THE WAY OF THE GUN RATING: 6.5/10 --> So-so
For more reviews, screensavers, trailers & more, visit http://www.joblo.com/
Writer/director Christopher McQuarrie seems to have taken quite a bit of time off after his 1995 Oscar triumph for Best Screenplay for THE USUAL SUSPECTS. McQuarrie was apparently being asked to do another crime film wherever he went, and decided to make one himself so that "no one would ever ask him to make another crime film again". Hmmm...strange wish, but okay! Now let's see how Chris handles the directing end of things.
PLOT: Two out-of-luck schnooks looking for a fortune to save them from their dead end lives, kidnap a surrogate mother with hopes of demanding big-time moolah from the rich parents of the baby upcoming. Of course, things never go off without a hitch, and the two boys quickly have to deal with problems arising. This includes the two bodyguards who were hired to protect her, the bagman, who wants to make a deal with them, and the surrogate mother herself, who turns out to be more than a handful.
CRITIQUE: This film's got plenty of style and blood to spare, even a couple of decent rat-tat-tat scenes tossed here and there, but the plot is just too elaborate for its own good. Coming from the writer of THE USUAL SUSPECTS, I certainly expected some confusion, although not to this extent, but I damn sure didn't expect this film to be so boring at times. Yeah, that's right, there is a whole stretch at the center of this movie that is just plain tedious. The film features about three very cool shoot-out scenes, a very funny opening scene and fills the rest of its time going back and forth between way too many characters all bitching about who's gonna do what to do whom next...over and over and over again. "And here's my motivation"...bla-bla-bla-bla-bla...can we get on with it already!? Of course, the biggest problem is that you just don't care about any of these characters, so while they're all going on and on about what they want to do and what they think should be done next, you're just left wondering why the film isn't keeping you all that interested. Add to that, the fact that many of the characters eventually start revealing connecting relationships to one another, and it all starts feeling a little too much like a giant soap opera with bullets.
Overall, I would say that I was disappointed with the film. I suppose that my expectations were a bit too high and few of them were met.  But with so much downtime and overwrought dialogue, a lot of which just felt "written", I just didn't like enough things in the movie. It's also the kind of film that seems to want you to see it a couple of more times in order to fully absorb its convoluted plotline.   And even though blood never really bothers me, though it might bother some people after this movie, I was particularly taken aback by one bloody "operation" scene near the end of the film that just grossed me out completely. A little "overdone", I thought.
All in all, I suppose I was not "taken" by as much of this film as I had hoped but certainly wouldn't qualify it as a bad picture. Others may enjoy it for their own reasons, and I will admit that it does contain many positive elements, including a memorable score, solid directing and some great shoot-out scenes. Check it out and let me know what you think.
Review Date: September 5, 2000 Director: Christopher McQuarrie Writer: Christopher McQuarrie Producer: Kenneth Kokin Actors: Benicio Del Toro as Longbaugh Ryan Phillippe as Parker Juliette Lewis as Robin Genre: Thriller Year of Release: 2000 ------------------------------------- JoBlo's Movie Emporium http://www.joblo.com/ ------------------------------------- (c) 2000 Berge Garabedian
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Luis Suarez: Messi has helped me a lot in my personal growth
The Uruguayan spoke to the club website in an interview
by Sport ENLuis Suarez spoke to Barcelona's website in an interview in which he praised his pal and team-mate Lionel Messi.
The Argentine forward has clicked with Suarez on and off the pitch.
"Messi has helped me a lot in my personal growth. We had an affinity from the beginning. From coexistence came friendship, and the moments I spent with him also helped on the pitch," said the Uruguayan battler.
"Everyone knows that he is the best in the world. He has proven it and continues to prove it day after day. He has shown me his companionship a thousand times. He helped me when I was fighting for the Golden Boot as I was too. The other day, at Eibar, he gave me a goal."


[
](https://medium.com/stackfame?source=post_page—–befd31677ec5——————————–)
node.js fs
Do you need to get all files present in the directory or you want to scan a directory for files using node.js, then you’re on the correct web page because in this Nodejs How to Tutorial, we will learning How to get the list of all files in a directory in Node.js.
We will be using Node.js fs core module to get all files in the directory, we can use following fsmethods.
Full code:
first appeared on Web Development Blog StackFrame.
[
](https://medium.com/stackfame?source=post_sidebar————————–post_sidebar———–)
StackFAME - Top Quality NodeJS and Web Development…
Written by
Full Stack Developer and Dreamer.
StackFAME - Top Quality NodeJS and Web Development Tutorials
Written by
Full Stack Developer and Dreamer.
StackFAME - Top Quality NodeJS and Web Development Tutorials
Medium is an open platform where 170 million readers come to find insightful and dynamic thinking. Here, expert and undiscovered voices alike dive into the heart of any topic and bring new ideas to the surface. Learn more
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Here an example of how to use the Path annotation to create nested elements and attributes using a single annotated class. Below is an example showing two elements nested within a XPath expression.
${javaSnippet}The below snippet shows an example of the resulting XML that can be generated by this class.
${xmlSnippet}This example can be downloaded from here.


POPULAR DESTINATIONS OF DELHI
I asked my soul:What is DELHI
She replied: the world is the body and DELHI it's life.
– Mirza Asadullah Beg Khan Ghalib
-
RED FORT
-
QUTAB MINAR
-
HUMAYUN'S TOMB
-
INDIA GATE
-
JAMA MASJID
-
LOTUS TEMPLE
-
AKSHARDHAM
-
RASHTRAPTI BHAVAN
-
LODHI GARDEN
-
JANTAR MANTAR
-
RAJ GHAT
-
GANDHI SMRITI


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.AppConfig @import models.{BTIApplication, Case, Queue} @import views.html.forms.select_queue_form @import views.html.includes.main @import controllers.routes.ReleaseCaseController @import controllers.routes.CreateCorrespondenceController @import views.html.partials.{error_summary, back_link, case_heading} @import models.viewmodels.CaseHeaderViewModel @import models.request.AuthenticatedRequest @import views.html.components.confirm_or_cancel_buttons @import views.html.forms.components.input_radiogroup @import views.forms.components.RadioOption @this() @(c: Case, form: Form[String])(implicit request: AuthenticatedRequest[_], messages: Messages, appConfig: AppConfig) @main(bodyClasses = None, customTitle = Some(messages("action_this_corr.case.page.title"))) { @back_link() @error_summary(form.errors)


:: com :: sun :: star :: drawing ::
|
| service AppletShape |
- Description
- This Shape encapsulates an applet.
An applet is a small Java-based program that is executed and rendered
embedded in a document.
|
| Included Services - Summary |
| Shape |
basic service for position, size and z-order.
(details)
|
| Properties' Summary |
string
AppletCodeBase |
This property specifies the base URI for the applet.
|
string
AppletName |
this is an optional name for the applet.
|
string
AppletCode |
This property specifies one of the following:
The name of the class file that contains the compiled applet subclass.
The path to the class, including the class file itself.
|
sequence< ::com::sun::star::beans::PropertyValue >
AppletCommands |
This sequence contains paramaters that are passed to the applet
when it is initialized.
|
[ readonly ] boolean
AppletIsScript |
This property specifies whether or not the applet can be scripted.
|
| Included Services - Details |
Shape
- Description
- basic service for position, size and z-order.
A AppletShape cannot be rotated.
|
|
| Properties' Details |
AppletCodeBase
string AppletCodeBase;
- Description
- This property specifies the base URI for the applet.
If this property is empty, then it defaults the same base URI as for
the current document.
|
|
AppletName
string AppletName;
- Description
- this is an optional name for the applet.
|
|
AppletCode
string AppletCode;
- Description
- This property specifies one of the following:
The name of the class file that contains the compiled applet subclass.
The path to the class, including the class file itself.
|
|
AppletCommands
sequence< ::com::sun::star::beans::PropertyValue > AppletCommands;
- Description
- This sequence contains paramaters that are passed to the applet
when it is initialized.
|
|
AppletIsScript
[ readonly ] boolean AppletIsScript;
- Description
- This property specifies whether or not the applet can be scripted.
|
|
Top of Page
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


Ben Hur(1926)
Directed by: Fred Nilbo
Starring: Ramon Novarro, Francis X. Bushman, May McAvoy, Betty Bronson, Claire McDowell
First let me say, I was dragged kicking and screaming to this movie. The idea of sitting 2 1/2 hours watching a silent movie! Silent!
Well, I was wrong. This movie was a marvel to me. Released in 1926, it had a "Titanic" budget of almost $4 million. It was filmed in Italy and the US.
Novarro is solid as Ben Hur, while Bushman is slightly over the top as Messala. The story goes that Ben Hur and Messala were childhood friends. Now that they are grown, Messala is more into being a Roman, and that spells bad news for Ben Hur, a Jew. Messala is embarrassed over their early friendship and takes advantage of an accident, where a tile is knocked loose from a balcony and hits a Roman dignitary, to imprison Ben Hur's mother and sister, and send Ben Hur to a slave ship.
Ben Hur impresses the Roman Officer on the slave ship and is released from his chains before a pirate attack. The Naval battle is phenomenal. Filmed off the coast of Italy, I read that they put Communists on one boat and Fascists on the other, so as to make the fighting look more real. Ben Hur rescues the Roman Admiral and is adopted by him when they are picked up by another Roman vessel.
Ben Hur becomes a champion chariot racer, but he still looks for his imprisoned mother and sister. He eventually meets the old family slave who has been guarding the family fortune for years. He uses his newfound wealth to challenge Messala to a race, as a way to get revenge.  Easily as good as the scenes in the remake 34 years later.
The life of Christ is interspersed throught the film and Ben Hur becomes a believer and raises an army for the Christ only to have it stayed by Jesus' wish. They used an interesting technique of never showing Jesus' face. At times its a bit disconcerting, but overall, I thought it a nice touch.
The 2-color Technicolor bits were very impressive, and beautifully filmed. The movie was accompanied by a small orchestra conducted by Gillian Anderson(not the X-Files chick). All in all, I am now a silent movie fan!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Escarpment Blues is a Canadian concert and documentary film starring
singer-songwriter Sarah Harmer. Directed by Andy Keen and produced by Keen, Harmer, Bryan Bean and
Patrick Sambrook, it was released theatrically in 2006.
In June 2005, Harmer launched a tour, called I Love the Escarpment, across southern Ontario to
promote Protecting Escarpment Rural Land (PERL), a conservation group she cofounded to battle a
proposed quarry development on the Niagara Escarpment near her hometown of Burlington.
Harmer
toured communities near the escarpment, both performing and speaking about the PERL campaign.The
film documents both her live performances and her activist work from the tour, and takes its name
from "Escarpment Blues", a song from her 2005 album I'm a Mountain.
Poet Tanis Rideout also participated in the PERL tour and appears in the film.
Escarpment Blues won the award for Best Music DVD at the 2007 Juno Awards.
If they blow a hole in my backyard
Everyone is gonna run away
The creeks won't flow to the Great Lake below
Will the water in the wells still be ok?
We'll need to build some new apartments
And I know we're gonna have to fix the roads
But if we blow a hole in the escarpment
The wild ones won't have anywhere to go
If they blow a hole in the backbone
The one that runs cross the muscles of the land
We might get a load of stone for the road
But I don't know how much longer we can stand
We'll keep driving on the Blind Line
If we don't know where we want to go
Even knowledge that's sound can get watered down
Truth can get sucked out the car window
We're two-thirds water
What do we really need?
But sun, showers, soil and seed
We're two-thirds water
The aquifers provide
Deep down in the rock
There's a pearl inside
If they blow a hole in the backbone
The one that runs across the muscles of the land
We might get a load of stone for the road
But I don't know how much longer we can stand.
From : {{article.username}}
Comment : {{article.comment}}


