The boy rushed out at the sight, sped across the courtyard, and fled from the house. The poor child ran till he was quite out of breath. At last[279] he stopped at the church the doors of which were opened to him the night before, and went in. Here everything was bright, and the boy knelt down by the first tomb on his right hand, the grave of Michelangelo, and sobbed as if his heart would break. People came and went; the service went on, but no one noticed the boy except an elderly citizen, who stood still and looked at him for a moment and then went away like the rest. Hunger and thirst overpowered the child, and he became quite faint and ill. At last he crept into a corner behind the marble monuments and went to sleep. Towards evening he was awakened by a pull at his sleeve. He started up, and the same old citizen stood before him.
"Are you ill? Where do you live?  were some of the questions asked by the old man. After hearing his answers, the old man took him to a small house in a back street close by. They entered a glovemaker's shop, where a woman sat sewing busily. A little white poodle, so closely shaved that his pink skin could plainly be seen, frisked about the room and gamboled over the boy.[280]
"Innocent souls are soon intimate," said the woman, as she caressed both the boy and the dog.
 A simple little bed was prepared for him, but to him who had so often slept on the hard stones it was a royal couch, and he slept sweetly and dreamed of the splendid pictures, and of the Metal Pig. Giuseppe went out the next morning, and the poor child was not glad to see him go, for he knew that the old man had gone to his mother, and that perhaps he would have to return. He wept at the thought, and then played with the lively little dog and kissed it, while the old woman looked kindly at him to encourage him.
What news did Giuseppe bring back? At first the boy could not find out, for the old man talked to his wife, and she nodded and stroked the boy's cheek. Then she said, "He is a good lad, he shall stay with us.  Look what delicate fingers he has. Madonna intended him for a glovemaker."[281]
So the boy stayed with them, and the woman herself taught him to sew. He ate well, and slept well, and became very merry.  This made the woman angry, and she scolded him and threatened him, which made him unhappy, and he went and sat in his own room, full of sad thoughts. This chamber looked out upon the street, in which hung skins to dry, and there were thick iron bars across his window. That night he lay awake, thinking of the Metal Pig. Indeed, it was always in his thoughts. Suddenly he fancied he heard feet outside going pitapat. He sprang out of bed and went to the window. Could it be the Metal Pig? But there was nothing to be seen. Whatever he had heard had passed already.
"Go help the gentleman to carry his box of colors," said the woman the next morning when their neighbor, the artist, passed by, carrying a paint box and a large roll of canvas. The boy instantly took the box and followed the painter. They walked on till they reached the picture gallery, and mounted the same staircase up which[282] he had ridden that night on the Metal Pig. He remembered all the pictures and statues, especially the marble Venus, and again he looked at the Madonna with the Saviour and St. John. They stopped before the picture by Il Bronzino, in which Christ is represented as standing in the lower world, with the children smiling before him in the sweet expectation of entering heaven. The poor boy smiled, too, for here was his heaven.
"You may go home now," said the painter, while the boy stood watching him till he had set up his easel.
"May I see you paint?" asked the boy. "May I see you put the picture on this white canvas?"
"I am not going to paint," replied the artist, bringing out a piece of chalk. His hand moved quickly, and his eye measured the great picture, and though nothing appeared but a faint line, the figure of the Saviour was as clearly visible as in the colored picture.
 said the painter. Then the boy wandered home silently, and seated himself on the table, and learned to sew gloves. But all day long his thoughts were in the picture[283] gallery, and so he pricked his fingers and was awkward. But he did not tease Bellissima. When evening came, and the house door stood open, he slipped out. It was a bright, beautiful, starlight evening, but rather cold. Away he went through the already deserted streets, and soon came to the Metal Pig. He stooped down and kissed its shining nose, and then seated himself on its back.
"You happy creature," he said; "how I have longed for you! We must take a ride to-night."
But the Metal Pig lay motionless, while the fresh stream gushed forth from its mouth. The little boy still sat astride its back, when he felt something pulling at his clothes. He looked down, and there was Bellissima, little smooth-shaven Bellissima, barking as if she would have said, "Here I am, too. Why are you sitting there?"
A fiery dragon could not have frightened the little boy so much as did the little dog in this place. Bellissima in the street and not dressed! as the old lady called it. What would be the end of this? The dog never went out in winter, unless she was attired in a little lambskin coat,[284] which had been made for her. It was fastened round the little dog's neck and body with red ribbons, and decorated with rosettes and little bells. The dog looked almost like a little kid when she was allowed to go out in winter and trot after her mistress. Now, here she was in the cold, and not dressed. Oh, how would it end? All his fancies were quickly put to flight; yet he kissed the Metal Pig once more, and then took Bellissima in his arms. The poor little thing trembled so with cold that the boy ran homeward as fast as he could.
"What are you running away with there?" asked two of the police whom he met, and at whom the dog barked. "Where have you stolen that pretty dog?" they asked, and took it away from him.
"Oh, I have not stolen it. Do give it back to me," cried the boy, despairingly.
"If you have not stolen it, you may say at home that they can send to the watch-house for the dog." Then they told him where the watch-house was, and went away with Bellissima.
Here was trouble indeed. The boy did not[285] know whether he had better jump into the Arno or go home and confess everything. They would certainly kill him, he thought.
 And so he went home, almost hoping for death.
The door was locked, and he could not reach the knocker. No one was in the street, so he took up a stone and with it made a tremendous noise at the door.
"Who is there?" asked somebody from within.
"It is I," said he. "Bellissima is gone. Open the door, and then kill me."
Then, indeed, there was a great panic, for madam was so very fond of Bellissima. She immediately looked at the wall where the dog's dress usually hung; and there was the little lambskin.
"Bellissima in the watch-house!" she cried. "You bad boy! How did you entice her out? Poor little delicate thing, with those rough policemen! And she'll be frozen with cold."
Giuseppe went off at once, while his wife lamented and the boy wept. Several of the neighbors came in, and among them the painter.[286] He took the boy between his knees and questioned him. Soon he heard the whole story, told in broken sentences, and also about the Metal Pig and the wonderful ride to the picture gallery, which was certainly rather incomprehensible. The painter, however, consoled the little fellow, and tried to soften the woman's anger, but she would not be pacified till her husband returned from the police with Bellissima. Then there was great rejoicing, and the painter caressed the boy and gave him a number of pictures.
Oh, what beautiful pictures those were—figures with funny heads! And, best of all, the Metal Pig was there, too. Nothing could be more delightful! By means of a few strokes it was made to appear on the paper; and even the house that stood behind it had been sketched. Oh, if he could only draw and paint! He who could do this could conjure all the world before him. The first leisure moment during the next day the boy got a pencil, and on the back of one of the other drawings he attempted to copy the drawing of the Metal Pig, and he succeeded. Certainly it was rather crooked, rather up and[287] down, one leg thick, and another thin. Still it was like the copy, and he was overjoyed at what he had done. The pencil would not go quite as it ought, he had found, but the next day he tried again. A second pig was drawn by the side of the first, and this looked a hundred times better. The third attempt was so good that everybody could see what it was meant to represent.
And now the glovemaking went on but slowly. The orders given by the shops in the town were not finished quickly; for the Metal Pig had taught the boy that all objects may be drawn upon paper, and Florence is a picture book in itself for any one who chooses to turn over its pages. On the Piazza della Trinitŕ stands a slender pillar, and upon it is the goddess of justice blindfolded, with her scales in her hand. She was soon represented on paper, and it was the glovemaker's boy who placed her there. His collection of pictures increased, but as yet they were only copies of lifeless objects, when one day Bellissima came gamboling before him. "Stand still," cried he, "and I will draw you beautifully, to put in my collection."[288]
Bellissima would not stand still, so she must be bound fast in one position. He tied her head and tail, but she barked and jumped and so pulled and tightened the string that she was nearly strangled. And just then her mistress walked in.
"You wicked boy! The poor little creature!" was all she could utter.
She pushed the boy from her, thrust him away with her foot, called him a most ungrateful, good-for-nothing, wicked boy, and forbade him to enter her house again. Then she wept, and kissed her little half-strangled Bellissima. At this moment the painter entered the room—and here is the turning point of the story.
