Here is an example showing how to add a new user test and set the home directory:
import pyFileZilla
settings = pyFileZilla.ftpSettings('/path/to/filezilla/config.xml')
# add a new user with user name "test" and password "1234" and enable the account
user = settings.addUser('test')
user.setPassword('1234')
user.enabled = True
# add a new permission for the user and make it the home directory
home = user.addPermission('/absolute/path/to/folder')
home.ishome = True
# make sure the permission to write to the directory is False
home.filewrite = False
# open the FileZilla Server config file and save the changes
configfile = file('/path/to/filezilla/config.xml', 'wb')
settings.write(configfile)
configfile.close()


| cal: |
pronounced, 'KaL' after you type in the three middle letters of the word scalp...the terminal will display a calendar |
| clear: |
pronounced, 'kuh-leer' will utterly erradicate anything in the terminal window |
| cd: |
pronounced, 'kuh-d' allows really smart and attractive developers to change the directory they are working in |
| CNTRL + C: |
pronounced, 'kontrl see' allows you to exit the shell, though I don't know why you'd want to as you should always be working |
| cp |
pronounced, 'kippp' creates a copy of a file and tucks it away safely into a specified destination |
| mkdir: |
pronounced, 'mick-durr' this micks durrs, meaning it makes directories |
| rmdir: |
pronounced, 'rimm-durrr' this rims durrs, as in it removes directories |
| rm -rf: |
pronounced 'rimmm-ruff' despite it having 'ruff' in its name it has little to do with the noise a dog makes, instead it will delete the contents of the entire directory |
| pwd: |
pronounced 'pyuood' it sounds goofy when you say it outloud, but cut it some slack because it prints your working directory |
| diff: |
shows difference between 2 files |
| mv: |
pronounced 'muvvvvvv' it will move a file to wherever you demand it should be moved! |
| ls: |
pronounced 'lisssss', will list the files within a directory |


Next: Symmetric Eigenproblems
Up: Generalized Orthogonal Factorizations and
Previous: Generalized QR Factorization
  Contents
  Index
The generalized RQ (GRQ) factorization of an m-by-n matrix A and
a p-by-n matrix B is given by the pair of factorizations
where Q and Z are respectively n-by-n and p-by-p orthogonal
matrices (or unitary matrices if A and B are complex).
R has the form
or
where R12 or R21 is upper triangular. T has the form
or
where T11 is upper triangular.
Note that if B is square and nonsingular, the GRQ factorization of
A and B implicitly gives the RQ factorization of the matrix AB-1:
A B-1 = ( R T-1 ) ZT
without explicitly computing the matrix inverse B-1 or the product
AB-1.
The routine xGGRQF computes the GRQ factorization
by first computing the RQ factorization of A and then
the QR factorization of BQT.
The orthogonal (or unitary) matrices Q and Z
can either be formed explicitly or
just used to multiply another given matrix in the same way as the
orthogonal (or unitary) matrix
in the RQ factorization
(see section 2.4.2).
The GRQ factorization can be used to solve the linear
equality-constrained least squares problem (LSE) (see (2.2) and
[55, page 567]).
We use the GRQ factorization of B and A (note that B and A have
swapped roles), written as
We write the linear equality constraints Bx = d as:
T Q x = d
which we partition as:
Therefore x2 is the solution of the upper triangular system
T12 x2 = d
Furthermore,
We partition this expression as:
where
,
which
can be computed by xORMQR (or xUNMQR).
To solve the LSE problem, we set
R11 x1 + R12 x2 - c1 = 0
which gives x1 as the solution of the upper triangular system
R11 x1 = c1 - R12 x2.
Finally, the desired solution is given by
which can be computed
by xORMRQ (or xUNMRQ).
Next: Symmetric Eigenproblems
Up: Generalized Orthogonal Factorizations and
Previous: Generalized QR Factorization
  Contents
  Index
Susan Blackford
1999-10-01


or "Big O Notation"
OR
Or, how long does it take my program to run
compared to how much workload I have?
(often (and in this presentation), workload == length of a list)
Say we have this function:
def sum_nums( num_list ):
sum = 0
for num in num_list:
sum += num
return sum
num_list = [1, 2, 3, 4, 5]
def sum_nums( num_list ):
sum = 0
for num in num_list:
sum += num
return sum
Different List
num_list = [1, 2, 3, ... ,<PHONE_NUMBER>]
How long will this take?
It doesn't really matter how long each operation takes, it matters what the general shape of the graph is like.
1 + (1 * 5)
1 + (1 *<PHONE_NUMBER>)
General formula: 1 + (1 * n)
n + 1
This turns out to be linear
So if your list is `n` long,
it takes n time to do your calculations
This function is O(n)!
You can say:
It has a linear runtime.
It runs linearly.
It runs in O(n) (read: "oh of n") time.
Q: What is the runtime of your program? A: O(n)
Common runtimes:
Flat slopes are good. Steep slopes are bad
list_1 = [ 5, 48, 88, 24, 14 ]
sum = 0
for i in list_1:
for j in list_1:
sum += i * j
list_1 = [ 5, 48, 88, 24, 14 ]
list_1[3]
dict_1 = {"a": 5, "b": 6", "c": 7}
dict_1["a"]
def find_num(min, max):
target = random.randint(1, max)
found = False
while not found:
guess = min + ((max - min) / 2)
print “guessing %d” % guess
if guess == target:
found = True
elif guess > target:
max = guess
else:
min = guess
print “The number is %d” % guess
find_num(1, 100)
Say there's 72 valid chars for a pw If your pw is 1 char there's 72 possibilities For 4 chars, that's 72 * 72 * 72 * 72 possibilities 72⁴ => 26873856 For 10 chars, 72¹⁰ =><PHONE_NUMBER>624487424 For 20, 72²⁰ =><PHONE_NUMBER>3562607293918185758734155776
Traveling Salesman
(brute force)
To find a path that hits each node once and only once: Must start with one node, say A [A ...] Now there are 3 left, choose 1 [A, C ...] Now there are 2 left, choose 1 [A, C, D ...] Now there's only 1 left, [A, C, D, B] 4 * 3 * 2 * 1 = 4! = 24 There are 24 possible routes to hit every node once
Problem: write a function that returns true if two numbers in an array sum to zero
list_1 = [5, 9, 10, -2, 10, -5]
Easiest way?
def sum_zero(l):
for i in l:
for j in l:
if (i + j) == 0:
return True
return False
Runtime?
O(n2)
Problem: write a function that returns true if two numbers in an array sum to zero
list_1 = [5, 9, 10, -2, 10, -5]
Efficient way.
def sum_zero(l):
num_dict = {}
for i in l:
num_dict[i] = True
for i in l:
if num_dict.get(-i) == True:
return True
return False
Runtime?
O(2n) => O(n)


Eric Bergqvist
Repetition from last time
Technical definition (functor)
Demo (functor)
Technical definition (monad)
Demo (monad)
Discussion
Parametric polymorphism
f1 :: a -> a
f1 x = ?
f2 :: Int -> Int
f2 x = ?
The less we now about the type, the more we know about the implementation
Different kinds of type
Simple, concrete:
Int, Double, String
Simple, polymorphic:
a, b, c, T, U, V
Container, concrete:
[Int], [a], Map k v
Container, polymorphic:
f a, m a
Contraints on the higher-kinded type
Map, Haskell:
fmap :: (a -> b) -> f a -> f b
Select, C#:
public static IEnumerable<T2> Select<T1, T2>(
this IEnumerable<T1> source,
Func<T1, T2> f);
Select, C# (if C# had higher-kinded types)?:
public static F<T2> Select<T1, T2>(
this F<T1> source,
Func<T1, T2> f);
What are functors?
 g) x = (fmap f . fmap g) x
Why monads?
To encapsulate side-effects:
Database calls
Error handling
HTTP requests
Logging
Async workflows
Examples:
C#: LINQ, Task<T>, async/await
F#: Computational expressions (Async, Result, Option)
JavaScript: Task, Promise (with one caveat)
Haskell: Identity, Maybe, Either, State, Reader, IO
What are monads?
A category theory approach:
A monad is just a monoid in the category of endofunctors
What are monads?


Configuring Test Statuses¶
Every test instance that is created has a status assigned to it (and hence there must be at least one status defined before doing QA).
These statuses allow you to flag tests for review, indicate whether a test result is valid or not and whether or not a test result should be included in charts by default.
An example status definition is shown here with the various fields explained below.
- The status Name is what will be displayed on pages where this status is used, the Slug is a url safe version of the name and the Description should be a brief description of when a test should be given this status.
- If Is default is checked for a status then all new test instances created when a user performs a test list will be given this status unless explicitly overridden by the user.
- If a test instance has a status with Requires review checked its parent test list instance will appear in the **Unreviewed** queue.
- Export by default indicates whether test instances with this status should be included by default in data plots. In the figure below the Rejected status does not have Export by default checked and therefore must be specifically checked off if they want to include Rejected data in the plots.
- Valid indicates whether tests with this status are “good” data or not (i.e. if the test was carried out correctly).


-
Be specific:
-
check_circle
Good:
Generate a list of the top 10 highest-grossing movies of all time,
sorted by worldwide box office revenue.
-
cancel
Bad:
Make me a list of the best movies ever.
-
Use simple language:
-
check_circle
Good:
Please write a paragraph about the benefits of meditation for mental
health.
-
cancel
Bad:
Please craft a cogent exegesis on the efficacies of meditative practice
on the human psyche.
-
Provide context:
-
check_circle
Good:
Write a tweet about your favorite book and why you love it.
-
cancel
Bad:
Write a tweet.
-
Break tasks down into steps:
-
check_circle
Good:
Please provide a step-by-step tutorial on how to create a basic website
using HTML and CSS.
-
cancel
Bad:
Teach me how to make a website.


