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This view helps you to explore how different kinds of feelings are pairwise related to one another.
Select the pair you want to inspect by clicking their crossing point in the scale matrix at the bottom of the view. This will draw how the scale in the row selection would be estimated by the column selection in the detail chart at the top.
If the resulting estimation curve increases, then both scales are positively correlated - they rise and fall together. If the estimation curve decreases, then they are negatively correlated - one falls when the other rises and vice versa. In the scale matrix, the correlation is color-coded so that you can identify with one glimpse which scales are related.


For the fig-swirl: melt butter over medium heat in a saucepan. Add brown sugar and stir to dissolve. Halve all of the figs and toss in the saucepan with water and lemon juice. Cook over medium heat, stirring frequently, until you have a chunky-jammy mixture. Add salt with one or two stirs, set aside and let cool completely.
Ice cream: In a small pot over medium heat, combine milk and granulated sugar until sugar is completely dissolved and the milk is just barely lukewarm. Whisk in the egg yolks. Set mixture in the fridge and wait until the fig mixture is cooked.
Using an ice cream machine, pour liquids into the frozen basin and process according to manufacturer instructions, i.e., let spin and thicken for 20 minutes before adding mascarpone, fig jam mixture, and the nuts. Continue to process for +/- 10 minutes. Pour semi-frozen mixture into a pyrex dish or glass tupperware. Freeze at least two hours before serving.


But that doesn't meant you can learn! It's meant to use something like gs-proxy.
I don't have an instance of gs-proxy running for this, just take a peek at the injected JavaScript.


Apple Updates Online Store With New Watch Bands, Silicone Cases for iPhone 11 Pro, and Sony's DualShock 4
by Mitchel BroussardApple today updated its online store with a new collection of Apple Watch bands, iPhone cases, and the Sony DualShock 4 controller. For Apple Watch bands, this includes three new Sport Bands: Pomegranate, Beryl, and Khaki.
There's only one new Sport Loop, and it's for the (Product)Red initiative. This is the new dual-color style Sport Loop, with two shades of red along the length of the band.
There are also two new Hermès bands: Noir/Brique/Étain Swift Leather Double Tour and Noir/Brique/Étain Swift Leather Single Tour.
For iPhone, you can get the new Beryl and Pomegranate colors in a Silicone Case for the iPhone 11 Pro or iPhone 11 Pro Max.
Sony's DualShock 4 controller has also been added to Apple.com at a price of $59.95. In iOS 13 and tvOS 13, you can connect either a DualShock 4 or Xbox Wireless Controller to your Apple device to play compatible games or even control your PS4 remotely via Sony's Remote Play iOS app.
Lastly, Otterbox recently launched the Figura Series Otter + Pop cases for iPhone 11, 11 Pro, and 11 Pro Max. These cases are exclusive to Apple and combine Otterbox's protection with a built-in PopSocket accessory, for $59.95.
Apple updated its online store today alongside the release of the 16-inch MacBook Pro, which is now available to order starting at $2,399 in the United States. Our announcement post has more information on the new MacBook Pro.


