Have more questions? Need help setting up your workflow? Get in touch!
Projects are the highest level containers in Zube. You attach one or more data sources (GitHub Repositories) to a Project and that defines what information you can manage within the Project. Projects are made up of Workspaces, the Issue Manager, Tickets, and Epics, all of which are described in more detail below. A project also allows you to control which team members have access to your data. Only your team members that are project users will be able to view the components of a Project. Project admins can add or remove project users or make other users a project admin. A list of your Projects can be found on the Zube homepage, after you sign in. If you do not currently belong to any Projects, there will be a form that allows you to create your first Project.
To create a Project, enter a name for your Project, select a GitHub organization, and select one or more source repositories to add to your project. Note that a particular source can only belong to a single project on Zube. If you need to share sources between teams, you should add all the sources you want to share to a single project. If you then need to separate out work items into separate boards, you can use Workspaces for that. Once you submit your new Project, Zube will automatically import the issues from the source repositories, turn those issues into Zube cards and generate a Workspace for your Project. Once the import is finished, you'll be redirected to your Workspace Kanban board.
Workspaces allow you break apart your cards into separate spaces. Workspaces contain a Kanban board, Sprint board, Sprints, and Analytics. Each project has at least one Workspace, but you can create multiple Workspaces for your Project. Every Workspace on a Project will have access to the same source repositories that have been added to the Project. However, cards can only exist on one Workspace at a time, which allows you to segment your cards as appropriate. Cards can be moved between Workspaces so you can create a workflow across different teams.
The Kanban board is set of columns that allow you to track the progress of tasks as they move through your workflow. The Zube Kanban board default columns are Inbox, Backlog, Ready, In Progress, In Review and Done. Cards that are newly added to the Workspace (such as when an issue is made on GitHub) will go into the Inbox column by default. Cards that are moved into the Done column on Zube will be automatically closed and cards closed via GitHub will be automatically moved into the Done column.
A Kanban board is a component of a Workspace, and kanban boards on different Workspaces can have different of columns. This lets you set up a well tailored workflow for each Workspace. Columns can be customized on the Workspace settings page.
The Sprint board allows you to organize your tasks into Sprints. An Agile sprint is a set duration of development time in which work is to be completed. The columns on the left side of the sprint board are tasks that are not currently part of any sprint. They are a slightly darker color and are outside of the sprint section. The sprint section is comprised of the columns beneath the sprint header information, and are slightly lighter in color than the global columns. By default the first sprint column is called "Ready". To add a card to a sprint, simply drag it into any of the columns in the sprint section. Typically, to add a card to a sprint, you would drag a card from the Backlog, which is a global column intended to be used as your product backlog, to the Ready column, which is sprint column and is supposed to be used as your sprint backlog.
You can change which column serves as the sprint backlog on the Workspace settings page and any column to the right of the sprint backlog will be a sprint column on a Sprint board.
You can manage your Sprints from the Sprints page. The Sprints page allows you to create, edit, close and delete sprints. Sprints must have a start and end date.
Zube offers a variety of Agile charts and analytics to help you keep track of how your team is doing.
If your team is using Sprints, you can track your sprint progress using Burndown and Burnup charts. Burndowns allow you to see how much work your team has left to do in the Sprint and if your team is on schedule to complete all the Sprint work on time. The Burndown chart has two lines. The Open Points/Cards (blue) line show how many open points are left in your Sprint by day. The Ideal Open Points/Cards line (red) shows how much work should still be open in order to complete the work in the Sprint on time.
A Burnup chart tracks how much work has been completed during the Sprint. Burnup charts have three lines, Goal, Closed Points/Cards, and Ideal Closed Points/Cards. The Goal line allows you to easily see when new work is added to a sprint. Similar to the Burndown Ideal line, the Burnup ideal line marks how much work should have been closed in order to ensure all of the work in your Sprint is completed on time. The Closed line shows the total number of points or cards closed that have been closed.
Both Burndown and Burnup charts can be filtered by source and can be set to exclude weekends in the Ideal line calculation. They can also display data using point totals or card totals.
The Throughput chart shows you how much work your team is completing everyday. The chart is a stacked bar chart with each segment representing the work done on each of your sources. Throughput charts can help you spot changes in your team's productivity or workflow. Zube's Throughput chart has many filters that allow you dig into the details of what work is being completed everyday.
The Throughput chart can be filtered by card type, source, assignee, epic, label, milestone and sprint. You can also adjust the date range displayed. Data can be presented as point totals or card totals.
The Users Throughput chart tracks how much is being done by each team member weekly. Like the Throughput chart, the Users throughput chart allows you to track how efficiently your team is working and spot potential problems in your team members' workflows. The Users Throughput chart also offers a rich set of filters. The chart can be displayed as a stacked area chart or stacked bar chart.
The Users Throughput chart can be filtered by source, assignee, label, milestone and sprint. You can also adjust the date range displayed. Data can be presented as point totals or card totals.
If you are using Sprints, you can track how much work your team is getting done per sprint with the Velocity chart. The Velocity chart is a stacked bar chart showing how many cards or points were closed during each sprint in the selected date range. Each section of the bars represents one of your sources. The Velocity chart allows you to see potential problems in your team's efficiency as well as providing a way to predict how much work your team will be able to accomplish in future sprints.
The Velocity chart can be filtered by source and label. You can also adjust the date range displayed. Data can be presented as point totals or card totals.
If you create more than one Workspace for your Project, you will enable the Triage view. You can also choose to enable the Triage view for Projects with a single Workspace. Triage is a place to organize, prioritize, and add additional information to cards before they are assigned to a Workspace. New issues created on GitHub will go to Triage if Triage has been enabled. If your Project only has one Workspace and Triage is disabled, new cards will appear in the default new column of the Kanban/Sprint board (by default it is the column called "Inbox"). Triage is also a good place to create cards when you are unsure of which Workspace they should belong to, so it is an ideal entry point for less technical team members.
You can drag cards from the Triage list to one of the Workspace dropzone found on the right hand side. It is also possible to select several cards at once, and move them in bulk to a workspace using the "Move Selected Cards" action. Cards that are dragged to a Workspace, or moved in bulk, will go to the default new column of the destination Workspace.
It is also possible to create Triage rules that will automatically send matching cards to a workspace of your choice. You can create a new Triage rule in the "Project Settings" under the Triage tab. To create a new rule, choose from any combination of source, assignee, or label and also a destination workspace. Matching cards will skip the Triage view and go straight to the workspace you chose. You can create as many rules as you like. The rules are checked from top to bottom and the first rule that matches will be applied to the card. You can drag the rules around to reorder them.
Epics are a fundamental component of Agile project management which allow you to group related issues (user stories) together and track their progress. To create an Epic, click the 'New Epic' button at the top of the screen on the Epics page. Once you've created your Epic, you can attach cards to the Epic and the Epic will automatically track the status of those cards as they move through your workflow. The Epic will update its status as your cards move from creation to completion. Epics also keep track of the number of open and closed cards and open and closed points and display progress bars with that information.
The Issue Manager is the most powerful way to search for, update, and move your cards across your entire Project. The Issue Manager gives you access to every card in your Project. Search, filter, and sort to find what you're looking for and easily update or move them all at once. Zube also provides a JSON export of your cards from the Issue Manager so you always have easy access to your data. A JSON export means that you are free to generate custom reports and analytics, or just take your data with you.
Zube Tickets allow your team members to log bugs, feature requests, and other items that don't become GitHub Issues. Tickets are a great way for everyone to communicate with the development team. Zube cards can be attached to Tickets, and the Ticket will track the progress of those issues and automatically update to reflect the state of the tasks being done.
Have more questions? Need help setting up your workflow? Get in touch!


Rishabh Bhatia
Computer Science, Business
University of Michigan '16
My Projects
May 2015
Visual Travelling Salesman Problem
Fractal Generator
Chat Messenger
Car Website