General
The Statistics API is available since API version 1.3.0.
GET /api/statistics/providers
Returns a list of statistics providers.
The following query string parameters are supported to filter the returned list:
| Query String Parameter | Type | Description |
|---|---|---|
filter |
string |
A comma-separated list of filters to limit the results with (see Filtering). See the below table for the list of available filters |
| Filter Name | Description |
|---|---|
resourceType |
Filter statistics provider by resource type (either episode , series or organization ) |
This request additionally supports the following query string parameters to include additional information directly in the response:
| Query String Parameter | Type | Description |
|---|---|---|
withparameters |
boolean |
Whether support parameters should be included in the response |
Sample request
https://opencast.domain.com/api/statistics/providers?filter=resourceType:episode
Response
200 (OK)
: A (potentially empty) list of providers is returned as a JSON array containing JSON objects describing the series:
| Field | Type | Description |
|---|---|---|
identifier |
string |
The unique identifier of the provider |
title |
string |
The title of the provider |
description |
string |
The description of the provider |
type * |
string |
The type of the provider |
resourceType |
string |
The resource type of the provider |
parameters |
array[parameter] |
Supported query parameters (optional) |
* Currently, only the timeseries
type is supported
Example
[
{
"identifier": "influxdb-episode-views-provider",
"title": "Episode Views",
"description": "Episode Views, Lorem Ipsum",
"type": "timeSeries",
"resourceType": "episode"
}
]
GET /api/statistics/providers/{providerId}
Returns a statistics provider.
This request additionally supports the following query string parameters to include additional information directly in the response:
| Query String Parameter | Type | Description |
|---|---|---|
withparameters |
boolean |
Whether support parameters should be included in the response |
Sample request
https://opencast.domain.com/api/statistics/providers/a-timeseries-provider?withparameters=true
Response
200 (OK)
: A (potentially empty) list of providers is returned as a JSON array containing JSON objects describing the series:
| Field | Type | Description |
|---|---|---|
identifier |
string |
The unique identifier of the provider |
title |
string |
The title of the provider |
description |
string |
The description of the provider |
type * |
string |
The type of the provider |
resourceType |
string |
The resource type of the provider |
parameters |
array[parameter] |
Supported query parameters (optional) |
* Currently, only the timeSeries
type is supported
Example
{
"identifier": "a-timeseries-provider",
"title": "Episode Views",
"description": "Episode Views, Lorem Ipsum",
"type": "timeseries",
"resourceType": "episode",
"parameters": [
{
"name": "resourceId",
"optional": false,
"type": "string"
},
{
"name": "from",
"optional": false,
"type": "datetime"
},
{
"name": "to",
"optional": false,
"type": "datetime"
},
{
"values": [
"daily",
"weekly",
"monthly",
"yearly"
],
"name": "dataResolution",
"optional": false,
"type": "enumeration"
}
]
}
POST /api/statistics/data/query
Retrieves statistical data from one or more providers
| Form Parameters | Required | Type | Description |
|---|---|---|---|
data |
yes | array[object] |
A JSON array describing the statistics queries to request (see below) |
The JSON array consists of query JSON objects. A query JSON object contains information about a statistics query to be executed:
| Field | Required | Type | Description |
|---|---|---|---|
provider |
yes | property |
A JSON object with information about the statistics provider to be queried |
parameters |
yes | property |
A JSON object containing the parameters |
The JSON object provider
has the following fields:
| Field | Required | Type | Description |
|---|---|---|---|
identifier |
yes | string |
A JSON object with information about the statistics provider to be queried |
The format of the JSON object parameters
depends on the provider type that is queried, and is described separately for
each provider in the next section.
Example
[
{
"provider": {
"identifier": "a-statistics-provider"
},
"parameters": {
"resourceId": "93213324-5d29-428d-bbfd-369a2bae6700"
}
},
{
"provider": {
"identifier": "a-timeseries-provider"
},
"parameters": {
"resourceId": "23413432-5a15-328e-aafe-562a2bae6800",
"from": "2019-04-10T13:45:32Z",
"to": "2019-04-12T00:00:00Z",
"dataResolution": "daily"
}
}
]
Response
200 (OK)
: A (potentially empty) list of query results is returned as a JSON array containing JSON objects
400 (BAD REQUEST)
: The request was not valid
| Field name | Type | Description |
|---|---|---|
provider |
property |
A JSON object describing the statistics provider as described below |
parameters |
property |
A JSON object describing the query parameters |
data |
property |
A JSON object containing the query result |
Here, a statistics provider JSON object has the following fields:
| Field | Type | Description |
|---|---|---|
identifier |
string |
The unique identifier of the provider |
type * |
string |
The type of the provider |
resourceType |
string |
The resource type of the provider |
Note that the format of data is implied by the type of the statistics provider.
Example
[
{
"provider": {
"identifier": "a-statistics-provider",
"type": "someType",
"resourceType": "episode",
},
"parameters": {
"resourceId": "93213324-5d29-428d-bbfd-369a2bae6700"
},
"data": {
"value": "1"
},
{
"provider": {
"identifier": "a-timeseries-provider",
"type": "timeseries",
"resourceType": "episode",
},
"parameters": {
"resourceId": "23413432-5a15-328e-aafe-562a2bae6800",
"from": "2019-04-10T13:45:32Z",
"to": "2019-04-12T00:00:00Z",
"dataResolution": "daily"
},
"data": {
"labels": ["2019-04-10T13:45:32Z", "2019-04-11T00:00:00Z", "2019-04-12T00:00:00Z"],
"values": [20, 100, 300],
"total": 420
}
]
Time Series Statistics Provider
Time Series Statistics Providers (type = timeseries) support some well-defined parameters and deliver a well-defined data format.
Parameters:
| Field name | Type | Description |
|---|---|---|
resourceId |
string |
The technical identifier of the resource the data relates to |
from |
datetime |
Start of time period this query relates to |
to |
datetime |
End of time period this query relates to |
dataResolution |
string |
hourly , daily , monthly or yearly (as described by provider) |
Query Result Data Field:
| Field name | Type | Description |
|---|---|---|
labels |
array[datetime] |
The dates of the measurement points |
values |
array[integer] |
The values of the measurement points |
total |
integer |
The sum of all values |


If two lines through the origin have direction cosines a,b,c and d,e,f, then the angle x between them has:
cos(x)=ad+be+cf.


Seasonality are predictable situations that recurry every calendar year. We are
showing 7 trades which
happen one after the other – and lead
into recurring
profits over the last 10 years.
| Stock name | Start date | Start price | End date | End price | Profit | Profit % | Capital |
|---|---|---|---|---|---|---|---|
| Netflix | 2015-01-02 | 49.85 | 2015-01-29 | 63.4 | 13.55 | 27.18% | 12,718 |
| 1-800-Flowers.com | 2015-01-30 | 7.89 | 2015-02-17 | 10.75 | 2.86 | 36.25% | 17,328 |
| Sunesis Pharmaceuticals Inc | 2015-02-17 | 133.8 | 2015-03-09 | 131.4 | -2.40 | -1.79% | 17,018 |
| Volkswagen AG | 2015-03-23 | 225.98 | 2015-04-29 | 227.3 | 1.32 | 0.58% | 17,117 |
| Alphabet | 2015-06-08 | 526.83 | 2015-07-22 | 662.1 | 135.27 | 25.68% | 21,512 |
| NIKE Inc. | 2015-07-31 | 53.87 | 2015-09-28 | 57.4 | 3.53 | 6.55% | 22,921 |
| Microsoft Inc. | 2015-10-02 | 41.31 | 2015-11-06 | 49.78 | 8.47 | 20.50% | 27,620 |
| Netflix | 2016-01-04 | 109.96 | 2016-01-29 | 91.84 | -18.12 | -16.48% | 23,069 |
Seasonality are predictable situations that recurry every calendar year. We are
showing 7 trades which happen one after the other – and lead
into recurring
profits over the last 10 years.
Netflix did rise between January 2nd and January 29th by average profit of 17.99% percent and had only 1 loss in 2016
1-800-Flowers.com did rise between January 30th and February 14th by average profit of 1 14.99% percent and had only 1 loss in 2018
Sunesis Pharmaceuticals Inc did rise between February 18th and March 9th by average profit of 14.99% percent and had only 1 loss in 2015
Volkswagen AG did rise between March 23rd and April 29th by average profit of 14.99% percent
Alphabet did rise between June 8th and July 22nd by average profit of 14.99% percent
NIKE Inc. did rise between July 31st and September 28th by average profit of 8.99%percent and had only 1 loss in 2017
Microsoft Inc. did rise between October 2nd and November 6th by average profit of 9.99% percent and had only 1 loss in 2018


{% extends 'trustee/base.html' %} {% load static %} {% block content %}
“Madrasa Parvaz-ul-Uloom For Women” established on “17-03-2019” under the management of “Uqaab Charitable & Educational Trust” with an objective to impart ILM DEEN exclusively for women. This organization gives a great opportunity for women who want to gain sufficient knowledge in ILM DEEN and Sharia by offering MUQARRIRA & AALIMA course providing exposure to TAFSIR-E-QURAN(interpretation of Quran; in simple words, explain the text of Quran as is), HADEES - E – NABVI, TAJWEED & FIQH(Islamic jurisprudence. In simple words, it deals with acts of Muslim that includes worship and daily life actions).
In today’s modern & digital world where we are running towards gathering wealth and materialistic happiness, it becomes very vital to learn and understand ILM DEEN correctly. Currently, we come across several Muslim men as Hafiz-e-Quran, Maulvi’s etc. everywhere talking and debating about Islam and sharia. We have many Muslim women in almost all economic fields today, but we hardly have handful of Muslim women who are rightly knowledgeable and capable to answer any queries raised regarding Islam and Sharia, due to which question’s raised by common women go unanswered and unheard. This is also a major factor behind why our Muslim women today get lured easily towards misconception, misinterpretation, misreading and misbelief about Islam and Sharia. Therefore, the main objective and motive of this organization is to bring the reality and actuality of Islam and Sharia by preaching ILM DEEN.
MADRASA PARVAZ-UL-ULOOM is offering MUQARRIRA (speaking skills about Islam & Sharia) course. As part of this course, our women will be exposed to TAFSIR-E-QURAN (interpretation of Quran; in simple words, explain the text of Quran as is), HADEES-E-NABVI & FIQH (i.e., Islamic jurisprudence. In simple words, it deals with acts of Muslim that includes worship and daily life actions). At the end of this course, our women will gain enough knowledge and proficiency about Islam and Sharia, Insha Allah.
Classes have already begun from April and are currently in Progress .Alham du lillah women are actively taking part in learning Urdu, Naazra, Tafseer-e Quran, Tajweed,Fiqh and Hadees .
To join us and support this beautiful initiative, please Click Here and we will get back to you


| Product | Unit Price | Quantity | Total | ||
|---|---|---|---|---|---|
| Cariera T-Shirt | $29.99 |
|
$59.98 | ||
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|
$19.99 | ||
| Cart Subtotal | $79.97 |
| Shipping | Free Delivery |
| Total | $79.97 |


