| Error Description | Line |
| header.mismatch | 1 |
| 无用导入 - org.springframework.boot.SpringBootConfiguration 。 | 4 |
| Javadoc 首句应以句号结尾。 | 14 |
| 标签 @author 必须匹配： '.+\s.+' 。 | 22 |
| Javadoc 首句应以句号结尾。 | 26 |
| Line has leading space characters; indentation should be performed with tabs only. | 29 |
| Line has leading space characters; indentation should be performed with tabs only. | 30 |
| Line has leading space characters; indentation should be performed with tabs only. | 31 |
| Line has leading space characters; indentation should be performed with tabs only. | 32 |
| Line has leading space characters; indentation should be performed with tabs only. | 34 |
| Line has leading space characters; indentation should be performed with tabs only. | 36 |
| Line has leading space characters; indentation should be performed with tabs only. | 37 |
| Line has leading space characters; indentation should be performed with tabs only. | 38 |
| Line has leading space characters; indentation should be performed with tabs only. | 39 |
| Line has leading space characters; indentation should be performed with tabs only. | 41 |
| Line has leading space characters; indentation should be performed with tabs only. | 43 |
| Line has leading space characters; indentation should be performed with tabs only. | 45 |
| Line has leading space characters; indentation should be performed with tabs only. | 48 |
| Line has leading space characters; indentation should be performed with tabs only. | 49 |
| Line has leading space characters; indentation should be performed with tabs only. | 51 |
| Line has leading space characters; indentation should be performed with tabs only. | 52 |
| Line has leading space characters; indentation should be performed with tabs only. | 56 |
| Line has leading space characters; indentation should be performed with tabs only. | 57 |
| Error Description | Line |
| header.mismatch | 1 |
| 导入 'org.springframework.context.MessageSource' 顺序错误。 | 5 |
| 导入 'java.io.File' 顺序错误。 | 12 |
| 标签 @author 必须匹配： '.+\s.+' 。 | 50 |
| 第 4 个字符 '}' 应独占一行。 | 90 |
| Single letter catch variable (use "ex" instead). | 90 |
| Javadoc 首句应以句号结尾。 | 96 |
| @标签应有非空说明。 | 101 |
| 无用标签。 | 102 |
| 对实例属性 'executorService' 的引用需要 "this."。 | 105 |
| 对实例属性 'messageProperties' 的引用需要 "this."。 | 123 |
| 对实例属性 'messageProperties' 的引用需要 "this."。 | 124 |
| 对实例属性 'messageProperties' 的引用需要 "this."。 | 125 |
| 第 5 个字符 '}' 应独占一行。 | 130 |
| 第 3 个字符 '}' 应独占一行。 | 146 |
| Single letter catch variable (use "ex" instead). | 146 |
| 第 3 个字符 '}' 应独占一行。 | 157 |
| Single letter catch variable (use "ex" instead). | 157 |
| 第 3 个字符 '}' 应独占一行。 | 159 |
| 对实例属性 'messageProperties' 的引用需要 "this."。 | 176 |
| 对实例属性 'resourceLoader' 的引用需要 "this."。 | 189 |


[ Glucocorticoid receptors in peripheral blood lymphocytes of patients with bronchial asthma] Quantitation of glucocorticoid receptors (GCR) and the study of their affinity for glucocorticosteroids (GCS) were made in peripheral blood lymphocytes of bronchial asthma (BA) patients in consideration of GCR treatment and serum levels of endogenous cortisol.
Abstract
It is stated that GCR of healthy controls and GCS-untreated patients outnumbered those of cortisol-dependent BA patients on hormone therapy. Following discontinuation of glucocorticoid drugs GCR count in cortisol-dependent BA tends to rise. Endogenous cortisol has no effect on GCR level estimated by 3H-triamcinolone acetonide.


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WE ARE GROUP OF Engineers based in Belgium


--- layout: portfolio title: Mediaworks excerpt: A responsive Wordpress theme for Mediaworks. ---
While working at DRXLR I helped develop this Wordpress theme for Mediaworks Marketing.
The site is fully responsive and features a lot of the first CSS3 and JS animations I have ever written.


A JS Test
Say Hello!
Calc something
Use the DSHybridDelagte class to route api calls instead of window.location
Load Custom URL
Multi-Paramter call
Say First and Last name


The dream became true. The ideas finally got some life and the Incubator for all our ideas has just born.
Indovations Inc is a registered and an approved Company by the Government of the state of Telangana.
In the era of internet and digital social life, your company is not born unless you have a website. Indovations Inc is live.
Here you go World!.. This is it !! The Indovaters are coming to indovate and provide solutions to the problems out there. The journey begins !!!
When we named our company Indovations Inc, people asked we what we meant by INDOVATIONS. India + Innovation is what we call Indovation. Any Innovative product or servive made by India or for India.
Being Functional and delivering all the needs that a product or service can offer, is another key pricniple of Indovations Inc.
Making the solutions and the usability of a product or service as simple as possible with delivering the most functionalities it can offer is what we would like do with our products and services.
Co-Founder and CEO
Co-Founder and CFO
Co-Founder and CTO


Mip-NeRF: A Multiscale Representation
for Anti-Aliasing Neural Radiance Fields
ICCV 2021 (Oral, Best Paper Honorable Mention)
- Jonathan T. Barron Google
- Ben Mildenhall Google
- Matthew Tancik UC Berkeley
- Peter Hedman Google
- Ricardo Martin-Brualla Google
- Pratul P. Srinivasan Google
Abstract
The rendering procedure used by neural radiance fields (NeRF) samples a scene with a single ray per pixel and may therefore produce renderings that are excessively blurred or aliased when training or testing images observe scene content at different resolutions. The straightforward solution of supersampling by rendering with multiple rays per pixel is impractical for NeRF, because rendering each ray requires querying a multilayer perceptron hundreds of times. Our solution, which we call "mip-NeRF" (à la "mipmap"), extends NeRF to represent the scene at a continuously-valued scale. By efficiently rendering anti-aliased conical frustums instead of rays, mip-NeRF reduces objectionable aliasing artifacts and significantly improves NeRF's ability to represent fine details, while also being 7% faster than NeRF and half the size. Compared to NeRF, mip-NeRF reduces average error rates by 17% on the dataset presented with NeRF and by 60% on a challenging multiscale variant of that dataset that we present. mip-NeRF is also able to match the accuracy of a brute-force supersampled NeRF on our multiscale dataset while being 22x faster.
Video
Integrated Positional Encoding
Typical positional encoding (as used in Transformer networks and Neural Radiance Fields) maps a single point in space to a feature vector, where each element is generated by a sinusoid with an exponentially increasing frequency:
Here, we show how these feature vectors change as a function of a point moving in 1D space.
Our integrated positional encoding considers Gaussian regions of space, rather than infinitesimal points. This provides a natural way to input a "region" of space as query to a coordinate-based neural network, allowing the network to reason about sampling and aliasing. The expected value of each positional encoding component has a simple closed form:
We can see that when considering a wider region, the higher frequency features automatically shrink toward zero, providing the network with lower-frequency inputs. As the region narrows, these features converge to the original positional encoding.
Mip-NeRF
We use integrated positional encoding to train NeRF to generate anti-aliased renderings. Rather than casting an infinitesimal ray through each pixel, we instead cast a full 3D cone. For each queried point along a ray, we consider its associated 3D conical frustum. Two different cameras viewing the same point in space may result in vastly different conical frustums, as illustrated here in 2D:
In order to pass this information through the NeRF network, we fit a multivariate Gaussian to the conical frustum and use the integrated positional encoding described above to create the input feature vector to the network.
Results
We train NeRF and mip-NeRF on a dataset with images at four different resolutions. Normal NeRF (left) is not capable of learning to represent the same scene at multiple levels of detail, with blurring in close-up shots and aliasing in low resolution views, while mip-NeRF (right) both preserves sharp details in close-ups and correctly renders the zoomed-out images.
We can also manipulate the integrated positional encoding by using a larger or smaller radius than the true pixel footprint, exposing the continuous level of detail learned within a single network:
Related links
Wikipedia provides an excellent introduction to spatial anti-aliasing techniques.
Mipmaps were introduced by Lance Williams in his paper "Pyramidal Parametrics" (Williams (1983)).
Amanatides (1984) first proposed the idea of replacing rays with cones in computer graphics rendering.
The closely related concept of ray differentials (Igehy (1999)) is used in most modern renderers to antialias textures and other material buffers during ray tracing.
Cone tracing has been used along with prefiltered voxel-based representations of scene geometry for speeding up indirect illumination calculations in Crassin et al. (2011).
Mip-NeRF was implemented on top of the JAXNeRF codebase.
Citation
Acknowledgements
We thank Janne Kontkanen and David Salesin for their comments on the text, Paul Debevec for constructive discussions, and Boyang Deng for JaxNeRF.
MT is funded by an NSF Graduate Fellowship.
The website template was borrowed from Michaël Gharbi.


