Preparation time
overnight
Cooking time
30 mins to 1 hour
Serves
Serves 8-10
Barbecues aren't just for burgers! This South American steak recipe is quick and tasty, and great for feeding a crowd.
For the chimichurri sauce, place the chopped chillies and garlic into a bowl.
Add the remaining chimichurri sauce ingredients and stir well until combined. Cover the bowl with a sheet of cling film, then set the mixture aside for 4-6 hours to allow the flavours to infuse, or preferably overnight.
One and a half hours before serving the meal, light the barbecue outdoors and leave the coals to heat through for one hour.
When the coals are white hot and the flames have died down, suspend a cooking rack 25cm/10in above the coals.
Season the beef sirloin all over with salt flakes and freshly ground black pepper, then place the seasoned beef sirloin, fatty-side down, onto the cooking rack. (NB: Ideally, during cooking, the barbecue should be covered with a lid and the vents should be open.)
Sear the fatty side of the sirloin for 4-6 minutes, or until golden-brown, then turn the beef over and continue to cook for 20-25 minutes.
Turn the sirloin steak over again and continue to cook for a further 20 minutes (for medium), or until the sirloin is barbecued to your liking.
When the beef sirloin is cooked to your liking, remove it from the barbecue and set aside to rest for ten minutes, before carving into thick slices.
To serve, arrange 2-3 slices of the barbecued beef sirloin onto serving plates and spoon over the chimicurri sauce.


Practical Approximation Algorithms Library
View DocumentationExamples and Proofs
Primary Developer: Piotr Wygocki
The PAAL is an open source, a header-only, generic
library consisting of approximation algorithms, data structures and
several complete solutions for the various optimization problems. The
PAAL is implemented taking advantage of the new features of C++
introduced in the C++14
standard, which in many cases simplify greatly
creation of generic code.
The algorithms are written as template functions in STL-style. The major change is, that we support ranges instead of iterators. Usually algorithms can be customized or extended, as they support many different arguments. Besides, the algorithms, the library contains many useful data-structures. Our data structures introduce useful and interesting higher level concepts, e.g., Metric or Cycle.
Besides standalone algorithms, the library contains frameworks which
supports solving general optimization methods like local search or
iterative rounding. The functional arguments of these frameworks are
usually wrapped using Components
class
(see Components),
which allows to specify named arguments. In such case the algorithm
is called as follows:
algorithm(ProblemDescription, Components)
For each concept our library delivers the default implementations
of components. Of course the user is allowed to replace each
component. Consider for example the local search framework, where the
user can can easily swap the implementation of the GetMoves
procedure to provide his own way of searching the neighborhood. Also
note that the same components, that are used by local search can be
used in the simulated annealing algorithm. Similarly, if the user
wants to swap the metric implementation to use specific properties of
his topology, this is not a problem at all!
git clone --recursive http://siekiera.mimuw.edu.pl:8082/paal
PAAL is mainly a header only library.
If you use linear programming you must link your executable against glpk
.
Some algorithms have additional binary programs, to build them run:
mkdir build
cd build
cmake .. -DCMAKE_BUILD_TYPE=Release
make
In order to additionally build tests or examples add parameters
-DWITH_TESTS=1
-DWITH_EXAMPLES=1
parameters
to cmake
call.
Currently the library compiles on the gcc 4.8.4
and clang 3.5
.
On the Visual Studio 2015 preview
only binaries are guarantied to compile.
The library is released under Boost Software License , which encourages both commercial and non-commercial use.
In case of any questions / suggestions / pull requests / contribution please contact Piotr Wygocki (wygos at mimuw.edu.pl).


