A powerful, well tested, data decoder for Typescript.
API Documentation: Decoder Github: Decoder
Simply run
npm i elm-decoders
Or
yarn add elm-decoders
Then at the top of your file add:
import { Decoder } from 'elm-decoders';
Typescript is great, however it provides no tools for checking runtime data. This means that we need a tool to check that incoming data follows the correct typings. If we do not validate the data, errors can occur anywhere in the code, introducing odd behaviors and tracking down where the error comes from becomes difficult. By instead validating our data at the start (for example when receiving an incoming request), we can handle the error early and give better error messages to the developer. This creates a better developer experience and gives us stronger guarantees that the code works correctly.
Another benefit of using Decoders is that you can pick the best data model for your problem and convert all incoming data sources to fit that model. This makes it easier to write business logic separately from the acquisition of the data.
Decoders are great for validating and converting data from various sources: Kafka, request bodies or APIs to name a few examples.
For more motivation, see this blog post
Decoder provides us with a few primitive decoders and a few methods to craft new ones. Let's say we have the following data:
const incomingData: any = {
name: 'Nick',
age: 30,
};
And we have an interface User
:
interface User {
name: string;
age: number;
}
To validate that incomingData
is a User
, Decoder provides an object
primitive.
import { Decoder } from 'elm-decoders';
const userDecoder: Decoder<User> = Decoder.object({
name: Decoder.string,
age: Decoder.number,
});
Now we can validate incomingData
and ensure the data is correct.
const result = userDecoder.run(incomingData);
run
returns a Discriminated
union,
meaning is returns either {type: "OK", value: T}
or {type: "FAIL": error: string}
. This means that we are forced to check if the data received is correct or contains an error. Doing so
is as simple as a switch case:
switch (result.type) {
case 'OK':
doUserThing(result.value);
case 'FAIL':
handleError(result.error);
}
Decoder also provides a few methods for creating new decoders. For example, if
we want to create a set decoder, we can use the map
method.
const intSetDecoder: Decoder<Set<number>> = Decoder.array(Decoder.number).map(
(numberArray) => new Set(numberArray)
);
If there is an error, Decoder will also generate a helpful error report:
> let userDecoder = Decoder.object({
name: Decoder.string,
auth: Decoder.object({
jwt: Decoder.string
})
})
> JSON.stringify(userDecoder.run({wrong: 'hi', auth: {wrongAgain: 'hi'}}))
'{"type":"FAIL","error":{"name":"Not a string","auth":{"jwt":"Not a string"}}}'
This was a brief introduction. From here, please check the API documentation to find out more what you can do and try it for yourself!
This library is essentially a rewrite of Nvie's decoders.js with some small changes. decoders.js is inspired by Elm's decoders.
Below is a list of commands you will probably find useful.
npm start
or yarn start
Runs the project in development/watch mode. Your project will be rebuilt upon changes. TSDX has a special logger for you convenience. Error messages are pretty printed and formatted for compatibility VS Code's Problems tab.
Your library will be rebuilt if you make edits.
npm run build
or yarn build
Bundles the package to the dist
folder.
The package is optimized and bundled with Rollup into multiple formats (CommonJS, UMD, and ES Module).
npm test
or yarn test
Runs the test watcher (Jest) in an interactive mode. By default, runs tests related to files changed since the last commit.
Generated using TypeDoc


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Thanks for answering all my questions. I'm sure you had to spend a lot of time to answer them since I asked so many questions but thanks! Talking to you made me feel a lot better! I'm so happy that you are my mentor. ^_^


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Uvindu Wijesinghe
Work in progress!
This page is still under construction.
Click here to view my LinkedIn


| (A) | ---- no text ---- | |
| 1048 | (C) | wyne nor water to drynke . but wepynge of hem-selfe |
| 1031 | (D) | watir ne wyn to drynk but wepe for hem-self |
| 1011 | (E) | water ne wyn to drynke . but þat com of hem-selue . |
| (Ex) | ---- no text ---- | |
| 1069 | (L) | wyn ne water to drynke bot wope of hemself |
| 984 | (P) | ? ???? ?? ??? ?? dr???? ??? ???? of ??? ???fe |
| 1021 | (U) | water ne wyne drunken / but wepyng of hem self |
| 109 | (V) | water ne windregges . but wepyng of hemselve |


Based on the video, I will classify myself as one of the "idiots" that will pop up in this camp. It isn't as mean as it sounds because I am sort of starting from ground zero.  I just don't know much about this particular part of the world at the moment. When growing up, I was always enanormed and interesting in engaging in the technological world, but I was held back by ridiculous personal matters that would require its own blog and a book deal to even approach. If anything, I have always toyed around, but I never learned to refine my learning habits to engage beyond the surface. I'm sure I'm not the only one who is new and I look forward to becoming less of an "idiot."
The restaurant analogy is a good one. When I order a meal at a normal restaurant, I never get angry for bad meal. I usually accept that I made a decision to test the waters of taste and I will never end up trying it again. I would hope to treat the DBC experience as a buffet instead. For the uninitiatied, the Chinese buffets around the country are well-known for over-feeding the populace with hopefully at-least average cuisine spanning from China to the American Ellios pizza. Depending on your viewpoint, this can be fantastic or horrible. However, any person who goes to this buffet can come out full and satisified if they play the cards right.
I don't want to make presumptions about how this program runs. I can only speculate on how I want to approach it with this ridiculous buffet analogy. I'm going to try EVERYTHING that looks good to me with an open mind. Since this education model is more driven by the student, I also want to take the time to figure out the best way for me to engage in the material. Similar to this forced analogy of the buffet, I like to mix and match the food in order to create a new dish. So, I could take the dumplings, mix it with one of their bland soup bases, add scallions, add the broccoli from the stir fry, and throw it all together with lo mein. I'm hopefully going to experiment a fair amount in curriculum and the level of success will be dictated by me for the most part.
One of my best friends, who is a hardware engineer, once told me that programming is similar to setting up a restaurant. Let's say I wanted to create a Spanish restaurant. I can learn Spanish, but I still have no idea how to run a restaurant. I can learn how to run a restaurant, but I don't think could run it well without knowing Spanish. Basically, he was insinuating that learning the language won't magically create projects without knowing how the kitchen (software basics) works. However, learning kitchen basics can help the user learn the language by being an excellent starting point. Once you figured out how to run one successful restuarant, it becomes easier to franchise it or even start an entirely new venture. It may not make sense to you, but it sort of weirdly makes sense for me.
Thanks for reading!


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Who is the statue outside St. Paul's Cathedral of? (Clue: It's not who most people think it is.)
Dave knows.
Where was the original Globe Theatre? Were there any more theatres in the area? What other literary connections does the area have?
Dave knows.
What's the difference between London and the City of London? Why is there a Mayor of London and a Lord Mayor of London?
Dave knows.
"This is fantastic! Thanks so much guys!"
"Bootstrap is amazing. I've been using it to create lots of super nice landing pages."
"Thanks so much for making these free resources available to us!"


Gino 51
- Gino Angeloni began in 1951, his experience as a young enterprising restaurateur in Rome, in the same place where he still stands, in via della Lungaretta, in the heart of the city "er core de 'Roma", in Trastevere.
Over the years the restaurant has changed its appearance several times, keeping intact the founder's philosophy: dishes rigorously made with fresh ingredients from the Roman countryside.
The restaurant, has always remained property of the Angeloni family.
Claudio and Massimo, sons of the founder, currently manage this historic venue, together with their friend Paolo Rossi.
Personally this was the nicest pizza i have ever ate in my life when i visit again it will be my first stop.They had a really tasty starter called riso a small ball of risotto and meat.
Ristorante Carlo Menta
- Ristorante Carlo Menta is a gem of a restaurant in the heart of Rome in trastevere. They have beautiful food for astonishing cheap prices .there is a real authentic feel and atmosphere to the restaurant with a vintage italian car parked outside.
Tonnarello
- Tonnarello is a real italian authentic Restaurant which has been open since 1876.they have beautiful tasting pasta dishes and really big deep dish pizza.They have a gorgeous outdoor eating area which adds to the atmosphere.
After eating in either of these three restaurants i would recommend getting an ice cream in blue and enjoy the street acts while you sit eating your ice cream on the steps of the Fountain in Piazza Santa Maria
Giolitti
-
It all began back in 1890 when Giuseppe and Bernadina Giolitti opened a creamery on the Salita del Grillo, where they sold milk from their own pastures in the Roman countryside. Very soon, thanks to the quality of the products, the creamery was supplying the Italian royal family.
Within a few years, new “Giolitti” stores opened, among which the historic home of the family business at Via Uffici del Vicario 40. It was here that Nazzareno Giolitti and his wife Giuseppina decided to add a vegetarian restaurant to the creamery and begin the production of ice cream.
This ice cream shop is located near the trevi fountain and is the best ice-cream i have tried .Each flavour is unique and tastes just like the real thing.
Shisha Bar Lungo Il Tevere
- This shisha bar is a ideal place for a drink.The bar is located on the lungo il tevere by the river tiber.
It is right next to where the river drops creating a waterfall which is magnificent.
you can sit up against the wall of sit in the bar and get drinks and shishas.There is also belly dancers performing as you watch the world go by.


