CSP Combination Lock
This example implements the simplest (and most insecure) of combination locks. It demonstrates the use of event channels and governing them all by a timer.
It would probably be a good idea to have a look at the introductory demo before looking at this one. Some of the concepts are pretty close to the same and I won't go as much into them here.
The problem
Quite simply, we have three buttons (marked A, B, and C). There is a single combination of these buttons that will solve the combination (spoiler alert: it's a Genesis song). From the time we push the first button, we have only five seconds to complete the combination.
If we get a button wrong, we can continue until the timer runs out, but we have to start over with our button clicks. If we get the right combination, we want to know right away, rather than having to wait for our five seconds to expire.
The solution
We can do this with channels and a process, which probably makes sense given that this is an example in a CSP library. Here's the working example; after that, we'll go over how it works.
(In case you don't know any Genesis songs, the combination is A B A C A B.)
The channels
Channels are used to communicate the events from the buttons being clicked to any process that's interested in knowing about such a thing. We make this happen by using a function that we used in the intro, which causes an event firing on a particular DOM element to put the event objects on a channel.
function listen(el, type, ch = chan()) {
el.addEventListener(type, event => putAsync(ch, event));
return ch;
}
This function takes a DOM element and a type of event (in our case, since we're looking for click events, that type is 'click'
). It then either uses the channel we pass in as the third parameter or, if there is no third parameter, creates a new channel. Every time the specified event occurs on the specified DOM element, the event object will be put onto this channel.
Thing is, we're not really interested in anything about this event object. We're only interested in knowing which button was clicked.  We could check the target
property of the event object. We could use the channel
property of the object returned by alts
to figure out which channel unblocked the process, knowing that each channel is assigned to one button. Or we could actually manipulate the channel to return a value that tells us which channel it is. We'll use the latter because it's a pretty elegant solution.
We don't want to change our code in listen
, because it's a generic and highly useful function that we can use over and over again (it was used twice in the three intro examples, for instance). Instead, we'll use the ability of cispy channels to use the transformer functions that come out of a transducer library (there are a few good ones, but you may want to go with xduce). We'll use the map
transformer to turn that event object into something we can use better. This is exactly what we did in the third intro example, except this time we don't want coordinates. We want an identifier for the button.
const A = Symbol();
const B = Symbol();
const C = Symbol();
function constantly(x) {
return () => x;
}
const chA = listen(byId('button-a'), 'click', chan(1, { transducer: map(constantly(A)) }));
const chB = listen(byId('button-b'), 'click', chan(1, { transducer: map(constantly(B)) }));
const chC = listen(byId('button-c'), 'click', chan(1, { transducer: map(constantly(C)) }));
There are three things to look at here, conveniently separated by blank lines.
The first section creates the identifiers that we want to use for the buttons, given the same name as the buttons themselves. We use symbols here because they are unique. There can never be another symbol created that is the same (from a ===
perspective) as A
, for instance. So we can check to see if something is equal to A
, and if it is, we know that it is A
.
Symbols are a feature of ES2015 and should be universally supported in modern browsers. Their use doesn't seem to be widespread yet, however. You could just as easily assign {}
to each of these three variables and it would work fine.
The second section is the constantly
function. This function creates another function that always returns the same value, using the same trick as with location
in the third intro example (generating functions based on a parameter rather than having to write different functions for each value of that parameter we need). The upshot is that if we use one of these functions in map
, every value taken from the channel will be whatever is passed to constantly
, no matter what value was actually put onto the channel.
The last section takes advantage of this. A map
transformer that uses a constantly
function that always returns the appropriate button's identifier is attached to each event channel that's created by listen
. That means that when the A button is clicked, A
will appear on chA
, and so on.
(A quick note: button-a
, etc. are the ID's of the three buttons in the combination example, and byId
is just a utility function that gets the DOM element with that ID. So byId('button-a')
just returns the DOM element for the first button. See the source code if you're interested.)
The process
Now that we have our channels set up, we can create the process that will be listening to them.
const MAX_TIME = 5000;
const COMBINATION = [A, B, A, C, A, B];
go(async () => {
let clicks = [];
let chZ = chan();
while (true) {
const alt = await alts([chA, chB, chC, chZ]);
clicks.push(alt.value);
...
}
});
Aside from the constants set up at the beginning (for the amount of time the user has to get the combination right and for the combination itself), the rest of this should look very familiar. It's the setting of some state variables to initial values and then a while
loop with an alts
invocation right at the beginning. That's exactly the way the last two intro examples were set up, and it's a recurring pattern when using CSP to manage events.
Perhaps the most interesting thing in this snippet is that a local channel (chZ
) is being checked by alts
as well. Since the channel is local, no other process can access and therefore put onto it. Why have it at all? We'll discover that a little later.
In the intro examples with event handling, the bulk of the while
loop was an if/else
statement that performed some action based on what came back from the await alts
. Our while
loop body here is no different.
if (alt.channel === chZ) {
setStatus("You're not fast enough, try again!");
clicks = [];
chZ = chan();
}
The first branch executes if the channel that caused await alts
to unblock was the mysterious channel Z. We still don't know what might be on that channel, but we get some sort of clue from the fact that the displayed message tells the user that he's run out of time (setStatus
is another utility function, one that sets the text in the example's div). All of the state variables are set back to their initial states as well, indicating that the user is able to start again.
else if (alt.value === COMBINATION[clicks.length - 1]) {
if (clicks.length === COMBINATION.length) {
setStatus("Combination unlocked!");
clicks = [];
chZ = chan();
} else {
setStatus(clicks);
if (!chZ.timeout) {
chZ = timeout(MAX_TIME);
}
}
}
The next branch executes if the value returned from await alts
matches the value at the same index of the combination. In other words, it's called if the user selects the correct next button. What happens then depends on whether this was the last button (the length of our clicks
array, which tracks the buttons that have been clicked so far, is the same as the length of the combination).
If it was, it means the user must have entered the correct combination. If so, a message is displayed to say so, and the state variables are set back to their initial values. Just like in the first branch. Again this means that the user may start again.
Far more interesting is what happens if this was not the last button (fewer buttons have been clicked than the length of the combination). Most of the time, we just update the div with all of the buttons that have been clicked so far, and let the while
loop continue. But if the timeout
property of chZ
is false, we reassign chZ
to something we have not seen before - a timeout channel.
The timeout
function is offered by Cispy, and it creates a new unbuffered channel, just like chan()
. The difference is that this channel will automatically close after a delay, specified in milliseconds in the timeout
call itself. So now our private, local channel Z turns out to have something to do after all - it can sit around and then close after 5 seconds (5000 milliseconds, the value of MAX_TIME
).
How does this help? Well, it turns out that await alts
doesn't only unblock if a value is put onto one if its channels. It also unblocks if one of its channels closes. So now we can see that 5 seconds after the first button is pushed, chZ
will close, which causes await alts
to unblock and set alt.channel
to chZ
. Which executes the first branch, telling the user that he's failed. The only way this is averted is by getting the right combination, which resets chZ
back to a normal, non-timeout channel, meaning that it again sits there and does nothing in the next await alts
call.
By the way, both await put
and await take
share this behavior, unblocking if the channel passed to them closes.
For the sake of completeness, let's look at the last branch of the if/else
.
else {
setStatus("Wrong combination, try again");
if (!chZ.timeout) {
chZ = timeout(MAX_TIME);
}
clicks = [];
}
This branch executes if a button was pushed (alt.channel
is not chZ
) and if that button does not match the next button in the combination. In this case the user is shown a message that the wrong button was clicked, and the list of clicked buttons is cleared (the user has to start over). Channel Z is not reset though; it continues to tick away towards that 5 seconds. Of course, like in the last branch, if this is the first button that's clicked the timeout
channel is created to start the countdown.
In the end, if a channel is a timeout channel, it has its timeout
property set to true
, while a regular channel will have a timeout
property value of false
. Because of that, we're able to use the channel itself as a state variable in our local event loop. If chZ.timeout === false
then the timer must not be running, so when the first button is clicked we will reassign chZ
to be a timeout channel. If we do something to finish the combination, either by entering it successfully or taking too long to do so, chZ
gets reassigned back to a regular channel. Thus we can always tell whether the proverbial clock is ticking by checking the value of chZ.timeout
.


