Advanced Manufacturing
Introduction to Engineering Design
Students dig deep into the engineering design process, applying math, science, and engineering standards to hands-on projects like designing a new toy or improving an existing product.
Principles of Engineering
Students explore a broad range of engineering topics including mechanisms, strength of structure and materials, and automation, and then they apply what they know to take on challenges like designing a self-powered car.
Civil Engineering and Architecture
Students learn important aspects of building and site design and development, and then they apply what they know to design a commercial building.
Computer Integrated Manufacturing
Students discover and explore manufacturing processes, product design, robotics, and automation, and then they apply what they have learned to design solutions for real-world manufacturing problems.
Digital Electronics
Students explore the foundations of computing by engaging in circuit design processes to create combinational logic and sequential logic (memory) as electrical engineers do in industry.
Engineering Design and Development
Students identify a real-world challenge and then research, design, and test a solution, ultimately presenting their unique solutions to a panel of engineers.


Three heroes and the King of the Sea
Bogatyrs have family troubles. To unwind, they decide to quickly drive to China for the dragon's tooth, a symbol of wisdom and strength. At the same time, the prince of Kiev goes for a walk with the horse Julius for the treasures of the king of the sea to replenish the treasury and "patch the budget." Why, only the king of the sea decided to marry and for this drowned Kiev. And how to be now? What will help our heroes? Friendship, courage and, of course, love.


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Pat's cookies, made from all organic ingredients, are melt-in-your-mouth good. Pat finds the freshest salmon, practically snatching it from the jaws of the grizzlies, and smokes them for days in her specially designed smoker. The smoked salmon is ground into flour, combined with melted butter, sugar, eggs and her special secret ingredient to bring you the yummiest cookies in the northwest. Try some today!


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滚动条组件
用以替代系统默认滚动条的组件
Contents Here
Contents Here
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The side modal view is defined by the side-modal-window
directive. The input value of the directive is an object
.
It is defined by the vm.sideModalOptions
object which in turn defines the modal options in the example provided.
The following defining the modal are set in the vm.sideModalOptions
.
The modal can be closed or dismissed using the closeModal()
and dismissModal()
methods respectively.


Retailers 'luring' shoppers into Christmas deals with eye-watering interest rates
Critics said customers could be put in debt for months or years to come due to the high amounts of money they will have to pay - retailers charge up to 119 per cent APR
by Stephen Hayward, Dominic Lemanski, https://www.facebook.com/dailymirror/Scrooge retailers have been accused of targeting hard-up shoppers with Christmas deals charging up to 119 per cent APR.
Stores and online traders have festive loans and store cards with eye-watering interest rates.
Rent-to-own chain BrightHouse has deals on toys, TVs and electricals with interest rates as high as 69.9 per cent a year.
So a £384.64 Apple iPad is £561.60 if spread over two years.
Perfect Home has a PS4 bundle at £399 – but it rises to £810.16 over two years at 119.9 per cent interest. Online fashion retailer Very.co.uk has a “pay later” rate of 39.9 per cent, so a North Face Himalayan windstopper at £439 costs £539.55 over 12 months.
Littlewoods, whose online ads are fronted by Love Island winner Amber Gill, has a leather biker jacket for £350 but it will cost £440.82 over 12 months at a rate of 44.9 per cent.
Critics accused retailers of luring shoppers into deals that could put them in debt for months or years to come – while TUC analysis shows the average UK family owes £15,385.
Damon Gibbons, of the Centre for Responsible Credit thinktank, urged tighter controls and said: “People pay through the nose in the months and years ahead.”
Sue Anderson, of free advice charity StepChange Debt, said: “High rates risk exacerbating financial stress that people may be experiencing.
"It’s entirely possible people could find more affordable credit elsewhere, rather than the retailer’s credit.”
BrightHouse, Littlewoods and Very.co.uk had no comment. Perfect Home did not respond to requests for comment.


Updated by Tyler Mau for 2015-2016
| Song | Move |
|---|---|
| All Right Now | Back and forth on quarter notes (then double time) |
| Any Way You Want It |
M. 30-38: "V" dip to the side w/8th notes M. 33-34: Back and forth on each note |
| Back in Black |
M. 3-10: Start high -> middle -> low M. 12-22: Pop and lean on "blats" |
| Bad Romance | Start up for ups/downs (opposite of flutes) |
| Crazy Train |
M. 54: Dip low and rise w/cresc M. 63 & 67: Hit up |
| Get it On |
M. 24: Hit up M. 41: 3 Waves during percussion break |
| Gimme Some Lovin' |
Start: Thrust and "Huh" with beat M. 28-32: Back and forth on beats M. 33: Pop and fall |
| Hey Pachuco! |
Start: Moves hips back and forth with beat Pops and Scoops with beats and cresc M. 42-56: Swanky "V" with scoops Spanky train with drum break |
| Holiday |
M. 5-8: Pop and hold M. 34: Scoop on cresc M. 61: Pop and hold (drop after 64) |
| I Can See for Miles |
M. 7 & 11: Hit up M. 17 & 42: Down and slowly rise w/cresc M. 28 & 32: Hit up |
| The Impression That I Get |
M. 5-12 & 34-41: Back and forth on half notes M. 12: Last 2 notes hits Melody: Up, mid, low, mid, hit hit hit M. 42-49: Back and forth "V" dips |
| I Saw Her Standing There | Back and forth drops with falls |
| Johnny B Goode |
M. 5-16: Up and down bobbing with notes Hit on accents, drop on falls M. 33-37: Back and forth on beats |
| Jump in the Line |
M. 17-20: Two swings to the left, Two to the right M. 33-39: Hit left and right alternating with beats M. 57-63: Hit left and right with measure beats |
| Jungle Boogie |
M. 14-21: Swing to the left with beats (hard stop at center on 4th swing) Arc above head during long notes |
| Lion Sleeps Tonight |
M. 9-16: Swing back and forth (each M) M. 25-27: Horns up |
| Main Title: Robin Hood |
Start: Move to horizontal Ride that mustang! M. 6-14: Arc right and left every 2M M. 15: Horns back center M. 19: Horns up M. 26: Slow horns back down M. 52 Pop horn up M. 57 Slow horns down End: Cross arms and "HUH" |
| Mustang Sally |
M. 5-26: Move back and forth with half notes M. 29-32: Resume back and forth M. 36,40,44,48: Deep scoops |
| My Sharona | "V" Back and forth with beats |
| My Songs Know... |
Start: Left, Right, Middle with notes Hit on 2 quarter notes Rock out on melody |
| Pretty Fly | Start: "Give it to me baby" (start on left) |
| Ow |
Girls: Flute Shimmy Guys: Sax Ow (Z-Move) |
| Rock Lobster |
Pop on trills Falling leaf (start on right) on half/whole notes Pop on last note |
| Rock and Roll II | M. 5-16: Horn angles match pitch |
| Sell Out |
M. 38&40: Pop on 4th beat M. 56: Rock out (smooth groove) |
| Soul Man | Hook clarinet to the left dipping beats 1 & 3 |
| Thnks fr th Mmrs |
Horns up on horn note Rock out on melody Left, right, middle at end whole notes |
| Time Warp |
M. 15: Dip to dynamic Back and forth (quarter notes then 16th) 3 Waves during break |
| Too Hip | M. 30: Wave |
| You Can Call Me Al |
Down left and up right on last quarter notes M. 17 & 21: Scoop left M. 19 & 23: Clockwise circle with bell Clarinet shimmy during piccolo soli |
| You Dropped a Bomb |
Shield yourself from bomb during break Get knocked back when bomb(flute player) explodes |
| You Really Got Me |
Dips on beat 2 for repetitions Back and forth on quarter notes |
| Move | Description | Vocals | Other Notes |
|---|---|---|---|
| Half Time | Alternating left and right, face towards the edges of the block with both hands in the air ("raise the roof"). | "Woot woot" when facing left. | Don't get out of step. |
| "Clarinets!" | After section leader shouts, "Say it louder!" at the end of the funky chicken, the section loudly and proudly exclaims "Clarinets!" in a strong, yet crisp manner. | "Clarinets!" | BE LOUD! |
| Move | Vocal | Visual |
|---|---|---|
| A-Choo | "Ahh Ahh Ahh Ahh-Choo!!" | Lurch forward on sneeze |
| Hi-Yah | "Hi Hi Hi Hi-Yah!!" | Kick on "Hi-Yah" |
| Lil' Jon | "What What What OKAY!!" | NA |
| Move | Description |
|---|---|
| Skip & Click | Skip forward and jump to click your feet together on the snare hit. |
| Stride | Stride left and right (starting on the left). |
| Lazy Clarinets | Lean down for 2 counts, get back up for 2 counts. |
| Counts | Move | Visual | Vocals |
|---|---|---|---|
| 16 | Preparation | NA | NA |
| 16 | Windshield Wiper | Hold clarinet high above head and move left and right in windshield wiper motion. | NA |
| 16 | Stir the Pot | Hold clarinet parallel to ground with 2 hands and move in circular motion to the left. | NA |
| 4 | Break | NA | NA |
| 4 | Big Booty Hoes! | Jump on Vocal | "Big Booty Hoes!" |
| 24 | Break | NA | NA |
| 32 | Up's and Down's | Alternating with clarinet parallel to ground (left starts up). | NA |
| 16 | In's and Out's | Alternating with left of block starting out. | NA |
| 32 | Low Rider | Get low and drive that car. | "Beep Beep!" |
| 8 | Start the Lawn Mower | Pull motion with right hand like starting lawn mower. | NA |
| 8 | Mow the Lawn | Hold clarinet horizontal with both hands like mowing lawn. | Mower Noises |
| 16 | Sprinkler | Do the sprinkler starting on the left. | Sprinkler Noises |
| 16 | Tribal Dance | 2 Beats up, 2 down | NA |
| 16 | Swimming | Swim starting with left arm. | NA |
| 16 | Party Time | Alternating with left of block facing right. | Finish with "HUH" |
| Counts | Move | Visual | Vocals |
|---|---|---|---|
| 16 | Preparation | NA | NA |
| 8 | Flag Pole | Vertical above head | NA |
| 8 | Bar | Horizontal above head | NA |
| 2 | Down | Bring down toward stomach | NA |
| 16 | H-V 1,2,3,4 | Wave Right->Left->Right->Left | NA |
| 16 | Alternating H-V | Left starts vertical (all change on beat) | NA |
| 16 | Alternating Stomach-Carry | Left starts out (all change on beat) | NA |
| 16 | Break | NA | NA |
| 24 | Wheelchair | Make wheelchair motion with arms | NA |
| 8 | Break | NA | NA |
| 16 | Humongous Whale | Start with arms open like mouth and "chomp down" on beats | "Humongous Whale" Repeated |
| 16 | Z-Pattern | Start in upper left and make Z pattern (1 corner per 2 beats) | NA |
| 16 | Double-Time Z | Same Z-Pattern in double time | NA |
| 16 | Break | NA | NA |
| 16 | The Emily | Use clarinet as pimp cane in right hand | "Walk it with your pimp cane!" |
| 8 | Break | NA | NA |
| 8 | Hands Up | Hands up on beat 1 and hold | NA |
| 16 | The Andrew | Hip thrust every beat | End with "HUH" |
| Horn Move | Description | Vocals | Other Notes |
|---|---|---|---|
| Stab & Slice | First 3 counts, stab forward with instrument on each count and on 4th count, spin to "slice". | "Stab!" on stab and "Slice!" on slice. | NA |
| Jousting | Facing right, side step leading with left foot. Hold clarinet in right hand like a lance. | NA | Hold capes out with left hand. |
| Train | Move both arms in circular motions by sides of body similar to train wheels. Make train whistle pulling motion with arm closest to the outside of the block. | "Chuga chuga..." with circular motion. "Choo choo" with arm pulling motion. | Train whistle to the side closest to the outside! |
| Rock the Baby | Swing clarinet back and forth like a baby. | Sing "Rockabye Baby" | NA |
| Disco | Make disco "S" motion with clarinet. Upper right to lower left. | NA | Hold on to middle joint. |
| Kayak | Hold clarinet horizontally with both hands and make kayak motion. | NA | NA |
| Row the Boat | Hold clarinet with both hands and place on side of body closest to the outside of the block. Make rowing motion. | Sing "Row Row Row Your Boat" | Similar to train, row closest to the outside. |
| Dig | On the right, make digging motion with reed side of clarinet as the head of the shovel. | "Heave!", "Ho!" | Stay in step! |
| Shake Weight | Starting in upper left, hold clarinet parallel to ground with reed facing toward back of block. Make shake weight motion in Z formation. | NA | Hold clarinet together! |
| Drum Major | Hold clarinet in right hand and move up and down on each beat like a drum major baton. | NA | Clarinet held at 45º angle. |
| Do-Si-Do | In groups of 2 starting from the left of the block, grab your link your left arm with your partner and dance in circles (do-si-do dance). | NA | Get back into position on time! |
| E-Brake | Act as if you are pulling your clarinet back like an emergency brake on a car. Spin out of control. | "EEEEEEEEEEE!!!" (Squealing brake noise) | Be back into block by end of 16 counts. |
| Hokey Pokey | Put correct arm forward, then back, then forward, then "shake it all about". Then turn around. | Sing corresponding hokey pokey verse. End with "HUH!" | 1st: Left arm, 2nd: Right arm, 3rd: Body |
| Princess Wave | With your left arm at a 90º angle, rotate hand back in forth in an elegant waving motion. | NA | Reference: Princess Diaries |
| Ground is Lava | Jump around like a maniac as if the ground is made of lava. | Appropriate yelling. | Don't scream bloody murder. |
| The Andrew | Thrust hips quickly. | No obscene noises. End with "HUH" | In honor of Andrew's dancing! |
| The Kayla | Make siren noises while waving clarinet around. | "WEE WOO WEE WOO" | In honor of Kayla the future firefighter! |
| Bunny Hops | Hop on beats like bunny. | NA | This move is tiring. |


