Federal infrastructure push: Monaro Highway work to start early
by Sally Whyte, Katie BurgessUpgrades to the Monaro Highway will be fast-tracked, with the federal and ACT governments bringing forward funding to improve the major arterial road.
As part of Prime Minister Scott Morrison's $3.8 billion spend on road and rail projects, $30 million of the $100 million already promised for Monaro Highway upgrades has been brought forward to be spent in the 2020-21 financial year.
The ACT government had matched its federal counterpart's $100 million promise, and will also push forward $15 million to be spent in 2020-21.
The work, that will now start in 2020-21, includes upgrading intersections between Johnson Drive in the south up to the Alexander Maconochie Centre, with the aim to allow a consistent speed limit of 100 kilometres per hour from Johnson Drive to Hindmarsh Drive.
Intersections at Isabella Drive and Lanyon Drive are set to be removed under the plan, with that stretch of road likely to be the first to start under the new spending.
The project's current proposed completion date is at the end of 2025, unchanged with Monday's announcement.
MONARO HIGHWAY UPGRADE - WHAT YOU NEED TO KNOW:
- Federal government to spend $30 million in 2020-21;
- ACT government to spend $15 million in 2020-21;
- Works will remove intersections between Johnson Drive and the Alexander Maconochie Centre; and
- A northbound overtaking lane between Royalla Drive and Williamsdale Road will be finished early next year.
"By bringing funding forward, we can get on with our infrastructure commitments like the Monaro Highway upgrade which will cut travel times and increase road safety while driving more jobs in the ACT," Prime Minister Scott Morrison said.
Acting chief minister Yvette Berry said the federal funding announcement was welcome.
"The ACT government has agreed to bring forward $15 million of its contribution to allow the first $45 million of major works to commence construction in the 2020-21 financial year and receiving the Australian government funding sooner will better support planning and expedite construction for the jointly funded project," she said.
Ms Berry also announced that a one kilometre-long overtaking lane northbound between Royalla Drive and Williamsdale Road is expected to be finished before the 2020 ski season.
READ MORE:
- New Monaro Highway upgrade option cuts through solar park, nature reserve
- PM open to bringing forward funding for ACT projects
ACT Senator Zed Seselja said he was "thrilled" the funding had been brought forward.
Monday's announcement is a swift turnaround in relations between the ACT and federal governments, after Ms Berry accused the federal Coalition of ignoring the ACT when it came to infrastructure spending.
"The Liberal government simply doesn't care about Canberrans," Ms Berry said in a release on Thursday.
"The Liberal government has no plan to support jobs for Canberrans and no plan to support our community."
The ACT government was in the dark on an announcement as recently as Saturday, but animosity has been put aside to push forward the funding for the Monaro.
The cash injection is the government's bid to boost the economy, with low growth and wages causing headaches for the Prime Minister, who is unwilling to sacrifice the promised budget surplus despite Labor's calls for economic stimulus.
"This will support the economy in two ways - by accelerating construction activity, supporting jobs in the near term and by reaping longer term productivity gains sooner," Mr Morrison said in a speech to the Business Council of Australia on Wednesday.
Mr Morrison said the government would not be panicked into unnecessary spending.
"A panicked reaction to contemporary challenges I believe, would amount to a serious misdiagnosis of our economic situation and our great opportunities."
Just the one project will be fast-tracked in the ACT, with promised projects for the Barton Highway and William Slim Drive to continue on their existing timetables.


Chinatown Citizenship
English
US History
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Textbook
Textbook Download (教科书下载)
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Click the following links to download the worksheets.
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(1 - 20)
Vocabulary Sample Questions & Answers
(21 - 53)
What is America?
Colonial Period
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Updated Questions – Part 1
Updated Questions – Part 2


Amazon Elastic Container Service TaskDefinition PortMapping
PortMappings
is a property of the Amazon Elastic Container Service TaskDefinition ContainerDefinition property that maps
a container port to a host port.
Syntax
JSON
{ "ContainerPort" :
Integer
, "HostPort" :Integer
, "Protocol" :String
}
YAML
ContainerPort:
Integer
HostPort:Integer
Protocol:String
Properties
For more information about each property, see Task Definition Parameters in the Amazon Elastic Container Service Developer Guide.
ContainerPort
-
The port number on the container bound to the host port.
Required: Yes
Type: Integer
HostPort
-
The host port number on the container instance that you want to reserve for your container. You can specify a non-reserved host port for your container port mapping, omit the host port, or set the host port to
0
. If you specify a container port but no host port, your container host port is assigned automatically .Don't specify a host port in the
49153
to65535
port range; these ports are reserved for automatic assignment. Other reserved ports include22
for SSH,2375
and2376
for Docker, and51678
for the Amazon Elastic Container Service container agent. Don't specify a host port that is being used for a task—that port is reserved while the task is running.Required: No
Type: Integer
Protocol
-
The protocol used for the port mapping. For valid values, see the
protocol
parameter in the Amazon Elastic Container Service Developer Guide. By default, AWS CloudFormation specifiestcp
.Required: No
Type: String


FEATURED BLOG: March 2017
10 golden rules to help you take care of your skin on an everyday basis.
Some habits are essential in order to care for your skin and have a radiant complexion all year long.
Rule 1
Specific care for each skin type
In order to take care of and respect your skin, first and foremost make sure to choose products specially designed for your skin type. Dry skin does not have the same needs as oily skin.
Rule 2
Pay special attention to fragile areas
Some parts of your face (eye contour, lips, etc.) have particularly fine, fragile skin. They need specific care, especially the eye contour and the lips. These areas of your face are more sensitive and deserve special attention.
Rule 3
Gentle cleansing
Taking care of sensitive skin begins with make-up removal. In order not to stress your skin and to respect its natural balance, make sure to use a pH-neutral make-up remover, specially formulated to cleanse your epidermis gently.
Rule 4
Eyes: a risk area
The eye contour skin is ten times finer than the skin on the rest of the face. Choose a specific routine for make-up removal in this area.
Rule 5
Exfoliation is indispensable
Use a suitable exfoliation treatment once or twice a week. It must be effective yet gentle and respectful. Choose a pH-neutral exfoliation product, which is perfect for smoothing and purifying the skin while respecting its natural balance.
Rule 6
Moisturizing is essential
The dermis is made up of 70% water and the epidermis, 15%. In order to keep the skin well moisturized, it is important to choose daily moisturizing skin care products that balance the level of water within the skin. You may also use a moisturizing mask regularly, removing the excess with a spring water spray.
Rule 7
Preferably hypoallergenic make-up
To avoid the risk of allergies linked to the use of products that are not suited to your skin, choose hypoallergenic make-up specially formulated to meet the needs of all skin and eye types, even sensitive skin.
Rule 8
Sun protection
Whatever the season, choose daily skincare products that include solar filters. They reduce the harmful effects of the sun, which accelerates skin ageing.
Rule 9
Watch out for external stress
Pollution, smoke, stress. All these have harmful effects on the skin. Use skincare products to protect your skin against these daily stresses before leaving the house and cleanse your skin thoroughly when you come home in the evening.
Rule 10
Don't neglect the lips
As soon as you feel the need, use a restorative cream for the lips. Do not hesitate to reapply to this particularly fragile area as often as necessary.
Credits to : laroche-posay


Waypoints
| name | lat | lon | ele | cmt | desc |
|---|
Tracks
| name | desc | distance | Avg elevation | Max elevation | Min elevation | Positive elevation difference | Negative elevation difference |
|---|
Routes
| name | desc | distance | Avg elevation | Max elevation | Min elevation | Positive elevation difference | Negative elevation difference |
|---|


Bayswater City joins Powerchair Premier League
by Kristie LimBAYSWATER City Soccer Club is aiming to make the game “accessible for all”, starting with the launch of its first Powerchair football team.
Powerchair football is a modified version of football for electric wheelchair users played between teams of four in a gymnasium.
The sport originated in France in the 1970s.
The club has four players who will be playing in the WA Powerchair Premier League season, which starts in February.
It joins Floreat Athena in the competition.
Vice-president Oriano Colli said it was a fantastic opportunity for the club to form a partnership with the WA Powerchair Association and help progress the format in WA.
“Being involved in powerchair football represents our club’s ambition to ensure the beautiful game is accessible to all,” he said.
“This initiative, along with some other great initiatives that our club will be launching soon, will look to complete the club’s vision to have a pathway at Bayswater for all willing participants.”
Mr Colli said powerchair football was an expensive sport largely funded by participants, sponsors and grants.
“These specialised chairs can cost from $15,000 to $25,000, so it is vitally important that we as a community do our very best to get behind these fantastic initiatives.”
WA Powerchair Football Association head coach Justin Lattaway said the association was excited to have one of the top National Premier Leagues WA clubs get involved.
“This partnership aligns with our aim of becoming a more professional sports organisation, as well as increasing our community involvement and awareness,” he said.
“We are really hoping to add to that already existing rivalry between the two clubs (City and Athena), which will increase the competitiveness and standards of our competition as a whole.
“Currently we only have eight players involved, which is enough for the two teams but with no substitutes. We want to build that up to have substitutes and even to introduce a third team.”
Lattaway said the sport was growing in WA, with athletes competing in the national competition and a club championship in Sydney.
“Our WA star player in Rebecca Evans recently represented the Australian under-21s Poweroos side in the Asia Pacific Oceania Cup,” he said.
He said the association was in the process of applying for grants to get club ‘Strikeforce’ chairs, which could pass, shoot and spin kick the oversized ball.
“This will allow new recruits to jump in and experience the adrenalin pumping sport of powerchair football,” he said.
City will play Athena in the season opener on February 23 at Loftus Recreation Centre, Leederville.


Please select your Arweave key file
Key file starts with your wallet address ends with
.json
by default.
Go to Arweave website for more information about Arweave and get an small balance of 1 AR to your wallet.
This application allows you to share your flight data on the flight feed, also you can view your previous flights with this permaweb application.
Please select your Arweave key file
Key file starts with your wallet address ends with
.json
by default.
Your flight details will be public and will stored forever.


