Ensign Energy Services slashes dividend in half, reports $37.8M Q3 loss
Revenue in the quarter totalled $393.5 million
by The Canadian PressEnsign Energy Services slashes dividend in half, reports $37.8M Q3 lossShares in Ensign Energy Services Inc. fell after it cut its dividend in half due to what it said was prevailing industry conditions as it reported a third-quarter loss of $37.8 million.
The oilfield services company saw its shares fall 27 cents or about 10 per cent to $2.41 in trading on the Toronto Stock Exchange after falling as low as $2.29.
The drop came after Ensign said it will pay a quarterly dividend of six cents per share, down from 12 cents, to allow it “pursue alternative uses of available cash.”
The company also ended its dividend reinvestment plan.
The reduced payment to shareholders came as the company said its loss in its latest quarter amounted to 24 cents per share compared with a loss of $32.8 million or 21 cents per share in the same quarter last year.
Revenue in the quarter totalled $393.5 million, up from $288.7 million in the third quarter of 2018.
Ensign acquired an 89.3 per cent stake in Trinidad Drilling Ltd. in the fourth quarter of 2018 and the remaining stake in the first quarter of 2019.
The Canadian Press


Submit your homework as a pdf file through Gradescope before the due date listed above.
There is NO MAKEUP for missed assignments;
in place of that, we drop the {{site.hwk_drop_lowest}} lowest scores (if you have zeros, those are the {{ site.hwk_drop_lowest}} lowest scores.)
For best results, save this page as a pdf, then print the pdf. Please write all your answers in the provided space. Homework submitted in a format different from the provided template will receive 0 points.
Please mark your homework clearly, regardless of if you write it out digitally, or in ink or pencil!


Using Awesome Window Manager for a long time and I loved it. I made a theme for AWM 3.5 by keeping awesome-copycats as a reference and gave the name ANXIETY.
Awesome Anxiety is a set of themes which I made to give users a friendly experience with Awesome Window Manager and feel elegant towards it. If you think it needs more improvements then you are free to do so.
It is opensourced and can be found on github under BY-NC-SA license.
Download
Fork
Star
Using Awesome Window Manager for a long time and I loved it. I made a theme for AWM 3.5 by keeping awesome-copycats as a reference and gave the name ANXIETY.
Awesome Anxiety is a set of themes which I made to give users a friendly experience with Awesome Window Manager and feel elegant towards it. If you think it needs more improvements then you are free to do so.
It is opensourced and can be found on github under BY-NC-SA license.
Download
Fork
Star
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COMMENT:


Committer Guidelines
So, you're ready to push some code into the public repo? Here's a list of things you can do to make sure your code gets past the review process.
1 - Conform to SC Style Guides
Yeah, this is pretty obvious. If you haven't already go read them.
2 - Must Pass JS Hint
Javascript can be beautiful and annoying all at the same time. JSHint is a god send and helps check for common mistakes like:
- Undefined global vars
- use of == and != instead of === and !==
- Extra or missing commas
The following JS lint config can be used in combination with the SproutCore Textmate bundle.
Install it at
var JSLINT_PREFS = {
adsafe : false, // if ADsafe should be enforced
bitwise : false, // if bitwise operators should not be allowed
browser : true, // if the standard browser globals should be predefined
cap : false, // if upper case HTML should be allowed
debug : true, // if debugger statements should be allowed
eqeqeq : true, // if === should be required
evil : false, // if eval should be allowed
forin : true, // if for in statements must filter
fragment : false, // if HTML fragments should be allowed
laxbreak : true, // if line breaks should not be checked
nomen : false, // if names should be checked
on : false, // if HTML event handlers should be allowed
passfail : false, // if the scan should stop on first error
plusplus : false, // if increment/decrement should not be allowed
regexp : true, // if the . should not be allowed in regexp literals
rhino : false, // if the Rhino environment globals should be predefined
undef : true, // if variables should be declared before used
safe : false, // if use of some browser features should be restricted
sidebar : false, // if the System object should be predefined
sub : true, // if all forms of subscript notation are tolerated
white : false, // if strict whitespace rules apply
widget : false, // if the Yahoo Widgets globals should be predefined
indent: 2,
predef: ["SC", "require", "sc_super", "YES", "NO", "static_url", "sc_static", "sc_resource", "sc_require", "module", "test", "equals", "same", "ok", "CoreTest", "SproutCore", "$", "jQuery", "start", "stop", "expect", "htmlbody"]
};
TODO: we should have a command line tool that is included in the build tools so there is a consistent standard and so all the cool kids using VI have an option.
3 - Unit Tests
3.1 - Don't break anyone else's tests
On stable builds, all of the unit tests should pass. On development branches, if there are broken tests because of a major project that someone on the Core Team is doing, you can ignore those failures.
3.2 - Write good tests
Writing good unit tests is something often pontificated on by seasoned developers, so rather than waste time with a long essay I'll just show some examples of good and bad unit tests:
3.2.1 - View Unit Tests
test("basic", function() {
var view = pane.view('basic');
ok(!view.$().hasClass('disabled'), 'should not have disabled class');
ok(!view.$().hasClass('sel'), 'should not have sel class');
var input = view.$();
equals(input.attr('aria-checked'), 'false', 'input should not be checked');
var label = view.$('span.label');
equals(label.text(), 'Hello World', 'should have label');
});
The above test is great because it verifies that the rendered DOM is correct.
test("basic", function() {
var view = pane.view('basic');
equals(view.get('title'), 'Hello World', 'should have label');
});
This test sucks because it only verifies that you can set a property on an object.
For more information see [Writing Unit Tests](writing_unit_tests.html).
3.3 - Running Unit Tests
You can run the unit tests by using the test runner app http://localhost:4020/sproutcore/tests or by calling them manually:
Specific Tests:
http://localhost:4020/<framework_or_app_name>/en/current/tests/path/to/your/tests.html
For example:
All of SproutCore's datastore tests:
http://localhost:4020/sproutcore/datastore/en/current/tests.html
Just the tests in the store directory:
http://localhost:4020/sproutcore/datastore/en/current/tests/system/store.html
Just the find tests:
http://localhost:4020/sproutcore/datastore/en/current/tests/system/store/find.html
For more information see [Running Unit Tests](running_unit_tests.html).
4 - Consistency
All code must be consistent with patterns found in the Application and within the Frameworks. example: MVC, Visitor, Statecharts don't add special functionality without good reason!
5 - Performance
Avoid things that are known to be slow:
- .observes
- nested run loops
- looping
- missing .cacheable()
- code must be prove-ably fast with SC.Benchmark
- keep in mind code size in kb, number of statements (Internet Explorer!), doing too much on init
6 - Maintainability
- Don't override private APIs
- Be consistent and predictable
- Make your classes extensible for other devs! (comment and modularize)
- Use good OO practices
- Reduce coupling between layers (parent classes should not know about their children -> looking at you SC.View)
- Refactor, don't hack -> make code better not worse!
7 - Changelog
- March 3, 2011: initial version by Mike Ball
- March 3, 2011: minor adjustments by Peter Wagenet
- March 3, 2011: minor grammatical/formatting changes by Topher Fangio
- July 24, 2013: migration to DocPad by Topher Fangio
- February 5, 2014: fix formatting issue dealing with dollar signs followed by a single quote by Topher Fangio


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This is a simple experiment to run in your browser a C++ program compiled to JavaScript and WebAssembly. The program uses MiniSAT to find all equivalence relations on an 8-element set. On a recent laptop the native binary executable completes in 84 milliseconds. This JavaScript version should finish under 200 milliseconds depending on the browser and computer you are using. The source code is available on GitHub.


