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Date
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If you need to give the Department for Work and Pensions (DWP) a doctor’s note, you can send it to them online.


Gecode::ViewArray< Int::Linear::NoView > Class Template Reference
List of all members.Detailed Description
template<>
class Gecode::ViewArray< Int::Linear::NoView >
View array for no view (empty).
Definition at line 145 of file noview.icc.
Constructors and initialization | |
| ViewArray (void) | |
| Default constructor (array of size 0). | |
| ViewArray (Space *home, int m) | |
| Allocate array with m variables. | |
| ViewArray (const ViewArray< Int::Linear::NoView > &) | |
| Initialize. | |
| ViewArray (Space *, const ViewArray< Int::Linear::NoView > &) | |
| Initialize. | |
| const ViewArray< Int::Linear::NoView > & | operator= (const ViewArray< Int::Linear::NoView > &) |
| Initialize. | |
Array size | |
| int | size (void) const |
| Return size of array (number of elements). | |
| void | size (int n) |
| Decrease size of array (number of elements). | |
Array elements | |
| Int::Linear::NoView | operator[] (int i) |
| Return view at position i. | |
Dependencies | |
| void | subscribe (Space *, Propagator *p, PropCond pc, bool process=true) |
| Subscribe propagator p with propagation condition pc to all views. | |
| void | cancel (Space *home, Propagator *p, PropCond pc) |
| Cancel subscription of propagator p with propagation condition pc to all views. | |
Cloning | |
| void | update (Space *, bool share, ViewArray< Int::Linear::NoView > &a) |
| Update array to be a clone of array a. | |
Moving elements | |
| void | move_fst (int i) |
| Move assigned view from position 0 to position i (shift elements to the left). | |
| void | move_lst (int i) |
Move assigned view from position size()-1 to position i (truncate array by one). | |
| void | move_fst (int i, Propagator *p, PropCond pc) |
| Move view from position 0 to position i (shift elements to the left). | |
| void | move_lst (int i, Propagator *p, PropCond pc) |
Move view from position size()-1 to position i (truncate array by one). | |
Dropping elements | |
| void | drop_fst (int i) |
| Drop assigned views from positions 0 to i-1 from array. | |
| void | drop_lst (int i) |
Drop assigned views from positions i+1 to size()-1 from array. | |
| void | drop_fst (int i, Propagator *p, PropCond pc) |
| Drop views from positions 0 to i-1 from array. | |
| void | drop_lst (int i, Propagator *p, PropCond pc) |
Drop assigned views from positions i+1 to size()-1 from array. | |
View equality | |
| bool | equal (void) const |
| Test whether array has equal views. | |
| bool | equal (const Int::Linear::NoView &y) const |
| Test whether array contains view equal to y. | |
| void | unique (void) |
| Remove all duplicate views from array (changes element order). | |
View sharing | |
| bool | shared (void) const |
| Test whether array has shared views. | |
| bool | shared (const Int::Linear::NoView &y) const |
| Test whether array contains view shared with y. |
Member Function Documentation
|
|
Default constructor (array of size 0).
Definition at line 150 of file noview.icc. |
|
|
Allocate array with m variables.
Definition at line 152 of file noview.icc. |
|
|
Initialize.
Definition at line 154 of file noview.icc. |
|
|
Initialize.
Definition at line 156 of file noview.icc. |
|
|
Initialize.
Definition at line 158 of file noview.icc. |
|
|
Return size of array (number of elements).
Definition at line 164 of file noview.icc. |
|
|
Decrease size of array (number of elements).
Definition at line 166 of file noview.icc. |
|
|
Return view at position i.
Definition at line 172 of file noview.icc. |
|
|
Subscribe propagator p with propagation condition pc to all views.
Definition at line 178 of file noview.icc. |
|
|
Cancel subscription of propagator p with propagation condition pc to all views.
Definition at line 180 of file noview.icc. |
|
|
Update array to be a clone of array a. If share is true, sharing is retained for all shared data structures. Otherwise, for each of them an independent copy is created. Definition at line 192 of file noview.icc. |
|
|
Move assigned view from position 0 to position i (shift elements to the left).
Definition at line 199 of file noview.icc. |
|
|
Move assigned view from position
Definition at line 201 of file noview.icc. |
|
|
Move view from position 0 to position i (shift elements to the left). Before moving, cancel subscription of propagator p with propagation condition pc to view at position i. Definition at line 207 of file noview.icc. |
|
|
Move view from position Before moving, cancel subscription of propagator p with propagation condition pc to view at position i. Definition at line 213 of file noview.icc. |
|
|
Drop assigned views from positions 0 to i-1 from array.
|
|
|
Drop assigned views from positions i+1 to
|
|
|
Drop views from positions 0 to i-1 from array. Before moving, cancel subscription of propagator p with propagation condition pc to views at positions 0 to i-1. Definition at line 227 of file noview.icc. |
|
|
Drop assigned views from positions i+1 to
Before moving, cancel subscription of propagator p with propagation condition pc to views at positions i+1 to Definition at line 234 of file noview.icc. |
|
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Test whether array has equal views.
Definition at line 240 of file noview.icc. |
|
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Test whether array contains view equal to y.
Definition at line 242 of file noview.icc. |
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Remove all duplicate views from array (changes element order).
Definition at line 244 of file noview.icc. |
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Test whether array has shared views.
Definition at line 250 of file noview.icc. |
|
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Test whether array contains view shared with y.
Definition at line 252 of file noview.icc. |
The documentation for this class was generated from the following file:
- gecode/int/linear/noview.icc (Revision: 3559)


| Figure 1 |
ToE and pace of climate change in ecosystem drivers. Multi-m ... |
| Figure 2 |
Emergence of multiple drivers. Combination of stressors that ... |
| Figure 3 |
ToE and pace of climate change in ecosystem drivers under a ... |
| Figure 4 |
Effect of mitigation on the global emergence in drivers of e ... |


amp-layout
responsive - 2x1 ratio
This `amp-layout` acts like a `div` that always keeps a `2x1` aspect ratio.
fixed - 100x100
will act like a 100px by 100px div
responsive - svg - 1x1 ratio
Sorry, your browser does not support inline SVG.


the audacity of hope
the audacity of hope speaks in organic tongues tasting of salt and cinnamon inhaling new optimism in furrows of wheat furrowed brows and the feats of mankind lifting voices high while piercing our roots with the veracious liquidity of long lost rain seeping into our eyes emulsified lightning bathing in gold that medal of victory on wings loose tethers and ties binding boats to broadsides creaking wharfs timbered seaweed smelling of brine and homeward bound stagger forward and fall to the milky ground press your cheek against the bosom of belief dignity carved of twisting smokestacks and halcyonarbors alike intertwined in an embrace of honest love that harbor of America for what more can be done but all yet left to better and become to value and be one – in many and among


My favorite site is
GitHub
!
I work primarily with Ruby on Rails.
Ask me about GitHub, Git, Ruby and Rails.
Currently learning JS.
Hit me up @bijoysijo in twitter to chat!


