REVIEW: Good Burger By Luke Buckmaster<EMAIL_ADDRESS>>From zero stars (bomb), to five stars (a masterpiece): One star
With every new children's film comes a regurgitated fear that lurks inside my hate-bone. A fear of plot failure and cornball acting. Of flat jokes - and even flatter dialogue. Yes indeed, these are the movies that squeeze every last gag from a worn out sponge - praying that the critics will label them as "kids material" so that adults will be blissfully ignorant of them. In Good Burger, a Nickelodeon film, my fears were back as I witnessed a tasteless, immature and half-fried glob of film-fat.
If that comment sounded a little farcical, then you'll have to forgive me - but Good Burger deserves it entirely. You see, I work at a McDonalds store (no joke). I know what it's like to accidentally open a packet of sundae mix at the wrong time and have it dripping off my body from shoulder to toe. I know what a burger looks like with a litre of ketchup on top of it, because I've dropped a container of it on one.
But I've still been able to look back and laugh in disbelief - at those good memories that were actually nightmares to experience at the time. But I look back on Good Burger in exactly the same frame of mind as to when I watching it - disgruntled, irritated. It's not that I have a deep and profound respect for my job (you don't get much as a burger cooker or chicken fryer), but rather that Good Burger had a potential gold mine of gags to play with but doesn't utilize any of them.
The basic scenario of Good Burger goes something like this: the lazy, self-seeking Dexter (Kenan Thompson) finds himself in dept of more money than he can possibly repay after wrecking his school teachers car on the first day of summer vacation. After much reluctance, he vows to get a job until the dept is paid off. Enter "Good Burger," a no frills fast food outlet that becomes the hippest place to be when extravagant worker Ed (Kel Mitchell) unleashes a secret sauce to the public. But the store's scandalous competitor, "Monolith Burger," will stop at nothing to get hold of the ingredients of Ed's sauce.
Dexter and Ed also find themselves in other unpredictable situations including being trapped in an insane asylum with their 77-year-old pal Otis (Abe Vigoda). This in particular is a cruel and insensitive scenario, which demonstrates the film's tendency to make fun of everything and anyone just for the hope of drawing a laugh.
The director, Brian Robbins (who co-created the Nickelodeon show for which the film is based, "All That"), is only partially to blame for Good Burger's lack of raillery and effective composition. In the end, it boils down to the team of writers responsible for All That - they have not succeeded to sufficiently convert the television show to the big screen. Whilst it may be appropriate to occasionally show a "Nickelodeon sketch comedy" style gag, too many becomes plain annoying - and if they aren't very good from the start - well, the fats in the fryer. If I want to watch an hour and a half of Nickelodeon, I'll arrange to get cable TV - but if I'm going to the cinema, I need something better. I need something that will hold my attention - something that is worthy of being on the silver screen in the first place.
I have no doubt that even my McDonalds manager, Steve, would be able to shed more light on this greasy, pointless film.
To give you some sort of idea of how bad Good Burger's gags come; I'll leave you with a scene involving Ed and an evil Monolith Burger employee:
Monolith Burger Guy: You better watch your butt! Ed: [Tries for 5 minutes, spinning round and round in circles] I give up. There is no way a guy can watch his own butt.
Review © copyright Luke Buckmaster
<EMAIL_ADDRESS>"How ironic - my crusade against television has come to an end so formulaic it could have spewed from the power book of the laziest Hollywood hack." --Sideshow Bob
Movie Zone http://moviezone.alphalink.com.au
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websites can be secretly mining cryptocurrency unmask them here
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Boston University
Boston, Massachusetts August 2014 - (May 2018)Pursuing a Bachelors of Science in Computer Engineering
GPA: 4.0
Pursuing a Bachelors of Science in Computer Engineering
GPA: 4.0
Languages: Java, C#
Expected Languages (spring 2015): HTML5/CSS3, SQL, C++
Image Editing: Adobe Photoshop, Adobe Lightroom
Other: Woodworking, Small Crafts
Tenure-track professor researching and modeling the electronic, magnetic, and structural properties of materials through principles of quantum mechanics
Currently researching and modeling Forster Resonance Energy Transfer (FRET) in organic molecules for quantitative applicaiton in solar cells.
Use MATLAB to develop Monte-Carlo simulations to determine optimum Forster radius for electron dissociation/energy transfer.
Boston University's Student support and outreach office, ensuring academic and social success of students
Handle administrative duties for Deans of Students, including telephone, email and note taking duties
Started a small photography business focusing on sports, event and portrait photography
Reached out on social media networks including Facebook, Flickr and Twitter and established a footing in the local community.
Designed and implemented a water-tracking app in PebbleC for the Pebble smartwatch that tracks water consumption and reminds users to hydrate. Deployed to the Pebble app store January 2015.
Designed and implemented personal website using Github’s Jekyll site generator, BootStrap and HTML/CSS design principles
Used Kinect Library and pong concepts to build a pong clone controlled by user hand gestures.
Built simple PHP and Javascript web application at first hackathon.
Crapfinder, located at mmmyep.com, is a simple web application that suggests items based on a dollar input.
Goalkeeper for the Boston University Terriers Men’s Varsity soccer program (NCAA Division 1)
Recipient of Lutchen Fellowship from the BU College of Engineering, one of 10 such scholarships awarded per class for academic excellence and research.
2013 Bausch & Lomb Science and Mathematics Award by the University of Rochester