What if I care for a child or I’m a carer?
You will not need a Claimant Commitment if you have a child under one or have significant caring responsibilities for someone. There are separate categories for children up to 3 years old. Once they are 3 or over you will be expected to look for full-time work.


This proposal will encompass all changes that will be implemented for Nyzo blockchain version 3.
The changes will include:
This proposal is a work in progress.


Selector: mdc-chip-set
Exported as: mdcChipSet| Name | Description |
|---|---|
| choice: boolean | Indicates that the chips in the set are choice chips, which allow a single selection from a set of options. |
| filter: boolean | Indicates that the chips in the set are filter chips, which allow multiple selection from a set of options. |
| input: boolean | Indicates that the chips in the set are input chips, which enable user input by converting text into chips. |
| touch: boolean | Set the component touch target to 48 x 48 px. |
| getSelectedChipIds(): string[] | Returns an array of the IDs of all selected chips. |
| select(chipId: string): void | Selects the chip with the given id. Deselects all other chips if the chip set is of the choice variant. |
| interaction: MdcChipInteractionEvent | Indicates when a chip is interacted with (via click/tap or Enter key) |
| change: MdcChipSetChange | Emitted when a chip is interacted with. |
Selector: mdc-chip
Exported as: mdcChip| Name | Description |
|---|---|
| choice: boolean | Indicates that the chips in the set are choice chips, which allow a single selection from a set of options. |
| filter: boolean | Indicates that the chips in the set are filter chips, which allow multiple selection from a set of options. |
| input: boolean | Indicates that the chips in the set are input chips, which enable user input by converting text into chips. |
| label: string | Sets the text content of the chip. |
| value: string | string[] | The value of the chip. Defaults to the content inside
mdc-chip . |
| removable: boolean | Sets whether a trailing icon click should trigger exit/removal of the chip. (Default is true) |
| disableRipple: boolean | Whether ripples are disabled. |
| focus() | Set focus to the chip. |
| interactionEvent: MdcChipInteractionEvent | Indicates the chip was interacted with (via click/tap or Enter key) |
| selectionChange: MdcChipSelectionEvent | Indicates the chip's selection state has changed (for choice/filter chips) |
| removalEvent: MdcChipRemovalEvent | Indicates the chip removal event from a chip set |
| navigationEvent: MdcChipNavigationEvent | Indicates a navigation event has occurred on a chip |
| trailingIconInteraction: MdcChipInteractionEvent | Indicates the chip's trailing icon was interacted with (via click/tap or Enter key) |
Selector: mdc-chip-text
Exported as: mdcChipTextSelector: mdc-chip-icon
Exported as: mdcChipIcon| Name | Description |
|---|---|
| leading: boolean | Indicates a leading icon in the chip |
| trailing: boolean | Indicates a trailing icon in the chip |


Welcome to Daily UI HTML kit project! It's a design challenge of mine. I am adding new design elements daily. Come back tomorrow, grab something new and implement whatever you want FREE
Hi, I'm Roman
Shopping item card in several designs: full-width, horizontal and vertical. You can change additional options, such as size and color. The status of added item is highlited by slide effect after clicking.
23th of March
UI HTML KIT
Daily
ADD TO CART
ITEM ADDED!
Breakfast
E U R O P E A N
Bread, pate, vegetables, berries, several drinks
$19.95
Tea
Coffee
Water
Your order
Thanks for download
Hope to see you tomorrow at
www.dailyuikit.com
ZIP file with HTML/CSS code
Download
Latest build
Please, share and repost my project to keep it FREE
Shopping item, Add to cart, Transition, e-Commerce
Classic Jacket
F I N E C O L L E C T I O N
XL
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ITEM ADDED!
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Soc Forms are built upon the Bootstrap form style. The 'soc-form' is simplified however, in stead of using different bootstrap classes to style your form, only a single 'soc-form' class must be added to the form element. This will create a horizontal form on large screens and change itself to a vertical one on smaller devices.
Guidelines for implementation
Style options are available to change details of the form. Use the following classes next to 'soc-form' to change the form:
form.soc-form>(div>(label[for="i$"]{Label $}+div>input#i$[type="text" placeholder="item $"]))*4+button[type="submit"]{Save}
form.soc-form.inline.hidden-labels>(div>(label[for="i$"]{Label $}+div>input#i$[type="text" placeholder="item $"]))*4+button[type="submit"]{Save}
form.soc-form.compact.btn-left>(div>(label[for="i$"]{Label $}+div>input#i$[type="text" placeholder="item $"]))*4+button[type="submit"]{Save}+button.btn-danger{Cancel}


Hi there!
I am Eris!  I live in germany in a small peaceful town called Nussdorf. Whilst I'm mostly occupied learning new techs I'm looking for any kind of job that can grand me more indepth experience.
Fluent in german and english, spoken and written. I have mayor knowledge in web development and an eye for design but wouldn't also mind to get to know new stuff.
If you are looking to adopt an seemingly adult with great humor please lets have a chat for busniess inquiries at eris.tubo@gmail.com


