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Anacolūthon (ἀνακόλουθον inconsequent), or grammatical inconsistency, is inadvertent or purposed deviation in the structure of a sentence by which a construction started at the beginning is not followed out consistently. Anacoluthon is sometimes real, sometimes only slight or apparent. It is natural to Greek by reason of the mobility and elasticity of that language; but in English it could not be tolerated to an equal extent because our tongue—a speech of few inflected forms—is much more rigid than Greek.
Anacoluthon is, in general, caused either (a) by the choice of some form of expression more convenient or more effective than that for which the sentence was grammatically planned; at times, too, the disturbing influence is the insertion of a brief expression of an additional thought not foreseen at the start. Or (b) by the intrusion of some explanation requiring a parenthesis of such an extent that the connection is obscured or the continuation of the original structure made difficult. In this case the beginning may be repeated, or what has already been said may be summed up in a different grammatical form and sometimes with the addition of a resumptive particle, such as δή, οὖν well then, then, as I was saying (X. A. 1.8.13, 3. 1. 20, X. C. 3.3.9). So with δέ (T. 8.29. 2).
Anacoluthon usually produces the effect of naturalness and liveliness, sometimes of greater clearness (as after long parentheses), or of brevity, force, or concentration.
Anacoluthon is either natural or artificial. Natural anacoluthon is seen in the loose and discursive style of Herodotus; in the closely packed sentences of Thucydides, who hurries from one thought to another with the least expenditure of words; and in the slovenliness of Andocides. Artificial or rhetorical anacoluthon is the result of a deliberate purpose to give to written language the vividness, naturalness, and unaffected freedom of the easy flow of conversation, and is best seen in the dialogues of Plato. Such anacoluthon is usually graceful and free from obscurity.
There are very many forms of anacoluthon, e.g.
a. Many cases are due to the fact that a writer conforms his construction, not to the words which he has just used, but to another way in which the antecedent thought might have been expressed: the construction πρὸς τὸ νοούμενον (or σημαινόμενον) according to what is thought. Cp. 2148 and X. H. 2.2.3, S. O. T. 353, E. Hec. 970.
b. Some cases are due to changes in the subject, as T. 1.18. 2.
c. Many cases occur in connection with the use of a participle (2147, 2148).
d.  Cp. 2147 c, and T. 5.61. 4, 6. 32. 3, 7. 47. 1-2.
e. The nominative “in suspense” may stand at the head of a sentence instead of another case required by the following construction. This involves a redundant pronoun. Thus, Πρόξενος δὲ καὶ Μένων, ἐπείπερ εἰσὶν ὑ̄μέτεροι εὐεργέται . . . πέμψατε αὐτοὺς δεῦρο (for Πρόξενον καὶ Μένωνα . . . πέμψατε δεῦρο) X. A. 2.5.41. Cp. “The prince that feeds great natures, they will slay him:” Ben Jonson.
f. The accusative often stands absolutely when at the head of a sentence. Thus, ἀλλὰ μὴν καὶ τῑμά̄ς γε . . ., τῶν μὲν μεθέξει καὶ γεύσεται ἑκών, ᾱ<*>`ς ἂν ἡγῆται ἀμείνω αὑτὸν ποιήσειν, ἃ̄ς δ᾽ . . . φεύξεται but furthermore as regards honours, those he will partake of and be glad to taste which he thinks will make him a better man, but others he will shun P. R. 591e, Ἕλληνας τοὺς ἐν τῇ Ἀσίᾳ οἰκοῦντας οὐδέν πω σαφὲς λέγεται εἰ ἕπονται (for λέγουσιν εἰ ἕπονται or λέγεται ἕπεσθαι) as to the Greeks who dwell in Asia there is as yet no certain intelligence whether they are to accompany the expedition X. C. 2.1.5.
g. A main clause may take the construction of a parenthetical clause (T. 4.93. 2). Here belongs the attraction into the relative clause of a verb that should have been principal. So after ὡς ἤκουσα, ὡς οἶμαι, ὡς λέγουσι, etc. Thus, τόδε γε μήν, ὡς οἶμαι, περὶ αὐτοῦ ἀναγκαιότατον εἶναι (for ἐστὶ) λέγειν this indeed is, as I think, most necessary to state about it P. Phil. 20d. Often in Hdt., as ὡς δ᾽ ἐγὼ ἤκουσα . . . εἶναι αὐτὸν Ἰδανθύρσου . . . πάτρων but as I have heard he was the uncle of Idanthyrsus on the father's side 4. 76. A construction may be introduced by ὅτι or ὡς and then pass to the infinitive, or the infinitive may precede and a finite verb follow (2628).
h. After a subordinate clause with parentheses the main clause sometimes follows in the form of an independent sentence (P. A. 28c, cp. 36 a).
i. An infinitive may resume the idea set forth by the principal verb; as τοῦ δὲ θεοῦ τάττοντος, ὡς ἐγὼ ᾠήθην τε καὶ ὑπέλαβον, φιλοσοφοῦντά με δεῖν ζῆν κτλ. whereas when God orders me, as I think and believe, to pass my life in the pursuit of wisdom, etc. P. A. 28e. Cp. X. H. 7.4.35.
j. Anacoluthon is sometimes due to the desire to maintain similarity of form between contrasted expressions; as
for I think that the horse-centaurs were at a loss how to make use of many conveniences devised for men and how to enjoy many of the pleasures natural to horsesτοὺς μὲν γὰρ ἱπποκενταύρους οἶμαι ἔγωγε πολλοῖς μὲν ἀπορεῖν τῶν ἀνθρώποις ηὑρημένων ἀγαθῶν ὅπως δεῖ χρῆσθαι, πολλοῖς δὲ τῶν ἵπποις πεφῡκότων ἡδέων πῶς αὐτῶν χρὴ ἀπολαύειν
Anadiplōsis (ἀναδίπλωσις doubling) is the rhetorical repetition of one or several words. Cp. “The Isles of Greece, the Isles of Greece, where burning Sappho loved and sung:” Byron.
Θῆβαι δέ, Θῆβαι πόλις ἀστυγείτων, μεθ᾽ ἡμέρᾱν μίαν ἐκ μέσης τῆς Ἑλλάδος ἀνήρπασται Thebes, Thebes, a neighbouring city, in the course of one day has been extirpated from the midst of Greece Aes. 3.133.
Anaphora (ἀναφορά̄ carrying back) is the repetition, with emphasis, of the same word or phrase at the beginning of several successive clauses. This figure is also called epanaphora or epanalepsis. Cp. “Strike as I would Have struck those tyrants! Strike deep as my curse! Strike! and but once:” Byron.
many of the citizens they drove out to the enemy; many they slew unjustly and left unburied; many who were in possession of their civic rights they deprived of themοὗτοι γὰρ πολλοὺς μὲν τῶν πολῑτῶν εἰς τοὺς πολεμίους ἐξήλασαν, πολλοὺς δ᾽ ἀδίκως ἀποκτείναντες ἀτάφους ἐποίησαν, πολλοὺς δ᾽ ἐπιτἱ̄μους ὄντας ἀτί̄μους κατέστησαν
Anastrophe (ἀναστροφή return) is the use, at the beginning of one clause, of the same word that concluded the preceding clause. Also called epanastrophe. Cp. “Has he a gust for blood? Blood shall fill his cup.”
οὐ δήπου Κτησιφῶντα δύναται διώκειν δι᾽ ἐμέ, ἐμὲ δ᾽ εἴπερ ἐξελέγξειν ἐνόμιζεν, αὐτὸν οὐκ ἂν ἐγράψατο for surely it cannot be that he is prosecuting Ctesiphon on my account, and yet would not have indicted me myself, if he had thought that he could convict me D. 18.13.
Antistrophe (ἀντιστροφή turning about) is the repetition of the same word or phrase at the end of successive clauses.
ὅστις δ᾽ ἐν τῷ πρώτῳ λόγῳ τὴν ψῆφον αἰτεῖ ὅρκον αἰτεῖ, νόμον αἰτεῖ, δημοκρατίᾱν αἰτεῖ whoever in his first speech asks for your vote as a favour, asks the surrender of your oath, asks the surrender of the law, asks the surrender of the democratic constitution Aes. 3.198.
Antithesis (ἀντίθεσις opposition) is the contrast of ideas expressed by words which are the opposite of, or are closely contrasted with, each other. Cp. “Wit is negative, analytical, destructive; Humor is creative:” Whipple.
δι᾽ ὧν ἐκ χρηστῶν φαῦλα τὰ πρά̄γματα τῆς πόλεως γέγονε, διὰ τούτων ἐλπίζετε τῶν αὐτῶν πρά̄ξεων ἐκ φαύλων αὐτὰ χρηστὰ γενήσεσθαι; do you expect that the affairs of state will become prosperous instead of bad by the same measures by which they have become bad instead of prosperous? D. 2.26.
a. Antithesis is sometimes extended to a parallelism in sense effected (1) by the use of two words of opposite meaning in the expression of one idea, (2) by the opposition of ideas which are not specifically contrasted in words.
Aporia (ἀπορίᾱ doubt) is an artifice by which a speaker feigns doubt as to where he shall begin or end or what he shall do or say, etc. Cp. “Then the steward said within himself, What shall I do?” St. Luke 16. 3.
I am uncertain what I shall recall firstἀπορῶ τοῦ πρώτου μνησθῶ
Aposiopēsis (ἀποσιώπησις becoming silent) is a form of ellipse by which, under the influence of passionate feeling or of modesty, a speaker comes to an abrupt halt. Examples 2352 d, D. 18.3, 22, 195, S. O. T. 1289, Ar. Vesp. 1178. Cp.
Asyndeton (ἀσύνδετον not bound together) is the absence of conjunctions in a series of coördinate words or phrases. See 2165 ff.
a. Here is sometimes placed the omission of the verb after μή (μὴ σύ γε, μὴ γάρ, etc.); as μὴ τριβὰ̄ς ἔτι (ποιεῖσθε) no more delays! S. Ant. 577, τι´ς οὐχὶ κατέπτυσεν ἂν σοῦ; μὴ γὰρ (εἰπὲ) τῆς πόλεως γε, μηδ᾽ ἐμοῦ who would not have reviled you? Do not say the State, nor me D. 18.200. Cp. 946, 1599.
Brachylogy (βραχυλογίᾱ brevity of diction, abbreviated expres. sion or construction) is a concise form of expression by which an element is not repeated or is omitted when its repetition or use would make the thought or the grammatical construction complete. The suppressed element must be supplied from some corresponding word in the context, in which case it often appears with some change of form or construction; or it must be taken from the connection of the thought.
a. Brachylogy and ellipse cannot always be distinguished sharply. In ellipse the suppressed word is not to be supplied from a corresponding word in the context; and, in general, ellipse is less artificial and less dependent on the momentary and arbitrary will of the speaker or writer. Compendious Comparison (1501), Praegnans Constructio (3044), and Zeugma (3048) are forms of brachylogy.
There are many forms of brachylogy; for example:
a. One verbal form must often be supplied from another; e.g. a passive from an active, an infinitive from a finite verb, a participle from an infinitive. Thus, τὴν τῶν πέλας δῃοῦν μᾶλλον ἢ τὴν ἑαυτῶν ὁρᾶν (δῃουμένην) rather to ravage the territory of their neighbours than to see their own (being ravaged) T. 2.11, ταῦτα ἐγώ σοι οὐ πείθομαι . . ., οἶμαι δὲ οὐδὲ ἄλλον ἀνθρώπων οὐδένα (πείθεσθαί σοι) of this I am not persuaded by you and I do not believe that any other human being is either P. A. 25e, οὔτε πάσχοντες κακὸν οὐδὲν οὔτε μέλλοντες (πάσχειν) neither suffering, nor being likely (to suffer), any evil I. 12.103, ἀνεχώρησαν δὲ καὶ οἱ Αθηναῖοι . . . , ἐπειδὴ καὶ ἐκείνους εἶδον (ἀναχωρήσαντας) and the Athenians too withdrew when they saw that they (the Lacedaemonians) had done so T. 3.16.
b. A verb must often be supplied from a coördinate or subordinate clause either preceding or following. Thus, ἔγειρε καὶ σὺ τήνδ᾽, ἐγὼ δὲ σέ do you wake her, as I (wake) you A. Eum. 140, ἐὰ̄ν δὲ αὐτόχειρ μὲν μή (ᾖ),
if a person shall not kill with his own hand, but if some one shall suggest murder to anotherβουλεύσῃ δὲ θάνατόν τις ἄλλος ἑτέρῳ
c. In clauses with δεῖ, χρή etc.: ἵνα φαίνησθε ἀμύ̄νοντες οἷς δεῖ (ἀμύ̄νειν) that you may seem to assist those you ought (to assist) T. 3.13. When a form of τυγχάνω stands in the subordinate clause; ἀπέπλευσαν ὡς ἕκαστοι ἔτυχον (ἀποπλέοντες) they sailed away as each best could T. 4.25. In conditional clauses when the protasis indicates that the assertion made in the apodosis holds true of a person or a thing more than of any other person or thing (εἴπερ τις καὶ ἄλλος, εἴπερ που, εἴπερ ποτέ, ὥς τις καὶ ἄλλος, etc.); as συμφέρει δ᾽ ὑ̄μῖν, εἴπερ τῳ καὶ ἄλλῳ, τὸ νῑκᾶν victory is of advantage to you, if it (is of advantage) to any X. C. 3.3.42. Hence εἴ τις (που, ποθεν) is almost = τὶς, etc. (T. 7.21. 5).
d. Compound verbs (especially those compounded with μετά and ἐξ) are often so used that the force both of the compound and of the simple verb is requisite to the meaning. Thus, (οἱ *᾿αθηναῖοι) μετέγνωσαν Κερκῡραίοις ξυμμαχίᾱν μὴ ποιήσασθαι the Athenians changed their minds and decided not to make an alliance with the Corcyraeans T. 1.44.
e. A compound verb on its second occurrence often omits the preposition (rarely vice versa); as ἀπεργάζηται . . . εἰργάζετο P. Ph. 104d. Euripides is fond of such collocations as ὑπάκουσον ἄκουσον Alc. 400. Cp. the difference in metrical value of repeated words in Shakespeare, as “These víolént desires have víolent ends.”
N.—In καὶ ξυμμετίσχω καὶ φέρω τῆς αἰτίᾱς I share and bear alike the guilt (S. Ant. 537) φέρω, though capable of taking the partitive genitive, is influenced by ξυμμετίσχω and has the force of ξυμφέρω.
f. From a following verb of special meaning a verb of more general meaning, such as ποιεῖν, γίγνεσθαι, εἶναι, must be supplied with the phrases οὐδὲν ἄλλο ἤ, ἄλλο τι ἤ, τί ἄλλο ἤ. Examples in 946, 2652, 2778.
g. A verb of saying or thinking must often be supplied from a foregoing verb of exhorting, commanding, announcing, or from any other verb that implies saying or thinking. Thus, Κριτόβουλος καὶ Ἀπολλόδωρος κελεύουσί με τριά̄κοντα μνῶν τῑμήσασθαι, αὐτοὶ δὲ ἐγγυᾶσθαι Critobulus and Apollodorus urge me to set a penalty of thirty minae, and (say) that they themselves are sureties P. A. 38b.
h. When two verbs taking the same or different cases have an object in common, that object is expressed only once, and usually is dependent on the nearer verb. See 1634, 1635.
i. A substantive or a verb is often to be supplied from a substantive or a verb related in meaning: ναυμαχήσαντας μίαν (ναυμαχίᾱν) having fought one (sea-fight) Ar. Ran. 693, ἡ μὲν ἔπειτα εἰς ἅλα ἆλτο . . ., Ζεὺς δὲ ἑὸν πρὸς δῶμα (ἔβη) she then sprang into the sea, but Zeus (went) to his abode A 532.
j. The subject of a sentence is often taken from a preceding object or from some other preceding noun in an oblique case without a pronoun of reference to aid the transition. Thus, ἐξεφόβησαν μὲν τοὺς πολλοὺς οὐκ εἰδότας τὰ πρᾱσσόμενα, καὶ ἔφευγον (οἱ πολλοί) they frightened away most of the citizens, who were in ignorance of the plot and began to fly T. 8.44. Cp. 943.
k. In general an object is frequently omitted when it can readily be supplied from the context. Thus, ἐγχεῖν (τὸν οἶνον) ἐκέλενε he gave orders to pour in (the wine) X. A. 4.3.13. An unemphatic pronoun in an oblique case is often omitted when it can be supplied from a preceding noun. Cp. 1214.
l. A dependent noun must often be supplied, in a different construction, from one coördinate clause to another. Thus, ὅρκους ἔλαβον καὶ ἔδοσαν παρὰ Φαρναβάζου they received oaths from Pharnabazus and gave him theirs X. H. 1.3.9. So in contrasts where one member is to be supplied from the other, as οὐκ ἐκεῖνος (ἐκείνην), ἀλλ᾽ ἐκείνη κεῖνον ἐνθάδ᾽ ἤγαγεν he did not bring (her) here, but she brought him E. Or. 742.
m. From a preceding word its opposite must often be supplied, especially an affirmative after a negative. Thus, ἀμελήσᾱς ὧνπερ οἱ πολλοὶ (ἐπιμελοῦνται) neglecting the very things which most people (care for) P. A. 36b. This laxity of expression is especially frequent in the case of ἕκαστος, τὶς, or πάντες, to be supplied after οὐδείς (μηδείς), as μηδεὶς τὴν ὑπερβολὴν θαυμάσῃ, ἀλλὰ μετ᾽ εὐνοίᾱς δ̀ λέγω θεωρησάτω let no one wonder at the extravagance of my statement, but let (every one) consider kindly what I say D. 18.199. Cp. “No person held to service or labor in one state . . ., escaping into another, shall . . . be discharged from said service or labor, but shall be delivered up, etc.”: U. S. Constitution.
n. The same word though placed only once may stand in two different constructions; as αἰνέω δὲ καὶ τόνδε (νόμον) . . . μήτε τῶν ἄλλων Περσέων μηδένα τῶν
and I approve also this custom that no one of the other Persians shall do irremediable hurt to any one of his own servantsἑωυτοῦ οἰκετέων . . . ἀνήκεστον πάθος ἔρδειν
o. An assertion may be made concerning an action or a thing when the absence of that action or thing is meant (res pro rei defectu). Thus, εἴ τ᾽ ἄρ᾽ ὁγ᾽ εὐχωλῆς ἐπιμέμφεται whether then he blames us on account of an (unfulfilled) vow A 65, ἐν ᾗ καὶ περὶ χρημάτων καὶ περὶ ἀτῑμίᾱς ἄνθρωποι κινδῡνεύουσιν on which charge men run the risk both of (loss of) money and civil degradation D. 29.16. So δύναμις powerlessness, φυλακή neglect of the watch, μελέτημα lack of liberal exercise.
Catachrēsis (κατάχρησις misuse of a word) is the extension of the meaning of a word beyond its proper sphere; especially a violent metaphor. In English: “a palatable tone,” “to take arms against a sea of troubles.”
