Karaoke Templater Reference: Template execution rules and order
From Aegisub Manual
This page describes various technical details about how Karaoke Templater (kara-templater) works and will try to explain why various things work as they do and why some things can't and won't work.
Most of this is technical details you don't need to know to use kara-templater, but if you see some behaviour you don't understand this page might explain it.
Contents |
Concepts
These are some terms and concepts used throughout the description. The names are close to or the same as those used in the actual script.
- tenv - The template environment, or code execution environment.
- varctx - The inline variable context, the storage for the actual values of the inline variables.
- template - The basic "execution unit" of kara-templater, a template is essentially a mini-program compiled and executed by kara-templater.
- code template - A template that runs a chunk of Lua code but doesn't produce output. (Declared with the code keyword.)
- output template - A template that produces output lines from some karaoke data input. (Declared with the template keyword.)
- code line - A line in the subtitle that defines a code template.
- template line - A line in the subtitle file that defines an output template, or part of one. (One line class output template can span multiple template lines.)
- class - A class is a kind of template. There's four basic classes, once, line, syl and furi, the first only available for code templates.
- modifier - Modifiers affect how and when templates are executed.
- template text or just text - The "text" part of a template, either the Lua code in a code template or the template code in output templates. line class output templates also have a pre-line text.
Startup
The first thing kara-templater does is simply use karaskel to collect some basic information on the subtitle file. It always passes true
for generate_furigana in the karaskel.collect_head
function, meaning that furigana styles are always generated, unless they already exist.
It then collects all template lines in the file.
Collecting, parsing and compiling templates
Every line in the file is visited and checked for being a template line, ie. be a comment and have the first word in the Effect field be code or template.
The details aren't important here, but every modifier name found in the Effect field either sets a flag in the template or a value corresponding to the parameter given to the modifier.
When a named line class template lines is encountered, first it's checked if there is already a line class template with that name. If there isn't one, a new one is created with that name and initialised with the given modifiers. If there is already one with that name, the text of the template line is appended to the current text of the template and modifiers present in the new template line but not in the current template are added to the template. Modifiers cannot be removed from templates in this way or any other way. The text of pre-line template lines is added to the pre-line text of the template rather than the regular text.
The templates of different classes are each put in their own "bucket", so for example line and syl templates are not kept together.
Clean-up
After all templates have been collected etc., all old and no longer needed lines are deleted from the subtitle file. This mainly includes lines with fx in the Effect field, as those are assumed to have been generated in a previous run of kara-templater, so they should be replaced in this new run.
Initialising the tenv
The last thing done before starting actually running the templates is initialising the runtime environment for the templates. Basically, as much as possible before any templates are run, is put into tenv. See Code execution environment for more details on what's in there. (Basically everything but line
, orgline
, syl
and basesyl
.)
Run once templates
All templates in the once class are executed first. Nothing truly exciting happens here, the main thing that can happen is that some more things are added to tenv.
Iterate through karaoke lines in file
Every non-template line in the file is now run through and has all templates attempted applied in order.
- If a line is a comment and its Effect field doesn't contain Karaoke it is skipped immediately.
- If a line is not a comment and its Effect field contains anything else that Karaoke or nothing (is blank) it is skipped immediately.
- Kara-templater attempts to match all templates against all other lines.
Each line that hasn't been rejected by the above points is now run through all templates in three steps.
First, all line class templates are attempted matched against the line and then run on the line. See below for a definition of when a template matches a line.
Next, all syllables on the line are run through in order and for each, all syl class templates are attempted matched against the line and then run on the syllable.
Finally, all furigana syllables on the line are run through in order, for each every furi class template is attempted matched against the line and then run on the furigana syllable.
It is important to note that the syllables and furigana syllables looped through are the parsed-stored syllables, not multi-highlight virtual syllables, not per-character virtual syllables and not a combination.
Example
Assume there are three syl class templates: A, B and C.
- A is a regular template with neither multi nor char modifier.
- B has the multi modifier but not char.
- C has both the char and multi modifiers.
Now these templates are applied against a line with 2 syllables. This happens in order:
- Syllable 1 is picked.
- Template A is matched against the line. It matches.
- Template A is applied on syllable 1.
- Template B is matched against the line. It matches.
- Syllable 1 is split into multi-highlight pseudo-sylables 1.1 and 1.2
- Template B is applied on pseudo-syllable 1.1.
- Template B is applied on pseudo-syllable 1.2.
- Template C is matched against the line. It matches.
- Syllable 1 is split into per-character pseudo-syllables 1.a and 1.b
- Syllable 1.a and 1.b are further split into per-character pseudo-sylables 1.a1, 1.a2, 1.b1 and 1.b2.
- Template C is applied on pseudo-syllable 1.a1.
- Template C is applied on pseudo-syllable 1.a2.
- Template C is applied on pseudo-syllable 1.b1.
- Template C is applied on pseudo-syllable 1.b2.
- Template A is matched against the line. It matches.
- Syllable 2 is picked.
- Processing proceeds similar to syllable 1.
Also see later down for more details on multi-highlight and per-character pseudo-syllables.
If any template matches at any time during the three steps above the (original) line is marked as "timed karaoke" and is then made into a comment with karaoke in the Effect field.
Matching a template against a line
Templates are always matched against a line, not against a syllable or otherwise.
- If the template has the fxgroup modifier and the fxgroup named is disabled, the template never matches anything.
- If the template has the all modifier it always matches any line.
- If the template has the same Style as a line, it matches the line.
- Otherwise the template does not match the line.
Applying line class templates
Applying syl and furi class templates
Old mid-level description
Main kara-templater process: 1. Collect header 1. Find all header information, primarily PlayResX and PlayResY 2. Find all styles 3. Generate furigana styles for styles missing them 2. Collect templates and delete existing "fx" lines 3. Initialise tenv 1. Add "string", "math" and "_G" references 2. Add "tenv" self-reference 3. Add "retime" function 4. Add empty "fxgroup" table 4. Run every "code once" template 5. For every pre-existing dialogue line in subtitle file: a. If Effect field start with "code" or "template": 1. Skip line b. Else: 1. If Effect field is not empty and not "karaoke": a. Skip line 2. If Effect field is empty and line is a Comment: a. Skip line 3. Preprocess line with karaskel 4. Initialise varctx 5. Reset tenv 1. Set "orgline" to input line 2. Set "line", "syl" and "basesyl" to nil 6. For every "line" template: If template matches line style or template is "all": Repeat this "template.loops" number of times: 1. Set "tenv.j" to loop counter 2. a. If template is a code line: 1. Set "tenv.line" to input line 2. Run code b. Else: 1. Produce output line as copy of input line 2. Set "tenv.line" to output line 3. Initialise output line Layer to template Layer 4. Initialise output line Text to empty 5. If template has pre-line: 1. Run pre-line template 2. Append result to output Text 6. a. If template has regular line: For every syllable in input line: 1. Set "tenv.syl" to syllable 2. Update varctx for syllable 3. Run line template 4. Append result to output Text 5. If "notext" is not set: a. If "keeptags" is set: 1. Append "syl.text" to output Text b. Else: 1. Append "syl.text_stripped" to output Text b. Else: a. If "keeptags" is set: 1. Append "syl.text" to output Text b. Else: 1. Append "syl.text_stripped" to output Text 7. Set Effect field of output line to "fx" 8. Append output line to subtitle file 7. For every main syllable in line: For every "syl" template: If template matches line style or template is "all": If template is not in a disabled fxgroup: 1. Set "tenv.syl" to syllable 2. Update varctx for syllable 3. If syllable inlinefx does not match template inlinefx: 1. Skip syllable 4. If template has "noblank" set and syllable is blank: 1. Skip syllable 5. If template is "char": 1. Create "charsyl" as copy of syllable 2. Set "tenv.basesyl" to current "tenv.syl" 3. Set "tenv.syl" to "charsyl" 4. For every Unicode character in syllable: 1. Calculate virtual syllable characteristics for "charsyl" 2. Update varctx for "charsyl" 3. Continue syllable processing for the virtual syllable (from 5.b.7.6.) 6. If template is "multi": 1. Create "hlsyl" as copy of syllable 2. Unless "tenv.basesyl" already exists, set it to "hlsyl" 3. Set "tenv.syl" to "hlsyl" 4. For every highlight on syllable: 1. Calculate virtual syllable characteristics for "hlsyl" 2. Update varctx for "hlsyl" 3. Continue syllable processing for the virtual syllable (from 5.b.7.7.) 7. a. If template is a code line: 1. Set "tenv.line" to input line 2. Run code b. Else: Repeat this "template.loops" number of times: 1. Set "tenv.j" to loop counter 2. Create output line 3. Set output line Style to virtual syllable style 4. Set output line Layer to template layer 5. Set "tenv.line" to output line 6. Run template 7. Set output line Text to result 8. a. If "keeptags" is set: 1. Append "syl.text" to output line Text b. If "notext" is not set: 1. Append "syl.text_stripped" to output line Text c. Otherwise nothing is appended 9. Set output line Effect to "fx" 10. Append output line to subtitle file 8. For every furigana part in line: Same process as for main syllables (5.b.7.) 9. If any non-code templates were applied to the line: 1. Set input line to Comment 2. Set input line Effect field to "karaoke" 3. Store modified input line back to subtitle file Running a code line: 1. Compile line text to a Lua function 2. If compilation failed, report error 3. Set compiled function's environment to tenv 4. Repeat this "template.loops" number of times: 1. Set "tenv.j" to loop counter 2. Run compiled function 3. If an error occurred, report it Running a single template: 1. Set result text to template 2. If there is a varctx: For every match of "$([a-zA-Z_]+)" in result text: 1. Lowercase the captured name 2. a. If the captured name is a field in varctx: 1. Replace match in result text with value from varctx b. Else: 1. Report warning 2. Keep match as-is in result text 3. For every match of "!(.-)!" in result text: 1. Append "result " to captured code 2. Compile captured code to a Lua function 3. If compilation failed, report error 4. Set compiled function's environment to tenv 5. Run compiled function a. If compiled function produced an error: 1. Report error 2. Leave match in result text b. Else: 1. Replace match with result of running the function
| Overview: |
Automation Manager • Running macros • Using export filters • Standard macros • Changes from Automation 3 • Moving from Automation 3 |
|---|---|
| Karaoke Templater reference: |
Declaring templates • Execution order • Modifiers • Inline-variables ($-variables) • Code lines and blocks • Execution envirionment |
| Lua reference: |
Registration • Subtitles object • Progress reporting • Config dialogues • Misc. APIs • karaskel.lua • utils.lua • unicode.lua • cleantags.lua |
| Karaskel concepts: |
Style tables • Dialogue line tables • Syllable tables • Inline effects • Furigana |