Powerful filter and sorting mechanisms help you getting only the relevant data, pagination included. Let the Jet Daemon do the heavy work and save bandwidth.
Your Data is JSON. The API is JSON. Everything is traveling over WebSockets.
Jet Daemon can be very easily integrated into your server environment. Any Webserver is suitable, since the WebSocket communication optionally may use another port than your webserver.
"Dont call us. We call you!". Strictly publish/subscribe based mechanisms at work. Stay in sync when states or methods gets added, removed or changed.
Powerfull things kept simple. Complete Javascript for Browser implementation has less than 700 lines of code and is less than 9k in production.
Runs very nice on RaspberryPi-class SoCs. Jet was designed as a realtime configration and status Bus for embedded devices.


interface LightWalletService
Service for interacting with lightwalletd. Implementers of this service should make blocking calls because async concerns are handled at a higher level.
getBlockRange |
Return the given range of blocks. abstract fun getBlockRange(heightRange: IntRange): List<<ERROR CLASS>> |
getLatestBlockHeight |
Return the latest block height known to the service. abstract fun getLatestBlockHeight(): Int |
shutdown |
Cleanup any connections when the service is shutting down and not going to be used again. abstract fun shutdown(): Unit |
submitTransaction |
Submit a raw transaction. abstract fun submitTransaction(spendTransaction: ByteArray): <ERROR CLASS> |
LightWalletGrpcService |
Implementation of LightwalletService using gRPC for requests to lightwalletd. class LightWalletGrpcService : LightWalletService |


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SatanDespite everything that seems obvious about human nature, it took the species a surprisingly long time to come up with someone to blame for its own failings.Satan is a modern concept, as concepts go, dating back only to about the 3rd century B.C., when humanity woke up and realized that
a) The only way to understand people who disagree with you is to characterize them as unmitigated evil, and Satan appears in the Torah at a fairly early point, but not as we know him today. In the Old Testament, Satan is sort of the John Ashcroft of God's administration, an unpleasant figure who nevertheless works within the system. His first major supporting role comes in the Book of Job, when he prosecutes the title character with a series of hardships as part of God's anti-sin initiative. Other older references to Satan are equally ambiguous about his role. Around 400 B.C., however, people realized that there were political benefits to demonizing the disenfranchised, and the idea of an embodiment of pure evil became expedient. By the time of Christ, the notion was quite popular, and the teachings of Jesus are full of colorful anecdotes and aphorisms that helped cement the status of Satan as a fixture in Western religion. The serpent of Genesis was later retroactively determined to be this figure of Satan, and thus blamed for all of humanity's woes. The association also led to Satan's reputation as a teacher of secret knowledge. After all, the serpent in Genesis merely offers Adam and Eve the knowledge of good and evil. Even in the modern age of information control, God's reaction to this education initiative can only be seen as Draconian. As the Christian age began, the full mythology was developed. The New Testament strikingly diverged from the Old in its depiction of both God and Satan. In the Old Testment, the woes and trials of life are entirely God's responsibility. God is a vengeful God, after all. In the Old Testament, God curses humanity and the Earth itself for all time punish Adam and Eve for taking night classes in dualistic morality.  He crams a boat full of people and critters, then kills the entire remainder of the world in a flood, forcing the survivors to repopulate the world through incest.  In short, God is specifically identified as being the cause of bad things that happen to people. By the time of the New Testament, this view began to change. Jesus identified God as a loving father figure, which represented a rather abrupt departure from the previous view. So if God is good, why do bad things happen? At this point, the mythology of Satan become more fully developed. Its broad strokes eventually boiled down to the following structure:
After the original concept took hold, massive embellishments began. By the Middle Ages, Satan had become a figure of some literary weight and occult significance, operating under a number of aliases, including Beelzebub, the Devil and Mephistopholes. The Christian Church (and subsequently Islam, which also incorporated the figure) depicted Satan as a mighty tempter who offered power and pleasures in exchange for one's immortal soul. The church also attempted to associate pre-Christian Witchcraft practices with Satan, often draping such traditions in lurid tales of orgies, violence and supernatural power. Needless to say, these claims prompted a great deal of popular interest in Satan, especially among those rare individuals who liked sex, power and/or violence. Medieval Satanism and demonology was a flourishing hobby among the upper and middle classes, who dabbled and indulged while burning peasants for such unholy practices as putting aloe on cuts and making eucalyptus tea. With the full-fledged incarnation of Satan as a mythological figure, corresponding theological concepts also arose, including Armageddon, the final battle between good and evil, the Antichrist, who may or may not actually be Satan per se, and the Apocalypse. Hysteria about the influence of Satan continued well into the 18th century, when dozens of American women were burned as witches and accused of having preternatural sex with demons. The church also developed an elaborate framework having to do with possession, in which Satan entered the bodies of otherwise wholesome people, and had to be exorcised. In the 19th and 20th centuries, both God and Satan were on the decline. The rise of secular humanism had many people seeing both figures as quaint anachronisms. Satan started to make his big move from terror-inspiring malevolence to popular entertainer. Whereas earlier writers had built Satan into a figure of high operatic drama in works like "Faust" and "Dante's Inferno," the modern world reduced him to cartoon villain in movies like "The Omen" and Roman Polanksi's "Rosemary's Baby," or even comic relief, in "South Park" and "The Devil and Daniel Webster." Despite this diminution of stature, Satan remained a popular leading man and occasional scary figure, in movies such as "Satan's Amazon," "Satan and the Woman," "Satan's Bed," "Satan's Black Wedding," "Satan's Blade," "The Satan Bug," "Satan's Cheerleaders," "Satan's Choice," "Satan Claus," "Satan Eats Lunch," "Satan in Prison," "Satan in High Heels," "Satan's Lust," "Satan's Mistress," "Satan Never Sleeps," "Satan's Sadists," "Satan's Sister," "Satan's Slave," "Satan's Touch" and "Nude for Satan." In fact, a little bit of Satan can be found almost everywhere in modern culture — except in Satanism, ironically enough, a modern movement founded by Anton LaVey, which claims it uses Satanic trappings to ironically underscore the importance its actual hedonistic secular humanism. (Contrary to popular belief, neither Aleister Crowley nor Jack Parsons were Satanists of any stripe.) About the worst thing you can do to a Satanist is accuse him or her of actually worshipping Satan, sacrificing babies, or being in any way evil. Doing this will provoke an self-righteous diatribe about relativistic morality which can potentially go on for several hours. It doesn't help to point out that they're just asking for it by calling themselves Satanists when they're really "nothingists," so it's better just to avoid the subject entirely. In fact, it's best to avoid all conversation with Satanists altogether and just stick to sex if at all possible.
Timeline
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It's good to leverage JIRA, but everything that happens there should be considered invisible for the most part and only reviewed on a random and infrequent basis.
A good way to bring jira "discussion" back to the list is to follow up on the list rather than posting more jira comments. Maybe by having the first followup comment be a link to Nabble's "forum" view of the list. Optionally, you can Cc<EMAIL_ADDRESS>and include "jira OPENEJB-XXX" anywhere in your subject line and your email will get added as a jira comment.
For those looking to contribute, there are some good habits to put into use. We use a permission scheme called "Interactive Permissions." It's description has some good information:
Interactive Permissions
This permissions model differs from the Standard Permissions model in that people in the Contributor role must interact with the dev list to get to get issues assigned to them and issues closed. This isn't a trust issue, more that there are a few benefits.
{{{{{+}If you'd like to get added to the openejb-contributors JIRA group, just ping the list with your JIRA id and someone will add you.{+}
Contributed by: David Blevins +Here is an email from David Blevins explaining the things he keeps in mind during commits.+ {+}Definitely worth a read{+}{}+:+
I generally try never to reformat a file and make changes at the same time as it makes it impossible for anyone to see what I've changed. Needle in a haystack. I try to get the reformatting as its own commit before or after I change a file.
 I tend to like to "clear them out" in separate commits as to isolate the big change in one commit. Sometimes I'm not so good at that and other times I'm really meticulous about it.
Include the JIRA number and title (if there is a jira). I try never to
say "Fixed FOO-2543" all by itself. Reviewing the last 10 changes on a
file is a super big PITA when all you see is numbers to other systems. I
shoot for more or less "Fixed
As far as jira titles, I always try and make them short and succinct for the future release notes.
I had trouble figuring out if a revision is related to a JIRA and what all revisions corresponded to a particular JIRA. So, I always include the JIRA number (if there is an associated JIRA) in the svn comment and once committed, I add the revision number to the JIRA comment. It may be a minute or two more to do this. But, it saves a lot of time if you ever have to investigate a regression or if there are multiple revisions for a JIRA you know where to find the revision numbers instead of having to mine the svn logs.
Some files may be missing $Rev$ and $Date$ in the header. Whenever I modify an existing file, I always check if I have to add these missing $Rev$ $Date$ and add those so that the file will have them from my next commit onwards.
If you put "[jira](jira.html) OPENEJB-XXX" anywhere in your subject line and cc<EMAIL_ADDRESS>our email gets added as a comment with all '> quoted' text stripped out. PS: XXX is the JIRA issue number
The following subject lines did work: - Subject: [jira](jira.html) OPENEJB-670 - Subject: Some other subject prefix ([jira](jira.html) OPENEJB-670) - Subject: Re: Some other subject prefix ([jira](jira.html) OPENEJB-670)
The following subject lines did not work: - Subject: OPENEJB-670 - Subject: Some other subject prefix (jira: OPENEJB-670) - Subject: Some other subject prefix (jira OPENEJB-670) - Subject: Some other subject prefix (OPENEJB-670)
It appears that as long as the subject contains "[jira](jira.html) FOO-XXX" the email contents will be added as comments.
It also appears that all quoted text regardless of place in the email is stripped out and the remaining text is added as the comment.
The exact email bodies, white space and all, for the "reply text" comments above are:
-- David
On Aug 23, 2007, at 1:02 PM, David Blevins wrote:
Testing adding comments via email with this subject line "Some other subject prefix ([jira](jira.html) OPENEJB-670)"
On Aug 23, 2007, at 1:02 PM, David Blevins wrote:
Testing adding comments via email with this subject line "Some other subject prefix ([jira](jira.html) OPENEJB-670)"
Reply text at the bottom.
-- David
Testing adding comments via email
Some reply text
with this subject line "Some other subject prefix ([jira](jira.html) OPENEJB-670)"
Some more reply text
-- David
people.apache.org
Contributed by: David Blevins
copying a file to apache from locahost scp topsecret.tar.gz<EMAIL_ADDRESS>scp index.html kmalhi@people.apache.org:public_html/
copying a file from apache to localhost -- reverse of the above scp kmalhi@people.apache.org:topsecret.tar.gz ./ scp kmalhi@people.apache.org:public_html/index.html ./
copying directories scp -r kmalhi@people.apache.org:public_html ./ scp -r public_html<EMAIL_ADDRESS>When the directory exists, better to rsync
pull a dir from apache rsync -v -e ssh -lzrptog kmalhi@people.apache.org:public_html ./ rsync -v -e ssh -lzrptog kmalhi@people.apache.org:/home/kmalhi/public_html ./
the two above commands do the exact same thing
push the same dir to apache rsync -v -e ssh -lzrptog ./public_html<EMAIL_ADDRESS>rsync -v -e ssh -lzrptog ./public_html kmalhi@people.apache.org:/home/kmalhi/
the two above commands do the exact same thing
sometimes useful to execute commands over ssh (piping works too) ssh people.apache.org ls /home \| tee home-dirs-on-apache.txt echo -e 'Hello, me\n\nHow am I doing today?' \| ssh<EMAIL_ADDRESS>mail -s 'Greetings'<EMAIL_ADDRESS>For Putty users Contributed by: Mohammad I have Putty on my linux machine and it is easier to use, Putty has a Windows version too, I issue this command to upload a file to my home dir on people.apache.org
pscp [[file-name]
| [dir] ] mnour@people.apache.org:~/
and if you want to access your home page, you should create a dir with the name public_html, and then upload files to it.
Contributed by: Jacek Laskowski.
It'll let you forget about some svn administrative commands you'd otherwise have to type in on the command line. Edit/Add the following configurations to \~/.subversion/config:
[miscellany]
global-ignores = *.log *.save *.o *.lo *.la #*# .*~ *~ .#* .DS_Store
build dist target *.ipr *.iml *.iws .project .classpath .settings
enable-auto-props = yes
[auto-props]
*.c = svn:eol-style=native;svn:keywords=Date Author Id Revision HeadURL
*.cpp = svn:eol-style=native;svn:keywords=Date Author Id Revision HeadURL
*.h = svn:eol-style=native;svn:keywords=Date Author Id Revision HeadURL
*.dsp = svn:eol-style=CRLF
*.dsw = svn:eol-style=CRLF
*.sh = svn:executable;svn:eol-style=native;svn:keywords=Date Revision
*.cmd = svn:mime-type=text/plain;svn:eol-style=CRLF
*.bat = svn:mime-type=text/plain;svn:eol-style=CRLF
Makefile = svn:eol-style=native;svn:keywords=Date Author Id Revision
HeadURL *.obj = svn:mime-type=application/octet-stream *.bin = svn:mime-type=application/octet-stream *.bmp = svn:mime-type=image/bmp *.class = svn:mime-type=application/java *.doc = svn:mime-type=application/msword *.exe = svn:mime-type=application/octet-stream *.gif = svn:mime-type=image/gif *.gz = svn:mime-type=application/x-gzip *.jar = svn:mime-type=application/java-archive *.jelly = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision *.jpg = svn:mime-type=image/jpeg *.jpeg = svn:mime-type=image/jpeg *.pdf = svn:mime-type=application/pdf *.png = svn:mime-type=image/png *.tgz = svn:mime-type=application/octet-stream *.tif = svn:mime-type=image/tiff *.tiff = svn:mime-type=image/tiff *.zip = svn:mime-type=application/zip *.txt = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision *.xml = svn:mime-type=text/xml;svn:eol-style=native;svn:keywords=Date Revision *.ent = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision *.dtd = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision *.vsl = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision *.xsd = svn:mime-type=text/xml;svn:eol-style=native;svn:keywords=Date Revision *.xsl = svn:mime-type=text/xml;svn:eol-style=native;svn:keywords=Date Revision *.wsdl = svn:mime-type=text/xml;svn:eol-style=native;svn:keywords=Date Revision *.htm = svn:mime-type=text/html;svn:eol-style=native;svn:keywords=Date Revision *.html = svn:mime-type=text/html;svn:eol-style=native;svn:keywords=Date Revision *.css = svn:mime-type=text/css;svn:eol-style=native;svn:keywords=Date Revision *.js = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision *.jsp = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision *.txt = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision *.java = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision *.properties = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision *.sql = svn:mime-type=text/plain;svn:eol-style=native;svn:keywords=Date Revision
Contributed by: Jacek and David I want to make a small change in a module , for example openejb-core and then want to build a snapshot of openejb-standalone, start the server and test my change. What is the easiest and fastest way of doing it? Run the following from within openejb-core
mvn -Dtest=none install
Now run the following from within openejb-standalone
mvn -Dtest=none clean package
So what if I wanted to do the above in a single command? It's possible with ${module} and ${assemble} properties and create a profile or a plugin
Another option is and if you're in bash, here's what could be done
# camping out in assembly/openejb-standalone/
$ (cd ../../container/openejb-core && mvn clean install -Dtest=skip) && mvn
clean install && ./try.sh
That's one command, parens and all. The first "$" is the prompt,don't type that. Then just edit ./try.sh to do what you're looking for on the standalone zip.
The parens in bash are great as nothing done in there lasts -- at least no changes to the environment. So you can 'cd' around all you want and not have to 'cd' back when done.
For example
$ export FOO=hello && (export FOO=byebye) && echo $FOO
hello
$ cd ~ && echo $PWD && (cd /tmp && echo $PWD) && echo $PWD
/Users/dblevins
/tmp
/Users/dblevins
As well, several commands can be combined with '&&'. Far better than just separating commands with ';' as if one of the commands fail, the remaining commands will not be executed.
Suggestion from Dain
I suggest that you always do a full build (with tests) before committing. I do this even if the change is small because I have been burned too many times by trivial changes. At the very least I suggest you run
mvn -Dtest=none clean install
Using -Dtest=none instead of -Dmaven.test.skip=true causes maven to compile the test classes so you know that your change doesn't have compile errors. If you want to be thorough, run with -Dassemble.
Create a write up from here http://www.nabble.com/jaxb-question-td18023648.html


