BILL AND EXCHANGE MANAGER
BANK OF AFRICA.
OUAGADOUGOU,
BURKINA FASO.
TOP SECRET
DEAR FRIEND,
I AM MR.AZIZ MOUSTAFA. THE BILL AND EXCHANGE MANAGER AT THE
FOREIGN REMITTANCE DEPARTMENT OF BANK OF AFRICA.
 SINCE WE GOT INFORMATION ABOUT HIS DEATH, WE HAVE BEEN EXPECTING HIS NEXT OF KIN TO COME OVER AND CLAIM HIS MONEY BECAUSE WE CANNOT RELEASE IT UNLESS SOMEBODY APPLIES FOR IT AS NEXT OF KIN OR RELATION TO THE DECEASED AS INDICATED IN OUR BANKING GUIDLINES AND LAWS BUT UNFORTUNATELY WE LEARNT
THAT ALL HIS SUPPOSED NEXT OF KIN OR RELATION DIED ALONGSIDE WITH HIM AT THE PLANE CRASH LEAVING NOBODY BEHIND FOR THE CLIAM.
THE BANKING LAW AND GUIDLINE HERE STIPULATES THAT IF SUCH MONEY
REMAINED UNCLAIMED AFTER FIVE YEARS, THE MONEY WILL BE TRANSFERED INTO THE BANK TREASURY AS UNCLAIMED FUND.
CONTACT ME ON MY / EMAILS ID:
<EMAIL_ADDRESS>I AM LOOKING FORWARD FOR YOUR PROMPT RESPONSE.
YOURS FAITHFULLY,
MR.AZIZ MOUSTAFA
MSN Hotmail : créez votre adresse e-mail gratuite & à vie !


Contact
- For technical questions on how to train models and use the dataset, please try Stackoverflow.
- For issues with the dataset, feel free to use the Github issue tracker.
- For any other question, feel free to reach out to Karsten Behrendt at llamas 'at' kbehrendt 'dot' com.
{% include "benchmarks/bosch_banner.html" %}
{% include "llamas/citation.html" %}
Privacy
The dataset is published for research purposes and non-commercial usage only. If you find yourself in the data, let us know and we will remove those images.


Davis Cup: Delighted Dan Evans sends Great Britain into semi-finals
by Press AssociationA delighted Dan Evans ended his losing run at the Davis Cup finals in Madrid with victory over Jan-Lennard Struff to send Great Britain through to the semi-finals for the third time in five years.
Evans had lost his first two singles matches against Dutchman Robin Haase and Alexander Bublik of Kazakhstan from a set up but refused to accept the same fate against world number 35 Struff.
With Andy Murray, who was again left out of the side, cheering on from the sidelines, Evans withstood pressure in the third set to come through a deciding tie-break and win 7-6 (6) 4-6 7-6 (2).
Coupled with another impressive win by Kyle Edmund, who defeated Philipp Kohlschreiber 6-3 7-5, Evans' victory was enough to seal the tie for Britain without the need for a deciding doubles rubber.
Evans' place had been in question but captain Leon Smith stuck with him ahead of Murray and was rewarded with a display of real skill and heart from the 29-year-old.
He dominated the deciding tie-break and, when Struff's final shot flew wide, Evans leapt high and threw his racket into the air before running to celebrate with Smith and the rest of the team.
The 2015 champions will face either host nation Spain or Argentina on Saturday evening.
This victory, though, means they are guaranteed to be back in Madrid next year, with semi-finalists exempted from March's play-off round.
The only disappointment was the size of the crowd, which appeared noticeably smaller than for Britain's two group matches - a concern Murray had raised ahead of the event.
The British fans who had stayed made a good noise, though, and both Edmund and Evans responded in style.
At 36, Kohlschreiber's best days may be behind him but he remains a dangerous customer, particularly off his one-handed backhand, and he has been in good form here.
The German was a little wild in the first set against Edmund and the Yorkshireman took advantage, securing the only break of serve in the sixth game.
The second was much tighter. Kohlschreiber became the first player this week to break the Edmund serve for 3-1 but a fine game from the 24-year-old reduced the arrears straight away.
Edmund is known for his bulldozer forehand but it was his backhand doing a lot of the damage and another break for 6-5 set up a chance to serve for the match, which he took to love.
2019 Davis Cup Finals results
The entire tournament is taking place in Madrid this week. There are six groups of three teams, who play each other once. Each tie is three rubbers - two singles and one doubles - and are all best of three sets and played on one day. The six group winners go through to the quarter-finals and are joined by the two best runners-up based on percentage of sets won (followed by games won).
The quarter-finals take place from Thursday 21-Friday 22. The semi-finals are on Saturday 23, with the Grand Final on Sunday 24.
GROUP A
- France 2-1 Japan
- Serbia 3-0 Japan
- France 0-2 Serbia
GROUP B
- Croatia 0-3 Russia
- Spain 2-1 Russia
- Croatia 0-3 Spain
GROUP C
- Argentina 3-0 Chile
- Argentina 0-3 Germany
- Germany 2-1 Chile
GROUP D
- Belgium 2-1 Colombia
- Australia 3-0 Colombia
- Belgium 0-2 Australia
GROUP E
- Kazakhstan 2-1 Netherlands
- Great Britain 2-1 Netherlands
- Great Britain 2-1 Kazakhstan
GROUP F
- Italy 1-2 Canada
- United States 1-2 Canada
- United States 2-1 Italy
Knockout stage
Quarter-Finals
- Serbia v Russia (November 22)
- Australia v Canada (November 21)
- Great Britain v Germany (November 22)
- Argentina v Spain (November 22)
Semi-Finals (November 23)
- Russia v Canada
- Great Britain v Winner QF 4
Finals (November 24)
- Winner SF 1 v Winner SF 2


Creation & Design
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DISCOVERING TOP 3 "TYPES" OF TYPICAL CANDIDATES COMING IN VIETNAM DONG CURRENT.
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As the decade started out in a really turbulent way, it's no wonder that most of us didn't have the time nor the will to get started with brand rehauling or ...
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If you've seen your fair share of website designs, then you know that fonts (more precisely, typefaces) can actually play a cruc...
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With each passing year, people in different industries are always waiting for the ?next big thing?: news, new trends, and revolutionary tendencies that will ...
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Inspiring Examples of Olive Oil Branding
Today, people want more from a product than just ?being a product?. Together with the goods, they also want to get a particular experience. You can get a dirt-cheap ?koda that will get you fro...


5.4-Magnitude Earthquake Hits Southern Iran - Reports
According to Iranian TV, there were no casualties in the quake; however, there is currently no official information about damage caused by the natural disaster.
A 5.4-magnitude earthquake hit Hormozgan Province in the Islamic Republic on Wednesday, local TV reported. According to preliminary information, the epicentre of the tremor is located at a depth of 10 kilometres (over 6 miles), and just 78 kilometres (48 miles) from the city of Bandar Lengeh.
Iran is situated on major seismic faults and often experiences significant tremors, especially in the southern part of the country.
Some of the quakes can be extremely dangerous - like the 6.6-magnitude tremor that devastated the historic city of Bam, killing almost 26,000 people in 2003.


I'm an iOS Developer currently working at Agency Mobile in London. I'm simply passionate about writing beautiful code for successful apps.
Check out my game Spores available on the App Store.
Contact me at brocoo@gmail.com


these are JATS reserved names
abstract x 2, addr-line x 3, aff x 4, alt-title, alternatives x 3, article, article-categories, article-id x 3,
article-meta, article-title x 56, author-notes,
back, body, bold x 21,
caption x 5, collab, comment x 5, contrib x 10, contrib-group x 2, copyright-statement, copyright-year, corresp, counts,
date x 2, day x 3,
element-citation x 57, elocation-id, email, etal x 15, "
fig x 2, fn x 13, fn-group, fpage x 54, front,
given-names x 197, graphic x 5,
history,
issn x 2, issue x 2, italic x 25, "
journal-id x 3, journal-meta, journal-title, journal-title-group,
label x 69, lpage x 54,
month x 4,
name x 199,
object-id x 5, "
page-count, permissions, person-group x 56, pub-date x 2, pub-id x 45, publisher, publisher-loc x 4, publisher-name x 4,
ref x 57, ref-list, role,
sec x 18, size, source x 56, subj-group x 5, subject x 5, suffix, sup x 11, surname x 199,
table-wrap x 3, table-wrap-foot x 3, title x 25, title-group,
volume x 51,
year x 60"
// the JATS taglist


In 2009, sisters Loren Gallien and Julie Luft decided to leave their medical jobs behind, open a bakery featuring their grandmother's recipes to recreate the tastes they loved from childhood. Three years later, the sisters added a gift shop. This gave Julie a chance to be a "micro" art curator; she loves to select the art prints, teacups, coffee mugs offered in the shop. Please stop by for a visit, and be sure to try Grandma Connie's Lemon and Raspberry macaroons.
We also carry a selection of tea cups and coffee mugs


