twitter.com/darragh_enright
CSIRAC is Australia's first digital computer. It is also the first computer ever to be used to create music.
The Ferranti Mark 1 at the University of Manchester is used to create the oldest recorded computer music, including "God save the King" and "Baa Baa Black Sheep"
Max Mathews writes MUSIC at Bell Labs. It's the first computer program for generating digital audio waveforms through direct synthesis.
It is the first in a series of MUSIC-N software, which becomes inspiration for many subsequent computer music applications.
The IBM 7090 is the first computer to "sing" a song called "Daisy Bell"
:o
Development of FM synthesis
And... Probably lots of other really exciting stuff?
Commodore 64 is released. 8-bit computers are starting to become commonplace in the home. Games == music.
MIDI (Music Instrument Digital Interface) Specification is published, defining a protocol to allow music instruments (and eventually computers) to talk to each other
Barry Vercoe creates CSOUND
instr 2
a1 oscil p4, p5, 1 ; p4=amp
out a1 ; p5=freq
endin
f1 0 4096 10 1 ; sine wave
;ins strt dur amp(p4) freq(p5)
i2 0 1 2000 880
i2 1.5 1 4000 440
i2 3 1 8000 220
i2 4.5 1 16000 110
i2 6 1 32000 55
e
Atari ST is released
Commodore Amiga 500 is released. The Amiga quickly becomes a popular platform for Music Tracker software
MIDI sequencer Cubase 1.0 is released on the Atari ST
By now there are tons of freeware/shareware software available on the web.
etc.
Computer based recording and synthesis is incredibly powerful.
Run a real-time studio environment in a domestic machine: recording, synthesis, effects, mixing etc.
Not a lot? Most computer music software runs natively, written for high performance, typically in languages like C/C++.
But...
Google released a Doodle celebrating the 78th (posthumous) birthday of Robert Moog
A playable, recordable Minimoog (moogle?) in your browser!
"Much like the musical machines Bob Moog created, this doodle was synthesized from a number of smaller components to form a unique instrument. When experienced with Google Chrome, sound is generated natively using the Web Audio API — a doodle first (for other browsers the Flash plugin is used)."
HTML5 has a Web Audio API!?
More than just the <audio>
tag
"HTML5 Audio is a subject of the HTML5 specification, investigating audio input, playback, synthesis, as well as speech to text in the browser." - Wikipedia
"Modular routing allows arbitrary connections between different AudioNode objects. Each node can have inputs and/or outputs. A source node has no inputs and a single output. A destination node has one input and no outputs"
"Represents a set of AudioNode
objects and their connections. It allows for arbitrary routing of signals to the AudioDestinationNode
(what the user ultimately hears)."
AudioContext
is used per document."
"Nodes are created from the context and are then connected together."
// webkitAudioContext in Chrome
var context = new AudioContext();
// create oscillator (for waveform synthesis)
var oscillator = context.createOscillator();
// create gain (for volume control/mixing)
var gain = context.createGainNode();
// create filter (for sound shaping)
var filter = context.createBiquadFilter();
// create source (for sample playback)
var source = context.createBufferSource();
// etc.
AudioBuffer
. It is useful for playing short audio assets which require a high degree of scheduling flexibility."
interface AudioBufferSourceNode : AudioNode {
attribute AudioBuffer? buffer;
readonly attribute AudioParam playbackRate;
attribute boolean loop;
attribute double loopStart;
attribute double loopEnd;
void start(optional double when = 0,
optional double offset = 0,
optional double duration);
void stop(optional double when = 0);
attribute EventHandler onended;
};
var file = 'http://localhost/break/melvin.wav',
context,
request;
// create an AudioContext object
// note webkit* prefix here
context = new webkitAudioContext(),
// load a file as an arraybuffer
request = new XMLHttpRequest(),
request.open('GET', file, true);
request.responseType = 'arraybuffer';
// load handler
request.onload = function() {
// decode loaded arraybuffer data
context.decodeAudioData(request.response, function(buffer) {
// create AudioBufferSourceNode object
var source = context.createBufferSource();
// connect to AudioDestinationNode (speakers)
source.connect(context.destination);
source.buffer = buffer;
// playback options
source.loop = true;
source.loopStart = buffer.duration / 2;
source.loopEnd = buffer.duration;
source.playbackRate.value = 1;
source.start(0);
});
};
request.send();
"Represents an audio source generating a periodic waveform. It can be set to a few commonly used waveforms. Additionally, it can be set to an arbitrary periodic waveform through the use of a PeriodicWave
object."
interface OscillatorNode : AudioNode {
attribute OscillatorType type;
readonly attribute AudioParam frequency; // in Hertz
readonly attribute AudioParam detune; // in Cents
void start(double when);
void stop(double when);
void setPeriodicWave(PeriodicWave periodicWave);
attribute EventHandler onended;
};
OscillatorNode()
➝ AudioDestinationNode()
var context,
oscillator;
// create an AudioContext object
context = new webkitAudioContext();
// create an OscillatorNode object
oscillator = context.createOscillator();
// wire up nodes
// OscillatorNode -> AudioDestinationNode
oscillator.connect(context.destination);
// now we can make some noise...
// sine, triangle, square, sawtooth, custom
oscillator.type = 'sine';
oscillator.frequency.value = 220;
// play note for 2 seconds
oscillator.start(0);
oscillator.stop(2);
Customised waveforms
JS Bin"Changing the gain of an audio signal is a fundamental operation in audio applications. The GainNode is one of the building blocks for creating mixers."
interface GainNode : AudioNode {
attribute AudioParam gain;
};
OscillatorNode()
➝ GainNode()
➝ AudioDestinationNode()
"Controls an individual aspect of an AudioNode
's functioning, such as volume. The parameter can be set immediately to a particular value using the value attribute. Or, value changes can be scheduled to happen at very precise times for envelopes, volume fades, LFOs, filter sweeps, grain windows, etc."
interface AudioParam {
attribute float value;
readonly attribute float defaultValue;
// Parameter automation.
void setValueAtTime(float value, double startTime);
void linearRampToValueAtTime(float value, double endTime);
void exponentialRampToValueAtTime(float value, double endTime);
// Exponentially approach the target value
// with a rate having the given time constant.
void setTargetAtTime(float target,
double startTime,
double timeConstant);
// Sets an array of arbitrary parameter values
// starting at time for the given duration.
// The number of values will be scaled to
// fit into the desired duration.
void setValueCurveAtTime(Float32Array values,
double startTime,
double duration);
// Cancels all scheduled parameter changes
// with times greater than or equal to startTime.
void cancelScheduledValues(double startTime);
};
"Amplitude Modulation Synthesis is a type of sound synthesis where the gain of one signal is controlled, or modulated, by the gain of another signal. The signal whose gain is being modulated is called the carrier, and the signal responsible for the modulation is called the modulator."
flossmanuals.net/
var context = new AudioContext(),
carrier = context.createOscillator(),
modulator = context.createOscillator(),
gainNode = context.createGainNode();
carrier.connect(gainNode);
gainNode.connect(context.destination);
modulator.connect(this.gainNode.gain);
AM Example #1
JS BinAM Example #2
JS Bin"Frequency Modulation Synthesis is used to make periodic changes to the frequency of an oscillator. In its simplest form, Frequency Modulation uses two oscillators. The first is the carrier oscillator, which is the one whose frequency will be changed over time. The second is the modulator oscillator, which will change the frequency of the carrier."
flossmanuals.net
var context = new webkitAudioContext(),
carrier = context.createOscillator(),
modulator = context.createOscillator(),
modulatorGain = context.createGainNode();
carrier.connect(context.destination);
modulator.connect(modulatorGain);
modulatorGain.connect(carrier.frequency);
FM Example #1
JS BinFM Example #2
JS Bin"BiquadFilterNode is an AudioNode processor implementing very common low-order filters. Low-order filters are the building blocks of basic tone controls (bass, mid, treble), graphic equalizers, and more advanced filters. Multiple BiquadFilterNode filters can be combined to form more complex filters."
#BiquadFilterNodeenum BiquadFilterType {
"lowpass",
"highpass",
"bandpass",
"lowshelf",
"highshelf",
"peaking",
"notch",
"allpass"
};
interface BiquadFilterNode : AudioNode {
attribute BiquadFilterType type;
readonly attribute AudioParam frequency; // in Hertz
readonly attribute AudioParam detune; // in Cents
readonly attribute AudioParam Q; // Quality factor
readonly attribute AudioParam gain; // in Decibels
void getFrequencyResponse(Float32Array frequencyHz,
Float32Array magResponse,
Float32Array phaseResponse);
};
Simple BiquadFilterNode()
Example


Product Category:
Select A Product
@foreach($prod as $cat)
{{$cat->product_cat_name}}
@endforeach
Product Name:
Product Name
Product Price:


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 4
For the spring rolls, place the shrimps, beansprouts, lemongrass and galangal into a bowl and mix well.
Place the tamarind paste, soy sauce and sake into a clean bowl and whisk to combine. Add to the shrimp mixture and stir to combine.
Add the chilli, coriander and white pepper to the shrimp mixture and stir well. Check the balance of flavours, you have control over how sharp this dish tastes - if the mixture tastes too sharp add a bit of palm sugar.
Brush a spring roll wrapper with the beaten egg. Place a quantity of the shrimp mixture into the middle of the wrap and roll up like a cigar, tucking the ends in, making sure that it is sealed totally. Repeat this process with the remaining spring roll wrappers and shrimp mixture.
Fill a deep, heavy-bottomed pan half-full with groundnut oil and heat until a breadcrumb sizzles and turns brown when dropped into it. (Caution: hot oil can be dangerous. Do not leave unattended.)
Carefully add the spring rolls in batches of three or four and deep-fry until golden brown and hot inside.
For the lime dipping sauce, place the garlic, ginger, chillies and palm sugar into a pestle and mortar and grind to a paste. Add the lime juice and fish sauce, then transfer to a clean bowl and mix well.
For the peanut and lime vinaigrette, place all of the ingredients into a bowl and mix well.
To serve, place a small handful of watercress onto plates. Place three or four spring rolls on top and serve the dipping sauces alongside.


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models.persistence
The companion object.
case class Participation(id: Long, name: String, lastName: String, rut: String, eventId: Long, dispId: Long, career: String, date: java.sql.Timestamp, sender: String) extends BaseEntity
The companion object.