BRAZIL [Spoilers] A film review by Ted Prigge Copyright 1997 Ted Prigge
Director: Terry Gilliam Writers: Terry Gilliam, Charles McKeown and Tom Stoppard Starring: Jonathan Pryce, Kim Greist, Michael Palin, Robert DeNiro, Ian Holm, Bob Hoskins, Katherine Helmond, Jim Broadbent, Charles McKeown, Ian Richardon, Peter Vaughn, Gordon Kaye
Terry Gilliam has a warped mind. We all knew he was a tad off-kilter when we saw his bizarre animation on "Monty Python's Flying Circus" and other brit shows in the 60s, but this is the film that separated him from the "Python" pack and established him as not only one of the greatest directors of our times, but as an intellectual, cryptic and bizarro individual.
"Brazil" is a black, black, black comedy set in an alternate reality or a future (the film cryptically says in the beginning "Somewhere in the 20th century") probably in England. The world is ruled by "The Ministry" which serves as a place where everything is ultra-organized and superefficient. But everyone seems to be happy because everything is convenient.  But things keep breaking but can't be fixed because you need a billion forms to even walk out of the office to go and fix it up.
Our hero is the daydreaming Sam Lowry (Jonathan Pryce, pre-"Miss Saigon" days), a low-level government worker who has fantasies of him flying and saving a beautiful woman trapped in a cage. This dream sequence is shown intermittingly in the film. His mother, Ida (Katherine Helmond - you know, from "Who's the Boss?"), is a filthy rich woman who dines with her superficial friends, gets bizarre face-lifts from Dr. Jaffe (Jim Brodbent) - the coolest effect in the film, by the way - and wants her son to be a high-level worker with an office and benefits and the whole nine yards. But Sam seems content with his dreams. But it seems everyone wants him to wake up to reality and be shallow like everyone else.
The plot of the film is set in motion when a government worker accidentally screws up an arrest form and gets the wrong man.  The scene is handled perfectly, with satirical comedy, as the family is distraught and confused by what is happening and the big cheese walks in and coldly gives her forms to sign ("This is your receipt, and this is my receipt for your receipt.").
We then meet Sam who has to sort this mess out for his nervous and slightly incompent boss, Mr. Kurtzman (the always amazing Ian Holm). But he is distracted because on his way to work one day, he sees a woman who is a dead ringer for the woman in his dreams. She turns out to be a butch truck driver/alleged-rebel, Jill Layton (Kim Greist), who wants nothing to do with him but is somewhat drawn by his kafkaesque ways of wooing her ("I love you...er, er, in my dreams I love you!").
Sam also gets into the rebellion thanks to an encounter with a renegade air-conditioner repairman (Get that for a rebel!), Harry Tuttle (Robert DeNiro, awesome as usual), who was the man the Ministry was looking for in the beginning and who quit the government because of too much paperwork. His interception of a phone call when Sam's air conditioning dies winds him in a lot of trouble with the Ministry of Works, represented by two weird repairmen, one being Spoor (Bob Hoskins).
Sam ends up taking the big promotion his mother set up for him just so he can track down this Jill Layton easily, but finds himself overwraught with even more paperwork and a tiny, claustrophobic office where he shares a desk with a bizarre man named Lime (co-writer Charles McKeown). In possibly the best scene in the film, he has a Chaplin-esque war over who gets the majority of the desk with Lime. His boss is a quick-talking Mr. Warren (Ian Richardson), who shows him to his office and yells at him for having a messy desk since all he's doing is becoming obsessed with Jill.
The film is a plunge into the deepening insanity of a man who is having a war between his dreams and the reality of a burdonsome world which is too uber-efficient for its own good. Soon everyone has turned against him, including his best friend, Jack (a memorably menacing Michael Palin, who gets to don the coolest mask in 80s cinema). And by the end, he has won - he is totally numb and lives inside his mind, flying in the clouds with his dream girl and humming the cool latino song "Brazil."
The film is deeply satirical, almost as much as what seems to be its big inspiration, "1984." For one thing, everyone but the rebels and Sam are superficial twits. In one scene, he attends his mother's party ("Simply everyone is here!") and meets some of the weirdest people. There is also a running gag about plastic surgery - his mother has been getting it and as the film goes on she's getting younger and younger. Meanwhile, her one friend has been getting complications to her complications to her complications and by the end, is wrapped like a mummy being pushed in a wheelchair by her shallow daughter (one scene, he meets her while she's lingerie shopping, prompting what may be the funniest joke in the film).
And the end prompts a huge action sequence which is set into motion after a frightening torture sequence where Sam is strapped into a metal chair in the middle of a huge dome. There are many explosions in the film since there are terrorists who are always trying to get people to realize how horrible society is but they're too wrapped up in things to even notice. In once scene, Sam has lunch with his mother at a fancy restaurant and in the middle of the meal, an explosion takes place but they don't even look and the Matire D' sets up a block and has the orchestra keep playing.
This also features several brilliant tracking shots. The most menacing one is when Sam is strapped down before the torture sequence and the camera pulls back from his face to show how small he is in the dome. Another one - the best one - shows an office full of people running around and the camera quickly zooms from the back up to the front with people running in front if the camera but never hitting it and then zooms right up to Ian Holm.
This is possibly one of the best films of the 80s and one of the most cryptically brilliant films ever made. Terry Gilliam's image of a superficial society where dreams have become scarce is perfectly done the way he wanted it, even though he had to fight a company who wanted to manufacture it for the masses, even though it's more of a cult film nowadays. But never has Terry Gilliam's direction been more on target. He perfectly bullseyes who he wants to get and makes the film hilarious if not totally bizzare. Indeed, this film deserves multiple viewings just to get everything.
The Oscar-nominated script is wonderfully biting. It pokes fun at everything and contains some of the most clever lines ever. It also has some of the most eccentric characters in all of cinematic history. Terry Gilliam's masterpiece so far would be "Brazil" since it perfectly shoots at what he wants and gets right on target. Besides, it's just so damn cool.
MY RATING (out of 5): *****
Visit my homepage: http://www.geocities.com/hollywood/hills/8335
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Bio/CS 299 - Bioinformatics I: Introduction to Bioinformatics (Fall 2011)¶
Announcements¶
Programming assignment 3 is now posted.
Course information¶
Class mailing list¶
You can join the class mailing list (a google group) here. Click Join this group link on the right side of the page. NOTE: You’ll either need a google account to register for this group or will need to send me your email address and I can add you directly!
You should sign up for email notification (not digest!) as announcements that you might want immediately will be posted here.
Computer Lab¶
If you’re having trouble working with python on your own machine, the default computing environment for the class is the computing lab in Engineering 106. You should work on the Linux systems in this lab (you have a choice between Windows and Linux when you log into the machine).