cssutils 1.0.1
A CSS Cascading Style Sheets library for Python
Overview
A Python package to parse and build CSS Cascading Style Sheets. DOM only, not any rendering facilities!
Based upon and partly implementing the following specifications :
- CSS 2.1rev1
- General CSS rules and properties are defined here
- CSS3 Module: Syntax
- Used in parts since cssutils 0.9.4. cssutils tries to use the features from CSS 2.1 and CSS 3 with preference to CSS3 but as this is not final yet some parts are from CSS 2.1
- CSS Fonts Module Level 3
- Added changes and additional stuff (since cssutils v0.9.6)
- MediaQueries
- MediaQueries are part of stylesheets.MediaList since v0.9.4, used in @import and @media rules.
- Namespaces
- Added in v0.9.1, updated to definition in CSSOM in v0.9.4, updated in 0.9.5 for dev version
- CSS3 Module: Pages Media
- Most properties of this spec are implemented including MarginRules
- Selectors
- The selector syntax defined here (and not in CSS 2.1) should be parsable with cssutils (should mind though ;) )
- CSS Backgrounds and Borders Module Level 3, CSS3 Basic User Interface Module, CSS Text Level 3
- Some validation for properties included, mainly cursor, outline, resize, box-shadow, text-shadow
- Variables / CSS Custom Properties
- Experimental specification of CSS Variables which cssutils implements partly. The vars defined in the newer CSS Custom Properties spec should in main parts be at least parsable with cssutils.
- DOM Level 2 Style CSS
- DOM for package css. 0.9.8 removes support for CSSValue and related API, see PropertyValue and Value API for now
- DOM Level 2 Style Stylesheets
- DOM for package stylesheets
- CSSOM
- A few details (mainly the NamespaceRule DOM) are taken from here. Plan is to move implementation to the stuff defined here which is newer but still no REC so might change anytime…
The cssutils tokenizer is a customized implementation of CSS3 Module: Syntax (W3C Working Draft 13 August 2003) which itself is based on the CSS 2.1 tokenizer. It tries to be as compliant as possible but uses some (helpful) parts of the CSS 2.1 tokenizer.
I guess cssutils is neither CSS 2.1 nor CSS 3 compliant but tries to at least be able to parse both grammars including some more real world cases (some CSS hacks are actually parsed and serialized). Both official grammars are not final nor bugfree but still feasible. cssutils aim is not to be fully compliant to any CSS specification (the specifications seem to be in a constant flow anyway) but cssutils should be able to read and write as many as possible CSS stylesheets “in the wild” while at the same time implement the official APIs which are well documented. Some minor extensions are provided as well.
Please visit http://cthedot.de/cssutils/ or https://bitbucket.org/cthedot/cssutils/ for more details.
There is also a low-traffic cssutils discussion group.
Compatibility
cssutils is developed on standard Python but works under Python 2.x (from 2.5, 2.7.6 tested), 3.x (v3.3.3 tested) and Jython (from 2.5.1). IronPython has not been tested yet but might work? Python 2.4 and older are not supported since cssutils 0.9.8 anymore. cssutils is not thread safe, please beware!
License
Copyright 2005 - 2013 Christof Hoeke
cssutils is published under the LGPL 3 or later
cssutils is free software: you can redistribute it and/or modify it under the terms of the GNU Lesser General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version.
cssutils is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU Lesser General Public License for more details.
You should have received a copy of the GNU Lesser General Public License along with cssutils. If not, see http://www.gnu.org/licenses.
Installation
From 0.9.6 cssutils uses Distribute
After installing Distribute use:
> easy_install cssutils
to install the latest version of cssutils.
Alternatively download the provided source distribution. Expand the file and from a command line install with:
> python setup.py install
To uninstall remove any registrations of cssutils eggs with Distribute and remove the eggs which should be installed at PYTHONDIR/Lib/site-packages/cssutils too.
Example
# -*- coding: utf-8 -*- import cssutils css = u'''/* a comment with umlaut ä */ @namespace html "http://www.w3.org/1999/xhtml"; @variables { BG: #fff } html|a { color:red; background: var(BG) }''' sheet = cssutils.parseString(css) for rule in sheet: if rule.type == rule.STYLE_RULE: # find property for property in rule.style: if property.name == 'color': property.value = 'green' property.priority = 'IMPORTANT' break # or simply: rule.style['margin'] = '01.0eM' # or: ('1em', 'important') sheet.encoding = 'ascii' sheet.namespaces['xhtml'] = 'http://www.w3.org/1999/xhtml' sheet.namespaces['atom'] = 'http://www.w3.org/2005/Atom' sheet.add('atom|title {color: #000000 !important}') sheet.add('@import "sheets/import.css";') # cssutils.ser.prefs.resolveVariables == True since 0.9.7b2 print sheet.cssText
results in:
@charset "ascii"; @import "sheets/import.css"; /* a comment with umlaut \E4 */ @namespace xhtml "http://www.w3.org/1999/xhtml"; @namespace atom "http://www.w3.org/2005/Atom"; xhtml|a { color: green !important; background: #fff; margin: 1em } atom|title { color: #000 !important }
Documentation
The current documenation can be found at http://packages.python.org/cssutils/
Kind Request
cssutils is far from being perfect or even complete. If you find any bugs (especially specification violations) or have problems or suggestions please put them in the Issue Tracker at Bitbucket.
Thanks
Thanks to Simon Sapin, Jason R. Coombs and Walter Doerwald for patches, help and discussion. Thanks to Kevin D. Smith for the value validating module. Thanks also to Cory Dodt, Tim Gerla, James Dobson and Amit Moscovich for helpful suggestions and code patches. Thanks to Fredrik Hedman for help on port of encutils to Python 3.
| File | Type | Py Version | Uploaded on | Size | |
|---|---|---|---|---|---|
| cssutils-1.0.1-py2-none-any.whl (md5) | Python Wheel | 2.7 | 2015-10-11 | 285KB | |
| cssutils-1.0.1.tar.gz (md5) | Source | 2015-10-11 | 345KB | ||
- Downloads (All Versions):
- 9788 downloads in the last day
- 57107 downloads in the last week
- 195077 downloads in the last month
- Author: Christof Hoeke
- Documentation: cssutils package documentation
- Home Page: http://cthedot.de/cssutils/
- Download URL: https://bitbucket.org/cthedot/cssutils/downloads
- Keywords: CSS,Cascading Style Sheets,CSSParser,DOM Level 2 Stylesheets,DOM Level 2 CSS
- License: LGPL 2.1 or later, see also http://cthedot.de/cssutils/
- Platform: Python 2.5 and later. Python 3.2 and later. Jython 2.5.1 and later.
-
Categories
- Development Status :: 4 - Beta
- Environment :: Web Environment
- Intended Audience :: Developers
- License :: OSI Approved :: GNU Library or Lesser General Public License (LGPL)
- Operating System :: OS Independent
- Programming Language :: Python
- Programming Language :: Python :: 2.5
- Programming Language :: Python :: 2.6
- Programming Language :: Python :: 2.7
- Programming Language :: Python :: 3.2
- Programming Language :: Python :: 3.3
- Programming Language :: Python :: 3.4
- Programming Language :: Python :: 3.5
- Topic :: Internet
- Topic :: Software Development :: Libraries :: Python Modules
- Topic :: Text Processing :: Markup :: HTML
- Package Index Owner: peterbe, christof
- Package Index Maintainer: peterbe
- DOAP record: cssutils-1.0.1.xml


public interface MonetaryAmountFormat extends MonetaryQuery<String>
Formats instances of MonetaryAmount
to a String
or an Appendable
.
To obtain a MonetaryAmountFormat
for a specific locale, including the default
locale, call MonetaryFormats.getAmountFormat(java.util.Locale, String...)
.
More complex formatting scenarios can be implemented by registering instances of .MonetaryAmountFormatProviderSpi
.
The spi implementation creates new instances of MonetaryAmountFormat
based on the
styleId and (arbitrary) attributes passed within the AmountFormatContext
.
In general, do prefer
accessing MonetaryAmountFormat
instances from the MonetaryFormats
singleton,
instead of instantiating implementations directly, since the MonetaryFormats
factory
method may return different subclasses or may implement contextual behaviour (in a EE context).
If you need to customize the format object, do something like this:
MonetaryAmountFormat f = MonetaryFormats.getInstance(loc); f.setStyle(f.getStyle().toBuilder().setPattern("###.##;(###.##)").build());
Negative zero ("-0"
) should always parse to
0
Instances of this class are not required to be thread-safe. It is recommended to of separate format instances for each thread. If multiple threads access a format concurrently, it must be synchronized externally.
// Print out a number using the localized number, currency, // for each locale Locale[] locales = MonetaryFormats.getAvailableLocales(); MonetaryAmount amount = ...; MonetaryAmountFormat form; System.out.println("FORMAT"); for (int i = 0; i < locales.length; ++i) { if (locales[i].getCountry().length() == 0) { continue; // Skip language-only locales } System.out.print(locales[i].getDisplayName()); form = MonetaryFormats.getInstance(locales[i]); System.out.print(": " + form.getStyle().getPattern()); String myAmount = form.format(amount); System.out.print(" -> " + myAmount); try { System.out.println(" -> " + form.parse(form.format(myAmount))); } catch (ParseException e) {} } }
| Modifier and Type | Method and Description |
|---|---|
default String |
format(MonetaryAmount amount)
Formats the given
MonetaryAmount to a String. |
AmountFormatContext |
getContext()
The
AmountFormatContext to be applied when a MonetaryAmount is formatted. |
MonetaryAmount |
parse(CharSequence text)
Fully parses the text into an instance of
MonetaryAmount . |
void |
print(Appendable appendable,
MonetaryAmount amount)
Formats the given
MonetaryAmount to a Appendable . |
queryFrom
AmountFormatContext getContext()
AmountFormatContext
to be applied when a MonetaryAmount
is formatted.AmountFormatContext
used, never null
.default String format(MonetaryAmount amount)
MonetaryAmount
to a String.amount
- the amount to format, not null
UnsupportedOperationException
- if the formatter is unable to printIllegalStateException
- if an IO error occurs.void print(Appendable appendable, MonetaryAmount amount) throws IOException
MonetaryAmount
to a Appendable
.
Example implementations of Appendable
are StringBuilder
, StringBuffer
or Writer
. Note that StringBuilder
and StringBuffer
never throw an
IOException
.
appendable
- the appendable to add to, not nullamount
- the amount to print, not nullUnsupportedOperationException
- if the formatter is unable to printIOException
- if an IO error occurs, thrown by the appendable
MonetaryParseException
- if there is a problem while parsingMonetaryAmount parse(CharSequence text) throws MonetaryParseException
MonetaryAmount
.
The parse must complete normally and parse the entire text. If the parse completes without reading the entire length of the text, an exception is thrown. If any other problem occurs during parsing, an exception is thrown.
Additionally the effective implementation type returned can be determined by the
MonetaryContext
applied to the MonetaryAmountFormat
. This formatter will call
Monetary.getDefaultAmountType()
and will use the result returned
to access a corresponding MonetaryAmountFactory
to of the instance
returned.
text
- the text to parse, not nullnull
UnsupportedOperationException
- if the formatter is unable to parseMonetaryParseException
- if there is a problem while parsingCopyright © 2012–2016 JSR 354 - Expert Group. All rights reserved.


