| Package | Description |
|---|---|
| sorcer.boot.load | |
| sorcer.co | |
| sorcer.core.context | |
| sorcer.core.provider | |
| sorcer.core.provider.dbp | |
| sorcer.core.requestor | |
| sorcer.eo | |
| sorcer.installer | |
| sorcer.launcher | |
| sorcer.launcher.impl | |
| sorcer.launcher.impl.process | |
| sorcer.launcher.process | |
| sorcer.provider.boot |
Provides utilities to bootstrap and initialize the Rio operational
environment.
|
| sorcer.resolver | |
| sorcer.service.cataloger | |
| sorcer.service.jobber | |
| sorcer.service.spacer | |
| sorcer.service.txmgr | |
| sorcer.tools.shell |
A SORCER Network SHell (nsh) provides a command line interface for interfacing with the SORCER environment.
|
| sorcer.util | |
| sorcer.util.bdb.objects |
| Class and Description |
|---|
| InjectionHelper.Injector |
| Class and Description |
|---|
| Table
This is a Java class that is an implementation of table of objects that uses a
List of Lists to store the cell data objects. |
| Class and Description |
|---|
| Stopwatch
The Stopwatch class
|
| Class and Description |
|---|
| Mandator
This interface defines the remote method client can execute on the remote
object via a Mandate argument.
|
| Class and Description |
|---|
| ModelTable |
| Class and Description |
|---|
| ArtifactCoordinates |
| Class and Description |
|---|
| Loop |
| Class and Description |
|---|
| ArtifactCoordinates |
| Class and Description |
|---|
| Process2 |
| ProcessDownCallback |
| Class and Description |
|---|
| Process2 |
| Class and Description |
|---|
| Process2 |
| ProcessDownCallback |
| Class and Description |
|---|
| ProcessDownCallback |
| Class and Description |
|---|
| ArtifactCoordinates |
| Class and Description |
|---|
| ArtifactCoordinates |
| Class and Description |
|---|
| AccessorException |
| ServiceAccessor
A service discovery and management utility allowing to access services by
matching service templates and passing filters provided by clients.
|
| Class and Description |
|---|
| AccessorException |
| ServiceAccessor
A service discovery and management utility allowing to access services by
matching service templates and passing filters provided by clients.
|
| Class and Description |
|---|
| AccessorException |
| ServiceAccessor
A service discovery and management utility allowing to access services by
matching service templates and passing filters provided by clients.
|
| Class and Description |
|---|
| ServiceAccessor
A service discovery and management utility allowing to access services by
matching service templates and passing filters provided by clients.
|
| Class and Description |
|---|
| WhitespaceTokenizer
Created by pol on 5/27/2014.
|
| Class and Description |
|---|
| AccessorException |
| ArtifactCoordinates |
| ClassLoaders.Callable |
| InjectionHelper.Injector |
| IOUtils.FileCheck |
| Mandate |
| ModelTable |
| ObjectCloner |
| ProcessDownCallback |
| ProtocolStream |
| ProviderNameUtil |
| Result |
| ServiceAccessor
A service discovery and management utility allowing to access services by
matching service templates and passing filters provided by clients.
|
| Table
This is a Java class that is an implementation of table of objects that uses a
List of Lists to store the cell data objects. |
| Table.Cell |
| Table.LengthUnits |
| Class and Description |
|---|
| ModelTable |
Copyright © 2013-2014 Sorcersoft.com S.A.. All Rights Reserved.


Login
Account successfully registered! You can log in now!
Logged out successfully!
Wrong username/password!
Login


| PostgreSQL 9.0.10 Documentation | ||||
|---|---|---|---|---|
| Prev | Up | Chapter 26. Recovery Configuration | Next |
This parameter specifies the time stamp up to which recovery will proceed. At most one of recovery_target_time and recovery_target_xid can be specified. The default is to recover to the end of the WAL log. The precise stopping point is also influenced by recovery_target_inclusive.
This parameter specifies the transaction ID up to which recovery will proceed. Keep in mind that while transaction IDs are assigned sequentially at transaction start, transactions can complete in a different numeric order. The transactions that will be recovered are those that committed before (and optionally including) the specified one. At most one of recovery_target_xid and recovery_target_time can be specified. The default is to recover to the end of the WAL log. The precise stopping point is also influenced by recovery_target_inclusive.
Specifies whether we stop just after the specified recovery target (true), or just before the recovery target (false). Applies to both recovery_target_time and recovery_target_xid, whichever one is specified for this recovery. This indicates whether transactions having exactly the target commit time or ID, respectively, will be included in the recovery. Default is true.
Specifies recovering into a particular timeline. The default is to recover along the same timeline that was current when the base backup was taken. You only need to set this parameter in complex re-recovery situations, where you need to return to a state that itself was reached after a point-in-time recovery. See Section 24.3.4 for discussion.


--- notes: | Switch as seen on repository settings. Optional label.


Drama, Fantasy, Horror
When a young boy disappears, his mother, a police chief and his friends must confront terrifying supernatural forces in order to get him back.


Setup
0.1 Apply for accounts
0.1.1 Google Earth Engine (GEE) account
Please visit:
You may need to log out and back into your web browser as the preferred Google account to request permissions. This approval process can take days to weeks unfortunately.
0.1.2 Twitter developer account
Please visit:
I recieved an email for clarification and had the account approved and running by the end of the day.
0.2 Install software
This workshop will require the following software installed on your machine:
Please download the appropriate stable release for your operating system.
0.3 Launch RStudio
RStudio is an integrated development environment (IDE) for editing text in the code editor, running commands in the R console, viewing defined objects in the workspace and past commands in the history, and viewing plots, files and help. Here’s a layout of the panes in RStudio, each of which can have several tabs for alternate functionality:
Check out the Help > Cheatsheets > RStudio IDE Cheat Sheet.
0.4 Fork and Clone the Github Repository
Please visit https://github.com/bbest/meds-demo, signed into Github. Then into your own writable user space.
Here is the Github repository of the source files for this demonstration:
https://github.com/bbest/meds-demo
You are encouraged to fork the repo in Github and clone it in RStudio.
Then you can follow along in RStudio by evaluating the chunks of R code, while referencing the website:
0.5 Install R Packages
Here’s a bit of code to install packages that we’ll use throughout the workshop. Please copy and paste this code into your console.
# use librarian to load libraries, installing if needed
if (!require("librarian")) install.packages("librarian")
library("librarian")
# load packages
pkgs <- c(
# general
"tidyverse","jsonlite","glue","here","units",
# satellite
"sf",
# sentiment
"rtweet","tidytext")
shelf(pkgs)
# report on versions of software & packages
sessionInfo()
## R version 3.5.2 (2018-12-20)
## Platform: x86_64-apple-darwin15.6.0 (64-bit)
## Running under: macOS Mojave 10.14.6
##
## Matrix products: default
## BLAS: /Library/Frameworks/R.framework/Versions/3.5/Resources/lib/libRblas.0.dylib
## LAPACK: /Library/Frameworks/R.framework/Versions/3.5/Resources/lib/libRlapack.dylib
##
## locale:
## [1] en_US.UTF-8/en_US.UTF-8/en_US.UTF-8/C/en_US.UTF-8/en_US.UTF-8
##
## attached base packages:
## [1] stats graphics grDevices utils datasets methods base
##
## other attached packages:
## [1] tidytext_0.2.2 rtweet_0.7.0 sf_0.8-0 units_0.6-6
## [5] here_0.1 glue_1.4.1 jsonlite_1.6.1 forcats_0.4.0
## [9] stringr_1.4.0 dplyr_0.8.5 purrr_0.3.4 readr_1.3.1
## [13] tidyr_1.1.0 tibble_3.0.1 ggplot2_3.3.0 tidyverse_1.3.0
## [17] librarian_1.7.0
##
## loaded via a namespace (and not attached):
## [1] Rcpp_<IP_ADDRESS> lubridate_1.7.8 lattice_0.20-38 class_7.3-15
## [5] assertthat_0.2.1 rprojroot_1.3-2 digest_0.6.25 R6_2.4.1
## [9] cellranger_1.1.0 backports_1.1.7 reprex_0.3.0 evaluate_0.14
## [13] e1071_1.7-3 httr_1.4.1 pillar_1.4.4 rlang_0.4.6
## [17] readxl_1.3.1 rstudioapi_0.11 Matrix_1.2-18 rmarkdown_2.1
## [21] munsell_0.5.0 broom_0.5.5 janeaustenr_0.1.5 compiler_3.5.2
## [25] modelr_0.1.5 xfun_0.14 pkgconfig_2.0.3 htmltools_0.4.0
## [29] tidyselect_1.1.0 bookdown_0.16 fansi_0.4.1 crayon_1.3.4
## [33] dbplyr_1.4.2 withr_2.2.0 SnowballC_0.6.0 grid_3.5.2
## [37] nlme_3.1-142 gtable_0.3.0 lifecycle_0.2.0 DBI_1.1.0
## [41] magrittr_1.5 tokenizers_0.2.1 scales_1.1.1 KernSmooth_2.23-16
## [45] cli_2.0.2 stringi_1.4.6 fs_1.3.1 xml2_1.2.2
## [49] ellipsis_0.3.1 generics_0.0.2 vctrs_0.3.0 tools_3.5.2
## [53] hms_0.5.3 yaml_2.2.1 colorspace_1.4-1 classInt_0.4-3
## [57] rvest_0.3.5 knitr_1.28 haven_2.2.0
0.6 Create Rmarkdown file
Rmarkdown is a dynamic document format that allows you to knit chunks of R code with formatted text (aka markdown). We recommend that you use this format for keeping a reproducible research document as you work through the lessons To get started, File > New File > Rmarkdown… and go with default HTML document and give any title you like (default “Untitled” or “test” or “First Rmd” is fine).
Check out the Help > Markdown Quick Reference and Help > Cheatsheets > R Markdown Cheat Sheet.
Here’s a 1 minute video on the awesomeness of Rmarkdown:


Random acts generator is an app that brings together opportunities to show good works to others. It doesn't take much to share the goodwill in one's heart.Use this app to help that along a little bit.


Anna dies. Anna is not resurrected. Anna dies again. Anna dies. Anna dies. Anna dies. "In a folk tale, everything is done three times."


{{localized.landing.fiddle.lead_desc}}
{{localized.landing.fiddle.description}}
{{localized.landing.fiddle.explore_desc}}
{{localized.landing.fiddle.code_with_types_desc}}
{{{localized.landing.fiddle.compile_and_package_desc}}}
{{{localized.landing.fiddle.easy_start_desc}}}


Write a story
Please write a story about an experience where you were inspired through someone elses actions.
The moments that shape who we are should not be kept to ourselves. Amazing acts of kindness happen to millions every day. This is a place to share with others the amazing things we have seen, the things that make us or someone we know awesome and any positive moment that we want herd.