Amazon's 'Lord of the Rings' Series Gets Early Season 2 Renewal
Showrunners J.D. Payne and Patrick McKay will start mapping out a second season for the fantasy series
by Reid NakamuraAmazon’s “Lord of the Rings” series is moving forward with a second season, TheWrap has confirmed.
The production is set to take a four-to-five month hiatus after filming the first two episodes of Season 1, during which time showrunners J.D. Payne and Patrick McKay and the show’s writing team will begin mapping out the story for Season 2.
The newly extended Season 1 hiatus will span until the end of the winter season in New Zealand, where the show is filmed.
Also Read:
The series, which remains untitled, is set in the Middle-Earth of the Oscar-winning film franchise and will take place in the period before the events of the first film, “The Fellowship of the Ring.” The show’s cast includes “Bandersnatch” star Will Poulter, “Game of Thrones” alum Joseph Mawle and Markella Kavenagh.
Amazon first acquired the rights to adapt “The Lord of the Rings” for streaming back in 2017, a deal which included a multi-season commitment and the potential for an additional spinoff series. The formal pick-up makes good on the commitment to commission additional seasons of the show.
As previously announced, “Jurassic World: Fallen Kingdom” director J.A. Bayona has signed on to direct the first two episodes of the big-budget series, also serving as an executive producer alongside Payne and McKay, as well as his producing partner Belén Atienza.
Additional executive producers are Lindsey Weber, Bruce Richmond, Gene Kelly, Sharon Tal Yguado, Gennifer Hutchison, Jason Cahill and Justin Doble.
Also Read:
The series is produced in cooperation with the Tolkien Estate and Trust, HarperCollins and New Line Cinema, a division of Warner Bros. Entertainment.
Deadline first reported the news.


Honor V30 leaked press renders confirm a triple camera setup
by Aakash JhaveriHonor V30 leaked press renders confirm a triple camera setup
Puts an end to the guess-game
(Image credit: Honor)
Update (November 19, 2.40 pm): Honor India reached out to us mentioning that these press images are incorrect, and are likely to be different from the final product. We will update this story once we have more information.
Honor has a big event scheduled for next week, where its next flagship, the V30, will be unveiled. Some press renders of the phone have surfaced, which confirm a few design elements as well as a triple camera setup on the back.
The Honor V30 will launch in China on November 26, alongside a few other products. The teasers confirmed that it would sport a punch-hole display with two selfie cameras, but the back was still a mystery. It seems like we can stop the guesswork, as 91mobiles was able to source the official press images of the device before the launch.
These renders also show a pill-shaped notch for the front cameras, in line with the previous teasers. The back sports a big rectangular-shaped island for what seems like a triple camera setup and a lot of wasted space. Some rumors suggested that it will sport a 60MP primary camera, flanked by an ultra-wide and a telephoto shooter.
We can also see a side-mounted fingerprint scanner, which will double as the power/lock button. There’s no headphone jack in sight.
On the inside, the Honor V30 will be powered by the new 7nm Kirin 990 chipset and will have native 5G capabilities. A non-5G variant could also tag along. A 4,000 mAh battery with support for SuperCharge will round things up.
The display will be an LCD panel with a Full HD+ resolution and a tall aspect ratio. It will run on EMUI 10 based on Android 10, but Google Play Services are unlikely to be available out-of-the-box.
An Honor V30 Pro was also rumored, which will add another camera to the back, ship with a slightly bigger battery that can SuperCharge at 40W, and will come with an OLED display instead of an LCD.
The same November 26 event will also see the debut of the Honor Magic Watch 2, Magic Book 14 laptop, a 40W wireless SuperCharger, and a few other lifestyle products.
- Honor Magic Watch 2 exclusive first images
- Honor V30 with 5G launch date set for November 26
- Huawei Mate 30 Pro review


With some basic JavaScript principles in hand, we can now expand our skills out even further by exploring callback functions, array methods, and closure. Finish each task in order as the concepts build on one another.
Follow these steps to set up and work on your project:
<firstName-lastName>
.
<firstName-lastName>
branch, committing changes regularly.
<firstName-lastName>
.
Follow these steps for completing your project.
This task focuses on getting practice with higher order functions and callback functions by giving you an array of values and instructions on what to do with that array.
[ ] Review the contents of the callbacks.js file. Notice you are given an array at the top of the page. Use that array to aid you with your functions.
[ ] Complete the problems provided to you but skip over stretch problems until you are complete with every other JS file first.
Use .forEach()
, .map()
, .filter()
, and .reduce()
to loop over an array with 50 objects in it. The array-methods.js file contains several challenges built around a fundraising 5K fun run event.
[ ] Review the contents of the array-methods.js file.
[ ] Complete the problems provided to you but skip over stretch problems until you are complete with every other JS file first.
[ ] Notice the last three problems are up to you to create and solve. This is an awesome opportunity for you to push your critical thinking about array methods, have fun with it.
We have learned that closures allow us to access values in scope that have already been invoked (lexical scope).
Hint: Utilize debugger statements in your code in combination with your developer tools to easily identify closure values.


{{t.name}} Tournament
Board size: {{t.board_size}}
Score Board
{% for score in t.scores %}
{{score.player.class_name}}
{{score.total}}
{% endfor %}
Match Board
{% for match_line in matches_matrix %}
{{match_line[0].player_one.class_name[0:2]}}
{% endfor %}
{% for match_line in matches_matrix %}
{{match_line[0].player_one.class_name}}
{% for match in match_line %}
{{match.current_winner}}
{% endfor %}
{% endfor %}


PastelDeck is a CLI that helps you transform a markdown file into a simple html-based slideshow. Perfect for when you want to focus on content with a pretty looking outcome.
You can install using either npm or yarn.
$ yarn global add pasteldeck
$ npm install -g pasteldeck
You can also use it without installing it first by running:
$ npx pasteldeck
Create your presentation in a markdown file. Make sure to follow the
supported format for PastelDeck. Inside your terminal, navigate to
the folder containing your markdown file and run:
$ pasteldeck
After this the CLI will walk you through selecting the markdown file
to convert into the slideshow, you will be able to select a theme
colour and decide if they want to use watch mode or not.
To create a slide, add a horizontal rule in markdown. Anything after
the horizontal rule is part of the slide.
---slide---
# This is part of slide 1 and this title will go in the index!
This is also part of slide 1!
---slide---
## This is part of slide 2 and this title will go in the index!
## This title will not be part of the index
This is also part of slide 2!
PastelDeck supports ShowDown's supported markdown syntax.