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Elektra
0.8.16
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This is a C++ representation of a plugin. More...
#include <plugin.hpp>
Public Member Functions | |
| Plugin (PluginSpec const &spec, kdb::KeySet &modules) | |
| Do not construct a plugin yourself, use Modules.load. | |
| void | loadInfo () |
| Gets the configuration for the plugin. More... | |
| void | parse () |
| Creates symbol and info table. More... | |
| void | check (std::vector< std::string > &warnings) |
| Does various checks on the Plugin and throws exceptions if something is not ok. More... | |
| std::string | lookupInfo (std::string item, std::string section="infos") |
| Gets the whole string of an information item. More... | |
| bool | findInfo (std::string check, std::string item, std::string section="infos") |
| Searches within a string of an information item. More... | |
| kdb::KeySet | getInfo () |
| Returns the whole keyset of information. More... | |
| kdb::KeySet | getNeededConfig () |
| In the plugin's contract there is a description of which config is needed in order to work together with a backend properly. More... | |
| kdb::KeySet | getConfig () |
| return the plugin config More... | |
| func_t | getSymbol (std::string which) |
| Returns symbol to a function. More... | |
| int | open (kdb::Key &errorKey) |
| Calls the open function of the plugin. More... | |
| int | close (kdb::Key &errorKey) |
| Calls the close function of the plugin. More... | |
| int | get (kdb::KeySet &ks, kdb::Key &parentKey) |
| Calls the get function of the plugin. More... | |
| int | set (kdb::KeySet &ks, kdb::Key &parentKey) |
| Calls the set function of the plugin. More... | |
| int | error (kdb::KeySet &ks, kdb::Key &parentKey) |
| Calls the error function of the plugin. More... | |
| std::string | name () |
| std::string | getFullName () |
Data Fields | |
| bool | firstRef |
| Is toggled during serialization. More... | |
This is a C++ representation of a plugin.
It will load an Elektra plugin using the module loader from Elektra.
Then you can either check the plugins configuration using loadInfo(), parse() and check. Symbols can then be retrieved with getSymbol().
Or you can use the normal open(), close(), get(), set() and error() API which every plugin exports.
| void kdb::tools::Plugin::check | ( | std::vector< std::string > & | warnings | ) |
| int kdb::tools::Plugin::close | ( | kdb::Key & | errorKey | ) |
Calls the close function of the plugin.
| int kdb::tools::Plugin::error | ( | kdb::KeySet & | ks, |
| kdb::Key & | parentKey | ||
| ) |
Calls the error function of the plugin.
| bool kdb::tools::Plugin::findInfo | ( | std::string | check, |
| std::string | item, | ||
| std::string | section = "infos" |
||
| ) |
Searches within a string of an information item.
| int kdb::tools::Plugin::get | ( | kdb::KeySet & | ks, |
| kdb::Key & | parentKey | ||
| ) |
Calls the get function of the plugin.
| kdb::KeySet kdb::tools::Plugin::getConfig | ( | ) |
| std::string kdb::tools::Plugin::getFullName | ( | ) |
|
inline |
Returns the whole keyset of information.
| kdb::KeySet kdb::tools::Plugin::getNeededConfig | ( | ) |
In the plugin's contract there is a description of which config is needed in order to work together with a backend properly.
|
inline |
Returns symbol to a function.
| void kdb::tools::Plugin::loadInfo | ( | ) |
Gets the configuration for the plugin.
(will be done in Modules.load)
| std::string kdb::tools::Plugin::lookupInfo | ( | std::string | item, |
| std::string | section = "infos" |
||
| ) |
Gets the whole string of an information item.
| std::string kdb::tools::Plugin::name | ( | ) |
| int kdb::tools::Plugin::open | ( | kdb::Key & | errorKey | ) |
Calls the open function of the plugin.
| void kdb::tools::Plugin::parse | ( | ) |
Creates symbol and info table.
(will be done in Modules.load)
| int kdb::tools::Plugin::set | ( | kdb::KeySet & | ks, |
| kdb::Key & | parentKey | ||
| ) |
Calls the set function of the plugin.
| bool kdb::tools::Plugin::firstRef |
Is toggled during serialization.
(is a hack, only allows a single serialization!)