Our customers should find their way around SBB's digital channels and get to the information they need as quickly as possible. This only works with a consistent user experience across all channels, guaranteeing a uniform appearance across all platforms.
SBB's digital guidelines form the visual guidelines in the new media and are binding on both internal and external projects. They provide clarity on the most important and everyday brand-related questions in online media.
This library is being developed on GitHub (sbb-design-systems/sbb-angular). Any contribution is always welcome. If you would like to report a problem or have a feature request, feel free to open an issue.
We provide two different packages @sbb-esta/angular-public
and
@sbb-esta/angular-business
for two different purposes.
@sbb-esta/angular-public
is intended for public websites (e.g. sbb.ch or similar). It
uses a large amount of whitespace and supports responsive design for mobile, tablet, desktop, 4k
and 5k. The components are more limited in their usage to adhere to the design specification at
digital.sbb.ch Design System Web.
@sbb-esta/angular-business
is intended for business applications. It uses a compact
design and supports responsive design for mobile, tablet and desktop. The components are more
flexible in their usage as specified at
digital.sbb.ch Design System Business Applications.
If you are uncertain which library to use, we recommend you start with
@sbb-esta/angular-business
.


All through the calculus we are dealing with quantities that are growing, and with rates of growth. We classify all quantities into two classes: constants and variables. Those which we regard as of fixed value, and call constants, we generally denote algebraically by letters from the beginning of the alphabet, such as $a$, $b$, or $c$; while those which we consider as capable of growing, or (as mathematicians say) of “varying,” we denote by letters from the end of the alphabet, such as $x$, $y$, $z$, $u$, $v$, $w$, or sometimes $t$.
Moreover, we are usually dealing with more than one variable at once, and thinking of the way in which one variable depends on the other: for instance, we think of the way in which the height reached by a projectile depends on the time of attaining that height. Or we are asked to consider a rectangle of given area, and to enquire how any increase in the length of it will compel a corresponding decrease in the breadth of it. Or we think of the way in which any variation in the slope of a ladder will cause the height that it reaches, to vary.
Suppose we have got two such variables that depend one on the other. An alteration in one will bring about an alteration in the other, because of this dependence. Let us call one of the variables $x$, and the other that depends on it $y$.
Suppose we make $x$ to vary, that is to say, we either alter it or imagine it to be altered, by adding to it a bit which we call $dx$. We are thus causing $x$ to become $x + dx$. Then, because $x$ has been altered, $y$ will have altered also, and will have become $y + dy$. Here the bit $dy$ may be in some cases positive, in others negative; and it won't (except by a miracle) be the same size as $dx$.
Take two examples.
(1) Let $x$ and $y$ be respectively the base and the
height of a right-angled triangle (Figure 4), of which
the slope of the other side is fixed at $30°$. If we
suppose this triangle to expand and yet keep its
angles the same as at first, then, when the base grows
so as to become $x + dx$, the height becomes $y + dy$.
Here, increasing $x$ results in an increase of $y$. The
little triangle, the height of which is $dy$, and the base
of which is $dx$, is similar to the original triangle; and
it is obvious that the value of the ratio $\dfrac{dy}{dx}$ is the
same as that of the ratio $\dfrac{y}{x}$. As the angle is $30°$ it
will be seen that here
\[
\frac{dy}{dx} = \frac{1}{1.73}.
\]
(2) Let $x$ represent, in Figure 5, the horizontal distance,
from a wall, of the bottom end of a ladder, $AB$,
of fixed length; and let $y$ be the height it
reaches up the wall. Now $y$ clearly depends on $x$.
It is easy to see that, if we pull the bottom end $A$ a
bit further from the wall, the top end $B$ will come
down a little lower. Let us state this in scientific
language. If we increase $x$ to $x + dx$, then $y$ will
become $y - dy$; that is, when $x$ receives a positive
increment, the increment which results to $y$ is
negative.
Yes, but how much? Suppose the ladder was so
long that when the bottom end $A$ was $19$ inches from
the wall the top end $B$ reached just $15$ feet from the
ground.  Put it all into inches: $x = 19$ inches, $y = 180$
inches. Now the increment of $x$ which we call $dx$,
is $1$ inch: or $x + dx = 20$ inches.
How much will $y$ be diminished? The new height
will be $y - dy$. If we work out the height by Euclid
I. 47, then we shall be able to find how much $dy$ will
be. The length of the ladder is
\[
\sqrt{ (180)^2 + (19)^2 } = 181 \text{ inches}.
\]
Clearly then, the new height, which is $y - dy$, will be
such that
\begin{align*}
(y - dy)^2 &= (181)^2 - (20)^2 = 32761 - 400 = 32361, \\
y - dy &= \sqrt{32361} = 179.89 \text{ inches}.
\end{align*}
Now $y$ is $180$, so that $dy$ is $180 - 179.89 = 0.11$ inch.
So we see that making $dx$ an increase of $1$ inch
has resulted in making $dy$ a decrease of $0.11$ inch.
And the ratio of $dy$ to $dx$ may be stated thus:
\[
\frac{dy}{dx} = - \frac{0.11}{1}.
\]
It is also easy to see that (except in one particular
position) $dy$ will be of a different size from $dx$.
Now right through the differential calculus we
are hunting, hunting, hunting for a curious thing,
a mere ratio, namely, the proportion which $dy$ bears
to $dx$ when both of them are indefinitely
small.
It should be noted here that we can only find
this ratio $\dfrac{dy}{dx}$ when $y$ and $x$ are related to each
other in some way, so that whenever $x$ varies $y$ does
vary also. For instance, in the first example just
taken, if the base $x$ of the triangle be made longer,
the height $y$ of the triangle becomes greater also,
and in the second example, if the distance $x$ of the
foot of the ladder from the wall be made to increase,
the height $y$ reached by the ladder decreases in a
corresponding manner, slowly at first, but more and
more rapidly as $x$ becomes greater. In these cases
the relation between $x$ and $y$ is perfectly definite,
it can be expressed mathematically, being $\dfrac{y}{x} = \tan 30°$
and $x^2 + y^2 = l^2$ (where $l$ is the length of the ladder)
respectively, and $\dfrac{dy}{dx}$ has the meaning we found in
each case.
If, while $x$ is, as before, the distance of the foot
of the ladder from the wall, $y$ is, instead of the
height reached, the horizontal length of the wall, or
the number of bricks in it, or the number of years
since it was built, any change in $x$ would naturally
cause no change whatever in $y$; in this case $\dfrac{dy}{dx}$ has
no meaning whatever, and it is not possible to find
an expression for it. Whenever we use differentials
$dx$, $dy$, $dz$, etc., the existence of some kind of
relation between $x$, $y$, $z$, etc., is implied, and this
relation is called a “function” in $x$, $y$, $z$, etc.; the
two expressions given above, for instance, namely
$\dfrac{y}{x} = \tan 30°$ and $x^2 + y^2 = l^2$, are functions of $x$ and $y$.
Such expressions contain implicitly (that is, contain
without distinctly showing it) the means of expressing
either $x$ in terms of $y$ or $y$ in terms of $x$, and for
this reason they are called implicit functions in
$x$ and $y$; they can be respectively put into the forms
\begin{align*}
y &= x \tan 30° \quad\text{or}\quad x = \frac{y}{\tan 30°} \\
\text{and}\;
y &= \sqrt{ l^2 - x^2} \quad\text{or}\quad x = \sqrt{ l^2 - y^2}.
\end{align*}
These last expressions state explicitly (that is, distinctly)
the value of $x$ in terms of $y$, or of $y$ in terms
of $x$, and they are for this reason called explicit
functions of $x$ or $y$. For example $x^2 + 3 = 2y - 7$ is
an implicit function in $x$ and $y$; it may be written
$y = \dfrac{x^2 + 10}{2}$ (explicit function of $x$) or $x = \sqrt{2y - 10}$
(explicit function of $y$). We see that an explicit
function in $x$, $y$, $z$, etc., is simply something the
value of which changes when $x$, $y$, $z$, etc., are
changing, either one at the time or several together.
Because of this, the value of the explicit function is
called the dependent variable, as it depends on the
value of the other variable quantities in the function;
these other variables are called the independent
variables because their value is not determined from
the value assumed by the function. For example,
if $u = x^2 \sin \theta$, $x$ and $\theta$ are the independent variables,
and $u$ is the dependent variable.
Sometimes the exact relation between several
quantities $x$, $y$, $z$ either is not known or it is not
convenient to state it; it is only known, or convenient
to state, that there is some sort of relation
between these variables, so that one cannot alter
either $x$ or $y$ or $z$ singly without affecting the other
quantities; the existence of a function in $x$, $y$, $z$ is
then indicated by the notation $F(x, y, z)$ (implicit
function) or by $x = F(y, z)$, $y = F(x, z)$ or $z = F(x, y)$
(explicit function). Sometimes the letter $f$ or $\phi$ is used
instead of $F$, so that $y = F(x)$, $y = f(x)$ and $y = \phi(x)$
all mean the same thing, namely, that the value of $y$
depends on the value of $x$ in some way which is
not stated.
We call the ratio $\dfrac{dy}{dx}$ “the differential coefficient of $y$
with respect to $x$.” It is a solemn scientific name
for this very simple thing. But we are not going
to be frightened by solemn names, when the things
themselves are so easy. Instead of being frightened
we will simply pronounce a brief curse on the
stupidity of giving long crack-jaw names; and, having
relieved our minds, will go on to the simple thing
itself, namely the ratio $\dfrac{dy}{dx}$.
In ordinary algebra which you learned at school,
you were always hunting after some unknown
quantity which you called $x$ or $y$; or sometimes
there were two unknown quantities to be hunted
for simultaneously. You have now to learn to go
hunting in a new way; the fox being now neither
$x$ nor $y$. Instead of this you have to hunt for this
curious cub called $\dfrac{dy}{dx}$. The process of finding the
value of $\dfrac{dy}{dx}$ is called “differentiating.” But, remember,
what is wanted is the value of this ratio when both
$dy$ and $dx$ are themselves indefinitely small. The
true value of the differential coefficient is that to which
it approximates in the limiting case when each of
them is considered as infinitesimally minute.
Let us now learn how to go in quest of $\dfrac{dy}{dx}$.
It will never do to fall into the schoolboy error of
thinking that $dx$ means $d$ times $x$, for $d$ is not a
factor–it means “an element of” or “a bit of”
whatever follows. One reads $dx$ thus: “dee-eks.”
In case the reader has no one to guide him in such
matters it may here be simply said that one reads
differential coefficients in the following way. The
differential coefficient
$\dfrac{dy}{dx}$
is read “dee-wy by dee-eks,” or “dee-wy over dee-eks.” Second differential coefficients will be met with
later on. They are like this: $\dfrac{d^2 y}{dx^2};$
which is read “dee-two-wy over dee-eks-squared,”
and it means that the operation of differentiating $y$
with respect to $x$ has been (or has to be) performed
twice over.
Another way of indicating that a function has been
differentiated is by putting an accent to the symbol of
the function. Thus if $y=F(x)$, which means that $y$
is some unspecified function of $x$ (see here), we may
write $F'(x)$ instead of $\dfrac{d\bigl(F(x)\bigr)}{dx}$. Similarly, $F''(x)$
will mean that the original function $F(x)$ has been
differentiated twice over with respect to $x$.
NOTE TO CHAPTER III.
How to read Differentials.
So also
$\dfrac{du}{dt}$ is read “dee-you by dee-tee.”
Main Page ↑