In the year 1834 there was an exhibition in the Academy of Arts at Florence. Two pictures, placed side by side, attracted many people. The smaller of the two represented a little boy sitting at a table drawing. Before him was a little white poodle, curiously shaven, but as the animal would not stand still, its head and tail had been fastened with a string, to keep it in one position. The truthfulness and life in this picture interested every one.  The boy had taught himself to draw. It was also said that a young artist, now famous, had discovered this talent in the child just as he was about to be sent away for having tied up madam's favorite little dog to use as a model.
The glovemaker's boy had become a really great painter, as the picture proved; but the larger picture by its side was a still greater proof of his talent. It represented a handsome boy asleep, clothed in rags and leaning against the Metal Pig, in the street of the Porta Rosa. All the spectators knew the spot well. The child's arms were round the neck of the Pig, and he was in a deep sleep. The lamp before the picture of the Madonna threw a strong light on the pale, delicate face of the child. It was a beautiful picture. A large gilt frame surrounded it, and on one corner of the frame a laurel wreath had been hung. But a black band, twined unseen among the green leaves, and a streamer of crape hung down from it; for within the last few days the young artist had—died.
His son inherited his wealth, and lived a merry life with it. He went to a masquerade every night, made kites out of five-pound notes, and threw pieces of gold into the sea instead of stones, making ducks and drakes of them.
In this manner he soon lost all his money. At last he had nothing left but a pair of slippers, an old dressing gown, and four shillings. And now[291] all his companions deserted him. They would not walk with him in the streets, but one of them, who was very good-natured, sent him an old trunk with this message, "Pack up!"
"Yes," he said, "it is all very well to say 'pack up.'" But he had nothing left to pack, therefore he seated himself in the trunk.
It was a very wonderful trunk, for no sooner did any one press on the lock than the trunk could fly. He shut the lid and pressed the lock, when away flew the trunk up the chimney, with him in it, right up into the clouds. Whenever the bottom of the trunk cracked he was in a great fright, for if the trunk had fallen to pieces, he would have turned a tremendous somersault over the trees. However, he arrived safely in Turkey. He hid the trunk in a wood under some dry leaves and then went into the town. This he could do very well, for among the Turks people always go about in dressing gowns and slippers, just as he was.
He happened to meet a nurse with a little child. "I say, you Turkish nurse," cried he, "what castle is that near the town, with the windows placed so high?"[292]
"The Sultan's daughter lives there," she replied. "It has been prophesied that she will be very unhappy about a lover, and therefore no one is allowed to visit her unless the king and queen are present."
"Thank you," said the merchant's son. So he went back to the wood, seated himself in his trunk, flew up to the roof of the castle, and crept through the window into the room where the princess lay asleep on the sofa. She awoke and was very much frightened, but he told her he was a Turkish angel who had come down through the air to see her. This pleased her very much.  He related to her the story about the stork, who brings the beautiful children from the rivers. These stories delighted the princess, and when he asked her if she would marry him, she consented immediately.
"But you must come on Saturday," she said, "for then my parents will take tea with me. They[294] will be very proud when they find that I am going to marry a Turkish angel. But you must think of some very pretty stories to tell them, for they like to hear stories better than anything. My mother prefers one that is deep and moral, but my father likes something funny, to make him laugh."
 But the princess gave him a sword studded with gold coins, and these he could make useful.
He flew away to the town and bought a new dressing gown, and afterwards returned to the wood, where he composed a story so as to be ready by Saturday; and that was no easy matter. It was ready, however, when he went to see the princess on Saturday. The king and queen and the whole court were at tea with the princess, and he was received with great politeness.
"Will you tell us a story?" said the queen; "one that is instructive and full of learning."
"Yes, but with something in it to laugh at," said the king.[295]
"Certainly," he replied, and commenced at once, asking them to listen attentively.
"There was once a bundle of matches that were exceedingly proud of their high descent. Their genealogical tree—that is, a great pine tree from which they had been cut—was at one time a large old tree in the wood. The matches now lay between a tinder box and an old iron saucepan and were talking about their youthful days. 'Ah! then we grew on the green boughs,' said they, 'and every morning and evening we were fed with diamond drops of dew. Whenever the sun shone we felt his warm rays, and the little birds would relate stories to us in their songs. We knew that we were rich, for the other trees only wore their green dresses in summer, while our family were able to array themselves in green, summer and winter. But the woodcutter came like a great disaster, and our family fell under the ax. The head of the house obtained a situation as mainmast in a very fine ship and can sail round the world whenever he will. Other branches of the family were taken to different places, and our own office now is to kindle a light[296] for common people. This is how such highborn people as we came to be in a kitchen.'
"'Mine has been a very different fate,' said the iron pot, which stood by the matches. 'From my first entrance into the world I have been used to cooking and scouring. I am the first in this house when anything solid or useful is required. My only pleasure is to be made clean and shining after dinner and to sit in my place and have a little sensible conversation with my neighbors. All of us excepting the water bucket, which is sometimes taken into the courtyard, live here together within these four walls. We get our news from the market basket, but it sometimes tells us very unpleasant things about the people and the government. Yes, and one day an old pot was so alarmed that it fell down and was broken in pieces.'
"'You are talking too much,' said the tinder box; and the steel struck against the flint till some sparks flew out, crying, 'We want a merry evening, don't we?'
"'Yes, of course,' said the matches. 'Let us talk about those who are the highest born.'[297]
"'No, I don't like to be always talking of what we are,' remarked the saucepan. 'Let us think of some other amusement; I will begin. We will tell something that has happened to ourselves; that will be very easy, and interesting as well. On the Baltic Sea, near the Danish shore—'
"'What a pretty commencement!' said the plates. 'We shall all like that story, I am sure.'
"'Yes. Well, in my youth I lived in a quiet family where the furniture was polished, the floors scoured, and clean curtains put up, every fortnight.'
"'What an interesting way you have of relating a story,' said the carpet broom. 'It is easy to perceive that you have been a great deal in society, something so pure runs through what you say.'
"'That is quite true,' said the water bucket; and it made a spring with joy and splashed some water on the floor.
"Then the saucepan went on with its story, and the end was as good as the beginning.
"The plates rattled with pleasure, and the carpet broom brought some green parsley out[298] of the dust hole and crowned the saucepan. It knew this would vex the others, but it thought, 'If I crown him to-day, he will crown me to-morrow.'
"'Now let us have a dance,' said the fire tongs. Then how they danced and stuck one leg in the air! The chair cushion in the corner burst with laughter at the sight.
"'Shall I be crowned now?' asked the fire tongs. So the broom found another wreath for the tongs.
"'They are only common people after all,' thought the matches. The tea urn was now asked to sing, but she said she had a cold and could not sing unless she felt boiling heat within. They all thought this was affectation; they also considered it affectation that she did not wish to sing except in the parlor, when on the table with the grand people.
"In the window sat an old quill pen, with which the maid generally wrote. There was nothing remarkable about the pen, except that it had been dipped too deeply in the ink; but it was proud of that.[299]
"'If the tea urn won't sing,' said the pen, 'she needn't. There's a nightingale in a cage outside, that can sing. She has not been taught much, certainly, but we need not say anything this evening about that.'
"'I think it highly improper,' said the teakettle, who was kitchen singer and half brother to the tea urn, 'that a rich foreign bird should be listened to here. Is it patriotic? Let the market basket decide what is right.'
"'I certainly am vexed,' said the basket, 'inwardly vexed, more than any one can imagine. Are we spending the evening properly? Would it not be more sensible to put the house in order? If each were in his own place, I would lead a game. This would be quite another thing.'
"'Let us act a play,' said they all. At the same moment the door opened and the maid came in. Then not one stirred; they remained quite still, although there was not a single pot among them that had not a high opinion of himself and of what he could do if he chose.
"'Yes, if we had chosen,' each of them thought, 'we might have spent a very pleasant evening.'[300]
"The maid took the matches and lighted them, and dear me, how they spluttered and blazed up!
"'Now then,' they thought, 'every one will see that we are the first. How we shine! What a light we give!' But even while they spoke their lights went out."
"What a capital story!" said the queen. "I feel as if I were really in the kitchen and could see the matches. Yes, you shall marry our daughter."
