囲炉裏
Irori
Irori (囲炉裏 or 居炉裏) is an open, sunken hearth in traditional Japanese buildings. They are used for cooking, heating, lighting, drying clothing, and even improved durability of homes.
Irori are typically square-shaped pits in the floor. Construction and size depends on what type it is and what kind of building it belongs to.
— Functions
Cooking: For cooking, there were tripods that you could place pots on, or from the celling, a pole hung down with an adjustable pothook called jizaikagi (自在鈎). At the end of the jizaikagi, one could attach a pot for cooking. Around the fire, one could put skewered fish standing up into the ash to roast.
Heating: The irori was often constructed in the center of the room of traditional homes to provide heat to the family. The family would gather around the fire to stay warm during the cold winter months.
Lighting: As there was no electricity, the fire was used to light the house.
Drying Clothes: When cloths became wet, people would lay them out next to the fire to dry.
Improving Durability: Japan is generally a very wet country. Because of this, the wood in traditional houses would trap moisture. The heat of the fire in the irori dried out the moisture trapped in the wood. This helps prevent the wood from rotting. Irori also proved to be a good bug repellent.
— Types of Irori
There are two main types:
The more simple of the two is a pit directly in the ground, which was filled with sand and ash and surrounded with stone and wood. This type could be found in prehistoric homes and the homes of the poorer classes (esp. minka of the Edo period.
The other type was constructed into the raised wooden flooring, takayuka (高床), and surrounded with wood (and occasionally stone). Under the building, a mound of stone and earth was built up to reach the raised flooring, constructing the base of the hearth. The fire pit was then made in the center of this and lined with a plaster called shikkui (漆喰).
— History
By the Heian period, irori were already in use in houses of the upper class. At that time, they were called jihiro (地火炉). There were also used in shoin-zukuri styled homes. They were found in kitchens, tea ceremony rooms, and tea houses.
Nowadays, it is extremely hard to find an irori, as they have mostly been fazed out. You can find them in the occasional inn or museum, however.
The common class homes, Minka, irori were found in the kitchen and in the center of the living room. Ones found in the living room were the center point for the family's everyday life and where informal visitors were entertained.
Irori found in Minka were a feature all across the country. In the Tōhoku region, you could even find two in one house. However, in the Kansai region, by the mid-Edo period, there were virtually exitinct near any major urban areas.
— Names
Irori can have different names and pronunciations depending on where in Japan you are. Some of the more common ones are yururi (ゆるり), yurui (ゆるい), irui (いるい), yuri (ゆり), iri (いり), ennaka (えんなか), hinata (ひなた), hitakijiro (火焚き地炉), hijiro (火地炉).


Recal is a quick hack I use when my Palm loses its digitizer settings. This unfortunately happens once in a while (and after every reset!).
The problem I am facing is that the Preferences dialog is brought up after a reset. This, for most devices, is ok. Unfortunately my device forgets its digitizer settings so that I am unable to do anything on the Preferences screen.
This is a braindead design on an otherwise quite cool device. "Hmmm ... let's NOT calibrate the digitizer before presenting any options to the user ..."
The only way to get a chance to recalibrate the digitizer is by doing a Hard Reset - wiping all programs, settings and data from the device. Not a usable solution.
Enter Recal. Recal will, when the device is reset, wait 5 (or so) seconds and then launch the digitizer calibration program before the Preferences screen is shown.
You can support this project by donating any amount to my Pay Pal account.
Changelog:
v2.8 (2006-09-01) Fixed a bug where Recal would crash on OS3.0/OS3.1 devices when auto- recalibrating. This will, however, re-introduce the display light-up removed in v2.5 ... hmmm - you can't win 'em all! v2.7 (2006-08-28) Removed the dependency on OS3.5. Recal now runs on Palm OS 3.0 and better. v2.6 (2006-07-17) Fixed a bug where, if you went through 5 digitizing attempt, Recal may restore invalid digitizer settings. If any previous setting had been made they're used instead. Hard keys now exits the Digitizer screen. Timeout on digitizer screen - if no taps are detected within a configurable amount the Digitizer screen will exit. 5 Way support. The precision can now be configured. v2.5 (2006-01-15) Enlarged the Recalibrate button. Changed versioning from v2rX to v2.X. Added better icons. Added support for Hi-Density screens. AutoDigi is now a procedure alarm - the display on certain models shouldn't light up when auto calibrating the display! v2r4 (2005-09-14) When using AutoDigi, do not turn on display on earlier devices when doing calibration. v2r3 (2005-08-21) Recal now works on OS3 devices as well. On these devices you'd get a FatalError exception due to a use of a system routine not available on these devices. v2r2 (2005-08-12) Added a "handbrake" so that the digitizer screen won't loop forever - after 5 attempts it will abort. v2r1 (2005-07-03) AutoDigi, notifications prefs, own digitizer etc. etc. - this is Recal-1r4 reworked! v1r4 (2005-03-22) Fixed a bug with notifications introduced in 1r3 - recal now actually honours the Notifications setting. v1r3 (2005-03-19) Support for notifications. Changed home to http://www.schau.com/p/recal/index.html v1r2 (2003-12-27) Up/Down buttons acts as Yes/No on the calibrate screen. Delay before popping up the recalibration screen can be changed. v1r1 (2002-09-13) Initial release.


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import controllers._ @import uk.gov.hmrc.govukfrontend.views.html.components._ @import forms.mappings.ConversationForm._ @this(mainWithHeaders: views.html.main_with_headers_fullwidth, govukPanel: GovukPanel) @(message: String)(implicit request: Request[_], messages: Messages) @mainWithHeaders(title = "error page") {


Family Connections Counseling and Evaluation Services has been meeting the mental health needs of the greater Richmond and surrounding areas since 1986. We are conveniently located in the heart of Chester, making us easily accessible to the counties of Chesterfield, Henrico, and Hanover, as well as Hopewell, Colonial Heights, and Richmond City. Our highly skilled clinical staff is committed to providing affordable, high quality mental health and wellness services to a diverse population across the lifespan. Our providers are passionate about what they do. We believe that with a little help our clients have the power within to make positive changes and live happier lives. Our customer satisfaction is evident through our number one referral source, previous clients, who refer their family members, friends, and colleagues.
Our clinical approach is what sets Family Connections apart from many other counseling practices. While we offer a wide variety of services including individual, marital, and family counseling, as well as comprehensive psychological evaluations, each client is given the opportunity to complete basic screening measures to help us better understand their problems. We believe it is important to understand the roots of our clients’ struggles in order to ensure a positive, counseling outcome.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Sapiente esse necessitatibus neque sequi doloribus.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Sapiente esse necessitatibus neque sequi doloribus totam ut praesentium aut.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Sapiente esse necessitatibus neque.


Mysterious Wizard:
It may sound funny coming from a Dark Mage, but I don't like dealing with the dead. It's only trouble.
Back


Plugin Information |
|---|
View GraphQL API Server on the plugin site for more information. |
A GraphQL implementation of the Jenkins API
Changelog
See https://github.com/jenkinsci/graphql-server-plugin/releases
Plugin Information |
|---|
View GraphQL API Server on the plugin site for more information. |
A GraphQL implementation of the Jenkins API
See https://github.com/jenkinsci/graphql-server-plugin/releases


Binary Classification of Facial Expression using Convolutional Neural Networks
Select an image with a person's face and smIleBM will try to predict if they are
smiling or not...
This beta v1 application assumes the sample image is a cut-out close-up picture of a person's face
without any extra pixels or a background. A newer update would use a Haar cascade classifier to extract the facial
region of interest from a wider range of images before classification. You can find test image samples at
My Github


-
My life fades. The vision dims. All that remains are memories. I remember a time of chaos... ruined dreams... this wasted land. But most of all, I remember The Road Warrior. The man we called "Max." To understand who he was, you have to go back to another time...
-
I'm sorry, did I break your concentration? I didn't mean to do that. Please, continue, you were saying something about best intentions. What's the matter? Oh, you were finished! Well, allow me to retort. What does Marsellus Wallace look like?
-
Way out west there was this fella... fella I wanna tell ya about. Fella by the name of Jeff Lebowski. At least that was the handle his loving parents gave him, but he never had much use for it himself. Mr. Lebowski, he called himself "The Dude"


-
-
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{{/each}}
{{#each this.epglistIT}}
-
{{Ch_sort}} - {{Ch_name}}{{EPG[0].start}} - {{EPG[0].end}}{{EPG[0].title}}
{{/each}}


AN OFFER FROM, MR JAMES ROBERTS. Dear Sir/Madam, Am an attorney to Mr Grant Woods A wealthy businessman who died with his family (wife and two of his kids) in a ghastly motor accident here in the UK 3years ago. When he was writing his will, he disclosed to me about a fixed deposit of GP5.2Million with a bank here in Uk, with orders on how it should be shared between his wife and kids if anything happens to him. Since he died, frantic efforts made by me and the aurthorities here to locate any of his relatives to come and lay claim to his estate has not been possible and In Great Britian fund that are unclaimable after six years will be returned to Her Majesty. I seek to make you stand in as a relative to this man and If you are interested please reply me so that I will educate you on how I have planned to execute this and also discuss on how we are going to share the funds. Pls send your reply to mym private address<EMAIL_ADDRESS>Best Wishes, MR. James Roberts.