Alvin Fielder
by Michael Schmidt
Alvin Fielder spoke to me while he was in Austin performing at the February 2016 No Idea Festival.
Mr. Fielder is most well-known for his pioneering role in free jazz drumming during the 1960s, as a founding member of the seminal social-music group the AACM, and as one of the most important voices in the jazz avant-garde in the South since the 1970s. In addition to his importance as a musician, Mr. Fielder is also a keen observer of jazz history and a rich conversationalist.
We spoke about a number of key segments in his life in music, including his early life in Mississippi and his career in Chicago with Sun Ra and Roscoe Mitchell. We also discussed his time in Texas during the 1950s. Although only a resident of Houston for a handful of years in the 1950s, he took in a great deal and his reflections on Texas music in those years were vivid and poignant. AF has continued his relationship with Houston musicians during the last decade and a half and his “Houston Quartet” includes David Dove, Jason Jackson, and Damon Smith.
Throughout, Mr. Fielder stressed the importance of environment. Although we spoke about a number of subjects, it was a thread that ran through the center of our conversation. AF stressed how crucial environment is to the development of musicians. He feels that the current university system, where students learn how to play jazz with a professor in a classroom, breaks with earlier periods and ultimately has a detrimental effect on the creativity of musicians.
While discussing his own background, he emphasized how crucial Rhythm and Blues was as an environment for the early postwar generation of bebop musicians. The world born from the intimate connection of R & B and modern jazz produced great, innovative players, he contended.
AF: The thing is, the kids today, their musical thing has been so saturated. If you look at the older musicians, especially back with the so-called modern musicians, the bebop players–at first there were no music schools teaching jazz. Jazz was a bastard course–you know: started in America by blacks, etc. You got a few schools, universities–Texas State and a few others…Schillinger. Once the music got into the schools, it stopped evolving. Think about it: you’ve had fifteen…sixteen…twelve innovators in jazz, period. I’m talking about who actually changed the music. It used to change every fifteen years, twenty years maybe: Ragtime, New Orleans music, Swing, bebop…you got into post-bop and then avant-garde. In a period of about 120 years, you’ve got about 6 changes.
But think about it—think about it seriously—it hasn’t changed since the sixties. It hasn’t changed since Coltrane, Ornette, and Cecil Taylor. It stood still. Of course, the average musician is a much better musician, but not creatively. They are much better musicians technically, MAYBE. But when you think about the trumpet players who came after Dizzy Gillespie—Kenny Dorham, Clifford Brown, Fats Navarro, Freddie Webster and all those guys—they didn’t go to college. They didn’t go to college to learn music. But think about all the creativity that they got.
I can go back to the rhythm and blues bands of the forties, fifties, early sixties—most of the sidemen were bebop musicians. You think of the rhythm and blues of today—the musicianship just isn’t there, not really. And you look at the trumpet players, saxophone players, they’ve got all the facility in the world, but they haven’t created anything since the sixties.
MJS: What do you think…
AF: Caused it?
MJS: Yeah, how do you think musicians were educated before?
AF: Mentorship. Mentorship—the best way. Because this music, it was like magic. You could say it just sprung up after slavery. There was no roots for it. African musicians were brought over here to slavery and I think the American experience really had a great deal to do with it. As Art Blakey said, “only in America could this music have been created.”
I can remember when I was in high school: I lived in a very nice neighborhood, but going to school I had to pass through some other neighborhoods. I walked to school sometimes– I was usually driven to school–but you had those joints and those dives and the music was playing early in the morning. You would hear it; it’s in the air. And then, of course, the jukeboxes had jazz AND rhythm and blues on it. You’d get Charlie Parker being played, Dizzy Gillespie, all bebop stuff. Dizzy Gillespie’s big band mainly, Charlie Parker’s quintets. I didn’t hear any Thelonious Monk, though [laughs]…I didn’t hear any Bud Powell. Some other players: Earl Bostic’s music and stuff. BUT when you think of the Earl Bostic band, think of it, think of who came out of that band. Do you know who came out of that band?
MJS: Coltrane came out of that band.
AF: That’s just one. Stanley Turrentine, Wynton Kelly, Jimmy Cobb, G.T. Hogan, a bass player from Washington. He had all jazz musicians. Louis Jordan’s band was the same way. When you think of B.B. King’s band, it was all jazz musicians. Jymie Merritt was in that band, George Coleman, Charles Lloyd. Think of Ray Charles’s band: all jazz musicians. Ray Charles plays great alto. He’s recorded two or three tracks…he really sounded great on alto. His piano playing was good– he sounded a lot like Nat King Cole at first.
Jazz was the music. George Adams came through rhythm and blues. Sam Rivers, Hank Mobley, all those guys came through rhythm and blues. It was different. It’s not like the rhythm and blues today. It started changing in the sixties: lesser musicianship.
I can remember when I first saw B.B. King’s band. All the bands would come to Meridian at least once a month. B.B. King would come through once a month…Ray Charles, Big Joe Turner, Gatemouth Brown. There was this route. I used to talk to these guys and the first person I talked to was Jymie Merritt with B.B. King and he was the one who told me about Clifford Brown. Now this is about 1948, 1949. He told me about Philly Joe Jones and he told me about Jimmy Smith’s drummer…those were the musicians he was talking about.
There was this East Coast band, the Joe Morris band. Guess who was in it? Philly Joe Jones, Percy Heath, Johnny Griffin. All the great jazz musicians played in rhythm and blues bands except Jackie McLean and Sonny Rollins, probably. Think about it: it was a great starting factor because the rhythm and blues bands were swinging. They don’t swing any more. Rhythm and Blues, of course, turned into rock later on. There’s a difference in the rhythms, though.
AF on R&B vs. Jazz vs. R’n’R rhythms.
MJS: What was your experience in rhythm and blues bands?
AF: Well, I was born in Meridian, Mississippi. Are you familiar with Lovie Lee Watson? He was born there. I played in his band. Lovie Lee and his Funky Three. That was the name of his group. Lovie Lee went on to play with Muddy Waters.
A lot of great musicians came out of Meridian. Big Jimmy Cole called his band Jimmy Cole and his Mighty Rockers. However, they were playing jazz. Jay Crosby: tenor player from Meridian, went into the army. You remember the Pittsburgh Courier, the Chicago Defender? They had write ups on him. Great tenor player. He wound up in Chicago. He played like Illinois Jacquet. Bunky Lane was a white tenor player from Meridian. Sounded a lot like Stan Getz. Do you remember Dexter Gordon…Dexter’s Deck and all that? That’s how Bunky Lane sounded. Great white tenor player. But his father was band director for the Meridian schools. He moved to Hawaii and joined the navy, but he could have gone to New York and really played. You had several drummers from there. You remember Freddie Waits? Freddie was from Jackson. We both started playing around the same time.
1950s Houston exemplified this deep connection between postwar bebop and rhythm and blues. Mr. Fielder was born in Meridian, MS, but moved to Houston in the mid-1950s to pursue a pharmacy degree at Texas Southern in the 3rd Ward. At the time, Houston was quickly becoming one of the most important centers of R&B in the nation and Don Robey’s Peacock Records became a center of gravity for talented African American musicians across Texas and the South. Although in his late teens, he quickly integrated himself into Houston scene. He became the drummer for Pluma Davis, who led the house band at the Eldorado Ballroom, an elegant, middle class black dance club at the corner of Elgin and Dowling. Davis’s band backed a number of Peacock Records’s artists in the 1950s and was largely made up of jazz musicians.
The Eldorado Ballroom, The Third Ward, Houston, Texas.
Amongst many things, Mr. Fielder discussed the musical richness of Houston’s Third Ward while he was there. Bebop was being played everywhere, he remembered, and the city was full of talent. Some musicians, like Arnett Cobb, already had a significant career and had returned home. Others went on to record for important labels and became (or were already a) part of the documented national–and international–story of jazz history: Don Wilkerson, Henry Boozier, Joe Sample, G.T. Hogan, Jimmy Harrison, Joe Curtis, and Richie Goldberg.
Fielder noted that there were also significant local players who never came to the awareness of the public outside of Houston. J.D. Norris, a tenor saxophone player who played like early Sonny Rollins; Dickie Boy Lillie, who was Billy Harper’s teacher; Alexander Sample (Joe’s brother), piano; and Perry Deal, a pianist who reminded Fielder of Muhal Richard Abrams and who he declared “was the most creative piano player to come out of Houston.” Johnny Browning, who Fielder played with in Pluma Davis’s band and in Browning’s own quartet, is most well known for playing trumpet with B.B. King’s band.
Listen to Alvin Fielder discuss the musical world of Houston in the late 1950s.
(note: the sound quality is not perfect, since the interview took place on a backyard porch and one can also hear grackles, the screen door, and neighborhood noise.)
Pluma Davis’s band with Gatemouth Brown on “Okie Dokie Stomp” (1954), about the time Alvin Fielder arrived in Houston.
Don Wilkerson, “The Twister” from Texas Twister (1960), a few years after Fielder was in Houston.
Mr. Fielder left Houston in the late 1950s and migrated north to Chicago. There, he played with the Sun Ra Arkestra and then, after a legendary stint with Roscoe Mitchell, he became a founding member of the AACM (Association for the Advancement of Creative Musicians), one of the key musical-social groups of the sixties avant-garde.
AF on meeting Roscoe Mitchell, recording Sound (1966), and the founding of the AACM.
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Get Sorted!
This project was created for the Visualize a Data Structure's Algorithm assignment, part of the Code Fellows Foundations I: Computer Science & Web Development course.
Simple animations using CSS and JavaScript visually demonstrate the insertion sort and modern Fisher-Yates shuffle algorithms, which are implemented here by directly manipulating DOM elements to show a basic grasp of jQuery. The page layout also attempts to use a responsive design.
Further information about sorting algorithms can be found at the excellent sorting-algorithms.com.