"Certainly," said the king, "thou shalt have our daughter." The king said "thou" to him because he was going to be one of the family. The wedding day was fixed, and on the evening before, the whole city was illuminated. Cakes and sweetmeats were thrown among the people. The street boys stood on tiptoe and shouted "Hurrah," and whistled between their fingers. Altogether it was a very splendid affair.
"I will give them another treat," said the merchant's son. So he went and bought rockets and crackers and every kind of fireworks that could be thought of, packed them in his trunk, and flew up with it into the air. What a whizzing and popping they made as they went off! The[301] Turks, when they saw the sight, jumped so high that their slippers flew about their ears. It was easy to believe after this that the princess was really going to marry a Turkish angel.
As soon as the merchant's son had come down to the wood after the fireworks, he thought, "I will go back into the town now and hear what they think of the entertainment." It was very natural that he should wish to know. And what strange things people did say, to be sure! Every one whom he questioned had a different tale to tell, though they all thought it very beautiful.
"I saw the Turkish angel myself," said one.
"He flew in a mantle of fire," said another, "and lovely little cherubs peeped out from the folds."
He heard many more fine things about himself and that the next day he was to be married. After this he went back to the forest to rest himself in his trunk. It had disappeared! A spark from the fireworks which remained had set it on fire. It was burned to ashes. So the merchant's[302] son could not fly any more, nor go to meet his bride. She stood all day on the roof, waiting for him, and most likely she is waiting there still, while he wanders through the world telling fairy tales—but none of them so amusing as the one he related about the matches.
The French call this flower Marguerite and say that it can prophesy. Lovers pluck off the leaves, and as they pluck each leaf they ask a question about their sweethearts, thus: "Does he or she love me? Dearly? Distractedly? Very[304] much? A little? Not at all?" and so on. Each one speaks these words in his own language.
The butterfly came, also, to Marguerite to inquire, but he did not pluck off her leaves; he pressed a kiss on each of them, for he thought there was always more to be done by kindness.
"Darling Marguerite daisy," he said to her, "you are the wisest woman of them all. Pray tell me which of the flowers I shall choose for my wife. Which will be my bride? When I know, I will fly directly to her and propose."
But Marguerite did not answer him. She was offended that he should call her a woman when she was only a girl; there is a great difference. He asked her a second time, and then a third, but she remained dumb, answering him not at all. Then he would wait no longer, but flew away to commence his wooing at once. It was in the early spring, when the crocus and the snowdrop were in full bloom.
"They are very pretty," thought the butterfly; "charming little lasses, but they are rather stiff and formal."[305]
Then, as young lads often do, he looked out for the older girls. He next flew to the anemones, but these were rather sour to his taste. The violet was a little too sentimental; the lime blossoms were too small—and, besides, there was such a large family of them. The apple blossoms, though they looked like roses, bloomed to-day, but might fall off to-morrow with the first wind that blew; and he thought a marriage with one of them might last too short a time. The pea blossom pleased him most of all. She was white and red, graceful and slender, and belonged to those domestic maidens who have a pretty appearance, yet can be useful in the kitchen. He was just about to make her an offer when, close by her, he saw a pod, with a withered flower hanging at the end.
"Who is that?" he asked.
"That is my sister," replied the pea blossom.
"Oh, indeed! and you will be like her some day," said he. And at once he flew away, for he felt quite shocked.
A honeysuckle hung forth from the hedge, in full bloom; but there were so many girls like[306] her, with long faces and sallow complexions! No, he did not like her. But which one did he like?
Spring went by, and summer drew toward its close. Autumn came, but he had not decided. The flowers now appeared in their most gorgeous robes, but all in vain—they had not the fresh, fragrant air of youth. The heart asks for fragrance even when it is no longer young, and there is very little of that to be found in the dahlias or the dry chrysanthemums. Therefore the butterfly turned to the mint on the ground.
"I will take her," said the butterfly; and he made her an offer. But the mint stood silent and stiff as she listened to him.  I am old, and you are old, but we may live for each other just the same. As to marrying, however, no! that would appear ridiculous at our age."
And so it happened that the butterfly got no[307] wife at all. He had been too long choosing, which is always a bad plan, and became what is called an old bachelor.
It was late in the autumn, with rainy and cloudy weather. The cold wind blew over the bowed backs of the willows, so that they creaked again. It was not the weather for flying about in summer clothes, but fortunately the butterfly was not out in it. By a happy chance he had got a shelter. It was in a room heated by a stove and as warm as summer. He could live here, he said, well enough.
"But it is not enough merely to exist," said he. "I need freedom, sunshine, and a little flower for a companion."
So he flew against the window-pane and was seen and admired by those in the room, who caught him and stuck him on a pin in a box of curiosities. They could not do more for him.
"Now I am perched on a stalk like the flowers," said the butterfly. "It is not very pleasant, certainly. I imagine it is something like being married, for here I am stuck fast." And with this thought he consoled himself a little.[308]
"That seems very poor consolation," said one of the plants in the room, that grew in a pot.
"Ah," thought the butterfly, "one can't very well trust these plants in pots; they have had too much to do with human beings."
One evening the student came into the shop through the back door to buy candles and cheese for himself; he had no one to send, and therefore he came himself. He obtained what he wished, and then the huckster and his wife nodded good evening to him. The huckster's wife was a[310] woman who could do more than merely nod, for she usually had plenty to say for herself. The student nodded also, as he turned to leave, then suddenly stopped and began reading the piece of paper in which the cheese was wrapped. It was a leaf torn out of an old book; a book that ought not to have been torn up, for it was full of poetry.
"Yonder lies some more of the same sort," said the huckster. "I gave an old woman a few coffee berries for it; you shall have the rest for sixpence if you will."
"Indeed I will," said the student. "Give me the book instead of the cheese; I can eat my bread and butter without cheese. It would be a sin to tear up a book like this.
This was a very rude speech, especially against the cask, but the huckster and the student both laughed, for it was only said in fun. The goblin, however, felt very angry that any man should venture to say such things to a huckster who was a householder and sold the best butter. As soon[311] as it was night, the shop closed, and every one in bed except the student, the goblin stepped softly into the bedroom where the huckster's wife slept, and took away her tongue, which of course she did not then want. Whatever object in the room he placed this tongue upon, immediately received voice and speech and was able to express its thoughts and feelings as readily as the lady herself could do. It could only be used by one object at a time, which was a good thing, as a number speaking at once would have caused great confusion. The goblin laid the tongue upon the cask, in which lay a quantity of old newspapers.
"Is it really true," he asked, "that you do not know what poetry is?"
"Of course I know," replied the cask. "Poetry is something that always stands in the corner of a newspaper and is sometimes cut out. And I may venture to affirm that I have more of it in me than the student has, even if I am only a poor tub of the huckster's."
Then the goblin placed the tongue on the coffee mill, and how it did go, to be sure! Then[312] he put it on the butter-tub, and the cash-box, and they all expressed the same opinion as the waste-paper tub. A majority must always be respected.
"Now I shall go and tell the student," said the goblin. With these words he went quietly up the back stairs to the garret, where the student lived. The student's candle was burning still, and the goblin peeped through the keyhole and saw that he was reading in the torn book which he had bought out of the shop. But how light the room was! From the book shot forth a ray of light which grew broad and full like the stem of a tree, from which bright rays spread upward and over the student's head. Each leaf was fresh, and each flower was like a beautiful female head—some with dark and sparkling eyes and others with eyes that were wonderfully blue and clear. The fruit gleamed like stars, and the room was filled with sounds of beautiful music. The little goblin had never imagined, much less seen or heard of, any sight so glorious as this. He stood still on tiptoe, peeping in, till the light went out. The student no doubt had blown out his candle[313] and gone to bed, but the little goblin remained standing there, listening to the music which still sounded, soft and beautiful—a sweet cradle song for the student who had lain down to rest.