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RUNNING ON EMPTY A film review by Tim Larison Copyright 1988 Tim Larison
RUNNING ON EMPTY is one of the best films released this year, an excellent family drama with strong performances by Judd Hirsh, Christine Lahti, and River Phoenix.
The story involves a family on the run from the law. In the early 1970s Art and Annie Pope (Judd Hirsch and Christine Lahti) blew up a napalm laboratory as part of the anti-war movement. The explosion inadvertently blinded and paralyzed a janitor. The FBI has been on their tracks for years, as the Popes frequently have to move from town to town changing their identities wherever they go.
 Danny Pope (River Phoenix) is a 17-year-old coming into manhood feeling a conflict between his own desires and the protection and safety of his parents. Danny is a talented musician who is "discovered" by a local high school teacher, and also falls in love with the teacher's daughter. As Danny's musical reputation as a young prodigy spreads through the town, a conflict develops because of the desire of his parents to maintain their anonymity without stunting Danny's growth.
The film deals with the age-old struggle of becoming your own person in conflict with what your family would like you to be. The actors are very believable in their roles, and the film has an emotional intensity that caused quite a few tears in the audience I was in.
The movie also touches on the values of the 60's generation in conflict with the traditional views of that time, and how the 60's generation have to deal with similar conflicts with the children of their own. One powerful scene where Annie Pope meets her father after 15 years of absence is worth the price of admission to the film.
The story starts off slow and takes some time to get going, but if you stick with it, RUNNING ON EMPTY will really capture your attention. I would give it a +3 on a -4 to +4 scale.
Tim Larison att!druhi!tml
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Gov. DeSantis and environmental leaders to make announcement Tuesday in Southwest Florida
by WFTX Digital TeamLEE COUNTY, Fla. – Florida Governor Ron DeSantis will be in Southwest Florida on Tuesday.
The governor and First Lady Casey DeSantis will be at Lover's Key State Park at noon.
They're scheduled to make an announcement with state environmental and health leaders.
They will be joined by Florida Department of Environmental Protection Secretary Noah Valenstein, State Surgeon General Dr. Scott Rivkees, and Florida Fish and Wildlife
Conservation Commission Executive Director Eric Sutton.
Earlier Tuesday, Gov. DeSantis was in Martin County to announce the launching of a new online resource that will allow the public to find out current water quality numbers and projects. The site, Protect Florida Together , is billed as a “one stop shop” multi-agency tool for transparency in the state’s effort to improve its water quality.
We’ll update as soon as we learn more.


Practitioner/Practitioner-HoneyJones
Practitioner/Practitioner-JennyGlass
Practitioner/Practitioner-JohnSmith
Practitioner/Practitioner-LunaBaskins
Practitioner/Practitioner-NoraOlogist


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Right Now


THE RED DWARF (LE NAIN ROUGE)
Reviewed by Harvey Karten, Ph.D. Samuel Goldwyn Films Director: Yvan LeMoine Writer: Yvan LeMoine based on Michel Tournier's short story Cast: Jean-Yves Thual, Anita Ekberg, Dyna Gauzy, Michel Peyrelon, Arno Chevrier, Carlo Colombaioni
Two giants of psychoanalysis, Sigmund Freud and Wilhelm Reich, wrote profusely, but you can boil their ideas down to two words: love and work. If you have found love in your life and if your career affords you satisfaction, you've got it made. Chances are your mental health is sound. If you do not find fulfillment in your work or gratification in love, you are likely as not to be neurotic. If we define a neurotic as a person with unresolved anger or eternal anxiety, then Belgian director Yvan Le Moine's title character, the red dwarf, is his embodiment. Shot in black-and-white to cast a distinctive effect (Le Moine considers color photography drab), "The Red Dwarf" uses the figure of an actual dwarf, Lucien Lhotte (Jean-Yves Thual), to represent the small, frustrated person locked up inside each of us straining for relief and redemption. This is a simple story remarkably told, yet for all its directness "The Red Dwarf" possesses the impact of a classic parable about the life of the ordinary person. If we represent banality by Arthur Miller's Willy Loman, a salesman whose life is rooted in illusion, then the red dwarf is a constructive icon for today's thwarted everyman--for every worker whose job offers little satisfaction and whose leisure hours yield little contentment.
Director Le Moine shuns not only color for his photography but has his camera person, Danny Elsen, shoot scenes that are personally lit by Le Moine to cast a dusty glow upon the principal sets: the law office, the diva's luxurious villa and the traveling circus. The opening scene is stark, setting the tone for the tragi-comedy. In an old-fashioned work place, several lawyers are seated in what could be called a Kafkaesque bad dream. A supervisor sits facing the staff. Lucien, the dwarf, is seated in the rear of the room, his expression set in the rigid carriage of man who is bottling up enormous wrath. His job with the firm involves composing phony love letters that can be used as evidence in divorce cases. Sexually he is so repressed that he remains a while after the closing of the office to admire the cleaning woman's wiggling butt. At home, he throws the phone to the floor in impotent rage. A chance meeting with an 11-year-old trapeze artist, Isis (Dyna Gauzy), who works with a traveling circus, leads to the girl's attaching herself fondly to the dwarf. Yet another meeting with a battered, fabulously wealthy, aging diva, Countess Paola Bendoni (Anita Ekberg) leads Lucien to make a bold, successful attempt at seduction. When the countess returns to her husband Bob (Arno Chevirer), giving up the idea of divorce, Lucien is filled with a desire for revenge. He commits an existential act that changes the life of the miserable little thirty-five-year old man.
In satirizing office politics, Le Moine mines the comedy that has driven far more commercial movies like "Office Space," but he emphasizes the near-tragic, dreary undertones that are so familiar to men and women who are alienated in the work force. Lucien feels the disaffection more than the average fellow because his height makes him the object of condescension whether he is on the job, shopping in a store, trying to enjoy a drink at a bar or simply walking in the street. The people he runs into seem to think that they can play with him, to treat him generally as they would a child. Only when he takes a job in the circus does he put his handicap to good use, though his aspirations to be a big man--exhibited by his use of stilts and his climbing on the shoulders of a bulky co- worker--do not yield the satisfaction he ultimately gains when he returns the innocent love a child.
The entire work is suffused partly with the influence of Fellini, and indeed Anita Ekberg--who starred in the master's "La Dolce Vita" some 35 years ago--has returned in the role of a dissipated has-been. But a better case could be made for the influence of Piers Paolo Pasolini on this Belgian director. Pasolini, at once a Marxist and a man given to mystical religious feeling, had the same sympathetic feelings for the working class, shown most strongly in his images of a slum kid in "Accattone." Like Pasolini, Le Moine reaches back to medieval legend in composing a parable about wrath, one of the seven deadly sins, making this film the first of a planned series of seven on that very subject.
Mixing comedy and tragedy, debauchery with redemption, a lust for revenge with the ache for inner peace, "The Red Dwarf" is an impressive first work indeed for Mr. Le Moine, who shows promise to develop a sparkling series of tragi- comedies on humankind's favorite failings.
Not Rated. Running Time: 102 minutes. (C) 1999 Harvey Karten
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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Chart type:
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Branch count grouped by file