ECB's Lane rules out euro zone recession, says recovery in next year or two
by ReutersROME — The economy of the euro zone will not fall into a recession although it is growing less than expected and there will be a recovery in the next year or two, the European Central Bank’s chief economist Philip Lane said in an interview on Wednesday.
“The economy is growing less quickly than what we hoped. The dynamic is disappointing but not negative. We expect a recovery in the next year or two,” Lane told Italian daily la Repubblica.
Lane said the current inflation rate of 1% in the euro area was “unsatisfactory.”
He added that euro zone countries should take advantage of the current low interest rates to reduce their debt piles rather than “waste the additional resources for new expenses or cuts to taxes.” (Reporting by Francesca Piscioneri and Giulia Segreti; Editing by Muralikumar Anantharaman)


| def MockXenAPI.Table.__init__ |
( |
|
self, |
|
|
|
records |
|
) |
| |
47 def __init__(self, records):
48 self.records = records
| def MockXenAPI.Table.get_all |
( |
|
self | ) |
|
51 return [RecordRef(rec)
for rec
in self.records]
| def MockXenAPI.Table.get_all_records_where |
( |
|
self, |
|
|
|
condition |
|
) |
| |
53 def get_all_records_where(self, condition):
54 k, v = re.match(
r'field "([^"]*)"="([^"]*)"$', condition).groups()
61 for rec
in self.records:
| def MockXenAPI.Table.get_by_uuid |
( |
|
self, |
|
|
|
uuid |
|
) |
| |
67 def get_by_uuid(self, uuid):
68 recs = [rec
for rec
in self.records
if rec[
"uuid"] == uuid]
70 raise Failure(
"No record with UUID %s" % uuid)
71 return RecordRef(recs[0])
| def MockXenAPI.Table.get_record |
( |
|
self, |
|
|
|
record_ref |
|
) |
| |
73 def get_record(self, record_ref):
74 return record_ref.attrs
The documentation for this class was generated from the following file:


mystateEngine.getEventTrigger(trigName)
trigName String name of the trigger
Function object associated with the trigger, or undefined
if no
trigger can be found with that name.
This is in version 1.5 only. The method is used to retrieve the trigger function, given the name.


MVC Custom Unobtrusive Validator Attribute (Date Range Validation)
There are some useful attributes in MVC that help render dynamic unobtrusive validation to the browser. The more you can accomplish by simply adding an attribute to a property on a view model the less duplication of JavaScript you have to manage. Out of the “MVC” box validation for date ranges would require custom JavaScript. If you have multiple pages that all need to validate ranges, either from the current date or from another date property on your view model, how about having an attribute that you can use to handles this?
In this blog I’m going to cover:
- Creating a Custom MVC Validation Attribute
- Creating a Client Validation Rule
- Creating and wiring up the unobtrusive JavaScript to do the validation
First to create a validation Attribute you need to inherit from the ValidationAttribute. To make this validation available on the client you need to implement the IClientValidatable interface. The ValidationAttribute is where you define the settable properties that can be used by the View Model. To handle the validation server side you can override the IsValid method to execute your validation logic. The IClientValidatable interface exposes the GetClientValidationRules method. The validation rules are parameters that will be provided to your JavaScript as an array. The ModelClientValidationRule is where you define the Rules/Settings that the ValidationAttribute will provide based upon what was supplied when the attribute was applied to a property on a View Model.
Lets look at some code before we go to far.
The DataComparerAttribute exposes the properties that will be used when the attribute is applied to a property on a View Model. Notice that the ModelClientValidationRangeDateRule exposes the same properties and maps to the validation attribute. This type is created in the GetClientValidationRules method which creates the ValidationParameters that will be passed to the Client JavaScript validation method. Now we have enough to implement the server side IsValid method and the client side JavaScript to handle the unobtrusive validation.
With the attribute defined the JavaScript can be created. The client JavaScript function is linked through the ModelClientValidationRule.ValidationType string property. In this validator the ValidationType was set to “rangeDate”. This value is what we will use to add to the JQuery validator. There are two JQuery validator concepts we need to link to the magic string “rangeDate” . The $.validator.unobtrusive.adapters which is where MVC will supply the View Model rules from the GetClientValidationRules method and the $.validator.addMethod which is where the actual JavaScript validation function is defined.
Notice the signature of the $.validator.unobtrusive.adapters (line 4). This is where the same array defined in the ModelClientValidationRangeDateRule.ValidationParameters lines up to the client code. MVC will expect the C# and JavaScript to match. Notice the date format being used to supply the “minDate” and “maxDate”. Since date formatting can be complicated having the server side format match the client side format helps to make the validation more predictable.
With the attribute complete now we can apply it to our View Model and see it in action. This validator is designed to do validation based upon a Max Date and a Min Date. For Min and Max the choices are either a sibling property on the View Model (MinDateSelector and MaxDateSelector) or an interval from DateTime.Now (MinDateAddDaysFromNow, MaxDateAddDaysFromNow). The *DateSelector will be used to get the current value from the property on the View Model. When the server side IsValid is executed Reflection is used to get the property value. When the client side JavaScript is executed JQuery is used to get the value from a HTML element on the browser.
In the above usage of the attribute the BirthDate must be from January 1st 2013 through the current Date and Time the validation is executed.
Summary
Adding custom validation to MVC is useful in reducing duplication of code. As you can see it’s not all that complicated to do. The validation methods for server side and client side validation risk having different logic and need to use different mechanisms to get property values. Reflection and JQuery make this easy enough but there are still gotchas that need to be considered. When your using JQuery to select a value on a page you need to make sure your selector is unique. If in our case we have more than one View Model loaded on the page the JQuery Selector could return another html elements value. I hope this gets you started and can open up some new possibilities for validation.
To see the full example and source code go to https://github.com/jdmgomoo/MVC-CustomAttributes


jQuery Date Range Picker is a jQuery plugin that allows user to select a date range.
Requires jQuery 1.3.2+ (MIT LICENSE), Moment 2.0.0+ (MIT LICENSE)
Supports IE6+, Firefox, Chrome, Safari and other standard HTML5 browsers.
Supports multi-language, you can choose a defined language or set it to auto-detect mode.
You can also define new languages for it.
The HTML DOMs generated is fully CSS styled, you can change the skin by editting the CSS file easily.
I accept further customization job if you require more functions. My personal blog is http://jszen.com
Default settings:
Default settings with default value:
Force to Chinese:
Force to English:
Use custom language:
Select a date range after 2014-11-20:
Select a date range between 2013-01-10 to 2013-02-10:
Select a date range between 3 days and 7 days:
Set start of week to Monday:
Use SPAN instead of INPUT: select
Use two inputs: to
Use another date format:
Use future date shortcuts:
Use past date shortcuts:
Use custom shortcuts:
Hide shortcuts:
Auto-close after selection:
Change the separator between date strings:
Usage: $('#dom-id').dateRangePicker(configObject);
The default configuration object is:
{ format: 'YYYY-MM-DD', separator: ' to ', language: 'auto', startOfWeek: 'sunday',// or sunday getValue: function() { return this.value; }, setValue: function(s) { this.value = s; }, startDate: false, endDate: false, minDays: 0, maxDays: 0, showShortcuts: true, shortcuts: { //'prev-days': [1,3,5,7], 'next-days': [3,5,7], //'prev' : ['week','month','year'], 'next' : ['week','month','year'] }, customShortcuts : [] }
format (String) The date format string used for Moment. click here to see Moment documentation separator (String) The separator string used between date strings language (String) pre-defined languages are "en" and "cn", you can define your own language then set this to the name of new language. You can also set this to "auto" to make it auto detect browser language. startOfWeek (String) "sunday" or "monday" getValue (Function) This function is called when get date range string from DOM When it is called, the context of this function is set to the datepicker DOM setValue (Function) This function is called when set date range string to DOM startDate (String or false) This string defines the earliest date which is allowed for the user endDate (String or false) This string defines the latest date which is allowed for the user minDays (Number) This number defines the minimum days of the selected range if this is 0, means do not limit minimum days maxDays (Number) This number defines the maximum days of the selected range if this is 0, means do not limit maximum days showShortcuts (Boolean) hide or show shortcuts area shortcuts (Object) define the shortcuts buttons. there are some built in shortcuts, see source code customShortcuts (Array) define custom shortcut buttons. see demo.js
Two events will be triggerred on the date range picker DOM
$('#dom-id') .dateRangePicker() .bind('datepicker-change',function(event,obj) { console.log(obj); // obj will be something like this: // { // date1: (Date object of the earlier date), // date2: (Date object of the later date), // value: "2013-06-05 to 2013-06-07" // } }) .bind('datepicker-apply',function(event,obj) { console.log(obj); }) .bind('datepicker-close',function() { console.log('close'); });
This date range picker plugin is under Codecanyon Tools License jquery-1.5.1.min.js is under MIT LICENSE moment.js & moment.min.js are under MIT LICENSE


{% extends "home/base.html" %} {% block content %}
{{video.description}}
Uploaded by {{ video.channelTitle }} on {{ video.publishTime }}


XACT Interpreter
This document specifies the APIs within the XACT scripting language
interpreter.
The interpreter is written entirely in Java.
The interpreter can be called in several ways.
- From the command line.
- As a CGI under a web server such as Apache.
- As a servlet under a web server such as Tomcat.
- From a Java program (planned).