Hi, I'm Maša!
I'M A WEB DEVELOPER BASED IN BERLIN, GERMANY
I build javascript applications and I'm comfortable developing on both frontend and backend. Currently, I'm working with technologies like HTML, CSS, Javascript, React, Vue, Node with Express MongoDB and Postgresql. While those are technologies I'm most comfortable with, I would welcome any opportunity to work with new languages and frameworks. I build fully responsive web applications and I strive to make the web a better place with every line of code.
My Projects.
Check out some of my projects!
The Network is a single-page React app where users can sign up, say a little bit about themselves and connect with other users.
Memegur is a Vue app where anybody can go and post a meme of their choosing, along with a title and a description. Others can go and look at memes and make thoughtful remarks.
Towelday petition is an online petition that visitors can sign in order to demand a new national holiday, 25th May.
Plate Check is a React app developed for people diagnosed with IBS. It allows them to scan the barcode of a product and check if it's safe for their consumption.
Contact.
Find out more about me!
Or email me via this contact form.


| Proxy | Protocol | Country | Anonymity | Ø Uptime | Ø Time | Via | GW | Checked |
|---|---|---|---|---|---|---|---|---|
| HTTP | PT | Elite | 100.0% | 0.3s / 1.6s | — | — | 11h ago | |
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{% extends "frontend/base.html" %} {% block content %}
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Getting started¶
At some point soon hopefully it will be pip install skyline but for now see Installation after reviewing the below
Not just a program¶
Anomaly detection is not easy.
> “It seems difficult”
It helps if you start out with realistic expectations. Anomaly detection takes time and effort, it is not simply a case of...
install = “all singing and dancing anomaly detection system”
There is no off-the-shelf, panacea, anomaly detection system or framework that is going to provide you with “WOW” without some effort, learning and tuning your system to your needs.
It is not simple, it is not perfect. It is difficult. Skyline configuration is probably on par in complexity with other similar “things” such as Riemann or an Elasticsearch cluster perhaps... probably less complex, but not easy initially either.
That said, there is probably less of a learning curve and, upfront setup and configuration and than other machine learning and like projects such as NuPIC, scikit-learn, theano, tensorflow, keras, etc and all the similar ilk.
Hopefully Skyline will interface with some of the above in the not too distant future - see roadmap
Anomaly detection is a journey not an app¶
Anomaly detection is partly about automated anomaly detection and partly about knowing your metrics and timeseries patterns. Not all timeseries are created equally.
It helps to think of anomaly detection as an ongoing journey. Although ideally it would be great to be able to computationally detect anomalies with a high degree of certainty, there is no getting away from the fact that the more you learn, “help” and tune your anomaly detection, the better it will become.
The fact that Skyline does computationally detect anomalies with a high degree of certainty, can be a problem in itself. But it is not Skyline’s fault that:
- a lot of your metrics are anomalous
- that feeding all your metrics to Skyline and setting alerting on all your metric namespaces is too noisy to be generally considered useful
Enabling Skyline modules incrementally¶
Skyline’s modules do different things differently and understanding the process and pipeline helps to tune each Skyline module appropriately for your data.
Each analysis based module, Analyzer, Mirage, Boundary and Crucible, have their own specific configurations. These configurations are not extremely complex, but they are not obvious or trivial either when you are starting out. Bringing Skyline modules online incrementally over time, helps one to understand the processes and their different configuration settings easier. Easier than trying to get the whole stack up and running straight off.
Start with Horizon, Analyzer, Webapp and Panorama¶
It is advisable to only start the original Horizon, Analyzer and Webapp daemons initially and take time to understand what Skyline is doing. Take some time to tune Analyzer’s ALERTS and learn the patterns in your metrics:
- which metrics trigger anomalies?
- when the metrics trigger anomalies?
- why/what known events are triggering anomalies?
- are there seasonalities/periodicity in anomalies some metrics?
- what metrics are critical and what metrics are just “normal”/expected noise
Panorama will help you view what things are triggering as anomalous.
Once you have got an idea of what you want to anomaly detect and more importantly, on what and when you want to alert, you can start to define the settings for other Skyline modules such as Mirage and Boundary and bring them online too.
Add Mirage parameters to the ALERTS¶
Once you have an overview of metrics that have seasonalities that are greater than the FULL_DURATION, you can add their Mirage parameters to the ALERTS tuples and start the Mirage daemon.
Add Boundary settings¶
You will know what your key metrics are and you can define their acceptable boundaries and alerting channels in the BOUNDARY_METRICS tuples and start the Boundary daemon.
You might want Crucible, you probably do not¶
By default Crucible is enabled in the settings.py
however, for other Skyline
modules to send Crucible data, Crucible has to be enabled via the appropriate
settings.py
variable for each module.
Crucible has 2 roles:
- Store resources (timeseries json and graph pngs) for triggered anomalies - note this can consume a lot of disk space if enabled.
- Run ad-hoc analysis on any timeseries and create matplotlib plots for the run algorithms.
It is not advisable to enable Crucible on any of the other modules unless you really want to “see” anomalies in great depth. Crucible is enabled as there is a Crucible frontend view on the roadmap that will allow the user to test any timeseries of any metric directly through the UI.