δαιμόνιος extraordinary, θαυμάσιος decided, strange, capital, ἀμηχάνως and ὑπερφυῶς decidedly, ὑποπτεύω expect, ναυστολεῖν χθόνα E. Med. 682. Such usages are less often occasioned by the poverty of the language than by the caprice of the writer.
having one body and one soulἓν σῶμ᾽ ἔχων καὶ ψῡχὴν μίαν
So τοσοῦτον σὺ ἐμοῦ σοφώτερος εἶ τηλικούτου ὄντος τηλικόσδ᾽ ὤν; are you at your age so much wiser than I at mine? P. A. 25d, πᾶν μὲν ἔργον πᾶν δ᾽ ἔπος λέγοντάς τε καὶ πρά̄ττοντας lit. doing every deed and uttering every word P. R. 494e,
to be a slave and be ruled . . . to rule and be a masterδουλεύειν καὶ ἄρχεσθαι . . . ἄρχειν καὶ δεσπόζειν
Climax (κλῖμαξ ladder) is an arrangement of clauses in succession whereby the last important word of one is repeated as the first important word of the next, each clause in turn surpassing its predecessor in the importance of the thought. Cp. “But we glory in tribulations also: knowing that tribulation worketh patience . . . and experience, hope; and hope maketh not ashamed”: Romans v. 3-5.
I did not utter these words without proposing a motion; nor did I propose a motion without becoming ambassador; nor did I become ambassador without convincing the Thebansοὐκ εἶπον μὲν ταῦτα, οὐκ ἔγραψα δέ, οὐδ᾽ ἔγραψα μέν, οὐκ ἐπρέσβευσα δέ, οὐδ᾽ ἐπρέσβευσα μέν, οὐκ ἔπεισα δὲ Θηβαίους
Ellipse (ἔλλειψις leaving out, defect) is the suppression of a word or of several words of minor importance to the logical expres sion of the thought, but necessary to the construction. Ellipse gives brevity, force, and liveliness; it is usually readily to be supplied, often unconscious, and appears especially in common phrases, constructions, and expressions of popular speech (such as ἐξ ὀνύχων λέοντα to judge a lion from his claws).
a. Ellipse occurs in the case of substantives and pronouns, subject, object, finite verbs, main clauses, and (less often) subordinate clauses. See the Index under Ellipse.
Enallage (ἐναλλαγή interchange) is the substitution of one grammatical form for another, as plural for singular (1006-1008). Thus: “They fall successive, and successive rise”: Pope.
Euphemism (εὐφημισμός lit. speaking favourably) is the substitution of a less direct expression in place of one whose plainer meaning might be unpleasant or offensive. Thus: “The merchant prince had stopped payment” (for “became bankrupt”).
συμφορά̄ occurrence for ἀτύχημα misfortune, ἑτέρως otherwise = not well, εὐφρόνη ‘the kindly time’ for νύξ night, εὐώνυμος left (lit. of good omen, whereas the left was the unlucky side), εἴ τι πάθοι if anything should happen to him = if he should die.
Hendiadys (ἓν διὰ δυοῖν one by two) is the use of two words connected by a copulative conjunction to express a single complex idea; especially two substantives instead of one substantive and an adjective or attributive genitive.
χρόνῳ καὶ πολιορκίᾳ by length of time and siege = by a long siege D. 19.123,
in the waves of the seaἐν ἁλὶ κύ̄μασί τε
armed forceἀσπίδων τε καὶ στρατοῦ ῀ ὡπλισμένου στρατοῦ
Homoioteleuton (ὁμοιοτέλευτος ending alike) is end-rhyme in clauses or verses.
τὴν μὲν ἀρχὴν εἰς τὸν πόλεμον κατέστησαν ὡς ἐλευθερώσοντες τοὺς Ἕλληνας, ἐπὶ δὲ τελευτῆς οὕτω πολλοὺς αὐτῶν ἐκδότους ἐποίησαν, καὶ τῆς μὲν ἡμετέρᾱς πόλεως τοὺς Ἴωνας ἀπέστησαν, ἐξ ἧς ἀπῴκησαν καὶ δι᾽ ἣν πολλάκις ἐσώθησαν in the beginning they entered upon the war with the avowed object of liberating the Greeks, at the end they have betrayed so many of them, and have caused the Ionians to revolt from our State, from which they emigrated and thanks to which they were often saved I. 4.122. Cp. S. Aj. 62-65. Homoioteleuton is most marked in paromoiosis.
Hypallage (ὑπαλλαγή exchange) is a change in the relation of words by which a word, instead of agreeing with the case it logically qualifies, is made to agree grammatically with another case. Hypallage is almost always confined to poetry.
the troubles of my spiritἐμὰ κήδεα θῡμοῦ
Hyperbaton (ὑπέρβατον transposition) is the separation of words naturally belonging together. Such displacement usually gives prominence to the first of two words thus separated, but sometimes to the second also. In prose hyperbaton is less common than in poetry, but even in prose it is frequent, especially when it secures emphasis on an important idea by placing it at the beginning or end of a sentence. At times hyperbaton may mark passionate excitement. Sometimes it was adopted to gain rhythmical effect. Thus: “Such resting found the sole of unblest feet”: Milton.
σὺ δὲ αὐτός, ὦ πρὸς θεῶν, Μένων, τί φῂς ἀρετὴν εἶναι; but what do you yourself, in heaven's name, Meno, say virtue is? P. Men. 71d, ὦ πρός σε γονάτων (946) by thy knees (I entreat) thee E. Med. 324,
from one man Greece endured such sufferingsὑφ᾽ ἑνὸς τοιαῦτα πέπονθεν ἡ Ἑλλὰς ἀνθρώπου
a. The displacement is often caused by the intrusion of a clause of contrast or explanation.  Adverbs and particles may be displaced. Thus,
a passion so terribleοὕτω τις ἔρως δεινός
for they ran much faster than the horsesπολὺ γὰρ τῶν ἵππων ἔτρεχον θᾶττον
c. Prepositions often cause the displacement (1663, 2690). On displacement in connection with participles see 1166, 1167; with the negatives, see 2690 ff.
d. Similar or contrasted words are often brought into juxtaposition. Here a nominative precedes an oblique case. Thus, ἀπὸ τῶν ὑ̄μετέρων ὑ̄μῖν πολεμεῖ συμμάχων he wages war on you from the resources of your allies D. 4.34, οὐ γάρ τίς με βίῃ γε ἑκὼν ἀέκοντα δίηται for no one shall chase me by force, he willing me unwilling H 197. Note ἄλλος ἄλλο (ἄλλοθεν, ἄλλοτε, etc.), αὐτὸς αὑτοῦ.
e. Construction ἀπὸ κοινοῦ.—In poetry an attributive genitive or an object, common to two coördinate words, is often placed with the second only, as
telling of the capture and overthrow of Iliumφράζων ἅλωσιν Ἰ̄λίου τ᾽ ἀνάστασιν
Hypophora (ὑποφορἁ̄ putting under) is the statement of an objection (together with its refutation) which a speaker supposes to be made by an opponent or makes himself. Both objection and reply often take the form of questions (2654, 2785, 2819). Cp. “But I hear it continually rung in my ears . . . ‘what will become of the preamble, if you repeal this tax?’”: Burke.
τί οὖν, ἄν τις εἴποι, ταῦτα λέγεις ἡμῖν νῦν; ἵνα γνῶτ᾽ κτλ. why then, some one will say, do you tell us this now? In order that you may know, etc. D. 1.14.
Hysteron Proteron (ὕστερον πρότερον later earlier) is an arrangement reversing the natural order of time in which events occur. It is used when an event, later in time, is regarded as more important than one earlier in time.
τράφεν ἠδὲ γένοντο were bred and born A 251 (so τροφὴ καὶ γένεσις X. M. 3.5.10; cp. “for I was bred and born”: Shakespeare),
having put on fragrant robes and washedεἵματά τ᾽ ἀμφιέσᾱσα θυώδεα καὶ λούσᾱσα
Isocōlon (ἰσόκωλον having equal members) is the use of two or more sequent cola (clauses) containing an equal number of syllables.
τοῦ μὲν ἐπίπονον καὶ φιλοκίνδῡνον τὸν βίον κατέστησεν, τῆς δὲ περίβλεπτον καὶ περιμάχητον τὴν φύσιν ἐποίησεν the life of the one he rendered full of toil and peril, the beauty of the other he made the object of universal admiration and of universal contention I. 10.16.
Litotes (λῑτότης plainness, simplicity) is understatement so as to intensify, affirmation expressed by the negative of the contrary. Cp. 2694. Meiōsis (μείωσις lessening) is ordinarily the same as litotes. Thus: “One of the few immortal names That were not born to die”: Halleck.
Metonymy (μετωνυμίᾱ change of name) is the substitution of one word for another to which it stands in some close relation. Thus: “We wish that infancy may learn the purpose of its creation from maternal lips”: Webster.
μῖσος loathed object, ὦ κάθαρμα you scum! συμμαχίᾱ allies, ἐν Βοιωτοῖς in Boeotia, θέᾱτρον spectators, μάχη battlefield, ἵππος cavalry, ἰχθύες fish-market.
Onomatopoeia (ὀνοματοποιίᾱ making of a name or word) is the formation of names to express natural sounds.
βληχῶμαι bleat, βομβῶ buzz, βρῡχῶμαι roar, κοάξ quack, κακκαβίζω cackle, κόκκυξ cuckoo, κράζω croak, τῑτίζω cheep, πιππίζω chirp. Sometimes the sound of a whole verse imitates an action; as
down again to the plain rolled the shameless stoneαὖτις ἔπειτα πέδονδε κυλίνδετο λᾶας ἀναιδής
Oxymōron (ὀξύμωρον pointedly or cleverly foolish) is the juxtaposition of words apparently contradictory of each other.
a law that is no lawνόμος ἄνομος
a graceless graceἄχαρις χάρις
most faithless faithπίστις ἀπιστοτάτη
they themselves are flying from those who flyαὐτοὶ φεύγοντας φεύγουσι
Paraleipsis (παράλειψις passing over) is pretended omission for rhetorical effect.
τὰ̄ς δ᾽ ἐπ᾽ Ἰλλυρίους καὶ Παίονας αὐτοῦ καὶ πρὸς Ἀρύββᾱν καὶ ὅποι τις ἂν εἴποι παραλείπω στρατείᾱς I omit his expeditions to Illyria and Paeonia and against Arybbas and many others that one might mention (lit. whithersoever one might speak of) D. 1.13.
Parechēsis (παρήχησις likeness of sound) is the repetition of the same sound in words in close or immediate succession. Alliteration is initial rhyme.
ἄγαμος, ἄτεκνος, ἄπολις, ἄφιλος E. I. T. 220 (cp. “unwept, unhonoured, and unsung”), πόνος πόνῳ πόνον φέρει toil upon toil brings only toil S. Aj. 866, τυφλὸς
blind art thou in thy ears, thy reason, and thy eyesτά τ᾽ ὦτα τόν τε νοῦν τά τ᾽ ὄμματ᾽ εἶ
who would not be able to give satisfaction even by dying twiceοἱ οὐδὲ . . . δὶς ἀποθανόντες δίκην δοῦναι δύναιντ᾽ ἄν
Parisōsis (παρίσωσις almost equal) is approximate equality of clauses as measured by syllables. Parisōsis is sometimes regarded as synonymous with isocōlon.
Paromoiōsis (παρομοίωσις assimilation) is parallelism of sound between the words of two clauses either approximately or exactly equal in size. This similarity in sound may appear at the beginning, at the end (homoioteleuton), in the interior, or it may pervade the whole.
by fighting to be superior to our public enemies, and by voting to be weaker than our private enemiesμαχομένους μὲν κρείττους εἶναι τῶν πολεμίων, ψηφιζομένους δὲ ἥττους τῶν ἐχθρῶν
Paronomasia (παρονομασίᾱ) is play upon words.
for he changed not his disposition but his positionοὐ γὰρ τὸν τρόπον ἀλλὰ τὸν τόπον μετήλλαξεν
to an invisible place, to Hadesεἰς . . . τόπον . . . ἀειδῆ, εἰς Αἵδου
Periphrasis (περίφρασις circumlocution) is the use of more words than are necessary to express an idea.
nurslings of the Nile = the Egyptiansθρέμματα Νείλου
Oedipusοἰδίπου κάρᾱ
Pleonasm (πλεονασμός excess), or redundancy, is the admission of a word or words which are not necessary to the complete logical expression of the thought. Such words, though logically superfluous, enrich the thought by adding greater definiteness and precision, picturesqueness, vigour and emphasis; and by expressing subtle shadings of feeling otherwise impossible. Cp. “All ye inhabitants of the world, and dwellers on the earth.”
a. Adverbs or adverbial expressions combined: of time, as πάλιν αὖ, αὖθις αὖ πάλιν, πάλιν μετὰ ταῦτα ὕστερον, ἔπειτα μετὰ ταῦτα, διὰ τέλους τὸν πάντα χρόνον; of manner, as κατὰ ταὐτὰ ὡσαύτως, μάτην ἄλλως, εἰς δυνατὸν ὅτι μάλιστα; of infer- ence, as τοιγάρτοι διὰ ταῦτα, ἐκ τούτου . . . διὰ ταῦτα; of verification, as ἀληθῶς τῷ ὄντι; and various other expressions, as ἴσως τάχ᾽ ἄν, λόγῳ εἰπεῖν.
b. Adverb and adjective combined (usually poetical): κεῖτο μέγας μεγαλωστί huge he lay with his huge length II 776.
c. Adjective and verb:
but not to speak at lengthὡς δὲ μὴ μακροὺς τείνω λόγους
d. Adjective and substantive in the dative:
an island not large in sizeνῆσος μεγάθει μὲν οὐ μεγάλη
e. Verb with an abstract substantive in the dative or accusative (1516, 1564):
to be a true-born kingβασιλεὺς . . . φύσει πεφῡκέναι
f. Compound verb or substantives with substantives:
to build a house wellοἶκον καλῶς οἰκονομεῖν
the rearing of young childrenἡ τῶν νεογνῶν τέκνων παιδοτροφίᾱ
g. Compound verb and adverb:
I wrote firstπρούγραψα πρῶτον
having diverted your attention away from the fraudἀπαγαγὼν δ᾽ ὑ̄μᾶς ἄπωθεν ἀπὸ τοῦ κλέμματος
h. Verb and participle (2147 b): τί δὴ λέγοντες διέβαλλον οἱ διαβάλλοντες; in what words then did my calumniators calumniate me? P. A. 19b.
i. Amplification by synonymous doublets (especially common in Demosthenes):
I beg and beseechἀξιῶ καὶ δέομαι
j. Parallelism of positive and negative:
I will tell you and I will not conceal my opinion on these mattersὡς ἔχω περὶ τούτων, λέξω πρὸς ὑ̄μᾶς καὶ οὐκ ἀποκρύψομαι
not unbidden but invitedοὐκ ἄκλητοι, παρακληθέντες δέ
k. A person and a characteristic or quality connected by καί or τέ; as
fearing him and his audacityκαταδείσαντες τοῦτον καὶ τὸ τούτου θράσος
l. A relative clause takes up a preceding expression: καὶ εὐχὴν δέ τινες αὐτοῦ ἐξέφερον ὡς εὔχοιτο κτλ. and some reported also a prayer he made, etc. (lit. how he prayed) X. A. 1.9.11.
m. ‘Polar’ expressions may be placed here. These are opposites placed in pairs so as to intensify such ideas as all, no one, at all times, everywhere, everything possible. Thus,
both among the gods and among menκαὶ ἐν θεοῖς καὶ ἐν ἀνθρώποις
nothing either great or small = absolutely nothingοὐδὲν οὔτε μέγα οὔτε μῑκρόν
on land and seaἐν γῇ καὶ θαλάττῃ
nor bond nor freeοὔτε δοῦλος οὔτ᾽ ἐλεύθερος
fanda nefandaῥητὰ καὶ ἄρρητα
Polysyndeton (cp. Asyndeton) is the repetition of conjunctions in a series of coördinate words or phrases.
who has shown himself the guilty cause of so many other base and disgraceful acts, both long ago and lately, both small and greatκαὶ τοσούτων καὶ ἑτέρων κακῶν καὶ αἰσχρῶν καὶ πάλαι καὶ νεωστὶ καὶ μῑκρῶν καὶ μεγάλων αἰτίου γεγενημένου
Praegnans Constructio is a form of brachylogy by which two expressions or clauses are condensed into one.
Here belong, apart from 1659 ff., such cases as εἰς τὸ βαλανεῖον βούλομαι I want to go to the bath Ar. Ran. 1279 (cp. “he will directly to the lords”: Milton, Samson Agon. 1250) and φανερὸς ἦν οἴκαδε παρασκευαζόμενος he was evidently preparing to go home X. A. 7.7.57. In
he ordered them to get under armsπαραγγέλλει ἐπὶ τὰ ὅπλα
Prolēpsis (πρόληψις taking before) in the case of objective predicate adjectives or nouns is the anticipation of the result of the action of a verb. Examples in 1579.
On the prolepsis of the subject of dependent clauses which is put into the main clause, see 2182. So in “Consider the lilies of the field how they grow.” Prolepsis is also used to designate the anticipation of an opponent's arguments and objections. One variety is prodiorthōsis or preparatory apology (P. A. 20e, D. 18.199, 256).
Symploce (συμπλοκή interweaving) is the repetition, in one or more successive clauses, of the first and last words of the preceding clause.
it is against yourself that you are summoning him, it is against the laws that you are summoning him, it is against the democratic constitution that you are summoning himἐπὶ σαυτὸν καλεῖς, ἐπὶ τοὺς νόμους καλεῖς, ἐπὶ τὴν δημοκρατίᾱν καλεῖς
Synecdoche (συνεκδοχή understanding one thing with another) is the use of the part for the whole, or the whole for the part. The name of an animal is often used for that which comes from, or is made from, the animal. Cp. “they sought his blood”; “Belinda smiled, and all the world was gay”: Pope.
δόρυ ship for plank, beam, ἀλώπηξ fox-skin for fox, χελώνη tortoise-shell for tortoise, πορφύρᾱ purple dye for purple-fish, ἐλέφᾱς ivory for elephant, μελίσσα honey for bee.
Zeugma (ζεῦγμα junction, band) is a form of brachylogy by which two connected substantives are used jointly with the same verb (or adjective) though this is strictly appropriate to only one of them. Such a verb expresses an idea that may be taken in a wider, as well as in a narrower, sense, and therefore suggests the verb suitable to the other substantive. Cp. “Nor Mars his sword, nor war's quick fire shall burn The living record of your memory.”
thou shalt know neither voice nor form of mortal manοὔτε φωνὴν οὔτε του μορφὴν βροτῶν ὄψει
a. Different from zeugma is syllēpsis (σύλληψις taking together), by which the same verb, though governing two different objects, is taken both in its literal and its metaphorical sense; but does not properly change its meaning. Thus,
paying money and rendering thanks to themχρήματα τελοῦντες τούτοις . . . καὶ χάριτας