| DOSE: T+ 0:00 |
0.75 tablets |
oral |
MDMA |
(pill / tablet) |
| T+ 1:00 |
0.5 tablets |
oral |
MDMA |
(pill / tablet) |
| T+ 4:00 |
0.25 tablets |
oral |
MDMA |
(pill / tablet) |
History: Myself, I am now in early thirties. From ages 15 to 20 I used Alcohol, Cocaine (insufflated) , Marijuana, Mushrooms, LSD, Crack, Ecstasy (once after a Dead show/LSD Trip). At age 20 I stopped using everything for about 11 years primarily because of abuse of Alcohol and Cocaine. In those 10 years I married, had 2 children and bought a house. None of these things would have been possible if I had continued with my Alco-Coca lifestyle.
Two years ago I used Ecstasy again after a good deal of research. I used by myself in an empty house and was blown away by the level of insight attained by concentrating on my relationship with my wife and children, Although the whole time I was wishing I could share the experience with my best friend (wife). After this experience I asked her to try it with me but she said she did not want to try it. Shortly after that 9/11 occurred and I feel I was able to use my insights from the previous experience to improve my relationships within my family and get us through a tough time. I work in NYC and believe I was somewhat shell shocked about continuing to work in the city. I made changes in my work schedule to ensure I am home for dinner every night with the kids and other changes to ease pressure on my wife and to spend more time with the kids.
After some hesitation (1 1/2 years) , I convinced my wife to try a blue dolphin with me.
Setting: Vernal Equinox, Friday Night, Baltimore Inner Harbor, Hotel Room with a nice view of the city. Kids are safe with the Grandparents for the weekend.
The Experience: estimated times
T + 0 Myself (180 lbs) 3/4 blue dolphin swallowed
Wife (120 lbs) 1/2 blue dolphin swallowed
Myself various bits and pieces ( sublingually
throughout till T + 240 ) 3/4 of a dolphin
Wife various bits and pieces ( sublingually)
1/4 of a dolphin
T + 10 Started watching the Movie 'Rabbit Proof Fence'.
T + 40 I am starting to feel it, Wife feels nothing except
relaxed. She had a larger dinner (T-60 ) than myself.
We each take a small piece sublingually.
And start to get into the movie.
T + 60 Both feeling it. Start talking about the movie and use it for a jumping off point to deeper conversations about life and western suburban value systems. The Traps of Consumerism and Materialism.
T + 90 Both feeling good.  Peeing a lot and body temperature fluctuations are the main distractions from a wonderful mental/spiritual state.
T+ 115 'Rabbit proof Fence' is over. A very good movie.
I initially thought it might be disturbing (Nasty Christian Australians whooping up on Aborigines) but in the end the Human Spirit triumphs.
T + 120 Start watching 'Maid in Manhattan'.  Turn it off, and see small bits of Perpetual War News Channels. We had briefly forgotten about the War. That was nice. Turn it off.
T + 150 Having great conversations about our family, and how we relate to the kids. Gushing about how cute our kids are. The little nuances of their personalities that make them so lovable. The momentary words are not so important as the underlying emotional sentiments.
T + 180 Naked under the covers, Back and body rubs feel very good.
I am absolutely convinced I married the most beautiful woman in the world. My wife seems to be enjoying the moment as well. She realizes that one of her biggest blocks to happiness, is not being able to live in the moment. For someone who is very quiet and not often forthcoming with internal sentiments, she is able to eloquently describe her insight as it presents itself to her.
T + 240 Last bits of pieces sublingually. 500 mg of Vitamin C each.
Body temperature and peeing are the only physical annoyances.
Erectile Dysfunction as well but I am sure that will be corrected in time.
T + 300 Effects winding down, we have reached a nice plateau. Love making is wonderful for next two hours. Feels like we are seventeen again but with the know-how and sensitivity of thirty years olds.
T + 420 2 Advil each to help sleep. High on the after glow, and the closeness. We both fall asleep shortly after.
T + 540 6:30 AM Awaken. Freakin Biological Clock, this is the
same time the kids are waking up at home. Despite only two hours of sleep we feel surprisingly well. Making love again still feels great.
T + 630 Very Hungry. We eat at the Hotel Breakfast buffet.
The Rest of the day is a lazy wondering day through the Inner Harbor, Continuing deep conversations, two naps and a great dinner together.
During the night, I told my wife that MDMA was legal for a while and used to be used for couples therapy. I said, 'Imagine a society where couples could go to the pharmacy and get an appropriate dose of MDMA and have the same experience we are having, without the fear of poor quality substance or legal ramifications. To be able to breakthrough the mundaness of suburban thirty-something living and spiritually recharge your commitment to relationships and life is not something that should be made illegal and shunned in a society as complex as ours.'
At least I meant to say something like that, but however it came out I knew that she knew what I meant.
One of the dangers listed with MDMA is 'Inappropriate Bonding'. I can see how this might be true. But who better to inappropriately bond with than your wife?
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Package algorithms.compGeometry
-
Class Summary Class Description ClosestPairBetweenSets NOT READY FOR USE.ClosestPairBetweenSets.ClosestPairInt FurthestPair find the furthest pair between points by finding the upper and lower convex hull and then compare the distances between upper and lower hull points.HoughTransform a class for Hough transforms of simple geometric shapes.LinesAndAngles adapted from https://code.google.com/p/two-point-correlation/source/browse/src/main/java/algorithms/compGeometry/LinesAndAngles.java under MIT License (MIT), Nichole King 2013MedialAxis A class to create a 2D medial axis given shape points and the boundary.NearestPoints Builds an unmodifiable data structure to make finding member points within a distance of a location faster than O(N^2).NearestPointsFloat Builds an unmodifiable data structure to make finding member points within a distance of a location faster than O(N^2).ParabolaLeastSquares y = ax^2 + bx + c least squares fit is minimizing the sum of square of residuals summation from i=1 to n points of (y_i - (ax_i^2 + bx_i + c))^2 to minimize, need each partial deriv = 0, that is d(eqn)/da = 0, etc the 3 partial derivatives are summarized as a * sum_i=1toN (x_i)^4 + b * sum_i=1toN (x_i)^3 + c * sum_i=1toN (x_i)^2 = sum_i=1toN (x_i)^2 * y_i a * sum_i=1toN (x_i)^3 + b * sum_i=1toN (x_i)^2 + c * sum_i=1toN (x_i) = sum_i=1toN (x_i) * y_i a * sum_i=1toN (x_i)^2 + b * sum_i=1toN (x_i)^1 + c * n = sum_i=1toN y_i given a set of points, can calc moments x y x^2 x^3 x^4 xy yx^2 (when placed in a matrix, is known as Vandermonde) sum each of those for the points then can solve the 3 equations for a, b, c using linear algebra.PerimeterFinder2 class to hold some of the newer methods w.r.t.PointInPolygon test whether a point is within a polygon.PointInPolygon2 PointPartitioner


Honorlock is a proctoring service that uses artificial intelligence and human proctoring to create fair and equitable testing experiences for students. Honorlock empowers faculty to monitor exams with a number of services including access to useful analytics, cellphone detection, and 24/7 technical support via phone, live-chat, and email. Beyond that, Honorlock integrates directly with Canvas allowing both students and faculty the flexibility to access their exams easily, without sacraficing security or online integrity.
If you have any questions, please contact us.


|
Asking another Toon to help you take over a Cog building -
You never know what another Toon might be up to, so make sure youíre polite when you ask for help.
|
|
Accepting an invitation to take over a Cog building -
Make sure you are loaded up on gags and Laff points before you help take over a Cog building.
If you need to visit a gag shop or get some secret items in a playground, let them know. Your
fellow Toons will be happy to wait a minute while you prepare for battle.
|
|
Telling another Toon youíll join them as soon as you can -
Sometimes an invitation to join a friend comes when youíre doing something else. You might
be in a Cog building, in a battle on a street, finishing a delivery task, fishing, or playing a Trolley game.
|
|
Enlisting other Toons -
If itís just you and another Toon in front of a Cog building, you should probably find some
friends to help. If you want to call your friends, let the other Toon know.
|
|


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( a) Longitudinal sections used to evaluate the clearing or embankment of sand on both sides of each AB; ( b– d) For each AB: the three longitudinal sections considered shown in perspective and the 0.26 profile image with an enlargement of the area close to the AB.


Instantly view scientific and medical imaging data in 3D.
Try the examples..
A 14 year old healthy male brain. The patient was scanned using a
structural MRI and a diffusion MRI to highlight connecting brain
fibers. Loading time: +++View
Example
Drop files here or Select
files
Your data stays on your computer. No upload required!
Your data stays on your computer. No upload required!
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/ .nii.gz / DICOM) -
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(.obj / .vtk / .stl / FreeSurfer)


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{% extends "base.html" %} {% block title %}
Medieval catalogues > HENRY DE KIRKESTEDE > Catalogus, c. 1360
{% endif %}23 identified entries found.
All data was derived from the List of Identifications by Professor Richard Sharpe.
{% if not printing %}
A key to codes used in the List is available (opens in new tab).{% endif %}


Dear Correspondence Team,
CATS assignment [CATSID] has been returned by the lead office, [Lead Offices].
Subject:
[Subject]
Return From
: [ModifiedBy]
Reason for Return
: [RejectReasons]
Date Returned
: [Modified]
CATS Home Page:
[siteUrl]


{% extends 'register_login.html'%} {% load static %} {% load bootstrap3 %} {% block content%}
{{message}}
To keep connected with us please login with your personal info


Rufus Butler Seder: MOVE!
About the Artist
Artist’s Statement
Years ago, as a filmmaker, a fascination with antique motion picture toys led me to wonder if I could create movies on a grand scale using no electricity, moving parts or special lighting.
After some experiment I developed an 8" square, three-pound, lens-ribbed glass tile, which I called a LIFETILE. By combining many LIFETILES, I found I was able to create large-scale "Movies for the Wall": optical wall pieces that appear to come to life, move and change when the observer walks by.
Since 1990 I have created large-scale LIFETILES murals for the Smithsonian Institute, AMTRAK, the BART subway system in San Francisco, science museums, aquariums, zoos and dozens of other public places around the world. While I continue to accept commissions, I now also create smaller, limited-edition LIFETILES compositions for galleries and private collectors.
The success of LIFETILES inspired me to develop my own patented line of smaller-optically animated items: CineSpinner™ Suncatchers with images that spring to life in a window when they rotate at the end of their string and Smart Move™ greeting cards with pictures than move realistically when they are opened. I also continue to expand a line of bestselling childrens' Scanimation® books for Workman Publishing.
When I design any one of my works in these mediums I have invented, large or small, my goal is always the same. I am going for that signature motion that instantly defines the subject to the observer. I want to make you feel the weightless thrill of a dancer's leap or the elastic coil and spring of a running cat. When I succeed, I feel as though I’ve created a little bit of life itself.
Rufus Butler Seder


This is a very rough tool to help analyze the UTXO output. I hope somebody with actual javascript & HTML knowledge can create a much better tool.
Most importantly, this calculates the block height and satoshi amount for each pixel.