RICOCHET-T-T-T-T-T-T
Love is the drug.
by Judy HelfrichWe’re racing through the streets, leaping over people slumped on sidewalks and spilling from cars, and all I can think is I can’t remember where we’re going when I slam into Neven.
My belly tightens in a tourniquet of dread. That’s what they all say. Right before the fugitive bio-nanites, lab escapees hiding out in all our brains, go berserk. Oops, the researchers had said. We didn’t foresee the whole airborne thing. The lung-transference thing. The brain-breach thing. Sorry about that.
“Neven!” His gaze is vacant. Preoccupied.
He collapses.
“No!” I shake him wildly. We’d held out for so long. Why now? He’s staring up at a print taped inside the window of a store: Escher’s iconic drawing of hands drawing themselves. My mind cramps. Hands drawing themselves drawing hands drawing themselves drawing hands —
ricochet
The thought rebounds inside my mind, faster and faster, scything through my memories. I clutch my head. I need to go … somewhere. Do … something. I hug Neven. “Please wake up. You said you’d never forget me. That you forgive me.” Because the ricochet, it’s —
All my fault.
Inexplicably, my memories flood back. I swallow. After the infestation, while governments scrambled, while the world held its collective breath, I’d reasoned the nanites were, fundamentally, computers, and did what any self-respecting programmer would do.
I wrote an app for that.
Oh my God.
I race towards my apartment, because that’s where we were heading. That’s where I can fix it. Fix Neven.
Oh Lord. What did you do? I’d only wanted to find my soulmate, that’s all. So I wrote a dating app. Used myself as a beta tester. Hacked the nanites and instructed them to find my perfect match. Neven. But to fulfil that directive, they evaluated everyone. Signed up everyone. Networked everyone. And spread the ricochet.
Anguish pours into my blood, and I stumble. Don’t leave him. Go back. GO BACK. I shriek and collapse, every muscle a knot of agony. Dear God, WHAT IS THIS? But I know.
My app exploited the bio-nanites’ access to love’s secret sauce: chemistry. Biochemistry. Hormones, pheromones, neurotransmitters; the nanites not only matched couples who were compatible, they were biochemically compatible. Relationships shattered as old married couples and newlyweds alike abandoned their current partners for their perfect match. That’s why the streets were so clogged. They were frantic to be with their newfound loves. Because the nanites forced everyone into a state of biochemical withdrawal until they were.
The state I’m in now.
My withdrawal fades as I rush back to Neven.  “RUN, GODDAMMIT!” I yell, and he does.
We burst into my apartment; who needs locks when everyone’s a vegetable? Come to think of it, why are you the last ones standing? I wish I knew.
The holographic blocks of code I left up, they’re utterly foreign. Dear Jesus, I can’t remember how to program —
“It ricochets.”
Neven. My heart freezes. I find him in the bathroom, staring into the side panel of the trifold mirror reflecting his reflection reflecting his reflection —
ricochet
It’s never-ending, like hands drawing themselves drawing hands —
ricochet
ricochet
It’s also familiar. Why? I squeeze my temples as Escher’s hands loop, as the mirrors recurse through my mind — wait. Recursion. That’s why it’s familiar. It’s like that — thing I do on computers. Coding. Sometimes I’d inadvertently write a program that called itself, looped over and over, recursed into infinity-y-y —
ricochet
ricochet
ricochet-t-t-t
But most systems have built-in programs to limit recursion. Otherwise the code continuously executes itself until the system runs out of memory.
I freeze.
Runs out of memory.
As in the ricochet effect.
The nanites. They’re computers without recursion limits. The moment someone thinks of recursion, the nanites use up the brain’s resources to follow that recursion into infinity-y-y-y—
ricochet
And my networked app allows the recursion to spread.
Oh, God. It’s hopeless. I have to think of recursion to fix the ricochet-t-t-t —
ricochet
ricochet-t-t
I squeeze my eyes closed as my heart pounds, my mind on the abyss of the ricochet-t-t-t-t-t-t-t-t-t —
But you held out, dammit. Why?
Don’t know — little computers — in my head — eating my memory —
ricochet-t-t-t-t-t-t-t-ttttttttttttt
No use — everyone succumbs — a world of sleeping beauties —
Sleeping beauty awakened.
My eyes snap open.
Neven woke — when I kissed him. Why?
ricochet-t-t-t-t-t-t-t-tttttttttttttttttt
My memories came back — when I hugged him. Why?
ricochet-t-t-t-t-t
Because love — it’s like —
A drug.
Biochemicals.
I hold Neven close, kiss him tenderly, and the ricochet recedes. Those butterflies I feel, they’re really oxytocin, dopamine, serotonin. The biochemicals of love. Maybe they drug the bio-nanites. Slow the recursion. Free up memory. Am I the last one standing because I was the beta tester? The first one to reach my biochemical soulmate, to pump out love’s biochemicals? Maybe the nanites learnt from me. Tried to force soulmates together to … produce enough biochemicals to medicate themselves out of the recursion.
Maybe I can drug the nanites by thinking of Neven.
I flick the holographic display and frantically start coding —
ricochet
I love you. That’s what Neven said when we first heard about — the bad memory thing. I’ll never forget you. My fingers fly over the interface. C’mon, c’mon —
ricochet-t-t-ttttttttttt
But he did forget me and so did I because who is this man? If only I could remember his name — rhymes with seven heaven nevennnnnnnnnn-n-n-n-n-n
Oh, God, upload —
ricochet
RICOCHET-T-T-T-T-T-T-T
RICOCHET-T-T-T-T-T-T-T-T-TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT
————
———
——
—
I open my eyes.
Neven. He’s smiling. “I told you I’d never forget you.”
Love’s biochemicals flood my brain, and I swear I hear the nanites sigh.
The story behind the story: RICOCHET-T-T-T-T-T-T
Judy Helfrich reveals the inspiration behind her latest tale.
I know just enough about programming to be dangerous. This point was driven home one day when I inadvertently introduced an infinite recursive loop into my code. For those not familiar with a recursive loop, it occurs when a program calls itself, over and over, and loops endlessly. The only thing stopping it from running forever and using up the server’s memory are built-in recursion limits (no doubt designed with people like yours-truly in mind).
While I was fussing with my code, trying to fix my goof, a random thought occurred to me: what if people didn’t have recursion limits? Because although some of us tend to be obsessive, *waves*, we do have the option to just not think about certain things, if we so choose (pink elephants notwithstanding). But what if limitless recursion ‘infected’ the human population? And how could that happen? There would have to be some sort of vector, something combining biology and technology, something that could spread from person to person, like a virus. Bio-nanites (microscopic cyborgs, if you will) seemed both a terrifying possibility and a fun way to torture characters, and if there’s one thing writers love, it’s torturing characters.
But sometimes writers do go soft and opt for a happily-ever-after. And what makes humans happy? You might say love, but I say dopamine. Our brains are junkies programmed to seek a biochemical reward, and things like love are simply the delivery method. Cupid’s arrow is actually the brain’s ventral tegmental area pumping out dopamine in response to a potential mate. And if biochemicals such as dopamine can make humans drunk on love, maybe they could make the bio-nanites tipsy enough to interfere with the execution of their code. A sort of biochemical recursion limit.
Well, it seemed quite a challenge to cram all those concepts into a flash story, but I went ahead and wrote it anyway, because of course writers also love to torture themselves.
doi: 10.1038/d41586-019-03538-9


“I love to see a young girl go out and grab the world by the lapels.
  And for her,
that meant be your own person, be independent.”
—Ruth Bader Ginsburg


