Vim documentation: digraph
main help file*digraph.txt* For Vim version 7.2. Last change: 2008 Aug 06 VIM REFERENCE MANUAL by Bram Moolenaar Digraphs *digraph* *digraphs* *Digraphs* Digraphs are used to enter characters that normally cannot be entered by an ordinary keyboard. These are mostly printable non-ASCII characters. The digraphs are easier to remember than the decimal number that can be entered with CTRL-V (see |i_CTRL-V|). There is a brief introduction on digraphs in the user manual: |24.9| An alternative is using the 'keymap' option. 1. Defining digraphs |digraphs-define| 2. Using digraphs |digraphs-use| 3. Default digraphs |digraphs-default| {Vi does not have any of these commands}
1. Defining digraphs *digraphs-define* *:dig* *:digraphs* :dig[raphs] show currently defined digraphs. *E104* *E39* :dig[raphs] {char1}{char2} {number} ... Add digraph {char1}{char2} to the list. {number} is the decimal representation of the character. Normally it is the Unicode character, see |digraph-encoding|. Example: :digr e: 235 a: 228 Avoid defining a digraph with '_' (underscore) as the first character, it has a special meaning in the future. Vim is normally compiled with the |+digraphs| feature. If the feature is disabled, the ":digraph" command will display an error message. Example of the output of ":digraphs": TH Þ 222 ss ß 223 a! à 224 a' á 225 a> â 226 a? ã 227 a: ä 228 The first two characters in each column are the characters you have to type to enter the digraph. In the middle of each column is the resulting character. This may be mangled if you look at it on a system that does not support digraphs or if you print this file. *digraph-encoding* The decimal number normally is the Unicode number of the character. Note that the meaning doesn't change when 'encoding' changes. The character will be converted from Unicode to 'encoding' when needed. This does require the conversion to be available, it might fail. For the NUL character you will see "10". That's because NUL characters are internally represented with a NL character. When you write the file it will become a NUL character. When Vim was compiled without the +multi_byte feature, you need to specify the character in the encoding given with 'encoding'. You might want to use something like this: if has("multi_byte") digraph oe 339 elseif &encoding == "iso-8859-15" digraph oe 189 endif This defines the "oe" digraph for a character that is number 339 in Unicode and 189 in latin9 (iso-8859-15).
2. Using digraphs *digraphs-use* There are two methods to enter digraphs: *i_digraph* CTRL-K {char1} {char2} or {char1} <BS> {char2} The first is always available; the second only when the 'digraph' option is set. If a digraph with {char1}{char2} does not exist, Vim searches for a digraph {char2}{char1}. This helps when you don't remember which character comes first. Note that when you enter CTRL-K {char1}, where {char1} is a special key, Vim enters the code for that special key. This is not a digraph. Once you have entered the digraph, Vim treats the character like a normal character that occupies only one character in the file and on the screen. Example: 'B' <BS> 'B' will enter the broken '|' character (166) 'a' <BS> '>' will enter an 'a' with a circumflex (226) CTRL-K '-' '-' will enter a soft hyphen (173) The current digraphs are listed with the ":digraphs" command. Some of the default ones are listed below |digraph-table|. For CTRL-K, there is one general digraph: CTRL-K <Space> {char} will enter {char} with the highest bit set. You can use this to enter meta-characters. The <Esc> character cannot be part of a digraph. When hitting <Esc>, Vim stops digraph entry and ends Insert mode or Command-line mode, just like hitting an <Esc> out of digraph context. Use CTRL-V 155 to enter meta-ESC (CSI). If you accidentally typed an 'a' that should be an 'e', you will type 'a' <BS> 'e'. But that is a digraph, so you will not get what you want. To correct this, you will have to type <BS> e again. To avoid this don't set the 'digraph' option and use CTRL-K to enter digraphs. You may have problems using Vim with characters which have a value above 128. For example: You insert ue (u-umlaut) and the editor echoes \334 in Insert mode. After leaving the Insert mode everything is fine. Note that fmt removes all characters with a value above 128 from the text being formatted. On some Unix systems this means you have to define the environment-variable LC_CTYPE. If you are using csh, then put the following line in your .cshrc: setenv LC_CTYPE iso_8859_1
3. Default digraphs *digraphs-default* Vim comes with a set of default digraphs. Check the output of ":digraphs" to see them. On most systems Vim uses the same digraphs. They work for the Unicode and ISO-8859-1 character sets. These default digraphs are taken from the RFC1345 mnemonics. To make it easy to remember the mnemonic, the second character has a standard meaning: char name char meaning Exclamation mark ! Grave Apostrophe '' Acute accent Greater-Than sign > Circumflex accent Question mark ? Tilde Hyphen-Minus - Macron Left parenthesis ( Breve Full stop . Dot above Colon : Diaeresis Comma , Cedilla Underline _ Underline Solidus / Stroke Quotation mark " Double acute accent Semicolon ; Ogonek Less-Than sign < Caron Zero 0 Ring above Two 2 Hook Nine 9 Horn Equals = Cyrillic Asterisk * Greek Percent sign % Greek/Cyrillic special Plus + smalls: Arabic, capitals: Hebrew Three 3 some Latin/Greek/Cyrillic letters Four 4 Bopomofo Five 5 Hiragana Six 6 Katakana Example: a: is These are the RFC1345 digraphs for the one-byte characters. See the output of ":digraphs" for the others. The characters above 255 are only available when Vim was compiled with the |+multi_byte| feature. EURO Exception: RFC1345 doesn't specify the euro sign. In Vim the digraph =e was added for this. Note the difference between latin1, where the digraph Cu is used for the currency sign, and latin9 (iso-8859-15), where the digraph =e is used for the euro sign, while both of them are the character 164, 0xa4. For compatibility with zsh Eu can also be used for the euro sign. *digraph-table* char digraph hex dec official name ^@ NU 0x00 0 NULL (NUL) ^A SH 0x01 1 START OF HEADING (SOH) ^B SX 0x02 2 START OF TEXT (STX) ^C EX 0x03 3 END OF TEXT (ETX) ^D ET 0x04 4 END OF TRANSMISSION (EOT) ^E EQ 0x05 5 ENQUIRY (ENQ) ^F AK 0x06 6 ACKNOWLEDGE (ACK) ^G BL 0x07 7 BELL (BEL) ^H BS 0x08 8 BACKSPACE (BS) ^I HT 0x09 9 CHARACTER TABULATION (HT) ^@ LF 0x0a 10 LINE FEED (LF) ^K VT 0x0b 11 LINE TABULATION (VT) ^L FF 0x0c 12 FORM FEED (FF) ^M CR 0x0d 13 CARRIAGE RETURN (CR) ^N SO 0x0e 14 SHIFT OUT (SO) ^O SI 0x0f 15 SHIFT IN (SI) ^P DL 0x10 16 DATALINK ESCAPE (DLE) ^Q D1 0x11 17 DEVICE CONTROL ONE (DC1) ^R D2 0x12 18 DEVICE CONTROL TWO (DC2) ^S D3 0x13 19 DEVICE CONTROL THREE (DC3) ^T D4 0x14 20 DEVICE CONTROL FOUR (DC4) ^U NK 0x15 21 NEGATIVE ACKNOWLEDGE (NAK) ^V SY 0x16 22 SYNCHRONOUS IDLE (SYN) ^W EB 0x17 23 END OF TRANSMISSION BLOCK (ETB) ^X CN 0x18 24 CANCEL (CAN) ^Y EM 0x19 25 END OF MEDIUM (EM) ^Z SB 0x1a 26 SUBSTITUTE (SUB) ^[ EC 0x1b 27 ESCAPE (ESC) ^\ FS 0x1c 28 FILE SEPARATOR (IS4) ^] GS 0x1d 29 GROUP SEPARATOR (IS3) ^^ RS 0x1e 30 RECORD SEPARATOR (IS2) ^_ US 0x1f 31 UNIT SEPARATOR (IS1) SP 0x20 32 SPACE # Nb 0x23 35 NUMBER SIGN $ DO 0x24 36 DOLLAR SIGN @ At 0x40 64 COMMERCIAL AT [ <( 0x5b 91 LEFT SQUARE BRACKET \ // 0x5c 92 REVERSE SOLIDUS ] )> 0x5d 93 RIGHT SQUARE BRACKET ^ '> 0x5e 94 CIRCUMFLEX ACCENT ` ''! 0x60 96 GRAVE ACCENT { (! 0x7b 123 LEFT CURLY BRACKET | !! 0x7c 124 VERTICAL LINE } !) 0x7d 125 RIGHT CURLY BRACKET ~ ''? 0x7e 126 TILDE ^?


