class: middle, center # websumup --- # Javascript ## Core javascript ### variables types ```javascript // JavaScript supports several types of values x = 1; // Numbers. x = 0.01; // Just one Number type for integers and reals. x = "hello world"; // Strings of text in quotation marks. x = 'JavaScript'; // Single quote marks also delimit strings. x = true; // Boolean values. x = null; // Null is a special value that means "no value". x = undefined; // Undefined is like null. // JavaScript's most important data type is the object. // An object is a collection of name/value pairs, or a string to value map. var book = { // Objects are enclosed in curly braces. topic: "JavaScript", // The property "topic" has value "JavaScript". fat: true // The property "fat" has value true. }; // The curly brace marks the end of the object. // Access the properties of an object with . or []: book.topic // => "JavaScript" book["fat"] // => true: another way to access property values. book.author = "Flanagan"; // Create new properties by assignment. book.contents = {}; // {} is an empty object with no properties. ``` --- ```javascript // JavaScript also supports arrays (numerically indexed lists) of values: var primes = [2, 3, 5, 7]; // An array of 4 values, delimited with [ and ]. primes[0] // => 2: the first element (index 0) of the array. primes.length // => 4: how many elements in the array. primes[primes.length-1] // => 7: the last element of the array. primes[4] = 9; // Add a new element by assignment. primes[4] = 11; // Or alter an existing element by assignment. var empty = []; // [] is an empty array with no elements. empty.length // => 0 // Arrays and objects can hold other arrays and objects: var points = [ // An array with 2 elements. {x:0, y:0}, // Each element is an object. {x:1, y:1} ]; var data = { // An object with 2 properties trial1: [[1,2], [3,4]], // The value of each property is an array. trial2: [[2,3], [4,5]] // The elements of the arrays are arrays. }; ``` --- ### operators ```javascript // Operators act on values (the operands) to produce a new value. // Arithmetic operators are the most common: 3 + 2 // => 5: addition 3 - 2 // => 1: subtraction 3 * 2 // => 6: multiplication 3 / 2 // => 1.5: division points[1].x - points[0].x // => 1: more complicated operands work, too "3" + "2" // => "32": + adds numbers, concatenates strings // JavaScript defines some shorthand arithmetic operators var count = 0; // Define a variable count++; // Increment the variable count--; // Decrement the variable count += 2; // Add 2: same as count = count + 2; count *= 3; // Multiply by 3: same as count = count * 3; count // => 6: variable names are expressions, too. // Equality and relational operators test whether two values are equal, // unequal, less than, greater than, and so on. They evaluate to true or false. var x = 2, y = 3; // These = signs are assignment, not equality tests x == y // => false: equality x != y // => true: inequality x < y // => true: less-than x <= y // => true: less-than or equal x > y // => false: greater-than x >= y // => false: greater-than or equal "two" == "three" // => false: the two strings are different "two" > "three" // => true: "tw" is alphabetically greater than "th" false == (x > y) // => true: false is equal to false // Logical operators combine or invert boolean values (x == 2) && (y == 3) // => true: both comparisons are true. && is AND (x > 3) || (y < 3) // => false: neither comparison is true. || is OR !(x == y) // => true: ! inverts a boolean value 1 + 2 // Addition. Result is 3. "1" + "2" // Concatenation. Result is "12". "1" + 2 // Concatenation. 2 is converted to "2". Result is "12". 11 < 3 // Numeric comparison. Result is false. "11" < "3" // String comparison. Result is true. "11" < 3 // Numeric comparison. "11" converted to 11. Result is false. "one" < 3 // Numeric comparison. "one" converted to NaN. Result is false. ``` --- ### evaluated as false ```javascript undefined null 0 -0 NaN "" // the empty string ``` ### null and undefined ```javascript null and undefined both indicate an absence of value and can often be used interchangeably ``` ### Immutable Primitive Values ```javascript var s = "hello"; // Start with some lowercase text s.toUpperCase(); // Returns "HELLO", but doesn't alter s s // => "hello": the original string has not changed // [!] Primitives are also compared by value: two values are the same only if they have the // same value ``` --- ### Mutable Object References ```javascript var o = { x:1 }; // Start with an object o.x = 2; // Mutate it by changing the value of a property o.y = 3; // Mutate it again by adding a new property var a = [1,2,3] // Arrays are also mutable a[0] = 0; // Change the value of an array element a[3] = 4; // Add a new array element // [!] Objects are not compared by value: two objects are not equal even if they have // the same properties and values. And two arrays are not equal even if they have the same // elements in the same order ``` ```javascript // Objects values are the same if and only if they refer to the same underlying object. var a = []; // The variable a refers to an empty array. var b = a; // Now b refers to the same array. b[0] = 1; // Mutate the array referred to by variable b. a[0] // => 1: the change is also visible through variable a. a === b // => true: a and b refer to the same object, so they are equal. ``` ```javascript // If you want to make a new copy of an object or array, you must explicitly copy the properties // of the object or the elements of the array. This example demonstrates using a for loop var a = ['a','b','c']; // An array we want to copy var b = []; // A distinct array we'll copy into for(var i = 0; i < a.length; i++) { // For each index of a[] b[i] = a[i]; // Copy an element of a into b } ``` ```javascript // To compare two distinct objects or arrays function equalArrays(a,b) { if (a.length != b.length) return false; // Different-size arrays not equal for(var i = 0; i < a.length; i++) // Loop through all elements if (a[i] !== b[i]) return false; // If any differ, arrays not equal return true; // Otherwise they are equal } ``` --- ### functions ```javascript // Functions are parameterized blocks of JavaScript code that we can invoke. function plus1(x) { // Define a function named "plus1" with parameter "x" return x+1; // Return a value one larger than the value passed in } // Functions are enclosed in curly braces plus1(y) // => 4: y is 3, so this invocation returns 3+1 var square = function(x) { // Functions are values and can be assigned to vars return x*x; // Compute the function's value }; // Semicolon marks the end of the assignment. square(plus1(y)) // => 16: invoke two functions in one expression function factorial2(n) { // Another version using a different loop var i, product = 1; // Start with 1 for(i=2; i <= n; i++) // Automatically increment i from 2 up to n product *= i; // Do this each time. {} not needed for 1-line loops return product; // Return the factorial } factorial2(5) // => 120: 1*2*3*4*5 ``` --- ### classes and modules ```javascript // Define a constructor function to initialize a new Point object function Point(x,y) { // By convention, constructors start with capitals this.x = x; // this keyword is the new object being initialized this.y = y; // Store function arguments as object properties } // No return is necessary // Use a constructor function with the keyword "new" to create instances var p = new Point(1, 1); // The geometric point (1,1) // Define methods for Point objects by assigning them to the prototype // object associated with the constructor function. Point.prototype.r = function() { return Math.sqrt( // Return the square root of x² + y² this.x * this.x + // This is the Point object on which the method... this.y * this.y // ...is invoked. ); }; // Now the Point object p (and all future Point objects) inherits the method r() p.r() // => 1.414... ``` ### dates and times ```javascript var then = new Date(2010, 0, 1); // The 1st day of the 1st month of 2010 var later = new Date(2010, 0, 1, // Same day, at 5:10:30pm, local time 17, 10, 30); var now = new Date(); // The current date and time var elapsed = now - then; // Date subtraction: interval in milliseconds later.getFullYear() // => 2010 later.getMonth() // => 0: zero-based months later.getDate() // => 1: one-based days later.getDay() // => 5: day of week. 0 is Sunday 5 is Friday. later.getHours() // => 17: 5pm, local time later.getUTCHours() // hours in UTC time; depends on timezone ``` --- ### working with strings ```javascript var s = "hello, world" // Start with some text. s.charAt(0) // => "h": the first character. s.charAt(s.length-1) // => "d": the last character. s.substring(1,4) // => "ell": the 2nd, 3rd and 4th characters. s.slice(1,4) // => "ell": same thing s.slice(-3) // => "rld": last 3 characters s.indexOf("l") // => 2: position of first letter l. s.lastIndexOf("l") // => 10: position of last letter l. s.indexOf("l", 3) // => 3: position of first "l" at or after 3 s.split(", ") // => ["hello", "world"] split into substrings s.replace("h", "H") // => "Hello, world": replaces all instances s.toUpperCase() // => "HELLO, WORLD ``` ### pattern matching ```javascript /^HTML/ // Match the letters H T M L at the start of a string /[1-9][0-9]*/ // Match a non-zero digit, followed by any # of digits /\bjavascript\b/i // Match "javascript" as a word, case-insensitive var text = "testing: 1, 2, 3"; // Sample text var pattern = /\d+/g // Matches all instances of one or more digits pattern.test(text) // => true: a match exists text.search(pattern) // => 9: position of first match text.match(pattern) // => ["1", "2", "3"]: array of all matches text.replace(pattern, "#"); // => "testing: #, #, #" text.split(/\D+/); // => ["","1","2","3"]: split on non-digits ``` --- ### types conversions ```javascript 10 + " objects" // => "10 objects". Number 10 converts to a string "7" * "4" // => 28: both strings convert to numbers var n = 1 - "x"; // => NaN: string "x" can't convert to a number n + " objects" // => "NaN objects": NaN converts to string "NaN" ``` ```javascript null == undefined // These two values are treated as equal. "0" == 0 // String converts to a number before comparing. 0 == false // Boolean converts to number before comparing. "0" == false // Both operands convert to numbers before comparing. ``` ```javascript Number("3") // => 3 String(false) // => "false" Or use false.toString() Boolean([]) // => true Object(3) // => new Number(3) ``` ```javascript x + "" // Same as String(x) +x // Same as Number(x). You may also see x-0 !!x // Same as Boolean(x). Note double ! ``` ```javascript var n = 17; binary_string = n.toString(2); // Evaluates to "10001" octal_string = "0" + n.toString(8); // Evaluates to "021" hex_string = "0x" + n.toString(16); // Evaluates to "0x11" ``` --- ### number conversions ```javascript var n = 123456.789; n.toFixed(0); // "123457" n.toFixed(2); // "123456.79" n.toFixed(5); // "123456.78900" n.toExponential(1); // "1.2e+5" n.toExponential(3); // "1.235e+5" n.toPrecision(4); // "1.235e+5" n.toPrecision(7); // "123456.8" n.toPrecision(10); // "123456.7890" parseInt("3 blind mice") // => 3 parseFloat(" 3.14 meters") // => 3.14 parseInt("-12.34") // => -12 parseInt("0xFF") // => 255 parseInt("0xff") // => 255 parseInt("-0XFF") // => -255 parseFloat(".1") // => 0.1 parseInt("0.1") // => 0 parseInt(".1") // => NaN: integers can't start with "." parseFloat("$72.47"); // => NaN: numbers can't start with "$" parseInt("11", 2); // => 3 (1*2 + 1) parseInt("ff", 16); // => 255 (15*16 + 15) parseInt("zz", 36); // => 1295 (35*36 + 35) parseInt("077", 8); // => 63 (7*8 + 7) parseInt("077", 10); // => 77 (7*10 + 7) ``` --- ### objects to primitives conversions ```javascript [1,2,3].toString() // => "1,2,3" (function(x) { f(x); }).toString() // => "function(x) {\n f(x);\n}" /\d+/g.toString() // => "/\\d+/g" new Date(2010,0,1).toString() // => "Fri Jan 01 2010 00:00:00 GMT-0800 (PST)" ``` ```javascript var d = new Date(2010, 0, 1); // January 1st, 2010, (Pacific time) d.valueOf() // =><PHONE_NUMBER>000 ``` ```javascript var now = new Date(); // Create a Date object typeof (now + 1) // => "string": + converts dates to strings typeof (now - 1) // => "number": - uses object-to-number conversion now == now.toString() // => true: implicit and explicit string conversions now > (now -1) // => true: > converts a Date to a number ``` --- ### variables declarations ```javascript var i; // i value is undefined i = 10; // legal i = "ten"; // legal ``` ```javascript var i = j = k = 0; // Initialize 3 variables to 0 ``` ```javascript for(var i = 0, j=10; i < 10; i++,j--) console.log(i*j); for(var p in o) console.log(p); ``` ### variables scope ```javascript var scope = "global"; // Declare a global variable function checkscope() { var scope = "local"; // Declare a local variable with the same name return scope; // Return the local value, not the global one } checkscope() // => "local" ``` ```javascript scope = "global"; // Declare a global variable, even without var. function checkscope2() { scope = "local"; // Oops! We just changed the global variable. myscope = "local"; // This implicitly declares a new global variable. return [scope, myscope]; // Return two values. } checkscope2() // => ["local", "local"]: has side effects! scope // => "local": global variable has changed. myscope // => "local": global namespace cluttered up. ``` ```javascript var scope = "global scope"; // A global variable function checkscope() { var scope = "local scope"; // A local variable function nested() { var scope = "nested scope"; // A nested scope of local variables return scope; // Return the value in scope here } return nested(); } checkscope() // => "nested scope" ``` --- ### [!] functions scope ```javascript function test(o) { var i = 0; // i is defined throughout function if (typeof o == "object") { var j = 0; // j is defined everywhere, not just block for(var k=0; k < 10; k++) { // k is defined everywhere, not just loop console.log(k); // print numbers 0 through 9 } console.log(k); // k is still defined: prints 10 } console.log(j); // j is defined, but may not be initialized } ``` ```javascript function f() { var scope; // Local variable is declared at the top of the function console.log(scope); // It exists here, but still has "undefined" value scope = "local"; // Now we initialize it and give it a value console.log(scope); // And here it has the value we expect } ``` ```javascript var truevar = 1; // A properly declared global variable, nondeletable. fakevar = 2; // Creates a deletable property of the global object. this.fakevar2 = 3; // This does the same thing. delete truevar // => false: variable not deleted delete fakevar // => true: variable deleted delete this.fakevar2 // => true: variable deleted ``` --- ### objects and arrays initializers ```javascript var matrix = [[1,2,3], [4,5,6], [7,8,9]]; var sparseArray = [1,,,,5]; var p = { x:2.3, y:-1.2 }; // An object with 2 properties var q = {}; // An empty object with no properties q.x = 2.3; q.y = -1.2; // Now q has the same properties as p var rectangle = { upperLeft: { x: 2, y: 2 }, lowerRight: { x: 4, y: 5 } }; var side = 1; var square = { "upperLeft": { x: p.x, y: p.y }, 'lowerRight': { x: p.x + side, y: p.y + side}}; var square = function(x) { return x * x; } ``` ### property access expressions ```javascript var o = {x:1,y:{z:3}}; // An example object var a = [o,4,[5,6]]; // An example array that contains the object o.x // => 1: property x of expression o o.y.z // => 3: property z of expression o.y o["x"] // => 1: property x of object o a[1] // => 4: element at index 1 of expression a a[2]["1"] // => 6: element at index 1 of expression a[2] a[0].x // => 1: property x of expression a[0] ``` --- ### in operator ```javascript var point = { x:1, y:1 }; // Define an object "x" in point // => true: object has property named "x" "z" in point // => false: object has no "z" property. "toString" in point // => true: object inherits toString method var data = [7,8,9]; // An array with elements 0, 1, and 2 "0" in data // => true: array has an element "0" 1 in data // => true: numbers are converted to strings 3 in data // => false: no element 3 ``` ### instanceof operator ```javascript var d = new Date(); // Create a new object with the Date() constructor d instanceof Date; // Evaluates to true; d was created with Date() d instanceof Object; // Evaluates to true; all objects are instances of Object d instanceof Number; // Evaluates to false; d is not a Number object var a = [1, 2, 3]; // Create an array with array literal syntax a instanceof Array; // Evaluates to true; a is an array a instanceof Object; // Evaluates to true; all arrays are objects a instanceof RegExp; // Evaluates to false; arrays are not regular expressions ``` ### logical ```javascript if (a == b) stop(); // Invoke stop() only if a == b (a == b) && stop(); // This does the same thing ``` ```javascript // Copy the properties of o to p, and return p function copy(o, p) { p = p || {}; // If no object passed for p, use a newly created object. // function body goes here } ``` --- ### typeof operator ```javascript (typeof value == "string") ? "'" + value + "'" : value ``` ### delete operator ```javascript var o = { x: 1, y: 2}; // Start with an object delete o.x; // Delete one of its properties "x" in o // => false: the property does not exist anymore var a = [1,2,3]; // Start with an array delete a[2]; // Delete the last element of the array a.length // => 2: array only has two elements now ``` ### labeled statements ```javascript mainloop: while(token != null) { // Code omitted... continue mainloop; // Jump to the next iteration of the named loop // More code omitted... } ``` ### debugger ```javascript function f(o) { if (o === undefined) debugger; // Temporary line for debugging purposes ... // The rest of the function goes here. } ```