Introducing Alarms
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Alarms are so simple to add to your existing cron jobs, just check out the demo below.
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{{#message}}
{{message}}
{{/message}}
Stay safe out there! Ensure password:
is at least 6 characters long
has at least one CAPITAL LETTER (A-Z)
has at least one LOWERCASE LETTER (a-z)
has at least one NUMBER (0-9)
Passwords must match!


Class collections.IncrSeq
All Packages Class Hierarchy This Package Previous Next Index
Class collections.IncrSeq
java.lang.Object
|
+----collections.IncrImpl
|
+----collections.IncrSeq
- public final class IncrSeq
- extends IncrImpl
- implements Seq
Implementation of Immutable Seq
-
IncrSeq()
- Make a new pure Seq using the default underlying Seq implementation
-
IncrSeq(UpdatableSeq)
- Make a pure seq managing the given updatable seq s.
-
at(int)
- Implements collections.Seq.at.
-
clone()
- Make a copy.
-
doEdit(UpdatableCollection)
- Perform updates within an edit chain
-
excluding(Object)
- Implements collections.Collection.excluding.
-
first()
- Implements collections.Seq.first.
-
firstIndexOf(Object, int)
- Implements collections.Seq.firstIndexOf.
-
firstIndexOf(Object)
- Implements collections.Seq.firstIndexOf.
-
insertingAt(int, Object)
- Implements collections.Seq.insertingAt.
-
last()
- Implements collections.Seq.last.
-
lastIndexOf(Object, int)
- Implements collections.Seq.lastIndexOf.
-
lastIndexOf(Object)
- Implements collections.Seq.lastIndexOf.
-
removingAt(int)
- Implements collections.Seq.removingAt.
-
removingOneOf(Object)
- Implements collections.Collection.removingOneOf
-
replacingAllOf(Object, Object)
- Implements collections.Collection.replacingAllOf.
-
replacingAt(int, Object)
- Implements collections.Seq.replacingAt
-
replacingOneOf(Object, Object)
- Implements collections.Collection.replacingOneOf
-
subseq(int, int)
- Implements collections.Seq.subseq.
IncrSeq
public IncrSeq()
- Make a new pure Seq using the default underlying Seq implementation
IncrSeq
public IncrSeq(UpdatableSeq s)
- Make a pure seq managing the given updatable seq s.
Warning: Do not modify s during the the lifetime of the constructed pure seq!
clone
protected Object clone() throws CloneNotSupportedException
- Make a copy. Uses lazy update.
- Overrides:
- clone in class Object
at
public synchronized Object at(int index) throws NoSuchElementException
- Implements collections.Seq.at.
- See Also:
- at
first
public synchronized Object first() throws NoSuchElementException
- Implements collections.Seq.first.
- See Also:
- first
last
public synchronized Object last() throws NoSuchElementException
- Implements collections.Seq.last.
- See Also:
- last
firstIndexOf
public synchronized int firstIndexOf(Object element,
int startingIndex)
- Implements collections.Seq.firstIndexOf.
- See Also:
- firstIndexOf
firstIndexOf
public synchronized int firstIndexOf(Object element)
- Implements collections.Seq.firstIndexOf.
- See Also:
- firstIndexOf
lastIndexOf
public synchronized int lastIndexOf(Object element,
int startingIndex)
- Implements collections.Seq.lastIndexOf.
- See Also:
- lastIndexOf
lastIndexOf
public synchronized int lastIndexOf(Object element)
- Implements collections.Seq.lastIndexOf.
- See Also:
- lastIndexOf
subseq
public synchronized Seq subseq(int index,
int length) throws NoSuchElementException
- Implements collections.Seq.subseq.
Makes a full new Seq, not a lazy update.
- See Also:
- subseq
removingOneOf
public synchronized Collection removingOneOf(Object element)
- Implements collections.Collection.removingOneOf
- Overrides:
- removingOneOf in class IncrImpl
- See Also:
- removingOneOf
excluding
public synchronized Collection excluding(Object element)
- Implements collections.Collection.excluding.
If more than one occurrence of element exists, it makes
a full, non-lazy copy.
- Overrides:
- excluding in class IncrImpl
- See Also:
- excluding
replacingOneOf
public synchronized Collection replacingOneOf(Object oldElement,
Object newElement) throws IllegalElementException
- Implements collections.Collection.replacingOneOf
- Overrides:
- replacingOneOf in class IncrImpl
- See Also:
- replacingOneOf
replacingAllOf
public synchronized Collection replacingAllOf(Object oldElement,
Object newElement) throws IllegalElementException
- Implements collections.Collection.replacingAllOf.
If more than one occurrence of element exists, it makes
a full, non-lazy copy.
- Overrides:
- replacingAllOf in class IncrImpl
- See Also:
- replacingAllOf
insertingAt
public synchronized Seq insertingAt(int index,
Object element) throws IllegalElementException, NoSuchElementException
- Implements collections.Seq.insertingAt.
- See Also:
- insertingAt
removingAt
public synchronized Seq removingAt(int index) throws NoSuchElementException
- Implements collections.Seq.removingAt.
- See Also:
- removingAt
replacingAt
public synchronized Seq replacingAt(int index,
Object element) throws IllegalElementException, NoSuchElementException
- Implements collections.Seq.replacingAt
- See Also:
- replacingAt
doEdit
protected synchronized UpdatableCollection doEdit(UpdatableCollection c)
- Perform updates within an edit chain
- Overrides:
- doEdit in class IncrImpl
All Packages Class Hierarchy This Package Previous Next Index


The Joint BioEnergy Institute's Inventory of Composable Elements (ICE) is an
open source registry software and platform for managing information about biological parts.
It is capable of recording information about “legacy” parts such as plasmids,
microbial host strains, and Arabidopsis seeds.
ICE is built upon the idea of a Web of Registries, and thus provides strong
support for distributed, interconnected use. It includes several useful
graphical applications for sequence annotation, manipulation and analysis.


{% load static %}
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{{ lastUpdatedTime | date:'MM/dd mm:ss'}}
| Start time | Finish time | Charged kWh | Vehicle |
|---|---|---|---|
|
{{log.start_date}}
|
{{log.end_date}}
|
{{log.kWh}}
|
{{log.vehicle_id}}
|


The tidyREDCap
package creates data sets with labelled
columns.
tidyREDCap::import_instruments(
url = "https://bbmc.ouhsc.edu/redcap/api/",
token = Sys.getenv("REDCapR_test")
)
If you would like to see the labels on the data set
demographics
, you can use the RStudio function
View()
, as shown below.
View(demographics)
However, some functions do not work well with labeled variables.
| Name | demographics |
| Number of rows | 5 |
| Number of columns | 10 |
| _______________________ | |
| Column type frequency: | |
| character | 7 |
| Date | 1 |
| numeric | 2 |
| ________________________ | |
| Group variables | None |
Variable type: character
| skim_variable | n_missing | complete_rate | min | max | empty | n_unique | whitespace |
|---|---|---|---|---|---|---|---|
| name_first | 0 | 1 | 5 | 8 | 0 | 5 | 0 |
| name_last | 0 | 1 | 3 | 8 | 0 | 4 | 0 |
| address | 0 | 1 | 29 | 38 | 0 | 5 | 0 |
| telephone | 0 | 1 | 14 | 14 | 0 | 5 | 0 |
| 0 | 1 | 12 | 19 | 0 | 5 | 0 | |
| sex | 0 | 1 | 4 | 6 | 0 | 2 | 0 |
| demographics_complete | 0 | 1 | 8 | 8 | 0 | 1 | 0 |
Variable type: Date
| skim_variable | n_missing | complete_rate | min | max | median | n_unique |
|---|---|---|---|---|---|---|
| dob | 0 | 1 | 1934-04-09 | 2003-08-30 | 1955-04-15 | 5 |
Variable type: numeric
| skim_variable | n_missing | complete_rate | mean | sd | p0 | p25 | p50 | p75 | p100 | hist |
|---|---|---|---|---|---|---|---|---|---|---|
| record_id | 0 | 1 | 3.0 | 1.58 | 1 | 2 | 3 | 4 | 5 | ▇▇▇▇▇ |
| age | 0 | 1 | 44.4 | 31.57 | 11 | 11 | 59 | 61 | 80 | ▇▁▁▇▃ |
So you need a way to drop the label off of a variable or to drop all the labels from all the variables in a dataset.
You can drop the label from a single variable with the drop_label() function. For example:
demographics_changed <- drop_label(demographics, "first_name")
You can drop all the labels using the drop_labels()
function. For example:
demographics_without_labels <- drop_labels(demographics)
demographics_without_labels |>
skim()
| Name | demographics_without_labe… |
| Number of rows | 5 |
| Number of columns | 10 |
| _______________________ | |
| Column type frequency: | |
| character | 7 |
| numeric | 3 |
| ________________________ | |
| Group variables | None |
Variable type: character
| skim_variable | n_missing | complete_rate | min | max | empty | n_unique | whitespace |
|---|---|---|---|---|---|---|---|
| name_first | 0 | 1 | 5 | 8 | 0 | 5 | 0 |
| name_last | 0 | 1 | 3 | 8 | 0 | 4 | 0 |
| address | 0 | 1 | 29 | 38 | 0 | 5 | 0 |
| telephone | 0 | 1 | 14 | 14 | 0 | 5 | 0 |
| 0 | 1 | 12 | 19 | 0 | 5 | 0 | |
| sex | 0 | 1 | 4 | 6 | 0 | 2 | 0 |
| demographics_complete | 0 | 1 | 8 | 8 | 0 | 1 | 0 |
Variable type: numeric
| skim_variable | n_missing | complete_rate | mean | sd | p0 | p25 | p50 | p75 | p100 | hist |
|---|---|---|---|---|---|---|---|---|---|---|
| record_id | 0 | 1 | 3.0 | 1.58 | 1 | 2 | 3 | 4 | 5 | ▇▇▇▇▇ |
| dob | 0 | 1 | -56.0 | 11581.94 | -13051 | -6269 | -5375 | 12121 | 12294 | ▃▇▁▁▇ |
| age | 0 | 1 | 44.4 | 31.57 | 11 | 11 | 59 | 61 | 80 | ▇▁▁▇▃ |