An interactive visualization of the chemical structure of a Noria molecule [1] is shown on the right. Noria, a white solid at room temperature, is a cyclic oligomer with a hole in its center. The structure of noria resembles a waterwheel; "Noria" is actually Latin for "waterwheel".
The pore in the center of the Noria molecule is so small that only a single gas molecule or atom, such as the noble gas, xenon, can fit inside. Because of favorable interactions with the walls of the pore in Noria, we showed that Noria acts like a sponge for xenon atoms. The pore in the center of Noria happens to be just the right size for snuggly fitting a xenon atom inside. We found that Noria will selectively adsorb xenon over krypton, another noble gas [2]. So, if we have a mixture of xenon and krypton, Noria will soak up the xenon but leave the krypton behind, effectively purifying the mixture. This separation of xenon and krypton is relevant in the reprocessing of used nuclear fuel.We seek to reprocess used nuclear fuel to recover fissile material for recycling and to mitigate the amount of high-level radioactive waste that needs to be sequestered in some deep geological repository for thousands of years. In this process, radioactive noble gases xenon and krypton-- fission products-- evolve into the off-gases in parts per million concentrations. A material such as Noria may prove useful to selectively capture the xenon from this off-gas.
[1] H. Kudo, R. Hayashi, K. Mitani, T. Yokozawa, N.C. Kasuga, T. Nishikubo. Molecular waterwheel (Noria) from a simple condensation of resorcinol and an alkanedial. (2006) Angewandte Chemie. Full text
[2] R. Patil, D. Banerjee, C. Simon, J. Atwood, P. Thalapally. Noria, a highly Xe-selective Nanoporous Organic Solid. (2016) Chemistry - A European Journal. Full text


| DOSE: T+ 0:00 |
400 mg |
oral |
Caffeine |
(pill / tablet) |
| T+ 1:59 |
100 mg |
oral |
Caffeine |
(pill / tablet) |
I took the about 2 caffeine pills which contained 200mg per tablet. I started at 7:00 AM, I soon peaked at 7:40 AM. I was still only in 1st period of school. I felt the need to want to laugh, and listen and communicate with people. Today I spoke with people without fear and thinking about rejection (I am kinda a shy person). My hands began to shake a little, and twitch. My heard beat increased slightly, I could notice a difference in the beats. I didn't experience any irregular beats though ( which can happen on caffeine) Time changed to me for some reason. It felt that time was slowed down a little, but I was super speed compared to it. My math teacher would write out notes on the screen and talk to us about them, I felt that she was going so slow. I also became more in tune with my work, answering questions teachers asked(which I never do, kinda annoying).
The peak lasted for about 15 mins. Then I was in 2nd period, I began to have some stomach pains. They weren't bad, but it was annoying. All I wanted to do in 1st and 2nd period of school was move around and talk. I noticed that my walking speed and talking speed increased. I began to feel light headed alittle, not much.
I began to come down a little after 2nd period, so I took half a tablet (about 100mg). I thought I would get the same effects, but I didn't. I felt awake and alert. I still have a weird feeling in my stomach. I ate a little bit of cereal with the pill in the morning, I don't know if that was the reason? I thought it would be better with food. I am looking forward to a higher dosage next time. If you want to try caffeine in high dosages make sure you eat something because of the increase in stomach acid. Caffeine can also be very addictive. I drank a lot of water also, I heard from a biology teacher that caffeine removes water from cells?
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Theming Nikola
- Version
- 8.1.2
Contents
This document is a reference about themes. If you want a tutorial, please read Creating a Theme. If you’re looking for a ready-made theme for your site, check out the Themes Index.
The Structure
Themes are located in the themes
folder where Nikola is installed, and in the themes
folder
of your site, one folder per theme. The folder name is the theme name.
A Nikola theme consists of the following folders (they are all optional):
- assets
-
This is where you would put your CSS, JavaScript and image files. It will be copied into
output/assets
when you build the site, and the templates will contain references to them. The default subdirectories arecss
,js
,xml
andfonts
(Bootstrap).The included themes use Bootstrap, baguetteBox, Justified Layout by Flickr and Luxon, so they are in assets, along with CSS files for syntax highlighting, reStructuredText and Jupyter, as well as a minified copy of jQuery.
If you want to base your theme on other frameworks (or on no framework at all) just remember to put there everything you need for deployment. (Not all of the listed assets are used by
base
) - templates
-
This contains the templates used to generate the pages. While Nikola will use a certain set of template names by default, you can add others for specific parts of your site.
- messages
-
Nikola tries to be multilingual. This is where you put the strings for your theme so that it can be translated into other languages.
- less, sass
-
Files to be compiled into CSS using LESS and Sass (both require plugins)
This mandatory file:
- <theme>.theme
-
An INI file containing theme meta data. The file format is described in detail below, in the Theme meta files section.
And these optional files:
- parent, engine
-
One-line text files that contain the names of parent and engine themes, respectively. Those are needed for older versions (Nikola v7.8.5 and older).
- bundles
-
A config file containing a list of files to be turned into bundles. For example:
assets/css/all.css= bootstrap.min.css, rst_base.css, nikola_rst.css, code.css, baguetteBox.min.css, theme.css, custom.css,
This creates a file called "assets/css/all.css" in your output that is the combination of all the other file paths, relative to the output file. This makes the page much more efficient because it avoids multiple connections to the server, at the cost of some extra difficult debugging.
Bundling applies to CSS and JS files.
Templates should use either the bundle or the individual files based on the
use_bundles
variable, which in turn is set by theUSE_BUNDLES
option.
Theme meta files
As of Nikola v7.8.6, Nikola uses meta files for themes. Those are INI files,
with the same name as your theme, and a .theme
extension, eg.
bootstrap3.theme
. Here is an example, from the bootstrap3 theme:
[Theme] engine = mako parent = base author = The Nikola Contributors author_url = https://getnikola.com/ based_on = Bootstrap 3 <http://getbootstrap.com/> license = MIT tags = bootstrap [Family] family = bootstrap3 jinja_version = bootstrap3-jinja variants = bootstrap3-gradients, bootstrap3-gradients-jinja [Nikola] bootswatch = True
The following keys are currently supported:
-
Theme
— contains information about the theme.engine
— engine used by the theme. Should bemako
orjinja
.-
parent
— the parent theme. Any resources missing in this theme, will be looked up in the parent theme (and then in the grandparent, etc).The parent is so you don’t have to create a full theme each time: just create an empty theme, set the parent, and add the bits you want modified. You must define a parent, otherwise many features won’t work due to missing templates, messages, and assets.
The following settings are recommended:
If your theme uses Bootstrap 3, inherit the
bootstrap3
theme.If your theme uses Jinja as a template engine, inherit
base-jinja
orbootstrap3-jinja
In any other case, inherit
base
.
author
,author_url
— used to identify theme author.based_on
— optional list of inspirations, frameworks, etc. used in the theme. Should be comma-separated, the formatName <URL>
is recommended.license
— theme license. Pick MIT if you have no preference.tags
— optional list of tags (comma-separated) to describe the theme.
-
Family
— contains information about other related themes. All values optional. (Do not use unless you have related themes.)family
— the name of the main theme in a family, which is also used as the family name.mako_version
,jinja_version
— name of the mako/jinja version of the theme.variants
— comma-separated list of stylistic variants (other than the mako/jinja version listed above)
-
Nikola
— Nikola-specific information, currently optional.bootswatch
— whether or not theme supports Bootswatch styling (optional, defaults to False)ignored_assets
— comma-separated list of assets to ignore (relative to theassets/
directory, eg.css/theme.css
)
Templates
In templates there is a number of files whose name ends in .tmpl
. Those are the
theme’s page templates. They are done using the Mako
or Jinja2 template languages. If you want to do a theme, you
should learn one first. What engine is used by the theme is declared in the engine
file.
Tip
If you are using Mako templates, and want some extra speed when building the site you can install Beaker and make templates be cached
Both template engines have a nifty concept of template inheritance. That means that a
template can inherit from another and only change small bits of the output. For example,
base.tmpl
defines the whole layout for a page but has only a placeholder for content
so post.tmpl
only define the content, and the layout is inherited from base.tmpl
.
Another concept is theme inheritance. You do not need to duplicate all the default templates in your theme — you can just override the ones you want changed, and the rest will come from the parent theme. (Every theme needs a parent.)
Apart from the built-in templates listed below, you can add other templates for specific
pages, which the user can then use in his POSTS
or PAGES
option in
conf.py
. Also, you can specify a custom template to be used by a post or
page via the template
metadata, and custom templates can be added in the
templates/
folder of your site.
If you want to modify (override) a built-in template, use nikola theme -c
<name>.tmpl
. This command will copy the specified template file to the
templates/
directory of your currently used theme.
Keep in mind that your theme is yours, so you can require whatever data you
want (eg. you may depend on specific custom GLOBAL_CONTEXT
variables, or
post meta attributes). You don’t need to keep the same theme structure as the
default themes do (although many of those names are hardcoded). Inheriting from
at least base
(or base-jinja
) is heavily recommended, but not strictly
required (unless you want to share it on the Themes Index).
Built-in templates
These are the templates that come with the included themes:
base.tmpl
-
This template defines the basic page layout for the site. It’s mostly plain HTML but defines a few blocks that can be re-defined by inheriting templates.
It has some separate pieces defined in
base_helper.tmpl
,base_header.tmpl
andbase_footer.tmpl
so they can be easily overridden. index.tmpl
-
Template used to render the multipost indexes. The posts are in a
posts
variable. Some functionality is in theindex_helper.tmpl
helper template. -
archive_navigation_helper.tmpl
(internal) -
Code that implements archive navigation (previous/up/next). Included by archive templates.
archiveindex.tmpl
-
Used to display archives, if
ARCHIVES_ARE_INDEXES
is True. By default, it just inheritsindex.tmpl
, with added archive navigation and feeds. author.tmpl
-
Used to display author pages.
authorindex.tmpl
-
Used to display author indexes, if
AUTHOR_PAGES_ARE_INDEXES
is True. By default, it just inheritsindex.tmpl
, with added feeds. -
comments_helper.tmpl
(internal) -
This template handles comments. You should probably never touch it :-) It uses a bunch of helper templates, one for each supported comment system (all of which start with
comments_helper
) -
ui_helper.tmpl
,pagination_helper.tmpl
-
These templates help render specific UI items, and can be tweaked as needed.
gallery.tmpl
-
Template used for image galleries. Interesting data includes:
post
: A post object, containing descriptivepost.text()
for the gallery.crumbs
: A list oflink, crumb
to implement breadcrumbs.folders
: A list of folders to implement hierarchical gallery navigation.enable_comments
: To enable/disable comments in galleries.thumbnail_size
: TheTHUMBNAIL_SIZE
option.-
photo_array
: a list of dictionaries, each containing:url
: URL for the full-sized image.url_thumb
: URL for the thumbnail.title
: The title of the image.size
: A dict containingw
andh
, the real size of the thumbnail.
photo_array_json
: a JSON dump of photo_array, used by thejustified-layout
script
list.tmpl
-
Template used to display generic lists of links, which it gets in
items
, a list of (text, link, count) elements. list_post.tmpl
-
Template used to display generic lists of posts, which it gets in
posts
. listing.tmpl
-
Used to display code listings.
-
math_helper.tmpl
(internal) -
Used to add MathJax/KaTeX code to pages.
post.tmpl
-
Template used by default for blog posts, gets the data in a
post
object which is an instance of the Post class. Some functionality is in thepost_helper.tmpl
andpost_header.tmpl
templates. post_list_directive.tmpl
-
Template used by the
post_list
reStructuredText directive. sectionindex.tmpl
-
Used to display section indexes, if
POST_SECTIONS_ARE_INDEXES
is True. By default, it just inheritsindex.tmpl
, with added feeds. page.tmpl
-
Used for pages that are not part of a blog, usually a cleaner, less intrusive layout than
post.tmpl
, but same parameters. tag.tmpl
-
Used to show the contents of a single tag or category.
tagindex.tmpl
-
Used to show the contents of a single tag or category, if
TAG_PAGES_ARE_INDEXES
is True. By default, it just inheritsindex.tmpl
, with added feeds and some extra features. tags.tmpl
-
Used to display the list of tags and categories.
Variables available in templates
The full, complete list of variables available in templates is maintained in a separate document: Template variables
Customizing themes to user color preference and section colors
The user’s preference for theme color is exposed in templates as
theme_color
set in the THEME_COLOR
option.
Each section has an assigned color that is either set by the user or auto
selected by adjusting the hue of the user’s THEME_COLOR
. The color is
exposed in templates through post.section_color(lang)
. The function that
generates the colors from strings and any given color (by section name and
theme color for sections) is exposed through the
colorize_str_from_base_color(string, hex_color)
function
Hex color values, like that returned by the theme or section color can be
altered in the HSL colorspace through the function
color_hsl_adjust_hex(hex_string, adjust_h, adjust_s, adjust_l)
.
Adjustments are given in values between 1.0 and -1.0. For example, the theme
color can be made lighter using this code:

