General terms and conditions of an innovation loan from Innovate UK Loans Limited.
1. Important Information
These terms and conditions apply to organisations (which we will refer to as ‘you’ or ‘your’ from now on) who are applying for loan funding from Innovate UK Loans Ltd, a wholly-owned subsidiary of UK Research and Innovation (‘we’, ‘us’ or ‘our’). These general terms and conditions apply to requests to fund the project named in the loan funding application and are confirmed in the loan agreement and security documentation that will be entered into if your application for an innovation loan is successful.
Entering into a loan agreement with us is a significant financial commitment. In applying, you must:
- have made your own assessment in relation to the suitability of the loan agreement for your business
- consent to all searches necessary to determine the financial status of your business and other relevant checks appropriate to assessing creditworthiness
- understand that as part of our due diligence key persons, directors, beneficial owners and any relevant related persons may be required to consent to credit reference checks
- understand that information provided by you in the application will form part of the loan agreement. Information later proven to be false or misleading may lead to a breach of the loan agreement which could result in the immediate withdrawal of the loan, a demand for immediate repayment and the enforcement of any security granted in connection with the loan agreement
- acknowledge that the execution of the loan agreement and all associated documents must be by an authorised signatory of the company and evidence of such authorisation must be provided in the form of a board resolution
- acknowledge that upon entry into a loan agreement with us you will incur binding legal obligations and should seek independent legal advice
2. Summary heads of terms
Our summary heads of terms provide an outline that reflects the typical nature of the loan agreement that we would consider making available.
The summary heads of terms are indicative and not exhaustive. We reserve the right to amend or withdraw these terms if required.
This is not an offer to provide finance.
Any loan agreement would be subject to due diligence and the documentation being in a form satisfactory to the lender:
- Lender
Innovate UK Loans Ltd
- Borrower
Eligible SMEs, being within the scope of the innovation loans scheme
- Amount and term
Up to 100% of the eligible project costs of an approved R&D project, subject to minimum and maximum abouts set out in the competition brief for the relevant competition and which are not covered by grants to you from Innovate UK or other government support and which are required to develop and commercially exploit innovation relating to the project.
Term: overall maximum term as set out in the competition brief for the relevant competition, including:
Stage 1: availability period as set out in the competition brief for the relevant competition, during which drawdowns will be permitted.
Stage 2: extension period as set out in the competition brief for the relevant competition, during which no further drawdowns will be permitted.
Stage 3: repayment period as set out in the competition brief for the relevant competition. - Purpose
The loan is to be available to meet the eligible costs of a research and development project. This should be to develop and commercially exploit innovation.
- Drawdown
Staged drawdowns, quarterly in advance based on project milestones. Drawdowns will be subject to project progress, monitoring officer sign-off and financial and reporting covenants being met.
The full amount will not be drawn at the outset.
- Fees
No arrangement, commitment, non-usage, monitoring or security fees will usually apply.
Where bespoke activities or arrangements are needed to complete a transaction, we reserve the right to pass on or share these costs, including our legal and valuation fees. This is subject to prior agreement with you.
- Interest
During the availability and extension periods, interest will be payable quarterly at the rate set out in the relevant competition brief for the competition on amounts outstanding.
During the availability and extension periods, interest may be accrued quarterly at the rate set out in the relevant competition brief for the competition on amounts outstanding and deferred to the repayment period.
During the repayment period, interest will be payable quarterly at the rate set out in the relevant competition brief on amounts outstanding, including deferred interest from the availability and extension periods.
Fixed interest rate, subject to any restructuring or extension of the loan agreement.
The first interest period will start on the first drawdown date and the final interest period will end on the termination date.
- Repayment
The final repayment structure will be determined by us but could include:
- Interest-only period as set out in the relevant competition brief for the competition, consisting of the agreed availability period and extension period and
- Repayment period as set out in the relevant competition brief for the competition by way of quarterly repayments including interest accrued and deferred during the availability and extension periods
- Maximum term as set out in the relevant competition brief for the competition.
- Pre-conditions
The pre-conditions will include at least:
- Evidence of your status as an eligible UK-based SME
- Delivery of security documents
- Completion of “Know Your Customer” and Anti-Money Laundering requirements, for all directors and/or persons of significant control
- Security
Typical security for a transaction of this nature can include, but is not limited to:
- a debenture over the assets of your business (including, and without limitation, a fixed charge over key assets and a floating charge over all the other assets of your business)
Where other funders are involved in a package deal, or future commercial investment is subject to securing priority, intercreditor arrangements may be required. In this event priority over assets not specifically scheduled in support of the innovation loan will not be unreasonably withheld.
We will not take personal guarantees or security over principal private residences or benefit from the future sale thereof in the event of a realisation.
- Loan covenants
The covenants set on each loan will depend on the structure of the transaction and the nature of the project. It is important to note that these covenants will consider the overall viability of your business. They will be relevant to the proper management of public funds but should not prevent you from delivering your planned activity.
We expect your project to meet its scheduled delivery timetable with the support of the monitoring officer.
For example, covenants will include, at least:
- affirmative covenants
- maintaining financial records and management information
- compliance with UK tax obligations
- maintenance of adequate insurance, including specific insurance in connection with the assets of your business and ‘key person’ cover in case of the loss of an important member of your business
- negative covenants
- control of “cash out”, dividends and/or withdrawal of directors’ loans.
- right of approval on change of control or business sale
- requirement to maintain prescribed debt service cover, liquidity, leverage and/or current assets ratios
- right to require repayment of the loan in the event of a loss of intellectual property supported by Innovate UK during the term of the loan
- right to seek early repayment through refinancing or as part of a liquidity event if, as a result, there is no longer a need for public funding in the form of the loan
- right to take control of any unexploited intellectual property developed through the project not foregone in a crystallisation event and distribute to the benefit of the UK innovation community
- reporting covenants
- regular quarterly management information
- annual accounts: audited as appropriate and as filed at Companies House and/or draft annual accounts, accountant-certified forecasts, tax returns and bank statements
Where the delivery of the project, its subsequent commercialisation and the overall viability of your business relies on the quality of the project, the business leadership team and the individuals within it, the lender may require ‘key person’ clauses in addition to the items above.
- affirmative covenants
- Events of default
The events of default will depend on the structure of the transaction and the nature of the project. The events of default will be market standard and will include at least the following:
- Change of control of your business without our prior written consent, which will not be unreasonably withheld.
- The departure of a ‘key person’ from the business or the project without our prior agreement to the proposed and timely remedy, which will not be unreasonably withheld.
- Non-payment on repayment date.
- Your failure to comply with your obligations under the loan agreement.
- Insolvency of your business
- Cross-default.
- It is or becomes unlawful for any party to perform its obligations under the loan agreement.
If you defaults on your loan commitments, we will take steps to recover the debt in line with standard commercial practice.
- Transferability and disclosure
We may freely transfer our rights under the loan agreement.
We may disclose information applicable to such a transfer. You will reasonably assist with the provision of such information.
You may not assign or transfer its rights under the loan agreement.
- Governing law
English (with suitable amendments as appropriate for borrowers in Scotland or Northern Ireland)
- Documentation
Our standard form loan agreement and security documentation will be used to document the transaction
3. Monitoring
-
We are required to demonstrate to UK Research and Innovation and the Department for Business, Energy and Industrial Strategy (BEIS) the effective performance management of project delivery. Your project will be monitored by Innovate UK's project monitoring service.
-
Throughout the term of your loan, the progress of your project is monitored by Innovate UK through your Monitoring Officer (MO). Your MO is your first point of contact for official notifications, queries and correspondence with Innovate UK, unless otherwise required by this agreement. You should comply with any reasonable request for information and deadlines by your MO.
-
Your project manager, and others as may be agreed from time to time, will meet with your MO once a calendar quarter (or agreed period) to review your written report for the period since the last monitoring meeting. You should deliver this report to your MO no later than 14 days before the scheduled monitoring meeting.
-
Your MO will require you to provide satisfactory evidence of project delivery in the following 3 aspects:
- Technical assurance.
- Financial assurance.
- Project management assurance.
Failure to provide satisfactory evidence in any one of these areas will prevent your MO from validating your claims.
4. Warranties
-
As of the effective date on the loan agreement, you warrant to us that:
- you have all necessary resources and expertise to deliver the project (this assumes your reliance on and timely receipt of the loan drawdowns and any conditions specified in the loan agreement)
- you are not subject to any contractual or other restriction imposed by your or any other organisation's rules or regulations or otherwise which may prevent or impede you from meeting your obligations in connection with the loan
- you have not committed any offence under the Bribery Act 2010
- you have adequate procedures in place for dealing with any conflicts of interest
- all financial and other information concerning you which has been disclosed to us is, to your reasonable knowledge and belief, true and accurate
- you are not aware of anything in your own affairs, which you have not disclosed to us, which might reasonably have influenced our decision of Innovate UK to make the grant approve the loan on the terms contained in the loan agreement
- since the date of your last accounts (if any) there has been no significant change in your financial position or prospects which you have not declared to us
- you are not subject to an outstanding order for the recovery of aid which has been declared by the European Commission to be illegal and incompatible with the Single Market and
5. Confidentiality and information management
-
We have the right to request access to any additional information we feel necessary in connection with the loan award. You must provide or allow access to such information within 10 working days of our request. We will treat your confidential and personal information in accordance with our policies and data protection legislation.
-
All your information disclosed deliberately or otherwise will be treated by us as confidential information and commercially sensitive as exempted under the Freedom of Information Act 2000 or any related legislation, unless otherwise marked or agreed in writing. For the avoidance of doubt, it is at your discretion and must be with the agreement of the relevant third parties, if you choose to disclose confidential information of third parties to us, at which point it will be treated as confidential information by us unless marked otherwise.
-
You acknowledge and accept the terms of https://www.ukri.org/privacy-notice/ and https://www.gov.uk/government/organisations/innovate-uk/about/personal-information-charter which should be read in addition to https://www.ukri.org/privacy-notice/. This policy explains Innovate UK’s specific arrangements for collecting, storing, using and sharing your information. This can include personal data or confidential or commercially sensitive information. It provides details on how we use this information to support our ability to fund, support and connect innovative businesses and encourage sustainable economic growth for the UK.
-
Any information we collect from you, through our online platforms, grant loan applications and administration, events or elsewhere, will be managed according to this policy and is subject to data protection. This policy complies with the https://gdpr-info.eu/ (EU 2016/679), or GDPR, introduced on 25 May 2018.
-
As a public sector organisation we are also subject to some further data protection obligations under the http://www.legislation.gov.uk/ukpga/2018/12/contents
6. Intellectual property rights
-
Any intellectual property rights (IPRs) developed during or as a result of the project are owned by you.
-
You will ensure that you have the necessary rights to use or access third party IPR needed to carry out the project.
-
You will manage IPRs in a professional and business-like manner in order, amongst other things, to help the achievement of Innovate UK’s overall aims of encouraging the commercialisation of new technologies, helping businesses to grow by benefiting from UK research and enhancing growth of high technology industry in UK.
7. Exploitation of project results
-
We require you to establish an exploitation plan together with your Monitoring Officer at the start of your project, and to refine and update it at least once every 6 months (or at other intervals as agreed with us) throughout the project’s lifetime.
For a period of 5 years from the end of the project, we expect you to take reasonable steps to exploit the results of the project in the UK or wider European Economic Area. We will continuously evaluate the impact of funding awarded to the project and you will cooperate fully in this process.
-
You must refine and update your exploitation plan, initially set out in your application, throughout the lifetime of the project and where specified for a defined period after the project end date.
8. UK statutory framework
-
We are required to comply with all legislation in England and Wales.
-
You must also comply with all legislation (including in the devolved administrations) where they apply to you and to act in a way that does not affect our ability to comply.
-
We particularly draw to your attention the Bribery Act 2010, the Data Protection Act 2018, the Fraud Act 2006, the Health and Safety at Work Act 1974, the Modern Slavery Act 2015 and the Procurement Regulations 2015.
9. Publication of information
-
We encourage you to seek your own publicity in respect of the project. If you want to publicise the project in any way whatsoever, please consult the Innovate UK guide ‘Publicising your project: guidelines from Innovate UK’ available from Innovate UK’s Press Office by emailing pressoffice@innovateuk.ukri.org