You can change the look and behavior of
SumatraPDF
by editing the file SumatraPDF-settings.txt
. The file is stored in
%APPDATA%\SumatraPDF
directory for the installed version or in the
same directory as SumatraPDF.exe
executable for the portable version.
Use the menu item Settings -> Advanced Settings...
to open the settings file
with your default text editor.
The file is in a simple text format. Below is an explanation of what the different settings mean and what their default values are.
Highlighted settings can't be changed from the UI. Modifying other settings directly in this file is not recommended.
If you add or remove lines with square brackets, make sure to always add/remove square brackets in pairs! Else you risk losing all the data following them.
background color of the non-document windows, traditionally yellow MainWindowBackground = #fff200 if true, Esc key closes SumatraPDF EscToExit = false if true, we'll always open files using existing SumatraPDF process ReuseInstance = false if true, we use Windows system colors for background/text color. Over-rides other settings UseSysColors = false if true and SessionData isn't empty, that session will be restored at startup RestoreSession = true customization options for PDF, XPS, DjVu and PostScript UI FixedPageUI [ color value with which black (text) will be substituted TextColor = #000000 color value with which white (background) will be substituted BackgroundColor = #ffffff color value for the text selection rectangle (also used to highlight found text) (introduced in version 2.4) SelectionColor = #f5fc0c top, right, bottom and left margin (in that order) between window and document WindowMargin = 2 4 2 4 horizontal and vertical distance between two pages in facing and book view modes PageSpacing = 4 4 colors to use for the gradient from top to bottom (stops will be inserted at regular intervals throughout the document); currently only up to three colors are supported; the idea behind this experimental feature is that the background might allow to subconsciously determine reading progress; suggested values: #2828aa #28aa28 #aa2828 GradientColors = ] customization options for eBooks (EPUB, Mobi, FictionBook) UI. If UseFixedPageUI is true, FixedPageUI settings apply instead EbookUI [ name of the font. takes effect after re-opening the document FontName = Georgia size of the font. takes effect after re-opening the document FontSize = 12.5 color for text TextColor = #5f4b32 color of the background (page) BackgroundColor = #fbf0d9 if true, the UI used for PDF documents will be used for ebooks as well (enables printing and searching, disables automatic reflow) UseFixedPageUI = false ] customization options for Comic Book and images UI ComicBookUI [ top, right, bottom and left margin (in that order) between window and document WindowMargin = 0 0 0 0 horizontal and vertical distance between two pages in facing and book view modes PageSpacing = 4 4 if true, default to displaying Comic Book files in manga mode (from right to left if showing 2 pages at a time) CbxMangaMode = false ] customization options for CHM UI. If UseFixedPageUI is true, FixedPageUI settings apply instead ChmUI [ if true, the UI used for PDF documents will be used for CHM documents as well UseFixedPageUI = false ] list of additional external viewers for various file types (can have multiple entries for the same format) ExternalViewers [ [ command line with which to call the external viewer, may contain %p for page numer and "%1" for the file name (add quotation marks around paths containing spaces) CommandLine = name of the external viewer to be shown in the menu (implied by CommandLine if missing) Name = optional filter for which file types the menu item is to be shown; separate multiple entries using ';' and don't include any spaces (e.g. *.pdf;*.xps for all PDF and XPS documents) Filter = ] ] if false, the menu bar will be hidden for all newly opened windows (use F9 to show it until the window closes or Alt to show it just briefly), only applies if UseTabs is false (introduced in version 2.5) ShowMenubar = true if true, a document will be reloaded automatically whenever it's changed (currently doesn't work for documents shown in the ebook UI) (introduced in version 2.5) ReloadModifiedDocuments = true if true, we show the full path to a file in the title bar (introduced in version 3.0) FullPathInTitle = false sequence of zoom levels when zooming in/out; all values must lie between 8.33 and 6400 ZoomLevels = 8.33 12.5 18 25 33.33 50 66.67 75 100 125 150 200 300 400<PHONE_NUMBER> 1200 1600 2000 2400 3200 4800 6400 zoom step size in percents relative to the current zoom level. if zero or negative, the values from ZoomLevels are used instead ZoomIncrement = 0 these override the default settings in the Print dialog PrinterDefaults [ default value for scaling (shrink, fit, none) PrintScale = shrink ] customization options for how we show forward search results (used from LaTeX editors) ForwardSearch [ when set to a positive value, the forward search highlight style will be changed to a rectangle at the left of the page (with the indicated amount of margin from the page margin) HighlightOffset = 0 width of the highlight rectangle (if HighlightOffset is > 0) HighlightWidth = 15 color used for the forward search highlight HighlightColor = #6581ff if true, highlight remains visible until the next mouse click (instead of fading away immediately) HighlightPermanent = false ] a whitespace separated list of passwords to try when opening a password protected document (passwords containing spaces must be quoted) (introduced in version 2.4) DefaultPasswords = actual resolution of the main screen in DPI (if this value isn't positive, the system's UI setting is used) (introduced in version 2.5) CustomScreenDPI = 0if true, we store display settings for each document separately (i.e. everything after UseDefaultState in FileStates) RememberStatePerDocument = true ISO code of the current UI language UiLanguage = if true, we show the toolbar at the top of the window ShowToolbar = true if true, we show the Favorites sidebar ShowFavorites = false a list of extensions that SumatraPDF has associated itself with and will reassociate if a different application takes over (e.g. ".pdf .xps .epub") AssociatedExtensions = whether file associations should be fixed silently or only after user feedback AssociateSilently = false if true, we check once a day if an update is available CheckForUpdates = true we won't ask again to update to this version VersionToSkip = if true, we remember which files we opened and their display settings RememberOpenedFiles = true pattern used to launch the LaTeX editor when doing inverse search InverseSearchCmdLine = if true, we expose the SyncTeX inverse search command line in Settings -> Options EnableTeXEnhancements = false default layout of pages. valid values: automatic, single page, facing, book view, continuous, continuous facing, continuous book view DefaultDisplayMode = automatic default zoom (in %) or one of those values: fit page, fit width, fit content DefaultZoom = fit page default state of the window. 1 is normal, 2 is maximized, 3 is fullscreen, 4 is minimized WindowState = 1 default position (x, y) and size (width, height) of the window WindowPos = 0 0 0 0 if true, we show table of contents (Bookmarks) sidebar if it's present in the document ShowToc = true width of favorites/bookmarks sidebar (if shown) SidebarDx = 0 if both favorites and bookmarks parts of sidebar are visible, this is the height of bookmarks (table of contents) part TocDy = 0 if true, we show a list of frequently read documents when no document is loaded ShowStartPage = true if true, documents are opened in tabs instead of new windows (introduced in version 3.0) UseTabs = true information about opened files (in most recently used order) FileStates [ [ path of the document FilePath = Values which are persisted for bookmarks/favorites Favorites [ [ name of this favorite as shown in the menu Name = number of the bookmarked page PageNo = 0 label for this page (only present if logical and physical page numbers are not the same) PageLabel = ] ] a document can be "pinned" to the Frequently Read list so that it isn't displaced by recently opened documents IsPinned = false if true, the file is considered missing and won't be shown in any list IsMissing = false number of times this document has been opened recently OpenCount = 0 data required to open a password protected document without having to ask for the password again DecryptionKey = if true, we use global defaults when opening this file (instead of the values below) UseDefaultState = false layout of pages. valid values: automatic, single page, facing, book view, continuous, continuous facing, continuous book view DisplayMode = automatic how far this document has been scrolled (in x and y direction) ScrollPos = 0 0 number of the last read page PageNo = 1 zoom (in %) or one of those values: fit page, fit width, fit content Zoom = fit page how far pages have been rotated as a multiple of 90 degrees Rotation = 0 state of the window. 1 is normal, 2 is maximized, 3 is fullscreen, 4 is minimized WindowState = 0 default position (can be on any monitor) WindowPos = 0 0 0 0 if true, we show table of contents (Bookmarks) sidebar if it's present in the document ShowToc = true width of the left sidebar panel containing the table of contents SidebarDx = 0 if true, the document is displayed right-to-left in facing and book view modes (only used for comic book documents) DisplayR2L = false data required to restore the last read page in the ebook UI ReparseIdx = 0 data required to determine which parts of the table of contents have been expanded TocState = ] ] state of the last session, usage depends on RestoreSession (introduced in version 3.1) SessionData [ [ data required for restoring the view state of a single tab TabStates [ [ path of the document FilePath = same as FileStates -> DisplayMode DisplayMode = automatic number of the last read page PageNo = 1 same as FileStates -> Zoom Zoom = fit page same as FileStates -> Rotation Rotation = 0 how far this document has been scrolled (in x and y direction) ScrollPos = 0 0 if true, the table of contents was shown when the document was closed ShowToc = true same as FileStates -> TocState TocState = ] ] index of the currently selected tab (1-based) TabIndex = 1 same as FileState -> WindowState WindowState = 0 default position (can be on any monitor) WindowPos = 0 0 0 0 width of favorites/bookmarks sidebar (if shown) SidebarDx = 0 ] ] data required for reloading documents after an auto-update (introduced in version 3.0) ReopenOnce = data required to determine when SumatraPDF last checked for updates TimeOfLastUpdateCheck = 0 0 value required to determine recency for the OpenCount value in FileStates OpenCountWeek = 0
The syntax for colors is: #rrggbb
.
The components are hex values (ranging from 00 to FF) and stand for:
rr
: red componentgg
: green componentbb
: blue component


{% extends "registration/base.html" %} {% load static widget_tweaks %} {% block title %}Password Reset{% endblock %} {% block content %}
Oh snap! The two passwords did not match. Please try again.