Messages and Translations
The included themes are translated into a variety of languages. You can add your own translation at https://www.transifex.com/projects/p/nikola/
If you want to create a theme that has new strings, and you want those strings to be translatable,
then your theme will need a custom messages
folder.
LESS and Sass
Note
The LESS and Sass compilers were moved to the Plugins Index in Nikola v7.0.0.
If you want to use those CSS extensions, you can — just store your files
in the less
or sass
directory of your theme.
In order to have them work, you need to create a list of .less
or
.scss/.sass
files to compile — the list should be in a file named
targets
in the respective directory (less
/sass
).
The files listed in the targets
file will be passed to the respective
compiler, which you have to install manually (lessc
which comes from
the Node.js package named less
or sass
from a Ruby package aptly
named sass
). Whatever the compiler outputs will be saved as a CSS
file in your rendered site, with the .css
extension.
Note
Conflicts may occur if you have two files with the same base name but a different extension. Pay attention to how you name your files or your site won’t build! (Nikola will tell you what’s wrong when this happens)


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Main Menu Help
Pdf Reports Help Contents... opens the Table of Contents of this Template Editor help documentation.
Pdf Reports Help Index... opens the Help Index of this Template editor help documentation.
AxiomCoders online contains a list of Internet World Wide Web links which open directly in the system default Internet Browser.
Release Notes... opens the release notes for the current version of Template Editor in the system default text viewer.
About... command displays the About Template Editor dialog box.


| 002:249 Khan | : |
Then when Talut (Saul) set out with the army, he said: "Verily! Allah will try you by a river. So whoever drinks thereof, he is not of me, and whoever tastes it not, he is of me, except him who takes (thereof) in the hollow of his hand." Yet, they drank thereof, all, except a few of them. So when he had crossed it (the river), he and those who believed with him, they said: "We have no power this day against Jalut (Goliath) and his hosts." But those who knew with certainty that they were to meet their Lord, said: "How often a small group overcame a mighty host by Allah's Leave?" And Allah is with As-Sabirin (the patient ones, etc.). |
| 002:249 Maulana | : |
So when Saul set out with the forces, he said: surely Allah will try you with a river. Whoever drinks from it, he is not of me, and whoever tastes it not, he is surely of me, except he who takes a handful with his hand. But they drank of it save a few of them. So when he had crossed it, he and those who believed with him, they said: We have to-day no power against Goliath and his forces. Those who were sure that they would meet their Lord said: How often has a small party vanquished a numerous host by Allah's permission! And Allah is with the steadfast. |
| 002:249 Pickthal | : |
And when Saul set out with the army, he said: Lo! Allah will try you by (the ordeal of) a river. Whosoever therefore drinketh thereof he is not of me, and whosoever tasteth it not he is of me, save him who taketh (thereof) in the hollow of his hand. But they drank thereof, all save a few of them. And after he had crossed (the river), he and those who believed with him, they said: We have no power this day against Goliath and his hosts. But those who knew that they would meet Allah exclaimed: How many a little company hath overcome a mighty host by Allah's leave! Allah is with the steadfast. |
| 002:249 Rashad | : |
When Saul took command of the troops, he said, "GOD is putting you to the test by means of a stream. Anyone who drinks from it does not belong with me - only those who do not taste it belong with me - unless it is just a single sip." They drank from it, except a few of them. When he crossed it with those who believed, they said, "Now we lack the strength to face Goliath and his troops." Those who were conscious of meeting GOD said, "Many a small army defeated a large army by GOD's leave. GOD is with those who steadfastly persevere." |
| 002:249 Sarwar | : |
When Saul set forth with the army he said, "God will test you with a river. Those who drink its water will not be of my people and those who do not even taste the water or who only taste some of it from within the hollow of their hand, will be my friends. They all drank the water except a few of them. When Saul and those who believed in him crossed the river, his people said, "We do not have the strength to fight against Goliath and his army." Those who thought that they would meet God said, "How often, with God's permission, have small groups defeated the large ones?" God is with those who exercise patience. |
| 002:249 Shakir | : |
So when Talut departed with the forces, he said: Surely Allah will try you with a river; whoever then drinks from it, he is not of me, and whoever does not taste of it, he is surely of me, except he who takes with his hand as much of it as fills the hand; but with the exception of a few of them they drank from it. So when he had crossed it, he and those who believed with him, they said: We have today no power against Jalut and his forces. Those who were sure that they would meet their Lord said: How often has a small party vanquished a numerous host by Allah's permission, and Allah is with the patient. |
| 002:249 Sherali | : |
And when Talut set out with the forces, he said, 'Surely, ALLAH will try you with a river. So he who drinks therefrom is not of me; and he who taste it not is assuredly of me, save him who takes only a handful of water with his hand.' But they drank of it, except a few of them. And when they crossed it - he and those who believed along with him - they said, 'We have no power today against Jalut and his forces.' But those who knew for certain that they would one day meet ALLAH, said, 'How many a small party has triumphed over a large party by ALLAH's command ! And ALLAH is with the steadfast.' |
| 002:249 Yusufali | : |
When Talut set forth with the armies, he said: "Allah will test you at the stream: if any drinks of its water, He goes not with my army: Only those who taste not of it go with me: A mere sip out of the hand is excused." but they all drank of it, except a few. When they crossed the river,- He and the faithful ones with him,- they said: "This day We cannot cope with Goliath and his forces." but those who were convinced that they must meet Allah, said: "How oft, by Allah's will, Hath a small force vanquished a big one? Allah is with those who steadfastly persevere." |
Concepts/Themes Covered: الجهاد > الجهاد في سبيل الإسلام > الدعوة إلى الجهاد Jihad> The Call to Jihad>The Call for the Holy War الجهاد > نتائج الحرب > النصر من عند الله Jihad> The War Results> Victory is from Allah الإنسان والعلاقات الأخلاقية > الأخلاق الحميدة > الصبر Man and The Moral Relations> Good Morals>Patience
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