10 cutest Deepika Padukone and Ranveer Singh moments
by Entertainment DeskOne of Bollywood’s most loved couples – if not the most – are celebrating their first wedding anniversary today and if that doesn’t put a smile on your face, we don’t know what will.
The couple decided to celebrate their big day by flying to Andhra Pradesh to offer prayers at a shrine at Tirumala. “Thankyou for all your love, prayers and good wishes,” Deepika captioned the post of them smiling at each other with love.
Who could forget Deepika Padukone and Ranveer Singh’s wedding of year and those beautiful, heartfelt moments between the A-listers. The duo tied the knot at the Villa del Balbianello, on the shore of Lake Como in Italy. Arriving by boat, the actors and their guests made their way to a terrace at the front of the villa overlooking the lake, where the lavish ceremony appeared to have been held.
DeepVeer dated for seven long years before finally walking down the aisle together and yet maintained a dignified silence on the countless relationship and breakup rumours. Now that Deepika and Ranveer have completed one year of blissful marriage, they couldn’t seem more in love.
Let’s take a look at some of the cutest moments of their marriage so far.
Ranveer protecting Deepika at airport post-wedding
The Mumbai airport was the most crowded place in the city the day Deepika and Ranveer landed back after their wedding. This one picture of Ranveer wrapping his hands around Deepika to navigate her through the thick crowd made everyone’s hearts swoon.
Ranveer got a kiss after removing something stuck on Deepika’s jeans
Ranveer showed his thoughtful side when he stopped Deepika to pick something stuck on her jeans at the airport. Deepika rewarded him with a peck on the cheek for it.
Sharing a kiss on stage at the Filmfare Awards
Ranveer took home the trophy for Best Actor that night and went down on one knee dedicating the win to his wife who was also on stage.
Family snuggles
Deepika shared this very cute picture with Ranveer and her sister Anisha Padukone. We think it’s one of their most special moments yet!
Holding Deepika’s veil
Ranveer dutifully held his wife’s veil at the IIFA Awards 2019 as the Bollywood actor made her way to their seats.
Laughter is the best medicine
The couple shared a hearty laugh at the Mumbai airport after they returned from their wedding in Italy. Despite the chaos around them, they only had eyes for each other as the beautiful moment was captured on camera.
Ever-so chivalrous Ranveer
Ranveer certainly knows how to flaunt his love for his beautiful wife. At one of their three wedding receptions he went all gentlemanly by kissing Deepika’s hand.
Fixing Deepika’s sari
Ranveer and Deepika hosted their first wedding reception in Bangalore, Deepika’s native home. Ranveer made it a point to help the actor fix her sari pallu, which was certainly an adorable moment.
Fanboy first
Among other great things that happened for the couple, Deepika got her wax statue at Madame Tussauds London. Ranveer got clicked at the unveiling trying to kiss even the wax figure of his wife.
In their own world
Attending a wedding together, DeepVeer shared this adorable moment as the actor just held onto his beloved while the world went about their business.


Demonstration of the IOTA QR Code generation library https://github.com/tangle-frost/iota-qr-lib
Use the forms below to generate QR codes for your data.
Please note Trinity wallet does not yet consume the Amount or Tag fields for Payment Data.
See
https://docs.iota.works/trinity/information/qr for more details.
Enter your data in the form to generate a QR code for Payment Data.
Enter your data in the form to generate a QR code for Address.
You can find the original source for this sandbox at https://github.com/tangle-frost/iota-qr-sandbox


# Information Technology 3
## Grid Layout Revisited
#### Kristof Michiels
## Revisiting? Yes!
- Yes, because mastering grid layout is one of the most important aspects of CSS
- Yes, because specification is being updated to address some of the limitations that existed in the first version of Grid
- Yes, because expert knowledge of Grid Layout will help you ace your IT3 exam
## A short history of CSS Grid
- CSS Grid arrived in 2017 with massive browser support
- Much anticipated after it first appeared in 2012 in Internet Explorer alone
- Designers could now dump floating as a layout technique. Lucky them, lucky you :-)
## Support has risen to more than 94%
![Grid support Can I Use](../img/it3-grid-support.png)
##### https://caniuse.com/#search=grid
## Support has risen to more than 94%
- Was 90% at the end of 2018 when you learned to work with grid
- Coming from 83% at the end of 2017
- This means we can now finally drop @supports (grid-area: auto) {}
- This means you can start using grid for the mobile version of your site
## Level 2 of specification being implemented in Firefox
![Subgrid support Can I Use](../img/it3-subgrid-support.png)
##### https://caniuse.com/#search=grid
## Level 2 of specification being implemented in Firefox
- E.g. subgrids currently only marginally supported
- We'll leave it untouched for now
- Adoption might rise quickly in the near future
- I'll keep you posted :-)
## What again is Grid Layout?
## Grid Layout?
- The CSS grid layout Module defines a __two-dimensional grid__ layout system
- Once a grid has been established on a containing element, __the direct children__ of that element can be placed into a flexible or fixed layout grid
- The grid can be __redefined using media queries__
- Grid is a very flexible module, so there are a number of ways to use it
## Defining a grid
A grid is defined using a new value of the display property, display: grid
```html
<div class="wrapper">
<div class="box a">A</div>
<div class="box b">B</div>
<div class="box c">C</div>
<div class="box d">A</div>
<div class="box e">B</div>
<div class="box f">C</div>
</div>
```
```css
.wrapper {
display: grid;
}
```
## Describing rows and columns
- Grids have rows and columns, which the CSS Grid Layout Module gives us properties to describe
- Child elements place themselves automatically on the grid according to Grid's auto-placement rules
- These simply fill each cell in turn with a direct child of the grid container
```CSS
.wrapper {
display: grid;
grid-template-columns: 10rem 10rem 10rem;
grid-template-rows: 10rem 10rem;
}
```
## Terminology
![Grid Terminology](../img/it3-terminology.png)
##### Clockwise: column line 2, track between row lines 2 and 3, a grid cell, a grid area
## The explicit and the implicit grid
- In the example we created an __explicit__ grid: the child elements automatically slotted into the cells created by those grid tracks
- If we don’t create enough cells, or place something outside of the explicit grid, Grid creates __implicit__ grid tracks for us
- This means that we can remove the grid-template-rows property, and the items will still place themselves on the grid
- The rows are then auto-sized. An auto-sized track will be large enough to fit the content.
## Gaps between grid tracks
We can do this by using the gap property, or individual properties of column-gap and row-gap
```css
.wrapper {
display: grid;
grid-template-columns: 10rem 10rem 10rem;
gap: 10rem;
}
## Sizing implicit rows
Auto-sized is the initial value of implicit tracks. We can however specify a size for them using the grid-auto-rows and grid-auto-columns properties.
```css
.wrapper {
display: grid;
grid-template-columns: 10rem 10rem 10rem;
grid-auto-rows: 10rem;
gap: 10rem;
}
```
## The minmax() function
In the previous example we could run into a situation where the content overflows the fixed-height track. We can achieve more flexibility by using the minmax() function for our track sizing. It allows us to pass in a minimum and a maximum value.
```css
.wrapper {
display: grid;
grid-template-columns: 10rem 10rem 10rem;
grid-auto-rows:minmax(10rem, auto);
gap: 10rem;
}
```
## The fr unit
- Tracks can be created with any valid CSS length unit, or with percentages
- You can also size tracks using the Grid-specific fr unit
- This value represents a fraction of the available space in the grid container
```css
.wrapper {
width: 60rem;
display: grid;
grid-template-columns: 2fr 1fr 1fr;
grid-auto-rows:minmax(10rem, auto);
gap: 10rem;
}
```
## The repeat() notation
- With repeat(), we place comma-separated values between parentheses
- The value before the comma stands for the number of times a pattern should repeat
- The value after the comma refers to the pattern
- We can repeat a single track value or a track listing
```css
.wrapper {
display: grid;
grid-template-columns: repeat(12, 1fr);
}
```
## The auto-fill keyword
- Say we want to have as many tracks (with a minimum size) as will fit into our grid container
- This enables a responsive number of column tracks without relying on media queries to add breakpoints
- This is achieved by using the auto-fill keyword instead of a number before the comma in our repeat notation
```css
.wrapper {
display: grid;
grid-template-columns: repeat(auto-fill, minmax(20rem, 1fr));
}
```
## Grid items by line number
## Placing grid items by line number
- In the previous example we auto-placed the grid items
- We can of course place them manually using css
- The simplest method to use is line-based placement
```css
.a {
grid-row: 1 / 3;
grid-column: 1 / 3;
}
```
## Overlapping items on the grid
- When placing items using lines, we can place an item into the same cell as another item
- Items that are lower in the source display on top of items that come before them
- we can use the z-index property to change the stacking order of items
## Positioning using grid template areas
Here we create named grid areas and use grid-template-areas to describe where on the grid they sit
```css
.a {grid-area: area-a;}
.b {grid-area: area-b;}
.c {grid-area: area-c;}
.d {grid-area: area-d;}
.e {grid-area: area-e;}
.f {grid-area: area-f;}
.wrapper {
display: grid;
grid-template-columns: 1fr 1fr 1fr;
grid-template-areas:
"area-a area-b area-c"
"area-d area-e area-f";
}
```
## Positioning using grid template areas
Another possibility:
```css
.wrapper {
display: grid;
grid-template-columns: 1fr 1fr 1fr;
grid-template-areas:
"area-a area-a area-a"
". area-b area-b"
". area-c area-d"
"area-f area-f area-f"
"area-e area-e area-e";
}
## Grids within grids
![Grids within grids](../img/it3-gridswithingrids.png)
##### https://codepen.io/admkrm/full/EbREvK
## Grids within grids
- This is an important one
- Understanding this 100% will enable you to look at a design and immediately see where you need one or more grids
- Each web page may contain any number of grids
- It is also possible that a grid element can become a grid in its own right: these grids we call nested grids
- When designing a page: develop your ideas on paper first and determine where you will apply your grids
- Don’t take the one mother-of-all-grids approach: you don’t need this kind of complexity
## Exercise
- Search the web for at least 12 beautiful web sites with interesting layouts
- Tip: search on dribbble.com
- Take screenshots of these 12 examples
- Build a grid based homepage called "Beautiful grids"
- Make it a credible site, with a real-world look and feel
- Use Grid Layout to lay out the screenshots with their full references
- Site is responsive, designed mobile first
- Bonus points for using the new features
- Deadline = 2 weeks
## IT3 - Grid Layout Revisited


