The CSS position property is one of the most valuable assets developers have when creating web pages. With CSS positioning, we can precisely control how different block level elements display on the page. This opens up lots of creative and useful possibilities. Let’s take a few minutes to examine what CSS positioning does and how to use it.
The position property takes five possible values:
The default value for the position property is static, meaning the element will behave as would be expected in the flow of the document. In this article, let’s focus on the relative, absolute, and fixed position values.
?
.main-content {
position: value;
}
.main-content {
position: value;
top: 20px;
left: 40px;
}
The position property allows us to do some interesting things with our layouts. Some examples of when this might be useful include the following:
Now let’s take a closer look at the three most widely used values for CSS position.
postion: relative;
top: 50px;
left: 40px;
This will move the element away from the top by 50px and away from the left by 40px, effectively moving it down and to the right.
position: absolute
, it is displayed positioned relative to its parent elements.<html>
element. In other words, it will be positioned absolutely relative to the viewport position: absolute
is almost always used in conjunction with position: relative
used on its parent element.position: fixed
also removes an element from the normal flow of a document.So, now that you’ve had this short introduction to CSS positioning, go out and try it yourself. I think you’ll find a number of useful ways to put this property to use in your designs. Also, go have a look around the internet and see what you can do with position: sticky
. Go forth and code.


{% extends "layout.html" %} {% block body %}
Hello {{ g.user.screen_name }}! Wanna tweet something?
Sign in to view your public timeline and to tweet from this example application.


The Islamic chaplain at Yale University says there is “great wisdom” in the idea of putting to death those who leave his religion. I suspect he may need to have his brain tampered with, or at least be given a dictionary so that he can learn the meaning of “wisdom”. Here, for example, is a proper example of great wisdom from Mick Hartley:
“In these dark days it's somehow comforting to think that someone, somewhere, has been spending their time fitting eye-patches on bees.”
It is indeed.


1. Swift Collection Data Structure
Array
String/Character
- Access String’s Character
- Append a Character to a String
- Convert a Character to a String
Dictionary
: The two above return an Array. So, if you want to access the values of sortedByKey
, try this
2. Control Flow
For
3. Operator
Unsupported Operator
4. Optional
Converting Optional
- Optional Chaining (+ Optional Binding)
-
- Forced Unwrapping
- This is usually used when class initialization or implicitly unwrapped optionals.
Referece


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I don’t like violence, in reel or real life, says Anoop Menon
The actor-writer takes questions on his chequered career in cinema, even as he turns director with ‘King Fish’
by Vijay GeorgeAnoop Menon wears many hats. The law graduate-turned-television star was busy in television as anchor and actor before being launched on the big screen with Kattuchembakam in 2002. After making his mark as an actor, scenarist, author and lyricist, he is now ready to make his debut as a director with King Fish.
Anoop admits that he has gone through his share of insecurities and that his stint in cinema has never been a cakewalk for him. His way with words may have given him the tag of a ‘thinking man’. But, Anoop says in this free-wheeling chat with FridayReview that he doesn’t take all that too seriously. The writer of scripts like Pakal Nakshathrangal, Beautiful and Trivandrum Lodge, explains why his stories are targeted mainly at an adult audience and also about the need to have a proper script.
Edited excerpts from the interview:
What is King Fish about?
(Laughs) Honestly, I am yet to figure that out.
The project was announced with VK Prakash (VKP) as director. What made you decide to turn director with this film?
After Trivandrum Lodge, VKP and I had been planning several projects, including a sequel for the movie. Then this thought came into our discussions and we were all set to proceed with it, when he got busy with a prior commitment. And then I took over. My plan was to make my directorial début with another project with a top star in the lead.
How was it to work with Ranjith? He played a crucial part in your career by launching you as a hero in Thirakkadha?
One of the layers in the plot of King Fish is the relationship between an uncle and his nephew, played by Ranjiyettan (Ranjith) and myself. It was he who gave me the confidence to become the director. We shot in an 80-year-old bungalow and we all stayed together like a family.
Is it wise for an actor to play grey, shaded characters and older roles in an industry where screen images exist and typecasting is a norm?
The crucial thing I have done until now is to follow my instincts. Luckily for me, most of the time, it has paid off. I was asked not to do the negative role in Vikramadithyan but it got me a lot of appreciation besides the Kerala State film award (for the second best actor for 1983 and Vikramadithyan). As an actor, there is so little freedom to choose. You can keep waiting for aeons to get the right role. It may never come! It is better to keep working and then you get more work.
As a popular TV anchor and star, you were a familiar face for viewers. So, were there any hiccups after you moved to the big screen?
It was not easy to get rid of that ‘tv actor’ label. There were no posters of mine even though I was the hero of Thirakkadha, as I was still branded as a ‘serial actor’ then. It was then that I realised that to be in cinema as an actor you have to create a certain identity. I had many insecurities as an actor, mainly during those initial years. Even after Thirakkadha, I barely had any movies for a certain period until Cocktail happened.

(Smiles) That is a complete misconception. I am a fun loving person. The books I have read and the movies I have seen are nothing when compared to the reading and viewing of some of my peers.
After completing law with flying colours, how did your attention shift to acting?
I used to read voraciously while in school and cinema was always a fascination. Law was the safe backup plan. The turning point, perhaps, was the offer to become an anchor, which incidentally came to me while we were on our way to celebrate my rank.
Regarding your scripts, do you agree that ‘mature entertainers’ are your forte?
 I prefer the quiet, beautiful genre of movies where everything is rosy and pleasant. I stay away from extreme sadness in my scripts and, somehow, I can’t make movies for kids. My narrative, perhaps, starts from the 25-plus age, which I believe is my milieu. I observe people who are mature enough to know the meaning of life.
You are not often seen doing comedy...
I love doing comedy but I am not offered any. The exceptions were Angry Babies or the interactions that my character had with Jayasurya in Beautiful.
From your style, it looks like you are fascinated by movies that are mostly dialogue-driven?
I am dependent on literature. I strongly believe the most important part of a film is the script. I can’t subscribe to the theory of making movies without a script. I even feel that some of the movies made by certain brilliant technicians have fallen short of becoming really great, as they didn’t adhere to a proper script.
Which are your forthcoming projects?
I am planning to direct Madras Lodge next year. Though the names sound similar, the story is in no way connected to Trivandrum Lodge. I am co-writing a script with Ranjith, to be directed by Shanker Ramakrishnan. As an actor, I have Ranjith Sankar’s Kamala and Siddique’s Big Brother in which I am playing Lalettan’s (Mohanlal) brother.


We’re attempting to recreate our whiteboard-based task board with a touchscreen monitor. Additionally, we’re hoping to place TVs throughout the brewery, so that you can glance up anywhere and see where each task is at.


Permit the microphone request. Then whistle pitching downwards. Github Source. Original idea by Jacob Rudenstam.


April 3rd, 2020
The term happiness is used in the context of mental or emotional states, including positive or pleasant emotions ranging from contentment to intense joy. It is also used in the context of life satisfaction, subjective well-being, eudaimonia, flourishing and well-being.
Since the 1960s, happiness research has been conducted in a wide variety of scientific disciplines, including gerontology, social psychology and positive psychology, clinical and medical research and happiness economics.
'Happiness' is the subject of debate on usage and meaning, and on possible differences in understanding by culture.
If your current savings plan is waiting until the end of the month to squirrel away $50 of leftover cash, it’s time to re-think your approach. Regardless of how often you’re paid, it’s important you treat your savings like a non-negotiable bill. By paying yourself at the beginning of your pay cycle you’ll avoid the traps of overspending and will be more likely to gain traction and grow your savings successfully over time.
Take the guess work out of savings by setting up automated payments that distribute funds into clearly defined accounts, one for long term savings (like a saving for a home or starting a family) and the other for short term savings (like your next trip to Europe or that luxe pair of shoes you’ve been eyeing off for months).
“Our mantra for cashflow is automation and segregation, so segregate your accounts and automate your payments to each of them,” tells Brady.
Taking the time to pin point and understand your personal goals will help you select the right investment path to suit your needs.


About Me
My name is Christopher Quiocho. I am originally from Honolulu, HI and I currently reside in Seattle, WA. I moved to Washington for a great job opportunity at the time and also because I absolutely love to go camping during the summer and skiing in the winter. The Pacific Northwest is great for that!
I was a Regional Talent and Business Development Manager for a well known hairdressing company for 9 years. I had the opportunity and pleasure of traveling and facilitating continuing education classes and on-going training throughout the United States, Canada and Latin America.
As far as education goes, I hold a Bachelor of Arts Degree in Political Science and a Bachelor of Fine Arts in Dance Theatre. I am currently attending Code Fellows to pursue a Certificate in Software Development.
Top 10 Countries I Want to Visit
- Thailand
- Taiwan
- Italy
- Greece
- Ireland
- Korea
- Brazil
- Australia
- Cuba
- Japan
Work Experience
- Senior Finance Administrator, Muckleshoot Casino
- Regional Talent & Business Development Manager, TIGI Linea Corp
- Executive Marketing Assistant, Concentrus
Education
- Certificate in Software Development, Code Fellows
- Bachelor of Arts in Political Science, University of Hawaii at Manoa
- Bachelor of Fine Artis in Dance Theatre, Univerisity of Hawaii at Manoa


Education for Immigrants
Settling in a new area causes many challenges, whatever your background, and there are some that are common experiences among most immigrants
Children of immigrants tend to do better in school than children of native-born Americans. On average their grades are higher and their rates of graduation are higher, when compared with the rest of the school population.
These students may lack the educational background often present in American students. Because of this, students may enter Kindergarten with much lower skills in math than any other.
With regards to school, parents often feel disappointed to see their children struggling to keep up in class, and many parents report bullying and discrimination as a result of cultural differences. Kids are often placed by their age rather than by their ability, and for those who are unable to speak English, it's virtually impossible to keep up. To add further insult to injury, parents may not have the education or language skills to assist their children, and they may not be able to communicate with faculty to address the problem.
Deferred Action for Childhood Arrivals (DACA) is a kind of administrative relief from deportation. The purpose of DACA is to protect eligible immigrant youth who came to the United States when they were children from deportation. DACA gives young undocumented immigrants protection from deportation, and a work permit. More than half a million people have applied for DACA through June 2013; 72 percent have been approved, while just 1 percent have been denied.
Students who are accepted to college then must find a way to pay for it. If they cannot prove legal residency in a state, they must pay much higher out-of-state or international-student tuition rates, without the assistance of financial aid
DACA helps with all of these issues by providing protection from deportation, a social security number, a work permit and the ability to obtain a driver's license. These resources enable students to apply for financial support to attend college, obtain health insurance, open bank accounts and provide for their families by accessing jobs previously unavailable to them.
The United States, is not known for being multilingual. So imagine arriving here, unable to speak English. Try getting a job, making friends, or even completing basic tasks like buying food or filling out forms. To address this, many refugees and immigrants take ESL classes, but finding the time between jobs and caring for kids can be difficult. Especially difficult if you weren't literate in your native tongue to begin with.
Many of the new arrivals don't speak much English and are behind academically. They often come with scars, having fled desperate poverty or violence or both. Many endured difficult journeys, sometimes leaving their families behind or rejoining parents in the United States after years of separation. And U.S. schools, already strapped for resources, are trying to provide special services, including · English-language instruction and mental-health care.
The schools have to, because it's the law: Children who are living in this country have a right to a public education, regardless of their immigration status. But for many educators it's also more than a legal obligation, it's the moral thing to do.
There are specific organizations such as TheDream.Us that help immigrant youth and undocumented students who have received DACA status achieve their American Dream through the completion of a college education. The Mexican American Legal Defense and Educational Fund also provides students a scholarship program, regardless of their immigration status, as long as students can demonstrate a commitment to advancing Latino civil rights through their career.
Not only do such organizations provide scholarship programs and opportunities, but they also have education resources based on your state - be sure to check your current or prospective college's scholarship and financial aid opportunities to help fund your college education. You may need to conduct some personal research and stay updated on immigration policies, as they are constantly fluctuating and may have some gray areas. Even if a state does not have a DREAM Act, schools may offer merit scholarships that are not tied to federal funding. And remember to conduct a free search to see what scholarships you may be eligible for.


