and saved in
# mesquite.
delete_extra_mesquite_lines(infilepath)
# Parse alignment sequences and replace '?' with 'X'.
infilepath2 = infilepath + '_TEMP.nex'
with open(infilepath) as infh, open(infilepath2, 'w') as o:
alignment = AlignIO.read(infh, "nexus")
for i in alignment:
#i.seq.seq = i.seq.seq.replace('?', 'X')
i.seq = Seq(str(i.seq).replace('?', 'X'))
AlignIO.write(alignment, o, "nexus")
# Modify input file to make output file.
with open(infilepath2) as infh, open(outfilepath, 'w') as o:
for i in infh:
# Remove "gap" and change "missing" to "-".
if i.startswith('\tformat'):
newi = i.replace('missing=?', 'missing=-').replace('gap=-', '')
o.write(newi)
# Append MrBayes code blocks.
elif i.startswith('end;'):
o.write(i + '\n')
o.write(mrbayescodeblocks)
else:
o.write(i)
# Remove temporary file.
os.remove(infilepath2)


Last updated: 2017-03-30
Code version: 089055d
The result for FLASH on GTEx data is on midway cluster
To get the zscore data:
scp username@midway2.rcc.uchicago.edu:/project/mstephens/flash/eQTLzscore/gtexEQTL_zscore.rds ./
and then open Rstudio
load("gtexEQTL_zscore.rds")
the matrix zscore
is the data matrix.
scp username@midway2.rcc.uchicago.edu:/project/mstephens/flash/eQTLzscore/bflashconst.rds ./
scp username@midway2.rcc.uchicago.edu:/project/mstephens/flash/eQTLzscore/bflashvarcol.rds ./
scp username@midway2.rcc.uchicago.edu:/project/mstephens/flash/eQTLzscore/bflashnoisyConst.rds ./
scp username@midway2.rcc.uchicago.edu:/project/mstephens/flash/eQTLzscore/bflashnoisycol.rds ./
we load the column-wise variance reslut which we use in our paper as example
load("bflashvarcol.rds")
and the list b_flash
is the reslut of backfitting FLASH with estimation of \(l\) \(f\) and \(\hat{\Sigma}_e\)
this is from Gao:
data set: /project/mstephens/data/internal_supp/gtex-v6-sumstat-hdf5
[5:25]
on midway. you can focus on MatrixEQTLSumStats.Portable.h5
[5:26]
for the 16000 times 44 data-set, stored in a table called max
(edited)
[5:26]
To process the data, https://github.com/stephenslab/gtex-eqtls/blob/master/doc/notes/SumstatsDB.md
[5:27]
and the relevent scripts in this MD file: https://github.com/stephenslab/lab-resource/blob/master/utilities/src/SumstatQuery.R
[5:30]
you should use this line GetSS("max", "/project/mstephens/gtex/analysis/april2015/query/MatrixEQTLSumStats.h5")
—– October 20th, 2016 —– gaow [6:06 PM] https://github.com/stephenslab/lab-resource/wiki/Tissue-Color-Palette
[6:06]
see “load to R”
sessionInfo()
R version 3.3.0 (2016-05-03)
Platform: x86_64-apple-darwin13.4.0 (64-bit)
Running under: OS X 10.12.3 (unknown)
locale:
[1] en_US.UTF-8/en_US.UTF-8/en_US.UTF-8/C/en_US.UTF-8/en_US.UTF-8
attached base packages:
[1] stats graphics grDevices utils datasets methods base
other attached packages:
[1] workflowr_0.4.0 rmarkdown_1.3 cowplot_0.7.0 ggplot2_2.2.1
loaded via a namespace (and not attached):
[1] Rcpp_0.12.9 rprojroot_1.2 digest_0.6.12 assertthat_0.1
[5] grid_3.3.0 plyr_1.8.4 backports_1.0.5 gtable_0.2.0
[9] git2r_0.18.0 magrittr_1.5 evaluate_0.10 scales_0.4.1
[13] stringi_1.1.2 lazyeval_0.2.0 rstudioapi_0.6 labeling_0.3
[17] tools_3.3.0 stringr_1.2.0 munsell_0.4.3 yaml_2.1.14
[21] colorspace_1.3-2 htmltools_0.3.5 knitr_1.15.1 tibble_1.2
This R Markdown site was created with workflowr


When you log in for the first time, Annika will ask you to be her friend. She's here to be helpful, and can make joining the group chat a lot easier. After you accept her request, you can say "invite me" to her, and she'll send you an invitation to join the group chat room.


Novemeber 22,2018
This Is My First Article
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 Tail pork pork loin, t-bone swine sirloin pancetta shankle alcatra. Capicola andouille pastrami cupim, tenderloin tongue corned beef venison boudin ground round. Boudin rump turkey pork short ribs pork chop. Sirloin porchetta shankle brisket prosciutto sausage ham corned beef pastrami drumstick ribeye leberkas short ribs beef chuck. Brisket ball tip strip steak kevin ribeye shoulder jowl buffalo.
Novemeber 22,2011
This Is My First Article
Bacon ipsum dolor amet landjaeger meatball doner, corned beef spare ribs pork loin tri-tip boudin buffalo. Brisket pork chicken, venison kevin pastrami meatloaf pancetta chuck flank doner frankfurter. Beef frankfurter hamburger venison ball tip bresaola.  Tail pork pork loin, t-bone swine sirloin pancetta shankle alcatra. Capicola andouille pastrami cupim, tenderloin tongue corned beef venison boudin ground round. Boudin rump turkey pork short ribs pork chop. Sirloin porchetta shankle brisket prosciutto sausage ham corned beef pastrami drumstick ribeye leberkas short ribs beef chuck. Brisket ball tip strip steak kevin ribeye shoulder jowl buffalo.
Novemeber 22,2009
This Is My First Article
Bacon ipsum dolor amet landjaeger meatball doner, corned beef spare ribs pork loin tri-tip boudin buffalo. Brisket pork chicken, venison kevin pastrami meatloaf pancetta chuck flank doner frankfurter. Beef frankfurter hamburger venison ball tip bresaola. Pig strip steak ham hock, tenderloin hamburger jerky kevin frankfurter.
 Tail pork pork loin, t-bone swine sirloin pancetta shankle alcatra. Capicola andouille pastrami cupim, tenderloin tongue corned beef venison boudin ground round. Boudin rump turkey pork short ribs pork chop. Sirloin porchetta shankle brisket prosciutto sausage ham corned beef pastrami drumstick ribeye leberkas short ribs beef chuck. Brisket ball tip strip steak kevin ribeye shoulder jowl buffalo.