"This is a wonderful place," said the goblin; "I never expected such a thing. I should like to stay here with the student." Then the little man thought it over, for he was a sensible sprite. At last he sighed, "But the student has no jam!" So he went downstairs again to the huckster's shop, and it was a good thing he got back when he did, for the cask had almost worn out the lady's tongue. He had given a description of all that he contained on one side, and was just about to turn himself over to the other side to describe what was there, when the goblin entered and restored the tongue to the lady. From that time forward, the whole shop, from the cash-box down to the pine-wood logs, formed their opinions from that of the cask. They all had such confidence in him and treated him with so much respect that when, in the evening, the huckster read the criticisms on theatricals and art, they fancied it must all come from the cask.[314]
After what he had seen, the goblin could no longer sit and listen quietly to the wisdom and understanding downstairs. As soon as the evening light glimmered in the garret, he took courage, for it seemed to him that the rays of light were strong cables, drawing him up and obliging him to go and peep through the keyhole. While there, a feeling of vastness came over him, such as we experience by the ever-moving sea when the storm breaks forth, and it brought tears into his eyes. He did not himself know why he wept, yet a kind of pleasant feeling mingled with his tears. "How wonderfully glorious it would be to sit with the student under such a tree!" But that was out of the question; he must be content to look through the keyhole and be thankful for even that.
There he stood on the cold landing, with the autumn wind blowing down upon him through the trapdoor. It was very cold, but the little creature did not really feel it till the light in the garret went out and the tones of music died away. Then how he shivered and crept downstairs again to his warm corner, where he felt at home and comfortable! And when Christmas came again[315] and brought the dish of jam and the great lump of butter, he liked the huckster best of all.
Soon after, the goblin was waked in the middle of the night by a terrible noise and knocking against the window shutters and the house doors and by the sound of the watchman's horn.  Was it in their house or a neighbor's? No one could tell, for terror had seized upon all. The huckster's wife was so bewildered that she took her gold earrings out of her ears and put them in her pocket, that she might save something at least. The huckster ran to get his business papers, and the servant resolved to save her black silk mantle, which she had managed to buy. All wished to keep the best things they had. The goblin had the same wish, for with one spring he was upstairs in the student's room. He found him standing by the open window and looking quite calmly at the fire, which was raging in the house of a neighbor opposite.
The goblin caught up the wonderful book, which lay on the table, and popped it into his red[316] cap, which he held tightly with both hands. The greatest treasure in the house was saved, and he ran away with it to the roof and seated himself on the chimney. The flames of the burning house opposite illuminated him as he sat with both hands pressed tightly over his cap, in which the treasure lay. It was then that he understood what feelings were really strongest in his heart and knew exactly which way they tended. Yet, when the fire was extinguished and the goblin again began to reflect, he hesitated, and said at last, "I must divide myself between the two; I cannot quite give up the huckster, because of the jam."
This is a representation of human nature. We are like the goblin; we all go to visit the huckster, "because of the jam."
From a narrow lane one day sounded the clang of horns and the trampling of horses. The little girl who kept the geese hastened to drive them away from the bridge before the hunting party came galloping up to it. They came, however, with such haste that the girl was obliged to climb up and seat herself on the parapet of the bridge, lest they should ride over her. She was scarcely more than a child, with a pretty, delicate figure, a gentle expression of face, and two bright[318] blue eyes—all of which the baron took no note of; but as he galloped past, he reversed the whip held in his hand, and in rough play gave the little goose-watcher such a push with the butt end that she fell backward into the ditch.
"Everything in its right place," cried he. "Into the puddle with you!" and then he laughed aloud at what he called his own wit, and the rest joined with him. The whole party shouted and screamed, and the dogs barked loudly.
Fortunately for herself, the poor girl in falling caught hold of one of the overhanging branches of the willow tree, by which she was able to keep herself from falling into the muddy pool. As soon as the baron, with his company and his dogs, had disappeared through the castle gate, she tried to raise herself by her own exertions; but the bough broke off at the top, and she would have fallen backwards among the reeds if a strong hand had not at that moment seized her from above. It was the hand of a peddler, who, at a short distance, had witnessed the whole affair and hastened up to give assistance.
"Everything in its right place," he said, imitating[319] the noble baron, as he drew the little maiden up on dry ground. He would have restored the bough to the place from which it had been broken off, but "everything in its right place" is not always so easy to arrange, so he stuck the bough in the soft earth. "Grow and prosper as much as you can," said he, "till you produce a good flute for some of them over there. With the permission of the noble baron and his family, I should like them to hear my challenge."
So he betook himself to the castle, but not into the noble hall; he was too humble for that. He went to the servants' apartments, and the men and maids examined and turned over his stock of goods, while from above, where the company were at table, came sounds of screaming and shouting which they called singing—and indeed they did their best. Loud laughter, mingled with the howling of dogs, sounded through the open windows. All were feasting and carousing. Wine and strong ale foamed in the jugs and glasses; even the dogs ate and drank with their masters. The peddler was sent for, but only to make fun for them. The wine had mounted to their heads, and the sense[320] had flown out. They poured wine into a stocking for him to drink with them—quickly, of course—and this was considered a rare jest and occasioned fresh bursts of laughter. At cards, whole farms, with their stock of peasants and cattle, were staked on a card and lost.
"Everything in its right place," said the peddler, when he at last escaped from what he called the Sodom and Gomorrah up there. "The open highroad is my right place; that house did not suit me at all." As he stepped along, he saw the little maiden keeping watch over the geese, and she nodded to him in a friendly way.
Days and weeks passed, and it soon became evident that the willow branch which had been stuck in the ground by the peddler, near to the castle moat, had taken root, for it remained fresh and green and put forth new twigs.
The little girl saw that the branch must have taken root, and she was quite joyful about it. "This tree," she said, "must be my tree now."
The tree certainly flourished, but at the castle, what with feasting and gambling, everything went to ruin; for these two things are like rollers, upon[321] which no man can possibly stand securely. Six years had not passed away before the noble baron wandered out of the castle gate a poor man, and the mansion was bought by a rich dealer. This dealer was no other than the man of whom he had made fun and for whom he had poured wine into a stocking to drink. But honesty and industry are like favorable winds to a ship, and they had brought the peddler to be master of the baron's estates. From that hour no more card playing was permitted there.
The new proprietor took to himself a wife, and who should it be but the little goose-watcher, who had always remained faithful and good, and who looked as beautiful and fine in her new clothes as if she had been a highly born lady. It would be too long a story in these busy times to explain how all this came about, but it really did happen, and the most important part is to come.
It was pleasant to live in the old court now. The mistress herself managed the housekeeping within, and the master superintended the estate. Their home overflowed with blessings, for where rectitude leads the way, prosperity is sure to[322] follow. The old house was cleaned and painted, the moat dried up, and fruit trees planted in it. The floors of the house were polished as smoothly as a draftboard, and everything looked bright and cheerful.
During the long winter evenings the lady of the house sat with her maidens at the spinning wheel in the great hall. Her husband, in his old age, had been made a magistrate. Every Sunday evening he read the Bible with his family, for children had come to him and were all instructed in the best manner, although they were not all equally clever—as is the case in all families. In the meantime, the willow branch at the castle gate had grown into a splendid tree and stood free and unrestrained.
"That is our genealogical tree," said the old people, "and the tree must therefore be honored and esteemed, even by those who are not very wise."
A hundred years passed away, and the place presented a much-changed aspect. The lake had been converted into moorland, and the old baronial castle had almost disappeared. A pool of water,[323] the deep moat, and the ruins of some of the walls were all that remained. Close by grew a magnificent willow tree, with overhanging branches—the same genealogical tree of former times. Here it still stood, showing to what beauty a willow can attain when left to itself. To be sure, the trunk was split through, from the root to the top, and the storm had slightly bent it; but it stood firm through all, and from every crevice and opening into which earth had been carried by the wind, shot forth blossoms and flowers. Near the top, where the large boughs parted, the wild raspberry twined its branches and looked like a hanging garden. Even the little mistletoe had here struck root, and flourished, graceful and delicate, among the branches of the willow, which were reflected in the dark waters beneath it. Sometimes the wind from the sea scattered the willow leaves. A path led through the field, close by the tree.
On the top of a hill, near the forest, with a splendid prospect before it, stood the new baronial hall, with panes of such transparent glass in the windows that there appeared to be none. The[324] grand flight of steps leading to the entrance looked like a bower of roses and broad-leaved plants. The lawn was as fresh and green as if each separate blade of grass were cleaned morning and evening. In the hall hung costly pictures. The chairs and sofas were of silk and velvet and looked almost as if they could move of themselves. There were tables with white marble tops, and books bound in velvet and gold. Here, indeed, resided wealthy people, people of rank—the new baron and his family.