Company profile - Canadian Company Capabilities
Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
The Hawks International Services
Mailing Address:
4305 Dudemaine StMONTRÉAL, Quebec
H4J 1M8
Location Address:
4305 Dudemaine StMONTRÉAL, Quebec
H4J 1M8
Tel.:<PHONE_NUMBER>
Fax:
Logo
Company Profile
Founded in 2005. The Hawks International Services is a professional Hi-Tech company engaged in importing and wholesaling. Our products, such as Digital MP3/MP4/MP5 players, MP3-watches, MP3 Glasses, MP3 Pen, Game players, Digital cameras, PC cameras, Phones, computer peripherals (Headset, Hard drives, Mouse, Keyboard, Wi-Fi & Bluetooth adapter, wireless modem, Routers etc.). We also deal DVD player, FM satellite radio, GPS navigator and GPS car DVD player.
We deal Natural Crystal Salt lamps & Candle holders, bulbs, and many more. We welcome to all manufacturers to contact us without any hesitation. We supply all above mention product across the Canada.
We also added few new products in our catalogue such as LED ice bucket, LED ice fruit plate and moreover IONIC LIGHT BULB, The ionic bulb purifies the air in an area of 100 square feet and lasts a minimum of 10,000 hours. The negative ions generator helps to purify the indoor air, eliminates bad smells, food and pet odors, pollen, and smoke. Installing these light bulbs is a quick way to have a fresher and cleaner indoor environment. This helps people with allergies caused from dust and bacteria in the air.
Full profile
Full profile
Contact information
Company description
415310 - Used Motor Vehicle Parts and Accessories Wholesaler-Distributors
417310 - Computer, Computer Peripheral and Pre-Packaged Software Wholesaler-Distributors
418120 - Recyclable Paper and Paperboard Wholesaler-Distributors
419120 - Wholesale Trade Agents and Brokers
541215 - Bookkeeping, Payroll and Related Services
541510 - Computer Systems Design and Related Services
541710 - Research and Development in the Physical, Engineering and Life Sciences
Product / Service / Licensing
Himalayan Crystal Salt is in its natural, unadulterated state just like it was when it first crystallized so many millions of years ago. It is far more than just sodium and chloride. Conversely, table salt is processed and altered, and is completely devoid of anything besides sodium and chloride. Therefore the body can obtain very little nourishment from its crystals.
The lamps & candle holders are naturally varied in colourations, and often include shades of peach and pink, as well as radiant shades of orange and deep red. And, like the great sculptures of the Ancient World, each lamp is completely unique. No two lamps are exactly alike in shape, colour, or appearance.
More specifically, research has shown that heated salt crystals emit negative ions, which are beneficial to our health. Negative ions freshen and improve the air quality by removing harmful particles from the air. Source of harmful particles (positive ions) are emitted by exhaust fumes from automobiles and trucks, tire dust, factory pollution, electronic devices such as televisions and computer monitors, and anything else that has an electromagnetic field. In spite of their name, negative ions actually help to alleviate fatigue, anxiety, stress, depression, and asthma, amongst other conditions. Over all, they contribute to a general feeling of well being and help to melt the stress away.
Exclusive microclimate of salt mines is being used effectively for more than 30 years in the treatment and psychotherapy of patients having symptoms of bronchial asthma and other Chronic Non-specific Lung Diseases (CNLD). Dr. Albert P. Krueger, University of Californias microbiologist and experimental therapist and founder of the air Ion research laboratory revealed through his study that ionized air significantly lowers the level of airborne germs is covered area. Surprisingly a small level of negative ions can finish these bacteria and throw them out of the air to keep the people safe from their harm, he added.
Salt's healing powers have been known for centuries, going back to the time of Alexander the Great. Unfortunately, in those times, these healing salts were only accessible to royalty. The centuries-old salt mines in Europe have been used by many for their healing powers for several generations. This form of treatment is known as speleotherapy. But now you don't need to venture across the world to take part in this effective therapy. You can now enjoy the benefits of these salt mines right in the comfort of your own home by becoming an owner of one of these Himalayan Salt Lamps.
You can put in the house, office, meditation place or massage room.
*********Simply we are the best in leather production.********
We have performed systems analysis, design and development on a wide range of large-scale development projects. Our clients rely on us to provide high quality IT services in order to deliver successful projects.
We produce software that is powerful, scalable, flexible and user friendly.
Sector information
Unique applications:
Only we are in the market who is selling unique and beautiful model to our customers.Key / Major clients:
We are dealing with more than 100 customers in Montreal, Laval, Saint Laurent, West Island, Lasalle, Terrebonne, Saint Eustache, and Surry B.C.Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
Contacts
Contact information
Description
Company description
415310 - Used Motor Vehicle Parts and Accessories Wholesaler-Distributors
417310 - Computer, Computer Peripheral and Pre-Packaged Software Wholesaler-Distributors
418120 - Recyclable Paper and Paperboard Wholesaler-Distributors
419120 - Wholesale Trade Agents and Brokers
541215 - Bookkeeping, Payroll and Related Services
541510 - Computer Systems Design and Related Services
541710 - Research and Development in the Physical, Engineering and Life Sciences
Products, services and licensing
Product / Service / Licensing
Himalayan Crystal Salt is in its natural, unadulterated state just like it was when it first crystallized so many millions of years ago. It is far more than just sodium and chloride. Conversely, table salt is processed and altered, and is completely devoid of anything besides sodium and chloride. Therefore the body can obtain very little nourishment from its crystals.
The lamps & candle holders are naturally varied in colourations, and often include shades of peach and pink, as well as radiant shades of orange and deep red. And, like the great sculptures of the Ancient World, each lamp is completely unique. No two lamps are exactly alike in shape, colour, or appearance.
More specifically, research has shown that heated salt crystals emit negative ions, which are beneficial to our health. Negative ions freshen and improve the air quality by removing harmful particles from the air. Source of harmful particles (positive ions) are emitted by exhaust fumes from automobiles and trucks, tire dust, factory pollution, electronic devices such as televisions and computer monitors, and anything else that has an electromagnetic field. In spite of their name, negative ions actually help to alleviate fatigue, anxiety, stress, depression, and asthma, amongst other conditions. Over all, they contribute to a general feeling of well being and help to melt the stress away.
Exclusive microclimate of salt mines is being used effectively for more than 30 years in the treatment and psychotherapy of patients having symptoms of bronchial asthma and other Chronic Non-specific Lung Diseases (CNLD). Dr. Albert P. Krueger, University of Californias microbiologist and experimental therapist and founder of the air Ion research laboratory revealed through his study that ionized air significantly lowers the level of airborne germs is covered area. Surprisingly a small level of negative ions can finish these bacteria and throw them out of the air to keep the people safe from their harm, he added.
Salt's healing powers have been known for centuries, going back to the time of Alexander the Great. Unfortunately, in those times, these healing salts were only accessible to royalty. The centuries-old salt mines in Europe have been used by many for their healing powers for several generations. This form of treatment is known as speleotherapy. But now you don't need to venture across the world to take part in this effective therapy. You can now enjoy the benefits of these salt mines right in the comfort of your own home by becoming an owner of one of these Himalayan Salt Lamps.
You can put in the house, office, meditation place or massage room.
*********Simply we are the best in leather production.********
We have performed systems analysis, design and development on a wide range of large-scale development projects. Our clients rely on us to provide high quality IT services in order to deliver successful projects.
We produce software that is powerful, scalable, flexible and user friendly.


Tag line
stuff
Write
Preview
New Project
When finalized, copy the above JSON, and paste into blogArticles.js


import os
from time import time
import random
from mesa.space import MultiGrid
import soba.visualization.ramen.performanceGenerator as ramen
from mesa import Model
from mesa.time import RandomActivation
from soba.models.timeControl import Time
import signal
[docs]class GeneralModel(Model):
"""
Base Class to create simulation models.
It creates and manages space and agents.
Attributes:
height: Height in number of grid cells.
width: Width in number of grid cells.
schedule: BaseScheduler object for agent activation.
grid: Grid object to implement space.
running: Parameter to control the models execution.
NStep: Measure of the number of steps.
occupants: List of Occupant objects created.
agents: List of the all Agent objects created.
asciMap: Representation of the map as ASCI used to get FOV information.
seed: Seed employ in random generations.
finishSimulation: Parameter to stop the software simulation.
Methods:
finishTheSimulation: Finish with the execution of the simulation software.
run_model: Model execution.
step: Execution of the scheduler steps.
"""
def __init__(self, width, height, seed = int(time()), timeByStep = 60):
super().__init__(seed)
"""
Create a new Model object.
Args:
height: Height in number of grid cells.
width: Width in number of grid cells.
schedule: BaseScheduler object for agent activation.
grid: Grid object to implement space.
running: Parameter to control the models execution.
NStep: Measure of the number of steps.
occupants: List of Occupant objects created.
agents: List of the all Agent objects created.
asciMap: Representation of the map as ASCI used to get FOV information.
seed: Seed employ in random generations.
finishSimulation: Parameter to stop the software simulation.
Return: Model object
"""
self.width = width
self.height = height
self.schedule = RandomActivation(self)
self.grid = MultiGrid(width, height, True)
self.agents = []
self.NStep = 0
self.occupants = []
self.clock = Time(self, timeByStep = timeByStep)
self.asciMap = []
self.finishSimulation = False
[docs] def finishTheSimulation(self):
"""Finish with the execution of the simulation software."""
os.system("kill -9 %d"%(os.getpid()))
os.killpg(os.getpgid(os.getpid()), signal.SIGTERM)
[docs] def step(self):
"""Main step of the simulation, execution of the scheduler steps."""
if self.finishSimulation:
self.finishTheSimulation()
self.clock.step()
self.schedule.step()
self.NStep = self.NStep + 1


Symmetric Group Functionality¶
SnFFT is designed to take the Fourier transform of functions over Sn . Although not strictly necessary to do this, having the basic functionality of the group can make testing and development much easier. These functions are in the file Element.jl.
Group Operations¶
-
sn_multiply
(P1, P2)¶
# Parameters:
# P1::Array{Int, 1}
# - the first permutation
# P2::Array{Int, 1}
# - the second permutation
# Return Values:
# Prod::Array{Int, 1}
# - the permutation that is P1 * P2
# Notes:
# - P1 and P2 must be permutations of the same size
-
sn_inverse
(P)¶
# Parameters:
# P::Array{Int, 1}
# - a permutation
# Return Values:
# Inv::Array{Int, 1}
# - the permutation that is the inverse of P
Group Element Constructors¶
-
sn_p
(N)¶
# Parameters:
# N::Int
# - the size of the permutation
# Return Values:
# P::Array{Int, 1}
# - a random permutation of N
-
sn_cc
(N, LB, UB)¶
# Parameters:
# N::Int
# - the size of the permutation
# LB::Int
# - the first position that is reassigned
# UB::Int
# - the last position that is reassigned
# Return Values:
# CC::Array{Int, 1}
# - the permutation of N that is the contiguous cycle [[LB, UB]]
# - this is the permutation that sends LB to LB + 1, LB + 1 to LB + 2, ... , UB - 1 to UB, and UB to LB
# Notes
# - 1 <= LB <= UB <= N
-
sn_cc
(N)
# Parameters:
# N::Int
# - the size of the permutation
# Return Values:
# CC::Array{Int, 1}
# - a random contiguous cycle of N
-
sn_at
(N, K)¶
# Parameters:
# N::Int
# - the size of the permutation
# K::Int
# - the position that is being reassigned
# Return Values:
# AT::Array{Int, 1}
# - the permutation of N that is the adjacent transposition (K, K+1)
# - this is the permutation that sends K to K + 1 and K + 1 to K
# Notes:
# - 1 <= K < N
-
sn_at
(N)
# Parameters:
# N::Int
# - the size of the permutation
# Return Values:
# AT::Array{Int, 1}
# - a random adjacent transposition of N
-
sn_t
(N, I, J)¶
# Parameters:
# N::Int
# - the size of the permutation
# I::Int
# - the first postition that is being reassigned
# J::Int
# - the second position that is being reassigned
# Return Values:
# Tr::Array{Int, 1}
# - the permutation of N that is the transposition (I, J)
# - this is the permutation that sends I to J and J to I
# Notes:
# - 1 <= I <= N
# - 1 <= J <= N
-
sn_t
(N)
# Parameters:
# N::Int
# - the size of the permutation
# Return Values:
# Tr::Array{Int, 1}
# - a random transposition of N
Young’s Orthogonal Representation of a Permutation¶
-
yor_permutation
(P, YORnp)¶
# Parameters:
# P::Array{Int, 1}
# - a permutation
# YORnp::Array{SparseMatrixCSC, 1}
# - YORnp[i] is Young's Orthogonal Representation for the adjacent transposition (i, i + 1) corresponding to the pth partition of n
# Return Values:
# RM::Array{Float64, 2}
# - Young's Orthogonal Representation of P corresponding to the pth partition of n


The drcontainers
DynamoRIO Extension provides container data structures that use the DR API for memory allocation and synchronization.
To use drcontainers
with your client simply include this line in your client's CMakeLists.txt
file:
use_DynamoRIO_extension(clientname drcontainers)
That will automatically set up the include path and library dependence.
The hashtable supports integer, string, and custom hash keys, and has synchronization and memory allocation and deallocation parametrized for flexible usage. See hashtable_init_ex() and related functions.
The DrVector is a simple resizable array.