The four methods are detailed in the following sections. Of the four, (a) should be avoided in most cases, (b) is only really of any practical use when using the Wichmann-Hill generator, and is then still limited to 273 streams. Both block-splitting and leap-frogging work using the sequence from a single generator, both guarantee that the different sequences will not overlap and both can be scaled to an arbitrary number of streams. Leap-frogging requires no a-priori knowledge about the number of variates being generated, whereas block-splitting requires the user to know (approximately) the maximum number of variates required from each stream. Block-splitting requires no a-priori information on the number of streams required. In contrast leap-frogging requires the user to know the maximum number of streams required, prior to generating the first value.
It is known that, dependent on the number of streams required, leap-frogging can lead to sequences with poor statistical properties, especially when applied to linear congruential generators (see Leap Frogging for a brief explanation). In addition, for more complicated generators like a L'Ecuyer's multiple recursive generator leap-frogging can increase the time required to generate each variate compared to block-splitting. The additional time required by block-splitting occurs at the initialization stage, and not at the variate generation stage. Therefore in most instances block-splitting would be the preferred method for generating multiple sequences.


Features
forward
include
form handling
group matching
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500 page
Recoverable Error
filter
/old-link mapping to /new-link


{% extends 'account/main.html' %} {% block content %}
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Hello World! The name's Amari Bolmer, and I am currently a senior at San Francisco State University. I am the first person of my family to go to a four year University and I am a computer science major. I transferred here to San Francisco State University in Spring 2018, and had a rough start. My sister, uncle, great grandmother, and uncle all passed away within a two month time and I fell into a hole. But what I've learned from that, is to not take for granted my time here on this earth. And I inspire to do great things one day, for the sake of my family. Computer Science is my passion, and I look forward to being in this field where I may also be able to inspire others. I also like Movies, Video Games, Skateboarding and Power-lifting (a.k.a the Gym).


Used on survival data to jointly estimate the hazard rate and the effects of covariates on failure times. Can accommodate covariates under the proportional and non-proportional hazards setting, and is ideal for analysis of survival data with long-term follow-up.
| Version: | 2.2 |
| Depends: | survival, KMsurv |
| Imports: | coda |
| Suggests: | R.rsp |
| Published: | 2016-02-26 |
| Author: | Yolanda Hagar, Yuanting Chen, Vanja Dukic |
| Maintainer: | Yolanda Hagar <yolanda.hagar at colorado.edu> |
| License: | GPL-2 |
| NeedsCompilation: | yes |
| CRAN checks: | MRH results |
| Reference manual: | MRH.pdf |
| Vignettes: |
MRH |
| Package source: | MRH_2.2.tar.gz |
| Windows binaries: | r-devel: MRH_2.2.zip, r-release: MRH_2.2.zip, r-oldrel: MRH_2.2.zip |
| OS X binaries: | r-release: MRH_2.2.tgz, r-oldrel: MRH_2.2.tgz |
| Old sources: | MRH archive |
Please use the canonical form https://CRAN.R-project.org/package=MRH to link to this page.


| Reporter {testthat} | R Documentation |
The job of a reporter is to aggregate the results from files, tests, and
expectations and display them in an informative way. Every testtthat function
that runs multiple tests provides a reporter
argument which you can
use to override the default (which is selected by default_reporter()
).
You only need to use this Reporter
object directly if you are creating
a new reporter. Currently, creating new Reporters is undocumented,
so if you want to create your own, you'll need to make sure that you're
familiar with R6 and then need read the
source code for a few.
Other reporters:
CheckReporter
,
DebugReporter
,
FailReporter
,
ListReporter
,
LocationReporter
,
MinimalReporter
,
MultiReporter
,
ProgressReporter
,
RStudioReporter
,
SilentReporter
,
StopReporter
,
SummaryReporter
,
TapReporter
,
TeamcityReporter
path <- testthat_example("success") test_file(path) # Override the default by supplying the name of a reporter test_file(path, reporter = "minimal")


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The rugby evening headlines as All Blacks' search for head coach branded 'embarrassing' and England star admits he'll never get over World Cup defeat
New Zealand will name their new head coach next week
by Anthony Woolford, Matthew SouthcombeYour rugby evening headlines for Wednesday, November 20.
All Blacks' search for new coach slammed
New Zealand's quest to find a new coach has been branded 'embarrassing' as they prepare to make their big announcement.
The All Blacks will reveal Steve Hansen's successor next month but the search has perhaps not gone as they might have hoped.
Just a few weeks ago New Zealand rugby bosses announced there were 26 homegrown candidates to replace Hansen after the Rugby World Cup.
But in the intervening period those names on the list to take on arguably the plum job in world rugby have dropped like flies to leave the Kiwis with a very short list of two.
For Kiwi rugby writer Gregor Paul the recruitment process put in by All Blacks bosses was simply not good enough.
Writing in the New Zealand Herald, he said: "Something's gone horribly wrong in the quest to find a new All Blacks coach.
"It's fast becoming the job no one really wants and in an age of unprecedented coaching riches, it's embarrassing how many of the best candidates have actively said no to even applying."
He added: "Wales didn't muck about after Gatland told them he would step down after the World Cup.
How to sign up to the Welsh Rugby Podcast
It's time for a new Wales regime, and the Welsh Rugby podcast is the place for all the inside information and debate.
We're recording twice every week and you can subscribe below to never miss out on the latest episode.
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All other devices: https://bit.ly/2yDFD3l
"If the process to replace Hansen had begun in January last year, how different things may have been.
"Gatland would most likely have been a serious contender. He could have put discussions with the British and Irish Lions on hold until the All Blacks process had concluded.
"He signed with the Lions in June not so much because it was his burning desire, more because they got to him quicker than the All Blacks did."
Jonathan Thomas on the move
Former Wales flanker Jonathan Thomas has developed quite a reputation as a coach in England's Gallagher Premiership.
The defence and forwards coach is on the move next season, leaving big-spending Bristol Bears after three successful years to join Worcester Warriors.
Thomas has worked under Pat Lam at Bristol, helping them to top spot in the Premiership this season.
But he will join Worcester this summer, the club he was playing for when he was forced to retire in 2015 on medical advice.
Harri Millard escapes ban
Cardiff Blues youngster Harri Millard has been cleared by a judicial panel after being cited for allegedly committing and act of foul play.
He was accused of striking Calvisano full-back Kayle van Zyl with his foot in the Blues' Euro win last weekend, but the disciplinary committee deemed the act to be accidental.
As such, the case was dismissed and Millard is free to play this weekend.
Tom Curry admits he'll never get over World Cup heartache
England flanker Tom Curry was one of the standout performers at the Rugby World Cup in Japan this autumn but found himself on the losing side in the final.
Eddie Jones' side were fancied heading into the final after thrashing the All Blacks but were stunned 32-12 by South Africa in the final.
Curry admits the regret will live with him forever.
"It will probably never go away but you don't want it to," he said.
"That will definitely inspire and push you to better things and the experience gained was invaluable.
"Obviously winning would definitely be better but you've got to take those experiences with you.
"There will always be an emotional attachment to it but you've got to push it to one side, especially when you are playing for your club or you will do them a dis-service.
"That's the challenge now, to push it to one side and definitely fully focus on getting better and playing well for Sale."


