Judy Ann Egbert
Unafffiliated
Self employed as sole owner and consultant for GovPro Consulting
BA in Music, minor in Business Administration 1981 Adams State University; Master Municipal Clerk, Certified Municipal Clerk, Senior Professional in Human Resources, Certified Election Official.
81101
My career as City Clerk, and how as a government consultant, requires that I be not active politically. My professional experience has been that of facilitating government without partisan involvement.
Colorado Municipal Clerks Association
1) My consulting work involves critical thinking, assessing processes, evaluating organizational structures, and then cultivating changes in those areas. 2) As an officer in the Colorado Municipal Clerks Association and also the Alamosa County Chamber of Commerce, I was required to facilitate varying opinions and perspectives and bring consensus to move projects forward; 3) My volunteer work for the 12 Hours of Penitence bike race involves managing and directing 60 volunteers, including screening, designing, placing, managing, directing, and monitoring them.
I have a lifetime of experience in non-partisan government. Most of this is at the local level, although doing that job involved significant knowledge of Colorado state government structures and working with various department/divisions of that state government, as well as state elected officials. I have conducted municipal redistricting following the 1990, 2000, and 2010 Censuses.
1) Ensure that everyone contributes and has their ideas heard. This includes getting input from those who may be less vocal about expressing their thoughts. 2) Listen and help others to listen. 3) Encourage open-mindedness. 4) Facilitate productive discussion. 5) Ensure that everyone is making decisions based on facts, rather than emotions. My ability to be impartial comes from a lifetime of working directly for elected officials and facilitating their discussions.
I analyze issues or processes by breaking it down into all the moving parts, and objectively assessing how those parts move and who is impacted. As I consider changes, I gather input from those who would be affected, asking specifically how the process is working now and what they would desire as a different process or result. For a problem (as compared to a process) I would brainstorm potential paths with others on my team, looking at the values or purpose rather than starting with a proposed solution. Once everyone fully considers the values and purpose, the solution will become clear.
female


Three for free, then just $1 per topping after that.


Outdoor Catalog
Developed a web app that provides a list of outdoor items suggested by registered users. Authentication is provided via OAuth and all data is stored within a PostgreSQL database. Download here
It's Good Enough is a website that allows user to find cheaper alternatives to name brand items. People can vote on which product is the best for a certain category. This allows users to know that their money won't be wasted. This website was written in Python using the Flask framework.
Visit It's Good EnoughENLighten tutoring is a project that is still in development. This application will be a key resource for anyone who is learning English as a second language. This project takes advantage of the MEEN stack (MongoDB, Express, EmberJS, and NodeJS). We are hoping to have the dashboard available to start testing soon.
Visit ENLighten TutoringDeveloped a web app that provides a list of outdoor items suggested by registered users. Authentication is provided via OAuth and all data is stored within a PostgreSQL database. Download here
Developed a blog that allows registered users to share, comment and like posts hosted on Google App Engine. This project utilized HTML, CSS, and the Bootstrap framework. Download here
Developed a PostgreSQL relational database scheme to store the results of a Swiss style tournament. Also provided a number of queries to efficiently report the results of the tournament and determine the winner. Download here
This project consists of server-side code to store a favorites list of movies. The movies are then served as a web page allowing visitors to see relevant movie information and watch trailers. Download here
This is a starter iOS project written in Swift where users try to take over the pond in an othello type game. Download the starter project and add your own personal touch to the game. Download here
An iOS application written in objective-C that allows users to watch a set of YouTube videos. It uses YouTube's iframe to display the video so that user's can watch it directly from the app. Download here


---
layout: page
logo: "img/logos/McGill_Redmen_Logo.png"
---
The Smart Transport Group at McGill University targets to bring innovative methodologies and applications to address efficiency, resilience, and sustainability issues in urban transportation systems.
We see the rising power of machine learning techniques and its potential in shaping tommorrow's transportation system and discovering the city dynamics. We organize our research categories into three main themes, including Machine Machine Learning for Mobility Modeling, Intelligent Transportation System, and Agent-based Modeling and Simulation. You may kindly see the gallery of our research projects and industrial collaboration.
The Smart Transport Group is led by Prof. Lijun Sun, the Assistant Professor at McGill University, working with an innovative group of transportation researchers. Our interdisciplinary lab includes welcomes students with different backgrounds and research interests. Check here to see our wonderful group members.
Sec I: Machine Learning for Mobility Modeling
Sec II: Intelligent Transportation System
Sec III: Agent-based Modeling and Simulation
Worldwide visitors


Run this example in Chrome, FireFox or Opera. Due to security restrictions, this page should be run from a webserver (e.g. localhost). You could run this site from a debugger within and IDE like VisualStudio, use http-server or addon Web Server for Chrome.


Demo version with local data.
Spinner icon from https://projects.lukehaas.me/css-loaders/
Remote source version: https://github.com/massimo-cassandro/jQueryUI-autocomplete-bootstrap


Portishead (album)
some other info info....
some info....