Image Functions
HPDF_Image_GetSize
#include
"apdf.h"
HPDF_Point
HPDF_Image_GetSize (HPDF_Image image);
HPDF_Point
HPDF_Image_GetSize (HPDF_Image image);
Description
HPDF_Image_GetSize() gets the size of the image of an image object.Parameter
imageThe handle of an image object.
Returns
When HPDF_Image_GetSize() succeed, it returns a HPDF_Point struct which includes the size of the image. Otherwise, it returns a HPDF_Point struct whose value is (0, 0).HPDF_Image_GetWidth
#include
"apdf.h"
HPDF_UINT
HPDF_Image_GetWidth (HPDF_Image image);
HPDF_UINT
HPDF_Image_GetWidth (HPDF_Image image);
Description
HPDF_Image_GetWidth() gets the width of the image of an image object.Parameter
imageThe handle of an image object.
Returns
When HPDF_Image_GetWidth() succeed, it returns the width of the image. Otherwise, it returns 0.HPDF_Image_GetHeight
#include
"apdf.h"
HPDF_UINT
HPDF_Image_GetHeight (HPDF_Image image);
HPDF_UINT
HPDF_Image_GetHeight (HPDF_Image image);
Description
HPDF_Image_GetHeight() gets the height of the image of an image object.Parameter
imageThe handle of an image object.
Returns
When HPDF_Image_GetHeight() succeed, it returns the height of the image. Otherwise, it returns 0.HPDF_Image_GetBitsPerComponent
#include
"apdf.h"
HPDF_UINT
HPDF_Image_GetBitsPerComponent (HPDF_Image image);
HPDF_UINT
HPDF_Image_GetBitsPerComponent (HPDF_Image image);
Description
HPDF_Image_GetBitsPerComponent() gets the number of bits used to
describe each color component.Parameter
imageThe handle of an image object.
Returns
When HPDF_Image_GetHeight() succeed, it returns the number of bits. Otherwise, it returns 0.HPDF_Image_GetColorSpace
#include
"apdf.h"
const char*
HPDF_Image_GetColorSpace(HPDF_Image image);
const char*
HPDF_Image_GetColorSpace(HPDF_Image image);
Description
HPDF_Image_GetColorSpace() gets the name of the image's color space.Parameter
imageThe handle of an image object.
Returns
When HPDF_Image_GetColorSpace() succeed, it returns the following values. Otherwise, it returns NULL.- "DeviceGray"
- "DeviceRGB"
- "DeviceCMYK"
- "Indexed"
HPDF_Image_SetColorMask
#include
"apdf.h"
HPDF_STATUS
HPDF_Image_SetColorMask (HPDF_Image image,
HPDF_UINT rmin,
HPDF_UINT rmax,
HPDF_UINT gmin,
HPDF_UINT gmax,
HPDF_UINT bmin,
HPDF_UINT bmax);
HPDF_STATUS
HPDF_Image_SetColorMask (HPDF_Image image,
HPDF_UINT rmin,
HPDF_UINT rmax,
HPDF_UINT gmin,
HPDF_UINT gmax,
HPDF_UINT bmin,
HPDF_UINT bmax);
Description
HPDF_Image_SetColorMask() sets the transparent color of the image by
the RGB range values.The color within the range is displayed as a transparent color.
The Image must be RGB color space.
Parameter
imageSpecify the handle of an image object.
rmin
The lower limit of Red. It must be between 0 and
255.
rmaxThe upper limit of Red. It must be between 0 and
255.
gminThe lower limit of Green. It must be between 0
and 255.
gmaxThe upper limit of Green. It must be between 0
and 255.
bminThe lower limit of Blue. It must be between 0
and 255.
bmaxThe upper limit of Blue. It must be between 0
and 255.
Returns
When HPDF_Image_SetColorMask() succeed, it returns HPDF_OK. Otherwise it returns error code and an error-handler will be invoked.Error
HPDF_INVALID_IMAGEAn invalid image handle was set.
HPDF_INVALID_COLOR_SPACEAn image other than RGB color was specified.
HPDF_FAILD_TO_ALLOC_MEMMemory Allocation Failed.
APDF_INVALID_PARAMETER An invalid value is specified.
HPDF_Image_SetMaskImage
#include
"apdf.h"
HPDF_STATUS
HPDF_Image_SetMaskImage (HPDF_Image image,
HPDF_Image mask_image);
HPDF_STATUS
HPDF_Image_SetMaskImage (HPDF_Image image,
HPDF_Image mask_image);
Description
HPDF_Image_SetMaskImage() sets the mask image. Parameter
imageSpecify the handle of an image object.
mask_imageSpecify the handle of an image object which is
used as image-mask. This image must be 1bit gray-scale color image.
Returns
When HPDF_Image_SetMaskImage() succeed, it returns HPDF_OK. Otherwise it returns error code and an error-handler will be invoked.Error
HPDF_INVALID_IMAGEAn invalid image handle was set.
HPDF_INVALID_BIT_PER_COMPONENTAn invalid bit-per-component.
HPDF_FAILD_TO_ALLOC_MEMMemory Allocation Failed.


Password Strength Checker
Show Password
Password has:
At least 8 characters
At least 1 lowercase letter
At least 1 uppercase letter
At least 1 numerical number
At least 1 special character


Pharmacy Service (NHS): Chlamydia screening and treatment - Abbotswood Pharmacy
- Index letter:
- A
- Deliverer:
-
Abbotswood Pharmacy
- Parent:
- NHS England – South (South West)
- ODS Code:
- FEE95
- Service Type:
- Pharmacy Service (NHS): Chlamydia screening and treatment (SRV0267)
- Address:
-
- 38 Abbotswood
- Yate
- Bristol
- BS37 4NG
- Telephone:
- 01454 313193
- Gp referral Required:
- False
- Geographic coordinates:
-
- Longitude (degrees):
- -2.42412424087524
- Latitude (degrees):
- 51.529125213623
- ClinicalService:
-


Previously:
Internships:
Tonight is a cozy night, alone. I've decided to describe a project I've been thinking about for a few months.
Provision Kubernetes, Docker and development sandboxes in the browser. Collaborate with a shared IDE, realtime terminal and document collaboration.
Created a distributed cache with ECC that used 58% of the memory of a cache built leveraging Raft.
Studied distributed systems from MIT's 6.824 and error correcting codes (ECC).
Peer to peer screensharing
Vote on a Spotify priority queue and listen to the highest priority track with others.
Capture web page changes and recieve notifications.


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A short write up on our ideal company projects.
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EASTER THURSDAY
Entrance Antiphon
They praised in unison your conquering hand, O Lord, for wisdom opened mouths that were mute and gave eloquence to the tongues of infants, alleluia.
Collect
O God, who have united the many nations in confessing your name, grant that those reborn in the font of Baptism may be one in the faith of their hearts and the homage of their deeds. Through our Lord...
FIRST READING Acts 3:11-26
A reading from the Acts of the Apostles
In those days: While the lame man who had been
cured clung to Peter and John, all the people ran together to them in the
portico called Solomonís, astounded. And when Peter saw it he addressed the
people, "Men of Israel, why do you wonder at this, or why do you stare at
us, as though by our own power or piety we had made him walk? The God of
Abraham and of Isaac and of Jacob, the God of our fathers, glorified his
servant Jesus, whom you delivered up and denied in the presence of Pilate, when
he had decided to release him.  To this we are witnesses. And his name, by faith in
his name, has made this man strong whom you see and know; and the faith which
is through Jesus has given the man this perfect health in the presence of you
all. "And now, brethren, I know that you acted in ignorance, as did also
your rulers. But what God foretold by the mouth of all the prophets, that his
Christ should suffer, he thus fulfilled. Repent therefore, and turn again, that
your sins may be blotted out, that times of refreshing may come from the
presence of the Lord, and that he may send the Christ appointed for you, Jesus,
whom heaven must receive until the time for establishing all that God spoke by
the mouth of his holy prophets from of old.   And it shall be that every soul that
does not listen to that prophet shall be destroyed from the people.' And all
the prophets who have spoken, from Samuel and those who came afterwards, also
proclaimed these days. You are the sons of the prophets and of the covenant
which God gave to your fathers, saying to Abraham, 'And in your posterity shall
all the families of the earth be blessed.' God, having raised up his servant,
sent him to you first, to bless you in turning every one of you from your
wickedness."
The word of the Lord.
RESPONSORIAL PSALM Psalm 8:2ab and 5.6-7a.7b-9 (R. 2ab)
R. O Lord, our Lord, how majestic is your name through all the earth!
Or: Alleluia!
O LORD, our Lord, how majestic is your name through
al the earth! What is man that you should keep him in mind, the son of man that
you care for him?
R. O Lord, our Lord, how majestic is your name through
all the earth!

R. O Lord, our Lord, how majestic is your name through
all the earth!
You put all things under his feet, all of them,
sheep and oxen, yes, even the cattle of the fields, birds of the air, and fish of
the sea that make their way through the waters.
R. O Lord, our Lord, how majestic is your name through
all the earth!
The
sequence is optional on the weekdays of the Octave of Easter.
ALLELUIA Psalm 118:24
R. Alleluia. This is the day the Lord has made; let us rejoice in it and be glad. R. Alleluia.
GOSPEL Luke 24:35-48
A reading from the holy Gospel according to Luke
At that time: The two disciples told what had
happened on the road to Emmaus and how Jesus was known to them in the breaking
of the bread. As they were saying this, Jesus himself stood among them, and
said to them, "Peace to you." But they were startled and frightened,
and supposed that they saw a spirit. And he said to them, "Why are you
troubled, and why do questionings rise in your hearts? See my hands and my
feet, that it is I myself; handle me, and see; for a spirit has not flesh and
bones as you see that I have." And when he had said this, he showed them
his hands and his feet. And while they still disbelieved for joy, and wondered,
he said to them, "Have you anything here to eat?" They gave him a
piece of broiled fish, and he took it and ate before them. Then he said to
them, "These are my words which I spoke to you, while I was still with
you, that everything written about me in the law of Moses and the prophets and
the psalms must be fulfilled." Then he opened their minds to understand
the scriptures, and said to them, "Thus it is written, that the Christ
should suffer and on the third day rise from the dead, and that repentance and
forgiveness of sins should be preached in his name to all nations, beginning
from
The Gospel of the Lord.
Prayer over the Offerings
Graciously be pleased, O Lord, to accept the sacrificial gifts we offer joyfully both for those who have been reborn, and in hope of your increased help from heaven. Through Christ our Lord.
Communion Antiphon
O chosen people, proclaim the mighty works of him, who called you out of darkness into his wonderful light, alleluia.
Prayer after Communion
Hear, O Lord, our prayers, that this most holy exchange, by which you have redeemed us, may bring your help in this present life and ensure for us eternal gladness. Through Christ our Lord.


{% extends "common/base_site.html" %} {% load i18n static %}{% load humanize %} {% block content_title %}
Thanks for spending some quality time with the web site today.
{% trans 'Log in again' %}


Binance is a rapidly growing exchange for trading cryptocurrency and it listed STEEM around two weeks ago. This article is written for the newbies to teach them how to start trading on Binance using the STEEM they earned on Steemit.
Step 1: Log in to your Binance account
Of course, the first thing to do is to log in to your own Binance account. If you still do not have a Binance account, you can sign up for a new Binance account here.
Step 2: Find out your STEEM deposit address and memo
Click “Deposits” under “Funds” Menu item, and it will open up the following page:
Select STEEM as the deposits coin. Your STEEM deposit address and MEMO will show up after clicking “I understand. Continue”. Remember it’s necessary to include your MEMO when you send your STEEM to Binance. Please note that Binance’s STEEM address is @deepcrypto8, but not @binance.
Step 3: Transfer your STEEM to the deposit address with the required memo
Since SBD is not available for trading in Binance, you will need to buy STEEM with your SBD from the internal market on Steemit, in case you don’t have any STEEM. However, I do not recommend you to power down any Steem Power because keeping Steem Power is a wise investment choice.
Simply transfer the STEEM to the your Binance deposit address with the required MEMO.
Step 4: Sell your STEEM to obtain Bitcoin
Your STEEM almost arrives IMMEDIATELY after you send your STEEM to Binance. Now look for “STEEM/BTC” under “BTC Markets” on Binance.
After entering the price and amount, place an order to sell your STEEM and get Bitcoin.
Step 5: Shopping Time!!!
Now you have your own Bitcoin, and you can buy any coins you like from the markets under “BTC Markets”.
There is currently a 70% discount on trading fees on Binance till Feb 24.
There are a lot of potential coins on Binance, start your cryptocurrency trading journey and enjoy it. :) If you don’t know which cryptocurrency to buy, you can read my blogs. I always blog about different cryptocurrency. Although they are only available in Chinese language, you can still make use of Google Translate to get a rough idea. LOL Thanks for reading.
This page is synchronized from the post: ‘Beginner’s Guide: How to use STEEM to buy cryptocurrency on Binance?’