|
ztr_read_tags()
|
Read All Tags In The Library Or Tags Of All Types Matching A Specific Name |
|
ztr_read_collection_tags()
|
Read Tags Within A Specific Collection In The Library |
|
ztr_read_items_tags()
|
Read Tags Assigned To Items (In A Given Collection) |
|
ztr_read_item_tags()
|
Read Tags Associated With A Specific Item |
|
ztr_read_trash_tags()
|
Read Tags Assigned To Items In The Trash |
|
ztr_read_publications_tags()
|
Read Tags Assigned To Items In My Publications |


rMR: Importing Data from Loligo Systems Software, Calculating
Metabolic Rates and Critical Tensions
Analysis of oxygen consumption data generated by Loligo (R) Systems respirometry equipment. The package includes a function for loading data output by Loligo's 'AutoResp' software (get.witrox.data()), functions for calculating metabolic rates over user-specified time intervals, extracting critical points from data using broken stick regressions based on Yeager and Ultsch (<doi:10.1086/physzool.62.4.30157935>), and easy functions for converting between different units of barometric pressure.
| Version: |
1.1.0 |
| Depends: |
R (≥ 2.10), biglm |
| Published: |
2018-01-21 |
| Author: |
Tyler L. Moulton |
| Maintainer: |
Tyler L. Moulton <tyler.moulton at cortland.edu> |
| License: |
GPL-3 |
| NeedsCompilation: |
no |
| CRAN checks: |
rMR results |
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=rMR
to link to this page.


|
keigeki
1.0.0
傾撃
|
#include "utility.h"
Go to the source code of this file.
Classes | |
| struct | kmMat4 |
Typedefs | |
| typedef struct kmMat4 | kmMat4 |
Functions | |
| kmMat4 *const | kmMat4Fill (kmMat4 *pOut, const kmScalar *pMat) |
| kmMat4 *const | kmMat4Identity (kmMat4 *pOut) |
| kmMat4 *const | kmMat4Inverse (kmMat4 *pOut, const kmMat4 *pM) |
| const int | kmMat4IsIdentity (const kmMat4 *pIn) |
| kmMat4 *const | kmMat4Transpose (kmMat4 *pOut, const kmMat4 *pIn) |
| kmMat4 *const | kmMat4Multiply (kmMat4 *pOut, const kmMat4 *pM1, const kmMat4 *pM2) |
| kmMat4 *const | kmMat4Assign (kmMat4 *pOut, const kmMat4 *pIn) |
| const int | kmMat4AreEqual (const kmMat4 *pM1, const kmMat4 *pM2) |
| kmMat4 *const | kmMat4RotationX (kmMat4 *pOut, const kmScalar radians) |
| kmMat4 *const | kmMat4RotationY (kmMat4 *pOut, const kmScalar radians) |
| kmMat4 *const | kmMat4RotationZ (kmMat4 *pOut, const kmScalar radians) |
| kmMat4 *const | kmMat4RotationPitchYawRoll (kmMat4 *pOut, const kmScalar pitch, const kmScalar yaw, const kmScalar roll) |
| kmMat4 *const | kmMat4RotationQuaternion (kmMat4 *pOut, const struct kmQuaternion *pQ) |
| kmMat4 *const | kmMat4RotationTranslation (kmMat4 *pOut, const struct kmMat3 *rotation, const struct kmVec3 *translation) |
| kmMat4 *const | kmMat4Scaling (kmMat4 *pOut, const kmScalar x, const kmScalar y, const kmScalar z) |
| kmMat4 *const | kmMat4Translation (kmMat4 *pOut, const kmScalar x, const kmScalar y, const kmScalar z) |
| struct kmVec3 *const | kmMat4GetUpVec3 (struct kmVec3 *pOut, const kmMat4 *pIn) |
| struct kmVec3 *const | kmMat4GetRightVec3 (struct kmVec3 *pOut, const kmMat4 *pIn) |
| struct kmVec3 *const | kmMat4GetForwardVec3 (struct kmVec3 *pOut, const kmMat4 *pIn) |
| kmMat4 *const | kmMat4PerspectiveProjection (kmMat4 *pOut, kmScalar fovY, kmScalar aspect, kmScalar zNear, kmScalar zFar) |
| kmMat4 *const | kmMat4OrthographicProjection (kmMat4 *pOut, kmScalar left, kmScalar right, kmScalar bottom, kmScalar top, kmScalar nearVal, kmScalar farVal) |
| kmMat4 *const | kmMat4LookAt (kmMat4 *pOut, const struct kmVec3 *pEye, const struct kmVec3 *pCenter, const struct kmVec3 *pUp) |
| kmMat4 *const | kmMat4RotationAxisAngle (kmMat4 *pOut, const struct kmVec3 *axis, kmScalar radians) |
| struct kmMat3 *const | kmMat4ExtractRotation (struct kmMat3 *pOut, const kmMat4 *pIn) |
| struct kmPlane *const | kmMat4ExtractPlane (struct kmPlane *pOut, const kmMat4 *pIn, const kmEnum plane) |
| struct kmVec3 *const | kmMat4RotationToAxisAngle (struct kmVec3 *pAxis, kmScalar *radians, const kmMat4 *pIn) |
Returns KM_TRUE if the 2 matrices are equal (approximately)
|
read |
Extract a 3x3 rotation matrix from the input 4x4 transformation. Stores the result in pOut, returns pOut
Fills a kmMat4 structure with the values from a 16 element array of floats pOut - A pointer to the destination matrix pMat - A 16 element array of floats Returns pOut so that the call can be nested
Extract the forward vector from a 4x4 matrix. The result is stored in pOut. Returns pOut.
Extract the right vector from a 4x4 matrix. The result is stored in pOut. Returns pOut.
Get the up vector from a matrix. pIn is the matrix you wish to extract the vector from. pOut is a pointer to the kmVec3 structure that should hold the resulting vector
Sets pOut to an identity matrix returns pOut pOut - A pointer to the matrix to set to identity Returns pOut so that the call can be nested
Calculates the inverse of pM and stores the result in pOut. Returns NULL if there is no inverse, else pOut
| const int kmMat4IsIdentity | ( | const kmMat4 * | pIn | ) |
Returns KM_TRUE if pIn is an identity matrix KM_FALSE otherwise
| kmMat4* const kmMat4LookAt | ( | kmMat4 * | pOut, |
| const struct kmVec3 * | pEye, | ||
| const struct kmVec3 * | pCenter, | ||
| const struct kmVec3 * | pUp | ||
| ) |
Multiplies pM1 with pM2, stores the result in pOut, returns pOut
| kmMat4* const kmMat4OrthographicProjection | ( | kmMat4 * | pOut, |
| kmScalar | left, | ||
| kmScalar | right, | ||
| kmScalar | bottom, | ||
| kmScalar | top, | ||
| kmScalar | nearVal, | ||
| kmScalar | farVal | ||
| ) |
Creates an orthographic projection matrix like glOrtho
| kmMat4* const kmMat4PerspectiveProjection | ( | kmMat4 * | pOut, |
| kmScalar | fovY, | ||
| kmScalar | aspect, | ||
| kmScalar | zNear, | ||
| kmScalar | zFar | ||
| ) |
Creates a perspective projection matrix in the same way as gluPerspective
| kmMat4* const kmMat4RotationAxisAngle | ( | kmMat4 * | pOut, |
| const struct kmVec3 * | axis, | ||
| kmScalar | radians | ||
| ) |
| kmMat4* const kmMat4RotationPitchYawRoll | ( | kmMat4 * | pOut, |
| const kmScalar | pitch, | ||
| const kmScalar | yaw, | ||
| const kmScalar | roll | ||
| ) |
Builds a rotation matrix from pitch, yaw and roll. The resulting matrix is stored in pOut and pOut is returned
| kmMat4* const kmMat4RotationQuaternion | ( | kmMat4 * | pOut, |
| const struct kmQuaternion * | pQ | ||
| ) |
|
read |
Take the rotation from a 4x4 transformation matrix, and return it as an axis and an angle (in radians) returns the output axis.
| kmMat4* const kmMat4RotationTranslation | ( | kmMat4 * | pOut, |
| const struct kmMat3 * | rotation, | ||
| const struct kmVec3 * | translation | ||
| ) |
Builds a scaling matrix
| kmMat4* const kmMat4Translation | ( | kmMat4 * | pOut, |
| const kmScalar | x, | ||
| const kmScalar | y, | ||
| const kmScalar | z | ||
| ) |
Builds a translation matrix. All other elements in the matrix will be set to zero except for the diagonal which is set to 1.0


{% extends "layout.html" %} {% block title %}Pick your loan type{% endblock %} {% block javascript %} {% endblock %} {% block body %}
If you're looking for {{ type|capitalize }} loans then below are the top 10 results for this category. If these don't suit then be sure to check out our further suggestions on the right.


Holy Man not whole
Holy Man A Film Review By Michael Redman Copyright 1998 By Michael Redman
* (Out of ****)
Birthdays often cause individuals to access their lives. Are we doing what we want to be doing? What happened to our dreams?
The old standbys of traditional religion and science aren't doing it for many anymore and they're looking for something else. We'll be seeing more and more films with a metaphysical theme over the next few years.
Ricky Hayman (Jeff Goldblum) is having a career crisis. The programming director for the Good Buy Home Shopping Network, he's going to be fired unless sales increase dramatically . New producer Kate Newell (Kelly Preston) is supposed to whip things into shape.
When the two are fixing a flat, they almost run down new age pilgrim "G" (Murphy).  In some unexplained manner, this causes sales to sour. Ricky is saved.
The movie tries to be too much at once and fails at it all. It's not an over-the-top comedy or a heart-warming message of humanity. It _is_ a mish-mosh of poorly directed scenes made even worse by insipid dialog.
I am willing to put up with preaching from a film, but the messages here are old hat. You should take time to smell the roses. Selling your soul for cash is a bad idea. Golly. I'm glad I saw the movie. I never would have thought of these.
The opportunity to poke fun at the goofy products is mostly missed. When G takes a chainsaw to the set, there's an obvious chance for Murphy to be hilarious. It doesn't happen. The bits are so subdued and overly-long that there's only a hint of laughter from the audience.
Murphy has changed his roles in recent years and not for the better. There are hints of promise in this one. The only time the film picks up even a little is when his shaved-headed character in the long flowing white caftan shows up on screen.
The others are horrendous. Goldblum has episodes of brilliance in his career, but here he seems to have been replaced with a lifeless pod from his "Invasion Of The Body Snatchers". His relationship with Kate makes no sense. They move from antagonism to love somewhere off screen. Preston is as uninteresting as she could possibly be.
Somewhere hidden deep inside of this film is about ten minutes of value.
[This appeared in the 10/15/98 "Bloomington Independent", Bloomington, Indiana. Michael Redman can be contacted at<EMAIL_ADDRESS>--<EMAIL_ADDRESS>This week's film review at http://www.indepen.com/ Film reviews archive at http://us.imdb.com/M/reviews_by?Michael%20Redman
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Before Change
training_loss = self.trainer.get_state("training_loss")
// Extract scalar
if tu.is_tensor(training_loss):
training_loss = training_loss.float()[0]
if not np.isfinite(training_loss):
raise RuntimeError("Loss is not finite (loss={})!".format(training_loss))
After Change
training_loss = self.trainer.get_state("training_loss")
// Extract scalar
if tu.is_tensor(training_loss):
training_loss = tu.unwrap(training_loss, extract_item=True)
if not np.isfinite(training_loss):
raise RuntimeError("Loss is not finite (loss={})!".format(training_loss))


Which of the following sorting algorithms has the best asymptotic runtime complexity?
Pick one of the choices
Bubble Sort
Heap Sort
Selection Sort
Insertion Sort
Clear selection