2:00pm - 4:00pm (1)
Austin Schmidt
2:00pm - 3:00pm
Plan
6:30pm - 7:30pm (2)
Nate Yoakum
6:30pm - 7:30pm
Plan
Taylor Greenhut
6:30pm - 7:30pm
Plan
10:00pm - 11:59pm (3)
Matt Best
10:00pm - 11:00pm
Plan
Cody Dewrell
10:00pm - 11:00pm
Plan
Nick Baxley
10:00pm - 11:59pm
Plan


Welcome, {{userName}}!
Use the above available options to
a) Create, activate/deactivate, edit and delete candidates for the exams.
b) Uploading new questions and managing existing questions.
c) Manage the Metadata of the application by editing the metadata as per the requirements.


GEOX is basically an automated attendance system that is being created to ease the paperwork and maintain a attendance database of the student in institutes. We are using geofence as the main pillar to fix this problem and a database mongoDB for storing students information.
Abhinav Chauhan
Sahil Mathur
Ajay Sharma


The Marvel Cinematic Universe (MCU) is an American media franchise and shared universe centered on a series of superhero films, independently produced by Marvel Studios and based on characters that appear in American comic books published by Marvel Comics. The franchise also includes comic books, short films, television series, and digital series. The shared universe, much like the original Marvel Universe in comic books, was established by crossing over common plot elements, settings, cast, and characters. Phil Coulson, portrayed by Clark Gregg, is an original character to the MCU and the only character to appear across all its different media.
DC Comics, Inc. is an American comic book publisher. It is the publishing unit of DC Entertainment, a subsidiary of Warner Bros. since 1967. DC Comics is one of the largest and oldest American comic book companies, and produces material featuring numerous culturally iconic heroic characters including: Superman, Batman, Wonder Woman, The Flash, Green Lantern, Aquaman, Shazam, Martian Manhunter, Nightwing, Green Arrow, Hawkman, Cyborg and Supergirl. Most of their material takes place in the fictional DC Universe, which also features teams such as the Justice League, the Teen Titans, the Justice League Dark, and the Doom Patrol, and well-known villains such as Lex Luthor, Darkseid, Brainiac, The Joker, Catwoman, Ra's al Ghul, Ares, Cheetah, Professor Zoom, Sinestro, Black Manta, Ocean Master, Black Adam and Deathstroke. The company has also published non-DC Universe-related material, including Watchmen, V for Vendetta, and many titles under their alternative imprint Vertigo.
The Flash (or simply Flash) is the name of several superheroes appearing in American comic books published by DC Comics. Created by writer Gardner Fox and artist Harry Lampert, the original Flash first appeared in Flash Comics #1 (cover date January 1940/release month November 1939). Nicknamed the "Scarlet Speedster", all incarnations of the Flash possess "super speed", which includes the ability to run, move, and think extremely fast, use superhuman reflexes, and seemingly violate certain laws of physics.
Green Arrow is a fictional superhero who appears in comic books published by DC Comics. Created by Mort Weisinger and designed by George Papp, he first appeared in More Fun Comics #73 in November 1941. His real name is Oliver Jonas Queen, a wealthy businessman and owner of Queen Industries who is also a well-known celebrity in Star City. Sometimes shown dressed like the character Robin Hood, Green Arrow is an archer who uses his skills to fight crime in his home cities of Star City and Seattle, as well as alongside his fellow superheroes as a member of the Justice League. Though much less frequently used in modern stories, he also deploys a range of trick arrows with various special functions, such as glue, explosive-tipped, grappling hook, flash grenade, tear gas and even kryptonite arrows for use in a range of special situations. At the time of his debut, Green Arrow functioned in many ways as an archery-themed analogue of the very popular Batman character, but writers at DC subsequently developed him into a voice of left-wing politics very much distinct in character from Batman.
Captain Marvel, also known as Shazam (/ʃəˈzæm/), is a fictional superhero appearing in publications by American publisher DC Comics. Artist C. C. Beck and writer Bill Parker created the character in 1939. Captain Marvel first appeared in Whiz Comics #2 (cover-dated Feb. 1940), published by Fawcett Comics. He is the alter ego of Billy Batson, a boy who, by speaking the magic word "SHAZAM!" (acronym of six "immortal elders": Solomon, Hercules, Atlas, Zeus, Achilles, and Mercury), can transform himself into a costumed adult with the powers of superhuman strength, speed, flight and other abilities. The character battles an extensive rogues' gallery, primarily archenemies Dr. Sivana, Black Adam, and Mister Mind.


Dashboards
Audience Overview
Users
104,037
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Page Views
424,892
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Avg. Session Duration
00:03:20
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Bounce Rate
51.46%
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Sessions
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Visitors' Type
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Traffic Sources
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|
|
Deep in the kingdom of heaven, in a far away golden paradise,
maidens scatter flowers as they fly about, weightless and wonderful, while gods and goddesses smile down upon their creations.
Far above, Lords and Kings pour their merciful compassion down upon all the cosmos beneath them, radiating brilliant colors throughout the skies.
|


About
Hey there! I am currently a student pursuing my undergraduate studies in Computer Engineering. I like experimenting with new ideas and coding. I host many of my mini-projects on GitHub. Feel free to adapt them if you need it (an attribution and link back to my blog will be greatly appreciated).
I am experienced with front-end web development, coding in languages such as C, Java, Javascript etc. So if you’re looking for a web-designer (Wordpress, Bootstrap, Jekyll frameworks), a coder, freelance projects, feel free to leave a quote here via the contact form below.
Here’s my homepage. You can check out my projects here.