| I l@ve RuBoard |
Writing your own allocator is not very hard. The most important issue is how you allocate or deallocate the storage. The rest is more or less obvious. As an example, let's look at a naive implementation of the default allocator:
//util/defalloc.hpp namespace std { template <class T> class allocator { public: //type definitions typedef size_t size_type; typedef ptrdiff_t difference_type; typedef T* pointer; typedef const T* const_pointer; typedef T& reference; typedef const T& const_reference; typedef T value_type; //rebind allocator to type U template <class U> struct rebind { typedef allocator<U> other; }; //return address of values pointer address (reference value) const { return &value; } const_pointer address (const_reference value) const { return &value; } /*constructors and destructor *-nothing to do because the allocator has no state */ allocator() throw() { } allocator(const allocator&) throw() { } template <class U> allocator (const allocator<U>&) throw() { } ~allocator() throw() { } //return maximum number of elements that can be allocated size_type max_size () const throw() { //for numeric_limits see Section 4.3, page 59 return numeric_limits<size_t>::max() / sizeof(T); } //allocate but don't initialize num elements of type T pointer allocate (size_type num, allocator<void>::const_pointer hint = 0) { //allocate memory with global new return (pointer) (::operator new(num*sizeof(T))); } //initialize elements of allocated storage p with value value void construct (pointer p, const T& value) { //initialize memory with placement new new((void*)p)T(value); } //destroy elements of initialized storage p void destroy (pointer p) { // destroy objects by calling their destructor p->~T(); } //deallocate storage p of deleted elements void deallocate (pointer p, size_type num) { //deallocate memory with global delete ::operator delete((void*)p)); } }; //return that all specializations of this allocator are interchangeable template <class T1, class T2> bool operator== (const allocator<T1>&, const allocator<T2>&) throw() { return true; } template <class T1, class T2> bool operator!= (const allocator<T1>&, const allocator<T2>&) throw() { return false; } }
Using this base implementation you should find it no problem to implement your own allocator. Typically, the only things that differ from this implementation are max_size(), allocate(), and deallocate(). In these three functions, you program your own policy of memory allocation, such as reusing memory instead of freeing it immediately, using shared memory, or mapping the memory to a segment of an object-oriented database.
| I l@ve RuBoard |


Examples with controls and no auto-play
With loading bar
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DINOSAUR (2000) / ***
Directed by Eric Leighton and Ralph Zondag. Screenplay by John Harrison and Robert Nelson Jacobs, from a story by Thom Enriquez, Harrison, Jacobs and Zondag, based on an earlier screenplay by Walon Green. Starring D.B. Sweeney, Alfre Woodard, Max Casella. Running time: 83 minutes. Rated PG by the MFCB. Reviewed on June 13th, 2000.
By SHANNON PATRICK SULLIVAN
When a movie targeted at children tries to appeal to adults, it usually does so by offering an additional, more mature level of dialogue and humor: material which will go unnoticed by the younger set but will be appreciated by the grown-ups. There is some of this in "Dinosaur", but not a lot. Instead, what will entertain the adults is pretty much exactly what will entertain the kids: a visually spectacular production which takes the art of computer animation to a whole new level.
I first became aware of the possibilities of computer graphics when I saw "Jurassic Park". I can still remember the thrill I felt at actually being able to watch dinosaurs walk, eat, attack, and interact with one another. And while "Jurassic Park" is still pretty impressive -- certainly, seven years on it has not dated badly at all -- on a technical level, it has been altogether surpassed by "Dinosaur". For here not only do we see the reptiles as more of a presence in their environment than ever before, but we are witness to a tremendous variety of the creatures, all acting as though they were real, individual beings. One of the most incredible shots in the whole picture sees the camera pan up over a rise to show a massive caravan of dinosaurs, dozens of them representing many different species, all galloping off into the distance.
And the success of "Dinosaur" lies not just in these bold, epic scenes but also in the details. Check out the way the wind blows realistically through the hair of the lemurs, for example, or how the sand breaks under the feet of the heavier dinosaurs. Granted, the animation is not perfect: the dinosaurs feel entirely too textured and clean, and many of the faces (especially the lemurs) still bear a hint of their cartoon ancestry. But these are minor gripes; "Dinosaur" is the sort of movie you can just sit back and watch for an hour and a half, and let your eyes feast.
Of course, there's a story too, although it's a relatively simple one. Aladar (DB Sweeney) is a dinosaur who has been raised by a family of lemurs after his stolen egg was dropped into their midst by a flying creature one day. (Realistically, mammals were nowhere close to this level of evolution prior to the extinction of the dinosaurs, but in this case the science gaffe is forgivable, with the lemurs acting as more accessible audience identification figure than most of the dinosaurs.) Aladar leads a happy, if somewhat lonely, life with the lemurs on their verdant island for many years.
Then one evening, a violent meteor shower rains down upon the land, forcing Aladar to flee the island with as many of his family as he can carry. (This sequence is a wonderful example of mixing beauty and horror; the storm is initially very beautiful, burning across a purple evening sky, and very gradually builds in intensity and fury.) The survivors include misfit "love monkey" Zini (Max Casella), young Suri (Hayden Panettiere), Aladar's "mother" Plio (Alfre Woodard), and lemur patriarch Yar (Ossie Davis). Swimming to the mainland, Aladar and friends discover it to be a burnt, barren wasteland in the aftermath of the meteor storm. (It's not made clear if this shower is intended to be the one which would eventually lead to the extinction of the dinosaurs.)
They soon come upon a huge pack of dinosaurs in search of the fabled Nesting Grounds, a secluded valley paradise. The dinosaurs are led by the draconian Kron (Samuel E Wright), whose sister Neera ("ER"'s Julianna Margulies) quickly attracts Aladar's eye. Kron adheres strictly to the law of the survival of the fittest, and is perfectly happy to let the older dinosaurs, such as Aladar's new friends Eema (Della Reese) and Baylene (Joan Plowright), perish if it means stronger, younger pack members will live. The dinosaurs soon find themselves crossing a long stretch of arid desert a la "Lawrence of Arabia", with the terrifying, fang-mawed carnotaurs at their backs and only the faintest promise of reaching the Nesting Grounds ahead.
"Dinosaur" is well-written, although the simplistic, straightforward script by John Harrison and Robert Nelson Jacobs leaves little doubt about the intended audience. But there are some very amusing sequences (after Zini's ill-considered attempt to get Neera to notice Aladar, she quips, "That, children, is what we call a jerkosaurus"), and the story proceeds at a reasonable pace which shouldn't allow tedium to set in for adults or kids.
After an opening ten-minute sequence in which none of the animals actually speak, it is initially rather jarring when the lemurs and Aladar begin conversing. But this feeling of displacement quickly fades, and the voicework is altogether competent. Much of the characterisation is fairly shallow, however, so the artistes don't have a lot to do besides read lines. Only Davis, as the gruff but lovable Yar, really stands out.
The movie benefits from some luxurious cinematography by David R Hardberger and S Douglas Smith. Images of the sprawling grasslands and waves pounding the ocean cliffs are beautiful even without the presence of the animated dinosaurs. Also helping to raise the bar is the glorious score by James Newton Howard, which adds an epic feel to the events.
Most kids will enjoy "Dinosaur", and the content is generally quite appropriate. There are some nice lessons to be learned about the value of teamwork and the importance of caring for the elderly, and the movie doesn't get overly preachy. Parents of very young or sensitive children should be warned that a handful of scenes are quite savage, however. The destruction of the lemurs' island and the antics of the carnivorous dinosaurs, like the ferocious carnotaurs, have the potential to be nightmare fodder for some. For the most part, though, "Dinosaur" is a rousing and delightful adventure, another success from the Disney stable of animated films.
Copyright © 2000 Shannon Patrick Sullivan. Archived at The Popcorn Gallery, http://www.physics.mun.ca/~sps/movies/Dinosaur.html
_______________________________________________________________________ / Shannon Patrick Sullivan | "We are all in the gutter, but some of us \ |<EMAIL_ADDRESS>| are looking at the stars." - Oscar Wilde | \___________________________|__________________________________________/ | Popcorn Gallery Movie Reviews www.physics.mun.ca/~sps/movies.html | | Doctor Who: A Brief History of Time (Travel) /drwho.html |
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Resources for Students
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This is an 'R' interface to Alun Thomas's 'ViewGraph' 'Java' graph viewing program. It takes a graph specified as an incidence matrix, list of edges, or in 'igraph' format and runs a graphical user interface that shows an animation of a force directed algorithm positioning the vertices in two dimensions. It works well for graphs of various structure of up to a few thousand vertices. It's not fazed by graphs that comprise several components. The coordinates can be read as an 'igraph' style layout matrix at any time. The user can mess with the layout using a mouse, preferably one with 3 buttons, and some keyed commands. The 'Java' program 'ViewGraph' is contained in Alun Thomas's 'JPSGCS' collection of 'Java' programs for statistical genetics and computational statistics. The homepage for 'JPSGCS' is <http://www-genepi.med.utah.edu/~alun/software/index.html>. The documentation page for 'ViewGraph' is at <http://www-genepi.med.utah.edu/~alun/software/docs/ViewGraph.html>.
| Version: | 1.2 |
| Depends: | rJava |
| Enhances: | igraph, Matrix |
| Published: | 2018-07-27 |
| Author: | Alun Thomas |
| Maintainer: | Alun Thomas <Alun.Thomas at utah.edu> |
| License: | GPL-2 |
| NeedsCompilation: | no |
| CRAN checks: | rviewgraph results |
| Reference manual: | rviewgraph.pdf |
| Package source: | rviewgraph_1.2.tar.gz |
| Windows binaries: | r-devel: rviewgraph_1.2.zip, r-release: rviewgraph_1.2.zip, r-oldrel: rviewgraph_1.2.zip |
| OS X binaries: | r-release: not available, r-oldrel: not available |
Please use the canonical form https://CRAN.R-project.org/package=rviewgraph to link to this page.