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MASConstraintMaker Class Reference
| Inherits from | NSObject |
|---|---|
| Declared in | MASConstraintMaker.h MASConstraintMaker.m |
Overview
Provides factory methods for creating MASConstraints. Constraints are collected until they are ready to be installed
left
The following properties return a new MASViewConstraint
with the first item set to the makers associated view and the appropriate MASViewAttribute
@property (nonatomic, strong, readonly) MASConstraint *left
Discussion
The following properties return a new MASViewConstraint
with the first item set to the makers associated view and the appropriate MASViewAttribute
Declared In
MASConstraintMaker.h
attributes
Returns a block which creates a new MASCompositeConstraint with the first item set to the makers associated view and children corresponding to the set bits in the MASAttribute parameter. Combine multiple attributes via binary-or.
@property (nonatomic, strong, readonly) MASConstraint *^ ) ( MASAttribute attrs ) attributes
Discussion
Returns a block which creates a new MASCompositeConstraint with the first item set to the makers associated view and children corresponding to the set bits in the MASAttribute parameter. Combine multiple attributes via binary-or.
Declared In
MASConstraintMaker.h
edges
Creates a MASCompositeConstraint with type MASCompositeConstraintTypeEdges
which generates the appropriate MASViewConstraint children (top, left, bottom, right) with the first item set to the makers associated view
@property (nonatomic, strong, readonly) MASConstraint *edges
Discussion
Creates a MASCompositeConstraint with type MASCompositeConstraintTypeEdges
which generates the appropriate MASViewConstraint children (top, left, bottom, right) with the first item set to the makers associated view
Declared In
MASConstraintMaker.h
size
Creates a MASCompositeConstraint with type MASCompositeConstraintTypeSize
which generates the appropriate MASViewConstraint children (width, height) with the first item set to the makers associated view
@property (nonatomic, strong, readonly) MASConstraint *size
Discussion
Creates a MASCompositeConstraint with type MASCompositeConstraintTypeSize
which generates the appropriate MASViewConstraint children (width, height) with the first item set to the makers associated view
Declared In
MASConstraintMaker.h
center
Creates a MASCompositeConstraint with type MASCompositeConstraintTypeCenter
which generates the appropriate MASViewConstraint children (centerX, centerY) with the first item set to the makers associated view
@property (nonatomic, strong, readonly) MASConstraint *center
Discussion
Creates a MASCompositeConstraint with type MASCompositeConstraintTypeCenter
which generates the appropriate MASViewConstraint children (centerX, centerY) with the first item set to the makers associated view
Declared In
MASConstraintMaker.h
updateExisting
Whether or not to check for an existing constraint instead of adding constraint
@property (nonatomic, assign) BOOL updateExisting
Discussion
Whether or not to check for an existing constraint instead of adding constraint
Declared In
MASConstraintMaker.h
removeExisting
Whether or not to remove existing constraints prior to installing
@property (nonatomic, assign) BOOL removeExisting
Discussion
Whether or not to remove existing constraints prior to installing
Declared In
MASConstraintMaker.h
– initWithView:
initialises the maker with a default view
- (id)initWithView:(MAS_VIEW *)view
Parameters
view |
any MASConstrait are created with this view as the first item |
|---|
Return Value
a new MASConstraintMaker
Discussion
initialises the maker with a default view
Declared In
MASConstraintMaker.h
– install
Calls install method on any MASConstraints which have been created by this maker
- (NSArray *)install
Return Value
an array of all the installed MASConstraints
Discussion
Calls install method on any MASConstraints which have been created by this maker
Declared In
MASConstraintMaker.h


| new_tibble {tibble} | R Documentation |
Creates or validates a subclass of a tibble. These function is mostly useful for package authors that implement subclasses of a tibble, like sf or tsibble.
new_tibble()
creates a new object as a subclass of tbl_df
, tbl
and data.frame
.
This function is optimized for performance, checks are reduced to a minimum.
validate_tibble()
checks a tibble for internal consistency.
Correct behavior can be guaranteed only if this function
runs without raising an error.
new_tibble(x, ..., nrow, class = NULL, subclass = NULL) validate_tibble(x)
x |
A tibble-like object. |
... |
Name-value pairs of additional attributes. |
nrow |
The number of rows, required. |
class |
Subclasses to assign to the new object, default: none. |
subclass |
Deprecated, retained for compatibility. Please use the |
For new_tibble()
, x
must be a list.
The ...
argument allows adding more attributes to the subclass.
An nrow
argument is required.
This should be an integer of length 1,
and every element of the list x
should have vctrs::vec_size()
equal to this value.
(But this is not checked by the constructor).
This takes the place of the "row.names" attribute in a data frame.
x
must have names (or be empty),
but the names are not checked for correctness.
validate_tibble()
checks for "minimal" names
and that all columns are vectors, data frames or matrices.
It also makes sure that all columns have the same length,
and that vctrs::vec_size()
is consistent with the data.
tibble()
and as_tibble()
for ways to construct a tibble
with recycling of scalars and automatic name repair.
# The nrow argument is always required: new_tibble(list(a = 1:3, b = 4:6), nrow = 3) # Existing row.names attributes are ignored: try(validate_tibble(new_tibble(iris, nrow = 3))) # The length of all columns must be compatible with the nrow argument: try(validate_tibble(new_tibble(list(a = 1:3, b = 4:6), nrow = 2)))


