Index
Rotation 6: Vinyl, CNC Milling, Casting and Composites
Project Description:
I used the Roland GS-24 CAMM 1 to cut out two pink colory vinly stickers to decorate my notebook. I choosed to outline a cat and the M intial for my first name. I like the way it turned out! I originally had a different idea to print out a wave sticker, but since the design has way to many details, the machine was not able to cut all of the details as precisely. I instead choosed to do a simple outline of my inital and a cat so the machine can cut it out properly.
Project Description:
I used the Rolands 540i printer to create two different full color contour stickers. I decided to print out my favorite character, Tina Belcher, from the show Bob's Burger. I imported the pictures onto CorelDraw and decided to put them inside the contoured circle to make the stickers. I really liked how it turned out. Figuring out how to transfer the sticker onto the laptop was not difficult because Erin helped me out. However, the general process seemed to be very easy to grasp and I will defitnetly make more stickers in the future.
Project Description:
For the molding and casting pewter project I decided to design a lotus flower. I created the mold by having two pieces of wooden block with one side depeer than the other. I used the CorelDraw software for this project. The overall process wasn't too difficult to do. Although when cutting the circle out, there was a slight mistake, but it turned out alright in the end.
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| TREVOR PETERSON. | About Work Experiences Contact |
Business Driven.
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I am a recent Master’s of Industrial & Labor Relations graduate from Cornell University. My business mindset coupled with the strategic learnings of the program have allowed me to tackle a variety of organizational issues. Visual management, standard work, and the creation of novel programs are just a few experiences detailed below that display my passion and capability to help drive positive business outcomes. Known to be a quick learner by peers and supervisors, I approach problems with an analytical approach that helps me thrive in autonomous environments and delve deep into both quantitative and qualitative problems.
What sets me apart? I indulge myself in business activities outside of the workplace. For the past 6 years I have bought and sold over 500 items including shoes, speakers, and motorbikes. This hobby has allowed me to understand the importance of customer interaction, marketing, and ROI. My drive has helped me build my own brand and reputation which has given me key, transferable insights into how to be successful in the business world.
As a part of the Global Payroll Team I took on increasing responsibility immediately - processing and auditing over 2000 terminations, 500 wage adjustments, dozens of salary changes, payroll advances, and negotiated vacation terms. I learned how state laws and regulations impact pay, specifically in California which has specific guidelines around final paychecks. I also worked with garnishments simultaneously to ensure correct payment amounts. Working cross-functionally allowed me to gain a better understanding of how Costco operates, as I was able to work with warehouse locations across the country to guarantee paycheck accuracy and compliance with both state and federal laws.
While residing in the talent function I was able to impact multiple parts of the business. I standardized work processes within HR in order to create a visual management system that tracks the development of high potential employees. In creating the system, I analyzed over 100 survey responses and consolidated over 30 metrics in order to provide leaders within all functions timely and tailored information that helps retain top performers. I also analyzed and externally benchmarked both leadership development and tuition reimbursement programs to help the organization stand out in the increasingly competitive recruiting landscape. Other projects included designing a continuous learning process utilizing LinkedIn Learning and developing measures to address the growing legislative requirements surrounding pay equity.
In a generalist role I touched all facets of HR. I created an apprenticeship program for car detailers to facilitate on-the-job learning and career development. This involved designing a novel sourcing strategy and model for training. I also created total compensation statements for over 350 employees that gave personalized and itemized lists of benefit plans and perks. I also positively affected the same employees by creating a new performance review process that drastically reduced time allocated in providing and receiving feedback. I was able to impact thousands of employees by creating a wage budget increase that helped the organization project future fund allocations. Using company data, I helped the organization take a proactive approach and created pay equity reports that outlined potential pay inequities. Within HR I improved performance by creating performance metrics that tracked ADP processes.
In the Attention & Performance Lab at Oregon State University I was able to work with Dr. Lien in examining visual attention in processing facial emotion – evidence against the immunity of faces to attentional blink. Within the lab, I led multiple studies that further explored this relationship. I worked with over 100 participants and examined data to understand how people encode visual stimuli into their working memory. I had the opportunity to present this research at the Celebrating Undergraduate Excellence Symposium.


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This rule applies whenever the CASE Statement having single when in the esql, it should be replaced by IF Statement.
Replace this "CASE" statement by "if" statements to increase the code readeablity.
CASE size WHEN minimum + 0 THEN SET description = 'small'; END CASE;
CASE size WHEN minimum + 0 THEN SET description = 'small'; WHEN minimum + 1 THEN SET description = 'medium'; END CASE;


Maggie Rassett
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144 CS/Programming courses that you can start this month
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MOOC Report: List of 154 free online courses starting in May 2015 See the list »
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Advanced Operating Systems Georgia Institute of Technology via Udacity Go To Class | Next Session : Self Paced
High Performance Computer Architecture Georgia Institute of Technology via Udacity Go To Class | Next Session : Self Paced
Computability, Complexity & Algorithms Georgia Institute of Technology via Udacity Go To Class | Next Session : Self Paced
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Code-Based Cryptography Inria (French Institute for Research in Computer Science and Automation) via France Université Numerique Go To Class | Next Session : 25th May, 2015
Finding Hidden Messages in DNA (Bioinformatics I) University of California, San Diego via Coursera Go To Class | Next Session : 25th May, 2015
Assembling Genomes and Sequencing Antibiotics (Bioinformatics II) University of California, San Diego via Coursera Go To Class | Next Session : 25th May, 2015
Machine Learning Georgia Institute of Technology via Udacity Go To Class | Next Session : Self Paced
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Brazilian GP practice: Lewis Hamilton narrowly leads Max Verstappen
by Scott MitchellLewis Hamilton narrowly defeated Max Verstappen to top final practice for the Brazilian Grand Prix, hinting at a tight Formula 1 qualifying battle between Mercedes and Red Bull.
Hamilton's 1m08.320s shaded Verstappen by just 0.026 seconds ahead of qualifying at Interlagos, with Ferrari slightly adrift of its two rivals.
Verstappen headed the order at the halfway stage of the session after emerging on top of the first set of soft-tyre runs.
His 1m109.063s was the second of two laps that put him quickest after taking to the track later than his rivals.
Hamilton was 0.391s behind as Mercedes opted for a third flying lap for each of its drivers on the same set of tyres.
The Ferraris were shuffled back to more than half a second slower than Verstappen at this stage, but moved to the top by kicking off the second round of qualifying simulations.
Charles Leclerc outpaced Sebastian Vettel by half a tenth, while Vettel failed to improve by 0.005s after two cool-down laps and a second flier.
Hamilton then swiftly knocked Leclerc off top spot with a 1m08.320s that beat the Ferrari by almost three tenths of a second.
Valtteri Bottas failed to make similar ground in the other Mercedes, posting a personal best but lapping almost a second slower than Hamilton after running wide exiting the left-hander at the end of the first sector.
Verstappen's final qualifying simulations started strongly with the best first sector of anyone, but he lost time to Hamilton in the middle part of the lap and wound up 0.026s adrift.
Another fastest first sector followed, but the lap fell away again and he just failed to improve.
Alex Albon, who was well behind Verstappen after their first efforts, improved twice on his second set of tyres to jump Bottas for fifth, although he still wound up 0.8s off the pace.
Behind the big three teams, Daniil Kvyat recovered from his Friday off to set the fastest time among the midfielders.
The Toro Rosso driver was just two tenths slower than Albon, and half a tenth clear of Antonio Giovinazzi's Alfa Romeo.
McLaren duo Lando Norris and Carlos Sainz Jr completed the top 10.
At the foot of the times, Robert Kubica finally completed his first timed laps of the weekend.
Kubica had missed Friday morning so reserve driver Nicholas Latifi could take part, then crashed heavily at the start of the afternoon session.
The damage required Williams to switch Kubica to a new chassis, which he used to complete 23 laps - more than any other driver - on his way to the slowest time, three tenths behind team-mate George Russell.
Practice three times
| Pos | Driver | Car | Time | Gap | Laps |
|---|---|---|---|---|---|
| 1 | Lewis Hamilton | Mercedes | 1m08.320s | - | 17 |
| 2 | Max Verstappen | Red Bull/Honda | 1m08.346s | 0.026s | 18 |
| 3 | Charles Leclerc | Ferrari | 1m08.611s | 0.291s | 20 |
| 4 | Sebastian Vettel | Ferrari | 1m08.664s | 0.344s | 22 |
| 5 | Alexander Albon | Red Bull/Honda | 1m09.136s | 0.816s | 17 |
| 6 | Valtteri Bottas | Mercedes | 1m09.201s | 0.881s | 20 |
| 7 | Daniil Kvyat | Toro Rosso/Honda | 1m09.415s | 1.095s | 22 |
| 8 | Antonio Giovinazzi | Alfa Romeo/Ferrari | 1m09.462s | 1.142s | 20 |
| 9 | Lando Norris | McLaren/Renault | 1m09.585s | 1.265s | 18 |
| 10 | Carlos Sainz Jr. | McLaren/Renault | 1m09.588s | 1.268s | 21 |
| 11 | Kimi Raikkonen | Alfa Romeo/Ferrari | 1m09.619s | 1.299s | 21 |
| 12 | Pierre Gasly | Toro Rosso/Honda | 1m09.625s | 1.305s | 19 |
| 13 | Nico Hulkenberg | Renault | 1m09.650s | 1.330s | 17 |
| 14 | Kevin Magnussen | Haas/Ferrari | 1m09.713s | 1.393s | 18 |
| 15 | Daniel Ricciardo | Renault | 1m09.761s | 1.441s | 17 |
| 16 | Romain Grosjean | Haas/Ferrari | 1m09.798s | 1.478s | 20 |
| 17 | Sergio Perez | Racing Point/Mercedes | 1m09.995s | 1.675s | 19 |
| 18 | Lance Stroll | Racing Point/Mercedes | 1m10.312s | 1.992s | 16 |
| 19 | George Russell | Williams/Mercedes | 1m10.843s | 2.523s | 19 |
| 20 | Robert Kubica | Williams/Mercedes | 1m11.205s | 2.885s | 23 |