WOO A film review by Steve Rhodes Copyright 1998 Steve Rhodes
RATING (0 TO ****): * 1/2
With the mark of true talent, Jada Pinkett Smith, who was Eddie Murphy's girlfriend in the recent remake of THE NUTTY PROFESSOR, manages to shine in the otherwise dismal movie WOO. With her infectiously happy smile, the beautiful actress has enough spunk and confidence to rise above the material. Although not quite enough to make the movie enjoyable, her performance does give some respite to the audience, who has to endure every black and male stereotype in the book.
As the movie opens, a sexy and mini-skirted Woo (Smith) sashays down a busy Manhattan sidewalk. Men left and right trip and fall as they gawk at her. She is going to get advice on how to find her Mr. Right from her transvestite psychic named Celestrial. As Celestrial, a performer known as Girlina overacts like the rest of the supporting cast.
With only the knowledge of his zodiac sign, Woo sets off to find her man. When a blind date named Tim, played by the wholesome-looking Tommy Davidson from BOOTY CALLS, turns out to have the good fortune to have been born in the right time frame, she figures she has her man. After a scene in which Tim practices various come-on lines to arouse who he thinks will be a reluctant date, she walks into his apartment, sticks a joint in his mouth and starts taking off his pants. And this all happens in the initial two minutes after she first meets him.
Much of the movie is devoted to Tim's three sexist buddies, played by Duane Martin, Darrel Heath, and Michael Ralph. They make catcalls at every woman they see.  Think ANIMAL HOUSE on steroids.
As written by David C. Johnson and directed by Daisy von Scherler Mayer, the picture, with its heavy slapstick, feels lifted from some raunchy cable sitcom with a heavy laugh track. No gesture is too crude to include and no situation too cliched. When Tim takes Woo to a fancy restaurant, you could predict that someone will soon slip and fall resulting in a big food fight, and you'd be right. And when Tim tries to light some incense in his bathroom, you know something will catch on fire - this time it's the toilet paper roll.
Although most of the jokes go nowhere, one that does work involves Tim's prize possession, his car, which is guarded with all kinds of anti-theft devices. He returns from a nightclub to beep the car open, only to find that, like the Cheshire cat, all that is left in the street is a trace - the car's beeper. It still beeps back even the object it was protecting is gone forever.
"This is funny; this is funny," Tim tells Woo at one point. "This is funny?" she queries. "What does that mean?" She doesn't know, and neither did the makers of this movie.
WOO runs just 1:25. It is rated R for profanity and sexual situations and would be fine for older teenagers.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Issues
| # | Summary | Product | Status | Kind | When |
|---|---|---|---|---|---|
| 886 |
#691 |
Synergy Advance | closed | bug | |
| 874 |
Requesting ability to disable or hide the 'iTunes status: not playing' message |
Synergy | open | feature request | Created , updated |
| 873 |
Wiki tag search, tag#show, and (non-scoped) tag#search should sort by date |
wincent.com | closed | feature request | Created , updated |
| 859 |
will not start on log in |
Synergy | closed | support ticket | |
| 858 |
Hextrapolate 2.0 quits on Leopard |
Hextrapolate | open | bug | Created , updated |
| 821 |
Move "random" button set option from "Advanced" tab to "Menu Bar" tab |
Synergy | open | feature request | Created , updated |
| 818 |
Broken blockquote tags when immediately following blockquote shorthand |
wikitext | closed | bug | Created , updated |
| 817 |
Add option for disabling indentation |
wikitext | closed | feature request | Created , updated |
| 805 |
Album Covers are not downloaded after Leopard |
Synergy | open | bug | Created , updated |
| 735 |
synergy quits unexpectedly |
Synergy | closed | support ticket | Created , updated |


Hi. I'm Eshwar Seerdat
I am a software developer that lives in New York City. I am knowledgeable in HTML, CSS, JavaScript and Python. I have been learning to code for two years now, and I know how hard it can be to start learning something that is different than anything you've tried before. But learning to code has taught me that you can learn anything if you're willing to put in the extra work especially when things get hard.
About Me
After getting my GED I was trying to find a field of study that I would like to get into and start a career in. My friend then told me that since I like playing with computers that I should use that as a foundation to find a career path. I then found out about coding and building websites. So I applied for a coding bootcamp and fell in love with it. Although it wasn't easy I decided that this is what I wanted to do.
My favorite part about coding is fixing bugs and getting a program to work how it was intended to. To me, there is no better feeling than that. I am excited to work on a team of programmers and learn from them as well as offer my skills in HTML, CSS, and JavaScript. Outside of coding some of my favorite hobbies are exercising and staying active, reading a good book, and playing video games.
Portfolio
decoder-ring Project
The purpose of this application is that it takes a message and encrypts it or takes an encrypted message and decodes it. There are three methods for encrypting messages, the caesar, polybius and substitution cyphers. Built using HTML, CSS and JavaScript.
Munder Difflin Store
The purpose of the website is to build a company landing page using HTML and CSS
Pig Game
This application is a two player game where the first person to get a score of 100 is the winner. Be careful though if you roll a one then it will be the next players turn. The game was built using HTML, CSS and JavaScript.


Video Streaming
Toggle Grayscale
Toggle Resolution
Toggle Autofocus
Reset Focus
Increase Focus
Decrease Focus
Toggle Light
Take Snapshot
Start Capture
Date
File Name
{% for entry in pictures %}
{{ entry.date }}
{{ entry.fileName }}
{% else %}
No pictures yet
{% endfor %}


--- title: Harmonic Representation of Rotational Functions sidebar: documentation_sidebar permalink: SO3FunHarmonicRepresentation.html folder: documentation toc: false ---
Similarly as periodic functions may be represented as weighted sums of sines and cosines a rotational function \(f\colon \mathcal{SO}(3)\to\mathbb C\) can be written as a series of the form
\[ f({\bf R}) = \sum_{n=0}^N \sum_{k,l = -n}^n \hat f_n^{k,l} \, \mathrm{D}_n^{k,l}({\bf R}) \]
with respect to Fourier coefficients \(\hat f_n^{k,l}\) and the so called Wigner-D functions \(D_n^{k,l}\).
There exists various normalizations for the Wigner-D functions. In MTEX they are \(L_2\) normalized, which means
\[\| D_n^{k,l} \|_2 = 1\]
for all \(n,k,l\). For more information take a look on Wigner-D functions and Integration of SO3Fun's.
We construct an arbitrary ODF which generally is an SO3Fun:
{% highlight matlab %} mtexdata dubna odf = calcODF(pf,'resolution',5*degree,'zero_Range') {% endhighlight %} {% highlight plaintext %} pf = PoleFigure (xyz) crystal symmetry : Quartz (321, X||a*, Y||b, Z||c*) h = (02-21), r = 72 x 19 points h = (10-10), r = 72 x 19 points h = (10-11)(01-11), r = 72 x 19 points h = (10-12), r = 72 x 19 points h = (11-20), r = 72 x 19 points h = (11-21), r = 72 x 19 points h = (11-22), r = 72 x 19 points odf = SO3FunRBF (Quartz → xyz) multimodal components kernel: de la Vallee Poussin, halfwidth 5° center: 19848 orientations, resolution: 5° weight: 1 {% endhighlight %}Now we may transform an arbitrary SO3Fun into its Fourier representation using the command SO3FunHarmonic
{% highlight matlab %} f = SO3FunHarmonic(odf,'bandwidth',32) {% endhighlight %} {% highlight plaintext %} f = SO3FunHarmonic (Quartz → xyz) isReal: true bandwidth: 32 weight: 1 {% endhighlight %}Within the class SO3FunHarmonic
rotational functions are represented by their complex valued Fourier coefficients which are stored in the field fun.fhat
. They are stored in a linear order, which means f.fhat(1)
is the zero order Fourier coefficient, f.fhat(2:10)
are the first order Fourier coefficients that form a 3x3 matrix and so on. Accordingly, we can extract the second order Fourier coefficients by
As an additional example lets define a harmonic function by its Fourier coefficients \(\hat f_0^{0,0} = 0.5\) and \(\hat f_1 = \begin{array}{rrr} 1 & 4 & 7 \\ 2 & 5 & 8 \\ 3 & 6 & 9 \\ \end{array}\)
{% highlight matlab %} f2 = SO3FunHarmonic([0.5,1:9]') plot(f2) {% endhighlight %} {% highlight plaintext %} f2 = SO3FunHarmonic (xyz → xyz) bandwidth: 1 weight: 0.5 {% endhighlight %}The Fourier coefficients \(\hat f_n^{k,l}\) allow us a complete characterization of the rotational function. They are of particular importance for the calculation of mean macroscopic properties e.g. the second order Fourier coefficients characterize thermal expansion, optical refraction index, and electrical conductivity whereas the fourth order Fourier coefficients characterize the elastic properties of the specimen.
Moreover, the decay of the Fourier coefficients is directly related to the smoothness of the SO3Fun. The decay of the Fourier coefficients might also hint for the presents of a ghost effect. See Ghost Correction.
The decay of the Fourier coefficients is shown in the plot
{% highlight matlab %} close all; plotSpektra(f) {% endhighlight %}In order to define an ODF by it Fourier coefficients \({\bf \hat{f}}\), they has to be given as a literally ordered, complex valued vector of the form
\[ {\bf \hat{f}} = [\hat{f}_0^{0,0},\hat{f}_1^{-1,-1},\ldots,\hat{f}_1^{1,1},\hat{f}_2^{-2,-2},\ldots,\hat{f}_N^{N,N}] \]
where \(n=0,\ldots,N\) denotes the order of the Fourier coefficients.
{% highlight matlab %} cs = crystalSymmetry('1'); % crystal symmetry fhat = [1;reshape(eye(3),[],1);reshape(eye(5),[],1)]; % Fourier coefficients odf = SO3FunHarmonic(fhat,cs) plot(odf,'sections',6,'silent','sigma') {% endhighlight %} {% highlight plaintext %} odf = SO3FunHarmonic (1 → xyz) antipodal: true isReal: true bandwidth: 2 weight: 1 {% endhighlight %}