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Back to stories list
诺孜贝儿和三根头发
Nozibele and the three hairs
nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ xɤ˧˥ san˥˥ kən˥˥ tʰoʊ˧˥ fa˧
Tessa Welch
Wiehan de Jager
Vicky Liu
Zhuo Sun
很久很久以前，有三个女孩，她们一起外出找柴火。
A long time ago, three girls went
out to collect wood.
xən˨˩˦ tɕjoʊ˨˩˦ xən˨˩˦ tɕjoʊ˨˩˦ i˨˩˦ tɕʰjɛn˧˥ joʊ˨˩˦ san˥˥ kɤ˥˩ ny˨˩˦ xaɪ˧˥ @她们 i˥˩ tɕʰi˨˩˦ @外出 ʈʂɑʊ˨˩˦ ʈʂʰaɪ˧˥ xuɔ˨˩˦
天很热，她们跳下河游了个泳。她们一边游泳，一边嬉戏，溅出很多水花。
It was a hot day so they went down
to the river to swim.
They played and splashed and
swam in the water.
tʰjɛn˥˥ xən˨˩˦ ʐɤ˥˩ @她们 tʰjɑʊ˥˩ ɕja˥˩ xɤ˧˥ joʊ˧˥ lɤ˧ kɤ˥˩ jʊŋ˨˩˦ @她们 @一边 joʊ˧˥ jʊŋ˨˩˦ @一边 ɕi˥˥ ɕi˥˩ tɕjɛn˥˩ ʈʂʰu˥˥ xən˨˩˦ tuɔ˥˥ @水花
突然，她们意识到天已经很晚了，匆匆忙忙赶回村子。
Suddenly, they realised that it was
late.
They hurried back to the village.
tʰu˥˥ ʐan˧˥ @她们 i˥˩ ʂɚ˧˥ tɑʊ˥˩ tʰjɛn˥˥ i˨˩˦ tɕɪŋ˥˥ xən˨˩˦ wan˨˩˦ lɤ˧ @匆匆忙忙 kan˨˩˦ xweɪ˧˥ @村子
当她们快到家的时候，诺孜贝儿摸了摸她的脖子：她把项链落在了外面。于是她请求她的朋友们：“和我一起回去找找吧！”但她的朋友们都说太晚了。
When they were nearly home,
Nozibele put her hand to her neck.
She had forgotten her necklace!
“Please come back with me!” she
begged her friends.
But her friends said it was too late.
tɑŋ˥˥ @她们 kʰuaɪ˥˩ @到家 tɤ˧ ʂɚ˧˥ xoʊ˧ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ mɔ˥˥ lɤ˧ mɔ˥˥ @她的 pɔ˧˥ tsɯ˧ tʰa˥˥ pa˨˩˦ ɕjɑŋ˥˩ ljɛn˥˩ luɔ˥˩ tsaɪ˥˩ lɤ˧ uaɪ˥˩ mjɛn˥˩ y˧˥ ʂɚ˥˩ tʰa˥˥ tɕʰɪŋ˨˩˦ tɕʰjoʊ˧˥ @她的 pʰɤŋ˧˥ joʊ˧ mən˧ xɤ˧˥ uɔ˨˩˦ i˥˩ tɕʰi˨˩˦ @回去 ʈʂɑʊ˨˩˦ ʈʂɑʊ˨˩˦ pa˧ tan˥˩ @她的 pʰɤŋ˧˥ joʊ˧ mən˧ tu˥˥ ʂuɔ˥˥ tʰaɪ˥˩ wan˨˩˦ lɤ˧
诺孜贝儿一个人回到河边，一找到了项链，就赶忙回家，但天太黑了，她迷路了。
So Nozibele went back to the river
alone.
She found her necklace and hurried
home.
But she got lost in the dark.
nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ i˧˥ kɤ˧ ʐən˧˥ xweɪ˧˥ tɑʊ˥˩ @河边 i˥˥ ʈʂɑʊ˨˩˦ tɑʊ˥˩ lɤ˧ ɕjɑŋ˥˩ ljɛn˥˩ tɕjoʊ˥˩ kan˨˩˦ mɑŋ˧˥ xweɪ˧˥ tɕja˥˥ tan˥˩ tʰjɛn˥˥ tʰaɪ˥˩ xeɪ˥˥ lɤ˧ tʰa˥˥ mi˧˥ lu˥˩ lɤ˧
她远远地看见有个小木屋，木屋里有一丝光亮。她跑到木屋门口，敲了敲门。
In the distance she saw light
coming from a hut.
She hurried towards it and knocked
at the door.
tʰa˥˥ @远远 ti˥˩ kʰan˥˩ tɕjɛn˥˩ joʊ˨˩˦ kɤ˥˩ ɕjɑʊ˨˩˦ @木屋 @木屋 li˨˩˦ joʊ˨˩˦ i˥˥ sɯ˥˥ @光亮 tʰa˥˥ pʰɑʊ˨˩˦ tɑʊ˥˩ @木屋 mən˧˥ kʰoʊ˨˩˦ tɕʰjɑʊ˥˥ lɤ˧ tɕʰjɑʊ˥˥ mən˧˥
诺孜贝儿吃了一惊，开门的是一只会说话的狗：“你来干嘛？”诺孜贝儿说：“我迷路了，我要找个地方睡觉。”狗回答说：“进来吧，不然我就咬你！”然后诺孜贝儿就进了屋。
To her surprise, a dog opened the
door and said, “What do you want?”
“I’m lost and I need a place to
sleep,” said Nozibele.
“Come in, or I’ll bite you!” said the
dog.
So Nozibele went in.
nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ ʈʂʰɚ˥˥ lɤ˧ i˥˥ ljɑŋ˧˥ kʰaɪ˥˥ mən˧˥ tɤ˧ ʂɚ˥˩ i˥˥ ʈʂɚ˨˩˦ xweɪ˥˩ ʂuɔ˥˥ xwa˥˩ tɤ˧ koʊ˨˩˦ ni˨˩˦ laɪ˧˥ kan˥˩ ma˧˥ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ ʂuɔ˥˥ uɔ˨˩˦ mi˧˥ lu˥˩ lɤ˧ uɔ˨˩˦ jɑʊ˥˩ ʈʂɑʊ˨˩˦ kɤ˥˩ ti˥˩ fɑŋ˥˥ ʂweɪ˥˩ tɕjɑʊ˥˩ koʊ˨˩˦ xweɪ˧˥ ta˧˥ ʂuɔ˥˥ tɕɪn˥˩ laɪ˧ pa˧ pu˥˩ ʐan˧˥ uɔ˨˩˦ tɕjoʊ˥˩ jɑʊ˨˩˦ ni˨˩˦ ʐan˧˥ xoʊ˥˩ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ tɕjoʊ˥˩ tɕɪn˥˩ lɤ˧ u˥˥
狗说：“给我做饭！”诺孜贝儿回答说：“但我从来没有给狗做过饭。”狗说：“快做饭，不然我就咬你。”诺孜贝儿没办法，只能给狗做了一些吃的。
Then the dog said, “Cook for me!”
“But I’ve never cooked for a dog
before,” she answered.
“Cook, or I’ll bite you!” said the dog.
So Nozibele cooked some food for
the dog.
koʊ˨˩˦ ʂuɔ˥˥ keɪ˨˩˦ uɔ˨˩˦ @做饭 nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ xweɪ˧˥ ta˧˥ ʂuɔ˥˥ tan˥˩ uɔ˨˩˦ tsʰʊŋ˧˥ laɪ˧˥ meɪ˧˥ joʊ˨˩˦ keɪ˨˩˦ koʊ˨˩˦ tsuɔ˥˩ kuɔ˥˩ fan˥˩ koʊ˨˩˦ ʂuɔ˥˥ kʰuaɪ˥˩ @做饭 pu˥˩ ʐan˧˥ uɔ˨˩˦ tɕjoʊ˥˩ jɑʊ˨˩˦ ni˨˩˦ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ meɪ˧˥ pan˥˩ fa˨˩˦ @只能 keɪ˨˩˦ koʊ˨˩˦ tsuɔ˥˩ lɤ˧ i˥˩ ɕjɛ˥˥ @吃的
狗说：“给我铺床！”诺孜贝儿回答说：“但我从来没有给狗铺过床。”狗说：“快铺床，不然我就咬你。”诺孜贝儿没办法，只能给狗铺了床。
Then the dog said, “Make the bed
for me!”
Nozibele answered, “I’ve never
made a bed for a dog.”
“Make the bed, or I’ll bite you!” the
dog said.
So Nozibele made the bed.
koʊ˨˩˦ ʂuɔ˥˥ keɪ˨˩˦ uɔ˨˩˦ pʰu˥˥ ʈʂʰwɑŋ˧˥ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ xweɪ˧˥ ta˧˥ ʂuɔ˥˥ tan˥˩ uɔ˨˩˦ tsʰʊŋ˧˥ laɪ˧˥ meɪ˧˥ joʊ˨˩˦ keɪ˨˩˦ koʊ˨˩˦ pʰu˥˥ kuɔ˥˩ ʈʂʰwɑŋ˧˥ koʊ˨˩˦ ʂuɔ˥˥ kʰuaɪ˥˩ pʰu˥˥ ʈʂʰwɑŋ˧˥ pu˥˩ ʐan˧˥ uɔ˨˩˦ tɕjoʊ˥˩ jɑʊ˨˩˦ ni˨˩˦ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ meɪ˧˥ pan˥˩ fa˨˩˦ @只能 keɪ˨˩˦ koʊ˨˩˦ pʰu˥˥ lɤ˧ ʈʂʰwɑŋ˧˥
诺孜贝儿每天都要给狗做饭，打扫屋子，洗衣服。有一天，狗说：“诺孜贝儿，我今天要出门见朋友。在我回来之前，你要打扫好屋子，做好饭，洗好衣服。”
Every day she had to cook and
sweep and wash for the dog.
Then one day the dog said,
“Nozibele, today I have to visit
some friends. Sweep the house,
cook the food and wash my things
before I come back.”
nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ @每天 tu˥˥ jɑʊ˥˩ keɪ˨˩˦ koʊ˨˩˦ @做饭 @打扫 u˥˥ tsɯ˧ ɕi˨˩˦ i˥˥ fu˧ joʊ˨˩˦ i˥˩ tʰjɛn˥˥ koʊ˨˩˦ ʂuɔ˥˥ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ uɔ˨˩˦ tɕɪn˥˥ tʰjɛn˥˥ jɑʊ˥˩ ʈʂʰu˥˥ mən˧˥ tɕjɛn˥˩ pʰɤŋ˧˥ joʊ˧ tsaɪ˥˩ uɔ˨˩˦ @回来 ʈʂɚ˥˥ tɕʰjɛn˧˥ ni˨˩˦ jɑʊ˥˩ @打扫 xɑʊ˨˩˦ u˥˥ tsɯ˧ tsuɔ˥˩ xɑʊ˨˩˦ fan˥˩ ɕi˨˩˦ xɑʊ˨˩˦ i˥˥ fu˧
狗一走，诺孜贝儿就从头上拔了三根头发下来。她把一根头发放在床下，一根放在门背后，还有一根放在篱笆上。然后诺孜贝儿用尽全力跑回了家。