--- layout: post title: Restoring a SQL Server Backup File (.bak) After Receiving (No Backupset Selected to Be Restored) ---
Today, I ran into an issue where I need to restore a database file that I had generated on one of our remote servers. I had placed this file in my dropbox account and downloaded to my local machine.
Once on my machine, I moved the file to the MSSQL Backups folder and proceeded to try to restore the file. I was unable to do so and received this error, "No Backupset Selected to Be Restored". I viewed the permissions on the .bak file in question and another .bak file on my machine and noticed that the file I was unable to import was missing some permissions. With some help from this article, I was able to get the correct permissions on my file and restore the backup.
I had to add the following users to my .bak file via the "Properties/Security" tab for the file. These are the users to add:


To utlize the design system modules we assume:
The current iteration of our design system is made up of a single node module:
@tangoe/goponents (npmjs / GitHub)
This package contains all of the custom Angular Components, Services, and styles outlined in this Style Guide.
Goponents is an open source project and can easily be installed through NPM.
For components, the setup will depend upon which one you need to implement. To find that information, check each components' documenation for instructions. Typically it involves importing the specific module for each component you use.
DO NOT import every component into every module. ONLY import what is needed for each module.
To utlize all of the benefits our styles have to offer, in the root styles.scss
of the project import:
Alternatively, partials can be imported individually. These can be found:


{{< layout}} {{$back}}
To submit your photo you’ll first need to transfer it to the computer, phone or tablet you’re using to apply.
Help with transferring your photo.


{% load i18n %}
{{ value.raw }}
{{ value.safe }}
{% trans "This field has been sanitised for display; hover to view the raw data" %}
{% trans "This field supplies the primary document to be indexed" %}
{% trans "No stored fields found" %}
{% trans "No additional fields found" %}
{{ setting.1 }}
{{ setting.2 }} backend
{% trans "No settings found. Which is probably a bad sign." %}


Title Goes Here |
Offering <%= num_videos %> how-to videos in <%= num_cats %> categories!
Rent online, at any time of day, and get the videos shipped straight to you (with free shipping in both directions!).
SmartFlix is a service that rents video DVDs - just like your corner video store... but we rent the kind of videos that you can't find on every street corner. Videos on running lathes, melting glass, welding steel... cool videos!
Some of the <%= cat_name %> videos we carry include: <% titlepairs.each do |titlepair| %> <%= titlepair[:text] %>, <% end %>
The coupon is also good for rentals in any of our categories, including: <% catPairs.each do |catpair| %> <%= catpair[:cat_text] %>, <% end %> ...and hundreds more.
We are passionate about customer service, and have the testimonials to back it up. We're not happy unless you're happy!
(Please note: this coupon is valid for first-time renters only; the coupon up for auction will not work for existing customers, nor can an auction winner use more than one coupon either in a single order or across multiple orders. Sorry!)
Note that Massachusetts residents are responsible for paying sales tax at the time that they rent a DVD.
Note that some DVDs are premium priced rentals, and rent for $14.99 per week. The rental coupon you are bidding on is valued at $9.99, and thus may not cover the complete rental fee if you select a premium DVD.
Shipments to Canada do not include return postage; Canadian customers are responsible for affixing all required postage for return shipment.
Many of the DVDs we rent are DVD+R or DVD-R format. Almost all modern DVD players can play these, but please verify that your DVD player can play these discs before bidding; we can not give refunds to customers who buy a coupon and/or rent a video on a medium that they can not view.
Every DVD we carry is a legitimate copy, legally purchased either directly or indirectly from the copyright holder, and we are fully willing and able to prove this to eBay personnel.
Please read our answers to Frequently Asked Questions.
The terms and conditions for using the website and the service are here. Please do not bid unless you have read them and agree to them.
The winning bidder will receive the coupon by email with in 48 hours of the auction close.
The coupon is good for one year from the date of issue.
The coupon is usable only by first-time customers. If you have already rented from SmartFlix, this coupon WILL NOT work for you. If you bid on and win two coupons, the first one will work for you, but the second one will not. We can not refund fees for coupon purchases; you will have to give the coupon away to a friend or relative, or resell it. Again: PLEASE do not bid if you have already rented from SmartFlix!
We are a registered Massachusetts company, and have been in business since 2003.
We pride ourselves on our excellent customer support. You can contact us at any time.


SPEECHLESS A film review by Steve Rhodes Copyright 1995 Steve Rhodes
RATING (0 TO ****): *
SPEECHLESS is a story of the love/hate romance between rival speechwriters in a New Mexico senatorial campaign. They are a month away from the election, and Geena Davis and Michael Keaton are competing with each other to get their candidate elected while having a romance at the same time. The story has superficial similarities to the real life romance between Bush's speechwriter, Mary Matalin, and Clinton's speechwriter, James Carville.
The two speechwriters alternate between playing tricks on each other and helping out each other in getting their candidates elected.  Throughout the movie, their bosses never realize who the other speechwriter is. Right.
The movie starts slow but has two or three good laughs. After that it is downhill all the way. Keaton and Davis are both uneven actors. Keaton is better at his best that Davis, but they both have had many brilliant and many embarrassing roles in their repertoire. Here thanks to some awful direction by Ron Underwood and a miserable script (SPEECHLESS is a perfect title given the quality of the script) by writer Robert King, Keaton and Davis play unbelievable and worse, boring characters. It was like they were on Prozac in some of the scenes.
Screenwriting 101 teaches that romantic comedies should either be romantic or funny and preferably both. This movie was neither.
The worse part of the movie was the ending. Which senator would win you were wondering? Having given up on romance or comedy, at least you could hope for a little mystery. The ending was totally out of left field. It was as if one candidate had to drop out because he admitted to having adopted a space alien.
Finally, being a political junkie, I figured I would at least like the show for the political aspects. Well, there was no Contract with America to argue over here. These candidates had no apparent belief in anything and, moreover, did not even claim to believe in anything. Success was getting the lead on the local stations with any story including inviting TV crews into your home to watch you make dinner and to show how cute your dog is. Zzzzzzz.
For my 2 or 3 laughs, I generously award SPEECHLESS a single *. Please avoid this show and don't rent it. It is rated PG-13 for reasons that escape me. One time they literally whispered a single bad word. Everybody kept all of their clothes on, and no one even raised a hand in anger. All that having been said, they could rate it NC-95 for all I care. The movie runs a tediously long 1:39. Good time for catching up on your sleep.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEWED WRITTEN ON: December 16, 1994
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Click image to download brochure.
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The AGM was held on 18th November 2020.
For the 2020 AGM minutes, please click here.
For our accounts for 2019-20 click here.