Java is an object-oriented programming language developed by James Gosling and colleagues at Sun Microsystems in the early 1990s. Unlike conventional languages which are generally designed either to be compiled to native (machine) code, or to be interpreted from source code at runtime, Java is intended to be compiled to a bytecode, which is then run (generally using JIT compilation) by a Java Virtual Machine.
Installing JDK and a Java IDE
In order to develop Java applications or Java APIs you need the Java Software Developer Kit (Java SDK) installed. You can find the differents Java SDKs here:
Java Software Developer Kit (Java SDK)
If you plan to be working more seriously with Java, I would recommend that you install a Java IDE (Integrated Development Environment). An IDE contains both a code editor with syntax highlighting, code completion, code generation, often with version control system integration and more. An IDE also makes it easy to compile and run your Java code, all from within the IDE.
Here are the three most popular Java IDEs:
Every line of code that runs in Java must be inside a class. In our example, we named the class MyClass. A class should always start with an uppercase first letter.
Note: Java is case-sensitive: "MyClass" and "myclass" has different meaning.
The name of the java file must match the class name. When saving the file, save it using the class name and add ".java" to the end of the filename.
MyClass.java
public class MyClass {
public static void main(String[] args) {
System.out.println("Hello World");
}
}
The output should be:
Hello World
The main method
The main() method is required and you will see it in every Java program:
public static void main(String[] args)
Any code inside the main() method will be executed, just remember that every Java program has a class name which must match the filename, and that every program must contain the main() method.
System.out.println()
Inside the main() method, we can use the println() method to print a line of text to the screen:
public static void main(String[] args) {
System.out.println("Hello World");
}
Note: Remember the curly braces {} marks the beginning and the end of a block of code and each code statement must end with a semicolon.
Comments can be used to explain Java code, and to make it more readable. It can also be used to prevent execution when testing alternative code.
Single-line comments start with two forward slashes (//). Any text between // and the end of the line is ignored by Java (will not be executed). This example uses a single-line comment before a line of code:
// This is a comment
System.out.println("Hello World");
This example uses a single-line comment at the end of a line of code:
System.out.println("Hello World");
// This is a comment
Multiline Comments:
Multi-line comments start with /* and ends with */. Any text between /* and */ will be ignored by Java. This example uses a multi-line comment (a comment block) to explain the code:
/* The code below will print the words
Hello World to the screen, and it is
amazing */
System.out.println("Hello World");
A Java variable is a piece of memory that can contain a data value. A variable thus has a data type.
Variables are typically used to store information which your Java program needs to do its job. This can be any kind of information ranging from texts, codes (e.g. country codes, currency codes etc.) to numbers, temporary results of multi step calculations etc.
In the code example below, the main() method contains the declaration of a single integer variable named number. The value of the integer variable is first set to 10, and then 20 is added to the variable afterwards.
public class MyClass {
public static void main(String[] args) {
int number = 10;
number = number + 20;
}
}
Variable Declaration
Exactly how a variable is declared depends on what type of variable it is (non-static, static, local, parameter). In Java you declare a variable like this:
Instead of the word type, you write the data type of the variable. Similarly, instead of the word name you write the name you want the variable to have.
Here are examples of how to declare variables of all the primitive data types in Java:
byte myByte;
short myShort;
char myChar;
int myInt;
long myLong;
float myFloat;
double myDouble;
Here are examples of how to declare variables of the object types in Java:
byte myByte;
short myShort;
char myChar;
int myInt;
long myLong;
float myFloat;
double myDouble;
Here are examples of how to declare variables of the object types in Java:
String myName = "Mario";
System.out.println(myName);
Java contains a set of built-in math operators for performing simple math operations on Java variables. The Java math operators are reasonably simple. Therefore Java also contains the Java Math class which contains methods for performing more advanced math calculations in Java.
Arithmetic Operators
Monthly savings
| Name |
Operator |
Description |
Example |
| Addition |
+ |
Adds together two values |
x + y |
| Subtraction |
- |
Subtracts one value from another |
x - y |
| Multiplication |
* |
Multiplies two values |
x * y |
| Division |
/ |
Divides one value from another |
x / y |
| Modulus |
% |
Returns the division remainder |
x % y |
| Increment |
++ |
Increases the value of a variable by 1 |
++x |
| Decrement |
-- |
Decreases the value of a variable by 1 |
--x |
The Java Math Class
The Java Math class provides more advanced mathematical calculations than what the basic Java math operators provide. The Math class contains methods for finding the maximum or minimum of two values, rounding values, logarithmic functions, square root, and trigonometric functions (sin, cos, tan etc.).
Math.abs()
The Math.abs() function returns the absolute value of the parameter passed to it. The absolute value is the positive value of the parameter. If the parameter value is negative, the negative sign is removed and the positive value corresponding to the negative value without sign is returned. Here are two Math.abs() method examples:
This will create a new array with the size of 10. We can check the size by printing the array's length:
System.out.println(arr.length);
We can access the array and set values:
arr[0] = 4;
arr[1] = arr[0] + 5;
The Math.abs() function returns the absolute value of the parameter passed to it. The absolute value is the positive value of the parameter. If the parameter value is negative, the negative sign is removed and the positive value corresponding to the negative value without sign is returned. Here are two Math.abs() method examples:
Java arrays are 0 based, which means the first element in an array is accessed at index 0 (e.g: arr[0], which accesses the first element). Also, as an example, an array of size 5 will only go up to index 4 due to it being 0 based.
All the documentation in this page is taken from:


Toronto police warn of man swinging axe downtown; no reported injuries
Toronto police are searching for a man with an axe who has reportedly been walking around the downtown area and swinging the weapon. They say the man was yelling at people on Saturday evening and striking some garages with the large axe.
by Canadian PressToronto police are searching for a man with an axe who has reportedly been walking around the downtown area and swinging the weapon.
They say the man was yelling at people on Saturday evening and striking some garages with the large axe.
Investigators say he then began striking transit poles with the weapon.
Const. David Hopkinson says the man was moving through the downtown area fairly quickly.
Officers are still searching for him.
Hopkinson says there were no reports of injuries as of 7 p.m.
This report by The Canadian Press was first published Nov. 23, 2019.
The Canadian Press


pyLabbook Scripts
The pyLabbook scripts provide a command-line interface for managing your data. They can be found in the scripts
folder of your pyLabbook root and are executed through python using python [SCRIPT_NAME] [OPTIONS]
.
Table of Contents
Labbooks
Labbooks specify where your data is stored through labbook module files. Use the labbook script to create and delete labbook module files. When creating a labbook, specify the format for its spreadsheet repository files and for it’s database file.
python labbook.py [COMMAND] [LABBOOK_ID] --sheetformat [SHEETFORMAT] --dbformat [DBFORMAT] --dbfile [DBFILE]
Arguments
| argument | description |
|---|---|
| [COMMAND] | a valid operation command (see [COMMAND]) |
| [LABBOOK_ID] | a valid labbook id (A-Z, a-z, 0-9, _ and - only) |
| [SHEETFORMAT] | optional file format for labbook’s repository spreadsheet files |
| [DBFORMAT] | optional file format for labbook’s database file |
| [DBFILE] | optional path and name of existing database file to use (file is copied) |
[COMMAND]
| value | description |
|---|---|
| create | creates LABBOOK_ID with repository sheets in SHEETFORMAT format and a database file in DBFORMAT foramt |
| delete | deletes LABBOOK_ID (and all its data/repositories) |
[SHEETFORMAT]
| value | description |
|---|---|
| xlsx | repository spreadsheets will be xlsx format |
| csv | repository spreadsheets will be csv format |
[DBFORMAT]
| value | description |
|---|---|
| SQLITE3 | database file will be SQLITE3 format |
[DBFILE]
This can be any existing database that matches the [DBFORMAT] specified for the labbook. This file is copied when imported into the labbook.
Examples
Protocols
Protocols describe the structure of your data by defining table columns for SET and SAMPLE tables. Each column for each table is defined by a name, a description and a few other options. These table column definitions are stored in a protocol’s module file.
The protocols script helps you create and delete protocol modules. To create a protocol module, use the protocols script to initialize the protocol, using its name. Initializing will create SET and SAMPLE table description files. Describe your protocol’s SET and SAMPLE table columns by filling out these files. Each row in each file represents a table column. Using your favorite spreadsheet or text editor, for each file, fill out the options for each column you want to define, then save the file. For tips on designing protocols see Protocol Design. For example protocols and their descriptions see Example Protocol Modules.
See the Initialize a Protocol in the Basic Tutorial for an example of this process.
Then you can use the protocol script, with these files, to create the protocol module.
Usage
python protocol.py [COMMAND] [PROTOCOL_ID]
[COMMAND]
| value | description |
|---|---|
| initialize | Initializes set and sample description files for a new protocol [PROTOCOL_ID]. These are csv formatted spreadsheets created in the current folder. Each row in the SET_DESC and SAMPLE_ DESC spreadsheets represents a database column and the headers are column options. Fill out these files and use the “create” option to make a protocol module. See section on column options below for a description of how to fill out these files. |
| create | Constructs a protocol module for [PROTOCOL_ID] using SET_DESC and SAMPLE_DESC files created by “initialize” command. |
| delete | Deletes the protocol module for [PROTOCOL_ID], note that to access any data for this protocol the module will have to be recreated exactly. |
[PROTOCOL_ID]
The id of the protocol you want to perform the action on.
Examples
# Generate set and sample description forms for a protocol called myProtocol
> python protocol.py initialize myProtocol
# fill out the myProtocol_SET_DESC.csv and myProtocol_SAMPLE_DESC.csv files with set and sample table column information then create the protocol with:
> python protocol.py create myProtocol
Filling out SET_DESC and SAMPLE_DESC files
The initialize
command generates two csv-formatted spreadsheet files: one that describes the protocol’s SET table and one that describes the protocol’s SAMPLE table. Each row in the file describes a column in the table, and those columns have the following options:
| option | description |
|---|---|
| name | Name for the table column, no spaces or special characters. |
| type | Data type for column. Values are TEXT, INTEGER, REAL, NUMERIC, DATE. See the Protocol Modules page for more details. |
| notnull | Is a value always required for this column? TRUE or FALSE. |
| unique | Does every value in this column have to be unique? TRUE or FALSE. |
| description | A text description of your column. |
| default | Default value to use if no value supplied, if applicable. |
| primary_key | Include column in table’s compound primary key? TRUE of FALSE. If unsure, use FALSE. |
For more information on how to design a protocol, see this page.
Once the SET and SAMPLE description files are filled out, run:
python protocol.py create [PROTOCOL_ID]
to create the protocol module file for [PROTOCOL_ID]. After being created you can use the protocol.
Experiments
python experiment.py [COMMAND] [SOURCE] [IDS]...
Arguments
| argument | description |
|---|---|
| [COMMAND] | a valid operation command (see [COMMAND]) |
| [SOURCE] | a valid labbook/protocol combination |
| [IDS] | a space separated list of experiment ids to work on |
[COMMAND]
| value | description |
|---|---|
| initialize | initialize repository files for experiment ids |
| store | store repository data into database for experiment ids |
| restore | restore repository files from database records for experiment ids |
| drop | delete database records for experiment ids |
| delete_files | delete repository set and sample files for experiment ids |
| delete_path | delete repository folders for experiment ids (this will delete all files in each experiment’s repository, including raw data files and subfolders) |
[SOURCE]
Specifies the labbook id and protocol id that contain the experiments you want to operate on. Should be formatted as [LABBOOK_ID]@[PROTOCOL_ID]
, for example: myLabbook@myProtocol
refers to experiments belonging to myProtocol
in the labbook myLabbook
.
[IDS]
A space separated list of the experiment ids within [SOURCE] that you want to operate on. Note that like labbook and protocol id’s, experiment id’s are restricted to A-Z, a-z, 0-9, _ and - characters.
Examples
Transferring Data
python transfer.py [LABBOOK_ID] -lp [SOURCE] [IDS]... -lp [SOURCE] [IDS]...
Arguments
| argument | description |
|---|---|
| [LABBOOK_ID] | id of the labbook you are transferring to |
| [SOURCE] | the labbook and protocol id containing information to transfer |
| [IDS] | a space separated list of experiment ids to transfer from the corresponding [SOURCE] |
[LABBOOK_ID]
The id of an existing labbook that you want to transfer the data to.
[SOURCE] [IDS]…
[SOURCE] is a combination of labbook and protocol ids formatted as [LABBOOK_ID]@[PROTOCOL_ID]
. [IDS]… is a space separated list of experiment ids that you want to transfer from [SOURCE] to the destination labbook.
Specify experiments from multiple labbook/protocol [SOURCE] by using multiple -lp
options (see examples below).
Examples
Exporting Data
python export.py -lp [LABBOOK_ID]@[PROTOCOL_ID] [EXPERIMENT_IDS]... -lp [LABBOOK_ID]@[PROTOCOL_ID] [EXPERIMENT_IDS]... ... --base [FILE_BASENAME] --format [SHEETFORMAT] -s
Transfers database data from a series of labbook-protocol-experiment ids to local spreadsheet file(s).
Arguments
| argument | description |
|---|---|
| [LABBOOK_ID]@[PROTOCOL_ID] [EXPERIMENT_IDS]… | a labbook and protocol specification followed by a space separtated list of experiment id’s containing the data you want to export |
| [FILE_BASENAME] | a prefix for the spreadsheet exports, will be followed by “_[PROTOCOL_ID]”. Default is “export”. |
| [SHEETFORMAT] | specify xlsx or csv format for spreadsheets |
| -s | switch, if present and [SHEETFORMAT] is xlsx , data from different protocols are stored as different sheets in the spreadsheet file. Otherwise, data from different protocols are stored in different files |