DESTRY A film review by Dan Navarro Copyright 1996 Dan Navarro
"Destry Rides Again" (Universal, 1939) is usually accorded near-mythic status in books and film commentaries. It teamed James Stewart, a hot new star fresh from his triumphant "Mr. Smith Goes to Washington", with the glamorous Marlene Dietrich in the story of a gun-hating deputy sheriff who succeeds in cleaning up a lawless town. The film was so well-received, its title is nearly always mentioned in lists of the great films of that banner year, 1939.
But "Destry Rides Again" is not the last word. The film was remade as "Destry" fifteen years later by the same director, George Marshall, this time in Technicolor, with Audie Murphy in the central role of the gun-shy deputy. The slick patina of the Stewart-Dietrich version, combined with the celebrated legend naming 1939 as Hollywood's Greatest Year, have worked to downgrade the 1954 "Destry" in the public's mind as an inferior remake. It is nothing of the sort. "Destry" is a near-classic Western, complete and satisfying in every way, and it boasts performances that in some ways eclipse the efforts of the 1939 cast.
In the old West, a small frontier town named Restful is anything but. Hooligans roam the streets freely, random gunplay erupts everywhere, and peaceful citizens live in fear for their lives. The town has an overworked sheriff, but the real power in Restful resides with Phil Decker (Lyle Bettger), a corrupt saloon owner who is the equivalent of a big-city crime boss. Decker and his cronies operate in league with the slimy local mayor (Edgar Buchanan, magnificent in a rare villainous role) and Decker's own dance hall girl, Brandy (Mari Blanchard, so luminous she almost gives corruption a good name).
When the sheriff tries to interfere in one of Decker's crooked schemes, Decker has the lawman casually gunned down. Then, in an effort to insulate himself from further interference, Decker arranges to have the town drunk, Rags Barnaby (Thomas Mitchell), named the new sheriff, thinking he will be ineffectual. But Rags surprises everyone by taking his new appointment seriously. He goes on the wagon, then sends for Tom Destry, the son of a former two-fisted lawman, to be his deputy.
Tom Destry (Audie Murphy) arrives in Restful, looking nothing like the swaggering he-man the sheriff had in mind. In fact, Destry doesn't even carry a gun. The new arrival is soft-spoken, polite and deferential, the antithesis of the intrepid Western hero of legend. And Destry does let himself get pushed around -- by Decker, by his gunsels, even by the femme fatale, Brandy. But director Marshall is just setting us up, and we know it. We watch in silent glee, waiting for the inevitable moment when the worm will turn, and the meek will inherit the earth. When Destry's controlled rage surfaces at long last, he smites the villains mightily, with a vengeance that out-Shanes "Shane".
Marshall's chief asset in this retelling of the Destry story is, of course, Audie Murphy. In World War II, Murphy had won the Congressional Medal of Honor for valor in combat, as well as 23 other decorations; and yet, this heroic fighting tiger turned out to be diminutive and baby-faced. Standing no more than five feet eight, with the angelic face of a well-scrubbed choir boy, Murphy must have seemed a "natural" for the role of the reluctant gunfighter Tom Destry. As it turned out, not only was his physical appearance ideal for the role; his acting style, always low-key, fit the Destry mold perfectly.
James Stewart was, of course, one of the finest actors ever to appear in American cinema, and he was eminently qualified for most of the roles he played. But at well over 6 feet tall, he towered over his fellow cast members in "Destry Rides Again", and was by nature unable to project the vulnerability his role demanded. (Perversely, the casting department gave the role of Destry's chief nemesis to the shorter-than-average Brian Donlevy.) Stewart also had a habit of punctuating his most intense dramatic moments with the dark, wild-eyed visage of a deranged man. We can see that look in "It's a Wonderful Life" (1946), when Stewart's George Bailey is confronted with a nightmarish vision of the world, and in that sequence his expression was most appropriate. But he uses the "crazy George Bailey look" four times in "Destry Rides Again", and it's unsettling, because we never expect to see the easy-going, nonviolent Tom Destry look that unstable.
Audie Murphy's Destry is, by contrast, calm and friendly even in his most trying moments, as when he is forced to break up some recreational gunplay by local toughs. Instead of glaring daggers at them, he smiles and graciously asks the men to let him borrow their guns. Amused, they decide to humor the pint-sized pacifist by handing him their guns, because up until now they have had no reason to fear him. All that changes, as Destry rapidly empties the pistols by picking off twelve tiny furniture knobs from a distance, in a dazzling display of marksmanship. In that instant, the lamb shows his fangs. It's a defining moment in the film. Even if you knew it was coming because you saw the 1939 version, it still catches you by surprise because this time around, Destry has seemed like such a powerless little pussycat.
Mari Blanchard sparkles as Brandy, the amoral saloon queen. She plays Brandy with a sexy exuberance, perhaps mindful that she was enjoying the best role of her career, after a string of small parts in B-pictures like "The Brigand" (1952) and "Assignment Paris" (1952). Brandy is an intriguing puzzle: A bad girl who cheerfully aids and abets her lover, Decker, as he runs crooked poker games and fraudulent land schemes -- but who is nevertheless attracted to the peace-loving Destry and his basic decency. Blanchard also gets to sing and dance to three numbers composed for the film by Frederick Herbert and Arnold Hughes, although an upbeat tempo can't disguise the fact that one of the songs, "Bang! Bang!", is basically the same tune as "See What the Boys in the Back Room Will Have", sans Dietrich's husky tremolo.
"Destry"'s dramatic stability is provided by the redoubtable Thomas Mitchell, as the town drunk turned sheriff. The veteran screen actor had won an Oscar (for "Stagecoach", 1939) and two nominations, and was clearly the class of the "Destry" cast. There is hardly a moment in any of his scenes when he does not own the camera. Every inflection in Mitchell's voice, every nuance of expression, is done with authority. Watch him in the scene where Rags Barnaby is informed, upon being awakened from a drunken stupor, that he has been named the new sheriff. He steadies his bloodshot eyes, firms his jaw, flings away the bottle he was holding, and declares, in the voice of a man who's trying desperately not to sound inebriated, "A man's got to choose between th' bottle and th' badge!"  It's a moment of bravura acting by an old pro who understood what screen acting was all about.
But the enduring image in "Destry" is of Audie Murphy as the quietly courageous man of peace who, in the end, is forced to take up arms against the forces of evil. The moment when Destry finally, reluctantly, straps on his gunbelt and heads out the door to take care of business is one of the great scenes in Western films. It is beautiful, as justice is beautiful. And we have been so carefully set up for this moment that we are no longer sophisticated observers; we are little children again, cheering in the knowledge that soon, all the ugliness will be wiped out, and the world will be a happy place again.
Dan Navarro -- send mail to<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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Related links: index of all rec.arts.movies.reviews reviews


xsubpp - compiler to convert Perl XS code into C code
xsubpp [-v] [-except] [-s pattern]
[-prototypes] [-noversioncheck] [-nolinenumbers]
[-nooptimize] [-typemap typemap] [-output filename]...
file.xs
This compiler is typically run by the makefiles created by ExtUtils::MakeMaker
or by Module::Build or other Perl module build tools.
xsubpp will compile XS code into C code by embedding the
constructs necessary to let C functions manipulate Perl values and creates
the glue necessary to let Perl access those functions. The compiler uses
typemaps to determine how to map C function parameters and variables to Perl
values.
The compiler will search for typemap files called typemap.
It will use the following search path to find default typemaps, with the
rightmost typemap taking precedence.
../../../typemap:../../typemap:../typemap:typemap
It will also use a default typemap installed as
"ExtUtils::typemap".
Note that the "XSOPT" MakeMaker option may be
used to add these options to any makefiles generated by MakeMaker.
- -hiertype
- Retains '::' in type names so that C++ hierarchical types can be
mapped.
- -except
- Adds exception handling stubs to the C code.
- -typemap typemap
- Indicates that a user-supplied typemap should take precedence over the
default typemaps. This option may be used multiple times, with the last
typemap having the highest precedence.
- -output filename
- Specifies the name of the output file to generate. If no file is
specified, output will be written to standard output.
- -v
- Prints the xsubpp version number to standard output, then
exits.
- -prototypes
- By default xsubpp will not automatically generate prototype code
for all xsubs. This flag will enable prototypes.
- -noversioncheck
- Disables the run time test that determines if the object file (derived
from the ".xs" file) and the
".pm" files have the same version
number.
- -nolinenumbers
- Prevents the inclusion of '#line' directives in the output.
- -nooptimize
- Disables certain optimizations. The only optimization that is currently
affected is the use of targets by the output C code (see perlguts).
This may significantly slow down the generated code, but this is the way
xsubpp of 5.005 and earlier operated.
- -noinout
- Disable recognition of "IN",
"OUT_LIST" and
"INOUT_LIST" declarations.
- -noargtypes
- Disable recognition of ANSI-like descriptions of function signature.
- -C++
- Currently doesn't do anything at all. This flag has been a no-op for many
versions of perl, at least as far back as perl5.003_07. It's allowed here
for backwards compatibility.
- -s=... or -strip=...
- This option is obscure and discouraged.
If specified, the given string will be stripped off from the
beginning of the C function name in the generated XS functions (if it
starts with that prefix). This only applies to XSUBs without
"CODE" or
"PPCODE" blocks. For example, the
XS:
void foo_bar(int i);
when "xsubpp" is invoked
with "-s foo_" will install a
"foo_bar" function in Perl, but really
call bar(i) in C. Most of the time, this is the
opposite of what you want and failure modes are somewhat obscure, so
please avoid this option where possible.
No environment variables are used.
Originally by Larry Wall. Turned into the
"ExtUtils::ParseXS" module by Ken Williams.
perl(1), perlxs(1), perlxstut(1), ExtUtils::ParseXS


