Dark Knight. Caped Crusader. World’s Greatest Detective.
Millionaire Bruce Wayne was just a kid when he watched his parents get gunned down during a mugging in Gotham City. The crime would define his life, as he dedicated himself to becoming the world’s greatest weapon against crime—the Batman.
Forget his Batarangs, Batmobile, or Utility Belt filled with high-tech weapons.   An Olympic-caliber athlete with a plan for every occasion, Batman’s seemingly always five steps ahead of his foes. But in his crusade against injustice, two questions always loom: How far will he go to protect the innocent, and will he sacrifice his humanity along the way?
A prodigy ahead of her time? Check. Fought toe-to-toe with Gotham’s most unsavory? Double-check. Bailed out the Dark Knight on countless occasions? Capital C check.
Batgirl is Barbara Gordon, a confident young woman as committed to justice as her father, Gotham City’s top cop Commissioner Gordon. But when her overprotective Dad forbids her from joining the force, her admiration of Batman leads her to rebel the way crime-fighting rebels do in Gotham City: by picking up the mantle of the Bat.
An exceptional fighter and detective, Batgirl is also unparalleled in her computer skills. With a Utility Belt filled with Batarangs and her own Batcycle to speed her across the city, she pursues justice regardless of whether others—including Batman—wish her to. But Gotham’s criminals are a ruthless and maniacal lot, and every moment she risks her neck means dancing closer to death.
If it’s hard being a super hero, what is it like as a sidekick? The heroes get the glory, while you clean up the mess. You don’t make the decisions and you don’t give orders. So, what do you do if you’re the Boy Wonder to one of the most recognizable super heroes in the universe and you’re looking to break out on your own?
Simple. You become Nightwing.
When his circus acrobat family was brutally murdered, Dick Grayson was taken in by billionaire and bat-friendly super hero Bruce Wayne. Bruce shared his secret life as Batman with the young boy and eventually molded him into Robin—the Dark Knight’s partner in Gotham. But as Dick grew older, playing second fiddle to the sternest hero in the Justice League began to wear on him, and eventually he struck out on his own, staying true to what he learned as Robin while coming into his own as a respected member of the super hero pantheon. His code, like his mentor’s, is simple—if you’re breaking the law on his turf, watch out. Anyone who doesn’t can expect a short and most assuredly painful trip to Arkham.
Yet, while he may share methods and motivation with Batman, Dick knows what being Batman can do. He doesn’t want to become as dark, controlling and lonely as Bruce. But for all the good he’s accomplished while avoiding it, one question is unavoidable—without going as far as Batman, can Nightwing be as effective as he ultimately wants to be?
Every kid wants to be Batman, but do you have a lifetime of training? A billion-dollar fortune? The dream gets dashed pretty quickly. So OK, maybe you can’t be Batman… but that doesn’t mean you can’t be adopted by him.
Acrobat Dick Grayson was the youngest member of his parents’ death-defying circus act. But after their cold-blooded murder, Dick vowed revenge. Seeing a genuine piece of himself in the boy, Batman took him in—and gave him a better outlet for his anger. Becoming Batman’s protégé, Robin is an expert fighter and astounding acrobat—with the toughest example in the world to live up to. But the Boy Wonder’s true strength may lie in not being Batman—and providing a beacon of hope and family throughout the Dark Knight’s grim crusade.
Swing through the years with the kid who grew up to become a hero in his own right.But as Dick matures into his own entity—eventually becoming the masked crime fighter Nightwing—Robin proves more than just an identity, but a mantle passed to the most worthy. From the troubled Jason Todd to the overachieving Tim Drake, the mask is now worn by Bruce Wayne’s own son Damian—a rebellious troublemaker who’s been trained by assassins since birth. With a lethal skill set and a marginal sense of mercy, Robin no longer needs Batman to protect him from criminals.


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This is a very basic example of how to collect performance data on page load times. Read the full article on how to measure performance with JavaScript on mobile
In my article you will also find references to other useful resources about performance measurement for the Web.


Peter W. Smith
Goethe-Universität Frankfurt
14.03.2020
[a] ⇔ /b/
[a,a] ⇔ /c/
Since reveal.js runs on the web, you can easily embed other web content. Try interacting with the page in the background.


Welcome to MODESpy¶
MODESpy implements generic methods for constructing and using parameterised linear multi-step methods to solve Ordinary Differential Equation Initial Value Problems (ODE IVPs). It is a Python implementation based on the MODES toolbox (Version 1.0.0) written in MATLAB from Lund University (see Authors below).
These methods are of variable step-size and order, and are regulated using digital control theory. MODESpy allows experimentation with different methods and regulation settings. Included is also a library of standard problems, which can be used to evaluate methods and settings.
MODESpy depends on SciPy and NumPy which should be installed before use.
Version¶
The current version is 0.9.0. MODESpy is designed for Python >= 3.7 and is platform agnostic.
Authors¶
Python version 0.9.0 written by Eric J. Whitney, 2020.
- Original MATLAB toolbox implementation by:
C. Arévalo - Center for Mathematical Sciences, Lund Institute of Technology, Lund, Sweden.
E Jonsson-Glans, J. Olander - HiQ Ace AB, Linköping, Sweden.
M. Selva-Soto - Department of Mathematical Engineering, University of Concepción, Chile.
G. Söderlind - Center for Mathematical Sciences, Lund University, Lund, Sweden.
The current version of the MATLAB toolbox is located at https://github.com/mss1972/MODES_v1.0
Modules¶
- MODES - Generic multi-step, multi-order ODE solver (including example code).
- Filters - Various standard discrete stepsize controllers.
- Methods - Various explicit and implicit methods of different order.
- Utility - Miscellaneous utility functions.
- Tkinter Examples - GUI for showing examples of different solution methods.
- Standard Problems - Collection of standard initial value problems.
Copyright¶
Copyright (c) 2020 Eric J. Whitney. MODESpy is provided free of charge for use under the conditions of the MIT License (see LICENSE file).


I'm reporting on my first time tripping on mushrooms several years and several trips later, but I think most first-time and/or regular trippers will find the story informative or interesting.
I was 20.  I was a pothead and had done LSD once in Argentina, at what I would consider a very strong dose (by American standards) and that experience had certainly blown my mind, but it had almost been too intense for me to retain any special intellectual sense of what I'd experienced. It had pretty much burnt me out and turned me off from hallucinogens for a while.
It was a bright, hot summer weekday in Boston, MA and I took advantage of the weather by taking a day trip which started around 12:00 noon. I cut up half an eighth of stems and caps into tiny bits and spread them on a peanut butter sandwich which I ate. Then I left my apartment on foot. My plan was to take the train a couple of stops downtown to one of the main commercial streets in town, which I knew would provide plenty of action and colorful visual stimulus while I walked the rest of the way down to a friend's place.
By the time the train arrived, I was feeling increasingly buzzed and euphoric, and there were subtle visual distortions occuring... wavy undulating patterns forming on any given texture my eyes fell upon. I remember getting giggly during the train ride which much have lasted about 15 minutes, and feeling a steadily growing yet not entirely unpleasant derangement of my reasoning and senses... bemused by the sighs and the people around me, confused as hell, but feeling pretty good about it.
The randomest and most amusingly opportune thing happened to me when I got off at the designated train stop. As soon as I left the station (and keep in mind that the intensity of my trip was steadily increasing at this point) two young guys with a big video camera stopped me on the street. They told me they were interviewing pedestrians for an online video project of sorts, and the topic of discussion was 'your first love'...
I took off my sunglasses, and started answering some of their questions on camera while growing pretty paranoid that they could tell I was in an altered state. My eyes must have looked like huge black holes because of the dilated pupils and I couldn't help feeling that the guys were sorry they had ever stopped me... they almost looked scared of me!
I believe I managed to coherently answer some of their inane questions regarding my first romance and what not... the last thing they asked me was whether I had any words of wisdom for the ladies out there, and with much amusement at my own spontaneous poetic randomness I remember looking into the camera and uttering 'Just feel the magic moment' before walking off.
To this day I wonder whatever happened to that footage and if it ever aired. It would crack me up to see myself tripping on camera 5 years later. Then again, it's also amusing to wonder if it actually even happened... guess i'll never really know for sure.
My next stop was a small cafe where I sat mesmerized for about half an hour (by now I had lost any real sense of time) while voyeauristically watching people and things around me.
People especially, fascinated me to no end. I think alot of us tend to be rather self-absorbed and detached from other people in normal waking reality, rarely taking the time to stop and acknowledge them, listen, observe and take them all in... how often do I really give all of my devoted attention to someone else? Most of the time I'm just engaged ego-centrically in some internal monologue... going through the motions of listening to others and making eye-contact but never really opening my senses to them.
Yet I had this incredible sense of contemplative fascination with people... very hard to describe, but almost a childlike awe with the minutiae of their presence. Every movement and gesture I perecived almost in slow motion as a graceful and immaculate orchestration, radiating warmth and virtuous purpose. Almost the enjoyment and admiration of watching a ballet dancer or gymnast derived from watching someone involved in the most mundane thing, like tying shoelaces or lighting a cigarette.
And yet there was something completely mystifying about watching other people. There was a comedic lack of understanding, a certain absurdity to them. I had forgotten the intricate behavioral codes of social humans and could not longer read them as anything more than aesthetic motions, like a dancing. The shrooms had broken down my rational ability to decode the conventional meaning behind things. But this wasn't a negative or disturbing loss of reason, instead it was replaced by the giggling awe of a three year old seeing it for the first time.
I remember watching some college girl sitting at the bar nursing a cup of coffee, and asking the bartender whether the soup of the day was any good. Somehow I had a hard time grasping the meaning behind this most mundane of questions, and yet it fascinated me to the point of ecstasy. The very meaning of human existence seemed to be contained in that simple human exchange.
The more I sat there mesmerized by the people around me, the more I wondered: Who are they? What do they MEAN? There was fundamental confusion mixed in with this fascination, a need to discover some ultimate secret. A sense of some grand playful conspiracy occuring out there, beyond the realm of 'I' which I needed to unveil.
Eventually I continued my little trip down the street.
By this point I was pretty much peaking and experiencing strong visuals as the intensity of my emotions was rapidly beggining to overwhelm me. The visuals are hard to describe... everything around me seemed to flow and breathe and interweave in some vivid animated dancing pattern. The plants and flowers along my path seemed to wave and draw near me as I passed them and I could almost sense them caressing me and whispering at me. No auditory hallucinations per se, but a sense of voices, not really auditory but perhaps extra-sensory... maybe my own thoughts and the language in my head resonating and echoing back through universal surround-sound speakers all around me.
There was a tremendous sense of earthy, organic vibrations all around. I felt embraced by 'nature'... I felt some great unifying energy tying it all together and I was basking in its warm orgasmic glow... 'it' was smiling and winking at me and prompting me along. I felt completely alone and yet never in better company... like the whole universe was confiding in me... I was 'in' on the great cosmic inside joke of the gods. I had never felt such a benevolent, heartfelt connection to the universe before in my life.
But again, mixed up with this ecstatic cosmic reverie was an unexplainable confused feeling, a failure to grasp some great elusive secret... not unpleasant, but rather playful, like a game of hide-and-seek.
All around me were people walking in and around shops, restaurants, driving around in cars. Who were they, what did they MEAN?
The great unifying energy of the universe which I felt all around me also seemed to be concentrated and emanating from somewhere just beyond myself, beyong the realm of 'I'. I felt on some sort of quest to find it. My trip had taken almost mythic proportions and I was giggling with confounded delight.
All of a sudden I perceived all the people around me like social insects... ants or bees, going about their industry while at some intangible, indefinable golden radiant 'center of the hive' all the motions were being orchestrated. There was a center to the universe, a source, a motherboard... and all human activity was in tune with this great metaphysical monster-machine of energy.
I was becoming almost too emotional to continue. There was an unspeakable level of euphoria growing within me that threatened to impair me on the middle of the sidewalk. I became greatly disoriented. Though I was walking in a straight line down a street with intersections at every block, I became incapable of reasoning my way out of this singular path down the street.
For what must have amounted to several minutes I stood prostrated on the sidewalk looking around frantically and trying to rationalize my way out of what seemed some sort of mobius strip, I was absurdly lost on an x-axis and couldn't rationalize my way through the y-axis or beyond this one-dimensional sense of geographic orientation.
Eventually I found my way out and made my way down one of the intersecting streets to the Boston Christian Science Center, which also happens to be it's world headquarters with a huge domed Renaissance basilica and a quarter-mile long pool and lots of fountains. The place was full of people at leisure, lots of families with small children playing in the water spraying from the fountains.
I sat down by one of the fountains and made small talk with a young mother watching over her little kids, and had never felt so reconciled and in love with humanity. I remember thinking to myself that I could die right there and then, and I would be dying at total peace with myself and the world. Years of bitter anger, deppression and nihilism were evaporating under the intensity of this mystical euphoria. I had come back 'home' to the universe. I wept tears of joy.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