Crunchy carrot and cabbage salad with a peanut dressing recipe
by Diana HenryIt’s important that this salad is really crunchy. Prepare it near to the time you want to serve it, so that it doesn’t get soft. If you can find little purple micro-leaves then add them to this salad – they look really good
Prep time: 20 minutes
SERVES
eight
INGREDIENTS
For the dressing
- 90g smooth peanut butter
- 2 tbsp lime juice
- 2 tbsp rice vinegar
- 2 tbsp soy sauce
- 2 tbsp honey
- 2 tsp sesame oil
- ½ red chilli, deseeded and very finely chopped
- 1 small garlic clove, grated to a purée
- 1½cm square piece of ginger root, peeled and grated to a purée
For the salad
- 200g carrots, preferably of different colours, cut into matchsticks
- 100g mooli, cut into matchsticks
- 100g radishes, trimmed and cut into matchsticks
- 160g white cabbage (dense core removed), shredded
- 160g red cabbage (dense core removed), shredded
- 10g coriander leaves
- 3 spring onions, finely sliced on the diagonal
METHOD
- Put everything for the dressing in a food processor or blender with 2 tbsp hot water and blitz, or mix everything together with a fork, beating vigorously. You should have quite a smooth mixture. Cover and set aside.
- Once cut into matchsticks, put the carrots, mooli and radishes into a bowl of iced water. This really crisps the vegetables.
- Before serving, drain them and dry in a clean tea towel. Toss them in a bowl with the cabbage, coriander and most of the spring onions. Either drizzle the dressing over the top before scattering with the rest of the spring onions, or serve the dressing on the side and let people help themselves.


above |
K'un The Receptive, Earth |
|
below |
Ken Keeping Still, Mountain |
Modesty creates success.
The superior man carries things through.
Within the earth, a mountain:
The image of Modesty.
Thus the superior man reduces that which is too much,
And augments that which is too little.
He weighs things and makes them equal.
Six at the beginning means:
A superior man modest about his modesty
May cross the great water.
Good fortune.
Six in the second place means:
Modesty that comes to expression.
Perseverance brings good fortune.
Nine in the third place means:
A superior man of modesty and merit
Carries things to conclusion.
Good fortune.
Six in the fourth place means:
Nothing that would not further modesty
In movement.
Six in the fifth place means:
No boasting of wealth before one's neighbor.
It is favorable to attack with force.
Nothing that would not further.
Six at the top means:
Modesty that comes to expression.
It is favorable to set armies marching
To chastise one's own city and one's country.


PFBTOPS
Section: User Commands (1)Updated: 27 June 2001
Index Return to Main Contents
NAME
pfbtops - translate a PostScript font in .pfb format to ASCIISYNOPSIS
pfbtops [ pfb_file ]DESCRIPTION
pfbtops translates a PostScript font in .pfb format to ASCII. If pfb_file is omitted the pfb file will be read from the standard input. The ASCII format PostScript font will be written on the standard output. PostScript fonts for MS-DOS are normally supplied in .pfb format.The resulting ASCII format PostScript font can be used with groff. It must first be listed in /usr/share/groff/<IP_ADDRESS>/font/devps/download.
SEE ALSO
grops(1)
Index
This document was created by man2html, using the manual pages.
Time: 05:29:09 GMT, December 24, 2015


Kareena Kapoor unveils ICC Women's T20 World Cup trophy
by ANIHighlights
- Australia and India will lock horns in the opening match of the World Cup on February 21.
- Bangladesh will face defending champions Australia in their first match of the tournament on February 27.
- The final of the tournament will be played at the MCG on March 8.
NEW DELHI: Bollywood actor Kareena Kapoor Khan unveiled the trophy of the ICC Women's T20 World Cup in Melbourne on Friday.
"Bollywood star Kareena Kapoor is counting down to the @ICC Women's #T20WorldCup. Who's joining her to fill the @MCG for the final on International Women's Day?" T20 World Cup tweeted.
The Women's T20 World Cup will kick-off on February 21, 2020.
Bangladesh won the qualifying event in Scotland and as a result, they have been placed in Group A for the upcoming World Cup along with defending champions Australia, India, New Zealand, and Sri Lanka. Bangladesh will face defending champions Australia in their first match of the tournament on February 27.
Thailand, who played their first women's international match 12 years ago, scripted history by qualifying for the tournament. They have been placed in Group B along with England, South Africa, West Indies, and Pakistan. They will take on West Indies in their opening match on February 22, 2020.
The eight top-ranked teams based on finishing positions from the last ICC T20 World Cup in the West Indies in 2018, automatically qualified for the tournament, as fixtures involving those teams were announced in January this year.
Australia and India will lock horns in the opening match of the World Cup on February 21.
The final of the tournament will be played at the Melbourne Cricket Ground (MCG), on March 8 is also known as International Women's Day.
Later in the year, 16 teams will be participating in the ICC Men's T20 World Cup 2020 from October 18 - November 15. Australia will play their first match of the tournament against Pakistan on October 24. India will face South Africa in their first match of the tournament on the same date.


To understand this better, assume that we have two energies, \( E_i \) and \( E_j \), with \( E_i < E_j \). This means that the largest acceptance value must be \( A(j\rightarrow i) \) since we move to a state with lower energy. It follows from also from the fact that the probability \( w_i \) is larger than \( w_j \). The trick then is to fix this value to \( A(j\rightarrow i)=1 \). It means that the other acceptance probability has to be $$ \begin{equation*} A(i\rightarrow j)= \exp{(-\beta(E_j-E_i))}. \end{equation*} $$


11 October 2006
As of 11 October, 4 cases of botulism associated with commercial carrot juice have been reported in the states of Georgia and Florida in the United States. Two cases have been reported in Toronto, Canada. All cases had consumed the same brand of carrot juice and no fatalities have been reported to date. The United States Centers for Disease Prevention and Control and the Canadian Food Inspection Agency have issued advisory information.
The International Food Safety Authorities Network (INFOSAN) has notified Mexico and Hong Kong SAR where the carrot juice has also been exported.


Peerlan extension settings
Authentication key
*
:
Copy the Authentication key from
your profile page
.
Save settings


Getting Started
Click to view an overview of our project through our final poster here
Let's get straight to it! Make sure you have the right libraries installed. Then, clone the repo and run the program:
$ cd your_repo_root
$ git clone https://github.com/ctada/napCAD.git
$ cd napCad
$ python gui_test.py
At this point, the following screen should pop up. Hold up your drawn geometric net to your webcam, and click "Preview 3D Model". The green lines on screen represent the edges that the program "sees" in your drawing. After previewing, you can save the 3D render and STL file, or try a new sketch.
The result will look something like the following. Note that the scale of the 3D render may be skewed; the coordinate values on the axes should still be accurate, however. Click, hold, and drag on the figure to view the folded form from multiple perspectives. In the lower left, a toolbar also provides additional options, such as saving the figure (NOTE: This is NOT the same as saving the STL file).
Libraries and Dependencies
In writing the code, the following libraries were used:
Auto-installed:
- Tkinter
- Numpy
- Math
- Collections
- Stlwriter (comes with repo)
Will need to be installed:
- OpenCV
- Scipy
- Pillow
- Matplotlib
To install these libraries, enter the following into command line. NOTE: This assumes a Debian/ Ubuntu operating system.
$ sudo apt-get install python-numpy python-scipy python-matplotlib
$ sudo pip install Pillow
$ sudo apt-get install python-imaging-tk
A couple things in case you run into issues:
1. If you need to install dependencies for the above libraries (in this example, python-matplotlib), try
sudo apt-get build-dep python-matplotlib
2. The following error may show up when running code that contains OpenCV:
ValueError: too many values to unpack
If this happens, change the beginning of line 74 in napCAD.py and line 30 in read_box_image.py from “(cnts,_) ” to “_,cnts, _” and the code will run. We believe this is an issue with OpenCV versions, but we're still working on confirming that hypothesis.
Project Documentation
Documentation for each module is below:
Project management documents that track progress over the course of the project are below:
- Project Proposal
- Design Review Framing Document
- Design Review Reflection
- Code Review Framing Document
- Code Review Reflection
- Final Poster
Authors and Contributors
This project was created as part of the Software Design course at Olin College, Spring 2015. The team consists of Kathryn Hite (@kghite), Shivali Chandra (@skchandra), Caleb Kissel (@ckissel), and Celine Ta (@ctada).
Support or Contact
Having trouble with Pages? Check out the documentation at https://help.github.com/pages or contact<EMAIL_ADDRESS>and we’ll help you sort it out.


State of the Summer
Okay, so it’s almost August and I’m already starting to feel remorse that the summer is almost over. I’m not sure why—it’s not like I’ve ever…
Okay, so it’s almost August and I’m already starting to feel remorse that the summer is almost over. I’m not sure why—it’s not like I’ve ever…
This is the body…


But whats that? You don't know where exactly you should take your vacation?
Then we have a solution for you
Using complex logic, complex alogrithms, and a survey we can give you a rough idea where you should go for vacation! Click the button below to begin.
Come to Japan!
Based of your answers, you should plan to take you vacation in the land of the cherry blossoms. If you wish to see the cherry blossoms plan on booking a vacy in April, as with the coming of spring comes fleeting beauty of cherry blossoms.
Come to New Zealand!
Based of your answers, you should plan to take your vacation into the land of hobbits and sunshine. New Zealand has plenty to offer a Lord of the Rings enthusiaist, with tours of the locations in the famous triology. For those who could care less why a group of hobbits is traveling to Mt.Doom, there is plenty of sand, surf, and pristine waters to enjoy. Just look out for sharks, and maybe a stray orc or two.
Come to Carribean!
Based of your answers, you should plan to take your vacation to the tropical islands of the Carribean. Here you can find breath taking sunsets as you kayak back to the shore. Dive into the blue oceans and swim among the denizens of the deep, or perhaps go snorkeling in the in the colorful reefs. Or if find that too mundane, gather your best mates under the Jolly Rodger and create your own pirate legacy, be it four centuries too late.
Come to Iceland!
Based of your answers, you should plan to take your vacation to the land famous for runes, vikings, and Norse Mythology. Take a relaxing dip into the Blue Lagoon, or chose to go hiking in one of the many national parks. And if you plan to visit during fall or winter seasons, look up to the skies and gaze upon the beauty of the Aurora Borealis.


The charts represent basic metrics of a database while crawling a test website with simplecrawler backed by simplecrawler-mongo-queue on a virtual machine (1 CPU / 1 GB memory / 25 GB SSD disk). The collection size is about 2 M records. The data provided by MongoDB free monitoring.