| Constants |
| AM_PM |
Get AmPmValue. |
| DAY_OF_MONTH |
Get/Set day of month [1-31]. |
| DAY_OF_WEEK |
Get day of week [0-6]. |
| DAY_OF_YEAR |
Get day of year. |
| DST_OFFSET |
Get daylight saving time offset in minutes, e.g. [0*60..1*60]
|
| HOUR |
Get/Set hour [0-23]. |
| MINUTE |
Get/Set minute [0-59]. |
| SECOND |
Get/Set second [0-59]. |
| MILLISECOND |
Get/Set milliseconds [0-999]. |
| WEEK_OF_MONTH |
Get week of month. |
| WEEK_OF_YEAR |
Get week of year. |
| YEAR |
Get/Set year. |
| MONTH |
Get/Set month [0-...].
|
| ERA |
Get/Set era, for example, 0:= Before Christ, 1:= After Christ. |
| ZONE_OFFSET |
Get/Set time zone offset in minutes, e.g. [-14*60..14*60] |
| FIELD_COUNT |
Total number of fields for < OOo 3.1 |
| ZONE_OFFSET_SECOND_MILLIS |
Get/Set additional offset in milliseconds that adds to
the value of ZONE_OFFSET. This may be necessary to correctly
interpret historical timezone data that consists of fractions of
minutes, e.g. seconds. 1 minute == 60000 milliseconds.
@ATTENTION! Though the field's type is signed 16-bit, the field
value is treated as unsigned 16-bit to allow for values up to
60000 and expresses an absolute value that inherits its sign
from the parent ZONE_OFFSET field.
|
| DST_OFFSET_SECOND_MILLIS |
Get additional offset in milliseconds that adds to
the value of DST_OFFSET. This may be necessary to correctly
interpret historical timezone data that consists of fractions of
minutes, e.g. seconds. 1 minute == 60000 milliseconds.
@ATTENTION! Though the field's type is signed 16-bit, the field
value is treated as unsigned 16-bit to allow for values up to
60000 and expresses an absolute value that inherits its sign
from the parent DST_OFFSET field.
|
| FIELD_COUNT2 |
Total number of fields as of OOo 3.1
|
| Constants' Details |
AM_PM
const short AM_PM = 0;
- Description
- Get AmPmValue.
|
|
DAY_OF_MONTH
const short DAY_OF_MONTH = 1;
- Description
- Get/Set day of month [1-31].
|
|
DAY_OF_WEEK
const short DAY_OF_WEEK = 2;
- Description
- Get day of week [0-6].
|
|
DAY_OF_YEAR
const short DAY_OF_YEAR = 3;
- Description
- Get day of year.
|
|
DST_OFFSET
const short DST_OFFSET = 4;
- Description
- Get daylight saving time offset in minutes, e.g. [0*60..1*60]
The DST offset value depends on the actual date set at the
calendar and is determined according to the timezone rules of
the locale used with the calendar.
Note that there is a bug in OpenOffice.org 1.0 / StarOffice 6.0
that prevents interpreting this value correctly.
|
|
HOUR
const short HOUR = 5;
- Description
- Get/Set hour [0-23].
|
|
MINUTE
const short MINUTE = 6;
- Description
- Get/Set minute [0-59].
|
|
SECOND
const short SECOND = 7;
- Description
- Get/Set second [0-59].
|
|
MILLISECOND
const short MILLISECOND = 8;
- Description
- Get/Set milliseconds [0-999].
|
|
WEEK_OF_MONTH
const short WEEK_OF_MONTH = 9;
- Description
- Get week of month.
|
|
WEEK_OF_YEAR
const short WEEK_OF_YEAR = 10;
- Description
- Get week of year.
|
|
YEAR
const short YEAR = 11;
- Description
- Get/Set year.
|
|
MONTH
const short MONTH = 12;
- Description
- Get/Set month [0-...].
Note that the maximum value is not necessarily 11 for
December but depends on the calendar used instead.
|
|
ERA
const short ERA = 13;
- Description
- Get/Set era, for example, 0:= Before Christ, 1:= After Christ.
|
|
ZONE_OFFSET
const short ZONE_OFFSET = 14;
- Description
- Get/Set time zone offset in minutes, e.g. [-14*60..14*60]
|
|
FIELD_COUNT
const short FIELD_COUNT = 15;
- Description
- Total number of fields for < OOo 3.1
|
|
ZONE_OFFSET_SECOND_MILLIS
const short ZONE_OFFSET_SECOND_MILLIS = 15;
- Description
- Get/Set additional offset in milliseconds that adds to
the value of ZONE_OFFSET. This may be necessary to correctly
interpret historical timezone data that consists of fractions of
minutes, e.g. seconds. 1 minute == 60000 milliseconds.
@ATTENTION! Though the field's type is signed 16-bit, the field
value is treated as unsigned 16-bit to allow for values up to
60000 and expresses an absolute value that inherits its sign
from the parent ZONE_OFFSET field.
- Since
- OOo 3.1
|
|
DST_OFFSET_SECOND_MILLIS
const short DST_OFFSET_SECOND_MILLIS = 16;
- Description
- Get additional offset in milliseconds that adds to
the value of DST_OFFSET. This may be necessary to correctly
interpret historical timezone data that consists of fractions of
minutes, e.g. seconds. 1 minute == 60000 milliseconds.
@ATTENTION! Though the field's type is signed 16-bit, the field
value is treated as unsigned 16-bit to allow for values up to
60000 and expresses an absolute value that inherits its sign
from the parent DST_OFFSET field.
- Since
- OOo 3.1
|
|
FIELD_COUNT2
const short FIELD_COUNT2 = 17;
- Description
- Total number of fields as of OOo 3.1
- Since
- OOo 3.1
|
|
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


Our new programming language is object-oriented. It includes contracts, which are like classes, which can have fields and transactions, which are analogous to functions. In addition, of the many variables or fields that reference objects, exactly one of them can own the object, as seen in diagram (a) below. An object can have any number of Unowned references, and, if the object is not Owned, it can have any number of Shared references (shown in (b) below). An object with Shared references can also have Unowned references, but not Owned ones.
Here is an example of a contract (a Wallet
) with an object (in this case a Money
) that has one Owned
reference:
contract Money {
}
contract Wallet {
Money@Owned m; // @Owned indicates that the reference m owns the object it refers to
transaction spendMoney() {
...
}
}
The compiler tracks ownership of each variable every time the variable is used. This information is part of the type of the variable. For example, the type of m
is Money@Owned
. Information about ownership is NOT available at runtime; it is only available during compilation.
Owned
.Shared
.Unowned
.When transactions return objects, the types must be annotated in the function header. For example:
transaction withdraw() returns Money@Owned {
// body not shown
}
When a reference is passed to a transaction as an argument, the transaction's declaration specifies initial and final ownership with >>
. For example:
transaction spend(Money@Owned >> Unowned m) { // m is Owned initially but must be Unowned at the end.
// implementation not shown
};
transaction testSpend(Money@Owned >> Unowned m) {
spend(m);
// m is now of type Money@Unowned due to specification on spend() declaration.
}
If a transaction expects an argument that is Unowned
, this means that the transaction cannot take ownership. As a result, it is safe to pass an Owned
reference as an argument to a transaction that expects an Unowned
argument. After the transaction returns, the caller still holds ownership.
If a transaction parameter lacks >>, then ownership will not change. For example, transaction test(Money@Owned m)
is equivalent to transaction test(Money@Owned >> Owned m)
. transaction foo(Money@Unowned m)
can accept a Money
reference with any ownership and the caller maintains whatever ownership it had initially when it called that transaction.
this
)Sometimes the ownership of this
needs to change in a transaction. That fact can be specified by adding this
as the first argument in the transaction declaration. For example:
contract Money {
transaction discard(Money@Owned >> Unowned this) {
disown this;
}
}
contract Wallet {
transaction throwAwayMoney(Money @ Owned >> Unowned money) {
money.discard(); // 'this' argument is implicit; do not include it in transaction call.
}
}


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ÁVision Build Log
Tool Versions:
IDE-Version: Ž╠Vision V<IP_ADDRESS> Copyright (C) 2021 ARM Ltd and ARM Germany GmbH. All rights reserved. License Information: xxxlzjxxx xxxlzjxxx, HYOC, LIC=UJWP0-BHIYU-9UD4U-SLRF9-H7EGV-1XR1W Tool Versions: Toolchain: MDK-ARM Plus Version: <IP_ADDRESS> Toolchain Path: D:\Keil_v5\ARM\ARMCC\Bin C Compiler: Armcc.exe V5.06 update 7 (build 960) Assembler: Armasm.exe V5.06 update 7 (build 960) Linker/Locator: ArmLink.exe V5.06 update 7 (build 960) Library Manager: ArmAr.exe V5.06 update 7 (build 960) Hex Converter: FromElf.exe V5.06 update 7 (build 960) CPU DLL: SARMCM3.DLL V<IP_ADDRESS> Dialog DLL: DCM.DLL V<IP_ADDRESS> Target DLL: UL2CM3.DLL V<IP_ADDRESS> Dialog DLL: TCM.DLL V<IP_ADDRESS>Project:
G:\github\MotorDriver\SOFTWARE\JY02_1R3TFT\USER\OLED.uvprojx Project File Date: 06/17/2022Output:
*** Using Compiler 'V5.06 update 7 (build 960)', folder: 'D:\Keil_v5\ARM\ARMCC\Bin' *** Note: Rebuilding project, since 'Options->Output->Create Batch File' is selected. Rebuild target 'Target 1' compiling main.c... main.c(50): warning: #167-D: argument of type "char *" is incompatible with parameter of type "const unsigned char *" LCD_ShowString(10+5*8, 220, aa, BLUE); main.c(55): warning: #167-D: argument of type "char *" is incompatible with parameter of type "const unsigned char *" LCD_ShowString(140+5*8, 220, aa, BLUE); main.c(12): warning: #177-D: variable "i" was declared but never referenced u8 i,m; main.c(12): warning: #177-D: variable "m" was declared but never referenced u8 i,m; main.c(13): warning: #177-D: variable "t" was declared but never referenced float t = 0; main.c: 5 warnings, 0 errors compiling stm32f10x_it.c... compiling system_stm32f10x.c... compiling lcd.c... ..\HARDWARE\LCD\lcd.c(392): warning: #177-D: variable "di" was declared but never referenced int di; ..\HARDWARE\LCD\lcd.c(528): warning: #177-D: variable "enshow" was declared but never referenced u8 enshow=0; ..\HARDWARE\LCD\lcd.c: 2 warnings, 0 errors compiling key.c... compiling adc.c... compiling led.c... compiling delay.c... compiling sys.c... compiling usart.c... compiling core_cm3.c... assembling startup_stm32f10x_hd.s... compiling misc.c... compiling stm32f10x_gpio.c... compiling stm32f10x_rcc.c... compiling stm32f10x_usart.c... compiling stm32f10x_adc.c... linking... Program Size: Code=14540 RO-data=117232 RW-data=920 ZI-data=4904 FromELF: creating hex file... "..\OBJ\1R3TFT.axf" - 0 Error(s), 7 Warning(s).Software Packages used:
Package Vendor: Keil http://www.keil.com/pack/Keil.STM32F1xx_DFP.2.3.0.pack Keil.STM32F1xx_DFP.2.3.0 STMicroelectronics STM32F1 Series Device Support, Drivers and ExamplesCollection of Component include folders:
D:\Keil_v5\ARM\PACK\Keil\STM32F1xx_DFP\2.3.0\Device\IncludeCollection of Component Files used:
Build Time Elapsed: 00:00:05


Before Change
hand.wfile.write.assert_called_with(bean.encode("gbk"))
// input is utf-8 string, output is gbk string
hand = _create_mocked_handler()
http.Respond(hand, bean.encode("utf-8"), "text/plain; charset=gbk")
hand.wfile.write.assert_called_with(bean.encode("gbk"))
// input is object with unicode strings, output is gbk json
After Change
q, {"red": bean.encode("gbk")},
"application/json; charset=gbk",
encoding="gbk")
self.assertEqual(r.response[0], b"{"red": "" + bean.encode("gbk") + b""}")
def testAcceptGzip_compressesResponse(self):
fall_of_hyperion_canto1_stanza1 = "\n".join([
"Fanatics have their dreams, wherewith they weave",


The drawings: I first got intrigrued by drawing at the age of 4. I would always paint, draw and color everything. I was obsessed with art and as I grew older I wanted to create a business about my art, where I can sell it to people who love art as much as I do. In the side sections, there are online open houses for the art sell. Please visit if interested in my art.
The style of my art is a mixture of classic, horror, dark and light work. I have many different styles throuhghout each piece, some of my work is digital, oil, watercolor and are sketches of studies.
These are my early studies of drawing human faces, throughtout my early life I was an anime artist, but as I grew I wanted to start drawing faces, so I began with these people.
Mary Valentine's Heart Tattoo Jason


Beta This is a test version of the layout of this page. Take the survey to help us improve it
Statutory guidance
Statutory guidance on performance (P scale) attainment targets for pupils with special educational needs (SEN).
This statutory guidance is for:
It applies to:
This document supplements the national curriculum by specifying performance attainment targets (P scales) and performance descriptors for pupils aged 5 to 16 with special educational needs ( SEN ) who cannot access the national curriculum.
A detailed guide about using the P scales is also available.