Experience
Developer
Teacher
Activist
Contact
Experience
Developer
Teacher
Activist
Blog
About
Contact
Developer
Teacher
Activist


H.B. Woodrose
While looking on an internet site for herbal ecstasy, I came across these seeds which were described as having LSD like effects. I've had lots of experience with stimulants such as MDMA, Cocaine etc, but no hallucinogenic psychoactives such as LSD or mushrooms. I've allways been interested in trying LSD but was scared off by possiblility of a bad trip. These seeds however were described as being much milder and a much shorter trip.
They arrived within 2 days and I decided to do them that weekend. After reading the experiences on erowid I decide to take 6 seeds (the minimum amount of seeds which still gave positive results) using cold water extraction to try and avoid nausea. I removed the husk, mashed the seeds up in a mortar and pestle, placed them in a small bottle and half filled it with water then left it for 3 hours, shaking the bottle occasionally.
I then strained the mixture, ate a small amount of the pulp (1 or 2 seeds) and threw the rest away, leaving me with a muddy brown liquid. It smelled woody, like my hands would smell when I was 10 years old and had been out climbing trees and playing in the woods. I mixed it with some fruit juice and and drank it over a period of half an hour on an empty stomach(2:00pm). It tasted quite nice, like blackcurrent ice tea. I'd say my mindset was pretty neutral but I was quite nervous.
As I finished the drink I started to feel the effects, I felt slightly drunk but with a different sort of intoxification, I played on the computer for a bit but started to feel tired and not with it, so I lay on the sofa and watched TV. My girlfriend came in at that point and started making lots of noise which annoyed me excessively.
Over the next 2 and a half hours (T + 1:00 - T + 3:30) The feelings intensified, I felt more drunk more tired and I also started to get flu like symtoms such as diziness, and it felt like I had a hangover. Nausea began to build and I went to the tiolet to see if I could be sick. I had one heave but nothing came out, as soon as I did that however I started to feel much better, relieving the nausea.
I was now at the peak (T + 4:00) and while most of the effects were physical, I did notice some mental effects. There were some quite strong breathing of surfaces, strong light and shade changes and some sparkling of objects, I also had a couple of giggling fits, no increase in thought patterns though.
It may have been quite pleasant had it not been for the physical effects which were still too unpleasant. I lay on the sofa looking out of the window for a while at the leafless branches of a large tree swaying in a strong breeze which looked quite nice.
After this, all the effects described above started to fade gradually untill about T + 6:30 when I felt ok to eat someting. by the time I went to bed at T + 8:30 I felt totally normal, a little giggly still maybe, and I slept normally.
Summary- I feel that the dosage I had was probably too low, and that there is probably a threshold I need to go over in order to trip properly and get rid of the nausea. However I will probably not be trying these again. A stronger dose will probably enable me to trip properly but I would still need to encounter the physical effects I had initially and stronger, in order to get to that point, which i'm not prepared to do as they were just to unpleasant.
Overall the effect was one of being food poisened, or of being extremely ill, rather than being nicely intoxicated.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


| Before | After |
I was helping Eric Resko install a Dana 44 rear end in his '87 Wrangler when he showed me a neat trick to increase travel of the rear axle. The rear cross member restricts movement of the rear shackle and some minor trimming of the cross member can greatly increase the movement of the shackle. The before and after pictures above show the dramatic increase in range of motion of the shackle.
The material on the rear cross member inside of the frame rail stops backward movement of the shackle. Eric trimmed the material with an air cut-off wheel, but the work could be done with a saws-all or saber saw. There wasn't enough room to get my circular saw in there. This modification should work for any '87-'95 Wrangler. Look for an article on the YJ/Dana 44 swap in the January '98 issue.


|
Immortality
(Celine Dion) |
|
Immortality
I make my journey through eternity I keep the memory of you and me inside Fulfill your destiny, Is there within the child, My storm will never end, My fate is on the wind, The king of hearts, the joker's wild, But we don't say goodbye, I'll make them all remember me Cos I have found a dream that must come true, Every ounce of me must see it though, But you are my only I'm sorry I don't have a role for love to play, Hand over my heart I'll find my way, I will make them give to me Immortality There is a vision and a fire in me I keep the memory of you and me, inside And we don't say goodbye We don't say goodbye With all my love for you And what else we may do We don't say, goodbye |


This is a simple paragraph his is a simple paragraph his is a simple paragraph his is a simple paragraph his is a simple paragraphhis is a simple paragraphhis is a simple paragraphhis is a simple paragraph
This is a simple paragraph


Manage Tutor
| First Name | Last Name | Subject | Username | Password | Phone | Time Availability | Session | Tutor Type | GoogleDrive Common | GoogleDrive Individual | Blog | CCNY_FL | Status | Campus | Alumni | Active/Inactive | Manage | |
| First Name | Last Name | Subject | Username | Password | Phone | Time Availability | Session | Tutor Type | GoogleDrive Common | GoogleDrive Individual | Blog | CCNY_FL | Status | Campus | Alumni | Active/Inactive | Manage | |


Saturdays.AI is a global community with campuses all around the world. Each city has its own ecosystem and network of graduates: explore them and choose the one that is made for you!


Basic Chart for Visualization of Top / Flops
Link to blog: Design Studio SDK: Data Bound Top/Flop Chart


source: http://www.securityfocus.com/bid/21082/info
Links and ELinks are prone to a remote command-execution vulnerability because the applications fail to properly process website data containing 'smb' commands.
An attacker can exploit this issue to execute arbitrary 'smb' commands on a victim computer. This may help the attacker compromise the application and the underlying system; other attacks are also possible.
Links 1.00pre12 and ELinks 0.11.1 are vulnerable; other versions may also be affected.
NOTE: This vulnerability may be exploited only if 'smbclient' is installed on a target computer.
Put /etc/passwd Get .bashrc


Often, you'll find yourself needing to make specific updates to the UI without destroying some part of the active state - values in input boxes, scrollbar positions, selected menu items, etc. To get that finer-grained control, Grimwire provides the "application/html-deltas+json" content type.
HTML Deltas is a simple data structure which describes ordered operations on the DOM. Every operation takes a selector (automatically scoped to the target region) and some parameters. The schema is defined as follows:
[ ['operation 1', 'selector', 'param1', 'param2', ...], ['operation 2', 'selector', 'param1', 'param2', ...], ... ]
response.writeHead(200, 'ok', {'content-type':'application/html-deltas+json'}); response.end([ ['replace', '#status', 'All clear!'], ['addClass', '.connection', 'available'] ]);
An example of using HTML Deltas
The following operations are currently available:
| Operation | Parameters | Behavior |
|---|---|---|
| replace | HTML | Replaces the innerHTML of the target element(s) |
| append | HTML | Appends to the innerHTML of the target element(s) |
| prepend | HTML | Prepends to the innerHTML of the target element(s) |
| remove | Removes the target element(s) | |
| addClass | class(es) | Adds the given classes to the target element(s) |
| removeClass | class(es) | Removes the given classes from the target element(s) |
| toggleClass | class(es) | Toggles the given classes on the target element(s) |
| setAttribute | attribute, value | Sets the the value of the given attribute of the target element(s) |
| navigate | URL | Triggers a GET request on the target client region target must be a child region of the current region |


EasyPowerMockPlugin()
MockspressoEasyPowerMockPluginsJavaSupport#mockByPowerMock()
This class will be removed in a future release
Plugin that applies EasyPowerMockMockerConfig
to enable mockspresso usage with Powermock + EasyMock. This plugin does not apply a PowerMockRule, so the implementer is responsible for either running their test with the PowerMockRunner or applying their own PowerMockRule


{% extends "layout.html" %} {% block pageTitle %} {{ serviceName }} {% endblock %} {% block beforeContent %} {% include "includes/phase-banner.html" %} {{ govukBackLink({ text: "Back", href: "/" }) }} {% endblock %} {% block content %}
We’ve matched your search “{{ data.search }}” to these areas. Choose a place to see what you can or cannot do in that area.
We cannot find an area for your search “{{ data.search }}”.
Enter another postcode or place name to find out what restrictions there are.
{% endif -%}


Resume
Melanie Callanta
| #0465 purok 7,Dontogan Green Valley Baguio City,Benguet |
|<PHONE_NUMBER>2 |
|<EMAIL_ADDRESS>|
Educational Background
Attend Butigue Elementary School
Attend Butigue National High School 2014
Studied at University of the Cordilleras 2016
Technical Skills
Read and Analyze Programs
Accomplishments/Achievements
I won 2 gold medals for joining Teakwondo(2012-2013)
Other Information
During High School, i joined Teakwondo and competed District and Provincial Meets.
I can read 3 pocketbook for 2 hours.
Character References


PerCuriam
MARK A. BRISCOE
and
SHELDON A. CYPRESS,
PETITIONERS
v.
VIRGINIA
Per Curiam .
We vacate the judgment of the Supreme Court of Virginia and remand the case for further proceedings not inconsistent with the opinion in Melendez-Diaz v. Massachusetts , 557 U. S. ___ (2009).
It is so ordered.
PerCuriam
MARK A. BRISCOE
and
SHELDON A. CYPRESS,
PETITIONERS
v.
VIRGINIA
Per Curiam .
We vacate the judgment of the Supreme Court of Virginia and remand the case for further proceedings not inconsistent with the opinion in Melendez-Diaz v. Massachusetts , 557 U. S. ___ (2009).
It is so ordered.
PerCuriam
MARK A. BRISCOE
and
SHELDON A. CYPRESS,
PETITIONERS
v.
VIRGINIA
Per Curiam .
We vacate the judgment of the Supreme Court of Virginia and remand the case for further proceedings not inconsistent with the opinion in Melendez-Diaz v. Massachusetts , 557 U. S. ___ (2009).
It is so ordered.
PerCuriam
MARK A. BRISCOE
and
SHELDON A. CYPRESS,
PETITIONERS
v.
VIRGINIA
Per Curiam .
We vacate the judgment of the Supreme Court of Virginia and remand the case for further proceedings not inconsistent with the opinion in Melendez-Diaz v. Massachusetts , 557 U. S. ___ (2009).
It is so ordered.
PerCuriam
MARK A. BRISCOE
and
SHELDON A. CYPRESS,
PETITIONERS
v.
VIRGINIA
Per Curiam .
We vacate the judgment of the Supreme Court of Virginia and remand the case for further proceedings not inconsistent with the opinion in Melendez-Diaz v. Massachusetts , 557 U. S. ___ (2009).
It is so ordered.