The recovery in EUR/JPY remains well and sound at the beginning of the week sustained by the renewed selling pressure in the Japanese yen.
Immediately above emerges the next hurdle at October tops in the 121.50 region. A breakout of this area is needed to attempt a move to the key 200-day SMA, today at 121.81.
On the flip side, the resumption of the bearish mood should meet a cluster of support levels in the 119.46/24 band, where converge the 100-day SMA, last week’s low and the 55-day SMA.


| 1220 | (A) | that was ałłe raylede the ruffe with rubyes fułł grete |
| 1223 | (C) | That was rayled in þe roofe . with rubyes ryche |
| 1206 | (D) | That was raylid þe rofe wiþ rubies grete |
| 1183 | (E) | of which þe roof al was . with rubyes arayed |
| (Ex) | ---- no text ---- | |
| 1248 | (L) | þat was rayled þe roof with rebies grete |
| (P) | ---- no text ---- | |
| 1191 | (U) | That was arraied the rofe / with rubyes grete |
| 284 | (V) | þat was all railled þe roof . with rubies grete |


Robotic Events and Competition across the World
Color Keys
January
Techfest
Singapore Robotic Games
ION Autonomous Snowplow Competition
Powered by Sun
Kurukshetra
Robotix
FIRST LEGO League of Central Europe
Inter-School Robotics Challenge
February
Motorama Robot Conflict
Pragyan
Quark Roboficial
March
METU Robotics Days
AMD Jerry Sanders Creative Design Contest
APEC Micromouse Contest
Festival de Robotique
Manitoba Robot Games
RobotChallenge
Apogee iStrike
Cognizance
EMBED National Robotics Challenge
Robotics Tournament
Techkriti RoboGames
April
Brown IEEE Robotics Competition
FIRST Robotics Competition
VEX Robotics World Championship
Greater Philadelphia SeaPerch Challenge
Alabama Robotics Competition
Alcabot-Hispabot
Carnegie Mellon Mobot Races
CIRC Central Illinois Bot Brawl
DTU RoboCup
Istanbul Technical University Robotic Olympics
Istrobot
Mercury Remote Robot Challenge
National Robotics Challenge
Penn State Abington Fire-Fighting Robot Contest
Penn State Abington Mini Grand Challenge
Robotdalen Robotics Innovation Challenge
RoboRodentia
RObotX
Robot-SM
The Tech Museum of Innovation's Annual Tech Challenge
Trinity College Fire Fighting Home Robot Contest
UC Davis Picnic Day MicroMouse contest
UNI MiniSumo Robotics Competition
May
ICRA Robot Challenge
Baltic Robot Sumo
CybAiRBot
Hawaii Underwater Robot Challenge
Eurobot
Motodrone AFO Competition
NATCAR
National SeaPerch Challenge
RoboFest
RoboRave
SPURT
Chibots SRS Robo-Magellan
Swiss Eurobot
University Rover Challenge
Western Canadian Robot Games
June
AUVS International Ground Robotics Competition
Concurso Robótica Radio Servicio Aguilar
HBRC Challenge
International Autonomous Robot Contest
Los Angeles/Orange County Robot Challenge
MATE ROV Competition
NASA RASCAL Robo-Ops
NASA Sample Return Robot Challenge
National Underwater Robotics Challenge
RoboCup Robot Soccer World Cup
Pobot Junior Cup
Robotic Day
Sparkfun Autonomous Vehicle Competition
UK National Micromouse Competition
July
WCCI Competition
ASABE Robotics Competition
International Autonomous Robot Racing Competition
AAAI Mobile Robot Competition
International RoboSub Competition
Botball National Tournament
K*bot World Championships
Microtransat Challenge
RoboBombeiro
Robocore
August
Missouri State Fair Robot Expo
International Micro Air Vehicle Competition
DragonCon Robot Battles
AUVS International Aerial Robotics Competition
FIRA Robot World Cup
September
UAV Outback Challenge
euRathlon
MindSpark
National Junior Robotics Competition
Nigeria Robotics Championship
RoboCup Junior Australia
Robothon
Robotour
Robots Intellect
Sumo.uy
World Robotic Sailing Championship
October
CalGames
Chibotica
Critter Crunch
Korea Intelligent Robot Contest
Latin American Robotics Competition
Concetto
November
Bloomington VEX Tournament
Texas BEST competition
STHLM Robot Championship
International Micro Robot Maze Contest
AHRC Robot Rally
Robotex
All Japan MicroMouse Contest
Robocon
Robotic Arena
DPRG RoboRama
Singapore Inter-School Micromouse Competition
December
ROBOEXOTICA
South's BEST competition
IROC International Robot Olympiad
Penn State Abington Robo-Hoops
Click on the months to see the events taking place in the same.


Hungary
My first trip post college was spent roaming the Balkan states with three like minded explorers. We traveled through 5 countries in less than two weeks on a nifty and sometimes smelly coach bus. Throughout my journey my expectations of former Yugoslavia were defied at every turn. I had pictured dilapidated communist style buildings, but was surprised to find gorgeous structures of neoclassical and baroque styles. I expected to be in awe by the cities we visited, but spent most of my time marveling at gorgeous turquoise waters and plush hills. Our first stop was Budapest. The capital of Hungary can be split into two parts Buda and Pest. Buda is the hilly residential side, while Pest is the flat metroplis. Buda and Pest straddle either side the Danube and are connected by an array of bridges. When in Budapest visit the ruin bars and stop by the open air market for hand crafted souvenirs. Make sure to try some goulash and chicken paprikash. Regrettably we only had two days in Budapest, I can’t wait to go back and explore some more.


LEDGER
A ledger app for M-Pesa.
Ledger works by reading M-Pesa messages and extracting key data from them.


China's Communist Party pledges to master core technologies
BEIJING (Reuters) - China’s communist party says it plans to build a new type of nationwide system to master core technologies and become an innovation-driven country, the ruling Communist Party said on Tuesday, following a meeting last week of its senior leadership.
China will improve the state laboratory system and support large and small enterprises in innovation, the party said, in a long statement carried by state news agency Xinhua.


When programmers debug a program, they search for a failure cause, which could lie in the code, the input, or the environment. This cause must be found and eliminated. Once the cause is eliminated, the program works. (Should the program still fail once the cause is eliminated, we may need to revise our beliefs about the cause.)
The general process for finding causes is called the scientific method. Applied to program failures, it works as follows:
Use the hypothesis to make predictions.
Put your predictions to the test by experiments and further observations:
If experiment and observation satisfy the prediction, refine the hypothesis.
If not, find an alternate hypothesis.
Repeat steps 3 and 4 until the hypothesis can no longer be refined.
Eventually, the hypothesis thus becomes a theory. This means that you have a conceptual framework that explains (and predicts) some aspect of the universe. Your failing program may be a very small aspect of the universe, but still, the resulting theory should neatly predict where you should fix your program.
To obtain such a theory, programmers apply the scientific method as they walk back through the cause-effect-chain that led to the failure. They:
Among all methods, hints, and tricks, the consistent and disciplined use of the scientific method is the key to becoming a debugging master. This means three things:
Be explicit
Formulate your hypothesis explicitly. Write it down or explain your problem to other people. Keep a written track of your hypotheses and observations so you can interrupt your work and start the next morning with a fresh mind.
Be systematic
Make sure you know what you're doing. Don't investigate (or change) something at random without having a clear hypothesis and a resulting prediction. Be sure you do not miss possible failure causes.
The scientific method guarantees you will find a cause, but it does not tell you when. Identify possible failure causes first, and then focus on those where the product of likelihood and effort is minimal.
Unfortunately, interactive debuggers as they stand do not support the scientific method. To be sure, debuggers are great tools to poke around and investigate code and its results at will. This is a good thing—but only for skilled programmers who know how to use debuggers systematically. I'd rather see programmers trained in systematic debugging methods than in fancy debugging tools. (And I still feel guilty having written a fancy debugging tool myself.)