public interface MergedAnnotations extends Iterable<MergedAnnotation<Annotation>>
Class
or Method
.
Each merged annotation represents a view where the attribute values may be "merged" from different source values, typically:
@AliasFor
declarations on one or
more attributes within the annotation@AliasFor
declarations for a meta-annotationFor example, a @PostMapping
annotation might be defined as follows:
@Retention(RetentionPolicy.RUNTIME) @RequestMapping(method = RequestMethod.POST) public @interface PostMapping { @AliasFor(attribute = "path") String[] value() default {}; @AliasFor(attribute = "value") String[] path() default {}; }
If a method is annotated with @PostMapping("/home")
it will contain
merged annotations for both @PostMapping
and the meta-annotation
@RequestMapping
. The merged view of the @RequestMapping
annotation will contain the following attributes:
| Name | Value | Source |
|---|---|---|
| value | "/home" | Declared in @PostMapping |
| path | "/home" | Explicit @AliasFor |
| method | RequestMethod.POST | Declared in meta-annotation |
MergedAnnotations
can be obtained from any Java AnnotatedElement
. They may also be used for sources that
don't use reflection (such as those that directly parse bytecode).
Different search strategies can be used to locate
related source elements that contain the annotations to be aggregated. For
example, MergedAnnotations.SearchStrategy.TYPE_HIERARCHY
will search both superclasses and
implemented interfaces.
From a MergedAnnotations
instance you can either
get a single annotation, or stream all annotations or just those that match a specific type. You can also quickly tell if an annotation
is present.
Here are some typical examples:
// is an annotation present or meta-present? mergedAnnotations.isPresent(ExampleAnnotation.class); // get the merged "value" attribute of ExampleAnnotation (either directly or // meta-present) mergedAnnotations.get(ExampleAnnotation.class).getString("value"); // get all meta-annotations but no directly present annotations mergedAnnotations.stream().filter(MergedAnnotation::isMetaPresent); // get all ExampleAnnotation declarations (including any meta-annotations) and // print the merged "value" attributes mergedAnnotations.stream(ExampleAnnotation.class) .map(mergedAnnotation -> mergedAnnotation.getString("value")) .forEach(System.out::println);
MergedAnnotation
,
MergedAnnotationCollectors
,
MergedAnnotationPredicates
,
MergedAnnotationSelectors
| Modifier and Type | Interface and Description |
|---|---|
static class |
MergedAnnotations.SearchStrategy
Search strategies supported by
from(AnnotatedElement, SearchStrategy) . |
| Modifier and Type | Method and Description |
|---|---|
static MergedAnnotations |
from(AnnotatedElement element)
Create a new
MergedAnnotations instance containing all
annotations and meta-annotations from the specified element. |
static MergedAnnotations |
from(AnnotatedElement element,
MergedAnnotations.SearchStrategy searchStrategy)
Create a new
MergedAnnotations instance containing all
annotations and meta-annotations from the specified element and,
depending on the MergedAnnotations.SearchStrategy , related inherited elements. |
static MergedAnnotations |
from(AnnotatedElement element,
MergedAnnotations.SearchStrategy searchStrategy,
RepeatableContainers repeatableContainers)
Create a new
MergedAnnotations instance containing all
annotations and meta-annotations from the specified element and,
depending on the MergedAnnotations.SearchStrategy , related inherited elements. |
static MergedAnnotations |
from(AnnotatedElement element,
MergedAnnotations.SearchStrategy searchStrategy,
RepeatableContainers repeatableContainers,
AnnotationFilter annotationFilter)
Create a new
MergedAnnotations instance containing all
annotations and meta-annotations from the specified element and,
depending on the MergedAnnotations.SearchStrategy , related inherited elements. |
static MergedAnnotations |
from(Annotation... annotations)
Create a new
MergedAnnotations instance from the specified
annotations. |
static MergedAnnotations |
from(Object source,
Annotation... annotations)
Create a new
MergedAnnotations instance from the specified
annotations. |
static MergedAnnotations |
from(Object source,
Annotation[] annotations,
RepeatableContainers repeatableContainers)
Create a new
MergedAnnotations instance from the specified
annotations. |
static MergedAnnotations |
from(Object source,
Annotation[] annotations,
RepeatableContainers repeatableContainers,
AnnotationFilter annotationFilter)
Create a new
MergedAnnotations instance from the specified
annotations. |
<A extends Annotation> |
get(Class<A> annotationType)
Get the nearest matching
annotation or meta-annotation of the specified type, or
MergedAnnotation.missing() if none is present. |
<A extends Annotation> |
get(Class<A> annotationType,
Predicate<? super MergedAnnotation<A>> predicate)
Get the nearest matching
annotation or meta-annotation of the specified type, or
MergedAnnotation.missing() if none is present. |
<A extends Annotation> |
get(Class<A> annotationType,
Predicate<? super MergedAnnotation<A>> predicate,
MergedAnnotationSelector<A> selector)
Get a matching annotation or meta-annotation of the specified type, or
MergedAnnotation.missing() if none is present. |
<A extends Annotation> |
get(String annotationType)
Get the nearest matching
annotation or meta-annotation of the specified type, or
MergedAnnotation.missing() if none is present. |
<A extends Annotation> |
get(String annotationType,
Predicate<? super MergedAnnotation<A>> predicate)
Get the nearest matching
annotation or meta-annotation of the specified type, or
MergedAnnotation.missing() if none is present. |
<A extends Annotation> |
get(String annotationType,
Predicate<? super MergedAnnotation<A>> predicate,
MergedAnnotationSelector<A> selector)
Get a matching annotation or meta-annotation of the specified type, or
MergedAnnotation.missing() if none is present. |
<A extends Annotation> |
isDirectlyPresent(Class<A> annotationType)
Determine if the specified annotation is directly present.
|
boolean |
isDirectlyPresent(String annotationType)
Determine if the specified annotation is directly present.
|
<A extends Annotation> |
isPresent(Class<A> annotationType)
Determine if the specified annotation is either directly present or
meta-present.
|
boolean |
isPresent(String annotationType)
Determine if the specified annotation is either directly present or
meta-present.
|
static MergedAnnotations |
of(Collection<MergedAnnotation<?>> annotations)
Create a new
MergedAnnotations instance from the specified
collection of directly present annotations. |
Stream<MergedAnnotation<Annotation>> |
stream()
Stream all annotations and meta-annotations contained in this collection.
|
<A extends Annotation> |
stream(Class<A> annotationType)
Stream all annotations and meta-annotations that match the specified
type.
|
<A extends Annotation> |
stream(String annotationType)
Stream all annotations and meta-annotations that match the specified
type.
|
forEach, iterator, spliterator
<A extends Annotation> boolean isPresent(Class<A> annotationType)
Equivalent to calling get(annotationType).isPresent()
.
annotationType
- the annotation type to checktrue
if the annotation is presentboolean isPresent(String annotationType)
Equivalent to calling get(annotationType).isPresent()
.
annotationType
- the fully qualified class name of the annotation type
to checktrue
if the annotation is present<A extends Annotation> boolean isDirectlyPresent(Class<A> annotationType)
Equivalent to calling get(annotationType).isDirectlyPresent()
.
annotationType
- the annotation type to checktrue
if the annotation is directly presentboolean isDirectlyPresent(String annotationType)
Equivalent to calling get(annotationType).isDirectlyPresent()
.
annotationType
- the fully qualified class name of the annotation type
to checktrue
if the annotation is directly present<A extends Annotation> MergedAnnotation<A> get(Class<A> annotationType)
MergedAnnotation.missing()
if none is present.annotationType
- the annotation type to getMergedAnnotation
instance<A extends Annotation> MergedAnnotation<A> get(Class<A> annotationType, @Nullable Predicate<? super MergedAnnotation<A>> predicate)
MergedAnnotation.missing()
if none is present.annotationType
- the annotation type to getpredicate
- a predicate that must match, or null
if only
type matching is requiredMergedAnnotation
instanceMergedAnnotationPredicates
<A extends Annotation> MergedAnnotation<A> get(Class<A> annotationType, @Nullable Predicate<? super MergedAnnotation<A>> predicate, @Nullable MergedAnnotationSelector<A> selector)
MergedAnnotation.missing()
if none is present.annotationType
- the annotation type to getpredicate
- a predicate that must match, or null
if only
type matching is requiredselector
- a selector used to choose the most appropriate annotation
within an aggregate, or null
to select the
nearestMergedAnnotation
instanceMergedAnnotationPredicates
,
MergedAnnotationSelectors
<A extends Annotation> MergedAnnotation<A> get(String annotationType)
MergedAnnotation.missing()
if none is present.annotationType
- the fully qualified class name of the annotation type
to getMergedAnnotation
instance<A extends Annotation> MergedAnnotation<A> get(String annotationType, @Nullable Predicate<? super MergedAnnotation<A>> predicate)
MergedAnnotation.missing()
if none is present.annotationType
- the fully qualified class name of the annotation type
to getpredicate
- a predicate that must match, or null
if only
type matching is requiredMergedAnnotation
instanceMergedAnnotationPredicates
<A extends Annotation> MergedAnnotation<A> get(String annotationType, @Nullable Predicate<? super MergedAnnotation<A>> predicate, @Nullable MergedAnnotationSelector<A> selector)
MergedAnnotation.missing()
if none is present.annotationType
- the fully qualified class name of the annotation type
to getpredicate
- a predicate that must match, or null
if only
type matching is requiredselector
- a selector used to choose the most appropriate annotation
within an aggregate, or null
to select the
nearestMergedAnnotation
instanceMergedAnnotationPredicates
,
MergedAnnotationSelectors
<A extends Annotation> Stream<MergedAnnotation<A>> stream(Class<A> annotationType)
stream()
.annotationType
- the annotation type to match<A extends Annotation> Stream<MergedAnnotation<A>> stream(String annotationType)
stream()
.annotationType
- the fully qualified class name of the annotation type
to matchStream<MergedAnnotation<Annotation>> stream()
static MergedAnnotations from(AnnotatedElement element)
MergedAnnotations
instance containing all
annotations and meta-annotations from the specified element. The
resulting instance will not include any inherited annotations. If you
want to include those as well you should use
from(AnnotatedElement, SearchStrategy)
with an appropriate
MergedAnnotations.SearchStrategy
.element
- the source elementMergedAnnotations
instance containing the element's
annotationsstatic MergedAnnotations from(AnnotatedElement element, MergedAnnotations.SearchStrategy searchStrategy)
MergedAnnotations
instance containing all
annotations and meta-annotations from the specified element and,
depending on the MergedAnnotations.SearchStrategy
, related inherited elements.element
- the source elementsearchStrategy
- the search strategy to useMergedAnnotations
instance containing the merged
element annotationsstatic MergedAnnotations from(AnnotatedElement element, MergedAnnotations.SearchStrategy searchStrategy, RepeatableContainers repeatableContainers)
MergedAnnotations
instance containing all
annotations and meta-annotations from the specified element and,
depending on the MergedAnnotations.SearchStrategy
, related inherited elements.element
- the source elementsearchStrategy
- the search strategy to userepeatableContainers
- the repeatable containers that may be used by
the element annotations or the meta-annotationsMergedAnnotations
instance containing the merged
element annotationsstatic MergedAnnotations from(AnnotatedElement element, MergedAnnotations.SearchStrategy searchStrategy, RepeatableContainers repeatableContainers, AnnotationFilter annotationFilter)
MergedAnnotations
instance containing all
annotations and meta-annotations from the specified element and,
depending on the MergedAnnotations.SearchStrategy
, related inherited elements.element
- the source elementsearchStrategy
- the search strategy to userepeatableContainers
- the repeatable containers that may be used by
the element annotations or the meta-annotationsannotationFilter
- an annotation filter used to restrict the
annotations consideredMergedAnnotations
instance containing the merged
element annotationsstatic MergedAnnotations from(Annotation... annotations)
MergedAnnotations
instance from the specified
annotations.annotations
- the annotations to includeMergedAnnotations
instance containing the annotationsfrom(Object, Annotation...)
static MergedAnnotations from(Object source, Annotation... annotations)
MergedAnnotations
instance from the specified
annotations.source
- the source for the annotations. This source is used only
for information and logging. It does not need to actually
contain the specified annotations, and it will not be searched.annotations
- the annotations to includeMergedAnnotations
instance containing the annotationsfrom(Annotation...)
,
from(AnnotatedElement)
static MergedAnnotations from(Object source, Annotation[] annotations, RepeatableContainers repeatableContainers)
MergedAnnotations
instance from the specified
annotations.source
- the source for the annotations. This source is used only
for information and logging. It does not need to actually
contain the specified annotations, and it will not be searched.annotations
- the annotations to includerepeatableContainers
- the repeatable containers that may be used by
meta-annotationsMergedAnnotations
instance containing the annotationsstatic MergedAnnotations from(Object source, Annotation[] annotations, RepeatableContainers repeatableContainers, AnnotationFilter annotationFilter)
MergedAnnotations
instance from the specified
annotations.source
- the source for the annotations. This source is used only
for information and logging. It does not need to actually
contain the specified annotations, and it will not be searched.annotations
- the annotations to includerepeatableContainers
- the repeatable containers that may be used by
meta-annotationsannotationFilter
- an annotation filter used to restrict the
annotations consideredMergedAnnotations
instance containing the annotationsstatic MergedAnnotations of(Collection<MergedAnnotation<?>> annotations)
MergedAnnotations
instance from the specified
collection of directly present annotations. This method allows a
MergedAnnotations
instance to be created from annotations that
are not necessarily loaded using reflection. The provided annotations
must all be directly present
and must have a aggregate
index
of 0
.
The resulting MergedAnnotations
instance will contain both the
specified annotations, and any meta-annotations that can be read using
reflection.
annotations
- the annotations to includeMergedAnnotations
instance containing the annotationsMergedAnnotation.of(ClassLoader, Object, Class, java.util.Map)