{% extends "authorize_main/base.html" %} {% load static %} {%block content%}
{%if validlink %}
Please enter your new password twice so we can verify you typed it in correctly.
{% else %}The password reset link was invalid, possibly because it has already been used. Please request a new password reset.
{% endif %}


I live in a j's podcast for your Monday.
Most wonderful show is keeping up with the jones is I like him.
I'm buzzing with my chapstick.
Yes, your accent has definitely got to brush up this week with our Scottish friends having stayed with us.
I do care what you're talking about.
Would you like me to translate for you?
You have a chance.
I'm a chancellor, which means I'm a person who takes chances.
I did say last week that we'd start this week's episode with some choice phrases from our
Scottish friends.
Yes.
And I've got four of them that I heard them say.
Okay, I'll translate you say them and then should I should I tell the translation that
is what you told me they are or should I just tell you what I thought they were.
Tell me what you think they are and then we'll tell our listeners what they are.
Okay.
I had never heard before.
But as we sat down for sushi
and they proclaimed, "Unbuzzaloot my chapstick."
- Yes, I had no idea what that meant at all.
- I'm not sure what chapstick had to do with sushi.
- No, but he was buzzing at his chapstick apparently.
- Apparently that means I'm so excited.
- Yes, so there you go.
- One of my favorites was when he was in the car
and you were driving.
And he said, "Oh, Amber Gambler."
which was when I drove through a yellow instead of stopping.
Right.
So an Amber gambler is one who chooses to run an orange.
Yeah.
Hoping it will stay there long enough.
It was fine.
I was fine.
What about you had a chance?
You already tried that.
I don't know what a chance is.
Do you like the way my voice drops an octave when I speak in Scottish?
Oh, I.
I had I had all.
I had a giza.
I like me, but no by God.
I know my gaj.
And then number four,
yeah, that's gave me the bulk.
That's gave me the bulk.
That's gave me the bulk.
That's pure gugget.
It made you feel sick.
Very good.
Thank you.
The bulk being nauseous.
Oh.
You're getting me the bulk.
But what's the gugget?
The gugget is not the gugget.
You would use gugget to refer to something.
That's pure gugget.
That's gross.
Not pure gugget.
Very good, babe.
Thank you.
Thank you.
So.
Give me a book.
No, you don't want to give somebody the boat.
Did you notice the speech that my accent genuinely came back?
It did.
It was getting stronger and stronger.
And then they left.
They were only here for like four or five days.
I had a fighting chance of having a Scottish accent in the house again and now they're
gone.
Well, they correctly told me I don't have a Scottish accent.
It's true.
They said that you've always sounded posh, not real Scottish.
Well, that's because they're from the land of the Great Unwashed.
Right.
in some civility. I don't know. I've been to Dundee. Careful. You're going to have
been done. Don't you? Sorry. I'm sorry, my friends. We're recording this right now while
the second American presidential debate is happening. Is it the second or the third?
The second one. Okay. And we haven't been watching it, but our friend Kate is watching
it and every so often you just hear go like that. So we want to know what's happened.
I don't know if I want to know. I kind of do, but I'm kind of, yeah. I wait for the transcripts
to come through because I can read transcripts obviously faster than I can watch it in real
time. But you don't get to see all of Donald Trump's facial expressions reading the transcripts.
I can pretty much imagine that. I'll do some for you. Here you go. Good. Oh, varied.
Oh, I see.
Right.
Okay.
So for those of you who are wondering what those expressions were, they were in order.
Donald Trump waiting for a cheeseburger.
Donald Trump frustrated because one of his socks is missing the tumble dryer.
And Donald Trump ecstatic because he's just won the lottery.
Yes.
Well, I'm very talented.
Tell me about this week.
It was a great week.
We, on the school, we taught on the prophetic and activated all the students and they just
went for it. It was amazing.
So activating people in the prophetic sense. Weird.
But basically we're just teaching them the Bible says that we're to eagerly
desire spiritual gifts. And if we're going to eagerly desire something that God's
access to eagerly desire, it only follows that being a good father is going to
give us what we're desiring.
Yeah. So then we teach people the basics of prophetic ministry and then we get
them to practice in a really safe environment.
And then they're astonished at how prophetic they are.
Yeah. It's always fun to watch that.
And you did a great job. You're doing all the games.
I like doing the games.
They're very fun.
You're amazing at organizing about 90 people in a large room
to do all these prophetic games.
I don't know if it's amazing or not.
I don't. I mean, it's just math.
Well, that's where it falls down for me.
Right.
Because I'm like, can I have one, two, three, no, how many people do I need?
Oh, no, no, not you backwards.
No, no, row one.
No, oh, this is too hard.
Yes, we've seen that before.
We've learned over the years and seasons just to get that done.
Yeah.
And then you were full on DIY cream this week.
I really was.
We talked last week about you starting your mudroom/drop zone.
Yes.
But this week you finished it.
It's finished.
It just needs its hooks as soon as the paint is dry.
And...
Do you want to talk us through the process of that?
Wow.
Well, you know what?
I took a picture of every single thing that I did.
So if somebody wanted to recreate it,
they could do that just by looking at the pictures.
Of course you did.
So I'm going to post like a...
i don't know how yet you'll help me i suppose i flipping
i flipping you watch your mind show you know like where you can see the pictures as they progress i
understand um yeah so i'm going to post that at some point this week look in the show notes and
you'll find a link to it where you won't well it'll be on instagram yeah okay follow us on twitter and
we'll post when it just done that okay but it looks amazing i mean honestly you're incredible thank
- Thank you, I'm really happy with it.
- And I've managed to use all of my power tools this week.
I used my circular saw, I used my mitre saw,
I used my power tool, I used my power tool,
I used my power tool, I used my power tool,
I used my power tool, I used my power tool,
I used my power tool, I used my power tool,
I used my power tool, I used my power tool,
used my circular saw. I used my miter saw. I used the jigsaw. I used the drill and driver.
I used my sander. I'm trying to think if there's anything, my nail gun, the brad nailer.

I had so much fun. I love the nail gun. I'm just looking for things to like. That was
in the right.
I'm staying everywhere.
I thought it was funny for our kids to walk like so today for example you were working on
the drop zone and because you were working on the drop zone I made the kids dinner yeah
And I actually didn't because Abigail made all the mac and cheese on her own and Tia said would you teach me how to make steak?

How to turn them how to let them rest?
She was very proud of her steak and then she just devoured this medium rare steak and at one point I had blood dripping
out of it. Well the poor honey she's missing teeth on the top and the bottom so she
has drool anything.  She's so cute.
Yeah, iPhone 7 plus update you switched last week. I love it. Really you just sold. Yeah, but honestly the camera is astonishing.
I know we say this every week.
I cannot get over the quality of the camera and the quality of the screen.
I can either.
It's amazing.
It is absolutely astonishing.
Yeah.
Our main topic for this week is born out of the last couple of weeks.
Yes.
It is.
We're going to talk about hospitality.
And this is primarily because I have been in my devotions this week.
I've been reading all about judgment and we can save that topic for a different day.
But I came across a verse that has nothing to do with judgment.
And it's in 1 Peter chapter 4.
And it says this, this, this is going to be one of my most outstanding verses
that I've ever read.
And I've of course, I've read the Bible many times.
So I know I've read this verse or these series of verses, but I've never seen them before.
OK, but it says this.
The end of the world is coming soon.
Cherry.
Yeah.
Therefore be earnest and disciplined in your prayers.
OK.
Most important of all, continue to show deep love for each other for love covers a multitude of sins.
Can cheerfully share your home with those who need a meal or a place to stay.
Very nice.
And I thought that's quite the progression of statements.
I mean, it starts with this, this massive mic drop.
The end of the world is coming.
The end of the world is coming soon.
And I'm not being flipping here, but guys, the end of the world is coming soon.
I've been talking to the Lord a lot about eternity and what that means, but we'll
save that for another day.
But the end of the world is coming soon.
That's a really big loud statement.
And then it goes on to say, so be earnest and disciplined in your prayers, because the
end of the world is coming soon, be earnest and disciplined in your prayers.
But no sooner is Peter finished saying that.
He then goes on to say, but most important of all, more important than the end of the
world and more important than praying, show deep love for each other.
And one of the ways you can do that is to share your home with those who need a meal
or a place to stay.
I was like, I love the Bible.
Like it's so practical.
Well it's it goes from the end of the world to have people over for supper.
I mean that's that's quite an amazing thing and.
I just got to thinking like we in terms of having people over we've had quite a few months of hospitality we started with your mom coming stay.
Yeah she came for.
Pretty much all of August right and then we had my dad come to stay.
And then we just had and in law.
Can stay. Yeah.  We had about 45 people over for lunch on Saturday. I wanted to talk with us. Okay. I live in fear. This is a sidebar, by the way.
You're not supposed to live in fear? No, but I momentarily stepped into fear. Okay. On Saturday, we wanted to invite everyone over who helped us move house. So back in July, we sold our house, we moved into the house and also coincided with a vacation we booked back in January.
So about 35 people all told helped us in various ways about loading, moving, cleaning, storing stuff,
the full gamut of things. And we were so blessed by our community. And so we wanted to have them
over and just say thank you. Some people who had helped us move out of our old house had never
seen a new house. And anyway, we just wanted to get everybody together and thank them. And I kept
to the best of my recollection, very detailed notes about who helped us so that later on I could
invite everybody over. But the night before I thought, what if I've forgotten people? So that
was my fearful moment that somehow we have left somebody off the list, we forgot to invite them
and that would just be terrifying. So if you happen to be listening to this and you helped us move
and you did not get a thank you card from us and you did not get an invitation to come to our
Taco thank you party. We're so sorry. Well, we are sorry, but we'd love to know about it. So please
just contact me. Let me profusely apologize and we will make it up to you for sure. Those were
those cards were the invitations were mailed out not emailed, but they were mailed out. Yes.
Hand mailed. Hand mailed. It's one of the rare times I've actually used an analog writing
scribe to convey my feelings. It's true. You you sat there several evenings in a row hand writing
out. Thank you, Kurt.
And I had to write in all caps because I've forgotten how to write in cursive.
Well, that's probably better because in cursive, your handwriting is virtually illegible.
Thanks, babe.
But I love you.
You do love me.
You could have been a doctor.
Anyway, we had 35 people plus kids about 45 in total for lunch.
We did tacos.

It was so fun.
I loved it.
I loved it.
And brimming.
And we got a mix in our neighbors and our friends
and our colleagues.
And anyway, it was just tremendous joy.
So thank you to everybody who came to that.
And then today, Sunday, we had all our small group leaders,
or as many small group leaders as could make it come over
for lunch after church, too.
So hospitality has been on the forefront of my mind.
But when I read that verse, I was really astonished by it.
I was astonished that one of the kindest ways you can show love is by having people over.
Yeah, it's quite interesting.
I mean, we have talked at length before about how we're both introverts.