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The USS Maggie Leaves Quite a Wake [of Grooms] Runaway Bride
By Ross Anthony
Galloping onto the screen, a bride in full gown rides horseback through a field of tall grass accompanied by U2's "Still haven't found what I'm looking for." "Runaway Bride" puts a strong hoof forward and never looks back. It's a film full of solid, polished dialogue with a great premise, a clinch cast and veteran director. It won't leave you sobbing at the altar.
New York columnist Ike Graham, infamous for his commentaries on the female of the species, writes a shoddy article on small towner Maggie Carpenter (Roberts) who has a knack for standing up grooms. Unlikely as it may seem, Graham doesn't check up on the story, jumbles facts and uses her actual name in the column. Carpenter writes back to the editor and Graham is canned. Seeking vengeance, he heads to Hale, Maryland to get the real story as Maggie makes her fourth attempt at the altar.
In my favorite scene, Gere shadows Roberts into a bakery where she is choosing bride/groom figures for the cake.  Yeah, this one's Maggie all right."
Like Robert's recent "Notting Hill," it's a sure bet.
Starring Richard Gere and Julia Roberts. Directed by Garry Marshall. Screenplay by Josann McGibbon and Sara Parriott. Produced by Ted Field and Tom Rosenberg at Touchstone/Paramount. Rated PG.
Grade..........................A
-- Copyright © 1999 Ross Anthony, currently based in Los Angeles, has scripted and shot documentaries, music videos, and shorts in 35 countries across North America, Europe, Africa and Asia. For more reviews visit: http://RossAnthony.com
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Related links: index of all rec.arts.movies.reviews reviews


# LESSON 29: Web Servers *** *** Web Servers Up until this point in the book, you have been opening web pages in the browser directly from the fi le system. Obviously, if you intend your web pages to be viewed by others, you need to make them available over a network. The software used for exposing web pages over a net- work is a web server. The term “web server” can either denote the hardware of the underlying server or the software running on that server. For the purposes of this lesson, the term “web server” will be used to denote the software, whereas “server” will be used to denote the hardware this software runs on. The primary purpose of a web server is to expose a set of resources from the fi le system of a network enabled server via protocols such as HTTP and HTTPS. Resources are typically fi les such as HTML pages, images, and CSS fi les, to video and audio fi les. NOTE This view is slightly simplistic because many resources in real-world web applications are dynamically generated and therefore do not exist on a physical fi le system, but you will ignore this complication for the most part. ... ... In this lesson, you will migrate the web application developed so far to a web server. You are doing this for two main reasons: ➤ To give you an understanding of how a web server works: Any web page or web application you develop will be uploaded eventually to a web server, so it is useful to gain some understanding of how they work, and how to confi gure one. ➤ Many of the APIs introduced in this section need to run inside web servers: The APIs included in this section will cover more advanced JavaScript APIs such as storing data inside the browser. These APIs therefore need a mechanism for segregating the data from different websites: Without this segregation, any website would be able to access data stored by any other website, which would obviously create a security loophole. ... ... URLS Before looking at web servers, this lesson will quickly cover the related topic of URLs (Uniform Resource Locators). A URL provides a unique network address for a resource (image, web page, CSS fi le). The “network” will often be the public Internet, but URLs can also be used to locate resources on private networks, such as your personal WiFi network at home. The web server is responsible for parsing the URL and determining the resource that should be returned. The URL is also used by lower-level protocols, however, to determine how to route the request to the appropriate server on the network. URLs are surprisingly complex, but the most familiar pattern is as follows: http://testing.com:80/test1/test.html This URL consists of the following components: ➤ http : The protocol that is being used to access the resource; other common protocols are https and ftp . ➤ testing.com : The domain name resolved by the browser to an IP address using a Domain Name Server (DNS). The IP address (for instance <IP_ADDRESS>) in turn maps to a server running on a network. ➤ 80 : The port number of the web server. Because a single server may expose multiple services (for example, an FTP server and an HTTP server), port numbers provide a mechanism to logically differentiate them. You will not usually see the port number in URLs because 80 is the default for the HTTP protocol, and 443 is the default for the HTTPS protocol, and the port number can therefore usually be omitted. ➤ test1 : The directory on the web server. Typically, the web server will map its root directory to a directory on the fi le system. In this case, there would be an assumption that this direc- tory contains a subdirectory called test1 . ➤ test.html : The name of the resource being accessed. The two most important components used by the APIs in this section are the domain name and the port. These are referred to as the “origin” of a resource. Typically, a resource will only be able to interact with resources or information from the same origin: This is referred to as the same origin policy. ... ... CHOOSING A WEB SERVER There are many web servers available, both commercial and open source. Many factors come into play when choosing a web server, but these discussions are beyond the scope of this book. It is, however, worth mentioning that by far the most popular web server, almost since the advent of the World Wide Web, is the Apache web server. Apache is an open source web server, and provides an excellent combination of stability, features, and performance. If you use a hosting service, they will almost certainly make the Apache web server available to you. You will not use Apache in this book, mainly because it takes slightly more effort to install and con- fi gure than the web server you will use, but you may opt to use it if you choose. It can be accessed from http://httpd.apache.org/ , and tutorials are available for guiding you through the installa- tion and confi guration process. In this book, you will use the Mongoose web server (free edition). The main reason for choosing this is its simplicity: It requires either very little or no confi guration and is therefore ideal during the development phase of your web application. ... ... TRY IT In this Try It, you install and confi gure the Mongoose web server. This Try It contains two sets of steps, one for Windows and one for OS X. NOTE Linux source code is also available at: http://code.google.com/p/ mongoose/downloads/list . To run this, the simplest option is to cd to the directory containing contacts.html and run mongoose . This runs in the foreground so use ctrl-C to stop. ... ... Lesson Requirements As part of the steps outlined next, you will need to download the Mongoose web server from the site listed. This will involve agreeing to the non–commercial license agreement. You will also need the Chrome web browser to test that the web server is working. Step-by-Step (OS X) 1. Download the Free Edition OS X installer from: http://cesanta.com/downloads.html . This requires you to accept the license agreement. 2. Once this has downloaded, double-click on the DMG fi le and drag it to Applications, just as you would when installing any other application. 3. Open the Finder and navigate to the Applications folder. Find the Mongoose application, and double-click on the icon to start the Mongoose server. 4. The Mongoose application can now be confi gured via the icon in the taskbar at the top of the screen, as shown in Figure 29-1. [pic](url) 5. Select the Edit confi guration option. This will open a browser window with the confi guration settings. Locate the document_root text fi eld, and change the directory to the directory that contains the contacts.html fi le. For example /Users/dane/html5/CRM . Once entered, click “Save settings to the confi g fi le”. 6. The Mongoose server operates by default on port 8080 rather than port 80. Because it is running on your local machine, you can also use the hostname localhost . Therefore, to open the contacts page, open Chrome, and enter http://localhost:8080/contacts.html. This should show the main contacts web page. ... ... Step-by-Step (Windows) 1. Download the Free Edition OS X installer from http://cesanta.com/downloads.html . This requires you to accept the license agreement. 2. Once the download is complete, copy the .exe fi le to the same directory that contains contacts.html . 3. Double-click on the executable to start Mongoose. 4. The Mongoose application can now be confi gured via the icon in the taskbar at the bottom of the screen, as shown in Figure 29-2 (although no confi guration is required in this case). [pic](url) 5. The Mongoose server operates by default on port 8080 rather than port 80. Because it is running on your local machine, you can also use the hostname localhost . Therefore, to open the contacts page, open Chrome, and enter http://localhost:8080/contacts.html. This should show the main contacts web page. REFERENCE Please go to the book’s website at [www.wrox.com/go/html5jsj- query24hr](http://www.wrox.com/go/html5jsj-query24hrto) to view the video for Lesson 29, as well as download the code and resources for this lesson. ... ...