{%my_include "config/req_form.html" %}
{%my_include "config/req_demo.html" %}
{%my_include "config/hosts_form.html" %}
{%my_include "config/hosts_demo.html" %}


Moving passion to action, Animal Haven is excited to announce our new Community Outreach program that raises awareness of the human-animal bond and strengthens pet ownership throughout New York City.
The program includes:
Helping Pets and People in Crisis, a safety-net program originating at the Mayor’s Alliance for NYC’s Animals that is now based at Animal Haven. At Animal Haven, surrender prevention assistance includes referrals to low cost and free pet welfare services. In addition, the program offers emergency planning assistance and support for victims of domestic violence, individuals requiring brief hospitalizations, and others who risk losing their pets due to unexpected circumstance. Referrals can be made to<EMAIL_ADDRESS>Pet Assistance and Resource Center works with social service programs in at-risk communities to address pet welfare needs in collaboration with community-based organizations to maximize our impact. The program provides education, support, and collaboration regarding the intersection of pet ownership and poverty. Our goal is to promote pet retention before a crisis, increase awareness of local animal welfare services, and showcase ways in which human service programs can collaborate with animal welfare organizations to prevent pet relinquishment, increase client engagement, and expand services for pet owners.
Program Partnerships Animal Haven’s Outreach Program is excited to introduce animal welfare to underserved communities and special populations. If your organization is interested in exploring opportunities with us, please contact Jenny at jennyc@ah-nyc.org.


{% load i18n %} {% load cradmin_legacy_tags %}
{% blocktrans trimmed with context="devilry_admin assignment overview statistics" %} See statistics about the examiners on the assignment. {% endblocktrans %}


Find a ride to the ski area of your choice!
Sign up as a driver and earn money!
View active drivers and riders here


title = "home_page" url = "/" layout = "default" ==
Hello {{ name }}, {{age}} , {{drug}} this is parsed by AngularJS


| Modifier and Type | Method | Description |
|---|---|---|
TOMMessage |
RequestList.get(byte[] serializedMessage) |
|
TOMMessage |
RequestList.getById(int id) |
|
TOMMessage |
RequestList.getBySequence(int sequence) |
|
TOMMessage |
ClientsManager.getPending(int reqId) |
Get some reqId that is pending.
|
TOMMessage |
ClientData.getReply(int reqSequence) |
|
TOMMessage |
RequestList.remove(byte[] serializedMessage) |
|
TOMMessage |
RequestList.removeById(int id) |
| Modifier and Type | Method | Description |
|---|---|---|
void |
RequestList.addLast(TOMMessage msg) |
|
boolean |
ClientData.removeOrderedRequest(TOMMessage request) |
|
boolean |
ClientData.removeRequest(TOMMessage request) |
|
boolean |
ClientsManager.requestReceived(TOMMessage request,
boolean fromClient) |
|
boolean |
ClientsManager.requestReceived(TOMMessage request,
boolean fromClient,
ServerCommunicationSystem cs) |
Notifies the ClientsManager that a new request from a client arrived.
|
void |
ClientsManager.requestsOrdered(TOMMessage[] requests) |
Notifies the ClientsManager that these requests were already executed.
|
| Modifier and Type | Method | Description |
|---|---|---|
void |
ReplyListener.replyReceived(RequestContext context,
TOMMessage reply) |
Used to deliver a reply from a replica
|
void |
ReplyReceiver.replyReceived(TOMMessage reply) |
This is the method invoked by the client side comunication system, and where the
code to handle the reply is to be written
|
void |
RequestReceiver.requestReceived(TOMMessage msg) |
This is the method invoked by the CommunicationSystemServerSide, to
deliver a client request.
|
void |
CommunicationSystemClientSide.send(boolean sign,
int[] targets,
TOMMessage sm) |
|
void |
CommunicationSystemServerSide.send(int[] targets,
TOMMessage sm,
boolean serializeClassHeaders) |
|
void |
CommunicationSystemClientSide.sign(TOMMessage sm) |
| Modifier and Type | Method | Description |
|---|---|---|
void |
NettyClientServerCommunicationSystemClientSide.channelRead0(io.netty.channel.ChannelHandlerContext ctx,
TOMMessage sm) |
|
protected void |
NettyClientServerCommunicationSystemServerSide.channelRead0(io.netty.channel.ChannelHandlerContext ctx,
TOMMessage sm) |
|
protected void |
NettyTOMMessageEncoder.encode(io.netty.channel.ChannelHandlerContext context,
TOMMessage sm,
io.netty.buffer.ByteBuf buffer) |
|
void |
NettyClientServerCommunicationSystemClientSide.send(boolean sign,
int[] targets,
TOMMessage sm) |
|
void |
NettyClientServerCommunicationSystemServerSide.send(int[] targets,
TOMMessage sm,
boolean serializeClassHeaders) |
|
void |
NettyClientServerCommunicationSystemClientSide.sign(TOMMessage sm) |
| Modifier and Type | Field | Description |
|---|---|---|
TOMMessage[] |
Epoch.deserializedPropValue |
|
TOMMessage |
Decision.firstMessageProposed |
| Modifier and Type | Method | Description |
|---|---|---|
TOMMessage[] |
Decision.getDeserializedValue() |
| Modifier and Type | Method | Description |
|---|---|---|
TOMMessage[] |
ServerViewController.clearUpdates() |
| Modifier and Type | Method | Description |
|---|---|---|
void |
ServerViewController.enqueueUpdate(TOMMessage up) |
| Modifier and Type | Method | Description |
|---|---|---|
TOMMessage |
MessageContext.getFirstInBatch() |
|
TOMMessage |
MessageContext.recreateTOMMessage(byte[] content) |
Generates a TOMMessage for its associated requests using the new info that it now supports since the previous commit.
|
| Modifier and Type | Method | Description |
|---|---|---|
void |
ServiceReplica.receiveMessages(int[] consId,
int[] regencies,
int[] leaders,
CertifiedDecision[] cDecs,
TOMMessage[][] requests) |
|
void |
ServiceReplica.receiveReadonlyMessage(TOMMessage message,
MessageContext msgCtx) |
This message delivers a readonly message, i.e., a message that was not
ordered to the replica and gather the reply to forward to the client
|
void |
AsynchServiceProxy.replyReceived(TOMMessage reply) |
|
void |
ServiceProxy.replyReceived(TOMMessage reply) |
This is the method invoked by the client side communication system.
|
void |
TOMSender.TOMulticast(TOMMessage sm) |
| Constructor | Description |
|---|---|
MessageContext(int sender,
int viewID,
TOMMessageType type,
int session,
int sequence,
int operationId,
int replyServer,
byte[] signature,
long timestamp,
int numOfNonces,
long seed,
int regency,
int leader,
int consensusId,
java.util.Set<ConsensusMessage> proof,
TOMMessage firstInBatch,
boolean noOp) |
Constructor
|
| Modifier and Type | Method | Description |
|---|---|---|
TOMMessage[] |
TOMLayer.checkProposedValue(byte[] proposedValue,
boolean addToClientManager) |
Verify if the value being proposed for a epoch is valid.
|
| Modifier and Type | Method | Description |
|---|---|---|
protected void |
DeliveryThread.deliverUnordered(TOMMessage request,
int regency) |
|
void |
TOMLayer.forwardRequestToLeader(TOMMessage request) |
|
void |
TOMLayer.requestReceived(TOMMessage msg) |
This method is invoked by the communication system to deliver a request.
|
void |
ReplyManager.send(TOMMessage msg) |
| Modifier and Type | Method | Description |
|---|---|---|
void |
Synchronizer.triggerTimeout(java.util.List<TOMMessage> requestList) |
This method is called when there is a timeout and the request has already
been forwarded to the leader
|
| Modifier and Type | Field | Description |
|---|---|---|
TOMMessage |
TOMMessage.reply |
| Modifier and Type | Method | Description |
|---|---|---|
static TOMMessage |
TOMMessage.bytesToMessage(byte[] b) |
|
TOMMessage |
ForwardedMessage.getRequest() |
| Modifier and Type | Method | Description |
|---|---|---|
static byte[] |
TOMMessage.messageToBytes(TOMMessage m) |
| Constructor | Description |
|---|---|
ForwardedMessage(int senderId,
TOMMessage request) |
| Modifier and Type | Method | Description |
|---|---|---|
java.util.List<TOMMessage> |
LCManager.getCurrentRequestTimedOut() |
Get the timed out requests in this replica
|
java.util.List<TOMMessage> |
LCManager.getRequestsFromSTOP() |
Get the requests received in STOP messages
|
| Modifier and Type | Method | Description |
|---|---|---|
void |
LCManager.addRequestsFromSTOP(TOMMessage[] requestsFromSTOP) |
This is meant to keep track of requests received in STOP messages
|
void |
RequestsTimer.unwatch(TOMMessage request) |
Cancels a timer for a given request
|
void |
RequestsTimer.watch(TOMMessage request) |
Creates a timer for the given request
|
| Modifier and Type | Method | Description |
|---|---|---|
void |
LCManager.setCurrentRequestTimedOut(java.util.List<TOMMessage> currentRequestTimedOut) |
This is meant to keep track of timed out requests in this replica
|
| Modifier and Type | Method | Description |
|---|---|---|
boolean |
RequestVerifier.isValidRequest(TOMMessage request) |
|
void |
Replier.manageReply(TOMMessage request,
MessageContext msgCtx) |
| Modifier and Type | Method | Description |
|---|---|---|
void |
DefaultReplier.manageReply(TOMMessage request,
MessageContext msgCtx) |
| Modifier and Type | Field | Description |
|---|---|---|
TOMMessage |
DebugInfo.msg |
| Modifier and Type | Method | Description |
|---|---|---|
TOMMessage[] |
BatchReader.deserialiseRequests(ServerViewController controller) |
|
TOMMessage |
Extractor.extractResponse(TOMMessage[] replies,
int sameContent,
int lastReceived) |
| Modifier and Type | Method | Description |
|---|---|---|
TOMMessage |
Extractor.extractResponse(TOMMessage[] replies,
int sameContent,
int lastReceived) |
| Modifier and Type | Method | Description |
|---|---|---|
byte[] |
BatchBuilder.makeBatch(java.util.List<TOMMessage> msgs,
int numNounces,
long seed,
long timestamp,
ServerViewController controller) |
|
byte[] |
BatchBuilder.makeBatch(java.util.List<TOMMessage> msgs,
int numNounces,
long timestamp,
ServerViewController controller) |
| Constructor | Description |
|---|---|
DebugInfo(int cid,
int epoch,
int leader,
TOMMessage msg) |
Copyright © 2018. All rights reserved.