An Analytics App for Strava Best Efforts, PBs/PRs and Races
Strafforts is a web app that calls Strava API to fetch athlete's best efforts, personal bests and races data, then visualize them in forms of data tables, line charts and pie charts, in such way athletes can perform some analysis, like half marathon PB progression, fastest shoes used for a 10K race, how often 5K PB gets set, etc.
This app is absolutely free and open source. It doesn't modify any of your data on Strava or store your Strava password. All you need to do is to connect this app with your Strava account by clicking "Connect with Strava" button and wait for our background worker to fetch and visualize your data.
What are 'Best Efforts'?
What are Strava races and how to create them?
See how my Strava best efforts, PBs/PRs and races are visualized.
Connect now to let Strafforts fetch and visualize your Strava best efforts and races!


Kiss the Girls (1997)
A movie review by Michael J. Legeros Copyright 1997 by Michael J. Legeros
(Paramount) Directed by Gary Fleder Written by David Klass, based on the novel by James Patterson Cast Morgan Freeman, Ashley Judd, Cary Elwes, Tony Goldwyn, Jay O. Sanders, Bill Nunn, Brian Cox, Alex McArthur, Richard T. Jones, Jeremy Piven, William Converse-Roberts, Gina Ravera MPAA Rating "R" (presumably because of violence and profanity) Running Time 117 minutes Reviewed at Mission Valley Cinemas, Raleigh, NC (03OCT97)
==
KISS THE GIRLS is a textbook example of how to ruin a good story. Gary Fleder (THINGS TO DO IN DENVER WHEN YOU'RE DEAD) directs this torturously sanitized adaptation of James Patterson's bestseller about a D.C. forensic psychologist (Morgan Freeman) who comes to Durham, North Carolina, after his Duke-attending niece goes up missing. Turns out that the D.P.D. (and the F.B.I.) have been sitting on a series of kidnappings and murders, of college girls from all around the area. What Freeman's character surmises is that "Casanova," as he calls himself, is actually a collector who's keeping these young women alive for various sundry, sordid purposes. (And of which the graphic details are nearly entirely omitted. With the exception of a wee bit of gore, the creepiest images in this movie are safe enough to be shown on the Disney channel.) Before long, Freeman's character has a partner-in- crime-control, a medical student (Ashley Judd) who escapes from the kidnapper-killer's underground lair with an assist from some convenient kick-boxing skills. An older black man as an action hero? A slasher victim who fights back?? And the barest whiff of a romance between the two??? Admittedly, this is non-standard fare for Hollywood, which makes the movie's many, many failures all the more regrettable.
On the up side, Morgan Freeman is his expectedly excellent self. He brings the necessary weight to the story and without enduring the humiliation of having to spout one-liners, such as, say, "you've been pasteurized." Ms. Judd, who should be but isn't the other anchor at the story's core, fares far less better. She's a good actress saddled with an only-okay characterization. (In the novel, as I recall, she suffers much more abuse before her escape, which adds an edge to the character that's missing from the filmed version.) And so, with two talented actors at front and center, KISS THE GIRLS never becomes unwatchable-- no matter how hard Fleder tries to kill the non-mood, be it through bozo casting (what the Hell is Cary Elwes doing here?), atrocious southern accents on the part of the supporting cast (what dialect is Brian Cox, one- time Hannibal Lecter in MANHUNTER, speaking in the minuscule role of Durham's police chief?), giggle-inducing shots of the disguised villain, way too many moonlight foot chases, and an underground dungeon that, truth be told, looks more like an amusement park ride than a Civil War-era leftover. Sigh. I suppose that the biggest disappointment is the lack of local color. Short of a shot or two of Duke, Durham, and the RTP, you'd never know that KISS THE GIRLS was filmed around here.
Grade: C-
-- Mike Legeros - Movie Hell http://www.nonvirtual.com/hell/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


class mapper :
object
.. end
AST transformation.
mapper allows one to map AST, performing some limited
amount of transformations on it. Mapper provides extra
flexibility by mapping stmt
to stmt list
, thus allowing
to remove statements from the output (by mapping to empty list) or
to map one statement to several. This is particularly useful when
you map if
or while
statements.
Inherits
method run : stmt list -> stmt list
Default entry point.
But again, you can use any method as an entry
method map_stmt : stmt -> stmt list
Statements
method map_move : var -> exp -> stmt list
method map_jmp : exp -> stmt list
method map_while : cond:exp -> stmt list -> stmt list
method map_if : cond:exp -> yes:stmt list -> no:stmt list -> stmt list
method map_cpuexn : int -> stmt list
method map_special : string -> stmt list
method map_exp : exp -> exp
Expressions
method map_load : mem:exp -> addr:exp -> endian -> size -> exp
method map_store : mem:exp -> addr:exp -> exp:exp -> endian -> size -> exp
method map_binop : binop -> exp -> exp -> exp
method map_unop : unop -> exp -> exp
method map_cast : cast -> nat1 -> exp -> exp
method map_let : var -> exp:exp -> body:exp -> exp
method map_ite : cond:exp -> yes:exp -> no:exp -> exp
: hi:nat1 -> lo:nat1 -> exp -> exp
method map_concat : exp -> exp -> exp
method map_int : word -> exp
method map_var : var -> exp
method map_sym : var -> var
method map_unknown : string -> typ -> exp


Ducky Rodeo
W
A
S
D
Current Mode: Driver
Press Enter to Change Mode
{{modes}}
{% block javascript %} {% endblock %}


AccuWeather: Sunny and cool to start the weekend
by WABCNEW YORK (WABC) -- It will be mostly sunny but still cool to start off New York City Marathon weekend, and the weather will be much the same for the runners on Sunday.
Don't forget to turn back the clocks one hour before going to bed on Saturday as Daylight Saving Time comes to an end at 2:00 a.m. on Sunday.
Here is the 7-day forecast for the Tri-State area:
Saturday
Bright but cool. High 53.
Sunday
Cool sunshine for the TCS NYC Marathon. High 52.
Monday
Still chilly with a high of 54.
Tuesday
Turning milder with a high of 60.
Wednesday
Mix of sun and clouds. High 55.
Thursday
Chance of rain with a high of 54.
Friday
Getting colder with a high of 44.
Click here for the latest watches and warnings from the National Weather Service.
Check the weather any time at abc7NY.com/weather. For weather updates wherever you go, please download the AccuWeather app.
Here's a look at the 7 Day AccuWeather forecast