"Now peals of shouts come thund'ring from afar,
Cries, threats, and loud laments, and mingled war:
The noise approaches, tho' our palace stood
Aloof from streets, encompass'd with a wood.
Louder, and yet more loud, I hear th' alarms
Of human cries distinct, and clashing arms.
Fear broke my slumbers; I no longer stay,
But mount the terrace, thence the town survey,
And hearken what the frightful sounds convey.
Thus, when a flood of fire by wind is borne,
Crackling it rolls, and mows the standing corn;
Or deluges, descending on the plains,
Sweep o'er the yellow year, destroy the pains
Of lab'ring oxen and the peasant's gains;
Unroot the forest oaks, and bear away
Flocks, folds, and trees, and undistinguish'd prey:
The shepherd climbs the cliff, and sees from far
The wasteful ravage of the wat'ry war.
Then Hector's faith was manifesdy clear'd,
And Grecian frauds in open light appear'd.
The palace of Deïphobus ascends
In smoky flames, and catches on his friends.
Ucalegon burns next: the seas are bright
With splendor not their own, and shine with Trojan light.
New clamors and new clangors now arise,
The sound of trumpets mix'd with fighting cries.
With frenzy seiz'd, I run to meet th' alarms,
Resolv'd on death, resolv'd to die in arms,
But first to gather friends, with them t' oppose
(If fortune favor'd) and repel the foes;
Spurr'd by my courage, by my country fir'd,
With sense of honor and revenge inspir'd.
"Pantheus, Apollo's priest, a sacred name,
Had scap'd the Grecian swords, and pass'd the flame:
With relics loaden, to my doors he fled,
And by the hand his tender grandson led.
'What hope, O Pantheus? whither can we run?
Where make a stand? and what may yet be done?'
Scarce had I said, when Pantheus, with a groan:
'Troy is no more, and Ilium was a town!
The fatal day, th' appointed hour, is come,
When wrathful Jove's irrevocable doom
Transfers the Trojan state to Grecian hands.
The fire consumes the town, the foe commands;
And armed hosts, an unexpected force,
Break from the bowels of the fatal horse.
Within the gates, proud Sinon throws about
The flames; and foes for entrance press without,
With thousand others, whom I fear to name,
More than from Argos or Mycenæ came.
To sev'ral posts their parties they divide;
Some block the narrow streets, some scour the wide:
The bold they kill, th' unwary they surprise;
Who fights finds death, and death finds him who flies.
The warders of the gate but scarce maintain
Th' unequal combat, and resist in vain.'
"I heard; and Heav'n, that well-born souls inspires,
Prompts me thro' lifted swords and rising fires
To run where clashing arms and clamor calls,
And rush undaunted to defend the walls.
Ripheus and Iph'itus by my side engage,
For valor one renown'd, and one for age.
Dymas and Hypanis by moonlight knew
My motions and my mien, and to my party drew;
With young Corœbus, who by love was led
To win renown and fair Cassandra's bed,
And lately brought his troops to Priam's aid,
Forewarn'd in vain by the prophetic maid.
Whom when I saw resolv'd in arms to fall,
And that one spirit animated all:
'Brave souls!' said I, — 'but brave, alas! in vain —
Come, finish what our cruel fates ordain.
You see the desp'rate state of our affairs,
And heav'n's protecting pow'rs are deaf to pray'rs.
The passive gods behold the Greeks defile
Their temples, and abandon to the spoil
Their own abodes: we, feeble few, conspire
To save a sinking town, involv'd in fire.
Then let us fall, but fall amidst our foes:
Despair of life the means of living shows.
So bold a speech incourag'd their desire
Of death, and added fuel to their fire.
"As hungry wolves, with raging appetite,
Scour thro' the fields, nor fear the stormy night —
Their whelps at home expect the promis'd food,
And long to temper their dry chaps in blood —
So rush'd we forth at once; resolv'd to die,
Resolv'd, in death, the last extremes to try.
We leave the narrow lanes behind, and dare
Th' unequal combat in the public square:
Night was our friend; our leader was despair.
What tongue can tell the slaughter of that night?
What eyes can weep the sorrows and affright?
An ancient and imperial city falls:
The streets are fill'd with frequent funerals;
Houses and holy temples float in blood,
And hostile nations make a common flood.
Not only Trojans fall; but, in their turn,
The vanquish'd triumph, and the victors mourn.
Ours take new courage from despair and night:
Confus'd the fortune is, confus'd the fight.
All parts resound with tumults, plaints, and fears;
And grisly Death in sundry shapes appears.
Androgeos fell among us, with his band,
Who thought us Grecians newly come to land.
'From whence,' said he, 'my friends, this long delay?

He said, but soon corrected his mistake,
Found, by the doubtful answers which we make:
Amaz'd, he would have shunn'd th' unequal fight;
But we, more num'rous, intercept his flight.
As when some peasant, in a bushy brake,
Has with unwary footing press'd a snake;
He starts aside, astonish'd, when he spies
His rising crest, blue neck, and rolling eyes;
So from our arms surpris'd Androgeos flies.
In vain; for him and his we compass'd round,
Possess'd with fear, unknowing of the ground,
And of their lives an easy conquest found.
Thus Fortune on our first endeavor smil'd.
Corœbus then, with youthful hopes beguil'd,
Swoln with success, and of a daring mind,
This new invention fatally design'd.
'My friends,' said he, 'since Fortune shows the way,
'T is fit we should th' auspicious guide obey.
For what has she these Grecian arms bestow'd,
But their destruction, and the Trojans' good?
Then change we shields, and their devices bear:
Let fraud supply the want of force in war.
They find us arms.' This said, himself he dress'd
In dead Androgeos' spoils, his upper vest,
His painted buckler, and his plumy crest.
Thus Ripheus, Dymas, all the Trojan train,
Lay down their own attire, and strip the slain.
Mix'd with the Greeks, we go with ill presage,
Flatter'd with hopes to glut our greedy rage;
Unknown, assaulting whom we blindly meet,
And strew with Grecian carcasses the street.
Thus while their straggling parties we defeat,
Some to the shore and safer ships retreat;
And some, oppress'd with more ignoble fear,
Remount the hollow horse, and pant in secret there.
"But, ah! what use of valor can be made,
When heav'n's propitious pow'rs refuse their aid!
Behold the royal prophetess, the fair
Cassandra, dragg'd by her dishevel'd hair,
Whom not Minerva's shrine, nor sacred bands,
In safety could protect from sacrilegious hands:
On heav'n she cast her eyes, she sigh'd, she cried -
Twas all she could — her tender arms were tied.
So sad a sight Corœbus could not bear;
But, fir'd with rage, distracted with despair,
Amid the barb'rous ravishers he flew:
Our leader's rash example we pursue.
But storms of stones, from the proud temple's height,
Pour down, and on our batter'd helms alight:
We from our friends receiv'd this fatal blow,
Who thought us Grecians, as we seem'd in show.
They aim at the mistaken crests, from high;
And ours beneath the pond'rous ruin lie.
Then, mov'd with anger and disdain, to see
Their troops dispers'd, the royal virgin free,
The Grecians rally, and their pow'rs unite,
With fury charge us, and renew the fight.
The brother kings with Ajax join their force,
And the whole squadron of Thessalian horse.
"Thus, when the rival winds their quarrel try,
Contending for the kingdom of the sky,
South, east, and west, on airy coursers borne;
The whirlwind gathers, and the woods are torn:
Then Nereus strikes the deep; the billows rise,
And, mix'd with ooze and sand, pollute the skies -
The troops we squander'd first again appear
From several quarters, and enclose the rear.
They first observe, and to the rest betray,
Our diff'rent speech; our borrow'd arms survey.
Oppress'd with odds, we fall; Corœbus first,
At Pallas' altar, by Peneleus pierc'd.
Then Ripheus foUow'd, in th' unequal fight;
Just of his word, observant of the right:
Heav'n thought not so. Dymas their fate attends,
With Hypanis, mistaken by their friends.
Nor, Pantheus, thee, thy miter, nor the bands
Of awful Phœbus, sav'd from impious hands.
Ye Trojan flames, your testimony bear,
What I perform'd, and what I sufler'd there;
No sword avoiding in the fatal strife,
Expos'd to death, and prodigal of life;
Witness, ye heavens! I live not by my fault:
I strove to have deserv'd the death I sought.
But, when I could not fight, and would have died,
Borne off to distance by the growing tide,
Old Iphitus and I were hurried thence,
With Pelias wounded, and without defense.
New clamors from th' invested palace ring:
We run to die, or disengage the king.
So hot th' assault, so high the tumult rose,
While ours defend, and while the Greeks oppose
As all the Dardan and Argolic race
Had been contracted in that narrow space;
Or as all Ilium else were void of fear,
And tumult, war, and slaughter, only there.
Their targets in a tortoise cast, the foes,
Secure advancing, to the turrets rose:
Some mount the scaling ladders; some, more bold,
Swerve upwards, and by posts and pillars hold;
Their left hand gripes their bucklers in th' ascent,
While with their right they seize the battlement.
From their demolish'd tow'rs the Trojans throw
Huge heaps of stones, that, falling, crush the foe;
And heavy beams and rafters from the sides
(Such arms their last necessity provides)
And gilded roofs, come tumbling from on high,
The marks of state and ancient royalty.
The guards below, fix'd in the pass, attend
The charge undaunted, and the gate defend.
Renew'd in courage with recover'd breath,
A second time we ran to tempt our death,
To clear the palace from the foe, succeed
The weary living, and revenge the dead.
"A postern door, yet unobserv'd and free,
Join'd by the length of a blind gallery,
To the king's closet led: a way well known
To Hector's wife, while Priam held the throne,
Thro' which she brought Astyanax, unseen,
To cheer his grandsire and his grandsire's queen.
Thro' this we pass, and mount the tow'r, from whence
With unavailing arms the Trojans make defense.
From this the trembling king had oft descried
The Grecian camp, and saw their navy ride.
Beams from its lofty height with swords we hew,
Then, wrenching with our hands, th' assault renew;
And, where the rafters on the columns meet,
We push them headlong with our arms and feet.
The lightning flies not swifter than the fall,
Nor thunder louder than the ruin'd wall:
Down goes the top at once; the Greeks beneath
Are piecemeal torn, or pounded into death.
Yet more succeed, and more to death are sent;
We cease not from above, nor they below relent.
Before the gate stood Pyrrhus, threat'ning loud,
With glitt'ring arms conspicuous in the crowd.
So shines, renew'd in youth, the crested snake,
Who slept the winter in a thorny brake,
And, casting off his slough when spring returns,
Now looks aloft, and with new glory burns;
Restor'd with pois'nous herbs, his ardent sides
Reflect the sun; and rais'd on spires he rides;
High o'er the grass, hissing he rolls along,
And brandishes by fits his forky tongue.
Proud Periphas, and fierce Automedon,
His father's charioteer, together run
To force the gate; the Scyrian infantry
Rush on in crowds, and the barr'd passage free.
Ent'ring the court, with shouts the skies they rend;
And flaming firebrands to the roofs ascend.
Himself, among the foremost, deals his blows,
And with his ax repeated strokes bestows
On the strong doors; then all their shoulders ply,
Till from the posts the brazen hinges fly.
He hews apace; the double bars at length
Yield to his ax and unresisted strength.
A mighty breach is made: the rooms conceal'd
Appear, and all the palace is reveal'd;
The halls of audience, and of public state,
And where the lonely queen in secret sate.
Arm'd soldiers now by trembling maids are seen,
With not a door, and scarce a space, between.
The house is fill'd with loud laments and cries,
And shrieks of women rend the vaulted skies;
The fearful matrons run from place to place,
And kiss the thresholds, and the posts embrace.
The fatal work inhuman Pyrrhus plies,
And all his father sparkles in his eyes;
Nor bars, nor fighting guards, his force sustain:
The bars are broken, and the guards are slain.
In rush the Greeks, and all the apartments fill;
Those few defendants whom they find, they kill.
Not with so fierce a rage the foaming flood
Roars, when he finds his rapid course withstood;
Bears down the dams with unresisted sway,
And sweeps the cattle and the cots away.
These eyes beheld him when he march'd between
The brother kings: I saw th' unhappy queen,
The hundred wives, and where old Priam stood,
To stain his hallow'd altar with his brood.
The fifty nuptial beds (such hopes had he,
So large a promise, of a progeny),
The posts, of plated gold, and hung with spoils,
Fell the reward of the proud victor's toils.
Where'er the raging fire had left a space,
The Grecians enter and possess the place.