Comparing popular editors
| Recaf | JByteMod | Bytecode Viewer | reJ | JBE | dirtyJOE | |
|---|---|---|---|---|---|---|
| Supported file types | Class, Jar | Class, Jar | Class, Jar, APK, DEX | Class, Jar | Class | Class |
| Latest java support | 11 | 11 | 9 | 7 | 5 | 8 |
| Multi-lingual support | Supported (English, needs contributors for creating others, Chinese + Spanish for outdated beta builds) | Supported (English + German, needs contributors for creating others) | Not supported | Not supported | Not supported | Not supported |
| Plugin API | Supported (See: Plugins) | Supported (See: Example) | Supported (See: their docs page) | Not supported | Not supported | Kinda supported (Has limited scripting functionality) |
| Editable class attributes | Most (Done from single inner-window)(Missing: Annotations, Module) | Most (Done from single inner-window on info tab)(Missing: Module) | Some (Changes made by compiling decompiled code) | All (Done from different points in the GUI depending on the attribute) | None (Viewable but not editable) | All (Value needs to be in constant pool) |
| Editable member attributes | Most (Some indirectly due to ASM abstraction)(Missing: Annotations) | All (Some indirectly due to ASM abstraction) | Most (Changes made by compiling decompiled code) | Most (Edited from code view, must be value in constant pool except for access, cannot edit defaultValue, missing signature, missing certain access modifiers) | Some (Must be value in constant pool, missing signature, missing certain access modifiers) | Some (Must be value in constant pool, missing signature) |
| Searchable items | Strings, constants, declared members, member references, opcode patterns | Strings, member references | Not supported (Closest thing is the string dumper plugin) | Strings + Display text (Display search looks for text in the code editor tab.) | Not supported | Not supported |
| Remap class and member names | Supported (References to the class/member are updated across the program) | Not supported | Not supported | Not supported | Not supported | Not supported |
| Auto-generated stack-frames | Supported (ASM will generate proper frames of modified classes when you export changes.) | Supported (Max's computed on save, frames generated by right clicking class -> tools -> regenerate frames) | Supported (Changes made by compiling decompiled code) | Not supported | Not supported | Not supported |
| In-editor help | Some (Jump opcode logic displayed in-editor + mouse-hover tooltips for labels) | Some (Opcode table from wikipedia shown in separate tab) | None | None | Some? (Help button does not seem to work in windows 8+) | Lots (Has mini-wiki embedded in help menu, contains opcode details and tool usage) |
| Control flow display | Supported (Selecting a jump / switch opcode shows destinations. Selecting a label shows where it is referenced) | Supported (Control flow graph with simplified opcode logic in "Analysis" page) | Not supported | Not supported | Not supported | Not supported |
| Control flow editing | Supported (Opcodes using labels can select from a drop-down of all labels in the method. New labels can be created.) | Supported (Opcodes using labels can select from a drop-down of all labels in the method. New labels can be created.) | Supported (Changes made by compiling decompiled code) | Not supported | Supported (Edited as plain-text opcode display) | Kinda supported (Edit opcodes with labels with hex-editing. Not exactly easy compared to others) |
| Decompiler | Supported (CFR decompiler, can decompile entire classes or single methods) | Supported (Procyon / Fernflower / Krakatau (system-dependent crashing) / CFR decompilers, does entire classes) | Supported (Procyon / CFR / JD-GUI / FernFlower / Krakatau / Smali / Bytecode / Hex decompilers, does entire classes) | Not supported | Not supported | Not supported |
| Edit bytecode as decompiled code | Supported (Right-click to open the menu, select recompile) | Not supported | Supported (Control + S to save changes in current editor window) | Not supported | Not supported | Not supported |
| Edit bytecode of running java processes | Supported From the navbar, select attach then select a process from the list | Not supported (The feature crashes, currently an open issue since 6/5/2018) | Not supported | Not supported? (Can set breakpoints in code editor, does not affect saved output. Can't find usage of it otherwise.) | Not supported | Not supported |
| Edit local variable table | Supported (Done via member editor window) | Supported (Done via info tab on method selection) | Supported (Changes made by compiling decompiled code) | Not supported (Only viewable info is displayed in editor tab) | Not supported (Not viewable) | Supported (Missing signature) |
| Edit multiple members side-by-side | Supported (Each item being edited is given its own window) | Not supported (Only one item is viewable at a time.) | Supported (Edit decompiled code, which shows all members) | Supported (All members displayed in style similar to BytecodeViewer's bytecode display) | Not supported (Only one item is viewable at a time.) | Not supported (Only one item is viewable at a time.) |
Last updated: 6/5/2018 (Month/Day/Year)
Note: If at any point these points become outdated or if I've made a mistake contact me (contact info on index). If a feature is not on this list it is either:
- Supported by all tools in some way
- Not a relevant / common-purpose feature


Models the result of a table configuration comparison.
Creates a new instance of a Miss result.
public Void TableComparisonResult(desired, miss)
| Name | Type | Summary |
|---|---|---|
| desired | Table | Desired Table configuration. |
| miss | Boolean | Whether the result is a miss (true) or a hit (false). |
| Type | Summary |
|---|---|
| ArgumentNullException | Thown when desired is null |
Actions to correct column constraint(s) miss-configuration.
public List<MissActionForColumnConstraint> ColumnConstraints { get; set; }
Actions to correct column(s) miss-configuration.
public List<MissActionForTableColumn> Columns { get; set; }
Actions to correct foreign key(s) miss-configuration.
public List<MissActionForForeignKey> ForeignKeys { get; set; }
Actions to correct index(es) miss-configuration.
public List<MissActionForIndex> Indexes { get; set; }
Whether the result is a miss.
public Boolean Miss { get; set; }
Actions to correct primary key miss-configuration.
public List<MissActionForIndex> PrimaryKey { get; set; }
Result type of table comparison.
public TableComparisonMissResultType Type { get; set; }
Creates a new instance of a hit result.
public TableComparisonResult Hit(desired)
A new instance of a hit result for desired.
| Name | Type | Summary |
|---|---|---|
| desired | Table | Desired Table configuration. |
Creates a new instance of a missed result.
public TableComparisonResult Missed(desired)
A new instance of a missed result for desired.
| Name | Type | Summary |
|---|---|---|
| desired | Table | Desired Table configuration. |
Returns a detailed string good for logging.
public String ToDetailedString()
A textual representation of the result good for logging.
Returns a textual representation of this object.
public String ToString()


Ageno Otii
Unafffiliated
I am currently the Director of Training and Facilitation at The Civic Canopy, a nonprofit focused on creating the conditions where the many can work as one for the good of all. As a facilitator, I am experienced in creating and leading group processes through difficult issues. Many groups often use consensus building, so I am well versed on a number of consensus making activities that support decision-making.
I have a Bachelor's degree in Communication and Political Science from the University of Colorado. Additionally, I am a trained facilitator and trainer in a number of evidence based practices for returning citizens including Motivational Interviewing, cognitive behavioral education, and trauma informed practices. As a result of my current role at The Civic Canopy, I have also been trained in Results Based Accountibility, community engagement, and emergent learning.
80220
My political activity has been focused on community level change (rather than political campaigns). I have volunteered for nonprofit organizations, community events, and work groups. Since 2015 I have donated to political campaigns for two friends, Representative Leslie Herod and Congressman Joe Neguse.
Rise Colorado- Board President, 2013-2019 Gulu Go- Board Secretary, current Park Hill Condo Association- Board President, 2017-2018
My first professional job in college was to represent the students of the University of Colorado at the State Legislature as a registered lobbyist. I tracked bill, met with legislators, crafted legislative action days for students and families, and coordinated state legislative agenda with federal legislative agenda for increasing access to higher education. From a young age, I've seen the power of collective action. I worked for veterans and their families and justice involved persons, advocating for policies that support their successful reintegration into civil society and continued thriving. As a volunteer, I have spent the last decade supporting organizations or efforts for youth in Colorado and Uganda. The common thread amongst all of this work is that racial minority groups, girls, and women are all impacted in disproportionate ways. As an advocate and professional, my dedication has been to uplift fairness and opportunity for all to thrive.
Colorado is at a pivotal point in its growth. As a woman of color born in Denver who has worked in several parts of the state and metro area, I have witnessed our growth lack the changes for our evolving population. I am most concerned with fair mapping in this process and want to be a part of the decision-making that helps to set equitable maps for the future of Colorado.
As a community member, professional, and facilitator, consensus building is the best way to reach agreement. I chaired a grant making committee where consensus building was the decision-making means. This meant I was in charge of creating space for all voices to be heard (including unpopular ones), identifying areas of alignment and disagreement, probing and testing assumptions, fostering dialogue and deep listening, and supporting the group to move toward decision that all could agree to. I have a unique ability to listen deeply for understanding and future state, forge relationship with just about anyone, be fair and impartial, and move a process toward an intended outcome. I will bring these skills and a few consensus building facilitation tricks along with me if selected for the commission.
I'm skilled at problem diagnosis, case analysis, research, and prioritization develop clear understanding of the problem. To get to solutions, I am skilled in brainstorming, restructuring, strategic planning, collaboration. Throughout a process, I am often the person most concerned with mediation of differences, consesus- building, and reaching agreed solutions. My ability to think critically, communicate effectively and foster relationship with a variety of people makes me successful in these skills.
Female