{% extends 'landing_base.html' %} {% block content %}
Help us find more beta testers and grow our community.


The story of children frequently escaping from what is called as Juvenile Homes or Government Observation Homes had captured my imagination for a while. “There must be a great story, parallel to Louis Sachar’s ‘The Holes’,” I thought. A good story to me is like fermenting vinegar to a housefly. Just irresistible.
So, I had to see what was going on in these Juvenile Homes that led to children running away all the time and press going to the extreme of calling them “Hell Holes”.
This took me to Ms. Narmada Anand, the program manager at the Department of Women and Child Development. While conversing with this wonderfully enterprising lady, she casually mentioned about an organization that worked with runaway children and spelled S-A-T-H-I.
My first thought: “What kind of an organization names itself after the barbaric medieval ritual of widow burning!” And when I hesitantly made my first call to Basavaraj of SATHI, I referred to it as sathi.
When Basavaraj explained to me what amazing work they did, I had to test the water and throw my hook. By the way, when he explained to me that their organization is pronounced as “saathi”, I was embarrassed that I didn’t see it to begin with.
And when I went to their office in Yeshwantpura, Bangalore, I had no expectation. The soft-spoken Basavaraj took me to their shelter near the railway station. There, I saw the faces of Railway Children for the first time. Of course, these were the faces I must have seen many times during my many train travels. The face of our collective failure as a country.
But, I’m a film-maker and I fish for stories and not causes. And to me, there was potential, but not really a story. And then, a social-worker at SATHI told me about Shiva Kumar, one of their many Railway Children. And that was what I was looking for.
It was a truly original, amazing story that had to reach a wide audience across the globe. And reality, in case of Shiva Kumar, was stranger than any fiction. Apart from all the abrasions of platform survival, there was a remarkable tendency of confused gender identity. Such a story hadn’t been told in the history of World cinema!!
(More will not be revealed about Shiva Kumar, as the story has a twist could bring Hitchcock back from his grave.) And Lalitha Iyer’s non-fiction accounting of “Rescuing Railway Children” became the shovel to dig deeper into this world.
This rainbow of Railway Children had to be tapped into a motion picture. The RAWness of the story had to reach wider audience. And that’s how Shiva kumar became Raju in my sacreenplay.


This is a heading
This is a heading
This is a heading
This is a paragraph.
This is a paragraph.
This is a paragraph.


When writing for the Qudical Wiki, it's not a matter of just simply writing plain text. Instead, you're supposed to use Markdown, which the Qudical Wiki uses. The Qudical Wiki Generator uses Markdig for parsing the markdown, which uses the CommonMark specification. Here are some examples of how you can use Markdown:
*This* is italic, but _this_ is italic too.
This is italic, but this is italic too.
**This** is bold, but __this__ is bold too.
This is bold, but this is bold too.
Over here `we've got inline code.`
\```
Here we've got a code block!
\```
Over here we've got inline code.
Here we've got a code block!
As you can see, in the first code block, there was a backslash. (\) Putting a backslash in front of a symbol used for Markdown cancels out the symbol, which is what had to be done here in order to prevent the codeblock from closing.
Here's some [useful info](/qudicalwiki/articles/qudicalwiki/marklanguage.html)
Here's some useful info
Here's 84's icon: ![DSa1984](/qudicalwiki/assets/icons/DSa1984.png).
Here's 84's icon: .


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elaboraDirectory(String)
- Method in class it.unibas.trikc.views.
PageSetUp
elaboraFile(String)
- Method in class it.unibas.trikc.views.
PageSetUp
elaboraPercorsi(String)
- Method in class it.unibas.trikc.views.
PageSetUp
elaboraPercorsiFile(String)
- Method in class it.unibas.trikc.views.
PageSetUp
equals(Object)
- Method in class it.unibas.trikc.modelEntity.clustering.algorithm.
Cluster
equals(Object)
- Method in class it.unibas.trikc.modelEntity.clustering.algorithm.visualization.
VCoord
execute(ExecutionEvent)
- Method in class it.unibas.trikc.handlers.
SampleHandler
the command has been executed, so extract extract the needed information from the application context.
executeCoverage()
- Method in class it.unibas.trikc.coverage.
Coverage
According to the input TestSuite type, chooses the strategy to be applied to: each source class of each package and to each test class
executeCoverage()
- Method in interface it.unibas.trikc.coverage.
ICoverage
executeCoverage()
- Method in interface it.unibas.trikc.coverage.strategy.
IStrategyJunit
Explores the classes that belong to the TestSuite and runs all the test after they have been instrumented
executeCoverage()
- Method in class it.unibas.trikc.coverage.strategy.
StrategyJunit3
executeCoverage()
- Method in class it.unibas.trikc.coverage.strategy.
StrategyJunit4
existingClustering()
- Static method in class it.unibas.trikc.views.
PageClustering
existingCoverage()
- Static method in class it.unibas.trikc.views.
PageCoverage
existingDissimilarity()
- Static method in class it.unibas.trikc.views.
PageDissimilarity
existingReducing()
- Static method in class it.unibas.trikc.views.
PageReducing
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---
category: release-notes
version: 1.5.0
title: Button Refactor
breaking-changes:
potential-breaking-changes:
- .button--primary
is now .button
.
deprecated:
- Due to breaking buttons changes we now have a deprecated buttons partial you can load for the old styles. It is named solid-utilities/_buttons.deprecated.scss. It will be removed in Solid 2.0.
added:
- White button
- Transparent button
- Button mixin can be used to make additional buttons.
release-notes:
- Fixed bug to extend input error state borders to textareas and small inputs.
- Table padding lessened to .75rem
---


Update a reference
PATCH /repos/:owner/:repo/git/refs/:ref
Parameters
| Name |
Type |
Description |
sha |
string |
Required. The SHA1 value to set this reference to
|
force |
boolean |
Indicates whether to force the update or to make sure the update is a
fast-forward update. Leaving this out or setting it to
false will make sure you're not overwriting work.
Default: false
|
Input
{
"sha": "aa218f56b14c9653891f9e74264a383fa43fefbd",
"force": true
}
Response
{
"ref": "refs/heads/featureA",
"node_id": "MDM6UmVmcmVmcy9oZWFkcy9mZWF0dXJlQQ==",
"url": "https://api.github.com/repos/octocat/Hello-World/git/refs/heads/featureA",
"object": {
"type": "commit",
"sha": "aa218f56b14c9653891f9e74264a383fa43fefbd",
"url": "https://api.github.com/repos/octocat/Hello-World/git/commits/aa218f56b14c9653891f9e74264a383fa43fefbd"
}
}


Last Updated: 9-18-2013, 9:38am
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Hello people, I'm Richard Tepfenhart a junior web developer and I'm currently looking for new job opportunities
Build with Angular + Material, full responsive
Mobile first, full responsive
OOP JavaScript rebuild
Feel free to contact me via LinkedIn or check out my latest work on GitHub!
Do you want to download my CV?