Click on blue soldiers to select them.
Click-and-drag on the grass or CTRL-click to select multiple soldiers at once.
CTRL-click again or click on the grass to deselect all soldiers.
Right-click on the grass to move.
Soldiers will automatically attack different-colored soldiers when they are nearby.
Scroll the mouse wheel to zoom in and out. Move the mouse near the edges of the window to scroll the viewport.


With our budget-friendly fees and quality service, coupled with the original services and relaxing ambiance, satisfied clients will definitely leave our establishment with an easy and refreshed feeling, making them eager to look forward for their next visit to BANAHAW Heals Spa.
Just few reasons why you should Visit Banahaw Heals Spa.


A Tribute to PuffPuff
aka Cassidy
History
Achievements
- Cassidy was rescued as a kitten from a forest feral colony.
- At nine weeks old, he was already missing about half of each of his rear legs.

- Shelly of TinyKittens, a rescue organization that does TNR (Trap/Neuter/Release) and adoptions, was quickly won over by his personality.
- He was first taught to walk by being supported by hand under the belly, then using an improvised harness. Finally, he graduated to his very own wheelchair.
- Cassidy now lives with Shelly full-time. He's a "foster failure".
- Has learned to scoot on his rear using his front legs.
- Can wrestle like a champ.
- Mastered Roomba-riding, level 4.
- No longer needs a wheelchair to get around.
- Cassidy's current best friend is Aura, or "Auracuda", a kitten born with a severe cleft palate.
- One of his wheelchairs was designed, made, and donated by two high school students using a 3-D printer.
- View Cassidy's first steps on TinyKittens' Facebook page.
Fun Facts
shortly after rescue
hamming it up
learning to walk
More information about Cassidy:


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Simple functions for plotting linear calibration functions and estimating standard errors for measurements according to the Handbook of Chemometrics and Qualimetrics: Part A by Massart et al. There are also functions estimating the limit of detection (LOD) and limit of quantification (LOQ). The functions work on model objects from - optionally weighted - linear regression (lm) or robust linear regression ('rlm' from the 'MASS' package).
| Version: | 0.2.1 |
| Suggests: | MASS, knitr, testthat, investr |
| Published: | 2018-07-17 |
| Author: | Johannes Ranke [aut, cre, cph] |
| Maintainer: | Johannes Ranke <jranke at uni-bremen.de> |
| BugReports: | http://github.com/jranke/chemCal/issues |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| URL: | https://pkgdown.jrwb.de/chemCal, https://cgit.jrwb.de/chemCal/about |
| NeedsCompilation: | no |
| Materials: | README NEWS |
| In views: | ChemPhys |
| CRAN checks: | chemCal results |
| Reference manual: | chemCal.pdf |
| Vignettes: |
Introduction to chemCal |
| Package source: | chemCal_0.2.1.tar.gz |
| Windows binaries: | r-devel: chemCal_0.2.1.zip, r-release: chemCal_0.2.1.zip, r-oldrel: chemCal_0.2.1.zip |
| OS X binaries: | r-release: chemCal_0.2.1.tgz, r-oldrel: chemCal_0.2.1.tgz |
| Old sources: | chemCal archive |
Please use the canonical form https://CRAN.R-project.org/package=chemCal to link to this page.


acrylic painting on canvas (24" x 36"). This painting was done for a gift exchange a few years ago, so I sadly no longer have the original. Definitely one of my favourites.
ink sketch on paper (in sketchbook). This was done as an effort to do more design-type drawings. A friend of mine recently just got this tattooed on his thigh.
acrylic painting on canvas (36" x 36"). A still life painting done for art school. This is one of three paintings done for the series and all three are currently hanging in my house.
ink sketch on paper (in sketchbook). I recently returned from a trip to Europe and I spent a full month in Greece. This drawing was done 'en plein air' while visiting the Acropolis in Athens
oil painting on canvas (48" x 52"). Another product of art school. This one was a response to a Windows/relection theme. I experimented with different oil mediums and ways of representing "real" space versus reflected space.
ink sketch on paper (in sketchbook). This was also done on my trip last year, although I used a reference photo this time. I spent four days hiking in the highlands of Scotland and the sheep were my lovely companions.
digital image created on Adobe Illustrator. I was hired by the Segal research lab at UVic this past fall to create a new logo for their website and other promotional materials. The sleek and simple design came together very well.
digital image created on Adobe Photoshop. This logo was done a few years back for a friend who makes skydiving rigs and clothing, as an emblem to appear on his creations. The design incorporates the company initials with a parachute.
ink sketch on paper (in sketchbook). This image includes progress shots as well as the final drawing. Also done from a reference photo from my travels. I loved the intricate roofs in old town Dubrovnik and wanted to capture that intricacy in my line drawing.
I enjoy making the world a more beautiful place through creativity and colour. When I'm not kicking it in my art corner, you'll find me adventuring in the great outdoors.
Feel free to email me at<EMAIL_ADDRESS>for more information on my work, or just to say hello! Or check me out on social media