{% extends "layout.html" %}
{% block content %}
{{ overall_stats['num_games_completed']}} completed of {{ overall_stats['total_games'] }} total games
({{'%0.2f'| format(overall_stats['num_games_completed']/overall_stats['total_games']* 100|float)}}%)
{{ overall_stats['num_lists_entered'] }} lists entered of {{ overall_stats['total_num_lists'] }} lists
({{'%0.2f'| format(overall_stats['num_lists_entered']/overall_stats['total_num_lists']* 100|float)}}%)
{{ overall_stats['num_attachments_uploaded'] }} attachments uploaded of {{ overall_stats['total_games'] }} games
({{'%0.2f'| format(overall_stats['num_attachments_uploaded']/overall_stats['total_games']* 100|float)}}%)
Player Rankings
| Name |
Pod |
Points |
MoV |
Total Played |
Wins |
Losses |
Draws |
{% for p in player_stats.values() %}
| {{ p['player'] }} |
{{ p['division'] }} |
{{ p['points']}} |
{{ p['MoV']}} |
{{ p['total'] }} |
{{ p['wins']}} |
{{ p['losses']}} |
{{ p['draws']}} |
{% endfor %}
Pod Racing
| Pod |
Completed |
Of Total |
Progress |
Matches Left |
{% for d in league_stats.values() %}
| {{ d['name'] }} |
{{ d['complete'] }} |
{{ d['total'] }} |
{{'%0.2f'| format(d['complete'] / d['total']* 100|float)}}% |
{{ d['total'] - d['complete'] }} |
{% endfor %}
{% endblock %}


 This Sudoku Sovler works in a pretty straight forward way, input the puzzle you are working on and click solve to compute a solution.
The solver assumes any entry that is not a number between 1-9 is a blank square.
The solver is implemented in Python, which does all the heavy lifting on the server, and returns the solved puzzle to the browser. This is a work in progress so any suggestions, comments, etc., are welcome.


The font file will have the file extension .ttf or .fon. The font file OSAFONT.FON in WordKiller font directory is for CBT (Computer Based Test) font.
and click on Control Panel.
This will call up the Fonts folder, which you can view in the formats Large Icons, List, Similarity or Details by clicking the appropriate button.
Select the font you wish to install. In the example shown this is . You should select OSAFONT.FON in WordKiller/font/ directory.
Then press OK.
Windows will then install the font for you and leave you with an updated list of the fonts installed on your computer.


--- layout: post title: ben lee - song for the divine mother of the universe date: 2010-06-04 17:31:08.000000000 +07:00 type: post published: true status: publish categories: - kopas tags: - ben lee - lagu - lirik - song for the divine mother of the universe meta: _edit_last: '7761285' _wp_old_slug: '' geo_latitude: '-8.588990' geo_longitude: '116.130400' geo_accuracy: '206' geo_address: mataram geo_public: '0' author: login: pdft email<EMAIL_ADDRESS>display_name: piko first_name: herpiko last_name: dwi aguno ---
Sweet Mother I'm coming home (x2)
now I know I'm not alone (x2)
cause' I've been far, (x2)
But now I'm close (x2) EVERY VERSE IS REPEATED.


What method (or methods) do we need to call to determine what is inside a PrintWriter during testing?
There are no hints for this question.


Hong Kong stocks finish higher
HONG KONG, Nov 12 — Hong Kong stocks ended with gains today, clawing back some of the hefty losses from the previous day but traders remained on edge as the city was hit by fresh protests that blocked key roads and shut businesses.
The Hang Seng Index gained 0.52 per cent, or 138.73 points, to 27,065.28.
The benchmark Shanghai Composite Index added 0.17 per cent, or 4.85 points, to 2,914.82 and the Shenzhen Composite Index, which tracks stocks on China’s second exchange, also rose 0.17 per cent, or 2.75 points, to 1,614.19. — AFP


importance: 4
Write a function createCalendar(elem, year, month)
.
The call should create a calendar for the given year/month and put it inside elem
.
The calendar should be a table, where a week is

, and a day is
. The table top should be
with weekday names: the first day should be Monday, and so on till Sunday.
For instance, createCalendar(cal, 2012, 9)
should generate in element cal
the following calendar:
[iframe height=210 src=“solution”]
P.S. For this task it’s enough to generate the calendar, should not yet be clickable.


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Normally, when we work with Numbers, we use primitive data types such as int, short, long, float and double, etc. The number data types, their possible values and number ranges have been explained while discussing C++ Data Types.
You have already defined numbers in various examples given in previous chapters. Here is another consolidated example to define various types of numbers in C++:
#include <iostream> using namespace std; int main () { // number definition: short s; int i; long l; float f; double d; // number assignments; s = 10; i = 1000; l = 1000000; f = 230.47; d = 30949.374; // number printing; cout << "short s :" << s << endl; cout << "int i :" << i << endl; cout << "long l :" << l << endl; cout << "float f :" << f << endl; cout << "double d :" << d << endl; return 0; }
When the above code is compiled and executed, it produces the following result:
short s :10 int i :1000 long l :1000000 float f :230.47 double d :30949.4
In addition to the various functions you can create, C++ also includes some useful functions you can use. These functions are available in standard C and C++ libraries and called built-in functions. These are functions that can be included in your program and then use.
C++ has a rich set of mathematical operations, which can be performed on various numbers. Following table lists down some useful built-in mathematical functions available in C++.
To utilize these functions you need to include the math header file <cmath>.
| S.N. | Function & Purpose |
|---|---|
| 1 | double cos(double);
This function takes an angle (as a double) and returns the cosine. |
| 2 | double sin(double);
This function takes an angle (as a double) and returns the sine. |
| 3 | double tan(double);
This function takes an angle (as a double) and returns the tangent. |
| 4 | double log(double);
This function takes a number and returns the natural log of that number. |
| 5 | double pow(double, double);
The first is a number you wish to raise and the second is the power you wish to raise it t |
| 6 | double hypot(double, double);
If you pass this function the length of two sides of a right triangle, it will return you the length of the hypotenuse. |
| 7 | double sqrt(double);
You pass this function a number and it gives you this square root. |
| 8 | int abs(int);
This function returns the absolute value of an integer that is passed to it. |
| 9 | double fabs(double);
This function returns the absolute value of any decimal number passed to it. |
| 10 | double floor(double);
Finds the integer which is less than or equal to the argument passed to it. |
Following a simple example to show few of the mathematical operations:
#include <iostream> #include <cmath> using namespace std; int main () { // number definition: short s = 10; int i = -1000; long l = 100000; float f = 230.47; double d = 200.374; // mathematical operations; cout << "sin(d) :" << sin(d) << endl; cout << "abs(i) :" << abs(i) << endl; cout << "floor(d) :" << floor(d) << endl; cout << "sqrt(f) :" << sqrt(f) << endl; cout << "pow( d, 2) :" << pow(d, 2) << endl; return 0; }
When the above code is compiled and executed, it produces the following result:
sign(d) :-0.634939 abs(i) :1000 floor(d) :200 sqrt(f) :15.1812 pow( d, 2 ) :40149.7
There are many cases where you will wish to generate a random number. There are actually two functions you will need to know about random number generation. The first is rand(), this function will only return a pseudo random number. The way to fix this is to first call the srand() function.
Following is a simple example to generate few random numbers. This example makes use of time() function to get the number of seconds on your system time, to randomly seed the rand() function:
#include <iostream> #include <ctime> #include <cstdlib> using namespace std; int main () { int i,j; // set the seed srand( (unsigned)time( NULL ) ); /* generate 10 random numbers. */ for( i = 0; i < 10; i++ ) { // generate actual random number j= rand(); cout <<" Random Number : " << j << endl; } return 0; }
When the above code is compiled and executed, it produces the following result:
Random Number :<PHONE_NUMBER> Random Number : 630873888 Random Number :<PHONE_NUMBER> Random Number : 219404170 Random Number : 902129458 Random Number : 920445370 Random Number :<PHONE_NUMBER> Random Number : 257938873 Random Number :<PHONE_NUMBER> Random Number : 580322989


# -*- coding: utf-8 -*-
Copyright resides with the noted authors/creators of the works held here, unless otherwise noted.
Databank API


Our product is an inventory management and inventory taking system to allow for companies, clubs, and individual users to manage complex inventory systems.
To learn more, visit the About Us page


--- title: Discover - Imagery and Base Map Server layout: page_nocrumb author: display_name: Rick Kelson email<EMAIL_ADDRESS>tags: - base maps - discover - google - imagery date: 2017-05-01 15:01:33 update_date: 2018-02-26 categories: [] ---
Anyone can use the AGRC imagery and base map services from Discover! To use these services, all you need is a free account and a quad-word connection link.
To obtain access to Discover, you will need to fill out one of the following forms (A or B):
Once you have completed either form (please only fill out one), you will receive information about the services and a link to access the Discover Server.
The URL that you receive to access the server will contain a quad-word (e.g., https://discover.agrc.utah.gov/login/path/your-unique-quad-word/
) that is unique to you or your organization (i.e., unique to each user). Discover is able to serve many different clients by exposing OGC compliant WMS, WMTS, and direct tile access services.
https://discover.agrc.utah.gov/login/path/{quad-word}/wms
https://discover.agrc.utah.gov/login/path/{quad-word}/wmts/1.0.0/WMTSCapabilities.xml
https://discover.agrc.utah.gov/login/path/{quad-word}/tiles/{service}/{z}/{x}/{y}
To learn more about using the Discover Server, be sure to visit our Discover Server Resources and Information page. The following topics are covered in more depth on that page, but we've compiled them here as well for your convenience.
If you are looking for imagery downloads, navigate to the aerial photography section of the data pages.
Utah
– Combination of the most recent 1-meter NAIP and 6-inch Google Imagery with scale-dependent rendering (licensed)
Google
– Most recent 6-inch statewide natural-color aerial photography from Google collected over 2011 - 2018(licensed)
Google {year} archive
– Aerial photography blocks updated in Google
Service and archived by acquisition year (licensed)
Basemap-Address_Points
– Base map of address point locations
Basemap-Hybrid
– Base map combination of the overlay base map and Utah Imagery Service (licensed)
Basemap-Lite
– Base map of hillshade, highways and streets, cities, boundaries, etc. (gray, muted tone)
Basemap-Overlay
– Base map of vector features, highways and streets, cities, address points, parcels, etc. (transparent background)
Basemap-Terrain
– Base map of hillshade, highways and streets, parks, forests, water, etc.
Basemap-Topo
– Base map of US Geological Survey topographic maps
DOQ 1990s BW
– 1-meter statewide black-and-white aerial photography, collected in the 1990s
HRO 2012 RGB
– 12.5-cm natural-color aerial photography of the Wasatch Front, collected in 2012
NAIP {year} RGB
– 1-meter statewide natural-color aerial photography
NAIP {year} NRG
– 1-meter statewide color infrared aerial photography
Hillshade
– 10-meter statewide combined hillshade and slope
WMTS
for the best draw time/perceived performance.


