Class pv.Scale.ordinal
Extends
pv.Scale.
Represents an ordinal scale. An ordinal scale represents a
pairwise mapping from n discrete values in the input domain to
n discrete values in the output range. For example, an ordinal scale
might map a domain of species ["setosa", "versicolor", "virginica"] to colors
["red", "green", "blue"]. Thus, saying
.fillStyle(function(d) { switch (d.species) { case "setosa": return "red"; case "versicolor": return "green"; case "virginica": return "blue"; } })is equivalent to
.fillStyle(pv.Scale.ordinal("setosa", "versicolor", "virginica") .range("red", "green", "blue") .by(function(d) d.species))If the mapping from species to color does not need to be specified explicitly, the domain can be omitted. In this case it will be inferred lazily from the data:
.fillStyle(pv.colors("red", "green", "blue") .by(function(d) d.species))When the domain is inferred, the first time the scale is invoked, the first element from the range will be returned. Subsequent calls with unique values will return subsequent elements from the range. If the inferred domain grows larger than the range, range values will be reused. However, it is strongly recommended that the domain and the range contain the same number of elements.
A range can be discretized from a continuous interval (e.g., for pixel positioning) by using #split, #splitFlush or #splitBanded after the domain has been set. For example, if states is an array of the fifty U.S. state names, the state name can be encoded in the left position:
.left(pv.Scale.ordinal(states) .split(0, 640) .by(function(d) d.state))
N.B.: ordinal scales are not invertible (at least not yet), since the
domain and range and discontinuous. A workaround is to use a linear scale.
Defined in: OrdinalScale.js.
| Constructor Attributes | Constructor Name and Description |
|---|---|
|
Returns an ordinal scale for the specified domain.
|
| Method Attributes | Method Name and Description |
|---|---|
|
by(f)
Returns a view of this scale by the specified accessor function f.
|
|
|
domain()
Sets or gets the input domain.
|
|
|
range()
Sets or gets the output range.
|
|
|
split(min, max)
Sets the range from the given continuous interval.
|
|
|
splitBanded(min, max, band)
Sets the range from the given continuous interval.
|
|
|
splitFlush(min, max)
Sets the range from the given continuous interval.
|
- Parameters:
- {...} domain...
- optional domain values.
- See:
- pv.colors
- Parameters:
- {function} f
- an accessor function.
- Returns:
- {pv.Scale.ordinal} a view of this scale by the specified accessor function.
1. domain(values...)
Specifying the domain as a series of values is the most explicit and recommended approach. However, if the domain values are derived from data, you may find the second method more appropriate.
2. domain(array, f)
Rather than enumerating the domain values as explicit arguments to this method, you can specify a single argument of an array. In addition, you can specify an optional accessor function to extract the domain values from the array.
3. domain()
Invoking the domain method with no arguments returns the current domain as an array.
- Parameters:
- {...} domain...
- domain values.
- Returns:
- {pv.Scale.ordinal} this, or the current domain.
1. range(values...)
Specifying the range as a series of values is the most explicit and recommended approach. However, if the range values are derived from data, you may find the second method more appropriate.
2. range(array, f)
Rather than enumerating the range values as explicit arguments to this method, you can specify a single argument of an array. In addition, you can specify an optional accessor function to extract the range values from the array.
3. range()
Invoking the range method with no arguments returns the current range as an array.
- Parameters:
- {...} range...
- range values.
- Returns:
- {pv.Scale.ordinal} this, or the current range.
This method must be called after the domain is set.
- Parameters:
- {number} min
- minimum value of the output range.
- {number} max
- maximum value of the output range.
- Returns:
- {pv.Scale.ordinal} this.
- See:
- #splitFlush
- #splitBanded
The band width argument, band, is typically in the range [0, 1] and defaults to 1. This fraction corresponds to the amount of space in the range to allocate to the bands, as opposed to padding. A value of 0.5 means that the band width will be equal to the padding width. The computed absolute band width can be retrieved from the range as scale.range().band.
If the band width argument is negative, this method will allocate bands of a fixed width -band, rather than a relative fraction of the available space.
Tip: to inset the bands by a fixed amount p, specify a minimum value of min + p (or simply p, if min is 0). Then set the mark width to scale.range().band - p.
This method must be called after the domain is set.
- Parameters:
- {number} min
- minimum value of the output range.
- {number} max
- maximum value of the output range.
- {number} band Optional
- the fractional band width in [0, 1]; defaults to 1.
- Returns:
- {pv.Scale.ordinal} this.
- See:
- #split
This method must be called after the domain is set.
- Parameters:
- {number} min
- minimum value of the output range.
- {number} max
- maximum value of the output range.
- Returns:
- {pv.Scale.ordinal} this.
- See:
- #split


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Splitting JS/CSS into 2 or 3 files, meant for optimizing your site
Context: Checking Coverage with Chrome Devtools
After checking coverage, split the JS/CSS up into:
- InnerCore (inline JS/CSS, needed for when the JS/CSS files don’t load on super slow connections)
- OuterCore (the JS/CSS that’s covered by Devtools)
- Mantle (the JS/CSS that’s NOT covered by Devtools, but can be potentially used by the site)
Do all of this programmatically, because you do NOT want to do this by hand.
Names are based on Earth:


Order Detail
Task
Charge
Order No
Customer
Customer Name
Consignee
error
Consignee
error
Consignee Address
error
Origin
Location Name
Destination
Location Name
Cargo
Cargo Name
Cargo Weight
error
Price
error
Extra Expense
error
Ext Exp Comments
error
Container Type
Container Type
Container Capacity
Container Capacity
Container Quantity
error
Container List


Table of Contents
The server uses this information to decide whether to write out an updated SackFrame to the transport. It cannot write this at the start of every transport, because long-polling transports must close to actually "push" the frame(s) to the client. (If it did write it out, the long-polling transport would close repeatedly, effectively creating a DoS).
We could require client to upload last-SACK-seen only for long-polling, but that would reduce symmetry in the protocol.
Minerva SACK (vs. just plain ACK) allows us to keep strings in our receive window that we cannot deliver yet. In our SackFrame, we send sackList to the peer so that they know which strings were queued in the window. For wire protocol simplicity, if the window is overflowing, the transport is torn down. (Note that the ClientStream or ServerStream is not).
The alternative to giving up on the transport would be to complicate the wire protocol with "StringDropped" frames and/or make the transport more complicated: it may now have to send a string multiple times over the same transport.
We avoid this complexity and just give up on the transport. When the peer connects a new transport, they hopefully send frames that we can immediately deliver.
Probably on the transport client used for upload, because:
Minerva originally worked like this, but there were too many problems with using JSON at the transport level. We do not want to force our JSON security rules (depth limits, ACA prevention) on the application. We don't want to complicate flow control by requiring Minerva clients and servers to make poor estimates of how much memory their send and receive windows are using. This is especially tricky for clients that may be in an environment with poor introspection (such as JavaScript in a browser).


---
title: "FALL BULB & NATIVE PLANT SALE"
date: "2000-01-01 21:09:20 -06:00"
categories:
- fall
subtitle: ""
layout: "free-events"
event-image: "fall-plant-sale.jpg"
event-dates: "2021 Dates to be announced"
event-location: "Red Butte Garden Visitor Center Courtyard"
button-type: "register"
tickets-link: ""
registration-info: "Questions?
Please call<PHONE_NUMBER>"
instructor-info: "N/A"
member-cost: "Free admission"
public-cost: ""
event-notes: ""
tickets-button: "hide"
published: true
---
2021 Dates to be Announced
Support the Garden at our Annual Fall Bulb and Native Plant Sale Fundraiser. You will find spring flowering bulbs, organic garlic bulbs, native and water-wise plants, ornamental grasses, flowering perennials and more!
Fall is a great time to plant, and the best time to plant spring flowering bulbs, as well as garlic. We will have several selections of garlic bulbs for sale, and a variety of flowering bulbs including: A variety of Daffodils, Fritillaria, and Flowering Onions, as well as a diversity of early blooming miniature bulbs.
Although not quite as extensive as the Spring Plant Sale, we believe our Fall Sale has the best selection of water-wise and native plants in one location! If you haven’t come to our Fall Plant Sale yet, it’s about time you did.
There are so many species and cultivars of ornamental grasses, offering a variety of different sizes, heights, colors, and textures. Allow yourself some time to enjoy the Garden before shopping and see how these fabulous grasses may work in your yard.
There will also be a wide selection of flowering perennials, including selections for both sunny and shady locations, and a variety of own-root roses! Take your time to browse and bring your questions for our staff and volunteers.
All plant sale purchases are final.
Thank you for your support!


| Title | Author | Author l-f | Additonal Authors | ISBN | ISBN13 | ACM Rating | Average Rating | Publisher | Binding | Number of Pages | Year Published | Original Publication Year | Date Added | Private Notes | Recommended For | Owned Copies |
| An Imaginary Tale: The Story of "I" [The Square Root of Minus One] | Paul J. Nahin | Nahin, Paul J. |<PHONE_NUMBER> |<PHONE_NUMBER>951 | 0 | 3.96 | Princeton University Press | Hardcover | 280 | 1998 | 1998 | 4/11/16 | 1 |


Managing the Repository¶
As we started with our analysis, we added Ipython notebooks, Python scripts and Sphinx files all into one repository. This is when I realized that we were due for some repository management as all our work was starting to get cluttered.
For Sphinx, I started out by giving it access to the whole project since the website would be the main location of display rather than the GitHub site. Although if someone wanted to look under the hood, they needn’t be restricted by GitHub so I also made the GitHub page accessible.
I added a README.me
to GitHub with instructions on how we managed to get the data until this stage. Hence if anyone wanted to restart or fork our project they would have the tools to do so.
I also added a /docs
folder to keep the Ipython Notebooks and Jounrals organized. They are organized and edited as .rst
files and we can quickly make an entry if we choose to do so.
I will be adding further updates to make the repository clean and organized.