Each article was made to harmonize with the other furnishings. The family motto still was, "Everything in its right place." Therefore the pictures which were once the honor and glory of the old house now hung in the passage leading to the servants' hall. They were considered mere lumber; especially two old portraits, one of a man in a wig and a rose-colored coat, the other of a lady with frizzed and powdered hair, holding a rose in her hand, each surrounded by a wreath of willow leaves. Both the pictures had many holes in them, for the little barons always set up the two old people as targets for their bows and[325] arrows; and yet these were pictures of the magistrate and his lady, from whom the present family were descended. "But they did not properly belong to our family," said one of the little barons; "he was a peddler, and she kept the geese. They were not like papa and mamma." So the pictures, being old, were considered worthless; and the motto being "Each in its right place," the great-grandfather and the great-grandmother of the family were sent into the passage leading to the servants' hall.
The son of the clergyman of the place was tutor at the great house. One day he was out walking with his pupils—the little barons—and their eldest sister, who had just been confirmed. They took the path through the fields, which led past the old willow tree. While they walked, the young lady made a wreath of hedge blossoms and wild flowers, "each in its right place," and the wreath was, as a whole, very pretty. At the same time she heard every word uttered by the son of the clergyman. She liked very much to hear him talk of the wonders of nature and of the great men and women of history. She had a healthy[326] mind, with nobility of thought and feeling, and a heart full of love for all God's creation.
The walking party halted at the old willow tree; the youngest of the barons wanted a branch from it to make a flute, as he had already made them from other willows. The tutor broke off a branch. "Oh, don't do that," exclaimed the young baroness; but it was already done. "I am so sorry," she continued; "that is our famous old tree, and I love it very much. They laugh at me for it at home, but I don't mind. There is a story told about that tree."
Then she told him what we already know: about the old castle, and about the peddler and the girl with the geese, who had met at this spot for the first time and were the ancestors of the noble family to which the young baroness belonged. "The good old folks would not be ennobled," said she. "Their motto was 'Everything in its right place,' and they thought it would not be right for them to purchase a title with money. My grandfather, the first baron, was their son. He was a very learned man, known and appreciated by princes and princesses, and was present at all the[327] festivals at court. At home, they all love him best, but I scarcely know why. There seems to me something in the first old pair that draws my heart towards them. How sociable, how patriarchal, it must have been in the old house, where the mistress sat at the spinning wheel with her maids while her husband read aloud to them from the Bible!"
"They must have been charming, sensible people," said the tutor, and then the conversation turned upon nobles and commoners. It was almost as if the tutor did not belong to an inferior class, he spoke so wisely upon the purpose and intention of nobility.
"It is certainly good fortune to belong to a family that has distinguished itself in the world, and to inherit the energy which spurs us on to progress in everything noble and useful. It is pleasant to bear a family name that is like a card of admission to the highest circles. True nobility is always great and honorable. It is a coin which has received the impression of its own value. It is a mistake of the present day, into which many poets have fallen, to affirm that all who are noble[328] by birth must therefore be wicked or foolish, and that the lower we descend in society the oftener we find great and shining characters. I feel that this is quite false. In all classes can be found men and women possessing kindly and beautiful traits.
"My mother told me of one, and I could tell you of many more. She was once on a visit to a nobleman's house in the town; my grandmother, I believe, had been brought up in the family. One day, when my mother and the nobleman happened to be alone, an old woman came limping into the court on crutches. She was accustomed to come every Sunday and always carried away a gift with her. 'Ah, there is the poor old woman,' said the nobleman; 'what pain it is for her to walk!'  Though seventy years old himself, the old nobleman carried to the woman the gift she had come to receive, to spare her the pain of walking any farther. This is only a trifling circumstance, but, like the two mites given by the widow in the Bible, it wakes an echo in the heart.[329]
"These are subjects of which poets should write and sing, for they soften and unite mankind into one brotherhood. But when a mere sprig of humanity, because it has noble ancestors of good blood, rears up and prances like an Arabian horse in the street or speaks contemptuously of common people, then it is nobility in danger of decay—a mere pretense, like the mask which Thespis invented. People are glad to see such persons turned into objects of satire."
This was the tutor's speech—certainly rather a long one, but he had been busily engaged in cutting the flute while he talked.
There was a large party at the Hall that evening. The grand salon was crowded with guests—some from the neighborhood, some from the capital. There was a bevy of ladies richly dressed with, and without, taste; a group of the clergy from the adjoining parishes, in a corner together, as grave as though met for a funeral. A funeral party it certainly was not, however; it was meant for a party of pleasure, but the pleasure was yet to come. Music and song filled the rooms, first one of the party volunteering, then another. The[330] little baron brought out his flute, but neither he nor his father, who tried it after him, could make anything of it. It was pronounced a failure.
 "You are of course a flute player as well as a flute maker.  Come now; I am sure you will be so good as to enchant us by playing on this little instrument." He handed it over, announcing in a loud voice that the tutor was going to favor the company with a solo on the flute.
It was easy to see that these people wanted to make fun of him, and he refused to play. But they pressed him so long and so urgently that at last, in very weariness, he took the flute and raised it to his lips.
It was a strange flute! A sound issued from it, loud, shrill, and vibrating, like that sent forth by a steam engine—nay, far louder. It thrilled through the house, through garden and woodland, miles out into the country; and with the sound came also a strong, rushing wind, its stormy[331] breath clearly uttering the words, "Everything in its right place!"
 The porter himself was borne up, not into the drawing room—no, for that he was not fit—but into the servants' hall, where the proud lackeys in their silk stockings shook with horror to see so low a person sit at table with them.
But in the grand salon the young baroness was wafted to the seat of honor, where she was worthy to sit, and the tutor's place was by her side. There they sat together, for all the world like bride and bridegroom. An old count, descended from one of the noblest houses in the land, retained his seat, not so much as a breath of air disturbing him, for the flute was strictly just. The witty young gentleman, who had been the occasion of all this tumult, was whirled out headforemost to join geese and ganders in the poultry yard.
Half a mile out in the country the flute wrought wonders. The family of a rich merchant,[332] who drove with four horses, were all precipitated from the carriage window. Two farmers, who had of late grown too wealthy to know their nearest relations, were puffed into a ditch. It was a dangerous flute. Luckily, at the first sound it uttered, it burst and was then put safely away in the tutor's pocket. "Everything in its right place!"
Next day no more was said about the adventure than as if it had never happened. The affair was hushed up, and all things were the same as before, except that the two old portraits of the peddler and the goose girl continued to hang on the walls of the salon, whither the wind had blown them. Here some connoisseur chanced to see them, and because he pronounced them to be painted by a master hand, they were cleaned and restored and ever after held in honor. Their value had not been known before.
"Everything in its right place!" So shall it be, all in good time, never fear. Not in this world, perhaps. That would be expecting rather too much.
One evening a terrible storm came on. It thundered and lightened, and the rain poured down; indeed, it was quite fearful. In the midst of it there came a knock at the town gate, and the old king went out to open it.
It was a princess who stood outside. But O dear, what a state she was in from the rain and[334] bad weather! The water dropped from her hair and clothes, it ran in at the tips of her shoes and out at the heels; yet she insisted she was a real princess.
"Very well," thought the old queen; "that we shall presently see." She said nothing, but went into the bedchamber and took off all the bedding, then laid a pea on the sacking of the bedstead. Having done this, she took twenty mattresses and laid them upon the pea and placed twenty eider-down beds on top of the mattresses.
The princess lay upon this bed all the night. In the morning she was asked how she had slept.
"Oh, most miserably!" she said. "I scarcely closed my eyes the whole night through. I cannot think what there could have been in the bed. I lay upon something so hard that I am quite black and blue all over. It is dreadful!"
It was now quite evident that she was a real princess, since through twenty mattresses and twenty eider-down beds she had felt the pea. None but a real princess could have such delicate feeling.[335]
So the prince took her for his wife, for he knew that in her he had found a true princess. And the pea was preserved in the cabinet of curiosities, where it is still to be seen unless some one has stolen it.