Anonim CSS
This is Anonim Food, a free, fully standards-compliant CSS designed by Aanonim . This free template is released under a Creative Commons Attributions 2.5 license, so you’re pretty much free to do whatever you want with it (even use it commercially) provided you keep the links in the footer intact. Aside from that, have fun with it :)
Makanan
Designed by Ahmadchen
This is Food Coder HTML TEMA, a free, fully standards-compliant CSS template designed by Anonim. The photos in this design are from PDPhoto.org. This free template is released under a Creative Commons Attributions 2.5 license, so you’re pretty much free to do whatever you want with it (even use it commercially) provided you keep the links in the footer intact. Aside from that, have fun with it :)
Buah - Buahan
Designed by Ahmadchen
This is Food Coder HTML TEMA, a free, fully standards-compliant CSS template designed by Anonim. The photos in this design are from PDPhoto.org. This free template is released under a Creative Commons Attributions 2.5 license, so you’re pretty much free to do whatever you want with it (even use it commercially) provided you keep the links in the footer intact. Aside from that, have fun with it :)
Minuman
Designed by Free Ahmadchen
This is Food Coder HTML TEMA, a free, fully standards-compliant CSS template designed by Anonim. The photos in this design are from PDPhoto.org. This free template is released under a Creative Commons Attributions 2.5 license, so you’re pretty much free to do whatever you want with it (even use it commercially) provided you keep the links in the footer intact. Aside from that, have fun with it :)


-->
Unique opportunities to work on projects that might transform the web. New jobs once a week, by email. Published every Sunday, give or take, as long as it's working.
You’ll find something interesting, even if it’s not the job for you. We hope you'll share them with one of your peers.


The directory presents verification examples involving program composition. They are mostly taken from the works of Chandy, Charpentier and Chandy.
Counter.thy
)
and priority system (Priority.thy
)
Alloc.thy
)
Client.thy
)
AllocImpl.thy
)
Handshake.thy
)
TimerArray.thy
)
Safety proofs (invariants) are often proved automatically. Progress proofs involving ENSURES can sometimes be proved automatically. The level of automation appears to be about the same as in HOL-UNITY by Flemming Andersen et al.
lcp@cl.cam.ac.uk


--- layout: default ---
You deserve a lot better than that. Please call someone at 1-800-273-TALK or go to imalive.org and talk to someone about that. I promise, it does get better.


Dokuz Eylul University
You can find everything about me in this website.
Hello. I'm 23 years old freelance writer.


Flip Puzzle Example
Client Only
random 5x5 problem
fixed 5x5 problem
free mode
Client-Server
server check


Avangate Acquires 2Checkout to Expand Payment Flexibility and Broaden Market Reach
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This calculator simulates the potential
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REPER Do you sell digital or physical goods?
REPER Are you selling to consumers (B2C) or businesses (B2B)?
REPER What is your average order value?
0
REPER Where are you selling your products/services?
REPER Where do you have a local business entity?
REPER
Help us understand what your current commerce
environment
looks like: What’s your annual online
sales volume (in USD)?
REPER What is your current global cart conversion rate? Conversion rate = unique visitors in cart/ number of new orders
0%
REPER Do you do cart abandonment/ unfinished payments follow-ups?

REPER
How's your cart localization?
Do you offer local languages, currencies, localized pricing,
local payment methods,
local support numbers displayed
in cart?
REPER Do you or your eCommerce/ payments provider use Intelligent Payment Routing, Failover and Retry Logic?
REPER Can you easily set up products with different business models? One time license/ subscriptions/ trials, usage-based, etc.
REPER Are you selling products via Affiliates?
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REPER Can you choose your Go-To-Market model (i.e. are you able to choose between a Merchant of Record or a Payment Service Provider model by market)?
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0%
REPER Do you do cart abandonment/ unfinished payments follow-ups?
REPER Do you run promotions/ cross-selling /upselling/ bundles?
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REPER How's your cart localization (do you offer local languages, currencies, localized pricing, local support numbers displayed in cart)?
REPER Do you or your eCommerce / payments provider use Intelligent Payment Routing, Failover and Retry Logic?
REPER Can you easily set up products with different business models (one time license/ subscriptions/ trials, usage-based etc.)?
REPER Are you selling products via Affiliates?
REPER Are your site & cart optimized for mobile?
REPER Do you or your eCommerce provider handle fraud prevention and compliance?
REPER Do you or your eCommerce provider do tax and VAT management?
Do you have renewals?
REPER Percentage of renewal types
REPER How can your clients manage their subscriptions? Renew, upgrade/ downgrade products, cancel subscriptions (tick all that apply).
REPER What is your manual renewal rate?
REPER What is your auto renewal rate?
REPER Passive churn prevention - tick all that you are using (tick all that apply)
REPER Voluntary churn prevention - tick all that you are using (tick all that apply)
REPER Channel sales - are you offering recurring commissions/ incentives for sales via affiliates/ resellers?
REPER Please insert your details to receive a copy of the results:
2Checkout eCommerce Optimization Calculator for Software & SaaS - Results
You scored less than 30% on eCommerce optimization.
You scored between 30% and 50% on eCommerce optimization.
You scored between 50 and 75% on eCommerce optimization.
You scored over 75% on eCommerce optimization.
You scored less than 30% on eCommerce optimization.
You scored between 30% and 50% on eCommerce optimization.
You scored between 50 and 75% on eCommerce optimization.
You scored over 75% on eCommerce optimization.
You have plently of areas where you can improve your acquisition strategy - right across the board. Also, it's time to think about subscriptions!
You are doing some optimization, but there is still plenty of room to improve your acquisition strategy. Also, it's time to think about subscriptions!
Congratulations, you are clearly above average when it comes to eCommerce optimization, but there is still room to improve. Also, it's time to think about subscriptions!
Congratulations, you are doing an excellent job already when it comes to eCommerce optimization, but it's time to think about subscriptions and what strategy you need to adopt for this model!
You have plently of areas where you can improve both your acquisition and your retention strategy - right across the board.
You are doing some optimization, but you have plently of areas where you can improve both your acquisition and your retention strategy.
Congratulations, you are clearly above average when it comes to eCommerce optimization, but there is still room to improve.
Congratulations, you are doing an excellent job already when it comes to eCommerce optimization.
Challenge us to see how we can get you one notch higher! For this we need to analyse your site, cart & processes in more detail.


◆ __init__()
| def models_solver.MaterialsSolver.__init__ |
( |
|
self, |
|
|
|
model_part, |
|
|
|
custom_settings |
|
) |
| |
◆ Finalize()
| def models_solver.MaterialsSolver.Finalize |
( |
|
self | ) |
|
◆ FinalizeSolutionStep()
| def models_solver.MaterialsSolver.FinalizeSolutionStep |
( |
|
self | ) |
|
◆ GetEndTime()
| def models_solver.MaterialsSolver.GetEndTime |
( |
|
self | ) |
|
◆ Initialize()
| def models_solver.MaterialsSolver.Initialize |
( |
|
self | ) |
|
◆ initialize_calculation_variables()
| def models_solver.MaterialsSolver.initialize_calculation_variables |
( |
|
self | ) |
|
◆ InitializeSolutionStep()
| def models_solver.MaterialsSolver.InitializeSolutionStep |
( |
|
self | ) |
|
◆ Solve()
| def models_solver.MaterialsSolver.Solve |
( |
|
self | ) |
|
◆ Cauchy
| models_solver.MaterialsSolver.Cauchy |
◆ constitutive_matrix
| models_solver.MaterialsSolver.constitutive_matrix |
◆ detF
| models_solver.MaterialsSolver.detF |
◆ dimension
| models_solver.MaterialsSolver.dimension |
◆ DN_DX
| models_solver.MaterialsSolver.DN_DX |
◆ echo_level
| models_solver.MaterialsSolver.echo_level |
| models_solver.MaterialsSolver.F |
◆ file
| models_solver.MaterialsSolver.file |
◆ geometry
| models_solver.MaterialsSolver.geometry |
◆ integration_settings
| models_solver.MaterialsSolver.integration_settings |
◆ Kirchhoff
| models_solver.MaterialsSolver.Kirchhoff |
◆ material_law
| models_solver.MaterialsSolver.material_law |
◆ model_part
| models_solver.MaterialsSolver.model_part |
| models_solver.MaterialsSolver.N |
◆ nodes
| models_solver.MaterialsSolver.nodes |
◆ number_of_nodes
| models_solver.MaterialsSolver.number_of_nodes |
◆ options
| models_solver.MaterialsSolver.options |
◆ parameters
| models_solver.MaterialsSolver.parameters |
◆ PK2
| models_solver.MaterialsSolver.PK2 |
◆ print_output
| models_solver.MaterialsSolver.print_output |
◆ process_info
| models_solver.MaterialsSolver.process_info |
◆ properties
| models_solver.MaterialsSolver.properties |
◆ settings
| models_solver.MaterialsSolver.settings |
◆ strain_settings
| models_solver.MaterialsSolver.strain_settings |
◆ strain_vector
| models_solver.MaterialsSolver.strain_vector |
◆ stress_vector
| models_solver.MaterialsSolver.stress_vector |
The documentation for this class was generated from the following file:
- /home/runner/work/Documentation/Documentation/master/applications/ConstitutiveModelsApplication/python_scripts/models_solver.py


I'm a computing engineer with 10+ years of experience in the software development field. I've learnt to listen to the clients, and translate their needs into software. Passionate about software engineering and always trying to learn new things.
I enjoy designing and developing software, both front and back-end


That's Me
This is the introductory paragraph. Here i can add some text about me, myself and i.
My Skills
I enjoy writing front-end code with these technologies
- HTML
- CSS
- JS
This is the introductory paragraph. Here i can add some text about me, myself and i.
I enjoy writing front-end code with these technologies


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/headers.html ---
Can we automate the check of the existence of headers in PRs?
Last updated: Apr 24 2020 at 19:02 UTC


The page that was requested doesn't exist, or couldn't be found. Stop trying to hack us please.
If you believe this is a mistake or error, please report it using the 'Report an Issue' link at the top right.