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DET
: determiner
DET: determiner
Definition
Determiners are words that modify nouns or noun phrases and express the reference of the noun phrase in context. Ιt is possible to replace a single determiner (that seems to function like a pronoun PRON) with a synonymous full noun phrase. They are often used to modify a noun phrase rather than replacing it.
The traditional grammar of Modern Greek does not specify the category “determiner”; rather it specifies definite and indefinite articles, adjectives and pronouns.
The label DET is assigned to the two articles, certain traditional adjectives (and their comparatives) and to a set of pronouns.
Examples
- definite article (
PronType=Art
): ο, η, το / o, i, to “the” - indefinite article (
PronType=Art
): ένας, μία, ένα / enas, mia, ena “a” - adjectives denoting quantities and their comparatives:
- (
PronType=Ind
) αρκετός / arketos “enough”, λίγος / ligos “little/few” (ελάχιστος/elachistos “very very little/few”), μερικός / merikos “some”, μισός / misos “half”, μόνος / monos “only”, πολύς / polis “many/much” - (
PronType=Tot
) ολόκληρος / olokliros “whole”, όλος / olos “all”, πας/άπας / pas/apas “all”
- (
- demonstrative pronouns (
PronType=Dem
): αυτός / aftos “this”, εκείνος / ekinos “that”, (ε)τούτος / (e)toutos “this/that”, τέτοιος / tetios “such”, τόσος / tosos “this/that many/much, so/as”, ίδιος / idios “the same” - indefinite pronouns:
- (
PronType=Ind
) άλλος / alos “other”, κάποιος / kapios “somebody”, κάτι / kati “some” - (
PronType=Tot
) κάθε / kathe “every”, καθένας / kathenas “each one” - (
PronType=Ind/Neg
) κανείς (κανένας) /kanis (kanenas) “nobody”, τίποτα/ε / tipota/e “nothing/anything”
- (
- interrogative pronouns when followed by a noun (
PronType=Int
): ποιος / pios “who”, πόσος / posos “how many/much”, τι / ti “what kind”, e.g., ποιο/πόσο/τι φαγητό θέλεις; / pio/poso/ti fagito thelis? “which/how much/what kind of food do you want?” - relative pronouns when followed by a noun (
PronType=Rel
): όποιος/-δήποτε / opios/-dipote “anyone/whoever”, όσος/-δήποτε / osos/-dipote “no matter how many/much”, ό,τι/-δήποτε / oti/-dipote “whichever” - (
PronType=Emph
) ίδιος / idios “the same”
Most of Modern Greek determiners inflect for el-feat/Gender, el-feat/Number and el-feat/Case. They tend to inflect like adjectives, in particular because they often have three genders. They agree in gender, number and case with the nouns they modify. The determiners κάτι / kati “some”, κάθε / kathe “every”, τίποτα/ε / tipota/e “nothing/anything” do not inflect.
References
Holton, David, Peter Mackridge & Irene Philippaki-Warburton. 1997. Greek: A Comprehensive Grammar of the Modern Language. Routledge, London 1997; reprinted 1999, 2002 & 2004
Mackridge, Peter. 1985. The Modern Greek Language. A Descriptive Analysis of Standard Modern Greek. Oxford University Press, Oxford 1985. (Paperback edn, 1987, reprinted 1989 & 1992)
Κλαίρης, Χρήστος & Γεώργιος Μπαμπινώτης. 2001. Γραμματική της Νέας Ελληνικής Τόμος Γ’. 2η έκδοση. Αθήνα: Ελληνικά Γράμματα.
Τζάρτζανος, Αχιλλέας, 2002. Νεοελληνική Σύνταξις της Κοινής Δημοτικής. Αθήνα: Εκδόσεις Κυριακίδη. σελ. 225.
Τσοπανάκης, Αγαπητός Γ. (1994). Νεοελληνική γραμματική. Θεσσαλονίκη: Εκδοτικός Οίκος Αδελφών Κυριακίδη.
DET in other languages: [bej] [bg] [bm] [cs] [cy] [da] [de] [el] [en] [ess] [et] [fi] [fro] [fr] [ga] [grc] [hu] [hy] [it] [ja] [kk] [kpv] [ky] [myv] [no] [pcm] [pt] [qpm] [ru] [sla] [sl] [sv] [tr] [tt] [uk] [u] [urj] [yue] [zh]


Password protected account: insert username and password.
Demo account: the password will be equal to the username. Use only for demo purpose.
Ldap account. Insert username.
Oauth: insert username for gitlab/github/bitbucket/twitter. Insert email in case of google.


Access API Documentation
The ONC CHPL API provides programmatic access to ONC published data on Certified Health IT Products. ONC CHPL's API includes methods for retrieving a subset of our statistical data and the metadata that describes it. Users must complete the CHPL API registration. After completing the CHPL API registration, the user will be given a unique 32-character API key. This API key will also be emailed to the user.
This API key must be used when making a call to the CHPL API. For example, if you wanted to implement the /search API with the searchTerm parameter set as Epic, you would make the following call (switching out the key in the URL for your key):
https://chpl.healthit.gov/rest/search/?api_key=YOURKEYHERE&searchTerm=Epic
A sample Java application using the CHPL API can be found at Sample Application
Release notes for the CHPL API can be found in the release notes on GitHub


This is a boiler plate for Angular community who can use this architecture in there future applications.


Type Definitions
Errors
An object whose key-value pairs are the form fields that have errors paired with the helper text for that form field.
Type:
- Object
SingleMatchUserProfile
Type:
- Object
Properties:
| Name | Type | Description |
|---|---|---|
name |
string | The match user's name |
profilePicture |
string | URL to the match user's profile picture |
work |
string | The match user's work summary |
bio |
string | The match user's profile biography |
education |
string | The match user's education summary |
email |
string | The match user's email |
linkedin |
string | The match user's LinkedIn profile URL |
UseEditProfileFormResult
Type:
- Object
Properties:
| Name | Type | Description |
|---|---|---|
interestsOptions |
array | A list of User Interests. Used for autocomplete suggestions. |
setProfilePicFile |
callback | A function callback that sets the profile picture
file in |
personalInfo |
UserPersonalInfo | A user's current mid-edit personal info. |
updatePersonalInfo |
callback | A function callback that sets |
contactInfo |
UserContactInfo | A user's current mid-edit contact info. |
updateContactInfo |
callback | A function callback that sets |
userInterests |
array | A user's current mid-edit list of interests. |
setUserInterests |
callback | A function callback that sets |
userExpertises |
array | A user's current mid-edit list of areas of expertise. |
setUserExpertises |
callback | A function callback that sets |
resetFormValues |
callback | A function callback that resets the form values to the UserData according to the database. |
submitFormValues |
callback | A function callback that saves the form values to the database if there are no validation errors. |
uploadImage |
callback | A function callback that will upload the photo to the cloud storage and store the URL to the user's profile |
errors |
Errors | Set after validating the current form values. |
UserContactInfo
Type:
- Object
Properties:
| Name | Type | Description |
|---|---|---|
email |
string | A user's email |
linkedin |
string | A user's linkedin URL |
phone |
string | A user's phone number |
UserData
A JSON object that contains all the user's info, retrieved from Firebase DB.
Type:
- Object
Properties:
| Name | Type | Description |
|---|---|---|
personalInfo |
UserPersonalInfo | A user's personal information |
contactInfo |
UserContactInfo | A user's contact information |
interests |
array | An array of a user's interests. Each entry is a |
expertises |
array | An array of a user's areas of expertise. Each entry is a |
UserEducation
Type:
- Object
Properties:
| Name | Type | Description |
|---|---|---|
school |
string | A user's alma mater |
major |
string | A user's major |
gradYear |
string | The year the user graduated from their most recent education |
UserPersonalInfo
Type:
- Object
Properties:
| Name | Type | Description |
|---|---|---|
name |
string | A user's name |
education |
UserEducation | A user's education details |
work |
UserWork | A user's employment/work details |
bio |
string | A user's personal biography |
UserWork
Type:
- Object
Properties:
| Name | Type | Description |
|---|---|---|
company |
string | A user's current company |
position |
string | A user's current position |
description |
string | A description of the user's work |


ACE cell cells expression Wang ACE-expressing Chen coronavirus human analysis genes Liu lung using receptor type OpenUrl Zhang marker; population RNA alveolar SARS-CoV- Seurat virus Zhao Zhou analyzed clusters expressed marker number China CrossRef Figure Science cells. function level new normal protein single-cell studies study Huang RNA-Seq Yang analysis. cells, cluster current enrichment expressing gene identified identify novel performed plots reported small spike used (A) (B) Asian Medicine SARS SARS-CoV based biological clustering distinct donor donors endothelial enriched infection package. population. respiratory sample significantly structure viral