Cost for Load (kWh) on 24hr Period
David Gabay
Total cost for 24hr Period: Load 2: $
Total cost for 24hr Period: Load 3: $
Total cost for 24hr Period: Load 4: $
Usage for past hour for all circuits
| Circuit |
Usage |
Cost/ Last Hour |
| Kitchen |
63.5 Watts |
$ |
| Kitchen 2 |
39.5 Watts |
$0.0053.8 |
| Bedroom |
83.5 Watts |
$0.0103.2 |
| Bedroom 2 |
13.5 Watts |
$0.0023.8 |
| Patio |
150.5 Watts |
$0.0183.8 |
| Air Conditioning |
1030.1 Watts |
$0.83.8 |
Usage is based on FPL non fuel rate of $0.065950/kWh


StopByStop currently unavailable
Apologies for the inconvenience, we are working to resolve the issue. Please check back soon.


Pizza Hub
Small Pizza
(Ksh.550)
Medium Pizza
(Ksh.800)
Large Pizza
Ksh. 1000
Pizza Size
Small(Ksh.550)
Medium(Ksh.800)
Large(Ksh.1000)
Flavour
BBQ Chicken
Chicken Periperi
Chicken Hawaiian
Meat Deluxe
Boerewors
Veg Tikka
Try Your Crust:
Thin Crust (Ksh.70)
Thick Crust (Ksh.100)
Custom Crust(Ksh.50)
Toppings
Meat toppings (ksh.100)
Vegetable toppings(ksh.50)
Double stack (ksh.150)
Boxes to order!!
Order
View items in cart
0
Pizza size
Flavour
Crust
Toppings
Pieces
Checkout
Summary
×
PAY DUE
Checkout


healthyR Plots
ts_alos_plt()
Plot ALOS - Average length of stay
ts_median_excess_plt()
Create a plot showing the excess +/- of the median value
ts_readmit_rate_plt()
Plot Readmit Rate
gartner_magic_chart_plt()
Gartner Magic Chart Plotting of two continuous variables
Other Plotting Functions
los_ra_index_plt()
Plot LOS and Readmit Index with Variance
Optimal Binning Functions
opt_bin()
Get the optimal bin width for a histogram given a data set, its value and the desired amount of bins
Manipulate Strings with SQL like Functions
sql_left()
Use SQL LEFT type function
sql_mid()
Use SQL MID type function
sql_right()
Use SQL RIGHT type functions
Functions that return tibbles
los_ra_index_summary_tbl()
Make LOS and Readmit Index Summary Tibble
ts_ymwdh_tbl()
Make a tibble with year, month, week, week day and hour information added
Miscellaneous Functions and Utilities
save_to_excel()
Save a file to Excel
Data Files
dx_cc_mapping
Diagnosis to Condition Code Mapping file
px_cc_mapping
Procedure to Condition Code Mapping file


| fkRadon reference pages |
RADONDEMO RADONDEMO(img) RADONDEMO(img,method)
RADONDEMO computes and shows the radon transform of an image and lets the user explore the transformation between image-space and radon-space.
RADONDEMO(img) uses the given image.
RADONDEMO(img,method) specifies custom method. Valid values are: integral, sum, mean, product, logsum (default='sum')
| Toolbox page | lineboxintersect |


We're sorry but treeniapp doesn't work properly without JavaScript enabled. Please enable it to continue.


