clean code
## robert c. martin
### prentice hall, pearson education, 2008
the author is one of the main creators of the Agile Manifesto, and a leading figure in professional software development. The book is written with JAVA
.
software architecture can draw its parallels from japanese 5S:
- seiri ( +- naming, details)
- seiton ( +- putting things where they belong)
- seiso ( +- clean)
- seiketsu ( +- standardization, consistency)
- shutsuke ( +- self-discipline (opposite of emotional programming?))
“we had some back-of-the-enveloped findings indicating that suggested that consistent indentation style was one of the most statistically significant indicators of low-bug density”
style distinguishes excellence from competence, and it is beauty, but what kind of beauty? is clean code beautiful code? what is the step to beauty? beauty could/should also be seen as some sort of efficiency. something beautiful is something that is efficient at communicating sth (sth = a task, a concept)
why does bad code even exist? lack of experience? external constraints? lack of knowledge (is that the same as lack of experience?)
definitions by authors
- bjarne soustrup (c++ creator): “clean code does one thing well” + clean code is efficient, and pays attention to details
- grady brooch: “crisp abstraction”, clean code should be like a fiction, with setting up tensions and clearly solving them into a “a-ha!” moment. code should be matter of fact rather than speculative (that’s opposed to all the software art field)
- dave thomas: code should be read by others, have minimal dependencies and APIs, and should be literate (cf. kunth - literate programming)
- michael feathers: code that has been cared for: SIMPLE AND ORDERLY
- ron jeffries: no duplication. minimized (and not minified). expressiveness goes beyond words
- ward cunningham: “you can call it beautiful code when it looks like the language was made for the problem” > it is not the language that makes the program appear simple, but the programmer that makes the language appear simple
the @author
field of a Javadoc leaves no doubt as to who is doing what act (writing, for a group of readers)
expressiveness goes beyond words
naming
- they should reveal intent
- they should not add NOISE (refer to shannon as noise + semantics)
- pronounceable names (human-oriented, which then can enmable conversations)
- do not try to please the compiler (aka change only one letter in a var name to allow for compilation -but there is also clever code, which takes into account the compiler, cf. the perl poem in which the mythical programmer knew the compiler better, except now we don’t know compilers so much anymore)
- no artificial encoding (e.g. Hungarian Notation)
- say what you mean, mean what you say
- lexicon can come from the problem-domain (real world) or solution domain (software engineering world)
- pay attention to context: place variables in the correct context, and if there isn’t create such a context (comments)
names require a shared contextual background, rather than program-linguistic background.
functions
- do not mix multiple levels of abstraction
- make functions small (verbatim: in a beautiful program, “each told a story”)
- functions should have at best 0 arguments. maybe 1, perhaps 2, rarely more.
- kinda disagree about flags in functions (he says we should have no flags and separate functions. how is this not a version of cognitive overload? how are flags not a way to abstraction?)
coupling: degree of dependence between software modules (cna be temporal)
“the art of programming is the art of language design” - to what extent is literature language design?
“the real goal is to tell the story of the system”
jump to the conclusion chapter
heuristics for bad code
- comments:
-
- inappropriate information
-
-
-
-
- commented-out code (no draft in craft!)
- environment
-
- building happens in more than one step
-
- testing requires more than one step
- functions
-
-
- no output arguments (he says that, if a function should change the state of sth, it should be called on the object it is change » THAT IS HIGHLY
JAVA
SPECIFIC)
-
- flag argument (mixed feelings)
-
- dead function (never called)
- general
-
- multiple languages per file (no HTML, XML, etc. snippets)
-
- obvious behaviour is not implemented (that’s a tricky one, what constitutes an obvious behaviour?)
-
- incorrect behaviour at boundaries
-
-
-
- wrong levels of abstraction
-
- base classes depending on their derivatives (
JAVA
specific)
-
-
-
- vertical separation (geographic distance, loin des yeux, loin du coeur)
-
-
- clutter (related to dead code, commented out code) the word dead is interesting in light of alexander’s patterns as life-giving
-
- feature-envy (trying to do more, access more than one’s own class
JAVA
specific)
-
- selector arguments (essentially flags, he doesn’t like flags because they’re hard to show at the next abstraction layer – how do you make it obvious what the flag is when you don’t have access to the internal name that the function gives it to?)
-
- obscured intent (bad naming)
-
- misplaced responsibility (abide by the principle of least surprise)
-
- inappropriate static (this is
java
specific, but inappropriate keywords are just a subclass of noise, between naming and dead code, aka manage expectations)
-
- understanding the algorith (i.e. the sort of conceptual data structure)
-
- prefer polymorphism to if/else (also
java
)
-
- you should follow conventions (which is funny because the book itself is not following the convention it started with (i.e. list the aspects of bad code), cause now it transitioned to listing aspects of good code)
-
-
- favor structure (consistency) over convention
-
- encapsulate conditionals (i.e. have a function that checks for those conditions and return true or false)
-
- avoid negative conditionals (hinders readability)
-
- functions should do one thing
-
- if forced to do some temporal couplings, make them obivous and MARK THEIR DEPENDENCIES BY PASSING EACH AS THE ARGUMENT TO OTHERS
-
- encapsulate boundary conditions (which then allows you to make them easier to follow)
-
- functions should descend only one level of abstraction
-
- keep configurable data at high level
-
- make sure the modules don’t know too much about the overall architecture (soft architecture. hard writing for soft reading)
- java specific (implying some of those before weren’t)
-
- avoid long lists by using wildcards
-
-
- use constants instead of enums (this is a time-sensitive comment)
- name
-
- be descriptive/unambiguous (re-evaluate as you write) (describe side-effects)
-
- choose names at the appropriate level of abstraction
-
- use standard nomenclature if possible
-
- the length of a name can be proportional to the size of its scope
-
- avoid encodings (no hungarian notation)
- tests (this is more structure-oriented)