I'm Paragraph
Hey, Everything is fine
Normal TextBold TextShort-hand for Bold TextAgain Normal TextItalic TextNormal TextShort-hand for Italic TextEnded Paragrph with Text Style
This is Paragraph
I'm TANU_Pratibha
Life is so short to regret for things.
Greatfull for Everything


| Field Summary | ||
|---|---|---|
const Number | NONE | |
| Load nothing for sheet data | ||
const Number | ALL | |
| Load all | ||
const Number | CELL_BLANK | |
| Load cells whose value is blank | ||
const Number | CELL_STRING | |
| Load cells whose value is string | ||
const Number | CELL_NUMERIC | |
| Load cells whose value is numeric(including datetime) | ||
const Number | CELL_ERROR | |
| Load cells whose value is error | ||
const Number | CELL_BOOL | |
| Load cells whose value is bool | ||
const Number | CELL_VALUE | |
| Load cells value(all value types) only | ||
const Number | STYLE | |
| Load styles for cell formatting | ||
const Number | FORMULA | |
| Load cell formulas | ||
const Number | CELL_DATA | |
| Load cells data including values, formulas and formattings | ||
const Number | CHART | |
| Load charts | ||
const Number | SHAPE | |
| Load shapes | ||
const Number | MERGED_AREA | |
| Load merged cells | ||
const Number | CONDITIONAL_FORMATTING | |
| Load conditional formattings | ||
const Number | DATA_VALIDATION | |
| Load data validations | ||
const Number | PIVOT_TABLE | |
| Load pivot tables | ||
const Number | TABLE | |
| Load tables | ||
const Number | HYPERLINKS | |
| Load hyperlinks | ||
const Number | SHEET_SETTINGS | |
| Load settings for worksheet | ||
const Number | SHEET_DATA | |
| Load all data of worksheet, such as cells dadta, settings, objects, ...etc. | ||
const Number | BOOK_SETTINGS | |
| Load settings for workbook | ||
const Number | SETTINGS | |
| Load settings for workbook and worksheet | ||
const Number | XML_MAP | |
| Load XmlMap | ||
const Number | STRUCTURE | |
| Load structure of the workbook | ||
const Number | DOCUMENT_PROPERTIES | |
| Load document properties | ||
const Number | DEFINED_NAMES | |
| Load defined Name objects |
| Field Detail |
|---|
NONE | |
const Number NONE |
ALL | |
const Number ALL |
CELL_BLANK | |
const Number CELL_BLANK |
CELL_STRING | |
const Number CELL_STRING |
CELL_NUMERIC | |
const Number CELL_NUMERIC |
CELL_ERROR | |
const Number CELL_ERROR |
CELL_BOOL | |
const Number CELL_BOOL |
CELL_VALUE | |
const Number CELL_VALUE |
STYLE | |
const Number STYLE |
FORMULA | |
const Number FORMULA |
CELL_DATA | |
const Number CELL_DATA |
CHART | |
const Number CHART |
SHAPE | |
const Number SHAPE |
MERGED_AREA | |
const Number MERGED_AREA |
CONDITIONAL_FORMATTING | |
const Number CONDITIONAL_FORMATTING |
DATA_VALIDATION | |
const Number DATA_VALIDATION |
PIVOT_TABLE | |
const Number PIVOT_TABLE |
TABLE | |
const Number TABLE |
HYPERLINKS | |
const Number HYPERLINKS |
SHEET_SETTINGS | |
const Number SHEET_SETTINGS |
SHEET_DATA | |
const Number SHEET_DATA |
BOOK_SETTINGS | |
const Number BOOK_SETTINGS |
SETTINGS | |
const Number SETTINGS |
XML_MAP | |
const Number XML_MAP |
STRUCTURE | |
const Number STRUCTURE |
DOCUMENT_PROPERTIES | |
const Number DOCUMENT_PROPERTIES |
DEFINED_NAMES | |
const Number DEFINED_NAMES |


{% extends "base.html" %} {% load i18n static%} {% block title %}{% trans "Internal Error" %}{% endblock %} {% block page_title %}{% trans "Internal Error" %}{% endblock page_title %} {% block content %}
{% trans "Sorry, an error has happened. This is not your fault. Really." %}
{% trans "Administrators have been warned." %}


--- layout: post title: Plotting Data in Org-Mode Tables with Python tagline: I wouldn't call it data visualization, but... categories: tags: emacs org-mode org table plot python matplotlib data visualization ---
Among the huge number of great things about Emacs’ Org-Mode is its table editing and spreadsheet capabilities. Combined with OrgBabel and Python, Org-Mode has a light-weight but capable data visualization tool.
The table editing feature of Org-Mode is an amazing feat of text-based formatting and managing, making tables in a text editor not only possible, but, in many cases, better than the table editing and display capabilities of graphical editors (I’m looking at you, Microsoft Word and Google Docs).
In addition to the table editing, Org-Mode has a simple spreadsheet built in, so taking sums or averages of columns, or applying mathematical operations to two columns and putting the results in a third is straightforward.
For more complicated spreadsheet-like operations, Org-Mode tables can easily become data frames in R or lists (or lists of lists) in Python (or a data structure in other languages) and those data structures can be turned into tables in Org-Mode for export or publication. This is the key to making plots.
Plotting in Python isn’t always straightforward, but matplotlib’s pyplot makes it workable, so you’ll need Python and matplotlib installed in addition to Emacs and Org-Mode. If you’re reading this, that last sentence might have been insulting: I’m sorry.
For example, you have a table in Org-Mode that has four columns of numbers:
| One | Two | Three | Four |
|---|---|---|---|
| 1 | 2 | 3 | 4 |
| 5 | 6 | 7 | 8 |
| 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 |
| 17 | 18 | 19 | 20 |
| 21 | 22 | 23 | 24 |
| 25 | 26 | 27 | 28 |
| 29 | 30 | 31 | 32 |
| 33 | 34 | 35 | 36 |
First, you have to give it a name, putting the line (that won’t be
exported) #+NAME: mySweetTable
immediately before the table. This
will allow you to refer to the table data in the Babel script that
will plot (or otherwise manipulate) the data.
The key to the plot is the very simple Python script:
import matplotlib.pyplot as plt '''If you have formatting lines on your table (http://orgmode.org/manual/Column-groups.html) you need to remove them "by hand" with a line like: data = data[2:] ''' '''Turn the table data into x and y data''' x = [a[0] for a in data] y1 = [a[1] for a in data] y2 = [a[2] for a in data] y3 = [a[3] for a in data] ''' Plot the x and y data''' a, = plt.plot(x, y1, label="y1", marker='v') b, = plt.plot(x, y2, label="y2", marker='o') c, = plt.plot(x, y3, label="y3", marker='x') ''' Set the x and y labels on the graph ''' plt.xlabel("x axis label") plt.ylabel("y axis label") ''' Create the legend ''' plt.legend(handles=[a,b,c],loc="upper left") ''' Save the PNG file ''' filename = "mySweetPlot.png" plt.savefig(filename) ''' Return the PNG file path to OrgMode ''' return(filename)
The #+BEGIN_SRC
line that starts the OrgBabel section for the
script looks like:
#+BEGIN_SRC python :results file :exports results :var data=mySweetTable
The data is imported into the Python script by referring to the
table name (mySweetTable
) in the #+BEGIN_SRC
line’s :var
option as the variable that will be in the Python script (in this
case, the cleverly named data
variable). And, as you can see, the
columns in the table show up in the Python script as a[0]
through
a[3]
. If you have more than one table, you can have more than one
:var pythonVar=tableName
option on the #+BEGIN_SRC
line.
Most of the Python is plotting code, so when you type C-c C-c
with
the cursor (point) in the Python code, Org-Mode will run it and put
a link into the document. Moving the cursor (point) onto the link
and pressing C-c C-o
the image will open in either Emacs or the
program you have defined to open that file type. If you prefer
another file type, simply change the extension on the file name and
pyplot will save that file type; for details on the available types,
see the pyplot documentation.
While matplotlib can make publication quality plots, these are not those; these plots are simply to quickly see relationships between the data in your tables. For higher quality plots, see prettyplotlib, matplotlib for papers, or any of the many other resources on the Internet on this topic.
The 15 lines of Python code (not counting comments) will let you make plots of the data in a 4-column Org-Mode table. Using Org-Mode’s noweb options, you can include this code once in your Org-Mode document and re-use it with different inputs throughout your document for a quick look at the data you have in the tables.
For example, if you name the Python code above plottingcode
by
putting the line #+NAME: plottingcode
immediately before the
#+BEGIN_SRC
line and then add :noweb yes
to the end of the
#+BEGIN_SRC
line, you can then later refer to that code in a code
block like:
#+BEGIN_SRC python :results file :exports both :var data=myOtherTable <<plottingcode>> #+END_SRC
and running that by pressing C-c C-c
with the point on or between
the BEGIN
and END
lines will evaluate the code from the other
location but with the new input—in this case using myOtherTable
as the data
variable instead of the original mySweetTable
.
With 15 lines of re-usable Python, one useful Python package, you can make simple plots out of your Org-Mode tables that you can see in Emacs.


A cross-browser JavaScript tool which will emulate Arius3D's PointStream viewer.
It will be able to quickly render a large amount of point cloud data to the <canvas >
tag using WebGL.
A cross-browser JavaScript tool which will emulate Arius3D's PointStream viewer.
It will be able to quickly render a large amount of point cloud data to the <canvas >
tag using WebGL.
A cross-browser JavaScript tool which will emulate Arius3D's PointStream viewer.
It will be able to quickly render a large amount of point cloud data to the <canvas >
tag using WebGL.
A cross-browser JavaScript tool which will emulate Arius3D's PointStream viewer.
It will be able to quickly render a large amount of point cloud data to the <canvas >
tag using WebGL.
A cross-browser JavaScript tool which will emulate Arius3D's PointStream viewer.
It will be able to quickly render a large amount of point cloud data to the <canvas >
tag using WebGL.
A cross-browser JavaScript tool which will emulate Arius3D's PointStream viewer.
It will be able to quickly render a large amount of point cloud data to the <canvas >
tag using WebGL.