Elon Musk's net worth drops by $768m one day after cybertruck fail
by James CoxTesla boss Elon Musk has seen his net worth plummet one day after the botched launch of his latest electric vehicle.
Shares in the firm dropped after the embarrassing unveiling of the electric pickup truck.
The supposedly unbreakable window glass on the vehicle shattered twice during a demonstration.
The failed stunt came after Mr Musk had talked at length about the strength of the glass on the futuristic, stainless steel-skinned Cybertruck.
The vehicle was unveiled amid lasers and flames to build up its grand entrance.
Mr Musk said: "You want a truck that's really tough, not fake tough.
"You want a truck you can take a sledgehammer to, a truck that won't scratch, doesn't dent."
He then asked a Tesla designer to hit the door with a sledgehammer, with no resulting damage.
However, when they threw a metal ball at the driver's side window it smashed.

Attempting to save face, he said: "Maybe that was a little too hard."
When the stunt was repeated, the passenger window also cracked.
Mr Musk said: "At least it didn't go through, that's a plus side. We'll fix in in post."
The gaffe became the main talking point of the show's launch while the radical design of the vehicle has also been the subject of jokes.
Deutsche Bank said some "important unanswered questions" surround the vehicle, including whether the design was "too polarising".
As a direct result of the failure, Tesla stocks fell by more than 6%, translating to a $768 million hit to Mr Musk's net worth (to $23.6 billion) according to Forbes.
A year ago Mr Musk's behaviour resulted in a 6% hit to Tesla stock when he smoked marijuana on a live web show.
The Cybertruck has been getting hammered online following the launch fiasco.