About Lexington Housing Studies
Lexington Housing Studies is an organization of data-driven research and analysis of housing, property and neighborhood change in Lexington, Kentucky. We work with the Lexington Housing Justice Project and believe that there is a universal human need for and right to housing that is an affordable social entitlement rather than an expensive commodity. We aim to expose the root causes of housing injustice and to politicize people to exercise our collective right to make the city more equitable and democratic.
If you agree with our belief, then you may be interested in the Lexington Housing Justice Project, a group meeting monthly in Lexington. Some of the things we've been discussing include:
1. Converting vacant properties owned by slumlords into permanently affordable housing.
2. Organizing tenant associations that could fight for renters' rights, including improved housing conditions, rent freezes, and protection from evictions.
3. Bringing more land and housing under public/social ownership in order to prevent the gentrification-induced displacement of poor residents from the working class neighborhoods where many black people live.
Follow and read Lexington Housing Studies' blogposts providing research and anlysis here.
Contact us via email at<EMAIL_ADDRESS>for any questions/comments about the maps.
Email<EMAIL_ADDRESS>for more info and to be added to our contact list in order to stay up-to-date.


This project is open-sourced. You can contact the author by QQ-group: 37205343
The structure is : php + mysql + jquery + ligerui
Some GIS-related functionalities are based on Tianditu( China official gis center)
The source code is in https://code.google.com/p/wei1224hf-myapp/source/browse/. You can get it by SVN.
This project is written by wei1224hf, from China(mainland).
If you like this project and want add some other functionalities , you can hire me , as a freelancer.
Contact me if you need some technical supports ,if you would like to pay.
wei1224hf@gmail.com


// Copyright (c) 2014 Quildreen Motta // // Permission is hereby granted, free of charge, to any person // obtaining a copy of this software and associated documentation files // (the "Software"), to deal in the Software without restriction, // including without limitation the rights to use, copy, modify, merge, // publish, distribute, sublicense, and/or sell copies of the Software, // and to permit persons to whom the Software is furnished to do so, // subject to the following conditions: // // The above copyright notice and this permission notice shall be // included in all copies or substantial portions of the Software.  IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE // LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION // OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION // WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE. /** * Restricts the arity of variadic functions. * * @module lib/index */ // -- Aliases ---------------------------------------------------------- var toArray = Function.call.bind([].slice) // -- Helpers ---------------------------------------------------------- function curry(n, f) { return curried([]) function curried(args) { return function() { var newArgs = toArray(arguments) var allArgs = args.concat(newArgs) var argCount = allArgs.length return argCount < n? curried(allArgs) : /* otherwise */ f.apply(null, allArgs.slice(0, n)) }} } // -- Implementation --------------------------------------------------- /** * Restricts a variadic function to a nullary one. * * @method * @summary (α₁, α₂, ..., αₙ → β) → Void → β */ exports.nullary = curry(2, nullary) function nullary(f, _) { return f() } /** * Restricts a variadic function to an unary one. * * @method * @summary (α₁, α₂, ..., αₙ → β) → α₁ → β */ exports.unary = curry(2, unary) function unary(f, a) { return f(a) } /** * Restricts a variadic function to a binary one. * * @method * @summary (α₁, α₂, ..., αₙ → β) → α₁ → α₂ → β */ exports.binary = curry(3, binary) function binary(f, a, b) { return f(a, b) } /** * Restricts a variadic function to a ternary one. * * @method * @summary (α₁, α₂, α₃, ..., αₙ → β) → α₁ → α₂ → α₃ → β */ exports.ternary = curry(4, ternary) function ternary(f, a, b, c) { return f(a, b, c) }


Like Astro 001, this course has a central narrative, a story that we will follow as we cover different topics of cosmological interest. Our story has no relation to any you might have encountered in a previous webcourse. Here is a brief preview of our narrative context and setting: They say the future wasn't the one we wanted. But it was the one we deserved. The year is 2104. Kinsey Morales lives in a fractured world, one pummeled by a century of climate change, resource shortages, and political ineptitude. A history major at what once was Penn State, she marvels at the twentieth century's glossy, optimistic visions of the future, with alien contact and space travel and miraculous technologies catering to any conceivable whim. Her future has none of these things. How were they so wrong? Why is the Universe so wrong? Her search for answers brings Kinsey, a classmate, and two professors to the shadowy depths of Black Moshannon forest, the site of a secret, forgotten project. Their journey leads them through fabric of space and time, the depths of elusive black holes, and the grandest structures of the cosmic frontier. They travel to the beginning of space and to the end of time, from vibrant soup of creation, to the chilly plains of oblivion. In the end they learn that humanity's future is still in the cosmos. But not in a way anyone could have imagined.
The semester divided into roughly 3-week periods for each of the five major units:
You may work through the online material at whatever pace suits you, but be aware that at the end of each 3-week period, there will be an exam covering that unit's material. Exams will have 50 questions each, in multiple choice format. The exam after Unit 5 will be a cumulative, final exam of the same format (i.e., 5 exams total).
The course content for this course is accompanied by a wealth of images. The Astro 120 Web course layout is optimized for a web browser window with at least a 850 x 600 pixels display area. Features in the course—images, movies, activities, questions, etc.—will require a browser with Javascript and CSS Style Sheets enabled. The current version of Firefox (for Mac OS or for Windows) is recommended. Cookies, Java, and JavaScript must be enabled. Due to nonstandard handling of CSS, JavaScript, and caching, we do not recommend using Internet Explorer as your browser.
You may need to turn off pop-up window blocking (some browsers distinguish between blocking all pop-up windows, and just "unwanted" pop-ups). If you find a link that says it would open a new window and it does not, please check your browser's settings.
Many movies are in Quicktime '.mov' and Shockwave/Flash '.swf' format. Some are in Windows Media '.wmv' format. Apple's Quicktime can be found at http://www.apple.com/quicktime/download/ . Shockwave and Flash plug-ins can be found at http://www.adobe.com/downloads/#players . Windows Media Player can be found at http://windows.microsoft.com/en-us/windows/download-windows-media-player .
Penn State's ITS computer labs meet the technology requirements for this course. See http://clc.its.psu.edu/Labs/ for information on locations and hours of operation. Note: if you plan to access this course in a public computer lab, you might want to bring along a set of headphones.
The course material is presented online.
Each of the first four units of the course will have a 50-minute (non-proctored) exam devoted to its material. The 1-hour final exam will be a 50 question cumulative final exam, including the content of Unit 5. This exam will be scheduled during the usual final exam period for the semester and will be delivered through Canvas.
You may drop the lowest test score of the four unit exams. The cumulative final grade may not be dropped. Since one test may be dropped, there will be NO MAKEUP TESTS given except in the case of emergency. Emergencies must be documented by written proof.
 You can do this at your own pace and convenience; however, do be sure to allow enough time. It is probably best to do a bit each week, as opposed to leaving everything for the last day before the test period. In total, we expect about the same amount of your time to be required as in a traditional class. You will see many multiple choice questions dispersed through the material and you must correctly answer these to progress. If you get them wrong you are usually given hints. You will be graded on the basis of completion of a unit or part of a unit, but not on answering the questions correctly on the first try.
One week before each test we will post on Canvas some traditional style review notes and sample questions for the test. You should study these carefully. It is likely you will see this material and many of these questions on the exam. You will also receive a few email reminders before each test.
| Assignment | % Score |
|---|---|
| Online Units | 15% |
| Astronomy Survey (Pre & Post) | 1% |
| Discussion Board | 2% |
| Essay | 2% |
| Exams (Highest score from 4) | 20% |
| Exams (2nd highest score from 4) | 20% |
| Exams (3rd highest score from 4 | 20% |
| Final Exam | 20% |
| Total | 100% |
NOTE: There will be no extra credit offered.