Tab 1 - All holy bodies remember each other, only small selfs have a mind. xHell of relativity will cosmically hurt a new guru. After crushing the cracker crumps, rub white bread, bagel and salsa verde with it in a grinder.
Tab 2 - Only small selfs have a mind. xHell of relativity will cosmically hurt a new guru. After crushing the cracker crumps, rub white bread, bagel and salsa verde with it in a grinder.
Tab 3 - Abnoba rusticus calcaria est. All holy bodies remember each other, only small selfs have a mind. xHell of relativity will cosmically hurt a new guru. After crushing the cracker crumps, rub white bread, bagel and salsa verde with it in a grinder.


Use the Enable Animations, Disable Animations, and Is Animation Enabled functions to determine whether Animation Library animations and animations within WinJS controls are performed.
The determination of whether or not the animations will run is based on a combination of:
See the MSDN API documentation for more details.
Change the system's 'Turn off all unnecessary animations' accessibility setting in Control Panel\Ease of Access\Ease of Access Center\Make the computer easier to see, then click the Refresh button to see the updated value.


>From The Desk Of SAITA ALI Senior Staff In File Department, African Development Bank A.D.B Ouagadougou Burkina-Faso West Africa. Private Number......00226 76 52 47 43 PLANE CRASH WEB SITE http: //www.cnn.com/2003/WORLD/africa/12/26/benin.crash/index.html ( "REMITTANCE OF $15 MILLION U.S.A DOLLARS CONFIDENTIAL IS THE CASE") Compliment Of The Season, On a very good day. I am (ASITA ALI)a senior staff in file department in African developent bank (ADB).I got your contact from a Yahoo Tourist Search. When i was searching for a foreign partner i assured of your capability and reliability to champion this businees opportunity when i prayed to God or Allah about you.In my department we discovered an abandoned sum of $ 15 million U.S.A dollars ( fifteen million U.S.A dollars) . In an account that belongs to one of our foreign customer who died along with his entire family in (friday december 26,2003 ) in a plane crash. Since we got information about his death, we have been expecting his next of kin to come over and claim his money because we cannot release it unless somebody applies for it as next of kin or relation to the deceased as indicated in our banking guidelines, but unfortunately we learnt that all his supposed next of kin or relation died alongside with him at the plane crash leaving nobody behind for the claim. It is therefore upon this discovery that I and one official in my department now decided to make this businness proposal to you and release the money to you as the next of kin or relation to the deceased for safety and subsequent disbursement since nobody is coming for it and we don’t want this money to go into the bank treasury as unclaimed bill. The Banking law and guideline here stipulates that if such money remained unclamed after five years, the money will be transfered into the Bank treasury as unclaimed fund. The request of foreigner as next of kin in this business is occasioned by the fact that the customer was a foreigner, and a Burkinabe cannot stand as next of kin to a foreigner. We agree that 30 % of this money will be for you as foreign partner, in respect to the provision of a foreign account, 10 % will be set aside for expenses incured during the business and 60 % would be for ;me and my woman colleague. There after I and my colleague will visit your country for disbursement according to the percentages indicated. Therefore to enable the immediate trnansfer of this fund to you as arranged, you must apply first to the bank as relations or next of kin of the deceased indicating your bank name, your bank account number, your private telephone and fax number for easy and effective communication and location where the money will be remitted. Upon receipt of your reply, I will send to you by fax or email the text of the application I will not fail to bring to your notice that this transaction is hitch free and that you should not entertain any atom of fear as all required arrangements have been made for the transfer. You should contact me on my number 00226 76 52 47 43 immediately as soon as you receive this letter. Trusting to hear from you immediately. Your’s faithfully, ASITA ALI POST SCRITUM:You have to keep everything secret as to enable the transfer to move very smoothly in to the account you will prove to the bank.As you finished reading this letter call me immediately so that we discuss very well over this business.Please call me and inform me that you received my mail, because i don't go to net always. .........................................................................................


{% extends "base.html" %} {% block title %}All Tasks{% endblock %} {% block head -%} {{ super() }} {%- endblock %} {% block help_modal_body -%}
Select a task from the list below to get started.
{%- endblock %} {% block content -%}Select a task below to start annotating!


w📷bshot
Instantly create a mockup for any website.
It's simple, type in a URL below.
How are you using WebShot?
business
personal
prefer not to say
other
🎉 generate mockup
* all data collected is anonymous
✨ view mockup
🔥 export mockup
💨 generate again
🐦 tweet


Contact Information Company Name Company name is required The name is already taken Contact Email Address Email not valid


What is the Ars Electronica Futurelab for you?
Why and how did you first get in touch with the Futurelab and then join the team?
Which are the projects of the Futurelab, that you consider to have (had) the maximum impact and/or relevance?
What are your wishes to and for the lab in it’s future?
KALEIDOSCOPE


We would love for you to contribute to ngx-admin and help make it ever better together! :rocket:
Help us keep ngx-admin open and inclusive. Please read and follow our Code of Conduct.
Please do not open issues for general support questions as we want to keep GitHub issues for bug reports and feature requests. You've got much better chances of getting your question answered on StackOverflow where the questions should be tagged with tag ngx-admin
.
StackOverflow is a much better place to ask questions since:
To save your and our time, we will be systematically closing all the issues that are requests for general support and redirecting people to StackOverflow.
If you find a bug in the source code or a mistake in the documentation, you can help us by submitting an issue to our GitHub Repository. Including an issue reproduction (via CodePen, JsBin, Plunkr, GitHub repo, etc.) is the absolute best way to help the team quickly diagnose the problem. Screenshots and error stack traces are also helpful.
Please follow this simple checklist before submitting:
If you have a question about using ngx-admin, please ask on the StackOverflow.
It is required that you clearly describe the steps necessary to reproduce the issue you are running into. Although we would love to help our users as much as possible, diagnosing issues without clear reproduction steps is extremely time-consuming and simply not sustainable.
The issue list of this repository is exclusively for bug reports and feature requests. Non-conforming issues will be closed immediately.
Issues with no clear steps to reproduce will not be triaged. If an issue is labeled with "needs info" and receives no further replies from the author of the issue for more than 5 days, it will be closed.
If you think you have found a bug, or have a new feature idea, please start by making sure it hasn't already been reported. You can search through existing issues to see if there is a similar one reported. Include closed issues as it may have been closed with a solution.
Next, create a new issue that thoroughly explains the problem. Please fill out the populated issue form before submitting the issue.
You can request a new feature by submitting an issue to our GitHub Repository. If you would like to implement a new feature, please submit an issue with a proposal for your work first, to be sure that we can use it. Please consider what kind of change it is:
Before you submit an issue, search the archive, maybe your question was already answered.
If your issue appears to be a bug, and hasn't been reported, open a new issue. Help us to maximize the effort we can spend fixing issues and adding new features by not reporting duplicate issues. Please make sure to fill out the populated issue form before submitting the issue.
You can file new issues by providing the information here.
 Adherence to these conventions is necessary because release notes are automatically generated from these messages.
git commit -a
Note: the optional commit -a
command line option will automatically "add" and "rm" edited files.
Push your branch to GitHub:
git push my-fork my-fix-branch
In GitHub, send a pull request to ngx-admin:master
.
If we suggest changes then:
npm run release:validate
to ensure tests are still passing, linter & build has no errors.Rebase your branch and force push to your GitHub repository (this will update your Pull Request):
git rebase master -i
git push -f
That's it! Thank you for your contribution!
After your pull request is merged, you can safely delete your branch and pull the changes from the main (upstream) repository:
Delete the remote branch on GitHub either through the GitHub web UI or your local shell as follows:
git push my-fork --delete my-fix-branch
Check out the master branch:
git checkout master -f
Delete the local branch:
git branch -D my-fix-branch
Update your master with the latest upstream version:
git pull --ff upstream master
To ensure consistency throughout the source code, keep these rules in mind as you are working:
We have very precise rules over how our git commit messages can be formatted. This leads to more readable messages that are easy to follow when looking through the project history. But also, we use the git commit messages to generate the ngx-admin change log.
Each commit message consists of a header, a body and a footer. The header has a special format that includes a type, a scope and a subject:
<type>(<scope>): <subject>
<BLANK LINE>
<body>
<BLANK LINE>
<footer>
The header is mandatory and the scope of the header is optional.
Any line of the commit message cannot be longer 100 characters! This allows the message to be easier to read on GitHub as well as in various git tools.
If the commit reverts a previous commit, it should begin with revert:
, followed by the header of
the reverted commit. In the body it should say: This reverts commit <hash>.
, where the hash is
the SHA of the commit being reverted.
Must be one of the following:
(example scopes: gulp, broccoli, npm)
src
or test
filesThe scope could be anything specifying place of the commit change. For example
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, sidebar
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The subject contains succinct description of the change:
Optional. Just as in the subject, use the imperative, present tense: "change" not "changed" nor "changes". The body should include the motivation for the change and contrast this with previous behavior.
Optional. The footer should contain any information about Breaking Changes and is also the place to reference GitHub issues that this commit Closes.
Breaking Changes should start with the word BREAKING CHANGE:
with a space or two newlines.
The rest of the commit message is then used for this.