(a) The user will be lost quickly where to navigate next. To use more than 3 levels is only beneficial if it closely matches a hierarchie already made up with those levels (e.g. FTP view). For that however it is better to list in the "sitemap" simply a "directory" to navigate into and use its own sitefile for the subdirectory. Make it known with a slight variation that the user has gone to different space - away from frontend web presentation into a hierarchic download section. Same applies to moving over to a forum / webchat space.
(b) How do you think you can place all the levels in a single navigation bar. The recommended way of mksite.sh is to use horizontal rulers for each "sect1", to use an itemized line for "sect2" and place below the item more "sect3" nodes possibly many per line. That's compact enough so the user does not get lost in the middle. Note that mksite.sh does not encourage folder-expand/folder-close menu-handling but instead strongly hints to use a sitefile not changing on every click thereby making the "next-page" to jump away and up and down. Otherwise one would need an explicit "next" button somewhere to help with sequential reading and searching (the usual "browsing" action takes 3 seconds per page on average).
The human mind can only catch about 7 items at a time with one look. Going beyond that confuses the human brain and slows down information gathering (stress). On the other hand it is usually not interesting to use less than 3 items per section, it would get overlooked quickly among other sections. Therefore (a) add topic pages to section as they fit (b) when a section overflows with 8-10 items then split the section in two with each 3-6 topic items.
When a topic gets too long it is not a good idea to keep everything on a single long page that the user has to scroll down - searching for some interesting subitem. Instead cut the long page into pieces and register as its own html page with the sitefile. They all shold be on the same topic anyway so let's register the page on the sitefile with a very short hint only, possibly just use numbers. And if not using number then use common shorthands such as "intro" "related" "main" "links" written in <small> letters on the sitefile navigation bar.
If there are too many splitpages then make the first of its series (the subsection topic item on level2) a frontpage with a href to each splitpage and short description of the content of that splitpage
The three levels make enough room for pages - a big website for mksite.sh would be using 6 sections with an average of 6 topic per section and an average of 3 pages per topic. That makes more than 100 pages. If a section gets too long one can also make for multi-column layout (with some global quicklinks) but do not be tempted to put too much into such a column.
Instead consider to split the website into multiple spaces with each its own sitefile. That can be to put them into directories of the main website (developer, user, etc) and make a seperate sitefile for the main website that goes to introduce the purpose of each area and linking into each area then. The site map will only contain a single entry per area and otherwise lists the items of the intro website.


Half-Past Seven Stories
by Robert Gordon Anderson
Story 7: "The Fairy Lamp"
Additional Information
- Year Published: 1922
- Language: English
- Country of Origin: United States of America
- Source: Anderson, R.G. (1922). Half-Past Seven Stories. New York, NY: G.P. Putnam’s Sons.
-
Readability:
- Flesch–Kincaid Level: 3.8
- Word Count: 3,500
- Genre: Adventure
- Keywords: magic
- ✎ Cite This
Downloads
Once in about every so often, it seems, little boys just have to get sick. Sometimes it is their own fault; sometimes the fault of the weather; and sometimes there doesn’t seem to be any reason at all—except maybe germs. And who ever saw a real live germ walking around, except, perhaps, doctors looking through microscopes?
But that is just what had happened to Marmaduke.
 He only wanted to lie where he could watch the fingers of the sun-beams stray over the rag rug and pick out the pretty colors in it, and where he could see Mother and call to her when he wanted her. That was always important—to have her near.
At supper all Mother would give him was a cup of warm milk. She said he couldn’t have anything solid, not even bread. But after all, perhaps it was better, for his appetite wasn’t so very big. He had only asked because he thought he ought to have things Jehosophat had, and didn’t want to be deprived of any of his privileges.
Those two round things—like cherries—stuck in his throat so. What was it the doctor called them? Tonsils, that was it. And they felt as big as footballs now, and, oh, so sore!
The doctor decided he had “tonsil-eatus”—a funny name. He called out to Mother to inquire if they would really “eat us”—and how they could “eat us” when they were in your throat already. He felt rather proud of that joke and better for having made it—for a little while, anyway.
There was one “’speshully fine” thing about being sick. Mother would always send Jehosophat and Hepzebiah into the spare room to sleep, and she would come herself and lie down in Jehosophat’s bed, right next to the little sick boy, right where he could reach out his hand and place it in hers. That was “most worth” all the aches and the pains.
It was all right to have Father near, but somehow Marmaduke felt better if it was Mother that lay by his side. Her hands and her voice were sort of cool and they drove the bad things that came in his dreams far away.
There was one other fine thing about being sick the Fairy Lamp!
At least that was what the children had named it. It was really a little blue bowl, not light blue like his oatmeal bowl, but almost as blue as periwinkles, or the sky some nights. It had little creases on the outside, “flutings,” Mother said, like the pleats in her dress.
Now Mother wanted to make sponge for the bread, but Marmaduke pleaded,—
“I want you to stay with me, I feel so sick.”
“Wouldn’t my little boy let me go—just for five minutes?”
He thought that over for a little while. Then, “Yes,” he said slowly, “if you light the Fairy Lamp.”
So she struck the match and touched it to the wick. The wick always seemed lazy about being lit. It acted as if the match were waking it up.
But all of a sudden it would burst into flame, and the dark blue of the bowl would turn into light blue—oh, such a pretty color, not like the bluing Hannah put in the water to make the clothes white, nor would it match Sophy Soapstone’s electric blue dress. It was more like a blue mist, just such a shade as the fairies would wear.
Marmaduke watched it a long time. Sometimes the little flame sputtered, sometimes it waved in the air, or dipped and bowed in his direction, and once it actually winked at him.
From where he lay he could see a bright star shining through the window. He tried to look with one eye at the light and with the other eye at the star, both at the same time. The star seemed sort of blue, too.
“I wonder if the little light is the baby of the star,” he said to himself.
And when he looked at the star again, he saw a ray travel down from it into the window, right towards his eyes.
He blinked, and the light grew brighter. It made a pathway reaching from the sky to his bed. Something seemed to be traveling down the bright pathway, singing a song as it came.
First he thought it must be an angel, then a fairy with wings like a moth.