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Igihe nyina wa Simbegwire yapfaga, yarababaye. Ise we yakoze ibishoboka byose ngo amwiteho. Buhoro buhoro, barishimye nubwo nyina we atarahari. Buri mugitondo bicaraga bakavuga k’umunsi. Buri nimugoroba basangiriraga hamwe. Nyuma yokoza ibyombo, ise wa Simbegwire yamufashaga gukora imikoro y’ishuli.
When Simbegwire’s mother died,
she was very sad. Simbegwire’s
father did his best to take care of
his daughter. Slowly, they learned
to feel happy again, without
Simbegwire’s mother.
Every morning they sat and talked
about the day ahead. Every evening
they made dinner together. After
they washed the dishes,
Simbegwire’s father helped her with
homework.
Simbegwire alihuzunika mama yake alipofariki. Baba yake alijitahidi kumtunza mwanaye. Taratibu wakaanza kuwa wenye furaha tena, bila ya Mama Simbegwire. Kila asubuhi walikaa na kupanga mipango ya siku inayofuata. Kila jioni waliandaa chakula cha jioni pamoja. Baada ya kuosha vyombo, baba yake Simbegwire alimsaidia kufanya kazi zake za shule.
Umunsi umwe, ise wa Simbegwire yaje murugo (yatashye) akererewe. Yarahamagaye, “Umwana wange arihe?” Simbegwire yirukatse asanga se. Arahagara akibona ko ise afashe akaboko k’umugore. “ndashaka ko uhura numuntu w’igitangaza mwana wange. Yitwa Anita,” Yavuze amwenyura.
One day, Simbegwire’s father came
home later than usual. “Where are
you my child?” he called.
Simbegwire ran to her father. She
stopped still when she saw that he
was holding a woman’s hand. “I
want you to meet someone special,
my child. This is Anita,” he said
smiling.
Siku moja baba yake Simbegwire alirudi nyumbani kwa kuchelewa. “Mwanangu uko wapi?” aliita. Simbegwire alimkimbilia baba yake. Alisimama ghafla baada ya kumwona baba yake akiwa ameshika mkono wa mwanamke. “Nataka ukutane na mtu muhimu, mwanangu. Huyu ni Anita,” alisema huku akitabasamu.
Anita aravuga, “Bite Simbegwire, papa wawe yabwiye byinshi kuri wowe,” Ariko ntiyamwenyuye cyangwa se ngo amufate akaboko. Ise wa Simbegwire yari yishimye. Yavuze kubijyanye na bo bose batatu babana hamwe, n’uko ubuzima bwabo bwaba bwiza. Aravuga, “Mwana wange, nizeyeko wemera Anita nka nyoko (mama) wawe,”
“Hello Simbegwire, your father told
me a lot about you,” said Anita. But
she did not smile or take the girl’s
hand.
Simbegwire’s father was happy and
excited. He talked about the three
of them living together, and how
good their life would be. “My child, I
hope you will accept Anita as your
mother,” he said.
“Hujambo Simbegwire? Baba yako amenisimulia mengi kukuhusu,” alisema Anita. Lakini hakutabasamu wala kumpa Simbegwire mkono. Baba yake Simbegwire alijaa na furaha. Aliongelea jinsi maisha yatakavyokuwa mazuri watatu hao wakiishi pamoja. “Mwanangu, ni matumaini yangu kuwa utamkubali Anita kuwa mama yako,” alisema.
Ubuzima bwa Simbegwire bwarahindutse. Ntiyongeye kubona akanya ko kwicarana na se mugitondo. Anita yamuga imirimo yo m’urugo myinshi yogukora bikamunaniza ntakore imikoro y’ishuli. Yahihitaga ajya kuryama nyuma n’ifunguro rya n’ijoro. Ikintu kituze cyari ikirangiti cy’amabara nyina yamuhaye. Ise wa Simbegwire yasaga nutabona ko umukobwa we atari yishimye.
Simbegwire’s life changed. She no
longer had time to sit with her
father in the mornings. Anita gave
her so many household chores that
she was too tired to do her school
work in the evenings. She went
straight to bed after dinner.
Her only comfort was the colourful
blanket her mother gave her.
Simbegwire’s father did not seem to
notice that his daughter was
unhappy.
Maisha ya Simbegwire yakabadilika. Hakuwa na muda tena wa kukaa na baba yake asubuhi. Anita alimpa kazi nyingi za nyumbani zilizomchosha sana kiasi cha kushindwa kufanya kazi zake za shuleni jioni. Alikuwa anaenda moja kwa moja kulala baada ya chakula cha jioni. Faraja pekee aliyokuwa nayo ni blanketi lenye rangi nyingi alilopewa na mama yake. Baba yake Simbegwire hakugundua kwamba binti yake alikuwa hana furaha.
Nyuma y’amezi make, ise wa Simbegwire yababwiye ko atazaba ari m’urugo mu igihe runaka. Yaravuze, “ngomba gukora urugendo kubw’akazi” “ariko nziko muzitanaho.” Isura ya Simbegwire yahise ingwa ariko se ntiyabibonye. Anita ntacyo yavuze. Nawe ntiyari yishimye.
After a few months, Simbegwire’s
father told them that he would be
away from home for a while. “I have
to travel for my job,” he said. “But I
know you will look after each other.”
Simbegwire’s face fell, but her
father did not notice. Anita did not
say anything. She was not happy
either.
Baada ya miezi michache, baba yake Simbegwire aliwaambia kwamba ana mpango wa kusafiri. “Itanibidi nisafiri kikazi,” alisema. “Lakini najua hakutakuwa na tatizo.” Uso wa Simbegwire ulijawa huzuni, lakini baba yake hakugundua. Anita hakusema lolote. Hakuwa na furaha.
Ibintu byarushijeho kumera nabi kuri Simbegwire. Iyo atarangizaga imirimo yo m’urugo, cyangwa ngo yinube, umugore yaryaga ibiryo hafi byose, agasigariza Simbegwire duke. Buri joro Simbegwire yarariraga kugeza asinziriye ahobeye ikirangiti cya nyina.
Things got worse for Simbegwire. If
she didn’t finish her chores, or she
complained, Anita hit her. And at
dinner, the woman ate most of the
food, leaving Simbegwire with only
a few scraps.
Each night Simbegwire cried herself
to sleep, hugging her mother’s
blanket.
Mambo yakawa mabaya kwa Simbegwire. Aliposhindwa kumaliza kazi au alipolalamika, Anita alimpiga. Wakati wa chakula cha jioni Anita alikula chakula kingi, na kumwachia Simbegwire makombo. Kila usiku Simbegwire alikuwa analia, huku akilikumbatia blanketi la mama yake.
Igitondo kimwe, Simbegwire yatinze guva mu buriri. “Wowe mukobwa w’umunebwe!” Atina yaravuze. Yakuruye Simbegwire mu uburiri. Ikirangiti cy’agaciro gifatwa mu umusumari, gicikamo kabiri.
One morning, Simbegwire was late
getting out of bed.
Anita shouted. She pulled
Simbegwire out of bed. The
precious blanket caught on a nail,
and tore in two.
Asubuhi moja, Simbegwire alichelewa kuamka. “Wewe mtoto mvivu,” Anita aliita kwa kelele. Akamvuta Simbegwire kutoka kitandani. Blanketi lake zuri likanasa kwenye msumari na kuchanika vipande viwili.
Simbegwire yari arakaye cyane. Yanzuye kwiruka agahunga iwabo. Yatwaye ibice by’igirangiti cya nyina, apakira ibiryo, ava mu inzu. Yakurikiye inzira se yafashe.
Simbegwire was very upset. She
decided to run away from home.
She took the pieces of her mother’s
blanket, packed some food, and left
the house. She followed the road
her father had taken.
Simbegwire alikasirika sana. Akaamua kutoroka nyumbani. Akachukua vipande vya blanketi la mama yake. Akachukua na chakula na akaondoka nyumbani. Akaifuata barabara aliyopita baba yake.
When it came to evening, she
climbed a tall tree near a stream
and made a bed for herself in the
branches.
As she went to sleep, she sang:
“Maama, maama, maama, you left
me.
You left me and never came back.
Father doesn’t love me anymore.
Mother, when are you coming back?
You left me.”
Ilipofika jioni alipanda mti mrefu karibu na kijito na akaandaa kitanda kwenye matawi ya mti. Alipokuwa analala akaimba “Maama, maama, maama, umeniacha. Umeniacha na haukurudi tena. Baba hanipendi tena. Mama unarudi lini? Uliniacha.”
The next morning, Simbegwire sang
the song again. When the women
came to wash their clothes at the
stream, they heard the sad song
coming from the tall tree.
They thought it was only the wind
rustling the leaves, and carried on
with their work. But one of the
women listened very carefully to
the song.
Asubuhi iliyofuata, Simbegwire aliimba ule wimbo tena. Wakina mama walipokuja kufua nguo zao walisikia wimbo wa huzuni kutoka kwenye mti mrefu. Wakafikiri ni upepo unatikisa matawi ya mti na wakaendelea na kazi zao. Lakini mama mmoja akasikiliza ule wimbo kwa makini.
This woman looked up into the tree.
When she saw the girl and the
pieces of colourful blanket, she
cried, “Simbegwire, my brother’s
child!”
The other women stopped washing
and helped Simbegwire to climb
down from the tree. Her aunt
hugged the little girl and tried to
comfort her.
Mama huyo akaangalia juu ya mti. Alipomwona msichana na vipande vya blanketi la rangi, akalia, “Simbegwire, mtoto wa kaka yangu!” Wakina mama wengine wakaacha kufua na wakamsaidia Simbegwire kushuka toka juu ya mti. Shangazi yake akamkumbatia na kumfariji.
Nyirasenge wa Simbegwire yamutwaye iwe murugo. Yahaye Simbegwire ibiryo bishyushye, anamushyira mu uburiri n’ikirangiti cya nyina. Iryo joro, Simbegwire yararize ubwo yasinziraga, ariko amarira y’iruhuko. Yaraziko nyirasenge agiye kumwitaho.
Simbegwire’s aunt took the child to
her own house. She gave
Simbegwire warm food, and tucked
her in bed with her mother’s
blanket.
That night, Simbegwire cried as she
went to sleep. But they were tears
of relief. She knew her aunt would
look after her.
Shangazi yake Simbegwire akampeleka nyumbani kwake. Akampatia chakula, akampeleka kitandani na akamfunika na blanketi la mama yake. Usiku ule Simbegwire akalia alipokwenda kulala. Lakini yalikuwa machozi ya furaha. Alijua shangazi yake atamtunza.
Ubwo se wa Simbegwire yagarukaga murugo, yasanze icyuma kirimo ubusa. “Ni iki cyabaye, Anita?” Yabasanyije umutima uremereye. Umugore yasobanuye ko Simbegwire yatorotse. “Nashakaga ko anyubaha,” Yaravuze. “Ariko wenda nararengereye.” Se wa Simbegwire yavuye munzu, agenda agana iriba. Yarakomeje kugera mu igiturage cya mushiki we kureba nimba yarabonye Simbegwire.
When Simbegwire’s father returned
home, he found her room empty.
“What happened, Anita?” he asked
with a heavy heart. The woman
explained that Simbegwire had run
away. “I wanted her to respect me,”
she said. “But perhaps I was too
strict.”
Simbegwire’s father left the house
and went in the direction of the
stream. He continued to his sister’s
village to find out if she had seen
Simbegwire.
Baba yake Simbegwire aliporudi nyumbani, alikikuta chumba chake kikiwa tupu. “Nini kimetokea, Anita?” aliuliza kwa simanzi. Anita akaelezea kuwa Simbegwire alitoroka. “Nilitaka aniheshimu,” alisema. “Labda nilikuwa mkali sana.” Baba yake Simbegwire aliondoka nyumbani na akaelekea kwenye kijito. Akaenda kwenye kijiji cha dada yake kuuliza kama amemwona Simbegwire.
Simbegwire yarari gukina na babyara be ubwo yabona ise mu intera. Yarafite ubwo ko ashobora kuba arakaye, ahita yirukankira munzu kwihisha. Ariko ise we yaramusanze aravuga, “Simbegwire, wibonye mama mwiza. Umwe ugukunda kendi unakunva. Unteye ishema kandi ndagukunda.” Bemeranyije ko Simbegwire aribugumane na nyirasenge igihe kirekire yifuza.
Simbegwire was playing with her
cousins when she saw her father
from far away. She was scared he
might be angry, so she ran inside
the house to hide.
But her father went to her and said,
“Simbegwire, you have found a
perfect mother for yourself. One
who loves you and understands
you. I am proud of you and I love
you.”
They agreed that Simbegwire would
stay with her aunt as long as she
wanted to.
Simbegwire alikuwa anacheza na binamu zake alipomwona baba yake akija kwa mbali. Aliogopa kuwa baba yake angekuwa amekasirika, na akakimbilia ndani ya nyumba ili ajifiche. Baba yake alimwendea na akamwambia, “Simbegwire umempata mama mzuri. Anayekupenda na kukuelewa. Najivunia kuwa nawe na ninakupenda.” Walikubaliana kuwa Simbegwire angeishi na shangazi yake kwa muda wote atakaotaka.
Ise we yamusuraga buri munsi. Bigeze aho, yazanye na Anita. Yashyikiriye ukuboko kwa Simbegwire. “Umbabarire cyane mwana muto, nari mu amakosa.” Yararize. “Uzareka nongere ngerageze?” Simbegwire Simbegwire yarebye Ise n’isuraye ihangayitse. Arangije atera intabwe imbere ahobera Anita.
Her father visited her every day.
Eventually, he came with Anita. She
reached out for Simbegwire’s hand.
“I’m so sorry little one, I was
wrong,” she cried. “Will you let me
try again?”
Simbegwire looked at her father
and his worried face. Then she
stepped forward slowly and put her
arms around Anita.
Baba yake alikuwa akimtembelea kila siku. Mwishoe akaja na Anita. Akampa mkono Simbegwire. “Nisamehe, nilikosea,” akalia. “Utanipa nafasi kujaribu tena?” Simbegwire alimwangalia baba yake aliyekuwa na uso wa wasiwasi. Baadaye akamwendea Anita taratibu na akamkumbatia.
Icyumweru gikurikira, Anita yatumiye Simbegwire, babyara be, na nyirasenge kuza murugo guusangira. Anita yateguye ibiryo Simbegwire agunda, na buri umwe yarariye kugeza bijuse. Nyua abana barakina ubwo abakuru bavuganaga. Simbegwire yunvise yishimye. Yanzuye ko vuba, vuba cyane, azagaruka murugo kubana na se na mukase.
The next week, Anita invited
Simbegwire, with her cousins and
aunt, to the house for a meal. What
a feast! Anita prepared all of
Simbegwire’s favourite foods, and
everyone ate until they were full.
Then the children played while the
adults talked.
Simbegwire felt happy and brave.
She decided that soon, very soon,
she would return home to live with
her father and her stepmother.
Wiki iliyofuata, Anita aliwaalika Simbegwire, binamu zake, na shangazi yake kwa ajili ya chakula. Anita akaandaa vyakula vyote ambavyo Simbegwire anavipenda, na kila mmoja akala hadi akashiba. Baada ya kula watoto wakaenda kucheza huku watu wazima wakiongea. Simbegwire akajisikia furaha na jasiri. Akaamua kuwa si muda mrefu atarejea nyumbani kuishi na baba yake na mama yake wa kambo.