What Happened On I'm A Celeb? Weekend Catch Up
by Tuathla LuceyHere's all the action you missed over the last few days of I'm A Celeb.
Your votes sent Jacqueline down to Ol' Dingo Town to enter the Snake Hotel - and she chooses Myles to join her. While the Rak-Su star finds himself banished to a trunk full of snakes, Jacqueline is left to make her way through the hotel alone... almost. But dozens of sneaky snakes don't stop her finding all the stars - and the keys to free Myles.
Jacqueline and Myles enter the Jungle Jailhouse much to the delight of their fellow Outlaws. The news doesn't go down so well back at Main Camp - especially when they find out the pair have chosen to feed the Outlaws with their Bushtucker stars, leaving the remaining Celebs with rice and beans for dinner.
Kiosk Kev interrupts a salsa lesson at the Jungle Jailhouse to deliver the news that Cliff has been freed! There's a victory dance, some heartfelt hugs and a fond farewell as the soap star heads off to the Main Camp for the very first time.
James and Caitlyn put their heads together in a bid to rob a bank - and bail out one of the Jungle Outlaws.
The Campmates slip into the Bush Telegraph to secretly vote for the first official Camp leader. Kate and Adele both prove popular choices, but it's James who steals the show to take his place on the Camp throne.
Life in the Jungle is tough when you're tired, hungry and miles away from loved ones. As he admires James and Jacqueline's new digs, Andrew breaks down in front of the pair, who offer him some kind words of encouragement to keep him going.
After a big Bushtucker Trial and a few emotional moments, the Celebs are given their luxury items at the end of a long day to celebrate being a united Camp of 12 for the very first time. There's a few more tears, some amazing moves and a whole load of hugs - awwww!
There's a big job to be done at the Pest Office to free the remaining Jungle Outlaws. It's cow's eyes for lunch for James and Caitlyn, before Nadine and Adele are tasked to eat cow's anus while the rest of the Celebs looked on... or look away.
Panic sets in and there are screams a plenty from both Ian and Jacqueline as they take on their own tunnel full of terrors in Crevice of Cruelty.
Caitlyn, Nadine and Jacqueline take some time away from the Main Camp as Jacqueline worries about how the public back home are perceiving her, and Caitlyn opens up to Nadine and Jacqueline about her transition.
Kate and Roman become Jungle quizmasters and get to know their fellow Campmates a bit better as they take on a face full in a very colourful Dingo Dollar Challenge!
A huge Trial with some big consequences is in store for our Campmates, and the task of having to rank themselves causes some tension before bedtime. Kate and James disagree on whether the ladies should get priority, while Andrew snaps at Ian and the pair have some tense words.
Andrew, Caitlyn and Ian have to down a cocktail of blended cockroaches, pig's penis in a bid to win three stars for Camp in the Live Trial. It's probably best not to watch this before dinner...
The ball's in the Celebs' court as Adele, Roman, James and Cliff are tasked to pass pig's testicles using only their mouths in a bid to win stars for the Campmates in the Love Island themed Live Trial. With a roast dinner up for grabs, it's not long before our Celebs get VERY close to each other!


Smile
Smiles after Smiles..
 All you nned to provide for yourselve are: A Gaming Latop, the one with Touchpad if you can afford it. This is because you will need a very Powerful Computer that has Graphics Card. You will need to Buy Corel Draw, Adobe Collection 2020 & Autocad Softwares.
You can follow us up on Social to view our latest Designs. Despite the fact that this will Depend on how serious and hard working you are, these are some design you will still be able to make. Flyer, Mockup, Banner & Wallpapers but the one that can be one of it is Photo Manipulation, but like we said it only Depends on your Focus and Determination.


Today, I would like to draw your attention to a blog post highlighting how self-driving cars will force humans to start thinking about their very basic ethical foundations again [1]. We probably all have read or heard about a plethora of articles pointing out how much more reliable and safe autonomous vehicles have become over the last few months and years. In contrast to that, the article Why Self-Driving Cars Must Be Programmed to Kill [1] reviews a scientific paper [2] posing the question how self-driving cars should be programmed to act in the event of an unavoidable accident.
Special emphasis in both the article and the cited paper is on the question whether the general ethical premise should be to minimize pain in general and the loss of life in particular. Amongst philosophers, such an approach is called utilitarianism [10]. However, in some situations, such a utilitarian calculation could conclude that the death toll is minimized if the car avoids a group of individuals on the street by swerving into a wall and killing the passenger instead.
The article highlights the importance of such ethical questions with respect to acceptance and adoption of self-driving cars in society. The fact that also media from other domains like business [7] or general news [8] report about this pressing topic indicates the relevance of this discussion for the broader public. It is also emphasized in [2] that carmakers will have to target potentially incompatible objectives: being consistent in algorithmic morality, preventing public rejection of the technology and encouraging customers to buy cars.
In the reviewed paper [2], the authors tackle the problem of ethical dilemmas by employing a new technique, located at the intersection of psychology and philosophy, called experimental ethics. They ran a crowdsourcing experiment asking for people’s opinions about specific scenarios in which the lives of one or more pedestrians could be saved if a car were to avoid the pedestrians by driving into a barrier, killing the passengers of the car or a pedestrian. The overall result of this extensive questionnaire was that most people wished others to drive in utilitarian self-driving cars without being ready to buy and use a utilitarian autonomous vehicle themselves - a comprehensible paradoxon.
Image reprinted from paper [2]
Another paper [4] takes a bit of a different approach on the same problem stating that the answer to these types of ethical dilemmas cannot be found by employing humans’ ability of ethical reasoning alone because the assignment of blame to either the human programmer or black-box AI processes might be too complex to answer for human beings alone. The authors of this paper argue that we should make use of complementary AI systems to ensure other AI systems do not act illegally or unethically.
In general, I think the presented article highlights the importance of some of the topics we have also discussed in class like reasoning under uncertainty. For example, the authors of [2] describe the scenario of a car avoiding a crash with a motorcycle by driving into a wall taking into account that the chance of survival is higher for the driver of the car than for the rider of the motorcycle. Another example related to the notion of the expected discounted sum of future rewards, alleged in the same paper, highlights the question whether decisions should be adjusted depending on the age of the passengers, given that children, on average, have a longer time ahead of them than adults.
In addition to that, paper [2] also mentions the notion of randomization in decision making to break ties when it comes to irresolvable ethical dilemmas. This idea partially ties in with optimization approaches like simulated annealing or genetic algorithms where randomization is used as a means to explore the solution space in scenarios where it is near to impossible to find the optimal solution in an acceptable time frame.
In my opinion, the discussion of moral dilemmas in the context of self-driving cars is just the tip of the iceberg. The next obvious cases raising similar questions, in my opinion, will be all other types of vehicles that will be equipped with full autonomy in the near future like airplanes, ships and motorcycles. In fact, I think the discussion is fundamentally relevant to all autonomous agents with a large degree of freedom in making decisions, both human and non-human. One example from the medical domain would be a robot performing a Caesarean operation confronted with a scenario in which any decision it could make will lead to the death of either the mother or the child.
In conclusion, I would like to express my opinion that the social implications of this article are mostly positive because all real-life moral dilemmas will force us to explicitly reason about our underlying ethical foundations both as individual human beings and as society as a whole (referring to the approach of experimental ethics proposed in [2]). Essentially, my assumption is that the need for explicitness fosters conscious reflection about our most basic moral values - and how can it get any more explicit than writing algorithmic instructions for a computer? ;)
Resources
- [1] Why Self-Driving Cars Must Be Programmed to Kill
- [2] Autonomous Vehicles Need Experimental Ethics: Are We Ready for Utilitarian Cars?
- [3] The ethical dilemma of self-driving cars
- [4] The Ethics Bot: AI Needs Legal and Ethical Guidance
- [5] Drivers push Tesla’s autopilot beyond its abilities
- [6] Lazy humans shaped Google’s new autonomous car
- [7] The huge, unexpected ethical question that self-driving cars will have to tackle
- [8] The problem with self-driving cars: who controls the code?
- [9] How to help self-driving cars make ethical decisions
- [10] Utilitarianism