BubbleSort has an average and worst-case time complexity of
O(n2)
to sort n items.
Most sorting algorithms have substantially better worst-case or average complexity. Therefore, bubble
sort is not a practical sorting algorithm.
The only use case to use BubbleSort could be to sort already sorted data after e.g. only one entry was inserted.
Wikipedia


|
Cortenn
|
#include <shear.hpp>
Public Member Functions | |
| TargetPruner (T target, GetLeafValT< T > find_target, PruneFuncT pruner) | |
| ade::TensptrT | prune (ade::TensptrT root) |
| Prune graph of root Tensptr. More... | |
Private Attributes | |
| LeafFinder< T > | finder_ |
| Target finding traveler. More... | |
| PruneFuncT | pruner_ |
| Prune functor defining how to prune a given graph. More... | |
For some target extractable from iLeaf, prune graph such that reduces the length of branches to target from root For example, prune zeros branches by reducing f(x) * 0 to 0, repeat for every instance of multiplication by zero in graph
|
inline |
|
inline |
Prune graph of root Tensptr.
|
private |
Target finding traveler.
|
private |
Prune functor defining how to prune a given graph.


Yesterday
I worked at uTest for half a year, mostly bringing together and updating various front end technology stacks.
I worked for a year at MathWorks, helping to bring the power of MATLAB to the browser.
Earlier I spent four years as a researcher at EveryScape, writing panorama stitching and 3D modeling software. Before that I worked calibrating 3D laser scanners and developing white light scanners. Even before that I wrote distributed database access software that worked across Objective-C, C and Java systems.
Talks
I am a member of multiple meetups in the Boston area and spoke about
grunt,
code coverage and testing,
technical debt visualization,
best practices for handling dependencies,
agile software quality,
angular performance,
Chrome code snippets and many other topics.
You can find most of my slide decks at slides.com/bahmutov.
Education
Doctorate from Purdue University (West Lafayette, Indiana) working with Dr. Voice Popescu (adviser) and Dr. Mihai Mudure (fellow candidate), developing a novel scanning sensor.  If you were afraid of lasers, you could be anywhere else in the world, observing the results over the internet, as our system was smart enough to incrementally update the 3D model and send the results in real time.
Small print
Some of my github repositories are not up to date, while I am working on cleaning up the code.


Austin Powers: The Spy Who Shagged Me (1999) Mike Myers, Heather Graham, Robert Wagner, Gia Carides, Seth Green, Cindy Margolis, Kristen Johnston, Rob Lowe, Clint Howard, Mindy Sterling, Scott Cooper, Wilmer Valderrama, Verne Troyer, Mitch Rouse, Burt Bacharach, Elvis Costello, Elizabeth Hurley, Willie Nelson, Rebecca Romijn-Stamos, Jerry Springer. Written by Michael McCullers and Mike Myers. Directed by M. Jay Roach. Rated PG-13, 2.5 stars (out of five stars)
Review by Ed Johnson-Ott, NUVO Newsweekly www.nuvo-online.com Archive reviews at http://us.imdb.com/M/reviews_by?Edward+Johnson-ott To receive reviews by e-mail at no charge, send subscription requests to<EMAIL_ADDRESS>Following a sneak preview for "Austin Powers: The Spy Who Shagged Me," several friends asked my opinion of the comedy. When I shrugged it off as merely "okay," the disappointment and annoyance in their eyes was unmistakable. Like so many others, they were psyched up for this sequel to the 1997 spoof and eager to play the "Austin Powers" game, tossing around catch phrases like "Yeah, baby, yeah," "shagadelic," and "Oh, behave!" Then along comes Movie Boy to rain on their parade.
I freely admit to being mystified over the immense popularity that has built up around "Austin Powers." A modest success when released theatrically, the film went on to become a huge hit on video. Perhaps repeated viewings add to the enjoyment of the absurdist humor. Whatever. I watched the original only once and found it intermittently funny, but too thin to warrant a second look. I feel the same way about the sequel. Packed with gags -- some clever, many lame and almost all puerile -- the film has too many dead spots between the laughs, and I caught myself checking my watch almost as often as I chuckled. In other words, "Austin Powers 2" is "okay."
But "okay" isn't good enough for fans caught up in Powers-mania. While many have complained about the unrelenting hype for "Star Wars: The Phantom Menace," few seem bothered by the massive barrage of ads for this film. Granted, some of the commercials are a hoot, but still, the ubiquitous advertising campaign left me tired of Mike Myers face long before entering the theater.
When giving advice to student reviewers at seminars, I urge them to avoid the inclusion of lengthy plot descriptions, explaining that writers who do so are generally disinterested in the film and merely using a long synopsis as a lazy way to pad the word count of their article. With that in mind, here is a lengthy plot description of "Austin Powers: The Spy Who Shagged Me."
The film begins in 1999, with freeze-dried '60s super-spy Powers (Mike Myers, who also plays Dr. Evil, a Scottish thug called Fat Bastard, and a '60s guru) honeymooning with Vanessa Kensington (Elizabeth Hurley) when he discovers that his new bride is actually a "fembot" with a bomb planted in her noggin. Single again, Powers learns that his nemesis, Dr. Evil, has returned from outer space with a new diabolical scheme to wreck havoc. Using a time machine (with enjoyably cheesy visuals straight out of "The Time Tunnel"), Dr. Evil travels back to 1969 and steals Austin Powers' "mojo," leaving the oh-so-groovy secret agent impotent in all senses of the word.
But, thanks to British Intelligence, Austin Powers also has access to a time machine, in the form of a psychedelic Volkswagen Beetle (his travel mode echoes that of the "Back to the Future" trilogy). So he returns to the Swinging Sixties to regain his virility and stop Dr. Evil from destroying the world. Along the way, Powers picks up a new love interest, American CIA operative Felicity Shagwell (Heather Graham), who joins him on his biggest adventure yet.
NOTE: The preceding plot description ate up 188 words -- not bad, not bad at all.
In "Austin Powers'" scattershot screenplay are a number of undeniably entertaining scenes. Dr. Evil's son Scott (Seth Green) appears on a Jerry Springer Show episode titled "My Father Is Evil and Wants to Take Over the World," only to have his dad make a surprise appearance that, naturally, leads to a brawl. Jerry Springer segments in movies have been done to death, but this one is nicely-executed and plays well.
A particularly witty scene has Powers addressing the audience directly, saying "You know what's amazing is how England looks in no way like southern California" just prior to a fight obviously set in the southern California hills, with a red British phone booth incongruously placed on the side of the road for "authenticity."
My favorite bit shows Dr. Evil piloting a spaceship that resembles male genitalia, with rapid-cuts of various characters' reactions to the sight (a radar operator says "It looks like a giant..." then the film cuts to a fighter pilot shouting "Dick! Dick, look out to starboard!" and so forth). The sequence is juvenile as hell and very funny.
A lot of the movie falls flat, however. Endless segues of a go-go dancing Powers grow tiresome, and Heather Graham lacks comic spark. The visuals of Dr. Evil's tiny clone, Mini-Me (Verne Troyer), are amusing, but Troyer's limited acting skills mute the humorous potential. A reprise of a hilarious scene from the first film, depicting Austin frolicking nude with objects strategically placed to cover his "naughty parts," fails to amuse because you can see the "Cops"-style optical blur placed over his genitals.
Of course, "Austin Powers" is a critic-proof movie. Fans will drink in every second, quote the catch-phrases like crazy and wonder why a spoil- sport like me bothered to critique their movie.
Good question.
© 1999 Ed Johnson-Ott
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
|
IFXCoreSmartPtr Class ReferenceAbstract base class for IFXSmartPtr.
More...
Inheritance diagram for IFXCoreSmartPtr:
List of all members.
Detailed Description
Abstract base class for IFXSmartPtr.
The implementation is split between the two classes to avoid as much code generation as possible with new template specializations of IFXSmartPtr<T>.
Constructor & Destructor Documentation
| IFXCoreSmartPtr::IFXCoreSmartPtr |
( |
|
) |
[inline] |
|
| virtual IFXCoreSmartPtr::~IFXCoreSmartPtr |
( |
|
) |
[inline, virtual] |
|
Member Function Documentation
| BOOL IFXAPI IFXCoreSmartPtr::IsValid |
( |
|
) |
const [inline] |
|
|
|
Determines if the smart pointer is valid.
- Returns:
- BOOL value.
- Return values:
-
| TRUE | The smart pointer is pointing to a valid object |
| FALSE | The smart pointer does not reference a valid object |
|
|
template<class S> |
| IFXRESULT IFXAPI IFXCoreSmartPtr::QI |
( |
IFXSmartPtr< S > & |
rPtr, |
|
|
IFXREFIID |
iid |
|
) |
const [inline] |
|
|
|
This will attempt to query interface the underlying object for an interface of type S, and fill the rPtr argument with that new interface pointer.
If the method succeeds, the total reference count of the underlying object will be incremented (since rPtr now owns a reference).
- Parameters:
-
| @rPtr | IFXSmartPtr of a different interface 'S' than this instance. If the interface type S can by queried by the underlying object, rPtr will be filled with the pointer to the queried interface. |
- Returns:
- An IFXRESULT value.
- Return values:
-
| IFX_OK | No error. |
| IFX_E_INVALID_RANGE | The interface type of rPtr is not compitable with this object. |
|
| virtual IFXRESULT IFXAPI IFXCoreSmartPtr::ReCastTo |
( |
const IFXGUID & |
guid, |
|
|
void *& |
rvPtr |
|
) |
const [protected, pure virtual] |
|
|
|
Recast (QueryInterface) the underlying object to an interface with IID guid, and place the results in rvPtr.
If this succeeds, the reference count of the object will be incremented.
- Parameters:
-
| guid | Input IFXGUID containing the IID of the interface to convert to. |
| rvPtr | Reference to a void* that will be filled in with a pointer to the interface type denoted by guid. |
- Returns:
- An IFXRESULT value.
- Return values:
-
| IFX_OK | No error. |
| IFX_E_INVALID_RANGE | The interface type guid is not compatible with this object. |
Implemented in IFXSmartPtr< T >. |
Member Data Documentation
© 1999 - 2006 Intel Corporation. All rights reserved.
* Other names and brands may be claimed as the property of others.
|
|


Interfaces (ResultHandler, QueryHandler, ParameterHandler) and implementations and QueryContext definition used in the DaoInvocationHandler to process the query.


