Lumen Camera Repair is a collective of film camera fanatics who are fueling a fervor for analog picture taking methods. The group came to fruition under the name Lumen in 2010 and have been stoking the vintage technique of film photography ever since. We formed in Florida's largest city of Jacksonville and have taken it upon ourselves to connect with a large and varietous audience.
We try to offer only our most refined services to our customers which ranges from repairing medium and large format film cameras, to developing a professional grade photographic print. At our boutique we offer a range of bags, lenses, and camera accessories along with film and expert service.
Along with products and proficient advice, we connect our customer base to an array of workshops, lectures, and gallery events. Due to our staff's extensive history with film photography, we have created a goliath network of experts who wrestle a range of topics ranging from todays top analog photography hurdles, down to simple ways to improvise and spice up your own film photography skills.
At Lumen, we are aimed at providing the contemporary art community with the best service and advice there is to offer.


proctice makes perfect
Ruby Blocks, Procs, and Lambdas
Tuesday, April 21st, 2015
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Proc. Oh how I loathe you… until I finally understood you. I have approached my study of Ruby from many angles over the past few months: Learning to Program, The Ruby Programming Language, Team Treehouse, Codecademy, Ruby Monk, and many other internet resources. I made solid progress. Then I finally began The Well-Grounded Rubyist. It was the best guide I’d encountered, so I finally decided to learn with some structure: I would read the entire book, and not move past a topic until I completely understood it. In the past I’d seen procs and had decided to wait. They were described in countless different ways, none of them perfectly clear to me. Finally, it was time to tackle them, and I did. Here’s a summary.
As Rubyists, we’ve all seen this familiar form:
[1, 2, 3].each { |num| puts num }
The part between the curly brackets? That’s a code block. Simple. Array#each passes each item to the code block, and the block does its work. And a block is everything that Ruby needs to make a Proc, so that’s simple too:
p = Proc.new { puts “Hello World!” }
But after that, confusion comes easily . They say everything in Ruby is an object. So the code block in both examples is an object, right? Wrong. The array [1, 2, 3] is the object in the first, and the proc itself is the object in the second. In the first example, the code block is simply part of the syntax of Array#each.
In The Well-Grounded Rubyist, Mr. Black states that a proc is “an object whose job is to provide execution access to a previously-defined code block.” Thus, a proc allows us to encapsulate some code into an object and pass it around. So the proc is an object, but the code block alone is not.
To use the proc (from the second example), we simply call it, and it runs.
p.call # => Hello World!
None of this is too difficult, really. Procs contain previously defined code. The blocks they contain can have arguments, like the first example. These are simple procs, but more complex structures can give the user a lot of power.
But why put the code in an object? Because it can then be used as an argument in another method. The structure for that use confused me at first, so I’ll take it slow.
def example(q)
  puts “Calling the proc”
  q.call # => Hello World!
end
example(p)
If we were to write a method where a proc is expected, then it's just like anything we’ve seen before. We call the method, the argument that comes in can be called, and “Hello World!” is displayed again. But what if we don’t already have a proc object? Here is a syntax that may be seen more commonly, and it can be confusing.
def example(&block)
  block.class # => Proc
  puts “Calling the block”
  block.call
end
example { puts “Hello World!” }
Let’s pretend we’d never made the proc earlier. Here we present the method with a code block. The &block in the parameter list says that if a block is received, turn it into a proc, instead of binding arguments to it. Easy as that. But here’s where most resources make the topic confusing. They call "&block" an argument. It is not… at least in the traditional sense. If you use Method#arity or force an argument error by calling the method with any argument you’re used to using, you’ll see that #example has no parameters. And that’s necessary.
We want Ruby to run predictably across the board, and the same goes here: If we don’t present the method with a block, we of course don’t want an argument error. Blocks should be optional. Once I understood this, everything was much clearer. "&block" is not a parameter like we normally see them. It just allows us to use the block like a variable, and do block.call instead of yield. (“block” can be anything, it’s important to note. We could use “&cookies” and the world would keep spinning.)
If we wanted to use our previously defined “p” in this example, we also have to use the ampersand. So example(&p) would work too - - Again, because this is 0 for 0 for arguments (in error lingo) and the previous was 1 for 1.
So there you have it. Procs allow us to pass around code. Proc.new allows us to create a proc, or the “&” allows us to create one from a code block during a method call. Not too bad. Hopefully my slow journey toward understanding will help someone else, and we can all be better Rubyists together.
...Oh, you were wondering about lambdas too? Fine. Yes you often seem them together, and many resources can make them just as confusing. Deep breath. This could take awhile. Here we go: a lambda is a specific form of a proc. They are more strict about receiving the expected number of arguments, and they handle certain control flow words differently. Exhale. Oh, that wasn’t so bad. Sure, there’s a bit more to it, but if you’re looking for that info, I promise you need a much more detailed guide than this page. That was enough to help us sleep at night.
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The column binding section consists of set of basic properties which will describe how the users can use them for data table column, data binding and manipulate data inside the column. The grid can facilitate a column for every item of the data array.
field: string
Default Value: undefined
Target Component: <ng-data-table-column>
The following code snippet will depicts the basic usage of column data binding. To use all it's associated
properties it is mandatory to define field
property that is bound to a column, else the
functionality may not work as expected.
This property will act as a identifier for access specific data set in your data array. The field name should be a valid Javascript identifier.
There are several more properties that support column binding functionality when a field
property
is defined.
id: string
Default Value: undefined
Target Component: <ng-data-table>
This property is a mandatory property which required a unique and valid Javascript identifier for each and every data table in your application. Failed to define this property caused to throw an error and halt the execution.
title: string
Default Value: undefined
Target Component: <ng-data-table-column>
This property is useful to set a name for the field that the column is bounded. If the property is not provided Ornamentum will render the column title as blank.
indexColumnTitle: string
Default Value: '#'
Target Component: <ng-data-table>
Depends On: [showIndexColumn]
Index column title can be used to set a custom title for index column when it is enabled. Further details about index column refer the Show Index Column section.
cssClass: string
Default Value: undefined
Target Component: <ng-data-table-column>
This property is useful if you want to inject a CSS class into your data table column cells. You can provide a string or a function that returns a CSS class or classes in which space delimiter separated without a dot selector.
width: number | string
Default Value: undefined
Target Component: <ng-data-table-column>
The width can be used to set a static width for grid column. It accepts number that automatically converts its unit to pixels or the user can manually define a string with respective CSS units (px, cm, mm etc).
visible: boolean
Default Value: true
Target Component: <ng-data-table-column>
This property is useful if you want to show your column in the data table. If it is set to false, Ornamentum will not render the column and its content but include it in Show Column Selector dropdown as not selected.
showInColumnSelector: boolean
Default Value: true
Target Component: <ng-data-table-column>
If this property is set to true, the column will be displayed on Show Column Selector dropdown with field title and selected state, By enabling this functionality end users will able to customize what they want to see.
showIndexColumn: boolean
Default Value: false
Target Component: <ng-data-table>
This property can be uses to display a additional index column and appears on left side as first column on the data table. It will start from 1 and keep incrementing by 1 for each data row to maintain a unique numerical id for all over the data table.


Coordinates Display¶
The coordinates display element shows your mouse position in map coordinates. The coordinates are dependent on the selected spatial reference system which may be changed in the Spatial Reference System Selector.
Configuration¶
- Show title label: Enable or disable text (title).
- Title: Title of the element. The title will be listed in “Layouts”. It will be indicated if “Show label” is activated.
- Tooltip: Text, that will be indicated if the mouse hovers over the button for a longer time.
- Anchor: Anchoring of the element (left-top, left-bottom, right-top, right-bottom). Determines the position of the element in the layout.
- Numdigits: Number of decimal digits of the coordinates.
- Target: ID of the map element to which the element refers.
- Emtpy: Text displayed when the mouse is not in the map (default: ‘x = - y = -‘).
- Prefix: Prefix in front of the X-coordinate (Standard ‘= x’).
- Separator: Separator following the X-coordinate and before Y-coordinate (default: ‘ y= ‘).
YAML-Definition:¶
tooltip: 'coordinates display' # text to use as tooltip
numDigits: 2 # the number of digits each coordinate shall have when being rendered, default 2
target: ~ # id of Map element to query
label: true # true/false to label coordinates display, default is false
empty: 'x= - y= -' # show the following text, if the mouse is not on the map
prefix: 'x= ' # show prefix before x-coordinate
separator: ' y= ' # show separator before y-coordinate
CSS-Styling¶
The element can be customized with the following CSS-style, for example to increase the width.
.mb-element-coordsdisplay {
width: 500px;
}
Class, Widget & Style¶
- Class: Mapbender\CoreBundle\Element\CoordinatesDisplay
- Widget: mapbender.element.coordinatesdisplay.js
- Style: mapbender.elements.css
HTTP Callbacks¶
None.
JavaScript Signals¶
None.


---
layout: game-page
title: The Contrarian Press
year: 2023
semester: Spring
description: "Become the writer of the CONTRARIAN PRESS! You will help shape glorious news stories for the people of Wyzkonzyn, no qualifications are needed! Prevent the spread of misinformation from hostile foreign forces! Cross out up to 2 continuous pieces of text on each headline and pass them on to the illustrator! Made for the GMTK Game Jam 2023.
Play as a news writer in the Contrarian Press, but instead of writing new articles, you are assigned to erase headlines to fit the narratives from your boss - or whoever you please, but not without consequences. A dedicated illustrator will then provide a carefully curated image that goes along with your masterpiece. There are multiple endings and over 20 collages for you to uncover!
Click and drag to censor blocks of text.
Click again on censored content to uncover it."
tags: Windows Mac Singleplayer Game-Jam
# tag options: "Windows", "Mac", "Linux",
# "Singleplayer", "Multiplayer",
# "Controller-Compatible", "VR",
# "Game-Jam"
project_members: {
Adrian Ma: "Art, Writing",
Audrey Renouf: "Art, Writing",
Joyce Zhang: "Art, Writing",
Scott King: "Programming, Production",
Weiwen (Andy) Jiang: "Art, Writing",
William Ozeas: "Programming, Sound",
}
stage_game_path: the_contrarian_press/
builds: {
"Itch.io": "itch.io/embed-upload/8430330?color=e3dcce"
}
thumbnail: banner.png
top-img: banner.png
screenshots: [
1.png,
2.png,
3.png
]
top-img-fit: cover
# top-img-fit options:
# "cover" - Cover the entire top area with the image, without squashing/stretching
# "fill" - Fit the FULL image into the top area, squashing/stretching as necessary
---


Prototype API Requests 🦄
Simulating different HTTP response codes is hard. sendback mocks HTTP status codes for you, so you can build your applications faster! ⚡
Send a request (GET, POST, PUT or DELETE) to our mocked APIs to receive the status code that you need.
Give it a try!
Send a GET, POST, PUT or DELETE request to this url and you'll always get a 418 response code.
http://sendback-api.now.sh/status-code/418 Click To Copy!