libcurl - What Makes It Special
Solid and Reliable!
libcurl was released in its current "incarnation" in the year 2000 and it has been in constant use by a large number of applications and companies ever since. Sure there have been bugs and even a few security-related flaws, but it has remained a very solid and reliable library and lots of users are still using libcurl versions released many years ago as they stick with what works.
Widely Used!
libcurl is the most used C-based highly portable transfer library in the world. Some of the world's biggest companies use libcurl in high volume applications. Some of the open source applications using libcurl are very widely used.
We estimate that the amount of users who frequently use (lib)curl, knowingly or not, is well over one million.
Portable!
libcurl has been ported to numerous platforms and CPUs. libcurl offers the same API and feature set on all of them! Using libcurl assures you that you can write your application to work on very large amount of systems, including but not limited to Solaris, NetBSD, FreeBSD, OpenBSD, Darwin, HPUX, IRIX, AIX, Tru64, Linux, UnixWare, HURD, Windows, Amiga, OS/2, BeOs, Mac OS X, Ultrix, QNX, OpenVMS, RISC OS, Novell NetWare, DOS and more...
Thread Safe!
libcurl is thread safe but there are a few exceptions. Refer to libcurl-thread(3) for more information.
Unmatched Set of Features!
There simply is no other HTTP and FTP library that can boast the same amount and set of features that libcurl does. Be it free or commercial.
Also, libcurl's unique offer of both a pull and push interface allows applications to use it exactly the way they please.
libcurl also offers an unmatched set of bindings, enabling you to access and use libcurl from basically whatever language you can think of!
Supports IPv6!
If compiled with IPv6 support enabled, All protocols work splendidly on IPv6 stacks. There are some minor quirks to keep in mind: kerberos4 does not work over IPv6 by design and the SOCKS4 support is not properly adapted for IPv6.
There is nothing in particular needed to get IPv6 to be used, the library API remains exactly the same and adjusts to IPv4/Ipv6 dynamicly. You can use host names that only have AAAA DNS records, or you can use IPv6 IP-only style addresses like [::1].
Well Supported!
We claim libcurl is well supported because you can get help on one of the mailing lists, very quickly and accurately. Often within a few hours. Having the mailing list archives available on the web also makes them searchable and allows you to find already mentioned solutions and answers.
We have a public bug tracker and known bugs are mostly fixed very swiftly.
We also provide very detailed documentation on all operations, not just in every release archive but also available on the web site(s).
You can get paid support from one of the listed curl support companies.
Since the code is free and available, any skilled programmer can fix and improve the tool and library whenever. If you can't, you can hire one!
Fast!
Tests performed by independent users, have proved libcurl to be equally fast, up to a lot faster than libwww in comparable test cases.
When using libcurl bindings, you will get unmatched speeds due to libcurl being programmed in C and very often the language-specific alternatives (be it perl, Python, PHP, tcl or whatever) are much slower.
TODO: add references to hard facts here. If you have any or know any comparisons with real-world numbers, then please let us know!
Thoroughly Documented!
All functions in libcurl have their own detailed man pages describing their actual functionality and purpose.
All interfaces have overview-style man pages describing the concepts that glue all the functions together: easy, multi and share.
There is a libcurl tutorial.
We have numerous commented source code examples.
Stable API and ABI
In the libcurl development we take API and ABI stability very seriously. We have a few rules when it comes to API and ABI compatibility and they are:
- We don't break API or ABI compatibility
- Seriously, we really don't and we work very hard to provide alternatives that introduce new ways instead of breaking old
- A few times in the beginning of our project we felt forced to break existing behavior and we did API and ABI bumps. It was painful and hard and bad and we really really don't want to do it again. Ever! We have not done it since 2006.


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~ Applet may take a while to Load. ~ ~ Download source & more at zirconcode.com/ludumdare/landofcolors.zip ~ -------------------------- | The Land of Colors* | -------------------------- *colours Instructions: Press spacebar to respawn and go through the story. Press m to unmute/mute the awesome music. Music is muted at start. Use the WASD keys to move the upper ship Use the Arrow keys to move the lower ship The ships may not touch black. If the ships are not on the same color, your lifebar will drain rapidly. Bright green signifies savepoints, white is the end of the level. There are three levels, each one grows rapidly more difficult. If anyone can complete all three without dying once they shall be proclaimed our hero. Enjoy =) About: This is my first Ludum Dare (#21) entry, so be nice =) I spent about 16 hours on the first day and 5 on the second. Everything is written in Java, all from scratch. ~ ZirconCode


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Watch: Mitchell Santner pulls off a stunning one-handed catch against England
by AFPNew Zealand spinner Mitchell Santner had a terrific outing in the first Test against England. He not only picked up three top-order wickets on day four to set up a deserved win for New Zealand, Santner also played a crucial knock with the bat.
He scored his first Test century on day four during the record-breaking partnership with double-centurion BJ Watling and picked up three for 53 in England’s second innings on Sunday.
He capped off the match with a stunning catch at short-cover position to dismiss Ollie Pope on day five as England were bowled out for 197, losing the match by an innings and 65 runs at Mount Maunganui.
Neil Wagner, who finished with a five-wicket haul, bowled a wide and low full-toss. Pope decided to throw his bat at it with no control over the shot.
It flew to the right of Santner, who stretched full-length to pull-off an incredible one-handed catch.
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{% extends "base.html" %} {% block content %}
Welcome to sellit!
A site to buy and sell your items, sellit today!
Find and Post by category...
Sellit with attitude!


{% extends "base.html" %} {% block title %}Booking System{% endblock %} {% block content %}
Everything is getting online... but still booking halls manually??? Here is the solution.


https://decoder.cloud/2017/11/17/we-dont-need-powershell-exe-part-3/ - Great walkthrough
InstallUtil located in
C:\Windows\Microsoft.NET\Framework\v4.0.30319
C:\Windows\Microsoft.NET\Framework64\v4.0.3031964
(may be in other Framework folders as well)
.\InstallUtil.exe /logfile= /LogToConsole=false /U C:\users\user\folder\exe/ini/txt/etc
The module needs to contain an assembly manifest