GIFSICLE(1) GIFSICLE(1) NAME gifsicle - manipulates GIF images and animations SYNOPSIS gifsicle [options, frames, and filenames]... DESCRIPTION gifsicle is a powerful command-line program for creating, editing, manip‐ ulating, and getting information about GIF images and animations.  That means these two commands do the same thing: gifsicle < in.gif > out.gif gifsicle < in.gif | gifsicle | gifsicle > out.gif Not too interesting. Most times you'll tell gifsicle to alter its inputs by giving it command line options. The -i option, for example, tells it to interlace its input files: gifsicle -i < pic.gif > interlaced-pic.gif To modify GIF files in place, you should use the --batch option. With --batch, gifsicle will modify the files you specify instead of writing a new file to the standard output. To interlace all the GIFs in the current directory, you could say: gifsicle --batch -i *.gif gifsicle is good at creating and manipulating GIF animations. The sim‐ plest way to create an animation is to give more than one input file, which gifsicle will combine to create a ``flipbook'' animation: gifsicle pic1.gif pic2.gif pic3.gif > animation.gif Use options like --delay, --loopcount, and --optimize to tune your anima‐ tions; see their descriptions for more details. The bulk of this manual page indexes gifsicle's options and describes them in gory detail. New users may want to skip to the Examples section at the end. CONCEPT INDEX This index is meant to help you find options that do what you want. Con‐ cepts are on the left, relevant gifsicle options are on the right. Animations, changing frame selections, frame changes, etc. disposal --disposal looping --loopcount portions of frame selections smaller --optimize, --colors speed --delay Bad output --careful Background color --background Colors, changing --change-color, --use-colormap, --dither, --transform-colormap reducing number --colors, --dither Comments --comment Extensions --extension, --app-extension, --extension-info File size --optimize, --unoptimize, --colors Image transformations cropping --crop, --crop-transparency flipping --flip-* resizing --resize, --scale rotating --rotate-* Grayscale --use-colormap Interlacing --interlace Positioning frames --position Screen, logical --logical-screen Selecting frames frame selections (like '#0') Transparency --transparent Warnings --no-warnings Web-safe palette --use-colormap COMMAND LINE gifsicle's command line consists of GIF input files and options. Most op‐ tions start with a dash (-) or plus (+); frame selections, a kind of op‐ tion, start with a number sign (#). Anything else is a GIF input file. gifsicle reads and processes GIF input files in order. If no GIF input file is given, or you give the special filename `-', it reads from the standard input. gifsicle exits with status 0 if there were no errors and status 1 other‐ wise. OPTIONS Every option has a long form, `--long-descriptive-name'. You don't need to type the whole long descriptive name, just enough to make it unambigu‐ ous. Some options also have a short form, `-X'. You can combine short options if they don't take arguments: `-IIb' is the same as `-I -I -b'. But be careful with options that do take arguments: `-cblah' means `-c blah', not `-c -b -l -a -h'. Many options also have a converse, `--no-option', which turns off the op‐ tion. You can turn off a short option `-X' by saying `+X' instead. Mode Options Mode options tell gifsicle what kind of output to generate. There can be at most one, and it must precede any GIF inputs. --merge, -m Combine all GIF inputs into one file with multiple frames and write that file to the standard output. This is the default mode. --batch, -b Modify each GIF input in place by reading and writing to the same filename. (GIFs read from the standard input are written to the standard output.) --explode, -e Create an output GIF for each frame of each input file. The output GIFs are named `xxx.000', `xxx.001', and so on, where `xxx' is the name of the input file (or whatever you specified with `--output') and the numeric extension is the frame number. --explode-by-name, -E Same as --explode, but write any named frames to files `xxx.name' instead of `xxx.frame-number'. Frames are named using the `--name' option. General Options General options control the information gifsicle prints and where it writes its output. The info options and --verbose can be turned off with `--no-X'. --color-info Like --info, but also print information about input files' col‐ ormaps. --cinfo is a synonym for --color-info. --extension-info Like --info, but also print any unrecognized GIF extensions in a hexdump(1)-like format. --xinfo is a synonym for --extension-info. --help, -h Print usage information and exit. --info, -I Print a human-readable description of each input GIF to the standard output, or whatever file you specify with -o. This option suppress‐ es normal output, and cannot be combined with mode options like --batch. If you give two --info or -I options, however, normal out‐ put is not suppressed; information will be printed on standard er‐ ror, and you can supply a mode option. -o file --output file Send output to file. The special filename `-' means the standard output. --verbose, -V Print progress information (files read and written) to standard er‐ ror. --no-warnings, -w Suppress all warning messages. --version Print the version number and some short non-warranty information and exit. --conserve-memory Conserve memory usage at the expense of processing time. This may be useful if you are processing large GIFs on a computer without very much memory. --nextfile Allow input files to contain multiple concatenated GIF images. If a filename appears multiple times on the command line, gifsicle will read a new image from the file each time. This option can help scripts avoid the need for temporary files. For example, to create an animated GIF with three frames with different delays, you might run "gifsicle --nextfile -d10 - -d20 - -d30 - > out.gif" and write the three GIF images, in sequence, to gifsicle's standard input. --multifile Like --nextfile, but read as many GIF images as possible from each file. This option is intended for scripts. For example, to merge an unknown number of GIF images into a single animation, run "gifsicle --multifile - > out.gif" and write the GIF images, in sequence, to gifsicle's standard input. Any frame selections apply only to the last file in the concatenation. Frame Selections A frame selection tells gifsicle which frames to use from the current in‐ put file. They are useful only for animations, as non-animated GIFs only have one frame. Here are the acceptable forms for frame specifications. #num Select frame num. (The first frame is `#0'. Negative num‐ bers count backwards from the last frame, which is `#-1'.) #num1-num2 Select frames num1 through num2. #num1- Select frames num1 through the last frame. #name Select the frame named name. The `#' character has special meaning for many shells, so you generally need to quote it. For example, gifsicle happy.gif "#0" uses the first frame from happy.gif; gifsicle happy.gif "#0-2" uses its first three frames; and gifsicle happy.gif "#-1-0" uses `happy.gif's frames in reverse order (starting from frame #-1 -- the last frame -- and ending at frame #0 -- the first). The action performed with the selected frames depends on the current mode. In merge mode, only the selected frames are merged into the output GIF. In batch mode, only the selected frames are modified; other frames remain unchanged. In explode mode, only the selected frames are exploded into output GIFs. Frame Change Options Frame change options insert new frames into an animation or replace or delete frames that already exist. Some things -- for example, changing one frame in an animation -- are difficult to express with frame selec‐ tions, but easy with frame changes. --delete frames [frames...] Delete frames from the input GIF. --insert-before frame other-GIFs Insert other-GIFs before frame in the input GIF. --append other-GIFs Append other-GIFs to the input GIF. --replace frames other-GIFs Replace frames from the input GIF with other-GIFs. --done Complete the current set of frame changes. The frames arguments are frame selections (see above). These arguments always refer to frames from the original input GIF. So, if `a.gif' has 3 frames and `b.gif' has one, this command gifsicle a.gif --delete "#0" --replace "#2" b.gif will produce an output animation with 2 frames: `a.gif' frame 1, then `b.gif'. The other-GIFs arguments are any number of GIF input files and frame se‐ lections. These images are combined in merge mode and added to the input GIF. The other-GIFs last until the next frame change option, so this command replaces the first frame of `in.gif' with the merge of `a.gif' and `b.gif': gifsicle -b in.gif --replace "#0" a.gif b.gif This command, however, replaces the first frame of `in.gif' with `a.gif' and then processes `b.gif' separately: gifsicle -b in.gif --replace "#0" a.gif --done b.gif Warning: You shouldn't use both frame selections and frame changes on the same input GIF. Image Options Image options modify input images -- by changing their interlacing, transparency, and cropping, for example. Image options have three forms: `--X', `--no-X', and `--same-X'. The `--X' form selects a value for the feature, the `--no-X' form turns off the feature, and the `--same-X' form means that the feature's value is copied from each input. The default is always `--same-X'. For example, -background="#0000FF" sets the back‐ ground color to blue, --no-background turns the background color off (by setting it to 0), and --same-background uses input images' existing back‐ ground colors. You can give each option multiple times; for example, gifsicle -b -O2 -i a.gif --same-interlace b.gif c.gif will make `a.gif' interlaced, but leave `b.gif' and `c.gif' interlaced only if they were already. -B color --background color Set the output GIF's background to color. The argument can have the same forms as in the --transparent option below. --crop x1,y1-x2,y2 --crop x1,y1+widthxheight Crop the following input frames to a smaller rectangular area. The top-left corner of this rectangle is (x1,y1); you can give either the lower-right corner, (x2,y2), or the width and height of the rec‐ tangle. In the x1,y1+widthxheight form, width and height can be zero or negative. A zero dimension means the cropping area goes to the edge of the image; a negative dimension brings the cropping area that many pixels back from the image edge. For example, --crop 2,2+-2x-2 will shave 2 pixels off each side of the input image. Cropping takes place before any rotation, flipping, resizing, or po‐ sitioning. --crop-transparency Crop any transparent borders off the following input frames. This happens after any cropping due to the --crop option. It works on the raw input images; for example, any transparency options have not yet been applied. --flip-horizontal --flip-vertical Flip the following frames horizontally or vertically. -i --interlace Turn interlacing on. -S widthxheight --logical-screen widthxheight Set the output logical screen to widthxheight. --no-logical-screen sets the output logical screen to the size of the largest output frame, while --same-logical-screen sets the output logical screen to the largest input logical screen. --screen is a synonym for --logi‐ cal-screen. -p x,y --position x,y Set the following frames' positions to (x,y). --no-position means --position 0,0. Normally, --position x,y places every succeeding frame exactly at x,y. However, if an entire animation is input, x,y is treated as the position for the animation. --rotate-90 --rotate-180 --rotate-270 Rotate the following frames by 90, 180, or 270 degrees. --no-rotate turns off any rotation. -t color --transparent color Make color transparent in the following frames. Color can be a col‐ ormap index (0-255), a hexadecimal color specification (like "#FF00FF" for magenta), or slash- or comma-separated red, green and blue values (each between 0 and 255). Extension Options Extension options add non-visual information to the output GIF. This in‐ cludes names, comments, and generic extensions. -x app-name extension --app-extension app-name extension Add an application extension named app-name and with the value ex‐ tension to the output GIF. -c text --comment text Add a comment, text, to the output GIF. The comment will be placed before the next frame in the stream. --no-comments and --same-comments affect all the images following, and apply only to input GIF comments, not ones added with --comment. --extension number extension Add an extension numbered number and with the value extension to the output GIF. Number can be in decimal, octal, hex, or it can be a single character like `n', whose ASCII value is used. --no-extensions (or +x) and --same-extensions affect all the images following, and apply only to input GIF extensions. -n text --name text Set the next frame's name to text. This name is stored as an exten‐ sion in the output GIF (extension number 0xCE, followed by the char‐ acters of the frame name). --no-names and --same-names affect all the images following. They apply only to input GIF names, not ones added with --name. Animation Options Animation options apply to GIF animations, or to individual frames in GIF animations. As with image options, most animation options have three forms, `--X', `--no-X', and `--same-X', and you can give animation op‐ tions multiple times; for example, gifsicle -b a.gif -d50 "#0" "#1" -d100 "#2" "#3" sets the delays of frames 0 and 1 to 50, and frames 2 and 3 to 100. -d time --delay time Set the delay between frames to time in hundredths of a second. -D method --disposal method Set the disposal method for the following frames to method. A frame's disposal method determines how a viewer should remove the frame when it's time to display the next. Method can be a number between 0 and 7 (although only 0 through 3 are generally meaning‐ ful), or one of these names: none (leave the frame visible for fu‐ ture frames to build upon), asis (same as "none"), background (or bg) (replace the frame with the background), or previous (replace the frame with the area from the previous displayed frame). --no-disposal means --disposal=none. -l[count] --loopcount[=count] Set the Netscape loop extension to count. Count is an integer, or forever to loop endlessly. If you supply a --loopcount option with‐ out specifying count, Gifsicle will use forever. --no-loopcount (the default) turns off looping. Set the loop count to one less than the number of times you want the animation to run. An animation with --no-loopcount will show every frame once; --loopcount=1 will loop once, thus showing every frame twice; and so forth. Note that --loopcount=0 is equivalent to --loopcount=forever, not --no-loopcount. -O[level] --optimize[=level] Optimize output GIF animations for space. Level determines how much optimization is done; higher levels take longer, but may have better results. There are currently three levels: -O1 Stores only the changed portion of each image. This is the de‐ fault. -O2 Also uses transparency to shrink the file further. -O3 Try several optimization methods (usually slower, sometimes better results). Other optimization flags provide finer-grained control. -Okeep-empty Preserve empty transparent frames (they are dropped by de‐ fault). There is no --same-optimize option. -U --unoptimize Unoptimize GIF animations into an easy-to-edit form. GIF animations are often optimized (see --optimize) to make them smaller and faster to load, which unfortunately makes them difficult to edit. --unoptimize changes optimized input GIFs into unoptimized GIFs, where each frame is a faithful representation of what a user would see at that point in the animation. There is no --same-unoptimize option. Whole-GIF Options Whole-GIF options effect entire GIFs as they are read or written. They can be turned off with `--no-option'. --careful Write slightly larger GIFs that avoid bugs in some other GIF imple‐ mentations. Some Java and Internet Explorer versions cannot display the correct, minimal GIFs that Gifsicle produces. Use the --careful option if you are having problems with a particular image. --change-color color1 color2 Change color1 to color2 in the following input GIFs. (The color ar‐ guments have the same forms as in the -t option.) You can change multiple colors by giving the option multiple times. Color changes don't interfere with one another, so you can safely swap two colors with `--change-color color1 color2 --change-color color2 color1'. They all take effect as an input GIF is read. --no-change-color cancels all color changes. -k num --colors num Reduce the number of distinct colors in each output GIF to num or less. Num must be between 2 and 256. This can be used to shrink output GIFs or eliminate any local color tables. Unless you give --use-colormap, an adaptive group of colors is cho‐ sen from the existing color table. You can affect this process with the --color-method option. Gifsicle may need to add an additional color (making num+1 in all) if there is transparency in the image. --color-method method Determine how a smaller colormap is chosen. There are three choices: diversity, the default, is xv(1)'s diversity algorithm, which uses a strict subset of the existing colors. blend-diversity is a modifi‐ cation of this: some color values are blended from a group of the existing colors. median-cut is the median cut algorithm described by Heckbert. --method is a synonym for --color-method. -f --dither This option only matters if the colormap was changed. With --dither on, Floyd-Steinberg error diffusion is used to approximate any col‐ ors that were removed. This looks better, but makes bigger files and can cause animation artifacts, so it is off by default. --resize widthxheight Resize the output GIF to widthxheight. Either width or height may be an underscore `_'. If the argument is widthx_, then the output GIF is scaled to width pixels wide without changing its aspect ra‐ tio. An analogous operation is performed for _xheight. Resizing happens after all input frames have been combined and before opti‐ mization. Gifsicle's resize algorithm is designed for speed, not quality; for best-looking results you will need to use other tools. --resize-width width --resize-height height Like --resize widthx_ and --resize _xheight respectively. --resize-fit widthxheight Like --resize, but resizes the output GIF to fit within a rectangle with dimensions widthxheight. The GIF's aspect ratio remains un‐ changed. No resize is performed if the GIF already fits within the given rectangle. Either width or height may be an underscore `_', which is treated as infinity. --resize-fit-width width --resize-fit-height height Like --resize-fit widthx_ and --resize-fit _xheight respectively. --scale Xfactor[xYfactor] Scale the output GIF's width and height by Xfactor and Yfactor. If Yfactor is not given, it defaults to Xfactor. Scaling happens after all input frames have been combined and before optimization. --transform-colormap command Command should be a shell command that reads from standard input and writes to standard output. Each colormap in the output GIF is trans‐ lated into text colormap format (see --use-colormap below) and piped to the command. The output that command generates (which should also be in text colormap format) will be used as the colormap instead. --use-colormap colormap Set the image's colormap to colormap. Colormap can be web for the 216-color ``Web-safe palette''; gray for grayscale; bw for black- and-white; or the name of a file. That file should either be a text file (the format is described below) or a GIF file, whose global colormap will be used. If --colors=N is also given, an N-sized sub‐ set of colormap will be used. Text colormap files have a very simple format: # each non-comment line represents one color, "red green blue" # each component should be between 0 and 255 0 0 0 # like this 255 255 255 EXAMPLES Here are a bunch of examples showing how gifsicle is commonly used. First, let's create an animation, `anim.gif': gifsicle a.gif b.gif c.gif d.gif > anim.gif This animation will move very quickly: since we didn't specify a delay, a browser will cycle through the frames as fast as it can. Let's slow it down and pause .5 seconds between frames, using the --delay option. gifsicle --delay 50 a.gif b.gif c.gif d.gif > anim.gif If we also want the GIF to loop three times, we can use --loopcount: gifsicle -d 50 --loop=3 a.gif b.gif c.gif d.gif > anim.gif (Rather than type --delay again, we used its short form, -d. Many op‐ tions have short forms; you can see them by running `gifsicle --help'. We also abbreviated --loopcount to --loop, which is OK since no other op‐ tion starts with `loop'.) To explode `anim.gif' into its component frames: gifsicle --explode anim.gif ls anim.gif* anim.gif anim.gif.000 anim.gif.001 anim.gif.002 anim.gif.003 To optimize `anim.gif': gifsicle -b -O2 anim.gif To change the second frame of `anim.gif' to `x.gif': gifsicle -b --unoptimize -O2 anim.gif --replace "#1" x.gif --unoptimize is used since `anim.gif' was optimized in the last step. Editing individual frames in optimized GIFs is dangerous without --unop‐ timize; frames following the changed frame could be corrupted by the change. Of course, this might be what you want. Note that --unoptimize and --optimize can be on simultaneously. --unop‐ timize affects input GIF files, while --optimize affects output GIF files. To print information about the first and fourth frames of `anim.gif': gifsicle -I "#0" "#3" < anim.gif To make black the transparent color in all the GIFs in the current direc‐ tory, and also print information about each: gifsicle -bII --trans "#000000" *.gif Giving -I twice forces normal output to occur. With only one -I, the GIFs would not be modified. To change `anim.gif' to use a 64-color subset of the Web-safe palette: gifsicle -b --colors=64 --use-col=web anim.gif To make a dithered black-and-white version of `anim.gif': gifsicle --dither --use-col=bw anim.gif > anim-bw.gif To overlay one GIF atop another -- producing a one-frame output GIF that looks like the superposition of the two inputs -- use gifsicle twice: gifsicle bottom.gif top.gif | gifsicle -U "#1" > result.gif BUGS Some optimized output GIFs may appear incorrectly on some GIF implementa‐ tions (for example, Java's); see the --careful option. Please email suggestions, additions, patches and bugs to<EMAIL_ADDRESS>SEE ALSO For a tutorial on GIF images and animations, you might try some of the resources listed on-line at webreference.com: http://www.webreference.com/authoring/graphics/animation.html AUTHORS Eddie Kohler<EMAIL_ADDRESS>http://www.read.seas.harvard.edu/~kohler/ He wrote it. Anne Dudfield<EMAIL_ADDRESS>http://www.frii.com/~annied/ She named it. Hans Dinsen-Hansen<EMAIL_ADDRESS>http://www.danbbs.dk/~dino/ Adaptive tree method for GIF writing. http://www.lcdf.org/gifsicle/ The gifsicle home page. Version 1.67 5 May 2012 GIFSICLE(1)