CGPA CALCULATOR
SGPA CALCULATOR
ENTER THE GRADE POINTS
NUMBER OF SUBJECTS
1
2
3
4
5
6
7
8
9
10
SUBJECT 01
SUBJECT 02
SUBJECT 03
SUBJECT 04
SUBJECT 05
SUBJECT 06
SUBJECT 07
SUBJECT 08
SUBJECT 09
SUBJECT 10
RESULT (SGPA) :


Json and web services
Loading json from a web service
In this example, I will use the JSONPlaceHolder project. It is a fake online REST API for Testing and Prototyping. See jsonplaceholder.typicode.com for more details.
JsonSource
You can directly query web services or REST APIs using the JsonSource
. There are some minor restrictions
- The http or https service has to send back a Json response
- The json needs to be an array.
A good example for a valid json response that can be read by the JsonSource
component is this example web service.
It will return a json in the following format:
[
{
"userId": 1,
"id": 1,
"title": "delectus aut autem",
"completed": false
},
...
]
Please note that the root element is an array, and it does contain object definitions.
Here is an example how to read data from this web service.
First, you need to define your POCO:
public class Todo
{
public int Id { get; set; }
public int UserId { get; set; }
public string Title { get; set; }
public bool Completed { get; set; }
}
Now, you can simply read the data from the service by using the JsonSource
:
JsonSource<Todo> source = new JsonSource<Todo>("https://jsonplaceholder.typicode.com/todos");
So a full example where you read data from a webservice e.g. into a memory data table would look like this:
JsonSource<Todo> source = new JsonSource<Todo>("https://jsonplaceholder.typicode.com/todos");
MemoryDestination<Todo> dest = new MemoryDestination<Todo>(200);
source.LinkTo(dest);
source.Execute();
dest.Wait();
//dest.Data will now contain all items from the web service
The property Data
(which is a snychronized list) will now contain all items from the web service.
Json as file
Read json from file
Let's consider we have a json file like this as our data input:
[
{
"Col1": 1,
"Col2": "Test1"
},
{
"Col1": 2,
"Col2": "Test2"
}
]
This can be read into a dataflow using the JsonSource
and the following code:
public class MySimpleRow
{
public int Col1 { get; set; }
public string Col2 { get; set; }
}
JsonSource<MySimpleRow> source = new JsonSource<MySimpleRow>("file.json", ResourceType.File);
Write into json file
To get your data outputted as json, you can use the JSonDestination
:
JsonDestination<MySimpleRow> dest = new JsonDestination<MySimpleRow>("file.json");
Using JsonPath
Sometimes, you don't want to create a full C# Poco (Plain old component object). If you leave out some properties, you will see that the Json Deserializer just will ignore these properties.
You can even use the JsonProperty attribute to add specific JsonPath expressions that the JsonDeserializer uses to map the right json records into the object.
E.g. if you want to have the Id-entry in the json mapped to property Key
in your object definition, you would do it like this:
public class Todo
{
[JsonProperty("Id")]
public int Key { get; set; }
public string Title { get; set; }
}
Also, this example does not have the properties Completed
and UserId
anymore - they will be ignored in the data flow
Deserialization is completely based on The Newtonsoft.Json.JsonSerializer.
There is also a property JsonSerializer
that can be overwritten with your own JsonSerializer.
Json with String array
If you don't want to use objects, you can use the Non-generic version of JsonSource
. Your code would look like this:
JsonSource source = new JsonSource("https://jsonplaceholder.typicode.com/todos");
MemoryDestination dest = new MemoryDestination();
Internally, a string array is used to store the data.
Now you either have to override the JsonSerializer
yourself in order to properly convert the json into a string[].
Or your Json has to be in following format:
[
[
"1",
"Test1"
],
...
]


A new Ofsted report,
‘Pupils missing out on education’
has found that too many local authorities do not know how much education some pupils, such as excluded children and those with mental and physical health needs who do not attend school in the usual way, receive.
The report finds that some local authorities are failing to properly arrange and monitor the effectiveness of education for children directly in their care. Only a third of the local authorities visited for the survey keep a close enough eye on these children and gather information and analyse it centrally.
Today’s survey sets out stark findings about the failures of some local authorities to meet their statutory obligation to ensure that children and young people in their area are receiving a suitable education. Moreover, children and young people who only receive part-time education can become ‘invisible’ to local authorities. These children can become vulnerable or be involved in anti-social behaviour.
Inspectors found 1,400 children and young people in the 15 authorities visited who were being educated part-time. If this pattern were repeated across all local authorities in England, it would mean more than 10,000 children were missing out on full-time education.
Sir Michael Wilshaw, HM Chief Inspector of Ofsted said:
As my ‘Access and Achievement’ report highlighted in June, there can be no greater responsibility than to ensure our most vulnerable children have the best chance of a decent education. Today’s report focuses on pupils missing from full-time education who may become “invisible” to local authorities who have a duty to arrange suitable alternative education for them.
It is simply not acceptable that only a third of local authorities have a detailed understanding of what is happening to pupils who are not receiving full-time education. Ofsted is shining a spotlight on these failings. Our new arrangements for inspecting children’s social care services, which starts this month, will request a specific report on school-age children who are not attending full-time education.
Everyone must take greater responsibility for knowing where these children are. We owe it to them to ensure they are safe and can succeed.
In every local authority there are children who do not, or cannot attend full-time education in the usual way. Many of these children are not on a school roll and are the responsibility of the local authority. These include those children who:
-
have been permanently excluded
-
are pregnant or are young mothers
-
have physical or mental health issues
-
have special educational needs
The best local authorities ensure that no young person in their area slips out of sight. They are conscientious and determined in communicating with others, understanding that such responsibility does not stop at their local authority’s boundaries.
The report also finds that making a senior officer accountable for the delivery of education for those children and young people who do not attend school in the usual way is the best approach to ensuring they receive a good quality education.
In a number of cases, low expectations of what children and young people could achieve meant the education provided was of poor standard and limited value. For example, one young mother had stopped studying for her exams where she had been on track to do very well and, instead, was attending part-time provision for parenting skills.
This report makes a number of recommendations to local authorities and schools. It says they should:
-
establish a central record of children not accessing full-time education, including those who are accessing alternative provision full-time away from mainstream school
-
identify clear lines of accountability
-
share information across local authority boundaries and other agencies
-
ensure every child is on the school register, regardless of circumstances, unless parents and carers have decided to educate their children at home
It also makes recommendations for schools saying they should:
-
stop unlawful exclusions
-
inform local authorities of any part-time education arrangements
-
respond quickly to any early signs of children and young people’s raised anxiety or dips in their progress, attendance or learning
Notes to editors
-
The full report
is published online.
-
The main groups of children and young people who are the focus of this report are those who:
-
have been permanently excluded
-
have particular social and behavioural difficulties and have personalised learning plans: this means that, by arrangement, they do not attend their usual school full time
-
have mental health needs and access Child and Adolescent Mental Health Services (CAMHS), either as an in-patient or through services provided in the community
-
have medical needs other than mental health needs
-
rarely attend school and have personalised learning plans as part of attempts to re-integrate them into full-time education
-
are pregnant or are young mothers of compulsory school age
-
have complex needs and no suitable school place is available
In addition, small numbers of children and young people do not currently attend school in the usual way because they:
-
are returning from custody and a school place has not been found for them
-
are new to the country and are awaiting a school place
-
are from a Gypsy, Roma or Traveller background and alternative provision has been made
The
‘Framework and evaluation schedule for the inspection of services for children in need of help and protection, looked after children and care leavers’
will give more information in relation to the new social care inspections especially in relation to local authorities. In brief, Ofsted will now be asking councils for the following:
-
the child’s unique ID, date of birth, Unique Pupil Numbers
-
type of educational provision being received, including home tuition
-
number of hours provision each week (in particular whether a child is receiving fewer or more than 25 hours)
-
if the child has been excluded, the type of exclusion
-
the date when alternative education provision outside school began
The
Access and Achievement
report is online.


--- layout: default nav: tutorial ---
This example demos a delete button that removes a table row upon completion. A confirmation popup is specified at the tbody level, so all buttons share the same confirmation message.
Note that the "server side" implementation is mocked out using mockjax, so you can see the entire implementation. Click the "Source Code" tab to see the code.
ic-delete-from
attribute set up to delete the row from the server
ic-target
set to closest tr
and causes a confirmation message with an
ic-confirm
attribute. The delete buttons in the table inherit these attributes.
X-IC-Remove
set to
true
, which tells intercooler to remove the target (in this case, the closest row.)
| Name | Status | ||
|---|---|---|---|
| Joe Smith |<EMAIL_ADDRESS>| Active | |
| Angie MacDowell |<EMAIL_ADDRESS>| Active | |
| Fuqua Tarkenton |<EMAIL_ADDRESS>| Active | |
| Kim Yee |<EMAIL_ADDRESS>| Inactive |


Cuban president meets with Italian artist Michelangelo Pistoletto
by Redacción DigitalCuban President Miguel Diaz-Canel met with Italian artist Michelangelo Pistoletto, who is attending the Renaissance Forum in Havana, it was reported here on Saturday.
During the meeting, the outstanding artist expressed his deep admiration for Cuba.
For his part, Diaz-Canel expressed his affinity for the artist’s conception and was interested in his projects, Granma newspaper reported.
The Renaissance Forum is held in Cuba every year to propitiate dialogue, participation and the collective construction of projects. (Taken from Prensa Latina)


Simulation of TCLab for Offline Use¶
TCLabModel
replaces TCLab
for occasions where the TCLab hardware
might not be available. To use, include the import
from tclab import TCLabModel as TCLab
The rest of your code will work without change. Be advised the underlying model used to approximate the behavior of the Temperature Control Laboratory is an approximation to the dynamics of the actual hardware.
In [1]:
from tclab import TCLabModel as TCLab
with TCLab() as a:
print("Temperature 1: {0:0.2f} °C".format(a.T1))
print("Temperature 2: {0:0.2f} °C".format(a.T2))
As an additional example.
In [2]:
%matplotlib inline
from tclab import TCLabModel as TCLab
from tclab import clock, Historian, Plotter
with TCLab() as a:
h = Historian(a.sources)
p = Plotter(h, twindow=200)
for t in clock(200):
a.Q1(100 if t < 100 else 0)
p.update(t)
TCLab Model disconnected successfully.
Speedup Factor with setup()
¶
The setup function provides control over the use of the TCLab hardware or model. If using a model, an option to run at a multiple of real-time.
A speedup of 10 or greater causes the simulation to run as fast as possible.
In [3]:
%matplotlib inline
from tclab import clock, Historian, Plotter, setup
TCLab = setup(connected=False, speedup=20)
with TCLab() as a:
h = Historian(a.sources)
p = Plotter(h, twindow=200)
for t in clock(200):
a.Q1(100 if t < 100 else 0)
h.update(t)
p.update()
TCLab Model disconnected successfully.


Waste module.post Data () interface that uses module.post Request () method instead
With the update to other content html and css of repeated problems downloading Fixed html (src) and css (url ()) introducing resource is not changed. Correction for these resources only when the change will reacquire, directly from the cache when no change (http 304)
Template reference (src attribute) path references to other resources can be played directly from the packet directory. And to ensure that update the cache.
Enhancement of built-in templates, you can add custom labels
Redesign Module API to make it close to the Flash Sprite object API
Increase local cache module, apply an incremental update