|
Little Heroes
|
Wraps up smaller classes that don't need their own file. More...
Classes | |
| interface | IPunObservable |
| Defines the OnPhotonSerializeView method to make it easy to implement correctly for observable scripts. More... | |
| interface | IPunCallbacks |
| Defines all the methods that PUN will call in specific situations, except OnPhotonSerializeView. More... | |
| class | Photon.MonoBehaviour |
| This class adds the property photonView, while logging a warning when your game still uses the networkView. More... | |
| class | Photon.PunBehaviour |
| This class provides a .photonView and all callbacks/events that PUN can call. More... | |
| class | PhotonMessageInfo |
| Container class for info about a particular message, RPC or update. More... | |
| class | RoomOptions |
| Wraps up common room properties needed when you create rooms. More... | |
| class | TypedLobby |
| Refers to a specific lobby (and type) on the server. More... | |
| class | RaiseEventOptions |
| Aggregates several less-often used options for operation RaiseEvent. See field descriptions for usage details. More... | |
| class | PunEvent |
| Defines Photon event-codes as used by PUN. | |
| class | PhotonStream |
| This container is used in OnPhotonSerializeView() to either provide incoming data of a PhotonView or for you to provide it. More... | |
| class | WebRpcResponse |
| Provides easy access to most common WebRpc-Response values. More... | |
Namespaces | |
| package | Photon |
Typedefs | |
| using | Hashtable = ExitGames.Client.Photon.Hashtable |
| using | Photon.Hashtable = ExitGames.Client.Photon.Hashtable |
Wraps up smaller classes that don't need their own file.
| using Hashtable = ExitGames.Client.Photon.Hashtable |


{% extends "base.html" %} {% block containercontent %}
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Alan Brough has appeared in 228 episodes between 2005-2011. Note that these appearances may be for more than one person if multiple people have the same name.


Defined in Module impact.sound, inherits from ig.Class
The sound managers takes care of loading sounds and providing them for ig.Music and ig.Sound instances. An instance of the sound manager is automatically created at ig.soundManager
(lowercase) by the ig.main() function.
This property has been removed in 1.17 - use ig.Sound.channels instead
The sound format that is used by the current browser. Either 'mp3'
or 'ogg'
.
The browsers capabilities are automatically detected and the format is set accordingly. When both are supported, the 'mp3'
format is favored, as Chrome seems to have more issues with 'ogg'
.
If you want to set this manually, you have to do so before loading any sound file.
Global volume for all ig.Sound instances from 0.0
to 1.0
. The default is 1
.