Data Preprocessing in Machine Learning
What is Data Preprocessing?
Data Preprocessing is a technique that is used to convert the raw data into a clean data set. It is the most important step to oraganize the data into meaningful manner. Its main aim is to produce clean and efficient code so that it can be easily be understood by machine. It also helps to reduce the time while analyzing the data and also improves to understand the code and increase readability.
Why Data Preprocessing?
Since now-a-days thw world highly depends upon data and the data needs to be organised in appropriate manner.Data preprocessing helps in the real-world data to store efficiently and thereby making it ready-to-go for Machine Learning Models. It also helps to select the most efficient model in Machine Learning.
Various Steps in Data Preprocessing in Machine Learning.
1. Importing the libraries.
The predefined Python libraries can perform specific data preprocessing jobs.
The three core Python libraries used for this data preprocessing in Machine Learning are:
a. Numpy
import numpy as np
It is the fundamental library which is used for the scientific calculations and is widely used. It is mainly used to deal with large multidimensional arrays and matrices in the code.
b. Matplotlib
import matplotlib.pyplot as plt
It is a library which is used to plot any type of charts and graphs across any platform like: Jupyter Notebook or Web Application Servers. It helps to easily visualize the data.
c. Pandas
import pandas as pd
Pandas is an excellent open-source Python library for data manipulation and analysis. It is extensively used for importing the Dataset and also create matrix of features and dependent variables.
2. Importing the Dataset
Here we need to import the datasets which we have collected for our machine learning project.
Steps for Importing Data set in Jupyter notebook
- Click on upload to upload the data from our pc.
- Make sure your file has .csv extention (i.e. Data.csv)
- The file should be uploaded in the same folder as that of source code.
Now save the file in the same directory where all the other files have been stored.
read_csv() function:
Now to import the dataset, we will use read_csv() function of pandas library, which is used to read a csv file and performs various operations on it. read_csv() function can be used as follows:
dataset= pd.read_csv("Name of the data.csv")
Extracting Dependent and Independent Variable
Independent Variable: Independent variables are the input for a process that is being analyzes basically referred as Features and here we are denoting it by x.
Dependent Variables: Dependent variables are the output of the process, like for example whether we have purchased the product or not and here we are denoting it by y.
Extracting Independent Variable: Here in order to extract the variable iloc[] method of pandas library is used and extract rows and columns of the data set.
x= dataset.iloc[:,:-1].values
Extracting Dependent Variable: Here in order to extract the variable again iloc[] method of pandas library is used.
y= dataset.iloc[:,:-1].values
3. Handling missing Data
It is the most important step in data preprocessing, since if any of the data is missing in data set it will create a huge problem.
There are mainly two ways to handle missing data, which are:
By deleting the particular row: The first way is used to commonly deal with null values. In this way, we just delete the specific row or column which consists of null values. But this way is not so efficient and removing data may lead to loss of information which will not give the accurate output.
By calculating the mean: In this way, we will calculate the mean of that column or row which contains any missing value and will put it on the place of missing value. This strategy is useful for the features which have numeric data such as age, salary, year, etc. Here, we will use this approach.
To handle missing values, we use Scikit-learn library in our code, which contains various libraries for building machine learning models. Lets see how to use it.
from sklearn.impute import SimpleImputer
imputer = SimpleImputer(missing_values=np.nan,strategy="mean")
imputer.fit(x[:,1:3])
x[:,1:3]=imputer.transform(x[:,1:3])
print(x)
Now the Missing data can also be handled using one of the pandas library method i.e. fillna method.
The fillna() function is used to fill NA/NaN values using the specified method.
For example-
Suppose we have a data set-
| Date | Temperature | Windspeed | Event | |
|---|---|---|---|---|
| 0 | 07-09-20 | 32.0 | 6.0 | Rain |
| 1 | 08-09-20 | NaN | 9.0 | Sunny |
| 2 | 09-09-20 | 28.0 | NaN | Snow |
| 3 | 10-09-20 | NaN | 7.0 | NaN |
| 4 | 11-09-20 | 32.0 | Nan | Rain |
Now by using different parameters-
df.fillna(0) - To fill the NaN values by a specified value.
newData = df.fillna(0) newData
| |Date |Temperature|Windspeed|Event | |------|---------|---------- |---------|---------| | 0 |07-09-20 | 32.0 | 6.0 | Rain | | 1 |08-09-20 | 0.0 | 9.0 | Sunny | | 2 |09-09-20 | 28.0 | 0.0 | Snow | | 3 |10-09-20 | 0.0 | 7.0 | 0.0 | | 4 |11-09-20 | 32.0 | 0.0 | Rain |
df.fillna({dictionary}) - Here we can pass any dictionary and the columns will change accordingly.
newData = df.fillna({ 'Temperature' : 0, 'Windspeed' : 0, 'Event' : 'No Event' }) newData
| Date | Temperature | Windspeed | Event | |
|---|---|---|---|---|
| 0 | 07-09-20 | 32.0 | 6.0 | Rain |
| 1 | 08-09-20 | 0.0 | 9.0 | Sunny |
| 2 | 09-09-20 | 28.0 | 0.0 | Snow |
| 3 | 10-09-20 | 0.0 | 7.0 | No Event |
| 4 | 11-09-20 | 32.0 | 0.0 | Rain |
df.fillna(method="") - This method fills the previous row's value.
newData = df.fillna(method= "ffill") newData
| Date | Temperature | Windspeed | Event | |
|---|---|---|---|---|
| 0 | 07-09-20 | 32.0 | 6.0 | Rain |
| 1 | 08-09-20 | 32.0 | 9.0 | Sunny |
| 2 | 09-09-20 | 28.0 | 9.0 | Snow |
| 3 | 10-09-20 | 28.0 | 7.0 | Snow |
| 4 | 11-09-20 | 32.0 | 7.0 | Rain |
df.fillna(method="") - This method fills the next row's value.
newData = df.fillna(method= "bfill") newData
| Date | Temperature | Windspeed | Event | |
|---|---|---|---|---|
| 0 | 07-09-20 | 32.0 | 6.0 | Rain |
| 1 | 08-09-20 | 28.0 | 9.0 | Sunny |
| 2 | 09-09-20 | 28.0 | 7.0 | Snow |
| 3 | 10-09-20 | 32.0 | 7.0 | Rain |
| 4 | 11-09-20 | 32.0 | 0.0 | Rain |
Now we also have axis parameter - It copies values horizontally.
For example-
newData = df.fillna(method= "bfill", axis= "columns")
newData
| Date | Temperature | Windspeed | Event | |
|---|---|---|---|---|
| 0 | 07-09-20 | 32.0 | 6.0 | Rain |
| 1 | 08-09-20 | 9.0 | 9.0 | Sunny |
| 2 | 09-09-20 | 28.0 | 28.0 | Snow |
| 3 | 10-09-20 | 7.0 | 7.0 | NaN |
| 4 | 11-09-20 | 32.0 | 32.0 | Rain |
The next parameter is limit
Lets see the examples-
As we have seen above method="ffill" fill the next row according to previous data. But by using limit method we can fill the row according to our choice.
newData = df.fillna(method= "ffill",limit="1")
newData
| Date | Temperature | Windspeed | Event | |
|---|---|---|---|---|
| 0 | 07-09-20 | 32.0 | 6.0 | Rain |
| 1 | 08-09-20 | 32.0 | 9.0 | Sunny |
| 2 | 09-09-20 | 28.0 | 9.0 | Snow |
| 3 | 10-09-20 | 28.0 | 7.0 | Snow |
| 4 | 11-09-20 | 32.0 | 7.0 | Rain |
4. Encoding Categorical Data
Now since the machine learning model deals only with the numerical data, but it can happen that our data set contains data other then numbers. So it would create a problem since machine cannot understand words. Hence in order to deal with this situation we need to convert this data into numbers.
Here we importt LabelEncoder class of sklearn library.Now if their the three variables in our data set so the variables will be encoded as 0,1,2.By these values, the machine learning model may assume that there is some correlation between these variables which will produce the wrong output. So to remove this issue, dummy encoding is used. Dummy variables are those variables which have values 0 or 1. The 1 value gives the presence of that variable in a particular column, and rest variables become 0. With dummy encoding, the number of columns is equal to the number of categories.
For Example-
Let’s consider the case of gender having two values male (0 or 1) and female (1 or 0). Including both the dummy variable can cause redundancy because if a person is not male in such case that person is a female, hence, we don’t need to use both the variables in regression models. This will protect us from dummy variable trap.
For Dummy Encoding, OneHotEncoder class of preprocessing library is used.
Encoding the Independent Variable
from sklearn.compose import ColumnTransformer
from sklearn.preprocessing import OneHotEncoder
ct=ColumnTransformer(transformers=[("encoder",OneHotEncoder(),[0])],remainder="passthrough")
x=np.array(ct.fit_transform(x))
print(x)
Encoding the Dependent Variable
from sklearn.preprocessing import LabelEncoder
le=LabelEncoder()
y=le.fit_transform(y)
print(y)
5. Splitting the Dataset into the Training set and Test set
This is one of the crucial step in data preprocessing where we divide dataset into training set and test set. In training set we train the machine learning model on exisiting observations. In test set we evaluate the performance of our model on new observations, and these new observations are completely like the future data which we can get and on the basis of which we will deploy the machine learning model.
from sklearn.model_selection import train_test_split
x_train,x_test,y_train,y_test=train_test_split(x,y,test_size=0.2,random_state=1)
print(x_train)
print(x_test)
print(y_train)
print(y_test)
6. Feature Scaling
Feature scaling is the final step of data preprocessing in machine learning. It simply means to scale all the variables i.e. the features and make sure they all take up values in the same scale. This is done to prevent so that one feature don't dominate on other. A machine learning model is based on Euclidean distance, and if we do not scale the variable, then it will cause some issue in our machine learning model.
Euclidean distance is given by:
There are two ways to perform feature scaling in machine learning:
For feature scaling, StandardScaler class of sklearn.preprocessing library is imported as:
from sklearn.preprocessing import StandardScaler
sc=StandardScaler()
x_train[:,3:]=sc.fit_transform(x_train[:,3:])
x_test[:,3:]=sc.transform(x_test[:,3:])
print(x_train)
print(x_test)
You can learn more about this topic fromhere.


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Chinese library burns religious and pro-democracy publications
Scholars concerned for safety as online criticism removed from all websites in China
by Ching-Tse ChengChinese librarians burn 65 "forbidden" books. (Sina Weibo photo) Chinese librarians burn 65 "forbidden" books. (Sina Weibo photo)
TAIPEI (Taiwan News) – A library in Gansu, China, announced in October that it would start to examine its collections and remove publications that encouraged thoughts against the Chinese Communist Party (CCP).
A picture of two librarians burning 65 religious and pro-democracy works of literature from Gansu library soon surfaced on the Internet. The picture drew criticism and fear from the Chinese community as netizens associated the act with the infamous book burning policy of the Qin Dynasty (221-206 BCE), reported UDN.
In 213 BCE, Chinese emperor Qin Shi Huang ordered all philosophical texts and poetry that he viewed as potential threats to his dynasty to be burned. Approximately 460 Confucian scholars were also buried alive by the ruler known for his cruelty.
As of Monday (Dec. 9) morning, all comments and remarks related to the incident had been removed from Chinese websites, including the dominant Chinese internet search engine Baidu. However, criticism continued to surge on international social media platforms, demanding the library disclose the names of the books being burned.
Chinese historian Zhang Lifan (章立凡) also warned the book burning policy could contradict lessons taught by the tragic ending of Qin Shi Huang. Foreign scholars also suspected the Gansu incident was related to the Chinese Ministry of Education's recent release of the national book list for elementary, middle and high school libraries, reported CNA.


