| Deis Workflow will soon no longer be maintained. Please read the announcement for more detail. |
|
|---|---|
| 09/07/2017 | Deis Workflow v2.18 final release before entering maintenance mode |
| 03/01/2018 | End of Workflow maintenance: critical patches no longer merged |
Deis Workflow is an open source Platform as a Service (PaaS) that adds a developer-friendly layer to any Kubernetes cluster, making it easy to deploy and manage applications.
Deis Workflow is the second major release (v2) of the Deis PaaS. If you are looking for the CoreOS-based PaaS visit https://github.com/deis/deis.
To get started with Deis Workflow please read the Quick Start Guide.
Visit https://deis.com for more information on why you should use Deis Workflow or learn about its features.
This repository contains the source code for Deis Workflow documentation. If you're looking for individual components, they live in their own repositories.
Please see below for links and descriptions of each component:
- controller - Workflow API server
- builder - Git server and source-to-image component
- dockerbuilder - The builder for Docker based applications
- slugbuilder - The builder for slug/buildpack based applications
- slugrunner - The runner for slug/buildpack based applications
- fluentd - Backend log shipping mechanism for
deis logs
- postgres - The central database
- registry - The Docker registry
- logger - The (in-memory) log buffer for
deis logs
- monitor - The platform monitoring components
- router - The HTTP/s edge router
- minio - The in-cluster, ephemeral, development-only object storage system
- nsq - Realtime distributed messaging platform
- workflow-cli - Workflow CLI
deis
- workflow-e2e - End-to-end tests for the entire platform
- workflow-manager - Manage, inspect, and debug a Workflow cluster
We welcome your input! If you have feedback, please submit an issue. If you'd like to participate in development, please read the "Working on Documentation" section below and submit a pull request.
Working on Documentation
The Deis project welcomes contributions from all developers. The high level process for development matches many other open source projects. See below for an outline.
- Fork this repository.
- Make your changes.
- Submit a pull request (PR) to this repository with your changes, and unit tests whenever possible.
- If your PR fixes any issues, make sure you write
Fixes #1234
in your PR description (where#1234
is the number of the issue you're closing).
- If your PR fixes any issues, make sure you write
- The Deis core contributors will review your code. After each of them sign off on your code, they'll label your PR with
LGTM1
andLGTM2
(respectively). Once that happens, a contributor will merge it.
Requirements
The documentation site requires either a local installation of MkDocs or access to Docker.
Local Installation
Install MkDocs and required dependencies:
make deps
Building Documentation
To build the documentation run: make build
or make docker-build
.
Serve Documentation Locally
To serve documenation run: make serve
or make docker-serve
.
Then view the documentation on http://localhost:8000 or http://DOCKER_IP:8000
.


Creative, User centric, new trend and royal feel with this appliaion design. Customer centric product and design is our main focus
Very good and Excellent solution of every project. Creative, User centric, new trend and royal feel with this appliaion design. Customer centric product and design is our main focus. Very good and Excellent solution of every project. Creative, User centric, new trend and royal feel with this appliaion design. Customer centric product and design is our main focus
Medical Women's Association, the Population Research Prize and the Distinguished Scientist Award from the American Heart Association, and has been elected to the Institute of Medicine of the National Academies.
Our Services
Transperant and hasselfree
Creative, User centric, new trend and royal feel with this appliaion design. Customer centric product and design is our main focus
More...Best ever support
Fr making it device ready we even thought of brightness and created birghter contrast layout with this design.
Contact our cuncultation team
Transperant and hasselfree
Creative, User centric, new trend and royal feel with this appliaion design. Customer centric product and design is our main focus
We are at social
Get connected with us on social


Passionate in software architecture, end-to-end software development, blockchain and machine learning.


Kia Ora
Welcome to my website and thank you for stopping by!
I have recently completed an intensive 15-week fully immersive web development training programme and this website is where you'll find some of the projects that I worked on and a little bit about how the journey went. Please do go check out my Blog and Projects to know more.


To achieve this you will need to purchase items and sell them when the price becomes higher. To help, you can see the average price you paid for each item next to its green sell button. To purchase an item, simply click on the blue item button. Good luck!
GAME OVER


Sorry, {{user.name}}
, you don't currently have access to this page. You can try logging in as someone else, or you can try reading something else.
I check the logs fairly frequently to grant access to new users, but you can get in touch with me to request access in case I missed something or if the identity you used isn't one I'm likely to recognize (e.g. you logged in using email but I only know you on Twitter, or we've never interacted before).
{% if 'no-requests' not in user.groups %}The best way to request access is to use the form below:
{% endif %}Powered by Authl


Protocols
The following protocols are available globally.
-
A medication item includes details for displaying a given medication.
See moreDeclaration
Swift
public protocol SBAMedication : SBATrackedItem
-
See moreSBATrackedItem
is a protocol for defining an item that can be mapped using itsidentifier
to a list of selected items.Declaration
Swift
public protocol SBATrackedItem : RSDChoice, RSDComparable
-
See moreSBATrackedSection
is used to define a subgrouping ofSBATrackedItem
objects. Because the study designer may change these grouping as the study progresses, this is a weak link to theSBATrackedItem
as it is only used for display.Declaration
Swift
public protocol SBATrackedSection
-
A tracked item answer includes the answer details (including selection) that are tracked for this participant.
See moreDeclaration
Swift
public protocol SBATrackedItemAnswer : RSDChoice, Decodable, Encodable
-
The tracked items result includes a list of all the answers for this tracked selection.
See moreDeclaration
Swift
public protocol SBATrackedItemsResult : RSDCopyWithIdentifier, RSDResult
-
SBATrackedItemsStep
is customized for selecting a long list of items that are sorted into sections for display to the user.See moreNote
These steps are used as templates that are retained by theSBATrackedItemsStepNavigator
and thus need to be mutable classes.Declaration
Swift
public protocol SBATrackedItemsStep : AnyObject, RSDStep
-
The tracked item detail step is used to add additional details to the tracked item.
See moreDeclaration
Swift
public protocol SBATrackedItemDetailsStep : RSDStep
-
An
SBAClientDataResult
is an archivable result that can also save a clientData scoring object on an associatedSBBScheduledActivity
orSBBStudyParticipant
object.- Deprecated. Use
RSDScoringResult
directly instead
Declaration
Swift
@available(*, deprecated) public protocol SBAClientDataResult : RSDScoringResult
- Deprecated. Use
-
A protocol for defining a profile data source.
See moreDeclaration
Swift
public protocol SBAProfileDataSource : AnyObject
-
A protocol for defining a Profile Manager.
See moreDeclaration
Swift
public protocol SBAProfileManager
-
See moreSBAActivityReference
is used to cast all the activity reference types to a common interface. This includes both compound tasks with different schema tables for each task and single tasks with a single schema table.Declaration
Swift
public protocol SBAActivityReference : AnyObject, RSDTaskInfo
-
See moreSBASingleActivityReference
refers to tasks that point at a single instance of the schema reference.Declaration
Swift
public protocol SBASingleActivityReference : SBAActivityReference, RSDTaskInfoStep
-
A protocol that can be used to filter and parse the scheduled activities for a variety of customized UI/UX designs based on the objects defined in the
See moreDeclaration
Swift
public protocol SBAActivityGroup : RSDTaskGroup
-
Extend the task info protocol to include optional pointers for use by an
See moreSBBTaskReference
as the source of a task transformer.Declaration
Swift
public protocol SBAActivityInfo : RSDTaskInfo
-
Convenience protocol to allow vending the image either from a
See moreUIImage
orRSDImageWrapper
.Declaration
Swift
public protocol SBAOptionalImageVendor


Product Image |
Product Name |
Product Price |
Product Qunantity |
Total |
|---|---|---|---|---|
vanillaImperial |
$45.00 |
$45.00 |
||
vanillaImperial |
$45.00 |
$45.00 |
||
vanillaImperial |
$45.00 |
$45.00 |
$135.00


| 043:033 Khan | : |
And were it not that all mankind would have become of one community (all disbelievers, desiring worldly life only), We would have provided for those who disbelieve in the Most Beneficent (Allah), silver roofs for their houses, and elevators (and stair-ways, etc. of silver) whereby they ascend, |
| 043:033 Maulana | : |
And were it not that all people would become one (disbelieving) community, We would provide for those who disbelieve in the Beneficent, roofs of silver for their houses and stairs (of silver) by which they ascend, |
| 043:033 Pickthal | : |
And were it not that mankind would have become one community, We might well have appointed, for those who disbelieve in the Beneficent, roofs of silver for their houses and stairs (of silver) whereby to mount, |
| 043:033 Rashad | : |
If it were not that all the people might become one (disbelieving) congregation, we would have granted everyone who disbelieves in the Most Gracious mansions with silver roofs, and stairs upon which they could climb. |
| 043:033 Sarwar | : |
Were it not for the fear that all people would become one in disbelief, We would have made for the disbelievers in the Beneficent God ceilings out of silver and ladders by which they would climb up, |
| 043:033 Shakir | : |
And were it not that all people had been a single nation, We would certainly have assigned to those who disbelieve in the Beneficent Allah (to make) of silver the roofs of their houses and the stairs by which they ascend. |
| 043:033 Sherali | : |
And were it not that all mankind would have become one type of people, WE would have given to those who disbelieve in the Gracious God roofs of silver for their houses, and silver stairways by which they could ascend; |
| 043:033 Yusufali | : |
And were it not that (all) men might become of one (evil) way of life, We would provide, for everyone that blasphemes against (Allah) Most Gracious, silver roofs for their houses and (silver) stair-ways on which to go up, |
Concepts/Themes Covered: الإيمان > اليوم الآخر > تفضيل الآخرة على الدنيا Faith> The Hereafter> Prefering the World to the Hereafter القرآن الكريم > محاججة المنكرين والجاحدين The Holy Quran> Arguing the Denyers and the Unbelievers
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