REHEARSAL //
Preview and deploy revealjs slides
EXPORT
test
# Hello, Wrold! This is an example slide. --- You can add new slides with the `---` notation. --- This is also another slide! - Vertical slides are supported too. Just add `\n-\n` (A `-` with a newline above and below it) --- Main purpose is to help plan lectures and other talks that make use of markdown and RevealJS. --- Happy revealing! 🎉🎈🎂🍾🎊🍻💃
Built by your boy Taq Karim with
SimpleMDE
,
RevealJS
,
MyJSON API
,
this Spotify playlist
, and ❤


Developer Documentation
Find useful resources, guides and reference material for developers.
Additional resources
Dash Whitepaper - Official Wiki
Dash Improvement Proposals - GitHub
Bitcoin: A Peer-to-Peer Electronic Cash System - Satoshi Nakamoto
Bitcoin Improvement Proposals (with Dash updates) - GitHub
RESTful JSON API for Dash - BlockCypher
RESTful JSON API for Dash - ChainRider


BOJ’s Kuroda: Japan economy sustaining momentum to hit BOJ’s price goal
by Dhwani MehtaMore comments are crossing the wires from the Bank of Japan (BOJ) Chief Kuroda, via Reuters, as he continues to speak on the Bank's Semiannual Report on Currency and Monetary Control in the Diet.
Board does not see us reaching our 2% goals in fiscal 2021.
Japan's economy sustaining momentum to hit BOJ’s price goal.
BOJ has no preconception on its next policy step.
If risks Japan's economy loses momentum to hit price goal heighten, BOJ will ease without hesitation via steps including rate cuts.
BOJ’s ETF buying remains an important part of its monetary policy.
BOJ’s ETF buying is flexible, can exceed or fall short of the amount it indicates as rough guidance depending on market developments.
BOJ board's median forecasts show chance of inflation hitting 2% in fiscal 2021 is extremely small.
USD/JPY has ticked up a few pips from the 108.47 lows on BOJ Governor Kuroda's dovish comments, although the bias remains to the downside amid fresh worries over the US-China Phase One trade deal.


{# Renders HTML that loads Bokeh CSS according to the configuration in a Resources object. :param css_files: a list of URIs for CSS files to include :type css_files: list[str] :param css_raw: a list of raw CSS snippets to put between `` {% endfor %}


{% block header %}{% endblock %}
{% for message in get_flashed_messages() %}
{{ message }}
{% endfor %} {% block content %}{% endblock %}
{{ g.user['email']}}
View Flights
Airline Name
From
To
Departure Airport
Departure City
Arrival Airport
Arrival City
View Booking Agents
View The Most Frequent Customer
Airline Name
Customer E-mail
Add an airplane
Airline Name
Plane ID
Seat Amount
Add a Flight
>
Airline Name
Plane ID
Flight Number
Departure Time
Arrive Time
Departure Airport
Arrive Airport
Base Price
Delay Status
delayed
on-time
Add Airport
City
Airport Name
Change Status of a Flight
>
Airline Name
Departure Time
Flight Number
Delay Status
delayed
on-time
View Reports
Search Type
Last Month
Last Year
Other
From
To
View Revenue
View Agents
Click to view booking agents
View Top 3 Destinations
Click to view top 3 destinations
Last 3 months: {{ value1 }}
Last year: {{ value2 }}
>


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benchbuild.extensions.base module¶
Extension base-classes for compile-time and run-time experiments.
-
class
benchbuild.extensions.base.
Extension
(*extensions, config=None, **kwargs)[source]¶ Bases:
object
An experiment functor to implement composable experiments.
An experiment extension is always callable with an arbitrary amount of arguments. The varargs component of an extension’s __call__ operator is fed the binary command that we currently execute and all arguments to the binary. Any customization necessary for the extension (e.g, dynamic configuration options) has to be passed by keyword argument.
Parameters: - *extensions – Variable length list of child extensions we manage.
- config (
dict
, optional) – Dictionary of name value pairs to be stored for this extension.
-
next_extensions
¶ Variable length list of child extensions we manage.
-
config
¶ Dictionary of name value pairs to be stored for this extension.
Type: dict
, optional
-
call_next
(*args, **kwargs) → List[benchbuild.utils.run.RunInfo][source]¶ Call all child extensions with the given arguments.
This calls all child extensions and collects the results for our own parent. Use this to control the execution of your nested extensions from your own extension.
Returns: - A list of collected
- results of our child extensions.
Return type: list
ofRunInfo