{% extends "layout.html" %} {% block page_title %} GOV.UK prototype kit {% endblock %} {% block service_name %} Mallory Archer (aedm) Home Your profile Sign out {% endblock %} {% block content %} Home Venture Industries John's Garage Test quality information Vehicle Testing Station Test quality information {{releaseVersion | log }} DVSA are processing your test data This may take a few seconds or so, please bear with us. Return to Vehicle Testing Station {% endblock %}
This may take a few seconds or so, please bear with us.
Return to Vehicle Testing Station


I specialize in Javascript and I'm always looking to learn new skills.
Check out my work, and let me know if there's something I can help you with!
I was a high school chemistry teacher when I had a kid and decided to change careers in favor of something with a better work-life balance. Now, I'm a web developer, and I absolutely love it. I'm excited to work every day on solving problems, learning new skills, and building fun and useful things.Although I'm not a teacher any more, I still love helping people. Take a look at my projects, below, and let me know if there's anything I can do to help you out. :)
Download My Resume


When my dentist told me I had to get my lower Wisdom Teeth removed I had to pretend not to be excited. A few years earlier I had my upper wisdom teeth removed, and was given Nitrous during the procedure and given heavy pain medication for the days afterwards. When I was in the chair the first time, I took many heavy hits through my nose and within a few minutes achieved liftoff. I stared at the painting of a European garden in front of me. I visualized that I was floating into the red wooden doorway behind various vines and plants. Thoughts flowed through my mind as I heard distant crushing, drilling and other horrible sounds. I didnít care because I was listening to Jerry Garcia and David Grisman on headphones. The pain that followed the next couple of days was not as bad as my sisters before me played it out to be, although puking blood is not fun, the pills were good as gold.
The next visit to the oral surgeon was for my lower Wisdom Teeth. This time I brought The Beatles Ė Magical Mystery Tour (good time). Before he started up the nozzle, I wanted to make sure the pain medication he gave me this time was stronger, so I acted like last time the meds didnít do it for me. He nodded and smiled, and luckily I got me some oxycodone for the week ahead (thanks doc). Once the nitrous started flowing and I began to breathe heavily I started to feel a peaceful sensation, but pretended not to. I asked him to turn it upÖ he agreed. So I then began to listen to the album and kicked back for the free and totally legal ride.
During the procedure I focused on many visions and thoughts that drifted through my head. I enjoyed the music while peacefully half sleeping in a dream like state. All of a sudden I began to think about the Nitrous and the air I was breathing. I wondered why the entire surface of the world had the proper equation of oxygen to other gasses for humans, plants and animals to live. How could it be so perfect? How does nature seem to be so complex while beautifully flawless. I came to the conclusion that the mathematical ratios and equations that make it possible for life to exist is the essence of God. I also realize that the perfect anatomy of plants and animals is so insanely complex that evolution alone might not be responsible. Perhaps God evolved each living thing in this world. Everything in the Universe was created at one point, and I could not think of any other way it could have been created. My mind was blown.
Then I began to think that I was very, very stoned. In my peaceful state I cleared my head of all those thoughts, began to focus on the music. Strawberry Fields Forever began to play. I was having a damn good time in my own dimension that I didnít mind the drilling and crushing going on between my ears. I stared at the poll that held up the light and found its three dimensional shadowing quite fascinating. Then I saw a face in an electrical socket on the far wall.
Once he turned off my Nitrous the feeling began to fade. I went home and got my prescription filled. I iced my swollen face and played some videogames. Iíve been smoking weed since Freshman year of high school, and Iíve tried some mystery brownies at concerts, but the peaceful relaxation I experienced while under Nitrous was unique, like a mix between being stoned and say dreaming. Less intense and more brief than a couple of gravity bong hits, but peaceful like the period right after a long sleep.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


| Name | Due | Category | Actions |
|---|---|---|---|
| Return library books | Personal | ||
| Perform project demo to stakeholders | Work | ||
| Meet friends for dinner | Personal |
| Name | Due | Category | Actions |
|---|---|---|---|
| Return library books | Personal | ||
| Perform project demo to stakeholders | Work | ||
| Meet friends for dinner | Personal |