| < Day Day Up > |
TransactionsTransaction theory is a large topic in its own right. As mentioned in Chapter 4, however, it doesn't have much to do with the relational model as such (at least, not directly), and for that reason I don't want to discuss it in detail here. In any case, you're a database professional, and I'm sure you're familiar with basic transaction concepts. The standard reference—highly recommended, by the way—is Transaction Processing: Concepts and Techniques, by Jim Gray and Andreas Reuter (Morgan Kaufmann, 1993). All I want to do here is briefly review the so-called ACID properties of transactions. ACID is an acronym; it stands for atomicity - consistency-isolationdurability. Here are brief explanations:
Now, one argument in favor of transactions has always been that they're supposed to act as "a unit of integrity" (that's what the consistency property is all about). But I don't believe that argument; as I've more or less said already, I believe that statements have to be that unit, and that database constraints must therefore be satisfied at statement boundaries. The section immediately following gives my justification for this position. |
| < Day Day Up > |


|
Bullet Collision Detection & Physics Library
|
#include "btMinkowskiPenetrationDepthSolver.h"
#include "BulletCollision/NarrowPhaseCollision/btSubSimplexConvexCast.h"
#include "BulletCollision/NarrowPhaseCollision/btVoronoiSimplexSolver.h"
#include "BulletCollision/NarrowPhaseCollision/btGjkPairDetector.h"
#include "BulletCollision/CollisionShapes/btConvexShape.h"
Go to the source code of this file.
Macros | |
| #define | NUM_UNITSPHERE_POINTS 42 |
| #define | USE_BATCHED_SUPPORT 1 |
| #define NUM_UNITSPHERE_POINTS 42 |
Definition at line 22 of file btMinkowskiPenetrationDepthSolver.cpp.
| #define USE_BATCHED_SUPPORT 1 |


|
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To get started with your instance, follow our quick start in the OpenShift Streams web console, or read our guide.
If you have any questions, please contact us.
For guidance on working with Red Hat Technical Support, see our frequently asked questions.
Thank you for choosing Red Hat OpenShift Streams for Apache Kafka.
|


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| Created: | 4/29/2013 12:00:00 AM |
| Modified: | 4/30/2013 4:12:55 PM |
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Public Numeric. Type LineCountNumeric |
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| Element | Source Role | Target Role |
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«ABIE» Allowance Charge Class |
Name: |
Name: |
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Details:
A discount or charge that applies to a price component.
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«ABIE» Contract Class |
Name: |
Name: |
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Details:
A contract associated with the Order being responded to.
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«ABIE» Country Class |
Name: |
Name: Destination Country |
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Details:
The country of destination (for customs purposes).
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«ABIE» Customer Party Class |
Name: |
Name: Originator Customer Party |
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The originator.
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«ABIE» Customer Party Class |
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Name: Accounting Customer Party |
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The accounting customer party.
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«ABIE» Customer Party Class |
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Name: Buyer Customer Party |
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The buyer.
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«ABIE» Delivery Terms Class |
Name: |
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A set of delivery terms associated with this document.
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Name: |
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A delivery associated with this document.
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«ABIE» Document Reference Class |
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Name: Additional Document Reference |
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A reference to an additional document associated with this document.
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Name: Originator Document Reference |
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A reference to an originator document associated with this document.
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Name: |
Name: Order Document Reference |
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A reference to an Order other than the one being responded to.
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«ABIE» Exchange Rate Class |
Name: |
Name: Tax Exchange Rate |
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Details:
The exchange rate between the document currency and the tax currency.
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«ABIE» Exchange Rate Class |
Name: |
Name: Pricing Exchange Rate |
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Details:
The exchange rate between the document currency and the pricing currency.
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«ABIE» Exchange Rate Class |
Name: |
Name: Payment Exchange Rate |
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Details:
The exchange rate between the document currency and the payment currency.
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«ABIE» Monetary Total Class |
Name: |
Name: Legal Monetary Total |
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Details:
The total amount of the Order (or counter-offer).
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«ABIE» Order Line Class |
Name: |
Name: |
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Details:
A line associated with a line in the Catalogue and specifying a kind of item being ordered.
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«ABIE» Order Reference Class |
Name: |
Name: |
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A reference to the Order being responded to.
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«ABIE» Party Class |
Name: |
Name: Freight Forwarder Party |
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Details:
A freight forwarder or carrier.
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«ABIE» Payment Means Class |
Name: |
Name: |
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Expected means of payment.
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«ABIE» Payment Terms Class |
Name: |
Name: |
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Details:
A set of payment terms associated with this document.
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«ABIE» Period Class |
Name: |
Name: Validity Period |
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Details:
The period for which the Order Response is valid.
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«ABIE» Signature Class |
Name: |
Name: |
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Details:
A signature applied to this document.
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«ABIE» Transaction Conditions Class |
Name: |
Name: |
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Details:
A specification of purchasing or sales conditions applying to the whole Order.
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«ABIE» Supplier Party Class |
Name: |
Name: Seller Supplier Party |
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Details:
The seller.
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«ABIE» Supplier Party Class |
Name: |
Name: Accounting Supplier Party |
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Details:
The accounting supplier party.
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«ABIE» Tax Total Class |
Name: |
Name: |
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Details:
The total amount of a specific type of tax, as calculated by the seller.
|