--- layout: default title: Dental Bonding in Hackensack NJ description: What is a Dental Bonding? If Dental bonding is a cosmetic procedure in which a tooth-colored composite resin material is applied to your teeth to improve your smile. Reasonable fees and high quality work. Dr Samina Kathawala is an expert in dental bonding. Call us to schedule an appointment. We serve Summit Ave Hackensack NJ Lodi NJ Hasbrouck Heights NJ River Edge NJ Teaneck NJ Maywood NJ Paramus NJ Carlstadt NJ East Rutherford NJ South Wood Ridge NJ Wood-ridge NJ<PHONE_NUMBER>. ---
ADDRESS - 52 Summit Ave, Hackensack NJ
Dental bonding is a cosmetic dental procedure in which a tooth-colored composite resin material is applied to your teeth to improve your smile. Bonding can improve the appearance of teeth that are chipped, broken, cracked, stained. Dental Bonding will also be an economical solution to reduce spaces between them and improve your smile ("affordable smile makover").
Its also an affordable, durable, and long-lasting procedure. It is non-invasive, and therefore its ideal for children and young adults. While people may not know so much about the process, dental bonding is a dependable cosmetic dentistry solution. If you want to learn more about restorative bonding, we encourage you to call our dental office at {% if site.contact.phone %} {{ site.contact.phone }} {% endif %} for a consultation.
Bonding your front teeth actually requires minimal preparation of the tooth. Anesthesia is usually not needed unless there is an old restoration or decay present.
If you are looking for a natural-looking restoration, consider Dental Bonding. In this procedure, we apply a tooth-colored resin material to your tooth and shape the resin to make it look natural.
Dr Samina is an artist, she will not only match your natural color but will finish the edges to make them look natural and blend with your other teeth's look and feel.
After the resin is applied we will then harden it in place with a special dental light, effectively bonding it to the tooth. We are commited to your smile and regardless of whether you have done bonding or veneer ( resin or porcelian veneer) , your smile will look amazing.
Cost: Bonding is one of the least expensive cosmetic procedures.
Time: Unlike crowns and veneers, which require more time to prepare and a second visit to place them, bonding can be completed in a single visit.
Invasiveness: Bonding requires minimal tooth removal. Frequently patients get multiple teeth bonded in one appointment.
Staining: Although you can achieve excellent results with bonding, the resin does stain over time. Crowns and veneers will be much more stain resistant.
Durability: While bonding will last, but precaution needs to be taken; however dental crowns and veneers are more resistant to breaking and usually are a recommend long lasting solution.
How long will dental bonding last?
Success of dental bonding is determined, in part, on the location, where bonding was done. If the bonding is on the very edge of your tooth, it most likely won't last as long. The biting forces in your mouth will eventually wear it out. Its recommended that to not directly chew, bite or eat hard foods with your bonded tooth. When you chew hard on your bonded tooth you compromise the structural soundness of dental bonding.
How do I care for my Dental Bonded teeth?
Just like your natural teeth, brush floss and keep it clean. As long as you avoid undue chewing forces on the bonded teeth and keep them clean, it shall last you a long time. In most instances, carelessness is usually the cause for dental bonding failures.
Will my insurance cover tooth bonding?
The majority of insurance companies will not cover dental bonding as they consider it a cosmetic dental procedure. However, it doesn't hurt to call your insurance company and ask if they have coverage for cosmetic dental work. You can also refer to your insurance booklet or call the 1-800 number on the back of your insurance card.
Can dental cosmetic bonding fix my kid's chipped tooth?
Yes, it can. As a cosmetic dentist and smile makeover expert, we can restore your child's chipped tooth by applying resin to their tooth and shaping it until it matches their natural one. We will use every tool available to match the shade of the resin with the kids's surrounding teeth.
In most instances once we are done with the procedure, most of your family and friends will likely not notice a difference between the bonded teeth and the other teeth. The only thing to note is that if the child's teeth are still growing, the child may need a revisit in the future.
Can Teeth Bonding fill gaps in between my teeth??
Yes, it can. When you visit our Hackensack dental office, we can close small gaps between your teeth using this simple procedure. The bonding procedure is an alternative to placing veneers or crowns or undergoing an orthodontic procedure (Dental Braces or Invisalign). Since we can typically complete cosmetic bonding in one dental visit, it is quick and easy.
Can Teeth Bonding change the look of my teeth, such as reshape them?
Yes. Bonding is an excellent way to reshape your teeth. Dental Bonding can lengthen your teeth or change their width. By doing so, your teeth can appear more uniform, and we can eliminate the inconsistencies between your teeth. It only takes 30 to 60 minutes per tooth, so reshaping is much easier and faster.
Is teeth bonding reversible? Can I get Porcelian Veneer on a bonded teeth?
Yes, since we apply bonding without removing the enamel on your teeth, the process is reversible. If you want to change course and restore your teeth or change their appearance with an alternative procedure such as Porcelian Veneer or Dental Crown in the future, you can. While most of our patients are satisfied with the appearance of their teeth after the bonding procedure, some use this as a temporary solution while considering more long-term improvements.
Will bonded teeth feel different?
Not at all. Understand that bonded teeth do not go through any invasive procedure and therefore it will not feel different.
How much does it cost?
Dental bonding is an affordable solution. Most of our budget concious patients go for dental bonding. Usually dental bonding will run you less than $175 per tooth. Call our office {% if site.contact.phone %} {{ site.contact.phone }} {% endif %} for a consultation and we will gladly go over all treatment options.
Definition of Dental Bonding Terminology
Resin Composite
Resin composite are made of a advance ceramic and plastic compound. Because resin mimics the appearance of natural teeth, these materials blend right in with your other teeth.
Cosmetic Dentistry
Cosmetic dentistry is generally used to refer to any dental work that improves the appearance, smile and look of a person's teeth, gums and/or bite. More importantly in most instances smile makeover cases usually gives the patient a confidence boost. An attractive smile can open many many doors.
Dental Filling
A dental filling involves restoring the structure of the tooth by using metal, alloy, porcelain or plastic to fill the tooth.
Dental Caries
Dental caries are also known as cavities and result from a lack of proper oral hygiene leaving plaque that forms tiny holes in the teeth.
Tooth decay
Tooth decay is when the enamel of the tooth begins to decay and cause erosion from plaque and tartar on the teeth.
Dental Checkup
A dental checkup is an appointment that involves cleaning the teeth, identifying any signs of infection and removing said signs of infection at least once every six months in the office.
Dental Prophylaxis ( Dental Cleaning)
A dental prophylaxis is a professional and detailed cleaning that involves the removal of plaque, calculus and stains from the teeth.
Irreversible Pulpitis
Irreversible pulpitis is when the pain in the tooth occurs spontaneously or continues to hurt after the patient removes the hot/cold substance that was causing pain. Normal pulpitis will cease hurting directly after removing what is causing the pain.
Gingivitis
Gingivitis is the inflammation of gum tissue that results from plaque, other infections in the mouth and poor oral hygiene.
Dental Filling
A dental filling involves restoring the structure of the tooth by using metal, alloy, porcelain or plastic to fill the tooth.
Tooth Fracture
A tooth fracture is usually caused by an accidental blow to the face during a sports game, biting on something really hard, falling face first and more.
Tooth Enamel
Tooth enamel is the protective visible outer surface of a tooth that contains the dentin and dental pulp.
Vacuum Formed Mouthguard
An advanced mouth guard creation technique. Vacuum formed mouthguard involves customizing the mouthguard to match a mold of the individual patient's teeth for a PERFECT fit.
Tartar
Tartar forms when plaque builds up on the surface of the teeth and calcifies into a hard surface that is much more difficult to remove and will require professional treatment.
Pericoronitis
Pericoronitis refers to the inflammation of the soft tissue surrounding the crown of a partially-erupted tooth.
Third Molars
The third molars are also known as the wisdom teeth and typically require removal in order to prevent pain and other issues in the mouth.
Abscess
A dental abscess is a pocket of pus the forms in the tooth root from a bacterial infection.
Facial Cellulitis
Facial cellulitis is a condition in which an infection from an abscess or plaque in the teeth causes pain and spreads throughout the face.
Root Canal
Root canal is a treatment to repair and save a badly damaged or infected tooth instead of removing it.
For appointment's please call {% if site.contact.phone %} {{ site.contact.phone }} {% endif %}


If people have ever heard of food being golden that is typically referring to the turmeric ingredient.  One reason to love turmeric is definitely because of its color, but there are many more.
The most important compound in turmeric is curcumin. Curcumin possess all the powerful benefits of turmeric but only makes up 3% and is not easily absorbed in the bloodstream (5). To help aid in the absorption, black pepper is typically paired with turmeric to be sure people are absorbing the curcumin in the most efficient way.
Anti-inflammatory drugs such as ibuprofen are seen all around the market. A close competitor to some of these drugs is simply curcumin. Curcumin has anti-inflammatory properties that can reduce the risk of Alzheimers, since Alzheimers is brain inflammation that causes neuron killing (7). This property is also crucial in easing arthritis.
Another property is antioxidant. Antioxidants help fight aging and disease. In some detail, curcumin blocks highly reactive molecules that can cause damage to living cells through oxidative stress (3). These molecules are known as free radicals. Curcumin also boosts antioxidant enzymes in your own body.
Turmeric increases brain function and memory, which correlates to helping treat Alzheimers through the anti-inflammatory component mentioned above (2). Another benefit of turmeric are the great ways turmeric helps depression. It is hypothesized that curcumin regulates serotonin and dopamine. It also inhibits the monoamine oxidase enzymes that would degrade neurons and cells such as serotonin. Curcumin helps promote growth and development of nervous tissue too (6). Also, turmeric can ease menstrual cycle pains and may lower the bad cholesterol known as LDL
(4).
The list goes on and on as research continues to pour out. On the surface of our bodies, turmeric is used in face masks as well to treat stubborn acne. When purchasing turmeric, it is important to make sure the product is pure and being bought from a trustworthy supplier. Be careful if you are prone to kidney stones because turmeric contains 2% oxalate and a high dose of turmeric can provoke kidney stones (5). Now it is time to get turmeric to work and show off the golden food created to friends and family.
Recipes
Linked to the photos are some of my favorite recipes with turmeric…
I also love Golden overnight oats like I bought here...


The array entries are less obvious. By default DWR marshalls arrays of all primitive types as well as arrays of all marshallable objects, which by default includes String and Date as noted previously.
Advanced Java programmers will probably recognise why the match line is a little strange.
<convert converter="array" match="[Z"/> <convert converter="array" match="[B"/> <convert converter="array" match="[S"/> <convert converter="array" match="[I"/> <convert converter="array" match="[J"/> <convert converter="array" match="[F"/> <convert converter="array" match="[D"/> <convert converter="array" match="[C"/> <convert converter="array" match="[L*"/>
The * is not explained by the link above - it is a wildcard that matches any following string, which is how DWR can marshall arrays of any type that is marshallable by other means.