Right, but you still need a lot of alone time.
I need a lot of alone time.
So I fill up by being alone and I spend energy on people.
So yeah, it's interesting when even just contemplating,
okay, we're gonna have two events at our house this weekend,
and there's gonna be lots of people coming over.
- On top of having people stay with us during the week.
- Yes.
- On top of having a normal job.
- Yes.
So it's not like we don't interact with people all day long
and have normal friendships or whatever.
But I do find when I know I'm going to have a big spend
of energy on Saturday, for example,
on Friday, I'm sort of storing up and I'm a little bit quiet
or I'm a little bit, you know what I mean?
I'm just trying to reserve energy for the next day.
But I don't resent it at all.
Like I'm just sort of trying to manage energy
while aligning myself with what's gonna happen the next day.
- But do you find having people
or showing hospitality to be rewarding to you?
- Yes, I like it.
I really like it. It's really fun.
- And it's strange, isn't it?
Because you'd think it would be taxing,
but it's actually quite the opposite.
- Yeah.
- There is, to be sure, a bunch of work beforehand,
but having people over, there's a tremendous joy.
It's almost like the Bible knows what it's talking about
when it says, be hospitable, have people in for me,
have people to stay.
- Yeah.
Well, and our community is amazing.
Like everybody just sort of arrives and chips in
and whatever still needs to get done gets done.

It's just a big family.
- Do you know what also is amazing about our community?
- What?
- Was we put on our invitations for both events,
a star and a finished time.
And we made it clear that it was a drop-in drop-out.
So, but by and large, everybody showed up at the time.
Nobody showed up before the time.
And by the time came for everybody to leave,
we didn't say anything,
everybody had just left on time.
And I felt so loved by that.
I felt like, oh, you guys are so honoring about that.
and it was this short two and a half hour burst of time.
And I loved it.
And then of course we got Brett Ratliff,
who's the master doer that before he left,
he was like, "Hey, you know what,
what one has to be done?"
And I turned around and it was in about 15 minutes
our house was put back to normal.
So anyway. - It's amazing.
- Do you remember two weeks ago,
I was thinking about, I read that verse
after this happened two weeks ago,
A.G. and I were at work.
And being pastors, we don't have a lot of days
like these, but there are days when you just get absolutely tanked. You hear some bad news,
you're involved in perhaps a pastoral situation that's fairly heavy. And a couple of weeks
ago, we just had one of the hardest, emotionally speaking at least one of the hardest days
this year. And we just got tanked, didn't we? We got to about lunchtime. We heard some
really bad news.  And it takes
a lot to wind us. Wouldn't you say? Yeah, it takes a fair amount. Yeah. But this
winded us to the point that we both left at work early. Yeah. We came home about
330 just so saddened and really deeply grieved in our heart. Sorry, this isn't
a downward it gets happier. But we came home, we got home about 4pm and
literally all I wanted to do was just say good night and go to bed at 4pm and
wake up the following morning because. But we have children so that wasn't an
option. Yeah, we have children, but we'd also made plans to have friends come over.
That's right. Yeah, we had. And no disrespect to our friends who are coming over, because
what I'm going to say next had nothing to do with them at all. But I just couldn't face the
thought of having guests over. It wouldn't have mattered who it was in the world. I think we just
hit a wall. But we'd made plans and we want to honor our commitment. So we just did the grownup
thing and just thought, "Okay, fine, well, let's get ready to entertain people." But what I didn't
bank on happening was having people over was the best thing that could have happened for us.
Yeah, there is so much life on it.
And it wasn't distraction. It wasn't, "Well, I'll just avoid these problems I'm feeling."
 There was a joy in cooking food, preparing food,
anticipating their arrival, making the place feel like home, planning through the evening,
putting the kids to bed, and then just sharing face-to-face, heart-to-heart conversations.
We laughed, we caught up with them, we ate food, we just lounge around on our giant sofa.
I made dessert.
You did make dessert.
Could you make dessert tonight?
I'm tempted.
You absolutely should.
I think that's the word of the Lord right there.
But it was just such a tremendous night and they left after they left fairly late and
on what was arguably one of the hardest days and I felt energized and joyful and I was
like, Lord, there is something to this.
Yeah.
And I think, babe, the same with this week as well.
Typically, our weeks are like every other working adult in the world with kids.
They're just busy.
Yeah, nonstop.
So having visitors in to stay, I was really wondering how is that going to work?
You mean with like energy levels or?
Yeah, totally with energy levels, but it was so much fun having Andy and
Lauren here and really just felt energized by the amount of time that we got to
spend with them and just knowing like in coming home, they were going to be here
and we were going to get to get more time and hang out and again get your accents
spruced up and whatnot.
I think it also helped that they're fairly robust guests and that they didn't need much
managing. They rented their own car and we pre-planned like they said, "We know you're busy,
but when could we get together?" And so that was comforting knowing that they could look
after themselves. And so they just went out and about during the day and we would catch up with
them at evening, but still it was so life giving to just sit down and be connected and show
some hospitality.
And yeah, I loved it.
So I don't know.
And they both like coffee.
That's important to you.
It is very important to me.
It's hard when you have guests stay that don't like coffee.
Baby, I don't like coffee.
Is that hard living with me?
No, I mean, I've, you know, I've prayed about it now and it's, I'm fine.
I, you know, just.
very gracious babe. Yeah, thanks. Thanks. It's funny this weekend. We had backed back days
of hospitality and our friend Kate asked us today, she said, "Did you guys get to rest this
weekend?" And we really didn't. But yeah, I feel super energized for having people over.
And I really loved it. Where did you learn a passion for hospitality?
Well, my, you know, I grew up in a large house.
And my parents, both of them loved cooking,
both of them took gourmet cooking classes
and all that kind of stuff.
And both of them loved to entertain.
So they would have, like there would be
a New Year's Eve party and, you know,
there might be only 30 or 40 people there
at the New Year's Eve party,
but they would have, you know, people over for that.
Every summer, they had a faculty party
for whatever high school my mom was working for.
And so then there would be hundreds of people
at the house for that, you know,
'cause in the summer you could use a backyard and stuff too,
but my parents love to have dinner parties,
to have people over.
It's where my deep love of smoked oysters comes from.
- I've got the bulk.
(laughs)
- That's pure gugget.
- That's pure gugget.
It isn't, it's really good.
But yeah, so I mean, some of the,
I don't have that many pictures of my dad, but I have pictures of him making Spanish coffees.

So my parents were the opposite.
We didn't have huge parties, but my mom was so hospitable.
Like growing up, it was absolutely normal for us to always have people in our house.
Like every Sunday we would, as far back as I can remember, we would always have people at our house.
after church, my mom and dad would always invite any new visitors.
And even if there wasn't new visitors, they would always have the young adults,
always have the students over to our house.
And it was just a normal thing.
Any given Sunday, there would always be people in our house, always.
And while my parents didn't throw parties, my mom always managed to feed
everybody who showed up.
And during the week, I never had to ask my mom or dad if somebody could stay for
dinner.
Yeah.
I knew we could always in the same on the weekends, we always had people
my sisters, myself, we always, always, always had visitors.
And so there's just this joyous noise in the house
of always having people to stay.
I think it's funny because we've inherited some of that
from both of our parents, having like take for example,
Christmas, we love having people to stay for Christmas,
which again, it's a little bit of an enigma
because we're both really quiet in sealer reserved,
people are not reserved,
but we're quiet people and yet every year.
And sometimes we think,
oh, maybe we should just do our family this year.
But whenever we think that our kids are all like,
who's gonna come for Christmas this year?
- Yeah.
Well, they've got it too, haven't they?
I think there is something lovely about,
well, for one thing, we are a family
and we have a place to stay
and the Lord loves to place the lonely in families
and we're happy to be one of the families
that he places people in for a season or for a day
or for an event or whatever.
So I love having people over,
whether it's Thanksgiving or Christmas or whatever it is.
And it makes the day less about presence
and more about family.
- Famous formula.
- And yeah.
- I wouldn't say that we have the gift of hospitality.
In our scripture talks about all these spiritual gifts.
I would say we love entertaining,
we love being hospitable.
But we've got some friends
with the genuine gift of hospitality.
- Oh, yes, for sure.
and the difference is amazing.
So I mean--
- It's true, it's totally true.

And I think their power to make people feel special
is incredible.
- Yeah, I think I also have friends that make people
feel special by using their artistic giftings.
like the way that they transform their house into just being a space that says, "I planned for you.
I want you here. I made everything beautiful for you to come over."
 We don't so much have that, that piece."
You're right.
We more have the, let's eat food and hang out.
I feel like a bumbling amateur in that side, but it's something I would love to grow better at.
So I love growing other people's houses. Here's the thing that I noticed,
is some people's houses are filled with stuff I never think I would ever want to buy. But now
that I see them in their house I'm like oh that makes me feel special. Oh look what?
General knickknacks that are put everywhere that I'd never think I'll buy a pair of antlers.
But when I see them in this place or you know we've got friends who've got like leather-bound
books that aren't real but they look real and I'm like oh that adds real warmth to the room and
so there's all these things that just not in my wavelength to think about but when I see them I
take a photograph and think, "I want to replicate that in our house."
I love some of our friends who are so gifted, like you said, at creating spaces.
The trick is to have them come over and just let them loose on our house.
It's true.
When we hosted Shailie's shower at the beginning of September, we hadn't even unpacked.
The ladies that came in and did that, honestly, I was like, "Y'all should start a company
or something and just throw showers for people.
Because there's people like me that are like,
I love it when there's people in my house.
I love it that's getting used for that.
I don't think about tying lavender and little strings
and all the things that are like,
oh, you thought, I never would have thought of that.
- Yeah, it is so amazing.
- Yeah.
- So, I love that.
- We need to grow in that area.
- I do want to say, however, if you come home with antlers,
they're growing in the basement.
- Okay.
- Yeah.
buy-in or see it's never something I'd think of.
That's good.
I kind of like wandering around world market and looking at all the stuff that somebody
thought that would be good to put in your house.
I would never in a million years think to put in my house, but now that I see it, I'm
like, oh, same with pottery barn.