Digital Development in CABI
Digital & Data to support the Sustainable Development Goals
Brie Finegold, Global Director, Digital Development
We support the Sustainable Development Goals and CABI’s international development work by applying digital tools to provide scientific information and evidence, promote data driven development, and support data collection and two-way communication.
Vision
CABI envisions a world in which our development impact is magnified through digital innovation in agriculture and the environment. Digital tools allow us to work with communities to overcome agricultural challenges, fight invasive species, and support resilient livelihoods and enhanced food security, while our user-centred approach helps us ensure that no one is left out of the opportunities that digital provides for economic development.
Goal 1: Two-way communication channels based on digital tools empower stakeholders, leading to better decisions, increased engagement, and improved livelihoods
- Engage youth in agriculture and agribusiness through the development of digital tools
- Combine CABI’s ICT and development communication expertise in developing approaches to digital and digitally supported agricultural extension
- Continue to develop and support information resources & platforms , such as the Plantwise Knowledge Bank and Invasive Species Compendium,
- Develop systems for two way communication & crowdsourcing
Goal 2: Harness the power of data to deliver solutions at scale, taking advantage of opportunities created by earth observation, sensors, and modelling, to automate analyses and generate targeted advice
- Use geospatial tools and spatial and predictive modelling to provide tailored agricultural advice and alerts, support landscape level ecosystem management, help developing country farmers access markets, underpin climate change adaptation, and strengthen programme design and M&E.
- Promote and build capacity for data use by partners, including data literacy, analytics tools, open data, data policy, and responsible data approaches. Undertake capacity building, consultancy, and data policy work to support good data practice across the sector.
How do we work?
- We make apps, information portals, chatbots, data systems, decision support tools, computational models, and mobile phone based communication workflows
- We offer consultancies and services to help other organisations, particuarly on FAIR (Findable, Accessible, Interoperable, Reusable) data and good data practice
- We focus on the developing world
- We work in the domains of digital tools, information, and data
- We do geospatial and data analysis
- We believe in user centred design and participatory appproaches
- We follow the Principles for Digital Development
Digital Development is a cross-cutting theme
We apply tools and skills for digital development, data, and information management to support work in CABI's technical areas (e.g. invasive species management)
We also undertake knowledge work in areas outside of CABI's technical expertise (e.g. nutrition, soil health)


Demos
Try to click and hold/drag to see the ripple effect respond
Custom elements, custom CSS, whatever you want.
inline
elements (most of the time…)
.ripple({ maxDiameter: 40px });
The plugin features two scaleMode
options for dragging:
proportional
Scales the ripple proportional to the amount it was dragged.
Will probably become bigger than its container.
…and
fixed
Don't scale and release ripple when dragging upwards.
transition-duration
s
…for longer or shorter ripple animations.
transition-duration: .75s, .36s;
inline-block
link
Notice how the ripple responds to the mouse position in the box
.ripple({maxDiameter: "100%"});
Usage
legitRipple.js depends on jQuery, so make sure you have that loaded. When the DOM is ready, you can use it like this:
//ripple with default options
$(".some, .elements").ripple();
//ripple with custom options
$(".elements").ripple({
scaleMode: false,
maxDiameter: "100%"
});
You can also use alternative syntax if you have a lot of ripple elements with different options.
$.ripple({
".material": {},
".material.circle": {maxDiameter: "100%"},
".customHTML": {template: $("
").text("Custom ripple content!")},
".callback": {
callback: function($container, $ripple, posI, maxDiameter) {
//is called whenever the ripple's css properties change
}
}
});
You can't apply the ripple effect on void elements
(those that can't have child elements;
, <input>
, …). However, you can simply wrap them and apply the effect to the wrapper element.
Install
<link href="stylesheet" type="text/css" href="ripple.min.css">

For better loading performance, I'd recommend loading the script as non-critical content (by putting the


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QuantLib: a free/open-source library for quantitative finance
Fully annotated sources - version 1.30
|
Uniform random number generator. More...
#include <ql/math/randomnumbers/lecuyeruniformrng.hpp>
Public Types | |
| typedef Sample< Real > | sample_type |
Public Member Functions | |
| LecuyerUniformRng (long seed=0) | |
| sample_type | next () const |
Private Attributes | |
| long | temp1 |
| long | temp2 |
| long | y |
| std::vector< long > | buffer |
Static Private Attributes | |
| static const long | m1 =<PHONE_NUMBER>L |
| static const long | a1 = 40014L |
| static const long | q1 = 53668L |
| static const long | r1 = 12211L |
| static const long | m2 =<PHONE_NUMBER>L |
| static const long | a2 = 40692L |
| static const long | q2 = 52774L |
| static const long | r2 = 3791L |
| static const int | bufferSize = 32 |
| static const long | bufferNormalizer = 67108862L |
| static const long double | maxRandom = 1.0-QL_EPSILON |
Uniform random number generator.
Random number generator of L'Ecuyer with added Bays-Durham shuffle (know as ran2 in Numerical recipes)
For more details see Section 7.1 of Numerical Recipes in C, 2nd Edition, Cambridge University Press (available at http://www.nr.com/)
Definition at line 40 of file lecuyeruniformrng.hpp.
| typedef Sample<Real> sample_type |
Definition at line 42 of file lecuyeruniformrng.hpp.
|
explicit |
if the given seed is 0, a random seed will be chosen based on clock()
Definition at line 42 of file lecuyeruniformrng.cpp.
| LecuyerUniformRng::sample_type next | ( | ) | const |
returns a sample with weight 1.0 containing a random number uniformly chosen from (0.0,1.0)
Definition at line 58 of file lecuyeruniformrng.cpp.
|
mutableprivate |
Definition at line 50 of file lecuyeruniformrng.hpp.
|
private |
Definition at line 50 of file lecuyeruniformrng.hpp.
|
mutableprivate |
Definition at line 51 of file lecuyeruniformrng.hpp.
|
mutableprivate |
Definition at line 52 of file lecuyeruniformrng.hpp.
|
staticprivate |
Definition at line 53 of file lecuyeruniformrng.hpp.
|
staticprivate |
Definition at line 54 of file lecuyeruniformrng.hpp.
|
staticprivate |
Definition at line 55 of file lecuyeruniformrng.hpp.
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staticprivate |
Definition at line 56 of file lecuyeruniformrng.hpp.
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staticprivate |
Definition at line 57 of file lecuyeruniformrng.hpp.
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staticprivate |
Definition at line 58 of file lecuyeruniformrng.hpp.
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staticprivate |
Definition at line 59 of file lecuyeruniformrng.hpp.
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staticprivate |
Definition at line 60 of file lecuyeruniformrng.hpp.
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staticprivate |
Definition at line 61 of file lecuyeruniformrng.hpp.
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staticprivate |
Definition at line 62 of file lecuyeruniformrng.hpp.
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staticprivate |
Definition at line 63 of file lecuyeruniformrng.hpp.