*Enable location service in your device / browser to get accurate weather data
Time
Temperature
Weather
Weather Description


Dave Viotti has a passion and expertise for unlocking ingenuity and leadership potential in people and organizations, honed throughout his career in executive leadership, entrepreneurship, and philanthropy. He is the Founder and CEO of SMALLIFY, an innovation capacity-building firm based in Menlo Park, California. Dave serves on the faculty of the Executive Leadership Program at U.C. Berkeley’s Haas School of Business. He is Executive Director of the Westly Foundation and founder of the Westly Prize for innovation in California.
Dave co-founded and leads the executive leadership program for Fuse Corps, a national social venture that pairs entrepreneurial leaders with governors and mayors to spark innovation in cities across America. He also co-designed the Civic Accelerator with the Points of Light Institute, where he mentors for-profit and non-profit ventures.
Other career highlights include U.S. Chief Learning Officer and Corporate Counsel at Sun Microsystems and CEO of the Junior Statesmen Foundation. Dave also worked as a corporate attorney at Faegre & Benson. He served as Henry Luce Scholar to the Legislative Council in Hong Kong, worked with the U.N. Special Rapporteur on Judicial Independence in Malaysia, and was an assistant producer for CNN’s Burden of Proof. Dave has performed and taught improvisation throughout his career. He uses improv techniques to coach authentic storytelling and effective influence and negotiation skills. Dave holds undergraduate and law degrees from Georgetown University, and a master’s degree in international relations from Oxford University, where he was an Allbritton Scholar.


Fixes a bug when setting startDate or endDate during initialization.
New features:
* Date range picker.
* Data API / noConflict.
* getDate
and setDate
methods.
* format
method for events; this allows you to easily format the date
associated with the event.
* New options:
* beforeShowDay
option: a dev-provided function that can enable/disable dates, add css classes, and add tooltips.
* clearBtn
, a button for resetting the picker.
Internal changes:
* Cleaner and more reliable method for extracting options from all potential sources (defaults, locale overrides, data-attrs, and instantiation options, in that order). This also populates $.fn.datepicker.defaults
with the default values, and uses this hash as the actual source of defaults, meaning you can globally change the default value for a given option.
Bugs squashed:
* Resolved a conflict with bootstrap’s native .switch
class.
* Fixed a bug with components where they would be stuck with a stale value when editing the value manually.
* The date
attributes on events are now local dates instead of internal UTC dates.
* Separate Date
objects for internal selected and view date references.
* Clicking multiple times inside inputs no longer hides the picker.
Minor improvements: * Better text color for highlighted “today” date. * Last year in decade view now marked as “new” instead of “old”. * Formats now properly handle trailing separators.
Locale changes:
* Added Albanian, Estonian, and Macedonian
* Added weekStart
for Russian
* Added weekStart
and format
for Finnish
Potentially backward-incompatible changes:
* Options revamp:
* This fixes bugs in the correlation of some data-attrs to their associated option names. If you use data-date-weekstart
, data-date-startdate
, or data-date-enddate
, you should update these to data-date-week-start
, data-date-start-date
, or data-date-end-date
, respectively.
* All options for datepicker are now properties on the datepicker’s o
property; options are no longer stored on the Datepicker instance itself. If you have code that accesses options stored on the datepicker instance (eg, datepicker.format
), you will need to update it to access those options via the o
property (eg, datepicker.o.format
). “Raw” options are available via the _o
property.
Small optimizations release
update
is called on initialization..data().date
if the datepicker is on a non-input..btn
in addition to .add-on
.Initial release:


Antillas Holandesas
Our Island in the sea ,
like gens they seems to be,
Outstanding from a golden crown of blissful royalty,
Though their people and their colorful may seem,
They yet uniquely bland to be just one family.

So blessed with sunny skies and clear welcomming seas,
Each island like a link that forms this chain of unity.
May differ in our language, yet meet on common ground
When some say “Sweet Antilles, some say “Dushi Antia ta”,
Yes, proud are we to be identified with you,
dear Netherlands Antilles to you we will be true.
So we declare and vow, with dignity and love,
Our nation we will always serve, may God keep us as one.
El himno de las Antillas Holandesas es Beautiful Islands, sin embargo, el himno nacional de Holanda es también oficial en la isla y tiene igual importancia como el Himno de las Antillas Holandesas y el propio de las islas. Los tres himnos son utilizados en todos los actos oficiales.
Outstanding from a golden crown of blissful royalty,
Though their people and their colorful may seem,
They yet uniquely bland to be just one family.

So blessed with sunny skies and clear welcomming seas,
Each island like a link that forms this chain of unity.
May differ in our language, yet meet on common ground
When some say “Sweet Antilles, some say “Dushi Antia ta”,
Yes, proud are we to be identified with you,
dear Netherlands Antilles to you we will be true.
So we declare and vow, with dignity and love,
Our nation we will always serve, may God keep us as one.
El himno de las Antillas Holandesas es Beautiful Islands, sin embargo, el himno nacional de Holanda es también oficial en la isla y tiene igual importancia como el Himno de las Antillas Holandesas y el propio de las islas. Los tres himnos son utilizados en todos los actos oficiales.
«-- ir al comienzo
«-- regresar


Write, run, and test a C++ program that finds and displays all the prime numbers less than 1000.
result:


| Total net profit | -80.55 | Gross profit | 49.21 | Gross loss | -129.76 |
| Profit factor | 0.38 | Expected payoff | -0.41 | ||
| Absolute drawdown | -80.55 | Maximal drawdown (%) | 80.6 (161200.0%) | ||
| Total trades | 195 | Profit trades (% of total) | 72 (36.92%) | Loss trades (% of total) | 123 (63.08%) |
| Long positions (won %) | 98 (40.82%) | Short positions (won %) | 97 (32.99%) | ||
| Largest | profit trade | 2.57 | loss trade | -3.63 | |
| Average | profit trade | 0.68 | loss trade | -1.05 | |
| Minimum | profit trade | 0.05 | loss trade | -0.31 | |
| Maximum | take profit in pips | 35.9 | stop loss in pips | -47.0 | |
| Average | take profit in pips | 10.8 | stop loss in pips | -15.3 | |
| Minimum | take profit in pips | -6.7 | stop loss in pips | -4.3 | |
| Maximum | Reward-Risk | 5.3 | Duration in minutes | 2894 | |
| Average | Reward-Risk | 0.9 | Duration in minutes | 122.7 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 0 | |
| Maximum | consecutive wins (profit in money) | 3.0 (1.66) | consecutive losses (loss in money) | 8.0 (-7.04) | |
| Average | consecutive wins | 1.0 | consecutive losses | 2.0 |
| Total net profit | -44.0 | Gross profit | 21.54 | Gross loss | -65.54 |
| Profit factor | 0.33 | Expected payoff | -0.45 | ||
| Absolute drawdown | -44.0 | Maximal drawdown (%) | 45.1 (4100.0%) | ||
| Total trades | 98 | Profit trades (% of total) | 40 (40.82%) | Loss trades (% of total) | 58 (59.18%) |
| Largest | profit trade | 1.37 | loss trade | -2.38 | |
| Average | profit trade | 0.54 | loss trade | -1.13 | |
| Minimum | profit trade | 0.05 | loss trade | -0.47 | |
| Maximum | take profit in pips | 19.0 | stop loss in pips | -38.4 | |
| Average | take profit in pips | 8.4 | stop loss in pips | -16.5 | |
| Minimum | take profit in pips | -6.7 | stop loss in pips | -7.5 | |
| Maximum | Reward-Risk | 1.8 | Duration in minutes | 769.0 | |
| Average | Reward-Risk | 0.6 | Duration in minutes | 113.0 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 0.0 | |
| Maximum | consecutive wins (profit in money) | 5.0 (3.01) | consecutive losses (loss in money) | 8.0 (-9.5) | |
| Average | consecutive wins | 1.0 | consecutive losses | 2.0 |
| Total net profit | -36.55 | Gross profit | 27.67 | Gross loss | -64.22 |
| Profit factor | 0.43 | Expected payoff | -0.38 | ||
| Absolute drawdown | -37.44 | Maximal drawdown (%) | 37.1 (-10911.76%) | ||
| Total trades | 97 | Profit trades (% of total) | 32 (32.99%) | Loss trades (% of total) | 65 (67.01%) |
| Largest | profit trade | 2.57 | loss trade | -3.63 | |
| Average | profit trade | 0.86 | loss trade | -0.99 | |
| Minimum | profit trade | 0.25 | loss trade | -0.31 | |
| Maximum | take profit in pips | 35.9 | stop loss in pips | -47.0 | |
| Average | take profit in pips | 13.2 | stop loss in pips | -14.0 | |
| Minimum | take profit in pips | 0.2 | stop loss in pips | -4.3 | |
| Maximum | Reward-Risk | 5.3 | Duration in minutes | 2894.0 | |
| Average | Reward-Risk | 1.3 | Duration in minutes | 132.6 | |
| Minimum | Reward-Risk | Duration in minutes | 0.0 | ||
| Maximum | consecutive wins (profit in money) | 5.0 (4.11) | consecutive losses (loss in money) | 9.0 (-7.24) | |
| Average | consecutive wins | 1.0 | consecutive losses | 2.0 |


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Cupim short loin frankfurter, ham hock fatback sirloin salami pork loin ball tip meatloaf. Kevin shank turkey, kielbasa tenderloin tri-tip frankfurter prosciutto ribeye pork belly leberkas hamburger. Chuck chicken corned beef, rump swine filet mignon shank salami kielbasa picanha drumstick ham bresaola pork belly short loin. Pork belly ball tip beef landjaeger sausage fatback rump turducken prosciutto biltong kevin filet mignon. Leberkas shank pastrami, filet mignon spare ribs tenderloin kevin tongue sirloin turducken picanha flank kielbasa cow bacon. Spare ribs sirloin jowl turkey, meatloaf hamburger andouille kielbasa strip steak cow alcatra filet mignon shoulder beef ribs.
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fun CtMethod.normalizeIndex(index: Int): Int
Gets the index if it appears within indices, else the previous one.
index - The index to normalize.
index
Return The index if it appears within indices, else the previous one.