And this, mind you, is a real story.
Life was merry and gay in the town where the emperor lived, and numbers of strangers came to it every day. Among them there came one day two rascals, who gave themselves out as weavers and said that they knew how to weave the most[337] exquisite stuff imaginable. Not only were the colors and patterns uncommonly beautiful, but the clothes that were made of the stuff had the peculiar property of becoming invisible to every person who was unfit for the office he held or who was exceptionally stupid.
"Those must be valuable clothes," thought the emperor. "By wearing them I should be able to discover which of the men in my empire are not fit for their posts. I should distinguish wise men from fools. Yes, I must order some of the stuff to be woven for me directly." And he paid the swindlers a handsome sum of money in advance, as they required.
As for them, they put up two looms and pretended to be weaving, though there was nothing whatever on their shuttles. They called for a quantity of the finest silks and of the purest gold thread, all of which went into their own bags, while they worked at their empty looms till late into the night.
"I should like to know how those weavers are getting on with the stuff," thought the emperor.  He believed, indeed, that he had nothing to fear for himself, but still he thought it better to send some one else first, to see how the work was coming on. All the people in the town had heard of the peculiar property of the stuff, and every one was curious to see how stupid his neighbor might be.
"I will send my faithful old prime minister to the weavers," thought the emperor. "He will be best capable of judging of this stuff, for he is a man of sense and nobody is more fit for his office than he."
So the worthy old minister went into the room where the two swindlers sat working the empty looms. "Heaven save us!" thought the old man, opening his eyes wide. "Why, I can't see anything at all!" But he took care not to say so aloud.
Both the rogues begged him to step a little nearer and asked him if he did not think the patterns very pretty and the coloring fine. They pointed to the empty loom as they did so, and[339] the poor old minister kept staring as hard as he could—but without being able to see anything on it, for of course there was nothing there to see.
"Heaven save us!" thought the old man. "Is it possible that I am a fool? I have never thought it, and nobody must know it. Is it true that I am not fit for my office? It will never do for me to say that I cannot see the stuffs."
"Well, sir, do you say nothing about the cloth?" asked the one who was pretending to go on with his work.
"Oh, it is most elegant, most beautiful!" said the dazed old man, as he peered again through his spectacles. "What a fine pattern, and what fine colors! I will certainly tell the emperor how pleased I am with the stuff."
"We are glad of that," said both the weavers; and then they named the colors and pointed out the special features of the pattern. To all of this the minister paid great attention, so that he might be able to repeat it to the emperor when he went back to him.
And now the cheats called for more money, more silk, and more gold thread, to be able to[340] proceed with the weaving, but they put it all into their own pockets, and not a thread went into the stuff, though they went on as before, weaving at the empty looms.
After a little time the emperor sent another honest statesman to see how the weaving was progressing, and if the stuff would soon be ready. The same thing happened with him as with the minister. He gazed and gazed, but as there was nothing but empty looms, he could see nothing else.
"Is not this an exquisite piece of stuff?" asked the weavers, pointing to one of the looms and explaining the beautiful pattern and the colors which were not there to be seen.
"I am not stupid, I know I am not!" thought the man, "so it must be that I am not fit for my good office. It is very strange, but I must not let it be noticed." So he praised the cloth he did not see and assured the weavers of his delight in the lovely colors and the exquisite pattern. "It is perfectly charming," he reported to the emperor.
Everybody in the town was talking of the splendid cloth. The emperor thought he should[341] like to see it himself while it was still on the loom. With a company of carefully selected men, among whom were the two worthy officials who had been there before, he went to visit the crafty impostors, who were working as hard as ever at the empty looms.
"Is it not magnificent?" said both the honest statesmen. "See, your Majesty, what splendid colors, and what a pattern!" And they pointed to the looms, for they believed that others, no doubt, could see what they did not.
"What!" thought the emperor. "I see nothing at all. This is terrible! Am I a fool? Am I not fit to be emperor? Why nothing more dreadful could happen to me!"
"Oh, it is very pretty! it has my highest approval," the emperor said aloud. He nodded with satisfaction as he gazed at the empty looms, for he would not betray that he could see nothing.
His whole suite gazed and gazed, each seeing no more than the others; but, like the emperor, they all exclaimed, "Oh, it is beautiful!" They even suggested to the emperor that he wear the splendid new clothes for the first time on the[342] occasion of a great procession which was soon to take place.
"Splendid! Gorgeous! Magnificent!" went from mouth to mouth. All were equally delighted with the weavers' workmanship. The emperor gave each of the impostors an order of knighthood to be worn in their buttonholes, and the title Gentleman Weaver of the Imperial Court.
Before the day on which the procession was to take place, the weavers sat up the whole night, burning sixteen candles, so that people might see how anxious they were to get the emperor's new clothes ready. They pretended to take the stuff from the loom, they cut it out in the air with huge scissors, and they stitched away with needles which had no thread in them. At last they said, "Now the clothes are finished."
The emperor came to them himself with his grandest courtiers, and each of the rogues lifted his arm as if he held something, saying, "See! here are the trousers! here is the coat! here is the cloak," and so on. "It is as light as a spider's web. One would almost feel as if one had nothing on, but that is the beauty of it!"[343]
"Yes," said all the courtiers, but they saw nothing, for there was nothing to see.
"Will your Majesty be graciously pleased to take off your clothes so that we may put on the new clothes here, before the great mirror?"
The emperor took off his clothes, and the rogues pretended to put on first one garment and then another of the new ones they had pretended to make. They pretended to fasten something round his waist and to tie on something. This they said was the train, and the emperor turned round and round before the mirror.
"How well his Majesty looks in the new clothes! How becoming they are!" cried all the courtiers in turn. "That is a splendid costume!"
"The canopy that is to be carried over your Majesty in the procession is waiting outside," said the master of ceremonies.
"Well, I am ready," replied the emperor. "Don't the clothes look well?" and he turned round and round again before the mirror, to appear as if he were admiring his new costume.
The chamberlains, who were to carry the train, stooped and put their hands near the floor as if[344] they were lifting it; then they pretended to be holding something in the air. They would not let it be noticed that they could see and feel nothing.
So the emperor went along in the procession, under the splendid canopy, and every one in the streets said: "How beautiful the emperor's new clothes are! What a splendid train! And how well they fit!"
No one wanted to let it appear that he could see nothing, for that would prove him not fit for his post. None of the emperor's clothes had been so great a success before.
"But he has nothing on!" said a little child.
"Just listen to the innocent," said its father; and one person whispered to another what the child had said.
"But he has nothing on," cried all the people. The emperor was startled by this, for he had a suspicion that they were right. But he thought, "I must face this out to the end and go on with the procession." So he held himself more stiffly than ever, and the chamberlains held up the train that was not there at all.
All the days of the week Little Claus was obliged to plow for Great Claus and to lend him his one horse; then once a week, on Sunday, Great Claus helped Little Claus with his four horses, but always on a holiday.
"Hurrah!" How Little Claus would crack his whip over the five, for they were as good as his own on that one day.[346]
The sun shone brightly, and the church bells rang merrily as the people passed by. The people were dressed in their best, with their prayer books under their arms, for they were going to church to hear the clergyman preach. They looked at Little Claus plowing with five horses, and he was so proud and merry that he cracked his whip and cried, "Gee-up, my fine horses."
"You mustn't say that," said Great Claus, "for only one of them is yours."
But Little Claus soon forgot what it was that he ought not to say, and when any one went by he would call out, "Gee-up, my fine horses."
"I must really beg you not to say that again," said Great Claus as he passed; "for if you do, I shall hit your horse on the head so that he will drop down dead on the spot, and then it will be all over with him."
"I will certainly not say it again, I promise you," said Little Claus. But as soon as any one came by, nodding good day to him, he was so pleased, and felt so grand at having five horses plowing his field, that again he cried out, "Gee-up, all my horses."[347]
"I'll gee-up your horses for you," said Great Claus, and he caught up the tethering mallet and struck Little Claus's one horse on the head, so that it fell down dead.
"Oh, now I haven't any horse at all!" cried Little Claus, and he began to weep. But after a while he flayed the horse and hung up the skin to dry in the wind.