We serve fresh cooked food for our customers
| Food | Price |
|---|---|
| Foot Long | 30 Php |
| Instant Noodles | 25 Php |
| Plain Burger | 25 Php |
| Burger with bacon | 35 Php |
| Burger with cheese | 30 Php |
| Ultimate Burger | 55 Php |
| Mac & Cheese | 40 Php |
| Dumplimgs | 25 Php (4 pcs.) |
| Chips | 25 Php |
Quench your thirst
| Drinks | Price |
|---|---|
| Bottled Water | 10 Php |
| Soft drinks(bottled) | 15 Php |
| Soft drinks(canned) | 20 Php |
| Juice | 8 Php |
| Redbull | 140 Php |
| Monster Energy | 100 Php |
| Gatorade | 37 Php |
| Smoothie | 25 Php |
| Hours | Price |
|---|---|
| 1 hour | 15 Php |
| 5 hours | 55 Php |
| 24 hours | 100 Php |
Just register your account and we give you your membership card
Our printer is equip with the latest model for fast and clean printing services


About Gabi A.K.A Gabalicious
A Few Things I 💖
- Long walks on the beach
- Gas stations, the really sketchy ones
- Video games where I can go pew pew
- Riding my bike through my neighbors' yards
- Baking lemon tarts
I really enjoy exploring the outdoors with two hairy Germans,
I am also a big fan of staying indoors watching Tiger King or working on updating my Myspace.


Makumatt was originally called Nakuru Matteresses Supermarket
The original name of this supermarket was Tuskys Supermarket Supermarket


Type Jam
A hackathon for Fonts!
Updates on new cities, winners, and other cool stuff!
A 48 hour period where type designers and lettering artists team up to compete and produce fonts with a limited character set dictated by typecooker based on their experience level.
Read MoreLet us know when, where, and why!


Home
Add Package
Assign Package
Log out
Tracking Driver: John
Estimated time: 14 mins++
More details on driver's packages
Delivery Sequence
Package ID
Package Location
Package Unit Number
Package Postal Code
Customer Name
Customer Contact Number
Status
1
123
SIT
#01-01
192311
Holly
93586214
Delivering
2
456
Tampines St 11
#03-01
654712
Jane
84579521
Prioritize package
×
Prioritizing Package
Current route
Estimated time: 14 mins++
New route
Estimated time: 20 mins++
×
Assign Package
Package ID
Select Package to be assigned
Toggle Dropdown
124
Driver Name
Select Driver to be assigned
Toggle Dropdown
Bob
Assign
×
Add Package
Package ID
Package Location
Package Unit Number
Package Postal Code
Customer Name
Customer Contact Number
Submit


Your Excellent Health care provider
About Bristol park hospital
Vision
To be the leader in provision of QUALITY, INNOVATIVE and ACCESSIBLE healthcare in Africa.
Mission
Our Mission is to:
Facilitate private sector delivery of quality healthcare solutions, while upholding sound practice of evidence-based medicine, and embracing new skills and scientifically proven technology for better delivery of medical services to our clients
Implement and maintain rapid response initiative strategies with an aim of reducing the patients’ waiting time without compromising the quality of care
Maintain a dignified, safe, efficient and pleasant work environment while rewarding the time and effort of our staff
Help our patients identify their healthcare needs, provide care that meets their needs and expectations; and assist them to maintain their health
Partner with other healthcare providers and specialists to embrace healthcare delivery
Partner with the community in designing healthcare management systems that address the areas of infection prevention strategies through health education, infection management and continuous disease surveillance
Create value for all our stakeholders.
Values
Our hospital is governed by the following values:
Provision of service with INTEGRITY, OPENNESS and TRANSPARENCY
We are HONEST: In according our clients with adequate health care, we are often privy to sensitive and confidential information which require honest, ethical management and respect for our clients
We are FAIR. The provision of a fair and equitable medical service is the fundamental principle promoted by our hospital. The overall management of the business ensures fair value for the quality of service provided
We are COMMITTED TO SERVE: The hospital is staffed with loyal and committed people who pride themselves in providing the best service. Our staff is empathetic to ethical values and reflects those values in their working day.
We are PROFESSIONAL and CONSISTENT in all our services
We CARE for the comfort, peace and joyous occasions for our clients, our employees and our environment by supporting activities that minimize the degradation of our natural heritage
We offer EQUAL OPPORTUNITY of employment for all qualified persons
Medicine has opened a reliable methods of curing and protecting human lives. It showed the various ways of diagnosing the diseases of human beings. X-ray technology in the midst of twentieth century provided new technique of diagnosis. For last hundred years' medicinal processes and medical equipment are proved to be the boon to human health for diagnosing properly and for applying proper medicines to the patient.
But what happen if a doctor or somebody advised you a wrong medicine and you are getting side-effect which are far more adverse than your disease, for helping people from this we provide a well focused platform for checking your symptoms.
Symptom Checker
Symptom Checker gives you access to a sophisticated medical diagnosis tool. Using the latest searching technologies, the system can take a pattern of symptoms and instantly compute from our database of diseases, the most likely ones.
It is based on the same system that is relied on by doctors and nurses around the world to help with diagnosis and is acknowledged as the clear leader in its field.


debug mode
OpenStreetMap
base
VWorld
base
midnight
gray
satellite
hybrid
Load geometry files
KML
GeoJSON
Draw features
None
Point
LineString
Polygon
Circle
Clear
Draw Shapes
None
Circle
Square
Box
Star
Clear
Measure
Distance
Area
None
Clear


To Do List
Add Project
Personal
Work
Doctor appointment
Call the plumber
Complete test case document
Meet the project manager
Record Jquery video
Add Task
Project Name:
Task Name:


---
layout: component-layout
title: How to set-up Workflow?
link-title: Workflow
category: Productivity
url: /uvdemo/productivity/workflow.html
tags: [Workflow, Work-flow, Workflows, Work-flows, create Workflow, Create Work-flow, New Workflow, New Work-flow, Set Up Work Flow, Set-Up Work-Flow, Automate Process, Automatic, Automated, Business Rules]
---
UVdesk -How to set-up Workflow?
These are "business guidelines that can automate your customer support process". Workflows constitute an event, condition, action.
You can configure department specific rules that automatically sends an e-mail notification, assigns a task to users and update field values when matched with the defined execution criteria.
The main reason behind creating automated business rules is that agents will no longer to do these repetitive steps manually which surely reduces boredom amongst them and focus on other tasks that are having prime concerns.
Understanding basics of workflows:
- Events are basically predefined functions namely Ticket, Agent, Customer.
- Conditions are available for Mail, Ticket, Customer and consist of two buttons- AND, OR.
- For AND option all the mentioned conditions have to be true then further execution will take place while for OR option either one of the conditions needs to be correct.
- Actions will occur or applied in the event when an event gets matched with the specific conditions.
Quicks steps for creating a Workflow:
- Login to your UVdesk Support Panel.
- On the Dashboard, you will see "PRODUCTIVITY" menu and under it, you will find "Workflows".
- Click on the "Workflows" Icon and then you will be redirected to a new page.
- In the new page, you will see a list of existing Workflows and "New Workflow" button.
- Hit the "New Workflow" button and then you will see a page for creating a new Workflow.
- For the reference, I am creating a workflow of "Mail to an agent when ticket generated".
- Enter Name, Description and check "Workflow is Active" checkbox.
- In the "Events" drop-down, I will select Ticket and Created.
- You can set "Conditions" for specific Events and are triggered on specific occasions.
- In the "Action" drop-down, select the action which you want.
- Hit on the "Save Workflow" to create and save this workflow.


[SYMBOL]
[A]
[B]
[C]
[D]
[E]
[F]
[G]
[H]
[I]
[J]
[K]
[L]
[M]
[N]
[O]
[P]
[Q]
[R]
[S]
[T]
[U]
[V]
[W]
[X]
[Y]
[Z]
RAID controller information in kernel configuration files
RAM, showing amount of
randomizing signatures
randomly generated passwords
re_format command
read/write access for mounting floppies
REAL_DISTFILES variable (pkg_comp)
REAL_PACKAGES variable (pkg_comp)
REAL_PKGSRC variable (pkg_comp)
REAL_PKGVULNDIR variable (pkg_comp)
REAL_SRC variable (pkg_comp)
reboot command
reboots limiting unauthorized
viewing records of
recording interactive shell sessions
shell input/output
recovery media, testing
recovery process and emergency repair kit
Reddy, Dheeraj
reformatting disks before upgrading
regular expressions debugging
using grep with
rehash command
relaying mail considered harmful
relevance searches using grep
remote administration tasks, interacting with
remote backups, automating
remote logins headless servers, connecting to
preventing
seeing console messages over
remote shares, mounting
renaming files interactively
source files
repair kit, emergency creating
customizing boot process and
testing
Reporter script and crack utility
resources, FreeBSD comments in source code
manpages creating your own
getting the most out of
offline resources, keeping up-to-date
online resources
resources, system
restoring data on hard disks
restricting logins
SSH servers
reusable password policy, creating
revision control and patches
rhosts file
Richard, John
Rightnour, Tim
rm * command, preventing disaster from
rm -R command, recovering from accidental
rm command vs. cp command
rmstar shell variable
Robbins, Arnold
rooted archives and substitution argument
Rosenquist, Nathan
rotating signatures
route command
rsnapshot utility
accessing snapshots
configuration file, testing
specifying backup intervals
storage scheme for
rsync utility
rulesets, IP Filter
Russell, Kirk
|