| MUEN-Music Ensembles |
| NR |
12075 |
MUEN |
3000 |
001 |
24M |
1.000 |
Accompanying |
MW |
03:00 pm-03:55 pm |
10 |
2 |
8 |
0 |
0 |
0 |
Arunesh N Nadgir (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11478 |
MUEN |
3110 |
001 |
24M |
1.000 |
Symphonic Band |
TR |
02:40 pm-04:05 pm |
100 |
42 |
58 |
150 |
76 |
74 |
Craig Steven Cornish (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11479 |
MUEN |
3110 |
002 |
24M |
0.000 |
Symphonic Band |
TR |
02:40 pm-04:05 pm |
50 |
34 |
16 |
150 |
76 |
74 |
Craig Steven Cornish (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11480 |
MUEN |
3120 |
001 |
24M |
1.000 |
Wind Ensemble |
TR |
02:05 pm-04:05 pm |
125 |
14 |
111 |
160 |
43 |
117 |
Raymond D Thomas (P) |
01/17-05/04 |
WMB MH |
Credit from 4-Year College and Upper-Division Work |
| NR |
11481 |
MUEN |
3120 |
002 |
24M |
0.000 |
Wind Ensemble |
TR |
02:05 pm-04:05 pm |
25 |
24 |
1 |
160 |
43 |
117 |
Raymond D Thomas (P) |
01/17-05/04 |
WMB MH |
Credit from 4-Year College and Upper-Division Work |
| NR |
14548 |
MUEN |
3140 |
001 |
24M |
1.000 |
Concert Band |
M |
07:30 pm-09:15 pm |
150 |
32 |
118 |
190 |
55 |
135 |
Charles A Kennedy (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
14549 |
MUEN |
3140 |
002 |
24M |
0.000 |
Concert Band |
M |
07:30 pm-09:15 pm |
40 |
23 |
17 |
190 |
55 |
135 |
Charles A Kennedy (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11482 |
MUEN |
3200 |
001 |
24M |
1.000 |
Concert Chorale |
T |
07:00 pm-09:00 pm |
85 |
3 |
82 |
103 |
5 |
98 |
Raphael B Bundage (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11483 |
MUEN |
3200 |
002 |
24M |
0.000 |
Concert Chorale |
T |
07:00 pm-09:00 pm |
13 |
2 |
11 |
103 |
5 |
98 |
Raphael B Bundage (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
17337 |
MUEN |
3200 |
003 |
24M |
0.000 |
Concert Chorale |
F |
11:30 am-12:25 pm |
30 |
8 |
22 |
0 |
0 |
0 |
Angela Roselle Tipps (P) |
01/17-05/04 |
SFA 207 |
Credit from 4-Year College and Upper-Division Work |
| NR |
17192 |
MUEN |
3210 |
001 |
24M |
1.000 |
Meister Singers |
MW |
12:40 pm-01:35 pm |
20 |
4 |
16 |
0 |
0 |
0 |
Raphael B Bundage (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11484 |
MUEN |
3220 |
001 |
24M |
1.000 |
Women's Chorus |
TR |
01:00 pm-02:25 pm |
70 |
31 |
39 |
95 |
45 |
50 |
Angela Roselle Tipps (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
13577 |
MUEN |
3220 |
002 |
24M |
0.000 |
Women's Chorus |
TR |
01:00 pm-02:25 pm |
15 |
13 |
2 |
95 |
45 |
50 |
Angela Roselle Tipps (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11485 |
MUEN |
3230 |
001 |
24M |
1.000 |
Schola Cantorum |
MW |
11:30 am-12:25 pm |
50 |
30 |
20 |
0 |
0 |
0 |
Raphael B Bundage (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
13915 |
MUEN |
3230 |
002 |
24M |
1.000 |
Schola Cantorum |
|
TBA |
20 |
1 |
19 |
0 |
0 |
0 |
Raphael B Bundage (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12635 |
MUEN |
3240 |
001 |
24M |
1.000 |
MTSU Singers |
TR |
02:40 pm-04:05 pm |
30 |
18 |
12 |
35 |
20 |
15 |
Cedric C Dent (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11486 |
MUEN |
3250 |
001 |
24M |
1.000 |
Opera Theater |
MW |
03:00 pm-04:55 pm |
30 |
11 |
19 |
31 |
14 |
17 |
H Stephen Smith (P) |
01/17-05/04 |
WMB MH |
Credit from 4-Year College and Upper-Division Work |
| NR |
17328 |
MUEN |
3250 |
003 |
24M |
0.000 |
Opera Theater |
MW |
03:00 pm-04:55 pm |
10 |
3 |
7 |
31 |
14 |
17 |
H Stephen Smith (P) |
01/17-05/04 |
WMB MH |
Credit from 4-Year College and Upper-Division Work |
| NR |
15928 |
MUEN |
3300 |
004 |
24M |
1.000 |
Symphony Orchestra |
T |
05:00 pm-06:30 pm |
70 |
26 |
44 |
100 |
48 |
52 |
Carol Reiner Nies (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| |
|
|
|
|
|
|
|
R |
04:30 pm-06:00 pm |
|
|
|
|
|
|
Carol Reiner Nies (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| C |
15929 |
MUEN |
3300 |
005 |
24M |
0.000 |
Symphony Orchestra |
T |
05:00 pm-06:30 pm |
15 |
21 |
-6 |
100 |
48 |
52 |
Carol Reiner Nies (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| |
|
|
|
|
|
|
|
R |
04:30 pm-06:00 pm |
|
|
|
|
|
|
Carol Reiner Nies (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
17299 |
MUEN |
3360 |
001 |
24M |
1.000 |
Concert Orchestra |
F |
03:00 pm-04:00 pm |
20 |
11 |
9 |
0 |
0 |
0 |
Carol Reiner Nies (P) |
01/17-05/04 |
SFA 101 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11491 |
MUEN |
3400 |
001 |
24M |
1.000 |
Jazz Ensemble |
MW |
03:00 pm-04:20 pm |
40 |
11 |
29 |
50 |
15 |
35 |
Don J Aliquo (P) |
01/17-05/04 |
SFA 101 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11492 |
MUEN |
3400 |
002 |
24M |
0.000 |
Jazz Ensemble |
MW |
03:00 pm-04:20 pm |
10 |
4 |
6 |
50 |
15 |
35 |
Don J Aliquo (P) |
01/17-05/04 |
SFA 101 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11493 |
MUEN |
3400 |
003 |
24M |
1.000 |
Jazz Ensemble |
MW |
03:00 pm-04:20 pm |
19 |
10 |
9 |
35 |
17 |
18 |
James Raymond Simmons (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11495 |
MUEN |
3400 |
004 |
24M |
0.000 |
Jazz Ensemble |
MW |
03:00 pm-04:20 pm |
10 |
5 |
5 |
35 |
17 |
18 |
James Raymond Simmons (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11496 |
MUEN |
3410 |
001 |
24M |
1.000 |
Salsa Band |
W |
05:00 pm-06:50 pm |
30 |
7 |
23 |
0 |
0 |
0 |
Gerardo Davila (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
17672 |
MUEN |
3410 |
002 |
24M |
1.000 |
Salsa Band |
|
TBA |
10 |
2 |
8 |
0 |
0 |
0 |
Brian S Mueller (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
11497 |
MUEN |
3420 |
001 |
24M |
1.000 |
Commercial Music Ensemble |
M |
05:00 pm-06:50 pm |
20 |
8 |
12 |
0 |
0 |
0 |
Matthew Ryan Lund (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
14695 |
MUEN |
3420 |
002 |
24M |
1.000 |
Commercial Music Ensemble |
M |
07:05 pm-08:45 pm |
20 |
10 |
10 |
0 |
0 |
0 |
Matthew Ryan Lund (P) |
01/17-05/04 |
SFA 117 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11498 |
MUEN |
3430 |
001 |
24M |
1.000 |
Jazz Combo |
M |
05:30 pm-07:10 pm |
20 |
3 |
17 |
0 |
0 |
0 |
Derrek C Phillips (P) |
01/17-05/04 |
SFA 101 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11499 |
MUEN |
3430 |
003 |
24M |
1.000 |
Jazz Combo |
T |
02:40 pm-04:05 pm |
10 |
2 |
8 |
0 |
0 |
0 |
Matt Endahl (P) |
01/17-05/04 |
SFA 101 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11500 |
MUEN |
3430 |
004 |
24M |
1.000 |
Jazz Combo |
T |
04:30 pm-06:10 pm |
10 |
4 |
6 |
0 |
0 |
0 |
James W Ferguson (P) |
01/17-05/04 |
SFA 101 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11501 |
MUEN |
3430 |
005 |
24M |
1.000 |
Jazz Combo |
R |
04:20 pm-06:05 pm |
10 |
5 |
5 |
0 |
0 |
0 |
James Raymond Simmons (P) |
01/17-05/04 |
SFA 101 |
Credit from 4-Year College and Upper-Division Work |
| C |
11502 |
MUEN |
3430 |
006 |
24M |
1.000 |
Jazz Combo |
R |
07:00 pm-08:40 pm |
5 |
6 |
-1 |
0 |
0 |
0 |
Jonathan Alden Wires (P) |
01/17-05/04 |
SFA 101 |
Credit from 4-Year College and Upper-Division Work |
| NR |
16105 |
MUEN |
3430 |
007 |
24M |
1.000 |
Jazz Combo |
F |
09:10 am-10:05 am |
10 |
1 |
9 |
0 |
0 |
0 |
Paul H Henderson (P) |
01/17-05/04 |
SFA 101 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11503 |
MUEN |
3500 |
001 |
24M |
1.000 |
Percussion Ensemble |
MWF |
11:30 am-12:25 pm |
30 |
11 |
19 |
0 |
0 |
0 |
Brian S Mueller (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11504 |
MUEN |
3500 |
002 |
24M |
1.000 |
Percussion Ensemble |
MWF |
12:40 pm-01:35 pm |
35 |
13 |
22 |
0 |
0 |
0 |
Gerardo Davila (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11505 |
MUEN |
3500 |
003 |
24M |
1.000 |
Percussion Ensemble |
W |
05:00 pm-07:00 pm |
20 |
7 |
13 |
0 |
0 |
0 |
Brian S Mueller (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11506 |
MUEN |
3500 |
004 |
24M |
1.000 |
Percussion Ensemble |
W |
07:05 pm-09:00 pm |
5 |
3 |
2 |
0 |
0 |
0 |
Gerardo Davila (P) |
01/17-05/04 |
WMB 173 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11509 |
MUEN |
3700 |
002 |
24M |
1.000 |
Mixed Chamber Ensemble |
F |
12:40 pm-01:35 pm |
25 |
12 |
13 |
35 |
13 |
22 |
Carol Reiner Nies (P) |
01/17-05/04 |
WMB MH |
Credit from 4-Year College and Upper-Division Work |
| NR |
13963 |
MUEN |
3700 |
007 |
24M |
1.000 |
Mixed Chamber Ensemble |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
William E Yelverton (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
17373 |
MUEN |
3700 |
009 |
24M |
1.000 |
Mixed Chamber Ensemble |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
Arunesh N Nadgir (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
11510 |
MUEN |
3710 |
001 |
24M |
1.000 |
Brass Chamber Ensembles |
W |
11:30 am-12:25 pm |
20 |
5 |
15 |
0 |
0 |
0 |
Christopher Craig Combest (P) |
01/17-05/04 |
SFA 101 |
Credit from 4-Year College and Upper-Division Work |
| C |
11511 |
MUEN |
3710 |
002 |
24M |
1.000 |
Brass Chamber Ensembles |
W |
11:30 am-12:25 pm |
10 |
10 |
0 |
0 |
0 |
0 |
Michael John Arndt (P) |
01/17-05/04 |
SFA 207 |
Credit from 4-Year College and Upper-Division Work |
| NR |
16104 |
MUEN |
3710 |
004 |
24M |
1.000 |
Brass Chamber Ensembles |
|
TBA |
10 |
4 |
6 |
0 |
0 |
0 |
Angela Ruth DeBoer (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
14856 |
MUEN |
3710 |
008 |
24M |
1.000 |
Brass Chamber Ensembles |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Charles A Kennedy (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
11513 |
MUEN |
3720 |
001 |
24M |
1.000 |
Guitar Chamber Ensembles |
|
TBA |
10 |
5 |
5 |
0 |
0 |
0 |
William E Yelverton (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
11515 |
MUEN |
3730 |
001 |
24M |
1.000 |
Piano Chamber Ensembles |
|
TBA |
10 |
2 |
8 |
0 |
0 |
0 |
Arunesh N Nadgir (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12855 |
MUEN |
3730 |
002 |
24M |
1.000 |
Piano Chamber Ensembles |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Adam L Clark (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
11516 |
MUEN |
3740 |
001 |
24M |
1.000 |
String Chamber Ensemble |
|
TBA |
15 |
4 |
11 |
0 |
0 |
0 |
Karen E Clarke (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12851 |
MUEN |
3740 |
002 |
24M |
1.000 |
String Chamber Ensemble |
|
TBA |
10 |
4 |
6 |
0 |
0 |
0 |
Milica Zivkovic Nelson (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
11517 |
MUEN |
3740 |
003 |
24M |
1.000 |
String Chamber Ensemble |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Karen E Clarke (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
14920 |
MUEN |
3740 |
005 |
24M |
1.000 |
String Chamber Ensemble |
|
TBA |
10 |
1 |
9 |
0 |
0 |
0 |
Karen E Clarke (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12850 |
MUEN |
3740 |
006 |
24M |
1.000 |
String Chamber Ensemble |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
Carol Reiner Nies (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
14921 |
MUEN |
3740 |
007 |
24M |
1.000 |
String Chamber Ensemble |
|
TBA |
10 |
2 |
8 |
0 |
0 |
0 |
Carol Reiner Nies (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
13585 |
MUEN |
3750 |
001 |
24M |
1.000 |
Woodwind Chamber Ensemble |
W |
11:30 am-12:25 pm |
20 |
16 |
4 |
0 |
0 |
0 |
Todd H Waldecker (P) |
01/17-05/04 |
SFA 208 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11518 |
MUEN |
3750 |
002 |
24M |
1.000 |
Woodwind Chamber Ensemble |
W |
11:30 am-12:25 pm |
25 |
6 |
19 |
0 |
0 |
0 |
Rebecca Lynn Murphy (P) |
01/17-05/04 |
SFA 211 |
Credit from 4-Year College and Upper-Division Work |
| NR |
11519 |
MUEN |
3750 |
003 |
24M |
1.000 |
Woodwind Chamber Ensemble:Azure Winds |
|
TBA |
10 |
4 |
6 |
0 |
0 |
0 |
Laura A Ross (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
11520 |
MUEN |
3750 |
004 |
24M |
1.000 |
Woodwind Chamber Ensemble |
|
TBA |
10 |
2 |
8 |
0 |
0 |
0 |
Laura A Ross (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
12420 |
MUEN |
3750 |
007 |
24M |
1.000 |
Woodwind Chamber Ensemble |
|
TBA |
5 |
2 |
3 |
0 |
0 |
0 |
Maureen Moeller (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
17661 |
MUEN |
3750 |
008 |
24M |
1.000 |
Woodwind Chamber Ensemble |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Pedro Rafael Garcia Moreno (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
17662 |
MUEN |
3750 |
009 |
24M |
1.000 |
Woodwind Chamber Ensemble |
|
TBA |
5 |
3 |
2 |
0 |
0 |
0 |
Pedro Rafael Garcia Moreno (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
17395 |
MUEN |
3760 |
001 |
24M |
1.000 |
Chinese Music Ensemble |
|
TBA |
10 |
6 |
4 |
0 |
0 |
0 |
Mei Han (P) |
01/17-05/04 |
TBA TBA |
Credit from 4-Year College and Upper-Division Work |
| NR |
17321 |
MUEN |
5220 |
001 |
24M |
1.000 |
Women's Chorus |
TR |
01:00 pm-02:25 pm |
5 |
1 |
4 |
95 |
45 |
50 |
Angela Roselle Tipps (P) |
01/17-05/04 |
SFA 117 |
|
| NR |
14662 |
MUEN |
5240 |
001 |
24M |
1.000 |
MTSU Singers |
TR |
02:40 pm-04:05 pm |
5 |
2 |
3 |
35 |
20 |
15 |
Cedric C Dent (P) |
01/17-05/04 |
SFA 117 |
|
| NR |
13278 |
MUEN |
5312 |
001 |
24M |
1.000 |
Wind Ensemble |
TR |
02:05 pm-04:05 pm |
10 |
5 |
5 |
160 |
43 |
117 |
Raymond D Thomas (P) |
01/17-05/04 |
WMB MH |
|
| NR |
15930 |
MUEN |
5330 |
002 |
24M |
1.000 |
Symphony Orchestra |
T |
05:00 pm-06:30 pm |
10 |
1 |
9 |
100 |
48 |
52 |
Carol Reiner Nies (P) |
01/17-05/04 |
WMB 173 |
|
| |
|
|
|
|
|
|
|
R |
04:30 pm-06:00 pm |
|
|
|
|
|
|
Carol Reiner Nies (P) |
01/17-05/04 |
WMB 173 |
|
| NR |
11494 |
MUEN |
5340 |
001 |
24M |
1.000 |
Jazz Ensemble |
MW |
03:00 pm-04:20 pm |
4 |
2 |
2 |
35 |
17 |
18 |
James Raymond Simmons (P) |
01/17-05/04 |
WMB 173 |
|
| NR |
11521 |
MUEN |
5343 |
001 |
24M |
1.000 |
Jazz Combos |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
James Raymond Simmons (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
14007 |
MUEN |
5371 |
001 |
24M |
1.000 |
Brass Chamber Ensembles |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
David L Loucky (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
13079 |
MUEN |
5374 |
001 |
24M |
1.000 |
String Chamber Ensembles |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Karen E Clarke (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
13104 |
MUEN |
5375 |
001 |
24M |
1.000 |
Woodwind Chamber Ensembles |
|
TBA |
5 |
3 |
2 |
0 |
0 |
0 |
Laura A Ross (P) |
01/17-05/04 |
TBA TBA |
|
| NR |
13112 |
MUEN |
5700 |
001 |
24M |
1.000 |
Mixed Chamber Ensemble |
F |
12:40 pm-01:35 pm |
5 |
1 |
4 |
35 |
13 |
22 |
Carol Reiner Nies (P) |
01/17-05/04 |
WMB MH |
|
| NR |
16298 |
MUEN |
5700 |
004 |
24M |
1.000 |
Mixed Chamber Ensemble |
|
TBA |
5 |
1 |
4 |
0 |
0 |
0 |
Adam L Clark (P) |
01/17-05/04 |
TBA TBA |
|