'3BlackChicks Review...'
PROOF OF LIFE (2000) Rated R; running time 135 minutes Genre: Drama Seen at: Celebration Cinema (Lansing, Michigan) Official site: http://www.proofoflife.com/ IMDB site: http://us.imdb.com/Details?0228750 Written by: Tony Gilroy (based on an article by William Prochnau) Directed by: Taylor Hackford Cast: Meg Ryan, Russell Crowe, David Morse, David Caruso, Pamela Reed, Wolframio Benavides, Michael Kitchen, Daniel Lugo, Mario Sanchez, Pietro Sibille
Review Copyright Rose Cooper, 2000 Review URL: http://www.3blackchicks.com/bamsproof.html
You Know Your Movie's In Trouble When...the normally stoic David Caruso is the most lively person on screen.
The Story (WARNING: **spoilers contained below**): Peter Bowman (David Morse), an Engineer for a multinational oil company trying to build a well (as cover for their ultimate goal: to build an oil pipeline which just so happens to be on the same lines as a drug field), is kidnapped by the ELT, a South American Rebel Faction that is more interested in "earning" money than in political gain. After the company which sent Peter to that country fails to support Peter in his time of need, international kidnap and ransom agent Terry Thorne (Russell Crowe), Terry's friend and partner, Dino (David Caruso), and Peter's wife Alice (Meg Ryan), work closely together to try and bring Peter safely home. So closely together, in fact, that Terry starts developing Feelings for Alice.

The Upshot: The thing I hate most about yellowlight-worthy flicks is that while there's not a lot *good* to point out within them, there's also nothing so irreparably and completely *bad* about them that they won't give *somebody* the idea to rant at me about why I keep Picking On their Star Du Jour. I'd druther have strong feelings about a movie, one way or another, that would allow me to vigorously defend my stance to said ranter.
One positive thing PROOF OF LIFE had going for it, admittedly, was one of the best character actors working today. In the limited screen time he had, David Morse as the kidnapee, far outclassed the rest of the field; his was the only character of the bunch that I gave two figs about coming out alive.
Meg Ryan's Damsel In Distress, in the person of Alice Bowman, at least had the good graces to not be the same airheaded so-and-so Ryan seemed so eager to play as a young Hollywood actress. Indeed, her Alice was reminiscent of one of Ryan's strongest characters yet, the tough-as-nails Military Chick in COURAGE UNDER FIRE; Alice even *cries* like Ryan's "Courage" character. Which is to say, Alice had a very Been There, Done That feel to her. And though Crowe must still be riding high from the success of GLADIATOR from earlier this year, he apparently decided to play it safe in a minimally-defined role that might've been much more interesting had it been more fully fleshed-out.
Of the supporters, Wolframio Benavides (as Juaco, the Hot-Headed Rebel) and Morse shared a few interesting moments as a captor and his willful captive; unfortunately, those moments weren't allowed enough room to breathe and grow into a full-fleged Defining Event for either of the actors or their characters. Of the remaining main supporters, Pamela Reed was far too screechy as Peter's older sister; and Caruso - who I so dearly loved as Detective Kelly in his infamous NYPD BLUE role - *very* quickly wore out his wildly-overacting welcome in a questionably humorous supporting part.
The direction and writing was as unremarkable as the South American scenery was beautiful; drop Stallone's "Rambo" in that jungle, maybe you'd have a more thrilling (if not Meaningful) story. The most irritating thing about "Proof" is that it took forever to get to an easily-anticipated Point that could've been more quickly achieved with well more than half of it edited out. My husband said it best when he, uncharacteristically, left the theater to get a pop refill - and wasn't very concerned about what he might miss in doing so.
The "Black Factor" [ObDisclaimer: We Are Not A Monolith]: I don't think I've had a "Latino Factor" yet. To be honest, I don't know if I'm qualified to address their Issues, especially not those concerning [insert Latin/South American country here]'s Drug Trafficking Problem. Hell, I'm not really even sure what the proper terminology used to address those who my fellow Americans once blindly grouped as "Mexicans", would be ("Hispanic"? "Latino"? Or as I've commonly heard in the vernacular lately, "Brown"?)
I'd be more than happy to Lend This Space to someone more knowledgeable of the LF than myself. While you're at it, I'd like to know if it's Just Me, or is anyone else tired of the brunt of the blame for the consequences of America's War On [Some] Drugs, being laid entirely at the feet of [insert Latin/South American country here], with no blame being assigned to the War On [Some] Drugs itself?
Bammer's Bottom Line: Sounds like a "Jeopardy" category...
[Contestant]: "I'll take 'Proof Of Life' for $200, Alex" [Alex]: "It's our first Daily Double! The answer: 'What paramedics were checking for after catatonic-looking audience members left the new movie starring Russell Crowe and Meg Ryan...'"
PROOF OF LIFE (rating: yellowlight): PROOF OF LIFE committed the unforgivable act of boring me to death.
Rose "Bams" Cooper Webchick and Editor, 3BlackChicks Review Movie Reviews With Flava! Copyright Rose Cooper, 2000 EMAIL<EMAIL_ADDRESS>http://www.3blackchicks.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The following extracted signature information is displayed:
Signer:
Usually the name of the signer.
Used key:
Here you get information about the key type and key length of the used key. Furthermore the date of key generation is shown.
Signature algorithm: Beside the signature algorithm you find the information which hash algorithm was used.
Signature:
The signature is a number computed by the signature algorithm. It can be displayed in octal, decimal or hexadecimal number base or it can be displayed in binary format (hex dump plus ascii code).
Signed message:
And finally you get the signed message.
Using the button Verify, you can open the dialog
Verify signature to verify the extracted signature.


- Pragmatic curried functions
- Common functional primitives
- Consistent type signatures
Download now
Node: Browser:funkierJS is the functional Javascript library I always wanted. XXX
Pragmatic curried functions
Functional languages like Haskell support curried functions.


Website must be responsive. That means the clouds must cover left to right, 100% of the whole screen, no matter the screen size.
☀clouds - keyframe linear animation. Left to right at different timing.
☀content - keyframe alternate animation. Up down different timing. Opacity fade-in on page load.
Art drawn with Autodesk Sketchbook, © Starcloud.
Click the switch button. Image and background color must continuously switch 1, 2, 3, 1, 2, 3...
☀ If you have transform property in both the animation and the selector, they will conflict and the animation will be given the priority.
☀ "Cloud" is a class selector in this case. Therefore to have the javascript effective for the image swap, make sure to have the function execute for the number of images. Also note that to have javascript catch elements such as "body", need the [0] to function properly.
☀ Add some margin-bottom to give the scrollbar a break!


|
Red
Hot Chili Peppers
|
|
|
By
The Way
|
1.
By The Way
2. Universally Speaking 3. This Is The Place 4. Dosed 5. Don't Forget Me 6. The Zephyr Song 7. Can't Stop 8. I Could Die For You 9. Midnight 10. Throw Away Your Television 11. Cabron 12. Tear 13. On Mercury 14. Minor Thing 15. Warm Tape 16. Venice Queen |
|
|
|
|
Californication
|
1.
Around The World
2. Parallel Universe 3. Scar Tissue 4. Otherside 5. Get On Top 6. Californication 7. Easily 8. Porcelain 9. Emit Remmus 10. I Like Dirt 11. This Velvet Glove 12. Savior 13. Purple Stain 14. Right On Time 15. Road Trippin' |
|
|
|
|
Blood
Sugar Sex Magik
|
1.
The Power Of Equaluty
2. If You Have To Ask 3. Breaking The Girl 4. Funky Monks 5.  I Could Have Lied 7. Mellowship Slinky In B Major 8. The Righteous & The Wicked 9. Give It Away 10. Blood Sugar Sex Magik 11. Under The Bridge 12. Naked In The Rain 13. Apache Rose Peacock 14. The Greeting Song 15. My Jovely Man 16. Sir Psycho Sexy 17. They're Red Hot |


|
The token is used in an "Authorization" header with the `workGenerate` mutation. If you are using Pippin, simply add BPOW_KEY to your environment with the generated token.
Send HTTP post requests to https://boompow.banano.cc/graphql with the following body.
mutation($hash:String!, $difficultyMultiplier: Int!) {
workGenerate(input:{hash:$hash, difficultyMultiplier:$difficultyMultiplier})
}
Difficulty multiplier begins at 1, which is Nano's receive difficulty and Banano's difficulty. 64 is equivalent to Nano's send difficulty.
|


This is #target0. Click and hold here to capture a pointer and to set the pointer ID for the buttons below.
Use the buttons to release a capture that does not exist or to schedule a capture relase in 2 seconds.
Check the console log for details.
Release Capture on #target0 with Pointer ID: N/A
Release Capture on #target0 with Pointer ID: N/A in 2 seconds.


