This Week in Rust
Hello and welcome to another issue of This Week in Rust! Rust is a systems language pursuing the trifecta: safe, concurrent, and fast. This is a weekly summary of its progress and community. Want something mentioned? Send me an email! Want to get involved? We love contributions.
There were a surprising number of breaking changes this week. The libextra
dissolution continues. Condition
removal and the IO error overhaul also landed. rustpkg
was also removed, and
rustc’s CLI interface has changed. Additionally, Rust gained another
full-time developer! A big hello to Nick Cameron, I look forward to seeing his
work.
It was also discovered that we closed the second largest number of issues of any repository on GitHub! We trailed behind homebrew, which is almost cheating, because they use it to track issues on over five thousand packages. Good job everyone!
What’s cooking on master?
72 pull requests were merged this week.
Breaking Changes
- Some intrinsics have been
moved into
std::mem
, in preparations of the intrinsics no longer being publically exposed. - A soundness regression has been fixed.
char
now has range asserts. This may cause invalid uses ofchar
(using invalid values) to break.- The various traits in
std::fmt
now use&self
, rather than a separate parameter with an argument of type&Self
. @self
and@Trait
(managed trait objects) have been removed.rustpkg
has been removed.std::fmt::Default
has been renamed toShow
.- IO errors have been completely
overhauled, and no longer use
conditions. Alex wrote an
email
to the mailing list summarizing the changes. Especially take note of the
if_ok!
macro. - Conditions have been removed entirely. A detailed post-mortem is available on the pull request.
rustc
has seen some work on its interface. The output flags have been unified, replacing-c
,--emit-llvm
,-S
,--dylib
,--rlib
, etc with two arguments:--emit
and--crate-type
. There is another PR in the queue that replaces a bunch of miscellaneous flags behind-C
. It will likely land shortly, and is something to be aware of.NonCopyable
has been renamed toNoPod
to be consistent with the rest of the “marker types”.reserve
naming has been shuffled around slightly.reserve
becomesreserve_exact
andreserve_at_least
becomesreserve
.SendStr
has been removed in favor of aMaybeOwned
type.
As part of the libextra dissolution, the following crates have been introduced:
libcollections
, which has inheritedBitv
,BTree
,Deque
,DList
,List
,LruCache
,PriorityQueue
,RingBuf
,SmallIntMap
,TreeMap
, andTreeSet
.libgetopts
, which has inheritedextra::getopts
. Additionally,getopts::groups
is now the only interface. It has been moved up a level, into justgetopts
, and the old functions have been removed.libserialize
, which has inheritedextra::serialize
andextra::ebml
.libuuid
, which has inheritedextra::uuid
.libsemver
, which has inheritedextra::semver
.libterm
, which has inheritedextra::term
andextra::terminfo
.
All crates are still documented, and there is a list with links at http://static.rust-lang.org/doc/master/index.html.
Other Changes
- A
black_box
function has been added toextra::test
, and theiter
method on BenchHarness can now return values. As documented (generated version), these exist to make sure that LLVM will not optimize out benchmarks. - A
fourcc!
syntax extension has been added. - A
unimplemented!
macro has been added, used much the same asunreachable!()
. - The [runtime libraries have gained examples, and libgreen now has an explanation of how it is structured at a high level, specifically where concurrency and parallelism come from.
- A
from_utf8_lossy
function has been added that replaces invalid codepoints with the unicode replacement character (�). - Network streams are now
cloneable. This allows for
multiple tasks reading/writing a
TcpStream
. - A copy-on-write Arc container has been added to
libextra, though it’s now in
libcontainers
. - SIMD types are now allowed in generics.
- A new mutex type that plays well with the various runtimes has been implemented. It is in the same ballpark as native, pthread mutexes.
New Contributors
- Arcterus
- Cole Mickens
- Colin Sherratt
- HeroesGrave
- Ivan Enderlin
- James Deng
- João Souls
- Marek Šuppa
- Q.P.Liu
- Yuri Kunde Schlesner
Weekly Meeting
The weekly
meeting
discussed adding a libprim
, operator overloading, and the 1.0 goals for
LLVM.
Meetups
- There will be a meetup in Paris, on February 25, from 18:30 to 23:30.
- Bay Area Rust will be meeting February 25, at 19:00 in San Francisco. David Renshaw will be talking about Cap’ Proto, Steven Fackler will be talking about exportable macros, and Kevin Cantu about testing.
This Week in Servo
Servo is a web browser engine written in Rust and is one of the primary test cases for the Rust language.
This week, we landed 14 PRs, but there are a substantial number of very close pending PRs that add major layout features to Servo (e.g., lists markers, tables, initial pseudo-class and pseudo-element support).
Notable additions
- Bruno Abinader continued with his great DOM additions in #1634 and #1622 and #1604
- Patrick Kim fixed borders on inline boxes in
#1577 and landed
position:relative
support in #1613 - Patrick Walton further improved layout performance in #1630 and #1615
- Adrien Bustany fixed
insertBefore
in #1621 - Lars Bergstrom landed reftest stabilization fixes in #1623 – we are almost ready to gate landing commits on content and ref tests passing on Linux, once we get more fonts installed on our Linux buildbots
New contributors
- Adrien Bustany (abustany)
Meetings
In this week’s meeting, we mainly discussed display list construction with respect to layering and stacking contexts.
Josh Matthews’ talk on Servo at FOSDEM is available here.
Announcements, etc
- Lazily initialized statics
- Rust gains a new full-time developer, Nick Cameron.
- Handling I/O Errors
- Pure-Rust Adler32 and CRC32
- Closures and the borrow checker
- Pure-Rust LZW Compression Algorithm
- Rust by Example: Default arguments, etc
- Standalone rust app
- IDE support?
- Playing with the new Rust I/O error handling
- Another failed attempt at parser combinators
- A case for reflection in Rust
- A persistent map implementation, like in Clojure and Scala, with performance numbers.


-------------------------------
Template Binding Directive
Isolation Directive
DOM Manipulation through link option


Created by Jane Dimeski / Aleksandar Dimeski / Luka Verigic / Ilinka Stavrova / Zlatko Georgievski / Stefan Taushanov /
Astronaut Chris Hadfield in a conversation with Adam Savage and Jamie Hyneman from “Mythbusters“ has says:
“The food up here is good. But you miss the smell of food coocking because we just reheat everything in packages. And then you miss food with texture, a lot of our food is like baby food, so you miss something that's really crunchy!”


Please note that your document should contain all the necessary information needed and also include your budget for this project


@remarks ArrayList accepts allows duplicate elements.
This property provides the ability to access a specific element in the collection by using the following syntax: MyCollection(index)
.
ArrayList implements Item as the default property.
Retrieving the value of this property is an O(1) operation; setting the property is also an O(1) operation.
@exceptions| Exception | Condition |
|---|---|
| ArgumentOutOfRangeException |
Index is less than zero. -or- Index is equal to or greater than Count. |
Private Sub Main() Dim List As New ArrayList Dim Item As Variant List.AddRange Array("My", "name", "is", "Earl") Debug.Print "The list contains:" Debug.Print vbTab; List(0) Debug.Print vbTab; List(1) Debug.Print vbTab; List(2) Debug.Print vbTab; List(3) End Sub ' The example produces the following output. ' ' The list contains: ' My ' name ' is ' Earl


auto:true,
autoDelay: 6000,
easingCarousel: "swing",
easingDetails: "easeOutBack",
durationCarousel: 1000,
durationDetails: 600
0.2 - Tested and fixed for IE6+, auto loops, manual pause/play controls
0.3 - Now with seamless looping!
As you can see pretty much any html can go in the panels from your CMS, you just need to format them with CSS
It's fairly simple to get this going, just copy and paste markup from this file if need be.
01. The easiest thing you can do is download the quick start pack and modify as you wish :)
02. If you don't want to do that then you can take the elements individually and build them into an existing site. Start by getting all of the dependant files that are listed up top, including dualSlider.
03. You will also need some CSS to get this going, or it won't work at all. To get started just copy it from jquery.dualSlider.0.3.css.
04. Now include all of these files in the <head> of your html document .
05. Once this is all done you need to get the markup onto the page, you can view the source of this document to get an idea of how that works, it can either be static or come out of a database, but thats up to you. If it's out of a database no worries, the paging is built dynamically by the plugin.
06. Initialise the plugin as per previously given, view source for an example.
07. and relax...


{% extends "base.html" %} {% block title %}{{ block.super }}Page not found{% endblock title %} {% block body %}
No page matching the URL {{ request_path }} was found.


Sorry, your browser does not support the technologies needed to use our web interface. Please make sure you have the latest version, and that JavaScript is enabled. Learn more about our browser requirements.


Trip-Split is made up of hundreds of smart, creative, and inspired humans working to fundamentally change how friends spend time together.