Abstraction Levels
When implementing interfaces to the operating system or the network, provide two interfaces:
- One that doesn't hide platform specific or library specific functionality. For example, you can use file descriptors on Unix, and Win32 events on Windows.
- One that provides a high level interface hiding platform specific details. E.g. process running uses same API on Unix and Windows, although the implementation is very different.
Restated in a more general way:
- Provide all low level functionality for your specific domain, without limiting the policies and decisions the user can make.
- Provide a high level abstraction on top of the low level implementation (or implementations) which implements the common use cases and functionality that is used in most cases.
Learning Curves
Require the minimal amount of work and learning on part of the user to get started. If this means they have less functionality, that's OK, when they need it they can learn a bit more. This will also lead to a cleaner, easier to test design.
For example - using twistd is a great way to deploy applications. But to get started you don't need to know about it. Later on you can start using twistd, but its usage is optional.


| 27 Aug 1908 |
Lyndon Baines Johnson born, Stonewall, TX. |
| 17 Nov 1934 |
Married Lady Bird Taylor (Claudia Alta Taylor) in San Antonio TX. Cost of wedding ring: $2.50 |
| Nov 1936 |
Elected to U.S. House, Texas 10th District. |
| 30 Oct 1937 |
Entered Apprentice Degree in Johnson City Lodge No. 561, TX. |
| c. 1940 |
Extramarital affair with Alice Glass, mistress and later the wife of Charles Edward Marsh. Lasts until 1960's. |
| 1948 |
Extramarital affair with Madeleine Brown, which lasts until 1969. |
| Nov 1948 |
Elected to U.S. Senate, in a crooked election in which the margin is a mere 87 votes. Much later, Johnson exhibited to reporters privately a photograph of his aides alongside a stolen ballot box. |
| 27 Dec 1950 |
Madeleine Brown gives birth to Johnson's illegitimate child, Steven Mark Brown. According to Madeleine, Lyndon made an arragement though attorney Jerome T. Ragsdale to support the child, $200/wk during pregnancy and $500/wk while growing up. This arrangement lasted 25 years. |
| 22 Nov 1963 |
John F. Kennedy assassinated. Sworn into office as President aboard Air Force One. |
| 29 Nov 1963 |
By executive order, President Lyndon B. Johnson creates the Warren Commission to investigate the Kennedy Assassination. |
| 24 Feb 1964 |
Discloses the existence of the SR-71 Blackbird spy aircraft. |
| 24 Sep 1964 |
The Warren Commission delivers its final report to President Lyndon B. Johnson. |
| 7 Oct 1964 |
Walter W. Jenkins, chief White House aide and longtime friend of President Lyndon B. Johnson, is arrested for disorderly conduct two blocks from the White House. Jenkins was discovered in a YMCA pay toilet with another man. Ultimately, Jenkins is forced to resign, so as not to jeopardize Johnson's re-election campaign. Jenkins stated that during his arrest, his mind had been "befuddled by fatigue, alcohol, physical illness, and lack of food." |
| 21 Oct 1964 |
"We are not about to send American boys nine or ten thousand miles away from home to do what Asian boys ought to be doing for themselves." |
| 31 Mar 1968 |
LBJ announces he will not seek another term. |
| 22 Jan 1973 |
Lyndon Baines Johnson dies of a heart attack while in flight aboard an aircraft, near Johnson City, TX. Buried at LBJ ranch. |
| Jun 1987 |
Steven Mark Brown files lawsuit against Lady Bird Johnson, claiming his portion of LBJ's estate. |
| 1987 |
Steven Mark Brown disappears, after a period of harassment. |
| 28 Sep 1990 |
Johnson's illegitimate son Steven Mark Brown dies of cancer. |


Well if I had to ask him ten questions…..well I do have issues as a common man who wants India to prosper so the citizens can enjoy the benefits:
What is the plan for improving the quality of health care in India, particularly in the public health sector??
I saw that there was a debate on BBC and Al-Jazeera, regarding the loss of many infants lives in Gorakhpur recently. While some might say these channels always show India in a negative light, that doesn’t act as an excuse to hide the issue. We know that many doctors prefer to work in urban and posh hospitals, and as a result good quality health care isn’t available to many Indians. We should be able to provide quality doctors and hospitals within a 50 km range in my opinion. I hope the government has a plan to do the same.
2. When will India adopt a proactive approach to disaster management rather than giving funds in the event of a disaster?
There has been a rise in disasters causing loss of lives, especially which could have been avoided with better planning. From Uttarakhand to Assam, with Mumbai and Chennai hit by floods too. We need to ensure all buildings meet the required safety standards. The problem is also that we see many buildings come up in dangerous areas simply because the business men prefer it that way. We also know that hundreds of years old temples survived the Uttarakhand landslides but the new buildings did not. So we need to ensure there is proper planning to avoid such disasters, and also give people places to live in rather than dangerous areas.
3. Why do we not add incentives for research and development field?
The Indian middle class dream is for a kid to be enrolled in medicine or engineering and get a plum job abroad or something. One thing is our universities do not have the quality of facilities that other top international universities provide. Another problem is fresh research talent is forced into other jobs due to lack of good salary and other incentives. My wish is to see such people do what they love, with quality facilities. I hope the Indian government invests more money into the higher education sector.
4. Why don’t we do more for our farmers?
Despite what all your government has done so far, majority of the farmers still have terrible conditions to deal with. Some simply cannot bear it and commit suicide. My main issue is some politicians use the lack of taxation in agriculture to park their money in this sector, while the majority of the farmers are left hanging dry. I may be naive in saying this, but there should be tax on agriculture at a ceiling such that those who deserve it can reap the rewards, while those who are in it for saving money are forced to pay.
Such people do not understand India’s sociocultural ethos. Agriculture is the lifeline of India. It is the bedrock of our society and family system. It isn’t just any other business or profession- Virendra Singh, BJP Farmers Cell.
And how do we view it in general? They are an afterthought to many in reality, lets be honest.
5. When will sportsmen and artistes be given their due?
I am of the opinion that we should support all sportspeople, musicians, dancers and artists as they make the nation proud by representing the ethos, culture and the winning spirit of India, either at the national or at the international level. Once we develop a culture where parents allow their children to do these activites and them not having to worry about their future, we will win Olympic medals and we will see Indians shine on the world stage and make us proud. Rather than just give the likes of Sindhu 50 lakhs after she did all the hard work, we can give medical and financial aid to the upcoming Sindhus of the various sports and other fields. And give them good quality competition and facilities to hone their talent.
6. Will we ever make a step towards a meritocracy?
I have no problems with the reservation system personally. I know a couple of people from poor background whose lives will change because the system gave them a chance to rise from their background and get good quality education to give their future generations a good circumstance to live. But we also know many cases, especially here on Quora where many genuine cases have been denied an opportunity from the general sector due to this system. As you propose a Uniform Civil Code apparently, will we see any change in this situation and stop doling out seats for each and every caste/religion. Or will political compulsions make sure you maintain the status quo? (Kind of like the Nash Equilibrium at this moment).
7. Why do we encourage people like Ram Rahim??
Self styled godmen have always been there throughout history across religions. But here they have political power. Your Haryana CM has used the influence of this Ram Rahim person, and stayed in power because of the lakhs of people ‘hypnotised’ by his acts. He ain’t the only one, yet I will only mention him because of the chaos in North India recently. It is true that you politician folks rather than break up this force by exposing their fraudulent activities, you use their base to win seats. I say this because Amit Shah and respected PM also know when to do what to win maximum votes. We can only stop them if there is a political will to weed them out, which is absent.
8. How is nationalism and patriotism now linked with your political party?
We have seen many Indians told to go to Pakistan, simply because they feel your policies and ideas aren’t as good. We have reached that stage where now if you don’t agree with the PM, we are not for India or something. And some journalists particularly an A GOSWAMI (capitals for loudness) also propagate that idea. Why do we need to shout down dissent? Democracy is about checks and balances. Why cannot we understand that they can raise issues. Some may be trivial. But they might just find a point which your government needs to work on. So why shut them down? Just so your party can win a few more seats? You guys have a majority in LS anyway. Its better than the UPA had to deal with.
9. The status reports of your pet projects? Will we see tangible progress soon?
Smart Cities. Ganga cleaning. Swaach Bharat and so on. We have seen many ideas which on paper are great. But let’s be honest, they are more paper than that of reality. The housing project in which by 2022 all Indians will have a house or something to that effect? Do show the citizens of India where we will reach with these projects because if implemented they can propel India to new heights.
10. Will your party do its part by not taking part in political polarization and influencing people on social media?
Some say life is a matter of perception. But it is not deniable that your party members have proven adequate at changing facts and perceptions to present your party in a better light(IT Cell alert). Fake news through Whats app and biased news representation all that has made me lose faith in the mainstream media and some alternative sites provide more real news than them. I would like to hope you guys, being the best at this business, to pipe down on that. Come on, we dont see anyone challenging your party for the 2019 elections. So why not go ahead and do some good governance than consolidate political position??


You'll want to avoid minimising the page or switching to another tab while the metronome is running. It will get all off and sound really sad if you do that.
Tempo:
(or type A-V to jump to that rehearsal marking. The metronome will keep track of when the music switches to steady 4/4.)


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Keanu Reeves’ disembodied face stars in the newest SpongeBob movie
Follow Polygon online:
by Petrana RadulovicSpongeBob, Patrick, and the rest of the Bikini Bottom gang return to the big screen next year. The SpongeBob Movie: Sponge on the Run is the third SpongeBob movie to hit theaters, but the first to sport an all-CGI SpongeBob.
SpongeBob discovers that his beloved pet snail Gary is missing. If that sounds like the events of the 2005 episode “Have You Seen This Snail?”, good catch, you’ve watched a lot of SpongeBob. But the key difference is that this time Gary has been...dun, dun, dun....snail-napped! SpongeBob and Patrick set out on a quest to The Lost City of Atlantic City to find Gary, encountering a whole host of colorful characters — including Keanu Reeves’ disembodied face as a magical sage made out of a bundle of sage.
In addition to Keanu Reeves, Reggie Watts, Snoop Dogg, and Awkwafina also join the regular SpongeBob voice cast.
The SpongeBob Movie: Sponge on the Run comes out on May 22, 2020.