But now it looks good.
Yeah, we should put one.
Now I need a pipe and a leather clad pipe holder.
No.
Do you want to know one of the most interesting verses in scriptures is?
Sure.
- Yeah. - Hebrews 13, verse two.
- Okay.
- Don't forget to show hospitality to strangers.
For by doing so, people have shown hospitality
to angels without knowing it.
- Right.
- Let me hear it.
- Ooh.
- Yeah, there's a sobering thought for you.
- Yeah.
But I also think about the random people
that we've met over the years
because we've had them come stay with us.
- Yeah.
- That we wouldn't otherwise be connected with.
So some of our really good friendships
come out of them needing somewhere to stay and them being referred to us by people we know who
are like, "Oh, so on so's in time, but they're going to stay." And we're like, "Oh, they can
have a stay with us." And now they're friends. And I love that type of thing.
I do too. I love it.
What about when you have people to stay, but now you don't want them to stay and you want to
strangle them? Well, I've given up strangling for Lent.
That's good.
Yes, thank you. Thank you. And so...
But seriously, there is a thing, like my brother-in-law says, he has the two-night rule, that you're welcome to stay for two nights, three days, and then after that you have to leave.
And we've stayed way more times than that.
And my sister, Caris, and her husband Ben, they're super hospitable.
Like every time we go to their house, they have this amazing ability to make you feel really, really welcome, even though all you're doing is eating through their cupboards of food and reclining in their leather chain.
in their leather chairs.
- Yeah.
- But how do you balance that with,
I guess we do it in short doses, don't we?
- Yeah, we do.
And typically we have sort of some sort of boundaries
on the front end.

- Right.
- And that's great,
'cause you've agreed to that on the front end.
And if it doesn't sound too methodical,
I can apportion energy to that.
And you know what I mean?
He's just like, "Yay!"
And then I can just enjoy it.
'Cause I know, you know, I know when it starts
and when it ends.
We've had a couple times where we've had long-term
people stay where they just haven't had a place to live.
And the Lord's given enormous amounts of grace
for that as well.
- Yep.
- So maybe we do like people staying with us.
I don't know.
- Well, yeah, let's say we're too excited there.
We do have probably unknown to most people
'cause why would you know this unless you were
with us. But we do have a little dossier that when people come to stay, it explains everything
about the house, which that removes a lot of anxiety because why would anybody know the particular
quirks of our life if we hadn't written it down?
Yeah. We've been training them how to use the coffee machine now.
No, you don't trust them. That's my job.
All right. Let's wrap this up.
I want to encourage everybody who is listening this week, practice some hospitality
and you're going to do it for other people, but you're going to be surprised
that there's going to be a reward for you in doing it.
But before we leave you, we want to leave you with five top tips for hospitality.
Are you ready? I'm absolutely ready. Go for it.
Okay, tip number one, it's better to do it than not to because of worry.
So well, you know, when you're just like, um, what if it's not awesome?
What if I can't do it as awesome as, you know, Bubba up the street or whatever.
And then so you just don't do it at all.
Right.
Um, well, that's robbing life from you.
It's robbing life from other people who want to spend time with you.
Um, and people do feel loved and welcomed when you invite them into your house,
even if everything isn't perfect.
we had some people over where we still had boxes everywhere and they didn't send us any
complaint letters afterwards. Well, that's the thing. We're talking about our friends earlier who
are just high producers in terms of the life languages. They're exceptionally gifted at hosting
people and they think through, "Look, I made these burlap placemats with matching burlap name tags."
Right. And this custom wreath for the season that we're in. And that's astonishing. But if you're
living in competition with somebody else's gifting, you're never going to invite people in,
but people aren't coming to you because of your gifting, they're coming to you because of your
invitation. So, being encouraged, just have people over and work from there.
Amen.
All right. Number two, don't serve the people at the expense of enjoying the people. This
comes back to, and I fall into this because as a high doer, I want to make sure everything's done,
but I can actually ignore my guests while making sure the meat is ready for them.
Yeah. And I have to remember the people of the reason that we're doing this.
Yeah. If everything else goes wrong, we still succeed because there are people at our house
and we're enjoying their company. So who cares if the meat is a little overcooked or
they're over cooked and undercooked? Yes. Significantly better.
But by all means aim for excellence. But if it all goes pear shaped, it doesn't matter.
You can laugh about it. It's a great story to talk about the next time you have them over.
It's true. It's true. Don't worry about tidying. Just focus on cleaning. So basically,
as long as stuff is clean, people don't really care how tidy it is.
Right. I mean, you don't want it to be unhygienic, but if it's messy, we all live in messiness.
Right. And that's real life. I mean...
Yeah, I want to talk about that. For years, I just thought we failed at living well. And what
I mean by that is I'd go to other people's houses and they would be immaculate.

You can leave people on the same stage of life.
And they'd have young kids and they're both at work,
but their house is amazingly tidy.

- How do you do it?
- And so there's this like, I realized,
at least I hope I'm right in this,
that that's a fictitious version of life.
And so if we're all doing that,
we're all perpetuating a standard that we don't live at.
like we were joking.
I mean, of course we tied it our house.
We had 45 people coming over.
So we, we tidied more than we normally would on a Saturday.
- Yes.
- But the whole idea is like, yes, come on in.
No, our house is always like this.
Are you kidding me?
Yes.
The sofa cushions are always perfect lately.
And that's just not real.
- Yeah.
- And so I just want to encourage people to get past that.
- Yeah.

You should see MJ's man cave right now.
It's destroyed.
Yeah, but it's perfect.
That's perfect.

He's happy as Larry.
Um, yeah, I remember talking to Alina about that once and just saying, well, if I come to your house, it's perfectly tidy.

And I was like, I've done that.
So it was really funny.
Yeah.
Yeah.
All right, how about food choices?
Our suggestion is serve simple foods with large groups.
This is number four.
Serve simple foods with large groups.

And that way, everybody else could sort out
their own food allergies, food preferences.
There was corn tacos instead of as well as flour tacos,
or you could go flourless if you're--
But you banned me from making my own salsa and guacamole.
I did.
And why was that?
Because we had lots of tidying to do before they all came over.
And it takes you hours.
It doesn't take me hours, but it was probably wisdom.
But I--
Cute baby.
--did have about eight people say,
is this your homemade salsa?
And I was like, no, no.
But nobody cared.
Yeah.
But the point is put out lots of simple stuff
and let people-- do you remember the first meal
we fed Jeff and Becky and our kids?
- Yeah, we made those tie roll ups with the rice roll ups.
- This would be an example of everything we've said before.
So when we moved to Franklin,
we had our senior pastors, Jeff and Becky,
and their wonderful kids, Joel and Bethnay, over for dinner.
But we just moved into house, we had no furniture.
Remember we'd borrowed some folding chairs from Grey Center?
- Yeah, and a folding table.
- And a rickety old like hard table as our dining room.
- Yep.
 So we just put all the ingredients out and said, you know, make your own food.
There wasn't enough seats for everybody. So we sat on the floor and ate some high food.
I think we rotated the chairs actually. I think we rotated who got to sit.
Right. Yeah. But it was still fun and we laugh about it to this day.
So again, start small. Yeah.
All right. Last one.
Last one is practice makes perfect. So just keep trying, keep having events or small group
gatherings or whatever and just, you know, find the stuff that brings you joy in that and go for it.
All right. So our challenge to this week is have someone over this week to your house.
Don't cop out. Don't take somebody out. Just invite somebody over. Even if it's for Taco Bell.
Taco Bell. No, no, I mean, even if it's for burrito, just people love being invited into other
people's homes. People who love people don't feed them Taco Bell. All right. Yeah, you cross the line,
their Jones. Let's wrap up. Okay. We started this week by talking about our school supernatural
life. We were teaching this week on prophetic ministry. If you were listening to that and thinking,
man, I would love to learn more about prophetic ministry than do we have something for you.
We have recorded a five part teaching series that you can download right now to learn how to
prophesy. I grew up not knowing that you could hear God's voice today. And once I did, and once I
started learning about profits and people with a gift of prophecy. I always wondered how it worked.
And so I gave myself really to attending every prophetic conference I could, reading every book
on the prophetic ministry and worked hard at learning to understand the gift of prophecy. And
since that point, we have traveled all over the world. We have trained hundreds of people
how to prophesy. And after more than 10 years of study, 10 years of practice and asking questions
of every profit we know, we have prepared this super practical, easy to follow teaching on
prophetic ministry. So we're going to teach you how to prophesy, how to see in the spirit,
we're going to give you top tips that will help you step out in prophetic ministry,
we'll give you games that you can practice on your own or with other people. But it's a five-part
teaching series, and it's the most practical hands-on teaching we know how to prepare. So
if you would like to learn how a prophesy or even grow in the prophetic, you can download it
today at our website, go to allen and AJ.com/prophecy.
And it doesn't matter how you spell that,
whether an S or a C, it will take you to the same page
and you can download them today.
- All right folks, we'll have a great week in Be Hospital.
âTMª Faith, life, communication âTMª
âTMª Tacos and video games âTMª
âTMª Pale you donuts and the kindness of God âTMª
But things we deal with every day
From Franklin, Tennessee
They are just like you and me
Allen, and A.J.
Keeping up with the Joneses, keeping up with the Joneses
Sharing their life experiences
Keeping up with the Joneses, keeping up with the Joneses
They talk about faith in God and everything under the sun
If you are a human being, there's something here for everyone
(music)
[ Silence ]


Villa with excellent interior areas. On the ground floor: large fully equipped kitchen and dining room. 2 large Rooms with reading area and bar, with a couch and 1 extra bed. 1 single room and 1 double room. 1 bathroom with shower. Laundry area. The kitchen and great room are air conditioned. In front of the kitchen there is a large porch with place for meals outside. On 1st floor: 1 suite; 1 double bedroom, 1 double bedroom, 1 sofa and 1 extra bed. 1 games room and 1 bathroom with bath. A large terrace overlooking the sea.
Secluded Villa in rural environment, easy access. Home is located on a farm with 5000 m 2, with dogs, chickens, ducks, parakeets and goats. Has a 11 m x 4 m swimming pool, a solarium, an orchard with many fruit trees and a large number of carobs.
Amassing pool with a solarium joined by sunbeds and lots of fun! Has inside lights for a wonderful midnight swim.
Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here',
Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here',


Soundcloud is a famous streaming service that aims to make you happy.
Source: SoundCloud on Wikipedia, Official website
SoundCloud is currently available in the following countries: Australia, Austria, United States, and United Kingdom. SoundCloud Mood Exchange feature is currently available in the United States. You can find up-to-date country availability details on SoundCloud support page.
SoundCloud service is able to play music via both the HTML5 audio and the Flash plugin. Flash plugin is used by default, but you can enable HTML5 Audio in WHERE?
SoundCloud service requires HTML5 audio technology to play music.


Registration and Authentication Demo
Only for registration:
Register
Login
Hello {{ main.getUserName() }}!
Logout


Zalgiris has a done deal with KC Rivers
The deal between the two sides is done and an announcement is expected soon.
By Eurohoops team /<EMAIL_ADDRESS>After Alex Perez’s departure from Zalgiris, the team has a done deal with KC Rivers, as reported by Donatas Urbonas. The official announcement should be expected soon.
KC Rivers who has been playing with Real Betis in Spain averaging 10.1 points, 2.4 boards and 2.2 assists over nine games is set to make his EuroLeague return. He last played in the competition with Panathinaikos during the 2017-18 season, with an average of 6.5 points and 8.5 rebounds per game.