HMD RC Test Instructions
EYE-01 Test
- Objective: Eye gaze must be aligned with head if no other avatars are present, in desktop mode.
- Precondition: Enter an empty domain. Ensure 'Display' > 'Desktop' is checked.
- Step 1: Enter mirror mode, by pressing the 'h' key.
- Step 2: Enable eye tracking lines.
- Step 3: Rotate your head up and down by right click dragging the mouse.
- Step 4: Examine your avatar's eyes closely.
- Test Data: Your avatar should be one of the following: ```Art3mis```, ```Matthew```, ```Pricilla```, ```Mixamo Will```.
- Expected Result: Your eyes should always be looking straight ahead with respect to your head.
EYE-02 Test
- Objective: Eye gaze must be aligned with head if no other avatars are present, while wearing an HMD.
- Precondition: Enter an empty domain. You must have an HMD.
- Step 1: Ensure 'Display' > 'Open VR (Vive)' or 'Display' > 'Oculus' is checked.
- Step 2: Enter mirror mode, by pressing the 'h' key.
- Step 3: While wearing your HMD rotate your head.
- Step 4: Examine your avatar's eyes closely.
- Test Data: Your avatar should be one of the following: ```Art3mis```, ```Matthew```, ```Pricilla```, ```Mixamo Will```.
- Expected Result: Your eyes should always be looking straight ahead with respect to your head.
EYE-03 Test
- Objective: Eye gaze tracking must work in desktop full screen mirror mode.
- Precondition: Enter a domain with one other person. You must have an HMD.
- Step 1: Move face to face with the other avatar.
- Step 2: Enter mirror mode by pressing the 'h' key.
- Step 3: Rotate your head up and down by right click dragging the mouse.
- Step 4: Examine your avatar's eyes closely.
- Test Data: Your avatar should be one of the following: ```Art3mis```, ```Matthew```, ```Pricilla```, ```Mixamo Will```.
- Expected Result: Your eyes should focus on one of three points on the other avatars face: The left eye, the right eye and a point directly below bridge of the nose, typically the nose or the upper lip. Your eyes should switch between these points no faster than 330 ms. Your eyes should be more likely to look at the eyes then the nose.
EYE-04 Test
- Objective: Eye gaze tracking for your avatar must work in fullscreen mirror mode, while wearing an HMD.
- Precondition: Enter a domain with one other person. You must have an HMD.
- Step 1: Ensure 'Display' > 'Open VR (Vive)' or 'Display' > 'Oculus' is checked.
- Step 2: Move face to face with the other avatar.
- Step 3: Enter mirror mode by pressing the 'h' key.
- Step 4: Move your head up and down by right click dragging the mouse.
- Step 5: Examine your avatar's eyes closely.
- Test Data: Your avatar should be one of the following: ```Art3mis```, ```Matthew```, ```Pricilla```, ```Mixamo Will```.
- Expected Result: Your eyes should focus on one of three points on the other avatars face: The left eye, the right eye and a point directly below bridge of the nose, typically the nose or the upper lip. Your eyes should switch between these points no faster than 330 ms, but no slower than 1 minute. Your eyes should be more likely to look at the eyes than the nose.
EYE-05 Test
- Objective: Eye gaze tracking for other avatars should work properly in first person desktop mode.
- Precondition: Enter a domain with one other person. You must have an HMD.
- Step 1: Ensure 'Display' > 'Desktop' is checked.
- Step 2: Move face to face with the other avatar.
- Step 3: Enter first person mode by pressing the 'p' key.
- Step 4: Have the other avatar rotate his head using an HMD.
- Step 5: Examine the other avatar's eyes closely.
- Test Data: Your avatar should be one of the following: ```Art3mis```, ```Matthew```, ```Pricilla```, ```Mixamo Will```.
- Expected Result: The other avatar's eyes should focus on one of the three points relative to your first person camera: A point to the left of your screen, A point to the right of your screen and a point below the bottom of your screen. The other avatar's eyes should switch between these points no faster than 330 ms and no slower than 1 minute. The other avatar's eyes should be more likely to look at the points to the side of your screen, than the one below the screen.
EYE-06 Test
- Objective: Eye gaze tracking for other avatars should work properly, in first person while wearing an HMD.
- Precondition: Enter a domain with one other person, that is wearing an HMD. Ensure 'Display' > 'Open VR (Vive)' or 'Display' > 'Oculus' is checked.
- Step 1: Move face to face with the other avatar.
- Step 2: Enter first person mode by pressing the 'p' key.
- Step 3: Have the other avatar rotate his head using an HMD.
- Step 4: Examine the other avatar's eyes closely.
- Test Data: Your avatar should be one of the following: ```Art3mis```, ```Matthew```, ```Pricilla```, ```Mixamo Will```.
- Expected Result: The other avatar's eyes should focus on one of the three points: Your left eye, your right eye, a point below the bridge of your nose. The other avatar's eyes should switch between these points no faster than 330 ms and no slower than 1 minute. The other avatar's eyes should be more likely to look your eyes then your nose.
EYE-07 Test
- Objective: Eye gaze tracking should stop looking at an avatar if you turn your head away from them, with and without an HMD.
- Precondition: Enter a domain with one other person. You must have an HMD.
- Step 1: Ensure 'Display' > 'Desktop' is checked.
- Step 2: Move face to face with another avatar.
- Step 3: Enter fullscreen mirror mode by pressing the 'h' key.
- Step 4: Use the arrow keys to turn toward and away from the other avatar.
- Step 5: Examine your eyes closely.
- Step 6: Repeat steps 1-5 while wearing an HMD.
- Test Data: Your avatar should be one of the following: ```Art3mis```, ```Matthew```, ```Pricilla```, ```Mixamo Will```.
- Expected Result: If your avatar's head is facing less than 45 degrees away from the other avatar, you should make eye contact with them. Otherwise your eyes should look 'straight ahead' and not be focused on the other avatar.


{% extends "base.html" %} {% block title %}Log in{% endblock %} {% block body %}
How far would you go to keep the hope of upscaling?


RICHARD III (1956) A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): ***
As I reported recently, Hollywood is on a Shakespeare tear. The studios just released three Shakespearean films and have more about to be unveiled. To compliment this, my all time favorite art house theater chain, the Camera Cinemas in San Jose, is having a Shakespeare festival where they are reviving some of the old and not so Shakespearean movies.
This week I got to see for the first time the Laurence Olivier classic RICHARD III from 1956. This is one of three Shakespearean films where Olivier was both director and star. The other two are HENRY V (1944) and HAMLET (1948). He got Academy Award nominations for the acting in all three of them. In HAMLET he actually won the award as well as garnered a nomination for best director.
When I saw the film, the theater was rather full. The people ranged from students who hadn't a clue as to why their teacher sent them to teachers to film buffs. Since the sign on the door incorrectly said LOOKING FOR RICHARD, perhaps there were even a few people there wondering when Al Pacino would show up on screen.
The audience's reaction was fascinating. The teenagers saw the costumes and the exaggerated acting style and laughed frequently at the film. To them the movie was a parody. Otto Heller's old saturated Technicolor print and Roger K. Furse's Disneyland style sets combined to look like the WIZARD OF OZ. Actually, it visually reminded me of THE 5,000 FINGERS OF DR. T. (1953). Moreover, Olivier's elaborate costumes, bad hairdo, and fake nose kept me thinking how much Olivier looked liked Hans Conried playing Dr. Terwilliker. Most of the rest of the audience seemed to have my reaction, an interesting film, but not quite what I had expected. It certainly does not possess the seriousness of his HENRY V.
The film opens with a hokey score by William Walton. Like most of the film, although it seems so dated today, it probably seemed fresh and stirring in its time. As the music plays, the audience reads the story's long background from a gilded scroll that moves by in front of them.
The sets have a fairy tale quality, and the whole movie, with the exception of the ending, has the claustrophobic feeling of a filmed play. Today's Shakespearean interpreters, especially Branagh and Zeffirelli, open up the plays much more when they bring them to the screen. In Olivier's days, most of the movies were filmed in the controlled environments of the studios' sound stages.
Another difference is in the way Shakespeare's text is adapted. Most modern screenwriters, most especially Baz Luhrmann with his screenplay this year for ROMEO AND JULIET, truncate long monologues. Ian McKellen's RICHARD III (1995), for example, had the famous "Now is the winter of our discontent made glorious summer" speech abbreviated and happening in a crowded ballroom. Alan Dent and Laurence Olivier's script for this Richard III edit only slightly the long monologues and have them delivered in sparsely furnished rooms so that the viewer has few distractions.
Here I must be honest, as much as I admired Olivier's RICHARD III, I found McKellen's more involving. Olivier's film is interesting and certainly the acting is excellent, but I had trouble getting over how dated it all seemed. Don't get me wrong, I do like old movies and think Olivier's HENRY V is brilliant.
"Conscience is but a word that cowards use," says Richard before the big ending battle at Bosworth Field. It is at this point that the movie really came alive for me. I particularly liked Stanley Baker as the Earl of Richmond, who later became King Henry VII. He looked like a cross between a Greek god and Lohengrin.
When the filming goes outdoors, in Spain, the colors change from being over saturated to being washed out. One never knows of course what the original prints looked like.
Olivier's RICHARD III is less serious and more colorful than I had expected, but it is a film well worth seeing.
I do not feel I can close without listing some of the many members of the cast. They include: Claire Bloom as Lady Anne Neville, Alec Clunes as Lord Hastings, John Gielgud as Duke of Clarence, Cedric Hardwicke as King Edward IV, Helen Haye as Duchess of York, Laurence Naismith as Lord Stanley, John Phillips as Duke of Norfolk, Ralph Richardson as Duke of Buckingham, and Patrick Troughton as James Tyrell.
RICHARD III ran 2:19 in the version I saw, but some footage has been lost over the years. Originally it ran about 2:40. The film is not rated but would get a G today. There is no sex, nudity, or bad language. The little violence is cartoonish, but there is a little blood. The film would be fine for a child of any age, but young children can only appreciate the visuals since the language is way too obscure for them. I recommend the film to you and give it ***.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: November 4, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Try Fωμ above!
Replace ASCII mnemonics with Unicode symbols on space
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This is a compositional work that demonstrate the amplification of electronic solar bugs (parent project) through household appliances. How can I expand the sociality of solar bugs beyond it's own scale? How can these tiny bugs be more influential and consequential? Group of objects that mediates solar bugs and appliances are called transients. Transients are a new species of electronic being that relays the patterns of solar bugs to the household appliances and manufactured electronics. Transients are mediators and amplifiers. They are agents of bugs. They are single synapse that make new connections, for the better and for the worse. Conditioning designed and stable electronics to become sensitive and vulnerable.
Solar bugs are tiny. They creates patterns of chirp based on amount of light they get fluctuating between 0V and 3V. Household appliance like printers and vacuum cleaners, they are larger in size and wants constant voltage of 120V. Transients cling on to the solar bugs with it's tentacles, listening closely of how they speak. Than transients creates patterns in the 120V in a pattern of how the solar bug spoke, allowing solar bugs to posses the appliances.
What does it mean to coordinate electronic objects that are not meant to be communicating to one another to be connected and be influenced?
Through possessing with bugs, can we access musical potential of of these appliances? Can we tune our environment and ourselves so we are able to consider 'insignificant' sound of functional to be expressive and musical?
This composition was installed through a flight of staircase and two landings.