--- author: Steve Gill categories: app date: '2012-06-22 21:36:43' permalink: /2012/06/22/phonegap-facebook-plugin-screencast/ slug: phonegap-facebook-plugin-screencast status: publish title: PhoneGap Facebook Plugin Screencast type: post format: html tags: - Plugin ---
Last night the San Francisco PhoneGap Meetup Group featured Christine Abernathy, a Partner Engineer at Facebook. She presented on the Facebook Platform and how to use it in your PhoneGap apps.
We've updated the PhoneGap Facebook plugin to work with PhoneGap 1.8.1. Try it for yourself! You can download the plugin on Github.
I've created two new screencasts for installing the plugin on Android and iOS. Follow along and let us know how you do.
iOS http://youtu.be/nVxFGiIoPgk
Android http://youtu.be/mlpBgWiel2w


The package offers an S4 infrastructure to store climatological station data of various temporal aggregation scales. In-built quality control and homogeneity tests follow the methodology from the European Climate Assessment & Dataset project. Wrappers for climate indices defined by the Expert Team on Climate Change Detection and Indices (ETCCDI), a quick summary of important climate statistics and climate diagram plots provide a fast overview of climatological characteristics of the station.
| Version: | 1.0 |
| Depends: | R (≥ 3.0.0) |
| Imports: | methods, zoo, lubridate, climdex.pcic (≥ 1.1-1), PCICt |
| Published: | 2014-09-19 |
| Author: | Boris Orlowsky |
| Maintainer: | Boris Orlowsky <boris at climate-babel.org> |
| License: | GPL-3 |
| Copyright: | Boris Orlowsky<EMAIL_ADDRESS>|
| URL: | www.climate-babel.org |
| NeedsCompilation: | no |
| CRAN checks: | iki.dataclim results |
| Reference manual: | iki.dataclim.pdf |
| Package source: | iki.dataclim_1.0.tar.gz |
| Windows binaries: | r-devel: iki.dataclim_1.0.zip, r-release: iki.dataclim_1.0.zip, r-oldrel: iki.dataclim_1.0.zip |
| OS X binaries: | r-release: iki.dataclim_1.0.tgz, r-oldrel: iki.dataclim_1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=iki.dataclim to link to this page.


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Cd(__DIR__);; #help_index "DolDoc" #help_file "::/Doc/DolDoc" /* TempleOS DolDoc's can have "cursor movement" cmds which can move the cursor up the scrn and layer on existing text. It can also have callback funs which supply live, changing text. For these reasons, you can't assume you know where the vis portion of the document is and must process much of the document each time it is placed on the scrn, becoming CPU intensive on big documents. See ::/Doc/DolDocOverview.DD */ //Hash Types #define DHT_DOC_CMD 1 #define DHT_DOC_FLAG 2 #define DHT_COLOR 4 public class CDolDocGlbls { CHashTable *hash; I64 dft_de_flags [DOCT_TYPES_NUM], type_flags_nontag_invis [(DOCT_TYPES_NUM+63)/64], type_flags_form [(DOCT_TYPES_NUM+63)/64], type_flags_data [(DOCT_TYPES_NUM+63)/64], type_flags_chk_dup [(DOCT_TYPES_NUM+63)/64], clean_scan_codes [4]; I32 dft_type_flags [DOCT_TYPES_NUM]; } doldoc; MemSet(&doldoc,0,sizeof(CDolDocGlbls)); #help_index "God" #define BIBLE_FILENAME "::/Misc/Bible.TXT.Z" #include "DocExt" #include "DocBin" #include "DocNew" #include "DocForm" #include "DocDblBuf" #include "DocPlain" #include "DocInit" #include "DocHighlight" #include "DocRecalcLib" #include "DocRecalc" #include "DocFile" #include "DocClipBoard" #include "DocRun" #include "DocGet" #include "DocChar" #include "DocFind" #include "DocLink" #include "DocEd" #include "DocPopUp" #include "DocGr" #include "DocMacro" #include "DocWidgetWiz" #include "DocPutKey" #include "DocPutS" #include "DocCodeTools" #include "DocTree" #include "DocTerm" KeyDevAdd(&KDDocPutKey,&KDDocPutS,0x80000000,TRUE); fp_getstr2=&DocGetStr2; fp_doc_put=&DocPut; Cd("..");;


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The architecture of our Android apps is based on the MVP (Model View Presenter) pattern.
View (UI layer): this is where Activities, Fragments and other standard Android components live. It’s responsible for displaying the data received from the presenters to the user. It also handles user interactions and inputs (click listeners, etc) and triggers the right action in the Presenter if needed.
Presenter: presenters subscribe to RxJava Observables provided by the
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and calling the appropriate methods in the View in order to display the data.Model (Data Layer): this is responsible for retrieving, saving, caching and massaging data. It can communicate with local databases and other data stores as well as with restful APIs or third party SDKs. It is divided in two parts: a group of helpers and a
DataManager
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. TheDataManager
combines and transforms the outputs from different helpers using Rx operators so it can: 1) provide meaningful data to the Presenter, 2) group actions that will always happen together. This layer also contains the actual model classes that define how the data structure is.
Looking at the diagram from right to left:
Helpers (Model): A set of classes, each of them with a very specific responsibility. Their function can range from talking to APIs or a database to implementing some specific business logic. Every project will have different helpers but the most common ones are:
- DatabaseHelper: It handles inserting, updating and retrieving data from a local SQLite database. Its methods return Rx Observables that emit plain java objects (models)
- PreferencesHelper: It saves and gets data from
SharedPreferences
, it can return Observables or plain java objects directly. - Retrofit services : Retrofit interfaces that talk to Restful APIs, each different API will have its own Retrofit service. They return Rx Observables.
Data Manager (Model): It’s a key part of the architecture. It keeps a reference to every helper class and uses them to satisfy the requests coming from the presenters. Its methods make extensive use of Rx operators to combine, transform or filter the output coming from the helpers in order to generate the desired output ready for the Presenters. It returns observables that emit data models.
Presenters: Subscribe to observables provided by the
DataManager
and process the data in order to call the right method in the View.Activities, Fragments, ViewGroups (View): Standard Android components that implement a set of methods that the Presenters can call. They also handle user interactions such as clicks and act accordingly by calling the appropriate method in the Presenter. These components also implement framework-related tasks such us managing the Android lifecycle, inflating views, etc.
Event Bus: It allows the View components to be notified of certain types of events that happen in the Model. Generally the
DataManager
posts events which can then be subscribed to by Activities and Fragments. The event bus is only used for very specific actions that are not related to only one screen and have a broadcasting nature, e.g. the user has signed out.


21 May 2014
"What does what mean?"
"Cohort....you said you're going to be a part of a "cohort" at The Iron Yard. I'm just curious what that means?"
This was a pretty typical response I heard when telling friends and family of my plans of attending The Iron Yard. I honestly couldn't give a good response to those who asked me about the term "cohort". Now nearing the two month mark at The Iron Yard in Atlanta, I now understand why the word "cohort" is far more than a cliche describing those attending The Iron Yard Coding Academy.
United in Battle
The word cohort comes from the latin cohors referring to a tactical unit in the Roman army during the first and second centuries. The 480 men making up a "cohort" were organized and commanded by one ranking official. They were inseparable. United both in life and battle. Everything was approached together. It should then come as no surprise why the organizational structure of the Roman military is still regarded as a model for modern militaries. The success stems directly from the success of the cohort model.
And that is why "cohort" is the only fitting term for my fellow coders at The Iron Yard. Over the past 8 weeks, we have done far more than sit in the same classroom. We have become family pressing toward a common goal, striving to reach an elusive prize—not individually racing to be the first to cross the finish line, but rather choosing to endure the marathon together. The Iron Yard is by far the most emotionally draining challenge of my life. Finishing would not be possible without having fellow comrades facing the same battle.
In the Trenches
Before making a final decision to attend The Iron Yard, I scoured the internet to hopefully read the experiences of people who attended similar bootcamps. Unfortunately, I could find very little. I wondered why. It's very apparent now.  Regardless, I wanted to give those who come behind me a look into the trenches, not just from my perspective, but also from those in my cohort.
During the next few weeks, I will be personally interviewing each member of my cohort. It is my hope to shed some light on just how incredibly challenging, yet rewarding, this experience has been thus far. My hope is the interviews will be a help to those who consider attending.
20 May 2014
37 Signals, now simply known as Basecamp, has some pretty incrdible stories of the great lengths potential candidates have gone to stand out from other applicants. They have hired based on unbelievable open sources contributions, creating job application sites, and even jumping through some crazy hoops during the interview process. This is despite their generic job postings. Here's their latest. . .
Send relevant work samples, and anything else that will make you stand out, to<EMAIL_ADDRESS>Extra effort and personal touches will be looked upon favorably.
The purpose is to evaluate one metric. "It's effort", says co-founder Jason Fried. "I hire people on the basis of the effort they put into getting the job. We don't define effort; we just ask for it." Fried goes on to say that effort is rare and talent is overrated in his recent post, The One Trait That Guarantees a Good Hire.
Though effort can't be taught or included on your resume, harness it and you are sure to stand out in the crowd.
19 May 2014
I came across this tweet today from the Wall Street Journal...
Despite Blackberry's dominance in mobile phones, Apple chose to launch the iPhone late in the game. They igonored the doubters and set out to prove everyone wrong. What are you refusing to do because the odds are stacked against you? Ignore the doubters and start today. Who knows—you just might prove the critics wrong.
18 May 2014
That's right. Mistakes are a good thing. They're mandatory for learning. You have to mess up to learn a new skill. I don't care who you are, failure will be inevitable when doing something for the first time.
Even the Elite Fail
I love watching the Olympics. It's fascinating when the TV network highlights an athlete to show a behind-the-scenes look into the incredible effort it took to compete among the world's elite. Often, you will see images of a 3-year-old falling down on skis for the first time or a skater practicing the same jump over and over and over again because it's not quite right. In other words, Olympic athletes shine on the world stage because they have failed time and time again.
Fail, Learn, Repeat
During Big Data Week a few weeks back, I attended a panel hosted at AKQA. The topic was How to Become a Developer or Data Scientist. Though the developers sitting on the panel had vastly different backgrounds, experience levels, and skill-sets, they had one common consensus . . . write code. Even if it's horrible, just start writing. And then write more code; throw it out; write some more, and then write even more.
The way you're going to become a developer is by being one. Don't be afraid to mess up! I can't tell you how many times I've laughed at the code I wrote when I first showed up to The Iron Yard. Frankly, it's horrible. But, that horrible code taught me so much. Forget copying and pasting. Start typing, mess stuff up, and figure out how to fix it. Failure will always be your best teacher.
17 May 2014
Screen sharing for computers isn’t something revolutionary. It's been around for years. Mac users will remember the days of iChat with AIM to enable video chat and screen sharing. But, you were limited to sharing with just fellow mac users — not to mention it was pretty temperamental, especially if you didn't have the right ports open on your router. Skype solved the cross-platform problem, but until recently you needed a premium account to access screen sharing. Even though screen sharing is available for all accounts, I find Skype's quality lacking and interface unnecessarily complicated. But, fear not! There’s a new tool that saves the day.
It’s a bird, it’s a plane . . .
For incredibly simple, yet incredibly awesome screen sharing look no further than Screenhero. Don't let the beta tag on the website scare you away. Though still in beta, Screenhero is way better than any screen sharing solution available. The folks over at Screenhero have labeled their product "Google Docs for any application on your computer." And it's true! You can seamlessly collaborate with colleagues using any software on your computer. Getting started is as easy as downloading, installing, adding a contact, and clicking "share" in your menubar.
Screenhero has all the basics covered - bundled voice chat, cross platform support, great video and audio quality, and a minimalistic design. But, they have taken it a step further with some amazing features.
Multiple mouse cursers
Each user can independently control his own mouse curser on the screen. You can clearly see which curser belongs to each user with a convenient name label.
Remote copy and paste
Wanting to copy and paste while on sharing someone else's desktop? No problem! Using copy and paste will copy to your local clipboard. It's like magic! The awesome part is using copy function will not affect the clipboard of the person's screen you are on.
Switch screens
With just the click of a button, you can switch your screen and the screen of the user you are connected with. True collaboration! It's even more convenient than sitting next to the person you are working with because you can work on each other’s computer at the same time.
Voice chat
No need to share your screen to chat. Quickly voice chat without revealing your screen. Boasting crisp, 48kHz audio with echo cancellation, Screenhero is an easy way to connect with anyone on your contact list.
I didn't quite realize how awesome Screenhero was until completing a group assignment just a few weeks ago. My partner and I completed much of a Sinatra app while working together remotely with Screenhero. We were both able to code the app on a single screen. Crazy right? We also switched back and forth between our desktops as we completed different parts of the app.
But wait there's more!
The possibilities are endless! And it's not just a great tool for collaboration, but for troubleshooting as well. It's the perfect app to help a family member with a nagging computer problem. No need to wait for Thanksgiving dinner to help Uncle Ed get his computer squared away.
Screenhero has become an invaluable tool among our cohort at The Iron Yard - to get emergency assistant from our instructor, Shelby, collaborate on group assignments, or lend each other a hand.
All this for the low, low price of . . . free. Go get it now.