Styled Progress Bar
Published:
Last updated:
Cross-browser styling for the HTML progress bar.
Pattern Demo
Pattern Details
Pattern Markup
<label for="tasks_comp2">
Tasks Completed:
<progress class="progress-bar"
id="tasks_comp2"
value="50" max="100"></progress>
</label>
<span id="file_status2">
File Uploaded:
</span>
<progress class="progress-bar"
aria-labelledby="file_status2"
value="70" max="100"></progress>
<progress class="progress-bar"
aria-label="Delivery Status"
value="80" max="100"></progress>
Unlike many other form elements, a progress
element is read-only, and the progress bar is modified by the completion of tasks by a user, or the application itself.
A task can refer to user flows, like a user's current progress in a sign up flow, or a task being performed by an application, or server. For example, using a progress bar to indicate the application updating after a form submission, or indicating the progress of a file upload within an application's UI.
For indicating the state of a finite gauge, such as available diskspace, a meter
would be more semantically appropriate.
Styling a progress
element
The progress
element has support in all modern browsers, including Internet Explorer. The only catch to styling it is it requires the use of vendor prefixed selectors. Though, compared to the range
element, there aren't that many to worry about.
Largely the prefixed selectors to be concerned with are the following:
::-webkit-progress-bar
- Setting the background style for Webkit
::-ms-fill
- Style for progress indicator in MicroSoft browsers
::-moz-progress-bar
- Style for progress indicator in Firefox
::-webkit-progress-value
- Style for progress indicator in webkit browsers
Additionally there are the ::-webkit-progress-inner-element
and :indeterminate
selectors. But they are not used for the styled progress
elements shown here.
Affects on Screen Reader Announcements?
Even though the progress
element has good accessibility support and feature implementation, not all screen readers have full support for the element, and styling a progress
element can have detrimental affects in some instances.
Note: progress bars are not meant to be focusable elements, so the following tests were performed with the virtual cursor.
- JAWS 2018, 2019 + Internet Explorer 11
-
A styled or unstyled
progress
element is not announced when using JAWS with Internet Explorer.JAWS will read the visible text next to the progress bar, but will skip over the progress bar when navigating with the virtual cursor.
- JAWS 2018, 2019 + Firefox 63, 65.0.2
-
A styled or unstyled
progress
element is announced the same way when using JAWS with Firefox.The virtual cursor first stops on the visible label of the progress bar and announces the content. The virtual cursor then announces the progress bar and it's current value,
##% progress bar.
.When retesting with JAWS 2019 and Firefox 65.0.2, a progress bar will not announce an accessible name provided by an
aria-label
. - JAWS 2018, 2019 + Chrome (latest)
-
Unstyled progress bars do not announce their accessible name, and styled progress bars convey no information at all.
- NVDA 2018.4.1 + Firefox 65.0.2
-
When NVDA virtual cursor focuses a styled progress bar with an accessible name provided by a
label
, NVDA will announce:First stop is the label element:
Clickable [Accessible name]
Second stop is the progress element:
progress bar ##%
When NVDA virtual cursor focuses a styled progress with an accessible name from
aria-labelledby
oraria-label
, NVDA will announce:[Accessible name (from aria labeling method)], progress bar ##%
- NVDA 2018.2.1 + Chrome (latest at time of testing)
-
When NVDA virtual cursor focuses a styled or unstyled progress bar with an accessible name provided by a
label
, NVDA will announce:[Accessible name (from visible label)], progress bar [Accessible name]
If an accessible name is provided by an
aria-label
oraria-labelledby
then NVDA will ignore the current value and announce the accessible name in place of the value.[Accessible name (if there's a visible label)], progress bar [Accessible name (from
aria-label
oraria-labelledby
)]The current value of the progress bar is not announced
- NVDA 2018.4.1 + Chrome (72)
-
Similar to 2018.2.1, the primary difference is that now styled progress bars will announce as "half checked", regardless of what their actual value is.
- VoiceOver + Safari 13.1.2 on macOS Catalina
-
An unstyled progress bar will receive its accessible name from a
<label>
element. If styled, the association between the label and the progress indicator will break, resulting in the progress bar having no accessible name.If using
aria-label
oraria-labelledby
to add an accessible name to a styled progress bar, it will be announced as a "group". A user will then need to navigate into the named "group" to hear the "progress indicator" role and value announcement.Previous results
VoiceOver + Safari 11.1.1 on macOS High Sierra
VoiceOver + Safari 12.0.3 on macOS Mojave
Styling progress bars causes their announcement with VoiceOver to be altered and result in more VO focus stops for a user. A styled progress bar will no longer recognize its accessible name from a
label
. If using anaria-label
oraria-labelledby
with a progress bar, VoiceOver will announce the element as agroup
. A user will then need to enter the "group" to hear the accessible name and current value of the progress bar. An unstyled progress bar has no "group" announcements, regardless of how the accessible name is applied to the progress bar.A styled progress bar, with a visible
label
, will be announced as:Focus stop 1:
[Accessible name (visible
label
)]
Focus stop 2:## percent, progress indicator
A styled progress bar, with an
aria-labelledby
, will be announced as:Focus stop 1:
[Accessible name (visible
label
)]
Focus stop 2:[Accessible name], group
Focus stop 3:## percent, progress indicator
Focus stop 4:end of [Accessible name], group
A styled progress bar, with an
aria-label
, will be announced as:Focus stop 1:
[Accessible name], group
Focus stop 2:[Accessible name], ## percent, progress indicator
Focus stop 3:end of [Accessible name], group
Note that VoiceOver + Chrome doesn't fair much better, as styled progress bars do not become groups, but are announced as "indeterminate progress indicator" regardless of their set
value
. - VoiceOver + Safari on iOS 11.4, 12.1.4, 14.4.2
-
Regardless of if they are styled or not, VoiceOver does not announce the role of a progress bar when it receives VO focus.
Unstyled progress bars will announce their accessible name and current value if they are swiped to with VoiceOver enabled. If using a
<label>
element to provide the progress bar its accessible name, VoiceOver will purposefully skip over the text label and instead directly focus the progress bar and announce its name and value as a single VO focus stop.In contrast, styled progress bars will not behave as described above, even if they are properly associated with a
<label
. Rather VO will announce the label and the progress value as separate swipe stops. A<progress>
can be forced to announce an accessible name, by giving it anaria-label
, however this will oddly make the element unable to be discovered when searching by touch (i.e., dragging your finger around the screen to move VO focus).A styled progress bar, with a visible label, will be announced as:
Focus stop 1:
[Accessible name (visible text)]
Focus stop 2:##%
A styled progress bar, with an
aria-label
, will be announced as (when swiped to):[Accessible name], ##%
An unstyled progress bar with an associated
<label>
will be announced as:[Accessible name], ##%
- TalkBack (Android Accessibility Suite 6.2) + Android Chrome
-
TalkBack has no issues with announcing the accessible name of a progress bar, however regardless of a progress bar being styled or not, TalkBack paired with Chrome does not announce the current value of a progress bar.
Usage note:
Though the progress
element is largely reporting the correct information to browsers, screen readers have quite a few kinks in how they announce the element to users.
At the time of testing, a styled progress bar won't be fully accessible in all screen reader and browser pairings. Instead it may be more appropriate to simply treat the progress bar as a visual decoration, hide it from screen readers, and provide visually hidden text as a means to consistently convey the information.


You do not have access to this page
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- MYESF Admin
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Email an approver at your organisation to request a sub-service for your account.


{% include head.html %}
{{ site.title }}
Blog
Drupal
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{% if site.analytics_id %} {% endif %}
Please enable JavaScript to view the
comments powered by Disqus.


GitHub results on "protractor-http-mock" inline:
{{d.name}}
GitHub results on "protractor-http-mock" param:
{{d.name}}


---
layout: post
title: "Things every project needs"
date: 2009-02-20
comments: false
---
I'm reviewing my checklists right now. I just came across one that I'd like some help with. It's called "Things every project needs", and it currently has this:
- TODO system (e.g. specs, trackers, text file, bzr difftodo)
- Version control
- List of dependencies
- One step build
- One step build-and-run-tests
- One step build-and-run
- One step build-docs (API, testdoc, general docs, sphinx)
- Version information
- License
I hope you see the sort of thing I mean. I mean things you have to do (or at least think about) when starting any software project.
Can you think of anything to add?
Mailing list
Wiki
Here's a few more though.
- Documented build-run-tests-upload-release. (Maybe this is why you need build-and-run-tests? I still disagree that it absolutely must be one step.)
- Documented release announcement procedure. (Unlikely to get this down to one step though because there are many places to announce a project, not all of them belong to you.) Basically, this document.
Releasing should be done early and often. Therefore, it must be easy.


Need some fun in the sun? Then take a trip to the stars and visit Los Angeles, California!
But don’t just go straight to Hollywood. The sprawl of this city can be intimidating. Visitors
are often overwhelmed and stuck seeing nothing but the fake movie sets barely covering the growing
homelessness crisis.
Dive deeper to visit the artistic epicenter that made Los Angeles what it is today. From the beaches
on the Westside near Santa Monica to the hippest coffee shops in town on the east-side, discover
the magic that lies within each unique neighborhood.
Silver Lake, Echo Park, and Los Feliz make up a cultural tri-fecta on the eastside of the city. With
dozens of boutique music venues drawing major acts into intimate settings, or discovering the next
big thing, there’s always something to do in this favorite haunt for the creative spirit in LA.
Visit Pasadena in the foothills of the San Gabriel mountains to catch a game at the famous Rose-Bowl
stadium. Better yet, head over to Lucky Boy for their world famous breakfast burrito!
Take a hike through the Griffith Observatory and catch sunset from one of the best views at the top.
Your friends will never believe there was so much greenery to be found in Los Angeles.
And yes, if you really need to, you can visit Hollywood too!