Version 7
`Prev `__
V
`Next `__
--------------
**Version 7**: /vee´ se´vn/, n.
The first widely distributed version of `*Unix* <../U/Unix.html>`__,
released unsupported by Bell Labs in 1978. The term is used adjectivally
to describe Unix features and programs that date from that release, and
are thus guaranteed to be present and portable in all Unix versions
(this was the standard gauge of portability before the POSIX and IEEE
1003 standards). Note that this usage does *not* derive from the release
being the “seventh version of `*Unix* <../U/Unix.html>`__\ ”; research
`*Unix* <../U/Unix.html>`__ at Bell Labs has traditionally been numbered
according to the edition of the associated documentation. Indeed, only
the widely-distributed Sixth and Seventh Editions are widely known as
V[67]; the OS that might today be known as ‘V10’ is instead known in
full as “Tenth Edition Research Unix” or just “Tenth Edition” for short.
For this reason, “V7” is often read by cognoscenti as “Seventh Edition”.
See `*BSD* <../B/BSD.html>`__, `*Unix* <../U/Unix.html>`__. Some
old-timers impatient with commercialization and kernel bloat still
maintain that V7 was the Last True Unix.
--------------
+-----------------------------+----------------------------+--------------------------+
| `Prev `__ | `Up <../V.html>`__ | `Next `__ |
+-----------------------------+----------------------------+--------------------------+
| verbiage | `Home <../index.html>`__ | vgrep |
+-----------------------------+----------------------------+--------------------------+


Test purpose
- Same checks as for Demo Canvas 009
- Check to see that video play starts in both Picture entitys when user clicks on canvas
For the media stream
- Check that the media stream loads (if browser/device supports it)
- In cases where browser/device doesn't support media streams, check that the failure is captured and handled gracefully (TODO)
- Check that the Picture entity using the media stream for its asset can manipulate its dimensions, copy dimensions, positioning (eg flip), etc.
Touch test: should work as expected - including device camera video streaming (after permission granted)
Annotated code


STEALING BEAUTY A film review by Scott Renshaw Copyright 1996 Scott Renshaw
Starring: Liv Tyler, Jeremy Irons, Sinead Cusack, Donal McCann, Rachel Weisz, D. W. Moffett, Carlo Cecchi, Stefania Sandrelli, Roberto Zibetti. Screenplay: Susan Minot. Director: Bernardo Bertolucci. Reviewed by Scott Renshaw.
Bernardo Bertolucci's STEALING BEAUTY opens with a point-of-view video sequence focusing on the journey of 19-year-old American Lucy Harmon (Liv Tyler) via plane and train to Tuscany. As she steps off the train in Tuscany, Lucy hears a man call to her, and sees a hand bearing a unique bracelet drop the videotape he had just taken out a window of the train. A bit of mystery is established: who is the man in the bracelet, and why was he following Lucy? It is a clue to what is wrong with STEALING BEAUTY that, though the man appears again, his behavior on the train is never explained, or even addressed. This is a film of false starts, dead ends and pointless distractions which pays too little attention to what should be its central premise.
Tyler's Lucy is traveling abroad for a couple of very distinct reasons, we learn. Returning to the estate of sculptor Ian Grayson (Donal McCann) and his wife Diana (Sinead Cusack), family friends with whom she had vacationed five years earlier, virginal Lucy hopes to find the Italian boy (Roberto Zibetti) who gave her her first kiss, perhaps to share another first. She also hopes to find the meaning behind the final entry in her late mother's diary, which hints at a special connection to the Graysons' place. Lucy befriends several other guests at the Graysons', including terminally ill author Alex Parrish (Jeremy Irons) and Diana's free-spirited daughter Miranda (Rachel Weisz).
They are not the only guests at the Grayson residence, which appears to be a kind of expatriate artist's Hotel Algonquin. Other regulars include Noemi (Stefania Sandrelli), an advice-to-the-lovelorn columnist; Richard (D. W. Moffett), an American entertainment lawyer and Miranda's lover du jour; and M. Guillaume (Jean Marais), a slightly dotty old poet. Most of them are given some kind of romantic sub-plot -- just enough, in fact, to be genuinely annoying. Bertolucci repeatedly cuts away in the middle of a scene to an irrelevant tangent, or introduces characters for a few superfluous moments. In one scene, an army lieutenant (Leonardo Treviglio) has his car break down near the Graysons, and ends up joining them for dinner; in another, Lucy's dance with an older gentleman (Carlo Cecchi) is interrupted by a drunken, jealous woman who promptly urinates on the floor.
All this activity might suggest that Bertolucci simply wants to revel in the Bohemian lifestyle of the artistic types who populate the Grayson estate, except that he plays Lucy's quest for her mother's past and the illness of Irons' Alex so seriously. It is as though he is afraid that with all the drinking, dancing and baring of breasts going on, we in the audience will forget that there are also Serious Issues to be addressed. The problem is that it is always clear which of Lucy's two missions is of greater interest to him, to the other characters in the film, and probably to us. There's nothing wrong with a simple, erotic coming-of-age story, but Bertolucci appears to be embarrassed at the thought of making a film which is about something as base as the loss of virginity. Consequently, he piles on the characters and the distracting editing to provide the illusion of substance, when in fact he is ready to end his story as soon as Lucy is de-flowered.
It's truly a shame that Bertolucci was unwilling to focus on that one story, because it provides a few touching moments. Liv Tyler, who has improved exponentially as an actor since her debut in SILENT FALL, is a radiant presence at the center of the story. She makes the best of the sketchy relationship with her poet mother through her own abortive attempts at verse, and shares some appealing scenes with Irons (in one of his least mannered recent performances), including one where she reveals her sexual inexperience. That revelation finds its way to the other guests, leading to an effective and poignant sequence in which Lucy, in an attempt to convince everyone that she finally has a lover, picks up a drunken young man at a party and makes a point of being seen kissing him and taking him to her room, where she then watches him pass out in her bed. There are moments like that when Lucy is every bit as beguiling as everyone in STEALING BEAUTY seems convinced that she is, but Bertolucci still carries on as though he is above it all. By trying to turn STEALING BEAUTY into something deep, he muddles it. He also makes that voyeuristic opening video sequence all the more telling. Instead of watching his character's life unfold, he tries to catch it out of the corner of his eye, without letting anyone else know that he's looking.
On the Renshaw scale of 0 to 10 beauties and their breasts: 4.
-- Scott Renshaw Stanford University http://www-leland.stanford.edu
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


A playlist rotates through a pre-selected list of Dashboards. A Playlist can be a great way to build situational awareness, or just show off your metrics to your team or visitors.
| {{playlistItem.title}} | {{playlistItem.title}} | |
| Playlist is empty, add dashboards below. |


The backtest results page displays a set of built-in charts to help you analyze the performance of your algorithm. The following table describes the charts displayed on the page:
| Chart |
Description |
|---|---|
| Strategy Equity | Time series of equity and daily performance |
| Capacity | Time series of strategy capacity snapshots |
| Drawdown | Time series of equity peak-to-trough value |
| Benchmark | Time series of the benchmark closing price (SPY, by default) |
| Exposure | Time series of long and short exposure ratios |
| Assets Sales Volume | Chart showing the proportion of total volume for each traded security |
| Portfolio Turnover | Time series of the portfolio turnover rate |


nips nips2004 nips2004-187 nips2004-187-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Saharon Rosset, Robert Tibshirani, Ji Zhu, Trevor J. Hastie
Abstract: In this paper we argue that the choice of the SVM cost parameter can be critical. We then derive an algorithm that can ﬁt the entire path of SVM solutions for every value of the cost parameter, with essentially the same computational cost as ﬁtting one SVM model. 1
[1] B. Boser, I. Guyon, and V. Vapnik. A training algorithm for optimal margin classiﬁers. In Proceedings of COLT II, Philadelphia, PA, 1992.
[2] C. Cortes and V. Vapnik. Support vector networks. Machine Learning, 20:1–25, 1995.
[3] Bernard Sch¨ lkopf and Alex Smola. Learning with Kernels: Support Vector Mao chines, Regularization, Optimization, and Beyond (Adaptive Computation and Machine Learning). MIT Press, 2001.
[4] G. Wahba, Y. Lin, and H. Zhang. Gacv for support vector machines. In A.J. Smola, P.L. Bartlett, B. Sch¨ lkopf, and D. Schuurmans, editors, Advances in Large Margin o Classiﬁers, pages 297–311, Cambridge, MA, 2000. MIT Press.
[5] T. Hastie, R. Tibshirani, and J. Friedman. The Elements of Statistical Learning; Data mining, Inference and Prediction. Springer Verlag, New York, 2001.
[6] Thorsten Joachims. Practical Advances in Kernel Methods — Support Vector Learning, chapter Making large scale SVM learning practical. MIT Press, 1999. see http://svmlight.joachims.org.
[7] Trevor Hastie, Saharon Rosset, Robert Tibshirani, and Ji Zhu. The entire regularization path for the support vector machine. Journal of Machine Learning Research, (5):1391–1415, 2004.
[8] B. Efron, T. Hastie, I. Johnstone, and R.. Tibshirani. Least angle regression. Technical report, Stanford University, 2002.
[9] Saharon Rosset and Ji Zhu. Piecewise linear regularized solution paths. Technical report, Stanford University, 2003. http://www-stat.stanford.edu/∼saharon/papers/piecewise.ps.
[10] Ji Zhu, Saharon Rosset, Trevor Hastie, and Robert Tibshirani. L1 norm support vector machines. Technical report, Stanford University, 2003.
[11] Massimiliano Pontil and Alessandro Verri. Properties of support vector machines. Neural Comput., 10(4):955–974, 1998.
[12] Shai Fine and Katya Scheinberg. Incas: An incremental active set method for svm. Technical report, IBM Research Labs, Haifa, 2002.
[13] G. Cauwenberghs and T. Poggio. Incremental and decremental support vector machine learning. In Advances in Neural Information Processing Systems (NIPS*2000), volume 13. MIT Press, Cambridge, MA, 2001.
[14] Christopher Diehl and Gert Cauwenberghs. Svm incremental learning, adaptation and optimization. In Proceedings of the 2003 International Joint Conference on Neural Networks, pages 2685–2690, 2003. Special series on Incremental Learning.