Provides the definition of the Threshold Control Alarms.
This object has no members.
Action to be taken when TCA is fired - Alert or PolicyGroupChange
Allowed values: Alert, Alert_Add_Network_Macro, Alert_Add_Policy_Group, Alert_PolicyGroupChange
SDK attribute: action
Count of the attempts by maintenanace thread to create/update watcher
SDK attribute: count
Time stamp when this object was created.
SDK attribute: creationDate
Description of the TCA
Format: free
Min length: 1
Max length: 255
SDK attribute: description
This flag is used to indicate whether the watch(TCA) is enabled/disabled
SDK attribute: disable
Explanation of the TCA status
Format: free
SDK attribute: displayStatus
Metadata objects associated with this entity. This will contain a list of Metadata objects if the API request is made using the special flag to enable the embedded Metadata feature. Only a maximum of Metadata objects is returned based on the value set in the system configuration.
SDK attribute: embeddedMetadata
Specify if scope of entity is Data center or Enterprise level
Allowed values: ENTERPRISE, GLOBAL
SDK attribute: entityScope
External object ID. Used for integration with third party systems
Format: free
SDK attribute: externalID
ID of the user who last updated the object.
Format: free
SDK attribute: lastUpdatedBy
Time stamp when this object was last updated.
SDK attribute: lastUpdatedDate
The metric associated with the TCA.
Allowed values: ACL_DENY_EVENT_COUNT, ANTI_SPOOF_EVENT_COUNT, BYTES_IN, BYTES_OUT, FIP_PRE_RATE_LIMIT_BYTES, FIP_PRE_RATE_LIMIT_PACKETS, FIP_RATE_LIMIT_DROPPED_BYTES, FIP_RATE_LIMIT_DROPPED_PACKETS, HIGH_RISK_IP_ACCESS_EVENT_COUNT, IDP_EVENT_COUNT, L7_BYTES_IN, L7_BYTES_OUT, L7_PACKETS_IN, L7_PACKETS_OUT, MEDIUM_RISK_IP_ACCESS_EVENT_COUNT, PACKETS_DROPPED_BY_RATE_LIMIT, PACKETS_IN, PACKETS_IN_DROPPED, PACKETS_IN_ERROR, PACKETS_OUT, PACKETS_OUT_DROPPED, PACKETS_OUT_ERROR, PORT_SCAN_PORT_COUNT, PORT_SWEEP_IP_COUNT, TCP_FLAG_ACK_IN, TCP_FLAG_ACK_OUT, TCP_FLAG_NULL_IN, TCP_FLAG_NULL_OUT, TCP_FLAG_RST_IN, TCP_FLAG_RST_OUT, TCP_FLAG_SYN_IN, TCP_FLAG_SYN_OUT
SDK attribute: metric
The name of the TCA
Format: free
Min length: 1
Max length: 255
SDK attribute: name
Identifies the user that has created this object.
Format: free
SDK attribute: owner
The averaging period
Default value: 90
Min value: 1
Max value: 2592000
SDK attribute: period
This flag is used to indicate the status of TCA
SDK attribute: status
ID of the target VSD entity used by the TCA action
Format: free
Max length: 255
SDK attribute: targetEntityID
Target policygroup used by the TCA action
Format: free
SDK attribute: targetPolicyGroupID
The threshold that must be exceeded before an alarm is issued
Min value: 1
Max value:<PHONE_NUMBER>
SDK attribute: threshold
Throttle time in seconds
Default value: 10
Min value: 10
Max value:<PHONE_NUMBER>
SDK attribute: throttleTime
The trigger interval of the ES watch corresponding to this TCA, in seconds
Default value: 30
Min value: 10
Max value: 86400
SDK attribute: triggerInterval
The aggregation type for the metric over the selected period - Sum, Average or Unique Count
Allowed values: BREACH, ROLLING_AVERAGE, UNIQUE_COUNT
SDK attribute: type
URL endpoint to post Alarm data to when TCA is triggered
Format: free
SDK attribute: URLEndPoint


Webster Pro Release Notes
|
Webster Pro V2.7 Release Notes
|
|
|
The 32-bit Webster Pro Control was built with Visual C++ 4.2 and can be
used with any matched set of MFC DLLs dated 2-August-96 or later. It has been
tested with the MFC DLLs included in the installation kit (which are from
VC++ 4.2b) as well as with the sets from VC++ 5.0 and VC++ 6.0. For more information
see the Help file section entitled "Redistributing the Webster Pro
Control" or the redistribution notes page.
|
|
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Note: If you are switching from a demo or beta build to the release
version of the control in a forms-based
application (VB, MS-VC++, Borland C++ Builder etc.), you should delete
the demo Webster Pro from the form and then insert the release version
in it's place so that the license information is updated. Keep the
control ID the same (e.g. WebsterPro1) and you will not have to change
any code.
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New Properties
- The new ActiveColor property
determines the highlight color for active (pressed) hyperlinks,
unless overridden by the specification of an ALINK attribute in
a BODY tag. To disable this
feature, set the ActiveColor property to the same
value as the AnchorColor property.
- The new HoverColor property
specifies the color with which to highlight a hyperlink
when the mouse pointer hovers over it. To disable this
feature, set the HoverColor property to the same
value as the AnchorColor property.
- The new AnchorUnderline property
determines how hyperlink text is rendered. This property can be set on
the Misc property page. Possible value are:
|
0
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AnchorUnderlineNever
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Never underline hyperlinks.
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1
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AnchorUnderlineAlways
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Always underline hyperlinks (the default).
|
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2
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AnchorUnderlineOnHover
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Underline hyperlinks on mouse hover.
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- The new StatusDisplay property
enables or disables the automatic display of a status page
when a page load fails. It is exposed on the Misc property
page.
Set to StatusDisplayPage (=1, the default) to display
the auto-status page for failed loads as in previous versions.
This status "placeholder" page stays in cache until aged out
or dismissed.
Set to StatusDisplayBarOnly (= 0) to disable
the atomatic generation of a status page upon load failure.
In this case, the
only UI is the status on the status bar, so you may want to
provide your own failure indication for the user (e.g., a dialog
box). Note also that a status "placeholder" page is not kept in
cache for failed loads in this case.
- The new SocketTimeout property
sets the socket timeout in seconds. It is exposed on the Misc
property
page.
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Bug Fixes
- Avoid vertically breaking text lines when printing.
- Eliminated a thread race that caused double loads of images
when loaded via deferred pure-image (dummy page) loads. This
happened when the content-type of a page HTTP header
specified an image but this was not initially discernable
(by extension) in the original URL.
- VB-specific fix: Tab and arrow key presses in HTML
Forms fields should no longer result in focus shifting to another
control on the VB form. When the Tab key is pressed in an HTML
Form control the focus shifts to the next HTML Form control.
- Improved initial jump-to-internal-anchor in subFrames.
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|
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Other changes
- The new Pages property page has been split off from the
Misc property page to accomodate new properties.
- The ALINK attribute of the BODY tag is now supported
and determines the color of active (pressed) hyperlink
highlighting.
- The WRAP attribute of the TEXTAREA tag is now supported.
TEXTAREA fields now word-wrap by default, unless
WRAP=OFF is specified.
- In Table cells, text-element tags that don't have matching
end tags are now automatically closed at the end of the cell.
This means that fonts, colors and other text attributes
specified inside a Table cell do not affect text outside the
cell in which they are specified even if not explicitly
closed by the HTML. This matches the current behavior of
other browsers.
- When an HTML Form is newly made visible, focus is now set to
the first Form control only if the OCX currently owns the focus.
- The page title is exposed via the PageTitle property and the
GetTitle method as soon as it first becomes available.
- Improved scroolbar automatic sizing behavior after layout
to reduce flicker.
- For compatibility with other browsers: don't form-decode URLs.
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The Webster CodeBase, Webster Pro Control,
WebTrek Browser Control and Webster HTML OCX are Trademarks
of Home Page Software Inc.
|


A rep is one repetition of a certain exercise. Performing one push up means you have done one rep. Doing two chin ups means you did two reps. A set is composed of multiple reps. For example, the sample workout routine below recommends doing 10 push ups and beginners should do 2 or 3 sets meaning that 20 or 30 push ups will be performed by beginners.
| Exercise | Reps |
| Push Ups | 10 |
| Bench Dips | 12 |
| Chin Ups | 10 |
| Plank | 30 (sec) |
Perform one set of the first exercise, then do one set of each subsequent exercise. For instance, in the above sample workout routine, you will do 10 push ups, 12 bench dips, 10 chin ups, and one 30 sec plank. When you finish the last exercise, do the exercises in order again until you have done the desired sets of each.
The number of sets that you should do depends on your level of experience. Beginners should perform 2 or 3 sets of each exercise. If you are intermediate, perform 3 or 4 sets. Those who are advanced should easily perform 5+ sets.
If these workouts are too easy, you can do more reps (or longer time if exercise is timed) for each exercise. You can also do more sets. Each exercise has more difficult variations, which can be found with simple web searches.


Autonomous Things (robots)
- Autonomous Things is the new term used to describe technical developments that are expected
to bring computers to life and into the physical environment and they are supposed to work without any human direction.
- Examples of autonomous things are self-navigating drones. By 2020 it is expected that an autonomous car will be available. Another application of autonomous things are robots
these are now being used to care for elderly people.
Link to more information on Autonomous Things


Toggle navigation
Greg Szuch
about
portfolio
contact
about
I do some things.
Websites
front end
back end
Music
Games
Check my portfolio and contact links for examples.
portfolio
Basic website design featuring Marples
Link to Soundcloud with a cover version of the Foo Fighters song Everlong
Link to a website with a full featured navigation bar
Link to github repository that hosts a file branching application
Link to Soundcloud website featuring an original song
Link to github repository with a simple Asteroid video game clone
contact


``ignore''
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BIG TEXT small text


Type Function Library network.* Return value Object Revision Current Public Release (2013.2076) Keywords asynchronous, http, https, get, post Sample code /CoronaSDK/SampleCode/Networking/AsynchHTTP See also network.download() network.upload() network.cancel() networkRequest
Makes an asynchronous HTTP or HTTPS request to a URL.
This function returns a handle that can be passed to network.cancel() in order to cancel the request.
You cannot execute a network request during a System Suspend/Exit event. After Corona suspends, no callbacks will fire.
You can work around this by saving the request you wish to make to a file upon a System Suspend/Exit event. Then on a System Resume event, check if there is a pending request saved, and if there is, execute it.
Note that Content-Type
of requests defaults to text/plain
and if you are POSTing form data you'll need to set it appropriately (see HTTP POST with custom headers below).
On Android, you must add the following permission to the "build.settings" file.
settings =
{
android =
{
usesPermissions =
{
"android.permission.INTERNET",
},
},
}
network.request( url, method, listener [, params] )
String. The HTTP request URL.
String. The HTTP method; valid values are "GET" (the default), "POST", "HEAD", "PUT", and "DELETE".
Listener. The listener function invoked at various phases of the HTTP operation. It is passed a networkRequest event.
The listener function can receive events of the following phases:
"began"
- The first notification, contains the estimated size, if known."progress"
- An intermediate progress notification."ended"
- The final notification, when the request is finished.By default, the listener will only receive "ended"
events. If params.progress (described below) is "upload"
or "download"
, then the listener will also receive "began"
and "progress"
events.
If the response body is directed to a file by using params.response (described below) and the response was successfully written to the file, then event.response will contain a table indicating the filename
and baseDirectory
for the output file. If the request completes, but produces an error response, then any error response body will be provided as a string in event.response instead. This behavior prevents the destination file from being written/overwritten with an error response instead of the desired payload.
Table. A table that specifies HTTP request or response processing options, including custom request headers or body.
params.headers
A table specifying request header values with string keys.params.body
A string containing the request body, or alternatively, a table containing the filename
and optionally baseDirectory
for a file whose contents are to be used as the request body.params.bodyType
A string indicating whether a string request body is "text"
or "binary"
, default is "text"
if params.body
is a string or "binary"
if it is a table specifying a file.params.progress
A string value indicating the type of progess notifications desired, if any. One of "upload"
or "download"
. The notification phases include the "began"
and "progress"
phase events for the desired direction of progress. Default is nil, indicating that only the "ended"
phase event is desired.params.response
A table value indicating that the response body should be written to a file and specifying the filename
and optionally the baseDirectory
for the response file. If this value is not provided, the response body is provided as a string.params.timeout
A time out in seconds. Default is 30 seconds.Note: If a filename table is specified in params.body or in params.response, baseDirectory is an optional Constant that defaults to system.DocumentsDirectory. In the case of params.response, baseDirectory cannot be set to system.ResourceDirectory, since that directory is read-only.
For more examples, see the /CoronaSDK/SampleCode/Networking/AsynchHTTP sample project in the Corona SDK download.
For examples of canceling a request, see the documentation for network.cancel().
The following sample code contacts Google's encrypted search over SSL, and prints the response (in this case, the HTML source of the home page) to the Corona terminal:
local function networkListener( event )
if ( event.isError ) then
print( "Network error!")
else
print ( "RESPONSE: " .. event.response )
end
end
-- Access Google over SSL:
network.request( "https://encrypted.google.com", "GET", networkListener )
The following code demonstrates a sending data via HTTP post, specifying custom request headers and request body.
local function networkListener( event )
if ( event.isError ) then
print( "Network error!")
else
print ( "RESPONSE: " .. event.response )
end
end
local headers = {}
headers["Content-Type"] = "application/x-www-form-urlencoded"
headers["Accept-Language"] = "en-US"
local body = "color=red&size=small"
local params = {}
params.headers = headers
params.body = body
network.request( "http://<IP_ADDRESS>/formhandler.php", "POST", networkListener, params)
The following code demonstrates how to download a file, with progress updates.
local function networkListener( event )
if ( event.isError ) then
print( "Network error!")
elseif ( event.phase == "began" ) then
if event.bytesEstimated <= 0 then
print( "Download starting, size unknown" )
else
print( "Download starting, estimated size: " .. event.bytesEstimated )
end
elseif ( event.phase == "progress" ) then
if event.bytesEstimated <= 0 then
print( "Download progress: " .. event.bytesTransferred )
else
print( "Download progress: " .. event.bytesTransferred .. " of estimated: " .. event.bytesEstimated )
end
elseif ( event.phase == "ended" ) then
print( "Download complete, total bytes transferred: " .. event.bytesTransferred )
end
end
local params = {}
-- This tells network.request() that we want the 'began' and 'progress' events...
params.progress = "download"
-- This tells network.request() that we want the output to go to a file...
params.response = {
filename = "corona.jpg",
baseDirectory = system.DocumentsDirectory
}
network.request( "https://www.coronalabs.com/image.jpg", "GET", networkListener, params )
The following code demonstrates an HTTP post, where the request body is text that comes from a file.
Note: This example demonstrates one possible way to upload a file. Different web servers and applications support different methods of file upload. For example, some REST services support upload of a binary file in the body of a PUT request. Many web servers only allow file uploads using multipart/form-encoded (text) request bodies in a POST request. If you are going to attempt file upload, you must first understand the specific mechanism supported by the specific web server or application that you will be working with, and then you must form your request data and choose your request method appropriately.
local function networkListener( event )
if ( event.isError ) then
print( "Network error!")
else
print ( "Upload complete!" )
end
end
local headers = {}
headers["Content-Type"] = "application/json"
headers["X-API-Key"] = "13b6ac91a2"
local params = {}
params.headers = headers
-- This tells network.request() to get the request body from a file...
params.body = {
filename = "object.json",
baseDirectory = system.DocumentsDirectory
}
network.request( "http://<IP_ADDRESS>/restapi.php", "POST", networkListener, params)