MICROSOFT TERMS OF USE
MICROSOFT-PUBLISHED ETHEREUM BLOCKCHAIN SOLUTION TEMPLATE FOR USE IN MICROSOFT AZURE
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- updates,
- supplements,
- Internet-based services, and
- support services
for this solution template, unless other terms accompany those items. If so, those terms apply.
By using the solution template, you accept these terms. If you do not accept them,
do not use the solution template.
As described below, using some features also operates as your consent to the transmission of certain standard computer information for Internet-based services.
- DEFINITIONS
- "solution template" means:
Ethereum Consortium Blockchain
Hyperledger Fabric Single Member Blockchain
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@@include('develop/fotter/fotter__post.html', {
"position":"fotter__post-1_position",
"src":"/static/fotter/audrey-jackson-260657.png",
"alt":"audrey-jackson-260657",
"life-style":" - July 3, 2017",
"text":"Design is the method of putting form and content together ."
})
@@include('develop/fotter/fotter__post.html', {
"position":"fotter__post-2_position",
"src":"/static/fotter/clem-onojeghuo-151794.png",
"alt":"clem-onojeghuo-151794",
"life-style":"- July 3, 2017",
"text":"Design is the method of putting form and content together ."
})
More...


| rotten |
An archive of disturbing illustration
On September 12 we received an email containing an image of a car accident matching most of the characteristics from the crash Diana Spencer was killed from. The image contained an inset and the caption Death of a Princess.
Careful analysis of the image showed that, while the photograph had not been tampered with, a few minor points were "wrong". We confirmed the source of the image within 12 hours, but because of the wide interest in the existence of any such image (real or not), we went live with it. It got the world's panties in a bunch, to say the least. The combination of the apparently real photo, plus the "Princess Pirelli" image (Diana with tire tracks across her face) can be most upsetting to the uninitiated. At no time did we actually claim the photo was genuine. Of course, once we receive a genuine photo of the accident, it will get published.
A goodly number of online services posted interesting stories about the posting of the purported Diana images.
If there are other URL's to online media coverage, please forward them to us. We were also pleasantly surprised to hear coverage of this on other audio and visual media outlets, including the national ABC News radio broadcast, and Entertainment Tonight.
Quite a number of news organizations made attempts to contact us via e-mail. One was made prior to publication of the controversial photo. C|Net was the first after the photo was published. But it appears that the prestigious Agence France-Press broke the story over their wire service. All attempts by the press to contact us were ignored. We had made a decision to let the story develop on its own, rather than try to put spin on it. As journalist Michael Lopp told a staffmember, "you are the king of ignoring all media".
[rotten commentary in red] Radio Ireland I work on a current affairs show on Radio Ireland, the national commercial radio station in Ireland. I saw the pictures of the Diana carcrash and am interested in doing a radio interview today if possible. You can ring me reverse charges at: [...]Tampa Tribune [...] Do you believe the image to be real or fake? Was there any debate internally about whether to put it up? Why is it up? What is your response to critics who find its posting in extremely bad taste or worse? [...]c|Net, online news service i want to interview you re: the photo on your site. please send me a phone number as soon as possible. best, courtneyThe Star, largest South Africa Newspaper [...] How long has the site been up and running, how many hits have you had since you began, and particularly since you put the Princess Di accident pic on, will you be putting other pix of Princess Di on, should they become available. [...]Australian Broadcast Corporation I am from the Australian Broadcasting Corporation in Sydney, Australia. Our national current affairs radio program would like to interview someone regarding the new accident pictures of Princess Diana. Could you please call me urgently [...]The Guardian, major UK newspaper I am a reporter on the Guardian newspaper in London, and would be grateful if you could contact me re the picture of Princess Diana after the car crash. My number is [...]Two guys with a Microphone my name is [...] from clearwater,fl we have a talk show with two guys named MJ and BJ they found out about the princess diania pictures and are probably gonna give out your website. [...]CTV, Canada's largest TV network Please call me as soon as poosible.Reforma, major Mexican newspaper Atention: I am the photo editor from REFORMA, one of the biggest newspapers in Mexico. We are very intrested in knowing the procedence of this picture so we can buy it, if you have any adittional information about it or the author, please send it to me so we can make a deal. Joel [...]Agence France Presse My name is [...], I am a french journalist for the AFP (agence France presse) which is the french equivalent of the Associated Press. I was very interested in the photo of Diana that I found on your site. Would U please answer to the following questions ?New York Times Hi, I'm a reporter with the New York Times, and I'm trying to reach rotten dot com regarding the Diana photo. [...]Le Monde, French newspaper. Would you be willing to tell us exactly who you guys really are? If so, I think it would make an interesting profile piece. [...], journalist, Le Monde, Paris Numerous people pointed out flaws in the photo to us via e-mail. Some were just vaguely skeptical, while others performed detailed analysis and speculation. 15 sep 1997, from Andrew [...] given the angle of this shot, the photographer appears to have been several feet inside the tunnel wall when he took it.15 sep 1997, from Kieran [...] the picture you list as being Diana's is not [..] it is not a new Mercedes because it has no rear head-rests [..] this is another motor accident as there are only two passengers in this car and their front seats are folded underneath [..] They also didn't do a full roof peel [.. it] appears to be a hatch-back or coupe of some kind [..]16 sep 1997, from JZ [...] the picture is a fake. If you look at the fireman in profile, on the fire truck, you see a phone with the #'s 999 below it. In England, the emergency number is 999, which is similar to our 911. [..] We got swamped! For several months we were receiving 25,000 visitors per day. After 3 million visitors, rotten.com underwent a format change, and the number of visitors increased to about 35,000 per day. On September 17, there were about 50,000 visitors. Yesterday, after the media attention on September 18, we served 75,000 visitors. But, prior to noon today, rotten had received 50,000 visitors and the load average on the machine, a swank 4 processor sparc, was 95 (it's normally 1/100th of that.) The pictures have been removed for the time being. They have not been censored; there is just not enough bandwidth for us to serve the demand. If you have a T3 and are willing to act as a mirror site to shoulder a bit of this, please let our staff know in order to make arrangements.
We will return to our regularly scheduled programming soon. Since the previous major media incident some months ago, significant bandwidth has been added, though sadly not enough for today's festivities.
[return to rotten dot com] |