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Embedding the Faust Compiler Using libfaust
Dynamic Compilation Chain
The Faust compiler uses an intermediate FIR representation (Faust Imperative Representation), which can be translated to several output languages. The FIR language describes the computation performed on the samples in a generic manner. It contains primitives to read and write variables and arrays, do arithmetic operations, and define the necessary control structures (for
and while
loops, if
structure, etc.).
To generate various output languages, several backends have been developed for C, C++, Interpreter, Java, LLVM IR, WebAssembly, etc. The Interpreter, LLVM IR and WebAssembly ones are particularly interesting since they allow the direct compilation of a DSP program into executable code in memory, bypassing the external compiler requirement.
Using libfaust with the LLVM backend
Libfaust with LLVM backend API
The complete chain goes from the Faust DSP source code, compiled in LLVM IR using the LLVM backend, to finally produce the executable code using the LLVM JIT. All steps take place in memory, getting rid of the classical file-based approaches. Pointers to executable functions can be retrieved from the resulting LLVM module and the code directly called with the appropriate parameters.
Creation API
The libfaust
library exports the following API:
- given a Faust source code (as a string or a file), calling the
createDSPFactoryFromString
orcreateDSPFactoryFromFile
functions runs the compilation chain (Faust + LLVM JIT) and generates the prototype of the class, as allvm_dsp_factory
pointer. This factory actually contains the compiled LLVM IR for the given DSP - alternatively the
createCPPDSPFactoryFromBoxes
allows to create the factory from a box expression built with the box API - alternatively the
createDSPFactoryFromSignals
allows to create the factory from a list of outputs signals built with the signal API - the library keeps an internal cache of all allocated factories so that the compilation of the same DSP code -- that is the same source code and the same set of normalized (sorted in a canonical order) compilation options -- will return the same (reference counted) factory pointer
- next, the
createDSPInstance
function (corresponding to thenew className
of C++) instantiates allvm_dsp
pointer to be used through its interface, connected to the audio chain and controller interfaces. When finished,delete
can be used to destroy the dsp instance. Note that an instance internally needs to access its associated factory during its entire lifetime. - since
llvm_dsp
is a subclass of thedsp
base class, an object of this type can be used with all the availableaudio
andUI
classes. In essence, this is like reusing all architecture files already developed for the static C++ class compilation scheme likeOSCUI
,httpdUI
interfaces, etc. deleteDSPFactory
has to be explicitly used to properly decrement the reference counter when the factory is not needed anymore, that is when all associated DSP instances have been properly destroyed- a unique SHA1 key of the created factory can be obtained using its
getSHAKey
method
Saving/restoring the factory
After the DSP factory has been compiled, the application or the plugin running it might need to save it and then restore it. To get the internal factory compiled code, several functions are available:
writeDSPFactoryToIR
: get the DSP factory LLVM IR (in textual format) as a stringwriteDSPFactoryToIRFile
: get the DSP factory LLVM IR (in textual format) and write it to a filewriteDSPFactoryToBitcode
: get the DSP factory LLVM IR (in binary format) as a stringwriteDSPFactoryToBitcodeFile
: save the DSP factory LLVM IR (in binary format) in a filewriteDSPFactoryToMachine
: get the DSP factory executable machine code as a stringwriteDSPFactoryToMachineFile
: save the DSP factory executable machine code in a file
To re-create a DSP factory from a previously saved code, several functions are available:
readDSPFactoryFromIR
: create a DSP factory from a string containing the LLVM IR (in textual format)readDSPFactoryFromIRFile
: create a DSP factory from a file containing the LLVM IR (in textual format)readDSPFactoryFromBitcode
: create a DSP factory from a string containing the LLVM IR (in binary format)readDSPFactoryFromBitcodeFile
: create a DSP factory from a file containing the LLVM IR (in binary format)readDSPFactoryFromMachine
: create a DSP factory from a string containing the executable machine codereadDSPFactoryFromMachineFile
: create a DSP factory from a file containing the executable machine code.
Typical code example
More generally, a typical use of libfaust
in C++ could look like:
// the Faust code to compile as a string (could be in a file too)
string theCode = "import(\"stdfaust.lib\"); process = no.noise;";
// compiling in memory (createDSPFactoryFromFile could be used alternatively)
llvm_dsp_factory* m_factory = createDSPFactoryFromString(
"faust", theCode, argc, argv, "", m_errorString, optimize);
// creating the DSP instance for interfacing
dsp* m_dsp = m_factory->createDSPInstance();
// creating a generic UI to interact with the DSP
my_ui* m_ui = new MyUI();
// linking the interface to the DSP instance
m_dsp->buildUserInterface(m_ui);
// initializing the DSP instance with the SR
m_dsp->init(44100);
// hypothetical audio callback, assuming m_input/m_output are previously allocated
while (...) {
m_dsp->compute(128, m_input, m_output);
}
// cleaning
delete m_dsp;
delete m_ui;
deleteDSPFactory(m_factory);
The first step consists in creating a DSP factory from a DSP file (using createDSPFactoryFromFile
) or string (using createDSPFactoryFromString
) with additional parameters given to the compiler. Assuming the compilation works, a factory is returned, to create a DSP instance with the factory createDSPInstance
method.
Note that the resulting llvm_dsp*
pointer type (see faust/dsp/llvm-dsp.h
header file) is a subclass of the base dsp
class (see faust/dsp/dsp.h
header file). Thus it can be used with any UI
type to plug a GUI, MIDI or OSC controller on the DSP object, like it would be done with a DSP program compiled to a C++ class (the generated mydsp
class is also a subclass of the base dsp
class). This is demonstrated with the my_ui* m_ui = new MyUI();
and m_dsp->buildUserInterface(m_ui);
lines where the buildUserInterface
method is used to connect a controller.
Then the DSP object has to be connected to an audio driver to be rendered (see the m_dsp->compute(128, m_input, m_output);
block). A more complete C++ example can be found here. A example using the pure C API can be found here.
Using libfaust with the Interpreter backend
When compiled to embed the Interpreter backend, libfaust
can also be used to generate the Faust Bytes Code (FBC) format and interpret it in memory.
Libfaust with Interpreter backend API
The interpreter backend (described in this paper) has been first written to allow dynamical compilation on iOS, where Apple does not allow LLVM based JIT compilation to be deployed, but can also be used to develop testing tools. It has been defined as a typed bytecode and a virtual machine to execute it.
The FIR language is simple enough to be easily translated in the typed bytecode for an interpreter, generated by a FIR to bytecode compilation pass. The virtual machine then executes the bytecode on a stack based machine.
Creation API
The interpreter backend API is similar to the LLVM backend API:
- given a FAUST source code (as a file or a string), calling the
createInterpreterDSPFactory
function runs the compilation chain (Faust + interpreter backend) and generates the prototype of the class, as aninterpreter_dsp_factory
pointer. This factory actually contains the compiled bytecode for the given DSP - alternatively the
createInterpreterDSPFactoryFromBoxes
allows to create the factory from a box expression built with the box API - alternatively the
createInterpreterDSPFactoryFromSignals
allows to create the factory from a list of outputs signals built with the signal API - the library keeps an internal cache of all allocated factories so that the compilation of the same DSP code -- that is the same source code and the same set of normalized (sorted in a canonical order) compilation options -- will return the same (reference counted) factory pointer
- next, the
createDSPInstance
method of the factory class, corresponding to thenew className
of C++, instantiates aninterpreter_dsp
pointer, to be used as any regular Faust compiled DSP object, run and controlled through its interface. The instance contains the interpreter virtual machine loaded with the compiled bytecode, to be executed for each method. When finished,delete
can be used to destroy the dsp instance. Note that an instance internally needs to access its associated factory during its entire lifetime. - since
interpreter_dsp
is a subclass of thedsp
base class, an object of this type can be used with all the availableaudio
andUI
classes. In essence, this is like reusing all architecture files already developed for the static C++ class compilation scheme likeOSCUI
,httpdUI
interfaces, etc. deleteInterpreterDSPFactory
has to be explicitly used to properly decrement the reference counter when the factory is not needed anymore, that is when all associated DSP instances have been properly destroyed.- a unique SHA1 key of the created factory can be obtained using its
getSHAKey
method
Saving/restoring the factory
After the DSP factory has been compiled, the application or plugin may want to save/restore it in order to save Faust to interpreter bytecode compilation at next use. To get the internal factory bytecode and save it, two functions are available:
writeInterpreterDSPFactoryToMachine
allows to get the interpreter bytecode as a stringwriteInterpreterDSPFactoryToMachineFile
allows to save the interpreter bytecode in a file
To re-create a DSP factory from a previously saved code, two functions are available:
readInterpreterDSPFactoryFromMachine
allows to create a DSP factory from a string containing the interpreter bytecodereadInterpreterDSPFactoryFromMachineFile
allows to create a DSP factory from a file containing the interpreter bytecode
The complete API is available and documented in the installed faust/dsp/interpreter-dsp.h header. Note that only the scalar compilation mode is supported. A more complete C++ example can be found here.
Performances
The generated code is obviously much slower than LLVM generated native code. Measurements on various DSPs examples have been done, and the code is between 3 and more than 10 times slower than the LLVM native code.
Using libfaust with the WebAssembly backend
The libfaust C++ library can be compiled in WebAssembly with Emscripten, and used in the web or NodeJS platforms. A specific page on the subject is available.
Additional Functions
Some additional functions are available in the libfaust
API:
-
Expanding the DSP code. The
expandDSPFromString
/expandDSPFromFile
functions can be used to generate a self-contained DSP source string where all needed librairies have been included. All compilations options are normalized and included as a comment in the expanded string. This is a way to create self-contained version of DSP programs. -
Using other backends or generating auxiliary files. The
generateAuxFilesFromString
andgenerateAuxFilesFromFile
functions taking a DSP source string or file can be used:- to activate and use other backends (depending of which ones have been compiled in libfaust) to generate like C, C++, or Cmajor code, etc. The
argv
parameter has to mimic the command line like for instance:-lang cpp -vec -lv 1
to generate a C++ file in vector mode. - to generate auxiliary files which can be text files SVG, XML, ps, etc. The
argv
parameter has to mimic the command line like for instance:-json
to generate a JSON file.
- to activate and use other backends (depending of which ones have been compiled in libfaust) to generate like C, C++, or Cmajor code, etc. The
Sample size adaptation
When compiled with the -double
option, the generated code internally uses double
format for samples, but also expects inputs/outputs buffers to be filled with samples in double. The dsp_sample_adapter
decorator class defined in faust/dsp/dsp-adapter.h can be used to adapt the buffers.
Deployment
The application or plugin using libfaust
can embed the library either as a statically linked component (to get a self-contained binary) or provided as a separate component to be loaded dynamically at runtime. The Faust libraries themselves usually have to be bundled separately and can be accessed at runtime using the compiler -I /path/to/libraries
option in createDSPFactoryFromString/createDSPFactoryFromFile
functions.
Additional Resources
Some papers and tutorials are available:
- Comment Embarquer le Compilateur Faust dans Vos Applications ?
- An Overview of the FAUST Developer Ecosystem
- Using the box API
- Using the signal API
Use Case Examples
The dynamic compilation chain has been used in several projects:
-
FaustLive: an integrated IDE for Faust development offering on-the-fly compilation and execution features
-
Faustgen: a generic Faust Max/MSP programmable external object
-
Faustgen: a generic Faust PureData programmable external object
-
The faustgen2~ object is a Faust external for Pd a.k.a. Pure Data, Miller Puckette's interactive multimedia programming environment
-
Faust for Csound: a Csound opcode running the Faust compiler internally
-
LibAudioStream: a framework to manipulate audio ressources through the concept of streams
-
Faust for JUCE: a tool integrating the Faust compiler to JUCE developed by Oliver Larkin and available as part of the pMix2 project
-
An experimental integration of Faust in Antescofo
-
FaucK: the combination of the ChucK Programming Language and Faust
-
libossia is a modern C++, cross-environment distributed object model for creative coding. It is used in Ossia score project
-
Radium is a music editor with a new type of interface, including a Faust audio DSP development environment using libfaust with the LLVM and Interpreter backends
-
Mephisto LV2 is a Just-in-Time Faust compiler embedded in an LV2 plugin, using the C API.
-
gwion-plug is a Faust plugin for the Gwion programming language.
-
FaustGen allows to livecode Faust in SuperCollider. It uses the libfaust LLVM C++ API.
-
FAUSTPy is a Python wrapper for the Faust DSP language. It is implemented using the CFFI and hence creates the wrapper dynamically at run-time. A updated version of the project is available on this fork.
-
Faust.jl is Julia wrapper for the Faust compiler. It uses the libfaust LLVM C API.
-
fl-tui is a Rust wrapper for the Faust compiler. It uses the libfaust LLVM C API.
-
faustlive-jack-rs is another Rust wrapper for the Faust compiler, using JACK server for audio. It uses the libfaust LLVM C API.
-
DawDreamer is an audio-processing Python framework supporting core DAW features. It uses the libfaust LLVM C API.
-
metaSurface64 is a real-time continuous sound transformation control surface that features both its own loop generator for up to 64 voices and a multi-effects FX engine. It uses the libfaust LLVM C++ API.
-
metaFx is a control surface for continuous sound transformations in real time, just like the metaSurface64. Like metaSurface64, it has both its own loop generator and a multi-effects FX engine, but its operation is different, especially for the management of plugin chains and pads.
-
HISE is an open source framework for building sample based virtual instruments combining a highly performant Disk-Streaming Engine, a flexible DSP-Audio Module system and a handy Interface Designer.