Provides 'heuristic' or 'informed' search algorithms. The following algorithms can be found in this package:
- Greedy Search. Always takes the node with the best heurisitc first.
- A-Star Search. Always takes the node with the highest f value first (where f = heuristic + cost).
- Iterative Deepening A-Star Search. Same as A-Star but proceeds iteratively with increasing values of f.
- F-Bounded Search. Searches up to an f limit (where f = heuristic + cost).
For an admissable heuristic the A-Star algorithm is guaranteed to find the lowest cost path to the goal.


Impute With Column Average
Impute with the column mean.
Impute with the column median.
Impute with the most frequent value.
Impute With Neighboring Valid Value
Use the LAST valid value to fill gaps.
Use the NEXT valid value to fill gaps.
Impute Using Interpolation
Impute With Custom Value
Delete Entire Row
This option deletes all rows containing an invalid/missing value in the selected column.


Reports wait() being called unconditionally within a synchronized context. Normally, wait() is used to block a thread until some condition is true. If wait() is called unconditionally, that often indicates that the condition was checked before a lock was acquired. In that case, a data race may occur, with the condition becoming true between the time it was checked and the time the lock was acquired. While constructs found by this inspection are not necessarily incorrect, they are certainly worth examining.


{% if phase == None %} {% elif phase.is_future %}
This phase of the competition has not started yet. Please check back later.
{% else %} {% if phase.competition.force_submission_to_leaderboard %} {% endif %} {% if phase.competition.disallow_leaderboard_modifying %} {% endif %}{{ phase.description }}
{% else %}None
{% endif %}Max submissions per day: {{ phase.max_submissions_per_day }}
Max submissions total: {{ phase.max_submissions }}
This phase doesn't have reference_data supplied yet, please add reference data before submissions may be uploaded!
{% endif %}Here are your submissions to date ( indicates submission on leaderboard ):
{% else %}This phase of the competition is closed. Here are the submissions you made:
{% endif %}| # | {% if not phase.is_blind %}Score | {% endif %}Filename | Submission date | Status | |||
|---|---|---|---|---|---|---|---|
| No data available in table | |||||||
| {{ forloop.counter }} | {% if not phase.is_blind %}{{ submission_info.score }} | {% endif %}{{ submission_info.filename }} | {{ submission_info.submitted_at|date:"m/d/Y H:i:s" }} | {{ submission_info.status_name }} | {% if submission_info.is_in_leaderboard %}{% else %} | {% endif %} |


Instructions:
- Using the mouse, move the yellow playback head in the performance space
- Click on the playback head to enable it and listen to the rhythm retrieved
- You can also drag the mouse to get rhythmic interpolations
- Increase the Threshold to retrieve simpler patterns
- Increase the Noise to add variability to the position of the playback head
- Mute individuals instruments by pressing Q, W, or E


SortCommand
ï»¿= SORT
key [
BY
pattern]
[
LIMIT
start count]
[
GET
pattern]
[
ASC|DESC
]
[
ALPHA
]
[
STORE
dstkey]
=
Sort the elements contained in the List, Set, orSorted Set value at key. By defaultsorting is numeric with elements being compared as double precisionfloating point numbers. This is the simplest form of SORT:
SORT mylist
Assuming mylist contains a list of numbers, the return value will bethe list of numbers ordered from the smallest to the biggest number.In order to get the sorting in reverse order use DESC:
SORT mylist DESC
The ASC option is also supported but it's the default so you don'treally need it.If you want to sort lexicographically use ALPHA. Note that Redis isutf-8 aware assuming you set the right value for the LC_COLLATEenvironment variable.
Sort is able to limit the number of returned elements using the LIMIT option:
SORT mylist LIMIT 0 10
In the above example SORT will return only 10 elements, starting fromthe first one (start is zero-based). Almost all the sort options canbe mixed together. For example the command:
SORT mylist LIMIT 0 10 ALPHA DESC
Will sort mylist lexicographically, in descending order, returning onlythe first 10 elements.
Sometimes you want to sort elements using external keys as weights tocompare instead to compare the actual List Sets or Sorted Set elements.For example the list mylist may contain the elements 1, 2, 3, 4, thatare just unique IDs of objects stored at object_1, object_2, object_3and object_4, while the keys weight_1, weight_2, weight_3 and weight_4can contain weights we want to use to sort our list of objectsidentifiers. We can use the following command:
SORT mylist BY weight_*
the BY option takes a pattern (weight_*
in our example) that is usedin order to generate the key names of the weights used for sorting.Weight key names are obtained substituting the first occurrence of *
with the actual value of the elements on the list (1,2,3,4 in our example).
Our previous example will return just the sorted IDs. Often it isneeded to get the actual objects sorted (object_1, ..., object_4 in theexample). We can do it with the following command:
SORT mylist BY weight_* GET object_*
Note that GET can be used multiple times in order to get more keys forevery element of the original List, Set or Sorted Set sorted.
Since Redis >= 1.1 it's possible to also GET the list elements itselfusing the special # pattern:
SORT mylist BY weight_* GET object_* GET #
By default SORT returns the sorted elements as its return value.Using the STORE option instead to return the elements SORT willstore this elements as a Redis List in the specified key.An example:
SORT mylist BY weight_* STORE resultkey
An interesting pattern using SORT ... STORE consists in associatingan EXPIRE timeout to the resulting key so that inapplications where the result of a sort operation can be cached forsome time other clients will use the cached list instead to call SORTfor every request. When the key will timeout an updated version ofthe cache can be created using SORT ... STORE again.
Note that implementing this pattern it is important to avoid that multipleclients will try to rebuild the cached version of the cacheat the same time, so some form of locking should be implemented(for instance using SETNX).
Multi bulk reply, specifically a list of sorted elements.


| (A) | ---- no text ---- | |
| (C) | ---- no text ---- | |
| 207 | (D) | And aske of Nero a trewe answer þei abydyn |
| 205 | (E) | & hadde of nero a trewe . to gon & to come |
| (Ex) | ---- no text ---- | |
| 212 | (L) | & asked trewes of þe emperour þat erand to done |
| (P) | ---- no text ---- | |
| 205 | (U) | And alke of Nero a trewe / an answere thei herken |
| (V) | ---- no text ---- |


New Version!
Posted: Sat Jan 20, 2007 11:46 am
Hey everyone,
I'm working on a new version of the map editor that is very close to being what will be included in the game. The map format is almost complete, and I've finally developed the house-wall system so that it's much easier to control. I've also added a key to rotate a model by 45 degrees...very handy in my opinion!
Karl
I'm working on a new version of the map editor that is very close to being what will be included in the game. The map format is almost complete, and I've finally developed the house-wall system so that it's much easier to control. I've also added a key to rotate a model by 45 degrees...very handy in my opinion!
Karl


Your browser does not support the audio element.
Your browser does not support the audio element.
Your browser does not support the audio element.
All is well here.


--- layout: post title: 一道出自05~06学年度中山市实验高级中学高三综合测练的阅读理解题 date: 2008-08-02 09:24:09.000000000 +02:00 type: post published: true status: publish categories: - Copy tags: [] meta: _edit_last: '1' author: login: admin email<EMAIL_ADDRESS>display_name: 老李 first_name: '' last_name: '' ---
What is IRC? IRC is Internet Relay Chat. It is a group of networked server computers that let users connect and pass their messages among the networked servers in almost real time. In other words, it is a big chatting server, once you join a group, you are able to talk in an open forum (论坛)type environment or just one on one.
What IRC Networks are out there? There are about fifty really mainstream IRC networks (groups of servers) you can connect to. The most common ones found are typically, ‘EF-Net’, ‘Under-Net’, and ‘DAL-Net’.
What is a Channel? A channel is the name for the ‘group’ you are joining, or the ‘forum’ in which you want to talk. On IRC, channels are denoted (表示) as # Channel Name. For instance, say if you are interested in MP3 music, you may want to go to # MP3.
How do I get on IRC? To get on IRC, you will need to get a client program. I personally suggest using ‘mIRC’, if you are in the windows environment. I have used the program for many years faithfully. It is a shareware（共享软件）program that doesn’t disable after a given time period.
What are the basic commands once I am on? Join # channel — this will make you enter a channel. Part # channel — this will make you exit a channel you are in. Nick new name — this will change your current screen name.
A note as a warning about IRC. IRC is a wonderful forum for idea exchange, and a fun place to chat and learn. However you must keep in mind that you don’t know who is on the other end. That someone says they are 16 doesn’t mean they aren’t 45. Keep an eye on yourself and make sure not to give out any personal information on IRC before you know those on the other end of the line thoroughly. Attention! Safe IRCing everyone!
53. According to the passage, ‘EF-Net’, ‘Under-Net’, and ‘DAL-Net’ stand for ______.
A. chatting groups B. group channels C. computer massages D. chatting networks
54. Which of the following can’t you do with the basic commands?
A. Change one’s screen name. B. Exit a certain channel.
C. Know the person you chat with. D. Enter a certain channel.
55. We can find all the following information from the passage except ______.
A. the differences between the IRC networks
B. the general knowledge of Internet Relay Chat
C. the way of getting on the networks of IRC
D. the notice for safe chatting on the net
56. From paragraph ______ you can learn to join a certain ‘group’ or a ‘forum’.
A. 2 B. 3 C. 4 D. 5
Key:DCAB


What makes me a legend
What is your name?
What color is your hair?
What color eyes do you have?
How tall are you?


nlmrt: Functions for Nonlinear Least Squares Solutions
Replacement for nls() tools for working with nonlinear least squares problems.
The calling structure is similar to, but much simpler than, that of the nls()
function. Moreover, where nls() specifically does NOT deal with small or zero
residual problems, nlmrt is quite happy to solve them. It also attempts to be
more robust in finding solutions, thereby avoiding 'singular gradient' messages
that arise in the Gauss-Newton method within nls(). The Marquardt-Nash approach
in nlmrt generally works more reliably to get a solution, though this may be
one of a set of possibilities, and may also be statistically unsatisfactory.
Added print and summary as of August 28, 2012.
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=nlmrt
to link to this page.