The REPL¶
The Miller REPL (read-evaluate-print loop) is an interactive counterpart to record-processing using the put
/filter
language. (A REPL is anything that evaluates what you type into it -- like python
with no arguments, or Ruby's irb
, or node
with no arguments, etc.)
Miller's REPL isn't a source-level debugger which lets you execute one source-code statement at a time -- however, it does let you operate on one record at a time. Further, it lets you use "immediate expressions", namely, you can interact with the Miller programming language without having to provide data from an input file.
mlr repl
[mlr] 1 + 2 3 [mlr] apply([1,2,3,4,5], func(e) {return e ** 3}) [1, 8, 27, 64, 125] [mlr] :open example.csv [mlr] :read [mlr] $* { "color": "yellow", "shape": "triangle", "flag": "true", "k": 1, "index": 11, "quantity": 43.6498, "rate": 9.8870 } [mlr] :context FILENAME="example.csv",FILENUM=1,NR=1,FNR=1
Using Miller without the REPL¶
Using put
and filter
, you can do the following as we've seen above:
- Specify input format (e.g.
--icsv
), output format (e.g.--ojson
), etc. using command-line flags. - Specify filenames on the command line.
- Define
begin {...}
blocks which are executed before the first record is read. - Define
end {...}
blocks which are executed after the last record is read. - Define user-defined functions/subroutines using
func
andsubr
. - Specify statements to be executed on each record -- which are anything outside of
begin
/end
/func
/subr
. - Example:
mlr --icsv --ojson --from example.csv head -n 2 \ then put 'begin {print "HELLO"} $qr = $quantity / $rate; end {print "GOODBYE"}'
HELLO [ { "color": "yellow", "shape": "triangle", "flag": "true", "k": 1, "index": 11, "quantity": 43.6498, "rate": 9.8870, "qr": 4.414868008496004 }, { "color": "red", "shape": "square", "flag": "true", "k": 2, "index": 15, "quantity": 79.2778, "rate": 0.0130, "qr": 6098.292307692308 }GOODBYE ]
Using Miller with the REPL¶
Using the REPL, by contrast, you get interactive control over those same steps:
- Specify input format (e.g.
--icsv
), output format (e.g.--ojson
), etc. using command-line flags. - REPL-only statements (non-DSL statements) start with
:
, such as:help
or:quit
or:open
. - Specify filenames either on the command line or via
:open
at the Miller REPL. - Read records one at a time using
:read
. - Write the current record (maybe after you've modified it with things like
$z = $x + $y
) using:write
. This goes to the terminal; you can use:> {filename}
to make writes go to a file, or:>> {filename}
to append. - You can type
:reopen
to go back to the start of the same file(s) you specified with:open
. - Skip ahead using statements
:skip 10
or:skip until NR == 100
or:skip until $status_code != 200
. - Similarly, but processing records rather than skipping past them, using
:process
rather than:skip
. Like:write
, these go to the screen; use:> {filename}
or:>> {filename}
to log to a file instead. - Define
begin {...}
blocks; invoke them at will using:begin
. - Define
end {...}
blocks; invoke them at will using:end
. - Define user-defined functions/subroutines using
func
/subr
; call them from other statements. - Interactively specify statements to be executed immediately on the current record.
- Load any of the above from Miller-script files using
:load
.
The input "record" by default is the empty map but you can do things like
$x=3
, or unset $y
, or $* = {"x": 3, "y": 4}
to populate it. Or, :open
foo.dat
followed by :read
to populate it from a data file.
Non-assignment expressions, such as 7
or true
, operate as filter conditions
in the put
DSL: they can be used to specify whether a record will or won't be
included in the output-record stream. But here in the REPL, they are simply
printed to the terminal, e.g. if you type 1+2
, you will see 3
.
Entering multi-line statements¶
- To enter multi-line statements, enter
<
on a line by itself, then the code (taking care for semicolons), then>
on a line by itself. These will be executed immediately. - If you enter
<<
on a line by itself, then the code, then>>
on a line by itself, the statements will be remembered for executing on records with:main
, as if you had done:load
to load statements from a file.
Examples¶
Use the REPL to look at arithmetic:
mlr repl
[mlr] 6/3 2 [mlr] 6/5 1.2 [mlr] typeof(6/3) int [mlr] typeof(6/5) float
Read the first record from a small file:
mlr repl
[mlr] :open foo.dat [mlr] :read [mlr] :context FILENAME="foo.dat",FILENUM=1,NR=1,FNR=1 [mlr] $* { "a": "eks", "b": "wye", "i": 4, "x": 0.38139939387114097, "y": 0.13418874328430463 } [mlr] $z = $x + $i [mlr] :write a=eks,b=wye,i=4,x=0.38139939387114097,y=0.13418874328430463,z=4.381399393871141
Skip until deep into a larger file, then inspect a record:
mlr repl --csv
[mlr] :open data/colored-shapes.csv [mlr] :skip until NR == 10000 [mlr] :r [mlr] $* { "color": "yellow", "shape": "circle", "flag": 1, "i": 496422, "u": 0.6530503199545348, "v": 0.23908588907834516, "w": 0.4799125551304738, "x": 6.379888206335166 }
Parsing and operator precedence¶
You can invoke mlr repl
with the -v
or -d
flags to show parse trees for expressions you enter.
(The -v
and -d
flags differ only in the format they use to present the parse trees.)
For example, if you have any questions about operator precedence, you can check the
operator-precedence section -- or, you can
try it out and see for yourself:
mlr repl -v
Miller 6.0.0-rc1 REPL for darwin/amd64/go1.16.5 Docs: https://miller.readthedocs.io Type ':h' or ':help' for online help; ':q' or ':quit' to quit. [mlr] x = 1 * 2 + 3 * statement block * assignment "=" * local variable "x" * operator "+" * operator "*" * int literal "1" * int literal "2" * int literal "3" [mlr] x = 1 + 2 * 3 * statement block * assignment "=" * local variable "x" * operator "+" * int literal "1" * operator "*" * int literal "2" * int literal "3"
mlr repl -d
$ mrpl -d Miller 6.0.0-rc1 REPL for darwin/amd64/go1.16.5 Docs: https://miller.readthedocs.io Type ':h' or ':help' for online help; ':q' or ':quit' to quit. [mlr] x = 1 * 2 + 3 (statement-block (= x (+ (* 1 2) 3 ) ) ) [mlr] x = 1 + 2 * 3 (statement-block (= x (+ 1 (* 2 3) ) ) )
History-editing¶
No command-line-history-editing feature is built in but rlwrap mlr repl is a
delight. You may need brew install rlwrap
, sudo apt-get install rlwrap
,
etc. depending on your platform.
Suggestion: alias mrpl='rlwrap mlr repl'
in your shell's startup file.
Customization¶
In your shell environment you can set the MLR_REPL_PS1
and MLR_REPL_PS2
environment variables if you like:
$ mlr repl -q > 1+2 3 > < ... func f(x) { ... return x**2 ... } ... > > f(99) 9801
$ export MLR_REPL_PS1='\nMLR REPL> ' $ export MLR_REPL_PS2=' ' $ mlr repl -q MLR REPL> 1+2 3 MLR REPL> < func f(x) { return x**2 } > MLR REPL> f(99) 9801
See also MLR_REPL_PS1_COLOR
on the output-colorization page.
Online help¶
After mlr repl
, type :help
to see more about your options. In particular, :help examples
.


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{% extends 'swiftwind/base_email.html' %} {% load bootstrap3 hordak %} {% block title %}Reconciliation required{% endblock %} {% block preheader %}You need to login and reconcile transactions.{% endblock %} {% block content %}
You need to import your bank data and reconcile transactions before we can send the household statements for this month.
| Reconcile statements now |


MarkLogic Data Hub Job Explorer
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Contact Information
Fission Homepage
http://rogueamoeba.com/fission/
Rogue Amoeba Homepage
Fission Support
Check out our Support Center first.
If you still need help, choose "Contact Support..." from Fission's Help menu to get in touch!
Rogue Amoeba Mailing List
Join the Rogue Amoeba low-traffic announcement list. There's no spam, EVER. It's as simple as that.
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Faroe Islands - Profile
Facts
- The Faeroe Islands (Føroyar in Faeroese) are a small group of islands with a surface area of 540 square miles situated in the North Atlantic between Scotland and Iceland. They are a self-governing dependency of Denmark, although there is a move in the Faeroes towards independence from Denmark, and the latter has made it clear that it is ready to grant the Faeroes independence if that's what the islanders want.
- The capital and main port is Thorshavn on the island of Streymoy, which is the largest of the group. The smaller islands are very distinctive with precipitous cliffs and steep hills. Some of the coasts are broken by fjords providing spectacular scenery.
- Fuel and water are available in Thorshavn, Tvoroyri and Klaksvik and other fishing ports. There are no special facilities for yachts and any marine supplies available are those for fishing boats. However, basic repairs can be carried out using the extensive repair and shipbuilding facilities provided for the fishing fleets.
- See details of the RCCPF guide in publications for the best source of cruising information for these islands.
Weather
The weather is often unsettled and visibility is frequently poor when the land may be obscured by fog or drizzle. The incidence of summer gales is similar to other places on the West European seaboard. Sudden squalls may be experienced inside the fjords. In the summer months the long daylight hours may be enjoyed, the weather is fairly mild due to the Gulf Stream and winds are often light.
Faroe Islands Weather Forecast.
For links to free global weather information, forecast services and extreme weather information see the Noonsite Weather Page
Main Ports


Benjamin Franklin's Autobiography
I read through this to assess the iPhone (many thanks to the generosity and resourcefulness of a certain Mr Smithson) as an eBook reader, and found it surprisingly good - certainly the best device I've tried to date, surpassing even the silky-screened PSP. The text is clear and relaxing (better looking than the hurried mock-up I Gimped together on the left), page turning or scrolling through chapters are both unobtrusive and highly functional. The whole experience was very pleasing - I could read comfortably off the iPhone for hours on end. I'm reminded of the post I wrote back in '98: "I'm going to try out this new thing called Napster..." The revolutions begins here - let the book-burning commence.
As for the words themselves, they were a very entertaining read. Mr Franklin is evidently a singularly able individual who led an interesting life full of achievement. I'd never before taken stock of just how very industrious he must have been to straddle so many spheres of influence, a fact which he misses no opportunity to remind us of. His every week is seemingly filled with some new scheme for relentless self-improvement, impressing local dignitaries with his perspicacity and diligence, or else compiling lists of virtues, so that he might regularly apprise his behaviour in their light. I noted with wry amusement the suggestion by a friend of his to add 'humility' to his list, of which Franklin reports "I cannot boast of much success in acquiring the reality of this virtue, but I had a good deal with regard to the appearance of it." Quite.
However, it is mean spirited of me to begrudge him that trifle in light of his achievements, and in particular, the spirit of honesty and justice with which he undertakes every aspect of his life. I'm a firm believer that the winners write history, and have on more than one occasion pondered the lofty ideals of the founding fathers as a superb marketing spin to popularise an act of treason. However, whether it was spin or not, the lofty ideals stuck, bequeathing us the better part of the disposition of modern America, for which the Western world owes him an unending debt of gratitude.
Rating: 8/10. Hoorah Mr Franklin!