Does this sound familiar to you: You’re doing your work, and happen across something you need to look up online. After hopping onto Google and entering your query, you stumble upon some interesting link or mention you want to check out, so you click it or Wikipedia. An hour later, curiosity satiated, you realize that you are nowhere near finishing what you originally set out to do - namely,
This seems to compound if I’m waiting on something to finish; a quick check on Hacker News becomes a 30 minute marathon.
I’ve tried all sorts of things like getshitdone, RescueTime, Pomodoro, etc. but it hasn’t worked out that well.
Now I will try something totally different - instead of squashing this desire, I’m going to EMBRACE it.
That sounds like a horrible idea (how will I get any work done at this rate?!) and it would be except for one little caveat: if I read an article online, I have to write a corresponding blog post about it. It can be a rebuttal or a summary or a glowing praise of how genius the author is. But I have to write something. Immediately.
I call this the “Read and Write” technique.
This forces me to evaluate if reading the article is a good use of my time. In fact, because I know I have to write about it, I’m much less motivated to read potentially subpar content that I wouldn’t have given a thought to normally. I’m also allowed to skip writing if I don’t finish the article, which incentivizes me to stop reading as soon as I realize something is crap.
Another benefit includes working out my writing muscle. I’ve really shied away from blogging mostly due to the fact that I felt like I didn’t have anything to write about, but now I literally have an internet’s worth of content to dissect, review, and remix, so there’s literally no excuses except for laziness (which is unacceptable).
My concerns are mostly remembering to actually implement the Read and Write technique, as I can foresee myself forgetting and then having to go through my browser history to retrieve all the crap I’ve read. However, if I do forget, I’m confident it will only be once since the crazy writing session that follows will probably haunt me for the rest of my life…
Stay tuned to see how well this experiment goes!


This is an example application. It shows how you can make type-safe calls from FunScript/JS to an F# server. The server is written in F# with some help from HashBang. HashBang exports metadata that can be read by a type provider in either .NET or FunScript/JS.


Duration
15 minutes
Lab goals
In this exercise, you'll start with an existing Xamarin.iOS project which has serveral isolated View Controllers defined in a storyboard.
Using the Xamarin.iOS designer, you will add a UITabBarController
to implement tab navigation.
Required Assets
There is a Exercise 2 folder included with this lab exercise which contains a starter project you will use to begin, assets you'll need to add to your project, and a completed project you can use to check your work.
Steps
This is a individual exercise, intended to be done on your own, use the step-by-step instructions to complete the exercise.
Open the starter project
As a first step, let's open the starter project.
- Open the Clock solution in the Exercise 2/Start folder.
- Open the MainStoryboard.storyboard file and examine the View Controllers that have been added. The project is identical to the starter project from the previous excercise.
Add a TabBar Controller
Next we'll add a UITabBarController
using the iOS Designer.
- Add a TabBar Controller from the ToolBox. Notice that it will add three View Controllers: a TabBar Controller and two child View Controllers.
- Delete the two child View Controllers by clicking on the grey bar at the bottom of each and pressing the delete key.
-
Add each screen of the Clock app as children of the Tab Bar Controller.
Control-drag from the Tab Bar Controller to the Clock, Stopwatch and About View Controllers and
set the relationship to Tab.
- And finally, move the Sourceless Segue in the storyboard to point to the TabBar Controller. Run the app.
Adding Text and Images to the Tabs
The TabBar is working but it looks a little plain. Next we'll add images and text to the tabs.
- You'll find a collection of icon images in the Exercise 2 Assets folder. Add all 9 images to your project by dragging them into the Resources folder.
- Now set the image and title of each tab by clicking on the tab bar item now shown at the bottom of each child view controller. When selected, you'll be able to set the Title and Image properties for each tab. Set appropriate titles and select the corresponding image for each tab. Run the app.
(Bonus) Navigate to the Splits Time screen
Notice that we're not currently able to access the screen that displays our stopwatch's split times.
Because we're not using a Navigation Controller, we can't use a Push Segue.
Think of a way to incorporate this screen into the app.
The completed solution shows one option.
Summary
Congratulations! You have successfully implemented tab navigation using the TabBar Controller.


This test was taken from Processing.org which tests to make
sure the directionalLight() works correctly on a sphere.
// Test from Processing.org void setup() { size(100, 100, P3D); } void draw() { background(0); noStroke(); directionalLight(51, 102, 126, -1, 0, 0); translate(20, 50, 0); sphere(30); }


Some more topics on JavaScript
Conditonals
Loops and iteration
Functions
Objects
Scopes
Arrays
Add List Item


WITNESS LIST Corrections Committee May 14, 2002-2:00P Interim Charge No. 4 On: Brockman, Cynthia (Self and Son) DeLuca, Stuart M. (Texas Inmate Families Assn. (TIFA)) Fabelo, PhD., Dr. Tony (Criminal Justice Policy Council) Gonzalez, M.D., Dr. William E. (Texas Tech Health Science Center-Managed Health Care) Linthicum, M.D., Dr. Lannette (Texas Department of Criminal Justice) Murray, Dr. Owen (UTMB Correctional Managed Care) Raimer, M.D., Dr. Ben (Correctional Managed Health Care Committee) Savoy, Terry A. (Self) Registering, but not testifying: On: Hill, Ray (Self) Jackson, Larry (Self)


Ethereal music formed on the edge of calm
Jumped electronic gym dandy
Morning coffee fog
Grey, slow-limbed
Slingshot birds disintegrate
Tornadoes grind through towns
Musical interlude
Subject to subjectivity
Love and mud inside
Cut me some slack
I danced for you.
After Marc Chagall
Compare us to the couple kissing
in Chagall’s India-ink drawing.
She bears down on him ghoulish and proud, dark-eyed.
He hesitates.
Chagall’s postcard adorns my cabinet.
You and me—our dark theatrical days.
Chassidic souls brimming with song. Russian nights,
Belted drinks. On the roof you parted
my legs beyond the frum family’s barbeque
Jostling love and fecklessness.
Chagall’s young man turns into a beast.
Their lips brush. He clutches fire.
She fits like a card in his pocket
Love and art—such fruitful madness — how do they endure?
Flying cows and chortling roosters, kisses that miss the mark
Victory obtained in black. Plush. Obscure.


Rotating a layer
It may sometimes be useful to rotate a single layer as opposed to the whole canvas. Pixen provides a simple method for rotating a single layer by 90° either way or 180°.
To rotate a layer:
Right-click (or control-click) the layer you'd like to rotate and choose the magnitude from the Transform Layer submenu
or
Select the layer you'd like to rotate in the layers drawer and use the commands in the Layers > Rotate Layer menu.


HOME
By the end of August, I will have solved at
least 100 difficult level Leetcode problems
Progress
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FINE ENERGY
Bubble graph on the electrical data, where the total electricity is compared with total cost.


Select this checkbox if you want IntelliJ IDEA to show certain object node properties and configure a list of the
properties to display.
For each object node in the Variables pane, IntelliJ IDEA will display a label with
the values of the listed properties.


Short, sharp, targeted multi-agency inspections of the protection of children and young people are to be introduced this year, inspectorates Ofsted, the Care Quality Commission, Her Majesty’s Inspectorates of Constabulary and Probation have announced.
Today (26 February 2015) the inspectorates publish results of
pilots and consultation
on ‘integrated’ inspections announced last year. In the integrated model, inspectorates separately assessed the contribution of local agencies within the same area, at the same time.
The pilots and consultation confirmed the clear benefits of inspectorates working together to see how children and young people are protected by the local agencies they come into contact with.
However, the inspectorates believe they can have a greater impact if they focus their attention into a shorter, sharper joint targeted inspection looking specifically at how well agencies work together to protect children in a locality area and targeted on specific areas of concern, such as the sexual exploitation of children and young people.
These joint, targeted inspections will enable inspectorates to set out clearly how partnership working in relation to a particular issue in a particular area improves the experiences and progress of children and young people.
Matthew Coffey, Ofsted’s Chief Operating Officer, said:
Collective working over the past 2 years has shown real benefits when inspectorates are able to jointly assess the contribution of a range of agencies to the help, care and protection of children and young people. While our pilots of integrated working were successful in part, the results show that we need to rethink how we use our resources to be more responsive. Our work together has got to add value to the local partnership and the integrated model did not do that enough.
Successful joint working between local agencies is paramount if children are to be effectively safeguarded. Ofsted and our fellow inspectorates are committed to joint inspection as a vital way of assessing how well agencies are working together to protect children. We have learned what works and what does not work and so we are in a good place to introduce a programme that is much more targeted, more responsive and that provides a shared narrative about what is happening locally.
We are today announcing further work with the sector with a view to introducing targeted joint local area inspections later this year. This proposed model will enable inspectors to report clear examples of both good and poor practice from which others can learn.
Inspectorates will be working with stakeholders this summer, and following further consultation, plan to launch this programme of joint work in the Autumn, carrying out 6 inspections before March 2016.
In the meantime, each inspectorate will continue to carry out separate inspections of safeguarding and child protection under existing frameworks.
Notes to editors
-
The consultation responses and pilot results can be found online
.
-
The Office for Standards in Education, Children’s Services and Skills (Ofsted) regulates and inspects to achieve excellence in the care of children and young people, and in education and skills for learners of all ages. It regulates and inspects childcare and children’s social care, and inspects the Children and Family Court Advisory and Support Service (Cafcass), schools, colleges, initial teacher training, work-based learning and skills training, adult and community learning, and education and training in prisons and other secure establishments. It assesses council children’s services, and inspects services for looked after children, safeguarding and child protection.