example.com/pkg2/subpkg2/subsubpkg2
go get example.com/pkg2/subpkg2/subsubpkg2
import "example.com/pkg2/subpkg2/subsubpkg2"
Home: https://pkg.go.dev/example.com/pkg2/subpkg2/subsubpkg2Source: https://github.com/leighmcculloch/go-pkg2
Sub-packages:


 A place where you feel safe, feel yourself, feel happy and always feel loved. To us THIS IS HOME …and this is what we build.
 A vacation where you were pampered by courteous hotel staff, where you stayed in the best hotels with the most luxurious rooms? Nothing quite beats the comfort your beloved couch or the beauty sleep you get on your own bed or even the feeling of strutting around in your comfy clothes. All because this is your own home.
If only four walls and ‘things’ made a house a home; then no one would remember those precious memories where children chased each other around in nothing but a vest and underwear with a kitchen ‘kadhai’ doubling up as a soldier’s helmet. The aroma of your favourite ‘sabzi’ floating in from the kitchen while you’re getting the TV fixed (after many reminders) or even those lazy Sunday afternoons where you ate breakfast at lunch and lunch got pushed to tea time.
All such memories begin as a dream in the eyes of a home buyer. Haven’t we all experienced this feeling when visiting a project? The minute you step into the sample flat, you start making a mental picture of how own house and then you start imagining your life there. Dreaming about making it your own home one day.
We at Aarshiwaad Homes know and believe that homes are not made on the foundations of concrete and cement, they are made up of millions of hopes and wishes that people have. Anyone who is looking to buying a home in Pune is dreaming of creating a special place for himself and his family - their own home. Homes are made when people’s dreams come true and they can say – This is my home.
Aashirwad Homes in Ravet is a property crafted with love to be your little haven in the cushions of this green earth. These 2 BHK premium homes assure highest quality so that your family can feel safe. A strategic location that does not keep you away from your family for too long when you have to commute. A community living where your family can meet and explore like-minded people from different cultural backgrounds. Square-feet of open green spaces for you to play, breathe fresh air and live in.
At Aashirwad Homes, Ravet we’ve created the four walls but it’s time for you and your family to bring them to life by fulfilling all your aspirations of living in your own home.  On the private terraces and garden sitting areas rediscover deep conversations that may have been put on hold for too long. At our play areas and indoor game areas children can build everlasting friendships with other kids rather than being attached to screens and video games. We have create a space for many families to come together and make one big family who celebrate special occasions and festivals at the club-house and common garden areas. Buying a home is not about putting your life’s savings into a concrete asset. It’s about finding a space that you can truly call your home. Finding those solid four walls which you can paint with a lifetime of
memories, a place where you can breathe sigh of relief not just once but every day for the rest of your life. A place to step into and say ‘This Is Home’ .


Hey Astonish!
I am Ricky, currently residing in Houston but open to opportunities in Austin.
Who am I?
I am a biologist turned web developer. I find great interest and passion when building applications useful for the average person, especially for those who are not into social media.
I do many more things other than develop web apps. I am mechanically inclined and I love working on my car even it isn't broke. I love having the right tools for every job and a dream of mine is to have a fully stocked garage with every tool imaginable. I like watching TV comedies like Modern Family, HIMYM, The Office, New Girl, and many more. I don't drink coffee but I like how it smells; marshmallows smell good too!
I am a recent Dev Bootcamp graduate. Dev Bootcamp is a short, but long 19 week program, where we were immersed into OOP in Ruby, JS, and HTML/CSS. We gained tools for learning quickly and closely as team members of a family. I know there is more to learn and I'm eager to add more tools to my belt.
A Little About Astonish
You build custom applications for your clients. This means you cater to your clients' software needs and demands. This diversity and open-mindedness is great for software companies who want to continually learn and expand.
Astonish cares about its team health. A happy team is a productive team. I believe in working with a strong, helpful, and fun team because these are the people you will be learning, working, and living with. You have family and teamwork in your culture and I think that's second to producing awesome results.
I'm not the best or the most proficient programmer yet, but one day soon I hope to Astonish people with my capabilities. Feel free to contact me with the links provided below.


Pig dice game comes from family of jeopardy dice games. In jeopardy dice games players are allowed to go for bigger gains by taking a risk which also can result in not making any gain at all. The objective of Pig dice game is reach to a certain score before your opponents. Normally the game is played for a score of 100.
Pig dice game is played with a single six-sided die and players are allowed to make any number of rolls in each turn.
After each roll the dice value is added to their score for that turn.
After each roll player can decide whether to stop rolling and claim the total turn score or continue rolling
.If they roll a 1 then they lose all points scored in a particular turn and turn is then passed to the opponent.
 If players decide to stop rolling,
they get the points scored so far which is added to their overall score.
The first player to score 100 points (or any other predetermined score at the beginning of the game) wins the game.
Two-dice Pig:Two-dice Pig is played with two six-sided dice and has following rules


{% extends 'email/email_base.html' %} {% block content %}
|
March News From Origin Protocol
What an amazing month this has been at Origin Protocol. Thanks to all of you for being involved. We are working hard to build the sharing economy without intermediaries and can’t be more excited to have so many people all over the world joining us on our community-driven mission. The Good:CommunityOur Telegram community is now over 21,000 people strong! Thank you for being part of our community and for continuing to spread the word and inviting your friends to join us. Our website has been translated into 17 languages entirely by volunteers from our community. We want to express our huge thanks to everyone who helped make that happen. Speaking of translation, our product brief is also now available in Korean, Russian, Japanese, and both Simplified and Traditional Chinese. We made the switch from Slack to Discord and invite everyone to join our community on Discord. Discord will be our new central meeting place for our core team to collaborate with our extended community and growing group of contributors. Product Our demo is up and running on the Ethereum testnet where hundreds of people have listed services, cars, and even a house. Our mission is to provide a zero-commission booking engine for you to build amazing sites and experiences. Team Our team is growing with 6 full-time and over a dozen contractors. We have switched over to 24/7 customer support. We are interviewing for several important roles right now so if you are looking to help us build the sharing economy of tomorrow please check out our job openings! We are an open source project so if you want to get hired you can start by participating and getting to know us on our Discord! Jump in on software engineering, marketing, or support tasks to show us your excitement for what we are doing! Partners We now have over 30 partnerships with companies like CanYa (freelancing), Propy (real estate), and Jolyy (cosmetics) that have committed to building on the Origin platform. We are excited that all of the marketplaces on our platform will create “shared network effects.” All of our partner marketplaces will share “accounts” and reputation, and identity will be totally portable (imagine using your Airbnb account for Uber and eBay). As each of the individual marketplaces on Origin grows, the whole ecosystem of marketplaces share in that growth. Check out the full list of projects that are building on Origin. We also announced a new technology partnership with WeTrust. We will offer WeTrust’s decentralized insurance protocols to our partner marketplace DApps. Many more partners are coming so stay tuned for additional exciting news! The Bad:Scammers are trying hard to take advantage of Origin community members. We are building an amazing product on the blockchain and have been unfortunately targeted by a few malicious fraudsters. We will never ask you to send ETH to us over Telegram, Slack, or email, so If you are ever asked to do so please immediately report it to our of our Telegram admins. As a basic rule, make sure you can verify any information you see in an email or message with one from the official website. Always triple check with us, and if it seems too good to be true, add a 4th check.The Upcoming:Hopefully we can meet up with you! We are setting up meetups in Austin, San Francisco, Paris, London, Singapore, Melbourne and Boulder. Let us know if you want an invitation or for us to come visit your city.Join our Telegram to keep up to date as we grow. Cheers from Origin Protocol! |


| DOSE: |
1.5 tablets |
oral |
MDMA |
(ground / crushed) |
| |
0.5 tablets |
insufflated |
MDMA |
(ground / crushed) |
Well, here is where I learned more about myself than ever before. I had tried acid (1.5 blotter) 2 months prior to this experience and loved absolutely everything about it. I also discovered that often on psycodelic drugs (acid/mush/mescaline) my mind creates images that are designed to frighten me. However it seems that anytime these frightening images would appear it would just only take me deeper into the most blissful parts of the different drugs it has happened on. Occasionally I would delve deep into these scary euphorias, but if it ever became overwhelming I could simply turn on a few lights and everything would return to normal. I think I also may react much more to shadows than light.
I had obtained 4 pills from my girlfriend who had left them for me and my most unique friend ever. We weren't sexual with each other at all but we would always make it clear that we were the same person in different bodies. We loved each other like birth brothers. He will henceforth be known as CG. We had each dropped a 1.5 parachute and snorted a .5 of blue ferrari pills. Dosing more than one blue ferrari always causes hallucinations for me. I had turned off all the lights for this occasion and had more than 80 tea lights all set up to light the huge apartment (which I didn't deserve). It was absolutely perfect.
The trip was very normal until about 2.5 hours in. Normal meaning my usual feelings on a strong pill. Being with a best friend helps too of course. We had spent the night just shooting the breeze, listening to music, watching the i-tunes visualizer naked, wrapped only in blankets. A very wonderful time.
The amazing part of the trip lasted from 2.5 hours in to 4 hours after that. I have a bad habit when I'm on ecstasy. I love to sit in the bath. I of course make the water very hot but I open the window and stand up to cool off very frequently. CG and I decided to hit the bath. My apartment at the time had an enormous bath tub. We sat in the tub together as if it were totally normal smoking our cigarettes and talking about our respective love lives. When all of a sudden I looked towards CG. Half his face was shaded. As I stared into the dark half of his face it all of a sudden leaped towards me and started to morph into some huge purple monster/demon face. I started laughing histerically despite my fear. CG started asking me what was the matter. I threw myself towards him and hugged him so I could no longer see his face and told him simply that 'He was a monster'.
I don't think I had ever felt so good. The experience sent my heart rate through the roof (a+++). I for some reason still trusted this monster faced man and kindly asked him to turn the lights on. When he did everything went straight to a normal E feeling again. I became intrigued by this bath tub experience and found that in the correct darkness I could achieve it as often as I pleased. Eventually (3.75 hours in) I was frightening myself again to go even deeper into this glee and stared into CGs eyes the same thing happened, but this time for him and me. We leapt apart from each other and quickly turned on all the lights in the apartment and spent the remaining time of our trip jamming on the guitar (me) and the bongo (CG) with the best E feeling I've ever had. Even better than my first trip.
The come down was barely noticable. At least for me though. At the time I had been living with my girlfriend and so her constant presence always kept me glad. I find that a good way to keep myself feeling good after a trip is to spend a great deal of time with the people I love.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