This is the continuous integration server for Jumble, the bytecode-level Java mutation testing tool developed by NetValue, and now open sourced at Sourceforge.


Moira rocks!
Yep, she does.
All product names, characters, trademarks and registered trademarks are property of their respective owners.
Yep, she does.
All product names, characters, trademarks and registered trademarks are property of their respective owners.


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CSV class provides the GEOPM interface for creation of character separated value tabular data files. These CSV formatted files are created with a header containing some meta-data prefixed by the '#' character and then one line that defines the field name for the column. The separation character is a '|' not a comma.
More...
#include <CSV.hpp>
|
| | CSV ()=default |
| |
| virtual | ~CSV ()=default |
| |
| virtual void | add_column (const std::string &name)=0 |
| | Add a column with the given field name. The formatting of the column values will default to geopm::string_format_double(). More...
|
| |
| virtual void | add_column (const std::string &name, const std::string &format)=0 |
| | Add a column with the given field name. The formatting of the column values chosen based on the format string. More...
|
| |
| virtual void | add_column (const std::string &name, std::function< std::string(double)> format)=0 |
| | Add a column with the given field name. The formatting of the column values is implemented with the format function provided. More...
|
| |
| virtual void | activate (void)=0 |
| | Calling activate indicates that all columns have been added to the object and calls to update() are enabled. More...
|
| |
| virtual void | update (const std::vector< double > &sample)=0 |
| | Add a row to the CSV file. More...
|
| |
| virtual void | flush (void)=0 |
| | Flush all output to the CSV file. More...
|
| |
CSV class provides the GEOPM interface for creation of character separated value tabular data files. These CSV formatted files are created with a header containing some meta-data prefixed by the '#' character and then one line that defines the field name for the column. The separation character is a '|' not a comma.
◆ CSV()
◆ ~CSV()
| virtual geopm::CSV::~CSV |
( |
| ) |
|
|
virtualdefault |
◆ activate()
| virtual void geopm::CSV::activate |
( |
void |
| ) |
|
|
pure virtual |
Calling activate indicates that all columns have been added to the object and calls to update() are enabled.
Implemented in geopm::CSVImp.
◆ add_column() [1/3]
| virtual void geopm::CSV::add_column |
( |
const std::string & |
name | ) |
|
|
pure virtual |
Add a column with the given field name. The formatting of the column values will default to geopm::string_format_double().
- Parameters
-
| [in] | name | The field name for the column as it will be printed in the file header. |
Implemented in geopm::CSVImp.
◆ add_column() [2/3]
| virtual void geopm::CSV::add_column |
( |
const std::string & |
name, |
|
|
const std::string & |
format |
|
) |
| |
|
pure virtual |
Add a column with the given field name. The formatting of the column values chosen based on the format string.
- Parameters
-
| [in] | name | The field name for the column as it will be printed in the file header. |
| [in] | format | One of five format strings:
- "double": Floating point number with up to 16 significant decimal digits.
- "float": Floating point number with up to 6 significant decimal digits.
- "integer": Whole number printed in decimal.
- "hex": Whole number printed in hexadecimal digits with 16 digits of zero padding.
- "raw64": View of raw memory contained in signal printed as a 16 hexadecimal digit number.
|
Implemented in geopm::CSVImp.
◆ add_column() [3/3]
| virtual void geopm::CSV::add_column |
( |
const std::string & |
name, |
|
|
std::function< std::string(double)> |
format |
|
) |
| |
|
pure virtual |
Add a column with the given field name. The formatting of the column values is implemented with the format function provided.
- Parameters
-
| [in] | name | The field name for the column as it will be printed in the file header. |
| [in] | format | Function that converts a double precision signal into the printed string for this column in the CSV file. |
Implemented in geopm::CSVImp.
◆ flush()
| virtual void geopm::CSV::flush |
( |
void |
| ) |
|
|
pure virtual |
◆ update()
| virtual void geopm::CSV::update |
( |
const std::vector< double > & |
sample | ) |
|
|
pure virtual |
Add a row to the CSV file.
- Parameters
-
| [in] | sample | Values for each column of the table in the order that the columns were added prior to calling activate(). |
Implemented in geopm::CSVImp.
The documentation for this class was generated from the following file:


Server: "Knock knock!"
Client: "Who's there?"
Server: "Dexter."
Client: "Dexter who?"
Server: "Dexter halls with boughs of holly."
Client: "Groan."
The example consists of two independently running Java programs: the
client program and the server program. The client program is
implemented by a single class, KnockKnockClient
,
and is very similar to the
EchoClient
example from the previous section.
The server
program is implemented by two classes: KnockKnockServer
and
KnockKnockProtocol
, KnockKnockServer
contains the main
method for the
server program and performs the work of listening to the port,
establishing connections, and reading from and writing to the socket.
KnockKnockProtocol
serves up the jokes. It keeps track of the current
joke, the current state (sent knock knock, sent clue, and so on), and
returns the various text pieces of the joke depending on the current
state. This object implements the protocol-the language that the client
and server have agreed to use to communicate.
The following section looks in detail at each class in both the client and the server and then shows you how to run them.
KnockKnockServer
class.
The server program begins by creating a new ServerSocket
object to
listen on a specific port (see the statement in bold in the following
code segment). When writing a server, choose a port that is not already
dedicated to some other service. KnockKnockServer
listens on port 4444
because 4 happens to be my favorite number and port 4444 is not being
used for anything else in my environment:
try { serverSocket = new ServerSocket(4444); } catch (IOException e) { System.out.println("Could not listen on port: 4444"); System.exit(-1); }
ServerSocket
is a java.net
class that
provides a system-independent implementation of the server side of a
client/server socket connection. The constructor for ServerSocket
throws an exception if it can't listen on the specified port (for
example, the port is already being used). In this case, the
KnockKnockServer
has no choice but to exit.
If the server successfully binds to its port, then the ServerSocket
object is successfully created and the server continues to the next
step--accepting a connection from a client (shown in bold):
Socket clientSocket = null; try { clientSocket = serverSocket.accept(); } catch (IOException e) { System.out.println("Accept failed: 4444"); System.exit(-1); }
accept
method waits until a client starts up and
requests a connection on the host and port of this server (in this
example, the server is running on the hypothetical machine taranis on
port 4444). When a connection is requested and successfully
established, the accept method returns a new Socket
object
which is bound to the same local port and has its remote address and
remote port set to that of the client.
The server can communicate with the
client over this new Socket
and continue to listen for
client connection requests on the original ServerSocket
This particular version of the
program doesn't listen for more client connection requests. However, a
modified version of the program is provided in
Supporting Multiple Clients.
After the server successfully establishes a connection with a client, it communicates with the client using this code:
PrintWriter out = new PrintWriter( clientSocket.getOutputStream(), true); BufferedReader in = new BufferedReader( new InputStreamReader( clientSocket.getInputStream())); String inputLine, outputLine; // initiate conversation with client KnockKnockProtocol kkp = new KnockKnockProtocol(); outputLine = kkp.processInput(null); out.println(outputLine); while ((inputLine = in.readLine()) != null) { outputLine = kkp.processInput(inputLine); out.println(outputLine); if (outputLine.equals("Bye.")) break; }
while
loop).
KnockKnockProtocol
object-the object that keeps track of the current joke, the current
state within the joke, and so on.
After the KnockKnockProtocol
is created, the code calls
KnockKnockProtocol
's processInput
method to
get the first message that the server sends to the client. For this
example, the first thing that the server says is "Knock! Knock!" Next,
the server writes the information to the PrintWriter
connected to the client socket, thereby sending the message to the
client.
Step 3 is encoded in the while
loop. As long as the client and server
still have something to say to each other, the server reads from and
writes to the socket, sending messages back and forth between the
client and the server.
The server initiated the conversation with a "Knock! Knock!" so
afterwards the server must wait for the client to say "Who's there?" As
a result, the while loop iterates on a read from the input stream. The
readLine method waits until the client responds by writing something to
its output stream (the server's input stream). When the client
responds, the server passes the client's response to the
KnockKnockProtocol
object and asks the KnockKnockProtocol
object for a
suitable reply. The server immediately sends the reply to the client
via the output stream connected to the socket, using a call to println.
If the server's response generated from the KnockKnockServer
object is
"Bye." this indicates that the client doesn't want any more jokes and
the loop quits.
The KnockKnockServer
class is a well-behaved server, so
the last several lines of this section of KnockKnockServer
clean up by closing all of the input and output streams, the client
socket, and the server socket:
out.close(); in.close(); clientSocket.close(); serverSocket.close();
KnockKnockProtocol
class implements the protocol that the client and server use to
communicate. This class keeps track of where the client and the server
are in their conversation and serves up the server's response to the
client's statements. The KnockKnockServer
object contains the text of
all the jokes and makes sure that the client gives the proper response
to the server's statements. It wouldn't do to have the client say
"Dexter who?" when the server says "Knock! Knock!"
All client/server pairs must have some protocol by which they speak to each other; otherwise, the data that passes back and forth would be meaningless. The protocol that your own clients and servers use depends entirely on the communication required by them to accomplish the task.
KnockKnockClient
class implements the client program
that speaks to the KnockKnockServer
.
KnockKnockClient
is based on the
EchoClient
program in the previous section,
Reading from and Writing to a Socket
and should be somewhat familiar to you.
But we'll go over the program anyway
and look at what's happening in the client
in the context of what's going on in the server.
When you start the client program, the server should already be running and listening to the port, waiting for a client to request a connection. So, the first thing the client program does is to open a socket that is connected to the server running on the hostname and port specified:
kkSocket = new Socket("taranis", 4444); out = new PrintWriter(kkSocket.getOutputStream(), true); in = new BufferedReader(new InputStreamReader( kkSocket.getInputStream()));
KnockKnockClient
uses the host name taranis
,
the name of a hypothetical machine on our network.
When you type in and run this program,
change the host name to the name of a machine on your network.
This is the machine on which you will run the KnockKnockServer
.
The KnockKnockClient
program also specifies the port
number 4444 when creating its socket. This is a remote port
number--the number of a port on the server machine--and is the
port to which KnockKnockServer
is listening. The client's
socket is bound to any available local port--a port on the
client machine. Remember that the server gets a new socket as well.
That socket is bound to local port number 4444 on its
machine. The server's socket and the client's socket are connected.
Next comes the while loop that implements the communication between the client and the server. The server speaks first, so the client must listen first. The client does this by reading from the input stream attached to the socket. If the server does speak, it says "Bye." and the client exits the loop. Otherwise, the client displays the text to the standard output and then reads the response from the user, who types into the standard input. After the user types a carriage return, the client sends the text to the server through the output stream attached to the socket.
while ((fromServer = in.readLine()) != null) { System.out.println("Server: " + fromServer); if (fromServer.equals("Bye.")) break; fromUser = stdIn.readLine(); if (fromUser != null) { System.out.println("Client: " + fromUser); out.println(fromUser); } }
In the interest of good housekeeping, the client closes its input and output streams and the socket:
out.close(); in.close(); stdIn.close(); kkSocket.close();
Next, run the client program. Note that you can run the client on any machine on your network; it does not have to run on the same machine as the server.
If you are too quick, you might start the client before the server has a chance to initialize itself and begin listening on the port. If this happens, you will see a stack trace from the client. If this happens, just restart the client.
If you forget to change the host name in the source code for the
KnockKnockClient
program, you will see the following error message:
Don't know about host: taranis
KnockKnockClient
program and provide a valid
host name for your network. Recompile the client program and try
again.
If you try to start a second client while the first client is connected to the server, the second client just hangs. The next section, Supporting Multiple Clients, talks about supporting multiple clients.
When you successfully get a connection between the client and server, you will see the following text displayed on your screen:
Server: Knock! Knock!
Who's there?
Server: Knock! Knock! Who's there? Client: Who's there? Server: Turnip
Turnip who?"
Server: Knock! Knock! Who's there? Client: Who's there? Server: Turnip Turnip who? Client: Turnip who? Server: Turnip the heat, it's cold in here! Want another? (y/n)
If at any point you make a typing mistake, the KnockKnockServer
object catches it and the server responds with a message similar to this:
Server: You're supposed to say "Who's there?"!
Server: Try again. Knock! Knock!
KnockKnockProtocol
object is particular
about spelling and punctuation but not about capitalization.
KnockKnockServer
example simple,
we designed it to listen for and handle a single connection request.
However, multiple client requests can come into the same port and,
consequently, into the same ServerSocket
.
Client connection requests are queued at the port, so the
server must accept the connections sequentially. However, the server
can service them simultaneously through the use of threads - one thread
per each client connection.
The basic flow of logic in such a server is this:
while (true) { accept a connection ; create a thread to deal with the client ; end while
KnockKnockServer
so that it can service multiple clients at
the same time. Two classes compose our solution:
KKMultiServer
and
KKMultiServerThread
.
KKMultiServer
loops forever,
listening for client connection requests on a ServerSocket
.
When a request comes in, KKMultiServer
accepts the connection,
creates a new KKMultiServerThread
object to process it,
hands it the socket returned from accept, and starts the thread.
Then the server goes back to
listening for connection requests. The KKMultiServerThread
object
communicates to the client by reading from and writing to the socket.
Run the new Knock Knock server and then run several clients in
succession.