Enumerations
The following enumerations are available globally.
-
Undocumented
See moreDeclaration
Swift
public enum BitmapError : Error
-
Describes how pixel bits encode color. A pixel may be an alpha mask, a grayscale, Red Green and Blue (RGB), or Alpha, Red, Green and Blue (ARGB)
See moreDeclaration
Swift
public enum ColorType : UInt32
-
Describes how to interpret the alpha component of a pixel. A pixel may be opaque, or alpha, describing multiple levels of transparency. In simple blending, alpha weights the draw color and the destination color to create a new color. If alpha describes a weight from zero to one: new color = draw color * alpha + destination color * (1 - alpha) In practice alpha is encoded in two or more bits, where 1.0 equals all bits set. RGB may have alpha included in each component value; the stored value is the original RGB multiplied by alpha. Premultiplied color components improve performance.
See moreDeclaration
Swift
public enum AlphaType : UInt32
-
Blending modes for compositing digital images. These are an implementation of the Porter Duff blending modes
See moreDeclaration
Swift
public enum BlendMode : UInt32
-
Controls how much filtering to be done when scaling/transforming complex colors
See moreDeclaration
Swift
public enum FilterQuality : UInt32
-
TextAlign adjusts the text relative to the text position. TextAlign affects glyphs drawn with:
Canvas.drawText
,Canvas.drawPosText
,Canvas.drawPosTextH
,Canvas.drawTextOnPath
,Canvas.drawTextOnPathHV
,Canvas.rawTextRSXform
,Canvas.drawTextBlob
, andCanvas.drawString
; as well as calls that place text glyphs likegetTextWidths()
andgetTextPath()
.The text position is set by the font for both horizontal and vertical text. Typically, for horizontal text, the position is to the left side of the glyph on the base line; and for vertical text, the position is the horizontal center of the glyph at the caps height.
Align adjusts the glyph position to center it or move it to abut the position using the metrics returned by the font.
Align defaults to
See more.left
.Declaration
Swift
public enum TextAlign : UInt32
-
TextEncoding determines whether text specifies character codes and their encoded size, or glyph indices. Characters are encoded as specified by the Unicode standard.
Character codes encoded size are specified by UTF-8, UTF-16, or UTF-32. All character code formats are able to represent all of Unicode, differing only in the total storage required.
UTF-8 (RFC 3629) encodes each character as one or more 8-bit bytes.
UTF-16 (RFC 2781) encodes each character as one or two 16-bit words.
UTF-32 encodes each character as one 32-bit word.
font manager uses font data to convert character code points into glyph indices. A glyph index is a 16-bit word.
TextEncoding is set to
See more.utf8
by default.Declaration
Swift
public enum TextEncoding : UInt32
-
Undocumented
See moreDeclaration
Swift
public enum ClipOperation : UInt32
-
Selects if an array of points are drawn as discrete points, as lines, or as an open polygon.
See moreDeclaration
Swift
public enum PointMode : UInt32
-
Undocumented
See moreDeclaration
Swift
public enum TransferFunctionBehavior : UInt32
-
Enum describing format of encoded data.
See moreDeclaration
Swift
public enum EncodedImageFormat : UInt32
-
Refers to the density of a typeface, in terms of the lightness or heaviness of the strokes.
A font weight describes the relative weight of a font, in terms of the lightness or heaviness of the strokes. Weight differences are generally differentiated by an increased stroke or thickness that is associated with a given character in a font, as compared to a
normal
character from that same font.The FontWeights values correspond to the
usWeightClass
definition in the OpenType specification. TheusWeightClass
represents an integer value between 1 and 999. Lower values indicate lighter weights; higher values indicate heavier weights.The numerical value of the enumeration is the
See moreusWeightClass
Declaration
Swift
public enum FontStyleWeight : Int32
-
Predefined font widths for use with Typeface, these values match the
See moreusWidthClass
from the OpenType specification. These are numbers from 1 to 9, lower numbers represent narrower widths, higher numbers indicate wider widths.Declaration
Swift
public enum FontStyleWidth : Int32
-
Font slants for use with Typeface.
See moreDeclaration
Swift
public enum FontStyleSlant : UInt32
-
Indications on how the shader should handle drawing outside the original bounds.
See moreDeclaration
Swift
public enum ShaderTileMode : UInt32
-
Undocumented
See moreDeclaration
Swift
public enum SKSurfacePropsFlags : UInt32
-
Description of how the LCD strips are arranged for each pixel. If this is unknown, or the pixels are meant to be
See moreportable
and/or transformed before showing (e.g. rotated, scaled) then use.unknown
Declaration
Swift
public enum PixelGeometry : UInt32
-
The logical operations that can be performed when combining two regions.
See moreDeclaration
Swift
public enum RegionOperation : UInt32


Before Change
// Crop the valid regions from the predictions.
semantic_predictions = tf.slice(
raw_predictions,
[0, 0, 0],
[1, resized_image_size[0], resized_image_size[1]])
// Resize back the prediction to the original image size.
def _resize_label(label, label_size):
After Change
semantic_predictions = _resize_label(semantic_predictions, image_size)
semantic_predictions = tf.identity(semantic_predictions, name=_OUTPUT_NAME)
semantic_probabilities = tf.image.resize_bilinear(
semantic_probabilities, image_size, align_corners=True,
name=_OUTPUT_PROB_NAME)
if FLAGS.quantize_delay_step >= 0:
contrib_quantize.create_eval_graph()


Your COVID19 Test Report
Your score is ';echo $marks;echo'%
If you have submitted all data correctly. You have a high amount of risk for COVID19. Do steps necessarily.
Visit the Map to explore the nearest COVID19 isolation center, to test your blood.
This website will not share any data for suspicious victim detected by us. But it is your responsibility to keep yourself safe as well as your family.
Your COVID19 Test Report
Your score is ';echo $marks;echo'%
If you have submitted all data correctly. You have a low amount of risk for COVID19. But still you should follow all precautions.
Visit the Map to explore the nearest COVID19 isolation center, to test your blood.
This website will not share any data for suspicious victim detected by us. But it is your responsibility to keep yourself safe as well as your family.
Your COVID19 Test Report
Your score is ';echo $marks;echo'%
If you have submitted all data correctly. You have a medium amount of risk for COVID19. If possible have a test for your blood. Visit the Map to explore the nearest COVID19 isolation center, to test your blood.
This website will not share any data for suspicious victim detected by us. But it is your responsibility to keep yourself safe as well as your family.
Our health care soldiers & security department are trying to save us from COVID19 for 24x7, support and encourage them just by staying in home & obeying lockdown.
Snehesh Dutta
ECE 3rd Year BPPIMT
To remove the mask: remove it from behind (do not touch the front of mask);discard immediately in a closed bin;clean hands with alcohol-based hand rub and water.
WHO
World Health Organization
It’s just a matter of time we humans come with solutions and for that time we are trying to prevent the disease from spreading as much as possible.


With a variety of popular JavaScript tools, more than twenty websites, and millions of users all over the world, there's always more to be done in the world of jQuery. From code and documentation to web design and support, the jQuery Foundation welcomes contributions from anyone willing to put in the time and effort to help us and our community of users. Whether you're a grizzled open-source veteran or a curious newcomer, if you want to get involved, use this site to find out how!


Correct answers are separated by commas or semicolons.
What is one responsibility that is only for United States citizens?
Serve on a jury, vote in a federal election
Name one right only for United States citizens.
Vote in a federal election, Run for federal office
What are two rights of everyone living in the United States?
Freedom of expression, freedom of speech, freedom of assembly, freedom to petition the government, freedom of religion, the right to bear arms
What do we show loyalty to when we say the Pledge of Allegiance?
The flag, The United States
What is one promise you make when you become a United States citizen?
Give up loyalty to other countries, defend the Constitution and laws of the United States, Obey the laws of the United States, Serve in the US Military, Serve the nation, Be loyal to the United States
How old do citizens have to be to vote for President?
18 and older
What are two ways that Americans can participate in their democracy?
Vote, Join a political party, Help with a campaign, Join a civic group, Join a community group, Give an elected official your opinion on an issue, Call Senators and Representatives, Run for office, Write to a newspaper
When is the last day you can send in federal income tax forms?
April 15
When must all men register for the Selective Service?