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| soot | Base Soot classes, shared by different intermediate representations. |
| soot.baf | Public classes for the Baf intermediate representation. |
| soot.baf.internal | Internal, messy, implementation-specific classes for the Baf intermediate representation. |
| soot.jbco.bafTransformations | |
| soot.jimple | Public classes for the Jimple intermediate representation. |
| soot.toolkits.exceptions |
| Classes in soot.baf used by soot | |
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Build applications through high-level operators.
Spark Streaming brings Apache Spark's language-integrated API to stream processing, letting you write streaming jobs the same way you write batch jobs. It supports Java, Scala and Python.
Stateful exactly-once semantics out of the box.
Spark Streaming recovers both lost work and operator state (e.g. sliding windows) out of the box, without any extra code on your part.
Combine streaming with batch and interactive queries.
By running on Spark, Spark Streaming lets you reuse the same code for batch processing, join streams against historical data, or run ad-hoc queries on stream state. Build powerful interactive applications, not just analytics.
Spark Streaming can read data from HDFS, Flume, Kafka, Twitter and ZeroMQ. You can also define your own custom data sources.
You can run Spark Streaming on Spark's standalone cluster mode or other supported cluster resource managers. It also includes a local run mode for development. In production, Spark Streaming uses ZooKeeper and HDFS for high availability.
Spark Streaming is developed as part of Apache Spark. It thus gets tested and updated with each Spark release.
If you have questions about the system, ask on the Spark mailing lists.
The Spark Streaming developers welcome contributions. If you'd like to help out, read how to contribute to Spark, and send us a patch!
To get started with Spark Streaming:


--- layout: post title: "A Terrifying Message from Al Gore" --- Yes this is a real trailer, and yes the folks from Futurama were involved. Link to the video on YouTube.


fft size:
32
64
128
256
512
1024
2048
4096
8192
16384
32768
⚠
frequency:
none
bar
waterfall
Lower dB limit:
wave:
wave
none
channel mode:
split
merge
Channels:
reverse 2n channels
source:
mic
music
©
luojia
git:
Github
📌
This is an audio visualization tool.
The source can be your mic or an audio file.
The audio file could be dropped in.
The browser may not read channel counts of the audio correctly, you can change it yourself.
Click to close.


Apr 22, 2010 10:24 AM
This presentation by Arianna Choi, Faisal Anwar, Zhou Zhou, and Hui Soo Chae (delivered by Zhou Zhou) is part of the paper session on Using Technology to Support Teaching and Learning. The paper will be delivered at the AERA Annual Meeting in Denver at the Sheraton-Denver in Governor's Square 9. Abstract: This paper reports on the results of a two-part evaluation of Critter, a web-based application for asynchronous video discussion designed to support social reflective learning. Participants (N=40) were composed of undergraduate and graduate students, education faculty, and library staff. In the first phase, participants were directed to use then complete a user experience survey. In the second phase, same participants were organized into focus groups to identify potential use cases within specific learning scenarios. The results underscore three major areas for improvement: 1) the user interface, 2) the organization of user-generated comments, and 3) the integration of popular social networking sites. We conclude with a discussion about our decision-making process and an upgrade plan for a public beta launch of Critter. Session: Using Technology to Support Teaching and Learning Session Submission Type: Paper Session Unit: SIG-Instructional Technology Scheduled Time: Fri, Apr 30 - 4:05pm - 5:35pm, Building/Room: Sheraton / Governor's Square 9 Presenter on paper: Evaluating an Asynchronous Video Discussion Tool: Results From a Pilot Study of "Critter"


I have been a musician all my life. Throught most of my twenties, I played trumpet, percussion, and sang harmonies in the band Typhoon. After years of writing, recording, and touring the US, I decided to make a career change. I have been attending Epicodus, a programming vocational school, since February 6, 2017. So far, it's really great! This portfolio, in its current state, is the result of my first week's Friday project. Thanks for viewing!
An early exercise in Bootstrap displying different travel packages using columns.
Implements...
An early exercise in CSS showing before, during and after photos for a remodeling company. Uses rows and columns.
Implements...
An early exercise in HTML and CSS for a magical animal adoption webpage. Shows animals in columns.
Implements...
For the past few years I worked at House Spirits Distillery in Portland, OR. Prior to that I worked a number of entry level jobs with little to no satisfaction. So far, none of the positions I've held have had anything to do with programming. I'm excited to change this and dedicate myself to the tech industry!
I enjoy all types of games including video and cumputer games, board games, card games, sports, puzzles, crosswords, you name it. I would love to program games.
I play bass, drums, guitar, and sing on my own recordings. I would be very interested in building VST plugins for recording software, or any other music related programming.
I've been homebrewing beer since about 2009. It's a great scientific and creative outlet. And the end result is tastey beer! I would be interested in creating software for breweries or distilleries, or even the homebrewer.
I love watching movies and tv, reading books, and even coming up with my own stories.


{% extends 'layout-2-1-bleedbar.html' %}
{% import 'templates/streamfield-sidefoot.html' as streamfield_sidefoot with context %}
{% import 'macros/time.html' as time %}
{% block content_main_modifiers -%}
{{ super() }} content__flush-bottom
{%- endblock %}
{% block content_main %}
{% import 'molecules/social-media.html' as social_media with context %}
{{ page.title }}
Job Description
{{ page.description | safe }}
Interested in Applying?
Before you apply
{{ usajobs_link.applicant_type.description }}
You are about to leave consumerfinance.gov. To submit the application, you must go to USAJobs.gov.
{{ email_link.description }}
{% endif %}


Create New Event
Company Name:
HR Person:
Event Date:
Deapartment
Comp:
IT:
Mech:
Civil:
Civil:
Electrical:
Etx:
E & Tc:
Number of Openings:
Skills Required:
Job Description:


{% extends "base.html" %} {% block "content" %}
We can't seem to find anything at this address. Please use search or go to the homepage.


This SRFI defines a set of SRFI 158 generators and generator makers that yield random data of specific ranges and distributions. It is intended to be implemented on top of SRFI 27, which provides the underlying source of random integers and floats.


{% load admin_urls %} {# This template can be used for both scanner results and scanner query results. Keep it generic. #} {% if obj.can_report_feedback %} False positive True positive Inconclusive {% elif obj.can_revert_feedback %} Revert report {% endif %}


{{ recipient.first_name_or_friend }} --
{% if invoice.is_closed? %}
Thank you for paying your invoice.
{% elsif invoice.is_overdue? %}
This invoice is overdue.
{% else %}
You have a new invoice.
{% endif %}
Date: {{ invoice.sent_at | date_to_string }}
Invoice: {{ invoice.name }}
{% if invoice.is_closed? %}
Amount: {{ invoice.amount_with_discount_format }}
{% else %}
Amount due: {{ invoice.amount_due_format }}
{% endif %}
Status: {{ invoice.status }}
Your invoice.


by Suman K Polavarapu
This project was completed as part of CUNY DATA608's curriculum. To see other projects, please click here for the homepage.
Storm Data is an official publication of the National Oceanic and Atmospheric Administration (NOAA) which documents the occurrence of storms and other significant weather phenomena having sufficient intensity to cause loss of life, injuries, significant property damage, and/or disruption to commerce. A storm includes various weather conditions such as - Flood, Ice Storm, Tornado, Heavy rain etc
The intent of the project is to visualize the state level summary of fatalities caused by various weather events in USA. And also, provide the county level impacts in the State of Arkansas.
| Impact Type | Measure (Count or Amount) |
|---|---|
| Deaths | |
| Injuries | |
| Crops Damage | |
| Property Damage |


|
121. Bridges painting Time Limit: 0.25 sec, Memory Limit: 1 MB New Berland consists of N (1£ N£ 100) islands, some of them are connected by bridges. There can be no more than one bridge between any pair of islands. Mr. President issued a law to paint all bridges. A bridge can be painted white or black. Any island must have at least one white bridge and at least one black (of course if an island has more than one bridge). Input There is N on the fisrt line of input. Next N lines contain a list of islands connected with given island. Every list is finished by 0. Output If needed painting exists then write N lines. Write У1Ф and У2Ф in each line. Write У1Ф if bridge is painted white and У2Ф in other case. Write 0 at the end of any list. If needed painting does not exist then write УNo solutionФ. Sample Input 6 2 3 0 1 3 0 1 2 5 0 5 0 4 6 3 0 5 0 Sample Output 1 2 0 1 2 0 2 2 1 0 2 0 2 2 1 0 2 0 | ||||||
|


This demo measures the actual framerate at which the chart is rendered in your browser.
We're constantly looking for performance improvements on every level - from micro-optimizations to API revisions.