EXCEPTION CONFIGURATION¶
You can have different settings depending on username, user agent, and media query. You can use any combination as well.
- user: This is the Home Assistant user's name, not username (if they're different). You can look to the bottom of the editor to see which to use. This option is case sensitive.
- user_agent: A matching word or phrase from the devices user agent. You can find this at the bottom of the CCH settings or by googling "what's my user agent" on the device in question. This option is case sensitive, enclose in quotes if including special characters and not using editor..
- media_query: A valid CSS media query. Enclose in quotes if not using editor.
Example¶
Under exceptions set your conditions and then set up their config below that. If a config item is left out of an exception's config the main config's value is used.
cch:
menu: overflow
options: clock
voice: hide
clock_format: 12
exceptions:
- conditions:
user: maykar
config:
voice: show
options: clock
clock_format: 24
- conditions:
user: maykar
user_agent: Mobile
media_query: "(max-width: 600px)"
config:
options: clock
clock_format: 12
hide_tabs: 4,5,9


Bernie would've won.
The official blog for Bernie.
The Bernie Blog has no messages.
The blog about Bernie by Bernie lover for Bernie lovers. Post all the things you love about Bernie and none of the things you hate(presumably you don't have any). My goal is to have Him visit this website one day.


Chess TV Screen - experimental
This gives you the ability to let another device show the chess-board when on the same Local Area Network.
Currently, this is experimental and the actual Smart-TV application that can connect to your Android device is not yet available.
Let me know if you want to beta test this (if you have a Smart TV)
Step 1. Press the "Start" button from the "Share screen" window on your Android device
Step 2. Start the "Chess screen" application on your TV
Step 3. Enter the number that is shown below the "Start" button using the remote from your TV.
--------------------
Test this from a regular browser on your PC or laptop? - go to http://jwtc.nl/tv


## robert green ### link
summary
this paper explains what makes you move from good code to great code, and shows how “artistic flare” (a combination of hard and soft practices) can help us make the transition. the emphasis is on the act of reading, on the decryption of the concepts that the machine is acting upon/executing
objective components of beautiful code (hard ideas): - design patterns - project structures - common libraries
subjective components (soft ideas): - naming - spacing - context - syntax highlighting (???) - choice of IDE (??)
it takes a great programmer to fill in the gaps left by “objective components” with her “subjective choices”, in a way that is clear, concise, understandable.
interesting parallel between artworks, code and plurality of meanings: if code is like art, does that mean it has a plurality of meanings? (not sure i agree)
also seeing programming as encryption: you encrypt the solution in a certain way and then you have to decrypt it later when you return to it.
MOVING FROM FUNDAMENTAL PRINCIPLES OF COMMUNICATION TOWARDS CODING CONVENTIONS (i.e. the relationship between clean code and human communication)
he use of vertical alignment to show symmetry; his is a powerful method of communication:
poul-henning kamp: quality only happens when somebody is responsible for it link. consequences: that somebody can be a group of people, and aesthetics is a way to implicate responsibility.
the true challenge is not creating a name based on a concept, but rather inferring a concept based on a name!
they advocate for names to be based on english usage:
sine(x) instead of computeSine(x)
)try to make name pronounceable!
context can be relied on to simplified code, such that a syntactic element gets its meaning through its context (here, we’re moving away from the context-free grammar that is the base of most programming languages)
white-space is presented as the equivalent of non-verbal cues (but then it creates diff noise)
they dictate the use of white space without justifying why: this reeks of tradition
letting the structure drive the layout, not the syntax of the programming language>
comments are good, but they are also an indicator of lack of clarity in the code
finally, we find another occurrence of the textbook/academic style vs. industry/practical style


Manage Messages
Bob Dylan
Subject: Hi
Hi There, just wondering if you have anymore cupcakes?
Jane Dylan
Subject: Hi
Hi There, just wondering if you have anymore another 24 cupcakes?
Jake Smith
Subject: Hi
Hi There, can arrange delivery to Google HQ Angular Team? Red Velvet looks awesome :)


#parse("/de/fct/companian/web/site/inc/header.htm")
To index a new Java Archive (JAR) file use the Java
Archive Indexer.
The indexer will search for the compiled *.jar file and corresponding Apache
Maven *.pom and -sources.jar files.
Performs a usage analysis between an application archive and a used framework archive. Additionally, a compatibility check for a future version of the framework is performed.


THE WIZARD A film review by J. M. Ivler Copyright 1990 J. M. Ivler
Starring: Beau Bridges, Fred Savage, Christian Slater Director: Todd Holland Written by: David Chisholm Released by: Universal
Synopsis: Two brothers make a cross-country trek. In the process they discover more about each other and themselves. The movie has the feel of an action-adventure, but also works well as a story about the love and the bond between the two brothers.
Review:
This is a film that deals from the bottom and the top of the deck. The top of the deck is the simple story that was outlined above. This is almost standard stock fare. Two brother go off together (feeling unwanted). The parents start a frantic search and the young-uns meet all sorts of characters as they grow up together and individually. There is a crazy escape sequence that leads to the "moment of truth" and the "ultimate loser" pulls out the win of the day. A general feel-good movie as the family is reunited and they live happily ever after.
From the bottom is a story about dealing with the loss of a family member, the guilt feelings that one has about feeling there was something more they could do to stop the death. The emotional scars that are raised when one attempt to deal directly with loss is shown dramatically when the two boys are drawn apart by the young lady in the film. Only the thought of accepting a personal loss (as an individual) seems to be able to overcome the fact that the elder boy is sharing his attentions with another. The closing scenes (no, I do not believe in spoilers) after the visible victory, is the actual victory of the youngest son, and the family.
One has to ask, "Is this a children's film?" The answer to that is NO. This is a family film. It is a film that will have anyone who has ever lost a family member wanting to have just a moment with that person back (what made this harder, was the fact that I saw ALWAYS immediately after this... Talk about a one-two punch).
Overall, the acting was above par from that which is normally encountered in children's movies. The adults were not all morons (although, some were) and the performances by both Christian Slater and Fred Savage were excellent. Savage has truly benefited from his work behind the camera on T.V.. His performance requires a bound of emotions, all which her pulls out and shows with effectiveness.
The direction was bumpy throughout, but once you understand that this was a film made for two distinct audiences, and that the author and director had something serious to say between the lines of the children's action-adventure, then you can live with the uneven pacing.
On the scale of -4 to 4 I would have to give this film a 2-3 rating. I provide two ratings for there are actually two films here. The first, the children's action-adventure gets a 2. It was above average in its scope and capabilities. It was not excellent, but was quite good. The 3 goes to the film that underlay the "story." This is actually a very moving piece that strikes home with anyone who has ever lost a sibling and/or watched a family self-destruct from the loss of a child (or any immediate family member).
If you have a family, I recommend this film as one of the best out to see all together.
JMI
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


---
layout: post
title: Saving Images from PhoneGap
date: '2012-12-09T21:06:00.001-05:00'
author: Carlo
tags:
- base64
- drawsuar
- Android
- HTML5
- stack overflow
- JavaScript
- canvas
- images
- PhoneGap
- plugin
- toDataURL
- java
modified_time: '2012-12-09T21:06:39.084-05:00'
blogger_id: tag:blogger.com,1999:blog-1115978604548657664.post-1888407214379223892
blogger_orig_url: https://thewahlstedts.blogspot.com/2012/12/saving-images-from-phonegap.html
---
Updating Drawsaur today to add the requested feature to save your drawing. Ironically PhoneGap does not natively support this. Thankfully, I stumbled on this Stack Overflow post. I then edited the Java file to suit my specific needs. Check out the new feature on the app.


{% extends "projects/import_base.html" %} {% load i18n %} {% block content %}
{% blocktrans trimmed %}
Make sure your project has a .readthedocs.yaml
configuration file at the root directory of your repository.
This file is required by Read the Docs to build your documentation.
You can read more about our configuration file in our documentation.
{% endblocktrans %}
{% blocktrans trimmed %} Here is an example configuration file for a project using Sphinx: {% endblocktrans %}
# .readthedocs.yaml
# Read the Docs configuration file
# See https://docs.readthedocs.io/en/stable/config-file/v2.html for details
# Required
version: 2
# Set the OS, Python version and other tools you might need
build:
os: ubuntu-22.04
tools:
python: "3.11"
# You can also specify other tool versions:
# nodejs: "19"
# rust: "1.64"
# golang: "1.19"
# Build documentation in the "docs/" directory with Sphinx
sphinx:
configuration: docs/conf.py
# Optionally build your docs in additional formats such as PDF and ePub
# formats:
# - pdf
# - epub
# Optional but recommended, declare the Python requirements required
# to build your documentation
# See https://docs.readthedocs.io/en/stable/guides/reproducible-builds.html
# python:
# install:
# - requirements: docs/requirements.txt


The history of tea extends so far into the past that its very origins are shrouded by legend. It is said that Emperor Shen Nung who ruled China in
2700 BC, used to enjoy relaxing in his garden with a cup of hot water. It was during one of these respites that a tea leaf happened to float down from
a nearby bush and land directly in the Emperor's cup.
The new drink quickly become the Emperor's favorite, and a taste for tea,
quickly spread throughout the aristocracy, and it wasn't long before tea was the favored drink throughout all of China.
It was in the 16th century that Portuguese missionars were seduced by tea's flavor and the intricate customs which surrounded
it. A demand for the drink quickly arose, and the Dutch East India Company began importing it into Europe.
It's most likely that it was Japanese green teas which were first to arrive in the west, owing Japan's liberal trade policies with Dutch.
Initilly, tea was chiefly recommanded to Europeans for it's purported medicinal qualities; it was claimed by the Dutch
that tea was a cure for nearly every disease imaginable.
Due the expense of bringing tea halfway across the globe, it was initially consumed primarlly by aristocrats and the rich. Over
time the cost of tea fel enough for people from all walks of life to be able to enjoy it. By 1717 Thomas Twining's English coffe
house become a tea shop; and unlike the ubiqutous London coffee house on the era, the dors of Twining's were open to both man and women.