|
Unity Overlay Toolkit
|
The Unity Test Runner is a tool that tests your code in both Edit mode and Play mode, and also on target platforms such as Standalone, Android, or iOS.
To access the Unity Test Runner, go to Window > Test Runner.
The Unity Test Runner uses a Unity integration of the NUnit library, which is an open-source unit testing library for .Net languages. For more information about NUnit, see the official NUnit website and the NUnit documentation on GitHub.
UnityTestAttribute is the main addition to the standard NUnit library for the Unity Test Runner. This is a type of unit test that allows you to skip a frame from within a test (which allows background tasks to finish). To use UnityTestAttribute
:
UnityTestAttribute
as a coroutine.UnityTestAttribute
in the EditorApplication.update callback loop.There are some known issues and limitations of the Unity Test Runner:
UnityTestAttribute
.UnityTest
does not support Parameterized tests (except for ValueSource
).This page assumes you already have an understanding of unit testing and NUnit. If you are new to NUnit or would like more information, see to the NUnit documentation on GitHub.
To open the Unity Test Runner, open Unity and go to Window > Test Runner. If there are no tests in your Project, click the Create Test Script in current folder button to create a basic test script. This button is greyed out if adding a test script would result in a compilation error. The conditions for adding a test script are in the Editor folder, or any folders using Assembly Definition files that reference test assemblies (NUnit, Unity Test Runner, and user script assemblies).
You can also create test scripts by navigating to Assets > Create > C# Test Script. This option is disabled if adding a test script would result in a compilation error.
Note: Unity does not include test assemblies (NUnit, Unity TestRunner, and user script assemblies) when using the normal build pipeline, but does include them when using "Run on <Platform>" in the Test Runner Window.
In Edit mode, Unity runs tests from the Test Runner window.
Edit mode test scripts are defined by the file location you place them in. Valid locations:
Click the EditMode button, then click Create Test Script in current folder to create a basic test script. Open and edit this in your preferred script editing software as required.
Note: When running in Edit mode, execute UnityTestAttribute in the EditorApplication.update callback loop.
You need to place Play mode test scripts in a folder that an Assembly Definition file includes. The Assembly Definition file needs to reference test assemblies (Nunit and Unity TestRunner). Pre-defined Unity assemblies (such as Assembly-CSharp.dll) do not reference the defined assembly. This Assembly Definition file also needs to reference the assembly you want to test. This means that it’s only possible to test code defined by other Assembly Definition files.
Unity does not include test assemblies in normal player builds; only when running through the Test Runner. If you need to test code in pre-defined assemblies, you can reference test assemblies from all the assemblies. However, you must manually remove these tests afterwards, so that Unity does not add them to the final player build.
To do this:
Note: Enabling PlayMode tests for all assemblies includes additional assemblies in your Project’s build, which can increase your Project’s size as well as build time.
To create PlayMode test scripts, select PlayMode in the Test Runner window and click Create Test Script in current folder. This button is greyed out if adding the script would result in a compilation error.
Note: Execute UnityTestAttribute as a coroutine when running in Play mode.
The Unity Test Runner tests your code in Edit mode and Play mode, as well as on target platforms such as Standalone, Android, or iOS.
The documentation on this page discusses writing and executing tests in the the Unity Test Runner, and assumes you understand both scripting and the Unity Test Runner.
Unity delivers test results in an XML format. For more information, see the NUnit documentation on XML format test results.
UnityTestAttribute requires you to return IEnumerator
. In Play mode, execute the test as a coroutine. In Edit mode, you can yield null
from the test, which skips the current frame.
Note: The WebGL and WSA platforms do not support UnityTestAttribute
.
Use UnityPlatformAttribute to filter tests based on the the executing platform. It behaves like the NUnitPlatformAttribute.
To only execute Editor tests on a given platform, you can also use UnityPlatform
.
Use PrebuildSetupAttribute if you need to perform any extra set-up before the test starts. To do this, specify the class type that implements the IPrebuildSetup interface. If you need to run the set-up code for the whole class (for example, if you want to execute some code before the test starts, such as Asset preparation or set-up required for a specific test), implement the IPrebuildSetup
interface in the class for tests.
Execute the IPrebuildSetup
code before entering Play mode or building a player. Setup can use UnityEditor namespace and its function, but to avoid compilation errors, you must place it either in the Editor folder, or guard it with the #if UNITY_EDITOR
directive.
A test fails if Unity logs a message other than a regular log or warning message. Use the LogAssert class to make a message expected in the log, so that the test does not fail when Unity logs that message.
A test also reports as failed if an expected message does not appear, or if Unity does not log any regular log or warning messages.
MonoBehaviourTest is a coroutine, and a helper for writing MonoBehaviour tests. Yield MonoBehaviourTest
from the UnityTest attribute to instantiate the specified MonoBehaviour and wait for it to finish executing. Implement the IMonoBehaviourTest interface to indicate when the test is done.
In Play mode, you can run tests on specific platforms. The target platform is always the current Platform selected in Build Settings (menu: File > Build Settings). Click Run all in the player to build and run your tests on the currently active target platform.
Note that your current platform displays in brackets on the button. For example, in the screenshot below, the button reads Run all in player (StandaloneWindows), because the current platform is Windows.
The test results display in the build once the test is complete.
To get the test results from the platform to the Editor running the test, both need to be on same network. The application running on the platform reports back the test results, displays the tests executed, and shuts down.
Note that some platforms do not support shutting down the application with Application.Quit. These continue running after reporting test results.
If Unity cannot instantiate the connection, you can visually see the tests succeed in the running application. Note that running tests on platforms with arguments, in this state, does not provide XML test results.
To do this, run Unity with the following command line arguments:
runTest
- Executes tests in the Project.testPlatform
- The platform you want to run tests on.playmode
and editmode
. Note that If unspecified, tests run in editmode
by default.testResults
- The path indicating where Unity should save the result file. By default, Unity saves it in the Project’s root folder.The following example shows a command line argument on Windows. The specific line may differ depending on your operating system.
Tip: On Windows, in order to read the result code of the executed command, run the following:
start /WAIT Unity.exe ARGUMENT_LIST
.
The UnityEngine.TestTools.Utils namespace contains utility classes to compare Vector2, Vector3, Vector4, Quaternion, Color and float
types using NUnit constraints.