2 Introduction
2.1 Setup (On RStudio Cloud)
If you’re running this workshop on RStudio Cloud, you will need to register for an RStudio Cloud account and then join the invite. This will be provided in the workshop.
You will not need to download anything on the cloud instance.
2.2 Setup (On your Computer)
- Make sure that you have the following packages installed:
install.packages(c("shiny", "tidyverse", "fivethirtyeight", "plotly"))
Clone or download the tutorial from here (click the
Clone or Download
button, it’s green and on the right side): https://github.com/laderast/gradual_shinyUnzip, and open the
gradual_shiny.Rproj
file in this folder. The project should open in RStudio and you should be ready!
2.3 Introducing Shiny
Welcome to Shiny! Shiny is a framework in R for making interactive visualizations for the web created by Joe Cheng. Nearly any plot in R can be made into an interactive visualization by adding some simple interface elements and mapping these interface elements into the plot. It’s an extremely powerful technique for visualization and communication of findings.
Before we get started, we need to talk a little bit about the architecture of shiny
apps. shiny
apps are server-based, which means that all of the calculations and plot rendering happen on a server (when you’re running them in RStudio, your server is your computer). Compare this to JavaScript visualization frameworks such as D3.js
, where the client’s computer needs to do all of the computing of the visualization.
There are a lot of benefits to server-based frameworks, namely that your users don’t need to have a heavy-duty computer to visit your site, and that your data is sitting behind a protected server. One of the difficulties is that it can be difficult to scale for lots of users.
2.4 Functions in R
In order to use Shiny we need to have an understanding of R code syntax and how to use functions in R.
Functions take an argument (input) and produce a result (output). A simple function is mean()
. The input argument is a numeric vector such as c(1,5,3.2,0.001)
and the output is a numeric value that is the mean of the vector.
mean(x = c(1,5,3.2,0.001))
Note we could also not specify the name of the argument since R uses the inputs as arguments in the order it sees them.
mean(c(1,5,3.2,0.001))
To see what arguments the function mean()
requires, try looking it up in help:
?mean
We can see that mean()
takes optional arguments trim
and na.rm
. Compare the output from these two uses of mean()
:
mean(x = c(1,2,NA))
mean(x = c(1,2,NA), na.rm = TRUE)
The NA
value signifies missing data in R. The addition of other arguments changes how the function is used.
2.4.1 Writing our own functions
In Shiny, we will use functions such as fluidPage()
and shinyApp()
.
We will also create our own function server()
. To define functions, the syntax is:
name_of_function <- function(input) {
# code
}
For example:
myfunction <- function(a, b, div = 2) {
(a + b)/div
}
Here, we must specify the inputs a
and b
and optionally div
. Now we can use our function:
myfunction(a = 3, b = 4)
myfunction(a = 3, b = 4, div = 1)
If we just type
myfunction
R prints the definition of our function.
For more information on functions, see Advanced R book’s chapter on functions.
2.5 The concept of ui
and server
elements
Every shiny app has two elements. The first is ui
, which handles both the user controls and the layout and placement of output elements, such as plots or tables. ui
usually consists of a layout scheme, with user controls (such as sliders, select boxes, radio boxes, etc) specified here. The second element is server
, which handles all of the calculations and the generation of plots for ui
.
ui
and server
are only connected by two objects input
, and output
(they actually are environments, but we’ll just say they are objects). ui
puts the values from the controls into input
, which can be accessed by server
. For example, if we have a slider called year_release
in ui
, we can access the value of that slider in server
through input$year_release
.
server
will then do something with the slider value and generate some output. Where does it put the output? If you guessed output
, then give yourself a star! ui
then takes output
and will then display it using the various _Output functions (such as plotOutput
, textOutput
andtableOutput
).
If this is confusing, go very carefully through the diagram below. I’m happy to answer any questions you have about it.


I am a Data Scientist at Innoloft with a master's degree in Data Science from RWTH Aachen University.
I am a Data Team member responsible for making Innoloft a data-driven company. Innoloft develops a platform building kit that allows our clients to create and run their own digital B2B platform – from networks to marketplaces. Our team develops different Machine Learning projects, most of them related to Natural Language Processing (NLP), to help our clients to get the best out of their platform. I recently led the development of a recommender system of companies and products based on semantic similarity of textual descriptions. Most of the tasks I work on involve Natural Language Processing (NLP) using deep learning models.
I recently completed my master's degree in Data Science at RWTH Aachen University (Aachen, Germany) with a specialisation in Computational Social Science. My master thesis entitled "Characterising Wikipedia editors during the COVID-19 pandemic" was supervised by Prof. Dr Markus Strohmaier. In this work, I developed a framework to characterise and extract information from Wikipedia editors based on the content they wrote on the website (called revisions). I focus on analysing the editors who edited pages related to the COVID-19 pandemic; however, the framework can also be used to study other editor groups.
I took my bachelor's degree in Computer Science at the Western Paraná State University. I did an internship with IAESTE at Kisters AG in Aachen, Germany, during my last semester. I worked on developing a data hub for raster data products from remote sensing, reanalysis, and other sources. I created an Intelligent Tutoring System (ITS) for learning fractions to children called "Lara e as Frações" in my thesis.


|
One
Step Closer
(Linkin' Park) |
|
I
cannot take this anymore
I'm saying everything I've said before All these words they make no sense I find bliss in ignorance Less I hear the less you'll say But you'll find that out anyway Just like before... Everything you say to me Takes me one step closer to the edge And I'm about to break I need a little room to breathe Cause I'm one step closer to the edge And I'm about to break I find the answers aren't so clear Wish I could find a way to disappear All these thoughts they make no sense I find bliss in ignorance Nothing seems to go away Over and over again shut up when I'm talking to you |


Healthy Sunlight, Anytime, Anywhere
Sunlight For You, Anytime, Anywhere
SunnySide is a window shaped lighting device that produces artificial sunlight.
You can enjoy beautiful sunlight that changes every hour by copying full spectrum of sunlight
and you can also produce vitamin D in your skin by sunbathing indoors without worring about aging or tanning.
The bright sunlight we made is also helpful to make you happy.
Sunnyfive in Raemian Gallery


Class to store dense layers and perform operations on the layers' 1D and 2D Tensors, aka vectors and matrices, suitable for use in feed-forward neural networks.
More...
#include <DenseLayer.hpp>
Class to store dense layers and perform operations on the layers' 1D and 2D Tensors, aka vectors and matrices, suitable for use in feed-forward neural networks.
◆ ~DenseLayer()
| virtual geopm::DenseLayer::~DenseLayer |
( |
| ) |
|
|
virtualdefault |
◆ forward()
Perform inference using the instance weights and biases.
- Parameters
-
- Exceptions
-
| geopm::Exception | if input dimension is incompatible with the DenseLayer. |
- Returns
- Returns a TensorOneD vector of output values.
Implemented in geopm::DenseLayerImp.
◆ get_input_dim()
| virtual size_t geopm::DenseLayer::get_input_dim |
( |
| ) |
const |
|
pure virtual |
Get the dimension required for the input TensorOneD.
- Returns
- Returns a size_t equal to the number of columns of weights
Implemented in geopm::DenseLayerImp.
◆ get_output_dim()
| virtual size_t geopm::DenseLayer::get_output_dim |
( |
| ) |
const |
|
pure virtual |
◆ make_unique()
Returns a unique_ptr to a concrete object constructed using the underlying implementation from an pair of weights and biases.
- Parameters
-
- Exceptions
-
| geopm::Exception | if weights is empty |
| geopm::Exception | if weights and biases dimensions are incompatible. i.e. if weights rows is inequal to bias dimension. |
◆ operator()()
The documentation for this class was generated from the following files:


Optimising the throughput of async sinks using a custom RateLimitingStrategy
November 25, 2022 - Hong Liang TeohIntroduction #
When designing a Flink data processing job, one of the key concerns is maximising job throughput. Sink throughput is a crucial factor because it can determine the entire job’s throughput. We generally want the highest possible write rate in the sink without overloading the destination. However, since the factors impacting a destination’s performance are variable over the job’s lifetime, the sink needs to adjust its write rate dynamically. Depending on the sink’s destination, it helps to tune the write rate using a different RateLimitingStrategy.
This post explains how you can optimise sink throughput by configuring a custom RateLimitingStrategy on a connector that builds on the AsyncSinkBase (FLIP-171). In the sections below, we cover the design logic behind the AsyncSinkBase and the RateLimitingStrategy, then we take you through two example implementations of rate limiting strategies, specifically the CongestionControlRateLimitingStrategy and TokenBucketRateLimitingStrategy.
Background of the AsyncSinkBase #
When implementing the AsyncSinkBase, our goal was to simplify building new async sinks to custom destinations by providing common async sink functionality used with at least once processing. This has allowed users to more easily write sinks to custom destinations, such as Amazon Kinesis Data Streams and Amazon Kinesis Firehose. An additional async sink to Amazon DynamoDB (FLIP-252) is also being developed at the time of writing.
The AsyncSinkBase provides the core implementation which handles the mechanics of async requests and responses. This includes retrying failed messages, deciding when to flush records to the destination, and persisting un-flushed records to state during checkpointing. In order to increase throughput, the async sink also dynamically adjusts the request rate depending on the destination’s responses. Read more about this in our previous 1.15 release blog post or watch our FlinkForward talk recording explaining the design of the Async Sink.
Configuring the AsyncSinkBase #
When designing the AsyncSinkBase, we wanted users to be able to tune their custom connector implementations based on their use case and needs, without having to understand the low-level workings of the base sink itself.
So, as part of our initial implementation in Flink 1.15, we exposed configurations such as maxBatchSize
, maxInFlightRequests
, maxBufferedRequests
, maxBatchSizeInBytes
, maxTimeInBufferMS
and maxRecordSizeInBytes
so that users can adapt the flushing and writing behaviour of the sink.
In Flink 1.16, we have further extended this configurability to the RateLimitingStrategy used by the AsyncSinkBase (FLIP-242). With this change, users can now customise how the AsyncSinkBase dynamically adjusts the request rate in real-time to optimise throughput whilst mitigating back pressure. Example customisations include changing the mathematical function used to scale the request rate, implementing a cool off period between rate adjustments, or implementing a token bucket RateLimitingStrategy.
Rationale behind the RateLimitingStrategy interface #
public interface RateLimitingStrategy {
// Information provided to the RateLimitingStrategy
void registerInFlightRequest(RequestInfo requestInfo);
void registerCompletedRequest(ResultInfo resultInfo);
// Controls offered to the RateLimitingStrategy
boolean shouldBlock(RequestInfo requestInfo);
int getMaxBatchSize();
}
There are 2 core ideas behind the RateLimitingStrategy interface:
- Information methods: We need methods to provide the RateLimitingStrategy with sufficient information to track the rate of requests or rate of sent messages (each request can comprise multiple messages)
- Control methods: We also need methods to allow the RateLimitingStrategy to control the sink’s request rate.
These are the type of methods that we see in the RateLimitingStrategy interface. With registerInFlightRequest()
and registerCompletedRequest()
, the RateLimitingStrategy has sufficient information to track the number in-flight requests and messages, as well as the rate of these requests.
With shouldBlock()
, the RateLimitingStrategy can decide to postpone new requests until a specified condition is met (e.g. current in-flight requests must not exceed a given number). This allows the RateLimitingStrategy to control the rate of requests to the destination. It can decide to increase throughput or to increase backpressure in the Flink job graph.
With getMaxBatchSize()
, the RateLimitingStrategy can dynamically adjust the number of messages packaged into a single request. This can be useful to optimise sink throughput if the request size affects the destination’s performance.
Implementing a custom RateLimitingStrategy #
[Example 1] CongestionControlRateLimitingStrategy #
The AsyncSinkBase comes pre-packaged with the CongestionControlRateLimitingStrategy. In this section, we explore its implementation.
This strategy is modelled after TCP congestion control, and aims to discover a destination’s highest possible request rate. It achieves this by increasing the request rate until the sink is throttled by the destination, at which point it will reduce the request rate.
In this RateLimitingStrategy, we want to dynamically adjust the request rate by:
- Setting a maximum number of in-flight requests at any time
- Setting a maximum number of in-flight messages at any time (each request can comprise multiple messages)
- Increasing the maximum number of in-flight messages after each successful request, to maximise the request rate
- Decreasing the maximum number of in-flight messages after an unsuccessful request, to prevent overloading the destination
- Independently keeping track of the maximum number of in-flight messages if there are multiple sink subtasks
This strategy means we will start with a low request rate (slow start), but aggressively increase it until the destination throttles us, which allows us to discover the highest possible request rate. It will also adjust the request rate if the conditions of the destination changes (e.g. another client starts writing to the same destination). This strategy works well if destinations implement traffic shaping and throttles once the bandwidth limit is reached (e.g. Amazon Kinesis Data Streams, Amazon Kinesis Data Firehose).
First, we implement the information methods to keep track of the number of in-flight requests and in-flight messages.
public class CongestionControlRateLimitingStrategy implements RateLimitingStrategy {
// ...
@Override
public void registerInFlightRequest(RequestInfo requestInfo) {
currentInFlightRequests++;
currentInFlightMessages += requestInfo.getBatchSize();
}
@Override
public void registerCompletedRequest(ResultInfo resultInfo) {
currentInFlightRequests = Math.max(0, currentInFlightRequests - 1);
currentInFlightMessages = Math.max(0, currentInFlightMessages - resultInfo.getBatchSize());
if (resultInfo.getFailedMessages() > 0) {
maxInFlightMessages = scalingStrategy.scaleDown(maxInFlightMessages);
} else {
maxInFlightMessages = scalingStrategy.scaleUp(maxInFlightMessages);
}
}
// ...
}
Then we implement the control methods to dynamically adjust the request rate.
We keep a current value for maxInFlightMessages and maxInFlightRequests, and postpone all new requests if maxInFlightRequests or maxInFlightMessages have been reached.
Every time a request completes, the CongestionControlRateLimitingStrategy will check if there are any failed messages in the response. If there are, it will decrease maxInFlightMessages. If there are no failed messages, it will increase maxInFlightMessages. This gives us indirect control of the rate of messages being written to the destination.
Side note: The default CongestionControlRateLimitingStrategy uses an Additive Increase / Multiplicative Decrease (AIMD) scaling strategy. This is also used in TCP congestion control to avoid overloading the destination by increasing write rate slowly but backing off quickly if throttled.
public class CongestionControlRateLimitingStrategy implements RateLimitingStrategy {
// ...
@Override
public void registerCompletedRequest(ResultInfo resultInfo) {
// ...
if (resultInfo.getFailedMessages() > 0) {
maxInFlightMessages = scalingStrategy.scaleDown(maxInFlightMessages);
} else {
maxInFlightMessages = scalingStrategy.scaleUp(maxInFlightMessages);
}
}
public boolean shouldBlock(RequestInfo requestInfo) {
return currentInFlightRequests >= maxInFlightRequests
|| (currentInFlightMessages + requestInfo.getBatchSize() > maxInFlightMessages);
}
// ...
}
[Example 2] TokenBucketRateLimitingStrategy #
The CongestionControlRateLimitingStrategy is rather aggressive, and relies on a robust server-side rate limiting strategy. In the event we don’t have a robust server-side rate limiting strategy, we can implement a client-side rate limiting strategy.
As an example, we can look at the token bucket rate limiting strategy. This strategy allows us to set the exact rate of the sink (e.g. requests per second, messages per second). If the limits are set correctly, we will avoid overloading the destination altogether.
In this strategy, we want to do the following:
- Implement a TokenBucket that has a given initial number of tokens (e.g. 10). These tokens refill at a given rate (e.g. 1 token per second).
- When preparing an async request, we check if the token bucket has sufficient tokens. If not, we postpone the request.
Let’s look at an example implementation:
public class TokenBucketRateLimitingStrategy implements RateLimitingStrategy {
private final Bucket bucket;
public TokenBucketRateLimitingStrategy() {
Refill refill = Refill.intervally(1, Duration.ofSeconds(1));
Bandwidth limit = Bandwidth.classic(10, refill);
this.bucket = Bucket4j.builder()
.addLimit(limit)
.build();
}
// ... (information methods not needed)
@Override
public boolean shouldBlock(RequestInfo requestInfo) {
return bucket.tryConsume(requestInfo.getBatchSize());
}
}
In the above example, we use the Bucket4j library’s Token Bucket implementation. We also map 1 message to 1 token. Since our token bucket has a size of 10 tokens and a refill rate of 1 token per second, we can be sure that we will not exceed a burst of 10 messages, and will also not exceed a constant rate of 1 message per second.
This would be useful if we know that our destination will failover ungracefully if a rate of 1 message per second is exceeded, or if we intentionally want to limit our sink’s throughput to provide higher bandwidth for other clients writing to the same destination.
Specifying a custom RateLimitingStrategy #
To specify a custom RateLimitingStrategy, we have to specify it in the AsyncSinkWriterConfiguration which is passed into the constructor of the AsyncSinkWriter. For example:
class MyCustomSinkWriter<InputT> extends AsyncSinkWriter<InputT, MyCustomRequestEntry> {
MyCustomSinkWriter(
ElementConverter<InputT, MyCustomRequestEntry> elementConverter,
Sink.InitContext context,
Collection<BufferedRequestState<MyCustomRequestEntry>> states) {
super(
elementConverter,
context,
AsyncSinkWriterConfiguration.builder()
// ...
.setRateLimitingStrategy(new TokenBucketRateLimitingStrategy())
.build(),
states);
}
}
Summary #
From Apache Flink 1.16 we can customise the RateLimitingStrategy used to dynamically adjust the behaviour of the Async Sink at runtime. This allows users to tune their connector implementations based on specific use cases and needs, without having to understand the base sink’s low-level workings.
We hope this extension will be useful for you. If you have any feedback, feel free to reach out!


mappic
You need Javascript
Mappic is using Javascript, you need to enable it in your browser in order to enjoy Mappic !


{% load filters %}
| avg | {{ activity.trace_file.avg_cadence }} |
| max | {{ activity.trace_file.max_cadence }} |
| avg | {{ activity.trace_file.avg_speed | m_per_s_to_km_per_h }} km/h |
| max | {{ activity.trace_file.max_speed | m_per_s_to_km_per_h }} km/h |
| up | {{ activity.trace_file.total_ascent }} m | {% if evaluates_for_awards %} {% include "activity/ascent_ranking_icon.html" %} {% endif %}
| down | {{ activity.trace_file.total_descent }} m |
| avg | {{ activity.trace_file.avg_speed | speed_to_pace }} min/km |
| high | {{ activity.trace_file.max_speed | speed_to_pace }} min/km |
| Aerobic | {{ activity.trace_file.aerobic_training_effect }} |
| Anaerobic | {{ activity.trace_file.anaerobic_training_effect }} |
| min | {{ activity.trace_file.min_heart_rate }} |
| avg | {{ activity.trace_file.avg_heart_rate }} |
| max | {{ activity.trace_file.max_heart_rate }} |
| min | {{ activity.trace_file.min_temperature }} °C |
| avg | {{ activity.trace_file.avg_temperature }} °C |
| max | {{ activity.trace_file.max_temperature }} °C |


Random Favicons! - PHP way
Note: This HTML page will self refresh every 5 seconds to observe the changes.
Use Case:
- If you don't have existing favicon, and wondering which one to use.
- To showcase things you relate yourself to
- For fun, weird way to tweak your personal website
- Running out of words, can't think of more! Feel free to send pull requests!


T-SQL offset & fetch IO performance
When using offset/fetch in query, execution plan shows query optimizer leveraging that info to minimise rows read.
Example:
SELECT 1
FROM dbo.TableA a JOIN dbo.TableB b ON a.id = b.id
OFFSET 0 ROWS FETCH NEXT 100 ROWS ONLY;
Execution plan will verify 100 actual rows read from both tables, then doing join.
But how smart is optimizer if we throw in a predicate, such that actual rows is larger than FETCH NEXT?
SELECT 1
FROM dbo.TableA a JOIN dbo.TableB b ON a.id = b.id
WHERE a.col = 1
OFFSET 0 ROWS FETCH NEXT 100 ROWS ONLY;
Assuming row count of “TableA with predicate” is more than 100, execution plan will show optimizer reading more rows than necessary.
- 100+ rows from TableA
- N rows from TableB
- Where N = rows read from TableA
So if 16000 rows from TableA satisfy predicate, then 16000 will also be read from TableB prior to join
I always hoped query optimizer was a magical unicorn able to make all code fast, but my hopes have been dashed here.
Rows read VS actual rows
Execution plan shows these 2 metrics - important to know difference prior to tuning our query:
- Rows read = rows scanned/seeked prior to predicate (i.e.: seek predicate operation)
- Actual rows = rows returned by operator (i.e.: predicate operation)
This means actual rows will be less or equal to rows read.
So in above situation, TableB rows read = TableA rows read
We can do better: TableB rows read = TableA actual rows
Tuning the query IO performance
We can step in and minimize rows read from TableB by splitting the query to:
Below example use table variable, but you can use temp table based on your situation.
DECLARE @rowsA TABLE (
id INT PRIMARY KEY
);
INSERT INTO @rowsA (id)
SELECT id
FROM dbo.TableA
WHERE col = 1;
SELECT 1
FROM @rowsA a JOIN dbo.TableB b ON a.id = b.id
OFFSET 0 ROWS FETCH NEXT 100 ROWS ONLY;
This will result in 100+ rows from TableA, but only
2 important things to note here:
- We use table variable instead of temp table to avoid stats calculation overhead
- The table variable means an extra insert operation, which means more overhead
But if large datasets, overheads are worth it.