The Tortoise, you know, carries his house on his back. No matter how hard he tries, he cannot leave
home.
After many years, Tortoise began to wish he had gone to that wedding. When he saw how gaily the birds
flew about and how the Hare and the Chipmunk and all the other animals ran nimbly by, always eager
to see everything there was to be seen, the Tortoise felt very sad and discontented. He wanted to
see the world too, and there he was with a house on his back and little short legs that could hardly
drag him along.
One day he met a pair of Ducks and told them all his trouble.
“We can help you to see the world,” said the Ducks. “Take hold of this stick with your teeth and we
will carry you far up in the air where you can see the whole countryside. But keep quiet or you will
be sorry.”
The Tortoise was very glad indeed. He seized the stick firmly with his teeth, the two Ducks took hold
of it one at each end, and away they sailed up toward the clouds.
Just then a Crow flew by. He was very much astonished at the strange sight and cried:
“This must surely be the King of Tortoises!”
“Why certainly——” began the Tortoise.
But as he opened his mouth to say these foolish words he lost his hold on the stick, and down he fell
to the ground, where he was dashed to pieces on a rock.
Foolish curiosity and vanity often lead to misfortune[Pg 13].


THE SHAWSHANK REDEMPTION A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): ****
Want to see a near perfect film? Like to see a movie where the people in it will undoubtedly get one or two best actor nominations (and possibly a best director)? Like slow moving almost dreamy films? Well, have I got a recommendation for you: see THE SHAWSHANK REDEMPTION!
THE SHAWSHANK REDEMPTION is based on a Stephen King book. Please do not get turned off. This is NOT a horror show or even close to it. It is the story of a strange quiet man (Tim Robbins) and his friend as well as the story's narrator (Morgan Freeman). 95% of the movie is set in a prison. Robbins and Freeman are both lifers. Everyone in the prison claims to be innocent with the exception of Freeman and the only one that appears to actually be innocent is Robbins. Robbins was a bank vice president on the outside. Freeman's specialty in prison is getting things for other prisoners. This plot setup happens in the first few minutes of the movie. After that it turns into a film about relationships and a dandy little mystery as well.
The acting is phenomenal. I knew Freeman could be this good (remember him in GLORY?), but I had no idea the depth of Robbins acting ability (my favorite of his before this was SHORT CUTS). Numerous excellent feature parts as well, especially the sinister warden (Bob Gunton) and the blood-thirsty head guard (Clancy Brown). Must have been a dozen other prisoners in memorable acting roles. Casting was right on the mark.
The director (Frank Darabont) really knew how to set the right pace and keep it. He made no mistakes in my book. The well written script (Frank Darabont and Stephen King) helped immensely as did the dark and somber cinematography (Roger Deakins).
You can not say too much about this show without giving key facts away so I will leave it at recommending you see it on a large screen with a quiet audience as this is one picture that will absorb you, and you want no interruptions. It starts well and ends well, but the 98% in the middle is the best part. See it now!
THE SHAWSHANK REDEMPTION runs 2:25. The editing (Richard Francis-Bruce) was perfect, and I would not have cut out a minute of it. It is correctly rated by the MPAA as an R. It actually has much less violence and profanity than you would expect in a prison show. I would have no problem in letting mature teenagers see it - take 'em with you, it is a serious show. I strongly recommend this perfect gem of a show, and I award it my top rating of ****.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEWED WRITTEN ON: September 28, 1994
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Google now adds Lens to its Chrome browser
Using Google Lens means that the image you are searching with is analysed so users can search for similar photographs, not just exact copies
by IANSMaking a nifty addition, Google has now included its Lens to the Chrome browser for smartphones. However, users have to manually enable the feature before they want to use it, the media has reported.
Using Google Lens means that the image you are searching with is analysed so users can search for similar photographs, not just exact copies.
This is a big improvement over the previous search by image option. For example, using it on this image of several breeds of dogs, Lens was able to identify the breeds as well as find related images. You even have the option to manually crop in on something in the image if Lens fails to identify it automatically, Android Central reported on Wednesday.
The feature is available for all users but, they have to make sure they have updated to the latest version.


As I’ve been working working to build this site into something flexible and robust enough to handle all the kinds of things I want to do with it, I keep coming back to wanting to be able to define custom content types, and to easily compose them together. Markdown is great as a text authoring format, but it’s not rich enough for many things we do.


The Legacy : INVICTUS
Invictus is the first edition as the Umbrella Techfest , being organized jointly by all the technical societies of Delhi Technological University.
Carrying on the legacy of the technical fests at Delhi Technological University, this year's fest will again be a platform for budding technocrats to explore and put their talent to test when they get to compete with other prodigies of their field in the nation.
The techfest will cover a wide variety of events mainly in the technical domain with some other miscellaneous events.
The events range from as conventional as Quizzes and Fun games to as advanced as Aerial Robotics and Machine Learning. The whole fest will be divided into zones where you would find same genre events and exciting cash prizes would await. The fest would cater to all kind of technocrats with skills ranging from soft skills to coding skills, hardware prowess to simulation and designing wizards.


The barista was so skilled at the canasta card game that he could always win, no matter how experienced and challenging his opponents were. [G|D]
The celesta musician had a flair for fashion and always dressed like a fashionista, making her the envy of all her music peers. [G|D]
The fiesta was the talk of the town, and despite the gangsta tendencies of some of the partygoers, it was still a fun and memorable night for everyone. [G|D]
During the siesta hour, one could always find a quiet and peaceful vista looking out onto the city skyline to take a moment of rest and relaxation. [G|D]


This subpart provides policy and procedures associated with Personal Identity Verification as required by—
(a) Federal Information Processing Standards Publication (FIPS PUB) Number 201, “Personal Identity Verification of Federal Employees and Contractors”; and
(b) Office of Management and Budget (OMB) Guidance M-05-24, dated August 5, 2005, “Implementation of Homeland Security Presidential Directive (HSPD) 12-Policy for a Common Identification Standard for Federal Employees and Contractors.”
(a) Agencies must follow FIPS PUB Number 201 and the associated OMB implementation guidance for personal identity verification for all affected contractor and subcontractor personnel when contract performance requires contractors to have routine physical access to a Federally-controlled facility and/or routine access to a Federally-controlled information system.
(b) Agencies must include their implementation of FIPS PUB 201 and OMB Guidance M-05-24 in solicitations and contracts that require the contractor to have routine physical access to a Federally-controlled facility and/or routine access to a Federally-controlled information system.
(c) Agencies must designate an official responsible for verifying contractor employee personal identity.
(d)(1) Agency procedures for the return of Personal Identity Verification (PIV) products shall ensure that Government contractors account for all forms of Government-provided identification issued to Government contractor employees under a contract, i.e., the PIV cards or other similar badges, and shall ensure that contractors return such identification to the issuing agency as soon as any of the following occurs, unless otherwise determined by the agency:
(i) When no longer needed for contract performance.
(ii) Upon completion of a contractor employee’s employment.
(iii) Upon contract completion or termination.
(2) The contracting officer may delay final payment under a contract if the contractor fails to comply with these requirements.
(a) In order to comply with FIPS PUB 201, agencies must purchase only approved personal identity verification products and services.
(b) Agencies may acquire the approved products and services from the GSA, Federal Supply Schedule 70, Special Item Number (SIN) 132-62, HSPD-12 Product and Service Components, in accordance with ordering procedures outlined in FAR Subpart 8.4.
(c) When acquiring personal identity verification products and services not using the process in paragraph (b) of this section, agencies must ensure that the applicable products and services are approved as compliant with FIPS PUB 201 including—
(1) Certifying the products and services procured meet all applicable Federal standards and requirements;
(2) Ensuring interoperability and conformance to applicable Federal standards for the lifecycle of the components; and
(3) Maintaining a written plan for ensuring ongoing conformance to applicable Federal standards for the lifecycle of the components.
(d) For more information on personal identity verification products and services see http://www.idmanagement.gov.
The contracting officer shall insert the clause at 52.204-9, Personal Identity Verification of Contractor Personnel, in solicitations and contracts when contract performance requires contractors to have routine physical access to a Federally-controlled facility and/or routine access to a Federally-controlled information system. The clause shall not be used when contractors require only intermittent access to Federally-controlled facilities.


ALL ABOUT JUSTIN BIEBER
A WEBSITE MADE FOR FANS
________Home________
__________About___________
__________Music__________
__________Social Media_________
_________Tour and Merchandise________
UNDER CONSTRUCTION


Using a Virtual Private Network (VPN) connection to access the CS Virtual Desktop from off-campus
Any computer connected to the Mount Union network can access the CS Virtual Desktop using a web browser. So if you have your own computer and are on campus, or if you use a computer in one of the labs on campus, you can directly access the CS Virtual Desktop using these instructions.
If you are using a computer that is off-campus and therefore not connected to the Mount Union network, you can connect to the campus with a Virtual Private Network, or VPN, connection, and then use a browser to connect to the CS Virtual Desktop. If you live off campus or commute to Mount Union, this gives you a way to access the course resources and campus network from home.
If you wish to set up a VPN connection, there are several steps that must be completed:
- You must first apply to IT for the right to use such a connection. Only users who have an academic need will be authorized to use a VPN connection, and as a student in a course in the CS department, you have such a need. The application form for you to fill out is linked to the second step at the bottom of this web page. The approval process may take a couple of days, and you will not receive an reply message telling you that you have been granted access. Contact Prof. Cindric via e-mail if your VPN access isn't working after a few business days and he will work with the IT staff to hopefully work out any problems.
- Once you have been approved, you need to install the GlobalProtect software that enables VPN connections to our network on your computer. The instructions for doing this are here in the third step at the bottom of the web page; there are separate instructions for Windows computers or Macs.
- You only need to install the GlobalProtect software once; after that, you use it to connect to Mount Union's network. The instructions are part of the documentation that you used to install the software in the previous item in this list.
- Once you are connected to the campus network via GlobalConnect, you can use a web browser to access the CS Lab Virtual Desktop.