Setting up Cmajor compiler development environment
Requirements
- Microsoft Visual Studio Community Edition 2019
1. Boost (C++ msvc)
Version
1.74
Location:
C:\boost
Sources
boost.org
Extract sources to C:\work\boost_1_74_0 directory.
(For example place boost_1_74_0.7z package in C:\work directory and choose 7-Zip | Extract here)
Build
- Open x64 Native Tools Command Prompt for VS 2019 (can be found from the start menu in Visual Studio 2019 folder)
- Change to C:\work\boost_1_74_0 directory.
-
Bootstrap:
C:\work\boost_1_74_0> bootstrap
-
Compilation:
C:\work\boost_1_74_0> b2 toolset=msvc address-model=64 --build-dir=C:\boost-build-dir --prefix=C:\boost install
-
After compiling C:\boost-build-dir ja C:\work\boost_1_74_0 can be removed.
2. Mingw-w64
Download
From the Download page select MingW-W64-builds.
Version
8.1.0
Installation
-
Installation using these settings:
-
Add C:\Program Files\mingw-w64\x86_64-8.1.0-posix-seh-rt_v6-rev0\mingw64\bin directory to PATH.
3. Boost (C++ mingw-w64)
Version
1.74
Location:
C:\mingw-boost
Sources
boost.org
Extract sources to C:\work\boost_1_74_0 directory.
Build
- Open Windows Terminal (wt.exe) to C:\work\boost_1_74_0 directory:
-
It's assumed that mingw-w64's gcc can be found from PATH: gcc --version
-
Bootstrap:
C:\work\boost_1_74_0> bootstrap gcc
-
Compilation:
C:\work\boost_1_74_0> b2 toolset=gcc address-model=64 --build-dir=C:\mingw-boost-build-dir --prefix=C:\mingw-boost install
-
After compiling C:\mingw-boost-build-dir ja C:\work\boost_1_74_0 can be removed.
4. LLVM binaries
Version
11.0.0
Location:
C:\Program Files\LLVM
Download
From the Download page select Windows (64-bit) link.
This is a direct link: LLVM-11.0.0-win64.exe
Installation
- After installation add C:\Program Files\LLVM\bin directory to PATH.
5. CMake
Version
3.18.4
Location:
C:\Program Files\CMake
Download
From the Download page select cmake-3.18.4-win64-x64.msi link.
This is a direct link: cmake-3.18.4-win64-x64.msi
Installation
-
Installation using these settings:
6. Python
Version
3.9.0
Location
C:\Program Files\Python39
Download
From the Download page select Download Python 3.9.0.
Installation
Installation using these settings:
7. LLVM sources
Version
11.0.0
Location:
C:\llvm-11.0.0.src
Download
From the Download page select LLVM source code.
This is a direct link: llvm-11.0.0.src.tar.xz
Extract package to C:\llvm-11.0.0.src folder.
Compilation
-
Open x64 Native Tools Command Prompt for VS 2019.
-
Change to C:\llvm-11.0.0.src directory.
-
Make directory build:
C:\llvm-11.0.0.src>mkdir build
-
Change to build directory:
C:\llvm-11.0.0.src>cd build
-
Run CMake:
C:\llvm-11.0.0.src\build> cmake -G "Visual Studio 16 2019" -Thost=x64 -DLLVM_TARGETS_TO_BUILD="X86" -DLLVM_ENABLE_EH=On -DLLVM_ENABLE_RTTI=On ..
-
Open C:\llvm-11.0.0.src\build\LLVM.sln solution in Visual Studio 2019.
-
Build solution using Debug/x64 configuration.
-
Build solution using Release/x64 configuration
8. Git for Windows
Versio
2.28.0
Download
Git for Windows
.
9. Cmajor compiler and C++ runtime
Location
C:\work\cmajorm
Download
From https://github.com/slaakko/cmajorm page select Code | https://github.com/slaakko/cmajorm.git
-
Start Git Bash.
-
Change to C:\work directory.
-
Clone cmajorm repository:
git clone https://github.com/slaakko/cmajorm.git
-
Clones repository to cmajorm directory.
Installation
- Make subdirectory C:\work\cmajorm\cmajor\lib
- Make subdirectory C:\work\cmajorm\cmajor\lib\gcc
- Make subdirectory C:\work\cmajorm\cmajor\lib\vs
- Make subdirectory C:\work\cmajorm\cmajor\bin
- Make subdirectory C:\work\cmajorm\cmajor\rts\build\gcc\lib
- Make subdirectory C:\work\cmajorm\cmajor\rts\build\gcc\bin
- Add environment variable CMAJOR_ROOT with value C:\work\cmajorm\cmajor.
- Add C:\work\cmajorm\cmajor\bin directory to PATH.
- Open x64 Native Tools Command Prompt for VS 2019
- Change to C:\work\cmajorm\cmajor\system\ext\pdcurs36\build directory.
- Run build.bat.
- Change to C:\work\cmajorm\cmajor\system\ext\zlib-1.2.11\contrib\masmx64 directory
- Run bld_ml64.bat
- Open C:\work\cmajorm\cmajor\cmajor.sln in Visual Studio 2019.
- Select Debug/x64 configuration.
- Build solution.
- Select Release/x64 configuration.
- Build solution.
- Open Windows Terminal to C:\work\cmajorm\cmajor\bat directory.
- Run install.bat. Does not find all the files, but does not matter for now.
- Open Windows Terminal to C:\work\cmajorm\cmajor\rts\build\gcc directory.
- Run mingw32-make (assumed that can be found from PATH):
C:\work\cmajorm\cmajor\rts\build\gcc> mingw32-make
- Run mingw32-make install:
C:\work\cmajorm\cmajor\rts\build\gcc> mingw32-make install
10. Unicode
Download
Download Unicode 12.1 Character Database: ucd.all.flat.zip
and extract it to C:\work\cmajorm\cmajor\unicode directory.
Installation
- Open Windows Terminal to C:\work\cmajorm\cmajor\unicode directory.
- Run makecmajorucd. Makes cmajor_ucd.bin Unicode database for Cmajor:
C:\work\cmajorm\cmajor\unicode> makecmajorucd
11. Cmajor system libraries
Installation
- Open Windows Terminal to C:\work\cmajorm\cmajor\system\platform\windows directory.
- Build System library using the debug configuration (LLVM):
C:\work\cmajorm\cmajor\system\platform\windows> cmc -u -v System.cms
- Build System library using the release configuration (LLVM):
C:\work\cmajorm\cmajor\system\platform\windows> cmc -u -v -c=release System.cms
- Build System library using the debug configuration (C++):
C:\work\cmajorm\cmajor\system\platform\windows> cppcmc -st -u -v System.cms
- Build System library using the releaseconfiguration (C++):
C:\work\cmajorm\cmajor\system\platform\windows> cppcmc -st -u -v -c=release System.cms
12. Cmajor Visual Studio extension
- Open C:\work\cmajorm\cmajor\task\task.sln in Visual Studio 2019
- Select Debug|Any CPU -konfiguraaatio
- Build solution
- Select Release|Any CPU -konfiguraaatio
- Build solution
- Open Windows Terminal to C:\work\cmajorm\cmajor\bat directory.
- Run install.bat: copies C:\work\cmajorm\cmajor\task\bin\Release\CmajorTasks.dll to bin directory.
- Change to C:\work\cmajorm\cmajor\vs\2019 directory.
- Run CreateCmajorCPS.exe:
C:\work\cmajorm\cmajor\vs\2019>CreateCmajorCPS
- Close Windows Terminal
- Right click C:\work\cmajorm\cmajor\vs\2019\cmajor.vsix and select install.
13. Cmajor tools
- Open Windows Terminal to C:\work\cmajorm\cmajor\projects\cm directory.
- Compile Cm.cms solution using debug config:
C:\work\cmajorm\cmajor\projects\cm>cmc -u -v Cm.cms
- Compile Cm.cms solution using release config:
C:\work\cmajorm\cmajor\projects\cm>cmc -u -v -c=release Cm.cms
- Change to C:\work\cmajorm\cmajor\projects\tools\soulcm\scmlg directory.
- Compile scmlg.cmp project using debug config:
cmc -u -v scmlg.cmp
- Compile scmlg.cmp project using release config:
cmc -u -v -c=release scmlg.cmp
- Change to C:\work\cmajorm\cmajor\projects\tools\soulcm\scmpg directory.
- Compile scmpg.cmp project using debug config:
cmc -u -v scmpg.cmp
- Compile scmpg.cmp project using release config:
cmc -u -v -c=release scmpg.cmp
- Change to C:\work\cmajorm\cmajor\projects\tools\soulcm\scm2html directory.
- Compile scm2html.cmp project using debug config:
cmc -u -v scm2html.cmp
- Compile scm2html.cmp project using release config:
cmc -u -v -c=release scm2html.cmp
- Change to C:\work\cmajorm\cmajor\projects\tools\spring directory.
- Compile spring.cmp project using debug config:
cmc -u -v spring.cmp
- Compile spring.cmp project using release config:
cmc -u -v -c=release spring.cmp
- Change to C:\work\cmajorm\cmajor\projects\tools\supd directory.
- Compile supd.cmp project using debug config:
cmc -u -v supd.cmp
- Compile supd.cmp project using release config:
cmc -u -v -c=release supd.cmp
14. Cmajor examples
- Open Windows Terminal to C:\work\cmajorm\cmajor\projects\examples directory.
- Compile examples.cms solution using debug config:
C:\work\cmajorm\cmajor\projects\examples>cmc -u -v examples.cms
- Compile examples.cms solution using release config:
C:\work\cmajorm\cmajor\projects\examples>cmc -u -v -c=release examples.cms
15. System X
- Open Windows Terminal to C:\work\cmajorm\cmajor\projects\cmsx directory.
- Compile cmsx.cms solution using debug config:
C:\work\cmajorm\cmajor\projects\cmsx> cmc -u -v cmsx.cms
- Compile cmsx.cms solution using release config:
C:\work\cmajorm\cmajor\projects\cmsx> cmc -u -v -c=release cmsx.cms
16. Installation
- Open Windows Terminal to C:\work\cmajorm\cmajor\bat directory.
- Run install.bat. Changed files are copied to C:\work\cmajorm\cmajor\bin and C:\work\cmajorm\cmajor\lib directories.
All except cmajor.vsix and cmsxpg.exe should now be found.


--- layout: post status: publish published: true title: Asshat of the Week... author: display_name: Andy login: Andy email<EMAIL_ADDRESS>url: '' author_login: Andy author_email<EMAIL_ADDRESS>wordpress_id: 1203 wordpress_url: http://ivyenvy.com/?p=1203 date: '2009-08-09 22:15:08 +0000' date_gmt: '2009-08-10 04:15:08 +0000' categories: - General Baseball - Relief Pitching tags: - Kevin Gregg - Dinger comments: [] ---
Goes to the Rockies' mascot, Dinger. This "anthropomorphic purple triceratops" could be seen in the seats right behind home plate during the bottom of the ninth on Saturday. He was rubbing his belly and doing his best to distract Kevin Gregg from his efforts to save the game for the Cubs, and lord knows Gregg doesn't need distractions.
[caption id="attachment_1204" align="aligncenter" width="206" caption=""See you later tonight in your dreams!""][/caption]
Okay, maybe I'm being a little harsh... the Wikipedia article goes on to talk about Dinger visiting sick kids and promoting literacy. Keep doing good deeds and trying to generate that elusive home field advantage and identity for your team. I don't hate you nearly as much as I do the Sox fan who wore the goat mask during the "Crosstown Classic."