{% extends 'base.html' %} {% block title %}Imprint | {{ block.super }}{% endblock %} {% block subtitle %}Imprint{% endblock %} {% block content %}
This ToDo-Tracker project was created by Sina and David.


EAST IS EAST
Reviewed by Harvey Karten Miramax Pictures Director: Damien O'Donnell Writer: Ayub Khan-Din (play as well) Cast: Om Puri, Linda Bassett, Jordan Routledge, Archie Panjabi, Emil Marwa, Chris Bisson, Jimi Mistry, Raji James Ian Aspinall, Lesley Nicol, Gary Damer, John Bardon, Emma Rydal, Ruth Jones
When Bob Dylan sang "The Times They are a-Changing'" some thirty years ago, not even he may have envisioned just how much the world would transform itself by the turn of the century. The Iron Curtain is long gone, Vietnam and China are edging toward prosperity, and even North Korea has opened up serious negotiations with Japan, Australia and the United States. We're living in what NY Times journalist Thomas P. Friedman calls the Global Society, a momentous event that has impacted cultures in virtually every corner of the planet. As though to preface this great transfiguration, small rebellions have been taking place in the families of traditional cultures--the sons and daughters reacting against the hidebound customs and cultures of their parents when these practices have limited their freedom. In Irish director Damien O'Donnell's first feature, "East is East," adapted from a staged play by Ayub Khan-Din, an Anglo-Pakistani family living during the 1970s in the Manchester suburb of Salford is a hotbed of insurrection. The seven lively children of Pakistani expatriate George Khan (Om Puri) and his English wife Ella (Linda Bassett) are for the most part rejecting every aspect of the culture to which their father clings while embracing everything English from fish-and-chips to hot dogs and ham to the local bimbos (who reject their own parents' narrow-mindedness and embrace the young Khans).
"East is East," which garnered awards in Britain such as "Best British Film of the Yea"r from the London Film Critics and from the Evening Standard and was nominated for six BAFTA Awards including Best Picture, is alternately riotous and dramatic in the best tradition of the genre and features one of India's great performers, Om Puri, in the role of the stressed-out father. The subject of rebellion against the culture of parents is hardly a new one in the movies. Who can forget poor Tevye in Norman Jewison's 1971 adaptation of Joseph Stein's musical "Fiddler on the Roof" as a man trying preserve his family's Jewish heritage against growing odds? Just recently, Soori Taraporevala adapted Rohinton Mistry's book "Such a Long Journey" about a quiet, decent man, Gustad Noble, who is angered that his son is disobeying orders to go to engineering school. What stands out in all three stories is the depth of characterization: the keeper of the legacy is not portrayed as an entirely unsympathetic character, though the audience is coaxed to root for the new. Each in his own way has good reason to opt for the antique ways in view of the seemingly anarchic changes that the modern world is creating. The urge to preserve ancient cultures that have withstood the test of time is understandable.
George Khan, for example, is under a strain. In his Manchester suburb of 1971, war is being pursued by his native Pakistan against India over possession of Kashmir. The crypto-fascist politician, Enoch Powell, is gaining some support among the British people for his ideas of racial purity and his suggested policy of repatriating all immigrants. And all but one or two of his seven children have assimilated into English society, making friends with English neighbors--most of whom display no anti-immigrant feeling. While Maneer (Emil Marwa) is the only obviously religious member of the Khan children and Abdul (Raji James), is the typical good-boy who always wears a suit, Saleem (Chris Bisson) attends art school while feigning residence at an engineering academy; Meenah (Archie Panjabi), who is the only girl in the family, eagerly plays soccer with the fellows on the street; Tariq is the classic rebel disgusted with his father's backward-looking presumptions; and Sajid (Jordan Routledge) is the source of much of the picture's comedy as a 12-year-old boy who forever wears a parka despite the October heat and who is belatedly dragged to a doctor to be circumcised.
When George's eldest son (Ian Aspinall) bolts from an arranged wedding minutes before he is to take vows with the woman he has just seen for the first time, George cracks down on the others, determined to impose Pakistani culture on his Anglo-Pakistani children. George's English wife for the past twenty-five years, Ella (Linda Bassett), is of two minds: she wants her children to go their own way while determined to have them respect George properly despite their differences. The various small incidents involving the playing off of the father against each of his children and ultimately committing an act of violence against this wife is climaxed in a wonderful payoff scene involving a meeting between the Khans and the family with whom George has arranged a marriage for two of his children. As uncomfortable and insincere smiles give way to outright animosity, George Khan is slowly led to an understanding that his children's world is not the same as his own.
Director O'Donnell crams in a great deal of comedy by displaying the outdoor scenes involving the seductive machinations of two local English girls toward the Khan children and by ironically showing a small, bespectacled red- haired kid distributing literature for Enoch Powell while happily shouting "Salaam Aleikem" to George Khan and playing happily with the Khans' youngest kid.
The only aspect difficult to understand is that George would ever marry a local woman, his children making the obvious point that their embrace of the English culture is in no way more daring that of their own dad. The ensemble acting is splendidly natural with Om Puri's charisma capturing the attention of the audience, while Brian Tufano's camera effectively illustrates the dismal banality of working-class Manchester streets.
Rated R. Running Time: 96 minutes. (C) 2000 Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


G-Crypto
A crypto Consultant that YOU CAN TRUST!
Please fix the indicated problems and then resubmit your order.
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Customer Information
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pragma solidity ^0.4.18;
import './SafeMath.sol';
import './Owned.sol';
import './Validating.sol';
import './StandardToken.sol';
/**
* @title FEE is an ERC20 token used to pay for trading on the exchange.
* For deeper rational read https://leverj.io/whitepaper.pdf.
* FEE tokens do not have limit. A new token can be generated by owner.
*/
contract Fee is Owned, Validating, StandardToken {
/* This notifies clients about the amount burnt */
event Burn(address indexed from, uint256 value);
string public name; //fancy name: eg Simon Bucks
uint8 public decimals; //How many decimals to show. ie. There could 1000 base units with 3 decimals. Meaning 0.980 SBX = 980 base units. It's like comparing 1 wei to 1 ether.
string public symbol; //An identifier: eg SBX
uint256 public feeInCirculation; //total fee in circulation
string public version = 'F0.1'; //human 0.1 standard. Just an arbitrary versioning scheme.
address public minter;
modifier onlyMinter {
require(msg.sender == minter);
_;
}
/// @notice Constructor to set the owner, tokenName, decimals and symbol
function Fee(
address[] _owners,
string _tokenName,
uint8 _decimalUnits,
string _tokenSymbol
)
public
notEmpty(_tokenName)
notEmpty(_tokenSymbol)
{
setOwners(_owners);
name = _tokenName;
decimals = _decimalUnits;
symbol = _tokenSymbol;
}
/// @notice To set a new minter address
/// @param _minter The address of the minter
function setMinter(address _minter) external onlyOwner validAddress(_minter) {
minter = _minter;
}
/// @notice To eliminate tokens and adjust the price of the FEE tokens
/// @param _value Amount of tokens to delete
function burnTokens(uint _value) public notZero(_value) {
require(balances[msg.sender] >= _value);
balances[msg.sender] = SafeMath.sub(balances[msg.sender], _value);
feeInCirculation = SafeMath.sub(feeInCirculation, _value);
Burn(msg.sender, _value);
}
/// @notice To send tokens to another user. New FEE tokens are generated when
/// doing this process by the minter
/// @param _to The receiver of the tokens
/// @param _value The amount o
function sendTokens(address _to, uint _value) public onlyMinter validAddress(_to) notZero(_value) {
balances[_to] = SafeMath.add(balances[_to], _value);
feeInCirculation = SafeMath.add(feeInCirculation, _value);
Transfer(msg.sender, _to, _value);
}
}
|