There are multiple implementations to compete with each others
The Player Human is YOU! Just click on the board to play.
The dumbest player! It just randomly choose a free cell.
The 'perfect' player! But also the slowest. It tries out all possible combinations to decide the best move.
A detailed explanation about the algorithm can be found on thecodingtrain.com the Coding Challenge 154 .
In additional to the simple rules to categories WIN, DRAW and LOSS, this minimax implementation has two improvements:


RSS feed for Docker Hub images
Docker Hub doesn't provide notifications for new image releases, so Docker Hub RSS turns image tags into an RSS feed for easy consumption. Subscribe using Slack RSS, Feedly, or any other RSS feed reader to get notified when a new image is published.


Collection
RESTful Collection Management Class
Constructor Summary
| Public Constructor | ||
| public |
constructor(schema: *): boolean |
Member Summary
| Public Members | ||
| public get |
Returns current |
|
| public get |
modelClass: Class: * Getter for Model Class with embedded back-references to this NS::Collection |
|
| public get |
models: *: * |
|
| public set |
models(models: *): Collection |
|
| public get |
getter for API URI for Collection |
Method Summary
| Public Methods | ||
| public |
add(data: *): Collection Adds Object to Model without updating remote collection |
|
| public |
at(idx: *): * Get the model at the given index |
|
| public |
alias for |
|
| public |
create(data: *, immediate: *): Model Adds Model to Collection and saves to remote collection by default |
|
| public |
entries(): CollectionIterator Get an iterator of all [ID, model] tuples in this collection. |
|
| public |
fetch(): *|PromiseLike<T>|Promise<T> Performs REST::GET Operation to populate collection note: uses Query if present |
|
| public |
keys(): * |
|
| public |
modelId(attrs: *): * |
|
| public |
reset(): Collection Resets collection to empty |
|
| public |
save(options: *): * Batch saves Objects that are new or need updating |
|
| public |
TODO: should be observable |
|
| public |
toJSON(): * Accessor for Collection's |
|
| public |
Accessor for Collection's |
|
| public |
Accessor for Collection's Primitive Value |
|
| public |
values(): CollectionIterator Get an iterator of all models in this collection |
Public Constructors
Public Members
public get modelClass: Class: * source
Getter for Model Class with embedded back-references to this NS::Collection
Return:
| Class |
Public Methods
public add(data: *): Collection source
Adds Object to Model without updating remote collection
Params:
| Name | Type | Attribute | Description |
| data | * |
public at(idx: *): * source
Get the model at the given index
Params:
| Name | Type | Attribute | Description |
| idx | * |
Return:
| * |
public create(data: *, immediate: *): Model source
Adds Model to Collection and saves to remote collection by default
Params:
| Name | Type | Attribute | Description |
| data | * | ||
| immediate | * | set to |
Return:
| Model |
public entries(): CollectionIterator source
Get an iterator of all [ID, model] tuples in this collection.
Return:
| CollectionIterator |
public fetch(): *|PromiseLike<T>|Promise<T> source
Performs REST::GET Operation to populate collection note: uses Query if present
Return:
| *|PromiseLike<T>|Promise<T> |
public save(options: *): * source
Batch saves Objects that are new or need updating
Params:
| Name | Type | Attribute | Description |
| options | * |
Return:
| * |
public values(): CollectionIterator source
Get an iterator of all models in this collection
Return:
| CollectionIterator |


The default table style is a bordered cell layout with a stylized header row.
| Name | Reputation | Joined | Last Seen |
|---|---|---|---|
| Aaron Shekey | 263 7 |
Dec 1 ’17 at 20:24 | just now |
| Joshua Hynes | 611 11 |
Feb 12 at 18:47 | Aug 10 at 14:57 |
| Paweł Ludwiczak | 25 8 |
Nov 28 ’17 at 20:21 | 1 hour ago |
| Piper Lawson | 25 3 |
Jul 5 at 14:32 | Aug 14 at 12:41 |
By default, tables are outlined, have borders on all cells, and have a styled header. Depending on the size and complexity of a table, these can all be configured.
{% header h3 | Horizontal Borders %}Shows only horizontal table cell borders. Good for tables with lots of data that can be sorted and filtered.
| First Name | Last Name | Username | |
|---|---|---|---|
| 1 | Aaron | S. | @aarons |
| 2 | Joshua | H. | @joshuah |
| 3 | Paweł | L. | @pawełl |
| 4 | Ted | G. | @so-ted |
Removes most of the default borders and backgrounds. Good for tables without much data that don't need to be sorted or filtered.
| First Name | Last Name | Username | |
|---|---|---|---|
| 1 | Aaron | S. | @aarons |
| 2 | Joshua | H. | @joshuah |
| 3 | Paweł | L. | @pawełl |
| 4 | Ted | G. | @so-ted |
Removes all table cell borders.
| First Name | Last Name | Username | |
|---|---|---|---|
| 1 | Aaron | S. | @aarons |
| 2 | Joshua | H. | @joshuah |
| 3 | Paweł | L. | @pawełl |
| 4 | Ted | G. | @so-ted |
When tables have a lot of information, you can help users group information and isolate data by adding zebra striping.
| First Name | Last Name | Username | |
|---|---|---|---|
| 1 | Aaron | S. | @aarons |
| 2 | Joshua | H. | @joshuah |
| 3 | Paweł | L. | @pawełl |
| 4 | Ted | G. | @so-ted |
A table’s padding can be changed to be more or less condensed.
{% header h3 | Small %}| First Name | Last Name | Username | |
|---|---|---|---|
| 1 | Aaron | S. | @aarons |
| 2 | Joshua | H. | @joshuah |
| First Name | Last Name | Username | |
|---|---|---|---|
| 1 | Paweł | L. | @pawełl |
| 2 | Ted | G. | @so-ted |
| First Name | Last Name | Username | |
|---|---|---|---|
| 1 | Aaron | S. | @aarons |
| 2 | Joshua | H. | @joshuah |
Table columns will size themselves based on their content. To set a specific width, you can use one of the following table cell classes to specify the width for any column.
{% header h3 | Classes %}| Class | Width |
|---|---|
{{ item.class }} |
{{ item.output }} |
| … | … |
| … | … | … | … | … |
| … | … | … | … | … | … |
| .s-table--cell2 | No Class |
| .s-table--cell3 | .s-table--cell6 | No Class | No Class | No Class |
| .s-table--cell4 | No Class | No Class | No Class | No Class | .s-table--cell2 |
The default vertical alignment is middle
. You change a table’s or a specific cell’s vertical alignment by using the Vertical Alignment atomic classes.
| … | … | … |
| … | … | … |
| .va-top | .va-middle | .va-bottom |
| .s-table.va-bottom | .s-table.va-bottom | .s-table.va-bottom |
Text alignment can be changed at a table or cell level by using atomic text alignment classes. Columns containing copy should be left-aligned. Columns containing numbers should be right-aligned.
| … | … | … |
| … | … | … |
| .ta-left | .ta-center | .ta-right |
| .s-table.ta-right | .s-table.ta-right | .s-table.ta-right |
With the addition of JavaScript, table columns can be re-sorted based on the columns data.
| Listing @Svg.ArrowDownSm | Status @Svg.ArrowUpDownSm | Owner @Svg.ArrowUpDownSm | Views @Svg.ArrowUpDownSm | Applies @Svg.ArrowUpDownSm |
|---|
| Listing {% icon ArrowDownSm %} | Status {% icon ArrowUpDownSm %} | Owner {% icon ArrowUpDownSm %} | Views {% icon ArrowUpDownSm %} | Applies {% icon ArrowUpDownSm %} |
|---|---|---|---|---|
|
Site Reliability Engineer, Generalist |
Running | Sansa Stark | 502 | 13 |
|
Senior Product Designer |
Running | Robert Baratheon | 900 | 15 |
|
Product Manager, Developer Products |
Running | Sansa Stark | 3 | 1 |
To help users, you can add data visualizations into table cells. These are useful to help visualize the reported data and calling extra attention to the table cell. These graphs should always be paired with a number.
| … | … | … | … | 1,854 |
|
43 |
|
| Listing | Status | Owner | Source | Views | Applies | ||
|---|---|---|---|---|---|---|---|
|
Site Reliability Engineer, Generalist |
Running | Sansa Stark | stackoverflow.com | 1,854 |
|
43 |
|
|
Senior Product Designer |
Running | Robert Baratheon | linkedin.com | 900 |
|
15 |
|
|
Product Manager, Developer Products |
Running | Sansa Stark | m.facebook.com | 3 |
|
1 |
|
Generally for a checkbox input that’s placed first in the table row for bulk actions.
| … | … | … | |
|---|---|---|---|
| … | … | … |
| Display Name | Full Name | ||
|---|---|---|---|
| SansaStark | Sansa Stark |<EMAIL_ADDRESS>| |
| RobertBaratheon | Robert Baratheon |<EMAIL_ADDRESS>| |
| Test Developer To Be Is Not A Developer Yet | Test Developer To Be Is Not A Developer Yet |<EMAIL_ADDRESS>|
Used mainly with data tables, the totals row increases the font-size for all cells within a row.
| Listing | Views | Apps | App CTR |
|---|---|---|---|
| Site Reliability Engineer, Generalist | 6,871 | 187 | 5.02% |
| Senior Product Designer | 2,242 | 196 | 16.46% |
| Product Manager, Developer Products | 3,469 | 229 | 14.9% |
| Totals | 12,582 | 612 | 14.65% |