Alesis D4 and DM5
Single Patch Editor
This patch editor works on the Alesis D4 and DM5 drum synthesizers.
Important DM5 Note: I have not personally tested on the DM5. Importantly, I do not know if changing a drum sound in Edisyn will always set the right drum sound on your unit in real-time. For example, changing to Kick 85 (Tribal) might [I'm just making this up now] change your unit to Kick 84 (Cuban) or Kick 86 (Steak). This could happen for certain drum sounds but not for others due to mathematical bugs in Alesis's NRPN handling. Please let me know if you find inconsistencies and I will work with you to fix them.
Communicating with Edisyn
Set the MIDI Channel to the same channel as Edisyn is using, or to OMNI. Set Controllers to on. Set Program Change Enable ("Prog Change") to ON. Use the standard Program Change table, that is, one which maps program change events 0...20 directly to drumsets 0...20.
About the DM5 Checkbox
The DM5 checkbox changes the drumsets from D4 to DM5 style. The DM5 has completely different and more drums than the D4. If you have set a drum to a high value and then switched back to D4 style, the drum number will be out of range and will get reset to 0 (Big "O").
The button also effects what happens when you create a new patch editor. Depending on the current setting of this button, when a new patch editor is created, it will load a different default patch (the D4 or DM5 drumset 0 respectively).
The button may also be automatically pressed if you load a D4 or DM5 patch from your unit or from disk.
About Drum Names
Drum names take the form Type Number Name. The types can be any of (K)ick, (S)nare, (C)ymbal, (T)om, (P)ercussion, (E)ffect, and (R)andom. Within a drum type there are some number of drums. On the D4 numbers start with 1, but on the DM5 numbers start with 0.
About the Test Note
The test note is initially middle C. If you modify a parameter in drum sound, that drum sound's current note becomes the new test note. This note also becomes the note played when the unit's Preview button is pressed.
Gotchas
- All drum parameters and the drum root note can be updated in real-time, more or less, but not triggers (nor the patch name).
- The Fine tuning is in cents and is added to the coarse tuning (in semitones). Keep in mind that if the coarse tuning is negative, then this addition will look like a subtraction, that is, the fine tuning will move the coarse tuning back towards zero.
- There are errors in the printed and online DM5 Sound Chart. There are two entries for Percussion #43: the one called "Screech" does not exist, and is actually Effect #43. Also, Effect #4 was omitted: it is called "Meddle".
Thanks
Thanks to Chis Adams for his assistance in working out kinks in the DM5.
| By
| Sean Luke
|
| Date
| May 2020
|


Before Change
from .parallel import _init_pool
pool = _init_pool(n_jobs)
assert pool
// the ctx manager will close and remove the processes, so we have to start new ones every time...
with pool:
res = pool(task_iter)
// if n_jobs=1 don"t invoke the pool, but directly dispatch the iterator
After Change
from pathos.multiprocessing import Pool as Parallel
pool = Parallel(processes=n_jobs)
args = list(task_iter)
if progress_reporter is not None:
progress_reporter._progress_register(len(estimators), stage=0, description="estimating %s" % str(estimator.__class__.__name__))
from pyemma._base.model import SampledModel
for a in args:
if isinstance(a[0], SampledModel):
a[0].show_progress = False
def callback(_):
progress_reporter._progress_update(1, stage=0)
with pool:
res_async = [pool.apply_async(_estimate_param_scan_worker, a, callback=callback) for a in args]
res = [x.get() for x in res_async]
// if n_jobs=1 don"t invoke the pool, but directly dispatch the iterator
else:
res = []


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|
WireIt | ||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
Object | +--WireIt.Container
WireIt.Container
Defined in Container.js
| Field Summary | |
Object |
bodyEl
Body element |
Object |
config
Main config object
|
Object |
dd
|
Object |
ddResize
|
Object |
el
Container DOM element |
Object |
eventAddWire
Event that is fired when a wire is added You can register this event with myTerminal.eventAddWire.subscribe( function(e,params) {} , scope); |
Object |
eventRemoveWire
Event that is fired when a wire is removed You can register this event with myTerminal.eventRemoveWire.subscribe( function(e,params) {} , scope); |
Object |
layer
the WireIt.Layer object that schould contain this container |
Object |
terminals
List of the terminals |
Object |
wires
List of all the wires connected to this container terminals |
| Constructor Summary | |
WireIt.Container(<Object> config, <WireIt.Layer> layer)
|
| Method Summary | |
WireIt.Terminal
|
addTerminal(terminalConfig)
Instanciate the terminal from the class pointer "xtype" (default WireIt.Terminal) |
Object
|
getConfig()
Return the config of this container. |
void
|
initTerminals(terminalConfigs)
Call the addTerminal method for each terminal configuration. |
void
|
onAddWire(<Event> event, <Array> args)
This method is called when a wire is added to one of the terminals |
void
|
onCloseButton()
Called when the user clicked on the close button |
void
|
onMouseDown()
Called when the user made a mouse down on the container and sets the focus to this container (only if within a Layer) |
void
|
onRemoveWire(<Event> event, <Array> args)
This method is called when a wire is removed from one of the terminals |
void
|
onResize(event, args)
Function called when the container is being resized. |
void
|
redrawAllWires()
Redraw all the wires connected to the terminals of this container |
void
|
remove()
Remove this container from the dom |
void
|
removeAllTerminals()
Remove all terminals |
void
|
removeFocus()
Remove the class that shows the container as "focused" |
void
|
render()
Render the dom of the container |
void
|
setBody(content)
Sets the content of the body element |
void
|
setFocus()
Adds the class that shows the container as "focused" |
| Field Detail |
Object bodyEl
Object config
Object dd
Object ddResize
Object el
Object eventAddWire
Object eventRemoveWire
Object layer
Object terminals
Object wires
| Constructor Detail |
WireIt.Container(<Object> config, <WireIt.Layer> layer)
config
- Configuration object (see properties)
layer
- The WireIt.Layer (or subclass) instance that contains this container
| Method Detail |
WireIt.Terminal addTerminal(terminalConfig)
Object getConfig()
void initTerminals(terminalConfigs)
void onAddWire(<Event> event, <Array> args)
event
- The eventAddWire event fired by the terminal
args
- This array contains a single element args[0] which is the added Wire instance
void onCloseButton()
void onMouseDown()
void onRemoveWire(<Event> event, <Array> args)
event
- The eventRemoveWire event fired by the terminal
args
- This array contains a single element args[0] which is the removed Wire instance
void onResize(event, args)
void redrawAllWires()
void remove()
void removeAllTerminals()
void removeFocus()
void render()
void setBody(content)
String
- or DomEl} content
void setFocus()
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This is a sample Pecan project.
Instructions for getting started can be found online at pecanpy.org
To get an idea of how to develop applications with Pecan, here is a simple form:
%inherit file="layout.html" />
## provide definitions for blocks we want to redefine
<%def name="title()">
Welcome to Pecan!
%def>
## now define the body of the template
This is a sample Pecan project.
Instructions for getting started can be found online at pecanpy.org
To get an idea of how to develop applications with Pecan, here is a simple form:


Any DataObject produces a renderable object that contains data as well as attributes for rendering.
All DataObject's have a relatively high object count, various strategies were suggested in the "White Paper" to reduce the object count of an application.These DataObjects are all pre-made macros of DataObject's, DataObjectNoTexture's and DataObjectLite's that can be used to build lite applications. These macros require Developers Edition of AVS/Express and come with no user interface.
Input Ports
For the "DO_" objects (DataObject)
Name Type Description in ... The data to be rendered. This can be any group that includes the following subobjects: GDxform_templ xform; // Transform.
method render; // Render method
texture_in ... ... texture_col_in ... Optional input to the DefaultTexture object. texture_in is the texture-map data. texture_col_in is a colormap, which you include when the texture-map data is byte data rather than RGB. child_objs ... Optionally one or more objects to be children of this object. Multi-level object hierarchies can be built in this manner. For the "DO_NT_" and "DO_LITE_" objects (DataObjectNoTexture and DataObjectLite)
Name Type Description in ... The data to be rendered. This can be any group that includes the following subobjects: child_objs ... Optionally one or more objects to be children of this object. Multi-level object hierarchies can be built in this manner. Description
Reducing the object count of an application is the thing most likely to speed up the loading and running of an application. This is one of a library of utility macros designed to reduce the object count.
These are all AVS/Express macros which as such require no compilation. Most applications are produced with AVS/Express Developers Edition and these macros also require AVS/Express Developers Edition. They contain no UI so that the developer has as much freedom as possible.
A DataObject has a high object count and this is a utility library of DataObject's with Datamaps that can be used to reduce the object count, either directly or by allowing the use of a ViewersLite macro.
Many modules have a DataObject module if this occurs just before a viewer then by altering the datamap here the colour of the final image can be specified. The Data Object can be pared down removing unwanted functions in a variety of ways and the appropriate data map added directly or a selection of data maps added to the Data Object.
DataObject's are all prefixed with "DO_"
DataObject_NoTexture's are all prefixed with "DO_NT_"
DataObject_Lite's are all prefixed with "DO_LITE_"
Of these the DataObject have the highest object count, then the DataObject_NoTexture and the DataObject_Lite has the lowest count.
Many other properties of an object can be altered through the DataObject rather than through the view or scene, this again will reduce the size of the application. For example the object can be removed from a scene by putting a toggle on the parameter DataObject.Obj.visible and the transparency can be altered by connecting DataObject.Props.trans to a slider.
These techniques remove the necessity of the user having to select any of the objects in the viewer to be the current select object to alter the Datamap.
Input Ports
As above.Output Ports
obj
The renderable object that can be connected directly to a Graphics Display Kit viewer.
These macros are all variations of the AVS/Express standard macros DataObject, DataObjectNoTexture and DataObjectLite.
An example application EgViewLite is provided, which shows how some of these DataObjects have been used in conjunction with the module templates DVorthoslice_unif and DViso to produce a renderable object with selected datamap.
This example also demonstrates the use of DataObjects altered so the Datamap can be selected and ViewersLite.
xp_comm_proj/viewlite/vl_macs.v contains all the DataObject macros discussed here as well as the macros Datamap_Switch, DO_Dmap_Switch, DO_NT_Dmap_Switch, DO_LITE_Dmap_Switch, View3DMinimal, View3D_TrackObj, View3D_TrackAll3, View2DMinimal, View2D_TrackObj, View2D_TrackAll3, ViewMinimal, View_TrackObj, View_TrackAll3 and an example EgViewLite.
The macros can be acessed through the XP_COMM_PROJ library in the Templates library or through one of four libraries DataObjects_apps, Views3DLite, Views2DLite and UViewsLite all of which are in the Misc sub-library IAC library area.
The example EgViewLite can also be acessed through the IAC library but is located in the Examples sub-library.
J Leng Manchester Visualization Centre
Paul G. Lever
DataObject, Datamap_Switch, the DataObjects "_Dmap_Switch", and the viewers lite 3D, 2D and Universal "Minimal", "_TrackObj" and "_TrackAll3".


Wayland Client API
1.16.0
Related Pages
Here is a list of all related documentation pages:
[detail level
1
2
]
▼
The wayland protocol
wl_display
wl_registry
wl_callback
wl_compositor
wl_shm_pool
wl_shm
wl_buffer
wl_data_offer
wl_data_source
wl_data_device
wl_data_device_manager
wl_shell
wl_shell_surface
wl_surface
wl_seat
wl_pointer
wl_keyboard
wl_touch
wl_output
wl_region
wl_subcompositor
wl_subsurface
Generated on Thu Sep 6 2018 13:02:11 for Wayland Client API by
1.8.13