THE GODFATHER: PART II A film review by James Berardinelli Copyright 1994 James Berardinelli
Another from the "revival theater":
Rating (0 to 10): 9.3
Year Released: 1974 Running Length: 3:20 Rated: R (Violence, mature themes, language)
Starring: Al Pacino, Robert DeNiro, Robert Duvall, Diane Keaton, Talia Shire, Lee Strasberg, John Cazale, G. D. Spradlin Director: Francis Ford Coppola Producer: Francis Ford Coppola Screenplay: Francis Ford Coppola and Mario Puzo based on the novel by Mario Puzo Cinematography: Gordon Willis Music: Nino Rota Released by Paramount Pictures In English and Italian with subtitles
A companion piece in the truest sense of the term, THE GODFATHER PART II earned as much adulation as its predecessor, if not more. Garnering twelve Academy Award nominations, and again winning Best Picture (and this time Best Director for Coppola as well), the second installment has been rightfully hailed as the best sequel of all time.
THE GODFATHER PART II is a more ambitious production than the original since it attempts not only to tell a pair of completely disconnected stories, but to do so in parallel. The less time consuming of the two presents the early life of Vito Corleone (played by Robert DeNiro) in Sicily and New York, and shows how he came into power. The other tale picks up approximately a decade after the conclusion of THE GODFATHER, and shows the means by which Michael Corleone (Al Pacino), now secure in his position, attempts to expand the family empire into Las Vegas and Cuba.
Michael lives his life and runs his business by two of his father's creeds: "A man who doesn't spend time with his family can never be a real man" and "Keep your friends close, but your enemies closer." There are times, however, when those precepts fail as guiding principles, such as when a betrayal occurs from within the family. Broken trust arising from so intimate a source can be devastating.
In THE GODFATHER, family was more important than anything to Don Vito Corleone. Michael has inherited his father's values and as PART II opens, he is surrounded by the Corleone clan as they gather for his son's first communion. A symmetry between the first and second films is established here--both open with a family assemblage, and each quickly establishes where the power lies as the don "holds court."
The Corleones no longer live in New York. They have moved to Nevada where they are amassing influence with the nebulous goal of some day becoming "legitimate." But the affairs of the East Coast are about to interfere as Frankie Pentangeli (Michael V. Gazzo) arrives to request the don's acquiescence to a hit. Michael cannot agree because such a killing would ruin certain business dealings currently in progress with the powerful and influential Hyman Roth (Lee Strasberg).
Plot and counterplot develop, and Michael becomes the focal point of a web of betrayal and deceit, turned against by those he had sought to protect. Assassination attempts and government probes target Michael, but he fights back using every scintilla of ingenuity he possesses and sacrificing much of his humanity in the process.
For a man constantly battling to keep his family together, a mournful irony of THE GODFATHER PART II is that Michael's efforts succeed only in fragmenting it. If the end of the first film was numbing, this one is shattering. The flashback preceding the final scene presents a stark differentiation of how things once were from what they have become.
A more comprehensive contrast emerges through the lengthy sequences detailing Vito Corleone's rise from obscurity. Showing his arrival at Ellis Island, his early relationship with Clemenza (Bruno Kirby), and his confrontation with Don Fanucci (Gastone Moschin), these segments stand in contradiction to Michael's scenes. Expansion is replaced by slow disintegration, energy and success by pain and failure. If young Vito's era is the Corleone's dawn, Michael's is the approaching twilight.
The danger in interweaving the early twentieth century story with the one from 1958 is that the momentum of either--or both--could be curtailed. While this occasionally happens (most notably in the first shift back to 1917, shortly after the assassination attempt on Michael), Coppola handles the transitions adroitly, keeping the pace consistent enough to limit any sense of jarring or disorientation.
The traditional elements of the Tragedy introduced in THE GODFATHER reach their maturity in PART II. Much of the humanity remaining to Michael at the outset is leeched from him with each deception and setback. Late scenes with a resentful Fredo (John Cazale) and a bitter Kay (Diane Keaton) emphasize the price for Michael of continuing his father's dominion. His flaw is his imperceptiveness and, as is the case for any hero in a story of this nature, its effects are crippling.
Primarily due to the scope of events, PART II is not as tightly-scripted as PART I. While most of the first film takes place in New York (with a few excursions elsewhere), here the settings vary: Sicily, Ellis Island, New York, Nevada, Cuba, Miami, Washington DC .... In letting their characters escape the confines of the "old neighborhood", Coppola and Puzo lessen the intimacy of certain interpersonal conflicts.
Visually, many of Michael's scenes have a more gloomy appearance this time around. Especially during the latter portions of the film, the don is shown in severely underexposed settings, appearing as a silhouette. His is a voice from the darkness--a photographic mirror of what's happening beneath the surface.
As the beginning of PART II echoes the opening of THE GODFATHER, so too does the end. Because of the manner in which circumstances are handled and considering the people involved, the impact here is more forceful. The tragic flaw has accomplished its poisonous, inevitable designs. Coppola punctuates both movies with a gut-twisting exclamation point.
Combined, THE GODFATHER and THE GODFATHER PART II represent the apex of American movie-making and the ultimate gangster story. Few sequels have expanded upon the original with the faithfulness and detail of this one. Beneath the surface veneer of an ethnic period piece, THE GODFATHER is not so much about crime lords as it is about prices paid in the currency of the soul for decisions made and avoided. It is that quality which establishes this saga as timeless.
- James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


May 17, 2015
Ruby blocks, procs, and lambdas are basically closures. In Ruby, we've already seen one of them many times: blocks! Whenever we use an enumerable, such as each or map, we are sending a block of code to the Array or object we are calling the enumberable method on. For example, our block here is the code between the brackets:
Procs, aka Procedures, come in handy when we want to use a block over and over again. We don't want to have to repeat ourselves, so we can actually save a reusable chunk of code as an object itself, which is a Proc! Technically, a block is a Proc (and a Proc is a block?! yes), but it's a "reduced," temporary version that makes it easy for us to use methods like each and select. Procs are the real deal - think of them as more permanent, portable chunks of code. You can save Procs to a variable, like so:
Lastly, we have lambdas, which we'll see a little less typically. Lambdas are basically functions. They are comparable to what's known as the anonymous function in JavaScript. They check the number of arguments passed and their last expression is a return value. Returns will return only from the lambda itself, not from the method it's enclosed in (if it's enclosed in a method at all). Let's say we have an area in our code where we want to return 5 if our made up game needed our flavor to be "cherry":
This lambda will return 5 since our argument is indeed "cherry." I'll stop here. We won't be using these concepts for a while, but I learned a little about each and hope you did, too!


| AwardsPlayers {Lahman} | R Documentation |
Award information for players awards
data(AwardsPlayers)
A data frame with 6236 observations on the following 6 variables.
playerID
Player ID code
awardID
Name of award won
yearID
Year
lgID
League; a factor with levels AA
AL
ML
NL
tie
Award was a tie (Y or N)
notes
Notes about the award
Lahman, S. (2021) Lahman's Baseball Database, 1871-2020, 2020 version, http://www.seanlahman.com/baseball-archive/statistics/
data(AwardsPlayers) # Which awards have been given and how many? with(AwardsPlayers, table(awardID)) awardtab <- with(AwardsPlayers, table(awardID)) # Plot the awardtab table as a Cleveland dot plot library("lattice") dotplot(awardtab) # Restrict to MVP awards mvp <- subset(AwardsPlayers, awardID == "Most Valuable Player") # Who won in 1994? mvp[mvp$yearID == 1994L, ] goldglove <- subset(AwardsPlayers, awardID == "Gold Glove") # which players won most often? GGcount <- table(goldglove$playerID) GGcount[GGcount>10] # Triple Crown winners subset(AwardsPlayers, awardID == "Triple Crown") # Simultaneous Triple Crown and MVP winners # (compare merged file to TC) TC <- subset(AwardsPlayers, awardID == "Triple Crown") MVP <- subset(AwardsPlayers, awardID == "Most Valuable Player") keepvars <- c("playerID", "yearID", "lgID.x") merge(TC, MVP, by = c("playerID", "yearID"))[ ,keepvars]


the and :â€". for with al.. that (). coronavirus are The SARS-CoV- COVID- cells respiratory viral virus immune from against response which severe patients SARS also infection acute were novel syndrome cell antibodies SARS-CoV proteins treatment {background has its been could was protein this human other COVID-. antibody have host potential ./s--- receptor Immunol. margin Med. clinical memory study {border-style disease drugs vaccine into like px;} such #ffffff;} children cytokine Virol. along case cytokines neutralizing similar different infection. innate responses specific symptoms Cell RNA T-cell These This being can coronaviruses not patients. via Dis. Infect MERS-CoV SARS-CoV-. Sci Viral antiviral entry expression individuals infected there used ./S-()- IL-, IgG convalescent coronavirus. during found infection, inflammatory plasma present spike these trial (â€"). MHC after associated cells, further genome may pro-inflammatory results some structural therapy vaccines various whereas Clin Nat both but epitopes immunity more numerous observed replication reported tested .collab: Coronavirus Engl IgM MERS Res. caused detected effective emerging enhanced had humoral monoclonal patients, polymerase protease signaling than their ACE April Available MERS, Natl Rev approach at: coronaviruses. development functional increased inhibit inside interferon leads membrane new online pneumonia production protective px; rapid recent recovered region showed target trials viruses while {font-family (accessed ./jvi.- ./pnas. ADE Acad Biol East However, Med Middle Proc USA. accessory cells. developing drug due font-size genetic group help hence hydroxychloroquine known mechanism molecules mutations number phase previously randomized reports storm targeting therapeutic under upon using very (), Cell. China. Host Lancet Lancet. ORF SARS-CoV-, Severe Treatment adaptive analysis animal blood cases combination days diseases domain double; followed higher interaction lung major many might mutation nucleocapsid nucleoside one pediatric presentation previous pulmonary recombinant severity shown small strong studies surface system those time treating use where who â€" â€". -nCoV ./.. ./NEJMoa ./j.-...x Another Emerg Microbiol. Nature. Numerous RBD Science. Syndrome Type United Virus able activity all anti-inflammatory antigens any border-color border-width candidate class common compared damage developed effectively efficacy elevated essential eventually few function gene genes highly influenza inhibitors inhibits interferons lungs mice molecular non-structural only outcomes particle pathogenesis patient placebo possible protein, protein. receptors reduced remdesivir report required response, response. result several solid; spread strategies structure subunit syndrome. then they two type whole will {font-style {font-weight & (-nCoV) ./... ./j.cell... ./j.chom... ./j.virusres... ARDS Agents. Cytokine Exp FDA Figure Human IFN-stimulated Immune Institute Microbe. Microbiol NSP New North Remdesivir Respiratory Rev. SARS, STAT Therefore, Transl University across action activate admitted agent analog antigen approved available better bold cancer cascade causing cell, chloroquine coronavirus: courier; decreased diagnostic disease. early effectiveness effector either em; employed envelope epitope first having healthy i.e., identify immunogenicity implications including individuals. infect infections infections. initial insights involving lead mesenchymal model models most mouse neutralize now onset outbreak outcome pandemic pathogenesis. peripheral population potent proteins, provided pt;} rate recognized reduce release responses. resulting revealed samples secretion sequences sequencing sera shedding single-domain ssRNA study, suggest suggesting through transcription usage vaccines, vaccines: virus, virus. vivo world