The Red Fairy Book, by Andrew Lang, [1890], at sacred-texts.com
THE MARVELLOUS MUSICIAN
THERE was once upon a time a marvellous musician. One day he was wandering through a wood all by himself, thinking now of one thing, now of another, till there was nothing else left to think about. Then he said to himself:
`Time hangs very heavily on my hands when I'm all alone in the wood. I must try and find a pleasant companion.'
So he took his fiddle out, and fiddled till he woke the echoes round. After a time a wolf came through the thicket and trotted up to the musician.
`Oh! it's a Wolf, is it?' said he. `I've not the smallest wish for his society.'
But the Wolf approached him and said:
`Oh, my dear musician, how beautifully you play! I wish you'd teach me how it's done.'
`That's easily learned,' answered the fiddler; `you must only do exactly as I tell you.'
`Of course I will,' replied the Wolf. `I can promise that you will find me a most apt pupil.'
So they joined company and went on their way together, and after a time they came to an old oak tree, which was hollow and had a crack in the middle of the trunk.
`Now,' said the Musician, `if you want to learn to fiddle, here's your chance. Lay your front paws in this crack.'
The Wolf did as he was told, and the Musician quickly seized a stone, and wedged both his fore paws so firmly into the crack that he was held there, a fast prisoner.
`Wait there till I return,' said the Fiddler, and he went on his way.
After a time he said to himself again:
`Time hangs very heavily on my hands when I'm all alone in the wood; I must try and find a companion.'
So he drew out his fiddle, and fiddled away lustily. Presently a fox slunk through the trees.
`Aha I what have we here?' said the Musician. `A fox; well, I haven't the smallest desire for his company.'
The Fox came straight up to him and said:
`My dear friend, how beautifully you play the fiddle; I would like to learn how you do it.'
`Nothing easier,' said the Musician. `if you'll promise to do exactly as I tell you.'
`Certainly,' answered the Fox, `you have only to say the word.'
`Well, then, follow me,' replied the Fiddler.
When they had gone a bi of the way, they came to a path with high trees on each side. Here the Musician halted, bent a stout hazel bough down to the ground from one side of the path, and put his foot on the end of it to keep it down. Then he bent a branch down from the other side and said:
`Give me your left front paw, my little Fox, if you really wish to learn how it's done.'
The Fox did as he was told, and the Musician tied his front paw to the end of one of the branches.
`Now, my friend,' he said, `give me your right paw.'
This he bound to the other branch, and having carefully seen that his knots were all secure, he stepped off the ends of the branches, and they sprang back, leaving the poor Fox suspended in mid-air.
`Just you wait where you are till I return,' said the Musician, and he went on his way again.
Once more he said to himself:
`Time hangs heavily on my hands when I'm all alone in the wood; I must try and find another companion.'
So he took out his fiddle and played as merrily as before. This time a little hare came running up at the sound.
`Oh! here comes a hare,' said the Musician; `I've not the smallest desire for his company.'
`How beautifully you play, dear Mr. Fiddler,' said the little Hare. `I wish I could learn how you do it.'
`It's easily learnt,' answered the Musician; `just do exactly as I tell you.'
`That I will,' said the Hare, `you will find me a most attentive pupil.'
They went on a bit together, till they came to a thin part of the wood, where they found an aspen tree growing. The Musician bound a long cord round the little Hare's neck, the other end of which he fastened to the tree.
`Now, my merry little friend,' said the Musician, `run twenty times round the tree.'
The little Hare obeyed, and when it had run twenty times round the tree, the cord had twisted itself twenty times round the trunk, so that the poor little beast was held a fast prisoner, and it might bite and tear as much as it liked, it couldn't free itself, and the cord only cut its tender neck.
`Wait there till I return,' said the Musician, and went on his way.
In the meantime the Wolf had pulled and bitten and scratched at the stone, till at last he succeeded in getting his paws out. Full of anger, he hurried after the Musician, determined when he met him to tear him to pieces. When the Fox saw him running by, he called out as loud as he could:
`Brother Wolf, come to my rescue, the Musician has deceived me too.'
The Wolf pulled the branches down, bit the cord in two, and set the Fox free. So they went on their way together, both vowing vengeance on the Musician. They found the poor imprisoned little Hare, and having set him free also, they all set out to look for their enemy.
During this time the Musician had once more played his fiddle, and had been more fortunate in the result. The sounds pierced to the ears of a poor woodman, who instantly left his work, and with his hatchet under his arm came to listen to the music.
`At last I've got a proper sort of companion,' said the Musician, `for it was a human being I wanted all along, and not a wild animal.'
And he began playing so enchantingly that the poor man stood there as if bewitched, and his heart leapt for joy as he listened.
And as he stood thus, the Wolf and Fox and little Hare came up, and the woodman saw at once that they meant mischief. He lifted his glittering axe and placed himself in front of the Musician, as much as to say: `If you touch a hair of his head, beware, for you will have to answer for it to me.'
Then the beasts were frightened, and they all three ran back into the wood, and the Musician played the woodman one of his best tunes, by way of thanks, and then continued his way.[32]
[32] Grimm.


This was done to compare differences between expected and true stim onset between os, webcamsize, gender, race and other factors.
Figure 1. Boxplots, Key_Resp_rt (N = 167)
Last Updated: 2019-03-24 16:12:38
Data collapsed by subject. Participants identified 'race' as 'American Indian or Alaska Native','Two or more races', 'Black or African American', 'None of the above' were excluded here for displaying purposes. To reduce the influence of outliers, 30 (18.0%) participants were excluded due to 'Dotloc' or 'Stimulus Onset Errors' 3 SD above the median.
Figure 2. Boxplots, diff_dotloc (N = 167)
Last Updated: 2019-03-24 16:12:38
Data collapsed by subject. Participants identified 'race' as 'American Indian or Alaska Native','Two or more races', 'Black or African American', 'None of the above' were excluded here for displaying purposes. To reduce the influence of outliers, 30 (18.0%) participants were excluded due to 'Dotloc' or 'Stimulus Onset Errors' 3 SD above the median.
Figure 3. Boxplots, diff_stim (N = 167)
Last Updated: 2019-03-24 16:12:38
Data collapsed by subject. Participants identified 'race' as 'American Indian or Alaska Native','Two or more races', 'Black or African American', 'None of the above' were excluded here for displaying purposes. To reduce the influence of outliers, 30 (18.0%) participants were excluded due to 'Dotloc' or 'Stimulus Onset Errors' 3 SD above the median.