This TJBot simulator provides an emulated environment where you can control a virtual TJBot. It has been built to support basic code samples and gives just some of the freedom that programming on the real TJBot provides. However, this simulator doesn't provide all the same things the Node.js environment running on the Raspberry Pi does. The following documentation describes the methods available and how to use them. Enjoy!
Service credentials are sent over the internet to a proxy site that relays them to the respective Watson services. Code and credentials are only stored locally in the browser.
analyzeTone(text).then(response => {...})
Analyzes emotions, language style and social tones
var tj = new TJBot([], {}, { tone_analyzer: { username: process.env.TONE_ANALYZER_USERNAME, password: process.env.TONE_ANALYZER_PASSWORD } }); var text = "I like TJBot so much!"; tj.analyzeTone(text).then(response => { console.log(response); });
converse(workspaceId, text, response => {...})
Process the natural language input using Watson Conversation
var tj = new TJBot([], { robot: { gender: "male" } }, { conversation: { username: process.env.CONVERSATION_USERNAME, password: process.env.CONVERSATION_PASSWORD } }); tj.converse(process.env.CONVERSATION_WORKSPACE_ID, "hello", response => { console.log(response) });
identifyLanguage(text).then(response => {...})
Identifies which languages the text may be
var tj = new TJBot([], {}, { language_translator: { username: process.env.LANGUAGE_TRANSLATOR_USERNAME, password: process.env.LANGUAGE_TRANSLATOR_PASSWORD } }); tj.identifyLanguage("hello").then(response => { console.log(response); });
listen(cb)
Listens to the microphone and returns the text to the callback
var tj = new TJBot(["microphone"], {}, { speech_to_text: { username: process.env.SPEECH_TO_TEXT_USERNAME, password: process.env.SPEECH_TO_TEXT_PASSWORD } }); tj.listen((text) => { console.log(text); t.stopListening(); });
lowerArm()
Moves the arm down
var tj = new TJBot(["servo"], {}, {}); tj.lowerArm();
raiseArm()
Moves the arm up
var tj = new TJBot(["servo"], {}, {}); tj.raiseArm();
see()
Takes a photo and recognizes objects and colors
var tj = new TJBot(["camera"], {}, { visual_recognition: { iam_apikey: process.env.VISUAL_RECOGNITION_IAM_APIKEY, iam_url: process.env.VISUAL_RECOGNITION_URL } }); tj.see(objects => { console.log(objects); });
shine(color)
Shines the LED a color
var tj = new TJBot(["led"], {}, {}); tj.shine("red");
speak(text)
Shines the LED a color
var tj = new TJBot(["speaker"], { robot: { gender: "male" }, speak: { language: "en-US" } }, { text_to_speech: { username: process.env.TEXT_TO_SPEECH_USERNAME, password: process.env.TEXT_TO_SPEECH_PASSWORD } }); tj.speak("hello");
var tj = new TJBot(["speaker"], { robot: { gender: "female" }, speak: { language: "fr-FR" } }, { text_to_speech: { username: process.env.TEXT_TO_SPEECH_USERNAME, password: process.env.TEXT_TO_SPEECH_PASSWORD } }); tj.speak("bonjour");
var tj = new TJBot(["speaker"], { robot: { gender: "female" }, speak: { language: "en-GB" } }, { text_to_speech: { username: process.env.TEXT_TO_SPEECH_USERNAME, password: process.env.TEXT_TO_SPEECH_PASSWORD } }); tj.speak("hello. how are you today?");
translate(text, sourceLanguage, targetLanguage).then(translation => {...})
Translates content from one language into another
var tj = new TJBot([], {}, { language_translator: { username: process.env.LANGUAGE_TRANSLATOR_USERNAME, password: process.env.LANGUAGE_TRANSLATOR_PASSWORD } }); tj.translate("Hello", "en", "fr") .then((response) => console.log(response.translations[0].translation));
wave()
Waves the arm up and down
var tj = new TJBot(["servo"], {}, {}); tj.wave();