/query
This is an interface allowing direct links to the dep_search web user interface.
- db : a tree database to query (see the currently available list below). Compulsory parameter.
- search : the query to run
- case : case-sensitive "true" or "false"
- max_hits : how many hits to show? 10, 50, 100, 250 are possible values
Available tree databases
{% for cgroup in corpus_groups %}
{{cgroup.name}}
| tree database id | name |
{% for cid, cname in cgroup.corpora %}
| {{cid}} | {{cname}} |
{% endfor %}
{% endfor %}


BLADE
USA. 1998. Director - Stephen Norrington, Screenplay - David S. Goyer, Based on the Comic Book Created by Gene Colan & Marv Wolfman, Producers - Robert Engleman, Peter Frankfurt & Wesley Snipes, Photography - Theo Van Der Sande, Music - Mark Isham, Music Supervisor - Dana Sano, Visual Effects Supervisor - Chuck Comisky, Digital Visual & Miniature Effects - Blue Sky/VIFX (Supervisor - Richard Hollander), Visual Effects - Digiscope, 525 Post Productions and the Production Plant Inc, Flat Earth Productions (Supervisor - Kevin O'Neill), Image Savant (Supervisor - Richard `Dr' Brady), Post Logic & Wildcat Digital Effects, Special Effects Supervisor - Vincent Montefusco, Makeup Effects - Greg Cannom Creations, Additional Makeup Effects - Image Animation (Supervisor - Gary J. Tunnicliffe), Production Design - Kirk M. Petruccelli. Production Company - Imaginary Forces/Amen Ra Films/New Line Cinema. Wesley Snipes (Blade), Stephen Dorff (Deacon Foster), N'Bushe Wright (Dr Karen Jenson), Kris Kristofferson (Abraham Whistler), Donal Logue (Quinn), Udo Kier (Dragonetti), Kevin Patrick Wells (Officer Krieger), Arly Jover (Mercury), Tim Guinee (Dr Curtis Webb), Sanaa Lathan (Vanessa Brooks)
Plot: In 1967 Vanessa Brooks is brought into a hospital, having been fatally bitten by a vampire, and at the same time goes into labour. She gives birth to a baby son before expiring. In the present day the child is now Blade, who, as a result of the bite, is half-vampire and half-human and can walk in the daylight but also has supernatural strength. Armed with titanium stakes and garlic and silver-filled shotgun shells, Blade conducts a single-handed campaign to slaughter all vampires in revenge for the murder of his mother. Blade finds a dangerous, new enemy in Deacon Frost, a radical vampire who poses a threat to the traditional vampires who own and control most of the city. Deacon wants to use the ancient vampire Bible to raise La Magra, the blood god, something that requires the spilling of Blade's half-human blood
Stephen Norrinton made a striking directorial debut with 1995's 'Death Machine', an effort that transcended its low-budget with a striking ferocity and energy and marked former effects man Norrington as one of the most promising of up and coming genre directors. 'Blade' is Norrington's second film and his debut in the American A-budget mainstream.
Although 'Blade' is not as intensive an all-out ride as 'Death Machine' was, Norrington succeeds in fulfilling his promise, injecting a considerable amount of stylistic elan into the film - notably a breathlessly intensive sequence with Snipes and vampires chasing one another through a subway tunnel alongside speeding trains and a climax with Snipes facing Dorff in sword combat with Snipes decapitating Dorff's torso and he simply regenerating it.
It is an adaption of the 1970s Marvel comic. The adaption comes from David S. Goyer who has been responsible for such darkly driven works as 'Dark City' (1998) and 'The Crow: City of Angels' (1996). Goyer conducts some quite unique twists on vampire legend. If 'The Lost Boys', 'Near Dark' et al represent the transformation of the vampire into a kind of badass thug relishing the freedom of the modern world, then 'Blade' takes it to a logical extreme wherein the vampires are a kind of criminal underworld preying on humanity, secretly controlling the city and running vampire nightclubs which spray blood through the walls, treating would-be converts as a slave underclass even marking them as their own property. Indeed the film could almost read as an action film wherein Snipes might be a cop taking on a group of drug underlords with a considerable outlay of artillery fire. The plot though becomes considerably more cliche-driven in the latter quarter when Goyer has Dorff conducting cliched Lovecraftian rites to raise elder gods.
The film has been criticized as being a comic-book but the critics doing so seem to entirely elude the point that is exactly what it is meant to be. Here Norrington and Goyer do quite a decent job at capturing the dark nihilistic mood that drives modern screen comic-book adaptions. The film never quite resonates with the scintillatingly dark psychology of either of the first two 'Batman' films or 'The Crow', but then neither does it have the two-dimensional lack of depth of the 'Spawn' film or either of Joel Schumacher's 'Batman' abominations.
In an interesting move star Wesley Snipes also produces the film. One finds it hard though to understand Snipes' appeal as an actor. The man keeps coming across as rather thick every time he appears on screen. Whenever he does well in a part - in the likes of 'Jungle Fever' (1990) and 'Rising Sun' (1993) - it is because there is a good script on his side. Norrington seems to realize the limitations of Snipes' talents and works with it, giving him minimalistic dialogue and shooting everything he does as a stylized pose. He gives, for example, Snipes a fabulous entrance - slowly panning up from his boots to show him impressively decked out in shades, gleaming trenchcoat and black body armour. Indeed whenever Snipes removes his sunglasses and talks the character seems to lose much of its darkly driven mystique - the effectiveness of the character is a triumph of style over acting talent. On the other hand Stephen Dorff, although he does adequately, seems miscast as Deacon - the part requires someone into their thirties at least and Dorff comes across as far too youthful. Kristofferson is okay and N'Bushe Wright makes a promising debut.
Copyright Richard Scheib 1998
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Tutorial – Publishing a custom runtime
In this tutorial, you create a Lambda function with a custom runtime. You start by including the runtime in the function's deployment package. Then you migrate it to a layer that you manage independently from the function. Finally, you share the runtime layer with the world by updating its resource-based permissions policy.
Prerequisites
This tutorial assumes that you have some knowledge of basic Lambda operations and the Lambda console. If you haven't already, follow the instructions in Getting started with Lambda to create your first Lambda function.
To complete the following steps, you need a command line terminal or shell to run commands. Commands and the expected output are listed in separate blocks:
this is a command
You should see the following output:
this is output
For long commands, an escape character (\
) is used to split a command over multiple lines.
On Linux and macOS, use your preferred shell and package manager. On Windows 10, you
can install the Windows Subsystem for Linux
You need an IAM role to create a Lambda function. The role needs permission to send logs to CloudWatch Logs and access the AWS services that your function uses. If you don't have a role for function development, create one now.
To create an execution role
-
Open the roles page
in the IAM console. -
Choose Create role.
-
Create a role with the following properties.
-
Trusted entity – Lambda.
-
Permissions – AWSLambdaBasicExecutionRole.
-
Role name –
lambda-role
.
The AWSLambdaBasicExecutionRole policy has the permissions that the function needs to write logs to CloudWatch Logs.
-
Create a function
Create a Lambda function with a custom runtime. This example includes two files, a
runtime
bootstrap
file, and a function handler. Both are implemented in Bash.
The runtime loads a function script from the deployment package. It uses two variables
to locate the script.
LAMBDA_TASK_ROOT
tells it where the package was extracted, and _HANDLER
includes the
name of the script.
Example bootstrap
#!/bin/sh set -euo pipefail # Initialization - load function handler source $LAMBDA_TASK_ROOT/"$(echo $_HANDLER | cut -d. -f1).sh" # Processing while true do HEADERS="$(mktemp)" # Get an event. The HTTP request will block until one is received EVENT_DATA=$(curl -sS -LD "$HEADERS" -X GET "http://${AWS_LAMBDA_RUNTIME_API}/2018-06-01/runtime/invocation/next") # Extract request ID by scraping response headers received above REQUEST_ID=$(grep -Fi Lambda-Runtime-Aws-Request-Id "$HEADERS" | tr -d '[:space:]' | cut -d: -f2) # Run the handler function from the script RESPONSE=$($(echo "$_HANDLER" | cut -d. -f2) "$EVENT_DATA") # Send the response curl -X POST "http://${AWS_LAMBDA_RUNTIME_API}/2018-06-01/runtime/invocation/$REQUEST_ID/response" -d "$RESPONSE" done
After loading the script, the runtime processes events in a loop. It uses the runtime
API to retrieve an
invocation event from Lambda, passes the event to the handler, and posts the response
back to Lambda. To get the
request ID, the runtime saves the headers from the API response to a temporary file,
and reads the
Lambda-Runtime-Aws-Request-Id
header from the file.
Runtimes have additional responsibilities, including error handling, and providing context information to the handler. For details, see Building a custom runtime.
The script defines a handler function that takes event data, logs it to stderr
, and returns
it.
Example function.sh
function handler () { EVENT_DATA=$1 echo "$EVENT_DATA" 1>&2; RESPONSE="Echoing request: '$EVENT_DATA'" echo $RESPONSE }
Save both files in a project directory named runtime-tutorial
.
runtime-tutorial ├ bootstrap └ function.sh
Make the files executable and add them to a .zip file archive.
runtime-tutorial$
chmod 755 function.sh bootstrap
runtime-tutorial$zip function.zip function.sh bootstrap
adding: function.sh (deflated 24%) adding: bootstrap (deflated 39%)
Create a function named bash-runtime
.
runtime-tutorial$
aws lambda create-function --function-name bash-runtime \ --zip-file fileb://function.zip --handler function.handler --runtime provided \ --role arn:aws:iam::
{ "FunctionName": "bash-runtime", "FunctionArn": "arn:aws:lambda:us-west-2:123456789012:function:bash-runtime", "Runtime": "provided", "Role": "arn:aws:iam::123456789012:role/lambda-role", "Handler": "function.handler", "CodeSha256": "mv/xRv84LPCxdpcbKvmwuuFzwo7sLwUO1VxcUv3wKlM=", "Version": "$LATEST", "TracingConfig": { "Mode": "PassThrough" }, "RevisionId": "2e1d51b0-6144-4763-8e5c-7d5672a01713", ... }123456789012
:role/lambda-role
Invoke the function and verify the response.
runtime-tutorial$
aws lambda invoke --function-name bash-runtime --payload '{"text":"Hello"}' response.txt --cli-binary-format raw-in-base64-out
{ "StatusCode": 200, "ExecutedVersion": "$LATEST" } runtime-tutorial$cat response.txt
Echoing request: '{"text":"Hello"}'
Create a layer
To separate the runtime code from the function code, create a layer that only contains the runtime. Layers let you develop your function's dependencies independently, and can reduce storage usage when you use the same layer with multiple functions.
Create a layer archive that contains the bootstrap
file.
runtime-tutorial$
zip runtime.zip bootstrap
adding: bootstrap (deflated 39%)
Create a layer with the publish-layer-version
command.
runtime-tutorial$
aws lambda publish-layer-version --layer-name bash-runtime --zip-file fileb://runtime.zip
{ "Content": { "Location": "https://awslambda-us-west-2-layers.s3.us-west-2.amazonaws.com/snapshots/123456789012/bash-runtime-018c209b...", "CodeSha256": "bXVLhHi+D3H1QbDARUVPrDwlC7bssPxySQqt1QZqusE=", "CodeSize": 584, "UncompressedCodeSize": 0 }, "LayerArn": "arn:aws:lambda:us-west-2:123456789012:layer:bash-runtime", "LayerVersionArn": "arn:aws:lambda:us-west-2:123456789012:layer:bash-runtime:1", "Description": "", "CreatedDate": "2018-11-28T07:49:14.476+0000", "Version": 1 }
This creates the first version of the layer.
Update the function
To use the runtime layer with the function, configure the function to use the layer, and remove the runtime code from the function.
Update the function configuration to pull in the layer.
runtime-tutorial$
aws lambda update-function-configuration --function-name bash-runtime \ --layers arn:aws:lambda:us-west-2:
{ "FunctionName": "bash-runtime", "Layers": [ { "Arn": "arn:aws:lambda:us-west-2:123456789012:layer:bash-runtime:1", "CodeSize": 584, "UncompressedCodeSize": 679 } ] ... }123456789012
:layer:bash-runtime:1
This adds the runtime to the function in the /opt
directory. Lambda uses this runtime, but only if
you remove it from the function's deployment package. Update the function code to
only include the handler
script.
runtime-tutorial$
zip function-only.zip function.sh
adding: function.sh (deflated 24%) runtime-tutorial$aws lambda update-function-code --function-name bash-runtime --zip-file fileb://function-only.zip
{ "FunctionName": "bash-runtime", "CodeSize": 270, "Layers": [ { "Arn": "arn:aws:lambda:us-west-2:123456789012:layer:bash-runtime:7", "CodeSize": 584, "UncompressedCodeSize": 679 } ] ... }
Invoke the function to verify that it works with the runtime layer.
runtime-tutorial$
aws lambda invoke --function-name bash-runtime --payload '{"text":"Hello"}' response.txt
{ "StatusCode": 200, "ExecutedVersion": "$LATEST" } runtime-tutorial$cat response.txt
Echoing request: '{"text":"Hello"}'
Update the runtime
To log information about the execution environment, update the runtime script to output environment variables.
Example bootstrap
#!/bin/sh set -euo pipefail echo "## Environment variables:" env # Initialization - load function handler source $LAMBDA_TASK_ROOT/"$(echo $_HANDLER | cut -d. -f1).sh" ...
Create a second version of the layer with the new code.
runtime-tutorial$
zip runtime.zip bootstrap
updating: bootstrap (deflated 39%) runtime-tutorial$aws lambda publish-layer-version --layer-name bash-runtime --zip-file fileb://runtime.zip
Configure the function to use the new version of the layer.
runtime-tutorial$
aws lambda update-function-configuration --function-name bash-runtime \ --layers arn:aws:lambda:us-west-2:
123456789012
:layer:bash-runtime:2
Share the layer
Add a permission statement to your runtime layer to share it with other accounts.
runtime-tutorial$
aws lambda add-layer-version-permission --layer-name bash-runtime --version-number 2 \ --principal "*" --statement-id publish --action lambda:GetLayerVersion
{ "Statement": "{\"Sid\":\"publish\",\"Effect\":\"Allow\",\"Principal\":\"*\",\"Action\":\"lambda:GetLayerVersion\",\"Resource\":\"arn:aws:lambda:us-west-2:123456789012:layer:bash-runtime:2\"}", "RevisionId": "9d5fe08e-2a1e-4981-b783-37ab551247ff" }
You can add multiple statements that each grant permission to a single account, accounts in an organization, or all accounts.
Clean up
Delete each version of the layer.
runtime-tutorial$
aws lambda delete-layer-version --layer-name bash-runtime --version-number 1
runtime-tutorial$aws lambda delete-layer-version --layer-name bash-runtime --version-number 2
Because the function holds a reference to version 2 of the layer, it still exists in Lambda. The function continues to work, but functions can no longer be configured to use the deleted version. If you then modify the list of layers on the function, you must specify a new version or omit the deleted layer.
Delete the tutorial function with the delete-function
command.
runtime-tutorial$
aws lambda delete-function --function-name bash-runtime