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The concept is to move away from a "controller" type solution where a monitor loop adds and removes dots.
In this example, each dot is responsible for it's own actions, similar to how objects can group and swarm together, depending on their AI.
In this screenshot, the black lines are just "mouse-down" drawn on the InkCanvas. The red line is the tracer line following and decaying behind the mouse.
The TracerAnt
class
TracerAnt : Border
{
FrameworkElement myCanvas;
Timer timer;
public
TracerAnt(FrameworkElement parent,
int
delay)
{
Width = Height = 2;
Background = Brushes.Red;
HorizontalAlignment = System.Windows.HorizontalAlignment.Left;
VerticalAlignment = System.Windows.VerticalAlignment.Top;
IsHitTestVisible =
false
;
Point p = Mouse.GetPosition(myCanvas);
Margin =
new
Thickness(p.X, p.Y, 0, 0);
myCanvas = parent;
timer =
new
Timer(selfControlledBorderTick,
this
, 0, delay);
}
void
selfControlledBorderTick(
object
state)
{
Application.Current.Dispatcher.Invoke(DispatcherPriority.Send,
new
Action(() =>
{
Point p = Mouse.GetPosition(myCanvas);
Margin =
new
Thickness(p.X, p.Y, 0, 0);
}));
}
public
void
Kill()
{
timer.Change(Timeout.Infinite, Timeout.Infinite);
}
}
When the timer ticks, it simply changes the margin to the mouse position (in relation to the container)
Note the use of the Application.Current.Dispatcher, a failsafe way to get back to the UI thread
Also note the Horizontal and VerticalAlignment set to left and top, as a centered or stretched control won;t be positioned the same as the mouse.
On MouseEnter
private
void
MyCanvas_MouseEnter(
object
sender, MouseEventArgs e)
{
AddAntTracers(numberOfAnts, millisecondsTillCheck);
}
private
void
AddAntTracers(
int
count,
int
totalDelay)
{
int
gap = totalDelay / count;
Task.Factory.StartNew(()=>
{
for
(var a = 0; a < count; a++)
{
Application.Current.Dispatcher.Invoke(DispatcherPriority.Send,
new
Action(() =>
{
MyInkCanvas.Children.Add(
new
TracerAnt(MyInkCanvas, totalDelay));
}));
Thread.Sleep(gap);
}
});
}
AddAntTracers takes the total time between an ant tick/check and divides by the number of ants desired. this gives the interval between adding that means a perfect stream is produced.
You can play with the totalDelay and count to make the stream longer or shorter and the ants closer or father apart.
Notice also the use of .net4's Task class, a very powerful replacement for the BackgroundWorker, although you easily use a Background worker if you are still on .net 3.5
On MouseLeave
private
void
MyCanvas_MouseLeave(
object
sender, MouseEventArgs e)
{
Application.Current.Dispatcher.Invoke(DispatcherPriority.Send,
new
Action(() =>
{
foreach
(TracerAnt ant
in
MyInkCanvas.Children)
ant.Kill();
MyInkCanvas.Children.Clear();
}));
}
Finally, when the mouse leaves, the collection is removed.
However, each TracerAnt still has an active timer, which may prevent tear-down and garbage recycling and a memory leak, so first itterate through each child and kill the timer.
The Kill method shown in the TracerAnt snippet uses Timeout.Infinate for delay and interval, which kills the timer.
This available in a demo project here.
This small article is part of a series of WPF "How To" articles, in response to real user questions on the MSDN WPF Forum.
This available in a demo project here.
This small article is part of a series of WPF "How To" articles, in response to real user questions on the MSDN WPF Forum.


Roy Hattersley's panel show appearances
Roy Hattersley (born 1932-12-28[ref]) has appeared in 67 episodes between 1979-2010. Roy Hattersley on IMDB. Roy Hattersley on Wikipedia.
- 2010-02-18 / Question Time
- 2008-10-23 / Question Time
- 2007-05-31 / Question Time
- 2007-02-15 / Question Time
- 2005-11-25 / Question Time
- 2004-02-12 / Question Time
- 2003-04-03 / Question Time
- 2002-03-28 / Question Time
- 2000-12-07 / Question Time
- 2000-04-21 / The News Quiz
- 1999-12-09 / Question Time
- 1999-10-22 / The News Quiz
- 1999-09-17 / The News Quiz
- 1999-06-04 / The News Quiz
- 1999-05-14 / The News Quiz
- 1998-12-03 / Question Time
- 1998-10-23 / The News Quiz
- 1998-08-28 / The News Quiz
- 1998-04-10 / The News Quiz
- 1998-02-28 / The News Quiz
- 1997-08-30 / The News Quiz
- 1997-05-03 / The News Quiz
- 1996-11-07 / Question Time
- 1996-09-07 / The News Quiz
- 1996-08-08 / Out Of Order
- 1996-07-18 / Out Of Order
- 1996-04-20 / The News Quiz
- 1995-11-04 / The News Quiz
- 1995-10-26 / Question Time
- 1995-06-29 / Out Of Order
- 1995-06-01 / Out Of Order
- 1995-03-18 / The News Quiz
- 1994-08-20 / The News Quiz
- 1994-05-21 / The News Quiz
- 1993-11-25 / Question Time
- 1993-11-05 / Have I Got News For You
- 1993-09-26 / Out Of Order
- 1993-08-29 / Out Of Order
- 1993-05-15 / The News Quiz
- 1993-04-22 / Question Time
- 1992-11-07 / The News Quiz
- 1992-10-17 / The News Quiz
- 1992-08-29 / The News Quiz
- 1992-03-26 / Question Time
- 1991-05-02 / Question Time
- 1991-01-17 / Question Time
- 1990-11-22 / Question Time
- 1990-09-20 / Question Time
- 1989-09-14 / Question Time
- 1989-03-02 / Question Time
- 1988-10-06 / Question Time
- 1988-05-14 / The News Quiz
- 1988-01-28 / Question Time
- 1987-06-04 / Question Time
- 1987-03-21 / The News Quiz
- 1987-01-22 / Question Time
- 1986-10-02 / Question Time
- 1985-10-24 / Question Time
- 1984-12-08 / The News Quiz
- 1984-11-08 / Question Time
- 1983-11-10 / Question Time
- 1983-05-19 / Question Time
- 1982-07-10 / The News Quiz
- 1981-11-05 / Question Time
- 1981-04-09 / Question Time
- 1980-10-23 / Question Time
- 1979-10-30 / Question Time


Invite a friend to play on your team, '{{invitingTeamName}}'.
Invite a friend to signup to TriviaJoint.com and join in on the fun!


A proxy HTTP server may be used by defining the address (URL) and port number of the proxy server with the http_proxy environment variable. For example
setenv http_proxy http://heasarc.gsfc.nasa.gov:3128will cause CFITSIO to use port 3128 on the heasarc proxy server whenever reading a FITS file with HTTP.


YOU
{{ playerHealth }}
MONSTER
{{ monsterHealth }}
START NEW GAME
ATTACK
SPECIAL ATTACK
HEAL
GIVE UP
TRY AGAIN
STATISTIC
{{ turn.text }}
{{ stat.text }}


{% load static %}
{% block title %}Find and Seek{% endblock %}
Find and Seek
FIND THE PERFECT PIECE FROM ANYWHERE ON THE INTERNET
{% include "retail_app/search_bar.html" %} {% include "retail_app/filter_aside.html" %}
{% block content %}{% endblock content %}