St. Joseph’s Technical School
SABTECH
NX-0005-6075
SABOBA-NORTHERN REGION
GHANA-WEST AFRICA
<EMAIL_ADDRESS>St. Joseph's Technical School, (SABTECH) Saboba was founded by the Divine Word Missionaries (SVD), a religious congregation of the Roman Catholic Church in May 1967.The founding SVD Missionaries include Rev. Fr. Charles Erbr, Rev. Fr. Joseph Connolly and others with the main aim of training artisans to build and roof people's houses in and around Saboba locality. In fact,as a result of lack of skilled personnel in the area, it was their desire to help the local people produce good and experienced craftsmen for the building industry in the North-Eastern corridor of the Northern Region and beyond. The official opening of the school was done by the late Mr. B.A Yakubu, the then Inspector General of Police in May, 1967. Academic work started in September, 1967 with eighteen (18) students to pursue a three years programme in Carpentry and Joinery (C/J) and Block-laying and Concreting (B/C). Among the pioneer staff were Rev. Fr. Joseph Connolly, Messrs.Anton Naglar (an Australian lay missionary and a mason), Oswald Schauber (a lay missionary from Germany ), Felix Komlatsc (a carpenter from Southern Ghana), Herman Zanu [a mason from Southern Ghana ), Amoah, also from, Southern Ghana and Rev. Bro. John Klein Douwel[SVD), The founding fathers saw the need for a Technical School in a remote village like Saboba by then. Parents however encouraged their wards to go to bigger towns like Yendi and other towns to look for work or continue schooling. In spite of stiff opposition from parents who looked down upon Vocational/Technical Schools, the SVD Missionaries went ahead to put up a trade school in Saboba which they felt would have a direct impact on the local populace in the future.
SABTECH has been transformed from Trades School to a Technical School of high caliber today. She has moved from awarding her own Certificate referred to as "End of Training" Certificate to the award of external City and Guilds of London Examination Certificates, Ghana Government recognized Technical Examination Certificate and today, Certificate II conducted by Technical Examination Unit [TEU] and National Board for Professional and Technical Examination (NABPTEX)* SABTECH in its transformation became a government assisted school in 1984 and further gained boarding status in October, 2002. She is one of the twenty (20) Technical Institutions that benefited from the Votech Project that saw the construction of a number of workshops and subsequent installation of new ultra-modern "state of the art" equipment in five trade areas namely Carpentry and Joinery (C/J),Block-laying and Concreting (B/C), Auto Mechanics, Mechanical Engineering and Electrical/Electronic Engineering.
To develop young men and women with active and creative minds, a sense of understanding and compassion for others. We focus on the total development of each child: spiritual, moral, intellectual, social, emotional and physical.
To create an environment to nurture individuals academically, socially, emotionally, and acquisition of practical knowledge and skills, so as to be equiped to tackle life challenges and become productive members of the society.
Our Population
| Male | Female | Total | |
|---|---|---|---|
| Students | 1009 | 449 | 1458 |
| Staff | 62 | 26 | 88 |
| Residence | Boarding | Day | |
| 1125 | 333 | 1458 |
| Name | Year |
|---|---|
| Rev. Fr. Joseph Connolly, SVD | 1967 - 1968 |
| Rev. Br. John Klein Douwell, SVD | 1968 - 1978 |
| Rev. Fr. Mike Yachim, SVD | 1978 - 1981 |
| Rev. Br. Edward Asafu Adjei, SVD | 1981 - 1981 |
| Rev. Br. Dennis Williams, SVD | 1981 - 1985 |
| Mr. Linus Tuuli | 1987 - 1999 |
| Name | Year |
|---|---|
| Mr. Axolu Godfred | 2000 - 2009 |
| Mr. Charles Akatuk (Acting) | June,2009 - Nov.,2009 |
| Mr. Ziblim Nantogma (Acting) | Nov.,2009 - Dec.,2009 |
| Mr. Adum George Azivongo | Dec,2009 - Jan.,2018 |
| Mr. Zachary Yorose | Jan,2018 - Jul.,2019 |
| Mr. Atingyena Maxwell | Aug,2019 - To Date |


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XenForo
1.5.12
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Public Member Functions | |
| getCronEntryById ($id) | |
| prepareCronEntries (array $entries) | |
| prepareCronEntry (array $entry) | |
| getDefaultCronEntry () | |
| getAllCronEntries () | |
| getCronEntriesByAddOnId ($addOnId) | |
| getCronEntriesByIds (array $ids) | |
| getCronEntriesToRun ($currentTime=null) | |
| updateCronRunTimeAtomic (array $entry) | |
| calculateNextRunTime (array $runRules, $currentTime=null) | |
| runEntry (array $entry) | |
| getMinimumNextRunTime () | |
| updateMinimumNextRunTime () | |
| retriggerCron () | |
| getCronEntryPhraseName ($entryId) | |
| getCronEntryMasterTitlePhraseValue ($entryId) | |
| getCronDevelopmentFileName () | |
| getCronDevelopmentXml () | |
| appendCronEntriesAddOnXml (DOMElement $rootNode, $addOnId) | |
| deleteCronEntriesForAddOn ($addOnId) | |
| importCronDevelopmentXml ($fileName) | |
| importCronEntriesAddOnXml (SimpleXMLElement $xml, $addOnId) | |
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| setLocalCacheData ($name, $value) | |
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| getModelFromCache ($class) | |
| setAllowCachedRead ($allowCachedRead) | |
| fetchAllKeyed ($sql, $key, $bind=array(), $nullPrefix='') | |
| limitQueryResults ($query, $limit, $offset=0) | |
| addFetchOptionJoin (array &$fetchOptions, $join) | |
| getConditionsForClause (array $sqlConditions) | |
| getOrderByClause (array $choices, array $fetchOptions, $defaultOrderSql='') | |
| addPositionLimit ($table, $limit, $offset=0, $column='position') | |
| prepareLimitFetchOptions (array $fetchOptions) | |
| prepareStateLimitFromConditions (array $fetchOptions, $table='', $stateField='message_state', $userField='user_id') | |
| standardizePermissionsAndUserId (&$permissions, &$userId=0) | |
| standardizeNodePermissionsAndUserId ($nodeId, &$permissions, &$userId=0) | |
| standardizePermissionCombinationIdAndUserId (&$permissionCombinationId, &$userId=0) | |
| standardizeViewingUserReference (array &$viewingUser=null) | |
| standardizeViewingUserReferenceForNode ($nodeId, array &$viewingUser=null, array &$nodePermissions=null) | |
| unserializePermissionsInList (array $items, $serializedKey, $targetKey='permissions') | |
| getContentTypesWithField ($fieldName) | |
| getContentTypeField ($contentType, $fieldName) | |
| getCutOffCondition ($column, $condition) | |
| assertValidCutOffOperator ($operator, $allowBetween=false) | |
Protected Member Functions | |
| _modifyRunTimeMinutes (array $minuteRules, DateTime &$nextRun) | |
| _modifyRunTimeHours (array $hourRules, DateTime &$nextRun) | |
| _modifyRunTimeDayOfMonth (array $dayRules, DateTime &$nextRun) | |
| _modifyRunTimeDayOfWeek (array $dayRules, DateTime &$nextRun) | |
| _modifyRunTimeUnits (array $unitRules, DateTime &$nextRun, $currentUnitValue, $unitName, $rolloverUnitName) | |
| _getPhraseModel () | |
| Protected Member Functions inherited from XenForo_Model | |
| _getLocalCacheData ($name) | |
| _getDataRegistryModel () | |
| _getCache ($forceCachedRead=false) | |
| _getDb () | |
Additional Inherited Members | |
| Static Public Member Functions inherited from XenForo_Model | |
| static | create ($class) |
| Protected Attributes inherited from XenForo_Model | |
| $_cache = null | |
| $_db = null | |
| $_allowCachedRead = true | |
| $_localCacheData = array() | |
| $_modelCache = array() | |
|
protected |
|
protected |
Modifies the next run time based on the day of month rules. Note that if the required DoM doesn't exist (eg, Feb 30), it will be rolled over as if it did (eg, to Mar 2).
| array | $hourRules | Rules about what days are valid (-1, or any number of values 0-31) |
| DateTime | $nextRun | Date calculation object. This will be modified. |
|
protected |
Modifies the next run time based on the day of week rules.
| array | $hourRules | Rules about what days are valid (-1, or any number of values 0-6 [sunday to saturday]) |
| DateTime | $nextRun | Date calculation object. This will be modified. |
|
protected |
Modifies the next run time based on the hour rules.
| array | $hourRules | Rules about what hours are valid (-1, or any number of values 0-23) |
| DateTime | $nextRun | Date calculation object. This will be modified. |
|
protected |
Modifies the next run time based on the minute rules.
| array | $minuteRules | Rules about what minutes are valid (-1, or any number of values 0-59) |
| DateTime | $nextRun | Date calculation object. This will be modified. |
|
protected |
General purpose run time calculator for a set of rules.
| array | $unitRules | List of rules for unit. Array of ints, values -1 to unit-defined max. |
| DateTime | $nextRun | Date calculation object. This will be modified. |
| integer | $currentUnitValue | The current value for the specified unit type |
| string | $unitName | Name of the current unit (eg, minute, hour, day, etc) |
| string | $rolloverUnitName | Name of the unit to use when rolling over; one unit bigger (eg, minutes to hours) |
| appendCronEntriesAddOnXml | ( | DOMElement | $rootNode, |
| $addOnId | |||
| ) |
Appends the add-on cron entry XML to a given DOM element.
| DOMElement | $rootNode | Node to append all prefix elements to |
| string | $addOnId | Add-on ID to be exported |
| calculateNextRunTime | ( | array | $runRules, |
$currentTime = null |
|||
| ) |
Calculate the next run time for an entry using the given rules. Rules expected in keys: minutes, hours, dow, dom (all arrays) and day_type (string: dow or dom) Array rules are in format: -1 means "any", any other value means on those specific occurances. DoW runs 0 (Sunday) to 6 (Saturday).
| array | $runRules | Run rules. See above for format. |
| integer | null | $currentTime | Current timestamp; null to use current time from application |
| deleteCronEntriesForAddOn | ( | $addOnId | ) |
Deletes the cron entries that belong to the specified add-on.
| string | $addOnId |
| getAllCronEntries | ( | ) |
Gets all cron entries, ordered by their next run time.
| getCronDevelopmentFileName | ( | ) |
Gets the file name for the development output.
| getCronDevelopmentXml | ( | ) |
Gets the DOM document that represents the cron development file. This must be turned into XML (or HTML) by the caller.
| getCronEntriesByAddOnId | ( | $addOnId | ) |
Gets all cron entries that belong to the specified add-on, ordered by their entry IDs.
| string | $addOnId |
| getCronEntriesByIds | ( | array | $ids | ) |
Gets the named cron entries.
| array | $ids | List of cron entries by IDs |
| getCronEntriesToRun | ( | $currentTime = null | ) |
Gets all cron entries that need to be run.
| integer | null | $currentTime | Current timestamp, null to use current time from application |
| getCronEntryById | ( | $id | ) |
Gets the specified cron entry.
| string | $id |
| getCronEntryMasterTitlePhraseValue | ( | $entryId | ) |
Gets a cron entry's master title phrase text.
| string | $entryId |
| getCronEntryPhraseName | ( | $entryId | ) |
Gets the phrase name for a cron entry.
| string | $entryId |
| getDefaultCronEntry | ( | ) |
Gets the default, prepared cron entry for use on the insert entry form.
| getMinimumNextRunTime | ( | ) |
Gets the minimum next run time stamp (ie, time next entry is due to run). If no entries are runnable, returns 0x7FFFFFFF (basically never run an entry).
| importCronDevelopmentXml | ( | $fileName | ) |
Imports prefixes from the development XML format. This will overwrite all prefixes.
| string | $fileName |
| importCronEntriesAddOnXml | ( | SimpleXMLElement | $xml, |
| $addOnId | |||
| ) |
Imports the cron entries for an add-on.
| SimpleXMLElement | $xml | XML element pointing to the root of the event data |
| string | $addOnId | Add-on to import for |
| prepareCronEntries | ( | array | $entries | ) |
Prepares a list of cron entries for display.
| array | $entries |
| prepareCronEntry | ( | array | $entry | ) |
Prepares the given cron entry for display, by doing processing beyond the DB, preparing the title phrase, etc.
| array | $entry |
| retriggerCron | ( | ) |
Retriggers the cron system if it doesn't appear to be active.
| runEntry | ( | array | $entry | ) |
Runs the given entry if possible.
| array | $entry | Info about cron entry |
| updateCronRunTimeAtomic | ( | array | $entry | ) |
Atomically update the next run time for a cron entry. This allows you to determine whehter a cron entry still needs to be run.
| array | $entry | Cron entry info |
| updateMinimumNextRunTime | ( | ) |
Updates the entry for the minimum next run time. Cron calls are not needed until that point.