She put one hair under the bed, one
behind the door, and one in the
kraal.
Then she ran home as fast as she
could.
koʊ˨˩˦ i˥˥ tsoʊ˨˩˦ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ tɕjoʊ˥˩ tsʰʊŋ˧˥ tʰoʊ˧˥ ʂɑŋ˥˩ pa˧˥ lɤ˧ san˥˥ kən˥˥ tʰoʊ˧˥ fa˧ ɕja˥˩ laɪ˧ tʰa˥˥ pa˨˩˦ i˥˥ kən˥˥ tʰoʊ˧˥ fa˧ fɑŋ˥˩ tsaɪ˥˩ ʈʂʰwɑŋ˧˥ ɕja˥˩ i˥˥ kən˥˥ fɑŋ˥˩ tsaɪ˥˩ mən˧˥ peɪ˥˩ xoʊ˥˩ xaɪ˧˥ joʊ˨˩˦ i˥˥ kən˥˥ fɑŋ˥˩ tsaɪ˥˩ li˧˥ pa˥˥ ʂɑŋ˥˩ ʐan˧˥ xoʊ˥˩ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ jʊŋ˥˩ tɕɪn˥˩ tɕʰɥœn˧˥ li˥˩ pʰɑʊ˨˩˦ xweɪ˧˥ lɤ˧ tɕja˥˥
当狗回到家的时候，它开始找诺孜贝儿：“诺孜贝儿，你在哪里？”第一根头发说：“我在这儿，在床底下。”第二根头发说：“我在这儿，在门背后。”第三根头发说：“我在这儿，在篱笆上。”
When the dog came back, he looked
for Nozibele.
“Nozibele, where are you?” he
shouted.
“I’m here, under the bed,” said the
first hair.
“I’m here, behind the door,” said the
second hair.
它一路跑到诺孜贝儿的村庄，但是诺孜贝儿的兄弟们正拿着棍子等着它呢！狗见状不妙，赶紧跑开了，从此再也没人见过它。
Then the dog knew that Nozibele
had tricked him.
So he ran and ran all the way to the
village.
But Nozibele’s brothers were
waiting there with big sticks.
The dog turned and ran away and
has never been seen since.
koʊ˨˩˦ mɪŋ˧˥ paɪ˧˥ lɤ˧ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ ʂwa˨˩˦ tɤ˧ xwa˥˥ ʈʂɑʊ˥˥ tʰa˥˥ @一路 pʰɑʊ˨˩˦ tɑʊ˥˩ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ tɤ˧ tsʰuən˥˥ ʈʂwɑŋ˥˥ tan˥˩ ʂɚ˥˩ nuɔ˥˩ tsɯ˥˥ peɪ˥˩ aɻ˧˥ tɤ˧ @兄弟 mən˧ ʈʂɤŋ˥˩ na˧˥ ʈʂɑʊ˧˥ @棍子 tɤŋ˨˩˦ ʈʂɑʊ˧˥ tʰa˥˥ nɤ˧ koʊ˨˩˦ tɕjɛn˥˩ ʈʂwɑŋ˥˩ @不妙 kan˨˩˦ tɕɪn˨˩˦ @跑开 lɤ˧ tsʰʊŋ˧˥ tsʰɯ˨˩˦ @再也 @没人 tɕjɛn˥˩ kuɔ˥˩ tʰa˥˥
Written by: Tessa Welch
Illustrated by: Wiehan de Jager
Translated by: Vicky Liu
Read by: Zhuo Sun