Understanding a SAIL Example Application¶
The SAIL Plugin provides examples under folder \examples. There is an example application available for each SAIL module supported.There is one complex example which uses multiple SAIL modules.Each Example bundles a README.html file.This file explains the functionality that the example exposes.
Importing, Building and Running the Example¶
Import the example as described in the SAIL Quick Started Guide. Separate instructions are provided there for the Code Composer Studio (CCS) IDE, IAR Embedded Workbench, makefiles using the GCC compiler, and other supported development environments. Follow the instructions in the “Execute your First Application” section of the SAIL Quick Started Guide for your development environment.
A README.html file is included with the example files you imported. View this file and follow the instructions in the “Example Usage” section to run the example.
For CC3220 boards using CCS, let the device “Free Run” instead of “Run.”
Understanding the Example¶
This section examines the i2ctmp007 example to understand how it was created.
To see how the example supports multiple IDEs and RTOS kernels, it is best to look at the example files in the SAIL Plugin installation. When user imports the project for specific IDE only the files related to that particular kernel, compiler, IDE are imported. The files used to support other IDEs and RTOS kernels, Compilers will not be visible.
Go to your <SAIL_INSTALL_DIR>/examples/rtos/<board>/sail/i2ctmp007 directory
The example contains the following source files:
- main_tirtos.c and main_freertos.c : These files contain the main() function. They are located in subdirectories and use POSIX (pthread) calls to initialize drivers and create the threads that will run the mainthread function.
- i2ctmp007.c : This file contains the function mainthread. The mainthread function creates another thread which executes the function tmp007AlertTask which handles callbacks on temperature sensor interrupts(alerts)
- <board>.c and <board>.h (where is the name of your board): These file set up board-specific items, such as attribute structures for the various TI Drivers. For example, for the UART driver, properties such as the clock source and pins used are configured.
- Board.h: Maps board-specific constants to board-independent constants that can be used by the application so that the application code is portable.
- Board.html: Describes the LaunchPad and BoosterPacks which the examples in the Sensor and Actuator Plugin use.
- The following sections examine these parts of the application in more detail. Open the code files as you read these sections to better understand how an application uses the SDK(SDK of respective platform) and SAIL Modules.
main_tirtos.c and main_freertos.c¶
The two versions of the main() function are mostly identical. Because POSIX Pthreads are used instead of direct calls to kernel APIs, only minor differences are needed to run the TI-RTOS Kernel or the FreeRTOS kernel.
Header Files¶
Both versions of the file #include the following files:
- stdint.h
- pthread.h
- ti/drivers/GPIO.h (this is a TI-RTOS package path, which locates the file within /source)
- Board.h
The FreeRTOS version of the file also includes FreeRTOS.h and task.h.
The TI-RTOS version of the file also includes ti/sysbios/BIOS.h, which in this case locates the file within /kernel/tirtos/packages/ti/sysbios.
The main() Function¶
- The main() function begins by calling Board_initGeneral(), which the Board.h file defines to point to a board-specific function in the .c file.
- The function then sets various thread attributes in the pAttrs structure:
- It calls pthread_attr_setdetachstate() with the PTHREAD_CREATE_DETACHED state to cause the threads created to be in the detached state, since the threads used by this application will never need to join with another thread.
- It calls pthread_attr_setschedparam() to set the default scheduling priority for the threads to 1 (the minimum priority).
- It calls pthread_attr_setstacksize() to set the size of the thread’s stack to the value defined for the THREADSTACKSIZE constant, which is defined as a size in bytes earlier in the same file.
- The main() function then calls pthread_create() it creates a thread that will run the mainThread() function. This thread runs at the default priority (1, which is the minimum). (See the console.c file for actions performed by this thread.)
See the “SYS/BIOS POSIX Thread (pthread) Support” wiki topic for details about which POSIX APIs are supported by the SDK.
- At this point, the two versions of the main() function diverge.
- The TI-RTOS Kernel version simply calls BIOS_start() to start the scheduler. BIOS_start() does not return.
- The FreeRTOS version calls vTaskStartScheduler() to start the FreeRTOS scheduler. vTaskStartScheduler() does not return.
i2ctmp007.c¶
This file is common across all the platforms supported.It does not change based on RTOS kernels, and development environments.Some examples like button, led may be board specific(There will minor changes to adapt to the board, ex: some interrupts of sensors may conflict with each other, some boards have less leds etc.)
The mainthread() function runs when the RTOS scheduler starts.Below are list of main tasks which this thread does.
- Initialize GPIO, I2C, TMP007 ( SAIL Driver ).
- Create instances of Display and I2C driver(Display driver is used in UART mode, all the messages of the example are displayed on UART Terminal, Either CCS terminal or Terminal like teraterm, putty can be used to see the messages from the example application)
- Create the tmp007AlertTask for handling the temperature sensor interrupts(alerts).
- Creates Semaphore tmp007Sem. The thread tmp007AlertTask blocks on tmp007Sem.
- Creates the instance of temperature sensor.
- Sets temperature alert limits in the temperature senor
- Displays initial temperature readings and finally drops into never-ending while loop which does
- reads temperature sensor readings and display on UART.
- sleeps for configured SAMPLE_TIME.
The tmp007AlertTask thread performs below actions
- The thread blocks on the tmp007Sem.
- Whenever the tmp007Sem is posted the task unblocks and displays a message on whether alert was for low temperature or for high temperature.
The tmp007Callback function performs below actions
- This function is passed to the tmp007 instance as callback function for temperature alerts.It is called in interrupt context.
- The function posts the semaphore tmp007Sem whenever it gets executed on temperature alert(interrupt).
The while loop sleeps for a second. If the UART is closed, this provides enough time for the device to transition to a lower-power state under the control of the Power Manager. Note: For details about achieving better power savings on the MSP432 by using the Watchdog timer, see the TI-RTOS MSP432 Timer wiki topic.
<board>.c and <board>.h¶
(Where is the name of your board.) These files are responsible for setting up the board specific items for the board. For example, the GPIO section configures the GPIO input pins, output pins, and LEDs. It creates an array of callback functions for the input pins and sets them to NULL. For each driver, it declares a configuration structure and sets the defaults for the attribute fields in the structure.
The .c file also configures the structures used by the TI Drivers, SAIL Modules. These structures are similar for most TI Drivers, SAIL Modules. For example, a configuration data structure called _Config is defined in .c. Each driver’s configuration includes a pointer to a function table, a pointer to an object, and a pointer to a set of hardware attribute settings. For more about the driver configuration structures, see the detailed reference information for the TI Driver APIs (in the SDK folder) and SAIL API Guide.
Board.h¶
This file maps board-specific constants and functions to board-independent constants and functions. The board-independent names should be used by the application so that the application code is portable.
Board.html¶
This file gives information on
- Jumper settings of LaunchPad
- Boards resources used in examples
- BoosterPacks which are used in sensor and actuator plugin examples
- Peripherals used in examples
Files for CCS, GCC, and IAR¶
For each supported RTOS, the example contains files that are used to set up a project for the example when you import the example into a development environment. Projects for Code Composer Studio (CCS), IAR Embedded Workbench, and the GNU Compiler Collection (GCC) can be created.
NOTE: Please refer to SDK user guide for more information on Kernels(TI_RTOS,FreeRTOS), TI Drivers and other third party components


Menu
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| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| AccessKeyedElement.js | 87.18% | 34/39 | 73.33% | 22/30 | 100% | 5/5 | 87.18% | 34/39 | |
| ButtonElement.js | 60.81% | 45/74 | 24.49% | 12/49 | 42.86% | 6/14 | 60.81% | 45/74 | |
| ClippableElement.js | 26.43% | 37/140 | 11.11% | 7/63 | 30.77% | 4/13 | 26.43% | 37/140 | |
| DraggableElement.js | 48.98% | 24/49 | 30% | 6/20 | 18.18% | 2/11 | 48.98% | 24/49 | |
| DraggableGroupElement.js | 36.99% | 27/73 | 20.59% | 7/34 | 25% | 3/12 | 36.99% | 27/73 | |
| FlaggedElement.js | 98.33% | 59/60 | 83.33% | 25/30 | 100% | 7/7 | 98.33% | 59/60 | |
| FloatableElement.js | 23.26% | 40/172 | 10.63% | 17/160 | 60% | 6/10 | 23.26% | 40/172 | |
| GroupElement.js | 63.49% | 40/63 | 52.94% | 9/17 | 70% | 7/10 | 63.49% | 40/63 | |
| GroupWidget.js | 100% | 10/10 | 100% | 2/2 | 100% | 2/2 | 100% | 10/10 | |
| IconElement.js | 69.57% | 32/46 | 56.41% | 22/39 | 66.67% | 4/6 | 69.57% | 32/46 | |
| IndicatorElement.js | 80% | 36/45 | 67.57% | 25/37 | 83.33% | 5/6 | 80% | 36/45 | |
| ItemWidget.js | 100% | 7/7 | 100% | 3/3 | 100% | 3/3 | 100% | 7/7 | |
| LabelElement.js | 98.33% | 59/60 | 95.56% | 43/45 | 100% | 8/8 | 98.33% | 59/60 | |
| LookupElement.js | 26.74% | 23/86 | 0% | 0/38 | 0% | 0/22 | 26.74% | 23/86 | |
| PendingElement.js | 92.31% | 24/26 | 75% | 9/12 | 80% | 4/5 | 92.31% | 24/26 | |
| PopupElement.js | 100% | 5/5 | 75% | 3/4 | 100% | 2/2 | 100% | 5/5 | |
| RequestManager.js | 19.44% | 7/36 | 0% | 0/12 | 0% | 0/6 | 19.44% | 7/36 | |
| TabIndexedElement.js | 89.47% | 51/57 | 84.62% | 22/26 | 72.73% | 8/11 | 89.47% | 51/57 | |
| TitledElement.js | 96.88% | 31/32 | 87.5% | 21/24 | 100% | 5/5 | 96.88% | 31/32 |


Neue Haas Grotesk®
Designed by Linotype Design Studio in 1961 and Max Miedinger.