Radio buttons allow the user to choose only one of a predefined set of mutually exclusive options.
<hc-radio-button [disabled]='false'>Radio Button Label</hc-radio-button>
| [disabled] | Type: Boolean | Boolean value that enables/disables the radio button |
|---|


Module: ActiveStorage::Downloading
| Relationships & Source Files | |
| Extension / Inclusion / Inheritance Descendants | |
|
Included In:
Analyzer ,
Analyzer::ImageAnalyzer ,
ActiveStorage::Analyzer::NullAnalyzer,
Analyzer::VideoAnalyzer ,
Previewer ,
Previewer::MuPDFPreviewer ,
Previewer::PopplerPDFPreviewer ,
Previewer::VideoPreviewer
| |
| Defined in: | activestorage/lib/active_storage/downloading.rb |
Instance Method Summary
-
#download_blob_to(file)
private
Efficiently downloads blob data into the given file.
-
#download_blob_to_tempfile
private
Opens a new tempfile in #tempdir and copies blob data into it.
-
#tempdir
private
Returns the directory in which tempfiles should be opened.
Instance Method Details
#download_blob_to(file) (private)
Efficiently downloads blob data into the given file.
# File 'activestorage/lib/active_storage/downloading.rb', line 27
def download_blob_to(file) #:doc: file.binmode blob.download { |chunk| file.write(chunk) } file.flush file.rewind end
#download_blob_to_tempfile (private)
Opens a new tempfile in #tempdir and copies blob data into it. Yields the tempfile.
# File 'activestorage/lib/active_storage/downloading.rb', line 9
def download_blob_to_tempfile #:doc: open_tempfile_for_blob do |file| download_blob_to file yield file end end
#tempdir (private)
Returns the directory in which tempfiles should be opened. Defaults to Dir.tmpdir
.
# File 'activestorage/lib/active_storage/downloading.rb', line 35
def tempdir #:doc: Dir.tmpdir end


##
This elderly man was walking in front of me in the medina of Tétouan, Morocco. He’s wearing a Fez hat and a traditional long robe djellaba which is commonly seen in the Maghreb region of North Africa.
This type of robe is usually made of either cotton for summer wear or coarse wool for the winter. I’ve frequently seen flocks of sheep when traveling in the surrounding Atlas mountains where the wool is typically obtained.
The baggy hood with a point at the back can protect the wearer from the sun, the snow and rain or the sand blown by strong desert wind.
It’s not a typical street fashion by an urban youth (though in recent years quite a lot of designers have been inspired by these robes to create modern kaftans), but this local man in the traditional wear just blends perfectly with the charming old streets. What do you think?
The head image is my entry to @worldcapture’s People Photography Contest week #24. Below is the photo in original colors joining the @portraitcontest themed Fashion.
##
##
漫步在摩洛哥北部山城得土安的老城区，看到前面这位当地老人，手里提着刚从旁边的菜市场买来的食材，身穿起源本国的北非传统长袍，头戴平顶菲斯圆毡帽，跟周边的老街和谐地融为一体。
这种长袍通常有冬夏两种，夏天穿的由轻薄的棉布做成，冬装的原料是粗糙些的羊毛，来自周边的阿特拉斯山区，我在山里走时常常能看到成群的绵羊和牧羊人。上面连着的宽大尖帽子可以遮阳挡雨、御寒防沙，在这离沙漠不远的气候多变的山区很实用。
不少国际知名的服装设计师，尤其是法国人（摩洛哥曾是法国殖民地），从这类北非传统长袍中汲取灵感，创新出更多款式的现代版长袍长裙，在时装界挺受欢迎。
##
Cityscape of Tétouan | 俯瞰摩洛哥北部小城
Traditional Clothing in Peru’s Colca Canyon | 秘鲁大峡谷山民的传统服装长什么样？
图文 by Donica多
Thank you for visiting! Please tell me what you think. Exchange makes change! =)
If you like my content, please support me by commenting / following / upvoting / resteeming.
感谢来访！你的关注/点赞/留言/转发就是对我最好的支持~ 下次见！:)
##
Here are some of my travel shots. Check out my posts on Steemit World Map, and follow me for more adventures around the globe! :)
https://steemitimages.com/DQmWSyM6PcNQJ9LL5UciWHWdZjHvcKQwP63HHMyJzvzvobB/4.jpg
This page is synchronized from the post: ‘#258 Street Fashion 👘👴 | 街头长袍 Entry for Peoplephotography and Portrait Contest’


| fkUtilities reference pages |
tree=STRUCT2TREE(s) tree=STRUCT2TREE(s,depth) tree=STRUCT2TREE(s,depth,indent) tree=STRUCT2TREE(s,depth,indent,level)
tree=STRUCT2TREE(s) returns a character array representing the tree structure of a path or matlab struct.
tree=STRUCT2TREE(s,depth) sets the deepest level of the struct or path that will be returned (defaulr = Inf)
tree=STRUCT2TREE(s,depth,indent) sets the amount of indentation.
tree=STRUCT2TREE(s,depth,indent,level) sets the current level in the tree (used internally by struct2tree).
| apply2struct | Toolbox page | normalize |


Front-end develop.(eg. Javascript,CSS,HTML,React)
Functional programming.(eg. Algebra data type in Scala )
Zen. (eg. Zen and the Art of Motorcycle Maintenance)
This blog is not a novice tutorial of coding. So we won’t discuss some topic like The todoMVC in React.
This blog is not some tool manual. So we won’t discuss some topic like Config babel to convert your javascript version.
This blog is not a authoritative guide. Maybe you will against my point of view, maybe something wrongly wrong(in this case,pls send a mail to me). But it’s ok, because the intention of this blog is discuss new idea, but the new idea maybe not a good idea.


Scenario 5: Animation of 2D Transforms & Opacity Input
This scenario allows for the CSS properties of 2D Transforms to be manipulated with
CSS Animation. Select values for each keyframe and click the button below to see
the animation. Once the animation is completed this view will reset and new values
can be selected.


Department List
Back
| Department Name | Head Of Department | Contact Number |
|---|---|---|
| {{Department.departmentname}} | {{Department.head}} | {{Department.contactnumber}} |
| Department Name | Head Of Department | Contact Number |
|---|---|---|
| {{Department.departmentname}} | {{Department.head}} | {{Department.contactnumber}} |


Friends of tragic teen mum stunned by death of 'kind, caring' pal who was 'always laughing'
Denai McDougall, 19, passed away on October 25 leaving behind her two-year-old son Kalvin.
by Lynn Love, Kathleen SpeirsHeartbroken friends of a young Clydebank mum have set up a fundraiser to help pay for her funeral after she died suddenly.
Denai McDougall, 19, passed away on October 25 leaving behind her two-year-old son Kalvin.
Her grieving friends have launched a GoFundMe page to support the mum-of-one's family.
One of the fundraising organisers is Taylor McGee, who had been friends with Denai since their primary school days.
Taylor told the Record of how Denai's death has rocked those left behind.
She said: "We’re all trying to be strong but there’s definitely been a lot of tears.
"We feel Denai’s death has brought us all together again as a group and together we all want to do our part to make sure she is remembered in the best way possible.
"It’s come as a shock to us and still hasn’t quite sunk in that we won’t see our best friend again."
Taylor said her friend was 'an amazing mum'.
She added: "She would light up every room she went into.
"She was a kind, caring person who was always laughing.
"As soon as her son, Kalvin came into her life he was instantly her priority.
"He meant the world to her and brought her so much happiness.
"Denai was an amazing mum.
"She always put Kalvin first and he absolutely adored her."
Taylor organised the online fundraiser alongside Andrea Murphy, Shannon Maitland, Megan Hollywood, Paige Wright, Amie McIntosh, Lauren Johnston, Shanna Menzies, and Kathleen Short who've all been showing their support.
So far over £800 has been raised.
On November 1 crowds gathered to show their support for Denai's loved ones at Dalmuir Park in Clydebank for a balloon release, fireworks and music.
A Facebook page, Remembering Denai McDougall, has been set up to allow people to pay their respects and keep followers up to fate with any future fundraising events.
Denai's devastated best friends, who've rallied together in the wake of her death, have paid tribute to their 'angel'.
Andrea Murphy told the Record: " If I could see this smile one last time, I’d never ask for anything again."
"I’ll miss the smile she brought on all our faces," pal Shanna Menzies added.
Megan Hollywood said: "There are no more tears left for me to cry, I would do anything to give you one last hug."
"We will all do our best to make your gorgeous boys life happy and full of love," Paige Wright added.
"My heart has broken into a million pieces, we will meet again my angel," Lauren Johnston said.
Shannon Maitland added: "I will always remember you as the happy bubbly one who put everyone’s feeling before your own."
"You’re beautiful boy will always know how much he is loved and how amazing you are," Kathleen Short said.
And Emmie Gallacher added: "Sometimes you will never know the value of a moment until it becomes a memory."
You can donate by visiting the GoFundMe page.