Then he put the dried skin into a bag, and hanging it over his shoulder, went off to the next town to sell it. He had a very long way to go and was obliged to pass through a great, gloomy wood. A dreadful storm came up. He lost his way, and before he found it again, evening was drawing on. It was too late to get to the town, and too late to get home before nightfall.
Near the road stood a large farmhouse. The shutters outside the windows were closed, but lights shone through the crevices and at the top. "They might let me stay here for the night," thought Little Claus. So he went up to the door and knocked. The door was opened by the farmer's wife, but when he explained what it was that he wanted, she told him to go away; her husband,[348] she said, was not at home, and she could not let any strangers in.

Close to the farmhouse stood a tall haystack, and between it and the house was a small shed with a thatched roof. "I can lie up there," said Little Claus, when he saw the roof. "It will make a capital bed, but I hope the stork won't fly down and bite my legs." A stork was just then standing near his nest on the house roof.
So Little Claus climbed onto the roof of the shed and proceeded to make himself comfortable. As he turned round to settle himself, he discovered that the wooden shutters did not reach to the tops of the windows. He could look over them straight into the room, in which a large table was laid with wine, roast meat, and a fine, great fish. The farmer's wife and the sexton were sitting at the table all by themselves, and she was pouring out wine for him, while his fork was in the fish, which he seemed to like the best.
"If I could only get some too," thought Little[349] Claus, and as he stretched his neck toward the window he spied a large, beautiful cake. Goodness! what a glorious feast they had before them.
At that moment some one came riding down the road towards the farm. It was the farmer himself, returning. He was a good man enough, but he had one very singular prejudice—he could not bear the sight of a sexton, and if he came on one he fell into a terrible rage. This was the reason that the sexton had gone to visit the farmer's wife during his absence from home and that the good wife had put before him the best she had.
When they heard the farmer they were frightened, and the woman begged the sexton to creep into a large empty chest which stood in a corner. He did so with all haste, for he well knew how the farmer felt toward a sexton. The woman hid the wine and all the good things in the oven, for if her husband were to see them, he would certainly ask why they had been provided.
"O dear!" sighed Little Claus, on the shed roof, as he saw the good things disappear.
"Is any one up there?" asked the farmer, looking up where Little Claus was. "What are you[350] doing up there? You had better come with me into the house."
Then Little Claus told him how he had lost his way, and asked if he might have shelter for the night.
"Certainly," replied the farmer; "but the first thing is to have something to eat."
The wife received them both in a friendly way, and laid the table, bringing to it a large bowl of porridge. The farmer was hungry and ate with a good appetite. But Little Claus could not help thinking of the capital roast meat, fish, and cake, which he knew were hidden in the oven.
He had put his sack with the hide in it under the table by his feet, for, we must remember, he was on his way to the town to sell it. He did not relish the porridge, so he trod on the sack and made the dried skin squeak quite loudly.
"Hush!" said Little Claus to his bag, at the same time treading upon it again, to make it squeak much louder than before.
"Hollo! what's that you've got in your bag?" asked the farmer.[351]
"Oh, it's a magician," said Little Claus, "and he says we needn't eat the porridge, for he has charmed the oven full of roast meat, fish, and cake."
"What?" cried the farmer, and he opened the oven with all speed and saw all the nice things the woman had hidden, but which he believed the magician had conjured up for their special benefit.
The farmer's wife did not say a word, but set the food before them; and they both made a hearty meal of the fish, the meat, and the cake. Little Claus now trod again upon his sack and made the skin squeak.
"What does he say now?" inquired the farmer.
"He says," promptly answered Little Claus, "that he has conjured up three bottles of wine, which are standing in the corner near the stove." So the woman was obliged to bring the wine which she had hidden, and the farmer and Little Claus became right merry. Would not the farmer like to have such a conjurer as Little Claus carried about in his sack?
"Can he conjure up the Evil One?" inquired the farmer. "I shouldn't mind seeing him now, when I'm in such a merry mood."[352]
"Yes," said Little Claus, "he will do anything that I please"; and he trod on the bag till it squeaked.  What will he look like?"
"Well, he will show himself to you in the image of a sexton."
"Nay, that's bad indeed. You must know that I can't abide a sexton. However, it doesn't matter, for I know he's a demon, and I shan't mind so much. Now my courage is up! Only he mustn't come too close."
"I'll ask him about it," said Little Claus, putting his ear down as he trod close to the bag.
"What does he say?"
"He says you can go along and open the chest in the corner, and there you'll see him cowering in the dark. But hold the lid tight, so that he doesn't get out."
"Will you help me to hold the lid," asked the farmer, going along to the chest in which his wife had hidden the sexton, who was shivering with fright.[353]
The farmer opened the lid a wee little way and peeped in. "Ha!" he cried, springing backward. "I saw him, and he looks exactly like our sexton. It was a shocking sight!"
They must needs drink after this, and there they sat till far into the night.
"You must sell me your conjurer," said the farmer. "Ask anything you like for him. Nay, I'll give you a bushel of money for him."
"No, I can't do that," said Little Claus. "You must remember how much benefit I can get from such a conjurer."
"Oh, but I should so like to have him!" said the farmer, and he went on begging for him.
"Well," said Little Claus at last, "since you have been so kind as to give me a night's shelter, I won't say nay. You must give me a bushel of money, only I must have it full to the brim."
"You shall have it," said the farmer; "but you must take that chest away with you. I won't have it in the house an hour longer. You could never know that he might not still be inside."
So Little Claus gave his sack with the dried hide of the horse in it and received a full bushel[354] of money in return, and the measure was full to the brim. The farmer also gave him a large wheelbarrow, with which to take away the chest and the bushel of money.
"Good-by," said Little Claus, and off he went with his money and the chest with the sexton in it.
On the other side of the forest was a wide, deep river, whose current was so strong that it was almost impossible to swim against it.   I am tired of wheeling it. I'll just throw it into the river. If it floats down to my home, well and good; if not, I don't care. It will be no great matter." And he took hold of the chest and lifted it a little, as if he were going to throw it into the river.
"No, no! let be!" shouted the sexton. "Let me get out."
"Ho!" said Little Claus, pretending to be[355] frightened. "Why, he is still inside. Then I must heave it into the river to drown him."
"Oh, no, no, no!" shouted the sexton; "I'll give you a whole bushelful of money if you'll let me out."
"Oh, that's another matter," said Little Claus, opening the chest. He pushed the empty chest into the river and then went home with the sexton to get his bushelful of money.
"I got a pretty fair price for that horse, I must admit," said he to himself, when he got home and turned the money out of the wheelbarrow into a heap in the middle of the floor. "What a rage Great Claus will be in when he discovers how rich I am become through my one horse. But I won't tell him just how it happened." So he sent a boy to Great Claus to borrow a bushel measure.
"What can he want with it?" thought Great Claus, and he rubbed some tallow on the bottom so that some part of whatever was measured might stick to it. And so it did, for when the measure came back, three new silver threepenny bits were sticking to it.[356]
"What's this!" said Great Claus, and he ran off at once to Little Claus. "Where on earth did you get all this money?" he asked.
"Oh, that's for my horse's skin. I sold it yesterday morning."
"That was well paid for, indeed," said Great Claus. He ran home, took an ax, and hit all his four horses on the head; then he flayed them and carried their skins off to the town.
"Hides! hides! who'll buy my hides?" he cried through the streets.
All the shoemakers and tanners in the town came running up and asked him how much he wanted for his hides.
"A bushel of money for each," said Great Claus.
"Are you mad?" they all said. "Do you think we have money by the bushel?"
"Skins! skins! who'll buy them?" he shouted again, and the shoemakers took up their straps, and the tanners their leather aprons, and began to beat Great Claus.
"Hides! hides!" they called after him. "Yes, we'll hide you and tan you. Out of the town[357] with him," they shouted. And Great Claus made the best haste he could to get out of the town, for he had never yet been thrashed as he was being thrashed now.
"Little Claus shall pay for this," he said, when he got home.
Little Claus's old grandmother had just died in his house. She had often been harsh and unkind to him, but now that she was dead he felt quite grieved. He took the dead woman and laid her in his warm bed to see if she would not come to life again. He himself intended to sit in a corner all night. He had slept that way before.