|
KlusterKite
0.0.0
A framework to create scalable and redundant services based on awesome Akka.Net project.
|
Public Member Functions | |
| NestedProvider () | |
| Initializes a new instance of the NestedProvider class. More... | |
| NestedProvider (List< TestObject > objects) | |
| Initializes a new instance of the NestedProvider class. More... | |
| MutationResult< bool > | Check (string name) |
| Test nested mutation More... | |
| TestObject | SetName (string name) |
| Test nested mutation More... | |
| TestObject | SetObject (TestObject input, ApiRequest request) |
| Tests the object updater mutation More... | |
Public Attributes | |
| Task< string > | AsyncScalarField => Task.FromResult("AsyncScalarField") |
| Async scalar field More... | |
| NestedProvider | This => this |
| Gets this for infinite recursive requests More... | |
Properties | |
| Guid | Uid [get, set] |
| Gets or sets the key field More... | |
| string | ArgumentField [get, set] |
| Gets or sets the field that is visible only in "input" objects More... | |
| TestObjectConnection | Connection [get] |
| Gets the test objects connection More... | |
| string | ReadOnlyField [get, set] |
| Gets or sets the field that is not visible "input" objects, but can be queried More... | |
| string | SyncScalarField [get, set] |
| Gets or sets the sync scalar field More... | |
Nested API
Definition at line 27 of file NestedProvider.cs.
| KlusterKite.API.Tests.Mock.NestedProvider.NestedProvider | ( | ) |
Initializes a new instance of the NestedProvider class.
Definition at line 32 of file NestedProvider.cs.
| KlusterKite.API.Tests.Mock.NestedProvider.NestedProvider | ( | List< TestObject > | objects | ) |
Initializes a new instance of the NestedProvider class.
| objects | The list of pre-stored objects. |
Definition at line 42 of file NestedProvider.cs.
| MutationResult<bool> KlusterKite.API.Tests.Mock.NestedProvider.Check | ( | string | name | ) |
Test nested mutation
| name | The new name of current test object |
Definition at line 103 of file NestedProvider.cs.
| TestObject KlusterKite.API.Tests.Mock.NestedProvider.SetName | ( | string | name | ) |
Test nested mutation
| name | The new name of current test object |
Definition at line 115 of file NestedProvider.cs.
| TestObject KlusterKite.API.Tests.Mock.NestedProvider.SetObject | ( | TestObject | input, |
| ApiRequest | request | ||
| ) |
Tests the object updater mutation
| input | The input object |
| request | The request |
Definition at line 128 of file NestedProvider.cs.
| Task<string> KlusterKite.API.Tests.Mock.NestedProvider.AsyncScalarField => Task.FromResult("AsyncScalarField") |
Async scalar field
Definition at line 66 of file NestedProvider.cs.
| NestedProvider KlusterKite.API.Tests.Mock.NestedProvider.This => this |
Gets this for infinite recursive requests
Definition at line 94 of file NestedProvider.cs.
|
getset |
Gets or sets the field that is visible only in "input" objects
Definition at line 59 of file NestedProvider.cs.
|
get |
Gets the test objects connection
Definition at line 73 of file NestedProvider.cs.
|
getset |
Gets or sets the field that is not visible "input" objects, but can be queried
Definition at line 80 of file NestedProvider.cs.
|
getset |
Gets or sets the sync scalar field
Definition at line 87 of file NestedProvider.cs.
|
getset |
Gets or sets the key field
Definition at line 52 of file NestedProvider.cs.


AMERICAN MOVIE A film review by Steve Rhodes Copyright 1999 Steve Rhodes RATING (0 TO ****): ***
"We're in America today, and we're ready to roll," says the indefatigable filmmaker, Mark Borchardt. Chris Smith's hilarious documentary, AMERICAN MOVIE, chronicles the innumerable trials and tribulations of Mark as he sets off to make his magnum opus, NORTHWESTERN. (Most of the film, however, has Mark sidetracked as he attempts to finish COVEN, one of his many cheap horror flicks, so that he can raise enough cash to complete NORTHWESTERN.)
After winning the Grand Jury Prize at Sundance, AMERICAN MOVIE was picked up by Sony Pictures Classics for a nationwide theatrical release. The only recent movie quite like AMERICAN MOVIE was the much better HANDS ON A HARDBODY, which should be required viewing for anyone who likes either documentaries or comedies. What the two films share is a respectful but honest view of the poor part of America either ignored by Hollywood or excessively romanticized. Both take place in the cinematically unpopular middle of the country.
Actually, AMERICAN MOVIE isn't about making a movie, that's just the context within which to tell the story of someone in search of the American dream. "The American dream starts with me each and everyday," Mark proudly tells us. And for the 30ish Mark, the day starts off with his paper route so that he can earn some of the money he needs to stoke the fires of his ambitions.
In the Silicon Valley, young adults dream of striking gold with the next Internet IPO. In Milwaukee, in the bleak, cold heartland of the country, Mark sees film as his ticket to success. Driving out of his poor neighborhood of tiny houses and mobile homes, he goes to an upscale community to show us where he wants to live. Were it not for the fabulous success of THE BLAIR WITCH PROJECT, we might write-off Mark's cheesy, slasher flicks as being forever destined to be financial disasters. But if another indie filmmaker can ride to fame and fortune on something that looks like a bad home video, why not Mark, who even shoots with real film rather than videotape?
Mark, a likable guy with a scraggy beard and long unkempt hair, talks a mile a minute about his aspirations. He figures that when NORTHWESTERN is in production, he'll need a bunch of assistant directors just to hold the crowds back. Still, Mark, who comes from the Ed Wood school of filmmaking, readily admits his deficiencies. "There's such corny dialog," he says of his third draft of NORTHWESTERN's script, "that it'd make the Pope weep."
Although you'll find Mark charming and funny, not everyone has a charitable view of Mark's potential. "His main asset is his mouth," his own brother tells us in candor. "He's best suited for just working in a factory."
His buddy and fellow filmmaker, Mike Schank, who looks straight out of Central casting, acts like his brain was fried years ago. The rotund Mike, with his tie-dyed shirt and his wild hair and beard, relates stories of his abuse of drugs and alcohol, which he has finally given up. He steals every scene in which he appears with his sweet, out-of-it demeanor. Sent with careful instructions on how to put up flyers for the world premier of COVEN, Mike walks off without taking the flyers. When reminded by Mark, Mike just gives him a puppy-dog grin as if to say that if you didn't place the flyers directly into my hands, it can't be my fault.
As delightfully inviting as the documentary is, it makes you yearn for a fast-forward button. After a fast-paced, promising beginning, Chris allows his film to lose focus in the middle. Including too much footage of Mark's semi-senile, elderly grandfather, Smith lets the picture get sidetracked. Footage of Mark bathing his grandfather might work in some other film, but here it just bogs down the narrative. His grandfather, as one of his financial backers, deserves a place in the documentary, but perhaps not so prominent a one.
Although the documentary is about Mark's films and whether they would ever get distributed, Chris Smith and Sarah Price, the two filmmakers on AMERICAN MOVIE, maxed out their nine credit cards buying film stock for two years, as they followed Mark around. They eventually did attract some investors and, after their success at Sundance, a distributor. The American dream appears to have come to them quicker than it did to Mark and Mike, but in America there is plenty of dream to go around. And Mark, certainly, isn't one who is likely to ever quit.
AMERICAN MOVIE runs too long at 1:49. It is rated R for fake-looking gore and frequent profanity and would be fine for teenagers.
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The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