INTRODUCTION :
I've been told of the psychoactive properties of Salvia before, but nobody could have prepared me for my evening. I was actually under the impression that it would be a very mild, very short trip.  When my buddy A came down from Washington for a visit last week, he told us (myself [N], my wife [K] and our 3 roommates [T] [S] and [C] and our friend [J]) that he'd ordered some Salvia Divinorum for us to try during his stay. It didn't show up until the last day of his visit but, hey, at least it came.
The 6 of us spent the day cleaning and preparing a space for ourselves to trip, and by 9:30, we were super stoney and ready to try this stuff out. With the exception of A, we were all virgins to Salvia and had no idea what to expect. A had prepared us only by letting us know that it hits hard and fast, and that it lasts about 10 minutes. He said we needed a water pipe and a butane lighter. We never had the chance to find a butane lighter, but my bong has a nice large bowl, so we were set. We decided to take our hits individually, one at a time, with two people in the room to help out if need be.
Let the games begin. S took his hit first, and didn't do much of anything but sit there and try and grab at stuff. Later he would say he didn't see anything wierd at all. I sure as hell did.
  In front of me is our dining-room table, which is where the bong is sitting.  A little marijuana in the bottom of the bowl, and a good heap of Salvia on top. Here we go. I breathed deeply in and out for a while and took my hit. I remember leaning forward to take the last of the smoke and then, blackness. I felt exactly like I had fallen asleep.
As I started to feel and see things, all manner of images faded into my vision like the beginning of a strange movie. There were pictures and memories and tiny little fragments of reality thrown in every once and a while, and then I started to dream. Pieces of my memories were being spliced together and thrown at me at a blinding speed! I slowly started to hear voices coming from all around me, voices from my past and present, voices of my family and friends from California, when I was still a kid. I was 12 years old and had just started learning to ride a skateboard in front of my old house. Immediately it went sliding out from underneath me and I went flying! I was in the thrashing surf at Huntington Beach and being flung all over by the pounding waves!
All of a sudden I landed somewhere. I heard my mother screaming, and there were people standing over me. I couldn't quite see them, because the sun was blinding me, but I felt like I was going to pass out, and my whole body began tingling with extreme pain and numbness so I didn't care that I couldn't see.  Everything in my vision was pulsating/zooming inwards until I had horrible tunnel-vision. My mom was still screaming and it felt like I'd been lying there for hours. I heard some new voices shouting and my vision began to clear a little.
That's when I saw the most frightening thing I've ever seen in my entire life. I had fallen over headfirst onto a tall slab of metal that was sharpened all along the top edge like a blade. It had cut me in half all the way from the top of my head to the middle of my stomach and I was lying doubled over it with one half of my head and torso on one side of the blade, and one half on the other. I heard the new voices telling me that everything was going to be all right. The figures attached to the new voices were paramedics, and they were vomiting and cursing and weeping to see this poor guy who had fallen and cut himself in half.
I didn't know what I was going to do, so I tried to get up off the blade. I was so heavy that my arms wouldn't work, so I started flapping my arms at terrible speed, flapping for my life. Somehow I managed to get off the blade and stand upright but when I did, the two halves of my head/torso split and fell down to each side! I started screaming in pain and running around in the street, but it hurt so much I just fell over and lay there, only to witness another horrifying sight.
The piece of meat I had seen earlier was my brain, and when I fell over I was looking out my left eye and seeing the inside of the right half of my severed head and neck! I stood up again screaming and looked around. I was in my den again but still not in my right mind. The next thing I remember seeing, I was walking around in the living room looking for someplace to lie down again, because my body felt so heavy. I remember yelling at everyone to get out!  They were all laughing and ran into the other room. I went to my room and got naked, because my clothes started to hurt my skin, and I lay down in bed and tried to piece together what had just happened to me.
I still thought I was dying and was breathing super heavily. My body ached all over and was still pretty numb, and my foot hurt for some reason. Finally I remembered that I had taken a hit of Salvia and was coming down, which made me more relieved than I have ever been. I felt like I'd been gone for months. S and K came in once in a while to see how I was doing, I told them I got cut in half and they said 'What?'
THIER SIDE OF THE STORY
The other side of the story (what happened in reality) was just as crazy, but alot funnier than my side of it. I guess as soon as I took the hit, I flung my arms back against the window and leaned forward in the papa san chair until it tipped upward, pinning me between the chair and the table! They uprighted me, and then I went nuts. I flung my legs in the air and sent the bong flying (good thing we've got thick carpet), came back with my legs and swept the rest of the stuff on the table off onto the floor.
Then, I took out the table and got stuck under it. Finally I crawled out from under it and tried to go through the curtain to the hallway, but got stuck in it. I turned around towards the kitchen and saw T. After a second I charged him and chased him into the laundry room. Then I chased J around the living room. Then I sat in the hallway for a while, and then told everyone to get out. After they left, I went to my room and slept through C's trip and K's trip. Everyone said that I hadn't made a sound through the whole thing, except at the very beginning, when I said 'Guys?' and that was that. My trip probably lasted about 8 or 9 minutes.
CLOSING
When I came out of hiding, T was about to take his hit in his room. I decided to be his lighter-bitch and see what happened to him. He tripped nearly as hard as I did and actually screamed for about 2 minutes straight. Later he told us that he was in an insanity ward and we were his guards keeping him imprisoned. A listenened to some Nick Cave while he tripped and saw a vortex into the television. I was definitely severely disturbed by my whole experience, but everyone else was pretty excited about their trips and I'm pretty sure I'd do it again, now that I really know what will happen to me. Hopefully it's not that crazy next time. I'll be staying away from large blades for a while.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Markup Language Expressions for LFE: creating HTML with S-expressions on the Erlang VM.
Right now, only HTML5 is supported. Feel free to submit pull requests to support older/different tags/elements.
The list of tags was obtained from Mozilla’s HTML 5 documentation
Note that XML namespacing hasn’t been explored yet, but should be possible.
As you can see in the example usage below, you can use exemplar to build HTML strings using LFE S-expressions. However, do note that the project has just started and there are lots of unexplored HTML edge-cases that simply won’t work right now.
If you come across anything, feel free to submit a bug in the github issue tracker, or even send us a pull request :-)
This project assumes that you have rebar3
installed somwhere in your $PATH
.
Just add it to your
rebar.config
deps:
{deps, [
...
{exemplar, ".*", {git, "git@github.com:lfex/exemplar.git", {tag, "x.y.z"}}
]}.
And then do the usual:
$ rebar3 compile
Exemplar is like any other Erlang/LFE project – to use it in your project, simply add it to your rebar.config
file. Note that only rebar3 is supported now.
Naming and cache invalidation, right?
The first thought was to name the project ML-expr: ML for HTML, replacing the “s” of “s-expression”. MLEXPR isn’t all that pronouncable, so another “e” and an “a” were added for “exemplar”. That’s all there is to it.
Also: “Do you know who I am?!”
We use styled call-outs to provide immediate visual cues about the nature of the information being shared.
These are as follows:
Start the REPL:
$ make shell
Then, from a clone of exemplar:
> (slurp "src/exemplar-html.lfe")
#(ok exemplar-html)
Now create some tags:
> (html (body (div (p "Here is some content")))))
Which will give the following output
"

Here is some content

"
Generating HTML with Exemplar is very simple: all the HTML 5 tags have been defined to provide an HTML DSL in LFE. This lets you create HTML (and XML) in LFE without having to provide quoted HTML strings or binaries.
Define your own module and include the Exemplar XML macros:
(defmodule my-project
(export all))
(include-lib "exemplar/include/xml-macros.lfe")
(defelem custom-elem)
Then, you can
make shell
,slurp
that file, and use your new element:
> (slurp "src/my-project.lfe")
#(ok my-project)
> (custom-elem (custom-elem "much wow"))
Which will give the following output
"<custom-elem><custom-elem>much wow</custom-elem></custom-elem>"
In addition to regular HTML 5, you can create your own custom elements. In your project that has exemplar set up as a dependency, create a module and include-lib
the XML macros file so that you can create your own elements.
We can see these three aritiies in action by slurping
src/exemplar-html.lfe
and calling these functions:
> (slurp "src/exemplar-html.lfe")
#(ok exemplar-html)
> (div)
"
"
> (div "some content")
"
some content
"
> (div '(class "some-css") "some content")
"
some content
"
What this means is that (for now) you cannot do something like this:
> (div (p "paragraph 1") (p "paragraph 2") (p "paragraph 3"))
exception error: #(unbound_func #(div 3))
Since there is no
#'div/3
. Instead, you will have to do this:
> (div '((p "paragraph 1") (p "paragraph 2") (p "paragraph 3")))
"

paragraph 1

paragraph 2

paragraph 3

"
Another common use case:
> (ul '((li "a") (li "b") (li "c")))
"