The bars represent the four most popular start and stop stations, in their respective cards. The length of the bar implies the popularity, thus the longer, the more popular. This exact metric is better visualized in the two different heatmaps on the 'Home' page, so I would recommend referring to that as well.
An interesting thing to look at here is that most popular start stations differ from the most popular stop stations. This means that the bikes are constantly being redistributed across the city, which can potentially cause problems from the business (i.e. lack of bikes at one station). Another interesting bit is that most of these stations are near the center of the downtown area and near landmarks as well. So in terms of redistribution, it would be potentially be beneficial to place bikes near these locations. More analysis can deal clearer and more concrete results.
As show in the flip card, average distance traveled is around three and a half miles. This distance is calculated using simple spatial trigonometry, yielding the magnitude of the direct line between two coordinate points on a spherical surface. Many assumptions and simplifications are made in this process. First off, an simplification was made in the assumption that the Earth is a perfect sphere. Furthermore, any sort of road system is ignored, which would end up increasing this average distance number because any path that is not direct is not the shortest. However, in the simplification, a number able to somewhat represent this metric is acquired, and can be used for comparison with other datasets for different periods of time.
The average number of users is acquired by aggregating all rides in the data set excluding any rides categorized under the Walk-up section (this is because of the assumption that Walk-up users do not use the system continuously, as it is financially unsound). This number is then divided by the total number of work days in the period of time the data set is placed in, 182 days. There are a total of 84 holiday/weekend days that are not being counted as days a "Regular" rider would use their Bike Share pass. This number is a very rough estimate with a large margin of error. A more refined data set with a field such as "User ID" would lead to much more accurate results.
The following metric is much more grounded in reality and is calculated with a great amount of certainty. Given this number, and the average distance traveled per ride, an estimate can be made that the average bike speed is {{avgSpeed}} mph. According to google, average bicycle speeds are around 9.6 mph for adults on a leisurely ride. Therefore a somewhat educated guess can be formulated that the user base consists of both leisure riders and riders who use the bicycles are a mode of transportation, leaning more towards the leisure riders, which may make up a large portion of the Walk-up subsection.


The usual error analysis of the SVD algorithms xGESVD and xGESDD in LAPACK (see subsection 2.3.4) or the routines in LINPACK and EISPACK is as follows [25,55]:
The SVD algorithm is backward stable. This means that the computed SVD, , is nearly the exact SVD of A+E where , and p(m,n) is a modestly growing function of m and n. This means is the true SVD, so that and are both orthogonal, where , and . Each computed singular value differs from true by at most
(we take p(m,n)=1 in the code fragment). Thus large singular values (those near ) are computed to high relative accuracy and small ones may not be.
There are two questions to ask about the computed singular vectors: ``Are they orthogonal?'' and ``How much do they differ from the true eigenvectors?'' The answer to the first question is yes, the computed singular vectors are always nearly orthogonal to working precision, independent of how much they differ from the true singular vectors. In other words
for .
Here is the answer to the second question about singular vectors. The angular difference between the computed left singular vector and a true ui satisfies the approximate bound
where is the absolute gap between and the nearest other singular value. We take p(m,n)=1 in the code fragment. Thus, if is close to other singular values, its corresponding singular vector ui may be inaccurate. When n < m, then must be redefined as . The gaps may be easily computed from the array of computed singular values using function SDISNA. The gaps computed by SDISNA are ensured not to be so small as to cause overflow when used as divisors. The same bound applies to the computed right singular vector and a true vector vi.
Let be the space spanned by a collection of computed left singular vectors , where is a subset of the integers from 1 to n. Let be the corresponding true space. Then
where
is the absolute gap between the singular values in and the nearest other singular value. Thus, a cluster of close singular values which is far away from any other singular value may have a well determined space even if its individual singular vectors are ill-conditioned. The same bound applies to a set of right singular vectors 4.1.
In the special case of bidiagonal matrices, the singular values and singular vectors may be computed much more accurately. A bidiagonal matrix B has nonzero entries only on the main diagonal and the diagonal immediately above it (or immediately below it). xGESVD computes the SVD of a general matrix by first reducing it to bidiagonal form B, and then calling xBDSQR (subsection 2.4.6) to compute the SVD of B. xGESDD is similar, but calls xBDSDC to compute the SVD of B. Reduction of a dense matrix to bidiagonal form B can introduce additional errors, so the following bounds for the bidiagonal case do not apply to the dense case.
Each computed singular value of a bidiagonal matrix is accurate to nearly full relative accuracy, no matter how tiny it is:
The following bounds apply only to xBDSQR. The computed left singular vector has an angular error at most about
where is the relative gap between and the nearest other singular value. The same bound applies to the right singular vector and vi. Since the relative gap may be much larger than the absolute gap, this error bound may be much smaller than the previous one. The relative gaps may be easily computed from the array of computed singular values.
In the very special case of 2-by-2 bidiagonal matrices, xBDSQR and xBDSDC call auxiliary routine xLASV2 to compute the SVD. xLASV2 will actually compute nearly correctly rounded singular vectors independent of the relative gap, but this requires accurate computer arithmetic: if leading digits cancel during floating-point subtraction, the resulting difference must be exact. On machines without guard digits one has the slightly weaker result that the algorithm is componentwise relatively backward stable, and therefore the accuracy of the singular vectors depends on the relative gap as described above.
Jacobi's method [34,99,91] is another algorithm for finding singular values and singular vectors of matrices. It is slower than the algorithms based on first bidiagonalizing the matrix, but is capable of computing more accurate answers in several important cases.


[gecode-users] Copying spaces
Mikael Zayenz Lagerkvist
zayenz at kth.se
Wed Feb 4 09:18:56 CET 2009
Hi,
You shouldn't use the copy-function directly, it is only part of the
process of cloning a space. To make a clone of a space you should call
the clone-member in Space. Thus, you should change
Space *copySpace = space->copy(true);
to
Space *copySpace = space->clone(true);
Cheers,
Mikael
On Wed, Feb 4, 2009 at 9:06 AM, Malcolm Ryan <malcolmr at cse.unsw.edu.au> wrote:
> What is the correct way to create a copy of a space? I'm confused by
> the behaviour of the following example:
>
> class MySpace: public Space {
> private:
> IntVar x;
> public:
> MySpace() : Space(), x(this, 1, 4) {}
>
> MySpace(bool share, MySpace& old) : Space(share, old) {
> x.update(this, share, old.x);
> }
>
> Space* copy(bool share) {
> return new MySpace(share, *this);
> }
>
> virtual ~MySpace() {}
> };
>
> void CompletePlanVarTest::testUpdate0() {
>
> MySpace *space = new MySpace();
> cout << "Status: " << space->status() << endl;
>
> Space *copySpace = space->copy(true);
> cout << "Status: " << copySpace->status() << endl;
> }
>
> The output is:
>
> Status: 1
> Status: 0
>
> That is the first space is solved (because it has no branchings) but
> the second space has failed. Why?
>
> Is this not the right way to copy a space? Or have I implemented the
> space wrongly?
>
> Malcolm
>
> _______________________________________________
> Gecode users mailing list
> users at gecode.org
> https://www.gecode.org/mailman/listinfo/gecode-users
>
--
Mikael Zayenz Lagerkvist, http://www.ict.kth.se/~zayenz/
More information about the gecode-users
mailing list


{% trans "The Medizinische Dienst der Krankenkassen inspects a sample of patients in each nursing home." %}
{% if object.any_red_flag %}
{% if object.red_flag_food %}
{% trans "This home didn’t get all points in the category malnutrition." %}
{% trans "This can be a clue that there have been problems in the past." %}
{% endif %}
{% if object.red_flag_decubitus %}
{% trans "This home didn’t get all points in the category caring for patients with bedsores." %}
{% trans "This can be a clue that there have been problems in the past." %}
{% endif %}
{% if object.red_flag_pain %}
{% trans "This home didn’t get all points in the category pain-therapy." %}
{% trans "This can be a clue that there have been problems in the past." %}
{% endif %}
{% if object.red_flag_medicine %}
{% trans "This home didn’t get all points in the category medical treatment." %}
{% trans "This can be a clue that there have been problems in the past." %}
{% endif %}
{% if object.red_flag_incontinence %}
{% trans "This home didn’t get all points in the category caring for patients with incontinence." %}
{% trans "This can be a clue that there have been problems in the past." %}
{% endif %}
{% else %}
{% trans "This home got all points in all the categories we analyzed." %}


What each mouse action does in Selection mode
|
Click |
Drag |
Roll |
| Left Button |
- Define new selection with object
- Click+Shift: Add elements to existing selection set
-
Click+Control: Previously unselected elements are added to the selection set.
Previously selected elements are removed from the selection set.
|
- Define a rectangular area to choose the elements for a new selection set.
- Drag+Shift: Define a rectangular area to add elements to the existing selection set.
- Drag+Control: Define a rectangular area to add unselected elements to the selection set, and to remove selected elements from it.
|
|
| Center Button |
- Click an element to set the center of rotation.
- Click the background area to reset the center of rotation.
|
- Rotates graph around the current center of rotation
|
- Rotate Up: Zoom in
- Rotate Down: Zoom out
|
| Right Button |
- Click over an element: display node/connection context menu
- Click over background: display graph context menu
|
- Position cursor in background area to perform pan action.
- Position cursor over a selected element to move all the selected elements.
- Position cursor over an unselected element to move that element and all the selected elements.
- Drag+Control: Always perform a pan action regardless of the position of the cursor.
|
|