This header block should be used only once.It contains a navigation bar which, when you scroll down and reach it will stick at the top of the page. You will see this header block in action inside "Layout 1", ""Layout 6".
This block has a special button called "View Features" which if you click it will jump to the next content block
To use this block you have to copy and paste the following HTML code from here or from the "ui-kit" folder:

Creative One Page Generator

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you can modify the existing content with whatever you want.
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are the carousel items like images,videos...
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$("#header-1-carousel").owlCarousel({ items:1, video:true, nav:false, videoHeight:600 });We strongly suggest to not modify any of these settings unless you have some coding experience because it may break the layout.
However, if you want to learn more about the carousel functionality and other options you can check out their website for more details.
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}
If you want to change the background color look for .jumbotron class and from there it's pretty straightforward.
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This header block should be used only once.It contains a navigation bar which, when you scroll down will slowly dissapear and when you scroll up will appear. You will see this header block in action inside "Layout 3", "Layout 4".
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you can modify the existing content with whatever you want.
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you can modify the image and the caption for each slide.
You can control some settings/effects via "main.js" file which you can find inside "common > js" folders. Here are the settings for the carousel:
$("#header-2-carousel").owlCarousel({ items:1, animateOut: 'fadeOut', });
"fadeOut" value is the only built-in CSS animate style. However there are tons of additional CSS animations that you can use in Owl. Simply download animate.css library and you are ready to extend Owl with new fancy transitions.
We strongly suggest to not modify any of these settings unless you have some coding experience because it may break the layout.However, if you want to learn more about the carousel functionality and other options you can check out their website for more details
This header block should be used only once.It contains a special navigation bar which will nicely slide in when you click on the menu icon. You will see this header block in action inside "Layout 2", "Layout 5".
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DRAG & DROP GENERATOR

We've made it straightforward for you. All you have to do is drag and drop the components as you like.

You can easily modify how the navigation will behave via "main.js" file:
$('.menu-link').bigSlide({ side: 'right', // here you can choose where the menu will be place (left or right). menuWidth: '22.625em' });We strongly suggest to not modify any of these settings unless you have some coding experience because it may break the layout.
Inside the
...

you cand modify the content with whatever you want.
You can change the background image via CSS or LESS. Open "header-03.css" or "header-03.less" and look for
.header-03-sub { background: url(../../../common/images/bg.jpg) no-repeat center center fixed; -webkit-background-size: cover; -moz-background-size: cover; -o-background-size: cover; background-size: cover; height: 800px; }and there you will find the background property.
This block has a special button which if you click it will jump to the next content block


This is the angular 2 app that uses the spotify web API to find artists and display albums and tracks


All of these should be changed to suit your project.
Defines | |
| #define | UIP_FIXEDADDR |
| Determines if uIP should use a fixed IP address or not. | |
| #define | UIP_PINGADDRCONF |
| Ping IP address asignment. | |
| #define | UIP_IPADDR0 |
| The first octet of the IP address of this uIP node, if UIP_FIXEDADDR is 1. | |
| #define | UIP_IPADDR1 |
| The second octet of the IP address of this uIP node, if UIP_FIXEDADDR is 1. | |
| #define | UIP_IPADDR2 |
| The third octet of the IP address of this uIP node, if UIP_FIXEDADDR is 1. | |
| #define | UIP_IPADDR3 |
| The fourth octet of the IP address of this uIP node, if UIP_FIXEDADDR is 1. | |
| #define | UIP_NETMASK0 |
| The first octet of the netmask of this uIP node, if UIP_FIXEDADDR is 1. | |
| #define | UIP_NETMASK1 |
| The second octet of the netmask of this uIP node, if UIP_FIXEDADDR is 1. | |
| #define | UIP_NETMASK2 |
| The third octet of the netmask of this uIP node, if UIP_FIXEDADDR is 1. | |
| #define | UIP_NETMASK3 |
| The fourth octet of the netmask of this uIP node, if UIP_FIXEDADDR is 1. | |
| #define | UIP_DRIPADDR0 |
| The first octet of the IP address of the default router, if UIP_FIXEDADDR is 1. | |
| #define | UIP_DRIPADDR1 |
| The second octet of the IP address of the default router, if UIP_FIXEDADDR is 1. | |
| #define | UIP_DRIPADDR2 |
| The third octet of the IP address of the default router, if UIP_FIXEDADDR is 1. | |
| #define | UIP_DRIPADDR3 |
| The fourth octet of the IP address of the default router, if UIP_FIXEDADDR is 1. | |
| #define | UIP_FIXEDETHADDR |
| Specifies if the uIP ARP module should be compiled with a fixed Ethernet MAC address or not. | |
| #define | UIP_ETHADDR0 |
| The first octet of the Ethernet address if UIP_FIXEDETHADDR is 1. | |
| #define | UIP_ETHADDR1 |
| The second octet of the Ethernet address if UIP_FIXEDETHADDR is 1. | |
| #define | UIP_ETHADDR2 |
| The third octet of the Ethernet address if UIP_FIXEDETHADDR is 1. | |
| #define | UIP_ETHADDR3 |
| The fourth octet of the Ethernet address if UIP_FIXEDETHADDR is 1. | |
| #define | UIP_ETHADDR4 |
| The fifth octet of the Ethernet address if UIP_FIXEDETHADDR is 1. | |
| #define | UIP_ETHADDR5 |
| The sixth octet of the Ethernet address if UIP_FIXEDETHADDR is 1. |
|
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Determines if uIP should use a fixed IP address or not. If uIP should use a fixed IP address, the settings are set in the uipopt.h file. If not, the macros uip_sethostaddr(), uip_setdraddr() and uip_setnetmask() should be used instead. |
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Specifies if the uIP ARP module should be compiled with a fixed Ethernet MAC address or not. If this configuration option is 0, the macro uip_setethaddr() can be used to specify the Ethernet address at run-time. |
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Ping IP address asignment. uIP uses a "ping" packets for setting its own IP address if this option is set. If so, uIP will start with an empty IP address and the destination IP address of the first incoming "ping" (ICMP echo) packet will be used for setting the hosts IP address.
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This is short text.
First line of first paragraph. Second line of second paragraph 2 > 2.
2 > 2
Escape: if 2 > 3 then ©
Unknown tag: . And many empty lines.
Not closed tag:


Side With Us Records
Asian Man Records
Saint Rose Records
Broke Hatre
Don't Look Down Records
Parks and Records
Burning Token
20 Sided Records
Amigo/Amiga Records
Father/Daughter Records
Artist Home
Social Imprints
Designed By Monkeys
The Dinosaur Factory
Love Custom Drums
Onstage with Jim and Tom
Creative Adult
Culture Abuse
The Velvet Teen
TV Heads
Daniel Crook
The New Trust
Unconditional Arms
Manzanita Falls
Gazelle(s)
Great Apes
Jet Trash
Couches
The Illumignarly
Bombay Beach
The Soft White Sixties
Survival Guide
Travis Hayes
John Courage
The Drought Cult
Tsunami Bomb


Classes and ids are naming conventions that allow you to manipulate each element that is associated with a specific class or id. A class can be applied to multiple elements, whereas an id should only be applied to one specific element. In the css file, you can reference the class that you applied to multiple elements and then manipulate all of the content at once. For an id, you can reference the id and create a unique set of manipulations for that one specific element. In the hierarchy of how the browser reads the imformation, an id tag will override a class tag.


haloo totole hier
Sublime Merge is cross-platform Git client, done the Sublime Text way. Click here to learn more… Bundled license keys are accepted by ST4 and Sublime Merge, but not by ST3 and earlier
Sublime Merge is cross-platform Git client, done the Sublime Text way. Click here to learn more… Bundled license keys are accepted by ST4 and Sublime Merge, but not by ST3 and earlier
SQL is a standard language for storing, manipulating and retrieving data in databases. Our SQL tutorial will teach you how to use SQL in: MySQL, SQL Server, MS Access, Oracle, Sybase, Informix, Postgres, and other database systems.
Always specify both the height and width attributes for images. If height and width are set, the space required for the image is reserved when the page is loaded. However, without these attributes, the browser does not know the size of the image, and cannot reserve the appropriate space to it. The effect will be that the page layout will change during loading (while the images load). Tip: Downsizing a large image with the height and width attributes forces a user to download the large image (even if it looks small on the page). To avoid this, rescale the image with a program before using it on a page. Sublime Merge is cross-platform Git client, done the Sublime Text way. Click here to learn more… Bundled license keys are accepted by ST4 and Sublime Merge, but not by ST3 and earlier