Logic Gates
Flip-Flip & Latch
Digital Circuits
Input Devices
Output Devices
Sign up Form
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Password:
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Torque
2D - Fish Demo Tutorial - Part 10
10.
Adding Particle Effects
10.1 Adding
bubble particles
Our final step is to add a
couple of particle effects. We have a bubble, and a light beam particle effect.
Adding these will really enhance the look of our fish demo. In your right panel
make sure that the Create tab is selected. Scroll down and click the Particle
Effects label. It's hard to tell what the two particle effects are,
since neither of them are meant to be highly visible. They are fairly subtle
effects. The first one is for creating new effects, the second one is the
bubble effect and the third one is the light beam effect. Drag and drop the
second effect, oceanbubbles.eff (as shown in Figure 10.1.1) to
the lower left of your level, between two of the rocks (as shown in Figure
10.1.2).
|
Figure 10.1.1
|
|
Figure 10.1.2
|
If you wait a moment after you drop the
bubble particle effect, you will see bubbles floating upward. Drag a second
bubble particle effect, and this time drop it in the bottom right of your level
between some other rocks (as shown in Figure 10.1.3).
Figure 10.1.3
Now save your level and click the Play
Level button. After a little bit of time, bubbles start to emit from the
particle effects we placed! (as shown in Figure 10.1.4)
Figure 10.1.4
10.2
Adding light beam particles
Our final particle effect to
add, is the light beam particle effect. The light beam effect is the third
particle effect in the object library. Drag and drop the light beam particle
effect (as shown in Figure 10.2.1) into the center of your level. After
a moment you should see the light beams appear. Adjust the position of the
particle effect object until the light beam fits your level correctly. Press
the play button and watch the light show! (as shown in Figure 10.2.2)
|
Figure 10.2.1
|
|
Figure 10.2.2
|


Are you a Nomophobe? If you’ve ever experienced the sudden pang of anxiety when you realise your phone is dead, that you’re isolated from your virtual network, and oh-god-what-do-I-do-now, then you’ve already joined that particular club.
And while you’re nervously rummaging in your pockets for a portable phone charger (and oh-god-what-if-that’s-dead-too), take a moment to imagine a future where you’re not tied to a phone - and where any place or object can be your screen, your messaging app, or your browser.
Or more: so much more.

Interacting with the world through small screens is second nature: a Snapchat sent from the other side of the globe is a glimpse of life somewhere else. But there’s a huge leap in perception when that quick peek fills your field of vision: your brain suddenly thinks, hey — I’m there.
Some deceptively big philosophical questions loom large here. If everything that you see only truly exists inside your eyes: at what point does “virtual reality” simply become “reality?” This is the story of where our visual reality is going, and why it’ll feel so real when you get there.
But let’s rewind a bit. This is a future that starts right now, via consumer-ready VR devices that remodel how you look at the world, and how you interact with it.
And the big stuff is nowhere nearly as far away as you think.
TODAY: The screen is your window
By now you’ve possibly — at the behest of an excited friend—slipped your phone into a Cardboard “VR” headset, and felt the quick-and-dirty thrill of a 360º animation. (It was probably one of the rollercoaster ones. Everyone loves the rollercoaster ones. Wheeeee!)
The modern VR revolution started with simplicity, for good reason. By virtually replicating experiences we’re already used to—video games, linear videos, simple human interaction, (rollercoasters!) — VR firms are betting that we’ll willingly swallow the gateway drug. We’re stepping into a future most of us can’t even picture yet.
The excitement of these very basic VR experiences, whilst real, is brief.
But an interactive, non-vomitous leap between realities is where the future really begins. Moore’s law has held fast, and we’ve whooshed past the VR tipping point, where the visual processing needed to convince to our highly attuned sense of space met the miniaturised tech needed to make it plausible.
You can fast-track the growth of your laundry pile with a succession of soiled trousers by playing Resident Evil 7 in VR
That’s why it’s impossible to avoid the miasma of hype around Oculus Rift, HTC Vive and PS VR. These products are anything but gimmicks: they’re powerful gateways to virtual worlds where.
And while you can fast-track the growth of your laundry pile with a succession of soiled trousers by playing Resident Evil 7 in PS VR, it’s applications like Google’s Tilt Brush that will literally change your perspective as, for the first time, you can paint in three dimensions, and view the subsequent drawing from any angle or point in time you desire.
But transforming how something as fundamental as drawing is made, understood and experienced is only scratching the surface. The next wave of virtual reality technology isn’t merely aiming to create worlds: it wants to utterly change the one you already know.
TOMORROW: The window is your (magic) window
The stunning strength of VR is also its stumbling block: users, absorbed in the “other place,” can’t interact with the place they’re standing in. The screen is literally a barrier between the user and the real world — great for immersion; not so good for integration.
What happens when the real world is mixed with the virtual? This is where things get interesting. In Augmented, or Mixed Reality, you’ll look through a transparent screen and anything you like can be superimposed over, or woven into, your world.
So if VR is impressive and immersive, AR can be all the other -ives too: intuitive, unobtrusive, additive, even subversive.
Wait - isn’t this Google Glass on steroids? Nope — this is a hyper-augmented reality where the headset understands the shape of the world around you and places virtual objects into it, seamlessly. Microsoft’s Hololens, only slightly bulkier than Oculus, has already slipped into the gap between our eyes and what we used to call reality.
So what will AR feel like? Well, magic.
So what will AR feel like? Well, magic. Think past games and designed experiences - and look to your phone for inspiration (how’s that battery % now?) Now, notifications become choices, not annoyances; and information intuitively arrives when you need it.
Glance up to the sky to see a cluster of notifications dangling above you. Dismiss them with a blink or let your gaze hang on one to open it up, and then swipe it away with your hand when you realise it’s an email from LinkedIn.
 So open Netflix, select The Shining, and with a pinch of thumb and forefinger, re-size and pin the movie onto the farthest wall. Squeamish? Turn away while Jack’s on the rampage, and the movie will hang on the far wall where you left it.
Maybe any object can become an interactive tool: pick up a rectangular object —a book, a menu, or, hey, even a phone that’s out of juice— and your AR device will superimpose a “tablet” interface on it. It’ll track the object and your hands so you can swipe, taps and pinch as normal while you browse Buzzfeed (and yes, gifs will flourish like graffiti in your new augmented world.)
It’ll initially feel like magic – and then, it’ll quickly be part of life. And these are the simplest examples.
Now picture the day when Kim Kardashian sashays into your living room and sits down next to you…
SOON: there is no window
In the end we won’t need screens at all. Magic Leap is the wealthiest startup you’ve never heard of, and may change your life in ways you can’t even conceive. The company is as dazzlingly ambitious as it is utterly secretive— but maybe the latter is necessary when you’re building a headset that’ll beam a new reality directly into your eyeballs.
This technology — a virtual retinal display — means that there’s no screen at all; and because images are projected via fibre optic cables directly onto your retina, the imagery isn’t “high-resolution” - it’s the same resolution as your eyes.
Couple this realism with advanced 3D modelling techniques, an understanding of the world around you and how objects fit into it, and your world can be populated with virtual objects.
Welcome to IRL 2.0, where the world is exactly shaped to your bidding. Tired and emotional after a late night out, and lost on your way home? Street signs can now flash to catch your attention and point you home and to your bed. Bored of adverts that clutter a walk down the high street? How about a real-world ad-blocker that replaces billboards with Beyoncé gifs?
Why watch the Kardashians on TV if you could summon a 3D-Kim to sit in the chair next to you?
If this all sounds too far-fetched to be real, then the likes of Google, Alibaba and others didn’t get the memo, because they’ve have poured billions of dollars into projects to make this happen. So what will a truly augmented reality be like? And what happens when you can’t see the join between the two realities?
The logical endpoint for a barrier-less mixed reality is a semi-fantasy world where, put simply, we get what we want. It’s kind of already been here for a while: we have already blurred boundaries between our world and the scripted “reality” of Reality TV.
So why watch the Kardashians on TV if you could summon a 3D Kim to sit in the chair next to you, and spill the beans, face to flawlessly-made-up-face? Tell me everything, Kim.
Twist the dial, blur the lines further: if you could recreate a dead pet into a 3D avatar that faithfully followed you all day, would you? What about dead family members? Or ex-lovers? Could you resist?
Our mixed reality is almost here. And when it arrives, it’ll reveal the single greatest frustration you’ll ever feel: next, you’ll want to reach out and touch what you see.