Sunlove Home has come a long way since 1987 when its premises were no more than a disused chicken farm. It started off with just helping 3 patients. Later, 1 hectare of the farmland was occupied and sheds were promptly converted into dormitories that housed 20 psychiatric patients. Eventually, in 1998 the Ministry of Health stepped in to assist and the Home expanded. Today the Home is providing residential care to 200 intellectually disabled individuals.
Sunlove Home is one of the few charitable Homes in Singapore, which gives care to patients ranging in age from 22 to 75 years. The social stigma related to the intellectually-infirmed has caused families to shun their loved ones. The aim of the Home is to educate the public about various forms of mental illness and to eradicate the misconception that mental patients are violent and patients cannot be restored to health. The truth is that even serious mental illness like Schizophrenia can be treated and with early diagnosis, 70% will respond to treatment. The Home has opened its doors to give insight into volunteering opportunities thus aiming to remove the social stigma.
The Home offers compassionate help in rehabilitative programs, from daily supervision to psychotherapy, occupational, physiotherapy and medical treatment. The objective of this half-way house is to ultimately reintegrate the patients back to their homes and to society, restoring hope to the individual, building self-esteem and self worth.
Love ALL, Serve ALL: Regardless of ethnicity, religion, social status and health.
We are a charitable Home for the intellectually-disabled. We shelter, protect and care for those entrusted to us. We are committed to improve and provide a level of care that endears the universal Human Values for the less fortunate. We initiate and participate in community-based projects that are charitable.
At the heart of our mission is love and respect for all persons and kindness to every living thing. We are committed to the universal Human Values in our hearts and minds.