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BY EDWIN JAHIEL
THE EMPEROR AND THE ASSASSIN (Jing Ke Ci Qin Wang) (China, 1999) *** 1/4 Directed by Chen Kaige. Written by Wang Peigong and Kaige. Photography, Zhao Fei. Editing, Zhao Xinxia. Production design Tu Juhua. Music, Zhao Jiping. Produced by Han Sanping, Shirley Kao and Satoru Iseki. Cast: Gong Li (Lady Zhao), Zhang Fengyi (Jing Ke), Li Xuejian (Ying Zheng, King of Qin), Sun Zhou (Dan, Prince of Yan), Lu Xiaohe (Gen. Fan Yuqi) Wang Zhiwen (Marquis Changxin) and a cast of thousands. A Le Studio Canal Plus/Pricel/Shin Corp./NDF presentation of a New Wave Co./Beijing Film Studio production. A Sony Classics release. In Mandarin with subtitles, 161-163 minutes. R (violence and gore)
Unless you are a fiercely militant member of the BBNMM group (Bring Back the Ninety Minute Movie), you can not only endure but enjoy this long film. Enjoy visually, that is. "E & A" 's top award for production design at Cannes '99, was deserved. The sets and 'scapes -- as well as the photography and the mass movements -- are breathtaking.
If you are a scholar of Chinese history, this story, climaxing in 221 BC, may thrill you for its subject. It may also get you going pointing out liberties taken with history, inaccuracies, inventions or fictionalizations--but I wouldn't worry about that. Few moviegoers outside China are specialists. College-age film students in 2000 AD have little historical memory, not to mention knowledge. This, in spite of the abundance of historical programs on TV. Ignorance of even major events of the 19th century often finds an astounding alibi in "that was before my time."
The convoluted story centers around the efforts of Ying Zheng, the King of Qin. After centuries of turmoil, Qin and six other kingdoms (The Seven Warring Kingdoms) were China's main subdivisions. (The film deals wit four of them.) Ying is obessed with unifying them under his rule, or in less polite terms, of conquering them. His methods are ruthless. He also plots with his lover Lady Zhao for skullduggery which would give him "legitimate" cause for attacking the most powerful of the other kingdoms, the neighboring Yan. The trick is to make of Lady Zhao what, in today's parlance we might call a mole or a double agent who would arrange for a professional assassin in the pay of Yan to attempt murdering Ying, thus clearing the way for the latter's invasion of the kingdom of Yan.
This is the main thread of a tale so complex that it requires printed explanations on the screen. It includes a great many atrocities as Ying evolves from idealist to tyrant; a betrayal of Lady Zhao by her regal lover; her falling in love wit the assassin Jing Ke; the newfound scruples of the now-retired killer; and many other twists, events and characters, plus a host of warriors.
This is epic filmmaking that melds Hollywood spectaculars by C.B. De Mille, other lavish historical films ("Ben-Hur," "Spartacus," etc.), crowd scenes a la Sergei Eisenstein, certain Kurosawa movies, even some Italian epics made in the early 1900s. It is impressive. It is splendidly photographed. It is color coordinated (oh those Chinese reds! Colors that is, not Reds).
Much pomp and many circumstances have made "E & A" the most expensive Chinese film ever. It was three years in the making. Its first test-screening, in Japan, was of about 3 hours (180 minutes.). The next cut was down to 160 minutes. A third went down to 140 minutes. The fourth and final one, went back up to 161 minutes. Curiously, it was not shot, as it should have been, in 70mm widescreen.
The film was partly financed by sources outside China, notably French ones. The actual cost has not been divulged, but calculated guesses range, in US Dollars, from 10 to 30 million. Even at the top figure the movie is amazingly cheap by European standards, dirt-cheap by American standards. I would guess that its Hollywood cost would be close to 200 million.
Chinese labor and other costs are so low that I can also guess that given the right political and trade circumstances, there would be a spate of movies filmed in China by foreign interests.
The director is Chen Kaige who, along with Zhang Yimou is today the super-star of the so-called Fifth Generation of China's filmmakers. This is the seventh feature by Chen who skyrocketed to international renown with his fifth, "Farewell My Concubine," the co-winner of the 1993 Cannes Festival along with Jane Campion's "The Piano."
For the beautiful and talented actress Gong Li (Lady Zhao) this is her third film with Chen. Her debut was in "Red Sorghum" (1987) which was also the directorial debut of Zhang Yimou. I don't know when those two became "an item," but they worked together in all the other six Zhang features between 1989 and 1995: "Codename Couguar," "Du Jou," "Raise the Red Lantern," "Qiu Ju," "To Live," "Shanghai Triad." Then they separated, both in real life and in films.
"E & A" is said (but no one seems to know the specifics) to have employed 300,000 extras ( I suspect set-builders are included in this figure) and many thousands of Red Army soldiers. Many lavish and detailed interiors and exteriors were constructed. Ying Zheng's palace was conserved as an attraction for visitors, a show place. In another show place, Beijing's Great Hall of the People in Tienanmen Square, the movie was projected in 1988 to three thousand guests, probably a first of its kind in China. Chen, who had not always been the darling of censorship, was not criticized. Ying, the King, then Emperor of the film, is by tradition one of China's great heroes. Eventually however, the Chinese media were critical of the unflattering presentation of Ying.
There is also a debate about Ying the Unifier and Mao that other Unifier. The two are often compared. However, some people feel (but director Chen Kaige evades the question) that the movie is an allegory for Mao's Great Leap Forward.and his catastrophic Cultural Revolution.
With its enormous stress on visuals and often melodramatic twists and turns, there is no real room left for the analysis of characters. The performances are good. They include the principals as well as some supporting parts such as a charming blind girl whose family the assassin had destroyed, and a canny, effeminate Marquis . He is the Queen Mother's lover, wily, role-playing and the exact opposite of what is called in computerese WYSIWYG (what you see is what you get).
The various illustrations of "power corrupts; absolute power corrupts absolutely" are points made vividly. And the impermanence of tyranny (think Hitler, Stalin ...and Mao) is a post-scriptum in the film, as one learns that the King became Emperor, but only for fifteen years.
PS. Ying Zheng was responsible for the Great Wall of China. It is also his tomb, at Xian, that is guarded by that huge, famous collection of terra cotta soldiers.
"Le mauvais gout mene au crime"(Stendhal)
Edwin Jahiel's film reviews are at: http://www.prairienet.org/ejahiel/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


#include <validate.h>
Inheritance diagram for TPXPictureValidator::
Public Methods | |
| TPXPictureValidator (const char *aPic, Boolean autoFill) | |
| ~TPXPictureValidator () | |
| virtual void | error () |
| virtual Boolean | isValidInput (char *s, Boolean suppressFill) |
| virtual Boolean | isValid (const char *s) |
| virtual TPicResult | picture (char *input, Boolean autoFill) |
Static Public Methods | |
| TStreamable* | build () |
Static Public Attributes | |
| const char* const | name |
Protected Methods | |
| TPXPictureValidator (StreamableInit) | |
| virtual void | write (opstream &os) |
| virtual void* | read (ipstream &is) |
Protected Attributes | |
| char* | pic |
For a complete description of picture specifiers see method TPXPictureValidator::picture()
Definition at line 254 of file validate.h.
|
|
Constructs a picture validator object by first calling the constructor inherited from TValidator, then allocating a copy of `aPic' on the heap and setting pic data member to point to it, then setting the voFill bit in TValidator::options data member if `autoFill' is True. |
|
|
Disposes of the string pointed to by pic data member, then disposes of the picture validator object by calling the destructor inherited from TValidator. |
|
|
Each streamable class needs a "builder" to allocate the correct memory for its objects together with the initialized virtual table pointers. This is achieved by calling this constructor with an argument of type StreamableInit. |
|
|
Called to create an object in certain stream-reading situations. Reimplemented from TValidator. |
|
|
Displays a message box indicating an error in the picture format, displaying the string pointed to by pic data member. Reimplemented from TValidator. |
|
|
Compares the string passed in `s' with the format picture specified in pic data member and returns True if pic is null or if picture() returns prComplete for `s', indicating that `s' needs no further input to meet the specified format. Reimplemented from TValidator. |
|
|
Checks the string passed in `s' against the format picture specified in pic data member and returns True if pic is null or picture() does not return prError for `s'; otherwise returns False. The `suppressFill' parameter overrides the value in voFill for the duration of the call to isValidInput(). `s' is a pointer to string, so isValidInput() can modify its value. For example, if `suppressFill' is False and voFill is set, the call to picture() returns a filled string based on `s', so the image in the input line automatically reflects the format specified in pic. Reimplemented from TValidator. |
|
|
Formats the string passed in `input' according to the format specified by the picture string pointed to by pic data member. Returns prError if there is an error in the picture string or if `input' contains data that cannot fit the specified picture. Returns prComplete if `input' can fully satisfy the specifed picture. Returns prIncomplete if `input' contains data that fits the specified picture but not completely. The following table shows the characters used in creating format pictures.
Type of character Character Description Special # Accept only a digit ? Accept only a letter (case-insensitive) & Accept only a letter, force to uppercase @ Accept any character ! Accept any character, force to uppercase Match ; Take next character literally * Repetition count [] Option {} Grouping operators , Set of alternatives All others Taken literally Here are some advanced pictures, which show the power of TPXPictureValidator; these examples come from an old Pascal FAQ written by Berend de Boer<EMAIL_ADDRESS>Name Value Description UnsignedPic1 #[#][#]*{[;,]###} unsigned int with optional commas UnsignedPic2 #[#][#]*{;,###} unsigned int with commas SignedPic1 [-]#[#][#]*{[;,]###} signed int with optional commas SignedPic2 [-]#[#][#]*{;,###} signed int with commas MoneyPic1 [$]*#.{##,00} dollars, with comma and optinal dollar sign MoneyPic2 $*#{.##,.00} dollars, with comma and dollar sign DatePic1 #[#]/#[#]/## date with 2 digit year (dd/mm/yy or mm/dd/yy) DatePic2 #[#]/#[#]/##[##] date with 2 or 4 digit year (mm/dd/yy or mm/dd/yyyy) DatePic3 #[#]/#[#]/#### date with 4 digit year (mm/dd/yyyy) TimePic1 {##}:{##}[:{##}] HH:MM:SS with optional seconds TimePic2 {##}:{##}:{##} HH:MM:SS PhonePic1 [(###) ]###-#### phone number with optional area code PhonePic2 (###) ###-#### phone number with area code SSNPic ###-##-#### FirstCharUpPic *{&*? } uppercase the first char of every word FilenamePic {&*7[&]}.{*3[&]} filename (no path) with extension Note the *7 and *3 in this last example. A number after a `*' says how many times the next sequence should be repeated; uncovered in the manuals. But this example is not completely correct (is this a bug?), because the `*' is interpreted as that there should be exactly 8 characters! No more, no less. Correct is:
FilenamePic {&[&][&][&][&][&][&][&]}.{[&][&][&]} The following examples were given by Sean Wenzel in the Borland Turbo Vision forum on CompuServe:
[-]#[*#][[.]#[*#]][E[-]#[#]] |
|
|
Reads from the input stream `is'. Reimplemented from TValidator. |
|
|
Writes to the output stream `os'. Reimplemented from TValidator. |
|
|
Undocumented. Reimplemented from TValidator. Definition at line 459 of file validate.h. |
|
|
Points to a string containing the picture that specifies the format for data in the associated input line. The constructor sets pic to the string passed as one of its parameters. Definition at line 401 of file validate.h. |