And as my eyes are opened
And the hours go by,
Inevitable not be confused
In wonder and flames
Myriad words and reasons
Flowing high
Beyond my self
Hiking through the clouds
Pulling the strings
Amoung atoms and spirits
Way beyond the stars.
That's my taste for the dreams
The sleeping without fears
Not desires without roads
But a road among desires
No fantasies there live
There, I live among the strings
I fly, high beyond the sky
And for a second or a decade
I dream for the reasons
I understand singing stars
It all fits together.
What is it all this?
How did it all happen?
Will it someday really come?
I live
Puzzled
In astonishment
How couldn't I be?
Asleep, I am amazed
Asleep, I know
Asleep, I am intelligent
Awake, I am amazed
Awake, I don't know
Awake, I am lucky.


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| DOSE: |
14 mg |
oral |
4-HO-MET |
(powder / crystals) |
Sunday 10:30 pm: A good friend of mine mentions this new research chemical that is similar to shrooming and rolling. I ask many questions and decide it's prolly not a good idea to try a new drug, since I've already gone through my experimentation phase (I'm 25).
11PM: He returns with two capsule for himself and another friend who has decided to take the trip with him.
11:05PM: I'm feeling left out, so I send him to go get me some too.
11:35PM: We take it.
11:50PM: I'm starting to feel the onset of ecstacy. Brief calming waves of goodness, and my eyes feel like they are shaking.
12:05AM: Everything is HILARIOUS. I'm in a great mood. We are sitting outside on the back porch making our own music. I'm playing the little bongo drums, and might I add, sound like a professional percussionist. Having a great time making music and lauging.
1AM: Still having great time. laying on the ground looking up at the clouds. They quickly change their shape and we all see the same things...hatchet man, and angel, pigs flying...all very detailed and realistic looking. The sky was pitch black with white clouds. Very awesome. At this point I'm feeling like I ate about an 1/8 of shrooms but have no nausea, and no emotional ups or downs. Just very happy.
2AM: Still tripping but I decide that I would rather be at home. I go out to my car and realize there are cops everywhere. So I decide to go for a test drive to the 711 across the street just to see how my driving is. Driving is not good.
[Erowid Note: Driving while intoxicated or tripping is dangerous and irresponsible because it endangers other people. Don't do it!] Ggetting strong visuals from all the lights, however, I decide to make the 30 minute trip home because I was too paranoid to drive back to my firnds because there were cops everywhere and I didn't want to seem suspicious.  It's a country drive so there isn't a lot of traffic....therefore not a lot of lights to distract me.
2:15am: I pass a parked sleeping semi truck. I swear it is turned on it's side. It's very quiet. I brake slowly, as I come up on the truck....it's not on it's side!! I'm just trippin'....
2:30am: I arrive home safe and make all appropriate phone calls letting people know I'm fine....everyone back at my firends is still tripping hard and having a great time...as am I, but now it's just me, my dog, and my sleeping boyfriend.
2:45am: I decide that it is too boring inside so I grab a blanket and head to the back yard. The sky is awesome and I'm laughing to myself about how happy the sky makes me.
3:30AM: Coming down. Still have a slight body buzz, but the visuals have subsided. I go to bed.
10AM the next morning: I feel great. NO HANGOVER! This is the best synthetic drug ever. It would be good to trip when tripping just takes too long. I know with me, after the first 4 or 5 hours of tripping, I just want to be normal again, and with 4-ho-met, this is possible.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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A simple calendar app for scheduling your work day. Click the "Add" button below to save your entries.