* Tae kwon do 2 years, king fu 1 year * JuJistu, 9 months, interest and was local. Gracie JJ, groundwork and grappling 3 months * Wrestling * Ju Jitsu - 4 years, why- only club local to me at the time. * Judo 7 years as a junior as it was a school club on during the school day. * Kobudo - 1973 ; kenjutsu - 2004 * Jujitsu for 3 years, kick Boxing 3 years * Boxing * Kenjutsu over 40 yeara * Aikijujitsu - approximately 7 years. Initially I started to get a better understanding of locks and throws. * Started in Tang Soo Do. Switched to Shotokan following relocation. Briefly trained in Jitsu, didn't enjoy it. * Aikido (8 years regular cross training) - to learn stand up grappling, BJJ (a few seminars with different instructors) - to improve groundwork; Catch wrestling (ongoing occasional) - to improve grappling; AoDenkou Jitsu (seminars and travelling uke for over 10 years) - to improve small circle ju jitsu and pressure point use; occasional seminars in boxing, control & restraint courses, Judo, Wing Chun, Steelwire Mantis, Krav Maga, Mushin Ju Jitsu, Iaido, JKD, FMA, Tai Chi to gain alternative perspectives. * "Tae-Kwon-do for 8 years * Kickboxing for 6 months * Jujitsu for 3 months" * Mixed martial arts, kick boxing, taekwondo * mixed martial art (kali, tai boxing & jkd, purely for fun * Tai Chi (12 years) , Wado Ryu (1 year) * Ju jitsu for about 5yrs * Judo * Ju Jitsu * "Krav Maga for 2 years * Wing Chun for 1 year " * Judo 6 years for throwing practise, Krav Maga just for fun and to see how good it is , Aikido already a part of my system and enhances the soft movements within Wado * Kali (Philippino), c.8 months - some weapon focussed training and just to try something different * BJJ - 2 years. Goji Ryu - 2 years * Aikido for 5 years. Started it to help with my bouncing , ju jistsu (japanese) for 2 years to help with my ground work * Kobudo 20yrs enhances karate training * Jujitsu, kickboxing, Krav Maga, wanted to gain other skills other than karate * Muay Thai, 3 months. Didn’t get enough sparring and pure striking training just doing karate. * Kali, JKD and Thai boxing * Judo for 2 years * Traditional Judo 29 yrs, Jujitsu 27 yrs Battojutsu/Iaido 9 yrs * Tae kwon do, 3yrs, fresh start in a new style * Judo * Judo, Boxing, Kickboxing, Arnis * Kung Fu, Ju Jitsu, MMA, Judo, ~10 years total, judo - per because club closed. Others all in one school, left when I went to Uni * Tai chi 1 year because of injury’s * Muay Thai, Jujitsu * Ju-jitsu. Really enjoyed the grappling side of the sport that karate isn't known for or practiced as much. Now bringing that side into my clubs training * I have studied a form of Kung Fu called Feng Yang sau for approximately 3 years. I have tried BJJ. I left Feng Yang sau as i didn't feel the gradings were fair and balanced. I saw people who trained for a few weeks get graded at the same time who had studied for a year, they were only grading once a year. I enjoyed BJJ but have tennis elbow which prevents me from training. * kung fu, wrestling. Short periods as there were not karate clubs of my style in area * Judo & Capoeira * Judo & Capoeira * Muay thai for 2 weeks and to try something else * Muay Thai - 2 years, kickboxing - 3 years, Wing Chun 6 months * Previously Goju Ryu (6 years as a kid) BBJ - less than a year. Why -to diversity my martial arts and improve * JKD / Kali 10years * Aikido - 3 years - to learn throws and locks. Kickboxing - 2 years - to learn how to get hit! * Judo-4 years, first martial arts I did as a kid * BJJ * Ninjitsu. It seemed cool and was available locally at a convenient time. I did it for about a year. Quit as although it was fun a lot of the time, I thought the club was not v well controlled. Some techniques were potentially dangerous and some students did not control their techniques well. * Judo - since 09/2018 - karate throws are studied minimally within my club. My additional training has complimented my throws and has allowed me to pass on this knowledge to my fellow karateka. * Kickboxing 3 years, was trend at the time. Jujitsu 4 years to supplement striking skills. * Muay Thai & Wrestling Grappling Arts, for enjoyment & to enhance my training. * Judo for 3/4 years as the skills compliment karate, and used to be a staple of karate, but have sadly become forgotten with the advent of competition. * Kung Fu on off * 2nd dan black belt combat jujitsu still training * Systema (Russian Martial Arts) 18 years * Kickboxing - 1st dan and fell out with coach!! - kick-jitsu blackbelt - left association * Thai chi * Jiu-Jitsu at University for a year * MMA * Different style of karate due to instructors * Kickboxing for 1 year. To experience another martial art * Judo, BJJ, Krav Maga * Kickboxing, Jujitsu, Ninjutsu. To apply Karate in a different context and learn grappling to complement my training. * Judo * Boxing, 6 months, always wanted to try it * Tkd 20 - 30 years * Ju-Jutsu, 1 year, train with friend * Muay thai, suburi. * Judo 6 months just to try * Boxing, 3 years & close proximity punching & footwork. * I am learning Aikido, have been going for 6 months. I have always liked the Aikido philosophy and I want to learn more about locks, throws, balance transfer and capture, break-falls and rolls. * Judo, 3 years, as child with friends * Ooh, lots! Wing Chun for a couple of months, Ju Jitsu for years, Kickboxing for years, BJJ on and off for years, and others I can’t exactly recall at the moment. * Kickboxing, 1 year, for fun * Shaolin kungfu a year, because it was the only one that interested me * I teach the Karate Group and train with Hants Self Protection doing Thai Pad rounds for fitness * "Wing chun 1 year learn a different aporoach * Freestyle kickboxing 1 year. Learn fighting and ground work " * Kung Fu 10years * Ju jitsu, 1 year * Tae Kwon Do for about 2 years * Aikido for 2 years * Jujitsu * okinawan kobudo, 2yrs, a means to add another dimension to my knowledge. * Aikido 5 years, helps karate and fun! * Judo 3 years, Aikido 1 year, various styles of karate whenever i can * "Wadoryu (13 years / 3rd dan) - The first style i did as a kid, i really enjoyed the sport based side of karate it was good for maintaining my fitness and health * Shotokan (8 years / 1st dan) - Second style, i fell in love with competitive kata and Shotokan gave me the traditional side i wanted to improve" * Kickboxing to adapt my fighting techniques * Bjj * Iaido, training for about 16 years * krav maga 1 year. muay thai 4 years * Tai Chi for ten months, as a means of treating my cancer treatment * Judo, started at university so only for 9 months * Aikido * judo 1 year * Jujitsu for 8 months * Aikido, judo, eskrima, wing Chun, Tai Chi Chuan * Kick Boxing, 3 years * Another style of karate, jujitsu, muay thai, taekwondo, capoeira * Tai Chi, 2 years, for contrast/control/balance/core * Taekwondo, 4.yrs it was local * Ju-justs * Bits of judo and bjj * Aikido 1 year to practice locks and throws. * Judo 1 year * Judo for approximately a year, after school club. Japanese Ju Jutsu also about a year, interest from Judo. MMA/BJJ/MuayThai, trained alongside my core karate training at an mma gym after taking part in an amateur fight (trained for about 2 years until the gym closed). * Previously: Tae Kown Do (11 years). Currently: kickboxing/muay thai (7 years), Brazilian jiu-jitsu (2 years) * Jijitsu * Kobudo * Kickboxing as it allows me to test the karate I've learnt. Jiu Jitsu as it adds a grappling aspect to my fighting. Sanda as it tests my learning. * judo * Jujitsu for 2 years for additional training and i found it great fun * Aikido. Approx 6 months. I thought the training I had from it enhanced my karate and was not getting anything else from the art. My partner and I were the only adults * TKD - I was more interested in the sport/sparring side of martial arts * Kickboxing * Aikido, 6 months, wanted to try it! (Enjoyed it but club ended) * Tae kwon do and jujitsu * Aikido. 2 years . To learn * Wing chin, bjj cross training * Wing chin, bjj cross training * Aikido. Only for a couple of years and just because my dad did it at the time * Krav Maga * Aikido * Kick Boxing * Iai * Kickboxing for 1 year. Enjoyed the physicality. * Judo, 5years(?) for newaza/grappling * Various styles, kickboxing, taekwondo mostly * Jujitsu about 10 years agon but not for very long * Ju jitsu. To develop more rounded self defence skills. * Tae Kwon Do. 18 months. Recommend by a friend. * Iaido, 1 year, interested me. * Tai chi 10 years, for balance * Wing chun 1 year, judo 6 months, kick boxing 1 month-present. Sporadically due to family/work constraints and commitments to other activities. Kickboxing supplements my current training for tournament kumite * Thai boxing 6 years * Ju jitsu compliments my karate * JKD 5 years * Kung fu, 2 yes, as a teen * Kickboxing, 6 years, keep up stamina. * Judo (4-5years as a 12-16 y/o). It looked fun and I wanted to have a go. Fencing (14 years but on and off for over 30 yrs) I picked it up again 10 years ago and fence competitively. Karate joined my 6 y/o daughter on the mats 8 years ago and we are grading for 3rd Dan at the end of the year. Aikido - dragged my husband onto the mats 4 years ago and we are grading for Shodan next year. * Ju jitsu * Aikido,judo * Freestyle Karate * Judo * Self defense class * Judo for 3 years * Brazilian jui jitsu * Tai Chi - 1 Year * Various to observe/learn other styles interpretation of various katas etc * Kung fu 1 yr self defence * Kick boxing 2 years, kick jutsu 1 year * Ju Jitsu - 8 years - compliments the karate * Judo, 3 years as a teen * Boxing for 15years. Bjj for 5years and Thai boxing /Kickboxing for 10 years * Ashihara Karate - Yondan * Judo * Iaido, Wing Chun, Kick boxing mainly just because I enjoy Martial arts and just wanted to see what else was out there * Aikido. Couldn’t find a good karate club locally * "tai chi: focus 4 years * Iaido: weapon work continuous but in blocks " * Judo 4 years, take Kwan do 1 year, * Kempo. Began training over 20 years ago. Then gave up. Back at it now. Softer system but enjoy the throws and locks. Centred around self defence. Club has been going since 1936 * Tae Kwon Do. Six years. Stopped when moved. * JuJitsu 2 years * Jodo, Iaido for 1 year * Ryukyu Kobujitsu 20 years, to develop my knowledge of Karate. Aikido 2 years, to develop my grappling skills.  * Atami jiu-jitsu * Brazilian Jiu Jitsu for 18 months to expand my knowledge of groundwork. JKD and Kali for 20 years intermittently and for 18 months regular to obtain a greater depth of knowledge of differing martial arts systems. * Judo and Kung Fu 30 years, Tai Chi 26 years and Aikido 1 year * Aikido. Started 4 months ago. To broaden my knowledge. * Wing Chin 1year. Lunch time class. * Kung Fu 2 years, judo 6 months as a child, (and aikido taster 3 months) * Kick boxing escrima couple of year's each * BJJ and Judo * Judo.  * Judo (4 years) kav magra (3years) * Judo. 8 years * Mainly Jeet Kune Do & Aikido previously but also courses in self defence and Iaido. * Aikido 3 years * kickboxing & judo for 2 years * Jujuitsu. 3 years when younger * Ju-Jitsu & Kyushu-Jitsu. Approx 20 years, gave a more complete system * Kickboxing * Boxing, Thai boxing 15 + years like to fight, fitness and conditioning * Wing chun * Casually other karate clubs * Judo 4yrs, Aiki-jutsu 3yrs, Ninjitsu 2yrs Boxing 5yrs * Aikido 5 years * Shotokan (TASK, TSSK, JKA) * "BJJ 16 years for the ground work * Kickboxing 24 years for fun * Japanese Jujutsu 3 years for the throws from atemi * MMA mainly just to spar and fitness" * Judo, couple of years, to learn some throwing and floor stuff. Aikido, 6 months for the crack, lots of other bits and pieces * Currently training in BJJ to broaden my experience * Tang soo do. 3yrdø * Arnis,ju jitsu,kei jutsu * Judo - for a year. Cross training, * Judo 5 years, during my adolescence * Judo 2years as kid. Aikido 4months X2, bit of capuaira, bit of MMA, * Jujitsu * Judo. To compliment my karate skills. * Kickboxing - 5 years - club close to home * Judo * 14 different systems to supliment my parent style and approach. * Kick boxing. A change of scenery and full contact * "Iaido because if the greater discipline and accuracy 2 years * Tai chi chuan 7 year flexibility and peace" * Aikido, three years, to broaden my horizons * Boxing and Jiujitsu. Began 1 year after starting karate to fill in the deficiencies I felt i acquired only training in one art. * Krav Maga 30 years * Taekwondo 3 years - studied it at university * Filipino eskrima, 5 years, to explore other martial arts and improve weapon based training * JKD/Kali, aikido, muay thai - not for more than a year each in total - curiosity and to expand my skillset * HEMA, 9 months, TKD 6 years, ju jitsu 2 yeara * Boxing. Two years. I like punching people in the head * Boxing 2 years


Chose the image(jpg/jpeg) you want to upload：
The testing image should be located in ./Desktop/Test
Analyze!