Fitness
Exercise is an activity many people enjoy to strengthen bodies and calm minds. Too often, people with lower incomes and people with disabilities are left out of this part of a prosperous life.
Numerous studies show that low-income children and adults are far more likely to be overweight than those of greater means. And the statistical distribution fits a nice, neat curve – as income falls,
the rate of obesity rises. In today’s world, the cheapest calories come from junk foods – whether those foods are found at the grocery store, the gas station, or in the fast food restaurant, conveniently located just down the street.
Fitness and wellness activities are also beneficial for those living with catastrophic illness, injury and secondary health conditions related to long-term disabilities. Until now, facilities have been designed for short-term rehabilitation, and even those often become off-limits after insurance coverage expires.
The Prosperity Center Fitness Center is completely focused on empowering and educating its members to obtain the best physical exercise possible by providing the latest in fully accessible equipment. We want to encourage and give information about wellness to people in Tallahassee,
regardless of income or disability. The fee for membership is $10 monthly, with no contract. When you first come in, we will ask you to complete a
fitness center member application and health questionnaire.
Once that is completed, you can schedule an appointment with our Fitness Representative who will work with you to discuss your fitness and wellness goals, and help you to develop a workout plan. Request a meeting by email with our
Fitness Representative now, or call<PHONE_NUMBER>
We also offer Yoga, Zumba, Cardio and Aerobic Classes, free to the public each week. Please see our
calendar and join us for a good workout, in an inclusive, fun environment.


What most common problems when you receive new project? No right answer here. Some people find not so easy to figure out models relationships, some have troubles with estimates at beginning.
Here I’ll describe what help me to dive intro new project faster. Btw, here my presentation which I made in five minutes before free talk section on RubyMeetup #12
1. Static Analysis Tools
Ruby have a lot of static analysis tools, ex. reek,
flay, ruby-lint,
etc. etc. But I found most helpful for me the flog.
It counts cyclomatic complexity of method.
So if you may to estimate task, which assumes working with existing code,
you just see it’s value of flog
output. After that you will have one part of puzzle.
From the other hand, flogging whole project can take much time. Here is tip for make static analysis easier:
1
|
|
Than, if you need to see flog results, you just execute smth. like this:
1
|
|
2. Project History
Don’t forget that git log
have a lot of cool options. Here few of them:
- -p
- -L
- –author
- –since
- –until
Also I highly recommend to use git blame
I your favorite editor/IDE.
I use vim. If you too, maybe you find useful git fugitive
plugin.
Most frequently I used blame
with flog
for build leaderboard of previous developers
in my mind.
Know project history will help you to estimate more precisely.
3. Routes
Where I can find code, which executed on this route? - one of my most common questions in new project.
On big projects routes is permanent as usual. Everybody knows that rake
command preload whole Rails
environment. So I propose to execute rake routes
once.
1
|
|
After above command you can easily find project route by single line command:
1
|
|
4. Graphical Representation of Schema
Did you whenever want to see whole bunch of models, attributes and relationships in pretty graphic? There is nothing easier. Few gems for this already exist.
Rails-erd
Railroady
5. Take a task!
Only during work you will get real experience. No another way to feel yourself comfortable in new project.


KolmoLD allows reduce downloading data for data structures that can be statisticaly analized for best compression.
For example, statistic analyze of English language books allow build a best common dictionary for this kind of books and give a best compression ration for this type of content.
Huffman is such a great thing.
{ "opcode": "search4MetaInfo", "doi": "11111117c19480993e600d1d765450660745e0ae5919a40f8a013fa8ebb538cd" }


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Lightweight wrapper around a File that automatically creates directories and the actual File on instantiation (if the file does not already exist).
class KFile : File


If you use a java.sql.Time object or the java.sql.Types.TIME JDBC type to set a parameter, you can configure how the java.sql.Time value is sent to the server; either as a SQL Server time type or as a datetime type.
This scenario applies when using one of the following methods:
-
SQLServerCallableStatement.registerOutParameter(int, int)
-
SQLServerCallableStatement.registerOutParameter(int, int, int)
-
SQLServerCallableStatement.setTime
-
SQLServerPreparedStatement.setTime
-
SQLServerCallableStatement.setObject
-
SQLServerPreparedStatement.setObject
You can configure how the java.sql.Time value is sent by using the sendTimeAsDatetime connection property. For more information, see Setting the Connection Properties.
You can programmatically modify the value of the sendTimeAsDatetime connection property with SQLServerDataSource.setSendTimeAsDatetime.
Versions of SQL Server earlier than SQL Server 2008 do not support the time data type, so applications using java.sql.Time typically store java.sql.Time values either as datetime or smalldatetime SQL Server data types.
If you want to use the datetime and smalldatetime SQL Server data types when working with java.sql.Time values, you should set the sendTimeAsDatetime connection property to true. If you want to use the time SQL Server data type when working with java.sql.Time values, you should set the sendTimeAsDatetime connection property to false.
Be aware that when sending java.sql.Time values into a parameter whose data type can also store the date, that default dates are different depending on whether the java.sql.Time value is sent as a datetime (1/1/1970) or time (1/1/1900) value. For more information about data conversions when sending data to a SQL Server, see
In SQL Server JDBC Driver 3.0, sendTimeAsDatetime is true by default. In a future release, the sendTimeAsDatetime connection property may be set to false by default.
To ensure that your application continues to work as expected regardless of the default value of the sendTimeAsDatetime connection property you can:
-
Use java.sql.Time when working with the time SQL Server data type.
-
Use java.sql.Timestamp when working with the datetime, smalldatetime, and datetime2 SQL Server data types.


Pre-season Collection
émotif
Closet
tops
bottoms
dresses
Designers
Jaewoo Song
Kathleen Lee
Coco Chanel
Karl Lagerfeld
Red Dress
Karl Lagerfeld
Cover 1
Karl Lagerfeld
Cover2
Karl Lagerfeld
Cover3
Karl Lagerfeld


Delete
Edit
Generate pdf documentation
Budget name
Description
Value
Currency
Date
Transition description
Transaction value
Transaction currency
Transaction date
Delete
Edit
Add transaction
Add budget


| 2012 |
Bitter to Better - How to Make Bitcoin a Better Currency
|
| 2013 |
Analysis of Anonymity in the Bitcoin System.
|
A fistful of bitcoins: characterizing payments among men with no names.
|
Quantitative Analysis of the Full Bitcoin Transaction Graph.
|
CoinJoin and CoinSwap
|
Zerocoin: Anonymous Distributed E-Cash from Bitcoin.
|
Pinocchio coin: building zerocoin from a succinct pairing-based proof system.
|
| 2014 |
An Analysis of Anonymity in Bitcoin Using P2P Network Traffic.
|
Deanonymisation of Clients in Bitcoin P2P Network.
|
Mixcoin: Anonymity for Bitcoin with Accountable Mixes.
|
Xim: Sybil-resistant mixing for bitcoin.
|
CoinShuffle: Practical Decentralized Coin Mixing for Bitcoin.
|
Zerocash: Decentralized Anonymous Payments from Bitcoin.
|
| 2015 |
Bitcoin over Tor isn't a good idea.
|
CoinParty: Secure Multi-Party Mixing of Bitcoins.
|
Privacy-Enhancing Overlays in Bitcoin.
|


I'm a Denver-based software developer, originally from Texas with a few pit stops in between (CHI/BAL).
I'm an experienced team facilitator, educator, and problem-solver. I relish nothing more than figuring out
how all the parts fit together. The maker in me is determined to build it well and build it fast. I am
driven, serious, and can get it done. I've ridden cross-country solo on a bike - twice - through tropical
storms, baking deserts. and mountain passes. When it needs to ship, I'll make the deadline.
When I am not writing or testing code I spend
time with my family, cycling through the streets of Denver, or rolling dice with friends.


-- layout: default --
So, you like Turpial and are willing to help but cannot code? Well you can buy us a coffee to keep us awake working hard on Turpial.
Seriously, donating is a really good way to help the project grow and keep us motivated to continue innovating and making such a great application. Obviously, none of your hard-earned money will be invested on paying tropical holidays, gadgets, lots of wine or fancy cars for Turpial developers.
You can donate via Paypal or via Flattr.


Select a problem to solve.
Problem: {{problemKey}}
Title: {{currentProblem.title}}
Description: {{currentProblem.description}}
Solution:
Current Solution = {{currentSolution.solution}}
- tracks requested verification for verifier to process.
The GAE Verifier will monitor the verifyRequest object and process any requests added to this object by users. There will only ever be 1 request per user.