If you wish to call Prolog back from a signal handler or a thread other
than the thread that called SP_initialize()
, that is, the
main thread, you cannot use SP_query()
etc. directly.
The call to Prolog has to be delayed until such time that the Prolog
execution can accept an interrupt and the call has to be performed from
the main thread (the Prolog execution thread). The function
SP_event()
serves this purpose, and installs the function
func
to be called from Prolog (in the main thread) when the
execution can accept a callback.
A queue of functions, with corresponding arguments, is maintained;
that is, if several calls to SP_event()
occur before Prolog can
accept an interrupt, the functions are queued and executed in turn at
the next possible opportunity. A func
installed with
SP_event()
will not be called until SICStus is actually
running. One way of ensuring that all pending functions installed with
SP_event()
are run is to call, from the main thread, some dummy
goal, such as,
SP_query_cut_fail(SP_predicate("true",0,"user"))
.
While SP_event()
is safe to call from any thread, it is not safe
to call from arbitrary signal handlers. If you want to call
SP_event()
when a signal is delivered, you need to install your
signal handler with SP_signal()
(see below).
Note that SP_event()
is one of the very few functions in
the SICStus API that can safely be called from another thread than the
main thread.


|
TexiScript
1.0.0
A tool that can generate textures using a simple scripting language.
|
Public Member Functions | |
| Scope () | |
| void | importPackage (CodePosition pos, String packageName) throws SemanticException |
| void | reset () |
| Generator | getConstant (CodePosition pos, String name) throws SemanticException |
| Function | getFunction (CodePosition pos, String name) throws SemanticException |
| void | createConstant (CodePosition pos, String name, Generator value) throws SemanticException |
| Iterable< Map.Entry< String, Generator > > | listLocalVariables () |
Execution scope.
Definition at line 27 of file Scope.java.
| cz.zdepav.school.texiscript.script.runtime.Scope.Scope | ( | ) |
Constructs a scope and initializes it with the standard library.
Definition at line 36 of file Scope.java.
| void cz.zdepav.school.texiscript.script.runtime.Scope.createConstant | ( | CodePosition | pos, |
| String | name, | ||
| Generator | value | ||
| ) | throws SemanticException |
Adds a variable / constant.
| pos | current position in the script |
| name | variable name |
| value | variable value |
| SemanticException | When name is not valid, contains a package name or does not belong to a constant. |
Definition at line 204 of file Scope.java.
| Generator cz.zdepav.school.texiscript.script.runtime.Scope.getConstant | ( | CodePosition | pos, |
| String | name | ||
| ) | throws SemanticException |
Gets value of a constant.
| pos | current position in the script |
| name | variable name, can include package name |
| SemanticException | When the given name does not belong to a constant. |
Definition at line 80 of file Scope.java.
| Function cz.zdepav.school.texiscript.script.runtime.Scope.getFunction | ( | CodePosition | pos, |
| String | name | ||
| ) | throws SemanticException |
Gets a function.
| pos | current position in the script |
| name | function name, can include package name |
| SemanticException | When the given name does not belong to a function. |
Definition at line 140 of file Scope.java.
| void cz.zdepav.school.texiscript.script.runtime.Scope.importPackage | ( | CodePosition | pos, |
| String | packageName | ||
| ) | throws SemanticException |
Imports a package.
| pos | current position in code |
| packageName | name of package to import |
| SemanticException | When the requested package does not exist. |
Definition at line 59 of file Scope.java.
| Iterable<Map.Entry<String, Generator> > cz.zdepav.school.texiscript.script.runtime.Scope.listLocalVariables | ( | ) |
Iterates over all local constants (variables).
Definition at line 574 of file Scope.java.
| void cz.zdepav.school.texiscript.script.runtime.Scope.reset | ( | ) |
Resets the scope to the state equal to constructing a new one.
Definition at line 67 of file Scope.java.


{% extends "base.html" %} {% block body %}
This example doesn't have anything to see in the browser. Set up your webhook on the Nylas Developer console, and then watch your terminal to see the webhook notifications come in.
Your webhook URL is:
{{ ngrok_url }}{{ url_for("webhook") }}
Once you've received at least one webhook notification from Nylas, you might want to check out the ngrok web interface. That will allow you to see more information about the webhook notification, and replay it for testing purposes if you want.
{% endblock %}


Namespace com.freeclimb.percl
Classes
AddToConference
AddToConference PerCL command.
CreateConference
CreateConference PerCL command.
Dequeue
Dequeue PerCL command.
Enqueue
Dequeue PerCL command.
GetDigits
GetDigits PerCL command.
GetSpeech
GetSpeech PerCL command.
Hangup
Hangup PerCL command.
OutDial
OutDial PerCL command.
Pause
Pause PerCL command.
PerCLCommand
The PerCLCommand class is a base class from which classes representing various PerCL commands can be built.
PerCLScript
The PerCLScript class represents a PerCL script to be returned to the FreeClimb servers in FreeClimb applications. PerCLScript is a List of PerCLCommands.
Play
Play PerCL command.
PlayEarlyMedia
PlayEarlyMedia PerCL command.
RecordUtterance
RecordUtterance PerCL command.
Redirect
Redirect PerCL command.
RemoveFromConference
RemoveFromConference PerCL command.
Say
Say PerCL command.
SendDigits
SendDigits PerCL command.
SetListen
SetListen PerCL command.
SetTalk
SetTalk PerCL command.
Sms
Sms PerCL command.
StartRecordCall
StartRecordCall PerCL command.
TerminateConference
TerminateConference PerCL command.
Interfaces
IGetDigitsNestable
General GetDigits nestable interface
IGetSpeechNestable
General GetSpeech nestable interface


welcome!

The only universal human word is "Uh?". Find the reference
here
.


Personal Information
First Name:
Last Name:
DCI #:
Event Information
Event:
Event Date:
Event Location:
Deck Information
Deck Name / Archetype:
Deck Designer:
Main Deck:
(Pro tip: You can simply paste in MTGO, MWS, MTG Salvation, Deckbox "Print", or Tappedout "Text" decks without separating out the sideboard!)
Sideboard:
Deck Sort Order
Alphabetically
CMC
Color (recommended)
Numerically
Original
Type
Decksheet Format
WotC
SCG
Decklist Preview
Decklist contains <60 cards.
Decklist contains >60 cards.
Status


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Brian Valentine talks Windows Server 2003
Here. From Keith Wedinger: Interview with Brian Valentine, Senior Vice President of the Windows team at Microsoft regarding the development of Windows Server 2003. What's interesting is Brian's comment about the possible use of managed code within Windows itself.


Foundation 6 is here!
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Hidden in the depths of me,
there are things she’ll never see,
I suppose that of the lows,
she’ll only ever know the prose.