How Many Fingers?
Make a guess!
Guess
Instructions
Enter a number between 1 and 5!
If you don't get it right the first time, keep trying!


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The best way to demonstrate the ebb and flow of the various image positioning options is to nestle them snuggly among an ocean of words. Grab a paddle and let’s get started.
Assign classes with HTML:

Or use Kramdown and inline attribute lists:
![left-aligned-image](image.jpg){: .align-left}
![center-aligned-image](image.jpg){: .align-center}
![right-aligned-image](image.jpg){: .align-right}
The image should be centered with the .align-center
class.
The rest of this paragraph is filler for the sake of seeing the text wrap around the 150×150 image, which is left aligned with the .align-left
class.
As you can see the should be some space above, below, and to the right of the image. The text should not be creeping on the image. Creeping is just not right. Images need breathing room too.  Let them do their jobs without any hassle from the text. In about one more sentence here, we’ll see that the text moves from the right of the image down below the image in seamless transition. Again, letting the do it’s thing. Mission accomplished!
And now for a massively large image — it has no alignment.
The image above, though 1200px
wide, should not overflow the content area. It should remain contained with no visible disruption to the flow of content.
And now we’re going to shift things to the right with the .align-right
class. Again, there should be plenty of room above, below, and to the left of the image. Just look at him there — Hey guy! Way to rock that right side. I don’t care what the left aligned image says, you look great.
In just a bit here, you should see the text start to wrap below the right aligned image and settle in nicely. There should still be plenty of room and everything should be sitting pretty. Yeah — Just like that. It never felt so good to be right.

The figure above happens to be centered. The caption also has a link in it, just to see if it does anything funky.
The rest of this paragraph is filler for the sake of seeing the text wrap around the 150×150 image, which is left aligned with the .align-left
class.
As you can see the should be some space above, below, and to the right of the image. The text should not be creeping on the image. Creeping is just not right. Images need breathing room too.  Let them do their jobs without any hassle from the text. In about one more sentence here, we’ll see that the text moves from the right of the image down below the image in seamless transition. Again, letting the do it’s thing. Mission accomplished!
And now for a massively large image with no alignment.
The figure element above has an inline style of width: 1200px
set which should cause it to break outside of the normal content flow.
And now we’re going to shift things to the right with the .align-right
class. Again, there should be plenty of room above, below, and to the left of the image. Just look at him there — Hey guy! Way to rock that right side. I don’t care what the left aligned image says, you look great.
In just a bit here, you should see the text start to wrap below the right aligned image and settle in nicely. There should still be plenty of room and everything should be sitting pretty. Yeah — Just like that. It never felt so good to be right.
And that’s a wrap, yo! You survived the tumultuous waters of alignment. Image alignment achievement unlocked!


Weather Display Options
Celsius
Actual Temperature
Feels Like Temperature
Humidity
Cloud Coverage
Experimental Feature
Apply Settings
Image Credit:


If your application does not perform transaction-protected operations on multiple records, then you do not need to give your keys any special consideration just because of slices. In this case, use keys designed exactly as you would if you were not using slices. The internal hashing algorithm will automatically distribute your records evenly across your slices based on the data that the hash finds in your keys.
However, if you do want to perform atomic operations on multiple records, then you do need to give your key design some thought. This is because the slice feature distributes your records across unique sub-environments. A transaction can not cross environments, so you must design your keys so that those records which you want to operation upon in a single transaction are all placed in the same slice. You do this by identifying the portion of your key with is slice-relevant.
For example, suppose your application contains information about corporate personnel. To adequately represent each employee in the corporation, you have the following record types:
Contact information, including the employee's name, organization name, office number, phone number, and email address.
A photograph of the employee (stored as an external file).
The employee's public key for digital signatures.
For a non-sliced database, it would be enough to create keys using employee ID and record type. That is, for an employee with ID 6591, your database would contain three keys:
6591;Contact
6591;Image
6591;Signature
However, for a sliced database, there is no guarantee that the three records using these keys would be placed in the same slice. If they are not in the same slice, then put and get operations for all three records cannot be wrapped in a single transaction. Without a single transaction, you cannot operated on these three records atomically.
Therefore, to support a sliced database, you need to identify a portion of the key that will be identical between records that you want to operate upon within a single transaction. In this simple example, you can use the employee's ID to accomplish this. That is, you must identify the slice-relevant portion of the key so that DB knows what to use when dividing records across slices.
To identify the slice-relevant portion of the key, you define a callback, wich you then set using the DB->set_slice_callback() method.
int construct_slice_dbt(const DB *db, const DBT *key, DBT *slice) { /* * key is the source key. * * slice is the DBT that we use to identify the slice-relevant * portion the data in key. * * This example does not require lifting disjointed portions of * key to create a slice key, so we can get away with simply * setting slice->size to highlight the interesting portion of * key's data. * */ slice->data = key->data; slice->size = 4; return (0); } ... /* * Opening the environment is routine so we skip it here for * the sake of brevity. Assume we have created and opened an * environment handle, dbenv. */ DB *dbp = NULL; DB_TXN *txn = NULL; u_int32_t open_flags; int ret; ret = db_create(&dbp, dbenv, 0); if (ret != 0) { /* db_create failed. handle error here */ } open_flags = DB_CREATE | DB_THREAD | DB_AUTO_COMMIT; /* Open the database with slice support. */ open_flags |= DB_SLICED; /* Set the callback before opening the database */ ret = dbp->set_slice_callback(dbp, construct_slice_dbt); if (ret != 0) { /* callback set failed. handle error here */ } ret = dbp->open(dbp, NULL, /* Txn pointer */ "mydb.db", /* Database file name */ NULL, /* Logical database name */ DB_BTREE, /* Database is using btree access method */ open_flags, /* Open flags */ 0); /* File mode. Using defaults. */ if (ret != 0) { /* db open failed. handle error here */ }
After that, you can read and write to your database exactly as you would if you were using a non-sliced database. Your threaded workload will scale across cores much better than if you use a non-sliced environment.


{% extends '_base.html' %} {% block title %}Bad Request{% endblock %} {% block header %} 400 The request you sent was bad. Not sure what to tell you, - try again? {% endblock %} {% block content %} Refresh the page and see if that works. {% endblock %}


Undoubtedly the most important thing
This can also add on to their new source of income
The company will require more labour to physically implement the design, hence increasing the employment ratio
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Bobby Mair's panel show appearances
Bobby Mair has appeared in 14 episodes between 2012-2016. Bobby Mair on IMDB. Bobby Mair on Wikipedia. Bobby Mair on Chortle.
- 2016-12-27 / Virtually Famous
- 2016-06-09 / Safe Word
- 2016-01-26 / Virtually Famous
- 2015-09-03 / Safe Word
- 2015-05-11 / Virtually Famous
- 2015-04-20 / Virtually Famous
- 2015-02-12 / Reality Bites
- 2014-12-17 / Sweat the Small Stuff
- 2014-12-15 / Never Mind The Buzzcocks
- 2014-08-11 / Virtually Famous
- 2014-05-06 / Sweat the Small Stuff
- 2014-01-23 / Fake Reaction
- 2013-11-19 / Sweat the Small Stuff
- 2012-11-05 / 8 Out of 10 Cats