The Company
Google Inc. was founded in 1998 by Sergey Brin and Larry Page to make it easier to find high-quality information on the web. The company is based on three years of research in web search and data mining done by the founders in the Stanford University Computer Science Department. Google Inc.'s headquarters are located in scenic downtown Palo Alto, California.
Google Inc. is not at present a publicly traded company, and we are currently unable to speculate on whether or when our privately-held status might change.


| Methods' Details |
getFirstDiagram
- Description
- @todo allow more than one diagram
Notes: this is preliminary, we need an API that supports
more than one diagram. The method name getDiagram exists in
the css.chart API, so there is would be no way to chose either
this or the other method from Basic (it would chose one or the
other by random).
|
|
setFirstDiagram
| void |
| setFirstDiagram( |
[in] XDiagram |
xDiagram ); |
- Description
- @todo allow more than one diagram
Notes: this is preliminary, we need an API that supports
more than one diagram. The method name setDiagram exists in
the css.chart API, so there is would be no way to chose either
this or the other method from Basic (it would chose one or the
other by random).
|
|
createInternalDataProvider
| void |
| createInternalDataProvider( |
[in] boolean |
bCloneExistingData ) |
| raises( |
::com::sun::star::util::CloseVetoException ); |
- Description
- creates an internal
com::sun::star::chart2::XDataProvider that
is handled by the chart document itself.
When the model is stored, the data provider will also be
stored in a sub-storage.
- Parameter bCloneExistingData
- if true and a data provider was previously attached,
its referred data will be copied to the new internal data
provider. Note, that the range representation set before
will usually change after cloning.
- Throws
- com::sun::star::util:CloseVetoException
If the new data provider could not be created due to a
failed removal of the former data provider.
|
|
hasInternalDataProvider
| boolean |
| hasInternalDataProvider(); |
- Returns
- true if the data provider set at the chart document
is an internal one.
This is the case directly after
createInternalDataProvider has been called,
but this is not necessary. The chart can also create an
internal data provider by other means, e.g. a call to
::com::sun::star::frame::XModel::initNew.
|
|
getDataProvider
- Description
- Returns the currently set data provider. This may be an
internal one, if createInternalDataProvider
has been called before, or an external one if
::XDataReceiver::attachDataProvider has been
called.
|
|
setChartTypeManager
- Description
- sets a new component that is able to create different chart
type templates (components of type
ChartTypeTemplate)
|
|
getChartTypeManager
- Description
- retrieves the component that is able to create different chart
type templates (components of type
ChartTypeTemplate)
|
|
getPageBackground
- Description
- Gives access to the page background appearance.
- Returns
- the properties of the background area of the chart
document.
The area's extent is equal to the document size. If you
want to access properties of the background area of a single
diagram (the part where data points are actually plotted in),
you have to get its wall. You can get the wall by calling
XDiagram::getWall.
|
|
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


Provides an R interface to 'Julia', which is a high-level, high-performance dynamic programming language for numerical computing, see <https://julialang.org/> for more information. It provides a high-level interface as well as a low-level interface. Using the high level interface, you could call any 'Julia' function just like any R function with automatic type conversion. Using the low level interface, you could deal with C-level SEXP directly while enjoying the convenience of using a high-level programming language like 'Julia'.
| Version: | 0.16.1 |
| Depends: | R (≥ 3.4.0) |
| Imports: | utils, Rcpp (≥ 0.12.7) |
| LinkingTo: | Rcpp |
| Suggests: | testthat, knitr, rmarkdown |
| Published: | 2018-10-25 |
| Author: | Changcheng Li [aut, cre], Randy Lai [ctb], Dmitri Grominski [ctb], Nagi Teramo [ctb] |
| Maintainer: | Changcheng Li <cxl508 at psu.edu> |
| BugReports: | https://github.com/Non-Contradiction/JuliaCall/issues |
| License: | MIT + file LICENSE |
| URL: | https://github.com/Non-Contradiction/JuliaCall |
| NeedsCompilation: | yes |
| SystemRequirements: | Julia >= 0.6.0, RCall.jl |
| Materials: | README NEWS |
| In views: | NumericalMathematics |
| CRAN checks: | JuliaCall results |
| Reference manual: | JuliaCall.pdf |
| Vignettes: |
JuliaCall in Jupyter R Notebook Julia in RMarkdown |
| Package source: | JuliaCall_0.16.1.tar.gz |
| Windows binaries: | r-devel: JuliaCall_0.16.1.zip, r-release: JuliaCall_0.16.1.zip, r-oldrel: JuliaCall_0.16.1.zip |
| OS X binaries: | r-release: JuliaCall_0.16.1.tgz, r-oldrel: JuliaCall_0.16.1.tgz |
| Old sources: | JuliaCall archive |
| Reverse imports: | convexjlr, diffeqr |
| Reverse suggests: | knitr |
Please use the canonical form https://CRAN.R-project.org/package=JuliaCall to link to this page.


Adapted from example found at
https://angular-file-upload.appspot.com/
Drop documents or images here or click to upload
File Drag/Drop is not supported for this browser
Files:
{{f.name}} {{f.$error}} {{f.$errorParam}}
Preview:


|
|||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |
See:
Description
| Interface Summary | |
|---|---|
| TokenCategorizer | A TokenCategorizer supplies a string-based
category for string-based tokens. |
| TokenizerFactory | A TokenizerFactory constructors tokenizers from
subsequences of character arrays. |
| Class Summary | |
|---|---|
| CharacterTokenCategorizer | Returns a category for tokens made up out of a single character. |
| CharacterTokenizerFactory | A CharacterTokenizerFactory considers each
non-whitespace character in the input to be a distinct token. |
| EnglishStopTokenizerFactory | An EnglishStopTokenizerFactory applies an English stop
list to a contained base tokenizer factory. |
| IndoEuropeanTokenCategorizer | A IndoEuropeanTokenCategorizer is a generic token
categorizer for Indo-European languages that is based on character
"shape". |
| IndoEuropeanTokenizerFactory | An IndoEuropeanTokenizerFactory creates tokenizers
with built-in support for alpha-numerics, numbers, and other
common constructs in Indo-European langauges. |
| LineTokenizerFactory | A LineTokenizerFactory treats each line of an input as
a token. |
| LowerCaseTokenizerFactory | A LowerCaseTokenizerFactory filters the tokenizers produced
by a base tokenizer factory to produce lower case output. |
| ModifiedTokenizerFactory | A ModifiedTokenizerFactory is an abstract tokenizer factory
that modifies a tokenizer returned by a base tokenizer factory. |
| ModifyTokenTokenizerFactory | The abstract base class ModifyTokenTokenizerFactory
adapts token and whitespace modifiers to modify tokenizer
factories. |
| NGramTokenizerFactory | An NGramTokenizerFactory creates n-gram tokenizers
of a specified minimum and maximun length. |
| PorterStemmerTokenizerFactory | A PorterStemmerTokenizerFactory applies Porter's stemmer
to the tokenizers produced by a base tokenizer factory. |
| RegExFilteredTokenizerFactory | A RegExFilteredTokenizerFactory modifies the tokens
returned by a base tokenizer factory's tokizer by removing
those that do not match a regular expression pattern. |
| RegExTokenizerFactory | A RegExTokenizerFactory creates a tokenizer factory
out of a regular expression. |
| SoundexTokenizerFactory | A SoundexTokenizerFactory modifies the output of a base
tokenizer factory to produce tokens in soundex representation. |
| StopTokenizerFactory | A StopTokenizerFactory modifies a base tokenizer factory
by removing tokens in a specified stop set. |
| TokenChunker | A TokenChunker provides an implementationg of the Chunker interface based on an underlying tokenizer factory. |
| TokenFeatureExtractor | A TokenFeatureExtractor produces feature vectors from
character sequences representing token counts. |
| Tokenization | A Tokenization represents the result of tokenizing a
string. |
| Tokenizer | The abstract class Tokenizer serves as a base for tokenizer
implementations, which provide streams of tokens, whitespaces,
and positions. |
| TokenLengthTokenizerFactory | A TokenLengthTokenizerFactory filters the tokenizers produced
by a base tokenizer to only return tokens between specified lower and
upper length limits. |
| TokenNGramTokenizerFactory | A TokenNGramTokenizerFactory wraps a base tokenizer to
produce token n-gram tokens of a specified size. |
| WhitespaceNormTokenizerFactory | A WhitespaceNormTokenizerFactory filters the tokenizers produced
by a base tokenizer factory to convert non-empty whitespaces to a single
space and leave empty (zero-length) whitespaces alone. |
Classes for tokenizing character sequences.
|
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| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |


Squinty, the Comical Pig
by Richard Barnum
Chapter 8: “Squinty in the Woods”
Additional Information
- Year Published: 1915
- Language: English
- Country of Origin: United States of America
- Source: Barnum, R. (1915). Squinty, the comical pig. New York: Barse and Hopkins.
-
Readability:
- Flesch–Kincaid Level: 3.5
- Word Count: 2,594
- Genre: Fantasy
- Keywords: children's stories
- ✎ Cite This
Downloads
Bob, the boy who had bought Squinty, the comical pig, laughed and clapped his hands. His two sisters, who were playing with their dolls in the shade of an evergreen tree, heard their brother, and one of them called out:
“What is it, Bob? What is it?”
“Oh, come and see my pig do a trick!” answered the boy. “He is too funny for anything!”
“Can he really do a trick?” asked the smaller sister, whose name was Mollie.
“Indeed he can,” the boy said. “He can do two tricks—find hidden acorns, and jump a rope.”
“Oh, no, not really jump a rope!” cried Sallie.
“You just come and see!” the boy called.
All this while Squinty was chewing on the apple which he had picked up from the ground after he had jumped over the rope. He heard what the boy said, and Squinty made up his mind.
 They call them tricks, but I call it getting something to eat.”
And they were both right, you see.
Sallie and Mollie, the two sisters, laid down their dolls in the shade, and ran over toward their brother, who still held one end of the rope, that was fast to Squinty’s leg.
“Make him do some tricks for us,” begged Mollie.
“Show us how he jumps the rope,” said Sallie.
“First, I’ll have him dig up the acorns, as that’s easier,” spoke Bob. “Here, Squinty!” he called. “Find the acorns! Find ‘em!”
While Squinty had been munching on the apple, the boy had dug a hole, put some sweet acorn nuts into it, and covered them up with dirt. Squinty had not seen him do this, but Squinty thought he could find the nuts just the same.
There were two ways of doing this. Squinty had a very sharp-smelling nose. He could smell things afar off, that neither you nor I could smell even close by. And Squinty could also tell, by digging in the ground with his queer, rubbery nose, just where the ground was soft and where it was hard. And he knew it would be soft at the place where the boy had dug a hole in which to hide the acorns.
So, when Bob called for Squinty to come and find the acorn nuts, even though the little pig had not seen just where they were hidden, Squinty felt sure he could dig them up.
“He’ll never find them!” said Sallie.
“Just you watch!” exclaimed the boy.
He pulled on the rope around Squinty’s leg. At first the little pig was not quite sure what was wanted of him. He thought perhaps he was to jump over the rope after another apple. But he saw no fruit waiting for him. Then he looked carefully about and smelled the air. The boy was very gentle with him, and waited patiently.
And I might say, right here, that if you ever try to teach your pets any tricks, you must be both kind and gentle with them, for you know they are not as smart as you are, and cannot think as quickly.
“Ha! I smell acorns!” thought Squinty to himself. “I guess the boy must want me to do the first trick, as he calls it, and dig up the acorns. I’ll do it!”
Carefully Squinty sniffed the air. When he turned one way he could smell the acorns quite plainly. When he turned the other way he could not smell them quite so well. So he started off in the direction where he could most plainly smell the nuts he loved so well.
Next he began rooting in the ground. At first it was very hard for his nose, but soon it became soft. Then he could smell the acorns more plainly than before.
“See, he is going right toward them!” cried the boy.
“There, he has them!” exclaimed Sallie.
“Oh, so he has!” spoke Mollie. “I wouldn’t have thought he could!”
And, by that time, Squinty had found the hole where the boy had covered the acorns with dirt, and Squinty was chewing the sweet nuts.
“Now make him jump the rope,” said Mollie.
“I will, as soon as he eats the acorns,” replied the boy.
“Ha! I am going to have another apple, just for jumping a rope,” thought Squinty, in delight.
 He did not count the rope-jumping part of it at all, though that, really, was what the boy wanted.
Once more Bob placed the apple on the ground, on the far side of the rope. One end of the rope the boy held in his hand, and the other was around Squinty’s leg, but a loop of it was made fast to a stick stuck in the ground, so the boy could pull on the rope and raise or lower it, just as you girls do when you play.
“Come on, now, Squinty! Jump over it!” called the boy.
The little pig saw the apple, and smelled it. He wanted very much to get it. But, when he ran toward it, he found the rope raised up in front of him. He forgot, for a moment, his second trick, and stood still.
“Oh, I thought you said he would jump the rope!” said Mollie, rather disappointed.
“He will—just wait a minute,” spoke the boy. “Come on, Squinty!” he called.
Once more Squinty started for the apple. This time he remembered that, before, he had to jump the rope to get it. So he did it again. Over the rope he went, with a little jump, coming down on the side where the apple was, and, in a second he was chewing the juicy fruit.
“There!” cried the boy. “Didn’t he jump the rope?”
“Oh, well, but he didn’t jump it fast, back and forth, like we girls do,” said Mollie.
“But it was pretty good—for a little pig,” said Sallie.
“I think so, too,” spoke the boy. “And I am going to teach him to jump real fast, and without going for an apple each time. I’m going to teach him other tricks, too.”
“Oh dear!” thought Squinty, when he heard this. “So I am to learn more tricks, it seems. Well, I hope they will all be eating ones.”
“Make him do it again,” suggested Mollie, after a bit.
“No, I haven’t any more apples,” the boy answered. “And at first I’ll have to make him jump for an apple each time. After a bit I’ll not give him an apple until he has done all his tricks. Come on now, Squinty, back to your pen.”
The boy lifted up his pet, and put him back in the pen that had been especially built for the little pig. As soon as he was in it Squinty ran over to the trough, hoping there would be some sour milk in it. But there was none.
 “Later on I’ll give you your milk.”
“Uff! Uff!” grunted Squinty, and I suppose he meant he would be glad to have the milk now. But he got none, so he curled himself up in the clean straw and went to sleep.
When he awakened, he thought at first he was back in the pen at home, and he cried out:
“Oh, Wuff-Wuff! Oh, Twisty Tail. I had the queerest dream! I thought a boy had me, and that I could jump a rope, and hunt acorns, and do lots of tricks. But I—!” And then Squinty stopped. He looked around and found himself all alone in the new pen. None of his brothers or sisters was near him, and he could not hear his mamma or papa grunting near the feed trough.
“Ha! It wasn’t a dream, after all,” thought Squinty, a bit sorrowfully. “It’s all real—I can do tricks, and a boy has me.”
Every few days after that the boy took Squinty out of his pen, and let him do the rope-jumping and the acorn-hunting tricks. And it did not take Squinty long to learn to jump the rope when there was no apple on the other side. The boy would say:
“Jump over the rope, Squinty!”
And over it the little pig would go. But if he did not get the apple as soon as he jumped, he did get it afterward, which was just as good. It was sort of a reward for his tricks, you see.
“Now you must learn a new trick,” said the boy one day. “I want you to learn how to walk on your hind legs, Squinty. It is not going to be easy, either. But I guess you can do it. And I am going to take the rope off your leg, for I do not believe you will run away from me now.”
So the rope was taken off Squinty’s leg. And he liked the boy so much, and liked his new home, and the nuts and apples he got to eat were so good, that Squinty did not try to run away.
“Up on your hind legs!” cried the boy, and, by taking hold of Squinty’s front feet, Bob raised his pet up on the hind legs.
“Now stand there!” the boy cried, but when he took away his hands of course Squinty came down on all four legs. He did not know what the boy meant to have him do.
“I guess I’ll have to stand you in a corner to start with,” the boy said. “That will brace you up.”
Then, kindly and gently, the boy took Squinty over to the place where the corn crib was built on to the barn. This made a corner and the little pig was stood up on his hind legs in that. Then, with something to lean his back against, he did not feel like falling over, and he remained standing up on two legs, with his front feet stuck out in front of him.
“That’s the way to do it!” cried Bob. “Soon you will be able to stand up without anything to lean against.  Now here’s an apple for you, Squinty!”
So you see Squinty received his reward for starting to learn a new trick.