|
BiriBiriBeat
An Arduboy Otoge/Rhythm Game
|
File defining Navi's sprites. More...
#include "bitmaps/sprites_navi.h"
Go to the source code of this file.
Variables | |
| const unsigned char | naviMenuBgNeutral [] |
| const unsigned char | naviMenuBgGood [] |
| const unsigned char | naviMenuBgBad [] |
| const unsigned char | naviPlayBgNeutral [] |
| const unsigned char | naviMenuAnimGood [] |
| const unsigned char | naviMenuAnimBad [] |
| const unsigned char | naviMenuAnimNeutral [] |
| const unsigned char | naviPlayAnimNeutral [] |
| const unsigned char | naviPlayAnimGood [] |
| const unsigned char | naviPlayAnimBad [] |
| const unsigned char naviMenuAnimBad[] |
Definition at line 75 of file sprites_navi.cpp.
| const unsigned char naviMenuAnimGood[] |
Definition at line 61 of file sprites_navi.cpp.
| const unsigned char naviMenuAnimNeutral[] |
Definition at line 87 of file sprites_navi.cpp.
| const unsigned char naviMenuBgBad[] |
Definition at line 38 of file sprites_navi.cpp.
| const unsigned char naviMenuBgGood[] |
Definition at line 24 of file sprites_navi.cpp.
| const unsigned char naviMenuBgNeutral[] |
Definition at line 10 of file sprites_navi.cpp.
| const unsigned char naviPlayAnimBad[] |
Definition at line 119 of file sprites_navi.cpp.
| const unsigned char naviPlayAnimGood[] |
Definition at line 108 of file sprites_navi.cpp.
| const unsigned char naviPlayAnimNeutral[] |
Definition at line 97 of file sprites_navi.cpp.
| const unsigned char naviPlayBgNeutral[] |
Definition at line 52 of file sprites_navi.cpp.


|
UMI3D Unity SDK
2.5.b.221125
A UMI3D sdk implementation using Unity
|
Abstract UMI3D interaction that could be displayed in Editor. Used in AbstractInteraction. More...
Public Attributes | |
| string | name = "new interaction" |
| The interaction's name. More... | |
| string | description = "" |
| The interaction's description. More... | |
| UMI3DResource | icon2D = new UMI3DResource() |
| The interaction's icon 2D. More... | |
| UMI3DResource | icon3D = new UMI3DResource() |
| The interaction's icon 3D. More... | |
Abstract UMI3D interaction that could be displayed in Editor. Used in AbstractInteraction.
| string umi3d.edk.interaction.InteractionDisplay.description = "" |
The interaction's description.
| UMI3DResource umi3d.edk.interaction.InteractionDisplay.icon2D = new UMI3DResource() |
The interaction's icon 2D.
| UMI3DResource umi3d.edk.interaction.InteractionDisplay.icon3D = new UMI3DResource() |
The interaction's icon 3D.
| string umi3d.edk.interaction.InteractionDisplay.name = "new interaction" |
The interaction's name.


Hey
Let's
Eat
Always
Talk
Tacos
Tuesday
About
Tacos
Give
Great
Tacos
Life
Tacos
Love
Every day is taco ipsum tuesday. Tacos for breakfast, lunch and dinner. Make it a double there pal. Give me all the tacos, immediately. BARBACOA!! It’s long been rumored that the chupacabra is really just a crazed man who’s local taco shop went out of business. BARBACOA!! It’s taco time all the time. Give me tacos, or give me death. Tacos for breakfast, lunch and dinner. Tacos for breakfast, lunch and dinner. Give me all your tacos. Ooh, with diced onions and a pinch of cilantro.
50 cent tacos! I’ll take 30. Can you put some peppers and onions on that? How bout a gosh darn quesadilla? Carne asada on corn tortillas. TACOS!! It’s taco Tuesday Monday. Burritos are very tasty. Tacos dorados called flautas, or taquitos, for which the tortillas are filled with pre-cooked shredded chicken, beef or barbacoa, rolled into an elongated cylinder and deep-fried until crisp. It’s a wonderful morning for breakfast tacos. Yeah, apparently the taco shack was robbed. They left the money but took the tacos.
Tacos for breakfast, lunch and dinner. It’s taco time all the time. It’s taco Tuesday Monday. Josh’s taco shack is the best taco shack. Tacos Al pastor/De Adobada are made of thin pork steaks seasoned with adobo seasoning, then skewered and overlapped on one another on a vertical rotisserie cooked and flame-broiled as it spins. Let’s do a beef and a chicken, and one with both. Josh’s taco shack is the best taco shack. 50 cent tacos! I’ll take 30. Let’s do a beef and a chicken, and one with both.
How bout a gosh darn quesadilla? It’s taco Tuesday Monday. Flour or corn tortillas? Fish tacos with cabbage slaw and a side of chips and guac. Tacos, again? This will be 5 times this week and it’s only Tuesday. Tacos dorados called flautas, or taquitos, for which the tortillas are filled with pre-cooked shredded chicken, beef or barbacoa, rolled into an elongated cylinder and deep-fried until crisp.  Burritos are very tasty. Josh’s taco shack is the best taco shack. It’s taco Tuesday Monday.


Gym Journals
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Go to the source code of this file.
|
| INSTRUCTIONCOUNTER_LIB BOOLEAN | IsJmp (const OPCODE *opcode) |
| |
| INSTRUCTIONCOUNTER_LIB BOOLEAN | IsCall (const OPCODE *opcode) |
| |
| INSTRUCTIONCOUNTER_LIB QWORD | GetJmpDest (const OPCODE *jmpOpcode, REX rex, const OPCODE *rip, BYTE instructionLength, THREAD_CONTEXT *context, BOOLEAN addressSize) |
| |
| INSTRUCTIONCOUNTER_LIB QWORD | GetCallDest (const OPCODE *callOpcode, REX rex, const OPCODE *rip, BYTE instructionLength, THREAD_CONTEXT *context, BOOLEAN addressSize) |
| |
| INSTRUCTIONCOUNTER_LIB QWORD | GetCallRel32Dest (const OPCODE *callOpcode, const OPCODE *rip, BYTE instructionLength) |
| |
| INSTRUCTIONCOUNTER_LIB QWORD | GetJmpRel32Dest (const OPCODE *jmpOpcode, const OPCODE *rip, BYTE instructionLength) |
| |
| INSTRUCTIONCOUNTER_LIB QWORD | GetJmpRel8Dest (const OPCODE *jmpOpcode, const OPCODE *rip, BYTE instructionLength) |
| |
◆ CALL_MODRM_2
| #define CALL_MODRM_2 0xFF |
◆ CALL_REL32
◆ JMP_MODRM_4
◆ JMP_REL32
◆ JMP_REL32_SIZE
◆ JMP_REL8
◆ JMP_REL8_SIZE
◆ GetCallDest()
Return the destination of a Call instruction. It fails if the opcode pass as paramter are not from a call or the context pass as paramater is NULL even if it was needed.
- Parameters
-
| [in] | callOpcode | start of the instruction (do not include prefix). |
| [in] | rex | rex (see intel documentation for more information) prefix of the instruction, 0 if the instruction has no rex prefix. This value can be found using GetInstruction. |
| [in] | rip | value of rip when the instruction is executed. In other word, it is the start of the instruction which include prefix. |
| [in] | instructionLength | size of the instruction (include prefixe). |
| [in] | context | context of the thread which execute the instruction. It could be NULL if the result of the instruction do not depend on general purpose register. |
| [in] | addressSize | address size of the instruction see : "address-size override prefix" for more information. This value can be found using GetInstruction. It is 8 most of the time. |
- Returns
- the destination of the Call or NULL if it fails. Be careful, sometimes a branch could jump to the NULL address.
◆ GetCallRel32Dest()
Return the destination of a Call rel32 instruction. It fails if the opcode pass as paramter are not from a Call rel32.
- Parameters
-
| [in] | callOpcode | start of the instruction (do not include prefix). |
| [in] | rip | value of rip when the instruction is executed. In other word, it is the start of the instruction which include prefix. |
| [in] | instructionLength | size of the instruction (include prefixe). |
- Returns
- the destination of the Call or NULL if it fails. Be careful, sometimes a branch could jump to the NULL address.
◆ GetJmpDest()
Return the destination of a Jmp instruction. It fails if the opcode pass as paramter are not from a jmp or the context pass as paramater is NULL even if it was needed
- Parameters
-
| [in] | jmpOpcode | start of the instruction (do not include prefix). |
| [in] | rex | rex (see intel documentation for more information) prefix of the instruction, 0 if the instruction has no rex prefix. This value can be found using GetInstruction. |
| [in] | rip | value of rip when the instruction is executed. In other word, it is the start of the instruction which include prefix. |
| [in] | instructionLength | size of the instruction (include prefixe). |
| [in] | context | context of the thread which execute the instruction. It could be NULL if the result of the instruction do not depend on general purpose register. |
| [in] | addressSize | address size of the instruction see : "address-size override prefix" for more information. This value can be found using GetInstruction. It is 8 most of the time. |
- Returns
- the destination of the Jmp or NULL if it fails. Be careful, sometimes a branch could jump to the NULL address.
◆ GetJmpRel32Dest()
Return the destination of a Jmp rel32 instruction. It fails if the opcode pass as paramter are not from a Jmp rel 32.
- Parameters
-
| [in] | jmpOpcode | start of the instruction (do not include prefix). |
| [in] | rip | value of rip when the instruction is executed. In other word, it is the start of the instruction which include prefix. |
| [in] | instructionLength | size of the instruction (include prefixe). |
- Returns
- the destination of the Jmp or NULL if it fails. Be careful, sometimes a branch could jump to the NULL address.
◆ GetJmpRel8Dest()
Return the destination of a Jmp rel8 instruction. It fail if the opcode pass as paramter are not from a Jmp rel 8.
- Parameters
-
| [in] | jmpOpcode | start of the instruction (do not include prefix). |
| [in] | rip | value of rip when the instruction is executed. In other word, it is the start of the instruction which include prefix. |
| [in] | instructionLength | size of the instruction (include prefixe). |
- Returns
- the destination of the Jmp or NULL if it fails. Be careful, sometimes a branch could jump to the NULL address.
◆ IsCall()
Say if the instruction which start as opcode is a Call instruction.
- Parameters
-
| [in] | opcode | start of the instruction (do not include prefixe). |
- Returns
- TRUE if it is a Call instruction otherwise it returns FALSE.
◆ IsJmp()
Say if the instruction which start as opcode is a Jmp instruction.
- Parameters
-
| [in] | opcode | start of the instruction (do not include prefixe). |
- Returns
- TRUE if it is a Jmp instruction otherwise it returns FALSE.