a

b

c

"
Here’s
#'div/1
with attributes and no content:
> (div '(id "div-1" class "big"))
"
"
Here’s an example using a variable in the attributes:
> (set class "bigger")
"bigger"
> (div `(id "div-1" class ,class))
"
"
> (div (list 'id "div-1" 'class class))
"
"
Right now, the defelem
macro which generates all the HTML functions only
generates functions with three different arities. For instance,
include/html-macros.lfe
defines the div
element (defelem div)
.
The defelem
macro in include/xml-macros.lfe
generates three functions with
this definition:
div/0
div/1
div/2
In order to nest S-expression tags, you will need to proivde the nested HTML-to-be to ensure one of the above arities is called on your element.
Note that the 1-arity generated functions have some smarts: in addition to being able to handle lists of elements, they can also handle lists of attributes and string content.
A simple YAWS project project configuration:
logdir = logs
ebin_dir = deps/yaws/var/yaws/ebin
ebin_dir = ebin
log_resolve_hostname = false
fail_on_bind_err = true
<server localhost>
port = 5099
listen = <IP_ADDRESS>
appmods = </, my-project>
docroot = www
</server>
The
my-project
module referenced in theappmods
directive:
(defmodule my-project
(export all))
(include-lib "deps/exemplar/include/html-macros.lfe")
(defun out (arg-data)
"This function is executed by YAWS. It is the YAWS entry point for our app."
(let ((path-info (string:tokens
(parse-path arg-data)
"/")))
(routes path-info arg-data)))
(defun routes
"Routes for our app."
;; /content/:id
(((list "content" item-id) arg-data)
(content-api item-id arg-data))
;; potentially many other routes
...
;; When nothing matches, do this
((path method arg)
(io:format
"Unmatched route!~n Path-info: ~p~n arg-data: ~p~n~n"
(list path arg))
(make-error-response "Unmatched route.")))
(defun make-html-response (html)
(tuple 'content
"text/html"
html))
(defun content-api (id request-data)
;; pull content from a data store
(let ((fetched-title "Queried Title")
(fetched-content "Some super-great queried lorem ipsum."))
({{PROJECT}}-util:make-200-result
(html
(list
(head
(title fetched-title))
(body
(main
(div '(class "dynamic content")
(list
(h1 fetched-title)
(h2 (++ "Item " item-id))
(div (p fetched-content)))))))))))
If you are running a YAWS-based project, you can easily include exemplar in it. Any function that is returning content to YAWS can simply use the exemplar HTML macros.
Note that, due to the current limitation of the generated HTML element function
arities, we have to wrap sibling calls (e.g., (head ...) (body ...)
in a
list
.
Needless to say, one could also create custom templates via functions that generate partial HTML and have parameters/variables for addition HTML to be passed.
For more information on using LFE with YAWS, be sure to check out the LFE REST example app.
The User Guide is available for versions 0.5.0 and later:
The API Documentation is available for versions 0.5.0 and later:
Copyright © 2014-2016 Duncan McGreggor
Distributed under the Apache License, Version 2.0.


| Sample | Description | Focus |
| {@link simple.HelloWorld} | Prints Hello World! to standard output. |
Basic mechanics of declaring a topology and executing it. |
| {@link simple.Echo} | Echos command line arguments to standard out. |
Passing in runtime values to a topology. |
| {@link simple.FilterEcho} | Echos a subset of command line arguments to standard out |
Use of Java functional programming style for filtering. |
| {@link simple.Grep} | Continually watches a directory, reads new files in the directory and prints lines from the files containing a search term to standard out |
Use of utility methods provided by the Java topology API. |
| {@link twitter.TwitterTrending} | Reads tweets from a specified directory and calculates the trending hashtags in parallel. |
A real-world usage for windowing. |
| {@link simple.RegexGrep} | Continually watches a directory, reads new files in the directory and prints lines
from the files that match a regular expression to standard out |
Java functional programming using an anonymous class with initialization. |
| {@link vwap.Vwap} | SPL Vwap sample reimplemented in Java. |
Java objects as tuples, integration with SPL operators and tuples. |
| {@link topic.PublishBeacon},{@link topic.SubscribeBeacon} | Publish-subscribe model for streams across applications |
Publish-subscribe in distributed. |
| {@link kafka.KafkaSample} | Publishes messages to a Kafka topic. Subscribes to a Kafka topic and prints results. |
Integrating with Apache Kafka. |
| {@link mqtt.MqttSample} | Publishes messages to a MQTT topic. Subscribes to a MQTT topic and prints results. |
Integrating with MQTT. |


September 11, 2007
TENTH CIRCUIT
Elisabeth A. Shumaker
Clerk of Court
U N ITED STA TES O F A M ER ICA,
Plaintiff - Appellee, No. 06-5154
v. N.D. Okla.
JAM ES KENT H ILL, (D.C. No. 05-CR-156-TCK)
Defendant - Appellant.
OR D ER AND JUDGM ENT *
Before KELLY, M U RPH Y, and O’BRIEN, Circuit Judges.
After examining the briefs and appellate record, this panel has determined
unanimously that oral argument would not materially assist in the determination
of this appeal. See Fed. R. App. P. 34(a)(2); 10th Cir. R. 34.1(G). The case is
therefore ordered submitted without oral argument.
James K ent Hill appeals from his sentence arguing it is unreasonable in
light of the 18 U.S.C. § 3553(a) sentencing factors. Exercising jurisdiction
pursuant to 28 U.S.C. § 1291, we AFFIRM .
This order and judgment is not binding precedent except under the
doctrines of law of the case, res judicata, and collateral estoppel. It may be cited,
however, for its persuasive value consistent with Fed. R. App. P. 32.1 and 10th
Cir. R. 32.1.
TRUE INTRODUCTION I. Background
The facts of this appeal are not in dispute. Contrary to the advice of his
probation officer and with an understanding it would be a violation of his
probation, Hill acquired possession of a family heirloom .22 caliber rifle along
with a box of ammunition and gave them to his fifteen-year-old son as a birthday
gift. Hill subsequently pled guilty to the possession of a firearm after former
conviction of a felony in violation of 18 U.S.C. §§ 922(g)(1) & 924(a)(2). 1
TRUE LEGAL FRAMEWORK 1. Legal Framework
Hill did not object to the Presentence Investigation Report (PSR ) prepared
under the 2005 edition of the United States Sentencing Commission’s Guidelines
M anual. The PSR calculated his base offense level at 24, USSG §2K2.1(a)(2),
which was reduced 2 levels for acceptance of responsibility, USSG §3E1.1(a), for
a total offense level of 22. Hill’s criminal history combined for a subtotal of 11
criminal history points, however because he was serving a suspended sentence at
the time of the offense, 2 points were added. USSG §4A1.1(d). Additionally,
because the offense was committed less than two years after his release from
custody, an additional point was added for 14 total criminal history points. USSG
§4A1.1(e). Hill’s 14 criminal history points establish a Criminal History
Category of V I. USSG Ch.5, Pt.A, sentencing table. Based on Criminal History
1 Hill’s former felony convictions include: (1) assault and battery with a
dangerous weapon/vehicle, (2) unauthorized use of a vehicle, (3) first-degree
manslaughter, (4) possession of a controlled drug, and (5) possession of
marijuana.Category VI, offense level 22, Hill’s advisory guideline range was 84-105
months. Id.
TRUE AMENDMENT Amendment
Hill requested a sentence below the advisory guideline range based on the
sentencing factors found at 18 U.S.C. § 3553(a). After taking the guidelines and
the statutory sentencing factors into consideration, the district court sentenced
Hill to 87 months imprisonment to be followed by a 3 year term of supervised
release. 2 Hill filed a premature, but timely, notice of appeal. See Lewis v. B. F.
Goodrich Co.,
850 F.2d 641, 645 (10th Cir. 1988) (Fed. R. App. P. 4(a)(2) permits a notice of appeal, filed prematurely, to ripen once final judgment has
been rendered).
TRUE DISCUSSION II. Discussion
W e review a district court’s sentencing determination for reasonableness,
which is guided by the statutory factors delineated in 18 U.S.C. § 3553(a).
United States v. Kristl,
437 F.3d 1050, 1053 (10th Cir.2006). Those factors include “the nature of the offense and characteristics of the defendant, as well as
the need for the sentence to reflect the seriousness of the crime, to provide
adequate deterrence, to protect the public, and to provide the defendant with
needed training or treatment.” Id. (citing 18 U.S.C. § 3553(a)). Hill’s sentence
2 The district court stated it sentenced Hill within the 77-96 month
guideline range for offense level 21, Criminal History Category VI, because it
was not Hill’s fault he did not receive the additional point off for acceptance of
responsibility. See USSG §3E1.1(b). Under either offense level 21 or 22, Hill’s
87 month sentence was within the advisory guideline ranges.
within the advisory guideline range is presumptively reasonable. Id. at 1054.
TRUE ARGUMENT A. Hill's Argument
Hill first argues his sentence is unreasonably long, obviating the need for
objection in order to preserve this issue. United States v. Torres-Duenas,
461
F.3d 1178, 1183 (10th Cir. 2006) (“[W]hen the claim is merely that the sentence is unreasonably long, we do not require the defendant to object in order to
preserve the issue.”). He first attempts to rebut the presumption of
reasonableness by arguing that, on the spectrum of felon in possession of firearm
cases, his actions did not carry the same character of criminality as others. He
stylizes his actions as merely presenting a gift to his son as a rite of passage and
asserts he terminated ow nership of the firearm when he gave it away. Regardless
of his intent, the district court properly applied the guidelines and sentencing
factors in fashioning his sentence. The district court stated:
In determining an appropriate sentence the Court has placed significant
weight on the nature and circumstances of the offense and the history of
the defendant. And that history has been elucidated today, apparently
two assaults and batteries with a dangerous weapon, that is an
automobile; malicious injury to property; unauthorized use of a motor
vehicle; unlawful possession of controlled drugs, first degree
manslaughter, and much of this while defendant was serving suspended
sentences. . . .
Excited about seeing a son is no excuse. He’d been warned by the
probation officer not to do that. He picks a time w hen the mother isn’t
at home. . . . I know she didn’t approve because she’s the one that
called the authorities the very next day. So apparently trying to sneak in
a weapon, . . . to the wrong people at the wrong time. And to . . . stand
up in front of me and say he didn’t know the consequences when he’d
been told w hat the consequences would be, is beyond me. So I don’t
feel like that there’s any reason to go under the guidelines.
(R. Vol. III at 10-11.) W e cannot say Hill’s sentence is unreasonable or the
district court abused its discretion in imposing an 87 month sentence.
TRUE PROCEDURE B. Procedure Used to Calculate Sentence
Although his argument is unclear, it appears Hill also attacks the method by
which his sentence was calculated under the advisory guideline system. Hill
takes issue with the use of his past felony convictions to establish a base offense
level and then used again to establish his Criminal History category. He argues
this punishes him for his past offenses rather than for the offenses to which he
pled guilty. Citing Gipson v. Jordan,
376 F.3d 1193, 1198-99 (10th Cir. 2004) (in light of double jeopardy protection, sentence may punish current offense which is
aggravated by recidivism, but cannot serve as additional punishment for past
offenses), cert. denied,
546 U.S. 1030 (2005) .
TRUE CONCLUSION Conclusion
Hill did not raise this claim with the district court, so we review it only for
plain error. See Torres-Duenas, 461 F.3d at 1182-83 (“[W ]hen the defendant fails
to object to the method by which the sentence was determined, . . . we review
only for plain error.”). Hill cannot overcome a plain error analysis because there
is no error. The answ er comes from the case cited by Hill:
[T]he Supreme Court has explicitly articulated that enhanced
punishment for recidivist conduct does not violate the Double
Jeopardy Clause. That is, in upholding recidivism statutes, the C ourt
has explicitly articulated that an enhanced punishment imposed for a
later offense based on earlier offenses ‘is not to be viewed as either a
new jeopardy or additional penalty for the earlier crimes,’ but instead
as ‘a stiffened penalty for the latest crime, which is considered to be
an aggravated offense because a repetitive one.’
Gipson, 376 F.3d at 1199 (citing Gryger v. Burke,
334 U.S. 728, 732 (1948)); see
also Nichols v. United States, 511 U .S. 738, 747 (1994) (“Enhancement statutes,
whether in the nature of criminal history provisions such as those contained in the
Sentencing Guidelines, or recidivist statutes that are commonplace in state
criminal laws, do not change the penalty imposed for the earlier conviction.”).
Hill is not being punished for his past crimes, but is receiving a stiffened penalty
for his latest crime.
AFFIRMED.
FOR TH E CO UR T:
Terrence L. O’Brien
United States Circuit Judge