What did you see?
States with the Most UFO Sightings
States with the Least UFO Sightings
Most Common Shapes
Least Common Shapes
Total Sightings by Day


text(counter);
Welcome to my website! I'm a 20 year old student. My greatest passions are Languages and Computers. I'm always wondering how we build our relationships with people and machines. So, if you want to learn more about me, just click the forward button.


|
[1]
|
Peter R Gent and James C Mcwilliams.
Isopycnal mixing in ocean circulation models.
Journal of Physical Oceanography, 20(1):150-155, 1990.
[ bib ]
|
|
[2]
|
David R Jackett and Trevor J McDougall.
Minimal adjustment of hydrographic profiles to achieve static
stability.
Journal of Atmospheric and Oceanic Technology, 12(2):381-389,
1995.
[ bib ]
|
|
[3]
|
John Marshall, David Ferreira, JM Campin, and Daniel Enderton.
Mean climate and variability of the atmosphere and ocean on an
aquaplanet.
Journal of the Atmospheric Sciences, 64(12):4270-4286, 2007.
[ bib ]
|
|
[4]
|
Geoffrey K Vallis.
Atmospheric and oceanic fluid dynamics: fundamentals and
large-scale circulation.
Cambridge University Press, 2006.
[ bib ]
|


Tessellate
Meaningfulness
Put in what is most meaningful to you, then click submit. (V1.1)
Something important:


Dev Guide
This guide is aimed to contributors wishing to understand the internals of the code in order to change/evolve the component.
Note: this guide refers to version 5 which is currently in alpha and will be updated as we progress
Introduction
This component consists actually of 2 subcomponent UI widgets one for the date and one for the time selection process. The developers can configure which of those are needed and also the granularity that the component will allow the users to select a date/time. Developers also choose the format that the selected date/time will be displayed in the input field.
The component uses on jQuery
, moment.js
libraries.
Code
Private variables
-
element
- Holds the DOM element this instance is attached to -
options
- Holds an object with the currently set options for the specific instance of the component. Don't directly change the properties of that object use the public API methods instead. DO NOT expose this object or its properties outside of the component. -
date
- Holds the moment object for the model value of the component. DON'T directly change this variable unless you REALLY know what you are doing. UsesetValue()
function to set it. It handles all component logic for updating the model value and emitting all the appropriate events -
viewDate
- Holds the currently selected value that the user has selected through the widget. This is not the model value this is the view value. Changing this usually requires a subsequent call toupdate()
function -
unset
- Aboolean
variable that holds whether the components model value is set or not. Model's value starts asunset = true
and if is either set by the user or programmatically through the api to a valid value then it is set tofalse
. If subsequent events lead to an invalid value then this variable is set totrue
again. Setting this variable usually takes place in thesetValue()
function. -
input
- Hold the DOM input element this instance is attached to -
component
- Holds a reference to the .input-group DOM element that the widget is attached or false if it is attached directly on an input field -
widget
- Holds a reference to the DOM element containing the widget orfalse
if the widget is hidden -
use24hours
- Holds whether the component uses 24 hours format or not. This is initialized on theformat()
function -
minViewModeNumber
- Holds the Numeric equivalent of the options.minViewMode parameter -
format
- Holds the current format string that is used for formatting the date model value. Note this is not the same thing as theoptions.format
as the second could be set tofalse
in which case the first takes the locale'sL
orLT
value -
currentViewMode
- Hold the state of the current viewMode for the DatePicker subcomponent -
datePickerModes
- An array of objects with configuration parameters for the different views of the DatePicker subcomponent -
viewModes
- An array of strings containing all the possible strings thatoptions.viewMode
can take throughviewMode()
public api function -
directionModes
- An array of strings containing all the possible strings thatoptions.direction
can take throughdirection()
public api function -
orientationModes
- An array of strings containing all the possible strings thatoptions.orientation
can take throughorientation()
public api function
Private functions
Events related
-
notifyEvent(e)
- Use this function when you want to send en event to listener this could be used as a filter later -
stopEvent(e)
- Shortcut for stopping propagation of events -
keydown(e)
- Function to trap -
change(e)
- Listener function to track change events occurring on theinput
dom element the component is attached to -
attachDatePickerElementEvents()
- Attaches listeners to the existing DOM elements the component is attached to. Called upon construction of each datetimepicker instance -
detachDatePickerElementEvents()
- Detaches listeners from the DOM element the component is attached to. Called ondestroy()
-
attachDatePickerWidgetEvents()
- Attaches listeners on the components widget. Called onshow()
-
detachDatePickerWidgetEvents()
- Detaches listeners on the components widget. Called onhide()
Model related
-
setValue(targetMoment)
- Sets the model value of the component takes a moment object. Anerror
event will be emmited if thetargetMoment
does not pass the configured validations. Otherwise thedate
variable will be set and the relevant events will be fired. -
isValid(targetMoment, granularity)
- returnstrue
if thetargetMoment
moment object is valid according to the components set validation rules (min/maxDates
,disabled/enabledDates
anddaysOfWeekDisabled
). You may pass a second variable to check only up the the specific granularityyear, month, day, hour, minute, second
Utilities
-
indexGivenDates (givenDatesArray)
- Function that takes the array fromenabledDates()
anddisabledDates()
public functions and stores them as object keys to enable quick lookup -
isInEnableDates(date)
- Checks whether if the given moment object exists in theoptions.enabledDates
object -
isInDisableDates(date)
- Checks whether if the given moment object exists in theoptions.disabledDates
array -
dataToOptions()
- Parsesdata-date-*
options set on the input dom element the component is attached to and returns an object with them -
isInFixed()
- Checks if the dom element or its parents has a fixed position css rule. -
parseInputDate(date)
- Parses a date parameter with moment using the component'soptions.format
andoptions.useStrict
. It returns amoment
object or false ifparsedMoment#isValid()
returnsfalse
. Use this to parse date inputs from outside the component (public API calls). -
init()
- Initializes the component. Called when the component instance is created


A completely custom Wordpress + WooCommerce theme. Broccali is a "best of" site which sources interesting products from the e-commerce platform AliExpress.
A redesign of a local cafe. Built with HTML, CSS, and jQuery and developed into a Wordpress theme with the plugin Advanced Custom Fields and Wordfence for security.


We examine infrastructure!
- e-enable vertical e-markets
- synthesize sticky web-readiness
- enable B2B vortals
- extend clicks-and-mortar schemas
- orchestrate global systems
- facilitate vertical supply-chains
- unleash rich web-readiness
- drive visionary web services
- expedite cross-media interfaces
- drive B2B partnerships
- transition world-class deliverables
- exploit sticky vortals
- drive proactive e-commerce


Margaret Murray
Democrat
Director of Finance, Peak Health Alliance
BA, International Affairs with a concentration in International Economics. The George Washington University, Washington, DC.
80435
I have volunteered in the following political capacities: ∙ Summit County Democratic Party, Precinct Committee Person (2016-present) ∙ Barack Obama/Summit County Democratic Party, Canvasser (2012) ∙ Barack Obama/Summit County Democratic Party, Canvasser (2008) In 2018, I ran for the position of Summit County Treasurer, a race which I lost in the primary. I have made monetary and/or in-kind donations to the following campaigns since November 10, 2015: Citizens for Strong Summit Schools, Committee to Elect Emily Tracy to SD8, Committee to Elect Millie Hamner, Summit County Democrats, Friends of Dan Gibbs, Arapahoe County Democratic Party, McCluskie For Colorado, Neguse For Congress, and Friends of Josh Blanchard. These donations totaled $438.25. I also donated to my own 2018 campaign (Maggie For Treasurer).
I am a lifetime member of Girl Scouts of the USA and have volunteered extensively for Girl Scouts of Colorado. Since November 2015, my volunteer roles with Girl Scouts have included Board of Directors (2012-2020), Board Treasurer (2018-2019), Board Finance & Audit Committee (2017-2020), Board Governance Committee (2015-2018), a mentor to girls working on their Gold Award projects (2016-present), a trainer of adult volunteers (2008-2018), and Product Sales Manager for Summit and Lake Counties (2015, 2016). I currently serve as a member of my local Planning Commission (Summit County, Snake River Basin), a position to which I was appointed in 2019. I have been elected to two terms on my homeowner’s association board (2016-present), serving as Vice President and then as Treasurer. I also volunteer for various nonprofits including High Country Conservation Center, Keystone Citizens League, Continental Divide Land Trust (now Colorado Open Lands), and Summit Huts Association.
I have worked on a number of statewide initiatives charged with representing the interests of people from across Colorado. For example, as a member of the statewide Girl Scout Membership Connection Committee (2008-2014) I helped plan listening sessions for volunteers to share input with the council’s senior leadership. We met all over Colorado, and I personally facilitated or organized conversations in communities including Olathe, Pueblo, Windsor, Highlands Ranch, Durango, central Denver, Ft Morgan, and Pagosa Springs. Through those experiences, I learned to draw out common values and needs, and to simultaneously hear and respect the true differences between various areas of the state. Particularly relevant to this application, my experience while serving on this committee included a project to redraw the maps that established the council’s governance regions. After resolving geographic discrepancies between the regions used for management and those used for governing, we identified clusters of communities with like-interests to ensure adequate representation from each area.
Simply put, I want to serve because I believe that good districts make better legislators. Rather than being beholden to particular interests or groups, impartial maps help ensure that legislators understand, listen to, and act on the interests of ALL their constituents. Most importantly, I believe that well-drawn districts can help encourage our elected leaders to work together and compromise to find the best solutions for all Coloradoans.
My personal core values are fairness, cooperation, and working for the common good. I will bring these values to my work as a commissioner – without regard for political party. When making tough decisions, I seek to listen first. Rather than presuppose an answer, I ask questions and consider the problem from multiple angles. Each person’s expertise and experiences are like data points, illuminating an issue’s root causes; therefore, it’s important to me to gather as much input as is feasible. As a connector of ideas, I’m then able to tie those perspectives together to help groups find common ground, shared values, and mutually agreeable solutions.
I work every day in the analytical fields of finance and accounting, and pride myself on my ability to solve problems with data. As the top financial officer in my organization, I frequently guide colleagues through complex business issues, helping find patterns in the financials that others don’t see. I am very comfortable working in large data sets, applying logic, and using software to arrange and analyze information.
Female