Getting Started with HTMLThe World Wide Web
The internet functions as a web. It is made up of servers, which host files written in HTML for internet browsers to interpret. When someone wants to go to a website their computer sends an HTTP request to a server, which then sends back the appropriate HTML document for their web browser to interpret.
HTML
Hypertext Markup Language documents contain text content which is the buidling blocks for what the web page will look like when viewed through a browser. To write in HTML one uses a series of different tags that surround elementswhich tell the browser how to display the content. Some of these elements can be described as inlnineor block elements.
 Meaning that they are extremely literal and can't make simple corrections that a human could. For example, a small typo could ruin an entire section of code because the computer will only read it exactly how it is written.
Hyperlink
Here is an example of adding a link.
SEARCH ENGINE


Preparation time
less than 30 mins
Cooking time
less than 10 mins
Serves
Serves 4
Quick and easy, this stir-fried pork recipe is great if you need a tasty dinner on the table in a matter of minutes.
For the marinade, mix together the soy sauce, mirin, hoisin sauce, sesame oil and chilli flakes in a shallow dish until well combined.
Coat the pork in the marinade and chill in the fridge for 15 minutes.
Heat a wok over high heat and add one tablespoon of the oil. Once smoking add half the pork, shaking off the excess marinade, and stir-fry for 1-2 minutes.
Remove the pork from the wok with a slotted spoon and stir-fry the remaining pork for 1-2 minutes. Remove the pork from the wok.
Heat the remaining tablespoon of oil in the wok and add the garlic, chillies, one tablespoon of water and the onions. Stir-fry for 1-2 minutes. Cover with a lid and cook for a further 1-2 minutes.
Add the soy sauce and sugar and return the pork to the wok. Cook for a final minute. Garnish with the roasted peanuts and serve with steamed rice.


***1/2 out of ****
Year: 1999. Starring Brad Pitt, Edward Norton, Helena Bonham Carter, Meat Loaf Aday, Jared Leto, Zach Grenier, Eion Bailey. Screenplay by Jim Uhls. Directed by David Fincher. Rated R.
"Fight Club" is a challenging piece of work, a film demanding that its viewers look past what's on its surface and find something deeper. Certainly those not used to thinking critically about a film will either be put off by "Fight Club's" violence or completely buy into the hackneyed philosophy of its most visible character, Tyler Durden. Both of these reactions are understandable, but also miss the point. "Fight Club" is not glorifying violence at all; rather, it's actually a kind of morality play, one whose central character struggles with two conflicting visions of society, neither of which seems particularly desirable. Though it may be shocking, and will certainly be controversial, "Fight Club" is rewarding to those willing to take an honest look at society. Director David Fincher has created a modern fable, one that's both confused in its message and shocking in its final realization.
The film centers on a nameless character, called the Narrator (Edward Norton, who is called "Jack" once or twice, but is most often not referred to by name), an insomniac who works a boring job deciding whether or not products should be recalled (read: whether or not it's cost-effective). Desperate to cure his insomnia, he asks for medication from a doctor, who sarcastically tells him to go to a support group for men with testicular cancer "to see what real suffering is like." The Narrator goes to the group, surprisingly finding that crying in the embrace of men with "bitch tits" (you'll know it when you see it) actually helps him sleep. He signs up for all sorts of support groups, attending each under a different name, faking illness. It works right up until Marla Singer (Helena Bonham Carter), a chain-smoking fellow "support group tourist," ruins the Narrator's plan. Since Jack can't cry in the presence of another "faker," his insomnia returns. He comes upon another solution when he meets a mysterious soap salesman named Tyler Durden (Brad Pitt). Tyler's idea is that men are being stifled by modern society, which is too "feminizing," not allowing men a chance to release their aggression. His solution?  This ritual soon evolves into a weekly club (called Fight Club, appropriately) in which other men in Jack's situation find their release by fighting strangers in the basement underneath a seedy bar.
"Fight Club" is an exhilarating rush, a wild roller-coaster of energy that doesn't let up. Whatever one may think of its philosophy, one can certainly agree that the film is never boring. Director David Fincher, who showed a great visual flair in "Seven" and "The Game," pulls out all the stops here, and the result is a dizzying experience. His style represents the best of post-MTV filmmaking, with a camera that explores anything and everything in each scene, often indicating a sly sense of humor on the director's part. The early scenes take some funny and on-target jabs at 90's society, and Fincher's visual style compliments that quite well. He includes a scene in which Norton strolls around his apartment, and each piece of furniture is labeled with a price and description, like in a magazine catalogue. A breaking-of-the-fourth-wall sequence in which Tyler, working as a projectionist in a movie theater, splices single-frame shots of porn into family movies, is by far the most clever, and actually serves as a trick to clue the audience in to what is going on. Here's a hint: Look very closely at the opening scenes, and the final shot, just before the closing credits. If you miss it, don't worry, you're sure to register it subliminally . . .
The performances in "Fight Club" are uniformly brilliant. Brad Pitt delivers his most assured and daring performance since "12 Monkeys," and Edward Norton delivers further proof that he may be one of the best actors of his generation. Helena Bonham Carter, in a strange departure from her earlier period films, has a whole lot of fun with her relatively small, but not unimportant role. Meat Loaf, a former rock signer, does a fine supporting turn, despite being saddled with unusually large breasts (in one of the film 's more bizarre sight gags). The actors are perfectly cast. It's difficult to imagine anyone else playing Pitt's and Norton's parts, and every performer has clearly thrown himself (or herself, in Bonham Carter's case) into the role. Fincher must be credited for getting the most out of his actors, which is usually an added plus for directors who concentrate on visuals. With David Fincher, it's almost become expected.
This is a daring film, and as with most daring films, there is a danger of many people missing the point. "Fight Club" is no different. Those unwilling to look any deeper may see Tyler's philosophy as dangerously fascist and nihilistic, a call for random violence and the destruction of civilization as we know it. There's very little doubt that Tyler is advocating these things, but the film is not. "Fight Club" is not so much an endorsement of fascism as an allegory for it. If one takes Tyler's message to be the film' s, then "Fight Club" will most likely be utterly repulsive, and downright ludicrous once Tyler recruits members from around the nation for the next step of Fight Club, called Project Mayhem. Certainly a bunch of "space monkeys" running around in black masks and planning to blow up all the credit card companies is not a reasonable solution to the country's problems, but look at the irony of what Tyler's army becomes. "Fight Club" is certainly critical of 90's culture, as its Narrator works a mind-numbing job in which he recites corporate slogans about "de-prioritizing" this and making these his "primary action" whatchamacallits, while he becomes a sleepwalking drone. This is definitely no way to live a fulfilling life, but Tyler's Project Mayhem group is no better. Its members can eventually do little more than recite "Tyler-isms" and follow orders, essentially becoming mindless drones of another sort, the only difference being that they are now drones following a wildly different dogma from the corporate one. Is this presented as an ideal? I think not.
The screenplay, written by Jim Uhls and adapted from Chuck Palahniuk's novel, is sharp and fast-paced, with clever dialogue and sly jokes to spare. In fact, the only fault I can find with "Fight Club" is that it comes dangerously close to running itself around in circles in the last 30 minutes. This is a possible case of David Fincher's apparent desire to have a mind-bending plot twist at the end of every one of his movies (remember "Seven" and "The Game?"). "Fight Club's" twist isn't just unnecessary (the film could have worked without it), but it comes far too early, and it keeps on twisting until the final scene, when it almost comes unraveled. The twist isn't really awful, and it works if you think about it, but it causes "Fight Club" to become too plot-oriented during its final act, whereas it had been about mood and philosophy early on. Don't get me wrong, this doesn't ruin the film. After all, "Fight Club" is a risk-taker, and films that take risks often have problems like this. An overly "plot-twisty" (look, ma, I invented a word!) finish doesn't change the fact that the film is a challenging and impressive work. One thing is for sure, my interest didn't wane at any point during the film.
I know that a whole lot of people are going to buy into the words of Tyler Durden, to them I say to be careful, because this film is not telling anyone to do the things he advocates. Tyler's philosophy smacks too much of fascism, leaves no room for moderation, which indicates what the film is actually calling for: balance. (The final sequence would seem to suggest this.) Tyler and Jack are right: The men in Calvin Klein underwear ads are not real men. The members of Project Mayhem, however, are not what men should aspire to be. They are not intelligent beings; they are robots. Tyler demonstrates how Hitler rose to power, by finding disgruntled members of society and convincing them that someone else is the source of all their problems. Such clear allegory to one of the darkest periods in world history indicates that this film is in actuality a cautionary tale. Much like the initially misunderstood "A Clockwork Orange" before it, "Fight Club" is a warning that if society suppresses man's more primal urges too much, it will pay the consequences. As a study of how a crazed, but charismatic leader can lead followers to violence, it's a frightening study indeed.
-reviewed by Shay Casey
For more reviews, go to http://www.geocities.com/Hollywood/Land/4252/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