And this was the song:
“Light, light
By day or night;
Stars in the skies,
Stars in the eyes.”
He opened his.  He thought she was dressed in white, then he decided it was yellow, then gold and white.
She walked, yet she seemed to be pasted on a big, shiny star. The top point rose just above her head, making the peak of a crown. The two middle points stuck out beyond her shoulders like bright moth wings, and the two bottom points extended below her waist, and away from her, like the ends of a sash.
At first Marmaduke thought she must be a painted doll, such as you see in the magazines about Christmas time, made for little children to cut out. But her golden hair was not still like that, but was always in motion like crinkly water that flows over the stones in the brook when the sun shines on it. And there on the rag rug, his own rag rug, were her little feet—very white, with little toes, and she could sing, too. My, how she could sing! No, she was not any painted doll.
She was going on with that song now:
“Far and near,
Bright and clear,
On sky and sea,
And the Christmas tree.”
“’Llo!” said Marmaduke—then he stopped, ashamed. That was the way he talked to the fellows at school. He mustn’t speak to such a beautiful lady that way. So—“How do you do?” he corrected himself.
But she only smiled and said—what do you think?
“‘Llo! little boy”—just like himself. That seemed to set her singing again:—
“Low and high,
In the lake or the sky;
High and low,
In the crystal snow.”
Then she stopped.
“Is there any more to it?” asked Marmaduke. “Oh, yes, one could go on forever”
“On the church spire,
Or in the fire;
On the wavelet’s tip,
Or the mast of a ship;
In the shining gem
Over Bethlehem;
In the little cradle,
With the ox in the stable,
A baby fair
It was brightest there!”
“Now is that all of it?” Marmaduke asked her.
“Oh, there’s lots more, but I’ll sing just the last part for tonight”—and she told him the end:
“And in Mother’s eyes,
Just as bright as the skies.”
Marmaduke thought she was right in the last part of the song, anyway. Of course, he didn’t understand exactly what it was all about, but it was a very pretty song, and he would think it over in the morning. But then his curiosity got the better of him.
“What did you come down here for?”
“Oh, I saw the light in your window,” she explained, “and I thought maybe it was a little lost star. You see, we have to look out for them. When we do find a star that has lost its way we take it back—”
“Do you stick it up there with a pin?”
This question seemed to strike her as very amusing, and she laughed. And when she laughed it sounded like church bells far, far off, or the voice of the Brook.
“Oh, no,” she said as soon as she could speak. “Do I look as if I could be stuck up there by a pin?”
“No-o-o, but what do you do? Just float around—or swim?”
“Well, that’s the way you Earth people would put it—but we have another word for it.”
“What is the word?”
She shook her head.
“That I can’t tell you, for you’d never understand it, but it’s a very pretty word.”
Marmaduke sighed.
“I’d like to know it,” he said, “but I suppose I can’t.”
And the Star Lady answered,—
“Not now, perhaps some day.”
“Do you do anything else besides hunting for little lost stars?”
“Oh, yes,” she said, coming a trifle nearer his bed, “sometimes we find little stars on earth that have never been in the sky, and they shine so very brightly that we take them up there, too.”
“What kind of stars?”
“Would you like to see them?”
“You bet I would,” Marmaduke started to say, then stopped. That sounded rather rude. Still she didn’t reprove him; she didn’t seem to mind it a bit. There was something very homelike about her, for all she was so radiant and bright.
“I understand perfectly,” she assured him, “but we must be off before daylight.” Then she turned to the bureau.

Now long ago Marmaduke had made another trip to the skies, to see The Old Man in the Moon, but that journey was never like this. This was so much more beautiful.
He didn’t feel as if he were walking or riding, just rising in the air with one hand clasped in the fingers of the Star Lady, the other around the little lamp.
Marmaduke wondered if all the people would look up and see his little light.
“Perhaps they can see just the light and not me,” he said to himself, “and that would be just right.”
They rose up over the trees, then over the brook, and he saw himself shining in the brook. It looked as if his twin were lying there in the water, and he laughed out loud—that is he thought he did. But he found he wasn’t making any sound. Instead of words, sparkles seemed to come from his mouth, like the twinkles of a star.
He asked the Star Lady about that. It was very funny, but now that they were getting up in the clouds he couldn’t hear his own voice and she couldn’t hear it, either, but they understood each other just the same.
“When a star twinkles, it is laughing,” she explained, and it all seemed very clear to him.
Now they passed through great clouds. When they rose above them he looked down. They seemed like white islands in a clear blue sea. And the sky was the sea. It wasn’t like water, but just as cool, and the earth, and the towns, and the trees lay like places buried at the bottom of the ocean.
He tried to step on a cloud, and he couldn’t feel anything at all under him, yet it didn’t give way—he could sit down on it. He did lie down for a little while, it felt so soft and nice, but the Star Lady made him get up.
“We must hurry, for way over there I see the Sun. He’s stirring in his sleep, and when he gets up and washes his face—”
“Does he wash his face?” interrupted Marmaduke, “just like real people?”
“Yes, he rubs cloud lather all over it, and then he dips his face in the bowl of the ocean.”
“How does he dry it?”
“Oh, the morning wind does that,” she replied, smiling at such a parade of questions, “but let’s go before he starts to wash up, for I must show you all the star fields. It’s only a few steps up.”
“But I don’t see any steps,” exclaimed the little boy.
She smiled.
“Don’t you?” she said, “you’ve been climbing them all the time.”
“But it’s such a long way to come, and my legs don’t feel a bit tired,” he persisted, a little doubtfully.
“Oh, no one ever gets tired in the skies,” she explained, “we never get tired and we never grow old.”
“Do you live forever ‘n ever?”
“Yes, forever,” she answered gently, “but there are the fields.”
Before them and all around them they stretched—as far as his eyes could see, and as far as they could have seen if he had had the biggest telescope in the world.
They were not green like those of Earth, but blue—blue as if each blade of grass were a blade of violet. And each field was thickly planted with bright little gleams like fireflies, winking, winking through the night.
And here and there was a great big star, like the Star Lady herself, walking about—no, it wasn’t that—they were floating about the meadows. How Marmaduke wished he knew the word she had said they used in the skies for “walking.”
“Are they stars or angels?” he asked her.
“Yes and no,” she replied. Her answer was very strange, but she wouldn’t explain it.
Suddenly Marmaduke thought of a question he had often asked people down on Earth. He could put it to the Star Lady and see if she would give the same answer as Mother. It was an old, old question that little children have asked ever since the world began.
“Who made the stars?” it was.
“God,” she answered gently, “at least He made the big ones—but not the little ones.”
“And who made them?”
“Oh, the people on earth. Perhaps you made a few yourself,” she added.
“Me? How ever could I make stars?” And he stared at her in wonder.
“Oh, yes you can. Do you see those little ones there? They are the kind deeds people do on Earth. We go looking for them, and we can find them easily, for they shine out even in the darkest woods and the darkest streets. Then we put them up here. Look hard and perhaps you can find some you recognize.”
Marmaduke did look hard. There was one near him. It was very little, but, somehow, as he looked he seemed to know it.
He went very near it. It twinkled like a real star, yet it was round as a bubble. And in it, just as in a soap bubble, he saw a picture.
The Star Lady was looking at him with an amused smile.
“What do you see?” she asked.
Yes, sure enough, there was a picture in it, a little faint, but he could make it out a horse and a bright red cart and on the seat a boy with crutches.
“Why it’s Little Geeup and Johnny Cricket!” he exclaimed.
“Yes, it’s the picture of the time you took him for a ride,” she answered. “I saw you do it, and I went down to Earth, and took that kind, bright little star deed, and planted it here in this very same field.”
“Oh, oh!” It was all he could say, it was so wonderful.
Then he saw another field not far away that was full of particularly bright stars.
“I think I know those,” he told the Star Lady, “they seem like friends.”
“Do they? No wonder!”