Isaac has been involved in the computer science field since high-school where he and friends entered mathematics and coding competitions. As the head presenter and team organizer of the projects, Isaac and his friends gained titles such as first place at an SDSU programming competition. With these skills established, Isaac took on undergraduate research on Knot Theory at the University of St. Thomas where he learned scripting with Perl, C and creating custom directory trees. He then presented the results of knots under tight confinement at the Joint Mathematics Meeting in San Diego. These experiences add to his classwork knowledge in Java, SQL, C#, and R to supply him with a strong technical background.
Isaac thrives when learning new coding languages and applying knowledge towards projects and competitions. His ability to adapt to a group promotes team synergy to its maximum. When it comes to presenting he has confidence and can convey team objectives clearly.
Zach is a computer science major with minors in Mathematics and Mathematical Statistics. He is no stranger to working with quantitative problems and has been an undergraduate researcher in the field of Mathematics for over a year. He looks forward to doing research in the Computer Science department next year, as well as taking over duties as the new president of Computer Science club.
Zach considers himself to be a strong learner and to have a broad range of skills within the Computer Science field. He loves learning new things, whether an entirely new area, or little tidbits in areas he's already comfortable in. Tackling tough problems and coming out on top is one of his favorite feelings.
...so many
Will is an expert in few, important arts; relaxing, cycling, and barbecue. When he's not in the classroom, Will loves spending his time in the local butchershop selecting only the best cuts of meat to throw on the barbecue pit. Another major strenght Will displays is the strict following of rule #5. Rule #5 is life.
Node allows for easy installation of modules and hosting data on a server.
Phaser is a very powerful 2D game engine framework. It has loads of utilities for loading graphics and handling physics. Most of our client side is built on or heavily incorporates Phaser
Tiled provided us with a very easy tilemap creation interface and customization. We used tilemap to generate the background tiles and the locations of all the walls and rocks.
We used Piskel to be able to resize some of the sprites in the sprite sheet and for creating seperate sprite files for each. We had to make the seperate files in order to have physics collisions on the sprites seperate from the tilemap. This included the players, fire, and bomb sprites.
Socket.io is a framework that makes websockets very easy to implement. It is used both server-side and client-side to send communications across the network.


Capture and retrieve the last time a function was run.
var lastRun = require('last-run');
function myFunc(){}
myFunc();
// capture the run after (or before) calling the function
lastRun.capture(myFunc);
// retrieve the last run time
lastRun(myFunc);
//-> outputs the Date.now() when capture was called
Note: this module uses a WeakMap shim, and throws on non-extensible functions on platforms that don't have a native WeakMap implementation
Takes a function (fn
) and returns a timestamp of the last time the function was captured.
Returns undefined if the function has not been captured.
The timestamp is always given in millisecond but the time resolution can be reduced (rounded down).
The use case is to be able to compare a build time to a file time attribute.
On node v0.10 or with file system like HFS or FAT, fs.stat
time attributes like mtime
precision is one second.
Assuming lastRun(fn)
returns<PHONE_NUMBER>111, lastRun(fn, 1000)
returns<PHONE_NUMBER>000.
The default time resolution is 1000 on node v0.10, 0 on node 0.11+ and iojs.
More information at default-resolution
and
undertaker PR #17.
Takes a function (fn
) and captures the current timestamp with Date.now()
.
If passed the optional timestamp, captures that time instead of Date.now()
.
The captured timestamp can then be retrieved using the lastRun
function.
Takes a function (fn
) and removes the last run timestamp for it.
MIT


/cosyan/admin
HTTP GET
Params
Returns the metadata for all tables.
token
: User authentication token./cosyan/login
HTTP GET
Params
Logs in to the DB and returns the user authentication token.
username
, mandatory: The name of the DB user.password
, mandatory: The unencrypted password of the DB user.method
, mandatory: Authentication method (LOCAL, LDAP)./cosyan/monitoring
HTTP GET
Params
Returns system monitoring info.
token
: User authentication token./cosyan/users
HTTP GET
Params
Returns the list of uses and their grants.
token
: User authentication token./cosyan/index
HTTP GET
Params
Looks up a key in an index and returns the corresponding values.
token
: User authentication token.session
: Session ID.index
, mandatory: Full index name.key
, mandatory: The value in the index to check./cosyan/sql
HTTP GET
Params
Executes an SQL script and returns the results.
token
: User authentication token.session
: Session ID.sql
, mandatory: The SQL script to execute./cosyan/cancel
HTTP GET
Params
Cancels the currently running query in the session.
token
: User authentication token.session
, mandatory: Session ID./cosyan/createSession
HTTP GET
Params
Creates a session for a given user and returns the session ID.
token
: User authentication token./cosyan/closeSession
HTTP GET
Params
Closes the session.
token
: User authentication token.session
, mandatory: Session ID./cosyan/entityMeta
HTTP GET
Params
User authentication token.
token
: User authentication token.session
: Session ID./cosyan/loadEntity
HTTP GET
Params
Returns the metadata for all entities.
token
: User authentication token.session
: Session ID.table
, mandatory: Full table name.id
, mandatory: Value of the ID column of the table./cosyan/settings
HTTP GET
Params
Returns the CosyanDB settings.


The game uses polyhedral dice with different numbers of sides. In these rules, the different dice are referred to by the letter d followed by the number of sides: d4, d6, d8, d10, d12, and d20.


Just a test
Just a test
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Just a test
Just a test
Just a test
Just a test
Just a test
Just a test
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Just a test
Just a test
Just a test


Page bookmarks:
Maj Articles
The articles are very short words used before nouns or equivalents. Articles are like adjectives but shorter. Maj uses several kind of articles to establish the noun role in a sentance.
For Maj the indefinite form is using numeral "una" for singular and "une" for plural. This form of article is sometimes used as pronoun but most of the time the noun is specified. Next examples show several forms of indefinite articles.
Examples:
- una kasa = a house
- une kase = a few houses
- ego kase = a single house
- eme kase = some houses
- ocy baka = any boat
- ogi kasa = every house
In sentances:
- ea vhzu una kasa = I see a house
- el sonu al ti kasa = It is your house
- ta vhzu una baka = You see a boat
- el sonu al mi baka = It is my boat
Definite article
The definite article is very similar to other European language. Maj definite article must agree with the noun number. For singular use "la" and for plural use "le". Also notice, "la" is often preceded by: {"pe, ip, yn, er"} or some other prepositions.
Examples:
- la kasa = the house
- le kase = the houses
- la baka = the boat
- le bake = the boats
In sentances:
- la Mytsa sonu pe la kasa! = The cat is on the house!
- le Mytse sonu ip la kasa! = The cats are at the house!
- la Mytsa sonu yn la baka! = The cat is in the boat!
- le Koike andu er mi neba! = The dogs are going to my neighbor!
Determinant article
The determinant article is establish more clearly the noun. It specify if the noun is close by or further away. This sometimes is used with gesture of pointing the thing with your finger towards the specified object.
Examples:
- eta = this
- ete = these
- esa = that
- ese = those
- odh = other
- ode = others
In sentances:
- le Mytse sonu pe esa kasa! = The cats are on that house!
- eta Mytsa sonu domo! = This cat is asleep!
- le bake sonu pe esa laka! = The boats are on that lake!
- ese bake sonu pe la laka! = Those boats are on the lake!
- le ode lake pa xaru bake! = The other lakes do not have boats!
- ea pa vhzu odh baka! = I don't see other boat!
- ogi baka xaru akva yn el! = Every boat has water in it!
- ome bake sonu liko! = All boats are wet!
The posesive article is used to express the relation between a particular object and a person that has it or owns it. The posesive article is often used in combination with pronoun or noun representing a person. There are two posesive articles: "al" for singular and "ale" for plural.
Examples:
- eta beba sonu al mio = this drink is mine,
- eta moka sonu al ti = this is your food,
- esa baka sonu al nos = that boat is ours,
Read next:
Pronouns


Fashion
Are you trying to make a fashion website but don’t have a template for it? We have the most comprehensive selection of the best free fashion website templates for blogs, magazines, fashion designers, brands and much more. Instead of starting from scratch, go ahead and choose from our tools that help you out with the development of your fashionable site. Modern, stylish, clean and nifty, these are the main characteristics of all our free templates for fashionistas.
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Home Fashion


What Is Facelets?
Facelets is a powerful but lightweight page declaration language that is used to build JavaServer Faces views using HTML style templates and to build component trees. Facelets features include the following:
Use of XHTML for creating web pages
Support for Facelets tag libraries in addition to JavaServer Faces and JSTL tag libraries
Support for the Expression Language (EL)
Templating for components and pages
Advantages of Facelets for large-scale development projects include the following:
Support for code reuse through templating and composite components
Functional extensibility of components and other server-side objects through customization
Faster compilation time
Compile-time EL validation
High-performance rendering
In short, the use of Facelets reduces the time and effort that needs to be spent on development and deployment.
Facelets views are usually created as XHTML pages. JavaServer Faces implementations support XHTML pages created in conformance with the XHTML Transitional Document Type Definition (DTD), as listed at http://www.w3.org/TR/xhtml1/#a_dtd_XHTML-1.0-Transitional. By convention, web pages built with XHTML have an .xhtml extension.
JavaServer Faces technology supports various tag libraries to add components to a web page. To support the JavaServer Faces tag library mechanism, Facelets uses XML namespace declarations. Table 5-1 lists the tag libraries supported by Facelets.
Tag Library |
URI |
Prefix |
Example |
Contents |
|---|---|---|---|---|
JavaServer Faces Facelets Tag Library |
http://java.sun.com/jsf/facelets |
ui: |
ui:component ui:insert |
Tags for templating |
JavaServer Faces HTML Tag Library |
http://java.sun.com/jsf/html |
h: |
h:head h:body h:outputText h:inputText |
JavaServer Faces component tags for all UIComponent objects |
JavaServer Faces Core Tag Library |
http://java.sun.com/jsf/core |
f: |
f:actionListener f:attribute |
Tags for JavaServer Faces custom actions that are independent of any particular render kit |
JSTL Core Tag Library |
http://java.sun.com/jsp/jstl/core |
c: |
c:forEach c:catch |
JSTL 1.2 Core Tags |
JSTL Functions Tag Library |
http://java.sun.com/jsp/jstl/functions |
fn: |
fn:toUpperCase fn:toLowerCase |
JSTL 1.2 Functions Tags |
In addition, Facelets supports tags for composite components, for which you can declare custom prefixes. For more information on composite components, see Composite Components.
Based on the JavaServer Faces support for Expression Language (EL) syntax, Facelets uses EL expressions to reference properties and methods of managed beans. EL expressions can be used to bind component objects or values to methods or properties of managed beans. For more information on using EL expressions, see Using the EL to Reference Managed Beans.