Monster Race Betting
To Win
(Race #
1race
)
Lane Selection
Name of Racer
Rating
Odds
1
Mob1
&$745;
13%
2
Mob2
&$745;
6%
3
Mob3
&$747;
4%
4
Mob4
&$745;
12%
5
Mob5
&$745;
14%
6
Mob6
&$745;
13%
7
Mob7
&$745;
13%
8
Mob8
&$746;
14%
Select Lane :
No1


API model information
The order status of an order on the marketplace
Both integer and string value representations are acceptable as responses for this model, however, for readability purposes, only the string representation will be sent in requests from Voyageone.
| Integer Value | String Value |
|---|---|
| 1 | Pending |
| 2 | ReleasedForShipment |
| 3 | AcknowledgedBySeller |
| 4 | PartiallyShipped |
| 5 | Shipped |
| 6 | Canceled |


Level 100 character build that utilizes damge-over-time curse combat magic. Race: Elf Levels: * Combat: 100 (59 remaining points) * 1 Brilliance * 20 Devastation * 20 Debilitation * Melee: 0 * Nature: 0 * Ranged: 0


--- title: "Exploring the Tanzanian Water Well Data Further" author: "Nick Kachanyuk" date: '2021-08-05' slug: [] categories: R tags: - R - data science meta_img: images/image.png description: Description for the page ---
Data science is a data-driven process that is iterative in nature. We explore the data, clean the data, make visualizations, build models, and repeat the process until our questions are answered.
In my previous blog post, “The Data Behind the Tanzanian Water Crisis”, I made suggestions about improving the data quality for further research. I will briefly go over what these suggestions were and my reasoning:
In the previous blog post I built an XGBoost model that predicted the three target classes (functional, functional need repair, and non-functional) with 0.79 accuracy and 0.60 kappa. These values indicate that the model did a good job in predicting the target classes but there was an opportunity to improve the models further.
In addition to the baseline model from the previous blog post, I created three additional models. Below is a description of all 4 models:
As we can see there is not much difference in the performance of these models and any of these 4 models can be a good candidate. However, for the purpose of this exercise, I will compare the baseline model 1 with model 4. Compared to the baseline model, model 4 performs well considering that only the top 6 out of 12 predictors were used in model 4.
Let’s examine some visualizations!
Once again we can see the class imbalance, especially for the functional needs repair target class.
The 12 features that were used in the baseline model are shown above.
The target classes are more balanced and concise compared to the baseline model target classes.
The order of importance for the top 6 variables for the new model did not change when compared with the baseline model. However, the magnitude of importance did change for some of the variable.
Let’s compare how the target variable is distributed among the 6 predictors for the baseline model 1 and the new model 4.
With model 4 graph we can see a slightly better picture: functional wells are less likely to use “other” extraction methods and rely less on water sources that come from rivers and/or lakes. Wells that need attention are more uniformly distributed for this principal component variable.
With model 4 graph we can see that functional wells tend to be located in medium to larger sized regions, and regions that are located in more eastern and/or southern parts of Tanzania.
Examining the model 4 graph we can see that functional wells tend to be located in northern and western regions to a lesser degree than wells that need attention, although there are many wells from both groups that reside in northern and western regions.
From the model 4 graph we can see that functional wells tend to rely less on handpump extraction methods and these wells are usually not shallow.
Looking at model 4 graph, we can see that functional wells will indeed have more water available to waterpoint than wells that need attention.
Model 4 graph shows that functional wells will experience less well strain than wells that need attention.
In this blog post we examined quite a few things about the data on the Tanzania’s well quality. With the results above, I make the following suggestions and observations:
Use model 4 (or a similar model) that uses 2 classes for the target variable and 6 predictors. As we saw, the model accuracy metrics are comparable and interpretation of the model results is more manageable compared to the baseline model.
Functional wells:
Needs attention wells:


A lot of reading is very important to do all the hw. A lot of reading is very important to do all the hw. A lot of reading is very important to do all the hw. A lot of reading is very important to do all the hw.


'A dark forest in the omnious moonlight' 'A banger you can't help but nod your head to' 'A cybertropolis in a dystopian hi-tech / lo-life not too distant future'? I got you.
????I am a music composer and sound desiger based in Japan. I have composed music and sounds for media ranging from musical albums, commericals, video games, documentaries, and animation (even did a little voice acting, too).
Check Them Out!Menu screens, Jinggles, Ambient Audio Landscaps
Sound Effects, Field Recording,
Up to date in the latest gaming trends
Voice, Remixing, Instrumentation
Let's do this


Buat Account Baru!
Sign Up Form
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Last name:
Gender:
Male
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Nationality:
Indonesian
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Languange Spoken:
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Blm:
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notumclo
| Not a Tumblr Clone
notumclo
Latest
People
Text
Image
Quote
Chat
Audio
Video
Latest
People
Text
Image
Quote
Chat
Audio
Video


{{.Content}}
{{ $pages := .Site.RegularPages | first 15 }}
{{ $news := where $pages "Type" "news" | first 3 }}
{{ $blog := where $pages "Type" "blog" | first 3 }}
{{ $other := $pages | complement $news $blog }}
Recent News
{{ range $news}}
{{.Title }}
{{ end}}
Recent Blogs
{{ range $blog}}
{{.Title }}
{{ end}}
Other interesting stuff
{{ range $other}}
{{.Title }}
{{ end}}


Go to my website
Go to the github repo
Number of moves: 0
Worst case scenario: - operations
Average case scenario: - operations
Best case scenario: - operations
--
Selection sort
Bubble sort
Insert sort
Quicksort
Merge sort
Sort!
Random data
Display color animations (will reduce performance)


{% extends "polls/base.html" %} {% block title %}Log In{% endblock title %} {% block content %} {% load extras %}
Your username and password did not match. Please try again.


Problem Statment
Objective
In this challenge, we're going to learn about the difference between a class and an instance; because this is an Object Oriented concept, it's only enabled in certain languages.
Task
Write a Person class with an instance variable, Age and a constructor that takes an integer, initialAge as a parameter.
The constructor must assign initialAge to Age after confirming the argument passed as initialAge is not negative; if a negative argument is passed as initialAge the constructor should set Age to 0 and print
Age is not valid
, setting age to 0.. In addition, you must write the following instance methods:
- yearPasses() should increase the age instance variable by 1.
- amIOld() should perform the following conditional actions:
- If Age < 13 print
You are young..
- If Age > 13 and Age< 18 print
You are a teenager..
- Otherwise, print
You are old..
To help you learn by example and complete this challenge, much of the code is provided for you, but you'll be writing everything in the future. The code that creates each instance of your Person class is in the main method. Don't worry if you don't understand it all quite yet!
Note:
Do not remove or alter the stub code in the editor.
Input Format
Input is handled for you by the stub code in the editor.
The first line contains an integer, T(the number of test cases), and the T subsequent lines each contain an integer denoting the age of a Person instance.
Constraints
1 ≤ T < 4
-5 ≤ Age < 30
Output Format
Complete the method definitions provided in the editor so they meet the specifications outlined above; the code to test your work is already in the editor. If your methods are implemented correctly, each test case will print 2 or 3 lines
(depending on whether or not a valid initialAge was passed to the constructor).
Sample Input
4
-1
10
16
18
Sample Output
Age is not valid, setting age to 0.
You are young.
You are young.
You are young.

You are old.
You are old.
You are old.
Explanation
Test Case 0: initialAge=-1
Because initialAge < 0, our code must set Age to and print the "
Age is not valid...
" message followed by the young message. Three years pass and Age = 3, so we print the young message again.
Test Case 1: initialAge = 10
Because initialAge < 13 , our code should print that the person is young. Three years pass and Age = 13, so we print that the person is now a teenager.
Test Case 2: initialAge = 16
Because 13 ≤ Age < 18, our code should print that the person is a teenager. Three years pass and Age = 19, so we print that the person is old.
Test Case 3: initialAge = 18
Because initialAge ≥ 18, our code should print that the person is old. Three years pass and the person is still old at Age = 21, so we print the old message again.
The extra line at the end of the output is supposed to be there and is trimmed before being compared against the test case's expected output. If you're failing this challenge, check your logic and review your print statements for spelling errors.


new Tween({
from: 0,
to: 100,
in: 60,
ease: Tween.LINEAR,
onUpdate: function (v, t) {
// for example, tweening the x position
entity.position.x = v;
},
onComplete: function () {
// stuff to happen when tween ends
}
});
Seriously, what's up with all the Javascript game engines implementing tweens as
Tween(object).from(properties, value).to(properties, value).start() anyway???
We don't all need to copy from TweenJS and GreenSock, those are targeted to tweening DOM elements.


"CINNERETH "a harp, one of the “fenced cities” of Naphtali (Joshua 19:35; comp. Deuteronomy 3:17). It also denotes, apparently, a district which may have taken its name from the adjacent city or lake of Gennesaret, anciently called “the sea of Chinnereth” (q.v.), and was probably that enclosed district north of Tiberias afterwards called “the plain of Gennesaret.” Called Chinneroth (R.V., Chinnereth) Joshua 11:2. The phrase “all Cinneroth, with all the land of Naphtali” in 1 Kings 15:20 is parallel to “the store-houses of the cities of Naphtali” (R.V. marg.) in 2 Chronicles 16:4.
"CINNERETH "a harp, one of the “fenced cities” of Naphtali (Joshua 19:35; comp. Deuteronomy 3:17). It also denotes, apparently, a district which may have taken its name from the adjacent city or lake of Gennesaret, anciently called “the sea of Chinnereth” (q.v.), and was probably that enclosed district north of Tiberias afterwards called “the plain of Gennesaret.” Called Chinneroth (R.V., Chinnereth) Joshua 11:2. The phrase “all Cinneroth, with all the land of Naphtali” in 1 Kings 15:20 is parallel to “the store-houses of the cities of Naphtali” (R.V. marg.) in 2 Chronicles 16:4.


Tempers flare over rebuilding of Notre-Dame spire
PARIS: The French army general charged with overseeing the rebuilding of Paris' fire-mangled Notre-Dame, has caused astonishment by publicly telling the cathedral's chief architect to "shut his mouth" in a sign of tension over the monument's future look.
General Jean-Louis Georgelin and chief architect Philippe Villeneuve are at odds over whether to replace the cathedral's spire - which was toppled in the Apr 15 blaze - with an exact replica, or mix things up with a modern twist.
President Emmanuel Macron, who appointed Georgelin to head the massive reconstruction project, has said he is in favour of adding a "contemporary" touch.
But Villeneuve insists the tower must be redone exactly as it was before.
Tensions boiled over into an open squabble at a meeting of the cultural affairs committee of the National Assembly - the lower house of parliament - late Wednesday.
"As for the chief architect, I have already explained that he should shut his mouth," Georgelin erupted, to gasps of astonishment from those present at the meeting.
The former army chief of staff suggested that "we move ahead in wisdom so that we can serenely make the best choice for Notre-Dame, for Paris, for the world".
He said the final option will be decided in 2021, and called in the meantime for the "hustle and bustle" over the issue to stop.
Georgelin confirmed the five-year timeframe set by Macron for rebuilding the religious edifice - a deadline some experts see as too ambitious.
"STILL IN DANGER"
Villeneuve, however, has previously said the target could only be met if the spire is rebuilt to resemble its former self.
The Notre-Dame, part of a UNESCO world heritage site covering the banks of the River Seine in Paris, lost its gothic spire, roof and many precious artefacts in the Apr 15 blaze.
Paris prosecutors said in June a poorly stubbed-out cigarette or an electrical fault could have started the fire and opened an investigation into criminal negligence.
Last month, the culture ministry said nearly one billion euros (US$1.1 billion) had been pledged or raised for the gargantuan reconstruction.
The cathedral remains enveloped in scaffolding and plastic sheeting.
Georgelin told MPs the Notre-Dame "remains in danger".
"The phase of securing the edifice is not over. It will be done when the scaffolding around the spire has been dismantled," he said, and warned of winter gales threatening to "destabilise" the temporary, protective structure.
On the positive side, the Notre-Dame "no longer seems to be emitting lead" offsite - a major concern shortly after the disaster that saw hundreds of tonnes of lead in the roof and steeple melt.
Villeneuve, the cathedral's architect since 2013, told the RTL broadcaster last month: "Either I restore it identically, it will be me, or they make a contemporary spire and it will be someone else."