Clinic Class Reference
List of all members.
|
Public Member Functions |
| | sameSite ($id1, $id2) |
| | getTimeZone ($id) |
Public Attributes |
|
| $name = "Clinic" |
|
| $useTable = 'clinics' |
|
| $hasMany = array('User') |
|
| $belongsTo = array('Site') |
Detailed Description
Clinic class
Copyright 2013 University of Washington, School of Nursing. http://opensource.org/licenses/BSD-3-Clause
Member Function Documentation
| Clinic::sameSite |
( |
$ |
id1, |
|
|
$ |
id2 | |
|
) |
| | |
Check whether two clinic ids are from the same site
- Parameters:
-
| $id1 | First id |
| $id2 | Second id return true if the ids are from the same site |
| Clinic::getTimeZone |
( |
$ |
id |
) |
|
Get the timezone string for a clinic
- Parameters:
-
- Returns:
- the timezone string
The documentation for this class was generated from the following file:
- /var/lib/jenkins/jobs/CPRO doc auto-generation - GitHub Repo/workspace/app/Model/Clinic.php


Record N/W calls
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Computational complexity theory is a branch of the theory of computation in theoretical computer science that focuses on classifying computational problems according to their inherent difficulty, and relating those classes to each other. A computational problem is understood to be a task that is in principle amenable to being solved by a computer, which is equivalent to stating that the problem may be solved by mechanical application of mathematical steps, such as an algorithm.
A problem is regarded as inherently difficult if its solution requires significant resources, whatever the algorithm used. The theory formalizes this intuition, by introducing mathematical models of computation to study these problems and quantifying the amount of resources needed to solve them, such as time and storage. Other complexity measures are also used, such as the amount of communication (used in communication complexity), the number of gates in a circuit (used in circuit complexity) and the number of processors (used in parallel computing). One of the roles of computational complexity theory is to determine the practical limits on what computers can and cannot do.
Closely related fields in theoretical computer science are analysis of algorithms and computability theory. A key distinction between analysis of algorithms and computational complexity theory is that the former is devoted to analyzing the amount of resources needed by a particular algorithm to solve a problem, whereas the latter asks a more general question about all possible algorithms that could be used to solve the same problem. More precisely, it tries to classify problems that can or cannot be solved with appropriately restricted resources. In turn, imposing restrictions on the available resources is what distinguishes computational complexity from computability theory: the latter theory asks what kind of problems can, in principle, be solved algorithmically.
A computational problem can be viewed as an infinite collection of instances together with a solution for every instance. The input string for a computational problem is referred to as a problem instance, and should not be confused with the problem itself. In computational complexity theory, a problem refers to the abstract question to be solved. In contrast, an instance of this problem is a rather concrete utterance, which can serve as the input for a decision problem. For example, consider the problem of primality testing. The instance is a number (e.g. 15) and the solution is "yes" if the number is prime and "no" otherwise (in this case "no"). Stated another way, the instance is a particular input to the problem, and the solution is the output corresponding to the given input.


Ostrigas (5M = +1) Note : THIS WILL NOT SAVE, TAKE SCREENSHOTS BEFORE LEAVING.
0
Still here?
On occasion you'll be asked to confirm you're still here.


| Service | Development | Price |
|---|---|---|
| Logo & Favicon | Simple, clean, and recognizable | $20/hour |
| Web Design Services | Template-based site (Wordpress)| 5-page Website | $30/hour |
| eCommerce Design | Ready in as little as 4 weeks | $35/hour |
| Service | Development | Price |
|---|---|---|
| Logo & Favicon | Original artwork, designed just for you | 3 illustrations to choose from | $25/hour |
| Web Design Services | Receive a website mockup for your approval before we proceed | 20-page Website | $40/hour |
| eCommerce Design | Unlimited products | 30 minutes of updates per month | $48/hour |


5/9/15
I absolutely love pairing! I’m a social creature. I don’t do well on my own. Pairing keeps me focused and engaged on my coding classes. I find it really rewarding as it allows me to see that I am not the only person with struggles or concerns about what we are learning. I get some perspective That I am not in this alone and I am not doing as horribly as I think I am. This is all very rewarding.
The feedback is a great tool. I was very apprehensive about it at first. I have to take it personally yet not too personally. The person giving the feedback was not out to attack or belittle me. They are here to help me. It’s okay to learn what I need to change or work on more. We are all in the same boat.


Sets the DNN View Mode. This has the same effect as clicking the appropriate options in the DNN Control Bar.
| Flag | Type | Required | Default | Descriptions |
|---|---|---|---|---|
| --mode | DNN View Mode | Yes | One of three view modes: edit , layout , or view . You do not need to specify the --mode flag explicitly. Simply type one of the view mode values after the command. |
set-mode layout
OR
set-mode view
OR
set-mode edit


GODZILLA (1998) Reviewed by Jerry Saravia Originally reviewed on July, 1998
Writer-director Roland Emmerich has produced some of the biggest box-office champs in history, particularly the grossly silly though often fun "Independence Day." Back in 1998, he produced and directed the most overhyped movie event of all time, "Godzilla." "Godzilla" was so overhyped in its marketing campaign (which started a year earlier) that there was no point in seeing the movie at all - you already had. In the previews, there were glimpses of Godzilla's enormous foot destroying half of New York City's streets and close-ups of its reptilian eye, and that's about all you see in the movie, folks. After Godzilla invades New York, he inexplicably and implausibly hides in the sewer and plays hide-and-seek with army helicopters. The footage is shot at night, and it is so poorly photographed that you can barely see the huge lizard at all, only a big, blurry shadow. And then there are Godzilla's numerous babies on the loose in typical velociraptor/"Jurassic Park" fashion.
For such a lavishly expensive production with state-of-the-art special effects, you would think we would at least see this creature. Godzilla stampeding through the city of New York is a great, wondrous and scary idea but the movie never follows suit. His foot is seen crushing cars, potholes, etc. How about Godzilla knocking over the Statue of Liberty or climbing the Twin Towers on Wall Street or lashing his tail against Times Square billboards? Nope, the filmmakers never use their imagination in conveying the destructive nature of the beast. He mostly runs through the city and often yells, and that is about it. How does this creature hide though? How does it change size and shape throughout? And how dare they allow us to develop sympathy for the monster only to then ask us to hate it at the end when all you hear is its heart beating (a lift from 1976's "King Kong")?
Another fact lost by the filmmakers is the genesis of this creature. Godzilla was a Japanese creation, a symbol of America coming on their fort and starting a war, namely World War II and the counterattack on Pearl Harbor. This new Godzilla is simply a special-effects blur with no personality and no purporse. This is Godzilla for the 90's with anemic co-stars such as Matthew Broderick, Hank Azaria and the shrill-voiced Maria Pitillo to boot? I'll stick with the original 1955 black-and-white version with Raymond Burr, thank you. At least the fire-breathing monster of that film was destructive.
For more reviews, check out JERRY AT THE MOVIES at http://moviething.com/members/movies/faust/JATMindex.shtml
E-mail me with any questions, comments or general complaints at<EMAIL_ADDRESS>or at<EMAIL_ADDRESS>========== X-RAMR-ID: 29146 X-Language: en X-RT-ReviewID: 243345 X-RT-TitleID: 1083246 X-RT-SourceID: 875 X-RT-AuthorID: 1314
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


FLU
death line
Flu death line
P5js read Json from Gdoc
BY
@ccristiano22
© 2017 MIT License
DSII2017 lab @UniRSM
website