Q: How do I escape the %
in the --timestring
for use with systemd?edit
A: A double percent, %%
, fixes the problem.edit
As seen here: https://discuss.elastic.co/t/curator-how-to-escape-characters-of-timestring-in-systemd/25222/2
--timestring '%%Y.%%m.%%d'


Press n or j to go to the next uncovered block, b, p or k for the previous block.
| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| Round one | 21.52% | 17/79 | 9.38% | 3/32 | 38.89% | 7/18 | 22.08% | 17/77 | |
| Round one/docs/script | 0% | 0/204 | 0% | 0/88 | 0% | 0/16 | 0% | 0/178 | |
| Round one/docs/script/prettify | 0% | 0/393 | 0% | 0/318 | 0% | 0/30 | 0% | 0/31 |


|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object chessclient.ChessClient
public class ChessClient
The ChessClient
class handles the interaction with the server.
It also stores the basic game information.
| Constructor Summary | |
|---|---|
ChessClient()
The constructor. |
| Method Summary | |
|---|---|
void |
challengePlayer(java.lang.String playerID)
Challenge a player. |
java.lang.String |
getBoard()
Get the current games board. |
java.lang.String |
getCurrentGamesIdList()
Get all IDs of the current games. |
java.lang.String |
getPastGamesIdList()
Get all IDs of the past games. |
java.lang.String |
getWebSite(java.lang.String parametersURL)
Reads a web page into a StringBuilder object. |
boolean |
login()
Login. |
boolean |
makeMove()
Try to calculate the next move. |
void |
submitMove(java.lang.String move)
Submit a move to the current game. |
| Methods inherited from class java.lang.Object |
|---|
equals, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
|---|
public ChessClient()
| Method Detail |
|---|
public final java.lang.String getWebSite(java.lang.String parametersURL)
parametersURL
- The URL you would like to take a look at.
public final java.lang.String getBoard()
public final java.lang.String getCurrentGamesIdList()
public final java.lang.String getPastGamesIdList()
public final boolean login()
public final void challengePlayer(java.lang.String playerID)
playerID
- The ID of the player you want to challenge.public final void submitMove(java.lang.String move)
move
- The move, specified in
http://code.google.com/p/community-chess/wiki/NotationOfMovespublic final boolean makeMove()
true
if you could move, otherwise false
|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


This demo illustrates the rtl functionality of the Validator custom element.
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Sinan Demir
Innovative and passionate computer engineer with a proven track record of identifying issues and achieving solutions to increase system efficiency. Experienced in repairing, developing and improving systems, and committed to achieving the highest level of client satisfaction possible. Feel free to send an email anytime.


Startup
components
header
content 1
content 2
footer
project
price table
blog
crew
contact
header
content 1
content 2
footer
project
price table
blog
crew
contact
Made in New York
We have a full version of Startup Framework
You will find there all the components and blocks you can use for creating a website.
Watch the Presentation


SRCMS
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Searching for 'purple rain'
Tammy Carpenter
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Page posts
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Trending Goods of the Week
You have 3 new messages
Sean
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{% set mainClasses = "govuk-main-wrapper--l" %} {% extends "layout.html" %} {% from "panel/macro.njk" import govukPanel %} {% block pageTitle %} Feedback submitted — {{ serviceName }} {% endblock %} {% block content %}
We have sent you a confirmation email.
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They may contact you to ask for more information.
You can see results from other parents or carers for Greenwood High School's feedback.
What did you think of this service? (takes 30 seconds)


Deal
Count!
Superspeed
Hands dealt
No cards same
2 colors same
3 colors same
4 colors same
5 colors same
2 wilds
3 wilds
4 wilds
5 wilds


|
| static int * | mxCallocInt (int n) |
| |
| static void | initialize_disjoint_sets (int n, int **pp) |
| |
| static int | make_set (int i, int *pp) |
| |
| static int | link (int s, int t, int *pp) |
| |
| static int | find (int i, int *pp) |
| |
| static void | finalize_disjoint_sets (int *pp) |
| |
| int | sp_coletree (int *acolst, int *acolend, int *arow, int nr, int nc, int *parent) |
| |
| static void | etdfs (int v, int first_kid[], int next_kid[], int post[], int *postnum) |
| |
| static void | nr_etdfs (int n, int *parent, int *first_kid, int *next_kid, int *post, int postnum) |
| |
| int * | TreePostorder (int n, int *parent) |
| |
| int | sp_symetree (int *acolst, int *acolend, int *arow, int n, int *parent) |
| |
Copyright (c) 2003, The Regents of the University of California, through Lawrence Berkeley National Laboratory (subject to receipt of any required approvals from U.S. Dept. of Energy)
All rights reserved.
The source code is distributed under BSD license, see the file License.txt at the top-level directory.
– SuperLU routine (version 3.1) –
Univ. of California Berkeley, Xerox Palo Alto Research Center,
and Lawrence Berkeley National Lab.
August 1, 2008
Copyright (c) 1994 by Xerox Corporation. All rights reserved.
THIS MATERIAL IS PROVIDED AS IS, WITH ABSOLUTELY NO WARRANTY
EXPRESSED OR IMPLIED.
Permission is hereby granted to use or copy this program for any
purpose, provided the above notices are retained on all copies.
Permission to modify the code and to distribute modified code is
granted, provided the above notices are retained, and a notice that
the code was modified is included with the above copyright notice.


Maximum Power Point Tracking Solar Powered Computer
Links:
github
hackaday
Versions:
Version 1.0
Four PCB's, three stacked
Arduino
Power
LCD
Raspberry Pi
Software:
On Raspberry Pi: Lighttp server, Html, PHP, Python
Version 1.1
Two stacked PCB's
Arduino, Power
LCD, Raspberry Pi
Software:
On Raspberry Pi: Node.js
Version 2.0
single PCB
Espruino Wifi
Software:
Espruino Javascript
Version 3.0
single PCB
Raspberry Pi Zero W
Software:
On Raspberry Pi: Node.js
Version 4.0
single PCB
ESP32
Software:
Arduino IDE


Money Play. How should Red play 61?
pips Red=108 White=127
(CorrectAnswer= 0/0, ErrorScore= 0)
A very simple pay-me-now vs pay-me-later problem.
Ahead in the race and with White having two blots in his home board, 13/6 is very clear.
Any other move weakens Red’s position and doesn’t start to clear the most difficult point.
Ahead in the race and with White having two blots in his home board, 13/6 is very clear.
Any other move weakens Red’s position and doesn’t start to clear the most difficult point.
1. Cubeful 2-ply 13/6 Eq.: +0.425 0.740 0.062 0.001 - 0.260 0.028 0.000 2. Cubeful 2-ply 10/4*/3 Eq.: +0.352 (-0.073) 0.707 0.081 0.002 - 0.293 0.045 0.000 3. Cubeful 2-ply 9/8 9/3 Eq.: +0.265 (-0.160) 0.678 0.062 0.001 - 0.322 0.043 0.000 4. Cubeful 2-ply 10/9 10/4* Eq.: +0.214 (-0.211) 0.662 0.100 0.003 - 0.338 0.085 0.001 5. Cubeful 0-ply 13/12 10/4* Eq.: +0.158 (-0.267) 0.649 0.123 0.003 - 0.351 0.140 0.006