Purple Color
.bg-purple
#9C27B0
Purple Lighten 1#AB47BC
.bg-purple.bg-lighten-1
Purple Lighten 2#BA68C8
.bg-purple.bg-lighten-2
Purple Lighten 3#CE93D8
.bg-purple.bg-lighten-3
Purple Lighten 4#E1BEE7
.bg-purple.bg-lighten-4
Purple Darken 1#8E24AA
.bg-purple.bg-darken-1
Purple Darken 2#7B1FA2
.bg-purple.bg-darken-2
Purple Darken 3#6A1B9A
.bg-purple.bg-darken-3
Purple Darken 4#4A148C
.bg-purple.bg-darken-4
Purple Accent 1#EA80FC
.bg-purple.bg-accent-1
Purple Accent 2#E040FB
.bg-purple.bg-accent-2
Purple Accent 3#D500F9
.bg-purple.bg-accent-3
Purple Accent 4#DD00FF
.bg-purple.bg-accent-4
Purple color palette contains 13 colors: 1 main purple color and 4 lighten colors, 4 darken colors and 4 Accent colors. All colors works perfectly with any bootstrap components, form components or any modern controls, that makes Modern very effective, flexible and configurable.
Please note: You can use .bg-purple and .btn-purple as main colors, but if you want to use lighten, darken or accent colors, use bg-* bg-lighten-NUMBER for lighten color, bg-* bg-darken-NUMBER for darken color and bg-* bg-accent-NUMBER for accent colors.
| Class | Description |
|---|---|
.bg-purple |
Purple Class for background color. |
.bg-purple .bg-lighten-* |
For lighten purple background color, this two classes needed. Here *: 1,2,3,4 lighten purple color options. |
.bg-purple .bg-darken-* |
For darken purple background color, this two classes needed. Here *: 1,2,3,4 darken purple color options. |
.bg-purple .bg-accent-* |
For accent purple background color, this two classes needed. Here *: 1,2,3,4 accent purple color options. |
Purple Color
.border-purple
#9C27B0
Purple Lighten 1#AB47BC
.border-purple.border-lighten-1
Purple Lighten 2#BA68C8
.border-purple.border-lighten-2
Purple Lighten 3#CE93D8
.border-purple.border-lighten-3
Purple Lighten 4#E1BEE7
.border-purple.border-lighten-4
Purple Darken 1#8E24AA
.border-purple.border-darken-1
Purple Darken 2#7B1FA2
.border-purple.border-darken-2
Purple Darken 3#6A1B9A
.border-purple.border-darken-3
Purple Darken 4#4A148C
.border-purple.border-darken-4
Purple Accent 1#EA80FC
.border-purple.border-accent-1
Purple Accent 2#E040FB
.border-purple.border-accent-2
Purple Accent 3#D500F9
.border-purple.border-accent-3
Purple Accent 4#DD00FF
.border-purple.border-accent-4
| Class | Description |
|---|---|
.border-purple |
Purple Class for background color. |
.border-purple .border-lighten-* |
For lighten purple background color, this two classes needed. Here *: 1,2,3,4 lighten purple color options. |
.border-top-purple .border-top-lighten-* |
For lighten purple top border. Use this classes if you need to highlight only top border. |
.border-bottom-purple .border-bottom-lighten-* |
For lighten purple bottom border. Use this classes if you need to highlight only bottom border. |
.border-right-purple .border-right-lighten-* |
For lighten purple right border. Use this classes if you need to highlight only right border. |
.border-left-purple .border-left-lighten-* |
For lighten purple left border. Use this classes if you need to highlight only left border. |
.border-purple .border-darken-* |
For darken purple background color, this two classes needed. Here *: 1,2,3,4 darken purple color options. |
.border-top-purple .border-top-darken-* |
For darken purple top border. Use this classes if you need to highlight only top border. |
.border-bottom-purple .border-bottom-darken-* |
For darken purple bottom border. Use this classes if you need to highlight only bottom border. |
.border-right-purple .border-right-darken-* |
For darken purple right border. Use this classes if you need to highlight only right border. |
.border-left-purple .border-left-darken-* |
For darken purple left border. Use this classes if you need to highlight only left border. |
.border-purple .border-accent-* |
For accent purple background color, this two classes needed. Here *: 1,2,3,4 accent purple color options. |
.border-top-purple .border-top-accent-* |
For accent purple top border. Use this classes if you need to highlight only top border. |
.border-bottom-purple .border-bottom-accent-* |
For accent purple bottom border. Use this classes if you need to highlight only bottom border. |
.border-right-purple .border-right-accent-* |
For accent purple right border. Use this classes if you need to highlight only right border. |
.border-left-purple .border-left-accent-* |
For accent purple left border. Use this classes if you need to highlight only left border. |
Purple Color
.purple
#9C27B0
Purple Lighten 1#AB47BC
.purple.lighten-1
Purple Lighten 2#BA68C8
.purple.lighten-2
Purple Lighten 3#CE93D8
.purple.lighten-3
Purple Lighten 4#E1BEE7
.purple.lighten-4
Purple Darken 1#8E24AA
.purple.darken-1
Purple Darken 2#7B1FA2
.purple.darken-2
Purple Darken 3#6A1B9A
.purple.darken-3
Purple Darken 4#4A148C
.purple.darken-4
Purple Accent 1#EA80FC
.purple.accent-1
Purple Accent 2#E040FB
.purple.accent-2
Purple Accent 3#D500F9
.purple.accent-3
Purple Accent 4#DD00FF
.purple.accent-4
| Class | Description |
|---|---|
.purple |
Class for Purple Text color. |
.purple .lighten-* |
For lighten purple text color, this two classes needed. Here *: 1,2,3,4 for lighten purple color options. |
.purple .darken-* |
For darken purple text color, this two classes needed. Here *: 1,2,3,4 for darken purple color options. |
.purple .accent-* |
For accent purple text color, this two classes needed. Here *: 1,2,3,4 for accent purple color options. |


Moringa School,
Software Development
HTML
CSS
BOOTSTRAP
This website is all about the best pictures ever in the Leica 0 Series Photography Studios gallery.
I achieved this through;
HTML
CSS
This is a website that shows some of the foods that can be easily found and accessed in the streets when you are angry
I achieved this through;
HTML
CSS


Deuteronomy 1:13
Take you wise men, and understanding, and known among your tribes, and I will make them rulers over you.


{% extends "layout.html" %} {% block content %}
Formed in 1965, the CSI has been instrumental in guiding the Indian IT industry down the right path since its formative years.


We're all in this together
9/19/14
This is my first blog entry and part of a series I will be doing prior to starting at Dev Bootcamp (DBC). For this week we were asked to watch a video on Engineering Empathy and the DBC experience.
After watching the video, Shereef's Fireside Chat, I gained an understanding that the DBC experience is a relationship with owning my education and career that'll last a lifetime. I was moved about the mindset of empowering yourself to take charge of your education, the true passion of ownership. The comparison between being a consumer vs a creator in the video really hit home, as it's so common in our consumer culture that DBC could easily be confused as a product, that, if I just put enough time in money I will get a degree back, whereas my mindset needs to be, own your education and take advantage of this opportunity.
The video inspired me to come into this with that "creator" mindset, not a judgmental one, and take ownership of my education. I may have been guilty of this consumer line of thinking, however after watching the video, I realize that my mindset needed to change. My expectations haven't necessarily changed, before applying, I did my research and knew what I was getting into however the video reinforced my understanding and the need for that right mindset moving forward.
In addition to myself, I'm confident that at DevBootcamp the students and teachers will all have a positive growth mindset that will be encouraging. I'm excited to participate in person and I realize that I need to be aware of common traps when learning at a rapid pace such as "imposter syndrome."
Some other take aways that I learned from the video are the constant evolution of the class itself and it's growth mindset. The constant feedback goes both ways and I appreciate that the class demonstrates what they preach, it makes the experience more authentic and easier to buy into.
Overall, I'm excited about going into DBC with my cohort and taking our education and career into our own hands