#set( $symbol_pound = '#' ) #set( $symbol_dollar = '$' ) #set( $symbol_escape = '\' )
Apache Isis™ is a platform to let you rapidly develop
domain-driven apps in Java.
This domain app provides a quickstart for building applications using the various modules of the
Incode Platform.


No information available.
Client.txt File :
POE Window Title :
Logging :
will cause excessive log, only turn on for filing issue
URL :
Guild Tag :
Please restart application manually in order for the settings to take effect


{% blocktrans %}The single tool to manage, drive and highlight the advice activity of the department of judicial affairs.{% endblocktrans %}
{% blocktrans %}Partaj is still being built. Experimentation is limited to public agents for the Ministère de la transition écologique et solidaire.{% endblocktrans %}
{% if not user.is_authenticated %} {% trans 'Log in / Sign up' %} {% else %} {% trans 'New Referral' %} {% endif %}


Type Definitions
The following type definitions are available globally.
-
A callback that will be run with the error response from the API.
Declaration
Objective-C
typedef void (^PTPVErrorBlock)(NSError *_Nullable)
Swift
typealias PTPVErrorBlock = (UnsafeMutablePointer
Parameters
error
The error returned from the response
-
A callback that will be run with the user response from the API.
Declaration
Objective-C
typedef void (^PTPVAddUserCompletionBlock)(PTPVUser *_Nullable, NSError *_Nullable)
Swift
typealias PTPVAddUserCompletionBlock = (PTPVUser?, UnsafeMutablePointer
Parameters
user
The user from the response
error
The error returned from the response
-
A callback that will be run with the user response from the API.
Declaration
Objective-C
typedef void (^PTPVAddUserTokenCompletionBlock)(PTPVUser *_Nullable, NSError *_Nullable)
Swift
typealias PTPVAddUserTokenCompletionBlock = (PTPVUser?, UnsafeMutablePointer
Parameters
user
The user from the response
error
The error returned from the response
-
A callback that will be run with the card response from the API.
Declaration
Objective-C
typedef void (^PTPVInfoUserCompletionBlock)(PTPVCard *_Nullable, NSError *_Nullable)
Swift
typealias PTPVInfoUserCompletionBlock = (PTPVCard?, UnsafeMutablePointer
Parameters
card
The card from the response
error
The error returned from the response
-
A callback that will be run with the response from the API.
Declaration
Objective-C
typedef void (^PTPVRemoveUserCompletionBlock)(PTPVResponse *_Nullable, NSError *_Nullable)
Swift
typealias PTPVRemoveUserCompletionBlock = (PTPVResponse?, UnsafeMutablePointer
Parameters
response
The response
error
The error returned from the response
-
A callback that will be run with the purchase response from the API.
Declaration
Objective-C
typedef void (^PTPVExecutePurchaseCompletionBlock)(PTPVPurchase *_Nullable, NSError *_Nullable)
Swift
typealias PTPVExecutePurchaseCompletionBlock = (PTPVPurchase?, UnsafeMutablePointer
Parameters
purchase
The purchase from the response
error
The error returned from the response
-
A callback that will be run with the dcc details response from the API.
Declaration
Objective-C
typedef void (^PTPVExecutePurchaseDCCCompletionBlock)(PTPVDCCDetails *_Nullable, NSError *_Nullable)
Swift
typealias PTPVExecutePurchaseDCCCompletionBlock = (PTPVDCCDetails?, UnsafeMutablePointer
Parameters
response
The dcc details from the response
error
The error returned from the response
-
A callback that will be run with the purchase response from the API.
Declaration
Objective-C
typedef void (^PTPVConfirmPurchaseDCCCompletionBlock)(PTPVPurchase *_Nullable, NSError *_Nullable)
Swift
typealias PTPVConfirmPurchaseDCCCompletionBlock = (PTPVPurchase?, UnsafeMutablePointer
Parameters
purchase
The purchase from the response
error
The error returned from the response
-
A callback that will be run with the refund response from the API.
Declaration
Objective-C
typedef void (^PTPVExecuteRefundCompletionBlock)(PTPVRefund *_Nullable, NSError *_Nullable)
Swift
typealias PTPVExecuteRefundCompletionBlock = (PTPVRefund?, UnsafeMutablePointer
Parameters
refund
The refund details from the response
error
The error returned from the response
-
A callback that will be run with the subscription response from the API.
Declaration
Objective-C
typedef void (^PTPVCreateSubscriptionCompletionBlock)( PTPVSubscriptionDetails *_Nullable, NSError *_Nullable)
Swift
typealias PTPVCreateSubscriptionCompletionBlock = (PTPVSubscriptionDetails?, UnsafeMutablePointer
Parameters
subscription
The subscription details from the response
error
The error returned from the response
-
A callback that will be run with the subscription response from the API.
Declaration
Objective-C
typedef void (^PTPVEditSubscriptionCompletionBlock)( PTPVSubscriptionDetails *_Nullable, NSError *_Nullable)
Swift
typealias PTPVEditSubscriptionCompletionBlock = (PTPVSubscriptionDetails?, UnsafeMutablePointer
Parameters
subscription
The subscription details from the response
error
The error returned from the response
-
A callback that will be run with the response from the API.
Declaration
Objective-C
typedef void (^PTPVRemoveSubscriptionCompletionBlock)(PTPVResponse *_Nullable, NSError *_Nullable)
Swift
typealias PTPVRemoveSubscriptionCompletionBlock = (PTPVResponse?, UnsafeMutablePointer
Parameters
response
The response
error
The error returned from the response
-
A callback that will be run with the subscription response from the API.
Declaration
Objective-C
typedef void (^PTPVCreateSubscriptionTokenCompletionBlock)( PTPVSubscriptionDetails *_Nullable, NSError *_Nullable)
Swift
typealias PTPVCreateSubscriptionTokenCompletionBlock = (PTPVSubscriptionDetails?, UnsafeMutablePointer
Parameters
subscription
The subscription details from the response
error
The error returned from the response
-
A callback that will be run with the purchase response from the API.
Declaration
Objective-C
typedef void (^PTPVCreatePreauthorizationCompletionBlock)( PTPVPurchase *_Nullable, NSError *_Nullable)
Swift
typealias PTPVCreatePreauthorizationCompletionBlock = (PTPVPurchase?, UnsafeMutablePointer
Parameters
purchase
The purchase from the response
error
The error returned from the response
-
A callback that will be run with the purchase response from the API.
Declaration
Objective-C
typedef void (^PTPVConfirmPreauthorizationCompletionBlock)( PTPVPurchase *_Nullable, NSError *_Nullable)
Swift
typealias PTPVConfirmPreauthorizationCompletionBlock = (PTPVPurchase?, UnsafeMutablePointer
Parameters
purchase
The purchase from the response
error
The error returned from the response
-
A callback that will be run with the purchase response from the API.
Declaration
Objective-C
typedef void (^PTPVCancelPreauthorizationCompletionBlock)( PTPVPurchase *_Nullable, NSError *_Nullable)
Swift
typealias PTPVCancelPreauthorizationCompletionBlock = (PTPVPurchase?, UnsafeMutablePointer
Parameters
purchase
The purchase from the response
error
The error returned from the response
-
Represents the currency type
Declaration
Objective-C
typedef NSString PTPVCurrency
Swift
typealias PTPVCurrency = Int32