 I’m going to let you tell me.”
“Oh, I know, I know,” he cried, “they’re Mother’s kind deeds—all she’s done for me and Jehosophat and Hepzebiah—and, oh, how many there are!” he added.
“Yes indeed, my dear. You never guessed there were so many, did you?”
Marmaduke grew very solemn as he replied,—
“But I won’t forget now ever.”
From where they stood, the great blue fields rose into a hill. And on the top of the hill was a beautiful star, the largest of all.
“And what is that?” the little boy asked his new friend.
“The star that shone over the cradle in Bethlehem.”
He begged her to let him go nearer, but she shook her head.
“Not tonight. Someday you’ll see it very clearly.”
He was disappointed at that.
“When can I?” he asked.
“I do not know—but someday you and all in the world will see it, when the Earth people are kind to each other—not once in a while, but every day—all the while—”
“Anyway,” said Marmaduke, “I don’t think that star is any prettier than Mother’s. It’s bigger but not prettier.”
“No, dear,” she said, “not any more beautiful—it’s all the same light. But the Sun is putting on his gold shoes. Look—over there,” she added, “you can see the reflection.”
And sure enough, as Marmaduke looked over to the East, the edge of the sky was turning to gold.
“You’ll have to say goodbye now,” the Star Lady told him, not sadly but gently, “to all the stars and to me. But before you go, listen, and you’ll hear them all singing together. They always do, in the morning before the Sun comes. There, can you hear it?”
He listened, oh, so hard, but all he could hear was music like sleigh bells that were very far away.
“I hear something,” he told her, “but it isn’t clear. It sounds so far, far off.”
“Someday you’ll hear that clearly, too,” she said, then turned. “Goodbye, my dear, I’ll look out for your stars again, all the little ones you make each day. Don’t forget.”
And as he felt himself sinking, he saw the Star Lady waving at him from above, and he was sure she was singing again:
“Light, light
By day or night;
Stars in the skies,
Stars in the eyes.”
Again he opened his. There was the Blue Fairy Light winking at him—and his mother’s hand was on his forehead. How good it felt! And how cool her voice sounded!
“Was it a nice dream, dear?” she asked him. He didn’t answer that question.


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @(params: uk.gov.hmrc.fsetemailrenderer.controllers.model.Params) @uk.gov.hmrc.fsetemailrenderer.templates.helpers.html.template_csr(params, "URGENT - You need to confirm your assessment date") { @if(params.parameters("name").toString.trim.nonEmpty){
Dear @{params.parameters("name")}
Congratulations. You're through to the next stage.
You need to confirm as soon as possible or you'll lose your booking.
Here are the details of your assessment:
Type: @{params.parameters("eventType")}
Date and time: @{params.parameters("eventDate")} at @{params.parameters("eventStartTime")}
What you need: Read your event guide
Please confirm by 11:59pm on @{params.parameters("deadlineDate")} or you'll lose your booking.
You need to sign in to confirm you can attend your assessment @params.parameters("candidateSigninUrl")
If you cannot attend on this date, please email us at faststream.applicationsupport@@cabinetoffice.gov.uk. We may be able to reschedule your assessment.
If you no longer wish to continue, please sign in and withdraw your application. We'll then stop sending any further emails.
Thank you
Fast Stream team
If you need more help, email us at faststream.applicationsupport@@cabinetoffice.gov.uk
Do not reply to this email.
}


welcome to the development of the javascript megsjs. The javascript version of megs2.0, planned to have many more features such as...
well... the most basic features of an rpg!!! HOORAY!
list of planned features are:
ability to input name
ability to save
ability to load
level up
experience
hitpoints
randomly attacking monstors
quests
items
dynamically generated map
keyboard functionality
-------------------------
oh yes, the future does look bright indeed.
...but that's the future and not the present, so bear with me.
here is a link to the game in progress
megsjs


This package provides various classes which are used to generate .CSV files from the logs in the database. The .CSV files can then be used to generate reports on another web server external from the DR network.
The classes in this package, and the reports they generate are:
| Class | Report |
|---|---|
| {@link com.att.research.datarouter.reports.DailyLatencyReport} | dailylatency.csv |
| {@link com.att.research.datarouter.reports.FeedReport} | NOT CURRENTLY USED |
| {@link com.att.research.datarouter.reports.LatencyReport} | |
| {@link com.att.research.datarouter.reports.SubscriberReport} | subscriber.csv |
| {@link com.att.research.datarouter.reports.VolumeReport} | volumes.csv |


The Devanagari Typewriter (SIL) keyboard is designed for those users who are using traditional Nepali keyboard layout. The keyboard layout can be viewed by clicking on the Keyman icon and selecting the On-Screen Keyboard menu item, or by opening the Help documentation. This layout nearly matches the “Nepali Traditional” Windows keyboard layout with only few changes.
©2015-2022 SIL International


Class acme_plane¶
Defined in File acme_plane.m
Inheritance Relationships¶
Base Type¶
public acme_entity
(Class acme_entity)
Class Documentation¶
-
class acme_plane : public acme_entity¶
-
Public Functions
-
function acme_plane( varargin)¶
-
Create a new C++ pointer to plane object instance.
Class container for ACME plane object
-
virtual function type( self)¶
-
Delete C++ pointer to plane object instance.
Get object type as string
-
function getOrigin( self)¶
-
Get plane origin as ACME point object.
-
function getNormal( self)¶
-
Get plane normal.
-
function setOrigin( self, other_obj)¶
-
Set plane origin with an ACME point object.
-
function setNormal( self, other_obj)¶
-
Set plane normal.
-
function copy( self, other_obj)¶
-
Copy plane object from another plane.
-
function copyByHandle( self, handle)¶
-
Copy plane object from another plane handle.
-
function translate( self, other_obj)¶
-
Translate plane by vector.
-
function transform( self, varargin)¶
-
Transform plane by 4x4 affine transformation matrix.
-
function isInside( self, other_obj)¶
-
Check if ACME point is inside the plane.
-
function isDegenerated( self)¶
-
Check if plane is degenerated.
-
function isApprox( self, other_obj)¶
-
Check if planes are approximatively equal.
-
function normalize( self)¶
-
Normalize normal vectoe.
-
function distance( self, other_obj)¶
-
Distance between an ACME point and plane.
-
function squaredDistance( self, other_obj)¶
-
Squared distance between an ACME point and plane.
-
function signedDistance( self, other_obj)¶
-
Signed distance between an ACME point and plane.
-
function toNormalizedVector( self)¶
-
Transform plane to normalized vector.
-
function reverse( self)¶
-
Swap plane vertices.
-
function isParallel( self, other_obj)¶
-
Check if plane is parallel to an ACME object.
-
function isOrthogonal( self, other_obj)¶
-
Check if plane is orthogonal to an ACME object.
-
function isColplanear( self, other_obj)¶
-
Check if plane is colplanear to an ACME object.
-
function isCoplanar( self, other_obj)¶
-
Check if plane is coplanar to an ACME object.
-
function intersection( self, other_obj)¶
-
Intersect plane with an ACME object.
-
function disp( self)¶
-
Display object data.
-
function plot( self, figure_name, color)¶
-
Plot plane object.
-
function acme_plane( varargin)¶


Fixtures released for the 2020 Lidl Ladies National Football League
The season begins on January 26th
by Donagh CorbyReigning champions Cork will host Westmeath on the opening day of next year's Lidl Ladies National Football League.
Today, the LGFA released the fixtures, while also confirming that the top two finishers will progress straight to the Finals in each of the divisions.