{% extends 'base.html' %} {% block content %} 500 Sorry, there was an error please return back to previous page. {% endblock %}


|
Panda3D
|
Public Member Functions | |
| def | __init__ (self, enable=True, passMessagesThrough=False) |
| def | __str__ (self) |
| def | add (self, controls, name="basic") |
| def | collisionsOff (self) |
| def | collisionsOn (self) |
| def | delete (self) |
| def | deleteCollisions (self) |
| def | disable (self) |
| def | disableAvatarJump (self) |
| def | enable (self) |
| def | enableAvatarJump (self) |
| def | get (self, name) |
| def | getIsAirborne (self) |
| def | getSpeeds (self) |
| def | lockControls (self) |
| def | monitor (self, foo) |
| def | placeOnFloor (self) |
| def | remove (self, name) |
| def | setSpeeds (self, forwardSpeed, jumpForce, reverseSpeed, rotateSpeed, strafeLeft=0, strafeRight=0) |
| def | setTag (self, key, value) |
| def | setWASDTurn (self, turn) |
| def | stop (self) |
| def | unlockControls (self) |
| def | use (self, name, avatar) |
Public Attributes | |
| controls | |
| currentControls | |
| currentControlsName | |
| forceAvJumpToken | |
| ignoreUse | |
| inputStateTokens | |
| isEnabled | |
| passMessagesThrough | |
| WASDTurnTokens | |
Static Public Attributes | |
| notify = DirectNotifyGlobal.directNotify.newCategory("ControlManager") | |
| wantWASD = ConfigVariableBool('want-WASD', False) | |
| def __init__ | ( | self, | |
enable = True , |
|||
passMessagesThrough = False |
|||
| ) |
| def __str__ | ( | self | ) |
| def add | ( | self, | |
| controls, | |||
name = "basic" |
|||
| ) |
Add a control instance to the list of available control systems. Args: controls: an avatar control system. name (str): any key that you want to use to refer to the controls later (e.g. using the use(<name>) call). See also: :meth:`use()`.
| def collisionsOff | ( | self | ) |
| def collisionsOn | ( | self | ) |
| def delete | ( | self | ) |
| def deleteCollisions | ( | self | ) |
| def disable | ( | self | ) |
| def disableAvatarJump | ( | self | ) |
prevent
| def enable | ( | self | ) |
| def enableAvatarJump | ( | self | ) |
Stop forcing the ctrl key to return 0's
| def get | ( | self, | |
| name | |||
| ) |
| def getIsAirborne | ( | self | ) |
| def getSpeeds | ( | self | ) |
| def lockControls | ( | self | ) |
| def monitor | ( | self, | |
| foo | |||
| ) |
| def placeOnFloor | ( | self | ) |
| def remove | ( | self, | |
| name | |||
| ) |
Remove a control instance from the list of available control systems. Args: name: any key that was used to refer to the controls when they were added (e.g. using the add(<controls>, <name>) call). See also: :meth:`add()`.
| def setSpeeds | ( | self, | |
| forwardSpeed, | |||
| jumpForce, | |||
| reverseSpeed, | |||
| rotateSpeed, | |||
strafeLeft = 0 , |
|||
strafeRight = 0 |
|||
| ) |
| def setTag | ( | self, | |
| key, | |||
| value | |||
| ) |
| def setWASDTurn | ( | self, | |
| turn | |||
| ) |
| def stop | ( | self | ) |
| def unlockControls | ( | self | ) |
| def use | ( | self, | |
| name, | |||
| avatar | |||
| ) |
name is a key (string) that was previously passed to add(). Use a previously added control system. See also: :meth:`add()`.
| controls |
| currentControls |
| currentControlsName |
| forceAvJumpToken |
| ignoreUse |
| inputStateTokens |
| isEnabled |
|
static |
| passMessagesThrough |
|
static |
| WASDTurnTokens |


Get(LastError)Returns a number representing the error, if any, in the execution of the most recently executed script step.
• OS X: In FileMaker Pro, if an error occurs while performing an AppleScript from the Manage Scripts feature, the AppleScript error code will be returned.
• For ODBC imports and Execute SQL script steps, if an error occurs while performing a SQL query, returns FileMaker error 1408. For detailed information about the error, use the Get(LastODBCError) function. If there is no information about the error, returns FileMaker error 1409.
• Some script triggers allow for the activating command or event to be canceled if the script executed by the script trigger returns a False value. When a command or event is canceled this way, the error code is set to 20.
• Tip To create a script that responds to errors without displaying alerts, use this function with the Set Error Capture script step with the On option.Returns 0 when the most recent script step executed successfully.


{% extends "base.html" %} {% block content %}
On the phone, how do you normally share a URL?
Of course there are other ways: reading a complicated URL aloud, or finding a URL shortener and reading a randomized URL string, or maybe using some kind of instant messaging. That's all work. It can be so much simpler...


Owner
GitHub organisation or user
Repositories
Repositories to show
GitHub user
Your GitHub user-id
GitHub token
GitHub personal token
Estimates
# issues
In body
In Labels
Where to get estimates
Closed milestones
Show closed milestones
Milestone
Milestones to show
Label filter
Label filter as comma separated list w/o spaces (AND)
Split Story Point Labels
Comma-separated list of labels to split Story Points by. Blank for no splitting
Split Story Points Other
Label to use for issues not matching split labels
Show Bar Percentages
Show percentage values, instead of absolutes for story point
CSV delimiter
CSV field delimiter
Draw chart


|
What
If
(Tremonti/Stapp) |
|
I
can't find the rhyme in all my reason
I've lost sense of time and all seasons I feel I've been beaten down By the words of men who have no grounds I can't sleep beneath the trees of wisdom When your ax has cut the roots that feed them Forked tongues in bitter mouths Can drive a man to bleed from inside out What if you did? What if you lied? What if I avenge? What if eye for an eye? I've seen the wicked fruit of your vine Destroy the man who lacks a strong mind Human pride sings a vengeful song Inspired by the times you've been walked on My stage is shared by many millions Who lift their hands up high because they feel this We are one We are strong The more you hold us down the more we press on What if you did? What if you lied? What if I avenge? What if eye for an eye? I know I can't hold the hate inside my mind 'Cause what consumes your thoughts controls your life So I'll just ask a question What if? What if your words could be judged like a crime? |
|
|


Mars and Beyond
You want to wake up in the morning and think the future is going
to be great - and that’s what being a spacefaring civilization is all about.
It’s about believing in the future and thinking that the future will be better
than the past. And I can’t think of anything more exciting than going out there
and being among the stars.
- Elon Musk


| 009:069 Khan | : |
Like those before you, they were mightier than you in power, and more abundant in wealth and children.  Such are they whose deeds are in vain in this world and in the Hereafter.   These are they whose works are null in this world and the Hereafter, and these are they who are the losers. |
| 009:069 Pickthal | : |
Even as those before you who were mightier than you in strength, and more affluent than you in wealth and children. They enjoyed their lot awhile, so ye enjoy your lot awhile even as those before you did enjoy their lot awhile. And ye prate even as they prated. Such are they whose works have perished in the world and the Hereafter.  They became preoccupied with their material possessions. Similarly, you have become preoccupied with your material possessions, just like those before you have become preoccupied. You have become totally heedless, just as they were heedless. Such are the people who nullify their works, both in this world and in the Hereafter; they are the losers. |
| 009:069 Sarwar | : |
like that of those who lived before you, whose power, wealth, and children were much greater than yours. They enjoyed their share of the worldly gains and you, also, like them, have enjoyed yours. You have been sneaking among the people to cause trouble, just as they had been doing before you. Such people's deeds are devoid of all virtue both in this life and in the life hereafter. They indeed are lost. |
| 009:069 Shakir | : |
Like those before you; they were stronger than you in power and more abundant in wealth and children, so they enjoyed their portion; thus have you enjoyed your portion as those before you enjoyed their portion; and you entered into vain discourses like the vain discourses in which entered those before you. These are they whose works are null in this world and the hereafter, and these are they who are the losers. |
| 009:069 Sherali | : |
Even as those before you - they were mighty than you in power and had more wealth and children.  And you indulge in idle talk. It is they whose works shall be of no avail in this world and the Hereafter. And it is they who are the losers. |
| 009:069 Yusufali | : |
As in the case of those before you: they were mightier than you in power, and more flourishing in wealth and children. They had their enjoyment of their portion: and ye have of yours, as did those before you; and ye indulge in idle talk as they did. They!- their work are fruitless in this world and in the Hereafter, and they will lose (all spiritual good). |
Concepts/Themes Covered: الإيمان > الإيمان بالله > النفاق Faith> Belief In Allah> Hypocrisy الجهاد > الغزوات > غزوة تبوك Jihad> The Holy Battles> Tabuk Battle العمل > العمل الطالح > إحباط العمل Action(Work)> Bad Deeds>Lost Deeds تنظيم العلاقات المالية > الأموال Organizing Financial Relationships>Wealth Property القصص والتاريخ > العبر التاريخية فى أنباء القرى The Stories and the History> The Historic Examples of Towns' News
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


1234567A
Mrs Fidelma O'Leary
31/1/2012
I am writing to you about your claim for jobseeker's credits. I have decided that you are not entitled to this benefit.
What follows below is a table that has been merged in, adding additional rows dynamically as necessary based on the input data.
This is some reason text (without a following paragraph)
This would be some additional the reason text
This reason has one additional text paragraph, eg documenting the grounds
| Charlie O'Leary | Husband | |
| Mary O'Leary | Daughter | 14 |