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The View Menu
- Fit
- Zoom Out
- Zoom In
- Insert Glyph Before...
- Insert Glyph After...
- Replace Glyph...
- Next Glyph
- Prev Glyph
- Next Defined Glyph
- Prev Defined Glyph
- Former Glyph
- Substitutions
- Goto
- Layers
- Find In Font View
- Show ATT
- Display Substitutions
- Combinations
- Label Glyph By
- View H. Metrics...
- View V. Metrics...
- 32x8 cell window
- 16x4 cell window
- 8x2 cell window
- 24 pixel outline
- 36 pixel outline
- 48 pixel outline
- 72 pixel outline
- 96 pixel outline
- AntiAlias
- Vertical
- Fit To Em
- Bitmap Magnification...
- <list of bitmap pixel sizes, if any>
- Show Grid
- Show
- Partial
- Hide when Moving
- Hide
- Outline
- Number Points
- None
- TrueType
- PostScript
- SVG
- Grid Fit
- Show
- Points
- Control Point Info
- Extrema
- Almost Horizontal/Vertical Lines
- Almost Horizontal/Vertical Curves
- (Define Almost)
- Points of Inflection
- Side Bearings
- Fill
- Palettes
- Glyph Tabs
- Rulers
- Horizontal Hints
- Vertical Hints
- Diagonal Hints
- BlueValues
- FamilyBlues
- Anchors
- Horizontal Metrics
- Vertical Metrics
- Snap Outlines to pixel grid
- Bigger Pixel Size
- Smaller Pixel Size
- Show/Hide Rulers
Fit
In the outline and bitmap views this will scale the current glyph to the largest setting where it all fits in the view.
Zoom Out
Not in the font view. Centered on the middle selection if there is one, else the middle of the view.
Zoom In
Not in the font view. Centered on the middle selection if there is one, else the middle of the view.
Next Glyph
In the metrics, outline and bitmap view this changes the current glyph to be the next one in the font.
In the font view this selects the next glyph in the font (and scrolls, if necessary, to display that glyph).
Prev Glyph
In the metrics, outline and bitmap view this changes the current glyph to be the previous one in the font.
In the font view this selects the next glyph in the font (and scrolls, if necessary, to display that glyph).
Next Defined Glyph
Similar to Next Glyph, except it moves to the next glyph defined in the font.
Prev Defined Glyph
Similar to Prev Glyph, except it moves to the previous glyph defined in the font.
Former Glyph
Changes the glyph window to look at whatever glyph was being edited there before this one (one level of history).
Substitutions
Brings up a sub menu showing all the GSUB type 1 and type 3 substitutions (simple and alternate) you have defined for the selected glyph and allows you to change the glyph as directed by the substitution. Also contains an entry to return you to the original glyph.
Substitutions may be set with the Element->Glyph Info command.
Goto
Replace Glyph...
In the Font, Outline, Bitmap and Metrics views this brings up a dialog in which you may type either:
- A name of a glyph in the current font
- A number (in either decimal or hex) indicating the glyph you are interested in, in the current encoding
- A hex number ,preceded by "U+" or "uni" or "u", indicating the character you are interested in in unicode.
- A decimal number, preceded by "glyph" ,indicating the glyph index in the original glyph list.
- A ku ten representation of a CJK font (two comma separated numbers)
- A standard name (which need not be used in the current font) but which can be mapped to a unicode value.
- For 2/4 byte encodings you will also be shown a pull-down list of unicode ranges (Things like "Greek", "Katakana", "Hangul Compatibility Jamo") and you can select one of the range names.
- Arabic letters may also be named as:
afii57442.isolated
or0x642.initial
- A single unicode character
In the font view the view will scroll so that this glyph is visible and it will be selected
In the bitmap, outline and metrics views, the current glyph will change to be the one specified.
Insert Glyph Before...
Insert Glyph After...
In the metrics view this brings up a dialog similar to the previous one allowing you to enter a glyph by name or encoding either before or after the currently selected position.
Layers
A submenu which only appears in the font view. It lets you chose which layer to display in the font view.
Find In Font View
In the outline, bitmap and metrics views this will scroll the associated font view so that the current glyph is displayed (and selected) in the fontview.
Show ATT
Only in the font view. Brings up a dlg showing the advanced typographic tables (GPOS/GSUB or morx/kern) that FontForge supports.
Display Substitutions
Only in the font view. This allows you to select a simple substitution, any glyph with that substitution attached will be displayed as the substituted glyph. Any glyph without such a substitution will be left blank. Double clicking on a glyph will either go the substituted version or will create a substituted version and go to that. (However almost no other commands will be aware of this mapping, which will probably be confusing).
Combinations
A submenu containing
Kern Pairs
This brings up a dialog showing all kerning pairsin the current font (or, if invoked from the outline glyph view, a list of all kerning pairs involving that glyph). You may alter kerning pairs here too.
Anchored Pairs
This may have a sub-menu of its own containing all the anchor classes for this font and an entry "All". You may choose to see all combinations of glyphs from a given anchor class, or all combinations from all anchored classes.
If invoked from the outline glyph view it will provide a list of all anchored combinations involving that glyph.
Selecting a combination and double clicking on it will bring up an Anchor Controldialog.
Anchor Control
Only in the outline view. Has a submenu of all anchor points in this glyph. Selecting one brings upt the Anchor Control dialog.
Anchor Glyph at Point
Only in the outline view. Allows you to attach and display another glyph at the selected anchor point.
Ligatures
This brings up a dialog showing the names of all ligatures and of the glyphs that compose them (if invoked from the outline glyph view, a list of all ligatures containing that glyph). Double clicking on an entry will bring up a window showing that ligature.
Label Glyph By
In the font view each glyph has a label above it. This may be either:
- An image of the glyph (from a conventional font)
- The name of the glyph
- The unicode code point associated with the glyph
- The glyph's encoding (in hex)
Note that when the glyphs are small (the 24 pixel view, for example) there may not be room for the entire name of each glyph (or even for the encoding), so the labels may be truncated.
View H. Metrics...
In the font view this will control which of the horizontal metrics lines are draw across the displayed glyphs. In the outline glyph view the same functionality is available from one of the palettes. See the font view for more information
View V. Metrics...
In the font view this will control which of the vertical metrics lines are draw across the displayed glyphs. In the outline glyph view the same functionality is available from one of the palettes. (This will be greyed out if your font does not have vertical metrics in it). See the font view for more information
32x8 cell window
In the font view you may explicitly set the window size so that there are 32 glyph cells horizontally and 8 vertically.
16x4 cell window
In the font view you may explicitly set the window size so that there are 16 glyph cells horizontally and 4 vertically.
8x2 cell window
In the font view you may explicitly set the window size so that there are 8 glyph cells horizontally and 2 vertically.
24 pixel outline
In the font view you may choose how large you want the rasterized representation of the outline view to be. The default is to rasterize it on a 24 pixel block. If this item is checked then a 24 pixel version of the outline font is displayed, selecting it will display a 24 pixel version of the font.
(Exactly one em-square of the glyph will be displayed, if the glyph extends above the ascent or below the descent those features will be clipped)
36 pixel outline
Similar to the above but for a 36 pixel version.
48 pixel outline
Similar to the above but for a 48 pixel version.
72 pixel outline
Similar to the above but for a 72 pixel version.
96 pixel outline
Similar to the above but for a 96 pixel version.
AntiAlias
Only in the font and metrics view. Toggles between whether the font displayed in the view is a bitmapped font or an anti-aliased font. An Anti-aliased font shows levels of grey rather than just black and white. It often looks better than a bitmap, but it is slower to generate and draw.
Vertical
Only in the metrics view. Toggles between displaying horizontal and vertical metrics. (Only available if Element->Font Info->General->Has Vertical Metrics is set).
Fit To Em
Only in the font view. The fontview will either display glyphs scaled so that the font's bounding box fits in the window, or so that the em fits in the window. The advantage of the first method is that you see all of each glyph, the advantage of the second is that you can see how the letter sizes compare from font to font.
(This is something of a simplification. In bounding box mode the displayed font is scaled so that the vertical size (as found in the bounding box) fits it the window. Very wide glyphs will still not fit horizontally. Also the scaling is not updated when glyphs change, if you have changed the maximum bounds of the font you might want to force a rescale by toggling this mode)
Bitmap Magnification...
In the font view. When displaying a bitmap font it is sometimes desirable to look at the font with a greater magnification than normal.
<list of bitmap pixel sizes, if any>
In the font view or metrics view there is a list of all generated bitmap fonts. You may select to have one of them displayed in the view rather than a rasterized version of the outline font. If one is checked then that one is currently displayed, if you select one then it will be displayed.
In CID keyed fonts this list will not be present.
If your font database includes some greymap fonts then these will be listed here too, as usual they will be displayed as <pixel-size>@<bits-per-pixel>
Show/Hide Grid
In the Metrics View this entry allows you to turn on or off the lines marking the edges of the glyphs on display. There are 4 levels
- Show Grid -- Always show the full grid lines
- Partial Grid -- Show short lines at the top and bottom of the window so the line will not be distracting when examining spacing
- Hide when moving -- Show the full grid line normally, but it will vanish while the user adjusts spacing with the mouse
- Hode Grid -- Always hide the grid.
Outline
In the Metrics View this will be checked when the outline font is bring displayed. Selecting it will display the outline font (rather than a bitmap font).
Number Points
In the Outline view, this small sub-menu allows you to control whether point numbers are displayed next to points in the foreground view. This is primarily for TrueType, where the instructions use these numbers to refer to the points when they do grid-fitting. The numbering scheme is a little different depending on what the expected output (input) will be, so we have a sub-menu listing output types.
Show Grid Fit
Show Grid Fit
In the Outline view and only if the freetype library is available. Brings up a dialog which allows you to control whether a grid fit version of the splines in the font is displayed.
Bigger Point Size
In the Outline view, if grid fitting is turned on, this will increase the point size (note, this is slightly different from increasing the pixel size).
Smaller Point Size
In the Outline view, if grid fitting is turned on, this will decrease the point size.
Anti-Alias
In the Outline view, if grid fitting is turned on, this will toggle whethe the display is in anti alias mode.
Off
Turns off grid fitting.
Show
This submenu is only in the outline glyph view.
Points
This hides or displays the points in the outline glyph view.
Show Control Point Info
In the Outline view, when you move a control pointthis mode pops up a little window showing various bits of information about the control point you are editing.
Extrema
In the Outline view, in postscript and truetype fonts (in almost all cases) should have their horizontal and vertical extrema at the endpoints of splines. This setting will mark extremal endpoints by coloring them a dull purple to remind you that you should not delete them. If an extremum occurs somewhere other than an end point a crosshair will be drawn around it. You might consider doing Element->Add Extremain this case (or you might not, this can be ok in some cases).
Points of Inflection
In the Outline view, points of inflection occur where the change in the slope of the curve (second derivative) changes sign. Quadratic splines (truetype) cannot represent points of inflection. If you have a postscript font which you intend to convert to truetype it can be helpful to know where these difficult points lie. (the cubic->quadratic approximation routines will often add intermediate points at these points of inflection)
Almost Horizontal/Vertical Lines
If a line is almost, but not quite horizontal or vertical then draw the line in a different color to show visually that it should be fixed.
Almost Horizontal/Vertical Curves
If a curve is almost, but not quite horizontal or vertical at one of its endpoints then draw little tick marks at the end point to indicate this.
(Define Almost)
Define what "almost" means, as used in the above two commands.
Side Bearings
Draws little lines to mark the left and right side bearings of a glyph.
Fill
In the Outline view this fills in the glyph outline as you edit it. (this can be very slow. If the glyph is too big (too magnified) then filling will not be done).
Palettes
Tools
If this item is checked then the tools palette (in the outline and bitmap views) is visible. Selecting it toggles whether the palette is visible or not.
Layers
If this item is checked then the layers palette (in the outline and bitmap views) is visible. Selecting it toggles whether the palette is visible or not.
Shades
Only in the bitmap view, and only if editing grey-scale (anti-aliased) fonts. Controls whether the shades of grey palette is visible or not.
Dock Palettes
Allows you to control whether you want the palettes free standing or docked in the current view.
The window manager under gnome does not handle this properly. If you want docked palettes under gnome: Open a window with palettes, select docked palettes (the palettes will not dock), close the window, reopen the window. The palettes are now docked and should be from here on.
Glyph Tabs
Controls whether the outline glyph view has a set of tabs of past glyphs viewed in that window.
Rulers
In the Glyph Outline View toggles whether rulers appear at the top and to the left of the editing area.
Horizontal Hints
Controls whether horizontal hints are visible
Vertical Hints
Controls whether vertical hints are visible
Diagonal Hints
Controls whether diagonal hints are visible
BlueValues
Controls whether the glyph's PostScript BlueValues are visible
FamilyBlues
Controls whether the glyph's PostScript FamilyBlues are visible.
Anchors
Controls whether Anchor points are visible
Horizontal Metrics
Controls whether horizontal metrics lines (the width line) are visible.
Vertical Metrics
Controls whether vertical metrics lines (the vertical advance line) are visible.
Snap Outlines to Pixel Grid
Cairo can draw contours with sub-pixel resolution -- which means that if a spline's end point falls somewhere between two pixels then cairo will draw a bit of the contour on both pixels this leads to an often undesirable level of fuzziness. In some sense it provides a more accurate indication of where the spline goes. This menu item can be used to turn that on and off.
Bigger Pixel Size
In the bitmap view this displays the current glyph in next larger bitmap font (if there is one)
Smaller Pixel Size
In the bitmap view this displays the current glyph in next smaller bitmap font (if there is one)