Lets go travel to these places
Lists showcasing a list of places to travel, have adventures and play.
Places I have travled
Ireland
Scotland
Whales
England
Places I want to travel
Italy
Thailand
Japan


{% extends "helpdesk/base.html" %}{% load i18n %} {% block helpdesk_title %}{% trans "Edit followup" %}{% endblock %} {% block helpdesk_head %} {% endblock helpdesk_head %} {% block helpdesk_body %} {% include "helpdesk/ticket_desc_table.html" %}
Public tickets are viewable by the submitter and all staff, but non-public tickets can only be seen by staff.
If the status was changed, what was it changed to?


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AMF3 implementation.
AMF3
is the default serialization for ActionScript 3.0 and provides various advantages over
AMF0, which is used for
ActionScript 1.0 and 2.0. It adds support for sending int
and uint
objects as integers and supports data types that
are available only in ActionScript 3.0, such as ByteArray and ArrayCollection.
Since: 0.1
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ObjectEncoding AMF object encodings. |
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DataOutput I am a StringIO type object containing byte data from
the AMF stream.
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DataInput I provide a set of methods for reading binary data with ActionScript 3.0. |
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ByteArray I am a StringIO type object containing byte data from
the AMF stream.
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| ClassDefinition | |||
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Context I hold the AMF3 context for en/decoding streams. |
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Decoder Decodes an AMF3 data stream. |
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Encoder Encodes an AMF3 data stream. |
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| BufferedByteStream |
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use_proxies_default = False If True encode/decode lists/tuples to ArrayCollections and dicts to ObjectProxy |
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TYPE_UNDEFINED =
The undefined type is represented by the undefined type marker. |
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TYPE_NULL =
The null type is represented by the null type marker. |
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TYPE_BOOL_FALSE =
The false type is represented by the false type marker and is used to encode a Boolean value of false .
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TYPE_BOOL_TRUE =
The true type is represented by the true type marker and is used to encode a Boolean value of true .
|
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TYPE_INTEGER =
In AMF 3 integers are serialized using a variable length unsigned 29-bit integer. |
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TYPE_NUMBER =
This type is used to encode an ActionScript Number or an ActionScript int of value greater than or equal to 2^28 or an
ActionScript uint of value greater than or equal to 2^29.
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TYPE_STRING =
ActionScript String values are represented using a single string type in AMF 3 - the concept of string and long string types from AMF 0 is not used. |
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TYPE_XML =
ActionScript 3.0 introduced a new XML type however the legacy XMLDocument type from ActionScript 1.0 and 2.0.is
retained in the language as flash.xml.XMLDocument .
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TYPE_DATE =
In AMF 3 an ActionScript Date is serialized simply as the number of milliseconds elapsed since the epoch of midnight, 1st Jan 1970 in the UTC time zone. |
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TYPE_ARRAY =
ActionScript Arrays are described based on the nature of their indices, i.e. |
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TYPE_OBJECT =
A single AMF 3 type handles ActionScript Objects and custom user classes. |
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TYPE_XMLSTRING =
ActionScript 3.0 introduces a new top-level XML class that supports E4X syntax. |
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TYPE_BYTEARRAY =
ActionScript 3.0 introduces the ByteArray type to hold an Array of bytes. |
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REFERENCE_BIT = 1 Reference bit. |
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MAX_29B_INT =<PHONE_NUMBER> The maximum that can be represented by an unsigned 29 bit integer. |
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ENCODED_INT_CACHE =
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Imports: types, datetime, zlib, pyamf, util, ObjectProxy, ArrayCollection, set, encode_int, decode_int
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A helper function to decode an AMF3 datastream.
|
A helper function to encode an element into AMF3 format.
|
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TYPE_UNDEFINEDThe undefined type is represented by the undefined type marker. No further information is encoded for this value.
|
TYPE_NULLThe null type is represented by the null type marker. No further information is encoded for this value.
|
TYPE_BOOL_FALSEThe false type is represented by the false type marker and is used to
encode a Boolean value of
|
TYPE_BOOL_TRUEThe true type is represented by the true type marker and is used to
encode a Boolean value of
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TYPE_INTEGERIn AMF 3 integers are serialized using a variable length unsigned 29-bit integer. See Also: Parsing Integers on OSFlash (external)
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TYPE_NUMBERThis type is used to encode an ActionScript Number or an ActionScript
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TYPE_STRINGActionScript String values are represented using a single string type in AMF 3 - the concept of string and long string types from AMF 0 is not used. Strings can be sent as a reference to a previously occurring String by using an index to the implicit string reference table. Strings are encoding using UTF-8 - however the header may either describe a string literal or a string reference.
|
TYPE_XMLActionScript 3.0 introduced a new XML type however the legacy
See Also: OSFlash documentation (external)
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TYPE_DATEIn AMF 3 an ActionScript Date is serialized simply as the number of milliseconds elapsed since the epoch of midnight, 1st Jan 1970 in the UTC time zone. Local time zone information is not sent.
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TYPE_ARRAYActionScript Arrays are described based on the nature of their indices, i.e. their type and how they are positioned in the Array.
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TYPE_XMLSTRINGActionScript 3.0 introduces a new top-level XML class that supports E4X syntax. For serialization purposes the XML type needs to be flattened into a string representation. As with other strings in AMF, the content is encoded using UTF-8.
|
TYPE_BYTEARRAYActionScript 3.0 introduces the ByteArray type to hold an Array of bytes. AMF 3 serializes this type using a variable length encoding 29-bit integer for the byte-length prefix followed by the raw bytes of the ByteArray. See Also: Parsing ByteArrays on OSFlash (external)
|
ENCODED_INT_CACHE
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| Generated by Epydoc 3.0.1 on Mon Sep 7 23:17:40 2009 | http://epydoc.sourceforge.net |


UTF-8 Dingbats
Range: Decimal 9984-10175. Hex 2700-27BF.
If you want any of these characters displayed in HTML, you can use the HTML entity found in the table below.
If the character does not have an HTML entity, you can use the decimal (dec) or hexadecimal (hex) reference.
Example