But learning to walk on his hind legs was a little harder.
The boy, however, was patient and kind to him. At first Bob held Squinty’s front feet, and walked along with him so the little pig would get used to the new trick. Then one day Bob said:
“Now, Squinty, I want you to walk to me all by yourself. Stand up!”
Squinty stood up on his hind legs. The boy backed away from him, and stood a little distance off, holding out a nice, juicy potato this time.
“Come and get the potato,” called the boy.
“Squee! Squee!” grunted Squinty. “I can’t!” I suppose he meant to say.
“Come on!” cried the boy. “Don’t be afraid. You can do it!”
Squinty wanted that potato very much. And the only way to get it was to walk to it on his hind legs. If he let himself down on all four legs he knew the boy would not give him the potato.
Off he started, walking by himself on his hind legs, just like a trained bear.
“Fine! That’s the way to do it! I knew you could!” the boy cried when Squinty reached him, and took the potato out of his hand. “Good little pig!” and he scratched Squinty’s back with a stick.
“Uff! Uff!” squealed Squinty, very much pleased.
And from then on the comical little pig learned many tricks.
He could stand up a long time, on his hind legs, with an apple on his nose. And he would not eat it until the boy called:
“Now, Squinty!”
Then Squinty would toss the apple up in the air, off his nose, and catch it as it came down. Oh, how good it tasted!
Squinty also learned to march around with a stick for a gun, and play soldier. He liked this trick best of all, for he always had two apples to eat after that.
Many of Bob’s boy friends came to see his trained pig. They all thought he was very funny and cute, and they laughed very hard when Squinty looked at them with his queer, drooping eye. They would feed him apples, potatoes and sometimes bits of cake that Bob’s mother gave them. Squinty grew very fond of cake.
Then one day something happened. Bob always used to lock the door of the new pig pen every night, for, though he knew his pet was quite tame now, he thought, if the door were left open, Squinty might wander away. And that is exactly what Squinty did. He did not mean to do wrong, but he knew no better.  No one saw him.
“Uff! Uff!” grunted Squinty, looking about, “I guess I’ll go take a walk by myself. I may find something good to eat.”
Out of the pen he went. There was no garden here, such as the farmer had at Squinty’s first home. But, not far from the pig pen was the big, green wood.
“I’ll go over in there and see what happens,” thought Squinty. “Perhaps I may find some acorns.”
And so Squinty ran away to the woods.


matty
When were talking about how I’m not flexible so u asked how I clean my armpits cause u thought I couldnt reach them without realizing that I just reach over and use my right hand to clean my left armpit and vice versa.
To my boyfriend I am know as the lil tail.
You are afraid of carbonated beverages.
You make a very special angry face at me whenever I make you mad.
You grew up in the city buy you are more country than you think.


To use quotation marks within a string make sure to escape them with a backslash. ## Syntax
"<#String (Allows Variables)#>"
"\"The greatest glory in living lies not in never falling, but in rising every time we fall.\" -Nelson Mandela"


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<EMAIL_ADDRESS>Effective as of March 05, 2018


| S | stats toolbox needed | I | interactive (user input required) |
| B | bioinformatics toolbox needed | M | matlab needed (will not work in octave) |
| O | optimization toolbox needed | W | windows needed (will not work in linux) |
| X | currently broken | * | slow (two stars indicates very slow) |
| FILE | DESCRIPTION | TAGS |
|---|---|---|
| acf | ACF Autocorrelation function | |
| autocorr | Autocorrelation function | |
| biclusteringGibbs | Performs biclustering using Gibbs Sampling. | |
| epsr | EPSR "estimated potential scale reduction" statistic due to Gelman and Rubin. | |
| epsrMultidim | EPSR "estimated potential scale reduction" statistic for vectors | |
| gaussLogprobUnnormalized | Same as gaussLogprob, but does not normalize logp - used by e.g. mcmc. | |
| gaussMissingFitGibbs | Perform gibbs sampling for the missing values of a data matrix | |
| gaussMkFullCondSamplers | Returns a cell array of function handles | |
| gibbsSample | Generic gibbs sampler | |
| mc_sample | Generate random sequences from a Markov chain | |
| metropolisHastings | Metropolis-Hastings algorithm |


{% extends "base.html" %}
{% block css %}
{% endblock %}
{% block js %}
{% endblock %}
{% block content %}
{% if questions %}
Through your persistant use of the labeller, your expert representation learns to become more and more like yourself. Shift through the model outputs on the left, see a representation of a particular output on the right.
Bare soil
Urban
Ice
Lake
Deciduous
Evergreen Tropic
Evergreen Temperate
Deciduous
Evergreen
C3G
C4G
C3P
C4P
C3C
C4C
Deciduous
Evergreen
~0
1
Thank you! You have now annotated all the current combinations of model question pairings. We will be adding more climate model outputs in the future, and the questions are likely to change as dialog society is having changes. Remember to check back in everyone and again to see if there is anymore to do.
Although you are done with the training, you can still checkout the progress of your representation and the kinds of evaluations it provides to new climate model outputs. Check them out below.


Here is the list of all the n-grams we extracted from the corpus ordered by TF. Besides some terms related to the adoption of FP like percent, information and access, can also be found some terms related some more specific issues like the concept of life, the unmeet needs and even more specific ones like muslims referring to religious views on FP.
Explore the visualization.


Basic Instructions
To get started click the Create Earthquake button.
Select a station on the map to view its information.
To map the currently selected stations range, scroll up or down to change the range size.
Note: Hold shift to scroll faster for larger distances.
Click plot epicenter and click the map to place epicenter.
Click solve button to solve.
Basic Instructions
Station: yellow square
Selected Station: purple square


Leslie Knope's Address Book
ADD
Name
Phone Number
Email Address
Important Dates
Group
{{value}}
Contact Pic
Contact Name
Phone Number
Email Address
Important Dates
Group
Action
{{person.name}}
{{person.phone}}
{{person.email}}
{{person.dates}}
{{person.group}}
Delete


| PostgreSQL 9.0.10 Documentation | ||||
|---|---|---|---|---|
| Prev | Up | Appendix E. Release Notes | Next |
Release Date: 2008-03-17
This release contains a variety of fixes from 8.3.0. For information about new features in the 8.3 major release, see Section E.48.
A dump/restore is not required for those running 8.3.X. However, you might need to REINDEX indexes on textual columns after updating, if you are affected by the Windows locale issue described below.
Fix character string comparison for Windows locales that consider different character combinations as equal (Tom)
This fix applies only on Windows and only when using UTF-8 database encoding. The same fix was made for all other cases over two years ago, but Windows with UTF-8 uses a separate code path that was not updated. If you are using a locale that considers some non-identical strings as equal, you may need to REINDEX to fix existing indexes on textual columns.
Repair corner-case bugs in VACUUM FULL (Tom)
A potential deadlock between concurrent VACUUM FULL operations on different system catalogs was introduced in 8.2. This has now been corrected. 8.3 made this worse because the deadlock could occur within a critical code section, making it a PANIC rather than just ERROR condition.
Also, a VACUUM FULL that failed partway through vacuuming a system catalog could result in cache corruption in concurrent database sessions.
Another VACUUM FULL bug introduced in 8.3 could result in a crash or out-of-memory report when dealing with pages containing no live tuples.
Fix misbehavior of foreign key checks involving character or bit columns (Tom)
If the referencing column were of a different but compatible type (for instance varchar), the constraint was enforced incorrectly.
Avoid needless deadlock failures in no-op foreign-key checks (Stephan Szabo, Tom)
Fix possible core dump when re-planning a prepared query (Tom)
This bug affected only protocol-level prepare operations, not SQL PREPARE, and so tended to be seen only with JDBC, DBI, and other client-side drivers that use prepared statements heavily.
Fix possible failure when re-planning a query that calls an SPI-using function (Tom)
Fix failure in row-wise comparisons involving columns of different datatypes (Tom)
Fix longstanding LISTEN/NOTIFY race condition (Tom)
In rare cases a session that had just executed a LISTEN might not get a notification, even though one would be expected because the concurrent transaction executing NOTIFY was observed to commit later.
A side effect of the fix is that a transaction that has executed a not-yet-committed LISTEN command will not see any row in pg_listener for the LISTEN, should it choose to look; formerly it would have. This behavior was never documented one way or the other, but it is possible that some applications depend on the old behavior.
Disallow LISTEN and UNLISTEN within a prepared transaction (Tom)
This was formerly allowed but trying to do it had various unpleasant consequences, notably that the originating backend could not exit as long as an UNLISTEN remained uncommitted.
Disallow dropping a temporary table within a prepared transaction (Heikki)
This was correctly disallowed by 8.1, but the check was inadvertently broken in 8.2 and 8.3.
Fix rare crash when an error occurs during a query using a hash index (Heikki)
Fix incorrect comparison of tsquery values (Teodor)
Fix incorrect behavior of LIKE with non-ASCII characters in single-byte encodings (Rolf Jentsch)
Disable xmlvalidate
(Tom)
This function should have been removed before 8.3 release, but was inadvertently left in the source code. It poses a small security risk since unprivileged users could use it to read the first few characters of any file accessible to the server.
Fix memory leaks in certain usages of set-returning functions (Neil)
Make encode(bytea, 'escape')
convert all
high-bit-set byte values into \nnn octal
escape sequences (Tom)
This is necessary to avoid encoding problems when the database
encoding is multi-byte. This change could pose compatibility issues
for applications that are expecting specific results from
encode
.
Fix input of datetime values for February 29 in years BC (Tom)
The former coding was mistaken about which years were leap years.
Fix "unrecognized node type" error in some variants of ALTER OWNER (Tom)
Avoid tablespace permissions errors in CREATE TABLE LIKE INCLUDING INDEXES (Tom)
Ensure pg_stat_activity.waiting flag is cleared when a lock wait is aborted (Tom)
Fix handling of process permissions on Windows Vista (Dave, Magnus)
In particular, this fix allows starting the server as the Administrator user.
Update time zone data files to tzdata release 2008a (in particular, recent Chile changes); adjust timezone abbreviation VET (Venezuela) to mean UTC-4:30, not UTC-4:00 (Tom)
Fix ecpg problems with arrays (Michael)
Fix pg_ctl to correctly extract the postmaster's port number from command-line options (Itagaki Takahiro, Tom)
Previously, pg_ctl start -w could try to contact the postmaster on the wrong port, leading to bogus reports of startup failure.
Use -fwrapv to defend against possible misoptimization in recent gcc versions (Tom)
This is known to be necessary when building PostgreSQL with gcc 4.3 or later.
Enable building contrib/uuid-ossp with MSVC (Hiroshi Saito)


%= circled_title(1, "Failing service") %>
BOSH is using monit to monitor running services. If the service goes down it will bring it up. Let's watch how this works. SSH to one of VMs:
In a separate window (on host) let's kill our runnning server:
Back in VM window notice that monit will report process as 'Does not exist' and after some period service will be brought back up by monit again.
Learn more:


Yarn service provides a way of upgrading/downgrading long running applications without shutting down the application to minimize the downtime during this process. This is an experimental feature which is currently not enabled by default.
Upgrading a Yarn Service is a 3 steps (or 2 steps when auto-finalization of upgrade is chosen) process:
Initiate service upgrade.
This step involves providing the service spec of the newer version of the service. Once, the service upgrade is initiated, the state of the service is changed to UPGRADING.
Upgrade component instances.
This step involves triggering upgrade of individual component instance. By providing an API to upgrade at instance level, users can orchestrate upgrade of the entire service in any order which is relevant for the service.
In addition, there are APIs to upgrade multiple instances, all instances of a component, and all instances of multiple components.
Finalize upgrade.
This step involves finalization of upgrade. With an explicit step to finalize the upgrade, users have a chance to cancel current upgrade in progress. When the user chose to cancel, the service will make the best effort to revert to the previous version.
When the upgrade is finalized, the old service definition is overwritten by the new service definition and the service state changes to STABLE.
A service can be auto-finalized when the upgrade is initialized with -autoFinalize option. With auto-finalization, when all the component-instances of the service have been upgraded, finalization will be performed automatically by the service framework.\
Hadoop 3.2.0 onwards canceling upgrade and express upgrade is also supported.
Cancel upgrade.
Before the upgrade of the service is finalized, the user has an option to cancel the upgrade. This step resolves the dependencies between the components and then sequentially rolls back each component which was upgraded.
Express upgrade.
This is a one-step process to upgrade all the components of the service. It involves providing the service spec of the newer version of the service. The service master then performs the following steps automatically:
a. Discovers all the components that require an upgrade.
b. Resolve dependencies between these components.
c. Triggers upgrade of the components sequentially.
This example shows upgrade of sleeper service. Below is the sleeper service definition
{ "name": "sleeper-service", "components" : [ { "name": "sleeper", "version": "1.0.0", "number_of_containers": 1, "launch_command": "sleep 900000", "resource": { "cpus": 1, "memory": "256" } } ] }
Assuming, user launched an instance of sleeper service named as my-sleeper:
{ "components": [ { "configuration": {...}, "containers": [ { "bare_host": "<IP_ADDRESS>", "component_instance_name": "sleeper-0", "hostname": "example.local", "id": "container_1531508836237_0002_01_000002", "ip": "<IP_ADDRESS>", "launch_time":<PHONE_NUMBER>675, "state": "READY" }, { "bare_host": "<IP_ADDRESS>", "component_instance_name": "sleeper-1", "hostname": "example.local", "id": "container_1531508836237_0002_01_000003", "ip": "<IP_ADDRESS>", "launch_time":<PHONE_NUMBER>680, "state": "READY" } ], "dependencies": [], "launch_command": "sleep 900000", "name": "sleeper", "number_of_containers": 2, "quicklinks": [], "resource": {...}, "restart_policy": "ALWAYS", "run_privileged_container": false, "state": "STABLE" } ], "configuration": {...}, "id": "application_1531508836237_0002", "kerberos_principal": {}, "lifetime": -1, "name": "my-sleeper", "quicklinks": {}, "state": "STABLE", "version": "1.0.0" }
Below is the configuration in yarn-site.xml required for enabling service upgrade.
<property> <name>yarn.service.upgrade.enabled</name> <value>true</value> </property>
User can initiate upgrade using the below command:
yarn app -upgrade ${service_name} -initate ${path_to_new_service_def_file} [-autoFinalize]
e.g. To upgrade my-sleeper to sleep for 1200000 instead of 900000, the user can upgrade the service to version 1.0.1. Below is the service definition for version 1.0.1 of sleeper-service:
{ "components" : [ { "name": "sleeper", "version": "1.0.1", "number_of_containers": 1, "launch_command": "sleep 1200000", "resource": { "cpus": 1, "memory": "256" } } ] }
The command below initiates the upgrade to version 1.0.1.
yarn app -upgrade my-sleeper -initiate sleeper_v101.json
User can upgrade a component instance using the below command:
yarn app -upgrade ${service_name} -instances ${comma_separated_list_of_instance_names}
e.g. The command below upgrades sleeper-0 and sleeper-1 instances of my-service:
yarn app -upgrade my-sleeper -instances sleeper-0,sleeper-1
User can upgrade a component, that is, all the instances of a component with one command:
yarn app -upgrade ${service_name} -components ${comma_separated_list_of_component_names}
e.g. The command below upgrades all the instances of sleeper component of my-service:
yarn app -ugrade my-sleeper -components sleeper
User must finalize the upgrade using the below command (since autoFinalize was not specified during initiate):
yarn app -upgrade ${service_name} -finalize
e.g. The command below finalizes the upgrade of my-sleeper:
yarn app -upgrade my-sleeper -finalize


An inordinate number of musicals are about professional singers and dancers, who are themselves sometimes performing in musicals. The advantages are obvious — the creators get to write what they know, the characters actually have a good reason to keep breaking into song (this doesn't mean that they don't still break into song off stage as well), and musical numbers can be thrown in without needing any kind of plot relevance.
A Sub-Trope of Music Stories.
Compare with Most Writers Are Writers, Set Behind the Scenes, and Show Within a Show. See also That Reminds Me of a Song.
Examples:
Film- Live Action- All musical biopics, of course — Walk the Line (Johnny Cash), Ray (Ray Charles), La Vie en Rose (Edith Piaf), Great Balls of Fire! (Jerry Lee Lewis), Yankee Doodle Dandy and George M (George M. Cohan), Jersey Boys (Frankie Valli and the Four Seasons) and so on, and so forth.
- The Broadway Melody (1929) is probably the first example, or one of the first. Two sisters with a song-and-dance act come to Broadway to make it big.
- Singin' in the Rain is about the making of a musical motion picture.
- Many other Gene Kelly films, including For Me and My Gal and Summer Stock (both of which also starred Judy Garland). A lot of Garland's own films were like this (Easter Parade, Strike Up The Band, A Star Is Born) along with Fred Astaire.
- Gene Kelly also made his film debut (For Me And My Gal) after being discovered performing in Pal Joey on Broadway.
- The musical version of Hairspray is about the stars of a dance-oriented TV show.
- Hunky Dory is a film about students performing a glam rock musical version of The Tempest.
- Billy Elliot is about a boy who wants to be a dancer; the original was a film, but this trope applies to the musical adaptation.
- Pal Joey is about a nightclub singer.
- The Band Wagon is about the staging of a musical.
- Baz Luhrman's Moulin Rouge! is about a show being put on in the club-turned-theater.
- The Sound of Music is about a family singing act.
- Also, the "Lonely Goatherd" puppet show.
- Fame is set at a performing arts school.
- West Point Story is about a musical show being put on at West Point.
- In Top Hat, Fred Astaire plays a song-and-dance man. There's also Easter Parade (with Judy Garland and Ann Miller) and Blue Skies (also starring Bing Crosby). Also The Gay Divorcee, and The Barkleys of Broadway, which featured Ginger Rogers.
- Once is about a busker.
- The Commitments is about a working-class Irish band.
- Every High School Musical film is about the staging of a high school musical.
- Not the second, though it is about a talent contest that many of the cast members are planning to sing at.
- Even better, the first two films have stage adaptations.
- Most Busby Berkeley musicals use this trope.
- 42nd Street is a musical about Peggy Sawyer and her having to learn all the dance steps, songs and lines in the In-Musical production The Pretty Lady in a night after accidentally breaking the leg of the intended leading woman, Dorothy Brock.
- In Footlight Parade, James Cagney has to impress some skeptical producers by putting on three big musical numbers in one night.
- In Dames Dick Powell's character is putting on a musical called Sweet and Hot.
- In Gold Diggers of 1933, Dick Powell's character is putting on a musical. Again.
- Sunny Side Up: Although Molly isn't a professional dancer and singer, she does perform for her neighbourhood on several occasions and eventually a carnival for rich people.
- On the Town has the main character (Gene Kelly)'s love interest as an aspiring dancer, though she is currently doing Burlesque.
- In Darling Lili, Julie Andrews plays a World War I music hall singer.
- Sugar figured that Some Like It Hot was already about a couple of (male) musicians who join an all-female band to get away from the mob; why not turn it into a musical?
- Bullets Over Broadway would obviously become this when adapted to a Broadway musical. Subverted, though, since the play being put on isn't a musical. Just a play.
- La La Land is about an aspiring actress and a jazz pianist.
- Ziegfeld Girl is about three women who join the Ziegfield Follies. Songs and musical numbers follow.
- The Greatest Showman follows the story of the founding of the first circus and frames it as a precursor to later Vaudeville performances, complete with all-cast musical numbers and individual talent performances, and refers to the circus as "the greatest show."note It also heavily features opera singer Jenny Lind, and her relationship with Barnum as they tour the US.
- Bright Lights focuses on the performers in a Broadway show called Bright Lights. The female lead is leaving show business to marry a rich guy but her male co-star and old admirer is jealous. Lots of musical numbers.
- Just like the movie it's based on, Sister Act is about a lounge singer who goes into hiding at a convent, taking over said convent's choir.
- The Muppets Take Manhattan is about The Muppets trying to bring their college show Manhattan Melodies to Broadway. Similarly, The Muppets and Muppets Most Wanted are about them bringing back The Muppet Show, first as a telethon, then as a live tour of Europe.
Live-action TV
- Glee is about a high school glee club.
- Smash is about the conception and production of a Broadway musical.
Theatre
- Show Boat, as the title suggests, is about performers on a show boat.
- Cabaret, as the title suggests, is about performers in a cabaret.
- Kiss Me Kate — often described as a musical version of The Taming of the Shrew — would be more accurately described as a musical about a musical version of The Taming of the Shrew.
- The Music Man is a light example: Harold Hill is selling band instruments, band uniforms and the false promise of starting a band. At the very end the band does wind up performing, once, not very well. The fact that his love interest is a music teacher adds to things a bit.
- A Chorus Line features dancers auditioning for a show.
- Chicago is about a wannabe singer, with the secondary female lead a former singer ("former" because now she's in prison). They both get out of prison and become famous performers.
- Easter Parade is about a vaudeville dance act.
- Bye Bye Birdie is about a 50s rock singer performing one last concert before he goes off to the army.
- The Phantom of the Opera, strangely enough.
- [title of show] features friends writing a musical.
- Not only that, but the musical they are writing is [title of show]. They are writing a musical about writing a musical about writing a musical about writing a musical about...
- Curtains is about a murder investigation on the set of an off-Broadway musical.
- The stage adaptation of The Producers turns the story into a musical producing the fictional musical Springtime for Hitler.
- Miss Adelaide and the Hotbox Girls in Guys and Dolls. Adelaide's numbers at the Hotbox actually do very little to propel the story; they're mostly there to provide transitions into other scenes set at the Hotbox (the other Hotbox girls are so alternatively insignificant that only one has any lines outside of those numbers).
- The Drowsy Chaperone is a about an agoraphobic musical-lover listening to his collection of musical records. His favorite one—The Drowsy Chaperone—which he listens to with the audience, is about the wedding of two 1920s musical stars, and several other supporting characters in that show are related to the stage as well (although there's no musical in the show-within-a-show). There's also a scene from a different, also made up show called Message from a Nightengale, an obvious riff on The King and I.
- Gypsy is about a vaudeville dancer who transitions into the Burlesque scene.