GOSSIP
Reviewed by Harvey Karten Warner Bros./ Village Roadshow Director: David Guggenheim Writer: Gregory Poirier and Theresa Rebeck, story by Gregory Poirier Cast: Eric Bogosian, Marisa Coughlan, Debrah Farentino, Lena Headey, Marc Hickox, Kate Hudson, Joshua Jackson, Vicky Lambert, Sharon Lawrence, James Marsden, Edward James Olmos, Norman Reedus, Timm Zemanek
When people are not engaged in some activity that requires concentration, they talk. We're social animals, intent on exchanging information on people, things and ideas, and usually that's cool, but sometimes not. We sometimes forget the perfectly cogent adage that if you have nothing good to say about someone, don't say anything. Director David Guggenheim attempts to validate that expression by putting Gregory Poirier's story "Gossip" on the big screen, an engrossing tale adapted into a taut screenplay by Poirier himself.
The story takes place on a college campus that's not like the place I attended back in the Jurassic Age. Students live in lavish apartments decorated with drinking areas that would be the envy of bartenders at the Oak Room of the Plaza Hotel. Each co-ed is more beautiful than the next one. The guys are budding Brad Pitts and know how to put their elbows on the bar, and the young dancers could have fit right in at Studio 54. Though only one professor's class is on display, that of a communications instructor (played by acclaimed monologuist Eric Bogosian), the teacher apparently knows the names of all of the 150-odd students in his lecture hall and has the use of video equipment that puts images on a big screen in front of the group. Going to a hip school like this is not enough for some, though.
What sorts of people need more stimulation? Simply these: The college houses at least three characters who are vicious enough to spread nasty stories about the campus, so that if you're the sort who goes to the movies only if you've got someone to root for, this one is not for you. "Gossip" is about as sentimental as Roger Kumble's "Cruel Intentions" highlighting performers whose physical advantages and outward charm belie their downright mean-spiritedness.
We get an idea of the love that one of the students has for prevarication when Derrick (James Marsden), who is sharing drinks at a party with his roommates Travis (Norman Reedus) and Cathy Jones (Lena Headey), tells the bartender that Travis is the son of a famous rock musician. Soon after that Derrick has picked someone up, escorting the inebriated woman to the bathroom as she is about to throw up. Accidentally witnessing the gorgeous, fabulously wealthy but equally plastered Naomi (Kate Hudson) making out with a guy named Beau (Joshua Jackson), he spreads the falsehood that Beau had raped Naomi just after she passed out. This gossip leads to disastrous consequences for poor Beau.
Director Guggenheim takes us through the ramifications of the slander, inserting a fair degree of surprising twists to a story in which unlikely coincidences drive a preposterous plot. But never mind that. We're at the movies and we're skilled at suspending disbelief. After all, despite the implausibilities, this picture has quite a bit going for it including handsome young actors, a college campus at which high school seniors would kill to study, at least one flamboyant professor who fashions a splendid object lesson for his Communications class, and a whole scenario that the targeted twenty- something audience can latch onto. As an actor, Marsden doesn't have the charisma needed for a guy who sets his campus on fire. But Reedus is a natural as the money- challenged dude dependent on the kindness of his rich friend, and Headey comes across with enough intensity to juggle her coexistence and conflicts with two male roommates. In a small role, Edward James Olmos is effective as a detective who never cracks a smile and who could scare even a classroom of overactive junior high kids enough to be able to teach them something.
A movie like this is like "The Insider." After you've seen what Jeffrey Wigand goes through in Michael Mann's 1999 film--the odious lies of the seven tobacco giants out to smear him and the not-so-hidden message that smoking is bad-- you probably convince yourself to quit your own habit. What do you do as soon as you leave the theater? Right. You light up. Same here. You watch as the consequences of malicious gossip taking hold, the knot twisting gradually and inevitably around the necks of the perpetrators, and you're sure you will never again spread spiteful rumors. Until tomorrow.
Rated R. Running time: 90 minutes. (C) 2000 by Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


List of all members.
Public Member Functions
Static Public Member Functions
Detailed Description
The NetAddress
class represents a network address.
Constructor & Destructor Documentation
A constructor used when you have received a PP_Resource
as a return value that has had 1 ref added for you.
- Parameters:
-
| [in] | resource | A PPB_NetAddress resource. |
A constructor used to create a NetAddress
object with the specified IPv4 address.
- Parameters:
-
| [in] | instance | The instance with which this resource will be associated. |
| [in] | ipv4_addr | An IPv4 address. |
A constructor used to create a NetAddress
object with the specified IPv6 address.
- Parameters:
-
| [in] | instance | The instance with which this resource will be associated. |
| [in] | ipv6_addr | An IPv6 address. |
Member Function Documentation
Fills a PP_NetAddress_IPv4
structure if the network address is of PP_NETADDRESS_FAMILY_IPV4
address family.
Note that passing a network address of PP_NETADDRESS_FAMILY_IPV6
address family will fail even if the address is an IPv4-mapped IPv6 address.
- Parameters:
-
| [out] | ipv4_addr | A PP_NetAddress_IPv4 structure to store the result. |
- Returns:
- A boolean value indicating whether the operation succeeded.
Fills a PP_NetAddress_IPv6
structure if the network address is of PP_NETADDRESS_FAMILY_IPV6
address family.
Note that passing a network address of PP_NETADDRESS_FAMILY_IPV4
address family will fail - this method doesn't map it to an IPv6 address.
- Parameters:
-
| [out] | ipv6_addr | A PP_NetAddress_IPv6 structure to store the result. |
- Returns:
- A boolean value indicating whether the operation succeeded.
Returns a human-readable description of the network address.
The description is in the form of host [ ":" port ] and conforms to http://tools.ietf.org/html/rfc3986#section-3.2 for IPv4 and IPv6 addresses (e.g., "<IP_ADDRESS>", "<IP_ADDRESS>:99", or "[::1]:80").
- Parameters:
-
| [in] | include_port | Whether to include the port number in the description. |
- Returns:
- A string
Var
on success; an undefined Var
on failure.
Gets the address family.
- Returns:
- The address family on success;
PP_NETADDRESS_FAMILY_UNSPECIFIED
on failure.
Static function for determining whether the browser supports the PPB_NetAddress
interface.
- Returns:
- true if the interface is available, false otherwise.
The documentation for this class was generated from the following file:


Match Play. Red leads 2-0 to 5. How should Red play 21?
pips Red=118 White=142
(CorrectAnswer= 0/0, ErrorScore= 0)
The key here is to hit the White blot on the 9-pt and not the one on the 22-pt.
Hitting on the 9-pt takes away more of White’s timing which could be crucial in causing White’s board to crunch. There is plenty of time for Red’s blot on the 23-pt to escape.
After 10/9*, the best two is the simple 9/7 although 17/15 and 6/4 are very close in terms of equity.
The key to the position is to understand the reason for hitting on the 9-pt.
Hitting on the 9-pt takes away more of White’s timing which could be crucial in causing White’s board to crunch. There is plenty of time for Red’s blot on the 23-pt to escape.
After 10/9*, the best two is the simple 9/7 although 17/15 and 6/4 are very close in terms of equity.
The key to the position is to understand the reason for hitting on the 9-pt.
1. Cubeful 2-ply 17/15 10/9* Eq.: +0.508 0.770 0.366 0.021 - 0.230 0.049 0.003 2. Cubeful 2-ply 10/9*/7 Eq.: +0.503 (-0.005) 0.766 0.367 0.022 - 0.234 0.044 0.002 3. Cubeful 2-ply 10/9* 6/4 Eq.: +0.472 (-0.036) 0.754 0.364 0.022 - 0.246 0.055 0.003 4. Cubeful 2-ply 23/22* 17/15 Eq.: +0.449 (-0.058) 0.743 0.397 0.026 - 0.257 0.054 0.004 5. Cubeful 2-ply 23/22* 10/8 Eq.: +0.446 (-0.062) 0.740 0.362 0.021 - 0.260 0.051 0.002


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| Shipping | +{shipping} | ||
| Grand Total | {grandTotal} |


DOTLOCKFILE(1) Cistron Utilities DOTLOCKFILE(1) NAME dotlockfile - Utility to manage lockfiles SYNOPSIS /usr/bin/dotlockfile [-l [-r retries] |-u|-t|-c] [-p] [-m|lockfile] DESCRIPTION dotlockfile is a command line utility to reliably create, test and remove lockfiles. It creates lockfiles reliably on local and NFS filesystems, because the crucial steps of testing for a preexisting lockfile and cre‐ ating it are performed atomically by a single call to link(2). Manpage lockfile_create(3) describes the used algorithm. dotlockfile is installed with attribute SETGID mail and thus can also be used to lock and unlock mailboxes even if the mailspool directory is only writable by group mail. The name dotlockfile comes from the way mailboxes are locked for updates on a lot of UNIX systems. A lockfile is created with the same filename as the mailbox but with the string ".lock" appended. The names dotlock and lockfile were already taken - hence the name dot‐ lockfile :). OPTIONS -l Create a lockfile if no preexisting valid lockfile is found, else wait and retry according to option -r. This option is the default. A lockfile is treated as valid, · if it holds the process-id of a running process, · or if it does not hold any process-id and has been touched less than 5 minutes ago (timestamp is younger than 5 minutes). -r retries The number of times dotlockfile retries to acquire the lock if it failed the first time before giving up. The initial sleep after failing to acquire the lock is 5 seconds. After each retry the sleep intervall is increased incrementally by 5 seconds up to a maximum sleep of 60 seconds between tries. The default number of retries is 5. To try only once, use "-r 0". To try indefinitely, use "-r -1". -u Remove a lockfile. -t Touch an existing lockfile (update the timestamp). Useful for lockfiles on NFS filesystems. For lockfiles on local filesystems the -p option is preferable. -c For debugging only: Check for the existence of a valid lockfile. Note: Testing for a preexisting lockfile and writing of the lock‐ file must be done by the same "dotlockfile -l" or "dotlockfile -m" command, else the lockfile creation cannot be reliable. -p Write the process-id of the calling process into the lockfile. Also when testing for an existing lockfile, check the contents for the process-id of a running process to verify if the lockfile is still valid. Obviously useful only for lockfiles on local filesystems. -m Lock or unlock the current users mailbox. The path to the mailbox is the default system mailspool directory (usually /var/mail) with the username as gotten from getpwuid() appended. If the environ‐ ment variable $MAIL is set, that is used instead. Then the string ".lock" is appended to get the name of the actual lockfile. lockfile The lockfile to be created or removed. Must not be specified, if the -m option is in effect. RETURN VALUE Zero on success, and non-zero on failure. For the -c option, sucess means that a valid lockfile is already present. When locking (the default, or with the -l option) dotlockfile returns the same values as the library function lockfile_create(3). Unlocking a non-existant lock‐ file is not an error. NOTES The lockfile is created exactly as named on the command line. The exten‐ sion ".lock" is not automatically appended. This utility is a lot like the lockfile(1) utility included with proc‐ mail, and the mutt_dotlock(1) utility included with mutt. However the command-line arguments differ, and so does the return status. It is believed, that dotlockfile is the most flexible implementation, since it automatically detects when it needs to use priviliges to lock a mailbox, and does it safely. The above mentioned lockfile_create(3) manpage is present in the liblock‐ file-dev package. BUGS None known. SEE ALSO lockfile_create(3), maillock(3) AUTHOR Miquel van Smoorenburg<EMAIL_ADDRESS>September 8, 2009 DOTLOCKFILE(1)