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Classes | |
| class | AbstractPixelFormat |
| class | SpecificPixelFormat |
| class | SpecificPixelFormatRGBA |
| class | SpecificPixelFormatRGB |
| class | AbstractScanlineRenderer |
| class | ScanlineRendererAASolid |
| class | ScanlineRendererBinSolid |
| class | Base |
| class | Bitmap |
| class | BitmapExt |
| class | Brush |
| class | SolidBrush |
| class | TextureBrush |
| class | LinearGradientBrush |
| class | LinearGradientBrushExt |
| class | Color |
| class | ColorExt |
| class | GradientColorItem |
| class | ColorMatrix |
| class | ColorMatrixExt |
| class | EndianSwap |
| class | color_interpolator_step |
| class | gradient_lut |
| class | Graphics |
| class | GraphicsRendererBase |
| class | GraphicsExt |
| class | GraphicsPath |
| class | GraphicsPathCompound |
| class | GraphicsPathExt |
| class | Image |
| class | span_conv_image_attrib_rgb |
| class | span_conv_image_attrib_rgba |
| class | BitmapData |
| struct | GdiplusStartupInput |
| struct | GdiplusStartupOutput |
| class | Knot |
| class | Matrix |
| class | Pen |
| class | BufferConverter |
| class | PixelFormatConverter |
| class | SharedPtr |
| class | Spline |
| class | StyleHandler |
| class | StyleCollection |
| class | SolidStyleHandler |
| class | gradient_spiral |
| class | GradientFunc |
| class | GradientCircleFunc |
| class | GradientRadialFunc |
| class | GradientRadialFocusFunc |
| class | GradientXFunc |
| class | GradientYFunc |
| class | GradientXYFunc |
| class | GradientSpiral |
| class | GradientAdapter |
| class | GradientNullAdapter |
| class | GradientRepeatAdapter |
| class | ImageAccessor |
| class | ImageTileAccessor |
| class | ImageFlipXAccessor |
| class | ImageFlipYAccessor |
| class | ImageFlipXYAccessor |
| class | ImageClampAccessor |
| class | ImageFilter |
| class | ImageStyleHandler |
| class | Size |
| class | SizeF |
| class | Point |
| class | PointExt |
| class | PointF |
| class | PointExtF |
| class | Rect |
| class | RectF |
| class | PathData |
| class | CharacterRange |
| class | modified_agg_app |
Typedefs | |
| typedef INT | PixelFormat |
Enumerations | |
| enum | GradientStyle |
| enum | GradientInterpolation |
| enum | Status |
| enum | WindowStyle |
| enum | InputFlag |
| enum | KeyValue |
Functions | |
| Color | operator* (const Color &col, const ColorMatrix &mat) |
| template<class Rasterizer, class ScanlineAA, class BaseRenderer, class SpanAllocator, class StyleHandler> | |
| void | RenderScanlinesCompoundLayered (Rasterizer &ras, ScanlineAA &sl_aa, BaseRenderer &ren, SpanAllocator &alloc, StyleHandler &sh) |
| Status | GdiplusStartup (ULONG_PTR *token, const GdiplusStartupInput *input, GdiplusStartupOutput *output) |
| VOID | GdiplusShutdown (ULONG_PTR token) |
| INT | ISign (INT num) |
| REAL | Sign (REAL num) |
| INT | IAbs (INT num) |
| REAL | Abs (REAL num) |
| INT | ICeil (REAL num) |
| REAL | Ceil (REAL num) |
| INT | IFloor (REAL num) |
| REAL | Floor (REAL num) |
| REAL | IRound (REAL num) |
| REAL | Round (REAL num) |
| void | ISwap (INT &v1, INT &v2) |
| void | Swap (REAL &v1, REAL &v2) |
| REAL | UnitRandom () |
| INT | IRangeRandom (INT low, INT high) |
| REAL | RangeRandom (REAL low, REAL high) |
| INT | ISymmetricRandom (INT val) |
| REAL | SymmetricRandom (REAL val) |
| INT | IClamp (INT val, INT low, INT high) |
| REAL | Clamp (REAL val, REAL low, REAL high) |
| INT | IMinClamp (INT val, INT low) |
| REAL | MinClamp (REAL val, REAL low) |
| INT | IMaxClamp (INT val, INT high) |
| REAL | MaxClamp (REAL val, REAL high) |
| INT | ISqrt (INT val) |
| REAL | Sqrt (REAL val) |
| INT | ISqr (INT val) |
| REAL | Sqr (REAL val) |
| REAL | Deg2Rad (REAL val) |
| REAL | Rad2Deg (REAL val) |
| INT | ILerp (REAL ratio, INT low, INT high) |
| REAL | Lerp (REAL ratio, REAL low, REAL high) |
| INT | IModRange (INT val, INT low, INT high) |
| INT | IModRangeInclusive (INT val, INT low, INT high) |
| REAL | ModRange (REAL val, REAL low, REAL high) |
| REAL | ModRangeInclusive (REAL val, REAL low, REAL high) |
| void | RectToPolar (REAL *ang, REAL *dist, REAL x, REAL y, REAL centerX, REAL centerY, REAL scaleX=1.0, REAL scaleY=1.0) |
| void | PolarToRect (REAL ang, REAL dist, REAL *x, REAL *y, REAL centerX, REAL centerY) |
| bool | RealEqual (REAL r1, REAL r2) |
| template<typename T> | |
| std::ostream & | operator<< (std::ostream &stream, const std::vector< T > &src) |
| Write to a stream. | |
| std::ostream & | operator<< (std::ostream &stream, const Size &src) |
| Write to a stream. | |
| std::ostream & | operator<< (std::ostream &stream, const SizeF &src) |
| Write to a stream. | |
| std::ostream & | operator<< (std::ostream &stream, const Point &src) |
| Write to a stream. | |
| std::ostream & | operator<< (std::ostream &stream, const PointF &src) |
| Write to a stream. | |
| std::ostream & | operator<< (std::ostream &stream, const Rect &src) |
| Write to a stream. | |
| std::ostream & | operator<< (std::ostream &stream, const RectF &src) |
| Write to a stream. | |
| std::ostream & | operator<< (std::ostream &stream, const PathData &src) |
| Write to a stream. | |
| std::ostream & | operator<< (std::ostream &stream, const CharacterRange &src) |
| Write to a stream. | |
Variables | |
| const REAL | pi = 4.0 * atan( 1.0 ) |
| const REAL | two_pi = 2.0 * pi |
| const REAL | half_pi = 0.5 * pi |
Note that even with this check, the defines can make life difficult. When using a pixel format that is supported by GDI+, use the GDI+ value. In other words, don't use the AggOO namespace. This only applies when using GDI+ with AggOO.
| typedef INT AggOO::PixelFormat |
Supported pixel formats
AggOO exclusive
Allow for different gradient interpolation methods (how colors are interpolated between key positions.)
| enum AggOO::GradientStyle |
AggOO exclusive
GDI+ really only provides for linear or path gradients. With AGG, we can provide addition styles, such as radial, XY, and conic. All of these are handled with the same LinearGradientBrush, so be careful if porting from AggOO to GDI+.
| enum AggOO::InputFlag |
Flags for the mouse button and the CTRL and ALT keys.
| enum AggOO::KeyValue |
Key codes. All keyboard input should be mapped to these values. Numeric values are taken from the SDL values.
| enum AggOO::Status |
Status return values
| enum AggOO::WindowStyle |
Enumeration of window flags, which describe how the application should create the window.
| REAL AggOO::Abs | ( | REAL | num | ) | [inline] |
Return the absolute value of a number
| REAL AggOO::Ceil | ( | REAL | num | ) | [inline] |
Return the ceiling of a value
| REAL AggOO::Clamp | ( | REAL | val, | |
| REAL | low, | |||
| REAL | high | |||
| ) | [inline] |
Clamp a value to a range
| REAL AggOO::Deg2Rad | ( | REAL | val | ) | [inline] |
Convert a value from degrees to radians
| REAL AggOO::Floor | ( | REAL | num | ) | [inline] |
Return the floor of a value
| VOID AggOO::GdiplusShutdown | ( | ULONG_PTR | token | ) | [inline] |
Space-holder
| Status AggOO::GdiplusStartup | ( | ULONG_PTR * | token, | |
| const GdiplusStartupInput * | input, | |||
| GdiplusStartupOutput * | output | |||
| ) | [inline] |
Space-holder
| INT AggOO::IAbs | ( | INT | num | ) | [inline] |
Return the absolute value of a number
| INT AggOO::ICeil | ( | REAL | num | ) | [inline] |
Return the ceiling of a value
| INT AggOO::IClamp | ( | INT | val, | |
| INT | low, | |||
| INT | high | |||
| ) | [inline] |
Clamp a value to a range
| INT AggOO::IFloor | ( | REAL | num | ) | [inline] |
Return the floor of a value
| INT AggOO::ILerp | ( | REAL | ratio, | |
| INT | low, | |||
| INT | high | |||
| ) | [inline] |
Linearly interpolate two values based on a ratio
| INT AggOO::IMaxClamp | ( | INT | val, | |
| INT | high | |||
| ) | [inline] |
Clamp a value to a maximum
| INT AggOO::IMinClamp | ( | INT | val, | |
| INT | low | |||
| ) | [inline] |
Clamp a value to a minimum
| INT AggOO::IModRange | ( | INT | val, | |
| INT | low, | |||
| INT | high | |||
| ) | [inline] |
Calculate the modulus of a value and range
| INT AggOO::IModRangeInclusive | ( | INT | val, | |
| INT | low, | |||
| INT | high | |||
| ) | [inline] |
Calculate the modulus of a value and range (inclusive)
| INT AggOO::IRangeRandom | ( | INT | low, | |
| INT | high | |||
| ) | [inline] |
Generate a random value within a range
| REAL AggOO::IRound | ( | REAL | num | ) | [inline] |
Round a value to the nearest whole number
| INT AggOO::ISign | ( | INT | num | ) | [inline] |
Get the sign of a number (+/- 1)
| INT AggOO::ISqr | ( | INT | val | ) | [inline] |
Square of a value
| INT AggOO::ISqrt | ( | INT | val | ) | [inline] |
Square root
| void AggOO::ISwap | ( | INT & | v1, | |
| INT & | v2 | |||
| ) | [inline] |
Swap two values
| INT AggOO::ISymmetricRandom | ( | INT | val | ) | [inline] |
Generate a random value in the range [-val..val]
| REAL AggOO::Lerp | ( | REAL | ratio, | |
| REAL | low, | |||
| REAL | high | |||
| ) | [inline] |
Linearly interpolate two values based on a ratio
| REAL AggOO::MaxClamp | ( | REAL | val, | |
| REAL | high | |||
| ) | [inline] |
Clamp a value to a maximum
| REAL AggOO::MinClamp | ( | REAL | val, | |
| REAL | low | |||
| ) | [inline] |
Clamp a value to a minimum
| REAL AggOO::ModRange | ( | REAL | val, | |
| REAL | low, | |||
| REAL | high | |||
| ) | [inline] |
Calculate the modulus of a value and range
| REAL AggOO::ModRangeInclusive | ( | REAL | val, | |
| REAL | low, | |||
| REAL | high | |||
| ) | [inline] |
Calculate the modulus of a value and range (inclusive)
| Color AggOO::operator* | ( | const Color & | col, | |
| const ColorMatrix & | mat | |||
| ) | [inline] |
Multiply a Color object by a ColorMatrix
| void AggOO::PolarToRect | ( | REAL | ang, | |
| REAL | dist, | |||
| REAL * | x, | |||
| REAL * | y, | |||
| REAL | centerX, | |||
| REAL | centerY | |||
| ) | [inline] |
Convert polar coordinates to rectangular coordinates
| ang | [in] Angle from the center to the point | |
| dist | [in] Distance from the center to the point | |
| x | [out] X-coordinate of the point | |
| y | [out] Y-coordinate of the point | |
| centerX | [in] X-coordinate of the center | |
| centerY | [in] Y-coordinate of the center |
| REAL AggOO::Rad2Deg | ( | REAL | val | ) | [inline] |
Convert a value from radians to degrees
| REAL AggOO::RangeRandom | ( | REAL | low, | |
| REAL | high | |||
| ) | [inline] |
Generate a random value within a range
| bool AggOO::RealEqual | ( | REAL | r1, | |
| REAL | r2 | |||
| ) | [inline] |
! Check REAL values for equivalence
| void AggOO::RectToPolar | ( | REAL * | ang, | |
| REAL * | dist, | |||
| REAL | x, | |||
| REAL | y, | |||
| REAL | centerX, | |||
| REAL | centerY, | |||
| REAL | scaleX = 1.0 , |
|||
| REAL | scaleY = 1.0 | |||
| ) | [inline] |
Convert rectangular coordinates to polar coordinates
| ang | [out] Angle from the center to the point | |
| dist | [out] Distance from the center to the point | |
| x | [in] X-coordinate of the point | |
| y | [in] Y-coordinate of the point | |
| centerX | [in] X-coordinate of the center | |
| centerY | [in] Y-coordinate of the center | |
| scaleX | [in] Horizontal scaling | |
| scaleY | [in] Vertical scaling |
| void AggOO::RenderScanlinesCompoundLayered | ( | Rasterizer & | ras, | |
| ScanlineAA & | sl_aa, | |||
| BaseRenderer & | ren, | |||
| SpanAllocator & | alloc, | |||
| StyleHandler & | sh | |||
| ) | [inline] |
In order to work with the style handlers, the render_scanlines_compound_layered method needs to be modified to accept a template type for the StyleHandler::color method.
| REAL AggOO::Round | ( | REAL | num | ) | [inline] |
Round a value to the nearest whole number
| REAL AggOO::Sign | ( | REAL | num | ) | [inline] |
Get the sign of a number (+/- 1)
| REAL AggOO::Sqr | ( | REAL | val | ) | [inline] |
Square of a value
| REAL AggOO::Sqrt | ( | REAL | val | ) | [inline] |
Square root
| void AggOO::Swap | ( | REAL & | v1, | |
| REAL & | v2 | |||
| ) | [inline] |
Swap two values
| REAL AggOO::SymmetricRandom | ( | REAL | val | ) | [inline] |
Generate a random value in the range [-val..val]
| REAL AggOO::UnitRandom | ( | ) | [inline] |
Generate a random value between [0..1]
| const REAL AggOO::half_pi = 0.5 * pi |
Constant value of PI / 2.0
| const REAL AggOO::pi = 4.0 * atan( 1.0 ) |
Constant value of PI
| const REAL AggOO::two_pi = 2.0 * pi |
Constant value of 2*PI