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#include <mrMatrix.h>
Enumerations | |
| enum | MatrixType { kEmpty = 0, kIdentity, kInternalToWorld, kInternalToCamera, kInternalToObject, kCameraToWorld, kCameraToObject, kCameraToInternal, kCameraProjection, kObjectToWorld, kObjectToInternal, kObjectToCamera, kUnknown } |
| Default matrices. More... | |
| void | setToNull () |
| Set Matrix all to 0. | |
| void | setToIdentity () |
| Set Matrix to Identity. | |
| void | setInternalToWorld (miState *const state) |
| Set Matrix to Internal->World Matrix. | |
| void | setInternalToCamera (miState *const state) |
| Set Matrix to Internal->Camera Matrix. | |
| void | setInternalToObject (miState *const state) |
| Set Matrix to Internal->Object Matrix. | |
| void | setCameraToWorld (miState *const state) |
| Set Matrix to Camera->World Matrix. | |
| void | setCameraToInternal (miState *const state) |
| Set Matrix to Camera->Internal Matrix. | |
| void | setObjectToWorld (miState *const state) |
| Set Matrix to Object->World Matrix. | |
| void | setObjectToInternal (miState *const state) |
| Set Matrix to Object->Internal Matrix. | |
| void | setCameraToObject (miState *const state) |
| Set Matrix to Camera->Object Matrix. | |
| void | setObjectToCamera (miState *const state) |
| Set Matrix to Object->Camera Matrix. | |
Friend operators | |
| std::ostream & | operator<< (std::ostream &o, const matrix &a) |
| Printing. | |
| matrix | operator * (const miScalar scalar, const matrix &b) |
| Reverse scalar multiplication. | |
Public Types | |
Public Member Functions | |
Constructors | |
| matrix (kNoConstruct) | |
| Quick Constructor. Leaves matrix elements unitialized. | |
| matrix () | |
| Default Constructor. Sets matrix to identity. | |
| matrix (const miMatrix m) | |
| Construct matrix from an miMatrix. | |
| matrix (miState *const state, const MatrixType n) | |
| Construct matrix from a default matrix. | |
| matrix (const miInteger n) | |
| Construct matrix from an Integer (this is same as prman 0=null, 1=identity). | |
| matrix (const MatrixType n) | |
| Construct matrix from a default matrix (only valid for identity/null). | |
| matrix (const miScalar m00, const miScalar m01, const miScalar m02, const miScalar m10, const miScalar m11, const miScalar m12, const miScalar m20, const miScalar m21, const miScalar m22) | |
| Construct matrix from 9 scalars for a non-perspective matrix. | |
| matrix (const miScalar m00, const miScalar m01, const miScalar m02, const miScalar m03, const miScalar m10, const miScalar m11, const miScalar m12, const miScalar m13, const miScalar m20, const miScalar m21, const miScalar m22, const miScalar m23, const miScalar m30, const miScalar m31, const miScalar m32, const miScalar m33) | |
| Construct matrix from 16 scalars for a perspective matrix. | |
| matrix (const miScalar f[4][4]) | |
| Construct matrix from an array of 4x4 scalars. | |
| matrix (const miState *const state) | |
| Construct matrix as a projection from camera data in miState. | |
| matrix (const matrix &a) | |
| Copy Constructor. | |
| ~matrix () | |
| Destructor. | |
Comparison functions | |
| bool | isNull () const |
| Is matrix the null matrix? | |
| bool | isIdentity () const |
| Is matrix the identity matrix? | |
Assignment | |
| matrix & | operator= (const miMatrix a) |
| Assign a new miMatrix. | |
| matrix & | operator= (const matrix &a) |
| Assign a new matrix. | |
| matrix & | operator= (const miInteger a) |
| Assign a new matrix from default matrices (0=null,1=identity). | |
| matrix & | operator= (const MatrixType a) |
| Assign a new matrix from default matrices. | |
Accesors | |
| miScalar * | operator & () const |
| Access matrix pointer (useful to pass to mray functions). | |
| const miScalar * | operator[] (const unsigned row) const |
| Access a specific row of matrix for reading. | |
| miScalar * | operator[] (const unsigned row) |
| Access a specific row of matrix for assignment. | |
| miScalar | get (const unsigned idx) const |
| Access a specific index[0,15] of matrix for reading. | |
| void | set (const unsigned idx, const miScalar s) |
| Access a specific index[0,15] of matrix for assignment. | |
Operations | |
| matrix | transposed () const |
| const matrix & | transpose () |
| Transpose of this matrix in place. | |
| matrix | inverse () const |
| const matrix & | invert () |
| Invert this matrix in place. | |
| matrix | adjoint () const |
| Return the adjoint matrix. | |
| miScalar | det4x4 () const |
| Return the 4x4 determinant. | |
| const matrix & | transpose3x3 () |
| matrix | transposed3x3 () const |
| matrix | inverse3x3 () const |
| const matrix & | invert3x3 () |
| Invert this matrix in place. Inverts as if 3x3 matrix. | |
| matrix | adjoint3x3 () const |
| Return the adjoint matrix, assuming matrix is 3x3. | |
| miScalar | det3x3 () const |
| Return the 3x3 determinant. | |
| void | orthographic (const miScalar near_plane=0.0f, const miScalar far_plane=1.0f, const miScalar left_plane=-1.0f, const miScalar right_plane=1.0f, const miScalar top_plane=1.0f, const miScalar bottom_plane=-1.0f) |
| Creates a projection matrix (ortho). | |
| void | orthographic (const miState *const state) |
| Creates an orthographi matrix matching camera's. | |
| void | projection (const miState *const state) |
| Creates a projection matrix (frustrum) matching camera's. | |
| void | projection (const miScalar near_plane=0.0f, const miScalar far_plane=1.0f, const miScalar left_plane=-1.0f, const miScalar right_plane=1.0f, const miScalar top_plane=1.0f, const miScalar bottom_plane=-1.0f) |
| Creates a projection matrix (frustrum). | |
| void | translate (const miScalar x, const miScalar y, const miScalar z) |
| Add an xyz translation to the matrix. | |
| void | translate (const miVector v) |
| Add an xyz translation to the matrix. | |
| void | rotate (const miScalar x, const miScalar y, const miScalar z) |
| Add an xyz euler rotation to the matrix. | |
| void | rotate (const miVector v) |
| Add an xyz euler rotation to the matrix. | |
| void | scale (const miScalar x, const miScalar y, const miScalar z) |
| Add an xyz scaling to the matrix. | |
| void | scale (const miScalar xyz) |
| Add a proportional scaling to the matrix. | |
| void | scale (const miVector &v) |
| Add an xyz scaling to the matrix. | |
| bool | operator!= (const matrix &a) const |
| Per component, check for inequality. | |
| bool | operator== (const matrix &a) const |
| Per component, check for equality. | |
| matrix & | operator+= (const matrix &a) |
| Per component sum. | |
| matrix & | operator+= (const miMatrix a) |
| Per component sum. | |
| matrix & | operator-= (const matrix &a) |
| Per component substraction. | |
| matrix & | operator-= (const miMatrix a) |
| Per component substraction. | |
| matrix & | operator *= (const miScalar scalar) |
| Scalar multiplication. | |
| matrix & | operator *= (const matrix &a) |
| Matrix post-multiplication. | |
| matrix & | operator *= (const miMatrix a) |
| Matrix post-multiplication. | |
| matrix & | operator/= (const miScalar scalar) |
| Scalar division. | |
| matrix & | operator/= (const matrix &a) |
| Matrix post-multiplication of the inverse of a matrix. | |
| matrix & | operator/= (const miMatrix a) |
| Matrix post-multiplication of the inverse of a matrix. | |
| matrix | operator- () const |
| Negation. | |
| matrix | operator+ (const miMatrix b) const |
| Per component sum. | |
| matrix | operator+ (const matrix &b) const |
| Per component sum. | |
| matrix | operator- (const miMatrix b) const |
| Per component substraction. | |
| matrix | operator- (const matrix &b) const |
| Per component substraction. | |
| matrix | operator * (const miScalar scalar) const |
| Scalar multiplication. | |
| matrix | operator * (const miMatrix b) const |
| Matrix post-multiplication. | |
| matrix | operator * (const matrix &b) const |
| Matrix post-multiplication. | |
| matrix | operator/ (const miScalar scalar) const |
| Scalar division. | |
| matrix | operator/ (const miMatrix b) const |
| Matrix post-multiplication of the inverse of a matrix. | |
| matrix | operator/ (const matrix &b) const |
| Matrix post-multiplication of the inverse of a matrix. |
|
|
Default matrices.
|
|
|
Quick Constructor. Leaves matrix elements unitialized.
|
|
|
Default Constructor. Sets matrix to identity.
|
|
|
Construct matrix from an miMatrix.
|
|
|
Construct matrix from a default matrix.
|
|
|
Construct matrix from an Integer (this is same as prman 0=null, 1=identity).
|
|
|
Construct matrix from a default matrix (only valid for identity/null).
|
|
|
Construct matrix from 9 scalars for a non-perspective matrix.
|
|
|
Construct matrix from 16 scalars for a perspective matrix.
|
|
|
Construct matrix from an array of 4x4 scalars.
|
|
|
Construct matrix as a projection from camera data in miState.
|
|
|
Copy Constructor.
|
|
|
Destructor.
|
|
|
Return the adjoint matrix.
|
|
|
Return the adjoint matrix, assuming matrix is 3x3.
|
|
|
Return the 3x3 determinant.
|
|
|
Return the 4x4 determinant.
|
|
|
Access a specific index[0,15] of matrix for reading.
|
|
|
Return the inverse of this matrix. Does not modify the original. |
|
|
Return the inverse of this matrix. Does not modify the original. Assumes matrix is 3x3 and other rows/cols are untouched |
|
|
Invert this matrix in place.
|
|
|
Invert this matrix in place. Inverts as if 3x3 matrix.
|
|
|
Is matrix the identity matrix?
|
|
|
Is matrix the null matrix?
|
|
|
Access matrix pointer (useful to pass to mray functions).
|
|
|
Matrix post-multiplication.
|
|
|
Matrix post-multiplication.
|
|
|
Scalar multiplication.
|
|
|
Matrix post-multiplication.
|
|
|
Matrix post-multiplication.
|
|
|
Scalar multiplication.
|
|
|
Per component, check for inequality.
|
|
|
Per component sum.
|
|
|
Per component sum.
|
|
|
Per component sum.
|
|
|
Per component sum.
|
|
|
Per component substraction.
|
|
|
Per component substraction.
|
|
|
Negation.
|
|
|
Per component substraction.
|
|
|
Per component substraction.
|
|
|
Matrix post-multiplication of the inverse of a matrix.
|
|
|
Matrix post-multiplication of the inverse of a matrix.
|
|
|
Scalar division.
|
|
|
Matrix post-multiplication of the inverse of a matrix.
|
|
|
Matrix post-multiplication of the inverse of a matrix.
|
|
|
Scalar division.
|
|
|
Assign a new matrix from default matrices.
|
|
|
Assign a new matrix from default matrices (0=null,1=identity).
|
|
|
Assign a new matrix.
|
|
|
Assign a new miMatrix.
|
|
|
Per component, check for equality.
|
|
|
Access a specific row of matrix for assignment.
|
|
|
Access a specific row of matrix for reading.
|
|
|
Creates an orthographi matrix matching camera's.
|
|
|
Creates a projection matrix (ortho).
|
|
|
Creates a projection matrix (frustrum).
|
|
|
Creates a projection matrix (frustrum) matching camera's.
|
|
|
Add an xyz euler rotation to the matrix.
|
|
|
Add an xyz euler rotation to the matrix.
|
|
|
Add an xyz scaling to the matrix.
|
|
|
Add a proportional scaling to the matrix.
|
|
|
Add an xyz scaling to the matrix.
|
|
|
Access a specific index[0,15] of matrix for assignment.
|
|
|
Set Matrix to Camera->Internal Matrix.
|
|
|
Set Matrix to Camera->Object Matrix.
|
|
|
Set Matrix to Camera->World Matrix.
|
|
|
Set Matrix to Internal->Camera Matrix.
|
|
|
Set Matrix to Internal->Object Matrix.
|
|
|
Set Matrix to Internal->World Matrix.
|
|
|
Set Matrix to Object->Camera Matrix.
|
|
|
Set Matrix to Object->Internal Matrix.
|
|
|
Set Matrix to Object->World Matrix.
|
|
|
Set Matrix to Identity.
|
|
|
Set Matrix all to 0.
|
|
|
Add an xyz translation to the matrix.
|
|
|
Add an xyz translation to the matrix.
|
|
|
Transpose of this matrix in place.
|
|
|
Return the transpose of this matrix. Does not modify the original. Assumes matrix is 3x3 and other rows/cols are untouched |
|
|
Return the transpose of this matrix. Does not modify the original. |
|
|
Transpose of this matrix in place. Assumes matrix is 3x3 and other rows/cols are untouched |
|
|
Reverse scalar multiplication.
|
|
|
Printing.
|