§ 11-49.3-5 Penalties for violation.
(a) Each reckless violation of this chapter is a civil violation for which a penalty of not more than one hundred dollars ($100) per record may be adjudged against a defendant.
(b) Each knowing and willful violation of this chapter is a civil violation for which a penalty of not more than two hundred dollars ($200) per record may be adjudged against a defendant.
(c) Whenever the attorney general has reason to believe that a violation of this chapter has occurred and that proceedings would be in the public interest, the attorney general may bring an action in the name of the state against the business or person in violation.
(P.L. 2015, ch. 138, § 2; P.L. 2015, ch. 148, § 2.)


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Class: Aws::MediaConvert::Types::VideoSelector
| Relationships & Source Files | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Class Chain:
self,
Struct
|
|
|
Instance Chain:
self,
::Aws::Structure ,
Struct
|
|
| Inherits: |
Struct
|
| Defined in: | gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb |
Overview
Input
video selectors contain the video settings for the input. Each
of your inputs can have up to one video selector.
Constant Summary
Instance Attribute Summary
-
#alpha_behavior ⇒ String
rw
Ignore this setting unless this input is a QuickTime animation with an alpha channel.
-
#color_space ⇒ String
rw
If your input video has accurate color space metadata, or if you don't know about color space: Keep the default value, Follow.
-
#color_space_usage ⇒ String
rw
There are two sources for color metadata, the input file and the job input settings Color space and HDR master display information settings.
-
#embedded_timecode_override ⇒ String
rw
Set Embedded timecode override to Use MDPM when your AVCHD input contains timecode tag data in the Modified Digital Video Pack Metadata.
-
#hdr_10_metadata ⇒ Types::Hdr10Metadata
rw
Use these settings to provide HDR 10 metadata that is missing or inaccurate in your input video.
-
#pad_video ⇒ String
rw
Use this setting if your input has video and audio durations that don't align, and your output or player has strict alignment requirements.
-
#pid ⇒ Integer
rw
Use PID to select specific video data from an input file.
-
#program_number ⇒ Integer
rw
Selects a specific program from within a multi-program transport stream.
-
#rotate ⇒ String
rw
Use Rotate to specify how the service rotates your video.
-
#sample_range ⇒ String
rw
If the sample range metadata in your input video is accurate, or if you don't know about sample range, keep the default value, Follow, for this setting.
Instance Method Summary
::Aws::Structure
- Included
| #to_hash | Alias for Structure#to_h. |
Instance Attribute Details
#alpha_behavior ⇒ String
(rw)
Ignore this setting unless this input is a QuickTime animation with
an alpha channel. Use this setting to create separate Key and Fill
outputs. In each output, specify which part of the input
::Aws::MediaConvert
uses. Leave this setting at the default value DISCARD
to delete the alpha channel and preserve the video. Set it to
REMAP_TO_LUMA to delete the video and map the alpha channel to the
luma channel of your outputs.
# File 'gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb', line 12507
class VideoSelector < Struct.new( :alpha_behavior, :color_space, :color_space_usage, :, :, :pad_video, :pid, :program_number, :rotate, :sample_range) SENSITIVE = [] include Aws::Structure end
#color_space ⇒ String
(rw)
If your input video has accurate color space metadata, or if you
don't know about color space: Keep the default value, Follow.
::Aws::MediaConvert
will automatically detect your input color space. If
your input video has metadata indicating the wrong color space, or
has missing metadata: Specify the accurate color space here. If your
input video is HDR 10 and the SMPTE ST 2086 Mastering Display Color
Volume static metadata isn't present in your video stream, or if
that metadata is present but not accurate: Choose Force HDR 10.
Specify correct values in the input HDR 10 metadata settings. For
more information about HDR jobs, see
https://docs.aws.amazon.com/console/mediaconvert/hdr. When you
specify an input color space, ::Aws::MediaConvert
uses the following color
space metadata, which includes color primaries, transfer
characteristics, and matrix coefficients: * HDR 10: BT.2020, PQ,
BT.2020 non-constant * HLG 2020: BT.2020, HLG, BT.2020 non-constant
- P3DCI (Theater): DCIP3, SMPTE 428M, BT.709 * P3D65 (SDR): Display P3, sRGB, BT.709 * P3D65 (HDR): Display P3, PQ, BT.709
# File 'gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb', line 12507
class VideoSelector < Struct.new( :alpha_behavior, :color_space, :color_space_usage, :, :, :pad_video, :pid, :program_number, :rotate, :sample_range) SENSITIVE = [] include Aws::Structure end
#color_space_usage ⇒ String
(rw)
There are two sources for color metadata, the input file and the job input settings Color space and HDR master display information settings. The Color space usage setting determines which takes precedence. Choose Force to use color metadata from the input job settings. If you don't specify values for those settings, the service defaults to using metadata from your input. FALLBACK - Choose Fallback to use color metadata from the source when it is present. If there's no color metadata in your input file, the service defaults to using values you specify in the input settings.
# File 'gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb', line 12507
class VideoSelector < Struct.new( :alpha_behavior, :color_space, :color_space_usage, :, :, :pad_video, :pid, :program_number, :rotate, :sample_range) SENSITIVE = [] include Aws::Structure end
#embedded_timecode_override ⇒ String
(rw)
Set Embedded timecode override to Use MDPM when your AVCHD input contains timecode tag data in the Modified Digital Video Pack Metadata. When you do, we recommend you also set Timecode source to Embedded. Leave Embedded timecode override blank, or set to None, when your input does not contain MDPM timecode.
# File 'gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb', line 12507
class VideoSelector < Struct.new( :alpha_behavior, :color_space, :color_space_usage, :, :, :pad_video, :pid, :program_number, :rotate, :sample_range) SENSITIVE = [] include Aws::Structure end
#hdr_10_metadata ⇒ Types::Hdr10Metadata (rw)
Use these settings to provide HDR 10 metadata that is missing or
inaccurate in your input video. Appropriate values vary depending on
the input video and must be provided by a color grader. The color
grader generates these values during the HDR 10 mastering process.
The valid range for each of these settings is 0 to 50,000. Each
increment represents 0.00002 in CIE1931 color coordinate. Related
settings - When you specify these values, you must also set Color
space to HDR 10. To specify whether the the values you specify here
take precedence over the values in the metadata of your input file,
set Color space usage. To specify whether color metadata is included
in an output, set Color metadata. For more information about
::Aws::MediaConvert
HDR jobs, see
https://docs.aws.amazon.com/console/mediaconvert/hdr.
# File 'gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb', line 12507
class VideoSelector < Struct.new( :alpha_behavior, :color_space, :color_space_usage, :, :, :pad_video, :pid, :program_number, :rotate, :sample_range) SENSITIVE = [] include Aws::Structure end
#pad_video ⇒ String
(rw)
Use this setting if your input has video and audio durations that
don't align, and your output or player has strict alignment
requirements. Examples: Input
audio track has a delayed start. Input
video track ends before audio ends. When you set Pad video to Black,
::Aws::MediaConvert
generates black video frames so that output video and
audio durations match. Black video frames are added at the beginning
or end, depending on your input. To keep the default behavior and
not generate black video, set Pad video to Disabled or leave blank.
# File 'gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb', line 12507
class VideoSelector < Struct.new( :alpha_behavior, :color_space, :color_space_usage, :, :, :pad_video, :pid, :program_number, :rotate, :sample_range) SENSITIVE = [] include Aws::Structure end
#pid ⇒ Integer
(rw)
Use PID to select specific video data from an input file. Specify this value as an integer; the system automatically converts it to the hexidecimal value. For example, 257 selects PID 0x101. A PID, or packet identifier, is an identifier for a set of data in an MPEG-2 transport stream container.
# File 'gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb', line 12507
class VideoSelector < Struct.new( :alpha_behavior, :color_space, :color_space_usage, :, :, :pad_video, :pid, :program_number, :rotate, :sample_range) SENSITIVE = [] include Aws::Structure end
#program_number ⇒ Integer
(rw)
Selects a specific program from within a multi-program transport stream. Note that Quad 4K is not currently supported.
# File 'gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb', line 12507
class VideoSelector < Struct.new( :alpha_behavior, :color_space, :color_space_usage, :, :, :pad_video, :pid, :program_number, :rotate, :sample_range) SENSITIVE = [] include Aws::Structure end
#rotate ⇒ String
(rw)
Use Rotate to specify how the service rotates your video. You can choose automatic rotation or specify a rotation. You can specify a clockwise rotation of 0, 90, 180, or 270 degrees. If your input video container is .mov or .mp4 and your input has rotation metadata, you can choose Automatic to have the service rotate your video according to the rotation specified in the metadata. The rotation must be within one degree of 90, 180, or 270 degrees. If the rotation metadata specifies any other rotation, the service will default to no rotation. By default, the service does no rotation, even if your input video has rotation metadata. The service doesn't pass through rotation metadata.
# File 'gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb', line 12507
class VideoSelector < Struct.new( :alpha_behavior, :color_space, :color_space_usage, :, :, :pad_video, :pid, :program_number, :rotate, :sample_range) SENSITIVE = [] include Aws::Structure end
#sample_range ⇒ String
(rw)
If the sample range metadata in your input video is accurate, or if
you don't know about sample range, keep the default value, Follow,
for this setting. When you do, the service automatically detects
your input sample range. If your input video has metadata indicating
the wrong sample range, specify the accurate sample range here. When
you do, ::Aws::MediaConvert
ignores any sample range information in the
input metadata. Regardless of whether ::Aws::MediaConvert
uses the input
sample range or the sample range that you specify, ::Aws::MediaConvert
uses
the sample range for transcoding and also writes it to the output
metadata.
# File 'gems/aws-sdk-mediaconvert/lib/aws-sdk-mediaconvert/types.rb', line 12507
class VideoSelector < Struct.new( :alpha_behavior, :color_space, :color_space_usage, :, :, :pad_video, :pid, :program_number, :rotate, :sample_range) SENSITIVE = [] include Aws::Structure end