Ever wonder, why movies are so popular? And everyone intends to be a part of it over the course of their life? Movies are not so different from our lives, with passion more than a life, with imagination hefty than reality. Hours of writing, days of making and years of acclaim for a moment of glory, which holds a place in the hearts of millions. For an instance, imagine if you know all the news and insights about films and t.v shows that you love and anticipate, before your neighbouring world knows. Isn`t it provoking, to know all the revelations about entertainment industry we love.


Click here to download this week's dataset as a CSV
Click here to download this week's dataset as a Hyper Extract
Historical Background
Born in the heart of the Italian Renaissance, Leonardo da Vinci is one of the icons of his era. Beyond being an artist, Leonardo was also an inventor, mathemetician, scientist, cartographer and more. His work is immediately recognizable with the Mona Lisa and her engimatic smile being the the subject of countless books, movies and television shows.
Leonardo's story begins in the town of Vinci outside of Tuscany in the Republic of Florence, the Medici ruled territory that is part of current day Italy. Born out of wedlock to a peasant mother and prominent legal notary, Leonardo had no surname as we would think of it today. The 'da Vinci' we are all familiar with, means 'from Vinci.' Though little is known about his childhood years, it is safe to say that his family life was complicated. Leonardo lived with his mother for a time before living within his father's home. During this time, his father married multiple wives and gave Leonardo twelve half-siblings. Despite this, Leonardo was educated informally, and at the age of fourteen, he became an apprentice to the artist Verrocchio.
Over his 7 years as an apprentice, Leonardo would gain exposure to multiple disciplines - honing his skills and expanding his interests. As an apprentice, Leonardo would create artwork in his master's studio that would never bear his name. Experts have studied paintings attributed to Verrocchio for evidence that Leonardo was involved in the piece for years. Sometimes there are telltale signs that Leonardo was involved - from fingerprints to painting methods not used by Verrocchio (oil, a technique newer than Verrocchio's standard tempera) - and other times there is no evidence.
At the age of twenty, Leonardo was named a master in the Guild of St. Luke. Shortly thereafter, Leonardo embarked on his professional career. As a professional, Leonardo won many commissions from the household of Lorenzo de' Medici, winning favor from the ruling family of Florence. During his professional career, Leonardo was frequently sent throughout modern day Italy. In 1482, Lorenzo de' Medici sent Leonardo to Milan, where he curried favor with another powerful ruler of the time, Ludovico Sforza. During his time in Milan, he painted one of his key pieces, The Last Supper. Following the overthrow of Ludovico in 1499, Leonardo relocated to Venice for a short time before returning to Florence.
His return to Florence was short lived, however and Leonardo soon found himself in Cesena where he began working for Cesare Borgia, the powerful son of Pope Alexander VI. Expanding his skillset, Leonardo proved to be an incredible cartographer, creating an impressively accurate map of the town of Imola. Leonardo would be well traveled over the next few years, spending time in Milan, Florence and eventually Rome, working directly for the Vatican and Pope Leo X. It was during this time that he worked in close proximity to well known contemporaries Raphael and Michelangelo. Following the French overthrow of Milan in 1515, Leonardo entered the services of King Francis I of France, relocating to Amboise France, where he would live out the rest of his life.
This dataset focuses only on the extant artwork by Leonardo, and does not include the volumes of codices, maps, inventions or other works he created. This is only a fraction of the work completed by Leonardo during his lifetime, but is still impressive. Take some time to explore this dataset, and post your viz to Tableau Public, and Twitter with the hashtag #ThrowbackThursday, tagging @TThrowbackThurs.
Data Source
The dataset this week was sourced from Wikipedia, with several individual citations on the page. Due to the lack of records from the time of Leonardo da Vinci, attributions and dates of works are based off of evidence and analysis by Leonardo experts, scholars and biographers. The data source includes only known extant works completed by (or attributed to be completed by) Leonardo during his lifetime. Please be sure to cite the source on your viz.


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SpriteOutput()
Syntax
OutputID = SpriteOutput(#Sprite)Description
Returns the OutputID of the sprite to perform 2D rendering operation on it.
Parameters
#Sprite The sprite to draw on.
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Before Change
def test_cluster_count():
if externals.versions["scipy"] < "0.10":
raise SkipTest
// we get a ZERO cluster count of one if there are no clusters at all
// this is needed to keept track of the number of bootstrap samples that yield
// no cluster at all (high treshold) in order to compute p-values when there is no
// actual cluster size histogram
assert_equal(gct._get_map_cluster_sizes([0, 0, 0, 0]), [0])
// if there is at least one cluster: no ZERO count
assert_equal(gct._get_map_cluster_sizes([0, 0, 1, 0]), [1])
for i in range(2): // rerun tests for bool type of test_M
After Change
def test_cluster_count():
skip_if_no_external("scipy", min_version="0.10")
// we get a ZERO cluster count of one if there are no clusters at all
// this is needed to keept track of the number of bootstrap samples that yield
// no cluster at all (high treshold) in order to compute p-values when there is no
// actual cluster size histogram


Computer Science Solution Cover Page
Candidate Name:
xxxxx
School Number:
000883
Solution Title:
xxxxx
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Client Name:
xxxxx
Session:
May 201x
Product:
xxxxx.jar
Level:
xx
Develop an application to ...
Product
Executable:
xxxxx.jar
Instructions
Source Code:
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xxxxx.java
xxxxx.java
xxxxx.java
Documentation
Criterion A:
Planning
Criterion B:
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Record of Tasks
Criterion C:
Development
Criterion D:
Demonstration Video
Functionality and Extensibility
Criterion E:
Evaluation
Appendix:
Appendix
I n t e r n a t i o n a l B a c c a l a u r e a t e — C o m p u t e r S c i e n c e


I was recently asked by someone, “What do I need to do to get into Machine Learning and Finance industry?” I told them that I would think about it and get back to them. I have been in many interviews for Machine Learning Engineers and I do have a set of questions that I frequently use to get a feeling for where someone is in their career and where they are hoping to go. We are looking for people at various phases in their growth, so it is less of a concern about whether someone is some elite developer and more about whether they are inquisitive and eager to learn. I will not share the questions I use in interviews, but I will happily share the attributes I am looking for.
Sound Engineering
Before anything else, I am looking for someone’s engineering acumen. I went to college for Chemical Engineering and I believe on our first day the professor defined engineering as problem solving under constraints. The key thing that we learned was how to take an abstract problem statement, break it down into manageable pieces, and then solve the smaller subproblems. I believe that most of engineering discplines could be boiled down to this, they just deal with different problem domains.
I believe a key differentiator between more and less experienced developers is in understanding where to break the problem down. Problems have an inherent amount of complexity. Good design can mitigate that complexity keep it from growing out of control. It is the same concept of algorithmic complexity. We analyze an algorithm and see how the runtime grows as the size of the problem increases. In the same way, we can look at an architecture and see how the complexity grows as we increase functionality and services.
The domain of Machine Learning is still relatively fresh, and the industry is still churning with new Python libraries popping out every other week. Therefore, the solutions we build for delivering Machine Learning Models must be well designed because they will likely need to evolve. Building a system that can cleanly evolve over time is a difficult engineering challenge. I am looking for people who understand the implications of decisions in the near term but also how it will affect the evolveability of the system going forward.
Strong Machine Learning Fundamentals
Though this may seem obvious, there are some nuances I wanted to highlight. While I am fascinated by the advances we are seeing with Neural Networks and Reenforcement Learning, they should not be the first tool you reach for. I am going to ask someone about a hypothetical problem and get their feedback on how they would approach it. If the first thing they suggest is, “Oh, use a Neural Network!” red flags are going to go off. Neural Networks are powerful, but they should not be the first tool you reach for in your toolbox.
It is impressive just how far you can get with Linear Regression and Logistic Regression. These algorithms are robust, and their behavior is easily explained. It is enourmously valuable to be able to explain the behavior of a model to your non-ML colleagues in terms they can understand. You can then take things a step further and do some data exploration and try subsetting your population and having different models for the different populations. Think of it as a brute force Ensemble technique. Now, if you reach the end of Linear and Logistic Regression, I am all for trying more sophisticated techniques. You just should not start with the fanciest tool in your toolbox.
I also want someone to understand the failure modes of the model and how they impact the outcome. It is easy to get caught up in trying to tune a model for a particular metric but is that really the best thing for how it will be used in production? Machine Learning models really took off when they were applied to the field of advertising where the upside of being correct was large but the downside of being wrong was low. This was a perfect application of these tools. What happens when the downside of a wrong prediction is large? What if a wrong prediction leads to someone dying? What metric are you going to tune the model for in that scenario? I want someone who is going to ask the question, “Why do you want to predict that? How do you plan to use the prediction?” because only when you know that can you really discern the best model.
Team Skills
The industry often calls these “Soft Skills”. I think that undervalues how critical they are. The problems we are facing now are so large and complex they cannot be completed by a single individual. If someone does not have the ability to operate well within a team, I am not interested.
The first and most critical Team Skill is the ability to communicate in writing. This includes the clarity of your code, emails, chat, diagrams, all of it. If you do not have the ability to put your thoughts down into a written form, it is going to be difficult for you to pass your ideas around the team. So much of our communication now occurs through text whether it be email, code, pull requests, and chat messages. I will not automatically disqualify someone if there writing is not amazing, but it is a clear differentiator. If you have a blog where I can see your work and how you explain your thoughts, you are automatically in the top 5% of people I interview.
Next, I want to know if you can explain complex ideas. Throughout the interview I am going to be listening for what you are passionate about or have a deep understanding of. I am then going to ask you to explain that concept to me. I may already be familiar with the subject, but I want to know if you can explain it to someone who is not a domain expert. Developers who can break complex problems down into explainable pieces are a rare breed.
Technical Skills
There is a reason this section comes last. While it is important, it is the the that least differentiates people. I care little about which stack or set of technologies you have worked with in the past. If you happen to be familiar with what we are using it is a small bonus, but it is nowhere near the most important thing. I will want to know if you have worked with the concepts though. I want to know if you have worked with Object-Oriented and Functional languages. I want to know if you have worked with Relational Databases or streaming systems. The reason for this is more to guage what training someone would need should they come on board. Finding someone who spends time learning on their own is a huge bonus because it shows curiousity and initiative, not because I expect them to work overtime to get up to speed.
Academics
I don’t care. I honestly don’t. I used to be really intimidated by people with degrees from top end schools and honestly, the above areas matter more in the long run. I work with people from wildly different backgrounds. Do not count yourself out if you do not have a Computer Science degree. I cannot remember where anyone on my team went to school or whether they have degrees.
Final Thoughts
So, what do I say to my friend who asks me, “How do I get into Machine Learning and Finance?” I say, practice and show your work. Start a blog. Talk about what you are learning each week. Learn to turn complex problems into clear prose. Find a problem that you are intersted in and create a GitHub repo where you document your progress. Find some interesting data set and perform some analysis on it. Document what you find. Create a model for predicting an outcome and explain which metrics you used to tune the model and why you chose those metrics. Do it using Pull Requests with tagging. Create a simple ML Model that you deploy as a Nuget package and setup an automated CI/CD pipeline to deliver new versions of the model when you merge to the main branch. These are the daily things we do as being developers.
Finally, and perhaps most importantly, get involved in the community. Just find a developer tribe you jive with and connect with some people. I know there are some hostile communities out there but there is also an abundance of generous developers. I know Python has tons of resources. I love F# and it is the most generous community I have been a part of. R also has great people and meetups. Connecting with people and learning from them will create more opprotunities than anything else.