Made by
Timo Anzalone
with the help of
SuperHi
.


| Abbreviated forms | Full Name |
|---|---|
| NEET | National Eligibility Entrance Test |
| AFMC | Armed Forces Medical College |
| AIIMS | All India Institute of Medical Science |
| AIMS CET | Amrita Institute of Medical Sciences Common Entrance Test |
| AIPMT | All India Pre Medical Test |
| AIPVT | All India Pre-Veterinary Test |
| AMU CAT | Aligarh Muslim University Common Admission Test |
| AMUPMDC | Association of Management of Unaided Private Medical and Dental Colleges |
| AU MEE | Annamalai University Medical Entrance Exam |
| BHU PMT | Banaras Hindu University Pre Medical Test |
| BVU CET | Bharati Vidyapeeth University Common Entrance Test |
| CEE Kerala | Combined Entrance Examination Kerala |
| CET Karnataka | Common Entrance Test Karnataka |
| CET Punjab | Common Entrance Test Punjab |
| CMC Vellore | Christian Medical College Vellore |
| COMEDK | Consortium of Medical, Engineering and Dental Colleges of Karnataka |
| DMER | Directorate of Medical Education and Research Maharashtra |
| DUMET | Delhi University Medical-Dental Entrance Test |
| EAMCET | Engineering, Agriculture & Medical Common Entrance Test |
| GGSIPU CET | Guru Gobind Singh Indraprastha University Common Entrance Test |
| GUJ CET | Gujarat Common Entrance Test |
| HPCPMT | Himachal Pradesh Combined Pre-Medical Test |
| JIPMER | Jawaharlal Institute of Post-Graduate Medical Education and Research, Pondicherry |
| Engineering, Agriculture & Medical Common Entrance Test | |
| EAMCET | Engineering, Agriculture & Medical Common Entrance Test |


Scavenger Hunt
The scavenger hunt assignment forced students to experience the places visited during interim.
The scavenger hunt assignment forced students to experience the places visited during interim.
Two walking tours and a week in Shanghai
A day in Hiroshima
An interview with two ECNU students
Looking at how language is used in museums
Looking at how screens are used in cities
This is a collection of photos taken in Shanghai, Hong Kong, and Tokyo
An exploration of the impact of the one-child policy on China and current gender relations within China
This presentation expands on Chapter 3 of Vermeer's Hat by Timothy Brook.
This is the plan for our free weekend spent in Japan!
This is a synthesis essay written based on study of Geisha
Here's a Samurai Synthesis
The scavenger hunt assignment forced students to experience the places visited during interim.
Two walking tours and a week in Shanghai
A day in Hiroshima
An interview with two ECNU students
Looking at how language is used in museums
Looking at how screens are used in cities
Images taken during our time abroad mapped and given taxonomies
Quantitaive results from research about taxonomies of signs in China and Japan
Based on readings throughout the semester about linguistic landscape and our own images and reseach, a joint paper was produced by Sofia Reed and Travis McDonald
An analysis of Indonesia in the hundred days following WWII and one hundred days of the 2017-18 school year
A two minute transcription of an interview conducted with an ECNU student
A presentation on the way media cities are represented in Shanghai and Japan
A reflection on the photographs I took and the way photographs are used to record information
An exploration of the impact of the one-child policy on China and current gender relations within China


Holly Willoughby makes surprise appearance in Jennifer Aniston's new show
The TV presenter, 38, appears in the background of Apple TV+'s The Morning Show, which is based on a show like her own
by Molly Pike, https://www.mirror.co.uk/authors/molly-pike/Holly Willoughby was left squealing with joy after she discovered that she has a cameo role in Jennifer Aniston's new TV show.
The TV presenter, 38, appears in the background of Apple TV+'s The Morning Show, which is based on an American news show similar to ITV's This Morning.
Alongside Dr Chris Steele, Holly pops up during a scene involving Jennifer's character, news anchor Alex Levy, arguing with producers.
Holly introduced a clip of the moment on This Morning today, saying: "Shall we have a look at it? Let's look at us!"
After watching it, she said: "There you go, blink and you miss it!"
Viewers of The Morning Show had been quick to tweet about Holly's brief appearance in the show.
One tweeted: "Just spotted @hollywills and @Schofe on @thismorning in the background of Episode 3 of @AppleTV ’s #TheMorningShow... they clearly know where the best one in the world is!"
"Loved seeing @hollywills & @Schofe on @TheMorningShow," another posted, alongside a laughing emoji.
A third said: "Is that @DrChrisSteele & the @thismorning set on the screen in the background of new The Morning Show?!"
Jennifer and her co-star Reese Witherspoon were on This Morning today promoting their similarly named show, speaking to Alison Hammond.
Alison, who knows a lot about daytime TV, gave the Hollywood actresses some pointers and asked whether they had done any research into her role.
Jennifer said: "You especially. This is how good I am. You didn’t notice the following I did of you. That's how much of a shadow I am."
The actresses then watched some classic This Morning clips and had to decide whether they were fake or not, which led to Jen swearing.
They refused to believe that This Morning would air a knife thrower's assistant being hit in the head during a stunt.


Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text, and a search for 'lorem ipsum' will uncover many web sites still in their infancy. Various versions have evolved over the years, sometimes by accident, sometimes on purpose (injected humour and the like)."Lorem ipsum dolor sit amet.."
Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of "de Finibus Bonorum et Malorum" (The Extremes of Good and Evil) by Cicero, written in 45 BC. This book is a treatise on the theory of ethics, very popular during the Renaissance. The first line of Lorem Ipsum, "Lorem ipsum dolor sit amet..", comes from a line in section 1.10.32.
The standard chunk of Lorem Ipsum used since the 1500s is reproduced below for those interested. Sections 1.10.32 and 1.10.33 from "de Finibus Bonorum et Malorum" by Cicero are also reproduced in their exact original form, accompanied by English versions from the 1914 translation by H. Rackham.
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable. If you are going to use a passage of Lorem Ipsum, you need to be sure there isn't anything embarrassing hidden in the middle of text.


timelinefx:timelinefx.tlParticleManager.SetGlobalAmountScale
Method SetGlobalAmountScale:Void( Value:Float )
Set the globalamountscale value of the particle manager.
Setting this value will scale the amount of the particles spawned by all emitters contained within the particle manager, making it a handy way
to control globally, the amount of particles that are spawned. This can help improve performance on lower end hardware that struggle to draw
lots of particles. A value of 1 (the default value) will spawn the default amount for each effect. A value of 0.5 though for example, will spawn
half the amount of particles of each effect.


Important: You can't enable two storages at the same time, if you enable FTP, amazon s3 will be automatically disabled, same for amazon s3.
Settings > Amazon S3 & FTP Settings
Configure Amazon S3
config->server == 'nodejs') ? "Note: If you are using node.js as messaging system, please restart your node.js (./nodejs/server.js) application after saving the changes." : '';?>
FTP Settings
You can upload files directly from your server to another FTP server and load them from there.
Impotant: This may slow down your site's upload/delete speed, make sure to use fast FTP server.


Plugin Information |
|---|
View Build History Metrics on the plugin site for more information. |
This plugin calculates the following metrics for all of your builds once installed:
- Mean Time To Failure (MTTF)
- Mean Time To Recovery (MTTR)
- Standard Deviation of Build Times
The calculated metrics are displayed in a table on each jobs page showing the metric for the last 7 days, last 30 days and all time. The table looks something like this:
Changelog
1.2
- Standard deviation for build times is now calculated and displayed
- Some styling changes for the table to make it look a bit better
1.1
- First stable release that is a fork of an old plugin, refactored with more tests and extended to include both MTTF and MTTR metrics
Attachments:
build-history-metrics-plugin-table.jpg (image/jpeg)


--- layout: default title: On Generative Algorithms - Trees ---
When we are on the subject of branches I figured I could mention this similar little thing I wrote.
I wanted to try to grow branches in a similar way to Hyphae, but have new branches only appear on the "tip" of other branches. In addition I don't worry about collisions or anything like that in this simulation. The results are not quite trees, but they can be rather convincing if you don't look very carefully.
The perhaps most interesting thing to note here is that no tree ever grew from the trunk up at fixed width, like these so-called trees do. Trees grow both in height and width over time, and it is a very dynamic process with loads of factors. Hence this algorithm has very little in common with actual trees, but the few naive rules of this algorithm still make a decent job of mimicking real life trees.
To add some depth to the trees I add some shadow on the branches as they grow. By adding a little more shadow on one side you get a nice depth illusion.
Next: Linetrace Previous: Hyphae