Transparency data
Initial teacher training (ITT) performance profiles for teacher training providers in England in the academic year 2012 to 2013.
PDF , 404KB , 21 pages
If you use assistive technology (such as a screen reader) and need a version of this document in a more accessible format, please email<EMAIL_ADDRESS>. Please tell us what format you need. It will help us if you say what assistive technology you use.
ODS , 123KB
This file is in an OpenDocument format
The performance profiles data includes important information at phase (primary and secondary), route and provider of ITT in the academic year 2012 to 2013.
The data includes information about the number of:
Published: 23 October 2014


Balthisar Tidy’s result is displayed in the Tidy HTML pane. When you save the document, this is the file that will be written to disk.
Because Tidy can be very strict, and because HTML standards sometimes change, it’s a good idea to review this Tidy’d text before saving your document. It’s possible (although unlikely) that Tidy removes something that you don’t want removed.
Also refer to the Saving preferences, which offer a way to prevent you from overwriting your original files.


Are Dogs the most loyal animal in the world? They might be. Dogs are probably the most loyal pet you can have. Most dogs will try to find their way back to you if they wander off.


{% extends "base.html" %} {% block announce %} The MNE-BIDS-Pipeline is under active development. If you encounter any issues, please do let us know. {% endblock %}


public class PianoKey
extends java.lang.Thread
| Modifier and Type | Field and Description |
|---|---|
private boolean |
announcePlayed |
private boolean |
announceStopped |
private boolean |
DEBUG |
private static boolean[][] |
isPlaying |
private int |
keyValue |
private boolean |
playOrStop |
private static boolean |
sustained |
private boolean |
usingRecorded |
private int |
x |
private int |
y |
| Constructor and Description |
|---|
PianoKey(int value,
boolean status)
Constructor for PianoKey.
|
PianoKey(int posx,
int posy,
boolean status)
Constructor for PianoKey.
|
| Modifier and Type | Method and Description |
|---|---|
private void |
delay(int duration)
Delays for a given duration
|
private void |
playDefaultNote(int note,
int velocity) |
(package private) void |
playKey(int value)
Plays the key at the given MIDI location
|
(package private) void |
playKey(int x,
int y)
Plays the key at the given coordinates
|
(package private) void |
playNote(int value,
boolean playOrStop)
Plays the key determined by the MIDI location value
|
private void |
playNote(java.lang.String key,
int octave,
boolean playOrStop)
Plays the key determined by the name and octaves given
|
private void |
playSample(int value,
int velocity,
boolean status)
Plays the sample given by name at the given velocity
|
void |
run()
Initiates the Thread
|
private void |
sendDefaultMidiMessage(int value,
int velocity,
boolean status)
Sends the default MIDI Message based on given parameters
|
private void |
sendVMidiMessage(int value,
int velocity,
boolean status)
Sends the virtual MIDI Message based on given parameters
|
(package private) static void |
setSustain(boolean status,
boolean cut)
Enables or disables Sustain
|
(package private) void |
stopKey(int value,
boolean forced)
Stops the key at the given MIDI location
|
(package private) void |
stopKey(int x,
int y,
boolean forced)
Stops the key at the given coordinates
|
private void |
waitForSustain()
Waits for the sustain to be released before returning
|
activeCount, checkAccess, clone, countStackFrames, currentThread, destroy, dumpStack, enumerate, getAllStackTraces, getContextClassLoader, getDefaultUncaughtExceptionHandler, getId, getName, getPriority, getStackTrace, getState, getThreadGroup, getUncaughtExceptionHandler, holdsLock, interrupt, interrupted, isAlive, isDaemon, isInterrupted, join, join, join, resume, setContextClassLoader, setDaemon, setDefaultUncaughtExceptionHandler, setName, setPriority, setUncaughtExceptionHandler, sleep, sleep, start, stop, stop, suspend, toString, yield
private boolean announcePlayed
private boolean announceStopped
private boolean DEBUG
private static boolean[][] isPlaying
private int keyValue
private boolean playOrStop
private static boolean sustained
private boolean usingRecorded
private int x
private int y
public PianoKey(int value, boolean status)
value
- int MIDI location of the keystatus
- True if the key should be played, False if it should be
stoppedpublic PianoKey(int posx, int posy, boolean status)
posx
- X location of the keyposy
- Y location of the keystatus
- True if the key should be played, False if it should be
stoppedprivate void delay(int duration)
duration
- Time in MSprivate void playDefaultNote(int note, int velocity)
void playKey(int value)
value
- MIDI location of the keyvoid playKey(int x, int y)
x
- X location of the keyy
- Y location of the keyvoid playNote(int value, boolean playOrStop)
value
- MIDI location of the keyplayOrStop
- True if the key should be played, False if it should be
stoppedprivate void playNote(java.lang.String key, int octave, boolean playOrStop)
key
- Name of the keyoctave
- Octave of the keyplayOrStop
- True if the key should be played, False if it should be
stoppedprivate void playSample(int value, int velocity, boolean status)
value
- MIDI location of the keyvelocity
- Velocity to play the key at. Range: 0 to 127status
- True if the key should be played, False if it should be
stoppedpublic void run()
run
in interface java.lang.Runnable
run
in class java.lang.Thread
Runnable.run()
private void sendDefaultMidiMessage(int value, int velocity, boolean status)
value
- MIDI locationvelocity
- MIDI velocitystatus
- True if it should be a Note_On, False if it should be a
Note_Offprivate void sendVMidiMessage(int value, int velocity, boolean status)
value
- MIDI locationvelocity
- MIDI velocitystatus
- True if it should be a Note_On, False if it should be a
Note_Offstatic void setSustain(boolean status, boolean cut)
status
- True if Sustain should be enabled, False otherwisecut
- True if the sustain should be temporarily disabledvoid stopKey(int value, boolean forced)
value
- MIDI location of the keyforced
- True if the sustain is not on, false otherwisevoid stopKey(int x, int y, boolean forced)
x
- X location of the keyy
- Y location of the keyforced
- True if the sustain is not on, false otherwiseprivate void waitForSustain()


#include files
searching
about this guide
Access
described
administration client
available models
builds in progress
information model
information
model build information
model version information
navigator pane
quitting
shortcut menu
starting
administration client interface
described
administrator
described
Administrator Responsibilities
Roles
responsibilities
analyzing
model build output
parse errors
assumptions
autoflag scripts
running
automating
model builds
Windows
available models
administration client
build method
customizing
build methods
described
build server
described
starting
build server host
described
build system requirements
building
a model
a model incrementally
resuming
builds in progress
administration client
C
compilers
IDs and parameters
C++
compilers
IDs and parameters
catastophic message
model build log
catastrophic errors
correcting
changing
compiler code
checking
model status
closing
administration client
DIScover
benefits
components
concepts
explained
features and benefits
overview
collisions, temp/swamp
commands
crontab
ServerAdmin
compiler code
changing
compilerid.pl
editing
compilers
C
IDs and parameters
C++
IDs and parameters
ESQL
IDs and parameters
Java
IDs and parameters
multiple
supporting
SQL
IDs and parameters
components
DIScover
submission check
concepts
DIScover
correcting
catastrophic errors
create model wizard
creating
a repository
an information model
preprocessed output
crontab
scheduling
crontab command
customizing
a build method
working directory tracking
debugging
parse errors
deleting
a model version
an information model
design considerations
information model
designing
an information model
Developer Xpress
described
disabling
a submission check query
documentation
DIScover
Access Guide
release notes
User Guide for UNIX
User Guide for Windows
DIScover User Guide
feedback
online
print
related
release notes
editing
compilerid.pl
GetBuildLog.pl
IdentifyCompiler.pl
model configuration
model preferences
Setup.txt
Editing Model Configuration Information
To create an information model by editing the configuration file in the create model wizard
To create an information model in the create model wizard
TrackWorkingDirectory.pl
trycompiler.pl
trygcc.pl
education
entity
described
error message
model build log
errors
catastrophic
correcting
parsing
analyzing
ESQL
compilers
IDs and parameters
features
DIScover
files
temporary space
fixing
catastrophic errors
full model build
starting
GetBuildLog.pl
editing
getting started
information model
IdentifyCompiler.pl
information
model
model build
model version
information message
model build log
information model
creating
definition
deleting
described
design consideration
editing
preferences
getting started
information
making available for browsing
preferences
editing
To create an information model by editing the configuration file in the create model wizard
To create an information model in the create model wizard
preparing
repository
creating
updating incrementally
validating
wizard
information models
managing
instance
described
interface
administration client


| < Day Day Up > |
|
Copyright © 2004 O'Reilly Media, Inc. All rights reserved. Printed in the United States of America. Published by O'Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O'Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (http://safari.oreilly.com). For more information, contact our corporate/institutional sales department:<PHONE_NUMBER> or<EMAIL_ADDRESS>Nutshell Handbook, the Nutshell Handbook logo, and the O'Reilly logo are registered trademarks of O'Reilly Media, Inc. AI for Game Develpers, the image of a Ring-tailed lemur, and related trade dress are trademarks of O'Reilly Media, Inc. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and O'Reilly Media, Inc. was aware of a trademark claim, the designations have been printed in caps or initial caps. While every precaution has been taken in the preparation of this book, the publisher and authors assume no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein. |
| < Day Day Up > |


DivvyUp Demo
Please input the path to the file:
This file will be colorized.
Please input the folder to save the new file to:
This is the path where the new file will be saved to
Submit
{% if result %}
inputPath: {{ inputPath }}
outputFolder: {{ outputFolder }}
{{ result }}
{% endif %}