Contributing to DropKick.js
Creating an issue
- Give a description of the issue and what version of DK.
- Tell us any other JS that might be running on the same page.
- Please please provide a JS bin or codepen example. It's the easiest way for us to figure out what's wrong.
Adding or editing code
- Fork Dropkick
- Run
npm install
to install all the dev dependencies
- Make your changes
- Follow the same coding style that's written in dropkick.js. * Not doing this will result in a lot of comments on your pull request
- Write tests
- If you're adding a feature write a test for it
- If you're fixing a bug write a test for it.
- Run
gulp test
from your command line. This is to make sure all tests pass.
- If all tests pass you can create a pull request. Tag any related github issue tickets in the PR.
If you fail to do any of these we probably will not accept your changes


Version Control
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page3
page4
Page3
cute puppy dogs
Puppy photos
Status Dogs!
Puppy video
This is a link to puppy video!
>
Corgi Puppy
Click on logo for for info


SIDEBARGOESHERE
| Creating an app | Installing an app |
|---|---|
|
Note: The purpose of this exercise is to help you understand what the customer journey would look like.
|
TAS supports two types of API - core and tenant. Mostly, writing an app involves using tenant APIs, with core APIs handled by the tazzy network proxy working on your app's behalf.
Tenant APIs are the familiar, business-oriented APIs seen in HR platforms. For example, a career site app might call GET /jobs to get a list of open jobs (maybe from the Applicant Tracking System). Tenant APIs have some additional concepts:
Core APIs are housekeeping APIs that make tenant APIs possible. For example the TAS core will make a core API call into your app whenever a tenant installs it.
Important: Your app must always check that the incoming tazzy-secret request header on all incoming traffic matches your app's secret key. A failed match may indicate someone is trying to hack your app.
| Producing APIs | Consuming APIs | |
|---|---|---|
| Prefix | Back end server (tazzy tab on your app) e.g. https://yourapp.com:8080 |
https://<yourapp>tazzy.io |
| Authentication | Check that the incoming tazzy-secret request header matches your app's secret key | Attach tazzy-secret request header with your app's secret key |
| Core APIs You don't need to declare the core APIs your app produces and consumes |
/tas/core<api> e.g. POST /tenants --> https://yourapp.com:8080/tas/core/tenants |
/core<api> e.g. GET /tenants/{tenant} --> https://yourapp.tazzy.io/core/tenants/{tenant} |
| Tenant APIs (SoT == true) Remember to declare all tenant APIs your app produces and consumes |
/t/{tenant}/devs/{developer}<api> e.g. GET /jobs --> https://yourapp.com:8080/t/acme/devs/tas/jobs |
/t/{tenant}/devs/{developer}<api> e.g. GET /jobs --> https://yourapp.tazzy.io/t/acme/devs/tas/jobs
|
| Tenant APIs (SoT == false) |
/t/{tenant}/devs/{developer}<api> e.g. GET /appStatus --> https://yourapp.com:8080/t/acme/devs/tas/appStatus |
/t/{tenant}/apps/{app}/devs/{developer}<api> e.g. GET /appStatus --> https://yourapp.tazzy.io/t/acme/apps/someapp/devs/tas/appStatus |
| Tenant APIs (on behalf) |
As above, but your app also receives the tazzy-saml request header. |
As above, and:
|
To protect web resources (e.g. pages) in your app with the customer's SSO (i.e. so that only authorized users or candidates can see them):
Add sign out support:
Choose a suitable protection level for each page in your app.
| Visible to | tazzy-saml request header | Example | |
|---|---|---|---|
| Secured | Signed in visitors only | Always present | url: /t/acme/index.html |
| Whitelisted | Anyone | Present if the user has recently visited a secured page. Useful for e.g. career site pages that are visible to anyone, but show extra information to signed in candidates. | url: /t/acme/index.html whitelist: /index.html |
| Anonymous | Anyone | Not present. | url: /index.html url: /static/code.js url: /tenants/acme/index.html |
Enter your whitelisting rules against your app in the developer site, using the following rules:
Examples:
When inside an SSO-protected web page, the tazzy-saml header is present (see above).
When producing an on-behalf API:
GET /core/tenants/assertions/byKey/tazzy-saml/json
Response:
{
"nameID"<EMAIL_ADDRESS>"entityID": "some other SAML info",
"tas.personal.givenName": "Fred",
"tas.personal.familyName": "Bloggs",
"tas.personal.email"<EMAIL_ADDRESS>"tas.roles": [
"internal"
]
}


Ramon Azeez reveals threats from Barcelona fans in Nigeria after scoring against club
Ramon Azeez, Super Eagles and Granada midfielder, has explained how he was threatened by Barcelona fans in Nigeria after scoring against the Spanish champions in September this year.
Barcelona have lost three games this season in the Spanish La Liga, and one of those came from Ramon Azeez's club Granada.
The Super Eagles midfielder scored the first goal for Granada against Barcelona in his side's shocking 2-0 win over Valverde and his wards.
Many Nigerian football lovers were happy and congratulated the former youth international for scoring against Barcelona, but some were livid with him.
PAY ATTENTION: Install Pitch Football App for FREE to get the latest football News & Scores
Azeez explained while speaking with The Cable that some Nigerian fans who support Barcelona told him not to enter Lagos.
“I feel very happy that some people that never believed in us before the game called to congratulate and rejoice with us.
Nigeria crash out of U17 World Cup following disappointing loss to Netherlands
“I got a lot of messages that night. Some people insulted me that they lost their bet due to Barca’s defeat, while some called to congratulate me.
“Some people even sent me messages on social media that I shouldn’t come to Lagos that if they catch me, they will deal with me. So, I told them that it was nothing that I just have to do my job and protect it as well,'' Ramon Azeez explained.
Ramon Azeez recently made a return to the Super Eagles and played against Brazil in an international friendly and also against Lesotho in AFCON 2021 qualifier.
Earlier, Legit.ng had reported how Super Eagles handler Gernot Rohr explained that Lesotho gave his men lot of troubles in Maseru after their win over the hosts in 2021 African Cup of Nations qualifiers.
Rohr and his men traveled to Lesotho with full confidence after beating Benin Republic in Uyo, but they conceded the first goal against the hosts in Maseru.
Abu Azeez: Meet the only Nigerian rated among top 50 beach soccer players worldwide | Legit TV


{% block content %}
Thank you for trying to reset your password. Please click the link below.
{{ password_reset_url }}
{% endblock %}


title=Happy New Year, and Here's to 2013 date=2012-12-31 type=post tags=blog status=published ~~~~~~
I just wanted to state the obvious: I wish you all a wonderful and happy new year, and hope your 2012 has been as awesome as can be. Mine sure was! Here's to 2013! This year I'll ring in the new year in Shanghai, which should be interesting!


| Dates | Organization | Position |
|---|---|---|
| 2004-2011 | Virgin Islands Department of Education | Social Studies Department Chair |
| 2011-2014 | St. Croix Alternative Education | Program Manager |
| 2017-2018 | Bayada Healthcare | CNA |
| 2018-2020 | Medcall Advisors | Telemedicine Triage |
| 2018-Present | App Axis LLC | Social Media Manager, Developer |
| Photography | ⭐⭐⭐⭐⭐ |
| Videography | ⭐⭐⭐⭐⭐ |
| Podcast Production | ⭐⭐⭐⭐⭐ |
| Copywriting | ⭐⭐⭐⭐ |
| Social Media Marketing | ⭐⭐⭐ |
| Social Media Management | ⭐⭐⭐ |
| App Development | ⭐ |
| Web Development | ⭐ |


| API / Package Version: | {{supervisorInfo.apiVersion}} / {{supervisorInfo.packageVersion}} | |
| Supervisor State: | {{supervisorInfo.state}} | |
| Number of Supervisors: | {{nodelist.statistics['supervisors-total']}} | |
| Number of running Supervisors: | {{nodelist.statistics['supervisors-running']}}/{{nodelist.statistics['supervisors-total']}} |
| Number of processes: | {{programsInfo.length}} | |
| Running processes: | {{getRunning()}}/{{programsInfo.length}} | |
| Number of distributed processes: | {{nodelist.statistics['processes-total']}} | |
| Running distributed processes: | {{nodelist.statistics['processes-running']}}/{{nodelist.statistics['processes-total']}} |
| Operating System: | {{systemInformation.os}} | |
| Baseboard Manufacturer: | {{systemInformation.baseboardManufacturer}} ({{systemInformation.baseboardModel}}) | |
| Number of CPU / Logical CPU: | {{systemInformation.cpu}}/{{systemInformation.logicalCpu}} | |
| Total Memory / Swap: | {{systemInformation.memoryStr}} / {{systemInformation.swapStr}} |


Selman Nur. 1986. Born in Istanbul. Lives in Dublin.
Philosophy PhD candidate
and a (mostly) self-taught programmer with versatile analytical, critical and creative skills:
Worked as researcher, lecturer, copywriter, editor, localization QA tester, translator, and photographer.
On the programming side:
I work with JavaScript and Python. My niche is Front End Web Development and Design, yet I am also familiar with tools and technologies for both Back End Web Development and Data Analysis.
On the academy side:
My educational background is on Islamic Studies (BA) and Philosophy of Religion (MA). I taught theology and philosophy in Trinity College Dublin, and am currently writing a PhD thesis on Richard Rorty's pragmatic approach to religion.
I exist in some other corners of the internet too:
LinkedIn
Udacity
GitHub
Yahoo Mail
Cargo Collective
Wake Up Eli
Instagram
CouchSurfing
Facebook
Strava
GoodReads


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The Role of Men and Women in Intergenerational Mobility: A Cross-National Comparative Analysis, 1838-2015 (2017-2020) (Link) Project Manager. Cooperation with Olivetti, Paserman and Salisbury. Funding: Norwegian Research Council (FRIPRO, Young Research Talent).
Convergence or segregation? Regional imbalances and labor market flows. (2013 - 2016) (Link) Project Manager. Cooperation with the Institute of Social Research (ISF). Funding: Norwegian Research Council (VAM).
Inequality: Measurement, Evolution, Mechanisms, and Policies (2017-2020) (Link) Project participant. Project Manager: Rolf Aaberge. Funding: Norwegian Research Council (FRIPRO)
People and their incomes in Norway, 1859-2013 (2014 - 2017) (Link) Project participant. Project Manager: Rolf Aaberge. Funding: Norwegian Research Council (FRIPRO)
National Historical Population Register for Norway 1800-2022 (2014 - 2018) (Link) Project participant. Cooperation with the Norwegian National Archives, the University of Tromsø, the National Institute for Public Health and others. Project Manager: Gunnar Thorvaldsen. Funding: Norwegian Research Council (INFRASTRUKTUR).
NoWeDe - Nordic Welfare Developments (2016 - 2018) (Link) Project participant. Project Managers: Jo Thori Lind and Kalle Moene. Funding: University of Oslo, UiO:Nordic