reStructuredText Primer¶
reStructuredText is the default plaintext markup language used by Sphinx. This section is a brief introduction to reStructuredText (reST) concepts and syntax, intended to provide authors with enough information to author documents productively. Since reST was designed to be a simple, unobtrusive markup language, this will not take too long.
See also
The authoritative reStructuredText User Documentation. The “ref” links in this document link to the description of the individual constructs in the reST reference.
Paragraphs¶
The paragraph (:duref:`ref <paragraphs>`) is the most basic block in a reST document. Paragraphs are simply chunks of text separated by one or more blank lines. As in Python, indentation is significant in reST, so all lines of the same paragraph must be left-aligned to the same level of indentation.
Inline markup¶
The standard reST inline markup is quite simple: use
one asterisk:
*text*
for emphasis (italics),two asterisks:
**text**
for strong emphasis (boldface), andbackquotes:
``text``
for code samples.
If asterisks or backquotes appear in running text and could be confused with inline markup delimiters, they have to be escaped with a backslash.
Be aware of some restrictions of this markup:
it may not be nested,
content may not start or end with whitespace:
* text*
is wrong,it must be separated from surrounding text by non-word characters. Use a backslash escaped space to work around that:
thisis\ *one*\ word
.
These restrictions may be lifted in future versions of the docutils.
It is also possible to replace or expand upon some of this inline markup with roles. Refer to Roles for more information.
Lists and Quote-like blocks¶
List markup (:duref:`ref <bullet-lists>`) is natural: just place an asterisk at
the start of a paragraph and indent properly. The same goes for numbered
lists; they can also be autonumbered using a #
sign:
* This is a bulleted list.
* It has two items, the second
item uses two lines.
1. This is a numbered list.
2. It has two items too.
#. This is a numbered list.
#. It has two items too.
Nested lists are possible, but be aware that they must be separated from the parent list items by blank lines:
* this is
* a list
* with a nested list
* and some subitems
* and here the parent list continues
Definition lists (:duref:`ref <definition-lists>`) are created as follows:
term (up to a line of text)
Definition of the term, which must be indented
and can even consist of multiple paragraphs
next term
Description.
Note that the term cannot have more than one line of text.
Quoted paragraphs (:duref:`ref <block-quotes>`) are created by just indenting them more than the surrounding paragraphs.
Line blocks (:duref:`ref <line-blocks>`) are a way of preserving line breaks:
| These lines are
| broken exactly like in
| the source file.
There are also several more special blocks available:
field lists (:duref:`ref <field-lists>`, with caveats noted in Field Lists)
option lists (:duref:`ref <option-lists>`)
quoted literal blocks (:duref:`ref <quoted-literal-blocks>`)
doctest blocks (:duref:`ref <doctest-blocks>`)
Literal blocks¶
Literal code blocks (:duref:`ref <literal-blocks>`) are introduced by ending a
paragraph with the special marker ::
. The literal block must be indented
(and, like all paragraphs, separated from the surrounding ones by blank
lines):
This is a normal text paragraph. The next paragraph is a code sample::
It is not processed in any way, except
that the indentation is removed.
It can span multiple lines.
This is a normal text paragraph again.
The handling of the ::
marker is smart:
If it occurs as a paragraph of its own, that paragraph is completely left out of the document.
If it is preceded by whitespace, the marker is removed.
If it is preceded by non-whitespace, the marker is replaced by a single colon.
That way, the second sentence in the above example’s first paragraph would be rendered as “The next paragraph is a code sample:”.
Code highlighting can be enabled for these literal blocks on a document-wide
basis using the highlight
directive and on a project-wide basis
using the :confval:`highlight_language` configuration option. The
code-block
directive can be used to set highlighting on a
block-by-block basis. These directives are discussed later.
Doctest blocks¶
Doctest blocks (:duref:`ref <doctest-blocks>`) are interactive Python sessions cut-and-pasted into docstrings. They do not require the literal blocks syntax. The doctest block must end with a blank line and should not end with an unused prompt:
>>> 1 + 1
2
Tables¶
For grid tables (:duref:`ref <grid-tables>`), you have to “paint” the cell grid yourself. They look like this:
+------------------------+------------+----------+----------+
| Header row, column 1 | Header 2 | Header 3 | Header 4 |
| (header rows optional) | | | |
+========================+============+==========+==========+
| body row 1, column 1 | column 2 | column 3 | column 4 |
+------------------------+------------+----------+----------+
| body row 2 | ... | ... | |
+------------------------+------------+----------+----------+
Simple tables (:duref:`ref <simple-tables>`) are easier to write, but limited: they must contain more than one row, and the first column cells cannot contain multiple lines. They look like this:
===== ===== =======
A B A and B
===== ===== =======
False False False
True False False
False True False
True True True
===== ===== =======
Two more syntaxes are supported: CSV tables and List tables. They use an explicit markup block. Refer to Tables for more information.
Hyperlinks¶
External links¶
Use `Link text <https://domain.invalid/>`_
for inline web links. If the
link text should be the web address, you don’t need special markup at all, the
parser finds links and mail addresses in ordinary text.
Important
There must be a space between the link text and the opening < for the URL.
You can also separate the link and the target definition (:duref:`ref <hyperlink-targets>`), like this:
This is a paragraph that contains `a link`_.
.. _a link: https://domain.invalid/
Internal links¶
Internal linking is done via a special reST role provided by Sphinx, see the section on specific markup, Cross-referencing arbitrary locations.
Sections¶
Section headers (:duref:`ref <sections>`) are created by underlining (and optionally overlining) the section title with a punctuation character, at least as long as the text:
=================
This is a heading
=================
Normally, there are no heading levels assigned to certain characters as the structure is determined from the succession of headings. However, this convention is used in Python’s Style Guide for documenting which you may follow:
#
with overline, for parts*
with overline, for chapters=
, for sections-
, for subsections^
, for subsubsections"
, for paragraphs
Of course, you are free to use your own marker characters (see the reST documentation), and use a deeper nesting level, but keep in mind that most target formats (HTML, LaTeX) have a limited supported nesting depth.
Field Lists¶
Field lists (:duref:`ref <field-lists>`) are sequences of fields marked up like this:
:fieldname: Field content
They are commonly used in Python documentation:
def my_function(my_arg, my_other_arg):
"""A function just for me.
:param my_arg: The first of my arguments.
:param my_other_arg: The second of my arguments.
:returns: A message (just for me, of course).
"""
Sphinx extends standard docutils behavior and intercepts field lists specified at the beginning of documents. Refer to Field Lists for more information.
Roles¶
A role or “custom interpreted text role” (:duref:`ref <roles>`) is an inline
piece of explicit markup. It signifies that that the enclosed text should be
interpreted in a specific way. Sphinx uses this to provide semantic markup and
cross-referencing of identifiers, as described in the appropriate section. The
general syntax is :rolename:`content`
.
Docutils supports the following roles:
:durole:`emphasis` – equivalent of
*emphasis*
:durole:`strong` – equivalent of
**strong**
:durole:`literal` – equivalent of
``literal``
:durole:`subscript` – subscript text
:durole:`superscript` – superscript text
:durole:`title-reference` – for titles of books, periodicals, and other materials
Refer to Roles for roles added by Sphinx.
Explicit Markup¶
“Explicit markup” (:duref:`ref <explicit-markup-blocks>`) is used in reST for most constructs that need special handling, such as footnotes, specially-highlighted paragraphs, comments, and generic directives.
An explicit markup block begins with a line starting with ..
followed by
whitespace and is terminated by the next paragraph at the same level of
indentation. (There needs to be a blank line between explicit markup and
normal paragraphs. This may all sound a bit complicated, but it is intuitive
enough when you write it.)
Directives¶
A directive (:duref:`ref <directives>`) is a generic block of explicit markup. Along with roles, it is one of the extension mechanisms of reST, and Sphinx makes heavy use of it.
Docutils supports the following directives:
Admonitions: :dudir:`attention`, :dudir:`caution`, :dudir:`danger`, :dudir:`error`, :dudir:`hint`, :dudir:`important`, :dudir:`note`, :dudir:`tip`, :dudir:`warning` and the generic :dudir:`admonition <admonitions>`. (Most themes style only “note” and “warning” specially.)
Images:
:dudir:`image` (see also Images below)
:dudir:`figure` (an image with caption and optional legend)
Additional body elements:
:dudir:`contents <table-of-contents>` (a local, i.e. for the current file only, table of contents)
:dudir:`container` (a container with a custom class, useful to generate an outer
<div>
in HTML):dudir:`rubric` (a heading without relation to the document sectioning)
:dudir:`topic`, :dudir:`sidebar` (special highlighted body elements)
:dudir:`parsed-literal` (literal block that supports inline markup)
:dudir:`epigraph` (a block quote with optional attribution line)
:dudir:`highlights`, :dudir:`pull-quote` (block quotes with their own class attribute)
:dudir:`compound <compound-paragraph>` (a compound paragraph)
Special tables:
:dudir:`table` (a table with title)
:dudir:`csv-table` (a table generated from comma-separated values)
:dudir:`list-table` (a table generated from a list of lists)
Special directives:
:dudir:`raw <raw-data-pass-through>` (include raw target-format markup)
:dudir:`include` (include reStructuredText from another file) – in Sphinx, when given an absolute include file path, this directive takes it as relative to the source directory
:dudir:`class` (assign a class attribute to the next element) 1
HTML specifics:
:dudir:`meta` (generation of HTML
<meta>
tags, see also HTML Metadata below):dudir:`title <metadata-document-title>` (override document title)
Influencing markup:
:dudir:`default-role` (set a new default role)
:dudir:`role` (create a new role)
Since these are only per-file, better use Sphinx’s facilities for setting the :confval:`default_role`.
Warning
Do not use the directives :dudir:`sectnum`, :dudir:`header` and :dudir:`footer`.
Directives added by Sphinx are described in Directives.
Basically, a directive consists of a name, arguments, options and content. (Keep this terminology in mind, it is used in the next chapter describing custom directives.) Looking at this example,
.. function:: foo(x)
foo(y, z)
:module: some.module.name
Return a line of text input from the user.
function
is the directive name. It is given two arguments here, the
remainder of the first line and the second line, as well as one option
module
(as you can see, options are given in the lines immediately
following the arguments and indicated by the colons). Options must be indented
to the same level as the directive content.
The directive content follows after a blank line and is indented relative to the directive start.
Images¶
reST supports an image directive (:dudir:`ref <image>`), used like so:
.. image:: gnu.png
(options)
When used within Sphinx, the file name given (here gnu.png
) must either be
relative to the source file, or absolute which means that they are relative to
the top source directory. For example, the file sketch/spam.rst
could
refer to the image images/spam.png
as ../images/spam.png
or
/images/spam.png
.
Sphinx will automatically copy image files over to a subdirectory of the output
directory on building (e.g. the _static
directory for HTML output.)
Interpretation of image size options (width
and height
) is as follows:
if the size has no unit or the unit is pixels, the given size will only be
respected for output channels that support pixels. Other units (like pt
for
points) will be used for HTML and LaTeX output (the latter replaces pt
by
bp
as this is the TeX unit such that 72bp=1in
).
Sphinx extends the standard docutils behavior by allowing an asterisk for the extension:
.. image:: gnu.*
Sphinx then searches for all images matching the provided pattern and
determines their type. Each builder then chooses the best image out of these
candidates. For instance, if the file name gnu.*
was given and two files
gnu.pdf
and gnu.png
existed in the source tree, the LaTeX
builder would choose the former, while the HTML builder would prefer the
latter. Supported image types and choosing priority are defined at
/usage/builders/index.
Note that image file names should not contain spaces.
Changed in version 0.4: Added the support for file names ending in an asterisk.
Changed in version 0.6: Image paths can now be absolute.
Changed in version 1.5: latex target supports pixels (default is 96px=1in
).
Footnotes¶
For footnotes (:duref:`ref <footnotes>`), use [#name]_
to mark the footnote
location, and add the footnote body at the bottom of the document after a
“Footnotes” rubric heading, like so:
Lorem ipsum [#f1]_ dolor sit amet ... [#f2]_
.. rubric:: Footnotes
.. [#f1] Text of the first footnote.
.. [#f2] Text of the second footnote.
You can also explicitly number the footnotes ([1]_
) or use auto-numbered
footnotes without names ([#]_
).
Citations¶
Standard reST citations (:duref:`ref <citations>`) are supported, with the additional feature that they are “global”, i.e. all citations can be referenced from all files. Use them like so:
Lorem ipsum [Ref]_ dolor sit amet.
.. [Ref] Book or article reference, URL or whatever.
Citation usage is similar to footnote usage, but with a label that is not
numeric or begins with #
.
Substitutions¶
reST supports “substitutions” (:duref:`ref <substitution-definitions>`), which
are pieces of text and/or markup referred to in the text by |name|
. They
are defined like footnotes with explicit markup blocks, like this:
.. |name| replace:: replacement *text*
or this:
.. |caution| image:: warning.png
:alt: Warning!
See the :duref:`reST reference for substitutions <substitution-definitions>` for details.
If you want to use some substitutions for all documents, put them into
:confval:`rst_prolog` or :confval:`rst_epilog` or put them into a separate file
and include it into all documents you want to use them in, using the
include
directive. (Be sure to give the include file a file name
extension differing from that of other source files, to avoid Sphinx finding it
as a standalone document.)
Sphinx defines some default substitutions, see Substitutions.
Comments¶
Every explicit markup block which isn’t a valid markup construct (like the footnotes above) is regarded as a comment (:duref:`ref <comments>`). For example:
.. This is a comment.
You can indent text after a comment start to form multiline comments:
..
This whole indented block
is a comment.
Still in the comment.
HTML Metadata¶
The meta
directive (:dudir:`ref <meta>`) allows specifying the HTML
metadata element of a Sphinx documentation page. For example, the
directive:
.. meta::
:description: The Sphinx documentation builder
:keywords: Sphinx, documentation, builder
will generate the following HTML output:
<meta name="description" content="The Sphinx documentation builder">
<meta name="keywords" content="Sphinx, documentation, builder">
Also, Sphinx will add the keywords as specified in the meta directive to the
search index. Thereby, the lang
attribute of the meta element is
considered. For example, the directive:
.. meta::
:keywords: backup
:keywords lang=en: pleasefindthiskey pleasefindthiskeytoo
:keywords lang=de: bittediesenkeyfinden
adds the following words to the search indices of builds with different language configurations:
pleasefindthiskey
,pleasefindthiskeytoo
to English builds;bittediesenkeyfinden
to German builds;backup
to builds in all languages.
Source encoding¶
Since the easiest way to include special characters like em dashes or copyright signs in reST is to directly write them as Unicode characters, one has to specify an encoding. Sphinx assumes source files to be encoded in UTF-8 by default; you can change this with the :confval:`source_encoding` config value.
Gotchas¶
There are some problems one commonly runs into while authoring reST documents:
Separation of inline markup: As said above, inline markup spans must be separated from the surrounding text by non-word characters, you have to use a backslash-escaped space to get around that. See :duref:`the reference <substitution-definitions>` for the details.
No nested inline markup: Something like
*see :func:`foo`*
is not possible.
Footnotes
- 1
When the default domain contains a
class
directive, this directive will be shadowed. Therefore, Sphinx re-exports it asrst-class
.