Waking to the dice, Mat considered going back to sleep until they went away, but at last he got up feeling grumpy. As if he did not have more than enough on his plate already. He chased Nerim away and dressed himself, eating the last of the bread and cheese from the night before while he did, then went to check on Olver. The boy flashed between bursts of yanking on his clothes in a hurry to be out and stopping entirely with boot or shirt in hand to spout dozens of questions that Mat answered with half a mind. No, they would not go racing today, and never mind the rich races at the Circuit of Heaven, north of the city. Maybe they could go see the menagerie. Yes, Mat would buy him a feathered mask for the festival. If he ever got dressed. That sent him into a flurry.
 Why had they started up again? He still did not know why they had before!
When Olver was finally clothed, he followed Mat into the sitting room bubbling with half-heard questions—and bumped him from behind when he stopped dead. Tylin replaced the book Olver had been reading the night before on the table.
“Majesty!” Mat’s eyes darted to the door he had locked last night, now standing wide open. “What a surprise.”  Well, maybe it was not really mocking, but it surely seemed so right then. She was certainly pleased with herself. “I was about to take Olver out. To see the festival. And some traveling menagerie. He wants a feathered mask.” He snapped his mouth shut to stop babbling and started edging toward the door, using the boy as a shield.
“Yes,” Tylin murmured, watching through her eyelashes. She made no move to intervene, but her smile deepened, as if she was just waiting for his foot to land in the snare. “Much better if he has a companion, instead of running with the urchins, as I hear he does. One hears a good deal about your lad. Riselle?”
A woman appeared in the doorway, and Mat gave a start. A fanciful mask of swirling blue and golden feathers hid most of Riselle’s face, but the feathers on the rest of her costume did not hide very much else. She possessed the most spectacular bosom he had ever seen.
“Olver,” she said, sinking to her knees, “would you like to walk out with me at festival?”
Before Mat could open his mouth, Olver broke free and rushed to her. “Oh, yes, please. Thank you.” The ungrateful little lout laughed as she tied the hawk mask on his face and hugged him to her bosom. Hand in hand, they ran out, leaving Mat gaping.
He recovered himself quickly enough when Tylin said, “Well for you I am not a jealous woman, my sweet.” She produced the long iron key to his door from behind her gold-and-silver belt, and then another just like it, waggling the pair at him. “People always keep keys in a box near the door.” That was where he had left his. “And no one ever thinks there might be a second key.” One key went back behind her belt; the other was turned in the lock with a loud click before joining its fellow. “Now, lambkin.” She smiled.
It was too much. The woman hounded him, tried to starve him; now she locked them in together like . . . like he did not know what. Lambkin!  Besides, he had important business to see to. The dice had never had anything to do with finding something, but . . . He reached her in two long strides, seized her arm, and began fumbling in her belt for the keys.
“Remove your hand,” she said coldly.  She was not smiling now. He let go of her arm carefully. She did not lessen the pressure of her blade, though. She shook her head. “Tsk, tsk. I do try to make allowances for you being an outlander, gosling, but since you wish to play roughly . . . Hands at your sides. Move.” The knifepoint gave a direction. He shuffled backward on tiptoe rather than have his neck sliced.
“What are you going to do?” he mumbled through his teeth. A stretched neck put a strain in his voice. A stretched neck among other things. “Well?” He could try grabbing her wrist; he was quick with his hands. “What are you going to do?” Quick enough, with the knife already at his throat? That was the question. That, and the one he asked her.  “Will you answer me!” That was not panic in his voice. He was not in a panic. “Majesty? Tylin?” Well, maybe he was in a bit of a panic, to use her name. You could call any woman in Ebou Dar “duckling” or “pudding” all day, and she would smile, but use her name before she said you could, and you found a hotter reception than you would for goosing a strange woman on the street anywhere else. A few kisses exchanged were never enough for permission, either.
Tylin did not answer, only kept him tiptoeing backward, until suddenly his shoulders bumped against something that stopped him. With that flaming dagger never easing a hair, he could not move his head, but eyes that had been focused on her face darted. They were in the bedchamber, a flower-carved red bedpost hard between his shoulder blades. Why would she bring him . . . ? His face was suddenly as crimson as the bedpost. No. She could not mean to . . . It was not decent! It was not possible!
“You can’t do this to me,” he mumbled at her, and if his voice was a touch breathy and shrill, he surely had cause.
“Watch and learn, my kitten,” Tylin said, and drew her marriage knife.
Afterward, a considerable time later, he irritably pulled the sheet up to his chest. A silk sheet; Nalesean had been right. The Queen of Altara hummed happily beside the bed, arms twisted behind her to do up the buttons of her dress. All he had on was the foxhead medallion on its cord—much good that had done—and the black scarf tied around his neck.  He rolled over and snatched his silver-mounted pipe and tabac pouch from the small table on the other side from her. Golden tongs and a hot coal in a golden bowl of sand provided the means for lighting. Folding his arms, he puffed away as fiercely as he frowned.
“You should not flounce, duckling, and you shouldn’t pout.” She yanked her dagger from where it was driven into a bedpost beside her marriage knife, examining the point before sheathing it. “What is the matter? You know you enjoyed yourself as much as I did, and I . . . ” She laughed suddenly, and oh so richly, resheathing the marriage knife as well. “If that is part of what being ta’veren means, you must be very popular.” Mat flushed like fire.
“It isn’t natural,” he burst out, yanking the pipestem from between his teeth. “I’m the one who’s supposed to do the chasing!” Her astonished eyes surely mirrored his own. Had Tylin been a tavern maid who smiled the right way, he might have tried his luck—well, if the tavern maid lacked a son who liked poking holes in people—but he was the one who chased. He had just never thought of it that way before. He had never had the need to, before.
 “Oh, pigeon. I do keep forgetting. You are in Ebou Dar, now. I left a little present for you in the sitting room.” She patted his foot through the sheet. “Eat well today. You are going to need your strength.”
Mat put a hand over his eyes and tried very hard not to weep. When he uncovered them, she was gone.
Climbing out of the bed, he tucked the sheet around him; for some reason, the notion of walking around bare felt uncomfortable.  The garments he had been wearing lay on the floor.  She had no call to slice up his red coat that way, though. She had just enjoyed peeling him with her knife.
Not quite holding his breath, he pulled open the tall red-and-gilt wardrobe. She was not hiding inside. His choices were limited; Nerim had most of his coats for cleaning or mending. Dressing quickly, he chose a plain coat of dark bronze silk, then stuffed the sliced rags as far under the bed as he could reach until he could dispose of them without Nerim seeing. Or anyone else, for that matter. Too many people already knew entirely too much of what was going on between him and Tylin; there was no way he could face anybody knowing this.
In the sitting room, he lifted the lid of the lacquerware box by the door, then let it fall with a sigh; he had not really expected Tylin to replace the key. He leaned against the door. The unlocked door. Light, what was he going to do? Move back to the inn? Burn why the dice had stopped before. Only, he would not put it past Tylin to bribe Mistress Anan and Enid, or the innkeeper wherever he went. He would not put it past Nynaeve and Elayne to claim he had broken some agreement and put an end to their promises. Burn all women!
A large parcel elaborately wrapped in green paper sat on one of the tables. It contained an eagle mask in black and gold and a coat covered with feathers to match. There was also a red silk purse holding twenty gold crowns and a note that smelled of flowers.
I would have bought you an earring, piglet, but I noticed your ear is not pierced. Have it done, and buy yourself something nice.
He nearly wept again. He gave women presents. The world was standing on its head! Piglet? Oh, Light! After a minute, he did take the mask; she owed him that much, for his coat alone.
When he finally reached the small, shaded courtyard where they had been meeting each morning beside a tiny round pool of lily pads and brightly spotted white fish, he found Nalesean and Birgitte ready for the Festival of Birds, too. The Tairen had contented himself with a plain green mask, but Birgitte’s was a spray of yellow-and-red with a crest of plumes, her golden hair hung loose, with feathers tied all down its length, and she wore a dress with a wide yellow belt, diaphanous beneath more red and yellow feathers. It did not reveal nearly as much as Riselle’s, yet it seemed about to every time she moved. He had never thought of her wearing a dress like other women.
“Sometimes it’s fun to be looked at,” she said, poking him in the ribs, when he commented. Her grin would have done for Nalesean saying how much fun it was to pinch serving girls. “There’s a lot more to it than feather dancers wore, but not enough to it to slow me down, and anyway, I cannot see we’ll have to move quickly on this side of the river.” The dice rattled in his head. “What kept you?” she went on. “You didn’t make us wait so you could tickle a pretty girl, I hope.” He hoped he was not blushing.
“I—” He was not certain what excuse he would have made, but just then half a dozen men wearing feathered coats strolled into the courtyard, all with those narrow swords on their hips, all but one wearing an elaborate mask with colorful crest and beak that represented no bird ever seen by human eyes. The exception was Beslan, twirling his mask by its ribbon.  Nalesean folded his hands on the pommel of his sword and shook his head in disbelief. “Why, burn my soul, he says he intends to spend the festival in your company. Some promise you two made, he says. I told him it would be deadly boring, but he wouldn’t believe me.”
“I cannot think it is ever boring around Mat,” Tylin’s son said; his bow took them all in, but his dark eyes especially lingered on Birgitte. “I’ve never had so much fun as I did drinking with him and the Lady Elayne’s Warder on Swovan Night, though truth, I remember little.” He did not seem to recognize that Warder. Strangely, considering the taste she had shown in men—Beslan was fine-looking, maybe a little too fine, not at all her sort—strangely, she smiled slightly, and preened under his scrutiny.
Right then, Mat did not care how out of character she behaved. Obviously Beslan suspected nothing, or that sword of his likely would already be out, but the last thing under the Light Mat wanted was a day in company with the man. It would be excruciating. He had some sense of decency, even if Beslan’s mother did not.
The only problem was Beslan, who took that bloody promise to attend all the festivals and feastdays together very seriously. The more Mat agreed with Nalesean that the day they had planned would be dull beyond belief, the more determined Beslan grew. After a bit, his face began to darken, and Mat began to think that sword might be unsheathed yet. Well, a promise was a promise. When he and Nalesean and Birgitte left the palace, half a dozen feathered fools strutted along. Mat was sure it would not have happened had Birgitte been wearing her proper clothes. The whole lot of them kept eyeing her and smiling.
“What was all that twisting around while he was spilling his eyes all over you?” he muttered as they crossed the Mol Hara. He tugged the ribbon holding the eagle mask tighter.
“I did not twist, I moved.” Her primness was so blatantly false, he would have laughed some other time. “Slightly.” Abruptly her grin was back, and she lowered her voice for his ear alone. “I told you sometimes it’s fun to be looked at; just because they’re all too pretty doesn’t mean I cannot enjoy them looking. Oh, you’ll want to look at her,” she added, pointing to a slender woman who went running by in a blue owl mask and rather fewer feathers than Riselle had worn.
That was one of the things about Birgitte; she would nudge him in the ribs and point out a pretty girl for his eye as readily as any man he had ever known, and expect him to point out in turn what she liked to see, which was generally the ugliest man in sight. Whether or not she chose to go half-naked today—a quarter, anyway—she was . . . well, a friend. A strange world, it was turning out to be. One woman he was beginning to think of as a drinking companion, and another after him as intently as he had ever pursued any pretty woman, in those old memories or his own. More intently; he had never chased any woman who let him know she did not want to be chased. A very strange world.
The sun stood little more than halfway to its peak, but already celebrants filled the streets and squares and bridges. Tumblers and jugglers and musicians with feathers sewn about their clothes performed at every street corner, the music often drowned in laughter and shouting. For the poorer folk a few feathers laced into their hair sufficed, pigeon feathers gathered from the pavement for the street children dodging about and the beggars, but masks and costumes grew more elaborate as purses grew heavier. More elaborate, and frequently more scandalous. Men and women alike were often decked in feathers that revealed more skin than Riselle or that woman back in the Mol Hara. No commerce moved in the streets or canals today, though a number of shops seemed to be open—along with every tavern and inn, of course—but here and there a wagon made its way through the throng or a barge was poled along supporting a platform where young men and women posed in bright bird masks that covered their entire heads, with spreading crests sometimes rising a full pace, moving long colorful wings in such a way that the rest of their costumes were exposed only in flashes. Which was just as well, considering.
According to Beslan, these settings, as they were called, were usually presented in guild halls and private palaces and houses. The entire festival normally took place indoors for the most part. It did not snow properly in Ebou Dar even when the weather was as it should be—Beslan said he would like to see this snow, one day—but apparently ordinary winter was cold enough to keep people from running around outdoors all but unclothed. With the heat, everything was spilling into the streets. Wait until night fell, Beslan said; then Mat would really see something. As sunlight faded, so did inhibitions.
Staring at a tall slender woman gliding along through the crowd in mask and feathered cloak and beyond that, six or seven feathers, Mat wondered what inhibitions some of these folk had left to shed. He almost shouted at her to cover herself with that cloak. She was pretty, but out in the street, before the Light and everybody?
Those wagons carrying the settings attracted followers, of course, thick knots of men and women who shouted and laughed as they tossed coins, and sometimes folded notes, onto the wagons and squeezed everyone else in the street aside. He became used to fleeing ahead until they could duck down a crossing street, or waiting until the setting went by to cross an intersection or bridge. While waiting, Birgitte and Nalesean tossed coins to filthy urchins and dirtier beggars. Well, Nalesean tossed; Birgitte concentrated on the children, and pressed each coin into a grubby hand like a gift.
In one of those waits, Beslan suddenly put a hand on Nalesean’s arm, raising his voice above the crowd and a cacophony of music coming from at least six different places. “Forgive me, Tairen, but not him.” A ragged man edged back into the throng, warily; gaunt-cheeked and bony, he seemed to have lost whatever pitiful feathers he might have found for his hair.
“Why not?” Nalesean demanded.
“No brass ring on his little finger,” Beslan replied. “He’s not in the guild.”
“Light,” Mat said, “a man can’t even beg in this city without belonging to a guild?” Maybe it was his tone. The beggar leaped for his throat, a knife appearing in his grimy fist.
Without thinking, Mat grabbed the man’s arm and spun, slinging him away into the crowd; some people cursed at Mat, some at the sprawling beggar. Some tossed the fellow a coin.
From the corner of his eye, Mat saw a second skinny man in rags try to push Birgitte out of the way to reach him with a long knife. It was a foolish mistake to underestimate the woman because of her costume; from somewhere among those feathers she produced a knife and stabbed him beneath the arm.
“Look out!” Mat shouted at her, but there was no time for warnings; even as he shouted, he drew from his coatsleeve and threw side-armed. The blade streaked past her face to sink into the throat of yet another beggar flaunting steel before he could plant it in her ribs.
Suddenly there were beggars everywhere with knives, and clubs studded with spikes; screams and shouts rose as people in masks and costumes scrambled to get out of the way. Nalesean slashed a man in rags across the face, sending him reeling; Beslan ran another through the middle, while his costumed cronies fought still others.
Mat had no time to see more; he found himself back-to-back with Birgitte and facing his own adversaries. He could feel her shifting against him, hear her mutter curses, but he was barely conscious of it; Birgitte could take care of herself, and watching the two men in front of him, he was not sure he could do the same. The hulking fellow with the toothless sneer had only one arm and a puckered socket where his left eye had been, but his fist held a club two feet long, encircled by iron bands that sprouted spikes like steel thorns.  Mat aimed the shorter knife in his own hand first at one, then the other. It was still long enough to reach a man’s vitals, and they danced and shuffled, each waiting for the other to leap at him first
“Old Cully won’t like this, Spar,” the bigger man growled, and rat-face darted forward, rusty blade flashing from hand to hand.
He did not count on the knife that suddenly appeared in Mat’s left hand and sliced across his wrist. The dagger clattered to the paving stones, but the fellow flung himself at Mat anyway. As Mat’s other blade stabbed into his chest, he squealed, eyes going wide, arms wrapping around Mat convulsively. The bald fellow’s sneer widened, his club rising as he stepped in.
The grin vanished as two beggars swarmed over him, snarling and stabbing.
Staring incredulously, Mat shoved rat-face’s corpse away. The street was clear for fifty paces except for combatants, and everywhere beggars rolled on the pavement, two or three or sometimes four stabbing at one, beating him with clubs or rocks.
Beslan caught Mat’s arm. There was blood on his face, but he was grinning. “Let’s get out of here and let the Fellowship of Alms finish its business. There’s no honor in fighting beggars, and besides, the guild won’t leave any of these interlopers alive. Follow me.” Nalesean was scowling—doubtless he saw no honor in fighting beggars either—and Beslan’s friends, several with their costumes awry and one with his mask off so another could dab at a cut across his forehead. The man with the cut was grinning, too. Birgitte bore not a scratch that Mat could see, and her costume looked as neat as it had back in the palace. She made her knife disappear; there was no way she could hide a blade under those feathers, but she did.
Mat made no protest at being drawn away, but he did growl, “Do beggars always go around attacking people in this . . . this city?”
The man laughed. “You are ta’veren, Mat. There’s always excitement around ta’veren.”
Mat smiled back with gritted teeth.  Well, if a beggar slit his throat, he would not have to go back to the palace and let Tylin peel him like a ripe pear. Come to think of it, she had called him her little pear. Bloody everything!
The street between the dyer’s shop and The Rose of the Elbar had its share of revelers, though not many scantily clad. Apparently you had to have coin to go near naked. Though the acrobats in front of the merchant’s house on the corner came close, the men barefoot and bare-chested in tight, brightly colored breeches, the women in even tighter breeches and thin blouses.
The tea at The Rose was as bad as ever, which meant it was much better than the wine. Nalesean stuck to the sour local ale. Birgitte said thanks without saying for what, and Mat shrugged it off silently; they grinned at each other and tapped cups. The sun rose, and Beslan sat balancing first one boot on the toe of the other, then the other way around, but his companions began growing restive, no matter how often he pointed out that Mat was ta’veren. A scuffle with beggars was hardly proper excitement, the street was too narrow for any settings to pass, the women were not as pretty as elsewhere, and even looking at Birgitte seemed to pall once they realized that she did not intend to kiss even one of them. With protestations of regret that Beslan would not come, they hurried off to find somewhere more exhilarating. Nalesean took a stroll down the alley beside the dyer’s, and Birgitte vanished into The Rose’s murky interior to find, she said, whether there was anything at all fit to drink hidden in some forgotten corner.
“I never expected to see a Warder garbed like that,” Beslan said, changing his boots around.
Mat blinked. The fellow had sharp eyes. She had not removed her mask once. Well, as long as he did not know about—
“I think you will be good for my Mother, Mat.”
Choking, Mat sprayed tea into the passersby.  She stamped a foot and stalked off when he did not smile back. Luckily, no one was angry enough to take it beyond glares before they too went on their way. Or maybe unluckily. He would not have minded if six or eight piled on him right then.
“What do you mean?” he said hoarsely.
Beslan’s head whipped around in wide-eyed surprise. “Why, her choosing you for her pretty, of course. Why is your face so red? Are you angry? Why—?” Suddenly he slapped his forehead and laughed. “You think I will be angry. Forgive me, I forget you’re an outlander. Mat, she’s my mother, not my wife. Father died ten years ago, and she has always claimed to be too busy. I am just glad she chose someone I like. Where are you going?”
He did not realize he was on his feet until Beslan spoke. “I just . . . need to clear my head.”
“But you’re drinking tea, Mat.”
Dodging around a green sedan chair, he half saw the door of the house open and a woman with a blue-feathered cloak over her dress slip out. Unthinkingly—his head was spinning too much to think clearly—he fell in behind her. Beslan knew! He approved. His own mother, and he . . .
“Mat?” Nalesean shouted behind him. “Where are you going?”
“If I’m not back by tomorrow,” Mat shouted back absently over his shoulder, “tell them they’ll have to find it for themselves!” He walked on after the woman in a daze, not hearing if Nalesean or Beslan shouted again. The man knew! He remembered once thinking that Beslan and his mother were both mad. They were worse! All of Ebou Dar was mad! He was hardly aware of the dice still spinning inside his skull.
From a window of the meeting room, Reanne watched Solain disappear down the street toward the river. Some fellow in a bronze coat followed in her wake, but if he tried to impede her, he would find out soon enough that Solain had no time for men, and no patience with them.
Reanne was not sure why the urge had grown so strong today. For days it had come on almost with the morning and faded with the sun, and for days she had fought—by the strict rules they did not quite dare call laws, that order was given at the half moon, still six nights off—but today . . . She had spoken the order before she thought and been unable to make herself retract until the proper time. It would be well. No one had seen any sign of those two young fools calling themselves Elayne and Nynaeve anywhere in the city; thank the Light, there had been no need to take dangerous chances.
Sighing, she turned to the others, who waited until she took her chair before seating themselves. It would be well, as it always had been. Secrets would be kept, as they always had been. But, still . . . She had no touch of Foretelling or anything of that sort, yet perhaps that overwhelming urge had been telling her something. Twelve women watched her expectantly. “I think we should consider moving everyone who does not wear the belt to the farm for a little while.” There was little discussion; they were the Elders, but she was the Eldest. In that, at least, there was no harm in behaving as Aes Sedai did.