Following the widely recognized features such as ITO (Initial Twitter Offering) and token price info display & swap, Mask Network is once again welcoming new features in the NFT realm. After supporting the display and bidding of NFTs on platforms such as OpenSea and Rarible, the NFT Gallery feature is about to go live on the Mask extension, which provides a place to display NFT collection right on top of the curator’s social media profile, provides an alternative to NFTs after they have been “bid, sold, and owned”.
Mask Network has always been cultivating in the NFT realm. During the 2020 U.S. election, Mask introduced the concept of NFT to mainstream social media by distributing the “Election Special NFTs.” In early 2021, when the NFT concept started to gain momentum, Mask Network supported the identification and display of URLs of works in well-known NFT platforms such as OpenSea and Rarible. Through the Mask extension, users can view the prices of NFTs directly on Twitter and bid on them immediately. But this only covers the tip of the iceberg of the NFT world. More applications for NFT beyond being minted, traded, and auctioned are yet to be explored.
Mask has introduced the NFT Gallery feature in the yet-to-be-released v1.36.6 (click here to download and try it first!). After installing the Mask extension and switch to the Ethereum mainnet, users can view the NFTs owned by others on their personal homepage, below the “NFTs” tab. Users could also include their ENS information in their Twitter username or bio, to display the NFTs they own.
We believe that the NFT Gallery is not only a list of NFTs, a platform to display the NFTs owned by users, but also a window to the metaverse. Just as the NFT itself is more than art, the NFT Gallery is more than the user’s aesthetic taste. It implies user’s personal characteristics and their life in the Web 3.0 world. Through this window, you can see others’ CryptoPunks, Loots, NFT cards, ENS domains, and other virtual identities in the Web 3.0 metaverse.
NFT is crucial in the building of the metaverse, which is why Mask Network chose to develop the NFT Gallery feature when building the bridge between Web 2.0 and Web 3.0. Mask hopes that more users will get a glimpse of the vast Web 3.0 world and become interested in it on Twitter.
Github https://github.com/DimensionDev
Twitter https://twitter.com/realMaskNetwork
Facebook https://www.facebook.com/masknetwork
Discord https://discord.com/invite/cKGW45g
Telegram (English) https://t.me/maskbook_group
Telegram （中文） https://t.me/masknetwork_cn


{% extends 'base.html' %} {% from 'bootstrap/form.html' import render_form, render_field %} {% block content %}
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Looking for a taxi
There are many variations of passages of lorem ipsum available but the majority have suffered alteration in some form by injected humor or random word which don't look even slightly believ- able you are going to use a passage.


Cameron Asbury
Game Developer
Hello, my name is Cameron Asbury. I am a Game Development Graduate of Marshall University. I transferred from Computer Science at West Virginia University. I specialize in Gameplay coding but have experience in 3D modeling and animation as well as pixel art.
Marshall has also trained me to be a well rounded student that is trained in not just Game Programming but everyday programming as well being a Graduate from the Computer Information Technology Major.
CameronAsbury@gmail.com


"TERTULLUS "a modification of “Tertius;” a Roman advocate, whom the Jews employed to state their case against Paul in the presence of Felix(Acts 24:1-9). The charges he adduced against the apostle were, “First, that he created disturbances among the Romans throughout the empire, an offence against the Roman government (crimen majestatis). Secondly, that he was a ringleader of the sect of the Nazarenes; disturbed the Jews in the exercise of their religion, guaranteed by the state; introduced new gods, a thing prohibited by the Romans. And thirdly, that he attempted to profane the temple, a crime which the Jews were permitted to punish.”
"TERTULLUS "a modification of “Tertius;” a Roman advocate, whom the Jews employed to state their case against Paul in the presence of Felix(Acts 24:1-9). The charges he adduced against the apostle were, “First, that he created disturbances among the Romans throughout the empire, an offence against the Roman government (crimen majestatis). Secondly, that he was a ringleader of the sect of the Nazarenes; disturbed the Jews in the exercise of their religion, guaranteed by the state; introduced new gods, a thing prohibited by the Romans. And thirdly, that he attempted to profane the temple, a crime which the Jews were permitted to punish.”


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2019 LA Auto Show: BMW M235i Gran Coupe makes its public debut
Quite possibly the most interesting car at the 2019 LA Auto Show, the new Ford Mustang Mach-E is also one of the important cars here …
by Horatiu BoeriuThe BMW M235i Gran Coupe is the fifth major debut for BMW at the 2019 Los Angeles Auto Show. We’ve already covered the BMW M2 CS, the M8 Gran Coupe, X5 M and X6 M. The new 2 Series Gran Coupe is arguably one of the most controversial BMW models in 2019, mostly due to its front-wheel drive architecture and quirky design.
The car is heading to the United States in the 28i and M235i variants and available only with all-wheel drive. The new BMW 2 Series Gran Coupe will take on the rivals Mercedes-Benz CLA and the Audi A3 Sedan, but with a twist compared to its upcoming 2 Series Coupe brother. The new compact car is based on the the same UKL2 underpinnings as the 1 Series Hatchback, and it’s expected to have similar driving characteristics.
Design wise, it’s fair to say that the BMW 2 Series Gran Coupe is quite controversial. Up front, it looks similar to the 1 Series it shares its chassis with but with some tweaks. For instance, there are little notches in its headlights, which visually separates the two halos in the headlight.
In the M Sport guise, it gets massive front air intakes and little vertical vents next to them. For the M235i Gran Coupe model it also gets the typical M Performance brushed aluminum-look mirror caps and the new kidney grille insert pattern.
The new model also has the Gran Coupe line’s signature long greenhouse, while the rear makes us of sleek taillights and a trunk lip for additional sportiness. It’s fair to say that the trunk is a bit higher than what we would have liked to see on this Gran Coupe.
Inside, the BMW 2 Series Gran Coupe takes most of its interior cues from the 1 and 3 Series. The steering wheel is the same as every other BMW with an M Sport package, its iDrive screen is BMW’s latest and it gets the new digital dials like every other bimmer.
Just like the BMW M135i, the new M235i Gran Coupe will use a 2.0 liter turbocharged four-pot making 306 hp and 332 lb-ft of torque. Again, it gets an eight-speed auto as-standard, along with xDrive all-wheel drive. According to BMW, 0-62 mph takes 4.9 seconds. An optional M Performance package shaves a tenth of a second off of that time.