Bangladesh vs Afghanistan, Match 31 Mon Jun 24 • 3:00 PM GMT
Go...England vs Australia, Match 32 Tue Jun 25 • 3:00 PM GMT
Go...Malaysia vs Maldives, 2nd Match Tue Jun 25 • 7:30 AM GMT
Go...Netherlands vs Zimbabwe, 2nd T20I Tue Jun 25 • 9:00 PM GMT
Go...New Zealand vs Pakistan, Match 33 Wed Jun 26 • 3:00 PM GMT
Go...His first 27 deliveries yielded just 17 runs; his plan was clear: take the game deep and see what happens. He finished with a century, but fell just short in the end!...
Brathwaite special in vain as New Zealand seal thriller
Brathwaite was 'pretty exceptional', says Boult
Holder lauds Brathwaite, lower order for tough fight
Thought the last hit had enough bat on it: Brathwaite
The collage of their World Cup exits has become iconic, each image telling its own different story of heartbreak in a unique way.
Haris Sohail lays ghosts of past to rest, earns acceptance
Tried to stop Rabada from going to the IPL: Faf du Plessis
"Sarfaraz we are sorry" - Pakistan fans, team, look at forgetting the last week
All-round Pakistan end South Africa's 2019 World Cup


Our focus is complete user satisfaction. Please read all the rules, terms & conditions, privacy policies before entering Lagibet. Our Policy for the cancellation and refund will be as follows:
We will try our best to create the best user & gaming experience for our users.
If paid by credit card, refunds will be issued to the original credit card provided at the time of payment, & in case of payment made through payment gateway, payments will be refunded in the same account.
For Cancellations please contact us by writing us on<EMAIL_ADDRESS>We do not cancel game registrations once a user has registered for a particular game by paying for it however, in case of exceptional circumstances wherein the fault may lie with the payment gateway or from our side, we will cancel your order on request and refund the money back to you within a reasonable amount of time.


Toggle switches
Toggle switches signal an instant choice to the user.
Using toggle switches
Toggle switches must feature a descriptive label. Use toggle switches only where instant change in the user-interface based on their assigned action is intended. For non-instant selections and selection groups use checkboxes.
Designing
Toggle switch
Toggle switches make the selection visually distinct. In selected state, filled Accent50 background with Base100 foreground together with the toggle handle moved to the opposite side signifies a clear distinction from unselected state.
Toggle switch label
Its labels should be short, with text that clearly states what action is selected.
States of toggle switches
The styles for toggle switch states were designed with accessible color variations, additional to the toggle handle to distinguish the toggle switch following visually separated states in selected or unselected mode (e.g. disabled, hover, active).:


API Documentation
PLEASE NOTE! Gradle is written partly in Groovy. Groovy does not provide a production ready way to generate API documentation.
For the Groovy parts of Gradle you have to look directly into the source code to get the
information you want. The source code is also part of the Gradle distribution. With our next release we will provide
complete API documentation.
Current Release (${currentRelease})
Latest (as usually uploaded by the latest successful nightly build)


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| [[logoGrey.html]] |
{{ meta_title }}
BC Registries and Online Services
|
{% if cover.partyType == 'SP' %}
Secured Party:
{% else %}
Registering Party:
{% endif %}
{% if cover.line3 %}
{% else %}
{% endif %}
|
{{ cover.line1 }}
{{ cover.line2 }}
{% if cover.line3 %}
{{ cover.line3 }}
{% endif %}
{% set breaks = cover.line4.split('\n') %}
{% for item in breaks %}
{{ item }}
{% if not loop.last %}
{% endif %}
{% endfor %}
|
{% if cover.statementType == 'AMENDMENT_STATEMENT' %}
This report specifies the details of your current registration and any related Financing Change Statements on our files.
Compare the details on the Verification Statement to the statement submitted for registration and if it is recorded as submitted,
file this Verification Statement with your record of the security agreement as a permanent record of what is recorded with the
Personal Property Registry.
{% else %}
Review the Discharge Verification Statement carefully to ensure that the discharge was authorized and the correct registrations
have been removed from the system. Refer to Section 35(7) of the Personal Property Security Act in the event of an unauthorized
discharge or error, and re-register accordingly.
{% endif %}