You need to complete a course before you can submit a review on it.
Follow these steps to review courses:
- Open the Completed Courses page.
- Click the course for which you want to submit a review.
- Scroll down to the User Reviews section and then click the number of stars you want to give the course in your review.
- Write your review.
- Click Submit Review.
The User Reviews section displays your review.


Retin Ready
Devices with Retina Display are really awesome, the image quality is incredible and this theme is ready to handle this feature. Logo and favicons have the optional retina version and we also offer support to Font Icons, since they are showed with maximum quality in these devices.


Options for a tenant resolver middleware.
Default constructor
public Void TenantResolverOptions()
Specifies where the tename name is located.
public TenantNameLocation NameLocation { get; set; }
Notifications.
public TenantResolverNotifications<TTenant> Notifications { get; set; }
Provider used to get a tenant object.
public ITenantProvider<TTenant> Provider { get; set; }
In this document


BMW Brought A Very Special M8 Gran Coupe To LA
Limited to 400 units, the BMW M8 Gran Coupe First Edition pays tribute to the original concept car.
by Martin BiggWhile the next-generation M3, M4, and 4 Series will have some polarizing styling changes previewed by the 4 Concept, the BMW M8 Gran Coupe is, by contrast, one of BMW's best-looking models to date. The beautiful high-performance grand tourer was unveiled to the world last month, but photos really don't do it justice. Trust us, it looks even better in the metal.
At the 2019 LA Auto Show, BMW brought the new M8 Gran Coupe to the LA Auto Show for its public debut in its range-topping Competition guise. One of the models on display was the limited First Edition model.
Limited to 400 units, the BMW M8 Gran Coupe First Edition is finished in a special Aurora Diamant Green metallic finish and Gold Bronze accents as a homage to the beautiful BMW Concept M8 Gran Coupe revealed earlier this year at the 2019 Geneva Motor Show.
It also rides on exclusive 20-inch wheels finished in Gold Bronze. Inside, there's a numbered "1 of 400" plaque highlighting the model's exclusivity. Production for the limited number M8 Gran Coupe First Edition will begin in March 2020, but pricing hasn't been announced yet. Only 50 examples are slated for the US.
Under the hood, the BMW M8 Gran Coupe First Edition is powered by the same 4.4-liter V8 as the regular M8 Gran Coupe Competition, which sends 617 horsepower and 553 lb-ft of torque to all four wheels through an eight-speed automatic gearbox. 0-62 mph takes three seconds flat before the M8 Gran Coupe Competition maxes out at an electronically limited 155 mph, which can be increased to 190 mph with the optional M Driver's Package.
Pricing for the M8 Gran Coupe starts at $130,000 and $143,000 for the M8 Gran Coupe Competition, plus a $995 destination charge.


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I had the opportunity to try it, after four weeks ago, having tried 2C-7-T and really liking it. I expected that this 'foxy' stuff would be a lot less intense and smoother and that maybe I would have some great sex on it with the guy I took it with. None of that ever happened.
My day started off with eating a pretty high caliber pot brownie and then later, before my friend and I drove off to some party in the mountains, I had another big brownie as an after dinner treat. I was pretty baked by the time I got to the party. It was a good freak-show of friends and costumes and errant psychic mayhem, but after two triple-shot, tall glasses of whiskey and Coke, I was bored and cranky. I grabbed my date and he wanted to leave as well so we did and dropped just 10 mg each of the 5-MeO-DiPT in the car on the way home.
I could feel it kick in in about twenty minutes with subtle body rushes accompanied by very slight distortions in temporal perceptions of the road and the headlights, as a passenger in a car. About twenty minutes or so into it and almost home, I started to feel really rushed out - as in my body just felt tingly and strange and I felt kind of wound up although I didn't quite feel speeded out or anything like I can get with Extacy sometimes - except this didn't have the benefit of the E euphoria at all.
We got home and decided to take my dog to the park at 1 in the morning. The walk was nice and moving helped direct this ball of energy I had welling up in me. I noticed too that both my friend aI seemed like we were walking a little to the side or stumbling slightly almost. On our walk, I continued to notice a heightening sense of tension that I and couldn't quite figure out. It was in my body and yet my body felt really gelled out and when I would stop to see if I had any hand tremors, there were none. It was a very strange disassociative type body reaction. It was like I was split off and having two separate reactions at the same time. I didn't quite know what to make of it.
On our way back home, I noticed slight visual distortions around shadows and long distances ( like looking down an alley for a couple of blocks). Lots of shadows coming out of the shadows and a slight amount of paranoia had set in too (2 a.m. not a great neighborhood - weird noises seemed pronounced). When we did get home, I realized the tension in my body, was really not comfortable to the point of becoming unbearable. Since I could not really figure out if it was in my mind or not, I feel I spent the rest of the night trying to see if i could understand what the whole buzz was doing so I could at least try and master it rather than let the body buzz get the better of me. My friend had to remind me too that that is exactly what I needed to do. He is more of a veteran at this stuff and I am more of a reborn veteran these days.
For a while I felt a very erotic sense of stimulation in my genital area but that soon gave way to a feeling of being really anxious and almost short of breath. My friend said he was not sure what he was really feeling either and took some time to try and talk me out of having a panic attack. I finally took an Ativan (an anti-anxiety med) to see if would help take the edge off and instead I ended up with some serious visual hallucinations such as the walls and books in the bookcase bending, sparks of different colors darting by my peripheral vision quite often. If I really focused on something, the visuals were actually quite intense.
About two hours into it, I noticed that my back was really really sore and so I drew a hot bath and soaked in that for a while and then we went outside where I spun some poi and I noticed that being outside (it was a lovely full moon night too) really seemed to help make it better and the moving my body helped too. I could really feel the energy of Gaia outside on this stuff and the trees seemed to be supporting me.
When we got back inside both of us started to laugh because we realized we had been standing around my kitchen just totally spacing out. I found a muscle relaxant, Zaniflex, and took half of that and felt much better - actually kind of slept most of the rest of the trip off. I could have tried to have sex but my body felt so weird and the back pain so immense, that I just could not get turned on. As well, I felt that the sense of empathy I have had with this guy I have been dating (who I took this with), was gone and replaced by fears that he would see how badly I was handling this drug and that I would ruin his trip or change his opinion about me permanently. At least he seemed to have some great insightful things to tell me about myself that I try not to let anyone see. That was kind of disconcerting.
 I was in a really weird headspace and I could tell that he was trying to get a grip on it too and to manage his own impression of me having kind of a freaky time with it. I didn't ruin the evening for him, and I did get a grip, but for a while there, I didn't feel so happy to have taken 5-MeO-DiPT. My back hurt and I couldn't relax the tension in my body.
I do not think I would try it again. It seemed a waste of time just feeling uncomfortable and not quite knowing how to get into the flow of it or how to relate to the other person as well. I found it to be a very alienating, awkward experience that I could not control until I had taken enough sedatives and done enough to loosen my body up.
As I write this, I have woken up, my friend still asleep and I am drinking coffee and smoking some weed and I feel pretty good now about 10 hours later - still seeing some slight visual residue around things and feeling a lot calmer and more hopeful that today will be better than last night was.
I would not be totally opposed to trying 5-MeO-DiPT again, as it could have been affected by the head-space I had going into it, the brownies I had eaten the day before, and the alcohol that had already put me in a salty mood by midnight. Overall though, I'd rather take something else. This was not that fun and like I said, I spent most of my night (and so did my friend actually although he was said he was 'feeling no pain') trying to figure out what the buzz really was and how to get into it. It was hard not to, it was that odd and intense, yet not mind-blowing enough to put up with and have fun with it.
I am actually looking forward to my day of 5-MeO-DiPT aftereffects ahead. I still feel it in my system but I feel pretty good. Maybe it is time to go wake up the boy in my bed afterall! ;)
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Hi there! Simply type a book you like and click on the closest match. Pick a genre! Name of the book
Give a rating! (5 is the best!) 5 4 3 2 1


{% extends 'hxldash/info.html' %} {% load staticfiles %} {% block info %}
HXLDash stays GDPR compliant by storing no user data on our servers. Data is hosted on external services of your choice such as Google Drive, DropBox, One Drive and more. For the data to be accessed by HXLDash it has to be publicly viewable to the web. Therefore we advise that personal or sensitive data is not visualised on HXLDash.
HXLDash stores only select information on our servers, dashboard configurations and dashboard passwords (hashed and salted with PBKDF2) not associated with an account. The configuration and code to create the dashboard are then sent to the user where it is combined with the data.
If the Alpha testing proves successful we will seek to get funding to implement a secure service which is GDPR compliant so HXLDash can be used to visualise sensitive data sets.