Leap Motion Music Conductor
Utilizes a
Leap Motion controller
to control instruments.
Scale/Notes:
C
Bb
Black Notes
Instrument 1 (Top):
acoustic_grand_piano
honkytonk_piano
acoustic_guitar_steel
vibraphone
string_ensemble_1
flute
Instrument 2 (Bottom):
acoustic_grand_piano
honkytonk_piano
acoustic_guitar_steel
vibraphone
string_ensemble_1
Autoplay (w.i.p)


Wednesday's weather: Severe thunderstorms expected across 6 provinces
The SA Weather Service says severe thunderstorms are expected over the western, south-western and southern parts of Limpopo, eastern parts of the North West, north-eastern parts of the Free State, the Highveld of Mpumalanga, Gauteng and north-western parts of KwaZulu-Natal.
Warnings:
Extremely high fire danger conditions are expected over the central and eastern parts of the Northern Cape as well as the western parts of both the Free State and North West.
Snapshot of the weather in your region:
Gauteng will be partly cloudy and warm with scattered showers and thundershowers from late afternoon. The expected UVB sunburn index is low.
Mpumalanga will see morning fog patches and drizzle along the escarpment, otherwise cloudy and cool to warm with scattered showers and thundershowers but isolated in the extreme north-east.
Limpopo will experience morning fog patches and drizzle along the escarpment, otherwise cloudy and cool to warm with scattered showers and thundershowers but isolated in the east.
The North West will be partly cloudy and warm to hot with scattered afternoon thundershowers.
The Free State will be partly cloudy and warm with scattered afternoon thundershowers but isolated in the south.
The Northern Cape will be cool along the coast, otherwise fine and warm to hot, becoming partly cloudy with afternoon thundershowers in the central and eastern parts. The wind along the coast will be strong southerly to south-easterly.
The Western Cape can expect cloudy to partly cloudy conditions along the South Coast and adjacent interior at first, otherwise fine and cool to warm but hot in places along the West Coast. The wind along the coast will be fresh to strong south-easterly but light to moderate in the south. The expected UVB sunburn index is extreme.
The western half of the Eastern Cape will be partly cloudy in the morning, otherwise fine and warm, but cool along the coast. The wind along the coast will be moderate westerly, becoming southerly in the afternoon. The eastern half of the province will be cloudy with morning mist and fog, and isolated afternoon showers in the north-east, otherwise fine and cool, but warm along the escarpment. The wind along the coast will be light to moderate westerly, becoming southerly by late morning and south-easterly in the afternoon.
KwaZulu-Natal can expect morning fog over the interior, otherwise cloudy and cool but warm in places in the north with scattered showers and thundershowers but isolated over the southern parts. The wind along the coast will be gentle to moderate southerly to south-westerly, becoming easterly to south-easterly in the afternoon. The expected UVB sunburn index is low.
Temperatures:
- Compiled by Yunus Kemp
Click here to see the specific forecast for your city over the next few days


California Wildfires Blackout
by JOHN ANTCZAK1 / 5An air tanker drops retardant as the Maria Fire approaches Santa Paula, Calif., on Friday, Nov. 1, 2019. According to Ventura County Fire Department, the blaze has scorched more than 8,000 acres and destroyed at least two structures. (AP Photo/Noah Berger)
LOS ANGELES (AP) — Authorities lifted evacuation orders for a farm community Saturday as firefighters make progress on a large wildfire in Southern California that continues to threaten about 2,500 homes and buildings.
Ventura County officials allowed an unknown number of residents in Somis to return home Saturday morning after firefighters contained 30% of the Maria Fire, which has burned nearly 15 square miles (38 square kilometers) and forced nearly 11,000 people to evacuate.
Fire activity subsided overnight. The county officials said in a 6 p.m. update that the humidity level is expected to stay low and winds will become more favorable to firefighting in Southern California
Police in Santa Monica urged beachgoers to seek shelter indoors after lightning was reported over the city.
Crews battled to keep the flames away from orchards and farms in the rural area. Three buildings were destroyed.
The fire erupted on a hilltop northwest of Los Angeles on Thursday during what had been expected to be the tail end of gusty Santa Ana winds.
The cause was under investigation but there was a troubling possibility that an electrical line might have been involved — as such lines have been at other recent fires.
Southern California Edison said Friday that it re-energized a 16,000-volt power line 13 minutes before the fire erupted in the same area.
Edison and other utilities up and down the state shut off power to hundreds of thousands of people this week out of concerns that high winds could cause power lines to spark and start fires.
SCE will cooperate with investigators, the utility said.
In Northern California, more people were allowed to return to areas evacuated due to the huge Kincade Fire burning for days in the Sonoma County wine country.
The 121-square-mile (313-square-kilometer) fire was 72% contained, the California Department of Forestry and Fire Protection said.
The tally of destroyed homes reached 175 and there were 35 more damaged, Cal Fire said. Many other structures also burned.
Historic, dry winds prompted the state's largest utility, Pacific Gas & Electric Co., to initiate four rounds of widespread pre-emptive shut-offs in Northern California this month to prevent wildfires.
But the Contra Costa County Fire Protection District pegged the utility's equipment as the cause of three smaller fires that cropped up Oct. 27 in the San Francisco Bay Area suburbs of Martinez and Lafayette.
And while the cause of the Kincade Fire hasn't been determined, PG&E reported a problem with a transmission tower near the spot where the fire started.
___
This story has been corrected to report that the Maria Fire is northwest of Los Angeles, not northeast.


#assign implicit="active">
When no transactions are specified explicitly Ebean will create a transaction to perform the action.
For queries Ebean will look to use a read only transaction. If a Read Only DataSource
has
be configured Ebean will look to use that by default.
For all persist requests like save, insert, update, delete Ebean will create a transaction and perform
a COMMIT
at the end of the operation.


{% extends "base.html" %} {% block subtitle %} Terms {% endblock subtitle %} {% block content %}
Oppia is an open source project, and its code is released under an Apache 2.0 license. See the Google code site for more details.
Please be aware that Oppia is being developed actively, and that the Oppia test server can go down at any time. In addition, content on the test server site may be deleted without notice until Oppia moves into beta (non-preview) mode. We suggest that, in the meantime, you take backups of your explorations by downloading a YAML file from the exploration editor page, and keeping a copy of any images that you upload to the server. (We are hoping to get into a more stable state soon.)


// repeat of beforeinput, input, change events (change is composed: false, beforeinput, input are composed: true) // repeat of value attributes, when does changing the // this is it, no other attributes or events.


 By visualizing a crowd-sourced map of sexual assault occurrences, people can make more informed decisions on the relative safety different locations.
[sh]out fosters a supportive community of resources and allies through the sharing of experiences and advice through the blog, and provides personalized resources to sexual assault victims based on location.
How do I use [sh]out?
To view reports of sexual assault, drag to move around on the map and double click to zoom in.
To plot an incident of sexual assault on the map, toggle the slider button to "Add" and click the location the incident occurred on the map. Input the relevant information into the pop-up box at the pin, and click submit to save.
What information is saved about me?
All reports of sexual assault are anonymous. No identifying information about you is saved into our database.
How can I contact the creaters of [sh]out?
Please email us at admin@shout.com.


I'm a "Proactive, Performance-driven Technical Architect, Project Management Professional and Data Scientist; with having ~15 years of experience in Information/Technical Architecture, Data/Information Visualisation, Graph Theory, User Cantered Design, Interaction Design, Front-End/Back-End Development, Mobile Application Development, Usability Engineering, Algorithms, Data Mining, Data Cleaning and Processing, Text Retrieval, Natural Language Processing, Machine Learning, Recommender Systems, Predictive Analytics, Building Databases & Knowledgebase, Data Products, Research & Innovation Management as well as extensive background in managing the Software Development Life Cycle, Team Handling and their Management.".