WEDDING IN ITALY
Luxury wedding planner, designer and coordinator in Italy
Elisa Prati wedding planner and events is specialized in the organization of luxury weddings in Italy, for an international discerning and sophisticated clientele, who research a professional wedding planner for authentic and unparalleled celebrations.
Elisa Prati assists her spouses from start to finish of the organization of their upscale destination wedding in Italy and in creating of memorable and outstanding celebrations, that exceed every expectation. She plans in detail every aspect of the wedding, from the most creative and emotional details to the logistical ones, to assure maximum discretion, fully transparent in the service, and attention paid to details, not only to alleviate the stress that comes with planning of a wedding, but also to allow to her spouses to really enjoy the entire process of the organization, to guarantee the success of a luxury wedding in Italy…. A unique and inimitable wedding, as your history and your life together.
Elisa Prati works in partnership with only the best suppliers in the wedding and event industry, to offer at her clientele only focused high-level of service and immersive, timeless Italian experiences, with the certainty that every detail is perfectly planned and managed, to assure an astounding and exclusive wedding in Italy, characterized by the worldwide famous and authentic Italian-style.
” From intimate elopements in Italy, to lavish luxury weddings, our private and professional approach guarantee that your wedding will be planned, reflecting entirely your personality, your values and your style, offering only bespoke first class services, which are tailored to suit your specific requirements, to ensure your celebration will be unique and exceptional… Like you! “
WEDDING IN ITALY
Elisa Prati wedding planner and events attends her spouses during every moment of their Italian wedding organization, to satisfy their requirements, from the delineation of the budget and the selection of the perfect Italian wedding venue, selected meticulously according to strict quality standards, to the management of all the wedding and event services and the assistance with the bureaucratic procedure for both legal civil ceremonies and religious ones, up to the complete expert advice, set-up and direction of the wedding day, assuring her presence and her wedding planner team presence during every wedding and event, in order that every planned detail and every request will realise with attention and care, translating them in an exclusive, unique and unparalleled wedding in Italy.
WEDDING IN ITALY
Elisa Prati wedding planner and events attends her spouses during every moment of their Italian wedding organization, to satisfy their requirements, from the delineation of the budget and the selection of the perfect Italian wedding venue, selected meticulously according to strict quality standards, to the management of all the wedding and event services and the assistance with the bureaucratic procedure for both legal civil ceremonies and religious ones, up to the complete expert advice, set-up and direction of the wedding day, assuring her presence and her wedding planner team presence during every wedding and event, in order that every planned detail and every request will realise with attention and care, translating them in an exclusive, unique and unparalleled wedding in Italy.
WEDDING IN ITALY
Elisa Prati wedding planner and events attends her spouses during every moment of their Italian wedding organization, to satisfy their requirements, from the delineation of the budget and the selection of the perfect Italian wedding venue, selected meticulously according to strict quality standards, to the management of all the wedding and event services and the assistance with the bureaucratic procedure for both legal civil ceremonies and religious ones, up to the complete expert advice, set-up and direction of the wedding day, assuring her presence and her wedding planner team presence during every wedding and event, in order that every planned detail and every request will realise with attention and care, translating them in an exclusive, unique and unparalleled wedding in Italy.
WEDDING IN ITALY
Elisa Prati wedding planner and events attends her spouses during every moment of their Italian wedding organization, to satisfy their requirements, from the delineation of the budget and the selection of the perfect Italian wedding venue, selected meticulously according to strict quality standards, to the management of all the wedding and event services and the assistance with the bureaucratic procedure for both legal civil ceremonies and religious ones, up to the complete expert advice, set-up and direction of the wedding day, assuring her presence and her wedding planner team presence during every wedding and event, in order that every planned detail and every request will realise with attention and care, translating them in an exclusive, unique and unparalleled wedding in Italy.
WEDDING IN ITALY
Elisa Prati wedding planner and events attends her spouses during every moment of their Italian wedding organization, to satisfy their requirements, from the delineation of the budget and the selection of the perfect Italian wedding venue, selected meticulously according to strict quality standards, to the management of all the wedding and event services and the assistance with the bureaucratic procedure for both legal civil ceremonies and religious ones, up to the complete expert advice, set-up and direction of the wedding day, assuring her presence and her wedding planner team presence during every wedding and event, in order that every planned detail and every request will realise with attention and care, translating them in an exclusive, unique and unparalleled wedding in Italy.
WEDDING IN ITALY
Elisa Prati wedding planner and events attends her spouses during every moment of their Italian wedding organization, to satisfy their requirements, from the delineation of the budget and the selection of the perfect Italian wedding venue, selected meticulously according to strict quality standards, to the management of all the wedding and event services and the assistance with the bureaucratic procedure for both legal civil ceremonies and religious ones, up to the complete expert advice, set-up and direction of the wedding day, assuring her presence and her wedding planner team presence during every wedding and event, in order that every planned detail and every request will realise with attention and care, translating them in an exclusive, unique and unparalleled wedding in Italy.


wfuzz for password brute
wfuzz for cookie value brute (header value)
data loaded from MySQL DB vs data loaded from cache (debug 'hint')
Socket Test page, need to enumerate bad characters
wfuzz again! seclists alphanum-case-extra.txt
Memcache cachedump passwords and crack password
Shared library link for privesc
myexec is a SUID binary, asks for a password. Strings/ltrace/r2 find the password
ldconfig will set it to your own library based off a config in /etc/ld.so.conf.d
test.conf lists: /tmp
So, you can place a linked library in /tmp and ldconfig to force your shared library to be loaded
use ldd to find which shared libraries a binary will load
make your binary and place in tmp
ldconfig to link it
run the binary and pop shell


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Discover the World of chemically induced supernatural beings that are forced to work for the government. For years, agents, and their family members are put to the test. They are given the oppourunity to change the world are we know it, but when the test subjects mystierously start to disappear after experiencing supernatural abilities, people start to become suspicious.
Follow the story of Kat Faucher: a teenager cursed with the ability of seeing what is to come, and what has past. Ever since she could remember she has experienced mass amounts of violence, while hiding it from the rest of the world. Even she cannot control it, but they are coming for her.
Excerpt 1: I am able to stop my hand for a second, but I sadly cannot control it. It takes me hostage until the cycle is complete, and then releases me from its grasp. He holds down the paper as I start to fill it with separate lines. Lines layer and start to come together forming a chin and the smile that I can never forget as it scares me just as much as it scares him. “No.” He utters. “Why? Of all the people, why 540?” I finish with the eyes that stare into my soul, understanding my pain. My hand stops and shoots the pen across the room. I sharply inhale. Silence spreads. Blinking back into control, I am afraid to say anything. They just look at me and I try to dodge eye contact.  I’ve lost the battle. Maxwell pulls the chair around next to me. “How do you know subject 540?” He whimpered. I try to say something, but my voice cracks. “How do you know?” His voice gets louder and he bangs his hand against the table. “I don’t know him. It means... I will.”
Excerpt 2: I see a figure of of the corner of my eye. I try to prevent hime from noticing me, but the pain is much to great. He’s studying the papers and the box is open. I don't remember opening the box. A slight worriedness escapes from his mouth. I try to sit up on the bed, yet the pain stops me mid-motion. He sees me now. He knows I’m awake. He looks up at me, It's Blackburn. He tries to keep his composure, yet his eyes are puffy and he says nothing to me. “What do you want?” I say towards him. I sit there, waiting for an answer I am never going to receive. Those papers, I see, are my drawings. All of them. I have never seen them laid out in one place. He separated them into different categories: Murders, genocides, suicides, and just plain horrific, yet there was a small pile of papers that focused on. Some are my nightmares, that drew me awake to record them. Others, are something I never dealt with before. Most of what I see is of death and would leave sane person something to panic about, but truly, they are of someone I’ve never met. This person, with my name covered on his skin. He looks up at me, seeing the shocked look on my face as I stare at all of the drawings.  I don’t feel the pain anymore.


{% load staticfiles %} {% load humanize %}
{% block extra_js_in_header %} {% endblock %} {% load staticfiles %} {% load humanize %}With ECHO funding, Mercy Corps’ Refugee Response Information Management and Analysis (RRIMA) team aims to:
According to UNHCR, more than 1 million migrants and refugees crossed into Europe in 2015 - the vast majority of which traveled along the Aegean Route from countries such as Syria, Afghanistan, and Iraq through Turkey, Greece and the Balkans. Mercy Corps is strategically positioned with teams in active areas along the Aegean Migration Route.
Over 4 million Syrian refugees. 2.6 million displaced Iraqis. Conflict is tearing countries apart. People are moving at a greater rate than ever before. Who are the primary populations moving? The simple answer is: everyone. Routes are now flooded by families fleeing homes and countries that are no longer safe or habitable.
Where are people coming from? Who is staying in Turkey versus moving on to Greece and the Balkans? RRIMA Report 1 focuses on who Mercy Corps is serving along the Aegean Migration Route.
In the process of analyzing data for the RRIMA subject reports, the team leveraged collected data and its findings to create sample representative households for 4 of the locations it has reported on in Turkey and Greece. In presenting these profiles, the team seeks to provide an example of the size and makeup of a household and to highlight a few of the typical challenges that household members may face. While representative household profiles are intended to be an average example of a household from region to region, a wide range of households and related challenges was seen across all locations. For issue-specific findings, please see the RRIMA Reports directly.
The average refugee household size in Turkey was larger than in Greece. Single travelers and young couples traveling without families were more likely to travel onward to Greece than families with children. The majority of refugees in Turkey are Syrian, while refugees in Greece come from many different countries of origin (Syria, Afghanistan, Iraq, Iran, and Pakistan).
Refugees, asylum seekers and migrant populations each have their own story for why and how they left their country of origin. But all are arriving in a foreign country with limited resources and knowledge of the language, government policies and services available to them.
Turkey is host to at least 2.75 million Syrian refugees (among others). What are the primary needs and concerns for these populations? What issues are they running into? RRIMA Report 2 focuses on needs and challenges for refugee populations in Izmir, Turkey.
Y2016 has been a tumultuous year for migration patterns across the Mediterranean and European routes.This massive movement of people has placed a strain on existing resources and support services that has never been experienced before.
Which countries have received the most arrivals, and how has that changed over time? How do challenges and needs for refugees change along the route? RRIMA Report 3 looks at a timeline of events since January 2016, mapping out movements and highlighting moments of note this year.
In both Turkey and Syria there are many barriers to working and earning enough income to support a family. Despite the fact that there are support services in place, that is often not enough to meet the needs of those who have been displaced by conflict.
How are displaced persons, both within and outside of Syria, coping with the challenges they are facing? Are they able to get work? If so, are they earning enough to support their families? RRIMA Report #4 explores the coping mechanisms most in use in North Syria and across the Turkish border, in Gaziantep.
Both the PRM-funded MALUMAT program in Gaziantep, Turkey and the ECHO-funded Aegean Response program in Izmir, Turkey are concluding and transitioning into their next phase(s). This report serves to wrap up the analysis for the current phase of programming and to provide some reflections and comparisons not provided in previous reports.
What do livelihoods and coping strategies look like in Izmir in comparison to Gaziantep? What are the push and pull factors in Gaziantep? Do those differ from the push and pull factors identified for Izmir? RRIMA Report #5 explores these questions, as well as provides some final reflections about program operations.