As he sat there in the night, the door opened and in came Great Claus with his ax. He knew where Little Claus's bed stood, and he went straight to it and hit the dead grandmother a blow on the forehead, thinking it was Little Claus.
"Just see if you'll make a fool of me again," said he, and then he went home.
"What a bad, wicked man he is!" said Little Claus. "He was going to kill me.  He would have taken her life."
He now dressed his grandmother in her best Sunday clothes, borrowed a horse of his neighbor, harnessed it to a cart, and set his grandmother on the back seat, so that she could not fall when the cart moved. Then he started off through the woods. When the sun rose, he was just outside a big inn, and he drew up his horse and went in to get something to eat.
The landlord was a very rich man and a very good man, but he was hot-tempered, as if he were made of pepper and snuff. "Good morning!" said he to Little Claus; "you have your best clothes on very early this morning."
"Yes," said Little Claus, "I'm going to town with my old grandmother.  You'll have to shout at her, she's very hard of hearing."
"Yes, that I'll do," said the host, and he poured a glass and went out with it to the dead grandmother, who had been placed upright in the cart.[359]
"Here is a glass of beer your son has sent," said the landlord but she sat quite still and said not a word.
"Don't you hear?" cried he as loud as he could. "Here is a glass of beer from your son."
But the dead woman replied not a word, and at last he became quite angry and threw the beer in her face—and at that moment she fell backwards out of the cart, for she was only set upright and not bound fast.
"Now!" shouted Little Claus, as he rushed out of the inn and seized the landlord by the neck, "you have killed my grandmother! Just look at the big hole in her forehead!"
"Oh! what a misfortune!" cried the man, "and all because of my quick temper.  Otherwise I shall have my head cut off—and that is so dreadful."
So Little Claus again received a whole bushel of money, and the landlord buried the old grandmother as if she had been his own.[360]
When Little Claus got home again with all his money, he immediately sent his boy to Great Claus to ask to borrow his bushel measure.
"What!" said Great Claus, "is he not dead? I must go and see about this myself." So he took the measure over to Little Claus himself.
"I say, where did you get all that money?" asked he, his eyes big and round with amazement at what he saw.
"It was grandmother you killed instead of me," said Little Claus. "I have sold her and got a bushel of money for her."
"That's being well paid, indeed," said Great Claus, and he hurried home, took an ax and killed his own old grandmother.
He then put her in a carriage and drove off to the town where the apothecary lived, and asked him if he would buy a dead person.
"Who is it and where did you get him?" asked the apothecary.
"It is my grandmother, and I have killed her so as to sell her for a bushel of money."
"Heaven preserve us!" cried the apothecary. "You talk like a madman. Pray don't say such[361] things, you may lose your head."  Great Claus was so frightened that he rushed out of the shop, jumped into his cart, whipped up his horse, and galloped home through the wood. The apothecary and all the people who saw him thought he was mad, and so they let him drive away.
"You shall be paid for this!" said Great Claus, when he got out on the highroad. "You shall be paid for this, Little Claus!"
Directly after he got home, Great Claus took the biggest sack he could find and went over to Little Claus.
"You have deceived me again," he said. "First I killed my horses, and then my old grandmother.
It was a long way that he had to travel before he came to the river, and Little Claus was not[362] light to carry. The road came close to the church, and the people within were singing beautifully. Great Claus put down his sack, with Little Claus in it, at the church door. He thought it would be a very good thing to go in and hear a psalm before he went further, for Little Claus could not get out. So he went in.
"O dear! O dear!" moaned Little Claus in the sack, and he turned and twisted, but found it impossible to loosen the cord. Then there came by an old drover with snow-white hair and a great staff in his hand. He was driving a whole herd of cows and oxen before him, and they jostled against the sack in which Little Claus was confined, so that it was upset.
"O dear," again sighed Little Claus, "I'm so young to be going directly to the kingdom of heaven!"
"And I, poor fellow," said the drover, "am so old already, and cannot get there yet."
"Open the sack," cried Little Claus, "and creep into it in my place, and you'll be there directly."
"With all my heart," said the drover, and he untied the sack for Little Claus, who crept out at[363] once. "You must look out for the cattle now," said the old man, as he crept in. Then Little Claus tied it up and went his way, driving the cows and the oxen.
In a little while Great Claus came out of the church. He took the sack upon his shoulders and thought as he did so that it had certainly grown lighter since he had put it down, for the old cattle-drover was not more than half as heavy as Little Claus.
"How light he is to carry now! That must be because I have heard a psalm in the church."
He went on to the river, which was both deep and broad, threw the sack containing the old drover into the water, and called after him, thinking it was Little Claus, "Now lie there! You won't trick me again!"
He turned to go home, but when he came to the place where there was a crossroad he met Little Claus driving his cattle.
"What's this?" cried he. "Haven't I drowned you?"
"Yes," said Little Claus, "you threw me into the river, half an hour ago."[364]
"But where did you get all those fine cattle?" asked Great Claus.
"These beasts are sea cattle," said Little Claus, "and I thank you heartily for drowning me, for now I'm at the top of the tree. I'm a very rich man, I can tell you. But I was frightened when you threw me into the water huddled up in the sack. I sank to the bottom immediately, but I did not hurt myself, for the grass is beautifully soft down there. I fell upon it, and the sack was opened, and the most beautiful maiden in snow-white garments and a green wreath upon her hair took me by the hand, and said to me, 'Have you come, Little Claus? Here are cattle for you, and a mile further up the road there is another herd!'
"Then I saw that she meant the river and that it was the highway for the sea folk. Down at the bottom of it they walk directly from the sea, straight into the land where the river ends. Lovely flowers and beautiful fresh grass were there. The fishes which swam there glided about me like birds in the air. How nice the people were, and what fine herds of cattle there were, pasturing on the mounds and about the ditches!"[365]
"But why did you come up so quickly then?" asked Great Claus. "I shouldn't have done that if it was so fine down there."
"Why, that was just my cunning. You know, I told you that the mermaid said there was a whole herd of cattle for me a mile further up the stream. Well, you see, I know how the river bends this way and that, and how long a distance it would have been to go that way. If you can come up on the land and take the short cuts, driving across fields and down to the river again, you save almost half a mile and get the cattle much sooner."
 cried Great Claus. "Do you think I could get some sea cattle if I were to go down to the bottom of the river?"
"I'm sure you would," said Little Claus. "But I cannot carry you. If you will walk to the river and creep into a sack yourself, I will help you into the water with a great deal of pleasure."
"Thanks!" said Great Claus. "But if I do not find sea cattle there, I shall beat you soundly, you may be sure."
"Oh! do not be so hard on me."[366]
And so they went together to the river. When the cows and oxen saw the water, they ran to it as fast as they could. "See how they hurry!" cried Little Claus. "They want to get back to the bottom again."
"Yes, but help me first or I'll thrash you," said Great Claus. He then crept into a big sack, which had been lying across the back of one of the cows. "Put a big stone in or I'm afraid I shan't sink."
"Oh, that'll be all right," said Little Claus, but he put a big stone into the sack and gave it a push. Plump! and there lay Great Claus in the river. He sank at once to the bottom.
"I'm afraid he won't find the cattle," said Little Claus. Then he drove homeward with his herd.
[367]
The stork is noted for its great affection for its young and especially for the care it is said to give to its parents in their old age. It has no song, and is in no sense a bird to love, though it may become quite tame.
[368]
Dante was the greatest of Italian poets.
Alfieri and Machiavelli were authors.
Opposite the grave of Galileo is the tomb of Michelangelo, on which stand his bust and three figures, representing sculpture, painting, and architecture. Close by is a monument to Dante, whose body is buried at Ravenna. On this monument Italy is represented as pointing to the colossal statue of Dante, while Poetry mourns his loss. A few steps farther on is Alfieri's monument, which is adorned with laurel, the lyre, and dramatic masks; Italy weeps over his grave. Machiavelli is the last in this group of celebrated men.
Obvious punctuation errors repaired.
Some of the diacritical marks represented in the Notes section may not be available in all browsers. For the reader's convenience, the original page images have been made available for comparison of these two pages. Click on the page number in the margin to see these images.
Page 26, "sushine" changed to "sunshine" (warm sunshine, while)
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