FIG2DEV(1) FIG2DEV(1) NAME fig2dev - translates Fig code to various graphics languages SYNOPSIS fig2dev -L language [ -m mag ] [ -f font ] [ -s fsize ] [ other options ] [ fig-file [ out-file ] ] DESCRIPTION Fig2dev translates fig code in the named fig-file into the specified graphics language and puts them in out-file. The default fig-file and out-file are standard input and standard output, respectively Xfig (Facility for Interactive Generation of figures) is a screen-ori‐ ented tool which runs under the X Window System, and allows the user to draw and manipulate objects interactively. This version of fig2dev is compatible with xfig versions 1.3, 1.4, 2.0, 2.1, 3.0, 3.1 and 3.2. Xfig version 3.2.3 and later saves and allows the user to edit comments for each Fig object. These comments are output with several of the out‐ put languages, such as PostScript, CGM, EMF, LaTeX, MetaFont, PicTeX, (as % comments), tk (as # comments), and pic (as .\" comments). GENERAL OPTIONS (all drivers) -L language Set the output graphics language. Valid languages are box, cgm, epic, eepic, eepicemu, emf, eps, gbx (Gerber beta driver), gif, ibmgl, jpeg, latex, map (HTML image map), mf (MetaFont), mp (Meta‐ Post), mmp (Multi-MetaPost), pcx, pdf, pdftex, pdftex_t, pdftex_p, pic, pictex, png, ppm, ps, pstex, pstex_t, pstex_p, pstricks, ptk (Perl/tk), shape (LaTeX shaped paragraphs), sld (AutoCad slide format), svg (beta driver), textyl, tiff, tk (tcl/tk), tpic, xbm and xpm. Notes: dvips and xdvi must be compiled with the tpic support (-DTPIC) for epic, eepic and tpic to work. You must have ghostscript and ps2pdf, which comes with the ghost‐ script distribution to get the pdf output and the bitmap formats (png, jpeg, etc.), and the netpbm (pbmplus) package to get gif, xbm, xpm, and sld output. -h Print help message with all options for all output languages then exit. -V Print the program version number and exit. -D +/-rangelist With +rangelist, keep only those depths in the list. With -range‐ list, keep all depths except those in the list. The rangelist may be a list of comma-separated numbers or ranges separated by colon (:). For example, -D +10,40,55:70,80 means keep only layers 10, 40, 55 through 70, and 80. -K The selection of the depths with the '-D +/-rangelist' option does normally not affect the calcualtion of the bounding box. Thus the generated document might have a much larger bounding box than nec‐ essary. If -K is given then the bounding box is adjusted to include only those objects in the selected depths. -f font Set the default font used for text objects to font. The default is Roman; the format of this option depends on the graphics lan‐ guage in use. In TeX-based languages, the font is the base of the name given in lfonts.tex, for instance "cmr" for Roman, or "tt" for teletype. In PostScript, it is any font name known to the printer or interpreter. For Gerber it has no effect. -G minor[:major][:unit] Draws a grid on the page. Specify thin, or thin and thick line spacing in one of several units. For example, "-G .25:1cm" draws a thin, gray line every .25 cm and a thicker gray line every 1 cm. Specifying "-G 1in" draws a thin line every 1 inch. Fractions may be used, e.g. "-G 1/16:1/2in" will draw a thin line every 1/16 inch (0.0625 inch) and a thick line every 1/2 inch. Allowable units are: i, in, inch, f, ft, feet, c, cm, mm, and m. Only allowed for PostScript, EPS, PDF, and bitmap (GIF, JPEG, etc) drivers for now. -j Enable the I18N internationalization facility. -m mag Set the magnification at which the figure is rendered to mag. The default is 1.0. This may not be used with the maxdimension option (-Z). -s size Set the default font size (in points) for text objects to fsize. The default is 11*mag, and thus is scaled by the -m option. If there is no scaling, the default font is eleven point Roman." -Z maxdimension Scale the figure so that the maximum dimension (width or height) is maxdimension inches or cm, depending on whether the figure was saved with imperial or metric units. This may not be used with the magnification option (-m). other options The other options are specific to the choice of graphics language, as described below. CGM OPTIONS CGM is Computer Graphics Metafile, developed by ISO and ANSI and is a vector-based plus bitmap language. Microsoft WORD, PowerPoint and proba‐ bly other products can import this format and display it on the screen, something that they won't do with EPS files that have an ASCII preview. -b dummyarg Generate binary output (dummy argument required after the "-b"). -r Position arrowheads for CGM viewers that display rounded arrow‐ heads. Normally, arrowheads are pointed, so fig2dev compensates for this by moving the endpoint of the line back so the tip of the arrowhead ends where the original endpoint of the line was. If the -r option is used, the position of arrows will NOT be cor‐ rected for compensating line width effects, because the rounded arrowhead doesn't extend beyond the endpoint of the line. EMF OPTIONS EMF is Enhanced Metafile, developed by Microsoft and is a vector-based plus bitmap language. Microsoft WORD, PowerPoint and probably other products can import this format and display it on the screen, something that they won't do with EPS files that have an ASCII preview. EPIC OPTIONS EPIC is an enhancement to LaTeX picture drawing environment. It was developed by Sunil Podar of Department of Computer Science in S.U.N.Y at Stony Brook. EEPIC is an extension to EPIC and LaTeX picture drawing environment which uses tpic specials as a graphics mechanism. It was written by Conrad Kwok of Division of Computer Science at University of California, Davis. EEPIC-EMU is an EEPIC emulation package which does not use tpic specials. -A factor Scale arrowheads by factor. The width and height of arrowheads is divided by this factor. This is because EPIC arrowheads are nor‐ mally about double the size of TeX arrowheads. -E num Set encoding for text translation (0 = none, 1 = ISO-8859-1, 2 = ISO-8859-2) -F Don't set the font face, series, and style; only set it's size and the baselineskip. By default, fig2dev sets all 5 font parameters when it puts some text. The disadvantage is that you can't set the font from your LaTeX document. With this option on, you can set the font from your LaTeX document (like "\sfshape \input pic‐ ture.eepic"). If any of the pictures included in your LaTeX document has been generated with -F, then all pictures must be generated with this option. This option can be used only when fig2dev was compiled with NFSS defined. -l width Use "\thicklines" when width of the line is wider than lwidth. The default is 2. -P Generate a complete LaTeX file. In other words, the output file can be formatted without requiring any changes. The additional text inserted in the beginning and at the end of the file is con‐ trolled by the configuration parameter "Preamble" and "Postamble". -R Allow rotated text. Rotated text will be set using the \rotatebox command. So, you will need to include "\usepackage{graphics}" in the preamble of your LaTeX document. If this option is not set, then rotated text will be set horizon‐ tally. -S scale Set the scale to which the figure is rendered. This option auto‐ matically sets the magnification and size to scale / 12 and scale respectively. -t stretch Set the stretch factor of dashed lines to sretch. The default is 30. -v Include comments in the output file. -W Enable variable line width. By default, only two line widths are available: The normal line width (hinlines), and thick lines (hicklines), if a line width of more than one is selected in xfig. -w Disable variable line width. Only "\thicklines" and/or "\thin‐ lines" commands will be generated in the output file. When variable line width option is enabled, "\thinlines" command is still used when line width is less than LineThick. One poten‐ tial problem is that the width of "\thinlines" is 0.4pt but the resolution of Fig is 1/80 inch (approx. 1pt). If LineThick is set to 2, normal lines will be drawn in 0.4pt wide lines but the next line width is already 2pt. One possible solution is to set LineThick to 1 and set the width of the those lines you want to be drawn in "\thinlines" to 0. Due to this problem, Variable line width VarWidth is defaulted to be false. IBM-GL (HP/GL) OPTIONS IBM-GL (IBM Graphics Language) is compatible with HP-GL (Hewlett-Packard Graphics Language). -a Select ISO A4 (ANSI A) paper size if the default is ANSI A (ISO A4) paper size. -c Generate instructions for an IBM 6180 Color Plotter with (without) an IBM Graphics Enhancement Cartridge (IBM-GEC). -d xll,yll,xur,yur Restrict plotting to a rectangular area of the plotter paper which has a lower left hand corner at (xll,yll) and a upper right hand corner at (xur,yur). All four numbers are in inches and follow -d in a comma-sparated list - xll,yll,xur,yur - with no spaces between them. -f file Load text character specifications from the table in the fonts file. The table must have 36 entries - one for each font plus a default. Each entry consists of 5 numbers which specify the 1.) standard character set (0 - 4, 6 - 9, 30 - 39), 2.) alternate character set (0 - 4, 6 - 9, 30 - 39), 3.) character slant angle (degrees), 4.) character width scale factor and 5.) character height scale factor. -k Precede output with PCL command to use HP/GL -l pattfile Load area fill line patterns from the table in the pattfile file. The table must have 21 entries - one for each of the area fill patterns. Each entry consists of 5 numbers which specify the 1.) pattern number (-1 - 6), 2.) pattern length (inches), 3.) fill type (1 - 5), 4.) fill spacing (inches) and 5.) fill angle (degrees). -m mag,x0,y0 The magnification may appear as the first element in a comma sepa‐ rated list - mag,x0,y0 - where the second and third parameters specify an offset in inches. -P Rotate the figure to portrait mode. The default is landscape mode. -p penfile Load plotter pen specifications from the table in the penfile file. The table must have 9 entries - one for each color plus a default. Each entry consists of 2 numbers which specify the 1.) pen number (1 - 8) and 2.) pen thickness (millimeters). -S speed Set the pen speed to speed (centimeters/second). -v Plot the figure upside-down in portrait mode or backwards in land‐ scape mode. This allows you to write on the top surface of over‐ head transparencies without disturbing the plotter ink on the bot‐ tom surface. Fig2dev may be installed with either ANSI A or ISO A4 default paper size. The -a option selects the alternate paper size. Fig2dev does not fill closed splines. The IBM-GEC is required to fill other polygons. Fig2dev may be installed for plotters with or without the IBM-GEC. The -c option selects the alternate instruction set. OPTIONS COMMON TO ALL BITMAP FORMATS -b borderwidth Make blank border around figure of width borderwidth. -F Use correct font sizes (points, 1/72 inch) instead of the tradi‐ tional size that xfig/fig2dev uses, which is (1/80 inch). The corresponding xfig command-line option is -correct_font_size. -g color Use color for the background. -N Convert all colors to grayscale. -S smoothfactor This will smooth the output by passing smoothfactor to ghostscript in the -dTextAlphaBits and -dGraphicsAlphaBits options to improve font rendering and graphic smoothing. A value of 2 for smoothfac‐ tor provides some smoothing and 4 provides more. GIF OPTIONS -t color Use color for the transparent color in the GIF file. This must be specified in the same format that ppmmake(1) allows. It may allow an X11 color name, but at least you may use a six-digit hexadeci‐ mal RGBvalue using the # sign, e.g. #ff0000 (Red). JPEG OPTIONS -q image_quality use the integer value image_quality for the JPEG "Quality" factor. Valid values are 0-100, with the default being 75. LATEX OPTIONS -d dmag Set a separate magnification for the length of line dashes to dmag. -E num Set encoding for latex text translation (0 no translation, 1 ISO-8859-1, 2 ISO-8859-2) -l lwidth Sets the threshold between LaTeX thin and thick lines to lwidth pixels. LaTeX supports only two different line width: \thinlines and \thicklines. Lines of width greater than lwidth pixels are drawn as \thicklines. Also affects the size of dots in dotted line style. The default is 1. -v Verbose mode. LaTeX cannot accurately represent all the graphics objects which can be described by Fig. For example, the possible slopes which lines may have are limited. Some objects, such as spline curves, cannot be drawn at all. Fig2latex chooses the closest possible line slope, and prints error messages when objects cannot be drawn accurately MAP (HTML image map) OPTIONS Xfig version 3.2.3 and later saves and allows the user to edit comments for each Fig object. The fig2dev map output language will produce an HTML image map using Fig objects that have href="some_html_reference" in their comments. Any Fig object except compound objects may used for this. Usually, besides generating the map file, you would also generate a PNG file, which is the image to which the map refers. For example, you may have an xfig drawing with an imported image that has the comment href="go_here.html" and a box object with a comment href="go_away.html". This will produce an image map file such the user may click on the image and the browser will load the "go_here.html" page, or click on the box and the browser will load the "go_away.html" page. After the map file is generated by fig2dev you will need to edit it to fill out any additional information it may need. -b borderwidth Make blank border around figure of width borderwidth. METAFONT OPTIONS fig2dev scales the figure by 1/8 before generating METAFONT code. The magnification can be further changed with the -m option or by giving mag‐ nification options to mf. In order to process the generated METAFONT code, the mfpic macros must be installed where mf can find them. The mfpic macro package is available at any CTAN cite under the subdirectory: graphics/mfpic -C code specifies the starting METAFONT font code. The default is 32. -n name specifies the name to use in the output file. -p pen_magnification specifies how much the line width should be magnified compared to the original figure. The default is 1. -t top specifies the top of the whole coordinate system. The default is ypos. -x xmin specifies the minimum x coordinate value of the figure (inches). The default is 0. -y ymin specifies the minumum y coordinate value of the figure (inches). The default is 0. -X xmax specifies the maximum x coordinate value of the figure (inches). The default is 8. -Y ymax specifies the maximum y coordinate value of the figure (inches). The default is 8. METAPOST OPTIONS -i file Include file content via \input-command. -I file Include file content as additional header. -o Old mode (no latex). -p number Adds the line "prologues:=number" to the output. PIC OPTIONS -p ext Enables the use of certain PIC extensions which are known to work with the groff package; compatibility with DWB PIC is unknown. The extensions enabled by each option are: arc Allow ARC_BOX i.e. use rounded corners line Use the 'line_thickness' value fill Allow ellipses to be filled all Use all of the above psfont Don't convert Postscript fonts generic type (useful for files going to be Ditroff'ed for and printed on PS printer). DWB-compatible. allps Use all of the above (i.e. "all" + "psfont") PICTEX OPTIONS In order to include PiCTeX pictures into a document, it is necessary to load the PiCTeX macros. PiCTeX uses TeX integer register arithmetic to generate curves, and so it is very slow. PiCTeX draws curves by \put-ing the psymbol repeatedly, and so requires a large amount of TeX's internal memory, and generates large DVI files. The size of TeX's memory limits the number of plot sym‐ bols in a picture. As a result, it is best to use PiCTeX to generate small pictures. -E num Set encoding for latex text translation (0 no translation, 1 ISO-8859-1, 2 ISO-8859-2) GBX OPTIONS (Gerber, RS-247-X) Typically you will wish to set the y scale to -1. See -g for more infor‐ mation. -d [mm|in] Output dimensions should be assumed to be millimeters (mm) or inches (in). The default is millimeters. -p [pos|neg] Select the image polarity. For positive images lines drawn in the fig file will generate lines of material. For negative images lines drawn in the fig file will result in removed material. Con‐ sider etching a chrome on glass transmission mask. Drawing lines in the fig file and choosing 'neg' will result in these lines being etched through the chrome, leaving transparent lines. -g <x scale>x<y scale>+<x offset>+<y offset> This controls the geometry of the output, scaling the dimensions as shown and applying the given offset. Typically you will wish to set the y scale to -1, mirroring about the x axis. This is because Gerber assumes the origin to be bottom left, while xfig selects top left. -f <n digits>.