PBDesk.com/slides
My Presentations & Flash Cards
from the desk of
Pinal Bhatt
JavaScript
Tips & Tricks
Start
ES6 With TypeScript
Cutting Edge JavaScript
Start
Angular 2
NG2 Resources
Start


[Gecode] Re: Problem with operator== for views, equality vs. aliasing.
Christian Schulte
schulte at imit.kth.se
Tue Jun 7 14:44:19 CEST 2005
Dear all,
I now have provided some working infrastructure for testing sharing and
equality.
A view x depends on a variable v, either if x is an identify view for v or x
is derived from a view v' which depends on v (this assumes the terminology
in the views paper).
Two views x and y (of not necessarily the same type) _share_ a variable v,
if both x and y depend on v. The views are also called shared. Written in
Gecode as x & y.
Two views x and y of the same type are _equal_, if they are identical. This
means that when becoming assigned they will have the same value. Written in
Gecode as x == y (also != is available).
Additionally, there is an ordering on views. The order is completely
arbitrary (implemented for example by location in memory) and is not stable
with respect to cloning. However, the following important invariant holds:
if x<y and x and y are shared, then for a view z that is not shared with x
or y: z < x or y < z but never x < z < y. For example, the implementation
achieves this by using lexicographic ordering where the variable component
of a derived view takes precedence.
This means that when sorting views of the same type wrt <, shared views are
next to each other.
ViewArrays now provide some functionality for sorting and finding shared or
equal views. For a ViewArray x:
x.equal() tests whether x has at least two equal views.
x.shared() tests whether x has at least two shared views.
x.group_equal() sorts the views in x and returns x.equal()
x.group_shared() sorts the views in x and returns x.shared()
All operations take n log n in average (based on quicksorting the views). If
the order of views in a ViewArray does not matter, the group_-variants are
more efficient (in-place sorting).
However, the original problem we wanted to tackle with all this, is still
unsolved: how to decide idempotence with shared views... See next Email.
Christian
--
Christian Schulte, http://www.imit.kth.se/~schulte/
More information about the gecode-users
mailing list


{% import 'widgets/latest_activity.html' as LatestActivity %} {% import 'widgets/progress_chart.html' as ProgressChart %} {% macro header(request=False) %}
| Language | Locale | Speakers | Latest Activity | Progress | {% if request %} | Request | {% endif %}
|---|---|---|---|---|---|---|
{{ locale.name }} |
{{ locale.population|intcomma or 'Unknown' }} | {{ LatestActivity.span(latest_activity) }} | {% if chart.total_strings %} {{ ProgressChart.span(chart, chart_link, link_parameter, has_param) }} {% else %} {{ not_ready_message }} {% endif %} | {% if request %}{% endif %} |
The requested language won’t be enabled automatically: an email will be sent to Pontoon admins and team managers to evaluate the request. We’ll try to respond as soon as possible. Please make sure to get in touch with the localization team if you are a new contributor.


this page is not finished, see the wiki home page to find out why…
hidden stuff<EMAIL_ADDRESS>-rw-r–r– .classpath drwxr-xr-x .git -rw-r–r– .gitignore drwxr-xr-x .gradle -rw-r–r– .project drwxr-xr-x .settings
eclipse project import will create some (particulalry if using the gradle plugin) gradle build will create some .gitignore is also in the Atlassian SourceTree global gitignore (there is a decision here about whether or not to store the .gitignore stuff in the reporsitory to maintain consistency across the team - prob would put in a dev note so that could have the best of both worlds in case someone is working on a few projects and have different things in their gitignore - although could prob have a base one in here that includes the .gitignore file as well so it doesn’t get changed back on commit - would have to add manually through the GitHub gui I think)
No matter how advanced system modelling and code generation gets there’s seems to be no escaping the need to hand write some code. So, we could have broken out our favourite text editor (Xcode, Sublime, Notepad, vi, joe, nano), interpreter / compiler, debugger, command line to package and read logs, manuals, specs, html editor, documentation editor, xml editor…but chose instead to take a sec to look at using an open source Integrated Development Environment (IDE).
In one interface (with multiple perspectives) we get a ton of resources to help with the tasks of the project including;
Wow, that’s a lot of things, but which one to choose? There are heaps of IDE’s out there. We have chosen Eclipse because; there’s tons of documentation, examples and community surrounding it. Also, because we have also chosen Perl as a development language for the CmisDlnaConnector and Git (GitHub) for source control, Eclipse is a good choice for us because it has really cool plugins EPIC and EGit to support both of them.
Downloaded Eclipse Kepler (4.3.1) for MacOSX (and can get a Windows and Linux one as well).
It comes as an archive which we unstuffed. Then drag the “eclipse” folder into your Applications folder. The easiest way to do so is to open a new window in the Finder and click on Applications in the list you get on the left-hand side. Then drag the “eclipse” folder in with the other applications. Make sure that you do not drag it into a folder that’s already within Applications. In other words, when you’re done, the Applications folder should have directly within it a folder named “eclipse.” (This step is not required, but handy.) Double click the “eclipse” folder. You’ll see an application named “Eclipse”; it has a purple icon with white horizontal stripes. Drag it into your dock. Now you will be able to launch Eclipse by clicking on the icon in the dock.
Launch the application and set up the default workspace preferences (we’ve just put it in the ~/Documents/workspace folder ).
Didn’t really do any other configuration as most of the preferences that are important to us are in the Epic and EGit plugins. Didn’t look at many support docs to get going as its pretty self explanatory but the basic tutorial and some descriptions of the icons were useful (if could find a similar icons ref for Epic that would be cool).
Even though the project repository is foundational, we’ve put this section in before setting up EGit as when we connect to the repo and import projects we wanted to import them as Perl projects (and wanted Perl frameworks and Epic plugin installed first to do this).
And, in order to have all EPIC features like template project model (Module::Starter), source formatting (PerlTidy), syntax checking, coding standards (PerlCritic), interactive debug etc., you need to have a Perl interpreter and some supporting perl modules installed.
The Epic installation is done by using the Eclipse Update Manager by entering ‘epic - http://e-p-i-c.sf.net/updates/testing' into the “Help > Install new software” dialog. Chose the testing version ‘cause saw some posts that said it was stable and had good advantages over the current released version (and who doesn’t like a shiny new toy).
Once the plugin is installed, updated the “Eclipse > Preferences > Perl EPIC” preferences:
Perl EPIC: ~ Perl Executable: “/usr/bin/perl”
~ Interpreter Type: Standard
Module::Starter:
~ Select Enable Module::Starter
~ Custom location: /usr/local/bin/module-starter
~ Select Override module-starter config file
~ Module Author:
~ Module Author Email:
Perl::Critic:
~ Select Enable Critic
~ Custom location: /usr/local/bin/perlcritic
That’s the ones we tweaked but there are heaps of other ones as well.
So now you’ve got the eagles nest for a birds eye view of the project. The main structure of Eclipse are perspectives. Perspectives control what appears in certain menus and toolbars. They define visible action sets, which you can change to customize a perspective. You can save a perspective that you build in this manner, making your own custom perspective that you can open again later. You can set your Workbench preferences to open perspectives in the same window or in a new window.
The main perspectives for developing Perl applications are:
* Perl - This is the main perspective for coding Perl scripts.
* Debug - Provides the main functionality for debugging and executing Perl scripts.
Did have an error setting up EPIC;
“An internal error occurred during: “Launching MyRSSFeeder”.java.lang.NullPointerException”
This happened because had mistakenly set the interpreter type in the Perl EPIC preferences to ‘cygwin’. Need to make sure use the “Standard” Interpreter type.
The download page for EGit says to; install via one of the update site URLs listed below, copy and paste it into the “Help > Install new software” dialog.
There is a huge user guide for EGit. We skimmed it.
Once installed go to the Eclipse > Preferences menu and set the >Team>Git Default repository folder: which we set to the Eclipse workspace directory /Documents/workspaces (it will actually go into each imported project’s folder). The other settings within Eclipse will get set when you actually import projects (and these will be stored in ~/.gitconfig). The later section on importing projects will detail other settings.
Now, you can connect Eclipse through EGit to a locally cloned repository (like one cloned by the Git commandline client or graphical client), which will give you an Eclipse workspace, a local Git repo and an online Git repo. We have chosen to clone directly into the Eclipse workspace area so only have the Eclipse workspace directory for the project (like /Documents/workspace/allegria) which will have a hidden .git directory in it with relevant repo config files.
To do this you will need to:
The ssh connection was a bit tricky and when doing it we got a few error messages.
Host github.com
HostName github.com
User git
PreferredAuthentications publickey
IdentityFile ~/.ssh/id_rsa
the second error was about permission denied public key and related to the ‘User’ entry in the ~.ssh/config file, initially we were using the username for the repo but need to use the generic ‘git’ user name.
a third error concerned the need to fix the permissions on id_rsa key files by resetting them back to default;
sudo chmod 600 ~/.ssh/id_rsa
sudo chmod 600 ~/.ssh/id_rsa.pub
Once have prepared the ssh connection then can clone the remote repo by choosing “File > Import > Git > Project from Git” and then on the next screen select Clone URI. Paste in the URI from the repo (in our case github.com/peterwatts/allegria) and select protocol ssh (this will change the URI to ssh://github.com/peterwatts/allegria). Choose the branches on the next screen and select a directory in the next (in our case ~/Documents/workspace/). Will then ask you ‘import projects’ which you can select and do.
Choose the New Project Wizard (as the other two options; ‘Import existing projects’ and ‘Import as general project’ will cause an error as they probably don’t have the necessary eclipse setting files).