{% extends "layout.html" %} {% block page_name %}Error 404{% endblock %} {% block page_content %}
What you were looking for is just not there.
Go home {% endblock %}


Project to Intercompare Regional
Climate Simulations (PIRCS)
Project to Intercompare Regional Climate Simulations Personnel
Iowa State University:
Project Leaders:
Eugene S. Takle
William J. Gutowski, Jr.
Raymond W. Arritt
Project Research Associate:
Zaitao Pan
Computations and Communications Consultant:
Doug Fils
Webmaster:
Michael R. Taber
Undergraduate Assistant:
Matthew T. Johnson
Collaborating Institutions
Danish Meteorological Institute


Extra configuration in the same format as ~/.hgrc
(or Mercurial.ini
for Windows users).
Various miscellaneous Mercurial options can be set, or you can set default options for commands.
For example:
[defaults] clone = --uncompressed bundle = --type none [extensions] eol =


harold w. bidlack
Democrat
Retired Air Force officer, political columnist, football referee
BA, MA, and Ph.D (Political Science with focus on environment and national security) from the University of Michigan
80919
I was the Democratic candidate for the US House in 2008 in CD-5. I later served as Chair of the El Paso County Democratic Party, and Chair of the Democratic Party State Platform Committee.
Life member: Disabled American Veterans (40% disabled rating)
outside of the Dem party as noted above, none.
As a career military officer, I have a strong commitment to honor and honesty. These commissions perform a vital role in our democracy. Having taught American national government, the Constitution, and the American political system as a faculty member of the US Air Force Academy, I feel well qualified and motivated to serve on this commission with an open mind and an honest intent.
My first military assignment was as a "finger on the button" nuclear missile launch officer. In that role I was charged with the direct defense of the United States. Later military assignments included AF Academy faculty, the White House (NSC TDY Staffer twice), as a military advisor at the State Department, and more. These assignments and my life experience have shown me the vital role the citizens of this nation must play, lest we slip into demagoguery. As a military officer, my job was to be politically neutral and to defend our national interests. Additionally, I served four years on the staff of US Senator Michael Bennet, handling military and veteran casework, military academy nominations, and more. That experience was very helpful in understanding the reach and the limits of congressional power to help our citizens. I am confident I can bring the same skills to the Commission.
My doctoral studies included a minor in what poli sci people call "methods." Simply put, that means I took a number of classes in advanced statistics and related study of the American electorate. My 17 years teaching at the AF Academy helped me to be able to clearly identify problems and to reach cooperative solutions. In addition to strong critical thinking and analytical skills, I have strong research skills, honed in doctoral studies and congressional work. I have strong communication skills and pride myself on being able to work with anyone, regardless of differences of opinion. I would be honored to work with the Commission, and I feel I would bring a great deal of useful experience and knowledge to the process.
male


JAWS A film review by David Landers Copyright 1997 David Landers
RATING: **** out of **** - 8.5 out of 10.0 CAST: Roy Scheider (Martin Brody), Robert Shaw (Quint), Richard Dreyfuss (Hooper), Lorraine Gary (Ellen Brody), Murray Hamilton (Mayor Vaughan) DIRECTOR: Steven Spielberg CERTIFICATION: PG (USA) for shark attacks and mild violence YEAR OF PRODUCTION: 1975 ACADEMY AWARDS: Music and Film Editing
JAWS is an unforgettable thriller, pioneer for future filmmaking, and the main cause for a fear of the ocean. Steven Spielberg's first big film, JAWS is one of those movies that you can watch over and over again and just not get tired of it. Based on the novel by Peter Benchley, JAWS is the story of Amity Island, a small resort on the Atlantic Ocean, that suddenly becomes terrorized by a Great White shark.
The movie begins in a fantastic, thrilling way.  Two of the party-goers leave the group for a midnight swim. Chrissie (Susan Backlinie), who will be forever known as this role, is the girl who leaves. Once she begins to swim, she is attacked. In a scene that probably made a few movie-goers leave the theater, a lasting impression is left as to how vicious this shark can be.
Chief of Police Martin Brody, played very well by Roy Scheider, is assigned to investigate the mysterious disappearance of the girl. The only witness was a drunken man who can't really remember anything. When the remains are eventually found, the first assumption (by Brody) is a shark attack. But, many town officials don't want it to be classified as a shark attack, and feel that it is a "boat accident". The beaches are closed and many locals decide to take it upon themselves to hunt down the shark. Eventually, Hooper, a young scientist portrayed terrifically by Richard Dreyfuss, is brought in to investigate the possible shark problem. Once he sees the remains of the first victim, he is one hundred percent sure that this is no "boating accident" and that the shark they are dealing with is definitely posses a serious threat to the resort island.
The beaches remain open and the visitors are allowed to swim freely. Soon, another victim is attacked by the killer shark, this time a young boy. This sets off a manhunt for the shark, led by Chief Brody. A killer shark is killed and thought to be the shark responsible for the deaths of the two victims. When they find out this shark is not the shark they are looking for, Chief Brody, Hooper, and Quint (played by the late Robert Shaw), a veteran shark fisherman, set off to hunt down the shark that is plaguing the small resort island. After a while, the shark turns on the boat and its crew, and the men are left to not only eliminate the shark, but save their own lives.
JAWS is a seemingly non-stop action/thriller with countless unforgettable moments and quotes. Aside from the entire sequence of events when the crew is attempting to kill this very large fish, Quint's story of the U.S.S. Indianapolis (a scene written by Shaw) is a very detailed and memorable scene. JAWS is, by today's standards, probably not as suspenseful as most movies, but for 1975, it was a definite edge-of-your-seat thriller that left the nation petrified of the ocean.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


---
layout: post
title: 3/21
date: '2013-03-21T21:49:00.002-06:00'
author: Jacob .
tags:
modified_time: '2013-03-21T21:49:35.441-06:00'
blogger_id: tag:blogger.com,1999:blog-6400085873105072120.post-3610052903178481810
blogger_orig_url: http://www.svlark.com/2013/03/321.html
---
Audrey did a great job with lesson 82.
I finished Vigor's Things I Wish I'd Known today. Lots of great info in that one. We'll definitely take that one with us on the boat. Thanks Mom!
Now for a little Mike and Alissa.
230.7