{% extends "layout.html" %} {% include "eventMacros.html" %} {# Keep class names in the modules prefixed and consistent. #} {# The blog has apos-blog-page, so this should be apos-events-page. -Tom #} {% block bodyClass %}{{ super() }} apos-events-page{% endblock %} {# 'here()' returns the URL of the page, with the year and month added if we are #} {# viewing by month, plus any query string based on active filters. You can pass #} {# 'changes' to override filters. Passing null for a filter removes it. #} {%- macro here(changes) -%} {{ page.url | build([ 'year', 'month' ], { year: activeYear, month: activeMonth, tag: query.tag }, changes) }} {%- endmacro -%} {% block nav %} {% endblock %} {% block mainContent %} {% if defaultView %} {% endif %} {% if allTags.length %} {% endif %}


public class JNumber extends JMemory
Typical usage for JNumber is to use it wherever a function requests a primitive type pointer.
| ���������� | ���˵�� |
|---|---|
static class |
JNumber.Type
Used to request a specific type of primitive that this number
will be
dealing with possibly allocating memory more efficiently to fit the
primitive type.
|
| ���������� | �ֶκ�˵�� |
|---|---|
private static int |
BYTE_ORDINAL
The Constant BYTE_ORDINAL.
|
private static int |
CHAR_ORDINAL
The Constant CHAR_ORDINAL.
|
private static int |
DOUBLE_ORDINAL
The Constant DOUBLE_ORDINAL.
|
private static int |
FLOAT_ORDINAL
The Constant FLOAT_ORDINAL.
|
private static int |
INT_ORDINAL
The Constant INT_ORDINAL.
|
private static int |
LONG_LONG_ORDINAL
The Constant LONG_LONG_ORDINAL.
|
private static int |
LONG_ORDINAL
The Constant LONG_ORDINAL.
|
private static int |
MAX_SIZE_ORDINAL
The Constant MAX_SIZE_ORDINAL.
|
private static int |
SHORT_ORDINAL
The Constant SHORT_ORDINAL.
|
JNETPCAP_LIBRARY_NAME,
MAX_DIRECT_MEMORY_DEFAULT,
physical, POINTER, size
| ��������˵�� |
|---|
JNumber()
Allocates a JNumber object capable of storing the biggest
primitive on this
platform.
|
JNumber(JMemory.Type type)
Creates a number pointer, which does not allocate any memory on
its own,
but needs to be peered with primitive pointer.
|
JNumber(JNumber.Type type)
Allocates a number of the specified size and type.
|
| ���������� | ������˵�� |
|---|---|
byte |
byteValue()
Gets value from native memory.
|
void |
byteValue(byte value)
Sets new value in native memory.
|
double |
doubleValue()
Gets value from native memory.
|
void |
doubleValue(double value)
Sets new value in native memory.
|
float |
floatValue()
Gets value from native memory.
|
void |
floatValue(float value)
Sets new value in native memory.
|
int |
intValue()
Returns the data from this JNUmber as a signed integer.
|
void |
intValue(int value)
Sets new value in native memory.
|
long |
longValue()
Gets value from native memory.
|
void |
longValue(long value)
Sets new value in native memory.
|
int |
peer(JBuffer buffer)
Peers with supplied buffer object.
|
int |
peer(JBuffer buffer,
int offset)
Peers with supplied buffer object.
|
int |
peer(JNumber number)
Peers with supplied number object.
|
short |
shortValue()
Gets value from native memory.
|
void |
shortValue(short value)
Sets new value in native memory.
|
private static int |
sizeof(int oridnal)
Sizeof.
|
int |
transferFrom(java.nio.ByteBuffer buffer)
Copies data out of the supplied buffer into this number object.
|
availableDirectMemory,
check, cleanup, createReference,
isInitialized,
isJMemoryBasedOwner,
isOwner, maxDirectMemory,
parseSize,
peer,
peer,
peer,
reservedDirectMemory,
setSize, size, softDirectMemory,
toDebugString,
toHexdump, toHexdump,
totalActiveAllocated,
totalAllocateCalls,
totalAllocated,
totalAllocatedSegments0To255Bytes,
totalAllocatedSegments256OrAbove,
totalDeAllocateCalls,
totalDeAllocated,
transferFrom,
transferFrom,
transferFrom,
transferFromDirect,
transferOwnership,
transferTo,
transferTo,
transferTo,
transferTo,
transferTo,
transferTo,
transferTo,
transferTo0
private static final int BYTE_ORDINAL
private static final int CHAR_ORDINAL
private static final int INT_ORDINAL
private static final int SHORT_ORDINAL
private static final int LONG_ORDINAL
private static final int LONG_LONG_ORDINAL
private static final int FLOAT_ORDINAL
private static final int DOUBLE_ORDINAL
private static final int MAX_SIZE_ORDINAL
public JNumber()
public JNumber(JNumber.Type type)
type
- primitive type for which to allocate memorypublic JNumber(JMemory.Type type)
type
- memory modelprivate static int sizeof(int oridnal)
oridnal
- the oridnalpublic int intValue()
public void intValue(int value)
value
- new valuepublic byte byteValue()
public void byteValue(byte value)
value
- new valuepublic short shortValue()
public void shortValue(short value)
value
- new valuepublic long longValue()
public void longValue(long value)
value
- new valuepublic float floatValue()
public void floatValue(float value)
value
- new valuepublic double doubleValue()
public void doubleValue(double value)
value
- new valuepublic int peer(JNumber number)
number
- number object to peer withpublic int peer(JBuffer buffer)
buffer
- buffer to peer withpublic int peer(JBuffer buffer, int offset)
buffer
- buffer to peer withoffset
- offset into supplied bufferpublic int transferFrom(java.nio.ByteBuffer buffer)
transferFrom
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buffer
- buffer to copy data out of. Buffer's position and limit
properties
set the bounds for the copy


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THE TRUTH ABOUT CATS & DOGS A film review by Andrew Hicks Copyright 1996 Andrew Hicks / Fatboy Productions
*** (out of four)
Do you want to know the truth about cats and dogs? Do you? Well, as this movie shows us, they make good companions but pale in comparison to the joy and fulfillment romantic relationships can bring. Unfortunately, there's a giant roadblock set up in our culture that only certain people can get through while the rest of us mill around outside, feeling sorry for ourselves. A Checkpoint Beautiful kind of thing, and Janeane Garafolo's character Abby relates to it well.
Like a certain oversized teenage movie critic, she is intelligent and has a great sense of humor but strikes out with the opposite sex because she sees herself as physically unattractive, and the men seem to be backing her up on that. Meanwhile, her gorgeous neighbor Nora (Uma Thurman... Uma being the only woman's name worse than Nora) attracts men like flies. As Abby tells her, "You burp and they think it's cute.  But Nora's down on herself for being too shallow and superficial. We all have our prwhen a man calls in to veterinarian Abby's talk radio show wanting to know how to get the roller skates off his basset hound.  He likes her personality and professional demeanor and asks to meet her in person. Abby, though, knows her body doesn't match her personality and that she probably won't have a chance with him once he sees her. So she gives him Nora's body description and stands him up.
Nora happens to be in the studio the next day when the dog man comes by and Abby asks her for a big favor. She goes along with the masquerade and the three of them head out for a night of fun, Abby assuming the role of a goat cheese farmer named Donna. The dog man finds out even though this girl is beautiful, she's not quite as intellectual or confident about herself in person, but he doesn't suspect anything, realizing he's not living in a "Three's Company" episode.
The charade continues, with Abby furthering the relationship over the phone (including a decidedly unnecessary phone sex/masturbation sequence) and Nora furthering it in person, while eventually finding herself attracted to the dog man. Like SLEEPLESS IN SEATTLE, this comedy/romance is predictable all the way through, but we care enough about the characters that we root them on and will the romance to blossom.
THE TRUTH ABOUT CATS AND DOGS isn't quite as entertaining as I was expecting it to be, but it handles well a theme I could identify with. The thing is, I find Janeane Garafolo rather attractive. She's no Uma but I'm sure in real life she'd have no problems attracting men. I, on the other hand, couldn't attract a man to save my life... and am rather proud of that fact.
--
Visit the Movie Critic at LARGE website at http://www.missouri.edu/~c667778/movies.html
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A story which highlights the harsh truth of how a war of independence and fight for power destroys many families, life and separates them from their loved ones.
The movie opens with a big extended family scene where everyone is having a gala time since Diwali is approaching and people have already started decorating the interior of the Then suddenly Shree comes to know her beloved, Srijan is returning back to home for the occasion to spend time with the entire family.Then we find both the lovers unite and their chemistry keeps developing to such extent that people started getting scared of Shree because Srijan will have to leave the place soon. Then Shree finally comes across the news of Srijan's departure which stabs her feelings and makes her turn pale with broken thoughts. Srijan sacrifices his love for Shree and marries a girl, Suparna to keep her father's word in death bed. Then after years war of Burma takes place heading towards the failure of democracy and the arrival of military rule in Myanmar in the year 1962.This is the time when Shree loses her family in the war and decides to leave the place with her maidservant. Shree was waiting in the "waiting room" of the station for the arrival of train where she meets her long parted lover Srijan like after a decade, when she learns that Srijan has married unlike Shree and settled down in his life with a lady, Suparna and they named their daughter 'Shree', as he narrates he could never get over this name.They again parted their ways with a heavy heart.