Onion Prices Ease In Delhi As Produce Arrives From Afghanistan, Turkey Along With Local Crop
by IANSWholesale prices of onion eased in Delhi on Monday (9 December) after an increase in local produce arrivals as well as the bulb sourced from the overseas.
"Around 24,000 bags of onion, each containing 55 kg of the crop, arrived at the Azadpur mandi that brought down the prices as compared to the previous week," Rajendra Sharma, president Onion Merchant Association told IANS.
Azadpur mandi is the biggest vegetable market in the country.
Apart from domestic produce, around 200 tonnes of imported onion also arrived at the mandi on Monday, he added.
Wholesale prices of onion were quoted in between Rs 50-75 per kg at the mandi on Monday. Hence, prices were down by Rs 5 per kg against the previous week, a source said.
Onion from Afghanistan and Turkey was also arrived here, the source said.
"Over 80 trucks of onion came from Afghanistan in past two days. A large quantity of Afghani onion is being supplied in the border state of Punjab," the source said.
(This story has been published from a wire agency feed without modifications to the text. Only the headline has been changed.)


This process will link your book in BookLib to a book in the Goodreads
database.
All data that you edit will not affect the Goodreads book entry and
will only be seen by yourself.
Select which information you want to keep and which you want to overwrite with data from Goodreads.


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|
RTMHA Library
2020a
The Master Hearing Aid Algorithms for the OSP System.
|
Freping Class. More...
#include <freping.hpp>
Public Member Functions | |
| freping (int allpass_chain_len, int frame_size, float alpha, float *window, int freping_on_off) | |
| Freping constructor. More... | |
| ~freping () | |
| Freping destructor. | |
| void | get_params (float &alpha, int &freping_on_off) |
| Get the parameter alpha. More... | |
| void | set_params (float alpha, int freping_on_off) |
| Set the parameter alpha. More... | |
| void | freping_proc (float *in, float *out) |
Protected Member Functions | |
| void | overlap_add (const float *in, float *out) |
| void | allpass_chain (float *in, float *out, float alpha_, float coeff_) |
| The all-pass chain which has the length of allpass_chain_len. More... | |
| void | windowing (const float *in, float *out) |
Freping Class.
This freping class provides frequency warping feature in real-time. Please refer to the following paper for details. Ching-Hua Lee, Kuan-Lin Chen, fred harris, Bhaskar D. Rao, and Harinath Garudadri, "On mitigating acoustic feedback in hearing aids with frequency warping by all-pass networks," in Annual Conference of the International Speech Communication Association (Interspeech), 2019.
Definition at line 44 of file freping.hpp.
|
explicit |
Freping constructor.
| [in] | allpass_chain_len | The length of the all-pass chain |
| [in] | frame_size | The frame size of the caller (the real-time system) |
| [in] | alpha | The parameter to control the degree of frequency warping (1.0>=alpha>=-1.0) |
As long as this is true we don't need circular buf function
Definition at line 29 of file freping.cpp.
|
protected |
The all-pass chain which has the length of allpass_chain_len.
| [in] | in | The input frame which has the same size of the output frame (e.g., 128 samples) |
| [out] | out | The output frame (e.g., 128 samples) |
| [in] | alpha_ | The parameter to control the degree of frequency warping (1.0>=alpha>=-1.0) |
| [in] | coeff_ | a coefficient for the second IIR filter in the all-pass chain (a function of alpha_) |
the fist stage of the all-pass chain
the second stage of the all-pass chain
Pointer swaping cost less than copying memory
the remaining stages of the all-pass chain
Pointer swaping cost less than copying memory
Definition at line 78 of file freping.cpp.
| void freping::freping_proc | ( | float * | in, |
| float * | out | ||
| ) |
Get the output signal of freping, the output signal is warped according to the alpha parameter
| [in] | in | The input frame |
| [out] | out | The output frame |
in_buf_->set(in,frame_size_); // Do we really need if frame_size is already a multiple of all_pass_len m_ = ++run_k_; /// Why is this useful?
in_buf_->get(x_buf_,buf_len_); this->overlap_framing(x_buf_,overlapped_frame_);
Pointer swaping cost less than copying memory
Definition at line 157 of file freping.cpp.
| void freping::get_params | ( | float & | alpha, |
| int & | freping_on_off | ||
| ) |
Get the parameter alpha.
| [out] | alpha | The parameter to control the degree of frequency warping (1.0>=alpha>=-1.0) |
Definition at line 133 of file freping.cpp.
|
protected |
Overlap-add method
| [in] | in | The overlapped frame which has the twice size of the output frame (e.g., 128 samples) |
| [out] | out | The recovered frame (e.g., 64 samples) |
This should do the same thing
Definition at line 119 of file freping.cpp.
| void freping::set_params | ( | float | alpha, |
| int | freping_on_off | ||
| ) |
Set the parameter alpha.
| [in] | alpha | The parameter to control the degree of frequency warping (1.0>=alpha>=-1.0) |
Definition at line 139 of file freping.cpp.
|
protected |
Applying a window function such as Hamming window to the input frame
| [in] | in | The input frame which has the same size of the output frame (e.g., 128 samples) |
| [out] | out | The output frame (e.g., 128 samples) |
Definition at line 72 of file freping.cpp.


Teenager charged with stabbing another to death - Premium Times Nigeria
by Agency ReportAn Ebute Meta Chief Magistrates’ Court in Lagos State on Thursday ordered the remand of a 17-year-old who allegedly stabbed another teenager to death.
The Chief Magistrate, A.O. Komolafe, ordered that the defendant should be kept at the Special Correctional Centre for Boys in Oregun, Lagos.
The defendant, a resident of Agunfoye, Igbogbo, Ikorodu, Lagos State, was brought on a two-count charge of conspiracy and murder.
The court did not take his plea.
Mrs Komolafe adjourned the case until November 27 for mention.
The prosecutor, Chinalu Uwadione, told the court that the defendant committed the offences on October 14, at 9 p.m., at No. 42, Ire Road, Agunfoye, Igbogbo, Ikorodu.
He alleged that the defendant had a misunderstanding with the deceased, aged 14, adding that it resulted in a fight and the defendant used a knife to stab the deceased on the neck.
Mr Uwadione noted that murder is punishable with death. (NAN)