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Compare scores with friends and try to aim for the top score.
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Lead Designer
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Lorem ipsum dolor sit amet, consectetur adipisicing elit. Aut eaque, laboriosam veritatis, quos non quis ad perspiciatis, totam corporis ea, alias ut unde.


OP.GG provides data insights to millions of League of Legends gamers worldwide
Click the “Live Game” button during a game to see stats and other information for summoners in the match
See how other summoners choose their items and builds at a glance
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Artificial Chemistry Applet
We show that basic rules can be used to produce complex behavior through simulated artificial chemical reactions. The chemical simulation exists on a fixed size two dimensional grid of cells. Each active cell is represented by an artificial atom element,
these atoms may collide with other atoms to produce a chemical reaction.
Strong chemical bonds will form if the chemical reaction is allowed by system.
Clusters of strong bonded atoms form molecule strings. We show that self replicating molecule string
patterns emerge from the artificial simulation. This analysis is based on Timothy Hutton's artificial chemistry
model from Squirm3. It it is a basic model but a necessary step for analyzing and recreating similar natural systems.
 Engineers use scientific knowledge to
solve real-world problems. Scientists study and experiment with nature and the Universe in order to add their
research to the scientific knowledge base. This small experiment attempts to simulate real chemical
reactions using simple artificial physics.
Chemical reactions occur when two atom cells collide. In the simulated physical environment,
this occurs when an atom cell sits next to another atom cell. The chemical reaction rules
are tested between the two atoms, if the rules allow the reaction then a bond forms.
The atom cell has a type of 'a', 'b', 'c', 'd', 'e', 'f'. Each atom has a state of '0'-'8'. Three chemical reactions typically occurred but eight were allowed. During a chemical reaction, x3 for atom one and y6 for atom two with an output x2. X and Y are variable substitutions for the atoms, 'a', 'b', 'c', 'd', 'e', 'f'.
-- Berlin Brown
[1] Evolvable Self-Replicating Molecules in an Artificial Chemistry Tim J. Hutton, Fall 2002, Vol. 8, No. 4, Pages 341-356 Posted Online March 11, 2006. (doi:10.1162/106454602321202417) at 2002 Massachusetts Institute of Technology


my name is Flavio / Flave. I’m an Interface Design Student at FH Potsdam.
This Script takes a Textfile and creates a Datafile from its content. The Datafile contains the Number of characters, Number of different punctuation marks (Dots, commas, quotes, colons, questionmarks, exclamationmarks and ellipsises) and an array of Wordlengths for each Sentence. Sadly the Datafile is not an actual JSON file. The toSource() function adds strange parentheseses around each Object. So for further use you will have to remove these parentheseses manually - or with the «find and replace» function of a texteditor. Also if you want to use the Datafile with one of my other Scripts you'll have to rename the Dataobject in the Datafile to data_one or data_two.
This script takes two datafiles (created with the Get_Text_Data.jsx script and editedmas described). They are included with an #include. If you generate your own datafiles you’ll have to change the filenames at the #include tag to your own files name. From its data it creates two facing horizontal barcharts. Each Bar represents the number of characters of one sentence.
This script basicslly does the samething as the Simple_Barchart.jsx script. In addition the bars consist of stacked bars each representing the length of one word in the sentence.
This script also takes two datafiles. It uses the punctuation data to create a sorted collection of all the dots, commas, quotaion marks, and colons. The graphics for the punctuation are small images (2mm x 2mm) which have to be placed in the ~/Application/Indesign/Scripts/Script Panel/* folder.
This Script combines the Simple_Barchart and the Punctuation. It places the Punctuation below the Barchart.
This Scipt basically does the same as the Simple_Barchart_Plus.jsx. In addition it places the Punctuation of each Phrase right behind its bar.
Fell free to contact me if you have any suggestions for improvement pr tips on my bad and messy programming skills!


Nice to meet you.
personTeemu Räsänen
callNo number
linkLinkedIn
I'm a full stack software developer interested in web design and development.


@(mixpanelKey:String, widget:Widget) @import views.html.widgets.dashboard.embedCode
Copy the code below to embed the widget on your website.


You have to make sure you use the correct tags and elements when writing HTML documents since computers can be stupid and fogetting to close a tag can mean the element affecting how what we wrong looks
We also learned that when we search something online, the computer sends a HTTP request to the servers and then it finds and sends over the HTML documents which ends up being the information that we get back in our screens.
The HTML documents that include tags and elements to write the code are what produce what we see in our screens!


I was trying to rework a build i posted in the epic char forum and i was getting something strange occuring: according to all my notes, cot epics get a bonus feat on lvls 13, 16 etc. These past 2 days, i wasnt able to get this to happen! It seems that now the CoT takes the bonus feats on 14, 18! Did i miss something in the 1.64 update info?
anyone have any ideas?
Yea they get a bonus feat every 4 lvls after 10 now.
COTs always got bonus feats in 4 level gaps, or at least since 1.61, another example of how usefull the manuel is, I sure would like to meet that proof reading team. Must be the same ones that work on goverment documents.
You know, this is just one more reason to hang up the old mouse and get a real life
I find it terribly pathetic that a company changes things that seem so irrelevant (i know, balance issue)
btw, i did test the build i posted and i was gettin the feats on 13 16 so i have NO idea.


{% extends 'base_email.html' %} {% block body %}
Hi there,
For project: "{{ proposed_resource.request.project.title }}" requirement: “{{ proposed_resource.request.role }}”, I have changed the status of {{ proposed_resource.resource.get_name_display}} to {{ proposed_resource.status}}.
You can view all candidates and their status here:
{{ staffing_req_url }}


Zebra Planner creates optimal schedule arrangements using two main components.
The first component is the definition of what the best schedule is. For existing clients, that has been based on equity of schedules, accommodation of sabbaticals, special cases for seniority, sufficient rest between groups of assignments and regular predicable patterns.
The second component is a software process that takes about 24 hours to check all the possible arrangements of physicians and assignments, measuring each arrangement against the definition, and then reporting on which one is the best.