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6 Must have ROLE_ADMIN and ROLE_MANAGER
7 Must have ROLE_ADMIN and ROLE_USER
This is the home page of our web application. Anyone can access it, even if they have not signed in.
Using this example, you will become more familiar with Spring Security concepts:)


| DOSE: |
1 hit |
oral |
LSD |
(blotter / tab) |
My experience with LSD occurred several years ago. I grew up in a very Christian family, but being new to a college environment I was more than curious about several drugs. I have a somewhat addictive personality, and have enough friends in the drug scene to know that I could easily get caught up. In spite of this, I wanted to try a substance which alter normality without leaving me with a feeling that I wanted more.
I decided that I would trip once, and then hope my experience wasn't overcoming. I arrived at a party on Halloween night. The majority of the invited guests were on one drug or another, and I decided that this would be my chance. Several friends had access to acid, so I decided to give it a shot. I was also drinking, so it hard to say when the effects first hit, but within about an hour, I noticed that my perception of reality began to change. My experience is less like others. Although I had some visual effects such as tracing with cigarettes, by and large I noticed few visual effects. The other effects were awesome. The entire room took on a persona of its own, and I had an overpowering desire to take everything in. I noticed a pentagram on the wall, something which would have floored me before, but I just sat there staring at it for what must have been 20 minutes.
We left, soon after, and went to another party. There was a huge bonfire and my friends and I spent about an hour just staring into the middle of the fire. Everything seemed to slow down and I found the effects humorous. I was up almost the entire night, unable to sleep until around 9:30 the next morning (almost 12 hours after I took only 1 hit).
Certainly when you take any drug, you are taking a chance with negative side effects. I must admit that my experience with LSD was quite enjoyable, but I have never had a desire to try it again. It was a fun evening, and I highly recommend that if you are thinking about doing it (or any other drug) you consider the possible consequences and put yourself in a safe environment.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


For now this is just my template for the future projects I will be creating while completing my Udacity Nanodegree. This portfolio was built using the Bootstrap framework and Font Awesome. I've added some additional customizations too! My main focus is on mobility. This page will be endlessly modified and updated as I learn more throughout this program. Please don't consider this a "finished" product at this point. Take a look at my projects below.
Lorem ipsum dolor sit amet.
First Line Second Line
Parallax is an effect where the background content or image in this case, is moved at a different speed than the foreground content while scrolling.
I am a very simple card. I am good at containing small bits of information. I am convenient because I require little markup to use effectively.


The gentle hills of Ranipuram in Kerala are famous for its trekking trail.Situated at the height of about 750 meters above sea level,this destination has thick forest vegetation and lush green grasslands.The whole place is proposed inside the Ranipuram Wildlife Sanctuary which merges with Talakaveri Wildlife Sanctuary of Karnataka.
Located on the west of the Malabar coastline,It is famous for its beaches, backwaters, forts and some tourists spots.Bekal is home to the largest fortress in Kerala.  A set of 45 caves called the Nityanandashram caves, Kappil Beach and Chandragiri fort are few of the other major attractions.Bekal was also selected as one among the top ten travel destinations by Lonely Planet.
Nileshwaram, also known by the name of Nileshwar, is a major town that is located in the Kasaragod District of Kerala in southern India.Nileshwaram is one of the three municipalities that can be found in the district, the others being Kasaragod and Kanhangad.Nileshwaram is also referred to as the cultural capital of the Kasargod District and lies nestled between two rivers, the Nileshwaram Puzha and Thejaswini Puzha. With the Arabian Sea to its west, the town is breathtakingly beautiful and a spectacular site to be at.
The ancient town of Kumbala situated about 13 km from Kasargod has once served as the seat of power for Raja of Kumbala.Today, this place offers a famous temple of Lord Gopalkrishna which is quite popular among the devotees.


DIFC’s Botanical Garden relaunches with new look
A botanical escape awaits…
by Amy MathiesonLooking for a new spot for an after-work tipple in Dubai's DIFC? How does an “urban garden escape” sound to you?
Botanical Garden, which can be found on the rooftop of Capital Club in DIFC, is reopening with a swish new look for its second season.
The lounge is inspired by botanical gardens from all around the world and the walls and ceilings will be adorned in exotic plants and foliage – think of the Instagram opportunities.
The trendy new spot will be open to the public from Tuesday to Friday between 4.30pm and midnight and it set to launch a load of deals. Watch this space for updates.
From relaxed after-work drinks to a buzzing night out, the trendy DIFC district has it all and we’ve rounded up ten of the best spots here.
Looking for more floral photo opportunities? Dubai Miracle Garden recently reopened for its highly-anticipated eighth edition – get all the details here.
There’s another al fresco lounge opening up in Business Bay and it will be serving a fancy late-night menu until 5am – get all the details here.
Open Tue-Fri 4.30pm-midnight. Gate Village 3, DIFC, www.instagram.com/thebotanicalgardendxb.
Be the first to get all the latest Dubai news, reviews and deals into your inbox by signing up to our free newsletter, click here to sign up.


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Base classes for our unit tests.
Allows overriding of flags for use of fakes, and some black magic for inline callbacks.
Bases: unittest.case.TestCase
Test case base class for all unit tests.
Assert a list of dicts are equivalent.
Assert two dicts are equivalent.
This is a ‘deep’ match in the sense that it handles nested dictionaries appropriately.
NOTE:
If you don’t care (or don’t know) a given value, you can specify the string DONTCARE as the value. This will cause that dict-item to be skipped.
Python < v2.7 compatibility. Assert ‘a’ in ‘b’
Python < v2.7 compatibility. Assert ‘a’ is Instance of ‘b’
Python < v2.7 compatibility. Assert ‘a’ NOT in ‘b’
Assert that a particular exception is not raised.
If exc_class is None, then we assert that no error is raised.
Otherwise, we assert that only a particular error wasn’t raised; if any different exceptions were raised, we just silently capture them and return.
Assert a sub_dict is subset of super_dict.
Override flag variables for a test.
Run before each test method to initialize test environment.
Runs after each test method to tear down test environment.
Bases: exceptions.Exception
Bases: object
Decorator that skips a test if condition is true.
Decorator that skips a test if running in fake mode.
Bases: object
Decorator that skips a test.
Bases: object
Decorator that skips a test if condition is not true.


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Jslet - DBImage Demo
Employee List
Demo Content:
Show image by file name:
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Show image by dynamic parameter:
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public class StorageStatus
extends Object
This class assumes BlockId and BlockStatus are immutable, such that the consumers of this class cannot mutate the source of the information. Accesses are not thread-safe.
| Constructor and Description |
|---|
StorageStatus(BlockManagerId blockManagerId,
long maxMemory,
scala.Option<Object> maxOnHeapMem,
scala.Option<Object> maxOffHeapMem)
Deprecated.
|
StorageStatus(BlockManagerId bmid,
long maxMemory,
scala.Option<Object> maxOnHeapMem,
scala.Option<Object> maxOffHeapMem,
scala.collection.Map<BlockId,BlockStatus> initialBlocks)
Deprecated.
Create a storage status with an initial set of blocks, leaving the source unmodified.
|
| Modifier and Type | Method and Description |
|---|---|
BlockManagerId |
blockManagerId()
Deprecated.
|
scala.collection.Map<BlockId,BlockStatus> |
blocks()
Deprecated.
Return the blocks stored in this block manager.
|
long |
cacheSize()
Deprecated.
Return the memory used by caching RDDs
|
boolean |
containsBlock(BlockId blockId)
Deprecated.
Return whether the given block is stored in this block manager in O(1) time.
|
long |
diskUsed()
Deprecated.
Return the disk space used by this block manager.
|
long |
diskUsedByRdd(int rddId)
Deprecated.
Return the disk space used by the given RDD in this block manager in O(1) time.
|
scala.Option<BlockStatus> |
getBlock(BlockId blockId)
Deprecated.
Return the given block stored in this block manager in O(1) time.
|
long |
maxMem()
Deprecated.
Return the max memory can be used by this block manager.
|
long |
maxMemory()
Deprecated.
|
scala.Option<Object> |
maxOffHeapMem()
Deprecated.
|
scala.Option<Object> |
maxOnHeapMem()
Deprecated.
|
long |
memRemaining()
Deprecated.
Return the memory remaining in this block manager.
|
long |
memUsed()
Deprecated.
Return the memory used by this block manager.
|
long |
memUsedByRdd(int rddId)
Deprecated.
Return the memory used by the given RDD in this block manager in O(1) time.
|
int |
numBlocks()
Deprecated.
Return the number of blocks stored in this block manager in O(RDDs) time.
|
int |
numRddBlocks()
Deprecated.
Return the number of RDD blocks stored in this block manager in O(RDDs) time.
|
int |
numRddBlocksById(int rddId)
Deprecated.
Return the number of blocks that belong to the given RDD in O(1) time.
|
scala.Option<Object> |
offHeapCacheSize()
Deprecated.
Return the memory used by off-heap caching RDDs
|
scala.Option<Object> |
offHeapMemRemaining()
Deprecated.
Return the off-heap memory remaining in this block manager.
|
scala.Option<Object> |
offHeapMemUsed()
Deprecated.
Return the off-heap memory used by this block manager.
|
scala.Option<Object> |
onHeapCacheSize()
Deprecated.
Return the memory used by on-heap caching RDDs
|
scala.Option<Object> |
onHeapMemRemaining()
Deprecated.
Return the on-heap memory remaining in this block manager.
|
scala.Option<Object> |
onHeapMemUsed()
Deprecated.
Return the on-heap memory used by this block manager.
|
scala.collection.Map<BlockId,BlockStatus> |
rddBlocks()
Deprecated.
Return the RDD blocks stored in this block manager.
|
scala.collection.Map<BlockId,BlockStatus> |
rddBlocksById(int rddId)
Deprecated.
Return the blocks that belong to the given RDD stored in this block manager.
|
scala.Option<StorageLevel> |
rddStorageLevel(int rddId)
Deprecated.
Return the storage level, if any, used by the given RDD in this block manager.
|
public StorageStatus(BlockManagerId blockManagerId, long maxMemory, scala.Option<Object> maxOnHeapMem, scala.Option<Object> maxOffHeapMem)
public StorageStatus(BlockManagerId bmid, long maxMemory, scala.Option<Object> maxOnHeapMem, scala.Option<Object> maxOffHeapMem, scala.collection.Map<BlockId,BlockStatus> initialBlocks)
public BlockManagerId blockManagerId()
public long maxMemory()
public scala.Option<Object> maxOnHeapMem()
public scala.Option<Object> maxOffHeapMem()
public scala.collection.Map<BlockId,BlockStatus> blocks()
public scala.collection.Map<BlockId,BlockStatus> rddBlocks()
public scala.collection.Map<BlockId,BlockStatus> rddBlocksById(int rddId)
public boolean containsBlock(BlockId blockId)
blockId
- (undocumented)this.blocks.contains
, which is O(blocks) time.public scala.Option<BlockStatus> getBlock(BlockId blockId)
blockId
- (undocumented)this.blocks.get
, which is O(blocks) time.public int numBlocks()
this.blocks.size
, which is O(blocks) time.public int numRddBlocks()
this.rddBlocks.size
, which is O(RDD blocks) time.public int numRddBlocksById(int rddId)
rddId
- (undocumented)this.rddBlocksById(rddId).size
, which is
O(blocks in this RDD) time.public long maxMem()
public long memRemaining()
public long cacheSize()
public long memUsed()
public scala.Option<Object> onHeapMemRemaining()
public scala.Option<Object> offHeapMemRemaining()
public scala.Option<Object> onHeapMemUsed()
public scala.Option<Object> offHeapMemUsed()
public scala.Option<Object> onHeapCacheSize()
public scala.Option<Object> offHeapCacheSize()
public long diskUsed()
public long memUsedByRdd(int rddId)
public long diskUsedByRdd(int rddId)
public scala.Option<StorageLevel> rddStorageLevel(int rddId)