RICHARD III (1995) A Film Review by Ted Prigge Copyright 1997 Ted Prigge
Director: Richard Loncraine Adapters: Richard Loncraine and Ian McKellen (based on the play by William Shakespeare) Starring: Ian McKellen, Annette Benning, Jim Broadbent, Kristin Scott Thomas, Robert Downey Jr, Maggie Smith, John Wood, Nigel Hawthorne
In the first scene of this adaptation of Shakespeare's awesome play, a group of 30s soldiers are sitting in a room, when suddenly a huge tank crashes through the wall. All the unsuspecting soldiers are shot to death, and the apparent King is shot in the head by a man who pulls off his gas mask to reveal he's Richard of Gloucester (Ian McKellen), the protagonist who seeps evil. If you're going to do a film adaptation of a Shakespeare play, the best thing to do is make it interesting and original (much like Branagh). And surprisingly, the relocation of time and the inclusion of graphic darkly comic violence somehow works with the text.
I've always thought of "Richard III" to be not only my favorite of Shakespeare's plays, but also the most darkly comic. The lead is a selfish, deformed, and cunning villain who acts all kind to people when he wants to screw them over, then turns to the audience and winks, letting us in on his treachery. This film captures all the mood of the original play, and makes Richard of Gloucester into one of the great screen villains, wonderfully portrayed by the underrated Ian McKellen.
The back story is Richard, one of three brothers, is the black sheep, but helps his brother, the king (John Wood) ascend to the throne by killing the current king, all during the end of the War of the Roses. He then decides he will screw everyone over, even family, and takes several steps to eventually ascend to the throne.
The twist to the story is that he is no longer in the War of the Roses, but rather in 30s England. The sets, art direction, and cinematography wonderfully show us the world of swing music, and cigarettes, and then we get a satirical view of it as Richard gradually seizes the country and turns into a kind of fictitious equivalent of Hitler. Of course, he burned a couple bridges on the way up, so he constantly has little problems with become bigger and bigger throughout the film.
The film ousts a lot of the dialogue (the play, if run with all the dialogue, would be rougly three and a half hours long), making it into a swift hour and forty-five minutes. Some characters are missing, and some are even combined to make one whole one. But the key to doing Shakespeare is not the little details, like the prophecies of Margaret, but rather whether or not we get the story and the theme, which this film does.
Ian McKellen, who also co-adapted this, actually does a better job than Lawrence Olivier did in his film, which played it much like the play (without Margaret), but lost a lot of the comedy and edge in the process. This film takes a lot of great risks and original ideas and puts the great poetry of Shakespeare in with it. Where else could you see the "Now is the Winter of our Discontent" speech done at first as a public speech to the King who he will soon try to have killed, and then head on into the bathroom to pee while reciting the speech? Where else could you see Lord Grey (Robert Downey Jr) be killed like a horny camper in one of the "Friday the 13th" flicks? Where could you see the depressed Lady Anne (Kristin Scott Thomas) injecting heroin into her thigh? And where else would you see the doomed Richard leap into a bunch of flames like James Cagney in "White Heat?"
The direction is fantastic. As I said, the film grasps the wonderful 30s (with a twist), but he does so much more. All the scenes are plotted out magnificently, with several scenes being embedded in the viewer's mind. A throwaway scene with Richard's first doomed brother (Nigel Hawthorne) where he discusses a prophetic dream he had is done in a creepy and, well, prophetic way. The ex-Queen's (Annette Benning) blessing to her doomed sons is moving, shot through a cage for the maximum effect.  A Horse! My Kingdom for a Horse!" standing out, as well as the chase scene).
But the film, as a whole, belongs to Ian McKellen. His Richard is the perfect villain: cunning, and likable, which works so much better since he's the protagonist. He cringes and barks to his characters, and occasionally acts sincere, then turns to the camera and lets us in on the joke. He holds off being a king, then accepts, and turns to the camera and hysterically says, "I'm not made of stone." And when he woos Anne sucessfully, even after killing her husband and father-in-law (which I guess is a good thing) in the first scene, he struts off acompanied to upbeat jazz music. He brings pure joy, energy, and life to a character that was written as a comically tragic role. I mean, it's tough to actually do a better job than Olivier, but McKellen pulls it off with his Richard role.
"Richard III" is a fantastic flick, filled with welcome life, and hysterically darkly comic humor. If you're going to do a deadly Shakespeare flick, make sure you have chain-smoking, graphic violence, and tanks.
MY RATING (out of 4): ***1/2
Homepage at: http://www.geocities.com/Hollywood/Hills/8335/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Given a view name and settings, finds and prepares an appropriate view class for this view.
# File lib/mustache/sinatra.rb, line 117 def compile_mustache(view, options = {}) options[:templates] ||= settings.views if settings.respond_to?(:views) options[:namespace] ||= self.class unless options[:namespace].to_s.include? 'Views' options[:namespace] = options[:namespace].const_get(:Views) end factory = Class.new(Mustache) do self.view_namespace = options[:namespace] self.view_path = options[:views] end # If we were handed :"positions.atom" or some such as the # template name, we need to remember the extension. if view.to_s.include?('.') view, ext = view.to_s.split('.') end # Try to find the view class for a given view, e.g. # :view => Hurl::Views::Index. klass = factory.view_class(view) klass.view_namespace = options[:namespace] klass.view_path = options[:views] # If there is no view class, issue a warning and use the one # we just generated to cache the compiled template. if klass == Mustache warn "No view class found for #{view} in #{factory.view_path}" klass = factory # If this is a generic view class make sure we set the # template name as it was given. That is, an anonymous # subclass of Mustache won't know how to find the # "index.mustache" template unless we tell it to. klass.template_name = view.to_s elsif ext # We got an ext (like "atom"), so look for an "Atom" class # under the current View's namespace. # # So if our template was "positions.atom", try to find # Positions::Atom. if klass.const_defined?(ext_class = ext.capitalize) # Found Positions::Atom - set it klass = klass.const_get(ext_class) else # Didn't find Positions::Atom - create it by creating an # anonymous subclass of Positions and setting that to # Positions::Atom. new_class = Class.new(klass) new_class.template_name = "#{view}.#{ext}" klass.const_set(ext_class, new_class) klass = new_class end end # Set the template path and return our class. klass.template_path = options[:templates] if options[:templates] klass end
Call this in your Sinatra routes.
# File lib/mustache/sinatra.rb, line 45 def mustache(template, options={}, locals={}) # Locals can be passed as options under the :locals key. locals.update(options.delete(:locals) || {}) # Grab any user-defined settings. if settings.respond_to?(:mustache) options = settings.send(:mustache).merge(options) end # If they aren't explicitly disabling layouts, try to find # one. if options[:layout] != false # Let the user pass in a layout name. layout_name = options[:layout] # If all they said was `true` (or nothing), default to :layout. layout_name = :layout if layout_name == true || !layout_name # If they passed a layout name use that. layout = mustache_class(layout_name, options) # If it's just an anonymous subclass then don't bother, otherwise # give us a layout instance. if layout.name && layout.name.empty? layout = nil else layout = layout.new end end # Find and cache the view class we want. This ensures the # compiled template is cached, too - no looking up and # compiling templates on each page load. klass = mustache_class(template, options) # Does the view subclass the layout? If so we'll use the # view to render the layout so you can override layout # methods in your view - tricky. view_subclasses_layout = klass < layout.class if layout # Create a new instance for playing with. instance = klass.new # Copy instance variables set in Sinatra to the view instance_variables.each do |name| instance.instance_variable_set(name, instance_variable_get(name)) end # Render with locals. rendered = instance.render(instance.template, locals) # Now render the layout with the view we just rendered, if we # need to. if layout && view_subclasses_layout rendered = instance.render(layout.template, :yield => rendered) elsif layout rendered = layout.render(layout.template, :yield => rendered) end # That's it. rendered end
Generated with the Darkfish Rdoc Generator 2.


GETUTMP
Section: Linux Programmer's Manual (3)
Updated: 2014-04-08
Index
Return to Main Contents
NAME
getutmp, getutmpx - copy utmp structure to utmpx, and vice versa
SYNOPSIS
#define _GNU_SOURCE /* See feature_test_macros(7) */
#include <utmpx.h>
void getutmp(const struct utmpx *ux, struct utmp *u);
void getutmpx(const struct utmp *u, struct utmpx *ux);
DESCRIPTION
The
getutmp()
function copies the fields of the
utmpx
structure pointed to by
ux
to the corresponding fields of the
utmp
structure pointed to by
u.
The
getutmpx()
function performs the converse operation.
RETURN VALUE
These functions do not return a value.
VERSIONS
These functions first appeared in glibc in version 2.1.1.
ATTRIBUTES
Multithreading (see pthreads(7))
The
getutmp()
and
getutmpx()
functions are thread-safe.
CONFORMING TO
These functions are nonstandard, but appear on a few other systems,
such as Solaris and NetBSD.
NOTES
These functions exist primarily for compatibility with other
systems where the
utmp
and
utmpx
structures contain different fields,
or the size of corresponding fields differs.
On Linux, the two structures contain the same fields,
and the fields have the same sizes.
SEE ALSO
utmpdump(1),
getutent(3),
utmp(5)
Index
- NAME
-
- SYNOPSIS
-
- DESCRIPTION
-
- RETURN VALUE
-
- VERSIONS
-
- ATTRIBUTES
-
- Multithreading (see pthreads(7))
-
- CONFORMING TO
-
- NOTES
-
- SEE ALSO
-
This document was created by
man2html,
using the manual pages.
Time: 02:55:07 GMT, September 18, 2014