Test special-paragraph1 1.
Test special-paragraph1 2.
Test special-paragraph2 1.
Test special-paragraph2 2.
Test
Weird class names.
Level 1
Level2 1 Level2 2
Level2 1
Level2 2


zfinder
zfinder is a simple, powerful, flexible static server (B/S structure).
you can setup a static server with markdown support and lots of other features using one command: $ zfinder serve
installation
$ npm install zfinder -g
usage
starting a zfinder server
$ zfinder serve
building files
building is to convert source files of specified formats(Markdown, etc.) into target formats.
build all files in a directory
$ zfinder build $directory
build one file
$ zfinder build $file
kill all existing zfinder processes
$ zfinder kill
handlers
handlers are designed to deal with specific urls, or serve as an web API.
authorization
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EVITA A film review by Cooper Redwine Copyright 1997 Cooper Redwine
Starring: Madonna, Antonio Banderas, Jonathan Pryce, Jimmy Nail. Director: Alan Parker. Screenplay: Alan Parker, Oliver Stone. Music: Andrew Lloyd Webber. Lyrics: Tim Rice. Producers: Alan Parker, Robert Stigwood, Andrew G. Vajna. MPAA Rating: PG (adult themes, mild profanity). Running Time: 135 minutes.
To my way of thinking, EVITA is a good, but not a great, film in which Madonna gives a good, but not a great, performance. The movie looks very corporate to me. It's as though, after the major roles were cast, every artistic decision was made based on the criterion of least risk, and the result is a work of high craft with a muted emotional impact. However, considering that the film stars a controversial leading lady and is based on a popular stage musical about a controversial historical figure, it is no small feat that the makers of EVITA have produced an entertaining and inoffensive movie. Perhaps the outcome is the best that could have been expected under the circumstances, but somehow I had hoped for more.
Many people have seen some stage production of EVITA over the past 18 years, and it seems to me that the sort of review of the movie such a person would like to read is not at all the sort of review desired by someone who hasn't seen the stage show. Hence, I'll break the rest of my review into two parts, with each part tailored to a specific audience.
*** FOR THOSE WHO HAVE SEEN THE STAGE SHOW ***
I found the movie version of EVITA to be highly entertaining, although I enjoyed it slightly less than any of the three stage productions I have seen. It seemed to me that the music was better in the film than in any of the stage productions, but the drama was not so engrossing.
The music is extremely well done in the film. Madonna, with her wonderful voice and graceful moves, is ideally suited to play Eva Peron. Antonio Banderas, in the role of the narrator Che, has an excellent singing voice and gives what I thought was the most appealing performance. Jonathan Pryce is fine as Juan Peron, and Jimmy Nail is adequate as the tango singer who takes the 15-year-old Eva to Buenos Aires.
Considered as drama, however, the film is very uneven. On the one hand, there are some powerful scenes, such as when the big screen shows huge crowds of people and the digital sound system fills the theater with music. On the other hand, most of the interior scenes where individual characters sing are not particularly involving. Somehow the music and drama are not consistently smoothly integrated, and this significantly reduces the overall emotional impact of the film.
The film version of EVITA makes only a few minor changes to the stage show, the most important of which combine to present a kinder, gentler Eva Peron than is usually depicted in stage versions. I went to the movie expecting to see a conniving spitfire who would stop at nothing to acquire fame, wealth, and power. But Madonna's highly restrained portrayal softens Eva's rough edges and left me with the impression of a psychologically needy woman desperately seeking acceptance. This impression is strengthened by the interpolation of a scene early in the film showing how the 7-year-old Eva had been forbidden to attend her father's funeral because of her illegitimacy. And the impression is further reinforced late in the film by having Madonna sing "You Must Love Me," a song not present in the stage show. For me, these changes make Eva Peron a less compelling character and weaken the overall dramatic structure of the story.
There are other minor changes as well, but they don't affect the fabric of the story much. One of these is to take the song "Another Suitcase in Another Hall" away from Peron's mistress and give it to Eva, presumably to better showcase Madonna, who, as with all of the musical numbers, performs the song extremely well. Another change, perhaps motivated by an inability to find a suitable cinematic equivalent, is the deletion of the memorable stage scene where Peron and other military officers are seen in rocking chairs, one of which is removed every time the music stops, until there is only one chair left, occupied by Peron. Finally, in the original stage production, it was claimed that the narrator Che was based on the Latin American revolutionary Che Guevara, but this claim appears to have been dropped in the movie version.
*** FOR THOSE WHO HAVEN'T SEEN THE STAGE SHOW ***
EVITA is a musical drama where almost all of the dialog is sung, making it a form of opera. However, nearly everything is sung in English, even though the story is set in a Spanish-speaking country. The style of the music might be described as combining elements of 1970s rock, pop Latin rhythms, Broadway show tunes, and folk songs. It's important to understand that for 2 hours 15 minutes the movie EVITA bombards its audience almost continuously with the music of Andrew Lloyd Webber, a composer whose best tunes have been enjoyed by millions, but whose music is thought by a sizable number of people to be insufferable.
EVITA is based on a true story. The major events take place in the 1940s and early 1950s in Buenos Aires, the capital of Argentina. The central character in the story is the historical figure Eva Peron. (In Spanish, "Evita" is a familiar form of the name "Eva.") Eva was an illegitimate child who was raised in humble surroundings in an obscure town in Argentina. By age 15 she had become the lover of a tango singer named Magaldi, whom she cajoled into taking her to Buenos Aires. In the capital she used her good looks and willingness to establish sexual relationships to achieve success as a model, radio personality, and film actress. Eva eventually became the mistress, and finally the wife, of Juan Peron, a powerful man in Argentina's ruling military regime. When Eva was only 26, Juan ascended to the presidency, and she became a highly visible and politically active First Lady. Adored by the poor and the working class, but hated by the aristocracy and the army, Eva presided over a period during which Argentina regained national pride and enjoyed renewed optimism. But after seven tumultuous years as First Lady, she died of cancer at age 33, plunging the nation into deep national mourning.
Madonna sounds terrific singing the Lloyd Webber music, and her acting in the role of Eva Peron is convincing enough that I was often not conscious of the fact that I was watching Madonna. Yet when I think of great singer-actresses in great roles, I think of Liza Minnelli in CABARET and Barbra Streisand in FUNNY GIRL, but I don't think of Madonna in EVITA. The shortcoming appears to be unrelated to Madonna's capabilities, but rather seems to reflect a decision about the way that Eva Peron should be played. Madonna gives us a restrained, not-very-fiery, not-very-sexy Eva, a sort of an Evita-lite. However, it should be kept in mind that this movie will presumably be shown in Argentina, where part of the population still thinks of Eva Peron as a saint while another part thinks of her as "La Gran Puta" ("The Great Whore").