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THE FIFTH ELEMENT (1997) A film review by Nick Schaden Copyright 1997 Nick Schaden
Making film in the science fiction genre is a risky proposal. Not only must a sci-fi movie hurdle over standard movie obstacles (acting,plot,etc.), it also has to create a believable future that toys with both fantasy and reality. "The Fifth Element" scores big in the latter, creating a movie with dazzling special effects and costumes that would make Ridley Scott proud. Unfortunately, a slightly muddy plot and other annoying quibbles keep this film from achieving true sci-fi greatness.
Korben Dallas (Bruce Willis) is a cabbie/ex-military hero living in 23rd century New York. Naturally, he's the only man that can save the world from total destruction by recovering the "fifth element" (a "perfect" woman) and several other assorted stones. Sound a little fishy? It is. During the first third of "The Fifth Element", little makes completely comprehensible sense, director Luc Besson rather decides to impress the audience with high quality special effects. While the effects and design are likely this movie's strongest point, this reviewer wanted a bit more substance than flair.
Two other elements detract from the quality of this movie. The first - Bruce Willis. While Willis acts adequately, unfortunately he sticks to his rock hard "Die Hard"-like persona (complete with tough attitude and cute one-liners) a bit too much. In addition, this reviewer never cared for Chris Tucker, who plays a rather large role in the final third of this film. His constant barrage antics soon became much more annoying than humorous.
Even with these problems, "The Fifth Element" remains ahead of the sci-fi pack. The special effects, costumes (Gary Oldman's strange outfit comes to mind), and other elements make for a captivating and wonderfully detailed future. In addition, the humor throughout the film was quite entertaining.
In sum, while "The Fifth Element" is centuries away from being the next "Blade Runner", it's an entertaining and solid film that is worth the price of admission.
Nick's Rating: +2 (Recommended)
*** Movies rated from -4 (worst) to +4 (best), 0=average movie ***
-- Nick Schaden Send your comments to<EMAIL_ADDRESS>Check out all of Nick's reviews at: http://uslink.net/~cpunut/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Shanina Shaik, Noel Capri, & Hannah Ferguson Rock Tiny Bikinis In St. Barts
November 19, 2019
Shanina Shaik, Noel Capri, & Hannah Ferguson Rock Tiny Bikinis In St. Barts
The Victoria's Secret model brought in her model friends for a sizzling bikini shot as she pulled down her straps.
The Victoria's Secret model brought in her model friends for a sizzling bikini shot as she pulled down her straps.
Victoria’s Secret model Shanina Shaik showed off her flawless bikini body once again in a new shot posted to her Instagram account this week. The gorgeous New Zealand native slipped into her swimwear once again as she soaked up the sunshine in St. Barts, and this time rocked a tiny two-piece for a sunbathing session.

In the photo, Shanina could be seen getting her tan on during her time on the Caribbean island as she lay next to her fellow models, Noel Berry and Hannah Ferguson.
Shanina appeared to pull the straps of her white bikini down to avoid any awkward tan lines, while Hannah proved she wasn’t afraid to flash some skin in a minuscule, black string bikini that didn’t leave too much to the imagination.
As for Noel, she stunned in a tiny, orange triangle bikini with string ties that stretched around her neck and across her hips.
The genetically blessed trio all posed on their sunbeds on matching bright orange beach towels with the stunning scenery of St. Barts clearly visible behind them.
The calm blue ocean could be seen just inches from their heads, as the green mountains of the popular vacation destination were visible in the distance.
In the caption, Shanina described the destination as being the “island of love” to her 2 million followers as she revealed that it was time to say bye bye as her time in the tropical destination had come to an end.
Understandably, many fans took to the comments section of the bikini snap to share their thoughts — and it’s safe to say that they were left pretty impressed.
“Beautiful ladies!” one Instagram user commented.
Another called the model trio “gorgeous girls.”
A third Instagram user added, “Absolutely spectacular! Looks like heaven on earth.”
Loading...
A fourth noted, “sea sun coast pretty women.”
Others left hearts and fire and different color heart emoji in the comments section of the Victoria’s Secret model’s latest upload. The snap received more than 18,500 likes in the first 22 hours since the star shared it online.
The gorgeous group were all on hand in St. Barts to celebrate the wedding of Victoria’s Secret model Devon Windsor to Johnny “Dex” Barbara, with Shanina’s latest look at herself in a bikini coming mere days after her last swimwear snap.
Earlier this week, she posted a stunning selfie from the island as she rocked a black triangle bikini from Devon’s own swim line, Devon Windsor Swim.


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{% extends "base.html" %} {% block header %}Denied{% endblock %} {% block errorNumber %}403{% endblock %} {% block reason %}
You are not allowed to see this page.
There's no way around it. It's plain and simply forbidden to show this page.
One would wonder why this page is shown, in that case...
{% endblock %}


Field studies
What is important is not what you hear said, it's what you observe. – Michael Connelly
A field study is method for collecting data about users that involves ethnographic observations in the field and interviews. Researchers in the field observe users in the fitting environment and note activities, tasks, inefficiencies, problems and other things that are related to the study.
Observations can be either direct or indirect, where the researcher is either present in the environment or observing remotely through video etc. It is a useful approach for studying tasks and processes as well as being able to identify details that users might have trouble expressing themselves.
Field studies in industry
MTT UX team exampleThe MTT UX team made use of field studies in their research of the airport experience. They spent a series of days monitoring and observing traveller behaviour in the different stages of their travel. They also made use of interviews, surveys and shadowing. They highlight that a field study is an excellent way of gathering first-hand insights with little to no bias as well as observing commonalities between the users. They note that the process can be very time consuming and that you’re at the mercy of the environment - you can’t plan and control the studies.
Field studies at DMD
In the course “Qulitative Research Methods and Academic Communication” (autumn 2015) a group had to qualify smartphone usage. Part of the methods used was Participant Observation, where the group went out in the field to observe smartphone users within the project’s target group. They elaborate in their abstract:
By qualitatively examining usage patterns of smartphone users through diary studies, participant observations and focus group interviews, we explore the complexity and nuances of smartphone usage of four participants. We learn that smartphone usage is very individual and well integrated into the daily lives of our participants, without necessarily being a nuisance to them.


--- layout: post title: Powers of 2 categories: Computing ---
Computing integer powers of \(2\) is a fairly common task in scientific simulations. This can arise for a number of reasons. The one I often run into is calculating the number of combinations of binary variables.
To compute \(2^x\) for some \(x \in \lbrace 0,1,2,\ldots \rbrace\), the obvious way would be to use an exponent function from a math library. However, another option is through bit shifting.
I decided to do a quick test to compare the two methods of computing \(2^x\).
## powers of two using ** operator def f1(n=100): for i in range(n): 2**i ## powers of two using math.pow import math def f2(n=100): for i in range(n): math.pow(2,i) ## powers of two using bit shifting def f3(n=100): for i in range(n): 1 << i import timeit import statistics repeat = 50 number = 10000 f1res = timeit.repeat(f1,repeat=repeat,number=number) f2res = timeit.repeat(f2,repeat=repeat,number=number) f3res = timeit.repeat(f3,repeat=repeat,number=number) print "operator: %f (%f)" % (statistics.mean(f1res), statistics.stdev(f1res)/(repeat**0.5)) print "math.pow: %f (%f)" % (statistics.mean(f2res), statistics.stdev(f2res)/(repeat**0.5)) print "bit shifting: %f (%f)" % (statistics.mean(f3res), statistics.stdev(f3res)/(repeat**0.5))
operator: 0.540463 (0.006028) math.pow: 0.245065 (0.002664) bit shifting: 0.071052 (0.000833)
From the results, we can see that bit shifting is considerably faster than using the power operator. In the grand scheme of things, its a minor difference in computation time. However, if you are computing \(2^x\) millions or billions of times in a simulation, the small gain in performance can add up quickly.
TL;DR in Python use bit shifting to compute \(2^x\).


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Hack
Cambridge
Ternary
Not twice, but three times.
Not 2D, but 3D.
Not binary, but ternary.
From the 20th to the 21st of January 2018, Cambridge University’s annual hackathon will yet again bring together 300 hackers, programmers, designers and more from universities all over the world.
For 24 hours they will build, break and innovate to produce projects that push the boundaries of technology.
Join us.
Applications are closing soon!
Submit yours before 9th December.
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Send us an email


Design to Web
Here we have a look at some of the elements involved in moving a website from
an idea in our head to an actual functioning entity on the internet. Having just
rebuilt what you're looking at from scratch, I can tell you it's quite an involved
process, but incredibly frustrating, fascinating, and, finally, fulfilling.


Preview of what's coming out later in the week. A v0.2 drop of inkface-pygame package for maemo and others should be ready in coming few days.
--- layout: post title: "Smooth scrolling with Inkface+pygame" date: 2009-02-22 comments: false categories: - pygame - svg - inkscape - animation - graphics - inkface - GUI - maemo ---