I will display ✂

I will display ✂

Will display as:
I will display ✂
I will display ✂
Try it Yourself »
Older browsers may not support all the HTML5 entities in the table below.
Chrome has good support. But (currently) only IE 11+ and Firefox 35+ support all the entities.
| Char | Dec | Hex | Entity | Name |
|---|---|---|---|---|
| ✁ | 9985 | 2701 | UPPER BLADE SCISSORS | |
| ✂ | 9986 | 2702 | BLACK SCISSORS | |
| ✃ | 9987 | 2703 | LOWER BLADE SCISSORS | |
| ✄ | 9988 | 2704 | WHITE SCISSORS | |
| ✅ | 9989 | 2705 | WHITE HEAVY CHECK MARK | |
| ✆ | 9990 | 2706 | TELEPHONE LOCATION SIGN | |
| ✇ | 9991 | 2707 | TAPE DRIVE | |
| ✈ | 9992 | 2708 | AIRPLANE | |
| ✉ | 9993 | 2709 | ENVELOPE | |
| ✊ | 9994 | 270A | RAISED FIST | |
| ✋ | 9995 | 270B | RAISED HAND | |
| ✌ | 9996 | 270C | VICTORY HAND | |
| ✍ | 9997 | 270D | WRITING HAND | |
| ✎ | 9998 | 270E | LOWER RIGHT PENCIL | |
| ✏ | 9999 | 270F | PENCIL | |
| ✐ | 10000 | 2710 | UPPER RIGHT PENCIL | |
| ✑ | 10001 | 2711 | WHITE NIB | |
| ✒ | 10002 | 2712 | BLACK NIB | |
| ✓ | 10003 | 2713 | CHECK MARK | |
| ✔ | 10004 | 2714 | HEAVY CHECK MARK | |
| ✕ | 10005 | 2715 | MULTIPLICATION X | |
| ✖ | 10006 | 2716 | HEAVY MULTIPLICATION X | |
| ✗ | 10007 | 2717 | BALLOT X | |
| ✘ | 10008 | 2718 | HEAVY BALLOT X | |
| ✙ | 10009 | 2719 | OUTLINED GREEK CROSS | |
| ✚ | 10010 | 271A | HEAVY GREEK CROSS | |
| ✛ | 10011 | 271B | OPEN CENTRE CROSS | |
| ✜ | 10012 | 271C | HEAVY OPEN CENTRE CROSS | |
| ✝ | 10013 | 271D | LATIN CROSS | |
| ✞ | 10014 | 271E | SHADOWED WHITE LATIN CROSS | |
| ✟ | 10015 | 271F | OUTLINED LATIN CROSS | |
| ✠ | 10016 | 2720 | MALTESE CROSS | |
| ✡ | 10017 | 2721 | STAR OF DAVID | |
| ✢ | 10018 | 2722 | FOUR TEARDROP-SPOKED ASTERISK | |
| ✣ | 10019 | 2723 | FOUR BALLOON-SPOKED ASTERISK | |
| ✤ | 10020 | 2724 | HEAVY FOUR BALLOON-SPOKED ASTERISK | |
| ✥ | 10021 | 2725 | FOUR CLUB-SPOKED ASTERISK | |
| ✦ | 10022 | 2726 | BLACK FOUR POINTED STAR | |
| ✧ | 10023 | 2727 | WHITE FOUR POINTED STAR | |
| ✨ | 10024 | 2728 | SPARKLES | |
| ✩ | 10025 | 2729 | STRESS OUTLINED WHITE STAR | |
| ✪ | 10026 | 272A | CIRCLED WHITE STAR | |
| ✫ | 10027 | 272B | OPEN CENTRE BLACK STAR | |
| ✬ | 10028 | 272C | BLACK CENTRE WHITE STAR | |
| ✭ | 10029 | 272D | OUTLINED BLACK STAR | |
| ✮ | 10030 | 272E | HEAVY OUTLINED BLACK STAR | |
| ✯ | 10031 | 272F | PINWHEEL STAR | |
| ✰ | 10032 | 2730 | SHADOWED WHITE STAR | |
| ✱ | 10033 | 2731 | HEAVY ASTERISK | |
| ✲ | 10034 | 2732 | OPEN CENTRE ASTERISK | |
| ✳ | 10035 | 2733 | EIGHT SPOKED ASTERISK | |
| ✴ | 10036 | 2734 | EIGHT POINTED BLACK STAR | |
| ✵ | 10037 | 2735 | EIGHT POINTED PINWHEEL STAR | |
| ✶ | 10038 | 2736 | SIX POINTED BLACK STAR | |
| ✷ | 10039 | 2737 | EIGHT POINTED RECTILINEAR BLACK STAR | |
| ✸ | 10040 | 2738 | HEAVY EIGHT POINTED RECTILINEAR BLACK STAR | |
| ✹ | 10041 | 2739 | TWELVE POINTED BLACK STAR | |
| ✺ | 10042 | 273A | SIXTEEN POINTED ASTERISK | |
| ✻ | 10043 | 273B | TEARDROP-SPOKED ASTERISK | |
| ✼ | 10044 | 273C | OPEN CENTRE TEARDROP-SPOKED ASTERISK | |
| ✽ | 10045 | 273D | HEAVY TEARDROP-SPOKED ASTERISK | |
| ✾ | 10046 | 273E | SIX PETALLED BLACK AND WHITE FLORETTE | |
| ✿ | 10047 | 273F | BLACK FLORETTE | |
| ❀ | 10048 | 2740 | WHITE FLORETTE | |
| ❁ | 10049 | 2741 | EIGHT PETALLED OUTLINED BLACK FLORETTE | |
| ❂ | 10050 | 2742 | CIRCLED OPEN CENTRE EIGHT POINTED STAR | |
| ❃ | 10051 | 2743 | HEAVY TEARDROP-SPOKED PINWHEEL ASTERISK | |
| ❄ | 10052 | 2744 | SNOWFLAKE | |
| ❅ | 10053 | 2745 | TIGHT TRIFOLIATE SNOWFLAKE | |
| ❆ | 10054 | 2746 | HEAVY CHEVRON SNOWFLAKE | |
| ❇ | 10055 | 2747 | SPARKLE | |
| ❈ | 10056 | 2748 | HEAVY SPARKLE | |
| ❉ | 10057 | 2749 | BALLOON-SPOKED ASTERISK | |
| ❊ | 10058 | 274A | EIGHT TEARDROP-SPOKED PROPELLER ASTERISK | |
| ❋ | 10059 | 274B | HEAVY EIGHT TEARDROP-SPOKED PROPELLER ASTERISK | |
| ❌ | 10060 | 274C | CROSS MARK | |
| ❍ | 10061 | 274D | SHADOWED WHITE CIRCLE | |
| ❎ | 10062 | 274E | NEGATIVE SQUARED CROSS MARK | |
| ❏ | 10063 | 274F | LOWER RIGHT DROP-SHADOWED WHITE SQUARE | |
| ❐ | 10064 | 2750 | UPPER RIGHT DROP-SHADOWED WHITE SQUARE | |
| ❑ | 10065 | 2751 | LOWER RIGHT SHADOWED WHITE SQUARE | |
| ❒ | 10066 | 2752 | UPPER RIGHT SHADOWED WHITE SQUARE | |
| ❓ | 10067 | 2753 | BLACK QUESTION MARK ORNAMENT | |
| ❔ | 10068 | 2754 | WHITE QUESTION MARK ORNAMENT | |
| ❕ | 10069 | 2755 | WHITE EXCLAMATION MARK ORNAMENT | |
| ❖ | 10070 | 2756 | BLACK DIAMOND MINUS WHITE X | |
| ❗ | 10071 | 2757 | HEAVY EXCLAMATION MARK SYMBOL | |
| ❘ | 10072 | 2758 | LIGHT VERTICAL BAR | |
| ❙ | 10073 | 2759 | MEDIUM VERTICAL BAR | |
| ❚ | 10074 | 275A | HEAVY VERTICAL BAR | |
| ❛ | 10075 | 275B | HEAVY SINGLE TURNED COMMA QUOTATION MARK ORNAMENT | |
| ❜ | 10076 | 275C | HEAVY SINGLE COMMA QUOTATION MARK ORNAMENT | |
| ❝ | 10077 | 275D | HEAVY DOUBLE TURNED COMMA QUOTATION MARK ORNAMENT | |
| ❞ | 10078 | 275E | HEAVY DOUBLE COMMA QUOTATION MARK ORNAMENT | |
| ❟ | 10079 | 275F | HEAVY LOW SINGLE COMMA QUOTATION MARK ORNAMENT | |
| ❠ | 10080 | 2760 | HEAVY LOW DOUBLE COMMA QUOTATION MARK ORNAMENT | |
| ❡ | 10081 | 2761 | CURVED STEM PARAGRAPH SIGN ORNAMENT | |
| ❢ | 10082 | 2762 | HEAVY EXCLAMATION MARK ORNAMENT | |
| ❣ | 10083 | 2763 | HEAVY HEART EXCLAMATION MARK ORNAMENT | |
| ❤ | 10084 | 2764 | HEAVY BLACK HEART | |
| ❥ | 10085 | 2765 | ROTATED HEAVY BLACK HEART BULLET | |
| ❦ | 10086 | 2766 | FLORAL HEART | |
| ❧ | 10087 | 2767 | ROTATED FLORAL HEART BULLET | |
| ❨ | 10088 | 2768 | MEDIUM LEFT PARENTHESIS ORNAMENT | |
| ❩ | 10089 | 2769 | MEDIUM RIGHT PARENTHESIS ORNAMENT | |
| ❪ | 10090 | 276A | MEDIUM FLATTENED LEFT PARENTHESIS ORNAMENT | |
| ❫ | 10091 | 276B | MEDIUM FLATTENED RIGHT PARENTHESIS ORNAMENT | |
| ❬ | 10092 | 276C | MEDIUM LEFT-POINTING ANGLE BRACKET ORNAMENT | |
| ❭ | 10093 | 276D | MEDIUM RIGHT-POINTING ANGLE BRACKET ORNAMENT | |
| ❮ | 10094 | 276E | HEAVY LEFT-POINTING ANGLE QUOTATION MARK ORNAMENT | |
| ❯ | 10095 | 276F | HEAVY RIGHT-POINTING ANGLE QUOTATION MARK ORNAMENT | |
| ❰ | 10096 | 2770 | HEAVY LEFT-POINTING ANGLE BRACKET ORNAMENT | |
| ❱ | 10097 | 2771 | HEAVY RIGHT-POINTING ANGLE BRACKET ORNAMENT | |
| ❲ | 10098 | 2772 | LIGHT LEFT TORTOISE SHELL BRACKET ORNAMENT | |
| ❳ | 10099 | 2773 | LIGHT RIGHT TORTOISE SHELL BRACKET ORNAMENT | |
| ❴ | 10100 | 2774 | MEDIUM LEFT CURLY BRACKET ORNAMENT | |
| ❵ | 10101 | 2775 | MEDIUM RIGHT CURLY BRACKET ORNAMENT | |
| ❶ | 10102 | 2776 | DINGBAT NEGATIVE CIRCLED DIGIT ONE | |
| ❷ | 10103 | 2777 | DINGBAT NEGATIVE CIRCLED DIGIT TWO | |
| ❸ | 10104 | 2778 | DINGBAT NEGATIVE CIRCLED DIGIT THREE | |
| ❹ | 10105 | 2779 | DINGBAT NEGATIVE CIRCLED DIGIT FOUR | |
| ❺ | 10106 | 277A | DINGBAT NEGATIVE CIRCLED DIGIT FIVE | |
| ❻ | 10107 | 277B | DINGBAT NEGATIVE CIRCLED DIGIT SIX | |
| ❼ | 10108 | 277C | DINGBAT NEGATIVE CIRCLED DIGIT SEVEN | |
| ❽ | 10109 | 277D | DINGBAT NEGATIVE CIRCLED DIGIT EIGHT | |
| ❾ | 10110 | 277E | DINGBAT NEGATIVE CIRCLED DIGIT NINE | |
| ❿ | 10111 | 277F | DINGBAT NEGATIVE CIRCLED NUMBER TEN | |
| ➀ | 10112 | 2780 | DINGBAT CIRCLED SANS-SERIF DIGIT ONE | |
| ➁ | 10113 | 2781 | DINGBAT CIRCLED SANS-SERIF DIGIT TWO | |
| ➂ | 10114 | 2782 | DINGBAT CIRCLED SANS-SERIF DIGIT THREE | |
| ➃ | 10115 | 2783 | DINGBAT CIRCLED SANS-SERIF DIGIT FOUR | |
| ➄ | 10116 | 2784 | DINGBAT CIRCLED SANS-SERIF DIGIT FIVE | |
| ➅ | 10117 | 2785 | DINGBAT CIRCLED SANS-SERIF DIGIT SIX | |
| ➆ | 10118 | 2786 | DINGBAT CIRCLED SANS-SERIF DIGIT SEVEN | |
| ➇ | 10119 | 2787 | DINGBAT CIRCLED SANS-SERIF DIGIT EIGHT | |
| ➈ | 10120 | 2788 | DINGBAT CIRCLED SANS-SERIF DIGIT NINE | |
| ➉ | 10121 | 2789 | DINGBAT CIRCLED SANS-SERIF NUMBER TEN | |
| ➊ | 10122 | 278A | DINGBAT NEGATIVE CIRCLED SANS-SERIF DIGIT ONE | |
| ➋ | 10123 | 278B | DINGBAT NEGATIVE CIRCLED SANS-SERIF DIGIT TWO | |
| ➌ | 10124 | 278C | DINGBAT NEGATIVE CIRCLED SANS-SERIF DIGIT THREE | |
| ➍ | 10125 | 278D | DINGBAT NEGATIVE CIRCLED SANS-SERIF DIGIT FOUR | |
| ➎ | 10126 | 278E | DINGBAT NEGATIVE CIRCLED SANS-SERIF DIGIT FIVE | |
| ➏ | 10127 | 278F | DINGBAT NEGATIVE CIRCLED SANS-SERIF DIGIT SIX | |
| ➐ | 10128 | 2790 | DINGBAT NEGATIVE CIRCLED SANS-SERIF DIGIT SEVEN | |
| ➑ | 10129 | 2791 | DINGBAT NEGATIVE CIRCLED SANS-SERIF DIGIT EIGHT | |
| ➒ | 10130 | 2792 | DINGBAT NEGATIVE CIRCLED SANS-SERIF DIGIT NINE | |
| ➓ | 10131 | 2793 | DINGBAT NEGATIVE CIRCLED SANS-SERIF NUMBER TEN | |
| ➔ | 10132 | 2794 | HEAVY WIDE-HEADED RIGHTWARDS ARROW | |
| ➕ | 10133 | 2795 | HEAVY PLUS SIGN | |
| ➖ | 10134 | 2796 | HEAVY MINUS SIGN | |
| ➗ | 10135 | 2797 | HEAVY DIVISION SIGN | |
| ➘ | 10136 | 2798 | HEAVY SOUTH EAST ARROW | |
| ➙ | 10137 | 2799 | HEAVY RIGHTWARDS ARROW | |
| ➚ | 10138 | 279A | HEAVY NORTH EAST ARROW | |
| ➛ | 10139 | 279B | DRAFTING POINT RIGHTWARDS ARROW | |
| ➜ | 10140 | 279C | HEAVY ROUND-TIPPED RIGHTWARDS ARROW | |
| ➝ | 10141 | 279D | TRIANGLE-HEADED RIGHTWARDS ARROW | |
| ➞ | 10142 | 279E | HEAVY TRIANGLE-HEADED RIGHTWARDS ARROW | |
| ➟ | 10143 | 279F | DASHED TRIANGLE-HEADED RIGHTWARDS ARROW | |
| ➠ | 10144 | 27A0 | HEAVY DASHED TRIANGLE-HEADED RIGHTWARDS ARROW | |
| ➡ | 10145 | 27A1 | BLACK RIGHTWARDS ARROW | |
| ➢ | 10146 | 27A2 | THREE-D TOP-LIGHTED RIGHTWARDS ARROWHEAD | |
| ➣ | 10147 | 27A3 | THREE-D BOTTOM-LIGHTED RIGHTWARDS ARROWHEAD | |
| ➤ | 10148 | 27A4 | BLACK RIGHTWARDS ARROWHEAD | |
| ➥ | 10149 | 27A5 | HEAVY BLACK CURVED DOWNWARDS AND RIGHTWARDS ARROW | |
| ➦ | 10150 | 27A6 | HEAVY BLACK CURVED UPWARDS AND RIGHTWARDS ARROW | |
| ➧ | 10151 | 27A7 | SQUAT BLACK RIGHTWARDS ARROW | |
| ➨ | 10152 | 27A8 | HEAVY CONCAVE-POINTED BLACK RIGHTWARDS ARROW | |
| ➩ | 10153 | 27A9 | RIGHT-SHADED WHITE RIGHTWARDS ARROW | |
| ➪ | 10154 | 27AA | LEFT-SHADED WHITE RIGHTWARDS ARROW | |
| ➫ | 10155 | 27AB | BACK-TILTED SHADOWED WHITE RIGHTWARDS ARROW | |
| ➬ | 10156 | 27AC | FRONT-TILTED SHADOWED WHITE RIGHTWARDS ARROW | |
| ➭ | 10157 | 27AD | HEAVY LOWER RIGHT-SHADOWED WHITE RIGHTWARDS ARROW | |
| ➮ | 10158 | 27AE | HEAVY UPPER RIGHT-SHADOWED WHITE RIGHTWARDS ARROW | |
| ➯ | 10159 | 27AF | NOTCHED LOWER RIGHT-SHADOWED WHITE RIGHTWARDS ARROW | |
| ➰ | 10160 | 27B0 | CURLY LOOP | |
| ➱ | 10161 | 27B1 | NOTCHED UPPER RIGHT-SHADOWED WHITE RIGHTWARDS ARROW | |
| ➲ | 10162 | 27B2 | CIRCLED HEAVY WHITE RIGHTWARDS ARROW | |
| ➳ | 10163 | 27B3 | WHITE-FEATHERED RIGHTWARDS ARROW | |
| ➴ | 10164 | 27B4 | BLACK-FEATHERED SOUTH EAST ARROW | |
| ➵ | 10165 | 27B5 | BLACK-FEATHERED RIGHTWARDS ARROW | |
| ➶ | 10166 | 27B6 | BLACK-FEATHERED NORTH EAST ARROW | |
| ➷ | 10167 | 27B7 | HEAVY BLACK-FEATHERED SOUTH EAST ARROW | |
| ➸ | 10168 | 27B8 | HEAVY BLACK-FEATHERED RIGHTWARDS ARROW | |
| ➹ | 10169 | 27B9 | HEAVY BLACK-FEATHERED NORTH EAST ARROW | |
| ➺ | 10170 | 27BA | TEARDROP-BARBED RIGHTWARDS ARROW | |
| ➻ | 10171 | 27BB | HEAVY TEARDROP-SHANKED RIGHTWARDS ARROW | |
| ➼ | 10172 | 27BC | WEDGE-TAILED RIGHTWARDS ARROW | |
| ➽ | 10173 | 27BD | HEAVY WEDGE-TAILED RIGHTWARDS ARROW | |
| ➾ | 10174 | 27BE | OPEN-OUTLINED RIGHTWARDS ARROW | |
| ➿ | 10175 | 27BF | DOUBLE CURLY LOOP |