PHOENIX (director: Danny Cannon; screenwriter: Eddie Richey; cinematographer: James L. Carter; editor: Zach Staenberg; cast: Ray Liotta (Harry), Anthony LaPaglia (Henshaw), Jeremy Piven (Fred), Daniel Baldwin (James), Anjelica Huston (Leila), Tom Noonan (Chicago), Giancarlo Esposito (Louie), Xander R. Berkeley (Clyde), Kari Wuhrer (Katie ), Brittany Murphy (Veronica); Runtime: 105; Trimark/Lakeshore Entertainment; 1998)
Reviewed by Dennis Schwartz
A mindless film noir set in Arizona. The film it resembles most is "Bad Lieutenant" (1992). It's a bleak story about a cop who is a compulsive gambler with bad luck. He's faced with a situation where he must pay back $32,000 to a vicious bookie called Chicago (Noonan), or else squaring the debt by killing a prisoner he has in custody. His other option is that one of his crooked detective partners will do him a favor and kill Chicago, if he wants to go that route. Chicago has a shaved head and talks like Sylvester the Cat with a lisp, and has a number of enforcers working for him.
In imitation of Pulp Fiction, there's lots of frivolous talk. Liotta talks about TV cartoons and the unnecessary construction of gigantic doors and walls to keep "King Kong" out of a village. It's a film Liotta saw a 100 times. He also talks about the great bluesman Robert Johnson and of Dostoyevsky being a compulsive gambler.
Harry (Liotta) is a wise guy cop with the gambling problem, who is teamed with three other rogue cops. They all have a bad attitude about their jobs and they're all sleazebags. Henshaw (LaPaglia) moonlights as a strong-arm man for a loan shark/pimp called Louie (Esposito).  Fred (Piven) is uptight and goes along with all the foul play.  Her affair with his boss (Xander R. Berkeley) in the police department, is the most deadly one.
Harry is a good guy with an honorable code of ethics and would be fine, if his gambling habit didn't make him so twisted.  He tries to make a relationship with her bartender mother (Anjelica Huston) work, but the two have been hurt so much that their relationship is slow in getting started because of mistrust.
The main action takes place when the four rogue cops decide to knock off Louie's nude dancing club at 2:30 A.M., to get at his safe. They end up shooting Louie and two of his henchmen, and are forced to call a locksmith to open the safe. But the film turns even nastier, as a series of double-crosses take place and it becomes clear that the rogue cops have different reasons for pulling the robbery. The film ends in a violent shootout and Harry throwing his badge on the floor while on the run, but not before he squares all his debts and takes care of all those who screwed him. He dies living by his code: that he will never welsh on a bet or betray a friend.
The film has nothing to say that makes sense, the acting was forgettable, the dialogue was trite, and all the characters seemed to be out to lunch. It's a film that will not rise from it's ashes.
REVIEWED ON 5/17/2001 GRADE: C-
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Worked on automating service test runs and porting exisiting service testing infrastructure to Amazon Web Services.
Was awarded a pre-placement job offer after the internship.
Developed a mini operating system from scratch to with keyboard, display (VGA) , hardware-clock drivers and an example shell as a part of this mini operating system.
Contibuted to MIT-JOS to add features like Memory Management using Paging and Segmentation and Process Management. All code written in C and Assembly from scratch.
Ported the existing implementation of libckpt checkpointing library from 32 bit to 64 bit (C++).
Implemented a framework for checkpointing Java based applications using different heuristics with the help of DMTCP checkpointing library.
Developed an application for downloading course content automatically from BITS Goa's course server (moodle) using C# (Windows) and Python (*nix based systems);
A 4th year undergraduate student pursuing B.E. (Hons) Computer Science.


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--- layout: default title: "Ariel Hahn | Hahn Ariel" ---
I am an artist, archivist, and digital librarian interested in questions of time, history, power, technology, and the natural world. Currently, I work with the Digital Services & Technology Department at Cal Poly Pomona as their first-ever Data Management Librarian.
I recently received an MLIS from the Department of Information Studies at University of California, Los Angeles and am a former organizer for README, a student group that advocates for digital rights within libraries, archives, and information work. From 2018-2019, I worked as a Community Archivist and Librarian with the Women's Center for Creative Work / Feminist Library on Wheels as an Andrew W. Mellon Foundation Fellow for the UCLA Community Archives Lab.
My additional professional experience as a creative consultant and producer ranges from film and audio production to grant writing, web design, research, and archiving for artists, writers, publishers, and non-profits.
In the year prior to graduate school, I secured $175,000 in grants and tax credits for a New York-based neon art manufacturer, Lite Brite Neon; produced NO: an experimental audio mini-season about sexual consent with Peabody-nominated podcast, the Heart; and conducted extensive research for Academy-award nominated filmmaker Sam Green's current documentary, A Thousand Thoughts, about the Kronos Quartet.
I like to think about analog media, radical queer futures, networks of plant decay, and the transformative possibilities of digital tools.
Want to get in touch? You can reach me through email at arielhahn @ ucla.edu or via Twitter @aireuhl.


Mapping the world together
State of the Map is the annual event for all mappers and OpenStreetMap users. Enjoy three days in the heart of Europe with talks, discussions, workshops, code and documentation sprints all around the free and open map of the world.


My focus is classic plays and heightened language like Shakespeare, Molière and Beaumarchais. I think Aquila, The Pearl and New York Classical Theatre do awesome work. I love laughter.
I went to the School of Performing Arts at LaGuardia High School and received my BFA in acting from DePaul University. I also studied Commedia dell’Arte, Feldenkrais, Lecoq, and sword fighting for 5 years.
I played Doofus in David Lindsay-Abaire's off-Broadway premiere of Snow Angel. I also appeared in Much Ado About Nothing, Henry V, Iphigenia In Tauris, Life’s a Dream, and The Mark of Zorro to name a few.
Benedick
Fluellen
Basilio
Arkas
Papacacia
Pedro
Prosecuting Attorney
Oscar
Gaston
Doofus
DePaul University
Society of American Fight Directors (SAFD), 2007–2011
Society of American Fight Directors (SAFD)
Society of American Fight Directors (SAFD)
School of Performing Arts
Shakespeare / First Folio
Commedia dell'Arte / Mask / Mime
Dialects / Accents
Fight Choreography / Stunt Work
Stage Make-up
Basic Gymnastics / Circus Arts
HENRY V
LIFE’S A DREAM
MACHINAL
KOSI DASA
“Engaging and relaxed” — Chicago Critic
“Sombreros off!” — Steadstyle Chicago
“★★★★” — Time Out Chicago
“Bone-crunching work!” — Windy City Times
“The most consistent performance.” — The Depaulia
<EMAIL_ADDRESS>646-820-8246


empty alert dialog
empty confirm dialog
empty info dialog
(does not make sense because you will have to reload the page)
open alert dialog
open confirm dialog
open confirm dialog, dialog content is filled by an ajax call


@@include('./head.html')
@@include('./header.html')Any incidents reported online will be processed in the same manner as telephone calls.
FIND OUT MOREFind out if a career with the GPS is just the change you’re looking for...
FIND OUT MOREAny incidents reported online will be processed in the same manner as telephone calls
FIND OUT MOREThe current threat level in the UK from international terrorism is severe. That means that a terrorist attack is highly likely.
The threat to Great Britain from Northern Irish terrorism is moderate. This means that a terrorist attack is possible, but not likely.
The Grandton Independence
The Grandton Daily Times
The Grandton Daily Telegraph
Good Morning Grandton


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Schiff: Dems Wanted 'Whistleblower' to Testify Until Trump Put 'Life in Danger' | Breitbart
by Pam KeyOn Sunday’s broadcast of NBC’s “Meet the Press,” Rep. Adam Schiff (D-CA) said House Democrats wanted the so-called whistleblower to testify until President Donald Trump’s comments.
Schiff said, “We had a deep interest in having the whistleblower testify until two things happened. One, we were able to prove everything in the whistleblower complaint with witnesses that had first-hand information.”
He continued, “Second, the president and his allies effectively put the whistleblower’s life in danger. The president said the whistleblower and others should be treated as a traitor or a spy, and we ought to use the penally we used to use for traitors and spies, and that is the death penalty.”
He added, “We don’t need the whistleblower’s secondhand evidence anymore. It would only serve to endanger this person and gratify the president’s desire for retribution. That is not a good enough will-be reason to bring in the whistleblower.”
Follow Pam Key on Twitter @pamkeyNEN


S-Tags
These are the tags used to insert conditional content into the body of the email.
First Name
The code below checks if they have a first name field, inserts the name if they do or friend if they don't. Use this version rather than [[S1:first_name]] because while we always have this field for people, the first name value doesn't get passed to the "view online" version of the email.
[[?xx::x[[S1:first_name]]x::friend::[[S1:first_name]]]]
Primary Salutation
Luminate calls the "primary salutation" field in RE the Casual salutation. You can change this one to [[S1:Salutation_Formal]] if you want their Primary Addressee field to be used instead (beware that one includes titles).
[[?xx::x[[S1:Salutation_Casual]]x::friend::[[S1:Salutation_Casual]]]]
Joint Salutation
Bad news, we can't do joint salutations in emails. It's a field that is on the relationship record between two constituents in RE and Luminate is unable to access those fields.
Group Membership
It's possible to dynamically load content based on group membership. In this case we changed the text of the first paragraph to change the language of the invite based on which group they were in. It's possible to put the entire message within these if clauses.
<convio:when title="Member of Group: NAME OF GROUP" test="eq" selected="selected">
<convio:op><convio:session name="45" param="48783:IF_KNOWN" ></convio:session></convio:op>
<!-- If this person is in the group -->
<convio:op>TRUE</convio:op>
<convio:then>I am delighted to invite you</convio:then>
</convio:when>
<!-- If not in the group -->
<convio:when title="Not Member of Group: NAME OF GROUP" test="eq">
<convio:op><convio:session name="45" param="48783:IF_KNOWN" ></convio:session></convio:op>
<convio:op>FALSE</convio:op>
<convio:then>I am delighted to invite you and a guest</convio:then>
</convio:when>
<!-- If not a constituent/opened through "view online" -->
<convio:otherwise title="Unknown">I am delighted to invite you</convio:otherwise>
</convio:choose>


Kusama - KSM - https://kusama.network
This project has gone up more than any other this week.
This is partly because of the hype surrounding Polkadot and the fact that this is an already live version of the Polkadot system.It's currently #37 in the CoinGecko rankings, having risen 8% in the last 24 hours. Live 24h price change data will soon be incorporated into the crypto info on the home page.
Bitcoin - BTC - https://www.bitcoin.org
The original cryptocurrency has had a not-unusually volatile past few days.
It hit multiple all-time high's over the weekend, plummeting over 10% in the last 24 hours. A lot of people are now wondering if the price will continue to drop, or if it's just warming up for another pump.