Ina Singhal
I'm student of Bharati Vidyapeeth College Of Engineering and now I'm a third year student
you can know more about me:
Linkedin
github
Go back to home


--- layout: archive title: Zulip Chat Archive permalink: /stream/113489-new-members/topic/Bug.20with.20letter.20H.3F.html ---
Consider the following code:
structure X := mk :: (adj : Prop) constant S: set ℕ def th1 (K : X) := ∀ e ∈ S, K.adj def th2 (H : X) := ∀ e ∈ S, H.adj def th3 (Q : X) := ∀ e ∈ S, Q.adj
Is there a reason why Lean (online editor/VS) only throws an error for th2 when the letter H is used? This looks like a bug to me.
∀ e ∈ S
is sugar for ∀ e, ∀ H : e ∈ S
Good catch
I just read the error message
Thanks for the reply. It makes sense now!
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object velosurf.sql.Pooled
public abstract class Pooled
this abstract class represents a pooled object.
It has two booleans : inUse and useOver (understand : usageOver).
The cycle of those two booleans is the following :
states (inUse - useOver) : (false-false) -> (true-false) -> (true-true) -> [delay] (false-false)
| Field Summary | |
|---|---|
protected boolean |
mInUse
is this object in use ? |
protected long |
mTagTime
time tag |
protected boolean |
mUseOver
is the usage of this object over ? |
protected boolean |
mValid
valid statement ? |
| Constructor Summary | |
|---|---|
Pooled()
builds a new pooled object |
| Method Summary | |
|---|---|
abstract void |
close()
close this pooled object |
abstract ConnectionWrapper |
getConnection()
get the connection used by this statement |
long |
getTagTime()
get the time tag of this pooled object |
boolean |
isInUse()
checks whether this pooled object is in use |
boolean |
isValid()
checks whether this pooled object is marked as valid or invalid (used in the recovery process) |
void |
notifyInUse()
notify this object that it is in use |
void |
notifyOver()
notify this object that it is no more in use |
void |
resetTagTime()
reset the time tag |
void |
setInvalid()
definitely mark this statement as meant to be deleted |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
protected long mTagTime
protected boolean mValid
protected boolean mInUse
protected boolean mUseOver
| Constructor Detail |
|---|
public Pooled()
| Method Detail |
|---|
public long getTagTime()
public void resetTagTime()
public void notifyInUse()
public void notifyOver()
public boolean isInUse()
public boolean isValid()
public void setInvalid()
public abstract ConnectionWrapper getConnection()
public abstract void close() throws java.sql.SQLException
java.sql.SQLException
- when thrown by the database engine
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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


{% extends 'base.html' %} {% block title %} Upload Bulk Students from file {% endblock title %} {% block content %}
Please download the CSV file attached here. Fill in the sheet and upload the same file back to this page. DO NOT EDIT THE FIRST ROW


--- template: mail ---
Thanks for creating your #openHSV profile! Your account is in the queue to be approved. Once we verify that you're close enough to provide services to the Tennessee Valley, your profile will be live on the site. We’ll send you an email to confirm this.


Nelson Rolihlahla Mandela was a South African anti-apartheid revolutionary, political leader and philanthropist who served as President of South Africa from 1994 to 1999. He was the country's first black head of state and the first elected in a fully representative democratic election.


- Revision 95831: /
hestia/
oceanwp/
twentyeleven/
twentyfifteen/
twentysixteen/
Powered by
Apache Subversion
version 1.9.5 (r1770682).


Class InjectCollections
Applying this configuration to an ITargetContainer will enable automatic injection of collection types such as Collection<T>, ICollection<T>, ReadOnlyCollection<T> and IReadOnlyCollection<T> (so long as there are no registrations for these types in the target container when the configuration is applied).
Out of the box, such collections will be seeded by any objects that have been registered against the element type.
Inheritance
Inherited Members
Namespace: Rezolver.Configuration
Assembly: Rezolver.dll
Syntax
public class InjectCollections : OptionDependentConfig<EnableCollectionInjection>, ITargetContainerConfig, IDependant
Remarks
As with InjectLists this configuration object has a partner option - EnableCollectionInjection - which can be used to control whether collection injection is actually enabled by this configuration.
In normal operation, this configuration is applied by default to TargetContainer and OverridingTargetContainer instances via the
DefaultConfig combined config. To use the EnableCollectionInjection option to disable it, you can use
the Configure<TOption> configuration to configure the EnableCollectionInjection option to false
. The easiest way to do
that is via the ConfigureOption<TOption>(CombinedTargetContainerConfig, TOption) extension method or
one of its overloads.
Requires List Injection
Note that because Collection<T> and ReadOnlyCollection<T> both require an instance of IList<T> in their constructor, the target container MUST also be able to inject an instance of IList<T>. The best way to do this is to ensure the InjectLists and InjectEnumerables are both enabled (which they are, by default).
Properties
| Improve this Doc View SourceInstance
The one and only instance of the InjectCollections configuration.
Declaration
public static InjectCollections Instance { get; }
Property Value
| Type | Description |
|---|---|
| InjectCollections |
Methods
| Improve this Doc View SourceConfigure(IRootTargetContainer)
Adds registrations for Collection<T> and ReadOnlyCollection<T> to the targets
(including
their primary interfaces) so long as none of the types are already registered.
Declaration
public override void Configure(IRootTargetContainer targets)
Parameters
| Type | Name | Description |
|---|---|---|
| IRootTargetContainer | targets |


60%
60%
0%
3%
40% Complete (success)
20% Comlete
50% Comlete
70%
40% Comlete
20% Comlete
50% Comlete
70%
50%
35% Complete (success)
20% Complete (warning)
10% Complete (danger)


Lagrange Form
Say you want to find an function approximating a set of data points$(x_0, f_0), (x_1, f_1), \ldots, (x_n, f_n)$. One way to do this is to find a polynomial $p_n \in \mathbb{P}_n$ satisfying the interpolation property
Playing around a bit, we find that this polynomial can be written as
This is known as the Lagrange form of an interpolating polynomial, and is more commonly expressed as
and so $p_n(x_i) = f_i + \sum_{j=0\j\ne i}^n 0 f_j = f_i$.
It's not difficult to prove that $p_n$ is unique and of at most degree $n$, but we won't do that here.
Cost
The Lagrange form is not suitable for computation. Its construction requires massive multiplication and division, which can be catastrophic for floating point precision. The form is also not memoizable; evaluating $p_n(a)$ does not help in any part of the evaluation of $p_n(b)$ when $b \ne a$.
With some more play, we can get a computationally-suitable equation known as the Barycentric form of an interpolating polynomial, defined as
where $w_i$ is a barycentric weight
Because $\omega_i$ relies only on the explicitly-defined nodes $x_0, \ldots, x_n$, it does not need to be recomputed for subsequent evaluations of $p_n$.
Attempt 1
Approximating $f(x) = \sin(4x\cos(8x))$ with various degrees of the Barycentric interpolant, using equidistant interpolating nodes, gives
These polynomials definitely interpolate points of $f(x)$, but have the unfortunate tendency to blow up around the interval endpoints. Note that the magnitude of the error at the edges grows with the degree of the approximation.
Runge
This behavior is Runge's phenomenon, and means that increasing the order of an approximating polynomial interpolant may not improve its accuracyWhy this occurs is beyond the scope of this post; Wikipedia gives a good explanation..
One way to minimize Runge's phenomenon is to densify the interpolating points near the endpoints of the approximation intervalThereby more accurately fitting the parts of the approximation affected by Runge's phenomenon.. Chebyshev nodes exhibit exactly this kind of edge-heavy density, making them very useful for polynomial interpolation.
Creating a Barycentric interpolant with Chebyshev nodes yields a nice improvement.
Convergence
Plotting the pointwise error of the Barycentric interpolantgenerated with Chebyshev nodes approximating $f(x) = \sin(4x\cos(8x))$ suggests the polynomial interpolation is convergent.
Inspection of the error $l^2$ normsNote that many other norms can be used for convergence analysis as well. suggests more:
Order L2 norm 16 8.562880126489002 32 0.4243100460236342 64 5.324902188796007e-05 128 8.698460604825334e-14
Clearly, the rate of convergence is pretty fast.


Today in school a friend of mine gave me half a seroquel pill, the whole pill was 200 mg so i had 100mg. I had done seroquel before, but only 25 mg at a time. I was walking to first period, stopped at a drinking fountain and popped the half pill. I was sitting in S.S. next to a buddy of mine and we were talking about drugs n stuff like that. About 15 or 20 mins after taking the pill, I started to feel it.
It started out with me feeling a little bit tired, my head felt heavy, i wanted to go to sleep but a few weeks before that a friend of mine took a 200 mg seroquel and passed out for a while. towards the end of the period I noticed that the pill had somewhat of a pot effect on me, not so much the mental effects of a pot high, but the physical effects, but every drug effects everyone diferently...
The peak of the Seroquel lasted about 2 or 3 hours. When I came home from school, I felt extremely tired. I took a nap for a few hours and I still feel tired. My friend told me he read alot about seroquel after his bad experience, and he said it can like, change the way your mind works. in my opinion,it was fun, but I wouldn't do it as a recreational drug...expecialy if i had to pay for it.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Negative Language: WHY you should avoid it
Until recently, I had not given that much attention to one habit we
humans have: negative language
My reasoning can be more clearly understood with the help of the Venn
Diagram
The grey area is everything you could do, and the yellow one, what
should be done. Unfortunately, frequently, we will end up in places such
as the red dot, where our teacher/boss will happily reprimend us and
think that enough information has been provided . Surely it helps to say
we were wrong, it’s better than nothing, but it’s unexpectedly devoid of
much content. In the end, we are left with the negation of the red dot
as the possibly correct actions
Negative Language is also not welcome in many other topics, such as
Nonviolent Communication
Eventually, it all boils down to something I’ve learned through Go — and martial arts —: a punch to the face will (almost) always beat (fluffy) indirect movements; i.e., use direct and positive assertions, not indirect information or circumventions.