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VISIONS OF BROADWAY
A FRANKIE B. REVUE
April 19-22, 2012
Director - Frankie Bennett
Musical Director - Michelle Howells
Show Concept - Frankie Bennett, Rick Bennett, Jackie Thomas
Director's Assistant/Stage Manager - Cherie Boone
THE CAST
Sara Anderson, Venita Apperwhite, Haley Beasley, Frankie Bennett,
Rick Bennett, Kim Brady, Katelyn Bryant, Landon Bryant,
Caidyn Crowder, Brooke Davis, Anna Donald, Erin Fortenberry,
Landra Gavin, Peyton Griffin, Michelle Howells, Anne LaBelle,
Marian Latimer, Kody Loper, Susan Mangum, Dane McCormick,
Kenny McMinn, Lydia Myers, Allie Ostrander, Caitlin Ostrander,
Mia Parker, Rain Parker, Jamie Leigh Rambin, Robbie Robinson,
Megan Ruffin, Missy Sanderson, Wesley Slade, Acie Smith,
Landry Smith, Jackie Thomas, Reagan Todd, Anne Trest, Dawn Trest,
Ashley Walters, Holly Wansley, Sarah Wansley, Ben West, Reed West,
Scotty Whitehurst


The COMMUNICATIONS' LEAGUE is the official organization of the Bachelor of Arts in Communication of Holy Angel University. The biggest event that organization holds is the PARAGALA: THE CENTRAL LUZON MEDIA AWARDS. This Year, PARAGALA will be on its second year and it aims to give recognition to the best media personalities, shows and TV station which are being aired throughout Central Luzon and in National Television.


A language profile for GeocodIT semantic web application.
GeocodIT is a system that manages italian geocoding using W3C semantic web best practices and standards.
In order to let computers to work for us, they must understand data. Not only grammar and syntax (like in EDI) but the real meaning of things. When this is clear, machines can recognize, manage data and make decisions even when their provenance and quality is not totally known and data are incomplete. To enable this, we need to share knowledge using a language that is understandable both for humans and machines.
A language profile is a trimmed down version or an extension of a set of ontologies that trades some expressive power for the efficiency of reasoning.
This document describes vocabularies and constraints to be used to describe GeocodIT data.
The following prefixes are defined inside this document
The GeocodIT ontology defines some terms used to annotate linked data.You should understand all ontology terms.
The ontologia del territorio is published by ISTAT.
You should understand at least following terms:
All the properties must be considered restricted to cardinality =1 (ie. exactly a value for each attribute)
Geo is a basic W3C RDF vocabulary that provides the Semantic Web community with a namespace for representing lat(itude), long(itude) and other information about spatially-located things, using WGS84 as a reference datum.
RDF Schema 1.1 provides a data-modelling vocabulary for RDF data. RDF Schema is an extension of the basic RDF vocabulary.
You should understand only following term:
OWL provides an ontology description language, besides to describe vocaularies, you should use owl:sameAs to interlink data.
Some locations:
Copyright © 2016 by LinkedData.Center and licensed under Attribution-NonCommercial-NoDerivatives 4.0 International Unported License .


Generation:
0
, Genome:
0
Best Fitness:
0.00
Fitness:
0.00
, Avg. Speed:
0.00
Start
Kill Current Simulation
Reset


The Hotwire APIs deliver hotel and rental car listing deals from across the world. The API is easy to use with very powerful sorting and filtering options. This sample app uses the Hotel Deals API, returning deals ranked by proximity.
Visit developer.hotwire.com to get your free API key today.
ZIP Code
Enter your five digit ZIP code


Hero of Tirad Pass. Born on November 14, 1875, in Bulacan, Bulacan.
Died on December 2, 1899, in the battle of Tirad Pass, to enable Aguinaldo to escape from the Americans.
One of the youngest and bravest generals ever produced by the Philippines.


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Theme
Use this option to set the theme for the panorama.
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Image Preview
Use this option to set a preview image to display before the panorama is loaded.
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image
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Auto Load
If ON the panorama will automatically load.
Default : OFF |
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Auto Rotate
If ON the panorama will automatically rotate when loaded.
Default : 3000 ms |
Inactivity Delay
|
|
Mouse Wheel Rotate
Enable or disable the panorama rotate using the mouse scroll wheel.
Default : 0.2 |
Rotate Coefficient
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|
Mouse Wheel Zoom
Enable or disable the panorama zoom using the mouse scroll wheel.
Default : 0.05 |
Zoom Coefficient
|
|
Hover Grab
Enable or disable the "grab/move" mode on the mouse hover event.
Default (yaw and pitch coef) : 20 |
Yaw Coefficient
Pitch Coefficient
|
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Grab
Enable or disable the "grab/move" mode on the mouse click and move events.
Default : 0.1 |
Grab Coefficient
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Controls
Use this options to show or hide controls.
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Keyboard
Enable or disable keyboard actions (navigation and zooming).
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Popover
Use this options to set popover settings.
We recommend do not change the popover template without having some knowledge. |
Popover HTML Template
Popover Placement
Popover Show Trigger
Popover Hide Trigger
Popover Show CSS3 Class
Popover Hide CSS3 Class
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Scene Fade Duration
Specifies the fade duration in milliseconds, when transitioning between scenes.
Default : 3000 |
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Pitch Limits
Enable or disable limits for the pitch parameter.
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Mobile
Enable or disable the animation in the mobile browsers.
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Custom CSS
Enter any custom css you want to apply on this panorama.
Note: Please do not use <style>...</style> tag with Custom CSS. |
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Scene Title
Use this option to set the title of the scene.
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Title
Selector
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Scene Type
Use this option to set the type of the scene.
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Image
Use this option to set images for the scene.
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front
back
left
right
top
bottom
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Thumb
Use this option to set a thumbnail for the scene.
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thumb
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Yaw, Pitch and Zoom
Use this options to set the panorama's starting yaw and pitch position in degrees, and the zoom parameter.
Default (yaw and pitch) : 0 Default (zoom) : 75 |
Yaw
{{appData.scene.selected.yaw}} Pitch
{{appData.scene.selected.pitch}} Zoom
{{appData.scene.selected.zoom}} |
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Compass North Offset
Use this option to set the offset, in degrees, of the center of the panorama from North. As this affects the compass, it only has an effect if compass is set to ON.
Default : 0 |
{{appData.scene.selected.yaw}} |
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Target Tool
Use the target tool to quick create a hotspot and it's location on the panorama.
When the target tool is ON click on the panorama together with Ctrl Key. |
|
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Yaw and Pitch
Use this options to set the hotspot's starting yaw and pitch position in degrees.
If you want to change the location of the selected hotspot, just click on the panorama together with Ctrl Key. |
Yaw
Pitch
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Go to the Scene
Use this option to specify the ID of the scene to link to.
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Popover
Use this options to set popover settings.
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Popover Content
Selector
Popover Placement
Popover Custom Width (px)
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Hotspot Custom Style
Use this option to set hotspot custom style. You can define your own style for hotspot with images, icons, text and etc.
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Hotspot Class Name
Hotspot HTML Content
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isambard.add_ons.pacc module¶
This module contains tools for the Parametric Analysis of Coiled Coils.
-
class
PACCAnalysis
(coiledcoil)[source]¶ Bases:
object
-
static
calc_average_parameters
(parameter_layers)[source]¶ Takes a group of equal length lists and averages them across each index.
Returns: - mean_layers ([float]) – List of values averaged by index
- overall_mean (float) – Mean of the averaged values.
-
static


{% extends "base.template.html" %} {% set title = "Reviewers" %} {% set description = "Leverage existing teams or create new groupings just for review" %} {% block content %}
This is where you specify the who is part of the review group. You can list out their usernames, or use your GitHub teams as an alias.
When the group is activated, some or all of these users will be "requested" to review the PR (using the built-in GitHub review requests). PullApprove does not use the "team" requests in GitHub, because we want to give you more control over how many people on that team are actually requested and receive emails/notifications.
See the reviews section for more info on how review requests are sent, and determining how many approvals are required.
{% code "yaml" %} reviewers: users: - example1 - example2 teams: - teamexample1 {% endcode %}By not specifying any users or teams, PullApprove won't send out any review requests but can still be told to check any pending review requests that exist, including those added manually by you or your team on GitHub. This makes it easy to allow people to request their own reviewers, and ensure that a PR is not approved until all (or a specific number) of the review requests are fulfilled.
{% code "yaml" %} groups: all_requests: reviews: # -1 will require that all pending requests are approved required: -1 {% endcode %}You can also use the same behavior to specify that a minimum number of approvals are given for a PR, regardless of who they come from.
{% code "yaml" %} groups: min_global_approvals: reviews: # need 10 approvals, but it doesn't matter who gives them required: 10 {% endcode %} {% endblock %}


Where taste meets the myth
PizzaForia is the best place you can ever your cravings for pizza.
We serve hot oven-fresh pizza with its signature all-natural tomato
sauce and using only
freshest ingredients, PizzaForia has established
itself at the top of the industry and is easily one of the first choices in
quick service pizza in Africa.
If its not PizzaForia, Its definitely not pizza!!!
Tel:<PHONE_NUMBER>
Email: christineombima452@gmail.com