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Search
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UBC - A Place of Mind
The University of British Columbia
Vancouver campus
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Okay, I found a HUGE bottle (275 pills) of Gabapentin 600mg in his dead grandpa’s bathroom. Knowing that my grandpa wouldn’t mind, I took a good handful, not even knowing what they were, but did some extensive research on the internet and decided to try a trip. I am male and 135lbs with almost no tolerance to everything (fairly fresh to the recreational drug world) except the 1200mg lithium (mood stabilizer) and 400mg-500mg seroquel (anti-psychotic) I take daily. This trip was on a very empty stomach, taken with sprite.
At 5:30 PM, I started his experiment with the recommended dose (1 tab of 600mg) to see what it would do. I always do this to feel a sample of effects to see if he would like to up the dose later.
at 6:30 PM, (T+ 1 hour) After some research and feeling a little bit of the light “heaviness and happiness” effects, I decides to up the dose, but waits a little more to see and feel the full effects of recommended dose.
7:00 PM (T+ 1:30) I take 4 more 600mg tabs, making 2400mg additional and 3000mg total, and 100mg seroquel because I decided I liked the effects and wanted them stronger. I read that seroquel enhanced the effects. I was hungry so I walked down the alley to Subway and then I ate a 6” sandwich and had a can a Pepsi. Forget it about the empty stomach, I didn’t really eat anything since the day before, and I also read that food doesn’t make a heck of a lot of difference; I guesses that I’ll find out.
About 7:30 (T+ 2:00) I decide to watch a movie with my roommate and friend. I feel woozy but not tired, just woozy.
About 7:50: (T+ 2:20) kind of woozy, I keep falling on my roommate and we are sitting on the couch. It is very odd, like being drunk but having a very clear mind. And happy... simply moving is fun.
About 8:05 (T+ 2:35) just for the hell of it I took half a tab more (300mg). Total dosage so far is 3300mg, spread out. I see everything with the jetliner effect. Anything that moves leaves a trail like trying to take a picture of a dude running with a bad camera, like a blur behind it. Moving is hard and fun at the same time. I feel almost a total loss of coordination and my balance is off.  My speech is odd, not slurred but odd because of cottonmouth. I tried physical activity by chasing my roommate and friend around the house. Result? Well at first there was no balance on the linoleum and I was wearing socks and kept slipping.
8:45 (T+ 3:15) I believe that physical activity somewhat cancels it out some of the effects. I bet when I just sit there, it is the trip that I want.
9:15 (T+ 3:45) I don’t know, I think the effects are gone.
9:30 (T+ 4:00) I don’t feel much different than regular, just a bit woozy. I read that it was nearly impossible to overdose and die on this stuff, and that food helps a better trip. I is going to eat a big meal and try some more.  I can always get more pills later.
10:00 (T+ 4:30) I decided to wait until this dose mostly to completely wore off before trying another dose of 3000mg all at once. I will still eat. I feel heavy and after sitting for a while, I don’t really feel like getting up, but I will still do another dose later tonight. I am slightly disorientated and off balance.
11:40 (T+ 6:10) I am hungry and as soon as I finish a big bag of food (pigs in a blanket, my roommate loves to cook for some reason) and chips and another pepsi, I will down 5 600mg tabs to see what happens. Oh yes, I plan on staying up ALL night.
Time 10:05 AM, next day. I was playing video games, then there is a big gap in memory and I guess I passed out on my roommate’s bed, because that is where I woke up. I never got around to the 5 additional, but I plan on taking them all tonight in 1 dose. Total dosage for last night, 3,300mg spread out. Tonight’s plans will be 3000mg all at once, which will also be documented.
Trip #2
Drug: Gabapentin DOSAGE: 3000mg all at once on a somewhat filled stomach. 10:20. Human condition = just got back from a horror movie, very excited but possibly could be scared later. 135lbs and male, possibly small tolerance, as did 3300mg spread out last night. Setting: My room, which is fairly calm. My dumbass roommate and his friend are going to leave me alone this time. Music will probably be playing throughout.
11:17 (T+ almost 1 hour) I don’t feel much. A little happy but that’s all. I also have not sat down to relax until now. I am going to relax and watch movies and stuff.
About 11:50 (T+ 1:30) I still don’t feel much except a bit hyper, could be all the caffeine I had today at the movie. Well that was until I took a piss. I feel heavy and not happy but indifferent.  I laugh at a lot, am happy. I thought that I lost coordination, but I entertained myself by running around in circles, then doing a flubbed judo move on the roommate. Okay I lost a bit of coordination.
About 12; 50 (T+ 2:30) definitely something has been felt, woozy and to my roommates I could pull off sober but am a bit off, acting funny. But I definintly feels the effects. My roommates and I are going to go smoke a cigar. Watching a movie in the rafters on a door in the garage smoking a cigar. I feel kind of drunk yaay. BTW my roommates and I are watching “Dude where’s my car”, I was laughing constantly, even at things that aren’t funny. Okay whatever. Movie time!
1:30 (T+ 3:10) My roommates and I are all kind of high. I am feeling very drunk. Paradoxically I feel totally out of it, but at the same time could pull of sobriety if I wanted to. It’s kind of hard to type, oh well. In it but out of it at the same time. Kind of like the mix between weed and alcohol, but I rather dislikes alcohol. Roommates say that I feel really warm. Hmm maybe I store heat better and they are cold because of the unheated garage. Moving feels weird.
1:50 (T+ 3:30) I feel like a bobble head … that’s all
2:00 (T+ 3:40) My roommates say that I feel really hot. I am comfortable though. I will keep this short because my roommates and I are still watching the movie. The movie seems FUNNY AS HELL!! (At least to me) I feel really woozy and love it. I can fake Sobriety but it’s kind of hard.
2:40 (T+ 4:20 ha-ha!!) I am definitely on the plateau, but is slowly coming off of it. I still feel really good though. Still feel pretty drunk but maybe can feel kind of coming down, maybe not.   Moving now, every step I takes feels like “Boom bOOM BOOM” like the ground feels harder.
3:10 (T+ 4:50) really hard to type and concentrate. I am not so stoned that I can not make Ramen Noodles. I also found out that a good nicotine buzz really enhanced the high. I had a roommate do a phone text for me. I chamber pipe smoked a Marlboro Red without the filter, giving me a good buzz, which made the high very intensified. I am going to eat the ramen and going to what?? I will figure it out and tell you later. You must also note that it is in fact 3 in the morning.
UPDATE 3:21 I am going to try I-doser, usually they don’t work because I always thinks too much.  The trip is pretty much over. Oh well, it was fun while it lasted. The effects are almost gone, just barely hanging on. The prescription dose says “take 1 600MG tab every 6 hours”. Well, It was fun but it’s nearly 4 in the morning and I suppose I’ll go to sleep now, but it was fun writing a report.  I get why they call it “Morontin” instead of Neurontin. Well, when I was smoking that pipe, I was SUPER STONED. Like really really woozy, and I had a roommate lead me back inside.
Good Nite and thanks for reading my experience. I will probably do this again, maybe next weekend.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Class Base
Base structure for managing configuration files. Every configuration manager
should implement this class.
Methods summary
abstract public
|
#
Load( string $directory, string $configuration_file )
Loads all configuration options of a given file and creates it if does not
exists.
Loads all configuration options of a given file and creates it if does not
exists.
Parameters
- $directory
string $directory
- $configuration_file
string $configuration_file
|
abstract public
|
#
Write( )
Writes a configuration file using the settings array.
Writes a configuration file using the settings array.
|
public
boolean
|
#
Get( string $option )
Get an option value.
Parameters
Returns
boolean
|
public
array
|
#
GetAll( )
Get all preferences.
Returns
array
|
public
boolean|string
|
#
GetGroupValue( string $group, string $option )
Get the value of an option on a specific configuration group.
Get the value of an option on a specific configuration group.
Parameters
- $group
string $group
- $option
string $option
Returns
boolean|string
|
public
|
#
Set( type $option, type $value )
Modifies or adds an option value and writes it to the configuration file
immediately.
Modifies or adds an option value and writes it to the configuration file
immediately.
Parameters
- $option
type $option
- $value
type $value
|
public
|
#
SetGroupValue( string $group, string $option, string $value )
Edits or creates a new group and option and writes it to the configuration
file immediately.
Edits or creates a new group and option and writes it to the configuration
file immediately.
Parameters
- $group
string $group
- $option
string $option
- $value
string $value
|
Properties summary
protected
array
|
$preferences
|
|
#
All preferences stored on a configuration file.
All preferences stored on a configuration file.
Format of this array for single options: $settings["option"] = "value"
Format of this array for a group of options: $settings["group"] = array(
"option" => "value", "option2" => "value2" )
|
public
string
|
$directory
|
|
#
Directory of configuration file.
Directory of configuration file.
|
public
string
|
$file
|
|
#
Full path of configuration file.
Full path of configuration file.
|


Your browser doesn't support the features required by impress.js, so you are presented with a simplified version of this presentation.
For the best experience please use the latest Chrome, Safari or Firefox browser.
Table of Contents, with links to other slides of this same presentation.
Note that instead of absolute positioning we use relative positioning, with the data-rel-x and data-rel-y attributes. This means the step is positioned relative to the foregoing step. In other words, this is equivalent to data-x="0" data-y="-3000".
This slide has a few paragraphs
(p element) of normal text.
Personally I like centered or even justified text, as it looks less boring. This can of course be set in the css file.
I really like the style on links in these presentations. I modified the border to be beveled, but it's mostly from @bartaz' original demo. @bartaz is the creator of impress.js.
Spread love everywhere you go.
Let no one ever come to you without leaving happier.Mother Teresa
Image credit: Peta_de_Aztlan@Flickr. CC-BY 2.0
As usual, use em to emphasize,
strong for strong, u for underline,
strike for strikethrough and q for inline quotations
.
If you're a software engineer like me, you will often use the

tag for monospaced inline text.
Items on the slide can
Fly in
Fade in
And zoom in
...just like in PowerPoint. Yeah, I know I'm being lame, but it was fun to learn to do this in CSS3.
This step here doesn't introduce anything new when it comes to data attributes, but you should notice in the demo that some words of this text are being animated. It's a very basic CSS transition that is applied to the elements when this step element is reached.
At the very beginning of the presentation all step elements are given the class of `future`. It means that they haven't been visited yet.
When the presentation moves to given step `future` is changed to `present` class name. That's how animation on this step works - text moves when the step has `present` class.
Finally when the step is left the `present` class is removed from the element and `past` class is added.
So basically every step element has one of three classes: `future`, `present` and `past`. Only one current step has the `present` class.
This version of impress.js includes several add-ons, striving to make this a full featured presentation app.
This presentation also uses speaker notes. They are not visible in the presentation, but shown in the impress console.
If you pressed P only now, this is the first time you see these notes. In fact, there has been notes on preceding slides as well. You can use the navigation controls at the bottom of the impress console to browse back to them.
And did you notice how those bullet points appear one by one as you press space/arrow? That's another plugin, called substeps.
// `init` API function that initializes (and runs) the presentation.
var init = function () {
if (initialized) { return; }
execPreInitPlugins();
// First we set up the viewport for mobile devices.
// For some reason iPad goes nuts when it is not done properly.
var meta = $("meta[name='viewport']") || document.createElement("meta");
meta.content = "width=device-width, minimum-scale=1, maximum-scale=1, user-scalable=no";
if (meta.parentNode !== document.head) {
meta.name = 'viewport';
document.head.appendChild(meta);
}
The Highlight.js library provides really nice color coding of source code. It automatically applies to any code inside a
 element.
Highlight.js is found under the extras/ directory, since it is an independent third party plugin, not really an impress.js plugin. You have to include it via it's own <link> and