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[[ pageTitle ]]
Ok


Go to the source code of this file.
Typedefs | |
| typedef void(* | le_sig_EventHandlerFunc_t) (int sigNum) |
Functions | |
| void | le_sig_Block (int sigNum) |
| void | le_sig_SetEventHandler (int sigNum, le_sig_EventHandlerFunc_t sigEventHandler) |
| void | le_sig_DeleteAll (void) |
Legato Signals API include file.
Copyright (C) Sierra Wireless Inc. Use of this work is subject to license.
| typedef void(* le_sig_EventHandlerFunc_t) (int sigNum) |
Prototype for the signal event handler functions.
| void le_sig_Block | ( | int | sigNum | ) |
Blocks a signal in the calling thread.
Signals that an event handler will be set for must be blocked for all threads in the process. To ensure that the signals are blocked in all threads call this function in the process' first thread, all subsequent threads will inherit the signal mask.
| [in] | sigNum | Signal to block. |
| void le_sig_DeleteAll | ( | void | ) |
Removes all signal event handlers for the calling thread and cleans up any resources used for signal events. This should be called before the thread exits.
| void le_sig_SetEventHandler | ( | int | sigNum, |
| le_sig_EventHandlerFunc_t | sigEventHandler | ||
| ) |
Sets a signal event handler for the calling thread. Each signal can only have a single event handler per thread. The most recent event handler set will be called when the signal is received. sigEventHandler can be set to NULL to remove a previously set handler.
| [in] | sigNum | Signal to set the event handler for. See parameter documentation in comments above. |
| [in] | sigEventHandler | Event handler to call when a signal is received. |


{% extends "site_template.html" %} {% block headerName %} Ari Morcos {% endblock %} {% block title %} About Me - Ari Morcos {% endblock %} {% block sectionName %} About Me {% endblock %} {% block content %}
I am a senior staff research scientist at Meta AI Research (FAIR Team) in Menlo Park working on understanding the mechanisms underlying neural network computation and function, and using these insights to build machine learning systems more intelligently. Most recently, my work has focused on understanding properties of data and how these properties lead to desirable and useful representations. I have worked on a variety of topics, including self-supervised learning, the lottery ticket hypothesis, the mechanisms underlying common regularizers, and the properties predictive of generalization, as well as methods to compare representations across networks, the role of single units in computation, and on strategies to induce and measure abstraction in neural network representations.
My work has been honored with Outstanding Paper awards at both NeurIPS and ICLR, two of the top machine learning conferences. Previously, I worked at DeepMind in London.
I earned my PhD working with Chris Harvey at Harvard University. For my thesis, I developed methods to understand how neuronal circuits perform the computations necessary for complex behavior. In particular, my research focused on how parietal cortex contributes to evidence accumulation for decision-making. For my undergraduate work, I attended UCSD, where I worked with Rusty Gage to investigate the role of REST/NRSF in adult neurogenesis.
{# #}When I'm not working, I like to go on adventures with my wife, Julia, and our awesome dogs, Maui and Loki. I'm also a history buff and love learning about the history of science, the two World Wars, and the Cold War.
I have had the privilege of working with, learning from, and mentoring many talented students, engineers, interns, and residents:


Our two party system is flawed and has produced limited options for strong leadership at all levels of government. It's on our generation to find the solutions for a country and an economy that's rapidly changing.
Join us in nominating friends, family and loved ones to run for office at all levels of government. We need a new generation of leadership from across the political spectrum made up of Independents, Republicans, Democrats, Conservatives, Liberals and Moderates.
We're still figuring this out, sign up and help find a better solution.


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---
layout: post
title: The Rules of Photography - As I Know Them So Far
tags:
- Articles
- General Photography
status: publish
type: post
published: true
meta:
tt_auto_tweet: "false"
aktt_notify_twitter: "yes"
_edit_lock: "1257908489"
_edit_last: "2"
tt_auto_tweet_text: "New blog post: [TITLE] [URL] "
aktt_tweeted: "1"
dsq_thread_id: "425798377"
---
Yep, There are some rules that I have figured out. You may not like them but they are so far true as far as I can see. Here they are as plain as day.
- You cannot do better than what you are seeing, If it looks fantastic you will get only a tiny bit of that.
- Light cannot be better than what nature has produced, you can try but you will not get far.
 You are wrong, everybody sees exactly what you see - you may pay a little more attention to somethings than others and vis-a-vis buy you are no different.
- Your prints on paper will never ever ever be as bright as you saw them. Never.

- No lens, camera, technique, or secret recipe will ever come close to recording exactly what you felt and what you wanted to show anyone else.
- Even if you know all of the above you will still try by all means possible to show just one other person exactly what you saw and felt.
- You have to be insane.
- Even if you hate the world you have to love.
Just some food for thought,
RB


--- layout: category title: Scribbles description: List of all my scribbles. category: scribbles permalink: /scribbles/ ---
Sharing my thoughts.


Noticed while writing tests:
Some time after starting nspv daemon (~60s or so), mempool, listunspent, listtransactions and spentinfo calls will return error:
{"result":"error","error":"timeout"}
Same calls work just fine executed right after getinfo call.
A simple script to reproduce it:
while True:
rpc_call = tf.nspv_getinfo()
tf.assert_success(rpc_call)
rpc_call = tf.nspv_mempool()
tf.assert_success(rpc_call)
time.sleep(70)
rpc_call = tf.nspv_mempool()
tf.assert_success(rpc_call)
time.sleep(70)
Always fails on second mempool call.
(edited)


Twister Chad'z rating: ** (out of 4 = fair) 1996, PG-13, 117 minutes [1 hour, 57 minutes] [thriller] starring: Bill Paxton (Bill Harding), Helen Hunt (Jo Harding), Jami Gertz (Melissa), Cary Elwes (Dr. Jonas Miller), written by Micheal Crichton, Ann-Marie Martin, produced by Michael Crichton, Kathleen Kennedy, Ian Skye, directed by Jan De Bont.
If we told you once, we told you a thousand times - movies are not roller coaster rides! "Twister" has to be one of the prime examples of the typical, cliche, summer action movie with lots of stunts and special effects to keep an audience in awe every step of the way.
In the spirit of "Jurassic Park," Michael Crichton has produced another blockbuster extravaganza flick with so many special effects it's unreal. And that's where the problem to this film lies: it isn't believable. You don't have to be an experienced critic to realize how trite this film is.
We start out in the 1960s and witness a small farming family have their home destroyed and father killed by a tornado. We then cut to the present as Jo (Hunt), the little girl whose family was destroyed by the tornado, has grown up to become a professional "tornado hunter." She and her soon-to-be-ex-husband, Bill (Paxton), have invented a device that will allow scientists to study a tornado from within the funnel. One this particular expedition, Bill has brought along his fiancee Melissa (Gertz), and hopes he and Jo can finalize their divorce. Melissa is the typical, fragile, female character who has no idea what is going on. Even though little has happened by the time all these factors come into play, the film is already very formulated, you wonder if it could get any worse?
Apparently Bill and Jo have some competition, and just like all those old sci-fi movies, it's a mad scientist, only updated for the 90s. Cary Elwes co-stars as Dr. Jonas Miller, a scientist working for a commercial corporation who has invented the same device as the Hardings (how does anyone profit from tornados?). Of course there's an immediate definition of a rivalry between Miller and the Hardings. Now this is all nice and good, but it's just a petty excuse at characterization and storytelling. Who cares? We want to see the cool computer-generated special effects and stunts!
And so we get those effects and stunts, and as lame as the film is, it does deliver on its promise to impress us. The tornados here look real, and the whole point of making a film about people chasing them is to actually show them running away from them.
Thrillers with scientific (read: "sci-fi") overtones like this are usually interesting to watch because we learn about the reality of the situation and thus it seems more believable, and even scary in a way. But we learn absolutely nothing about tornadoes here. There are some scenes of destruction, but they are isolated incidents. We really don't learn how much damage a tornado can cause. It's almost as if the tornado is an intelligent monster chasing our heroes (a la "Jaws"). I never thought weather had an agenda!
"Twister" has all the makings of a suspenseful action movie, but its cliches and cheesy storylines and sub-plots are just so distracting it's hard to care what happens - and isn't that really what makes for fun at the movies?
Please visit Chad'z Movie Page @ http://members.aol.com/ChadPolenz - over 140 new and old films reviewed in depth, not just blind ratings and capsules. Also, check out The FIRST Shay Astar Web Page @ http://members.aol.com/ChadPolenz/ShayAstar.html
E-mail: ChadPolenz (C)1997 Chad Polenz
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