Money Play. How should Red Play 21?
pips Red=153 White=156
(CorrectAnswer= 0/0, ErrorScore= 0)
This one comes from a GridGammon match involving Paul Weaver (he was White).
Red played 24/23, 13/11 which I though was a reasonable try. Mentally I had played 24/23, 24/22 but I wasn’t sure so noted down the position
The rollout results surprised me. Clearly best according to XG is 11/9*, 24/23 exposing five blots! I think the idea is partially to slow Red down so White’s timing collapses and hopefully build a solid five-prime.
Even having seen the rollout results this is one of those rare positions where I still have my doubts and I would want to play it a few times with both rolls to get a feel for how it plays out which is all part of the learning curve. If I get time I will post any further analysis that I manage to do.
For the record XG rates 24/23, 13/11 as a blunder (just) and 24/23, 24/22 as an error.
Red played 24/23, 13/11 which I though was a reasonable try. Mentally I had played 24/23, 24/22 but I wasn’t sure so noted down the position
The rollout results surprised me. Clearly best according to XG is 11/9*, 24/23 exposing five blots! I think the idea is partially to slow Red down so White’s timing collapses and hopefully build a solid five-prime.
Even having seen the rollout results this is one of those rare positions where I still have my doubts and I would want to play it a few times with both rolls to get a feel for how it plays out which is all part of the learning curve. If I get time I will post any further analysis that I manage to do.
For the record XG rates 24/23, 13/11 as a blunder (just) and 24/23, 24/22 as an error.
1. Cubeful 2-ply 24/23 13/11 Eq.: -0.140 0.476 0.102 0.004 - 0.524 0.162 0.007 2. Cubeful 2-ply 24/23 11/9* Eq.: -0.157 (-0.017) 0.479 0.130 0.005 - 0.521 0.202 0.026 3. Cubeful 2-ply 24/23 24/22 Eq.: -0.175 (-0.035) 0.475 0.110 0.005 - 0.525 0.194 0.011 4. Cubeful 2-ply 11/9* 10/9 Eq.: -0.255 (-0.114) 0.453 0.129 0.006 - 0.547 0.197 0.021 5. Cubeful 2-ply 24/22 13/12 Eq.: -0.265 (-0.125) 0.451 0.101 0.004 - 0.549 0.192 0.012


Wrong track, wrong line
Fast train never run on time
Bad blood, bad news
Hangin’ by a rope got nothin’ to lose
Mad bull see red
Comin’ at me happy
when I�m dead
Jump fence, got away
Ain’t got a likin’ for the games he play
What ya gonna do
Everybody tryin’ to find you guilty
Make you wanna toe the line
Saved by, saved in the nick in time
I was saved in the nick of time
Slow plane, hard rain
Cold sweat and he show the strain
Look down, no ground
Black sky, just the engine sound
Bail out, goodbye
Take my chance, I don’t wanna die
Count 10, just pray
The nick of time can save me any day
What ya gonna do
Everybody love a hero honey
Livin’ on the danger line
Saved by, saved in the nick in time
Saved in the nick in time
Loose sleep, get grief
Short day an’ gettin’ no relief
Quick punch, closed eye
You didn’t do it you wonder why
Lynch mob on your tail
Think they were searchin’
for the holy grail
Leave town, got away
I didn’t figure on them anyway, no I didn’t
Everybody tryin’ to find you guilty
Make you wanna toe the line
Saved by, saved in the nick in time
In the nick of time
In the nick of time
I was saved in the nick of time


Cork City release new home shirt for 2020
It was unveiled today by midfielder Gearoid Morrissey and Ireland women’s international Eabha O’Mahony.
by The42 TeamCORK CITY ARE the latest League of Ireland club to release a new home strip for 2020.
It’ll the Leesiders’ third season with Adidas since they replaced Nike as the club’s kit supplier.
The green shirt was unveiled today by midfielder Gearoid Morrissey and Ireland senior women’s international Eabha O’Mahony.
According to the usual jargon that accompanies kit launches: “The stunning new design is made from Adidas “AEROREADY™” technology – a light, comfortable and breathable fabric. It features mesh panels on the sides, sleeves and nape, while the sleeves also feature a modern white/green hexagonal pattern.”
“The new shirt will also feature our vibrant new crest design, made from a mixture of woven and silicone material, allowing the City crest to really pop.
The new shirt is now available for pre-orders via the club’s official website.


--- title: About ---
Hi! I'm Abby, and welcome to my baking business. I Love to bake so I created abbycatebakes to show the world what I can do.
I live in Boulder, Colorado. I have helped out in the kitchen sense I was 4 and when I was 10 I started baking on my own. I have always wanted to start a baking business now I am 13 and my dreams are coming true. My favortive thing about baking is geting to be creative when your decorating your treats and geting to experement with difrent flavors and techniques.
I am a super active person so when I am not baking I play sprots and climb. I was in gymnastics for 5 years of my life so I just naturally do cartwheels and backbends all around my kitchen. Now I dont do gymnastics but instead I go to climbing and I love it.


Every extension has a
JSON-formatted manifest file,
named manifest.json
,
that provides important information about the extension.
The following code shows the supported manifest fields, with links to the page that discusses each field. The only fields that are required for every extension are name and version.
{ // Required "name": "My Extension", "version": "versionString", // Recommended "description": "A plain text description", "icons": { ... }, "default_locale": "en", // Pick one (or none) "browser_action": {...}, "page_action": {...}, "theme": {...}, // Add any of these that you need "background_page": "aFile.html", "chrome_url_overrides": {...}, "content_scripts": [...], "minimum_chrome_version": "x.y", "options_page": "aFile.html", "permissions": [...], "plugins": [...], "update_url": "http://path/to/updateInfo.xml" }
This section covers fields that aren't described in another page. For a complete list of fields, with links to where they're described in detail, see the Field summary.
A plain text string (no HTML or other formatting; no more than 132 characters) that describes the extension. The description should be suitable for both the browser's extension management UI and the extension gallery.
One or more icons that represent the extension. You should provide icons in two sizes — 48x48 and 128x128 pixels. The 48x48 icon is used in the extensions management page (chrome://extensions). The 128x128 icon is used when the user installs the extension.
Icons should generally be in PNG format, because PNG has the best support for transparency. They can, however, be in any format supported by WebKit, including BMP, GIF, ICO, and JPEG. Here's an example of specifying the icons:
"icons": { "48": "icon48.png", "128": "icon128.png" },
If you submit your extension to the gallery, you'll need to upload additional images, including a 32x32-pixel logo and at least one screenshot of your extension. For more information on gallery requirements, see the gallery help.
Specifies the subdirectory of _locales
that contains the default strings for this extension.
This field is required in extensions
that have a _locales
directory;
it must be absent in extensions
that have no _locales
directory.
For details, see
Internationalization.
A short, plain text string (no more than 45 characters) that identifies the extension. The name is used in the install dialog, extension management UI, and the extension gallery.
The version of Google Chrome that your extension requires, if any. The format for this string is the same as for the version field.
An array of permissions that the extension might use. Each permission can be either one of a list of known strings (such as "tabs" or "bookmarks") or a match pattern that gives access to one or more hosts. These permissions are displayed to users before installation. Permissions might also help to limit damage if your extension is attacked.
If an API requires you to declare a permission in the manifest, then its documentation tells you how to do so. For example, the Tabs page shows you how to declare the "tabs" permission.
Here's an example of the permissions part of a manifest file:
"permissions": [ "tabs", "bookmarks", "http://www.blogger.com/", "http://*.google.com/" ],
For more information, see Cross-Origin XMLHttpRequest, Windows, Tabs, and Bookmarks.
One to four dot-separated integers identifying the version of this extension. A couple of rules apply to the integers: they must be between 0 and 65535, inclusive, and non-zero integers can't start with 0. For example, 99999 and 032 are both invalid.
Here are some examples of valid versions:
"version": "1"
"version": "1.0"
"version": "2.10.2"
"version": "<IP_ADDRESS>67"
The autoupdate system compares versions to determine whether an installed extension needs to be updated. If the published extension has a newer version string than the installed extension, then the extension is automatically updated.
The comparison starts with the leftmost integers. If those integers are equal, the integers to the right are compared, and so on. For example, 1.2.0 is a newer version than <IP_ADDRESS>99.
A missing integer is equal to zero. For example, <IP_ADDRESS>99 is newer than 1.1.
For more information, see Autoupdating.