There are many different ways of representing sound data. Some of these involve compressing the data, which may or may not lose information. Data may be stored in the file system or transmitted across the network, and this raises additional issues. This chapter considers the major sound codecs and container formats.
Audio and video data needs to be represented in digital format to be used by a computer. Audio and video data contain an enormous amount of information, and so digital representations of this data can occupy huge amounts of space. Consequently, computer scientists have developed many different ways of representing this information, sometimes in ways that preserve all of the information (lossless) and sometimes in ways that lose information (lossy).
Each way of representing the information digitally is known as a codec. The simplest way, described in the next section, is to represent it as "raw" pulse-code modulated data (PCM). Hardware devices such as sound cards can deal with PCM data directly, but PCM data can use a lot of space.
Most codecs will attempt to reduce the memory requirements of PCM data by encoding it to another form, called encoded data. It can then be decoded back to PCM form when required. Depending on the codec algorithms, the re-generated PCM may have the same information content as the original PCM data (lossless) or may contain less information (lossless).
Encoded audio data may or may not contain information about the properties of the data. This information may be about the original PCM data such as the number of channels (mono, stereo), the sampling rate, the number of bits in the sample, etc. Or it may be information about the encoding process itself, such as the size of framed data. The encoded data along with this additional information may be stored in a file, transmitted across the network, etc. if this is done, the encoded data plus the additional information is amalgamated into a container.
It is important at times to know whether you are dealing with just the encoded data, or with a container that holds this data. For example, files on disk will normally be containers, holding additional information along with the encoded data. But audio data manipulation libaries will typically deal with the encoded data itself, after the additional data has been removed.
From Wikipedia
Pulse-code modulation (PCM) is a method used to digitally represent sampled analog signals. It is the standard form for digital audio in computers and various Blu-ray, DVD and Compact Disc formats, as well as other uses such as digital telephone systems. A PCM stream is a digital representation of an analog signal, in which the magnitude of the analog signal is sampled regularly at uniform intervals, with each sample being quantized to the nearest value within a range of digital steps.
PCM streams have two basic properties that determine their fidelity to the original analog signal: the sampling rate, which is the number of times per second that samples are taken; and the bit depth, which determines the number of possible digital values that each sample can take.
PCM data can be stored in files as "raw" data. In this case there is no header information
to say what the sampling rate and bit depth are. Many tools such as sox
use the file extension to determine these properties. From
man soxformat:
f32 and f64 indicate files encoded as 32 and 64-bit (IEEE single and double precision) floating point PCM respectively; s8, s16, s24, and s32 indicate 8, 16, 24, and 32-bit signed integer PCM respectively; u8, u16, u24, and u32 indicate 8, 16, 24, and 32-bit unsigned integer PCM respectively
But it should be noted that the file extension is only an aid to understanding some of the PCM codec parameters and how it is stored in the file.
WAV is a file format wrapper around audio data as a container. The audio data is often PCM. The file format is based on RIFF (Resource Interchange File Format ). While it is a Microsoft/IBM format, it does not seem to be encumbered by patents.
A good description of the format is given by Topherlee . The WAV file header contains information about the PCM codec and also about how it is stored (e.g. little- or big-endian).
Because they usually contain uncompressed audio data, WAV files are often huge, around 50Mbytes for a 3 minute song.
The MP3 and related formats are covered by a patent. Actually, a whole lot of patents. For using an encoder or decoder, users should pay a license fee to an organisation such as the Fraunhofer Society. Most casual users neither do this nor are aware that they should, but it is reported by Wikipedia that the society earned €100,000,000 in revenue for the society in 2005. The Society has at present chosen not to pursue free open source implementations of encoders and decoders for royalties.
The codec used by MP3 is the MPEG-1 Audio Layer III audio compression format. This includes a header component which gives all the additional information about the data and the compression algorithm. There is no need for a separate container format.
Ogg Vorbis is one of the "good guys". From Vorbis.com "Ogg Vorbis is a completely open, patent-free, professional audio encoding and streaming technology with all the benefits of Open Source"
The names are described as
Ogg: Ogg is the name of Xiph.org's container format for audio, video, and metadata. This puts the stream data into frames which are easier to manage in files other things.
Vorbis: Vorbis is the name of a specific audio compression scheme that's designed to be contained in Ogg. Note that other formats are capable of being embedded in Ogg such as FLAC and Speex.
The extension .oga is preferred for Ogg audio files, although .ogg was previously used.
At times it is necessary to be closely aware of the distinction between Ogg and Vorbis. For example, OpenMAX IL has a number of standard audio components including one to decode various codecs. The LIM component with role "audio decoder ogg" can decode Vorbis streams. But even though the component includes the name "ogg", it cannot decode Ogg files - they are the containers of Vorbis streams and it can only decode the Vorbis stream. To decode an Ogg file requires use of a different component, an "audio decoder with framing".
From the standpoint of Open Source, WMA files are evil. WMA files are based on two Microsoft proprietary formats. The first is the Advanced Systems Format (ASF) file format which describes the "container" for the music data. The second is the codec, Windows Media Audio 9.
The ASF is the primary problem. Microsoft have a published specification. This specification is strongly antagonistic to anything open source. The license states that if you build an implementation based on that specification then you:
- cannot distribute the source code
- can only distribute the object code
- cannot distribute the object code except as part of a "Solution" i.e. libraries seem to be banned
- cannot distribute your object code for no charge
- cannot set your license to allow derivative works
And what's more, you are not allowed to begin any new implementation after January 1, 2012 - and (at the time of writing) it is already July, 2012!
Just to make it a little worse, Microsoft have Patent 6041345 "Active stream format for holding multiple media streams" filed in the US on March 7, 1997. The patent appears to cover the same ground as many other such formats which were in existence at the time, so the standing of this patent (were it to be challenged) is not clear. However, it has been used to block the GPL-licensed project VirtualDub from supporting ASF. The status of patenting a file format is a little suspect anyway, but may become a little clearer now that Oracle has lost its claim to patent the Java API.
The FFmpeg project has nevertheless done a clean-room implementation of ASF, reverse-engineering the file format and not using the ASF specification at all. It has also reverse-engineered the WMA codec. This allows players such as mplayer and VLC to play ASF/WMA files. FFmpeg itself can also convert from ASF/WMA to better formats such as Ogg Vorbis.
There is no Java handler for WMA files, and given the license there is unlikely to be one unless it is a native-code one based on FFmpeg.
From the Matroska web site
Matroska aims to become THE standard of multimedia container formats. It was derived from a project called MCF, but differentiates from it significantly because it is based on EBML (Extensible Binary Meta Language), a binary derivative of XM. It incorporates features you would expect from a modern container format, like:
- Fast seeking in the file
- Chapter entries
- Full metadata (tags) support
- Selectable subtitle/audio/video streams
- Modularly expandable
- Error resilience (can recover playback even when the stream is damaged)
- Streamable over the internet and local networks (HTTP, CIFS, FTP, etc)
- Menus (like DVDs have)
I hadn't come across it until I started looking at subtitles which can be (optionally) added to videos, where it seems to be one of the major formats.
A GUI tool to create and manage MKV files is mkvmerge, in the Ubuntu repositories. the command mmg is a GUI version. mplayer and vlc will play them happily. There is a list of recognised formats.
There are many codecs for sound, and more are being devised all the time. They vary between being codecs, containers or both, and come with a variety of features, some with encumbrances such as patents.


British Cadogan Petroleum suspends gas production in Ukraine
The company is ready to resume production as soon as the license is issued.
UK-based Cadogan Petroleum, the oil and gas company with assets in Ukraine, has suspended gas production in Ukraine due to non-renewal of a special permit.
This refers to a 20-year production license for the Blazhivske field in Lviv region, where the company operates. The license has expired on November 18, the company said in a statement.
It is noted that Cadogan Petroleum's subsidiary Yusenko Nadra had submitted an application to the State Service of Geology and Mineral Resources of Ukraine almost five months before the expiration of the previous special permit for the development of the field. What is more, Lviv Regional Council in October voted in favor of granting a new license to the company.
Cadogan Petroleum says it is ready to resume production immediately after the new permit is issued.
UNIAN memo. UK-based Cadogan Petroleum Plc is engaged in oil and gas production in Ukraine. It owns eight licenses. The company is listed on the London Stock Exchange.


ADM provides a description of what needs to be done—the process to create an architecture. In contrast, the Architecture Content Framework, introduced in TOGAF 9, describes what it should look like in the end—the work product. The Content Framework offers a consistent and structured way to present architectural work products. It acts as a companion to ADM as it standardizes the inputs and outputs of ADM processes. There is a clear map from the content framework to the TOGAF ADM processes. In addition, it also makes it easy to reference and classify architectural work products. This way, it makes the complementary use of the Zachman Framework obsolete.
The Content Framework is a significant addition to TOGAF 9. It provides a Content META Model (an information model for the actual architectural models and views) as well as a classification schema to categorize and organize your architectural work products.
The Content META Model defines the elements that constitute the enterprise architecture. It further differentiates the elements as core (the ones that are mandatory for architectural description) and extensions (which may be used optionally). This gives room to adapt or extend your own content META model as the situation may demand. Figure 4-5 shows an overview of the entities in the framework; Figure 4-6 depicts the entity-relationship diagram for the Content META Model.
The content framework uses three categories to describe a work product (i.e., the output or input of an architectural activity):
The work products, such as catalogues, matrices, and diagrams, are nothing but different viewpoints derived from the architectural elements in the META model. These viewpoints are shown in Figure 4-7.


It's my mission and passion to utilize today’s technologies in only the most visually captivating, creative, and interactive mediums possible to give your company’s hard work and great ideas the market and profits it deserves. After getting my BS in Psychology and Chemistry, it's given me a uniquely scientific approach and cognitive sciences perspective to web development: iterating upon the fundamentals of human cognition, emotion, and behavior to create digital experiences people enjoy coming back to again and again. I excel in fast-paced environments, working with teams, creative design/problem-solving, and learning on the go. Let’s collaborate and build something!
At the moment, I've fallen in love with GraphQL- its implications and integration as a thin data layer abstraction that unifies disparate data sources for use in frontend development. In terms of coding experience, I started off learning the basics of object-oriented programming with Java in high school. After that, I dove headfirst into HTML, CSS, and javascript, getting familiar with customizing DOM styling and functionality playing with user interactions and animations. I have experience with frontend frameworks and libraries in JS like three.js, particles.js, gatsby, bootstrap, tailwinds, materialize, and anime.js. I also have experience working with MySQL/PostgreSQL databases, PHP, CMS systems like Wordpress/Netlify CMS/etc., RESTful APIs, Serverless Deployment(Netlify/Now/Github Pages-Actions), CI/CD(TravisCI), Angular, React, and Vue to develop web applications.
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I love working with colors and using/developing scripts to make generative art. I'm used libraries like p5.js with Processing to do lots of fun effects like pixel sorting, perlin noise, and vectorizing some of my work below are use these technologies. Along side the technical components, I really enjoy incorporating cognitive, behavioral, and social psychological principles into my design processes for better overall aesthetic appeal and user interactivity.
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Tolko Industries curtails all B.C. operations during two-week holiday break
by The Canadian PressVERNON, B.C. — British Columbia wood products company Tolko Industries says continuing low lumber prices and high log costs have forced it to schedule a two-week shutdown affecting all its B.C. operations.
The privately owned, Vernon-based company says the curtailment will run from Dec. 21 to Jan. 6, while the head office will be closed from Dec. 23 to 27.
A statement on the company website says only essential services will be maintained during the downtime.
Tolko has operations in the Okanagan, near Kamloops and Williams Lake and a terminal in Richmond.
The curtailment comes just a week after the company announced the permanent closure of its Kelowna mill, effective in January.
Troy Connolly, Tolko's vice-president of solid wood, says the B.C.-wide downtime will reduce output by 21 million board feet at its lumber operations and cut 10 million square feet of panel production at its plywood and veneer plants.


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Hi!! I am Ritika from Ludhiana, Punjab. I am currently studing computer science engineering honours with specialisation of cloud computing from IBM at Chandigarh
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My interest mostly lies in competitive programming. I know c, cpp and java. In web development I know html and I am learning css and javascript.
Currntly I'm focusing on learning web development and I am highly interested in making projects. I would be happy to work with someone who can give me exposure to new technologies. I would like to build up my interest in machine learning and current hot topics like AI, AR.
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