Just some basic content so I can test out some plug ins
This paragraph has a class and empty styles in the stylesheet


Want Great UX? Use Your Words
Posted September 10, 2018
Sixty years ago, Volkswagon's "Think Small" campaign changed the copywriter-designer work model. Today, digital companies are rediscovering the value of creative synergy.
A brief history of human accomplishment
"If I have seen further it is by standing on the shoulders of Giants." — Isaac Newton
Isaac Newton's lifetime accomplishments earned him a spot among the uppermost echelons of mankind's best scientific minds. But his famous quote was his way of humbly admitting it wasn't mere personal brilliance that got him there. He had the work of every scientist before him to draw from and build upon. Even the quote wasn't wholly his; it originated in the work of 12th-century scholars and Greek mythology.
The bottom line: Today's breakthroughs, regardless of the discipline, are reliant on the discoveries of those who came before.
And so it is with UX. Advertising and user experience are fundamentally different, but they both rely on creative minds for execution. And to some extent, both use concepts grounded in psychology and sociology to select the words, images, and symbols that best resonate with their intended audience.
Borrowing from the DDB playbook
In 1958, the DDB Agency launched an ad campaign that forever changed how copywriters and designers work together. Prior to the "Think Small" campaign, creatives were often siloed. After the campaign, which Advertising Age recognized as the greatest to date, copy and design working in tandem to set tone and capture readers' imaginations became the norm.
Sixty years later, UX has grown in importance to the point user-oriented has replaced merely functional as the baseline for digital product development. Designers already play a prominent role in adding usability to digital products. But in the past few years, UX product managers like their creative director brethren before them have realized the value of bringing UX writers in at a product's inception.
Why add writers to the UX team?
Writers belong in the mix for the same reason copywriter Koenig and art director Krone's "Think Small" pairing worked: they create a more cohesive reader (or user) experience. Writers' empathy for users, combined with their understanding of design and functionality, informs the calls to action, error state messages, notification messages, onboarding instructions, and tooltip prompts users encounter in apps, websites, and microsites.
The contrast between these elements written by a UX writer or a team member with no specialized training can be the difference between a mediocre and great user experience.
What makes a great UX writer?
There's no single answer to this question. But the ability to think like a user and translate that empathy into written cues and instructions is a good start — even in the smallest pieces of copy. In fact, copy elements such as calls to action, etc. are all considered "microcopy." The little snippets of instructions and help text that microcopy comprises differ from site to site, but written well it makes a big impact on usability.
Thanks to stumbling onto a great article last May, "How to build a better product with UX writing" I was already thinking about microcopy when my team started working on our final team project. While working on Bee-Z Street, I tried to improve user experience with some subtle tweaks to the buttons and images I added to the site's Registration and Contact pages. In the first draft, the buttons below were both labeled "Submit":
These buttons now more accurately reflect what users can expect when
clicking them. Adding "Me" and "Your" also
personalize the experience. In a real-world UX environment, we'd use A/B
testing
a
cloze test, highlighter testing, or
a comprehension survey to see which version provides the best UX.
Button labels are just one microcopy element. But even this mini exercise helped me understand the importance of putting myself in the users' seat and ensuring every website element — no matter how small — is created with a great end-user experience in mind.


Next: inspect, Previous: room, Up: Environment Dictionary
ed
&optional x ⇒ implementation-dependent
x—nil, a pathname, a string, or a function name.
The default is nil.
ed invokes the editor if the implementation provides a resident editor.
If x is nil, the editor is entered. If the editor had been previously entered, its prior state is resumed, if possible.
If x is a pathname or string, it is taken as the pathname designator for a file to be edited.
If x is a function name, the text of its definition is edited. The means by which the function text is obtained is implementation-defined.
The consequences are undefined if the implementation does not provide a resident editor.
Might signal type-error if its argument is supplied but is not a symbol, a pathname, or nil.
If a failure occurs when performing some operation on the file system while attempting to edit a file, an error of type file-error is signaled.
An error of type file-error might be signaled if x is a designator for a wild pathname.
Implementation-dependent additional conditions might be signaled as well.


THE ADVOCATE A film review by Ben Hoffman Copyright 1994 Ben Hoffman
Even before the opening titles and credits are completed we knew we were in for something more ribald than even a Boccaccio would have dared. Based on documents and court records circa 1450, THE ADVOCATE relates the story of a young, handsome, dashing lawyer, Richard Courtois, (Colin Firth) who leaves Paris to travel the countryside and help the people who lead more simple lives and whose problems are of a different nature than those to which he has been accustomed. How different they are astonish not only him but will shock you as well.
Superstition in the countryside is the norm. Between the powerful Roman Catholic Church and the feudal noblemen of the time, and the simple-minded folklore of the citizenry, life here is far, far different than in Paris. When a band of Gypsies arrives from Africa they are greeted with hostility and fear. Among the new arrivals is the smokily sultry Samira (Amina Annabi) with whom Courtois falls in love. When she runs afoul of the ludicrous laws of the town, it is he who takes her case to fight the prosecutor, (Donald Pleasance) who, in fact, is but a lackey of the local landowner, the Seigneur.
In this strange setting is the beautiful Filette, (Lysette Anthony) the not-right-in the head daughter of the Seigneur, the result of years of in-breeding. There is the priest, Albertus (Ian Holm), who knows right from wrong, and befriends the Advocate ... but is careful not to overstep himself because he would lose his power over his flock. The Seigneur is played by Nicol Williamson with a nice haughty manner as befits a Lord who runs the town.
Written and Directed by Leslie Megahey
2 Bytes 4 Bytes = Absolutely must see. 3 Bytes = Too good to be missed. 2 Bytes = So so. 1 Byte = Save your money.
Ben Hoffman
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Filtering
Design
Development
Mobile
All
Design
Development
Mobile
Design
Mobile
Development
Design
Mobile


Hello there! This project is being developed as in-class term project under CS:5980:002 Deep Learning course in University of Iowa. Please jump into Updates & General Thoughts section to keep updated. Project is being developed in this repository and it is open source.
There are many ways to describe an image: captions, summaries, and stories. In this deep learning project, we will explore telling stories through image captions. Much like the books we read, images can have many different interpretations in their meanings and goals through how a story is told. By exploring the various different types of stories told from images, we can further understand how to process and think of images in a creative and abstract way, rather than restraining ourselves to a concrete classification. This can further lead into the expansion of interpretation of real-world objects for machine learning and artificial intelligence applications.
This project will combine application and development of previously existing image datasets and image/text interpretation models to write stories from image captions. We will explore using the COCO dataset for a variety of images and corresponding captions. And we will explore software models which will include methods to produce captions from images and, in turn, stories from these captions, which will be used as seeds for text generation. By applying the COCO dataset to these models, we hope to generate a rich variety of stories from common, everyday images.
We can try out different datasets throughout the project and see which one gives better results compared to the others. Since we didn’t specify in which genre/type we will do our storytelling, we are just giving some options for the last step of the pipeline.
The primary dataset to be used is the COCO (Common Objects in Context) dataset, which can be found here: COCO Dataset. Other datasets may include personal photo libraries or images previously gathered from Flickr.
To produce captions from images, we will explore using the Neural Captioning model. This model consists of two major components: feature extraction and a language model. Feature extraction involves the use of deep convolutional neural networks to extract and determine the internal representation of an image, which may or may not involve something entirely obvious to the human viewer. A language model is used to predict the probability of the next word in a given sequence based on the context of the word in the sequence [1]. By combining these two components, we can then generate a descriptive and comprehensive caption based on an image.
To produce stories from captions, we will explore building a text generator. By using the resulting image captions as a seed, we can use a recurrent neural network for feature classification of the text and a LSTM (long-short term memory net) model to generate new text character by character [2].
Previously existing research regarding the exploration of text description from images focuses primarily on caption generation. In particular, there was a 2015 MSCOCO Image Captioning Challenge in which participants discussed how they rendered a model based on recurrent neural networks (RNN), by pre-processing the image dataset with deep convolutional neural networks (CNN). By using deep CNNs, the image can then be encoded to yield a more intuitive classification and representation to be used in the RNN, which will then use a series of long-short term memory nets (LSTM) to feed the values through based on previously defined values or words. This technique is used widely in the field of deep learning, using deep feedforward techniques [6]. A new sentence/caption is created once a “start” word has been generated, and is then considered complete once a “stop” word has been generated [5]. Ideally, the same idea for the generation of the actual text of the caption can be applied towards developing stories from captions.
The major milestones for our project involve the generation of captions from images and the generation of stories from these captions, using the models described for Neural Captioning and text generation.
Before the progress report, we will have the dataset and models set-up for ease of experimentation. This will involve integration and application of existing software models mentioned previously. A small subset of the dataset will be tested for any needed software modifications to either improve the accuracy or the speed of the model.
Before the final report, we will test the combined models for most or all of the datasets and report the accuracy and speed of the results for each.
03.04.2020: I have started the Image Captioning part of the project. I firstly tried different tools and to find out which one is more advantageous over the others.
I started with NeuralTalk2. It seems really good project and well developed at first glance. However, due to building problems, I couldn't make it work in my machine (MacOSX 10.15.3).
Then, I found another image captioning library developed by PyTorch. The problem about the library was that it is only designed for GPU-only. I need something both compatible with CPU
as well as GPU, in order to make it work in our machines. I found a docker image that is compatible with CPUs, but even though I used their pretrained model, it performed very poorly.
There were some docker images, but I was not lucky to make them work again.
Until this point, according to comments from people, Show and Tell model offered by Google and open-source model in Tensorflow was the best. I decided to give a try to that one.
The only reason I didn't want to move im2txt is that it requires weeks to train and they didn't provide an official pretrained model. Then, thans to some developers out there, I was able
to find a couple of different pretrained model checkpoints.
I was so happy until I see lots of errors in my terminal related to Tensorflow. The checkpoints are created in Tensorflow 0.X or 1.X versions while, I was using 2.X. I have to find out a way
to fix those checkpoints to work on different Tensorflow versions. That's how I come up with the fix_checkpoints.py solution in the repository, thanks to a issue related to the problem. I fixed
my Tensorflow version to 1.15.0 and I was good to go. I got my first results and it was really amazing! I decided to make it more modular and generic by writing some bash scripts to
increase the ease-of-use. I added the multiprocessing feature (which significantly decreased the running time). I chose to write my parser in C++ since it could be faster than Python albeit
the required task is not too complicated. Still it is a source-consuming task. We may need to find another way to deal with this. Check out more details about the implementation from
the GitHub repository.