A city loaded with history and culture, Suceava was the throne of the Medieval Principality of Moldavia until the 1565. You can step inside the churches where the princes were crowned and see the unconquerable fortress they built to repel the Ottomans. Suceava is also the jumping-off point for trips around the painted monasteries of Bukovina. These are eight UNESCO World Heritage churches with Byzantine architecture and beautiful murals on their outer walls. One is right here in Suceava, while the others will require a drive. But even if you stay put in Suceava there’s lots more to see, like a quaint outdoor village museum opening a window on life in the Bukovina region.
- 1. Fortress of Suceava
- Suceava has had an Armenian presence since the Middle Ages after they had been forced to flee their homeland during the Mongol Invasion in the 13th century. Known for their commercial prowess, in the 14th century Armenians were also offered tax exemptions to encourage them to settle in the Moldavian Principality. The Armenian monastery on a plateau at the western edge of the city dates from 1606. Within the complex is the original church, two chapels and a bell tower all defended by earthworks and a rectangular system of walls. The church retains all the regalia of an Armenian place of worship, with textiles bearing the Armenian Cross. On the nave walls are traces of frescoes and there’s wonderfully intricate stone carving in its doorways.
- 2. Zamca Monastery
- The Table of the Silence sees a large circular stone table surrounded by twelve hourglass seats, an arrangement which can draw comparisons to the Last Supper and is sometimes referred to as the Apostles Table.The circular table is a representation of where the soldiers would have gathered, perhaps around a family table, prior to battle. It is comprised of two blocks made from limestone. The first stone has a diameter of 200cm, while the larger stone placed on top measures in with a diameter of 215cm. The hourglass chairs are not actually positioned right next to the table and symbolise time disposed. It suggests the silence of this last gathering before the looming conflict and the awareness it may be their last.
- 3. Cacica Salt Mine
- For something out of the ordinary head 40 kilometres west to Cacica where Romania’s best salt is mined. The salt here is re-crystallised from brine and retrieved along tunnels that were first excavated by hand in 1791. There are 8,200 tunnels in all at this gigantic site, some of which are opened up to the public on 2-3-hour tour. It can be a bit unnerving to know that almost 100 metres below your feet there are miners hard at work. But things are even weirder when there’s nobody around: You’ll still be able to go down to look around an Orthodox chapel, Roman Catholic chapel, small man-made lake and, most surprising of all, a ballroom with balconies carved right from the salt.
- 4. Gah Syngogue
- Suceava has had a Jewish population since as early as 1473, and at the beginning of the 20th century there were 18 synagogues and smaller Hasidic prayer rooms in the city. All but one of these were lost during the Second World War and ensuing communist period. The Gah Synagogue dates back to 1870 and continues to be used for services. The finest piece of decor is the mural representing the Twelve Tribes of Israel. To stay on the Jewish theme, there are two cemeteries in Suceava. The Old Cemetery is noted for the high degree of workmanship of its tombs and dates from the 1500s, while the New Cemetery has graves from the 19th and early 20th centuries.
<------------------------ Zamca Monastery
Cacica Salt Mine ------------------------------->