Copyright (c) 1978 Alex Randolph, Lakeside Publ.
This game is played on a 6x6 square board, with one of these possible setups :
|
| An example White started and pushed to the left, both a4 and c4 with his marked stone. |
Some strategy tips from the original ruleset (thanks to Peter Loop):
| Early in the game look for rows where you can push off a large number of your opponent's pieces. | |
| Try to leave your pieces between your opponent's pieces. By doing so they are safe. | |
| Try to avoid setting up rows with a large number of your pieces. | |
| Towards the end of the game, be careful about leaving your pieces in a row. | |
| Even if both players each have only one or two pieces, someone can win. |


Suit climate settings.
40% - Oxygen Level
20% - CO2
60% - Radiation level
80% - Battery
gyr_x:
gyr_y:
gyr_z:
acc_x:
acc_y:
acc_z:
Send Messages
Jetpack Directions
Settings


Google Feud
What is
Guess
the answer to life
the answer to life
the answer to life
the answer to life
the answer to life
the answer to life
the answer to life
the answer to life
the answer to life
the answer to life
Score
158
Time
1:32


Foodable is a cross-platform application to help the hungry find food banks near their location.
Available in desktop browsers, iOS, and Android.
Find Food NowFoodable is a cross-platform application to help the hungry find food banks near their location.
Available in desktop browsers, iOS, and Android.
Find Food Now


Shower
Bath
scanner
!
Flow:
shower
temp:
select profile
show menu
show users menu
pick user
Choose a user
show clock


{{ About your IPv4-only Internet service. }}
{{ This FAQ has been produced to try and address the questions of IPv4 only users }}
[% PROCESS "faq/dontfeelbad.inc" %] [% PROCESS "faq/nothingwillbreak.inc" %] [% PROCESS "faq/whyipv6.inc" %] [% PROCESS "faq/brokers.inc" %]{{ If you are not savvy with technology, here is more generic information: }}
[% PROCESS "faq/matrix_os.inc" %] [% PROCESS "faq/dontstress.inc" %]


Details
| Peptide Threshold | Maximum p-value a peptide may have to still be reported in the PRIDE XML file. Default value is 0.05. |
|---|---|
| Add Carbamidomethylation | MSGF files cannot report modifications. If this parameter is set to "true" a Carbamidomethylation is added to every C. |
| Search Engine | The name of the search engine. Defaults to MZXML |


2. Azure Blob Storage and Account Creation¶
2.1. Azure Blob Storage¶
Azure Storage is Microsoft’s cloud storage solution for modern data storage scenarios. Azure Blob storage is Microsoft’s object storage solution for the cloud. Blob storage is optimized for storing massive amounts of data.
Blob storage offers three types of resources:
The storage account
A container in the storage account
A blob in a container
2.2. Azure Storage account creation¶
Following are the steps to create Azure storage account
Prerequisites
Create a free Azure cloud services subscirption account.
Log in to the Azure Portal.
AZ-Portal{#fig:az-portal}
In the Azure portal, click on
Create a resource
on the top left corner.
AZ-Resource{#fig:az-resource}
Select
Storage Account
from the options shown
AZ-Account{#fig:az-account}
Select the subscription in which to create the storage account.
Under the
Resource group
field, select Create new. Enter a name for your new resource group.Next, enter a name for your storage account.
Select a
location
for your storage account, or use the default location.Select
create
After the completion of above steps, Azure blob storage service will be ready
for use. As a first step, a Container
should be created in the Blob storage.
A container organizes a set of blobs, similar to a directory in a file system.
A default Container
should be set in the cloudmesh4.yaml
file, details of
which are outlined
here
IMPORTANT NOTE:
The free Azure account needs to be upgrade to a pay-as-you-go subscription after first 30 days to get continued access to free products—some for the first 12 months.
Refer to more details here - https://azure.microsoft.com/en-us/free/


--- imgsrc: "Jewish_art_will_deutsch_judaism_jews_jewish_the_walls_of_jericho_torah.jpg" buylink: "http://store.notesfromthetribe.com/product/jewish-art-8-5-x11-walls-of-jericho-print" postDate: "06.27.12" layout: post ---
It is said that the Israelites were commanded to march around the city of Jericho carrying the Ark of the Covenant for seven days on the last of which they blew seven shofars and yelled bringing the walls tumbling down.
Some call it a miracle….others….shoddy workmanship.


HP rejects Xerox's US$33.5 billion offer to buy the company
HP Inc said on Sunday it had rejected an offer from printer maker Xerox Corp to buy the personal computer maker.
REUTERS: HP Inc said on Sunday it had rejected an offer from printer maker Xerox Corp to buy the personal computer maker.
Xerox made a US$33.5 billion cash-and-stock offer for HP earlier in November, the company said on Sunday, citing a letter received from Xerox on Nov. 5.
(Reporting by Kanishka Singh in Bengaluru; Editing by Tom Brown)


| I l@ve RuBoard |
9.9 Where to Go from HereThis concludes the GUI section of this book, but is not an end to its GUI coverage. If you want to learn more about GUIs, be sure to see the Tkinter examples that appear later in this book and are described at the start of this chapter. PyMail, PyCalc, PyForm, and PyTree all provide additional GUI case studies. In the next section of this book, we'll also learn how to build user interfaces that run in web browsers -- a very different concept, but another option for simple interface design. Keep in mind, too, that even if you don't see a GUI example in this book that looks very close to one you need to program, you've already met all the building blocks. Constructing larger GUIs for your application is really just a matter of laying out hierarchical composites of the widgets presented in this part of the text. For instance, a complex display might be composed as a collection of radiobuttons, listboxes, scales, text fields, menus, and so on -- all arranged in frames or grids to achieve the desired appearance. Pop-up top-level windows, as well as independently run GUI programs linked with IPC mechanisms like pipes, signals, and sockets, can further supplement a complex graphical interface. Moreover, you can implement larger GUI components as Python classes and attach or extend them anywhere you need a similar interface device (see PyEdit for a prime example). With a little creativity, Tkinter's widget set and Python support a virtually unlimited number of layouts. Beyond this book, see the documentation and books departments at Python's web site, http://www.python.org. I would plug Tkinter-related texts here, but I suspect that the offerings in this department will expand during the shelf-life of this book. Finally, if you catch the Tkinter bug, I want to again recommend downloading and experimenting with packages introduced in Chapter 6 -- especially PMW and PIL. Both add additional tools to the Tkinter arsenal that can make your GUIs more sophisticated with minimal coding. |
| I l@ve RuBoard |