AUDITION A film review by Steve Rhodes Copyright 2001 Steve Rhodes RATING (0 TO ****): 1/2
Pointless and painful, very painful.
Takashi Miike's AUDITION (ODISHON) is divided into two distinct halves. The first is such an easy going and tentative romance that it would be hard to stay awake were it not for the hint of intrigue. Specifically, who or what is in that body-sized bag in Asami Yamazaki's (Eihi Shiina) sparse bedroom?
Then there is the second half, which has the dubious distinction of being the movie that kept my eyes off of the screen for the longest amount of time ever. And since this was a subtitled film it meant that I was forced to miss much of the dialog. If this part has any redeeming merit, it may make you appreciate your feet more. You'll be happy that they're still attached and that no ghoul has slowly and painfully severed them from your legs. Other directors might spare us some of AUDITION's needless gore, but not Takashi Miike. He pulls his camera in close in order to make us look away or barf. Watching this painful movie is like having to endure an especially sadistic fraternity hazing.
The plot concerns a middle-age director, Shigeharu Aoyama (Ryo Ishibashi), who auditions young women, looking primarily for a wife but ostensibly for an actress to be in a film, which may or may not ever get off the ground. The first time he sees Asami's picture, he falls in love with her. The 24-year-old Asami has perfect creamy skin, long flowing black hair and the slenderness of a professional model. In the audition he learns that she was a ballerina who had to give up her passion after injuring her hip. This loss of her life's vocation is like death to her. Later he describes why he is so infatuated with her. It is because she is so "beautiful, classy and obedient." One of these attributes will be seriously called into question in the second half of the story.
With shades of FATAL ATTRACTION, Asami's one demand of Aoyama is, "Please love me. Only me. Okay?" From there the story rapidly moves from one disgusting scene to another.
AUDITION runs oh-so-painfully long at 1:55. The film is in Japanese with English subtitles. It is not rated but would be NC-17 for pervasive, graphic violence.
The film opens nationwide in the United States on Friday, September 14, 2001. In the Silicon Valley, it will be showing at the Camera Cinemas.
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========== X-RAMR-ID: 29400 X-Language: en X-RT-ReviewID: 248177 X-RT-TitleID: 1109602 X-RT-SourceID: 703 X-RT-AuthorID: 1271 X-RT-RatingText: .5/4
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The FormattedDocument class maintains style information for individual characters in the text, rather than a single style for the whole document. Styles can be accessed and modified by name, for example:
# Get the font name used at character index 0 font_name = document.get_style('font_name', 0) # Set the font name and size for the first 5 characters document.set_style(0, 5, dict(font_name='Arial', font_size=12))
Internally, character styles are run-length encoded over the document text; so longer documents with few style changes do not use excessive memory.
From the document's point of view, there are no predefined style names: it simply maps names and character ranges to arbitrary Python values. It is the TextLayout classes that interpret this style information; for example, by selecting a different font based on the font_name style. Unrecognised style names are ignored by the layout -- you can use this knowledge to store additional data alongside the document text (for example, a URL behind a hyperlink).
The following character styles are recognised by all TextLayout classes.
Where an attribute is marked "as a distance" the value is assumed to be in pixels if given as an int or float, otherwise a string of the form "0u" is required, where 0 is the distance and u is the unit; one of "px" (pixels), "pt" (points), "pc" (picas), "cm" (centimeters), "mm" (millimeters) or "in" (inches). For example, "14pt" is the distance covering 14 points, which at the default DPI of 96 is 18 pixels.
Although FormattedDocument does not distinguish between character- and paragraph-level styles, TextLayout interprets the following styles only at the paragraph level. You should take care to set these styles for complete paragraphs only, for example, by using FormattedDocument.set_paragraph_style.
These styles are ignored for layouts without the multiline flag set.
For the purposes of these attributes, paragraphs are split by the newline character (U+0010) or the paragraph break character (U+2029). Line breaks within a paragraph can be forced with character U+2028.
pyglet provides two formats for decoding formatted documents from plain text. These are useful for loading preprepared documents such as help screens. At this time there is no facility for saving (encoding) formatted documents.
The attributed text format is an encoding specific to pyglet that can exactly describe any FormattedDocument. You must use this encoding to access all of the features of pyglet text layout. For a more accessible, yet less featureful encoding, see the HTML encoding, described below.
The following example shows a simple attributed text encoded document:
Chapter 1 My father's family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip. I give Pirrip as my father's family name, on the authority of his tombstone and my sister - Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones.
Newlines are ignored, unless two are made in succession, indicating a paragraph break.
Line breaks are also forced when the text is indented with one or more spaces or tabs, which is useful for typesetting code:
The following paragraph has hard line breaks for every line of code: import pyglet window = pyglet.window.Window() pyglet.app.run()
Text can be styled using a attribute tag:
This sentence makes a {bold True}bold{bold False} statement.
The attribute tag consists of the attribute name (in this example, bold) followed by a Python bool, int, float, string, tuple or list.
Unlike most structured documents such as HTML, attributed text has no concept of the "end" of a style; styles merely change within the document. This corresponds exactly to the representation used by FormattedDocument internally.
Some more examples follow:
{font_name 'Times New Roman'}{font_size 28}Hello{font_size 12}, {color (255, 0, 0, 255)}world{color (0, 0, 0, 255)}!
(This example uses 28pt Times New Roman for the word "Hello", and 12pt red text for the word "world").
Paragraph styles can be set by prefixing the style name with a period (.). This ensures the style range exactly encompasses the paragraph:
{.margin_left "12px"}This is a block quote, as the margin is inset. {.margin_left "24px"}This paragraph is inset yet again.
Attributed text can be loaded as a Unicode string. In addition, any character can be inserted given its Unicode code point in numeric form, either in decimal:
This text is Copyright {#169}.
or hexadecimal:
This text is Copyright {#xa9}.
The characters { and } can be escaped by duplicating them:
Attributed text uses many "{{" and "}}" characters.
Use the decode_attributed function to decode attributed text into a FormattedDocument:
document = pyglet.text.decode_attributed('Hello, {bold True}world')
While attributed text gives access to all of the features of FormattedDocument and TextLayout, it is quite verbose and difficult produce text in. For convenience, pyglet provides an HTML 4.01 decoder that can translate a small, commonly used subset of HTML into a FormattedDocument.
Note that the decoder does not preserve the structure of the HTML document -- all notion of element hierarchy is lost in the translation, and only the visible style changes are preserved.
The following example uses decode_html to create a FormattedDocument from a string of HTML:
document = pyglet.text.decode_html('Hello, <b>world</b>')
The following elements are supported:
B BLOCKQUOTE BR CENTER CODE DD DIR DL EM FONT H1 H2 H3 H4 H5 H6 I IMG KBD LI MENU OL P PRE Q SAMP STRONG SUB SUP TT U UL VAR
The style attribute is not supported, so font sizes must be given as HTML logical sizes in the range 1 to 7, rather than as point sizes. The corresponding font sizes, and some other stylesheet parameters, can be modified by subclassing HTMLDecoder.


Here I will explain about simple way to check filesystem type which installed on
our running linux system.
The fastest way is via reading filesystem table in /etc/fstab:
Or using mount command:
Or with looking system directory in file /proc/mounts:
That will show the following output:
To make tidier, check with “df” command:
The “-T” option will show the filesystem type. In order to read the disk
capacity easier, you can use “-h” option.


Invalid Name, It must contains at least 3 characters
Invalid Username, It must contains at least 3 characters
Invalid Email
Invalid password, It must contains between 6 and 25 characters