graphgallery.utils¶
Null context manager. |
|
Decorate an iterable object, returning an iterator which acts exactly like the original iterable, but prints a dynamically updating progressbar every time a value is requested. |
|
Displays a progress bar. |
|
Initialize the graphgallery logger and set its verbosity level to “DEBUG”. |
|
Timeout context manager/decorator. |
|
Neighbor sampler as in GraphSAGE: Inductive Representation Learning on Large Graphs <https://arxiv.org/abs/1706.02216> |
|
Produces a prompt asking about overwriting a file. |
|
Create a small table using the keys of small_dict as headers. |
-
nullcontext
(enter_result=None)[source]¶ Null context manager. Nothing is done when it’s called
- Parameters
enter_result (Any, optional) – any objects, by default None
- Returns
- Return type
return the inputs
- Yields
Iterator[Any] – yields the inputs
-
tqdm
(*args, **kwargs)[source]¶ Decorate an iterable object, returning an iterator which acts exactly like the original iterable, but prints a dynamically updating progressbar every time a value is requested.
- iterableiterable, optional
Iterable to decorate with a progressbar. Leave blank to manually manage the updates.
- descstr, optional
Prefix for the progressbar.
- totalint or float, optional
The number of expected iterations. If unspecified, len(iterable) is used if possible. If float(“inf”) or as a last resort, only basic progress statistics are displayed (no ETA, no progressbar). If gui is True and this parameter needs subsequent updating, specify an initial arbitrary large positive number, e.g. 9e9.
- leavebool, optional
If [default: True], keeps all traces of the progressbar upon termination of iteration. If None, will leave only if position is 0.
- fileio.TextIOWrapper or io.StringIO, optional
Specifies where to output the progress messages (default: sys.stderr). Uses file.write(str) and file.flush() methods. For encoding, see write_bytes.
- ncolsint, optional
The width of the entire output message. If specified, dynamically resizes the progressbar to stay within this bound. If unspecified, attempts to use environment width. The fallback is a meter width of 10 and no limit for the counter and statistics. If 0, will not print any meter (only stats).
- minintervalfloat, optional
Minimum progress display update interval [default: 0.1] seconds.
- maxintervalfloat, optional
Maximum progress display update interval [default: 10] seconds. Automatically adjusts miniters to correspond to mininterval after long display update lag. Only works if dynamic_miniters or monitor thread is enabled.
- minitersint or float, optional
Minimum progress display update interval, in iterations. If 0 and dynamic_miniters, will automatically adjust to equal mininterval (more CPU efficient, good for tight loops). If > 0, will skip display of specified number of iterations. Tweak this and mininterval to get very efficient loops. If your progress is erratic with both fast and slow iterations (network, skipping items, etc) you should set miniters=1.
- asciibool or str, optional
If unspecified or False, use unicode (smooth blocks) to fill the meter. The fallback is to use ASCII characters ” 123456789#”.
- disablebool, optional
Whether to disable the entire progressbar wrapper [default: False]. If set to None, disable on non-TTY.
- unitstr, optional
String that will be used to define the unit of each iteration [default: it].
- unit_scalebool or int or float, optional
If 1 or True, the number of iterations will be reduced/scaled automatically and a metric prefix following the International System of Units standard will be added (kilo, mega, etc.) [default: False]. If any other non-zero number, will scale total and n.
- dynamic_ncolsbool, optional
If set, constantly alters ncols and nrows to the environment (allowing for window resizes) [default: False].
- smoothingfloat, optional
Exponential moving average smoothing factor for speed estimates (ignored in GUI mode). Ranges from 0 (average speed) to 1 (current/instantaneous speed) [default: 0.3].
- bar_formatstr, optional
Specify a custom bar string formatting. May impact performance. [default: ‘{l_bar}{bar}{r_bar}’], where l_bar=’{desc}: {percentage:3.0f}%|’ and r_bar=’| {n_fmt}/{total_fmt} [{elapsed}<{remaining}, ‘
‘{rate_fmt}{postfix}]’
- Possible vars: l_bar, bar, r_bar, n, n_fmt, total, total_fmt,
percentage, elapsed, elapsed_s, ncols, nrows, desc, unit, rate, rate_fmt, rate_noinv, rate_noinv_fmt, rate_inv, rate_inv_fmt, postfix, unit_divisor, remaining, remaining_s, eta.
Note that a trailing “: ” is automatically removed after {desc} if the latter is empty.
- initialint or float, optional
The initial counter value. Useful when restarting a progress bar [default: 0]. If using float, consider specifying {n:.3f} or similar in bar_format, or specifying unit_scale.
- positionint, optional
Specify the line offset to print this bar (starting from 0) Automatic if unspecified. Useful to manage multiple bars at once (eg, from threads).
- postfixdict or *, optional
Specify additional stats to display at the end of the bar. Calls set_postfix(**postfix) if possible (dict).
- unit_divisorfloat, optional
[default: 1000], ignored unless unit_scale is True.
- write_bytesbool, optional
If (default: None) and file is unspecified, bytes will be written in Python 2. If True will also write bytes. In all other cases will default to unicode.
- lock_argstuple, optional
Passed to refresh for intermediate output (initialisation, iterating, and updating).
- nrowsint, optional
The screen height. If specified, hides nested bars outside this bound. If unspecified, attempts to use environment height. The fallback is 20.
- colourstr, optional
Bar colour (e.g. ‘green’, ‘#00ff00’).
- delayfloat, optional
Don’t display until [default: 0] seconds have elapsed.
- guibool, optional
WARNING: internal parameter - do not use. Use tqdm.gui.tqdm(…) instead. If set, will attempt to use matplotlib animations for a graphical output [default: False].
out : decorated iterator.
-
class
Progbar
(target, width=30, verbose=1, interval=0.05, unit_name='step')[source]¶ Displays a progress bar.
- Parameters
target – Total number of steps expected, None if unknown.
width – Progress bar width on screen.
verbose – Verbosity mode, 0 (silent), 1 (verbose), 2 (semi-verbose)
interval – Minimum visual progress update interval (in seconds).
unit_name – Display name for step counts (usually “step” or “sample”).
-
update
(current, values=None, finalize=None)[source]¶ Updates the progress bar.
- Parameters
current – Index of current step.
values – List of tuples: (name, value_for_last_step) or string messages.
finalize – Whether this is the last update for the progress bar. If None, defaults to current >= self.target.
-
setup_logger
[source]¶ Initialize the graphgallery logger and set its verbosity level to “DEBUG”.
- Parameters
output (str) – a file name or a directory to save log. If None, will not save log file. If ends with “.txt” or “.log”, assumed to be a file name. Otherwise, logs will be saved to output/log.txt.
name (str) – the root module name of this logger
abbrev_name (str) – an abbreviation of the module, to avoid long names in logs. Set to “” to not log the root module in logs. By default, will abbreviate “detectron2” to “d2” and leave other modules unchanged.
- Returns
a logger
- Return type
-
class
TimeOut
(seconds: float)[source]¶ Timeout context manager/decorator.
Adapted from https://gist.github.com/TySkby/143190ad1b88c6115597c45f996b030c on 12/10/2020.
- Parameters
seconds (float) – seconds to timeout.
Examples
>>> from time import sleep >>> try: ... with TimeOut(1): ... sleep(10) ... except TimeoutError: ... print("Function timed out") Function timed out
-
class
NeighborSampler
(adj_matrix: scipy.sparse.csr.csr_matrix)[source]¶ Neighbor sampler as in GraphSAGE: Inductive Representation Learning on Large Graphs <https://arxiv.org/abs/1706.02216>
adj_matrix：scipy.spars.csr_matrix, the input matrix to be sampled
Examples
>>> from graphgallery.utils import NeighborSampler >>> sampler = NeighborSampler(adj) >>> sampler.sample(torch.arange(100), size=3)
Please make sure there is not dangling nodes, otherwise there would be an error.
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sample
(nodes, size, *, return_weight=False, as_numpy=False, replace=True)[source]¶ Sample local neighborhood from input batch nodes
nodes: torch.LongTensor or numpy.array, the input root nodes size: int, the number of neighbors sampled for each node, -1 means the whole neighbor set return_weight: bool, if True, return the sampled edges weights for each pair (node, neighbor) as_numpy: bool, if True, return numpy array, otherwise return torch.tensor replace: bool, whether the sample is with or without replacement
(targets, neighbors) if return_weight=False (targets, neighbors, edge_weights) if return_weight=True
The outputs would be torch.tensor by default, if you want to return numpy array, set as_numpy=True.
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Scott Glibert
2013-09-19
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My Project
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Public Member Functions | |
| def | is_static_string (self) |
| def | functions (self, descend=False) |
| def | variable_references (self, descend=False) |
| def | is_filesystem_dependent (self) |
| def | is_shell_dependent (self) |
Base class for expansions. A make expansion is the parsed representation of a string, which may contain references to other elements.
| def pymake.data.BaseExpansion.functions | ( | self, | |
descend = False |
|||
| ) |
Obtain all functions inside this expansion. This is a generator for pymake.functions.Function instances. By default, this only returns functions existing as the primary elements of this expansion. If `descend` is True, it will descend into child expansions and extract all functions in the tree.
Definition at line 85 of file data.py.
| def pymake.data.BaseExpansion.is_filesystem_dependent | ( | self | ) |
| def pymake.data.BaseExpansion.is_shell_dependent | ( | self | ) |
| def pymake.data.BaseExpansion.is_static_string | ( | self | ) |
| def pymake.data.BaseExpansion.variable_references | ( | self, | |
descend = False |
|||
| ) |
Obtain all variable references in this expansion. This is a generator for pymake.functionsVariableRef instances. To retrieve the names of variables, simply query the `vname` field on the returned instances. Most of the time these will be StringExpansion instances.
Definition at line 98 of file data.py.


When you run lean init
in an empty directory, the CLI downloads the latest data directory from the LEAN repository.
This directory contains a standard directory structure from which the LEAN engine reads.
Because LEAN strives to use an open, human-readable format all data is stored in flat files (formatted as CSV or JSON), and compression is done using zip.
Once downloaded, the data directory tree looks like this:
data ├── alternative/ ├── cfd/ ├── crypto/ ├── equity/ ├── forex/ ├── future/ ├── futureoption/ ├── index/ ├── indexoption/ ├── market-hours/ ├── option/ ├── symbol-properties/ └── readme.md
By default, the data directory contains a small amount of sample data for all asset types to demonstrate how data files must be formatted.
Additionally, the data directory itself and most of its subdirectories contain readme.md
files containing more documentation on the format of the data files of each asset type.


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