Image Credit: https://yourstory.net
A domain name is an identification string that defines a realm of administrative autonomy, authority or control within the Internet. Domain names are used in various networking contexts and for application-specific naming and addressing purposes. In general, a domain name identifies a network domain, or it represents an Internet Protocol (IP) resource, such as a personal computer used to access the Internet, a server computer hosting a website, or the web site itself or any other service communicated via the Internet. In 2017, 330.6 million domain names had been registered.Like seriously? Who would remember multiple strings of random number with dots between them and eventually you don't know where to place them? As a conclusion, these combination of numbers and dots won't be on your tongue very easily. So why not name them?
So, to solve this issue, DOMAIN NAMES become a hero here. While computers require IP addresses to locate one another, we humans can use domain names. The Domain Name System, or DNS, takes domain names, the kind of web addresses that people understand like google.com and translates them into IP addresses that computers need to communicate with. So instead of having to remember XX.XX.XXX.XXX (particular numbers used), you can simply remember google.com. Looks good and makes sense? Okay!
When Internet users type a particular domain name into a web browser, the browser uses that particular domain name to find the correct IP address and, in turn, passes back the website associated with the respective associated IP address. Let us think it this way, a domain name functions like the contacts one stores in one's mobile phone. When one touches the name of a contact, that is stored in the mobile phone. That mobile phone automatically dials the number one has saved for that contact. One does not need to know where the person being called is located, and one does not even need to enter his/her specific phone number. All one has to do is touch the contact and mobile phone does the rest.
Remember, domain names provide you with a simple, human-friendly way to locate websites on the Internet.
Let us now understand domain names in detail using the image below.
The above image shows the parts of the domain name in detail
(Image Credit: https://123-reg.co.uk/)
Let us not confuse Uniform Resource Locator (URL) with Domain Names because URL points to a location of the particular file only on the web. It can be any media such as image/video or any document as well. URL also provides information on, which format it should be presented in.
https:// represents a transfer protocol and directs how data will be transferred from a webpage to any browser, which can be cross-platform.
mom.me is the domain name used here. Here we can see that, whatever comes after the dot in a domain name is a domain extension (.me)
/food/ is the directory or folder. It lets us know that this post belongs to the food category. We can say that, everything after domain name is used to identify the location of the desired content within the site.
/666-10-spider-cookies-halloween/ are the strings of numbers and alphabets, we can also call it alphanumeric, which comes last, locate the mentioned post.
TLD(Top Level Domains) is exactly what it sounds like: a type of domain name which is at the top level of the internet’s domain name system. For example, .com, .org, .net, and .edu. The official list is maintained by IANA.
ccTLD(Country Code Top Level Domains) use just two letters and are based upon international country codes, such as .in for India and.us for the United States. They’re often used by companies that are building dedicated sites for specific regions and can be a good way of signaling to users that they’ve arrived at the right place.
gTLD(Generic Top Level Domain) is essentially a top-level domain that doesn’t rely on a country code. Many gTLDs are intended for a specific use-case, such as .edu which is aimed at educational institutions.
Second-Level Domains is a domain that sits directly below a top-level domain name. For example, British companies occasionally use .co.uk instead of .com, and it’s a perfect example of a second-level domain. Another second-level domain is .gov.uk, which is often used by governmental institutions.
Subdomains are useful because they don’t require webmasters to purchase an additional domain name to create divisions within their site. Instead, they’re able to create a subdomain that effectively points to a specific directory on the server. This can be essential for campaign sites and other types of web content that should be kept separate from the main site. For example, support.google.com.


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ENGR. Gregory Premier FAX: 234-1-7763712 ATTN:CEO, ASSISTANCE REQUIRED FOR ACQUISITION OF ESTATE I write to inform you of my desire to acquire estates or landed properties in your country on behalf of the Director of Contract and Finance Allocations of the Federal Ministry of Works and Housing in Nigeria. Considering his very strategic and influential position, he wants the transaction to be strictly confidential as possible. He further wants his identity to remain undisclosed at least for now, until the completion of this transaction, Hence our desire to have an overseas agent. I have therefore been directed to inquire if you would agree to act as our overseas agent in order to actualize this transaction. The deal in brief is that the funds with which we intend to carry out our proposed investments in your country is presently in a coded account at the Nigeria Apex bank (Central Bank of Nigeria) and we need your assistance to transfer the funds to your country in a convenient bank account that will be provided by you before we can put the funds into use in your country. For this, you shall be considered to have executed a contract for the federal ministry of Works and Housing in Nigeria for which payment should be effected to you by this Ministry, The contract sum of which shall run into US$28.5Million (Twenty Eight Million, Five Hundred Dollars) of which your share shall be 30% if you agree to be our overseas agent. As soon as payment is effected, and the amount mentioned above is successfully transferred into your account, we intend to use our own share in acquiring some estates and setting up trust accounts abroad. For this too you shall also serve as our agent. In the light of this, I would like you to forward to me the following information's: 1. Your company name and address if any. 2. Your personal fax number. 3. Your personal telephone number for easy Communication. You are requested to communicate your acceptance of this proposal through my privte email address (COGM@lawyer.com). After which we shall discuss in details the modalities for seeing this transaction through. Your quick response will be highly appreciated. Thank you in anticipation of your cooperation. Yours faithfully, Engr. Gregory premier


DECEIVER A film review by Mark R. Leeper
Capsule: A prostitute has been murdered and a self-admitted liar is the chief suspect, in spite of little evidence. This is a complex story about the nature of truth in which things are rarely what they seem. The problem is that the clues are not conclusive and are left contradictory. This is a USUAL SUSPECTS wannabe but is not nearly so well- written. Rating: 5 (0 to 10), low +1 (-4 to +4)
Jonas and Josh Pate co-wrote and co-directed this enigmatic crime film. Two pieces that together make up one dead prostitute, Elizabeth (played by Renee Zellweger in flashbacks), have been found. The police investigation has turned up a most unusual suspect, Wayland (Tim Roth). Wayland is the misfit heir to a textile fortune. The evidence tying Wayland to the prostitute is very weak: she simply died with his phone number in her pocket. But Wayland acts guilty and a two-man team of policemen administer a series of polygraph lie detector tests to Wayland. In little flashbacks we get to know the policemen. There is Kennesaw (Michael Rooker) and Braxton (Chris Penn). Each has complications in his life at the moment. Kennesaw has a beautiful but wayward wife (Rosanne Arquette) that he does not want to lose, but he has fits of rage about the situation. Braxton is a younger man, a security guard turned cop. We are explicitly his IQ is a lowly 101 and he certainly is not one of the more promising policemen on the force. He also has gotten into trouble with a flamboyant bookie (played by-- are your ready for this?--Ellen Burstyn) and he desperately needs money that he hopes to borrow from Kennesaw. Braxton and Kennesaw work as a team to try to break down Wayland, but it is not clear that even his answers on the polygraph are dependable. Even on the polygraph Wayland may be playing a deadly game of deception.
Tim Roth is, of course, second only to Steve Buscemi as the king of bizarre roles in arthouse films. His smooth strange manner is just about right for this film. He maintains a wall around himself inside which he remains aloof even from the audience. Most of the rest of the casting is prosaic. By far the most interesting choice is to have Ellen Burstyn as the bookie and kingpin Mook, complete with glitter eye-shadow. It is, of course, in stark contrast to the matronly roles we expect of her, and while we see her in only two scenes, her face is the one image of the film that sticks in my memory. Photography by Bill Butler is dark and moody.
DECEIVER is clearly an attempt to make another puzzle crime film in the tradition of THE USUAL SUSPECTS. It is the sort of story that does not really begin until the film is over and the audience has all the clues and then can start trying to piece them together. Generally that is a very good touch, but there has to be at least one real solution and way to get to it. It goes wrong, however, in DECEIVER because the clues do not seem to lead in a coherent way to a solution. It is an art in a puzzle story to leave enough clues about what is going on so that the viewer can piece together one or more possible satisfying explanations but at the same time make the explanation complex enough that piecing together the clues is a challenge. One had the feeling that on a second watching of THE USUAL SUSPECTS the viewer could make all of the clues fit. (And in fact it was not difficult on the second viewing.) A second viewing of DECEIVER on the other hand seems much less promising because there will still be too many holes to piece together the story. At the same time what we have already seen seems contradictory. There seem to be no explanations for what we have seen that are both coherent and interesting.
The Pates are trying a little too hard to surprise the us at the expense of logic in the script. Still while the illusion of the puzzle film lasts this film is intriguing. I rate it a 5 on the 0 to 10 scale and low +1 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>Copyright 1998 Mark R. Leeper
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