Most popular features
Everytime
Unique clients
259
+9 added
Top 5 most active clients
Filter
Frequency of received statistics
Last week


--- title: page.rating layout: default ---
This page is automatically generated by the data_page_generator.rb plugin, based on the _layouts/book.html template.
Use the _config.yml to specify the rules for generating pages like this one (including name and template).
In the template, you have access to all the fields defined in data for the record, like, for instance:


| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one or more | |
| 3 | * contributor license agreements. See the NOTICE file distributed with | |
| 4 | * this work for additional information regarding copyright ownership. | |
| 5 | * The ASF licenses this file to You under the Apache License, Version 2.0 | |
| 6 | * (the "License"); you may not use this file except in compliance with | |
| 7 | * the License. You may obtain a copy of the License at | |
| 8 | * | |
| 9 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 10 | * | |
| 11 | * Unless required by applicable law or agreed to in writing, software | |
| 12 | * distributed under the License is distributed on an "AS IS" BASIS, | |
| 13 | * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | |
| 14 | * See the License for the specific language governing permissions and | |
| 15 | * limitations under the License. | |
| 16 | */ | |
| 17 | package org.apache.commons.imaging.formats.pnm; | |
| 18 | ||
| 19 | import java.awt.image.BufferedImage; | |
| 20 | import java.io.IOException; | |
| 21 | import java.io.OutputStream; | |
| 22 | import java.util.Map; | |
| 23 | ||
| 24 | import org.apache.commons.imaging.ImageWriteException; | |
| 25 | ||
| 26 | public class PgmWriter extends PnmWriter { | |
| 27 | public PgmWriter(final boolean RAWBITS) { | |
| 28 | super(RAWBITS); | |
| 29 | } | |
| 30 | ||
| 31 | @Override | |
| 32 | public void writeImage(final BufferedImage src, final OutputStream os, final Map<String,Object> params) | |
| 33 | throws ImageWriteException, IOException { | |
| 34 | // System.out.println | |
| 35 | // (b1 == 0x50 && b2 == 0x36) | |
| 36 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(0x50); |
| 37 |
2
1. writeImage : negated conditional → NO_COVERAGE 2. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(RAWBITS ? 0x35 : 0x32); |
| 38 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(PnmConstants.PNM_SEPARATOR); |
| 39 | ||
| 40 | final int width = src.getWidth(); | |
| 41 | final int height = src.getHeight(); | |
| 42 | ||
| 43 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(Integer.toString(width).getBytes("US-ASCII")); |
| 44 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(PnmConstants.PNM_SEPARATOR); |
| 45 | ||
| 46 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(Integer.toString(height).getBytes("US-ASCII")); |
| 47 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(PnmConstants.PNM_SEPARATOR); |
| 48 | ||
| 49 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(Integer.toString(255).getBytes("US-ASCII")); // max component value |
| 50 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(PnmConstants.PNM_NEWLINE); |
| 51 | ||
| 52 |
3
1. writeImage : changed conditional boundary → NO_COVERAGE 2. writeImage : Changed increment from 1 to -1 → NO_COVERAGE 3. writeImage : negated conditional → NO_COVERAGE |
for (int y = 0; y < height; y++) { |
| 53 |
3
1. writeImage : changed conditional boundary → NO_COVERAGE 2. writeImage : Changed increment from 1 to -1 → NO_COVERAGE 3. writeImage : negated conditional → NO_COVERAGE |
for (int x = 0; x < width; x++) { |
| 54 | final int argb = src.getRGB(x, y); | |
| 55 |
2
1. writeImage : Replaced Shift Right with Shift Left → NO_COVERAGE 2. writeImage : Replaced bitwise AND with OR → NO_COVERAGE |
final int red = 0xff & (argb >> 16); |
| 56 |
2
1. writeImage : Replaced Shift Right with Shift Left → NO_COVERAGE 2. writeImage : Replaced bitwise AND with OR → NO_COVERAGE |
final int green = 0xff & (argb >> 8); |
| 57 |
2
1. writeImage : Replaced Shift Right with Shift Left → NO_COVERAGE 2. writeImage : Replaced bitwise AND with OR → NO_COVERAGE |
final int blue = 0xff & (argb >> 0); |
| 58 |
3
1. writeImage : Replaced integer addition with subtraction → NO_COVERAGE 2. writeImage : Replaced integer addition with subtraction → NO_COVERAGE 3. writeImage : Replaced integer division with multiplication → NO_COVERAGE |
final int sample = (red + green + blue) / 3; |
| 59 | ||
| 60 |
1
1. writeImage : negated conditional → NO_COVERAGE |
if (RAWBITS) { |
| 61 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write((byte) sample); |
| 62 | } else { | |
| 63 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(Integer.toString(sample).getBytes("US-ASCII")); // max component value |
| 64 |
1
1. writeImage : removed call to java/io/OutputStream::write → NO_COVERAGE |
os.write(PnmConstants.PNM_SEPARATOR); |
| 65 | } | |
| 66 | } | |
| 67 | } | |
| 68 | } | |
| 69 | ||
| 70 | } | |
Mutations | ||
| 36 |
1.1 |
|
| 37 |
1.1 2.2 |
|
| 38 |
1.1 |
|
| 43 |
1.1 |
|
| 44 |
1.1 |
|
| 46 |
1.1 |
|
| 47 |
1.1 |
|
| 49 |
1.1 |
|
| 50 |
1.1 |
|
| 52 |
1.1 2.2 3.3 |
|
| 53 |
1.1 2.2 3.3 |
|
| 55 |
1.1 2.2 |
|
| 56 |
1.1 2.2 |
|
| 57 |
1.1 2.2 |
|
| 58 |
1.1 2.2 3.3 |
|
| 60 |
1.1 |
|
| 61 |
1.1 |
|
| 63 |
1.1 |
|
| 64 |
1.1 |


Komodo held a community stress test of AtomicDEX Beta on 31 October from 12pm to 6pm GMT. The test provided the Komodo Development Team with an enormous amount of valuable data about potential bottlenecks in the networking layer, and will help the Komodo team perfect AtomicDE...


design phase
add component
thing
data
micronet
threat
asset
constraint
actor
unidentified node
net
connection
ownership
delete node
delete edge
Select component
thing
data
micronet
threat
asset
constraint
actor
unidentified node
net
Select module
network
security
social
network-security
network-social
threat verification
module validation
save
flag
test


---
layout: post
title: Defensive wall of medieval lisbon
date: '2013-04-11T03:19:00+02:00'
categories:
- Storyboards
- Atoleiros Battle
picture_url: https://film-Storyboards.tumblr.com/post/47689132798/defensive-wall-of-medieval-lisbon
---
Defensive wall of medieval Lisbon.


Coding Quiz Challenge
Try to answer the following questions. Keep in mind wrong answers will penalize your score/time by ten seconds!
Try to answer the following questions. Keep in mind wrong answers will penalize your score/time by ten seconds!
Number of Question you got right:
Correct!
Wrong!


Then press on OK in the dialog/alert box appears to replay.
Back


Nawaz's platelet count drops again: personal physician
by News DeskThe personal physician of former prime minister Nawaz Sharif – Dr Adnan – has again raised alarm over the PML-N’s supremo’s deteriorating health and said the platelet count has dropped again to 38,000.
The doctor added that the platelet count drop was witnessed after doctors tried to reduce administered steroid dose.
“Former PM Nawaz Sharif remains critical,” Dr Khan tweeted. “The treating doctors tried to reduce the Steroids dose being given to him but unfortunately resulted in a drop in platelet count again which has come down to 38*10^3/uL yesterday.”
He also added that severe existent co-morbidities (IHD, ECVD, DM, HTN, CKD3) has added to the seriousness of the nature of the critical illness.
“A very delicate balance has to be maintained between coagulation & anti-coagulation to sustain fragile unstable health status,” he stressed.
The health of three-time prime minister showed improvement earlier on Friday as his platelet count reached 55,000.
Nawaz has been admitted in Lahore’s Services Hospital for the past 12 days. He was diagnosed with acute idiopathic thrombocytopenic purpura (ITP) and underwent a five-day Intravenous Immunoglobulin (IVIg) therapy. The former prime minister also suffered an angina attack during his hospitalisation.
However, the head of the government-constituted medical board, Dr Mahmood Ayaz, recommended against discharge.
Acute Idiopathic Thrombocytopenic Purpura
More commonly referred to as immune thrombocytopenia (ITP), it is a disorder that can lead to easy or excessive bruising and bleeding.
According to Mayo Clinic, the bleeding results from unusually low levels of platelets — the cells that help blood clot. The symptoms include easy or excessive bruising, superficial bleeding into the skin that appears as pinpoint-sized reddish-purple spots (petechiae) that look like a rash – usually on the lower legs, bleeding from the gums or nose.
Intravenous immunoglobulin (IVIG) therapy
According to Harvard Medical School, intravenous immunoglobulin is primarily used to treat other autoimmune and inflammatory conditions.
Intravenous immunoglobulin (IVIG) contains the pooled immunoglobulin G (IgG) immunoglobulins from the plasma of approximately a thousand or more blood donors, according to E-medicine.


std.net.smtp
-
std.net documentation
Modules
[std.net]
Standard networking package
Jump to
Copyright by 2011.
Generated by ddoc, Theme:
cutedoc
.