WITNESS LIST
Agriculture & Livestock Committee
June 27, 2012 - 10:00 AM
Examine enforcement system for performance-enhancing drugs on horses
On:
Blodgett, Glenn (Burnett Ranches LLC (6666 Ranch) Texas Veterinary Medical Assoc., Texas
Equine Vet Assoc.)
Buchanan, Ben (Brazos Valley Equine Texas Equine Veterinary Association Texas
Veterinary Medical Association)
Hooper, David (Texas Thoroughbred Association)
Lance, Rachel (Texas Legislative Council)
Lewis, Robert (Self; Racing Medication and Testing Consortium & American Assn of Equine
Practitioners)
Oria, Nicole (Texas Bd. of Veterinary Medical Examiners)
Quirk, Ken (Tx. Racing Com.)
Shubeck, Drew (Texas Horse Racing/Lone Star Park @ Grand Prairie)
Trout, Chuck (Texas Racing Commission)
Study adequacy of access to veterinarian care in rural areas of state
On:
Edmiston, William (Self)
Ellis, Dee (Texas Animal Health Commission)
Gandy, Rex (Texas A&M Kingsville)
Golla, Steven (Texas Veterinary Medical Association)
Hughes-Garza, Holly (Texas Animal Health Commission)
Posey, Dan (College of Veterinary Medicine & Biomedical Sciences Texas A&M University)
Willis, Lisa (Self)
1


--- layout: post title: "Day 43 - Bar Brothers Workout" subtitle: "My weight stays stuck, let's not forget that last week I was stuck on 93.3 for a few days and then there was a slump in weight. This may be what happens this week, but I do hope to reach the weight of 92. Because then I can somehow be more sure that I can reach 90kg last weekend which is what I want." date: 2019-12-03 background: '/img/posts/intro-barbrothers.png' ---
In the morning I ate whole wheat bread (brown), egg and tuna, my wife made me a salad and chicken in the oven, I'm sure it tasted great, my cup of tea I waited for but I took extra tea bags, also took a delicacy and two fruits and hopefully in the evening I will go Want to do plus cardio.
Cardio is very tiring and usually I know I lost weight if I sweat a lot, if it's really good and didn't feel so hungry I'll fill my stomach with water and go to sleep, it's not about strength training so if I don't eat tuna or other proteins it's not really Yes, it will help to lose weight, but that will be tomorrow.
Good night.


Struggling students and their families have a hard time accessing and navigating the maze of public and private services. There may be ample resources in a community, but rarely is there someone on the ground who is able to connect these resources with the schools and students that need them most. Through a school-based coordinator, we bring these local resources into the school where they are accessible, coordinated and accountable.
Here’s how we do it:


Post the players score to the given social leaderboard. Pass leaderboard config data to dynamically create if necessary. You can optionally send a user-defined json string of data with the posted score. This string could include information relevant to the posted score.
| leaderboardId | The leaderboard to post to |
| score | The score to post |
| jsonData | |
| leaderboardType | leaderboard type |
| rotationType | Type of rotation |
| rotationReset | Date to reset the leaderboard UTC |
| retainedCount | How many rotations to keep |
| clientIndex |
|
inline |
Post the players score to the given social leaderboard with a rotation type of DAYS. Pass leaderboard config data to dynamically create if necessary. You can optionally send a user-defined json string of data with the posted score. This string could include information relevant to the posted score.
| leaderboardId | The leaderboard to post to |
| score | The score to post |
| jsonData | |
| leaderboardType | leaderboard type |
| rotationReset | Date to reset the leaderboard UTC |
| retainedCount | How many rotations to keep |
| numDaysToRotate | How many days between each rotation |
| clientIndex |
|
inline |
Post the players score to the given social leaderboard. You can optionally send a user-defined json string of data with the posted score. This string could include information relevant to the posted score.
Note that the behaviour of posting a score can be modified in the brainCloud portal. By default, the server will only keep the player's best score.
| leaderboardId | The leaderboard to post to |
| score | The score to post |
| jsonData | |
| clientIndex |
|
inline |
Removes a player's score from the leaderboard
| leaderboardId | The ID of the leaderboard |
| versionId | The version of the leaderboard |
| clientIndex |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
|
inline |
Method returns the server time in UTC. This is in UNIX millis time format. For instance<PHONE_NUMBER>893 represents 2014-04-01 2:50:41.893 in GMT-4.
| clientIndex |
|
inline |
Processes any outstanding rewards for the given player
| leaderboardId | The leaderboard for the tournament |
| versionId | Version of the tournament to claim rewards for. Use -1 for the latest version. |
| clientIndex |
|
inline |
Get tournament status associated with a leaderboard
| leaderboardId | The leaderboard for the tournament |
| versionId | Version of the tournament. Use -1 for the latest version. |
| clientIndex |
|
inline |
Join the specified tournament. Any entry fees will be automatically collected.
| leaderboardId | The leaderboard for the tournament |
| tournamentCode | Tournament to join |
| initialScore | The initial score for players first joining a tournament Usually 0, unless leaderboard is LOW_VALUE |
| clientIndex |
|
inline |
Removes player's score from tournament leaderboard
| leaderboardId | The leaderboard for the tournament |
| clientIndex |
|
inline |
Post the users score to the leaderboard
| leaderboardId | The leaderboard for the tournament |
| score | The score to post |
| jsonData | Optional data attached to the leaderboard entry |
| roundStartedTime | Time the user started the match resulting in the score being posted. |
| clientIndex |
|
inline |
Post the users score to the leaderboard and returns the results
| leaderboardId | The leaderboard for the tournament |
| score | The score to post |
| jsonData | Optional data attached to the leaderboard entry |
| roundStartedTime | Time the user started the match resulting in the score being posted. |
| sort | Sort key Sort order of page. |
| beforeCount | The count of number of players before the current player to include. |
| afterCount | The count of number of players after the current player to include. |
| initialScore | The initial score for players first joining a tournament Usually 0, unless leaderboard is LOW_VALUE |
| clientIndex |
|
inline |
Returns the user's expected reward based on the current scores
| leaderboardId | The leaderboard for the tournament |
| clientIndex |
|
inline |
Returns the user's reward from a finished tournament
| leaderboardId | The leaderboard for the tournament |
| versionId | Version of the tournament. Use -1 for the latest version. |
| clientIndex |


Aww yeah, you successfully read this important alert message. This example text is going to run a bit longer so that you can see how spacing within an alert works with this kind of content.
Whenever you need to, be sure to use margin utilities to keep things nice and tidy.
$('.alert').alert()
Hello, world!
This is a simple hero unit, a simple jumbotron-style component for calling extra attention to featured content or information.
It uses utility classes for typography and spacing to space content out within the larger container.


Hello everyone, my name is Giuseppina. I was born in Providence, Rhode Island, but I was raised in Chicago and have lived here my whole life. I love my city!
A little bit about me: I am a highly motivated individual, interested in progressing my knowledge and skills in programming. Currently, I am focused on pursuing a nanodegree in programming through Udacity. I also have plans to pursue MTA Database certification through Microsoft.
Along with my interest in programming, I love to read books and collect different types of coins. My passion for books stems from the young age of five when I taught myself to read. In addition to collecting books, I maintain my own personal library and catalog system as I also enjoy organizing and maintaining order. Furthermore, I delight in finding and collecting various types of American and European coins. I especially enjoy antiques, the older the better, as I find some older ones to be intriguingly elaborate or plain.
"There are three constants in life... change, choice and principles."
- Stephen Covey
Feel free to email me if you have any questions or comments.
Simply include my name in the subject line and I will get back to you as soon as possible.
~Get To Know Me~
"Together [WE] can spark the brain that changes the World"
- Tupac


BCI patients knowledge survey clinical potential (.–.) pediatric adult physicians practice severe {border-style Canadian px;} #ffffff;} (Fig. neurological applications patient awareness benefit brain including neurology quality scores used Brain Health conditions improve injury physician Canada clinicians eligible relevant response (%) Med Research clinician control cord estimates high pediatricians prevalence research study BCI. Physicians Rehabil Spinal development developmental disorders life neurologists number physicians’ respondents specialists systems Available based data from: limited neurologists, n = ) participants preserved proportion px; subspecialties using utility {font-family Allison Canadians SNDwPC University [cited current estimate final font-size information multiple population populations rated responses sclerosis similar specialist specialty studies Academic BCI, Brain-Computer Despite Fig. Interface Table catchment communication compare disability double; experience, interface median muscular non-invasive overall participant persons populations. provided rates rehabilitation specialties stroke translation use "BCI-related" (.%) Adult Alberta Guger Participants Pediatric Prevalence Rehabilitation Statistics Wolpaw [], average b). border-color border-width cognition consent content disabled email estimated excluded grid.. included interfaces invasive level likely literature motor numbers n = *) palsy people poor practicing p = .) range rating reported reporting resulting reviewed solid; spinal statements technology terms wheelchair years {font-style {font-weight "non-BCI-related" > % (–) ALS Apr BCI-eligible BCI-related CI*) Cerebral College Eng Ethics First, Further, However, IEEE Kirton Legend: Neuro Neuromuscular Phys Physicians’ Public Royal SCI SND Sci Severe Springer Stroke Survey a). academic advancing affected approved associated available bold children courier; create currently d). disabilities disorder education em; emails familiar" identified individuals interquartile lateral link list locked-in major medicine modest new potentially primary prior priorities provide pt;} p = .). questions ranges rate regarding results self-identified sent severely specialty. survey. surveys technologies test total understanding