Avinash Patil
Computer Science Enthusiast
I am a Computer Science Enthusiast from Nanded, India. I am
currently pursuing B.Tech Graduation in field of Computer Science at Walchand College Of Engineering, Sangli.
I have a passion in problem solving and learning new Technologies.
I love to write a code and apply knowledge of Programming Languageses ,Data Structures and Algorithms in solving problems.
I am seeking a responsible position to use my abilities effectively and efficiently for an organization and have an acquisition for learning and developing new skills.
In my opinion hunger for learning is the only thing that makes individual unique.
Bachelor of Technology - Computer Science and Engineering
2017 - 2021
Walchand College Of Engineering, Sangli
11th and 12th(HSC) Science
- 2015-2017
Yeshwant Mahavidyalaya Nanded
89.54%
10th(SSC)
- 2015
Shyamlal Memorial Highschool,Udgir
93.00% (Maharashtra State Board)
CORE JAVA 85%
JavaScript 60%
Node.Js 60%
DBMS 80%
git 70%
HTML & CSS 70%
C basics 80%
Data Structues 80%
CPP 75%
Python 70%
Get in touch_
Or just write me a letter here_


This application was intended for I/O limited to local keyboard and console output within a Linux command line shell. This calculation includes a rather ubiquitous use of memory pointers that have not been reviewed for safe pointer practices. Therefore, modification of the program to service a direct internet connection is not recommended.
System memory used for floating point number variables are defined in the "math.s" file using ".skip" statements to declare uninitialized blocks of memory in the .bss section. These are statically allocated when the program is started as part of the load image. No memory is dynamically allocated.
All input and output is performed using assembly language "svc" statements. All I/O functions are located in the "iomodule.s" file. They are used to accept keyboard input, produce console output, capture program text output to a disk file, and read the system clock.
File name used to log the terminal session are sequential as follows: out/out001.txt, out/out002.txt, out/out003.txt ... the folder 'out' is expected to exist in the working directory.


Ground Truth estimation is based on SimpleIKT's STAPLE implementation.
1. Select a number of experts and add the images you want to evaluate.
2. Generate the form (always generate a new form if number of experts or selcted images were changed).
3. Select a layer for every expert for every image.
4. Calculate Ground Truth Estimation, new layers will be added to the images automatically.
Number of Experts
Warning: Ground truth will be estimated and layers will be added to corresponding images. This may take some time.


File System/OperatingSystem.lua
Functions
| OperatingSystem:execute (command) | Executes the specified command via the OS command shell. |
| OperatingSystem:executeCommand (exeFile, _params, _targets, outPipe, outHandling) | Executes the specified command via the windows or mac command shell. |
| OperatingSystem:new (t) | Constructor for new instance. |
| OperatingSystem:newClass (t) | Constructor for extending class. |
Functions
- OperatingSystem:execute (command)
-
Executes the specified command via the OS command shell.
Parameters:
-
command
: Complete command string.
Usage:
Not usually called directly, but available for cutting out the middle man for testing...
Command is a string generally consisting of a target app, parameters, and object files.
Must be called from asynchronous task.
Return values:
- boolean: true iff command successfully executed, as indicated by exit-code = 0.
- command string executed if successful, else error message.
-
- OperatingSystem:executeCommand (exeFile, _params, _targets, outPipe, outHandling)
-
Executes the specified command via the windows or mac command shell.
Parameters:
-
exeFile
: name or path of executable. -
_params
: command parameter string, e.g. '-p -o "/Programs for lunch"' (without the apostrophes). -
_targets
: array of command targets, usually one or more paths. -
outPipe
: -
outHandling
:
Usage:
Normally called indirectly by way of app object - see it for more info.
Return values:
- status (boolean): true iff successful.
- command-or-error-message(string): command if success, error otherwise.
- content (string): content of output file, if out-handling > 0.
-
- OperatingSystem:new (t)
-
Constructor for new instance.
Parameters:
-
t
:
-
- OperatingSystem:newClass (t)
-
Constructor for extending class.
Parameters:
-
t
:
-


City Support
☰
Users
Warehouses
Sponsors
Welcome to City Support
Please enter the item(s) to donate.
Item Name
Type
Quantity
Description
Submit


Sometimes, only complex logic evaluating a particular value will provide the desired results: combining optional elements or filtering out undesired matches. In these cases, the slow but powerful regex operator can generate the perfect results.
However, regular expressions are difficult to get correct and should only be used by advanced users. Incorrectly formed expressions could drain our resources and prevent our servers from being able to respond as quickly to other users. We don't want to have to block any users due to undue strain, so please only use this operator if you are confident you can create good regular expressions.
Searches are case insensitive.
Terms will try to match characters anywhere in the value; use ^ and/or $ to specify matches must begin and/or end with the search term.
Literal special characters in chemical names that have meanings within regular expressions need to be escaped. In the examples below, when searching for the literal characters "+" and "[", they needed an "\" before them.
Note that when put into a URL, many special characters need to be escaped (again), so the URL terms often become incomprehensible! In addition, "\" and "/" need to be double escaped as "%255C" and "%252F" respectively.
Note that the regex operator may not be used with the (automatic) field.
Some example searches:


|
| | Robot ()=default |
| |
| | ~Robot ()=default |
| |
| void | RobotInit () override |
| | The main robot code. The Init methods get called when that state gets entered and then the Periodic methods get called every 20 milliseconds. More...
|
| |
| void | RobotPeriodic () override |
| | This function is called every robot packet, no matter the mode. This is used for items like diagnostics that run during disabled, autonomous, teleoperated and test modes (states). THis runs after the specific state periodic methods and before the LiveWindow and SmartDashboard updating. More...
|
| |
| void | AutonomousInit () override |
| | This initializes the autonomous state. More...
|
| |
| void | AutonomousPeriodic () override |
| | Runs every 20 milliseconds when the autonomous state is active. More...
|
| |
| void | TeleopInit () override |
| | This initializes the teleoperated state. More...
|
| |
| void | TeleopPeriodic () override |
| | Runs every 20 milliseconds when the teleoperated state is active. More...
|
| |
| void | TestInit () override |
| | This initializes the test state. More...
|
| |
| void | TestPeriodic () override |
| | Runs every 20 milliseconds when the test state is active. More...
|
| |
Robot.h.
File Description: Top-level robot code that controls the various states of the robot. It is our specific implementation of the frc::TimedRobot.
Top-level robot code that controls the various states of the robot. It is our specific implementation of the frc::TimedRobot.
Definition at line 64 of file Robot.h.


Opens Ansible Vault Editor. This intention will not modify original vault by it self, it will open vault editor window.


View.maxcolor
Syntax
View.maxcolor : int
Description
The maxcolor function is used to determine the maximum color number for the current mode of the screen. The alternate spelling is maxcolour.
Example
This program outputs the maximum color number.
setscreen ("graphics")
put "The maximum color number is ", View.maxcolor
Details
The screen should be in a "screen" or "graphics" mode. If it is not, it will automatically be set to "screen" mode. See View.Set for details.
For IBM PC compatibles in "screen" mode, maxcolor = 15. For the default IBM PC compatible "graphics" mode (VGA), maxcolor = 15.
Details
View.maxcolor is identical to RGB.maxcolor. It is placed here for consistency with other screen information routines.
Status
Exported qualified.
This means that you can only call the function by calling View.maxcolor. Note that RGB.maxcolor is exported unqualified, so that one can call maxcolor.
See also
Draw.Dot for examples of the use of maxcolor. See the Text.Color procedure which is used for setting the currently-active color.


But we can not find any form. Have you created one and added it to the part?
For documentation on how to use the form, visit the project home page
Good luck!


Annie's Blog
Hi, my name is Annie.
My Favorite Treats
- Bacon
- Frozen chicken necks
- Carrots
- Bone marrow
My Favorite People
- My Mom, Anita
- My Dad, Phil
- Aunt Lela
- Uncle Tony
Check out, Green Lake, my favorite place to chase squirrels!


PHOTOS: Heavy security as Kogi holds gov poll - The Nation Newspaper 15 Nov 2019, 12:43 by https://www.facebook.com/Cheerfulpraise By Abayomi Fayese Policemen searching a Man at the entrance of INEC Office in Lokoja on Friday Security men on patrol along Ayangba Lokoja road Kogi state on Friday INEC Adhoc Staff waiting to be transported to their locations in Lokoja on Friday Photos: Abayomi Fayese


Through my work at the Aggieland Humane Society, I fostered newborn baby kittens at my house for 8 weeks. Providing care included feeding, cleaning, and playing with the kittens so that they would become more social with humans, as friendlier kittens are quicker to be adopted and find new homes.


Fill in your name and KUID, select assignment, and print this page.
Include this page as the front page of your assignment.


|
Air France plans to takeover KLM |
The deal could reshape the industry and lead to the first cross-border merger of leading European airlines.
Reuters
|
|
FBI reviews leak of agent's identity |
The Justice Department has opened an investigation into charges that someone in the Bush administration illegally leaked the name of an undercover CIA officer.
Eric Lichtblau and Richard W. Stevenson/NYT
|
|
GI killed, sparking daylong Iraq battle |
The battle erupted west of Baghdad near the Euphrates River town of Habbaniya, an area of intense resistance to U.S. occupation forces.
Patrick E. Tyler/NYT
|
|
After outage, worries about creaky system |
As Italy settled back into its normal pace Monday, hard questions focused above all on the broad issue of Italy's reliance on imported electricity.
Elisabetta Povoledo/IHT
|
|
Juppé trial may pose problems for Chirac |
Alain Juppé went on trial Monday over illegal payments by companies for the salaries of employees of Chirac's former political party.
John Tagliabue/NYT
|
|
U.S.'s gentle return to Unesco |
For White House planners, the image had to be picture perfect: the first lady, the American flag and the Eiffel Tower all in the same photo frame.
Elaine Sciolino/NYT
|


Generated Mon Jun 08 12:06:07 CDT 2020, FHIR version 4.0.1 for hla-reporting#0.0.1 (canonical = http://fhir.nmdp.org/ig/hla-reporting (history))
IG Publisher Version: v1.0.94-SNAPSHOT, which is out of date. The current version is v1.0.100-SNAPSHOT Download Latest
No Suppressed Errors
HL7 Publication check:
| ✓ |
| Path | Severity | Message |
| DiagnosticReport/HLA-AB-SummaryReportExample: DiagnosticReport.extension[0].value.ofType(CodeableConcept).coding[0] (l14/c12) | information | Code System URI "http://glstring.org" is unknown so the code cannot be validated |
| DiagnosticReport/HLA-AB-SummaryReportExample: DiagnosticReport.code.coding[1] (l28/c8) | information | Code System URI "http://www.genenames.org/genegroup" is unknown so the code cannot be validated |
| Path | Severity | Message |
| MolecularSequence/HLA-A-SequenceExample1: MolecularSequence.referenceSeq.referenceSeqId.coding[0] (l12/c10) | information | Code System URI "http://www.ebi.ac.uk/ipd/imgt/hla" is unknown so the code cannot be validated |
| Path | Severity | Message |
| MolecularSequence/HLA-A-SequenceExample2: MolecularSequence.referenceSeq.referenceSeqId.coding[0] (l12/c10) | information | Code System URI "http://www.ebi.ac.uk/ipd/imgt/hla" is unknown so the code cannot be validated |
| Path | Severity | Message |
| MolecularSequence/HLA-B-SequenceExample1: MolecularSequence.referenceSeq.referenceSeqId.coding[0] (l12/c10) | information | Code System URI "http://www.ebi.ac.uk/ipd/imgt/hla" is unknown so the code cannot be validated |
| Path | Severity | Message |
| MolecularSequence/HLA-B-SequenceExample2: MolecularSequence.referenceSeq.referenceSeqId.coding[0] (l12/c10) | information | Code System URI "http://www.ebi.ac.uk/ipd/imgt/hla" is unknown so the code cannot be validated |
| Path | Severity | Message |
| Observation/HLA-A-AlleleExample1: Observation.value.ofType(CodeableConcept).coding[0] (l29/c8) | information | Code System URI "http://glstring.org" is unknown so the code cannot be validated |
| Path | Severity | Message |
| Observation/HLA-A-AlleleExample2: Observation.value.ofType(CodeableConcept).coding[0] (l29/c8) | information | Code System URI "http://glstring.org" is unknown so the code cannot be validated |
| Path | Severity | Message |
| Observation/HLA-A-GenotypeExample: Observation.value.ofType(CodeableConcept).coding[0] (l29/c8) | information | Code System URI "http://glstring.org" is unknown so the code cannot be validated |
| Path | Severity | Message |
| Observation/HLA-B-AlleleExample1: Observation.value.ofType(CodeableConcept).coding[0] (l29/c8) | information | Code System URI "http://glstring.org" is unknown so the code cannot be validated |
| Path | Severity | Message |
| Observation/HLA-B-AlleleExample2: Observation.value.ofType(CodeableConcept).coding[0] (l29/c8) | information | Code System URI "http://glstring.org" is unknown so the code cannot be validated |
| Path | Severity | Message |
| Observation/HLA-B-GenotypeExample: Observation.value.ofType(CodeableConcept).coding[0] (l29/c8) | information | Code System URI "http://glstring.org" is unknown so the code cannot be validated |
| ✓ |
| ✓ |
| ✓ |
| ✓ |
| ✓ |
| ✓ |
| ✓ |
| ✓ |
Suppressed Error Messages