Aside from the title character, there is only one other major role in EVITA, and that is Che, a student living in Buenos Aires during the Peron regime. This character is essentially a ubiquitous floating theatrical device, at times acting as narrator, at times serving as cynical observer, and at times directly confronting Eva with criticism. In the film Antonio Banderas steals the show by playing Che with Latino swagger and snarling cynicism, and it turns out that Banderas has a pleasing singing voice as well. However, I should perhaps mention that Banderas is a Spaniard whose English is accented, and experience leads me to expect that some Americans will complain that he is hard to understand, although I had no trouble with this.
Except for Eva and Che, there are only two other characters of any consequence: Jonathan Pryce's acting and singing in the supporting role of Juan Peron is excellent, and Jimmy Nail is good enough in the minor role of the tango singer Magaldi, Eva's lover when she was 15 years old.
Although the movie is not completely successful in its portrayal of individual characters, its skillful presentation of visual spectacle almost makes up for this shortcoming. The pageantry surrounding Eva's state funeral is powerful, and the scenes of huge crowds around the Casa Rosada (Argentina's Presidential Palace) are stunning. Yet EVITA does not reach its full potential because of its failure to better integrate the slick music and images on the screen with the natural operatic drama of the story.
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Grealish, McGinn, Bruce - Every word from Dean Smith before Aston Villa battle Newcastle
Aston Villa v Newcastle | Dean Smith was back amongst the cameras as he looked ahead to Newcastle under the lights at Villa Park on Monday, looking to bounce back after three-straight losses
by Ashley Preece, https://www.facebook.com/PreeceBirminghamLive/Aston Villa go into Monday night's encounter with Newcastle United arguably in must-win territory.
Dean Smith's side are on a run of three-straight defeats and are hovering just above the relegation zone.
The gaffer from Great Barr would have had to wait 15 days by the time Monday's game comes around following what was lacklustre showing last time out against rivals Wolves, Villa outplayed before going down 2-1.
In his latest media conference, Smith opens up about a string of injuries which have plagued his 25-man squad while discussing the threats Steve Bruce and Newcastle pose.
Here's every word from Smith's Bodymoor briefing.
How's the injury front and goalkeeping crisis?
"Jed (Steer) unfortunately got injured in his first Premier League start for us. Against Wolves he got a partial tear of his Achilles so he’s going to be out for a while, which is a big disappointment because he was pivotal in us getting promoted last season and he’s been pushing Tom all the way.
"Tom (Heaton) felt his calf against Liverpool and didn’t train but, in the build up to the Wolves game, we thought he might come through it but it was just too sore.
"I had no doubts about giving Jed the start but unfortunately five minutes in his had to come off and Orjan Nyland ended up going in goal.
"But Tom has been out on the grass today and he will be training tomorrow and Sunday, ready for the game on Monday.
"I don’t have an idea about how long Jed is likely to be out – I’m guessing around about 3-4 months I would have thought.
"It’s a disappointment but we are taking a conservative approach. It’s not surgical which is good news and hopefully we can get him back as soon as possible.
"Jack Grealish has been training with us. I’m a little bit ill at ease to say he’s available because I’ve said it for the last couple of weeks and he’s not played – such has been his calf injury.
"But he’s trained with us for the last week so I have no doubts he’ll be there and in his happy place at Villa Park playing in front of the fans.
“Matt (Targett) came off just before half-time against Wolves with concussion and he went through protocol – he’s been back training now for the last week as well.
"Bjorn Engels had an injection in his hip about 10 days ago and has been back in training, so I would expect them all fully fit and available for selection."
Has anybody come back with any problems from international duty?
"No. In all honesty, all the internationals have come back in a buoyant mood. We've got John McGinn who's been to Scotland and scored, what is it? Six goals his last three games for Scotland. He's bounced into the camp!
"We've got two brand-new internationals now for Brazil, with Douglas Luiz and Wesley who've made their debuts. Trezeguet's played for Egypt. Conor Hourihane played for Ireland and they've all gone their minutes for their countries.
"They're all fit and well and it was great to see them come back into the training ground today."
Expecting John McGinn to keep scoring?
"We're hoping so, yeah. Hopefully he'll get a few now, he's hit the goal trail. He said to me if you need to throw me upfront, you can do!"
How has Jack Grealish been the last few weeks?
"He's been OK, frustrated with the injury, has been in a rich vein of form, nominated for October player of the month and, unfortunately, picked up a dead calf at the end of the game against Manchester City. Then he ended up missing Liverpool and Wolves which he thought he'd make both games but he didn't.
Aston Villa - End of Decade
Welcome to our Aston Villa 'End of Decade' series.
We're looking back on the 'Teenies' - the last 10 years at AVFC.
It's hardly been a vintage time for Villa, but at least it is ending with plenty of hope and optimism with the Lions finally back in the Premier League.
There's been some lowlights, and a smattering of highlights from January 2010 to now - and we'll bring you a host of them here.
Must reads...
- Our team of the decade - READ
- You'll never get over Gate Gate - READ
- That transfer U-turn - READ
- The making of Jack - READ
- The 10 MVPs of the decade - READ
- That Twitter pocket storm - READ
- 10 most-memorable moments - READ
- Villa Park changes fans want to see - READ
- The offer Jack Grealish shouldn't refuse - READ
- The staggering story of Aston Villa’s financial flip-flopping - READ
For all your latest AVFC news, opinion, analysis and transfer gossip, click here
You can follow our Villa reporter Ashley Preece on Twitter, and his email address is<EMAIL_ADDRESS>"The fact he hasn't got called up, we've spoken at length about that. He can't control that but what he can control is he can keep performing, making sure he keeps the pressure on the people who have to make them decisions.
"He's ready (for Newcastle). He's one of the fittest lads there, always doing extras after training as well. He's fit and ready."
How big is Newcastle at Villa Park for you?
"I think every game we play at Villa Park in this league is big. I said at the start of the season that home form is going to be the most important thing this season.
"We've performed well so far at home. We were unfortunate against Liverpool in our last home game but, our last performance away, wasn't so good and the players certainly got a reminder of that.
"Playing under the lights at Villa Park is always a great evening, especially with a full house and the fans fully behind us."
You reminded the players about the Wolves performance during the match. Have you reminded them again?
"Yes, we've done a de-brief about Wolves. We have picked out some things that we have to get better at, collectively, and the players know they have to do better individually. It just wasn't good enough in the first-half collectively. Second-half, we showed more but not enough to win that game."
It is Steve Bruce's return, so it does give it added spice?
"Yes, but we have played Steve before at Sheffield Wednesday last season. I said when I took the job I have an awful lot of respect for what he has done in management but, more importantly, for how he is as a man as well."
What about the job he's done at Newcastle so far?
"If you look at Newcastle at the start of the season, there were a lot of questions about the club and where it was going. But Steve has gone in and done what he does best – got them organised.
"They've got pace and power up front. They are winning games – they've won the last couple – they beat Man United at home as well. They are in a good run of form at the moment."
Where do you think their threats are?
"As I said, they've got pace and power up front.
"They're a very good counter-attacking team as West Ham found out a few weeks ago. Three-nil up at half-time at West Ham is no mean feat.