I am a UX/UI designer and researcher passionate about bringing accessible solutions to complex problems by utilizing my background in design, computer science, and psychology. My goal is to be able to join a UX team where I can continue to grow, and contribute to the UX community.
I am well versed in essential programming concepts such as data structures, time complexity, and object oriented programming. For coursework, I have programmed in Python, Java, and C. I am self taught at HTML/CSS/JS, and enjoys learning more about and experimenting with Web Design. I am familiar with working in the Unix environment, various IDE's (such as Eclipse and PyCharm), and Statistic applications such as JMP/Minitab (and concepts such as ANOVA and Power Analysis)
My background in Psychology and familiarity with concepts like information hierarchy helps me fuel my interest in User Experience, and helps me implement creative and efficient solutions to challenging problems.
Check out my github below.
I've always held a special love for music. I was fortunate enough to be able to learn piano and drums at a young age, and as a result I continue to play to this day. I currently play in an alternative rock band in Petaluma. Most recently I've tried my hand at learning how to produce music on FL Studios.
I have a wide range of musical tastes, from lo-fi hip hop to alternative rock to r&b.


Before Change
"three elements corresponding to 3 spatial dims"
window_shape = window.shape
if len(window_shape) != 5:
raise NotImplementedError(
"window shape not supported: {}".format(window_shape))
spatial_shape = window_shape[1:-1]
n_spatial = len(spatial_shape)
assert all([win_size > 2 * border_size
for (win_size, border_size)
After Change
:return:
if border == ():
border = (0, 0, 0)
assert len(border) == 3, \
"unknown border format (should be an array of" \
"three elements corresponding to 3 spatial dims"


This is dek, different from the dek you are at now. I am typing the sound of my dek and I repeating and repeating the dek dek dek TK sound of my speaking voice.


--- title: Gecode bindings for YAP Prolog --- Denys Duchier has made Gecode bindings for YAP Prolog available.


Virtualization is a general approach for creating a virtual version of something. This is one physical machine with multiple virtual machines. It allows for the maintenance of fewer devices, to used these devices in a better way, and ensure more reliable backup and recovery. The virtualization environment shares actual resource components such as Memory (RAM), disk space and network as a separate resource group. Virtual machines (VM) are the popular uses of hardware virtualization that are managed through the hypervisor.
Hypervisor is the software that is vital for virtualization. This software separates the physical resources from the virtual environments. Hypervisors take your physical resources and divide them up so that the virtual environments can use them. The computer where a hypervisor runs on is called the host machine and each virtual machine is called a guest machine. The hypervisor presents the guest operating systems with a virtual operating platform and manages the execution of the guest operating systems.


Aseel Albanna
I am Aseel Albanna, 23 years old. I am a computer engineer.
About My Major
My interest in software development began when I was working on my graduation project, which was a medical application.
So, I had to learn and read about android mobile applications and I did.
I started working and learning how to use Android Studio to make a medical application with different features that can help patients to ease their life.
Even healthy people can use this app as a medicine dictionary.
I have finished my work within 4 months and I had get “A” in graduation project and I am so proud of that.
Education Summery:
- - I have graduated from the University of Jordan.
- - I have studied Computer Engineering.
- - I have attented to a new course with LTUC-Abdul Aziz Al Ghurair School of Advanced Computing to begin my journy in web development.
Top Ten Places that I want to visit
- 1. Turkey
- 2. Italy
- 3. Palestine
- 4. Greece
- 5. France
- 6. Dubai
- 7. Lebanon
- 8. Tunisia
- 9. Qatar
- 10. Saudi Arabia


Watch: What To Expect From ‘Doctor Who’ Season 12
by Stephanie MlotOnly 23 more sleeps until the Doctor Who season premiere. But what can we expect from the new series?
A lot of excitement, according to the show’s cast and crew.
“It’s got action. It’s got scares. It’s got humor. It’s got warmth,” showrunner Chris Chibnall teased in a new video. “And it’s got the TARDIS.”
What more could a geek want?
Well, for starters, how about some more footage of the upcoming series.
The new clip—featuring Chibnall, Jodie Whittaker, Tosin Cole, Mandip Gill, and Bradley Walsh—recycles content from last month’s trailer mixed with talking-head extracts.
“The season is about … the individual characters going on their own journey,” according to Whittaker. “And particularly for the Doctor, it’s a series about self discovery.”
“It was exciting to revisit certain relationships,” she said, possibly alluding to the return of familiar adversaries like the Cybermen, Judoon, and Racnoss (or maybe just her traveling companions). “But also to have new ones as well.”
Intended as a scare-the-pants-off-you children’s show, Doctor Who has serious, ponderous moments, too. And this season, as the titular Time Lord faces one of her greatest foes, audiences can expect some dark twists and turns.
“We’re going to see the 13th Doctor really tested,” series producer Nikki Wilson said.
Season 12 premieres on Wednesday, Jan. 1 at 8 p.m. on BBC America. Two-part special “Spyfall” features guest stars Stephen Fry and Sir Lenny Henry in what looks like a sensational start to a long-awaited series.
Moving forward, the 10-episode adventure slides back into its regularly scheduled Sunday slot.
“I think there’ll be lots of exciting things to come,” according to Whittaker.
Trust her: She’s the Doctor.
Refresh your memory of the gang’s latest exploits in our recaps of season 11 finale “The Battle of Ranskoor Av Kolos” and 2019 New Year’s special “Resolution.”
More on Geek.com:


The more information and stats you can provide on user stats pages, the better. Stats are always interesting.
One thing that comes to my mind in the achievement and awards part of the overview, is that it would show the amount of collected ribbons (x/45) and medals (x/50).
Now there is a place for latest awards, showing last 3 awards, which seems kind of pointless to me. Would rather see the awards / medals progression.
What do you think?
BrainFooLong
Administrator
First point, numbers of ribbons/medals is already done. There is already a count for total ribbons to medal, total ribbons, ribbons left for new medal on this page.
And the "showing last 3 awards" i dont know what you mean.
Topicstarter
Guest
Yeah, you can see the detailed awards information and the awards / ribbons progress on the awards page. I think it would be good idea to show the awards progress (collected ribbons x/45 and medals x/50) in the player stats overview page also.. I mean the "main page" of the player stats, showing the overview of all the stats.
Right now there is "latest awards" slot, which feels a bit pointless.. would rather see overall awards progression as a replacement.
Hope you understood what I mean.
BrainFooLong
Administrator
Yes, now i undestand. I think its a bit too much work for a point that you can get with only 1 more click.
All what you want already exist, but in another pleace. For me its much work of many hours and you only must clicks once which uses 1 second :-)
So, i reject this but thanks for the request.


{% extends "email/template.html" %} {% block content %}
Your payment will be reclaimed & associated with the services you are currently connected to, and any you connect in the future.
{% endblock %} {% block plaintextcontent %} Use the following link to to reclaim your payment: {{ url|safe }} Your payment will be reclaimed & transferred to the services you are currently connected to, and any you connect in the future. {% endblock %}


[/ISFEATURED]
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- [RATINGAVG]
- [TYPE]
- [REVIEWCOUNT] reviews
- [HITS] views
[ISINROLE:Registered Users]
- [SHORTLIST]
[/ISINROLE:Registered Users]
[EDIT] [ISFEATURED][/ISFEATURED][CUSTOM:TITLE] [DATEPUBLISHED]
[HASDISTANCE]
- Distance: [DISTANCE]
[/HASDISTANCE]
[HASVALUE:Address]
- [CUSTOM:Address]
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[HASVALUE:City][HASVALUE:Zip]
- [CUSTOM:City], [CUSTOM:State], [CUSTOM:Zip]
[/HASVALUE:Zip][/HASVALUE:City]
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Panel Members
(listed left to right)
Paul Gepts: UC Davis Professor of Plant Science: evolution of plants on domestication.
Mario Biagioli: Professor of Law in Science and Technology, Director of Science and Innovation, formerly Professor of History of Science at Harvard; written extensively on the role of secrecy in science.
John Kunze: Preservation Technologist and Ass. Director of California Digital Library.
Phoebe Ayers: UC Davis Librarian, Wikimedia Foundation Board of Trustees.
James Carey, Professor of Entomology and Program Director at National Institute on Aging.
David McGee: UC Davis Executive Director of Innovation Access, Technology Transfer. Previous co-founder of two biotechs, Ph.D. in Mol. Genetics.
I’d like to highlight that this panel was assembled and moderated by graduate students, where it was featured as part of the campus-wide graduate student research symposium. The changing requirements have a much more apparent impact on faculty writing grants and charged with the overall management of a project than they do on students. Yet here are the students bringing together librarians, digital data archiving specialists, technology transfer directors, and professors of law, and the faculty that have been at the forefront of these issues – to talk about the issues in such a community forum.
Nearly every discussion of these issues have raised the need to address social and cultural challenges to data sharing (e.g. (Reichman et. al. 2011), (Tenopir et. al. 2011)). Forums such of these offer an excellent chance to start addressing these issues head-on. I hope other universities will hold similar panels with their local experts to carry these discussions forward. This video recording is archived on uctv.
References
Reichman O, Jones M and Schildhauer M (2011). “Challenges And Opportunities of Open Data in Ecology.” Science, 331. ISSN 0036-8075, https://dx.doi.org/10.1126/science.1197962.
Tenopir C, Allard S, Douglass K, Aydinoglu A, Wu L, Read E, Manoff M, Frame M and Neylon C (2011). “Data Sharing by Scientists: Practices And Perceptions.” Plos One, 6. https://dx.doi.org/10.1371/journal.pone.0021101.