One of the greatest features of R is the opensource development of additional functions that can be easily shared through libraries. We will use a wide variety of packages in this class. This page has a list of the primary packages we will be using in the class. All packages first need to be installed into your local version of R using install.packages("PACKAGENAMEHERE")
.
library(tidyverse) # loads ggplot2, tibble, tidyr, readr, purrr, dplyr
library(sf)
library(readxl)
library(haven)
Our book leverages this wrapper package heavily. See tidyverse.org for details. It really is simple way to load the following packages. See each link for a description of the respective package. Running install.packages("tidyverse")
installs many more packages (over 35).
This packages provides functionality for handling spatial data objects. I learned R using the sp
package and other packages that leveraged sp
. As of last year there is a new package in town for handling spatial data. Read about it here and see the repository for details on the package.
This package is installed with `install.packages(“tidyverse”). The readxl package is the primary package we will use in class. It may be useful to know that tidyxl, or xlconnect provide much more comprehensive interaction with Excel workbooks. I have used the xlsx library as well. Note that the xlconnect and xlsx libraries require java be installed on your computers.
This package is installed with `install.packages(“tidyverse”). There are three functions that make it easier to read SAS, SPSS, and Stata data files. Previously, I have used the foreign. See examples of foreign here


Enjoy a drink in our spacious lounge bar, is a truly enjoyable experience – the views of the natural harbour, no ships just a variety of birds and may be even spot a stray seal or penguin and then across the water with the opposite side comprising of natural terrain, with the names of ships picked out by natural stones will help to ensure that you will have a “relaxing drink” There is a full range of bar drinks including a wide selection of juices, Liqueurs, soft drinks and beer including and Falkland Islands only real ale. The wine list includes a variety and styles of wine including the famous Montes premium wine produced in Chile, with wines by the bottle and glass. A selection of teas and coffees are available throughout the day in the Lounge Bar. .
Data Structures are the programmatic way of storing data so that data can be used efficiently. Almost every enterprise application uses various types of data structures in one or the other way.
‹ ›Data Structures are the programmatic way of storing data so that data can be used efficiently. Almost every enterprise application uses various types of data structures in one or the other way.Data Structures are the programmatic way of storing data so that data can be usedefficiently. Almost every enterprise application uses various types of data structures in one or the other way.Data Structures are the programmatic way of storing data so that data can be usedefficiently. Almost every enterprise application uses various types of data structures in one or the other way.


Fleck's Delivery
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Alexify
Piano
Drum Kit
Music Player
Download App
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2
W
3
E
R
5
T
6
Y
7
U
I
9
O
0
P
[
=
]
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Microsoft Cognitive Services
Speech Services API - Speech to Text
Speech Services API Key
:
Language:
English - US
Chinese - Cantonese
Chinese - Mandarin
Create
Start
Stop


| DOSE: |
7 bowls |
smoked |
Cannabis |
(plant material) |
| |
1 tablet |
oral |
MDMA |
(pill / tablet) |
This report is about me and my dear friend Clarissa, who has suffered from chronic migraines for years. In the past year she has been on 9 different prescriptions, all of which did nothing to alleviate her horrible and constant pain. I have always been very interested in drugs and their effects on the body and mind. I use drugs to expand my mind, as does Clarissa, which is why we are bonded so intricately. Together we have tried many substances and learned more than most do in a lifetime, and we feel that we are only at the beginning.
We had used MDMA several times and were really enjoying the conversations it stimulated and beautiful moments it created. MDMA has definitly changed both of our lives for the better. It has taught us to see so much beauty and love that we have been in almost a constant state of disbelief and joy since we began to use it. The only negative part of the entire E experience were the lows we both had, and I'm sure most others get, awhile after the peak has ended and the E starts to wear off. We decided one day while both coming down off of a roll to smoke some pot and see what happened. The second we did we didn't know why we hadn't done it before. It was like the best parts of both rolling and being high. We had a very intense and incredible experience that is too long to describe right now, but we've been smoking after our peaks ever since then.
We were curious to see what smoking pot as we were waiting to roll would do, so we finally decided to find out. We'd gotten some pretty decently priced E so we figured if the effects somehow canceled each other out, it wouldn't be a big deal. Thinking about that now, I guess that's a pretty stupid theory, but drugs can be unpredictable and I hadn't heard much about anyone doing anything like that.
This night started with Clarissa having a headache, like usual. She always does her best at ignoring them and trying to enjoy herself anyway, but they are a huge burden on our time together and all of her other time spent as well. We dropped at about 8 and then began to smoke. We were taking the same kind of E we'd taken only a few days earlier, and we knew it took about and hour and fifteen to minutes to hit, so we just sat around talking and laughing, waiting to see what would happen. We had one more person with us; my cousin, Julie, an incredibly smart and interesting person who always adds to any experience with her presence. She had smoked and taken roughly 165 mg of DXM.
For the first hour, we just made a couple of stops and enjoyed pleasant conversation. We got back to my house and put on the beatles, wacthing excitedly and joyfully. Clarissa began to bounce around and it looked like she was feeling her E. I thought I might be, but wasn't sure; long story short, I began to get frusterated thinking I wasn't going to have a fun night. I'd been in a crappy kind of mood all day, I had actually considered not having Julie over that weekend because I thought I needed to get things done, which is actually an important detail of this story.
The Beatles weren't cheering me up, and I knew something was wrong. I was annoyed and dissapointed because I only felt stoned and had been looking forward to an interesting night. I was saying some pretty thought provoking things and I felt my mind racing but I realize now that initially, that wasn't the kind of night I had been expecting. I went into the kitchen to unload the dishwasher and my friends followed me out. I expressed my dismay to Clarissa, telling her that I was feeling 'intrigue.' She told me I shouldn't reject the intrigue, and I knew she was right. I also told her that though I was in a really upset mood, I felt that all was not lost for the night. She agreed, telling me she felt as if we were building up to something.
I began to feel better after we shared that thought and as we went back into my room, I began to feel the E hit full force! It took two hours and I don't know how or why, but wow, it was worth it. I hadn't rolled that intensely forever and was lifted out of my bad mood to an extremely open and warm state. Clarissa was feeling the same thing, with only a headache bothering her. After dancing, singing, and completely enjoying ourselves for quite a bit as Julie tripped, I saw her sitting on the bed and went over to her. I layed my stomach on her legs and rested my elbows on the bed and my chin on my hands. I gave her a smile and asked how she was doing. Clarissa came over to join us and pulled Julie's glasses onto her face. I looked over to her to see and I laughed at how cute and fitting they looked on her. I watched her look in the mirror and I saw her face begin to change into a very wonderous form.
She looked to me and commented, 'These are actually making my head feel better. I can see a lot better with these on. I think I need glasses.' I responded, 'Clarissa, not being able to see well can give you headache.' Our eyes met at that moment, registering what I had just said. 'Oh my god, no wonder you have headaches all the time.  I hurridly pulled out my notebook, scrawling, 'Clarissa needs glasses. She has terrible vision. Tha's why she has headaches all the time.' It seemed so simple, but so incredibly profound.
Her doctor had never once, in the year they'd been working together to find a treatment for her headaches, given her a vision test. Everything began to fall together into our laps. Of course she didn't know she had bad vision before she tried on glasses and had a glimpse of clarity! Since she began getting her headachea in 4th grade, her vision has slowly been getting worse and worse which is why her headaches have been getting worse and worse. She was straining every waking moment to see and not even realizing she was doing it. The constant tension on her eyes would give anyone a splitting headache!
The freedom we felt at that moment was absolutely indescribable. We were healers. We had found the cure to Clarissa's headaches. I care for her so much, and the thought of not having to see her in pain made tears spill from my eyes. I've never been so full of pure joy and wonder. It was hands down the most incredible thing that could have happened. The rest of the night was spent reflecting and talking about what had happened, enjoying the rest of our roll, and finally passing into sleep.
The next day I had to work. The basic feeling of the day was extreme beweilderment, but I would pass into moods of extreme joy and happiness to the point of tears and felt generally very strange. I knew that I wasn't feeling sad, but I did feel that my soul was not at rest. It was abundantly clear more than ever that the world would always posess the ability to suprise and amaze me. Everything fell into place with a grace so mysterious that I believe even more than ever in the power of drugs and their relation to mind expansion. I feel one step closer to becoming a shaman, something I've been reading up on for sometime.
The only thing bothering me was feeling no sense of direction or closure, and that's when I knew I must reconvene that next evening. There was more to learn, there was more waiting for me, like a book I had only half finished. That is where this story ends. It's 6:24 pm, and I have to finish my work tonight. I can't wait to see what more is left.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Our active community outreach program!
| Name | Location | Date |
|---|---|---|
| Busch Gardens Demo | Busch Gardens | August 9th, 2014 |
| NASA Bring Your Youth To Work Day | Menchville | August 15th, 2014 |
| Hilton 5K (2014) | Newport News | September 27th, 2014 |
| Salvation Army Bell Ringing (2014) | Sam's Club, Newport News | December 21st, 2014 |
| CNU STEM Day | Christopher Newport University | May 30th, 2015 |
| Summer Lego Camp | Christopher Newport University | Summer 2015 |
| Hilton 5K (2015) | Newport News | September 27th, 2015 |
| Salvation Army Bell Ringing (2015) | Patrick Henry Mall, Newport News | December 21st, 2015 |


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