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Scan the QR code that will appear below with Super Gluu once you press "qrRequest" button
enrollmentReady
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nameEnrollment
userid
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nickName


THE ROCK
A film review by Paula Sargaco
Copyright 1996 Paula Sargaco
This movie achieves a doubtfull feat, beeing at the same time predictable and a good thriller. The pregnancy annoucement is predictable, the change in the missil launch coordinates as well the general's (Ed Harris) attitude towards the whole mission are predictable, the major's final move is predictable and finally the 'Mason's dead' scene is quite predictable indeed. But even though all these predictabilities exist Michael Bay manages to build a fairly interesting thriller ambiance while the movie's heroes, Goodspeed (Sean Connery) and Mason (Nicolas Cage), crawl under Alcatraz' tunnels. The characters are pretty well constructed and Michael Bay doesn't give in to the temptation of making Mason an even-though-he's-quite-old-he's-still-a-superman kind of guy and it's my opinion making Goodspeed a somewhat goofy and not that combat-fit FBI agent was a good bet. Another proof of Bay's good sense is the not excessive amount of explosions used in the film, in fact, I would almost dare to say he used the exact amount. There were some not that credible scenes though but I suppose in movie of this kind it must be almost impossible not to have them. As examples we have the scene in wich Mason throws Cormak, FBI director (or whatever), out the terrace, holding him only whith the thinnest thread. The result would be that FBI would have to get a new director and the city would have a hell of a time scraping him from the pavement. The other scene is the one in which Cage's character is projected into the water by the explosion of the bombs thrown by the F-18s. If these bombs were intended to melt the VX stuff I gess poor Goodspeed would have turned into a very small amount of ashes scattered in the four winds. But I guess leavind dear pregnant Carla without a husband to help her raise the unborn child would be a very cruel option even though stuff like that happens all the time. But then, this is a movie. Another scene I would like to mention is the one in wich all the SEALs get killed. It is, in my opinion, very well achieved and leaves you with a cry of powerlessness stuck in your throat. It hurts even though you didn't really had the time to bond with the SEAL's charaters.
Finally a small word for this movie's motivation. It seems north americans are starting to go sweet on these "The Internal Enemy" (or "They", if your prefer short terms) stories. It's only healthy to be a little paranoid about the next door neighbour.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{{$ctrl.payload.properties.head.name}}
Common: {{$ctrl.payload.properties.head.common}}
Duration: {{$ctrl.payload.properties.head.duration}}
Habit: {{$ctrl.payload.properties.head.habit}}
Family: {{$ctrl.payload.properties.head.family}}
Description:
{{$ctrl.payload.properties.description.main}}
Biology and Spread:
{{$ctrl.payload.properties.description.biology_and_spread}}
Ecological Threat:
{{$ctrl.payload.properties.description.ecological_threat}}
US Habitat:
{{$ctrl.payload.properties.description.us_habitat}}
History:
{{$ctrl.payload.properties.description.history}}
Distribution:
{{$ctrl.payload.properties.distribution.distribution}}
Native Origin:
{{$ctrl.payload.properties.distribution.native_origin}}
US Nativity:
{{$ctrl.payload.properties.distribution.us_nativity}}
US Presence:
{{$ctrl.payload.properties.distribution.us_present}}
Management:
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{% csrf_token %}
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Done By: Nethravathi D V


[gecode-users] error compiling
Christian Schulte
cschulte at kth.se
Wed Jun 24 14:16:39 CEST 2009
WHERE do you run it? Under cygwin, then thats wrong (replace %GECODEDIR% by
$GECODEDIR). The document says WHERE to run it. Please, please, please,
read!
Christian
From: users-bounces at gecode.org [mailto:users-bounces at gecode.org] On Behalf
Of hamza bouchaour
Sent: Wednesday, June 24, 2009 2:12 PM
To: mailng list
Subject: [gecode-users] error compiling
i run this command to compil "cl /DNDEBUG /EHsc /MD /Ox /wd4355
-I"%GECODEDIR%\include" \
-Fesend-more-money.exe send-more-money.obj \
/link /LIBPATH:"%GECODEDIR%\lib" " an i get this message includey:
'gecode/int.hh' y : no such file or directory
and now when i run examples like donald.exe nothings display on the shell
!!!
can someone help me please
_____
Téléchargez le nouveau Windows Live Messenger ! Téléchargez
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Double murder on Deepavali weekend: Man faces murder charges for killing mum and grandma
- Advertisement -
Singapore—A man arrested on October 27 after his mother and grandmother were found dead in adjacent flat units is now facing murder charges for their deaths.
Twenty-two-year-old Gabriel Lien Goh, who was first charged with the murder of his mother, 56-year-old Lee Soh Mui, on October 28, was slapped with a second murder charge, this time for the death of his grandmother, on November 18.
Mr Goh’s grandmother was 90 years old.
Mrs Lee was found dead at an apartment on the seventh storey of Block 7A Commonwealth Avenue, and the body of the grandmother who is believed to have succumbed to injuries she sustained, was found in an adjacent unit.
- Advertisement -
It is yet to be disclosed to the media how she was injured.
Police were alerted to an incident of two unnatural deaths at 7:24 pm on October 27th.
In a statement, the Singapore Police Force said, ”Two women, aged 56 and 90, were both found lying motionless and were pronounced dead by paramedics at (the) scene.
Preliminary investigations revealed that both the deceased and the suspect are related. A 22-year-old man was arrested in relation to the case and was charged in court on Oct 28.”
Mr Goh was detained for three weeks for psychiatric assessment before appearing back in court on November 18. If he is convicted of the murders he may face the death penalty.
Commotion at HDB
At around 7:00 pm on the evening of October 27, a commotion on the ground floor of the Housing Board block caught the attention of neighbours, who said they heard people screaming and shouting.
The police were called when Mr Goh began to attack other people were on the ground floor of the block.
One eyewitness, 49-year-old KC Lam told The Straits Times (ST) Mr Goh, who was barefoot, dressed in a sleeveless shirt and shorts and who had bloodstains on his right hand, was seen walking in front of people who were on the way to prayers when he turned around and confronted the group.
Mr Lam told ST, “He looked very aggressive from his eye contact, and when I tried to calm him down, he turned violent.”
Mr Lam said Goh was trying to challenge everybody and had a very aggressive pose. He said Goh was saying something “but I couldn’t understand him. I can’t imagine what would have happened if he had ended up at the bus stop.”
A second witness, 63-year-old Han Dong Guan, told ST that he heard Mr Goh say, “Call the Government to talk to me,” to Mr Lam.
After Mr Goh hit Mr Lam, people attempted to calm the younger man down, but he got aggressive with them as well.
Eventually, it took four men to stop Mr Goh from further attacking others. -/TISG
Read related: Man charged with murder of mother and grandmother at Commonwealth Avenue
- Advertisement -


GETTEXTIZE
Section: GNU (1)Updated: November 2007
Index Return to Main Contents
NAME
gettextize - install or upgrade gettext infrastructureSYNOPSIS
gettextize [OPTION]... [package-dir]DESCRIPTION
Prepares a source package to use gettext.
OPTIONS
- --help
- print this help and exit
- --version
- print version information and exit
- -f, --force
- force writing of new files even if old exist
- --intl
- install libintl in a subdirectory
- --po-dir=DIR
- specify directory with PO files
- --no-changelog
- don't update or create ChangeLog files
- --symlink
- make symbolic links instead of copying files
- -n, --dry-run
- print modifications but don't perform them
AUTHOR
Written by Ulrich DrepperREPORTING BUGS
Report bugs to<EMAIL_ADDRESS>Copyright © 1995-1998, 2000-2007 Free Software Foundation, Inc. License GPLv3+: GNU GPL version 3 or later <http://gnu.org/licenses/gpl.html>This is free software: you are free to change and redistribute it. There is NO WARRANTY, to the extent permitted by law.
SEE ALSO
The full documentation for gettextize is maintained as a Texinfo manual. If the info and gettextize programs are properly installed at your site, the command- info gettextize
should give you access to the complete manual.
Index
This document was created by man2html, using the manual pages.
Time: 05:29:04 GMT, December 24, 2015