--- layout: snippet title: "Alert close" permalink: /examples/elements/alert-close/ sitemap: false ---
Urna condimentum mattis pellentesque id nibh tortor id aliquet.


Show / Hide Filters
No Jquery
It's only pure Javascript.
CSS Animations
it uses CSS animations
Just an idea
This is an exemple. It needs to be improved if you want to use it!
Some issues
If you scroll while it's moving, you'll see an issue. There are probably more... I won't fix it but you can try ;)
Card title 4
This is a long paragraph. Write whatever you want!
Card title 5
This is a long paragraph. Write whatever you want!


Off-Canvas Navigation
Close Panel
jQuery Mobile Theme with SASS
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Photo: Cardale Jones Is Ready For Ohio State-Michigan
by Andrew HolleranFormer Ohio State quarterback Cardale Jones knows what it takes to beat Michigan. The former Buckeyes star went 4-0 against the Wolverines during his time in Columbus.
Rivalry Week has arrived for the Buckeyes and the Wolverines. Jones appears to be getting Columbus ready for The Game.
Jones took to Twitter to show off his new ad campaign with Chipotle.
The burrito lover is going around Columbus is going around and crossing out the “Ms” on Chipotle’s signs.
Well played, Cardale.
Ohio State’s football program is ready for The Game, too.
Ohio State and Michigan will kick off from Ann Arbor next Saturday at 12 p.m. E.T.
The game will be on FOX.


A class which encapsulates the file meta portion of a DICOM file.
More...
#include <vega/dicom/file_meta.h>
A class which encapsulates the file meta portion of a DICOM file.
This class represents the file meta part of a DICOM file (the set of tags with group 0x0002
). It has a data_set()
method which contains the DataElements that make up the file meta.
◆ FileMeta() [1/4]
| vega::dicom::FileMeta::FileMeta |
( |
| ) |
|
◆ FileMeta() [2/4]
| vega::dicom::FileMeta::FileMeta |
( |
const SOPClass & |
sop_class | ) |
|
Creates a blank FileMeta object with the given sop_class
and a random media storage SOP instance UID.
- Parameters
-
| sop_class | represents the type of DICOM file and has tag (0x0002,0x0002) . |
◆ FileMeta() [3/4]
| vega::dicom::FileMeta::FileMeta |
( |
const SOPClass & |
sop_class, |
|
|
const UID & |
media_storage_instance_uid |
|
) |
| |
Creates a blank FileMeta object with the given sop_class
and media_storage_instance_uid
.
- Parameters
-
| sop_class | represents the type of DICOM file and has tag (0x0002,0x0002) . |
| media_storage_instance_uid | is the media storage SOP instance UID with tag (0x0002,0x0003) . |
◆ FileMeta() [4/4]
| vega::dicom::FileMeta::FileMeta |
( |
Reader & |
reader | ) |
|
Read existing FileMeta data from a Reader object currently positioned at the start of the file meta (after the "DICM"
characters).
◆ data_set()
| std::shared_ptr<const DataSet> vega::dicom::FileMeta::data_set |
( |
| ) |
const |
◆ media_storage_instance_uid()
| const UID& vega::dicom::FileMeta::media_storage_instance_uid |
( |
| ) |
const |
- Returns
- The media storage SOP instance UID with tag
(0x0002,0x0003)
for this FileMeta.
◆ present()
| bool vega::dicom::FileMeta::present |
( |
| ) |
const |
◆ set_transfer_syntax()
| void vega::dicom::FileMeta::set_transfer_syntax |
( |
const TransferSyntax & |
other | ) |
|
◆ sop_class()
| const SOPClass& vega::dicom::FileMeta::sop_class |
( |
| ) |
const |
- Returns
- The media storage SOP class with tag
(0x0002,0x0002)
for this FileMeta.
◆ transfer_syntax()
| const TransferSyntax& vega::dicom::FileMeta::transfer_syntax |
( |
| ) |
const |
◆ transfer_syntax_endian()
| Endian vega::dicom::FileMeta::transfer_syntax_endian |
( |
| ) |
const |
- Returns
- The Endianness of the DICOM file defined by the transfer syntax.
◆ transfer_syntax_vr_explicit()
| bool vega::dicom::FileMeta::transfer_syntax_vr_explicit |
( |
| ) |
const |
- Returns
- a boolean which is true if the transfer syntax is VR explicit, or false if VR implicit.
◆ write()
| size_t vega::dicom::FileMeta::write |
( |
std::shared_ptr< Writer > |
writer | ) |
|
Writes this FileMeta data (the DataSet) to the provided Writer class starting from its current position.
The documentation for this class was generated from the following file:


--- layout: page status: publish published: true title: DEQ Air-Related Contaminant and Cleanup Sites author: display_name: Jessie Pechmann login: jpechmann email<EMAIL_ADDRESS>url: '' author_login: jpechmann author_email<EMAIL_ADDRESS>wordpress_id: 4486 wordpress_url: http://gis.utah.gov/?page_id=4486 date: '2011-12-08 14:24:01 -0700' date_gmt: '2011-12-08 21:24:01 -0700' categories: [] tags: - sgid - Data - utah - gis - map - mapping - dataset - download - agrc - layer - shapefile - geodatabase - metadata - shp - gdb - kml - lyr - digital - geographic - information - database - state - statewide ---
Data Type: GIS Data Layer
Steward(s): Utah Department of Environmental Quality
Abstract:
Environment.DAQAirEmissionsInventory depicts facility locations and annual emissions. Annual emissions (in tons) are included for ammonia, pm10, carbon monoxide, sulfer dioxide, volatile organic compounds, and oxides of nitogen for Utah. To view all DEQ geographic data online, see the DEQ Interactive Map Viewer.
Usage: No usage tips available at this time.
Last Update: 2008
Contact<EMAIL_ADDRESS>Links: Utah Environmental Interactive Map, Utah Department of Environmental Quality: Division of Air Quality