Do you think some of your players – such as Anwar El Ghazi – may have a point to prove with Steve as they didn't get much of a look-in when he was here?
"I hope not. I want them to perform to the best of their ability. I don't want them to concentrate on anything."
How different can the atmosphere be at Villa Park on a night game?
"It can be massive. The supporters have been integral to us being where we are in the Premier League.
"We don't lose many games at Villa Park and it took until the 94 minute for Liverpool to win and a couple of mistakes in our first game against Bournemouth but with the supporters behind us that's what I expect more of."


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Danger: If there are problems with anki reader, you can try to delete copy of your deck that is on anki reader server. That should not affect your ankiweb.net deck. But make a backup, one never know.


Developing an android mobile&OS app that curates YouTube live broadcasting
Cooperating with deveelopers in South Korea
Taught and assisted 5-10 students with their calculus and linear algebra assignments per day
Helped 2-4 students with Computer Science class assignments per day
Organized and managed a center that provided a weekly Sunday service for people with physical and mental disabilities
Performanced in performing Arts Center each semester.
Served in the Republic of Korea army as a field artillery soldier in charge of the technique and procedure of the manual cannon


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{% extends "base.html" %} {% block style %} li span.date { color: #999; } {% endblock style %} {% block breadcrumbs %}{{ super() }} › Bill Tracker{% endblock breadcrumbs %} {% block content %}
A round-up of what happened to which legislation in Colorado's state legislature.


Before Change
except KeyError:
raise ValueError("type %s is not supported" % tmp.dtype)
if istype(tmp, numpy.complex128):
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return _raw_fftnd(tmp,shape,axes,direction,overwrite_x,work_function)
def ifftn(x, shape=None, axes=None, overwrite_x=0):


December 15, 2012. 2-6pm. 20 breweries. 30 bucks.
Going down at the newly renovated McNichols Building --> Colfax and Bannock.
December 15, 2012. 2-6pm. 20 breweries. 30 bucks.
Buy tickets now!
Interested in a table at Festivus? Email pj at denver off the wagon dot com.
Beer. Snacks. Music. Stuff.
More info to come


§24-6 Travel expenses. Travel expenses connected with official legislative business shall be allowed only upon the approval of the presiding officer of the respective house. [L 1969, c 5, pt of §1]


All Parties
| Party Name | Party Abbrv. | Date formed | Action |
|---|---|---|---|
| Peoples democratic | PDP | 21/03/1990 | Delete Edit View |
| All Progressive | APC | 21/03/1992 | Delete Edit View |
| Peoples democratic | PDP | 21/03/1990 | Delete Edit View |
| All Progressive | APC | 21/03/1992 | Delete Edit View |
| Peoples democratic | PDP | 21/03/1990 | Delete Edit View |
| All Progressive | APC | 21/03/1992 | Delete Edit View |


Save $400 On The 55-inch LG B9 OLED TV & Get A Year Of Disney+ For Free
BuyDig has discounted the 55-inch LG B9 OLED TV, bringing it down to just $1196, and you still get a year of Disney+ for free.
So you're saving $400 off of this TV, then getting a year of Disney+ for free (which is a $69 value). This is definitely the TV deal to get this holiday season.
The LG B9 is a 2019 OLED TV model, so it is the latest and greatest from the company. It comes in 55 and 65-inch models – both of which are discounted right now.
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The B9 is the lower-end OLED TV model, but it still offers a really great picture. That's because it's OLED, duh. It is going to produce brighter colors and darker blacks. It also supports Dolby Vision, giving you a really great picture no matter what you're watching.
On the audio side, there are speakers built-in and they do support Dolby Atmos. So you will get some really great audio out of this TV, and you likely won't even need to hook up a sound bar. That's a great thing.
Now inside the B9, you're going to find webOS running the show. This is LG's proprietary TV operating system. It has all of the big apps that you'd expect. Including Netflix, Hulu, Google Play Movies & TV, YouTube and even the new Disney+ – hence this promotion.
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LG also has support for Amazon Alexa and Google Assistant on-board. So no matter which assistant you'd rather use, you'll be covered with this one. Allowing you to control your TV using your voice, as well as controlling your smart home products around you.
You can pick up this LG B9 OLED TV from BuyDig by clicking here, and the Disney+ promo details are on the page. All 2019 LG OLED and Nanocell TVs are eligible for this promotion with Disney+, as long as they are purchased before February 9, 2020.
LG 55-inch B9 OLED TV - BuyDig - $1196
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No-Till. No-Spray. No-Nonsense farming.Our holistic practices rely solely on soil health and natural competition to manage pests and disease. With these practices, we define ourselves as "Beyond Organic", as we are employing methods far more sustainable that those of certified organic farms.
Read MoreWe accept serious volunteers who are willing to commit to a consistent schedule of 3 hours a week or more. Although volunteering on a verdant organic farm is a very rewarding experience, potential volunteers must realize that the work is NOT glamorous. The weather can be extreme and the conditions are not always ideal. Be prepared to weed, mulch, or hoe for long stretches of time (and LOVE every minute of it!!). To make arrangements email Farmer Brooke at<EMAIL_ADDRESS>or pay us a visit at the Friday Night Farmers’ Market, May thru February. For a more intense “volunteer experience” please consider our Volunteer Apprenticeship detailed below.
Read MoreThe alchemy of composting is truly one of nature’s miracles. Just think…today’s left-over meatloaf can become tomorrow’s heirloom tomatoes!!!  They can be recycled into the earth to produce healthy, fresh, organic foods. Why throw them in the trash where they end up in landfills or water-ways causing significant environmental degradation?? Whether in a large-scale, industrial system or in your very own backyard, COMPOSTING is the solution to the solid waste crisis that faces municipalities nationwide. It is among the most basic means of CONSERVATION ensuring the health of our environment for future generations. Join us in our effort to “green” our communities by utilizing Kansas City’s first Residential Composting Program at URBAVORE – Urban Farm!!!
Read MoreNo-Till. No-Spray. No-Nonsense farming.
Our holistic practices rely solely on soil health and natural competition to manage pests and disease.
With these practices, we define ourselves as "Beyond Organic", as we are employing methods far more sustainable that those of certified organic farms.
Questions? Comments? Give us a call or send us an email and we will get back to you as soon as possible!
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