OR-Tools
7.1
Google Optimization software suite
- w -
wall_time() :
operations_research::MPSolver
,
operations_research::RegularLimit
,
operations_research::sat::CpSolverResponse
,
operations_research::SolutionCollector
,
operations_research::Solver
WallTime() :
operations_research::sat::SolutionCallback
WasPerformedBound() :
operations_research::IntervalVar
WatchAllTasks() :
operations_research::sat::SchedulingConstraintHelper
WatchIntegerVariable() :
operations_research::sat::GenericLiteralWatcher
WatchLiteral() :
operations_research::sat::GenericLiteralWatcher
WatchLowerBound() :
operations_research::sat::GenericLiteralWatcher
WatchUpperBound() :
operations_research::sat::GenericLiteralWatcher
weight() :
operations_research::sat::EncodingNode
WhenAnything() :
operations_research::IntervalVar
WhenBound() :
operations_research::BooleanVar
,
operations_research::IntVar
WhenDomain() :
operations_research::BooleanVar
,
operations_research::IntVar
WhenDurationBound() :
operations_research::IntervalVar
WhenDurationRange() :
operations_research::IntervalVar
WhenEndBound() :
operations_research::IntervalVar
WhenEndRange() :
operations_research::IntervalVar
WhenPerformedBound() :
operations_research::IntervalVar
WhenRange() :
operations_research::BooleanVar
,
operations_research::IntExpr
WhenStartBound() :
operations_research::IntervalVar
WhenStartRange() :
operations_research::IntervalVar
WindowAverage() :
operations_research::RunningAverage
WithName() :
operations_research::sat::BoolVar
,
operations_research::sat::Constraint
,
operations_research::sat::IntervalVar
,
operations_research::sat::IntVar
word_size() :
operations_research::UnsortedNullableRevBitset
worker_id() :
operations_research::WorkerInfo
worker_info() :
operations_research::AssignmentProto
WorkerInfo() :
operations_research::WorkerInfo
WorthPrinting() :
operations_research::DistributionStat
,
operations_research::Stat
Write() :
operations_research::MPSolver
,
operations_research::MPSolverInterface
WriteAssignment() :
operations_research::RoutingModel
WriteFooter() :
operations_research::GraphExporter
WriteHeader() :
operations_research::GraphExporter
WriteLink() :
operations_research::GraphExporter
WriteNode() :
operations_research::GraphExporter
WriteToProto() :
operations_research::IntervalVarElement
,
operations_research::IntVarElement
,
operations_research::SequenceVarElement
Generated by
1.8.16


*Grade symptoms at the highest activity level at which you think you could function without significant symptoms, even if you are not actually performing activities at this level.
1.How would you describe the pain you usually have from your knee?
2.Have you had any trouble with washing and drying yourself (all over) because of your knee?
3.Have you had any trouble getting in and out of a car or using public transport because of your knee? (whichever you would tend to use)
4.For how long have you been able to walk before pain from your knee
5.After a meal (sat at a table), how painful has it been for you to stand up from a chair because of your knee?
6.
12. could you walk down one flight of stairs?
Anwering date:


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.FrontendAppConfig @import viewmodels.OnwardJourney @this( layout: Layout, buttonLink: playComponents.button_link, heading: playComponents.heading, govukInsetText : GovukInsetText, appConfig: FrontendAppConfig ) @(onwardJourney: OnwardJourney, sessionId: Option[String], isSaUser: Boolean = false)(implicit request: Request[_], messages: Messages) @href = @{ onwardJourney match { case OnwardJourney.FixedRateExpenses => appConfig.employeeExpensesUrl case OnwardJourney.ProfessionalSubscriptions => appConfig.professionalSubscriptionsUrl case OnwardJourney.IForm => appConfig.employeeExpensesClaimOnlineUrl case OnwardJourney.WorkingFromHomeExpensesOnly => { sessionId match { case Some(value) => if(isSaUser) {s"${appConfig.workingFromHomeExpensesUrl}?eligibilityCheckerSessionId=$value"} else appConfig.workingFromHomeExpensesUrl case None => appConfig.workingFromHomeExpensesUrl } } } } @msgPrefix = @{ onwardJourney match { case OnwardJourney.WorkingFromHomeExpensesOnly => "claimOnline.wfh" case _ => "claimOnline" } } @layout( pageTitle = messages(s"$msgPrefix.title") ) { @heading(messages(s"$msgPrefix.heading")) @govukInsetText(InsetText( content = Text(messages(s"$msgPrefix.para1")) ))
@messages(s"$msgPrefix.para2")


Changelog: 2010-01-13: 1.0.3 Release Major-Changes * Removed use of libid3tag, libvorbis, and libmp4v2. Now using TagLib for all meta-info extraction (and changing) * Added liscense (ISC, click here) * Database version and format bumped to 1.1.0. This means that any existing database will no longer work. Sorry, but necessary and worth it... TagLib provides much better meta-info extraction. Bug-Fixes: * Fixed bug when hitting 'play' in an empty playlist * Added documentation about 'set save-sorts' to man page * Extraction of play-length is now almost always correct, thanks to TagLib * FINALLY got around to re-implementing the "flush" e-command again, although as I write this, I realize I have not yet updated the "help flush" output. New Features: * New e-command "tag" can be used to add/modify the meta-info of raw-files. Click here for details. * Changed the syntax/semantics of the "check" e-command. More sane now. Click here for details. * New keybinding 'm' can be used in the playlist window to show the filename and meta-information of the currently selected file. * The play-length of each file is now shown in the playlist window with the format of "hh:mm:ss" * The display, sort, and color commands can now all make use of the play-length field using the field name "length". * The "addurl" e-command can now be used to change the meta-info of an existing URL in the database Click here for details. * The "add_urls.sh" script has been updated, with more documentation View it here * More descriptive stats, now with a legend, when running "update" or "add" e-commands.


Current song:
-
{{rawPosition.position | number: 0}}s / {{rawPosition.length | number: 0}}s
{{$root.currentSong}}
Queue:
You can reorder following songs by dragging them to desired location
-
{{ $index +1}}
{{ song.metadata.artist }}
-
{{ song.metadata.title }}
{{ song.path }}


this is my spanking new website hope you like it
welcome to my first web page!
check out moringa chool. its a great place to learn web development skills!
here are some things i'm going to learn


Toku is dynamic web application where users can login and share posts with other toku users. It utilizes a combination of client side and server side technologies to authenticate a user, retrieve old posts and save new posts. The client side is built using the react javascript framework with a combination of HTML5 and CSS3, preprocessed using sass. The backend is built using Node.js, AdonisJs server side framework and MySQL relational database.
AdonisJs makes user authentication and validation simple using a controller that contains login, logout and register methods. These methods are triggered when a post request is made from the login and register forms. When a user has successfully logged in, React acquires and displays the users recent posts by setting off a method that fetches the users posts from the database.


Before Change
m1_residuals = []
m2_residuals = []
for train_window_indices, val_index in cv.split(train):
tr_fold = train[train_window_indices]
model1.fit(tr_fold)
model2.fit(tr_fold)
m1_residuals.append(train[val_index] - model1.predict(n_periods=1))
m2_residuals.append(train[val_index] - model2.predict(n_periods=1))
// make sure residuals are flat and compute RMSE
rmse = lambda arr: np.sqrt(np.average(utils.check_endog(arr) ** 2))
errors = [rmse(m1_residuals), rmse(m2_residuals)]
models = [model1, model2]
After Change
model2, train, scoring="mean_squared_error", cv=cv, verbose=2)
// Pick based on which has a lower mean error rate
m1_average_error = np.average(model1_cv_scores)
m2_average_error = np.average(model2_cv_scores)
errors = [m1_average_error, m2_average_error]
models = [model1, model2]


from moha.system.hamiltonian.abc import ABCHamiltonian
from moha.system.operator.base import BaseOperator
import numpy as np
__all__ = ['BaseHamiltonian']
[docs]class BaseHamiltonian(ABCHamiltonian):
"""Base Hamiltonian for a Schrodinger equation.
Attributes
----------
nspatial : int
Number of spatial orbitals.
operators : dict
Dictionary of operators for the Hamiltonian
Property
-------
npsin : int
Number of spin orbitals
Methods
-------
__init__(self, nspatial,operators={})
Initialize the Hamiltonian.
assign_nspatial(self, nspatial)
Assigns number of spatial orbitals to the Hamiltonian.
assign_operators(self, operator)
Assigns operator integral to the Hamiltonian.
basis_transformation(self,U)
Transform the basis set for all the operator integral
"""
def __init__(self, nspatial,operators={}):
"""Initialize the Hamiltonian.
Parameters
----------
nspatial : int
Number of spatial orbitals.
operators : dict
Dictionary of operators for the Hamiltonian
"""
self.assign_nspatial(nspatial)
self.operators = operators
@property
def nspin(self):
"""Return the number of spin orbitals.
Returns
-------
nspin : int
Number of spin orbitals.
"""
return self.nspatial*2
[docs] def assign_nspatial(self, nspatial):
"""Assign the number of spatial orbitals.
Parameters
----------
nspatial : int
Number of spatial orbital.
Raises
------
TypeError
If number of electrons is not an integer.
ValueError
If number of electrons is negative number.
"""
if not isinstance(nspatial, int):
raise TypeError("Number of spatial orbitals must be an integer")
if nspatial < 0:
raise ValueError("Number of electron must be a none negative integer")
self.nspatial = nspatial
[docs] def assign_operator(self, operator):
"""Assign operator.
Parameters
----------
operator : Operator instance
Operator for the Hamiltonain
Raises
------
TypeError
If number of electrons is not an integer.
"""
if not isinstance(operator, BaseOperator):
raise TypeError("operator must be a BaseOperator instance")
self.operators[operator.name] = operator


The default SNMP community strings should be changed from their vendor defaults on wireless access points.
SNMP community strings act as passwords for SNMP-enabled devices, and the default settings can be found by potential attackers on the Internet. Changing SNMP community strings on wireless access points prevents a potential attacker from changing wireless settings or discovering sensitive network information.
Inspect the wireless access points to check if they have SNMP enabled. If the wireless access points support SNMP, examine the configuration on each access point to make sure that the SNMP community string is changed from the vendor default. Use the Internet or the vendor's documentation to find out what the default SNMP community strings are and make sure that the ones in the current configuration are different.
Change the SNMP community string on each wireless access point to something other than the default. The SNMP community string is essentially a password, so the password policy should be followed when choosing a new SNMP community string. The exact steps required to change the SNMP community string vary by hardware. Please refer to the vendor's documentation or contact tech support for instructions on changing SNMP community strings on your wireless access points.