How to follow the Irish Mirror on social media
You can like our main Facebook page here.
Our Irish Mirror Sports page - which brings you all your Irish and UK sports news - can be found here.
You can also check out our Irish Mirror GAA sports page.
The Irish Mirror Twitter account is @IrishMirror while our sports account is @MirrorSportIE.
Our Instagram account can be found here.


'Electionitics' - powered by Big Neuron - is an interactive web application that allows the user to visualize big data and deep analytics pertaining to the 2016 Presidential Election, which is collected from Twitter.
Data Processing
Tweepy API to pull Twitter data (realtime & batch processing)
Cassandra to ensure data persistence
Aynchronous data fetching
Data munching using NLTK, RegEx
Vector Space Model using Gensim
Scraping social network from Twitter
Data Analytics
Sentiment Analysis using IBM Tone Anayser
Emotion tone analysed for realtime data
Emotion, writing and social tone analysed for near-realtime & batch processed data
Topic Modelling
Graph analysis
Spark streaming
Visualizations
D3.js and Amcharts.js extensively used
Mapping both realtime and batch processed data to bar, pie aand area graphs
Barchart rendition of past 4 months tweet sentiments
Individual Pie chart display of top 20 tweets sentiments
Interactive Wordcloud of tags from near-realtime data
Interactive sentiment bar graphs of near-realtime data
Zoomable pack-layout of clustered topics
Force-directed graph for Follower Network
Emotion Tone bar graph of Realtime data using Spark


No fees, and 80% creation of coin. I presume 20% is the safety net / in case coin drops in value the cc will liquidate the holdings?
true. but, it is another user who will liquidate your holdings for a 5%(if instantly sold at market price) profit
I buy 10,000kmd, issue myself $8000 in stablecoins. If komodo rises, ie goes to say $5, I still only repay $10,000 to claim back 10,000kmd so no loss (minus tx fees)
you only have to repay $8000 to get back your 10,000 KMD if price goes up
However if komodo drops to say 80c, then my coins will be liquidated and I have $8000 in a stablecoin (holding 10,000kmd would have resulted in $8000 net position)
this is what happens
if komodo drops further say to 50c
it doesn't affect you as your KMD have already been liquidated
Would the stablecoin be abuseable?
it isn't abuse if someone uses something as it is intended. What you described is the intended behavior


DfE enquiries
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288
Press release
Work to begin at 3 schools as part of flagship school building programme.
Two schools in Newcastle and 1 in Durham hosted official turf cutting ceremonies today (Monday 1 June) to mark the start of construction work to replace school buildings in need of repair.
The 3 schools are among 31 across the north-east which will be rebuilt or refurbished under the first phase of the government’s priority school building programme ( PSBP ) - a £2.4 billion initiative to address the needs of 260 of the schools in England in the worst condition. They are:
Prudhoe High School, Newcastle, which will benefit from a new building, including a 4-court community sports hall, for 883 pupils as a result of its £14.6 million building project
Whitehouse Primary School in North Tyneside, Newcastle, which will receive a new building for 210 pupils through its £3.1 million building project
St Joseph RCVA Primary School in Coundon, Durham, which will receive a new building for 155 pupils, through its £2.1 million building project
Schools Minister Lord Nash said:
As part of our long-term economic plan we are investing in school buildings across the country, so we can transform the learning environment for tens of thousands of pupils and their teachers while delivering value for money for the taxpayer.
The start of construction work at Prudhoe High School, Whitehouse Primary School and St Joseph RCVA Primary School marks a key milestone for the Priority School Building Programme in Durham and Newcastle.
As part of this government’s commitment to social justice, we want all children, no matter what their background or where they live, to have access to the best possible schools and to learn in an environment that gives them the knowledge and skills to succeed in modern Britain. These new school buildings will provide modern, fit-for-purpose facilities for pupils and staff for many years to come.
Students and school staff were joined by council dignitaries, representatives from the Education Funding Agency ( EFA ) and the contractor, Sir Robert McAlpine, at each of today’s ceremonies.
At Prudhoe High School and Whitehouse Primary School new 2-storey school buildings will be built, while the existing buildings will be demolished to make way for playing fields. Work is due for completion at Prudhoe High School by early 2017 and at Whitehouse Primary School by autumn 2016.
At St Joseph RCVA Primary School, a new, single-storey school building will be built, and the existing building will be demolished to make way for playing fields. Work is due for completion by summer 2016.
Thanks to the PSBP , school buildings are being rebuilt faster and cheaper than those built under the previous school building initiative - building schools for the future ( BSF ). Under the BSF it took 3 years for construction work to begin. This was slashed to 1 year for the PSBP , with projects costing around a third less.
On 9 February 2015 the government announced details of the second phase of the PSBP , worth around £2 billion, which will see a further 277 school buildings rebuilt or refurbished, bringing the total to 537 schools to benefit over the life of the programme.
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288
Published: 2 June 2015
From: Department for Education Lord Nash
Part of: School building and maintenance


1 reference to Minutes
Microsoft.PowerShell.Commands.Utility (1)
commands\utility\NewTimeSpanCommand.cs (1)
122
result = new TimeSpan(Days, Hours,
Minutes
, Seconds);


--- layout: post title: 'I don''t understand the importance' date: 2004-12-08 00:00:00 category: mobile ---
I don't understand the importance of desktop search from mobiles, except for a very limited cross-section of the population. It's much like the ability to take Excel spreadsheets with you on your PDA; I'm sure a few people need it, but not as many people as buy the kit to do this sort of thing...
The emphasis on the desktop and the PC strikes me as a very US-centric view of mobile, crow-barring it into a well understood context rather than seeing it as something new.


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Below is an image that represents what i am
I like to think of myself as a force of nature,calming to look at or to think of yet danger waiting to happen,profound right?
check out what i have been upto
I was intrigued as to how different softwares work which led me to google which made me aware it was a whole course.i was really interested when i saw the salary associated with these kinds of jobs.
And here i am,eager to learn,clueless and appreciating the journey