R
e c i p e s &
R
e s t a u r a n t s
Recipes & Restaurants
Recipe List
Restaurant(s) Nearby
Map
List
×
Ingredients
Cooking Instructions


because, why not?
00:00:00
11/11/1111
this colour: #DEADBEEF
try the clean version
by matt, on GitHub, with 💖


money-works is about calculating and formatting money in multiple currencies and different locales. It is an open source project on Github and published on NPM.
Money contains an amount and a currency. The amount is a big number that allows precision decimal arithmetic. The currency is an ISO 4217 code. It uses banker's rounding to the decimal places of the currency. See the README for all the details.
| Locale | Format |
|---|


Issues With MacOS
Lately I’ve been running in to issues with macOS that I can’t seem to resolve and it’s beginning to annoy me no end.
Startup
I’d been running in to startup issues for a week or so - the Mac would boot up and I would see the Apple logo on screen with the loading bar.
However, the screen would then go blank and I would only see the mouse cursor if I wriggled it.
This might work if I disconnected my USB C cables for my attached hard drives before boot. If not, I would need to connect a wired keyboard to boot in to safe mode - as for whatever reason, my Logitech K350 would not register the key press and therefore not boot in to safe mode. Once I booted, I could then restart and it should then work.
As you might imagine, this was a right pain to either remember to disconnect the hard drives and then connect them again when the machine is booted.
However, the plan was to move the USB drives to a USB A connection and attach to a USB hub, making it easier to move them in and out, but I thought I would try a HDMI connection to the monitor, rather than USB C.
 No need to pull hard drives out before boot!
Why?!
Logitech
I will argue that this is a macOS problem, not a Logitech problem, though people may disagree.
I use a Logitech K350 and a Logitech MX Vertical. These use the Logitech Unifying receiver, a little USB wifi dongle that accepts the input from the mouse and keyboard.
And on Windows, it works absolutely fine. I have no issues at all.
I can’t figure out why. I’ve moved it from using a USB hub direct to the USB A port on the Mac mini and that still runs in to issues. I can’t see any reason for why it works perfectly on Windows and not on macOS, so I can only assume macOS is causing issues. As it works fine elsewhere, I don’t want to be buying a new one in case that doesn’t solve it either.
It means that I’m looking at moving to a new keyboard and mouse set (wired!) to use on macOS if it doesn’t stop being so bloody stubborn. As I used an ergonomic keyboard, this reduces my pool of keyboards significantly.
Shutdowns
Maybe this is related to both of the above, but the bloody machine will not shutdown.
I select shutdown, and then the machine will close everything and then sit there showing me the desktop.
Again, sometimes it works, sometimes it doesn’t. I’ve left it there for a day before and it still hasn’t shut down and relies on me holding the power button to turn the machine off.
Cloudy Judgment
All of the above are causing me to really consider why I’m still using it! My experience with Mac desktops has been poor, ever since I bought my 27" iMac. That managed to break down every year for the three years I had Applecare on it (broken hard drive on all three occasions) and trying to get Apple service it without you having a car is a right faff! I sold that as soon as I could when the three years was up, as I knew it was a time bomb. Then this Mac Mini, purchased in 2019, has already been for repairs once for a dead logic board.
It really isn’t a good record.
I’ve got a 2020 MacBook Air and at the minute, I’ve not had issues with that. At this rate, I’m thinking of selling this Mac Mini and relying on that and going back to Windows!
I’m not sure where I stand on the new ARM Mac’s as well. Perhaps this will be the last desktop Mac that I’ve purchased… As I’ll never buy an iMac again, and this Mac Mini hasn’t filled me with confidence either. My Intel NUC is smaller, and seems to have had far less issues for a fraction of the price!