The one who start this club and manage all the things in one hand.
Club Coordinator
Developer
Designer
Content Creator


FILM TITLE: RAISE THE RED LANTERN DIRECTOR: ZHANG YIMOU COUNTRY: CHINA 1991 CINEMATOGRAPHY: ZHAO FEI CAST: GONG LI WRITTEN BY : N'ZHEN SUPER FEATURES: Beautifully done film.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Aside from Japan's Akira Kurosawa, I had not really seen too many Chinese film makers up until the time I wrote this review. And, as I sat and watched this film, I really wondered what I was going to find.
Outstanding acting.
Very powerful story, and way to tell it.
A scathing political film denouncing the feudal lord system, who takes the law into his own hands.
A style of cinematography, which is not boring, but is really quite symmetrical. All the shots are perfectly framed, reminding us of a David Lean film. And the director allows us to feel the space, before he enters it, much like David Lean did. No surprises necessary, except for the unsuspecting actors..... we are on the outside of the 'box' as it is called in theatre. In many ways, the style of cinematography is out-dated, which could have been intentional, since the life of the Master, is also fading.
A nice mix of art and life, which is rarely portrayed as a unity, but as an entity which interferes with life.
RAISE THE RED LANTERN is an excellent film, and although a bit slow for American standards and tastes for most film, it replaces the slowness with a theme, which fits the film.
The story is about a young woman who finally gives in to her mother's wishes, and becomes another concubine for a rich man. By doing so, she has to give up her life, as a student, to become a slave to a past ( literally ) which she despises, but she has little choice. The mother can not work enough to afford the education of the daughter, and the father has recently died. And by trading in her vows as a concubine, she is helping the mother with a dowry, which would keep her taken care of for life. And so she becomes the fourth mistress of a rich lord. And no soon does she enter into the marriage, she discovers that the house is laden with petty jealousies, and evening politics, to try to entice the master to one of his wives' beds. And the competition, as she finds out is as brutal, as it is vicious. And the girls will not stand for second if they can help it, and will go to many lengths to get their desire taken care of. The ultimate goal is to bear the master as many boys as the wife can. And between them all, they are not doing very well. The last two have only produced one child each, and one of them is a girl.
It is nevertheless, very soon that the fourth mistress discovers how to deal with the others. The third mistress was a professional opera singer, and is truly beautiful, but does not have a disposition to deal with competitors ( they say she is spoiled ) and in the middle of the night feigns sickness and stubborn behavior, until the master leaves whom ever he is with to go to her. And the fourth mistress one day says that if he leaves, don't ever return to her bed. This time she wins.
The indiscretion of any one of the wives ( the third ) begins to show the cruel fate of those caught in the act. The young fourth mistress being educated, has a knack for curiosity, and walks the immense grounds, and checks out all she can find. And one day she finds in one corner a small place which has been used as an execution room for those who get involved in bad acting, and get caught. On one fateful day, when the master is out, the third wife goes out to have her affair with the house doctor, and the disappointed fourth mistress, who has been drinking to celebrate her birthday, accidentally mentions the indiscretion of the third wife. In the next few days, she is hung in that small room, on the far end of the castle. The fourth mistress goes to check out the room, where she saw them take the third mistress, and when she comes out screaming, she is changed. She is now 'mad'. And soon, the master has a new mistress, a fifth one, younger still.
The red lanterns, the central focal point of the story, refer to the lanterns used to light up the street where the mistress lives, leading up to her house. The master likes the lights on, so he can see. It is also a custom which goes back many years, used to make sure no enemies of the master walk in unawares. Now it has decayed into a symbol of decadence and attention which the master uses to get the other wives interested in his company. It doesn't work for the first mistress, she has become the wise old lady, has borne him a son, now full grown. Despite her wiseness, she can not seem to control the young ladies and their fierce competitive spirit, which is so detrimental to them all.
The film's outcome is as brutal as the competitive nature of the three mistresses, culminating in the loss of two in the end, one to death, and the other to 'mad'-ness. In between, is an array of images set up very neatly it is the tradition!!! ) which keeps the house alive, and its servants busy, from the aspiring maid who would like to be one of the mistresses the master does visit her once in a while ) in contrast to the fourth mistress who does not. She is also accused of an indiscretion and punished by the matriarch of the family when the master is away. Her indiscretion was a desire to be one of the mistresses, and her fate is that she has to serve as mistress to the one wife she does not like, the one who is the exact opposite of her own desire.
The film spends a lot of time, walking out of plot traps, with its favorite line.... it's the tradition -- and it seems they even try to create new ones... but it only shows the length to which many feudal lords will go to keep their families in control, and profit from their own needs and desires.
BEAUTIFUL FILM OUTSTANDING ACTING WORK
5 GIBLOONS Copyright (c) Pedro Sena 1994
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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Same URL all the time
Sections won't contain anchor links. It's more simple to configure but a bit more restrictive.
But back button won't work!


Code-Engine
Solution-tutorial
Code
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Those who receive a Pell Grant, signaling they are low-income without adding to their debt, are still disproportionately likely to default on their student loans [9.11.164].


| HOME | DOWNLOAD | DOCUMENTATION | FORUM | FAQ |
> Home > Documentation > Spherical Harmonic I/O and Storage
SHREAD2(1) SHTOOLS 2.6 SHREAD2(1)
SHRead2
SHRead2 - Read spherical harmonic coefficients from a CHAMP or GRACE-like ASCII file.
SYNOPSIS
SUBROUTINE SHRead2 ( FILENAME, CILM, LMAX, GM, R0_POT, ERROR, DOT, DOYSTART, DOYEND, EPOCH ) CHARACTER(*) FILENAME REAL*8 CILM(2, LMAX+1, LMAX+1), GM, R0_POT INTEGER LMAX REAL*8, OPTIONAL ERROR(2, LMAX+1, LMAX+1), DOT(2, :, :), DOYSTART, DOYEND, EPOCH
DESCRIPTION
SHRead2 will read spherical harmonic coefficients from a CHAMP or GRACE-like ASCII formatted file into an array CILM. The errors and time derivatives associated with the coefficients will be read if the optional arrays ERROR and DOT are specified, respectively. The staring and ending date of the solution are specified by the optional parameters DOYSTART and DOYEND, and the epoch of the time derivates is specified by the optional parameter EPOCH. The maximum spherical harmonic degree is read from the file, and the file does not need to be ordered by angular degree or order. This routine does not read and output all parameters in the file. Records that are read (and at least partially output) include: EARTH, GGM, SHM, GRCOF2, GRDOTA, CALSDV, gfc, gfct, and dot. Comments specified by the record CMMNT will be print out to the screen, as will the record names that are not currently implemented.
ARGUMENTS
FILENAME (input) CHARACTER(*) The ASCII filename containing the spherical harmonic coefficients. CILM (output) REAL*8, DIMENSION (2, LMAX+1, LMAX+1) The spherical harmonic coefficients contained in FILENAME. LMAX (output) INTEGER The maximum spherical harmonic degree of CILM. GM (output) REAL*8 The mass-gravitational constant. R0_POT (output) REAL*8 The reference radius of the potential coefficients. ERROR (output) REAL*8, OPTIONAL, DIMENSION (2, LMAX+1, LMAX+1) The errors corresponding to the spherical harmonic coefficients CILM. DOT (output) REAL*8, OPTIONAL, DIMENSION (2, :, :) The time derivatives of the spherical harmonic coefficients. The dimension of this array can be smaller than LMAX+1. item DOYSTART (output) REAL*8, OPTIONAL The starting time of the solution. item DOYEND (output) REAL*8, OPTIONAL The ending time of the solution item EPOCH (output) REAL*8, OPTIONAL The EPOCH time for the time derivates.
NOTES
Each line of the file starts with a character string describing what follows. 1. "EARTH" or "GGM": GM, R0_POT 2. "SHM": Maximum spherical harmonic degree of file. 3. "GRCOF2", "CALSDV", or "gfc": spherical harmonic coefficients, formatted as (l, m, clm, slm) or (l, m, clm, slm, clm_error, slm_error).
SEE ALSO
shread(1), shreadgrace(1), shreadjpl(1) <http://www.ipgp.jussieu.fr/~wieczor/SHTOOLS/SHTOOLS.html>
COPYRIGHT AND LICENSE
Copyright 2005, 2006 by Mark Wieczorek<EMAIL_ADDRESS>This is free software; you can distribute and modify it under the terms of the revised BSD license. SHTOOLS 2.6 2009-08-24 SHREAD2(1)
> Home > Documentation > Spherical Harmonic I/O
| Centre National de la Recherche Scientifique | Institut de Physique du Globe de Paris | © 2011 Mark Wieczorek |


BREAKING Goo Hara discovered unconscious at her residence; police currently investigating
by danisurstFormer KARA member Hara was found unconscious.
According to the police, she was discovered at 6 PM KST at her home in Gangnam's Cheongdam neighborhood.
Currently, the police are receiving the report and investigating the situation.
Stay tuned for more about this breaking story.