<n digits> This controls the number of digits of precision before and after the implied decimal point. With -f 5.3 the following number 12345678 corresponds to 12345.678. Whereas with -f 3.5 it corre‐ sponds to 123.45678. The default is for 3 places before the deci‐ mal point and 5 after. This corresponds, to a range of 0 to 1m in 10 micron increments. -i [on|off] Controls the output of comments describing the type of objects being output. The text appears as comments starting with ## on each line in the output file. By default this is on. POSTSCRIPT, ENCAPSULATED POSTSCRIPT (EPS), and PDF OPTIONS With PostScript, xfig can be used to create multiple page figures Specify the -M option to produce a multi-page output. For posters, add -O to overlap the pages slightly to get around the problem of the unprintable area in most printers, then cut and paste the pages together. Due to memory limitations of most laser printers, the figure should not have large imported images (bitmaps). Great for text with very big letters. The EPS driver has the following differences from PostScript: o No showpage is generated because the output is meant to be imported into another program or document and not printed o The landscape/portrait options are ignored o The centering option is ignored o The multiple-page option is ignored o The paper size option is ignored o The x/y offset options are ignored The EPS driver has the following two special options: -B 'Wx [Wy X0 Y0]' This specifies that the bounding box of the EPS file should have the width Wx and the height Wy. Note that it doesn't scale the figure to this size, it merely sets the bounding box. If a value less than or equal to 0 is specified for Wx or Wy, these are set to the width/height respectively of the figure. Origin is relative to screen (0,0) (upper-left). Wx, Wy, X0 and Y0 are interpreted in centimeters or inches depending on the measure given in the fig-file. Remember to put either quotes (") or apostrophes (') to group the arguments to -B. -R 'Wx [Wy X0 Y0]' Same as the -B option except that X0 and Y0 is relative to the lower left corner of the figure. Remember to put either quotes (") or apostrophes (') to group the arguments to -R. The PDF driver uses all the PostScript options. Text can now include various ISO-character codes above 0x7f, which is useful for language specific characters to be printed directly. Not all ISO-characters are implemented. Color support: Colored objects created by Fig can be printed on a color postscript printer. There are 32 standard colors: black, yellow, white, gold, five shades of blue, four shades of green, four shades of cyan, four shades of red, five shades of magenta, four shades of brown, and four shades of pink. In addition there may be user-defined colors in the file. See the xfig FORMAT3.2 file for the definition of these colors. On a monochrome printer, colored objects will be mapped into different grayscales by the printer. Filled objects are printed using the given area fill and color. There are 21 "shades" going from black to full sat‐ uration of the fill color, and 21 more "tints" from full saturation + 1 to white. In addition, there are 16 patterns such as bricks, diagonal lines, crosshatch, etc. -A Add an ASCII (EPSI) preview. -b borderwidth Make blank border around figure of width borderwidth. Not available in EPS. -C dummy_arg Add a color *binary* TIFF preview for Microsoft products that need a binary preview. See also -T (monochrome preview). A dummy argument must be supplied for historical reasons. -c option centers the figure on the page. The centering may not be accurate if there are texts in the fig_file that extends too far to the right of other objects. -e option puts the figure against the edge (not centered) of the page. Not available in EPS. -F Use correct font sizes (points) instead of the traditional size that xfig/fig2dev uses, which is 1/80 inch. The corresponding xfig command-line option is -correct_font_size. -g color Use color for the background. -l dummy_arg Generate figure in landscape mode. The dummy argument is ignored, but must appear on the command line for reasons of compatibility. This option will override the orientation specification in the file (for file versions 3.0 and higher). Not available in EPS. -M Generate multiple pages if figure exceeds paper size. Not available in EPS. -N Convert all colors to grayscale. -n name Set the Title part of the PostScript output to name. This is use‐ ful when the input to fig2dev comes from standard input. -O When used with -M, overlaps the pages slightly to get around the problem of the unprintable area in most printers. Not available in EPS. -p dummy_arg Generate figure in portrait mode. The dummy argument is ignored, but must appear on the command line for reasons of compatibility. This option will override the orientation specification in the file (for file versions 3.0 and higher). This is the default for Fig files of version 2.1 or lower. Not available in EPS. -T Add a monochrome *binary* TIFF preview for Microsoft products that need a binary preview. See also -C (color preview). -x offset shift the figure in the X direction by offset units (1/72 inch). A negative value shifts the figure to the left and a positive value to the right. Not available in EPS. -y offset shift the figure in the Y direction by offset units (1/72 inch). A negative value shifts the figure up and a posi‐ tive value down. Not available in EPS. -z papersize Sets the papersize. Not available in EPS. Available paper sizes are: "Letter" (8.5" x 11" also "A"), "Legal" (11" x 14") "Ledger" (11" x 17"), "Tabloid" (17" x 11", really Ledger in Landscape mode), "A" (8.5" x 11" also "Letter"), "B" (11" x 17" also "Ledger"), "C" (17" x 22"), "D" (22" x 34"), "E" (34" x 44"), "A4" (21 cm x 29.7cm), "A3" (29.7cm x 42 cm), "A2" (42 cm x 59.4cm), "A1" (59.4cm x 84.1cm), "A0" (84.1cm x 118.9cm), and "B5" (18.2cm x 25.7cm). PSTEX OPTIONS The pstex language is a variant of ps which suppresses formatted (special) text. The pstex_t language has the complementary behav‐ ior: it generates only the LaTeX special text and the commands necessary to position special text, and to overlay the PostScript file generated using pstex. These two drivers can be used to gen‐ erate a figure which combines the flexibility of PostScript graph‐ ics with LaTeX text formatting of special text. -F Use correct font sizes (points) instead of the traditional size that xfig/fig2dev uses, which is 1/80 inch. The cor‐ responding xfig command-line option is -correct_font_size. -g color Use color for the background. -n name sets the Title part of the PostScript output to name. This is useful when the input to fig2dev comes from standard input. PSTEX_T OPTIONS The pstex_t language produces only the LaTeX special text and the commands necessary to position special text, and to overlay the PostScript file generated using pstex. (see above) -E num Set encoding for latex text translation (0 no translation, 1 ISO-8859-1, 2 ISO-8859-2) -F Don't set the font face, series, and style; only set it's size and the baselineskip. By default, fig2dev sets all 5 font parameters when it puts some text. The disadvantage is that you can't set the font from your LaTeX document. With this option on, you can set the font from your LaTeX docu‐ ment (like "\sfshape \input picture.eepic"). -p file specifies the name of the PostScript file to be overlaid. If not set or its value is null then no PS file will be inserted. PSTricks OPTIONS The PSTricks driver provides full LaTeX text and math formatting for XFig drawings without overlaying separate outputs as in the PSTEX methods. The output matches the quality of output of the PostScript driver except for text, where the Latex font selection mechanism is used as for other fig2dev LaTeX drivers. In addition, text is rendered black, although font color-changing LaTex code can be embedded in the drawing. The generated PSTricks code is meant to be readable. Each command stands alone, not relying on global option state variables. Thus the user can easily use XFig to rough out a PSTricks drawing, then finish by hand editing. To use the driver's output, give the command "\usepack‐ age{pstricks}" in your document preamble. The graphicx and pstricks-add packages may also be required. The former is used for bitmap graphics and the second for complex line styles and/or hollow PSTricks arrows (with the -R 1 option). The driver will tell you which packages are needed. In the document body, include the figure with "\input{pstfile}" where pstfile.tex is the output file. Use the XFig special flag to have text passed as-is to LaTeX. For non-special text, the same mechanism as the LaTeX and epic driver mechanism is used to match font specs, but this is imprecise. Known bugs and limitations. PSTricks support for join styles is version dependent. Raw postscript is inserted with "\pstVerb" for old versions when other than angle joins are needed. The -t option con‐ trols this behavior. PSTricks does not support rotated ellipses directly, so a rput command is emitted that rotates and locates a horizontal ellipse. This makes a problem with hatch patterns, which are moved and rotated along with the ellipse. Hatch rotation is fixed by a counter-rotation, but the origin is not adjusted, so regis‐ tration with adjacent hatch patterns will be incorrect. Flipped bitmap graphics use an undocumented feature of the graphicx package: a negative height flips the image verti‐ cally. This appears to work reliably. However, you may want to flip graphics with another program before including them in Xfig drawings just to be sure. With the -p option, the driver attempts to convert non-EPS pictures to EPS with the TeX distribution's bmeps program, but bmeps does not know about very many file formats including gif. -G dummy_arg Draws a standard PSTricks grid in light gray, ignoring the size parameters, numbered in PSTricks units. -l weight Sets a line weight factor that is multiplied by the actual Fig line width. The default value 0.5 roughly matches the output of the PS driver. -n 0|1|2|3 Sets environment type. Default 0 creates a \picture envi‐ ronment with bounding box exactly enclosing the picture (but see -x and -y ). A 1 emits bare PSTricks commands with no environment at all, which can be used with \input{commands} inside an existing \pspicture. A 2 emits a complete LaTeX document. A 3 also emits a complete LaTeX document but attempts to set the PSTricks unit to fit a 7.5 by 10 inch (portrait aspect) box. -P Shorthand for -n 3 . -p dir Attempts to run the bmeps program to translate picture files to EPS, which is required by PSTricks. The trans‐ lated files go in dir , which must already exist (the driver will not create it). Moreover, (BIG CAVEAT HERE) the driver overwrites files with impunity in this directory! Don't put your stuff here. The includegraphics commands in the output file refer to this directory. Even if the -p option is not used, includegrpahics commands follow this convention with the default directory ./eps . In this case, the user must do the conversions independently. The bmeps program is part of the standard TeX distribution. It converts the following formats to EPS: png jpg pnm tif. You can see the bmeps command with the -v option. -R 0|1|2 Sets arrow style. With the default style 0, Fig arrows are converted to lines and polygons. With style 1, the Fig arrowhead dimensions are converted to PSTricks arrowhead dimensions and PSTricks arrowhead options are emitted. Hollow arrows will require the additional package pstricks- add . With style 2, PSTricks arrowhead options are emitted with no dimensions at all, and arrowhead size may be con‐ trolled globally with psset . -S scale Scales the image according to the same convention as the EPIC driver, i.e., to size scale /12. -t version Provides the driver with PSTricks version number so output can match expected LaTeX input. -v Print verbose warnings and extra comments in the output file. Information provided includes font substitution details, the bmeps commands used for picture conversion, if any, and one comment per Fig object in the output. -x marginsize Adds marginsize on the left and right of the PStricks bounding box. By default, the box exactly encloses the image. -y marginsize Adds marginsize on the top and bottom of the PStricks bounding box. By default, the box exactly encloses the image. -z 0|1|2 Sets font handling option. Default option 0 attempts to honor Fig font names and sizes, finding the best match with a standard LaTeX font. Option 1 sets LaTeX font size only. Option 2 issues no font commands at all. PSTEX_P and PDFTEX_P OPTIONS The pstex_p language has the same intention as the combination of pstex and pstex_t. The only reason to use pstex_p is that you have partially overlayed texts. pstex_p splits the Fig file con‐ cerning the depths of existing texts. Because of it's necessary to get the resulting size of the figure for the pdf document you have to specify the target document format (i.e. using pstex_p rsp. pdftex_p). Two files results by using this language: 1) A bash script for creating and removing the necessary graphics files. Extension: .create 2) The latex code which includes all graphics files and special texts. Content is put to stdout. The pstex_p driver has the following special options: -p basename specifies the basename of the files to be created (see (1) above). This option is mandatory. -d dmag Set a separate magnification for the length of line dashes to dmag. -E num Set encoding for latex text translation (0 no translation, 1 ISO-8859-1, 2 ISO-8859-2) -l lwidth Sets the threshold between LaTeX thin and thick lines to lwidth pixels. LaTeX supports only two different line width: \thin‐ lines and \thicklines. Lines of width greater than lwidth pix‐ els are drawn as \thicklines. Also affects the size of dots in dotted line style. The default is 1. -v Verbose mode. -F Don't set the font face, series, and style; only set it's size and the baselineskip. By default, fig2dev sets all 5 font parameters when it puts some text. The disadvantage is that you can't set the font from your LaTeX document. With this option on, you can set the font from your LaTeX document (like "\sfshape \input picture.eepic"). TK and PTK OPTIONS (tcl/tk and Perl/tk) -l dummy_arg Generate figure in landscape mode. The dummy argument is ignored, but must appear on the command line for reasons of compatibility. This option will override the orientation specification in the file (for file versions 3.0 and higher). -p dummy_arg Generate figure in portrait mode. The dummy argument is ignored, but must appear on the command line for reasons of compatibility. This option will override the orientation specification in the file (for file versions 3.0 and higher). This is the default for Fig files of version 2.1 or lower. -P Generate canvas of full page size instead of using the bounding box of the figure's objects. The default is to use only the bounding box. -z papersize Sets the papersize. See the POSTSCRIPT OPTIONS for avail‐ able paper sizes. This is only used when the -P option (use full page) is used. SEE ALSO [x]fig(1), pic(1) pic2fig(1), transfig(1) BUGS and RESTRICTIONS Please send bug reports, fixes, new features etc. to<EMAIL_ADDRESS>(Brian V. Smith) Arc-boxes are not supported for the tk output language, and only X bitmap pictures are supported because of the canvas limitation in tk. Picture objects are not scaled with the magnification factor for tk output. Because tk scales canvas items according to the X display resolu‐ tion, polygons, lines, etc. may be scaled differently than imported pictures (bitmaps) which aren't scaled at all. Rotated text is only supported in the IBM-GL (HP/GL) and Post‐ Script (including eps) languages. In pdftex_p language fig2dev can not determine the exact sizes of the special texts set by pdflatex afterwards. If these texts are bigger than expected the calculated bounding box might be too small so that some texts passes over the figure boundaries. If this happen you have to put an invisible rectangle (line width 0) around the text or the entire figure. COPYRIGHT Copyright (c) 1991 Micah Beck Parts Copyright (c) 1985 Supoj Sutantavibul Parts Copyright (c) 1989-1999 Brian V. Smith Permission to use, copy, modify, distribute, and sell this soft‐ ware and its documentation for any purpose is hereby granted with‐ out fee, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission notice appear in supporting documentation. The authors make no representations about the suitability of this software for any purpose. It is provided "as is" without express or implied war‐ ranty.  AUTHORS Micah Beck Cornell University Sept 28 1990 and Frank Schmuck (then of Cornell University) and Conrad Kwok (then of U.C. Davis). drivers contributed by Jose Alberto Fernandez R. (U. of Maryland) and Gary Beihl (MCC) Color support, ISO-character encoding and poster support by Herbert Bauer<EMAIL_ADDRESS>Modified from f2p (fig to PIC), by the author of Fig Supoj Sutanthavibul<EMAIL_ADDRESS>University of Texas at Austin. MetaFont driver by Anthony Starks<EMAIL_ADDRESS>X-splines code by Carole Blanc<EMAIL_ADDRESS>Christophe Schlick<EMAIL_ADDRESS>The initial implementation was done by C. Feuille, S. Grobois, L. Maziere and L. Minihot as a student practice (Universite Bordeaux, France). Japanese text support for LaTeX output written by T. Sato<EMAIL_ADDRESS>The tk driver was written by Mike Markowski<EMAIL_ADDRESS>with a little touch-up by Brian Smith The CGM driver (Computer Graphics Metafile) was written by Philippe Bekaert<EMAIL_ADDRESS>The EMF driver (Enhanced Metafile) was written by Michael Schrick<EMAIL_ADDRESS>The GBX (Gerber) driver was written by Edward Grace (ej.grace@imperial.ac.uk). The PSTEX_P and PDFTEX_P drivers (overlayed LaTeX texts) was writ‐ ten by Michael Pfeiffer<EMAIL_ADDRESS>Version 3.2.5 Feb 2007 FIG2DEV(1)