Home
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My Work
Contact Me
Revit
Dynamo
Dynamo Work
Youtube Channel
Dynamo Github Python Library
Dynamo Workshop


@Override fun onConnected(): void
Requests location permissions from the user and if available zooms in to the current location. Called when connection established with Google Play Service Location API
bundle - Bundle
bundle


| Newly arrived to a remote desert town, Catherine and Matthew are tormented by a suspicion when their two teenage children mysteriously vanish. | |
| Genres: | Drama, Mystery, Thriller |
| Director: | Kim Farrant |
| Writer: | Michael Kinirons, Fiona Seres |
Cast: | Catherine - Nicole Kidman Matthew - Joseph Fiennes Rae - Hugo Weaving Coreen - Lisa Flanagan Burtie - Meyne Wyatt Lily - Maddison Brown Tom - Nicholas Hamilton Alan Robertson - Jim Russell Steve Robertson - Sean Keenan Rose - Bronwyn Penrith Jarrah - Trangi J. Speedy-Coe Slug - Morgan Junor-Larwood Deputy Pete - Chris Pattinson Guy in State Park - Reef Ireland Neil McPherson - Martin Dingle Wall Sally McPherson - Megan Alston Neil's Daughter - Carys Fulchs Checkout Chick - Taylor Ferguson Darrell - Luke Carroll Pub Goer - Benedict Hardie Kid in Supermarket - Alexander Mitchinson Tattooed Man - Peter Howland Skater Boy - Jarrad Burcher Skater Boy - Ashley Young Bartender - Rob Farrant |


First Git Project
Second Git Project
The first and foremost reason i joined Moringa was because of a course they offered in 2016.
It was a 2-week bootcamp in which we would get to learn basic web development skills.
I had a profound feeling of achievement when i first styled and edited a document which would appear on a webpage.
Therefore, i planned on taking a full course on web-development after i had finished highschool.
I believe that after this course i will be able to secure a job and dwell into my career as a Web Developer
I worked as a volunteer (Organising Events and entertaining children) for Awjama Cultural Centre which is located in Eastleigh.
I helped organise the events that took place once every year called the Somali Heritage Week
It is an event that takes place once a year for an entire week where people of different cultures can come and visit to watch plays in a theatre
and/or setup exhibits for their cultural items/artefacts.


I was led into a room when I arrived at a party where I could do my smoking. It consisted of four wooden chairs surrounding a small white table. The room was almost bare with nothing but a fan, window and white walls. I packed a bubbler bowl and passed it around a couple other guys hitting it twice myself. Then they left and I decided to hit the bong on the table. I hit it really big and was done after the first one. I felt incredibly high almost immediately.
Then I decided to smoke some salvia. I decided to once again venture into the realms of salvia after a somewhat uncomfortable experience or 2 a while back.  So I prepared a tinfoil screen in my bubbler and poured about .25g of it in and burned it all in one hit, then held and held. I held it and gradually let it seeps out of my lungs as I began to feel it.
The scene of 3 empty chairs in a small cubical room with plain white walls and a small closet to the left of me froze in a picture frame in front of me. I could hear the yelling and wrestling drunken teenagers in the living room; I was a little organism - sack of skin - filled red stuff - thing. The feeling in the rest of my body seemed to leave my brain because I was able to keep still. It felt as though my brain was now the only part of my body except my eyes and ears attached by a fleshy cord to the base of my brain. I imagined myself in a transparent cylindrical tube of liquid.
I turned my head and observed textures and colors around me. Everything seemed to waver and 'breath' relative to its unique color and texture. I sat like this for about 7 minutes in awe of the way my body reacted to the salvia. I then decided to increase the dosage and try again - eager to try pushing the limits.  The next hit I packed was about twice as big, but still quite small (~.5g). I lit it up as soon as I packed it and once again took a big hit and held.
The feeling from the last hit was still very strong but after inhaling, the intensity went up, about 30 seconds after hitting the 'breathing' had turned into 'bleeding.' The door in front of me had an amazing wooden texture. Like none I have ever seen. The 'bleeding' of this particular substance was amazing to see. This particular substance was amazing to see. These visual hallucinations are very comparable to those I have seen while on mushrooms. Once again I sat still in awe for a time. I moved my arms out in front of me. They felt like they were being pulled down by some kind of force. My butt and legs could feel the force pushing them into the chair and floor. I waved my hands side-to-side feeling as though I was petting some invisible object. It was incredible. The bleeding was still very strong after about 10 minutes from hitting the 2nd time. Time after the first 30 minutes of this experience was too indistinguishable.
But I had sat in the room for about an hour. In conclusion I thought this was the most enjoyable Salvia experience I have ever had. Other previous ones were sometimes dominated more by uncomfortable sensations like stabbing, poking, itching, and hotness. This was also the most visually stimulating experience. I feel that salvia is very unpredictable and random in the way it affects each individual. I know that some people can take hit after hit and not feel a thing while some feel it as soon as it exits their oral cavity.
As for smoking weed and salvia together, I think its best to smoke salvia straight in very small amounts. This yields the unique effects caused by salvia. When smoked in the same bowl as weed, I still get really fucked up, but I feel more of the weed interfering with the pure salvia-state. Smoking weed before however did help calm the experience and make me a bit more comfortable. Comfort is the most important thing when doing salvia. I also want to try experimenting with salvia and dreaming. I hear that it can help induce lucid dreams. Havenít been able to do it myself, but I have felt a different kind of sleep state the night I smoked it. Peace then, hope this could help.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


The above table doesn't have cells that span multiple rows/columns. Here is an example of such a table:


|
Panda3D
|
An encapsulation of a font; i.e. More...
Public Types | |
| enum | RenderMode { RM_texture = 0, RM_wireframe = 1, RM_polygon = 2, RM_extruded = 3, RM_solid = 4, RM_distance_field = 5, RM_invalid = 6 } |
Public Member Functions | |
| const TextGlyph | getGlyph (int character) |
| Gets the glyph associated with the given character code, as well as an optional scaling parameter that should be applied to the glyph's geometry and advance parameters. More... | |
| float | getKerning (int first, int second) |
| Returns the amount by which to offset the second glyph when it directly follows the first glyph. More... | |
| float | getLineHeight () |
| Returns the number of units high each line of text is. More... | |
| float | getSpaceAdvance () |
| Returns the number of units wide a space is. More... | |
| bool | isValid () |
| Returns true if the font is valid and ready to use, false otherwise. More... | |
| TextFont | makeCopy () |
| setLineHeight (float line_height) | |
| Changes the number of units high each line of text is. More... | |
| setSpaceAdvance (float space_advance) | |
| Changes the number of units wide a space is. More... | |
| write (Ostream out, int indent_level) | |
| Public Member Functions inherited from TypedObject | |
| TypeHandle | getType () |
| int | getTypeIndex () |
| Returns the internal index number associated with this object's TypeHandle, a unique number for each different type. More... | |
| bool | isExactType (TypeHandle handle) |
| Returns true if the current object is the indicated type exactly. More... | |
| bool | isOfType (TypeHandle handle) |
| Returns true if the current object is or derives from the indicated type. More... | |
| Public Member Functions inherited from ReferenceCount | |
| int | getRefCount () |
| Returns the current reference count. More... | |
| ref () | |
| Explicitly increments the reference count. More... | |
| bool | testRefCountIntegrity () |
| Does some easy checks to make sure that the reference count isn't completely bogus. More... | |
| bool | testRefCountNonzero () |
| Does some easy checks to make sure that the reference count isn't zero, or completely bogus. More... | |
| bool | unref () |
| Explicitly decrements the reference count. More... | |
| Public Member Functions inherited from Namable | |
| __init__ (const Namable) | |
| __init__ (str initial_name) | |
| clearName () | |
| Resets the Namable's name to empty. More... | |
| str | getName () |
| bool | hasName () |
| Returns true if the Namable has a nonempty name set, false if the name is empty. More... | |
| output (Ostream out) | |
| Outputs the Namable. More... | |
| setName (str name) | |
Static Public Member Functions | |
| static TypeHandle | getClassType () |
| Static Public Member Functions inherited from TypedReferenceCount | |
| static TypeHandle | getClassType () |
| Static Public Member Functions inherited from TypedObject | |
| static TypeHandle | getClassType () |
| Static Public Member Functions inherited from ReferenceCount | |
| static TypeHandle | getClassType () |
| Static Public Member Functions inherited from Namable | |
| static TypeHandle | getClassType () |
Public Attributes | |
| float | line_height |
| Returns the number of units high each line of text is. More... | |
| float | space_advance |
| Returns the number of units wide a space is. More... | |
| bool | valid |
| Returns true if the font is valid and ready to use, false otherwise. More... | |
| Public Attributes inherited from TypedObject | |
| TypeHandle | type |
| Returns the TypeHandle representing this object's type. More... | |
| Public Attributes inherited from ReferenceCount | |
| int | ref_count |
| The current reference count. More... | |
| Public Attributes inherited from Namable | |
| const String | name |
An encapsulation of a font; i.e.
a set of glyphs that may be assembled together by a TextNode to represent a string of text.
This is just an abstract interface; see StaticTextFont or DynamicTextFont for an actual implementation.
| enum RenderMode |
|
static |
| const TextGlyph getGlyph | ( | int | character | ) |
Gets the glyph associated with the given character code, as well as an optional scaling parameter that should be applied to the glyph's geometry and advance parameters.
Returns the glyph on success. On failure, it may still return a printable glyph, or it may return NULL.
| float getKerning | ( | int | first, |
| int | second | ||
| ) |
Returns the amount by which to offset the second glyph when it directly follows the first glyph.
This is an additional offset that is added on top of the advance.
| float getLineHeight | ( | ) |
Returns the number of units high each line of text is.
| float getSpaceAdvance | ( | ) |
Returns the number of units wide a space is.
| bool isValid | ( | ) |
Returns true if the font is valid and ready to use, false otherwise.
| TextFont makeCopy | ( | ) |
| setLineHeight | ( | float | line_height | ) |
Changes the number of units high each line of text is.
| setSpaceAdvance | ( | float | space_advance | ) |
Changes the number of units wide a space is.
| write | ( | Ostream | out, |
| int | indent_level | ||
| ) |
| float line_height |
Returns the number of units high each line of text is.
| float space_advance |
Returns the number of units wide a space is.
| bool valid |
Returns true if the font is valid and ready to use, false otherwise.