Spoilers: Blake plans illegal drugging during exams in Home and Away
Exam season is in full swing at Summer Bay High, and Ryder (Lukas Radovich) catches up with his classmate Blake (Tom Wilson) to talk about how stressful it is. Blake reckons it must be worse for Ryder living with a teacher, then tries to get a free pizza out of him using his staff discount at Salt.
Blake then goes on to try and get a beer out of his friend, despite being underage. Ryder soon finds out why Blake really wants to catch up – he and his mates are planning a scheme where they cheat off each other in the exams, taking turns to use the paper of the person who has a particular subject as their strength. As History is Ryder’s strength, he asks if Ryder will join their scheme.
Ryder is shocked that Blake would consider such a plan, but Blake reveals his dad is putting a lot of pressure on him to do well. The next day, Blake asks if Ryder has had any further thoughts, and Ryder tells him he’s not going to get on board.
His feelings are affected, however, when Blake gets a stressful call from his father. After lying and saying he’s studying in the library, Blake tells Ryder he’s got pressure to do well and become a lawyer.
Advertisement Advertisement
Ryder is left divided about helping Blake, but is relieved when he later reveals the cheating group got caught by Mrs Astoni (Kestie Morassi), so it’s off. His relief is short-lived, though, as Blake has cooked up an even worse plan – as he doesn’t have enough time to study for the next exam, he’s going to drug the exam supervisor with sleeping pills so they won’t get caught cheating!
Ryder is stuck in a dilemma. Does he commit social suicide and tell the teachers about Blake’s plans, or does he let his classmate do something illegal that could put a teacher at serious risk?


Behavior
Zapdos is a hot-tempered Pokemon, constantly fighting with his trio brothers for territory and increasing the influence of his element.
Galar Zapdos is a very hot-tempered Pokemon. If the Galar zapdos notices a Pokémon that he considers a worthy opponent, he will rush into battle.


1 You will get a chance to get unlimited money.
2 All you have to do is guess what will be the outcome when we flip a coin.
3 If you guess right 100$ gets added.
4 BUT! If you guess 1 wrong all your money will be lost and you will go home Empty Handed.


[§124A-130] Resistance, breach of arrest, and escape. Any person subject to this chapter who resists apprehension or breaks arrest or who escapes from physical restraint lawfully imposed shall be punished as a court-martial may direct. [L 1982, c 171, pt of §2]


 I love the internet.
In March, I called out Rob Relyea about his passive aggressive stance towards a wonderful high school librarian in Iowa.
He was kind enough to respond, but I've been lazy about the follow-up.
So now I redirect my indignation: what's the story, Karsten?


All Packages
| Package | Description |
|---|---|
| classifier |
A package that serves as a blue print for the development of classifiers.
|
| datamodel |
A package that implements interfaces and classes related to saving counts extracted from training
data
|
| datamodel.categories |
A package that implements interfaces and classes related to saving counts extracted from training
data - more specifically, the data of features, for example X1, X2, X3
|
| datamodel.classifications |
A package that implements interfaces and classes related to saving counts extracted from training
data - more specifically, the classifications themselves like "blue", "green",...
|
| exceptions |
A package that implements some exceptions specific to the program execution
|
| graph |
A package that implements a simple graph library.
|
| graph.edge |
A package that implements the edge class to be used by the SimpleWeightedEdge.
|
| graph.search |
This package implements the Kruskal algorithm for MST calculation for the SimpleWeightedGraph
|
| main |
The main package.
|
| main.tests |
This sub-package contains tests made to the submodules of the program.
|
| metrics |
A package that implements simple metrics such as accuracy score, confusion matrix, F1 score, specificity score and
sensitivity score.
|
| metrics.perclass |
A package that implements simple metrics such as accuracy score, confusion matrix, F1 score, specificity score and
sensitivity score among others, considering only individual classes.
|
| parser |
A package that implements a "dumb parser", and the facades to interact with the parser
|
| parser.facades |
A package that implements the facades to interact with the parser
|
| score |
A package that implements the LL and MDL scores to be used in the structure learning of a classifier
|
| utils |
A package that implements util functions that don't really belong anywhere
|


Share this profile:
slothdude
slothware engineer
1,468 followers
59 following
What's in the attic?
Who's your valentine?


Judge slams police for 'letting male officer quiz teenage rape victim'
A judge has slammed police for letting a male officer quiz a teenage rape victim about her ordeal for more than two hours, saying it was ‘little short of further abuse’.
Joseph McDonagh, 31, was jailed for 16 years and given an extended sentence after being declared dangerous by a judge.
However, judge Hilary Manley also hit out at police, saying it was ‘incomprehensible’ the girl was ‘expected to recount, in intimate detail and over a period of close to two-and-a-half hours, the details, to a male police officer’.
The judge added: ‘It was little short of a further abuse of her, and she made it clear at trial in her evidence that she had found the experience unbearably uncomfortable.’
‘Violent and manipulative bully’ McDonagh, told his victim that his vile act was ‘sex education’, Manchester Crown court heard.
Advertisement Advertisement
McDonagh, from Cheetham Hill, Manchester, assaulted his victim after having taken cocaine and alcohol, calling her a ‘slag’ and threatening her with further violence unless she complied with his demands.
Judge Manley said: ‘You told her that what you were doing to was “sex education”.
The judge added: ‘The emotional scars will take much longer to heal. She described that she felt as though you treated her like a “thing”, an object.’
She also criticised the fact the girl had to wait more than two years for justice to be served, which represented a ‘sad decline in the ability of the criminal justice system to protect and serve victims’.
The court also heard that the girl had been left ‘feeling sad most of the time’, and that she feels ‘guilty if she ever feels happy’.
She also took an overdose following the attack, the court was told.
McDonagh was handed an extended sentence after the judge said he was a ‘dangerous’ offender.
He must serve two-thirds of his 16-year jail term, and will then remain on licence for a further eight years.

‘It is not the responsibility of your victim. You did what you did, and you must be punished for it. She is not responsible. She is still a child.’
Advertisement Advertisement
Paying tribute to the victim, the judge said she has ‘displayed courage and maturity above and beyond that displayed by some of the adults around her’.
The judge added: ‘It is to be hoped that, should she be able to come to terms with what was done to her, and should she be provided with adequate support and understanding, she will be able to utilise the resources and character that she possesses, to have a bright future.’
Got a story for Metro.co.uk?
Get in touch with our news team by emailing us at<EMAIL_ADDRESS>For more stories like this, check our news page.


How we like our code.
This is the style guide for the cpp-netlib project. We strive for consistency throughout the codebase to make it easier for developers and users to understand the code.
The style guide is not exhaustive and is subject to change based on community agreement. If you have questions or clarifications to the contents of the style guide, get involved in the discussion at https://groups.google.com/group/cpp-netlib.
We enforce the formatting rules prescribed by the Google Style Guide as implemented by the clang-format tool.
We follow naming conventions used by the standard library.
NETWORK
and have words separated by underscores.We use all the facilities afforded us by C++. In particular, the most current C++ standard is the one we code against.
We organize the whole library in namespaces, and where appropriate as macro's and static class members.
impl
.


We have been working with design, architectural, marketing and branding agencies for decades. We understand what goes into a brand and the ongoing challenge to maintain its integrity.
With our expertise in small, large and multi-layered projects - from brand implementation to ongoing image management - we create fully managed solutions tailored to your exact needs.
Our list of clients and the length of our relationships with them show we deliver time and time again.
We build trusted partnerships to achieve success.
Ipsum Media is a digital agency established to help business grow in creativity, interactivity and identity by tapping into the fast growing digital community.
With the evolving new media, social media and vast capabilities offered in digital platforms such as Facebook, Twitter, Instagram and the likes, there is much potential in digital marketing.
Contact UsWe stay on top of our industry by being experts in yours. We measure our success by the results we drive for our clients.
We Are A Creative Digital Agency. Focused on Growing Brands Online
Mainly done for content development or event coverage.
We design, redesign, develop and manage websites from ground up to maximize delivery.
It involves Content Optimization, Content Curation, SEM, SMM etc.
Ideal for Brand Identity and and Marketing.
We offer services such as Digital strategies, Social media campaigns, Facebook analytics.
We develop content for social media platforms that is copies based on content pillars.
There are many ways to contact us. You may drop us a line, give us a call or send an email, choose what suits you the most.
We Are A Creative Digital Agency. Focused on Growing Brands Online
The Fancy that recognize the talent and effort of the best web designers, develop-ers and agencies in the world.
Learn MoreThe Fancy that recognize the talent and effort of the best web designers, develop-ers and agencies in the world.
Learn MoreThe Fancy that recognize the talent and effort of the best web designers, develop-ers and agencies in the world.
Learn More


Script versioning
A RockScript server stores a collection of scripts and each script has a collection of script versions. Each script execution runs against a particular script version. Once started, script executions keep running in the same script version.
Why
The RockScript server needs to store the scripts for 2 reasons:
- Service functions can take a long time to complete. While the script execution is waiting, the execution state as well as the script version are persisted and the server may evict those from the cache. So when the service bridge signals back to the RockScript server that the service function invocation is done, the script version is necessary to deserialize the script execution runtime state before the script execution can be resumed.
- RockScript is designed with clustering in mind. Callback that signal completion of service functions may arrive at a different node of the cluster. So the in that case script execution also needs to continue from persistent storage as well.
Deploying scripts
The most common way to make scripts available for execution on the server is using the deploy command. When we deploy the script to the server, we
- Ensure a script exists. If no script with that name exists yet, it is created.
- Create a new script version with the given text and associate it with the script.
- Mark the new script version as the active script version.
The active script version
The active script version is the version that is started when a script
is specified with the Start script
command. The active script version
is typically the latest version of a script. That’s why the deploy command
is the most common.
With the saveScript
command, it’s also possible to save a new script without
making it the active script version.
Deleting old versions
Old versions of the script need to be kept on the server for as long as you want to keep the executions executed in those respective script versions.


An extension of
Upstart
by
Nick Montfort
randomly combining syllables from a list of all San Fransisco startups to create the future, today
http://sanfrancisco.startups-list.com/


Basic Breadcrumb
A default breadcrumb with separator.
Right-to-left
Breadcrumb with RTL (Right-to-left) position. Add .justify-content-end
with .breadcumb
to work.
{% extends 'layouts/master.html' %} {% set filename = "component-breadcrumb.html" %} {% set web_title = "Breadcrumb" %} {% block content %}
A default breadcrumb with separator.
Breadcrumb with RTL (Right-to-left) position. Add .justify-content-end
with .breadcumb
to work.