The Object Attribute Component is used to display text where object view is displayed such as table, object list
item component.
Platform specific enhancements:
- Has build in support for text truncation.
- An active state (if desired) which resembles a link that can trigger an event.
- Enhanced accessibility support with screen readers


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Schools attended:
- University of California, San Diego
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Jobs I have had generally in the order I had them:
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- Actor - Various Theatres
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- Back to School Psychology - Various School Districts
- Software Developer - Somewhere awesome, somewhere soon!
Ten of my favorite movies
- Kundun
- The Adventures of Baron Muchausen
- Get Out
- All Marvel Cinematic Universe Movies
- The Pirate Movie
- All Non Joel Schumacher and Zach Snyder Batman Movies
- The Nightmare Before Christmas
- Grand Budepest Hotel
- The Matrix
- Better Off Dead


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NORA (director/writer: Pat Murphy; screenwriter: Gerard Stembridge/based on the biography by Brenda Maddox; cinematographer: Jean-Francois Robin; editor: Pia Di Ciaula; cast: Ewan McGregor (James Joyce), Susan Lynch (Nora Barnacle), Peter McDonald (Stanislaus Joyce), Roberto Citran (Roberto Prezioso), Aedin Moloney (Eva Joyce), Vinnie McCabe (Uncle Tommy), Alan Devine (Gogarty), Darragh Kelly (Cosgrave), Veronica Duffy (Annie Barnacle),; Runtime: 106; Alliance Atlantis; 2000-UK)
Reviewed by Dennis Schwartz
One of the toughest kinds of film to make is a bio of a writer. Joseph Strick had a go at the great 20th-century Irish writer James Joyce and came out with a flat film; while the Irish woman director, Pat Murphy (Maeve/Anne Devlin), tries a different approach to filming Joyce's bio and comes up with a worthwhile film but one that has its dry spots. She uses the Brenda Maddox biography on Nora Barnacle and approaches her genius writer as seen through the eyes of the tough-skinned, uneducated woman who was his longtime lover and muse, and was used as the inspiration behind his character of Molly Bloom in his masterpiece "Ulysses." The film becomes a strong love story, rather than an attempt to do a bio on Joyce. It tells of the young Joyce running away with Nora in 1904 from repressive Dublin and going to Trieste, where he found the freedom to write his early great novels "The Dead" and "The Dubliners." Trieste plays a more important part in this film than does Dublin, probably because modern Dublin is entirely different from the one Joyce knew.
Joyce is a subversive writer, who stands opposed to the oppressive climate of the early 20th-century Ireland. What Murphy tries to do is see Joyce the way the tourist industry in Ireland doesn't want to see him, as a man obsessed by sex and obsessed about writing about it. Which is why he was always considered a pornographic writer in the orthodox Ireland of Catholic values. But, as of late, Joyce has been prettied up and his head has been placed on the Irish crown, along with statues of him all over Dublin. That this film is the anti-tourist look at him, one that shows his darker nature and of how jealous and maddening he could be about sex, is a credit to the direction it was aimed at. Nevertheless, the film is still a conventional one. The storytelling was of the old-fashioned kind, which in this case works as a detriment to the film. Too many situations of the artist complaining the way they do in formula films of this genre exists, such as when Joyce complains: 'No one understands me.' Because of its pedestrian approach to the artist, trying to get to him through seeing how Nora viewed him, it failed to peel away the many layers of this very complicated genius; and, it failed to make the story a compelling one. At times it felt like a soap opera rather than drama. What I learned from the film, that wasn't common knowledge before, was more about Nora than I did about Joyce. This is basically her film and her story.
 Instead she ends up working as a hotel barmaid in Dublin, where Joyce (McGregor-he also produced the film with his company Natural Nylon) meets her in the street and becomes a man by having sex with her in the alleyway. There was no place for lovers to go in Dublin at that time, so the streets became their bedroom. He will learn all about sex from the experienced woman and has the courage and the brains to realize he has chosen the woman who is in many ways at one one with him, even though she is also in many ways not his type. His drinking buddies, Cosgrove, Gogarty, and his brother Stanislaus (McDonald), think this is not a suitable match and that Joyce will dump the uncultured lady when he gets his fill of her.
Stuck in the limited atmosphere of Dublin he flees with her to Trieste, Italy, where he grimly lives in poverty and constant tension, working as a teacher and unsuccessful in his bid to find a publisher for his "The Dubliners;" but, the aspiring writer blossoms here and in his struggle for freedom becomes a writer. They have two children, Giorgio and his beloved Lucia, and they make friends with the Italian artist community. One of their friends Roberto might be having an affair with Nora, at least Joyce suspects this and has an uncalled for temper tantrum about this--which embarrasses both Roberto and Nora. Their life is not an easy one to grasp, as the writer is fond of drinking and spending long hours in isolation.
The main actors were engaging. Susan Lynch is a bold and daring Nora, with a quick uncouth wit and a sometimes long face which changes when she smiles and shows how earthy she can be. Ewan McGregor complements her as the brooding writer, always searching inwardly for more light to shed on his thoughts. They are convincing as lovers, each dependent on the other for survival. The problem with all the stylized intelligence the film brought, which is a fine achievement, is that it always appears strained and never carefree. It looks like an art-house film that can't get out of the strait-jacket it placed itself in.
REVIEWED ON 7/27/2001 GRADE: C+
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
========== X-RAMR-ID: 28955 X-Language: en X-RT-ReviewID: 240074 X-RT-TitleID: 10000354 X-RT-SourceID: 873 X-RT-AuthorID: 1315 X-RT-RatingText: C+
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Advanced Systems Information Engineering student. Working as React Developer. Always trying to learn about new technologies and continuously improve my skills.
I'm currently working as a React Developer for a client called
Ellie Mae.
-React as the main framework for our stack.
-AngularJs father application.
-Integration Testing.
-Micro front-end architecture.
-Redux Toolkit lib.
-Redux Saga.
-Consuming from Dimsum components library.
-Agile methodologies.
-Slack for communication.
-Styled components.
This was my first job as a developer. One of the best
experiences I've ever had. I've learned and worked with a lot of
different frameworks and technologies such as:
-React & React Native.
-Unit Testing with Jest & enzyme.
-Node js.
-GraphQL & Apollo.
-Redis to handle cache.
-Chatbot integration with Node, Twilio & Dialog Flow.
-NextJs for server side rendering.
-MongoDB.
-Learned how to create a complete app from front-end to back-end
with MERN stack.
-Agile methodologies.
Begining on 2019, I have started my journey to become a
Full-Stack Web Developer.
- NodeJs.
- MongoDB.
- GraphQL.
- Firebase: Authentication, Firestore and Storage.
I worked 3 months here as a ticket cashier in a ski resort. It was a great experience to improve my English skills so I can have a more fluid conversation with clients.
Apart from being a web developer, I enjoy most of my time being outdoors. I'm father of two lovely dogs and we go running at least once everyday. I go to the gym 4 days a week.
I have a huge group of friends, so we hangout a lot together. Apart from programming, traveling is my other passion.