Class Paginator
Class Paginator
Namespace: Slimore\Pagination
Package: Slimore\Pagination
Author: Pandao
Updatetime: 2015-06-05 23:55:05
Located at Slimore/Pagination/Paginator.php
Package: Slimore\Pagination
Author: Pandao
Updatetime: 2015-06-05 23:55:05
Located at Slimore/Pagination/Paginator.php
Methods summary
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Syllabus
NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321.
SUPREME COURT OF THE UNITED STATES
Syllabus
LOS ANGELES COUNTY FLOOD CONTROL DISTRICT v. NATURAL RESOURCES DEFENSE COUNCIL, INC., et al.
Petitioner Los Angeles County Flood Control District (District) operates a “municipal separate storm sewer system” (MS4), a drainage system that collects, transports, and discharges storm water. Because storm water is often heavily polluted, the Clean Water Act (CWA) and its implementing regulations require certain MS4 operators to obtain a National Pollutant Discharge Elimination System (NPDES) permit before discharging storm water into navigable waters. The District has such a permit for its MS4. Respondents Natural Resources Defense Council, Inc. (NRDC) and Santa Monica Baykeeper (Baykeeper) filed a citizen suit against the District and others under §505 of the CWA, 33 U. S. C. §1365, alleging, among other things, that water-quality measurements from monitoring stations within the Los Angeles and San Gabriel Rivers demonstrated that the District was violating the terms of its permit. The District Court granted summary judgment to the District on these claims, concluding that the record was insufficient to warrant a finding that the MS4 had discharged storm water containing the standards-exceeding pollutants detected at the downstream monitoring stations. The Ninth Circuit reversed in relevant part. The court held that the District was liable for the discharge of pollutants that, in the court’s view, occurred when the polluted water detected at the monitoring stations flowed out of the concrete-lined portions of the rivers, where the monitoring stations are located, into lower, unlined portions of the same rivers.
Held: The flow of water from an improved portion of a navigable waterway into an unimproved portion of the same waterway does not qualify as a “discharge of a pollutant” under the CWA. See South Fla. Water Management Dist. v. Miccosukee Tribe, 541 U. S. 95–112 (holding that the transfer of polluted water between “two parts of the same water body” does not constitute a discharge of pollutants under the CWA). The Ninth Circuit’s decision cannot be squared with this holding.
The NRDC and Baykeeper alternatively argue that, based on the terms of the District’s NPDES permit, the exceedances detected at the monitoring stations sufficed to establish the District’s liability under the CWA for its upstream discharges. This argument, which failed below, is not embraced within the narrow question on which certiorari was granted. The Court therefore does not address it. Pp. 3–5.
673 F. 3d 880, reversed and remanded.
Ginsburg, J., delivered the opinion of the Court, in which Roberts, C. J., and Scalia, Kennedy, Thomas, Breyer, Sotomayor, and Kagan, JJ., joined. Alito, J., concurred in the judgment.
Opinion
NOTICE: This opinion is subject to formal revision before publication in the preliminary print of the United States Reports. Readers are requested to notify the Reporter of Decisions, Supreme Court of the United States, Washington, D. C. 20543, of any typographical or other formal errors, in order that corrections may be made before the preliminary print goes to press.
SUPREME COURT OF THE UNITED STATES
_________________
No. 11–460
_________________
LOS ANGELES COUNTY FLOOD CONTROL DISTRICT PETITIONER v. NATURAL RESOURCES DEFENSE COUNCIL, INC., et al.
Justice Ginsburg delivered the opinion of the Court.
The Court granted review in this case limited to a single question: Under the Clean Water Act (CWA), 86Stat. 816, as amended, 33 U. S. C. §1251 et seq., does the flow of water out of a concrete channel within a river rank as a “discharge of a pollutant”? In this Court, the parties and the United States as amicus curiae agree that the answer to this question is “no.” They base this accord on South Fla. Water Management Dist. v. Miccosukee Tribe, 541 U. S. 95–112 (2004), in which we accepted that pumping polluted water from one part of a water body into another part of the same body is not a discharge of pol- lutants under the CWA. Adhering to the view we took in Miccosukee, we hold that the parties correctly answered the sole question presented in the negative. The decision in this suit rendered by the Court of Appeals for the Ninth Circuit is inconsistent with our determination. We therefore reverse that court’s judgment.
Petitioner Los Angeles County Flood Control District (District) operates a “municipal separate storm sewer system” (MS4)—a drainage system that collects, transports, and discharges storm water. See 40 CFR §122.26(b)(8) (2012). See also §122.26(b)(13) (“Storm water means storm water runoff, snow melt runoff, and surface runoff and drainage.”). Because storm water is often heavily polluted, see 64 Fed. Reg. 68724–68727 (1999), the CWA and its implementing regulations require the operator of an MS4 serving a population of at least 100,000 to obtain a National Pollutant Discharge Elimination System (NPDES) permit before discharging storm water into navigable waters. See 33 U. S. C. §§1311(a), 1342(p)(2)(C), and (D); 40 CFR §§122.26(a)(3), (b)(4), (b)(7). The District first obtained a NPDES permit for its MS4 in 1990; thereafter, the permit was several times renewed. Natural Resources Defense Council, Inc. v. County of Los Angeles, 673 F. 3d 880, 886 (CA9 2011).
Respondents Natural Resources Defense Council, Inc. (NRDC) and Santa Monica Baykeeper (Baykeeper) filed a citizen suit against the District and several other defendants under §505 of the CWA, 33 U. S. C. §1365. They alleged, among other things, that water-quality measurements from monitoring stations located within the Los Angeles and San Gabriel Rivers demonstrated that the District was violating the terms of its permit.
The District Court granted summary judgment to the District on these claims. It was undisputed, the District Court acknowledged, that “data from the Los Angeles River and San Gabriel River [monitoring] stations indicate[d] that water quality standards ha[d] repeatedly been exceeded for a number of pollutants, including aluminum, copper, cyanide, fecal coliform bacteria, and zinc.” App. to Pet. for Cert. 108. But numerous entities other than the District, the court added, discharge into the rivers upstream of the monitoring stations. See id., at 115–116. See also 673 F. 3d, at 889 (observing that the pollutants of “thousands of permitted dischargers” reach the rivers). The record was insufficient, the District Court concluded, to warrant a finding that the District’s MS4 had discharged storm water containing the standards-exceeding pollutants detected at the downstream monitoring stations.
The Ninth Circuit reversed in relevant part. The monitoring stations for the Los Angeles and San Gabriel Rivers, the Court of Appeals said, are located in “concrete channels” constructed for flood-control purposes. Id., at 900. See also id., at 889 (describing the monitoring stations’ location). Based on this impression, the Court of Appeals held that a discharge of pollutants occurred under the CWA when the polluted water detected at the monitoring stations “flowed out of the concrete channels” and entered downstream portions of the waterways lacking concrete linings. Id., at 900. Because the District exer- cises control over the concrete-lined portions of the rivers, the Court of Appeals held, the District is liable for the discharges that, in the appellate court’s view, occur when water exits those concrete channels. See id., at 899–901.
We granted certiorari on the following question: Under the CWA, does a “discharge of pollutants” occur when polluted water “flows from one portion of a river that is navigable water of the United States, through a concrete channel or other engineered improvement in the river,” and then “into a lower portion of the same river”? Pet. for Cert. i. See 567 U. S. ___ (2012). As noted above, see supra, at 1, the parties, as well as the United States as amicus curiae, agree that the answer to this question is “no.”
That agreement is hardly surprising, for we held in Miccosukee that the transfer of polluted water between “two parts of the same water body” does not constitute a discharge of pollutants under the CWA. 541 U. S., at 109–112. We derived that determination from the CWA’s text, which defines the term “discharge of a pollutant” to mean “any addition of any pollutant to navigable waters from any point source.” 33 U. S. C. §1362(12) (emphasis added). Under a common understanding of the meaning of the word “add,” no pollutants are “added” to a water body when water is merely transferred between different portions of that water body. See Webster’s Third New International Dictionary 24 (2002) (“add” means “to join, annex, or unite (as one thing to another) so as to bring about an increase (as in number, size, or importance) or so as to form one aggregate”). “As the Second Circuit [aptly] put it . . . , ‘[i]f one takes a ladle of soup from a pot, lifts it above the pot, and pours it back into the pot, one has not “added” soup or anything else to the pot.’ ” Miccosukee, 541 U. S., at 109–110 (quoting Catskill Mountains Chapter of Trout Unlimited, Inc. v. New York, 273 F. 3d 481, 492 (CA2 2001)).
In Miccosukee, polluted water was removed from a ca- nal, transported through a pump station, and then de- posited into a nearby reservoir. 541 U. S., at 100. We held that this water transfer would count as a discharge of pollutants under the CWA only if the canal and the reservoir were “meaningfully distinct water bodies.” Id., at 112. It follows, a fortiori, from Miccosukee that no discharge of pollutants occurs when water, rather than being removed and then returned to a water body, simply flows from one portion of the water body to another. We hold, therefore, that the flow of water from an improved portion of a navigable waterway into an unimproved portion of the very same waterway does not qualify as a discharge of pollutants under the CWA. Because the decision below cannot be squared with that holding, the Court of Appeals’ judgment must be reversed. 1
The NRDC and Baykeeper urge that the Court of Appeals reached the right result, albeit for the wrong reason. The monitoring system proposed by the District and written into its permit showed numerous instances in which water-quality standards were exceeded. Under the permit’s terms, the NRDC and Baykeeper maintain, the ex- ceedances detected at the instream monitoring stations are by themselves sufficient to establish the District’s liability under the CWA for its upstream discharges. See Brief for Respondents 33–62. 2 This argument failed below. See 673 F. 3d, at 898, 901; App. to Pet. for Cert. 100–102. It is not embraced within, or even touched by, the narrow question on which we granted certiorari. We therefore do not address, and indicate no opinion on, the issue the NRDC and Baykeeper seek to substitute for the question we took up for review.
* * *
For the reasons stated, the judgment of the Court of Appeals for the Ninth Circuit is reversed, and the case is remanded.
It is so ordered.
Justice Alito concurs in the judgment.
1 The NRDC, Baykeeper, and the United States contend—contrary to the District—that the Court of Appeals understood that no discharge of pollutants occurs when water flows from an improved into an unimproved portion of a navigable waterway. They suggest that the Court of Appeals misperceived the facts, erroneously believing that the monitoring stations for the Los Angeles and San Gabriel Rivers “were sampling water from a portion of the MS4 that was distinct from the rivers themselves and from which discharges through an outfall to the rivers subsequently occurred.” Brief for United States as Amicus Curiae 18. See also Brief for Respondents 30–31 (“The court of appeals’ statements suggest it believed the monitoring stations sampled polluted stormwater from the District’s MS4 before, not after, discharge to the Los Angeles and San Gabriel Rivers.”). Whatever the source of the Court of Appeals’ error, all parties agree that the court’s analysis was erroneous.
2 Shortly before oral argument in this case, a renewed permit was approved for the District’s MS4. Unlike the District’s prior permit, which required only instream monitoring, the renewed permit requires end-of-pipe monitoring at individual MS4 discharge points. See id., at 20–21; Reply Brief 5, n. 2.


CLICK ON CAROLINE. Dear Caroline Film Reviews http://www.geocities.com/Hollywood/Studio/7066
THE WEDDING SINGER
Dear Caroline --
I cringed when I first saw the trailer for "The Wedding Singer." Uh-oh. Another Adam Sandler movie, I thought. I didn't remember the statue of limitations running out after "Billy Madison" and "Happy Gilmore."
Enter Drew Barrymore and imagine my shock when Sandler capably handles his first-time role as a romantic lead, Robbie, the ex-rocker turned jilted guy in the title role. It took a while, but Sandler and writer Tim Herlihy have discovered that Sandler doesn't have to scream and be obnoxious all the time to elicit a few laughs.
Barrymore saves the day proving she can play cheerleader cute instead of bad girl hussy. Barrymore is just what Sandler's previous films needed. An engaging co-star to keep us distracted from Sandler's periodic, uncomfortable-to-watch rants.
Set in 1985, "The Wedding Singer" is Sandler's best film. That's not saying much, I know, but finally we have a period comedy for Gen X even my Phillip Michael Thomas-loving friends can enjoy. The film overdoes the 80s comedy a bit with jokes about "Dynasty" and Rubik's Cube, but you've got to admire any movie that includes scenes with such classics as Nina's "99 Luftballoons" and Kajagoogoo's "Too Shy."
Was I really listening to Frankie Goes to Hollywood my freshman year in college? I must be dreaming.
The constant retro 80s tunes is supposed to sell soundtracks, but director Frank Coraci manages to keep his main aim in mind -- the chemistry between Sandler and Barrymore. They are refreshing.
Sandler's Robbie is a smooth-talking, hopeless romantic looking forward to his wedding with punker Linda (Angela Featherstone), his long-time girlfriend. He meets Julia (Barrymore) a new waitress at the banquet hall, who is also engaged and looking forward to her wedding to long-time boyfriend Glenn (Matthew Glave).
Robbie's life turns to shambles when Linda is a no-show at their wedding. Julia helps pick up the pieces.
The film is sprinkled with cameos from Sandler's former "Saturday Night Live" cohorts such as Jon Lovitz and Kevin Nealon. Billy Idol steals one scene playing himself.
"The Wedding Singer" is a wonderful reversal of fortune for Barrymore, who has appeared in a string of bad movies as the dangerous femme fatale, such as "Poison Ivy," "Guncrazy," "Bad Girls" and "Mad Love." Barrymore's Julia is perky, smart and level-headed. For a change, Barrymore plays the kind of girl you'd want to bring home to mom as long as Barrymore manages to hide her six tattoos, none of which are revealed in the film.
Julia is the loveable babysitter type Barrymore would have played in "Scream," had she lived longer than the film's first 10 minutes.
Here's to more of Barrymore in the future, and I'm not talking about flashing herself to David Letterman.
Rating: Three stars.
Thinking of you, Geo. M. Wilcox
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