A.I. ARTIFICIAL INTELLIGENCE (director/writer: Steven Spielberg ; screenwriters: Ian Watson (screen story)/Brian Aldiss--based on his short story "Supertoys Last All Summer Long'' by Brian Aldiss; cinematographer: Janusz Kaminski; editor: Michael Kahn; cast: Haley Joel Osment (David), Jude Law (Gigolo Joe), Frances O'Connor (Monica Swinton), Sam Robards (Henry Swinton), Jake Thomas (Martin Swinton), Brendan Gleeson (Lord Johnson-Johnson), William Hurt (Professor Hobby), Jack Angel (Voice of Teddy), Robin Williams (Voice of Dr. Know), Ben Kingsley (Narrator); Runtime: 145; Warner Bros./DreamWorks; 2001)
Reviewed by Dennis Schwartz
Stanley Kubrick until his untimely death was working on a project that weighed for a long time on his mind -- the subject of artificial intelligence. He worked on a treatment he prepared with Ian Watson based on the 1969 Brian Aldiss short story and the many drawings he'd done with Chris Baker, which were both handed over to Steven Spielberg. He also hired an engineer to live on his English estate and build the perfect child robot, waiting all these years for technology to advance before he made his film. Steven Spielberg is given the blessing by the Kubrick estate to take over that project, and he brings his great craftsmanship skill as a visual story teller to the film while paying homage to Kubrick's intentions and themes he wanted developed. He succeeds for most of the film in keeping it tight while presenting an occasional riveting psychological moment or two, as he tells a fairy tale for adults; it's a version which will go way over the heads of children and many of the adults. What he does is put the Pinocchio fairy tale, the Frankenstein story, and the Oedipus myth in his warm-hearted blender and gives them a good mixing up. He also takes full credit for the script and does not include Kubrick as co-screenwriter; he only credits him with the film's idea.
What Spielberg fails to do is tell the fairy tale ending in the same artistic way a Kubrick would have displayed his mastery of telling a good mystery story. He does turn the climax into one which should have critics wondering about his intentions for a long-time to come, as in his use of the academic voiceover lecture to end the film on. It was a thoughtful climactic touch but what the film demanded for it to be considered as a masterpiece, is a more lyrical note to end it on; which is the most glaring fault of the film.
What Spielberg delivers is a film that leaves you thinking about what the end of human civilization means and how close to artificial intelligence can the world be as its reality, and about how love is something that can't be programmed without something being amiss about it. It also does not have Spielberg's usual dosage of sentimentality, which has played havoc with most of his previous films.
It's a splendid film that pays homage to both himself and Kubrick for their noteworthy films. Spielberg for his Close Encounters of a Third Kind/E. T.. Kubrick for his 2001: A Space Odyssey/Eyes Wide Shut.
 This is one of the best films Spielberg has ever made, and his most thought-provoking one. It has much of both giant filmmakers locked into this story, though it's a Spielberg film and not a Kubrick one.
A.I. is set in the near-future, mid-21st century, as narrator Ben Kingsley explains that the melted ice caps are a common sight. The sight of NYC submerged under the ocean is both bleak and visually satisfying. Most of civilization is submerged in destruction of their land mass, and it's common for families to have robots to do their work out of necessity because of the labor shortage. These robots are created to function as humanoids and are known as "mechas."
The film opens when the optimistically brilliant NYC robot designer, Dr. Hobby (William Hurt), in the middle of lecturing his colleagues about his latest revolutionary creation -- "a robot child with a love that will never end." The robot can dream, has an unconscious state and can feel both pain and love. Hobby fields all question and with the self-satisfied air of a true believer in the prevailing biblical myth, mentions to his doubters: "Didn't God create Adam so that he might love Him?" What is hinted at, is that we are just beginning to see what the possibilities there are in A.I.. Until now all the robots have to be programmed by us but, perhaps, in 50 years these robots will be able to not only program themselves and surpass their creators, but give us eternal life if we can feed into their system and give up our human life (after all the mind is what makes us human and not our body parts). But in order for the robots to have a live intelligence and not merely a programmed one, they will have to be created like nature creates its plants and animals. It is this possibility that will always leave them flawed, but with the potential to push evolution to new levels. In that time, possibly by the middle of this century, the robots will become real creatures.
Hobby's creation is the angelic blond named David (Haley Joel Osment), and he's awarded twenty months later for adoption to a couple, Henry (Sam Robards) and Monica Swinton (Frances O'Connor), whose six year old, Martin (Jake Thomas), has been frozen the last five years with a critical illness. David, the cybertronic simulation of a boy, is Henry's surprise gift to his wife, hoping that the child's programmed unswerving love for her will make her forget her real son's debilitation.
David's initial programmed response to Monica is: "Mommy, will you die?"
For the first hour or so, the story takes place in the couple's suburban upscale home and the action is limited to how they adjust to each other. When Martin suddenly recovers and returns home, a jealous Cain and Abel sibling rivalry for their mother's attention ensues. Into the mix is thrown a robotic Teddy bear, Martin's supertoy, who can walk and talk, and he now becomes a constant companion of David's. In the meantime Martin replaces his Teddy by making David his new supertoy. What results is that the family has many misgivings about David and what his love means to them. After a few questionable incidents they decide to dump the robot. In one incident David sneaks into mom's bedroom while she's asleep to clip a lock of her hair because of Martin goading him to do it. When mom awakens to see the scissors in his hand, she instinctively feels more love for her flawed real son than her programmed loving one. There's also an alarming swimming pool incident where David almost drowns the sneaky Martin, and there's a spinach eating incident that Martin goads David into (robots can't eat and if they do it messes up their inside circuitry). They decide to return David to the cybertronic lab in New Jersey, in the same way a disheartened pet owner might do when taking their unwanted pet to an animal shelter. In this case it means destruction and a trip to the scrap heap (which is like a junkyard for autos). But mom can't bear to have her artificial son destroyed, so she sends it out into the woods with Teddy Bear as a companion and tells the boy to learn how to survive and not to trust humans -- but to never come home again. David is touched by human feelings and only wishes he could be created again as a real boy (the film's main theme), and once again be with Monica. Having absorbed the Pinocchio story read to him by Monica at bedtime (even though he has no need to sleep), he believes if he can find the "Blue Fairy" he can get his only wish in life and be once again reunited with Monica as a real boy through her making him real, just like she made the wooden Pinocchio real.
The second half of the story becomes layered with more complex themes and harder to answer questions. It's a spiritual odyssey about creation that David takes in the hardened nocturnal world of what remains of urban civilization, which is a reflection of a literary hell. It's here that Spielberg asks questions about humanity that he has never asked before in his more lightweight films: he questions family values and wonders about scientific and religious definitions of creation, and he most of all wonders if humanity is only one link in evolution that raises consciousness and that if it becomes obsolete what will be the other ways to evolve.
In these scenes to find the Blue Fairy, David and Teddy team up with an agile mecha gigolo named Joe (Law). But they must escape from "antirobot human bounty hunters on motor bikes'' and their mean leader (Gleeson), who captures these stray mechas for Roman gladiator-like entertainment events and takes them to a place called Flesh Fair. Here the amusement park operators find gruesome novel ways to kill the mechas off to entertain their thrill-seeking audience. The trio escapes to a neon-lit Rouge City, a seedy place where the animated stud, Joe, had previously pleasured his women clientele and claims to know all that there's to know about women. It's here that the trio encounter a wizard answer man called Dr. Know (voice of Robin Williams). He sends them on their way to the "End of the World" to meet the Blue Fairy, in the submerged New York. It takes David a mere 2000 years to reach his destination, but once there he has the entrancing showdown with what life means and finds out that the best you can do is return to the dream world.
It's an imaginative film, that has a lot going for it except exciting dialogue. I couldn't ask for anything more from Spielberg; he has taken on Kubrick's depth and artistic integrity in filmmaking, at least, for this film; he has paid homage to Kubrick, and has made a highly personal film. This might disappoint many in the mass market audience that are attracted to Spielberg for other reasons and might expect to see another kiddie pic like E. T.. But the film will also attract a more sophisticated sci-fi film crowd, that should connect this film with a "2001" cyberspace experience.
The acting accolades go to Haley Joel Osment -- who carries the film as an innocent, albeit, unreal child, left alone and vulnerable in a very cruel world; he only wants to return to the only home he has ever known; and, to Jude Law, who is refreshingly daffy as a gigolo and friend to David.
REVIEWED ON 7/6/2001 GRADE: A -
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
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| 030:027 Khan | : |
And He it is Who originates the creation, then will repeat it (after it has been perished), and this is easier for Him. His is the highest description (i.e. none has the right to be worshipped but He, and there is nothing comparable unto Him) in the heavens and in the earth. And He is the All-Mighty, the All-Wise. |
| 030:027 Maulana | : |
And He it is, Who originates the creation, then reproduces it, and it is very easy to Him. And His is the most exalted state in the heavens and the earth; and He is the Mighty, the Wise. |
| 030:027 Pickthal | : |
He it is Who produceth creation, then reproduceth it, and it is easier for Him. His is the Sublime Similitude in the heavens and the earth. He is the Mighty, the Wise. |
| 030:027 Rashad | : |
And He is the One who initiates the creation, then repeats it; this is even easier for Him. To Him belongs the most sublime similitude, in the heavens and the earth, and He is the Almighty, Most Wise. |
| 030:027 Sarwar | : |
It is He who begins the creation, then, turns it back. For Him this is very easy. All the exalted attributes in the heavens and the earth belong to Him. He is the Majestic and All-wise. |
| 030:027 Shakir | : |
And He it is Who originates the creation, then reproduces it, and it is easy to Him; and His are the most exalted attributes in the heavens and the earth, and He is the Mighty, the Wise. |
| 030:027 Sherali | : |
And HE it is Who originates the creation, then keeps repeating it, and it is most easy for HIM. HIS is the most exalted state in the heavens and the earth; and HE is the Mighty, the Wise. |
| 030:027 Yusufali | : |
It is He Who begins (the process of) creation; then repeats it; and for Him it is most easy. To Him belongs the loftiest similitude (we can think of) in the heavens and the earth: for He is Exalted in Might, full of wisdom. |
Concepts/Themes Covered: أركان الإسلام > التوحيد > توحيد الله تعالي > وجوده Pillars of Islam> Islamic> Oneness of Allah> His Existence العلوم والفنون > الحقائق العلمية و الإشاة إلى وقائع أيدتهاالإكتشافات العلمية > الإحياء Science and Art> The Scientific Facts and the Indication to Facts which have been supported by the Scientific Discoveries>Vitalization
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


class: center, middle ![svelte](./img/svelte-a11y.png) --- class: center, middle ## The _new kids on the block_ ![the new kids on the block](./img/new-kids-on-the-block_orig.jpg) --- class: center, middle > Svelte is a **component** framework.
> A language and a compiler. --- class: middle, center ### Under the hood ![factory](./img/factory.jpg) --- class: middle, center ### No runtime ![compile](./img/svelte-complation.png)
Virtual DOM free
--- class: center, middle ## Beyond the hype ![hypster](./img/hipster.jpg) --- class: center, middle ### One screen rule ![common setup](./img/many-screens.jpg) --- class: middle, center ```svelte
Good evening {event}
``` ✨ [REPL](https://svelte.dev/repl/b5340def6b2140f4a7a0aa57865230f4?version=3) ✨ --- class: middle, center ### Boilerplate free
--- class: middle, center ```html
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--- class: middle, center ```html
Value in F° :
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``` ✨ [REPL](https://svelte.dev/repl/fe4e0dfd70cc4e7185617489a14ad71c?version=3.15.0) ✨ --- class: middle, center ### Style included ![fashion](./img/style.jpg) --- class: middle, center ```html
Beware fashion included
``` ✨ [REPL](https://svelte.dev/repl/f6be800ba43b4666afe9802ab3018687?version=3) ✨ --- class: middle, center ```html
Beware flying fashion included
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Robot is {$robotState}
robotState.move('up') } > ↑
robotState.move('right') } > →
robotState.move('down') } > ↓
robotState.move('left') } > ←
``` ✨ [REPL](https://svelte.dev/repl/f6be800ba43b4666afe9802ab3018687?version=3) ✨ --- class: middle, center ### Size matters (in web dev) ![wrong tool](./img/size.gif) --- class: middle, center ## Inclusive development --- class: middle, center ## Noone left behind ![alf](./img/alf.gif) --- class: middle, center ### i18n & l10n ![lost in translation](./img/lit.gif) --- class: middle ### direction - [CSS logical properties & values](https://www.w3.org/TR/css-logical-1/) : for text - [dir](https://www.w3.org/TR/html51/dom.html#the-dir-attribute) & [:global](https://svelte.dev/docs#style) : for layout --- class: middle, center ```html
Skynet Inc
About
Settings
``` ✨ [REPL](https://svelte.dev/repl/f6be800ba43b4666afe9802ab3018687?version=3) ✨ --- class: middle, center ### Yells at you ![comic sans ms](./img/sans-ms.gif) --- class: middle, center ```html
invisible header
Hello Everybody
``` ✨ [REPL](https://svelte.dev/repl/0b0266846faa4463b64d05d13d6c608a?version=3.23.2) ✨ --- class: middle,center ### All users, all devices ![comic sans ms](./img/device.gif) --- class: middle,center ## Anything else ? --- class: middle, center @kramp ---