How I got Started on Oracle Java Cloud
Thought to type up how I got NetBeans deploying to Java Cloud today.
There are some good videos buried under the Resources
menu at cloud.oracle.com, along with a few other good resources in there. I’m kicking myself, because I didn’t stumble onto these resources until I saw them on the demo app that gets deployed by default when your Java Cloud gets provisioned. This despite the well-labeled Resources menu at the top of the Cloud home page that literally pointed at these resources.
Resources. Who knew?
Scroll down past the customer stories videos and you’ll find some short vignettes such as:
Getting Started with the Oracle Java Cloud Service
Using the NetBeans IDE for Developing Oracle Java Cloud Service Applications
Deploy an application to an Oracle Java Cloud Service
Those three videos were 22 minutes well spent.
Meanwhile, here are the steps I followed to get up and running with NetBeans and Java Cloud:
Get a Java Cloud trial
You need to get provisioned, and this will take a little while as it’s a two-stage process. First, you sign up for a trial Java instance at cloud.oracle.com/tryit. Fill out the forms and request the service.
Now wait. For a while. You’ll eventually get an email from Oracle Cloud Admin asking you to activate your Trial. Don’t dilly-dally: you need to activate the trial before you can access the cloud and the activation button is only active for a few days. Click the Activate My Trial
button in your email to do the actual provisioning.
Now wait again. For not nearly as long. You’ll get another email from Oracle Cloud Admin, but this time with details on accessing your newly-spun up instance. There are a lot of vital links and details in the email: your temporary password for the new instance, a link to your account dashboard (which is pretty much the same place) but with the all-important Identity Domain identifier listed, and direct links to the Java console URL and the Database ApEx instance that comes with your trial. Take note of your Data Center listed in this section, just in case it comes in handy later.
These direct links are useful, but I personally got messed up later on when I went to sign in directly at cloud.oracle.com/sign_in and tried to map up to this four-quadrant login screen:
My Account in the top right takes your Oracle SSO sign in and gives you the dashboard of services you’re subscribed to. This one was easy.
My Services in the top left will sign you into your services, but you need to make sure you’ve picked the right Data Center in the drop down. I got hung up on this: my trial is on the US Commercial 2 data center, but the page defaults to a different data center. The login page that shows after you click Sign In to My Services
will challenge you for your username, password and identity domain but it doesn’t draw attention to the fact that you might be signing into the wrong datacenter. The only hint I had was that my password and identity domain wouldn’t get me in, and the forgot password link and challenge questions wouldn’t work either. This was all because I had picked the wrong data center instead of clicking the direct links in my provisioning email.
Identity Self Service is where you can change your identity domain password and set up those challenge questions. Again, make sure you’ve selected the right datacenter or you won’t be able to sign into your identity domain.
Have a look at the Java console
In your provisioning email, you should have a deep link to your Java Trial Service URL. You can also get to this console URL from your My Services pages by drilling into the Overview page for your Java trial and then clicking the Java Console button:
In the Java console you’ll have a sample app already deployed and running, named welcome-app
. You can click the Test Application button to get the URL for this sample app and have a look at the resources that sample page links off to.
You can also use this console UI to deploy an app’s WAR or EAR file by hand, assuming your code passes all the Java Cloud whitelist tests. But we’re going to set up the IDE to deploy directly.
Downloading the SDK and configuring NetBeans
There are Oracle Cloud plugins for NetBeans, JDeveloper and Eclipse to enable deploying directly to the cloud. I’ll walk through the steps that worked for me in NetBeans 8.0 for Mac.
First, install the plugin into NetBeans via Tools >> Plugins >> Available Plugins
. Select the Oracle Cloud
plugin in the Java EE category and click Install
.
Next, you need the Oracle Cloud SDK installed on your harddrive. You can get to it from the links at cloud.oracle.com >> Downloads
or from this direct link. I chose the oracle-javacloud-sdk-14100.zip
SDK because my Java Cloud service is running version <IP_ADDRESS>.0 (you can find this stat in the Additional Information section at the bottom of your Java trial My Services Overview page). Unzip this SDK into a folder on your harddrive and have it ready for the next step.
Return to NetBeans and click on the Services tab (or pull down Window >> Services
). There should be an icon for Cloud. Right-click it and choose Add Cloud...
Choose Oracle Cloud
and click Next.
Fill in the details to match your provisioning email. The Java and Database Service names are probably pre-filled, but not with the unique service names in your trial details, so be sure to update these fields. You are the service administrator, so use your login name and password. Finally, navigate to the folder that contains the unzipped SDK you downloaded in the last step.
I don’t have Weblogic installed on my Mac yet, so I ignored the warning about registering a local server instance first and clicked Next and then Finish.
Create a web app and deploy
Last steps are to create a web app and deploy it to the Cloud.
In NetBeans, choose File >> New Project...
, then pick from the Java Web category a Web Application
project. Click Next.
Name the project TestJavaCloud
and click Next.
Choose Oracle Cloud Remote
for your server and click Finish.
This is a simple JSP app that doesn’t do much. You can navigate in the project to Web Pages >> index.jsp
and double-click to modify the Hello World code.
Also, before we deploy we need to make one change to the security settings in the WEB-INF/web.xml
file in order to allow anyone to access the URL without being challenged for signin details for your identity domain. Add a empty <login-config/>
tag to this file. (see MOS article 1531715.1 for more details).
Now to deploy: Right click on your TestJavaCloud project and choose Run. This will take a few minutes as it builds the app locally and then deploys it to the Cloud. You can view the activity via Window >> Output
if it’s not already showing. Eventually your default browser should launch a URL something like https://javatrial1762-usoracletrial15878.java.us2.oraclecloudapps.com/TestJavaCloud and you’ll see your beautiful creation:
Congratulations!


{{ define "main" }}
I am Gautham and this is my space in this centralised system for sharing information called, internet and as the definition suggests, I rented this place to share the stuff I write.
I write both Prose and Poetry. While my prose articles can be technical or non-technical, my poetry, by far, has been mostly emotional and/or cultural.
The technical articles include but are not limited to Programming, Python and any Side-Projects, I take up.


Castle DynamicProxy
The DynamicProxy project was created to overcome the CLR's proxy (in)capabilities. There are proxies in the CLR world, but they can be considered a bit intrusive as they force one to extend MarshalByRefObject or ContextBoundObject.
You can use DynamicProxy to generate lightweight proxies on the fly for one or more interfaces or even concrete classes (but only virtual methods will be intercepted).


I am a star-crossed National Football League team that has broken the hearts of Vikings fans for more than six decades. I have made it to four Super Bowls, but lost each one. I have sent numerous players and coaches to the Pro Football Hall of Fame, yet still haven't won the Super Bowl championship. I've been to the NFL playoffs again and again. And, yet, hearthbreak for my fans who stick by me year after year. Thank-you Minnesota Vikings fans. Skol Vikings. One day, the stars will align, and we will be victorious.
The Minnesota Vikings are a professional American football team based in Minneapolis. The Vikings joined the National Football League (NFL) as an expansion team in 1960, and first took the field for the 1961 season.
During the 1960s, the Vikings' record was typical for an expansion franchise, but improved over the course of the decade, resulting in a Central Division title in 1968. In 1969, their dominant defense led to a league championship, the last NFL championship prior to the Super Bowl.
The Vikings are the most successful NFL franchise to never win a Super Bowl. Minnesota ranks sixth all-time in win percentage[6] and seventh overall in combined regular season and postseason wins. The Vikings have won 20 division titles, and have made 30 playoff appearances.


Ping Pong Sequence Generator
Rules:
Optionally enter divisible by numbers and replacements to override them
Generate a sequence of numbers up to the value entered with the following exceptions:
Numbers divisible by
are replaced with
Numbers divisible by
are replaced with
Numbers divisible by
are replaced with
Enter an integer greater than 0:
Submit


PODCAST: Wider attention must be paid to PrEP for HIV/Aids prevention - professor | IOL
Durban - Wider attention must be drawn to a new HIV prevention approach of “a pill a day”, referred to as pre-exposure prophylaxis (PrEP), Professor Salim S. Abdool Karim believes .
Karim, the director of the Centre for the AIDS Program of Research in South Africa (CAPRISA) based in Durban and CAPRISA Professor of Global Health at the Mailman School of Public Health at Columbia University in the US, spoke to Kuben Chetty about SA's successes, failures and challenges as we mark World Aids Day on December 1.
Karim is also chairperson of the UNAIDS Scientific Expert Panel and chairperson of the WHO Strategic and Technical Advisory Committee for HIV


Do we really need more movies about aliens? Since the success of the mediocre "Independence Day," the multiplex has been full of them. Television has "The famous black-and-white footage of a supposed alien autopsy. We have also had the marvelously witty and wicked satire "Mars Attacks!" but seriously folks, the thrill is gone. "Men in Black" is an entertainingly engaging comedy, and is full of whiz-bang effects galore, but it doesn't come close to the level of "Mars Attacks!"
During the opening sequence, we see Will Smith as a cop chasing a remarkably fast and superhuman killer who leaps from a high-rise building and disappears.  Pretty soon, Smith hesitantly joins Jones in a secret organization called M.I.B., led by a big boss played by Rip Torn who "works 27 hours a day." Their job is to monitor the 1,500 extraterrestrials who disguise themselves as humans and are mostly residing in Manhattan. Any human memory of aliens is zapped by the M.I.B's neuralizers. The aliens themselves are not really evil or monstrous, they are really annoying! One of them even disguises himself as a dog.
One evil visitor lands in a farmer's backyard. The bug-like alien kills the farmer and assumes human form as played by Vincent D'Onofrio - he becomes a decomposing zombie with an obvious limp. This becomes a sly, amusing joke and it as wacky and overdone as you can imagine. Still, director Barry Sonnenfeld ("Get Shorty") has a commonplace flaw - he tends to take the spontaneity out of all the numerous gags and jokes by presenting them one after another and compressing them, and then giving us some dead space until the truly funny climax. This become more overbearing than exhilarating, and you might forget most of the jokes since they slip by so quickly. "Men in Black" runs by at a full-throttle speed of 98 minutes, but it never truly takes off.
The performances hit all the right notes. Tommy Lee Jones and Will Smith have great comic chemistry and seem to be having a great time. D'Onofrio is a real riot to watch, although Linda Fiorentino is underutilized, as most female leads are nowadays, as a doctor who is constantly neuralized.
The visual effects are impressive, especially the final shot of an alien holding the entire universe on the palm of his hand, and Sonnenfeld has a quick directorial eye (his visual inventiveness since "The Addams Family," though, has diminished). The movie is definitely fun yet somewhat dispiriting, and is not half as clever as the original "Ghostbusters." Another flaw is that it starts and stops frequently after a bright, rhythmic half-hour - a problem that conflicts most box-office bonanzas. It's decent fun but, frankly, I've had it with aliens and would prefer more dinosaurs any day.
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The Princeton Plasma Physics Laboratory is a world-class fusion energy research laboratory dedicated to developing the scientific and technological knowledge base for fusion energy as a safe, economical and environmentally attractive energy source for the world's long-term energy requirements.
Princeton University manages PPPL, which is part of the national laboratory system funded by the U.S. Department of Energy through the Office of Science. The fiscal year 2012 budget is approximately $86 million. The number of full-time employees is 454, not including 38 graduate students, as well as additional subcontractors and visiting research staff. The Laboratory is sited on 88 acres of Princeton University's James Forrestal Campus, about three miles from the main campus.
Through its efforts to build and operate magnetic fusion devices, PPPL has gained extensive capabilities in a host of disciplines including advanced computational simulations, vacuum technology, mechanics, materials science, electronics, computer technology, and high-voltage power systems. In addition, PPPL scientists and engineers are applying knowledge gained in fusion research to other theoretical and experimental areas, including the development of plasma thrusters and the propagation of intense beams of ions. The Laboratory's Office of Technology Transfer assists industry, other universities, and state and local government in transferring these technologies to the commercial sector.
The Laboratory's graduate education and science education programs provide educational opportunities for students and teachers from elementary school through postgraduate studies.
Magnetic fusion research at Princeton began in 1951 under the code name Project Matterhorn. Lyman Spitzer, Jr., professor of astronomy at Princeton University, for many years had been involved in the study of very hot rarified gases in interstellar space. He launched the study of thermonuclear fusion with support from the U.S. Atomic Energy Commission, and Princeton University's controlled fusion effort was born.
In 1958, magnetic fusion research was declassified, allowing all nations to share their results openly. The name of the project was changed to the Princeton Plasma Physics Laboratory in 1961. The collaborative nature of fusion research continues today, with PPPL at the forefront.