| Package | Description |
|---|---|
| org.bukkit |
More generalized classes in the API.
|
| org.bukkit.block |
Classes used to manipulate the voxels in a
world ,
including special states. |
| org.bukkit.entity |
Interfaces for non-voxel objects that can exist in a
world , including all players, monsters, projectiles, etc. |
| org.bukkit.generator |
Classes to facilitate
world generation
implementation. |
| org.bukkit.inventory |
Classes involved in manipulating player inventories and item interactions.
|
| org.bukkit.material |
Classes that represents various voxel types and states.
|
| Modifier and Type | Method and Description |
|---|---|
MaterialData |
Material.getNewData(byte raw)
Deprecated.
Magic value
|
| Modifier and Type | Method and Description |
|---|---|
Class<? extends MaterialData> |
Material.getData()
Gets the MaterialData class associated with this Material
|
| Modifier and Type | Method and Description |
|---|---|
FallingBlock |
World.spawnFallingBlock(Location location,
MaterialData data)
|
| Modifier and Type | Method and Description |
|---|---|
MaterialData |
FlowerPot.getContents()
Gets the item present in this flower pot.
|
MaterialData |
BlockState.getData()
Gets the metadata for this block state.
|
| Modifier and Type | Method and Description |
|---|---|
void |
FlowerPot.setContents(MaterialData item)
Sets the item present in this flower pot.
|
void |
BlockState.setData(MaterialData data)
Sets the metadata for this block state.
|
| Modifier and Type | Method and Description |
|---|---|
MaterialData |
Enderman.getCarriedMaterial()
Get the id and data of the block that the Enderman is carrying.
|
MaterialData |
Minecart.getDisplayBlock()
Gets the display block for this minecart.
|
| Modifier and Type | Method and Description |
|---|---|
void |
Enderman.setCarriedMaterial(MaterialData material)
Set the id and data of the block that the Enderman is carrying.
|
void |
Minecart.setDisplayBlock(MaterialData material)
Sets the display block for this minecart.
|
| Modifier and Type | Method and Description |
|---|---|
MaterialData |
ChunkGenerator.ChunkData.getTypeAndData(int x,
int y,
int z)
Get the type and data of the block at x, y ,z.
|
| Modifier and Type | Method and Description |
|---|---|
void |
ChunkGenerator.ChunkData.setBlock(int x,
int y,
int z,
MaterialData material)
Set the block at x,y,z in the chunk data to material.
|
void |
ChunkGenerator.ChunkData.setRegion(int xMin,
int yMin,
int zMin,
int xMax,
int yMax,
int zMax,
MaterialData material)
Set a region of this chunk from xMin, yMin, zMin (inclusive)
to xMax, yMax, zMax (exclusive) to material.
|
| Modifier and Type | Method and Description |
|---|---|
MaterialData |
ItemStack.getData()
Gets the MaterialData for this stack of items
|
| Modifier and Type | Method and Description |
|---|---|
ShapelessRecipe |
ShapelessRecipe.addIngredient(int count,
MaterialData ingredient)
Adds multiples of the specified ingredient.
|
ShapelessRecipe |
ShapelessRecipe.addIngredient(MaterialData ingredient)
Adds the specified ingredient.
|
ShapelessRecipe |
ShapelessRecipe.removeIngredient(int count,
MaterialData ingredient)
Removes multiple instances of an ingredient from the list.
|
ShapelessRecipe |
ShapelessRecipe.removeIngredient(MaterialData ingredient)
Removes an ingredient from the list.
|
void |
ItemStack.setData(MaterialData data)
Sets the MaterialData for this stack of items
|
ShapedRecipe |
ShapedRecipe.setIngredient(char key,
MaterialData ingredient)
Sets the material that a character in the recipe shape refers to.
|
FurnaceRecipe |
FurnaceRecipe.setInput(MaterialData input)
Sets the input of this furnace recipe.
|
| Constructor and Description |
|---|
FurnaceRecipe(ItemStack result,
MaterialData source)
Create a furnace recipe to craft the specified ItemStack.
|
FurnaceRecipe(ItemStack result,
MaterialData source,
float experience)
Create a furnace recipe to craft the specified ItemStack.
|
| Modifier and Type | Class and Description |
|---|---|
class |
Banner |
class |
Bed
Represents a bed.
|
class |
Button
Represents a button
|
class |
Cake |
class |
Cauldron
Represents a cauldron
|
class |
Chest
Represents a chest
|
class |
Coal
Represents the different types of coals.
|
class |
CocoaPlant
Represents the cocoa plant
|
class |
Command
Represents a command block
|
class |
Comparator
Represents a comparator in the on or off state, in normal or subtraction mode and facing in a specific direction.
|
class |
Crops
Represents the different types of crops in different states of growth.
|
class |
DetectorRail
Represents a detector rail
|
class |
Diode
Represents a diode/repeater in the on or off state, with a delay and facing
in a specific direction.
|
class |
DirectionalContainer
Represents a furnace or a dispenser.
|
class |
Dirt
Represents the different types of dirt.
|
class |
Dispenser
Represents a dispenser.
|
class |
Door
Represents a door.
|
class |
DoublePlant
Represents the different types of double plants.
|
class |
Dye
Represents dye
|
class |
EnderChest
Represents an ender chest
|
class |
ExtendedRails
This is the superclass for the
DetectorRail and PoweredRail
classes |
class |
FlowerPot
Deprecated.
Flower pots are now tile entities, use
FlowerPot . |
class |
Furnace
Represents a furnace.
|
class |
FurnaceAndDispenser
Represents a furnace or dispenser, two types of directional containers
|
class |
Gate
Represents a fence gate
|
class |
Hopper
Represents a hopper in an active or deactivated state and facing in a
specific direction.
|
class |
Ladder
Represents Ladder data
|
class |
Leaves
Represents the different types of leaf block that may be permanent or can
decay when too far from a log.
|
class |
Lever
Represents a lever
|
class |
LongGrass
Represents the different types of long grasses.
|
class |
MonsterEggs
Represents the different types of monster eggs
|
class |
Mushroom
Represents a huge mushroom block with certain combinations of faces set to
cap, pores or stem.
|
class |
NetherWarts
Represents nether wart
|
class |
Observer
Represents an observer.
|
class |
PistonBaseMaterial
Material data for the piston base block
|
class |
PistonExtensionMaterial
Material data for the piston extension block
|
class |
PoweredRail
Represents a powered rail
|
class |
PressurePlate
Represents a pressure plate
|
class |
Prismarine
Represents the different types of prismarine.
|
class |
Pumpkin
Represents a pumpkin.
|
class |
Rails
Represents minecart rails.
|
class |
RedstoneTorch
Represents a redstone torch
|
class |
RedstoneWire
Represents redstone wire
|
class |
Sand
Represents the different types of sand.
|
class |
Sandstone
Represents the different types of sandstone.
|
class |
Sapling
Represents the different types of Tree block that face a direction.
|
class |
Sign
MaterialData for signs
|
class |
SimpleAttachableMaterialData
Simple utility class for attachable MaterialData subclasses
|
class |
Skull
Represents a skull.
|
class |
SmoothBrick
Represents the different types of smooth bricks.
|
class |
SpawnEgg
Deprecated.
use
SpawnEggMeta |
class |
Sponge
Represents the different types of sponge.
|
class |
Stairs
Represents stairs.
|
class |
Step
Represents the different types of steps.
|
class |
Stone
Represents the different types of stone.
|
class |
TexturedMaterial
Represents textured materials like steps and smooth bricks
|
class |
Torch
MaterialData for torches
|
class |
TrapDoor
Represents a trap door
|
class |
Tree
Represents the different types of Tree block that face a direction.
|
class |
Tripwire
Represents the tripwire
|
class |
TripwireHook
Represents the tripwire hook
|
class |
Vine
Represents a vine
|
class |
Wood
Represents wood blocks of different species.
|
class |
WoodenStep
Represents the different types of wooden steps.
|
class |
Wool
Represents a Wool/Cloth block
|
| Modifier and Type | Method and Description |
|---|---|
MaterialData |
MaterialData.clone() |
MaterialData |
FlowerPot.getContents()
Deprecated.
Get the material in the flower pot
|
| Modifier and Type | Method and Description |
|---|---|
void |
FlowerPot.setContents(MaterialData materialData)
Deprecated.
Set the contents of the flower pot
|
Copyright © 2021. All rights reserved.


| Insuree Count | {{ pf.insureeCount }} |
| Avg House Area | {{ pf.avgHouseArea }} |
| Average Premium | {{ pf.avgPremium|currency:'€':2 }} |
| Average Coverage | {{ pf.avgCoverage|currency:'€':2 }} |
| Total Premium | {{ pf.totalPremium|currency:'€':2 }} |
| Total Coverage | {{ pf.totalCoverage|currency:'€':2 }} |
| Total Investment | {{ pf.totalInvestment|currency:'€':2 }} |


Chaos or Hoax? Binance, Bithumb Deny Claims of Shanghai Office Raid
by Arnab ShomeThe crypto industry took a setback recently with reports from China about raids in the offices of Binance and Bithumb’s Shanghai offices by the local authorities.
However, both the exchanges came out to deny any such raids, claiming these as attempts to tarnish their reputation in the country.
Discover iFX EXPO Asia 2020 in Macao – The Largest Financial B2B Expo
No office in Shanghai
A spokesperson from Binance told Cointelegraph that no such offices in Shanghai even exist.
“The Binance team is a global movement consisting of people working in a decentralized manner wherever they are in the world. Binance has no fixed offices in Shanghai or China, so it makes no sense that police raided on any offices and shut them down,” the spokesperson said.
On Thursday, multiple media houses reported that the Chinese authorities raided Binance’s Shanghai office, followed by its shut down. According to the spokesperson, there is a spike in negative reports by Chinese media against the exchange.
“We also encourage our friends from the media to verify if their “sources” are telling the truth or presenting their own agenda,” he added.
Meanwhile, another Chinese media house also reported that South Korean giant Bithumb sent its Shanghai-based employees on vacation amid an inspection notice from local police.
Similar to Binance, Bithumb also denied any occurrence of such raids.
“We have one of our blockchain technology research and development teams based in Shanghai and the projects are continuing steadily without pause,” a Bithumb spokesperson told The Block.
However, the negative reports already made a major impact on the market as the trading price of Bitcoin slid below $7,600 and is still projecting bear signals.


Text1
Text2
Text3
Text4
Text5
Text6
My
font
size
Google me!
First
Second
Third
First
Second
Third
First
Second
Third
Fourth
Student divisions
English divisions
Student's name
Student's last name
Student's id
Year
John
Smith
171290
3
Robert
Ash
171291
4
Polish division
Student's name
Student's last name
Student's id
Year
Jan
Kowalski
171293
3
Jan
Nowak
171294
4
First Name:
Last Name:
Password:
Description:
Year of Study:
First year
Second year
Third year
Optional Option:
First Option
Second Option
Third Option
Check Option:
First Option
Second Option
Third Option


| grid.grep {grid} | R Documentation |
Given a gPath, find all matching grobs on the display list or within a given grob.
grid.grep(path, x = NULL, grobs = TRUE, viewports = FALSE, strict = FALSE, grep = FALSE, global = FALSE, no.match = character())
path |
a gPath. |
x |
a grob or |
grobs |
A logical value indicating whether to search for grobs. |
viewports |
A logical value indicating whether to search for viewports. |
strict |
A boolean indicating whether the |
grep |
Whether the |
global |
A boolean indicating whether the function should affect just the
first match of the |
no.match |
The value to return if no matches are found. |
Either a gPath or, if global
is TRUE
a list of gPaths.
If there are no matches, no.match
is returned.
grid.ls()
# A gTree, called "grandparent", with child gTree, # called "parent", with childrenvp vpStack (vp2 within vp1) # and child grob, called "child", with vp vpPath (down to vp2) sampleGTree <- gTree(name="grandparent", children=gList(gTree(name="parent", children=gList(grob(name="child", vp="vp1::vp2")), childrenvp=vpStack(viewport(name="vp1"), viewport(name="vp2"))))) # Searching for grobs grid.grep("parent", sampleGTree) grid.grep("parent", sampleGTree, strict=TRUE) grid.grep("grandparent", sampleGTree, strict=TRUE) grid.grep("grandparent::parent", sampleGTree) grid.grep("parent::child", sampleGTree) grid.grep("[a-z]", sampleGTree, grep=TRUE) grid.grep("[a-z]", sampleGTree, grep=TRUE, global=TRUE) # Searching for viewports grid.grep("vp1", sampleGTree, viewports=TRUE) grid.grep("vp2", sampleGTree, viewports=TRUE) grid.grep("vp", sampleGTree, viewports=TRUE, grep=TRUE) grid.grep("vp2", sampleGTree, viewports=TRUE, strict=TRUE) grid.grep("vp1::vp2", sampleGTree, viewports=TRUE) # Searching for both grid.grep("[a-z]", sampleGTree, viewports=TRUE, grep=TRUE, global=TRUE)


Constructor
new CustomerDetailForm(handleChange) → {HTMLElement}
Parameters:
| Name | Type | Description |
|---|---|---|
handleChange |
function | parent onchange function |
- Source:
Returns:
customer detail component
- Type
- HTMLElement
Members
(static, constant) _genderLookup :array
Type:
- array
- Source:
_handleChange
triggers parent onchage function. a closure that take the state key initially and make the changes accordingly
- Source:
_handleCreate
triggers the action that make the api call to create new customer.
- Source:
_handleUpdate
triggers the action that make the api call to update customer details.
- Source:
Methods
componentDidMount()
triggers api call to fetch cusomtomer details when component get rendered completely
- Source:
componentWillReceiveProps()
triggers everytime when there's any change on parent passed properties. updates details local object if there's any change
- Source:
render() → {HTMLElement}
renders the form
- Source:
Returns:
composed customer detail form component
- Type
- HTMLElement


Imagine a road grid with seven rows as in Figure 1-11.
Some bad guys have placed a tunnel from the bottom, beginning at the intersection marked Start in the south, and ending at End in the north. The tunnel follows the path of the roads somehow but may wind around. It is also a simple path (no dead ends and no loops along the way). You want to probe a minimum number of times and yet be able to find the exact route of the tunnel.
A probe device takes an hour to set up. We can set them up at intersections or in the middle of the street. If you establish a probe on a street, you can tell whether the tunnel follows the street. If you set the probe up at an intersection, you can tell whether the tunnel passes through the intersection, and, if so, according to the engineering team, which adjacent streets it goes to.
If the tunnel is at most eight blocks long and begins at Start and ends at End, then what is the minimum number of probe devices you would need to guarantee to determine the precise route of the tunnel in one hour?
If you had only one probe, what is the minimum time it would take to guarantee to determine the outcome, assuming you could move the probe every hour?
Suppose all a probe could tell was whether a tunnel ran under it or not, but could not tell the direction. In the engineering jargon, suppose we had point probes rather than directional probes.
If the tunnel is at most eight blocks long and begins at Start and ends at End, then what is the minimum number of point probe devices you would need to place to guarantee to determine the precise route of the tunnel in one hour?
| Hint: |
Remember that you can place probes at intersections or in the middle of streets. |
Suppose you have two hours, but you are not allowed to reuse any probe?
How few point probes could you use over two hours to guarantee to find the tunnel?