Advanced cross-browser ellipsis for multiple line content.
Demo's and documentation: dotdotdot.frebsite.nl
Text only:
before:
after:
Text with markup:
before:
Lorem Ipsum is simply dummy text of the printing and typesetting industry.
Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
It has survived not only five centuries, but also the leap into electronic typesetting.
after:
Lorem Ipsum is simply dummy text of the printing and typesetting industry.
Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
It has survived not only five centuries, but also the leap into electronic typesetting.
With an "after"-element:
before:
after:
Updating onWindowResize:
before:
after:
Toggle the full story
before:
after:
Truncate readable pathnames
before:
after:


ca.ualberta.CMPUT301F13T02.chooseyouradventure
public class ViewStoriesActivity extends Activity
| Constructor and Description |
|---|
ViewStoriesActivity() |
| Modifier and Type | Method and Description |
|---|---|
void |
deleteStory(Story story)
Delete the passed story from the displayed list
|
boolean |
onCreateOptionsMenu(Menu menu)
Inflate the options menu; this adds items to the action bar if it is present
|
boolean |
onLongListItemClick(View v,
int pos,
long id)
The options menu displayed when the user longClicks a story
|
boolean |
onOptionsItemSelected(MenuItem item)
Callback for clicking an item in the menu.
|
void |
onResume()
Called when entring an activity.
|
void |
refresh()
Refreshes the list of stories by getting a new list from elastic search
and displaying it.
|
void |
setHandler(Handler handler)
Sets the handler
|
public void onResume()
public boolean onCreateOptionsMenu(Menu menu)
menu
- The menu to inflatepublic boolean onOptionsItemSelected(MenuItem item)
item
- The item that was clickedpublic boolean onLongListItemClick(View v, int pos, long id)
v
- The view of the longClicked storypublic void refresh()
public void setHandler(Handler handler)
handler
- The handler to usepublic void deleteStory(Story story)
story
- The story to delete