This was my first time taking any kind of psychoactive drug. I was in an excited kind of mood; I was at my friend's house with about 7 other people. Only two of us were taking the shrooms (ie. 1 other (gaia) and me), the others just decided to get totally pissed with fuckloads of beer.
Gaia and I had bought 30g of fresh Mexican shrooms earlier, in Camden. We were gonna split them, 15 grams each. We decided to not eat all of them at first, so we left a few in the bag, and split the remainders in half. I had heard that the longer you chew them and hold them in your mouth, the stronger your experiences, so I chewed mine for aages. (was kinda gross:P) They didn't actually taste too bad! I was expecting that they'd taste like..really gross, but they didn't. so that was excellent.
After a while, I wasn't feeling any effects, I just thought maybe I was a litttle bit drunk (i'd only had 1.5 cans of beer..but im a lightweight *blush* so u neva know). My body was tingling a little bit, almost as though I had pins and needles all over, but slightly different. I talked to a friend on the phone, and she suggested taking a few more, so I did. I split the shrooms left in the bag into two, and ate my share. (this time I held them in my mouth for 10 mins. I finally swallowed them cuz I was getting death threats, if I didnt swallow them :S (was grossing some of my m8s out).
I sat in a v. bright bathroom for a bit (fluorescent lights), and felt..just slightly strange. Very hard to describe. Gaia came in, and she'd been crying (problems with her bf, who was also there). She was so red, that to me, she actually looked like she was glowing. But I still wasn't feeling very strong effects, so in a moment of craziness I decided to eat the remainder of Gaia's shrooms as well (I didn't think she had been handling them v. well at all, and she was totally freaked out, so I thought it'd b better for me to eat them than her. yes, a v. rude decision on my part, but..im kinda glad for it, cuz I got some really cool effects after that :D)
Ok, so after eating those ones (I also held them in my mouth for about..7 mins), I stood by an open window, looking out onto a balcony, and then a garden. There was some wisteria crawling on the balcony, and the leaves were blowing in the wind. It was dark by now, and the garden looked totally magical. I stood there for a LONG time, just looking out. Every single plant looked so alive, and as though it had a face. Like..every leaf/group of leaves, was a face. The trees were waving at me, and some plants' faces were all skulls :S
I had been talking to a guy who had had a really scary trip on shrooms before, where he said he saw a werewolf, and some flies turned into crows. So that kinda..inspired my imagination somewhat, I guess.
The whisteria that was growing on the balcony turned into a big pair of paws, with really long sharp nails.  The paws were coming closer, and I was convinced that there was a big werewolf coming to..kill me or something. But I kept saying to myself, 'leaves. They're leaves. Nothing more than leaves', and eventually they didn't look so much like paws as before.
I then walked down to the garden, where some of my friends were jumping on the trampoline, and having a smoke and stuff. I picked up a flower that was lying, already picked, on the grass. I smelt it, and it smelt so good. So I went round telling everyone to smell my flower, and after that I just went around the whole garden smelling flowers, and telling everyone how pretty they smelt.
I went back into the house, and into this room which was TOTALLY psychotic. It was AMAZING. It was an office, with one corner full of really jam-packed bookshelves, from floor to ceiling. There was a desk with a computer, with a bouncing screensaver. There were loads of little lights around, from other computer bits and bobs. I found myself just standing there, looking around with my mouth wide open for about ten minutes. There was also a window looking out into a flower bed with waving flowers. I realised that to anyone watching me, I would have looked really crazy and..stupid :P But it was really amazing. Every book was alive, with a face, and every light was an eye. Then one of my friends came and went onto msn on the computer, so that just kinda ruined the whole room's atmosphere, so I went elsewhere.
I ended up sitting on a chair, looking out into the deserted garden through an open door, with the lights in the room turned off. I was listening to Porcupine Tree (really really really good music, especially when taking shrooms). I felt like I was travelling with every wave of the music, being carried far away. The garden was SO full of life, adn there were so many faces. I spent a long time looking at teh clouds as well, turning them into all sorts of shapes. It scared me how many skulls I saw, in the clouds, as well as in some of the plants.
I started getting mental images of some of my friends, and then I got one of my mum, reaching out to hug me, and smiling at me, her eyes full of love. I started crying, uncontrollably. Just crying..I cried for the rest of the evening, with varioius people comforting me, but I just really wanted to be alone to just cry. The same happened to Gaia, she was crying and laughing at the same time. We cried and laughed the evening away.
As the effects were starting to wear off, I sat in the hall, which had a black and white tiled floor, like a chess board. The lines of black and white were moving, and there were all these colours interweaved (later i realised it was also probably the walls reflected onto the white tiles)..but apparently I spent a LONG time just staring at the floor (again, with my mouth wide open, lol).
Eventually, I found myself a bed to sleep in, and just fell asleep. In the morning, I felt in a very..lonely, serious mood, like I didn't want to talk or communicate.
All in all, the experience was..amazing. I really enjoyed it, despite the 'werewolf', the skulls, and all teh crying. It made me realise that I really did love my mum. There had been some..resent and questions in my mind.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Working Groups
MD4SG working groups bring together academic researchers from various disciplines to tackle problems in real-world application domains through online working groups. These groups work towards research, implementation, and advocacy projects throughout the year. Notes from the original reading group can be found here.
If you are interested in being involved or pitching problems to these working groups in any of the domains below, please contact the Head Working Group Organizers at<EMAIL_ADDRESS>Civic Participation
Organized by Paul Gölz (CMU), Anson Kahng (CMU), and Theia Henderson (MIT)
We study the mathematical theory of civic participation, focusing on novel modes of democratic decision making that complement traditional elections.
Conversations with Practitioners
Organized by Matthew Olckers (UNSW Sydney) and Christian Ramirez Romero (USIL)
We aim to bridge research and practice by hosting informal interviews with practitioners who work with disadvantaged and underserved communities.
Data Economies
Organized by Ali Alkhatib (University of San Francisco) and Lucy Qin (Brown University)
The data economies and data markets working group aims to better understand the challenges that arise across the data pipeline from creation, ownership, accessibility, and sharing to data analysis and use.
Developing Nations
Organized by Tejumade Afonja (Saarland) and Chinasa Okolo (Cornell)
We are a group of academic researchers working on understanding and tackling issues pertaining to the role and application of technology in addressing challenges in emerging nations or under-resourced settings.
Discrimination
Organized by Faidra Monachou (Stanford), and Jessica Finocchiaro ( University of Colorado - Boulder)
This group focuses on different research areas, such as understanding the impacts of ranking problems and design of resource allocation mechanisms.
Environment and Climate
Organized by Wanyi Li (Stanford) and Lily Xu (Harvard)
We study how computational methods can help address environmental challenges, particularly those that exacerbate the climate crisis.
Inequality
Organized by Sam Taggart (Oberlin), Chika Okafor (Harvard), and Sera Linardi (University of Pittsburg)
We study how computational methods can either address or exacerbate inequality, both globally and for vulnerable populations in the United States.
Latin America and Caribbean
Organized by Francisco Marmolejo (University of Oxford), Michelle González Amador (UNU-MERIT), Mariajose Silva-Vargas (UNU-MERIT), and Juan Felipe Penagos (Fundación Ceiba)
Major themes include: migration (especially the Venezuelan diaspora), crime (with a focus on youth crime), and education (integrating/engaging at risk youth in educational systems).
Algorithms, Law, and Policy
Organized Doaa Abu-Elyounes (Harvard, Sciences Po) and Duncan McElfresh (University of Maryland)
Some of the topics the group will work on include but are not limited to free speech, content moderation, antitrust, the use of “black box” machine learning models, data-driven algorithms, and decision-support tools.
Photos by Duangphorn Wiriya ; rawfilm; and rawpixel on Unsplash