This page shows the attendance rates of the committees in the National Assembly and the National Council of Provinces in {{year}}. The attendance rate is automatically updated as committees meet and attendance is recorded.
You can click on a committee name to get more information; historical attendance rates as well as membership details can be found in the right sidebar of every committee page. It's also possible to download the raw data to do your own calculations and analysis.
For MP and Minister attendance rates we'd like to refer you to People's Assembly.
For more information about this attendance data please see our Attendance Methodology.
Download data Historical Attendance| Committee | Attendance | {% if total_years > 1 %}Since {{last_year}} | {% endif %} {% with attendance_house=attendance_na %} {% include '_attendance_overview_rows.html' %} {% endwith %}
|---|
| Committee | Attendance | {% if total_years > 1 %}Since {{last_year}} | {% endif %} {% with attendance_house=attendance_ncop %} {% include '_attendance_overview_rows.html' %} {% endwith %}
|---|


Some Output and Input Issues
Outputting text to the screen in adv3Lite is mostly pretty straightforward. Since, unlike adv3, there is no transcript as such, text in a double-quoted string (or a say(txt) statement) is generally output straight to the screen, thereby obviated most of the output problems that can vex adv3 game authors.
About the one case you might have to worry about is text containing HTML markup, especially if that markup contains quotation marks (e.g. ). The problem is that by default one of the adv3Lite output filters converts all straight quotes into "curly" or "typographical" quotes, so that " can become “ or ” and ' can become ‘ or ’, thereby messing up the HTML. This is also an issue with the aHref() function that can be used to produce clickable command links in your output (since it uses HTML markup). This was more of a problem in earlier versions of adv3Lite. The adv3Lite library is now better at handling quotation marks in HTML mark-up without user intervention so it may be you won't experience any problems with this. But just in case you do, there are a couple of ways round it.
One is to use the htmlSay(txt) function. This will output txt (given as a single-quoted string) without any conversion of straight quotes to typographical quotes, so it's safe to use with HTML mark-up or anything else that needs to preserve the straight quotes.
The other, which you need to use if you want to output text using a double-quoted string, is to disable and enable the cquotes output filter before and after outputting your text, like this:
cquoteOutputFilter.deactivate(); "No curly quotes here!"; cquoteOutputFilter.activate();
The library makes use of a number of other output filters which you may occasionally find useful in your own game code. The most convenient way to use them is probably via the appropriate methods of outputManager.curOutputStream (which you can abbreviate to gOutStream):
- watchForOutput(func): Watch the stream for output. It's sometimes useful to be able to call out to some code and determine whether or not the code generated any text output. This routine invokes the given callback function, monitoring the stream for output; if any occurs, we'll return true, otherwise we'll return nil.
- captureOutput(func, [args]): Call the given function, capturing all text output to this stream in the course of the function call. Return a string containing the captured text.
A simple example of the second of these might be:
local str = gOutStream( {: "Hello World!" } );
Which would result in str containing 'Hello World!'. A more practical example might be:
local str = gOutStream( {: myObj.doSomething() } );
When we don't know in advance what output doSomething() will produce.
Some Input Issues
inputManager
You may want to look at the inputManager methods for ways of pausing output and requesting input.
Parser Queries
When the parser doesn't understand a player's command it will often ask a clarificatory question, such as "Which do you mean, the red ball or the blue ball?" in response to X BALL. Occasionally the parser may then need to decide whether the player's response is intended to be an answer to the query or a fresh command.
For example, consider the following exchange:
>X WALL Which do you mean, the east wall or the west wall? >EAST
Is the player tellling the parser than s/he means the east wall, or is s/he issuing a new command to go east? The parser's interpretation here is governed by the priority property of the ParseErrorQuestion class. If this is set to true (the default) then the parser will assume that in such cases the player is responding to the immediately preceding query (e.g., that s/he means to refer to the east wall). If game code overrides it to nil, then the parser will make the opposite assumption.
Note that this only applies if the player's input could be interpreted either way. So, for example, if instead of typing EAST the player typed GO EAST this would be taken as a command to GO EAST in any case.
StringPreParser
It is sometimes useful to alter the player's input before passing it to the Parser to interpret. For this purpose you can use a StringPreParser and define its doParsing() method:
myPreParser: StringPreParser
doParsing(str, which)
{
/* do stuff here */
return str;
}
Here, str is the string typed by the player (possibly adjusted by one or more previous StringPreParsers). The which parameter gives some indication of the context of what the player just typed and can be one of:
- rmcDisambig: the player has just responded to a disambiguation prompt.
- rmcAskObject: the player has just responded to a request to supply a missing object to complete a command.
- rmcCommand: the player has entered a new command at the command prompt.
Note that even if which is rmcDisambig or rmcAskObject the player may have entered a complete new command instead of responding to the request to disambiguate or to supply a missing noun. You code will need to check for this possibility.
The doParsing() method should then return the (same or adjusted) string which will passed on to the Parser to interpret. Alternatively it can return nil to signal that the StringPreParser has dealt with the player's input in full, so the Parser can ignore it. For example, the adv3Lite library defines a commentPreParser thus (in order to field play-testers' comments on beta versions of your game):
/* ------------------------------------------------------------------------ */ /* * The "comment" pre-parser. If the command line starts with a special * prefix string (by default, "*", but this can be changed via our * commentPrefix property), this pre-parser intercepts the command, * treating it as a comment from the player and otherwise ignoring the * entire input line. The main purpose is to give players a way to put * comments into recorded transcripts, as notes to themselves when later * reviewing the transcripts or as notes to the author when submitting * play-testing feedback. */ commentPreParser: StringPreParser doParsing(str, which) { /* get the amount of leading whitespace, so we can ignore it */ local sp = rexMatch(leadPat, str); /* * if the command line starts with the comment prefix, treat it * as a comment */ if (str.substr(sp + 1, commentPrefix.length()) == commentPrefix) { /* * It's a comment. * * If a transcript is being recorded, simply acknowledge the * comment; if not, acknowledge it, but with a warning that * the comment isn't being saved anywhere */ if (scriptStatus.scriptFile != nil) DMsg(note with script, 'Comment recorded. '); else if (warningCount++ == 0) DMsg(note without script warning, 'Comment NOT recorded. '); else DMsg(note without script, 'Comment NOT recorded. '); /* * Otherwise completely ignore the command line. To do this, * simply return nil: this tells the parser that the command * has been fully handled by the preparser. */ return nil; } else { /* it's not a command - return the string unchanged */ return str; } } /* * The comment prefix. You can change this to any character, or to * any sequence of characters (longer sequences, such as '//', will * work fine). If a command line starts with this exact string (or * starts with whitespace followed by this string), we'll consider * the line to be a comment. */ commentPrefix = '*' /* * The leading-whitespace pattern. We skip any text that matches * this pattern at the start of a command line before looking for the * comment prefix. * * If you don't want to allow leading whitespace before the comment * prefix, you can simply change this to '' - a pattern consisting of * an empty string always matches zero characters, so it will prevent * us from skipping any leading charactres in the player's input. */ leadPat = static new RexPattern('<space>*') /* warning count for entering comments without SCRIPT in effect */ warningCount = 0 /* * Use a lower execution order than the default, so that we run * before most other pre-parsers. Most other pre-parsers are written * to handle actual commands, so it's usually just a waste of time to * have them look at comments at all - and can occasionally be * problematic, since the free-form text of a comment could confuse a * pre-parser that's expecting a more conventional command format. * When the comment pre-parser detects a comment, it halts any * further processing of the command - so by running ahead of other * pre-parsers, we'll effectively bypass other pre-parsers when we * detect a comment. */ runOrder = 50
Note the use of the runOrder property to determine the order in which this StringPreParser is consulted in relation to any other StringPreParsers that have been defined. StringPreParsers are run in ascending order of their runOrder property (i.e. lowest first); the default value of runOrder is 100.
Note that StringPreParsers also have an isActive property; this can be set to nil on individual StringPreParsers if you want to temporarily disable them.
Finally, note how the commentPrefix property of the commentPreParser defined above can be overridden to change the character (or characters) used to introduce a play-tester's comments.
As an example of a StringPreParser that (sometimes) changes the text passed to it into something else, here's the queryPreParser defined in the adv3Lite library (its function is to change commands like WHERE'S THE SALT into a form like WHERE IS THE SALT, that the parser can more easily understand):
/* * For queries, turn an apostrophe-s form into the underlying qtype plus is so * that the grammar defined immediately above can be matched. */ queryPreParser: StringPreParser doParsing(str, which) { local s = str.toLower(); /* First, check that this looks like a query */ if(s.startsWith('a ') || s.startsWith('ask ') || s.substr(1, 3) is in ('who', 'wha', 'whe', 'why', 'how')) { str = s.findReplace(['what\'s','who\'s', 'where\'s', 'why\'s', 'when\'s', 'how\'s'], ['what is', 'who is', 'where is', 'why is', 'when is', 'how is'], ReplaceOnce); } return str; } ;