FIVE CORNERS *** OF **** grade is B-
Five Corners is a good film that you may have missed in its theatrical run and on the video shelves, but it is well worth a look. It is a period piece for 1964 and doesn't rely on old pop hits for its impact. Instead we get serious melodrama with sprinkles of violence and good acting. It has a great cast: Jodie Foster, Tim Robbins and John Turturro.
The plot deals with many characters and plot strands that basically consist of two separate stories. The one with headliner actors works very well, the other doesn't seem complete. The two stories will eventually tie together (unconvincingly) and wrap up with a violent conclusion. We have a psychopathic rapist Heinz (John Turturro) released from prison, much to the alarm of Linda (Jodie Foster) who was almost raped by him. Harry (Tim Robbins) who has sworn off violence since his father died yet saved Linda from Heinz. Jamie (Todd Graff) who is afraid of Heinz and was injured by him. Unconvincing scenes of two guys and two girls interrupt this convincing segment. The girls (drugged up beauties) were given to the guys (a couple of street punks) along wit five dollars by one of the girl's fiancÚ. The girls wake up with headaches and no clothes in a strange environment, one of the boy's pseudo apartment.
The violence is very deftly used in the film, it underlines the scenes of joy and adjustment to the times. There is a shadow over every scene and a hauntingly, sometimes cheerful, score in the background. The three actors who are now stars are really very good, but for me the standout is Todd Graff as the jealous former boyfriend of Linda. It is a small performance but an important one for the impact of the film, and somewhat touching. He is not as tough as anyone else on the screen but he is sweet and infectious and has high energy. In one scene he is offered a cup of coffee, while he storms around the room, he comments that he can't because his heart might explode. I liked that scene and many others in the film.
Yet this film has many problems, too many characters, a setup to the climax, and that second story. It just simple doesn't belong in this film, it's like throwing Now & Then into Goodfellas because they have a similar time period. Even with those flaws I can recommend this movie, the problems it have stop it form being great but we are left with a satisfying movie experience.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Tell us when, where and why. We take care of the rest.
The more we know, the better we can help out.
In addition you can choose the photographer of you choice
We match you with one of our awesome Photographers!
Depending on your requirements,the right expertise
and the right equipment. And
we'll do it in a Snappy fashion (<1 minute).
Its all taken care of by the person with the license to shoot.
Your photographer will bring their professional kit to your chosen location.
Enjoy yourself in the hands of an
experienced creative.
Your Happiness is our joy...
Within 24 hours of your shoot,
you can use your gallery, which allows you to instantly
download your edited photos.


Indicates the type of pipeline aggregation
Indicates the type of the moving average weighting model that should be used
Determines what should happen when a gap in the data is encountered.
The size of window to "slide" across the histogram.
If the model should be algorithmically minimized.


Usage
PySite reads from ./_template/
for the source HTML files. Place an index.html
file there for it to compile the home page to. Place your markdown files in the root directory, and name them template page name-page name.md
. For the home page Markdown file, simply name it index.md
.
If you have a file called called post.html
in ./_template/
and want a page with that layout, just create a markdown file in the root called post-Page-Name.md
.
Create a _config.json
file in the root to provide site-specific info to the compiler. It is best practice to make all or most parameters in the template optional, so you don't get an error if that information is missing in the config.


I am currently a PhD student in the Department of Computer Science at Brown University and advised by Prof. Michael L. Littman. My research focuses are in robotics, task and motion planning, machine learning (especially reinforcement learning), robotics perception (computer vision), and humand robot interaction (HRI).


A lot has changed since I wrote the first part of phishing with EV and this is the right time to release the final part of this series. Let’s get on.
The Blog
This post is intended for a technical audience interested in how an EV SSL certificate can be used as an effective phishing device. I won't be held liable if someone uses this post for unlawful intentions. No one was harmed in this demonstration. Let's get on.


GAMBLING CASINO
PIG DICE
Game play:
If the player rolls a 1, there total score becomes 0 and it becomes the next player's turn.
If the player rolls any other number, it is added to their turn total and the player's turn continues.
Player 1:
roll!
total score
Player 2:
roll!
total score
Play
New Game


An example where a select dropdown filters the choices of another select dropdown.
Info: In this example Countries depend on Continents, and Cities depend to Countries dropdown, so there is a chain. If Country changes then only Cities will be filtered but if Continent changes all chain will be affected.


<MainMenu>
<Group Spacing="10px">
<Button Text="Play" Click="StartGame" />
<Button Text="Options" />
<Button Text="Quit" />
</Group>
</MainMenu>
public class MainMenu : UIView
{
public void StartGame()
{
// called when user clicks on "Play" button
Debug.Log("StartGame() called");
}
}
<List Items="{Highscores}">
<ListItem IsTemplate="True">
<Group Orientation="Horizontal">
<Label Text="{#Item.PlayerName}" />
<Label Text="{#Item.Score}" />
</Group>
</ListItem>
</List>
public class HighscoreList : UIView
{
public ObservableList<Highscore> Highscores;
public override void Initialize()
{
// populate highscores from data source
}
}
Development is accelerated through a fast and fluid workflow. Views are automatically processed by the editor. Intellisense support when editing markup. Text based editing allows for copy & paste, search/replace.
The framework provides advanced data binding support such as multi binding. It allows you to seamlessly connect views to your game logic and it helps you keep data and its presentation in sync.
Through theme files you can modify view settings through CSS-like selector logic. It allows you to change, e.g. a button appearance throughout your entire game by modifying a single line.
The framework is designed towards you creating your own advanced modular views from scratch and not just using existing views.
Design, share and re-use views (scene elements) using a declarative design language. Views can be freely nested, re-used and combined.
Views are automatically processed and wired to their ViewModel through naming conventions. The process is fast and views are presented in the scene as changes are saved.
Using naming conventions and smart binding logic, binding data to your views is very straight forward. No "plumbing" or configuration required. The framework also supports multi binding.
Effortlessy create interactive views that respond to user interactions. Use the existing event system events (click, drags, etc) or create custom actions with ease.
Quickly create animations using markup. Re-use animations on different views.
Creating animated transitions between views is easy using the ViewSwitcher view.
Modify the look & feel of views using Theme files. Control the theming through id- and style-selectors (similar to CSS).
40+ views are included. Since views can be easily created and shared expect to see a growing catalogue of views available for download.
Have views adjust to run-time changes of data as shown by the FlowList and List views.
Have views adjust to content and layout changes.
Specify width and height of views using percentage, pixels or elements (user defined unit). Anchor views by setting alignment. Use margins and offsets to adjust positioning.
Displaying lists and sets of data is easy using the FlowList and List views. Bind custom data to the list and control the way items are presented using templates.
If you've worked with MVVM frameworks such as WPF (XAML), Silverlight, Caliburn, AngularJS, Prism, etc. you'll feel at home with MarkLight.
Since it is based on the new Unity 4.6 UI it will be able to take advantage of new features as the Unity UI system continues to evolve.
Be notified when new themes, views, tutorials and updates are available


EE-512
Lecture2.md
lecture2_probability_review.pdf
lecture2_probability_review.tex
lecture3_stochastic_processes.pdf
lecture3_stochastic_processes.tex
lecture4_markov_process.pdf
lecture4_markov_process.tex
lecture5_stopping_time.pdf
lecture5_stopping_time.tex


To work with replicated and preloaded regions, you should understand how their data is initialized and maintained in the cache.
Replicated and preloaded regions are configured by using one of the REPLICATE
region shortcut settings, or by setting the region attribute data-policy
to replicate
, persistent-replicate
, or preloaded
.
Initialization of Replicated and Preloaded Regions
At region creation, the system initializes the preloaded or replicated region with the most complete and up-to-date data set it can find. The system uses these data sources to initialize the new region, following this order of preference:
- Another replicated region that is already defined in the distributed system.
- For persistent replicate only. Disk files, followed by a union of all copies of the region in the distributed cache.
- For preloaded region only. Another preloaded region that is already defined in the distributed system.
- The union of all copies of the region in the distributed cache.
While a region is being initialized from a replicated or preloaded region, if the source region crashes, the initialization starts over.
If a union of regions is used for initialization, as in the figure, and one of the individual source regions goes away during the initialization (due to cache closure, member crash, or region destruction), the new region may contain a partial data set from the crashed source region. When this happens, there is no warning logged or exception thrown. The new region still has a complete set of the remaining members’ regions.
Behavior of Replicated and Preloaded Regions After Initialization
Once initialized, the preloaded region operates like the region with a normal
data-policy
, receiving distributions only for entries it has defined in the local cache.
If the region is configured as a replicated region, it receives all new creations in the distributed region from the other members. This is the push distribution model. Unlike the preloaded region, the replicated region has a contract that states it will hold all entries that are present anywhere in the distributed region.