{% extends 'training_template.html' %} {% block training_content %}
Are you sure you want to delete this planned SDC?


class ProductCombinationGenerationEvent extends ProductEvent
Properties
| $product |
Methods
|
__construct(Product $product, $currency_id, $combinations)
|
||
|
hasProduct()
|
from ProductEvent | |
|
getProduct()
|
from ProductEvent | |
|
setProduct(Product $product)
|
from ProductEvent | |
|
getCurrencyId()
|
||
|
setCurrencyId($currency_id)
|
||
|
getReference()
|
||
|
setReference($reference)
|
||
|
getPrice()
|
||
|
setPrice($price)
|
||
|
getWeight()
|
||
|
setWeight($weight)
|
||
|
getQuantity()
|
||
|
setQuantity($quantity)
|
||
|
getSalePrice()
|
||
|
setSalePrice($sale_price)
|
||
|
getOnsale()
|
||
|
setOnsale($onsale)
|
||
|
getIsnew()
|
||
|
setIsnew($isnew)
|
||
|
getEanCode()
|
||
|
setEanCode($ean_code)
|
||
|
getCombinations()
|
||
|
setCombinations($combinations)
|
Details
at line 30
public
__construct(Product $product, $currency_id, $combinations)
in ProductEvent at line 27
public
hasProduct()
in ProductEvent at line 32
public
getProduct()
in ProductEvent at line 37
public
setProduct(Product $product)
at line 38
public
getCurrencyId()
at line 43
public
setCurrencyId($currency_id)
at line 50
public
getReference()
at line 55
public
setReference($reference)
at line 62
public
getPrice()
at line 67
public
setPrice($price)
at line 74
public
getWeight()
at line 79
public
setWeight($weight)
at line 86
public
getQuantity()
at line 91
public
setQuantity($quantity)
at line 98
public
getSalePrice()
at line 103
public
setSalePrice($sale_price)
at line 110
public
getOnsale()
at line 115
public
setOnsale($onsale)
at line 122
public
getIsnew()
at line 127
public
setIsnew($isnew)
at line 134
public
getEanCode()
at line 139
public
setEanCode($ean_code)
at line 146
public
getCombinations()
at line 151
public
setCombinations($combinations)


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index
| up
| prev
| next
MutexOwner Class
Definition at line 12
of Mutex.hpp
Constructors
Member Functions
Member Variables
| char |
id |
| std::string |
ownedMutexes |
Constructor Details
MutexOwner Constructor
cmajor::util::MutexOwner::MutexOwner(char
id_)
Definition at line 10
of Mutex.cpp
:
10 : id(id_)
11 {
12 }
Declaration at line 15
of Mutex.hpp
Member Function Details
Pop Member Function
void
cmajor::util::MutexOwner::Pop()
Definition at line 19
of Mutex.cpp
:
20 {
21 ownedMutexes.pop_back();
22 }
Declaration at line 17
of Mutex.hpp
Called by: cmajor::util::LockGuard::Unlock
Push Member Function
void
cmajor::util::MutexOwner::Push(char
mutexId)
Definition at line 14
of Mutex.cpp
:
15 {
16 ownedMutexes.push_back(mutexId);
17 }
Declaration at line 16
of Mutex.hpp
Called by: cmajor::util::LockGuard::Lock
index
| up
| prev
| next


Right, this is a bug.
Its fixed in the coming version, between 6. and 12. Februar 2012.
Thanks for report
Topicstarter
Guest
No problem.
If you need any help, please let me know. I could help with future translations such as French as I speak 5 languages.
BrainFooLong
Administrator
Yes, if you would translate you can contact me via "Contact" Page (Email). Currenty there are 2 translations in the pipeline (Dutch, Russian) but when can translate into another one its gonna be very cool.
More languages is much better :-)


Search
Retro and Modern Sylvanian Families Collectibles
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Cosmetic Counter
Dressing Area
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Epoch UK - Town
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Boutique Fashion Set
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Fashion Showcase
Tea & Treats Set


Noah Kenney and Ben Smith made this website. The website was created for a class, and should hopefully get over one hundred percent. We need complete information for our topic, but we don't have much of a topic. The closest thing we have to a topic is web design, but that's pushing it. Don't take points off for this please.


FROM Mr.Bob Dan ECO TRUST BANK [ECOBANK] BENIN REP Dearest friend, In order to transfer out (USD 65 MILLION) million United States Dollars from ECO BANK [ECOBANK]. I havethe courage to ask for your assistance to handle this important and confidential business believing that you will never let me down either now or in future. I am Mr.Bob Dan. the AUDITOR GENERAL of ECOTRUST BANK [ECOBANK]ASSISTED RURAL PROJECTS IN BENIN REPUBLIC. There is some fund left in this bank since 1999 and nobody has claimed it. After going through some old files in the records, I discovered that if Ido not remit this money out urgently it will be forfeited for nothing. The owner of this money is :MR Raymond Beck: a foreigner,and a business man by profession and he died since 1999. No other person knows about this money or any thing concerning it.The owner has no other beneficiary and my investigation proved to me as well that his company does not know anything about this money and the amount involved is (USD$65M) SIXTY FIVE million United States Dollars. I want us to claim and transfer the [USD65M]sixty five million United States Dollars from this account into a safe foreigners account abroad , but I don't know any foreigner, I am only contacting you as a foreigner because this money cannot be approved to a local bank here, but can only be approved to any foreign account because the money is in us dollars and the former owner of the account is Mr Raymond Beck is a foreigner too. I know that this message will come to you as a surprise as we don't know our selves before,but be sured that it is real and a genuine business. You are the only person that I have contacted in this business, so please reply urgently so that I will inform you the next step to take urgently.I would want us to conclude this transfer within few working days, In that regards kindly confirm to me your willing to receive this money into a foreign account or any account of your choice where the fund will be safe. I will fly to your country for withdrawal and sharing and other investments as soon as you receive our fund and confirm to me. I am contacting you because of the need to involve a foreigner with foreign account and foreign beneficiary. I need your full co-operation to make this work fine because the management is ready to approve this payment to any foreigner who has correct information of this account, which I will give to you upon your willingness immediately. If you are able and with capability to handle such amount in strict confidence and trust according to my instructions and advice for our mutual benefit because this opportunity will never come again in my life. I need truthful person in this business because I don't want to make mistake I need your strong assurance and trust. With my position now in the office I can transfer this money to any foreigner's reliable account after the proceedures and the necessary banking transfer Mode of transfer, which you can provide with assurance that this money will be intact pending my physical arrival in your country for sharing. I will destroy all documents of transaction immediately we receive this money leaving no trace to any place. You can also come to discuss with me face to face here in Benin republic after which I will make this remittance in your presence and two of us will fly to your country so at least two days ahead of the money going into the account. I will apply for annual live to get visa immediately Ihear from you that you are ready to act and receive this fund in your account. I will use my position andinfluence to effect legal approvals and onward transfer of this money to your account. At the conclusion of this business, you will be given 35% of the total amount, 60% will be for me, while 5% will be for unforseen expenses both parties might have incurred during the process of transferring. you can contact me immediately through my personal email address<EMAIL_ADDRESS>Thanks and God bless you. Best regards. Mr.Bob Dan.


COSCI
ranking and screening non-informative features in large scale cluster analysis
COSCI (COnvex Screening for Cluster Information) is a non-parametric method for ranking and screening non-informative features in large scale cluster analysis problems. Unlike the non-parametric density estimation based screening techniques, COSCI is very scalable, and can successfully handle datasets with more than one million observations. COSCI discards non-informative features by...
[Read More]
BMT
Convex clustering via $\ell_1$ fusion penalization
BMT (Big Merge Tracker) minimizes the sample within cluster sum of squares under an $\ell_1$ fusion constraint on the cluster centroids.
[Read More]
Markdown
You can write regular markdown here and Jekyll will automatically convert it to a nice webpage. I strongly encourage you to take 5 minutes to learn how to write in markdown - it’ll teach you how to transform regular text into bold/italics/headings/tables/etc.
[Read More]
Flake it till you make it
Excerpt from Soulshaping by Jeff Brown
Under what circumstances should we step off a path? When is it essential that we finish what we start?  If I ended a relationship with a woman who...
[Read More]


Hello HTML!
I am
Evgeni
. I am from
Plovdiv
.
I study
Software Technologies
at
SoftUni
.
back to
home


Enter the full class name of the server actor you want to add, this includes the package name. For example somepackage.myserveractor. There is no check for valid classnames when saving. Check the server logs for possible errors after switching a game.
somepackage.myserveractor