I met 'A' in a dating site online. I called myself 'cat on mdma' and of course I got many many messages. A is one of those guys that everything going just great for them: looks great, have a degree in economics, work in an investment company, makes lots of money, do drugs like a pig and somehow everything is great.
We spoke on the site and decided to meet. We have something in Israel calls 'hagigat'. From what I research on the net it's Cathinone. It's not legal in Israel but from time to time u can buy it in seven eleven places. We started to smoke hash and took one capsule each from the hagigat. We started to have sex and it was the craziest thing ever.  I started to think that he is the perfect guy for me and that a great love story will come from this and life is perfect.
At 11 we decided from some reason to take more. And that was a big mistake.  And than suddenly this motherfucker tells me that his brother was stuck with his car and that he is going to help him. I told him ok but come back I don't wanna be high like this alone. He told me yah sure I will come back. He left. 1-2 hours passed and he didn't come back.
My brain was on full speed , I couldnít stop think like million thought per second. I didnít understand why he donít come back. I start to call him and he just turn off his phone. I couldnít understand why he does that to me. I try to go to sleep but I couldnít. I tried to relax but I couldnít. I thought Im going nuts. I took Clonazepam in order to go to sleep but I still couldnít sleep. It just drove me nuts that he left me like that alone and high. In the end I understood that I just can't sleep and somehow I passed the day. Only at 6 pm I finally fell asleep.
It was one of the hardest trip I had on drugs. It was too much. the sex was amazing.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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|
<< Click to Display Table of Contents >> Navigation: Goran Q&A > May 2018 > You were before SAC member? |
Q: Henry
"Hello Goran, You say communication is key, and it will be different when you are Chair.
Yet wou have been in the SAC twice, so what prevented you from doing that "better" communication when in the SAC?
This term the SAC News were a great improvement: were you leading this?"
A: Yes, I was serving 2 SAC tours when it was not a paid duty (I believe I am the only one among current candidates with a history of that kind of volunteering).
All SAC crews were recognizing that the communication is indeed the key issue: Apart from achieving better understanding, it has the ability to mobilize collective power and release new ideas. All SACs were and are doing their best. However, all of us were volunteers, struggling with their own professional duties and priorities.
Back in 2001 I was a "greenhorn" professional and can recall that our time and energy went mostly on a number of meetings (e.g. APBs, JARBs, weekly SAC meetings, etc). In the most recent SAC assemblies, the dedicated SAC secretary (paid by the Administration) made certain improvements possible.
No, I cannot attribute current SAC News to myself. I believe that we've inherited it from previous SAC crews and plan (if elected) to continue with it.
However, I personally count on explosion of social networking. I expect that this could give us better and accessible technical means to outreach to the staff. For this campaign, all candidates had to explore and move boundaries of their comfort (e.g. Yammer, web-sites, posters, etc). Solely this exercise is giving reasons for optimism.
My vision is to further explore SharePoint, Twitter and Teams, as well as creating some kind of repositories of discussion groups (e.g. if you are reading this text with a number of Q&As addressed by me, then you can imagine how technically GSAC discussions can be collated and published).
Another significant change I envisage is in the area of content (or what is published).
So far, SACs were playing honorable game with the Administration - SAC did not broadcast moments of and reasons for frustrations, when interventions to the Administration were not accepted. I believe that the GSAC needs to go one step further and to broadcast its own input and contribution. Administration can decide on their own, but at least positions will be transparent.


Graphic design in Belfast has came on 'leaps and bounds' in recent years and the team at DigiJo are glad to be driving this revolution. We blend creativity with strategy, inventing beautiful designs and branding that generates you sales.
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I’m not in the marketing industry to serve people, I’m in the people industry to serve great digital marketing. As an award winning digital marketer from beautiful Belfast, I help local businesses reach their true potential. Before you know it, you’ll be attracting and converting leads like you never thought possible.
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Learn moreCustomers are searching for your products and finding your competitors. Let's stop this! I am here to help you increase visability and drive sales. Your top product deserves a top ranking!
I understand your objectives and market. We plan your triumph.
I dig into your current data to identify recipes for success.
With a strategy at hand, I develop your new, tailored solution.
We continue to optimise, your solution continues to improve.


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| img | Description | Select | Type of book |
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| Let Us C e13 th Edition By Yashawant Kanetkar. BPS Publications. Copyright 2007 by The BPS Companies. All rights reserved. | Read|Download | C | |
| Let Us C++ e2 nd Edition By Yashawant Kanetkar. BPS Publications. Copyright 2007 by The BPS Companies. All rights reserved. | Read|Download | CPP | |
| Java The Complete Reference,Seventh Edition. Copyright 2007 by The McGraw-Hill Companies. All rights reserved. | Read|Download |
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Super Junior's Kyuhyun covers Tim's romantic ballad 'I Love You'
by germainejSuper Junior's Kyuhyun covered Tim's romantic ballad "I Love You".
For the latest video on his YouTube channel, Kyuhyun covered the most requested song from fans, Tim's 2003 hit song "I Love You". The Super Junior member also left the message, "I came back with a cover song 'Tim-I love you', which was recommended the most from my subscribers. Thanks for waiting! -Cho Balader."
Watch Kyuhyun's cover above, and listen to the original by Tim below!


--- layout: post title: Episode 067 | Llewellyn Falco - Must Ship It link: http://traffic.libsyn.com/developeronfire/DeveloperOnFire-67-LLewellynFalco.mp3 length: 56623104 speaker: Dave Rael duration: '59:28' subtitle: 'Developer On Fire: Llewellyn Falco' guest_name: Llewellyn Falco image: /assets/images/LlewellynFalco.png guest_blog: http://llewellynfalco.blogspot.com/ guest_twitter: LlewellynFalco disqus_url: http://developeronfire.com/Podcast/Episodes/llewellyn-falco-must-ship-it episode_number: 67 book_recommendations: - { url: "http://www.amazon.com/dp/B001ROAK9E?tag=devonfir-20", title: "Getting to Yes: Negotiating Agreement Without Giving In", author: "William Ury, Roger Fisher"} - { url: "https://www.youtube.com/watch?v=PUv66718DII", title: "Bret Victor", author: "Inventing on Principle"} - { url: "http://youarenotsosmart.com/", title: "Podcast: You are not so Smart", author: "David McRaney"} tags: - { url: "http://www.amazon.com/dp/B001ROAK9E?tag=devonfir-20", title: "Getting to Yes: Negotiating Agreement Without Giving In", author: "William Ury, Roger Fisher"} - { url: "https://www.youtube.com/watch?v=PUv66718DII", title: "Bret Victor", author: "Inventing on Principle"} - { url: "http://youarenotsosmart.com/", title: "Podcast: You are not so Smart", author: "David McRaney"} redirect_from: - "/67/" - "/067/" - "/0067/" - "/llewellyn-falco-must-ship-it/" - "/Llewellyn-Falco/" - "/LlewellynFalco/" - "/Podcast/Episodes/67/" - "/Podcast/Episodes/067/" - "/Podcast/Episodes/0067/" - "/Podcast/Episodes/llewellyn-falco-must-ship-it/" - "/Podcast/Episodes/Llewellyn-Falco/" - "/Podcast/Episodes/LlewellynFalco/" guid: http://developeronfire.com:80/Podcast/Episodes/llewellyn-falco-must-ship-it ---
Llewellyn Falco is an Agile Technical Coach specializing in Legacy Code and Test Driven Development. He is the creator of the open source testing tool ApprovalTests( www.approvaltests.com ), co-founder of TeachingKidsPrograming ( www.teachingkidsprogramming.org ) and a Pluralsight author.
1. Invest in yourself - do something that scares yourself
2. Work with other people - don't work by yourself
3. Ship it


| Service | Notify When | Notify By | Options |
|---|---|---|---|
| Honolulu Star Advertiser Breaking News | Each Morning | Edit Remove | |
| Google Maps | Commute is greater than 45 minutes | Text Message | Edit Remove |
| The BUS Express A | Running early or late | Text Message | Edit Remove |
| Word Press: Rob C. Namahoe | New Blog Post | Edit Remove |


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A k-tuple is an ordered ensemble of k elements (k-tuple is the short term of a vector of dimension k).
k-tuples are used as a parameter for the poker test.
I.e. 3-tuples offers 2^3 = 8 different vectors (patterns), which each of them are analyzed by the poker test namely,
000, 001, 010, 011, 100, 101, 110, 111.


Pick a product
Here at bus mall we strive to provide the most optimized junk for our captive audiences. Click your favorite junk so that we may profit from your drudgery.
Here at bus mall we strive to provide the most optimized junk for our captive audiences. Click your favorite junk so that we may profit from your drudgery.


The Fugue Foundation is actively developing a few open source projects, which combine together to create an Ethereum-based donation platform guided by the principles of effective altruism.
When a user visits the decentralized application (dApp), the dApp queries a dataset of nonprofit organizations through an application programming interface (API) and populates four options. These options are charity evaluators (Give Well, 80,000 Hours, The Life You Can Save, and Animal Charity Evaluators), each based around a different issue (global poverty and well-being, helping women and girls, global health and COVID-19, and helping animals).
Each grouping is a collection of nonprofit organizations identified by the charity evaluator for their track
record of altruistic impact within the given area of concern. The user selects one of these evaluators, sees the
corresponding nonprofits, and is given the option to research them further or proceed to the donation page. Think
of each donation as a contribution to a charitable index fund. All donations are in ether
(ETH),
though we plan to incorporate ERC20 tokens soon such as DAI and USDC. Through the logic encoded in the smart
contracts deployed the Ethereum blockchain, the donation is split evenly among the chosen nonprofits and the user
is rewarded with a non-fungible token (NFT).
The angular frontend and the smart contract backend are being developed separately for now. However, the angular dapp does have services providing a functional Truffle/Web3 integration, which will make eventually combining the two together relatively simple.
For the frontend, the focus is on improving functionality, improving UX/UI (Angular Material, and writing tests (Karma, Jasmine, Protractor).
For the smart contract backend, Truffle is used
to compile and deploy smart contracts based off excellent resources from Open Zeppelin and the Kudos from Gitcoin. Specifically, there is an ERC721
contract
and a PaymentSplitter
contract that work together, meaning that once a user makes a donation of a
certain value, s/he will receive a unique edition of the Fugue Foundation NFT. Block Native is also integrated to help make the web3
experience as user friendly as possible. The focus currently is to build out a few of the methods to each contract
to capture this functionality, and to write tests (in both Solidity and Javascript) to capture the intended
behavior.
The RESTful API is meant to not only serve as the data source for the dapp, but also to grow as a resource for the entire effective altruism community. Over the coming months, we hope to get insight from charity evaluation experts on the best metrics and data structures to use in order to model the API into something that academics, altruists, journalist, data scientists, and others will want to use in their own projects.
The API currently runs on Heroku in a dev environment. There are two primary objects - nonprofits
and evaluators
- each exposed through GET
, POST
, PATCH
, and
DELETE
requests. In the short term, the goal is to build out the API in a secure and efficient
fashion. However, long term the key is to create datasets that make other organizations want to use this
resource to further their own research goals.


The Tarot represents the ancient and mysterious art of divinity. The cards can reveal the future and the past. More importantly, than can help us discover what is in ourselves.
What will the cards reveal about you?
This site was designed by Professor Marvel, an expert and practioner of the divine arts. With over four decades of experience, Professor Marvel has traveled far and learned from the sages of truth.
Now he brings that knowledge to you.
Image credits go to Luciella Elisabeth Scarlett. You can download them on Itch.io.
This basic reading will suit just about any occasion. Clear your mind and let the Tarot guide you.
This is a three card spread that will analyze a problem across space and time. Examine a situation from the past, present, and future.
This spread will look at a situation indepthly. Not only is the trajectory of time taken into account, we'll also consider the desires of the quarent.
Focus the question in your mind before drawing a card for the best results.
Focus the question in your mind before drawing a card for the best results.
Focus the question in your mind before drawing a card for the best results.


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