Hi,kiwipeach
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trackingco.de: free, automatic website analytics with no accounts or registration
You have a simple website, or multiple simple websites, or multiple small webapps. You don't need all the features Google Analytics offers, you just want to know how many people are browsing your sites and from where they're coming.
trackingco.de was made for you. It tracks just the basic stuff, doesn't require any configuration, it's plug-and-play.
how to use?
Just include the following snippet in any page you want:
(function (d, s) {
var x, h, n = Date.now()
tc = function (p) {
m = s.getItem('_tcx') > n ? s.getItem('_tch') : 'cold-wildflower'
x = new XMLHttpRequest()
x.addEventListener('load', function () {
if (x.status == 200) {
s.setItem('_tch', x.responseText)
s.setItem('_tcx', n + 14400000)
}
})
x.open('GET', 'https://t.trackingco.de/'+m+'.xml?r='+d.referrer+(p?'&p='+p:''))
x.send()
}
tc()
})(document, localStorage)
Yes, you don't have to preregister or generate a site id, just include that. We will associate the analytics data with the site domain, so later you can visit https://trackingco.de/your.domain
and browse all the data.
trackingco.de has other unique features
Track user actions and conversions using a score mechanism: did the visitor perform an interesting action, like clicking on some button or filling some form? Call tc(5)
to score 5 points, did it actually convert? Call tc(40)
to acknowledge that! Browsing a page automatically scores 1 point.
You can use your own subdomain as the tracking endpoint. This way you can bypass adblockers (if someday they start blocking the t.trackingco.de domain) and get correct statistics.
Everything is public by default so you can share your statistics with anyone.
Want to see a live demo? View the stats for this same website here
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- Unlimited tracked sessions and events.
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- Your daily data is never compiled into monthly summaries or deleted.
Please let us know if you're interested in these, email us at<EMAIL_ADDRESS>.
View trackingco.de on GitHub | Browse other minimalist webapps we've made


I've been drinking heavily since I was around 13 with exception of 2 years in high school, when I quit. So it's been about a decade since then. According to the contemporary medical community I'm an alcoholic, though a functional one. I'm also an honors student at a major university who hasn't missed more than one or two classes in the last three years.
I've gone through a 30 pack of beer or a bottle of bourbon in a day and remain relatively sober. I've quit drinking on an almost weekly basis for the last year. Hangovers from drinking as much as I do are especially nasty and result in headaches and mild shaking, and coughing up bile, which I've often drank through (40oz's or MD 20/20 get rid of hangovers fast).
Drinking is like a love affair. When it's great, it's amazing and when it's not it's terrible. Blackouts are the personal scourge of my being though. I've cut down recently after I got the shakes after a week-long drinking binge over the summer. But, of course there's the reason I drink - it feels great if I can stop at a buzz and not get full on drunk.
It's harder for some of us to stop though. It helps to know if I'm one of those people.  But I'm not some puritan.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


About covid-19-simulations¶
We’re seeking to explore problems related to the ongoing COVID-19 pandemic. While an agents-based approach limited by computational tractability will be inherently inaccurate to some degree, we hope that we may be able to gain intuition for questions such as:
- How effective are lockdowns at different points in the spread of disease?
- To what extent might we be under-reporting cases?
- Does quarantining at-risk individuals exclusively for a period of time reduce overall harm?
If you find something that doesn’t work or doesn’t make sense, please file an issue on GitHub. If you’re interested in helping out with the project, we’d love to have you on board! Get in contact<EMAIL_ADDRESS>or just fork the repository and start working — we’ll review your pull request when you’re ready!


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|
OOjsUI
Object-Oriented JavaScript – User Interface
|
Element containing a label. More...
Public Member Functions | |
| __construct (Element $element, array $config=array()) | |
| setLabel ($label) | |
| Set the label. More... | |
| getLabel () | |
| Get the label. More... | |
| getConfig (&$config) | |
| Public Member Functions inherited from OOUI\ElementMixin | |
| __construct (Element $element, Tag $target, array $config=array()) | |
| Create element. More... | |
| getConfig (&$config) | |
Add properties to the given $config array to allow reconstruction of this widget via its constructor. More... | |
Static Public Attributes | |
| static | $targetPropertyName = 'label' |
| Static Public Attributes inherited from OOUI\ElementMixin | |
| static string | $targetPropertyName = '' |
| Property name for accessing the target on the element. | |
Protected Attributes | |
| string HtmlSnippet null | $label = null |
| Label value. | |
| Protected Attributes inherited from OOUI\ElementMixin | |
| Element | $element = null |
| Element being mixed into. | |
Additional Inherited Members | |
| Public Attributes inherited from OOUI\ElementMixin | |
| Tag | $target = null |
| Tag being targeted. | |
Element containing a label.
| OOUI\LabelElement::__construct | ( | Element | $element, |
| array | $config = array() |
||
| ) |
| Element | $element | Element being mixed into |
| array | $config | Configuration options |
| string | HtmlSnippet | $config,['label'] | Label text |
| OOUI\LabelElement::getLabel | ( | ) |
Get the label.
| OOUI\LabelElement::setLabel | ( | $label | ) |
Set the label.
An empty string will result in the label being hidden. A string containing only whitespace will be converted to a single
.
| string | HtmlSnippet | null | $label | Label text |