From John Campbell, Strath Gearloch, Ross-shire.
ON the day when O'DONULL came out to hold right and justice, he saw a young chap coming. His two shoulders were through his old SUAINAICHE (sleeping coat?) his two ears through his old AIDE, hat, his two squat kick-er-ing tatter-y shoes full of cold roadway-ish water, three feet of his sword sideways on the side of his haunch, after the scabbard had ended.
He blest with easy true-wise maiden's words.
O'Donull blest him in the like of his own words.
O'Donull asked him what was his art?
"I could do harping," said the Ceabharnach.
"There are twelve men with me," said O'Donull, "and we will go to look on them."
"I am willing to do that," said the Ceabharnach.
When they went in O'Donull asked them to begin.
"Hast thou ever heard music, A Ceabharnach, finer than that?"
"I came past by the Isle of Cold, and I did not hear a screech in it that was more hideous than that."
"Wouldst thou play a harp thyself, Ceabharnach'? said O'Donull.
"Here is her player, and who should not play!"
"Give him a harp," said O'Donull.
"Well canst thou play a harp," said O'Donull.
"It is not as thou pleasest but as I please myself, since I am at work."
The music of the Ceabharnach put every harper O'Donull had asleep.
"I will be taking fare thee well," said the Ceabharnach to O'Donull.
"Thou wilt not do that to me," said O'Donull, "thou must awaken my men."
"I am going to take a turn through Eirinn," said the Ceabharnach; "if I come the way they will see, and if I come not they will be thus with thee."
He left him, and he met with one herding. "Thy master's harpers are asleep, and they will not wake till they are awakened. Go thou and awaken them, and thou wilt get what will make a rich man of thee!"
"How shall I do that?" asked the herd.
"Take a tuft of that grass and dip it in water, and shake it on them, and thou wilt awaken them."
He left the man, and he reached SEATHAN MOR MAC AN IARLE, great Seathan the son of the Earl, thirteen miles on the western side of Lumraig.
He saw a young chap coming; his two shoulders were through his old coat, his two ears through his old hat, his shoes full of cold roadway-ish water, three feet of his sword sideways on the side of his haunch after the scabbard was ended.
He asked him what was his trade? He said that he could do juggling.
"I have jugglers myself; we will go to look on them."
"I am willing enough," said the Ceabharnach.
"Shew thy juggling," said the great Seathan, "till we see it."
He put three straws on the back of his fist and he blew them off it.
"If I should get half five marks," said one of the king's lads, "I would make better juggling than that."
"I will give thee that," said the Ceabharnach.
He put three straws on the back of his fist and the fist went along with the straws.
"Thou art sore, and thou wilt be sore," said his master; "my blessing on the hand that gave it to thee."
"I will do other juggles for thee," said the Ceabharnach.
He caught a hold of his own ear, and he gave a pull at it.
"If I could get half five marks," said another of the king's lads, "I would make a better juggle than that."
"I will give thee that," said the Ceabharnach.
He gave a pull at the ear and the head came away with the ear.
"I am going away," said the Ceabharnach.
"Thou wilt not leave my set of men so."
"I am for taking a turn through Eirinn. If I come the way I will see them, and if I come not they will be so along with thee."
He went away, and he met with a man threshing in a barn. He asked him if his work could keep him up.
"It was no more than it could do."
"I," said the Ceabharnach, "will make thee a free man for thy life.
"With what shall I bring them alive?"
"Take a tuft of grass, hold it in water, shake it on them, and thou wilt heal them."
He went away and he came to FEAR CHUIGEAMH MUGHA, 1 a nasty man that could not bear a man to go the way of his house, to look at him when he was taking his food. There were twelve men with axes at the outer gate, and twelve men of swords on the inner gate; a porter at the great door.
They saw a young chap coming, his two shoulders through his old coat, his two ears through his old hat, his two squat kick-ering tatter-y shoes full of cold roadway-ish water.
He asked their license in to see Fear Chuigeamh Mugha.
One of them raised his axe to drive his head off, but so it was that he struck it on his own comrade.
They arose on each other till they killed each other; and he came to the men of the sword, one raised his sword to strike off his head, but he cut the head off his comrade with it, and they all fell to slaying each other.
He reached the porter; he caught him by the small of the legs, and he struck his head on the door.
He reached the great man as he sat at his dinner; he stood at the end of the board.
 His hand stuck to the sword, and his seat stuck to the chair, and he could not rise; no more could his wife leave her own place. When he had done all he wished he went away, and he met a poor man that was travelling the world.
"If thou wilt take my advice," said the Ceabharnach,
[paragraph continues] "I will make a lucky man of thee as long as thou art alive."
"How wilt thou do that?" said the man.
"The king and the queen are fast in their chairs; go thou and loose them, and the king will make a great man of thee."
"How shall I loose them?"
"Shake water on them and they will arise."
He went out of that, and he reached ROB MAC SHEOIC MHIC LAGAIN with a pain in his foot for seven years.
He struck palm to bar. The porter asked "Who was there?"
He said there was a leech.
"Many a leech has come," said the porter. "There is not a spike on the town without a leech's head but one, and may be it is for thy head that one is."
"It might not be," said the Ceabharnach. "Let me in."
"What is putting upon thee, Rob?" said the Ceabharnach.
"My foot is taking to me these seven years. She has beat the leech and leeches."
"Arise and stretch out thy foot with the stitch," said the Ceabharnach; "and let's try if thou canst catch the twelve leeches, or if the twelve leeches will catch thee."
He arose, no man could catch him; and he himself could catch every other one.
"I have but one begotten, a champion of a girl, and I will give her to thee and half my realm."
"Be she good or bad," said the Ceabharnach, "let her be mine or thine."
An order was made for a wedding for the Ceabharnach;
but when they had got the wedding in order, he was swifter out of the town than a year-old hare. He came to TAOG O-CEALLAIDH, who was going to raise the spoil of CAILLICHE BUIDHNICHE.
A young chap was seen coming, his two shoulders through his old coat, his two ears through his old hat, his two squat kick-ering tatter-y shoes full of cold roadway-ish water, three feet of his sword sideways on the side of his haunch after the scabbard was ended.
"What's this that puts on thee?" said the Ceabharnach. "Hast thou need of men?"
"Thou wilt not make a man for me," said O-Ceallaidh.
"I shall I not get a man's share if I do a man's share?"
"What's thy name?" said Taog.
"There is on me (the name of) Ceabharanach Saothrach Suarach Siubhail--the servile, sorry, strolling kern."
"What art thou seeking for thy service?
"I am but asking that thou shouldst not forget my drink."
"Whence camest thou?"
"From many a place; but I am an Albanach."
They went to raise the raid of the carlin. They raised the spoil, but they saw the following coming.
"Be stretching out," said great Taog to the Ceabharnach, "Thou wilt not make thy legs at least. Whether wouldst thou rather turn the chase or drive the spoil with thy set of men?"
"I would not turn the chase, but if the chase would turn, we would drive the spoil at least."
The Ceabharnach cut a sharp, hard whistle, and the drove lay down on the road.
He turned to meet them. He caught each one of the slenderest legs, and the biggest head, and he left them stretched legs on head. He returned after the spoil.
"Thyself and thy lot of men can hardly drive the spoil."
"The spoil will never get up," said Taog.
He cut a whistle: the drove got up, and he drove it home.
It happened that the great man forgot to give the first drink to the Ceabharnach.
"Mine is the half of the spoil," said the Ceabharnach.
"That is more than much for thee," said the king.
"Many a time was I," said the Ceabharnach, "and Murcha MacBrian hewing shields and splitting blades; his was the half of the spoil, and mine was the other half."
"If thou art a comrade of that man, thou shalt have half the spoil," said Taog.
But he went away, and he left themselves and the spoil.
"Health be with thee, oh Ceabharnach. Arise not for ever."

3. A third version of this curious tale was told to me in South Uist, by MacPhie. It was very like the version told by James Wilson, blind fiddler in Islay.
It is evidently a composition fallen to bits, and mended with prose, and it is equally clear that it points to Ireland, though the hero was made a Scotchman by the three old men.
As a picture of bygone manners, this is curious, and I know nothing at all like it in any collection of popular tales.
I believe it to be some bardic recitation half-forgotten. It is said that in the mouth of one reciter in Islay, the story used to last for four hours,
I lately (September 1860) heard MacPhie repeat his version in part. It was a mixture of the two versions here given, and a fifth, Irish grandee, was added.
321:1 The man of Munster, Cuige mumhe.


Creates a full screen or pop-up overlay (depending on platform) with a single user controlled slider.
If connecting to SDL Core v.6.0+, the slider can be canceled programmatically using the cancelID
. On older versions of SDL Core, the slider will persist until the user has interacted with the slider or the specified timeout has elapsed.
Since SDL 2.0
Convenience init with all parameters.
- (nonnull instancetype)initWithNumTicks:(UInt8)numTicks
position:(UInt8)position
sliderHeader:(nonnull NSString *)sliderHeader
sliderFooters:
(nullable NSArray<NSString *> *)sliderFooters
timeout:(UInt16)timeout
cancelID:(UInt32)cancelID;
init(numTicks: UInt8, position: UInt8, sliderHeader: String, sliderFooters: [String]?, timeout: UInt16, cancelID: UInt32)
Number of selectable items on a horizontal axis
Initial position of slider control
Text header to display
Text footers to display. See the sliderFooter
documentation for how placing various numbers of footers will affect the display
Indicates how long of a timeout from the last action (i.e. sliding control resets timeout)
An ID for this specific slider to allow cancellation through the CancelInteraction
RPC.
An SDLSlider object
Creates a slider with only the number of ticks and position. Note that this is not enough to get a SUCCESS response. You must supply additional data. See below for required parameters.
- (nonnull instancetype)initWithNumTicks:(UInt8)numTicks
position:(UInt8)position;
init(numTicks: UInt8, position: UInt8)
Number of selectable items on a horizontal axis
Initial position of slider control
An SDLSlider object
Creates a slider with all required data and a static footer (or no footer).
- (nonnull instancetype)initWithNumTicks:(UInt8)numTicks
position:(UInt8)position
sliderHeader:(nonnull NSString *)sliderHeader
sliderFooter:(nullable NSString *)sliderFooter
timeout:(UInt16)timeout;
init(numTicks: UInt8, position: UInt8, sliderHeader: String, sliderFooter: String?, timeout: UInt16)
Number of selectable items on a horizontal axis
Initial position of slider control
Text header to display
Text footer to display
Indicates how long of a timeout from the last action (i.e. sliding control resets timeout)
An SDLSlider object
Creates an slider with all required data and a dynamic footer (or no footer).
- (nonnull instancetype)initWithNumTicks:(UInt8)numTicks
position:(UInt8)position
sliderHeader:(nonnull NSString *)sliderHeader
sliderFooters:
(nullable NSArray<NSString *> *)sliderFooters
timeout:(UInt16)timeout;
init(numTicks: UInt8, position: UInt8, sliderHeader: String, sliderFooters: [String]?, timeout: UInt16)
Number of selectable items on a horizontal axis
Initial position of slider control
Text header to display
Text footers to display
Indicates how long of a timeout from the last action (i.e. sliding control resets timeout)
An SDLSlider object
Represents a number of selectable items on a horizontal axis.
Integer, Required, Min value: 2, Max Value: 26
Since SDL 2.0
@property (nonatomic, strong) NSNumber<SDLInt> *_Nonnull numTicks;
var numTicks: NSNumber & SDLInt { get set }
Initial position of slider control (cannot exceed numTicks).
Integer, Required, Min Value: 1, Max Value: 26
@since SDL 2.0
@property (nonatomic, strong) NSNumber<SDLInt> *_Nonnull position;
var position: NSNumber & SDLInt { get set }
Text header to display.
String, Required, Max length 500 chars
Since SDL 2.0
@property (nonatomic, strong) NSString *_Nonnull sliderHeader;
var sliderHeader: String { get set }
Text footer to display.
For a static text footer, only one footer string shall be provided in the array. For a dynamic text footer, the number of footer text string in the array must match the numTicks value. For a dynamic text footer, text array string should correlate with potential slider position index. If omitted on supported displays, no footer text shall be displayed.
Array of Strings, Optional, Array length 1 - 26, Max length 500 chars
Since SDL 2.0
@property (nonatomic, strong, nullable) NSArray<NSString *> *sliderFooter;
var sliderFooter: [String]? { get set }
App defined timeout. Indicates how long of a timeout from the last action (i.e. sliding control resets timeout). If omitted, the value is set to 10 seconds.
Integer, Optional, Min value: 1000, Max value: 65535, Default value: 10000
Since SDL 2.0
@property (nonatomic, strong, nullable) NSNumber<SDLInt> *timeout;
var timeout: (NSNumber & SDLInt)? { get set }
An ID for this specific slider to allow cancellation through the CancelInteraction
RPC.
Integer, Optional
See
SDLCancelInteraction @since SDL 6.0@property (nonatomic, strong, nullable) NSNumber<SDLInt> *cancelID;
var cancelID: (NSNumber & SDLInt)? { get set }


1000
2
-5
4.4.16.a xforms-in-range event
You must see an xforms-in-range message when you activate the In Range trigger.
In Range
5
Range 1:
xforms-in-range
xforms-in-range


{% load static %}
HOME
About US
contact us
gallery
resources
{% block content %}
give us a call
{% end block %}


Collection
Documents relating to Ofsted's inspection of boarding and residential schools.
Except for ‘Safeguarding concerns: guidance for inspectors’ these documents are for inspection to 31 March 2017. For inspection from 1 April 2017 please use the social care common inspection framework (SCCIF) .