Battleship!
You will be implementing the game of Battleship to be played with the web browser. This assignment is to demonstrate an understanding of how to utilize Javascript to collect, persist, and manipulate data, and to respond to user interactions
to dynamically change the DOM.
- For this version, you will assume that only one user is viewing the page that presents your game at a time (e.g., the two players are using a laptop that they pass back and forth between turns).
- Wikipedia's Battleship entry lays out the rules.
- Your game will be built on a 10x10 grids, with rows labeled 1-10 and columns labeled A-J.
- We will assume that players will place 3 game pieces
- an aircraft carrier (5 spaces long)
- a battleship (4 spaces long)
- a submarine (3 spaces long).
- These pieces can be placed either horizontally or vertically, and cannot overlap.
Specifications
These are the base requirements for making the page work. You can enhance. You cannot use external libraries like jQuery for this project.
- When the page is loaded, your game should begin by asking the first player for her name (for example, lets assume that the first player is Alice), and a string representing her ship placements.
- Your game should be flexible in accepting the syntax of a ship placement string. Specifically, it should accept strings of the following forms as equivalent, with each resulting in an aircraft carrier placed on A1, A2, A3,
A4, A5; a battleship at B6, C6, D6, E6; and a submarine at H3, I3, J3:
- A:A1-A5;B:B6-E6; S:H3-J3
- A(A1-A5); B(B6-E6); S(H3-J3);
- B(B6-E6);S(H3-J3);A(A1-A5)
- Use a regex function to validate the strings.
- After gathering the first player's name and ship placement, your game should prompt the second player for their name and ship placement (for example, lets assume the second player is Bob).
- With this starting info in hand, your game should begin the first player's turn
- At the start of a turn, your game should pop up an alert indicating whose turn it is (e.g., "Click OK to begin Alice's turn").
- After the prompt is dismissed, your game should render 2 10x10 grids, one at the top of the window, and the other just below it, closer to the bottom of the browser window.
- Both grids should have a light blue background.
- The top grid should represent the current players target (i.e., the grid where the other player's ships reside), while the bottom represents the current player's ship deployment.
- At the start of the first player's first turn, the top grid will be completely empty, and the bottom grid will show only the location of the first player's ships
- On the bottom grid, each space occupied by part of an aircraft carrier should contain an "A", each space occupied by part of a battleship should contain a "B", each space occupied by part of a submarine should contain
an "S".
- The player is then free to click a space into top grid to "fire" at.
- Clicks on the lower grid should have no effect.
- The game should pop up an alert to inform the player whether the shot was a hit or a miss.
- If the player clicks on a space where no part of any of the other player's ships was placed, the shot is a miss, and the space should be colored white.
- If some part of one of the other player's ships was placed in the clicked space, the shot is a hit, and the space should be colored red.
- If this hit represents the final portion of a ship (i.e., the 5th hit on an aircraft carrier, the 4th hit on a battleship, or the 3rd hit on a submarine), the player should be alerted as to which of the other
player's ships they have sunk.
- After the player has clicked on their target space and the hit or miss has been reported, the player's turn is ended and the other player's turn should begin with a popup (e.g., "Click to begin Bob's turn").
- Note: that this will require blanking the page before the alert is created to prevent Bob from seeing Alice's ship placement (and vice-versa), and will require a rearranging of the page after
the alert is dismissed so that Bob's target grid appears at the top of the page, and his ship placement appears on the bottom.
- At any point in time, the current player's top grid should display all the hits(red spaces) and misses (white spaces) that they have fired, while the bottom grid shows all of the hits and misses their opponents have fired along with
their ship placements.
- The game continues until all of one player's ships have been sunk, at which point the other player wins the game.
- Once a winner has been established, your game should compute the winner's score
- Score is computed as: 24 - (2 points for each hit against them)
- 10 points for sinking the opponent's aircraft carrier
- 8 points for sinking the opponent's battleship
- 6 points for sinking the opponent's submarine
- If Alice won the game while Bob was able to sink her submarine and land a single hit on her battle ship, but did not hit her aircraft carrier at all, Alice score would be 16
- Your game should keep track of the names and scores of the 10 highest scores in local storage.
- If 10 players have all achieved the max score (24), no further updates to local storage are required.
Submission Guidelines
- **DO NOT SUBMIT** any IDE package files.
- You must name the main page for your game "battleship.html", and place it in the root directory of your repository.
- Be sure to remember to push the latest copy of your code back to your GitHub repository before the the assignment is due. At the deadline, the repositories will automatically be copied for grading. Whatever is present in your GitHub
repository at that time will be considered your submission for this assignment.
Grading Criteria
We will download a zip archive of the repo and run the HTML/JS file created locally in the Chrome browser.
- This project will require extensive manipulation of the DOM to enable the game to run as described.
- Your game does not need to persist across page refreshes. It is acceptable for a page refresh to restart the game.
- While you are not going to be heavily graded on the style and design of your game, it should be presented in a clear and readable manner.
Breakdown
- Turns proceed as described: 20%
- Game boards are displayed properly: 20%
- Event handling is processed as described: 15%
- Ship placement strings are correctly validated using regex: 5%
- Ship placement strings are correctly parsed: 10%
- Score saving works appropriately: 15%
- Clear and readable presentation: 5%
- Utilization of Javascript topics covered in class: 10%
- i.e. Functions, Dynamic DOM manipulation, EventHandling, type checking, etc.
Late assignments will receive zero credit.


Your participation in this study is voluntary. You may decide not to participate or you may leave the study at any time. If you withdraw from the study, we will stop collecting new data, but the coded study data that you have already provided, and that have already been distributed will not be able to be destroyed or deleted.
To withdraw from this study please contact Dr. Andrew Trister by email<EMAIL_ADDRESS>or call +1-206-667-2103 or tap on the "Leave Study" link in the profile page of the application.


Argon2-Browser WebPack Demo
Output should appear here. If not, please check DevTools in your browser.


Your personal e-coach
SWOLE
SAFE
Revolutionary app that guides you through exercises to help you get swole fast! Critiques technique and provides tips to help you get the most from your workout.
Personalized Recommendation
Real-time Move Corrector


{% extends "base.html" %} {% block title %}Baltimore County{% endblock %} {% block content %}
Baltimore County is a large county. It is the third largest county or county-equivalent in the State of Maryland based on the 2014 registration data.
Baltimore County ranks near the bottom in voters per polling place and voters per poll worker. The jurisdiction is a mix of urban, suburban, and rural areas and the data show that voters would be better served by an increase in the number of polling places and poll workers.


The Republic of the Walnut Islands™ is a sovereign nation-state. We are governed by a council of seven chairmen, each elected by the residents of each island (residents are required to pay a $425.00 USD representational fee in order to vote). All decisions made by the council must be approved by the Walnut Inc. board of directors before being implemented. Furthermore, our residents are free from income taxes and corporate taxes. Our system ensures the liberty and prosperity of our privelidged citizens. Bay City, being the only major urban area, is the capital.
We expect our residents to follow our Code of Conduct. Rules include:
Failure to abide by these rules may result in fines, or, for more serious offenses, banishment.
The Walnut Islands were originally part of China. However, China didn't use the islands at all, and nobody even lived there. Walnut Inc. outsources most of their manufacturing to China. They used their connections to purchase the islands. Since the formation, the Walnut Islands have had a friendly and succesful relationship with China. However, only a year after independence, the United States of America began to investigate the citizens of the Walnut Islands for tax evasion. Luckily, the charges were mysteriously dropped. There are currently no ongoing disputes involving this country.


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