Congratulations, you did better than last year. You have reduced 0.0400 C/KG milk. Here are some statististics of your imputs compared to last year. Seems like you have improved in every aspect from last year. Good job!
INPUT STATS
Congratulations, you did better than last year. You have reduced 0.0400 C/KG milk. Here are some statististics of your imputs compared to last year. Seems like you have improved in every aspect from last year. Good job!
INPUT STATS


CM to lay stone for AU hostels
by Staff ReporterChief Minister Y.S Jagan Mohan Reddy will lay the foundation stone of a 45-room hostel building and a hostel exclusive for differently-abled students during the alumni meet of Andhra University, scheduled to be held on December 13, Vice-Chancellor P.V.G.D. Prasada Reddy has said.
The executive committee of Andhra University Alumni Association ( AAA) met here on Wednesday and deliberated on the arrangements for the alumni meet. Mr. Prasada Reddy, former V-C and Chairman of AAA Beela Satyanarayana, Former DGP N. Sambasiva Rao, and others took part in the meeting.
Get-together
The committee decided that the AU campus would be illuminated from December 10 to 13. On the day of the meet, the alumni would proceed to their departments and meet the faculty and students. They would go round the campus before proceeding to AU Convention Centre, the venue for the meet by 2.45 p.m. A cultural programme would be organised at 3 p.m. and the main event would begin at 4 p.m. “The Chief Minister will take part in the event,” the V-C said, adding that entry would be restricted to the members registered for the event.


Prison isn't all about Punishment
Rehabilitation is a major goal of the prison system
But 58% of prisoners reoffend after their release
(Based on a prison sentence of less than 12 months)
This doesn't have to be your life
A prison sentence doesn't make you a career criminal
68% of prisoners believe that finding a job will prevent them from reoffending
Only 13% of prisoners claim never to have had a job
32% of prisoners were in paid employment four weeks before their incarceration
In 2011-12, 27% of prisoners entered employment upon their release
31% of prisoners find employment within 12 months of their release
77% of these do not commit any more offences within 12 months
Do you have what it takes to make something of yourself?
Back to the real world
It's time to begin the rest of your life!
Have you been paying attention?


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Demo: innerHTML vs. textContent
With text "hard-coded" in the web page
This isn't something you would normally do. It's just to illustrate the difference between these two ways of putting text between HTML tags.
Some sample text with HTML mark-up:
This is some text that contains HTML tags and symbols—like mdash.
- Sample text echoed with innerHTML:
- Sample text echoed with textContent:
With user input
- Your text echoed using a span's innerHTML:
No text yet...
- Your text echoed using a span's textContent:
No text yet...


zcash-android-wallet-sdk
/
cash.z.wallet.sdk
/
Synchronizer
/
Status
/
STOPPED
STOPPED
STOPPED
Indicates that
stop
has been called on this Synchronizer and it will no longer be used.


Yes, pregnancy can cause acne. Here's when you will breakout the worst and how to treat it
by Ashley Laderer- Pregnancy acne can start anytime, but you’re most likely to breakout the worst during your third trimester.
- If you had a history of severe acne before you became pregnant, then you have a higher risk of breaking out during pregnancy.
- If you want to treat your acne while you’re still pregnant, discuss any and all options with your obstetrician first.
- This article was reviewed by Karen Duncan, MD, who is an assistant professor with the Department of Obstetrics and Gynecology at NYU Langone.
- Visit Insider’s homepage for more stories.
That coveted “pregnancy glow” may just be oily skin or a sign of an impending breakout.
There’s no one culprit to blame for what causes acne when you’re pregnant, but dermatologists think that part of it has a lot to do with the same reason teenagers breakout: hormones. In particular, a type of hormone called androgens.
“Androgen hormones produced during adolescence drive oil productions, which creates a hospitable environment for the acne-causing bacteria to overgrow,” Caren Campbell, a dermatologist in San Francisco, says.
But just because you’re breaking out doesn’t necessarily mean you’re pregnant. While acne can be an early sign of pregnancy for some, using acne as a marker for pregnancy would be highly ill-advised, according to Campbell.
Pregnancy acne can start anytime
Acne can crop up anytime during pregnancy since your androgen levels, and consequential oil production, increase early on in pregnancy.
But be prepared for your third trimester, when your androgen levels are extremely high and acne can get especially bad.
Turns out, androgens help prepare the cervix for labour, which may explain why they increase as you near full term.
How severe your acne is during pregnancy varies from person to person. For some, the extra oil, or sebum, production can be more subtle, resulting in that coveted pregnancy glow.
But in others – especially those who had acne as a teen – they’re more likely to experience acne breakouts during pregnancy, according to Campbell.
In a 2017 study published in the Journal of Dermatology, Venereology, and Related Fields, 90% of participants who had acne during pregnancy were experiencing acne before they became pregnant.
“While it seems a previous history of acne is the strongest risk factor for a flare of acne during pregnancy, the underlying causes of the flare have not been definitively determined,” Campbell adds.
Risk factors
In addition to androgens, there are other factors that can increase your risk for pregnancy acne.
The immune system is thought to play a part in fighting off acne, and during pregnancy, a woman’s immune system is constantly changing, which could contribute to acne.
Additionally, if a pregnant woman is feeling extra stress, it can increase levels of stress hormones, which may trigger breakouts or worsen existing acne.
How to treat pregnancy acne
If you’re looking to treat your acne while you’re still pregnant, Campbell says to discuss treatment options with your obstetrician, even if they’re just over-the-counter products. Because many of these products contain chemicals that may be absorbed into the body and harm your baby. Some of the safer alternatives Campbell recommends:
- Sulphur-based washes, which can help calm inflamed skin
- Antibiotics such as clindamycin, which can kill acne-causing bacteria
- Azelaic acid, a mild anti-inflammatory acid that can reduce swelling and redness
But, again, check with your OB-GYN first when making any type of health change during pregnancy, including those related to skincare.
When pregnancy acne clears up
There’s no concrete answer for when pregnancy acne will clear up, especially for those with preexisting acne.
“While no studies definitively give a timeline for acne resolution postpartum,” Campbell says, “it can be deduced that as the hormones and immune function return to baseline that the acne will also resolve if it did not exist prior to pregnancy.”


"use strict"; /** * @fileOverview A document is the first level if usable data-bearing entity in the system. It does NOT include any verbs for saving or anything like * that, it is a pure, in memory data container * @module document/document * @require base * @require document/probe * @require lodash */ var Base = require( "../base/index" ); var probe = require( "./probe" ); var sys = require( "lodash" ); /** * A document is the first level if usable data-bearing entity in the system. It does NOT include any verbs for saving or anything like * that, it is a pure, in memory data container * @exports document/document * @constructor * @borrows module:document/probe.get as get * @borrows module:document/probe.set as set * @borrows module:document/probe.any as any * @borrows module:document/probe.all as all * @borrows module:document/probe.remove as remove * @borrows module:document/probe.seekKey as seekKey * @borrows module:document/probe.seek as seek * @borrows module:document/probe.findOne as findOne * @borrows module:document/probe.findOneKey as findOneKey * @borrows module:document/probe.findKeys as findKeys * @borrows module:document/probe.find as find * @borrows module:document/probe.update as update * @borrows module:document/probe.some as some * @borrows module:document/probe.every as every */ var Document = Base.compose( [Base], /** @lends documents/document# */{ declaredClass : "document/document", constructor : function () { var that = this; probe.mixin( this ); var idField = "_id"; /** * The name of the field that uniquely identifies a record. When provided, some operations will take advantage of it * * @name _idField * @memberOf documents/document# * @type {string} * @protected */ Object.defineProperty( this, "_idField", { get : function () { return idField; }, set : function ( val ) { idField = val; }, configurable : false, enumerable : true, writable : true } ); /** * The value of the primary key if {@link documents/document#_idField} is filled in. It will be null if none found * * @name _pkey * @memberOf documents/document# * @type {*} * @protected */ Object.defineProperty( this, "_pkey", { get : function () { var val; if ( !sys.isEmpty( that._idField ) ) { val = that[that._idField]; } return val; }, set : function ( val ) { if ( !sys.isEmpty( that._idField ) ) { that[that._idField] = val; } }, configurable : false, enumerable : true, writable : true } ); /** * If {@link documents/document#_idField} is filled in and it's value is empty this will be true. * @type {boolean} * @name isNew * @memberOf documents/document# */ Object.defineProperty( this, "isNew", { get : function () { return !sys.isEmpty( that._idField ) && !sys.isEmpty( that[that._idField] ) }, configurable : false, enumerable : true, writable : false } ); /** * Returns true if this instance is empty * @type {boolean} * @name isEmpty * @memberOf documents/document# */ Object.defineProperty( this, "isEmpty", { get : function () { return sys.isEmpty( that ); }, configurable : false, enumerable : true, writable : false } ); } } ); module.exports = Document;


{% extends "layout/base.html" %} {% load i18n %} {% block content %}
{% trans "NOT FOUND" %}
{% blocktrans %}The page you are looking for, does not exist. Please check the URL to check you entered it correctly.{% endblocktrans %}
{% blocktrans %}Otherwise you can click here to go to Hawkpost's main page.{% endblocktrans %}


This module helps you posting ad-hoc http-requests.
The most simple way to use the http-post module do the following steps:
Pressing HttpPost sends the URL in the http-post window.
The response section of the http-post window displays the response information.
Moreover the tree view shows the sent URL in the folder Current.
You can specify details of the request data by clicking the tap panel separator:
You can specify the request headers by clicking the tap panel separator:
The tree view of the http-post window displays two folder nodes:
The folder Current displays all URLs posted during a user session. Nodes in this folder offers following node actions:
The folder Saved displays all URLs saved to the filesystem. During startup saved URLs are loaded into this folder. Nodes in this folder offers following node actions:
Moreover the properties of the currently selected node are shown in properties window.
Persisted URLs are stored in the filesystem at location
{nbuser.dir}/config/httppost
.
The name of the files are calculated from
the start-date, and end-date of the URL post.
The data format of the files are the format as defined by
java.beans.XMLEncoder
, and
java.beans.XMLDecoder
.