Speaker Uno Team Player
Mickey was co-founder of Moleculo and served as CEO until its acquisition by Illumina in December 2012. Prior to co-founding Moleculo, Mickey was a post-doc at Stanford University, where he developed novel methods for sequencing the genetic diversity of human viruses. He holds an M.Sc. in Computer Science from the Tel-Aviv University and a Ph.D. in Computational Biology from the Weizmann Institute of Science. His research was published in Cell (2007), Nature Genetics (2007), PNAS (2008), and Nature (2010).
Speaker Dos Team Player
When Divya was a freshman at Stanford University she started spending over 80 hours a week researching stem cell therapies at the Stanford Stem Cell Institute. Two years and 17 publications later, at the age of 20, she dropped out to start Stem Cell Theranostics, the first drug screening company that uses disease-specific beating heart cells derived from human skin to perform the first "clinical trial in a dish". As a student entrepreneur in the medical industry she realized that lots of cutting-edge technologies weren't making it out of laboratories due to a fundamental lack of medical entrepreneurship education for scientists, especially due to the difficult medical commercialization landscape.
Speaker tres Team Player
Dr. Roxana Heitz graduated with her PhD from Stanford University in 2011, where her research focused on implantable electronics for biomedical applications. She obtained her MS from Stanford University in 2007 and BASc from Waterloo University in Canada in 2004. Throughout her undergraduate and graduate years, Roxana held different software and electrical engineering positions during internships at several tech companies in Canada and the Bay Area.
| With: | Where: | When: |
|---|---|---|
| John Smith | WDTuts Office | Jun 20, 9:30AM |
| George Bluth | Sudden Valley | Jun 23, 4PM |
| Michael Scott | Scranton, PA | Jun 24, 2:45PM |
| With: | Where: | When: |
|---|---|---|
| John Smith | WDTuts Office | Jun 20, 9:30AM |
| George Bluth | Sudden Valley | Jun 23, 4PM |
| Michael Scott | Scranton, PA | Jun 24, 2:45PM |
Taner Dagdelen B.S. Bioengineering Class of 2016 University of California, Berkeley
Taner is a sophomore bioengineering student at the University of California, Berkeley. He has practical experience working as a research assistant in Cohrs Lab at the University of Colorado, Anchurz Medical Campus and hopes to go to medical school eventually; However, he also harbors another passion. He truly believes in the capabilities of undergraduates as diligent and quick learners and believes, wholeheartedly, that when given the chance to innovate, undergraduates can change the world. He wants to see them realize that potential.
Sivan Marcus B.S. Bioengineering Class of 2015 University of California, Berkeley
Sivan is a 3rd year bioengineering student at the University of California, Berkeley. He has research experience in both synthetic biology i(Anderson Lab) and tissue engineering (Healy Lab, and Habelitz Lab, UCSF). He teaches the Berkeley Engineering Initiative class, and enjoys helping others see the joys of engineering design for healthcare. His ultimate passion is pioneering and using novel biomedical technologies and regenerative medicine to improve modern healthcare.
Ori Hoxha B.S. Bioengineering Class of 2016 University of California, Berkeley
Ori is a sophomore bioengineering student at University of California, Berkeley. He is interested in biomedical devices, especially microfluidics utilized for Point-of-Care applications. For the moment, he works as a undergraduate research assistant in BioPOETS Lab. He is really interested in trying out different potential career paths, believing that there is a lot to learn in every experience. Carpe Diem!
Deepika Bhatnagar B.S. Bioengineering Class of 2015 University of California, Berkeley
Ori is a sophomore bioengineering student at University of California, Berkeley. He is interested in biomedical devices, especially microfluidics utilized for Point-of-Care applications. For the moment, he works as a undergraduate research assistant in BioPOETS Lab. He is really interested in trying out different potential career paths, believing that there is a lot to learn in every experience. Carpe Diem!