THAT DARN CAT A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ** 1/2
After seeing and being disappointed by the recent (1997) remake of THAT DARN CAT, we decided to go back and watch the original 1965 version starring Hayley Mills and Dean Jones. Although dated, the original clearly outshines the remake. Even the cat in the original possesses superior acting talent and a wider ranges of emotions.
Both versions are based on the book "Undercover Cat" by Gordon and Mildred Gordon. The book's authors as well as Bill Walsh are credited with writing the screenplay for the original. I have been told that the botched screenplay for the new version went through so many rewrites that the writers, S. M. Alexander and L. A. Karaszewski, tried to disassociate themselves from it. While no masterpiece, the script for the 1965 film evidences a certain charm. Unlike the broad slapstick of the remake, the original has a gentler and more subtle humor, plus it takes the cat and the detective story more seriously.
Both stories share a common plot outline. The cat, named D.C. for That Darn Cat, roams regularly every night. On one such occasion, a kidnapped woman replaces D.C.'s collar with her watch. D.C.'s owner, Patti Randall (Mills), discovers the watch and that someone has started to write "help" on the backside. (The remake changes it so that the partial word becomes a profanity, and they make much of the fact that it is cuss word. The original is much tamer, the only hint at foul language coming when Patti says her dad called D.C. something worse than "That Darn Cat.")
Whereas the new version has Christina Ricci as an apathetic teen, the original had the ever peppy Hayley Mills. Back in the 1960s, happiness was considered acceptable behavior for teenagers in films. Whereas angst-ridden Ricci tries to be unlikable, Mills's cheerfulness and sweetness makes her eminently likable.
Patti takes the watch to FBI Agent Zeke Kelso (Jones), who reluctantly organizes a team of agents to track D.C. on one of his nightly jaunts. Kelso takes his job seriously, which actually makes the result funnier. "Wherever the informant (the cat) leads," Kelso lectures his crack team. "It is our responsibility to follow him in a fluid moving perimeter."
The remake has Doug E. Doug as Kelso, and he so overacts that it is embarrassing to watch him. Jones does some slapstick in the original, but controls his acting. Outlandishness by itself rarely provokes laughter. Doug's Kelso was a buffoon, whereas Jones's Kelso approaches his assignment with gravity.
In the original, Kelso tracks the cat with figures on a board as a admiral might track his fleet. The agents sternly report in on D.C.'s every move. "I have the informant in sight," radios one of the agent trackers. "He's turning west in the alley toward Whittier Drive." Director Robert Stevenson (OLD YELLER) treats the material as a detective story that is humorous. The more the agents believe, the better it works.
The show has a strong supporting cast including William Demarest, Frank Gorshin, Roddy McDowall, and Ed Wynn. They all contribute to several interesting subplots.
My favorite part of the show? The drive-in. Patti and her boyfriend, Canoe (Tom Lowell), sit in his Woody with a surf board in back as they watch a surfer film. She complains that "all the surfer movies are alike," but they sit with their eyes glued to the screen anyway.
The original THAT DARN CAT runs a little too long at 1:56. It is rated G and contains nothing offensive. The movie is suitable for the entire family. My son Jeffrey, almost 8, likes both version, but prefers the remake. Go figure. I hated the remake, but recommend the original and give it ** 1/2.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: February 17, 1997
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Vizualize Greenland data with mouse and boxzoom: choose among glaciers, datasets.
Draw 3 lines (center, left, right) to represent glacier geometry.
Add new lines to draw (+) or choose a starting point to compute a flowline based on surface velocity data (++).
You can use the flowlines as a guide and subsequently move, insert, append points
so that spurious topographic features do not enter into the glacier geometry. After adding a flowline you may need to resample to a smaller number of points (e.g. 15) to move points more easily.
Use the inlet plot to vizualize the data unlerlying the lines.
You can download or upload your work anytime with (Download), or Save them to server (this will last only the time of one session)
When you have 3 satisfactory lines, rename the lines appropriately (left, middle, right) and press on Save & Mesh to construct a 2-D mesh,
a preliminary step prior to extracting 1-D flowline geometry.


#include <UXMLTree.h>
Public Member Functions | |
| UXMLTree (const char *fileName) | |
| class UXMLTree | |
| UXMLTree (irr::io::IrrXMLReader *reader, const tstring &fileName) | |
| ~UXMLTree () | |
| const tstring & | GetName () const |
| const tstring & | GetText () const |
| bool | GetAttribValue (tstring &text, const char *name) |
| public methods | |
| bool | GetAttribValue (int &value, const char *name) |
| bool | GetAttribValue (unsigned int &value, const char *name) |
| unsigned int | GetChildCount () const |
| URef< UXMLTree > | GetChild (unsigned int idx) |
| URef< UXMLTree > | GetChild (const char *name, unsigned int occ=0) |
| URef< UXMLTree > | FindChild (const char *name, unsigned int occ=0) |
| finds an occurence of a node in the subhierarchy. |
File: UXMLTree.h Author: Kevin Bray Created: 12-18-05 Copyright © 2005 Bootstrap Studios project includes. std c++ includes. class UXMLTree
Definition at line 26 of file UXMLTree.h.
| UXMLTree::UXMLTree | ( | const char * | fileName | ) |
| UXMLTree::UXMLTree | ( | irr::io::IrrXMLReader * | reader, | |
| const tstring & | fileName | |||
| ) |
| UXMLTree::~UXMLTree | ( | ) | [inline] |
Definition at line 31 of file UXMLTree.h.
| bool UXMLTree::GetAttribValue | ( | unsigned int & | value, | |
| const char * | name | |||
| ) |
Definition at line 65 of file UXMLTree.cpp.
| bool UXMLTree::GetAttribValue | ( | int & | value, | |
| const char * | name | |||
| ) |
Definition at line 54 of file UXMLTree.cpp.
| bool UXMLTree::GetAttribValue | ( | tstring & | text, | |
| const char * | name | |||
| ) |
find the child with the name passed in.
if we found it, return a smart pointer to it.
not found.
Definition at line 93 of file UXMLTree.cpp.
Definition at line 83 of file UXMLTree.cpp.
| unsigned int UXMLTree::GetChildCount | ( | ) | const |
Definition at line 76 of file UXMLTree.cpp.
| const tstring& UXMLTree::GetName | ( | ) | const [inline] |
Definition at line 33 of file UXMLTree.h.
| const tstring& UXMLTree::GetText | ( | ) | const [inline] |
Definition at line 34 of file UXMLTree.h.


Jéssica Guedes
jessicaguedes.tech
I'm a tech enthusiast, who loves learning and developing new technologies.


public class SlyxSocket
extends java.lang.Thread
| Modifier and Type | Field and Description |
|---|---|
boolean |
hasNewConnection |
boolean |
hasNewPendingRequest |
| Modifier and Type | Method and Description |
|---|---|
void |
close()
Close all processes in this instance and set the instance and the connected user to null
|
User[] |
getContacts()
Get an array of contacts of contact list
|
java.util.HashMap<java.lang.Integer,User> |
getHashmapContacts()
Get contacts
|
static SlyxSocket |
getInstance()
Instance getter of SlyxSocket, if instance is null, create a new one
|
User |
getMe()
Get the connected user
|
Message[] |
getMessagesOfContact(User contact)
Get messages of a specific contact
|
User[] |
getOtherUsers()
Get an array of contacts who are not in contact list
|
User[] |
getUserRequests()
Get an array of contact requests
|
static java.lang.String |
getVersion()
Get the version of the application
|
void |
removeContactRequest(User user)
Remove a user of contact requests list
|
void |
run()
The threaded comportment of the threaded socket
|
void |
sendAcceptContactRequest(int userID)
Send an accept contact request to server, it will answer later
|
void |
sendAddContactRequest(int userID)
Send an add contact request to server, it will answer later
|
void |
sendAskConnection(java.lang.String email,
java.lang.String password)
Send an ask connection request to server, it will answer later
|
void |
sendAskVersion()
Send an ask version request to server, it will answer later
|
void |
sendCallContactRequest(int from,
int to)
Send a call contact request to server, it will answer later
|
void |
sendDisconnectionEvent()
Send a disconnection request to the server
|
void |
sendGetContactsRequest()
Send a get contact request to server, it will answer later
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void |
sendGetMessagesOfContactRequest(User user,
User to)
Send a get message of contact request to server, it will answer later
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void |
sendGetPendingContactRequests()
Send a get pending contact request to server, it will answer later
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void |
sendGetUsersNotInContactList(User user)
Send a get user request to server, it will answer later
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void |
sendMessage(java.lang.String content,
User to)
Send a message to a specific user
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void |
sendRejectContactRequest(int userID)
Send a reject contact request to server, it will answer later
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void |
sendRemoveContactOfContactList(int userID)
Send a remove contact request to server, it will answer later
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void |
sendUpdateMySettings(boolean sounds,
int volume,
boolean notifications,
boolean calls,
boolean messages,
boolean connections)
Send an update settings request to server, it will answer later
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void |
setMe(User me)
Set the connected user
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activeCount, checkAccess, clone, countStackFrames, currentThread, destroy, dumpStack, enumerate, getAllStackTraces, getContextClassLoader, getDefaultUncaughtExceptionHandler, getId, getName, getPriority, getStackTrace, getState, getThreadGroup, getUncaughtExceptionHandler, holdsLock, interrupt, interrupted, isAlive, isDaemon, isInterrupted, join, join, join, resume, setContextClassLoader, setDaemon, setDefaultUncaughtExceptionHandler, setName, setPriority, setUncaughtExceptionHandler, sleep, sleep, start, stop, stop, suspend, toString, yield
public boolean hasNewConnection
public boolean hasNewPendingRequest
public static SlyxSocket getInstance() throws java.io.IOException
java.io.IOException
- In case of connection is not possiblepublic void run()
run
in interface java.lang.Runnable
run
in class java.lang.Thread
public void sendMessage(java.lang.String content, User to)
content
- Message contentto
- Recipientpublic void sendGetContactsRequest()
public void sendAddContactRequest(int userID)
userID
- User to add as a new contactpublic void sendRejectContactRequest(int userID)
userID
- User to reject from requestspublic void sendAcceptContactRequest(int userID)
userID
- User to accept as new contactpublic void sendGetUsersNotInContactList(User user)
user
- Mepublic void sendGetPendingContactRequests()
public void sendGetMessagesOfContactRequest(User user, User to)
user
- Meto
- We want messages of this contactpublic void sendAskVersion()
public void sendAskConnection(java.lang.String email, java.lang.String password)
email
- Email of userpassword
- Password of userpublic void sendUpdateMySettings(boolean sounds, int volume, boolean notifications, boolean calls, boolean messages, boolean connections)
sounds
- CheckBox to mute/unmute general soundsvolume
- Slider (0 to 100 percent) for general soundsnotifications
- CheckBox to have sounds in case of notificationcalls
- CheckBox to have sounds in case of incoming callmessages
- CheckBox to have sounds in case of incoming messageconnections
- CheckBox to have sounds in case of contact connectionspublic void sendRemoveContactOfContactList(int userID)
userID
- User to remove of contact listpublic void sendCallContactRequest(int from, int to)
from
- User who want to launch a callto
- User who will be calledpublic void sendDisconnectionEvent()
public void close() throws java.io.IOException
java.io.IOException
- In case of problem while closing or interrupting socketpublic User getMe()
public void setMe(User me)
me
- User object to set as connectedpublic static java.lang.String getVersion()
public java.util.HashMap<java.lang.Integer,User> getHashmapContacts()
public void removeContactRequest(User user)
user
- User to remove of contact requestspublic User[] getContacts()
public User[] getOtherUsers()
public User[] getUserRequests()