{include file="public:seo_header" /} {include file="public:link_resource_read" /}
Home >> {$comic_info.name} >> {$chapter_info.name}
Home >> {$comic_info.name} >> chapter:{$chapter_info.name}


Date of birth
Nationality
Afghanistan
Aland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antarctica
Antigua and Barbuda
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia, Plurinational State of
Bonaire, Sint Eustatius and Saba
Bosnia and Herzegovina
Botswana
Bouvet Island
Brazil
British Indian Ocean Territory
Brunei Darussalam
Bulgaria
Burkina Faso
Burundi
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos (Keeling) Islands
Colombia
Comoros
Congo
Congo, the Democratic Republic of the
Cook Islands
Costa Rica
CÃ´te d'Ivoire
Croatia
Cuba
CuraÃ§ao
Cyprus
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Ethiopia
Falkland Islands (Malvinas)
Faroe Islands
Fiji
Finland
France
French Guiana
French Polynesia
French Southern Territories
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guadeloupe
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Guyana
Haiti
Heard Island and McDonald Islands
Holy See (Vatican City State)
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran, Islamic Republic of
Iraq
Ireland
Isle of Man
Israel
Italy
Jamaica
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Korea, Democratic People's Republic of
Korea, Republic of
Kuwait
Kyrgyzstan
Lao People's Democratic Republic
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macao
Macedonia, the former Yugoslav Republic of
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mayotte
Mexico
Micronesia, Federated States of
Moldova, Republic of
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Myanmar
Namibia
Nauru
Nepal
Netherlands
New Caledonia
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
Northern Mariana Islands
Norway
Oman
Pakistan
Palau
Palestinian Territory, Occupied
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Pitcairn
Poland
Portugal
Puerto Rico
Qatar
RÃ©union
Romania
Russian Federation
Rwanda
Saint BarthÃ©lemy
Saint Helena, Ascension and Tristan da Cunha
Saint Kitts and Nevis
Saint Lucia
Saint Martin (French part)
Saint Pierre and Miquelon
Saint Vincent and the Grenadines
Samoa
San Marino
Sao Tome and Principe
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Sint Maarten (Dutch part)
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Georgia and the South Sandwich Islands
South Sudan
Spain
Sri Lanka
Sudan
Suriname
Svalbard and Jan Mayen
Swaziland
Sweden
Switzerland
Syrian Arab Republic
Taiwan, Province of China
Tajikistan
Tanzania, United Republic of
Thailand
Timor-Leste
Togo
Tokelau
Tonga
Trinidad and Tobago
Tunisia
Turkey
Turkmenistan
Turks and Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom
United States
United States Minor Outlying Islands
Uruguay
Uzbekistan
Vanuatu
Venezuela, Bolivarian Republic of
Viet Nam
Virgin Islands, British
Virgin Islands, U.S.
Wallis and Futuna
Western Sahara
Yemen
Zambia
Zimbabwe


Reports: Iran downs 'unknown' drone over Persian Gulf port
by The Associated Press, StaffTEHRAN, Iran -- Iran's air defence force has shot down an "unknown" drone in the country's southwest, the official IRNA news agency reported on Friday.
The agency said that Iranian air defence forces hit the drone in the early morning at the port city of Mahshahr, which is in the oil-rich Khuzestan province and lies on the Persian Gulf.
The report did not say whether the drone was a military or commercially available device.
The provincial governor, Gholamreza Shariati, told IRNA that the drone belonged to a "foreign" country and that parts of it had been recovered in a nearby lagoon.
Shariati said the drone had violated Iran's airspace.
The U.S. military's Central Command later wrote on Twitter that America had no drone in the area of the reported shootdown.
"All U.S. equipment has been accounted for," it said.
Later on Friday, the semi-official Tasnim news agency quoted Gen. Alireza Sabahifard, chief of the army's air defence, as saying the drone was destroyed before reaching "sensitive" centres of the country. He confirmed that the drone was foreign but did not elaborate.
The agency also ran a short video purporting to show a missile launched in the early morning that it said hit the drone.
In June, Iran shot down a U.S. surveillance drone in the Strait of Hormuz. Tehran said the drone "violated" its territorial airspace, while the U.S. called the missile fire "an unprovoked attack" in international airspace over the narrow mouth of the Persian Gulf.
Regional tensions remain high over Tehran's collapsing nuclear deal with world powers, which the U.S. unilaterally withdrew from over a year ago.


/setcookie > assigns sample user data to selectedRaids cookie
/getcookie > page that displays selectedRaids cookie as JSON
/addtocookie > adds a static raid to selectedRaids array and update cookie
/reset > reset
/text > placeholder
/select > Select Raids Page
{{items}}


Ken Loach's "My Name is Joe" is his greatest film. He has returned to the gritty world of the earlier "Riff Raff", one hemmed in by poverty, drug addiction and slum housing. What is different this time is that he has created characters whose humanity soars above their miserable settings. Out of the depths of a mean Glasgow neighborhood Loach has fashioned a love story that is among the greatest I have seen in a movie. What gives this love story such poignancy is that while wanting to see it succeed--partly because of the charisma of Joe, the central character--one can not forget for a moment that it will likely fail because of the weight of the social conditions.
Joe Kavanagh (Peter Mullan) is a recovering alcoholic on the dole. He supplements his meager income with an odd job picked up here and there. His main passion is the soccer team he coaches, which is made up of losers like him. Not only are some on the dole, they are also petty thieves and recovering junkies. On the afternoon of a game, he runs into Sarah (Louise Goodall), a public health social worker out to visit Liam, one of his players. They argue whether Liam (Davie McKay) should stay for the interview she has set up with him, his girl-friend Sabine (Anne-Marie Kennedy) and their young child, or go off with the team. She is a bit too insistent for Joe and he says that people like her must think the sun shines out of their arses. Since he says it with a disarming smile, and since she is a trained social worker used to working-class resentment, she lets it slide.
Later that day, Joe spots her fumbling with some rolls of wallpaper that have fallen out of the trunk of her car. He stops his van and goes up to help her out. He proposes that he and a mate can come round that weekend and do the job for her, at half the price of a regular contractor. Even if the sun is shining out of her arse, she asks him with a smile.
In a classic Loach comic interlude, as Joe and Shanks (Gary Lewis), his best friend, drive out to Sarah's place to do the job, they fret over how they've never wall-papered anything in their lives. In particular they worry if a ceiling has to be wall-papered as part of the job. Of course when they step foot in the apartment, the camera reveals a scraped ceiling all set to be papered. Shanks and Joe try to con her out of doing the ceiling. Who's living upstairs, Shanks asks. A couple of students, she replies. Ah, that won't be good--students have parties and the wallpaper won't stand up to the pounding.
In the course of the job, Joe takes a tea break and joins Sarah in the kitchen. They discover that they share a love for classic rock-and-roll and quiz each other about who wrote each song that they sing to each other off-key. By the end of the afternoon, they are flirting good-naturedly with each other. When Joe and Shanks return that evening to Joe's place for a game of chess, they discuss the possibility of Joe taking Sarah out for a date. How much is a dinner nowadays, ask Joe. When Shanks tells him, Joe just winces. Shanks suggests a cheap date: why doesn't he take her bowling.
They do go bowling and this is the start of a romance between the two that is unlike any I have ever seen on the screen. While Joe is ruggedly handsome, his hair is thinning and there is a suggestion of the need for some dental work. He is turning thirty-eight and it is clear that all the years of hard drinking have taken their toll. Sarah is attractive in an unadorned sort of way, but Joe's passion for her seems more related to her honesty and warmth than her physical beauty. In their love-making scenes, there is more chemistry than in all the Hollywood movies starring Brad Pitt, Gwyneth Paltrow, Val Kilmer and Julia Roberts put together. The reason for this is that Joe and Sarah are real people who you can identify with, and real life is much sexier than the plastic fantasy-world Hollywood specializes in.
In addition to their love, Joe and Sarah share the frustrations of having to deal with Liam and Sabine, who can barely keep their family going. He had been released from jail the year before for dealing drugs and now she has picked up where he has left off. He wants her to stop dealing, but she needs the money to support her own habit.
Her supplier is a thug named MacGowan (David Hayman), who is always accompanied by a posse of hulking men in leather coats. Joe used to be in MacGowan's gang when he was on the booze, but has nothing to do with him nowadays. Unfortunately, events have conspired to bring them back together. Sabine owes MacGowan money from drugs she has shot up instead of selling on the street. He gives Liam a choice.  When Joe finds out about this, he goes to MacGowan to intercede on Liam's behalf. Fine, MacGowan tells him, do a couple of jobs for me and the debt will be forgiven.
When Joe decides to take up MacGowan's offer, not only does he finds himself sliding back into his old ways, he discovers that Sarah will not accept him now that he has become a gangster himself. He tries to defend himself: in his world, you sometimes have no choice. His plea falls on deaf ears and Sarah leaves him.
The clash between the hardscrabble world of survival in a Glasgow slum and the love of a man for a woman, who is not part of that world, grows out thematically from what some critics would ascribe to Ken Loach's quaintly old-fashioned notions of what movies should be about. Rather than making films about monsters set loose on rocket ships, or love affairs between people who never have to worry about where their next meal is coming from, Loach pays full attention to the lives of real people facing real economic hardship.
He is a throwback to the Depression era in many ways. His camera studies the same landscape of artists like Ben Shahn or novelists like Henry Roth. As critic David Shapiro points out in the introduction of his book on social realist art, this school's "only landscapes are at least partly cityscapes--a decaying mining village, or shacks along the railroad tracks. A variety of genre painting, Social Realism takes as its main subject certain significant or dramatic moments in the lives of ordinary poor people. The moments in their lives selected (and it is always a moment in someone's life--it is hard to think of Social Realist painting that does not include a human being) are almost always those that in some way focus on the indignity or pathos of their situation--the hard work they perform. the inadequate rewards they receive for it, or the miserable conditions they work under. There is almost always, implied or explicit, a criticism made of the capitalist system."
It is the rest of the movie making industry that is out of touch, when you stop and think about it. If the purpose of art is to stir our emotions and make us think about the human condition, Ken Loach is a bigger success than anybody. There is nothing old-fashioned about a Ken Loach movie, especially "My Name is Joe," because loneliness and economic hardship are alas very much still with us.
--Louis Proyect
(For Marxist discussion: www.panix.com/~lnp3/marxism.html)
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The Lexington Avenue Line (sometimes called the Lex, the 4-5-6 or the IRT East Side Line) is one of the major IRT lines in the New York City Subway. A large segment of it used to be part of the first subway line in New York. Being the only line in Manhattan to directly serve the Upper East Side and East Midtown, the four-track IRT Lexington Avenue Line is the most crowded in the country.
Its average of 1.3 million daily riders is "more than the combined ridership of San Francisco, Chicago, and Boston's entire transit systems." (Second Avenue Subway FEIS, p. 1–6). Its ridership also exceeds that of the 614,000 daily trips on the entire Washington Metro (SAS FEIS, p. 1–5). The Second Avenue Line has been proposed to fix this problem.
Several stations along this line have been abandoned. When platforms were lengthened to fit 10 cars, new entrances were built for adjacent stations, making the abandoned ones redundant. For example, 14th Street-Union Square has an entrance on 16th, and 23rd Street has an entrance on 20th, so 18th Street station was abandoned.