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Daimler AG Issues Blockchain Corporate Bond, Realizing Automatic Bond Transaction Cycle
“As part of a pilot trial, Daimler AG, the German automaker and the parent company of Mercedes-Benz has issued a corporate bond worth 100 million Euros.”
This news was officially announced today. The one-year corporate bond named Schuldschein is the result of a test bed jointly built up by Daimler AG and Germany’s biggest state-backed wholesale banks group.
Also participating in the project are three savings banks in Esslingen-Nürtingen, Ludwigsburg, and Ostalb. They played the role of lenders in the test withLandesbank Baden-Württemberg (LBBW) in this prototype system.
Daimler AG says that the whole transaction process from origination, distribution, allocation and execution of loan agreement to the confirmation of repayment and interest payments was automatic and digitalized through blockchain network. The technical support for lending was provided by the IT subsidiaries of Daimler AG and LBBW. The cryptographic signature was adopted to avoid manipulation.
Months before the execution of the pilot project, CoinDesk reported that Daimler linked up with Hyperledger block chain project led by Linux Foundation which according to previous reports aimed to explore on a more extensive manner the potential application of blockchain technology.
Daimler AG’s Chief Information Officer Jan Brecht said“we see blockchain as a promising technology, not fully mature yet but continuously growing. Now is the right time to get into it, build up knowledge, and form a network of like-minded people to share experiences”.
Besides Daimler AG, other automakers are also exploring the blockchain technology such as Porsche and Toyota. The latter has joined R3 blockchain alliance.
「 Declaration: Please indicate the source if repost the article in UNITIMES. Opinions expressed by Contributors belong to themselves. 」


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PEACE PARTY PAMPHLET These are excerpts from a pamphlet forwarded to U.S. Secretary of State William Seward, Oct. 28, 1861, by the major general in command in Baltimore, with this notice: "I inclose a pamphlet containing an address by three peace nominees of Harford County. It is very impudent, but is their language such as to warrant their arrest?" Seward's answer is not recorded, but men were arrested for similar utterances and jailed for months without being charged and without being allowed to communicate with a lawyer. [This is about two-thirds of the original. What I have omitted is mostly a history of states' rights from the time of the Constitution, as well as some reflections on the previous election and the state of things in Kentucky and Missouri.] TO THE PEOPLE OF HARFORD: We have thought it best to address you explaining frankly the convictions that influence and the principles that govern us in the present crisis; principles we believe to be sound and convictions we know to be honest. Intending to adhere to them and willing to be judged by them we do not hesitate to submit our opinions unreservedly for your censure or approval. ... Within our borders the Federal courts have always been open, their process unobstructed, their orders never resisted (but by Federal officials). Through this section every law of Congress could be enforced and every offense known to the code punished. Yet Maryland by deliberate acts of the Administration has been outlawed; her government subverted; her laws disregarded and defied; her property seized, and force under the name of martial law has superseded the civil power. Her citizens are arrested without warrant; the security of their papers and effects violated; their right to keep and bear arms infringed, and freedom of speech and of the press not only abridged but suppressed. Every man knows that these things are done in our midst; no honest man can deny that they are palpable breaches of the Constitution for no man can point to one line in that Constitution or to any law that authorizes, justifies or excuses them. Acts now so sanctioned are encroachments upon the reserved rights of the States and the people, and if prohibited are revolutionary. When the Government is not controlled by the paramount law, when it can do and does what that law does not permit or forbids it is unrestrained and absolute. Wherever the law is superior to the ruler civil liberty exists; when the ruler is superior to the law; where at his discretion he can supersede, suspend or disobey it he is by whatever name he may be called despotic. Believing that powers fatal to her rights as a State and destructive of the liberty of her citizens are exercised by those administering the General Government Maryland asks whence they are derived; asks to be shown the grant, and she is told that South Carolina has seceded and the cotton States are in rebellion. But Maryland has not seceded, and unless its repudiation by South Carolina destroyed the Constitution our rights under it are not lost; if it is destroyed the Government, its creature, has ceased to exist. We have next the much-abused maxim inter arma silent leges (in war the laws are silent), but we reply the Constitution was made for peace and for war and its voice is too potent to be drowned in the din of arms. But "the Government must be maintained, the Constitution and the Union must be preserved." We answer to violate the Constitution in order to maintain it is a contradiction in terms -- without it there is neither Union nor Government, which can exist only with it. The President's oath is to maintain the Constitution not to preserve the Union in some other mode. We ask you, fellow-citizens, have you ever had or heard from the adherents of the Administration -- the miscalled Union party -- any other justification attempted? Or this eked out with grandiloquent platitudes about the stars and stripes, our flag and the eagle? There is one more -- the supreme law of necessity! Necessity for what and whence? If the necessity has been produced by the Administration instead of palliation it is but aggravation of its offenses. What then is this necessity? We are told that the seceding States have repudiated the Constitution and deserted the Union; they must be coerced to return to the one and to submit to the other. The Constitution gives no power to coerce a State; the power is indispensable, therefore we must usurp it. ... The President has told us that [the war] cannot settle the issues that divided the North and the South. His more conservative adherents declare it is not waged for conquest or subjugation, whilst the abolition wing of his party frankly declares that its motive and its inevitable consequence is to emancipate the slave and destroy the South. Whatever the opinion elsewhere six months ago except a few isolated Republicans the citizens of Maryland almost to a man of every party denounced the coercive policy and coercive war as fatal to the continuance or the restoration of the Union, and none more earnestly or persistently than the members and leaders of the Union party. We adhere to that opinion still. What reason have they found for renouncing a truth so indisputable? But we are asked what good can the peace party do if they control the State? They cannot stop the war. We can and will at least refuse to aid in dragging Maryland into the slaughter-house. We can and will refuse at the bidding of the Administration to impose a war debt on her depleted treasury, to tax her citizens or to draft them for the battle-field. We can and will refuse to acknowledge that the Constitution is intermittent--performing or ceasing its functions at the will of the Executive. We can and will refuse to renounce the rights of our citizens or the sovereignty of the State, and will not by assenting to the exercise of powers not conferred by the Constitution admit that it is not supreme in war as well as in peace. ... We have addressed you thus freely in plain words that there may be no misunderstanding. We have not stooped to pick the delicate phrases of a new-fangled loyalty. We do not counsel treasonable acts or combinations; we do not advise violence in conduct or unkindness in feeling; we abet no resistance to the law or its constituted authorities. But we think and say that we should not consult our fears rather than our consciences; we should not volunteer our substance to the taxgatherer or our hands to the fetters. If we are doomed let us not be suicides. Whilst we are permitted to speak let us speak boldly for the truth and justice and civil liberty; whilst we are permitted to vote let us declare by our bolts that we cling to State rights as the only barrier to oppression and that we know no necessity superior to the Constitution. Let us continue to advise as the Union party did in February last "that if it be found we cannot live together in harmony under the Constitution our fathers framed let us as brethren agree to part in peace," and to disclaim indignantly the doctrine of coercion by arms. If we cannot command let us at least invoke the blessings of peace--peace to a distracted land which partisan sectionalism has summoned to hatred and slaughter! Peace for the sake of those republican institutions which our forefathers left us and which are sinking fast in the red abyss of civil war! Peace for the sake of palsied labor and idle trade! Peace for our good old State, distracted and prostrate, doomed else to be the prize as she is daily more and more the victim of war!
H. D. FARNANDIS.
"Resolutions of the General Assembly of Maryland in relation to the arrest and imprisonment of Ross Winans, esq., &c." BALTIMORE, MD., July 29, 1861. Whereas, Ross Winans, a member of the house of delegates of Maryland from the city of Baltimore, on his way to his home from the discharge of his official duties on the 14th of May last was arbitrarily and illegally arrested on a public highway in the presence of the governor of this State, by an armed force under the orders of the Federal Government, and was forcibly imprisoned and held in custody thereafter at Annapolis and Fort McHenry without color of lawful process or right by the command and at the arbitrary will and pleasure of the President of the United States; and Whereas, sundry other citizens of Maryland have been unalwfully dealt with in the same despotic and oppressive manner by the same usurped authority, and some of them have in fact been removed by force beyond the limits of the State of Maryland and the jurisdiction of her tribunals in utter violation of their rights as citizens and the rights of the State as a member of the Federal Union; and Whereas, the unconstitional and arbitrary proceedings of the Federal executive have not been confined to the violation of the personal rights and liberties of the citizens of Maryland but have been extended into every department of oppressive illegality, so that the property of no man is safe, the sanctity of no dwelling is respected and the sacredness of private correspondence no longer exists; and Whereas, the senate and house of delegates of Maryland, recognizing the obligation of the State as far as in her lies to protect and defend her people against usurped and aribtrary power-- however difficult the fulfillment of that high obligation may be rendered by disastrous circumstances -- feel it due to her dignity and independence that history should not record the overthrow of public freedom for an instant within her borders without recording likewise the indignant expression of her resentment and remonstrance: Now therefore be it Resolved, That the senate and house of delegates of Maryland in the name and on the behalf of the good people of the State do accordingly register this their earnest and unqualified protect against the oppressive and tyrannical assertion and exercise of military jurisdiction within the limits of Maryland over the persons and property of her citizens by the Government of the United States, and do solemnly declare the same to be subversive of the most sacred guarantees of the Constitution and in flagrant violation of the fundamental and most cherished principles of American free government. Resolved further, That these resolutions be communicated by the president of the senate and the speaker of the house of Honorable James Alfred Pearce and Honorable Anthony Kennedy, Senators of Maryland in the Senate of the United States, with the request that they present the same to the Senate to be recorded among its proceedings in vindication of the right and in perpetual memory of the solemn remonstrance of this State against the manifold unsurpations and oppressions of the Federal Government.* [*Mr. Kenndy, a Senator from Maryland, presented the foregoing resolutions in the U. S. Senate in special session Aug. 3, 1861. After some dicussion, in which it was asserted by Senator Wilkinson that the resolutions were an insult to the Government.]
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| ©2002Douglas Harper | "When misunderstanding serves others as an advantage, one is helpless to make oneself understood." -Lionel Trilling |