Django by example(Antonio Mele) - book review
Disclaimer: At the time of starting to write this article, the next version of the book under review, has not been published yet. If you want to read the newest version, you can find it here
Many people don’t have enough time to research for a book. I think such articles could help people, accelerate their (correct)decision.
That’s why I decided to write this article. This is a quick and dense review of Django by example by Antonio Mele
(The cover of the book, from the official publication, packtpub.com)
The idea
The book is trying to teach more advanced Django techniques to people that are already familiar enough with the framework. And I think it is doing a great job here. I loved the projects included, especially the social network one.
The projects:
The projects included are
- Create a full-scale blog(pretty much all the expected functionality you can find in a blog) with third-party integrations(Chapters 1, 2, 3)
- Create a basic(but not trivial) social network with images. (Chapter 5, 6)
- Create an online shop with integrated PayPal payments and a recommendation engine(no machine learning, pure hacker stuff :) )
- Create an e-learning platform, with emphasis on the caching mechanisms of Django
Some of the technologies used(apart from django of course)
- Celery
- jQuery
- AJAX
- DjangoRestFramework to help you make your apps RESTful
The bad stuff:
As with all big projects, some flaws are inevitable. They are very few though. The most important I noticed are:
- A few errors in code. Ok, you ’ll say, which book doesn’t?
- The book is working with version 1.8. Not a fault of the author, of course, it is just that the book came out 3 years ago and we are at version 2 now.
Shall I read it?
It is a book that I found enjoyable and useful for my projects. So in my humble opinion:
- Totally, if you are interested in becoming better on Django. It might be of a somewhat older version but the concepts discussed are not affected much
- Totally not, if you are not interested in becoming a better Django developer or you don’t know the basics of Django :) In the latter case, there are various sources to prepare you. For example NetNinja and Sentdex or even the official tutorials.
Conclusion
Thank you for reading this article. I hope you found the review useful and please feel free to give me some love or/and comment below if you liked it. Happy learning.


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Jason Johnson
Freddie Prinze
Tom Hanks
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Drills down on any members or tuples of set1 that are also found in set2. The resulting set contains the drilled-down members or tuples, as well as the original members or tuples (whether they were expanded or not).
Syntax
DrilldownMember( set1, set2 [, RECURSIVE] )
| Parameter | Description |
|---|---|
set1 |
The set containing members or tuples to drill down on if comparison with set2 tests positive for identical members or tuples. |
set2 |
The set to compare with set1 before drilling down on members or tuples in set1. |
RECURSIVE |
Optional. A keyword to enable repeated comparisons of the sets. |
Notes
This function drills down on all members of set1 that are also found in set2. The two sets are compared. Then the members or tuples of the first set that are also present in the second set are expanded to include their children.
If the first set is a list of tuples, then any tuples in the first set that contain members from the second set are expanded to their children, generating more tuples.
If the RECURSIVE keyword is used, multiple passes are made on the expanded result sets. Drilldownmember repeats the set comparison and resulting drilldown until there are no more unexpanded members or tuples of set1 that are also present in set2.
Example
The following examples drill down on members.
Example 1
Example 2
The following expression
DrilldownMember({Market, [New York]}, {Market, West}, RECURSIVE)
returns the set:
{Market, East, West, California, Oregon, Washington, Utah, Nevada, South, Central, [New York]}
The member Market is drilled down and then the West member of the resulting set is drilled down, because the RECURSIVE parameter was specified.
This example uses the following part of the Sample Basic outline:
The following example drills down on tuples.
The following expression
DrilldownMember ( {([100],[California]), ([200],[Washington])}, { [100] } )
returns the set of tuples:
{ ([100],California), ([100-10],California), ([100-20],California), ([100-30],California), ([200],Washington)}
Therefore, the following query
SELECT DrilldownMember ( {([100],[California]), ([200],[Washington])}, { [100] } ) ON COLUMNS FROM Sample.Basic
returns the grid:
| 100 | 100-10 | 100-20 | 100-30 | 200 |
| California | California | California | California | Washington |
| 999 | 3498 | -1587 | -912 | 1091 |


CrimPapers
Articles published on 22 January 2020
On 22 January 2020, 6 new articles were published in 4 journals.
Between Cooperation and Conflict: the National Union of Road Transport Workers in Lagos, Nigeria
External Validity and Assignment of Experimental Vs. Control Treatment Providers Within Small Work Groups: A Research Note
One Organization’s Approach to Balancing Survivor Empowerment With Mandated Child Abuse Reporting
Mentoring Multi-College Bystander Efficacy Evaluation – An Approach to Growing the Next Generation of Gender-Based Interpersonal Violence Intervention and Prevention (vip) Researchers
Perceived Stress and Coping Among Law Enforcement Officers: An Empirical Analysis of Patrol Versus Non-Patrol Officers in Illinois, USA
Interpreter-Assisted Interviews: Examining Investigators’ and Interpreters’ Views on Their Practice


Movie Tickets
Home
Address Book
Places You've Been
To Do
Bank Account
Movie Tickets
Dr. Strangelove
Clockwork Orange
2001: A Space Odyssey
Matinee
Evening
Under 18
Over 18
Senior: Over 65
Ticket Price


The X Y Oscilloscope uses Stereo Input.
Left Input channel affects X axis and right input channel affects Y axis.
Playing sine wave in left channel and cosine wave in right channel draws a circle.
Works Best with Windows 10 and Edge browser (it's true).
- Open 'Privacy' Settings from the Cortana input.
- Allow Microsoft Edge to access Microphone
- Open 'Sound' settings from the Cortana input box.
- Manage 'Recording Devices' to select desired audio input, stero input preferred.
- Refresh Oscilloscope Page in Edge Browser, Press 'START' button and allow website to access your
microphone.
- Make some noise
Tutorial of the Oscillioscope setup and drawing shapes with sound
Source code at
https://github.com/Sean-Bradley/Oscilloscope
Written by
SeanWasEre Youtube


IP
Home
General
Education
Skills
Interests
Education
Goldsmiths, University of London
BSc Psychology with Management.
I attained a First.
Undergraduate Psychology Award.
Godalming College
A-Levels: Psychology, Art & Design & English Literature.
AS-Levels: Geography & EPQ.


Your Email Addresses
To make it easier to use Wunderlist at home and in the office, you can add different email addresses to your account here. Only your Primary email address will get notifications like Reminders and List invites.
Friends & colleagues can share lists with you using your other email addresses. You can also use them to sign into Wunderlist too.


speed(fps)
Sets the frame-rate for previewing animations in the application. The fps
argument specifies the maximum speed of the animation in frames per second. Note that this is only a maximum and complex animations will likely update less frequently. Calling speed() only makes sense if your script has been written as an animation.
In an animation, your drawing code does not live in the top-level of the script, but instead is factored into a trio of commands that you define yourself: setup(), draw(), and stop(). Your setup() command is called once at the beginning of a run, and stop() is called once the run is halted. The draw() command gets called repeatedly (with the canvas being cleared between calls).
The global variable called FRAME
will be incremented before every draw() and can be used in your code to track the passage of "time".
speed(30) def setup(): # initialize variables, etc. pass def draw(): # draw the next frame in the animation pass def stop(): # gather up accumulated data, print summary info, etc. pass


I am a web developer passionate about technology and how the collaboration between humans and algorithms can improve the quality of life and help businesses in their growth.
After years of working in the customer service industry, I needed a challenge and I decided to change my career path. As I have a degree in Informatics, I joined the Le Wagon bootcamp to learn the latest and most relevant technologies to develop web applications, through real world projects
Resumedeployed on Heroku - both will require a few seconds to load
Was my pitch for the final project and is a social platform for developers that allows the users to share resources, advice and experiences through posts or comments.
The user will be notified when his posts will receive comments and he will have the possibility to save posts from other users or to vote the interesting ones.
The web app was developed from scratch in a team of four using DB Relational Schema, Figma, Whimsical Flowcharts, Ruby on Rails, JavaScript ES6, HTML, SCSS, Bootstrap, Claudinary and deployed on Heroku .
In a team of four, within a week, we launched an AirBnB clone web app for renting/letting apartments, using Ruby on Rails, HTML, CSS, Bootstrap, MVC, PostgreSQL, GitHub, Heroku, Claudinary and Figma.
Feel free to get in touch
email me


Expected input is JSON with a "points" list containing one or more tasks.
Valid input for this protocol will create a project (if needed) and an assignment containing all tasks in the "points" list:
{
"note": "Project note",
"group": "Project group",
"source": "Neu3",
"user": "neacee",
"body_id":<PHONE_NUMBER>,
"points": [
[
25104,
23463,
19106
],
[
29994,
21314,
22659
]
]
}
Elements in gray are optional, all others are required. Any additional data not shown above is ignored.
If a user is specified, the assignment is assigned to them; otherwise, it's assigned to the caller.


My Works
Click on below projects to see live.
corona Dashboard
chatbot
chatbot(dashboard)
ngo website
weight converter
internship project at corover(1)
internship project at corover(2)
My skills
frontend
html5
css3
javascript
angular
reactjs
backend
node js
mongodb
python