Running Abra is simple, when you have built it as described in the previous section. Go here for the format of the map-file.
Command-line option summary:
abra [options] [map-file [map-file2 [map-file3] ...]] Options: -outdir <directory> -noclasses (turnoff class generation) -schema <file-name> (generate schema to the specified schema-file) -verify (just verify XML, generate nothing) -factories (make database factories using Java->sql map) -procs (use stored procedures/functions instead of dyn SQL) -validation generate validators for each class -props <prop-file> use this prop file for everything -verbose to get messages about what is being generated -mega to get every single message (a lot) about what is being generated -supress to print only fatal errors/ nothing else -help to get this print out
abra foo.xml
runs Abra using the foo.xml
file in the current directory, generating classes from this directory.
ant -factories -outdir src foo.xml
runs Abra using the foo.xml
map-file in the current directory, generating classes and AbstractFactories from the root $PWD/src.
ant -factories -procs -validation -verbose -outdir java -schema schema/foo.sql foo.xml bar.xml
runs Abra using the foo.xml, bar.xml
mapfiles. The output
classes, validators, and factories have a root directory of $PWD/java. A schema
file to create the relational tables is $PWD/schema/foo.sql and stored
procedures are used by generated factories to insert and update are found in
$PWD/schema/foo_procs.sql. Verbose printouts are on.
Copyright © 2000,2001,2002 Paul Bethe & Richie Bielak All rights Reserved.


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Simulation of single-compartment Hodgkin-Huxley models for different classes of cortical neurons The models are described in: Pospischil, M., Toledo-Rodriguez, M., Monier, C., Piwkowska, Z., Bal, T., Fregnac, Y., Markram, H. and Destexhe, A. Minimal Hodgkin-Huxley type models for different classes of cortical and thalamic neurons. Biological Cybernetics 99: 427-441, 2008. Intrinsic currents: INa, IKd for action potentials, IM for spike-frequency adaptation, ICaL for high-threshold calcium current, ICaT for the low-threshold calcium current, intracellular calcium dynamics. demo_PY_RS.oc : simplified model of the "regular-spiking" neuron demo_IN_FS.oc : simplified model of the "fast-spiking" interneuron demo_PY_IB.oc : simplified model of the "intrinsically bursting" neuron demo_PY_IBR.oc : simplified model of the "repetive bursting" neuron demo_PY_LTS.oc : simplified model of the "low-threshold spike" neurons Usage: ------ Simply auto-launch from ModelDB (after NEURON is installed) or download and extract the archive. Then under linux/unix: ----------- cd to the extracted folder. Type at the shell prompt: nrnivmodl nrngui mosinit.hoc MAC OS X: --------- Drag and drop the extracted folder onto the mknrndll icon. Drag and drop the mosinit.hoc file onto the nrngui icon. mswin: ------ Run mknrndll and cd to the extracted folder. Select to make the nrnmech.dll. Use windows explorer to view the contents of the expanded folder from the archive. Double click on the mosinit.hoc file. Once the simulation is started: ------------------------------- Click on a button to select a cell. Reposition the windows and press the Init & Run button. For example selecting Bursting Pyramidal Cell and then Init & Run should produce a figure like figure 5B from the paper: 20111102 The file IL_gutnick.mod was updated to use derivimplicit in the solver. See http://www.neuron.yale.edu/phpBB/viewtopic.php?f=28&t=592 for details. 20120216 the files IM_cortex.mod, IT_huguenard.mod, and cadecay_destexhe.mod had solver methods updated from euler to cnexp, cnexp, and derivimplicit respectively. The IL_gutnick.mod was changed from derivimplicit to cnexp. See www.neuron.yale.edu phpBB link above.


This section is dedicated to getting developers up-to-speed quickly with the new REST APIs available for Blackboard Collaborate with the Ultra Experience. These APIs give the developer the ability to programmatically integrate common Collaborate functionality into a web application using the tried and true framework that is REST APIs.
Getting started requires a few key decisions on the developer’s part. Firstly, the Developer should decide what programming language best meets the use cases required for the application to be successful. Every language has strengths and weaknesses, and with a little research, one can balance ease of use, performance, security, and existing frameworks and packages to build the best integration possible. Secondly, the developer should review the API documentation to ensure that the APIs exist to accomplish those goals. Lastly, the Developer must decide if this work is best completed in-house or via an engagement with Blackboard Collaborate’s consulting group. Often times, consulting is a great option for building an integration based on best practices developed over many years of experience integrating with Blackboard Collaborate.
If you are interested in getting started with the Development of integrations with Blackboard Collaborate Ultra, send an email to<EMAIL_ADDRESS>Please tell us who you are, what institution you represent, and how you intend to use the APIs.
Generally speaking, REST API integrations are largely the same. That is the beauty of REST; the developer has a standard set of HTTP Verbs that generally perform the same actions, return the same success and failure codes, and most languages provide software packages and add-ons that make REST calls simple. Usually, the main hurdle is two-fold: What is the business logic behind the APIs, and how does an application authenticate to the services in order to send the REST calls necessary to perform the actions required.
Most REST frameworks rely on some facet of the OAuth 2.0 standard and Blackboard Collaborate is no different. Collaborate relies on JSON Web Tokens (JWT) in order to accept the application as a trusted entity. For more detailed information about the JWT Standard and to learn about available libraries for most of today’s popular web application development languages, see https://jwt.io. For more information on Blackboard Collaborate’s implementation see Authorize and Authenticate in Blackboard Collaborate.
It is true that REST APIs allow the developer to choose any programming language that supports HTTP calls. That said, there are some languages that are consistently at the top of the list. As part of the effort to assist Developers in getting up and running, Blackboard typically offers sample code and supporting documentation in a number of those popular languages:
As these samples are developed, the language above will be linked.
The community site will also provide tutorials for how to perform specific actions necessary to get up and running in the Collaborate integration game. As those assets are developed, they will be listed here.


Rendering engine for Ingress game models
Capable of rendering Ingress game models in the browser, with no conversion required. However, this does require a copy of the assets
directory from some version of the Ingress apk. Not all models are found in all versions of Ingress; you may have to look in older versions to find some assets. Shards, in particular, have been added and removed over time.
A JavaScript library by Daniel Benton.
Grab the compiled library. Alternatively, build the library yourself, from source (see below).
Before starting, be sure to install dependencies with npm install
.
Use npm run serve
to start a development server. This will watch for changes and rebuild as necessary.
Use npm run lint
to run ESLint on all source files
By default, all demos will look for a directory named assets
in the root directory. This can be the assets directory straight from a version of the ingress apk, extracted with your tool of choice. This library is capable of reading and parsing assets from the ingress apk without any conversion required.
Note that as of this writing, not all demos are functional or self-explanatory. They are mostly sandboxes for development at this time, but some are nifty demos of custom shaders/models (e.g. demos/globe.html
). These sometimes will attempt to include external resources, such as FileSaver
.
Use npm run docs
to rebuild the documentation pages.
See the documentation site
MIT. See LICENSE


Chimes sway with the night-wind
Crawling through the window screen
Caressing the dry skin
Of my cheeks
A tender familiarity brushes
My pupils watering my lips
Trembling from touch
Often, it is in darkness
I feel loved